text
stringlengths 0
75
|
---|
couldn't go. But how could she stop him? She was powerless |
against his cool mind, his disinterested words. |
"I am going away. I intended to tell you when you came home from |
Marietta." |
"You are deserting me?" |
"Don't be the neglected, dramatic wife, Scarlett. The role isn't |
becoming. I take it, then, you do not want a divorce or even a |
separation? Well, then, I'll come back often enough to keep gossip |
down." |
"Damn gossip!" she said fiercely. "It's you I want. Take me with |
you!" |
"No," he said, and there was finality in his voice. For a moment |
she was on the verge of an outburst of childish wild tears. She |
could have thrown herself on the floor, cursed and screamed and |
drummed her heels. But some remnant of pride, of common sense |
stiffened her. She thought, if I did, he'd only laugh, or just |
look at me. I mustn't bawl; I mustn't beg. I mustn't do anything |
to risk his contempt. He must respect me even--even if he doesn't |
love me. |
She lifted her chin and managed to ask quietly: |
"Where will you go?" |
There was a faint gleam of admiration in his eyes as he answered. |
"Perhaps to England--or to Paris. Perhaps to Charleston to try to |
make peace with my people." |
"But you hate them! I've heard you laugh at them so often and--" |
He shrugged. |
"I still laugh--but I've reached the end of roaming, Scarlett. I'm |
forty-five--the age when a man begins to value some of the things |
he's thrown away so lightly in youth, the clannishness of families, |
honor and security, roots that go deep-- Oh, no! I'm not recanting, |
I'm not regretting anything I've ever done. I've had a hell of a |
good time--such a hell of a good time that it's begun to pall and |
now I want something different. No, I never intend to change more |
than my spots. But I want the outer semblance of the things I used |
to know, the utter boredom of respectability--other people's |
respectability, my pet, not my own--the calm dignity life can have |
when it's lived by gentle folks, the genial grace of days that are |
gone. When I lived those days I didn't realize the slow charm of |
them--" |
Again Scarlett was back in the windy orchard of Tara and there was |
the same look in Rhett's eyes that had been in Ashley's eyes that |
day. Ashley's words were as clear in her ears as though he and not |
Rhett were speaking. Fragments of words came back to her and she |
quoted parrot-like: "A glamor to it--a perfection, a symmetry like |
Grecian art." |
Rhett said sharply: "Why did you say that? That's what I meant." |
"It was something that--that Ashley said once, about the old days." |
He shrugged and the light went out of his eyes. |
"Always Ashley," he said and was silent for a moment. |
"Scarlett, when you are forty-five, perhaps you will know what I'm |
talking about and then perhaps you, too, will be tired of imitation |
gentry and shoddy manners and cheap emotions. But I doubt it. I |
think you'll always be more attracted by glister than by gold. |
Anyway, I can't wait that long to see. And I have no desire to |
wait. It just doesn't interest me. I'm going to hunt in old towns |
and old countries where some of the old times must still linger. |
I'm that sentimental. Atlanta's too raw for me, too new." |
"Stop," she said suddenly. She had hardly heard anything he had |
said. Certainly her mind had not taken it in. But she knew she |
could no longer endure with any fortitude the sound of his voice |
when there was no love in it. |
He paused and looked at her quizzically. |
"Well, you get my meaning, don't you?" he questioned, rising to his |
feet. |
She threw out her hands to him, palms up, in the age-old gesture of |
appeal and her heart, again, was in her face. |
"No," she cried. "All I know is that you do not love me and you |
are going away! Oh, my darling, if you go, what shall I do?" |
For a moment he hesitated as if debating whether a kind lie were |
kinder in the long run than the truth. Then he shrugged. |
"Scarlett, I was never one to patiently pick up broken fragments |
and glue them together and tell myself that the mended whole was as |
good as new. What is broken is broken--and I'd rather remember it |
as it was at its best than mend it and see the broken places as |
long as I lived. Perhaps, if I were younger--" he sighed. "But |
Subsets and Splits