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cynicism
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take an entirely stale concept and
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, wit and interesting characters
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is an all-time low for kevin costner
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a stylish but steady , and ultimately very satisfying , piece of character-driven storytelling
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it is an interesting exercise by talented writer/director anderson
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surprising flair
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i liked it just enough .
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an uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection .
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a grand fart coming from a director beginning to resemble someone 's crazy french grandfather .
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some of the back-story is a little tired
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nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up
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huppert ... is magnificent
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puzzle whose pieces do not fit
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sorority boys , which is as bad at it is cruel ,
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-- and long -- for its own good
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of empty , fetishistic violence in which murder is casual and fun
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intrigue
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its characters ' decisions only unsatisfactorily
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is a powerful , naturally dramatic piece of low-budget filmmaking .
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perhaps it 's cliche to call the film ` refreshing
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kid-empowerment
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a fascinating , unnerving examination
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could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life .
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odoriferous thing
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brilliantly written and well-acted
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to gravity and plummets
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it 's a smart , funny look at an arcane area of popular culture , and
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joy
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is wickedly fun to watch
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the imagined glory of their own pasts
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deft
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a low-budget affair , tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction .
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does n't have a passion for the material .
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but that they are doing it is thought-provoking .
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a climax
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, scarily funny , sorrowfully sympathetic to the damage it surveys
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neil burger 's impressive fake documentary
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in looking at the comic effects of jealousy
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is tenderly observant of his characters .
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its dark , delicate treatment
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has no idea of it is serious
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brutal and
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he 's just a sad aristocrat in tattered finery ,
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it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists .
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classify as it is hard to resist
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, undisputed scores a direct hit .
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of menacing atmosphere
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painful , horrifying and oppressively tragic
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perfect for the proud warrior that still lingers in the souls of these characters
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in luminous interviews and amazingly evocative film from three decades ago
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usual bumbling , tongue-tied screen persona
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easy jokes and insults
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quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .
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a sincerely crafted picture
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what might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway point .
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long gone
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the movie is remarkably dull with only caine making much of an impression .
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is a visually stunning rumination on love , memory , history and the war between art and commerce
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an excuse to get to the closing bout ... by which time it 's impossible to care who wins
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by a script that takes few chances and manages to insult the intelligence of everyone in the audience
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about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
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soderbergh , like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit .
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spontaneity in its execution
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feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .
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spiderman rocks
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low-brow humor , gratuitous violence and
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was n't one of the film 's virtues .
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style adventure that plays like a bad soap opera , with passable performances from everyone in the cast
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stirs us as well .
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a non-britney person might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .
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your 20th outing shows off a lot of stamina and vitality , and get this , madonna 's cameo does n't suck !
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an uneven film for the most part
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, the movie sinks into an abyss of clichés , depression and bad alternative music .
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miracles
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his storytelling skills have eroded
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`` shakes the clown '' , a much funnier film with a similar theme
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, others will find their humor-seeking dollars best spent elsewhere .
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the film is just a corny examination of a young actress trying to find her way .
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, madonna is one helluva singer .
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hoary dialogue , fluxing accents , and
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will probably find it fascinating
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good ear
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undistinguished rhythm
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have no idea what in creation is going on
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fascinating but flawed look
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spend years trying to comprehend it
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is both a snore and utter tripe
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to treat its characters , weak and strong , as fallible human beings , not caricatures , and
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though it goes further than both , anyone who has seen the hunger or cat people will find little new here , but a tasty performance from vincent gallo lifts this tale of cannibal lust above the ordinary .
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the gloss
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we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground
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bitter italian comedy
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banal dialogue
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of the smarter offerings the horror genre
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it rarely stoops to cheap manipulation or corny conventions to do it
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optimism
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but in terms of its style , the movie is in a class by itself
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as a tarantula , helga
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like a high-end john hughes comedy , a kind of elder bueller 's time out
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