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http://aurorawatcherak.wordpress.com/ | 2014-08-27T20:57:33 | s3://commoncrawl/crawl-data/CC-MAIN-2014-35/segments/1408500829839.93/warc/CC-MAIN-20140820021349-00406-ip-10-180-136-8.ec2.internal.warc.gz | 0.976297 | 1,908 | CC-MAIN-2014-35 | webtext-fineweb__CC-MAIN-2014-35__0__27409344 | en | Today I am interviewing Dyane Forde, another friend from the Authonomy website where she recently reached the Editor’s Desk with The Purple Morrow, an outstanding fantasy that I was pleased to support for the last couple of years. Lela
Tell the readers something about yourself, Dyane.
I’m from Montreal, Quebec, Canada. Our country is officially bilingual (English and French) but Quebec is decidedly a French-speaking province. I can speak and write in both English and French—most of my professional work is done in French. I also know some Spanish and I’m learning Japanese on my own, which is a lot of fun. J
I am married and have two children who keep me busy and feeling young—when my knees and back don’t hurt, lol—and a dog named Sparky and a cat named Jack Jack. I picked the cat’s name after watching Cinderella. Those mice were too cute!
When did you start to write?
I started writing when I was in the first grade. We were instructed to write a story which I later brought home to show my mother. She looked at it, said it was good and then added, “You know, there are other words you can use to say ‘walk’.” I then discovered how much fun it was to look up new words to replace mundane ones, which led to realizing how powerful that could be—totally adding new life and, sometimes, new meaning to a sentence or idea. I was hooked.
I wrote stories throughout elementary school, poems during the high school to university years, and then stopped writing for a long time. I had a very difficult job and was married with kids, all of which left little time to do anything creative. About 4-5 years ago, things settled a little, and once I got back to writing, I decided to take hold of my lifelong dream to write a book. I haven’t looked back since.
The Purple Morrow series deals with loss and grief as well as love and healing set against a backdrop of human cruelty. What was the inspiration for the series?
I’ve always been interested in people’s inner workings and how we deal with the challenges we face. The idea for The Purple Morrow started a few years back when I wanted to explore themes related to loss, redemption, and moving forward. The story of a man unable to deal with the past while being thrown into a crisis demanding that he settle things to move on seemed a good place to start.
The Purple Morrow started very simply; I’d intended it to be a solo book. But as the story developed and the characters matured, I knew the full tale had to be explored. The world of Marathana blossomed, becoming multi-cultural, each people group following their own cultural or religious beliefs. Magic and spirituality are also firmly rooted in this world and play essential roles in determining which side–good or evil–will prevail. I had a full-fledged trilogy on my hands.
Are there any parallels between Jeru, Nyssa, Kellen and folks in your real life?
At first, not really. When the idea of the story came to me, I had a strong sense of the type of man Jeru needed to be (strong, earnest, human, flawed, committed—an Everyman) as well as the kind of woman he would fall in love with (determined, smart, vulnerable but courageous)—both came to life rooted in the themes underlying the story. As the story developed, I did base parts of Jeru’s character on myself. Some of fun, lighter side of his personality was gleaned from certain people in my entourage, especially the way he speaks. I’d get stuck on a phrase and would actually stop and go, “Okay, what would so-and-so say in this situation?” and then write what came to mind. Worked every time!
Kelen came to life when I was walking home from the bus one day and I felt strongly that a good villain was needed, someone who could embody the Rovers’ viciousness while still having a heart and soul people could relate to. A few metres from the house, his introductory scene and backstory dropped into my head—it was one of the closest things to a vision I’ve ever had lol–and that was it. I went home and wrote it out. I’m thrilled that he’s become a very popular character.
Does your career as a social worker influence your writing at all?
Yes. I’m preoccupied and deeply moved by human emotions, hurt, pain and the struggle to overcome. My hope is that through my stories people can relate to the characters and their challenges and failures while being encouraged by their successes. It’s important to me that readers feel like each story was written with them in mind and, hopefully, they can take something positive from the reading experience.
How does your faith influence the stories you tell? What role does the “High Spirit” play in your own life?
I mentioned that I hadn’t written for years. I couldn’t. Any creative person who needs an outlet to stay sane can understand how painful that was. But one day, the story for my first book, The Eagle’s Gift, dropped into my head. That night I went home and started the first serious writing I’d done in ten years. And I haven’t stopped. This is important because I honestly feel that it was God who ‘uncorked’ me and who has been leading me along this very convoluted and difficult path of writing/publishing. Everything that has happened has been beyond my expectations: I’m nobody, just a person who loves to write and decided to grab hold of her crazy dream, yet I have met some fantastic people, have found support and encouragement in so many places…I don’t know what the future holds but already I feel as though I have come a long way and am eager to see what’s to come.
You’re self-published. Did you attempt to find a traditional publisher or did you always know that you wanted to go this route?
I originally started by going the traditional route but abandoned it after a few ‘almosts’ and many more rejections. I almost signed with one small publisher but didn’t in the end for a few reasons, one being that I feared losing control of my story. So I turned to self-publishing to make sure that the story I wanted to tell remained intact. I also wanted to learn the process of bringing a manuscript to print. That experience alone was invaluable.
Do you have any advice for writers who want to publish their works?
Where do I start?! I’ve shared many thoughts in other interviews and on my blog but I think the things that stick out most to me now are these:
- Be patient. Success might come quickly but chances are it won’t. And that’s okay. Paying your dues and doing the hard work to improve at the craft; learning from failure; learning the business side of writing; and figuring out what you want to achieve and what you’re willing to put in to get it, are all essential parts of the process. Expecting long term results is one way to avoid burning out and the constant threat of discouragement—your expectations are key in how you weather the storms that will
- Write as much as you can, whatever you can. I believe it’s important to not stick to only the same style or genres. There’s so much to explore and to try! Poetry, flash fiction, long short stories, novellas, essays, blogging…Everything you learn along the way can be used in one way or another, and finding interesting ways to combine styles, for example, can create something fresh. Not to mention, surprising yourself when you succeed at something new can build confidence.
- Try, try, try! Submit articles as a guest blogger, try interviewing another author, try a writing competition, and practice your pitches on friends. You never know what you can do until you give it a go. Don’t let fear stand in the way of your growth.
What are your future plans for the series?
I’m working on getting Wolf’s Bane, the sequel to The Purple Morrow, edited, and the draft of third book, Berserker, is in progress. I also have three other WIPs on backburners, The Dragon’s Egg, The Eagle’s Gift, and Big Boy, as well as a YA novella I just completed called The Cloud-Gatherer’s Tears which is sitting for a bit until I get to revisions. Information about these stories (with excerpts) as well as my other short fiction are found on my blog www.droppedpebbles.wordpress.com. I like to keep busy. J
“I love to hear from Readers and I always write back.”
Amazon: The Purple Morrow | artistic |
https://rchiara.com/collections/holiday-best-sellers/products/small-flower-petal-studs | 2024-04-24T21:27:16 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296819971.86/warc/CC-MAIN-20240424205851-20240424235851-00772.warc.gz | 0.883978 | 122 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__148322578 | en | Add a touch of elegance and sophistication to your outfit with Rchiara's Small Flower Petal Studs. These intricate earrings are made from 14k solid gold with a total carat weight of .94 carats, making them a perfect addition to any fine jewelry collection. With a push-back post design and a length of 0.57 inches, these small floral studs are perfect for both casual and formal wear.
- 14k solid gold
- Total Carat Weight: .94 carats
- Length: 0.57 inches
- Push back post | artistic |
https://www.projectmagus.com/press | 2022-01-21T06:02:11 | s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320302723.60/warc/CC-MAIN-20220121040956-20220121070956-00134.warc.gz | 0.97093 | 428 | CC-MAIN-2022-05 | webtext-fineweb__CC-MAIN-2022-05__0__25524737 | en | Issue #1 (June 2019)
A4 - 210 x 297 mm
(8.3 x 11.7 inches)
18-22 per issue
Project Magus is an ongoing modern military/fantasy comic book series for readers aging from 16 - 40. You will follow the story of Corporal Victoria Lopez, a U.N. Marine who is lacking in height but won't back down from a fight.
In a dystopian world filled with anger and grief, Victoria is thrown into a war that is unfamiliar to what she was grown up believing. She must face a deadly adversary that is on the rise while seeking vengeance for those she's lost.
Project Magus was originally a Game Modification I directed 10 years ago while in college called Lytus. Though the game itself is shelved, the story was always something I wanted to explore. Over the past year, I began to dive deep into what makes this adventure intriguing to me. It has been heavily rewritten from what it was originally, but the core of the story exists: What happens when you bring mystical fantasy elements into modern military tactics.
I was always a bit of a nerd growing up. I grew up reading fantasy like Harry Potter and Superman but also had a soft spot for military life due to my father. My father served in the Marines and I would spend hours listening to his stories of living "in the bush".
As I got older, I began to notice a lack of Latin representation in the media I had come to love so dearly. Why weren't there as many Latino super-heroes in the movies? With the success of Wonder Woman, I was incredibly shocked at my realization of how little representation Latinas have.
Built from the bones of a game pitch in college, I set out to write a story that not only combined my love of fantasy and military but also to give Latinas the representation that they deserve. | artistic |
http://meldrims.com/paint-supplies/ | 2021-01-15T16:46:10 | s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703495936.3/warc/CC-MAIN-20210115164417-20210115194417-00613.warc.gz | 0.935295 | 178 | CC-MAIN-2021-04 | webtext-fineweb__CC-MAIN-2021-04__0__3540868 | en | Preparing for a big painting project? Meldrim’s Paint Center has everything you need to get the job done right. No matter the size of your next project, you’ll find the help you need at Meldrim’s Paint Center. We have painting materials, stains and painting accessories in stock from the top brand names in the business. Discuss your painting project and goals with one of our knowledgeable team members, and we’ll point you toward the best supplies for your needs!
See what Meldrim’s Paint Center can do for you. Come by our Cortland Store today.
If you need painting supplies, you need to make a trip to Meldrim’s Paint Center in Cortland, New York. We carry all kinds of materials that will help you achieve the look you want. Come to us for: | artistic |
http://www.stlcityfaces.org/blog/2015/11/27/shining-through-a-rainy-day | 2019-09-21T13:41:53 | s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514574501.78/warc/CC-MAIN-20190921125334-20190921151334-00415.warc.gz | 0.988999 | 169 | CC-MAIN-2019-39 | webtext-fineweb__CC-MAIN-2019-39__0__36056351 | en | It was pouring when we went to the studio to tutor this week, so most of us thought that very few kids would show up. Fortunately, this was not the case, and pretty soon the studio was filled with kids. Our planned activity was to make drums out of cups and plastic wrap, but that only kept the kids busy for a couple minutes. For the rest of the time, half of the group colored and made fortune tellers at the table and the other half made paper airplanes and threw them across the studio. I spent most of my time making paper planes for the kids to throw because apparently my planes flew pretty far and the demand for them was really high! On a day that started out dark and gloomy, we were really glad to see the kids enjoying themselves and flashing their bright smiles!
Aahil Merchant, Tutor | artistic |
https://www.ashleighbrilliant.com/SongInfo.html | 2023-03-28T01:23:06 | s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296948756.99/warc/CC-MAIN-20230328011555-20230328041555-00559.warc.gz | 0.929251 | 2,818 | CC-MAIN-2023-14 | webtext-fineweb__CC-MAIN-2023-14__0__92319613 | en | SONGS OF LOVE AND HAIGHT
You may have heard it said that if you can remember the Sixties, you werent there. As it happens, I actually was there, and in 1967, during the famous Summer of Love I was living in what was then the world center of the Hippie counterculture -- San Franciscos Haight-Ashbury district.
In that atmosphere of unusual freedom and creativity, I published the first Pot-Shots postcards, which, as you may know, eventually grew into a series numbering 10,000. But another production, of which Im equally proud, but which is much less well-known, was a set of satirical songs about the Hippie scene, which I wrote and sang in Golden Gate Park to an informal daily gathering sometimes numbering in the hundreds, and published as the "HAIGHT-ASHBURY SONGBOOK -- Songs of Love and Haight.
These songs consist of new lyrics for tunes you probably know. They're parodies which echo the originals, but put a completely different slant on them. For example, My Grandfathers Clock becomes My Grandfathers Pot and the Whiffenpoof Song morphs into The Hippenpoof Song. Tidings of Comfort and Joy becomes a song about sexual freedom. And in my version of Clementine, the miner forty-niner is now a runaway minor named Regina.
Different songs reflect various aspects of the Hippie era, such as public nudity, conflicts with the police, pan-handling, the Diggers, and of course the two mind-altering drugs, known familiarly as pot and acid, which were an essential part of the whole scene.
We all knew at the time that that scene was too beautiful to last, and this anticipatory nostalgia was indeed a theme of several of my songs. But my musical contribution to the Sixties has until now been available only in the form of the original tabloid Haight-Ashbury Songbook (first editions currently selling at various sites on the Internet for prices up to $140) and a now very rare LP record called Ashleigh Brilliant In the Haight-Ashbury, which actually contained only a few of the songs in the Songbook, and was never widely marketed.
Just recently, however, I had an opportunity to make a new recording, singing all of the immortal creations from that unique publication. And Im happy to announce that I can now offer this collection to you on a CD.
With a new wave of permissiveness sweeping away old taboos, this seems a good time for a new release of my outrageous songs, whose stated purpose, as proclaimed in the Songbook itself, has always been to spread joy and consternation throughout society.
But wait! Theres more! Besides all 33 songs which were in the original Haight-Ashbury Songbook (and one which wasnt, but should have been), this CD also gives you two equally startling, but totally different, masterpieces. One is my hectic recounting (in 4 minutes) of the entire history of America from Columbus to the Space Age (with all the important names, dates, and facts) to the rousing beat of John Philip Sousas Stars and Stripes Forever. The other is my incredible version of Offenbachs Can-Can (absolutely not to be missed by any cat-lover.)
For a list of all the songs on the CD, please see below.
The price of this whole exhilarating concoction is just $30.
To ORDER (Just write Songs CD in the Item line.)
SONGS OF LOVE AND HAIGHT
By Ashleigh Brilliant
As First Sung by the Author in Golden Gate Park,
And First Published in his Haight-Ashbury Songbook
San Francisco, 1967
[Recorded by Dan Fiebiger, Portland, Oregon, April 2010]
(Total time: 55:31)
1. There Is a Digger in the Town (1:32) ["There
Is A Tavern In the Town"]
2. The Intercourse Song (1:44) ["God Rest Ye Merry Gentlemen"]
3. Haight-Ashbury The Beautiful (1:05) ["America The Beautiful"]
4. Father Fallon (1:36) ["Sweet Betsy From Pike"]
5. So Jolly (0:41) ["Hello Dolly"]
6. Hateful Powers (0:49) ["April Showers"]
7. The Hippenpoof Song (1:27) ["The Whiffenpoof Song"]
8. Hippie Get Stoned (2:15) ["Jimmy Crack Corn"]
9. Marry-Wanna (0:58) ["Celito Lindo"]
10. It's a Nark (0:53) ["Lone Ranger" theme from "William Tell" Overture]
11. Digger Lullaby (1:13) ["Hush Little Baby, Don't Say a Word"]
12. Home in the Trees (1:17) ["Home On the Range"]
13. Hippie Hill (1:10) ["Bless 'Em All"]
14. Chiquita Banana Song (0:54) ["Chiquita Banana Song"]
15. San Francisco - Full of Marihuana (3:59) ["Alouette"]
16. Seventy Chicks (1:21) ["Seventy-Six Trombones"]
17. The Girl I Left in Berkeley (1:43) ["The Girl I Left Behind Me"]
18. How Delinquent Can You Be (2:33) ["My Darling Clementine"]
19. Don't You Lie To Me (1:30) ["Oh Susanna"]
20. The Panhandler's Song (1:23) ["Mockingbird Hill"]
21. The Hitching Hippie (1:17) ["Lili Marlene"]
22. Hey Run Me Over (0:46) ["Hey Look Me Over"]
23. Take Acid and You'll See (1:08) "It Came Upon A Midnight Clear"]
24. The Singing Hippie (1:16) ["Dominique," from "The Singing Nun"]
25. I Love Haight Street (0:41) ["I Love Paris"]
26. The Bridge (2:28) ["The Fox Went Out on a Chilly Night"]
27. On the Street Where I Live (1:24) ["On the Street Where You Live"]
28. Don't Be Square (0:38) ["Over There"]
29. My Grandfather's Pot (1:02) ["My Grandfather's Clock"]
30. Took a Little Trip (1:07) ["Jamaica Farewell" -- "Left a Little Girl in Kingston Town"]
31. "Cockels" and "Mussels" (2:13) ["Molly Malone"]
32. My Teenie Bopper With the Light Blue Jeans (0:57) ["I Dream of Jeannie With the Light Brown Hair"]
33. Around The Bay (0:43) ["Around The World"]
34. Haight-Ashbury Farewell (2:14) ["Red River Valley"]
35. American History Song (4:02) ["The Stars and Stripes Forever"]
36. The Pussy-Cat Can-Can (2:54) [Offenbach's "Can-Can"]
37. About the Author (1:17)
I just spent a delightful 55:46 listening to your songs I laughed, I cried, I sang along. Your spoken intros to the songs added greatly to the experience Every track is my favorite of all, as I listen to it. Then the next track is You are a national treasure."
-- Fred Brown, North Carolina. [email protected]
[A complete set of lyrics will be made available
to all purchasers of the
Price of CD: $30
To Order (type "Songs CD" in "Item" line)
CD: "SONGS OF LOVE AND HAIGHT"
by Ashleigh Brilliant.
by Dan Fiebiger
I live on Haight Avenue in Portland
Oregon. For years, even decades, when I was spelling the street
I lived on for people seeking my address, I always said, "It's
pronounced and spelled just like "Haight-Ashbury", without
the "Ashbury", and everyone I talked to instantly understood
what I meant.
Then suddenly a few years ago, I started
running across people who had never heard of "Haight Ashbury",
or the whole San Francisco Hippie counter-culture movement of
the 60s that revolutionized my entire generation's social and
cultural outlook on life, and I realized that part of the history
that I had grown up with was slowly being eroded and erased from
the public consciousness. I even met some people who had no idea
who The Beatles or Neil Armstrong were.
This was (and still is) pretty alarming,
kind of like the beginning of forgetting that World War II or
the American Revolution had happened, and I then knew how the
Jews felt when they ran across people who had never heard that
the Holocaust had happened, and didn't believe it could happen,
and why the Jews were so adamant about keeping that memory alive.
Finally I understood, even though
my topic, the Haight-Ashbury era, was far less dramatic or horrific
than the Jewish Holocaust.
Now comes to the rescue Ashleigh Brilliant's
wonderful collection of songs on CD written at and during the
Haight-Ashbury experience in San Francisco, a still-living piece
of real significant history first created in 1967, the "summer
of love", the actual peak of the movement.
For everything significant that came
out of that era, and that summer, the great music groups like
the Grateful Dead, the Jefferson Airplane, Janis Joplin, (etc.),
the cultural events like the Monterey Pop Music Festival which
introduced Jimi Hendrix and The Who to large-scale American audiences,
and gave rise to the invention of the large-scale rock festival,
the wonderful "underground" artistry of Robert Crumb
and his contemporaries, and those far-seeing writers like Hunter
S. Thompson and those other writers and editors who would soon
bring us Rolling Stone magazine, etc., Ashleigh Brilliant was
right in the middle of it all, writing his songs and poems, standing
on a milk box and singing them to gathering crowds almost daily
in Golden Gate Park in San Francisco, doing his bit to encourage
this amazing cultural revolution that affected and influenced
an entire boomer generation.
When he came to visit me in Portland
early in 2010, and mentioned his songs, I just had to volunteer
my modest basement recording studio to record these songs anew
(they had been recorded once for an LP which is now out of print)
so that Ashleigh could send them out on his web site, to preserve
a significant part of our generation's cultural history that brought
on all the social and artistic movements that are still quietly
intertwined with the fabric of our current society.
Current generations have their forms
of music, artistic styles, writing styles, and alternative concepts
that are available today, and taken for granted, because the Hippies
in the 60s (evolving from the "Beat Generation" of the
50s) created them, gave birth to many of them, nurtured them,
and fought to keep them alive, and kept those concepts, philosophies,
and movements thriving, evolving, and merging with the additional
conceptual and artistic contributions of the 70s, 80s, 90s, into
the 21st century, with aging factions still keeping those original
ideas (and the atmosphere of openness to allow for the invention
of even newer ideas) alive to this day.
So what artist-historian Ashleigh
Brilliant has done in his "SONGS OF LOVE AND HAIGHT"
CD is demonstrate a significant origin of those concepts, those
ideas, those alternate ways of thinking in their raw, pure, original
solo-vocal form, and so everyone should seek out a copy of his
CD, to see where we were, and forever measure it against where
we are now. Even re-discovering the original songs that Ashleigh
parodies with his verses is a worthwhile exercise, just cuz that's
part of our world musical history also.
Otherwise, a giant gift to current
world society will be forever lost.
And that would be truly tragic.
And so Ashleigh Brilliant's "SONGS
OF LOVE AND HAIGHT" CD is highly recommended as the endlessly
fascinating cultural-artistic document of cutting-edge ideas that
And by the way, his songs are a just
a lot of FUN to hear also, just like his "Pot Shots".
Even without all the historical-cultural
trappings, that alone is worth your while, and worth his price
Try it, you'll like it.
North Haight Ave | artistic |
http://chulesblankets.com/ | 2017-04-28T00:23:30 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917122720.81/warc/CC-MAIN-20170423031202-00278-ip-10-145-167-34.ec2.internal.warc.gz | 0.937923 | 258 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__31426658 | en | Chule's handwoven wool blankets
are timeless classics which lend themselves to decors ranging from country to contemporary. There are a variety
of colors and patterns available offering endless possibilities to appeal to most discriminating tastes. So much so, says
Vera, that "we could weave wool blankets with one-of-a-kind designs for generations and still never run out of combinations!"
In fact, the Chule family has been weaving for six generations with over 165 years of experience between Chule, Vera, and
their son Niko. Together they weave into each blanket a tradition of artistry and commitment to quality. Their old world
sensibility defines success not by their bank account but by how many people own and love their work. This philosophy has
earned the Chule family many happy customers and life-long friends. The very reasonable prices ensure most anyone the opportunity to afford a bit of cozy, exquisitely crafted luxury.
We invite you to wrap yourself up in a Chule's blanket and slip into a peaceful sleep in the natural warmth of the centuries old finely crafted weavings.
Featured below is a different special wool blanket at a discount, so revisit this page often. The Wool Blankets link offers many more wool blanket choices. | artistic |
https://vo-radio.com/location/kansas/classicalkc919 | 2023-12-06T03:58:56 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100583.13/warc/CC-MAIN-20231206031946-20231206061946-00085.warc.gz | 0.854827 | 366 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__76043438 | en | Radio Classical KC 91.9 FM stands as a timeless haven for lovers of orchestral and symphonic masterpieces. As a beacon of cultural enrichment in our city, it brings the classical greats to contemporary ears, fostering an appreciation for music that transcends generations. In the ever-evolving soundscape of modern media, this station remains dedicated to curating compositions that resonate with both novice listeners and seasoned aficionados. Offering an array of shows that delve into the histories, stories, and intricacies behind each note, Classical KC ensures that the music does more than just sound; it speaks.
From the dramatic crescendos of Beethoven to the serene melodies of Debussy, this station embraces the full spectrum of classical music. While specific DJ names or program details might vary, the station's commitment to quality and authenticity never wavers. Whether you're seeking solace in familiar tunes or venturing into the lesser-known corners of classical music, Classical KC 91.9 FM is your trusted companion, delivering a seamless blend of past and present, tradition and innovation.
- Bitrate: 128 kbit/s
- City of license: Kansas City, MO-KS
- Area Served: Kansas City, MO-KS
- Adress: 4825 Troost Suite 202, Kansas City, MO 64110 8192355303
- Frequency: 91.9 FM
- Official site: classicalkc.org
Listen to Classical KC 91.9 FM streaming radio on your computer, tablet, or phone. With Vo-Radio, experience Classical KC 91.9 FM live online in high quality (bitrate 128 kbit/s, 91.9 FM) without the need to register. Immerse yourself in popular music from the genre . | artistic |
https://industry.global/work/make-a-bold-move/ | 2023-12-05T18:53:33 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100555.27/warc/CC-MAIN-20231205172745-20231205202745-00359.warc.gz | 0.92191 | 837 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__305767255 | en | The Built for the Bold brand campaign was always part of a system. Before our strategists had Googled “Yellow Boot” for the first time, we planned — hand-in-hand with Timberland’s top-tier in-house marketing team — a multi-phased approach that would sustain excitement and engagement with their consumers, old and potential. The brand campaign would come first, to introduce our bold voice and visual center. The product campaign next, as a proof of concept for the new brand direction.
With a massive social and OOH push for the brand campaign in full swing, how and when do we refocus the narrative around the products, not the brand? How do we maintain the momentum built in the lofty, Platonic world of the brand, while making the (direct-injected) rubber meet the road by sharpening our ask in a product campaign? Now, how do we do all that in our own studio? The apparent answer: capably. The “Make a Bold Move” product campaign reestablished Timberland’s pithy voice and brought new life and meaning to our iconic tone.
We connected product and brand by isolating moments from our anthem film — the creative focal point of the Built for the Bold campaign — and zooming in to tell product-centric stories. In the film, we see a young man swinging in a hammock hung in a park. How’d he get there? Which boot enabled the moment? We told these product stories through stills, 6- and 15-second films, and product heroes produced in our third-floor studio in downtown Portland, Oregon. We paired these moments with headlines worthy of Timberland’s heritage voice, clarifying while adding character and depth to the story.
We set the standard for how Timberland will execute product campaigns for years to come. Together, we’re furthering their reputation for giving products context, meaning and utility with a bold voice and unforgettable visual storytelling.
As the name implies, industrial design is a part of our DNA. We take pride in rolling up our sleeves and figuring it out. That’s what our clients have come to expect from us — unexpected solutions that maximize intrigue and take their brands to a deeper level of storytelling. DIY, but make it premium.
Here’s an example of how we created each product story — including 15 second films and product superiority stills — by isolating moments from the Built for the Bold anthem film. In the film, we see London-based musician Arlo Parks spill cereal all over her GreenStride™ Cortina Valley boots, interrupting her songwriting. From that scene, we created a 15 second film that adds greater context to the moment, detailing Arlo’s fit, studio, work habits and ultimately, the spill itself. Clicking down even further, we created a set and art direction that captured the same product story on a white background without a model and paired it with a killer line.
A behind-the-scenes look at our third-floor studio and the process that brought to life our product shot for Timberland’s GreenStride™ Tree Vault 6-inch Waterproof Boot.
Never satisfied with a simple product laydown, we got clever with how to show off the benefits of the Mountain Town Insulated Jacket. We expressed its added warmth and durability with an out-of-season garden scene, transforming the jacket into a scarecrow and paying the whole thing off with a quippy line.
And here’s how we expressed its waterproof capabilities — through a deluge and good copy.
We kept things a little more grounded to express the same waterproof benefit for the GreenStride™ TBL® Originals Ultra Waterproof Boot.
As a nod to Timberland’s long history of bold copy, we revived the line “For Those Who Can’t Yet Walk on Water” from an old Timberland product campaign and recontextualized it to work with the new Built for the Bold Brand Voice. | artistic |
https://arkdesign.ai/harmonizing-architecture-from-renaissance-masters-to-ai-driven-design/ | 2024-04-13T20:23:52 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816832.57/warc/CC-MAIN-20240413180040-20240413210040-00603.warc.gz | 0.945371 | 1,362 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__68484223 | en | Dity Ayalon AIA, SARA (Founder & CEO, ArkDesign.AI)
Published on December 07, 2023
Thank you ArchDaily for featuring the ArkDesign.AI story in the article titled “From Renaissance Masters to AI-Driven Design.” The project in the article was designed by Fariba Makooi, AIA, the principal of Fischer + Makooi Architects. Recognized as one of the premier architects in multifamily development in New York City, her firm consistently designs millions of square feet of housing each year and holds a prominent position in the The Real Deal ranking of leading architects in NYC.
The world of architecture is a captivating fusion of artistic expression and scientific precision. My journey in the realm of architecture started with a profound exploration of its rich history. It was the awe-inspiring works of Renaissance masters that propelled me onto a transformative trajectory, guiding me toward harnessing the immense potential of artificial intelligence and algorithms in architectural design.
A Young Architect in Florence
At the tender age of 22, I embarked on a journey that would forever shape my perspective. Leaving my homeland behind, I pursued my architectural studies at The University of Florence in Italy. It was in this ancient institute and city that my fascination with architectural history took root and blossomed. Within the hallowed halls of the university, surrounded by the enduring architectural masterpieces of the Renaissance, I felt as though I had been transported back in time. The works of luminaries such as Brunelleschi, Michelangelo, and Leon Battista Alberti became my guiding stars in navigating the labyrinthine world of architecture.
Alberti’s Pursuit of Harmony
My research delved deeply into the pioneering theories of Leon Battista Alberti, a true Renaissance polymath. Alberti’s quest to uncover the fundamental harmony that underpins both visual perception and music was nothing short of revelatory. He explored the intricate relationships between what the human eye perceives as harmonious and what the human ear discerns as harmonious. The result was a profound connection between the mathematical regularities inherent in visual forms and compositions and those found in the realm of music.
Palazzo Rucellai in Florence is the manifestation of Alberti’s theories. Alberti studied carefully the combinations between the elements of the elevations so that the relationship between them would recall the harmonic musical ratios that he set forth in De re aedificatoria, in which he outlines the correspondence between architectural proportions and harmonic musical ratios. In spite of the myriad difficulties of establishing whether these speculations had indeed any concrete effect on architecture, it is clear that Alberti’s theory is not the result of individual reflection, based solely on the classical sources that Alberti himself explicitly cites in his treatise, but rather is the culmination of an age-old tradition of thought that, during the whole era of the Middle Ages, had deepened the study of the symbolic and expressive value of harmonic ratios.
Alberti’s multidisciplinary approach to investigation mirrored the essence of the Renaissance itself. He seamlessly melded disciplines such as art, human physiology, science, architecture, and mathematics, applying insights from one field to enrich another. This multifaceted perspective resonated deeply within me and would later serve as a cornerstone of my architectural journey.
The Squinting Technique, or, Bridging Art and Architecture In NYC
Years after my time in Florence, I ventured to the bustling metropolis of New York City to further nurture my artistic inclinations. At the National Academy of Design, I had the privilege of studying under the tutelage of accomplished artists such as Nicky Orbach, Henry Finkelstein, and Sharon Sprung. It was during these intensive painting sessions that I stumbled upon profound insights that would prove transformative.
Sharon Sprung, a renowned realistic painter in the heart of NYC, imparted to me a simple yet invaluable technique: squinting. Squinting at the life model we were painting revealed an entirely new world of compositions, shapes, colors, and interrelationships between surfaces. As a result of squinting at life models, we were able to simplify the complexity of real life into shapes, compositions, and relationships that could be applied to a canvas or a 2D surface. This technique, deceptively straightforward, would later become instrumental in my journey to develop algorithms and planning methodologies for architectural design.
Architecture Meets Math, Al and Art
As I delved deeper into my architectural career, the stark contrast between the creative freedom of art and the manual, non-standardized practices still prevalent in architecture and construction became increasingly evident. The repetitive nature and inefficiencies inherent in the process were impossible to ignore. The limitations of manual labor, coupled with the adverse effects on profitability for my real estate developer clients and the comfort of future occupants, prompted me to embark on extensive research.
Returning to the wisdom of the Renaissance masters, particularly Leon Battista Alberti and his theories on harmonic principles, I sought patterns and rhythms that could be translated into mathematical equations. These equations held the potential to dissect the essence of the design process into its constituent stages and components. I started by analyzing hundreds of floor plans. Applying the squinting method I learned from the masters of NYC painting, I uncovered and defined the shapes, compositions, and relationships between these elements. Then, inspired by Alberti’s interdisciplinary theories, I and my team developed an Al-based system for the schematic design process, rendering it dramatically more efficient and profitable for real estate clients, architects, inhabitants, and the environment. This approach has the potential to substantially optimize the utilization of air rights in our cities, making our cities more efficiently designed and assisting in providing more housing per square foot in our urban areas for our exponentially growing urban population and, hopefully, preserving more untouched green areas for a more sustainable future.
The Renaissance Reimagined in the Age of Al
The spirit of the Renaissance masters continues to inspire. Their relentless pursuit of knowledge across diverse disciplines, now prominently including Al, coupled with their ability to blend these disciplines into new forms of expression, serves as a beacon for those of us determined to push the boundaries of architectural design.
By marrying the wisdom of the past with the boundless possibilities of the future, we are poised to usher in a new era of architecture. In this era, art, science, and technology will coexist harmoniously, promising a brighter future for our industry and the world it shapes. As we bridge the gap between tradition and innovation, we honor the legacy of the Renaissance masters and embark on a journey of creative exploration and transformation. | artistic |
https://yawc.aua.am/2022/03/04/anush-ter-khachatryan-baec-17-paving-her-path-in-the-creative-realm/ | 2024-04-12T11:17:10 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296815919.75/warc/CC-MAIN-20240412101354-20240412131354-00114.warc.gz | 0.98239 | 2,309 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__149166507 | en | Anush Ter-Khachatryan (BAEC ‘17): Paving Her Path in the Creative Realm
Anush Ter-Khachatryan (BAEC ‘17) is a graduate of the BA in English and Communications (BAEC) program of the American University of Armenia (AUA). In spite of having graduated rather recently, Anush was successful in paving an impressive career path in the creative realm. She published the comic book Mashtots: A Not-So-True True Story, gave a talk at TEDxAUA in 2021, and is currently director of programs at Creative Armenia, an innovative arts foundation that discovers, develops, and champions creative Armenian visionaries. Anush is passionate about art and creative practices, and she credits her education at AUA for shaping her worldview and for developing her talents. During our interview, Anush talked to us about her career path, her passion for art, the projects she is currently engaged in, and the goals she strives to achieve.
This year marks the fifth year since your graduation from AUA. Given that the humanities and liberal arts are facing a dramatic decline in higher education worldwide, what brought you to the AUA BAEC program five years ago?
Since a very young age, I had two passions in life that I wanted to pursue: one was becoming a writer and the other was to be a pilot. So, when I was in high school and had to decide which path to choose, I was actually leaning toward applying for admission to an aviation school in the UK. However, in the summer of 2012, when I found out that AUA had launched an undergraduate program, it was kind of a sign that I needed to follow my dream of becoming a writer. I also realized that becoming a pilot was more like a poetic vision. Though I really loved the poetry of being a pilot, I thought that becoming a writer I would be able to tell many stories of many characters, including one of a pilot. I was more reassured in my decision when I came to an AUA Open House. Back then, the provost was Dr. Dennis Leavens. At some point in his speech, he started reciting this poem by William Carlos Williams: “I have eaten/ the plums/ that were in/ the icebox/ and which/ you were probably/ saving/ for breakfast/ Forgive me/ they were delicious/ so sweet/ and so cold.” Dr. Leavens had an enchanting voice. In that very instance, two things crossed my mind: “Who eats plums for breakfast?” and “This is the university I should attend, the university where the provost recites a poem in his speech to potential applicants.” That was very much aligned with my own idea of what a university should give me. Then, during the four years at AUA, my decision was constantly reaffirmed.
How was your experience at AUA? What role did your program play in your career development? Did you have a professor(s) who influenced you?
AUA has played a significant role in my life, in shaping my worldview, and in showing that one should always aspire upwards. It also taught me that one should take responsibility for being a leader and giving back to society in some way, besides securing a good livelihood for oneself.
I was fortunate to have great professors at AUA who have played a major role in my life, and I’m so grateful to them for forging my path. I already mentioned Dr. Dennis Leavens, who influenced and inspired me in many ways. I was really fortunate to have him as my Freshman English teacher. He showed us the power of the American liberal arts education and introduced us to a whole world of poetry and literature. Another person I would love to mention is Shushan Avagyan, who taught a class in literary translation and helped me a lot with my capstone project on Toni Morrison’s Beloved. I’m also grateful to Zareh Tjeknavorian, who taught me courses in filmmaking and the language of cinema, and who ultimately changed my vision of life. We would watch and analyze classics such as Rear Window; All About Eve; The Elephant Man; and would learn how to see with our ears, how to tell a story through montage, and so much more. Zareh would always start and end the class quoting William Butler Yeats: “Beauty is truth, truth beauty — that is all Ye know on earth, and all ye need to know.” I carry those words with me always.
My love for literature and poetry inspired me to start a student club at AUA. Although I knew that poetry was not so popular among students, I was looking for people that would share my love for literature and would join in that kind of a poetic congregation. And once I found people that shared my passion for poetry and literature in general, I decided that was the right time to start a poetry club. We participated in an exhibition, where we presented poetry that we had written. We had film screenings about art. We also translated into Armenian poems by Alan Ginsburg, John Berryman, and others.
In spite of being a recent graduate, you have had quite an impressive career trajectory thus far. Let me ask you, what has been the most memorable moment of success in your career path?
Shortly after I graduated, I started working at Creative Armenia, an arts foundation that I had heard about and whose work had greatly impressed me. I am one of those people that are very strict about the kind of path they’re paving for themselves. And I think that work and life are not two separate things — they’re just parts of one whole organism — and if one’s respectful to oneself, one should do work that is truly fulfilling oneself, which talks to one’s values and also, which would allow one to grow and to do something good for society. I’m lucky that I found fulfillment in my work early in life.
As to my most memorable moment of success, it’s still in the making, but so far, I have had several accomplishments that I’m humbly proud of. I’ve published a comic book, which will be in print soon. As a writer, completing a creative project is such a rewarding feeling; and I do hope people will read it. Another thing that I am proud of is a project we did at Creative Armenia. We have recently published a book called “44 Days: Diary from an Invisible War,” written by Lika Zakaryan, a journalist that took cover in a bunker during the 2020 Artsakh war and began to write a diary. Her book, which is available in English, Armenian, and Russian has become a definitive and comprehensive chronicle of the war. I am the editor of the book, and I am very proud that we can bring it to readers worldwide.
What do you like most about your current position as the director of programs at Creative Armenia?
In Creative Armenia, we discover, develop, and produce creative talents and help Armenian artists worldwide through our signature programs. We believe that apart from grants or other financial assistance, artists primarily need strategic support to bring their works to life and take them out to the international art scene and marketplace. In Armenia, many people are in the mindset that art cannot be successful commercially; this is what we want to change. We want to show that it is possible for art to be both sustainable and commercially successful, and that one attribute does not contradict or devalue the other. We have many projects designed to promote Armenian artists through funding, industry connections, mentorship opportunities, and so on. Artbox, our most recent creative incubator provides comprehensive support to creative projects and businesses with potential for commercial success. This is our pilot year of the program, and we’re really excited about the definitive change it will bring to the creative economy in Armenia. We do think that our artists should also be creative leaders and ambassadors for Armenia. It resonates with what AUA has taught us: not to be just members of the local workforce, but to represent Armenia as its ambassadors wherever we go.
How do you manage to overcome challenges? What has been the biggest challenge that you have faced?
I think what has always helped me is my persistence. I’m a very stubborn person by nature, which is not always rewarding, but it helps when it comes to facing challenges. Perhaps the most difficult challenges for me were the inner ones, such as becoming more confident in my own beliefs and abilities. I’ve spent much time shaping and carving out the person I want to be. I think that one should always try to be or at least get closer to the person one aspires to be. It’s an ongoing challenge — I think we all face that.
What are your plans for the next couple of years? Do you have specific goals that you want to achieve in the near future?
I’m working on my debut novels, one of which is based on my grandfather’s story. I consider it one of my biggest missions in life to bring his story to life. I have also written a short picture book for children that I would like to see published soon. Other than my personal goals, I would love to see our programs at Creative Armenia evolve — we have a lot of work ahead and it’s all very exciting. I think that in the near future we are going to witness considerable changes in the creative economy of Armenia, and I look forward to that.
Nowadays, many careers in the humanities are changing, settling into new roles in a new reality. What is your perception of the role of the humanities in general?
The role of the humanities is significant in any society. It gives us the chance to analyze our society, to test its boundaries, to predict and also create what’s coming. All great ideas and anything new first spark from words, stories, and great narratives. Perhaps if we look at statistics, we’ll see that the number of people involved in the humanities is significantly low compared to those engaged in other spheres. But I think we shouldn’t approach the issue in this way. I don’t think that the humanities and sciences are very different from each other, but rather, they are interconnected. One of the most iconic physicists, Nobel Prize winning Richard Feynman was also a great artist, and he is only one example of those scientists who think and envision as artists would do. So, cooperation between the humanities and sciences is possible and constructive, they can complement each other, and this is what we should strive for. In this regard, creative entrepreneurship is one of the spheres that could be considered by people engaged in the creative field.
What would be your advice to current AUA students, especially those majoring in the humanities, particularly EC?
I would advise them to follow their passion — that is their greatest asset. Everything else, all challenges and complications of the field are just circumstances that can be overcome. Where there is an obstacle, there is an opportunity yet to be found — a road not taken. | artistic |
https://www.wholeroll.com/blogs/wholeroll/7-organic-and-festive-ways-to-decorate-your-home-for-the-holidays | 2024-04-13T08:33:17 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816587.89/warc/CC-MAIN-20240413083102-20240413113102-00343.warc.gz | 0.935707 | 530 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__127315368 | en | What better way to decorate your home than with what nature gave you? While flashy decorations with loads of lights, foil paper and other flashy decorations look good, organic decorations can bring a refreshing change in greenery and fresh scents in the home. The good thing about organic decorations is that you will find most of what you need on your lawn, grocery store or at the nearby park. Here are some organic decoration ideas you can try.
Garland on the front door
Why not give your guests a simple, beautiful and colorful welcome to your home with a garland of flowers on the front door? You can make a wreath from pine cones or raffia leaves and add a bit of color with roses.
Greenery on the front porch
Give your home a rustic rural feel by placing a few garden items on the front porch. Place a few pumpkins on a bale of hay like they are fresh off the farm. These are complimented with potted plants featuring earthy colors like brown, orange and green.
There are hundreds of types of leaves out there with a rich variety in shape, color and texture that you can make into very interesting decorations. Make the decorating a whole family affair by inviting the kids to make exciting crafts which they can detail with marker pens, and colorful beads.
Make your stairway more colorful with a garland. You can make a simple and colorful garland from grapevines or flexible tree branches. If you need to make a longer garland, use a thin but stiff wire to connect several branches.
Lots of flowers
A bouquet of fresh colorful flowers is suitable for any party. Popular colors for a holiday feel are red, orange and yellow. A vase of flowers can be placed as a centerpiece on the table. You can place free hanging flowers on the wall to brighten up the place.
Use fruits as decorations and your guests will be delighted to see something beautiful that they can also eat. Colorful fruits like oranges, bananas, and apples can be put in a bowl and placed on the table to add a bit of color and serve as appetizers.
You can make sweet scented candles using beeswax and a few drops of an essential oil like lavender. Make luminaries using paper bags and place your candles in them for soft holiday lighting. You can place these candles even outdoors as the sweet scent will keep the bugs away.
These are great natural ideas that will invite the outside in. Happy Holidays! | artistic |
https://www.principiacollege.edu/news/college-news-post/~board/college-news/post/spring-production-inspires | 2024-04-19T20:41:50 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817455.17/warc/CC-MAIN-20240419203449-20240419233449-00538.warc.gz | 0.962096 | 363 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__59201742 | en | This year’s spring production was an original play based on Sinclair Lewis’ 1935 dystopian political novel, It Can’t Happen Here.
Principia College students and community members performed a resurrection of the original script, which has been seen infrequently since its publication and performances around the United States in 1936. Those involved with production wanted the performance to educate, challenge, and inspire important conversations about democracy in preparation for the upcoming election year.
The rehearsal process began with the entire cast’s participation in an acting intensive led by Chicago theatre artist Dawn Arnold. Over the course of 3 days, Arnold led the actors through creative explorations and acting exercises based on the acting technique of Michael Chekhov. “This work shaped the rehearsal process and helped to create complex and imaginative characters that brought Lewis’ story to life in a compelling and visceral way,” says director Chrissy Calkins Steele.
After each performance, Professor John Williams (C’72) engaged the audience in a discussion about the issues raised by the play and provided historical context that influenced Lewis’ original work. “We hoped that this play would prompt conversations about democracy today, not only in the US but around the world,” says Steele. “While the arts can entertain or inspire, we also hope that what we create will shine a light on issues, educate, challenge, or even be a call to action.”
One audience member shared they felt called to act after seeing the show and plan to commit to an hour of prayer each day about the issues discussed in the play. Steele was particularly inspired by this response. “I believe this is the most important action we can take in response to the challenges that this play illuminated,” she shares. | artistic |
https://creativetouchmonogram.com/mission-personalized-gifts/ | 2023-09-25T11:56:59 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233508977.50/warc/CC-MAIN-20230925115505-20230925145505-00782.warc.gz | 0.91047 | 207 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__129790543 | en | Personalized Gifts for the Ones You Love
Here at The Creative Touch, we focus on two qualities: producing exceptional embroidery design and providing memorable and personable items to those wanting to give an irreplaceable and personalized gift.
We enjoy helping our customers find the perfect gift for a certain someone’s special occasion or celebration. Knowing that a plain item from the same store is not always enough for every event, we make it our mission to help you design a wonderful gift that is unique and personal.
With a personalized gift, we believe you can truly express how much someone means to you. We’ll help you customize an item with precise and beautiful embroidery that your loved one will cherish for years to come.
Trust us to lend you a hand in finding the perfect gift. You’ll love watching as your friend, daughter, nephew, grandmother, father or other loved one’s face light up when they open your gift and know how much they mean to you. | artistic |
http://www.photographybyjayna.biz/?page/141822/what-customers-will-tell-you- | 2019-05-19T15:29:25 | s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232254889.43/warc/CC-MAIN-20190519141556-20190519163556-00365.warc.gz | 0.981735 | 397 | CC-MAIN-2019-22 | webtext-fineweb__CC-MAIN-2019-22__0__169580269 | en | What people think of Jayna Rosentreter Photography
Jayna Rosentreter has a natural gift, her photographs tell more than a story....they breathe life into the walls of my home, they make me smile on a rainy no-good day, they take me back to the unique moments in my life journey that I want to remember, they depict the absolute blessings I sometimes overlook but others notice right away and sweetly remind me of. Jayna has the knack, she has the eye, she has the creative vision, she has what it takes to wow you with her photography style. I'm in awe every time Jayna photographs my family! I always have a hard time narrowing down my favorites because often times we like most or all of them. I have had several prints enlarged to canvas or custom finish and they have turned out amazing! She definitely has your best interest in mind when making recommendations on your order. We feel so entirely comfortable around her, we absolutely trust her expertise and advice, we are thrilled and always pleased way beyond our expectations when viewing proofs and our final photos. Jayna Rosentreter is always my first choice (hands down) when it comes to photography for any family occasion or any event...you will love her and her work!
Jayna is one of the easiest photographers to work with. She allows you to voice what you prefer, what you like, what you don't like, and is non-intrusive but still seems to capture some amazing photos. She did exactly as I wanted with my son's senior pictures and with our family photos; they turned out exactly as I wanted them to and still have an artistic feel to them. Jayna is also one of the nicest and most relateable people I know; she puts an ease to you during the shoot that is evident in the end product. I have received many compliments about the photos and you cannot beat the price. I would recommend anyone using her. | artistic |
https://arizonairrigationrepair.com/exploring-the-rich-cultural-heritage-the-heard-museum/ | 2024-02-27T03:13:02 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474670.19/warc/CC-MAIN-20240227021813-20240227051813-00512.warc.gz | 0.932618 | 776 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__43237789 | en | Nestled in the heart of Phoenix, Arizona, the Heard Museum stands as a beacon of Native American art, history, and culture. Established in 1929, the museum has become a prominent institution dedicated to preserving and showcasing the diverse heritage of indigenous peoples from across the Americas. With its extensive collection, vibrant exhibitions, and engaging programs, the Heard Museum offers visitors an enriching experience that highlights the beauty, complexity, and resilience of Native American traditions.
A Living Legacy:
The Heard Museum serves as a testament to the vision and dedication of its founders, Dwight and Maie Heard. Their passion for indigenous art and culture led them to collect a vast array of artifacts and artwork, forming the foundation of the museum’s renowned permanent collection. Today, the museum’s collection boasts over 44,000 objects, including traditional and contemporary art, textiles, pottery, jewelry, and sculpture, representing the diverse cultures of more than 200 Native American tribes. For more information.
Exploring the Exhibitions:
Visitors to the Heard Museum can embark on a captivating journey through the museum’s various galleries and exhibitions. One of the museum’s most celebrated showcases is the “Home: Native People in the Southwest” exhibition. This immersive display delves into the lives and traditions of Southwest Native American tribes, offering insights into their dwellings, clothing, tools, and rituals.
Another must-see exhibition is “Remembering Our Indian School Days: The Boarding School Experience.” This poignant exhibit sheds light on the assimilation policies imposed on Native American children, exploring their experiences in government-run boarding schools. Through personal narratives, photographs, and artifacts, visitors gain a deeper understanding of the profound impact these schools had on indigenous communities.
The Heard Museum is also committed to showcasing contemporary Native American art. The “Native American Contemporary Arts” exhibition features innovative works by established and emerging artists, bridging the gap between tradition and modernity. From paintings and sculptures to multimedia installations, this collection celebrates the dynamism and creativity of Native American artists today.
Engaging Programs and Events:
Beyond its exhibitions, the Heard Museum offers a range of programs and events that engage visitors of all ages. The museum hosts artist demonstrations, lectures, and workshops, providing opportunities to learn directly from Native American artists and experts. These interactive experiences foster a deeper appreciation for the cultural practices and artistic techniques employed by indigenous artisans.
The annual “World Championship Hoop Dance Contest” held at the Heard Museum is a much-anticipated event. Hoop dancers from various tribes showcase their skill and agility, mesmerizing audiences with their intricate footwork and graceful movements. This contest celebrates the rich tradition of hoop dancing and serves as a platform for cultural exchange and celebration. Visit The Japanese Friendship Garden of Phoenix.
Preserving and Educating:
The Heard Museum’s commitment to preservation extends beyond its collections and exhibitions. The museum houses a state-of-the-art conservation lab, where experts work tirelessly to restore and preserve delicate artifacts. Through meticulous research and conservation efforts, the museum ensures that these invaluable cultural treasures endure for future generations.
Education is a cornerstone of the Heard Museum’s mission. The museum offers educational programs tailored to students of all ages, from interactive school tours to cultural workshops. By providing comprehensive and accurate information about Native American history and culture, the Heard Museum contributes to the dismantling of stereotypes and fosters a greater understanding and respect for indigenous peoples.
The Heard Museum stands as a vital institution dedicated to celebrating and preserving the vibrant cultures of Native American peoples. With its extensive collection, immersive exhibitions, engaging programs, and commitment to education, the museum serves as a bridge between past and present, honoring the traditions of indigenous communities while promoting a more inclusive and equitable future. | artistic |
https://travelsguide.blog/17-details-you-may-have-missed-in-marvels-eternals/ | 2021-11-27T02:43:37 | s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964358078.2/warc/CC-MAIN-20211127013935-20211127043935-00283.warc.gz | 0.954597 | 2,218 | CC-MAIN-2021-49 | webtext-fineweb__CC-MAIN-2021-49__0__21079523 | en | - Warning: There are spoilers forward for "Eternals."
- There are many apparent references in "Eternals." Insider rounds up a few of the greatest nods and behind-the scenes details you may have missed.
- Captain America's defend exhibits up briefly and there's a nod to Ajak's first comedian look.
In the comics, Domo is an Eternal on Olympia who works immediately with the chief of the Eternals, Zuras. Neither of them seem in the Marvel film.
Here, the ship is known as after the character.
Zack Snyder’s model of Superman impressed Ikaris.
In “Eternals,” Phastos’ son Jack errors Ikaris for DC’s Man of Steel, as a result of they each can fly and shoot lasers out of their eyes.
In an interview with French outlet jeuxactu.com, which has been translated, director Chloé Zhao stated Snyder’s interpretation of the hero impressed her essentially the most due to his method to the parable in an genuine manner.
She added that “Ikaris is after all our personal tackle Superman.”
Special title indicators have been created for the Eternals by one of many stars, Lauren Ridloff, and her husband, Douglas.
Douglas Ridloff labored on the movie as its American Sign Lanuage advisor. Lauren Ridloff told Fandango how the 2 got here up with fast methods to signal the names of Eternals.
“We had labored in collaboration, my husband and I, arising with totally different title indicators for every of the characters,” Ridloff stated, including that the duo integrated some Easter eggs into two of the indicators as nods to Douglas and one in all their two sons.
“Kingo, clearly, it is primarily based on his energy. He shoots lasers, he has laser weapons, after which he is also a Bollywood dancer,” stated Ridloff. “It additionally occurred to be the title signal of my youngest son, Wyatt.
The title signal for Makkari additionally incorporates the title signal for Lauren’s husband.
“It’s actually near the ear and we picked that as a result of I do not know if you may see in the film, however Makkari tends to put on numerous earrings,” Ridloff stated of her character’s title signal. “In actual life, that occurred to be the title signal for my husband.”
In the unique “Eternals” comedian, most of the movie characters have been initially males.
Ajak, Makkari, and Sprite have been all male characters in the unique comedian run.
By gender-flipping their characters, the movie introduces 5 male and 5 feminine superheroes to the MCU.
Producer Nate Moore told Screen Rant the choice to vary a personality’s gender was at all times particular to their story.
“Sprite, the boy who by no means grew up, is one thing you’ve seen lots,” stated Moore. “The woman who by no means grew up appears to be slightly little bit of a brisker concept, so it is simply these artistic conversations to create a steadiness that we thought was attention-grabbing.”
The Eternals are seen in Tenochtitlan in the course of the fall of the Aztec Empire.
In the unique comedian run, Ajak wanted to be awaken from a tomb inside the Aztec Empire.
There, Ajak was believed to be an Incan hero named Tecumotzin.
Kingo is a Captain America fan.
The first model of Cap’s defend (or a reproduction of it) will be noticed on his jet.
It’s humorous that Kingo has this model of the defend since Steve Rogers used it when he was merely an actor for the federal government’s battle propoganda. In “Eternals,” Kingo is a well-known Bollywood actor.
Kingo made a gaggle of “Shadow Warrior” motion pictures, hinting at a superhero group.
In the comics, there’s a group of heroes called the Shadow Warriors who have been created because the final hope in opposition to the specter of the X-Men character Apocalypse.
Thena mentions the demise of Centuri-Six.
It’s one of many planets they destroyed earlier than coming to Earth to assist delivery a Celestial.
Centuri-Six is a planet talked about in Thor issue No. 258. There, we be taught from one in all its residents, Gormok, that the planet was raided by a legal named Grey Gargoyle and his pirate ship.
He imprisoned the planet’s peaceable folks made up of philosophers and artisans on his ship the place they lived out their days as slaves.
Ikaris asks Phastos if his desk is made out of Vibranium earlier than slamming his fist onto it and breaking it.
Vibranium, one of many strongest metals on the planet, is from Wakanda. Black Panther’s go well with is fabricated from vibranium.
Makkari and Druig’s costumes purposefully have extra purple in them.
According to the movie’s manufacturing notes, the costume crew, led by costume designer Sammy Sheldon Differ, checked out minerals, nature, rocks, nebulas, and the cosmos to encourage the look of the superhero fits seen in the movie.
Six fits have been made for every character. As they undergo time, the fits have delicate modifications which may be troublesome to note on a primary watch. For instaance, Druig’s costumes develop into darker because the movie progresses by way of time. Thena’s costume turns into “extra fragile and mushy.”
“The extra rebellious characters like Druig and Makkari have purple in their costumes that nobody else has. The leaders, Ajak and Ikaris, are inclined to veer extra in the direction of blue,” producer Nate Moore stated in the movie’s manufacturing notes. “We tried to have common ideas for the way we dressed folks. Some of that’s impressed by comics, like Ikaris is in blue in the comics. Thena is in gold in the comics.”
When they reboard the Domo late in the movie, Sprite asks Thena if she discovered the Ebony Blade.
As the Eternals look over the objects Makkari has acquired on the Domo through the years, Thena finds a sword, which Sprite errors for the Ebony Blade.
Thena says it is really Excalibur, King Arthur’s sword. The Ebony Blade belongs to a Marvel character named the Black Knight.
We later see the Ebony Blade in the movie’s second end-credits sequence. Dane Whitman (Kit Harington) opens a field to seek out the cursed sword inside.
Harington instructed Insider he was “excited that Dane comes into contact with this sword,” including that he thought it was a “actually robust ending to the film.”
“It makes me wish to see what’s subsequent, and the truth that may embrace me is thrilling,” Harington stated.
Kro tells Thena that she has modified, implying that the 2 knew one another.
In the comics, the 2 had an intimate relationship. Kro typically aligned with the Eternals due to his love for Thena. That’s not explored in “Eternals.”
It feels hinted at in the movie that there may have been some kind of connection between the 2 that wasn’t defined.
Bill Skarsgard, who performed Pennywise the Clown, was the voice of Kro.
If the voice of the Deviant sounded acquainted, it belonged to the “It” and “Deadpool 2” star.
At the movie’s finish, Arishem says he’ll return to Earth to determine whether or not or not he’ll spare the planet.
Arishem, the Prime Celestial, tells Sersi, Phastos, and Kingo that he’ll return to the planet for judgment to see if it needs to be destroyed.
In the comics, Arishem stands nonetheless on a pylon for 50 years to evaluate whether or not or not humanity is value saving. If he decides they are not worthy, he’ll merely destroy the planet and all of its inhabitants.
The inside the Domo is meant to appear to be the within of a meteor.
According to the movie’s manufacturing notes, director Chloé Zhao and manufacturing designer Eve Stewart researched Jack Kirby’s comics, spiritual symbolism, historic symbols, and alien influences to assist design the outside of the Eternals’ ship, the Domo.
Circles inside triangles are used on the ship and all through the movie as an emblem of unity. Stewart studied meteors on the Science Museum in London to work along with her crew to make the inside of the ship appear to be the within of a meteor.
“We labored actually exhausting on the textures in order that it seemed like the within of a meteor and actually historic,” Stewart stated in the movie’s manufacturing notes. “I used to be actually excited to see some house mud that had arrived on a small meteor that was seven billion years outdated and had lately been found. It was the identical shade.”
Patton Oswalt voiced Pip the Troll.
A personality named Pip the Troll seems in the primary end-credits scene to introduce Starfox.
You may have been too surprised by Harry Styles’ sudden cameo as Thanos’ brother to comprehend that the comic was voicing Starfox’s comrade.
The thriller voice on the movie’s finish belongs to the Vampire hunter Blade.
During the movie’s second end-credits scene, a voice warns Dane Whitman (Kit Harington) about touching a mysterious sword.
Zhao confirmed to Fandom it was the voice of Oscar winner Mahershala Ali who was beforehand introduced to play Blade at 2019’s San Diego Comic-Con.
An untitled “Blade” reboot is at present in the works at Marvel with no launch date connected.
Free Australia Travel Guide Book | artistic |
https://pastframe.wordpress.com/2017/02/02/why-i-like-japanese-and-mandarin-songs/ | 2018-06-23T17:23:57 | s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267865145.53/warc/CC-MAIN-20180623171526-20180623191526-00596.warc.gz | 0.929513 | 1,038 | CC-MAIN-2018-26 | webtext-fineweb__CC-MAIN-2018-26__0__186120825 | en | In the last few years, I realised that I have been listening almost exclusively Japanese and Mandarin songs. In the past, the English songs I listened to tended to be Oldies from the 50s and 60s. After songs from that era, there is a big gap. I have never taken to contemporary songs even during my growing up years.
Recently, I wondered what is it about Mandarin and Japanese songs that drew me to them and not English songs.
The first answer that came to my mind was that I do not like songs without a nice melody. It seems to me that contemporary English songs tend to be heavy on beats, and for some songs that is all there is. I think I more or less stopped listening to English songs after Debbie Gibson (call it bubble gum pop if you will, but I like them).
A Picture Paints A Thousand Words
Then, I realise that there is something else that draws me to Japanese and Mandarin songs. Something that is lacking or lost in English songs – evocative, poetic lyrics.
Recently, I listened to a talk where the speaker described the English language as being a functional, practical language direct to the point. Perhaps he was describing the way it is being used now, but that made something click in my mind.
For example, when describing feelings of love, it seems that English songs tend to very direct – “I wanna hold your hand…”, “I can wait forever…”, “Lonely, I’m mister lonely…” are some examples. Though nice songs all of them, they do not provide anything more than telling the listener “the facts”.
On the other hand, Japanese and Mandarin songs like to use imagery to describe the singer’s feelings. They paint pictures in your mind. These images allow you to know and feel what they singing about. These images are beautiful and that is what seems to be missing in English lyrics.
For example, an excerpt from the song “M” by Princess Princess (Click to Listen):
You are only in my fantasy
肩の向こうに見えた景色さえも So once again
Leavin’for the place without your love
The translation in the bold section goes something like this:
Like stars returning to the forest
Your little nuances spontaneously disappear
Along with the playful person I once was
The lyrics paints a picture of breaking dawn. The singer looks on and sees stars slowly fading into brightening sky above the forest. She realises that she is losing her memory of her loved one. With that a part of her has also started to disappear. You will be hard pressed to find something like that in an English song.
Take another song, this time an Enka by Sakamoto Fuyumi titled “風に立つ” (Kaze Ni Tatsu – Standing Against the Wind) (Click to Listen):
雨風にたたかれて 頭(こうべ)をたれる ときもある
The rough translation goes like this:
There are days when we are blown by the mountain air, when we can puff out our chests.
There are also times where we are beaten by driving rain and hang our heads low.
But as long as we live, in life there are mountains, valleys and winding roads. Therefore, in life, we can only push on.
Again, the lyricist paints a picture and as the music flows, you can almost feel the rain on your face as you struggle up that winding path. This is a beautiful, powerful song of encouragement.
Here is a much loved Chinese song by Ah Mei – “听海” (Listen to the Sea) (Click to Listen):
The rough translation goes something like this:
Listen to the sound of the sea crying
Sighing because someone is heartbroken, and yet doesn’t realize it
That person cannot be me, for at least I am calm
But my tears, even my own tears will not believe me
Listen to the sound of the sea crying
The sea is too emotional weeping till the sun rises
Write me a letter, and let it be our last covenant
Telling me how you felt when you left me
These songs paint pictures and let you see, explore and then allow you decide how it felt to you. They make each song personal to the listener. That is where I think they are special.
Of course, there are English songs that also use lyrics like this – “Vincent”, “A Whiter Shade of Pale” – but somehow the Mandarin and Japanese lyrics paint more evocative pictures in my mind.
Perhaps the languages were influenced by Chinese poems and Japanese haiku. Precisely how, I do not know. All I know is that I am so grateful to be able to understand and appreciate these beautiful songs. | artistic |
https://retirementexpert.co.uk/national-theatre-at-home-is-it-worth-it/ | 2023-11-30T06:54:28 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100172.28/warc/CC-MAIN-20231130062948-20231130092948-00663.warc.gz | 0.951949 | 1,364 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__131646585 | en | This is a good question, but first let’s take a quick look at some background of the Royal National Theatre.
The Royal National Theatre, known as the National Theatre of Great Britain internationally, was founded by Laurence Olivier in 1963 at The Old Vic in Waterloo. It’s currently located in South Bank alongside the Thames in Central London. It is one of the UK’s ‘big 3’ publicly funded performing arts venues along with the Royal Opera House and the Royal Shakespeare Company.
It presents a varied programme of wide-ranging classic drama, Shakespeare, and works of contemporary playwrights. Apart from performances in the National Theatre building, it also regularly offers tour productions at theatres throughout the UK. As of June 2009, the National Theatre has also offered National Theatre Live, which comprises simulcasts of live productions that can be seen in cinemas.
What is National Theatre at Home?
National Theatre at Home is a streaming platform launched in November 2020 by the Royal National Theatre in partnership with Bloomberg Philanthropies. It aims to bring the world-class productions of the National Theatre to a national and global audience, as well as providing support for artists and theatre venues.
It therefore makes videos of plays produced by the National Theatre available to watch online anywhere in the world. It functions on a monthly or yearly subscription basis, as well as an on-demand basis.
A digital streaming service was initially made available when the first COVID lockdown was in force in the UK and cinemas and theatres were closed. Apart from providing entertainment for a ‘housebound’ audience, it was a way of providing an income for both out-of-work artists and venues that were standing idle.
How does National Theatre at Home work?
Currently available plays of the National Theatre are on offer, as well as productions from National Theatre Live that were previously supplied to cinemas. More plays are added on an ongoing monthly basis. The on-demand service enables viewers to rent single plays for a 72-hour period. Some archived National Theatre material is also being made available for online release for the first time.
National Theatre at Home works on an on-demand service, or a monthly or annual subscription basis. The monthly subscription is currently £9.98, (US $12.99) with the annual subscription being £99.98 (US $129.99). The rental figure stands at £5.99 (US $7.99) and National Theatre Live on-demand recordings cost £7.99 or US $9.99. Rental figures can vary somewhat as there are special figures available for schools. The figures in other international currencies are available on the National Theatre’s website.
How was the viability of a National Theatre at Home streaming service established?
Initially, for 16 weeks, from the beginning of April to the end of July 2020, National Theatre productions were made available to viewers free of charge on the Theatre’s YouTube channel on Thursday evenings at 7 o’clock UK time. These were also then available for the following seven days on demand.
This offer had an overwhelming positive response over the 4-month period. The 16 productions offered reached 15 million viewers in 173 countries all over the world.
What kind of material is available on National Theatre at Home?
In a word – the best of the Royal National Theatre’s productions! National Theatre at Home gives a global audience access to some of the best productions in British theatre, anywhere, anytime. This includes new productions ‘fresh’ from National Theatre stages, as well as classics from the treasure trove of the National Theatre archives.
The service initially launched with seven National Theatre Live titles:
- Phèdre featuring Helen Mirren
- Josie Rourke’s Coriolanus withTom Hiddleston
- The Young Vic production of Yerma
- The Cherry Orchard
Some of the many other excellent productions that have been featured include Lucy Kirkwood’s Mosquitoes and the Inua Ellams production of Chekhov’s Three Sisters. Also on offer are A Midsummer Night’s Dream with Gwendoline Christie, A Streetcar Named Desire, A View From the Bridge and All My Sons, the 2019 Old Vic production.
Likewise available have been Angels in America, Antigone (the Don Taylor 2012 adaptation of Sophocles’ drama), and Cat on a Hot Tin Roof with Sienna Miller and Jack O’Connell. Julius Caesar with Ben Whishaw playing the lead character is also available, as are many more outstanding productions.
What are the advantages to having National Theatre at Home?
If you are a committed theatre buff, or just like a bit of a change in your TV fare from time-to-time, there are many persuasive reasons for subscribing to National Theatre at Home. These include:
- It is reasonably priced. You can see plays you might not otherwise be able to see due to financial, geographical or other constraints.
- You can watch the plays on any internet browser or through the National Theatre at Home app available on Android, iOS, Amazon Fire TV and Roku TV. You are able to watch at home or on any mobile device.
- New plays are added on a monthly basis giving you something new to anticipate and look forward to.
- You have unlimited access so you can watch whatever you want at a time that suits your schedule and time constraints.
- It is easy to browse and see what plays are available.
- You have early and timely access to new titles as well as exclusive and interesting behind-the-scenes content.
So – is it worth it having National Theatre at Home?
In a nutshell – yes! Very much so, and not just for passionate and committed theatre buffs. With the average London price for a single theatre ticket price pushing £30, and many individual productions charging well over that, the National Theatre at Home’s monthly subscription of £9.98 is extremely reasonable and cracking good value.
As Rufus Norris, the Director and Joint Chief Executive of the National Theatre, says: “The National Theatre has a crucial role to play in supporting the nation’s creativity; it’s an incredible place full of amazing people and elicits enormous affection, pride and passion in audiences around the world.”
National Theatre at Home enables a hugely bigger, indeed, truly global audience, to participate in and partake of the riches this justly celebrated, forward-looking and enterprising national institution produces.
And that at less than half of the cost of a single theatre ticket! | artistic |
https://deals.thehackernews.com/sales/poser-pro-for-win-mac | 2024-04-20T20:43:03 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817674.12/warc/CC-MAIN-20240420184033-20240420214033-00470.warc.gz | 0.922902 | 900 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__121033183 | en | Poser Pro: 3D Art + Animation Software for Windows & Mac
Easily Create & Design 3D Human Figures for Art, Illustration, Animation, Games & More
Technology has come so far, from the days of people sitting for oil paintings, to now being able to pose a digital model right from your computer.
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The Poser Pro animation software can be downloaded on both a Mac or PC, perfect for anyone to use. Creative professionals everywhere are utilizing this amazing software to help bring their concepts to life, and impress their clients, or even just for fun! You can use Poser Pro for as long as you want with this lifetime subscription, so you never have to worry about renewing.
- Thousands of poses, morphs, clothing, hair, materials, and accessories to get started
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I love this product. I am an artist looking to take my art to a new level and Poser will be a massive help. Looking forward to mastering Poser and conquering the art world
A panelist at comic-con suggested that it is a good tool for 2D comic art. I am looking forward to using it.
I paid with Paypal and it took a bit for Paypal to release the funds and my key to come, but once it did the software unlocked without any hassles and I was able to download all the bonus material from the poser website. As a DazStudio user, it's taking a bit of time of relearn everything, but the software works great! | artistic |
https://jeffrennicke.com/the-moment-it-clicks-photographic-stories-1/ | 2023-12-01T04:21:58 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100264.9/warc/CC-MAIN-20231201021234-20231201051234-00536.warc.gz | 0.957505 | 710 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__133627031 | en | The Moment It Clicks: Photographic Stories #1: Trumpeter Swans
We live in a world of motion. John Muir knew it: “Everything is flowing—going somewhere… pulsed on and on forever like blood… in Nature’s warm heart.” Like flowing blood, motion means survival to most creatures. Call it the dance of life, the swirl of species.
There are many variations on the dance. Birds, animals, fish, and insects are moving around us all the time. But twice a year this swirl of species reaches a crescendo. Triggered by a slant of sunlight or dips in temperature, guided by inner compass bearings we hardly understand, millions of creatures are on the move each spring and fall in the grand spectacle of seasonal migration. Wildlife biologists estimate that one-third of all the birds on the planet migrate—that’s 5.7 billion birds on the wing over North America, sometimes in flocks so immense they appear on radar screens.
One of my favorite migration spectacles is the return of trumpeter swans. As soon as the rivers and streams begin to open, the swans begin to move north with the thaw, thrumming the spring air with their wingbeats. They are huge birds with a wingspan of over six feet, the largest waterfowl species native to North America. To stand beneath the swans arrowing across the spring sky, neck bent, ears buffeted by their wild calls, is to connect with an ancient dance, the spring migration.
They return each year to a bend in a small northern river not far from where I live. The first sight of them is often mirage-like. One day the river bend is empty. The next day there are swans. It is as if tufts of the very snow itself have sprouted wings.
It is not difficult to see them on this stretch of river but getting close enough to photograph them is not easy. They are wary and weary from their long trip. It seems intrusive to “stalk” them with a camera and risk disturbing them into wasting even more energy in fleeing. So, I don’t. I find a spot in the open, a place where they can see me clearly and avoid me if they wish. I just sit, reveling in simply being on the same river bend as these beautiful birds, letting them come nearer, or not. It is enough, and many days I go home without a single photograph.
But, one day, I had been in my spot for hours as geese, ducks, and swans swirled around me. I had taken very few photographs that day, just listening, watching. The warmth of the spring sun soon lulled me to sleep, my camera on my chest. But, before I dozed, I remembered something photographer Michael Melford had taught me once: always preset your camera to the conditions just in case. And, lucky I did.
I don’t know how long I slept but, I woke suddenly to the air above me being brushed by wings, a pair of swans passing directly overhead. I grabbed my camera without even sitting up with time for just one frame before they were gone. The photograph above is the result: one moment in the spring migration, one step in the dance of life.
(Prints of this photograph are available. If you are interested, drop me a message.) | artistic |
https://en.chantalpiche.com/copie-de-qui-je-suis | 2023-06-09T05:28:51 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224655247.75/warc/CC-MAIN-20230609032325-20230609062325-00292.warc.gz | 0.944205 | 147 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__127394703 | en | top of page
My name is Chantal Piché and I am Franco-Manitoban. I am known to have illustrated children's books in my home province. After settling in Montreal and obtaining a certification in illustration, I am now entering the Quebec market.
I mainly illustrate children's books and educational material. My signature is in my expressive and colorful style inspired by Japanese animation.
My favorite thing about my job is nurturing people's imagination, adults and kids alike. It is also important for me to make what I illustrate as dynamic and interactive as possible to encourage learning, whether for a text or an activity. I love hiding funny details to find among my images!
bottom of page | artistic |
https://www.fowlertribune.com/news/20181013/native-american-heritage-day-at-bents-fort | 2020-10-31T18:45:54 | s3://commoncrawl/crawl-data/CC-MAIN-2020-45/segments/1603107922411.94/warc/CC-MAIN-20201031181658-20201031211658-00278.warc.gz | 0.957932 | 899 | CC-MAIN-2020-45 | webtext-fineweb__CC-MAIN-2020-45__0__188261982 | en | Featuring presenters from across the West
The heritage of the original inhabitants of the Great Plains will be celebrated at Bent’s Old Fort National Historic Site on Saturday, October 20 during the park’s Native American Heritage Day. The public is invited to observe and, in several cases participate, in a host of activities including talks on Plains Tribal culture, art and dance demonstrations and workshops, and living history portrayals of trading sessions.
The park will be open from 9 am to 4 pm on October 20 with ongoing living history activities such as tipi life, trade activities, livestock use, adobe work, blacksmithing and an array of special programs. Experts on Native culture from Oklahoma, North Dakota, Oregon and Colorado will share their extensive knowledge, experience and skills with park visitors.
From 10 am to 3 pm, Michael Terry also known as “Bad Hand” will demonstrate and discuss his massive collection of Plains Indian regalia and equipment. Bad Hand is a Native American historian, lecturer, stuntman, replica maker and artist. His books include “Plains Indian Regalia and Customs” (sold in the Bent’s Fort park store) and “Daily Life in a Plains Indian Village 1868.” Bad Hand has appeared in and consulted on such films as “Dances with Wolves,” “Far and Away,” and “Geronimo.”
Award-winning artist George Curtis Levi, a member of the Southern Cheyenne Tribe of Oklahoma, will present art workshops at the fort from 10 am to 12 pm and again from 1 pm to 3 pm. The art and history of the Cheyenne people motivate him in his art. He specializes in ledger art, and also acrylic and watercolor paintings. Prints of George’s art are sold in the park’s store. The workshops will include the history and examples of ledger art, followed by having participants try their own hand at creating ledger art pieces that they can take home with them.
Loren Yellow Bird, a park ranger at Fort Union Trading Post National Historic Site in North Dakota and member of the Arikara tribe, will present a session on Plains Indian Culture at 11 am and a program on the impacts of trade on the Plains Tribes at 3 pm.
The Seven Falls Indian Dancers will perform in the fort plaza at 12 pm and 2 pm. The dancers are a family dance troupe representing four generations of dancers from the Pawnee, Flandreau Santee Sioux and Crow Creek Sioux tribes. They have been dancing throughout Colorado for nearly 30 years. The dancers present social and exhibition dances from several different tribes. The origins of the dances are explained with stories.
From 1 pm to 3 pm David Balicki from La Junta’s Koshare Museum will present his beadwork and will lead a workshop for visitors to create their own small beaded piece to take home.
“Native American Heritage Day at Bent’s Old Fort recognizes the integral role the Plains tribes played in the life of the fort,” said Park Superintendent Alexa Roberts. “The business of the fort was trading with the tribes. Without the tribes, the fort would not have existed. But more than that, William Bent and other fort employees married into the tribes, so they were not only customers, they were family. We hope everyone will join us on October 20th for a celebration of these vibrant nations that made the fort a great example of cultural collaboration.”
The park will charge a special event fee for Native American Heritage Day. The fee for this full day of activities is only $5.00 for visitors 13 and older and $2.00 for ages 6 to 12. Kids 5 and under are free. National Park Passes are honored for this fee. Fees will be collected at the fort entrance.
Lunch will be available for purchase at the park’s picnic area provided by Johnny’s Barbeque of Pueblo, serving brisket, green chile and a variety of lunch items. Visitors are also welcome to bring their own picnics.
Bent’s Old Fort National Historic Site is located on Colorado Highway 194, 8 miles east of La Junta or 15 miles west of Las Animas. For more information, call the park at (719) 383-5010. | artistic |
http://saariahojarvenpaa.fi/gallery/exhibitions/heavenscape/ | 2019-02-19T20:05:14 | s3://commoncrawl/crawl-data/CC-MAIN-2019-09/segments/1550247491141.23/warc/CC-MAIN-20190219183054-20190219205054-00103.warc.gz | 0.928126 | 271 | CC-MAIN-2019-09 | webtext-fineweb__CC-MAIN-2019-09__0__146418421 | en | Heavenscape — Architecture of Infinity is music frozen into architecture. It doesn't start, stop or describe anything. It just is itself. The sound installation is performed daily at HAM Tennispalatsi.
Heavenscape is a spatial 6-channel sound installation which evokes a more tangible and physical essence of sound. The phenomenon of sound is of spatial rather than temporal nature. Sound is matter. Therefore, one might not necessarily listen to it as a piece of music but rather experience it as an architectural space.
In our time, when even understanding and truth itself is being challenged, Heavenscape compels the listener to expand their experience and concept of seeing and hearing.
Heavenscape has been inspired by the architecture of sacral edifices, fractal geometry, Gregorian and Byzantine chants as well as traditional Arabic music. The piece also expresses the spirituality shared by all cultures. Just as the seemingly different musical traditions around the globe share apparent structural and mathematical properties, so are the religions of the world often connected by the concept of holy, eternity, the beyond and heaven.
One can listen to the work at Ola Kolehmainen’s exhibition Sacred Spaces in HAM Tennispalatsi, Eteläinen Rautatiekatu 8. See the HAM website for Heavenscape performance times. | artistic |
https://www.midcoastmusictogether.com/index.aspx?rnd=AO8 | 2021-04-18T04:56:10 | s3://commoncrawl/crawl-data/CC-MAIN-2021-17/segments/1618038468066.58/warc/CC-MAIN-20210418043500-20210418073500-00286.warc.gz | 0.922432 | 125 | CC-MAIN-2021-17 | webtext-fineweb__CC-MAIN-2021-17__0__206818247 | en | Music Learning Supports All Learning® ~ set a foundation for life. Weekday and Weekend Class offerings in Belfast, Rockport, Rockland. Find out what you can do to nurture the musical growth of your child, regardless of your own musical ability.
Click here to watch a sample mixed-age family class.
Music Together® is an international early childhood music and movement program for children from birth through age 8- and the grownups who love them. First offered to the public in 1987, it pioneered the concept of a research-based, developmentally appropriate early childhood music curriculum that strongly emphasizes and facilitates adult involvement. | artistic |
http://jennieisknitting.blogspot.com/2014/09/pine-tree-lace-baby-blanket.html | 2017-05-23T04:59:13 | s3://commoncrawl/crawl-data/CC-MAIN-2017-22/segments/1495463607369.90/warc/CC-MAIN-20170523045144-20170523065144-00374.warc.gz | 0.970202 | 521 | CC-MAIN-2017-22 | webtext-fineweb__CC-MAIN-2017-22__0__7879291 | en | Some time back, I purchased an e-booklet of patterns for lace baby blankets from a designer. I downloaded the PDF files to my computer and set about knitting the projects as gifts for friends who were expecting babies. The blankets ranged from simple to challenging, from impressive to spectacular. I became a fairly good lace knitter in the process, learning to follow charts, to make time-saving lifelines, to repair mistakes, and to do all the increases and decreases that are the hallmark of lace knitting. I made one blanket in particular - a white lace christening blanket - that took weeks of knitting and ripping to complete. The finished project was worth every minute of agita - it was gorgeous.
Because I had become a lace enthusiast, when Mother's Day rolled around, my husband purchased for me a copy of Barbara G. Walker's classic reference book, A Treasury of Knitting Patterns. I thumbed through the book with enthusiasm and nearly dropped it on the floor when I saw in the book the exact lace pattern that had been the basis of my white christening blanket.
The designer had simply taken the lace pattern, put a border around it, and repackaged it as her own design.
I didn't - and still don't - know much about the ethics of writing knitting patterns, but my reaction at the time was a combination of disappointment and anger. I had paid for a pattern that I could have created myself. It wouldn't be that hard to just take one of Walker's charts and transform it into a blanket of my own unique design. I can do that, I told myself.
And so I did. My dear friend Stephanie announced her pregnancy last spring, and I wanted to make a spectacular and one-of-a-kind gift for her. I flipped through my copy of A Treasury of Knitting Patterns, looking for a pretty lace pattern that would look nice as a baby blanket for Stephanie's newborn daughter.
I settled on a pattern called "Pine Tree Lace." I added a seed-stitch border around the lace, calculated my gauge, and cast on a crib-sized blanket (about 32 inches by 42 inches). I worked on it all summer. The baby is due in November, and she'll be sleeping under the very first blanket that I designed all by myself (with a little help from my pattern reference book).
Click here for the link to the Ravelry project page, which will give you needle and yarn information. Click on the links above to purchase Ms. Walker's wonderful dictionary of lace stitches. | artistic |
https://snowcabinetry.com/vero-beach/cabinet-maker-vero-beach-fl/the-journey-of-a-cabinet-maker-crafting-quality-in-vero-beach/ | 2024-02-25T22:38:46 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474643.29/warc/CC-MAIN-20240225203035-20240225233035-00848.warc.gz | 0.918535 | 1,189 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__45989936 | en | The Journey of a Cabinet Maker: Crafting Quality in Vero Beach
Our journey in the world of cabinet making is rooted in the sandy shores and vibrant community of Vero Beach. This picturesque locale isn’t just our home; it’s the birthplace of our passion for woodworking. Here, the art of cabinet making transcends mere construction—it’s a blend of tradition, innovation, and an unwavering commitment to quality.
In Vero Beach, we’re not just building cabinets; we’re crafting legacies. Each piece of wood is selected with care, shaped by skilled hands, and transformed into more than just furniture. It’s a testament to the enduring beauty and functionality that define our work.
Meet the Cabinet Maker: A Story of Passion and Precision
Our story began with a simple love for woodworking. What started as a hobby, fueled by a fascination with the intricacies of wood and design, has blossomed into a professional pursuit of excellence. Every cabinet we create is a piece of our journey, reflecting the dedication and precision that is the hallmark of our craft.
This journey is not just about mastering the tools and techniques. It’s about understanding the soul of the wood, the desires of our clients, and the timeless beauty of functional art. Our hands may shape the wood, but it’s our passion that carves out the unique identity of each piece.
The Process of Crafting Quality Cabinets
The secret to our high-quality cabinets lies in our meticulous process. Selecting the right wood is the first, crucial step. We choose each piece for its grain, color, and character, ensuring it meets our high standards for durability and aesthetics.
Our tools, a blend of traditional and modern equipment, allow us to maintain precision while embracing efficiency. From the initial cut to the final polish, every step is performed with an eye for detail, ensuring that each cabinet is not just built to last, but also to inspire.
Design Philosophy: Blending Aesthetics with Functionality
We believe that the best designs emerge from a harmonious blend of beauty and utility. Our cabinets are tailored to meet the unique needs and tastes of our clients, ensuring that each piece is as functional as it is aesthetically pleasing.
Attention to detail is paramount in our design process. We consider every aspect, from the ergonomics of use to the integration of the cabinet into its intended space. Our goal is to create pieces that enhance the daily lives of our clients while adding a touch of elegance to their homes.
Sustainability in Cabinet Making
Sustainability is at the heart of our operations. We’re committed to eco-friendly practices, from sourcing sustainable materials to minimizing waste. Our approach is not just about being environmentally responsible; it’s about ensuring the longevity and health of our craft and our community.
By choosing sustainable materials, we’re not only preserving the environment but also providing our clients with healthier, more durable products. It’s a commitment that we’re proud of and one that we believe is essential to the future of cabinet making.
The Business of Cabinet Making in Vero Beach
Navigating the cabinet making market in Vero Beach comes with its unique challenges and opportunities. As a local business, we’re deeply connected to the community, understanding its needs and preferences. This connection allows us to tailor our services and products to meet local demands while maintaining our high standards of quality.
Building our brand has been a journey of fostering trust and ensuring customer satisfaction. Our reputation is built on the quality of our work and the relationships we’ve cultivated with our clients. It’s a testament to our commitment to excellence and our love for the craft.
Client Stories: Transforming Spaces with Custom Cabinets
At the heart of our work are our clients’ stories, which we view with immense pride. Each project we undertake is more than just a task – it’s a collaborative journey where we work closely with our clients to transform their spaces into personalized sanctuaries. Our dedication is not just to the craft of cabinet making, but to reinventing living spaces by striking the perfect balance between aesthetic appeal and practical functionality.
Our expertise shines through in every project, whether it’s revitalizing a kitchen or customizing a living area with bespoke cabinetry. These transformations are clear indicators of our unwavering commitment to quality and customer satisfaction. The positive feedback and contentment of our clients are what drive us, fueling our passion to continuously hone our skills and deliver outstanding results in each and every home.
Future Trends in Cabinet Making
As we look to the future, we’re excited about the innovations shaping our industry. From advancements in sustainable materials to new design trends, we’re constantly evolving to stay at the forefront of cabinet making.
Our commitment is to continue embracing these changes, ensuring that we remain synonymous with quality, innovation, and timeless design. We’re not just keeping up with the trends; we’re setting them.
Conclusion: The Art of Cabinet Making in Vero Beach
Our journey is an ongoing story of passion, precision, and dedication to the art of cabinet making. In Vero Beach, we’re not just crafting cabinets; we’re creating a legacy of quality and beauty that stands the test of time.
At Snow Custom Cabinetry, we invite you to be a part of our story, to experience the difference that comes from a deep love for the craft, a commitment to sustainability, and a dedication to client satisfaction. Every cabinet is more than just furniture; it’s a piece of our heart, a part of our journey, and a testament to the enduring beauty of quality craftsmanship. | artistic |
https://www.ralecon.com/blog/web-design-trends-to-watch-in-2024/ | 2024-02-27T01:31:45 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474669.36/warc/CC-MAIN-20240226225941-20240227015941-00366.warc.gz | 0.918627 | 768 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__9096452 | en | Visual appeal is one of the most important factors in website design. A trendy and catchy web design can easily grab a user’s attention and boost a brand’s value.
A web design is much more than simple aesthetics; it’s about every ounce of your online presentation. The importance of web design makes it significant for SEO rankings as well. A quality web design means better SEO rankings and an improved user experience.
A study from Logical Media Group claims that 38% of audiences can’t connect to or leave the site if the web design is not properly organized.
Curious to know more? Let’s now talk about some of the most popular web design trends for 2024.
1. Minimalism and Simplicity
Minimalism and simplicity have become one of the most popular trends in every aspect, be it home design or web design.
A minimalist website offers a perfect blend of simplicity and practicality. Some of the key features of minimalist design include classic typography, clean images, and visual hierarchy.
In recent days, designers have combined elements like vibrant color palettes, animation, and regularly updated minimal designs.
2. AI-Generated Imagery
AI has started making an impact in every field, and web design is no exception. With the consistent improvement of AI tools, AI imagery is gaining huge popularity for its ease of use and realistic design.
Websites these days are using AI imagery for clean, attractive, and real-like images.
Also, the images are unique, bold, and customized. They are surely going to be a buzzword in the coming era.
3. Bold and Custom Typography
Bold typography is a classic web design trend that has been here for ages now. It’s a timeless one, and it’s here to stay.
Bold typography makes use of large fonts to quickly catch the user’s attention and make an impact.
These designs are preferred to deliver the brand’s character while being sophisticated and minimalist. They are also popular to improve readability.
Designers these days are playing with typography and adding images and motion to it to make it more real and vibrant.
4. Science-fiction Design
Science-fiction design is quite a popular trend among technology firms these days.
It is one of the most simple yet powerful ways to showcase their personality and brand value. These designs look modern and grab the user’s attention effortlessly.
Sci-fi Web design uses several elements, like technology, visuals like lights and color schemes, and grandiose elements like stars, the universe, planets, and more, to stand out.
5. Sustainable Design
Sustainable web design is a super trendy concept these days. It aims to offer a perfect mix of an improved user experience while not compromising on environmental duties.
A sustainable design aims to be energy-efficient and user-friendly. Further, optimizing its resources and encouraging inclusivity are also some of its key features.
These are some of the best web design trends that are likely to rule the design industry in the coming days. Developers can follow them, while choosing what works best for the brand is also important.
A web design company can ensure your website is aesthetically designed while being user-friendly and easy to navigate. Hubsot claims a nicely designed website can improve your site’s time by 84%. They can help boost the traffic, sales, and SEO rankings of your website.
Stay ahead in the digital landscape! Embrace the future of web design with Ralecon. Elevate your online presence with cutting-edge trends for 2024. Let’s shape the future of your website together. | artistic |
http://mentorfactor.typepad.com/mentorfactorblog/2013/01/zentangle-a-tool-for-presencing.html | 2017-04-30T07:01:50 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917124371.40/warc/CC-MAIN-20170423031204-00412-ip-10-145-167-34.ec2.internal.warc.gz | 0.975514 | 409 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__261033333 | en | Back in May 2012, the lovely and talented Andrea Ames asked me if I wanted to see her latest projects. Knowing what a master quilter she is, I said "Yes" with the expectation of seeing some of her amazing quilting designs. This was not to be.
She pulled out a small portfolio-like book and began to show me what appeared to be amazing doodles. She explained to me that these were NOT doodles, but Zentangles. She had been to the Masters class and, in true Andrea-form (Andrea NEVER does anything halfway), she is now teaching this truly remarkable art form.
When I returned to Atlanta after seeing Andrea, I sought out a Zentangle class and am now hooked.
Now, all of you know how goal-driven I am. I preach visioning, goal setting, and having a process to monitor goals. It doesn't matter how you get there, if you don't know where you are going, and all that.
Zentangle is the antithesis of this thinking. It is totally "now" thinking. The "tangle" is created one line at a time in a way that is akin to automatic writing. It is a very meditative (i.e., Zen) process. Often I don't know what the final product is going to be until I'm finished.
Anyone can create Zentangles. You don't have to know how to draw; you just have to push your high school art teacher out of your head. The real beauty in the practice is that there are no mistakes.
I've begun to use Zentangle as a way to wind down at night when it is too early to go to bed, but too late to start another project. It calms the mind and brings order.
If you are interested in checking this out further, go to www.zentangle.com for more information.
Here are a couple of the ones I did during the holidays: | artistic |
https://www.librarylandproject.com/reviews-and-rankings/2019/8/7/easthampubliclibrary | 2019-10-18T13:34:27 | s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986682998.59/warc/CC-MAIN-20191018131050-20191018154550-00379.warc.gz | 0.979421 | 975 | CC-MAIN-2019-43 | webtext-fineweb__CC-MAIN-2019-43__0__149533988 | en | Eastham Public Library
We’ve wanted to visit the Eastham Public Library for a while. The thing is it’s pretty far out on Cape Cod and the last time we tried to visit was a Monday and - sad trombone - the Eastham Library is closed on Mondays. Thankfully, this time we visited on a Tuesday and the library was open for business!
We came down to have some photos taken for a story in the Cape Cod Times (we’ll let you know as soon as it runs!) and to visit a few more outer Cape libraries. We also wanted to see if the Oudens Ello awesome architectural streak would continue. The short answer: oh yeah!
When you visit, you’ll see that the library features weathered clapboard siding in a tip of the hat to so much of the Cape’s architecture. The interior is an amazing space with bold angles, tons of glass and the bright natural light we’ve come to expect from this team of architects. The shapes of the space hearken back to mid-century design, with clean lines and lots of hidden nooks. It makes it a pleasure to walk through and explore.
The ground floor contains most of the library’s collection and programming space. To the left of the entrance is a large community, an art gallery (more on this later), a bookstore, restrooms, etc. To the right is the circulation desk and beyond are the stacks. There are three discrete seating areas, each with comfortable furniture selected by the library staff. One of the areas features a lovely fireplace and all of them look out over Depot Pond.
The pond offers more than a fine view. It also serves as the motif for the children’s section on the lower level. There the carpets are grass green, the walls are sky blue and it makes the room feel almost as though the outdoors are inside. It’s pretty amazing. Also on this lower level is the Eastham Room, which houses the library’s historical collection, and the place we were given for a SharpOrange client conference call. Beyond their work with light, Oudens Ello also excels in acoustic design and this room is no exception: it not only is quiet but it feels quiet.
So, there you have the physical space, totally lovely. We were also able to spend quality time with several staffers (two of whom joined us for the photos with the Cape Cod Times), and they painted a picture of a library that’s really in tune with the needs of its community. For example, back in March, the town was walloped by some severe weather. A lot of residents found themselves without power and - even worse - without connectivity. The library had both and opened its doors to provide warmth, power, WiFi, and a sense of community.
What’s interesting about this experience is how it cemented the library’s place in the heart of the town. When it was time to build this library, the town was behind it, but there were some who were ambivalent to see the original library replaced. When those March storms came and the library opened its doors, everyone came to realize that this place really served as a center for the community. This is something that’s true of many libraries, but it’s often overlooked.
One of the things that we were really impressed by Eastham is the library’s relationship to the artistic community. Lots of libraries have gallery space, but here the space is spoken for well into 2020 - and artists who display and sell their works get 100 percent of the sale price. That’s a pretty generous split!
As it the case for many towns on the Cape, Eastham sees its population ebb and flow over the course of the year. Like other libraries in the area, Eastham manages this - not by changing staff numbers - but by prioritizing activities. The winter months are a time to catch up on projects, while the summer is all about circulation and keeping the computers running for all the people like us who want to work in the library during their summer vacations!
Finally, a word about the staff and the great team of volunteers we met during our visit. They were so friendly and so happy to talk about their library, the sense of community they foster, the programs they offer and run, the works. While we were at the library it was a happy hive of activity with parents and kids, co-workers, quiet readers, and people chit-chatting away. If you are planning a trip to Cape Cod, make a point to visit this fine library, you’ll be glad you did. | artistic |
http://www.leannaslaterphotography.com/ | 2018-05-21T16:35:48 | s3://commoncrawl/crawl-data/CC-MAIN-2018-22/segments/1526794864461.53/warc/CC-MAIN-20180521161639-20180521181639-00313.warc.gz | 0.943232 | 566 | CC-MAIN-2018-22 | webtext-fineweb__CC-MAIN-2018-22__0__136644055 | en | When you want to capture your family’s precious milestones, Leanna Slater Photography will make it happen. You can count on me to deliver quality and professional services. Located in Castle Rock, CO, I also serve Sedalia, Castle Pines, Parker, Franktown, Elizabeth, Kiowa, and Monument areas.
MY STYLE ~ well, my style is your style. My goal is to sit with you prior to your session, understand your expectations, find out what is important to you, and base our session from that experience. I aspire to capture the personal moments in people’s lives that portray a genuine appearance through natural lighting and expressive movement. I find beauty in the most simple, unposed, and natural moments that capture the expressions of love and life.
I understand each client has different needs, that’s why I am more than willing to serve your unique requests. If you are searching for something that is not on my Investment page, just ask! I’ll be more than happy to help…
...and please ask me about my REFERRAL program, it's a great way to add more memories to your selection.
Honoring our Veterans, First Responders and Teachers
ALL TEACHERS, FIRST RESPONDERS and U.S. MILITARY SERVICE MEN and WOMEN (individual must participate in the shoot), RECEIVE A 25% DISCOUNT ON ALL DIGITAL COLLECTIONS...WITH AN OPTION TO USE THE DISCOUNT $$ TOWARDS ADDITIONAL DIGITAL PHOTOS.
So far this year, I have enjoyed volunteering as the "TEAM PHOTOGRAPHER" for the MS WALK-DENVER at City Park. The day couldn't have been more beautiful as colorful Colorado showcased it's best. I met so many courageous folks, young and old! I honestly do not think my heart has been more full.
Donating to local High Schools...
One of my very favorites things to do is to donate my older equipment to the local high schools. It gives me the "warm and fuzzies" to walk in and go through all the equipment with the teachers. I know they are beyond grateful and that is why I do it.
Words I live by...
"I have found that among its other benefits, giving liberates the soul of the giver." ~Maya Angelou
"When you learn, TEACH, when you get, GIVE." ~Maya Angelou
"Success is loving life and daring to live it." ~Maya Angelou
"I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel." ~Maya Angelou | artistic |
https://2ndreformed.org/windows | 2021-01-20T15:21:57 | s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703521139.30/warc/CC-MAIN-20210120151257-20210120181257-00728.warc.gz | 0.942423 | 1,071 | CC-MAIN-2021-04 | webtext-fineweb__CC-MAIN-2021-04__0__200380827 | en | When Second Reformed Church constructed its current building on Stadium Drive, the congregation chose a contemporary style stained-glass window design to match the modern architecture of the new church facility. The artistry and infusion of color that is the hallmark of the more traditional stained-glass church windows is eminently present in the beauty of our modern-style windows. Their kaleidoscopic colors provide a stunning backdrop to our sanctuary setting that enhances the reverence and peace of our praise and worship services. Designed by award-winning artist, Karel C. Dupre, a native of Veerle, Belgium, our sanctuary windows consist of five floor-to-ceiling windows, and one ceiling-mounted window.
Stained-glass windows always tell a story, and our windows are no exception. Here is the design explanation provided by the Willet Stained Glass Studios, Inc. of Philadelphia, Pennsylvania who fabricated the windows for us . . .
“The overall theme of the windows is light. God is the light of the world. The five side windows have been conceived as a whole, i. e., certain lines and shapes extend through more than one window. However, each window has its own sub theme. The pale hues enabling a great deal of daylight to enter and reflected color to reverberate underscores the overall theme.
Creation Window: The three primary colors, red, yellow and blue combine at the top of the window and contract into a white circle, which symbolizes the Creator who is the source of light. The beam from the source of light makes the earth visible as it is being created. A smaller white beam reaches up from the Creator and causes light on the stars.
Covenant Window: A rainbow stretches from the Creation Window into this one. When God made a covenant with Noah after the flood, he set a rainbow in the sky for a sign. Rising up from the end of the rainbow is the pillar of fire and cloud that guided the Israelites through the wilderness toward the Promised Land. Towering up in the center of the window, amid thunder and lightning, is Mt. Sinai. The light is on the top of the mountain and it represents the presence of the Lord coming from above in a beam of white light.
Redemption Window: At the center of the bank of five windows is Christ, the Light of the World. This figure is the least non-objective, the most recognizable form in all the windows. His halo shines with golden light, which extends downward toward a more abstract human figure. The gold turning red as it descends recalls that man is saved by the blood of Christ. His hands are extended in benediction over the human form, which kneels within a chalice as a symbol of purification drawn from Christ.
Church Window: In the upper part of the window is an unborn child. The child, before birth, walks in the dark. After birth, it will be baptized, made a member, in Christ, of the church. The child, as it grows, will then radiate his light among other people by doing good (helping hands), being just (scales), and charitable (heart), all at the bottom of the window. This propagation of conviction within a community is the Church, which is traditionally symbolized by a boat. Its sail circumnavigates the womb with the child as a continuous action of the Church. At the top of the window is the star (Christ) by which the ship is steered.
Eternal Life Window: This window is derived from the Book of Revelation. The golden temple rises all along the right side. Precious stones are incorporated into its foundation. It is the glory of God that provides all light for the Holy City. The plaques, an angular red shape, are collected together. There are two books in the window. In the middle is the golden book, the Book of Life, where the names of the blessed are inscribed. At the bottom, in purple, is an empty book cover containing the snake, which symbolizes the list of those not entered in the golden book.
This collection of windows is located on the north wall of the sanctuary. While a picture is worth a thousand words, the best "picture" is to see these windows in their actual setting.
Join us for Sunday Worship and let the Holy Spirit empower you for the week ahead! For information about our Sunday Worship, click on the green button below.
The Holy Spirit Window (Ceiling Window): Because of the distance of the viewer from the window on the exterior, and because no one will see the window while seated in the congregation, a single symbol of larger scale is used. The window is colored more heavily in order to get a ply of colored light on the wall. The Holy Spirit is represented by a dove in a swirl of fiery tongues. Seven candlesticks represent the seven churches mentioned in Revelation."
This window is actually best seen at night. You can see it lit up as you travel east on Stadium Drive or when you pull into our parking area for an evening service.
For worship times and office hours, click on the green button below.
Photos courtesy of Willet Hauser Architectural Glass, Inc./Associated Crafts. | artistic |
https://equilibrium-metal.net/equilibrium-releases-new-ep/ | 2024-04-15T13:06:56 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816977.38/warc/CC-MAIN-20240415111434-20240415141434-00365.warc.gz | 0.87629 | 376 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__174198107 | en | In August, German epic metal heroes EQUILIBRIUM will unleash their pagan fury once again – on their very first EP to date.
Produced by guitarist René Berthiaume in Helion Studios and mixed and mastered by the Resetti Brothers – namely Joerg Umbreit and Vincent Sorg – in their Principal Studios, »Waldschrein« encompasses the brand-new title track and an acoustic version of the same song plus a re-recorded and extended version of `Der Sturm´ from »Turis Fratyr« (originally sung by ex-vocalist Helge Stange, now by front man Robse Dahn). Moreover, it contains `Zwergenhammer´- a previously unreleased older song – as well as an amazing cover version of famous video game “Skyrim”’s opening theme.
The band commented:
“We’re really looking forward to release this EP, because we all have to wait until next year for our next full-length album to be released. This makes it the perfect chance to release some songs and recordings that didn’t make it on any regular album because they are so exclusive. The best thing yet is that with “Waldschrein” we can provide the fans with a little foretaste for what expects them in 2014!”
02. Der Sturm
05. Waldschrein (acoustic version)
Equip yourselves with plenty of ice-cold wheat beer, for »Waldschrein« is gonna bring you one hell of a hot summer!
„Waldschrein“ will be released August 16th via Nuclear Blast. | artistic |
https://www.jasonpatrickmeyers.com/ | 2019-05-26T17:24:37 | s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232259327.59/warc/CC-MAIN-20190526165427-20190526191427-00377.warc.gz | 0.858895 | 407 | CC-MAIN-2019-22 | webtext-fineweb__CC-MAIN-2019-22__0__93923188 | en | Cleveland troubadour, teacher, songwriter with The Liars Revival and host of NEORocks on WJCU 88.7 f.m. every Monday 8-10 pm and Saturday 7-9 pm
CLE Uncorked: Voices and Vines on Lee
CLE Uncorked: Voices and Vines on Lee is a performance event hosted by Jason Patrick Meyers at CLE Urban Winery in Cleveland Heights every 2nd and 4th Tuesday of the month. Magicians, poets, musicians, comedians and performers may email [email protected] to request a performance spot.
Celebrate Arts Education: 20 Years of ROAM
Join us for a rockin’ good time at one of Cleveland’s most premier music venues.
This rousing evening of live music will feature some of the most exciting musicians in the Cleveland music scene – who just also happen to be ROAM teaching artists – performing roots, blues, rock, and folk.
The evening will also feature a special tribute to 10 years of ROAM’s Stop the Hate: Youth Sing Out program in partnership with the Maltz Museum of Jewish Heritage.
Featured musical artists: Diana Chittester Ray Flanagan Sam Hooper Jason Patrick Meyers Jack Mizenko & Mark Ronan Afi Scruggs Alisha Stahnke
6:30 pm: Reception for Sponsors and VIP Ticket Holders 7:30 pm: Doors open for General Admission Ticket Holders 8:00 pm: Concert
Sponsorships: Starting at $500 (Includes concert tickets, heavy hors d’oeuvres, drinks, valet parking, and recognition opportunities).
VIP Tickets: $100 (Includes concert ticket, heavy hors d’oeuvres, drinks, and valet parking).
General Admission Tickets: $25 (Includes concert ticket).
Purchase tickets online at www.rootsofamericanmusic.org or by phone at 216-321-9350. | artistic |
https://reelingatall.wordpress.com/category/uncategorized/ | 2017-12-12T17:48:02 | s3://commoncrawl/crawl-data/CC-MAIN-2017-51/segments/1512948517845.16/warc/CC-MAIN-20171212173259-20171212193259-00563.warc.gz | 0.96315 | 1,520 | CC-MAIN-2017-51 | webtext-fineweb__CC-MAIN-2017-51__0__43123752 | en | Armando Iannucci’s film The Death of Stalin (2017) seemed to me to come out of nowhere, though it’s based on a French comic strip that most of its British viewers will never have heard of before. We knew from the BBC series The Thick of It that Iannucci was interested in politics and in satirizing its machinations and fixers, but from Malcolm Tucker to Joseph Stalin remains an unexpected escalation. The film takes place over a couple of days in 1953: Stalin dies of a sudden seizure at his dacha or mansion in the pines, and the Central Committee of lieutenants and ministers manoeuvre to replace him or settle scores, while arranging and attending Stalin’s funeral and placating his dipsomaniac son and eccentric daughter. The theme is one of the more evidently serious that history has to offer, but the film plays it as black farce. Perhaps there aren’t so many outright laugh-out-loud punchlines, but the tone is that frenetic one in which citizens are arrested, prisoners shot, lists of traitors concocted and dispatched with such brisk casualness that the viewer seems primed to laugh at the outrageousness as much as being appalled by it. In one throwaway moment, we watch from the back of a truck departing Stalin’s estate as two officers order its departure; a second later, one of them draws his gun and shoots the other in the head, as they recede down the country road.
The death of Stalin doesn’t seem the obvious point to consider him, compared to the rise of Stalin, the Nazi-Soviet Pact or the Second World War. That’s another example of the film’s obliquity. But it makes sense in that removing Stalin from the scene helps us see the scene. A coarse and casual Stalin is actually in the film longer than I expected, and even briefly revives from his seizure before finally dying off screen; but I found myself wanting him out of the way to see the structure and people around him operating in their own right. The death of Stalin might be a good time to watch Stalinism. The factions that emerge are not merely indistinguishable bids for power. One of the film’s successes is to make its leading characters so distinct – perhaps a necessity, for an Anglophone audience hazy on the personalities of Soviet officials of the 1950s. It achieves this partly by letting everyone talk in an English or American accent: at once an estrangement effect (how can the future leader of the USSR sound like he’s from Brooklyn?), an evasion of the solemnity that would dull the satire, and a way to produce vividly recognizable distinctions of accent and manner among figures who might, more realistically presented, be inscrutable to us. Jeffrey’s Georgy Malenkov is Stalin’s deputy and immediate successor, but it’s hard to tell how this lugubrious, faltering figure has risen so high. Steve Buscemi is a wry, fast-talking Nikita Krushchev, whom most of us will recall eventually somehow did make it to the top. Simon Russell Beale’s Lavrenti Beria, head of the secret police, is the master of surveillance, executions and abuse, the film’s focus of malignancy – perhaps even to the point of providing the rest with an alibi, or making them look harmless by contrast. Michael Palin brings something of his innocent persona to, of all people, Soviet Foreign Minister Vyacheslav Molotov: the character’s key contribution is to exemplify the way many of Stalin’s victims would continue to revere him or to castigate themselves for failing to follow the party line. Ordinary Russians, too, are shown trooping into the hall to pay tribute to Stalin’s corpse, their devotion seemingly more straightforward than that of most of Stalin’s ministers. It is striking when the mourners arriving from trains around the country march on the security forces forbidding them entry. Bearing red flags, the earnest and humble crowds trigger the sympathy due to virtuous revolutionaries, as they might have done in an Eisenstein film – but the signals are dangerously crossed here, in a way that troubles such instincts: these crowds, we have to remember, are here to salute Stalin, whose dire legacy the film has already sketched.
The film’s most vivid character, Field Marshal Zhukov (Jason Isaacs), remarkably doesn’t enter till more than halfway through. He fearlessly shoulders his way through the manoeuvring politicians and agrees to assist in removing Beria from power. Beria has already emerged as so terrible a figure that Zhukov’s action makes him heroic by default – on top of his existing proud self-designation as the war hero who crushed the Wehrmacht. An effect of the story is that strong moral distinctions emerge among a set of characters who by most standards would all be brutal. As a viewer I could feel myself pinning my hopes and values on Krushchev and Zhukov, even though in reality both of them were products of a totalitarian system and would be fearsomely alien to us now. It’s partly the way the film presents them: Buscemi’s familiar likeable whine and gabble, Isaacs’ cultivation of jovial Yorkshire bluntness. It may also say something more generic about the needs of a viewer: wanting a point of identification, holding out for a hero, even in the bleakest scenario.
A work like this typically gets reviewers seeking its topical references. A quick search online immediately shows the Rotten Tomatoes summary emphasizing ‘painfully timely parallels’. We often want such stories to tell us something that’s specifically relevant now. But I’m not sure this one does. Theresa May’s Brexit Britain? Hardly: the contrast between The Death of Stalin and the Thick of It era reminds us that this particular kind of ‘cult of personality’ is unavailable now. People couldn’t create memes mocking Stalin and get away with it. Vladimir Putin’s government? Maybe, but that seems a long-standing Russian issue rather than anything very new. Donald Trump’s White House? Perhaps in the very generalized sense that this male-dominated film depicts a pathology of power, with men jostling around their corrupt and wheezing boss. Actually the film speaks a little more directly to a news theme of the last few weeks, the abuse of male power in Hollywood and elsewhere, as one of its most horrible elements is the suggestion that casual sexual abuse is mixed up in state repression.
And yet what I found more appealing about the film was its untopical character; the sense that the world depicted was not so much a ready parallel to ours as mercifully distant from it, and that Iannucci and company had approached Stalinism not because it says something particular to our times but, as many historians might do, because it is grimly fascinating in its own right. It was only as the credits were rolling that I remembered something that may have been obvious to every other viewer from the start: that the film is topical in the most elementary way, arriving as it does one hundred years after the Russian Revolution. This is one provocative way to mark that centenary. | artistic |
https://sunnysouthernproductions.com/sonny-boy-nelson/ | 2019-11-17T13:18:18 | s3://commoncrawl/crawl-data/CC-MAIN-2019-47/segments/1573496668954.85/warc/CC-MAIN-20191117115233-20191117143233-00452.warc.gz | 0.932129 | 682 | CC-MAIN-2019-47 | webtext-fineweb__CC-MAIN-2019-47__0__199931429 | en | Book Three in the Riverside Blues Series Features Sonny Boy Nelson, Mississippi Matilda, and their playing partners.
Work is now underway on Book Three — America’s Unbeatable Musicians: The Original Masters of the Mississippi Riverside Blues.
This third installment is slated for publication in the fall of 2019 and includes additional insights into the life of Mississippi Matilda, Sonny Boy Nelson, and their playing partners, including Richard Hill, Robert Nighthawk, Bo Carter Chatmon, Sam Chatmon, Harry Chatmon, the Mississippi Sheiks, Richard “Hacksaw” Harney, Willie Brother Harris, Ernest 44 Johnson, Little Brother Montgomery, and many more.
The writing and publishing of these books involves interviews, conversations and recollections from children, friends and fans to ensure true first hand accounts.
It takes readers back in time to turn-of-the-century culture — WWI, the Roaring Twenties, the Great Flood of 1927, the Tupelo tornado, the Great Depression, WWII, Civil Rights, the Blues Resurgence and the golden years of several iconic musicians.COMING SOON
The Complete Series
Eugene Powell, a.k.a. Sonny Boy Nelson, was quite a character.
We captured his traveling adventures, his role as a husband and father, and his friendships with other notable musicians in Book One — a biography completed twenty years after his death titled The Original Rolling Stone: The Travelin’ Riverside Blues of Eugene Powell.
This is the first biography ever published about Eugene Powell a.k.a. “Sonny Boy Nelson” and is filled with insights, both professional and personal. Rare photographs, never-before-shared interviews, and dramatic adventures fill the pages.COMING SOON
The rich and raw details of Eugene’s biography inspired Book Two in the Riverside Blues Series, a biography of his wife Matilda. Her biography has never before been written — this is a milestone in blues history. Culturally and musically, Matilda’s story adds a dimension to the phrase Strong black woman.”
Hard Working Woman: The Life and Legend of Mississippi Matilda leads readers along Matilda’s rocky path through childhood abandonment and abuse, to her successful career as a songstress, and into the cotton fields in which she labored and raised her beloved children.
This inspirational wife and mother, married Eugene Powell until the early 1950s, was determined to keep a roof over their heads, despite a host of health concerns. She was bolstered by her strong Christian faith and the love of her family.COMING SOON
Help Us Preserve the Heritage of the Blues and Iconic Artists like Sonny Boy Nelson, Mississippi Matilda, and their Contemporaries
If you have a musical ancestor or know of a blues icon who contributed to the blues genre, please feel free to contact us. We consider the photos, records, music, instruments, documents and narratives of original blues artists for possible inclusion in future projects. Contributions by families, fans, historians and researchers can often help preserve the fast-fading history of the blues. You might also have supplemental stories about Sonny Boy Nelson or Mississippi Matilda — feel free to share those as well!
Email [email protected] for more information. | artistic |
https://alyssalevitan.wordpress.com/workshops-and-classes/reviews/ | 2020-04-02T08:24:35 | s3://commoncrawl/crawl-data/CC-MAIN-2020-16/segments/1585370506870.41/warc/CC-MAIN-20200402080824-20200402110824-00227.warc.gz | 0.969228 | 625 | CC-MAIN-2020-16 | webtext-fineweb__CC-MAIN-2020-16__0__187131912 | en | With great ease and knowledge, Alyssa Levitan is able to bring out the artist in both children and adults. My three children and I have been Alyssa’s students for almost a year and every class we are amazed at what we can accomplish in a very short period of time.
Alyssa Levitan has all the characteristics of a great art teacher: passion and knowledge, creativity and leadership, imagination and technique
Every class with Alyssa is a journey into art history, self-expression and discovery of one’s natural ability to create beauty
Alyssa brought very valuable lessons to the elementary schools – she incorporated art history, creativity and the opportunity to take risks into her lessons.
The students were able to explore new skills and new ideas and many first developed their passion for art in Alyssa’s classes.
She was always good at directing the students with some lesson instructions and new ideas presented at each class and then let the students follow their own ideas.
My son has participated in art classes with Alyssa both at school and through her after school program for over two years. I am continually impressed at the diversity of her curriculum and the quality of projects that my son brings home. Alyssa is a true artist and teacher who is passionate about her work. My energetic son always comes home from her class with a big smile and a piece of art that is more than refrigerator worthy!
Alyssa creates dynamite lessons that are leveled for all learners – if a
student struggles with auditory processing (following verbal directions),
she will write a step-by-step list, if a student struggles with fine motor
skills, she will use tools to help them, and if a student is afraid to
try, she will always coach them through the assignment, at their pace of
comfort. She always arrives prepared and happy to teach, no matter the
skill level of a learners. Her patience and kindness is admirable.
For the past few years, my children have benefited from having Alyssa
Levitan as their Spectra Art Teacher. I have worked in the classroom
over the past 5 years and assisted countless Spectra Art classes and
have seen many different art teachers at work. I am struck by
Alyssa’s unique style with children. She doesn’t speak down to
children and assumes every child is capable and creative.
Subsequently, every child believes him/herself to be an artist. That
is a rare skill that Alyssa has and a real gift she gives to each
student. She has a calm presence and teaches the kids how to be
comfortable making mistakes. When a child panics or feels they’ve
“made a mistake”, she coaches them on how to turn around their
“mistake” into something beautiful. It’s a great life lesson she is
giving each artist. I feel grateful that my own three kids have
Alyssa as their art teacher. | artistic |
http://humanity.org/essays/mother-nature-father-time | 2017-04-29T11:13:25 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917123491.68/warc/CC-MAIN-20170423031203-00354-ip-10-145-167-34.ec2.internal.warc.gz | 0.940232 | 367 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__167369363 | en | She has no heart, no idea of harm or benefit.
She is the most powerful, the most destructive force on Earth. Tsunamis, hurricanes, earthquakes and volcanos are, for her, nothing new, merely further violence in an endless drama.
But also she is Earth’s consummate artist. From the evanescence of sunlit dew on a spider’s web to the awesome cathedrals of Denali and Everest, from the hundred hues and textures of spring unfolding across open land to the deep but fleeting stare of a lone wolf, she gives us transcendent beauty in uncountable ways, each with the touch of a goddess.
We call her Mother Nature. She remains forever savage and inspiring, fearsome and delightful. But is there a message in her madness, in her duality? Certainly it challenges us to pay attention, to see, and to consider. We never know what is next, what she will provide or deny. Yet how can we best absorb her beauty, be inspired by her finer moments? How can we best minimize the harm of her worst of times?
Is this discovery, in fact, a job for each of us as individuals? Or one for our leaders and our governments? Or our religions? Or our artists? And how does it inform our random acts and our greatest sacrifices? Will we consume our one blink of life with small thinking, as Father Time watches, as bloodless as his mate? Or will we yet find in the fresh, necessary breezes of our shared humanity that we are, indeed, one world, one community, and we must do a much keener job of looking out for each other, undeterred by whatever Mother Nature might throw at us next.
– Tony Balis (November 2005) | artistic |
https://cartoonpop.com/faq/ | 2024-02-28T13:09:26 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474715.58/warc/CC-MAIN-20240228112121-20240228142121-00190.warc.gz | 0.965908 | 339 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__113371004 | en | Can I get a refund?
Because our products are bespoke they cannot be refunded. If however, you decide to cancel the order before our artists commence work, you will get a full refund.
What if I don’t like the work done?
Art is subjective and with that we try our best to ensure that customers are happy with their end product. In the unlikely event that a customer is unhappy with the product, we look at issues on a case by case basis.
Can you send me a printed version?
Currently we do not have the capacity to print completed artwork at this time.
What happens to the images I send you?
As part of our terms and conditions we are allowed to use them for marketing purposes however we will not publish every image sent to us. The images are stored in a secure location on our servers and are routinely deleted to ensure security.
How long will it take?
Please allow up to 5 days to complete the first draft, this allows our artists enough time and takes into consideration workloads.
Why is there a quantity available?
We have this in place because we do not want to have a backlog of artworks. Our artists work hard to ensure the best quality and this is not able if there is pressure to complete the works quickly. We limit the amount of artwork that our artists are allowed to work on.
Where are you based?
We are based in Suffolk, UK and have artists around the world.
Can I speak to the artists directly?
Unfortunately you can only speak with a representative. Our artists, as lovely as they are, are there to create the works not admin 🙂 | artistic |
http://www.zenfirepicks.com/ | 2017-02-20T11:02:43 | s3://commoncrawl/crawl-data/CC-MAIN-2017-09/segments/1487501170521.30/warc/CC-MAIN-20170219104610-00631-ip-10-171-10-108.ec2.internal.warc.gz | 0.960596 | 218 | CC-MAIN-2017-09 | webtext-fineweb__CC-MAIN-2017-09__0__141938489 | en | Fully beveled and polished edges provide clarity, articulation, and smooth string to string transition.
The Zenfire Zero-slip Grip™ is the most aggressive surface available. Yet is still very comfortable to hold.
Hand, wrist, and finger tension is greatly reduced. Grips are easily removable and replaceable.
Ultra unique guitar picks handmade from solid Phosphor Bronze or Pure Hard Brass. Each guitar pick is
handmade without the assistance of powered machinery. Every pick truly speaks for itself in functionality, tone
"After 40 years of playing guitar I have not found another pick that works as well, feels as great, lasts as long,
and keeps me as eager to practice and play as the very picks I created for myself."
"I have been handcrafting these very picks for myself and close friends for over 30 years, and now I'm proud to
offer to you, what I feel is the most functional, toneful, and playable pick available. At any price.
-David C. Woods, Creator of Zenfire Picks | artistic |
https://www.jlorriane.com/ | 2024-04-15T18:31:38 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817014.15/warc/CC-MAIN-20240415174104-20240415204104-00079.warc.gz | 0.934134 | 378 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__101787932 | en | Turning visions into reality
Stationery Designer in Tomball, TX
Welcome To J.Lorriane
J.Lorriane is a bespoke design studio, specializing in stationery design for weddings and intimate events. My desire is to design a piece of art that brings your vision to reality and touches the hearts of your loved ones.
“Create the highest, grandest vision possible for your life, because you become what you believe.”
My name is Jarica Edwards, and I'm the owner of J. Lorriane & Company. I live in a small town, Tomball, Texas that's packed with vintage charm and history.
I fell in love with stationery during high school when my teacher introduced me to the endless possibilities of art and the joy it brings. Since then, I've had a passion to design beautiful pieces of art for others that embrace their story.
I love working with individualistic couples to create unique paper goods for their wedding day or special event.
WHAT I'M KNOWN FOR:
Lover of all the things Tiffany blue, being in front of the T.V. on Sundays cheering on the Texans, rooting on the Rockets, bringing awareness to Sickle Cell, being naturally me and enjoying moments with family and friends, wearing sneakers, and admiring art. Let's not forget mother to the most beautiful little girl.
"It was so perfect."
My invitation was so perfect for my baby shower I recommend anyone who is looking for some one to have there invitation done by J. Lorriane!
LET'S BE INSTA-FRIENDS
Stationery designer following my passion for all forms of art. Join me on my journey to turn your vision into reality! | artistic |
https://art.bmwhk.com/TheJoyOfColours/en/ | 2020-05-31T20:09:54 | s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347413624.48/warc/CC-MAIN-20200531182830-20200531212830-00260.warc.gz | 0.927781 | 172 | CC-MAIN-2020-24 | webtext-fineweb__CC-MAIN-2020-24__0__21102165 | en | THE JOY OF COLOURS.
BMW AT ART BASEL HONG KONG.
As the Official Automobile Partner of this celebrated art fair, BMW Hong Kong is proud to present the iconic #01 BMW Art Car, designed by world-renowned artist Alexander Calder. As an artist who was used to devising his own space and shape, Calder expressed his aspirations through ‘flying colours’ – an iconic design element unique to Calder. Discover how the colours are gracefully distributed across the wings, bonnet and roof on BMW Art Car #01.
This year, we are proud to present THE JOY OF COLOURS - from now till 31st March, upon purchase of selected BMW best-selling models, can enjoy complimentary first-month installment of BMW Circle^ to share the love for cars with other BMW lovers! | artistic |
http://www.beyond-design.co.uk/about-us/ | 2013-05-24T03:27:32 | s3://commoncrawl/crawl-data/CC-MAIN-2013-20/segments/1368704133142/warc/CC-MAIN-20130516113533-00040-ip-10-60-113-184.ec2.internal.warc.gz | 0.923868 | 174 | CC-MAIN-2013-20 | webtext-fineweb__CC-MAIN-2013-20__0__204816423 | en | Meet our team of creative designers and digital strategists.
For over ten years we’ve combined creative ideas with innovative strategies to help our clients achieve their business goals. Our satisfaction and success comes from seeing the fruits of our imagination make something happen, which invariably makes for a happy client.
Our collective experience could not be more varied. Some of our clients think of us as online specialists, for others we create beautiful brochures. Some simply see us as the design agency that delivers. So what unites our work? Put simply, we reckon it’s us. With an eclectic blend of passions and personalities, we’re individuals who work creatively together.
Got a fantastic design challenge for us? Need a sounding board for your next project? Don’t hesitate to get in touch, we’d love to hear from you. | artistic |
https://www.jerichoprize.com/home/faqs | 2023-12-06T00:21:09 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100575.30/warc/CC-MAIN-20231206000253-20231206030253-00398.warc.gz | 0.933166 | 1,271 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__203886031 | en | What are we looking for in your submissions?
Stories that suit the contemporary picture book format aimed at young readers aged 3 years plus. They should also:
Have a strong distinctive voice
Feature a memorable, authentic-feeling Black or mixed-Black main character
Be written in either rhyme or prose
Be uplifting and light-hearted, humorous or thought-provoking
Feel original and relevant to 21st-century children
Not have historical, distressing or overtly anti-racist themes
Have a strong narrative arc, ie be well-structured with a clear beginning and satisfying ending
Be age-range appropriate, eg must not be first-word or look-'n'-feel books aimed at babies, toddlers and preschoolers
We live in a multi-ethnic society, so it's perfectly acceptable to include a diverse cast if your story demands it. But Black protagonists must drive the story. They may be heroes, problem-solvers, adventurers or everyday children who are caring, playful, brave, intelligent, tenacious, energetic or witty.
They mustn't feel like white characters with brown faces: they need to be rooted in the story with a clear background that reflects their unique cultural/ethnic experiences, ie believable Black characters being themselves. And when using cultural/ethnic references, they must be non-stereotypical and naturally integrated.
Can't I just tell you my main character is Black using illustration briefs?
We don't want you to rely on illustration briefs to tell us your main character is Black. We are challenging you to weave this knowledge naturally into your text so we get a sense of your three-dimensional character.
Picture book submissions can be rhyming stories or prose. For more guidance on writing a picture book, check out these brilliant blogs: Picturebooks - from idea to submission by Oliver Hope and The Purple Crayon by Harold Underdown. Make sure you also book onto our summer workshops.
What are we not looking for?
We do not want stories with animal main characters or heavily referencing Black pain or suffering. And we're not looking for non-narrative poetry, non-fiction, historical fiction or any chapter books.
The clue is in the name 'picture books'. We don't want lengthy passages of text on each page. And, just because the word limit is 700 words that doesn't mean you need all 700 words to tell your story. Only use the precise number of words required to say what you want to say really well. Your text should be pared back to suit the contemporary picture book format, leaving space for the illustrations to evoke a mood, contradict your text or add layers of meaning. If you are unsure where to start, we recommend attending our picture book workshops.
As a Black writer, why do I need to write a story with a Black main character for this competition?
Research shows the percentage of children's books featuring Black main characters doesn't reflect the current number of Black-British children in primary school. We need more stories to redress this imbalance, and we'd like to give Black-British writers first dibs at creating these texts for this prize.
Of course, as a writer, you should feel free to portray whatever characters you like. We don't believe writers of any ethnicity should be pigeon-holed. Please only submit your work if you have a strong desire to tell a story with a Black character in the starring role.
How much text should I write?
The number of pages in picture books can vary depending on the page size, layout and quantity of illustrations in the final published book, so it's easier to think in terms of word count:
No more than 700 words for a picture book aimed at 3 years plus. (Between 350-700 words is ideal.)
Plan for an average of around 30 words per page as a very rough guide (no. of words per page can vary — variety is good). If you are regularly exceeding 30 words per page then your script may start to feel too long for the picture book format. Do this page-planning in your head or perhaps use a 12-page-spread planner. You do not need to add page breaks into your actual manuscript. (See our Five-Day Formatting Fix videos for more info.)
Why does the Jericho Prize have a Black focus?
We believe there should be more quality, contemporary children's books featuring authentic Black main characters, written by Black-British authors. The Jericho Prize aims to make this happen by encouraging Black-British writers to share their stories from the category we've identified.
We recognise that unpublished/self-published Black-British writers need a prize just for them, that offers a space to craft and showcase their stories to the world. Black-British authors are already underrepresented and the Jericho Prize directly addresses this issue in a way that a generic prize for all writers of colour may not.
Black-British children need to see themselves reflected realistically in books. Reading more texts by Black-British authors may inspire children to write and, hopefully, become future Jericho Prize winners.
Why is the Jericho Prize not available to all writers of colour?
If we opened the competition to all writers of colour, take-up from certain Black-British communities might still be low. We want all Black-British children's writers to feel welcomed and inspired. If you are not a Black writer, check out the FAB Prize which is open to all writers and illustrators of colour.
Can I enter self-published work?
Yes. We welcome self-published titles produced from January 2019 onwards, but please send text-only versions of your book with all illustrations stripped out. If you submit your manuscript with illustrations, your entry will be ineligble.
Who will read my manuscript?
Your manuscript will be read by experienced children's authors, librarians, editors, publishing or English literature MA/Phd students and school teachers including members of the Black community. They will select a longlist to be scrutinised by Fabia Turner, our prize founder. A shortlist will then be created by a smaller team of highly experienced readers. Our expert panel of judges from across the book industry will anonymously select the winner. | artistic |
https://brencic-brencick.blogspot.com/2007/05/brencic-family-in-podlipa-slovenia.html | 2023-11-30T06:45:17 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100172.28/warc/CC-MAIN-20231130062948-20231130092948-00488.warc.gz | 0.97321 | 603 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__7459103 | en | KIM: I have arrived in Ljubljana and it's a very clean and atmospheric city. I am staying in an old apartment in the center of town and can hear the church bells from the town square ringing every hour. The Ljubljanica River passes through the center of town, much like the Seine through Paris. There are sidewalk cafes everywhere and the streets are cobblestones. Everything is within a 10 minute walk, so it is a perfect city for being on foot. On the other side of the river, easily accessible by several car and foot bridges, is a high hill, topped by an old castle. The oldest part of town is at the foot of this hill and seems to date from about the 13th century, when the Hapsburgs took over the Roman settlement here. There are art and music events going on all the time, and I am having no trouble staying entertained!
My mission, though, is to find Brencics, and with the help of two local tourist guides, Dragan Bekcic and Max Gale, today I was able to visit Joze and Valentina Brencic of Podlipa, a small town between Planina and Ljubljana. Max accompanied me and translated for the group. Joze has done extensive genealogical research back to the turn of the 18th century and has uncovered several branches of the Brencic family. He believes his line and ours are connected, even though the dates we have do not match exactly. We have agreed to share new findings as they are uncovered. Joze and Valentina have also invited me to stay with them the next time I visit so they can show me all of the historic sites of the Brencics and the country!
After our visit, Joze took me in his car for a short drive up the Podlipa valley to show me how beautiful it is, and I must agree that it is spectacular. We visited the site of his ancestral home once stood, and we visited with Anton Brencic, a neighbor farmer and relative. We also ascended the ridge above Podlipa to get a birds-eye view of the little valley town and then visited a more modern, but still old, house in the alpine style of the original buildings of the valley.
FYI - “pod” means “under” and “lipa” is the name for the linden tree, which is a national symbol of community in Slovenia. The lipa has a serrated heart-shaped leaf and can be found as a graphic symbol and in town and place names all over the country. So Podlipa means “town under the linden tree”. Nice! Friday is a sightseeing, shopping and photography day in Ljubljana and then Saturday morning I am off by train to meet Anastasia and Shelley in Zagreb. | artistic |
https://patwardportraits.com/about | 2024-04-17T06:55:10 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817144.49/warc/CC-MAIN-20240417044411-20240417074411-00406.warc.gz | 0.940353 | 142 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__28230923 | en | Hello and welcome to Pat Ward Photography.
I'm glad you like the images you see and are motivated to reach out to talk about creating some of your own.
Allow me to bring my experience, expertise, and energy to your photo session. I would love to work with you to create a lasting legacy that will be treasured not only today, but for generations to come.
Decorate your home with the faces of those you cherish most.
Commemorate a special milestone or document your life at this point in time "just because". Whatever the motivation, together we'll create images that you will be proud to show the world, and we'll have a little fun doing it | artistic |
https://kiahstudio.com/collections/byron/products/breathing-space-statement-print | 2020-08-03T23:00:37 | s3://commoncrawl/crawl-data/CC-MAIN-2020-34/segments/1596439735836.89/warc/CC-MAIN-20200803224907-20200804014907-00114.warc.gz | 0.882253 | 244 | CC-MAIN-2020-34 | webtext-fineweb__CC-MAIN-2020-34__0__189389402 | en | Breathing Space Statement Print
Captured from The Pass in the late afternoon, a surfer waits out the next set.
Using 180gsm paper, our poster prints are the budget-friendly solution to photographic wall art. This smooth, matte paper stock produces bright images with cool whites.
Fine Art Prints
Printed on 310gsm cotton-rag paper using archival inks, this paper stock will stand the test of time as a statement piece. Our fine art paper has a smooth matte finish resulting in high detail, vibrant colours and a warm tone.
All prints are carefully rolled in acid-free tissue paper and shipped in a mailing tube. Each item in this collection is printed to order. Please allow 7 business days for prints to be dispatched. See our shipping page for more information.
Our frames are made from raw Tasmanian oak, adding beautiful natural texture to your prints. You can view the exact specifications as well as self-framing recommendations here.
If you would prefer to use a window mat in your frame please request ‘no border’ in the 'note to seller' section of your shopping cart. Read more about border sizes in our FAQs. | artistic |
https://messold.com/ | 2024-04-24T06:05:32 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296819067.85/warc/CC-MAIN-20240424045636-20240424075636-00849.warc.gz | 0.945767 | 878 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__192199886 | en | Udd is an Indian ethnic wear brand that breathes life into the rich tapestry of Indian Folk Art. Inspired by nature and the ever-changing cultural landscape of rural India, Yuti Edwards started Udd as a brand for the free-spirited woman, who lives life with zeal. Udd weaves captivating designs from the threads of Kalamkari, Rabari, Mughal, and more.
Theme My Party is an e-commerce brand specializing in decoration supplies for a wide range of events, from birthdays to weddings. Theme My Party's brand identity is centered around the idea of making parties more fun and memorable. The company offers a wide range of high-quality party supplies and decorations, at competitive prices.
PowerSutra is a reputable brand that specializes in providing high-quality formal wear for women. Their product line includes a wide range of clothing items, such as dresses, pantsuits, and skirts, all offered at affordable prices. With a commitment to quality and style, PowerSutra has gained recognition for its exceptional clothing.
Harry's, founded in 2011, revolutionized men's grooming by offering high-quality, affordable alternatives to overpriced products. Gaining rapid popularity for its mission, Harry's is celebrated for its straightforward, effective grooming range. Its commitment to accessibility and quality makes it a leading brand in men's grooming, simplifying routines with efficacy.
Janasya is a leading Indian fashion brand that offers a wide range of ethnic wear for women and girls. The brand is known for its affordable prices, trendy designs, and high quality fabrics. Janasya's product range includes kurtas, sarees, lehengas, dresses, tops, tunics, and bottom wear. The brand also has a plus-size collection called XL Love.
Phuljhadi, a distinctive jewelry brand, marries trendiness with affordability, offering stunning pieces handcrafted by skilled Indian artisans. Emphasizing elegance, love, and meticulous attention, it was founded by Prachi Khanduja with a vision of spreading joy through each creation. Phuljhadi stands as a testament to self-love and the beauty of artisanal craftsmanship.
Label Reyya, a Bohemian Fashion brand, embraces the essence of free-spirited fashion, drawing inspiration from Bohemian culture and aesthetics. Founded by visionary designer Arjun Saraf and Anushree Saraf, Label Reyya is a canvas for artists and a celebration of bohemian style in both fashion and home decor.
Enter the realm of RB Organics, a sanctuary for sustainable living, real beauty, and holistic wellness. At RB Organics, the commitment to the community's wellbeing is embodied in eco-luxurious products, meticulously crafted with pure organic ingredients and a profound love for the planet.
Mini Klub is a renowned children's clothing brand, dedicated to providing a diverse range of clothing items for kids, including dresses, skirts, pants, shirts, and outerwear. Mini Klub has carved a niche for itself with its stylish and affordable designs, making it a go-to choice for parents who seek both quality and affordability.
LEAF is a pioneering audio brand that is committed to redefining the way people experience movies and TV shows. They believe that watching isn't just about viewing; it's about becoming part of the story.Paras Batra co-founded Leaf with an ideology of creating products which have cutting edge technology inside but look extremely simple from outside; just like a Leaf.
Celebrating over 100 million orders processed through our clients' stores
Driving an average of 120% growth for our clients annually
Tripling conversion rates by connecting customers to brands they love.
Our clients' stores average their first sale within 48 hours of launch
Halving checkout abandonment with strategic user experience enhancements
Over 500 custom Shopify stores launched, empowering e-commerce success
We're thrilled with the results of our partnership with Messold.
They helped us to expand our online brand presence, optimize our e-commerce operations, and revamp our digital marketing strategies.
As a result, we've seen significant increases in website traffic, social media engagement, conversion rates, and customer satisfaction.
We highly recommend Messold to any brand looking to improve their digital performance. | artistic |
http://erinvirginia.blogspot.com/2017/01/fiona-45-years.html | 2017-04-29T15:39:43 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917123530.18/warc/CC-MAIN-20170423031203-00514-ip-10-145-167-34.ec2.internal.warc.gz | 0.964927 | 643 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__157690398 | en | Fiona - 4.5 Years
Our Fiona is 4.5 years old. She is still our sweet girl who is ready with hugs and will make the rounds to sit on family member's laps. She loves to make art for her loved ones. A few other items about Fiona:
My crazy girl
- Chris makes up nicknames for Fiona that she loves. The most popular names are "Sugar-shine" and "Moonbeam."
- Fiona loves crunchy apples, especially pink lady apples. She likes me to cut up an apple for her and say, "Here's a pink lady for my pink lady."
- She loves apples, raspberries, yogurt, beans (kidney, garbanzo, black), pizza, broccoli, tomato soup, pulled pork and PB&J.
- When she needs something, she still says, "eed" instead of "need." I love that pronunciation.
- Fiona prefers to dress in twirly skirts and fancy dresses. It's a process every morning to find something for her that satisfies Fancy Fiona.
- When we come to an agreement with her on something, she says we have "dealed" on something. For example, she may say, "Dad and I dealed on going to the pool tomorrow."
- Fiona loves to color, draw and paint. She spends hours on the weekend coloring pictures. She stayed home sick one day a couple weeks ago and created her own portfolio by looking at pictures from a published art book and creating her own Fiona copies.
- She tries to enforce manners on Eloise. If Eloise asks for something, Fiona will say, "Please? Can you say 'please'?"
- Fiona and Eloise love to play together (sometimes), although Eloise still tends to knock down whatever Fiona is building (duplos, train tracks, magna-tiles).
- Fiona isn't very interested in cartoon or Disney movies because she really dislikes scary parts. She has also never shown interest in live action shows; however, before Christmas, we watched Home Alone together, and she absolutely LOVES the movie.
- Fiona loves to play kitchen and mix up cupcake or cookies soups on her play stove.
- Fiona is progressing with leaps and bounds at her Montessori school. She works at her own pace through BOB books for reading and can spell many three letter words by sounding out the letters. She can also add numbers together using her fingers.
- Fiona loves to swim at the pool. Chris has been taking her there since she was a year old, and she's at the point now that she can swim across the whole pool by herself without any assistance from Chris or flotation devices. It takes her a while, but she can do it.
Fiona's thinking face while playing memory
Showing me her metal inset work at school
Pre-reading work at school last fall. She is now reading three letter words.
My crazy girl
Cupcake on her half birthday
She is at equilibrium when she's coloring elaborate pictures in rainbow colors.
Explaining one of her drawings | artistic |
https://www.subarutelescope.org/old/Topics/2009/12/22/index.html | 2022-01-18T04:39:24 | s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320300722.91/warc/CC-MAIN-20220118032342-20220118062342-00311.warc.gz | 0.93323 | 596 | CC-MAIN-2022-05 | webtext-fineweb__CC-MAIN-2022-05__0__173485675 | en | Japanese Museum and `Imiloa Astronomy Center Collaborate to Create a Special Astronomical Event
December 22, 2009
Many astronomical events are held around the world to celebrate the International Year of Astronomy 2009. In one such event, `Imiloa Astronomy Center, located in the immediate neighborhood of the Subaru Telescope's base facility, collaborated with Katsushika City Museum in Tokyo, Japan (www.city.katsushika.lg.jp/museum/index-e.html) to jointly develop a special planetarium show suitable for viewing in English at `Imiloa planetarium.
|Planetarium during Dr. Fuse's Discussion|
The original Japanese planetarium show, called "Hawai`i, the Stars and the Oceans", was created by Tatsunori Arai, who is in charge of Katsushika City Museum's planetarium. Shawn Laatsch, the planetarium manager at `Imiloa, worked with Arai to adapt the material into a format appropriate for `Imiloa"s planetarium. The shows presented on September 4th (one in English) and 5th (two shows in succession, first in Japanese, then in English) were the culmination of almost three years of preparation and collaboration. The presentation at `Imiloa served as a demonstration and trial run of Arai's and Laatsch's innovative form of presentation. Rather than having a soundtrack included with the visual package, Arai and Laatsch preferred to narrate the images as part of a live presentation to the audience.
The shows at `Imiloa integrated a variety of media to enhance the experience of the event. The program debuts with images of the cosmos from Subaru Telescope as well as Hawaiian star lines. Master Navigator Kalepa Baybayan narrated the presentation of Hawaiian star lines. Dr. Tetsuharu Fuse, an astronomer and longtime PIO staff member at Subaru Telescope, discussed "The Universe Revealed by Subaru Telescope" as pictures of Subaru's discoveries were projected on the planetarium wall. Yumi Ishikawa, a noted slack key musician and composer from Japan, and Pono Lani offered Ishikawa's interpretation of Hawaiian music and slack-key performance as a tribute to the Japanese love of Hawaiian culture. The audience could simultaneously enjoy beautiful music and images.
The flexible format of the events at `Imiloa showed how planetaria can present the visual projection materials according to their own needs and context. Dr. Fuse summed up the delight of the audiences by saying, "Hopefully, we will hold a similar event at `Imiloa in the future." Such a wonderful experience is a catalyst for even more innovative presentations.
|(from right to left) Tatsunori Arai, Tetsuharu Fuse, Pono Lani, (skip), Yumi Ishikawa, Shawn Laatsch.| | artistic |
https://secretthirteen.org/puce-mary-drought-pan-review/ | 2023-12-03T04:35:30 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100484.76/warc/CC-MAIN-20231203030948-20231203060948-00643.warc.gz | 0.946867 | 724 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__179458760 | en | Sound artist from Copenhagen release new album on PAN where passion, aggressiveness, and lyricism melt together, turning its 9 tracks into one noisy experiment.
In 2016, an album called The Spiral and released by Posh Isolation shook the experimental music scene. The artist behind it was Frederikke Hoffmeier aka Puce Mary, a sound sculptor from Copenhagen. At that point she had already released several LPs and EPs since 2010 and her live performances were known among noise lovers for their abrasiveness. Although not a newcomer, the album significantly elevated her profile. And last October it rose even further with the release of The Drought [Pan, 2018].
Undoubtedly one of the most inspiring and surprising works of 2018, The Drought represents a step forward in terms of concept, composition and sound. Often compared with Pharmakon, Vit Fana or Acronym, among others, her power electronics amount to a lyrical offering where harsh sounds intermingle to create an industrial poetry book.
In fact, this LP is a piece of art in its entirety, from the album cover, designed by Torbjørn Rødland, to the last of its nine tracks, mastered by Rashad Becker. Upon gloomy apocalyptic soundscapes the Danish musician develops a world that pivots on a myriad of wisely-combined dramatic layers, mesmerizing repetitions, and industrial effects. While her usual raw intense distortion has not gone anywhere, the compositions provide listeners with quieter phases, which paradoxically bring about a sharper unrest. It is especially the case in To Possess is to Be in Control, where her reverberated voice articulates the words: “It makes me sick to open my body to you to give you all I have. If I can possess you. Why can't I possess my own body? To possess is to be in control”. A Feast Before the Drought speaks about lamenting, rage and sadness, igniting a war to challenge our very existence and our approach to life. As Puce Mary has said: “[these]compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control.” The Drought unquestionably ratifies Vladimir Jankélévitch’s postulates on music’s underlying capability to speak the unspeakable. The album brings together texts by Charles Baudelaire and Jean Genet, but their purpose seems to be to lead listeners in a certain direction rather than to communicate a precise and clear message. That’s exactly where we, as the audience, need to let ourselves get lost, and it is just then that we start to understand what a huge work this is. A real sonic poem: touching, evocative, enriching and empowering. For many, ranging from Ian Svenonius to James Baldwin, this is the true meaning of art. And I agree.
All in all, Puce Mary’s The Drought is, without any kind of doubt, one of the albums of 2018. It shows the real power of music in terms of expressiveness and reaching corners of the mind no word can reach. It provokes a whole palette of emotions: primary, personal, social, political… It speaks about freedom, danger, power… Both a poem and a manifest, this evocative, revolutionary and deeply beautiful album is a passionate invitation to feel and, therefore, to thrive. | artistic |
https://theserpentsquill.wordpress.com/2014/02/27/the-57-lives-of-alex-wayfare-m-g-buehrlen-alex-wayfare-1/ | 2018-06-21T15:43:24 | s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267864191.74/warc/CC-MAIN-20180621153153-20180621173153-00295.warc.gz | 0.9835 | 1,275 | CC-MAIN-2018-26 | webtext-fineweb__CC-MAIN-2018-26__0__226408969 | en | I have to admit that off the bat the synopsis of The 57 Lives of Alex Wayfare wasn’t something that called to me. I don’t usually go in for anything that involves reincarnation or any kind of time shenanigans: mainly because stories I have encountered that involve such things in the past are either very predictable or become so confusing and tangled that the plot either seems to break or not hold water. But hey, I have this blind trust in Strange Chemistry that comes from liking all the books I have read by them so far, and so I picked up The 57 Lives of Alex Wayfare without thinking too much about it.
And oh boy was I surprised. Within two pages I was hooked, within ten I already loved Alex and how the story was narrated. By fifty pages, this book quickly became one of those I just couldn’t put down (which wasn’t healthy for mine or my brother’s bedtime as I was being his audiobook for this one!). Alex is geeky, nerdy, different, and a whiz with technology. It’s nicely refreshing to have a female character being a whiz with technology without her being some kind of genius mechanic in a sci-fi context. Plus Alex is instantly likeable, and it’s impossible to not feel for her from the start: the eldest of three children, Alex is different. Since she was little, she’s had flashbacks, or deja vu, or whatever she decides to call the flashes of other lives that feel so much like hers without being. She’s terrified of cats and Ferris Wheels because of those flashes and has become an outcast at school for her strangeness. With her sister suffering from cancer, parents working hard to find a cure, and a younger sister who is ashamed to be related to her, Alex would give anything to be normal.
But normal isn’t for Alex, as she realises when, after a strange vision that takes hold of her out of the blue whilst she’s in class, she finds a note, addressed especially to her, that tells her that someone holds answers to her questions. So Alex goes, unprepared for the truth she is about to uncover and the ripples it threatens to have on her life. Alex is a Descender, but she is also more than that: hidden within Limbo lies the way to 56 past lives that Alex can travel to, taking over the body that her soul occupied and reliving events that have happened. But changing the past can have dire circumstances, and Alex has to watch what she does, which becomes especially hard when every time she travels back in time she meets the same blue-eyed boy who she feels inexorably drawn to. But to find who he is and what is going on, Alex may well have to risk everything she has and loves.
The 57 Lives of Alex Wayfare is one of those books that doesn’t give the reader much time to breathe as we’re thrown from one discovery to the other, being made to doubt everything and everyone around Alex until it becomes impossible to know who can be really trusted. Buehrlen weaves the tale with perfect pacing and a deft efficiency when skipping in between Alex’s past and present without ever seeming to drag anything on or give too much or too little away. As I said above, Alex is a likeable, believable POV who becomes entangled in something far bigger than she could have ever imagined. And yes, she has a couple of freak outs that have regrettable consequences, but at least she is capable of not only owning up to them, but also moving past them, to becoming a better and stronger person.
The romance in between her and Blue is wonderfully built in the past through her adventures in 20s Chicago and is so totally believable that it’s hard to not feel heart broken when she has to be torn away from him. But then Blue keeps appearing, despite the fact that he should either be dead or could not possibly have been born yet. Blue’s story is linked far more closely to Alex’s fate than she realises and the book leaves us on one of the sweetest cliffhanger I have come across in a while. I can’t wait for book two to know if my theory is right or not, and I really, really hope it is (mainly because otherwise I am going to feel damn silly!).
But Blue isn’t the only boy of interest in Alex’s life. At school there is Jensen, the boy she has had a crush on for years and who is being nicer and nicer to her all of a sudden, a fact that Alex has problems coming to terms with. Jensen is the popular boy who all the girls love and who is said to flit from one to another. But as Alex finds out as they grow slowly closer, there is more to Jensen than what rumours suggest and he is just as much a victim of them as she is. It was nice to see a boy in the situation of being painted as a ‘man slut’ by those around him even though he is nothing of the sort. It was a nice change from girls being portrayed that way and it was also refreshing for it to be shown that just because people are popular, it doesn’t always mean they want to or aren’t suffering because of it.
The 57 Lives of Alex Wayfare had me from the get-go. There was no going back after reading those first few pages that spoke to the reader with such honesty that it was impossible to not want to find out the ins and outs of the story. Alex can go proudly sit next to all the female heroines that kick ass whilst her book sits very much so near the top of my best books of the year list so far. There’s nothing to dislike about this book, nothing annoying and everything I want in a book: a good plot that takes time to be unravelled and fully understood, adventure, a very villainous and creepy villain, and a romantic relationship that I can’t wait to see coming more to fruition because these two deserve a bit of happiness, damnit! | artistic |
https://PRVEGAS.COM | 2024-04-14T10:03:33 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816879.25/warc/CC-MAIN-20240414095752-20240414125752-00603.warc.gz | 0.950288 | 595 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__138649575 | en | Blue Man Group Luxor Las Vegas Review
I had the incredible opportunity to witness a mind-blowing performance by none other than the iconic Blue Man Group at the Luxor Las Vegas. And let me tell you, it was an experience that left me speechless and utterly captivated from start to finish.
From the moment I stepped into the Luxor Theater, the atmosphere was electric. The anticipation in the air was palpable, with the audience buzzing with excitement for what was about to unfold. As the lights dimmed and the curtains drew back, a sense of wonder washed over me, and I knew I was in for an unforgettable evening.
The Blue Man Group’s unique blend of music, comedy, and multimedia artistry was nothing short of sensational. Their performance was a symphony of lights, colors, and sounds that transported me to a world where creativity knows no bounds.
One of the highlights of the evening was the mesmerizing use of technology and interactive visuals. The way the Blue Man Group seamlessly integrated cutting-edge technology into their act was awe-inspiring. Giant LED screens, mesmerizing projections, and state-of-the-art lighting effects worked in harmony with the performers to create an immersive experience that felt like a journey through the cosmos.
Of course, no Blue Man Group show would be complete without their signature percussion performances. The way they transformed everyday objects into musical instruments was pure genius. The rhythmic beats and infectious energy had the entire theater clapping, tapping, and grooving along. It was impossible not to be swept up in the sheer joy and enthusiasm that radiated from the stage.
But perhaps what struck me the most was the underlying message of the performance – the celebration of human connection and the universality of communication beyond words. Through their playful antics and thought-provoking skits, the Blue Man Group reminded us all that laughter and shared experiences are a universal language that transcends cultural barriers.
As the show reached its grand finale, I found myself on my feet, applauding and cheering alongside fellow audience members. The sense of camaraderie and sheer exhilaration in that moment was something truly special. Leaving the Luxor Theater, I couldn’t help but reflect on the incredible journey I had just been a part of.
In the end, my night with the Blue Man Group at Luxor Las Vegas was more than just a performance; it was an unforgettable adventure into the realms of imagination, artistry, and human connection. If you ever find yourself in Las Vegas and are craving a one-of-a-kind experience that will leave you both awe-inspired and elated, make sure to catch a show by the Blue Man Group – trust me, you won’t be disappointed!
BUY TICKETS TO BLUE MAN GROUP LAS VEGAS | artistic |
https://www.thesilkroadmag.com/2024/03/01/antica-pasticceria-castino-2/ | 2024-04-23T13:48:28 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296818711.23/warc/CC-MAIN-20240423130552-20240423160552-00584.warc.gz | 0.958669 | 598 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__75528885 | en | Antica pasticceria Castino and Miradolo Castello
On December 24, 2014, the Cosso Eynard family, originally from Pinerolo, reopened the Antica Pasticceria Castino in the heart of the city, reviving the historic establishment that had unfortunately been closed for years. The brand was reintroduced with the kind permission of Gemma Castino, the daughter of the founding pastry chef, known in the first half of the twentieth century as the “Michelangelo of chocolate”.
The pastry shop was completely renovated and restored, preserving the nineteenth-century design. During that era, Pinerolo was known for cavalry, animated by illustrious figures such as Captain Federico Caprilli, to whom the historic Cavallerizza of 1910 (the famous riding school) is now dedicated, once the largest and one of the most beautiful in Europe.
The pastry shop has its own artisanal workshop, led by Master Pastry Chef Davide Muro, where delightful sweet and savory treats are produced daily with the utmost attention to the quality of raw materials and artisanal production processes.
The tradition of Piedmontese pastry meets the innovation and creativity of the pastry chef. This features a production of small, fresh and dry pastries, in sweet and savory versions, ideal for cocktail hour. In addition, there is a rich selection of cakes, panettones (Christmas sweetbread), other leavened products, artisanal pralines, marron glacé (candied chestnuts), glazed citrus peels, assorted croissants, and many other delicacies created with passion and love for tradition and the city of Pinerolo.
Antica Pasticceria Castino has another branch and a café inside the Miradolo Castle in San Secondo di Pinerolo, where you can enjoy Castino’s specialties all day long. During the warm season, the outdoor seating amidst the lush greenery provides an oasis of tranquility in the intimate courtyard, surrounded by aromatic plants and flowers.
Countess Sofia Cacherano of Bricherasio, the owner of the residence until 1950, used to visit Giuseppe Castino’s “realm”, especially on Sundays, to buy pastries and baked goods for festive occasions. It was in his Pinerolo workshop that Castino created the famous cake, Torta Zurigo-Castino, commissioned by Princess Yolanda of Savoy.
Today, the Miradolo Castle serves as the headquarters of the Cosso Foundation, which has been planning and promoting cultural and social events ranging from exhibitions to musical concerts since 2008. From March 23 to December 25, 2024, the castle will host a major exhibition dedicated to Giorgio Griffa, also featuring specific works created by the Turin-based artist in the park, showcasing his role in contemporary painting research. | artistic |
http://www.625hobart.com/about/ | 2020-02-28T22:29:44 | s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875147647.2/warc/CC-MAIN-20200228200903-20200228230903-00213.warc.gz | 0.967465 | 749 | CC-MAIN-2020-10 | webtext-fineweb__CC-MAIN-2020-10__0__20876420 | en | Inspired by the 1930s Maison de Verre in Paris by Pierre Chareau, this home is renowned for its masterful engineering with entire walls and ceilings of structural glass, but more importantly, its thoughtful design that discretely accommodates full handicap accessibility. The marriage of the two blends in harmony with a result that is both beautiful and functional. Precision craftsmanship is apparent inside and out – from the entire front façade of glass block to the breathtaking gallery entrance spanned by a glass ceiling. The juxtaposition of natural materials, like vertical grain cedar and Tasmanian oak, with the clarity of glass creates a rich meditative tone accentuated by the beauty of the surroundings.
A focus concept in creating a house of “light” was to have natural light bathing the principal rooms on all four sides. This challenging yet stunning achievement is something rarely experienced.
Throughout the home’s two levels, connected by elevator or a glass tower staircase, the entire ambiance is traditional modernism. Vast walls are comprised of nothing but frameless glass while others are set beneath perfectly placed lighting for the display of fine art. A sleek chef’s kitchen stands ready to host festive gatherings in the formal living and dining rooms, a recreation room doubles as a media center, and a customized office is designed for two.
All the main floor room have a most unique connection to the garden. However, the living room and master bedroom have a most unusual ambiance as a result of the beautiful glass walls that bring the garden into the room.
The home’s personal accommodations comprise five sumptuous bedroom suites with three on the main level and two more privately located on the lower level. The grounds are equally captivating and designed with the same simplicity of the home. Quiet sitting areas are tucked beneath towering redwoods, native plantings respect the environment, and a soothing fountain adds a Zen quality. With its exceptional Menlo Park address, unparalleled construction, and rare functionality, this is indeed a very special place to call home in Silicon Valley.
Architect John Thodos was a noted residential architect located in Carmel. He died in 2009 when the house was about 2/3 complete so it was his last project after a string of most notable houses. He was a consumate modernist and most unwilling to compromise the design integrity in any way. The fact that the house won an AIA award (hanging in the kitchen) honors John’s position amongst California’s best.
As you can imagine I went to great lengths to select one of the best contractors on the west coast. I have contact with and have toured many houses in OR, Wash, and CA and chose Marrone and Marrone with considerable care. Not only was his project history most impressive, Greg’s personal involvement goes beyond outstanding, and his choice of subcontractors was exceptional. He also had a project superintendent, Steve Gonzales, who I insisted should be on the project full time. Steve’s contribution put this project over the top and based on my 50 years in the construction business that opinion is more than well founded.
In the five years since moving into this exceptional house I have to say that the service, support, and follow-through that Greg Marrone has provided is an asset not to be taken lightly. Greg takes enormous pride in this house and while there has been little to attend to he is always there to make sure any question or issue is properly and totally taken care of.
With the contractor and the extensive list of service providers we have developed the new owner can rest assured that all the support necessary to care for this outstanding house is in place. | artistic |
https://rogerheathers.com/album/to-your-hearts-content | 2020-05-31T16:24:34 | s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347413551.52/warc/CC-MAIN-20200531151414-20200531181414-00336.warc.gz | 0.973937 | 381 | CC-MAIN-2020-24 | webtext-fineweb__CC-MAIN-2020-24__0__145675176 | en | 'To Your Heart's Content' is my 10th release, although it feels like my first. It's the first full length album of "actual" songs (e.i. not remixes, sound collages or incomplete ideas) that I've completed as well as the first time that I've managed to play all of the instruments on a record.
The album was conceived of in 2014 when I was speaking to my friend Joe about putting together a full length album. Back then the album didn't contain half of the songs it does in it's current form. A couple songs that I remember considering for the album back then were: 'Fish Tacos' and 'Caravan 4', for what it's worth.
This collection of songs was written between 2014 and 2016. They were recorded between 2016 and early 2017 mostly at my house (guitars, bass, vocals, keys) and at Humphry Davy School (drums, grand piano).
I don't usually charge for music, but I feel this release holds value.
I sincerely hope this album is heard and enjoyed.
released February 10, 2017
Written, produced and performed by Roger Heathers
Mixed and mastered by Roger Heathers
Artwork by Charles Esperanza (www.cgesperanza.com
Thanks: Mum, Dad, Katherine and all of my family for your constant support, Joe O'Neill for your friendship, musicianship and for always listening to my demos and sequences (this album's working title was, 'Shark Side Of The Moon' for the longest time!), Declan Kitchener for being a music fan with me and a good friend, Lizzy, Sammy, Siobhan. Charles Esperanza for the album's amazing artwork. Also, thanks to Annie at Humphry Davy for booking recording time for me and putting up with my late payments. | artistic |
https://yingdata.wixsite.com/secretreviewer/post/the-little-big-things-at-sohoplace | 2024-03-03T04:41:45 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476205.65/warc/CC-MAIN-20240303043351-20240303073351-00433.warc.gz | 0.948411 | 386 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__92911634 | en | This musical tells the tragic story of a young teenager who experiences a life-altering accident, leaving him paralyzed for the rest of his life. While it's a sadly familiar narrative that likely unfolds in hospitals from time to time, what makes "The Little Big Thing" extraordinary is the depth of emotion it conveys.
For the family and the young boy, this event is more than just a typical sad story; it's a life-changing trauma that inflicts deep wounds on their hearts. The audience is given a raw and unfiltered glimpse into the family's pain and their relentless struggle to find solace amidst this tragedy.
What sets this production apart is the remarkable inclusion of disabled performers, many of whom have likely faced similar challenges in their lives. Their disabilities do not impede their ability to deliver outstanding dance, singing, and acting performances. Their dedication to their craft shines through, contributing to the overall high quality of the show. While the stage design remains elegantly simple, the lighting design is a standout feature. The lighting not only complements the story but also plays a pivotal role in setting the emotional tone for each scene, effectively enhancing the audience's connection to the characters' experiences and emotions.
In summary, "The Little Big Thing" is an unforgettable theatrical experience that deeply resonates with its audience. It transcends conventional storytelling by featuring a cast of disabled performers who elevate the narrative with their exceptional talents. Director Sheppard's vision, coupled with outstanding performances, creates a moving testament to the resilience of the human spirit in the face of adversity. This production is a masterclass in storytelling and a testament to the power of theater to inspire, educate, and touch the heart.
I wholeheartedly recommend "The Little Big Thing" to theater enthusiasts and anyone seeking a profoundly emotional and resonant theatrical experience. It is a production that will leave an indelible mark on your heart and soul. | artistic |
https://www.ceramic-gifts.com/shop-by-occassion/wedding-gifts/floral-wedding-hanging-heart | 2019-07-21T06:50:39 | s3://commoncrawl/crawl-data/CC-MAIN-2019-30/segments/1563195526931.25/warc/CC-MAIN-20190721061720-20190721083720-00027.warc.gz | 0.838629 | 328 | CC-MAIN-2019-30 | webtext-fineweb__CC-MAIN-2019-30__0__118670443 | en | Floral Wedding Hanging Heart
Availability: In stock
A lovingly made personalised ceramic hanging heart perfect for a wedding or anniversary gift.
A beautiful floral gift and acts as a date reminder for those forgetful minds. Hand made from clay with an ivory satin ribbon. A beautiful and personalised keepsake that will look great in any home. Can be hung on door handles or put up on display.
Hand pressed flowers with sliver, sage green and soft pink details.
Please enter the name of both Bride and Groom and the wedding date. Please note names can only be a maximum of 10 letters long.
Made from: 100% designed and handmade in Britain from ceramics and ribbon.
Dimensions: Approx 8.5cm x 9cm
|MADE IN BRITAIN||Yes|
|Can Be Personalised||Yes|
|Standard Delivery||In 3-5 Days||£2.75|
|Tracked Two Day Delivery||In 2 Days||£6.95|
You have 28 days, from receipt of cancellable goods, to notify the seller if you wish to cancel your order or exchange an item.
Please note: goods that are personalised, bespoke or made-to-order to your specific requirements, perishable products and personal items sold with a hygiene seal (cosmetics, underwear) in instances where the seal is broken are non-refundable, unless faulty.
Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based. | artistic |
https://batterupvr.wordpress.com/2017/02/16/the-flamethrower/ | 2019-07-23T01:38:52 | s3://commoncrawl/crawl-data/CC-MAIN-2019-30/segments/1563195528635.94/warc/CC-MAIN-20190723002417-20190723024417-00345.warc.gz | 0.962653 | 483 | CC-MAIN-2019-30 | webtext-fineweb__CC-MAIN-2019-30__0__218026455 | en | While designing the progression system, we had to think about how exactly we were going to make each level of an item upgrade feel. There had to be more than just a visual upgrade. Each upgrade should feel more efficient, more fun, as well as look prettier.
This is where the flamethrower comes in. The flamethrower is one of the upgrade levels of the oven. We thought it should feel more efficient than taking the time to put the batter into the oven. It should feel a lot more fun considering guns feel pretty awesome in VR. Last but not least, it should look badass cause it’s a freaking flamethrower.
I find it handy sometimes to draw what I want to model before I 3D model it. Whenever I’m creating an art asset, I NEED to look at references. It helps with visualizing what I want the final version of my model to look like. It also helps me find ideas that I really like and want to include in my model.
So this version of the flamethrower made it all the way into game before I realized one major flaw….If the player uses the trigger button to pick up the object, and they’re holding that trigger button to keep that object in their hand…How are they going to “shoot” the gun… Both of us HATE when VR games use the Vive’s grip buttons to pick up items, so it was back to the drawing board to design a better functioning flamethrower.
The solution was easy, I just needed to add a push button on the flamethrower (and any other gun type object we design) to replace the pulling of a trigger. It was a really silly oversight.. But sometimes I guess I imagine so hard in the back of my head exactly how something will/should look that I forget to question how it’s going to work exactly.
So this is what the flamethrower looks like today so far. The texture/materials aren’t final at all. Nothing is ever really final until we ship.. This design should hopefully feel intuitive enough to the player that they press on the pad on the Vive controller instead of pulling the trigger in order to shoot. But that’s something we should be able to figure out with some quick play testing. | artistic |
http://www.joannehunt.com/ | 2017-05-01T04:09:48 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917127681.50/warc/CC-MAIN-20170423031207-00519-ip-10-145-167-34.ec2.internal.warc.gz | 0.963677 | 138 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__176402037 | en | Born and raised n Montreal, Joanne Hunt is a professional artist living in Truro, NS. A contemporary realist, she creates both oil and watercolour paintings with a tonal softness and quiet mood which has become her signature. With a passion for luminosity and depth, Joanne's art investigates the subtle details found in nature and everyday subjects. She was elected to the prestigious Canadian Society of Painters in Water Colour (CSPWC) in 2002, the Society of Canadian Artists (SCA) in 2005 and the International Guild of Realism in 2015. Her work has won numerous awards at national exhibitions and can be found in collections across Canada, the US and abroad. | artistic |
https://nicolecammorata.com/ | 2023-05-31T00:40:20 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224646181.29/warc/CC-MAIN-20230530230622-20230531020622-00543.warc.gz | 0.93838 | 249 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__227464159 | en | Hi, I’m Nicole! I’m an experienced editor, commerce leader, and content strategist with a passion for editorial that helps people live their best lives. Obsessed with big, creative ideas, I am currently the Executive Commerce Editor at Mashable, where I’ve grown the Shopping vertical from its initial trial of a few stories a week to a multi-channel revenue stream that has become woven into the entire ethos of the publication.
I have always followed passion projects on the side, keeping my reporting skills sharp by freelancing for publications like The Boston Globe and Fresh Magazine, and as an author-for-hire on nonfiction book projects like Words You Should Know, You Can’t Be Everywhere, and You’re the Only One I’ve Told. In 2022 I founded Appleseed Flower Farm, where I grow organic flowers to share with my community and help florists surround couples with beauty during life’s biggest moments.
I received a B.S. in Journalism with a minor in Anthropology from Boston University and have an MFA in fiction writing from The New School. I live in Maine with my husband and daughter.
Photo credit: Kayla Tiffany Photography | artistic |
https://gvuo.cz/en/ziskyen/valova-jitka_ng184 | 2024-04-16T09:35:56 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817081.52/warc/CC-MAIN-20240416093441-20240416123441-00027.warc.gz | 0.972068 | 402 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__98501396 | en | (1922, Kladno – 2011, Kladno)
Painter, graphic artist. Her work is closely connected with the work of her twin sister Květa Valová. From 1945 to 1950 Jitka Valová studied under Professor Emil Filla at the Prague Academy of Arts, Architecture and Design. Her early works focused on glass-engraving – a technique she learned at the glassmaking college in Železný Brod. She was a core member of the Trasa 54 (“Route 65”) group, and in 1990 she joined the Umělecká Beseda artists’ association. Her work from the 1960s belongs to the New Figuration movement; her focus was purely on monochromatic drawings, paintings and graphic works depicting the human figure in motion, which acts as a dynamic artistic sign. Valová’s entire career was closely linked to her native town of Kladno, whose industrial atmosphere provided a powerful source of inspiration for her. She projected the toil of the workers into her bent, deformed figures. Her work symbolically expresses people’s struggle against the harsh times they lived in, expressing a stance of strong disagreement and opposition. Besides the deformed and bent figures mentioned above, Valová’s work was also inspired by the existential motif of Calvary. From the 1960s onwards both sisters produced poured drawings, which embodied musical melodies that they listened to. Both Jitka and Květa Valová were active on the unofficial art scene. In 1983 they held a joint exhibition in Cheb, which marked a turning-point in their careers. After the collapse of the communist regime in 1989, they presented their works together at exhibitions abroad, and in 1994 they were awarded the Herder Prize in Vienna. In 2010 the Prague Academy of Arts, Architecture and Design awarded Jitka Valová an honorary doctorate. | artistic |
http://voiceoverextra.com/listing.htm?cat=tasvkbpx&s=state&id=94hchdcu | 2013-12-07T14:08:39 | s3://commoncrawl/crawl-data/CC-MAIN-2013-48/segments/1386163054576/warc/CC-MAIN-20131204131734-00012-ip-10-33-133-15.ec2.internal.warc.gz | 0.950668 | 169 | CC-MAIN-2013-48 | webtext-fineweb__CC-MAIN-2013-48__0__190625112 | en | Peter Rofé is a national voice talent, sought-after voice acting coach, and owner of PDR Voice Over Coaching, on Broadway in New York City's Greenwich Village.
As a voice talent, Rofé's credits include countless commercials, promos, narrations and video games.
At his full-service recording studio, Rofé coaches new and veteran talent, and produces voice-over demos. He has also taught voice-over courses at The Barrow Group and New York University's Tisch School of the Arts.
For producers, casting directors and agents, he offers the PDR Online Master Reel - a resource of reliable voice-over artists available for auditions and bookings.
He is also co-author, with voice actor Randy Thomas, of the book "Voice For Hire." | artistic |
http://holstonacademy.org/courses/art-history-course/ | 2024-04-19T06:55:06 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817289.27/warc/CC-MAIN-20240419043820-20240419073820-00725.warc.gz | 0.933721 | 190 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__40199870 | en | In this art history course, students will develop a comprehensive understanding of the artistic process by exploring the decision-making and judgment involved in viewing and creating works of art. They will gain insights into the impact of emerging cultures on art and architecture, recognizing the lasting artistic contributions made by major civilizations throughout history. The influence of Christianity on art and artists between the Roman Empire and the Renaissance will be examined, highlighting the significant changes in art techniques and purpose during the Renaissance, Baroque, and Rococo periods. Furthermore, students will explore the diversity of art during the modern era and understand how modern artists continue to be influenced by art from the past. Through these understandings, students will develop a rich appreciation for the historical and cultural context of art, and how it continues to shape artistic expressions today.
Throughout this course, students will discuss various artworks, research artists, and create documents and presentations demonstrating concepts learned. | artistic |
https://illusion-almanac.com/2021/05/27/the-illusion-almanac-creating-godzilla-vs-kong-out-now/ | 2023-05-31T04:03:21 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224646257.46/warc/CC-MAIN-20230531022541-20230531052541-00444.warc.gz | 0.854348 | 499 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__112397369 | en | Issue 1 of the new filmcraft magazine The Illusion Almanac is available now as an 80-page* digital magazine formatted for Kindle. Download it from Amazon online stores worldwide — just search for “illusion almanac.”
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon UK
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon US
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon Canada
Focusing exclusively on a single motion picture or streaming show and illustrated with a selection of stunning imagery, each issue boasts in-depth coverage of some of the craft disciplines involved in the production, including design, cinematography and visual effects.
The Illusion Almanac: Creating Godzilla vs Kong covers the making of the epic monster movie from Legendary Pictures and Warner Bros. Pictures. Key interviewees include production designer Owen Paterson, cinematographer Ben Seresin, visual effects supervisor John ‘D.J.’ DesJardin and special effects supervisor Mike Meinardus, plus the concept design teams at Amalgamated Dynamics, Inc. and Legacy Effects, and the visual effects teams at Scanline VFX, Weta Digital, MPC and Luma Pictures. There’s also a brief history of the giant ape Kong and the fire-breathing lizard Godzilla, whose heritage goes back to the original 1933 film “King Kong,” directed by Merian C. Cooper and Ernest B. Schoedsack, and “Gojira,” first released in 1954 and directed by Ishirô Honda.
“I enjoy a good long read that takes me behind the scenes on a movie I love,” says creator Graham Edwards, “and that’s exactly what I’ve set out to create with The Illusion Almanac. The idea of the magazine is to combine all those juicy ‘making-of’ details with a real breadth of subject matter, and then top everything off with a dusting of historical context. The only thing I can’t provide is the comfortable chair, fresh cup of coffee, and indulgent hour or two required to read it all!”
Don’t have a Kindle? No problem. Just download one of the free Kindle apps for iOS, Android, Mac or PC.
[…] The Illusion Almanac: Creating Godzilla vs Kong — Out Now […] | artistic |
https://www.jennifergarrity.com/bio | 2022-10-02T11:51:57 | s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030337322.29/warc/CC-MAIN-20221002115028-20221002145028-00340.warc.gz | 0.972529 | 202 | CC-MAIN-2022-40 | webtext-fineweb__CC-MAIN-2022-40__0__222266324 | en | Jennifer is a 24 year old published Fine Artist; Draughts-woman and Illustrator from Manchester, specialising in the human form, biology and anatomy.
Devoted to gaining knowledge that informs her practice she finds her inspiration from statues and sculpture, renaissance art, medical illustration and has a passion for drawing from life.
Although Jennifer has spent the entirety of her art career drawing, she has a new found love for painting. With an eye for finer details she has a passion for creating accurate and realistic depictions whilst conveying an essence of the subject. After a short but inspiring stint of painting expressively, she discovered her own style of realist painting and after attending dissections was able to draw inspiration, delving deeper and leading to her recent paintings focusing on the inside of the heart.
After her first life drawing experience back in 2015, she has been infatuated with drawing the human form from life and has devoted hundreds of hours trying to master the skills to create the most precise portrayal. | artistic |
https://www.eneidapatricia.com/about.html | 2019-10-14T21:33:07 | s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986655310.17/warc/CC-MAIN-20191014200522-20191014224022-00070.warc.gz | 0.957211 | 250 | CC-MAIN-2019-43 | webtext-fineweb__CC-MAIN-2019-43__0__114144218 | en | Eneida is a Chilean-born Latina with Puerto Rican roots who writes about people, animals, and magic. In her career, she has been a nonprofit executive and fundraising consultant based in Washington, DC—working on behalf of education-focused organizations such as Edu-Futuro, CentroNía, and the Inspired Teaching Public Charter School. She is also a Returned Peace Corps Volunteer who served in Bolivia, the heart of Latin America. Eneida holds dual bachelor’s degrees from Penn State and is working toward her Master’s in Creative Writing and Literature through Harvard University’s Extension School. Her fiction and poetry have appeared in literary outlets such as The Acentos Review, Stoneboat Literary Journal, As/Us Journal, and From Everywhere a Little: A Migration Anthology from 100 Thousand Poets for Change. Her short story "Duende" was selected as the first place winning entry for the 2018 Kaaterskill Basin Literary Journal's Short Fiction Contest. She is thrilled to be the Associate Fiction Editor for Oyster River Pages' Emerging Voices, an initiative which seeks to uplift underrepresented voices in literary fiction. Eneida alternates her place of residence between Singapore and the United States. | artistic |
https://www.totalguidetodorset.com/entertainment/christmas-shows-and-pantomimes-dorset/ | 2024-04-24T17:55:56 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296819847.83/warc/CC-MAIN-20240424174709-20240424204709-00520.warc.gz | 0.89884 | 1,583 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__104196300 | en | In case you missed it see what’s in this section
ELF: THE MUSICAL, BOURNEMOUTH INTERNATIONAL CENTRE, BOURNEMOUTH
About: The hugely popular hit Hollywood film comes to life on stage with this Christmas spectacular production, complete with Santa’s flying sleigh, an immersive snowball fight in the audience, indoor snowstorm and the giant candy cane journey from the North Pole. This is an epic festive show for the whole family and one not to be missed!
Dates: 15th & 16th December 2023
Tickets: From £26.75 per person
THAT’LL BE THE DAY CHRISTMAS SHOW, BOURNEMOUTH INTERNATIONAL CENTRE, BOURNEMOUTH
About: Always a classic, That’ll Be The Day returns with their timeless rock ’n’ roll show with Christmas flair. Journey on a nostalgic sleigh ride through rock and pop hits, with some much-loved Christmas classics sprinkled in for good measure. This is a show guaranteed to bring some festive cheer to your December.
Dates: 17th December 2023
Tickets: From £34 per person, 12+
SNOW WHITE & THE SEVEN DWARFS, BOURNEMOUTH PAVILION, BOURNEMOUTH
About: Join Noel Brodie and the gang for another hilarious pantomime on stage at the Bournemouth Pavilion theatre. This year it’s time to tell the tale of Snow White, with plenty of laughs in the rags to riches show with a beautiful princess, wicked queen, hilarious jester and, of course, the seven dwarfs plus a poisoned apple and magic mirror, it’s sure to be a must-see spectacular!
Dates: 2nd December to 31st December 2023
Tickets: From £17 per person
CINDERELLA, TIVOLI THEATRE, WIMBORNE
About: Arguably the most magical pantomime of them all, The Tivoli Theatre in Wimborne brings the story of Cinderella and her Prince Charming to life on the stage. Will the Ugly Sisters prevent Cinders from her happy ever after or will faithful sidekick Buttons save the day? You’ll have to book your tickets to find out!
Dates: 15th December 2023 until 1st January 2024 (adult only performances on 29th & 30th December)
Tickets: From £14.85 per person
TWISTED CHRISTMAS, THE MINSTER THEATRE, THE ALLENDALE CENTRE, WIMBORNE
About: Twisted Christmas returns with their dark side of Christmas show. Featuring several micro-plays, including how to buy the perfect gift for your unloved ones, depraved cracker jokes and why you should never turn your back on a pantomime dame…. It’s not your typical Christmas show, that’s for sure!
Dates: 1st December 2023
Tickets: From £6 per person, 14+
BEST CHRISTMAS SHOW EVER, THE MINSTER THEATRE, THE ALLENDALE CENTRE, WIMBORNE
About: A brand new adventure awaits for Christmas 2023. Wimborne’s ever-popular Best Christmas Show Ever returns for more festive frolics.
Dates: 15th December until 24th December 2023
Tickets: From £12.31 per person
CHRISTMAS SPECTACULAR IN THE ST NICK OF TIME, THE REGENT, CHRISTCHURCH
About: Something’s wrong with Santa’s time machine and Christmas is in danger. Luckily Squash the Christmas Elf and Santa’s daughter, Joy, are on hand to travel through time and save Santa. Dazzling dance routines and costumes will give the whole family a warm, fuzzy feeling in this year’s Christmas Spectacular, In The St Nick of Time.
Dates: 16th December until 24th December 2023
Tickets: From £18 per person
CINDERELLA, THE MOWLEM THEATRE, SWANAGE
About: Will Cinderella make it to the ball, despite the best efforts from her Wicked Stepmother and two stepsisters? Can Prince Charming meet the girl of his dreams? Find out the answers and cheer and boo along at Swanage’s annual family pantomime at The Mowlem Theatre.
Dates: 12th December 2023 until 20th January 2024
Tickets: From £8 per person
SANTA’S CHRISTMAS WISH,SHAFTESBURY ARTS CENTRE, DORCHESTER
About: Join a fun, festive musical adventure and help Dasher, PomPom, Dotty and Snowy give Santa the best Christmas ever before meeting the man himself at his home in the North Pole. Every child in the audience will receive a special gift from Santa in the popular meet & greet session following the show. With songs including festive favourites Jingle Bells and When Santa Got Stuck up the Chimney, this is guaranteed to get you feeling jolly!
Dates: 20th December 2023
Tickets: From £9.50 per person (to include a gift for every child). Suitable for children aged 2-8 years old.
SNOW ANGEL, CORN EXCHANGE, DORCHESTER
About: Celebrate all that is Christmas with classics such as Michael Bubble and the John Lewis Christmas ad with this delightful festive show that will bring a smile to even the most Scrooge-like audience members. Shamelessly festive and totally mad-capped, this is the Christmas show you didn’t know you needed for 2023!
Dates: 8th December 2023
Tickets: From £13 per person
SNOW PLAY, CORN EXCHANGE, DORCHESTER
About: If Winter moved to your house, what would you do? This snowy spectacular show is a showdown between Spring and Winter, guaranteeing a white Christmas regardless of of the weather outside! The immersive show allows you to make a giant snowman, have a snowball fight and cover a whole house in snow. Fun for the whole family!
Dates: 9th December 2023
Tickets: From £8 per person, 3+
A CHRISTMAS CAROL, CORN EXCHANGE, DORCHESTER
About: A visit from three phantoms one memorable Christmas Eve makes miserly Ebenezer Scrooge rethink his life. This unique take on the well-known tale promises to be a feast of festive foolery you won’t forget in a hurry. With puppetry, silly songs and enough Dickensian daftness to see you through the night, this show is anything but traditional.
Dates: 5th January 2024
Tickets: From £13
SNOW WHITE, WEYMOUTH PAVILION
About: Will Snow White be forever doomed to live unhappily ever after with her wicked stepmother? Or will she manage, with the help off her friend Muddles the Jester, to meet the handsome Prince and have all her dreams come true? This classic tale is told in a family pantomime full of excitement and a fantastic soundtrack, bringing you a festive treat not to be missed this December!
Dates: 16th until 31st December 2023
Tickets: From £18.50 per person | artistic |
https://www.pbucc.org/index.php/menu-news-sep/latest-news/1580-awakening-to-the-new-year | 2023-12-02T11:16:57 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100399.81/warc/CC-MAIN-20231202105028-20231202135028-00378.warc.gz | 0.959895 | 1,025 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__270813735 | en | Rev. Bruce G. Epperly, PhD
In my first piece in this series (March 2022), I began with a quote from United Nations Secretary-General Dag Hammarskjold (1953-1961), whose book Markings I read each year, either on New Year’s Day or my Fall birthday. This year I read it on my seventieth birthday.
It both inspires and challenges me as I ponder endings and beginnings, and gratitude and adventure.
For all that has been – thanks!
For all that shall be – yes!
This short poem describes the intersection of past and present, and the blessings of the past and our hopes for a new year.
“For all that has been – thanks!” This has been a challenging year, and the international and national challenges have been mirrored in many of our personal lives. We have been unsettled by the invasion of Ukraine, Supreme Court decisions, the continuation of the “big lie” in elections, and the public rise and apparent acceptance in many Christian quarters of white supremacy and neo-fascism. We have faced changes in our personal lives that may have been equally dramatic in our micro world. My wife and I continue to adapt to retirement (now 18 months in), balancing in my case, writing, teaching at our and at the seminary, occasional pulpit supply, with a new spaciousness in terms of time and care for our grandchildren.
Each morning as I take my pre-dawn walk, often with foxes and deer as my only companions some mornings, I give thanks in the silence, and each day there is much for which to be thankful: the quiet of the morning with no sounds of dropping bombs, the ability to walk, my early morning writing, my sleeping wife, having a lovely home and neighborhood, family nearby, good enough health to do what I want, the hope of travel, my grandchildren and their family, the opportunity to teach and write, a good pension with the UCC and TIAA which gives me the freedom to choose when to take on a class, sermon, or consultation.
Gratitude puts my worries – often small by comparison to others – in perspective and is an anti-dote to impatience and complaining. Meister Eckhardt said that if the only prayer you make is “thank you,” that will suffice. God has brought us safe thus far, and we give thanks that God’s grace will lead us home.
At New Year’s, there is also the big “yes” of what is to be. What will the next year or decade be like? At seventy, I hope for another decade of creativity and health. I take confidence in studies that suggest that the decade between seventy and eighty is the second most creative time of life, with the sixties, the most creative. Grounded in gratitude, I can embrace the “yes” of the future, joining my plans and vision with the uncertainties of life, and trusting that I will receive the inspiration and energy to respond to whatever comes my way.
At New Year’s, we can, like the African Sankofa bird, look backward and forward. Amid the parades, football games, celebrations, and family gatherings, we can spend time giving thanks, and “count our blessings,” naming them “one by one.” We can count the blessings of resilience in times of challenge, the gift of vaccines and health care, people who have supported us and whose love sustains us, and our own achievements. We can, as a young child added to his prayers, “thank God for being God,” and making a way where we thought there was no way.
We can spend time on the “yes” of the future. Where is the future calling you? Where are your gifts meeting the world’s needs? What new thing beckons you – a trip, volunteer project, new avocation, care for your health? We can name these one by one, and then pray for guidance in embodying the most important of these callings in the year ahead and working for a world in which what we take for granted can become the norm. We can ask God to give us the ability to see new possibilities and notice holy encounters and new friendships. Providence is constantly placing possibilities in our lives, and occasionally we notice. We can ask God for greater vision and the energy and insight to act on these visions.
This is not pie-in-the-sky but a recognition that with the New Year, when we woke up on January 1, we can be “woke” to a world of challenge and possibility. We can seize the day that God has made. Rejoice in the wonder of life and be God’s companions in bringing healing and wholeness to the world.
For all that has been – thanks!
For all that shall be – yes!. | artistic |
https://www.housebythebaydesign.com/basket-cat-bed/ | 2023-09-28T10:19:37 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510387.77/warc/CC-MAIN-20230928095004-20230928125004-00387.warc.gz | 0.92466 | 896 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__40140207 | en | This month’s DIY at Home Challenge is Thrift Store Upcycle – so of course I scoured a few of my local thrift stores just waiting for inspiration to strike and – it did: a basket cat bed!
I scored this cute basket from a local shop for just $6. It seemed like the perfect base for a new cat bed for the office. With four cats, it’s pretty much guaranteed that one of them will be sleeping on my keyboard whenever I want to use my computer.
Maybe I could tempt them away from the apparently super comfy keyboard, and instead into a soft and cuddly bed. Well, mission accomplished!
Now let me say right away, this was a “quick and dirty” sewing project – my cat doesn’t care about perfect seams, and if I can’t see it, I wasn’t going to worry about it.
With that in mind, here’s how I made this cat bed!
First I measured the inside of the basket to determine how big I wanted the cushion to be (17” x 11” x 3”).
I started by cutting two rectangles of fabric, for the main cushion.
- Top : 18” x 12” (measured size + 1” seam allowance)
- Bottom : 23” x 18” (measured size + 3″ height on each side + 1” seam allowance)
With a marker I made a small mark 3″ in from each corner on the bottom piece (the larger rectangle).
Now, line up the top and bottom pieces (wrong sides together) along one edge between the to marks and sew them together with a 1″ seam allowance – stop sewing about 1/2″ – 1″ before you get to the edge.
OMG Casey, there’s a huge seam allowance of fabric on the outside of the cat bed!! Are you bananas? I know, I know, just stay with me (and yes, I am).
The seams will eventually be trimmed and will be hidden by the basket.
Sew along the next two edges in the same way, bringing your pieces together between the marker points. I did not sew the corner togethers so they just droop and it starts to take on a bag-like-shape.
For the last edge I sewed in about 3″ from each corner but left a gap in the middle – use this gap to stuff your cushion with pillow filling then sew the gap closed.
The next step is to make the little bumper to go around the edges of the cushion – this is why I made such a weird pillow – I wanted the seam to be at the top of the cushion, not down in the middle.
Measure the inside circumference of the basket and determine how high you want the bumper to be. Cut a piece of fabric based on those measurements and this formula:
(Bumper height x 2) + 2” x inside basket circumference + 1”
Sew the ends right sides together with a ¼” seam allowance to create a loop (make sure it isn’t twisted) and see how it fits in your basket if you need to make it smaller you should have enough wiggle room to adjust.
Fold the loop and sew the long edges (wrong sides together) with a 1″ seam allowance creating a tube. As you’re sewing, pause every 6” or so to add some stuffing (this will make your life easier, believe me). Once you have about a 4” left to sew, add the last bit of stuffing, you can put in a little less to make it easier to sew the gap closed, then squish the stuffing around to even everything out.
Now, this is where those long seam allowances come in handy – with the loop on top of the cushion, sew the two seam allowances together as close to the pillow as you can (I did this roughly by hand).
Trim the excess and place the cushion inside the basket – the seams are now hidden!
Pro tip: if you really want to get your kitty to use their new basket cat bed, sprinkle some catnip in with the stuffing.
Make sure to check out all the other challenge participants and their thrift store upcycle projects! | artistic |
https://acturastore.com.au/limited-edition-water-bottle-astronaut-nicole-stott | 2022-05-20T22:32:38 | s3://commoncrawl/crawl-data/CC-MAIN-2022-21/segments/1652662534693.28/warc/CC-MAIN-20220520223029-20220521013029-00109.warc.gz | 0.828023 | 172 | CC-MAIN-2022-21 | webtext-fineweb__CC-MAIN-2022-21__0__105387328 | en | Limited Edition Water Bottle - Astronaut Nicole Stott
Signature black stainless steel water bottle with CASE Space School logo in silver
- A portion of proceeds from each water bottle purchase goes to Astronaut Nicole Stott's Space For Art Foundation, a wonderful charity that brings healing through art to brave young patients in children's hospitals around the world.
- NICOLE STOTT
- NASA Astronaut, Aquanaut, Engineer, and now Artist and SciArt advocate. Nicole completed two spaceflights, 104 days working on the ISS and Space Shuttle, and painted the first watercolour in space.
- • Limited edition
- • 500ml
- • Insulated stainless steel
- • Double-wall vacuum insulated
- • Wide drip-free mouth and no-drip insulated lid
- • BPA and phthalates free | artistic |
https://jolatham.com/products/crescent-charm-1 | 2023-11-30T07:00:14 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100172.28/warc/CC-MAIN-20231130062948-20231130092948-00532.warc.gz | 0.801751 | 97 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__125407610 | en | The Crescent Charm is the perfect accent piece for any charm stack. Featuring 7 round, brilliant-cut diamonds alternating in size, the Crescent charm is handcrafted in 18-karat and is a modern take on the half moon celestial motif. Its oblong shape perfectly frames any charm that is layered next to it.
- Charm Only. Chain Is Not Included.
- Color: 18K Yellow Gold
- TCW: 0.56tcw
- Dimensions: 30mm | artistic |
http://www.macdonaldimages.co.uk/ | 2017-03-25T15:26:26 | s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218188962.14/warc/CC-MAIN-20170322212948-00142-ip-10-233-31-227.ec2.internal.warc.gz | 0.939618 | 168 | CC-MAIN-2017-13 | webtext-fineweb__CC-MAIN-2017-13__0__81764864 | en | Thank you for visiting Macdonald Images
The images displayed on this site show a selection of my work including local events, sports, landscape, and portrait. At the moment, many of the images displayed in the Galleries are to show visitors some examples of the type of work I do, but images from recent local events are available to purchase as prints or electronic downloads.
I hope you will enjoy viewing my work. If you would like any further information on images available for purchase, would like me to attend your own local event or sports club, or have any other comments or questions, please use the Contact page to get in touch. I would be delighted to hear from you.
Please also feel free to use the buttons below to join me on Facebook or follow me on Twitter; it would be great to have you on board. | artistic |
https://www.jeremywarshaw.com/testimonials | 2019-09-23T11:10:42 | s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514576355.92/warc/CC-MAIN-20190923105314-20190923131314-00030.warc.gz | 0.958567 | 1,501 | CC-MAIN-2019-39 | webtext-fineweb__CC-MAIN-2019-39__0__121824741 | en | What makes Jeremy special to collaborate with is his ability to effortlessly marry an over-arching thematic vision with the smaller details and nuances of human stories. That combination of strategic vision and honesty in approach to people makes everything he directs ring with a truly powerful feeling of authenticity. He’s got a great eye for photography, while also understanding what it takes to extract a great performance from his subjects. That’s because he’s genuinely interested in hearing their stories; it’s always a very real conversation, he’s never simply reading a questionnaire. The result, is always a moving piece of film that connects with the people watching.
EVP, Group Creative Director, Hill Holliday
Few people have the magic touch to elicit a pure response, one that touches you every time you see it. One that cuts to the heart of the matter. Because we all know its not group think where connections are unearthed it is in true human connection. Jeremy is a guy that can get it and capture it.
The Mars Agency
Jeremy is the consummate interviewer. Jeremy has a unique gift of making you feel like you are the most important person in the world at that moment. He makes non-actors feel safe on a set, allowing them to open up and tell him things they never thought they could. Plus he’s pretty funny and good guy to grab a pint with.
EVP, Director of
Content production, Saatchi and Saatchi Wellness
Jeremy is the Svengali of real-people interviewers. Instantly charming and disarming, he manages to get people to confide in him in front of the camera as if they were alone. I myself have told him secrets I probably shouldn’t have, but no, he did not blackmail me to say all these nice things about him. He’s skilled and experienced in all the aspects of a director; so much so that it seems effortless and intuitive. He doesn’t draw attention to himself or the many decisions he’s making as he works. And he’s hilarious. We’ve worked together on at least a dozen projects over the past twenty years, and he has always made it fun and productive for everyone involved – interview subjects, agency, crew, and clients alike.
Creative Director, R2C Group
It’s quite rare to work with a director who can bring as many strengths to a project as Jeremy has been able to do for me. Recently, my agency was asked to produce a film to document the national catastrophe that is caused by obesity. What most impressed me about Jeremy was his grasp on the subject. He was able to collaborate with me and put together a road map for getting our interviewees to give us the content needed. He’s a great interviewer who can make his subject feel relaxed and natural on camera. If you can get over his Britishness, and the resulting sense of humor, you’d do well to work with him.
Creative Director, Munn Rabot
How do you get the best performance out of actors or real people? Hire a director who knows how to coax a performance as well as he knows how to frame a shot. That’s Jeremy Warshaw.
Creative Director, Publicis North America
Jeremy Warshaw is a gem to work with. He elicits responses in a way that others cannot while delivering beautiful visuals that enhance the message at the same time. Not everyone can do this successfully. I have worked with Jeremy many times - on jobs with small and large budgets - and he nails it every time. He is flexible and collaborative and I welcome the opportunity to work with Jeremy in the future.
Jeremy Warshaw is a consummate professional. He gets brilliant performances from both professional talent and real people, using his focused direction and warm personal style.
Jeremy's hand is, at the same time, apparent and invisible in everything he creates. In the end, all that remains is the subject, well and true.
SVP Group Creative Director, Digital Health LifeBrands
W orking with Jeremy is many things.
A lways after the perfect take.
R elentlessly creative
S trategic and organized
H ilarious. (Don’t get caught in the crosshairs of his wit)
Director of Production, J. Walter Thompson New York
Jeremy and I have collaborated together on both big budget TV shoots and smaller scale content projects. Invariably, he’s proven himself to be a true master of his craft who is able to deftly evolve his creative vision to the ever-changing needs of the project – and without ever compromising the output. This is an especially highly-prized skill in a business where timelines, budgets, and creative ideas are tweaked, pinched, and “optimized” more than ever before.
Creative Director, Facebook
I have worked with Jeremy Warshaw on a number of short documentary films over the years for clients like United Airlines, and I can confidently state that he’s the real deal.
Jeremy is resourceful, has great taste, and produces beautiful, compelling film that rises above most of the “content” schlock you see out there these days.
Also, he’s ticklish. I’ll leave it up to you to discover where.
Hire the man, and you won’t regret it.
Partner, Executive Creative Director
Barrie D’Rozario DiLorenzo
Jeremy is great at filming real people. He knows exactly how to catch that little bit of reality that gives us a candid glimpse into their lives. He understands strategy very well and always comes prepared with a full list of interview questions based on our objectives. He has the kind of personality that really opens people up and gets them talking. He worked with us on a pitch and his film helped us win a very large piece of business. I would highly recommend Jeremy if you are looking for natural performances out of real people.
Creative Director, Publicis
I’ve partnered with Jeremy a number of times, and not only is he a great partner, but he helps to elevate the creative work he’s shown at all times. He knows how to connect with real people, and can pull a strong performance out of just about anyone! I thoroughly enjoy partnering with Jeremy, and his sense of humor will carry you through any rough patches during production. I’m looking forward to working with him again.
Director Broadcast Production, FCB Healthcare
Jeremy’s ability to understand the underlying strategy behind an initiative is not only critical to the ultimate outcome but also quite unique among documentarians.
CEO, MullenLowe Group
Jeremy has the fantastic ability to understand the content required to drive a business strategy, and then elicit those elements in authentic, emotional, sincere, simple language from real people. The resulting interview footage cuts together to make the most amazing stories.
But don’t let Jeremy’s unusually perceptive and empathic interviewing skills distract you from noticing how well he understands putting together the entire documentary process—from identifying the right people to executing the thousands of details that a successful production effort requires. | artistic |
https://learningwithdigitalstories.weebly.com/assignment-bank.html | 2017-10-22T02:53:56 | s3://commoncrawl/crawl-data/CC-MAIN-2017-43/segments/1508187825057.91/warc/CC-MAIN-20171022022540-20171022042540-00370.warc.gz | 0.982349 | 766 | CC-MAIN-2017-43 | webtext-fineweb__CC-MAIN-2017-43__0__255846175 | en | I chose the following assignments because they were fun, creative and represented an engagement on my part that I am particularly proud of. The purpose of these assignments was to employ a variety of digital tools and design choices in order to convey a message or tell a mini-story. Most of my assignment choices had to do with music. Completing these assignments allowed me to experiment with video, audio, and visual design in ways that were new to me. The assignment bank component of the DS106 course was unique in that all of the tasks were conceptualized by DS106 participants. Anyone involved in the course could develop an idea and publish it to the site for public use. This is a great example of students co-designing alongside of facilitators.
The Metal Bunch visual assignment was supposed to imitate the famous collage portraying TV's favorite mixed family, The Brady Bunch. I chose eight of my friends and dubbed our crew The Metal Bunch for our mutual love of heavy metal music.
The web-based assignment that I chose was created through an online tool called Kumu that maps organizational relationships in a visually appealing manner. I work at a very large organization and I think about the organizational structure of our departments a lot, since our offices interact with our "customers" in various ways that are interrelated. We depend on each other, but we don't always work together. I wanted to show visually the interactions that I already knew existed. After creating a PDF of the photo, however, I noticed a connection that I missed! Can you find it? Here's a hint: once a student is enrolled, they have to start paying their tuition bill:
The Kiss this guy audio assignment was probably the most fun of all. My focal theme is hip hop music, so I tried to find a hip hop lyric that I've always misunderstood or not been able to decipher. I googled the question and found several lists which I then perused to find one that I was already familiar with and had been confused by. It didn't take long at all to find a lyric that I've never understood, but that I'd almost forgotten about because the song it comes from is almost 30 years old. Executing this assignment forced me to reflect on how media was presented a generation ago compared to today. The entire reason that I and many others misunderstood this lyric in the first place is because there wasn't an effective way to transmit them. Today, however, annotation websites like Rap Genius make it possible for everyone to easily find hip hop lyrics. It was really fun to record myself rapping the wrong lyric over the actual recording. I love playing this sound clip for people because I think it's pretty funny. Click on the screenshot below to listen:
Finally, Endless cycle of waffles is a humorous creation that represented a fleeting thought that I had randomly. I was making waffles one day - bear with me - and listening to a song by a band called Cephalic Carnage. While I was mixing the waffle batter with an electric beater and listening to a soundtrack of thrashing guitars and a screaming vocalist in the background, I wondering if there was an Assignment Bank task that could be applied to this situation. The song I was listening to was called Endless Cycle of Violence. Right then and there I decided to make a music video for a new song called Endless Cycle of Waffles. I turned on my camera's video recorder and started filming.
All in all, the assignment bank portion of our creative requirements was a fun way to think out of the box, spark our imaginations, and experiment with a variety of ways to present information and tell short stories. They were not time-consuming, so they also represented a way to work in quick bursts of ideas and creative thought. | artistic |
https://indonesianfilmforum.nyc/2023/07/09/iffestny2018/ | 2024-02-28T03:55:20 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474690.22/warc/CC-MAIN-20240228012542-20240228042542-00390.warc.gz | 0.935865 | 562 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__200207314 | en | Stay in Touch
We invite you to stay connected with the Indonesian Film Forum (IFF) by subscribing to our website, where you can receive the latest updates, news, and announcements about our upcoming screenings, events, and initiatives
September 28, 2018 — The Indonesian Film Forum (IFF) has successfully organized its second annual film festival in collaboration with the Consulate General of the Republic of Indonesia. IFFestNY 2018 took place at the SVA Theater from Friday, September 28 to Sunday, September 30. The festival showcased a selection of five outstanding feature films that have garnered international acclaim and recognition.
The festival commenced with a screening of “Emma’ (Mother),” a film that received numerous accolades including Best Film, Best Director, Best Adapted Screenplay, Best Leading Actress, Best Art Director, and Best Costume at the 2016 Indonesian Film Festival (FFI). The FFI, renowned as Indonesia’s most prestigious film awards event, has elevated “Emma'” to prominence within the Indonesian film industry. Moreover, the film has been showcased at over 20 international film festivals, captivating audiences worldwide.
Riri Riza, the director of “Emma’,” shared his personal insights during the opening ceremony of IFFestNY 2018 on Friday. He expressed, “Emma’ provided me with an opportunity to present a compelling portrayal of Indonesia during its nascent years of independence, specifically in South Sulawesi where I was born and raised. This film embodies the essence of the place I know and love.”
On Saturday, the festival featured screenings of two remarkable films: “Istirahatlah kata-kata (Solo, Solitude)” inspired by the life of a prominent Indonesian poet, and “Posesif,” which explores the tender complexities of first-time teenage romance.
Concluding on Sunday, the festival presented “Lima” and “Night Bus” (Best Film award at the 2017 FFI). These films captivated audiences with their exceptional storytelling and creative execution.
IFFestNY 2018 not only celebrated the artistic achievements of Indonesian cinema but also fostered cultural exchange and appreciation among diverse audiences in New York. The event provided a platform for Indonesian filmmakers to showcase their talents and promote the rich cultural heritage of Indonesia on the global stage.
The Indonesian Film Forum and the Consulate General of the Republic of Indonesia extend their heartfelt gratitude to the organizers, filmmakers, sponsors, and attendees for their invaluable contributions to the success of IFFestNY 2018. With each passing year, the Indonesian Film Festival in New York continues to flourish, further solidifying the indomitable spirit and artistic prowess of Indonesian cinema. | artistic |
http://www.lizzycakescupcakes.com/about-lisa/ | 2017-10-24T11:02:49 | s3://commoncrawl/crawl-data/CC-MAIN-2017-43/segments/1508187828411.81/warc/CC-MAIN-20171024105736-20171024125736-00064.warc.gz | 0.980446 | 298 | CC-MAIN-2017-43 | webtext-fineweb__CC-MAIN-2017-43__0__33068868 | en | In 2011 Lizzy Cakes Cupcakes was founded with the goal of providing the best cupcakes made with the best local ingredients and giving you the best service around. I have always had a passion for baking, ever since I was a little girl. I remember baking up lots of delicious goodies with my mom and grew up in a household where the kitchen aid mixer was used more than the microwave. I always had homemade birthday cakes and they were the talk of the party. Now as a mom of two girls, I always include them in my baking adventures. The memories these moments carry last a lifetime….for all of us. I have always been the one that my friends ask to bring sweet goodies to get togethers. I have always enjoyed being that dessert go-to gal. But, I always thought of it as a hobby and never a business. Until I literally woke up one morning and said, “Why not?” I knew that I was meant to do something more. My dream is to do what I love each and every day…..and I am now lucky enough to be sharing my passion with you.
Cupcakes are little handheld smiles. They transport you back to childhood and bring back memories of more carefree times. There is a flavor for everyone and they brighten up all occasions. They are beautiful works of art, in the simplest form. These things inspire me to make the best cupcakes around.
Owner of Lizzy Cakes Cupcakes | artistic |
https://forum.inford.in/what-is-life-like-for-an-indian-in-singapore | 2024-04-14T04:01:47 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816864.66/warc/CC-MAIN-20240414033458-20240414063458-00502.warc.gz | 0.950537 | 1,398 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__82644485 | en | Exploring the Unique Cultural Experiences of Being an Indian in Singapore
Singapore is a unique and vibrant melting pot of cultures, and the experience of being an Indian there is no different. As one of the largest ethnic minorities in the country, Indians bring their own unique cultural experiences to the city-state. From vibrant festivals to delicious food, being an Indian in Singapore can be an incredibly rewarding and enriching experience.
For starters, Indian culture is celebrated throughout the city with a variety of festivals, such as Diwali and Thaipusam. During these festivals, the Indian community comes together to celebrate their religion and culture through traditional performances, music, and art. Additionally, the bustling Little India district is full of Indian restaurants, shops, and cultural activities, allowing the Indian community to experience their heritage in an immersive and exciting way.
The food scene in Singapore is also a particularly vibrant part of the experience of being an Indian in Singapore. From savory curries to sweet desserts, the city is full of delicious Indian cuisine. Whether you're looking for a quick bite at a local Indian restaurant, or you're in the mood for a traditional feast at a family-run eatery, there are plenty of options for Indian food lovers to explore.
Finally, the Indian community in Singapore is a tight-knit and welcoming one. From cultural organizations to Hindu temples, there are plenty of ways for Indians to connect with one another. Not only that, but the Indian community is also highly involved in politics and social issues in Singapore, meaning that being an Indian in Singapore can be an incredibly rewarding experience.
All in all, being an Indian in Singapore is a unique and enriching experience. With vibrant festivals, delicious food, and a strong sense of community, there's something for everyone to enjoy in this incredible city.
Finding a Balance Between Indian and Singaporean Values as an Indian in Singapore
As an Indian living in Singapore, it can be difficult to find a balance between Indian and Singaporean values. On the one hand, India is a country with a rich and vibrant culture, with an ancient history and a deep-rooted sense of identity. On the other hand, Singapore is an incredibly diverse and progressive nation, with its own unique culture and identity.
For an Indian living in Singapore, it can be difficult to reconcile the two cultures. This can be especially challenging when it comes to balancing traditional Indian values with the more liberal and progressive values of Singapore. In some cases, Indian values and beliefs may clash with those of Singapore, and vice versa. The challenge for an Indian in Singapore is to find a way to integrate both cultures and values into their lives.
One way to do this is to recognize that both cultures have something to offer. While it is important to remain true to one’s own culture and values, it can be beneficial to explore and learn about the culture of Singapore. By doing this, an Indian in Singapore can better appreciate and understand how both cultures can work together.
It is also important to remember that both Indian and Singaporean cultures are dynamic and ever-evolving. While some values may remain constant, others may change over time. As an Indian in Singapore, it is important to be open to change and to be willing to adapt to new ideas and values.
In the end, finding a balance between Indian and Singaporean values as an Indian in Singapore is not easy. However, with an open mind and a willingness to learn, it is possible to create a unique and harmonious blend of both cultures.
Building a Home Away from Home: How Indian Expats in Singapore Adapt to Life in a New Country
Singapore is home to a vibrant community of Indian expats who have come to the city-state in search of a better life. For many, the transition to living in a new country has been a challenging experience, as they must learn to adapt to a new culture, language, and lifestyle. However, it is also an opportunity to create a new home away from home.
For many Indian expats, adapting to life in Singapore begins with learning about the culture and customs of the city-state. This includes understanding the different religions and beliefs of the population, as well as the different ethnicities and races that make up the country. It also involves understanding the dress code, language, and etiquette of Singaporeans.
Indian expats in Singapore also need to find ways to build a sense of community. This could involve attending festivals, joining Indian expat groups, or participating in Indian cultural events. These activities can provide a sense of familiarity and connection to their homeland, while also helping them build relationships with other expats.
Living in Singapore also means making adjustments to everyday life. This could include adjusting to the tropical climate, learning how to navigate the public transportation system, and finding the best places to buy groceries and other essentials.
Ultimately, Indian expats in Singapore have to learn how to balance their culture and traditions with those of the city-state. It takes time and patience, but with the right approach and attitude, it is possible to create a home away from home in Singapore.
Overcoming Challenges as an Indian in Singapore: Tips for Navigating a Multicultural Society
As an Indian living in Singapore, you may face a unique set of challenges. From adapting to a new culture to navigating a multicultural society, there are many obstacles to overcome. Fortunately, with a few tips, you can make the transition easier and make the most of your stay in Singapore.
1. Learn the language. One of the best ways to acclimate to a new culture is to learn the language. In Singapore, the primary language is English, so it's important to become familiar with the language and its nuances. Taking a language class or downloading a language-learning app can be a great way to get started.
2. Connect with other Indians. It can be difficult to adjust to a new culture, so it's important to find a support network. Connecting with other Indians in Singapore will help you feel more connected to the culture and can provide a source of comfort and support.
3. Get involved in the community. Participating in local activities and community events is a great way to make connections and become more familiar with the culture. It's also a great way to meet people and make friends.
4. Celebrate your own culture. It's important to celebrate your own culture and heritage while living in Singapore. Whether it's celebrating Indian festivals or organizing cultural events, it's important to remember where you come from and stay connected to your roots.
Living in a multicultural society like Singapore can be a challenge, but with a few tips, you can make the transition easier and make the most of your stay. With a bit of effort, you can find your place in the community and enjoy all that Singapore has to offer. | artistic |
https://mytriangleloveaffair.com/about_me_david_aiello/ | 2021-01-22T16:03:50 | s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703530835.37/warc/CC-MAIN-20210122144404-20210122174404-00474.warc.gz | 0.963197 | 513 | CC-MAIN-2021-04 | webtext-fineweb__CC-MAIN-2021-04__0__144557722 | en | Hola! I’m David Aiello (pronounced ay-low), the content curator here at Triangle Love Affair. I established this blog as a channel to document a few of my passions, namely traveling, writing and photography. Here I write about my travel experiences and other topics, post images, and provide inspiration and insight on travel destinations.
What Makes David Happy?
I was born and raised in Buffalo, New York, a city of hardy residents with a strong work ethic. Looking back, I was never aggressively taught to pursue what really made me happy. Hard work was expected. Everything around me, family, friends, the neighborhood, the community reinforced the notion that I was to go to school, get a job, get married, spawn more laborers, die. Mission complete! Well done! I too played it safe!
I tried selling my labor to some of the most recognized brands in the world including Blue Cross Blue Shield, Intel, Kodak and Nike. However, from day one, my gut was pleading with me that this was not where I should be. The work I performed was not fulfilling, it was slowly suffocating my soul. But it was comfortable, it was safe. But okay is not thrilling, it isn’t passion, it’s not life changing or unforgettable. To paraphrase Woody Allen, “Metabolically, it was not my rhythm.”
A Personal Metamorphosis is Underway
But no more! I’ve adopted the role of corporate-refugee and creative soul, living in Portland, Oregon. I walked away from being “okay.” It took me a half-century to build the courage to follow what really gets me jazzed. This means creating. It means traveling, capturing images and writing – my Triangle Love Affair! In my spare time I also like pretending I am the Hercules of the rock and roll bass guitar! But that’s another story!
I hope you enjoy what you find here. Please let me know!
Take a Look and Listen to Some of My Other Work
Photography… As you’ve probably guessed, I like to take photographs. I’ve made available a number of my images for sale. Please take a look.
Music… I mentioned earlier I play the bass guitar. No better mind exercise than playing music! Have a listen to some of my work (warning: I’m still a punk at heart).! | artistic |
http://robertrhythm.com/ | 2021-06-13T20:59:46 | s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623487610841.7/warc/CC-MAIN-20210613192529-20210613222529-00147.warc.gz | 0.974818 | 1,253 | CC-MAIN-2021-25 | webtext-fineweb__CC-MAIN-2021-25__0__83140723 | en | Saturday, April 13th @ Uno Lounge (The Hub, Greenfield District) - Mandaluyong, Philippines
Friday, April 12th @ Uno Pizzeria (Mall Of Asia) - Pasay City, Philippines
Who is Robert Rhythm?
DJ Robert Rhythm, a.k.a. Robert Mattson, based in Chicago, remembers his love for music at the young age of 10. He took his first drum lessons then and looks to that moment as the starting point when music took over his world.
Throughout school he perfected the art of playing drums. He played to all kinds of grooves, and listened to songs over and over until each song was perfected. By the age of 15, he expanded his horizons and traded his drum set for a PA system and mixer. He later bought a drum machine and started recording his own beats.
By the age of 19, he was in and out of the recording studio. He sent in a few tapes to record companies and talent agencies, with minimal success. By 24, he was working full-time and had to put his musical career on hold.
Soon, a dramatic change altered his course when he met someone, who later turned out to be his best friend, at a popular mega-club in Chicago's Excalibur/Vision. It was at that point when he started getting serious with his music.
He would frequent the club each weekend to make contacts, and enjoy dancing and listening to mingling with many world-class DJ's.
He made it a point to learn the club scene and get to know the people quickly. His efforts took him to new heights and awoke the passion that was locked inside of him for years. He made it a point to study the art of producing and mixing.
Almost daily he scours through his list of music websites to look for new sounds concentrated in Progressive House, Trance, and French Clubhouse.
Finding the best music out there is a passion for him and is also the driving force that gives him the ability to create different mixes of his own.
He joined with record label/promoter Spankin' Muzik in 2005 and eventually moved on in 2006 to start his own company, Full Fever Productions.
He has opened up for world-class DJ's such as DJ Dan, Carl Cox, DJ Lego, Marco Morales, and DJ Lady D just to name a few.
He also has been a promoter in the past and was the first to bring in the highly talented female sensation, DJ Heavygrinder from California.
Not only has he graced the decks in his hometown of Chicago, he has done other gigs in San Francisco (with DJ Agent A), Los Angeles, St. Louis, West Palm Beach and has even played overseas in the Philippines.
In 2010, he has already begun working with other record labels and plans to have new original work released soon.
With his undying energy and passion for the love of music, he is one to watch out for.
Need a DJ for your next event?
When you need a DJ for your party, wedding, reunion, or corporate event, and you need it done right… look no further!
Ask yourself... how many times have you requested a song that the DJ doesn’t have?
Or maybe the DJ noted your request but forgot to play it?
This is a big problem for me, and I have found my own solution.
I am a computer programmer by trade and I have invested much of my time over the years creating software to keep track of songs using data from the Billboard Charts.
The Billboard Charts ranks songs based on sales/airplay and reports the top songs each week.
My software incorporates the following Billboard Charts:
# Songs Reported Weekly
Hot Country Songs
Hot Dance Club Play
Hot Mainstream Rock Tracks
Hot R&B/Hip-Hop Songs
The Billboard Hot 100
Below is a partial screen shot from the software:
When taking requests, my software incorporates a custom request list.
When someone requests a song, the software puts the song in order of when it was requested along with who it was requested by as well as any public announcement to be made with the song, if needed.
I can search for songs by artist name, song title, year, peak position (on the Billboard Chart), genre, BPM (beats per minute), and key (used for harmonic mixing).
In addition, I also include notable songs that were not on the Billboard Chart.
I have also invested a lot of time and resources in my gear and have the latest advances in technology.
All of my music is stored on dual large capacity hard drives, just in case one hard drive fails.
In the slim chance both hard drives fail, I also have my music stored on DVD’s.
All of my music is in full, uncompressed digital quality giving you the best sound possible.
I also have wireless microphones.
If your thinking... "Wait! I can not afford a good DJ"... think again.
My prices are fair and very competitive.
My price includes all setup/breakdown time with no hidden fees.
My initial deposit to secure your event is only $100.00 (which is applied towards your final cost), and my minimum playing time is only 3 hours.
Up to 3 Hours
Up to 4 Hours
Up to 5 Hours
Up to 6 Hours
Any additional hours over 6 hours will be billed at $100.00/hour.
If your event runs 7 hours, your price would be $750.00.
(6 hours @ $650.00 + 1 additional hour @ $100.00 per hour).
Also, all times are rounded to the next hour (after 15 minutes).
For example, if your event runs 3 hours and 15 minutes, your price would be $350.00.
If your event runs 3 hours and 30 minutes, your price would be $450.00.
Send me an e-mail with your event information by filling out my handy contact form. | artistic |
http://www.eybfilms.com/present-perfect | 2019-10-15T22:37:55 | s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986660323.32/warc/CC-MAIN-20191015205352-20191015232852-00296.warc.gz | 0.937432 | 136 | CC-MAIN-2019-43 | webtext-fineweb__CC-MAIN-2019-43__0__71388544 | en | Present Perfect (documentary feature, work in progress)
Set in a preschool housed in a retirement home, Present Perfect is a story at once simple and intricate about the poetry that lies in the day-to-day interactions between the very young and the very old- those at the beginning of life and those nearing the end- and ultimately what those relationships can reveal to us all about the way we live each moment.
This film is currently in post-production. To support this film with a tax-deductible donation, click here.
Click on the below images to view film.
A short little video the kids and I made for Father's Day 2014... | artistic |
http://jashawaii.org/2016/11/14/japan-america-society-of-hawaii-holds-fall-2016-japan-day/ | 2017-11-24T00:06:01 | s3://commoncrawl/crawl-data/CC-MAIN-2017-47/segments/1510934807044.45/warc/CC-MAIN-20171123233821-20171124013821-00136.warc.gz | 0.956588 | 975 | CC-MAIN-2017-47 | webtext-fineweb__CC-MAIN-2017-47__0__19817134 | en | The Japan-America Society of Hawaii (JASH) held its bi-annual Japan Day, sponsored by JASH Board Director Jean Rolles, on October 27, 2016 at Pacific Beach Hotel.
The Japan Day program, now in its 24th year, is the Society’s longest running educational program that brings together – in a single location- numerous experts in traditional Japanese arts and culture to provide students with hand-on experiences to make their study of Japan come alive. Nearly 150 students representing Damien Memorial School, Kapolei High School, Nanakuli High School, St. Joseph High School and University Laboratory School took part in the various cultural classes.
Members of the Taiko Center of the Pacific invigorated the atmosphere with their taiko demonstration during the Welcome Ceremony. As one student wrote, “You could feel the beat going around you; it was such an amazing thing to experience. The performances were absolutely amazing and beautiful.”
Following the Ceremony, students then completed a rotation of cultural classes presented by 30 volunteer experts on bon dance, calligraphy, ikebana (flower arranging), kimono/yukata wear, origami, soroban (Japanese abacus), and “Life Skills and Personal Success: Attributes of a Global Citizen.” Each student had the opportunity to participate in four different cultural sessions.
After Japan Day, the students shared their thoughts on the various sessions.
Some focused on the volunteer instructors, “The instructor made the story-gami (origami) unique, and it was so addicting playing with the bats that we all made. I wish we could do it again.” Another student enjoyed the soroban instructor, saying that, “he was enthusiastic, made the session interactive, and lots of fun. I liked how he made solving each equation like a race and challenged us.”
Other students focused on the cultural aspect of Japan Day. One student said, “Calligraphy is something really nice. It makes me feel closer to my culture.” Another commented, “The history behind the bon dance was very interesting. My teammates and I very much enjoyed dancing and having a fun time.”
For others, the Japan Day sessions allowed students to reflect on their own lives. A student from Damien Memorial said that ikebana “was very interesting, and the values taught through the rules we’re inspiring.”
A Kapolei student who attended the life skills session said, “I learned a lot about how I should strive to do better to get somewhere I am happy with in life.”
Since 1993, over 5,800 students from 59 different schools have participated in Japan Day. This unique program is one of two programs offered by JASH to Hawaii’s high school students, with the other being the Japan Wizards Statewide Academic Team Competition. Japan Day provides students with hands-on experience in traditional Japanese arts and culture while reinforcing and complementing what is taught in the classroom. Japan Day also illustrates how art and culture in different societies can influence and enhance people’s lives, and how these cultural values are perpetuated by devotees of the arts. Through promoting the understanding and respecting of different cultures and customs, JASH continues to bridge the gap that leads to friendship and cultural appreciation.
Prior to attending Japan Day, students were asked to rate their familiarity with each of the sessions that they were going to participate in. This prepared the students for the event itself and helped them focus further on the various activities they participated in.
JASH thanks all the volunteer experts for sharing their respective crafts. Without such support, this JASH program would not be possible. These sensei are Ms. Betty Dela Cuesta and members of Hawaii Shin Kobukai; calligraphy master Mrs. Setsuko Tokumine, her assistant Joyce Wong and Mr. Stanley Hashiro; Mrs. Jessie Nakata and her daughter Ms. Dawn Kanno of MOA Hawaii; Mrs. Jean Sakihara and members of Kimono Project USA; Ms. Ashley Nishihara and Ms. Lynn Masumoto of Hawaii Origami Club; Mr. and Mrs. Hideaki Oshima from Araki Hiroya Soroban School; and Mr. Earl Okawa.
A big mahalo to the Pacific Beach Hotel for the use of their facilities, and Chizuko Endo and the Taiko Center of the Pacific for their inspirational taiko performance and demonstration. Please visit the JASH Facebook page for more photos of the event. For more information on this educational program, please contact Elizabeth Stanton-Barrera at 524-4450 or via email at [email protected]. | artistic |
https://tispl.in/the-impact-of-art-in-office-spaces-on-productivity-and-creativity/ | 2024-02-29T02:00:13 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474775.80/warc/CC-MAIN-20240229003536-20240229033536-00748.warc.gz | 0.930658 | 619 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__118934038 | en | In the fast-paced world of business, the design of office spaces plays a crucial role in shaping the work environment. Beyond the ergonomic furniture and modern layout, the inclusion of art in office spaces has emerged as a significant factor influencing both productivity and creativity. As companies strive to create workplaces that inspire and motivate, understanding the impact of art becomes essential in achieving these goals.
What Kind of Art to Put in the Office?
Choosing the right type of art for an office requires a thoughtful approach. The selection should resonate with the company’s identity and the nature of its work. Commercial interior design experts often recommend a mix of visually stimulating elements that foster creativity without overwhelming the space. This could include vibrant paintings, strategically placed sculptures, or even digital art installations. Each piece should contribute to the overall aesthetic while complementing the company’s values and mission.
Why is Art Important in the Office?
Art in the office is more than mere decoration; it serves as a powerful tool to enhance the well-being of employees and elevate the work atmosphere. Research has consistently shown that exposure to art can reduce stress levels, increase job satisfaction, and boost creativity. In a world where employees spend a significant portion of their lives at work, creating an environment that promotes a positive mindset is not just a luxury but a necessity. Incorporating art into office design is a proactive step toward achieving this goal.
Three Types of Space Art
- Wall Art: Wall art serves as a focal point in many offices. From inspiring quotes to abstract paintings, the walls can become a canvas for creativity and motivation. Consider incorporating pieces that align with the company’s values or showcase its journey.
- Sculptures: Sculptures add a three-dimensional aspect to office spaces. They can be strategically placed in common areas, providing employees with points of interest and encouraging them to engage with their surroundings.
- Interactive Installations: Modern office design embraces interactive elements. Installations that respond to movement or touch not only add a contemporary flair but also foster a sense of engagement and collaboration among employees.
How to Arrange Art in an Office?
The placement of art in an office is as important as the selection of the pieces themselves. Design and build professionals emphasize the significance of strategic placement. Consider placing art in areas where employees gather, such as break rooms or collaborative spaces. Additionally, ensure proper lighting to accentuate the artwork and create a welcoming ambiance. By strategically arranging art, companies can enhance the overall visual appeal of the office while promoting a positive and inspiring work environment.
As companies continue to recognize the importance of a well-designed workspace, the integration of art emerges as a key factor in achieving a harmonious balance between productivity and creativity. By carefully selecting and thoughtfully placing art in the office, businesses can create environments that not only attract top talent but also empower employees to thrive. The journey toward a more inspiring workplace begins with a brushstroke, a sculpture, or an interactive installation – each contributing to a canvas that fosters innovation and success. | artistic |
http://www.smallstepsforwriters.com/workshops-2/edit-the-life/ | 2017-09-26T10:56:53 | s3://commoncrawl/crawl-data/CC-MAIN-2017-39/segments/1505818695439.96/warc/CC-MAIN-20170926103944-20170926123944-00415.warc.gz | 0.942251 | 914 | CC-MAIN-2017-39 | webtext-fineweb__CC-MAIN-2017-39__0__32609732 | en | If you want your story to pop off the page and into the imagination of readers, don’t waste your money on any other course, just take this one.
You started out with a great premise, larger-than-life characters, and a fast-paced plot. Your walls are plastered with goal-motivation-conflict charts and you could recite each character’s internal and external arcs in your sleep. Maybe you even came up with a detailed outline before you started writing your latest masterpiece.
But now that it’s time to edit your rough draft, you realize your characters’ emotions and personalities didn’t make it onto the page, and the scenes that were so vivid in your head seem flat or rushed on paper. What went wrong?
Nothing, actually. First drafts are for getting the basic story nailed down. Revision is where you crank up the voltage and get the emotions right.
This workshop focuses on practical techniques to help you edit the spark back into your story. Topics covered include:
- Why stimulus-response chains can make or break a scene, and how to use them for maximum dramatic effect
- How to fine-tune the progression of emotion in a scene
- Techniques for infusing the POV character’s personality and worldview into each scene
- How to streamline exposition and make infodumps do double-duty as characterization
- Why descriptions are inherently boring, and how you can make them compelling
- How to write narrative summary that your readers won’t be tempted to skim
- How to recognize and eliminate author intrusion
- How to make sure your characters’ emotions make it onto the page
At the end of the workshop, you’ll have an editing checklist that guides you through the process of transforming your rough draft into the exciting, dynamic story you originally envisioned.
As a direct result of her class I’m now a published author with a New York editor who consistently seeks out my work.
—Paula Millhouse, author of Dragonstone
Self-Study (download the lessons and work through them on your own): $30.00
One-on-One Mentoring (ask questions, receive feedback on the exercises): $60.00
Lynn has a way of nurturing fledgling authors into powerful storytellers. As a direct result of her class I’m now a published author with a New York editor who consistently seeks out my work.
—Paula Millhouse, author of Dragonstone
This workshop changed my life. Editing has always been the hardest part of writing for me. Lynn gives you a plan which breaks the process down into manageable, bite size pieces. Her detailed and incredibly perceptive feedback is by far the most valuable part of the course. She is the most superb teacher I’ve ever had the pleasure of learning from.
This workshop really opened my eyes and made my writing so much better! The best part was the feedback I was given on my own project. I would have gladly paid ten times what I did for this class; it was worth every penny.
—Stacy McKitrick, author of My Sunny Vampire
I believe Lynn’s class is the reason I’m a finalist in two RWA contests this year. This workshop and Lynn’s devotion to detail will bring out the best in your story and you.
—Elizabeth W. Gibson
This workshop fundamentally improved my writing. Lynn’s lessons are easy to understand but challenging to complete, guiding you toward a deeper understanding of what makes a story work. Lynn appreciates that every writer uses a different process. She supports, and can help you improve, your writing style, from pantser to plotter and everything in between. If you want your story to pop off the page and into the imagination of readers, don’t waste your money on any other course, just take this one.
The quality and depth of my writing improved dramatically when I took Edit the Life Back Into Your Story. She taught me how to break down a scene so that instead of simply depicting a series of events, I now incorporate character reactions (emotions, thoughts, inner monologue) to each of those events. Lynn’s classes are hard—she demands a lot from her students—but you walk away with the knowledge and skill to write much better stories.
—Pauline Gruber, author of The Girl and the Raven | artistic |
http://helenkwok.net/about/ | 2021-06-20T20:03:07 | s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623488253106.51/warc/CC-MAIN-20210620175043-20210620205043-00595.warc.gz | 0.887262 | 840 | CC-MAIN-2021-25 | webtext-fineweb__CC-MAIN-2021-25__0__27291593 | en | Helen Kwok is a multimedia artist and designer who specialises in creating playful installations, experimental games, and public play activations.
Her creative practice often involves blending the digital and physical, playing with tangible and intangible materials, and crafting work that playfully extends beyond the screen. Helen is a first generation Hong Kong immigrant currently based in Naarm (Melbourne, Australia).
In 2020, Helen collaborated with Chad Toprak on Street Tape Games, a public art installation that allows the public to play socially-distanced street games. A direct response to COVID-19, and initially conceptualised as part of the Test Sites funded program, the duo received grants from Moreland City Council and City of Melbourne to further develop the project for presentation in 2021. She has also been commissioned by Bunjil Place, Moomba Festival, and Melbourne Knowledge Week to create a series of activations specifically designed with social distancing in mind. Helen also collaborated with Dr. Troy Innocent and the Moreland City Council in a playable cities project to reconnect people to the lived experience of Brunswick through urban play. In 2021, Helen was selected as one of four emerging artists nationwide (and the only Victorian artist) to participate in NAVA’s inaugural collaborative mentorship program.
Helen has spoken and showcased her work at festivals, conferences, and events both locally and internationally, including at IndieCade (Los Angeles, USA), A MAZE. (Berlin, Germany), Game Arts International Assembly (Montreal, Canada) and Freeplay Independent Games Festival (Melbourne, Australia). She was named a Freeplay Awards finalist in 2020, and recently graduated from the Master of Animation, Games and Interactivity degree (with Distinction) from RMIT University. Throughout the two years of her Masters degree, Helen engaged in practice-based creative research for her studio projects, working at the intersection of art, design, games, and play.
2021 – Beyond Screens: Alternative Controllers, IndieCade (Los Angeles, USA)
2021 – Game Arts International Assembly (Montreal, Canada)
2020 – Freeplay Parallels, Melbourne International Games Week (Melbourne, Australia)
2020 – Master of Animation, Games and Interactivity Guest Lecture, RMIT University (Melbourne, Australia)
2020 – A MAZE. Fest 2020 (Berlin, Germany)
2020 – Freeplay Independent Games Festival (Melbourne, Australia)
2021 – Street Tape Games – Freeplay Independent Games Festival, City of Melbourne
2021 – Street Tape Games – Fawkner Festa, Moreland City Council
2021 – Rainbow Paths – Mind the Gap Party, Assemble Papers
2021 – Rainbow Laneway – Moomba Festival 2.0, City of Melbourne
2021 – Rainbow Bird Playground – Bunjil Place, City of Casey
2020-2021 – Connexions Videogames Exhibition (Strasbourg, France)
2020 – MAGI EXPO 2020 (Online)
2020 – Community Play Party: 10th Melbourne Global Game Jam (Melbourne, Australia)
2019 – MAGI EXPO 2019 (Melbourne, Australia)
2016 – AWARD School Showcase (Perth, Australia)
2015 – Make a Noise! Student Showcase (Perth, Australia)
2021 – Collaborative Mentorship Initiative Program, NAVA
2021 – Annual Arts Grants, City of Melbourne
2020-2021 – Festivals Moreland Development Program, Moreland City Council
2020 – Test Sites Online 2020, City of Melbourne
2020 – Vice-Chancellor’s List for Academic Excellence, RMIT University
2020 – Best Pitch Prize, Creative Urban Places Team, City of Melbourne
2020 – Finalist (Best Student Game Award), Freeplay Independent Games Festival
2018 – Finalist (Diamond Club Online Achievement Award), Western Australian Young Achiever Awards
2017 – Gold (Best Induction/Onboarding Project), LearnX Impact Awards
2016 – 3rd in WA, AWARD School
2015 – Top 15 Shortlist, Graphic Design Award by Yamaha | artistic |
https://richardaskwith.co.uk/books/unbreakable-the-woman-who-defied-the-nazis-in-the-worlds-most-dangerous-horse-race/ | 2022-08-18T00:56:57 | s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882573145.32/warc/CC-MAIN-20220818003501-20220818033501-00630.warc.gz | 0.902266 | 1,611 | CC-MAIN-2022-33 | webtext-fineweb__CC-MAIN-2022-33__0__81530839 | en | I never meant to write a book about horse-racing. Nor – after “Today We Die A Little” – did I mean to write another book with a Czech hero. Then I came across the story of Lata Brandisová. It was simply too good to leave untold.
It’s set in what used to be Czechoslovakia. Its defining scene takes place in October 1937. Europe’s youngest, most idealistic democracy is on its knees. Millions are mourning the death of the nation’s founding father, the saintly Tomáš Masaryk. Across the border, the Third Reich is growing ever more menacing – and plotting to invade.
In the Czechoslovak heartlands, vast crowds have gathered to watch the threatened nation’s most prestigious sporting contest: the Grand Pardubice steeplechase. Arduous and absurdly dangerous, the race is considered Europe’s ultimate test of manhood and fighting spirit. The Nazis, as usual, have sent their paramilitary elite: SS and SA officers schooled to be Hitler’s most ruthless enforcers. Their mission: to crush and humiliate – yet again – the people they despise as “subhuman Slavs”. The local cavalry officers have no hope of stopping them.
But there is one other contestant: a middle-aged, silver-haired countess riding a little golden mare…
The story of Lata Brandisová is one of the strangest and most inspiring – and most undeservedly forgotten – in all sporting history. Born into privilege, she spent much of her life in poverty. Modest and shy, she none the less refused to accept the constraints society placed on her because of her gender. Instead, with quiet, stubborn courage, she repeatedly achieved what others said was impossible.
The scandal of her first attempt to ride in Pardubice reverberated across Europe. Ten years later, she became her nation’s figurehead in its darkest hour. Then came retribution, first from one totalitarian regime and then from another. Her achievements were erased from history, and her story, as a result, has never been fully told before.
Unbreakable is a tale of courage, heartbreak and defiance, in an age of prejudice and fear. In the background are forces – sexism, class hatred, nationalism – whose shadows darken today’s world too. In the foreground are eccentric aristocrats, socialite spies, daredevil jockeys – and a race so brutal that some consider merely taking part in it a sign of insanity. At its heart is a unique hero – and a unique love affair between a woman and a horse.
What they’re saying:
“One of the most remarkable racing stories I have ever had the pleasure of reading” – James Crispe, Thoroughbred Owner/Breeder
“A fabulously written book about a remarkable lady. A must-read for National Hunt enthusiasts” – James Fry, International Racing Bureau
“Heart-stopping reading that left me in tears… An extraordinary story of an exceptionally courageous woman who needs to be remembered and deserves to be celebrated.” – Clover Stroud, Daily Telegraph
“Astonishing, inspiring, sad… I found it utterly compelling” – Rose Paterson, chairwoman, Aintree Racecourse
“Fascinating” – Stephanie Cross, Daily Mail
“Thrilling” – Wall Street Journal
“A racing story of Hollywood proportions… [This] thoroughly researched, deeply moving account does justice to a remarkable life” – John Cobb, Racing Post
“[An] extraordinary story… Askwith’s compelling book, as much about 20th-century history and women’s equality as it is about racing, is a fitting tribute to a truly remarkable and courageous woman” – Camilla Swift, Mail on Sunday
“Lata Brandisová… overcame massive gender prejudice to compete in the world’s most dangerous horse race, becoming a national heroine by going on to triumph in it over the sporting elite of Hitler’s Germany… The Czech nation will surely feel that [Richard Askwith] has done her justice” – Robin Oakley, Literary Review
“Magnificent… As thrilling a description of a horse-race as you’re likely to find on paper” – Strong Words
“An inspiring story of an indomitable spirit” – Nick Pitt, Sunday Times (Best Books of 2019)
“What an amazing story – uplifting but tragic. I really enjoyed it. I cannot believe that someone hasn’t snapped up the film rights” – Paul Hawksbee, TalkSport (“Hawksbee & Jacobs”)
“All the ingredients of a compulsive page-turner: an aristocratic heroine; a broken country; henchmen of the Third Reich; and an extraordinary horse… A thrilling story that I can only recommend you read” – The Field
“Vivid, stirring stuff” – History Revealed
“Outstanding” – Dostihový svět
“A riveting story” – Aktuálně
“What a great story, one worthy of the silver screen… The finish will bring a lump to your throat” – South Wales Evening Post
“It’s like a National Velvet story but better because it’s true, and who doesn’t love a story where a woman shows up the Nazis?” – Susan Friedland Smith, Saddle Seeks Horse (“20 Horse Books to Read in 2020”)
“What a fantastic story – it would make a thrilling film” – Jilly Cooper, novelist
“Inspiring, heartbreaking… an intense roller-coaster from start to finish” – Publishers Weekly
“Unbreakable reads like the purest page-turning thriller. Boasting a cast of unforgettable characters, Askwith’s elegantly written account enthrals from first page to last” – Waterstones Sport
Read Clover Stroud’s review of Unbreakable in the Daily Telegraph (30 March 2019) here.
Read James Crispe’s review of Unbreakable in Thoroughbred Owner/Breeder magazine (February 2019) here.
Unbreakable was named Biography of the Year at the 2020 Telegraph Sports Book Awards. Awarding the prize, judge Annie Vernon said: “Not only was this incredibly impressive in terms of the amount of work Richard Askwith would have done… but… what a fascinating story: a story which… deserved to be told and needed to be made public.” You should be able to see my short acceptance video here.
Unbreakable also won an international WINNIE Literary Award, for best historical work, at the 2020 Equus Film & Arts Festival. You can see me being interviewed for the festival about writing the book here.
Unbreakable had previously been long-listed for the 2019 William Hill Sports Book of the Year award.
Unbreakable is currently being developed as a film by Caroline Heer and Daniel Olson..
Read my article about Lata for the Sunday Telegraph here.
Hear, or read, my interview with Radio Prague (in English) here.
Hear me interviewed (and reading passages from the book) on Susan Jamieson’s Zoomer Radio show here.
Find information about forthcoming events at which I will be discussing Lata and Unbreakable here. | artistic |
https://the-hia.com/bah-humbug/ | 2024-03-04T09:02:10 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476432.11/warc/CC-MAIN-20240304065639-20240304095639-00043.warc.gz | 0.968457 | 471 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__55095943 | en | One of the most famous English novels was published in 1834. Charles Dickens’ A Christmas Carol tells the story of a rich man called Ebenezer Scrooge who treats his workers poorly and does not believe in Christian charity. It was written at a time when a lot of the Christmas traditions we celebrate in England today were having a renaissance – a growing middle class was starting to celebrate Christmas as a time to indulge in rich foods, give each other gifts and sing more secular Christmas songs or ‘carols’.
‘Humbug’ means ‘nonsense’ and is something people used to say when they heard something they disagreed with or felt was untrue. We might say something like –
‘All this talk about the earth being flat is just humbug’.
In the opening chapter of A Christmas Carol Scrooge famously says that giving money to the poor at Christmas is ‘humbug’. He says ‘Bah Humbug’ [‘bah’ is more of an utterance, it is not strictly speaking a word]. The novel then tells the story, borrowed from a more ancient morality tale, of Scrooge being visited by various phantoms who eventually change his perspective on the true meaning of Christmas. At the end of the novel he is a changed man, and much more generous with his wealth.
This novel had such a huge impact on British culture that, even today, people who are regarded as uncharitable might be called ‘a Scrooge’, and people who do not like celebrating Christmas might hear their friends or family say ‘Bah Humbug!’. For example –
‘My brother is such a Scrooge… he earns a fortune, but I’m always the one who pays for lunch!’
‘I can’t believe that customer drank champagne and ate lobster but didn’t even leave a tip!… What a Scrooge!’.
‘My neighbour is a bit ‘Bah Humbug’ about Christmas… She doesn’t decorate her house or come to our annual Christmas party’.
Written by Keith Kinsella, Tutor @ The Harrogate International Academy | artistic |
http://musicandtexture.com/ | 2020-07-11T16:20:55 | s3://commoncrawl/crawl-data/CC-MAIN-2020-29/segments/1593655934052.75/warc/CC-MAIN-20200711161442-20200711191442-00252.warc.gz | 0.971515 | 174 | CC-MAIN-2020-29 | webtext-fineweb__CC-MAIN-2020-29__0__149540494 | en | Reza is a multi-instrumentalist composer and producer raised in London and living in Los Angeles. Prior to working in film he was a Universal Music songwriter and record producer/engineer with work spanning from pop to underground. He has worked with artists as diverse as Dr Dre, Britney Spears and underground UK rapper Akala.
Reza's influences are a tapestry of romantic era classical music such as Debussy and Satie, Hip Hop, minimalist techno, and shamanistic music. His textured approach fuses orchestra with contemporary production, exploring soundscape as much as harmony and melding the two to serve the image in a tactile way.
Reza’s most recent work can be heard in the Cinemax period martial arts show, “Warrior”, originally conceived by Bruce Lee and produced by Justin Lin. | artistic |
https://purposeuncaged.com/truman-show-lessons/ | 2022-11-28T04:31:55 | s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710473.38/warc/CC-MAIN-20221128034307-20221128064307-00677.warc.gz | 0.948519 | 3,497 | CC-MAIN-2022-49 | webtext-fineweb__CC-MAIN-2022-49__0__217393118 | en | Whenever I watch The Truman Show, it puts me into a trance.
This film is an absolute masterpiece. Packed with multiple layers of symbolism and meaning, it only feels more relevant as the years go by. And the journey of our titular hero – Truman Burbank – only seems more profound.
In this post, I’ll explain why The Truman Show strikes such a chord with me. And in the process, we’ll unpack 3 powerful moral lessons.
Major spoilers ahead!
The Truman Show picks up with just another day in the life of Truman Burbank. Living on the picture-perfect island of Seahaven, he seems to have it all: stable job as an insurance salesman, gorgeous house, beautiful wife, and so on.
On the outside, Truman seems upbeat. But the film wastes no time in developing his character: he also yearns for adventure. Having never left the island, he longs to visit the exotic islands of Fiji.
Midway through the film, cracks start to appear in Truman’s reality. He enters a period of deep questioning. Why does he always seem to be at the centre of strange coincidences? Is he living in some kind of dream? Are his loved ones really on his side?
Wanting to know the truth, he interrogates his wife Meryll. But she dismisses him, which only makes Truman more paranoid. Unsatisfied, he digs even deeper. An explorer at heart, Truman won’t drop his hunt for answers.
As the audience, we then discover those answers: Truman has been living within the confines of an artificial dome since birth. The unwitting star of a global reality TV show, his every waking moment is being broadcast to billions.
Everyone around him is an actor hired by a giant corporation to maintain a facade. This corporation, run by the enigmatic director Cristof, even controls the weather.
In the end, Truman becomes spooked enough to attempt a bold escape. All he can think to do is set sail, despite his intense fear of the water. In an attempt to make Truman turn back, Christof generates a deadly storm, almost drowning him live on TV. But Truman prevails.
In the surreal final scene, his boat collides with the wall of the dome, which is painted to resemble the sky. He walks along the edge, reaching an exit door.
Christof now speaks to Truman directly, his voice booming from the sky. He lays out a choice: Truman can return to the safe, fabricated version of reality created just for him. Alternatively, he can head into the real world (which earlier in the film, he calls “the sick place”).
So, what does Truman do? In a triumphant, courageous moment, he leaves it all behind and steps into the unknown.
3 Life Lessons from The Truman Show
Now let’s dive into the weighty moral lessons presented by The Truman Show.
While it’s easy to get distracted by the film’s “Big Brother” theme, I think it has much more to say.
In some way, shape, or form, each of us is Truman Burbank. Like Truman, for instance, our indoctrination begins from birth – we’re told who to be, what to think, how to act, what to pursue, and what we’re capable of.
Consider these potential parallels between you and Truman:
- Like Truman, you face enormous pressure to conform to values you didn’t consciously or authentically choose
- Like Truman, you were conditioned to perceive only a wafer-thin slice of reality, with the truth hidden from sight
- Like Truman, you’ll have to confront your demons if you want to start discovering who you are (and seeing reality for what it is)
Perhaps these parallels explain why the film always chimes with me. Even with the movie’s fanciful premise, there’s something so relatable about Truman’s journey.
That said, here are 3 life lessons from The Truman Show that continue to inspire me.
Lesson 1: Beware The Tyranny of Conformity
From one angle, The Truman Show pays homage to the philosophy of humanism. It illustrates the powerful human drive to pursue truth, authenticity, and meaning. As Psychiatrist and Holocaust Survivor Viktor Frankl documented in Man’s Search For Meaning, this drive is unstoppable – even when the outside world tries to subdue it.
I’m talking about the “self-actualising tendency” – our impulse to become who we’re meant to be, and mature into fully realised human beings. This is a lifelong process with no definitive end.
For that to begin, we must outgrow our conditioning. This leads to turbulence: on one hand, we yearn to develop personal values congruent with our true nature. But on the other, we’re seduced by the potent (and often antagonistic) drive to conform.
Truman’s world portrays this dynamic to the extreme, with the pressure to conform most clearly represented by modern Western values – materialism chief among them.
In an early scene, for example, Truman discloses to Marlon a deep desire: he wants to “get out”. Out of his job, out of the city, and off the island. But in response, Marlon chides him: “Out of your job? What the hell is wrong with your job? You have a great job, Truman. You have a desk job. I’d kill for a desk job.”
Later scenes follow the same pattern: Truman expresses an authentic desire, which the cast and crew act to suppress. In one scene, when Truman brings up the idea of going to Fiji, Meryll condescendingly brushes him off as an idealistic teenager.
Developmentally, Truman sort of is a teenager. And not by accident – at every turn, the show has actively hindered his self-discovery. In turn, Truman seems to be disconnected with his life, with no solid sense of who he is. His life rings hollow because it’s a life he has been conditioned to value, with conformity being the main weapon of control.
Our world isn’t so different. If we’re to grow, there comes a point when we must override our drive to conform. This is no easy feat, especially with powerful entities (governments, corporations, elites) hell-bent on chaining us to self-serving narratives.
But to set ourselves free, we must stray from the perceived safety of the pack. To avoid this inner call is to usher in a form of death. Not literal death, but a slow and steady disintegration of the self. Truman recognised this risk and acted instinctively.
Here’s the lesson: beware the tyranny of conformity. On our deathbeds, we won’t wish we had been more obedient, more cautious, or more inhibited. We’ll wish we had ventured out more, spoken up at the right moment, and stepped outside the status quo.
Lesson 2: To Find Your Soul, Lose Your Mind
You probably haven’t heard of “drapetomania”. That’s a good thing.
Coined in 1851 by American physician Samuel Cartwright, this “mental illness” was put forward to explain why enslaved people kept trying to flee their captors. Cartwright judged the life of a slave to be such an improvement, that to reject it signalled madness.
Even at the time, drapetomania was recognised as hogwash. And today, it rings out as nothing less than absurd. But this practice – of relegating understandable suffering to the land of “illness” – lives on in society, albeit in less overt forms. In short, the line between sanity and insanity is an arbitrary one.
Take the experience we call “depression”. In a world obsessed with economic growth, it isn’t surprising that depression is medicalised. That’s largely because it doesn’t align with the economic imperatives of the day – to always be “busy” and “productive”, no matter the personal, social, and emotional cost. But perhaps the suffering of depression has a purpose. For example, to make us aware of how sick society is, so we can take action.
“It is no measure of health to be well-adjusted to a profoundly sick society.”
In the same way, Truman’s suffering has a purpose: it compels him to discover the truth.
We observe perhaps his first dance with that truth in a flashback, where he meets Sylvia/Lauren Garland. Their connection is instant, spontaneous, and undeniably real. This is juxtaposed with Meryll, who represents all that is forced and false in Truman’s world.
Although Sylvia is swiftly removed by her so-called father – and written off as “psychotic” – it’s too late: the seeds of truth have been sown. From then on, the only thing that really nourishes Truman is his dream of escaping to Fiji, where he believes Sylvia to be. Sylvia symbolises the truth.
Midway through the film, Truman’s disillusionment gathers momentum. More and more cracks appear in his fabricated, controlled reality. Why, for instance, is the man with flowers walking around and around his block on autopilot? And why did Meryll cross her fingers in their wedding photo?
As the illusion begins to falter, Truman enters a period of necessary breakdown. I mean that quite literally – his perception of reality is breaking down. Unable to piece together the fragments, however, Truman cycles through fear, loneliness, dejection, paranoia, and confusion.
This culminates in Truman taking Meryll for a joyride to Atlantic City. In one of my favourite scenes, he circles the roundabout shouting “somebody help me, I’m being spontaneous!” out the car window.
Predictably, Meryll frames this behaviour as Truman being “unwell”. In reality, of course, his spontaneity signals an impending awakening. As the audience, we rejoice knowing that the grip of conformity is starting to weaken. Truman is coming alive.
Finally, Truman leaves everything behind to pursue the truth. On his boat, we see him cradle an image of Sylvia, an image he has painstakingly recreated through trial and error. This marks the onset of Truman’s quest for the truth – the fragments of reality are beginning to coalesce.
How easy would it have been for Truman to collapse under the weight of his disorientation and suffering? Instead, he embraces his pain and heeds its call. There’s an important lesson here. When glimmers of truth appear through cracks in the status quo – and we suffer as a result – do we validate our discontent? Or do we seek refuge in the more culturally palatable idea – that we’re deranged, deluded, broken?
Following the inner call to self-actualise might be the high road, but that doesn’t mean it looks pretty. As the saying goes, you have to break some eggs to make an omelette – breakdowns can be a necessary stage on the path to living with purpose, authenticity and integrity.
As Alexander Lowen said, “despair is the only cure for illusion.”
Lesson 3: Embrace The Unknown
When Truman is blocked from leaving Seahaven via land and air, only one option remains. Despite his intense fear of water – triggered by the trauma of losing his father at sea – Truman takes to the open ocean.
Whenever I watch The Truman Show, these final scenes fill me with hope. In order to discover the truth, and liberate himself, Truman musters the courage to face his greatest fear. In the same way, if we’re to reinvent ourselves, or even simply to thrive, each of us must face the music.
I love the scene where Cristof spots Truman’s boat and a crew member exclaims, “How can he sail? He’s in insurance!” I smile realising that Truman was likely nudged towards a career in insurance to make him risk-averse. This makes his renunciation of that manufactured identity all the more climactic.
If we’re to effectively navigate our fear, we must dance with the unknown. And in The Truman Show, the “unknown” is symbolised by the ocean. Not only does the ocean represent the formless and the unfathomable, but it also stands for the endless interplay between creation and destruction. After all, the ocean is thought to be the original source of life itself. But it also has the power to silently and unforgivingly sweep life away, just as it did to Truman’s father.
This makes his voyage all the more poignant, with Truman’s rebirth forged in the crucible of oceanic chaos. In fact, he literally drowns on camera before coming back to life. At this point, we breathe a sigh of relief knowing Truman has pierced through the great unknown and triumphed over his fear. He is now free to reemerge as someone else; to recreate his life anew. When the time is right, all Truman has to do is choose.
And that moment of choice rushes up to greet Truman when his boat smashes into the wall of the dome. He comes to an exit door. But just as Truman is about to leave, Cristof talks to him, and he says “Listen to me, Truman. There is no more truth out there than there is in the world I created for you. The same lies. The same deceit. But in my world, you have nothing to fear.”
It’s here that we understand Cristof – Cristof has been acting out a distorted form of parental love all along (here’s a great article on this). By trying to protect him from the harsh winds of reality, Cristof has stifled Truman’s growth to the extreme. Truman must now decide whether or not to disentangle from Cristof’s warped vision of truth. And that’s exactly what he does. Truman exercises the ultimate human freedom – the freedom to choose.
Wouldn’t you be tempted to turn back? I know I would. Remember, Truman had zero knowledge of the reality beyond Seahaven. It would take serious guts to put your entire life on the line in order to be true to yourself. Yet Truman embraces the unknown without hesitation. He leaves the comfortable, safe mould created for him, accepting the inevitable pain and suffering this will bring.
I always enjoy the decision to portray the exit door as a black void. Consider the difference if the writers had instead hinted at bright, sunny skies ahead for Truman. Rather, blackness conveys a more realistic message: choosing freedom, authenticity and growth are daunting precisely because they ask us to embrace the unknown and the unknowable.
That said, here’s a question to reflect on: where in your life is there a “Truman door”, waiting for you to step through?
Truman’s existential situation isn’t so different to yours or mine – in ways big and small, we all confront forks in the road.
One road is the direction of truth and understanding, while the other road perpetuates our unconscious delusion. One road leads to enlargement of the self, while the other stifles and constricts us.
Leaving medicine to change careers was one of those forks in the road for me. It was difficult, painful, and nerve-racking to walk away. I also wondered if I was insane to do so. And at the time, I had no idea what would happen next (in fact, I still don’t).
But I’m glad I made that choice. By departing from the “known” and stepping into ambiguity, I somehow feel more… myself. Just like Truman’s voyage across the ocean, I have a sense that although I don’t know where I’m going, I do know I’m heading in the right direction.
If you’re up for it, I’d love to hear your thoughts in the comments below. Did you interpret The Truman Show differently? What life lessons did you draw?
As always, thanks for reading.
And in case I don’t see ya – good afternoon, good evening, and good night. | artistic |
http://laughingcactuspress.com/wp/our-books/three-thousand-doors/ | 2023-11-30T13:42:30 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100227.61/warc/CC-MAIN-20231130130218-20231130160218-00798.warc.gz | 0.873248 | 261 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__212208257 | en | by Karen Elaine Greene
Buy your copy of Three Thousand Doors for $13.00 U.S. plus shipping and, in Texas, sales tax.
Why do I write?
Because I HAVE to.
I yearn for the feeling of the river running through my veins.
I crave the rush of power necessary
to push words through my pen and onto the page,
send them thundering over the rapids of my life —
the chaos culminating in a surging torrent
tumbling violently over the edge,
into the frothing maelstrom.
I float up
gasp for air
plunge again to the bottom; push off the rocks
thrust my way back to the top
break the surface like a mermaid
and gently collapse onto the calm glass-top face,
gliding quietly through the clear,
breathing deeply of the space surrounding me.
I write because if I do not
I feel I am no more than a leaf
trapped in the brush at the waters’ edge.
stagnant and decaying waste.
I write to remind myself
that I have at least a toe-hold on sanity.
I write because my life is extraordinary
And I cannot sit idly by. | artistic |
https://rso.orf.at/index.php/en/node/1230 | 2019-02-21T05:42:41 | s3://commoncrawl/crawl-data/CC-MAIN-2019-09/segments/1550247500089.84/warc/CC-MAIN-20190221051342-20190221073342-00057.warc.gz | 0.953721 | 1,598 | CC-MAIN-2019-09 | webtext-fineweb__CC-MAIN-2019-09__0__159041723 | en | Marin Alsop has been announced as the next Chief Conductor at the ORF Vienna Radio Symphony Orchestra Vienna from the 1st of September 2019 for an initial period of three years. Alsop will conduct the Orchestra in concerts, opera productions, tours, broadcasts and recordings. She succeeds Cornelius Meister.
Celebrated internationally as an inspiring and influential conductor, Alsop’s innovative programming and commitment to audience development across all ages is driven by her passionately held belief that "music has the power to change lives".
Radio Director Monika Eigensperger and the Managing Director of the Orchestra Dr. Christoph Becher recommended the appointment of Marin Alsop as new Chief Conductor of the Vienna RSO to Director-General Dr. Alexander Wrabetz, who formally invited Alsop to accept the position.
Dr. Alexander Wrabetz comments: "The ORF Vienna Radio Symphony Orchestra Vienna grew artistically under the leadership of Cornelius Meister and increased its reputation both nationally and internationally. Therefore, it was important that we find someone who would be able to continue to inspire and challenge us and we are thrilled to have been able to convince Marin Alsop to take up this position. She is an extraordinary conductor, who will further develop the RSO’s high artistic qualities. With her at the helm we’re in an excellent position for the future."
Monika Eigensperger comments: "I am delighted that our Orchestra will now have its first female Chief Conductor with Marin Alsop. She has been a pioneer for women and has been the first female Chief Conductor at many orchestras, not least her two current orchestras, the Baltimore and the São Paolo Symphony Orchestras. I’ve long admired Marin and I am very much looking forward to her arrival."
Marin Alsop on her new appointment: "I am very excited about the prospect of collaborating with the Vienna RSO. We share the same enthusiasm for expanding the repertoire and for connecting with new audiences. I am deeply moved by the fact that the players instigated my appointment and I can't wait to start this journey with them, working closely with the Orchestra's partners in Vienna, across Austria and beyond."
Alsop and the Vienna RSO collaborated for the first time in 2014 with a concert of works by Leonard Bernstein and Gustav Mahler. Their next project is a recording in autumn 2018 and she begins her first season as Chief Conductor as the Orchestra celebrates its 50th anniversary.
Marin Alsop conducting the Vienna RSO in April 2014
Marin Alsop conducting the Vienna RSO in April 2014
Dr. Christoph Becher comments: "After the Orchestra's musicians performed with Marin in Vienna in 2014 they unanimously put her forward as their new Chief Conductor. I particularly enjoyed our passionate and extensive exchanges on contemporary music and the importance of concerts for children and young people. I am delighted she has chosen Vienna and our outstanding Radio Symphony Orchestra."
Chief Conductor & Artistic Director Cornelius Meister on his successor: "I wholeheartedly welcome Marin's appointment. Of course, I will closely consult with her from now on in any future decision-making. The Vienna RSO will benefit extensively from her international experience and I'm hugely looking forward to being an audience member in her performances with the RSO!"
Both Executive and Artistic Directors of the Wiener Musikverein and the Konzerthaus welcomed Alsop's appointment.
Matthias Naske, Director of the Konzerthaus comments: "The Konzerthaus community in Vienna and myself share the view with Marin Alsop that 'Music has the power to change lives' and her relentless quest for artistic excellence. Congratulations on the Orchestra's choice and we look forward to welcoming the Vienna RSO with their new Chief Conductor at our hall."
Dr. Thomas Angyan, Director of the Wiener Musikverein comments: "Marin Alsop's appointment is a huge asset to the Orchestra and to Vienna as a city of music. Marin is familiar to Austrian audiences from her performances at the Musikverein. As Director of the Gesellschaft der Musikfreunde in Vienna, I am delighted to welcome Marin Alsop to the Musikverein as the first female conductor to lead the Orchestra that is so dear to Vienna."
Until the start of her tenure, Marin Alsop holds the title of Chief Conductor Designate.
Music Director of the Baltimore Symphony Orchestra since 2007, Marin Alsop's tenure has been extended twice and currently runs until 2021. Among the initiatives she has created there are "OrchKids", which brings the BSO's musicians into schools in socially deprived areas of the city, the BSO Academy and the "Rusty Musicians" for adult amateur musicians.
Alsop has also been Principal Conductor & Music Director of the São Paolo Symphony Orchestra since 2012, where she champions a diversified concert programme as well as outreach activities. She has taken them on several international tours, including appearances at the BBC Proms, the Edinburgh and Lucerne Festivals and in Berlin, Paris, Salzburg and Vienna to great acclaim. She will become Conductor of Honour at the end of her tenure in 2019.
Marin Alsop conducts international orchestras including the London Symphony Orchestra, London Philharmonic Orchestra (with whom she has recorded a complete cycle of the Brahms Symphonies), Gewandhausorchester Leipzig, Royal Concertgebouw Orchestra, Filarmonica della Scala and Orchestre National de France. In the US she regularly leads the orchestras of Los Angeles, Philadelphia, Cleveland and Chicago. Further highlights of the 2017/18 season include guest appearances at the Budapest Festival Orchestra, Orchestre de la Suisse Romande and Danish National Symphony Orchestra.
Marin Alsop has always championed contemporary composers, not least as Artistic Director of the Cabrillo Festival of Contemporary Music for 25 years. As one of Leonard Bernstein's best known pupils, Alsop is central to his 100th anniversary global celebrations in 2018: she opens and closes the Bernstein tribute by the London Symphony Orchestra, will conduct his "Mass" at the Ravinia Festival with the Chicago Symphony Orchestra, where she curates the programmes for 2018 and 2019, and at Southbank Centre in London, where she is Artist in Residence. At Southbank Centre she will also conduct the Orchestra of the Age of Enlightenment (OAE) in a Beethoven programme as part of a UK-wide tour. Her regular association with the OAE has resulted in recent performances of both the Brahms and Verdi Requiems at the BBC Proms.
In September 2013, Marin Alsop became the first female conductor to lead the BBC's Last Night of the Proms, which resulted promptly in a second invitation to conduct in 2015.
Her extensive discography has led to multiple Gramophone awards and includes the Symphonies of Brahms, Dvořák and Prokofiev as well as further recordings for Decca, Harmonia Mundi and Sony. Among her many awards and academic positions, Marin Alsop is the only conductor to have received the prestigious MacArthur Fellowship. She is an Honorary Member of the Royal Academy of Music and Royal Philharmonic Society and she has directed the Graduate Conducting programme at the Johns Hopkins Peabody Institute since 2015. She attended the Juilliard School and Yale University, who awarded her with an Honorary Doctorate in 2017. Her conducting career was launched in 1989, when she became the first woman to be awarded the Koussevitzky Conducting Prize from the Tanglewood Music Center. | artistic |
http://ausm.org.nz/event/pasifika/ | 2017-12-13T14:41:31 | s3://commoncrawl/crawl-data/CC-MAIN-2017-51/segments/1512948527279.33/warc/CC-MAIN-20171213143307-20171213163307-00048.warc.gz | 0.943768 | 131 | CC-MAIN-2017-51 | webtext-fineweb__CC-MAIN-2017-51__0__126486013 | en | The iconic Pasifika Festival is celebrating its 25th birthday. With free entry, more than 220 performance groups and 60,000 visitors expected, this is a party you won’t want to miss!
Western Springs Park will be transformed into 11 villages representing different Pacific Islands. Each village has a distinctly different vibe. From the peaceful setting of the Niue and Tuvalu villages, follow your nose and you will discover Hawaii’s smokey BBQ delights; if you are wondering what the noise is about, head along to the Aotearoa, Cook Island and Samoa villages. They are renowed for their stage performances. | artistic |
http://vincentfuneralhome.com/book-of-memories/3494681/Stanko-John/obituary.php | 2018-09-21T07:38:25 | s3://commoncrawl/crawl-data/CC-MAIN-2018-39/segments/1537267156901.47/warc/CC-MAIN-20180921072647-20180921093047-00406.warc.gz | 0.963674 | 509 | CC-MAIN-2018-39 | webtext-fineweb__CC-MAIN-2018-39__0__133742431 | en | Lover of literature, published poet, and Shakespeare aficionado John Michael Stanko passed through nature to eternity on Saturday April 28 2018. He leaves behind a loving family: his wife Johanna (Tomasello); five daughters Heather, Rebecca (Matthew) Weiland, Seneca (Mateusz) Gawlik, Suzanne Kline, and Jeanelle; five grandchildren Siana, Ty, Merrick, Abigail, and Jacob; two sisters Virginia Graney and Irene Hutchinson; and his dalmatian Max. John was predeceased by his brother Ed Stanko, sister Alice Kiesewetter, and daughter Jennifer Kline.
John cherished his memories of playing high school football at both Bristol Central and Bristol Eastern High Schools. He attended CCSU and completed his higher education with a master’s at Trinity College in Hartford.
He had a profound and lasting impact on the lives of students, cross country teams and colleagues an educator and coach with 30 years devoted to academia. In Simsbury he inspired literature and drama students’ involvement in philosophy, slam poetry, creative writing, and theatre, most notably directing the groundbreaking production of “The Shadow Box” in 1991. An early adapter of technology, he taught himself to design computer systems and websites in the 80’s and 90’s and was later able to combine his love of education and technology as a network specialist in Bloomfield.
In his spare time John enjoyed running, officiating races for Westminster School, cooking, canoeing, photography, and redesigning his home. You could often find him at Stratton Brook Forest where he loved to bring his teams to practice, or walking his Dalmatians around town in Winsted.
A warm thank you to all who helped care for John during his battle with ALS, the condition named for Lou Gehrig of his beloved Yankees.
His family will receive friends on Saturday May 5th from 10am to 12pm at the Vincent Funeral Home, 880 Hopmeadow Street in Simsbury. Reception and celebration of life to follow. In lieu of flowers, donations can be submitted to the ALS Association Connecticut Chapter, 4 Oxford Road Unit E4, Milford CT 06460, or www.alsact.org. To view John’s permanent online memorial and express your own thoughts, please visit: www.vincentfuneralhome.com.
In the words of Hamlet - The rest is silence. | artistic |
http://seaminglysmitten.blogspot.com/2012/12/sewing-crafts-with-kids.html | 2017-05-24T00:30:44 | s3://commoncrawl/crawl-data/CC-MAIN-2017-22/segments/1495463607726.24/warc/CC-MAIN-20170524001106-20170524021106-00422.warc.gz | 0.947221 | 718 | CC-MAIN-2017-22 | webtext-fineweb__CC-MAIN-2017-22__0__51374176 | en | **In the comment section, feel free to link up your favorite Christmas craft that others would enjoy!
Merry Christmas from Seamingly Smitten!
Hug your little ones, play silly games and enjoy their giggles! They grow up way too fast!
Sewing and Crafts with Kids
1. Scrap Fabric and Clay Pot Nativity Scene
*My little boy came home with this from school yesterday and he couldn't wait to show us our gift! This project is so simple and only took a few items: 3 miniature clay pots, 3 wooden balls, scraps of fabric, a marker, hot glue, ric-rac and some raffia for the hay. Simply glue on the fabric, add the faces, some hay and a halo and you've made a Christmas Nativity.
2. Make a Stuffed Animal or Figure from your child's drawing
*This activity and tutorial can be found HERE on Martha Stewart and would be an instant hit with the kiddos in my house. Just think of all the animals that children could come up with - even if they combine two of their favorite animals to make up the silliest animal they can imagine.
*My son wanted to make something with me the other night and this is what we did! He drew his design - A Superhero Sailboat - then picked out his fabric. I cut out the shapes, pinned the design and let him push the foot pedal the entire time (but his hands were not near the machine). He loved it and the pictures below prove it with that big old smile!
Photo from Martha Stewart.com
3. Monster Tooth Fairy Pillow - get the HOW-TO HERE.
*Some of you may have children losing teeth already - we aren't there yet in this household, but we will be in the next year or two. This Monster Tooth Pillow is such a fun idea from The Long Thread blog! The mouth of the monster is a pocket to hold money that the Tooth Fairy leaves and is a safe place to put that tooth all night. Boys would love a monster like this and girls could change it up by making their monster a prettier monster - pink, glitter, ric rac, pom pom teeth, ribbon hair...etc.
Photo and tutorial found HERE
4. Sew Finger Puppets
*Bedtime stories are a huge hit in our house and right now we love The Gingerbread Man. This finger pupper sewing craft would be a fun activity to create characters from a favorite story in your house so the kids could play along as each character in the book.
*The TUTORIAL FOUND HERE from Obsessively Stitching blog will show you how to create finger puppets for The Three Little Pigs (and even that wolf who huffs and puffs).
5. Sock Puppets
*I found this TUTORIAL HERE on the blog Six Sisters Stuff and wow this brings back memories of playing with Kermit the frot puppets! Who remembers that? If this sock monster project doesn't get your kiddos laughing, I'm not sure what will! I can just see my little ones running around after each other trying to make their puppets talk to one another. I must make this!!
I hope you enjoyed this list of a few crafts that you might love to make with your kids over the holidays (or anytime). If you have a favorite kid's craft tutorial SHARE IT in the COMMENTS below!
Happy Sewing and Crafting! | artistic |
http://ovenzest.blogspot.com/2011/02/flat-white-sweet-as.html | 2017-05-24T09:56:33 | s3://commoncrawl/crawl-data/CC-MAIN-2017-22/segments/1495463607811.15/warc/CC-MAIN-20170524093528-20170524113528-00083.warc.gz | 0.944539 | 135 | CC-MAIN-2017-22 | webtext-fineweb__CC-MAIN-2017-22__0__70204128 | en | Flat whites are such treats! I have been traveling through New Zealand for the past two weeks, and apart from the scenery, the people and the deliciously warm summer weather, I have a new favorite coffee drink!
These insanely popular drinks from New Zealand are my new love and obsession. I simply cannot go a day without sipping the espresso-milk-foam combination. What makes it different from a latte you ask? Less foam, more charm, and without fail a cute little design on top that brings a little bit of art to a morning. I must learn how to make these lovely little buggers when I arrive home. Sweet as! | artistic |
http://www.cafeavalaun.com/about | 2019-09-23T03:11:52 | s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514575860.37/warc/CC-MAIN-20190923022706-20190923044706-00422.warc.gz | 0.98017 | 652 | CC-MAIN-2019-39 | webtext-fineweb__CC-MAIN-2019-39__0__177380785 | en | The vision of Café Avalaun is brought to life through the story of Brian and Jennifer Doyle that starts when they met at the age of 14. The café is named after Brian’s late mother, Avalaun Harrill Doyle, who died when Brian was 7 years old. Avalaun was an eclectic artist working across many mediums including poetry, oil paints, watercolor, sculpture, singing and songwriting. When Brian and Jennifer met years later, Brian quickly became part of Jennifer’s family and grew close with her mother, Suzan Smith. Suzan was also a talented artist, with her hand in ceramics, drawing, and writing. She was passionate about cooking gourmet meals for her family. Her relationship with Brian fostered even more of his love for cooking that was born in him from a very early age.
Together they enjoyed going on culinary adventures and challenging themselves to create new recipes using the unique ingredients they would collect in their travels. Jennifer’s mother Suzan also passed away too young at the age of 49, on the 2nd birthday of Brian and Jennifer’s 1st son, Logan.
It was a dream of Brian and Jennifer’s to partner with Suzan and eventually open a café focused on fresh baked breads and homemade soups, which were Suzan’s specialties. Brian and Jennifer believe that it is the influence of their mothers that instilled both a love for creativity and a passion for food that brought them to the vision that is Café Avalaun.
The vision of Café Avalaun is to invoke the spirit of their mothers through art. Tributes to them will be apparent throughout. Expressing their personality, hearts, and minds, Brian and Jennifer believe in sustainable considerations throughout all facets of the business with upcycling and reclaimed materials. The café features an art installation created by Jennifer’s cousin, Carole Werder. Her style is rooted in heavy layers of impasto pigment, bright colors, and sometimes popsicle sticks that comprise her paintings. Carole’s art examines the psychological condition and provides a biographical narrative of the subjects of her work.
WHY GLUTEN FREE?
The menu at Café Avalaun is 100% gluten free. This focus on gluten free foods is born out of their own family’s need to be gluten free. Their oldest son, Logan was diagnosed with autism at age 2, and has been gluten free for 16 years and the rest of the family went gluten free in 2011. Around that time, Jennifer had a medical induced debilitating condition that left her unable to walk or work for 3 months.
Doctors couldn’t offer any solutions. Brian quickly realized that diet held the key to her recovery and so began a journey to wellness for them both via an anti-inflammatory diet. After the diagnosis of gluten intolerance they both lost weight and had numerous gains in health going on a primal-style diet. Brian also became a certified health coach from the Institute of Integrative Nutrition. Since then, Chef Brian realized he could no longer work with gluten in his professional life and avoids it for his own health. This had dramatic changes for his career and professional life as a chef. | artistic |
https://lindsayrobertsonphotography.wordpress.com/about/ | 2018-07-23T17:05:40 | s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676599291.24/warc/CC-MAIN-20180723164955-20180723184955-00094.warc.gz | 0.953216 | 144 | CC-MAIN-2018-30 | webtext-fineweb__CC-MAIN-2018-30__0__117392634 | en | I am a simple person with the most amazing blessings in my life. I love to be creative and use the talents God has bestowed upon me. I enjoy good conversation with great friends and cuddling up with my husband and kids. I love to be inspired by the people around me and want to leave a little peice of me in someone else’s life. I enjoy making things with my hands that are guided by my heart. There is nothing like a good song that fulfills my mood and touches my soul. I revel in the aroma of homemade cookies whisping through the house and ending a day with hugs and kisses and hearing the sweetest voices saying goodnight. I am a simple person. | artistic |
https://www.jodiequinn.com/product-page/australiana-christmas-cards-collection-pack | 2022-05-27T14:40:45 | s3://commoncrawl/crawl-data/CC-MAIN-2022-21/segments/1652662658761.95/warc/CC-MAIN-20220527142854-20220527172854-00194.warc.gz | 0.83887 | 130 | CC-MAIN-2022-21 | webtext-fineweb__CC-MAIN-2022-21__0__275509910 | en | Modern boho-style Australiana christmas cards featuring our native Australian wildlife.
Three pack options available: pack of 5, 10 or 20 christmas greeting cards.
A6 (105x148mm) card size and blank inside for your own personalised message.
Each card is printed on 100% recycled 300gsm uncoated (white) paper and comes with a 100% recycled brown paper envelope.
Illustrated by Jodie Quinn with Yuliya Derbisheva (at DerbishevArt) and Anna Szonn (at DesignWorkBoutique). | artistic |
https://www.schrock-hogan.com/notices/Mary-Moeller | 2019-07-22T21:31:37 | s3://commoncrawl/crawl-data/CC-MAIN-2019-30/segments/1563195528220.95/warc/CC-MAIN-20190722201122-20190722223122-00072.warc.gz | 0.971975 | 460 | CC-MAIN-2019-30 | webtext-fineweb__CC-MAIN-2019-30__0__135322252 | en | Mary Ann Moeller, 85 of Rostraver Township, passed away Wednesday, January 9, 2019 in her home. She was born in North Charleroi on February 21, 1933, the daughter of the late John and Anna Blasick Moeller. Mary Ann was a graduate of Charleroi Area High School class of 1951. She received her bachelor of music at Northwestern University, her Master’s degree in Music Education from Duquesne University. She earned advanced credits at Temple University, Hofstra University, Arizona State University and Dowling University. She was a life member of Music Educators National Conference, and taught Music for 32 years before retiring from Smithtown School District in Long Island, New York. Mary Ann was a member of the Presbyterian Church of Charleroi, where she played the piano and directed the choir. She was also a deacon and on the board of session. Mary Ann loved to play the piano and sing; her students nicknamed her “Miss Music”. In her retirement years she taught private piano and voice lessons. She was a very loving woman who devoted her life to her family and faith. She is survived by her nieces Paige Moeller (Donna) of Green Tree, Kerry Timko (Bob) of Rostraver Township, Jean Polzer (Ron) Painsville, Ohio and nephew John G. Moeller Jr. (Denise) of Key West, FL, sister in-law Larue Moeller of Cleveland Ohio. Great Nephews Bobby, Reid and Dylan Timko. Caleb Stoliker, Lee (Mindy) Polzer and great nieces Janet (Mike)Bauer, Jenna and Lea Moeller. In addition to her parents Mary Ann was preceded in death by two brothers John G. (Jack) Moeller, Jr. and Keith Moeller and a sister Kathryne (Jean) Moeller. A Memorial Service will be held on February 3, 2019 at 1:00pm in the Charleroi Presbyterian church with Rev. Mark Woomer and Rev. Sharon Woomer officiating. In lieu of flowers, memorial donations may be made to the Presbyterian church of Charleroi address 514 5th St, Charleroi, PA 15022. | artistic |
http://koopmanostbo.com/our-favorite-apps-to-download-right-now/ | 2019-03-24T18:03:16 | s3://commoncrawl/crawl-data/CC-MAIN-2019-13/segments/1552912203464.67/warc/CC-MAIN-20190324165854-20190324191854-00555.warc.gz | 0.917523 | 913 | CC-MAIN-2019-13 | webtext-fineweb__CC-MAIN-2019-13__0__8598789 | en | Where does the KO team turn to feel inspired, get organized and stay active? Take a look at our list of favorite apps to find out:
Megan Rolerkite, Account Manager: MyPostcard It’s not an app I use daily, but I love the concept and use it when I’m on a trip or want to send a note to a friend afar. You use one of your photos from your phone to create a postcard. You fill out the address, and a personal note and MyPostcard does the rest. They print, postage and mail your postcard from anywhere in the world.
Emily Kropp, Social Media Director: A Color Story Photo editing at its finest! There are a lot of fun ways to enhance a drab photo on this versatile app, including adjusting curves, shadow colors, and the temperature of your image. Plus lots of juicy filters, of course. #selfietime
Emma Alpaugh, PR Account Manager: Instagram Can’t go a day (or hour?) without it. I follow food and travel sites, friends, and a few celebs. I enjoy the visual inspiration and also seeing what’s trending in various industries. On a personal level, I enjoy staying connected with friends across the globe.
Britten Stark, Senior Accountant: Dragon Box I never really understood algebra until I found an app that figured out how to teach it without any numbers. It’s weirdly addictive.
Cassie Croissant, Social Media Manager: Digit Digit is perfect for impulse spenders, like me. It syncs with your bank account and saves money for you behind the scenes each month, sending you daily balance updates that really help keep your spending in check. But it also lets you tap into your Digit savings whenever in case you need to buy something VIP.
Cindy Cooper, Chief Marketing and Impact Officer: Words with Friends I love that every word you make is like a nano puzzle. That’s gotta be good for you. Plus, you don’t get sucked into playing for long because you have to wait your turn.
Rachelle Running, Art Director: Soundhound If I hear a cool tune I’ve never heard, or one I can’t remember, the app “listens” and can tell me the name, artist, and a direct link to download. It stores my history too, so I can refer back later if I want.
Caitlin Harrington, PR Account Coordinator: ClassPass I love browsing through the workout classes I can catch after work. If my day’s been busy, I’ll hit up a yoga or pilates class to unwind. For an energy boost I’ll find a barre or cycling class. I love it so much I’ve even got my desk mate here at KO addicted to it.
Hayley Smith, PR Account Coordinator and Project Manager: Instagram In addition to keeping up with friends and family, I love the Explore tab and following the occasional celebrity or two. For a photography novice like myself, it’s fun to play with filters and editing tools.
Vicky Hahn, Director of First Impressions: Evernote I am OCD about finding it fast! I use the mobile app to capture and organize stuff that pops into my head at random times during the day. Ideas for presentations, to-do lists, recipes, travel info, etc. are sorted into their respective notebooks.
Shelly Graham, Developer: Apple iOS ‘News’ I decided to give the new News app a try and really like it. I liked that I could set it up so most of my news feed comes from professional, credible sources like the New York Times, BBC and NPR without the focus on comments and opinions.
Kate Peterson, Director of Client Services: Headspace I’m really loving Headspace right now. It’s a guided mediation app that makes learning meditation so much easier. I use it every morning and four weeks in I am already seeing some really nice benefits.
Art Knight, Designer: Instagram I like it because I can see tons of content from all over the world. from artists and musicians to news and comedy. Plus it’s a really low commitment. And it’s fun to think that somebody in Russia or Japan or wherever is checking out my vacation pictures. | artistic |
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