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Plants dont have an immune system. ||||| Plants are affected by disease just like us. | Plants have an immune system just like humans: True or False False | 1 | 13 | Science-textbook/science-g3-21.txt | false |
Plants dont have an immune system. ||||| Plants are affected by disease just like us. | How long did it take the army to scramble fighter jets 10 minutes | -1 | 13 | Science-textbook/science-g3-21.txt | false |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What can help you to have a strong immune system Exercise | 0 | 14 | Science-textbook/science-g3-21.txt | true |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What can help you to have a strong immune system Lack of sleep | 0 | 14 | Science-textbook/science-g3-21.txt | true |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What can help you to have a strong immune system Eat an apple a day | 0 | 14 | Science-textbook/science-g3-21.txt | true |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What can help you to have a strong immune system Get lots of sunlight | 0 | 14 | Science-textbook/science-g3-21.txt | true |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What can help you to have a strong immune system Eat right and get plenty of sleep | 1 | 14 | Science-textbook/science-g3-21.txt | true |
Thats why you want to eat right and get plenty of sleep. ||||| You need a strong immune system to fight off illness. | What kind of energy does a moving ball have Stored energy | -1 | 14 | Science-textbook/science-g3-21.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I Thirties | 0 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I Twenties | 1 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I Teenage | 0 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I Under 20 | 0 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I 20 | 1 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How old was Durer when he was patronized by emperor Maximilian I 41 | 0 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. | How many goals has Francesco Totti made for Roma as of Saturday 211 | -1 | 0 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties The Apocalypse Series | 1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties The Knight | 1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Death and the Devil | 1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Saint Jerome in his Study | 1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Northern Renaissance | 0 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Gothic | 0 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Maximilian I | 0 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | What was one of his revered woodcuts he made in his twenties Melencolia | 1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. | Why would the hijackers have to jam their way in The door was stuck | -1 | 1 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Raphael | 0 | 2 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | false |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Leonardo da Vinci | 0 | 2 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | false |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Albrecht Durer | 1 | 2 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | false |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Giovanni Bellini | 0 | 2 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | false |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | In the 1700's, who sent arms and ammunition, from their colonies in the Caribbean, to battle the British The Dutch | -1 | 2 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | false |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | In what town and in what year was Durer born Nuremberg, 1471 | 1 | 3 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | In what town and in what year was Durer born Italian, 1514 | 0 | 3 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | In what town and in what year was Durer born European 1498 | 0 | 3 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. | Who was Atta's final conversation with Abdul Aziz al Omari | -1 | 3 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Giovanni Bellini | 1 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Apocolypse | 0 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Leonardo da Vinci | 1 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael | 1 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael, Giovanni Bellini and Leonardo da Vinci | 1 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists Maximilian I | 0 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | Durer secured his reputation in Northern Europe by the knowledge of what specific artists European | 0 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | In what year did the Chinese inhabit Melaka Two years after Parasekwana took the money to Beijing | -1 | 4 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | How did communication with major Italian artists at the time help him later in life He was able to introduce classical motifs into his work, therefore securing him a reputation of one of the most important figures of the Northern Renaissance | 1 | 5 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | How did communication with major Italian artists at the time help him later in life Secured his reputation | 0 | 5 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | How did communication with major Italian artists at the time help him later in life He was patronized by emperor Maximilian I | 1 | 5 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | How did communication with major Italian artists at the time help him later in life Preferred technique in his later prints | 0 | 5 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. | What happens to the food and water in the large intestine Waters is released as waste and Food is absorbed | -1 | 5 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Painter | 1 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Wood cutting, engraving and watercolor | 1 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Theorist | 1 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for German humanist | 0 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Classical motifs | 0 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Northern Art | 0 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What are three mediums that he is known for Printmaker | 1 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | What types of animals did prairies contain Chickens | -1 | 6 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Books | 0 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Woodcuts | 1 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Theorist | 0 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Watercolors, woodcuts, and theoretical treatises | 1 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Engraving | 1 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Watercolours | 1 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | What three specific types of work earned Durer a good reputation Portraits | 0 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. | Were the selectees for the attack experienced in warfare/terrorism Yes | -1 | 7 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcuts | 1 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Theorist | 0 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcut prints | 1 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Portraits | 0 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Paintings | 0 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. | According to the rule added to the Federal Register, which groups who met specific qualifications would be eligible for coverage residents near the site | -1 | 8 | Wiki_articles-paragraphs-wikiAlbrecht Durer-0.txt | true |
However, he was relatively young when he died, and Ogden suggests that Alexander's matrimonial record is more impressive than his father's at the same age. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | Alexander's father had how many children when he had Alexander's age when Alexander died Less than 3 | 1 | 0 | Wiki_articles/wikiAlexander the Great-66.txt | true |
However, he was relatively young when he died, and Ogden suggests that Alexander's matrimonial record is more impressive than his father's at the same age. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | Alexander's father had how many children when he had Alexander's age when Alexander died Two | 0 | 0 | Wiki_articles/wikiAlexander the Great-66.txt | true |
However, he was relatively young when he died, and Ogden suggests that Alexander's matrimonial record is more impressive than his father's at the same age. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | Alexander's father had how many children when he had Alexander's age when Alexander died 3 | 0 | 0 | Wiki_articles/wikiAlexander the Great-66.txt | true |
However, he was relatively young when he died, and Ogden suggests that Alexander's matrimonial record is more impressive than his father's at the same age. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | What happens to a plant when it goes dormant in order to survive The plant suspends growth | -1 | 0 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Did Alexander marry the mother of Heracles of Macedon Alexander married twice | 0 | 1 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Did Alexander marry the mother of Heracles of Macedon No, she was his mistress | 1 | 1 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Did Alexander marry the mother of Heracles of Macedon President | 0 | 1 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Did Alexander marry the mother of Heracles of Macedon Not clear | 0 | 1 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Whose daughter has a plan to prevent her execution Grand Vizier | -1 | 1 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | What was the event that precipitated Alexander's death Detached mental state during his final months | 0 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | What was the event that precipitated Alexander's death Alexander's failing health | 0 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | What was the event that precipitated Alexander's death Hephaestion's death | 1 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | What was the event that precipitated Alexander's death Hephaestion's death devastated Alexander | 1 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | What was the event that precipitated Alexander's death He apparently had two sons | 0 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months. | The crew module is nestled between which two systems or modules LAS and SM | -1 | 2 | Wiki_articles/wikiAlexander the Great-66.txt | true |
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | How many time Roxana was pregnant form Alexander Twice | 1 | 3 | Wiki_articles/wikiAlexander the Great-66.txt | false |
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | How many time Roxana was pregnant form Alexander Two times | 1 | 3 | Wiki_articles/wikiAlexander the Great-66.txt | false |
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | How many time Roxana was pregnant form Alexander Once | 0 | 3 | Wiki_articles/wikiAlexander the Great-66.txt | false |
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | How many time Roxana was pregnant form Alexander Many times | 0 | 3 | Wiki_articles/wikiAlexander the Great-66.txt | false |
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon. | What does Julie Gillis want to do Have children by 22 | -1 | 3 | Wiki_articles/wikiAlexander the Great-66.txt | false |
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | In what part of Alexander's life that Heracles of Macedon was born A relatively young | 0 | 4 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | In what part of Alexander's life that Heracles of Macedon was born Alexander's sexuality has been the subject of speculation and controversy | 0 | 4 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | In what part of Alexander's life that Heracles of Macedon was born Heracles of Macedon was born from his mistress Barsine | 1 | 4 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | How many years was Einstein affiliated with the Institute for Advanced Study 20 years | -1 | 4 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Were Alexander's sons born of his wives No | 0 | 5 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Were Alexander's sons born of his wives Yes, Alexander IV of Macedon of Roxana | 1 | 5 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. | Alta Verapaz is in which country Guatemala | -1 | 5 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander. | Why did Hephaestion's death devastate Alexander Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion | 1 | 6 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander. | Why did Hephaestion's death devastate Alexander He lost another child when Roxana miscarried at Babylon | 0 | 6 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander. | Why did Hephaestion's death devastate Alexander He was close with him and they were friends | 1 | 6 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander. | Why did Hephaestion's death devastate Alexander Alexander's sexuality has been the subject of speculation and controversy | 0 | 6 | Wiki_articles/wikiAlexander the Great-66.txt | true |
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander. | Following Ressam's arrest, which type of wiretap requests were being requested NSC wiretaps | -1 | 6 | Wiki_articles/wikiAlexander the Great-66.txt | true |
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