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narrative_qa

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What human aspects does Wells believe reach "divergent and incompatible" outcomes?
[ "The past and future parts of the mind", "morality and public affairs" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Why does Wells feel the past dominates publc affairs and morality?
[ "The past is more knowable than the future", "It has a greater knowability " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does Wells feel science demonstrates about the future mind?
[ "It is knowable", "An inductive knowledge of many things in the future is a possiblity " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What question does Wells feel is the most important to consider?
[ "What comes after man", "What is to come after man?" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does Wells believe influences individuals the most?
[ "The forces behind individuals", "the past-oriented mind" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What type of knowledge about the future does Wells believe is attainable?
[ "General", "Inductive knowledge " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
How does Wells feel about fortune telling?
[ "He does not believe in it", "That is will never be possible " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does Wlells distinguish between?
[ "Two divergent types of mind", "The past orientated mind." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What is one difference between the two forms?
[ "One is active and one is passive", "The past is much better known than the future." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What is reached by these two types?
[ "Divergent and incompatible consequences", "divergent and incompatible consequences " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What has science made knowledgeable?
[ "a distant past", "a distant, impersonal past " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What complicates the problem?
[ "Unpredictability", "We know more about the past than we do about the future." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What type of telling will never be possible?
[ "Fortune telling", "Personal prophecy and fortune telling. " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does wells claim about the future knowledge?
[ "It Will be general and not individual", "It is possible to induct" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does wells speculate about finally ?
[ "What is to come after man", "He speculates about what is to come after man." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does wells consider his final question?
[ "The most insoluble question in the world", "What is to come after man?" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does wells conclude with?
[ "A statement of personal faith.", "A statement of personal faith." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Who stated the discovery of future ?
[ "Wells.", "Modern science" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Between which factors did wells started distinguish with ?
[ "Two divergent types of mind.", "past and future" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Which adjectives Well attributes to the former ?
[ "Legal, passive and oriental.", "legal or submissibe, passive, oriental " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Which two factors are not possible ?
[ "Personal prophecy and fortune telling.", "personal prophecy and fortune telling" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
Which part of human behavior complicates the problem ?
[ "Unpredictability. ", "It's unpredictablity" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What did Wells analyze ?
[ "Well analyzes the reason for which the past oriented mind predominates.", "The spheres of mortality and public affairs." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does well tell about personal prophecy ?
[ "The knowledge of future we may hope to gain will be general not individual.", "He believes that specific personal prophecy will never be possible." ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What does he tell about modern science ?
[ "The relentless systematic criticism of phenomena. ", "It regards the ability to predict the future to be a criteria of validity " ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
What was about the last part of his text ?
[ "The question that is come after man.", "The question of what is to come after man" ]
[ "Wells begins by distinguishing between \"two divergent types of mind,\" one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives \"legal or submissive,\" \"passive,\" and \"oriental,\" and to the latter the adjectives \"legislative, creative, organizing, or masterful,\" and \"active,\" calling it \"a more modern and much less abundant type of mind.\"", "Observing that these two minds reach \"divergent and incompatible consequences\" in the spheres of morality and public affairs, Wells analyzes the reasons for which the past-oriented mind predominates and asserts that this is principally due to the evidently greater knowability of the personal past as compared to the future. But he argues that the inference from this attitude that the future is essentially unknowable does not square with \"modern science, that is to say the relentless systematic criticism of phenomena.\" Not only has science made us knowledgeable about a distant, impersonal past, it also regards the ability successfully to predict to be a criterion of validity. Though the unpredictability of human behavior complicates the problem, the fact that \"as individuals increase in number they begin to average out\" means that \"an inductive knowledge of a great number of things in the future is becoming a human possibility.\" Confessing himself to be among \"those who believe entirely", "in the forces behind the individual\" rather than in individuals themselves as determining causes, Wells argues that there is \"no reason why we should not aspire to, and discover and use, safe and servicable, generalizations upon countless issues in the human destiny.\" But personal prophecy and fortune-telling will never be possible; \"the knowledge of the future we may hope to gain will be general and not individual.\"", "Wells devotes the last part of his text to speculations about \"the question what is to come after man,\" considering it \"the most persistently fascinating and the most insoluble question in the whole world.\" He concludes with a statement of personal faith \"in the coherency and purpose in the world and in the greatness of human destiny.\"" ]
During Tristram's diffcult birth Dr. Slop's forceps did what to Tristram?
[ "crushed his nose", "nose was crushed" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Due to the accidents that have occured what auspicious name does Tristram's father want him named?
[ "Trismegistus", "trismegistus" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Susannah mangled the name in conveying it to whom so that he was christened Tristram?
[ "Curate", "Trismegistus" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
A large and attractive nose is what numbered pet theory of Tristram's father?
[ "Secondly", "important to a man making his way in life " ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
How many comical mishaps does Tristram have that shape his early life?
[ "four", "Four" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Which character is described as gentle, uncomplicated and lover of his fellow man?
[ "Uncle Toby", "Uncle Toby" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
In what volume does Tristram reveal his birth?
[ "three", "Volume III" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What circumstances led to Tristram having an accidental circumsion as a toddler ?
[ "Susannah let a window sash fall as Tristram was urinating out the window because his chamberpot was missing.", "A window fell on him." ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
At the moment of Tristram's procreation what question does his mother ask his father?
[ "If he remembered to wind the clock", "if he remembered to wind the clock" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
One of the jokes of the Novel is that Tristram can not?
[ "Explain anything simple.", "cannot explain anything simply" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Why does Tristram make explanatory diversions?
[ "To add color and context to his stories.", "to add context and colour to his tale" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Which two characters have opposite temperaments?
[ "Uncle Toby and Walter.", "Tristram and Uncle Toby" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
How many comical mishaps shaped Tristram's life?
[ "Four.", "four" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What is the name of the country that Tristram travels through?
[ "France", "France and Italy" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What was disturbed when Tristram's mother asked his father if he remembered to wind the clock?
[ "Tristram's implantation in his mother's womb.", "mother's womb" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What did Walter say is important for a man making his way in life?
[ "A large and attractive nose.", "nose" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What happened with Dr. Slops forceps?
[ "They crushed Tristram's nose.", "he crushed Tristram's nose" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What did Tristram's father originally want to name his son?
[ "Trismegistus.", "Trismegistus" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Who incorrectly conveyed the name to the curate?
[ "Susannah.", "susannah" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What happened when Susannah accidentally dropped the window while Tristram was urinating?
[ "An accidental circumcision.", "he was circumcised" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Who is the narrator of the story?
[ "Tristram Shandy", "Tristam's" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
At the moment of procreation, what did Tristram's mother ask his father?
[ "If he had remembered to wind the clock.", "If he wound the clock." ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
When was Tristram's nose injured?
[ "At birth", "when he was born" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What injured Tristram's nose?
[ "Dr. Slop's foreceps", "dr. slop's forceps" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
What did Tristram's father want to name him?
[ "Trismegistus", "Trismegestus" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Why did Tristram urinate out of the window?
[ "His chamberpot was missing.", "His chamberpot is missing." ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Why did Tristram's father believe a man should have a prominent nose?
[ "In order for a man to make his way in life", "he believed it was important to a man for making his way in life" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
In the story, what was the parson's name?
[ "Yorick", "Yorick" ]
[ "As its title suggests, the book is ostensibly Tristram's narration of his life story. But it is one of the central jokes of the novel that he cannot explain anything simply, that he must make explanatory diversions to add context and colour to his tale, to the extent that Tristram's own birth is not even reached until Volume III.\nConsequently, apart from Tristram as narrator, the most familiar and important characters in the book are his father Walter, his mother, his Uncle Toby, Toby's servant Trim, and a supporting cast of popular minor characters, including the chambermaid, Susannah, Doctor Slop, and the parson, Yorick, who later became Sterne's favourite nom de plume and a very successful publicity stunt. Yorick is also the protagonist of Sterne's second work of fiction A Sentimental Journey Through France and Italy.", "Most of the action is concerned with domestic upsets or misunderstandings, which find humour in the opposing temperaments of Walter—splenetic, rational, and somewhat sarcastic—and Uncle Toby, who is gentle, uncomplicated, and a lover of his fellow man.\nIn between such events, Tristram as narrator finds himself discoursing at length on sexual practices, insults, the influence of one's name, and noses, as well as explorations of obstetrics, siege warfare, and philosophy as he struggles to marshal his material and finish the story of his life.", "Though Tristram is always present as narrator and commentator, the book contains little of his life, only the story of a trip through France and accounts of the four comical mishaps which shaped the course of his life from an early age. Firstly, while still only a homunculus, Tristram's implantation within his mother's womb was disturbed. At the very moment of procreation, his mother asked his father if he had remembered to wind the clock. The distraction and annoyance led to the disruption of the proper balance of humours necessary to conceive a well-favoured child. Secondly, one of his father's pet theories was that a large and attractive nose was important to a man making his way in life. In a difficult birth, Tristram's nose was crushed by Dr. Slop's forceps. Thirdly, another of his father's theories was that a person's name exerted enormous influence over that person's nature and fortunes, with the worst possible name being Tristram. In view of the previous accidents, Tristram's", "father decreed that the boy would receive an especially auspicious name, Trismegistus. Susannah mangled the name in conveying it to the curate, and the child was christened Tristram. According to his father's theory, his name, being a conflation of \"Trismegistus\" (after the esoteric mystic Hermes Trismegistus) and \"Tristan\" (whose connotation bore the influence through folk etymology of Latin tristis, \"sorrowful\"), doomed him to a life of woe and cursed him with the inability to comprehend the causes of his misfortune.", "Finally, as a toddler, Tristram suffered an accidental circumcision when Susannah let a window sash fall as he urinated out of the window because his chamberpot was missing." ]
Who is Beverly married to?
[ "Violet", "Violet" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What disease is Violet suffering from?
[ "Oral Cancer", "Cancer" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is Violet addicted to?
[ "Narcotics", "Pills" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Who does Beverly hire to be a cook and caretaker for Violet?
[ "Johnna", "Johnna" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What ethnicity is Johnna?
[ "She is Native American", "native American" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Who is Violet's only daughter that lives in the area?
[ "Ivy", "Ivy" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
How old is Barbara's daughter?
[ "Fourteen years old", "fourteen" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
How many days pass before the Sherriff informs the family about Beverly's death?
[ "Five days", "five days" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Why can't Ivy have children?
[ "Because she had a hysterectomy", "She had a hysterectomy " ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is the true reason that Charles and Ivy cannot be together?
[ "Because they are siblings", "Because they are related" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Where is Osage County located?
[ "Oklahoma.", "Oklahoma " ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is Beverly Weston's profession?
[ "He is a poet.", "She's a poet" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is Johnna's ethnicity?
[ "She is a native American.", "Native american" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Who is Mattie Fae?
[ "Violet's sister.", "Violet's sister" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
How many daughters do Violet and Beverly Weston have?
[ "Three.", "3" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is the name of Violet and Beverly's oldest daughter?
[ "Barbara.", "Barbara" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Where does Barbara live?
[ "Colorado.", "Pawhuska, Oklahoma" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What gift did Violet wnat when she was a teenager?
[ "A pair of cowboy boots.", "cowgirl boots" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What song does Little Charles sing to Ivy?
[ "One he wrote for her.", "A song he has written for her" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
How does Beverly die?
[ "He drowns in the lake.", "he drowned" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Who is Violet's middle daughter?
[ "Ivy", "Ivy" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Why shouldn't Ivy be able to wed Little Charles?
[ "He is her half brother", " He is her younger half-brother" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Where does Little Charles plan to move?
[ "New York", "NY" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is the name of the young native american woman that Beverly hires?
[ "Johnna", "Johnna" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What kind of cancer is Violet suffering from?
[ "Mouth cancer", "oral cancer" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Who does Little Charles write a song for?
[ "Ivy", "Ivy" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Why did Little Charles miss Beverly's funeral?
[ "He overslept", "He overslept" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
How did Beverly Weston die?
[ "He drowned", "She drowned" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
Which of Violet's daughters inherited her mean streak?
[ "Barbara", "Barbara" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What is Barbara and Bill's daughter's name?
[ "Jean", "Jean" ]
[ "The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet's middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother's mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.", "After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancĂŠ. Mattie Fae and Charles's shy, awkward son \"Little Charles\" (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, Little Charles, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.", "The family sits down to dinner after the funeral, fueled by Violet's brutal \"truth telling\", which results in Barbara pouncing on her mother. She decides she has had enough of her mother's drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.\nAs Little Charles sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles's patience with his wife's lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and \"Little Charles\" cannot be together.", "That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.\nLater, Ivy tries to tell her mother about her love for Little Charles. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple's joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart. Violet is left with only Johnna.", "Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver." ]
What gets jammed in the printer?
[ "A fly", "A fly" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Who accidentally dies during the interrogation?
[ "Archibald Buttle", "Archibald Buttle" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Who was Archibald Tuttle?
[ "A suspected terrorist", "a suspected terrorist and air conditioning specialist" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Who does Jill Layton resemble?
[ "The woman from Sam's dreams", "the woman from Sam's recurring dreams" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why does Jill hold back in telling Sam crucial details?
[ "In fear that the government will track her down", "She's afraid the government will track her down" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why does Sam wish to be transferred to Information Retrieval?
[ "So he can access Jill's classified records", "to learn about Jill" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Who is Ida obsessed with?
[ "Dr. Jaffe", "Dr. Jaffe" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
What was Sam charged with?
[ "Treason", "treason" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Who is driving the trailer?
[ "Jill", "Jill" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
What song is Sam singing?
[ "Brazil", "\"Brazil\"" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why did Archibald Tuttle quit his job at Central Services?
[ "Tuttle disliked the paper work involved.", "he didn't like the tedious and repetative paperwork" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why does Sam accept the promotion to Information Retrieval that he previously turned down?
[ "To obtain and read Jill's records", "To get information about Jill" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why do Jack and Mr. Helpmann decide not to torture Sam?
[ "They realize he has become lost in delusions.", "The torture is interrupted by an attack from the resistance." ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
What type of medical procedures is Sam's mother obsessed with?
[ "Cosmetic surgery", "cosmetic surgery" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
Why is Sam surprised by Jill's appearance?
[ "She looks like the woman from his recurring daydreams.", "she resembles the woman from his recurring dreams" ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]
How does Jill die?
[ "She is killed resisting arrest.", "She is killed whie resisting arrest." ]
[ "Sam Lowry (Jonathan Pryce) is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton (Kim Greist), and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest to a government which would rather dispose of all evidence and witnesses than admit its error. Sam approaches Jill, but she avoids giving him full details, worried the government", "will track her down.", "During this time, Sam comes in contact with Tuttle (Robert De Niro), who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor (Bob Hoskins) and Dowser (Derrick O'Connor), who later return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida (Katherine Helmond), who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe (Jim Broadbent). Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann (Peter Vaughan) at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit.", "The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room (the interior of a power station cooling tower), to be tortured by his old friend, Jack Lint (Michael Palin). Sam learns that Jill was killed while resisting arrest.", "When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this \"happy ending\" is a product of Sam's delusions: he is still strapped to the chair. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the", "chair, smiling and singing \"Brazil\"." ]