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you can smell the grease on the plot
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such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and
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human impulses that grew hideously twisted
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still fun and enjoyable
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this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged
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a completely spooky piece of business that gets under your skin and , some plot blips aside ,
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often overwritten
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to please audiences who like movies that demand four hankies
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nearly impossible
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down-to-earth bullock
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is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
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proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film
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one-hour mark
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the first bond movie in ages that is n't fake fun
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not constant bloodshed
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offers no new insight on the matter
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you can take the grandkids or the grandparents and never worry about anyone being bored
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overwhelmingly
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spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick
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tastelessness and gall
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bad action-movie line
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grows
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as it does because ( the leads ) are such a companionable couple
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contrived , unmotivated , and psychologically unpersuasive
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the film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-oscar kind of way
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any true emotional connection or identification frustratingly
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caliber
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balanced film
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of run-of-the-mill profanity
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feel like three hours .
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excites the imagination and tickles the funny bone
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is built on a potentially interesting idea
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is confusing on one level or another , making ararat far more demanding than it needs to be
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laughably
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been kind enough to share it
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of bland hotels , highways , parking lots
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with a large dose of painkillers
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liked a lot of the smaller scenes
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wastes
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continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision .
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, mind-numbingly , indescribably bad
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there 's real visual charge to the filmmaking ,
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a river of sadness that pours into every frame
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menacing
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incessantly
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bears about as much resemblance to the experiences of most battered women as spider-man does to the experiences of most teenagers .
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that you 've spent the past 20 minutes looking at your watch
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at existing photos
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helmer hudlin tries to make a hip comedy ,
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as funny nor
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gangs excels in spectacle and pacing .
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we want the funk - and this movie 's got it
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creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
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devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable .
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lacks balance
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hard pressed to succumb to the call of the wild
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revelatory nor truly edgy -- merely crassly flamboyant and comedically labored .
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tv
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an entertaining british hybrid of comedy , caper thrills and quirky romance .
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demonstrating vividly
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it 's sweet and fluffy at the time ,
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marks an encouraging new direction for la salle .
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a powerful , inflammatory film
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favor of tradition and warmth
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begins on a high note and
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has much to recommend it
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a vibrant , colorful , semimusical rendition
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a simple tale
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despicable characters
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` it 's like having an old friend for dinner ' .
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, director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours .
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this amiable picture
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that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions
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a markedly inactive film
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saves this deeply affecting film
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cold , nervy and memorable
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exercise in sham actor workshops and an affected malaise
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the gratuitous cinematic distractions
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manages to nail the spirit-crushing ennui of denuded urban living without giving in to it .
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the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic
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insanely hilarious
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does n't work because there is no foundation for it
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surprise us
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relative modesty
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coppola , along with his sister , sofia , is a real filmmaker
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remove spider-man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies .
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, if good-hearted , movie .
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makes even elizabeth hurley seem graceless and ugly .
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inhale this gutter romancer 's secondhand material
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no pastry is violated
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is very difficult
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i 'll buy the soundtrack .
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hardly an objective documentary , but it 's great cinematic polemic
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is virtually without context -- journalistic or historical
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to the genre and another first-rate performance
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an adventurous young talent
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predictable in the reassuring manner of a beautifully sung holiday carol
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intricate plot
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, this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
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to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
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