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What name does Rosaura give herself when she goes to Court?
|
[
"Astraea.",
"The name Astraea."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What may Rousara possibly be representing?
|
[
"The return of a Golden Age.",
"Return of the Golden Age"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What is Astraea goddess of?
|
[
"Chastity and justice.",
"Chastity and jusitce"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
When was the return of a Golden Age that Rousara may be representing?
|
[
"During the reign of Segismundo.",
"During the reign of Segismundo."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What was representing King Phillip IV of Spain?
|
[
"The return of a Golden Age during Segismundo.",
"Segismundo."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
When does Rosaura give herself a different name?
|
[
"When she goes to Court.",
"Whenever she goes to court."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Who was the last immortal to leave Earth?
|
[
"Astraea.",
"Astraea "
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Which land is the King from who is being represented under the return of a Golden Age during Segismundo?
|
[
"Spain.",
"Spain."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Who rides the hippogriff?
|
[
"Rosaura.",
"Astolfo"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What does Astraea's return signify?
|
[
"The return of the Golden Ages.",
"The return of the Golden Age."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What do Menendez y Pelayo compare the Rosaura subplot to?
|
[
"A parasitical vine",
"Exotic plot"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What animal does Rosaura fall off during her first appearance?
|
[
"A horse/hippogriff",
"Horse"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What name does Rosauras take on at court?
|
[
"Astraea",
"Astraea"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Who was the last immortal to leave earth with the decline of ages?
|
[
"Astraea",
"Astraea "
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What signals the return of the mythical Golden Age?
|
[
"The arrival of Astraea",
"The return to Earth of Astraea"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What character in Ariosto's Orlando furioso is Rosaura compared to?
|
[
"Astolfo",
"Astolfo"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What character decieves Rosaura?
|
[
"Astolfo",
"Astolfo"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What is Astraea the goddess of?
|
[
"Chastity and justice",
"Chastity and Justice"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Whose actions is Rosaura said to parallel?
|
[
"Segismundo",
"Segismundo"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What real life person is the character of Segismundo said to represent?
|
[
"King Philip IV of Spain",
"King Philip IV of Spain."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
When Rosaura first appears she falls from what animal?
|
[
"Horse/hippogriff",
"horse/hippogriff"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Astolfo witnesses a prophecy of what?
|
[
"The return of the Golden Age.",
"The mythical Golden Age"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What alias does Rosaura assume when she goes to court?
|
[
"Astraea ",
"Astrea"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Astraea is the goddess of what?
|
[
"Chastity and justice",
"Chastity and justice."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Which immortal was the last to leave earth?
|
[
"Astraea",
"Astraea"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Rosaura guides who to the final conversion?
|
[
"Segismudo",
"segismundo"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
What character deceives Rosaura?
|
[
"Astolfo",
"Astolfo."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
The return of what god signals the return of the Golden Age?
|
[
"Astraea",
"Astraea"
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
This story takes place in the reign of what?
|
[
"Reign of Segismundo",
"Segismundo."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
Who is Segismundo a representation of?
|
[
"King Philip IV of Spain.",
"He represents King Philip IV of Spain."
] |
[
"The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. MenĂŠndez y Pelayo saw it as a strange and exotic plot, like a parasitical vine. Rosaura has also been dismissed as the simple stock character of the jilted woman. With the British School of Calderonistas, this attitude changed. A. E. Sloman explained how the main and secondary actions are linked. Others like E. M. Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion. For some Rosaura must be studied as part of a Platonic ascent on the part of the Prince. Others compare her first appearance, falling from a horse/hippogriff to the plot of Ariosto's Orlando furioso where Astolfo (the name of the character who deceives Rosaura in our play), also rides the hippogriff and witnesses a prophecy of the return of the mythical Golden Age. For Frederick de Armas,",
"Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea, the goddess of chastity and justice. Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura (an anagram of auroras, \"dawns\") could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain."
] |
In what room does Dalton hear noises and sees a door open by iteself?
|
[
"the attic",
"the attic"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What happens to Dalton the day after he enters the attic?
|
[
"He falls into a coma",
"He falls into a coma"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Where had Dalton traveled to and gotten lost?
|
[
"the Further",
"An astral plane."
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who else entered the Further?
|
[
"Josh",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who had been possessed before?
|
[
"Josh",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who haunted Josh as a child?
|
[
"an old woman",
"The old woman"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What did Elise notice about Josh that made her think something was wrong?
|
[
"his hands looked old and dirty",
"old hands"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What did Elise do that sent Josh into a rage?
|
[
"She took a picture of him",
"took his picture"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What does Renai find after she discovers Elise's body?
|
[
"the camera",
"The picture"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who surprises Renai at the end?
|
[
"Josh",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What is the realm where Dalton is trapped called?
|
[
"The Further",
"Further"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who is thought to be in a coma at the beginning?
|
[
"Dalton",
"Dalton"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who did Dalton inherit the ability to astral project from?
|
[
"Josh",
"Josh. "
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What does the demon say it wants when asked by Lorraine in her dream?
|
[
"Dalton",
"Dalton"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What is color of the door that Josh has to go through when projected in his old home looking for Dalton?
|
[
"Red",
"Red. "
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
How does Lorraine know Elise?
|
[
"She helped Josh when he was possessed as a child.",
"Lorraine hired Elise on as a demonologist. "
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What color is the demon's face in Dalton's drawings?
|
[
"Red",
"Red"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who murders Elise?
|
[
"A possessed Josh.",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Where in Dalton's room does Elise notice the demon?
|
[
"On the ceiling.",
"on the ceiling"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who falls from a ladder?
|
[
"Dalton",
"Dalton"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What does Renai find on Dalton's bed?
|
[
"A bloody handprint",
"bloody hand print"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Where did Dalton become lost?
|
[
"The Further",
"The Further"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who strangles Elise to death?
|
[
"Josh",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What happens to Dalton after he falls off the ladder?
|
[
"He goes into a coma",
"He sees a figure in the shadows."
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who was possessed by an old woman?
|
[
"Josh",
"Josh"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What did Dalton inherit from Josh?
|
[
"The ability to astral project",
"Astral Projection"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who sees something on the ceiling in Dalton's room?
|
[
"Elise",
"Elise. "
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who is Josh married to?
|
[
"Renai",
"Renai"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
Who is Josh's mother?
|
[
"Lorraine",
"Lorraine"
] |
[
"A married couple Josh (Patrick Wilson) and Renai (Rose Byrne), their sons Dalton (Ty Simpkins) and Foster (Andrew Astor), and infant daughter Cali have recently moved into a new home. One night, Dalton is drawn to the attic when he hears creaking noises and sees the door open by itself. He falls from a ladder while investigating and sees a figure in the shadows. Hearing his terrified screams, Renai and Josh rush to his aid and declare the attic \"off limits\" to the children. The next day, Dalton falls into an inexplicable coma.",
"After three months of treatment without result, Renai and Josh are allowed to take Dalton home. Soon after, paranormal activity begins to occur; Renai begins hearing voices over the baby monitor when no one is in Cali's room, Foster says that Dalton sleepwalks at night, Renai sees a frightening figure of a man in Cali's room, who vanishes when Josh comes and the burglar alarm is repeatedly triggered for no reason with the front door open. After Renai finds a bloody hand print on Dalton's bed, she questions Josh about the house, but he ignores her. That night, Renai is attacked by the figure from Cali's room, and the Lamberts decide to abandon the house and move elsewhere.",
"In the new house, Renai sees the ghost of a dancing boy who leads her to Dalton's room. Josh's mother, Lorraine (Barbara Hershey), visits them one day, and says she had a dream in which a figure in Dalton's room replies \"Dalton\" when she asks what it wants; at the same time, she sees a monstrous red-faced demon standing behind Josh and screams, while Dalton's room is ransacked and Dalton himself is found lying on the floor.\nLorraine calls demonologists Elise Reiner (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson). Upon entering, Elise senses a presence in the house and upon entering Dalton's room, she sees something on the ceiling; to which Specs draws the demonic, red-faced figure Lorraine saw.",
"Elise explains that Dalton is not in a coma; he was born with the ability to travel mentally to the astral plane. He has traveled too far and become lost in a purgatory realm called \"The Further\", a place inhabited by the tortured souls of the dead. Without his mental presence, Dalton's body appears comatose and spirits can use it to enter the physical world. Josh is skeptical until he realizes that all of Dalton's drawings are of the demonic entity drawn by Specs.",
"Elise performs a seance to communicate with Dalton, but they contact the demon who threatens them before using Dalton's body to attack them until it is stopped by Elise. She reveals that her acquaintance with Lorraine is decades old, because she previously performed the same service on Josh when he was eight years old (he was terrorized by the parasitic spirit of an old woman). Josh also possesses the ability to astral project, and Dalton inherited this trait from him. Elise tells Josh that the only way to rescue Dalton is to go into the Further.",
"Elise puts Josh in a trance and he is able to project himself to their previous house. He goes to the attic and finds a red door, but is attacked by the mysterious figure that attacked Renai. After defeating him, Josh enters the Demon's lair, where Josh finds Dalton chained to the floor. After a tearful reunion, Josh frees him, but they are caught by the demon. Josh tries to fight it, but they are forced to flee with the demon in pursuit. Returning through the red door, Josh confronts the old woman that haunted him as a child. The old woman dissolves into darkness after Josh shouts at it to leave him alone. When Josh and Dalton return to their bodies they wake up in their new home and the spirits seem to disappear.",
"As they celebrate the apparent end of their ordeal, Elise starts packing her equipment with Josh, when she senses that something is wrong (she notices Josh's hands look old and dirty, similar to the old woman's), and proceeds to take a photo of Josh. Josh goes into a violent rage, as he doesn't like to have his picture taken and strangles Elise to death. Renai is horrified when she discovers Elise's dead body and searches for Josh to inform him of her sudden death. Renai picks up the camera and sees that the image Elise took of Josh is the old woman that haunted him as a child, implying that Josh has been possessed. Josh suddenly puts his hand on her shoulder, and she turns around and gasps."
] |
What is the "City of Joy"?
|
[
"It is a slum area populated with lepers and poor people.",
"A slum full of lepers and poor people"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What does Hasari Pal do for a living before moving to Calcutta?
|
[
"He is a rural farmer.",
"He was a farmer"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Why does Hasari Pal move his family to Calcutta?
|
[
"They are in search of a better life.",
"In search of a better life. "
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who is Max Lowe?
|
[
"He is a doctor from Houston, Texas.",
"A doctor from the US"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Why does Max Lowe come to Calcutta?
|
[
"He is in search of spiritual enlightenment after losing a patient in Houston.",
"He is in search of spiritual enlightenment after losing a patient."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What misfortune does Max Lowe encounter upon arriving in Calcutta?
|
[
"He is tricked by a prostitute, beaten, robbed, and left in the street bleeding.",
"He was robbed, beating and left on the street with no documents"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who comes to the rescue of Max Lowe?
|
[
"Hasari Pal takes him to the \"City of Joy\".",
"Hasari Pal."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Why doesn't Max want to spend time in the "City of Joy" neighborhood?
|
[
"He is afraid that he will get too attached to the people there.",
"He fears being too emotionally attached to its residents."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who convinced Max to stay and that he is needed by the people pf the neighborhood?
|
[
"The Irish woman who runs the local clinic.",
"A strong-willed Irish woman played by Pauline Collins."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What begins to give the depressed doctor Max Lowe new hope in life?
|
[
"He sees people who are much worse off that he is living their lives with hope for the future.",
"Befriending the slum-dwellers whose lives are much worse than his."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Where does Pal move with his family to find a better life?
|
[
"Calcutta",
"Calcutta."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What happens to the Pals after they are cheated out of their rent money?
|
[
"They are thrown into the street.",
"They are thrown out on the streets. "
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is Max Lowe's professed?
|
[
"doctor",
"Doctor"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is Lowe searching for when he arrives in Calcutta?
|
[
"spiritual enlightenment",
"Spiritual enlightenment."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who tricks Lowe which results in him being beaten?
|
[
"a young prostitute",
"A prostitute"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who comes to help Lowe?
|
[
"Hasari Pal",
"Hasari Pal."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is the slum area called that is populated with lepers and poor people?
|
[
"City of Joy",
"City of Joy"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
An Irish woman convinces Lowe to do what?
|
[
"run the local clinic",
"Help his new-found friends. "
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Why doesn't Lowe want to become too involved with the people in the slum?
|
[
"He doesn't want to become too emotionally attached.",
"He doesn't want to be emotionally attached to the slum people."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
How many children does Hasari Pal have?
|
[
"three",
"Three."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What was Hasari Pal's occupation before he moved to Calcutta?
|
[
"Farmer",
"A farmer."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is the "City of Joy" neighborhood like?
|
[
"A slum with poor people",
"It is a slum filled with poor people and lepers."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is the Irish woman's occupation?
|
[
"She runs a clinic.",
"She runs the local clinic."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
How many children does Hasari Pal have at the beginning of the story?
|
[
"Three",
"Three."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What is Max Lowe's occupation?
|
[
"Doctor",
"A doctor."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Where was Max Lowe living before he moved to Calcutta?
|
[
"Houston",
"In Houston."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Where did the doctor work before he moved to Calcutta?
|
[
"At a hospital in Houston",
"In a Houston hospital. "
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
What part of the city do the Pals' end up settling in?
|
[
"The \"City of Joy\" neighborhood, the slums",
"Poor part of the city."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who tricks Max after he first arrives in Calcutta?
|
[
"A prostitute",
"A prostitute"
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
Who takes Max to the City of Joy?
|
[
"Hasari Pal",
"Hasari Pal."
] |
[
"Hasari Pal (Om Puri) is a rural farmer who moves to Calcutta with his wife (Shabana Azmi) and three children in search of a better life. The Pals do not get off to a very good start: They are cheated out of their rent money and thrown out on the streets, and it's difficult for Hasari to find a job to support them. But the determined family refuses to give up and eventually finds its place in the poverty-stricken city.\nMeanwhile, on the other end of Calcutta, Max Lowe (Patrick Swayze), a doctor disillusioned by an easy job in a Houston hospital, has arrived in search of spiritual enlightenment after the loss of a patient there. However, he encounters misfortune as soon as he arrives. After being tricked by a young prostitute, he is roughed up by thugs and left bleeding in the street without his documents and valuable possessions.",
"Hasari comes to Max's aid and takes the injured doctor to the \"City of Joy,\" a slum area populated with lepers and poor people that becomes the Pals' new home and the American's home away from home. Max spends a lot of time in the neighborhood, but he does not want to become too involved with the residents because he is afraid of becoming emotionally attached to them. He soon, however, is coaxed into helping his new-found friends by a strong-willed Irish woman (Pauline Collins), who runs the local clinic.\nEventually, Max begins to fit in with his fellow slum-dwellers and become more optimistic. There are many around him whose lives are much worse, but they look on each day with a hope that gives new strength to the depressed doctor."
] |
On the first day of class why are they surprised by Professor Keating?
|
[
"He has an unorthodox teaching method",
"His teaching style was different"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
Who notices the teaching habits of Professor Keating?
|
[
"Headmaster Nolan",
"The headmaster and the kids"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
Who restarts the Dead Poet Society?
|
[
"Neil ",
"Neil Perry"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
What does Neil's father want him to do?
|
[
"Go to medical school",
"go to medical school"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
When Charlie publishes an article in the school newspaper under the Dead Poet Society, what are his demands?
|
[
"Girls to be allowed to attend the school.",
"That girls be allowed to attend Welton Academy."
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
What does Nolan use to try and get Charlie to reveal who else is in the Dead Poet Society?
|
[
"Corporal punishment",
"corporal punishment"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
What happens when Neil's father takes him home after the play and says he's enrolling him in military school?
|
[
"He commits suicide",
"He commits suicide."
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
Who does Richard blame for Neil's death?
|
[
"Professor Keating",
"keating"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
Why does Charlie get expelled?
|
[
"for punching Richard",
"punches richard"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
What does the class do to honor Keating when he comes to collect his things?
|
[
"Stands on their desks and salutes him with \"Oh Captain, my captain.",
"salutes him saying \"o captain! my captain!\""
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
Where does the story take place?
|
[
"Welton Academy, an all male boarding school.",
"Welton Academy"
] |
[
"In the autumn of 1959, shy Todd Anderson begins his senior high school at Welton Academy, an all-male, elite prep boarding school. He is assigned one of Welton's most promising students, Neil Perry, as his roommate and is quickly accepted by Neil's friends: romantic Knox Overstreet, overachiever Richard Cameron, best friends Steven Meeks and Gerard Pitts, and mischievous beatnik Charlie Dalton.",
"On the first day of classes, they are surprised by the unorthodox teaching methods of new English teacher John Keating, a Welton alumnus who encourages his students to \"make your lives extraordinary\", a sentiment he summarizes with the Latin expression carpe diem (\"seize the day\"). Subsequent lessons include having them take turns standing on his desk to teach the boys how they must look at life in a different way, telling them to rip out the introduction of their poetry books which explains a mathematical formula used for rating poetry, and inviting them to make up their own style of walking in a courtyard to encourage them to be individuals. His methods attract the attention of strict headmaster Gale Nolan.",
"Upon learning that Keating was a member of the unsanctioned Dead Poets Society while he was at Welton, Neil restarts the club and he and his friends sneak off campus to a cave where they read poetry and verse, including their own compositions. As the school year progresses, Keating's lessons and their involvement with the club encourage them to live their lives on their own terms. Knox pursues Chris Noel, a girl who is dating a football player and whose family is friends with his. Neil discovers his love of acting and gets the lead in a local production of A Midsummer Night's Dream, despite the fact that his domineering father wants him to go to medical school. Keating helps Todd come out of his shell and realize his potential when he takes him through an exercise in self-expression, resulting in his composing a poem spontaneously in front of the class.",
"Charlie publishes an article in the school newspaper in the name of the Dead Poets Society demanding that girls be admitted to Welton. Nolan uses corporal punishment to coerce Charlie into revealing who else is in the Dead Poets Society, but he resists. Nolan also speaks with Keating, warning him that he should discourage his students from questioning authority.\nNeil's father discovers Neil's involvement in the play and tells him to quit on the eve of the opening performance. Devastated, Neil goes to Keating, who advises him to stand his ground and prove to his father that his love of acting is something he takes seriously. Neil's father unexpectedly shows up at the performance. He takes Neil home and tells him he is forcing him into military school. Unable to find the courage to stand up to his father, a distraught Neil commits suicide.",
"Nolan investigates Neil's death at the request of the Perry family. Richard blames Neil's death on Keating to escape punishment for his own participation in the Dead Poets Society, and names the other members. Confronted by Charlie, Richard urges the rest of them to let Keating take the fall. Charlie punches Richard and is expelled. Each of the boys is called to Nolan's office to sign a letter attesting to the truth of Richard's allegations, even though they know they are false. When Todd's turn comes, he is reluctant to sign, but does so after seeing that the others have complied.",
"Keating is fired and Nolan takes over teaching the class. Keating interrupts the class to collect personal articles; before he leaves Todd shouts that all of them were forced to sign the letter that resulted in his dismissal and that Neil's death was not his fault. Todd stands on his desk and salutes Keating with the words \"O Captain! My Captain!\". Over half the rest of the class does the same, ignoring Nolan's orders to sit down. Keating is deeply touched by their gesture and realizes his teaching has made a lasting impact. He thanks the boys and departs."
] |
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