neil-code/test-data · Datasets at Hugging Face

Unnamed: 0 int64 0 5k	idx int64 0 5k	sentence stringlengths 2 255	label int64 0 1
600	600	hip hop beat	1
601	601	feel more like literary conceits than flesh-and-blood humans	0
602	602	no explanation	0
603	603	funniest and	1
604	604	a chilly , remote , emotionally distant piece ... so dull that its tagline should be	0
605	605	starts off witty and sophisticated and you	1
606	606	a bargain-basement european pickup	0
607	607	, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons	1
608	608	shines on all the characters , as the direction is intelligently accomplished	1
609	609	taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults	1
610	610	lead a group of talented friends astray	1
611	611	it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .	0
612	612	this gentle , mesmerizing portrait	1
613	613	genial is the conceit , this is one of those rare pictures that you root for throughout ,	1
614	614	draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss	1
615	615	spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )	0
616	616	is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own	0
617	617	it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .	0
618	618	handles it in the most unexpected way	1
619	619	those eternally devoted to the insanity of black will have an intermittently good time .	1
620	620	obscenely bad	0
621	621	devastatingly	0
622	622	i do n't see the point	0
623	623	comes off like a bad imitation of the bard	0
624	624	that excites the imagination and tickles the funny bone	1
625	625	one of its strengths	1
626	626	of masterpiece	1
627	627	into this dream hispanic role with a teeth-clenching gusto	1
628	628	stiff or just plain bad	0
629	629	makes these lives count	1
630	630	jolts the laughs from the audience --	1
631	631	a delightful stimulus	1
632	632	has no point	0
633	633	of isolation and frustration	0
634	634	winning shot	1
635	635	of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel	0
636	636	feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .	1
637	637	lewis	1
638	638	that there 's no other reason why anyone should bother remembering it	0
639	639	bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .	1
640	640	father cliché	0
641	641	domestic tension and unhappiness	0
642	642	the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable	0
643	643	called the best korean film of 2002	1
644	644	one of the best rock	1
645	645	it forces you to watch people doing unpleasant things to each other and themselves	1
646	646	of the holiday box office pie	1
647	647	inexpressible and drab wannabe	0
648	648	the hail of bullets , none of which ever seem to hit	0
649	649	like an extended , open-ended poem than a traditionally structured story	1
650	650	's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and	0
651	651	to hate	0
652	652	to be mesmerised	1
653	653	the people who loved the 1989 paradiso will prefer this new version	1
654	654	a lot of energy	1
655	655	for its success on a patient viewer	1
656	656	while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .	1
657	657	this may be burns 's strongest film since the brothers mcmullen .	1
658	658	turned down	0
659	659	timely , tongue-in-cheek	1
660	660	undramatic	0
661	661	the pile of useless actioners	0
662	662	morton deserves an oscar nomination .	1
663	663	weirdly engaging and unpredictable character pieces	1
664	664	efficiency and an affection for the period	1
665	665	manages to accomplish what few sequels can -- it equals the original and in some ways even betters it	1
666	666	does not work .	0
667	667	it is n't merely offensive	0
668	668	tell a story about the vietnam war before the pathology set in	1
669	669	it irrigates our souls .	1
670	670	a hint of humor	1
671	671	with a big heart	1
672	672	a rollicking adventure for you and all your mateys , regardless of their ages	1
673	673	its most immediate and most obvious pleasure	1
674	674	there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies	1
675	675	one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .	1
676	676	made a decent ` intro ' documentary	1
677	677	makes us see familiar issues , like racism and homophobia , in a fresh way .	1
678	678	the film goes right over the edge and kills every sense of believability	0
679	679	a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .	0
680	680	emotional seesawing	0
681	681	movies with the courage to go over the top and movies that do n't care about being stupid	1
682	682	target audience has n't graduated from junior high school	0
683	683	this intricately structured and well-realized drama	1
684	684	embracing	1
685	685	the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire	0
686	686	a meditation on faith and madness , frailty is blood-curdling stuff .	1
687	687	a pretty listless collection	0
688	688	other than its oscar-sweeping franchise predecessor	1
689	689	almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in	1
690	690	have been called freddy gets molested by a dog	0
691	691	moody male hustler	0
692	692	uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels	0
693	693	the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill	1
694	694	which is mostly a bore	0
695	695	an entertaining mix of period drama and flat-out farce that should please history fans	1
696	696	suspect that you 'll be as bored watching morvern callar as the characters are in it .	0
697	697	the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .	1
698	698	love this movie	1
699	699	... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .	0

600

hip hop beat

1

601

feel more like literary conceits than flesh-and-blood humans

0

602

no explanation

0

603

funniest and

1

604

a chilly , remote , emotionally distant piece ... so dull that its tagline should be

0

605

starts off witty and sophisticated and you

1

606

a bargain-basement european pickup

0

607

, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons

1

608

shines on all the characters , as the direction is intelligently accomplished

1

609

taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults

1

610

lead a group of talented friends astray

1

611

it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .

0

612

this gentle , mesmerizing portrait

1

613

genial is the conceit , this is one of those rare pictures that you root for throughout ,

1

614

draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss

1

615

spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )

0

616

is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own

0

617

it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .

0

618

handles it in the most unexpected way

1

619

those eternally devoted to the insanity of black will have an intermittently good time .

1

620

obscenely bad

0

621

devastatingly

0

622

i do n't see the point

0

623

comes off like a bad imitation of the bard

0

624

that excites the imagination and tickles the funny bone

1

625

one of its strengths

1

626

of masterpiece

1

627

into this dream hispanic role with a teeth-clenching gusto

1

628

stiff or just plain bad

0

629

makes these lives count

1

630

jolts the laughs from the audience --

1

631

a delightful stimulus

1

632

has no point

0

633

of isolation and frustration

0

634

winning shot

1

635

of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel

0

636

feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .

1

637

lewis

1

638

that there 's no other reason why anyone should bother remembering it

0

639

bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .

1

640

father cliché

0

641

domestic tension and unhappiness

0

642

the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable

0

643

called the best korean film of 2002

1

644

one of the best rock

1

645

it forces you to watch people doing unpleasant things to each other and themselves

1

646

of the holiday box office pie

1

647

inexpressible and drab wannabe

0

648

the hail of bullets , none of which ever seem to hit

0

649

like an extended , open-ended poem than a traditionally structured story

1

650

's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and

0

651

to hate

0

652

to be mesmerised

1

653

the people who loved the 1989 paradiso will prefer this new version

1

654

a lot of energy

1

655

for its success on a patient viewer

1

656

while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .

1

657

this may be burns 's strongest film since the brothers mcmullen .

1

658

turned down

0

659

timely , tongue-in-cheek

1

660

undramatic

0

661

the pile of useless actioners

0

662

morton deserves an oscar nomination .

1

663

weirdly engaging and unpredictable character pieces

1

664

efficiency and an affection for the period

1

665

manages to accomplish what few sequels can -- it equals the original and in some ways even betters it

1

666

does not work .

0

667

it is n't merely offensive

0

668

tell a story about the vietnam war before the pathology set in

1

669

it irrigates our souls .

1

670

a hint of humor

1

671

with a big heart

1

672

a rollicking adventure for you and all your mateys , regardless of their ages

1

673

its most immediate and most obvious pleasure

1

674

there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies

1

675

one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .

1

676

made a decent ` intro ' documentary

1

677

makes us see familiar issues , like racism and homophobia , in a fresh way .

1

678

the film goes right over the edge and kills every sense of believability

0

679

a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .

0

680

emotional seesawing

0

681

movies with the courage to go over the top and movies that do n't care about being stupid

1

682

target audience has n't graduated from junior high school

0

683

this intricately structured and well-realized drama

1

684

embracing

1

685

the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire

0

686

a meditation on faith and madness , frailty is blood-curdling stuff .

1

687

a pretty listless collection

0

688

other than its oscar-sweeping franchise predecessor

1

689

almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in

1

690

have been called freddy gets molested by a dog

0

691

moody male hustler

0

692

uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels

0

693

the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill

1

694

which is mostly a bore

0

695

an entertaining mix of period drama and flat-out farce that should please history fans

1

696

suspect that you 'll be as bored watching morvern callar as the characters are in it .

0

697

the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .

1

698

love this movie

1

699

... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .

0