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suspense , intriguing characters and bizarre bank robberies ,
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a gritty police thriller with all the dysfunctional family dynamics one could wish for
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with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life
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nonetheless appreciates the art and reveals a music scene that transcends culture and race .
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do we really need the tiger beat version ?
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the disadvantage of also looking cheap
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churn out one mediocre movie after another
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once folks started hanging out at the barbershop , they never wanted to leave .
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this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
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cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names
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sexual and romantic
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what begins brightly
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then just fell apart
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despite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing .
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every top-notch british actor
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is awful .
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a deft sense of humor about itself , a playful spirit and a game cast
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will nevertheless find moving
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great
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like `` horrible '' and `` terrible
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provide an intense experience
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is off-putting
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gets bogged down over 140 minutes .
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, this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .
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a pack of dogs who are smarter than him
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this is a very funny , heartwarming film .
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with such provocative material
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this film biggest problem ?
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with all the dysfunctional family dynamics one could wish for
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stylish and
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it 's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay .
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measured against practically any like-themed film other than its oscar-sweeping franchise predecessor
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are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent
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it plainly has no business going
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a larger-than-life figure ,
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is truly gorgeous to behold
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devos and cassel have tremendous chemistry --
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the most affecting depictions of a love affair
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stereotypical caretakers
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be surprised at the variety of tones in spielberg 's work
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made eddie murphy a movie star and the man has n't aged a day .
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yet permits laughter
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marked by acute writing and a host of splendid performances .
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some serious suspense
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waster '
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an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller
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salton sea surprisingly engrossing
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no place for this story to go but down
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can open the door to liberation .
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are credited with the cliché-laden screenplay
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another best of the year selection .
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flat ,
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exceptional lead performances
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positive impression
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much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
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that heralds something special
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muddled , simplistic and more than a little pretentious .
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dreamy
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the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination
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the qualities
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than losers
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comedy that takes an astonishingly condescending attitude toward women
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flashy , overlong soap
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get the impression that writer and director burr steers knows the territory
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's good to see michael caine whipping out the dirty words and punching people in the stomach again .
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sweetheart
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by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act
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it still works .
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some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude
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a well paced and satisfying little drama
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begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents
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loves
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, dopey old
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because it was so endlessly , grotesquely , inventive
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wrenching performances
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kids , spirit
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the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears
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escapes the precious trappings of most romantic comedies , infusing into the story very real
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trouble every day is a success in some sense , but it 's hard to like a film so cold and dead
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quickly becomes a tiresome cliché
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unlike so many other hollywood movies of its ilk
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a perceptive , good-natured movie
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keep the movie slaloming through its hackneyed elements with enjoyable ease
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be completely forgettable
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it 's nice to see piscopo again after all these years
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low-brow humor , gratuitous violence
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the best of a growing strain of daring films
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gripping portrait
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it 's actually watchable
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an ebullient tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing .
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a bland animated sequel
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his films
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a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and
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festival
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trouble every day is a plodding mess .
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to be consumed and forgotten
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, the screenplay by billy ray and terry george leaves something to be desired .
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its one-sidedness
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, thought-provoking film
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uneven film
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