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3,500 | 3,500 | terrible | 0 |
3,501 | 3,501 | mib ii is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything . | 0 |
3,502 | 3,502 | 's sharply comic and surprisingly touching , so hold the gong | 1 |
3,503 | 3,503 | the best espionage picture | 1 |
3,504 | 3,504 | lan yu never catches dramatic fire . | 0 |
3,505 | 3,505 | tens of thousands of german jewish refugees | 0 |
3,506 | 3,506 | some startling , surrealistic moments | 1 |
3,507 | 3,507 | annoying rather than charming | 0 |
3,508 | 3,508 | is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right . | 1 |
3,509 | 3,509 | impeccable comic timing | 1 |
3,510 | 3,510 | do well to cram earplugs in their ears and | 0 |
3,511 | 3,511 | is paced at a speed that is slow to those of us in middle age and deathly slow to any teen | 0 |
3,512 | 3,512 | takes a stand in favor of tradition and warmth | 1 |
3,513 | 3,513 | lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck | 0 |
3,514 | 3,514 | for its excellent storytelling , its economical | 1 |
3,515 | 3,515 | is generous and deep | 1 |
3,516 | 3,516 | failed | 0 |
3,517 | 3,517 | most of what passes for sex in the movies look like cheap hysterics | 0 |
3,518 | 3,518 | it 's an experience in understanding a unique culture that is presented with universal appeal . | 1 |
3,519 | 3,519 | the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success | 1 |
3,520 | 3,520 | the year 's ( unintentionally ) funniest moments | 1 |
3,521 | 3,521 | superbly | 1 |
3,522 | 3,522 | french coming-of-age import | 1 |
3,523 | 3,523 | capable of anteing up some movie star charisma | 1 |
3,524 | 3,524 | a cute alien creature who mimics everyone and everything around | 1 |
3,525 | 3,525 | sad but | 0 |
3,526 | 3,526 | esteemed | 1 |
3,527 | 3,527 | the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed . | 0 |
3,528 | 3,528 | problematic quest | 0 |
3,529 | 3,529 | substantial or fresh | 1 |
3,530 | 3,530 | watchable by a bravura performance | 1 |
3,531 | 3,531 | labute 's careful handling makes the material seem genuine rather than pandering . | 1 |
3,532 | 3,532 | misdemeanor | 0 |
3,533 | 3,533 | , has solid acting and a neat premise | 1 |
3,534 | 3,534 | is infectious | 1 |
3,535 | 3,535 | it cooks conduct in a low , smoky and inviting sizzle . | 1 |
3,536 | 3,536 | i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks . | 1 |
3,537 | 3,537 | sad schlock merchant | 0 |
3,538 | 3,538 | its poignancy hooks us completely | 1 |
3,539 | 3,539 | less bling-bling | 0 |
3,540 | 3,540 | slickly staged | 1 |
3,541 | 3,541 | sluggish pace and lack | 0 |
3,542 | 3,542 | relies on subtle ironies and visual devices | 1 |
3,543 | 3,543 | exaggerated action | 0 |
3,544 | 3,544 | are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting | 1 |
3,545 | 3,545 | a movie to forget | 0 |
3,546 | 3,546 | 's fun , | 1 |
3,547 | 3,547 | the central flaw of the film | 0 |
3,548 | 3,548 | 's too loud | 0 |
3,549 | 3,549 | wallowing in its characters ' frustrations | 0 |
3,550 | 3,550 | the men and machines behind the curtains of our planet | 1 |
3,551 | 3,551 | a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy | 0 |
3,552 | 3,552 | makes the journey feel like a party | 1 |
3,553 | 3,553 | a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh . | 1 |
3,554 | 3,554 | truly , truly bad | 0 |
3,555 | 3,555 | on , well , love in the time of money | 1 |
3,556 | 3,556 | the story 's scope and pageantry | 1 |
3,557 | 3,557 | uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows | 1 |
3,558 | 3,558 | a quaint , romanticized rendering | 1 |
3,559 | 3,559 | be glued to the screen | 1 |
3,560 | 3,560 | warmth and | 1 |
3,561 | 3,561 | the plot has a number of holes , | 0 |
3,562 | 3,562 | a thriller without thrills and a mystery devoid | 0 |
3,563 | 3,563 | oliver stone 's conspiracy thriller jfk | 1 |
3,564 | 3,564 | clever , amusing and unpredictable | 1 |
3,565 | 3,565 | none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens | 0 |
3,566 | 3,566 | rambling incoherence | 0 |
3,567 | 3,567 | has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances | 1 |
3,568 | 3,568 | , intelligent eyes | 1 |
3,569 | 3,569 | scruffy , dopey old hanna-barbera charm | 1 |
3,570 | 3,570 | france 's most inventive directors | 1 |
3,571 | 3,571 | the ideal outlet | 1 |
3,572 | 3,572 | were convinced to waste their time | 0 |
3,573 | 3,573 | 's an adventure story and history lesson all in one . | 1 |
3,574 | 3,574 | created a masterful work of art of their own | 1 |
3,575 | 3,575 | linklater | 0 |
3,576 | 3,576 | ( green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike . | 0 |
3,577 | 3,577 | no . . | 0 |
3,578 | 3,578 | just about the best straight-up , old-school horror film of the last 15 years . | 1 |
3,579 | 3,579 | bad '' is the operative word for `` bad company | 0 |
3,580 | 3,580 | , you still have to see this ! | 1 |
3,581 | 3,581 | it stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie . | 0 |
3,582 | 3,582 | proves a servicable world war ii drama that ca n't totally hide its contrivances , but it at least calls attention to a problem hollywood too long has ignored . | 1 |
3,583 | 3,583 | get a cinematic postcard that 's superficial and unrealized | 0 |
3,584 | 3,584 | display greatness | 1 |
3,585 | 3,585 | it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity . | 1 |
3,586 | 3,586 | the gentle comic treatment | 1 |
3,587 | 3,587 | is what it is -- a nice , harmless date film ... | 1 |
3,588 | 3,588 | grounded in an undeniable social realism | 1 |
3,589 | 3,589 | feel my eyelids ... getting ... very ... heavy | 0 |
3,590 | 3,590 | , ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . ' | 0 |
3,591 | 3,591 | none of this sounds promising and | 0 |
3,592 | 3,592 | the film is well worthwhile . | 1 |
3,593 | 3,593 | patience , respect and affection | 1 |
3,594 | 3,594 | every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length | 0 |
3,595 | 3,595 | uncomfortably close to losing my lunch | 0 |
3,596 | 3,596 | to give them credit for : the message of the movie | 1 |
3,597 | 3,597 | remotely new or interesting | 0 |
3,598 | 3,598 | can hear you snore | 0 |
3,599 | 3,599 | says far less about the horrifying historical reality than about the filmmaker 's characteristic style | 0 |
Subsets and Splits