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Macklemore
https://en.wikipedia.org/wiki/Macklemore
[ 150 ]
[ "https://en.wikipedia.org/wiki/Macklemore" ]
Benjamin Hammond Haggerty (born June 19, 1983), better known by his stage name Macklemore ( MAK-lə-mor; formerly Professor Macklemore), is an American rapper. A native of Seattle, Washington, he started his career in 2000 as an independent artist releasing: Open Your Eyes (2000), The Language of My World (2005), and The Unplanned Mixtape (2009). He rose to international success collaborating with producer Ryan Lewis as the duo Macklemore & Ryan Lewis (2009–2016). Macklemore's and Lewis's single "Thrift Shop" (featuring Wanz) reached number one on the U.S. Billboard Hot 100 in 2013. The single was dubbed by Billboard as the first song since 1994 to top the Hot 100 chart without the support of a major record label; however Macklemore, in a slightly unusual recording contract, pays a nominal percentage of sales to use Warner Bros. Records's radio promotion department to push his singles. Their second single, "Can't Hold Us", also peaked at number one on the Hot 100 chart, making Macklemore and Lewis the first duo in the chart's history to have their first two singles both reach the peak position. Their debut studio album The Heist was released on October 9, 2012, and charted at number 2 on the U.S. Billboard 200. The duo won four Grammy Awards at the 2014 ceremony, including Best New Artist, Best Rap Album (The Heist), Best Rap Song and Best Rap Performance ("Thrift Shop"). The pair's second album, This Unruly Mess I've Made, was released on February 26, 2016. In June 2017, Macklemore released "Glorious", a single featuring Skylar Grey, which marked his return to the music industry as well as his first major single produced without Lewis since his mainstream breakthrough. Macklemore released a second solo studio album, Gemini, in September of that year. On February 24, 2023, he released a follow-up album entitled Ben. Early life and influences Benjamin Hammond Haggerty was born in Seattle, Washington, on June 19, 1983, one of two sons born to Bill Haggerty and Julie Schott. He was raised with his brother Tim in Seattle's Capitol Hill neighborhood. He has Irish heritage and was raised Catholic. Haggerty was six years old when hip hop first came into his life by way of Digital Underground. At the age of 15, he began to write lyrics. At the time he started to sing, Haggerty listened to "a lot of East Coast underground hip hop", listing Hieroglyphics, Freestyle Fellowship, Aceyalone, Living Legends, Wu-Tang Clan, Mobb Deep, Nas, and Talib Kweli as his major influences. He was interested in reaching a younger generation through his music and became part of a program focusing on education and cultural identity called "Gateways for Incarcerated Youth", where he facilitated music workshops. Haggerty attended Garfield High School and Nathan Hale High School. At Hale, he developed the stage name "Professor Macklemore" for an art project involving a made-up superhero, and at Garfield, he started a hip-hop group named Elevated Elements with other students. The group released an album, Progress, in 2000. Haggerty enrolled at the College of Santa Fe for a year, later saying in an interview that "[i]t was a very pivotal time in a lot of ways. Santa Fe was the place where I got good at rapping". After not getting into the music program, he moved back to Seattle. Haggerty later enrolled at Evergreen State College in Olympia and completed his bachelor's degree in 2009. Career 2000–2008: The Language of My World In 2000, Haggerty recorded a mixtape titled Open Your Eyes under the name Professor Macklemore, which he distributed himself and released on October 21, 2000. Haggerty dropped "Professor" from his name and began working on his first official full-length album, called The Language of My World. The album was released on January 1, 2005, with its lead single, "Love Song", being announced the same day. "Love Song" featured singer Evan Roman, and was produced by Budo, who would later go on to produce several more tracks for Macklemore. In 2006, Haggerty first met his future collaborator Ryan Lewis. Lewis, who would go on to release two albums with Haggerty as Macklemore & Ryan Lewis, spent a few years working on Macklemore's promotion as a photographer. The two musicians would soon become good friends but would not formalize their collaborative efforts until 2009. In the meantime, Macklemore kept busy as a solo artist, appearing on The Physics's song "Good" in 2009, as well as performing at the Seattle major arts and music festival Bumbershoot in 2006, 2009, and 2011. Macklemore's second mixtape, The Unplanned Mixtape, was released on September 7, 2009. It would later reach No. 7 on the iTunes Hip Hop chart. The mixtape was accompanied by the singles "The Town" and "And We Danced", the latter of which featured singer Ziggy Stardust. "The Town" was later remixed by Sabzi of the Blue Scholars. 2009–2017: Career with Ryan Lewis In 2009, Macklemore and Ryan Lewis formalized the collaboration as a duo Macklemore & Ryan Lewis. They released the EP The VS. EP. They also released "Irish Celebration" in December 2009 in anticipation of the release of The Vs. EP. In March 2010, the duo released "Stay At Home Dad", a track that didn't quite make Vs. In October 2010, they created the VS. Redux EP. Macklemore used his experience with substance abuse to create the mixtape's song "Otherside", which samples the Red Hot Chili Peppers song of the same title. On April 8, 2011, Macklemore and Ryan Lewis performed the song at the 2011 Mariners Opening Day in-front of a sold-out crowd of nearly 48,000 attendees. "Wings" was released on January 21, 2011, followed by "Can't Hold Us" featuring Ray Dalton on August 16, 2011. In February 2011, Macklemore and producer Ryan Lewis kicked off a multi-city tour in Seattle, which included three sold-out shows at the Showbox at the Market music venue. That same year, the rapper appeared at many U.S. music festivals, including Bumbershoot, Outside Lands, Lollapalooza, Rock the Bells, Soundset, Sasquatch, and Bonnaroo. Their album The Heist was released in October 2012 and debuted on the U.S. Billboard 200 at number 2 of the week dated October 27, 2012, selling over 78,000 copies. "Same Love" was released on July 18, 2012, and after "White Walls". In January 2013, Music Choice featured Macklemore in the brand new series "Primed", which focuses on emerging artists. In May 2013, Haggerty was featured on Clinton Sparks's single "Gold Rush", along with 2 Chainz and D.A. The Heist World Tour began in August 2012 to promote The Heist. In January 2015, Macklemore announced via Twitter that his third studio album would be released sometime in the second half of that year. Despite this, the album was not released until February 26, 2016. On August 5, 2015, Macklemore released a song for free download titled "Growing Up (Sloane's Song)", which features Ed Sheeran. On August 27, 2015, he released a new song called "Downtown" which features Foxy Shazam vocalist Eric Nally, Kool Moe Dee, Melle Mel, and Grandmaster Caz, which he performed at the 2015 MTV Video Music Awards on August 30. On his first tour in two years, An Evening with Macklemore and Ryan Lewis, Macklemore announced that his new album was finished and ready for release. On January 15, 2016, Macklemore released a teaser video on his YouTube channel revealing the name of his third studio album, This Unruly Mess I've Made, and announcing that it was scheduled to be released on February 26, 2016. On January 22, 2016, the duo released "White Privilege II", the second single on This Unruly Mess I've Made. On February 26, 2016, Macklemore and Ryan Lewis released the album This Unruly Mess I've Made. Also in 2016, Macklemore released two solo singles, "Drug Dealer" and "Wednesday Morning". "Drug Dealer" features Macklemore rapping about his previous addictions and is featured in a documentary that includes clips of Macklemore discussing drug abuse with President Barack Obama. "Wednesday Morning" was released after the 2016 U.S. Election and features Macklemore rapping about the political future of the country. The tracks were produced by Budo. On June 15, 2017, Macklemore announced via his official Instagram that the duo were on hiatus. 2017–present: Gemini & Ben On June 15, 2017, Macklemore released "Glorious", featuring American singer Skylar Grey, as the lead single from Macklemore's second solo studio album Gemini. On July 26, 2017, Macklemore released "Marmalade", featuring American rapper Lil Yachty, as the second single from Macklemore's upcoming album. "Good Old Days", a collaboration with Kesha, was released as a single on October 9, 2017. Macklemore released Gemini on September 22. The album was produced by longtime collaborator Budo. On October 1, Macklemore performed "Same Love" in a set at the opening of the Grand Final of the National Rugby League in Sydney, Australia — something that was considered by some to be controversial in the middle of a national survey on same sex marriage. Macklemore stated that it was one of his best performances due to the circumstances and thanked the fans in Sydney for the reception that he received throughout. On December 11, 2017, Macklemore announced an upcoming co-headlining tour with Kesha titled The Adventures of Kesha and Macklemore. This was Macklemore's fifth headlining tour, promoting his album Gemini and Kesha's sixth headlining tour, promoting her third solo album Rainbow (2017). The tour began in Phoenix on June 6, 2018, and concluded in Tampa on August 5, 2018. On October 29, 2021, Macklemore released a new single titled "Next Year", featuring American singer Windser. Macklemore also worked with Ryan Lewis on the single, marking their first collaboration in three years. On July 22, 2022, Macklemore released a new single, "Chant", with Australian musician Tones and I. On August 19, 2022, Macklemore released the single, "Maniac", featuring American musician Windser. The third single, "Faithful", featuring NLE Choppa, was released on October 28, 2022. The fourth single, "Heroes", featuring DJ Premier, was released on January 20, 2023. Macklemore's third solo studio album, Ben, was released on March 3, 2023. In May 2024, he released "Hind's Hall", a protest song in support of the 2024 pro-Palestinian protests on university campuses, with all proceeds donated towards UNRWA. Personal life Family Macklemore became engaged to his girlfriend of seven years, Tricia Davis, on January 21, 2013. On January 3, 2015, he announced on Twitter that he and Davis were expecting their first child that May. After the release of "Growing Up (Sloane's Song)", which featured English singer-songwriter Ed Sheeran, the couple announced that their daughter, Sloane Ava Simone Haggerty, had been born on May 29. Following the birth of Sloane, they married on June 27, 2015. In September 2017, the couple announced that they were expecting their second child. On April 3, 2018, Macklemore announced during a performance at the 3Arena that Davis had given birth to their second daughter. He did not tell the crowd her name. In 2021, they had their third child, Hugo. Health In August 2008, Macklemore admitted himself into drug rehabilitation for drug addiction and alcoholism, and celebrated three years of sobriety before a brief relapse in 2011, which he describes in his song "Starting Over". He said in a 2012 documentary that he spent most of his twenties trying to combat his addictions and destructive way of life: I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I want to be respected for that. On May 14, 2016, Macklemore appeared in U.S. President Barack Obama's weekly address to talk about the dangers of addiction to opioids and prescription painkillers. Macklemore talked about his own experiences with abuse of painkillers, stating "When you're going through it, it's hard to imagine anything being worse than addiction. But the shame and stigma associated with the disease keeps too many people from seeking the help they actually need. Addiction isn't a personal choice or a personal failure." On September 29, 2018, Macklemore headlined Recovery Fest in Pawtucket, Rhode Island. Recovery Fest was formed to have a drug- and alcohol-free concert and support charities that worked in combating opioid addiction. In the summer of 2020, during and in part due to the social isolation that took place during the COVID-19 lockdowns, Macklemore relapsed and suffered a near-fatal overdose. He was hospitalized and given treatment; he eventually recovered from the episode. This experience, as well as the ongoing challenge of overcoming addiction while also raising children, served as an inspiration for much of the lyrical content that makes up his third solo studio album, Ben. Activism and political views Macklemore voiced his support of LGBT rights and same-sex marriage in the song "Same Love" released in 2012, which also condemns homophobia in mainstream hip-hop, society, and mass media. Macklemore is an outspoken critic of Donald Trump. In July 2016, he was featured on the song "FDT (Fuck Donald Trump), Pt. 2" by YG and Nipsey Hussle, alongside G-Eazy. In January 2021, after the presidential inauguration of Joe Biden, he released "Trump's Over Freestyle". Macklemore attended the 2017 Women’s March on Washington. On May 16, 2019, Macklemore received the Stevie Ray Vaughan Award from MusiCares, in recognition of his support of MusiCares and the addiction recovery process. Macklemore is a supporter of Palestinian nationalism. On October 30, 2023, during the Israel–Hamas war, he signed an open letter calling for a ceasefire and an end to Israel's blockade of the Gaza Strip. In November 2023, while giving a speech at a pro-Palestinian rally in Washington, D.C., he accused Israel of committing genocide against Palestinians. In May 2024, he released "Hind's Hall", a protest song in support of the 2024 pro-Palestinian protests on university campuses, with all proceeds donated towards UNRWA. At a concert in Mönchengladbach, Germany, Macklemore broke a German taboo by speaking out for Palestinian rights: "To atone for our past is by today standing up against apartheid, against occupation, against genocide—for free Palestine." In August 2024, Macklemore cancelled his show scheduled to take place in October that year in Dubai, citing the United Arab Emirates’ involvement “in the ongoing genocide and humanitarian crisis” in Sudan. He said to not perform in the country until it “stops arming and funding the RSF”. He also mentioned having no judgement against the artists continuing to perform in the Emirates. Interests Macklemore is a fan of the Seattle Seahawks. He created a 12th man promotional video and performed at the 2014 NFC Championship Game. He remains a fan of the now-relocated Seattle SuperSonics. In August 2019, Macklemore joined the ownership group of Seattle Sounders FC, the local Major League Soccer club. He is a fan of the Seattle Kraken of the National Hockey League; on April 18, 2022, the Kraken announced that Macklemore had joined its ownership group. Macklemore has an eclectic taste in art, including outlandish garments spouting sequins, fringe and feathers, a kitschy velvet painting of a bald eagle, an oil painting of Drake dancing and a Dan Lacey painting of a nude Justin Bieber. Controversy In May 2014, Macklemore was accused of antisemitism after wearing a costume resembling a common Jewish caricature during a private concert in Seattle, Washington. The rapper released an apology and stated his intention was to disguise himself, not to impersonate any ‘type’ of person. At a pro-Palestinian rally in September 2024, Macklemore said "fuck America", causing widespread controversy, including being dropped from the Neon City Festival in Las Vegas. Discography The Language of My World (2005) Gemini (2017) Ben (2023) Filmography See also Macklemore & Ryan Lewis List of awards and nominations received by Macklemore & Ryan Lewis Ryan Lewis References Further reading Hsu, Hua (March 7, 2016). "The struggle : Macklemore wrestles with his place in hip-hop". The Critics. Pop Music. The New Yorker. Vol. 92, no. 4. pp. 70–71. External links Official website Macklemore at IMDb
Nuapada_district
https://en.wikipedia.org/wiki/Nuapada_district
[ 151 ]
[ "https://en.wikipedia.org/wiki/Nuapada_district" ]
Nuapada district is an area of Odisha state in India. Nuapada town is the headquarters of the district. It has one subdivision: Nuapada, and five blocks: Khariar, Sinapali, Boden, Komna, and Nuapada. Nuapada District has three Notified Area Councils: Khariar, Khariar Road, and Nuapada, six tehsils and more villages such as Gandabahali, Tukla, Hatibandha, Duajher, Bargaon, Tarbod, Udyanbandh, and Larka. Major cities, towns, and villages Nuapada Khariar Khariar Road Sinapali Komna Boden Gandabahali Hatibandha Tukula Udyanbandha History The district of Nuapada was a part of Kalahandi district until early March 1993, but for administrative convenience, Kalahandi District was divided into two parts — Kalahandi and Nuapada vide State Government Notification No. DRC-44/93/14218/R dated 27 March 1993. Nuapada District now comprises one sub-division Nuapada, six tehsils (Nuapada, Komana, Khariar, Sinapalli, Boden and jonk) and five community development blocks (Khariar, Sinapalli, Boden, Nuapada and Komna).It is believed that the District of Kalahandi formed in ancient time a part of Mahakantara territory. During 4th century CE, when Samudra Gupta led his campaign through this region a king named Vyaghraraja was ruling over Mahakantara. After Vyaghraraja, the Nala kings like Bhavadatta Varman, Arthapati and Skanda Varman ruled over this region up to about 500 CE. In the 6th century CE a new kingdom developed in the Kalahandi tract under King Tustikara, but very little is known about other kings of his family.The Nuapada area was by that time under the kings of Sarabhapuriya dynasty whose copper plate record and gold coins are available. This region came under the occupation of the Somavamsis of South Kosala during the 8th century CE when Mahaivagupta Balarjuna was ruling from his headquarters at Sripur. In the 9th century CE when the Somavamsis were ousted from the Sripur region and organized a new kingdom in Sonepur-Sambalpur tract, the Kalahandi portion continued to be under their rule. In fact, Mahabhabagupta Janamejaya occupied the Trikalinga territory (Koraput area) through Kalahandi. In the middle of the 10th century CE the Somavamsi dominion embraced the whole of Orissa under Yayati II Mahasivagupta. His son Udyotakesari divided this dominion and placed the western part (Kosala) under the rule of a collateral branch. Kalahandi was included in the Kosala kingdom the capital of which was Jajatinagar near Sonepur. The rule of the Somavamsis in Kosala collapsed by the invasion of Rajendra Chola in 1022 CE and after that the territory came under the rule of the Telugu Cholas. In 1038 CE Vajrahasta V of Eastern Ganga dynasty became powerful in Parlakhemundi region and after the death of Rajendra Chola in 1044 CE he assumed independence and occupied the hilly territory including Koraput and Kalahandi. The Gangas ruled over Kalahandi for a long period. The stone inscription at Narla reveals that one Madanamahadeva was ruling over Kamalmandala in 1231 CE apparently as a feudatory of the Gangas. Tradition preserved by the Durbar of Kalahandi reveals that the Nagas commenced their rule in Kalahandi from Vikram sambat 1062 or CE 1005. If the tradition is to be believed it may be said that the Nagas ruled over Kamalmandala as feudatories of the Gangas till 14th century CE after which they owed allegiance to the Suryavamshi Gajapatis. It is not known when Kamalmandala became known as Kalahandi. The earliest reference to the name Kalahandi is found in the Dadhivaman temple inscription dated in Yugabda 4819, i.e., CE 1718. In British records this territory was called Karond. This territory assumed independence after the downfall of the Gajapatis of Orissa in 1568 CE According to tradition the Kalahandi kingdom commanded sovereign power over eighteen garhs before it was occupied by the Bhonsles of Nagpur in the middle of the 18th century CE In 1803 when the Marathas were defeated by the British and the coastal regions of Orissa as well as the Patna-Sambalpur group of states came under the British, Kalahandi, very probably, continued under the Marathas. The Patna-Sambalpur group was subsequently restored to Raghujee Bhonsla II in 1806. The Marathas of Nagpur became subordinate to British power after the Third Anglo-Maratha War in 1818. But Kalahandi continued to be under Maratha rule till 1853, when the Nagpur state lapsed to the British Crown as Raghuji III died without an heir. The Chauhans were ruling over Khariar since about the time of Rama Deo, the first Chauhan king of Patna. In 1590 CE Gopal Ray, a scion of the Patna family became the king of Khariar and started a line of semi-independent kings in that territory. Khariar came under the Marathas in 1741 CE and the British occupied it in 1818. In 1905 when the District of Sambalpur and some feudatory states including Kalahandi were amalgamated with Orissa Division of Bengal, the Government of the Central Provinces opposed merger of Khariar with Sambalpur and in 1906 Khariar became a part of the Mahasamund tehsil. When the separate province of Orissa was formed in 1936, Khariar was added to Orissa and was made a sub-division (Nuapada sub-division) of Sambalpur District. On the 1st January 1948, Kalahandi along with other feudatory states of Orissa except Mayurbhanj, merged with Orissa and on that date the new District of Kalahandi was formed with the ex-states of Kalahandi, Patna and Sonepur. On the 1st November 1949, Patna and Sonepur together constituted a separate District and the Nuapada sub-division of Sambalpur was added to the District of Kalahandi. Geography Nuapada district is in the western part of Odisha, lying between latitude 20° 0' N and 21° 5' and between longitude 82° 20' E and 82° 40' E. Its boundaries extend in the north, west and south to Mahasamund district in Chhattisgarh and in the east to Bargarh, Balangir and Kalahandi districts. The district has an area of 3407.5 km2 and the administrative headquarters is located at Nuapada. The plains of Nuapada subdivision are fringed by rugged hill ranges stretching southward, which belong to the main line of the Eastern Ghats and contain extensive plateaus of about 4000 ft (1200 m) in elevation. Economy Due to the conspicuous absence of any industry, the economy revolves around agricultural activities. Three major irrigation projects — the Upper Jonk, the Sunder dam, and the upcoming Lower Indira Irrigation Project — provide support to 45,000 acres of land. Rice is the main crop in the entire district. Other crops like corn (maize), cotton, and onion make up a major share of crops under cultivation. More than 10,000 households migrate to other states in search of better employment opportunities every year after the harvesting season is over. Though the district is tops in MGNREGS implementation, the advance provided by labor contractors before Nuakhai festival lure ignorant laborers into the plot. Due to unregistered and uninformed migration, protection of migrant laborers has become a challenge to the government. In 2006, the Ministry of Panchayati Raj named Nuapada one of the country's 250 most backward districts (out of a total of 640). it is one of the 19 districts in Odisha currently receiving funds from the Backward Regions Grant Fund Programme (BRGF). Demographics In the 2011 Indian census, Nuapada district had a population of 610,382. roughly equal to the nation of Solomon Islands or the US state of Wyoming. This gives it a ranking of 524th in India (out of a total of 640). The district has a population density of 157 inhabitants per square kilometre (410/sq mi). Its population growth rate over the decade 2001–2011 was 14.28%. Nuapada has a sex ratio of 1020 females for every 1000 males, and a literacy rate of 58.2%. 4.99% of the population lives in urban areas. Scheduled Castes and Scheduled Tribes make up 13.46% and 33.80% of the population respectively. At the time of the 2011 census, 58.02% of the population in the district spoke Odia, 23.72% Sambalpuri, 15.04% Chhattisgarhi and 1.68% Hindi as their first language. Politics Vidhan Sabha constituencies Nuapada district is part of Kalahandi Lok Sabha constituency. The MP of Kalahandi is Basanta Kumar Panda from the BJP. The following are the two Vidhan Sabha constituencies of Nuapada district and the elected members of that area. References External links Official website
Vostochnaya_Niva
https://en.wikipedia.org/wiki/Vostochnaya_Niva
[ 151 ]
[ "https://en.wikipedia.org/wiki/Vostochnaya_Niva" ]
Vostochnaya Niva (Russian: Восточная Нива) is a rural locality (a selo) in Amaransky Selsoviet of Romnensky District, Amur Oblast, Russia. The population was 6 as of 2018. There are 2 streets. Geography Vostochnaya Niva is located on the left bank of the Amaranka River, 39 km southeast of Romny (the district's administrative centre) by road. Amaranka is the nearest rural locality. == References ==
Minamidait%C5%8Djima
https://en.wikipedia.org/wiki/Minamidait%C5%8Djima
[ 151 ]
[ "https://en.wikipedia.org/wiki/Minamidait%C5%8Djima" ]
Minamidaitōjima (南大東島), also spelt as Minami Daitō or Minami-Daitō, is the largest island in the Daitō Islands group southeast of Okinawa, Japan. It is administered as part of the village of Minamidaitō, Okinawa. Shimajiri District, Okinawa and has a population of 2,107. The island is entirely cultivated for agriculture. The island has no beaches but has a fishing boat harbor and three cargo and ferry ports; as well as an airport Minami Daito Airport (airport code "MMD"). Geography Minamidaitōjima is a relatively isolated coralline island, located approximately 9 kilometres (4.9 nmi) south of Kitadaitōjima, the second largest island of the archipelago, and 360 kilometres (190 nmi) from Naha, Okinawa. As with the other islands in the archipelago, Minamidaitōjima is an uplifted coral atoll with a steep coastal cliff of limestone (the former fringing coral reef of the island), and a depressed center (the former lagoon of the island). The island is roughly oval in shape, with a circumference of about 13.52 kilometres (8.40 mi), length of 4.85 kilometres (3.01 mi) and an area of 11.94 square kilometres (4.61 sq mi). The highest point is 74 metres (243 ft) above sea level. The island contains several ponds in the interior, such as the Ōike-pond. Gallery Climate Minamidaitōjima has a tropical rainforest climate (Köppen climate classification Af) with hot summers and warm winters. Precipitation is significant throughout the year; the wettest month is June and the driest month is February. The island is subject to frequent typhoons. History It is uncertain when Minamidaitōjima was discovered. It is the most likely that their first sighting was by the Spanish navigator Bernardo de la Torre in 1543, in between 25 September and 2 October, during his abortive attempt to reach New Spain from the Philippines with the San Juan de Letrán. It was then charted, together with Kitadaitōjima, as "The Two Sisters" (Las Dos Hermanas). Minamidaitōjima and Kitadaitōjima were possibly again sighted by the Spanish on 28 July 1587, by Pedro de Unamuno who named them the "Useless Islands" (Islas sin Provecho). In 1788 the British captain John Meares named an island in the vicinity “Grampus Island”, but the recorded coordinates are not correct and it is not certain which of the Daitō island he sighted . The French also reported sighting an island in 1807. However, on 2 July 1820 the Russian vessel Borodino surveyed the two Daitō islands, and named the south as "South Borodino Island". The island remained uninhabited until claimed by the Empire of Japan in 1885. In 1900, a team of pioneers from Hachijōjima, one of the Izu Islands located 287 kilometres (178 mi) south of Tokyo led by Tamaoki Han'emon (1838 – 1910), became the first human inhabitants of the island, and started the cultivation of sugar cane. The population reached 4000 in 1919. During this period until World War II, Minamidaitōjima was owned in its entirety by Dai Nippon Sugar (now Dai Nippon Meiji Sugar), which provided community services and subsidized pricing for its employees, and of whom were seasonal workers from Okinawa and Taiwan. The island was garrisoned by the Japanese military in 1942. As the war situation worsened for Japan, many of the civilian inhabitants were evacuated to Okinawa, Kyushu or Hachijojima in 1944. The island was repeatedly bombed and shelled by the United States Navy from February to June 1945. After World War II, the island was occupied by the United States, at which time its civilian population was 1426. The island was returned to Japan in 1972. References Citations Bibliography Kakzu, Hiroshi. Island Sustainability: Challenges and Opportunities for Okinawa. Trafford Publishing (2012) ISBN 978-1-4669-0646-4 Welsch, Bernhard (June 2004), "Was Marcus Island Discovered by Bernardo de la Torre in 1543?", Journal of Pacific History, vol. 39, Milton Park: Taylor & Francis, pp. 109–122, doi:10.1080/00223340410001684886, JSTOR 25169675, S2CID 219627973. External links official home page
Hamlet
https://en.wikipedia.org/wiki/Hamlet
[ 152 ]
[ "https://en.wikipedia.org/wiki/Hamlet" ]
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". It is widely considered one of the greatest plays of all time. Three different early versions of the play are extant: the First Quarto (Q1, 1603); the Second Quarto (Q2, 1604); and the First Folio (F1, 1623). Each version includes lines and passages missing from the others. Many works have been pointed to as possible sources for Shakespeare's play, from ancient Greek tragedies to Elizabethan dramas. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When Shakespeare wrote, there were many stories about sons avenging the murder of their fathers, and many about clever avenging sons pretending to be foolish in order to outsmart their foes. This would include the story of the ancient Roman, Lucius Junius Brutus, which Shakespeare apparently knew, as well as the story of Amleth, which was preserved in Latin by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum, and printed in Paris in 1514. The Amleth story was subsequently adapted and then published in French in 1570 by the 16th-century scholar François de Belleforest. It has a number of plot elements and major characters in common with Shakespeare's Hamlet, and lacks others that are found in Shakespeare. Belleforest's story was first published in English in 1608, after Hamlet had been written, though it's possible that Shakespeare had encountered it in the French-language version. Characters Plot Act I Prince Hamlet of Denmark is the son of the recently deceased King Hamlet, and nephew of King Claudius, his father's brother and successor. Claudius hastily married King Hamlet's widow, Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a long-standing feud with neighbouring Norway, in which King Hamlet slew King Fortinbras of Norway in a battle some years ago. Although Denmark defeated Norway and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince Fortinbras, is imminent. On a cold night on the ramparts of Elsinore, the Danish royal castle, the sentries Bernardo and Marcellus discuss a ghost resembling the late King Hamlet which they have recently seen, and bring Prince Hamlet's friend Horatio as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed. The court gathers the next day, and King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser Polonius. Claudius grants permission for Polonius's son Laertes to return to school in France, and he sends envoys to inform the King of Norway about Fortinbras. Claudius also questions Hamlet regarding his continuing to grieve for his father, and forbids him to return to his university in Wittenberg. After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself. As Polonius's son Laertes prepares to depart for France, Polonius offers him advice that culminates in the maxim "to thine own self be true." Polonius's daughter, Ophelia, admits her interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances. That night on the rampart, the ghost appears to Hamlet, tells the prince that he was murdered by Claudius (by pouring poison into his ear as he slept), and demands that Hamlet avenge the murder. Hamlet agrees, and the ghost vanishes. The prince confides to Horatio and the sentries that from now on he plans to "put an antic disposition on", or act as though he has gone mad. Hamlet forces them to swear to keep his plans for revenge secret; however, he remains uncertain of the ghost's reliability. Act II Ophelia rushes to her father, telling him that Hamlet arrived at her door the prior night half-undressed and behaving erratically. Polonius blames love for Hamlet's madness and resolves to inform Claudius and Gertrude. As he enters to do so, the king and queen are welcoming Rosencrantz and Guildenstern, two student acquaintances of Hamlet, to Elsinore. The royal couple has requested that the two students investigate the cause of Hamlet's mood and behaviour. Additional news requires that Polonius wait to be heard: messengers from Norway inform Claudius that the king of Norway has rebuked Prince Fortinbras for attempting to re-fight his father's battles. The forces that Fortinbras had conscripted to march against Denmark will instead be sent against Poland, though they will pass through Danish territory to get there. Polonius tells Claudius and Gertrude his theory regarding Hamlet's behaviour, and then speaks to Hamlet in a hall of the castle to try to learn more. Hamlet feigns madness and subtly insults Polonius all the while. When Rosencrantz and Guildenstern arrive, Hamlet greets his "friends" warmly but quickly discerns that they are there to spy on him for Claudius. Hamlet admits that he is upset at his situation but refuses to give the true reason, instead remarking "What a piece of work is a man". Rosencrantz and Guildenstern tell Hamlet that they have brought along a troupe of actors that they met while travelling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of King Priam and Queen Hecuba at the climax of the Trojan War. Hamlet then asks the actors to stage The Murder of Gonzago, a play featuring a death in the style of his father's murder. Hamlet intends to study Claudius's reaction to the play, and thereby determine the truth of the ghost's story of Claudius's guilt. Act III Polonius forces Ophelia to return Hamlet's love letters to the prince while he and Claudius secretly watch in order to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play Hamlet has commissioned. After seeing the Player King murdered by his rival pouring poison in his ear, Claudius abruptly rises and runs from the room; for Hamlet, this is proof of his uncle's guilt. Gertrude summons Hamlet to her chamber to demand an explanation. Meanwhile, Claudius talks to himself about the impossibility of repenting, since he still has possession of his ill-gotten goods: his brother's crown and wife. He sinks to his knees. Hamlet, on his way to visit his mother, sneaks up behind him but does not kill him, reasoning that killing Claudius while he is praying will send him straight to heaven while his father's ghost is stuck in purgatory. In the queen's bedchamber, Hamlet and Gertrude fight bitterly. Polonius, spying on the conversation from behind a tapestry, calls for help as Gertrude, believing Hamlet wants to kill her, calls out for help herself. Hamlet, believing it is Claudius, stabs wildly, killing Polonius, but he pulls aside the curtain and sees his mistake. In a rage, Hamlet brutally insults his mother for her apparent ignorance of Claudius's villainy, but the ghost enters and reprimands Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. After begging the queen to stop sleeping with Claudius, Hamlet leaves, dragging Polonius's corpse away. Act IV Hamlet jokes with Claudius about where he has hidden Polonius's body, and the king, fearing for his life, sends Rosencrantz and Guildenstern to accompany Hamlet to England with a sealed letter to the English king requesting that Hamlet be executed immediately. Unhinged by grief at Polonius's death, Ophelia wanders Elsinore. Laertes arrives back from France, enraged by his father's death and his sister's madness. Claudius convinces Laertes that Hamlet is solely responsible, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius's plan. Claudius switches tactics, proposing a fencing match between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped foil, and, if that fails, Claudius will offer Hamlet poisoned wine as a congratulation. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was suicide or an accident caused by her madness. Act V Horatio has received a letter from Hamlet, explaining that the prince escaped by negotiating with pirates who attempted to attack his England-bound ship, and the friends reunite offstage. Two gravediggers discuss Ophelia's apparent suicide while digging her grave. Hamlet arrives with Horatio and banters with one of the gravediggers, who unearths the skull of a jester from Hamlet's childhood, Yorick. Hamlet picks up the skull, saying "Alas, poor Yorick" as he contemplates mortality. Ophelia's funeral procession approaches, led by Laertes. Hamlet and Horatio initially hide, but when Hamlet realizes that Ophelia is the one being buried, he reveals himself, proclaiming his love for her. Laertes and Hamlet fight by Ophelia's graveside, but the brawl is broken up. Back at Elsinore, Hamlet explains to Horatio that he had discovered Claudius's letter among Rosencrantz and Guildenstern's belongings and replaced it with a forged copy indicating that his former friends should be killed instead. A foppish courtier, Osric, interrupts the conversation to deliver the fencing challenge to Hamlet. Hamlet, despite Horatio's pleas, accepts it. Hamlet does well at first, leading the match by two hits to none, and Gertrude raises a toast to him using the poisoned glass of wine Claudius had set aside for Hamlet. Claudius tries to stop her but is too late: she drinks, and Laertes realizes the plot will be revealed. Laertes slashes Hamlet with his poisoned blade. In the ensuing scuffle, they switch weapons, and Hamlet wounds Laertes with his own poisoned sword. Gertrude collapses and, claiming she has been poisoned, dies. In his dying moments, Laertes reconciles with Hamlet and reveals Claudius's plan. Hamlet rushes at Claudius and kills him. As the poison takes effect, Hamlet, hearing that Fortinbras is marching through the area, names the Norwegian prince as his successor. Horatio, distraught at the thought of being the last survivor and living whilst Hamlet does not, says he will commit suicide by drinking the dregs of Gertrude's poisoned wine, but Hamlet begs him to live on and tell his story. Hamlet dies in Horatio's arms, proclaiming "the rest is silence". Fortinbras, who was ostensibly marching towards Poland with his army, arrives at the palace, along with an English ambassador bringing news of Rosencrantz and Guildenstern's deaths. Horatio promises to recount the full story of what happened, and Fortinbras, seeing the entire Danish royal family dead, takes the crown for himself and orders a military funeral to honour Hamlet. Sources Hamlet-like legends are so widely found (for example in Italy, Spain, Scandinavia, Byzantium, and Arabia) that the core "hero-as-fool" theme is possibly Indo-European in origin. Several ancient written precursors to Hamlet can be identified. The first is the anonymous Scandinavian Saga of Hrolf Kraki. In this, the murdered king has two sons—Hroar and Helgi—who spend most of the story in disguise, under false names, rather than feigning madness, in a sequence of events that differs from Shakespeare's. The second is the Roman legend of Brutus, recorded in two separate Latin works. Its hero, Lucius ("shining, light"), changes his name and persona to Brutus ("dull, stupid"), playing the role of a fool to avoid the fate of his father and brothers, and eventually slaying his family's killer, King Tarquinius. A 17th-century Nordic scholar, Torfaeus, compared the Icelandic hero Amlóði (Amlodi) and the hero Prince Ambales (from the Ambales Saga) to Shakespeare's Hamlet. Similarities include the prince's feigned madness, his accidental killing of the king's counsellor in his mother's bedroom, and the eventual slaying of his uncle. Many of the earlier legendary elements are interwoven in the 13th-century "Life of Amleth" (Latin: Vita Amlethi) by Saxo Grammaticus, part of Gesta Danorum. Written in Latin, it reflects classical Roman concepts of virtue and heroism, and was widely available in Shakespeare's day. Significant parallels include the prince feigning madness, his mother's hasty marriage to the usurper, the prince killing a hidden spy, and the prince substituting the execution of two retainers for his own. A reasonably faithful version of Saxo's story was translated into French in 1570 by François de Belleforest, in his Histoires tragiques. Belleforest embellished Saxo's text substantially, almost doubling its length, and introduced the hero's melancholy. According to one theory, Shakespeare's main source may be an earlier play—now lost—known today as the Ur-Hamlet. Possibly written by Thomas Kyd or by Shakespeare, the Ur-Hamlet would have existed by 1589, and would have incorporated a ghost. Shakespeare's company, the Chamberlain's Men, may have purchased that play and performed a version for some time, which Shakespeare reworked. However, no copy of the Ur-Hamlet has survived, and it is impossible to compare its language and style with the known works of any of its putative authors. In 1936 Andrew Cairncross suggested that, until more becomes known, it may be assumed that Shakespeare wrote the Ur-Hamlet. Eric Sams lists reasons for supporting Shakespeare’s authorship. Harold Jenkins considers that there are no grounds for thinking that the Ur-Hamlet is an early work by Shakespeare, which he then rewrote. Professor Terri Bourus in 2016, one of three general editors of the New Oxford Shakespeare, in her paper "Enter Shakespeare's Young Hamlet, 1589" suggests that Shakespeare was "interested in sixteenth-century French literature, from the very beginning of his career" and therefore "did not need Thomas Kyd to pre-digest Belleforest's histoire of Amleth and spoon-feed it to him". She considers that the hypothesized Ur-Hamlet is Shakespeare's Q1 text, and that this derived directly from Belleforest's French version. The precise combination of Shakespeare's use of the Ur-Hamlet, Belleforest, Saxo, or Kyd's The Spanish Tragedy as sources for Hamlet is not known. However, elements of Belleforest's version which are not in Saxo's story do appear in Shakespeare's play. Most scholars reject the idea that Hamlet is in any way connected with Shakespeare's only son, Hamnet Shakespeare, who died in 1596 at age eleven. Conventional wisdom holds that Hamlet is too obviously connected to legend, and the name Hamnet was quite popular at the time. However, Stephen Greenblatt has argued that the coincidence of the names and Shakespeare's grief for the loss of his son may lie at the heart of the tragedy. He notes that the name of Hamnet Sadler, the Stratford neighbour after whom Hamnet was named, was often written as Hamlet Sadler and that, in the loose orthography of the time, the names were virtually interchangeable. Scholars have often speculated that Hamlet's Polonius might have been inspired by William Cecil (Lord Burghley)—Lord High Treasurer and chief counsellor to Queen Elizabeth I. E. K. Chambers suggested Polonius's advice to Laertes may have echoed Burghley's to his son Robert Cecil. John Dover Wilson thought it almost certain that the figure of Polonius caricatured Burghley. A. L. Rowse speculated that Polonius's tedious verbosity might have resembled Burghley's. Lilian Winstanley thought the name Corambis (in the First Quarto) did suggest Cecil and Burghley. Harold Jenkins considers the idea of Polonius as a caricature of Burghley to be conjecture, perhaps based on the similar role they each played at court, and perhaps also based on the similarity between Burghley addressing his Ten Precepts to his son, and Polonius offering "precepts" to his son, Laertes. Jenkins suggests that any personal satire may be found in the name "Polonius", which might point to a Polish or Polonian connection. G. R. Hibbard hypothesised that differences in names (Corambis/Polonius:Montano/Raynoldo) between the First Quarto and other editions might reflect a desire not to offend scholars at Oxford University. (Robert Pullen, was the founder of Oxford University, and John Rainolds, was the President of Corpus Christi College.) Date "Any dating of Hamlet must be tentative", states the New Cambridge editor, Phillip Edwards. MacCary suggests 1599 or 1600; James Shapiro offers late 1600 or early 1601; Wells and Taylor suggest that the play was written in 1600 and revised later; the New Cambridge editor settles on mid-1601; the New Swan Shakespeare Advanced Series editor agrees with 1601; Thompson and Taylor, tentatively ("according to whether one is the more persuaded by Jenkins or by Honigmann") suggest a terminus ad quem of either Spring 1601 or sometime in 1600. The earliest date estimate relies on Hamlet's frequent allusions to Shakespeare's Julius Caesar, itself dated to mid-1599. The latest date estimate is based on an entry, of 26 July 1602, in the Register of the Stationers' Company, indicating that Hamlet was "latelie Acted by the Lo: Chamberleyne his servantes". In 1598, Francis Meres published his Palladis Tamia, a survey of English literature from Chaucer to its present day, within which twelve of Shakespeare's plays are named. Hamlet is not among them, suggesting that it had not yet been written. As Hamlet was very popular, Bernard Lott, the series editor of New Swan, believes it "unlikely that he [Meres] would have overlooked ... so significant a piece". The phrase "little eyases" in the First Folio (F1) may allude to the Children of the Chapel, whose popularity in London forced the Globe company into provincial touring. This became known as the War of the Theatres, and supports a 1601 dating. Katherine Duncan-Jones accepts a 1600–01 attribution for the date Hamlet was written, but notes that the Lord Chamberlain's Men, playing Hamlet in the 3000-capacity Globe, were unlikely to be put to any disadvantage by an audience of "barely one hundred" for the Children of the Chapel's equivalent play, Antonio's Revenge; she believes that Shakespeare, confident in the superiority of his own work, was making a playful and charitable allusion to his friend John Marston's very similar piece. A contemporary of Shakespeare's, Gabriel Harvey, wrote a marginal note in his copy of the 1598 edition of Chaucer's works, which some scholars use as dating evidence. Harvey's note says that "the wiser sort" enjoy Hamlet, and implies that the Earl of Essex—executed in February 1601 for rebellion—was still alive. Other scholars consider this inconclusive. Edwards, for example, concludes that the "sense of time is so confused in Harvey's note that it is really of little use in trying to date Hamlet". This is because the same note also refers to Spenser and Watson as if they were still alive ("our flourishing metricians"), but also mentions "Owen's new epigrams", published in 1607. Texts Three early editions of the text, each different, have survived, making attempts to establish a single "authentic" text problematic. First Quarto (Q1): In 1603 the booksellers Nicholas Ling and John Trundell published, and Valentine Simmes printed, the so-called "bad" first quarto, under the name The Tragicall Historie of Hamlet Prince of Denmarke. Q1 contains just over half of the text of the later second quarto. Second Quarto (Q2): In 1604 Nicholas Ling published, and James Roberts printed, the second quarto, under the same name as the first. Some copies are dated 1605, which may indicate a second impression; consequently, Q2 is often dated "1604/5". Q2 is the longest early edition, although it omits about 77 lines found in F1 (most likely to avoid offending James I's queen, Anne of Denmark). First Folio (F1): In 1623 Edward Blount and William and Isaac Jaggard published The Tragedie of Hamlet, Prince of Denmarke in the First Folio, the first edition of Shakespeare's Complete Works. This list does not include three additional early texts, John Smethwick's Q3, Q4, and Q5 (1611–37), which are regarded as reprints of Q2 with some alterations. Early editors of Shakespeare's works, beginning with Nicholas Rowe (1709) and Lewis Theobald (1733), combined material from the two earliest sources of Hamlet available at the time, Q2 and F1. Each text contains material that the other lacks, with many minor differences in wording: scarcely 200 lines are identical in the two. Editors have combined them in an effort to create one "inclusive" text that reflects an imagined "ideal" of Shakespeare's original. Theobald's version became standard for a long time, and his "full text" approach continues to influence editorial practice to the present day. Some contemporary scholarship, however, discounts this approach, instead considering "an authentic Hamlet an unrealisable ideal. ... there are texts of this play but no text". The 2006 publication by Arden Shakespeare of different Hamlet texts in different volumes is perhaps evidence of this shifting focus and emphasis. Other editors have continued to argue the need for well-edited editions taking material from all versions of the play. Colin Burrow has argued that "most of us should read a text that is made up by conflating all three versions ... it's about as likely that Shakespeare wrote: "To be or not to be, ay, there's the point" [in Q1], as that he wrote the works of Francis Bacon. I suspect most people just won't want to read a three-text play ... [multi-text editions are] a version of the play that is out of touch with the needs of a wider public." Traditionally, editors of Shakespeare's plays have divided them into five acts. None of the early texts of Hamlet, however, were arranged this way, and the play's division into acts and scenes derives from a 1676 quarto. Modern editors generally follow this traditional division but consider it unsatisfactory; for example, after Hamlet drags Polonius's body out of Gertrude's bedchamber, there is an act-break after which the action appears to continue uninterrupted. Q1 was discovered in 1823. Only two copies are extant. According to Jenkins, "The unauthorized nature of this quarto is matched by the corruption of its text." Yet Q1 has value: it contains stage directions (such as Ophelia entering with a lute and her hair down) that reveal actual stage practices in a way that Q2 and F1 do not; it contains an entire scene (usually labelled 4.6) that does not appear in either Q2 or F1; and it is useful for comparison with the later editions. The major deficiency of Q1 is in the language: particularly noticeable in the opening lines of the famous "To be, or not to be" soliloquy: "To be, or not to be, aye there's the point. / To die, to sleep, is that all? Aye all: / No, to sleep, to dream, aye marry there it goes." However, the scene order is more coherent, without the problems of Q2 and F1 of Hamlet seeming to resolve something in one scene and enter the next drowning in indecision. New Cambridge editor Kathleen Irace has noted that "Q1's more linear plot design is certainly easier [...] to follow [...] but the simplicity of the Q1 plot arrangement eliminates the alternating plot elements that correspond to Hamlet's shifts in mood." Q1 is considerably shorter than Q2 or F1 and may be a memorial reconstruction of the play as Shakespeare's company performed it, by an actor who played a minor role (most likely Marcellus). Scholars disagree whether the reconstruction was pirated or authorised. It is suggested by Irace that Q1 is an abridged version intended especially for travelling productions, thus the question of length may be considered as separate from issues of poor textual quality. Editing Q1 thus poses problems in whether or not to "correct" differences from Q2 and F. Irace, in her introduction to Q1, wrote that "I have avoided as many other alterations as possible, because the differences...are especially intriguing...I have recorded a selection of Q2/F readings in the collation." The idea that Q1 is not riddled with error but is instead eminently fit for the stage has led to at least 28 different Q1 productions since 1881. Other productions have used the probably superior Q2 and Folio texts, but used Q1's running order, in particular moving the to be or not to be soliloquy earlier. Developing this, some editors such as Jonathan Bate have argued that Q2 may represent "a 'reading' text as opposed to a 'performance' one" of Hamlet, analogous to how modern films released on disc may include deleted scenes: an edition containing all of Shakespeare's material for the play for the pleasure of readers, so not representing the play as it would have been staged. Analysis and criticism Critical history From the early 17th century, the play was famous for its ghost and vivid dramatisation of melancholy and insanity, leading to a procession of mad courtiers and ladies in Jacobean and Caroline drama. Though it remained popular with mass audiences, late 17th-century Restoration critics saw Hamlet as primitive and disapproved of its lack of unity and decorum. This view changed drastically in the 18th century, when critics regarded Hamlet as a hero—a pure, brilliant young man thrust into unfortunate circumstances. By the mid-18th century, however, the advent of Gothic literature brought psychological and mystical readings, returning madness and the ghost to the forefront. Not until the late 18th century did critics and performers begin to view Hamlet as confusing and inconsistent. Before then, he was either mad, or not; either a hero, or not; with no in-betweens. These developments represented a fundamental change in literary criticism, which came to focus more on character and less on plot. In the 18th century, one negative French review of Hamlet would be widely discussed for centuries, in particular in publications throughout the 19th and 20th century. In 1768, Voltaire wrote a negative review of Hamlet, stating that "it is vulgar and barbarous drama, which would not be tolerated by the vilest populace of France or Italy... one would imagine this piece to be a work of a drunken savage". By the 19th century, Romantic critics valued Hamlet for its internal, individual conflict reflecting the strong contemporary emphasis on internal struggles and inner character in general. Then too, critics started to focus on Hamlet's delay as a character trait, rather than a plot device. This focus on character and internal struggle continued into the 20th century, when criticism branched in several directions, discussed in context and interpretation below. Dramatic structure Modern editors have divided the play into five acts, and each act into scenes. The First Folio marks the first two acts only. The quartos do not have such divisions. The division into five acts follows Seneca, who in his plays, regularized the way ancient Greek tragedies contain five episodes, which are separated by four choral odes. In Hamlet the development of the plot or the action are determined by the unfolding of Hamlet's character. The soliloquies do not interrupt the plot, instead they are highlights of each block of action. The plot is the developing revelation of Hamlet's view of what is "rotten in the state of Denmark." The action of the play is driven forward in dialogue; but in the soliloquies time and action stop, the meaning of action is questioned, fog of illusion is broached, and truths are exposed. The contrast between appearance and reality is a significant theme. Hamlet is presented with an image, and then interprets its deeper or darker meaning. Examples begin with Hamlet questioning the reality of the ghost. It continues with Hamlet's taking on an "antic disposition" in order to appear mad, though he is not. The contrast (appearance and reality) is also expressed in several "spying scenes": Act two begins with Polonius sending Reynaldo to spy on his son, Laertes. Claudius and Polonius spy on Ophelia as she meets with Hamlet. In act two, Claudius asks Rosencrantz and Guildenstern to spy on Hamlet. Similarly, the play-within-a-play is used by Hamlet to reveal his step-father's hidden nature. There is no subplot, but the play presents the affairs of the courtier Polonius, his daughter, Ophelia, and his son, Laertes—who variously deal with madness, love and the death of a father in ways that contrast with Hamlet's. The graveyard scene eases tension prior to the catastrophe, and, as Hamlet holds the skull, it is shown that Hamlet no longer fears damnation in the afterlife, and accepts that there is a "divinity that shapes our ends". Hamlet's enquiring mind has been open to all kinds of ideas, but in act five he has decided on a plan, and in a dialogue with Horatio he seems to answer his two earlier soliloquies on suicide: "We defy augury. There is special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all. Since no man, of aught he leaves, knows aught, what is't to leave betimes." Length The First Quarto (1603) text of Hamlet contains 15,983 words, the Second Quarto (1604) contains 28,628 words, and the First Folio (1623) contains 27,602 words. Counting the number of lines varies between editions, partly because prose sections in the play may be formatted with varied lengths. Editions of Hamlet that are created by conflating the texts of the Second Quarto and the Folio are said to have approximately 3,900 lines; the number of lines varies between those editions based on formatting the prose sections, counting methods, and how the editors have joined the texts together. Hamlet is by far the longest play that Shakespeare wrote, and one of the longest plays in the Western canon. It might require more than four hours to stage; a typical Elizabethan play would need two to three hours. It is speculated that because of the considerable length of Q2 and F1, there was an expectation that those texts would be abridged for performance, or that Q2 and F1 may have been aimed at a reading audience. That Q1 is so much shorter than Q2 has spurred speculation that Q1 is an early draft, or perhaps an adaptation, a bootleg copy, or a stage adaptation. On the title page of Q2, its text is described as "newly imprinted and enlarged to almost as much again as it was." That is probably a comparison to Q1. Language Much of Hamlet's language is courtly: elaborate, witty discourse, as recommended by Baldassare Castiglione's 1528 etiquette guide, The Courtier. This work specifically advises royal retainers to amuse their masters with inventive language. Osric and Polonius, especially, seem to respect this injunction. Claudius's speech is rich with rhetorical figures—as is Hamlet's and, at times, Ophelia's—while the language of Horatio, the guards, and the gravediggers is simpler. Claudius's high status is reinforced by using the royal first person plural ("we" or "us"), and anaphora mixed with metaphor to resonate with Greek political speeches. Of all the characters, Hamlet has the greatest rhetorical skill. He uses highly developed metaphors, stichomythia, and in nine memorable words deploys both anaphora and asyndeton: "to die: to sleep— / To sleep, perchance to dream". In contrast, when occasion demands, he is precise and straightforward, as when he explains his inward emotion to his mother: "But I have that within which passes show, / These but the trappings and the suits of woe". At times, he relies heavily on puns to express his true thoughts while simultaneously concealing them. Pauline Kiernan argues that Shakespeare changed English drama forever in Hamlet because he "showed how a character's language can often be saying several things at once, and contradictory meanings at that, to reflect fragmented thoughts and disturbed feelings". She gives the example of Hamlet's advice to Ophelia, "get thee to a nunnery", which, she claims, is simultaneously a reference to a place of chastity and a slang term for a brothel, reflecting Hamlet's confused feelings about female sexuality. However Harold Jenkins does not agree, having studied the few examples that are used to support that idea, and finds that there is no support for the assumption that "nunnery" was used that way in slang, or that Hamlet intended such a meaning. The context of the scene suggests that a nunnery would not be a brothel, but instead a place of renunciation and a "sanctuary from marriage and from the world’s contamination". Thompson and Taylor consider the brothel idea incorrect considering that "Hamlet is trying to deter Ophelia from breeding". Hamlet’s first words in the play are a pun; when Claudius addresses him as "my cousin Hamlet, and my son", Hamlet says as an aside: "A little more than kin, and less than kind." An unusual rhetorical device, hendiadys, appears in several places in the play. Examples are found in Ophelia's speech at the end of the nunnery scene: "Th'expectancy and rose of the fair state" and "And I, of ladies most deject and wretched". Many scholars have found it odd that Shakespeare would, seemingly arbitrarily, use this rhetorical form throughout the play. One explanation may be that Hamlet was written later in Shakespeare's life, when he was adept at matching rhetorical devices to characters and the plot. Linguist George T. Wright suggests that hendiadys had been used deliberately to heighten the play's sense of duality and dislocation. Hamlet's soliloquies have also captured the attention of scholars. Hamlet interrupts himself, vocalising either disgust or agreement with himself and embellishing his own words. He has difficulty expressing himself directly and instead blunts the thrust of his thought with wordplay. It is not until late in the play, after his experience with the pirates, that Hamlet is able to articulate his feelings freely. Context and interpretation Religious Written at a time of religious upheaval and in the wake of the English Reformation, the play is alternately Catholic (or piously medieval) and Protestant (or consciously modern). The ghost describes himself as being in purgatory and as dying without last rites. This and Ophelia's burial ceremony, which is characteristically Catholic, make up most of the play's Catholic connections. Some scholars have observed that revenge tragedies come from Catholic countries such as Italy and Spain, where the revenge tragedies present contradictions of motives, since according to Catholic doctrine the duty to God and family precedes civil justice. Hamlet's conundrum then is whether to avenge his father and kill Claudius or to leave the vengeance to God, as his religion requires. Much of the play's Protestant tones derive from its setting in Denmark—both then and now a predominantly Protestant country, though it is unclear whether the fictional Denmark of the play is intended to portray this implicit fact. Dialogue refers explicitly to the German city of Wittenberg where Hamlet, Horatio, and Rosencrantz and Guildenstern attend university, implying where the Protestant reformer Martin Luther nailed the Ninety-five Theses to the church door in 1517. Philosophical Hamlet is often perceived as a philosophical character, expounding ideas that are now described as relativist, existentialist, and sceptical. For example, he expresses a subjectivistic idea when he says to Rosencrantz: "there is nothing either good or bad, but thinking makes it so". The idea that nothing is real except in the mind of the individual finds its roots in the Greek Sophists, who argued that since nothing can be perceived except through the senses—and since all individuals sense, and therefore perceive things differently—there is no absolute truth, but rather only relative truth. The clearest alleged instance of existentialism is in the "to be, or not to be" speech, where Hamlet is thought by some to use "being" to allude to life and action, and "not being" to death and inaction. Hamlet reflects the contemporary scepticism promoted by the French Renaissance humanist Michel de Montaigne. Prior to Montaigne's time, humanists such as Pico della Mirandola had argued that man was God's greatest creation, made in God's image and able to choose his own nature, but this view was subsequently challenged in Montaigne's Essais of 1580. Hamlet's "What a piece of work is a man" seems to echo many of Montaigne's ideas, and many scholars have discussed whether Shakespeare drew directly from Montaigne or whether both men were simply reacting similarly to the spirit of the times. Psychoanalytic Sigmund Freud Sigmund Freud’s thoughts regarding Hamlet were first published in his book The Interpretation of Dreams (1899), as a footnote to a discussion of Sophocles’ tragedy, Oedipus Rex, all of which is part of his consideration of the causes of neurosis. Freud does not offer over-all interpretations of the plays, but uses the two tragedies to illustrate and corroborate his psychological theories, which are based on his treatments of his patients and on his studies. Productions of Hamlet have used Freud's ideas to support their own interpretations. In The Interpretation of Dreams, Freud says that according to his experience "parents play a leading part in the infantile psychology of all persons who subsequently become psychoneurotics," and that "falling in love with one parent and hating the other" is a common impulse in early childhood, and is important source material of "subsequent neurosis". He says that "in their amorous or hostile attitude toward their parents" neurotics reveal something that occurs with less intensity "in the minds of the majority of children". Freud considered that Sophocles’ tragedy, Oedipus Rex, with its story that involves crimes of parricide and incest, "has furnished us with legendary matter which corroborates" these ideas, and that the "profound and universal validity of the old legends" is understandable only by recognizing the validity of these theories of "infantile psychology". Freud explores the reason "Oedipus Rex is capable of moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks". He suggests that "It may be that we were all destined to direct our first sexual impulses toward our mothers, and our first impulses of hatred and violence toward our fathers." Freud suggests that we "recoil from the person for whom this primitive wish of our childhood has been fulfilled with all the force of the repression which these wishes have undergone in our minds since childhood." These ideas, which became a cornerstone of Freud's psychological theories, he named the "Oedipus complex", and, at one point, he considered calling it the "Hamlet complex". Freud considered that Hamlet "is rooted in the same soil as Oedipus Rex." But the difference in the "psychic life" of the two civilizations that produced each play, and the progress made over time of "repression in the emotional life of humanity" can be seen in the way the same material is handled by the two playwrights: In Oedipus Rex incest and murder are brought into the light as might occur in a dream, but in Hamlet these impulses "remain repressed" and we learn of their existence through Hamlet's inhibitions to act out the revenge, while he is shown to be capable of acting decisively and boldly in other contexts. Freud asserts, "The play is based on Hamlet’s hesitation in accomplishing the task of revenge assigned to him; the text does not give the cause or the motive of this." The conflict is "deeply hidden". Hamlet is able to perform any kind of action except taking revenge on the man who murdered his father and has taken his father's place with his mother—Claudius has led Hamlet to realize the repressed desires of his own childhood. The loathing which was supposed to drive him to revenge is replaced by "self-reproach, by conscientious scruples" which tell him "he himself is no better than the murderer whom he is required to punish". Freud suggests that Hamlet's sexual aversion expressed in his "nunnery" conversation with Ophelia supports the idea that Hamlet is "an hysterical subject". Freud suggests that the character Hamlet goes through an experience that has three characteristics, which he numbered: 1) "the hero is not psychopathic, but becomes so" during the course of the play. 2) "the repressed desire is one of those that are similarly repressed in all of us." It is a repression that "belongs to an early stage of our individual development". The audience identifies with the character of Hamlet, because "we are victims of the same conflict." 3) It is the nature of theatre that "the struggle of the repressed impulse to become conscious" occurs in both the hero onstage and the spectator, when they are in the grip of their emotions, "in the manner seen in psychoanalytic treatment". Freud points out that Hamlet is an exception in that psychopathic characters are usually ineffective in stage plays; they "become as useless for the stage as they are for life itself", because they do not inspire insight or empathy, unless the audience is familiar with the character's inner conflict. Freud says, "It is thus the task of the dramatist to transport us into the same illness." John Barrymore's long-running 1922 performance in New York, directed by Thomas Hopkins, "broke new ground in its Freudian approach to character", in keeping with the post-World War I rebellion against everything Victorian. He had a "blunter intention" than presenting the genteel, sweet prince of 19th-century tradition, imbuing his character with virility and lust. Beginning in 1910, with the publication of "The Œdipus-Complex as an Explanation of Hamlet's Mystery: A Study in Motive" Ernest Jones—a psychoanalyst and Freud's biographer—developed Freud's ideas into a series of essays that culminated in his book Hamlet and Oedipus (1949). Influenced by Jones's psychoanalytic approach, several productions have portrayed the "closet scene", where Hamlet confronts his mother in her private quarters, in a sexual light. In this reading, Hamlet is disgusted by his mother's "incestuous" relationship with Claudius while simultaneously fearful of killing him, as this would clear Hamlet's path to his mother's bed. Ophelia's madness after her father's death may also be read through the Freudian lens: as a reaction to the death of her hoped-for lover, her father. Ophelia is overwhelmed by having her unfulfilled love for him so abruptly terminated and drifts into the oblivion of insanity. In 1937, Tyrone Guthrie directed Laurence Olivier in a Jones-inspired Hamlet at The Old Vic. Olivier later used some of these same ideas in his 1948 film version of the play. In the Bloom's Shakespeare Through the Ages volume on Hamlet, editors Bloom and Foster express a conviction that the intentions of Shakespeare in portraying the character of Hamlet in the play exceeded the capacity of the Freudian Oedipus complex to completely encompass the extent of characteristics depicted in Hamlet throughout the tragedy: "For once, Freud regressed in attempting to fasten the Oedipus Complex upon Hamlet: it will not stick, and merely showed that Freud did better than T.S. Eliot, who preferred Coriolanus to Hamlet, or so he said. Who can believe Eliot, when he exposes his own Hamlet Complex by declaring the play to be an aesthetic failure?" The book also notes James Joyce's interpretation, stating that he "did far better in the Library Scene of Ulysses, where Stephen marvellously credits Shakespeare, in this play, with universal fatherhood while accurately implying that Hamlet is fatherless, thus opening a pragmatic gap between Shakespeare and Hamlet." Joshua Rothman has written in The New Yorker that "we tell the story wrong when we say that Freud used the idea of the Oedipus complex to understand Hamlet". Rothman suggests that "it was the other way around: Hamlet helped Freud understand, and perhaps even invent, psychoanalysis". He concludes, "The Oedipus complex is a misnomer. It should be called the 'Hamlet complex'." Jacques Lacan In the 1950s, the French psychoanalyst Jacques Lacan analyzed Hamlet to illustrate some of his concepts. His structuralist theories about Hamlet were first presented in a series of seminars given in Paris and later published in "Desire and the Interpretation of Desire in Hamlet". Lacan postulated that the human psyche is determined by structures of language and that the linguistic structures of Hamlet shed light on human desire. His point of departure is Freud's Oedipal theories, and the central theme of mourning that runs through Hamlet. In Lacan's analysis, Hamlet unconsciously assumes the role of phallus—the cause of his inaction—and is increasingly distanced from reality "by mourning, fantasy, narcissism and psychosis", which create holes (or lack) in the real, imaginary, and symbolic aspects of his psyche. Lacan's theories influenced some subsequent literary criticism of Hamlet because of his alternative vision of the play and his use of semantics to explore the play's psychological landscape. Feminist In the 20th century, feminist critics opened up new approaches to Gertrude and Ophelia. New historicist and cultural materialist critics examined the play in its historical context, attempting to piece together its original cultural environment. They focused on the gender system of early modern England, pointing to the common trinity of maid, wife, or widow, with whores outside of that stereotype. In this analysis, the essence of Hamlet is the central character's changed perception of his mother as a whore because of her failure to remain faithful to Old Hamlet. In consequence, Hamlet loses his faith in all women, treating Ophelia as if she too were a whore and dishonest with Hamlet. Ophelia, by some critics, can be seen as honest and fair; however, it is virtually impossible to link these two traits, since 'fairness' is an outward trait, while 'honesty' is an inward trait. Carolyn Heilbrun's 1957 essay "The Character of Hamlet's Mother" defends Gertrude, arguing that the text never hints that Gertrude knew of Claudius poisoning King Hamlet. This analysis has been praised by many feminist critics, combating what is, by Heilbrun's argument, centuries' worth of misinterpretation. By this account, Gertrude's worst crime is of pragmatically marrying her brother-in-law in order to avoid a power vacuum. This is borne out by the fact that King Hamlet's ghost tells Hamlet to leave Gertrude out of Hamlet's revenge, to leave her to heaven, an arbitrary mercy to grant to a conspirator to murder. Ophelia has also been defended by feminist critics, most notably Elaine Showalter. Ophelia is surrounded by powerful men: her father, brother, and Hamlet. All three disappear: Laertes leaves, Hamlet abandons her, and Polonius dies. Conventional theories had argued that without these three powerful men making decisions for her, Ophelia is driven into madness. Feminist theorists argue that she goes mad with guilt because, when Hamlet kills her father, he has fulfilled her sexual desire to have Hamlet kill her father so they can be together. Showalter points out that Ophelia has become the symbol of the distraught and hysterical woman in modern culture. Influence Hamlet is one of the most quoted works in the English language, and is often included on lists of the world's greatest literature. As such, it reverberates through the writing of later centuries. Academic Laurie Osborne identifies the direct influence of Hamlet in numerous modern narratives, and divides them into four main categories: fictional accounts of the play's composition, simplifications of the story for young readers, stories expanding the role of one or more characters, and narratives featuring performances of the play. English poet John Milton was an early admirer of Shakespeare and took evident inspiration from his work. As John Kerrigan discusses, Milton originally considered writing his epic poem Paradise Lost (1667) as a tragedy. While Milton did not ultimately go that route, the poem still shows distinct echoes of Shakespearean revenge tragedy, and of Hamlet in particular. As scholar Christopher N. Warren argues, Paradise Lost's Satan "undergoes a transformation in the poem from a Hamlet-like avenger into a Claudius-like usurper," a plot device that supports Milton's larger Republican internationalist project. The poem also reworks theatrical language from Hamlet, especially around the idea of "putting on" certain dispositions, as when Hamlet puts on "an antic disposition," similarly to the Son in Paradise Lost who "can put on / [God's] terrors." Henry Fielding's Tom Jones, published about 1749, describes a visit to Hamlet by Tom Jones and Mr Partridge, with similarities to the "play within a play". In contrast, Goethe's Bildungsroman Wilhelm Meister's Apprenticeship, written between 1776 and 1796, not only has a production of Hamlet at its core but also creates parallels between the ghost and Wilhelm Meister's dead father. In the early 1850s, in Pierre, Herman Melville focuses on a Hamlet-like character's long development as a writer. Ten years later, Dickens's Great Expectations contains many Hamlet-like plot elements: it is driven by revenge-motivated actions, contains ghost-like characters (Abel Magwitch and Miss Havisham), and focuses on the hero's guilt. Academic Alexander Welsh notes that Great Expectations is an "autobiographical novel" and "anticipates psychoanalytic readings of Hamlet itself". About the same time, George Eliot's The Mill on the Floss was published, introducing Maggie Tulliver "who is explicitly compared with Hamlet" though "with a reputation for sanity". L. Frank Baum's first published short story was "They Played a New Hamlet" (1895). When Baum had been touring New York State in the title role, the actor playing the ghost fell through the floorboards, and the rural audience thought it was part of the show and demanded that the actor repeat the fall, because they thought it was funny. Baum would later recount the actual story in an article, but the short story is told from the point of view of the actor playing the ghost. In the 1920s, James Joyce managed "a more upbeat version" of Hamlet—stripped of obsession and revenge—in Ulysses, though its main parallels are with Homer's Odyssey. In the 1990s, two novelists were explicitly influenced by Hamlet. In Angela Carter's Wise Children, To be or not to be is reworked as a song and dance routine, and Iris Murdoch's The Black Prince has Oedipal themes and murder intertwined with a love affair between a Hamlet-obsessed writer, Bradley Pearson, and the daughter of his rival. In the late 20th century, David Foster Wallace's novel Infinite Jest draws heavily from Hamlet and takes its title from the play's text; Wallace incorporates references to the gravedigger scene, the marriage of the main character's mother to his uncle, and the re-appearance of the main character's father as a ghost. There is the story of the woman who read Hamlet for the first time and said, "I don't see why people admire that play so. It is nothing but a bunch of quotations strung together." — Isaac Asimov, Asimov's Guide to Shakespeare, p. vii, Avenal Books, 1970 Performance history Shakespeare's day to the Interregnum Shakespeare almost certainly wrote the role of Hamlet for Richard Burbage. He was the chief tragedian of the Lord Chamberlain's Men, with a capacious memory for lines and a wide emotional range. Judging by the number of reprints, Hamlet appears to have been Shakespeare's fourth most popular play during his lifetime—only Henry IV Part 1, Richard III and Pericles eclipsed it. Shakespeare provides no clear indication of when his play is set; however, as Elizabethan actors performed at the Globe in contemporary dress on minimal sets, this would not have affected the staging. Firm evidence for specific early performances of the play is scant. It is sometimes argued that the crew of the ship Red Dragon, anchored off Sierra Leone, performed Hamlet in September 1607; however, this claim is based on a 19th century insert of a 'lost' passage into a period document, and is today widely regarded as a hoax, likely to have been perpetrated by John Payne Collier. More credible is that the play toured in Germany within five years of Shakespeare's death, and that it was performed before James I in 1619 and Charles I in 1637. Oxford editor George Hibbard argues that, since the contemporary literature contains many allusions and references to Hamlet (only Falstaff is mentioned more, from Shakespeare), the play was surely performed with a frequency that the historical record misses. All theatres were closed down by the Puritan government during the Interregnum. Even during this time, however, playlets known as drolls were often performed illegally, including one called The Grave-Makers based on act 5, scene 1 of Hamlet. Restoration and 18th century The play was revived early in the Restoration. When the existing stock of pre-civil war plays was divided between the two newly created patent theatre companies, Hamlet was the only Shakespearean favourite that Sir William Davenant's Duke's Company secured. It became the first of Shakespeare's plays to be presented with movable flats painted with generic scenery behind the proscenium arch of Lincoln's Inn Fields Theatre. This new stage convention highlighted the frequency with which Shakespeare shifts dramatic location, encouraging the recurrent criticism of his failure to maintain unity of place. In the title role, Davenant cast Thomas Betterton, who continued to play the Dane until he was 74. David Garrick at Drury Lane produced a version that adapted Shakespeare heavily; he declared: "I had sworn I would not leave the stage till I had rescued that noble play from all the rubbish of the fifth act. I have brought it forth without the grave-digger's trick, Osrick, & the fencing match". The first actor known to have played Hamlet in North America is Lewis Hallam Jr., in the American Company's production in Philadelphia in 1759. John Philip Kemble made his Drury Lane debut as Hamlet in 1783. His performance was said to be 20 minutes longer than anyone else's, and his lengthy pauses provoked the suggestion by Richard Brinsley Sheridan that "music should be played between the words". Sarah Siddons was the first actress known to play Hamlet; many women have since played him as a breeches role, to great acclaim. In 1748, Alexander Sumarokov wrote a Russian adaptation that focused on Prince Hamlet as the embodiment of an opposition to Claudius's tyranny—a treatment that would recur in Eastern European versions into the 20th century. In the years following America's independence, Thomas Abthorpe Cooper, the young nation's leading tragedian, performed Hamlet among other plays at the Chestnut Street Theatre in Philadelphia, and at the Park Theatre in New York. Although chided for "acknowledging acquaintances in the audience" and "inadequate memorisation of his lines", he became a national celebrity. 19th century From around 1810 to 1840, the best-known Shakespearean performances in the United States were tours by leading London actors—including George Frederick Cooke, Junius Brutus Booth, Edmund Kean, William Charles Macready, and Charles Kemble. Of these, Booth remained to make his career in the States, fathering the nation's most notorious actor, John Wilkes Booth (who later assassinated Abraham Lincoln), and its most famous Hamlet, Edwin Booth. Edwin Booth's Hamlet at the Fifth Avenue Theatre in 1875 was described as "... the dark, sad, dreamy, mysterious hero of a poem. [... acted] in an ideal manner, as far removed as possible from the plane of actual life". Booth played Hamlet for 100 nights in the 1864/5 season at the Winter Garden Theatre, inaugurating the era of long-run Shakespeare in America. In the United Kingdom, the actor-managers of the Victorian era (including Kean, Samuel Phelps, Macready, and Henry Irving) staged Shakespeare in a grand manner, with elaborate scenery and costumes. The tendency of actor-managers to emphasise the importance of their own central character did not always meet with the critics' approval. George Bernard Shaw's praise for Johnston Forbes-Robertson's performance contains a sideswipe at Irving: "The story of the play was perfectly intelligible, and quite took the attention of the audience off the principal actor at moments. What is the Lyceum coming to?" In London, Edmund Kean was the first Hamlet to abandon the regal finery usually associated with the role in favour of a plain costume, and he is said to have surprised his audience by playing Hamlet as serious and introspective. In stark contrast to earlier opulence, William Poel's 1881 production of the Q1 text was an early attempt at reconstructing the Elizabethan theatre's austerity; his only backdrop was a set of red curtains. Sarah Bernhardt played the prince in her popular 1899 London production. In contrast to the "effeminate" view of the central character that usually accompanied a female casting, she described her character as "manly and resolute, but nonetheless thoughtful ... [he] thinks before he acts, a trait indicative of great strength and great spiritual power". In France, Charles Kemble initiated an enthusiasm for Shakespeare; and leading members of the Romantic movement such as Victor Hugo and Alexandre Dumas saw his 1827 Paris performance of Hamlet, particularly admiring the madness of Harriet Smithson's Ophelia. In Germany, Hamlet had become so assimilated by the mid-19th century that Ferdinand Freiligrath declared that "Germany is Hamlet". From the 1850s, the Parsi theatre tradition in India transformed Hamlet into folk performances, with dozens of songs added. 20th century Apart from some western troupes' 19th-century visits, the first professional performance of Hamlet in Japan was Otojirō Kawakami's 1903 Shinpa ("new school theatre") adaptation. Tsubouchi Shōyō translated Hamlet and produced a performance in 1911 that blended Shingeki ("new drama") and Kabuki styles. This hybrid-genre reached its peak in Tsuneari Fukuda's 1955 Hamlet. In 1998, Yukio Ninagawa produced an acclaimed version of Hamlet in the style of Nō theatre, which he took to London. Konstantin Stanislavski and Edward Gordon Craig—two of the 20th century's most influential theatre practitioners—collaborated on the Moscow Art Theatre's seminal production of 1911–12. While Craig favoured stylised abstraction, Stanislavski, armed with his 'system,' explored psychological motivation. Craig conceived of the play as a symbolist monodrama, offering a dream-like vision as seen through Hamlet's eyes alone. This was most evident in the staging of the first court scene. The most famous aspect of the production is Craig's use of large, abstract screens that altered the size and shape of the acting area for each scene, representing the character's state of mind spatially or visualising a dramaturgical progression. The production attracted enthusiastic and unprecedented worldwide attention for the theatre and placed it "on the cultural map for Western Europe". The first modern dress stagings of Hamlet happened in 1925 in London and then New York. Barry Jackson's Birmingham Repertory Theatre opened their production, directed by H.K. Ayliff at the Kingsway Theatre on August 25, 1925. Ivor Brown reported, "Many of the first night audience came to scoff and remained to hold its breath, to marvel and enjoy. . . .Shakespeare's victory over time and tailoring was swift and sweeping." Horace Brisbin Liveright's modern dress production opened at the Booth Theater in New York on November 9, 1925, the same night that the London production moved to Birmingham. It was known "more dryly, and perhaps with a touch of something more sinister, as 'the plain-clothes Hamlet'" and did not reach the same level of success. Hamlet is often played with contemporary political overtones. Leopold Jessner's 1926 production at the Berlin Staatstheater portrayed Claudius's court as a parody of the corrupt and fawning court of Kaiser Wilhelm. In Poland, the number of productions of Hamlet has tended to increase at times of political unrest, since its political themes (suspected crimes, coups, surveillance) can be used to comment on a contemporary situation. Similarly, Czech directors have used the play at times of occupation: a 1941 Vinohrady Theatre production "emphasised, with due caution, the helpless situation of an intellectual attempting to endure in a ruthless environment". In China, performances of Hamlet often have political significance: Gu Wuwei's 1916 The Usurper of State Power, an amalgam of Hamlet and Macbeth, was an attack on Yuan Shikai's attempt to overthrow the republic. In 1942, Jiao Juyin directed the play in a Confucian temple in Sichuan Province, to which the government had retreated from the advancing Japanese. In the immediate aftermath of the collapse of the protests at Tiananmen Square, Lin Zhaohua staged a 1990 Hamlet in which the prince was an ordinary individual tortured by a loss of meaning. In this production, the actors playing Hamlet, Claudius and Polonius exchanged roles at crucial moments in the performance, including the moment of Claudius's death, at which point the actor mainly associated with Hamlet fell to the ground. Notable stagings in London and New York include Barrymore's 1925 production at the Haymarket; it influenced subsequent performances by John Gielgud and Laurence Olivier. Gielgud played the central role many times: his 1936 New York production ran for 132 performances, leading to the accolade that he was "the finest interpreter of the role since Barrymore". Although "posterity has treated Maurice Evans less kindly", throughout the 1930s and 1940s he was regarded by many as the leading interpreter of Shakespeare in the United States and in the 1938/39 season he presented Broadway's first uncut Hamlet, running four and a half hours. Evans later performed a highly truncated version of the play that he played for South Pacific war zones during World War II which made the prince a more decisive character. The staging, known as the "G.I. Hamlet", was produced on Broadway for 131 performances in 1945/46. Olivier's 1937 performance at The Old Vic was popular with audiences but not with critics, with James Agate writing in a famous review in The Sunday Times, "Mr. Olivier does not speak poetry badly. He does not speak it at all." In 1937 Tyrone Guthrie directed the play at Elsinore, Denmark, with Laurence Olivier as Hamlet and Vivien Leigh as Ophelia. In 1963, Olivier directed Peter O'Toole as Hamlet in the inaugural performance of the newly formed National Theatre; critics found resonance between O'Toole's Hamlet and John Osborne's hero, Jimmy Porter, from Look Back in Anger. Richard Burton received his third Tony Award nomination when he played his second Hamlet, his first under John Gielgud's direction, in 1964 in a production that holds the record for the longest run of the play in Broadway history (137 performances). The performance was set on a bare stage, conceived to appear like a dress rehearsal, with Burton in a black v-neck sweater, and Gielgud himself tape-recorded the voice for the ghost (which appeared as a looming shadow). It was preserved both on record and on a film that played in US theatres for a week in 1964 as well as being the subject of books written by cast members William Redfield and Richard L. Sterne. Other New York portrayals of Hamlet of note include that of Ralph Fiennes's in 1995 (for which he won the Tony Award for Best Actor)—which ran, from first preview to closing night, a total of one hundred performances. About the Fiennes Hamlet Vincent Canby wrote in The New York Times that it was "... not one for literary sleuths and Shakespeare scholars. It respects the play, but it doesn't provide any new material for arcane debates on what it all means. Instead it's an intelligent, beautifully read ..." Stacy Keach played the role with an all-star cast at Joseph Papp's Delacorte Theater in the early 1970s, with Colleen Dewhurst's Gertrude, James Earl Jones's King, Barnard Hughes's Polonius, Sam Waterston's Laertes and Raul Julia's Osric. Sam Waterston later played the role himself at the Delacorte for the New York Shakespeare Festival, and the show transferred to the Vivian Beaumont Theater in 1975 (Stephen Lang played Bernardo and other roles). Stephen Lang's Hamlet for the Roundabout Theatre Company in 1992 received mixed reviews and ran for sixty-one performances. David Warner played the role with the Royal Shakespeare Theatre in 1965. William Hurt (at Circle Repertory Company off-Broadway, memorably performing "To be, or not to be" while lying on the floor), Jon Voight at Rutgers, and Christopher Walken (fiercely) at Stratford, Connecticut, have all played the role, as has Diane Venora at The Public Theatre. The Internet Broadway Database lists sixty-six productions of Hamlet. Ian Charleson performed Hamlet from 9 October to 13 November 1989, in Richard Eyre's production at the Olivier Theatre, replacing Daniel Day-Lewis, who had abandoned the production. Seriously ill from AIDS at the time, Charleson died eight weeks after his last performance. Fellow actor and friend, Sir Ian McKellen, said that Charleson played Hamlet so well it was as if he had rehearsed the role all his life; McKellen called it "the perfect Hamlet". The performance garnered other major accolades as well, some critics echoing McKellen in calling it the definitive Hamlet performance. Keanu Reeves performed Hamlet from 12 January to 4 February 1995 at the Royal Manitoba Theatre Centre (Winnipeg, Manitoba). The production garnered positive reviews from worldwide media outlets. Directed by Lewis Baumander the lavish production featured a cast of some of Canada's most distinguished classical actors of that period. 21st century Hamlet continues to be staged regularly. Actors performing the lead role have included: Simon Russell Beale, Ben Whishaw, David Tennant, Tom Hiddleston, Angela Winkler, Samuel West, Christopher Eccleston, Maxine Peake, Rory Kinnear, Oscar Isaac, Michael Sheen, Christian Camargo, Paapa Essiedu and Michael Urie. In May 2009, Hamlet opened with Jude Law in the title role at the Donmar Warehouse West End season at Wyndham's Theatre. The production officially opened on 3 June and ran through 22 August 2009. A further production with Jude Law ran at Elsinore Castle in Denmark from 25–30 August 2009, and then moved to Broadway, and ran for 12 weeks at the Broadhurst Theatre in New York. In October 2011, a production starring Michael Sheen opened at the Young Vic, in which the play was set inside a psychiatric hospital. In 2013, American actor Paul Giamatti played the title role of Hamlet in modern dress, at the Yale Repertory Theatre, at Yale University in New Haven, Connecticut. The Globe Theatre of London initiated a project in 2014 to perform Hamlet in every country in the world in the space of two years. Titled Globe to Globe Hamlet, it began its tour on 23 April 2014, the 450th anniversary of Shakespeare's birth, and performed in 197 countries. Benedict Cumberbatch played the role for a 12-week run in a production at the Barbican Theatre, opening on 25 August 2015. The play was produced by Sonia Friedman, and directed by Lyndsey Turner, with set design by Es Devlin. It was called the "most in-demand theatre production of all time" and sold out in seven hours after tickets went on sale 11 August 2014, more than a year before the play opened. A 2017 Almeida Theatre production, directed by Robert Icke and starring Andrew Scott, was transferred that same year to the West End's Harold Pinter Theatre. Tom Hiddleston played the role for a three-week run at Vanbrugh Theatre that opened on 1 September 2017 and was directed by Kenneth Branagh. In 2018, The Globe Theatre's newly instated artistic director Michelle Terry played the role in a production notable for its gender-blind casting. A production by Bristol Old Vic starring Billy Howle in title role, Niamh Cusack as Gertrude, Mirren Mack as Ophelia opened on 13 October 2022. Film and TV performances An early film version of Hamlet is Sarah Bernhardt's five-minute film of the fencing scene, which was produced in 1900. The film was an early attempt at combining sound and film; music and words were recorded on phonograph records, to be played along with the film. Silent versions were released in 1907, 1908, 1910, 1913, 1917, and 1920. In the 1921 film Hamlet, Danish actress Asta Nielsen played the role of Hamlet as a woman who spends her life disguised as a man. Laurence Olivier's 1948 moody black-and-white Hamlet won Best Picture and Best Actor Academy Awards and is as of 2024, the only Shakespeare film to have done so. His interpretation stressed the Oedipal overtones of the play and cast 28-year-old Eileen Herlie as Hamlet's mother opposite himself at 41 as Hamlet. In 1953, actor Jack Manning performed the play in 15-minute segments over two weeks in the short-lived late night DuMont series Monodrama Theater. New York Times TV critic Jack Gould praised Manning's performance as Hamlet. The 1964 Soviet film Hamlet (Russian: Гамлет) is based on a translation by Boris Pasternak and directed by Grigori Kozintsev, with a score by Dmitri Shostakovich. Innokenty Smoktunovsky was cast in the role of Hamlet. John Gielgud directed Richard Burton in a Broadway production at the Lunt-Fontanne Theatre in 1964–65, the longest-running Hamlet in the U.S. to date. A live film of the production was produced using "Electronovision", a method of recording a live performance with multiple video cameras and converting the image to film. Eileen Herlie repeated her role from Olivier's film version as the Queen, and the voice of Gielgud was heard as the ghost. The Gielgud/Burton production was also recorded complete and released on LP by Columbia Masterworks. The first Hamlet in color was a 1969 film directed by Tony Richardson with Nicol Williamson as Hamlet and Marianne Faithfull as Ophelia. In 1990 Franco Zeffirelli, whose Shakespeare films have been described as "sensual rather than cerebral", cast Mel Gibson—then famous for the Mad Max and Lethal Weapon movies—in the title role of his 1990 version; Glenn Close—then famous as the psychotic "other woman" in Fatal Attraction—played Gertrude, and Paul Scofield played Hamlet's father. Kenneth Branagh adapted, directed, and starred in a 1996 film version of Hamlet that contained material from the First Folio and the Second Quarto. Branagh's Hamlet runs for just over four hours. Branagh set the film with late 19th-century costuming and furnishings, a production in many ways reminiscent of a Russian novel of the time, and Blenheim Palace, built in the early 18th century, became Elsinore Castle in the external scenes. The film is structured as an epic and makes frequent use of flashbacks to highlight elements not made explicit in the play: Hamlet's sexual relationship with Kate Winslet's Ophelia, for example, or his childhood affection for Yorick (played by Ken Dodd). This version was also the first unabridged theatrical film adaptation of the play, and runs four hours long. In 2000, Michael Almereyda's Hamlet set the story in contemporary Manhattan, with Ethan Hawke playing Hamlet as a film student. Claudius (played by Kyle MacLachlan) became the CEO of "Denmark Corporation", having taken over the company by killing his brother. The 2014 Bollywood film Haider is an adaptation set in modern Kashmir. The Northman, released on 22 April 2022 and directed by the American director Robert Eggers who also co-wrote the script with Icelandic author Sjón, is based in the original Scandinavian legend that inspired Shakespeare to write Hamlet. Derivative works This section is limited to derivative works written for the stage. Tom Stoppard's 1966 play Rosencrantz and Guildenstern Are Dead retells many of the events of the story from the point of view of the characters Rosencrantz and Guildenstern and gives them a backstory of their own. Several times since 1995, the American Shakespeare Center has mounted repertories that included both Hamlet and Rosencrantz and Guildenstern, with the same actors performing the same roles in each; in their 2001 and 2009 seasons the two plays were "directed, designed, and rehearsed together to make the most out of the shared scenes and situations". W. S. Gilbert wrote a short comic play titled Rosencrantz and Guildenstern, in which Hamlet's play is presented as a tragedy written by Claudius in his youth of which he is greatly embarrassed. Through the chaos triggered by Hamlet's staging of it, Guildenstern helps Rosencrantz vie with Hamlet to make Ophelia his bride. Lee Blessing's Fortinbras is a comical sequel to Hamlet in which all the deceased characters come back as ghosts. The New York Times reviewed the play, saying it is "scarcely more than an extended comedy sketch, lacking the portent and linguistic complexity of Tom Stoppard's Rosencrantz and Guildenstern Are Dead. Fortinbras operates on a far less ambitious plane, but it is a ripping yarn and offers Keith Reddin a role in which he can commit comic mayhem". Caridad Svich's 12 Ophelias (a play with broken songs) includes elements of the story of Hamlet but focuses on Ophelia. In Svich's play, Ophelia is resurrected and rises from a pool of water, after her death in Hamlet. The play is a series of scenes and songs, and was first staged at a public swimming pool in Brooklyn. David Davalos's Wittenberg is a "tragical-comical-historical" prequel to Hamlet that depicts the Danish prince as a student at Wittenberg University (now known as the University of Halle-Wittenberg), where he is torn between the conflicting teachings of his mentors John Faustus and Martin Luther. The New York Times reviewed the play, saying, "Mr. Davalos has molded a daft campus comedy out of this unlikely convergence", and Nytheatre.com's review said the playwright "has imagined a fascinating alternate reality, and quite possibly, given the fictional Hamlet a back story that will inform the role for the future." Mad Boy Chronicle by Canadian playwright Michael O'Brien is a dark comedy loosely based on Hamlet, set in Viking Denmark in 999 AD. Notes and references Notes References Sources Editions of Hamlet Secondary sources Further reading External links Hamlet Archived 25 February 2021 at the Wayback Machine at the British Library ​Hamlet​ at the Internet Broadway Database Hamlet at the Internet Off-Broadway Database Hamlet public domain audiobook at LibriVox Texts The full text of Hamlet at Wikisource, in multiple editions Hamlet Archived 7 April 2018 at the Wayback Machine Complete text on one page with definitions of difficult words and explanations of difficult passages. Hamlet, Folger Shakespeare Library Hamlet at Standard Ebooks Hamlet at Project Gutenberg Hamlet at the Internet Shakespeare Editions – Transcripts and facsimiles of Q1, Q2 and F1. Shakespeare Quartos Archive – Transcriptions and facsimiles of thirty-two copies of the five pre-1642 quarto editions. Hamlet at Open Source Shakespeare – A complete text of Hamlet based on Q2. Hamlet – Annotated text aligned to Common Core standards. Hamlet – Etext in Spanish available in many formats at Gutenberg.org. Analysis Hamlet on the Ramparts – The MIT's Shakespeare Electronic Archive. Hamletworks.org – Scholarly resource with multiple versions of Hamlet, commentaries, concordances, and more. Depictions and commentary of Hamlet paintings Clear Shakespeare Hamlet – A word-by-word audio guide through the play. Related works The Danish History (Books I–IX) by Saxo Grammaticus at The Online Medieval & Classical Library (public domain translation into English of the Gesta Danorum).
Denmark
https://en.wikipedia.org/wiki/Denmark
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[ "https://en.wikipedia.org/wiki/Denmark" ]
Denmark (Danish: Danmark, pronounced [ˈtænmɑk] ) is a Nordic country in the south-central portion of Northern Europe with a population of nearly 6 million; 767,000 live in Copenhagen (1.9 million in the wider area). It is the metropolitan part of and the most populous constituent of the Kingdom of Denmark, a constitutionally unitary state that includes the autonomous territories of the Faroe Islands and Greenland in the North Atlantic Ocean. Metropolitan Denmark is the southernmost of the Scandinavian countries, lying south-west and south of Sweden, south of Norway, and north of Germany, with which it shares a short border. As of 2013, the Kingdom of Denmark, including the Faroe Islands and Greenland, had a total of 1,419 islands greater than 100 square metres (1,100 sq ft) in area; 443 of these have been named and 78 are inhabited. Spanning a total area of 42,943 km2 (16,580 sq mi), metropolitan Denmark consists of the northern part of the Jutland peninsula and an archipelago of 406 islands. Of these, the most populated island is Zealand, on which the capital and largest city, Copenhagen, is situated, followed by Funen, the North Jutlandic Island, and Amager. Denmark has flat, arable land, sandy coasts, low elevations, and a temperate climate. Denmark exercises hegemonic influence in the Danish Realm, devolving powers to handle internal affairs. Home rule was established in the Faroe Islands in 1948 and in Greenland in 1979; the latter obtained further autonomy in 2009. The unified Kingdom of Denmark emerged in the 8th century AD as a proficient maritime power amid the struggle for control of the Baltic Sea. In 1397, it joined Norway and Sweden to form the Kalmar Union, which persisted until the latter's secession in 1523. The remaining Kingdom of Denmark–Norway endured a series of wars in the 17th century that resulted in further territorial cessions. A surge of nationalist movements in the 19th century were defeated in the First Schleswig War of 1848. The adoption of the Constitution of Denmark on 5 June 1849 ended the absolute monarchy and introduced the current parliamentary system. An industrialised exporter of agricultural produce in the second half of the 19th century, Denmark introduced social and labour-market reforms in the early 20th century, which formed the basis for the present welfare state model and advanced mixed economy. Denmark remained neutral during World War I; Danish neutrality was violated in World War II by a rapid German invasion in April 1940. During occupation, a resistance movement emerged in 1943, while Iceland declared independence in 1944; Denmark was liberated after the end of the war in May 1945. In 1973, Denmark, together with Greenland but not the Faroe Islands, became a member of what is now the European Union, but negotiated certain opt-outs, such as retaining its own currency, the krone. Denmark is a developed country with a high standard of living, and was the first country to legally recognise same-sex partnerships. It is a founding member of NATO, the Nordic Council, the OECD, the OSCE, the United Nations where it is a member of the Security Council, and is part of the Schengen Area. Denmark maintains close political, cultural, and linguistic ties with its Scandinavian neighbours. The Danish political system is used in political science as a reference point for near-perfect governance and the term "getting to Denmark" is used to describe how other countries can improve their governments. Etymology The etymology of the name "Denmark", the relationship between "Danes" and "Denmark", and the emergence of Denmark as a unified kingdom are topics of continuous scholarly debate. This is centred primarily on the morpheme "Dan" and whether it refers to the Dani or a historical person Dan and the exact meaning of the -"mark" ending. Most etymological dictionaries and handbooks derive "Dan" from a word meaning "flat land", related to German Tenne "threshing floor", English den "cave". The element mark is believed to mean woodland or borderland (see marches), with probable references to the border forests in south Schleswig. The first recorded use of the word Danmark within Denmark itself is found on the two Jelling stones, which are runestones believed to have been erected by Gorm the Old (c. 955) and Harald Bluetooth (c. 965). The larger of the two stones is popularly cited as the "baptismal certificate" (dåbsattest) of Denmark, though both use the word "Denmark", in the accusative ᛏᛅᚾᛘᛅᚢᚱᚴ tanmaurk ([danmɒrk]) on the large stone, and the genitive ᛏᛅᚾᛘᛅᚱᚴᛅᚱ "tanmarkar" (pronounced [danmarkaɽ]) on the small stone, while the dative form tąnmarku (pronounced [danmarkʊ]) is found on the contemporaneous Skivum stone. The inhabitants of Denmark are there called tani ([danɪ]), or "Danes", in the accusative. History Prehistory The earliest archaeological finds in Denmark date back to the Eem interglacial period from 130,000 to 110,000 BC. Denmark has been inhabited since around 12,500 BC and agriculture has been evident since 3900 BC. The Nordic Bronze Age (1800–600 BC) in Denmark was marked by burial mounds, which left an abundance of findings including lurs and the Sun Chariot. During the Pre-Roman Iron Age (500 BC – AD 1), native groups began migrating south, and the first tribal Danes came to the country between the Pre-Roman and the Germanic Iron Age, in the Roman Iron Age (AD 1–400). The Roman provinces maintained trade routes and relations with native tribes in Denmark, and Roman coins have been found in Denmark. Evidence of strong Celtic cultural influence dates from this period in Denmark and much of North-West Europe and is among other things reflected in the finding of the Gundestrup cauldron. The tribal Danes came from the east Danish islands (Zealand) and Scania and spoke an early form of North Germanic. Historians believe that before their arrival, most of Jutland and the nearest islands were settled by tribal Jutes. Many Jutes migrated to Great Britain, according to legend some as mercenaries of Brythonic King Vortigern, and formed the south-eastern territories of Kent, the Isle of Wight and other areas, where they settled. They were later absorbed or ethnically cleansed by the invading Angles and Saxons, who formed the Anglo-Saxons. The remaining Jutish population in Jutland assimilated in with the settling Danes. A short note about the Dani in Getica by the historian Jordanes is believed to be an early mention of the Danes, one of the ethnic groups from whom modern Danes are descended. The Danevirke defence structures were built in phases from the 3rd century forward and the sheer size of the construction efforts in AD 737 are attributed to the emergence of a Danish king. A new runic alphabet was first used around the same time and Ribe, the oldest town of Denmark, was founded about AD 700. Viking and Middle Ages From the 8th to the 10th century the wider Scandinavian region was the source of Vikings. They colonised, raided, and traded in all parts of Europe. The Danish Vikings were most active in the eastern and southern British Isles and Western Europe. They settled in parts of England (known as the Danelaw) under King Sweyn Forkbeard in 1013, and in France where Danes and Norwegians were allowed to settle in what would become Normandy in exchange of allegiance to Robert I of France with Rollo as first ruler. Some Anglo-Saxon pence of this period have been found in Denmark. Denmark was largely consolidated by the late 8th century and its rulers are consistently referred to in Frankish sources as kings (reges). Under the reign of Gudfred in 804 the Danish kingdom may have included all the lands of Jutland, Scania and the Danish islands, excluding Bornholm. The extant Danish monarchy traces its roots back to Gorm the Old, who established his reign in the early 10th century. As attested by the Jelling stones, the Danes were Christianised around 965 by Harald Bluetooth, the son of Gorm and Thyra. It is believed that Denmark became Christian for political reasons so as not to get invaded by the Holy Roman Empire. A rising Christian power in Europe, the Holy Roman Empire was an important trading partner for the Danes. As a deterrent against this threat, Harald built six fortresses around Denmark called Trelleborg and built a further Danevirke. In the early 11th century, Canute the Great won and united Denmark, England, and Norway for almost 30 years with a Scandinavian army. Throughout the High and Late Middle Ages, Denmark also included Skåneland (the areas of Scania, Halland, and Blekinge in present-day south Sweden) and Danish kings ruled Danish Estonia, as well as the duchies of Schleswig and Holstein. Most of the latter two now form the state of Schleswig-Holstein in northern Germany. In 1397, Denmark entered into a personal union known as the Kalmar Union with Norway and Sweden, united under Queen Margaret I. The three countries were to be treated as equals in the union. However, even from the start, Margaret may not have been so idealistic—treating Denmark as the clear "senior" partner of the union. Thus, much of the next 125 years of Scandinavian history revolves around this union, with Sweden breaking off and being re-conquered repeatedly. The issue was for practical purposes resolved on 17 June 1523, as Swedish King Gustav Vasa conquered the city of Stockholm. The Protestant Reformation spread to Scandinavia in the 1530s, and following the Count's Feud civil war, Denmark converted to Lutheranism in 1536. Later that year, Denmark entered into a union with Norway. Early modern history (1536–1849) After Sweden permanently broke away from the personal union, Denmark tried on several occasions to reassert control over its neighbour. King Christian IV attacked Sweden in the 1611–1613 Kalmar War but failed to accomplish his main objective of forcing it to return to the union. The war led to no territorial changes, but Sweden was forced to pay a war indemnity of 1 million silver riksdaler to Denmark, an amount known as the Älvsborg ransom. King Christian used this money to found several towns and fortresses, most notably Glückstadt (founded as a rival to Hamburg) and Christiania. Inspired by the Dutch East India Company, he founded a similar Danish company and planned to claim Ceylon as a colony, but the company only managed to acquire Tranquebar on India's Coromandel Coast. Denmark's large colonial aspirations included a few key trading posts in Africa and India. While Denmark's trading posts in India were of little note, it played an important role in the highly lucrative Atlantic slave trade, through its trading outposts in Fort Christiansborg in Osu, Ghana through which 1.5 million slaves were traded. While the Danish colonial empire was sustained by trade with other major powers, and plantations – ultimately a lack of resources led to its stagnation. In the Thirty Years' War, Christian tried to become the leader of the Lutheran states in Germany but suffered a crushing defeat at the Battle of Lutter. The result was that the Catholic army under Albrecht von Wallenstein was able to invade, occupy, and pillage Jutland, forcing Denmark to withdraw from the war. Denmark managed to avoid territorial concessions, but King Gustavus Adolphus' intervention in Germany was seen as a sign that the military power of Sweden was on the rise while Denmark's influence in the region was declining. Swedish armies invaded Jutland in 1643 and claimed Scania in 1644. In the 1645 Treaty of Brømsebro, Denmark surrendered Halland, Gotland, the last parts of Danish Estonia, and several provinces in Norway. Seeing an opportunity to tear up the Treaty of Brømsebro, King Frederick III of Denmark, in 1657, declared war on Sweden, the latter being deeply involved in the Second Northern War (1655–1660), and marched on Bremen-Verden. This led to a massive Danish defeat as the armies of King Charles X Gustav of Sweden conquered Jutland and, following the Swedish March across the frozen Danish straits, occupied Funen and much of Zealand before signing the Peace of Roskilde in February 1658, which gave Sweden control of Scania, Blekinge, Bohuslän, Trøndelag, and the island of Bornholm. Charles X Gustav quickly regretted not having ruined Denmark and in August 1658, he launched a second attack on Denmark, conquered most of the Danish islands, and began a two-year-long siege of Copenhagen. King Frederick III actively led the defence of the city, rallying its citizens to take up arms, and repelled the Swedish attacks. The siege ended following the death of Charles X Gustav in 1660. In the ensuing peace settlement, Denmark managed to maintain its independence and regain control of Trøndelag and Bornholm. Attaining great popularity following the war, Frederick III used this to disband the elective monarchy in favour of absolute monarchy, which lasted until 1848 in Denmark. Denmark tried but failed to regain control of Scania in the Scanian War (1675–1679). After the Great Northern War (1700–21), Denmark managed to regain control of the parts of Schleswig and Holstein ruled by the house of Holstein-Gottorp in the 1720 Treaty of Frederiksborg and the 1773 Treaty of Tsarskoye Selo, respectively. Denmark prospered greatly in the last decades of the 18th century due to its neutral status allowing it to trade with both sides in the many contemporary wars. In the Napoleonic Wars, Denmark traded with both France and the United Kingdom and joined the League of Armed Neutrality with Russia, Sweden, and Prussia. The British considered this a hostile act and attacked Copenhagen in 1801 and 1807, in one case carrying off the Danish fleet, in the other, burning large parts of the Danish capital. This led to the so-called Danish-British Gunboat War. British control of the waterways between Denmark and Norway proved disastrous to the union's economy and in 1813 Denmark–Norway went bankrupt. The union was dissolved by the Treaty of Kiel in 1814; the Danish monarchy "irrevocably and forever" renounced claims to the Kingdom of Norway in favour of the Swedish king. Denmark kept the possessions of Iceland (which retained the Danish monarchy until 1944), the Faroe Islands and Greenland, all of which had been governed by Norway for centuries. Apart from the Nordic colonies, Denmark continued to rule over Danish India from 1620 to 1869, the Danish Gold Coast (Ghana) from 1658 to 1850, and the Danish West Indies from 1671 to 1917. Constitutional monarchy (1849–present) A nascent Danish liberal and national movement gained momentum in the 1830s; after the European Revolutions of 1848, Denmark peacefully became a constitutional monarchy on 5 June 1849. A new constitution established a two-chamber parliament. Denmark faced war against both Prussia and the Austrian Empire in what became known as the Second Schleswig War, lasting from February to October 1864. Denmark was defeated and obliged to cede Schleswig and Holstein to Prussia. This loss came as the latest in the long series of defeats and territorial losses that had begun in the 17th century. After these events, Denmark pursued a policy of neutrality in Europe. Industrialisation came to Denmark in the second half of the 19th century. The nation's first railways were constructed in the 1850s, and improved communications and overseas trade allowed industry to develop in spite of Denmark's lack of natural resources. Trade unions developed, starting in the 1870s. There was a considerable migration of people from the countryside to the cities, and Danish agriculture became centred on the export of dairy and meat products. Denmark maintained its neutral stance during World War I. After the defeat of Germany, the Versailles powers offered to return the region of Schleswig-Holstein to Denmark. Fearing German irredentism, Denmark refused to consider the return of the area without a plebiscite; the two Schleswig Plebiscites took place on 10 February and 14 March 1920, respectively. On 10 July 1920, Northern Schleswig was recovered by Denmark, thereby adding some 163,600 inhabitants and 3,984 square kilometres (1,538 sq mi). The country's first social democratic government took office in 1924. In 1939 Denmark signed a 10-year non-aggression pact with Nazi Germany but Germany invaded Denmark on 9 April 1940 and the Danish government quickly surrendered. World War II in Denmark was characterised by economic co-operation with Germany until 1943, when the Danish government refused further co-operation and its navy scuttled most of its ships and sent many of its officers to Sweden, which was neutral. The Danish resistance performed a rescue operation that managed to evacuate several thousand Jews and their families to safety in Sweden before the Germans could send them to death camps. Some Danes supported Nazism by joining the Danish Nazi Party or volunteering to fight with Germany as part of the Frikorps Danmark. Iceland severed ties with Denmark and became an independent republic in 1944; Germany surrendered in May 1945. In 1948, the Faroe Islands gained home rule. In 1949, Denmark became a founding member of NATO. Denmark was a founding member of European Free Trade Association (EFTA). During the 1960s, the EFTA countries were often referred to as the Outer Seven, as opposed to the Inner Six of what was then the European Economic Community (EEC). In 1973, along with Britain and Ireland, Denmark joined the European Economic Community (now the European Union) after a public referendum. The Maastricht Treaty, which involved further European integration, was rejected by the Danish people in 1992; it was only accepted after a second referendum in 1993, which provided for four opt-outs from policies. The Danes rejected the euro as the national currency in a referendum in 2000. Greenland gained home rule in 1979 and was awarded self-determination in 2009. Neither the Faroe Islands nor Greenland are members of the European Union, the Faroese having declined membership of the EEC in 1973 and Greenland in 1986, in both cases because of fisheries policies. Constitutional change in 1953 led to a single-chamber parliament elected by proportional representation, female accession to the Danish throne, and Greenland becoming an integral part of Denmark. The centre-left Social Democrats led a string of coalition governments for most of the second half of the 20th century, introducing the Nordic welfare model. The Liberal Party and the Conservative People's Party have also led centre-right governments. Geography Located in Northern Europe, Denmark consists of the northern part of the Jutland peninsula and an archipelago of 406 islands. Of these, the largest island is Zealand, on which the capital Copenhagen is situated, followed by the North Jutlandic Island, Funen, and Lolland. The island of Bornholm is located some 150 km east of the rest of the country, in the Baltic Sea. Many of the larger islands are connected by bridges; a bridge-tunnel across the Øresund connects Zealand with Sweden; the Great Belt Fixed Link connects Funen with Zealand; and the Little Belt Bridge connects Jutland with Funen. Ferries or small aircraft connect to the smaller islands. The four cities with populations over 100,000 are the capital Copenhagen on Zealand; Aarhus and Aalborg in Jutland; and Odense on Funen. The metropolitan part occupies a total area of 42,943.9 square kilometres (16,581 sq mi). The area of inland water is 43 km2 (17 sq mi). The size of the land area cannot be stated exactly since the ocean constantly erodes and adds material to the coastline, and because of human land reclamation projects (to counter erosion). Post-glacial rebound raises the land by a bit less than 1 cm (0.4 in) per year in the north and east, extending the coast. A circle enclosing the same area as Denmark would be 234 kilometres (145 miles) in diameter with a circumference of 736 km (457 mi) (land area only: 232.33 km (144.36 mi) and 730 km (454 mi) respectively). It shares a border of 68 kilometres (42 mi) with Germany to the south and is otherwise surrounded by 8,750 km (5,437 mi) of tidal shoreline (including small bays and inlets). No location in Denmark is farther from the coast than 52 km (32 mi). On the south-west coast of Jutland, the tide is between 1 and 2 m (3.28 and 6.56 ft), and the tideline moves outward and inward on a 10 km (6.2 mi) stretch. Denmark's territorial waters total 105,000 square kilometres (40,541 square miles). Denmark's northernmost point is Skagen point (the north beach of the Skaw) at 57° 45' 7" northern latitude; the southernmost is Gedser point (the southern tip of Falster) at 54° 33' 35" northern latitude; the westernmost point is Blåvandshuk at 8° 4' 22" eastern longitude; and the easternmost point is Østerskær at 15° 11' 55" eastern longitude. This is in the small Ertholmene archipelago 18 kilometres (11 mi) north-east of Bornholm. The distance from east to west is 452 kilometres (281 mi), from north to south 368 kilometres (229 mi). The metropolitan part is flat with little elevation, having an average height above sea level of 31 metres (102 ft). The highest natural point is Møllehøj, at 170.86 metres (560.56 ft). Although this is by far the lowest high point in the Nordic countries and also less than half of the highest point in Southern Sweden, Denmark's general elevation in its interior is generally at a safe level from rising sea levels. A sizeable portion of Denmark's terrain consists of rolling plains whilst the coastline is sandy, with large dunes in northern Jutland. Although once extensively forested, today Denmark largely consists of arable land. It is drained by a dozen or so rivers, and the most significant include the Gudenå, Odense, Skjern, Suså and Vidå—a river that flows along its southern border with Germany. The country has 1008 lakes, 16 have an area of more than 500 hectares (1,200 acres). Lake Arresø, located northwest of Copenhagen, is the largest lake. The Kingdom of Denmark includes two overseas territories, both well to the west of Denmark: Greenland, the world's largest island, and the Faroe Islands in the North Atlantic Ocean. These territories are self-governing under their own parliaments (the Løgting and Inatsisartut) and form, together with continental Denmark, part of the Danish Realm, a country. Climate Denmark has a temperate climate, characterised by cool to cold winters, with mean temperatures in January of 1.5 °C (34.7 °F), and mild summers, with a mean temperature in August of 17.2 °C (63.0 °F). The most extreme temperatures recorded in Denmark, since 1874 when recordings began, was 36.4 °C (97.5 °F) in 1975 and −31.2 °C (−24.2 °F) in 1982. Denmark has an average of 179 days per year with precipitation, on average receiving a total of 765 millimetres (30 in) per year; autumn is the wettest season and spring the driest. The position between a continent and an ocean means that the weather is often unstable. Because of Denmark's northern location, there are large seasonal variations in daylight: short days during the winter with sunrise coming around 8:45 am and sunset 3:45 pm (standard time), as well as long summer days with sunrise at 4:30 am and sunset at 10 pm (daylight saving time). Ecology Denmark belongs to the Boreal Kingdom and can be subdivided into two ecoregions: the Atlantic mixed forests and Baltic mixed forests. Almost all of Denmark's primeval temperate forests have been destroyed or fragmented, chiefly for agricultural purposes during the last millennia. The deforestation has created large swaths of heathland and devastating sand drifts. In spite of this, there are several larger second growth woodlands in the country and, in total, 12.9% of the land is now forested. Norway spruce is the most widespread tree (2017); an important tree in the Christmas tree production. Denmark holds a Forest Landscape Integrity Index mean score of 0.5/10, ranking it 171st globally out of 172 countries—behind only San Marino. Roe deer occupy the countryside in growing numbers, and large-antlered red deer can be found in the sparse woodlands of Jutland. Denmark is also home to smaller mammals, such as polecats, hares and hedgehogs. Approximately 400 bird species inhabit Denmark and about 160 of those breed in the country. Large marine mammals include healthy populations of Harbour porpoise, growing numbers of pinnipeds and occasional visits of large whales, including blue whales and orcas. Cod, herring and plaice are abundant culinary fish in Danish waters and form the basis for a large fishing industry. Environment Denmark stopped issuing new licences for oil and gas extraction in December 2020. Land and water pollution are two of Denmark's most significant environmental issues, although much of the country's household and industrial waste is now increasingly filtered and sometimes recycled. The country has historically taken a progressive stance on environmental preservation; in 1971 Denmark established a Ministry of Environment and was the first country in the world to implement an environmental law in 1973. To mitigate environmental degradation and global warming the Danish Government has signed the Climate Change-Kyoto Protocol. However, the national ecological footprint is 8.26 global hectares per person, which is very high compared to a world average of 1.7 in 2010. Contributing factors to this value are an exceptional high value for cropland but also a relatively high value for grazing land, which may be explained by the substantially high meat production in Denmark (115.8 kilograms (255 lb) meat annually per capita) and the large economic role of the meat and dairy industries. In December 2014, the Climate Change Performance Index for 2015 placed Denmark at the top of the table, explaining that although emissions are still quite high, the country was able to implement effective climate protection policies. In 2020, Denmark was placed first in the index again. In 2021 Denmark, with Costa Rica, launched the "Beyond Oil and Gas alliance" for stopping use fossil fuels. Denmark's territories, Greenland and the Faroe Islands, catch approximately 650 whales per year. Greenland's quotas for the catch of whales are determined according to the advice of the International Whaling Commission (IWC), having quota decision-making powers. Government and politics Politics in Denmark operate under a framework laid out in the Constitution of Denmark. First written in 1849, it establishes a sovereign state in the form of a constitutional monarchy, with a representative unicameral parliamentary system. The monarch officially retains executive power and presides over the Council of State (privy council). In practice, the duties of the monarch are strictly representative and ceremonial, such as the formal appointment and dismissal of the Prime Minister and other Government ministers. The Monarch is not answerable for his or her actions, and their person is sacrosanct. Hereditary monarch King Frederik X has been head of state since 14 January 2024. Government The Danish parliament is unicameral and called the Folketing (Danish: Folketinget). It is the legislature of the Kingdom of Denmark, passing acts that apply in Denmark and, variably, Greenland and the Faroe Islands. The Folketing is also responsible for adopting the state's budgets, approving the state's accounts, appointing and exercising control of the Government, and taking part in international co-operation. Bills may be initiated by the Government or by members of parliament. All bills passed must be presented before the Council of State to receive Royal Assent within thirty days in order to become law. Denmark is a representative democracy with universal suffrage. Membership of the Folketing is based on proportional representation of political parties, with a 2% electoral threshold. Denmark elects 175 members to the Folketing, with Greenland and the Faroe Islands electing an additional two members each—179 members in total. Parliamentary elections are held at least every four years, but it is within the powers of the prime minister to ask the monarch to call for an election before the term has elapsed. On a vote of no confidence, the Folketing may force a single minister or an entire government to resign. The Government of Denmark operates as a cabinet government, where executive authority is exercised—formally, on behalf of the monarch—by the prime minister and other cabinet ministers, who head ministries. As the executive branch, the Cabinet is responsible for proposing bills and a budget, executing the laws, and guiding the foreign and internal policies of Denmark. The position of prime minister belongs to the person most likely to command the confidence of a majority in the Folketing; this is often the current leader of the largest political party or, more effectively, through a coalition of parties. A single party generally does not have sufficient political power in terms of the number of seats to form a cabinet on its own; Denmark has often been ruled by coalition governments, themselves usually minority governments dependent on non-government parties. Following the 2022 Danish general election in November 2022, resident prime minister and Social Democratic leader Mette Frederiksen in December 2022 formed the current Frederiksen II Cabinet, a coalition government with the until then leading opposition party Venstre and the recently founded Moderate party. Law and judicial system Denmark has a civil law system with some references to Germanic law. Denmark resembles Norway and Sweden in never having developed a case-law like that of England and the United States nor comprehensive codes like those of France and Germany. Much of its law is customary. The judicial system of Denmark is divided between courts with regular civil and criminal jurisdiction and administrative courts with jurisdiction over litigation between individuals and the public administration. Articles sixty-two and sixty-four of the Constitution ensure judicial independence from government and Parliament by providing that judges shall only be guided by the law, including acts, statutes and practice. The Kingdom of Denmark does not have a single unified judicial system – Denmark has one system, Greenland another, and the Faroe Islands a third. However, decisions by the highest courts in Greenland and the Faroe Islands may be appealed to the Danish High Courts. The Danish Supreme Court is the highest civil and criminal court responsible for the administration of justice in the Kingdom. Danish Realm The Kingdom of Denmark is a unitary state that comprises, in addition to metropolitan Denmark, two autonomous territories in the North Atlantic Ocean: the Faroe Islands and Greenland. They have been integrated parts of the Danish Realm since the 18th century; however, due to their separate historical and cultural identities, these parts of the Realm have extensive political powers and have assumed legislative and administrative responsibility in a substantial number of fields. Home rule was granted to the Faroe Islands in 1948 and to Greenland in 1979, each having previously had the status of counties. The Faroe Islands and Greenland have their own home governments and parliaments and are effectively self-governing in regards to domestic affairs apart from the judicial system and monetary policy. High Commissioners (Rigsombudsmand) act as representatives of the Danish government in the Faroese Løgting and in the Greenlandic Parliament, but they cannot vote. The Faroese home government is defined to be an equal partner with the Danish national government, while the Greenlandic people are defined as a separate people with the right to self-determination. Administrative divisions Denmark, with a total area of 43,094 square kilometres (16,639 sq mi), is divided into five administrative regions (Danish: regioner). The regions are further subdivided into 98 municipalities (kommuner). The easternmost land in Denmark, the Ertholmene archipelago, with an area of 39 hectares (0.16 sq mi), is neither part of a municipality nor a region but belongs to the Ministry of Defence. The provinces of Denmark are statistical divisions of Denmark, positioned between the administrative regions and municipalities. They are not administrative divisions, nor subject for any kind of political elections, but are mainly for statistical use. The regions were created on 1 January 2007 to replace the 16 former counties. At the same time, smaller municipalities were merged into larger units, reducing the number from 270. Most municipalities have a population of at least 20,000 to give them financial and professional sustainability, although a few exceptions were made to this rule. The administrative divisions are led by directly elected councils, elected proportionally every four years; the most recent Danish local elections were held on 16 November 2021. Other regional structures use the municipal boundaries as a layout, including the police districts, the court districts and the electoral wards. Regions The governing bodies of the regions are the regional councils, each with forty-one councillors elected for four-year terms. The councils are headed by regional district chairmen (regionsrådsformand), who are elected by the council. The areas of responsibility for the regional councils are the national health service, social services and regional development. Unlike the counties they replaced, the regions are not allowed to levy taxes and the health service is partly financed by a national health care contribution until 2018 (sundhedsbidrag), partly by funds from both government and municipalities. From 1 January 2019 this contribution will be abolished, as it is being replaced by higher income tax instead. The area and populations of the regions vary widely; for example, the Capital Region has a population three times larger than that of North Denmark Region. Under the county system certain densely populated municipalities, such as Copenhagen Municipality and Frederiksberg, had been given a status equivalent to that of counties, making them first-level administrative divisions. These sui generis municipalities were incorporated into the new regions under the 2007 reforms. Foreign relations Denmark wields considerable influence in Northern Europe and is a middle power in international affairs. In recent years, Greenland and the Faroe Islands have been guaranteed a say in foreign policy issues such as fishing, whaling, and geopolitical concerns. The foreign policy of Denmark is substantially influenced by its membership of the European Union (EU); Denmark including Greenland joined the European Economic Community (EEC), the EU's predecessor, in 1973. Denmark held the Presidency of the Council of the European Union on seven occasions, most recently from January to June 2012. Following World War II, Denmark ended its two-hundred-year-long policy of neutrality. It has been a founding member of the North Atlantic Treaty Organization (NATO) since 1949, and membership remains highly popular. As a member of Development Assistance Committee (DAC), Denmark has for a long time been among the countries of the world contributing the largest percentage of gross national income to development aid. In 2015, Denmark contributed 0.85% of its gross national income (GNI) to foreign aid and was one of only six countries meeting the longstanding UN target of 0.7% of GNI. The country participates in both bilateral and multilateral aid, with the aid usually administered by the Ministry of Foreign Affairs. The organisational name of Danish International Development Agency (DANIDA) is often used, in particular when operating bilateral aid. According to the 2024 Global Peace Index, Denmark is the 8th most peaceful country in the world. Military Denmark's armed forces are known as the Danish Defence (Danish: Forsvaret). The Minister of Defence is commander-in-chief of the Danish Defence, and serves as chief diplomatic official abroad. During peacetime, the Ministry of Defence employs around 33,000 in total. The main military branches employ almost 27,000: 15,460 in the Royal Danish Army, 5,300 in the Royal Danish Navy and 6,050 in the Royal Danish Air Force (all including conscripts). The Danish Emergency Management Agency employs 2,000 (including conscripts), and about 4,000 are in non-branch-specific services like the Danish Defence Command and the Danish Defence Intelligence Service. Furthermore, around 44,500 serve as volunteers in the Danish Home Guard. Denmark is a long-time supporter of international peacekeeping, but since the NATO bombing of Yugoslavia in 1999 and the War in Afghanistan in 2001, Denmark has also found a new role as a warring nation, participating actively in several wars and invasions. This relatively new situation has stirred some internal critique, but the Danish population has generally been very supportive, in particular of the War in Afghanistan. The Danish Defence has around 1,400 staff in international missions, not including standing contributions to NATO SNMCMG1. Danish forces were heavily engaged in the former Yugoslavia in the UN Protection Force (UNPROFOR), with IFOR, and now SFOR. Between 2003 and 2007, there were approximately 450 Danish soldiers in Iraq. Denmark also strongly supported American operations in Afghanistan and has contributed both monetarily and materially to the ISAF. These initiatives are often described by the authorities as part of a new "active foreign policy" of Denmark. Economy Denmark has a developed mixed economy that is classed as a high-income economy by the World Bank. In 2017, it ranked 16th in the world in terms of gross national income (PPP) per capita and 10th in nominal GNI per capita. Denmark's economy stands out as one of the most free in the Index of Economic Freedom and the Economic Freedom of the World. It is the 10th most competitive economy in the world, and 6th in Europe, according to the World Economic Forum in its Global Competitiveness Report 2018. Denmark has the fourth highest ratio of tertiary degree holders in the world. The country ranks highest in the world for workers' rights. GDP per hour worked was the 13th highest in 2009. The country has a market income inequality close to the OECD average, but after taxes and public cash transfers the income inequality is considerably lower. According to Eurostat, Denmark's Gini coefficient for disposable income was the 7th-lowest among EU countries in 2017. According to the International Monetary Fund, Denmark has the world's highest minimum wage. As Denmark has no minimum wage legislation, the high wage floor has been attributed to the power of trade unions. For example, as the result of a collective bargaining agreement between the 3F trade union and the employers group Horesta, workers at McDonald's and other fast food chains make the equivalent of US$20 an hour, which is more than double what their counterparts earn in the United States, and have access to paid vacation, parental leave and a pension plan. Union density in 2015 was 68%. Once a predominantly agricultural country on account of its arable landscape, since 1945 Denmark has greatly expanded its industrial base and service sector. By 2017 services contributed circa 75% of GDP, manufacturing about 15% and agriculture less than 2%. Major industries include wind turbines, pharmaceuticals, medical equipment, machinery and transportation equipment, food processing, and construction. Circa 60% of the total export value is due to export of goods, and the remaining 40% is from service exports, mainly sea transport. The country's main export goods are: wind turbines, pharmaceuticals, machinery and instruments, meat and meat products, dairy products, fish, furniture and design. Denmark is a net exporter of food and energy and has for a number of years had a balance of payments surplus which has transformed the country from a net debitor to a net creditor country. By 1 July 2018, the net international investment position (or net foreign assets) of Denmark was equal to 64.6% of GDP. Denmark is part of the European Union's internal market, which represents more than 508 million consumers. Several domestic commercial policies are determined by agreements among European Union (EU) members and by EU legislation. Support for free trade is high among the Danish public; in a 2016 poll 57% responded saw globalisation as an opportunity whereas 18% viewed it as a threat. 70% of trade flows are inside the European Union. As of 2017, Denmark's largest export partners are Germany, Sweden, the United Kingdom and the United States. Denmark's currency, the krone (DKK), is pegged at approximately 7.46 kroner per euro through the ERM II. Although a September 2000 referendum rejected adopting the euro, the country follows the policies set forth in the Economic and Monetary Union of the European Union (EMU) and meets the economic convergence criteria needed to adopt the euro. The majority of the political parties in the Folketing support joining the EMU, but since 2010 opinion polls have consistently shown a clear majority against adopting the euro. In March 2018, 29% of respondents from Denmark in a Eurobarometer opinion poll stated that they were in favour of the EMU and the euro, whereas 65% were against it. The exact same pole conducted in November 2023, was almost unchanged with 31% in favour and 63% against. Ranked by turnover in Denmark, the largest Danish companies are: A.P. Møller-Mærsk (international shipping), Novo Nordisk (pharmaceuticals), ISS A/S (facility services), Vestas (wind turbines), Arla Foods (dairy), DSV (transport), Carlsberg Group (beer), Salling Group (retail), Ørsted A/S (power), Danske Bank. The Danish government focused into methods to increase taxes on energy dealers in 2023. Public policy Danes enjoy a high standard of living and the Danish economy is characterised by extensive government welfare provisions. Denmark has a corporate tax rate of 22% and a special time-limited tax regime for expatriates. The Danish taxation system is broad based, with a 25% value-added tax, in addition to excise taxes, income taxes and other fees. The overall level of taxation (sum of all taxes, as a percentage of GDP) was 46% in 2017. The tax structure of Denmark (the relative weight of different taxes) differs from the OECD average, as the Danish tax system in 2015 was characterised by substantially higher revenues from taxes on personal income and a lower proportion of revenues from taxes on corporate income and gains and property taxes than in OECD generally, whereas no revenues at all derive from social security contributions. The proportion deriving from payroll taxes, VAT, and other taxes on goods and services correspond to the OECD average As of 2014, 6% of the population was reported to live below the poverty line, when adjusted for taxes and transfers. Denmark had the 2nd lowest relative poverty rate in the OECD, below the 11.3% OECD average. The 6% of the population reporting that they could not afford to buy sufficient food was less than half of the OECD average. Labour market Like other Nordic countries, Denmark has adopted the Nordic Model, which combines free market capitalism with a comprehensive welfare state and strong worker protection. As a result of its acclaimed "flexicurity" model, Denmark has the freest labour market in Europe, according to the World Bank. Employers can hire and fire whenever they want (flexibility), and between jobs, unemployment compensation is relatively high (security). According to OECD, initial as well as long-term net replacement rates for unemployed persons were 65% of previous net income in 2016, against an OECD average of 53%. No restrictions apply regarding overtime work, which allows companies to operate 24 hours a day, 365 days a year. With an employment rate in 2017 of 74.2% for people aged 15–64-years, Denmark ranks 9th highest among the OECD countries, and above the OECD average of 67.8%. The unemployment rate was 5.7% in 2017, which is considered close to or below its structural level. The level of unemployment benefits is dependent on former employment and normally on membership of an unemployment fund, which is usually closely connected to a trade union, and previous payment of contributions. Circa 65% of the financing comes from earmarked member contributions, whereas the remaining third originates from the central government and hence from general taxation. Business Establishing a business in Denmark can be undertaken in a matter of hours and at very low costs. The Danish government operates a "Danish Business Authority", and launched a series of initiatives in 2012 aiming to simplify business rules, making it easier to run a business without jeopardizing the intended goals of relevant legislation. Science and technology Denmark has a long tradition of scientific and technological invention and engagement, and has been involved internationally from the very start of the scientific revolution. In current times, Denmark is participating in many high-profile international science and technology projects, including CERN, ITER, ESA, ISS and E-ELT. Denmark was ranked 10th in the Global Innovation Index in 2024, down from 6th in 2020 and from 7th in 2019. In the 20th century, Danes have also been innovative in several fields of the technology sector. Danish companies have been influential in the shipping industry with the design of the largest and most energy efficient container ships in the world, the Maersk Triple E class, and Danish engineers have contributed to the design of MAN Diesel engines. In the software and electronic field, Denmark contributed to design and manufacturing of Nordic Mobile Telephones, and the now-defunct Danish company DanCall was among the first to develop GSM mobile phones. Life science is a key sector with extensive research and development activities. Danish engineers are world-leading in providing diabetes care equipment and medication products from Novo Nordisk and, since 2000, the Danish biotech company Novozymes, the world market leader in enzymes for first generation starch-based bioethanol, has pioneered development of enzymes for converting waste to cellulosic ethanol. Medicon Valley, spanning the Øresund Region between Zealand and Sweden, is one of Europe's largest life science clusters. Danish-born computer scientists and software engineers have taken leading roles in some of the world's programming languages: Anders Hejlsberg (Turbo Pascal, Delphi, C#); Rasmus Lerdorf (PHP); Bjarne Stroustrup (C++); David Heinemeier Hansson (Ruby on Rails); Lars Bak, a pioneer in virtual machines (V8, Java VM, Dart). Physicist Lene Vestergaard Hau is the first person to stop light, leading to advances in quantum computing, nanoscale engineering, and linear optics. Energy Denmark has considerably large deposits of oil and natural gas in the North Sea and ranks as number 32 in the world among net exporters of crude oil and was producing 259,980 barrels of crude oil a day in 2009. Denmark is a long-time leader in wind power: In 2015 wind turbines provided 42.1% of the total electricity consumption. In May 2011 Denmark derived 3.1% of its gross domestic product from renewable (clean) energy technology and energy efficiency, or around €6.5 billion ($9.4 billion). Denmark is connected by electric transmission lines to other European countries. Denmark's electricity sector has integrated energy sources such as wind power into the national grid. Denmark now aims to focus on intelligent battery systems (V2G) and plug-in vehicles in the transport sector. The country is a member nation of the International Renewable Energy Agency (IRENA). Denmark exported roughly 460 million GJ of energy in 2018. Transport Significant investment has been made in building road and rail links between regions in Denmark, most notably the Great Belt Fixed Link, which connects Zealand and Funen. It is now possible to drive from Frederikshavn in northern Jutland to Copenhagen on eastern Zealand without leaving the motorway. The main railway operator is DSB for passenger services and DB Cargo for freight trains. The railway tracks are maintained by Banedanmark. The North Sea and the Baltic Sea are intertwined by various, international ferry links. Construction of the Fehmarn Belt Fixed Link, connecting Denmark and Germany with a second link, Started in 2021. Copenhagen has a rapid transit system, the Copenhagen Metro, and an extensive electrified suburban railway network, the S-train. In the four largest cities – Copenhagen, Aarhus, Odense, Aalborg – light rail systems are planned to be in operation around 2020. Cycling in Denmark is a very common form of transport, particularly for the young and for city dwellers. With a network of bicycle routes extending more than 12,000 km and an estimated 7,000 km of segregated dedicated bicycle paths and lanes, Denmark has a solid bicycle infrastructure. Private vehicles are increasingly used as a means of transport. Because of the high registration tax (150%), VAT (25%), and one of the world's highest income tax rates, new cars are very expensive. The purpose of the tax is to discourage car ownership. In 2007, an attempt was made by the government to favour environmentally friendly cars by slightly reducing taxes on high mileage vehicles. However, this has had little effect, and in 2008 Denmark experienced an increase in the import of fuel inefficient old cars, as the cost for older cars—including taxes—keeps them within the budget of many Danes. As of 2011, the average car age is 9.2 years. With Norway and Sweden, Denmark is part of the Scandinavian Airlines flag carrier. Copenhagen Airport is Scandinavia's busiest passenger airport, handling over 25 million passengers in 2014. Other notable airports are Billund Airport, Aalborg Airport, and Aarhus Airport. Demographics Population In April 2020, the population of Denmark, as registered by Statistics Denmark, was 5.825 million. Denmark has one of the oldest populations in the world, with the average age of 41.9 years, with 0.97 males per female. Despite a low birth rate, the population is growing at an average annual rate of 0.59% because of net immigration and increasing longevity. The World Happiness Report frequently ranks Denmark's population as the happiest in the world. This has been attributed to the country's highly regarded education and health care systems, and its low level of income inequality. People in Denmark feel responsible for social welfare. The rate of taxation is among the world's highest and can be half a Dane's income but they get most healthcare free, university tuition is also free and students get grants, there is subsidized child care and old people get pensions and care helpers. Denmark is a historically homogeneous nation. However, as with its Scandinavian neighbours, Denmark has recently transformed from a nation of net emigration, up until World War II, to a nation of net immigration. Today, residence permits are issued mostly to immigrants from other EU countries (54% of all non-Scandinavian immigrants in 2017). Another 31% of residence permits were study- or work-related, 4% were issued to asylum seekers and 10% to persons who arrive as family dependants. Overall, the net migration rate in 2017 was 2.1 migrant(s)/1,000 population, somewhat lower than the United Kingdom and the other Nordic countries. There are no official statistics on ethnic groups, but according to 2020 figures from Statistics Denmark, 86.11% of the population in Denmark was of Danish descent (including Faroese and Greenlandic), defined as having at least one parent who was born in the Kingdom of Denmark and holds Danish nationality. The remaining 13.89% were of foreign background, defined as immigrants or descendants of recent immigrants. With the same definition, the most common countries of origin were Turkey, Poland, Syria, Germany, Iraq, Romania, Lebanon, Pakistan, Bosnia and Herzegovina, and Somalia. Minorities in Denmark include Turks, Poles, Syrians, Germans, Iraqis, Romanians and people from former Yugoslavia. There are also other Asian and African populations in the country. Small numbers of Romani people and Hungarians live in Denmark. There is also a small Jewish population. The Inuit are Indigenous to Greenland in the Kingdom and have traditionally inhabited Greenland and the northern parts of Canada and Alaska in the Arctic. From the 18th century up to the 1970s, the Danish government (Dano-Norwegian until 1814) tried to assimilate the Greenlandic Inuit, encouraging them to adopt the majority language and culture. Because of this "Danization process", some persons of Inuit ancestry now identify their mother tongue as Danish. Languages Danish is the de facto national language of Denmark. Faroese and Greenlandic are the official languages of the Faroe Islands and Greenland respectively. German is a recognised minority language in the area of the former South Jutland County (now part of the Region of Southern Denmark), which was part of the German Empire prior to the Treaty of Versailles. Danish and Faroese belong to the North Germanic (Nordic) branch of the Indo-European languages, along with Icelandic, Norwegian, and Swedish. There is some degree of mutual intelligibility between Danish, Norwegian, and Swedish. Danish is more distantly related to German, which is a West Germanic language. Greenlandic or "Kalaallisut" is an Inuit language, and is entirely unrelated to Danish, although it has adopted many Danish loanwords including the words for numbers. A large majority (86%) of Danes speak English as a second language, generally with a high level of proficiency. German is the second-most spoken foreign language, with 47% reporting a conversational level of proficiency. Denmark had 25,900 native speakers of German in 2007 (mostly in the South Jutland area). Religion Christianity is the dominant religion in Denmark. As of 2024, 71.2% of the population of Denmark were members of the Church of Denmark (Den Danske Folkekirke), the officially established church, which is Protestant in classification and Lutheran in orientation. The membership percentage has been in steady decline since the 1970s, mainly as fewer newborns are being baptised into it. Only 3% of the population regularly attend Sunday services and only 19% of Danes consider religion to be an important part of their life. The Constitution states that the sovereign must have the Lutheran faith, though the rest of the population is free to adhere to other faiths. In 1682 the state granted limited recognition to three religious groups dissenting from the Established Church: Roman Catholicism, the Reformed Church and Judaism, although conversion to these groups from the Church of Denmark remained illegal initially. Until the 1970s, the state formally recognised "religious societies" by royal decree. Today, religious groups do not need official government recognition, they can be granted the right to perform weddings and other ceremonies without this recognition. Denmark's Muslims make up approximately 4.4% of the population and form the country's second largest religious community and largest minority religion. The Danish Foreign Ministry estimates that other religious groups comprise less than 1% of the population individually and approximately 2% when taken all together. Just under 20% of the Danish population identifies as atheist. According to a 2010 Eurobarometer poll, 28% of Danish nationals polled responded that they "believe there is a God", 47% responded that they "believe there is some sort of spirit or life force" and 24% responded that they "do not believe there is any sort of spirit, God or life force". Another poll, carried out in 2009, found that 25% of Danes believe Jesus is the son of God, and 18% believe he is the saviour of the world. In its 2024 Freedom in the World report, Freedom House rated the country 4 out of 4 for religious freedom. Education All educational programmes in Denmark are regulated by the Ministry of Education and administered by local municipalities. Folkeskole covers the entire period of compulsory education, encompassing primary and lower secondary education. Most children attend folkeskole for 10 years, from the ages of 6 to 16. There are no final examinations, but pupils can choose to sit an exam when finishing ninth grade (14–15 years old). The test is obligatory if further education is to be attended. Alternatively pupils can attend an independent school (friskole), or a private school (privatskole), such as Christian schools or Waldorf schools. Following graduation from compulsory education, there are several continuing educational opportunities; the Gymnasium (STX) attaches importance in teaching a mix of humanities and science, Higher Technical Examination Programme (HTX) focuses on scientific subjects and the Higher Commercial Examination Programme emphasises on subjects in economics. Higher Preparatory Examination (HF) is similar to Gymnasium (STX), but is one year shorter. For specific professions, there is vocational education, training young people for work in specific trades by a combination of teaching and apprenticeship. The government records upper secondary school completion rates of 95% and tertiary enrollment and completion rates of 60%. All university and college (tertiary) education in Denmark is free of charges; there are no tuition fees to enrol in courses. Students aged 18 or above may apply for state educational support grants, known as Statens Uddannelsesstøtte (SU), which provides fixed financial support, disbursed monthly. Danish universities offer international students a range of opportunities for obtaining an internationally recognised qualification in Denmark. Many programmes may be taught in the English language, the academic lingua franca, in bachelor's degrees, master's degrees, doctorates and student exchange programmes. Health As of 2015, Denmark has a life expectancy of 80.6 years at birth (78.6 for men, 82.5 for women), up from 76.9 years in 2000. This ranks it 27th among 193 nations, behind the other Nordic countries. The National Institute of Public Health of the University of Southern Denmark has calculated 19 major risk factors among Danes that contribute to a lowering of the life expectancy; this includes smoking, alcohol, drug abuse and physical inactivity. Although the obesity rate is lower than in North America and most other European countries, the large number of overweight Danes results in an annual additional consumption in the health care system of DKK 1,625 million. In a 2012 study, Denmark had the highest cancer rate of all countries listed by the World Cancer Research Fund International; researchers suggest the reasons are better reporting, but also lifestyle factors like heavy alcohol consumption, smoking and physical inactivity. Denmark has a universal health care system, characterised by being publicly financed through taxes and, for most of the services, run directly by the regional authorities. One of the sources of income was a national health care contribution (sundhedsbidrag) (2007–11:8%; '12:7%; '13:6%; '14:5%; '15:4%; '16:3%; '17:2%; '18:1%; '19:0%) but it was phased out from January 2019 in favor of income taxes. This means that most health care provision is free at the point of delivery for all residents. Additionally, roughly two in five have complementary private insurance to cover services not fully covered by the state, such as physiotherapy. As of 2012, Denmark spends 11.2% of its GDP on health care; this is up from 9.8% in 2007 (US$3,512 per capita). This places Denmark above the OECD average and above the other Nordic countries. Vulnerable residential areas Certain social housing districts in Denmark fulfilling specific statistical criteria of relatively low employment, school attendance, relatively low income, a relatively low educational level or relatively many convicted inhabitants are officially listed by the government as vulnerable residential areas. In some cases, the majority of the neighbourhoods consist of non-Western immigrants and their descendants. Over the years, several government initiatives have been taken to further integration and counter urban decay in these neighbourhoods. Major plans to this end were presented in 1994 and 2000 by the governments of Poul Nyrup Rasmussen, in 2004 by the Anders Fogh Rasmussen I Cabinet, in 2010 by the Lars Løkke Rasmussen I Cabinet, in 2013 by the Helle Thorning-Schmidt I Cabinet, in 2018 by the Lars Løkke Rasmussen III Cabinet, and in 2021 by the Mette Frederiksen I Cabinet. Some of the policies have been criticised for undercutting 'equality before law' and for portraying immigrants, especially Muslim immigrants, in a bad light. During the years 2010–2021, the term "ghetto" was used officially to designate some or all of the vulnerable areas. The term was considered controversial, however, and removed in 2021. Denmark is the only country to have officially used the word 'ghetto' in the 21st century to denote certain residential areas. From 2021, four different lists are published, depending on the residents' income levels, employment status, education levels, criminal convictions and origin (a statistical criterion based on parents' geographical birthplace and citizenship). In 2023, there were 19 vulnerable residential areas in Denmark. Culture Denmark shares strong cultural and historic ties with its Scandinavian neighbours Sweden and Norway. It has historically been one of the most socially progressive cultures in the world. In 1969, Denmark was the first country to legalise pornography, and in 2012, Denmark replaced its "registered partnership" laws, which it had been the first country to introduce in 1989, with gender-neutral marriage, and allowed same-sex marriages to be performed in the Church of Denmark. Modesty and social equality are important parts of Danish culture. In a 2016 study comparing empathy scores of 63 countries, Denmark ranked 4th world-wide having the highest empathy among surveyed European countries. The astronomical discoveries of Tycho Brahe, Ludwig A. Colding's neglected articulation of the principle of conservation of energy, and the contributions to atomic physics of Niels Bohr indicate the range of Danish scientific achievement. The fairy tales of Hans Christian Andersen, the philosophical essays of Søren Kierkegaard, the short stories of Karen Blixen (penname Isak Dinesen), the plays of Ludvig Holberg, and the dense, aphoristic poetry of Piet Hein, have earned international recognition, as have the symphonies of Carl Nielsen. From the mid-1990s, Danish films have attracted international attention, especially those associated with Dogme 95 like those of Lars von Trier and Thomas Vinterberg. A major feature of Danish culture is Jul (Danish Christmas). The holiday is celebrated throughout December, starting either at the beginning of Advent or on 1 December with a variety of traditions, culminating with the Christmas Eve meal. There are seven heritage sites inscribed on the UNESCO World Heritage list in Northern Europe: Christiansfeld, a Moravian Church Settlement, the Jelling Mounds (Runic Stones and Church), Kronborg Castle, Roskilde Cathedral, and The par force hunting landscape in North Zealand and 3 in the World Heritage list in North America: Ilulissat Icefjord, Aasivissuit—Nipisat, Kujataa within the Kingdom of Denmark. Human rights Denmark is usually considered a progressive country, which has adopted legislation and policies to support women's rights, minority rights, and LGBT rights. Human rights in Denmark are protected by the state's Constitution of the Realm (Danmarks Riges Grundlov); applying equally in Denmark proper, Greenland and the Faroe Islands, and through the ratification of international human rights treaties. Denmark has held a significant role in the adoption of both the European Convention on Human Rights and in the establishment of the European Court of Human Rights (ECHR). In 1987, the Kingdom Parliament (Folketinget) established a national human rights institution, the Danish Centre of Human Rights, now the Danish Institute for Human Rights. In 2009, a referendum on changing the Danish Act of Succession were held to grant absolute primogeniture to the Danish throne, meaning that the eldest child, regardless of gender, takes precedence in the line of succession. As it was not retroactive, the current successor to the throne is the eldest son of the King, rather than his eldest child. The Danish constitution Article 2 states that "The monarchy is inherited by men and women". The Inuit have for decades been the subject of discrimination and abuse by the |dominant colonisers from Europe, those countries claiming possession of Inuit lands. The Inuit have never been a single community in a single region of Inuit. From the 18th century up to the 1970s, the Danish government (Dano-Norwegian until 1814) tried to assimilate the Indigenous people of Greenland, the Greenlandic Inuit, encouraging them to adopt the majority language, culture and religion. Denmark has been greatly criticised by the Greenlandic community for the politics of Danization (1950s and 1960s) of and discrimination against the Indigenous population of the country. Critical treatment paying non-Inuit workers higher wages than the local people, the relocation of entire families from their traditional lands into settlements, and separating children from their parents and sending them away to Denmark for schooling has been practised. Nevertheless, Denmark ratified, in 1996, to recognise the ILO-convention 169 on Indigenous people recommended by the UN. Denmark was the first country in the world to grant legal recognition to same-sex unions in the form of registered partnerships in 1989. On 7 June 2012, the law was replaced by a new same-sex marriage law, which came into effect on 15 June 2012. Greenland and the Faroe Islands legalised same-sex marriage in April 2016, and in July 2017 respectively. In January 2016, a resolution was implemented by the Danish parliament which prevented transgender identity being classified as a mental health condition. In doing so, Denmark became the first country in Europe to go against the World Health Organisation (WHO) standards, which classified transgender identity as being a mental health issue until June 2018. In its 2024 Freedom in the World report, Freedom House rated the country "free" with a score of 97 (out of 100). Media Danish cinema dates back to 1897 and since the 1980s has maintained a steady stream of productions due largely to funding by the state-supported Danish Film Institute. There have been three big internationally important waves of Danish cinema: erotic melodrama of the silent era; the increasingly explicit sex films of the 1960s and 1970s; and lastly, the Dogme 95 movement of the late 1990s, where directors often used hand-held cameras to dynamic effect in a conscious reaction against big-budget studios. Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation. The Danish filmmaker Carl Th. Dreyer is considered one of the greatest directors of early cinema. Other Danish filmmakers of note include Erik Balling, the creator of the popular Olsen-banden films; Gabriel Axel, an Oscar-winner for Babette's Feast in 1987; and Bille August, the Oscar-, Palme d'Or- and Golden Globe-winner for Pelle the Conqueror in 1988. In the modern era, notable filmmakers in Denmark include Lars von Trier, who co-created the Dogme 95 movement with Thomas Vinterberg, and multiple award-winners Susanne Bier and Nicolas Winding Refn. Mads Mikkelsen is a world-renowned Danish actor, as is Nikolaj Coster-Waldau. Danish mass media date back to the 1540s, when handwritten fly sheets reported on the news. In 1666, Anders Bording, the father of Danish journalism, began a state paper. In 1834, the first liberal, factual newspaper appeared, and the 1849 Constitution established lasting freedom of the press in Denmark. Modern Danish mass media and news programming are dominated by a few large corporations. In printed media JP/Politikens Hus and Berlingske Media, between them, control the largest newspapers Politiken, Berlingske Tidende and Jyllands-Posten and major tabloids B.T. and Ekstra Bladet. In television, publicly owned stations DR and TV 2 have large shares of the viewers. DR in particular is famous for its high quality TV-series often sold to foreign broadcasters and often with leading female characters like internationally known actresses Sidse Babett Knudsen and Sofie Gråbøl. In radio, DR has a near monopoly, currently broadcasting on all four nationally available FM channels, competing only with local stations. Music Denmark and its multiple outlying islands have a wide range of folk traditions. The country's most famous classical composer is Carl Nielsen (1865–1931), especially remembered for his six symphonies and his Wind Quintet, while the Royal Danish Ballet specialises in the work of the Danish choreographer August Bournonville. The Royal Danish Orchestra is among the world's oldest orchestras. Danes have distinguished themselves as jazz musicians, and the Copenhagen Jazz Festival has acquired international recognition. The modern pop and rock scene has produced a few names of international fame, including Aqua, Alphabeat, D-A-D, King Diamond, Kashmir, Lukas Graham, Mew, Michael Learns to Rock, MØ, Oh Land, The Raveonettes and Volbeat, among others. Lars Ulrich, the drummer of the band Metallica, has become the first Danish musician to be inducted into the Rock and Roll Hall of Fame. Roskilde Festival near Copenhagen is the largest music festival in Northern Europe since 1971 and Denmark has many recurring music festivals of all genres throughout, including Aarhus International Jazz Festival, Skanderborg Festival, The Blue Festival in Aalborg, Esbjerg International Chamber Music Festival and Skagen Festival among many others. Denmark has participated in the Eurovision Song Contest since 1957 and has won the contest three times, in 1963, 2000 and 2013. Architecture and design Denmark's architecture became firmly established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals sprang up throughout the country. From the 16th century, Dutch and Flemish designers were brought to Denmark, initially to improve the country's fortifications, but increasingly to build magnificent royal castles and palaces in the Renaissance style. During the 17th century, many impressive buildings were built in the Baroque style, both in the capital and the provinces. Neoclassicism from France was slowly adopted by native Danish architects who increasingly participated in defining architectural style. A productive period of Historicism ultimately merged into the 19th-century National Romantic style. The 20th century brought along new architectural styles; including expressionism, best exemplified by the designs of architect Peder Vilhelm Jensen-Klint, which relied heavily on Scandinavian brick Gothic traditions; and Nordic Classicism, which enjoyed brief popularity in the early decades of the century. It was in the 1960s that Danish architects such as Arne Jacobsen entered the world scene with their highly successful Functionalist architecture. This, in turn, has evolved into more recent world-class masterpieces including Jørn Utzon's Sydney Opera House and Johan Otto von Spreckelsen's Grande Arche de la Défense in Paris, paving the way for a number of contemporary Danish designers such as Bjarke Ingels to be rewarded for excellence both at home and abroad. Danish design is a term often used to describe a style of functionalistic design and architecture that was developed in the mid-20th century, originating in Denmark. Danish design is typically applied to industrial design, furniture and household objects, which have won many international awards. The Royal Porcelain Factory is famous for the quality of its ceramics. Danish design is also a well-known brand, often associated with world-famous, 20th-century designers and architects such as Børge Mogensen, Finn Juhl, Hans Wegner, Arne Jacobsen, Poul Henningsen and Verner Panton. Other designers of note include Kristian Solmer Vedel in the area of industrial design, Jens Quistgaard for kitchen furniture and implements and Ole Wanscher who had a classical approach to furniture design. Literature and philosophy The first known Danish literature is myths and folklore from the 10th and 11th century. Saxo Grammaticus, normally considered the first Danish writer, worked on a chronicle of Danish history (Gesta Danorum). Very little is known of other Danish literature from the Middle Ages. With the Age of Enlightenment came Ludvig Holberg whose comedy plays are still being performed. In the late 19th century, literature was seen as a way to influence society. Known as the Modern Breakthrough, this movement was championed by Georg Brandes, Henrik Pontoppidan (awarded the Nobel Prize in Literature) and J. P. Jacobsen. Romanticism influenced the renowned writer and poet Hans Christian Andersen, known for his stories and fairy tales, e.g. The Ugly Duckling, The Little Mermaid and The Snow Queen. In recent history Johannes Vilhelm Jensen was also awarded the Nobel Prize for Literature. Karen Blixen is famous for her novels and short stories. Other Danish writers of importance are Herman Bang, Gustav Wied, William Heinesen, Martin Andersen Nexø, Piet Hein, Hans Scherfig, Klaus Rifbjerg, Dan Turèll, Tove Ditlevsen, Inger Christensen and Peter Høeg. Danish philosophy has a long tradition as part of Western philosophy. Perhaps the most influential Danish philosopher was Søren Kierkegaard, the creator of Christian existentialism. Kierkegaard had a few Danish followers, including Harald Høffding, who later in his life moved on to join the movement of positivism. Another Danish philosopher of note is Grundtvig, whose philosophy gave rise to a new form of non-aggressive nationalism in Denmark, and who is also influential for his theological and historical works. Painting and photography While Danish art was influenced over the centuries by trends in Germany and the Netherlands, the 15th and 16th century church frescos, which can be seen in many of the country's older churches, are of particular interest as they were painted in a style typical of native Danish painters. The Danish Golden Age, which began in the first half of the 19th century, was inspired by a new feeling of nationalism and romanticism, typified in the later previous century by history painter Nicolai Abildgaard. Christoffer Wilhelm Eckersberg was not only a productive artist in his own right but taught at the Royal Danish Academy of Fine Arts where his students included Wilhelm Bendz, Christen Købke, Martinus Rørbye, Constantin Hansen, and Wilhelm Marstrand. In 1871, Holger Drachmann and Karl Madsen visited Skagen in the far north of Jutland where they quickly built up one of Scandinavia's most successful artists' colonies specialising in Naturalism and Realism rather than in the traditional approach favoured by the academy. Hosted by Michael and his wife Anna, they were soon joined by P.S. Krøyer, Carl Locher and Laurits Tuxen. All participated in painting the natural surroundings and local people. Similar trends developed on Funen with the Fynboerne who included Johannes Larsen, Fritz Syberg and Peter Hansen, and on the island of Bornholm with the Bornholm school of painters including Niels Lergaard, Kræsten Iversen and Oluf Høst. Painting has continued to be a prominent form of artistic expression in Danish culture, inspired by and also influencing major international trends in this area. These include impressionism and the modernist styles of expressionism, abstract painting and surrealism. While international co-operation and activity has almost always been essential to the Danish artistic community, influential art collectives with a firm Danish base includes De Tretten (1909–1912), Linien (1930s and 1940s), COBRA (1948–1951), Fluxus (1960s and 1970s), De Unge Vilde (1980s) and more recently Superflex (founded in 1993). Notable Danish painters from modern times representing various art movements include Theodor Philipsen (impressionism and naturalism), Anna Klindt Sørensen (expressionism), Franciska Clausen (Neue Sachlichkeit, cubism, surrealism and others), Henry Heerup (naivism), Robert Jacobsen (abstract painting), Carl Henning Pedersen (abstract painting), Asger Jorn (Situationist, abstract painting), Bjørn Wiinblad (art deco, orientalism), Per Kirkeby (neo-expressionism, abstract painting), Per Arnoldi (pop art), and Michael Kvium (neo-surrealism). Danish photography has developed from strong participation and interest in the very beginnings of the art of photography in 1839. Pioneers such as Mads Alstrup and Georg Emil Hansen paved the way for a rapidly growing profession during the last half of the 19th century. Today Danish photographers such as Astrid Kruse Jensen and Jacob Aue Sobol are active in key exhibitions around the world. Cuisine The traditional cuisine of Denmark, like that of the other Nordic countries and of Northern Germany, consists mainly of meat, fish and potatoes. Danish dishes are highly seasonal, stemming from the country's agricultural past, its geography, and its climate of long, cold winters. The open sandwiches on rye bread, known as smørrebrød, can be considered a national speciality. Hot meals traditionally consist of ground meats, such as frikadeller (meat balls of veal and pork) and hakkebøf (minced beef patties), or of more substantial meat and fish dishes such as flæskesteg (roast pork with crackling) and kogt torsk (poached cod) with mustard sauce. Denmark is known for its Carlsberg and Tuborg beers and for its akvavit and bitters. Since around 1970, chefs and restaurants across Denmark have introduced gourmet cooking, largely influenced by French cuisine. Also inspired by continental practices, Danish chefs have recently developed a new innovative cuisine and a series of gourmet dishes based on high-quality local produce known as New Danish cuisine. As a result of these developments, Denmark now has a considerable number of internationally acclaimed restaurants of which several have been awarded Michelin stars. This includes Geranium and Noma in Copenhagen. Sports Sports are popular in Denmark, and its citizens participate in and watch a wide variety. The national sport is football, with over 320,000 players in more than 1600 clubs. Denmark qualified six times consecutively for the European Championships between 1984 and 2004, and were crowned European champions in 1992; other significant achievements include winning the Confederations Cup in 1995 and reaching the quarter-final of the 1998 World Cup. The Denmark women's national handball team celebrated great successes during the 1990s and has won a total of 13 medals – seven gold (in 1994, 1996 (2), 1997, 2000, 2002 and 2004), four silver (in 1962, 1993, 1998 and 2004) and two bronze (in 1995 and 2013). On the men's side, Denmark has won 12 medals—four gold (in 2008, 2012, 2016 and 2019), four silver (in 1967, 2011, 2013 and 2014) and four bronze (in 2002, 2004, 2006 and 2007)—the most that have been won by any team in European Handball Championship history. In 2019, the Danish men's national handball team won their first World Championship title. In recent years, Denmark has made a mark as a strong cycling nation, with Michael Rasmussen reaching King of the Mountains status in the Tour de France in 2005 and 2006. Other popular sports include golf—which is mostly popular among those in the older demographic; tennis—in which Denmark is successful on a professional level; basketball—Denmark joined the international governing body FIBA in 1951; rugby—the Danish Rugby Union dates back to 1950; ice hockey—often competing in the top division in the Men's World Championships; rowing—Denmark specialise in lightweight rowing and are particularly known for their lightweight coxless four, having won six gold and two silver World Championship medals and three gold and two bronze Olympic medals; and several indoor sports—especially badminton, table tennis and gymnastics, in each of which Denmark holds World Championships and Olympic medals. See also Index of Denmark-related articles Outline of Denmark Religion in Denmark Explanatory notes Citations General and cited sources External links Denmark.dk Archived 11 December 2020 at the Wayback Machine "The site is the official site of Denmark and is edited by the Ministry of Foreign Affairs of Denmark." Denmark. The World Factbook. Central Intelligence Agency. Denmark entry at Britannica.com. Gosse, Edmund William (1878). "Denmark" . Encyclopædia Britannica. Vol. VII (9th ed.). pp. 80–94. Gosse, Edmund William (1911). "Denmark" . Encyclopædia Britannica. Vol. 8 (11th ed.). pp. 23–44. Kristiansen, M. (1922). "Denmark" . Encyclopædia Britannica. Vol. 30 (12th ed.). Denmark at Curlie Denmark profile from the BBC News. Key Development Forecasts for Denmark from International Futures.
Ron_Hutchinson_(ice_hockey)
https://en.wikipedia.org/wiki/Ron_Hutchinson_(ice_hockey)
[ 153 ]
[ "https://en.wikipedia.org/wiki/Ron_Hutchinson_(ice_hockey)" ]
Ronald Wayne Hutchinson (October 24, 1936 – July 10, 2021) was a Canadian professional ice hockey player who played nine games in the National Hockey League with the New York Rangers during the 1960–61 season. The rest of his career, which lasted from 1957 to 1970, was spent in the minor leagues. Career statistics Regular season and playoffs External links Biographical information and career statistics from NHL.com, or Eliteprospects.com, or Hockey-Reference.com, or The Internet Hockey Database
Flin_Flon_Bombers
https://en.wikipedia.org/wiki/Flin_Flon_Bombers
[ 153 ]
[ "https://en.wikipedia.org/wiki/Flin_Flon_Bombers" ]
The Flin Flon Bombers are a Canadian junior ice hockey team in Flin Flon, a city located on the Manitoba–Saskatchewan provincial border. The Bombers are members of the Saskatchewan Junior Hockey League (SJHL), which is a member of the Canadian Junior Hockey League, and they play home games at the Whitney Forum on the Manitoba side of the city. The team's history dates back to 1927 and includes a decade-long run in the major junior Western Hockey League in the late 1960s and 1970s. The team has won two national championships, including the 1957 Memorial Cup and the 1969 James Piggott National Championship. History Early years The Bombers date back to 1927. Their trademark colours are maroon and white. The team originally played at the Flin Flon Community Club Arena until the construction of the Whitney Forum, known locally as "the zoo", in the 1950s. The Bombers originated as a senior team, and they competed in the Northern Saskatchewan Senior Hockey League and the Saskatchewan Senior Hockey League between 1937 and 1948. SJHL dynasty In the postwar period, the Bombers became charter members of the Saskatchewan Junior Hockey League (SJHL). The team quickly established a dynasty, winning seven league titles in a nine-year span between 1952 and 1960. The team's biggest success during this period came in the 1956–57 season. The Bombers lost only five games in the regular season. In the playoffs, the Bombers beat the Humboldt Indians four games to none in the semifinals, then won the final over the Prince Albert Mintos four games to two. As SJHL champions, the Bombers then advanced to the Abbott Cup to determine the champion for Western Canada. They defeated the Edmonton Oil Kings, a team of junior-aged players competing in the senior Central Alberta Hockey League, four games to two, then the Thunder Bay Junior A Hockey League's Fort William Canadiens in four games to win the Abbott Cup and advance to the Memorial Cup national tournament. As per Memorial Cup rules, the Bombers were permitted to add three players to their roster for the 1957 national playoffs, picking up goalie Lynn Davis and defenceman Jean Gauthier from the Fort William Canadiens and centre Orland Kurtenbach from Prince Albert Mintos. There, they faced the Eastern Canadian champion Ottawa Canadiens, coached by Sam Pollock and assistant Scotty Bowman. The first three games were in Flin Flon, with the remaining games played in Regina, Saskatchewan with Pollock drawing the ire of Flin Flon residents for criticizing the remoteness and size of the community. The Bombers won the series four games to three to claim the Memorial Cup championship. The win by the Bombers was considered a considerable upset over the favoured Canadiens. The team was greeted by 4,000 people when they returned to Flin Flon after the series. The 1956–57 Bombers were inducted into both the Manitoba Sports Hall of Fame (1999) and the Saskatchewan Sports Hall of Fame (2009), as well as the Manitoba Hockey Hall of Fame. The Bombers played in the SJHL until 1966, when the launch of the Canadian Major Junior Hockey League (CMJHL) led the SJHL to fold with several of its teams joining the new league. The Bombers spent the 1966–67 season in the Manitoba Junior Hockey League (MJHL) instead. Led by coach Paddy Ginnell and star players Reggie Leach and Bobby Clarke, who won the league scoring title, the Bombers dominated the MJHL and won the Turnbull Cup as league champions, before losing the Abbott Cup final to Port Arthur. Clarke recorded 71 goals and 183 points in 45 games, while Leach recorded 67 goals and 113 points. Ginnell was credited with turning the Bombers into a hard-working and physically tough team. The arrangement with the MJHL would last just one season, with the Bombers leaving the league in 1967. Western Canada Hockey League After its inaugural season, the CMJHL was renamed the Western Canada Junior Hockey League, which was then simplified to the Western Canada Hockey league one year later. After their one season in the MJHL, the Bombers joined the WCHL, now the top level of junior hockey in Western Canada, for the 1967–68 season, and they immediately built on their previous success. The Clarke-led Bombers continued to dominate, finishing in first place for the 1967–68 regular season before losing in the President's Cup finals to the Estevan Bruins. The Bombers again finished in first place in the 1968–69 season, going on to win that season's playoffs to become President's Cup champions, defeating the Edmonton Oil Kings. Clarke led the league in scoring both seasons, while Leach recorded 87 goals in 1967–68. As 1969 WCHL champion, the Bombers proceeded to win a national championship in 1969 by defeating the St. Thomas Barons of the Western Ontario Junior A Hockey League; the best-of-seven series was unsanctioned by the Canadian Amateur Hockey Association (CAHA), which at the time had barred the WCHL from competing for the Memorial Cup. The short-lived Canadian Hockey Association organized an alternate championship; despite being a best-of-seven, St. Thomas withdrew from the series during the fourth game, trailing the game and the series two games to one, protesting the Bombers' violent play style—the Bombers were awarded the title. After the series, Flin Flon challenged the Memorial Cup-champion Montreal Junior Canadiens to a showdown, but the Montreal club declined. The following season, with Clarke having graduated to the professional ranks, the Bombers repeated as league champions, again defeating Edmonton, with Leach leading the league in scoring. Due to the controversy surrounding the previous years series against St. Thomas, there was no national series in 1970. The growing financial demands of major junior hockey, including extensive travel, became a strain for the Bombers, who played in one of the league's smallest and most remote communities; not only was the travel difficult for the Bombers, but for any team visiting Flin Flon, which had also developed a reputation as a particularly violent team. The franchise departed Flin Flon after the 1977–78 season. The franchise played three and a half seasons after leaving Flin Flon with iterations as the Edmonton Oil Kings—after the original Oil Kings departed Edmonton in 1976 due to pressure from the Edmonton Oilers—for the 1978–79 season, the Great Falls Americans for part of 1979–80 before suspending operations, and the Spokane Flyers for 1980–81 and start of the 1981–82 season before folding in December 1981. Return to Junior A In 1977, the WCHL Bombers had formed an affiliate Junior B team. The Jr. B Bombers would win the 1977–78 Baldy Northcott Trophy as Manitoba Provincial Champions. When the WCHL Bombers departed to Edmonton, the Bombers' ownership retained the Junior B Bombers. The Flin Flon ownership, along with the owners of the Thompson King Miners, banded together with people from The Pas and Snow Lake, Manitoba to create the NorMan Junior Hockey League (NJHL), a rival to the Manitoba Junior League; the following year, the NJHL—along with the Bombers—would be promoted to Junior A status and the right to compete for a national Junior A championship. Flin Flon won NJHL titles in 1979, 1982, and 1984. For the 1984–85 season, the Bombers were granted expansion into the Saskatchewan Junior Hockey League (SJHL), which had been revived in 1968 following the 1966 demise of the original SJHL. For two seasons, due to SJHL rules requiring teams to be located in Saskatchewan, the team was re-named the Creighton Bombers after the adjacent community of Creighton, despite Flin Flon straddling the provincial border. After two seasons, the league allowed the team to re-adopt the Flin Flon moniker. Notable alumni Season-by-season record Playoff record Northern Saskatchewan Senior Hockey League, 1937–1938 1937 Semifinal: Bombers defeated Prince Albert Mintos 2 games to 0 Final: North Battleford Beavers defeated Bombers 3 games to 1 1938 Semifinal: Bombers received a bye to the league final Final: Bombers defeated Saskatoon Quakers 4 games to 3 (Won NSSHL Championship) Saskatchewan Senior Hockey League, 1939–1944 1939 Semifinal: Moose Jaw Millers defeated Bombers 3 games to 1 (1 tie) 1940 Did not qualify 1941 Semifinal: Regina Rangers defeated Bombers 3 games to 0 1942 Semifinal: Saskatoon Quakers defeated Bombers 3 games to 0 1943 Semifinal: Bombers defeated Saskatoon RCAF Flyers 3 games to 0 Final: Regina Army Capitals defeated Bombers 4 games to 2 1944 Semifinal: Bombers defeated Moose Jaw Victorias 2 games to 0 Final: Bombers defeated Saskatoon Navy 3 games to 1 (Won SSHL Championship) New Westminster CPA Lodestars defeated Bombers 3 games to 1 in Allan Cup playoffs 1945 to 1948: No information available North Saskatchewan Junior Hockey League, 1949–50 1949 Semifinal: Prince Albert Mintos defeated Bombers 2 games to 1 1950 Semifinal: Prince Albert Mintos defeated Bombers 3 games to 1 Saskatchewan Junior Hockey League, 1951–1966 1951 Semifinal: Bombers defeated Humboldt Indians 3 games to 0 (1 tie) Final: Prince Albert Mintos defeated Bombers 3 games to 0 1952 Semifinal: Bombers defeated Saskatoon Wesleys 4 games to 1 Final: Bombers defeated Humboldt Indians 3 games to 2 (Won SJHL Championship) Regina Pats defeated Bombers 4 games to 0 in Western Canada Memorial Cup playoffs 1953 Semifinal: Bombers defeated Prince Albert Mintos 4 games to 2 Final: Bombers defeated Humboldt Indians 4 games to 1 (Won SJHL Championship) Lethbridge Native Sons defeated Bombers 4 games to 0 in Western Canada Memorial Cup playoffs 1954 Semifinal: Bombers defeated Saskatoon Wesleys 4 games to 3 Final: Bombers defeated Prince Albert Mintos 5 games to 4 (1 tie) (Won SJHL Championship) Edmonton Oil Kings defeated Bombers 4 games to 0 in Western Canada Memorial Cup playoffs 1955 Semifinal: Prince Albert Mintos defeated Bombers 4 games to 1 1956 Semifinal: Bombers defeated Humboldt–Melfort Indians 4 games to 1 Final: Bombers defeated Prince Albert Mintos 3 games to 2 (2 ties) (Won SJHL Championship) Regina Pats defeated Bombers 4 games to 3 in Western Canada Memorial Cup playoffs 1957 Semifinal: Bombers defeated Humboldt–Melfort Indians 4 games to 0 Final: Bombers defeated Prince Albert Mintos 4 games to 2 (Won SJHL Championship) Bombers defeated Edmonton Oil Kings 4 games to 2 in the Western Canada Memorial Cup semifinal Bombers defeated Fort William Canadiens 4 games to 0 (Won Abbott Cup) Bombers defeated Ottawa-Hull Canadiens 4 games to 3 (Won Memorial Cup) 1958 Semifinal: Bombers defeated Prince Albert Mintos 3 games to 1 (2 ties) Final: Regina Pats defeated Bombers 4 games to 2 1959 Semifinal: Bombers defeated Saskatoon Quakers 4 games to 1 Final: Bombers defeated Estevan Bruins 4 games to 2 (Won SJHL Championship) Bombers defeated Edmonton Oil Kings 4 games to 0 in the Western Canada Memorial Cup semifinal Winnipeg Braves defeated Bombers 4 games to 2 in Western Canada Memorial Cup final 1960 Semifinal: Bombers defeated Saskatoon Quakers 4 games to 2 (1 tie) Final: Bombers defeated Regina Pats 4 games to 1 (1 tie) (Won SJHL Championship) Edmonton Oil Kings defeated Bombers 4 games to 2 in Western Canada Memorial Cup semifinal 1961 Did not qualify 1962 Bombers placed 5th place of 6 (2–8–0) in round robin 1963 Did not qualify 1964 Quarterfinal: Saskatoon Blades defeated Bombers 4 games to 3 1965 Quarterfinal:Weyburn Red Wings defeated Bombers 4 games to 1 1966 Did not qualify Manitoba Junior Hockey League, 1967 1967 Semifinal: Bombers defeated Winnipeg Monarchs 3 games to 0 Final: Bombers defeated Brandon Wheat Kings 3 games to 2 (Won Turnbull Cup) Port Arthur Marrs defeated Bombers 4 games to 2 in Western Memorial Cup final Western Canada Hockey League, 1968–1978 1968 Quarterfinal: Bombers defeated Regina Pats 4 games to 0 Semifinal: Bombers defeated Edmonton Oil Kings 4 games to 1 (1 tie) Final: Estevan Bruins defeated Bombers 4 games to 0 (1 tie) 1969 Quarterfinal: Bombers defeated Winnipeg Jets 4 games to 2 (1 tie) Semifinal: Bombers defeated Estevan Bruins 4 games to 0 (1 tie) Final: Bombers defeated Edmonton Oil Kings 4 games to 2 (Won WCHL Championship) Bombers defeated St. Thomas Barons 2 games to 1† (Won James Piggott National Championship) †Series forfeited by St. Thomas while down two games to one, and losing 4–0 at 10:10 of the second period of the fourth game 1970 Quarterfinal: Bombers defeated Brandon Wheat Kings 5 games to 0 Semifinal: Bombers defeated Winnipeg Jets 5 games to 4 Final: Bombers defeated Edmonton Oil Kings 4 games to 0 (Won WCHL Championship) 1971 Quarterfinal: Bombers defeated Regina Pats 4 games to 1 (1 tie) Semifinal: Bombers defeated Winnipeg 5 games to 2 Final: Edmonton Oil Kings defeated Bombers 4 games to 1 (1 tie) 1972 Quarterfinal: Regina Pats defeated Bombers 3 games to 2 (2 ties) 1973 Quarterfinal: Bombers defeated Regina Pats 4 games to 0 Semifinal: Saskatoon Blades defeated Bombers 4 games to 1 1974 Quarterfinal: Swift Current Broncos defeated Bombers 4 games to 3 1975 Did not qualify 1976 Did not qualify 1977 Did not qualify 1978 Bombers advanced in Division round robin to Semifinal (4–4) Semifinal: Bombers defeated Regina Pats 4 games to 1 Bombers eliminated in semifinal round robin (0–4) NorMan Junior Hockey League, 1979–1984 1979 Final: Bombers defeated Thompson Nickel Knights (Won NJHL Championship) Baldy Northcott Trophy: Transcona Railers defeated Bombers 1980 Semifinal: Bombers defeated The Pas Lumber Kings 3 games to 0 Final: Thompson King Miners defeated Bombers 3 games to 1 1981 Semifinal: Bombers defeated The Pas Lumber Kings Final: Thompson King Miners defeated Bombers 4 games to 2 1982 Final: Bombers defeated Thompson King Miners 4 games to 0 (Won NJHL Championship) Turnbull Cup: Winnipeg South Blues defeated Bombers 3 games to 0 1983 Final: The Pas Huskies defeated Bombers 1984 Final: Bombers defeated Thompson King Miners 4 games to 2 (Won NJHL Championship) Turnbull Cup: Selkirk Steelers defeated Bombers 4 games to 1 Saskatchewan Junior Hockey League, 1985–present 1985 Quarterfinal: Weyburn Red Wings defeated Bombers 4 games to 0 1986 Did not qualify 1987 Did not qualify 1988 Quarterfinal: Nipawin Hawks defeated Bombers 4 games to 0 1989 Quarterfinal: Yorkton Terriers defeated Bombers 4 games to 0 1990 Quarterfinal: Nipawin Hawks defeated Bombers 4 games to 0 1991 Did not qualify 1992 Quarterfinal: Humboldt Broncos defeated Bombers 4 games to 1 1993 Quarterfinal: Bombers defeated Humboldt Broncos 4 games to 1 Semifinal: Bombers defeated Nipawin Hawks 4 games to 1 Final: Bombers defeated Melville Millionaires 4 games to 3 (Won Hanbridge Cup) Anavet Cup: Bombers defeated Dauphin Kings 4 games to 2 (Won Anavet Cup) Centennial Cup round robin: Bombers placed fifth in 1993 Centennial Cup round robin (0–4) 1994 Preliminary round: Nipawin Hawks defeated Bombers 2 games to 0 1995 Did not qualify 1996 Preliminary round: Humboldt Broncos defeated Bombers 2 games to 0 1997 Did not qualify 1998 Did not qualify 1999 Preliminary round: Battlefords North Stars defeated Bombers 2 games to 0 2000 Quarterfinal: Humboldt Broncos defeated Bombers 4 games to 0 2001 Quarterfinal: Bombers defeated Humboldt Broncos 4 games to 1 Semifinal: Nipawin Hawks defeated Bombers 4 games to 1 RBC Cup Round Robin†: Third in 2001 Royal Bank Cup round robin (2–2) Semi-Final: Bombers defeated Weyburn Red Wings 4–0 RBC Final: Camrose Kodiaks defeated Bombers 5–0 †Qualified for RBC Cup as hosts 2002 Did not qualify 2003 Did not qualify 2004 Did not qualify 2005 Did not qualify 2006 Quarterfinal: Bombers defeated Melfort Mustangs 4 games to 3 Semifinal: Battlefords North Stars defeated Bombers 4 games to 1 2007 Did not qualify 2008 Quarterfinal: Bombers defeated Melfort Mustangs 4 games to 2 Semifinal: Humboldt Broncos defeated 4 games to 0 2009 Quarterfinal: Bombers defeated Melfort Mustangs 4 games to 0 Semifinal: Humboldt Broncos defeated Bombers 4 games to 0 2010 Quarterfinal: La Ronge Ice Wolves defeated Bombers 4 games to 2 2011 Survivor Series: Bombers defeated Battlefords North Stars 3 games to 1 Quarterfinal: La Ronge Ice Wolves defeated Bombers 4 games to 1 2012 Survivor Series: La Ronge Ice Wolves defeated Bombers 3 games to 0 2013 Quarterfinal: Bombers defeated Nipawin Hawks 4 games to 2 Semifinal: Humboldt Broncos defeated Bombers 4 games to 1 2014 Wildcard Series: Estevan Bruins defeated Bombers 3 games to 2 2015 Quarterfinal: Notre Dame Hounds defeated Bombers 4 games to 3 2016 Quarterfinal: Bombers defeated Weyburn Red Wings 4 games to 1 Semifinal: Bombers defeated Battlefords North Stars 4 games to 1 Final: Melfort Mustangs defeated Bombers 4 games to 2 2017 Quarterfinal: Bombers defeated Notre Dame Hounds 4 games to 1 Semifinal: Bombers defeated Nipawin Hawks 4 games to 3 Final: Battlefords North Stars defeated Bombers 4 games to 0 2018 Wildcard Series: Bombers defeated Notre Dame Hounds 2 games to 1 Quarterfinal: Nipawin Hawks defeated Bombers 4 games to 1 2019 Wildcard Series: Bombers defeated Weyburn Red Wings 2 games to 0 Quarterfinal: Battlefords North Stars defeated Bombers 4 games to 3 2020 Quarterfinal: Bombers defeated Humboldt Broncos 4 games to 0 Playoffs cancelled due to COVID-19 pandemic 2021 Season cancelled due to COVID-19 pandemic 2022 Quarterfinal: Bombers defeated Battlefords North Stars 4 games to 2 Semifinal: Bombers defeated Humboldt Broncos 4 games to 1 Final: Estevan Bruins defeated Bombers 4 games to 3 Centennial Cup round robin†: Bombers advanced to playoff round Centennial Cup quarterfinal: Pickering Panthers defeated Bombers 3 to 2 (2OT) †Qualified for Centennial Cup due to Estevan's host status 2023 Quarterfinal: Bombers defeated Estevan Bruins 4 games to 3 Semifinal: Bombers defeated Humboldt Broncos 4 games to 1 Final: Battlefords North Stars defeated Bombers 4 games to 0 2024 Quarterfinal: Bombers defeated Kindersley Klippers 4 games to 0 Semifinal: Bombers defeated Battlefords North Stars 4 games to 0 Final: Melfort Mustangs defeated Bombers 4 games to 2 Player awards 1957 Memorial Cup Champions Harvey Fleming, Carl Forster, Cliff Lennartz, Barry Beatty, Mike Kardash, Duane Rupp, George Konik, Mel Pearson, Ken Willey, Rod Lee, Wayne Sproxton, Ted Hampson (captain), George Wood, Lynn Davis, Jean Gauthier, Ron Hutchinson, Orland Kurtenbach, Pat Ginnell, Doug Dawson (manager), Bobby Kirk (coach), Hec McCaig (trainer), Jim Wardle (executive), Pinkie Davie (executive), Ken Cunningham (stickboy), Rees Jones (stickboy), and Dan McCaig (mascot) were with the team through the SJHL and Abbott Cup championships, and were joined by Lynn Davis, Jean Gauthier, and Orland Kurtenbach for the Memorial Cup national championship. Scoring champions Most Valuable Player Player of the Year Goaltender of the Year Defenceman of the Year Rookie of the Year Coach of the Year See also List of ice hockey teams in Manitoba List of ice hockey teams in Saskatchewan References External links Flin Flon Bombers official site 1956–57 Flin Flon Bombers at Manitoba Sports Hall of Fame 1956–57 Flin Flon Bombers at Manitoba Hockey Hall of Fame Saskatchewan Junior Hockey League
Vancouver_Canucks_(WHL)
https://en.wikipedia.org/wiki/Vancouver_Canucks_(WHL)
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The Vancouver Canucks were a minor league professional ice hockey team in the Pacific Coast Hockey League and the Western Hockey League, based in Vancouver, British Columbia, Canada. Inaugurated in 1945 with the PCHL, they became a WHL team with the merger of the PCHL with the Western Canada Senior Hockey League in 1952. The Canucks played 25 seasons in the WHL between 1945 and 1970. In 1970 they joined the National Hockey League along with fellow expansion team, the Buffalo Sabres. The Vancouver Canucks won six President's/Lester Patrick Cups (the trophy was renamed in 1960 after the death of Lester Patrick), two PCHL titles (1946 and 1948) and four WHL titles (1958, 1960, 1969 and 1970). They were also regular season champions four times. They played home games in the PNE Forum arena at the Pacific National Exhibition in east Vancouver, before moving for their last two seasons into the Pacific Coliseum just to the north. Personnel Players Five Canucks players have been inducted into the Hockey Hall of Fame. Andy Bathgate (inducted in 1978) played with Vancouver for four years (1952–54 and 1968–70) and was on the team for their final two championships. In 1969–70, he recorded 108 points in 72 games, earning the George Leader Cup as league MVP. Johnny Bower, Tony Esposito, Allan Stanley and Gump Worsley – all Hall of Fame inductees – have all played one season with the Canucks. Coaches 1948–49: Bill Cowley 1949–50: Bill Carse 1950–51: Bill Carse replaced by Murph Chamberlain 1951–52: Murph Chamberlain; replaced by Hugh Currie; replaced by Joe Carveth 1959–61: Art Chapman 1961–62: Phil Maloney (11–35–3); replaced by Hugh Currie (7–13–1) (February 7, 1962) 1962–63: Max McNab 1966–67: Bert Olmstead 1967–68: Jim Gregory 1968–69: Joe Crozier 1969–70: Joe Crozier; replaced by Hal Laycoe General Managers 1948–49: Bill Cowley 1949–50: Coleman E. Hall 1950–51: – 1960–61: Coley Hall 1961–62: Art Chapman (temp); replaced by Dave Dauphine (after Nov.) 1962–63: Max McNab 1967–68: Annis Stukus 1968–69: Joe Crozier 1969–70: Joe Crozier; replaced by Bud Poile Presidents 1948–61: Coleman E. Hall 1962–63: Fred J. Hume (owner) 1968–69: Cyrus McLean 1969–70: Cyrus McLean; replaced by Thomas K. Scallen Honoured members Hall of famers Players Andy Bathgate, C, 1952–54 & 1968–70, inducted 1978 Johnny Bower, G, 1954–55, inducted 1976 Tony Esposito, G, 1967–68, inducted 1988 Allan Stanley, D, 1953–54, inducted 1981 Gump Worsley, G, 1953–54, inducted 1980 WHL league award winners Players Leader Cup – MVP Emile Francis, G, 1952–53 Lorne Worsley, G, 1953–54 Phil Maloney, F, 1955–56 Hank Bassen, G, 1959–60 Phil Maloney, F, 1962–63 Billy McNeill, F, 1964–65 Billy McNeill, F, 1965–66 Andy Bathgate, F, 1969–70 Rookie Award Orland Kurtenbach, D, 1957–58 Bruce Gamble, G, 1958–59 Jim Baird, G, 1961–62 Gilles Villemure, G, Ron Boehm, F, 1966–67 Brad Selwood, F, 1969–70 Most Gentlemanly Player – Fred J. Hume Cup Phil Maloney, F, 1961–62 Phil Maloney, F, 1962–63 Phil Maloney, F, 1967–68 Outstanding Defenseman – Hal Laycoe Cup Larry Cahan, D, 1966–67 Marc Reaume, D, 1969–70 Leading Scorer Award Phil Maloney, F, 1955–56 (95 points) Outstanding Goaltender Award Emile Francis, G, 1952–53 GA-216 GAA-3.08 Lorne Worsley, G, 1953–54 GA-168 GAA-2.40 Johnny Bower, G, 1954–55 GP-63 GA-171 GAA-2.71 Ray Mikulan, G, 1955–56 GA-181 GAA-2.54 Marcel Pelletier, G, 1957–58 GA-173 GAA-2.43 Hank Bassen, G, 1959–60 GA-172 GAA-2.48 George Gardner, G, 1969–70 GA-171 GAA-2.88 Year by year standings Note: GP = Games played, W = Wins, L = Losses, T = Ties Pts = Points, GF = Goals for, GA = Goals against Year by year statistical leaders Total points (team, season) Year Player GP Goals Assists Pts PIM Leading scorer 1952–'53 Larry Popein 70 25 44 69 23 Ian MacIntosh, Walt Atanas – 28 1953–'54 Larry Popein 70 34 32 66 22 Larry Popein 1954–'55 Doug Adam 67 30 22 52 53 Doug Adam 1955–'56 Phil Maloney 70 37 58 95 14 Phil Maloney 1956–'57 Phil Maloney 70 43 55 98 8 Phil Maloney 1957–'58 Phil Maloney 70 35 59 94 0 Jack McLeod – 44* 1958–'59 Ted Hampson 66 27 41 68 23 Dan Belisle – 31 1959–'60 Colin Kilburn 70 23 47 70 79 Jim Powers – 30 1960–'61 Bruce Carmichael 70 30 47 77 36 and Dan Belisle – 30 1961–'62 Phil Maloney 70 34 52 86 2 Barrie Ross – 35 1962–'63 Phil Maloney 69 24 61 90 8 Carl "Buddy" Boone – 44* 1963–'64 Phil Maloney 65 28 53 81 38 Carl "Buddy" Boone – 38 1964–'65 Billy McNeill 68 29 59 88 86 and Phil Maloney – 29 1965–'66 Billy McNeill 72 40 62 102 20 Billy McNeill 1966–'67 Gordon Vejprava 71 36 46 82 27 Gordon Vejprava 1967–'68 Phil Maloney 72 22 46 68 6 Bruce Carmichael – 31 1968–'69 Bob Barlow 74 36 48 84 50 Andy Bathgate – 37 1969–'70 Andy Bathgate 72 40 68* 108* 66 Paul Andrea – 44* * – team record Team record for PIM/season – 251, John Arbor, 1969–'70 Total points (team, playoffs) Year Player GP Goals Assists Pts PIM 1952–'53 Larry Popein 9 5 10 15 0 1953–'54 Charles McCullough 13 5 8 13 0 1954–'55 Phil Maloney 5 2 2 4 0 1955–'56 Phil Maloney 15 8 7 15 4 1957–'58 Phil Maloney 11 8 17* 25* 4 1958–'59 (three players tied with 7 points in 9 games) 1959–'60 Ray Cyr 11 5 11 16 11 1960–'61 Bruce Carmichael 9 3 3 6 2 1962–'63 Phil Maloney 7 2 7 9 0 Robert Kabel 7 5 4 9 2 1964–'65 Phil Maloney 5 1 5 6 0 Billy McNeill 5 2 4 6 0 1965–'66 Larry Cahan 7 4 12 16 4 1966–'67 Bryan Hextall 8 3 5 8 11 1968–'69 Bryan Hextall 8 4 7 11 22 1969–'70 Murray Hall 11 10 11 21 10 Gerry Glover 11 5 16 21 12 * – team record Team record for goals/playoff – 14, Jack McLeod, 1957–'58 Team record for PIM/playoff – 47, Ted McCaskill, 1969–'70 Goaltender stats, season Year Player GP GA EN SO GAA W L T SVS .PC 1952–'53 Emile Francis 70 216 5 3.09 32 28 10 – won Outstanding Goalkeeper 1953–'54 Lorne "Gump" Worsley 70 168 4 2.40 39 24 7 – won Outstanding Goalkeeper 1954–'55 Johnny Bower 63 171 7 2.71 30 25 8 – won Outstanding Goalkeeper 1955–'56 Ray Mikulan 71 181 2.54 – won Outstanding Goalkeeper 1956–'57 Ray Mikulan 71 231 0 4 3.25 1772 .885 1957–'58 Marcel Pelletier 71 173 0 8* 2.43 1749 .910* – won Outstanding Goalkeeper 1958–'59 Bruce Gamble 65 199 2 7 3.06 29 26 20 1630 .891 1959–'60 Hank Bassen 69 172 5 2.45 44 19 6 – won Outstanding Goalkeeper 1960–'61 Claude Evans 53 147 6 2.77 27 23 3 1961–'62 Claude Evans 40 165 2 4.08 11 26 3 Art LaRiviere 23 1962–'63 Gilles Villemure 70 228 5 3.26 35 31 4 1963–'64 Marcel Paille 70 254 2 3.60 26 41 3 1964–'65 Gilles Villemure 60 212 6 3.46 27 26 6 1965–'66 Gilles Villemure 69 223 5 3.20 32 34 3 1966–'67 Don Simmons 72 213 1 7 2.95 38 32 2 1967–'68 Tony Esposito 63 199 0 4 3.20 25 33 4 Jean-Guy Morissette 11 58 0 0 5.45 1 8 1 1968–'69 George Gardner 53 154 2 2 3.01 25 18 9 Charlie Hodge 13 32 1 0 2.54 7 2 4 Al Millar 12 34 0 0 3.52 4 4 1 1969–'70 George Gardner 60 171 0 3 2.88 41 14 6 – won Outstanding Goalkeeper Lynn Zimmerman 13 48 0 0 3.78 References Stott, Jon C. (2008), Ice Warriors: The Pacific Coast/Western Hockey League 1948–1974, Surrey, British Columbia: Heritage House Publishing, ISBN 978-1-894974-54-7 External links All-time pre-NHL Canucks roster
New_York_Rangers
https://en.wikipedia.org/wiki/New_York_Rangers
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The New York Rangers are a professional ice hockey team based in New York City. The Rangers compete in the National Hockey League (NHL) as a member of the Metropolitan Division in the Eastern Conference. The team plays its home games at Madison Square Garden, an arena they share with the New York Knicks of the National Basketball Association (NBA). They are one of three NHL franchises located in the New York metropolitan area; the others being the New Jersey Devils and New York Islanders. Founded in 1926 by Tex Rickard, the Rangers are one of the Original Six teams that competed in the NHL before its 1967 expansion, along with the Boston Bruins, Chicago Blackhawks, Detroit Red Wings, Montreal Canadiens and Toronto Maple Leafs. The team attained success early on under the guidance of Lester Patrick, who coached a team containing Frank Boucher, Murray Murdoch, and Bun and Bill Cook to win the Stanley Cup in only their second season. They were the first NHL franchise in the United States to win the trophy, and are still the fastest true expansion team in NHL history to do so. The team won two more Stanley Cups in 1933 and 1940. Following this initial grace period, the franchise struggled between the 1940s and 1960s, wherein playoff appearances and successes were infrequent. The team enjoyed a mini-renaissance in the 1970s, where they made the Stanley Cup Finals twice, losing to the Bruins in 1972 and the Canadiens in 1979. The Rangers subsequently embraced a rebuild for much of the 1980s and early 1990s, which eventually paid dividends in 1994, where the team, led by Mark Messier, Brian Leetch, Adam Graves, and Mike Richter, captured their fourth Stanley Cup. The team was unable to duplicate that success in the years that followed, and entered into another period of mediocrity. They endured a franchise-record seven-year postseason drought from 1998 to 2005 and languished for the majority of the 2000s before enjoying another period of prosperity after the 2004–05 NHL Lockout. After the arrival of goaltender Henrik Lundqvist, the Rangers thrived, missing the playoffs just once between 2006 and 2017. They reached the Stanley Cup Finals in 2014, falling to the Los Angeles Kings in five games. Several former members of the Rangers have been inducted into the Hockey Hall of Fame, four of whom—Buddy O'Connor, Chuck Rayner, Andy Bathgate, and Messier—have won the Hart Memorial Trophy while playing for the team. History Early years (1926–1967) George Lewis "Tex" Rickard, president of Madison Square Garden, was awarded an NHL franchise for the 1926–27 season to compete with the New York Americans, who had begun play at the Garden the previous season. The Americans' early success in their inaugural season exceeded expectations, leading Rickard to pursue a second team for the Garden despite promising the Amerks that they were going to be the only hockey team to play there. The new team was quickly nicknamed "Tex's Rangers". Rickard's franchise began play in the 1926–27 season. The first team crest was a horse sketched in blue carrying a cowboy waving a hockey stick aloft, before being changed to the familiar "RANGERS" in diagonal. Future Toronto Maple Leafs owner Conn Smythe was hired to assemble the team, however he had a falling-out with Rickard's hockey man, Col. John S. Hammond, and was fired as manager-coach on the eve of the first season—he was paid a then-hefty $2,500 to leave. Smythe was replaced by Pacific Coast Hockey Association co-founder Lester Patrick. The new team Smythe assembled turned out to be a winner. The Rangers won the American Division title their first year but lost to the Boston Bruins in the playoffs. The team's early success led to players becoming minor celebrities and fixtures in New York City's Roaring Twenties nightlife. It was during this time, playing at the Garden on 49th Street, blocks away from Times Square, that the Rangers obtained their nickname "The Broadway Blueshirts". On December 13, 1929, the Rangers became the first team in the NHL to travel by plane when they hired the Curtiss-Wright Corporation to fly them to Toronto for a game against the Maple Leafs, which they lost 7–6. In only the Rangers' second season, they won the 1928 Stanley Cup, defeating the Montreal Maroons three games to two. One of the most memorable stories that emerged from the finals involved Patrick playing in goal at the age of 44. At the time, teams were not required to dress a backup goaltender. When the Rangers' starting goaltender, Lorne Chabot, left a game with an eye injury, Maroons head coach Eddie Gerard vetoed Patrick's original choice for an emergency replacement, Alex Connell of the Ottawa Senators, who was in attendance. An angry Patrick lined up between the pipes for two periods in Game 2 of the finals, allowing one goal to Maroons center Nels Stewart. Frank Boucher scored the game-winning goal in overtime for New York. After a loss to the Bruins in the 1929 Stanley Cup Finals and an early struggle in the early 1930s, the Rangers, led by brothers Bill and Bun Cook on the right and left wings, respectively, and Frank Boucher at center, defeated the Maple Leafs in the 1933 best-of-five finals three games to one to win their second Stanley Cup. The Rangers spent the rest of the 1930s playing close to 0.500 hockey until their next Cup win. Lester Patrick stepped down as head coach and was replaced by Frank Boucher. In their 1939–40 season, the Rangers finished the regular season in second place behind Boston. The two teams then met in the first round of the playoffs. The Bruins gained a two-games-to-one series lead from New York, but the Rangers recovered to win three-straight games, defeating the first-place Bruins four games to two. The Rangers' first-round victory gave them a bye until the finals. The Detroit Red Wings defeated the New York Americans in their first-round best-of-three series two games to one, and the Toronto Maple Leafs ousted the Chicago Black Hawks two games to none. The Maple Leafs then swept Detroit a best-of-three series to advance to the finals. The 1940 Cup Finals commenced in Madison Square Garden. In Game 1, the Rangers needed overtime to gain a 1–0 series lead, but they won game two more easily with a 6–2 victory. The series then shifted to Toronto, where the Maple Leafs won the next two games, tying the series at two games apiece. In Games 5 and 6, the Rangers won in overtime, taking the series four games to two to earn their third Stanley Cup. However, the Rangers collapsed by the mid-1940s, losing games by scores as lopsided as 15–0. In 1943–44, goaltender Ken McAuley led the league with 39 losses and 310 goals allowed in 50 games played; his 6.24 goals-against average that year remains the worst in NHL history by a goaltender playing at least 25 games in a season. They missed the playoffs for five consecutive seasons before earning the fourth and final playoff spot in 1947–48. They lost in the first round and missed the playoffs again in 1948–49. In the 1950 Stanley Cup Finals, the Rangers were forced to play all of their games, including "home" games, in Toronto, while the circus was held at the Garden. They lost to the Detroit Red Wings in overtime in the seventh game of the finals. During this time, Red Wings owner James E. Norris became the largest stockholder in the Garden. However, he did not buy controlling interest in the arena, which would have violated the NHL's rule against one person owning more than one team. Nonetheless, he had enough support on the board to exercise de facto control. The Rangers remained a mark of futility in the NHL for most of the remainder of the Original Six era, missing the playoffs in 12 of the next 16 years. However, the team was rejuvenated in the late 1960s, symbolized by moving into the fourth version of Madison Square Garden in 1968. A year earlier, they made the playoffs for the first time in five years on the strength of rookie goaltender Eddie Giacomin and 37-year-old former 1950s Montreal Canadiens star right wing Bernie "Boom Boom" Geoffrion, signed out of retirement in 1966. Post-Original Six era (1967–1993) The Rangers made the finals twice in the 1970s, but lost both times to two '70s powerhouses; in six games to the Boston Bruins in 1972, who were led by such stars as Bobby Orr, Phil Esposito, Ken Hodge, Johnny Bucyk and Wayne Cashman; and in five games to the Canadiens in 1979, who had Bob Gainey, Guy Lafleur, Larry Robinson, Ken Dryden, Guy Lapointe and Serge Savard. The Rangers reached the 1972 Stanley Cup Finals despite losing high-scoring center Jean Ratelle (who had been on pace over Bruin Phil Esposito to become the first Ranger since Bryan Hextall in 1942 to lead the NHL in scoring) to injury during the stretch drive of the regular season. The strength of players such as Brad Park, Jean Ratelle, Vic Hadfield and Rod Gilbert (the last three constructing the famed "GAG line", standing for "goal-a-game") carried them through the playoffs. They defeated the defending-champion Canadiens in the first round and the Chicago Black Hawks in the second, but lost to the Bruins in the finals. In the 1972 playoffs, with Ratelle sidelined with a broken ankle and Gilbert hampered by injuries, Walt Tkaczuk played a key role as the Rangers defeated the defending champion Canadiens and the previous year's finalists, the Black Hawks, to reach the Stanley Cup Finals. While the Rangers lost to the Boston Bruins in six games, Tkaczuk earned much respect for holding the Bruins' Phil Esposito without a goal in the series. The Rangers played a legendary conference semifinals series against the Philadelphia Flyers in the 1973–74 playoffs, losing in seven games and becoming the first Original Six club to lose a playoff series to a 1967 expansion team. This series was noted for a Game 7 fight between Dale Rolfe of the Rangers and Dave Schultz of the Flyers. The Rangers' new rivals, the New York Islanders, who entered the League in 1972 after paying a hefty territorial fee – some $4 million – to the Rangers, were their first-round opponents in the 1975 playoffs. After splitting the first two games, the Islanders defeated the more-established Rangers 11 seconds into overtime of the deciding Game 3, establishing a rivalry that continued to grow for years. In a blockbuster trade with the Boston Bruins, the Rangers acquired Esposito and Carol Vadnais from the Bruins for Park, Ratelle and Joe Zanussi in 1975, while Swedish stars Anders Hedberg and Ulf Nilsson jumped to the Rangers from the League's rival, the World Hockey Association (WHA) in 1978. In the 1979 NHL playoffs, New York defeated the surging Islanders in the conference semi-finals and advanced to the 1979 Cup Finals, losing to the Canadiens. In the three consecutive 1982 through 1984 playoffs, the Rangers were eliminated by the rival Islanders, who went on to win the Stanley Cup each of those years. The Rangers stayed competitive through the 1980s and early 1990s, making the playoffs each year. In the 1986 Stanley Cup playoffs, the Rangers, behind the play of rookie goaltender John Vanbiesbrouck, upended the Patrick Division-winning Flyers in five games followed by a six-game win over the Washington Capitals in the Patrick Division finals. Montreal, however, disposed of the Rangers in the Wales Conference finals behind a rookie goaltender of their own, Patrick Roy. For the 1986–87 season, the team acquired superstar center Marcel Dionne after almost 12 years with the Los Angeles Kings. In 1988, while a Ranger, Dionne moved into third place in NHL career goals scored. Dionne spent nine games in the minors before retiring during the 1988–89 season. Frustration was at its peak when the 1991–92 Rangers captured the Presidents' Trophy. They took a 2–1 series lead on the defending champion Pittsburgh Penguins and then faltered in three-straight (some observers note a Ron Francis slapshot from outside the blue line that eluded goaltender Mike Richter as the series' turning point). The following year, injuries and a 1–11 regular season finish landed the Rangers at the bottom of the Patrick Division after being in a playoff position for much of the season. Head coach Roger Neilson did not finish the season. During this period, the Rangers were owned by Gulf+Western, which was renamed to Paramount Communications in 1989, and sold to Viacom in 1994. Viacom then sold the team to ITT Corporation and Cablevision, and a couple of years later, ITT sold their ownership stake to Cablevision, who owned the team until 2010, when they spun off the MSG properties as their own company. Ending the curse (1993–94) The 1993–94 New York Rangers season was their most successful in 54 years, as Mike Keenan coached the Rangers to the 1994 Stanley Cup championship, winning their fourth Cup. By the 1993–94 season, the Rangers had acquired seven players who had been part of the Edmonton Oilers' Cup-winning teams: Oilers captain (and new Rangers captain) Mark Messier, Adam Graves, Kevin Lowe, Jeff Beukeboom, Esa Tikkanen, Craig MacTavish and Glenn Anderson. Graves set a team record with 52 goals, breaking the prior record of 50 held by Vic Hadfield. The Rangers clinched the Presidents' Trophy by finishing with the best record in the NHL at 52–24–8, setting a franchise record with 112 points earned. The Rangers successfully made it past the first two rounds of the playoffs, sweeping the New York Islanders, and then defeating the Washington Capitals in five games. However, in the conference finals against the third-seeded New Jersey Devils, the Rangers lost the series opener at home in double overtime, but won the next two games before the Devils defeated them 3–1 and 4–1. The series headed back to the Meadowlands for the sixth game, in which Messier, who had guaranteed a win to the press, scored three times in the final period to lead the Rangers to a 4–2 win and set up a seventh game back at Madison Square Garden. The Rangers won Game 7, 2–1, when Stephane Matteau scored a goal in double overtime, leading the team to the finals for the first time since 1979. Up against the Vancouver Canucks, the Rangers again lost the series opener at home in overtime. The Rangers bounced back and they won the next three games, allowing the Canucks just four goals. However, the Canucks won the next two 6–3 and 4–1 to set up a seventh game, for the second consecutive series, at home. In the seventh game, the Rangers took a 2–0 first period lead, with Messier scoring later to put the Rangers up 3–1, the eventual Cup winning goal as the home team won 3–2, becoming the first (and to this date, only) player to captain two teams to the Stanley Cup. Brian Leetch became the first American-born player to win the Conn Smythe Trophy as playoff MVP, while Alexander Karpovtsev, Alexei Kovalev, Sergei Nemchinov and Sergei Zubov became the first Russians to have their names engraved on the Cup. Expensive acquisitions and postseason drought (1995–2005) Despite having coached the Rangers to a regular season first-place finish and the Stanley Cup victory, head coach Mike Keenan left after a dispute with general manager Neil Smith. During the lockout-shortened 1994–95 season, the Rangers won their first-round series with the Quebec Nordiques, but lost in the second round of the playoffs to the Philadelphia Flyers in four games with succeeding head coach Colin Campbell. General manager Neil Smith orchestrated a deal that sent Sergei Zubov and center Petr Nedved to Pittsburgh in exchange for defenseman Ulf Samuelsson and left-winger Luc Robitaille in the summer of 1995. The 1995–96 Rangers defeated the Canadiens in six games in the playoffs, but lost their second-round series to the Penguins in five games. The Rangers then acquired Wayne Gretzky in 1996. Gretzky's greatest accomplishment with the Rangers was leading them to the 1997 Eastern Conference finals, where they lost 4–1 to the Flyers, who were then led by Eric Lindros. Mark Messier, a former Oiler teammate of Gretzky's, left in the summer of 1997 and the team failed in a bid to replace him with Colorado Avalanche superstar Joe Sakic. The Rangers missed the playoffs for seven consecutive seasons, finishing no higher than fourth in their division. Gretzky retired at the end of the 1998–99 season. In March 2000, Smith was fired along with head coach John Muckler, and that summer, James Dolan hired Glen Sather to replace him. By the end of the 2000–01 season, the Rangers had landed a significant amount of star power. Messier had returned to New York, Theoren Fleury joined the Rangers after spending most of his career with the Calgary Flames and Eric Lindros was traded to the Rangers by the Flyers. The Rangers also acquired Pavel Bure late in 2001–02 from the Florida Panthers. It was also the rookie season of goalie Dan Blackburn, who made the NHL All-Rookie Team even as the Rangers fell back to last place in the Conference, and finished out of the playoffs. Later years saw other stars such as Alexei Kovalev, Jaromir Jagr, Martin Rucinsky and Bobby Holik added, but in 2002–03 and 2003–04, the team again missed the playoffs. Blackburn started strongly in 2002–03, but burned out after 17 games. He missed 2003–04 due to mononucleosis and a damaged nerve in his left shoulder. Blackburn could not rehabilitate the damaged nerve, and was forced to retire at the age of 22. Towards the end of the 2003–04 season, general manager Glen Sather finally gave in to a rebuilding process by trading away Brian Leetch, Alexei Kovalev, and eight others for numerous prospects and draft picks. With the retirements of Pavel Bure and Mark Messier, as well as Eric Lindros signing with the Toronto Maple Leafs, the post-lockout Rangers, under new head coach Tom Renney, moved away from high-priced veterans towards a group of talented young players, such as Petr Prucha, Dominic Moore and Blair Betts. Henrik Lundqvist era (2005–2020) Return to the playoffs (2005–2011) The Rangers were expected to struggle during the 2005–06 season, but behind stellar performances by Swedish rookie goaltender Henrik Lundqvist, the Rangers finished the season with a record of 44–26–12, their best record since 1993–94. Jagr broke the Rangers' single-season points record with a first-period assist in a 5–1 win against the New York Islanders on March 29, 2006. The assist gave him 110 points on the season, breaking Jean Ratelle's record. Less than two weeks later, on April 8, Jagr scored his 53rd goal of the season against the Boston Bruins, breaking the club record previously held by Adam Graves. Two games prior, on April 4, the Rangers defeated the Philadelphia Flyers 3–2, in a shootout, to clinch a playoff spot for the first time since 1996–97. In the Eastern Conference Quarterfinals, the Rangers drew a matchup with the Devils and were defeated in a four-game sweep. Jagr fell two points short of winning his sixth Art Ross Trophy as scoring champion in 2005–06 (the trophy went to the San Jose Sharks' Joe Thornton), but Jagr did win his third Pearson Award as the players' choice for the most outstanding player. Realizing that the team had trouble scoring goals in the 2005–06 campaign, the Rangers signed Triple Gold Club winner and 12-time 30-goal scorer Brendan Shanahan to a one-year contract. On October 5, 2006, opening night of the 2006–07 season, Jagr was named the first team captain since Mark Messier's retirement. Though the Rangers started slow in the first half of the 2006–07 season, the second half was dominated by the stellar goaltending of Henrik Lundqvist. On February 5, 2007, the Rangers acquired agitating forward Sean Avery in a trade with the Los Angeles Kings, which brought further intensity to the team. Despite losing several players to injury in March, the Rangers went 10–2–3 in the month and clinched a playoff berth for the second consecutive season. Facing the Atlanta Thrashers in the first round of the 2007 playoffs, the Rangers swept the series. However, they were eliminated in the next round by the Buffalo Sabres. At the 2007 NHL Entry Draft, the Rangers chose Alexei Cherepanov 17th overall, who had been ranked by the NHL Central Scouting Bureau as the number one European skater. Despite the departure of Michael Nylander, the 2007 free agency season started with a bang for the Rangers, with the signing of two high-profile centerman; Scott Gomez on a seven-year contract, as well as Chris Drury on a five-year deal. The moves, along with retaining most other key players, had been met favorably, and the Rangers made the playoffs for the third consecutive season and the second round for the second season in a row. Despite these streaks, the Rangers failed to meet expectations, losing their second-round series to the Pittsburgh Penguins. The following off-season saw the departures of captain Jaromir Jagr to the KHL, and alternate captains Martin Straka and Brendan Shanahan, who left to play in the Czech Republic and with the New Jersey Devils, respectively. Following Jagr's departure, Chris Drury was named captain on October 3, 2008. The Rangers were one of four NHL teams to open the 2008–09 season in Europe, being featured in the Victoria Cup final, defeating the European Champions Cup winner Metallurg Magnitogorsk in Bern, Switzerland. This was followed by two NHL regular season games against Tampa Bay in Prague on October 4 and 5, and the Rangers won both games. The Rangers tied the 1983–84 Rangers for the best start in franchise history with a 5–0 record, and set the franchise record for best start in a season through the first 13 games by going 10–2–1 for 21 points, with the 10 wins and 21 points each becoming franchise records. A successful start to the season, however, was tempered with by the news of the sudden death of 2007 first-round pick Alexei Cherepanov, which occurred during a KHL game in Russia on October 13. A disappointing second half of the season followed. After the Rangers went 2–7–3 in 12 games, coach Tom Renney was fired, with 2004 Stanley Cup and Jack Adams Award winner John Tortorella named as his replacement. The Rangers made the 2009 playoffs, but lost their opening-round series to the Washington Capitals four games to three. On June 30, 2009, the Rangers traded Scott Gomez, Tom Pyatt, and Michael Busto to the Montreal Canadiens for Ryan McDonagh, Chris Higgins, Pavel Valentenko, and Doug Janik. With Gomez's salary cap hit gone, the Rangers signed superstar Marian Gaborik on the first day of free agency. In the 2009–10 season, the Rangers failed to make the playoffs for the first time in five years. There was some criticism that the off-season acquisition of Gaborik had not paid off, despite Gaborik scoring 42 goals and 86 points in the season. The final two games of the season were a home-and-home against the Philadelphia Flyers, with both teams competing for the same playoff spot. The Rangers skated away with the victory in the first game, keeping their postseason hopes alive. In the second game, the Flyers peppered Henrik Lundqvist with 47 shots, but scored only once. The game went to a shootout, and the Flyers prevailed to move on to the playoffs. For the 2010–11 New York Rangers season, the team waived defenseman Wade Redden and brought in several players to achieve more balanced scoring. On November 12, the Rangers unveiled the new Heritage Jersey for the first time at the ice rink at Rockefeller Center in a special ceremony featuring Rangers alumni and current players discussing the history of the storied franchise. The club wore the jersey for the first time on November 17 when they played the Boston Bruins at Madison Square Garden. The Rangers' playoff chances came down to the final day of the regular season for the second-straight year. The team defeated the New Jersey Devils and passed the Carolina Hurricanes in the standings, putting the Rangers in the playoffs after missing out the previous season. The Rangers faced Washington in the first round and lost the series in five games. It was the second time in three years that the Capitals eliminated the Rangers from the playoffs, fueling a rivalry that lasted several seasons. On May 13, 2011, Rangers forward Derek Boogaard was found dead in his Minnesota apartment. On June 29, the Rangers bought out captain Chris Drury's contract. On July 3, the Rangers signed free agent Brad Richards to a nine-year contract. On September 12, Ryan Callahan was named the 26th captain in the Rangers' history. He became the fifth-youngest captain in team history. Brad Richards and Marc Staal were named alternate captains on the same day. Return to the Finals and third Presidents' Trophy (2011–2016) In the 2011–12 New York Rangers season, the team finished as the top seed in the Eastern Conference, recording 51 wins and 109 points. Their leading scorer was Marian Gaborik, who finished the season with 41 goals and 76 points while playing all 82 games. In the first round of the playoffs, the Rangers faced the eighth-seeded Ottawa Senators. After falling behind 3–2 in the series, the Rangers bounced back to win Game 6 in Ottawa as well as Game 7 at home. In the next round, the Rangers once again faced the Capitals. In Game 3, Gaborik scored to win 14:41 into the third overtime, giving the Rangers a 2–1 lead in the series, but Washington came back to tie the series 2–2 in Game 4. Washington was up by one during the final minutes of Game 5 when Joel Ward committed a high-sticking double-minor. Richards scored to tie with just 6.6 seconds remaining, and in overtime, defenseman Marc Staal scored on the second penalty of the double-minor just 1:35 into overtime. Rangers went on to win the series 4–3, sending them to the Eastern Conference Final for the first time since 1997. In the Conference Finals, they faced the New Jersey Devils, a major divisional rival. After leading the series 2–1, the Rangers lost 3 games in a row, losing Game 6 in New Jersey with a goal by Devils forward Adam Henrique at 1:03 in overtime, giving the Devils a 4–2 series win and ending the Rangers' season. On July 23, 2012, the Rangers traded Brandon Dubinsky, Artem Anisimov, Tim Erixon and a 2013 first-round draft pick to the Columbus Blue Jackets in exchange for Rick Nash, Steven Delisle, and a 2013 conditional third-round pick. At the 2013 NHL trade deadline on April 3, the Rangers then traded Marian Gaborik and Steven Delisle to Columbus for Derick Brassard, Derek Dorsett, John Moore, and a 2014 sixth-round draft pick. After the Rangers were eliminated in the second round of the playoffs by Boston, management fired head coach John Tortorella, and on June 21, 2013, general manager Glen Sather formally introduced former Canucks head coach Alain Vigneault as Tortorella's replacement. A trade late in the 2013–14 season contributed to the Rangers reaching the 2014 Stanley Cup Finals. On March 5, 2014, the Rangers traded their captain Ryan Callahan, along with a first-round draft pick in 2015, a conditional second-round pick in 2014, and a conditional seventh-round pick in 2015, for Tampa Bay captain Martin St. Louis. The trade occurred both due to the Rangers' and Callahan's inability to reach a contract extension, as well as St. Louis' growing tension with the Lightning organization and subsequent request to be traded to New York. The 2013–14 Rangers were already a strong team, setting a new franchise record of 25 road game wins. New York defeated Philadelphia in seven games in the first round of the 2014 playoffs, and in the next round rallied from a 3–1 series deficit for the first time in their history to defeat Pittsburgh in seven games. They then defeated the Montreal Canadiens in six games to become the Eastern Conference champions, moving on to the Cup Finals, their first visit in 20 years, to face 2012 champions Los Angeles Kings. The Rangers led the first two games by two goals but lost each game in overtime, and were then shut-out at home 3–0 in Game 3. The Kings outshot the Rangers in Game 4, but the Rangers staved off elimination by winning the game 2–1. They had another lead in Game 5, but after the game was tied and subsequently sent to overtime, Kings defenseman Alec Martinez scored with 5:17 left in the second overtime period to win the game for Los Angeles, 3–2, as well as the Stanley Cup. On June 20, 2014, a week after their season ended, the Rangers bought-out the remaining six years of Brad Richards' contract in order to free up salary cap space. On October 6, defenseman Ryan McDonagh was named the Rangers' 27th captain in team history, with Derek Stepan, Dan Girardi, Marc Staal and Martin St. Louis serving as alternates. In 2014–15, the Rangers won the Presidents' Trophy for the third time in franchise history and their seventh division title by finishing with the best record in the NHL at 53–22–7. The 53 wins and 113 points both set franchise records. The team also won 28 road games in the regular season, breaking the franchise record set the previous season. In the 2015 Stanley Cup playoffs, the Rangers dispatched the Pittsburgh Penguins in five games in the first round. The Rangers then came back from a 3–1 series deficit to win their second-round series against the Capitals in seven games, becoming the first team in NHL history to battle back from a 3–1 deficit in back-to-back seasons and sending the Rangers to the Eastern Conference Final for the third time in four years. However, after winning the first game against the Tampa Bay Lightning, the Rangers lost Game 2 by four goals. The two teams split the first four games of the series, but the Rangers lost Game 5 by a 2–0 scoreline at home. In Game 6, Derick Brassard scored a hat-trick and assisted on two other goals in an emphatic 7–3 Rangers victory to force Game 7 in New York. There, the Lightning shutout the Rangers 2–0, ending the Rangers' season, and marking the first occasion the Rangers had ever lost a Game 7 at home in franchise history as well as the first time they lost an elimination game at home since they lost to Buffalo in 2007. On June 27, 2015, the Rangers traded Carl Hagelin to the Anaheim Ducks, Cam Talbot and a draft pick to the Edmonton Oilers, and prospect Ryan Haggerty to the Chicago Blackhawks for Antti Raanta, who replaced Talbot as Lundqvist's backup goaltender. Subsequently, on July 1, Glen Sather resigned as the general manager, with Jeff Gorton taking his place to become the 11th general manager in team history. On July 2, Martin St. Louis announced his retirement. The team then re-signed Jesper Fast, J. T. Miller, and Derek Stepan. The Rangers started the 2015–16 season with a 14–2–2 record after 18 games, including a nine-game winning streak. However, the team lost their momentum and floundered, posting a 4–7–2 record in December for only ten points. After the holiday break, the team gradually improved their play, going on a 10–3–1 run without any back-to-back losses in February. The Rangers finished the season with 101 points for back-to-back 100+ point seasons. Despite high hopes, the Rangers were eliminated in the first round of the 2016 Stanley Cup playoffs by a Penguins team that would go on to win the Stanley Cup. That summer, the Rangers extended Antti Raanta's contract, signed Pavel Buchnevich to an entry-level contract, and re-signed J. T. Miller, Chris Kreider, and Kevin Hayes. Rebuilding (2016–2020) On July 18, 2016, the Rangers traded Derick Brassard and a 2018 seventh-round draft pick in exchange for Mika Zibanejad and a 2018 second-round draft pick. The team also signed Michael Grabner to a two-year deal and the much-anticipated college sensation Jimmy Vesey to a two-year entry-level contract. The Rangers finished 2016–17 in fourth place in the Metropolitan Division with 102 points. In the first round of the 2017 Stanley Cup playoffs, they won their series with the Montreal Canadiens in six games. In the second game of their second-round series with the Ottawa Senators, the Rangers held a two-goal lead on three different occasions, but lost in double overtime, putting themselves in a 2–0 series deficit. The team responded with consecutive 4–1 home wins in Games 3 and 4 to tie the series at two games apiece. However, the Rangers lost the next two games and were eliminated by the Senators. On June 14, 2017, the Rangers announced a buyout of Dan Girardi's contract. Just over a week later, the Rangers traded Derek Stepan and Antti Raanta to the Arizona Coyotes in exchange for a first-round draft pick (seventh overall) and former first-round pick Tony DeAngelo. The Rangers' management was also successful in signing top free agent defenseman Kevin Shattenkirk on July 1, to a four-year deal. With injuries sidelining Shattenkirk, Kreider, and Zibanejad, the Rangers struggled to compete. By February 8, 2018, the team had a 25–24–5 record, leading the front office to issue a letter to fans announcing the Rangers would be committing to a rebuild and may "lose some familiar faces" in the process. Rick Nash was traded the day before the 2018 NHL trade deadline to the Bruins for a 2018 first-round pick, a 2019 seventh-round pick, Matt Beleskey, Ryan Spooner and Ryan Lindgren. The following day, the Rangers traded captain Ryan McDonagh and J. T. Miller to the Tampa Bay Lightning for Vladislav Namestnikov, prospects Brett Howden and Libor Hajek, and multiple draft picks. With the team missing the playoffs for the first time since 2010, finishing under .500 for the first time since 2004, and placing last in the Metropolitan Division, head coach Vigneault was fired after the conclusion of the season. On May 23, David Quinn was hired as the team's new head coach. During the off-season, Hayes, Vesey, Brady Skjei and Spooner all filed for salary arbitration and all of them were re-signed. Despite a mediocre 2018–19 season, Gorton and his team remained committed to rebuilding the franchise. 2017 first-round draft pick Filip Chytil made his NHL debut, and early in the season Ryan Spooner was traded to Edmonton for Ryan Strome. With the trade deadline approaching and their playoff chances slim, the Rangers once again traded away veteran players, with fan-favorite Mats Zuccarello being sent to the Dallas Stars in exchange for two draft picks and Kevin Hayes going to Winnipeg in exchange for a first-round pick, a conditional pick, and forward Brendan Lemieux. The Rangers received the second overall pick in the 2019 NHL Entry Draft, and subsequently used it to select forward Kaapo Kakko. On May 17, 2019, former Ranger goaltender and broadcaster John Davidson resigned from his position as president of the Columbus Blue Jackets and returned to New York to become the organization's new president. Davidson and Gorton addressed the team's defensive woes by acquiring top prospect Adam Fox from Carolina for a pair of picks, as well as veteran defenseman Jacob Trouba. The team also signed free agent Artemi Panarin to a seven-year deal on July 1. To help with salary cap restrictions, the Rangers then traded Jimmy Vesey and bought out the last two years of Shattenkirk's contract. The 2019–20 season was a step forward for the rebuilding Rangers; Panarin lived up expectations and earned a Hart Trophy nomination, rookie goaltender Igor Shesterkin proved to be a worthy successor to aging superstar Henrik Lundqvist, Chris Kreider signed a seven-year contract extension, and Mika Zibanejad emerged as an elite forward, recording a 5-goal-game against Washington on March 5 and ending up with 41 goals in 57 games played. By early March 2020, the Rangers were within striking distance of the second wild-card position when the coronavirus pandemic halted the regular season. In May 2020, the league announced a 24-team playoff tournament to complete the season, where the Rangers were seeded eleventh and faced the Carolina Hurricanes; the Hurricanes swept the Rangers. After being eliminated from the playoffs the Rangers were entered into the second phase of the NHL draft lottery where the team won the lottery and were awarded the first pick in the 2020 NHL Entry Draft, which Gorton used to select Alexis Lafreniere. Later in the off-season, the team traded veteran defenseman Marc Staal to the Red Wings. In September 2020, the Rangers bought out the final year of Henrik Lundqvist's contract, ending his tenure in New York after 15 years. The Drury years (2020–present) Continued team struggles (2020–2021) On January 31, 2021, defenseman Tony DeAngelo was placed on waivers, following reports that he had an altercation with teammate Alexandar Georgiev following an overtime loss. According to The Athletic, his continued "maturity" issues, combined with a marked decline in his play, led the Rangers to put him on the market; there were no takers. In a game against the Washington Capitals on May 3, 2021, Capitals forward Tom Wilson cross-checked Pavel Buchnevich in the head and slammed Artemi Panarin into the ice, ending his season. Wilson, a repeat offender, was fined the league maximum of $5,000 for the incident. The Rangers organization released a statement expressing disappointment in this decision, calling head of player safety George Parros "unfit to continue in his current role". The NHL subsequently fined the Rangers $250,000 for their comments. Two days later, Rangers owner James Dolan fired president John Davidson and general manager Jeff Gorton. Despite the timing, Dolan stated the firings were not related to the Wilson incident and statement, citing "culture" issues within the organization. Chris Drury was then announced as the Rangers' new president and general manager. On May 12, Drury fired head coach David Quinn, and replaced him with Gerard Gallant. Despite a tumultuous season, a major bright spot was the play of Adam Fox; he led NHL defensemen with 42 assists, finished second in points with 47, and won the James Norris Memorial Trophy. Playoff return and fourth Presidents' Trophy (2021–present) In the 2021–22 season, the Rangers finished the regular season with a record of 52–24–6, making the playoffs for the first time since 2020. For the third time in franchise history, the Rangers overcame a 3–1 series deficit, this time against the Pittsburgh Penguins in a first round matchup that concluded with a game-winning overtime goal from Artemi Panarin. In the next round, they defeated the Carolina Hurricanes in seven games after trailing in the series 2–0 and 3–2, advancing to their first Eastern Conference Final since 2015. There they faced the back-to-back defending champions, the Tampa Bay Lightning, and lost the series in six games despite having a 2–0 series lead. Igor Shesterkin was named the Vezina Trophy winner following the season. By the end of the following season, the Rangers had acquired Vladimir Tarasenko and Niko Mikkola from the St. Louis Blues and Patrick Kane from the Blackhawks. The team made the playoffs, finishing third in their division, but lost to their river rivals, the New Jersey Devils in seven games, despite a 2–0 series lead. As a result, Gallant was fired as head coach. He was replaced with Peter Laviolette following the season. In the 2023–24 season, the Rangers clinched their fourth Presidents' Trophy. During the 2024 playoffs, they swept the Washington Capitals in the first round, then defeated the Carolina Hurricanes in the second round, but lost to the eventual Stanley Cup champion Florida Panthers in the conference finals. Uniforms The classic Rangers sweater has been in use since the franchise's foundation, with several alterations along the way. The current blue uniform has the serifed word "RANGERS" in red and white drop shadow arranged diagonally, with red and white stripes on the sleeves and tail. Originally, the uniform was light blue, before it switched to a darker classic Rangers "Broadway Blue" in 1929. In addition, the original versions neither had a drop shadow nor were serifed. During the 1946–47 season, the word "RANGERS" was arranged in an arch form above the sweater number. It adopted its current form the next season, along with dropshadowed numbers, except for a brief period where the city name was used, a tie-down collar was not used and the tail and sleeve stripes were separated by thin blue stripes. Red pants have been used with the uniform since the 1929–30 season. The white jerseys were first unveiled in the 1951–52 season, as part of a mandate that regulated NHL teams to have a dark home jersey and a light away jersey. The serifed word "RANGERS" is also arranged diagonally, but in blue with red drop shadow. A quinticolor of blue, white and red stripes accentuate the tail and sleeves, while a blue shoulder yoke with white and red stripes completes the look. The white sweaters, with minor changes such as a tie-down collar and arched player names, have remained virtually unchanged since. During the tenure of general manager John Ferguson Sr., he sought to modernize the Rangers sweater by featuring rounded numbers, a darker shade of blue and the shield logo, which was unveiled in the 1976–77 season. A blue and red stripe (white and red stripe in the blue sweaters) extend from the yoke to the sleeves, while blue pants were used. However, it proved unpopular with the fans, and following the 1977–78 season it was replaced by an updated version of their classic uniforms. Ferguson used this similar design when he became GM of the original Winnipeg Jets. The modernized classic uniforms introduced in 1978 featured some subtle changes. Both jerseys featured a V-neck collar in a red-white-red pattern, and bolder stripes on the sleeves and waistline. On the blue jersey, the red and white stripes were separated by thin blue stripes, along with the waistline stripes being raised above the hemline so that the patterns on both jerseys matched. From 1978 to 1987, the blue jersey (then the road jersey) featured "NEW YORK" diagonally across the front instead of the traditional "RANGERS" wordmark, similar to their 2010s heritage alternate jerseys. In 1997, the Rangers reverted the blue jersey's design, restoring the old striping pattern, and becoming the first team to re-introduce lace-up collars. The white jerseys followed suit in 1999, and the design was carried over to the Reebok Edge template in 2007. On October 7, 2001, the Rangers wore a modified version of their blue jerseys in a home game against the Buffalo Sabres. This design combined the current/traditional striping with the "NEW YORK" wordmark of the 1978–1987 uniforms. The uniforms were worn in the wake of the September 11 attacks. The Rangers previously had a navy alternate jersey featuring the head of the Statue of Liberty with the team abbreviation (NYR) below in a futuristic script. Silver was used as an accent color, but the player names and numbers retain the same color schemes as the regular jerseys, except for a darker shade of blue. Other than a white version used in the 1998–99 season, this jersey was used from 1996 to 2007, and proved to be highly popular with fans. During the 2010–11 season, the Rangers debuted a heritage blue jersey as their new alternate uniform. The jersey featured a darker shade of blue, as well as a cream trim. Unlike the regular jerseys, the font of the alternate was sans-serif and did not feature a dropshadow, much like the original Rangers jersey. The Rangers wore the jerseys at home on Saturdays and when they played against Original Six teams. For the 2017–18 season, the heritage jersey was retired because of the league-wide switch to the Adidas uniform format. In the 2012 NHL Winter Classic, the Rangers wore a cream jersey combining classic and current styles. A different version of the shield logo was used, while the player names were arranged in a straight line. The stripes were also lessened, giving it a minimalist, vintage look, as most Winter Classic jerseys are. For the 2014 NHL Stadium Series, the Rangers used white jerseys with the city name in navy, silver and red. In addition, they feature diagonal stripes and sleeve numbers, and enlarged numbers on the back to make them more readable to spectators. The chrome version of the shield logo is placed in the left shoulder. Like the Winter Classic sweaters, player names are in a straight position. The 2018 NHL Winter Classic saw the Rangers wear a navy jersey with a combination of elements from prior uniform designs. The striping design was inspired from their current uniforms, while the white "RANGERS" wordmark was a nod from the team's late 1920s jerseys. A white silhouette of the Rangers' shield logo contained either the abbreviation "N.Y." or the alternate captain "A" and captain "C" designations. Player names are arranged in a straight position. During the 2020–21 season, the Rangers released a "Reverse Retro" alternate uniform in collaboration with Adidas. The uniform featured the "Lady Liberty" design worn from 1996 to 2007, but with a few changes in the striping. This same design was again used for their 2022–23 "Reverse Retro" uniform, but the lighter Broadway Blue served as the base color while the lower sleeves were recolored red with white and navy stripes. In the 2023–24 season, the Rangers unveiled a new third jersey, bringing back the shield logo as the main crest for the first time since the 1976–1978 redesign. The navy blue-based jersey featured thin white, red and Broadway blue stripes on the sleeves, waist and socks, along with white letters. For the 2024 NHL Stadium Series, the Rangers will wear white jerseys with an enlarged "NYR" diagonal lettering in red with blue drop shadows. Enlarged numbers also employ the same color scheme as the "NYR" wordmark, along with thick alternating blue and red sleeve stripes. Season-by-season record This is a partial list of the last five seasons completed by the Rangers. For the full season-by-season history, see List of New York Rangers seasons. Note: GP = Games played, W = Wins, L = Losses, T = Ties, OTL = Overtime/shootout losses, Pts = Points, GF = Goals for, GA = Goals against Players and personnel Current roster Updated October 9, 2024 Team captains General managers The current general manager is Chris Drury, who had been named on May 5, 2021. Head coaches The current head coach is Peter Laviolette who was hired on June 13, 2023. Team and league honors Awards and trophies The following lists the league awards which have been won by the Rangers team and its players and alumni: First-round draft picks Hall of Famers The New York Rangers acknowledge an affiliation with a number of inductees to the Hockey Hall of Fame. Rangers inductees include 53 former players and ten builders of the sport. The nine individuals recognized as builders by the Hall of Fame includes former Rangers executives, general managers, head coaches, and owners. In addition to players and builders, several broadcasters were also awarded the Foster Hewitt Memorial Award from the Hockey Hall of Fame. Sal Messina, a color commentator, was the first Rangers broadcaster to be awarded the Foster Hewitt Memorial Award. Other Rangers broadcasters awarded the Foster Hewitt Memorial Award include John Davidson (awarded in 2009), and Sam Rosen (awarded in 2016). Players Builders Retired numbers The Rangers have retired nine numbers for eleven players in their history, and the NHL retired Wayne Gretzky's No. 99 for all its member teams at the 2000 NHL All-Star Game. Notes: 1 The number was retired in honor of two different players. Single-season records Source: Franchise scoring leaders These are the top-ten-point-scorers in franchise history. Figures are updated after each completed NHL regular season. * – current Rangers player See also Emile Francis Award Ice Hockey in Harlem References Footnotes Citations Bibliography Boucher, Frank; Frayne, Trent (1973). When The Rangers Were Young. New York: Dodd, Mead & Company. ISBN 0-396-06852-9. Halligan, John (2000). New York Rangers: Seventy-Five Years. Tehabi Books. ISBN 0-7607-2298-6. Halligan, John (2003). The New York Rangers (Images of Sports). Arcadia. ISBN 0-7385-1228-1. Kreiser, John; Friedman, Lou (1997). The New York Rangers: Broadway's Longest Running Hit. Sports Publishing LLC. ISBN 1-57167-041-6. McFarlane, Brian (1997). The Rangers. Stoddart. ISBN 0-7737-6007-5. Meisel, Barry (1995). Losing the Edge: The Rise and Fall of the Stanley Cup Champion New York Rangers. Simon & Schuster. ISBN 0-684-81519-2. NY Daily News (2000). New York Rangers: Millennium Memories. Sports Publishing LLC. ISBN 1-58261-147-5. Sloman, Larry (1981). Thin Ice: A Season in Hell With the New York Rangers. Random House Publishing. ISBN 0-440-18571-8. Rangers' Biggest Trades Since 1990 (October 6, 2006) External links Official website Madison Square Garden MSG Network
Seattle_Totems
https://en.wikipedia.org/wiki/Seattle_Totems
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[ "https://en.wikipedia.org/wiki/Seattle_Totems" ]
The Seattle Totems were a professional ice hockey franchise in Seattle, Washington. Under several names prior to 1958, the franchise was a member of the Pacific Coast Hockey League (renamed the Western Hockey League in 1952) between 1944 and 1974. In their last season of existence, the Totems played in the Central Hockey League in the 1974–75 season. They played their home games in the Civic Ice Arena and later at the Seattle Center Coliseum. The Totems won three WHL Lester Patrick Cup championships in 1959, 1967 and 1968. The Totems were one of the few American-based professional clubs to play a touring Soviet team. On December 25, 1972, the Totems lost to the Soviets 9–4. A rematch between the two teams was held on January 4, 1974, where, led by Don Westbrooke's three goals, the Totems won 8–4. Franchise history Seattle Ironmen (1944–52) After World War II, the Pacific Coast Hockey League (PCHL), a major professional league on the West Coast in the 1910s and 1920s, was resurrected as a semi-professional loop. Seattle, as a notably strong hockey town and the first city outside of Canada to host a Stanley Cup champion (the 1917 Seattle Metropolitans), was granted two franchises, one of which were the Seattle Ironmen. The club had been founded as an amateur team the previous year in the Northwest Industrial Hockey League, where they were known as the Seattle Isaacson Iron Workers. As NIHL teams were operated by war industry companies, most players for the Iron Workers additionally worked at the production lines of the U.S. Navy's Isaacson Steel plant in nearby Tukwila, Washington. When the club entered the new PCHL in its inaugural 1944–45 season, it was renamed the Seattle Ironmen and hired Frank Dotten as its new head coach. The club had modest success, finishing in first place in the 1947–48 regular season. When the league itself became fully professional for the 1948–49 season, only four of the previous season's players remained, leaving the roster to be replaced by amateur players from Tacoma and the team to finish last in its division. Over its existence, the Ironmen's most notable stars were Gordon Kerr, the team's leading scorer in those years with 235 points in 244 games, William Robinson, Eddie Dartnell and Joe Bell. Among other notables for the team were future NHL star goaltender Al Rollins and legendary Philadelphia Flyers coach Fred Shero. The Ironmen served as inspiration for the 2022 Reverse Retro alternate uniform for the NHL's Seattle Kraken. Seattle Bombers (1952–54) In 1952, the league changed its name to the Western Hockey League (WHL), and the Ironmen themselves changed their name to the Seattle Bombers the following season. The team continued to play poorly for two seasons, and the only bright spot was the debut for Seattle of the greatest minor league scorer of all time, Guyle Fielder. After two seasons of increasing travel costs—for which the Bombers received aid from the league—Seattle suspended operations for the 1955 season. Seattle Americans (1955–58) The team rejoined the WHL as the Seattle Americans the following season, finishing in first place in 1957 led by a tremendous season by Fielder, who broke the professional single season scoring record with 122 points en route to Most Valuable Player honors and the first of four straight scoring championships for Seattle. Among other notables for the Americans were Val Fonteyne, notable as the least penalized player of all time, future Vezina winner Charlie Hodge, and future National Hockey League general managers Emile Francis and Keith Allen. The team's final season as the Americans, in 1958, saw the first time the franchise would win a playoff series. Seattle Totems (1958–75) The Americans were renamed the Seattle Totems for the 1958–59 season, the name by which it would go for the rest of its existence. Fielder and Filion remained the team's great stars, but like many other WHL teams the Totems had very stable rosters, and players such as Marc Boileau, Gerry Leonard, Bill MacFarland, Jim Powers, Gordie Sinclair and future NHL coach and general manager Tom McVie spent many seasons each in Seattle colors. Allen was the team's coach its first seven seasons as the Totems, guiding the team to a first-place finish in 1959 and to the playoffs six out of the seven years of his tenure. The Totems played the 1974–75 season in the Central Hockey League after the WHL folded. Terminated NHL expansion franchise On June 12, 1974, the National Hockey League (NHL) announced that a Seattle group headed by Vince Abbey had been awarded an expansion team to begin play in the 1976–77 season. A $180,000 deposit was due by the end of 1975 and the total franchise fee was $6 million. Additionally, Abbey had to repurchase the shares in the Totems held by the Vancouver Canucks, who were using the minor-league Totems as a farm club. The expansion announcement also included a franchise for Denver, and with the loss of two more of its major markets, the WHL announced on the same day that it was folding. The Totems joined the Central Hockey League for 1974–75. After missing a number of deadlines while scrambling to secure financing, the NHL threatened to pull the franchise as there were a number of other suitors in the wings. Abbey allegedly passed on an opportunity to purchase a WHA team for $2 million during this period, and he missed an opportunity to acquire an existing franchise when the Pittsburgh Penguins were sold in a bankruptcy auction for $4.4 million in June 1975. The Totems folded following the 1974–75 CHL season after acquiring $2 million in debt, leaving the city without hockey for the first time in two decades; the Seattle Breakers (now the Thunderbirds) would begin play in 1977 in the junior Western Canada Hockey League. After a failed attempt by Abbey to purchase the California Golden Seals in June, the NHL pulled the expansion franchise from Seattle. Abbey filed suit against the NHL and the Canucks for anti-trust violations that he alleged prevented him from acquiring a team; it was finally settled in favor of the NHL in 1986. In 2018, the NHL again awarded Seattle an NHL team, the Seattle Kraken, which began play in 2021. Season-by-season results (1943–75) 1943–44 – Northwest International Hockey League 1944–52 – Pacific Coast Hockey League 1952–74 – Western Hockey League 1974–75 – Central Hockey League Note: GP = Games played, W = Wins, L = Losses, T = Ties, Pts = Points, GF = Goals for, GA = Goals against, PIM = Penalties in minutes See also Seattle Kraken Seattle Totems (junior hockey) – current team in the Western States Hockey League Ice hockey in Seattle Pioneer Square totem pole References External links List of NHL alumni All-time roster (WHL, 1958–1974) All-time roster (CHL, 1974–1975) Seattle Totems page at Seattlehockey.net Website dedicated to the Seattle Totems (1958–75)
Charlotte_Checkers_(1956%E2%80%931977)
https://en.wikipedia.org/wiki/Charlotte_Checkers_(1956%E2%80%931977)
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[ "https://en.wikipedia.org/wiki/Charlotte_Checkers_(1956%E2%80%931977)" ]
The Charlotte Checkers were a minor league professional ice hockey team based in Charlotte, North Carolina. The team began as the Baltimore Clippers in 1954, playing in the Eastern Hockey League. When the arena in Baltimore burned down, the team briefly played as the Charlotte Rebels, before permanently relocating to the Charlotte Coliseum in 1956, becoming the Charlotte Clippers. The team was renamed the Checkers in 1960, and played its final four seasons in the Southern Hockey League, before folding in 1977. The Clippers/Checkers franchise won five playoff championships in its existence, and were the first team to be based in the Southeast United States. Baltimore Clippers, 1954–1956 The Baltimore Clippers began play in the Eastern Hockey League during the 1954–55 season, with Andy Brown as coach. Herve Lalonde led the team, scoring 22 goals, and 50 assists, winning the John Carlin Trophy, as the league's top scorer. In the playoffs, Baltimore defeated the Clinton Comets 3 games to 1 in the first round, but lost the finals in four straight games to the Washington Lions. On January 23, 1956, midway through the Clippers' second season, their home arena, Carlin's Iceland, burned down. Charlotte Rebels, 1956 Without an arena, the Clippers searched for a temporary home to finish the season. Local businessmen in Charlotte offered the one-year-old Charlotte Coliseum as a temporary site. The Baltimore Clippers played six of their remaining 12 games in Charlotte, using the name Rebels. The first professional hockey game in Charlotte was played on January 30, 1956, attended by 10,363 fans, with approximately 3,000 more unable to find a ticket. The Rebels lost the game 6–2, to the New Haven Blades. The six games played in Charlotte by the Rebels drew more than 40,000 fans. By comparison, the Clippers typically drew 2,000 fans per game in Baltimore. The combined record of the Clippers and Rebels was 47 points for fifth place, missing the playoffs. Charlotte Clippers, 1956–1960 Buoyed by the Rebels' strong attendance figures in Charlotte, owner Charles Rock chose to move the team there full-time for the following season as the Charlotte Clippers. In the 1956–57 season, the Clippers earned 101 points, to finish first place, and win the Walker Cup as regular season champions. The season included a winning streak of 21 games before the playoffs, and the team earning the nickname, "Dixie Dandies." Al O'Hearn lead the league in scoring with 46 goals, 71 assists, and 117 points, to win the John Carlin Trophy. In the playoffs, Charlotte defeated the New Haven Blades in six games in the first round, and defeated the Philadelphia Ramblers in seven games, to win the Atlantic City Boardwalk Trophy as playoff champions. In the 1957–58 season, Charlotte repeated first place in the regular season with 77 points, and a second Walker Cup. In the playoffs, Charlotte defeated the New Haven Blades in seven games in the first round, but lost in the finals to the Washington Presidents in seven games. In the 1958–59 season, Charlotte dropped to sixth place, and missed the playoffs. The team also ran into financial troubles, which led to the Charlotte Coliseum Authority taking over the team in 1959. A citizen's group raised $25,000 from stockholders, to keep the team on the ice. In the 1959–60 season, coach Andy Brown moved on, and the EHL split into northern and southern divisions. Evel Knievel tried out with the Clippers in 1959, but decided that a traveling team was not for him. Pete Horeck led the team as a player-coach, the Clippers finished second place in the south, won the first round playoff series in three games versus the Greensboro Generals, and lost to the Johnstown Jets in the second round. Charlotte Checkers Eastern Hockey League, 1960–1973 The team was renamed the Charlotte Checkers, resulting from a name-the-team contest. Gordon Tottle became the player-coach, and despite the new name, Charlotte finished fourth place and missed the playoffs in the 1960–61 season. Joe Crozier was named coach in the 1961–62 season, but the team still finished fourth place and missed the playoffs. He returned for the 1962–63 season, and the Checkers placed third in the southern division. In the playoffs, Charlotte upset the second place Knoxville Knights in five games, then lost in five games to the Greensboro Generals in the second round. Turk Broda took over the coaching duties for the 1963–64 season, and led the team to a fourth-place finish in the south, and a first round playoff loss to Greensboro in three games. Fred Creighton was brought in to coach for the 1964–65 season, beginning eight years at the helm of the Checkers. He improved the team to third place in the south, but the team still lost in the first round to the Nashville Dixie Flyers in three games. Creighton improved the team to 42 wins in the 1965–66 season, and second place in the south. In the playoffs, Charlotte defeated Greensboro in five games in the first round, then lost in four games straight to Nashville in the second round. Charlotte repeated a second-place finish in the 1966–67 season, then defeated Greensboro in three games in the first round of the playoffs, but lost to Nashville in five games in the second round. The Checkers won 42 games, and earned 93 points in the 1967–68 season, and finished second place in the south. Charlotte defeated Nashville in four games in the first round of the playoffs, and defeated Greensboro in six games in the second round. In the finals, the Checkers were swept in four games by the Clinton Comets. Charlotte dropped to third place in the 1968–69 season, after many players moved up to higher leagues. The rebuilding effort was made easier by this being first season of an affiliation with the Toronto Maple Leafs. In the playoffs, Charlotte lost in three games to Nashville. The Checkers repeated a third-place finish in the 1969–70 season. Center Tom Trevelyan was named EHL Rookie of the Year for the south division. In the playoffs, Charlotte defeated the Salem Rebels in five games in the first round, then lost to Greensboro in six games in the second round. Creighton led Charlotte to its best results in the 1970–71 season, with 55 wins, and 117 points to finish first overall in the EHL, and win the Walker Cup. Goaltender John Voss led the league in goals against average, and won the George L. Davis Jr. Trophy. In the playoffs, Charlotte defeated Nashville, then Greensboro both in four games, to reach the finals. The Checkers won the Atlantic City Boardwalk Trophy in five games over the New Haven Blades. In the 1971–72 season, Charlotte switched affiliations to the Buffalo Sabres. Defenceman Don Brennan was voted the EHL Rookie of the Year for the south division, and goaltender Gaye Cooley led the league in goals against average to win the George L. Davis Jr. Trophy. The Checkers repeated the first-place finish and the Walker Cup in the regular season, with 47 wins and 102 points. In the playoffs, Charlotte defeated the St. Petersburg Suns in six games in the first round, and Greensboro in five games in the second round. Creighton and the Checkers won a second consecutive Atlantic City Boardwalk Trophy, defeating the Syracuse Blazers in four games in the finals. Creighton and many players moved on after the two championships, and Charlotte struggled in the 1972–73 season. Jack Wells was named player-coach, and the team finished fourth place in the south, missing the playoffs. Southern Hockey League, 1973–1977 The four teams in the EHL's Southern Division, including the Checkers, broke away to form the Southern Hockey League (SHL) in 1973. In the new league, Patrick J. Kelly took over coaching duties in all four seasons. Garry Swain led the SHL in scoring with 98 points. Charlotte finished second place in the 1973–74 season, then defeated Greensboro in six games in the first round of the playoffs, but lost the finals in seven games to the Roanoke Valley Rebels. In the 1974–75 season, Charlotte began secondary affiliations with World Hockey Association teams, and the California Golden Seals, in addition to the existing agreement with Buffalo. Steve Hull led the SHL in scoring with 114 points. The Checkers finished first place in the regular season with 101 points, defeated Roanoke in four games in the first round of the playoffs, and defeated the Hampton Gulls in six games in the finals, to win the Crockett Cup. In the 1975–76 season, Charlotte repeated first place in the regular season with 94 points. Yvon Dupuis led the SHL with 52 goals scored. In the playoffs, Charlotte defeated Roanoke in six games in the first round, and then won a second consecutive Crockett Cup in five games over Hampton. The 1976–77 season was cut short when the SHL folded due to financial issues. The final Checkers game was played on January 30, 1977 against the revived Baltimore Clippers. Charlotte was in third place at that time, and folded along with the league. Major league affiliations The Charlotte Checkers were affiliated with National Hockey League teams from 1968 to 1977, and several World Hockey Association teams from 1974 to 1977. Coaches Coaches from 1954 to 1977. † denotes a player/coach Records Top scorers from 1956 to 1977. Notable players List of notable players for the Baltimore Clippers/Charlotte Rebels (1954–1956), Charlotte Clippers (1956–1960) and Charlotte Checkers (1960–1977) Results Combined season-by-season record for: Baltimore Clippers (1954–55) Baltimore Clippers / Charlotte Rebels (1955–56) Charlotte Clippers (1956–1960) Charlotte Checkers (1960–1977) Note: GP = Games played, W = Wins, L = Losses, T = Ties, Pts = Points, GF = Goals for, GA = Goals against References External links The Eastern Hockey League (1954–1973) Checkers History album on Flickr
Cranbrook_Royals
https://en.wikipedia.org/wiki/Cranbrook_Royals
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The Cranbrook Royals were a senior men's AAA level ice hockey team that played in the Western International Hockey League from 1965 to 1987. The Cranbrook Royals won the Allan Cup as senior ice hockey champions of Canada in 1982. == References ==
Pablo_Picasso
https://en.wikipedia.org/wiki/Pablo_Picasso
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Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's output, especially in his early career, is often periodized. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art. Early life Picasso was born at 23:15 on 25 October 1881, in the city of Málaga, Andalusia, in southern Spain. He was the first child of Don José Ruiz y Blasco (1838–1913) and María Picasso y López. Picasso's family was of middle-class background. His father was a painter who specialized in naturalistic depictions of birds and other game. For most of his life, Ruiz was a professor of art at the School of Crafts and a curator of a local museum. Picasso's birth certificate and the record of his baptism include very long names, combining those of various saints and relatives. Ruiz y Picasso were his paternal and maternal surnames, respectively, per Spanish custom. The surname "Picasso" comes from Liguria, a coastal region of north-western Italy. Pablo's maternal great-grandfather, Tommaso Picasso, moved to Spain around 1807. Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were "piz, piz", a shortening of lápiz, the Spanish word for "pencil". From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was a traditional academic artist and instructor, who believed that proper training required disciplined copying of the masters, and drawing the human body from plaster casts and live models. His son became preoccupied with art to the detriment of his classwork. The family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. They stayed for almost four years. On one occasion, the father found his son painting over his unfinished sketch of a pigeon. Observing the precision of his son's technique, an apocryphal story relates, Ruiz felt that the thirteen-year-old Picasso had surpassed him, and vowed to give up painting, though paintings by him exist from later years. In 1895, Picasso was traumatized when his seven-year-old sister, Conchita, died of diphtheria. After her death, the family moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso thrived in the city, regarding it in times of sadness or nostalgia as his true home. Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, and the jury admitted him, at just 13. As a student, Picasso lacked discipline but made friendships that would affect him in later life. His father rented a small room for him close to home so he could work alone, yet he checked up on him numerous times a day, judging his drawings. The two argued frequently. Picasso's father and uncle decided to send the young artist to Madrid's Real Academia de Bellas Artes de San Fernando, the country's foremost art school. At age 16, Picasso set off for the first time on his own, but he disliked formal instruction and stopped attending classes soon after enrollment. Madrid held many other attractions. The Prado housed paintings by Diego Velázquez, Francisco Goya, and Francisco Zurbarán. Picasso especially admired the works of El Greco; elements such as his elongated limbs, arresting colours, and mystical visages are echoed in Picasso's later work. Career Before 1900 Picasso's training under his father began before 1890. His progress can be traced in the collection of early works now held by the Museu Picasso in Barcelona, which provides one of the most comprehensive extant records of any major artist's beginnings. During 1893 the juvenile quality of his earliest work falls away, and by 1894 his career as a painter can be said to have begun. The academic realism apparent in the works of the mid-1890s is well displayed in The First Communion (1896), a large composition that depicts his sister, Lola. In the same year, at the age of 14, he painted Portrait of Aunt Pepa, a vigorous and dramatic portrait that Juan-Eduardo Cirlot has called "without a doubt one of the greatest in the whole history of Spanish painting." In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape paintings rendered in non-naturalistic violet and green tones. What some call his Modernist period (1899–1900) followed. His exposure to the work of Rossetti, Steinlen, Toulouse-Lautrec and Edvard Munch, combined with his admiration for favourite old masters such as El Greco, led Picasso to a personal version of modernism in his works of this period. Picasso made his first trip to Paris, then the art capital of Europe, in 1900. There, he met his first Parisian friend, journalist and poet Max Jacob, who helped Picasso learn the language and its literature. Soon they shared an apartment; Max slept at night while Picasso slept during the day and worked at night. These were times of severe poverty, cold, and desperation. Much of his work was burned to keep the small room warm. During the first five months of 1901, Picasso lived in Madrid, where he and his anarchist friend Francisco de Asís Soler founded the magazine Arte Joven (Young Art), which published five issues. Soler solicited articles and Picasso illustrated the journal, mostly contributing grim cartoons depicting and sympathizing with the state of the poor. The first issue was published on 31 March 1901, by which time the artist had started to sign his work Picasso. From 1898 he signed his works as "Pablo Ruiz Picasso", then as "Pablo R. Picasso" until 1901. The change does not seem to imply a rejection of the father figure. Rather, he wanted to distinguish himself from others; initiated by his Catalan friends who habitually called him by his maternal surname, much less current than the paternal Ruiz. Blue Period: 1901–1904 Picasso's Blue Period (1901–1904), characterized by sombre paintings rendered in shades of blue and blue-green only occasionally warmed by other colours, began either in Spain in early 1901 or in Paris in the second half of the year. Many paintings of gaunt mothers with children date from the Blue Period, during which Picasso divided his time between Barcelona and Paris. In his austere use of colour and sometimes doleful subject matter—prostitutes and beggars are frequent subjects—Picasso was influenced by a trip through Spain and by the suicide of his friend Carles Casagemas. Starting in autumn of 1901, he painted several posthumous portraits of Casagemas culminating in the gloomy allegorical painting La Vie (1903), now in the Cleveland Museum of Art. The same mood pervades the well-known etching The Frugal Repast (1904), which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness, a recurrent theme in Picasso's works of this period, is also represented in The Blindman's Meal (1903, the Metropolitan Museum of Art) and in the portrait of Celestina (1903). Other Blue Period works include Portrait of Soler and Portrait of Suzanne Bloch. Rose Period: 1904–1906 The Rose Period (1904–1906) is characterized by a lighter tone and style utilizing orange and pink colours and featuring many circus people, acrobats and harlequins known in France as saltimbanques. The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso. Picasso met Fernande Olivier, a bohemian artist who became his mistress, in Paris in 1904. Olivier appears in many of his Rose Period paintings, many of which are influenced by his warm relationship with her, in addition to his increased exposure to French painting. The generally upbeat and optimistic mood of paintings in this period is reminiscent of the 1899–1901 period (i.e., just prior to the Blue Period), and 1904 can be considered a transition year between the two periods. By 1905, Picasso became a favourite of American art collectors Leo and Gertrude Stein. Their older brother Michael Stein and his wife Sarah also became collectors of his work. Picasso painted a portrait of Gertrude Stein and one of her nephew Allan Stein. Gertrude Stein became Picasso's principal patron, acquiring his drawings and paintings and exhibiting them in her informal Salon at her home in Paris. At one of her gatherings in 1905, he met Henri Matisse, who was to become a lifelong friend and rival. The Steins introduced him to Claribel Cone and her sister Etta, who were American art collectors; they also began to acquire Picasso's and Matisse's paintings. Eventually, Leo Stein moved to Italy. Michael and Sarah Stein became patrons of Matisse, while Gertrude Stein continued to collect Picassos. In 1907, Picasso joined an art gallery that had recently been opened in Paris by Daniel-Henry Kahnweiler, a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed. Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time. African art and primitivism: 1907–1909 Picasso's African-influenced Period (1907–1909) begins with his painting Les Demoiselles d'Avignon. The three figures on the left were inspired by Iberian sculpture, but he repainted the faces of the two figures on the right after being powerfully impressed by African artefacts he saw in June 1907 in the ethnographic museum at Palais du Trocadéro. When he displayed the painting to acquaintances in his studio later that year, the nearly universal reaction was shock and revulsion; Matisse angrily dismissed the work as a hoax. Picasso did not exhibit Les Demoiselles publicly until 1916. Other works from this period include Nude with Raised Arms (1907) and Three Women (1908). Formal ideas developed during this period lead directly into the Cubist period that follows. Analytic cubism (1909–1912) is a style of painting Picasso developed with Georges Braque using monochrome brownish and neutral colours. Both artists took apart objects and "analyzed" them in terms of their shapes. Picasso and Braque's paintings at this time share many similarities. In Paris, Picasso entertained a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including André Breton, poet Guillaume Apollinaire, writer Alfred Jarry and Gertrude Stein. In 1911, Picasso was arrested and questioned about the theft of the Mona Lisa from the Louvre. Suspicion for the crime had initially fallen upon Apollinaire due to his links to Géry Pieret, an artist with a history of thefts from the gallery. Apollinaire in turn implicated his close friend Picasso, who had also purchased stolen artworks from the artist in the past. Afraid of a conviction that could result in his deportation to Spain, Picasso denied having ever met Apollinaire. Both were later cleared of any involvement in the painting's disappearance. Synthetic cubism: 1912–1919 Synthetic cubism (1912–1919) was a further development of the genre of cubism, in which cut paper fragments – often wallpaper or portions of newspaper pages – were pasted into compositions, marking the first use of collage in fine art. Between 1915 and 1917, Picasso began a series of paintings depicting highly geometric and minimalist Cubist objects, consisting of either a pipe, a guitar or a glass, with an occasional element of collage. "Hard-edged square-cut diamonds", notes art historian John Richardson, "these gems do not always have upside or downside". "We need a new name to designate them," wrote Picasso to Gertrude Stein. The term "Crystal Cubism" was later used as a result of visual analogies with crystals at the time. These "little gems" may have been produced by Picasso in response to critics who had claimed his defection from the movement, through his experimentation with classicism within the so-called return to order following the war. After acquiring some fame and fortune, Picasso left Olivier for Marcelle Humbert, also known as Eva Gouel. Picasso included declarations of his love for Eva in many Cubist works. Picasso was devastated by her premature death from illness at the age of 30 in 1915. At the outbreak of World War I in August 1914, Picasso was living in Avignon. Braque and Derain were mobilized and Apollinaire joined the French artillery, while the Spaniard Juan Gris remained from the Cubist circle. During the war, Picasso was able to continue painting uninterrupted, unlike his French comrades. His paintings became more sombre and his life changed with dramatic consequences. Kahnweiler's contract had terminated on his exile from France. At this point, Picasso's work would be taken on by the art dealer Léonce Rosenberg. After the loss of Eva Gouel, Picasso had an affair with Gaby Lespinasse. During the spring of 1916, Apollinaire returned from the front wounded. They renewed their friendship, but Picasso began to frequent new social circles. Towards the end of World War I, Picasso became involved with Serge Diaghilev's Ballets Russes. Among his friends during this period were Jean Cocteau, Jean Hugo, Juan Gris, and others. In the summer of 1918, Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev's troupe, for whom Picasso was designing a ballet, Erik Satie's Parade, in Rome; they spent their honeymoon near Biarritz in the villa of glamorous Chilean art patron Eugenia Errázuriz. Khokhlova introduced Picasso to high society, formal dinner parties, and other dimensions of the life of the rich in 1920s Paris. The two had a son, Paulo Picasso, who would grow up to be a motorcycle racer and chauffeur to his father. Khokhlova's insistence on social propriety clashed with Picasso's bohemian tendencies and the two lived in a state of constant conflict. During the same period that Picasso collaborated with Diaghilev's troupe, he and Igor Stravinsky collaborated on Pulcinella in 1920. Picasso took the opportunity to make several drawings of the composer. In 1927, Picasso met 17-year-old Marie-Thérèse Walter and began a secret affair with her. Picasso's marriage to Khokhlova soon ended in separation rather than divorce, as French law required an even division of property in the case of divorce, and Picasso did not want Khokhlova to have half his wealth. The two remained legally married until Khokhlova's death in 1955. Picasso carried on a long-standing affair with Marie-Thérèse Walter and fathered a daughter with her, named Maya. Marie-Thérèse lived in the vain hope that Picasso would one day marry her, and hanged herself four years after Picasso's death. Neoclassicism and surrealism: 1919–1929 In February 1917, Picasso made his first trip to Italy. In the period following the upheaval of World War I, Picasso produced work in a neoclassical style. This "return to order" is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, Jean Metzinger, the artists of the New Objectivity movement and of the Novecento Italiano movement. Picasso's paintings and drawings from this period frequently recall the work of Raphael and Ingres. In 1925 the Surrealist writer and poet André Breton declared Picasso as 'one of ours' in his article Le Surréalisme et la peinture, published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue. Yet Picasso exhibited Cubist works at the first Surrealist group exhibition in 1925; the concept of 'psychic automatism in its pure state' defined in the Manifeste du surréalisme never appealed to him entirely. He did at the time develop new imagery and formal syntax for expressing himself emotionally, "releasing the violence, the psychic fears and the eroticism that had been largely contained or sublimated since 1909", writes art historian Melissa McQuillan. Although this transition in Picasso's work was informed by Cubism for its spatial relations, "the fusion of ritual and abandon in the imagery recalls the primitivism of the Demoiselles and the elusive psychological resonances of his Symbolist work", writes McQuillan. Surrealism revived Picasso's attraction to primitivism and eroticism. The Great Depression, Guernica, and the MoMA exhibition: 1930–1939 During the 1930s, the minotaur replaced the harlequin as a common motif in his work. His use of the minotaur came partly from his contact with the surrealists, who often used it as their symbol, and it appears in Picasso's Guernica. The minotaur and Picasso's mistress Marie-Thérèse Walter are heavily featured in his celebrated Vollard Suite of etchings. Arguably Picasso's most famous work is his depiction of the German bombing of Guernica during the Spanish Civil War – Guernica. This large canvas embodies for many the inhumanity, brutality and hopelessness of war. Asked to explain its symbolism, Picasso said, "It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them." Guernica was exhibited in July 1937 at the Spanish Pavilion at the Paris International Exposition, and then became the centrepiece of an exhibition of 118 works by Picasso, Matisse, Braque and Henri Laurens that toured Scandinavia and England. After the victory of Francisco Franco in Spain, the painting was sent to the United States to raise funds and support for Spanish refugees. Until 1981 it was entrusted to the Museum of Modern Art (MoMA) in New York City, as it was Picasso's expressed desire that the painting should not be delivered to Spain until liberty and democracy had been established in the country. Before Guernica, Picasso had never addressed political themes in his art. The politicized nature of the work is largely attributed to his romantic relationship at the time with the French anti-fascist activist and surrealist photographer, Dora Maar. In addition, her black and white photographs are likely to have influenced the black and white scheme of Guernica, in stark contrast to Picasso's usual colorful paintings. “Maar’s practice of photography influenced the art of Picasso – she had a great influence on his work,” said Antoine Romand, a Dora Maar expert. “She contested him. She pushed him to do something new and to be more creative politically." Maar had exclusive access to Picasso's studio to observe and photograph the creation of Guernica. At Picasso's request, Maar painted parts of the dying horse. In 1939 and 1940, the Museum of Modern Art in New York City, under its director Alfred Barr, a Picasso enthusiast, held a major retrospective of Picasso's principal works until that time. This exhibition lionized Picasso, brought into full public view in America the scope of his artistry, and resulted in a reinterpretation of his work by contemporary art historians and scholars. According to Jonathan Weinberg, "Given the extraordinary quality of the show and Picasso's enormous prestige, generally heightened by the political impact of Guernica ... the critics were surprisingly ambivalent". Picasso's "multiplicity of styles" was disturbing to one journalist; another described him as "wayward and even malicious"; Alfred Frankenstein's review in ARTnews concluded that Picasso was both charlatan and genius. World War II and late 1940s: 1939–1949 During World War II, Picasso remained in Paris while the Germans occupied the city. Picasso's artistic style did not fit the Nazi ideal of art, so he did not exhibit during this time. He was often harassed by the Gestapo. During one search of his apartment, an officer saw a photograph of the painting Guernica. "Did you do that?" the German asked Picasso. "No," he replied, "You did." Retreating to his studio, he continued to paint, producing works such as the Still Life with Guitar (1942) and The Charnel House (1944–48). Although the Germans outlawed bronze casting in Paris, Picasso continued regardless, using bronze smuggled to him by the French Resistance. Around this time, Picasso wrote poetry as an alternative outlet. Between 1935 and 1959 he wrote more than 300 poems. Largely untitled except for a date and sometimes the location of where they were written (for example "Paris 16 May 1936"), these works were gustatory, erotic, and at times scatological, as were his two full-length plays, Desire Caught by the Tail (1941), The Four Little Girls (1949) and The Burial of the Count of Orgaz (1959). In 1944, after the liberation of Paris, Picasso, then 63 years old, began a romantic relationship with a young art student named Françoise Gilot. She was 40 years younger than he was. Picasso grew tired of his mistress Dora Maar; Picasso and Gilot began to live together. Eventually, they had two children: Claude Picasso, born in 1947 and Paloma Picasso, born in 1949. In her 1964 book Life with Picasso, Gilot describes his abusive treatment and myriad infidelities which led her to leave him, taking the children with her. This was a severe blow to Picasso. Picasso had affairs with women of an even greater age disparity than his and Gilot's. While still involved with Gilot, in 1951 Picasso had a six-week affair with Geneviève Laporte, who was four years younger than Gilot. By his 70s, many paintings, ink drawings and prints have as their theme an old, grotesque dwarf as the doting lover of a beautiful young model. Jacqueline Roque (1927–1986) worked at the Madoura Pottery in Vallauris on the French Riviera, where Picasso made and painted ceramics. She became his lover, and then his second wife in 1961. The two were together for the remainder of Picasso's life. His marriage to Roque was also a means of revenge against Gilot; with Picasso's encouragement, Gilot had divorced her then-husband, Luc Simon, with the plan to marry Picasso to secure the rights of her children as Picasso's legitimate heirs. Picasso had already secretly married Roque, after Gilot had filed for divorce. His strained relationship with Claude and Paloma was never healed. By this time, Picasso had constructed a huge Gothic home, and could afford large villas in the south of France, such as Mas Notre-Dame-de-Vie on the outskirts of Mougins, and in the Provence-Alpes-Côte d'Azur. He was an international celebrity, with often as much interest in his personal life as his art. Later works to final years: 1949–1973 Picasso was one of 250 sculptors who exhibited in the 3rd Sculpture International held at the Philadelphia Museum of Art in mid-1949. In the 1950s, Picasso's style changed once again, as he took to producing reinterpretations of the art of the great masters. He made a series of works based on Velázquez's painting of Las Meninas. He also based paintings on works by Goya, Poussin, Manet, Courbet and Delacroix. In addition to his artistic accomplishments, Picasso made a few film appearances, always as himself, including a cameo in Jean Cocteau's Testament of Orpheus (1960). In 1955, he helped make the film Le Mystère Picasso (The Mystery of Picasso) directed by Henri-Georges Clouzot. He was commissioned to make a maquette for a huge 50-foot (15 m)-high public sculpture to be built in Chicago, known usually as the Chicago Picasso. He approached the project with a great deal of enthusiasm, designing a sculpture which was ambiguous and somewhat controversial. Picasso said the figure represented the head of an Afghan Hound named Kabul. The sculpture, one of the most recognizable landmarks in downtown Chicago, was unveiled in 1967. Picasso refused to be paid $100,000 for it, donating it to the people of the city. Picasso's final works were a mixture of styles, his means of expression in constant flux until the end of his life. Devoting his full energies to his work, Picasso became more daring, his works more colourful and expressive, and from 1968 to 1971 he produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man or the slapdash works of an artist who was past his prime. Only later, after Picasso's death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see the late works of Picasso as prefiguring Neo-Expressionism. Death Pablo Picasso died on 8 April 1973 in Mougins, France, from pulmonary edema and a heart attack, the morning after he and his wife Jacqueline entertained friends for dinner. He was interred at the Château of Vauvenargues near Aix-en-Provence, a property he had acquired in 1958 and occupied with Jacqueline between 1959 and 1962. Jacqueline prevented his children Claude and Paloma from attending the funeral. Devastated and lonely after the death of Picasso, Jacqueline killed herself by gunshot in 1986 when she was 59 years old. Political views Picasso remained aloof from the Catalan independence movement during his youth, despite expressing general support and being friendly with activists within it. He did not join the armed forces for any side or country during World War I, the Spanish Civil War, or World War II. As a Spanish citizen living in France, Picasso was under no compulsion to fight against the invading Germans in either world war. In 1940, he applied for French citizenship, but it was refused on the grounds of his "extremist ideas evolving towards communism". This information was not revealed until 2003. At the start of the Spanish Civil War in 1936, Picasso was 54 years of age. Soon after hostilities began, the Republicans appointed him "director of the Prado, albeit in absentia", and "he took his duties very seriously", according to John Richardson, supplying the funds to evacuate the museum's collection to Geneva. The war provided the impetus for Picasso's first overtly political work. He expressed anger and condemnation of Francisco Franco and fascists in The Dream and Lie of Franco (1937), which was produced "specifically for propagandistic and fundraising purposes". This surreal fusion of words and images was intended to be sold as a series of postcards to raise funds for the Spanish Republican cause. In 1944, Picasso joined the French Communist Party. He attended the 1948 World Congress of Intellectuals in Defense of Peace in Poland, and in 1950 received the Stalin Peace Prize from the Soviet government. A portrait of Joseph Stalin made by Picasso in 1953 drew Party criticism due to being insufficiently realistic, though he remained a loyal member of the Communist Party until his death. His dealer, D-H. Kahnweiler, a socialist, termed Picasso's communism "sentimental" rather than political, saying "He has never read a line of Karl Marx, nor of Engels of course." In a 1945 interview with Jerome Seckler, Picasso stated: "I am a Communist and my painting is Communist painting. ... But if I were a shoemaker, Royalist or Communist or anything else, I would not necessarily hammer my shoes in a special way to show my politics." His commitment to communism, common among continental intellectuals and artists at the time, has long been the subject of some controversy; a notable demonstration thereof was a quote by Salvador Dalí (with whom Picasso had a rather strained relationship): In the late 1940s, his old friend surrealist poet André Breton, who was a Trotskyist and anti-Stalinist, was more blunt; refusing to shake hands with Picasso, he told him: "I don't approve of your joining the Communist Party nor with the stand you have taken concerning the purges of the intellectuals after the Liberation." As a communist, Picasso opposed the intervention of the United Nations and the United States in the Korean War, and depicted it in Massacre in Korea. The art critic Kirsten Hoving Keen wrote that it was "inspired by reports of American atrocities" and considered it one of Picasso's communist works. On 9 January 1949, Picasso created Dove, a black and white lithograph. It was used to illustrate a poster at the 1949 World Peace Council and became an iconographic image of the period, known as "The dove of peace". Picasso's image was used around the world as a symbol of the Peace Congresses and communism. In 1962, he received the Lenin Peace Prize. Biographer and art critic John Berger felt his talents as an artist were "wasted" by the communists. According to Jean Cocteau's diaries, Picasso once said to him in reference to the communists: "I have joined a family, and like all families, it's full of shit." Style and technique Picasso was exceptionally prolific throughout his long lifetime. At his death there were more than 45,000 unsold works in his estate, comprising 1,885 paintings, 1,228 sculptures, 3,222 ceramics, 7,089 drawings, 150 sketchbooks, many thousands of prints, and numerous tapestries and rugs. The most complete – but not exhaustive – catalogue of his works, the catalogue raisonné compiled by Christian Zervos, lists more than 16,000 paintings and drawings. Picasso's output was several times more prolific than most artists of his era; by at least one account, American artist Bob Ross is the only one to rival Picasso's volume, and Ross's artwork was designed specifically to be easily mass-produced quickly. The medium in which Picasso made his most important contribution was painting. In his paintings, Picasso used colour as an expressive element, but relied on drawing rather than subtleties of colour to create form and space. He sometimes added sand to his paint to vary its texture. A nanoprobe of Picasso's The Red Armchair (1931), in the collection of the Art Institute of Chicago, by physicists at Argonne National Laboratory in 2012 confirmed art historians' belief that Picasso used common house paint in many of his paintings. Much of his painting was done at night by artificial light. Picasso's early sculptures were carved from wood or modelled in wax or clay, but from 1909 to 1928 Picasso abandoned modelling and instead made sculptural constructions using diverse materials. An example is Guitar (1912), a relief construction made of sheet metal and wire that Jane Fluegel terms a "three-dimensional planar counterpart of Cubist painting" that marks a "revolutionary departure from the traditional approaches, modeling and carving". From the beginning of his career, Picasso displayed an interest in subject matter of every kind, and demonstrated a great stylistic versatility that enabled him to work in several styles at once. For example, his paintings of 1917 included the pointillist Woman with a Mantilla, the Cubist Figure in an Armchair, and the naturalistic Harlequin (all in the Museu Picasso, Barcelona). In 1919, he made a number of drawings from postcards and photographs that reflect his interest in the stylistic conventions and static character of posed photographs. In 1921 he simultaneously painted several large neoclassical paintings and two versions of the Cubist composition Three Musicians (Museum of Modern Art, New York; Philadelphia Museum of Art). In an interview published in 1923, Picasso said, "The several manners I have used in my art must not be considered as an evolution, or as steps towards an unknown ideal of painting ... If the subjects I have wanted to express have suggested different ways of expression I have never hesitated to adopt them." Although his Cubist works approach abstraction, Picasso never relinquished the objects of the real world as subject matter. Prominent in his Cubist paintings are forms easily recognized as guitars, violins, and bottles. When Picasso depicted complex narrative scenes it was usually in prints, drawings, and small-scale works; Guernica (1937) is one of his few large narrative paintings. Picasso painted mostly from imagination or memory. According to William Rubin, Picasso "could only make great art from subjects that truly involved him ... Unlike Matisse, Picasso had eschewed models virtually all his mature life, preferring to paint individuals whose lives had both impinged on, and had real significance for, his own." The art critic Arthur Danto said Picasso's work constitutes a "vast pictorial autobiography" that provides some basis for the popular conception that "Picasso invented a new style each time he fell in love with a new woman". The autobiographical nature of Picasso's art is reinforced by his habit of dating his works, often to the day. He explained: "I want to leave to posterity a documentation that will be as complete as possible. That's why I put a date on everything I do." Artistic legacy Picasso's influence was and remains immense and widely acknowledged by his admirers and detractors alike. On the occasion of his 1939 retrospective at MoMA, Life magazine wrote: "During the 25 years he has dominated modern European art, his enemies say he has been a corrupting influence. With equal violence, his friends say he is the greatest artist alive." Picasso was the first artist to receive a special honour exhibition at the Grand Gallery of the Louvre Museum in Paris in celebration of his 90 years. In 1998, Robert Hughes wrote of him: "To say that Pablo Picasso dominated Western art in the 20th century is, by now, the merest commonplace. ... No painter or sculptor, not even Michelangelo, had been as famous as this in his own lifetime. ... Though Marcel Duchamp, that cunning old fox of conceptual irony, has certainly had more influence on nominally vanguard art over the past 30 years than Picasso, the Spaniard was the last great beneficiary of the belief that the language of painting and sculpture really mattered to people other than their devotees." At the time of Picasso's death many of his paintings were in his possession, as he had kept off the art market what he did not need to sell. In addition, Picasso had a considerable collection of the work of other famous artists, some his contemporaries, such as Henri Matisse, with whom he had exchanged works. Since Picasso left no will, his death duties (estate tax) to the French state were paid in the form of his works and others from his collection. These works form the core of the immense and representative collection of the Musée Picasso in Paris. In 2003, relatives of Picasso inaugurated a museum dedicated to him in his birthplace, Málaga, Spain, the Museo Picasso Málaga. The Museu Picasso in Barcelona features many of his early works, created while he was living in Spain, including many rarely seen works which reveal his firm grounding in classical techniques. The museum also holds many precise and detailed figure studies done in his youth under his father's tutelage, as well as the extensive collection of Jaime Sabartés, his close friend and personal secretary. Guernica was on display in New York's Museum of Modern Art for many years. In 1981, it was returned to Spain and was on exhibit at the Casón del Buen Retiro of the Museo del Prado. In 1992, the painting was put on display in the Reina Sofía Museum when it opened. In 1985, a museum was established in Buitrago del Lozoya by Picasso's friend Eugenio Arias Herranz. It was announced on 22 September 2020 that the project for a new Picasso Museum due to open in Aix-en-Provence in 2021, in a former convent (Couvent des Prêcheurs), which would have held the largest collection of his paintings of any museum, had been scrapped due to the fact that Catherine Hutin-Blay, Jacqueline Picasso's daughter, and the City Council had failed to reach an agreement. In the 1996 movie Surviving Picasso, Picasso is portrayed by actor Anthony Hopkins. Picasso is also a character in Steve Martin's 1993 play, Picasso at the Lapin Agile. In A Moveable Feast by Ernest Hemingway, Hemingway tells Gertrude Stein that he would like to have some Picassos, but cannot afford them. Later in the book, Hemingway mentions looking at one of Picasso's paintings. He refers to it as Picasso's nude of the girl with the basket of flowers, possibly related to Young Naked Girl with Flower Basket. On 8 October 2010, Picasso: Masterpieces from the Musée National Picasso, Paris, an exhibition of 150 paintings, sculptures, drawings, prints and photographs from the Musée National Picasso in Paris, opened at the Seattle Art Museum, Seattle, Washington, US. The exhibition subsequently travelled to the Virginia Museum of Fine Arts, Richmond, Virginia: the M.H. de Young Memorial Museum, San Francisco, California, US.; the Art Gallery of New South Wales, Sydney, Australia; and the Art Gallery of Ontario, Toronto, Ontario, Canada. As of 2015, Picasso remained the top-ranked artist (based on sales of his works at auctions) according to the Art Market Trends report. More of his paintings have been stolen than any other artist's; in 2012, the Art Loss Register had 1,147 of his works listed as stolen. The Picasso Administration functions as his official Estate. The US copyright representative for the Picasso Administration is the Artists Rights Society. Picasso is played by Antonio Banderas in the 2018 season of Genius which focuses on his life and art. The Basel vote In the 1940s, a Swiss insurance company based in Basel had bought two paintings by Picasso to diversify its investments and serve as a guarantee for the insured risks. Following an air disaster in 1967, the company had to pay out heavy reimbursements. The company decided to part with the two paintings, which were deposited in the Kunstmuseum Basel. In 1968, a large number of Basel citizens called for a local referendum on the purchase of the Picassos by the Canton of Basel-Stadt, which was successful, making it the first time in democratic history that the population of a city voted on the purchase of works of art for a public art museum. The paintings therefore remained in the museum in Basel. Informed of this, Picasso donated three paintings and a sketch to the city and its museum and was later made an honorary citizen by the city. Auction history Several paintings by Picasso rank among the most expensive paintings in the world. Garçon à la pipe sold for US$104 million at Sotheby's on 4 May 2004. Dora Maar au Chat sold for US$95.2 million at Sotheby's on 3 May 2006. On 4 May 2010, Nude, Green Leaves and Bust was sold at Christie's for US$106.5 million. The 1932 work, which depicts Picasso's mistress Marie-Thérèse Walter reclining and as a bust, was in the personal collection of Los Angeles philanthropist Frances Lasker Brody, who died in November 2009. On 11 May 2015 his painting Women of Algiers set the record for the highest price ever paid for a painting when it sold for US$179.3 million at Christie's in New York. On 21 June 2016, a painting by Pablo Picasso titled Femme Assise (1909) sold for £43.2 million ($63.4 million) at Sotheby's London, exceeding the estimate by nearly $20 million, setting a world record for the highest price ever paid at auction for a Cubist work. On 17 May 2017, The Jerusalem Post in an article titled "Picasso Work Stolen By Nazis Sells for $45 Million at Auction" reported the sale of a portrait painted by Picasso, the 1939 Femme assise, robe bleu, which was previously misappropriated during the early years of WWII. The painting has changed hands several times since its recovery, most recently through auction in May 2017 at Christie's in New York City. In March 2018, his Femme au Béret et à la Robe Quadrillée (1937), a portrait of Marie-Thérèse Walter, sold for £49.8m at Sotheby's in London. Personal life From early adolescence, Picasso maintained both superficial and intense amatory and sexual relationships. Biographer John Richardson stated that 'work, sex and tobacco' were his addictions. Picasso was married twice and had four children by three women: Paulo (4 February 1921 – 5 June 1975, Paul Joseph Picasso) – with Olga Khokhlova Maya (5 September 1935 – 20 December 2022, Maria de la Concepcion Picasso) – with Marie-Thérèse Walter Claude (15 May 1947 – 24 August 2023, Claude Pierre Pablo Picasso) and Paloma (born 19 April 1949, Anne Paloma Picasso) – with Françoise Gilot Photographer and painter Dora Maar was a constant companion and lover of Picasso. The two were closest in the late 1930s and early 1940s, and it was Maar who documented the painting of Guernica. The women in Picasso's life played an important role in the emotional and erotic aspects of his creative expression, and the tumultuous nature of these relationships has been considered vital to his artistic process. Many of these women functioned as muses for him, and their inclusion in his extensive oeuvre granted them a place in art history. A largely recurring motif in his body of work is the female form. The variations in his relationships informed and collided with his progression of style throughout his career. For example, portraits created of his first wife, Olga, were rendered in a naturalistic style during his Neoclassical period. His relationship with Marie-Thérèse Walter inspired many of his surrealist pieces, as well as what is referred to as his "Year of Wonders". Reappearance of acrobats theme in 1905 put an end to his "Blue Period" and transitioned into his "Rose Period". This transition has been incorrectly attributed to the presence of Fernande Olivier in his life. Picasso has been characterised as a womaniser and a misogynist, being quoted as saying to long-time partner Françoise Gilot that "women are machines for suffering." He later allegedly told her, "For me there are only two kinds of women: goddesses and doormats." In her memoir, Picasso, My Grandfather, Marina Picasso writes of his treatment of women, "He submitted them to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them." Of the several important women in his life, two – lover Marie-Thèrése Walter and his second wife Jacqueline Roque – died by suicide. Others, notably his first wife Olga Khokhlova and lover Dora Maar, succumbed to nervous breakdowns. His son, Paulo, developed a fatal alcoholism due to depression. His grandson, Pablito, also died by suicide that same year by ingesting bleach when he was barred by Jacqueline Roque from attending the artist's funeral. Catalogue raisonné Picasso entrusted Christian Zervos to constitute the catalogue raisonné of his work (painted and drawn). The first volume of the catalogue, Works from 1895 to 1906, published in 1932, entailed the financial ruin of Zervos, self-publishing under the name Cahiers d'art, forcing him to sell part of his art collection at auction to avoid bankruptcy. From 1932 to 1978, Zervos constituted the catalogue raisonné of the complete works of Picasso in the company of the artist who had become one of his friends in 1924. Following the death of Zervos, Mila Gagarin supervised the publication of 11 additional volumes from 1970 to 1978. The 33 volumes cover the entire work from 1895 to 1972, with close to 16,000 black and white photographs, in accord with the will of the artist. 1932: tome I, Œuvres de 1895 à 1906. Introduction p. XI–[XXXXIX], 185 pages, 384 reproductions 1942: tome II, vol.1, Œuvres de 1906 à 1912. Introduction p. XI–[LV], 172 pages, 360 reproductions 1944: tome II, vol.2, Œuvres de 1912 à 1917. Introduction p. IX–[LXX–VIII], 233 p. pp. 173 to 406, 604 reproductions 1949: tome III, Œuvres de 1917 à 1919. Introduction p. IX–[XIII], 152 pages, 465 reproductions 1951: tome IV, Œuvres de 1920 à 1922. Introduction p. VII–[XIV], 192 pages, 455 reproductions 1952: tome V, Œuvres de 1923 à 1925. Introduction p. IX–[XIV], 188 pages, 466 reproductions 1954: tome VI, Supplément aux tomes I à V. Sans introduction, 176 pages, 1481 reproductions 1955: tome VII, Œuvres de 1926 à 1932. Introduction p. V–[VII], 184 pages, 424 reproductions 1978: Catalogue raisonné des œuvres de Pablo Picasso, Paris, Éditions Cahiers d'art Further publications by Zervos Picasso. Œuvres de 1920 à 1926, Cahiers d'art, Paris Dessins de Picasso 1892–1948, Paris, Éditions Cahiers d'art, 1949 Picasso. Dessins (1892–1948), Hazan, 199 reproductions, 1949 See also Lists of Picasso artworks Neoclassicism Picasso's written works Notes and references Notes References Sources Becht-Jördens, Gereon; Wehmeier, Peter M. (2003). Picasso und die christliche Ikonographie: Mutterbeziehung und künstlerische Position. Berlin: Dietrich Reimer Verlag. ISBN 978-3-496-01272-6. Berger, John (1989). The Success and Failure of Picasso. Pantheon Books. ISBN 978-0-679-72272-4. Cirlot, Juan Eduardo (1972). Picasso, Birth of a Genius. New York and Washington: Praeger. Cowling, Elizabeth; Mundy, Jennifer (1990). On Classic Ground: Picasso, Léger, de Chirico and the New Classicism, 1910–1930. London: Tate Gallery. ISBN 978-1-85437-043-3. Daix, Pierre (1994). Picasso: Life and Art. Icon Editions. ISBN 978-0-06-430201-2. FitzGerald, Michael C. (1996). Making Modernism: Picasso and the Creation of the Market for Twentieth-century Art. Berkeley: University of California Press. ISBN 978-0-520-20653-3. Gether, Christian, ed. (2019). Beloved by Picasso: The Power of the Model. ARKEN Museum of Modern Art. 978-87-78751-34-8. Granell, Eugenio Fernández (1981). Picasso's Guernica: The End of a Spanish Era. Ann Arbor, Mich.: UMI Research Press. ISBN 978-0-8357-1206-4. Jackson, Jeffrey B. (2016). "Chronology" in: The Picasso Project: Synthetic Cubism, 1912-1917. Alan Wofsy Fine Arts. ISBN 978-1-55660-332-7. Krauss, Rosalind E. (1999). The Picasso Papers. MIT Press. ISBN 978-0-262-61142-8. Mallén, Enrique (2003). The Visual Grammar of Pablo Picasso. New York: Peter Lang. ISBN 978-0-8204-5692-8. Mallén, Enrique (2005). La sintaxis de la carne: Pablo Picasso y Marie-Thérèse Walter. Santiago de Chile: Red Internacional del Libro. ISBN 978-956-284-455-0. Mallén, Enrique (2009). A Concordance of Pablo Picasso's Spanish Writings. Lewiston, New York: Edwin Mellen Press. ISBN 978-0-7734-4713-4. Mallén, Enrique (2010). A Concordance of Pablo Picasso's French Writings. Lewiston, New York: Edwin Mellen Press. ISBN 978-0-7734-1325-2. Retrieved 8 October 2010. Nill, Raymond M. (1987). A Visual Guide to Pablo Picasso's Works. New York: B&H Publishers. Picasso, Olivier Widmaier (2004). Picasso: The Real Family Story. Prestel. ISBN 978-3-7913-3149-2. Rubin, William (1981). Pablo Picasso: A Retrospective. Little Brown & Co. ISBN 978-0-316-70703-9. Wattenmaker, Richard J. (1993). Great French Paintings from the Barnes Foundation: Impressionist, Post-impressionist, and Early Modern. New York: Alfred A. Knopf. ISBN 978-0-679-40963-2. Wertenbaker, Lael Tucker (1967). The World of Picasso (1881– ). Time-Life Books. Further reading Gedo, Mary Matthews (2009). Picasso: Art as Autobiography. Chicago: University of Chicago Press. ISBN 9780226284828. Penrose, Roland; Golding, John, eds. (1980). Picasso in Retrospect (Icon ed.). New York, NY: Harper & Row. ISBN 978-0064301015. Alexandra Schwartz, "Painted Love: The artist Françoise Gilot was Picasso's lover, helpmate, and muse. Then she wanted more", The New Yorker, 22 July 2019, pages 62–66. "[L]ives were trampled. Picasso died, at the age of ninety-one, in 1973. In 1977, Marie-Thérèse Walter hanged herself; eight years later, Jacqueline Roque, Gilot's successor and Picasso's second wife, shot herself in the head. Paulo, his son with Olga [Khokhlova], drank himself to death, in 1975, and Paulo's son, Pablito, killed himself by swallowing bleach when he was barred from attending his grandfather's funeral." (p. 66.) External links Works by or about Pablo Picasso at the Internet Archive Picasso discography at Discogs Picasso at IMDb Picasso in American public collections, on the French Sculpture Census website "On-line Picasso Project". Picasso at the Guggenheim Museum Picasso at the Los Angeles County Museum of Art (LACMA) Picasso at Metropolitan Museum of Art (New York City, New York) Picasso at the Museum of Modern Art (MoMA) (New York City, New York) Musée National Picasso Archived 11 December 2017 at the Wayback Machine (Paris, France) Museo Picasso Málaga (Málaga, Spain) Museu Picasso (Barcelona, Spain) Museo Picasso (Buitrago de Lozoya, Spain) Picasso at the National Gallery of Art (Washington, DC) Picasso, L'Esprit nouveau: revue internationale d'esthétique, 1920. Gallica, Bibliothèque nationale de France W. H. Crain Costume and Scene Design Collection at the Harry Ransom Center Picasso: Painting the Blue Period at The Phillips Collection, Washington, D.C., 26 February – 12 June 2022. Young Picasso in Paris at the Guggenheim, New York, 12 May – 6 August 2023. 6 Picasso Shows to See This Year, The New York Times, 6 April 2023. Picasso: A Rebel in Paris, 2024 film.
The_Dark_Side_of_the_Moon
https://en.wikipedia.org/wiki/The_Dark_Side_of_the_Moon
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The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised the band's earlier work. The group employed multitrack recording, tape loops, and analogue synthesisers, including experimentation with the EMS VCS 3 and a Synthi A. The engineer Alan Parsons was responsible for many of the sonic aspects of the recording, and for the recruitment of the session singer Clare Torry, who appears on "The Great Gig in the Sky". The Dark Side of the Moon explores themes such as conflict, greed, time, death, and mental illness. Snippets from interviews with the band's road crew and others are featured alongside philosophical quotations. The sleeve, which depicts a prismatic spectrum, was designed by Storm Thorgerson in response to the keyboardist Richard Wright's request for a "simple and bold" design which would represent the band's lighting and the album's themes. The album was promoted with two singles: "Money" and "Us and Them". The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history. In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. Background Following Meddle in 1971, Pink Floyd assembled for a tour of Britain, Japan and the United States that December. In a band meeting at the home of the drummer, Nick Mason, in North London, the bassist, Roger Waters, proposed that a new album could form part of the tour. Waters conceived an album that dealt with things that "make people mad", focusing on the pressures associated with the band's arduous lifestyle, and dealing with the mental health problems suffered by the former band member Syd Barrett. The band had explored a similar idea with the 1969 concert suite The Man and The Journey. In an interview for Rolling Stone, the guitarist, David Gilmour, said: "I think we all thought – and Roger definitely thought – that a lot of the lyrics that we had been using were a little too indirect. There was definitely a feeling that the words were going to be very clear and specific." The band approved of Waters' concept for an album unified by a single theme, and all the members participated in writing and producing material. Waters created demo tracks in a small studio in a garden shed at his home in Islington. Parts of the album were taken from previously unused material; the opening line of "Breathe" came from an earlier work by Waters and Ron Geesin, written for the soundtrack of The Body, and the basic structure of "Us and Them" was borrowed from an original composition, "The Violent Sequence", by the keyboardist, Richard Wright, for Zabriskie Point. The band rehearsed at a warehouse in London owned by the Rolling Stones and at the Rainbow Theatre in Finsbury Park, London. They also purchased extra equipment, which included new speakers, a PA system, a 28-track mixing desk with a four channel quadraphonic output, and a custom-built lighting rig. Nine tonnes of kit was transported in three lorries. This would be the first time the band had taken an entire album on tour. The album had been given the provisional title of Dark Side of the Moon (an allusion to lunacy, rather than astronomy). After discovering that title had already been used by another band, Medicine Head, it was temporarily changed to Eclipse. The new material was premiered at The Dome in Brighton, on 20 January 1972, and after the commercial failure of Medicine Head's album the title was changed back to the band's original preference. Dark Side of the Moon: A Piece for Assorted Lunatics, as it was then known, was performed for an assembled press on 17 February 1972 at the Rainbow Theatre, more than a year before its release, and was critically acclaimed. Michael Wale of The Times described the piece as "bringing tears to the eyes. It was so completely understanding and musically questioning." Derek Jewell of The Sunday Times wrote "The ambition of the Floyd's artistic intention is now vast." Melody Maker was less enthusiastic: "Musically, there were some great ideas, but the sound effects often left me wondering if I was in a bird-cage at London Zoo." The following tour was praised by the public. The new material was performed in the same order in which it was eventually sequenced on the album. Differences included the lack of synthesisers in tracks such as "On the Run", and Clare Torry's vocals on "The Great Gig in the Sky" replaced by readings from the Bible. Pink Floyd's lengthy tour through Europe and North America gave them the opportunity to make improvements to the scale and quality of their performances. Work on the album was interrupted in late February when the band travelled to France and recorded music for the French director Barbet Schroeder's film La Vallée. They performed in Japan, returned to France in March to complete work on the film, played more shows in North America, then flew to London and resumed recording in May and June. After more concerts in Europe and North America, the band returned to London on 9 January 1973 to complete the album. Concept The Dark Side of the Moon was built upon experiments Pink Floyd had attempted in their previous live shows and recordings, although it lacked the extended instrumental excursions which, according to the critic David Fricke, had become characteristic of the band following the departure of the founding member Syd Barrett in 1968. Gilmour, Barrett's replacement, later referred to those instrumentals as "that psychedelic noodling stuff". He and Waters cited 1971's Meddle as a turning point towards what would later be realised on the album. The Dark Side of the Moon's lyrical themes include conflict, greed, the passage of time, death and insanity, the last inspired in part by Barrett's deteriorating mental state. The album contains musique concrète on several tracks. Each side of the vinyl album is a continuous piece of music. The five tracks on each side reflect various stages of human life, beginning and ending with a heartbeat, exploring the nature of the human experience and, according to Waters, "empathy". "Speak to Me" and "Breathe" together highlight the mundane and futile elements of life that accompany the ever-present threat of madness, and the importance of living one's own life – "Don't be afraid to care". By shifting the scene to an airport, the synthesiser-driven instrumental "On the Run" evokes the stress and anxiety of modern travel, in particular Wright's fear of flying. "Time" examines the manner in which its passage can control one's life and offers a stark warning to those who remain focused on mundane pursuits; it is followed by a retreat into solitude and withdrawal in "Breathe (Reprise)". The first side of the album ends with Wright and Clare Torry's soulful metaphor for death, "The Great Gig in the Sky". "Money", the first track on side two, opens with the sound of cash registers and rhythmically jingling coins. The song mocks greed and consumerism with sarcastic lyrics and cash-related sound effects. "Money" became the band's most commercially successful track and was covered by other artists. "Us and Them" addresses the isolation of the depressed with the symbolism of conflict and the use of simple dichotomies to describe personal relationships. "Any Colour You Like" tackles the illusion of choice one has in society. "Brain Damage" looks at mental illness resulting from the elevation of fame and success above the needs of the self; in particular, the line "and if the band you're in starts playing different tunes" reflects the mental breakdown of Syd Barrett. The album ends with "Eclipse", which espouses the concepts of otherness and unity, while encouraging the listener to recognise the common traits shared by humanity. Recording The Dark Side of the Moon was recorded at EMI Studios (now Abbey Road Studios) in approximately 60 days between 31 May 1972 and 9 February 1973. Pink Floyd were assigned the staff engineer Alan Parsons, who had worked as the assistant tape operator on their fifth album, Atom Heart Mother (1970), and had gained experience as a recording engineer on the Beatles albums Abbey Road and Let It Be. The Dark Side of the Moon sessions made use of advanced studio techniques, as the studio was capable of 16-track mixes which offered greater flexibility than the eight- or four-track mixes Pink Floyd had previously worked with, although the band often used so many tracks that second-generation copies were still needed to make more space available on the tape. The mix supervisor Chris Thomas recalled later, "There were only two or three tracks of drums when we came to mixing it. Depending on the song, there would be one or two tracks of guitar, and these would include the solo and the rhythm guitar parts. One track for keyboard, one track for bass, and one or two sound effects tracks. They had been very, very efficient in the way they'd worked." The first track recorded was "Us and Them" on 31 May, followed seven days later by "Money". For "Money", Waters had created effects loops in an unusual 74 time signature from recordings of money-related objects, including coins thrown into a mixing bowl in his wife's pottery studio. These were re-recorded to take advantage of the band's decision to create a quadraphonic mix of the album, although Parsons later expressed dissatisfaction with the result of this mix, which he attributed to a lack of time and a shortage of multitrack tape recorders. "Time" and "The Great Gig in the Sky" were recorded next, followed by a two-month break, during which the band spent time with their families and prepared for a tour of the United States. The recording sessions were frequently interrupted: Waters, a supporter of Arsenal F.C., would break to see his team compete, and the band would occasionally stop to watch Monty Python's Flying Circus on television while Parsons worked on the tracks. Gilmour recalled, "...but when we were on a roll, we would get on." After returning from the US in January 1973, they recorded "Brain Damage", "Eclipse", "Any Colour You Like" and "On the Run", and fine-tuned work from previous sessions. Four female vocalists were assembled to sing on "Brain Damage", "Eclipse" and "Time", and the saxophonist Dick Parry was booked to play on "Us and Them" and "Money". With the director Adrian Maben, the band also filmed studio footage for Pink Floyd: Live at Pompeii. The album was completed and signed off at Abbey Road on 9 February 1973. Gilmour recalled the band listening to the finished album for the first time as "a moment of great joy and of satisfaction and the feeling of achievement that we'd really gone that extra mile". Instrumentation The album features metronomic sound effects during "Speak to Me" and tape loops for the opening of "Money". Mason created a rough version of "Speak to Me" at his home before completing it in the studio. The track serves as an overture and contains cross-fades of elements from other pieces on the album. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo composing credit for "Speak to Me". The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop. This was later adapted to four tracks to create a "walk around the room" effect in quadraphonic presentations of the album. At times, the degree of sonic experimentation on the album required the studio engineers and all four band members to operate the mixing console's faders simultaneously, in order to mix down the intricately assembled multitrack recordings of several of the songs, particularly "On the Run". Along with conventional rock band instrumentation, Pink Floyd introduced prominent synthesisers to their sound. The band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", and a Synthi A on "Time" and "On the Run". They also devised and recorded unconventional sounds, such as assistant engineer Peter James running around the studio's echo chamber during "On the Run", and a specially treated bass drum made to simulate a human heartbeat during "Speak to Me", "On the Run", "Time" and "Eclipse". This heartbeat is most prominent in the intro and the outro to the album, but it can also be heard sporadically on "Time" and "On the Run". "Time" features assorted clocks ticking, then chiming simultaneously at the start of the song, accompanied by a series of Rototoms. The recordings were initially created as a quadraphonic test by Parsons, who recorded each timepiece at an antique clock shop. Although these recordings had not been created specifically for the album, elements of this material were eventually used in the track. Voices Several tracks, including "Us and Them" and "Time", demonstrated Wright's and Gilmour's ability to harmonise their similar-sounding voices, and the engineer Alan Parsons used techniques such as double tracking vocals and guitars, which allowed Gilmour to harmonise with himself. Prominent use was also made of flanging and phase-shifting on vocals and instruments, odd trickery with reverb, and the panning of sounds between channels, most notably in the quadraphonic mix of "On the Run", where the sound of the Hammond B3 organ played through a Leslie speaker swirls around the listener. Wright's "The Great Gig in the Sky" features Clare Torry, a session singer and songwriter and a regular at Abbey Road. Parsons liked her voice, and when the band decided to use a female vocalist he suggested that she could sing on the track. The band explained the album concept to her, but they were unable to tell her exactly what she should do, and Gilmour, who was in charge of the session, asked her to try to express emotions rather than sing words. In a few takes on a Sunday night, Torry improvised a wordless melody to accompany Wright's emotive piano solo. She was initially embarrassed by her exuberance in the recording booth and wanted to apologise to the band, who were impressed with her performance but did not tell her so. Her takes were edited to produce the version used on the track. She left the studio under the impression that her vocals would not make the final cut, and she only became aware that she had been included in the final mix when she picked up the album at a local record store and saw her name in the credits. For her contribution she was paid her standard session fee of £30, equivalent to about £500 in 2024. In 2004, Torry sued EMI and Pink Floyd for 50% of the songwriting royalties, arguing that her contribution to "The Great Gig in the Sky" was substantial enough to be considered co-authorship. The case was settled out of court for an undisclosed sum, with all post-2005 pressings crediting Wright and Torry jointly. In the final week of recording, Waters asked staff and others at Abbey Road to respond to questions printed on flashcards and some of their replies were edited into the final mix. The interviewees were placed in front of a microphone in a darkened Studio 3 and shown such questions as "What's your favourite colour?" and "What's your favourite food?", before moving on to themes central to the album, including those of madness, violence, and death. Questions such as "When was the last time you were violent?", followed immediately by "Were you in the right?", were answered in the order they were presented. Roadie Roger "The Hat" Manifold was recorded in a conventional sit-down interview. Waters asked him about a violent encounter he had had with a motorist, and Manifold replied "... give 'em a quick, short, sharp shock ..." Asked about death, he responded, "Live for today, gone tomorrow, that's me ..." Another roadie, Chris Adamson, recorded the words that open the album: "I've been mad for fucking years. Absolutely years. Over the edge... It's working with bands that does it." The band's road manager Peter Watts (father of the actress Naomi Watts) contributed the repeated laughter during "Brain Damage" and "Speak to Me", as well as the line "I can't think of anything to say". His second wife, Patricia "Puddie" Watts (now Patricia Gleason), was responsible for the line about the "geezer" who was "cruisin' for a bruisin'", used in the segue between "Money" and "Us and Them", and the words "I never said I was frightened of dying" halfway through "The Great Gig in the Sky". Several of the responses – "I am not frightened of dying. Any time will do, I don't mind. Why should I be frightened of dying? There's no reason for it ... you've got to go sometime"; "I know I've been mad, I've always been mad, like most of us have"; and the closing "There is no dark side in the moon really. Matter of fact, it's all dark" – came from the studios' Irish doorman, Gerry O'Driscoll. "The bit you don't hear," said Parsons, "is that, after that, he said, 'The only thing that makes it look alight is the sun.' The band were too overjoyed with his first line, and it would have been an anticlimax to continue." Paul and Linda McCartney were interviewed, but their answers – judged to be "trying too hard to be funny" – were not used. The McCartneys' Wings bandmate Henry McCullough contributed the line, "I don't know, I was really drunk at the time." Completion When the flashcard sessions were finished, producer Chris Thomas was hired to provide "a fresh pair of ears" for the final mix. Thomas's background was in music rather than engineering; he had worked with Beatles producer George Martin and was an acquaintance of Pink Floyd's manager, Steve O'Rourke. The members of the band were said to have disagreed over the mix, with Waters and Mason preferring a "dry" and "clean" mix that made more use of the non-musical elements and Gilmour and Wright preferring a subtler and more "echoey" mix. Thomas said later, "There was no difference in opinion between them, I don't remember Roger once saying that he wanted less echo. In fact, there were never any hints that they were later going to fall out. It was a very creative atmosphere. A lot of fun." Thomas's intervention resulted in a compromise between Waters and Gilmour, who were both satisfied with the result. Thomas was responsible for significant changes, including the perfect timing of the echo used on "Us and Them". He was also present for the recording of "The Great Gig in the Sky". Waters said in an interview in 2006, when asked if he felt his goals had been accomplished in the studio: When the record was finished I took a reel-to-reel copy home with me and I remember playing it for my wife then, and I remember her bursting into tears when it was finished. And I thought, "This has obviously struck a chord somewhere", and I was kinda pleased by that. You know when you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else. And at that point I thought to myself, "Wow, this is a pretty complete piece of work", and I had every confidence that people would respond to it. Packaging The album was originally released in a gatefold LP sleeve designed by Hipgnosis and George Hardie. Hipgnosis had designed several of the band's previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds, as they had expected to see traditional designs which included lettering and words. Designers Storm Thorgerson and Aubrey Powell were able to ignore such criticism, as they were employed by the band. For The Dark Side of the Moon, Wright suggested something "smarter, neater – more classy", and simple, "like the artwork of a Black Magic chocolate box". The design was inspired by a photograph of a prism with a beam of white light projected through it and emerging in the colours of the visible spectrum that Thorgerson had found in a 1963 physics textbook, as well as by an illustration by Alex Steinweiss, the inventor of album cover art, for the New York Philharmonic's 1942 performance of Ludwig van Beethoven's Emperor Concerto. The artwork was created by an associate of Hipgnosis, George Hardie. Hipgnosis offered a choice of seven designs for the sleeve, but all four members of the band agreed that the prism was the best. "There were no arguments," said Roger Waters. "We all pointed to the prism and said 'That's the one'." The design depicts a glass prism dispersing white light into colours and represents three elements: the band's stage lighting, the album lyrics, and Wright's request for a "simple and bold" design. At Waters' suggestion, the spectrum of light continues through to the gatefold. Added shortly afterwards, the gatefold design also includes a visual representation of the heartbeat sound used throughout the album, and the back of the album cover contains Thorgerson's suggestion of another prism recombining the spectrum of light, to make possible interesting layouts of the sleeve in record shops. The light band emanating from the prism on the album cover has six colours, missing indigo, compared with the usual division of the visible spectrum into red, orange, yellow, green, blue, indigo, and violet. Inside the sleeve were two posters and two pyramid-themed stickers. One poster bore pictures of the band in concert, overlaid with scattered letters to form PINK FLOYD, and the other an infrared photograph of the Great Pyramids of Giza, created by Powell and Thorgerson. The band were so confident of the quality of Waters' lyrics that, for the first time, they printed them on the album's sleeve. Release As the quadraphonic mix of the album was not then complete, the band (with the exception of Wright) boycotted the press reception held at the London Planetarium on 27 February. The guests were, instead, presented with a quartet of life-sized cardboard cut-outs of the band, and the stereo mix of the album was played over a poor-quality public address system. Generally, however, the press were enthusiastic; Melody Maker's Roy Hollingworth described Side One as "so utterly confused with itself it was difficult to follow", but praised Side Two, writing: "The songs, the sounds, the rhythms were solid and sound, Saxophone hit the air, the band rocked and rolled, and then gushed and tripped away into the night." Steve Peacock of Sounds wrote: "I don't care if you've never heard a note of the Pink Floyd's music in your life, I'd unreservedly recommend everyone to The Dark Side of the Moon". In his 1973 review for Rolling Stone magazine, Loyd Grossman declared Dark Side "a fine album with a textural and conceptual richness that not only invites, but demands involvement". In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau found its lyrical ideas clichéd and its music pretentious, but called it a "kitsch masterpiece" that can be charming with highlights such as taped speech fragments, Parry's saxophone, and studio effects which enhance Gilmour's guitar solos. The Dark Side of the Moon was released first in the US on 1 March 1973, and then in the UK on 16 March. It became an instant chart success in Britain and throughout Western Europe; by the following month, it had gained a gold certification in the US. Throughout March 1973 the band played the album as part of their US tour, including a midnight performance at Radio City Music Hall in New York City on 17 March before an audience of 6,000. The album reached the Billboard Top LPs & Tape chart's number one spot on 28 April 1973, and was so successful that the band returned two months later for another tour. Label Much of the album's early American success is attributed to the efforts of Pink Floyd's US record company, Capitol Records. Newly appointed chairman Bhaskar Menon set about trying to reverse the relatively poor sales of the band's 1971 studio album Meddle. Meanwhile, disenchanted with Capitol, the band and manager O'Rourke had been quietly negotiating a new contract with CBS president Clive Davis, on Columbia Records. The Dark Side of the Moon was the last album that Pink Floyd were obliged to release before formally signing a new contract. Menon's enthusiasm for the new album was such that he began a huge promotional advertising campaign, which included radio-friendly truncated versions of "Us and Them" and "Time". In some countries – notably the UK – Pink Floyd had not released a single since 1968's "Point Me at the Sky", and unusually "Money" was released as a single on 7 May, with "Any Colour You Like" on the B-side. It reached number 13 on the Billboard Hot 100 in July 1973. A two-sided white label promotional version of the single, with mono and stereo mixes, was sent to radio stations. The mono side had the word "bullshit" removed from the song – leaving "bull" in its place – however, the stereo side retained the uncensored version. This was subsequently withdrawn; the replacement was sent to radio stations with a note advising disc jockeys to dispose of the first uncensored copy. On 4 February 1974, a double A-side single was released with "Time" on one side, and "Us and Them" on the opposite side. Menon's efforts to secure a contract renewal with Pink Floyd were in vain however; at the beginning of 1974, the band signed for Columbia with a reported advance fee of $1M (in Britain and Europe they continued to be represented by Harvest Records). Sales The Dark Side of the Moon became one of the best-selling albums of all time and is in the top 25 of a list of best-selling albums in the United States. Although it held the number one spot in the US for only a week, it remained in the Billboard 200 albums chart for 736 nonconsecutive weeks (from 17 March 1973 to 16 July 1988). Of those first 736 charted weeks, the album had two notable consecutive runs in the Billboard 200 chart: 84 weeks (from 17 March 1973 to 19 October 1974) and 593 weeks (from 18 December 1976 to 23 April 1988). It made its final appearance in the Billboard 200 albums chart during its initial run on the week ending 8 October 1988, in its 741st charted week. It re-appeared on the Billboard charts with the introduction of the Top Pop Catalog Albums chart in the issue dated 25 May 1991, and was still a perennial feature ten years later. It reached number one on the Pop Catalog chart when the 2003 hybrid CD/SACD edition was released and sold 800,000 copies in the US. On the week of 5 May 2006 The Dark Side of the Moon achieved a combined total of 1,716 weeks on the Billboard 200 and Pop Catalog charts. After a change in chart methodology in 2009 which allowed catalogue titles to be included in the Billboard 200, The Dark Side of the Moon returned to the chart at number 189 on 12 December of that year for its 742nd charting week. It has continued to sporadically appear on the Billboard 200 since then, with the total at 990 weeks on the chart as of May 2024. "On a slow week" between 8,000 and 9,000 copies are sold. As of April 2013, the album had sold 9,502,000 copies in the US since 1991 when Nielsen SoundScan began tracking sales for Billboard. One in every fourteen people in the US under the age of 50 is estimated to own, or to have owned, a copy. The Dark Side of the Moon was released before the introduction of platinum certification in 1976 by Recording Industry Association of America (RIAA), and therefore held only a gold certification until 16 February 1990, when it was certified 11 times platinum. On 4 June 1998, the RIAA certified the album 15× platinum, denoting sales of fifteen million in the United States. This makes it Pink Floyd's biggest-selling work there; The Wall is 23 times platinum, but as a double album this signifies sales of 11.5 million. "Money" has sold well as a single, and as with "Time", remains a radio favourite; in the US, for the year ending 20 April 2005, "Time" was played on 13,723 occasions, and "Money" on 13,731 occasions. In 2017, The Dark Side of the Moon was the seventh-bestselling album of all time in the UK and the highest-selling album never to reach number one. As one of the blockbuster LPs of the album era (1960s–2000s), The Dark Side of the Moon also led to an increase in record sales overall into the late 1970s. In 2013, industry sources suggested that worldwide sales of The Dark Side of the Moon totalled about 45 million.In 1993, Gilmour attributed the album's success to the combination of music, lyrics and cover art: "All the music before had not had any great lyrical point to it. And this one was clear and concise." Mason said that, when they finished the album, Pink Floyd felt confident it was their best work to date, but were surprised by its commercial success. He said it was "not only about being a good album but also about being in the right place at the right time". Reissues and remasters In 1979, The Dark Side of the Moon was released as a remastered LP by Mobile Fidelity Sound Lab, and in April 1988 on their "Ultradisc" gold CD format. It was released by EMI and Harvest on CD in Japan in June 1983 and in the US and Europe in August 1984. In 1992, it was rereleased as a remastered CD in the box set Shine On. This version was re-released as a 20th-anniversary box set edition with postcards the following year, with a cover design by Thorgerson. On some pressings, an orchestral version of the Beatles' "Ticket to Ride" is faintly audible after "Eclipse" over the closing heartbeats. 30th-anniversary 5.1 surround sound mix A quadraphonic mix, created by Alan Parsons, was commissioned by EMI but never endorsed by Pink Floyd, as Parsons was disappointed with his mix. For the album's 30th anniversary, an updated surround version was released in 2003. The band elected not to use Parsons' quadraphonic mix, and instead had the engineer James Guthrie create a new 5.1 channel surround sound mix on the SACD format. Guthrie had worked with Pink Floyd since their eleventh album, The Wall, and had previously worked on surround versions of The Wall for DVD-Video and Waters' In the Flesh for SACD. In 2003, Parsons expressed disappointment with Guthrie's SACD mix, suggesting he was "possibly a little too true to the original mix", but was generally complimentary. The 30th-anniversary edition won four Surround Music Awards in 2003, and sold more than 800,000 copies. The cover image of the 30th-anniversary edition was created by a team of designers including Thorgerson. The image is a photograph of a custom-made stained glass window, built to match the dimensions and proportions of the original prism design. Transparent glass, held in place by strips of lead, was used in place of the opaque colours of the original. The idea is derived from the "sense of purity in the sound quality, being 5.1 surround sound ..." The image was created out of a desire to be "the same but different, such that the design was clearly DSotM, still the recognisable prism design, but was different and hence new". Later reissues The Dark Side of the Moon was rereleased in 2003 on 180-gram virgin vinyl and mastered by Kevin Gray at AcousTech Mastering. It included slightly different versions of the posters and stickers that came with the original vinyl release, along with a new 30th-anniversary poster. In 2007, the album was included in Oh, by the Way, a box set celebrating the 40th anniversary of Pink Floyd, and a DRM-free version was released on the iTunes Store. In 2011, it was reissued featuring a remastered version with various other material. In 2023, Pink Floyd released the Dark Side of the Moon 50th Anniversary box set, including a newly remastered edition of the album, surround sound mixes (including the 5.1 mix and a new Dolby Atmos mix), a photo book, and The Dark Side of the Moon Live at Wembley 1974, on vinyl. In 2024, the 50th Anniversary LP edition was rereleased as The Dark Side Of The Moon 50th Anniversary 2 LP UV Printed Clear Vinyl Collector's Edition. The new edition uses 2 clear LP instead of one, just one side is playable so the UV artwork can be printed on the non-groove side. Legacy The success of the album brought wealth to all four members of the band; Richard Wright and Roger Waters bought large country houses, and Nick Mason became a collector of upmarket cars. The group were fans of the British comedy troupe Monty Python, and as such, some of the profits were invested in the production of Monty Python and the Holy Grail. Engineer Alan Parsons received a Grammy Award nomination for Best Engineered Recording, Non-Classical for The Dark Side of the Moon, and he went on to have a successful career as a recording artist with the Alan Parsons Project. Although Waters and Gilmour have on occasion downplayed his contribution to the success of the album, Mason has praised his role. In 2003, Parsons reflected: "I think they all felt that I managed to hang the rest of my career on Dark Side of the Moon, which has an element of truth to it. But I still wake up occasionally, frustrated about the fact that they made untold millions and a lot of the people involved in the record didn't." Part of the legacy of The Dark Side of the Moon is its influence on modern music and on the musicians who have performed cover versions of its songs. It is often seen as a pivotal point in the history of rock music, and comparisons are sometimes made with Radiohead's 1997 album OK Computer, including a premise explored by Ben Schleifer in 'Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon (2006) that the two albums share a theme that "the creative individual loses the ability to function in the [modern] world". In a 2018 book about classic rock, Steven Hyden recalls concluding, in his teens, that The Dark Side of the Moon and Led Zeppelin IV were the two greatest albums of the genre, vision quests "encompass[ing] the twin poles of teenage desire". They had similarities, in that both albums' cover and internal artwork eschew pictures of the bands in favour of "inscrutable iconography without any tangible meaning (which always seemed to give the music packaged inside more meaning)". But whereas Led Zeppelin had looked outward, toward "conquering the world" and were known at the time for their outrageous sexual antics on tour, Pink Floyd looked inward, toward "overcoming your own hang-ups". In 2013, The Dark Side of the Moon was selected for preservation in the United States National Recording Registry by the Library of Congress as "culturally, historically, or aesthetically significant". Rankings The Dark Side of the Moon frequently appears on professional rankings of the greatest albums. In 1987, Rolling Stone ranked it the 35th best album of the preceding 20 years. Rolling Stone ranked it number 43 on its 2003 and 2012 lists of the "500 Greatest Albums of All Time" and number 55 in its 2020 list, Pink Floyd's highest placement. Both Rolling Stone and Q have listed The Dark Side of the Moon as the best progressive rock album. In 2006, Australian Broadcasting Corporation viewers voted The Dark Side of the Moon their favourite album. NME readers voted it the eighth-best album in a 2006 poll, and in 2009, Planet Rock listeners voted it the greatest of all time. The album is also number two on the "Definitive 200" list of albums, made by the National Association of Recording Merchandisers "in celebration of the art form of the record album". It ranked 29th in The Observer's 2006 list of "The 50 Albums That Changed Music", and 37th in The Guardian's 1997 list of the "100 Best Albums Ever", as voted for by a panel of artists and music critics. In 2014, readers of Rhythm voted it the seventh most influential progressive drumming album. It was voted number 9 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). In 2007, VH1 named Dark Side of the Moon the fourth-greatest album cover. Covers, tributes and samples Return to the Dark Side of the Moon: A Tribute to Pink Floyd, released in 2006, is a cover album of The Dark Side of the Moon featuring artists such as Adrian Belew, Tommy Shaw, Dweezil Zappa, and Rick Wakeman. In 2000, The Squirrels released The Not So Bright Side of the Moon, which features a cover of the entire album. The New York dub collective Easy Star All-Stars released Dub Side of the Moon in 2003 and Dubber Side of the Moon in 2010. The group Voices on the Dark Side released the album Dark Side of the Moon a Cappella, a complete a cappella version of the album. The bluegrass band Poor Man's Whiskey frequently play the album in bluegrass style, calling the suite Dark Side of the Moonshine. A string quartet version of the album was released in 2003. In 2009, the Flaming Lips released a track-by-track remake of the album in collaboration with Stardeath and White Dwarfs, and featuring Henry Rollins and Peaches as guest musicians. Several notable acts have covered the album live in its entirety, and a range of performers have used samples from The Dark Side of the Moon in their own material. Jam-rock band Phish performed a semi-improvised version of the entire album as part of their show on 2 November 1998 in West Valley City, Utah. Progressive metal band Dream Theater have twice covered the album in their live shows, and in May 2011 Mary Fahl released From the Dark Side of the Moon, a song-by-song "re-imagining" of the album. Milli Vanilli used the tape loops from Pink Floyd's "Money" to open their track "Money", followed by Marky Mark and the Funky Bunch on Music for the People. The Wizard of Oz In the 1990s, it was discovered that playing The Dark Side of the Moon alongside the 1939 film The Wizard of Oz produced moments of apparent synchronicity, and it was suggested that this was intentional. Such moments include Dorothy beginning to jog at the lyric "no one told you when to run" during "Time", balancing on a fence, tightrope-style, during the line "balanced on the biggest wave" in "Breathe", and putting her ear to the Tin Man's chest as the album's closing heartbeats are heard. Parsons and members of Pink Floyd denied any connection, with Parsons calling it "a complete load of eyewash ... If you play any record with the sound turned down on the TV, you will find things that work." The Dark Side of the Moon Redux For the 50th anniversary of The Dark Side of the Moon, Waters recorded a new version, The Dark Side of the Moon Redux, released in October 2023. It was recorded with no other members of Pink Floyd, and features spoken word sections and more downbeat arrangements, with no guitar solos. Waters said he wanted to "bring out the heart and soul of the album musically and spiritually". He also said it is intended to be taken from the perspective of an older man, as "not enough people recognised what it's about, what it was I was saying then". Track listing All lyrics are written by Roger Waters. Note Since the 2011 remasters, and the Discovery box set, "Speak to Me" and "Breathe (In the Air)" are indexed as individual tracks. On the album, the first appearance of Roger Waters on vocals is on the song Brain Damage. Lead and harmony vocals on prior songs are sung by David Gilmour, unless otherwise noted. Personnel Pink Floyd David Gilmour – guitars, vocals, Synthi AKS Nick Mason – drums, percussion, tape effects Roger Waters – bass guitar, vocals, VCS 3, tape effects Richard Wright – organs (Hammond and Farfisa), piano, electric pianos (Wurlitzer and Rhodes), EMS VCS 3, Synthi AKS , vocals Charts Certifications and sales Release history See also List of best-selling albums List of best-selling albums in Australia List of best-selling albums in Canada List of best-selling albums in France List of best-selling albums in Germany List of best-selling albums in Italy List of best-selling albums in New Zealand List of best-selling albums in the United Kingdom List of best-selling albums in the United States List of diamond-certified albums in Canada References Informational notes Citations Bibliography Further reading Draper, Jason (2008). A Brief History of Album Covers. London: Flame Tree Publishing. pp. 118–119. ISBN 9781847862112. OCLC 227198538. Pareles, Jon (28 February 2023). "Pink Floyd's 'The Dark Side of the Moon' Still Reverberates". The New York Times. Retrieved 9 March 2023. Pohl, Ronald (8 March 2023). "Pink Floyds "The Dark Side of the Moon": 50 Jahre luxuriöser Schmerz". Der Standard (in German). Retrieved 9 March 2023. Powell, Aubrey; Furmanovsky, Jill; Pink Floyd (2023). Pink Floyd : the dark side of the moon : the official 50th anniversary book. London: Thames & Hudson. ISBN 978-0-500-02598-7. OCLC 1368273653. External links The Dark Side of the Moon at Discogs (list of releases)
Harry_Potter
https://en.wikipedia.org/wiki/Harry_Potter
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[ "https://en.wikipedia.org/wiki/Harry_Potter", "https://en.wikipedia.org/wiki/Harry_Potter" ]
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The novels chronicle the lives of a young wizard, Harry Potter, and his friends, Hermione Granger and Ron Weasley, all of whom are students at Hogwarts School of Witchcraft and Wizardry. The main story arc concerns Harry's conflict with Lord Voldemort, a dark wizard who intends to become immortal, overthrow the wizard governing body known as the Ministry of Magic, and subjugate all wizards and Muggles (non-magical people). The series was originally published in English by Bloomsbury in the United Kingdom and Scholastic Press in the United States. A series of many genres, including fantasy, drama, coming-of-age fiction, and the British school story (which includes elements of mystery, thriller, adventure, horror, and romance), the world of Harry Potter explores numerous themes and includes many cultural meanings and references. Major themes in the series include prejudice, corruption, madness, love, and death. Since the release of the first novel, Harry Potter and the Philosopher's Stone, on 26 June 1997, the books have found immense popularity, positive reviews, and commercial success worldwide. They have attracted a wide adult audience as well as younger readers and are widely considered cornerstones of modern literature. As of February 2023, the books have sold more than 600 million copies worldwide, making them the best-selling book series in history, and have been available in 85 languages. The last four books consecutively set records as the fastest-selling books in history, with the final instalment selling roughly 2.7 million copies in the United Kingdom and 8.3 million copies in the United States within twenty-four hours of its release. Warner Bros. Pictures adapted the original seven books into an eight-part namesake film series. In 2016, the total value of the Harry Potter franchise was estimated at $25 billion, making it one of the highest-grossing media franchises of all time. Harry Potter and the Cursed Child is a play based on a story co-written by Rowling. The success of the books and films has allowed the Harry Potter franchise to expand with numerous derivative works, a travelling exhibition that premiered in Chicago in 2009, a studio tour in London that opened in 2012, a digital platform on which J. K. Rowling updates the series with new information and insight, and a trilogy of spin-off films premiering in November 2016 with Fantastic Beasts and Where to Find Them, among many other developments. Themed attractions, collectively known as The Wizarding World of Harry Potter, have been built at several Universal Destinations & Experiences amusement parks around the world. Plot Early years The series follows the life of a boy named Harry Potter. In the first book, Harry Potter and the Philosopher's Stone (Harry Potter and the Sorcerer's Stone in the US) , Harry lives in a cupboard under the stairs in the house of the Dursleys, his aunt, uncle and cousin, who all treat him poorly. At the age of 11, Harry discovers that he is a wizard. He meets a half-giant named Hagrid who gives him a letter of acceptance to attend the Hogwarts School of Witchcraft and Wizardry. Harry learns that his parents, Lily and James Potter, also had magical powers and were murdered by the dark wizard Lord Voldemort when Harry was a baby. When Voldemort attempted to kill Harry, his curse rebounded, seemingly killing Voldemort, and Harry survived with a lightning-shaped scar on his forehead. The event made Harry famous among the community of wizards and witches. Harry becomes a student at Hogwarts and is sorted into Gryffindor House. He gains the friendship of Ron Weasley, a member of a large but poor wizarding family, and Hermione Granger, a witch of non-magical, or Muggle, parentage. The trio develop an enmity with the rich pure-blood student Draco Malfoy. Harry encounters the school's headmaster, Albus Dumbledore; the potions professor, Severus Snape, who displays a dislike for him; and the Defence Against the Dark Arts teacher, Quirinus Quirrell. Quirrell turns out to be allied with Voldemort, who is still alive as a weak spirit. The first book concludes with Harry's confrontation with Voldemort, who, in his quest to regain a body, yearns to possess the Philosopher's Stone, a substance that bestows everlasting life. Harry Potter and the Chamber of Secrets describes Harry's second year at Hogwarts. Students are attacked and petrified by an unknown creature; wizards of Muggle parentage are the primary targets. The attacks appear related to the mythical Chamber of Secrets and resemble attacks fifty years earlier. Harry discovers an ability to speak the snake language Parseltongue, which he learns is rare and associated with the Dark Arts. When Hermione is attacked and Ron's younger sister, Ginny Weasley, abducted, Harry and Ron uncover the chamber's secrets and enter it. Harry discovers that Ginny was possessed by an old diary, inside which the memory of Tom Marvolo Riddle, Voldemort's younger self, resides. On Voldemort's behalf, Ginny opened the chamber and unleashed the basilisk, an ancient monster that kills or petrifies those who make direct or indirect eye contact, respectively. With the help of Dumbledore's phoenix, Fawkes, and the Sword of Gryffindor, Harry slays the basilisk and destroys the diary. In the third novel, Harry Potter and the Prisoner of Azkaban, Harry learns that he is targeted by Sirius Black, an escaped convict who allegedly assisted in his parents' murder. Dementors, creatures that feed on despair, search for Sirius and guard the school. As Harry struggles with his reaction to the dementors, he reaches out to Remus Lupin, a new professor who teaches him the Patronus charm. On a windy night, Ron is dragged by a black dog into the Shrieking Shack, a haunted house, and Harry and Hermione follow. The dog is revealed to be Sirius Black. Lupin enters the shack and explains that Sirius was James Potter's best friend; he was framed by another friend of James, Peter Pettigrew, who hides as Ron's pet rat, Scabbers. As the full moon rises, Lupin transforms into a werewolf and bounds away, and the group chase after him. They are surrounded by dementors, but are saved by a figure resembling James who casts a stag Patronus. This is later revealed to be a future version of Harry, who traveled back in time with Hermione using a device called a Time Turner. The duo help Sirius escape on a Hippogriff, while Pettigrew escapes. Voldemort returns In Harry's fourth year of school (detailed in Harry Potter and the Goblet of Fire), Hogwarts hosts the Triwizard Tournament, a contest between Hogwarts and the schools Beauxbatons and Durmstrang. Harry is unwillingly entered into the contest, becoming Hogwarts' second participant after Cedric Diggory, an unusual occurrence that causes his friends to distance themselves from him. Harry claims the Triwizard Cup with Cedric, but he is teleported to a graveyard where Pettigrew kills Cedric, then resurrects Voldemort using Harry's blood. Voldemort convenes his supporters, the Death Eaters, and Harry manages to escape after a duel with Voldemort. Upon returning to Hogwarts, it is revealed that a Death Eater, Barty Crouch, Jr, in disguise as the new Defence Against the Dark Arts professor, Alastor "Mad-Eye" Moody, engineered Harry's entry into the tournament, secretly helped him, and had him teleported to Voldemort. In the fifth book, Harry Potter and the Order of the Phoenix, the Ministry of Magic refuses to believe that Voldemort has returned. Dumbledore re-activates the Order of the Phoenix, a secret society to counter Voldemort; meanwhile, the Ministry tightens control of Hogwarts by appointing Dolores Umbridge as High Inquisitor of Hogwarts, and she gradually increases her powers. When Umbridge bans practical teaching of Defence Against the Dark Arts, Harry, Ron and Hermione form "Dumbledore's Army", a secret group to continue the teachings. Harry has recurring dreams of a dark corridor in the Ministry of Magic, eventually dreaming that Sirius is being tortured there. He races to the Ministry with his friends, but it is a trap, planted in his head by Voldemort. The group are attacked by Death Eaters and saved by the Order of the Phoenix, but Sirius is killed in the battle. A duel between Dumbledore and Voldemort convinces the ministry of Voldemort's return. A prophecy concerning Harry and Voldemort is revealed: one must die at the hands of the other. In the sixth book, Harry Potter and the Half-Blood Prince, Snape teaches Defence Against the Dark Arts while Horace Slughorn becomes the Potions master. Harry finds an old textbook with annotations by the Half-Blood Prince, due to which he achieves success in Potions class. Harry also takes lessons with Dumbledore, viewing memories about the early life of Voldemort in a device called a Pensieve. Harry learns from a drunken Slughorn that he used to teach Tom Riddle, and that Voldemort divided his soul into pieces, creating a series of Horcruxes. Harry and Dumbledore travel to a distant lake to destroy a Horcrux; they succeed, but Dumbledore weakens. On their return, they find Draco Malfoy and Death Eaters attacking the school. The book ends with the killing of Dumbledore by Professor Snape, the titular Half-Blood Prince. In Harry Potter and the Deathly Hallows, the seventh and final novel in the series, Lord Voldemort gains control of the Ministry of Magic. Harry, Ron and Hermione learn about the Deathly Hallows, legendary items that lead to mastery over death. The group infiltrates the ministry, where they steal a locket Horcrux, and visit Godric's Hollow, where they are attacked by Nagini, Voldemort's snake. A silver doe Patronus leads them to the Sword of Gryffindor, with which they destroy the locket. They steal a Horcrux from Gringotts and travel to Hogwarts, culminating in a battle with the Death Eaters. Snape is killed by Voldemort out of paranoia, but he lends Harry his memories before he dies. Harry learns that Snape was always loyal to Dumbledore, and that Harry is himself a Horcrux. Harry surrenders to Voldemort and is killed. The defenders of Hogwarts continue to fight on; Harry is resurrected, faces Voldemort and kills him. An epilogue titled "Nineteen Years Later" describes the lives of the surviving characters and the impact of Voldemort's death. Harry and Ginny are married with three children, and Ron and Hermione are married with two children. Style and allusions Genre and style The novels fall into the genre of fantasy literature, and qualify as a type of fantasy called "urban fantasy", "contemporary fantasy", or "low fantasy". They are mainly dramas, and maintain a fairly serious and dark tone throughout, though they do contain some notable instances of tragicomedy and black humour. In many respects, they are also examples of the bildungsroman, or coming of age novel, and contain elements of mystery, adventure, horror, thriller, and romance. The books are also, in the words of Stephen King, "shrewd mystery tales", and each book is constructed in the manner of a Sherlock Holmes-style mystery adventure. The stories are told from a third person limited point of view with very few exceptions (such as the opening chapters of Philosopher's Stone, Goblet of Fire and Deathly Hallows and the first two chapters of Half-Blood Prince). The series can be considered part of the British children's boarding school genre, which includes Rudyard Kipling's Stalky & Co., Enid Blyton's Malory Towers, St. Clare's and the Naughtiest Girl series, and Frank Richards's Billy Bunter novels: the Harry Potter books are predominantly set in Hogwarts, a fictional British boarding school for wizards, where the curriculum includes the use of magic. In this sense they are "in a direct line of descent from Thomas Hughes's Tom Brown's School Days and other Victorian and Edwardian novels of British public school life", though they are, as many note, more contemporary, grittier, darker, and more mature than the typical boarding school novel, addressing serious themes of death, love, loss, prejudice, coming-of-age, and the loss of innocence in a 1990s British setting. In Harry Potter, Rowling juxtaposes the extraordinary against the ordinary. Her narrative features two worlds: a contemporary world inhabited by non-magical people called Muggles, and another featuring wizards. It differs from typical portal fantasy in that its magical elements stay grounded in the mundane. Paintings move and talk; books bite readers; letters shout messages; and maps show live journeys, making the wizarding world both exotic and familiar. This blend of realistic and romantic elements extends to Rowling's characters. Their names are often onomatopoeic: Malfoy is difficult, Filch is unpleasant, and Lupin is a werewolf. Harry is ordinary and relatable, with down-to-earth features such as wearing broken glasses; the scholar Roni Natov terms him an "everychild". These elements serve to highlight Harry when he is heroic, making him both an everyman and a fairytale hero. Each of the seven books is set over the course of one school year. Harry struggles with the problems he encounters, and dealing with them often involves the need to violate some school rules. If students are caught breaking rules, they are often disciplined by Hogwarts professors. The stories reach their climax in the summer term, near or just after final exams, when events escalate far beyond in-school squabbles and struggles, and Harry must confront either Voldemort or one of his followers, the Death Eaters, with the stakes a matter of life and death—a point underlined, as the series progresses, by characters being killed in each of the final four books. In the aftermath, he learns important lessons through exposition and discussions with head teacher and mentor Albus Dumbledore. The only exception to this school-centred setting is the final novel, Harry Potter and the Deathly Hallows, in which Harry and his friends spend most of their time away from Hogwarts, and only return there to face Voldemort at the dénouement. Allusions The Harry Potter stories feature imagery and motifs drawn from Arthurian myth and fairytales. Harry's ability to draw the Sword of Gryffindor from the Sorting Hat resembles the Arthurian sword in the stone legend. His life with the Dursleys has been compared to Cinderella. Hogwarts resembles a medieval university-cum-castle with several professors who belong to an Order of Merlin; Old Professor Binns still lectures about the International Warlock Convention of 1289; and a real historical person, a 14th-century scribe, Sir Nicolas Flamel, is described as a holder of the Philosopher's Stone. Other medieval elements in Hogwarts include coats-of-arms and medieval weapons on the walls, letters written on parchment and sealed with wax, the Great Hall of Hogwarts, which is similar to the Great Hall of Camelot, the use of Latin phrases, the tents put up for Quidditch tournaments, which are similar to the "marvellous tents" put up for knightly tournaments, imaginary animals like dragons and unicorns that exist around Hogwarts, and the banners with heraldic animals for the four Houses of Hogwarts. Many of the motifs of the Potter stories, such as the hero's quest invoking objects that confer invisibility, magical animals and trees, a forest full of danger and the recognition of a character based upon scars, are drawn from medieval French Arthurian romances. Other aspects borrowed from French Arthurian romances include the use of owls as messengers, werewolves as characters, and white deer. The American scholars Heather Arden and Kathrn Lorenz in particular argue that many aspects of the Potter stories are inspired by a 14th-century French Arthurian romance, Claris et Laris, writing of the "startling" similarities between the adventures of Potter and the knight Claris. Arden and Lorenz noted that Rowling graduated from the University of Exeter in 1986 with a degree in French literature and spent a year living in France afterwards. Like C. S. Lewis's The Chronicles of Narnia, Harry Potter also contains Christian symbolism and allegory. The series has been viewed as a Christian moral fable in the psychomachia tradition, in which stand-ins for good and evil fight for supremacy over a person's soul. Children's literature critic Joy Farmer sees parallels between Harry and Jesus Christ. Comparing Rowling with Lewis, she argues that "magic is both authors' way of talking about spiritual reality". According to Maria Nikolajeva, Christian imagery is particularly strong in the final scenes of the series: Harry dies in self-sacrifice and Voldemort delivers an "ecce homo" speech, after which Harry is resurrected and defeats his enemy. Rowling stated that she did not reveal Harry Potter's religious parallels in the beginning because doing so would have "give[n] too much away to fans who might then see the parallels". In the final book of the series, Harry Potter and the Deathly Hallows, Rowling makes the book's Christian imagery more explicit, quoting both Matthew 6:21 and 1 Corinthians 15:26 (King James Version) when Harry visits his parents' graves. Hermione Granger teaches Harry Potter that the meaning of these verses from the Christian Bible are "living beyond death. Living after death", which Rowling states "epitomize the whole series". Rowling also exhibits Christian values in developing Albus Dumbledore as a God-like character, the divine, trusted leader of the series, guiding the long-suffering hero along his quest. In the seventh novel, Harry speaks with and questions the deceased Dumbledore much like a person of faith would talk to and question God. Themes Harry Potter's overarching theme is death. In the first book, when Harry looks into the Mirror of Erised, he feels both joy and "a terrible sadness" at seeing his desire: his parents, alive and with him. Confronting their loss is central to Harry's character arc and manifests in different ways through the series, such as in his struggles with Dementors. Other characters in Harry's life die; he even faces his own death in Harry Potter and the Deathly Hallows. The series has an existential perspective—Harry must grow mature enough to accept death. In Harry's world, death is not binary but mutable, a state that exists in degrees. Unlike Voldemort, who evades death by separating and hiding his soul in seven parts, Harry's soul is whole, nourished by friendship and love. Love distinguishes Harry and Voldemort. Harry is a hero because he loves others, even willing to accept death to save them; Voldemort is a villain because he does not. Harry carries the protection of his mother's sacrifice in his blood; Voldemort, who wants Harry's blood and the protection it carries, does not understand that love vanquishes death. Rowling has spoken about thematising death and loss in the series. Soon after she started writing Philosopher's Stone, her mother died; she said that "I really think from that moment on, death became a central, if not the central theme of the seven books". Rowling has described Harry as "the prism through which I view death", and further stated that "all of my characters are defined by their attitude to death and the possibility of death". While Harry Potter can be viewed as a story about good vs. evil, its moral divisions are not absolute. First impressions of characters are often misleading. Harry assumes in the first book that Quirrell is on the side of good because he opposes Snape, who appears to be malicious; in reality, Quirrell is an agent of Voldemort, while Snape is loyal to Dumbledore. This pattern later recurs with Moody and Snape. In Rowling's world, good and evil are choices rather than inherent attributes: second chances and the possibility of redemption are key themes of the series. This is reflected in Harry's self-doubts after learning his connections to Voldemort, such as Parseltongue; and prominently in Snape's characterisation, which has been described as complex and multifaceted. In some scholars' view, while Rowling's narrative appears on the surface to be about Harry, her focus may actually be on Snape's morality and character arc. Rowling said that, to her, the moral significance of the tales seems "blindingly obvious". In the fourth book, Dumbledore speaks of a "choice between what is right and what is easy"; Rowling views this as a key theme, "because that ... is how tyranny is started, with people being apathetic and taking the easy route and suddenly finding themselves in deep trouble". Academics and journalists have developed many other interpretations of themes in the books, some more complex than others, and some including political subtexts. Themes such as normality, oppression, survival, and overcoming imposing odds have all been considered as prevalent throughout the series. Similarly, the theme of making one's way through adolescence and "going over one's most harrowing ordeals—and thus coming to terms with them" has also been considered. Rowling has stated that the books comprise "a prolonged argument for tolerance, a prolonged plea for an end to bigotry" and that they also pass on a message to "question authority and... not assume that the establishment or the press tells you all of the truth". Development history In 1990, Rowling was on a crowded train from Manchester to London when the idea for Harry suddenly "fell into" her head. Rowling gives an account of the experience on her website saying: I had been writing almost continuously since the age of six but I had never been so excited about an idea before. I simply sat and thought, for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who did not know he was a wizard became more and more real to me. Rowling completed Harry Potter and the Philosopher's Stone in 1995 and the manuscript was sent off to several prospective agents. The second agent she tried, Christopher Little, offered to represent her and sent the manuscript to several publishers. Publishing history After twelve other publishers had rejected Philosopher's Stone, Bloomsbury agreed to publish the book. Despite Rowling's statement that she did not have any particular age group in mind when beginning to write the Harry Potter books, the publishers initially targeted children aged nine to eleven. On the eve of publishing, Rowling was asked by her publishers to adopt a more gender-neutral pen name in order to appeal to the male members of this age group, fearing that they would not be interested in reading a novel they knew to be written by a woman. She elected to use J. K. Rowling (Joanne Kathleen Rowling), using her grandmother's name as her second name because she has no middle name. Harry Potter and the Philosopher's Stone was published by Bloomsbury, the publisher of all Harry Potter books in the United Kingdom, on 26 June 1997. It was released in the United States on 1 September 1998 by Scholastic—the American publisher of the books—as Harry Potter and the Sorcerer's Stone, after the American rights sold for US$105,000—a record amount for a children's book by an unknown author. Scholastic feared that American readers would not associate the word "philosopher" with magic, and Rowling suggested the title Harry Potter and the Sorcerer's Stone for the American market. Rowling has later said that she regrets the change. The second book, Harry Potter and the Chamber of Secrets, was originally published in the UK on 2 July 1998 and in the US on 2 June 1999. Harry Potter and the Prisoner of Azkaban was published a year later in the UK on 8 July 1999 and in the US on 8 September 1999. Harry Potter and the Goblet of Fire was published on 8 July 2000 at the same time by Bloomsbury and Scholastic. Harry Potter and the Order of the Phoenix is the longest book in the series, at 766 pages in the UK version and 870 pages in the US version. It was published worldwide in English on 21 June 2003. Harry Potter and the Half-Blood Prince was published on 16 July 2005. The seventh and final novel, Harry Potter and the Deathly Hallows, was published on 21 July 2007. Rowling herself has stated that the last chapter of the final book (in fact, the epilogue) was completed "in something like 1990". Rowling retained rights to digital editions and released them on the Pottermore website in 2012. Vendors such as Amazon displayed the ebooks in the form of links to Pottermore, which controlled pricing. All seven Harry Potter novels have been released in unabridged audiobook versions, with Stephen Fry reading the British editions and Jim Dale voicing the series for the American editions. On Audible, the series has been listened, as of November 2022, for over a billion hours. Translations The series has been translated into more than 80 languages, placing Rowling among the most translated authors in history. The books have seen translations to diverse languages such as Korean, Armenian, Ukrainian, Arabic, Urdu, Hindi, Bengali, Bulgarian, Welsh, Afrikaans, Albanian, Latvian, Vietnamese and Hawaiian. The first volume has been translated into Latin and even Ancient Greek, making it the longest published work in Ancient Greek since the novels of Heliodorus of Emesa in the 3rd century AD. The second volume has also been translated into Latin. Some of the translators hired to work on the books were well-known authors before their work on Harry Potter, such as Viktor Golyshev, who oversaw the Russian translation of the series' fifth book. The Turkish translation of books two to seven was undertaken by Sevin Okyay, a popular literary critic and cultural commentator. For reasons of secrecy, translation on a given book could only start after it had been released in English, leading to a lag of several months before the translations were available. This led to more and more copies of the English editions being sold to impatient fans in non-English speaking countries; for example, such was the clamour to read Harry Potter and the Order of the Phoenix that its English language edition became the first English-language book ever to top the best-seller list in France. The United States editions were adapted into American English to make them more understandable to a young American audience. Cover art For cover art, Bloomsbury chose painted art in a classic style of design, with the first cover a watercolour and pencil drawing by illustrator Thomas Taylor showing Harry boarding the Hogwarts Express, and a title in the font Cochin Bold. The first releases of the successive books in the series followed in the same style but somewhat more realistic, illustrating scenes from the books. These covers were created by first Cliff Wright and then Jason Cockroft. Due to the appeal of the books among an adult audience, Bloomsbury commissioned a second line of editions in an 'adult' style. These initially used black-and-white photographic art for the covers showing objects from the books (including a very American Hogwarts Express) without depicting people, but later shifted to partial colourisation with a picture of Slytherin's locket on the cover of the final book. International and later editions have been created by a range of designers, including Mary GrandPré for US audiences and Mika Launis in Finland. For a later American release, Kazu Kibuishi created covers in a somewhat anime-influenced style. Reception Commercial success The popularity of the Harry Potter series has translated into substantial financial success for Rowling, her publishers, and other Harry Potter related license holders. This success has made Rowling the first and thus far only billionaire author. The books have sold more than 600 million copies worldwide and have also given rise to the popular film adaptations produced by Warner Bros. Pictures, all of which have been highly successful in their own right. The total revenue from the book sales is estimated, as of November 2018, to be around $7.7 billion. The first novel in the series, Harry Potter and the Philosopher's Stone, has sold in excess of 120 million copies, making it one of the bestselling books in history. The films have in turn spawned eight video games and have led to the licensing of more than 400 additional Harry Potter products. The Harry Potter brand has been estimated to be worth as much as $25 billion. The great demand for Harry Potter novels motivated The New York Times to create a separate best-seller list for children's literature in 2000, just before the release of Harry Potter and the Goblet of Fire. By 24 June 2000, Rowling's novels had been on the list for 79 straight weeks; the first three novels were each on the hardcover best-seller list. On 12 April 2007, Barnes & Noble declared that Deathly Hallows had broken its pre-order record, with more than 500,000 copies pre-ordered through its site. For the release of Goblet of Fire, 9,000 FedEx trucks were used with no other purpose than to deliver the book. Together, Amazon.com and Barnes & Noble pre-sold more than 700,000 copies of the book. In the United States, the book's initial printing run was 3.8 million copies. This record statistic was broken by Harry Potter and the Order of the Phoenix, with 8.5 million, which was then shattered by Half-Blood Prince with 10.8 million copies. Within the first 24 hours of its release, 6.9 million copies of Prince were sold in the US; in the UK more than two million copies were sold on the first day. The initial US print run for Deathly Hallows was 12 million copies, and more than a million were pre-ordered through Amazon and Barnes & Noble. Fans of the series were so eager for the latest instalment that bookstores around the world began holding events to coincide with the midnight release of the books, beginning with the 2000 publication of Harry Potter and the Goblet of Fire. The events, commonly featuring mock sorting, games, face painting, and other live entertainment have achieved popularity with Potter fans and have been highly successful in attracting fans and selling books with nearly nine million of the 10.8 million initial print copies of Harry Potter and the Half-Blood Prince sold in the first 24 hours. The final book in the series, Harry Potter and the Deathly Hallows became the fastest selling book in history, moving 11 million units in the first twenty-four hours of release. The book sold 2.7 million copies in the UK and 8.3 million in the US. The series has also gathered adult fans, leading to the release of two editions of each Harry Potter book, identical in text but with one edition's cover artwork aimed at children and the other aimed at adults. Literary criticism Early in its history, Harry Potter received positive reviews. On publication, the first book, Harry Potter and the Philosopher's Stone, attracted attention from the Scottish newspapers, such as The Scotsman, which said it had "all the makings of a classic", and The Glasgow Herald, which called it "Magic stuff". Soon the English newspapers joined in, with The Sunday Times comparing it to Roald Dahl's work ("comparisons to Dahl are, this time, justified"), while The Guardian called it "a richly textured novel given lift-off by an inventive wit". By the time of the release of the fifth book, Harry Potter and the Order of the Phoenix, the books began to receive strong criticism from a number of literary scholars. Yale professor, literary scholar, and critic Harold Bloom raised criticisms of the books' literary merits, saying, "Rowling's mind is so governed by clichés and dead metaphors that she has no other style of writing." A. S. Byatt authored an op-ed article in The New York Times calling Rowling's universe a "secondary secondary world, made up of intelligently patchworked derivative motifs from all sorts of children's literature ... written for people whose imaginative lives are confined to TV cartoons, and the exaggerated (more exciting, not threatening) mirror-worlds of soaps, reality TV and celebrity gossip." Michael Rosen, a novelist and poet, held the opinion that the books were not suited for children, as they would be unable to grasp the complex themes. Rosen also stated that "J. K. Rowling is more of an adult writer." The critic Anthony Holden wrote in The Observer on his experience of judging Harry Potter and the Prisoner of Azkaban for the 1999 Whitbread Awards. His overall view of the series was negative—"the Potter saga was essentially patronising, conservative, highly derivative, dispiritingly nostalgic for a bygone Britain", and he speaks of "a pedestrian, ungrammatical prose style". Ursula K. Le Guin said, "I have no great opinion of it [...] it seemed a lively kid's fantasy crossed with a 'school novel,' good fare for its age group, but stylistically ordinary, imaginatively derivative, and ethically rather mean-spirited." By contrast, author Fay Weldon, while admitting that the series is "not what the poets hoped for", nevertheless goes on to say, "but this is not poetry, it is readable, saleable, everyday, useful prose". The literary critic A. N. Wilson praised the Harry Potter series in The Times, stating, "There are not many writers who have JK's Dickensian ability to make us turn the pages, to weep—openly, with tears splashing—and a few pages later to laugh, at invariably good jokes ... We have lived through a decade in which we have followed the publication of the liveliest, funniest, scariest and most moving children's stories ever written." Charles Taylor of Salon.com, who is primarily a movie critic, took issue with Byatt's criticisms in particular. While he conceded that she may have "a valid cultural point—a teeny one—about the impulses that drive us to reassuring pop trash and away from the troubling complexities of art", he rejected her claims that the series is lacking in serious literary merit and that it owes its success merely to the childhood reassurances it offers. Stephen King called the series "a feat of which only a superior imagination is capable", and declared "Rowling's punning, one-eyebrow-cocked sense of humor" to be "remarkable". However, he wrote that he is "a little tired of discovering Harry at home with his horrible aunt and uncle", the formulaic beginning of all seven books. Sameer Rahim of The Daily Telegraph disagreed, saying "It depresses me to see 16- and 17-year-olds reading the series when they could be reading the great novels of childhood such as Oliver Twist or A House for Mr Biswas." The Washington Post book critic Ron Charles opined in July 2007 that "through no fault of Rowling's", the cultural and marketing "hysteria" marked by the publication of the later books "trains children and adults to expect the roar of the coliseum, a mass-media experience that no other novel can possibly provide". Jenny Sawyer wrote in The Christian Science Monitor on 25 July 2007 that Harry Potter neither faces a "moral struggle" nor undergoes any ethical growth and is thus "no guide in circumstances in which right and wrong are anything less than black and white". In contrast Emily Griesinger described Harry's first passage through to Platform 9+3⁄4 as an application of faith and hope, and his encounter with the Sorting Hat as the first of many in which Harry is shaped by the choices he makes. In an 8 November 2002, Slate article, Chris Suellentrop likened Potter to a "trust-fund kid whose success at school is largely attributable to the gifts his friends and relatives lavish upon him". In a 12 August 2007 review of Deathly Hallows in The New York Times, however, Christopher Hitchens praised Rowling for "unmooring" her "English school story" from literary precedents "bound up with dreams of wealth and class and snobbery", arguing that she had instead created "a world of youthful democracy and diversity". In 2016, an article written by Diana C. Mutz compared the politics of Harry Potter to the 2016 Donald Trump presidential campaign. She suggests that these themes are also present in the presidential election and it may play a significant role in how Americans have responded to the campaign. There is ongoing discussion regarding the extent to which the series was inspired by Tolkien's Lord of the Rings books. Thematic critique The portrayal of women in Harry Potter has been described as complex and varied, but nonetheless conforming to stereotypical and patriarchal depictions of gender. Gender divides are ostensibly absent in the books: Hogwarts is coeducational and women hold positions of power in wizarding society. However, this setting obscures the typecasting of female characters and the general depiction of conventional gender roles. According to scholars Elizabeth Heilman and Trevor Donaldson, the subordination of female characters goes further early in the series. The final three books "showcase richer roles and more powerful females": for instance, the series' "most matriarchal character", Molly Weasley, engages substantially in the final battle of Deathly Hallows, while other women are shown as leaders. Hermione Granger, in particular, becomes an active and independent character essential to the protagonists' battle against evil. Yet, even particularly capable female characters such as Hermione and Minerva McGonagall are placed in supporting roles, and Hermione's status as a feminist model is debated. Girls and women are more frequently shown as emotional, more often defined by their appearance, and less often given agency in family settings. The social hierarchy of wizards in Rowling's world has drawn debate among critics. "Purebloods" have two wizard parents; "half-bloods" have one; and "Muggle-born" wizards have magical abilities, although neither of their parents is a wizard. Lord Voldemort and his followers believe that blood purity is paramount and that Muggles are subhuman. According to the literary scholar Andrew Blake, Harry Potter rejects blood purity as a basis for social division; Suman Gupta agrees that Voldemort's philosophy represents "absolute evil"; and Nel and Eccleshare agree that advocates of racial or blood-based hierarchies are antagonists. Gupta, following Blake, suggests that the essential superiority of wizards over Muggles—wizards can use magic and Muggles cannot—means that the books cannot coherently reject anti-Muggle prejudice by appealing to equality between wizards and Muggles. Rather, according to Gupta, Harry Potter models a form of tolerance based on the "charity and altruism of those belonging to superior races" towards lesser races. Harry Potter's's depiction of race, specifically the slavery of house-elves, has received varied responses. Scholars such as Brycchan Carey have praised the books' abolitionist sentiments, viewing Hermione's Society for the Promotion of Elfish Welfare as a model for younger readers' political engagement. Other critics including Farah Mendlesohn find the portrayal of house-elves "most difficult to accept": the elves are denied the right to free themselves and rely on the benevolence of others like Hermione. Pharr terms the house-elves a disharmonious element in the series, writing that Rowling leaves their fate hanging; at the end of Deathly Hallows, the elves remain enslaved and cheerful. The goblins of the world of Harry Potter have also received criticism for following antisemitic caricatures – particularly for their grotesque "hook-nosed" portrayal in the films, an appearance associated with Jewish stereotypes. Controversies The books have been the subject of a number of legal proceedings, stemming from various conflicts over copyright and trademark infringements. The popularity and high market value of the series has led Rowling, her publishers, and film distributor Warner Bros. to take legal measures to protect their copyright, which have included banning the sale of Harry Potter imitations, targeting the owners of websites over the "Harry Potter" domain name, and suing author Nancy Stouffer to counter her accusations that Rowling had plagiarised her work. Various religious fundamentalists have claimed that the books promote witchcraft and religions such as Wicca and are therefore unsuitable for children, while a number of critics have criticised the books for promoting various political agendas. The series has landed the American Library Associations' Top 10 Banned Book List in 2001, 2002, 2003, and 2019 with claims it was anti-family, discussed magic and witchcraft, contained actual spells and curses, referenced the occult/Satanism, violence, and had characters who used "nefarious means" to attain goals, as well as conflicts with religious viewpoints. The books also aroused controversies in the literary and publishing worlds. From 1997 to 1998, Harry Potter and the Philosopher's Stone won almost all the United Kingdom awards judged by children, but none of the children's book awards judged by adults, and Sandra Beckett suggested the reason was intellectual snobbery towards books that were popular among children. In 1999, the winner of the Whitbread Book of the Year award children's division was entered for the first time on the shortlist for the main award, and one judge threatened to resign if Harry Potter and the Prisoner of Azkaban was declared the overall winner; it finished second, very close behind the winner of the poetry prize, Seamus Heaney's translation of the Anglo-Saxon epic Beowulf. In 2000, shortly before the publication of Harry Potter and the Goblet of Fire, the previous three Harry Potter books topped The New York Times fiction best-seller list and a third of the entries were children's books. The newspaper created a new children's section covering children's books, including both fiction and non-fiction, and initially counting only hardback sales. The move was supported by publishers and booksellers. In 2004, The New York Times further split the children's list, which was still dominated by Harry Potter books, into sections for series and individual books and removed the Harry Potter books from the section for individual books. The split in 2000 attracted condemnation, praise and some comments that presented both benefits and disadvantages of the move. Time suggested that, on the same principle, Billboard should have created a separate "mop-tops" list in 1964 when The Beatles held the top five places in its list, and Nielsen should have created a separate game-show list when Who Wants to Be a Millionaire? dominated the ratings. Legacy Influence on literature Harry Potter transformed children's literature. In the 1970s, children's books were generally realistic as opposed to fantastic, while adult fantasy became popular because of the influence of The Lord of the Rings. The next decade saw an increasing interest in grim, realist themes, with an outflow of fantasy readers and writers to adult works. The commercial success of Harry Potter reversed this trend. The scale of its growth had no precedent in the children's market: within four years of the series' inception, it occupied 28% of that field by revenue. Children's literature rose in cultural status, and fantasy became a dominant genre. Older works in the genre, including Diana Wynne Jones's Chrestomanci series and Diane Duane's Young Wizards, were reprinted and rose in popularity; some authors re-established their careers. In the following decades, many Harry Potter imitators and subversive responses grew popular. Rowling has been compared to Enid Blyton, who also wrote in simple language about groups of children and long held sway over the British children's market. She has also been described as an heir to Roald Dahl. Some critics view Harry Potter's rise, along with the concurrent success of Philip Pullman's His Dark Materials, as part of a broader shift in reading tastes: a rejection of literary fiction in favour of plot and adventure. This is reflected in the BBC's 2003 "Big Read" survey of the UK's favourite books, where Pullman and Rowling ranked at numbers 3 and 5, respectively, with very few British literary classics in the top 10. Cultural impact Harry Potter has been described as a cultural phenomenon. The word "Muggle" has spread beyond its origins in the books, entering the Oxford English Dictionary in 2003. A real-life version of the sport Quidditch was created in 2005 and featured as an exhibition tournament in the 2012 London Olympics. Characters and elements from the series have inspired scientific names of several organisms, including the dinosaur Dracorex hogwartsia, the spider Eriovixia gryffindori, the wasp Ampulex dementor, and the crab Harryplax severus. Librarian Nancy Knapp pointed out the books' potential to improve literacy by motivating children to read much more than they otherwise would. The seven-book series has a word count of 1,083,594 (US edition). Agreeing about the motivating effects, Diane Penrod also praised the books' blending of simple entertainment with "the qualities of highbrow literary fiction", but expressed concern about the distracting effect of the prolific merchandise that accompanies the book launches. However, the assumption that Harry Potter books have increased literacy among young people is "largely a folk legend". Research by the National Endowment for the Arts (NEA) has found no increase in reading among children coinciding with the Harry Potter publishing phenomenon, nor has the broader downward trend in reading among Americans been arrested during the rise in the popularity of the Harry Potter books. The research also found that children who read Harry Potter books were not more likely to go on to read outside the fantasy and mystery genres. NEA chairman Dana Gioia said the series, "got millions of kids to read a long and reasonably complex series of books. The trouble is that one Harry Potter novel every few years is not enough to reverse the decline in reading." Many fan fiction and fan art works about Harry Potter have been made. In March 2007, "Harry Potter" was the most commonly searched fan fiction subject on the internet. Jennifer Conn used Snape's and Quidditch coach Madam Hooch's teaching methods as examples of what to avoid and what to emulate in clinical teaching, and Joyce Fields wrote that the books illustrate four of the five main topics in a typical first-year sociology class: "sociological concepts including culture, society, and socialisation; stratification and social inequality; social institutions; and social theory". From the early 2000s onwards, several news reports appeared in the UK of the Harry Potter book and movie series driving demand for pet owls, and even reports that after the end of the movie series these same pet owls were now being abandoned by their owners. This led J. K. Rowling to issue several statements urging Harry Potter fans to refrain from purchasing pet owls. Despite the media flurry, research into the popularity of Harry Potter and sales of owls in the UK failed to find any evidence that the Harry Potter franchise had influenced the buying of owls in the country or the number of owls reaching animal shelters and sanctuaries. Awards, honours, and recognition The Harry Potter series has been recognised by a host of awards since the initial publication of Philosopher's Stone including a platinum award from the Whitaker Gold and Platinum Book Awards ( 2001), three Nestlé Smarties Book Prizes (1997–1999), two Scottish Arts Council Book Awards (1999 and 2001), the inaugural Whitbread children's book of the year award (1999), and the WHSmith book of the year (2006), among others. In 2000, Harry Potter and the Prisoner of Azkaban was nominated for a Hugo Award for Best Novel, and in 2001, Harry Potter and the Goblet of Fire won said award. Honours include a commendation for the Carnegie Medal (1997), a short listing for the Guardian Children's Award (1998), and numerous listings on the notable books, editors' Choices, and best books lists of the American Library Association, The New York Times, Chicago Public Library, and Publishers Weekly. In 2002, sociologist Andrew Blake named Harry Potter a British pop culture icon along with the likes of James Bond and Sherlock Holmes. In 2003, four of the books were named in the top 24 of the BBC's The Big Read survey of the best loved novels in the UK. A 2004 study found that books in the series were commonly read aloud in elementary schools in San Diego County, California. Based on a 2007 online poll, the US National Education Association listed the series in its "Teachers' Top 100 Books for Children". Time magazine named Rowling as a runner-up for its 2007 Person of the Year award, noting the social, moral, and political inspiration she has given her fandom. Three of the books placed among the "Top 100 Chapter Books" of all time, or children's novels, in a 2012 survey published by School Library Journal: Sorcerer's Stone ranked number three, Prisoner of Azkaban 12th, and Goblet of Fire 98th. In 2007, the seven Harry Potter book covers were depicted on a series of UK postage stamps issued by Royal Mail. In 2012, the opening ceremony of the 2012 Summer Olympics in London featured a 100-foot tall rendition of Lord Voldemort in a segment designed to showcase the UK's cultural icons. In November 2019, the BBC listed the Harry Potter series on its list of the 100 most influential novels. Adaptations Films In 1999, Rowling sold the film rights for Harry Potter to Warner Bros. for a reported £1 million (US$2,000,000). Rowling had creative control on the film series, observing the filmmaking process of Philosopher's Stone and serving as producer on the two-part Deathly Hallows, alongside David Heyman and David Barron. Rowling demanded the principal cast be kept strictly British and Irish, nonetheless allowing for the inclusion or French and Eastern European actors where characters from the book are specified as such. Chris Columbus was selected as the director for Harry Potter and the Philosopher's Stone (titled "Harry Potter and the Sorcerer's Stone" in the United States). Philosopher's Stone was released on 14 November 2001. Just three days after the film's release, production for Harry Potter and the Chamber of Secrets, also directed by Columbus, began and the film was released on 15 November 2002. Columbus declined to direct Harry Potter and the Prisoner of Azkaban, only acting as producer. Mexican director Alfonso Cuarón took over the job, and after shooting in 2003, the film was released on 4 June 2004. Due to the fourth film beginning its production before the third's release, Mike Newell was chosen as the director for Harry Potter and the Goblet of Fire, released on 18 November 2005. Newell became the first British director of the series, with television director David Yates following suit after he was chosen to helm Harry Potter and the Order of the Phoenix. Production began in January 2006 and the film was released the following year in July 2007. Yates was selected to direct Harry Potter and the Half-Blood Prince, which was released on 15 July 2009. The final instalment in the series, Harry Potter and the Deathly Hallows was released in two cinematic parts: Part 1 on 19 November 2010 and Part 2 on 15 July 2011. Spin-off prequels A prequel series is planned to consist of five films, taking place before the main series. The first film Fantastic Beasts and Where to Find Them was released in November 2016, followed by the second Fantastic Beasts: The Crimes of Grindelwald in November 2018 and Fantastic Beasts: The Secrets of Dumbledore in April 2022. Rowling wrote the screenplays for all three films, marking her foray into screenwriting. Games A number of non-interactive media games and board games have been released such as Cluedo Harry Potter Edition, Scene It? Harry Potter and Lego Harry Potter models, which are influenced by the themes of both the novels and films. There are fourteen Harry Potter video games, eight corresponding with the films and books and six spin-offs. The film/book-based games are produced by Electronic Arts (EA), as was Harry Potter: Quidditch World Cup, with the game version of the first entry in the series, Philosopher's Stone, being released in November 2001. Harry Potter and the Philosopher's Stone went on to become one of the best-selling PlayStation games ever. The video games were released to coincide with the films. Objectives usually occur in and around Hogwarts. The story and design of the games follow the selected film's characterisation and plot; EA worked closely with Warner Bros. to include scenes from the films. The last game in the series, Deathly Hallows, was split, with Part 1 released in November 2010 and Part 2 debuting on consoles in July 2011. The spin-off games Lego Harry Potter: Years 1–4 and Lego Harry Potter: Years 5–7 were developed by Traveller's Tales and published by Warner Bros. Interactive Entertainment. The spin-off games Book of Spells and Book of Potions were developed by London Studio and use the Wonderbook, an augmented reality book designed to be used in conjunction with the PlayStation Move and PlayStation Eye. The Harry Potter universe is also featured in Lego Dimensions, with the settings and side characters featured in the Harry Potter Adventure World, and Harry, Voldemort, and Hermione as playable characters. In 2017, Warner Bros. Interactive Entertainment opened its own Harry Potter-themed game design studio, by the name of Portkey Games, before releasing Hogwarts Mystery, developed by Jam City, in 2018 and Hogwarts Legacy, developed by Avalanche Software, in 2023. Stage production Harry Potter and the Cursed Child: Parts I and II is a play which serves as a sequel to the books, beginning nineteen years after the events of Harry Potter and the Deathly Hallows. It was written by Jack Thorne based on an original new story by Thorne, Rowling and John Tiffany. It has run at the Palace Theatre in London's West End since previews began on 7 June 2016 with an official premiere on 30 June 2016. The first four months of tickets for the June–September performances were sold out within several hours upon release. Forthcoming productions are planned for Broadway and Melbourne. The script was released as a book at the time of the premiere, with a revised version following the next year. Television On 25 January 2021, it was reported that a live-action television series has been in early development at HBO Max. Though it was noted that the series has "complicated rights issues", due to a seven-year rights deal with Warner Bros. Domestic TV Distribution that included US broadcast, cable and streaming rights to the franchise, which ends in April 2025. On 12 April 2023, the series was confirmed to be in development, and will be streamed on the new streaming service Max (formerly known as HBO Max). On 23 February 2024, Warner Bros. Discovery CEO David Zaslav announced that the series would debut on Max in 2026. On 25 June 2024, it was announced the series would also be streamed on HBO. Attractions Universal and Warner Brothers created The Wizarding World of Harry Potter, a Harry Potter-themed expansion to the Islands of Adventure theme park at Universal Orlando Resort in Florida. It opened to the public on 18 June 2010. It includes a recreation of Hogsmeade and several rides; its flagship attraction is Harry Potter and the Forbidden Journey, which exists within a recreation of Hogwarts School of Witchcraft and Wizardry. In 2014 Universal opened a Harry Potter-themed area at the Universal Studios Florida theme park. It includes a recreation of Diagon Alley. The flagship attraction is the Harry Potter and the Escape from Gringotts roller coaster ride. A completely functioning full-scale replica of the Hogwarts Express was created for the Diagon Alley expansion, connecting King's Cross Station at Universal Studios to the Hogsmeade station at Islands of Adventure. The Wizarding World of Harry Potter opened at the Universal Studios Hollywood theme park near Los Angeles, California in 2016, and in Universal Studios Japan theme park in Osaka, Japan in 2014. The Osaka venue includes the village of Hogsmeade, Harry Potter and the Forbidden Journey ride, and Flight of the Hippogriff roller coaster. Other Harry Potter roller coasters are the Dragon Challenge and Hagrid's Magical Creatures Motorbike Adventure, both at Universal Islands of Adventure. Warner Bros. Studio Tour London – The Making of Harry Potter is a behind-the-scenes walking tour in London featuring authentic sets, costumes and props from the film series. The attraction is located at Warner Bros. Studios, Leavesden, where all eight of the Harry Potter films were made. Warner Bros. constructed two new sound stages to house and showcase the sets from each of the British-made productions, following a £100 million investment. It opened to the public in March 2012. Supplementary works Rowling expanded the Harry Potter universe with short books produced for charities. In 2001, she released Fantastic Beasts and Where to Find Them (a purported Hogwarts textbook) and Quidditch Through the Ages (a book Harry reads for fun). Proceeds from the sale of these two books benefited the charity Comic Relief. In 2007, Rowling composed seven handwritten copies of The Tales of Beedle the Bard, a collection of fairy tales that is featured in the final novel, one of which was auctioned to raise money for the Children's High Level Group, a fund for mentally disabled children in poor countries. The book was published internationally on 4 December 2008. Rowling also wrote an 800-word prequel in 2008 as part of a fundraiser organised by the bookseller Waterstones. All three of these books contain extra information about the wizarding world not included in the original novels. In 2016, she released three new e-books: Hogwarts: An Incomplete and Unreliable Guide, Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists and Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies. Rowling's website Pottermore was launched in 2012. Pottermore allows users to be sorted, be chosen by their wand and play various minigames. The main purpose of the website was to allow the user to journey through the story with access to content not revealed by JK Rowling previously, with over 18,000 words of additional content. The site was redesigned in 2015 as WizardingWorld and it mainly focuses on the information already available, rather than exploration. See also Mary Poppins The Worst Witch References Sources Further reading Agarwal, Nikita; Chitra Agarwal (2005). Friends and Foes of Harry Potter: Names Decoded. Outskirts Press. ISBN 978-1-59800-221-8. Allardice, Lisa (18 June 2022). "'There was practically a riot at King's Cross': an oral history of Harry Potter at 25". The Guardian. Retrieved 26 August 2024. Burkart, Gina (2005). A parent's guide to Harry Potter. InterVarsity Press. ISBN 978-0-8308-3288-0. Harry Potter. Duriez, Colin (2007). Field Guide to Harry Potter. IVP Books. ISBN 978-0-8308-3430-3. Mulholland, Neil (2007). The Psychology of Harry Potter: An Unauthorized Examination of the Boy Who Lived. BenBella Books. ISBN 978-1-932100-88-4. Silvester, William (2010). Harry Potter Collector's Handbook. Krause. ISBN 978-1-4402-0897-3. External links J. K. Rowling's personal website Harry Potter movies—Official website (Warner Bros.) Harry Potter at Bloomsbury.com (International publisher) Harry Potter at Scholastic.com (US publisher) Harry Potter at Raincoast.com (Canadian publisher) Harry Potter collected news and commentary at The Guardian Harry Potter collected news and commentary at The New York Times The Wizarding World of Harry Potter at Orlando resort, Florida
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Joanne Rowling ( ROH-ling; born 31 July 1965), known by her pen name J. K. Rowling, is a British author and philanthropist. She is the author of Harry Potter, a seven-volume fantasy novel series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith. Born in Yate, Gloucestershire, Rowling was working as a researcher and bilingual secretary for Amnesty International in 1990 when she conceived the idea for the Harry Potter series. The seven-year period that followed saw the death of her mother, the birth of her first child, divorce from her first husband, and relative poverty until the first novel in the series, Harry Potter and the Philosopher's Stone, was published in 1997. Six sequels followed, concluding with Harry Potter and the Deathly Hallows (2007). By 2008, Forbes had named her the world's highest-paid author. The novels follow a boy called Harry Potter as he attends Hogwarts (a school for wizards), and battles Lord Voldemort. Death and the divide between good and evil are the central themes of the series. Its influences include Bildungsroman (the coming-of-age genre), school stories, fairy tales, and Christian allegory. The series revived fantasy as a genre in the children's market, spawned a host of imitators, and inspired an active fandom. Critical reception has been more mixed. Many reviewers see Rowling's writing as conventional; some regard her portrayal of gender and social division as regressive. There were also religious debates over the Harry Potter series. Rowling has won many accolades for her work. She has received an OBE and made a Companion of Honour for services to literature and philanthropy. Harry Potter brought her wealth and recognition, which she has used to advance philanthropic endeavours and political causes. She established the Volant Charitable Trust in 2000, and co-founded the charity Lumos in 2005. Rowling's philanthropy centres on medical causes and supporting at-risk women and children. In 2012, Forbes estimated that Rowling's charitable giving totaled US$160 million. She has also donated to Britain's Labour Party, and opposed Scottish independence and Brexit. Since 2017, Rowling has been vocal about her opinions on transgender people and related civil rights. Her comments, described as transphobic by critics and LGBT rights organisations, have divided feminists, fuelled debates on freedom of speech and cancel culture, and prompted declarations of support for transgender people from the culture sector. Name Although she writes under the pen name J. K. Rowling, before her remarriage her name was Joanne Rowling, or Jo. At birth, she had no middle name. Staff at Bloomsbury Publishing suggested that she use two initials rather than her full name, anticipating that young boys – their target audience – would not want to read a book written by a woman. She chose K as the second initial, from her paternal grandmother Kathleen Rowling, and because of the ease of pronunciation of the two consecutive letters. Following her 2001 remarriage, she has sometimes used the name Joanne Murray when conducting personal business. Life and career Early life and family Joanne Rowling was born on 31 July 1965 in Yate, Gloucestershire, to a middle-class family. Her parents Anne (née Volant) and Peter ("Pete") James Rowling had met the previous year on a train, sharing a trip from King's Cross station, London, to their naval postings at Arbroath, Scotland. Rowling's mother was with the Wrens and her father with the Royal Navy. Pete Rowling was the son of a machine-tool setter who later opened a grocery shop. They left the navy life and sought a country home to raise the baby they were expecting, and married on 14 March 1965 when both were 19. The Rowlings settled in Yate, where Pete started work as an assembly-line production worker at the Bristol Siddeley factory. The company became part of Rolls-Royce, and he worked his way into management as a chartered engineer. Anne Rowling later worked as a science technician. Neither of Rowling's parents attended university. Rowling is two years older than her sister, Dianne, whose birth was Rowling's earliest memory. When she was four, Rowling's family moved to Winterbourne, Gloucestershire. She began at St Michael's Church of England Primary School in Winterbourne when she was five. The Rowlings lived near a family called Potter – a name Rowling always liked. Rowling's mother liked to read and the family's homes were filled with books. Her father read The Wind in the Willows to his daughters, while her mother introduced them to the animals in Richard Scarry's books. Rowling's first attempt at writing, a story called "Rabbit" composed when she was six, was inspired by Scarry's creatures. When Rowling was about nine, the family purchased the historic Church Cottage in Tutshill. In 1974, Rowling began attending the nearby Church of England School. Biographer Sean Smith describes her teacher as a "battleaxe" who "struck fear into the hearts of the children"; Rowling's teacher seated her in "dunces' row" after she performed poorly on an arithmetic test. In 1975, Rowling joined a Brownies pack. Its special events and parties, and the pack groups (Fairies, Pixies, Sprites, Elves, Gnomes and Imps) provided a magical world away from her stern teacher. When she was eleven or twelve, she wrote a short story, "The Seven Cursed Diamonds". She later described herself during this period as "the epitome of a bookish child – short and squat, thick National Health glasses, living in a world of complete daydreams". Secondary school and university Rowling's secondary school was Wyedean School and College, a state school she began attending at the age of eleven and where she was bullied. Rowling was inspired by her favourite teacher, Lucy Shepherd, who taught the importance of structure and precision in writing. Smith writes that Rowling "craved to play heavy electric guitar", and describes her as "intelligent yet shy". Her teacher Dale Neuschwander was impressed by her imagination. When she was a young teenager, Rowling's great-aunt gave her Hons and Rebels, the autobiography of the civil rights activist Jessica Mitford. Mitford became Rowling's heroine, and she read all her books. Anne had a strong influence on her daughter. Early in Rowling's life, the support of her mother and sister instilled confidence and enthusiasm for storytelling. Anne was a creative and accomplished cook, who helped lead her daughters' Brownie activities, and took a job in the chemistry department at Wyedean while her daughters were there. The three walked to and from school together, with a relationship more like sisters than mother and daughters. John Nettleship, the head of science at Wyedean, described Anne as "absolutely brilliant, a sparkling character ... very imaginative". Anne Rowling was diagnosed with a "virulent strain" of multiple sclerosis when she was 34 or 35 and Jo was 15, and had to quit her job. Rowling's home life was complicated by her mother's illness and a strained relationship with her father. Rowling later said "home was a difficult place to be", and that her teenage years were unhappy. In 2020, she wrote that her father would have preferred a son and described herself as having severe obsessive–compulsive disorder in her teens. She began to smoke, took an interest in alternative rock, and adopted Siouxsie Sioux's back-combed hair and black eyeliner. Sean Harris, her best friend in the Upper Sixth, owned a turquoise Ford Anglia that provided an escape from her difficult home life and the means for Harris and Rowling to broaden their activities. Living in a small town with pressures at home, Rowling became more interested in her schoolwork. Steve Eddy, her first secondary school English teacher, remembers her as "not exceptional" but "one of a group of girls who were bright, and quite good at English". Rowling took A-levels in English, French, and German, achieving two As and a B, and was named head girl at Wyedean. She applied to Oxford University in 1982 but was rejected. Biographers attribute her rejection to privilege, as she had attended a state school rather than a private one. Rowling always wanted to be a writer, but chose to study French and the classics at the University of Exeter for practical reasons, influenced by her parents who thought job prospects would be better with evidence of bilingualism. She later stated that Exeter was not initially what she expected ("to be among lots of similar people – thinking radical thoughts") but that she enjoyed herself after she met more people like her. She was an average student at Exeter, described by biographers as prioritising her social life over her studies, and lacking ambition and enthusiasm. Rowling recalls doing little work at university, preferring to read Dickens and Tolkien. She earned a BA in French from Exeter, graduating in 1987 after a year of study in Paris. Inspiration and mother's death After university, Rowling moved to a flat in Clapham Junction with friends, and took a course to become a bilingual secretary. While she was working temporary jobs in London, Amnesty International hired her to document human rights issues in French-speaking Africa. She began writing adult novels while working as a temp, although they were never published. In 1990, she planned to move with her boyfriend to Manchester, and frequently took long train trips to visit. In mid-1990, she was on a train delayed by four hours from Manchester to London, when the characters Harry Potter, Ron Weasley, and Hermione Granger came plainly into her mind. Having no pen or paper allowed her to fully explore the characters and their story in her imagination before she reached her flat and began to write. Rowling moved to Manchester around November 1990. She described her time in Manchester, where she worked for the Chamber of Commerce and at Manchester University in temp jobs, as a "year of misery". Her mother died of multiple sclerosis on 30 December 1990. At the time, she was writing Harry Potter and had never told her mother about it. Her mother's death heavily affected Rowling's writing. She later said that her literary creation of the Mirror of Erised is about her mother's death, and noted an "evident parallelism" between Harry confronting his own mortality and her life. The pain of the loss of her mother was compounded when some personal effects her mother had left her were stolen. With the end of the relationship with her boyfriend, and "being made redundant from an office job in Manchester", Rowling described herself as being in a state of "fight or flight". An advertisement in The Guardian led her to move to Porto, Portugal, in November 1991 to teach night classes in English as a foreign language, writing during the day. Marriage, divorce and single parenthood Five months after arriving in Porto, Rowling met the Portuguese television journalist Jorge Arantes in a bar and found that they shared an interest in Jane Austen. By mid-1992, they were planning a trip to London to introduce Arantes to Rowling's family, when she had a miscarriage. The relationship was troubled, but they married on 16 October 1992. Their daughter Jessica Isabel Rowling Arantes (named after Jessica Mitford) was born on 27 July 1993 in Portugal. By this time, Rowling had finished the first three chapters of Harry Potter and the Philosopher's Stone – almost as they were eventually published – and had drafted the rest of the novel. Rowling experienced domestic abuse during her marriage. Arantes said in June 2020 that he had slapped her and did not regret it. Rowling described the marriage as "short and catastrophic". She says she was not allowed to have a house key and that her husband used the growing manuscript of her first book as a hostage. Rowling and Arantes separated on 17 November 1993 after Arantes threw her out of the house; she returned with the police to retrieve Jessica and her belongings and went into hiding for two weeks before she left Portugal. In late 1993, with a draft of Harry Potter in her suitcase, Rowling moved with her daughter to Edinburgh, Scotland, planning to stay with her sister until Christmas. Her biographer Sean Smith raises the question of why Rowling chose to stay with her sister rather than her father. Rowling has spoken of an estrangement from her father, stating in an interview with Oprah Winfrey that "It wasn't a good relationship from my point of view for a very long time but I had a need to please and I kept that going for a long time and then there ... just came a point at which I had to pull up and say I can't do this anymore." Pete had married his secretary within two years of Anne's death, and The Scotsman reported in 2003 that "[t]he speed of his decision to move in with his secretary ... distressed both sisters and a fault-line now separated them and their father." Rowling said in 2012 that they had not spoken in the last nine years. Rowling sought government assistance and got £69 (US$103) per week from Social Security; not wanting to burden her recently married sister, she moved to a flat that she described as mouse-ridden. She later described her economic status as being as "poor as it is possible to be in modern Britain, without being homeless". Seven years after graduating from university, she saw herself as a failure. Tison Pugh writes that the "grinding effects of poverty, coupled with her concern for providing for her daughter as a single parent, caused great hardship". Her marriage had failed, and she was jobless with a dependent child, but she later described this as "liberating" her to focus on writing. She has said that "Jessica kept me going". Her old school friend, Sean Harris, lent her £600 ($900), which allowed her to move to a flat in Leith, where she finished Philosopher's Stone. Arantes arrived in Scotland in March 1994 seeking both Rowling and Jessica. On 15 March 1994, Rowling sought an action of interdict (order of restraint); the interdict was granted and Arantes returned to Portugal. Early in the year, Rowling began to experience a deep depression and sought medical help when she contemplated suicide. With nine months of therapy, her mental health gradually improved. She filed for divorce on 10 August 1994; the divorce was finalised on 26 June 1995. Rowling wanted to finish the book before enrolling in a teacher training course, fearing she might not be able to finish once she started the course. She often wrote in cafés, including Nicolson's, part-owned by her brother-in-law. Secretarial work brought in £15 ($22.50) per week, but she would lose government benefits if she earned more. In mid-1995, a friend gave her money that allowed her to come off benefits and enrol full-time in college. Still needing money and expecting to make a living by teaching, Rowling began a teacher training course in August 1995 at Moray House School of Education after completing her first novel. She earned her teaching certificate in July 1996 and began teaching at Leith Academy. Rowling later said that writing the first Harry Potter book had saved her life and that her concerns about "love, loss, separation, death ... are reflected in the first book". Publishing Harry Potter Rowling completed Harry Potter and the Philosopher's Stone in June 1995. The initial draft included an illustration of Harry by a fireplace, showing a lightning-shaped scar on his forehead. Following an enthusiastic report from an early reader, Christopher Little Literary Agency agreed to represent Rowling. Her manuscript was submitted to twelve publishers, all of which rejected it. Barry Cunningham, who ran the children's literature department at Bloomsbury Publishing, bought it, after Nigel Newton, who headed Bloomsbury at the time, saw his eight-year-old daughter finish one chapter and want to keep reading. Rowling recalls Cunningham telling her, "You'll never make any money out of children's books, Jo." Rowling was awarded a writer's grant by the Scottish Arts Council to support her childcare costs and finances before Philosopher's Stone's publication, and to aid in writing the sequel, Chamber of Secrets. On 26 June 1997, Bloomsbury published Philosopher's Stone with an initial print run of 5,650 copies. Before Chamber of Secrets was published, Rowling had received £2,800 ($4,200) in royalties. Philosopher's Stone introduces Harry Potter. Harry is a wizard who lives with his non-magical relatives until his eleventh birthday, when he is invited to attend Hogwarts School of Witchcraft and Wizardry. Rowling wrote six sequels, which follow Harry's adventures at Hogwarts with friends Hermione Granger and Ron Weasley and his attempts to defeat Lord Voldemort, who killed Harry's parents when he was a child. Rowling received the news that the US rights were being auctioned at the Bologna Children's Book Fair. To her surprise and delight, Scholastic Corporation bought the rights for $105,000. She bought a flat in Edinburgh with the money from the sale. Arthur A. Levine, head of the imprint at Scholastic, pushed for a name change. He wanted Harry Potter and the School of Magic; as a compromise Rowling suggested Harry Potter and the Sorcerer's Stone. Sorcerer's Stone was released in the United States in September 1998. It was not widely reviewed, but the reviews it received were generally positive. Sorcerer's Stone became a New York Times bestseller by December. The next three books in the series were released in quick succession between 1998 and 2000: Harry Potter and the Chamber of Secrets (1998), Harry Potter and the Prisoner of Azkaban (1999), and Harry Potter and the Goblet of Fire (2000), each selling millions of copies. When Harry Potter and the Order of the Phoenix had not appeared by 2002, rumours circulated that Rowling was suffering writer's block. Rowling denied these rumours, stating the 896-page book took three years to write because of its length. It was published in June 2003, selling millions of copies on the first day. Harry Potter and the Half-Blood Prince was released two years later in July 2005, again selling millions of copies on the first day. The series ended with Harry Potter and the Deathly Hallows, published in July 2007. Films In 1999, Warner Bros. purchased film rights to the first two Harry Potter novels for a reported $1 million. Rowling accepted the offer with the provision that the studio only produce Harry Potter films based on books she authored, while retaining the right to final script approval, and some control over merchandising. Harry Potter and the Philosopher's Stone, an adaptation of the first Harry Potter book, was released in November 2001. Steve Kloves wrote the screenplays for all but the fifth film, with Rowling's assistance, ensuring that his scripts kept to the plots of the novels. The film series concluded with Harry Potter and the Deathly Hallows, which was adapted in two parts; part one was released on 19 November 2010, and part two followed on 15 July 2011. Warner Bros. announced an expanded relationship with Rowling in 2013, including a planned series of films about her character Newt Scamander, fictitious author of Fantastic Beasts and Where to Find Them. The first film of five, a prequel to the Harry Potter series, set roughly 70 years earlier, was released in November 2016. Rowling wrote the screenplay, which was released as a book. Crimes of Grindelwald was released in November 2018. Secrets of Dumbledore was released in April 2022. In November 2022, Variety reported that Warner Bros. Discovery was not actively planning to continue the film series or to develop any further films related to the Wizarding World franchise. Religion, wealth and remarriage By 1998, Rowling was portrayed in the media as a "penniless divorcee hitting the jackpot". According to her biographer Sean Smith, the publicity became effective marketing for Harry Potter, but her journey from living on benefits to wealth brought, along with fame, concerns from different groups about the books' portrayals of the occult and gender roles. Ultimately, Smith says that these concerns served to "enhance [her] public profile rather than damage it". Rowling identifies as a Christian. Although she grew up next door to her church, accounts of the family's church attendance differ. She began attending a Church of Scotland congregation, where Jessica was christened, around the time she was writing Harry Potter. In a 2012 interview, she said she belonged to the Scottish Episcopal Church. Rowling has stated that she believes in God, but has experienced doubt, and that her struggles with faith play a part in her books. She does not believe in magic or witchcraft. Rowling married Neil Murray, a doctor, in 2001. The couple intended to marry that July in the Galapagos, but when this leaked to the press, they delayed their wedding and changed their holiday destination to Mauritius. After the UK Press Complaints Commission ruled that a magazine had breached Jessica's privacy when the eight-year-old was included in a photograph of the family taken during that trip, Murray and Rowling sought a more private and quiet place to live and work. Rowling bought Killiechassie House and its estate in Perthshire, Scotland, and on 26 December 2001, the couple had a small, private wedding there, officiated by an Episcopalian priest who travelled from Edinburgh. Their son, David Gordon Rowling Murray, was born in 2003, and their daughter Mackenzie Jean Rowling Murray in 2005. In 2004, Forbes named Rowling "the first billion-dollar author". Rowling denied that she was a billionaire in a 2005 interview. By 2012, Forbes concluded she was no longer a billionaire due to her charitable donations and high UK taxes. She was named the world's highest paid author by Forbes in 2008, 2017 and 2019. Her UK sales total in excess of £238 million, making her the best-selling living author in Britain. The 2021 Sunday Times Rich List estimated Rowling's fortune at £820 million, ranking her as the 196th-richest person in the UK. As of 2020, she also owns a £4.5 million Georgian house in Kensington and a £2 million home in Edinburgh, where she lives with Murray and her two youngest children. Adult fiction and Robert Galbraith In mid-2011, Rowling left Christopher Little Literary Agency and followed her agent Neil Blair to the Blair Partnership. He represented her for the publication of The Casual Vacancy, released in September 2012 by Little, Brown and Company. It was Rowling's first since Harry Potter ended, and her first book for adults. A contemporary take on 19th-century British fiction about village life, Casual Vacancy was promoted as a black comedy, while the critic Ian Parker described it as a "rural comedy of manners". It was adapted to a miniseries co-created by the BBC and HBO. Little, Brown and Company also published The Cuckoo's Calling, the purported début novel of Robert Galbraith, in April 2013. Telling the story of detective Cormoran Strike, a disabled veteran of the War in Afghanistan, it initially sold 1,500 copies in hardback. After an investigation prompted by discussion on Twitter, the journalist Richard Brooks contacted Rowling's agent, who confirmed Galbraith was Rowling's pseudonym. Rowling later said she enjoyed working as Robert Galbraith, a name she took from Robert F. Kennedy, a personal hero, and Ella Galbraith, a name she invented for herself in childhood. After the revelation of her identity, sales of Cuckoo's Calling escalated. Continuing the Cormoran Strike series of detective novels, The Silkworm was released in 2014; Career of Evil in 2015; Lethal White in 2018; Troubled Blood in 2020; The Ink Black Heart in 2022; and The Running Grave in 2023. In 2017, BBC One aired the first episode of the five-season series Strike, a television adaptation of the Cormoran Strike novels starring Tom Burke and Holliday Grainger, with a sixth season being shot in 2024. The series was picked up by HBO for distribution in the United States and Canada. In September 2024, Rowling tweeted that she had begun work on a futuristic novel; she added that there were three different projects she could turn to, once the tenth and final planned Strike novel had been published. Later Harry Potter works Pottermore, a website with information and stories about characters in the Harry Potter universe, launched in 2011. On its release, Pottermore was rooted in the Harry Potter novels, tracing the series's story in an interactive format. Its brand was associated with Rowling: she introduced the site in a video as a shared media environment to which she and Harry Potter fans would contribute. The site was substantially revised in 2015 to resemble an encyclopedia of Harry Potter. Harry Potter and the Cursed Child premiered in the West End in May 2016 and on Broadway in July. At its London premiere, Rowling confirmed that she would not write any more Harry Potter books. Rowling collaborated with writer Jack Thorne and director John Tiffany. Cursed Child's script was published as a book in July 2016. The play follows the friendship between Harry's son Albus and Scorpius Malfoy, Draco Malfoy's son, at Hogwarts. In April 2023, it was announced that the Harry Potter television series will span 10 years of production and feature a season dedicated to each of the seven Harry Potter books, with Rowling as executive producer. It will release in 2026. Children's stories The Ickabog was Rowling's first book aimed at children since Harry Potter. Ickabog is a monster that turns out to be real; a group of children find out the truth about the Ickabog and save the day. Rowling released The Ickabog for free online in mid-2020, during the COVID-19 lockdown in the United Kingdom. She began writing it in 2009 but set it aside to focus on other works including Casual Vacancy. Scholastic held a competition to select children's art for the print edition, which was published in the US and Canada on 10 November 2020. Profits went to charities focused on COVID-19 relief. In The Christmas Pig, a young boy loses his favourite stuffed animal, a pig, and the Christmas Pig guides him through the fantastical Land of the Lost to retrieve it. The novel was published on 12 October 2021 and became a bestseller in the UK and the US. Influences Rowling has named Jessica Mitford as her greatest influence. She said Mitford had "been my heroine since I was 14 years old, when I overheard my formidable great-aunt discussing how Mitford had run away at the age of 19 to fight with the Reds in the Spanish Civil War", and that what inspired her about Mitford was that she was "incurably and instinctively rebellious, brave, adventurous, funny and irreverent, she liked nothing better than a good fight, preferably against a pompous and hypocritical target". As a child, Rowling read C. S. Lewis's The Chronicles of Narnia, Elizabeth Goudge's The Little White Horse, Manxmouse by Paul Gallico, and books by E. Nesbit and Noel Streatfeild. Rowling describes Jane Austen as her "favourite author of all time". Rowling acknowledges Homer, Geoffrey Chaucer, and William Shakespeare as literary influences. Scholars agree that Harry Potter is heavily influenced by the children's fantasy of writers such as Lewis, Goudge, Nesbit, J. R. R. Tolkien, Ursula K. Le Guin, and Diana Wynne Jones. According to the critic Beatrice Groves, Harry Potter is also "rooted in the Western literary tradition", including the classics. Commentators also note similarities to the children's stories of Enid Blyton and Roald Dahl. Rowling expresses admiration for Lewis, in whose writing battles between good and evil are also prominent, but rejects any connection with Dahl. Earlier works prominently featuring characters who learn to use magic include Le Guin's Earthsea series, in which a school of wizardry also appears, and the Chrestomanci books by Jones. Rowling's setting of a "school of witchcraft and wizardry" departs from the still older tradition of protagonists as apprentices to magicians, exemplified by The Sorcerer's Apprentice: yet this trope does appear in Harry Potter, when Harry receives individual instruction from Remus Lupin and other teachers. Rowling also draws on the tradition of stories set in boarding schools, a major example of which is Thomas Hughes's 1857 volume Tom Brown's School Days. Style and themes Style and allusions Rowling is known primarily as an author of fantasy and children's literature. Her writing in other genres, including literary fiction and murder mystery, has received less critical attention. Rowling's most famous work, Harry Potter, has been defined as a fairy tale, a Bildungsroman and a boarding-school story. Her other writings have been described by Pugh as gritty contemporary fiction with historical influences (The Casual Vacancy) and hardboiled detective fiction (Cormoran Strike). In Harry Potter, Rowling juxtaposes the extraordinary against the ordinary. Her narrative features two worlds – the mundane and the fantastic – but it differs from typical portal fantasy in that its magical elements stay grounded in the everyday. Paintings move and talk; books bite readers; letters shout messages; and maps show live journeys, making the wizarding world "both exotic and cosily familiar" according to the scholar Catherine Butler. This blend of realistic and romantic elements extends to Rowling's characters. Harry is ordinary and relatable, with down-to-earth features such as wearing broken glasses; These elements serve to highlight Harry when he is heroic, making him both an everyman and a fairytale hero. Arthurian, Christian and fairytale motifs are frequently found in Rowling's writing. Harry's ability to draw the Sword of Gryffindor from the Sorting Hat resembles the Arthurian sword in the stone legend. His life with the Dursleys has been compared to Cinderella. Like C. S. Lewis's The Chronicles of Narnia, Harry Potter contains Christian symbolism and allegory. The series has been viewed as a Christian moral fable in the psychomachia tradition, in which stand-ins for good and evil fight for supremacy over a person's soul. The critic of children's literature Joy Farmer sees parallels between Harry and Jesus Christ. According to Maria Nikolajeva, Christian imagery is particularly strong in the final scenes of the series: she writes that Harry dies in self-sacrifice and Voldemort delivers an ecce homo speech, after which Harry is resurrected and defeats his enemy. Themes Death is Rowling's overarching theme in Harry Potter. In the first book, when Harry looks into the Mirror of Erised, he feels both joy and "a terrible sadness" at seeing his desire: his parents, alive and with him. Confronting their loss is central to Harry's character arc and manifests in different ways through the series, such as in his struggles with Dementors. Other characters in Harry's life die; he even faces his own death in Harry Potter and the Deathly Hallows. Rowling has spoken about thematising death and loss in the series. Soon after she started writing Philosopher's Stone, her mother died, and she said that "I really think from that moment on, death became a central, if not the central theme of the seven books". Rowling has described Harry as "the prism through which I view death", and further stated that "all of my characters are defined by their attitude to death and the possibility of death". While Harry Potter can be viewed as a story about good versus evil, its moral divisions are not absolute. First impressions of characters are often misleading. Harry assumes in the first book that Quirrell is good because he opposes Snape, who appears malicious; in reality, their positions are reversed. In Rowling's world, good and evil are choices rather than inherent attributes: second chances and redemption are key themes of the series. Reception Rowling has enjoyed enormous commercial success as an author. Her Harry Potter series topped bestseller lists, spawned a global media franchise including films and video games, and had been translated into 84 languages by 2023. The first three Harry Potter books occupied the top three spots of The New York Times bestseller list for more than a year; they were then moved to a newly created children's list. The final four books each set records as the fastest-selling books in the UK or US, and the series as a whole had sold more than 600 million copies as of 2023. Neither of Rowling's later works, The Casual Vacancy and the Cormoran Strike series, has been as successful, although Casual Vacancy was still a bestseller in the UK within weeks of its release. Harry Potter's popularity has been attributed to factors including the nostalgia evoked by the boarding-school story, the endearing nature of Rowling's characters, and the accessibility of her books to a variety of readers. According to Julia Eccleshare, the books are "neither too literary nor too popular, too difficult nor too easy, neither too young nor too old", and hence bridge traditional reading divides. Critical response to Harry Potter has been more mixed. Harold Bloom regarded Rowling's prose as poor and her plots as conventional, while Jack Zipes argues that the series would not be successful if it were not formulaic. Zipes states that the early novels have the same plot: in each book, Harry escapes the Dursleys to visit Hogwarts, where he confronts Lord Voldemort and then heads back successful. Rowling's prose has been described as simple and not innovative; Le Guin, like several other critics, considered it "stylistically ordinary". According to the novelist A. S. Byatt, the books reflect a dumbed-down culture dominated by soap operas and reality television. Thus, some critics argue, Harry Potter does not innovate on established literary forms; nor does it challenge readers' preconceived ideas. Conversely, the scholar Philip Nel rejects such critiques as "snobbery" that reacts to the novels' popularity, whereas Mary Pharr argues that Harry Potter's conventionalism is the point: by amalgamating literary forms familiar to her readers, Rowling invites them to "ponder their own ideas". Other critics who see artistic merit in Rowling's writing include Marina Warner, who views Harry Potter as part of an "alternative genealogy" of English literature that she traces from Edmund Spenser to Christina Rossetti. Michiko Kakutani praises Rowling's fictional world and the darker tone of the series' later entries. Reception of Rowling's later works has varied among critics. The Casual Vacancy, her attempt at literary fiction, drew mixed reviews. Some critics praised its characterisation, while others stated that it would have been better if it had contained magic. The Cormoran Strike series was more warmly received as a work of British detective fiction, even as some reviewers noted that its plots are occasionally contrived. Theatrical reviews of Harry Potter and the Cursed Child were highly positive. Fans have been more critical of the play's use of time travel, changes to characters' personalities, and perceived queerbaiting in Albus and Scorpius's relationship, leading some to question its connection to the Harry Potter canon. Gender and social division Rowling's portrayal of women in Harry Potter has been described as complex and varied, but nonetheless conforming to stereotypical and patriarchal depictions of gender. Gender divides are ostensibly absent in the books: Hogwarts is coeducational and women hold positions of power in wizarding society. However, this setting obscures the typecasting of female characters and the general depiction of conventional gender roles. According to the scholars Elizabeth Heilman and Trevor Donaldson, the subordination of female characters goes further early in the series. The final three books "showcase richer roles and more powerful females": for instance, the series' "most matriarchal character", Molly Weasley, engages substantially in the final battle of Deathly Hallows, while other women are shown as leaders. Hermione Granger, in particular, becomes an active and independent character essential to the protagonists' battle against evil. Yet, even particularly capable female characters such as Hermione and Minerva McGonagall are placed in supporting roles, and Hermione's status as a feminist model is debated. Girls and women are frequently shown as emotional, defined by their appearance, and denied agency in family settings. The social hierarchies in Rowling's magical world have been a matter of debate among scholars and critics. The primary antagonists of Harry Potter, Voldemort and his followers, believe blood purity is paramount, and that non-wizards, or "muggles", are subhuman. Their ideology of racial difference is depicted as unambiguously evil. However, the series cannot wholly reject racial division, according to several scholars, as it still depicts wizards as fundamentally superior to muggles. Blake and Zipes argue that numerous examples of wizardly superiority are depicted as "natural and comfortable". Thus, according to Gupta, Harry Potter depicts superior races as having a moral obligation of tolerance and altruism towards lesser races, rather than explicitly depicting equality. Rowling's depictions of the status of magical non-humans is similarly debated. Discussing the slavery of house-elves within Harry Potter, scholars such as Brycchan Carey have praised the books' abolitionist sentiments, viewing Hermione's Society for the Promotion of Elfish Welfare as a model for younger readers' political engagement. Other critics, including Farah Mendlesohn, find the portrayal of house-elves extremely troublesome; they are written as happy in their slavery, and Hermione's efforts on their behalf are implied to be naïve. Pharr terms the house-elves a disharmonious element in the series, writing that Rowling leaves their fate hanging; at the end of Deathly Hallows, the elves remain enslaved and cheerful. More generally, the subordination of magical non-humans remains in place, unchanged by the defeat of Voldemort. Thus, scholars suggest, the series's message is essentially conservative; it sees no reason to transform social hierarchies, only being concerned with who holds positions of power. Religious reactions There have been attempts to ban Harry Potter around the world, especially in the United States, and in the Bible Belt in particular. The series topped the American Library Association's list of most challenged books in the first three years of its publication. In the following years, parents in several US cities launched protests against teaching it in schools. Some Christian critics, particularly Evangelical Christians, have claimed that the novels promote witchcraft and harm children; similar opposition has been expressed to the film adaptations. Criticism has taken two main forms: allegations that Harry Potter is a pagan text; and claims that it encourages children to oppose authority, derived mainly from Harry's rejection of the Dursleys, his adoptive parents. The author and scholar Amanda Cockrell suggests that Harry Potter's popularity, and recent preoccupation with fantasy and the occult among Christian fundamentalists, explains why the series received particular opposition. Some groups of Shia and Sunni Muslims also argued that the series contained Satanic subtext, and it was banned in private schools in the United Arab Emirates. The Harry Potter books also have a group of vocal religious supporters who believe that Harry Potter espouses Christian values, or that the Bible does not prohibit the forms of magic described in the series. Christian analyses of the series have argued that it embraces ideals of friendship, loyalty, courage, love, and the temptation of power. After the final volume was published, Rowling said she intentionally incorporated Christian themes, in particular the idea that love may hold power over death. According to Farmer, it is a profound misreading to think that Harry Potter promotes witchcraft. The scholar Em McAvan writes that evangelical objections to Harry Potter are superficial, based on the presence of magic in the books: they do not attempt to understand the moral messages in the series. Legacy Rowling's Harry Potter series has been credited with a resurgence in crossover fiction: children's literature with an adult appeal. Crossovers were prevalent in 19th-century American and British fiction, but fell out of favour in the 20th century and did not occur at the same scale. The post-Harry Potter crossover trend is associated with the fantasy genre. In the 1970s, children's books were generally realistic as opposed to fantastic, while adult fantasy became popular because of the influence of The Lord of the Rings. The next decade saw an increasing interest in grim, realist themes, with an outflow of fantasy readers and writers to adult works. The commercial success of Harry Potter in 1997 reversed this trend. The scale of its growth had no precedent in the children's market: within four years, it occupied 28% of that field by revenue. Children's literature rose in cultural status, and fantasy became a dominant genre. Older works of children's fantasy, including Diana Wynne Jones's Chrestomanci series and Diane Duane's Young Wizards, were reprinted and rose in popularity; some authors re-established their careers. In the following decades, many Harry Potter imitators and subversive responses grew popular. Rowling has been compared with Enid Blyton, who also wrote in simple language about groups of children and long held sway over the British children's market. She has also been described as an heir to Roald Dahl. Some critics view Harry Potter's rise, along with the concurrent success of Philip Pullman's His Dark Materials, as part of a broader shift in reading tastes: a rejection of literary fiction in favour of plot and adventure. This is reflected in the BBC's 2003 "Big Read" survey of the UK's favourite books, where Pullman and Rowling ranked at numbers 3 and 5, respectively, with very few British literary classics in the top 10. Harry Potter's popularity led its publishers to plan elaborate releases and spawned a textual afterlife among fans and forgers. Beginning with the release of Prisoner of Azkaban on 8 July 1999 at 3:45 pm, its publishers coordinated selling the books at the same time globally, introduced security protocols to prevent premature purchases, and required booksellers to agree not to sell copies before the appointed time. Driven by the growth of the internet, fan fiction about the series proliferated and has spawned a diverse community of readers and writers. While Rowling has supported fan fiction, her statements about characters – for instance, that Harry and Hermione could have been a couple, and that Dumbledore was gay – have complicated her relationship with readers; according to Pugh, she only announced Dumbledore's sexuality to her fans, but not in the books, thus "closeting this character for unexplained reasons". According to scholars, this shows that modern readers feel a sense of ownership over the text that is independent of, and sometimes contradicts, authorial intent. Legal disputes In the 1990s and 2000s, Rowling was both a plaintiff and defendant in lawsuits alleging copyright infringement. Nancy Stouffer sued Rowling in 1999, alleging that Harry Potter was based on stories she published in 1984. Rowling won in September 2002. Richard Posner describes Stouffer's suit as deeply flawed and notes that the court, finding she had used "forged and altered documents", assessed a $50,000 penalty against her. With her literary agents and Warner Bros., Rowling has brought legal action against publishers and writers of Harry Potter knockoffs in several countries. In the mid-2000s, Rowling and her publishers obtained a series of injunctions prohibiting sales or published reviews of her books before their official release dates. Beginning in 2001, after Rowling sold film rights to Warner Bros., the studio tried to take Harry Potter fan sites offline unless it determined that they were made by "authentic" fans for innocuous purposes. In 2007, with Warner Bros., Rowling started proceedings to cease publication of a book based on content from a fan site called The Harry Potter Lexicon. The court held that Lexicon was neither a fair use of Rowling's material nor a derivative work, but it did not prevent the book from being published in a different form. Lexicon was published in 2009. Philanthropy Long interested in issues affecting women and children, Rowling established the Volant Charitable Trust in 2000, named after her mother to address social deprivation in at-risk women, children and youth. She was appointed president of One Parent Families (now Gingerbread) in 2004, after becoming its first ambassador in 2000. She collaborated with Sarah Brown on a book of children's stories to benefit One Parent Families. Together with the MEP Emma Nicholson, Rowling founded the charity now known as Lumos in 2005. Lumos has worked with an orphanage west of Kyiv, Ukraine since 2013; after the 2022 Russian invasion of Ukraine, Rowling offered to personally match up to £1 million in donations to Lumos for Ukraine. Later in 2022, during her advocacy against the Gender Recognition Reform (Scotland) Bill, Rowling stated she had founded and would fund Beira's Place, a women-only rape help centre that provides free support services to survivors of sexual violence. The centre excludes trans women. She has donated several hundred thousand pounds to help women lawyers flee from the Taliban's control, helping hundreds of Afghans escape. Rowling has made donations to support other medical causes. She named another institution after her mother in 2010, when she donated £10 million to found a multiple sclerosis research centre at the University of Edinburgh. She gave an additional £15.3 million to the centre in 2019. During the 2012 Summer Olympics opening ceremony, accompanied by an inflatable representation of Lord Voldemort, she read from Peter Pan as part of a tribute to the Great Ormond Street Hospital for Children. To support COVID-19 relief, she donated six-figure sums to both Khalsa Aid and the British Asian Trust from royalties for The Ickabog. Several publications in the Harry Potter universe have been sold for charitable purposes. Profits from Fantastic Beasts and Where to Find Them and Quidditch Through the Ages, both published in 2001, went to Comic Relief. To support Children's Voice, later renamed Lumos, Rowling sold a deluxe copy of The Tales of Beedle the Bard at auction in 2007. Amazon's £1.95 million purchase set a record for a contemporary literary work and for children's literature. Rowling published the book and, in 2013, donated the proceeds of nearly £19 million (then about $30 million) to Lumos. Rowling and 12 other writers composed short pieces in 2008 to be sold to benefit Dyslexia Action and English PEN. Rowling's contribution was an 800-word Harry Potter prequel. When the revelation that Rowling wrote The Cuckoo's Calling led to an increase in sales, she donated the royalties to ABF The Soldiers' Charity (formerly the Army Benevolent Fund). Rowling's charitable donations before 2012 were estimated by Forbes at $160 million. She was the second most generous UK donor in 2015 (following the singer Elton John), giving about $14 million. Views Rowling was actively engaged on the internet before author webpages were common. She has at times used Twitter unreservedly to reach her Harry Potter fans and followers. Politics In 2008, Rowling donated £1 million to the Labour Party, endorsed the Labour prime minister Gordon Brown over his Conservative challenger David Cameron, and commended Labour's policies on child poverty. In June 2024, she wrote that she had a "poor opinion" of Keir Starmer and that it would be hard for her to vote for Labour. When asked about the 2008 United States presidential election, she stated that "it is a pity that Clinton and Obama have to be rivals because both are extraordinary." In her "Single mother's manifesto" published in The Times in 2010, Rowling criticised the prime minister David Cameron's plan to offer married couples an annual tax credit. She thought that the proposal discriminated against single parents, whose interests the Conservative Party failed to consider. Rowling opposed the 2014 Scottish independence referendum, due to concerns about the economic consequences, and donated £1 million to the Better Together anti-independence campaign. She campaigned for the UK to stay in the European Union in the 2016 United Kingdom European Union membership referendum. She defined herself as an internationalist, "the mongrel product of this European continent", and expressed concern that "racists and bigots" were directing parts of the Leave campaign. She opposed Israeli prime minister Benjamin Netanyahu, but refused to support a cultural boycott of Israel in 2015, believing that depriving Israelis of shared culture would not dislodge him. In 2015, Rowling joined 150 others in signing a letter published in The Guardian in favour of cultural engagement with Israel. Press Rowling has a difficult relationship with the press and has tried to influence the type of coverage she receives. She described herself in 2003 as "too thin-skinned". As of 2011, she had taken more than 50 actions against the press. Rowling dislikes the British tabloid the Daily Mail, which she successfully sued in 2014 for libel about her time as a single mother. The Leveson Inquiry, an investigation of the British press, named Rowling as a "core participant" in 2011. She was one of many celebrities alleged to have been victims of phone hacking. In 2012, she criticised Cameron's decision not to implement all the inquiry's recommendations and supported the Hacked Off campaign, pushing for further media reform. Transgender people Rowling has gender-critical views, and she opposes many proposed laws that would make it simpler for transgender people to transition. These views have attracted widespread criticism and are often described as transphobic or anti-trans, though Rowling disputes this. Friction over Rowling's gender-critical writings surged in 2019 when she defended Maya Forstater, whose employment contract was not renewed after she made anti-trans statements. Rowling wrote that transgender people should live in "peace and security" but said she opposed "forc[ing] women out of their jobs for stating that sex is real". According to Harry Potter scholar Lana Whited, in the next six months "Rowling herself fanned the flames as she became increasingly vocal". In June 2020, Rowling mocked the phrase "people who menstruate" and tweeted that women's rights and "lived reality" would be "erased" if "sex isn't real". In April 2024, responding to Scotland's Hate Crime and Public Order Act, she tweeted a list of trans women, writing that they are "men, every last one of them". Rowling believes that making it simpler for transgender people to transition could impinge on access to female-only spaces and legal protections for women. She opposes legislation to advance gender self-recognition and enable transition without a medical diagnosis. On social media, Rowling suggests that children and cisgender women are threatened by trans women and trans-positive messages. Rowling's views have fuelled debates on freedom of speech and prompted declarations of support for transgender people from the literary, music, theme park, and video gaming sectors. She has been the target of widespread condemnation for her comments on transgender people. This negative reaction has included insults and threats, including death threats. Criticism came from Harry Potter fansites, LGBT charities, leading actors of the Wizarding World, and Human Rights Campaign. After Kerry Kennedy expressed "profound disappointment" in her views, Rowling returned the Ripple of Hope Award given to her by the Robert F. Kennedy Human Rights organisation. Despite the controversy, sales of Harry Potter books have been unaffected. Rowling denies being transphobic. In an essay posted on her website in June 2020 – which left transgender people feeling betrayed – Rowling said her views on women's rights sprang from her experience of domestic abuse and sexual assault. While affirming that "the majority of trans-identified people not only pose zero threat to others, but are vulnerable ... transgender people need and deserve protection", she wrote that it would be unsafe to allow "any man who believes or feels he's a woman" into bathrooms or changing rooms. Writing of her own experiences with misogyny, she wondered if the "allure of escaping womanhood" would have led her to transition if she had been born later, and she said that trans activism was "seeking to erode 'woman' as a political and biological class". Whited asserted in 2024 that Rowling's sometimes "flippant" and "simplistic understanding of gender identity" had permanently changed her "relationship not only with fans, readers, and scholars ... but also with her works themselves". Awards and honours Rowling's Harry Potter series has won awards for general literature, children's literature, and speculative fiction. It has earned multiple British Book Awards, beginning with the Children's Book of the Year for the first two volumes, Philosopher's Stone and Chamber of Secrets. The third novel, Prisoner of Azkaban, was nominated for an adult award, the Whitbread Book of the Year, where it competed against the Nobel prize laureate Seamus Heaney's translation of Beowulf. The award body gave Rowling the children's prize instead (worth half the cash amount), which some scholars felt exemplified a literary prejudice against children's books. She won the World Science Fiction Convention's Hugo Award for the fourth book, Goblet of Fire, and the British Book Awards' adult prize – the Book of the Year – for the sixth novel, Half-Blood Prince. Rowling was appointed Officer of the Order of the British Empire (OBE) in the 2000 Birthday Honours for services to children's literature, and three years later received Spain's Prince of Asturias Award for Concord. Following the conclusion of the Harry Potter series, she won the Outstanding Achievement prize at the 2008 British Book Awards. The next year, she was made a Chevalier de la Légion d'Honneur by the French president Nicolas Sarkozy, and leading magazine editors named her the "Most Influential Woman in the UK" in 2010. For services to literature and philanthropy, she was appointed a Member of the Order of the Companions of Honour (CH) in 2017. Many academic institutions have bestowed honorary degrees on Rowling, including her alma mater, the University of Exeter, and Harvard University, where she spoke at the 2008 commencement ceremony. She is a fellow of the Royal Society of Literature (FRSL), the Royal Society of Edinburgh (HonFRSE), and the Royal College of Physicians of Edinburgh (FRCPE). Rowling shared the British Academy Film Award (BAFTA) for Outstanding British Contribution to Cinema with the cast and crew of the Harry Potter films in 2011. Her other awards include the 2017 Laurence Olivier Award for Best New Play for Harry Potter and the Cursed Child, and the 2021 British Book Awards' Crime and Thriller prize for the fifth volume of her Cormoran Strike series. Bibliography Filmography Film Television Notes References Works cited Books Journal articles Non-English news articles External links Official website J. K. Rowling at British Council: Literature J. K. Rowling at the Internet Speculative Fiction Database J. K. Rowling at IMDb Works by J. K. Rowling at Open Library
Taylor_Swift
https://en.wikipedia.org/wiki/Taylor_Swift
[ 156, 491, 511 ]
[ "https://en.wikipedia.org/wiki/Taylor_Swift", "https://en.wikipedia.org/wiki/Taylor_Swift", "https://en.wikipedia.org/wiki/Taylor_Swift#" ]
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Known for her biographical songwriting, artistic reinventions, and cultural impact, Swift is a leading figure in popular music and the subject of widespread public interest. Swift signed to Big Machine Records in 2005, starting as a country singer with the albums Taylor Swift (2006) and Fearless (2008). Their singles "Teardrops on My Guitar", "Love Story", and "You Belong with Me" found crossover success on country and pop radio formats. She experimented with rock on Speak Now (2010) and electronic on Red (2012), later recalibrating her image from country to pop with the synth-pop album 1989 (2014); the ensuing media scrutiny inspired the hip-hop-imbued Reputation (2017). The albums contained the Billboard Hot 100 number-one singles "We Are Never Ever Getting Back Together", "Shake It Off", "Blank Space", "Bad Blood", and "Look What You Made Me Do". Shifting to Republic Records in 2018, Swift released the electropop album Lover (2019) and the autobiographical documentary Miss Americana (2020), explored indie folk styles in the 2020 albums Folklore and Evermore, and subdued pop genres on Midnights (2022) and The Tortured Poets Department (2024). She re-recorded four of her albums as Taylor's Version due to an ownership dispute with Big Machine. The albums garnered the U.S. number one songs "Cardigan", "Willow", "All Too Well", "Anti-Hero", "Cruel Summer", "Is It Over Now?", and "Fortnight" in the 2020s. Her sixth concert tour, the Eras Tour (2023–2024), and its accompanying concert film are respectively the highest-grossing tour and concert film of all time. Swift is one of the world's best-selling music artists, with a record seven albums that sold over one million copies first-week. She is the highest-grossing female touring act, the first billionaire with music as primary income, and the richest female musician ever. She has been listed amongst history's greatest artists by publications such as Rolling Stone, Billboard, and Forbes, as well as the only individual from the arts to have been named the Time Person of the Year (2023). Her accolades include 14 Grammy Awards, a Primetime Emmy Award, 40 American Music Awards, 39 Billboard Music Awards, and 30 MTV Video Music Awards; she has won the Grammy Award for Album of the Year, MTV Video Music Award for Video of the Year and the IFPI Global Recording Artist of the Year at least four times each. Swift is an advocate of artists' rights and women's empowerment, and maintains a close relationship with her fanbase, the Swifties. Life and career Early life Taylor Alison Swift was born on December 13, 1989, in West Reading, Pennsylvania. She is named after singer-songwriter James Taylor, and for the fact that at the time of her birth, Taylor was a more generally unisex name. Her father, Scott Kingsley Swift, was a stockbroker for Merrill Lynch, and her mother, Andrea Gardner Swift (née Finlay), worked as a mutual fund marketing executive briefly. Swift's younger brother, Austin, is an actor. Their maternal grandmother, Marjorie Finlay (née Moehlenkamp), was an opera singer, whose singing in church became one of Swift's earliest memories of music that shaped her career. The siblings are of Scottish, English, and German descent, with distant Italian and Irish ancestry. Swift spent her early years on a Christmas tree farm in Pennsylvania that her father had purchased from one of his clients, and she spent her summers at her family's vacation home in Stone Harbor, New Jersey, where she occasionally performed acoustic songs at a local coffee shop. She is a Christian and attended preschool and kindergarten at a Montessori school run by the Bernardine Sisters of St. Francis before transferring to the Wyndcroft School. When her family moved to Wyomissing, she attended Wyomissing Area Junior/Senior High School. As a child, she performed in Berks Youth Theatre Academy productions and traveled regularly to New York City for vocal and acting lessons. Her early love for country music was influenced by Shania Twain, Patsy Cline, LeAnn Rimes, and the Dixie Chicks, and she spent weekends performing at local festivals and events. After watching a documentary about Faith Hill, she became determined to pursue a country-music career in Nashville, Tennessee. At 11, Swift traveled to Nashville with her mother to visit record labels and submit demo tapes of Dolly Parton and Dixie Chicks karaoke covers. She was rejected by all the labels, which led her to focus on songwriting. She started learning the guitar at 12 with the help of Ronnie Cremer, a computer repairman and local musician who also assisted Swift with writing an original song. In 2003, Swift and her parents started working with the talent manager Dan Dymtrow. With his help, Swift modeled for Abercrombie & Fitch and had an original song included on a Maybelline compilation CD. After performing original songs at an RCA Records showcase, 13-year-old Swift was given an artist development deal and began to travel regularly to Nashville with her mother. To help Swift break into the country music scene, her father transferred to Merrill Lynch's Nashville office when she was 14 years old, and the family relocated to Hendersonville, Tennessee. Swift attended Hendersonville High School before transferring to Aaron Academy after two years, which better accommodated her touring schedule through homeschooling. She graduated one year early. 2004–2008: Career beginnings and first album In Nashville, Swift worked with experienced Music Row songwriters such as Troy Verges, Brett Beavers, Brett James, Mac McAnally, and the Warren Brothers and formed a lasting working relationship with Liz Rose. They began meeting for two-hour writing sessions every Tuesday afternoon after school. Rose called the sessions "some of the easiest I've ever done. Basically, I was just her editor. She'd write about what happened in school that day. She had such a clear vision of what she was trying to say. And she'd come in with the most incredible hooks." Swift became the youngest artist signed by Sony/ATV Tree Music Publishing, but left then BMG-owned RCA Records (later bought by Sony Music) at the age of 14 due to the label's lack of care and them "cut[ting] other people's stuff". She was also concerned that development deals can shelve artists and recalled: "I genuinely felt that I was running out of time. I wanted to capture these years of my life on an album while they still represented what I was going through." At an industry showcase at Nashville's Bluebird Cafe in 2005, Swift caught the attention of Scott Borchetta, a DreamWorks Records executive who was preparing to form an independent record label, Big Machine Records. She had first met Borchetta in 2004. She was one of Big Machine's first signings, and her father purchased a three-percent stake in the company for an estimated $120,000. She began working on her eponymous debut album with Nathan Chapman. Swift wrote or co-wrote all album tracks, and co-writers included Rose, Robert Ellis Orrall, Brian Maher, and Angelo Petraglia. Released in October 2006, Taylor Swift peaked at number five on the US Billboard 200, on which it spent 157 weeks—the longest stay on the chart by any release in the US in the 2000s decade. Swift became the first female country music artist to write or co-write every track on a platinum-certified debut album. Big Machine Records was still in its infancy during the June 2006 release of the lead single, "Tim McGraw", which Swift and her mother helped promote by packaging and sending copies of the CD single to country radio stations. She spent much of 2006 promoting Taylor Swift with a radio tour and television appearances; she opened for Rascal Flatts on select dates during their 2006 tour, as a replacement for Eric Church. Borchetta said that although record industry peers initially disapproved of his signing a 15-year-old singer-songwriter, Swift tapped into a previously unknown market—teenage girls who listen to country music. Following "Tim McGraw", four more singles were released throughout 2007 and 2008: "Teardrops on My Guitar", "Our Song", "Picture to Burn", and "Should've Said No". All appeared on Billboard's Hot Country Songs, with "Our Song" and "Should've Said No" reaching number one. "Our Song" made Swift the youngest person to single-handedly write and sing a Hot Country Songs number-one single, and "Teardrops on My Guitar" was Swift's breakthrough single on mainstream radio and charts. Swift released two EPs, The Taylor Swift Holiday Collection in October 2007 and Beautiful Eyes in July 2008. She promoted her debut album extensively as the opening act for other country musicians' tours in 2006 and 2007, including those by George Strait, Brad Paisley, and Tim McGraw and Faith Hill. Swift won multiple accolades for Taylor Swift. She was one of the recipients of the Nashville Songwriters Association's Songwriter/Artist of the Year in 2007, becoming the youngest person given the title. She also won the Country Music Association's Horizon Award for Best New Artist, the Academy of Country Music Awards' Top New Female Vocalist, and the American Music Awards' Favorite Country Female Artist honor. She was also nominated for Best New Artist at the 50th Annual Grammy Awards. In 2008, she opened for Rascal Flatts again and briefly dated the singer Joe Jonas. 2008–2010: Fearless Swift's second studio album, Fearless, was released in November 2008 in North America, and in March 2009 in other markets. On the Billboard 200, Fearless spent 11 weeks at number one, becoming Swift's first chart topper and the longest-running number-one female country album. It was the bestselling album of 2009 in the US. Its lead single, "Love Story", was her first number one in Australia and the first country song to top Billboard's Pop Songs chart, and its third single, "You Belong with Me", was the first country song to top Billboard's all-genre Radio Songs chart. Three other singles were released in 2008–2010: "White Horse", "Fifteen", and "Fearless". All five singles were Hot Country Songs top 10 entries, with "Love Story" and "You Belong with Me" topping the chart. In 2009, Swift toured as an opening act for Keith Urban and embarked on her first headlining tour, the Fearless Tour. "You Belong with Me" won Best Female Video at the 2009 MTV Video Music Awards. Her acceptance speech was interrupted by the rapper Kanye West, an incident that became the subject of controversy and widespread media coverage. That year, Swift won five American Music Awards, including Artist of the Year and Favorite Country Album. Billboard named her the 2009 Artist of the Year. She won Video of the Year and Female Video of the Year for "Love Story" at the 2009 CMT Music Awards, where she made a parody video of the song with rapper T-Pain called "Thug Story". At the 52nd Annual Grammy Awards, Fearless was named Album of the Year and Best Country Album, and "White Horse" won Best Country Song and Best Female Country Vocal Performance. At the 2009 Country Music Association Awards, Swift won Album of the Year for Fearless and was named Entertainer of the Year, the youngest person to win the honor. Throughout 2009, Swift featured on and wrote other musicians' releases. She featured on "Half of My Heart" by John Mayer, whom she was romantically linked with in late 2009. She wrote "Best Days of Your Life" for Kellie Pickler, co-wrote and featured on Boys Like Girls' "Two Is Better Than One, and wrote two songs—"You'll Always Find Your Way Back Home" and "Crazier"—for the soundtrack of Hannah Montana: The Movie, in which she had a cameo appearance. She wrote and recorded "Today Was a Fairytale" for the soundtrack of Valentine's Day (2010), in which she had her acting debut. "Today Was a Fairytale" was her first number-one single on the Canadian Hot 100. While shooting Valentine's Day in October 2009, Swift dated co-star Taylor Lautner. On television, she made her debut as a rebellious teenager in an CSI: Crime Scene Investigation episode and hosted and performed as the musical guest on Saturday Night Live; she was the first host ever to write their own opening monologue. 2010–2014: Speak Now and Red Swift's third studio album, Speak Now, was released in October 2010. Written solely by Swift, the album debuted the Billboard 200 with over one million US copies sold first week and became the fastest-selling digital album by a female artist. Speak Now was supported by six singles: "Mine", "Back to December", "Mean", "The Story of Us", "Sparks Fly", and "Ours". "Mine" peaked at number three and was the highest-charting single on the Billboard Hot 100, the first three singles reached the top 10 in Canada, and the last two reached number one on Hot Country Songs. Swift promoted Speak Now with the Speak Now World Tour from February 2011 to March 2012 and the live album Speak Now World Tour – Live. At the 54th Annual Grammy Awards in 2012, Swift performed "Mean", which won Best Country Song and Best Country Solo Performance. She was named Songwriter/Artist of the Year by the Nashville Songwriters Association (2010 and 2011), Woman of the Year by Billboard (2011), and Entertainer of the Year by the Academy of Country Music (2011 and 2012) and the Country Music Association in 2011. At the American Music Awards of 2011, Swift won Artist of the Year and Favorite Country Album. Rolling Stone named Speak Now on its list of "50 Best Female Albums of All Time" (2012). Red, Swift's fourth studio album, was released in October 2012. On Red, Swift worked with Chapman and new producers including Max Martin, Shellback, Dan Wilson, Jeff Bhasker, Dann Huff, and Butch Walker, resulting in a genre-spanning record that incorporated eclectic styles of pop and rock such as Britrock, dubstep, and dance-pop. The album opened at number one on the Billboard 200 with 1.21 million sales and was Swift's first number-one album in the UK. Its lead single, "We Are Never Ever Getting Back Together", was her first number one on the Billboard Hot 100, and its third single, "I Knew You Were Trouble", reached the top five on charts worldwide. Other singles from Red were "Begin Again", "22", "Everything Has Changed", "The Last Time", and "Red". Red and its single "Begin Again" received three nominations at the 56th Annual Grammy Awards (2014). Swift received American Music Awards for Best Female Country Artist in 2012, Artist of the Year in 2013, and the Nashville Songwriters Association's Songwriter/Artist Award for the fifth and sixth consecutive years. At the 2014 Country Music Association Awards, Swift was honored with the Pinnacle Award, making her the second recipient in history after Garth Brooks. The Red Tour ran from March 2013 to June 2014 and became the highest-grossing country tour upon completion. Swift continued writing songs for films and featuring on other artists' releases. On the soundtrack album to The Hunger Games (2012), Swift wrote and recorded "Eyes Open" and "Safe & Sound"; the latter of which was co-written with the Civil Wars and T-Bone Burnett. "Safe & Sound" won the Grammy Award for Best Song Written for Visual Media. She wrote and produced "Sweeter than Fiction" with Jack Antonoff for the soundtrack to One Chance (2013). Swift featured on B.o.B's "Both of Us" (2012) and provided vocals for Tim McGraw's "Highway Don't Care" (2013), also featuring Keith Urban. She was a voice actress in The Lorax (2012), made a cameo in the sitcom New Girl (2013), and had a supporting role in the dystopian film The Giver (2014). From 2010 to 2013, Swift was romantically involved with the actor Jake Gyllenhaal, the political heir Conor Kennedy, and the singer Harry Styles. 2014–2018: 1989 and Reputation In March 2014, Swift began living in New York City, which she credited as a creative influence on her fifth studio album, 1989. She described 1989 as her first "official pop album" and produced it with Jack Antonoff, Max Martin, Shellback, Imogen Heap, Ryan Tedder, and Ali Payami. Released in October 2014, the album opened atop the Billboard 200 with 1.28 million copies sold. Its singles "Shake It Off", "Blank Space", and "Bad Blood" reached number one in Australia, Canada, and the US, with the first two making Swift the first woman to replace herself at the Hot 100 top spot. Other singles include "Style", "Wildest Dreams", "Out of the Woods", and "New Romantics". The 1989 World Tour (2015) was the highest-grossing tour of the year with $250 million in total revenue. After publishing an op-ed in The Wall Street Journal stressing the importance of albums as a creative medium for artists, in November 2014, Swift removed her catalog from ad-supported, free music streaming platforms such as Spotify. In a June 2015 open letter, Swift criticized Apple Music for not offering royalties to artists during its free three-month trial period and threatened to withdraw her music from the platform, which prompted Apple Inc. to announce that it would pay artists during the free trial period. Swift then agreed to keep 1989 and her catalog on Apple Music. Big Machine Records returned Swift's catalog to Spotify among other free streaming platforms in June 2017. Swift was named Billboard's Woman of the Year in 2014, becoming the first artist to win the award twice. At the 2014 American Music Awards, Swift received the inaugural Dick Clark Award for Excellence. On her 25th birthday in 2014, the Grammy Museum at L.A. Live opened an exhibit in her honor in Los Angeles that ran until October 4, 2015. In 2015, Swift won the Brit Award for International Female Solo Artist. "Bad Blood" won Video of the Year and Best Collaboration at the 2015 MTV Video Music Awards. At the 58th Grammy Awards (2016), 1989 won Album of the Year and Best Pop Vocal Album, making Swift the first woman to win Album of the Year twice. Swift dated the DJ Calvin Harris from March 2015 to June 2016. They co-wrote the song "This Is What You Came For", featuring vocals from Rihanna; Swift was initially credited under the pseudonym Nils Sjöberg. She recorded "I Don't Wanna Live Forever" with Zayn Malik for the soundtrack to Fifty Shades Darker (2017) and won a Country Music Association Award for Song of the Year with "Better Man", which she wrote for the band Little Big Town. In April 2016, Kanye West released the single "Famous", in which he references Swift in the line, "I made that bitch famous." Swift criticized West and said she never consented to the lyric, but West claimed that he had received her approval and his then-wife Kim Kardashian released video clips of Swift and West discussing the song amicably over the phone. The controversy made Swift a subject of an online "cancel" movement. In late 2016, after briefly dating Tom Hiddleston, Swift began a six-year relationship with Joe Alwyn and retreated herself from the public spotlight. In August 2017, Swift successfully countersued David Mueller, a former radio jockey for KYGO-FM, who sued her for damages from loss of employment. Four years earlier, she informed Mueller's bosses that he had sexually assaulted her by groping her at an event. The public controversies influenced Swift's sixth studio album, Reputation, which explored the impact of her fame and musically incorporated electropop with urban styles of hip hop and R&B. Released in November 2017, Reputation opened atop the Billboard 200 with 1.21 million US sales and topped the charts in the UK, Australia, and Canada. The album's lead single, "Look What You Made Me Do", was Swift's first UK number-one single and topped charts in Australia, Ireland, New Zealand, and the US. Its singles "...Ready for It?", "End Game", and "Delicate" were released to pop radio. Reputation was nominated for a Grammy Award for Best Pop Vocal Album. Swift featured on the country duo Sugarland's "Babe" (2018). At the 2018 American Music Awards, Swift won four awards, which made her accumulate 23 trophies in total and become the AMAs' most awarded female musician, surpassing Whitney Houston. The same year, she embarked on her Reputation Stadium Tour, which became the highest-grossing North American concert tour in history and grossed $345.7 million worldwide. 2018–2021: Lover, Folklore, and Evermore In November 2018, Swift signed a new deal with Universal Music Group, which promoted her subsequent albums under Republic Records' imprint. The contract included a provision for Swift to maintain ownership of her masters. In addition, in the event that Universal sold any part of its stake in Spotify, it agreed to distribute a non-recoupable portion of the proceeds among its artists. Swift's first album with Republic Records, Lover, was released in August 2019. She produced the album with Antonoff, Louis Bell, Frank Dukes, and Joel Little. Lover peaked atop the charts of such territories as Australia, Canada, Ireland, Mexico, Norway, Sweden, the UK, and the US. The album spawned five singles: "Me!", "You Need to Calm Down", "Lover", "The Man", and "Cruel Summer"; the first two singles peaked at number two on the Billboard Hot 100, and the lattermost single became a resurgent success in 2023, reaching number one. Lover was 2019's bestselling album in the US and bestselling album by a solo artist worldwide. The album and its singles earned three nominations at the 62nd Annual Grammy Awards in 2020. At the 2019 MTV Video Music Awards, Swift won three awards including Video of the Year for "You Need to Calm Down", becoming the first female and second artist overall to win the category for a self-directed video. While promoting Lover in 2019, Swift became embroiled in a public dispute with the talent manager Scooter Braun after he purchased Big Machine Records, including the masters of her albums that the label had released. Swift said she had been trying to buy the masters, but Big Machine would only allow her to do so if she exchanged one new album for each older one under a new contract, which she refused to sign. In November 2020, Swift began re-recording her back catalog, which enabled her to own the new masters and the licensing of her songs for commercial use, substituting for the Big Machine-owned masters. In February 2020, Swift signed a global publishing deal with Universal Music Publishing Group after her 16-year contract with Sony/ATV expired. Amidst the COVID-19 pandemic in 2020, Swift surprise-released two "sister albums" that she recorded and produced with Antonoff and Aaron Dessner: Folklore in July and Evermore in December. Joe Alwyn co-wrote and co-produced a few songs under the pseudonym William Bowery. Both albums incorporated a muted indie folk and alternative rock production; each was supported by three singles catering to US pop, country, and triple A radio formats. The singles were "Cardigan", "Betty", and "Exile" from Folklore, and "Willow", "No Body, No Crime", and "Coney Island" from Evermore. Folklore was the bestselling album of 2020 in the US and, together with "Cardigan", made Swift the first artist to debut a US number-one album and a number-one song in the same week; she achieved the feat again with Evermore and "Willow". According to Billboard, Swift was the highest-paid musician in the US and highest-paid solo musician worldwide of 2020. Folklore made Swift the first woman to win the Grammy Award for Album of the Year three times, winning the category at the 63rd Annual Grammy Awards (2021). At the American Music Awards, Swift won three awards including Artist of the Year for a third record time (2020) and Favorite Pop/Rock Female Artist and Favorite Pop/Rock Album (2021). Swift played Bombalurina in the film adaptation of Andrew Lloyd Webber's musical Cats (2019), for which she co-wrote and recorded the Golden Globe-nominated original song "Beautiful Ghosts". The documentary Miss Americana, which chronicled parts of Swift's life and career, premiered at the 2020 Sundance Film Festival. 2021–2023: Re-recordings and Midnights Swift's re-recordings of her first six studio albums began with Fearless (Taylor's Version) and Red (Taylor's Version), which were released in April and November 2021. Both peaked atop the Billboard 200, and the former was the first re-recorded album to do so. Fearless (Taylor's Version) was preceded by "Love Story (Taylor's Version)", which made Swift the second artist after Dolly Parton to have both the original and re-recorded versions of a song reach number one on Hot Country Songs. Red (Taylor's Version) was supported by "All Too Well (10 Minute Version)", which became the longest song in history to top the Hot 100.Swift's tenth studio album, Midnights, was released in October 2022. The album incorporates a restrained electropop and synth-pop sound with elements of hip hop, R&B, and electronica. In the US, Midnights was her fifth to open atop the Billboard 200 with first-week sales of over one million copies, and its tracks, led by the single "Anti-Hero", made Swift the first artist to monopolize the top 10 of the Hot 100. Globally, the album broke the record for the most single-day streams and most single-week streams on Spotify and peaked atop the charts of at least 14 countries. The album's two further singles, "Lavender Haze" and "Karma", both peaked at number two on the Billboard Hot 100. According to Billboard, Swift was the top-earning solo artist in the US and the top-earning musician worldwide of 2021. She won six American Music Awards including Artist of the Year in 2022. At the MTV Video Music Awards, Swift won her third and fourth trophies for Video of the Year with All Too Well: The Short Film, her self-directed short film that accompanies "All Too Well (10 Minute Version)", in 2022 and "Anti-Hero" in 2023. During this period, Swift won three Grammy Awards: Best Music Video for All Too Well: The Short Film and Best Pop Vocal Album and Album of the Year for Midnights. Swift became the first artist to win Album of the Year four times in Grammy history. Swift's next two re-recorded albums, Speak Now (Taylor's Version) and 1989 (Taylor's Version), were released in July and October 2023. The former made Swift the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand, and the latter was her sixth album to sell one million copies in a single week in the US, claiming her career's largest album sales week. 1989 (Taylor's Version)'s single "Is It Over Now?" peaked at number one on the Billboard Hot 100. Swift featured on Big Red Machine's "Renegade" and "Birch" (2021), Haim's "Gasoline" (2021), Ed Sheeran's "The Joker and the Queen" (2022), and the National's "The Alcott" (2023). For the soundtrack of Where the Crawdads Sing (2022), she wrote and recorded "Carolina", which received nominations for Best Original Song at the Golden Globes and Best Song Written for Visual Media at the Grammy Awards. In 2023, Swift was the most streamed artist on Spotify, Apple Music, and Amazon Music; and the first act to place number one on the year-end Billboard top artists list in three different decades (2009, 2015 and 2023). She had five out of the 10 best-selling albums of 2023 in the US, a record since Luminate began tracking US music sales in 1991. Besides music, Swift had a supporting role in the period comedy film Amsterdam (2022) and began writing an original script for her directorial feature film debut with Searchlight Pictures. 2023–present: the Eras Tour and The Tortured Poets Department In March 2023, Swift embarked on the Eras Tour, a retrospective tour covering all her studio albums. Media outlets extensively covered the tour's cultural and economic impact, and its US leg broke the record for the most tickets sold in a day. Ticketmaster received public and political criticisms for mishandling the tour's ticket sales. The Eras Tour became the highest-grossing tour in history, collecting over $2 billion. Its concert film, released to theaters worldwide on October 13, 2023, grossed over $250 million to become the highest-grossing concert film and was nominated for the Golden Globe Award for Cinematic and Box Office Achievement. Swift's eleventh studio album, The Tortured Poets Department, was released on April 19, 2024. Topping charts globally, the album broke a string of records: it marked the first album ever to amass 1 billion Spotify streams in a week; sold 2.6 million units in its first week in the US; made Swift the first artist to monopolize the top 14 of the Billboard Hot 100 and the top 10 of Australia's ARIA Singles Chart; and went on to spend 15 weeks atop the Billboard 200—Swift's longest-running number-one album on the chart. The lead single, "Fortnight," featuring Post Malone, became Swift's 12th number one song on the Hot 100. After the pandemic, Swift's music releases, touring, and related activities culminated in an unprecedented height of popularity. From 2023 onward, Swift found ubiquitous success, albeit more dominant than before, with the successes of the re-recordings, the Eras Tour, its concert film, Midnights, and The Tortured Poets Department, significantly increasing her net worth; Music Business Worldwide remarked this as a "new stratosphere of global career success" for Swift. In 2023, she began dating the American football player Travis Kelce, and in 2024, won Artist of the Year at the 2024 iHeartRadio Music Awards. The same year, AI-generated fake pornographic images portraying Swift were posted to Twitter and spread to other social media platforms, spurring criticism and demands for legal reform. In July, Swift and Kelce received death threats from a stalker in Gelsenkirchen, Germany, and three children were killed in a stabbing attack at a Swift-themed workshop in Southport, England, leading to civil unrest in the UK. In August, all three of the Eras Tour concerts in Vienna were canceled following the arrest of two suspects for allegedly planning an Islamic State-inspired terrorist attack in the city. The plan was uncovered by US Intelligence and was thwarted by Austrian police forces. Artistry Musical styles Swift's early musical influences were 1990s female country musicians such as Shania Twain, Faith Hill, LeAnn Rimes, and the Dixie Chicks, and Keith Urban's country crossover sounds incorporating rock, pop, and blues. She self-identified as a country musician and achieved prominence as a country pop singer with her first four studio albums, from Taylor Swift to Red. The albums feature country signifiers such as banjo, six-string banjo, mandolin, fiddle, and a slight vocal twang, in addition to pop melodies and rock influences; Speak Now draws on rock styles such as pop rock, pop-punk, and 1980s arena rock. Critics argued that country was an indicator of Swift's narrative songwriting rather than musical direction and accused her of causing mainstream country music to stray from its roots. After the critical debate around Red's eclectic pop, rock, and electronic styles, Swift chose 1980s synth-pop as a defining sound of her recalibrated pop artistry and image, inspired by the music of Phil Collins, Annie Lennox, Peter Gabriel, and Madonna. 1989, the first album in this direction, incorporates electronic arrangements consisting of dense synthesizers and drum machines. Swift expanded on the electronic production on her next albums; Reputation consists of hip hop, R&B, and EDM influences; and Lover features eclectic elements from country, pop-punk, and folk rock. When Swift embraced a pop identity, rockist critics regarded her move as an erosion of her country music songwriting authenticity, but others regarded it as necessary for Swift's artistic evolution and defended her as a pioneer of poptimism. Her 2020 albums Folklore and Evermore explore alternative and indie styles of rock and folk, and both incorporate a subtle, stripped-back soundscape with orchestration, synthesizers, and drum pads. The latter experiments with varied song structures, asymmetric time signatures, and diverse instruments. Critics deemed the indie styles a mature representation of Swift's artistry as a singer-songwriter. Midnights and The Tortured Poets Department both incorporate a minimalist, subdued synth-pop sound, making use of analog synthesizers, sustained bass notes, and simple drum machine patterns. With continuous musical reinventions, Swift was described by Time and the BBC as a musical "chameleon". Jody Rosen commented that by originating her career in Nashville, Swift made a "bait-and-switch maneuver, planting roots in loamy country soil, then pivoting to pop". Clash wrote that she has the versatility to "no longer [...] be defined by any genre or sound label". According to Ann Powers, Swift's sound is genre-agnostic, blending and "reconfiguring" elements of country, R&B, indie pop, and hip hop. Voice Swift possesses a mezzo-soprano vocal range and a generally soft and breathy timbre that Rolling Stone deemed versatile. Reviews of Swift's early country albums criticized her vocals as weak and strained compared to those of other female country singers. Despite the criticism, most reviewers appreciated that Swift refrained from correcting her pitch with Auto-Tune and how she prioritized "intimacy over power and nuance" to communicate the messages of her songs with her audience—a style that has been described as conversational. According to Powers, Swift's defining vocal feature was her attention to detail to convey an exact feeling—"the line that slides down like a contented sigh or up like a raised eyebrow". On Red and 1989, Swift's vocals are electronically processed to accompany the pop production. Her voice on Reputation and Midnights incorporates hip-hop and R&B influences that result in a near-rap delivery which emphasizes rhythm and cadence over melody. She uses her lower register vocals extensively in "Cardigan" and both her lower and upper registers in Evermore; the musicologist Alyssa Barca described her timbre in the upper register as "breathy and bright" and the lower register as "full and dark". Reviews in The New York Times, Variety and The Atlantic were more appreciative of Swift's vocals in her later albums. She ranked 102nd on Rolling Stone's 2023 list of the 200 Greatest Singers of All Time: "A decade ago, including her on this list would have been a controversial move, but recent releases like Folklore, Evermore, and Midnights officially settled the argument." Laura Snapes of The Guardian said that Swift's "vocal directness" enables her to express wide-ranging feelings, highlighting some trademarks such as "yo-yoing vocal yelp" and "climactic, processed cri de coeur". Amanda Petrusich praised how the clarity and tone of Swift's live vocals accentuate her lyrics. Songwriting Swift's fascination with songwriting began in her childhood. She credited her mother with igniting confidence and early songwriting interests by helping her prepare for class presentations. She enjoyed Disney film soundtracks and would make up lyrics once she had run out of words singing them. Her lyrical influences include female country songwriters such as Patsy Cline, Loretta Lynn, Tammy Wynette, and Dolly Parton; 1990s songwriters such as Melissa Etheridge, Sarah McLachlan, and Alanis Morissette; Joni Mitchell; and Fall Out Boy. She listed Paul McCartney, Bruce Springsteen, Emmylou Harris, and Kris Kristofferson as career role models, citing their both evolving and consistent songwriting outputs. Her literary influences include the authors William Shakespeare, Nathaniel Hawthorne, F. Scott Fitzgerald, and the poets William Wordsworth, Robert Frost, and Emily Dickinson; the last of whom was a distant cousin of Swift. In The New Yorker in 2011, Swift said she identifies as a songwriter first: "I write songs, and my voice is just a way to get those lyrics across". Her personal experiences were a common inspiration for her early songs, which helped her navigate life. Her "diaristic" technique began with identifying an emotion, followed by a corresponding melody. On her first three studio albums, love, heartbreak, and insecurities, from an adolescent perspective, were dominant themes. She delved into the tumult of toxic relationships on Red, and embraced nostalgia and post-romance positivity on 1989. Reputation was inspired by the downsides of Swift's fame, and Lover detailed her realization of the "full spectrum of love". Other themes in Swift's music include family dynamics, friendship, alienation, self-awareness, and tackling vitriol, especially sexism. She often references or draws inspiration from historical events and figures. Swift's confessional lyrics received positive reviews from critics, who highlighted their vivid details and emotional engagement, which they found uncommon in pop music, although some perceived her as a fragile, juvenile artist, a label she has consistently challenged. Critics also praised her melodic compositions; Rolling Stone described Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". NPR dubbed Swift "a master of the vernacular in her lyrics", remarking that her songs offer emotional engagement because "the wit and clarity of her arrangements turn them from standard fare to heartfelt disclosures". Despite the positive reception, The New Yorker stated she was generally portrayed "more as a skilled technician than as a Dylanesque visionary". Tabloid media often speculated and linked the subjects of her songs with her ex-lovers, a practice reviewers and Swift herself criticized as sexist. Aside from clues in album liner notes, Swift avoided talking about the subjects of her songs. On her 2020 albums Folklore and Evermore, Swift was inspired by escapism and romanticism to explore fictional narratives. She imposed emotions onto imagined characters and story arcs, which liberated her from tabloid attention and suggested new paths for her artistry. Swift explained that she welcomed the new songwriting direction after she stopped worrying about commercial success. According to Spin, she explored complex emotions with "precision and devastation" on Evermore. Consequence stated her 2020 albums convinced skeptics of her songwriting prowess, noting her transformation from "teenage wunderkind to a confident and careful adult". Swift divides her writing into three types: "quill lyrics", songs rooted in antiquated poeticism; "fountain pen lyrics", based on modern and vivid storylines; and "glitter gel pen lyrics", which are lively and frivolous. Fans noticed that the fifth track of every Swift album was the most emotionally vulnerable of the album. Awarding her with the Songwriter Icon Award in 2021, the National Music Publishers' Association remarked that "no one is more influential when it comes to writing music today". The Week deemed her the foremost female songwriter of modern times, and the Nashville Songwriters Association International named her Songwriter-Artist of the Decade in 2022. Swift has also published two original poems: "Why She Disappeared" and "If You're Anything Like Me". Swift has been referred to as one of the greatest songwriters ever by several publications. Literature scholars like Jonathan Bate and Stephanie Burt have noted that her literary and melodic sensibility and writing style are rare among her peers. Critic Kitty Empire opined in 2024 that Swift is "a profoundly old-fashioned artist", whose songs "tell a story, in succinct, emotive ways that often scan meticulously" unlike most pop music of the time; Empire attributed it to Swift's country beginnings. Swift's bridges are often noted as one of the best aspects of her songs, earning her the title "Queen of Bridges" from Time. Mojo dubbed her "a sharp narrator with a gift for the extended metaphor". Academics have variably described her as a poet laureate, philosopher, and bard. Performances Swift commands large audiences on stage without having to rely on dance. According to V magazine's Greg Krelenstein, she possesses "a rare gift of turning a stadium spectacle into an intimate setting", irrespective of whether she is "plucking a guitar or leading an army of dancers". In a 2008 review of Swift's early performances, Sasha Frere-Jones of The New Yorker called Swift a "preternaturally skilled" entertainer with a vibrant stage presence, adding "she returned the crowd's energy with the professionalism she has shown since the age of fourteen." In 2023, Adrian Horton of The Guardian noted her "seemingly endless stamina" on the Eras Tour, and i critic Ilana Kaplan called her showmanship "unparalleled". Swift's concert productions have been characterized by elaborate Broadway theatricality and high technology, and her performances frequently incorporate a live band, with whom she has played and toured since 2007. Swift also often accompanies herself with musical instruments such as electric guitar; acoustic guitar; piano; and sometimes twelve-string guitar, six-string banjo, or ukulele. Interacting frequently with the audience, her solo acoustic performances are considered intimate and emotionally resonant, complementing her story-based lyrics and fan connection. Lydia Burgham of The Spinoff opined that this intimacy remains "integral to her singer-songwriter origins". Chris Willman of Variety called Swift "pop's most approachable superstar", and the 21st century's most popular performer. Video and film Swift emphasizes visuals as a key creative component of her music-making process. She has collaborated with different directors to produce her music videos, and over time, she has become more involved with writing and directing. She developed the concept and treatment for "Mean" in 2011 and co-directed the music video for "Mine" with Roman White the year before. In an interview, White said that Swift "was keenly involved in writing the treatment, casting and wardrobe. And she stayed for both the 15-hour shooting days, even when she wasn't in the scenes." From 2014 to 2018, Swift collaborated with director Joseph Kahn on eight music videos—four each from her albums 1989 and Reputation. Kahn has praised Swift's involvement. She worked with American Express for the "Blank Space" music video (which Kahn directed) and served as an executive producer for the interactive app AMEX Unstaged: Taylor Swift Experience, for which she won a Primetime Emmy Award for Outstanding Interactive Program in 2015. Swift produced the music video for "Bad Blood" and won a Grammy Award for Best Music Video in 2016. Her production company, Taylor Swift Productions, is credited with producing all of her visual media, starting with the 2018 concert documentary Reputation Stadium Tour. She continued to co-direct music videos for the Lover singles "Me!" with Dave Meyers, and "You Need to Calm Down" (also serving as a co-executive producer) and "Lover" with Drew Kirsch, but first ventured into sole direction with the video for "The Man" (which won her the MTV Video Music Award for Best Direction). After Folklore: The Long Pond Studio Sessions, Swift debuted as a filmmaker with All Too Well: The Short Film, which made her the first artist to win the Grammy Award for Best Music Video as a sole director. Swift has cited Chloé Zhao, Greta Gerwig, Nora Ephron, Guillermo del Toro, John Cassavetes, and Noah Baumbach as filmmaking influences. Accolades and achievements Swift's discography is a "critically hailed songbook", as per Time's Sam Lansky. She has won 14 Grammy Awards (including four for Album of the Year—the most won by an artist), an Emmy Award, 40 American Music Awards (the most won by an artist), 39 Billboard Music Awards (the most won by an artist—tying with Drake), 118 Guinness World Records, 30 MTV Video Music Awards (including five Video of the Year wins—the most by an act), 12 Country Music Association Awards (including the Pinnacle Award), eight Academy of Country Music Awards, and two Brit Awards. As a songwriter, she has been honored by the Nashville Songwriters Association, the Songwriters Hall of Fame, and the National Music Publishers' Association and was the youngest person on Rolling Stone's list of the 100 Greatest Songwriters of All Time in 2015. At the 64th BMI Awards in 2016, Swift was the first woman to be honored with an award named after its recipient. From available data, Swift has amassed over 50 million album sales and 150 million single sales as of 2019, and 114 million units globally, including 78 billion streams as of 2021. The International Federation of the Phonographic Industry ranked her as the Global Recording Artist of the Year for a record four times (2014, 2019, 2022, and 2023). Swift has the most number-one albums in the UK and Ireland for a female artist this millennium, earned the highest income for an artist on Chinese digital music platforms (CN¥ 159,000,000 as of 2021), and is the first artist to occupy the entire top five of the Australian albums chart and the top ten of the country's singles chart. Swift remains the world's highest-grossing female touring act ever, with cumulative ticket sales at $1.96 billion as of November 2023, per Pollstar. The Eras Tour is the highest-grossing tour of all time and the first to surpass $1 billion in revenue. Beginning with Fearless, each of her studio albums have opened with over one million global units. Swift is the most-streamed act on Spotify, and the most-streamed female artist on Apple Music. On Spotify, she is the only artist to have received more than 250 million and 350 million streams in one day (260 million on October 27, 2023, and 380 million on April 19, 2024) and the only female act to reach 100 million monthly listeners. The most entries and the most simultaneous entries (174 and 34 songs), and most number-ones (5) for a soloist on the Billboard Global 200, are among her feats. Swift is the first and only artist to occupy the top nine spots on the Global 200. She has the most entries (153), top-ten songs (20), and number-ones (3) among solo acts on the Global 200 Excl. US. In the US, Swift has sold over 37.3 million albums as of 2019, when Billboard placed her eighth on its Greatest of All Time Artists Chart. Twelve of her songs have topped the Billboard Hot 100. She is the longest-reigning and the first act to spend at least 100 weeks atop the Billboard Artist 100 (106 weeks); the soloist with the most cumulative weeks atop and in the top ten of the Billboard 200 (71 and 394); the woman with the most Billboard 200 number-ones (14), Hot 100 entries (total and single-week: 263 and 32), number-one debuts (7), top-ten songs (59), top-five songs (36), Streaming Songs chart-toppers (9), and weeks atop the Top Country Albums chart (101); and the act with the most number-one songs on Pop Airplay (13) and Digital Songs (29). Swift is the first woman to simultaneously chart five albums in the top 10 and eleven albums on the entire Billboard 200; and the first act to occupy the top four spots and chart seven albums in the top 10 on the Top Album Sales chart. She is the second highest-certified female digital singles artist (and fifth overall) in the US, with 137.5 million total units certified by the Recording Industry Association of America (RIAA), and the first woman to have both an album (Fearless) and a song ("Shake It Off") certified Diamond. Swift is the only artist in Luminate history to have seven albums sell over a million copies in a week. Swift has appeared in various power listings. Time included her on its annual list of the 100 most influential people in 2010, 2015, and 2019. She was one of the "Silence Breakers" that the magazine spotlighted as Person of the Year in 2017 for speaking up about sexual assault, and she received the honor again in 2023 for her cultural domination that year. Time described Swift as the first Person of the Year to be recognized for "achievement in the arts", as well as the first woman to be recognized and appear on a Person of the Year cover more than once. In 2014, she was named to Forbes' 30 Under 30 list in the music category and again in 2017 in its "All-Star Alumni" category. Swift became the youngest woman to be included on Forbes' list of the 100 most powerful women in 2015, ranked at number 64. In 2023, she was ranked by Forbes as the fifth-most powerful woman in the world, the first entertainer to place in the top five. Swift received an honorary Doctor of Fine Arts degree from New York University and served as its commencement speaker on May 18, 2022. Cultural status Swift has been credited with making a profound impact on the music industry, popular culture, and the economy. She dominates cultural conversations, which has led publications to describe her as a cultural "vitality" or zeitgeist. Her music, life, and public image are points of attention in global celebrity culture. Initially a teen idol, she has been referred to as a pop icon; publications describe her enormous popularity and longevity as unwitnessed since the 20th century. In 2013, New York magazine's Jody Rosen dubbed Swift the "world's biggest pop star" and opined that the trajectory of her stardom has defied established patterns. Rosen added that Swift "falls between genres, eras, demographics, paradigms, trends", leaving her contemporaries "vying for second place". Critics regard Swift as a rare yet successful combination of the pop star and singer-songwriter archetypes. Swift's fans are known as Swifties. Billboard noted only few artists have had her chart success, critical acclaim, and fan support. Swift's million-selling albums are considered an anomaly in the streaming-dominated industry following the end of the album era in the 2010s. Economist Alan Krueger described Swift as an "economic genius". Although labeled by the media in her early career as "America's Sweetheart" for her girl next door persona, Swift has been called by detractors "calculated" and manipulative of her image, a narrative bolstered by her 2016 dispute with West. Critics have also noted that her personal life and career have been subject to intense misogyny and "slut-shaming", as well as rampant media scrutiny and tabloid speculation. Swift has also been a victim of numerous house break-ins and stalkers, some of whom were armed. Swift's private jet use has drawn scrutiny for its carbon emissions. In 2023, a spokesperson for Swift stated that she had purchased more than double the required carbon credits to offset all tour travel and personal flights. In December 2023, Swift's lawyers sent a cease and desist letter to American programmer Jack Sweeney over tracking her private jet, alleging stalking and safety risks; media outlets have reported that the information posted by Sweeney is a synthesis of publicly available data. In February 2024, it was reported that Swift had sold one of her two private jets. Legacy Swift helped shape the modern country music scene, having extended her success beyond the Anglosphere, pioneered the use of the internet (Myspace) as a marketing tool, and introduced the genre to a younger generation. Country labels have since become interested in signing young singers who write their own music; her guitar performances contributed to the "Taylor Swift factor": a phenomenon to which an upsurge in guitar sales to women, a previously ignored demographic, is attributed. According to publications, Swift changed the music landscape with her genre transitions, a discography that accommodates cultural shifts, and her ability to popularize any sound in mainstream music. Lyrically, in being personal and vulnerable in her songs, music journalist Nick Catucci opined Swift helped make space for later singers like Billie Eilish, Ariana Grande, and Halsey to do the same. Scholars have highlighted the literary sensibility and poptimist implications of Swift. She has been credited with legitimizing and popularizing the concept of album "eras". Swift is a subject of academic study and scholarly media research. Various educational institutions offer courses on Swift in literary, cultural, and sociopolitical contexts. Swift has influenced numerous music artists, and her albums have inspired a generation of singer-songwriters. Journalists praise her ability to reform industry practices, noting how her actions changed streaming policies, prompted awareness of intellectual property in new musicians, and reshaped ticketing models. Various sources deem Swift's music a paradigm representing the millennial generation; Vox called her the "millennial Bruce Springsteen", and The Times named her "the Bob Dylan of our age". Swift earned the title Woman of the Decade (2010s) from Billboard, Artist of the Decade (2010s) at the American Music Awards, and Global Icon at the Brit Awards for her impact. Senior artists such as Paul McCartney, Mick Jagger, Madonna, Stevie Nicks, Jon Bon Jovi, Dolly Parton, and Elton John have praised her musicianship. Carole King regards Swift as her "professional granddaughter" and thanked Swift for "carrying the torch forward". Springsteen called her a "tremendous" writer, while Ringo Starr and Billy Joel considered Swift the Beatles' successor. Britney Spears labeled Swift "the most iconic pop woman of our generation". Entrepreneurship Media outlets describe Swift as a savvy businesswoman; in 2024, she topped Billboard's annual Power 100 ranking of the top music industry executives. Swift is known for her traditional album rollouts, consisting of a variety of promotional activities that Rolling Stone termed as an inescapable "multimedia bonanza". Easter eggs and cryptic teasers became a common practice in contemporary pop music because of Swift. Publications describe her discography as a music "universe" subject to analysis by fans, critics, and journalists. Swift maintains an active presence on social media and a close relationship with fans, to which many journalists attribute her success. Her in-house management team is called 13 Management. Swift has endorsed many brands and businesses, having launched clothing lines with L.E.I. and Stella McCartney, designed American Greetings cards and Jakks Pacific dolls, released a number of fragrances with Elizabeth Arden, and signed multi-year deals with AT&T and Capital One. She was a spokesperson for the National Hockey League's Nashville Predators and Sony Cyber-shot digital cameras, and became the global ambassador for New York City in 2014 and Record Store Day in 2022. Social activism Swift identifies as a pro-choice feminist, and is a founding signatory of the Time's Up movement against sexual harassment. Specifically, she criticized the US Supreme Court's decision to end federal abortion rights in 2022. Swift also advocates for LGBT rights, and has called for the passing of the Equality Act, which prohibits discrimination based on sex, sexual orientation, and gender identity. She performed during WorldPride NYC 2019 at the Stonewall Inn, a gay rights monument, and has donated to the LGBT organizations Tennessee Equality Project and GLAAD. A supporter of the March for Our Lives movement and gun control reform in the US, Swift is a vocal critic of white supremacy, racism, and police brutality. Following the George Floyd protests, she donated to the NAACP Legal Defense and Educational Fund and the Black Lives Matter movement, called for the removal of Confederate monuments in Tennessee, and advocated for Juneteenth to become a national holiday. She has openly criticized former president Donald Trump. In 2020, Swift urged her fans to check their voter registration ahead of elections, which resulted in 65,000 people registering to vote within one day of her post, and endorsed Joe Biden and Kamala Harris in the 2020 US presidential election. For the 2024 election, she endorsed Harris and Tim Walz. Wealth and philanthropy Swift became a billionaire in October 2023, becoming the world's first musician to achieve the status "solely based on her songs and performances". Forbes has estimated her net worth at $1.6 billion as of October 2024, making her the richest female musician in history. Forbes had named her the annual top-earning female musician in 2016, 2019, 2021, and 2022. She was the highest-paid celebrity of 2016 with $170 million—a feat recognized by Guinness World Records as the highest annual earnings ever for a female musician, which she herself surpassed with $185 million in 2019. Overall, Swift was listed as the Forbes highest-paid female artist of the 2010s, earning $825 million. She has also developed a real estate portfolio worth $150 million as of 2023, with residential properties in Nashville, New York City, Los Angeles (Samuel Goldwyn Estate), and Rhode Island (High Watch). Swift is known for her philanthropic efforts. She ranked first on DoSomething's 2015 "Gone Good" list, having received the Star of Compassion from the Tennessee Disaster Services and the Big Help Award from the Nickelodeon Kids' Choice Awards for her "dedication to helping others" and "inspiring others through action". Especially early in her career, Swift donated to various relief funds following natural disasters. In 2009, she donated $100,000 to the Red Cross to help the victims of the Iowa flood of 2008. The same year, she performed at Sydney's Sound Relief concert, which raised money for those impacted by bushfires and flooding. In 2011, Swift used a dress rehearsal of her Speak Now tour as a benefit concert for victims of recent tornadoes in the US, raising more than $750,000. In response to the May 2010 Tennessee floods, she donated $500,000. In 2009, Swift sang at BBC's Children in Need concert and raised £13,000 for the cause. In 2016, she donated $1 million to Louisiana flood relief efforts and $100,000 to the Dolly Parton Fire Fund. Swift donated to food banks after Hurricane Harvey struck Houston in 2017. Swift donated $1 million for Tennessee tornado relief in 2020 and again in 2023. Swift has also donated to cancer research. As recipient of the Academy of Country Music's Entertainer of the Year in 2011, Swift donated $25,000 to St. Jude Children's Research Hospital, Tennessee. In 2012, she participated in the Stand Up to Cancer telethon, performing the charity single "Ronan", which she wrote in memory of a four-year-old boy who died of neuroblastoma. She has also donated $100,000 to the V Foundation for Cancer Research and $50,000 to the Children's Hospital of Philadelphia. She has made donations to her fans several times for their medical or academic expenses. During the COVID-19 pandemic, Swift donated to the World Health Organization and Feeding America and supported independent record stores. Swift performed "Soon You'll Get Better" on the One World: Together At Home television special, a benefit concert curated by Lady Gaga for Global Citizen to raise funds for the World Health Organization's COVID-19 Solidarity Response Fund. She is a supporter of the arts. A benefactor of the Nashville Songwriters Hall of Fame, Swift has donated $75,000 to Nashville's Hendersonville High School to help refurbish the school auditorium, $4 million to build a new education center at the Country Music Hall of Fame and Museum in Nashville, $60,000 to the music departments of six US colleges, and $100,000 to the Nashville Symphony. She has also provided one-off donations. In 2007, she partnered with the Tennessee Association of Chiefs of Police to launch a campaign to protect children from online predators. She has donated items to several charities for auction, including the UNICEF Tap Project and MusiCares. Swift has also encouraged young people to volunteer in their local communities as part of Global Youth Service Day. Also a promoter of children's literacy, she has donated money and books to schools around the country. In 2018 and 2021, Swift donated to the Rape, Abuse & Incest National Network in honor of Sexual Assault Awareness and Prevention Month. Swift donated to fellow singer-songwriter Kesha to help with her legal battles against Dr. Luke and to actress Mariska Hargitay's Joyful Heart Foundation. During the Eras Tour, Swift donated to food banks at every stop; she also directly employed local businesses throughout the tour and gave $55 million in bonus payments to her entire crew. In February 2024, she donated $100,000 to the family of a woman who died in a shooting at the Kansas City Chiefs' Super Bowl parade. Discography Filmography Tours Fearless Tour (2009–2010) Speak Now World Tour (2011–2012) The Red Tour (2013–2014) The 1989 World Tour (2015) Reputation Stadium Tour (2018) The Eras Tour (2023–2024) See also List of American Grammy Award winners and nominees List of highest-certified music artists in the United States List of most-followed Instagram accounts List of most-followed Twitter accounts List of most-subscribed YouTube channels Footnotes References Cited literature External links Official website Taylor Swift at AllMusic Taylor Swift at Amazon Music Taylor Swift discography at Discogs Taylor Swift on Facebook Taylor Swift on Twitter Taylor Swift on Instagram Taylor Swift at IMDb Taylor Swift discography at MusicBrainz
Travis_Kelce
https://en.wikipedia.org/wiki/Travis_Kelce
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[ "https://en.wikipedia.org/wiki/Travis_Kelce" ]
Travis Michael Kelce ( KEL-see; born October 5, 1989) is an American professional football tight end for the Kansas City Chiefs of the National Football League (NFL) and actor. He was selected by the Chiefs in the third round of the 2013 NFL draft and later won Super Bowls LIV, LVII, and LVIII with the team. He played college football for the University of Cincinnati Bearcats football program. Considered one of the greatest tight ends of all time, Kelce is a nine-time Pro Bowler and a seven-time All-Pro, with four first-team and three second-team selections. He holds the NFL records for most consecutive and most overall seasons with 1,000 receiving yards by a tight end: seven. He holds the record for most receiving yards by a tight end in a single season with 1,416 in 2020, despite playing in only 15 games. During the 2022 season, Kelce became the fifth NFL tight end to reach 10,000 career receiving yards and reached the milestone faster than any tight end in NFL history. Kelce was named to the NFL 2010s All-Decade Team. During the 2023 season, he surpassed Jerry Rice in career playoff receptions en route to Super Bowl LVIII, his fourth Super Bowl appearance in five seasons. Outside of football, Kelce has appeared on reality and scripted television, including hosting the March 5, 2023, episode of Saturday Night Live, and in advertisements. He co-hosts the podcast New Heights with his brother Jason, covering topics from football to popular culture. Kelce's relationship with singer-songwriter Taylor Swift has drawn massive media coverage and stimulated viewership and revenue for his team and its league. Early life Kelce was born on October 5, 1989, in Westlake, Ohio. His father, Ed Kelce, is a former sales representative in the steel industry, and his mother, Donna, is a former bank executive. Kelce's older brother Jason played center for the Philadelphia Eagles for 13 seasons. Kelce attended Cleveland Heights High School in his hometown of Cleveland Heights, Ohio, where he played football, basketball, and baseball. He was a three-year letter winner as quarterback for the Tigers. As a senior in 2007, he ran for 1,016 yards and 10 touchdowns and threw for 1,523 yards, 21 touchdowns, and eight interceptions. His 2,539 yards of total offense garnered him All-Lake Erie League honors. College career Considered a two-star recruit by Rivals.com, Kelce accepted a scholarship offer from the University of Cincinnati over offers from Akron, Eastern Michigan, and Miami (OH). He joined his brother, Jason Kelce, who was the starting left guard for the Bearcats. After redshirting in 2008, he appeared in 11 games in 2009, playing at tight end and quarterback out of the Wildcat formation. He tallied eight rushes for 47 yards and two touchdowns and had one reception for three yards. He was suspended for the 2010 season after testing positive for marijuana, a violation of team rules. Returning for the 2011 season, he played tight end, recording 13 catches totaling 150 yards and two touchdowns. In 2012, his last collegiate season, he set personal season highs in receptions (45), receiving yards (722), yards per receptions (16.0), and receiving touchdowns (8). Kelce earned first-team all-conference honors and in March 2013, was named the College Football Performance Awards Tight End of the Year. Kelce graduated in 2022 with a Bachelor of Interdisciplinary Studies degree, he received his diploma during an April 2024 podcast event at the Fifth Third Arena with his brother Jason. College statistics Professional career 2013 season Kelce was selected by the Kansas City Chiefs in the third round (63rd pick overall) of the 2013 NFL draft. The Chiefs had hired Andy Reid as their new head coach during the off-season. Reid was familiar with Kelce, having drafted and coached his brother, Jason Kelce, in 2011 during his time as the head coach of the Eagles. On June 6, 2013, the Chiefs signed Kelce to a four-year, $3.12 million rookie contract that also included a signing bonus of $703,304. Kelce injured his knee in the preseason. The injury was later diagnosed as a bone bruise. After being limited the first two weeks of the season due to the injury and being inactive the next three games, Kelce was placed on injured reserve on October 12, 2013, after having a microfracture surgery performed on his knee. He only played one snap, on special teams in the Chiefs' Week 2 game against the Dallas Cowboys. 2014 season During Week 3 against the Miami Dolphins, Kelce recorded his first NFL touchdown on a 20-yard reception from quarterback Alex Smith. On November 30, he was fined $11,025 for "unsportsmanlike conduct" during a 29–16 loss to the Denver Broncos. Kelce made an inappropriate hand gesture and motion at Broncos linebacker Von Miller. Chiefs' head coach Andy Reid later called this "immature". In the next game against the Arizona Cardinals, Kelce had seven receptions for 110 yards for his first NFL game with over 100 receiving yards. In the regular-season finale against the San Diego Chargers, he had an offensive fumble recovery for a touchdown in the 19–7 victory. Kelce was the Chiefs' leading receiver during the 2014 season, totaling 862 yards off 67 receptions. 2015 season Kelce began the 2015 season with his first NFL multiple touchdown game, with six receptions for 106 yards and two touchdowns in the 27–20 victory over the Houston Texans. It was his only 100-plus-yard game, but he had at least one reception in all 16 games, and was ranked a top-five tight end by ESPN. He started all 16 regular season games and recorded 72 catches for 875 yards and five touchdowns, earning his way to his first Pro Bowl. The Chiefs finished the regular season with an 11–5 record and made the playoffs. In his first NFL playoff game, Kelce had eight receptions for 128 yards in a 30–0 Wild Card Round victory over the Texans. In the Divisional Round against the New England Patriots, Kelce had six receptions for 23 yards as the Chiefs lost 27–20. He was ranked 91st by his peers on the NFL Top 100 Players of 2016. 2016 season On January 29, 2016, Kelce signed a five-year, $46 million contract extension. He was ranked 91st by his fellow players on the NFL Top 100 Players of 2016. During Week 8 against the Indianapolis Colts, Kelce had seven receptions for 101 yards and a touchdown. In the next game against the Jacksonville Jaguars, he was ejected after receiving two unsportsmanlike conduct penalties after arguing with two officials over not having a pass interference penalty called. The second resulted from him sarcastically throwing his towel at field judge Mike Weatherford in a flagging motion due to being upset about the first penalty. He was later fined $24,309 for his outburst. During Week 13 against the Atlanta Falcons, he had eight receptions for 140 yards. In the next game, Kelce recorded 101 receiving yards against the Oakland Raiders, his fourth consecutive game topping 100. He joined Jimmy Graham and former Chiefs tight end Tony Gonzalez as the only NFL tight ends ever to do so. In a Christmas Day win over the Broncos, Kelce had career bests of 11 receptions for 160 yards and a career-long 80-yard touchdown on a screen pass. He finished the season with career highs in yards (1,125) and receptions (85). His 1,125 receiving yards led the league among tight ends and his 85 receptions were second among tight ends behind Dennis Pitta of the Baltimore Ravens. Kelce's 634 yards after the catch also led all NFL tight ends. He was named as a starter in his second career Pro Bowl, held on December 20, 2016. He was also named First-team All-Pro. He was ranked 26th by his fellow players, and second among tight ends, on the NFL Top 100 Players of 2017. The Chiefs finished atop the AFC West with a 12–4 record and earned a first-round bye in the playoffs. In the Divisional Round against the Pittsburgh Steelers, Kelce had five receptions for 77 yards in the 18–16 loss. 2017 season During Week 2 against the Eagles, Kelce had eight receptions for 103 yards and a touchdown in the 27–20 victory. After just one reception for one yard in Week 3 against the Los Angeles Chargers, Kelce recorded seven receptions for 111 yards and a touchdown in Week 4 against the Washington Redskins followed by eight for 98 in Week 5 against the Texans. During Week 8, Kelce had seven receptions for 133 yards to pass Zach Ertz as the NFL's leading tight end in both categories, along with a touchdown. During Week 13 against the New York Jets, Kelce opened the game with spectacular fashion, scoring two receiving touchdowns on 90 receiving yards in the first 2 minutes and 46 seconds of regulation. He finished the game with 94 receiving yards on four receptions in the 38–31 loss. On December 19, 2017, Kelce was named to his third straight Pro Bowl. Kelce finished the season with a career-high eight receiving touchdowns. He finished second among tight ends with 1,038 receiving yards, only trailing Gronkowski's 1,084 receiving yards. He was ranked 24th by his peers on the NFL Top 100 Players of 2018. The 10–6 Chiefs entered the Wild Card Round of the playoffs against the Tennessee Titans, where Kelce finished with four receptions for 66 yards and a touchdown in the 21–22 defeat. He was not able to finish the game as he suffered a concussion in the first half on a hit to his helmet. 2018 season In the 2018 season, Kelce benefited from the rise of new quarterback Patrick Mahomes, who was named NFL MVP at the end of the season. After being held to a lone reception for six yards in the season opener against the Chargers, he rebounded with seven receptions for 106 yards and two touchdowns in a Week 2 road victory over the Steelers. In two of the next three games, he was able to reach 100 receiving yards against the San Francisco 49ers and the Jaguars. He added 99 yards and two touchdowns in a Week 9 win over the Cleveland Browns, and went into the Week 12 bye with 10 receptions for 127 yards and a touchdown in an offensively spectacular 54–51 loss to the Los Angeles Rams. In the Week 13 win over the Raiders, Kelce had career-bests of 12 receptions and 168 yards, including two short touchdowns in the first half. At this point, he was well on his way to an NFL record, but his production tapered off; over the final four weeks, Kelce averaged six receptions for 63.5 yards and had only one touchdown reception. In Week 17, Kelce indeed broke the NFL record for most receiving yards by a tight end in a single season, but 49ers tight end George Kittle passed him to claim the record less than an hour later. Kelce ended the regular season at 10th in the NFL in receptions with 103 and receiving yards with 1,336, and sixth in receiving touchdowns with 10. He was named to the 2018 Pro Bowl and was named first-team All-Pro. The Chiefs finished atop the AFC West with a 12–4 record and earned a first-round bye. In the Divisional Round against the Colts, he had seven receptions for 108 yards in the 31–13 victory. In the AFC Championship against the Patriots, he had three receptions for 23 yards and a receiving touchdown in the 37–31 overtime loss. He was ranked 21st by his fellow players on the NFL Top 100 Players of 2018. 2019 season: First Super Bowl win During Week 2 against the Raiders, Kelce caught seven passes for 107 yards and a touchdown of the season as the Chiefs won by a score of 28–10. Despite injuries to Patrick Mahomes and just two touchdowns, at the midpoint of the season Kelce led all tight ends and Chiefs players in receiving yards with 604. During Week 11 against the Chargers on Monday Night Football in Mexico, Kelce caught seven passes for 92 yards and a touchdown in the 24–17 win. During Week 14 against the Patriots, Kelce caught seven passes for 66 yards and rushed the ball once for a one-yard touchdown during the 23–16 road victory. In the next game against the Broncos, Kelce finished with 11 catches for 142 receiving yards as the Chiefs won 23–3. In the next game against the Chicago Bears on Sunday Night Football, he caught eight passes for 74 yards and a touchdown in the 26–3 win. During the game, he became the fastest tight end in NFL history to record 500 career receptions. Kelce finished the 2019 season with 97 receptions for 1,229 receiving yards and five receiving touchdowns to go along with his one rushing touchdown. Kelce became the first tight end in NFL history to record four consecutive seasons with at least 1,000 receiving yards. He was named to his fifth Pro Bowl for his 2019 season. In the Divisional Round against the Texans, the Chiefs began the game with a 24–0 deficit. The Chiefs then went on a 51–7 run, including 41 unanswered points, to win 51–31. After a drop on third down on the Chiefs first drive that would have been a first down if it had been caught, Kelce caught 10 passes for 134 yards and three touchdowns (all in the second quarter) as he helped lead the Chiefs to their second consecutive conference championship game. In the AFC Championship Game against the Titans, Kelce caught three passes for 30 yards during the 35–24 win. In Super Bowl LIV against the San Francisco 49ers, Kelce caught six passes for 43 receiving yards and a receiving touchdown and had one carry for two rushing yards during the 31–20 win. He was ranked 18th by his fellow players on the NFL Top 100 Players of 2020. 2020 season Following the release of long-time Chiefs punter Dustin Colquitt in the offseason, Kelce became tied with Anthony Sherman and fellow 2013 draftee Eric Fisher as the team's longest tenured members. On August 14, 2020, Kelce signed a four-year, $57 million contract extension with the Chiefs through the 2025 season. In Week 6, he caught two touchdowns in a 26–17 victory over the Buffalo Bills. In Week 8 against the Jets, Kelce dunked the ball through the goal posts after scoring a touchdown, paying homage to former Chiefs tight end Tony Gonzalez. He was penalized for unsportsmanlike conduct and was fined $12,500. In Week 9, against the Carolina Panthers, he had ten receptions for 159 receiving yards in the 33–31 victory. In Week 11 against the Las Vegas Raiders on Sunday Night Football, Kelce recorded eight catches for 127 yards and scored the game-winning touchdown in a 35–31 win. In Week 13 against the Broncos on Sunday Night Football, he caught eight passes for 136 yards and a touchdown during the 22–16 win. In the following game against the Dolphins, he again posted eight catches for 136 yards and a touchdown in a 33–27 victory. In Week 16, Kelce became the first tight end with two 100-catch seasons. Kelce caught seven passes, giving him a career-high 105 for the season. Kelce set the single-season yardage record for a tight end with 1,416, topping George Kittle's 1,377 in 2018. His yardage ranked second overall in the 2020 NFL season (behind Stefon Diggs' 1,535), while his total receptions ranked fifth in the NFL and second among tight ends (behind Darren Waller's 107). He was named to his sixth Pro Bowl and earned First-team All-Pro honors. In the Divisional Round of the playoffs against the Browns, Kelce caught eight passes for 109 yards and a touchdown during the 22–17 win. In the AFC Championship against the Bills, Kelce recorded 13 catches for 118 yards and two touchdowns in a 38–24 win to advance to Super Bowl LV. In the Super Bowl, he caught 10 passes for 133 yards—a record for receiving yards by a tight end in the championship game—but the Chiefs did not score a touchdown in the 31–9 loss to the Tampa Bay Buccaneers. He was ranked fifth by his fellow players on the NFL Top 100 Players of 2021. 2021 season After Fisher was released and Sherman retired in the offseason, Kelce became the longest-tenured member of the Chiefs. In the Chiefs' second game of the season, against the Ravens, he became the fastest tight end in NFL history to record 8,000 career yards, surpassing Rob Gronkowski's record in 113 games. In the Chiefs' week-15 game against the Chargers, Kelce set a career high for receiving yards in a game with 191 yards. He also caught two touchdowns, including the game-winning 34-yard touchdown in overtime. Kelce was named AFC Offensive Player of the Week for his performance. The game also put him over 1,000 yards for the season, his NFL record (among tight ends) extending sixth consecutive 1,000-yard season. It also extended Kelce's record for most 1,000-yard seasons by a tight end with six. He was placed on the Reserve/COVID-19 list on December 20, 2021. Kelce was activated on December 25, 2021. However, due to NFL protocols for COVID-19, since he tested positive for the virus and did not test negative before the day of the game, he was ruled out for the Chiefs' week 16 game against the Steelers. It was the first game Kelce had missed due to injury or illness since his rookie season. In the regular season-ending game against the Broncos, Kelce became the fastest tight end in NFL history to reach 9,000 career yards in just 127 games, a record also previously held by Gronkowski with 140 games. He finished the season with 92 receptions for 1,125 receiving yards and nine touchdowns. He was named Second-Team All-Pro by the AP, his sixth overall All-Pro selection. He was also named to his seventh consecutive Pro Bowl. In the Wild Card Round against the Pittsburgh Steelers, Kelce had five receptions for 108 yards and a receiving touchdown to go along with a two-yard touchdown pass to Byron Pringle in the 42–21 victory. In the Divisional Round against the Bills, he had eight receptions for 96 yards and the game-winning touchdown in the 42–36 overtime victory. Kelce was wearing an NFL Films microphone for the game, and audio footage from the two offensive plays of the 13-second drive revealed that Kelce instructed Tyreek Hill to run the route which led to the success of the first completion, and revealed him suggesting to Mahomes that he might improvise his own route on the second offensive play if the Bills' defensive scheme didn't change. Prior to the snap, Mahomes realized Kelce's suggested improvised route would work and shouted "Do it, Kelce!", before finding his tight-end for a completion of 25 yards. In the AFC Championship against the Cincinnati Bengals, he had 10 receptions for 95 yards and a touchdown in the 27–24 overtime loss. He was ranked tenth by his fellow players on the NFL Top 100 Players of 2022. 2022 season: Second Super Bowl win In Week 5, Kelce had four receiving touchdowns in the 30–29 victory over the Raiders. Kelce tied the franchise record for receiving touchdowns in a game. In the Chiefs' Week 11 game against the Chargers, he recorded his NFL record-breaking (among tight ends) 33rd 100-yard receiving game with 115 yards. He also scored three touchdowns, including the game-winning touchdown, his second straight season recording a game-winning touchdown against the Chargers. In Week 14 against the Broncos, he became the fifth tight end in NFL history to have 10,000 receiving yards. He also officially recorded his seventh consecutive 1,000-yard season, extending his records (among tight ends) of consecutive 1,000-yard seasons and most overall 1,000 seasons. He finished the 2022 season with 110 receptions for 1,338 receiving yards and 12 receiving touchdowns. Kelce set a single-game NFL postseason record for a tight end with 14 receptions in a 27–20 victory over the Jaguars in the Divisional Round. He scored two receiving touchdowns in the game. Kelce and the Chiefs appeared in Super Bowl LVII against the Eagles. Kelce's brother Jason played for the Eagles, making it the first Super Bowl to feature two brothers as players on opposing teams. Kelce caught six passes for 81 yards and a touchdown as the Chiefs beat the Eagles 38–35 to win his second Super Bowl. He was ranked fifth by his fellow players on the NFL Top 100 Players of 2023. 2023 season: Third Super Bowl win Kelce was inactive for the Chiefs' game against the Detroit Lions due to a knee injury he suffered earlier in the week. It was his first game missed due to an injury since his rookie season. Kelce made his season debut the following week against the Jaguars. In the Chiefs' week 7 game against the Chargers, Kelce tied a career high with 12 receptions. He also had 179 receiving yards, the second highest of his career. In the Chiefs' Week 9 game against the Dolphins, he broke the Chiefs franchise record for career receiving yards. Kelce finished the regular season with 984 receiving yards on 93 receptions and five touchdowns. He elected to not play in the Chiefs' Week 18 matchup against the Los Angeles Chargers, ending his NFL-record streak of seven consecutive seasons to finish with 1,000 receiving yards. In the Divisional Round victory over the Bills, Kelce had two receiving touchdowns. Kelce, along with Mahomes, broke the record for most career touchdowns in the playoffs for a quarterback/receiver duo. In the AFC Championship Game victory against the top-seeded Baltimore Ravens, Kelce caught 11 passes for 116 yards and a touchdown, surpassing Jerry Rice for most playoff receptions and tying Rice for first in 100+ receiving yard games. The victory marked Kelce's fourth Super Bowl appearance in five seasons. During Super Bowl LVIII, Kelce had nine receptions for 93 yards and was the leading yards receiver for the game. The Chiefs would win 25–22 in just the second Super Bowl in history to go to overtime, earning Kelce his third Super Bowl win. The Chiefs became the first team to repeat as Super Bowl champions since the New England Patriots accomplished the feat in the 2003 and 2004 seasons. During the game, following a fumble by Chiefs running back Isiah Pacheco when Kelce was not on the field, he was shown screaming at the Chiefs' head coach Andy Reid. The incident drew criticism, for which Kelce later apologized through his podcast. 2024 season On April 29, 2024, Kelce signed a two-year extension with the Chiefs for a reported $34.25 million, making him the highest-paid tight end in the NFL. Kelce started the season slow with just 8 catches for 69 yards in the team's first three games. In Week 4 against the Los Angeles Chargers, Kelce recorded a season-high seven receptions for 89 yards. During the game, Kelce became the Chiefs' leader in career receptions, surpassing Tony Gonzalez's previous record of 916 catches. NFL career statistics Regular season Postseason Filmography Film Television Records NFL record (any position) Career postseason receptions: 165 NFL records (among tight ends) Consecutive 1,000-plus-yard seasons (7, 2016–2022) 1,000-yard seasons (7, 2016–2022) Receiving yards in a season (1,416, 2020) Career postseason receiving yards (1,903) 100+ reception seasons (3) Fewest games to 10,000 career receiving yards (140) 100 receiving yard games (37) Career postseason receiving touchdowns: 19 Career postseason games started: 22 Chiefs franchise records (any position) 100-plus-yard receiving games (37) Receiving touchdowns in a game (tied, 4) Career receiving yards (11,328) Career receptions (922) Awards and honors NFL 3× Super Bowl champion (LIV, LVII, LVIII) 4× First-team All-Pro (2016, 2018, 2020, 2022) 3× Second-team All-Pro (2017, 2019, 2021) 9× Pro Bowl (2015–2023) NFL 2010s All-Decade Team NCAA First-team All-Big East (2012) Non-football awards People's Choice Awards – Athlete of the Year (2024) Nickelodeon Kids' Choice Awards – Favorite Male Sports Star (2024) Other ventures Philanthropy Noted for being generous with his time and resources, Kelce has received several awards for his philanthropic efforts. He received the Chiefs' Ed Block Courage Award in 2014. In 2020, the Chiefs nominated him for the Walter Payton Man of the Year Award. That same year, fans voted him the winner of the NFL's Charity Challenge Award. In 2015, Kelce created a foundation called Eighty-Seven & Running in his hometown of Cleveland, Ohio, with the goal of "empowering underprivileged youth". The foundation organizes an annual fundraising event in Kansas City, including an auto show and a fashion show, to raise money for various causes there and in Cleveland. Some of its other activities have included: 2018: With Operation Breakthrough, a Kansas City-based nonprofit, opened a Robotics Lab accessible to nearly 300 elementary to high school students. 2020: Gave $500,000 to buy and transform a Kansas City building into a coworking space to help disadvantaged children explore careers in STEM under a workforce development program called "Ignition Lab". 2020: Gave $140,000 to Operation Breakthrough and the Heights Schools Foundation in Ohio to help them during the COVID-19 pandemic. 2021: Created the "Catching for a Cause" initiative which pledges to donate money for every catch and touchdown that Kelce makes during the football season. 2022: Endowed a Health and Wellness fund that supports the University of Cincinnati's Sports Psychology and Counseling Department and the school's 450 athletes. 2024: Donated 25,000 breakfast meals to students from Operation Breakthrough. 2024: Helped an elderly former athlete by paying for repairs to her Kansas City home of 56 years. Kelce supports various non-profit organizations and initiatives, including Boys & Girls Clubs of America and Read Across America Day, and has donated autographed items to benefit the Make-A-Wish Foundation. Kelce has made several appearances at Kansas City hospitals and schools to support local charities. In 2019, he hosted a meet and dance event to raise funds for the "Rose Brooks Center", a Kansas City-based organization that provides shelter to women, children, and their pets in situations of domestic violence. He and his brother Jason have also donated to the Heights Schools Foundation to buy equipment and fund afterschool activities. In 2019, Kelce participated in a charity celebrity softball game to raise funds for the Lake Health Foundation. In 2024, he donated $100,000 to the family of two children who were seriously wounded in the 2024 Kansas City parade shooting. Kelce is among the Kansas City celebrities who have hosted the Big Slick charity event and gala, which benefits the Cancer Center at Children's Mercy Hospital; in 2024, Kelce and teammate Mahomes contributed game-worn Chiefs jerseys to a lot of NFL items that went for $250,000 at the charity auction. Activism Kelce has been a vocal advocate for social justice. In 2017, he became one of the highest-profile white NFL players to kneel during the national anthem in protest against police brutality, racism, and social inequalities in America. After the shooting of Jacob Blake by police officer Rusten Sheskey, Kelce, along with teammate Patrick Mahomes, spoke publicly in support of social justice. He has pledged support for the Black Lives Matter movement including in Kansas City. In 2019, Kelce and other NFL players joined students in virtual class discussions around the U.S. to discuss Black Boys, a Malcolm Jenkins-produced documentary that examines social and emotional effects of racism against Black men. Kelce has also shown support to the LGBT community. In 2021, he called for more acceptance of homosexuality in American football, saying, “Anybody in this world [can play].” Entertainment In January 2016, Kelce starred in the E! Entertainment Television dating show Catching Kelce, choosing Maya Benberry as the winner. In 2020, Kelce appeared as a fictionalized version of himself in the first episode of the comedy series Moonbase 8. Kelce was featured in Kelce, a feature-length documentary about his brother Jason's football career and private life that was released on Amazon Prime on September 11, 2023, Within 24 hours, it was the most-watched movie among U.S. subscribers to the streaming service. In May 2023, he signed with Creative Artists Agency for off-the-field representation while keeping his agent for his NFL representation. Kelce hosted Saturday Night Live on March 4, 2023, and appeared in a sketch with his brother Jason and SNL cast members Heidi Gardner and Chloe Fineman. He also made a cameo appearance on the October 14, 2023, episode. In 2024, it was announced that Kelce will host a reboot for the game show Are You Smarter than a 5th Grader? on Amazon Prime Video The show will be titled Are You Smarter than a Celebrity? with a 20-episode season. In 2023, Kelce became an executive producer of the war comedy-drama film My Dead Friend Zoe (2024) and of the documentary King Pleasure about the life of American artist Jean-Michel Basquiat. Kelce was cast in his first major acting role in Ryan Murphy‘s FX horror series Grotesquerie where he will star opposite Niecy Nash-Betts, Courtney B. Vance, and Lesley Manville. Through his Super Bowl runs with the Chiefs, Kelce became known for reciting the chorus from the Beastie Boys' 1986 song "(You Gotta) Fight for Your Right (To Party!)" during team celebrations, first after the 2019 AFC Championship Game then again at the parade in Kansas City after clinching Super Bowl LIV. The Chiefs responded by making "Fight for Your Right" its touchdown song during games at Arrowhead Stadium. In 2023, Kelce performed the song with Jimmy Fallon on The Tonight Show. Kelce was featured, with his brother Jason, on the cover of "Fairytale of New York" (1987) by the Pogues featuring Kirsty MacColl, titled "Fairytale of Philadelphia", which appeared on the 2023 album A Philly Special Christmas Special; proceeds from the album benefit various charity institutions in Philadelphia. "Fairytale of Philadelphia" topped the US iTunes chart, following which the brothers thanked the Swifties. The song further debuted at number five on the Billboard Digital Song Sales chart and number two on Billboard Rock Digital Song Sales with 6,000 downloads sold in the first week. The song climbed to number one on both charts on its second week of release, making the brothers Billboard-charting artists. In April 2023, Kelce announced the launch of his own annual music festival called Kelce Jam. The first edition of the event, held in Bonner Springs, Kansas during the 2023 NFL draft weekend, featured artists including Machine Gun Kelly, Rick Ross, Loud Luxury and Tech N9ne. The festival sold its first 10,000 tickets in 20 minutes, and was eventually sold out with 18,000 people in attendance. The second edition of the festival in 2024, saw an attendance of 20,000 fans with headlining performances from 2 Chainz, Diplo and Lil Wayne. New Heights podcast (Since 2022) In September 2022, Kelce and his brother Jason launched a weekly sports podcast called New Heights with Jason & Travis Kelce, produced with Wave Sports + Entertainment. The name is a nod to the brothers' upbringing in Cleveland Heights, Ohio. During the podcast, the brothers discuss NFL news, rumors, and sports headlines as well as each other's games. New Heights features special guests including NFL players, celebrities, and members of their family. The brothers record the podcast before cameras; it is broadcast live on YouTube and released in video and audio forms. Within weeks of its launch, the podcast was the most-listened-to sports podcast on Spotify and third-most on Apple podcast sports charts. In February 2023, the podcast experienced a rise in popularity when Travis and Jason faced off in Super Bowl LVII, it marked the first time two brothers played against each other. It reached the No. 1 in Apple sports podcasts, No. 2 among all podcasts on Apple, and No. 3 on Spotify in all podcast categories. The podcast is regularly highlighted on Monday Night Football on ESPN and Sunday Night Football on NBC. In 2022, it was named the Sports Podcast of the Year by Sports Illustrated. After the premiere of the second season in September 2023, New Heights became the No. 1 sports podcast in the U.S. and the No. 1 sports podcast globally on Spotify as well as No. 1 among all podcasts on Apple. Business ventures Kelce has appeared in print, television and online advertisements for brands such as Dick's Sporting Goods, LG, McDonald's, Nike, Papa John's, Bud Light, Old Spice, Walgreens, Pfizer, State Farm, DirectTV, Experian, Lowe's, and Campbell's Soup among others. In August 2022, Hy-Vee began manufacturing "Kelce's Krunch", a limited-edition frosted cornflakes breakfast cereal named after and endorsed by Kelce. A portion of proceeds from the sale of the cereal was donated to Kelce's charity foundation. In 2023, Business Insider estimated that Kelce makes $5 million a year in off-the-field earnings and stated that "he was one of football's most successful endorsers." In 2019, Kelce founded his own health brand, Hilo Nutrition, which sells gummy supplements for performance nutrition and other health benefits. In January 2020, Kelce launched his own clothing brand, Tru Kolors. It became the first brand by an NFL player to launch an official merchandise collaboration with an NFL franchise: the Kansas City Chiefs in 2022. In 2021, Kelce released a signature sneaker collection as part of a deal with Nike. The collection was called Nike x Kelce Blazer Mid '77 Vintage and included six shoes that inspired by facets of Kelce's life, including his brand and his team's colors. Kelce is co-owner of a car wash chain named Club Car Wash that operates in 109 locations in eight states in the central U.S. In October 2023, Kelce and Walmart launched Travis Kelce's Kitchen, a line of seven barbecue products inspired by the flavors of Kansas City. In 2019, Kelce invested in the private equity firm L Catterton's purchase of the condiment brand Cholula Hot Sauce. He earned four times his investment when McCormick & Company acquired the brand for $800 million in 2020. Kelce is also an angel investor in several companies, including the tequila brand Casa Azul, the whole-grain pancake and waffle mixes Kodiak Cakes, and the made-to-measure menswear retailer Indochino. In 2023, Kelce joined a group of investors, including actor Ryan Reynolds and teammate Mahomes, to buy a stake in Alpine, a UK-based French Formula One team. The exact amount or stake was not disclosed. In 2024, Kelce teamed up with his brother Jason as significant owners and operators of the light beer company Garage Beer. Personal life Kelce and Maya Benberry, the winner of his dating show, started dating after the show ended in April 2016. In January 2017, Benberry confirmed that they had broken up. From 2017 to 2022, Kelce was in a relationship with social media influencer Kayla Nicole Brown. Kelce began dating singer-songwriter Taylor Swift in 2023. They have been widely referred to as a supercouple; some call them "America's very own royal couple". Their highly publicized relationship and Swift's attendance at games stimulated interest in the Chiefs and the NFL during the 2023 season. Some NFL games that Swift attended broke viewership, ticket sales, and merchandise sales records: a Chiefs–Chicago Bears game drew the most television viewers of the weekend; a Chiefs–New York Jets game averaged 27 million viewers, making it the most-watched Sunday-night television show since Super Bowl LVII; and a Chiefs–Buffalo Bills game on January 21, 2024, became the most-watched NFL divisional playoff game ever and the most-watched program on any network since Super Bowl LVII. The Chiefs–Baltimore Ravens AFC Conference Championship Game was the most watched AFC Championship game of all time. When the Chiefs advanced to Super Bowl LVIII, some referred to the game as the "Taylor Swift Bowl". One widely cited estimate by a sports marketing company said the Kelce-Swift relationship had so stimulated ticket sales, viewership, and merchandising that the Chiefs franchise had gained $331.4 million in value in six months. In June 2024, Kelce made international headlines when he joined Swift onstage at her Eras Tour concert in Wembley Stadium. He danced in a top hat and tails during her performance of “I Can Do It With a Broken Heart.” Kelce plays golf during the offseason. He has participated in several celebrity tournaments, including the American Century Championship, at which he won the long drive contest in the 2023 edition. In 2023, he participated in The Match VIII, teaming up with his Chiefs teammate Patrick Mahomes against Golden State Warriors teammates Stephen Curry and Klay Thompson. Mahomes and Kelce won. Kelce owns homes in the Kansas City area and a condo in Orlando, Florida. He is also an avid car collector. See also List of National Football League career receiving touchdowns leaders List of National Football League career receiving yards leaders List of National Football League career receptions leaders Explanatory notes References External links Career statistics and player information from NFL.com · ESPN · CBS Sports · Yahoo! Sports · Pro Football Reference Kansas City Chiefs profile Cincinnati Bearcats profile Eighty-Seven & Running
Brokeback_Mountain
https://en.wikipedia.org/wiki/Brokeback_Mountain
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[ "https://en.wikipedia.org/wiki/Brokeback_Mountain" ]
Brokeback Mountain is a 2005 American neo-Western romantic drama film directed by Ang Lee and produced by Diana Ossana and James Schamus. Adapted from the 1997 short story by Annie Proulx, the screenplay was written by Ossana and Larry McMurtry. The film stars Heath Ledger, Jake Gyllenhaal, Anne Hathaway, and Michelle Williams. Its plot depicts the complex romantic relationship between two American cowboys, Ennis Del Mar and Jack Twist, in the American West from 1963 to 1983. Lee became attached to the project in 2001 after previous attempts to adapt Proulx's story into a film did not materialize. Focus Features and River Road Entertainment would jointly produce and distribute the film. After Ledger and Gyllenhaal's casting was announced in 2003, filming commenced in various locations in Alberta in 2004. Brokeback Mountain premiered at the 2005 Venice International Film Festival, where it won the Golden Lion, and was released to theaters on December 9 that year. The film received widespread critical acclaim, with high praise for the performances of Ledger and Gyllenhaal. It emerged as a commercial success at the box-office, grossing over $178 million worldwide against its $14 million budget, and won various accolades. At the 78th Academy Awards, Brokeback Mountain was nominated for Best Picture and won for Best Director, Best Adapted Screenplay, and Original Score. It garnered seven nominations at the 63rd Golden Globe Awards, winning Best Motion Picture — Drama, Best Director and Best Screenplay and Best Song. At the 59th British Academy Film Awards, Brokeback Mountain had nine nominations, winning Best Film, Best Direction, Best Adapted Screenplay and Best Supporting Actor (Gyllenhaal). Brokeback Mountain was subject to controversies; its loss to Crash (2004) for the Academy Award for Best Picture, subsequent censorship, and criticism from conservative media outlets received significant attention. The sexuality of the main characters has been subject to discussion. Brokeback Mountain has also been regarded as a turning point for the advancement of queer cinema into the mainstream. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot In Wyoming in 1963, cowboys Ennis Del Mar and Jack Twist are hired by Joe Aguirre to herd his sheep through the summer on grazing pastures on Brokeback Mountain. After a night of heavy drinking, Jack makes a pass at Ennis. While initially reluctant, Ennis becomes receptive, and he and Jack have sex in their tent. Despite Ennis telling Jack that it was a one-time incident, they develop a sexual and emotional relationship. Near the end of their work contract, Ennis and Jack have a brawl that leaves both of them bloodied. Before parting ways, Ennis offhandedly laments that he left one of his shirts on the mountain. Ennis marries his longtime fiancée Alma Beers and has two daughters with her: Alma Jr. and Jenny. Jack returns the next summer seeking work, but Aguirre, who observed Jack and Ennis engaging in homosexual activity on the mountain, refuses to hire him. Jack moves to Texas, where he meets wealthy rodeo rider Lureen Newsome; they marry and have a son. After four years apart, Jack visits Ennis. Upon meeting, they kiss passionately, which a stunned Alma inadvertently witnesses. In the privacy of a motel room, Jack broaches the subject of creating a life together, but Ennis refuses, as he is unwilling to abandon his family and is haunted by a childhood memory of his father showing him the body of a man who was tortured and killed for suspected homosexuality. Ennis and Jack meet infrequently for private fishing trips while their respective marriages deteriorate. Lureen abandons the rodeo and goes into business with her father, with Jack working in sales. Alma and Ennis divorce in 1975. Upon hearing about it, Jack drives to Wyoming and tells Ennis that they should live together, but Ennis refuses to move away from his children. Alma takes custody of Alma Jr. and Jenny, and marries Monroe, manager of the grocery store where she works. Ennis visits them during a Thanksgiving dinner. In the kitchen, when Alma and Ennis are alone, she confronts him about his relationship with Jack. The two spar, causing Ennis to storm out and cease contact with Alma. Ennis has a short-lived romantic relationship with a waitress named Cassie. Jack and Lureen befriend another couple, Randall and Lashawn Malone, and it is implied that Jack and Randall have a brief affair. At the end of a tryst disguised as a fishing trip, Ennis tells Jack that he cannot see him again for months due to work demands. The pair argue, before Jack embraces a crying Ennis. Sometime later, Ennis receives a returned postcard that he had sent to Jack, stamped with "Deceased". Ennis calls Jack's phone number, and Lureen takes the call. She tells Ennis that Jack died in an accident from drowning in his own blood after a car tire exploded in his face. While she is describing what happened, Ennis envisions a group of men beating Jack to death with a tire iron. Lureen tells him that Jack wanted to have his ashes scattered on Brokeback Mountain. Ennis visits Jack's parents hoping to carry out his wish. Jack's father declares that Jack's ashes will be interred in a family plot. Jack's mother tells Ennis that he is welcome to visit Jack's bedroom. Going there alone, in the closet he finds the shirt that he had thought he had left on the mountain, which Jack had secretly kept, nested inside one of his own shirts. Ennis holds the shirts to his face and silently weeps. Jack's mother sees him holding the two shirts, and allows him to keep them. Later, a 19-year-old Alma Jr. arrives at Ennis's trailer to tell him that she is engaged to Kurt, a man who works in the oil fields. She asks for his blessing and invites him to the wedding. Ennis hesitates due to his work commitments, but then agrees to attend the wedding. Once Alma Jr. leaves, Ennis goes to the closet where the two shirts hang together, Jack's shirt now inside Ennis's. Next to them, tacked to the closet door, is a postcard of Brokeback Mountain. With tears in his eyes, he stares at the mementos, and says, "Jack, I swear..." Cast Credits adapted from TV Guide. Production Development Screenwriter Diana Ossana discovered Annie Proulx's short story, Brokeback Mountain, in October 1997, just days after its publication. She convinced writing partner Larry McMurtry to read it, who thought it was a "masterpiece". The pair asked Proulx if they could adapt it into a film screenplay; although she did not think that the story would work as a film, she agreed. In a 1999 interview with The Missouri Review, Proulx praised their screenplay. Ossana said that convincing a director and production company to make the film was a challenging and nonstop process. Gus Van Sant attempted to make the film, hoping to cast Matt Damon and Joaquin Phoenix as Ennis and Jack, respectively. He also considered Leonardo DiCaprio, Brad Pitt and Ryan Phillippe. Josh Hartnett was originally attached to the film but dropped out due to scheduling conflicts with The Black Dahlia. Damon, who previously worked with Van Sant on Good Will Hunting, told the director, "Gus, I did a gay movie (The Talented Mr. Ripley), then a cowboy movie (All the Pretty Horses). I can't follow it up with a gay-cowboy movie!" Instead, Van Sant went on to make the 2008 biographical film Milk, based on the life of gay rights activist and politician Harvey Milk. Edward Norton and Joel Schumacher were also linked with the project at one point. Focus Features CEO James Schamus optioned the film rights in 2001, but thought it was a risky project. Pedro Almodóvar was initially offered the opportunity to direct, but turned it down, citing concerns about artistic freedom. At Ossana's request, Schamus showed the story and screenplay to director Ang Lee. Lee decided to make Hulk instead; his experience of Hulk, and Crouching Tiger, Hidden Dragon from two years prior left him exhausted. In 2003, he considered retirement but Brokeback Mountain came back to his mind and tempted him back into filmmaking. Lee attempted to get the film made as an independent producer. However, this did not work out, and before Lee would take a break after finishing Hulk, he contacted Schamus about Brokeback Mountain. Schamus thought Brokeback Mountain embraces the American West without being a traditional Western, and told Lee that he should consider directing it. Lee said, "Towards the end [of the script] ... I got tears in my eyes". He was particularly drawn to the authentic rural American life and repression depicted in the story. Bill Pohlad of River Road Entertainment, who had a two-year partnership with Focus Features, helped finance the film. Casting Casting director Avy Kaufman said Lee was very decisive about the actors for the lead roles. In 2003, screenwriters Ossana and McMurty suggested Heath Ledger (after being impressed by his performance in Monster's Ball), but the film studio thought he was not masculine enough. Regardless, Kaufman sent the script to Ledger, who thought it was "beautiful" and put himself forward. Gyllenhaal reacted to the script positively and signed on for the role; he also did not want to miss the opportunity to work with Lee and friend Ledger. Lee met with Mark Wahlberg for a role in the film, but Wahlberg declined as he was "creeped out" by the script. Gyllenhaal admired Ledger and described him as "way beyond his years as a human". Other actors were considered for the leads but Lee said they were too afraid to take on the roles. From the beginning, Ledger wanted to portray Ennis and not Jack. He opined that Ennis was more complex; a masculine and homophobic character. Ledger said, "The lack of words he [Ennis] had to express himself, his inability to love", made the role enjoyable. Ledger, who grew up around horses, researched his character's personal traits, and learned to speak in Wyoming and Texas accents. Lee gave Ledger and Gyllenhaal books about cowboys who were gay or shared similar experiences as the characters depicted in Proulx's story. Ledger and Gyllenhaal also went to a ranch on the outskirts of Los Angeles and learned to ride horses. Gyllenhaal later said:That what ties these two characters together is not just a love, but a loneliness. I think primarily it was deep loneliness. And what I always say about that movie [Brokeback Mountain], which I think maybe over time is more understood, is that this is about two people desperately looking for love. To be loved. And who were probably capable of it. And they just found it with someone of the same sex. And that does not dismiss the fact that it is about, really, primarily, the first kind of very profound gay love story. Hopefully it can create an equality of an idea: that is, it's possible that you can find love anywhere. That intimacy exists in so many places that convention and society won't always allow us to see. And we won't allow ourselves to see, because of what criticism—and danger, really—it might provoke. Lee interviewed between 20 and 30 actresses for the roles of Alma and Lureen. Michelle Williams was one of the first to audition for the role of Alma, and Lee thought she was perfect for the part. Anne Hathaway, who was filming The Princess Diaries 2: Royal Engagement at the time, showed up to the audition during her lunch break. She was wearing a ball gown and hairpiece "that was way over the top", but she still felt focused for the audition. At first, Lee did not think she was an obvious choice, but he was convinced with her audition and cast her as Lureen. Hathaway lied to Lee about her knowledge of horse riding in order to be cast. She took lessons for two months to prepare. Lee was happy with Ledger and Gyllenhaal portraying Ennis and Jack, respectively, because he thought their "young innocence" will help carry a love story until the end. Lee added, "I think these two are among the best in their age group [...] Jake plays the opposite of Heath and it creates a very good couple in terms of a romantic love story. The chemistry, I think, is great." Once all four leads were cast, Lee remembered being impressed with their maturity despite their young age; "It really scared me how good they were". Filming Principal photography began in the summer of 2004. While the Proulx story is set in Wyoming, Brokeback Mountain was filmed almost entirely in the Canadian Rockies in southern Alberta. Lee was given a tour of the locations from the story in Wyoming by Proulx, but chose to shoot in Alberta citing financial reasons. The mountain featured in the film is a composite of Mount Lougheed south of the town of Canmore, Fortress and Moose Mountain in Kananaskis Country. The campsites were filmed at Goat Creek, Upper Kananaskis Lake, Elbow Falls and Canyon Creek, also in Alberta. Other scenes were filmed in Cowley, Fort Macleod, and Calgary. Brokeback Mountain's production budget was approximately US$14 million. Initially, Alberta's environmental department prohibited the crew from bringing domestic sheep into the Rockies, due to a risk of disease harming the local wildlife. The authorities eventually gave permission for them to shoot on one mountain, as long as they transported the domestic sheep in and out, every day. A biologist was hired to supervise this process. Lee prefers working with cinematographers who are open minded, eager to learn, and able to show an interest in the story and content before talking about the visuals. Therefore, he selected Rodrigo Prieto for the job; saying, "I think he's versatile, and I wanted somebody who could shoot quickly [...] he was able to give me the tranquil, almost passive look I wanted for Brokeback. I believe a talent's a talent". Ledger and Gyllenhaal, who were friends before Brokeback Mountain, were mostly unconcerned with the intimate scenes. The first sex scene between Ennis and Jack took 13 takes to meet Lee's expectation. The director would keep his distance from them during filming, allowing the actors to be free and spontaneous. Lee said, "I don't talk too much [to them] except for technical notes. So they [the intimate scenes] are a lot easier to deal with". Ledger was observant of Lee's directing style, saying, "There's two sides to Ang's direction — there's the pre-production, which is incredibly thorough and private, and then there's the shooting side, when he just doesn't say anything at all." Ledger said that this helped him try harder during takes. Gyllenhaal echoed Ledger's sentiment; "He just totally disconnects from you while you're shooting", but praised Lee's directorial skills. In regard to acting, Ledger was sometimes disrupted by Gyllenhaal's acting style; Gyllenhaal tended to improvise whereas Ledger preferred to be highly prepared. The director allowed Ledger to see his performance on the camera monitor so that he could improve. During the last scenes where Ennis meets Jack's parents, production designer Judy Becker was tasked in finding a suitable house. Lee took inspiration from painters Andrew Wyeth and Vilhelm Hammershoi for the white interior walls. Using two cameras, Lee would capture the actors from both angles, and then change lenses and repeat. "When you edit it together, you can apply certain emphasis to certain reactions, emotions", Lee said. Ossana remembers that the last scenes were emotional for Ledger and personally affected him. The actors who played Jack's parents, Roberta Maxwell and Peter McRobbie, said Ledger was very quiet and gave a "powerful performance". Executive producer Michael Hausman rented Airstream trailers for the cast and crew to sleep in. He created an on-set atmosphere which mimicked a summer camp, where people could bond and feel close. Hausman recalled that they would sit around the fireplaces, cook food and go fishing on the creek. The production was not without commotion; the cast suffered several injuries during filming. Williams sprained her knee in the early days of filming, therefore, her character's movements were altered to be either sitting or standing most of the time. Ledger also injured his hand when he punched a wall for a scene. During a kissing scene, Ledger almost broke Gyllenhaal's nose. The American Humane raised concerns that animals were treated improperly during filming, alleging that sheep were handled roughly and that an elk appeared to have been "shot on cue." They learned that the elk was shot with anesthetic, violating standard guidelines for animal handling in the film industry. During post-production, Geraldine Peroni and Dylan Tichenor served as film editors, but Peroni died in August 2004 and Tichenor took over. The pair relied on Media Composer for editing, and sound engineer Eugene Gearty used Pro Tools for the creation of sound effects. Buzz Image Group were hired to create 75 visual effect shots, including computer-generated clouds, landscapes and sheep. For the film's theatrical poster, Schamus took inspiration from James Cameron's Titanic, which depicts two star-crossed lovers. Music Gustavo Santaolalla scored the film's soundtrack, which consists of 17 tracks as well as songs from Bob Dylan and Roger Miller. The album was released on October 25, 2005. Based on the story and one conversation with the director, Santaolalla was able to score the music before filming began. He said, "I mean if you are connected to the story and to the director, it makes a lot of sense because somehow you know, the music then becomes a part of the fabric of that film from the very beginning." He also used a real orchestra and played his own guitar. Release Box office The film received a limited release in the United States on December 9, 2005, and grossed $547,425 in its first weekend. Over the Christmas weekend, and beginning of January 2006, the film expanded into more domestic theaters. On January 20, the film opened in 1,194 theaters, then 1,652 theaters on January 27, and 2,089 theaters on February 3, its widest release. Brokeback Mountain was released in one theater in London on December 30 and received a wider release in the United Kingdom on January 6, 2006. The film was released in France on January 18, to 155 theaters, expanding to 290 by the third week. In its first week of release, Brokeback Mountain was in third place at the French box office. In Italy, the film grossed more than €890,000 in three days and was the fourth highest-grossing film in its first week. The film was released in Australia on January 26, where it ranked fourth place at the weekend box office. Brokeback Mountain was released in many other countries during the first three months of 2006. During its first week of release in Hong Kong, Brokeback Mountain was ranked first place at the box office, earning more than US$473,868 ($22,565 per theater). The film opened in Lee's native Taiwan on January 20. The film grossed $83 million in North America and $95 million internationally, for a worldwide $178 million. It is the highest-grossing release for Focus Features. International distribution The film has been given different titles in accordance to different languages and regions. For the film's release in French and Italian, it was titled Le Secret de Brokeback Mountain and I segreti di Brokeback Mountain (The Secret(s) of Brokeback Mountain), respectively. In Canadian French, the title is Souvenirs de Brokeback Mountain (Memories of Brokeback Mountain). The film received two Spanish titles: Brokeback Mountain: En terreno vedado (In a forbidden terrain) for its release in Spain and Secreto en la Montaña (Secret in the mountain) for its release in Latin America. In Hungarian, the title was Túl a barátságon (Beyond friendship).The film was met with mixed responses in some regions, particularly China and Islamic nations of western Asia. According to reports, the film was not shown in theaters in China, though it was freely available in bootleg DVD and VHS. The Chinese government said the audience would have been too small; the foreign media accused the government of censorship. The word "brokeback" (Chinese: 断背; pinyin: duànbèi) also entered the Chinese lexicon as a slang for homosexuality. The film was dubbed "the gay cowboy movie" by the press, a term that was propelled into the American vernacular. The film was also released in Turkey. In the Middle East, distribution of the film became a political issue. Homosexuality is considered a crime in most Islamic nations and is taboo in the few countries where it is legal. Lebanon was the only Arab country to show the film, although in a censored format. The film was officially banned from screenings in the United Arab Emirates; however, the DVD of the film was permitted to be rented from stores such as Blockbuster Video. On December 8, 2008, the Italian state-owned television channel Rai Due aired a censored version of the film, removing all the scenes with homoerotic references. Viewers protested, saying the deletions made the plot hard to follow. The Arcigay organisation accused the channel of homophobic censorship. The state-owned television network RAI said the Italian film distributor had mistakenly censored the film. RAI showed an uncensored version of the film on March 17, 2009. Home media Brokeback Mountain was the first major film to be released simultaneously on both DVD and digital download via the Internet. It was released in the United States on April 4, 2006. More than 1 million copies of the DVD were sold in the first week, and it was the third-biggest seller of the week, behind Disney's The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and King Kong. Although the ranking fluctuated daily, by late March and early April 2006, Brokeback Mountain had been the top-selling DVD on Amazon.com for several days running. The DVD in Europe was released in the UK on April 24, 2006. This was followed by France in July, and Poland in September, a considerable time after the theater release in both countries. Brokeback Mountain was re-released in a collector's edition on January 23, 2007. On the same day, it was also released in HD DVD format. The film was released on Blu-ray in the UK on August 13, 2007, and in the U.S. on March 10, 2009. The Blu-ray contains special features including interviews with the screenwriters, director and a short documentary about composer Gustavo Santaolalla. Kino Lorber released the film on Ultra HD Blu-ray on July 16, 2024. Critical response Brokeback Mountain was released to critical acclaim. On the review aggregator Rotten Tomatoes, the film holds an approval rating of 88% based on 252 reviews, with an average rating of 8.2/10. The site's critical consensus reads, "A beautifully epic Western, Brokeback Mountain's love story is imbued with heartbreaking universality, helped by moving performances by Heath Ledger and Jake Gyllenhaal." On Metacritic, the film has a rating of 87/100 based on 41 reviews, indicating "universal acclaim". David Ansen of Newsweek gave the film a positive review, praising the faithful screenplay. He adds, "There's neither coyness nor self-importance in Brokeback Mountain—just close, compassionate observation, deeply committed performances, a bone-deep feeling for hardscrabble Western lives. Few films have captured so acutely the desolation of frustrated, repressed passion." Writing for The Guardian, Peter Bradshaw praised Ledger and Gyllenhaal for their complementary performances. Bradshaw thought the film was "extremely moving, tragic even, and sensitive towards the feelings of the simple wives who attempt to understand their troubled husbands." Ann Hornaday of The Washington Post was equally positive, opining that the two lead actors' performances were unforgettable. In particular, she thought Ledger was impressive in his portrayal of a reserved and emotionally affected Ennis. Hornaday also praised the costumes and sets, writing "The Wyoming vistas are flawlessly manicured, Ledger and Gyllenhaal perfectly costumed and coiffed; even Ennis and Alma's sad little apartment over a laundromat seems to have been designed to death." Roger Ebert gave Brokeback Mountain a rating of four out of four stars in his review. Ebert was impressed with the level of attention to the characters, and thought that the film was as observant as the work by Swedish filmmaker Ingmar Bergman. Writing for The Sydney Morning Herald, Sandra Hall praised the screenplay and called Ledger and Gyllenhaal "finely tuned". Noting that it is a slow film, Hall thought the filmmakers had adapted Proulx's story without missing any nuances. USA Today's Mike Clark observed that Brokeback Mountain was directed and photographed with restraint, and praised its old-fashioned quality, and "unassuming but people-oriented" nature. The film also received a positive reaction from Christianity Today; the reviewer gave the film 3 out of 4 stars. In a mixed review, Ed Gonzalez of Slant magazine thought the film was too long, and the critic from Time magazine felt that the story became less intense towards the end. Conservative radio host Michael Medved described it as "extremely well done" and that as a film, it was "better than the agenda". Several conservative political pundits, including commentators Bill O'Reilly, John Gibson, and Cal Thomas, shared Medved's view of the "agenda". Gibson made jokes about the film on his Fox News Radio program for months after its release. After the death of Ledger in 2008, Gibson was criticized for mocking the deceased actor, and later apologized. Conservative radio host Rush Limbaugh referred to the film as "Bareback Mountain" and "Humpback Mountain". Don Imus referred to the film as "Fudgepack Mountain". Several conservative Christian groups, such as Concerned Women for America (CWA) and Focus on the Family, criticized the film for its subject matter. Following the success of Brokeback Mountain, Capote, and Transamerica at the Golden Globes Awards in 2006, Janice Crouse, a CWA member, cited these films as examples of how "the media elites are proving that their pet projects are more important than profit", and suggested they were not popular enough to warrant critical acclaim. Film critic Gene Shalit, of The Today Show, described the character of Jack Twist as a "sexual predator" who "tracks Ennis down and coaxes him into sporadic trysts." The LGBTQ media group GLAAD said that Shalit's characterization of Twist was like calling Jack in Titanic a sexual predator due to his romantic pursuit of Rose. Shalit's openly gay son, Peter Shalit, wrote an open letter to GLAAD: "He [Gene] may have had an unpopular opinion of a movie that is important to the gay community, but he defamed no one, and he is not a homophobe." Gene Shalit later apologized for his review: "I did not intend to use a word that many in the gay community consider incendiary... I certainly had no intention of casting aspersions on anyone in the gay community or on the community itself. I regret any emotional hurt that may have resulted from my review of Brokeback Mountain." Some commentators accused the filmmakers for hiding content about the film in advertising and in public events, such as press conferences and award ceremonies. New York Daily News writer Wayman Wong, Dave Cullen and Daniel Mendelsohn argued that the director, cast, and publicists avoided using the word gay to describe the story, and noted that the film's trailer did not show a kiss between the two men but showed a heterosexual love scene. The film's significance has been attributed to its portrayal of a same-sex relationship focused solely on the characters, as the film does not refer in any manner to the broader history of various LGBT social movements. It emphasizes the tragic love story aspect, and many critics have compared Ennis and Jack's drama to classic and modern romances such as Romeo and Juliet or Titanic, often using the term star-crossed lovers. Proulx praised the film as "huge and powerful", adding, "I may be the first writer in America to have a piece of writing make its way to the screen whole and entire. [...] I was astonished that the characters of Jack and Ennis came surging into my mind again". Critics' lists of 2005 Brokeback Mountain appeared on numerous American critics' lists as one of their favorite films of 2005. The film was picked as one of the 400 nominated films for the American Film Institute list AFI's 100 Years...100 Movies (10th Anniversary Edition). Entertainment Weekly put it on its end-of-the-decade, best-of list. In a 2016 international poll conducted by BBC, Brokeback Mountain was ranked the 40th greatest film since 2000. In 2019, The Guardian ranked the film 66th in its 100 best films of the 21st century list. Legal issues On January 6, 2006, Utah Jazz owner Larry H. Miller removed the film from theaters at the Jordan Commons entertainment complex in Sandy, Utah. Miller said the film's content had no resemblance of a traditional family, which he believed is "dangerous". Focus Features threatened legal action and announced it would no longer do business with him. On March 23, 2006, Randy Quaid, who portrayed Joe Aguirre in the film, filed a lawsuit against Focus Features for misrepresenting Brokeback Mountain as "a low-budget, art house film with no prospect of making any money", in order to secure his role for a cheaper rate. On May 4, Quaid's publicist said he dropped the lawsuit as the company agreed to pay him a settlement; the company denies this, however. Accolades Brokeback Mountain garnered awards and nominations in a variety of categories, including for its directing, screenplay, acting, original score, and cinematography. At the 78th Academy Awards, Brokeback Mountain was nominated for the Academy Award for Best Picture and won three awards for Best Director, Best Adapted Screenplay, and Original Score. The film garnered seven nominations at the 63rd Golden Globe Awards, winning four for Best Motion Picture – Drama, Best Director, Best Screenplay and Best Song. At the 59th British Academy Film Awards, Brokeback Mountain was nominated for nine awards, winning in the categories of Best Film, Best Direction, Best Adapted Screenplay and Best Supporting Actor for Jake Gyllenhaal. After Brokeback Mountain lost the Academy Award for Best Picture to Crash, some critics accused the Academy of homophobia and for making a non-groundbreaking choice. Commentators including Kenneth Turan and Nikki Finke derided the Academy's decision, but Roger Ebert defended the decision to award Crash Best Picture, arguing that the better film won. Proulx wrote an essay expressing disappointment in the film not winning Best Picture. She also opined that Philip Seymour Hoffman's performance in Capote required less effort than that required of the actors in Brokeback Mountain. Following the loss, more than 800 supporters raised up to $26,000 to place an advertisement in the Daily Variety. The advert thanked the filmmakers "for transforming countless lives through the most honored film of the year." The film is one of several highly acclaimed LGBT-related films of 2005 to be nominated for critical awards; others include Breakfast on Pluto, Capote, Rent, and Transamerica. It was voted the top film involving homosexual relationships by readers at TheBacklot.com. In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years. In 2015, The Hollywood Reporter polled Academy members on controversial past decisions, in which Brokeback Mountain won the revote for Best Picture. Characters' sexuality Critics and the cast and crew disagreed as to whether the film's two protagonists were homosexual, bisexual, heterosexual, or should be free of any sexual orientation classification. The film was frequently referred to in the media as the "gay cowboy movie", but a number of reviewers noted that both Jack and Ennis were bisexual. Sex researcher Fritz Klein said that the film was "a nice film with two main characters who were bisexual" and suggested that the character of Jack is more "toward the gay side" of the spectrum and Ennis is "a bit more toward the straight side". Gyllenhaal said in 2006 that Ennis and Jack were straight men who "develop this love, this bond," saying in a Details interview: "I approached the story believing that these are actually two straight guys who fall in love." However, in 2015, he told The Hollywood Reporter that this was a "gay love story", and that his character was the more "overtly gay" of the two. Ledger told Time magazine in 2005: "I don't think Ennis could be labeled as gay. Without Jack Twist, I don't know that he ever would have come out. I think the whole point was that it was two souls that fell in love with each other." Others said they felt the characters' sexuality was meant to be ambiguous. Clarence Patton and Christopher Murray of New York's Gay City News wrote that Ennis and Jack's experiences were metaphors for "many men who do not identify as gay or even queer, but who nevertheless have sex with other men". Entertainment Weekly wrote that "everyone called it 'The Gay Cowboy Movie' until they saw it. In the end, Ang Lee's 2005 love story wasn't gay or straight, just human." Tom Ciorciari of EFilmCritic.com wrote: "We later see Jack eagerly engage Lureen sexually, with no explanation as to whether he is bisexual, so in need of physical intimacy that anyone, regardless of gender, will do, or merely very adept at faking it." LGBT non-fiction author Eric Marcus dismissed "talk of Ennis and Jack being anything but gay as box office-influenced political correctness intended to steer straight audiences to the film". Roger Ebert believed that both characters were gay, but doubted it themselves: "Jack is able to accept a little more willingly that he is inescapably gay." Producer James Schamus said, "I suppose movies can be Rorschach tests for all of us, but damn if these characters aren't gay to me." Brokeback Mountain author Annie Proulx said, "how different readers take the story is a reflection of their own personal values, attitudes, hang-ups." When Ledger and Gyllenhaal were asked if they feared being cast in controversial roles, Ledger stated that he was not afraid of the role, but rather he was concerned that he would not be mature enough as an actor to do the story justice. Gyllenhaal has stated that he is proud of the film and his role, regardless of what the reactions would be. He thinks rumors of him being bisexual are flattering, stating: "I'm open to whatever people want to call me. I've never really been attracted to men sexually, but I don't think I would be afraid of it if it happened." Lee described himself as shy upon shooting the first sex scene and found it initially, technically difficult but praised Ledger and Gyllenhaal for their professionalism. Ledger's performance was described by Luke Davies as a difficult and empowering portrayal given the environment of the film: "In Brokeback Mountain the vulnerability, the potential for danger, is so great – a world so masculine it might destroy you for any aberration – that [Ledger's] real brilliance was to bring to the screen a character, Ennis Del Mar, so fundamentally shut down that he is like a bible of unrequited desires, stifled yearnings, lost potential." Author Jim Kitses quoted Diana Ossana's acknowledgement of how the film "subverts the myth of the American West and its iconic heroes." He commented: "What drives the emotional attack of the film is the inadequacy of its characters to articulate and understand, let alone control, the experience that strikes them like a storm. American cowboys—of all people—have no business falling in love with each other. Practical and conservative types of a rough and ready manhood are by no means ready for man-love." Legacy and impact Brokeback Mountain was lauded as a landmark in LGBT cinema and credited for influencing several films and television shows featuring LGBT themes and characters. In Out at the Movies, Steven Paul Davies explains that as a result of the film's success, "most major film studios have been clamouring to get behind new, gay-themed projects... thanks to Brokeback, film financiers will continue to back scripts that don't simply rely on gay stereotypes...and that will certainly be progress." Davies cites Milk, Transamerica, and I Love You Phillip Morris as examples of such films. In 2018, Brokeback Mountain was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The pair of shirts worn by Ledger's and Gyllenhaal's characters were sold on eBay on February 20, 2006, for US$101,100.51. The shirts were sold to benefit children's charity Variety. The buyer, Tom Gregory, film historian and collector, described the shirts as "the ruby slippers of our time", referring to an artifact from The Wizard of Oz film. In 2009, Gregory loaned the shirts to the Autry National Center in Los Angeles for its series, Out West, which explored the history of homosexual, bisexual and transgender people in the Old West. The series included a gallery tour, panel discussions, lectures and performances, with events held in four installments over the course of 12 months. According to the Autry, the series was the "first of its kind" for a western heritage museum. A book, Beyond Brokeback: The Impact of a Film (2007) is a collection of personal stories of how people were influenced by the story and film, compiled from members of the Ultimate Brokeback Forum website. In an associated Out West series program, the Autry screened Brokeback Mountain in December 2010 to commemorate the film's fifth anniversary and held a staged reading of Beyond Brokeback by historian and Out West organizer Gregory Hinton. Beyond Brokeback has been presented as a staged reading at other venues, such as Roosevelt University in Chicago, on November 13, 2011, together with a panel discussion and screening of the film. An American opera, Brokeback Mountain, was composed by Charles Wuorinen with a libretto by Annie Proulx. Written in English, it premiered at the Teatro Real in Madrid on January 28, 2014. It was championed by impresario Gerard Mortier, who had commissioned it. A play, based on Annie Proulx's short story, written by Ashley Robinson with songs by Dan Gillespie Sells, opened on May 10, 2023, at @sohoplace in London's West End. Several years after the film's release, Proulx said she regrets writing the story. She said that people have sent her too much fan fiction presenting alternative plots. Some authors, mostly men claiming to "understand men better than I do", often send their works. She said: [The film] is the source of constant irritation in my private life. There are countless people out there who think the story is open range to explore their fantasies and to correct what they see as an unbearably disappointing story [...] They constantly send ghastly manuscripts and pornish rewrites of the story to me, expecting me to reply with praise and applause for "fixing" the story. They certainly don't get the message that if you can't fix it you've got to stand it. Most of these "fix-it" tales have the character Ennis finding a husky boyfriend and living happily ever after, or discovering the character Jack is not really dead after all, or having the two men's children meet and marry, etc., etc. See also List of LGBT-related films by storyline List of films considered the best List of LGBT Academy Award winners and nominees Mixed-orientation marriage, sometimes referred to as a "brokeback" marriage References Further reading Proulx, Annie (1997, 1999, 2006). Close Range: Wyoming Stories. Proulx, Annie; McMurtry, Larry; Ossana, Diana (2005, 2006). Brokeback Mountain: Story to Screenplay. London, New York, Toronto and Sydney: Harper Perennial. ISBN 978-0-00-723430-1. Packard, Chris (2006) Queer Cowboys: And Other Erotic Male Friendships in Nineteenth-Century American Literature. New York: Palgrave Macmillan. ISBN 1-4039-7597-3. Cante, Richard C. (March 2008). "Introduction"; "Chapter 3". Gay Men and the Forms of Contemporary US Culture. London: Ashgate Publishing. ISBN 0-7546-7230-1. Rich, B. Ruby (2013). "Ang Lee's Lonesome Cowboys". New Queer Cinema: The Director's Cut. London: Duke University Press. ISBN 978-0-8223-5428-4. External links Brokeback Mountain at AllMovie Brokeback Mountain at Box Office Mojo Brokeback Mountain at IMDb Brokeback Mountain at the TCM Movie Database Brokeback Mountain at the AFI Catalog of Feature Films
Gus_Van_Sant
https://en.wikipedia.org/wiki/Gus_Van_Sant
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Gus Green Van Sant Jr. (born July 24, 1952) is an American filmmaker, photographer, painter, and musician who has earned acclaim as an independent filmmaker. His films typically deal with themes of marginalized subcultures. His early career was devoted to directing television commercials in the Pacific Northwest. He made his feature-length directorial debut film Mala Noche (1985). His second film, Drugstore Cowboy (1989), was highly acclaimed, and earned him screenwriting awards from the Los Angeles Film Critics Association and New York Film Critics Circle and the award for Best Director from the National Society of Film Critics. His next film, My Own Private Idaho (1991), was similarly praised, as were the black comedy To Die For (1995), the drama Good Will Hunting (1997), and the biographical film Milk (2008); for the latter two, Van Sant was nominated for the Academy Award for Best Director and both films received Best Picture nominations. In 2003, Van Sant's film based on the Columbine High School massacre, Elephant, won the Palme d'Or at the Cannes Film Festival. Van Sant also received the festival's Best Director Award that same year, making him one of only two filmmakers—the other being Joel Coen—to win both accolades at the festival in the same year. Though most of Van Sant's other films received favorable reviews, such as Finding Forrester (2000) and Paranoid Park (2007), some of his efforts, such as the art house production Last Days (2005) and the environmental drama Promised Land (2012), have received more mixed reviews from critics, while his adaptation of Tom Robbins's Even Cowgirls Get the Blues (1993), his 1998 remake of Alfred Hitchcock's Psycho, and The Sea of Trees (2015), were critical and commercial failures. Van Sant wrote the screenplays for several of his earlier works, and is the author of a novel, Pink. A book of his photography, 108 Portraits, has been published, and he has released two musical albums. He lives in the Los Feliz section of Los Angeles, California. Early life Van Sant was born and raised in Louisville, Kentucky, the son of Betty (née Seay) and Gus Green Van Sant Sr. The younger Gus' father was a clothing manufacturer and traveling salesman, who rapidly worked his way into middle class prosperity, holding executive marketing positions that included being president of the White Stag Manufacturing Company's apparel operation. As a result of his father's job, the family moved continually during his childhood. Gus Van Sant's paternal family is of partial Dutch origin; the name "Van Sant" is derived from the Dutch name "Van Zandt". The earliest Van Zandt arrived in the New Netherland area in the early 17th century, around what is now New York City. Van Sant is an alumnus of Darien High School in Darien, Connecticut, and The Catlin Gabel School in Portland, Oregon. One constant in the director's early years was his interest in visual arts (namely, painting and Super-8 filmmaking); while still in school he began making semi-autobiographical shorts costing between 30 and 50 dollars. Van Sant's artistic leanings took him to the Rhode Island School of Design in 1970, where his introduction to various avant-garde directors inspired him to change his major from painting to cinema. Career 1982–1989: Early career After spending time in Europe, Van Sant went to Los Angeles in 1976. He secured a job as a production assistant to filmmaker Ken Shapiro, with whom he developed a few ideas, none of which came to fruition. In 1981, Van Sant made Alice in Hollywood, a film about a naïve young actress who goes to Hollywood and abandons her ideals. It was never released. During this period, Van Sant began to spend time observing the denizens of the more down-and-out sections of Hollywood Boulevard. He became fascinated by the existence of this marginalized section of L.A.'s population, especially in context with the more ordinary, prosperous world that surrounded them. Van Sant would repeatedly focus his work on those existing on society's fringes, making his feature film directorial debut Mala Noche. It was made two years after Van Sant went to New York to work in an advertising agency. He saved $20,000 during his tenure there, enabling him to finance the majority of his tale of doomed love between a gay liquor store clerk and a Mexican immigrant. The film, which was taken from Portland street writer Walt Curtis' semi-autobiographical novella, featured some of the director's hallmarks, notably an unfulfilled romanticism, a dry sense of the absurd, and the refusal to treat homosexuality as something deserving of judgment. Unlike many gay filmmakers, Van Sant—who had long been openly gay—declined to use same-sex relationships as fodder for overtly political statements, although such relationships would frequently appear in his films. Shot in black-and-white, the film earned Van Sant almost overnight acclaim on the festival circuit, with the Los Angeles Times naming it the year's best independent film. The film's success attracted Hollywood interest, and Van Sant was briefly courted by Universal; the courtship ended after Van Sant pitched a series of project ideas (including what would become Drugstore Cowboy and My Own Private Idaho) that the studio declined to take interest in. Van Sant returned to Portland, Oregon, where he set up house and began giving life to the ideas rejected by Universal. He directed Drugstore Cowboy about four drug addicts robbing pharmacies to support their habit. The film met with great critical success and revived the career of Matt Dillon. 1990–1995: Indie and arthouse success Drugstore Cowboy's exploration of the lives of those living on society's outer fringes, as well as its Portland setting, were mirrored in Van Sant's next effort, the similarly acclaimed My Own Private Idaho (1991). Only with the success of Cowboy was Van Sant now given license to make Idaho (a film he had originally pitched that was knocked back several times because the studios deemed the script 'too risky'). New Line Cinema now gave Van Sant the green light, and he went on a mission to get the Idaho script into the hands of River Phoenix and Keanu Reeves, his preferred choice for the two young leads. After months of struggle with agents and managers over the content of the script, Van Sant finally secured Phoenix and Reeves, who played the roles of Mike Waters and Scott Favor, respectively. Centering on the dealings of two male hustlers (played by Phoenix and Reeves), the film was a compelling examination of unrequited love, alienation and the concept of family (a concept Van Sant repeatedly explores in his films). The film won him an Independent Spirit Award for his screenplay (he had won the same award for his Drugstore Cowboy screenplay), as well as greater prestige. The film gained River Phoenix best actor honors at the Venice Film Festival among others. It helped Reeves—previously best known for his work in the Bill and Ted movies—to get the critical respect that had eluded him. Van Sant's next film, a 1993 adaptation of Tom Robbins' Even Cowgirls Get the Blues, was an excessive flop, both commercially and critically. Featuring an unusually large budget (for Van Sant, at least) of $8.5 million and a large, eclectic cast including Uma Thurman, John Hurt, Keanu Reeves and a newcomer in the form of River Phoenix's younger sister Rain (at Phoenix's suggestion), the film was worked and then reworked, but the finished product nonetheless resulted in something approaching a significant disaster. Van Sant's 1995 film To Die For helped to restore his luster. An adaptation of Joyce Maynard's novel, the black comedy starred Nicole Kidman as a murderously ambitious weather girl; it also stars Matt Dillon as her hapless husband and, the third Phoenix sibling in as many projects, Joaquin Phoenix, as her equally hapless lover (River had died of a drug overdose a year and half earlier). It was Van Sant's first effort for a major studio (Columbia), and its success paved the way for further projects of the director's choosing. The same year, he served as executive producer for Larry Clark's Kids; it was a fitting assignment, due to both the film's subject matter and the fact that Clark's photographs of junkies had served as reference points for Van Sant's Drugstore Cowboy. 1997–2003: Mainstream breakout In 1997, Van Sant gained mainstream recognition and critical acclaim thanks to Good Will Hunting, which was written by Matt Damon and Ben Affleck. The film, about a troubled, blue-collar mathematical genius, was a huge critical and commercial success. It was nominated for nine Academy Awards, including Best Director for Van Sant. It won two, including Best Screenplay for Damon and Affleck, and Best Supporting Actor Oscar for Robin Williams, who, in his acceptance speech, referred to Van Sant as "being so subtle you're almost subliminal." Van Sant, Damon and Affleck parodied themselves and the film's success in Kevin Smith's Jay and Silent Bob Strike Back. Van Sant received the opportunity to remake Alfred Hitchcock's classic Psycho. As opposed to reinterpreting the 1960 film, Van Sant opted to recreate the film shot-for-shot, in color, with a cast of young Hollywood A-listers. His decision was met with equal parts curiosity, skepticism, and derision from industry insiders and outsiders alike, and the finished result met with a similar reception. It starred Anne Heche, Vince Vaughn and Julianne Moore, and met with a negative critical reception and did poorly at the box office. In 2000, Van Sant directed Finding Forrester, about a high-school student (Rob Brown) from the Bronx unlikely becoming a friend of a crusty, reclusive author (Sean Connery). Critical response was generally positive and became a box office success. In addition to directing, he devoted considerable energy to releasing two albums and publishing a novel, Pink, which was a thinly veiled exploration of his grief over River Phoenix's death. 2003–present: Return to arthouse cinema Van Sant traveled to the deserts of Argentina, Utah, and Death Valley for the production of 2002's Gerry, a loosely devised, largely improvised feature in which stars Matt Damon and Casey Affleck—both playing characters named Gerry—wander through the desert, discussing Wheel of Fortune, video games, and nothing in particular. The film premiered at the Sundance Film Festival. It took Gerry over a year to make it to theaters, in which time Van Sant began production on his next film, Elephant. Approached by HBO and producer Diane Keaton to craft a fictional film based on the 1999 Columbine High School massacre, the director chose to shoot in his hometown of Portland, employing dozens of untrained, teen actors. Melding improvisational long takes like those in Gerry with Harris Savides' fluid camerawork, the film was influenced by Alan Clarke's 1989 film of the same name (see Elephant). The finished film provoked strong reactions from audiences at the 2003 Cannes Film Festival. At the Cannes festival, the jury awarded Elephant with their top prize, the Palme d'Or, and Van Sant with his first Best Director statue from the festival. In 2005, Van Sant released Last Days, the final component of what he refers to as his "Death Trilogy", (the other parts being Gerry and Elephant). It is a fictionalized account of what happened to Nirvana frontman Kurt Cobain in the days leading up to his death. In 2006, Van Sant began work on Paranoid Park based on the book by Blake Nelson, about a skateboarding teenager who accidentally causes someone's death. The film was released in Europe in February 2008. He also directed the "Le Marais" segment of the omnibus film Paris, je t'aime. Released in 2008, Van Sant's Milk is a biopic of openly gay San Francisco politician Harvey Milk, who was assassinated in 1978. The film received eight Oscar nominations at the 81st Academy Awards, including Best Picture, winning two for Best Actor in a Leading Role for Sean Penn, who starred as Milk, and Best Original Screenplay for writer Dustin Lance Black. Van Sant was nominated for Best Director. Van Sant later stated that his experience with Sean Penn on the film was "amazing". His 2011 film Restless was screened in the Un Certain Regard section at the 2011 Cannes Film Festival, and starred Henry Hopper and Mia Wasikowska. Van Sant's film, Promised Land, was released on December 28, 2012. The film stars Frances McDormand, Matt Damon, and John Krasinski—the latter two co-wrote the screenplay based on a story by Dave Eggers. Filmed in April 2012, the production company, Focus Features, selected the release date so that the film is eligible to qualify for awards consideration. After Promised Land, Van Sant directed a film titled Sea of Trees, which starred Matthew McConaughey and Ken Watanabe. The film tells the story of a man who travels to the infamous Aokigahara suicide forest in Japan to kill himself, only to encounter another man wishing to kill himself as well, with whom he then embarks on a "spiritual journey". The film was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival but was met with harsh critical reception at the Cannes, being booed and laughed at. In December 2016, it was announced Van Sant would direct Don't Worry, He Won't Get Far on Foot, a biopic about cartoonist John Callahan, starring Joaquin Phoenix, Rooney Mara, Jonah Hill, Jack Black, and Mark Webber. Principal photography began in March 2017. Other work Van Sant released two musical albums: Gus Van Sant and 18 Songs About Golf. Van Sant played himself in episodes of the HBO series Entourage and the IFC series Portlandia. Van Sant was credited for all photography, paintings and art direction on the Red Hot Chili Peppers' album Blood Sugar Sex Magik, and directed the video for "Under the Bridge". He directed the pilot for the Starz television program Boss, starring Kelsey Grammer. Van Sant went onto The Bret Easton Ellis Podcast in 2014 to discuss filmmaking, writing, film history and their collaborations that never got made (The Golden Suicides) and the one that did (The Canyons). Archive The moving image collection of Gus Van Sant is held at the Academy Film Archive. The archive has preserved many of Van Sant's short films, including The Happy Organ, Ken Death Gets Out of Jail, Five Ways to Kill Yourself, and others. Filmography Feature films Executive producer only Kids (1995) Speedway Junky (1999) Tarnation (2003) Wild Tigers I Have Known (2006) Lightfield's Home Videos (2006) Howl (2010) Virginia (2010) Act Up! (2012) Laurence Anyways (2012) Revolution (2013) I Am Michael (2015) Age Out (2018) Short films Fun with a Bloodroot (1967) 2 min 20 sec, 8 mm color The Happy Organ (1971) 20 min, 16 mm black and white Little Johnny (1972) 40 sec, 16 mm black and white 1/2 of a Telephone Conversation (1973) 2 min, 16 mm black and white Late Morning Start (1975) 28 min, 16 mm color The Discipline of DE (1978) 9 min, 16 mm black and white, adaptation of William S. Burroughs' short story, narrated by Ken Shapiro Alice in Hollywood (1981) 45 min, 16 mm color My Friend (1982) 3 min, 16 mm black and white Where'd She Go? (1983) 3 min, 16 mm color Nightmare Typhoon (1984) 9 min, 16 mm black and white My New Friend (1984) 3 min, 16 mm color Ken Death Gets Out of Jail (1985) 3 min, 16 mm black and white Five Ways to Kill Yourself (1986) 3 min, 16 mm black and white Thanksgiving Prayer (1991) 2 min, 35 mm color, written by and starring William S. Burroughs Four Boys on the Road in a Volvo (1996) 4min, color Paris, je t'aime (2006) segment "Le Marais" To Each His Own Cinema (2007) segment "First Kiss" (3 min) 8 (2008) segment "Mansion on the Hill" Music videos "Thanksgiving Prayer" by William Burroughs (1990) "Fame '90" by David Bowie (1990) "I'm Seventeen" by Tommy Conwell & The Young Rumblers (1991) "Under the Bridge" by Red Hot Chili Peppers (1992) "Bang Bang Bang" by Tracy Chapman (1992) "Runaway" by Deee-Lite (1992) "The Last Song" by Elton John (1992) "San Francisco Days" by Chris Isaak (1993) "Just Keep Me Moving" by k.d. lang (1993) "Creep" (alternative version) by Stone Temple Pilots (1993) "Understanding" by Candlebox (1995) "Ballad of the Skeletons" by Allen Ginsberg with Paul McCartney, Philip Glass, Lenny Kaye et al. (1996) "Weird" by Hanson (1998) "Who Did You Think I Was" (turntable version) by John Mayer Trio (2005) "Desecration Smile" by Red Hot Chili Peppers (2007) "Ain't it Funny" by Danny Brown (2016) Recordings The Elvis of Letters (1985) with William S. Burroughs Millions of Images (1990) with William S. Burroughs 18 Songs About Golf (1998) Actor Jay and Silent Bob Strike Back (2001) as Himself Entourage Season 5, Episode 12: "Return to Queens Blvd." (2008) as Himself The Canyons (2013) as Dr. Campbell The Trainer (2024) Television Boss (2011) – Director, executive producer The Devil You Know (2015) – Director, executive producer When We Rise (2017) – Director, executive producer Feud: Capote vs. The Swans (2024) – Director, executive producer Awards and nominations Career achievement Provincetown International Film Festival Filmmaker on the Edge Award (2002) Drugstore Cowboy (1989) Los Angeles Film Critics Association Award for Best Screenplay (with Daniel Yost) Independent Spirit Award for Best Screenplay (with Daniel Yost) National Society of Film Critics Award for Best Director National Society of Film Critics Award for Best Screenplay (with Daniel Yost) New York Film Critics Circle Award for Best Screenplay (with Daniel Yost) My Own Private Idaho (1991) Venice Film Festival Official Selection Toronto Festival of Festivals FIPRESCI Prize Good Will Hunting (1997) Berlin Film Festival Official Selection Academy Award nomination for Best Director [film won for Best Supporting Actor and Best Original Screenplay] Directors Guild of America (DGA) nomination for Outstanding Directorial Achievement in Motion Pictures Satellite Award nomination for Best Director Finding Forrester (2000) Berlin Film Festival Prize of the Guild of German Art House Cinemas Elephant (2003) Cannes Film Festival Palme d'Or Cannes Film Festival Prix de la mise en scène Last Days (2005) Cannes Film Festival Official Selection Paranoid Park (2007) Boston Society of Film Critics Award for Best Director Cannes Film Festival "Prix du 60ème anniversaire" (also acknowledging his body of works) Milk (2008) Academy Award nomination for Best Director [film won Best Actor in a Leading Role and Best Original Screenplay] Boston Society of Film Critics Award for Best Director Broadcast Film Critics Association Award nomination for Best Director The Cinema for Peace Award for the Most Valuable Film of the Year Directors Guild of America (DGA) nomination for Outstanding Directorial Achievement in Motion Pictures Satellite Award nomination for Best Director Feud: Capote vs. The Swans (2024) Primetime Emmy Award nomination for Outstanding Directing for a Limited or Anthology Series or Movie See also List of LGBT people from Portland, Oregon List of people from the Louisville metropolitan area List of Rhode Island School of Design people References Further reading Weber, Christian (2015). Gus Van Sant: Looking for a Place Like Home (PhD thesis, University of Mainz). Berlin, Bertz + Fischer. ISBN 978-3-86505-321-3 Tréguer, Florian (2023). Gus Van Sant : Cinéaste de l'Infinitif. Éditions Passages, collection « Focales ». ISBN 978-2492986123 External links Gus Van Sant at IMDb Gus Van Sant on Charlie Rose Gus Van Sant collected news and commentary at The Guardian
Psycho_(1998_film)
https://en.wikipedia.org/wiki/Psycho_(1998_film)
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Psycho is a 1998 American psychological horror film produced and directed by Gus Van Sant, and starring Vince Vaughn, Julianne Moore, Viggo Mortensen, William H. Macy, and Anne Heche. It is a modern remake of Alfred Hitchcock's 1960 film of the same name, in which an embezzler arrives at an old motel run by a mysterious man named Norman Bates; both films are adapted from Robert Bloch's 1959 novel. Though filmed in color and set in 1998, the film is closer to a shot-for-shot retelling than most remakes, often copying Hitchcock's camera movements and editing, including the original script by Joseph Stefano (and uncredited writer Alma Reville) mostly being carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and Steve Bartek, recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. The film's murder sequences are also intercut with surreal images. Psycho was a commercial failure and received polarized reviews from critics who criticized the similarities to the original film. It won the Golden Raspberry Awards for Worst Remake and Worst Director, and was nominated for Worst Actress (Heche). However, it earned two Saturn Award nominations for Best Actress (Heche) and Best Writing (Stefano). Plot During a Friday afternoon tryst in a Phoenix hotel, real-estate secretary Marion Crane and her boyfriend Sam Loomis discuss their inability to get married because of his debts. Returning to work, she decides to steal a cash payment of $400,000 entrusted to her for deposit at the bank and drive to Sam's home in Fairvale, California. En route, she hurriedly trades her car, arousing suspicion. Running into bad weather, Marion stops for the night at the Bates Motel and uses an alias. Proprietor Norman Bates invites her to dine with him. After he returns to his house atop a hill overlooking the hotel, Marion overhears him arguing with his mother Norma about her presence. Norman returns and apologizes for his mother's outbursts. He discusses his taxidermy hobby, his mother's "illness" and how people have their own "private trap" that they wish to escape from. Marion, remorseful of her crime, decides to return the stolen money, unaware that the aroused Norman is watching her through a hole in the wall. As she showers, a shadowy figure brutally stabs her to death. Horrified upon finding Marion's corpse, Norman places her body and the hidden cash in her car, and sinks the car in a swamp nearby. Marion's sister Lila arrives a week later and tells Sam about the theft. Private investigator Milton Arbogast says that he has been hired to retrieve the money. He questions Norman and finds him suspicious; when he asks to speak to Norman's mother, Norman refuses. Arbogast enters the Bates home, where a figure resembling an elderly woman fatally stabs him. Hearing no word from Arbogast, Sam and Lila grow curious about the Bates Motel, Arbogast's last stop. Al Chambers, the local sheriff, tells them that Norman's mother died in a murder-suicide ten years earlier. Convinced that something happened to Arbogast, Lila and Sam check into the Bates Motel posing as a married couple, and infiltrate Marion's room, finding a missing shower curtain and a paper indicating that Marion subtracted an amount from her cash payment. Sam distracts Norman in the office, while Lila sneaks into his house. Norman becomes agitated and knocks Sam unconscious. Lila hides in the fruit cellar, where she discovers the mother's mummified body. She screams, and Norman, wearing his mother's clothes and a wig, tries to stab her. Sam subdues him, rescuing Lila. At the police station, psychiatrist Dr. Simon Richmond explains that Norman jealously murdered Norma and her lover by poisoning them with strychnine ten years earlier. He mummified her corpse and began treating it as if she were still alive, going so far as to recreate her in his mind as an alternate personality, as jealous and possessive as she was while alive. When Norman is attracted to a woman, "Mother" takes over: he had murdered two other women before Marion, and Arbogast was killed to hide "his mother's" crime. "Mother" has now completely taken over Norman's personality. Sitting in a jail cell, Norman hears his mother saying that the murders were all his doing, as Marion's car is retrieved from the swamp. Cast Production Development Director Gus Van Sant was a longtime admirer of Alfred Hitchcock's Psycho (1960), and, while a film student, shot a parody commercial for a fictional "Psycho Shampoo" brand, which featured a recreation of the 1960 film's shower murder sequence. After the release of Van Sant's financially successful Good Will Hunting (1997), Universal Pictures agreed to option his proposed remake of the film. Van Sant's pitch was to remake the film shot-for-shot, which Casey Silver, then-head of production at Universal Pictures, felt was "a very strange idea. The idea of remaking a classic like Psycho just seemed like a dangerous business to get into". When asked why he wanted to remake the film in this manner, Van Sant responded: "Why not? It's a marketing scheme. Why does a studio ever remake a film? Because they have this little thing they've forgotten about that they could put in the marketplace and make money from". Casting Marion Crane was initially going be played by Nicole Kidman, but she was forced to leave the role due to scheduling problems. Drew Barrymore was also considered for the role before Anne Heche was ultimately cast. Julianne Moore, who was cast as Lila Crane, intentionally chose to portray the character as a more aggressive personality in contrast to Vera Miles's interpretation. William H. Macy chose to stay true to the portrayal of his character in the 1960 film, while Vince Vaughn, who played Norman Bates, and Moore interpreted the dialogue and scenes from the original film differently. Filming Filming of Psycho took place largely on the Universal Studios Hollywood backlot in Los Angeles, with additional exterior filming taking place in Phoenix, including at the Hotel Westward Ho. from July 6, 1998, to August 26, 1998. Van Sant began with the vision of remaking the film entirely shot-for-shot, stating that he and his crew started out being fanatical about doing it exactly the same, but early into the filming process, realized that doing so was unfeasible: "There were a couple of scenes we just couldn't get it right. We just couldn't see how Hitchcock did the blocking, where people were supposed to be standing in relation to the camera. So all we could do was loosely base them on the original". Because the film was shot in color, fake blood was used during the film's infamous shower murder scene, instead of chocolate syrup as had been done in the original film. Rick Baker designed the Mrs. Bates dummy. The new film heightened the violence to the levels of depictions of violence in films made circa 1998 by portraying two knife wounds in her back and blood on the wall in the shower scene. It also shows the buttocks of the Marion character when she dies, an aspect cut from the original film. The costume designer, Beatrix Aruna Pasztor, originally thought that the film was going to be a period piece, so she acquired period clothing for the cast, which was used in the film. Diversions from the 1960 film Though almost entirely a shot-for-shot remake of the original, the film does feature slight differences in terms of visuals, minor plot details, as well as the actors' portrayals of the characters. Van Sant updated several elements in the screenplay, including setting the film in contemporary 1998, and adjusting the references to money that would be anachronistic in a modern-day setting. Due to inflation, the amount of money stolen as stipulated in the original film was adjusted from $40,000 (equivalent to $181,000 in 1998) to $400,000. Where the 1960 film features little visual bloodletting in its murder sequences, Van Sant's film features more explicit violence, particularly during Marion Crane's murder sequence in the shower: in Van Sant's film, blood is shown streaming down the shower wall tiles, as well as visible stab wounds to Crane's back as she collapses in the bathtub. During the scene where Norman Bates spies on Marion through a peephole as she undresses, it is made explicit that Bates is masturbating through the use of sound effects as well as Vaughn's performance, which suggests Bates's voyeuristic encounter ends in him having an orgasm; in the 1960 film, the sequence consists merely of Bates observing, with no suggestion that he is masturbating. Van Sant also employed several surreal subliminal images that were edited into the film's murder sequences, likened by horror writer Charles Derry as "surreal memory fragments" that "flash" before the characters' eyes as they die. Release Box office Psycho was released theatrically in the United States on December 4, 1998, in 2,477 theaters, ranking at number two at the domestic box office below A Bug's Life with a weekend gross of $10,031,850. It went on to earn a total of $37,141,130 in the worldwide box office, $21,456,130 domestically. The film's production budget was an estimated $60 million; while promoting his 2002 film Gerry, Van Sant said he thought the producers "broke even" financially. Critical reception On Rotten Tomatoes, Psycho holds an approval rating of 41% based on 78 reviews, with an average rating of 5.30/10. The website's critics consensus reads: "Van Sant's pointless remake neither improves nor illuminates Hitchcock's original". At Metacritic the film has a weighted average score of 47 out of 100, based on 23 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "C−" on an A+ to F scale. Literary critic Camille Paglia commented that the only reason to watch it was "to see Anne Heche being assassinated" and that "it should have been a much more important work and event than it was". At the 1998 Stinkers Bad Movie Awards, the film was cited as one of 37 dishonourable mentions for Worst Picture. Universal Pictures received the Founders Award "for even thinking the moviegoing public would line up and pay to see a shot-for-shot remake of Psycho". Film critic Roger Ebert, who gave the film one-and-a-half stars, noted that the addition of a masturbation scene was "appropriate, because this new Psycho evokes the real thing in an attempt to re-create remembered passion". He thought Vaughn was miscast, unable to capture the "secret pool of madness" in the character of Norman Bates, and Heche was guilty of overacting. Ebert wrote that the film "is an invaluable experiment in the theory of cinema, because it demonstrates that a shot-by-shot remake is pointless; genius apparently resides between or beneath the shots, or in chemistry that cannot be timed or counted". Janet Maslin remarks that it is an "artful, good-looking remake (a modest term, but it beats plagiarism) that shrewdly revitalizes the aspects of the real Psycho (1960) that it follows most faithfully but seldom diverges seriously or successfully from one of the cinema's most brilliant blueprints"; she noted that the "absence of anything like Anthony Perkins's sensational performance with that vitally birdlike presence and sneaky way with a double-entendre ('A boy's best friend is his mother') is the new film's greatest weakness". Eugene Novikov for Film Blather admired the film, saying that he enjoyed the remake more than the original film. Jonathan Romney of The Guardian also championed the film, writing: "Somehow, Van Sant has managed to spin a big-budget studio project into a piece of conceptual art, a provocative inquiry into the nature of cinematic originality. It's not the full-on 'queer Psycho' that Van Sant fans predicted, but it is an extraordinary drag act". Leonard Maltin's Movie Guide classified the film as a "bomb", compared to the four-out-of-four stars he gave the original. He describes it as a "slow, stilted, completely pointless scene-for-scene remake of the Hitchcock classic (with a few awkward new touches to taint its claim as an exact replica)". He ultimately calls it "an insult, rather than a tribute, to a landmark film...What promised to be 'Drugstore Cowboy's answer to Hitchcock' is more like Hitchcock's answer to Even Cowgirls Get the Blues." Accolades At the 19th Golden Raspberry Awards, the film was awarded two Golden Raspberry Awards (or "Razzies"), for Worst Remake or Sequel and Worst Director for Gus Van Sant, while Anne Heche was nominated for Worst Actress, where she lost the trophy to the Spice Girls for Spice World. Contrastingly, at the 25th Saturn Awards the film was nominated for the Saturn Awards of Best Supporting Actress for Heche and Best Writing for Stefano. Home media Universal Pictures Home Entertainment released Psycho on VHS and in a collector's edition DVD on June 8, 1999. In June 2017, Scream Factory released the film on Blu-ray for the first time, which featured a new critical audio commentary, as well as the bonus materials included on Universal's 1999 DVD release. Legacy A number of critics and writers viewed Van Sant's version as an experiment in shot-for-shot remakes. Screenwriter Joseph Stefano, who wrote the original script that was carried over to the remake, thought that although she spoke the same lines, Anne Heche portrays Marion Crane as an entirely different character. Even Van Sant later admitted that it was an experiment that proved that no one can really copy a film exactly the same way as the original. One favorable take on the film came from an LA Weekly retrospective article published in 2013, in which writer Vern stated that the film was misunderstood as a commercially motivated film when it was in fact an "experiment" and this was the reason for the poor reception. Vern concluded that "experiments don't always have to work to be worth doing". Although the film's overall reception was less-than-favorable, it did receive a blessing from Hitchcock's daughter Pat, who stated that her father would have been flattered by the remake of his original work. "Psychos" On February 24, 2014, a mashup of Alfred Hitchcock and Van Sant's versions of Psycho appeared on Steven Soderbergh's Extension 765 website. Retitled Psychos and featuring no explanatory text, the recut appears to be a fan edit of the two films by Soderbergh. The opening credits intermingle names from both the 1960 and 1998 versions, and all color has been removed from Van Sant's scenes with the exception of the infamous shower scene. Soundtrack The film's soundtrack, Psycho: Music from and Inspired by the Motion Picture, included Danny Elfman's re-recordings of some of Bernard Herrmann's score for the original film, along with a collection of songs in genres from country to drum and bass, connected mainly by titles containing "psycho" or other death or insanity-related words. Many of the songs were recorded specifically for the soundtrack, and included a sampling of Bernard Herrmann's score composed by Danny Elfman. The soundtrack also includes the track "Living Dead Girl" by Rob Zombie, which can be heard during the film when Marion trades in her old car for a new one. Note References Sources External links Psycho at IMDb Psycho at AllMovie Psycho at the TCM Movie Database Psycho at the AFI Catalog of Feature Films Psycho at Box Office Mojo Psycho at Rotten Tomatoes Psycho at Metacritic
70th_Academy_Awards
https://en.wikipedia.org/wiki/70th_Academy_Awards
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The 70th Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 23, 1998, at the Shrine Auditorium in Los Angeles beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the show, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 1997. The ceremony, which was televised in the United States by ABC, was produced by Gil Cates and directed by Louis J. Horvitz. Actor Billy Crystal hosted the show for the sixth time. He had first hosted the 62nd ceremony held in 1990, and most recently the previous year's awards. Nearly a month earlier in an event held at the Regent Beverly Wilshire Hotel in Beverly Hills, California on February 28, the Academy Awards for Technical Achievement were presented by host Ashley Judd. Titanic won 11 awards, including Best Picture, a number that is tied with Ben-Hur and The Lord of the Rings: The Return of the King. Other winners included As Good as It Gets, Good Will Hunting, and L.A. Confidential with two awards, and Character, The Full Monty, Geri's Game, The Long Way Home, Men in Black, A Story of Healing, and Visas and Virtue with one. The telecast garnered more than 57 million viewers in the United States, making it the most-watched Oscars broadcast in history. Winners and nominees The nominees for the 70th Academy Awards were announced on February 10, 1998, at the Samuel Goldwyn Theater in Beverly Hills, California, by Robert Rehme, president of the academy, and actress Geena Davis. Titanic received the most nominations with a record-tying fourteen (1950's All About Eve, and later 2016's La La Land, also achieved this distinction); Good Will Hunting and L.A. Confidential came in second with nine apiece. The winners were announced during the awards ceremony on March 23, 1998. With eleven awards, Titanic tied with Ben-Hur for the most Academy Awards in Oscar history. It also became the first film to win Best Picture without a screenwriting nomination since 1965's The Sound of Music. Jack Nicholson became the fourth performer to win at least three acting Oscars. Both Nicholson and Helen Hunt won for their roles in As Good as It Gets, making it the seventh film to win both lead acting awards. Nominated for their performances as Rose DeWitt Bukater in Titanic, Best Actress nominee Kate Winslet and Best Supporting Actress nominee Gloria Stuart became the first pair of actresses nominated for portraying the same character in the same film. At age 87, Stuart also became the oldest performer nominated for a competitive Oscar. Awards Winners are listed first, highlighted in boldface, and indicated with a double dagger (‡). Academy Honorary Award Stanley Donen Films with multiple nominations and awards Presenters and performers The following individuals presented awards or performed musical numbers. Presenters Performers Ceremony information In December 1997, the academy hired veteran Oscar telecast producer Gil Cates to oversee the 1998 ceremony. "Gil has become the consummate Oscar show producer, consistently garnering top television ratings for the telecast," said AMPAS President Robert Rehme in a press release announcing the selection. "His shows are full of wit, charm and surprise." A few days later, actor and comedian Billy Crystal was chosen to emcee the upcoming telecast. Cates explained his reason to bring back the veteran comedian saying, "Billy's performance last year was spectacular. There is nobody like him." In an article published in USA Today he initially requested to Cates and AMPAS five months after the previous year's ceremony that he would like to take a break from hosting duties. However, pressure from the academy, Cates, and several friends and family members made him reconsider his decision. His sixth stint would make him second only to Bob Hope in number of ceremonies hosted. To commemorate the seventieth anniversary of the Academy Awards, 70 actors who have received both competitive and honorary awards appeared seated onstage together during a segment called Oscar's Family Album. Each former winner was acknowledged by announcer Norman Rose with the films he or she won for. At the end of the segment newly minted winners Kim Bassinger, Helen Hunt, and Robin Williams joined them. This marked the largest gathering of former winners since the 50th ceremony held in 1978. Several others participated in the production of the ceremony. Bill Conti served as musical director for the telecast. Dancer Daniel Ezralow choreographed a dance number showcasing the nominees for Best Original Comedy or Musical Score. Bart the Bear made a surprise appearance during the presentation of the Best Sound Effects Editing award with Mike Myers. Box office performance of nominees At the time of the nominations announcement on February 10, the combined gross of the five Best Picture nominees was $579 million with an average of $116 million per film. Titanic was the highest earner among the Best Picture nominees with $338.7 million in domestic box office receipts. The film was followed by As Good as It Gets ($92.6 million), Good Will Hunting ($68.9 million), L.A. Confidential ($39.7 million), and finally The Full Monty ($38.7 million). Of the top 50 grossing movies of the year, 40 nominations went to 15 films on the list. Only Titanic (1st), As Good as It Gets (16th), Good Will Hunting (20th), and In & Out (24th) were nominated for directing, acting, screenwriting, or Best Picture. The other top 50 box office hits that earned nominations were Men in Black (2nd), The Lost World: Jurassic Park (3rd), Air Force One (5th), My Best Friends Wedding (7th), Face/Off (9th), Con Air (12th), Contact (13th), Hercules (14th), The Fifth Element (25th), Anastasia (30th), and Starship Troopers (34th). Critical response The show received a positive reception from most media publications. Television critic Howard Rosenberg of the Los Angeles Times lauded Crystal's performance writing that he "would earn top billing as that unusual comedian as artful at doing musical comedy as jokes." San Francisco Chronicle columnist John Carman raved,"It was the best Oscar show in two decades." He also gave high marks for the host, commenting, "But last night, Crystal was back in razor form." The Seattle Times television editor Kay McFadden praised Crystal commenting that "he possesses nearly impeccable timing and judgment." In addition, she noted that while the ceremony dragged on, "Last night was one of television's smartest live ceremonies in recent memory." Some media outlets were more critical of the show. Ray Richmond of Variety complained that the ceremony proved to be a "Yawner of an Oscarcast." He added that Crystal's "off-the-cuff one-liners sank faster than the great ship herself." Boston Globe television critic Matthew Gilbert bemoaned,"There was hardly a spontaneous moment during last night's Oscarcast." Film critic Carrie Rickey from The Philadelphia Inquirer lamented that the inevitable Titanic sweep "sank a telecast loaded with montages of previous years' Oscar highlights." Ratings and reception The popularity of Titanic greatly increased television ratings for the ceremony. The American telecast on ABC drew in an average of 57.25 million people over its length, which was a 29% increase from the previous year's ceremony. An estimated 87.50 million total viewers watched all or part of the awards. The show also earned higher Nielsen ratings compared to the previous ceremony with 35.32% of households watching over a 55.77 share. In addition, it garnered a higher 18–49 demo rating with a 24.90 rating over a 44.30 share among viewers in that demographic. It overtook the network's own telecast of the 1983 Academy Awards to become, as it remains to date, the highest viewership for both an Academy Award telecast (since figures were compiled beginning with the 46th ceremony in 1974) and any live awards show airing in U.S. television history. In July 1998, the ceremony presentation received eight nominations at the 50th Primetime Emmys. Two months later, the ceremony won five of those nominations for Outstanding Individual Performance in a Variety or Music Program (Billy Crystal), Outstanding Directing for a Variety or Music Program (Louis J Horvitz), Outstanding Lighting Direction (Electronic) for a Drama Series, Variety Series, Miniseries, or Movie (Bob Barnhart, Robert Dickinson, Matt Ford, Andy O'Reilly), Outstanding Music Direction (Bill Conti), and Outstanding Sound Mixing for a Variety Series or Special (Patrick Baltzell, Robert Douglass, Edward J. Greene, Tommy Vicari). "In Memoriam" The annual "In Memoriam" tribute was presented by actress Whoopi Goldberg. The montage featured an excerpt of "Appassionata" from The Passage composed by Michael J. Lewis. See also 4th Screen Actors Guild Awards 18th Golden Raspberry Awards 40th Grammy Awards 51st British Academy Film Awards 52nd Tony Awards 55th Golden Globe Awards List of submissions to the 70th Academy Awards for Best Foreign Language Film References Bibliography External links Official websites Academy Awards Official website Archived 2009-03-04 at the Wayback Machine The Academy of Motion Picture Arts and Sciences Official website Archived 2009-01-22 at the Wayback Machine Oscar's Channel Archived 2018-10-02 at the Wayback Machine at YouTube (run by the Academy of Motion Picture Arts and Sciences) Analysis 1997 Academy Awards Winners and History Archived 2013-11-02 at the Wayback Machine Filmsite Academy Awards, USA: 1998 Archived 2017-12-06 at the Wayback Machine Internet Movie Database Other resources The 70th Annual Academy Awards at IMDb
Jack_Nicholson
https://en.wikipedia.org/wiki/Jack_Nicholson
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[ "https://en.wikipedia.org/wiki/Jack_Nicholson" ]
John Joseph Nicholson (born April 22, 1937) is a retired American actor and filmmaker. Nicholson is widely regarded as one of the greatest actors of the 20th century. Throughout his five-decade career he received numerous accolades, including three Academy Awards, three BAFTA Film Awards, six Golden Globe Awards, and a Grammy Award. He also received the American Film Institute's Life Achievement Award in 1994 and the Kennedy Center Honor in 2001. In many of his films, he played rebels against the social structure. Nicholson has won three Academy Awards, for Best Actor in One Flew Over the Cuckoo's Nest (1975) and in As Good as It Gets (1997), and for Best Supporting Actor in Terms of Endearment (1983). He was Oscar-nominated for Easy Rider (1969), Five Easy Pieces (1970), The Last Detail (1974), Chinatown (1974), Reds (1981), Prizzi's Honor (1986), Ironweed (1987), A Few Good Men (1992) and About Schmidt (2002). Nicholson is also known for his notable roles in Carnal Knowledge (1971), The Shining (1980), Heartburn (1986), Broadcast News (1987), Batman (1989), Hoffa (1992), Mars Attacks! (1996), Something's Gotta Give (2003), The Departed (2006) and The Bucket List (2007). Nicholson has directed three films, Drive, He Said (1971), Goin' South (1978), and The Two Jakes (1990). He is one of only three male actors to win three Academy Awards and one of only two actors to be nominated for an Academy Award for acting in films made in every decade from the 1960s to the 2000s (alongside Michael Caine). His 12 Academy Award nominations make him the most nominated male actor in the Academy's history. Early life and education John Joseph Nicholson was born on April 22, 1937, in Neptune City, New Jersey, the son of a showgirl, June Frances Nicholson (stage name June Nilson; 1918–1963). Nicholson's mother was of Irish, English, German, and Welsh descent. Nicholson has identified as Irish, comparing himself to the playwright Eugene O'Neill, whom he played in the film Reds (1981): "I'm not saying I'm as dark as he was ... but I am a writer, I am Irish, I have had problems with my family." His mother married Italian-American showman Donald Furcillo (stage name Donald Rose; 1909–1997) in 1936, before realizing that he was already married.: 8  Biographer Patrick McGilligan stated in his book Jack's Life that Latvian-born Eddie King (originally Edgar A. Kirschfeld), June's manager, may have been Nicholson's biological father, rather than Furcillo. Other sources suggest June Nicholson was unsure of the father's identity. As June was only 17 and unmarried, her parents agreed to raise Nicholson as their own child without revealing his true parentage, with June acting as his sister. In 1974, Time magazine researchers learned, and informed Nicholson, that his "sister", June, was actually his mother, and his other "sister", Lorraine, was really his aunt. By this time, both his mother and grandmother had died (in 1963 and 1970, respectively). On finding out, Nicholson said it was "a pretty dramatic event, but it wasn't what I'd call traumatizing ... I was pretty well psychologically formed". Nicholson grew up in Neptune City, New Jersey.: 7  Before starting high school, his family moved to an apartment in Spring Lake, New Jersey.: 16  "Nick", as he was known to his high school friends, attended nearby Manasquan High School, where he was voted "Class Clown" by the Class of 1954. He was in detention every day for a whole school year. A theatre and a drama award at the school are named in his honor. In 2004, Nicholson attended his 50-year high school reunion accompanied by his aunt Lorraine. Military service In 1957, Nicholson joined the California Air National Guard, a move he sometimes characterized as an effort to "dodge the draft"; the Korean War era's Military Selective Service Act was still in force, and draftees were required to perform up to two years of active duty. After completing the Air Force's basic training at Lackland Air Force Base, Nicholson performed weekend drills and two-week annual training as a firefighter assigned to the unit based at the Van Nuys Airport. During the Berlin Crisis of 1961, Nicholson was called up for several months of extended active duty, and he was discharged at the end of his enlistment in 1962. Career 1958–1969: Early roles and breakthrough Nicholson first came to California in 1950, when he was 13, to visit his sister. He took a job as an office worker for animation directors William Hanna and Joseph Barbera at the MGM cartoon studio. They offered him an entry-level job as an animator, but he declined, citing his desire to become an actor. While accepting the Cecil B. DeMille Award at the 56th Golden Globe Awards, he recalled that his first day as a working actor (on Tales of Wells Fargo) was May 5, 1955, which he considered lucky, as 5 was the jersey number of his boyhood idol, Joe DiMaggio. He trained to be an actor with a group called the Players Ring Theater, after which he found small parts performing on the stage and in TV soap operas. He made his film debut in a low-budget teen drama The Cry Baby Killer (1958), playing the title role. For the next decade, Nicholson frequently collaborated with the film's producer, Roger Corman. Corman directed Nicholson on several occasions, such as in The Little Shop of Horrors as undertaker (and masochistic dental patient) Wilbur Force; in The Raven; The Terror, where he plays a French officer seduced by an evil ghost; and The St. Valentine's Day Massacre. Nicholson frequently worked with director Monte Hellman on low-budget westerns; two of them—Ride in the Whirlwind and The Shooting—initially failed to interest U.S. film distributors but gained cult success on the French art-house circuit and were later sold to television. Nicholson also appeared in two episodes of The Andy Griffith Show, and starred as a rebellious dirt-track race driver in the 1960 film The Wild Ride. With his acting career foundering, Nicholson seemed resigned to a career behind the camera as a writer/director. His first real taste of writing success was the screenplay for the 1967 counterculture film The Trip (directed by Corman), starring Peter Fonda and Dennis Hopper. After first reading the script, Fonda told Nicholson he was impressed by the writing and felt it could become a great film. But Fonda was disappointed with how the film turned out and blamed the editing for turning it into a "predictable" film and said so publicly. "I was livid", he recalls. Nicholson also co-wrote, with Bob Rafelson, the movie Head, which starred The Monkees, and arranged the movie's soundtrack. Nicholson's first big acting break came when a role opened up in Fonda and Hopper's Easy Rider (1969). He played alcoholic lawyer George Hanson, for which he received his first Oscar nomination. The film cost only $400,000 to make, and became a blockbuster, grossing $40 million. Biographer John Parker writes that Nicholson's interpretation of his role placed him in the company of earlier antihero actors, such as James Cagney and Humphrey Bogart, while promoting him into an "overnight number-one hero of the counter-culture movement". The part was a lucky break for Nicholson. The role had been written for Rip Torn, who withdrew from the project after an argument with Hopper. Nicholson later acknowledged the importance of being cast in Easy Rider: "All I could see in the early films, before Easy Rider, was this desperate young actor trying to vault out of the screen and create a movie career." Stanley Kubrick, who was impressed by his performance in Easy Rider, cast Nicholson as Napoleon in a film about his life, and although production on the film commenced, the project fizzled out, partly due to a change in ownership at MGM. 1970–1989: Stardom and acclaim In 1970, Nicholson starred in Five Easy Pieces alongside Karen Black in what became his persona-defining role. Nicholson and Black were nominated for Academy Awards for their performances. Nicholson played Bobby Dupea, an oil rig worker, and Black played his waitress girlfriend. Black noted that Nicholson's character in the film was very subdued and very different from Nicholson's real personality. She said that the now-infamous restaurant scene was partly improvised by Nicholson, and was out of character for Bobby, who would not have cared enough to argue with a waitress. "I think that Jack really has very little in common with Bobby. I think Bobby has given up looking for love. But Jack hasn't, he's very interested in love, in finding out things. Jack is a very curious, alive human being. Always ready for a new idea.": 37  Nicholson himself said as much, telling an interviewer, "I like listening to everybody. This to me is the elixir of life." Black later admitted that she had a crush on Nicholson from the time they met, although they dated only briefly. "He was very beautiful. He just looked right at you ... I liked him a lot ... He really sort of wanted to date me but I didn't think of him that way because I was going with Peter Kastner ... Then I went to do Easy Rider, but didn't see him because we didn't have any scenes together ... At the premiere, I saw him out in the lobby afterward and I started crying ... He didn't understand that, but what it was was that I really loved him a lot, and I didn't know it until I saw him again, because it all welled up.": 36  Within a month after its release that September, Five Easy Pieces became a blockbuster, making Nicholson a leading man and the "new American anti-hero", according to McDougal.: 130  Critics began speculating as to whether he might become another Marlon Brando or James Dean. His career and income skyrocketed. He said, "I have [become] much sought after. Your name becomes a brand image like a product. You become Campbell's soup, with thirty-one different varieties of roles you can play.": 130  He told his new agent, Sandy Bresler, to find him unusual roles so he could stretch his acting skill: "I like to play people that haven't existed yet, a 'cusp character'", he said, "I have that creative yearning. Much in the way Chagall flies figures into the air: once it becomes part of the conventional wisdom, it doesn't seem particularly adventurous or weird or wild.": 130  Also in 1970, Nicholson appeared in the film adaptation of On a Clear Day You Can See Forever, although most of his performance was left on the cutting room floor. His agent turned down a starring role in Deliverance when the film's producer and director, John Boorman, refused to pay what Nicholson's agent wanted.: 130  In 1971, Nicholson starred in Carnal Knowledge, a comedy-drama directed by Mike Nichols and co-starring Art Garfunkel, Ann-Margret, and Candice Bergen. He was nominated for a Golden Globe Award for Best Actor. Nichols felt few actors could handle the role, saying, "There is James Cagney, Spencer Tracy, Humphrey Bogart, and Henry Fonda. After that, who is there but Jack Nicholson?" During the filming, Nicholson struck up what became a lifelong friendship with Garfunkel. When he visited Los Angeles, Garfunkel stayed at Nicholson's home in a room Nicholson jokingly called "the Arthur Garfunkel Suite".: 127  Other Nicholson roles included Hal Ashby's The Last Detail (1973), with Randy Quaid, for which Nicholson won Best Actor at the Cannes Film Festival and was nominated for his third Oscar and a Golden Globe. Television journalist David Gilmour writes that one of his favorite Nicholson scenes from all his films was the often censored one in this film, when Nicholson slaps his gun on the bar yelling he was the Shore Patrol. Critic Roger Ebert called it a very good movie, but credited Nicholson's acting as the main reason: "He creates a character so complete and so complex that we stop thinking about the movie and just watch to see what he'll do next." In 1974, Nicholson starred in Roman Polanski's noir thriller Chinatown, and was again nominated for the Academy Award for Best Actor for his role as Jake Gittes, a private detective. The film co-starred Faye Dunaway and John Huston, and included a cameo role with Polanski. Ebert called Nicholson's portrayal sharp-edged, menacing, and aggressive, a character who knew "how to go over the top", as he did in One Flew Over the Cuckoo's Nest. That edge kept Chinatown from becoming a typical genre crime film. Ebert also notes the importance of the role for Nicholson's career, seeing it as a major transition from the exploitation films of the previous decade. "As Jake Gittes, he stepped into Bogart's shoes", says Ebert. "As a man attractive to audiences because he suggests both comfort and danger ... From Gittes forward, Nicholson created the persona of a man who had seen it all and was still capable of being wickedly amused." Nicholson had been friends with Polanski long before the murder of Polanski's wife, Sharon Tate, by the Manson Family, and supported him in the days following her death.: 109–110  After Tate's death, Nicholson began sleeping with a hammer under his pillow and took breaks from work to attend Manson's trial. In 1977, three years after Chinatown, Polanski was arrested at Nicholson's home for the sexual assault of 13-year-old Samantha Geimer, who was modeling for Polanski during a magazine photo shoot around the pool. At the time, Nicholson was out of town making a film, but his steady girlfriend, actress Anjelica Huston, had dropped by unannounced to pick up some items. She heard Polanski in the other room say, "We'll be right out." Polanski then came out with Geimer and introduced her to Huston, and they chatted about Nicholson's two large dogs, which were sitting nearby. Huston recalled Geimer was wearing platform heels and appeared quite tall. After a few minutes of talking, Polanski had packed up his camera gear and Huston saw them drive off in his car. Huston told police the next day, after Polanski was arrested, that she "had witnessed nothing untoward" and never saw them together in the other room. Geimer learned afterward that Huston herself was not supposed to be at Nicholson's house that day, since they had recently broken up, but stopped over to pick up some belongings. Geimer described Nicholson's house as "definitely" a guy's house, with lots of wood and shelves crowded with photos and mementos. One of Nicholson's successes came in 1975, with his role as Randle P. McMurphy in One Flew Over the Cuckoo's Nest. The movie was an adaptation of Ken Kesey's novel of the same name, and was directed by Miloš Forman and co-produced by Michael Douglas. Nicholson plays an anti-authoritarian patient at a mental hospital where he becomes an inspiring leader for the other patients. Playing one of the patients was Danny DeVito in an early role. Nicholson learned afterward that DeVito grew up in the same area of New Jersey, and they knew many of the same people. The film received nine nominations at the Academy Awards, and won five, including Nicholson's first for Best Actor. The role seemed perfect for Nicholson, with biographer Ken Burke noting that his "smartass demeanor balances his genuine concern for the treatment of his fellow patients with his independent spirit too free to exist in a repressive social structure". Forman allowed Nicholson to improvise throughout the film, including most of the group therapy sequences. : 273  Reviewer Marie Brenner notes that his bravura performance "transcends the screen" and continually inspires the other actors by lightening their mental illnesses with his comic dialogue. She describes his performance: Also in 1975, Nicholson starred in Michelangelo Antonioni's The Passenger (1975), which co-starred Maria Schneider. Nicholson plays a journalist, David Locke, who during an assignment in North Africa decides to quit journalism and disappear by taking on a new hidden identity. Unfortunately, the dead person whose identity he takes on turns out to have been a weapons smuggler on the run. Antonioni's unusual plot included convincing dialogue and fine acting, states film critic Seymour Chatman. It was shot in Algeria, Spain, Germany, and England. The film received good reviews and revived Antonioni's reputation as a great director. He said he wanted the film to have more of a "spy feeling [and] be more political". Nicholson began shooting the film from an unfinished script, notes Judith Crist, yet upon its completion he thought so highly of the film that he bought the world rights and recorded a reminiscence of working with Antonioni. Critic and screenwriter Penelope Gilliatt provides an overview of Nicholson's role, "The Passenger is an unidealized portrait of a drained man whose one remaining stimulus is to push his luck. Again and again, in the movie, we watch him court danger. It interests him to walk the edge of risk. He does it with passivity as if he were taking part in an expressionless game of double-dare with life. Jack Nicholson's performance is a wonder of insight. How to animate a personality that is barely there. : 443  Nicholson continued to take more unusual roles. He took a small role in The Last Tycoon opposite Robert De Niro. He took a less sympathetic role in Arthur Penn's western The Missouri Breaks (1976), specifically to work with Marlon Brando. Nicholson was especially inspired by Brando's acting ability, recalling that in his youth, as an assistant manager at a theater, he watched On the Waterfront about 40 times. He once stated, "Marlon Brando influenced me strongly. Today, it's hard for people who weren't there to realize the impact that Brando had on an audience. ... He's always been the patron saint of actors". "I'm part of the first generation that idolized Marlon Brando", he said. Nicholson has observed that while both De Niro and Brando were noted for their skill as method actors, he himself has seldom been described as one, a fact he sees as an accomplishment: "I'm still fooling them", he told Sean Penn. "I consider it an accomplishment because there's probably no one who understands Method acting better academically than I do—or actually uses it more in his work. But it's funny, nobody really sees that. It's perception versus reality, I guess." Although he garnered no Academy Award for Stanley Kubrick's adaptation of Stephen King's The Shining (1980), his role in the film as writer Jack Torrance remains one of his more significant. He was Kubrick's first choice to play the role, although the book's author, Stephen King, wanted more of an "everyman". Kubrick won the argument and called Nicholson's acting "on a par with the greatest stars of the past, like Spencer Tracy and Jimmy Cagney". In preparation for the role, Nicholson drew upon his own experiences as a writer and slept short hours to help remain in an agitated state during the shoot. His co-star Shelley Duvall recalled that she and Nicholson spent many hours discussing their characters, with Nicholson maintaining that his character be cold to her from the start. On the set, Nicholson always appeared in character and if Kubrick felt confident that Nicholson knew his lines well enough, he encouraged him to improvise beyond the script. : 434  For example, Nicholson improvised his now-famous "Here's Johnny!" line, : 433  along with a scene in which he unleashes his anger on his wife when she interrupts his work. : 445  There were also extensive takes of scenes, due to Kubrick's perfectionism. Nicholson shot a scene with the ghostly bartender 36 times. He said, "Stanley's demanding. He'll do a scene fifty times, and you have to be good to do that.": 38  In 1982, he starred as an immigration enforcement agent in The Border, directed by Tony Richardson. It co-starred Warren Oates, who played a corrupt border official. Richardson wanted Nicholson to play his role less expressively than he had in his earlier roles. "Less is more", he told him, and wanted him to wear reflecting sunglasses to portray what patrolmen wore. : 318  Richardson recalled that Nicholson worked hard on the set: He's what the Thirties and Forties stars were like. He can come on the set and deliver, without any fuss, without taking a long time walking around getting into it. "What do you want? Okay." And he just does it straight off. And then if you want him to do it another way on the next take, he can adapt to that too. : 318  Nicholson won his second Oscar, an Academy Award for Best Supporting Actor, for his role of retired astronaut Garrett Breedlove in Terms of Endearment (1983), directed by James L. Brooks. It starred Shirley MacLaine and Debra Winger. McGilligan claims it was one of Nicholson's most complex and unforgettable characters. He and MacLaine played many of their scenes in different ways, constantly testing and making adjustments. Their scenes together gave the film its "buoyant edge", states McGilligan, and describes Nicholson's acting as "Jack floating like a butterfly". : 330  Nicholson continued to work prolifically in the 1980s, starring in such films as: The Postman Always Rings Twice (1981); Reds (1981), where Nicholson portrays the writer Eugene O'Neill with a quiet intensity; Prizzi's Honor (1985); Heartburn (1986); The Witches of Eastwick (1987); Broadcast News (1987); and Ironweed (1987). Three Oscar nominations also followed (Reds, Prizzi's Honor, and Ironweed). John Huston, who directed Prizzi's Honor, said of Nicholson's acting, "He just illuminates the book. He impressed me in one scene after another; the movie is composed largely of first takes with him." In the 1989 Batman movie, Nicholson played the psychotic villain, the Joker. The film was an international smash hit, and a lucrative deal earned him a percentage of the box office gross estimated at $60 million to $90 million. Nicholson said that he was "particularly proud" of his performance as the Joker: "I considered it a piece of pop art", he said. 1990–1999: Established actor For his role as hot-headed Col. Nathan R. Jessup in A Few Good Men (1992), a movie about a murder in a U.S. Marine Corps unit, Nicholson received yet another Academy Award nomination for Best Supporting Actor. One review describes his performance as "spellbinding", adding that he portrayed "the essence of the quintessential military mindset". Critic David Thomson notes that Nicholson's character "blazed and roared". The film's director, Rob Reiner, recalls how Nicholson's level of acting experience affected the other actors during rehearsals: "I had the luck of having Jack Nicholson there. He knows what he's doing, and he comes to play, every time out, full-out performance! And what it says to a lot of the other actors is, 'Oooooh, I better get on my game here because this guy's coming to play! So I can't hold back; I've got to come up to him.' He sets the tone." In 1996, Nicholson collaborated once more with Batman director Tim Burton on Mars Attacks!, pulling double duty as two contrasting characters, President James Dale and Las Vegas property developer Art Land. Not all of Nicholson's performances have been well received. He was nominated for Razzie Awards as worst actor for Man Trouble (1992) and Hoffa (1992). But his performance in Hoffa also earned him a Golden Globe nomination. David Thomson states that the film was terribly neglected, since Nicholson portrayed one of his best screen characters, someone who is "snarly, dumb, smart, noble, rascally—all the parts of 'Jack'". Roger Ebert also praised his performance writing, "Nicholson is an actor who can reflect almost anything in his face. One reason his performance is so good as Hoffa is that he reveals almost nothing." Nicholson won his next Academy Award for Best Actor in the romantic comedy As Good as It Gets (1997), his third film directed by James L. Brooks. He played Melvin Udall, a "wickedly funny", mean-spirited novelist with obsessive-compulsive disorder. "I'm a studio Method actor", he said. "So I was prone to give some kind of clinical presentation of the disorder." His Oscar was matched by the Academy Award for Best Actress for Helen Hunt, who played a Manhattan single mother drawn into a love/hate friendship with Udall, a frequent diner in the restaurant where she works as a waitress. The film was a box-office success, grossing $314 million, making it Nicholson's second-best-grossing film, after Batman. The win was Nicholson's third Academy Award, tying him with six other actors, Walter Brennan, Ingrid Bergman, Meryl Streep, Daniel Day-Lewis, and Frances McDormand who all have three acting Oscars. Nicholson admits he initially disliked playing a middle-aged man alongside a much younger Hunt, seeing it as a movie cliché. "But Helen disarmed that at the first meeting", he says, "and I stopped thinking about it." They got along well during the filming, with Hunt saying that he "treated me like a queen", and they connected immediately: "It wasn't even what we said", she said. "It was just some frequency we both could tune into that was very, very compatible." Critic Jack Mathews of Newsday said Nicholson was "in rare form", adding, "it's one of those performances that make you aware how much fun the actor is having". Author and screenwriter Andrew Horton describes their on-screen relationship as being like "fire and ice, oil and water—seemingly complete opposites". 2000–present: Later roles and retirement In 2001, Nicholson was the first actor to receive the Stanislavsky Award at the 23rd Moscow International Film Festival for "conquering the heights of acting and faithfulness". That same year Nicholson starred in The Pledge, a mystery drama where he portrays retired police detective Jerry Black, who vows to find a murderer of a young girl. Nicholson was praised for his performance; Bob Graham of the San Francisco Chronicle called it "deeply felt" compared to some of Nicholson's other films. Nicholson acted in Alexander Payne's comedy-drama About Schmidt (2002), playing a retired Omaha, Nebraska, actuary who questions his own life after his wife dies. His quietly restrained performance earned him nominations for an Academy Award, BAFTA Award, Golden Globe Award and Screen Actors Guild Award for Best Actor. In Anger Management (2003), he played an aggressive therapist assigned to help an overly pacifist man (Adam Sandler). In 2003, Nicholson also starred in the Nancy Meyers directed romantic comedy Something's Gotta Give playing an aging playboy who falls for the mother (Diane Keaton) of his young girlfriend. For his performance he was nominated for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. In late 2006, Nicholson marked his return to the dark side in Martin Scorsese's Oscar-winning film The Departed, a remake of Andrew Lau's Infernal Affairs, playing Frank Costello, a nefarious Boston Irish Mob boss based on Whitey Bulger, who was still on the run at the time. The role earned Nicholson worldwide critical praise, along with various awards and nominations, including a Golden Globe Award for Best Supporting Actor - Motion Picture nomination. In 2007, Nicholson co-starred with Morgan Freeman in Rob Reiner's The Bucket List, in which Nicholson and Freeman portrayed dying men who fulfill their list of goals. In researching the role, Nicholson visited a Los Angeles hospital to see how cancer patients coped with their illnesses. Nicholson's next film role saw him reunite with James L. Brooks, director of Terms of Endearment, Broadcast News and As Good as It Gets, for a supporting role for the 2010 film How Do You Know starring Paul Rudd, Reese Witherspoon, and Owen Wilson. The film was a financial and critical failure. In a September 2013 Vanity Fair article, Nicholson said that he did not consider himself retired, but that he was now less driven to "be out there anymore". As of 2023, How Do You Know remains Nicholson's last film role, and brings his filmography to 80 films. In 2013, Nicholson co-presented the Academy Award for Best Picture with First Lady Michelle Obama, the eighth time he presented the Academy Award for Best Picture (1972, 1977, 1978, 1990, 1993, 2006, 2007, and 2013). On February 15, 2015, Nicholson made a special appearance as a presenter on SNL 40, the 40th anniversary special of Saturday Night Live. After the death of boxer Muhammad Ali on June 3, 2016, Nicholson appeared on HBO's The Fight Game with Jim Lampley for an exclusive interview about his friendship with Ali. He was reported to be starring in an English-language remake of Toni Erdmann in 2017 opposite Kristen Wiig, his first feature film role since How Do You Know, but the project was later abandoned. In October 2019, with the release of The Shining sequel Doctor Sleep, director Mike Flanagan revealed he approached Nicholson for a cameo appearance, but Nicholson declined with best wishes. Flanagan also disclosed that Nicholson had previously been approached to appear in Steven Spielberg's science-fiction film Ready Player One (2018). During an appearance in the November 2, 2023, episode of Marc Maron's podcast, WTF with Marc Maron, record producer Lou Adler, a longtime friend of Nicholson's, related an anecdote pertaining to the unofficial retirement of the actor, who had not done a film in the 13 years since How Do You Know, saying, "A friend of mine wanted to put him in a movie. And he had a conversation with him. But Jack says, 'I don't want to do it.' He goes, 'You know what I did today? I sat under a tree and I read a book.' That sounds like Jack." Adler stated that Nicholson was "doing whatever he really wants to do," adding, "He wants to be quiet. He wants to eat what he wants. He wants to live the life he wants." Influence Nicholson has described Marlon Brando as a major influence on his career. He stated, "Actors don't normally discuss who the best actor in the world is, because it's obvious—Brando is the best.” He also named John Ford, Akira Kurosawa, and Orson Welles as his favorite directors. Actors who have cited Nicholson as an influence include Leonardo DiCaprio, Alden Ehrenreich, and Morgan Freeman. Personal life Relationships and children In his personal life, Nicholson is notorious for his inability to "settle down"; he has fathered six children by five women but married only once. Nicholson's marriage was to The Terror co-star Sandra Knight from 1962 to 1968, though they separated in 1966. The couple had one daughter, Jennifer (born September 13, 1963). Five Easy Pieces co-star Susan Anspach contended that her son Caleb (born September 26, 1970), whose legal father was Mark Goddard, was actually Nicholson's biological son. In 1984, Nicholson said he was not convinced of this, but in 1996, Caleb said that Nicholson had recognized him as his son in private. By 1998, Nicholson publicly acknowledged Caleb as his son and said that they got along "beautifully now." In 1971 and 1972, Nicholson was in a relationship with singer Michelle Phillips, the ex-wife of his best friend Dennis Hopper, during which time she suffered a miscarriage. Nicholson's longest relationship was 17 years with actress Anjelica Huston, from 1973 until 1990. Their on-again, off-again romance included several periods of overlap with other women, notably former Bond girl Jill St. John and Danish model Winnie Hollman, with whom Nicholson fathered a daughter, Honey Hollman (born January 26, 1982). Winnie Hollman has claimed that a DNA test during her pregnancy confirmed that Nicholson was the bilogical father. However, in 2024, it was revealed that Nicholson was not the biological father of Honey, who did a DNA test herself in 1999. Honey said in 2006 that she has a “normal father-daughter relationship” with Nicholson. The relationship with Huston ended amid actress/waitress Rebecca Broussard's first pregnancy by Nicholson. He and Broussard had two children, Lorraine (born April 16, 1990) and Raymond (born February 20, 1992). The pair split up in 1994, and that same year, Nicholson supposedly had a daughter, Tessa (born August 15, 1994), with waitress Jeannine Gourin. Nicholson has never publicly acknowledged his paternity. Beginning in the late 1990s, Nicholson was involved with actress Lara Flynn Boyle. The two initially broke up in 2000, later reuniting before splitting permanently in 2004, after which Nicholson was linked to English supermodel Kate Moss. In 2006, Nicholson dated actress Paz de la Huerta. Nicholson has said that children "give your life a resonance that it can't have without them ... As a father, I'm there all the time. I give unconditional love". He has also lamented that he "didn't see enough of my eldest daughter because I was trying to make a career". Legal issues In a criminal complaint filed on February 8, 1994, Robert Blank stated that Nicholson, then 56, approached Blank's Mercedes-Benz while he was stopped at a red light in North Hollywood. After accusing Blank of cutting him off in traffic, Nicholson used a golf club to bash the roof and windshield of Blank's car. A witness confirmed Blank's account of the incident and misdemeanor charges of assault and vandalism were filed against Nicholson. Charges were dropped after Nicholson apologized to Blank, and the two reached an undisclosed settlement, which included a reported $500,000 check from Nicholson. In 1996, a lawsuit was brought against him alleging that he promised a woman named Catherine Sheehan $1,000 for sex and then assaulted her when she asked for the money. Sheehan received a settlement of about $40,000, but filed another lawsuit against him, arguing that the settlement was insufficient to cover the injuries inflicted upon her, including brain trauma, which she said were "actually killing her." The case was dismissed. Celebrity friendships Nicholson lived next door to Marlon Brando for a number of years on Mulholland Drive in Beverly Hills, California. Warren Beatty also lived nearby, earning the road the nickname "Bad Boy Drive". After Brando's death in 2004, Nicholson purchased his bungalow for $6.1 million, with the purpose of having it demolished. Nicholson said he did so out of respect for Brando's legacy, as it had become too expensive to renovate the "derelict" building, which was plagued by mold. Nicholson's friendship with author-journalist Hunter S. Thompson is described in Thompson's autobiography Kingdom of Fear (2003). After Thompson died in 2005, Nicholson and fellow actors Johnny Depp, John Cusack, and Sean Penn attended his private memorial service in Colorado. Nicholson was also a close friend of Robert Evans, the producer of Chinatown, and after Evans lost Woodland, his home, as the result of a 1980s drug bust, Nicholson and other friends of Evans bought Woodland to give it back to him. Nicholson is also friends with fellow New Jerseyans Danny DeVito and Joe Pesci. Hobbies Nicholson is a fan of the New York Yankees and Los Angeles Lakers. He became a Lakers season ticket holder in 1970, and held courtside seats next to the opponent's benches both at The Forum and Staples Center. He was described as a "fixture" at the games, though his regular attendance had stopped by 2021, as he withdrew from public appearances. Nicholson occasionally argued with game officials and opposing players, and even walked onto the court. He was almost ejected from a Lakers playoff game in May 2003 after yelling at a referee. After the death of former Lakers star Kobe Bryant in a helicopter crash in January 2020, Nicholson gave a rare phone interview to Los Angeles station KCBS-TV expressing his grief. He attended a 2023 playoff game, which media outlets noted was his first appearance at a Lakers game in nearly two years. Nicholson is a collector of 20th-century and contemporary paintings, including those of Henri Matisse, Tamara de Lempicka, Andy Warhol and Jack Vettriano. In 1995, artist Edward Ruscha said that Nicholson has "one of the best collections out here". Political views Nicholson has called himself a "lifelong Irish Democrat. He supported George McGovern in the 1972 presidential election, Michael Dukakis in 1988, Hillary Clinton in 2008, and Bernie Sanders in 2020. Nicholson supports solar energy, decriminalizing drugs, monopoly laws, and raising teachers' pay. Although personally against abortion, he is pro-choice. He has said, "I'm pro-choice but against abortion because I'm an illegitimate child myself, and it would be hypocritical to take any other position. I'd be dead. I wouldn't exist." He has also said that he has "nothing but total admiration, gratitude, and respect for the strength of the women who made the decision they made in my individual case". Religious beliefs Nicholson was raised Roman Catholic and has expressed admiration for the religion, calling it "the only official dogma training I've had. I liked it. It's a smart religion." It has been asserted that some of Nicholson's 1970s movie roles were influenced by Catholicism. In a 1992 Vanity Fair interview, Nicholson said, "I don't believe in God now. I can still work up an envy for someone who has faith. I can see how that could be a deeply soothing experience." Acting credits and accolades During his career Nicholson has appeared in 80 films. Among some of Nicholson's films are: Easy Rider (1969) Five Easy Pieces (1970) Carnal Knowledge (1971) The Last Detail (1973) Chinatown (1974) The Passenger (1975) One Flew Over the Cuckoo's Nest (1975) The Shining (1980) Reds (1981) Terms of Endearment (1983) Prizzi's Honor (1985) Batman (1989) A Few Good Men (1992) As Good as It Gets (1997) About Schmidt (2002) The Departed (2006) With 12 Academy Award nominations (eight for Best Actor and four for Best Supporting Actor), Nicholson is the most nominated male actor in Academy Awards history. Only Nicholson (1960s–2000s), Michael Caine (1960s–2000s), Meryl Streep (1970s–2010s), Paul Newman (1950s–1960s, 1980s–2000s), Katharine Hepburn (1930s–1960s, 1980s), Frances McDormand (1980s–2020s), Denzel Washington (1980s–2020s), and Laurence Olivier (1930s–1970s) have been nominated for an acting (lead or supporting) Academy Award in five different decades. With three Oscar wins, he also ties with Walter Brennan, Daniel Day-Lewis, Ingrid Bergman, Frances McDormand and Meryl Streep for the second-most Oscar wins in acting categories. Only Katharine Hepburn, with four Oscars, won more. Nicholson is an active and voting member of the Academy. In May 2008, then-California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced that Nicholson would be inducted into the California Hall of Fame, located at The California Museum in Sacramento. The induction ceremony took place on December 15, 2008, where he was inducted alongside 11 other Californians. In 2010, Nicholson was inducted into the New Jersey Hall of Fame. In 2011, Nicholson received an honorary Doctor of Fine Arts degree from Brown University at its 243rd commencement. At the ceremony, Ruth Simmons, Brown University's president, called him "the most skilled actor of our lifetime". Explanatory note References General bibliography Duncan, Paul (2003). Stanley Kubrick: The Complete Films. Taschen GmbH. ISBN 978-3-8365-2775-0. External links Jack Nicholson at the American Film Institute Catalog Jack Nicholson at IMDb Jack Nicholson at the TCM Movie Database Jack Nicholson at AllMovie Jack Nicholson in the Hollywood Walk of Fame Directory Appearances on C-SPAN Jack Nicholson discography at Discogs "Jack Nicholson: A Singular Guy" – Rolling Stone interview with Jack Nicholson, September 20, 2006 Jack Nicholson Online - Fan site: pictures, interviews, latest news on Jack Nicholson
Fastest_animals
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This is a list of the fastest animals in the world, by types of animal. Fastest organism The peregrine falcon is the fastest bird, and the fastest member of the animal kingdom, with a diving speed of over 300 km/h (190 mph). The fastest land animal is the cheetah. Among the fastest animals in the sea is the black marlin, with uncertain and conflicting reports of recorded speeds. When drawing comparisons between different classes of animals, an alternative unit is sometimes used for organisms: body length per second. On this basis the 'fastest' organism on earth, relative to its body length, is the Southern Californian mite, Paratarsotomus macropalpis, which has a speed of 322 body lengths per second. The equivalent speed for a human, running as fast as this mite, would be 1,300 mph (2,092 km/h), or approximately Mach 1.7. The speed of the P. macropalpis is far in excess of the previous record holder, the Australian tiger beetle Rivacindela hudsoni, which is the fastest insect in the world relative to body size, with a recorded speed of 1.86 metres per second (6.7 km/h; 4.2 mph), or 171 body lengths per second. The cheetah, the fastest land mammal, scores at only 16 body lengths per second. Invertebrates Fish Due to physical constraints, fish may be incapable of exceeding swim speeds of 36 km/h (22 mph). The larger reported figures below are therefore highly questionable: Amphibians Reptiles Birds Mammals See also Speed record Notes == References ==
List_of_Olympic_records_in_swimming
https://en.wikipedia.org/wiki/List_of_Olympic_records_in_swimming
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[ "https://en.wikipedia.org/wiki/List_of_Olympic_records_in_swimming" ]
The International Olympic Committee recognises the fastest performances in pool-based swimming events at the Olympic Games. Men's swimming has been part of the official program of the Summer Olympics since the Games' modern inception in 1896; it was not until 1912 that women's events were held. The swimming events at the 1896 Olympic Games were held in a bay in the Aegean Sea with swimmers being required to swim to the shore—Hungarian swimmer Alfréd Hajós won two gold medals that year, saying "My will to live completely overcame my desire to win." The 1900 Summer Olympic Games in Paris had the swimming events take place in the River Seine, and the events at the 1908 Summer Olympics were held in a 100-metre pool surrounded by an athletics track in the White City Stadium in London. Races are held in four swimming categories: freestyle, backstroke, breaststroke and butterfly, over varying distances and in either individual or relay race events. Medley swimming races are also held, both individually and in relays, in which all four swimming categories are used. In the Swimming at the 2024 Summer Olympics in Paris, both men and women competed in eighteen events in the pool. Of the 35 pool-based events, swimmers from the United States hold fifteen records, Australia five, France four, China, Canada and South Africa two each, and one each to Ireland, Great Britain, Russian Olympic Committee, Hungary, and Sweden. Nineteen of the current Olympic records were set at the 2024 Summer Olympics, seven in 2020, five in 2016, one in 2012, and three in 2008. Men's records ♦ denotes a performance that is also a current world record. Statistics are correct as of the end of the 2024 Olympics and include only those events which are currently recognised by the IOC as Olympic events. Women's records ♦ denotes a performance that is also a current world record. Statistics are correct as of the end of the 2024 Olympics and include only those events which are currently recognised by the IOC as Olympic events. Mixed records ♦ denotes a performance that is also a current world record. Statistics are correct as of the end of the 2024 Olympics and include only those events which are currently recognised by the IOC as Olympic events. Footnotes References General World Aquatics: Olympic Records 4 August 2024 updated Specific
Alexander_Graham_Bell
https://en.wikipedia.org/wiki/Alexander_Graham_Bell
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[ "https://en.wikipedia.org/wiki/Alexander_Graham_Bell" ]
Alexander Graham Bell (, born Alexander Bell; March 3, 1847 – August 2, 1922) was a Scottish-born Canadian-American inventor, scientist, and engineer who is credited with patenting the first practical telephone. He also co-founded the American Telephone and Telegraph Company (AT&T) in 1885. Bell's father, grandfather, and brother had all been associated with work on elocution and speech, and both his mother and wife were deaf, profoundly influencing Bell's life's work. His research on hearing and speech further led him to experiment with hearing devices, which eventually culminated in his being awarded the first U.S. patent for the telephone, on March 7, 1876. Bell considered his invention an intrusion on his real work as a scientist and refused to have a telephone in his study. Many other inventions marked Bell's later life, including groundbreaking work in optical telecommunications, hydrofoils, and aeronautics. Bell also had a strong influence on the National Geographic Society and its magazine while serving as its second president from 1898 to 1903. Beyond his work in engineering, Bell had a deep interest in the emerging science of heredity. His work in this area has been called "the soundest, and most useful study of human heredity proposed in nineteenth-century America... Bell's most notable contribution to basic science, as distinct from invention." Early life Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at South Charlotte Street, and has a stone inscription marking it as Bell's birthplace. He had two brothers: Melville James Bell (1845–1870) and Edward Charles Bell (1848–1867), both of whom died of tuberculosis. His father was Alexander Melville Bell, a phonetician, and his mother was Eliza Grace Bell (née Symonds). Born as just "Alexander Bell", at age 10 he made a plea to his father to have a middle name like his two brothers. For his 11th birthday, his father acquiesced and allowed him to adopt the name "Graham", chosen out of respect for Alexander Graham, a Canadian being treated by his father who had become a family friend. To close relatives and friends he remained "Aleck". Bell and his siblings attended a Presbyterian Church in their youth. First invention As a child, Bell displayed a curiosity about his world; he gathered botanical specimens and ran experiments at an early age. His best friend was Ben Herdman, a neighbor whose family operated a flour mill. At the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation at the mill and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent". From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that his mother encouraged. With no formal training, he mastered the piano and became the family's pianist. Though normally quiet and introspective, he reveled in mimicry and "voice tricks" akin to ventriloquism that entertained family guests. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlor. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead, whereby she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics. His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially The Standard Elocutionist (1860), which appeared in Edinburgh in 1868. The Standard Elocutionist appeared in 168 British editions and sold over 250,000 copies in the United States alone. It explains methods to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation. Education As a young child, Bell, like his brothers, was schooled at home by his father. At an early age, he was enrolled at the Royal High School, Edinburgh; he left at age 15, having completed only the first four forms. His school record was undistinguished, marked by absenteeism and lackluster grades. His main interest remained in the sciences, especially biology, while he treated other school subjects with indifference, to his father's dismay. Upon leaving school, Bell traveled to London to live with his grandfather, Alexander Bell, on Harrington Square. During the year he spent with his grandfather, a love of learning was born, with long hours spent in serious discussion and study. The elder Bell took great efforts to have his young pupil learn to speak clearly and with conviction, attributes he would need to become a teacher himself. At age 16, Bell secured a position as a "pupil-teacher" of elocution and music at Weston House Academy in Elgin, Moray, Scotland. Although enrolled as a student in Latin and Greek, he instructed classes himself in return for board and £10 per session. The next year, he attended the University of Edinburgh, joining his brother Melville, who had enrolled there the previous year. In 1868, not long before he departed for Canada with his family, Bell completed his matriculation exams and was accepted for admission to University College London. First experiments with sound Bell's father encouraged his interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine, and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable Mama ensued, to the delight of neighbors who came to see the invention. Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, Trouve. After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandmama?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance. At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father. Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, The Sensations of Tone as a Physiological Basis for the Theory of Music. Dismayed to find that groundbreaking work had already been undertaken by Helmholtz, who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would underpin all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!" Family tragedy In 1865, when the Bell family moved to London, Bell returned to Weston House as an assistant master and, in his spare hours, continued experiments on sound using a minimum of laboratory equipment. Bell concentrated on experimenting with electricity to convey sound and later installed a telegraph wire from his room in Somerset College to that of a friend. Throughout late 1867, his health faltered mainly through exhaustion. His brother Edward was similarly affected by tuberculosis. While Bell recovered (by then referring to himself in correspondence as "A. G. Bell") and served the next year as an instructor at Somerset College, Bath, England, his brother's condition deteriorated. Edward never recovered. Upon his brother's death, Bell returned home in 1867. Melville had married and moved out. With aspirations to obtain a degree at University College London, Bell considered his next years preparation for the degree examinations, devoting his spare time to studying. Helping his father in Visible Speech demonstrations and lectures brought Bell to Susanna E. Hull's private school for the deaf in South Kensington, London. His first two pupils were deaf-mute girls who made remarkable progress under his tutelage. While Melville seemed to achieve success on many fronts, including opening his own elocution school, applying for a patent on an invention, and starting a family, Bell continued as a teacher. In May 1870, Melville died from complications of tuberculosis, causing a family crisis. His father had also experienced a debilitating illness earlier in life and been restored to health by convalescence in Newfoundland. Bell's parents embarked upon a long-planned move when they realized that their remaining son was also sickly. Acting decisively, Alexander Melville Bell asked Bell to arrange for the sale of all the family property, conclude all his brother's affairs (Bell took on his last student, curing a pronounced lisp), and join his father and mother in setting out for the "New World". Reluctantly, Bell also had to conclude a relationship with Marie Eccleston, who, as he had surmised, was not prepared to leave England with him. Canada In 1870, 23-year-old Bell traveled with his parents and his brother's widow, Caroline Margaret Ottaway, to Paris, Ontario, to stay with Thomas Henderson, a Baptist minister and family friend. The Bells soon purchased a farm of 10.5 acres (4.2 ha) at Tutelo Heights (now called Tutela Heights), near Brantford, Ontario. The property consisted of an orchard, large farmhouse, stable, pigsty, hen-house, and a carriage house, which bordered the Grand River. At the homestead, Bell set up a workshop in the converted carriage house near what he called his "dreaming place", a large hollow nestled in trees at the back of the property above the river. Despite his frail condition upon arriving in Canada, Bell found the climate and environs to his liking and rapidly improved. He continued his interest in the study of the human voice, and when he discovered the Six Nations Reserve across the river at Onondaga, learned the Mohawk language and translated its unwritten vocabulary into Visible Speech symbols. For his work, Bell was awarded the title of Honorary Chief and participated in a ceremony where he donned a Mohawk headdress and danced traditional dances. After setting up his workshop, Bell continued experiments based on Helmholtz's work with electricity and sound. He also modified a melodeon (a type of pump organ) to transmit its music electrically over a distance. Once the family was settled, Bell and his father made plans to establish a teaching practice and in 1871, he accompanied his father to Montreal, where Melville was offered a position to teach his System of Visible Speech. Work with deaf people Bell's father was invited by Sarah Fuller, principal of the Boston School for Deaf Mutes (later to become the public Horace Mann School for the Deaf) to introduce the Visible Speech System by providing training for Fuller's instructors, but he declined the post in favor of his son. Traveling to Boston in April 1871, Bell proved successful in training the school's instructors. He was asked to repeat the program at the American Asylum for Deaf-mutes in Hartford, Connecticut, and the Clarke School for the Deaf in Northampton, Massachusetts. Returning home to Brantford after six months abroad, Bell continued his experiments with his "harmonic telegraph". The basic concept behind his device was that messages could be sent through a single wire if each was transmitted at a different pitch, but work on both the transmitter and receiver was needed. Unsure of his future, he contemplated returning to London to complete his studies, but decided to return to Boston as a teacher. His father helped him set up his private practice by contacting Gardiner Greene Hubbard, the president of the Clarke School for the Deaf for a recommendation. Teaching his father's system, in October 1872, Alexander Bell opened his "School of Vocal Physiology and Mechanics of Speech" in Boston, which attracted a large number of deaf pupils, with his first class numbering 30 students. While he was working as a private tutor, one of his pupils was Helen Keller, who came to him as a young child unable to see, hear, or speak. She later said that Bell dedicated his life to the penetration of that "inhuman silence which separates and estranges". In 1893, Keller performed the sod-breaking ceremony for the construction of Bell's new Volta Bureau, dedicated to "the increase and diffusion of knowledge relating to the deaf". Throughout his life, Bell sought to assimilate the deaf and hard of hearing with the hearing world. He encouraged speech therapy and lipreading over sign language. He outlined this in an 1898 paper detailing his belief that, with resources and effort, the deaf could be taught to read lips and speak (known as oralism), enabling their integration with wider society. Members of the Deaf community have criticized Bell for supporting ideas that could cause the closure of dozens of deaf schools, and what some consider eugenicist ideas. Bell did not support a ban on deaf people marrying each other, an idea articulated by the National Association of the Deaf (United States), but in his memoir Memoir upon the Formation of a Deaf Variety of the Human Race, he observed that if deaf people tended to marry other deaf people, this could result in the emergence of a "deaf race". Ultimately, in 1880, the Second International Congress on Education of the Deaf passed a resolution mandating the teaching of oral communication and banning signing in schools. Continuing experimentation In 1872, Bell became professor of Vocal Physiology and Elocution at the Boston University School of Oratory. During this period, he alternated between Boston and Brantford, spending summers in his Canadian home. At Boston University, Bell was "swept up" by the excitement engendered by the many scientists and inventors living in the city. He continued his research in sound and endeavored to find a way to transmit musical notes and articulate speech, but although absorbed by his experiments, he found it difficult to devote enough time to experimentation. With days and evenings occupied by his teaching and private classes, Bell began to stay awake late into the night, running experiment after experiment in rented facilities at his boarding house. Keeping "night owl" hours, he worried that his work would be discovered and took great pains to lock up his notebooks and laboratory equipment. Bell had a specially made table where he could place his notes and equipment inside a locking cover. His health deteriorated as he had severe headaches. Returning to Boston in fall 1873, Bell made a far-reaching decision to concentrate on his experiments in sound. Giving up his lucrative private Boston practice, Bell retained only two students, six-year-old "Georgie" Sanders, deaf from birth, and 15-year-old Mabel Hubbard. Each played an important role in the next developments. Georgie's father, Thomas Sanders, a wealthy businessman, offered Bell a place to stay in nearby Salem with Georgie's grandmother, complete with a room to "experiment". Although the offer was made by Georgie's mother and followed the year-long arrangement in 1872 where her son and his nurse had moved to quarters next to Bell's boarding house, it was clear that Mr. Sanders backed the proposal. The arrangement was for teacher and student to continue their work together, with free room and board thrown in. Mabel was a bright, attractive girl ten years Bell's junior who became the object of his affection. Having lost her hearing after a near-fatal bout of scarlet fever close to her fifth birthday, she had learned to read lips but her father, Gardiner Greene Hubbard, Bell's benefactor and personal friend, wanted her to work directly with her teacher. The telephone By 1874, Bell's initial work on the harmonic telegraph had entered a formative stage, with progress made both at his new Boston "laboratory" (a rented facility) and at his family home in Canada a big success. While working that summer in Brantford, Bell experimented with a "phonautograph", a pen-like machine that could draw shapes of sound waves on smoked glass by tracing their vibrations. Bell thought it might be possible to generate undulating electrical currents that corresponded to sound waves. He also thought that multiple metal reeds tuned to different frequencies like a harp would be able to convert the undulating currents back into sound. But he had no working model to demonstrate the feasibility of these ideas. In 1874, telegraph message traffic was rapidly expanding and, in the words of Western Union President William Orton, had become "the nervous system of commerce". Orton had contracted with inventors Thomas Edison and Elisha Gray to find a way to send multiple telegraph messages on each telegraph line to avoid the great cost of constructing new lines. When Bell mentioned to Gardiner Hubbard and Thomas Sanders that he was working on a method of sending multiple tones on a telegraph wire using a multi-reed device, the two began to financially support Bell's experiments. Patent matters were handled by Hubbard's patent attorney, Anthony Pollok. In March 1875, Bell and Pollok visited the scientist Joseph Henry, then the director of the Smithsonian Institution, to ask his advice on the electrical multi-reed apparatus that Bell hoped would transmit the human voice by telegraph. Henry said Bell had "the germ of a great invention". When Bell said that he lacked the necessary knowledge, Henry replied, "Get it!" That declaration greatly encouraged Bell to keep trying, even though he had neither the equipment needed to continue his experiments nor the ability to create a working model of his ideas. But a chance meeting in 1874 between Bell and Thomas A. Watson, an experienced electrical designer and mechanic at the electrical machine shop of Charles Williams, changed that. With financial support from Sanders and Hubbard, Bell hired Watson as his assistant, and the two experimented with acoustic telegraphy. On June 2, 1875, Watson accidentally plucked one of the reeds and Bell, at the receiving end of the wire, heard the reed's overtones that would be necessary for transmitting speech. That demonstrated to Bell that only one reed or armature was necessary, not multiple reeds. This led to the "gallows" sound-powered telephone, which could transmit indistinct, voice-like sounds, but not clear speech. The race to the patent office In 1875, Bell developed an acoustic telegraph and drew up a patent application for it. Since he had agreed to share U.S. profits with his investors Gardiner Hubbard and Thomas Sanders, Bell requested that an associate in Ontario, George Brown, attempt to patent it in Britain, instructing his lawyers to apply for a patent in the U.S. only after they received word from Britain (Britain issued patents only for discoveries not previously patented elsewhere). Meanwhile, Elisha Gray was also experimenting with acoustic telegraphy and thought of a way to transmit speech using a water transmitter. On February 14, 1876, Gray filed a caveat with the U.S. Patent Office for a telephone design that used a water transmitter. That same morning, Bell's lawyer filed Bell's application with the patent office. There is considerable debate about who arrived first and Gray later challenged the primacy of Bell's patent. Bell was in Boston on February 14 and did not arrive in Washington until February 26. On March 7, 1876, the U.S. Patent Office issued Bell patent 174,465. It covered "the method of, and apparatus for, transmitting vocal or other sounds telegraphically ... by causing electrical undulations, similar in form to the vibrations of the air accompanying the said vocal or other sound" Bell returned to Boston that day and the next day resumed work, drawing in his notebook a diagram similar to that in Gray's patent caveat. On March 10, Bell succeeded in getting his telephone to work, using a liquid transmitter similar to Gray's design. Vibration of the diaphragm caused a needle to vibrate in the water, varying the electrical resistance in the circuit. When Bell spoke the sentence "Mr. Watson—Come here—I want to see you" into the liquid transmitter, Watson, listening at the receiving end in an adjoining room, heard the words clearly. Although Bell was, and still is, accused of stealing the telephone from Gray, Bell used Gray's water transmitter design only after Bell's patent had been granted, and only as a proof of concept scientific experiment, to prove to his own satisfaction that intelligible "articulate speech" (Bell's words) could be electrically transmitted. After March 1876, Bell focused on improving the electromagnetic telephone and never used Gray's liquid transmitter in public demonstrations or commercial use. The examiner raised the question of priority for the variable resistance feature of the telephone before approving Bell's patent application. He told Bell that his claim for the variable resistance feature was also described in Gray's caveat. Bell pointed to a variable resistance device in his previous application in which he described a cup of mercury, not water. He had filed the mercury application at the patent office on February 25, 1875, long before Gray described the water device. In addition, Gray abandoned his caveat, and because he did not contest Bell's priority, the examiner approved Bell's patent on March 3, 1876. Gray had reinvented the variable resistance telephone, but Bell was the first to write down the idea and test it in a telephone. The patent examiner, Zenas Fisk Wilber, later stated in an affidavit that he was an alcoholic who was much in debt to Bell's lawyer, Marcellus Bailey, with whom he had served in the Civil War. He said he had shown Bailey Gray's patent caveat. Wilber also said (after Bell arrived in Washington D.C. from Boston) that he showed Bell Gray's caveat and that Bell paid him $100 (equivalent to $2,800 in 2023). Bell said they discussed the patent only in general terms, although in a letter to Gray, Bell admitted that he learned some of the technical details. Bell denied in an affidavit that he ever gave Wilber any money. Later developments On March 10, 1876, Bell used "the instrument" in Boston to call Thomas Watson who was in another room but out of earshot. He said, "Mr. Watson, come here – I want to see you" and Watson soon appeared at his side. Continuing his experiments in Brantford, Bell brought home a working model of his telephone. On August 3, 1876, from the telegraph office in Brantford, Bell sent a telegram to the village of Mount Pleasant four miles (six kilometres) away, indicating that he was ready. He made a telephone call via telegraph wires and faint voices were heard replying. The following night, he amazed guests as well as his family with a call between the Bell Homestead and the office of the Dominion Telegraph Company in Brantford along an improvised wire strung up along telegraph lines and fences, and laid through a tunnel. This time, guests at the household distinctly heard people in Brantford reading and singing. The third test, on August 10, 1876, was made via the telegraph line between Brantford and Paris, Ontario, eight miles (thirteen kilometres) away. This test is said by many sources to be the "world's first long-distance call". It proved that the telephone could work over long distances, at least as a one-way call. The first two-way (reciprocal) conversation over a line occurred between Cambridge and Boston (roughly 2.5 miles) on October 9, 1876. During that conversation, Bell was on Kilby Street in Boston and Watson was at the offices of the Walworth Manufacturing Company. Bell and his partners, Hubbard and Sanders, offered to sell the patent outright to Western Union for $100,000, equal to $2,861,250 today, but it did not work (according to an apocryphal story, the president of Western Union balked, countering that the telephone was nothing but a toy). Two years later, he told colleagues that if he could get the patent for $25 million (equal to $789,310,345 today), he would consider it a bargain. By then, the Bell company no longer wanted to sell the patent. Bell's investors became millionaires while he fared well from residuals and at one point had assets of nearly $1 million. Bell began a series of public demonstrations and lectures to introduce the new invention to the scientific community as well as the general public. A short time later, his demonstration of an early telephone prototype at the 1876 Centennial Exposition in Philadelphia brought the telephone to international attention. Influential visitors to the exhibition included Emperor Pedro II of Brazil. One of the judges at the Exhibition, Sir William Thomson (later Lord Kelvin), a renowned Scottish scientist, described the telephone as "the greatest by far of all the marvels of the electric telegraph". On January 14, 1878, at Osborne House, on the Isle of Wight, Bell demonstrated the device to Queen Victoria, placing calls to Cowes, Southampton, and London. These were the first publicly witnessed long-distance telephone calls in the UK. The queen found the process "quite extraordinary" although the sound was "rather faint". She later asked to buy the equipment that was used, but Bell offered to make "a set of telephones" specifically for her. The Bell Telephone Company was created in 1877, and by 1886, more than 150,000 people in the U.S. owned telephones. Bell Company engineers made numerous other improvements to the telephone, which emerged as one of the most successful products ever. In 1879, the company acquired Edison's patents for the carbon microphone from Western Union. This made the telephone practical for longer distances, and it was no longer necessary to shout to be heard at the receiving telephone. Pedro II of Brazil was the first person to buy stock in the Bell Telephone Company. One of the first telephones in a private residence was installed in his palace in Petrópolis, his summer retreat forty miles (sixty-four kilometres) from Rio de Janeiro. In January 1915, Bell made the first ceremonial transcontinental telephone call. Calling from the AT&T head office at 15 Dey Street in New York City, Bell was heard by Thomas Watson at 333 Grant Avenue in San Francisco. The New York Times reported: On October 9, 1876, Alexander Graham Bell and Thomas A. Watson talked by telephone to each other over a two-mile wire stretched between Cambridge and Boston. It was the first wire conversation ever held. Yesterday afternoon [on January 25, 1915], the same two men talked by telephone to each other over a 3,400-mile wire between New York and San Francisco. Dr. Bell, the veteran inventor of the telephone, was in New York, and Mr. Watson, his former associate, was on the other side of the continent. Competitors As is sometimes common in scientific discoveries, simultaneous developments occurred, as evidenced by a number of inventors who were at work on the telephone. Over 18 years, the Bell Telephone Company faced 587 court challenges to its patents, including five that went to the U.S. Supreme Court, but none was successful in establishing priority over Bell's original patent, and the Bell Telephone Company never lost a case that had proceeded to a final trial stage. Bell's laboratory notes and family letters were the key to establishing a long lineage to his experiments. The Bell company lawyers successfully fought off myriad lawsuits generated initially around the challenges by Elisha Gray and Amos Dolbear. In personal correspondence to Bell, both Gray and Dolbear had acknowledged his prior work, which considerably weakened their later claims. On January 13, 1887, the U.S. government moved to annul the patent issued to Bell on the grounds of fraud and misrepresentation. After a series of decisions and reversals, the Bell company won a decision in the Supreme Court, though a couple of the original claims from the lower court cases were left undecided. By the time the trial had wound its way through nine years of legal battles, the U.S. prosecuting attorney had died and the two Bell patents (No. 174,465, dated March 7, 1876, and No. 186,787, dated January 30, 1877) were no longer in effect, although the presiding judges agreed to continue the proceedings due to the case's importance as a precedent. With a change in administration and charges of conflict of interest (on both sides) arising from the original trial, the U.S. attorney general dropped the lawsuit on November 30, 1897, leaving several issues undecided on the merits. During a deposition filed for the 1887 trial, Italian inventor Antonio Meucci also claimed to have created the first working model of a telephone in Italy in 1834. In 1886, in the first of three cases in which he was involved, Meucci took the stand as a witness in hope of establishing his invention's priority. Meucci's testimony was disputed due to lack of material evidence for his inventions, as his working models were purportedly lost at the laboratory of American District Telegraph (ADT) of New York, which was incorporated as a subsidiary of Western Union in 1901. Meucci's work, like that of many other inventors of the period, was based on earlier acoustic principles and, despite evidence of earlier experiments, the final case involving Meucci was eventually dropped upon Meucci's death. But due to the efforts of Congressman Vito Fossella, on June 11, 2002, the U.S. House of Representatives stated that Meucci's "work in the invention of the telephone should be acknowledged". This did not put an end to the still contentious issue. Some modern scholars do not agree that Bell's work on the telephone was influenced by Meucci's inventions. The value of Bell's patent was acknowledged throughout the world, and patent applications were made in most major countries. When Bell delayed the German patent application, the electrical firm Siemens & Halske set up a rival manufacturer of Bell telephones under its own patent. Siemens produced near-identical copies of the Bell telephone without having to pay royalties. The establishment of the International Bell Telephone Company in Brussels, Belgium, in 1880, as well as a series of agreements in other countries eventually consolidated a global telephone operation. The strain put on Bell by his constant appearances in court, necessitated by the legal battles, eventually resulted in his resignation from the company. Family life On July 11, 1877, a few days after the Bell Telephone Company was established, Bell married Mabel Hubbard (1857–1923) at the Hubbard estate in Cambridge, Massachusetts. His wedding present to his bride was to turn over 1,487 of his 1,497 shares in the newly formed Bell Telephone Company. Shortly thereafter, the newlyweds embarked on a year-long honeymoon in Europe. During that excursion, Bell took a handmade model of his telephone with him, making it a "working holiday". The courtship had begun years earlier; however, Bell waited until he was more financially secure before marrying. Although the telephone appeared to be an "instant" success, it was not initially a profitable venture and Bell's main sources of income were from lectures until after 1897. One unusual request exacted by his fiancée was that he use "Alec" rather than the family's earlier familiar name of "Aleck". From 1876, he would sign his name "Alec Bell". They had four children: Elsie May Bell (1878–1964) who married Gilbert Hovey Grosvenor of National Geographic fame. Marian Hubbard Bell (1880–1962) who was referred to as "Daisy". Married David Fairchild. Two sons who died in infancy (Edward in 1881 and Robert in 1883). The Bell family home was in Cambridge, Massachusetts, until 1880 when Bell's father-in-law bought a house in Washington, D.C.; in 1882 he bought a home in the same city for Bell's family, so they could be with him while he attended to the numerous court cases involving patent disputes. Bell was a British subject throughout his early life in Scotland and later in Canada until 1882 when he became a naturalized citizen of the United States. In 1915, he characterized his status as: "I am not one of those hyphenated Americans who claim allegiance to two countries." Despite this declaration, Bell has been proudly claimed as a "native son" by all three countries he resided in: the United States, Canada, and the United Kingdom. By 1885, a new summer retreat was contemplated. That summer, the Bells had a vacation on Cape Breton Island in Nova Scotia, Canada, spending time at the small village of Baddeck. Returning in 1886, Bell started building an estate on a point across from Baddeck, overlooking Bras d'Or Lake. By 1889, a large house, christened The Lodge was completed and two years later, a larger complex of buildings, including a new laboratory, were begun that the Bells would name Beinn Bhreagh (Gaelic: Beautiful Mountain) after Bell's ancestral Scottish highlands. Bell also built the Bell Boatyard on the estate, employing up to 40 people building experimental craft as well as wartime lifeboats and workboats for the Royal Canadian Navy and pleasure craft for the Bell family. He was an enthusiastic boater, and Bell and his family sailed or rowed a long series of vessels on Bras d'Or Lake, ordering additional vessels from the H.W. Embree and Sons boatyard in Port Hawkesbury, Nova Scotia. In his final, and some of his most productive years, Bell split his residency between Washington, D.C., where he and his family initially resided for most of the year, and Beinn Bhreagh, where they spent increasing amounts of time. Until the end of his life, Bell and his family would alternate between the two homes, but Beinn Bhreagh would, over the next 30 years, become more than a summer home as Bell became so absorbed in his experiments that his annual stays lengthened. Both Mabel and Bell became immersed in the Baddeck community and were accepted by the villagers as "their own". The Bells were still in residence at Beinn Bhreagh when the Halifax Explosion occurred on December 6, 1917. Mabel and Bell mobilized the community to help victims in Halifax. Later inventions Although Alexander Graham Bell is most often associated with the invention of the telephone, his interests were extremely varied. According to one of his biographers, Charlotte Gray, Bell's work ranged "unfettered across the scientific landscape" and he often went to bed voraciously reading the Encyclopædia Britannica, scouring it for new areas of interest. The range of Bell's inventive genius is represented only in part by the 18 patents granted in his name alone and the 12 he shared with his collaborators. These included 14 for the telephone and telegraph, four for the photophone, one for the phonograph, five for aerial vehicles, four for "hydroairplanes", and two for selenium cells. Bell's inventions spanned a wide range of interests and included a metal jacket to assist in breathing, the audiometer to detect minor hearing problems, a device to locate icebergs, investigations on how to separate salt from seawater, and work on finding alternative fuels. Bell worked extensively in medical research and invented techniques for teaching speech to the deaf. During his Volta Laboratory period, Bell and his associates considered impressing a magnetic field on a record as a means of reproducing sound. Although the trio briefly experimented with the concept, they could not develop a workable prototype. They abandoned the idea, never realizing they had glimpsed a basic principle which would one day find its application in the tape recorder, the hard disc and floppy disc drive, and other magnetic media. Bell's own home used a primitive form of air conditioning, in which fans blew currents of air across great blocks of ice. He also anticipated modern concerns with fuel shortages and industrial pollution. Methane gas, he reasoned, could be produced from the waste of farms and factories. At his Canadian estate in Nova Scotia, he experimented with composting toilets and devices to capture water from the atmosphere. In a magazine article published in 1917, he reflected on the possibility of using solar energy to heat houses. Photophone Bell and his assistant Charles Sumner Tainter jointly invented a wireless telephone, named a photophone, which allowed for the transmission of both sounds and normal human conversations on a beam of light. Both men later became full associates in the Volta Laboratory Association. On June 21, 1880, Bell's assistant transmitted a wireless voice telephone message a considerable distance, from the roof of the Franklin School in Washington, D.C., to Bell at the window of his laboratory, some 700 feet (213 m) away, 19 years before the first voice radio transmissions. Bell believed the photophone's principles were his life's "greatest achievement", telling a reporter shortly before his death that the photophone was "the greatest invention [I have] ever made, greater than the telephone". The photophone was a precursor to the fiber-optic communication systems which achieved popular worldwide usage in the 1980s. Its master patent was issued in December 1880, many decades before the photophone's principles came into popular use. Metal detector Bell is also credited with developing one of the early versions of a metal detector through the use of an induction balance, after the shooting of U.S. President James A. Garfield in 1881. According to some accounts, the metal detector worked flawlessly in tests but did not find Guiteau's bullet, partly because the metal bed frame on which the President was lying disturbed the instrument, resulting in static. Garfield's surgeons, led by self-appointed chief physician Doctor Willard Bliss, were skeptical of the device, and ignored Bell's requests to move the President to a bed not fitted with metal springs. Alternatively, although Bell had detected a slight sound on his first test, the bullet may have been lodged too deeply to be detected by the crude apparatus. Bell's own detailed account, presented to the American Association for the Advancement of Science in 1882, differs in several particulars from most of the many and varied versions now in circulation, by concluding that extraneous metal was not to blame for failure to locate the bullet. Perplexed by the peculiar results he had obtained during an examination of Garfield, Bell "proceeded to the Executive Mansion the next morning ... to ascertain from the surgeons whether they were perfectly sure that all metal had been removed from the neighborhood of the bed. It was then recollected that underneath the horse-hair mattress on which the President lay was another mattress composed of steel wires. Upon obtaining a duplicate, the mattress was found to consist of a sort of net of woven steel wires, with large meshes. The extent of the [area that produced a response from the detector] having been so small, as compared with the area of the bed, it seemed reasonable to conclude that the steel mattress had produced no detrimental effect." In a footnote, Bell adds, "The death of President Garfield and the subsequent post-mortem examination, however, proved that the bullet was at too great a distance from the surface to have affected our apparatus." Hydrofoils The March 1906 Scientific American article by American pioneer William E. Meacham explained the basic principle of hydrofoils and hydroplanes. Bell considered the invention of the hydroplane as a very significant achievement. Based on information gained from that article, he began to sketch concepts of what is now called a hydrofoil boat. Bell and assistant Frederick W. "Casey" Baldwin began hydrofoil experimentation in the summer of 1908 as a possible aid to airplane takeoff from water. Baldwin studied the work of the Italian inventor Enrico Forlanini and began testing models. This led him and Bell to the development of practical hydrofoil watercraft. During his world tour of 1910–11, Bell and Baldwin met with Forlanini in France. They had rides in the Forlanini hydrofoil boat over Lake Maggiore. Baldwin described it as being as smooth as flying. On returning to Baddeck, a number of initial concepts were built as experimental models, including the Dhonnas Beag (Scottish Gaelic for 'little devil'), the first self-propelled Bell-Baldwin hydrofoil. The experimental boats were essentially proof-of-concept prototypes that culminated in the more substantial HD-4, powered by Renault engines. A top speed of 54 miles per hour (87 km/h) was achieved, with the hydrofoil exhibiting rapid acceleration, good stability, and steering, along with the ability to take waves without difficulty. In 1913, Dr. Bell hired Walter Pinaud, a Sydney yacht designer and builder as well as the proprietor of Pinaud's Yacht Yard in Westmount, Nova Scotia, to work on the pontoons of the HD-4. Pinaud soon took over the boatyard at Bell Laboratories on Beinn Bhreagh, Bell's estate near Baddeck, Nova Scotia. Pinaud's experience in boatbuilding enabled him to make useful design changes to the HD-4. After the First World War, work began again on the HD-4. Bell's report to the U.S. Navy permitted him to obtain two 350-horsepower (260-kilowatt) engines in July 1919. On September 9, 1919, the HD-4 set a world marine speed record of 70.86 miles per hour (114.04 kilometres per hour), a record which stood for ten years. Aeronautics In 1891, Bell had begun experiments to develop motor-powered heavier-than-air aircraft. The AEA was first formed as Bell shared the vision to fly with his wife, who advised him to seek "young" help as Bell was at the age of 60. In 1898, Bell experimented with tetrahedral box kites and wings constructed of multiple compound tetrahedral kites covered in maroon silk. The tetrahedral wings were named Cygnet I, II, and III, and were flown both unmanned and manned (Cygnet I crashed during a flight carrying Selfridge) in the period from 1907 to 1912. Some of Bell's kites are on display at the Alexander Graham Bell National Historic Site. Bell was a supporter of aerospace engineering research through the Aerial Experiment Association (AEA), officially formed at Baddeck, Nova Scotia, in October 1907 at the suggestion of his wife Mabel and with her financial support after the sale of some of her real estate. The AEA was headed by Bell and the founding members were four young men: American Glenn H. Curtiss, a motorcycle manufacturer at the time and who held the title "world's fastest man", having ridden his self-constructed motor bicycle around in the shortest time, and who was later awarded the Scientific American Trophy for the first official one-kilometre flight in the Western hemisphere, and who later became a world-renowned airplane manufacturer; Lieutenant Thomas Selfridge, an official observer from the U.S. Federal government and one of the few people in the army who believed that aviation was the future; Frederick W. Baldwin, the first Canadian and first British subject to pilot a public flight in Hammondsport, New York; and J. A. D. McCurdy–Baldwin and McCurdy being new engineering graduates from the University of Toronto. The AEA's work progressed to heavier-than-air machines, applying their knowledge of kites to gliders. Moving to Hammondsport, the group then designed and built the Red Wing, framed in bamboo and covered in red silk and powered by a small air-cooled engine. On March 12, 1908, over Keuka Lake, the biplane lifted off on the first public flight in North America. The innovations that were incorporated into this design included a cockpit enclosure and tail rudder (later variations on the original design would add ailerons as a means of control). One of the AEA's inventions, a practical wingtip form of the aileron, was to become a standard component on all aircraft. The White Wing and June Bug were to follow and by the end of 1908, over 150 flights without mishap had been accomplished. However, the AEA had depleted its initial reserves and only a $15,000 grant from Mrs. Bell allowed it to continue with experiments. Lt. Selfridge had also become the first person killed in a powered heavier-than-air flight in a crash of the Wright Flyer at Fort Myer, Virginia, on September 17, 1908. Their final aircraft design, the Silver Dart, embodied all of the advancements found in the earlier machines. On February 23, 1909, Bell was present as the Silver Dart flown by J. A. D. McCurdy from the frozen ice of Bras d'Or made the first aircraft flight in Canada. Bell had worried that the flight was too dangerous and had arranged for a doctor to be on hand. With the successful flight, the AEA disbanded and the Silver Dart would revert to Baldwin and McCurdy, who began the Canadian Aerodrome Company and would later demonstrate the aircraft to the Canadian Army. Heredity and genetics Bell, along with many members of the scientific community at the time, took an interest in the popular science of heredity which grew out of the publication of Charles Darwin's book On the Origin of Species in 1859. On his estate in Nova Scotia, Bell conducted meticulously recorded breeding experiments with rams and ewes. Over the course of more than 30 years, Bell sought to produce a breed of sheep with multiple nipples that would bear twins. He specifically wanted to see if selective breeding could produce sheep with four functional nipples with enough milk for twin lambs. This interest in animal breeding caught the attention of scientists focused on the study of heredity and genetics in humans. In November 1883, Bell presented a paper at a meeting of the National Academy of Sciences titled "Upon the Formation of a Deaf Variety of the Human Race". The paper is a compilation of data on the hereditary aspects of deafness. Bell's research indicated that a hereditary tendency toward deafness, as indicated by the possession of deaf relatives, was an important element in determining the production of deaf offspring. He noted that the proportion of deaf children born to deaf parents was many times greater than the proportion of deaf children born to the general population. In the paper, Bell delved into social commentary and discussed hypothetical public policies to bring an end to deafness. He also criticized educational practices that segregated deaf children rather than integrated them fulling into mainstream classrooms. The paper did not propose sterilization of deaf people or prohibition on intermarriage, noting that "We cannot dictate to men and women whom they should marry and natural selection no longer influences mankind to any great extent." A review of Bell's "Memoir upon the Formation of a Deaf Variety of the Human Race" appearing in an 1885 issue of the "American Annals of the Deaf and Dumb" states that "Dr. Bell does not advocate legislative interference with the marriages of the deaf for several reasons one of which is that the results of such marriages have not yet been sufficiently investigated." The article goes on to say that "the editorial remarks based thereon did injustice to the author." The paper's author concludes by saying "A wiser way to prevent the extension of hereditary deafness, it seems to us, would be to continue the investigations which Dr. Bell has so admirable begun until the laws of the transmission of the tendency to deafness are fully understood, and then by explaining those laws to the pupils of our schools to lead them to choose their partners in marriage in such a way that deaf-mute offspring will not be the result." Historians have noted that Bell explicitly opposed laws regulating marriage, and never mentioned sterilization in any of his writings. Even after Bell agreed to engage with scientists conducting eugenic research, he consistently refused to support public policy that limited the rights or privileges of the deaf. Bell's interest and research on heredity attracted the interest of Charles Davenport, a Harvard professor and head of the Cold Spring Harbor Laboratory. In 1906, Davenport, who was also the founder of the American Breeder's Association, approached Bell about joining a new committee on eugenics chaired by David Starr Jordan. In 1910, Davenport opened the Eugenics Records office at Cold Spring Harbor. To give the organization scientific credibility, Davenport set up a Board of Scientific Directors naming Bell as chairman. Other members of the board included Luther Burbank, Roswell H. Johnson, Vernon L. Kellogg, and William E. Castle. In 1921, a Second International Congress of Eugenics was held in New York at the Museum of Natural History and chaired by Davenport. Although Bell did not present any research or speak as part of the proceedings, he was named as honorary president as a means to attract other scientists to attend the event. A summary of the event notes that Bell was a "pioneering investigator in the field of human heredity". Death Bell died of complications arising from diabetes on August 2, 1922, at his private estate in Cape Breton, Nova Scotia, at age 75. Bell had also been affected by pernicious anemia. His last view of the land he had inhabited was by moonlight on his mountain estate at 2:00 a.m. While tending to him after his long illness, Mabel, his wife, whispered, "Don't leave me." By way of reply, Bell signed "no...", lost consciousness, and died shortly after. On learning of Bell's death, the Canadian Prime Minister, Mackenzie King, cabled Mrs. Bell, saying: My colleagues in the Government join with me in expressing to you our sense of the world's loss in the death of your distinguished husband. It will ever be a source of pride to our country that the great invention, with which his name is immortally associated, is a part of its history. On the behalf of the citizens of Canada, may I extend to you an expression of our combined gratitude and sympathy. Bell's coffin was constructed of Beinn Bhreagh pine by his laboratory staff, lined with the same red silk fabric used in his tetrahedral kite experiments. To help celebrate his life, his wife asked guests not to wear black (the traditional funeral color) while attending his service, during which soloist Jean MacDonald sang a verse of Robert Louis Stevenson's "Requiem": Upon the conclusion of Bell's funeral, for one minute at 6:25 p.m. Eastern Time, "every phone on the continent of North America was silenced in honor of the man who had given to mankind the means for direct communication at a distance". Alexander Graham Bell was buried atop Beinn Bhreagh mountain, on his estate where he had resided increasingly for the last 35 years of his life, overlooking Bras d'Or Lake. He was survived by his wife Mabel, his two daughters, Elsie May and Marian, and nine of his grandchildren. Legacy and honors Honors and tributes flowed to Bell in increasing numbers as his invention became ubiquitous and his personal fame grew. Bell received numerous honorary degrees from colleges and universities to the point that the requests almost became burdensome. During his life, he also received dozens of major awards, medals, and other tributes. These included statuary monuments to both him and the new form of communication his telephone created, including the Bell Telephone Memorial erected in his honor in Alexander Graham Bell Gardens in Brantford, Ontario, in 1917. A large number of Bell's writings, personal correspondence, notebooks, papers, and other documents reside in both the United States Library of Congress Manuscript Division (as the Alexander Graham Bell Family Papers), and at the Alexander Graham Bell Institute, Cape Breton University, Nova Scotia; major portions of which are available for online viewing. A number of historic sites and other marks commemorate Bell in North America and Europe, including the first telephone companies in the United States and Canada. Among the major sites are: The Alexander Graham Bell National Historic Site, maintained by Parks Canada, which incorporates the Alexander Graham Bell Museum, in Baddeck, Nova Scotia, close to the Bell estate Beinn Bhreagh The Bell Homestead National Historic Site, includes the Bell family home, "Melville House", and farm overlooking Brantford, Ontario and the Grand River. It was their first home in North America; Canada's first telephone company building, the "Henderson Home" of the late 1870s, a predecessor of the Bell Telephone Company of Canada (officially chartered in 1880). In 1969, the building was carefully moved to the historic Bell Homestead National Historic Site in Brantford, Ontario, and was refurbished to become a telephone museum. The Bell Homestead, the Henderson Home telephone museum, and the National Historic Site's reception centre are all maintained by the Bell Homestead Society; The Alexander Graham Bell Memorial Park, which features a broad neoclassical monument built in 1917 by public subscription. The monument depicts mankind's ability to span the globe through telecommunications; The Alexander Graham Bell Museum (opened in 1956), part of the Alexander Graham Bell National Historic Site which was completed in 1978 in Baddeck, Nova Scotia. Many of the museum's artifacts were donated by Bell's daughters; In 1880, Bell received the Volta Prize with a purse of 50,000 French francs (approximately US$330,000 in today's dollars) for the invention of the telephone from the French government. Among the luminaries who judged were Victor Hugo and Alexandre Dumas, fils. The Volta Prize was conceived by Napoleon III in 1852, and named in honor of Alessandro Volta, with Bell becoming the second recipient of the grand prize in its history. Since Bell was becoming increasingly affluent, he used his prize money to create endowment funds (the 'Volta Fund') and institutions in and around the United States capital of Washington, D.C.. These included the prestigious 'Volta Laboratory Association' (1880), also known as the Volta Laboratory and as the 'Alexander Graham Bell Laboratory', and which eventually led to the Volta Bureau (1887) as a center for studies on deafness which is still in operation in Georgetown, Washington, D.C. The Volta Laboratory became an experimental facility devoted to scientific discovery, and the very next year it improved Edison's phonograph by substituting wax for tinfoil as the recording medium and incising the recording rather than indenting it, key upgrades that Edison himself later adopted. The laboratory was also the site where he and his associate invented his "proudest achievement", "the photophone", the "optical telephone" which presaged fibre optical telecommunications while the Volta Bureau would later evolve into the Alexander Graham Bell Association for the Deaf and Hard of Hearing (the AG Bell), a leading center for the research and pedagogy of deafness. In partnership with Gardiner Greene Hubbard, Bell helped establish the publication Science during the early 1880s. In 1898, Bell was elected as the second president of the National Geographic Society, serving until 1903, and was primarily responsible for the extensive use of illustrations, including photography, in the magazine. He also served for many years as a Regent of the Smithsonian Institution (1898–1922). The French government conferred on him the decoration of the Légion d'honneur (Legion of Honor); the Royal Society of Arts in London awarded him the Albert Medal in 1902; the University of Würzburg, Bavaria, granted him a PhD, and he was awarded the Franklin Institute's Elliott Cresson Medal in 1912. He was one of the founders of the American Institute of Electrical Engineers in 1884 and served as its president from 1891 to 1892. Bell was later awarded the AIEE's Edison Medal in 1914 "For meritorious achievement in the invention of the telephone". The bel (B) and the smaller decibel (dB) are units of measurement of sound pressure level (SPL) invented by Bell Labs and named after him. Since 1976, the IEEE's Alexander Graham Bell Medal has been awarded to honor outstanding contributions in the field of telecommunications. In 1936, the US Patent Office declared Bell first on its list of the country's greatest inventors, leading to the US Post Office issuing a commemorative stamp honoring Bell in 1940 as part of its 'Famous Americans Series'. The First Day of Issue ceremony was held on October 28 in Boston, Massachusetts, the city where Bell spent considerable time on research and working with the deaf. The Bell stamp became very popular and sold out in little time. The stamp became, and remains to this day, the most valuable one of the series. The 150th anniversary of Bell's birth in 1997 was marked by a special issue of commemorative £1 banknotes from the Royal Bank of Scotland. The illustrations on the reverse of the note include Bell's face in profile, his signature, and objects from Bell's life and career: users of the telephone over the ages; an audio wave signal; a diagram of a telephone receiver; geometric shapes from engineering structures; representations of sign language and the phonetic alphabet; the geese which helped him to understand flight; and the sheep which he studied to understand genetics. Additionally, the Government of Canada honored Bell in 1997 with a C$100 gold coin, in tribute also to the 150th anniversary of his birth, and with a silver dollar coin in 2009 in honor of the 100th anniversary of flight in Canada. That first flight was made by an airplane designed under Dr. Bell's tutelage, named the Silver Dart. Bell's image, and also those of his many inventions have graced paper money, coinage, and postal stamps in numerous countries worldwide for many dozens of years. Alexander Graham Bell was ranked 57th among the 100 Greatest Britons (2002) in an official BBC nationwide poll, and among the Top Ten Greatest Canadians (2004), and the 100 Greatest Americans (2005). In 2006, Bell was also named as one of the 10 greatest Scottish scientists in history after having been listed in the National Library of Scotland's 'Scottish Science Hall of Fame'. Bell's name is still widely known and used as part of the names of dozens of educational institutes, corporate namesakes, street and place names around the world. Honorary degrees Alexander Graham Bell, who could not complete the university program of his youth, received at least a dozen honorary degrees from academic institutions, including eight honorary LL.D.s (Doctorate of Laws), two Ph.D.s, a D.Sc., and an M.D.: Gallaudet College (then named National Deaf-Mute College) in Washington, D.C. (Ph.D.) in 1880 University of Würzburg in Würzburg, Bavaria (Ph.D.) in 1882 Heidelberg University in Heidelberg, Germany (M.D.) in 1886 Harvard University in Cambridge, Massachusetts (LL.D.) in 1896 Illinois College, in Jacksonville, Illinois (LL.D.) in 1896, possibly 1881 Amherst College in Amherst, Massachusetts (LL.D.) in 1901 University of St Andrews in St Andrews, Scotland (LL.D) in 1902 University of Oxford in Oxford, England (D.Sc.) in 1906 University of Edinburgh in Edinburgh, Scotland (LL.D.) in 1906 The George Washington University in Washington, D.C. (LL.D.) in 1913 Queen's University at Kingston in Kingston, Ontario, Canada (LL.D.) in 1908 Dartmouth College in Hanover, New Hampshire (LL.D.) in 1913, possibly 1914 Portrayal in film, television and fiction The 1939 film The Story of Alexander Graham Bell was based on his life and works. The 1965 BBC miniseries Alexander Graham Bell starring Alec McCowen and Francesca Annis. The 1992 film The Sound and the Silence was a TV film. Biography aired an episode Alexander Graham Bell: Voice of Invention on August 6, 1996. Eyewitness No. 90 A Great Inventor Is Remembered, a 1957 NFB short about Bell. A Sign of Her Own, by Sarah Marsh (2024), a novel about a pupil of Bell's Visible Speech, who is "gradually realising and acting upon the harm he was inflicting on her and other deaf people." Bibliography See also References Notes Citations Further reading Mullett, Mary B. The Story of A Famous Inventor. New York: Rogers and Fowle, 1921. Walters, Eric. The Hydrofoil Mystery. Toronto, Ontario, Canada: Puffin Books, 1999. ISBN 0-14-130220-8. Winzer, Margret A. The History Of Special Education: From Isolation To Integration. Washington, D.C.: Gallaudet University Press, 1993. ISBN 978-1-56368-018-2. External links Alexander and Mabel Bell Legacy Foundation Archived March 3, 2024, at the Wayback Machine Alexander Graham Bell Institute at Cape Breton University (archived 8 December 2015) Bell Telephone Memorial, Brantford, Ontario Bell Homestead National Historic Site, Brantford, Ontario Alexander Graham Bell National Historic Site of Canada, Baddeck, Nova Scotia Alexander Graham Bell Family Papers at the Library of Congress Alexander Graham Bell — Biographical Memoirs of the National Academy of Sciences Biography at the Dictionary of Canadian Biography Online Science.ca profile: Alexander Graham Bell Works by Alexander Graham Bell at Project Gutenberg Alexander Graham Bell at IMDb Alexander Graham Bell's notebooks at the Internet Archive "Téléphone et photophone : les contributions indirectes de Graham Bell à l'idée de la vision à distance par l'électricité" at the Histoire de la télévision Newspaper clippings about Alexander Graham Bell in the 20th Century Press Archives of the ZBW Alexander Graham Bell and the Aerial Experiment Association Photograph Collection at The Museum of Flight (Seattle, Washington). Multimedia Alexander Graham Bell at The Biography Channel The Story of Alexander Graham Bell (1939) at IMDb Alexander Graham Bell portrayed by John Bach (1992). The Sound and the Silence (Television production). Canada, New Zealand, Ireland: Atlantis Films. The Animated Hero Classics: Alexander Graham Bell (1995) at IMDb Gray, Charlotte (May 2013). "We Had No Idea What Alexander Graham Bell Sounded Like. Until Now". Smithsonian. Shaping The Future, from the Heritage Minutes and Radio Minutes collection at HistoricaCanada.ca (1:31 audio drama, Adobe Flash required)
Charles_Dickens
https://en.wikipedia.org/wiki/Charles_Dickens
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[ "https://en.wikipedia.org/wiki/Charles_Dickens" ]
Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English novelist, journalist, short story writer and social critic. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today. Born in Portsmouth, Dickens left school at age 12 to work in a boot-blacking factory when his father John was incarcerated in a debtors' prison. After three years, he returned to school before beginning his literary career as a journalist. Dickens edited a weekly journal for 20 years; wrote 15 novels, five novellas, hundreds of short stories and nonfiction articles; lectured and performed readings extensively; was an indefatigable letter writer; and campaigned vigorously for children's rights, education and other social reforms. Dickens's literary success began with the 1836 serial publication of The Pickwick Papers, a publishing phenomenon—thanks largely to the introduction of the character Sam Weller in the fourth episode—that sparked Pickwick merchandise and spin-offs. Within a few years, Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her own disabilities, Dickens improved the character with positive features. His plots were carefully constructed and he often wove elements from topical events into his narratives. Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers. His 1843 novella A Christmas Carol remains especially popular and continues to inspire adaptations in every creative medium. Oliver Twist and Great Expectations are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1859 novel A Tale of Two Cities (set in London and Paris) is his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters. Early life Charles Dickens was born on 7 February 1812 at 1 Mile End Terrace (now 393 Commercial Road), Landport in Portsea Island (Portsmouth), Hampshire, the second of eight children of Elizabeth Dickens (née Barrow; 1789–1863) and John Dickens (1785–1851). His father was a clerk in the Navy Pay Office and was temporarily stationed in the district. He asked Christopher Huffam, rigger to His Majesty's Navy, gentleman and head of an established firm, to act as godfather to Charles. Huffam is thought to be the inspiration for Paul Dombey, the owner of a shipping company in Dickens's novel Dombey and Son (1848). In January 1815, John Dickens was called back to London, and the family moved to Norfolk Street, Fitzrovia. When Charles was four, they relocated to Sheerness and thence to Chatham, Kent, where he spent his formative years until the age of 11. His early life seems to have been idyllic, though he thought himself a "very small and not-over-particularly-taken-care-of boy". Charles spent time outdoors, but also read voraciously, including the picaresque novels of Tobias Smollett and Henry Fielding, as well as Robinson Crusoe and Gil Blas. He read and re-read The Arabian Nights and the Collected Farces of Elizabeth Inchbald. At the age of seven, he first saw Joseph Grimaldi—the father of modern clowning—perform at the Star Theatre in Rochester, Kent. He later imitated Grimaldi's clowning on several occasions, and would also edit the Memoirs of Joseph Grimaldi. He retained poignant memories of childhood, helped by an excellent memory of people and events, which he used in his writing. His father's brief work as a clerk in the Navy Pay Office afforded him a few years of private education, first at a dame school and then at a school run by William Giles, a dissenter, in Chatham. This period came to an end in June 1822, when John Dickens was recalled to Navy Pay Office headquarters at Somerset House and the family (except for Charles, who stayed behind to finish his final term at school) moved to Camden Town in London. The family had left Kent amidst rapidly mounting debts and, living beyond his means, John Dickens was forced by his creditors into the Marshalsea debtors' prison in Southwark, London in 1824. His wife and youngest children joined him there, as was the practice at the time. Charles, then 12 years old, boarded with Elizabeth Roylance, a family friend, at 112 College Place, Camden Town. Mrs Roylance was "a reduced impoverished old lady, long known to our family", whom Dickens later immortalised, "with a few alterations and embellishments", as "Mrs Pipchin" in Dombey and Son. Later, he lived in a back-attic in the house of an agent for the Insolvent Court, Archibald Russell, "a fat, good-natured, kind old gentleman ... with a quiet old wife" and lame son, in Lant Street in Southwark. They provided the inspiration for the Garlands in The Old Curiosity Shop. On Sundays—with his sister Frances, free from her studies at the Royal Academy of Music—he spent the day at the Marshalsea. Dickens later used the prison as a setting in Little Dorrit. To pay for his board and to help his family, Dickens was forced to leave school and work ten-hour days at Warren's Blacking Warehouse, on Hungerford Stairs, near the present Charing Cross railway station, where he earned six shillings a week pasting labels on pots of boot blacking. The strenuous and often harsh working conditions made a lasting impression on Dickens and later influenced his fiction and essays, becoming the foundation of his interest in the reform of socio-economic and labour conditions, the rigours of which he believed were unfairly borne by the poor. He later wrote that he wondered "how I could have been so easily cast away at such an age". As he recalled to John Forster (from Life of Charles Dickens): The blacking-warehouse was the last house on the left-hand side of the way, at old Hungerford Stairs. It was a crazy, tumble-down old house, abutting of course on the river, and literally overrun with rats. Its wainscoted rooms, and its rotten floors and staircase, and the old grey rats swarming down in the cellars, and the sound of their squeaking and scuffling coming up the stairs at all times, and the dirt and decay of the place, rise up visibly before me, as if I were there again. The counting-house was on the first floor, looking over the coal-barges and the river. There was a recess in it, in which I was to sit and work. My work was to cover the pots of paste-blacking; first with a piece of oil-paper, and then with a piece of blue paper; to tie them round with a string; and then to clip the paper close and neat, all round, until it looked as smart as a pot of ointment from an apothecary's shop. When a certain number of grosses of pots had attained this pitch of perfection, I was to paste on each a printed label, and then go on again with more pots. Two or three other boys were kept at similar duty down-stairs on similar wages. One of them came up, in a ragged apron and a paper cap, on the first Monday morning, to show me the trick of using the string and tying the knot. His name was Bob Fagin; and I took the liberty of using his name, long afterwards, in Oliver Twist. When the warehouse was moved to Chandos Street in the smart, busy district of Covent Garden, the boys worked in a room in which the window gave onto the street. Small audiences gathered and watched them at work—in Dickens's biographer Simon Callow's estimation, the public display was "a new refinement added to his misery". A few months after his imprisonment, John Dickens's mother, Elizabeth Dickens, died and bequeathed him £450. On the expectation of this legacy, Dickens was released from prison. Under the Insolvent Debtors Act, Dickens arranged for payment of his creditors, and he and his family left the Marshalsea, for the home of Mrs Roylance. Charles's mother, Elizabeth Dickens, did not immediately support his removal from the boot-blacking warehouse. This influenced Dickens's view that a father should rule the family and a mother find her proper sphere inside the home: "I never afterwards forgot, I never shall forget, I never can forget, that my mother was warm for my being sent back." His mother's failure to request his return was a factor in his dissatisfied attitude towards women. Righteous indignation stemming from his own situation and the conditions under which working-class people lived became major themes of his works, and it was this unhappy period in his youth to which he alluded in his favourite, and most autobiographical, novel, David Copperfield: "I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!" Dickens was eventually sent to the Wellington House Academy in Camden Town, where he remained until March 1827, having spent about two years there. He did not consider it to be a good school: "Much of the haphazard, desultory teaching, poor discipline punctuated by the headmaster's sadistic brutality, the seedy ushers and general run-down atmosphere, are embodied in Mr Creakle's Establishment in David Copperfield." Dickens worked at the law office of Ellis and Blackmore, attorneys, of Holborn Court, Gray's Inn, as a junior clerk from May 1827 to November 1828. He was a gifted mimic and impersonated those around him: clients, lawyers and clerks. Captivated with London's theatre scene, he went to theatres obsessively: he claimed that for at least three years he went to the theatre every day. His favourite actor was Charles Mathews and Dickens learnt his "monopolylogues" (farces in which Mathews played every character) by heart. Then, having learned Gurney's system of shorthand in his spare time, he left to become a freelance reporter. A distant relative, Thomas Charlton, was a freelance reporter at Doctors' Commons and Dickens was able to share his box there to report the legal proceedings for nearly four years. In 1830, Dickens met his first love, Maria Beadnell, thought to have been the model for the character Dora in David Copperfield. Maria's parents disapproved of the courtship and ended the relationship by sending her to school in Paris. Career Journalism and writing In 1832, at the age of 20, Dickens was energetic and increasingly self-confident. He enjoyed mimicry and popular entertainment, lacked a clear, specific sense of what he wanted to become, and yet knew he wanted fame. Drawn to the theatre—he became an early member of the Garrick Club—he landed an acting audition at Covent Garden, where the manager George Bartley and the actor Charles Kemble were to see him. Dickens prepared meticulously and decided to imitate the comedian Charles Mathews, but ultimately he missed the audition because of a cold. Before another opportunity arose, he had set out on his career as a writer. In 1833, Dickens submitted his first story, "A Dinner at Poplar Walk", to the London periodical Monthly Magazine. His uncle William Barrow offered him a job on The Mirror of Parliament and he worked in the House of Commons for the first time early in 1832. He rented rooms at Furnival's Inn and worked as a political journalist, reporting on Parliamentary debates, and he travelled across Britain to cover election campaigns for the Morning Chronicle. His journalism, in the form of sketches in periodicals, formed his first collection of pieces, published in 1836: Sketches by Boz—Boz being a family nickname he employed as a pseudonym for some years. Dickens apparently adopted it from the nickname 'Moses', which he had given to his youngest brother Augustus Dickens, after a character in Oliver Goldsmith's The Vicar of Wakefield. When pronounced by anyone with a head cold, "Moses" became "Boses"—later shortened to Boz. Dickens's own name was considered "queer" by a contemporary critic, who wrote in 1849: "Mr Dickens, as if in revenge for his own queer name, does bestow still queerer ones upon his fictitious creations." Dickens contributed to and edited journals throughout his literary career. In January 1835, the Morning Chronicle launched an evening edition, under the editorship of the Chronicle's music critic, George Hogarth. Hogarth invited him to contribute Street Sketches and Dickens became a regular visitor to his Fulham house—excited by Hogarth's friendship with Walter Scott (whom Dickens greatly admired) and enjoying the company of Hogarth's three daughters: Georgina, Mary and 19-year-old Catherine. Dickens made rapid progress both professionally and socially. He began a friendship with William Harrison Ainsworth, the author of the highwayman novel Rookwood (1834), whose bachelor salon in Harrow Road had become the meeting place for a set that included Daniel Maclise, Benjamin Disraeli, Edward Bulwer-Lytton and George Cruikshank. All these became his friends and collaborators, with the exception of Disraeli, and he met his first publisher, John Macrone, at the house. The success of Sketches by Boz led to a proposal from publishers Chapman and Hall for Dickens to supply text to match Robert Seymour's engraved illustrations in a monthly letterpress. Seymour committed suicide after the second instalment and Dickens, who wanted to write a connected series of sketches, hired "Phiz" to provide the engravings (which were reduced from four to two per instalment) for the story. The resulting story became The Pickwick Papers and, although the first few episodes were not successful, the introduction of the Cockney character Sam Weller in the fourth episode (the first to be illustrated by Phiz) marked a sharp climb in its popularity. The final instalment sold 40,000 copies. On the impact of the character, The Paris Review stated, "arguably the most historic bump in English publishing is the Sam Weller Bump." A publishing phenomenon, John Sutherland called The Pickwick Papers "[t]he most important single novel of the Victorian era". The unprecedented success led to numerous spin-offs and merchandise including Pickwick cigars, playing cards, china figurines, Sam Weller puzzles, Weller boot polish and joke books. The Sam Weller Bump testifies not merely to Dickens's comic genius but to his acumen as an "authorpreneur", a portmanteau he inhabited long before The Economist took it up. For a writer who made his reputation crusading against the squalor of the Industrial Revolution, Dickens was a creature of capitalism; he used everything from the powerful new printing presses to the enhanced advertising revenues to the expansion of railroads to sell more books. Dickens ensured that his books were available in cheap bindings for the lower orders as well as in morocco-and-gilt for people of quality; his ideal readership included everyone from the pickpockets who read Oliver Twist to Queen Victoria, who found it "exceedingly interesting". On its impact on mass culture, Nicholas Dames in The Atlantic writes, "'Literature' is not a big enough category for Pickwick. It defined its own, a new one that we have learned to call 'entertainment'." In November 1836, Dickens accepted the position of editor of Bentley's Miscellany, a position he held for three years, until he fell out with the owner. In 1836, as he finished the last instalments of The Pickwick Papers, he began writing the beginning instalments of Oliver Twist—writing as many as 90 pages a month—while continuing work on Bentley's and also writing four plays, the production of which he oversaw. Oliver Twist, published in 1838, became one of Dickens's better known stories and was the first Victorian novel with a child protagonist. On 2 April 1836, after a one-year engagement, and between episodes two and three of The Pickwick Papers, Dickens married Catherine Thomson Hogarth (1815–1879), the daughter of George Hogarth, editor of the Evening Chronicle. They were married in St Luke's Church, Chelsea, London. After a brief honeymoon in Chalk in Kent, the couple returned to lodgings at Furnival's Inn. The first of their ten children, Charles, was born in January 1837 and a few months later the family set up home in Bloomsbury at 48 Doughty Street, London (on which Charles had a three-year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother Frederick and Catherine's 17-year-old sister Mary Hogarth moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. Unusually for Dickens, as a consequence of his shock, he stopped working, and he and Catherine stayed at a little farm on Hampstead Heath for a fortnight. Dickens idealised Mary; the character he fashioned after her, Rose Maylie, he found he could not now kill, as he had planned, in his fiction, and, according to Ackroyd, he drew on memories of her for his later descriptions of Little Nell and Florence Dombey. His grief was so great that he was unable to meet the deadline for the June instalment of The Pickwick Papers and had to cancel the Oliver Twist instalment that month as well. The time in Hampstead was the occasion for a growing bond between Dickens and John Forster to develop; Forster soon became his unofficial business manager and the first to read his work. His success as a novelist continued. The young Queen Victoria read both Oliver Twist and The Pickwick Papers, staying up until midnight to discuss them. Nicholas Nickleby (1838–39), The Old Curiosity Shop (1840–41) and, finally, his first historical novel, Barnaby Rudge: A Tale of the Riots of 'Eighty, as part of the Master Humphrey's Clock series (1840–41), were all published in monthly instalments before being made into books. In the midst of all his activity during this period, there was discontent with his publishers and John Macrone was bought off, while Richard Bentley signed over all his rights in Oliver Twist. Other signs of a certain restlessness and discontent emerged; in Broadstairs he flirted with Eleanor Picken, the young fiancée of his solicitor's best friend and one night grabbed her and ran with her down to the sea. He declared they were both to drown there in the "sad sea waves". She finally got free, and afterwards kept her distance. In June 1841, he precipitously set out on a two-month tour of Scotland and then, in September 1841, telegraphed Forster that he had decided to go to America. Master Humphrey's Clock was shut down, though Dickens was still keen on the idea of the weekly magazine, a form he liked, an appreciation that had begun with his childhood reading of the 18th-century magazines Tatler and The Spectator. Dickens was perturbed by the return to power of the Tories, whom he described as "people whom, politically, I despise and abhor." He had been tempted to stand for the Liberals in Reading, but decided against it due to financial straits. He wrote three anti-Tory verse satires ("The Fine Old English Gentleman", "The Quack Doctor's Proclamation", and "Subjects for Painters") which were published in The Examiner. First visit to the United States On 22 January 1842, Dickens and his wife arrived in Boston, Massachusetts, aboard the RMS Britannia during their first trip to the United States and Canada. At this time Georgina Hogarth, another sister of Catherine, joined the Dickens household, now living at Devonshire Terrace, Marylebone to care for the young family they had left behind. She remained with them as housekeeper, organiser, adviser and friend until Dickens's death in 1870. Dickens modelled the character of Agnes Wickfield after Georgina and Mary. He described his impressions in a travelogue, American Notes for General Circulation. In Notes, Dickens includes a powerful condemnation of slavery which he had attacked as early as The Pickwick Papers, correlating the emancipation of the poor in England with the abolition of slavery abroad citing newspaper accounts of runaway slaves disfigured by their masters. In spite of the abolitionist sentiments gleaned from his trip to America, some modern commentators have pointed out inconsistencies in Dickens's views on racial inequality. For instance, he has been criticised for his subsequent acquiescence in Governor Eyre's harsh crackdown during the 1860s Morant Bay rebellion in Jamaica and his failure to join other British progressives in condemning it. From Richmond, Virginia, Dickens returned to Washington, D.C., and started a trek westward, with brief pauses in Cincinnati and Louisville, to St. Louis, Missouri. While there, he expressed a desire to see an American prairie before returning east. A group of 13 men then set out with Dickens to visit Looking Glass Prairie, a trip 30 miles into Illinois. During his American visit, Dickens spent a month in New York City, giving lectures, raising the question of international copyright laws and the pirating of his work in America. He persuaded a group of 25 writers, headed by Washington Irving, to sign a petition for him to take to Congress, but the press were generally hostile to this, saying that he should be grateful for his popularity and that it was mercenary to complain about his work being pirated. The popularity he gained caused a shift in his self-perception according to critic Kate Flint, who writes that he "found himself a cultural commodity, and its circulation had passed out his control", causing him to become interested in and delve into themes of public and personal personas in the next novels. She writes that he assumed a role of "influential commentator", publicly and in his fiction, evident in his next few books. His trip to the U.S. ended with a trip to Canada—Niagara Falls, Toronto, Kingston and Montreal—where he appeared on stage in light comedies. Return to England Soon after his return to England, Dickens began work on the first of his Christmas stories, A Christmas Carol, written in 1843, which was followed by The Chimes in 1844 and The Cricket on the Hearth in 1845. Of these, A Christmas Carol was most popular and, tapping into an old tradition, did much to promote a renewed enthusiasm for the joys of Christmas in Britain and America. The seeds for the story became planted in Dickens's mind during a trip to Manchester to witness the conditions of the manufacturing workers there. This, along with scenes he had recently witnessed at the Field Lane Ragged School, caused Dickens to resolve to "strike a sledge hammer blow" for the poor. As the idea for the story took shape and the writing began in earnest, Dickens became engrossed in the book. He later wrote that as the tale unfolded he "wept and laughed, and wept again" as he "walked about the black streets of London fifteen or twenty miles many a night when all sober folks had gone to bed". After living briefly in Italy (1844), Dickens travelled to Switzerland (1846), where he began work on Dombey and Son (1846–48). This and David Copperfield (1849–50) mark a significant artistic break in Dickens's career as his novels became more serious in theme and more carefully planned than his early works. At about this time, he was made aware of a large embezzlement at the firm where his brother, Augustus, worked (John Chapman & Co). It had been carried out by Thomas Powell, a clerk, who was on friendly terms with Dickens and who had acted as mentor to Augustus when he started work. Powell was also an author and poet and knew many of the famous writers of the day. After further fraudulent activities, Powell fled to New York and published a book called The Living Authors of England with a chapter on Charles Dickens, who was not amused by what Powell had written. One item that seemed to have annoyed him was the assertion that he had based the character of Paul Dombey (Dombey and Son) on Thomas Chapman, one of the principal partners at John Chapman & Co. Dickens immediately sent a letter to Lewis Gaylord Clark, editor of the New York literary magazine The Knickerbocker, saying that Powell was a forger and thief. Clark published the letter in the New-York Tribune and several other papers picked up on the story. Powell began proceedings to sue these publications and Clark was arrested. Dickens, realising that he had acted in haste, contacted John Chapman & Co to seek written confirmation of Powell's guilt. Dickens did receive a reply confirming Powell's embezzlement, but once the directors realised this information might have to be produced in court, they refused to make further disclosures. Owing to the difficulties of providing evidence in America to support his accusations, Dickens eventually made a private settlement with Powell out of court. Philanthropy Angela Burdett Coutts, heir to the Coutts banking fortune, approached Dickens in May 1846 about setting up a home for the redemption of fallen women of the working class. Coutts envisioned a home that would replace the punitive regimes of existing institutions with a reformative environment conducive to education and proficiency in domestic household chores. After initially resisting, Dickens eventually founded the home, named Urania Cottage, in the Lime Grove area of Shepherd's Bush, which he managed for ten years, setting the house rules, reviewing the accounts and interviewing prospective residents. Emigration and marriage were central to Dickens's agenda for the women on leaving Urania Cottage, from which it is estimated that about 100 women graduated between 1847 and 1859. Religious views As a young man, Dickens expressed a distaste for certain aspects of organised religion. In 1836, in a pamphlet titled Sunday Under Three Heads, he defended the people's right to pleasure, opposing a plan to prohibit games on Sundays. "Look into your churches—diminished congregations and scanty attendance. People have grown sullen and obstinate, and are becoming disgusted with the faith which condemns them to such a day as this, once in every seven. They display their feeling by staying away [from church]. Turn into the streets [on a Sunday] and mark the rigid gloom that reigns over everything around." Dickens honoured the figure of Jesus Christ. He is regarded as a professing Christian. His son, Henry Fielding Dickens, described him as someone who "possessed deep religious convictions". In the early 1840s, he had shown an interest in Unitarian Christianity and Robert Browning remarked that "Mr Dickens is an enlightened Unitarian." Professor Gary Colledge has written that he "never strayed from his attachment to popular lay Anglicanism". Dickens authored a work called The Life of Our Lord (1846), a book about the life of Christ, written with the purpose of sharing his faith with his children and family. In a scene from David Copperfield, Dickens echoed Geoffrey Chaucer's use of Luke 23:34 from Troilus and Criseyde (Dickens held a copy in his library), with G. K. Chesterton writing, "among the great canonical English authors, Chaucer and Dickens have the most in common." Dickens disapproved of Roman Catholicism and 19th-century evangelicalism, seeing both as extremes of Christianity and likely to limit personal expression, and was critical of what he saw as the hypocrisy of religious institutions and philosophies like spiritualism, all of which he considered deviations from the true spirit of Christianity, as shown in the book he wrote for his family in 1846. While Dickens advocated equal rights for Catholics in England, he strongly disliked how individual civil liberties were often threatened in countries where Catholicism predominated and referred to the Catholic Church as "that curse upon the world." Dickens also rejected the Evangelical conviction that the Bible was the infallible word of God. His ideas on Biblical interpretation were similar to the Liberal Anglican Arthur Penrhyn Stanley's doctrine of "progressive revelation". Leo Tolstoy and Fyodor Dostoyevsky referred to Dickens as "that great Christian writer". Middle years In December 1845, Dickens took up the editorship of the London-based Daily News, a liberal paper through which Dickens hoped to advocate, in his own words, "the Principles of Progress and Improvement, of Education and Civil and Religious Liberty and Equal Legislation." Among the other contributors Dickens chose to write for the paper were the radical economist Thomas Hodgskin and the social reformer Douglas William Jerrold, who frequently attacked the Corn Laws. Dickens lasted only ten weeks on the job before resigning due to a combination of exhaustion and frustration with one of the paper's co-owners. A Francophile, Dickens often holidayed in France and, in a speech delivered in Paris in 1846 in French, called the French "the first people in the universe". During his visit to Paris, Dickens met the French literati Alexandre Dumas, Victor Hugo, Eugène Scribe, Théophile Gautier, François-René de Chateaubriand and Eugène Sue. In early 1849, Dickens started to write David Copperfield. It was published between 1849 and 1850. In Dickens's biography, Life of Charles Dickens (1872), John Forster wrote of David Copperfield, "underneath the fiction lay something of the author's life". It was Dickens's personal favourite among his novels, as he wrote in the author's preface to the 1867 edition of the novel. His collection of letters included a correspondence with Mary Tyler, dated 6 November 1849, on the comedic merits of Punch and Judy, a puppet show dominated by the anarchic clowning of Mr. Punch. In late November 1851, Dickens moved into Tavistock House where he wrote Bleak House (1852–53), Hard Times (1854) and Little Dorrit (1856). It was here that he indulged in the amateur theatricals described in Forster's Life of Charles Dickens. During this period, he worked closely with the novelist and playwright Wilkie Collins. In 1856, his income from writing allowed him to buy Gads Hill Place in Higham, Kent. As a child, Dickens had walked past the house and dreamed of living in it. The area was also the scene of some of the events of Shakespeare's Henry IV, Part 1 and this literary connection pleased him. During this time Dickens was also the publisher, editor and a major contributor to the journals Household Words (1850–1859) and All the Year Round (1858–1870). Both journals contained a mix of fiction and non-fiction, and dealt with aspects in the culture. For example, the latter journal included Dickens' assessment of Madame Tussauds wax museum on Baker Street, which he called "something more than an exhibition, it is an institution." In 1854, at the behest of Sir John Franklin's widow Lady Jane, Dickens viciously attacked Arctic explorer John Rae in Household Words for his report to the Admiralty, based on interviews with local Inuit, that the members of Franklin's lost expedition had resorted to cannibalism. These attacks would later be expanded on his 1856 play The Frozen Deep, which satirises Rae and the Inuit. Twentieth-century archaeology work in King William Island later confirmed that the members of the Franklin expedition resorted to cannibalism. In 1855, when Dickens's good friend and Liberal MP Austen Henry Layard formed an Administrative Reform Association to demand significant reforms of Parliament, Dickens joined and volunteered his resources in support of Layard's cause. With the exception of Lord John Russell, who was the only leading politician in whom Dickens had any faith and to whom he later dedicated A Tale of Two Cities, Dickens believed that the political aristocracy and their incompetence were the death of England. When he and Layard were accused of fomenting class conflict, Dickens replied that the classes were already in opposition and the fault was with the aristocratic class. Dickens used his pulpit in Household Words to champion the Reform Association. He also commented on foreign affairs, declaring his support for Giuseppe Garibaldi and Giuseppe Mazzini, helping raise funds for their campaigns and stating that "a united Italy would be of vast importance to the peace of the world, and would be a rock in Louis Napoleon's way," and that "I feel for Italy almost as if I were an Italian born." Dickens also published dozens of writings in Household Words supporting vaccination, including multiple laudations for vaccine pioneer Edward Jenner. Following the Indian Mutiny of 1857, Dickens joined in the widespread criticism of the East India Company for its role in the event, but reserved his fury for Indians, wishing that he was the commander-in-chief in India so that he would be able to "do my utmost to exterminate the Race upon whom the stain of the late cruelties rested." In 1857, Dickens hired professional actresses for The Frozen Deep, which he and his protégé Wilkie Collins had written. Dickens fell in love with one of the actresses, Ellen Ternan, and this passion was to last the rest of his life. In 1858, when Dickens was 45 and Ternan 18, divorce would have been scandalous for someone of his fame. After publicly accusing Catherine of not loving their children and suffering from "a mental disorder"—statements that disgusted his contemporaries, including Elizabeth Barrett Browning—Dickens attempted to have Catherine institutionalised. When his scheme failed, they separated. Catherine left, never to see her husband again, taking with her one child. Her sister Georgina, who stayed at Gads Hill, raised the other children. During this period, whilst pondering a project to give public readings for his own profit, Dickens was approached through a charitable appeal by Great Ormond Street Hospital to help it survive its first major financial crisis. His "Drooping Buds" essay in Household Words earlier on 3 April 1852 was considered by the hospital's founders to have been the catalyst for the hospital's success. Dickens, whose philanthropy was well-known, was asked by his friend, the hospital's founder Charles West, to preside over the appeal, and he threw himself into the task, heart and soul. Dickens's public readings secured sufficient funds for an endowment to put the hospital on a sound financial footing; one reading on 9 February 1858 alone raised £3,000. After separating from Catherine, Dickens undertook a series of popular and remunerative reading tours which, together with his journalism, were to absorb most of his creative energies for the next decade, in which he was to write only two novels. His first reading tour, lasting from April 1858 to February 1859, consisted of 129 appearances in 49 towns throughout England, Scotland and Ireland. Dickens's continued fascination with the theatrical world was written into the theatre scenes in Nicholas Nickleby, and he found an outlet in public readings. In 1866, he undertook a series of public readings in England and Scotland, with more the following year in England and Ireland. Other works soon followed, including A Tale of Two Cities (1859) and Great Expectations (1861), which were resounding successes. Set in London and Paris, A Tale of Two Cities is his best-known work of historical fiction and includes the famous opening sentence that begins with "It was the best of times, it was the worst of times." It is regularly touted as one of the best-selling novels of all time. Themes in Great Expectations include wealth and poverty, love and rejection, and the eventual triumph of good over evil. In early September 1860, in a field behind Gads Hill, Dickens made a bonfire of most of his correspondence; he spared only letters on business matters. Since Ellen Ternan also destroyed all of his letters to her, the extent of the affair between the two remains speculative. In the 1930s, Thomas Wright recounted that Ternan had unburdened herself to a Canon Benham and gave currency to rumours they had been lovers. Dickens's daughter, Kate Perugini, stated that the two had a son who died in infancy to biographer Gladys Storey in an interview before the former's death in 1929. Storey published her account in Dickens and Daughter, though no contemporary evidence was given. On his death, Dickens settled an annuity on Ternan which made her financially independent. Claire Tomalin's book The Invisible Woman argues that Ternan lived with Dickens secretly for the last 13 years of his life. The book was subsequently turned into a play, Little Nell, by Simon Gray, and a 2013 film. During the same period Dickens furthered his interest in the paranormal becoming one of the early members of The Ghost Club. In June 1862, he was offered £10,000 for a reading tour of Australia. He was enthusiastic, and even planned a travel book, The Uncommercial Traveller Upside Down, but ultimately decided against the tour. Two of his sons, Alfred D'Orsay Tennyson Dickens and Edward Bulwer Lytton Dickens, migrated to Australia, Edward becoming a member of the Parliament of New South Wales as Member for Wilcannia between 1889 and 1894. Later life On 9 June 1865, while returning from Paris with Ellen Ternan, Dickens was involved in the Staplehurst rail crash in Kent. The train's first seven carriages plunged off a cast iron bridge that was under repair and ten passengers were killed. The only first-class carriage to remain on the track—which was left hanging precariously off the bridge—was the one in which Dickens was travelling. For three hours before rescuers arrived, Dickens tended and comforted the wounded and the dying with a flask of brandy and a hat refreshed with water. Before leaving, he remembered the unfinished manuscript for Our Mutual Friend, and he returned to his carriage to retrieve it. Dickens later used the experience of the crash as material for his short ghost story, "The Signal-Man", in which the central character has a premonition of his own death in a rail crash. He also based the story on several previous rail accidents, such as the Clayton Tunnel rail crash in Sussex of 1861. Dickens managed to avoid an appearance at the inquest to avoid disclosing that he had been travelling with Ternan and her mother, which would have caused a scandal. After the crash, Dickens was nervous when travelling by train and would use alternative means when available. In 1868 he wrote, "I have sudden vague rushes of terror, even when riding in a hansom cab, which are perfectly unreasonable but quite insurmountable." Dickens's son, Henry, recalled, "I have seen him sometimes in a railway carriage when there was a slight jolt. When this happened he was almost in a state of panic and gripped the seat with both hands." Second visit to the United States While he contemplated a second visit to the United States, the outbreak of the Civil War in America in 1861 delayed his plans. On 9 November 1867, over two years after the war, Dickens set sail from Liverpool for his second American reading tour. Landing in Boston, he devoted the rest of the month to a round of dinners with such notables as Ralph Waldo Emerson, Henry Wadsworth Longfellow and his American publisher, James T. Fields. In early December, the readings began. He performed 76 readings, netting £19,000, from December 1867 to April 1868. Dickens shuttled between Boston and New York, where he gave 22 readings at Steinway Hall. Although he had started to suffer from what he called the "true American catarrh", he kept to a schedule that would have challenged a much younger man, even managing to squeeze in some sleighing in Central Park. During his travels, he saw a change in the people and the circumstances of America. His final appearance was at a banquet the American Press held in his honour at Delmonico's on 18 April, when he promised never to denounce America again. By the end of the tour Dickens could hardly manage solid food, subsisting on champagne and eggs beaten in sherry. On 23 April he boarded the Cunard liner Russia to return to Britain, barely escaping a federal tax lien against the proceeds of his lecture tour. Farewell readings In 1868–69, Dickens gave a series of "farewell readings" in England, Scotland and Ireland, beginning on 6 October. He managed, of a contracted 100 readings, to give 75 in the provinces, with a further 12 in London. As he pressed on he was affected by giddiness and fits of paralysis. He had a stroke on 18 April 1869 in Chester. He collapsed on 22 April 1869, at Preston, Lancashire; on doctor's advice, the tour was cancelled. After further provincial readings were cancelled, he began work on his final novel, The Mystery of Edwin Drood. It was fashionable in the 1860s to 'do the slums' and, in company, Dickens visited opium dens in Shadwell, where he witnessed an elderly addict called "Laskar Sal", who formed the model for "Opium Sal" in Edwin Drood. After Dickens regained enough strength, he arranged, with medical approval, for a final series of readings to partly make up to his sponsors what they had lost due to his illness. There were 12 performances, on 11 January to 15 March 1870; the last at 8:00pm at St. James's Hall, London. Though in grave health by then, he read A Christmas Carol and The Trial from Pickwick. On 2 May, he made his last public appearance at a Royal Academy banquet in the presence of the Prince and Princess of Wales, paying a special tribute on the death of his friend, illustrator Daniel Maclise. Death On 8 June 1870, Dickens had another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness. The next day, he died at Gads Hill Place. Biographer Claire Tomalin has suggested Dickens was actually in Peckham when he had had the stroke and his mistress Ellen Ternan and her maids had him taken back to Gads Hill so that the public would not know the truth about their relationship. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner", he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads: To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world. A letter from Dickens to the Clerk of the Privy Council in March indicates he'd been offered and accepted a baronetcy, which was not gazetted before his death. His last words were "On the ground" in response to his sister-in-law Georgina's request that he lie down. On Sunday, 19 June 1870, five days after Dickens was buried in the Abbey, Dean Arthur Penrhyn Stanley delivered a memorial elegy, lauding "the genial and loving humorist whom we now mourn", for showing by his own example "that even in dealing with the darkest scenes and the most degraded characters, genius could still be clean, and mirth could be innocent". Pointing to the fresh flowers that adorned the novelist's grave, Stanley assured those present that "the spot would thenceforth be a sacred one with both the New World and the Old, as that of the representative of literature, not of this island only, but of all who speak our English tongue." In his will, drafted more than a year before his death, Dickens left the care of his £80,000 estate (£9,668,700 in 2023) to his long-time colleague John Forster and his "best and truest friend" Georgina Hogarth who, along with Dickens's two sons, also received a tax-free sum of £8,000 (equivalent to £967,000 in 2023). He confirmed his wife Catherine's annual allowance of £600 (£72,500 in 2023). He bequeathed £19 19s (£2,400 in 2023) to each servant in his employment at the time of his death. Literary style Dickens's approach to the novel is influenced by various things, including the picaresque novel tradition, melodrama and the novel of sensibility. According to Ackroyd, other than these, perhaps the most important literary influence on him was derived from the fables of The Arabian Nights. Satire and irony are central to the picaresque novel. Comedy is also an aspect of the British picaresque novel tradition of Laurence Sterne, Henry Fielding and Tobias Smollett. Fielding's Tom Jones was a major influence on the 19th-century novelist including Dickens, who read it in his youth and named a son Henry Fielding Dickens after him. Influenced by Gothic fiction—a literary genre that began with The Castle of Otranto (1764) by Horace Walpole—Dickens incorporated Gothic imagery, settings and plot devices in his works. Victorian gothic moved from castles and abbeys into contemporary urban environments: in particular London, such as Dickens's Oliver Twist and Bleak House. The jilted bride Miss Havisham from Great Expectations is one of Dickens's best-known gothic creations; living in a ruined mansion, her bridal gown effectively doubles as her funeral shroud. No other writer had such a profound influence on Dickens as William Shakespeare. On Dickens's veneration of Shakespeare, Alfred Harbage wrote in A Kind of Power: The Shakespeare-Dickens Analogy (1975) that "No one is better qualified to recognise literary genius than a literary genius". Regarding Shakespeare as "the great master" whose plays "were an unspeakable source of delight", Dickens's lifelong affinity with the playwright included seeing theatrical productions of his plays in London and putting on amateur dramatics with friends in his early years. In 1838, Dickens travelled to Stratford-upon-Avon and visited the house in which Shakespeare was born, leaving his autograph in the visitors' book. Dickens would draw on this experience in his next work, Nicholas Nickleby (1838–39), expressing the strength of feeling experienced by visitors to Shakespeare's birthplace: the character Mrs Wititterly states, "I don't know how it is, but after you've seen the place and written your name in the little book, somehow or other you seem to be inspired; it kindles up quite a fire within one." Dickens's writing style is marked by a profuse linguistic creativity. Satire, flourishing in his gift for caricature, is his forte. An early reviewer compared him to Hogarth for his keen practical sense of the ludicrous side of life, though his acclaimed mastery of varieties of class idiom may in fact mirror the conventions of contemporary popular theatre. Dickens worked intensively on developing arresting names for his characters that would reverberate with associations for his readers and assist the development of motifs in the storyline, giving what one critic calls an "allegorical impetus" to the novels' meanings. To cite one of numerous examples, the name Mr Murdstone in David Copperfield conjures up twin allusions to murder and stony coldness. His literary style is also a mixture of fantasy and realism. His satires of British aristocratic snobbery—he calls one character the "Noble Refrigerator"—are often popular. Comparing orphans to stocks and shares, people to tug boats or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy. On his ability to elicit a response from his works, English screenwriter Sarah Phelps writes, "He knew how to work an audience and how to get them laughing their heads off one minute or on the edge of their seats and holding their breath the next. The other thing about Dickens is that he loved telling stories and he loved his characters, even those horrible, mean-spirited ones." The author worked closely with his illustrators, supplying them with a summary of the work at the outset and thus ensuring that his characters and settings were exactly how he envisioned them. He briefed the illustrator on plans for each month's instalment so that work could begin before he wrote them. Marcus Stone, illustrator of Our Mutual Friend, recalled that the author was always "ready to describe down to the minutest details the personal characteristics, and ... life-history of the creations of his fancy". Dickens employs Cockney English in many of his works, denoting working-class Londoners. Cockney grammar appears in terms such as ain't, and consonants in words are frequently omitted, as in 'ere (here) and wot (what). An example of this usage is in Oliver Twist. The Artful Dodger uses cockney slang which is juxtaposed with Oliver's 'proper' English, when the Dodger repeats Oliver saying "seven" with "sivin". Characters Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley and Bob Cratchit (A Christmas Carol); Oliver Twist, The Artful Dodger, Fagin and Bill Sikes (Oliver Twist); Pip, Miss Havisham, Estella and Abel Magwitch (Great Expectations); Sydney Carton, Charles Darnay and Madame Defarge (A Tale of Two Cities); David Copperfield, Uriah Heep and Mr Micawber (David Copperfield); Daniel Quilp and Nell Trent (The Old Curiosity Shop), Samuel Pickwick and Sam Weller (The Pickwick Papers); and Wackford Squeers (Nicholas Nickleby) are so well known as to be part and parcel of popular culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser or someone who dislikes Christmas festivity. His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian" and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical and vapidly factual. The character that made Dickens famous, Sam Weller became known for his Wellerisms—one-liners that turn proverbs on their heads. Many were drawn from real life: Mrs Nickleby is based on his mother, although she did not recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance'; Harold Skimpole in Bleak House is based on James Henry Leigh Hunt; his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep (a term synonymous with sycophant). Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks". T. S. Eliot wrote that Dickens "excelled in character; in the creation of characters of greater intensity than human beings". One "character" vividly drawn throughout his novels is London itself. Dickens described London as a magic lantern, inspiring the places and people in many of his novels. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital—Dickens's London—are described over the course of his body of work. Walking the streets (particularly around London) formed an integral part of his writing life, stoking his creativity. Dickens was known to regularly walk at least a dozen miles (19 km) per day, and once wrote, "If I couldn't walk fast and far, I should just explode and perish." Autobiographical elements Authors frequently draw their portraits of characters from people they have known in real life. David Copperfield is regarded by many as a veiled autobiography of Dickens. The scenes of interminable court cases and legal arguments in Bleak House reflect Dickens's experiences as a law clerk and court reporter, and in particular his direct experience of the law's procedural delay during 1844 when he sued publishers in Chancery for breach of copyright. Dickens's father was sent to prison for debt, and this became a common theme in many of his books, with the detailed depiction of life in the Marshalsea prison in Little Dorrit resulting from Dickens's own experiences of the institution. Lucy Stroughill, a childhood sweetheart, may have affected several of Dickens's portraits of girls such as Little Em'ly in David Copperfield and Lucie Manette in A Tale of Two Cities. Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he gathered his realistic accounts of squalor. Very few knew the details of his early life until six years after his death, when John Forster published a biography on which Dickens had collaborated. Though Skimpole brutally sends up Leigh Hunt, some critics have detected in his portrait features of Dickens's own character, which he sought to exorcise by self-parody. Episodic writing A pioneer of the serial publication of narrative fiction, Dickens wrote most of his major novels in monthly or weekly instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted in book form. These instalments made the stories affordable and accessible, with the audience more evenly distributed across income levels than previous. His instalment format inspired a narrative that he would explore and develop throughout his career, and the regular cliffhangers made each new episode widely anticipated. When The Old Curiosity Shop was being serialised, American fans waited at the docks in New York harbour, shouting out to the crew of an incoming British ship, "Is little Nell dead?" Dickens was able to incorporate this episodic writing style but still end up with a coherent novel at the end. He wrote, "The thing has to be planned for presentation in these fragments, and yet for afterwards fusing together as an uninterrupted whole." Another important impact of Dickens's episodic writing style resulted from his exposure to the opinions of his readers and friends. His friend Forster had a significant hand in reviewing his drafts, an influence that went beyond matters of punctuation; he toned down melodramatic and sensationalist exaggerations, cut long passages (such as the episode of Quilp's drowning in The Old Curiosity Shop), and made suggestions about plot and character. It was he who suggested that Charley Bates should be redeemed in Oliver Twist. Dickens had not thought of killing Little Nell and it was Forster who advised him to entertain this possibility as necessary to his conception of the heroine. At the helm in popularising cliffhangers and serial publications in Victorian literature, Dickens's influence can also be seen in television soap operas and film series, with The Guardian stating that "the DNA of Dickens's busy, episodic storytelling, delivered in instalments and rife with cliffhangers and diversions, is traceable in everything." His serialisation of his novels also drew comments from other writers. In Scottish author Robert Louis Stevenson's novel The Wrecker, Captain Nares, investigating an abandoned ship, remarked: "See! They were writing up the log," said Nares, pointing to the ink-bottle. "Caught napping, as usual. I wonder if there ever was a captain yet that lost a ship with his log-book up to date? He generally has about a month to fill up on a clean break, like Charles Dickens and his serial novels." Social commentary Dickens's novels were, among other things, works of social commentary. Simon Callow states, "From the moment he started to write, he spoke for the people, and the people loved him for it." He was a fierce critic of the poverty and social stratification of Victorian society. In a New York address, he expressed his belief that "Virtue shows quite as well in rags and patches as she does in purple and fine linen". Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime: it challenged middle class polemics about criminals, making impossible any pretence to ignorance about what poverty entailed. At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged within society. Through his journalism he campaigned on specific issues—such as sanitation and the workhouse—but his fiction probably demonstrated its greatest prowess in changing public opinion in regard to class inequalities. He often depicted the exploitation and oppression of the poor and condemned the public officials and institutions that not only allowed such abuses to exist, but flourished as a result. His most strident indictment of this condition is in Hard Times (1854), Dickens's only novel-length treatment of the industrial working class. In this work, he uses vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners; that is, not really "people" but rather only appendages of the machines they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in The Pickwick Papers are claimed to have been influential in having the Fleet Prison shut down. Karl Marx asserted that Dickens "issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together". George Bernard Shaw even remarked that Great Expectations was more seditious than Marx's Das Kapital. The exceptional popularity of Dickens's novels, even those with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865), not only underscored his ability to create compelling storylines and unforgettable characters, but also ensured that the Victorian public confronted issues of social justice that had commonly been ignored. It has been argued that his technique of flooding his narratives with an 'unruly superfluity of material' that, in the gradual dénouement, yields up an unsuspected order, influenced the organisation of Charles Darwin's On the Origin of Species. Literary techniques Dickens is often described as using idealised characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. The story of Nell Trent in The Old Curiosity Shop (1841) was received as extremely moving by contemporary readers but viewed as ludicrously sentimental by Oscar Wilde. "One must have a heart of stone to read the death of little Nell", he said in a famous remark, "without dissolving into tears ... of laughter." G. K. Chesterton stated, "It is not the death of little Nell, but the life of little Nell, that I object to", arguing that the maudlin effect of his description of her life owed much to the gregarious nature of Dickens's grief, his "despotic" use of people's feelings to move them to tears in works like this. The question as to whether Dickens belongs to the tradition of the sentimental novel is debatable. Valerie Purton, in her book Dickens and the Sentimental Tradition, sees him continuing aspects of this tradition, and argues that his "sentimental scenes and characters [are] as crucial to the overall power of the novels as his darker or comic figures and scenes", and that "Dombey and Son is [ ... ] Dickens's greatest triumph in the sentimentalist tradition". The Encyclopædia Britannica online comments that, despite "patches of emotional excess", such as the reported death of Tiny Tim in A Christmas Carol (1843), "Dickens cannot really be termed a sentimental novelist". In Oliver Twist, Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically good that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens's goal of poignant social commentary. Dickens's fiction, reflecting what he believed to be true of his own life, makes frequent use of coincidence, either for comic effect or to emphasise the idea of providence. For example, Oliver Twist turns out to be the lost nephew of the upper-class family that rescues him from the dangers of the pickpocket group. Such coincidences are a staple of 18th-century picaresque novels, such as Henry Fielding's Tom Jones, which Dickens enjoyed reading as a youth. Reputation Dickens was the most popular novelist of his time, and remains one of the best-known and most-read of English authors. His works have never gone out of print, and have been adapted continually for the screen since the invention of cinema, with at least 200 motion pictures and TV adaptations based on Dickens's works documented. Many of his works were adapted for the stage during his own lifetime—early productions included The Haunted Man which was performed in the West End's Adelphi Theatre in 1848—and, as early as 1901, the British silent film Scrooge, or, Marley's Ghost was made by Walter R. Booth. Contemporaries such as publisher Edward Lloyd cashed in on Dickens's popularity with cheap imitations of his novels, resulting in his own popular 'penny dreadfuls'. Dickens created some of the world's best-known fictional characters and is regarded by many as the greatest British novelist of the Victorian era. From the beginning of his career in the 1830s, his achievements in English literature were compared to those of Shakespeare. Dickens's literary reputation, however, began to decline with the publication of Bleak House in 1852–53. Philip Collins calls Bleak House "a crucial item in the history of Dickens's reputation. Reviewers and literary figures during the 1850s, 1860s and 1870s, saw a 'drear decline' in Dickens, from a writer of 'bright sunny comedy ... to dark and serious social' commentary". The Spectator called Bleak House "a heavy book to read through at once ... dull and wearisome as a serial"; Richard Simpson, in The Rambler, characterised Hard Times as "this dreary framework"; Fraser's Magazine thought Little Dorrit "decidedly the worst of his novels". All the same, despite these "increasing reservations amongst reviewers and the chattering classes, 'the public never deserted its favourite'". Dickens's popular reputation remained unchanged, sales continued to rise, and Household Words and later All the Year Round were highly successful. As his career progressed, Dickens's fame and the demand for his public readings were unparalleled. In 1868, The Times wrote, "Amid all the variety of 'readings', those of Mr Charles Dickens stand alone." A Dickens biographer, Edgar Johnson, wrote: "It was [always] more than a reading; it was an extraordinary exhibition of acting that seized upon its auditors with a mesmeric possession." Author David Lodge called him the "first writer to be an object of unrelenting public interest and adulation". Juliet John backed the claim for Dickens "to be called the first self-made global media star of the age of mass culture." The word "celebrity" first appeared in the Oxford English Dictionary in 1851, and the BBC states "Charles Dickens was one of the first figures to be called one". Comparing his reception at public readings to those of a contemporary pop star—the BBC compared his reception in the US to The Beatles—The Guardian states, "People sometimes fainted at his shows. His performances even saw the rise of that modern phenomenon, the 'speculator' or ticket tout (scalpers)—the ones in New York City escaped detection by borrowing respectable-looking hats from the waiters in nearby restaurants." Among fellow writers, there was a range of opinions on Dickens. Poet laureate, William Wordsworth (1770–1850), thought him a "very talkative, vulgar young person", adding he had not read a line of his work, while novelist George Meredith (1828–1909), found Dickens "intellectually lacking". In 1888, Leslie Stephen commented in the Dictionary of National Biography that "if literary fame could be safely measured by popularity with the half-educated, Dickens must claim the highest position among English novelists". Anthony Trollope's Autobiography famously declared Thackeray, not Dickens, to be the greatest novelist of the age. However, both Leo Tolstoy and Fyodor Dostoyevsky were admirers. Dostoyevsky commented: "We understand Dickens in Russia, I am convinced, almost as well as the English, perhaps even with all the nuances. It may well be that we love him no less than his compatriots do. And yet how original is Dickens, and how very English!" Tolstoy referred to David Copperfield as his favourite book, and he later adopted the novel as "a model for his own autobiographical reflections". French writer Jules Verne called Dickens his favourite writer, writing his novels "stand alone, dwarfing all others by their amazing power and felicity of expression". Dutch painter Vincent van Gogh was inspired by Dickens's novels in several of his paintings, such as Vincent's Chair, and in an 1889 letter to his sister stated that reading Dickens, especially A Christmas Carol, was one of the things that was keeping him from committing suicide. Oscar Wilde generally disparaged his depiction of character, while admiring his gift for caricature. Henry James denied him a premier position, calling him "the greatest of superficial novelists": Dickens failed to endow his characters with psychological depth, and the novels, "loose baggy monsters", betrayed a "cavalier organisation". Joseph Conrad described his own childhood in bleak Dickensian terms, noting he had "an intense and unreasoning affection" for Bleak House dating back to his boyhood. The novel influenced his own gloomy portrait of London in The Secret Agent (1907). Virginia Woolf had a love-hate relationship with Dickens, finding his novels "mesmerizing" while reproving him for his sentimentalism and a commonplace style. Around 1940–41, the attitude of the literary critics began to warm towards Dickens—led by George Orwell in Inside the Whale and Other Essays (March 1940), Edmund Wilson in The Wound and the Bow (1941) and Humphry House in Dickens and His World. However, even in 1948, F. R. Leavis, in The Great Tradition, asserted that "the adult mind doesn't as a rule find in Dickens a challenge to an unusual and sustained seriousness"; Dickens was indeed a great genius, "but the genius was that of a great entertainer", though he later changed his opinion with Dickens the Novelist (1970, with Q. D. (Queenie) Leavis): "Our purpose", they wrote, "is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers". In 1944, Soviet film director and film theorist Sergei Eisenstein wrote an essay on Dickens's influence on cinema, such as cross-cutting—where two stories run alongside each other, as seen in novels such as Oliver Twist. In the 1950s, "a substantial reassessment and re-editing of the works began, and critics found his finest artistry and greatest depth to be in the later novels: Bleak House, Little Dorrit and Great Expectations—and (less unanimously) in Hard Times and Our Mutual Friend". Dickens was among the favourite authors of Roald Dahl; the best-selling children's author would include three of Dickens's novels among those read by the title character in his 1988 novel Matilda. In 2005, Paul McCartney, an avid reader of Dickens, named Nicholas Nickleby his favourite novel. On Dickens he states, "I like the world that he takes me to. I like his words; I like the language", adding, "A lot of my stuff—it's kind of Dickensian." Screenwriter Jonathan Nolan's screenplay for The Dark Knight Rises (2012) was inspired by A Tale of Two Cities, with Nolan calling the depiction of Paris in the novel "one of the most harrowing portraits of a relatable, recognisable civilisation that completely folded to pieces". On 7 February 2012, the 200th anniversary of Dickens's birth, Philip Womack wrote in The Telegraph: "Today there is no escaping Charles Dickens. Not that there has ever been much chance of that before. He has a deep, peculiar hold upon us". Legacy Museums and festivals celebrating Dickens's life and works exist in many places with which Dickens was associated. These include the Charles Dickens Museum in London, the historic home where he wrote Oliver Twist, The Pickwick Papers and Nicholas Nickleby; and the Charles Dickens Birthplace Museum in Portsmouth, the house in which he was born. The original manuscripts of many of his novels, as well as printers' proofs, first editions and illustrations from the collection of Dickens's friend John Forster are held at the Victoria and Albert Museum. Dickens's will stipulated that no memorial be erected in his honour; nonetheless, a life-size bronze statue of Dickens entitled Dickens and Little Nell, cast in 1890 by Francis Edwin Elwell, stands in Clark Park in the Spruce Hill neighbourhood of Philadelphia, Pennsylvania. Another life-size statue of Dickens is located at Centennial Park in Sydney, Australia. In 1960 a bas-relief sculpture of Dickens, notably featuring characters from his books, was commissioned from sculptor Estcourt J Clack to adorn the office building built on the site of his former home at 1 Devonshire Terrace, London. In 2014, a life-size statue was unveiled near his birthplace in Portsmouth on the 202nd anniversary of his birth; this was supported by his great-great-grandsons, Ian and Gerald Dickens. A Christmas Carol is most probably his best-known story, with frequent new adaptations. It is also the most-filmed of Dickens's stories, with many versions dating from the early years of cinema. According to the historian Ronald Hutton, the current state of the observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by A Christmas Carol. Dickens catalysed the emerging Christmas as a family-centred festival of generosity, in contrast to the dwindling community-based and church-centred observations, as new middle-class expectations arose. Its archetypal figures (Scrooge, Tiny Tim, the Christmas ghosts) entered into Western cultural consciousness. "Merry Christmas", a prominent phrase from the tale, was popularised following the appearance of the story. The term Scrooge became a synonym for miser, and his exclamation "Bah! Humbug!'", a dismissal of the festive spirit, likewise gained currency as an idiom. The Victorian era novelist William Makepeace Thackeray called the book "a national benefit, and to every man and woman who reads it a personal kindness". Dickens was commemorated on the Series E £10 note issued by the Bank of England that circulated between 1992 and 2003. His portrait appeared on the reverse of the note accompanied by a scene from The Pickwick Papers. The Charles Dickens School is a high school in Broadstairs, Kent. A theme park, Dickens World, standing in part on the site of the former naval dockyard where Dickens's father once worked in the Navy Pay Office, opened in Chatham in 2007, but closed on 12 October 2016. To celebrate the 200th anniversary of the birth of Charles Dickens in 2012, the Museum of London held the UK's first major exhibition on the author in 40 years. In 2002, Dickens was number 41 in the BBC's poll of the 100 Greatest Britons. American literary critic Harold Bloom placed Dickens among the greatest Western writers of all time. In the 2003 UK survey The Big Read carried out by the BBC, five of Dickens's books were named in the Top 100. Actors who have portrayed Dickens on screen include Anthony Hopkins, Derek Jacobi, Simon Callow, Dan Stevens and Ralph Fiennes, the latter playing the author in The Invisible Woman (2013) which depicts Dickens's alleged secret love affair with Ellen Ternan which lasted for thirteen years until his death in 1870. Dickens and his publications have appeared on a number of postage stamps in countries including: the United Kingdom (1970, 1993, 2011 and 2012 issued by the Royal Mail—their 2012 collection marked the bicentenary of Dickens's birth), the Soviet Union (1962), Antigua, Barbuda, Botswana, Cameroon, Dubai, Fujairah, St Lucia and Turks and Caicos Islands (1970), St Vincent (1987), Nevis (2007), Alderney, Gibraltar, Jersey and Pitcairn Islands (2012), Austria (2013) and Mozambique (2014). In 1976, a crater on the planet Mercury was named in his honour. In November 2018 it was reported that a previously lost portrait of a 31-year-old Dickens, by Margaret Gillies, had been found in Pietermaritzburg, South Africa. Gillies was an early supporter of women's suffrage and had painted the portrait in late 1843 when Dickens, aged 31, wrote A Christmas Carol. It was exhibited, to acclaim, at the Royal Academy of Arts in 1844. The Charles Dickens Museum is reported to have paid £180,000 for the portrait. Works Dickens published 15 major novels, several novellas, a large number of short stories (including a number of Christmas-themed stories), a handful of plays, and several non-fiction books. Novels and novellas Dickens's novels and novellas were initially published in weekly and monthly magazines, the novels in serial format, then reprinted in standard book formats. The Pickwick Papers (The Posthumous Papers of the Pickwick Club; monthly serial, April 1836 to November 1837). Novel. Oliver Twist (The Adventures of Oliver Twist; monthly serial in Bentley's Miscellany, February 1837 to April 1839). Novel. Nicholas Nickleby (The Life and Adventures of Nicholas Nickleby; monthly serial, April 1838 to October 1839). Novel. The Old Curiosity Shop (weekly serial in Master Humphrey's Clock, April 1840 to November 1841). Novel. Barnaby Rudge (Barnaby Rudge: A Tale of the Riots of Eighty; weekly serial in Master Humphrey's Clock, February to November 1841). Novel. Martin Chuzzlewit (The Life and Adventures of Martin Chuzzlewit; monthly serial, January 1843 to July 1844). Novel. A Christmas Carol (A Christmas Carol in Prose: Being a Ghost-story of Christmas; 1843). Novella. The Chimes (The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year In; 1844). Novella. The Cricket on the Hearth (The Cricket on the Hearth: A Fairy Tale of Home; 1845). Novella. Dombey and Son (Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation; monthly serial, October 1846 to April 1848). Novel. The Battle of Life (The Battle of Life: A Love Story; 1846). Novella. The Haunted Man (The Haunted Man and the Ghost's Bargain: A Fancy for Christmas-time; 1848). Novella. David Copperfield (The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery [Which He Never Meant to Publish on Any Account]; monthly serial, May 1849 to November 1850). Novel. Bleak House (monthly serial, March 1852 to September 1853). Novel. Hard Times (Hard Times: For These Times; weekly serial in Household Words, 1 April 1854, to 12 August 1854). Novel. Little Dorrit (monthly serial, December 1855 to June 1857). Novel. A Tale of Two Cities (weekly serial in All the Year Round, 30 April 1859, to 26 November 1859). Novel. Great Expectations (weekly serial in All the Year Round, 1 December 1860 to 3 August 1861). Novel. Our Mutual Friend (monthly serial, May 1864 to November 1865). Novel. The Mystery of Edwin Drood (monthly serial, April 1870 to September 1870). Novel. Left unfinished due to Dickens's death. See also List of Dickensian characters Racism in the work of Charles Dickens Charles Dickens bibliography The Fraud by Zadie Smith Notes References Sources Further reading "Dickens, Charles" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. External links Works Charles Dickens's works on Bookwise Works by Charles Dickens in eBook form at Standard Ebooks Works by Charles Dickens at Project Gutenberg Works by Charles Dickens at Faded Page (Canada) Works by or about Charles Dickens at the Internet Archive Works by Charles Dickens at LibriVox (public domain audiobooks) Online books, and library resources in your library and in other libraries by Charles Dickens Charles Dickens Archived 24 June 2021 at the Wayback Machine at the British Library Organisations and portals "Archival material relating to Charles Dickens". UK National Archives. Portraits of Charles Dickens at the National Portrait Gallery, London Charles Dickens on the Archives Hub Archival material at Leeds University Library The Dickens Fellowship, an international society dedicated to the study of Dickens and his Writings Correspondence of Charles Dickens, with related papers, ca. 1834–1955 Finding aid to Charles Dickens papers at Columbia University. Rare Book & Manuscript Library. Museums Dickens Museum Situated in a former Dickens House, 48 Doughty Street, London, WC1 Dickens Birthplace Museum Archived 9 July 2011 at the Wayback Machine Old Commercial Road, Portsmouth Victoria and Albert Museum The V&A's collections relating to Dickens Other Dickens on In Our Time at the BBC Charles Dickens's Traveling Kit From the John Davis Batchelder Collection at the Library of Congress Charles Dickens's Walking Stick From the John Davis Batchelder Collection at the Library of Congress Charles Dickens Collection: First editions of Charles Dickens's works included in the Leonard Kebler gift (dispersed in the Division's collection). From the Rare Book and Special Collections Division at the Library of Congress Charles Dickens at IMDb
Stamatios_Krimigis
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Stamatios (Tom) Mike Krimizis (Greek: Σταμάτιος Κριμιζής; born September 10, 1938) is a Greek-American scientist in space exploration. He has contributed to many of the United States' unmanned space exploration programs of the Solar System and beyond. He has contributed to exploration missions to almost every planet of the Solar System. In 1999, the International Astronomical Union named the asteroid 8323 Krimigis (previously 1979 UH) in his honor. Biography Stamatios Krimigis was born September 10, 1938 in Vrontados, Chios, Greece, where he completed his early education. He then moved to the United States to further his studies. Krimigis earned a Bachelor of Physics from the University of Minnesota in 1961. He continued his education at the University of Iowa, where he received a Master of Science in 1963 and a Ph.D. in 1965 in Physics under the mentorship of renowned space scientist James Van Allen. He is Head Emeritus of the Space Department at the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland. He holds the Chair of Science of Space at the Academy of Athens, Greece, and serves as the President of the Greek National Council for Research and Technology. Krimigis is the only scientist in the world to lead or participate in space physics experiments on all nine classical planets. He has served as a principal investigator on five NASA missions, including the Voyager 1 and Voyager 2, the Cassini Saturn Orbiter, and as a co-investigator on many others. Krimigis has designed, built, flown and analyzed data from 21 instruments in various NASA and European Space Agency missions. His Low Energy Charged Particle Experiment (LECP) instrument flies aboard both Voyager spacecraft; on Voyager 1, LECP data was essential to determining that a spacecraft had left the solar system for the first time in 2012. Krimigis was also instrumental in establishing NASA's Discovery Program of low-cost planetary missions, as well as the New Frontiers program, for which the APL-built New Horizons to Pluto was the first mission. He is also a co-investigator on the Parker Solar Probe, launched in 2018. He is co-investigator for LAN/HI-SCALE on Ulysses solar polar orbiter, EPIC on GEOTAIL, EDP for Galileo mission, TRD on Mariner 3, and for the LECR on Mariner 4. Krimigis has also worked on the Advanced Composition Explorer, the Mariner 5, MESSENGER and New Horizons programs. In 1986, Krimigis briefed President Reagan on the AMPTE mission. He also met with President Gorbachev in 1987 and President Bush in 1990 to discuss space exploration. In 2016, Krimigis received NASA's highest service honor, the NASA Distinguished Public Service Medal, for his lifelong efforts to advance space exploration and science. In 2017, Krimigis's contributions to the Voyager program were highlighted in the documentary film "The Farthest." Research contributions Krimigis's research has focused on the study of the magnetospheres of planets and the heliosphere. His pioneering work on space instruments has contributed significantly to our understanding of space weather and the interactions between solar wind and planetary environments. His work with the Voyager spacecraft has provided invaluable data on the outer planets and the boundary of the solar system. Krimigis's publication record spans from "Interplanetary diffusion model for time behavior of intensity in a solar cosmic ray event," published in the Journal of Geophysical Research in 1965, to "Search for the exit: Voyager 1 at heliosphere's border with the galaxy," published in Science in 2013. As a researcher, Krimigis has published nearly 600 articles in scientific journals and books, including ground-breaking findings on solar observations, planetary magnetospheres, and the charged particles that flood the space between the planets. Krimigis has over 21,000 citations, making him one of the most cited scientists in his field. Honors and awards Fellow, APS, AGU, AAAS, AIAA Lifetime Achievement Award, Johns Hopkins Applied Physics Laboratory (2004) Member of the Academy of Athens, Chair of Science of Space (2004) COSPAR Space Science Award (2002) Smithsonian Institution Trophy (2002) Aviation Week and Space Technology Laurels in Space Award (1996, 2001) NASA Medal for Exceptional Scientific Achievement (1981, 1986) Basic Sciences Award, International Academy of Astronautics (1994) Council of European Aerospace Societies Gold Medal (2011) National Air and Space Museum Lifetime Achievement Trophy Award (2015) Hellenic Physical Society Award, for major contributions to science in Greece and abroad (May 11, 2015) American Astronomical Society Space Flight Award (2015) NASA Distinguished Public Service Medal (2016) International Academy of Astronautics von Karman Award (2017) Homeric Award from the Chian Federation of America (2005) Over 40 NASA and ESA Group Achievement Awards References External links Dr Krimigis at I.A.U. Brief Biography from NASA
List_of_minor_planets:_8001%E2%80%939000
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The following is a partial list of minor planets, running from minor-planet number 8001 through 9000, inclusive. The primary data for this and other partial lists is based on JPL's "Small-Body Orbital Elements" and data available from the Minor Planet Center. Critical list information is also provided by the MPC, unless otherwise specified from Lowell Observatory. A detailed description of the table's columns and additional sources are given on the main page including a complete list of every page in this series, and a statistical break-up on the dynamical classification of minor planets. Also see the summary list of all named bodies in numerical and alphabetical order, and the corresponding naming citations for the number range of this particular list. New namings may only be added to this list after official publication, as the preannouncement of names is condemned by the Working Group for Small Bodies Nomenclature of the International Astronomical Union. 8001–8100 8101–8200 8201–8300 8301–8400 8401–8500 8501–8600 8601–8700 8701–8800 8801–8900 8901–9000 See also Meanings of minor planet names: 8001–9000 References External links Discovery Circumstances: Numbered Minor Planets (5001)–(10000) (IAU Minor Planet Center)
Anderson_Mesa_Station
https://en.wikipedia.org/wiki/Anderson_Mesa_Station
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[ "https://en.wikipedia.org/wiki/Anderson_Mesa_Station" ]
Anderson Mesa Station is an astronomical observatory established in 1959 as a dark-sky observing site for Lowell Observatory. It is located at Anderson Mesa in Coconino County, Arizona, about 12 miles (19 km) southeast of Lowell's main campus on Mars Hill in Flagstaff, Arizona. Telescopes Current telescopes The 1.83 m (72 in) Perkins Telescope is shared with Boston University (BU) and Georgia State University. Built in 1931 by Warner & Swasey Company, it was originally located at the Perkins Observatory of Ohio Wesleyan University (OWU) in Delaware, Ohio. It was moved to Anderson Mesa in 1961, and was purchased by Lowell in 1998. Lowell and BU formed a partnership to operate the telescope that year, and GSU joined later. The original 69-inch mirror, which was figured by J. W. Fecker, Inc., was the largest single piece of glass ever cast in America when it was poured. It was replaced in 1965 with the current mirror made of Duran-50 low-expansion glass. The 1.07 m (42 in) John Hall Telescope was built by AstroMechanics and installed at Anderson Mesa in 1970. It was named after former Lowell Observatory director John S. Hall in 1990. In 2004, the Ritchey-Chrétien telescope was upgraded with a new mirror from Hextek, and with other parts. The 0.79 m (31 in) telescope of the National Undergraduate Research Observatory (NURO) was built by AstroMechanics and installed in 1964 at Anderson Mesa by the U.S. Geological Survey (USGS) for Project Apollo. It was purchased by Lowell in 1972, and refurbished in 1990. It is used by the NURO consortium for up to 60% of the time, and by Lowell scientists. The Navy Precision Optical Interferometer (NPOI) is collaboration of Lowell Observatory, the U.S. Naval Observatory (USNO) Flagstaff Station (NOFS), and the U.S. Naval Research Laboratory (NRL). Construction on the facility began in 1992, and engineering tests began in 1994. The first images were acquired in 1996. Former telescopes The 0.6 m (24 in) Lowell Observatory Near-Earth-Object Search (LONEOS) Schmidt camera was used to search for asteroids and other near-earth objects. It was built by J. W. Fecker, Inc. in 1939, given to Perkins Observatory in the 1950s, and purchased by Lowell in 1990. Starting in 1992 it was refurbished, and saw first light in the dome that previously held the Lowell Astrograph in 1997. Use of the telescope ended along with the LONEOS project in 2008. The 0.33 m (13 in) Abbot L. Lowell Astrograph, also known as the Pluto Discovery Telescope and informally as the Pluto Camera, is an astrograph built by Alvan Clark & Sons in 1929. In 1930 it was used by Clyde Tombaugh to discover Pluto. In 1971, it was moved a new building at Anderson Mesa, and returned to Mars Hill in 1992. See also United States Naval Observatory Flagstaff Station List of astronomical observatories References External links Lowell Observatory website Anderson Mesa Station Clear sky clock Weather forecasts for observing conditions.
Lowell_Observatory
https://en.wikipedia.org/wiki/Lowell_Observatory
[ 161 ]
[ "https://en.wikipedia.org/wiki/Lowell_Observatory" ]
Lowell Observatory is an astronomical observatory in Flagstaff, Arizona, United States. Lowell Observatory was established in 1894, placing it among the oldest observatories in the United States, and was designated a National Historic Landmark in 1965. In 2011, the Observatory was named one of "The World's 100 Most Important Places" by Time Magazine. It was at the Lowell Observatory that the dwarf planet Pluto was discovered in 1930 by Clyde Tombaugh. The observatory was founded by astronomer Percival Lowell of Boston's Lowell family and is overseen by a sole trustee, a position historically handed down through the family. The first trustee was Lowell's third cousin Guy Lowell (1916–1927). Percival's nephew Roger Putnam served from 1927 to 1967, followed by Roger's son Michael (1967–1987), Michael's brother William Lowell Putnam III (1987–2013), and current trustee W. Lowell Putnam. Multiple astronauts attended the Lowell Observatory in 1963 while the moon was being mapped for the Apollo Program. The observatory operates several telescopes at three locations in the Flagstaff area. The main facility, located on Mars Hill just west of downtown Flagstaff, houses the original 61-centimeter (24-inch) Clark Refracting Telescope, which is now used for public education, with 85,000 annual visitors. The telescope, built in 1896 for $20,000, was assembled in Boston by Alvan Clark & Sons and then shipped by train to Flagstaff. Also located on the Mars Hill campus is the 33-centimeter (13-inch) Pluto Discovery Telescope, used by Clyde Tombaugh in 1930 to discover the dwarf planet Pluto. In 2014, the 8,000 square feet (740 m2) Putnam Center was opened. This observatory included many rooms with tools that were useful to observers including a library for research, a room for processing photographic glass plates, multiple antique instruments used by previous astronomers, and many artifacts. The observatory does contain areas that are closed to the public view, although there are multiple places that tourists are welcome to visit. Lowell Observatory currently operates four research telescopes at its Anderson Mesa dark-sky site, located 20 km (12 mi) southeast of Flagstaff, including the 180-centimeter (72-inch) Perkins Telescope (in partnership with Boston University) and the 110-centimeter (42-inch) John S. Hall Telescope. Lowell is a partner with the United States Naval Observatory and Naval Research Laboratory in the Navy Precision Optical Interferometer (NPOI) also located at that site. The Observatory also operates smaller research telescopes at its historic site on Mars Hill and in Australia and Chile. Past Anderson Mesa, on the peak of Happy Jack, Lowell Observatory built the 4.28-meter (169-inch) Lowell Discovery Telescope in partnership with Discovery Communications, Inc. History In 1877 the Italian astronomer Giovanni Schiaparelli purported to have discovered a series of martian canals. Percival Lowell had seen these drawings and was fascinated by the idea of artificial canals in Mars. In the winter of 1893, he devoted to use his wealth and connections to establish an observatory in the US. His wealth stemmed from his connection to the influential Boston Lowell family and his successful career as an investment banker. Lowell hired American astronomer Andrew E. Douglas to find a suitable location for the observatory and in 1894 they agreed to build it in Flagstaff, Arizona due to its elevation, dark night skies, and proximity to the railroad. The materials for the construction of the observatory were all sourced locally, but the Clark Refracting Telescope was assembled in Boston. The observatory has carried out a wide array of research. One of its programs was the measurement of the variability of solar irradiance. When Harold L. Johnson took over as the director in 1952, the stated objective became to focus on light from the Sun reflecting from Uranus and Neptune. In 1953, the current 53 cm (21-inch) telescope was erected. Beginning in 1954, this telescope began monitoring the brightness of these two planets, and comparing these measurements with a reference set of Sun-like stars. Self-taught astronomer Robert Burnham Jr. was an employee at Lowell observatory from 1958 to 1979, being known for his Celestial Handbook. Beginning in 2012, Lowell Observatory began offering camps for children known as LOCKs (Lowell Observatory Camps for Kids). The first camp was established for elementary students. Later on, in 2013, they added an additional camp program for preschool children. The following year they added another program for middle school students. ("Kelly", Manager at Lowell Observatory). Kids have the opportunity to learn hands-on about science, technology, engineering, and math (STEM) through a variety of activities that include games, experiments, story time, art, music, and more. In 2016, Kevin Schindler published Lowell Observatory, a 128-page book containing over 200 captions and pictures. Arcadia Publishing's Images of America included it in their series, which increased the enthusiasm of space in the public. The book itself features the popular reputation of Lowell Observatory, encompassing the revolutionary research of scientists and how they contributed to the field of astronomy. Exhibits The Rotunda Museum: Built in 1916, it is used by the observatory as a library and collection area for artifacts. It features displays that discuss the Lowell family history and the discoveries made at the observatory. It also houses many different measuring tools including Thatcher's Calculating Instrument. Putnam Collection Center/ Lowell's Lunar Legacy: When the Rotunda Museum is closed, the Putnam Collection Center and Lowell's Lunar Legacy, are open to the public. The Center highlights the Observatories history and features artifacts from Lowell's past and other scientific discoveries. The Giovale Open Deck Observatory: It is the newest addition to the Lowell observatory that allows guests to learn astronomy during the day and night. It features six telescopes, six plinths on the deck's circumference, and an APS spectrum display. The six telescopes on the deck are a 5.5-inch TEC wide-field refractor, an 8-inch Moonraker Victorian refractor, a 32-inch Starstructure Dobsonian reflector, a 16-inch Meade ACF catadioptric reflector, a 17-inch PlaneWave CDK catadioptric reflector, and a 14-inch PlaneWave CDK catadioptric reflector. Lowell Discovery Telescope Lowell Observatory owns and operates the Lowell Discovery Telescope (LDT, formerly the Discovery Channel Telescope) located near Happy Jack, Arizona. This 4.3-meter reflecting telescope is the fifth-largest telescope in the contiguous United States and one of the most powerful in the world, thanks to a unique housing that can accommodate up to five instruments at the Ritchey-Chrétien focus. The LDT can switch between any of these instruments in about a minute, making it uniquely suited for time-domain programs as well as opportunity targets such as gamma ray bursts and supernovae. The 6700-pound primary mirror measures 4.3 m (170 in) in diameter yet only about 10 cm (3.9 in) in thickness. This finely figured, thin meniscus mirror, held in shape by a 156-element active optics system, regularly delivers sub-arcsecond seeing. The mirror was ground and polished into its hyperbolic shape at the Optical Fabrication and Engineering Facility of the College of Optical Sciences of the University of Arizona in Tucson. The LDT is housed in a 73-foot-tall, 62-foot-diameter metal dome located at an elevation of 7,800 feet (2,400 m) and about 40 miles (64 km) southeast of Flagstaff. Groundbreaking for the facility occurred on July 11, 2005. A little over six years later, the first image from just the primary mirror was recorded, using a small test camera mounted where the secondary mirror would eventually go. The secondary mirror was installed in January 2012. To celebrate first light, Lowell hosted a gala celebration on July 21, 2012, featuring a keynote address by Neil Armstrong. This was his final public appearance before his death several weeks later. The telescope is named for the Discovery Channel television network. Discovery founder and CEO John Hendricks has long been a member of Lowell Observatory's Advisory Board, and Discovery and John and his wife Maureen made gifts of $16 million toward the $53 million cost of the project. These were gifts, not purchases: Discovery has no ownership in the telescope, nor any direction of the research conducted with it. In return for their contributions, they received naming rights and first right of refusal for use of images in educational broadcasts. Research use proceeds as it would at any other professional telescope. Boston University, the University of Maryland, the University of Toledo, Northern Arizona University, and Yale University have joined Lowell as partners with access to DCT. Current research Lowell Observatory's astronomers conduct research on a wide range of solar system and astrophysical topics using ground-based, airborne, and space-based telescopes. Among the many current programs are a search for near-Earth asteroids, a survey of the Kuiper Belt beyond Neptune, a search for extrasolar planets, a decades-long study of the brightness stability of the sun, and a variety of investigations of star formation and other processes in distant galaxies. In addition, the Observatory staff designs and builds custom instrumentation for use on Lowell's telescopes and elsewhere. For example, Lowell staff built a sophisticated high-speed camera for use on the Stratospheric Observatory for Infrared Astronomy (SOFIA). SOFIA is a joint project of NASA and DLR, the German space agency, and consists of a 2.5-meter (8.2-foot) telescope on board a Boeing 747 SP. Lowell astronomers, Nick Moskovitz, Brian Skiff, and Tom Polakis also contributed observations in NASA's Double Asteroid Redirection Test (DART) using both the 1.1-meter John Hall Telescope and 4.3-meter Lowell Discovery Telescope. This experiment is the world's first full-scale planetary defense test. Notable Discoveries The dwarf planet Pluto by Clyde Tombaugh in 1930 Large recessional velocities of galaxies by Vesto Melvin Slipher between 1912 and 1914 (that led ultimately to the realization our universe is expanding) Co-discovery of the rings of Uranus in 1977 The periodic variation in the activity of Comet Halley during the 1985/1986 apparition The three largest known stars The atmosphere of Pluto Accurate orbits for two of Pluto's moons: Nix and Hydra Oxygen on Jupiter's satellite Ganymede Carbon dioxide ice on three Uranian satellites The first Trojan of Neptune Evidence that the atmosphere of HD 209458 b contains water vapor See also List of astronomical observatories List of largest optical telescopes in the continental United States References Footnotes Sources Strauss, David (1994). "Lowell, Percival, Pickering, W.H. and the founding of the Lowell Observatory". Annals of Science. 51 (1): 37–58. doi:10.1080/00033799400200121. Strauss, David (2001), Percival Lowell: The Culture and Science of a Boston Brahmin, Cambridge: Harvard University Press, ISBN 978-0674002913, OCLC 44613096 Hoyt, William Graves (1996), Lowell and Mars, Tucson: University of Arizona Press, ISBN 978-0816505142, OCLC 18744671 Putnam, William Lowell (1994), The Explorers of Mars Hill: A Centennial History of Lowell Observatory, 1894–1994, New Hampshire: Phoenix Publishing, ISBN 978-0914659693, OCLC 243795932 External links Lowell Observatory Lowell Observatory Camps for Kids U.S. Geological Survey Geographic Names Information System: Lowell Observatory Lowell Discovery Telescope Flagstaff Clear Sky Clock Forecasts of observing conditions covering Lowell Observatory. National Historic Landmarks Program: Lowell Observatory Wonderdome Mobile Planetarium Blog Historic American Buildings Survey (photographic survey) Historic American Buildings Survey (HABS) No. AZ-206, "Lowell Observatory, 1400 West Mars Hill Road, Flagstaff, Coconino County, AZ" HABS No. AZ-206-A, "Lowell Observatory, Slipher Building" HABS No. AZ-206-B, "Lowell Observatory, Clark Dome" HABS No. AZ-206-C, "Lowell Observatory, Pluto Dome" HABS No. AZ-206-D, "Lowell Observatory, Mausoleum" HABS No. AZ-206-E, "Lowell Observatory, Water Tank" HABS No. AZ-206-F, "Lowell Observatory, Lodge"
Pluto
https://en.wikipedia.org/wiki/Pluto
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[ "https://en.wikipedia.org/wiki/Pluto" ]
Pluto (minor-planet designation: 134340 Pluto) is a dwarf planet in the Kuiper belt, a ring of bodies beyond the orbit of Neptune. It is the ninth-largest and tenth-most-massive known object to directly orbit the Sun. It is the largest known trans-Neptunian object by volume, by a small margin, but is less massive than Eris. Like other Kuiper belt objects, Pluto is made primarily of ice and rock and is much smaller than the inner planets. Pluto has roughly one-sixth the mass of the Moon, and one-third its volume. Pluto has a moderately eccentric and inclined orbit, ranging from 30 to 49 astronomical units (4.5 to 7.3 billion kilometres; 2.8 to 4.6 billion miles) from the Sun. Light from the Sun takes 5.5 hours to reach Pluto at its orbital distance of 39.5 AU (5.91 billion km; 3.67 billion mi). Pluto's eccentric orbit periodically brings it closer to the Sun than Neptune, but a stable orbital resonance prevents them from colliding. Pluto has five known moons: Charon, the largest, whose diameter is just over half that of Pluto; Styx; Nix; Kerberos; and Hydra. Pluto and Charon are sometimes considered a binary system because the barycenter of their orbits does not lie within either body, and they are tidally locked. New Horizons was the first spacecraft to visit Pluto and its moons, making a flyby on July 14, 2015, and taking detailed measurements and observations. Pluto was discovered in 1930 by Clyde W. Tombaugh, making it by far the first known object in the Kuiper belt. It was immediately hailed as the ninth planet, but it was always the odd object out,: 27  and its planetary status was questioned when it was found to be much smaller than expected. These doubts increased following the discovery of additional objects in the Kuiper belt starting in the 1990s, and particularly the more massive scattered disk object Eris in 2005. In 2006, the International Astronomical Union (IAU) formally redefined the term planet to exclude dwarf planets such as Pluto. Many planetary astronomers, however, continue to consider Pluto and other dwarf planets to be planets. History Discovery In the 1840s, Urbain Le Verrier used Newtonian mechanics to predict the position of the then-undiscovered planet Neptune after analyzing perturbations in the orbit of Uranus. Subsequent observations of Neptune in the late 19th century led astronomers to speculate that Uranus's orbit was being disturbed by another planet besides Neptune. In 1906, Percival Lowell—a wealthy Bostonian who had founded Lowell Observatory in Flagstaff, Arizona, in 1894—started an extensive project in search of a possible ninth planet, which he termed "Planet X". By 1909, Lowell and William H. Pickering had suggested several possible celestial coordinates for such a planet. Lowell and his observatory conducted his search, using mathematical calculations made by Elizabeth Williams, until his death in 1916, but to no avail. Unknown to Lowell, his surveys had captured two faint images of Pluto on March 19 and April 7, 1915, but they were not recognized for what they were. There are fourteen other known precovery observations, with the earliest made by the Yerkes Observatory on August 20, 1909. Percival's widow, Constance Lowell, entered into a ten-year legal battle with the Lowell Observatory over her husband's legacy, and the search for Planet X did not resume until 1929. Vesto Melvin Slipher, the observatory director, gave the job of locating Planet X to 23-year-old Clyde Tombaugh, who had just arrived at the observatory after Slipher had been impressed by a sample of his astronomical drawings. Tombaugh's task was to systematically image the night sky in pairs of photographs, then examine each pair and determine whether any objects had shifted position. Using a blink comparator, he rapidly shifted back and forth between views of each of the plates to create the illusion of movement of any objects that had changed position or appearance between photographs. On February 18, 1930, after nearly a year of searching, Tombaugh discovered a possible moving object on photographic plates taken on January 23 and 29. A lesser-quality photograph taken on January 21 helped confirm the movement. After the observatory obtained further confirmatory photographs, news of the discovery was telegraphed to the Harvard College Observatory on March 13, 1930. One Plutonian year corresponds to 247.94 Earth years; thus, in 2178, Pluto will complete its first orbit since its discovery. Name and symbol The name Pluto came from the Roman god of the underworld; and it is also an epithet for Hades (the Greek equivalent of Pluto). Upon the announcement of the discovery, Lowell Observatory received over a thousand suggestions for names. Three names topped the list: Minerva, Pluto and Cronus. 'Minerva' was the Lowell staff's first choice but was rejected because it had already been used for an asteroid; Cronus was disfavored because it was promoted by an unpopular and egocentric astronomer, Thomas Jefferson Jackson See. A vote was then taken and 'Pluto' was the unanimous choice. To make sure the name stuck, and that the planet would not suffer changes in its name as Uranus had, Lowell Observatory proposed the name to the American Astronomical Society and the Royal Astronomical Society; both approved it unanimously.: 136  The name was published on May 1, 1930. The name Pluto had received some 150 nominations among the letters and telegrams sent to Lowell. The first had been from Venetia Burney (1918–2009), an eleven-year-old schoolgirl in Oxford, England, who was interested in classical mythology. She had suggested it to her grandfather Falconer Madan when he read the news of Pluto's discovery to his family over breakfast; Madan passed the suggestion to astronomy professor Herbert Hall Turner, who cabled it to colleagues at Lowell on March 16, three days after the announcement. The name 'Pluto' was mythologically appropriate: the god Pluto was one of six surviving children of Saturn, and the others had already all been chosen as names of major or minor planets (his brothers Jupiter and Neptune, and his sisters Ceres, Juno and Vesta). Both the god and the planet inhabited "gloomy" regions, and the god was able to make himself invisible, as the planet had been for so long. The choice was further helped by the fact that the first two letters of Pluto were the initials of Percival Lowell; indeed, 'Percival' had been one of the more popular suggestions for a name for the new planet. Pluto's planetary symbol ⟨⟩ was then created as a monogram of the letters "PL". This symbol is rarely used in astronomy anymore, though it is still common in astrology. However, the most common astrological symbol for Pluto, occasionally used in astronomy as well, is an orb (possibly representing Pluto's invisibility cap) over Pluto's bident ⟨⟩, which dates to the early 1930s. The name 'Pluto' was soon embraced by wider culture. In 1930, Walt Disney was apparently inspired by it when he introduced for Mickey Mouse a canine companion named Pluto, although Disney animator Ben Sharpsteen could not confirm why the name was given. In 1941, Glenn T. Seaborg named the newly created element plutonium after Pluto, in keeping with the tradition of naming elements after newly discovered planets, following uranium, which was named after Uranus, and neptunium, which was named after Neptune. Most languages use the name "Pluto" in various transliterations. In Japanese, Houei Nojiri suggested the calque Meiōsei (冥王星, "Star of the King (God) of the Underworld"), and this was borrowed into Chinese and Korean. Some languages of India use the name Pluto, but others, such as Hindi, use the name of Yama, the God of Death in Hinduism. Polynesian languages also tend to use the indigenous god of the underworld, as in Māori Whiro. Vietnamese might be expected to follow Chinese, but does not because the Sino-Vietnamese word 冥 minh "dark" is homophonous with 明 minh "bright". Vietnamese instead uses Yama, which is also a Buddhist deity, in the form of Sao Diêm Vương 星閻王 "Yama's Star", derived from Chinese 閻王 Yán Wáng / Yìhm Wòhng "King Yama". Planet X disproved Once Pluto was found, its faintness and lack of a viewable disc cast doubt on the idea that it was Lowell's Planet X. Estimates of Pluto's mass were revised downward throughout the 20th century. Astronomers initially calculated its mass based on its presumed effect on Neptune and Uranus. In 1931, Pluto was calculated to be roughly the mass of Earth, with further calculations in 1948 bringing the mass down to roughly that of Mars. In 1976, Dale Cruikshank, Carl Pilcher and David Morrison of the University of Hawaiʻi calculated Pluto's albedo for the first time, finding that it matched that for methane ice; this meant Pluto had to be exceptionally luminous for its size and therefore could not be more than 1 percent the mass of Earth. (Pluto's albedo is 1.4–1.9 times that of Earth.) In 1978, the discovery of Pluto's moon Charon allowed the measurement of Pluto's mass for the first time: roughly 0.2% that of Earth, and far too small to account for the discrepancies in the orbit of Uranus. Subsequent searches for an alternative Planet X, notably by Robert Sutton Harrington, failed. In 1992, Myles Standish used data from Voyager 2's flyby of Neptune in 1989, which had revised the estimates of Neptune's mass downward by 0.5%—an amount comparable to the mass of Mars—to recalculate its gravitational effect on Uranus. With the new figures added in, the discrepancies, and with them the need for a Planet X, vanished. As of 2000 the majority of scientists agree that Planet X, as Lowell defined it, does not exist. Lowell had made a prediction of Planet X's orbit and position in 1915 that was fairly close to Pluto's actual orbit and its position at that time; Ernest W. Brown concluded soon after Pluto's discovery that this was a coincidence. Classification From 1992 onward, many bodies were discovered orbiting in the same volume as Pluto, showing that Pluto is part of a population of objects called the Kuiper belt. This made its official status as a planet controversial, with many questioning whether Pluto should be considered together with or separately from its surrounding population. Museum and planetarium directors occasionally created controversy by omitting Pluto from planetary models of the Solar System. In February 2000 the Hayden Planetarium in New York City displayed a Solar System model of only eight planets, which made headlines almost a year later. Ceres, Pallas, Juno and Vesta lost their planet status among most astronomers after the discovery of many other asteroids in the 1840s. On the other hand, planetary geologists often regarded Ceres, and less often Pallas and Vesta, as being different from smaller asteroids because they were large enough to have undergone geological evolution. Although the first Kuiper belt objects discovered were quite small, objects increasingly closer in size to Pluto were soon discovered, some large enough (like Pluto itself) to satisfy geological but not dynamical ideas of planethood. On July 29, 2005, the debate became unavoidable when astronomers at Caltech announced the discovery of a new trans-Neptunian object, Eris, which was substantially more massive than Pluto and the most massive object discovered in the Solar System since Triton in 1846. Its discoverers and the press initially called it the tenth planet, although there was no official consensus at the time on whether to call it a planet. Others in the astronomical community considered the discovery the strongest argument for reclassifying Pluto as a minor planet. IAU classification The debate came to a head in August 2006, with an IAU resolution that created an official definition for the term "planet". According to this resolution, there are three conditions for an object in the Solar System to be considered a planet: The object must be in orbit around the Sun. The object must be massive enough to be rounded by its own gravity. More specifically, its own gravity should pull it into a shape defined by hydrostatic equilibrium. It must have cleared the neighborhood around its orbit. Pluto fails to meet the third condition. Its mass is substantially less than the combined mass of the other objects in its orbit: 0.07 times, in contrast to Earth, which is 1.7 million times the remaining mass in its orbit (excluding the moon). The IAU further decided that bodies that, like Pluto, meet criteria 1 and 2, but do not meet criterion 3 would be called dwarf planets. In September 2006, the IAU included Pluto, and Eris and its moon Dysnomia, in their Minor Planet Catalogue, giving them the official minor-planet designations "(134340) Pluto", "(136199) Eris", and "(136199) Eris I Dysnomia". Had Pluto been included upon its discovery in 1930, it would have likely been designated 1164, following 1163 Saga, which was discovered a month earlier. There has been some resistance within the astronomical community toward the reclassification, and in particular planetary scientists often continue to reject it, considering Pluto, Charon, and Eris to be planets for the same reason they do so for Ceres. In effect, this amounts to accepting only the second clause of the IAU definition. Alan Stern, principal investigator with NASA's New Horizons mission to Pluto, derided the IAU resolution. He also stated that because less than five percent of astronomers voted for it, the decision was not representative of the entire astronomical community. Marc W. Buie, then at the Lowell Observatory, petitioned against the definition. Others have supported the IAU, for example Mike Brown, the astronomer who discovered Eris. Public reception to the IAU decision was mixed. A resolution introduced in the California State Assembly facetiously called the IAU decision a "scientific heresy". The New Mexico House of Representatives passed a resolution in honor of Clyde Tombaugh, the discoverer of Pluto and a longtime resident of that state, that declared that Pluto will always be considered a planet while in New Mexican skies and that March 13, 2007, was Pluto Planet Day. The Illinois Senate passed a similar resolution in 2009 on the basis that Tombaugh was born in Illinois. The resolution asserted that Pluto was "unfairly downgraded to a 'dwarf' planet" by the IAU." Some members of the public have also rejected the change, citing the disagreement within the scientific community on the issue, or for sentimental reasons, maintaining that they have always known Pluto as a planet and will continue to do so regardless of the IAU decision. In 2006, in its 17th annual words-of-the-year vote, the American Dialect Society voted plutoed as the word of the year. To "pluto" is to "demote or devalue someone or something". Researchers on both sides of the debate gathered in August 2008, at the Johns Hopkins University Applied Physics Laboratory for a conference that included back-to-back talks on the IAU definition of a planet. Entitled "The Great Planet Debate", the conference published a post-conference press release indicating that scientists could not come to a consensus about the definition of planet. In June 2008, the IAU had announced in a press release that the term "plutoid" would henceforth be used to refer to Pluto and other planetary-mass objects that have an orbital semi-major axis greater than that of Neptune, though the term has not seen significant use. In April 2024, Arizona (where Pluto was first discovered in 1930) passed a law naming Pluto as the official state planet. Orbit Pluto's orbital period is about 248 years. Its orbital characteristics are substantially different from those of the planets, which follow nearly circular orbits around the Sun close to a flat reference plane called the ecliptic. In contrast, Pluto's orbit is moderately inclined relative to the ecliptic (over 17°) and moderately eccentric (elliptical). This eccentricity means a small region of Pluto's orbit lies closer to the Sun than Neptune's. The Pluto–Charon barycenter came to perihelion on September 5, 1989, and was last closer to the Sun than Neptune between February 7, 1979, and February 11, 1999. Although the 3:2 resonance with Neptune (see below) is maintained, Pluto's inclination and eccentricity behave in a chaotic manner. Computer simulations can be used to predict its position for several million years (both forward and backward in time), but after intervals much longer than the Lyapunov time of 10–20 million years, calculations become unreliable: Pluto is sensitive to immeasurably small details of the Solar System, hard-to-predict factors that will gradually change Pluto's position in its orbit. The semi-major axis of Pluto's orbit varies between about 39.3 and 39.6 AU with a period of about 19,951 years, corresponding to an orbital period varying between 246 and 249 years. The semi-major axis and period are presently getting longer. Relationship with Neptune Despite Pluto's orbit appearing to cross that of Neptune when viewed from north or south of the Solar System, the two objects' orbits do not intersect. When Pluto is closest to the Sun, and close to Neptune's orbit as viewed from such a position, it is also the farthest north of Neptune's path. Pluto's orbit passes about 8 AU north of that of Neptune, preventing a collision. This alone is not enough to protect Pluto; perturbations from the planets (especially Neptune) could alter Pluto's orbit (such as its orbital precession) over millions of years so that a collision could happen. However, Pluto is also protected by its 2:3 orbital resonance with Neptune: for every two orbits that Pluto makes around the Sun, Neptune makes three, in a frame of reference that rotates at the rate that Pluto's perihelion precesses (about 0.97×10−4 degrees per year). Each cycle lasts about 495 years. (There are many other objects in this same resonance, called plutinos.) At present, in each 495-year cycle, the first time Pluto is at perihelion (such as in 1989), Neptune is 57° ahead of Pluto. By Pluto's second passage through perihelion, Neptune will have completed a further one and a half of its own orbits, and will be 123° behind Pluto. Pluto and Neptune's minimum separation is over 17 AU, which is greater than Pluto's minimum separation from Uranus (11 AU). The minimum separation between Pluto and Neptune actually occurs near the time of Pluto's aphelion. The 2:3 resonance between the two bodies is highly stable and has been preserved over millions of years. This prevents their orbits from changing relative to one another, so the two bodies can never pass near each other. Even if Pluto's orbit were not inclined, the two bodies could never collide. When Pluto's period is slightly different from 3/2 of Neptune's, the pattern of its distance from Neptune will drift. Near perihelion Pluto moves interior to Neptune's orbit and is therefore moving faster, so during the first of two orbits in the 495-year cycle, it is approaching Neptune from behind. At present it remains between 50° and 65° behind Neptune for 100 years (e.g. 1937–2036). The gravitational pull between the two causes angular momentum to be transferred to Pluto. This situation moves Pluto into a slightly larger orbit, where it has a slightly longer period, according to Kepler's third law. After several such repetitions, Pluto is sufficiently delayed that at the second perihelion of each cycle it will not be far ahead of Neptune coming behind it, and Neptune will start to decrease Pluto's period again. The whole cycle takes about 20,000 years to complete. Other factors Numerical studies have shown that over millions of years, the general nature of the alignment between the orbits of Pluto and Neptune does not change. There are several other resonances and interactions that enhance Pluto's stability. These arise principally from two additional mechanisms (besides the 2:3 mean-motion resonance). First, Pluto's argument of perihelion, the angle between the point where it crosses the ecliptic (or the invariant plane) and the point where it is closest to the Sun, librates around 90°. This means that when Pluto is closest to the Sun, it is at its farthest north of the plane of the Solar System, preventing encounters with Neptune. This is a consequence of the Kozai mechanism, which relates the eccentricity of an orbit to its inclination to a larger perturbing body—in this case, Neptune. Relative to Neptune, the amplitude of libration is 38°, and so the angular separation of Pluto's perihelion to the orbit of Neptune is always greater than 52° (90°–38°). The closest such angular separation occurs every 10,000 years. Second, the longitudes of ascending nodes of the two bodies—the points where they cross the invariant plane—are in near-resonance with the above libration. When the two longitudes are the same—that is, when one could draw a straight line through both nodes and the Sun—Pluto's perihelion lies exactly at 90°, and hence it comes closest to the Sun when it is furthest north of Neptune's orbit. This is known as the 1:1 superresonance. All the Jovian planets (Jupiter, Saturn, Uranus, and Neptune) play a role in the creation of the superresonance. Orcus The 2nd-largest known plutino, Orcus, has a diameter around 900 km and is in a very similar orbit to that of Pluto. However, the orbits of Pluto and Orcus are out of phase, so that the two never approach each other. It has been termed the "anti-Pluto", and is named for the Etruscan counterpart to the god Pluto. Rotation Pluto's rotation period, its day, is equal to 6.387 Earth days. Like Uranus and 2 Pallas, Pluto rotates on its "side" in its orbital plane, with an axial tilt of 120°, and so its seasonal variation is extreme; at its solstices, one-fourth of its surface is in continuous daylight, whereas another fourth is in continuous darkness. The reason for this unusual orientation has been debated. Research from the University of Arizona has suggested that it may be due to the way that a body's spin will always adjust to minimize energy. This could mean a body reorienting itself to put extraneous mass near the equator and regions lacking mass tend towards the poles. This is called polar wander. According to a paper released from the University of Arizona, this could be caused by masses of frozen nitrogen building up in shadowed areas of the dwarf planet. These masses would cause the body to reorient itself, leading to its unusual axial tilt of 120°. The buildup of nitrogen is due to Pluto's vast distance from the Sun. At the equator, temperatures can drop to −240 °C (−400.0 °F; 33.1 K), causing nitrogen to freeze as water would freeze on Earth. The same polar wandering effect seen on Pluto would be observed on Earth were the Antarctic ice sheet several times larger. Geology Surface The plains on Pluto's surface are composed of more than 98 percent nitrogen ice, with traces of methane and carbon monoxide. Nitrogen and carbon monoxide are most abundant on the anti-Charon face of Pluto (around 180° longitude, where Tombaugh Regio's western lobe, Sputnik Planitia, is located), whereas methane is most abundant near 300° east. The mountains are made of water ice. Pluto's surface is quite varied, with large differences in both brightness and color. Pluto is one of the most contrastive bodies in the Solar System, with as much contrast as Saturn's moon Iapetus. The color varies from charcoal black, to dark orange and white. Pluto's color is more similar to that of Io with slightly more orange and significantly less red than Mars. Notable geographical features include Tombaugh Regio, or the "Heart" (a large bright area on the side opposite Charon), Belton Regio, or the "Whale" (a large dark area on the trailing hemisphere), and the "Brass Knuckles" (a series of equatorial dark areas on the leading hemisphere). Sputnik Planitia, the western lobe of the "Heart", is a 1,000 km-wide basin of frozen nitrogen and carbon monoxide ices, divided into polygonal cells, which are interpreted as convection cells that carry floating blocks of water ice crust and sublimation pits towards their margins; there are obvious signs of glacial flows both into and out of the basin. It has no craters that were visible to New Horizons, indicating that its surface is less than 10 million years old. Latest studies have shown that the surface has an age of 180000+90000−40000 years. The New Horizons science team summarized initial findings as "Pluto displays a surprisingly wide variety of geological landforms, including those resulting from glaciological and surface–atmosphere interactions as well as impact, tectonic, possible cryovolcanic, and mass-wasting processes." In Western parts of Sputnik Planitia there are fields of transverse dunes formed by the winds blowing from the center of Sputnik Planitia in the direction of surrounding mountains. The dune wavelengths are in the range of 0.4–1 km and likely consist of methane particles 200–300 μm in size. Internal structure Pluto's density is 1.853±0.004 g/cm3. Because the decay of radioactive elements would eventually heat the ices enough for the rock to separate from them, scientists expect that Pluto's internal structure is differentiated, with the rocky material having settled into a dense core surrounded by a mantle of water ice. The pre–New Horizons estimate for the diameter of the core is 1700 km, 70% of Pluto's diameter. It is possible that such heating continues, creating a subsurface ocean of liquid water 100 to 180 km thick at the core–mantle boundary. In September 2016, scientists at Brown University simulated the impact thought to have formed Sputnik Planitia, and showed that it might have been the result of liquid water upweling from below after the collision, implying the existence of a subsurface ocean at least 100 km deep. In June 2020, astronomers reported evidence that Pluto may have had a subsurface ocean, and consequently may have been habitable, when it was first formed. In March 2022, a team of researchers proposed that the mountains Wright Mons and Piccard Mons are actually a merger of many smaller cryovolcanic domes, suggesting a source of heat on the body at levels previously thought not possible. Mass and size Pluto's diameter is 2376.6±3.2 km and its mass is (1.303±0.003)×1022 kg, 17.7% that of the Moon (0.22% that of Earth). Its surface area is 1.774443×107 km2, or just slightly bigger than Russia or Antarctica (particularly including the Antarctic sea ice during winter). Its surface gravity is 0.063 g (compared to 1 g for Earth and 0.17 g for the Moon). This gives Pluto an escape velocity of 4,363.2 km per hour / 2,711.167 miles per hour (as compared to Earth's 40,270 km per hour / 25,020 miles per hour). Pluto is more than twice the diameter and a dozen times the mass of Ceres, the largest object in the asteroid belt. It is less massive than the dwarf planet Eris, a trans-Neptunian object discovered in 2005, though Pluto has a larger diameter of 2,376.6 km compared to Eris's approximate diameter of 2,326 km. With less than 0.2 lunar masses, Pluto is much less massive than the terrestrial planets, and also less massive than seven moons: Ganymede, Titan, Callisto, Io, the Moon, Europa, and Triton. The mass is much less than thought before Charon was discovered. The discovery of Pluto's satellite Charon in 1978 enabled a determination of the mass of the Pluto–Charon system by application of Newton's formulation of Kepler's third law. Observations of Pluto in occultation with Charon allowed scientists to establish Pluto's diameter more accurately, whereas the invention of adaptive optics allowed them to determine its shape more accurately. Determinations of Pluto's size have been complicated by its atmosphere and hydrocarbon haze. In March 2014, Lellouch, de Bergh et al. published findings regarding methane mixing ratios in Pluto's atmosphere consistent with a Plutonian diameter greater than 2,360 km, with a "best guess" of 2,368 km. On July 13, 2015, images from NASA's New Horizons mission Long Range Reconnaissance Imager (LORRI), along with data from the other instruments, determined Pluto's diameter to be 2,370 km (1,473 mi), which was later revised to be 2,372 km (1,474 mi) on July 24, and later to 2374±8 km. Using radio occultation data from the New Horizons Radio Science Experiment (REX), the diameter was found to be 2376.6±3.2 km. Atmosphere Pluto has a tenuous atmosphere consisting of nitrogen (N2), methane (CH4), and carbon monoxide (CO), which are in equilibrium with their ices on Pluto's surface. According to the measurements by New Horizons, the surface pressure is about 1 Pa (10 μbar), roughly one million to 100,000 times less than Earth's atmospheric pressure. It was initially thought that, as Pluto moves away from the Sun, its atmosphere should gradually freeze onto the surface; studies of New Horizons data and ground-based occultations show that Pluto's atmospheric density increases, and that it likely remains gaseous throughout Pluto's orbit. New Horizons observations showed that atmospheric escape of nitrogen to be 10,000 times less than expected. Alan Stern has contended that even a small increase in Pluto's surface temperature can lead to exponential increases in Pluto's atmospheric density; from 18 hPa to as much as 280 hPa (three times that of Mars to a quarter that of the Earth). At such densities, nitrogen could flow across the surface as liquid. Just like sweat cools the body as it evaporates from the skin, the sublimation of Pluto's atmosphere cools its surface. Pluto has no or almost no troposphere; observations by New Horizons suggest only a thin tropospheric boundary layer. Its thickness in the place of measurement was 4 km, and the temperature was 37±3 K. The layer is not continuous. In July 2019, an occultation by Pluto showed that its atmospheric pressure, against expectations, had fallen by 20% since 2016. In 2021, astronomers at the Southwest Research Institute confirmed the result using data from an occultation in 2018, which showed that light was appearing less gradually from behind Pluto's disc, indicating a thinning atmosphere. The presence of methane, a powerful greenhouse gas, in Pluto's atmosphere creates a temperature inversion, with the average temperature of its atmosphere tens of degrees warmer than its surface, though observations by New Horizons have revealed Pluto's upper atmosphere to be far colder than expected (70 K, as opposed to about 100 K). Pluto's atmosphere is divided into roughly 20 regularly spaced haze layers up to 150 km high, thought to be the result of pressure waves created by airflow across Pluto's mountains. Natural satellites Pluto has five known natural satellites. The largest and closest to Pluto is Charon. First identified in 1978 by astronomer James Christy, Charon is the only moon of Pluto that may be in hydrostatic equilibrium. Charon's mass is sufficient to cause the barycenter of the Pluto–Charon system to be outside Pluto. Beyond Charon there are four much smaller circumbinary moons. In order of distance from Pluto they are Styx, Nix, Kerberos, and Hydra. Nix and Hydra were both discovered in 2005, Kerberos was discovered in 2011, and Styx was discovered in 2012. The satellites' orbits are circular (eccentricity < 0.006) and coplanar with Pluto's equator (inclination < 1°), and therefore tilted approximately 120° relative to Pluto's orbit. The Plutonian system is highly compact: the five known satellites orbit within the inner 3% of the region where prograde orbits would be stable. The orbital periods of all Pluto's moons are linked in a system of orbital resonances and near-resonances. When precession is accounted for, the orbital periods of Styx, Nix, and Hydra are in an exact 18:22:33 ratio. There is a sequence of approximate ratios, 3:4:5:6, between the periods of Styx, Nix, Kerberos, and Hydra with that of Charon; the ratios become closer to being exact the further out the moons are. The Pluto–Charon system is one of the few in the Solar System whose barycenter lies outside the primary body; the Patroclus–Menoetius system is a smaller example, and the Sun–Jupiter system is the only larger one. The similarity in size of Charon and Pluto has prompted some astronomers to call it a double dwarf planet. The system is also unusual among planetary systems in that each is tidally locked to the other, which means that Pluto and Charon always have the same hemisphere facing each other — a property shared by only one other known system, Eris and Dysnomia. From any position on either body, the other is always at the same position in the sky, or always obscured. This also means that the rotation period of each is equal to the time it takes the entire system to rotate around its barycenter. Pluto's moons are hypothesized to have been formed by a collision between Pluto and a similar-sized body, early in the history of the Solar System. The collision released material that consolidated into the moons around Pluto. Quasi-satellite In 2012, it was calculated that 15810 Arawn could be a quasi-satellite of Pluto, a specific type of co-orbital configuration. According to the calculations, the object would be a quasi-satellite of Pluto for about 350,000 years out of every two-million-year period. Measurements made by the New Horizons spacecraft in 2015 made it possible to calculate the orbit of Arawn more accurately, and confirmed the earlier ones. However, it is not agreed upon among astronomers whether Arawn should be classified as a quasi-satellite of Pluto based on its orbital dynamics, since its orbit is primarily controlled by Neptune with only occasional perturbations by Pluto. Origin Pluto's origin and identity had long puzzled astronomers. One early hypothesis was that Pluto was an escaped moon of Neptune knocked out of orbit by Neptune's largest moon, Triton. This idea was eventually rejected after dynamical studies showed it to be impossible because Pluto never approaches Neptune in its orbit. Pluto's true place in the Solar System began to reveal itself only in 1992, when astronomers began to find small icy objects beyond Neptune that were similar to Pluto not only in orbit but also in size and composition. This trans-Neptunian population is thought to be the source of many short-period comets. Pluto is the largest member of the Kuiper belt, a stable belt of objects located between 30 and 50 AU from the Sun. As of 2011, surveys of the Kuiper belt to magnitude 21 were nearly complete and any remaining Pluto-sized objects are expected to be beyond 100 AU from the Sun. Like other Kuiper-belt objects (KBOs), Pluto shares features with comets; for example, the solar wind is gradually blowing Pluto's surface into space. It has been claimed that if Pluto were placed as near to the Sun as Earth, it would develop a tail, as comets do. This claim has been disputed with the argument that Pluto's escape velocity is too high for this to happen. It has been proposed that Pluto may have formed as a result of the agglomeration of numerous comets and Kuiper-belt objects. Though Pluto is the largest Kuiper belt object discovered, Neptune's moon Triton, which is larger than Pluto, is similar to it both geologically and atmospherically, and is thought to be a captured Kuiper belt object. Eris (see above) is about the same size as Pluto (though more massive) but is not strictly considered a member of the Kuiper belt population. Rather, it is considered a member of a linked population called the scattered disc. Like other members of the Kuiper belt, Pluto is thought to be a residual planetesimal; a component of the original protoplanetary disc around the Sun that failed to fully coalesce into a full-fledged planet. Most astronomers agree that Pluto owes its position to a sudden migration undergone by Neptune early in the Solar System's formation. As Neptune migrated outward, it approached the objects in the proto-Kuiper belt, setting one in orbit around itself (Triton), locking others into resonances, and knocking others into chaotic orbits. The objects in the scattered disc, a dynamically unstable region overlapping the Kuiper belt, are thought to have been placed in their positions by interactions with Neptune's migrating resonances. A computer model created in 2004 by Alessandro Morbidelli of the Observatoire de la Côte d'Azur in Nice suggested that the migration of Neptune into the Kuiper belt may have been triggered by the formation of a 1:2 resonance between Jupiter and Saturn, which created a gravitational push that propelled both Uranus and Neptune into higher orbits and caused them to switch places, ultimately doubling Neptune's distance from the Sun. The resultant expulsion of objects from the proto-Kuiper belt could also explain the Late Heavy Bombardment 600 million years after the Solar System's formation and the origin of the Jupiter trojans. It is possible that Pluto had a near-circular orbit about 33 AU from the Sun before Neptune's migration perturbed it into a resonant capture. The Nice model requires that there were about a thousand Pluto-sized bodies in the original planetesimal disk, which included Triton and Eris. Observation and exploration Observation Pluto's distance from Earth makes its in-depth study and exploration difficult. Pluto's visual apparent magnitude averages 15.1, brightening to 13.65 at perihelion. To see it, a telescope is required; around 30 cm (12 in) aperture being desirable. It looks star-like and without a visible disk even in large telescopes, because its angular diameter is maximum 0.11". The earliest maps of Pluto, made in the late 1980s, were brightness maps created from close observations of eclipses by its largest moon, Charon. Observations were made of the change in the total average brightness of the Pluto–Charon system during the eclipses. For example, eclipsing a bright spot on Pluto makes a bigger total brightness change than eclipsing a dark spot. Computer processing of many such observations can be used to create a brightness map. This method can also track changes in brightness over time. Better maps were produced from images taken by the Hubble Space Telescope (HST), which offered higher resolution, and showed considerably more detail, resolving variations several hundred kilometers across, including polar regions and large bright spots. These maps were produced by complex computer processing, which finds the best-fit projected maps for the few pixels of the Hubble images. These remained the most detailed maps of Pluto until the flyby of New Horizons in July 2015, because the two cameras on the HST used for these maps were no longer in service. Exploration The New Horizons spacecraft, which flew by Pluto in July 2015, is the first and so far only attempt to explore Pluto directly. Launched in 2006, it captured its first (distant) images of Pluto in late September 2006 during a test of the Long Range Reconnaissance Imager. The images, taken from a distance of approximately 4.2 billion kilometers, confirmed the spacecraft's ability to track distant targets, critical for maneuvering toward Pluto and other Kuiper belt objects. In early 2007 the craft made use of a gravity assist from Jupiter. New Horizons made its closest approach to Pluto on July 14, 2015, after a 3,462-day journey across the Solar System. Scientific observations of Pluto began five months before the closest approach and continued for at least a month after the encounter. Observations were conducted using a remote sensing package that included imaging instruments and a radio science investigation tool, as well as spectroscopic and other experiments. The scientific goals of New Horizons were to characterize the global geology and morphology of Pluto and its moon Charon, map their surface composition, and analyze Pluto's neutral atmosphere and its escape rate. On October 25, 2016, at 05:48 pm ET, the last bit of data (of a total of 50 billion bits of data; or 6.25 gigabytes) was received from New Horizons from its close encounter with Pluto. Since the New Horizons flyby, scientists have advocated for an orbiter mission that would return to Pluto to fulfill new science objectives. They include mapping the surface at 9.1 m (30 ft) per pixel, observations of Pluto's smaller satellites, observations of how Pluto changes as it rotates on its axis, investigations of a possible subsurface ocean, and topographic mapping of Pluto's regions that are covered in long-term darkness due to its axial tilt. The last objective could be accomplished using laser pulses to generate a complete topographic map of Pluto. New Horizons principal investigator Alan Stern has advocated for a Cassini-style orbiter that would launch around 2030 (the 100th anniversary of Pluto's discovery) and use Charon's gravity to adjust its orbit as needed to fulfill science objectives after arriving at the Pluto system. The orbiter could then use Charon's gravity to leave the Pluto system and study more KBOs after all Pluto science objectives are completed. A conceptual study funded by the NASA Innovative Advanced Concepts (NIAC) program describes a fusion-enabled Pluto orbiter and lander based on the Princeton field-reversed configuration reactor. New Horizons imaged all of Pluto's northern hemisphere, and the equatorial regions down to about 30° South. Higher southern latitudes have only been observed, at very low resolution, from Earth. Images from the Hubble Space Telescope in 1996 cover 85% of Pluto and show large albedo features down to about 75° South. This is enough to show the extent of the temperate-zone maculae. Later images had slightly better resolution, due to minor improvements in Hubble instrumentation. The equatorial region of the sub-Charon hemisphere of Pluto has only been imaged at low resolution, as New Horizons made its closest approach to the anti-Charon hemisphere. Some albedo variations in the higher southern latitudes could be detected by New Horizons using Charon-shine (light reflected off Charon). The south polar region seems to be darker than the north polar region, but there is a high-albedo region in the southern hemisphere that may be a regional nitrogen or methane ice deposit. See also Notes References Further reading == External links ==
Big_Ben
https://en.wikipedia.org/wiki/Big_Ben
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[ "https://en.wikipedia.org/wiki/Big_Ben#Design" ]
Big Ben is the nickname for the Great Bell of the Great Clock of Westminster, and, by extension, for the clock tower itself, which stands at the north end of the Palace of Westminster in London, England. Originally known simply as the Clock Tower, it was renamed Elizabeth Tower in 2012 to mark the Diamond Jubilee of Elizabeth II. The clock is a striking clock with five bells. The tower was designed by Augustus Pugin in a Perpendicular Gothic Revival style and was completed in 1859. It is elaborately decorated with stone carvings and features symbols related to the four nations of the United Kingdom and the Anglo-Welsh Tudor dynasty. A Latin inscription celebrates Queen Victoria, in whose reign the palace was built. The tower stands 316 feet (96 m) tall, and the climb from ground level to the belfry is 334 steps. Its base is square, measuring 40 feet (12 m) on each side. The dials of the clock are 22.5 feet (6.9 m) in diameter. The clock uses its original mechanism and was the largest and most accurate four-faced striking and chiming clock in the world upon its completion. It was designed by Edmund Beckett Denison and George Airy, the Astronomer Royal, and constructed by Edward John Dent and Frederick Dent. It is known for its reliability, and can be adjusted by adding or removing pre-decimal pennies from the pendulum. The Great Bell was cast by the Whitechapel Bell Foundry and weighs 13.5 long tons (13.7 tonnes; 15.1 short tons). Its nickname may be derived from Sir Benjamin Hall, who oversaw its installation, or heavyweight boxing champion Benjamin Caunt. There are four quarter bells, which chime on the quarter hours. Big Ben is a British cultural icon. It is one of the most prominent symbols of the United Kingdom and parliamentary democracy, and it is often used in the establishing shot of films set in London. The clock tower has been part of a Grade I listed building since 1970 and a UNESCO World Heritage Site since 1987. The clock and tower were renovated between 2017 and 2021, during which the bells remained silent with few exceptions. Tower History Elizabeth Tower, originally named the Clock Tower, and popularly known as "Big Ben", was built as a part of Charles Barry's design for a new Palace of Westminster after the old palace was largely destroyed by fire on 16 October 1834. Although Barry was the chief architect of the neo-gothic palace, he turned to Augustus Pugin for the design of the Clock Tower, which resembles earlier Pugin designs, including one for Scarisbrick Hall in Lancashire. Construction of the tower began on 28 September 1843. The building contractors were Thomas Grissell and Morton Peto. An inscribed trowel in the Parliamentary Archives records that Emily, sister of Peto's daughter-in-law, was given the honour of laying the first stone. It was Pugin's last design before his descent into mental illness and death in 1852, and Pugin himself wrote, at the time of Barry's last visit to him to collect the drawings: "I never worked so hard in my life for Mr Barry for tomorrow I render all my designs for finishing his bell tower and it is beautiful". Design Completed in 1859, the tower is designed in Pugin's Gothic Revival style and is 316 feet (96.3 m) high, making it the third tallest clock tower in the UK. Its dials (at the centre) are 180 feet (54.9 m) above ground level. The tower's base is square, measuring 40 feet (12.2 m) on each side, resting on concrete foundations 12 feet (3.7 m) thick. It was constructed using bricks clad on the exterior with sand-coloured Anston limestone from South Yorkshire, topped by a spire covered in hundreds of cast iron rooftiles. There is a spiral staircase with 290 stone steps up to the clock room, followed by 44 to reach the belfry, and an additional 59 to the top of the spire. Above the belfry and the Ayrton Light are 52 shields decorated with national emblems of the four countries of the UK: the red and white rose of England's Tudor dynasty, the thistle of Scotland, shamrock of Northern Ireland, and leek of Wales. They also feature the pomegranate of Catherine of Aragon, first wife of the Tudor king Henry VIII; the portcullis, symbolising both Houses of Parliament; and fleurs-de-lis, a legacy from when English monarchs claimed to rule France. A ventilation shaft running from ground level up to the belfry, which measures 16 feet (4.9 m) by 8 feet (2.4 m), was designed by David Boswell Reid, known as "the grandfather of air-conditioning". It was intended to draw cool, fresh air into the Palace of Westminster; in practice this did not work and the shaft was repurposed as a chimney, until around 1914. The 2017–2021 conservation works included the addition of a lift (or elevator) that was installed in the shaft. Its foundations rest on a layer of gravel, below which is London Clay. Owing to this soft ground, the tower leans slightly to the north-west by roughly 230 mm (9.1 in) over 55 m height, giving an inclination of approximately 1⁄240. This includes a planned maximum of 22 mm increased tilt due to tunnelling for the Jubilee line extension. In the 1990s, thousands of tons of concrete were pumped into the ground underneath the tower to stabilise it during construction of the Westminster section of the Jubilee line. It leans by about 500 mm (20 in) at the finial. Experts believe the tower's lean will not be a problem for another 4,000 to 10,000 years. Ayrton Light A new feature was added in 1873 by Acton Smee Ayrton, then First Commissioner of Works and Public Buildings. The Ayrton Light is a lantern sited above the belfry and is lit whenever the House of Commons sits after dark. It can be seen from across London. Originally, it shone towards Buckingham Palace so Queen Victoria could look out of a window and see when the Commons were at work. Prison Room Inside the tower is an oak-panelled Prison Room, which can only be accessed from the House of Commons, not via the tower entrance. It was last used in 1880 when atheist Charles Bradlaugh, newly elected Member of Parliament for Northampton, was imprisoned by the Serjeant at Arms after he protested against swearing a religious oath of allegiance to Queen Victoria. Officially, the Serjeant at Arms can still make arrests, as they have had the authority to do since 1415. The room, however, is currently occupied by the Petitions Committee, which oversees petitions submitted to Parliament. Name Journalists during Queen Victoria's reign called it St Stephen's Tower. As members of Parliament originally sat at St Stephen's Hall, these journalists referred to anything related to the House of Commons as "news from St Stephens", a term that survives in Welsh-language political reporting as "San Steffan". The Palace does contain a feature called St Stephen's Tower, located above the public entrance. On 2 June 2012, the House of Commons voted in support of a proposal to change the name from the Clock Tower to Elizabeth Tower in commemoration of Elizabeth II in her Diamond Jubilee year, since the large west tower known as Victoria Tower had been renamed in tribute to Queen Victoria on the occasion of her Diamond Jubilee. On 26 June 2012, the House of Commons confirmed that the name change could go ahead. David Cameron, then prime minister, officially announced the change of name on 12 September 2012. The change was marked by a naming ceremony in which John Bercow, then Speaker of the House of Commons, unveiled a plaque attached to the tower on the adjoining Speaker's Green. Clock Dials Augustus Pugin drew inspiration from the clockmaker Benjamin Lewis Vulliamy when he designed the dials. Each is made of cast iron sections bolted together. The whole frame is 22.5 feet (6.9 m) in diameter making them the third largest in the UK. They each contain 324 pieces of opalescent glass. Originally, the dials were backlit using gas lamps, at first only when Parliament was sitting, but they have routinely been illuminated from dusk until dawn since 1876. Electric bulbs were installed at the beginning of the 20th century. The ornate surrounds of the dials are gilded. At the base of each dial is the Latin inscription DOMINE SALVAM FAC REGINAM NOSTRAM VICTORIAM PRIMAM, which means "O Lord, keep safe our Queen Victoria the First". Unlike Roman numeral clock dials that show the "4" position as IIII, the Great Clock faces depict "4" as IV. The clock's gun metal hour hands and copper minute hands are 8.75 feet (2.7 m) and 14 feet (4.3 m) long respectively. When completed, the dials and clock hands were Prussian blue, but were painted black in the 1930s to disguise the effects of air pollution. The original colour scheme was reinstated during the 2017–2021 conservation work. Analysis of the paint layers found that no fewer than six different colour schemes had been used over the past 160 years. The Victorian glass was also removed and replaced with faithful reproductions made in Germany by glassmakers Glasfabrik Lamberts. Movement The clock's movement is known for its reliability. The designers were the lawyer and amateur horologist Edmund Beckett Denison and George Airy, the Astronomer Royal. Construction was entrusted to clockmaker Edward John Dent; after his death in 1853, his stepson Frederick Dent completed the work in 1854. As the tower was not completed until 1859, Denison had time to experiment before its installation in April that year: instead of using a deadbeat escapement and remontoire as originally designed, he invented a double three-legged gravity escapement, which provides the best separation between pendulum and clock mechanism, thus mitigating the effects of rain, wind and snow on the dials. Denison never patented his design, and it quickly became the standard on all new high-quality tower clocks. On top of the pendulum is a small stack of pre-decimal penny coins; these are to adjust the time of the clock. Adding a coin has the effect of minutely lifting the position of the pendulum's centre of mass, reducing the effective length of the pendulum rod and hence increasing the rate at which the pendulum swings. Adding or removing a penny will change the clock's speed by 0.4 seconds per day. It keeps time to within a few seconds per week. It is hand wound (taking about 1.5 hours) three times a week. The Keeper of the Clock is responsible for looking after the movement in addition to overseeing every aspect of maintenance around the Palace. A team of horologists are on call 24 hours a day to attend to the clock in the event of an emergency. On 10 May 1941, a German bombing raid damaged two of the clock's dials and sections of the tower's stepped roof and destroyed the House of Commons chamber. Architect Sir Giles Gilbert Scott designed a new five-floor block. Two floors are occupied by the current chamber, which was used for the first time on 26 October 1950. The clock ran accurately and chimed throughout the Blitz. Breakdowns and other incidents 19th century Before 1878: The clock stopped for the first time in its history, "through a heavy fall of snow" on the hands of a clock face. 21 August 1877 – January 1878: The clock was stopped for three weeks to allow the tower and mechanism to be cleaned and repaired. The old escape wheel was replaced. 20th century February 1900: The heavy build-up of snow on a clock face impeded the progress of the hour hand, causing the clock to stop for about eight hours. 1916: For two years during World War I, the bells were silenced and the clock faces were not illuminated at night to avoid guiding attacking German Zeppelins. The bells were restored at 11:00 a.m. on 11 November 1918 to mark the end of the war. 29 December 1927: Snow build-up on a clock face stopped the clock. Winter 1928: Heavy snow stopped the clock for several hours. 2 April 1934: The clock stopped from 7:16 a.m. to 1:15 p.m., when it was repaired. 23 September 1936: A painter painting the inside of the clock room placed a ladder against a shaft driving the hands, stopping the clock from 8:47 a.m. to 10:00 a.m. 1 September 1939: Although the bells continued to ring, the clock faces were not illuminated at night throughout World War II to avoid guiding bomber pilots during the Blitz. 10/11 May 1941: the clock was damaged during a German bombing raid, either by a small bomb or by a British anti-aircraft shell. Stonework and ornamental ironwork were damaged, and the glass on the south dial was shattered. The damage was repaired at the time, but in major refurbishment from 2017 it was found that the tower had sustained greater damage than originally thought, and asbestos, lead paint and broken glass were discovered, increasing the refurbishment cost from an estimated £29 million to nearly £80 million. 3–4 June 1941: The clock stopped from 10:13 p.m. until 10:13 the following morning, after a workman repairing air-raid damage to the clock face left a hammer too close to the mechanism. 9 December 1944: The clock hands stopped due to mechanical failure. The broken part‍— a pendulum suspension spring‍— was replaced within a few hours. 25–26 January 1945: Extremely cold temperatures froze the rubber bushings on the quarter-bell hammers, preventing the chimes sounding from 9:00 p.m. on the 25th to 9:00 p.m. the following evening; the BBC broadcast the pips in the interval. 28 January 1947: The rubber bushings on the quarter bell hammers again froze before the clock sounded midnight, muting the chimes, though the problem was resolved by the morning. 12 August 1949: The clock slowed by four and a half minutes after a flock of starlings perched on the minute hand. 13 January 1955: The clock stopped at 3:24 a.m. due to drifts of snow forming on the north and east dials. Small electric heaters were placed just inside these two dials, and this measure has helped to reduce instances of freezing in recent years. 18 July 1955: The rope operating the striking hammer broke, silencing the clock from 10:00 a.m. to 5:00 p.m. New Year's Eve 1962: The clock slowed due to heavy snow and ice on the hands, causing the pendulum to detach from the clockwork, as it is designed to do in such circumstances, to avoid serious damage elsewhere in the mechanism – the pendulum continuing to swing freely. Thus, it chimed-in the 1963 new year nine minutes late. 30 January 1965: The bells were silenced during the funeral of statesman and former prime minister Winston Churchill. 9 January 1968: Snow buildup on the clock faces blocked the hands from moving, stopping the clock from 6:28 a.m. to 10:10 a.m. 5 August 1976: The air brake speed regulator of the chiming mechanism broke from torsional fatigue after more than 100 years of use, causing the fully wound 4-ton weight to spin the winding drum out of the movement, causing much damage. The clock was shut down for a total of 26 days over nine months – it was reactivated on 9 May 1977. This was the longest break in operation since its construction. During this time BBC Radio 4 broadcast the pips instead. Although there were minor stoppages from 1977 to 2002, when maintenance of the clock was carried out by the old firm of clockmakers Thwaites & Reed, these were often repaired within the permitted two-hour downtime and not recorded as stoppages. Before 1970, maintenance was carried out by the original firm of Dents; since 2002, by parliamentary staff. March 1986 and January 1987: The problem of the rubber bushings on the quarter bell chimes freezing recurred, muffling the chimes. 30 April 1997: The clock stopped 24 hours before the general election, and stopped again three weeks later. 21st century 27 May 2005: The clock stopped at 10:07 p.m., possibly because of hot weather; temperatures in London had reached an unseasonable 31.8 °C (89.2 °F). It resumed, but stopped again at 10:20 p.m., and remained still for about 90 minutes before resuming. 29 October 2005: The mechanism was stopped for about 33 hours to allow maintenance work on the clock and its chimes. It was the lengthiest maintenance shutdown in 22 years. 7:00 a.m on 5 June 2006: The clock tower's "Quarter Bells" were taken out of commission for four weeks as a bearing holding one of the quarter bells was worn and needed to be removed for repairs. During this period, BBC Radio 4 broadcast recordings of British bird song followed by the pips in place of the usual chimes. 11 August 2007: Start of six-week stoppage for maintenance. Bearings in the clock's chime train and the "great bell" striker were replaced, for the first time since installation. During the maintenance the clock was driven by an electric motor. Once again, BBC Radio 4 broadcast the pips during this time. The intention was that the clock should run accurately for a further 200 years before major maintenance is again required; in fact the repairs sufficed for ten years. 17 April 2013: The bells were silenced as a mark of "profound dignity and deep respect" during the funeral of former Prime Minister Margaret Thatcher. 25 August 2015: Maintenance crews discovered the clock to be running seven seconds fast. They removed coins from its pendulum to correct the error, which caused it to run slow for a period. 21 August 2017: Start of a four-year silencing of the chimes during maintenance and repair work to the clock mechanism, and repairs and improvements to the clock tower building. During this time, dials, hands, and lights were removed for restoration, with at least one dial – with its hands driven by an electric motor – left intact, functioning, and visible at any given time. A lift was also installed during this renovation. 10 May 2023: The clock dials all stopped at 12:55 p.m., and Big Ben did not chime at 1:00 p.m. The hands restarted, but the clock was five minutes slow until rectified at 1:47 p.m. Bells Big Ben (Great Bell) The main bell, officially known as the "Great Bell" but better known as Big Ben, is the largest bell in the tower and part of the Great Clock of Westminster. It sounds an E-natural. The original bell was a 16-ton (16.3-tonne) hour bell, cast on 6 August 1856 in Stockton-on-Tees by John Warner & Sons. It is thought that the bell was originally to be called "Victoria" or "Royal Victoria" in honour of Queen Victoria, but that an MP suggested the bell's current nickname of "Big Ben" during a Parliamentary debate; the comment is not recorded in Hansard. Since the tower was not yet finished, the bell was mounted in New Palace Yard but, during testing, it cracked beyond repair and a replacement had to be made. The bell was recast on 10 April 1858 at the Whitechapel Bell Foundry as a 13.5-ton (13.76-tonne) bell. The second bell was transported from the foundry to the tower on a trolley drawn by sixteen horses, with crowds cheering its progress; it was then pulled 200 ft (61.0 m) up to the Clock Tower's belfry, a feat that took 18 hours. It is 7 feet 6 inches (2.29 m) tall and 9 feet (2.74 m) diameter. This new bell first chimed on 11 July 1859; in September it too cracked under the hammer. According to the foundry's manager, George Mears, the horologist Denison had used a hammer more than twice the maximum weight specified. For three years Big Ben was taken out of commission and the hours were struck on the lowest of the quarter bells until it was repaired. To make the repair, a square piece of metal was chipped out from the rim around the crack, and the bell given an eighth of a turn so the new hammer struck in a different place. Big Ben has chimed with a slightly different tone ever since, and is still in use today with the crack unrepaired. Big Ben was the largest bell in the British Isles until "Great Paul", a 16.75-ton (17 tonne) bell currently hung in St Paul's Cathedral, was cast in 1881. In August 2007, the bell's striker was replaced for the first time since installation. Nickname The origin of the nickname "Big Ben" is the subject of some debate. The nickname was applied first to the Great Bell; it may have been named after Sir Benjamin Hall, who oversaw the installation of the Great Bell, or after English heavyweight boxing champion Ben Caunt. Now "Big Ben" is often used, by extension, to refer to the clock, the tower and the bell collectively, although the nickname is not universally accepted as referring to the clock and tower. Some authors of works about the tower, clock and bell sidestep the issue by using the words Big Ben first in the title, then going on to clarify that the subject of the book is the clock and tower as well as the bell. Chimes Along with the Great Bell, the belfry houses four quarter bells which play the Westminster Quarters on the quarter hours. The four quarter bells sound G♯, F♯, E, and B. They were cast by John Warner & Sons at their Crescent Foundry in 1857 (G♯, F♯ and B) and 1858 (E). The Foundry was in Jewin Crescent, in what is now known as the Barbican, in the City of London. The bells are sounded by hammers pulled by cables coming from the link room—a low-ceiling space between the clock room and the belfry—where they are triggered by cables coming from the chime train. The quarter bells play a once-repeating, 20-note sequence of rounds and four changes in the key of E major: 1–4 at quarter past, 5–12 at half past, 13–20 and 1–4 at quarter to, and 5–20 on the hour (which sounds 25 seconds before the main bell tolls the hour). Because the low bell (B) is struck twice in quick succession, there is not enough time to pull a hammer back, and it is supplied with two wrench hammers on opposite sides of the bell. The tune is that of the Cambridge Chimes, first used for the chimes of Great St Mary's church, Cambridge, and supposedly a variation, attributed to William Crotch, based on violin phrases from the air "I know that my Redeemer liveth" in Handel's Messiah. The notional words of the chime, again derived from Great St Mary's and in turn an allusion to Psalm 37:23–24, are: "All through this hour/Lord be my guide/And by Thy power/No foot shall slide". They are written on a plaque on the wall of the clock room. One of the requirements for the clock was that the first stroke of the hour bell should be correct to within one second per day. The tolerance is with reference to Greenwich Mean Time (BST in summer). So, at twelve o'clock, for example, it is the first of the twelve hour-bell strikes that signifies the hour (the New Year on New Year's Eve at midnight). The time signalled by the last of the "six pips" (UTC) may be fractionally different. On 13 November 2022, Remembrance Sunday, the chimes of Big Ben returned to regular service for the first time since August 2017, preceding the hour bell being sounded at 11:00 a.m. local time, the first hour strike marking the beginning of two minutes of silence. Cultural significance The clock has become a cultural symbol of the United Kingdom, particularly in the visual media. When a television or film-maker wishes to indicate a generic location in the country, a popular way to do so is to show an image of the tower, often with a red double-decker bus or black cab in the foreground. In 2008, a survey of 2,000 people found that the tower was the most popular landmark in the United Kingdom. It has also been named as the most iconic film location in London. The sound of the clock chiming has also been used this way in audio media; the Westminster Quarters are imitated by other clocks and other devices, but the sound of Big Ben is preferred as the original and best. Big Ben is a focal point of New Year celebrations in the United Kingdom, with radio and television stations airing its chimes to welcome the start of the New Year. To welcome in 2012, the clock tower was lit with fireworks that exploded at every toll of Big Ben. Similarly, on Remembrance Day, the chimes of Big Ben are broadcast to mark the 11th hour of the 11th day of the 11th month and the start of the two minutes' silence. In 1999, prior to the millennium New Year, a recording of the clock was released by London Records under the title "Millennium Chimes", with the artist labelled as Big Ben. It reached number 53 for the week ending 8 January 2000 (which included purchases prior to 31 December 1999). The chimes of Big Ben have also been used at the state funerals of monarchs on four occasions, chiming one stroke for each year of the monarch's life: firstly, at the funeral of King Edward VII in 1910, (68 strokes); secondly, at the funeral of King George V in 1936 (70 strokes); thirdly, at the funeral of King George VI in 1952 (56 strokes); and lastly, at the funeral of Queen Elizabeth II in 2022 (96 strokes). On some occasions, Londoners who live an appropriate distance from the tower and Big Ben can, by means of listening to the chimes both live and on analogue radio, hear the bell strike thirteen times. This is possible because the electronically transmitted chimes arrive virtually instantaneously, while the "live" sound is delayed travelling through the air since the speed of sound is relatively slow. ITN's News at Ten opening sequence formerly featured an image of the tower with the sound of Big Ben's chimes punctuating the announcement of the news headlines of the day. The Big Ben chimes (known within ITN as "The Bongs") continue to be used during the headlines and all ITV News bulletins use a graphic based on the Westminster clock dial. Big Ben can also be heard striking the hour before some news bulletins on BBC Radio 4 (6 p.m. and midnight, plus 10 p.m. on Sundays) and the BBC World Service, a practice that began on 31 December 1923. The sound of the chimes is sent live from a microphone permanently installed in the tower and connected by line to Broadcasting House. At the close of the polls for the 2010 general election the results of the national exit poll were projected onto the south side of the tower. On 27 July 2012, starting at 8:12 a.m, Big Ben chimed 30 times, to welcome the Games of the 30th Olympiad, which officially began that day, to London. 2017–2021 restoration On 21 August 2017, Big Ben's chimes fell silent for four years to allow essential restoration work to be carried out on the tower. The decision to silence the bells was made to protect the hearing of the workers on the tower, and drew much criticism from senior MPs and Prime Minister Theresa May. The striking and tolling of the bells for important occasions, such as New Year's Eve and Remembrance Sunday, was handled via an electric motor; and at least one of the four clock faces always remained visible during the restoration. Scaffolding was put up around the tower immediately after the bells were silenced. The cost of the project to the taxpayers and creditors was originally estimated to be roughly £29 million (equivalent to £35.7 million in 2023), but it more than doubled, to £69 million (equivalent to £77.6 million in 2023). In February 2020, the renovations revealed that the Elizabeth Tower had sustained greater damage than previously thought from the May 1941 bombing raid that destroyed the adjacent House of Commons. Other costly discoveries included asbestos in the belfry, the "extensive" use of lead paint, broken glass on the clock dials, and serious deterioration to the tower's intricate stone carvings due to air pollution. The cost of addressing these problems was estimated at £18.6 million (equivalent to £20.9 million in 2023), bringing the total budget for restoring the Elizabeth Tower to nearly £80 million (equivalent to £90 million in 2023). The 2,567 cast-iron roof tiles were removed and refurbished, and a lift was installed to make access easier, along with a basic toilet facility with running water, for the first time in the tower itself. The Ayrton Light at the top of the tower, which is lit when Parliament is sitting, was also fully dismantled and restored along with the other lights in the Belfry, being replaced with low-energy LEDs. One of the most visible changes to the tower has been the restoration of the clock-face framework to its original colour of Prussian blue, used when the tower was first built in 1859, with the black paint that was used to cover up the soot-stained dial frames having been stripped away. The clock faces were regilded, and the shields of St George repainted in their original red and white colours. The 1,296 pieces of glass that make up the clock faces have also been removed and replaced. In December 2021, after four years of renovations and restoration, the tower emerged from behind its scaffolding in time for the ringing in of the new year. In April 2022, the gantry supporting the scaffolding was removed. See also London portal Big Ben Aden; a 22-metre replica built in 1890 Kolkata Time Zone Tower in Lake Town, Kolkata, India; a 30-metre replica built in 2015 Little Ben; a smaller 1892 clock tower near London Victoria station References Bibliography External links Official website at UK Parliament The Palace of Westminster at UK Parliament Big Ben's Clapper at Houghton-le-Spring Heritage Society Interior photos of the tower at UK Parliament's Flickr "A tale of Two Towers: Big Ben and Pisa"—transcript of a lecture by John Burland (archived 12 October 2007) Videos What's inside Big Ben? (Elizabeth Tower) Comprehensive 2022 YouTube animation that shows clock's workings Inside Big Ben's Makeover short 2020 film by the B1M The Mechanical Genius of Big Ben (2017) documentary by Discovery Big Ben's a Hundred (1959) newsreel by British Pathé Big Ben's Clean Up (1955) by British Pathé Big Ben: Inside London's Famous Clock (1950) by British Pathé
Gothic_Revival_architecture
https://en.wikipedia.org/wiki/Gothic_Revival_architecture
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[ "https://en.wikipedia.org/wiki/Gothic_Revival_architecture#Roots" ]
Gothic Revival (also referred to as Victorian Gothic or neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars. In parallel with the ascendancy of neo-Gothic styles in 19th century England, interest spread to the rest of Europe, Australia, Africa and the Americas; the 19th and early 20th centuries saw the construction of very large numbers of Gothic Revival structures worldwide. The influence of Revivalism had nevertheless peaked by the 1870s. New architectural movements, sometimes related, as in the Arts and Crafts movement, and sometimes in outright opposition, such as Modernism, gained ground, and by the 1930s the architecture of the Victorian era was generally condemned or ignored. The later 20th century saw a revival of interest, manifested in the United Kingdom by the establishment of the Victorian Society in 1958. Roots The rise of evangelicalism in the eighteenth and early nineteenth centuries saw in England a reaction in the high church movement which sought to emphasise the continuity between the established church and the pre-Reformation Catholic church. Architecture, in the form of the Gothic Revival, became one of the main weapons in the high church's armoury. The Gothic Revival was also paralleled and supported by "medievalism", which had its roots in antiquarian concerns with survivals and curiosities. As "industrialisation" progressed, a reaction against machine production and the appearance of factories also grew. Proponents of the picturesque such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society and portrayed pre-industrial medieval society as a golden age. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation. Gothic Revival also took on political connotations; with the "rational" and "radical" Neoclassical style being seen as associated with republicanism and liberalism (as evidenced by its use in the United States and to a lesser extent in Republican France), the more spiritual and traditional Gothic Revival became associated with monarchism and conservatism, which was reflected by the choice of styles for the rebuilt government centres of the British parliament's Palace of Westminster in London, the Canadian Parliament Buildings in Ottawa and the Hungarian Parliament Building in Budapest. In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel genre, beginning with The Castle of Otranto (1764) by Horace Walpole, and inspired a 19th-century genre of medieval poetry that stems from the pseudo-bardic poetry of "Ossian". Poems such as "Idylls of the King" by Alfred, Lord Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature, the Gothic Revival also had a grounding in literary fashions. Survival and revival Gothic architecture began at the Basilica of Saint Denis near Paris, and the Cathedral of Sens in 1140 and ended with a last flourish in the early 16th century with buildings like Henry VII's Chapel at Westminster. However, Gothic architecture did not die out completely in the 16th century but instead lingered in on-going cathedral-building projects; at Oxford and Cambridge Universities, and in the construction of churches in increasingly isolated rural districts of England, France, Germany, the Polish–Lithuanian Commonwealth and in Spain. Britain and Ireland St Columb's Cathedral, in Derry, may be considered 'Gothic Survival', as it was completed in 1633 in a Perpendicular Gothic style. Similarly, Gothic architecture survived in some urban settings during the later 17th century, as shown in Oxford and Cambridge, where some additions and repairs to Gothic buildings were considered to be more in keeping with the style of the original structures than contemporary Baroque. In contrast, Dromore Cathedral, built in 1660/1661, immediately after the end of the Protectorate, revived Early English forms, demonstrating the restitution of the monarchy and claiming Ireland for the English crown. At the same time, the Great Hall of Lambeth Palace, that had been despoiled by the Puritans, was rebuilt in a mixture of Baroque and older Gothic forms, demonstrating the restitution of the Anglican Church. These two buildings can be said to herald the onset of Gothic Revival architecture, several decades before it became mainstream. Sir Christopher Wren's Tom Tower for Christ Church, University of Oxford, consciously set out to imitate Cardinal Wolsey's architectural style. Writing to Dean Fell in 1681, he noted; "I resolved it ought to be Gothic to agree with the Founder's work", adding that to do otherwise would lead to "an unhandsome medley". Pevsner suggests that he succeeded "to the extent that innocent visitors never notice the difference". It was followed in 1697–1704 by the rebuilding of Collegiate Church of St Mary in Warwick as a stone-vaulted hall church, whereas the burnt church had been a basilica with timbered roofs. Also in Warwickshire, in 1729/30, the nave and aisles of the church of St Nicholas at Alcester were rebuilt by Edward and Thomas Woodward, the exterior in Gothic forms but with a Neoclassical interior. At the same time, 1722–1746, Nicholas Hawksmoor added the west towers to Westminster Abbey, which made him a pioneer of Gothic Revival completions of medieval buildings, which from the late 19th century were increasingly disapproved of, although work in this style continued into the 20th century. Back in Oxford, the redecoration of the dining hall at University College between 1766 and 1768 has been described as "the first major example of the Gothic Revival style in Oxford". Continental Europe Throughout France in the 16th and 17th centuries, churches such as St-Eustache (1532–1640, façade 1754) in Paris and Orléans Cathedral (1601–1829) continued to be built following Gothic principles (structure of the buildings, application of tracery) with some little changes like the use of round arches instead of pointed arches and the application of some Classical details, until the arrival of Baroque architecture. In Bologna, in 1646, the Baroque architect Carlo Rainaldi constructed Gothic vaults (completed 1658) for the Basilica of San Petronio in Bologna, which had been under construction since 1390; there, the Gothic context of the structure overrode considerations of the current architectural mode. Similarly, in St. Salvator's Cathedral of Bruges, the timbered medieval vaults of nave and choir were replaced by "Gothic" stone vaults in 1635 resp. 1738/39. Guarino Guarini, a 17th-century Theatine monk active primarily in Turin, recognized the "Gothic order" as one of the primary systems of architecture and made use of it in his practice. Even in Central Europe of the late 17th and 18th centuries, where Baroque dominated, some architects used elements of the Gothic style. The most important example is Jan Santini Aichel, whose Pilgrimage Church of Saint John of Nepomuk in Žďár nad Sázavou, Czech Republic, represents a peculiar and creative synthesis of Baroque and Gothic. An example of another and less striking use of the Gothic style in the time is the Basilica of Our Lady of Hungary in Márianosztra, Hungary, whose choir (adjacent to a Baroque nave) was long considered authentically Gothic, because the 18th-century architect used medieval shapes to emphasize the continuity of the monastic community with its 14th-century founders. Romantic challenges During the mid-18th century rise of Romanticism, an increased interest and awareness of the Middle Ages among influential connoisseurs created a more appreciative approach to selected medieval arts, beginning with church architecture, the tomb monuments of royal and noble personages, stained glass, and late Gothic illuminated manuscripts. Other Gothic arts, such as tapestries and metalwork, continued to be disregarded as barbaric and crude, however sentimental and nationalist associations with historical figures were as strong in this early revival as purely aesthetic concerns. German Romanticists (including philosopher and writer Goethe and architect Karl Friedrich Schinkel), began to appreciate the picturesque character of ruins—"picturesque" becoming a new aesthetic quality—and those mellowing effects of time that the Japanese call wabi-sabi and that Horace Walpole independently admired, mildly tongue-in-cheek, as "the true rust of the Barons' wars". The "Gothick" details of Walpole's Twickenham villa, Strawberry Hill House begun in 1749, appealed to the rococo tastes of the time, and were fairly quickly followed by James Talbot at Lacock Abbey, Wiltshire. By the 1770s, thoroughly neoclassical architects such as Robert Adam and James Wyatt were prepared to provide Gothic details in drawing-rooms, libraries and chapels and, for William Beckford at Fonthill in Wiltshire, a complete romantic vision of a Gothic abbey. Some of the earliest architectural examples of the revived are found in Scotland. Inveraray Castle, constructed from 1746 for the Duke of Argyll, with design input from William Adam, displays the incorporation of turrets. The architectural historian John Gifford writes that the castellations were the "symbolic assertion of the still quasi-feudal power [the duke] exercised over the inhabitants within his heritable jurisdictions". Most buildings were still largely in the established Palladian style, but some houses incorporated external features of the Scots baronial style. Robert Adam's houses in this style include Mellerstain and Wedderburn in Berwickshire and Seton Castle in East Lothian, but it is most clearly seen at Culzean Castle, Ayrshire, remodelled by Adam from 1777. The eccentric landscape designer Batty Langley even attempted to "improve" Gothic forms by giving them classical proportions. A younger generation, taking Gothic architecture more seriously, provided the readership for John Britton's series Architectural Antiquities of Great Britain, which began appearing in 1807. In 1817, Thomas Rickman wrote an Attempt... to name and define the sequence of Gothic styles in English ecclesiastical architecture, "a text-book for the architectural student". Its long antique title is descriptive: Attempt to discriminate the styles of English architecture from the Conquest to the Reformation; preceded by a sketch of the Grecian and Roman orders, with notices of nearly five hundred English buildings. The categories he used were Norman, Early English, Decorated, and Perpendicular. It went through numerous editions, was still being republished by 1881, and has been reissued in the 21st century. The most common use for Gothic Revival architecture was in the building of churches. Major examples of Gothic cathedrals in the U.S. include the cathedrals of St. John the Divine and St. Patrick in New York City and the Washington National Cathedral on Mount St. Alban in northwest Washington, D.C. One of the biggest churches in Gothic Revival style in Canada is the Basilica of Our Lady Immaculate in Guelph, Ontario. Gothic Revival architecture remained one of the most popular and long-lived of the many revival styles of architecture. Although it began to lose force and popularity after the third quarter of the 19th century in commercial, residential and industrial fields, some buildings such as churches, schools, colleges and universities were still constructed in the Gothic style, often known as "Collegiate Gothic", which remained popular in England, Canada and in the United States until well into the early to mid-20th century. Only when new materials, like steel and glass along with concern for function in everyday working life and saving space in the cities, meaning the need to build up instead of out, began to take hold did the Gothic Revival start to disappear from popular building requests. Gothic Revival in the other decorative arts The revived Gothic style was not limited to architecture. Classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace and lattice work were applied to a wide range of Gothic Revival objects. Some examples of Gothic Revival influence can be found in heraldic motifs in coats of arms, furniture with elaborate painted scenes like the whimsical Gothic detailing in English furniture is traceable as far back as Lady Pomfret's house in Arlington Street, London (1740s), and Gothic fretwork in chairbacks and glazing patterns of bookcases is a familiar feature of Chippendale's Director (1754, 1762), where, for example, the three-part bookcase employs Gothic details with Rococo profusion, on a symmetrical form. Abbotsford in the Scottish Borders, rebuilt from 1816 by Sir Walter Scott and paid for by the profits from his hugely successful, historical novels, exemplifies the "Regency Gothic" style. Gothic Revival also includes the reintroduction of medieval clothes and dances in historical re-enactments staged especially in the second part of the 19th century, although one of the first, the Eglinton Tournament of 1839, remains the most famous. During the Bourbon Restoration in France (1814–1830) and the Louis-Philippe period (1830–1848), Gothic Revival motifs start to appear, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets, lancet arches, trefoils, Gothic tracery and rose windows. This style was also known as "Cathedral style" ("À la catédrale"). By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper, and Gothic blind arcading could decorate a ceramic pitcher. Writing in 1857, J. G. Crace, an influential decorator from a family of influential interior designers, expressed his preference for the Gothic style: "In my opinion there is no quality of lightness, elegance, richness or beauty possessed by any other style... [or] in which the principles of sound construction can be so well carried out". The illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery. Nikolaus Pevsner's volume on the exhibits at the Great Exhibition, High Victorian Design published in 1951, was an important contribution to the academic study of Victorian taste and an early indicator of the later 20th century rehabilitation of Victorian architecture and the objects with which they decorated their buildings. In 1847, eight thousand British crown coins were minted in proof condition with the design using an ornate reverse in keeping with the revived style. Considered by collectors to be particularly beautiful, they are known as 'Gothic crowns'. The design was repeated in 1853, again in proof. A similar two shilling coin, the 'Gothic florin' was minted for circulation from 1851 to 1887. Romanticism and nationalism French neo-Gothic had its roots in the French medieval Gothic architecture, where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum", (the "French Art"). French scholar Alexandre de Laborde wrote in 1816 that "Gothic architecture has beauties of its own", which marked the beginning of the Gothic Revival in France. Starting in 1828, Alexandre Brogniart, the director of the Sèvres porcelain manufactory, produced fired enamel paintings on large panes of plate glass, for King Louis-Philippe's Chapelle royale de Dreux, an important early French commission in Gothic taste, preceded mainly by some Gothic features in a few jardins paysagers. The French Gothic Revival was set on more sound intellectual footings by a pioneer, Arcisse de Caumont, who founded the Societé des Antiquaires de Normandie at a time when antiquaire still meant a connoisseur of antiquities, and who published his great work on architecture in French Normandy in 1830. The following year Victor Hugo's historical romance novel The Hunchback of Notre-Dame appeared, in which the great Gothic cathedral of Paris was at once a setting and a protagonist in a hugely popular work of fiction. Hugo intended his book to awaken a concern for the surviving Gothic architecture left in Europe, however, rather than to initiate a craze for neo-Gothic in contemporary life. In the same year that Notre-Dame de Paris appeared, the new restored Bourbon monarchy established an office in the Royal French Government of Inspector-General of Ancient Monuments, a post which was filled in 1833 by Prosper Mérimée, who became the secretary of a new Commission des Monuments Historiques in 1837. This was the Commission that instructed Eugène Viollet-le-Duc to report on the condition of the Abbey of Vézelay in 1840. Following this, Viollet le Duc set out to restore most of the symbolic buildings in France including Notre Dame de Paris, Vézelay, Carcassonne, Roquetaillade castle, Mont-Saint-Michel Abbey on its peaked coastal island, Pierrefonds, and the Palais des Papes in Avignon. When France's first prominent neo-Gothic church was built, the Basilica of Saint-Clotilde, Paris, begun in 1846 and consecrated in 1857, the architect chosen was of German extraction, Franz Christian Gau, (1790–1853); the design was significantly modified by Gau's assistant, Théodore Ballu, in the later stages, to produce the pair of flèches that crown the west end. In Germany, there was a renewal of interest in the completion of Cologne Cathedral. Begun in 1248, it was still unfinished at the time of the revival. The 1820s "Romantic" movement brought a new appreciation of the building, and construction work began once more in 1842, marking a German return for Gothic architecture. St. Vitus Cathedral in Prague, begun in 1344, was also completed in the mid-19th and early 20th centuries. The importance of the Cologne completion project in German-speaking lands has been explored by Michael J. Lewis, "The Politics of the German Gothic Revival: August Reichensperger". Reichensperger was himself in no doubt as to the cathedral's central position in Germanic culture; "Cologne Cathedral is German to the core, it is a national monument in the fullest sense of the word, and probably the most splendid monument to be handed down to us from the past". Because of Romantic nationalism in the early 19th century, the Germans, French and English all claimed the original Gothic architecture of the 12th century era as originating in their own country. The English boldly coined the term "Early English" for "Gothic", a term that implied Gothic architecture was an English creation. In his 1832 edition of Notre Dame de Paris, author Victor Hugo said "Let us inspire in the nation, if it is possible, love for the national architecture", implying that "Gothic" is France's national heritage. In Germany, with the completion of Cologne Cathedral in the 1880s, at the time its summit was the world's tallest building, the cathedral was seen as the height of Gothic architecture. Other major completions of Gothic cathedrals were of Regensburger Dom (with twin spires completed from 1869 to 1872), Ulm Münster (with a 161-meter tower from 1890) and St. Vitus Cathedral in Prague (1844–1929). In Belgium, a 15th-century church in Ostend burned down in 1896. King Leopold II funded its replacement, the Saint Peter's and Saint Paul's Church, a cathedral-scale design which drew inspiration from the neo-Gothic Votive Church in Vienna and Cologne Cathedral. In Mechelen, the largely unfinished building drawn in 1526 as the seat of the Great Council of The Netherlands, was not actually built until the early 20th century, although it closely followed Rombout II Keldermans's Brabantine Gothic design, and became the 'new' north wing of the City Hall. In Florence, the Duomo's temporary façade erected for the Medici-House of Lorraine nuptials in 1588–1589, was dismantled, and the west end of the cathedral stood bare again until 1864, when a competition was held to design a new façade suitable to Arnolfo di Cambio's original structure and the fine campanile next to it. This competition was won by Emilio De Fabris, and so work on his polychrome design and panels of mosaic was begun in 1876 and completed by 1887, creating the Neo-Gothic western façade. Eastern Europe also saw much Revival construction; in addition to the Hungarian Parliament Building in Budapest, the Bulgarian National Revival saw the introduction of Gothic Revival elements into its vernacular ecclesiastical and residential architecture. The largest project of the Slavine School is the Lopushna Monastery cathedral (1850–1853), though later churches such as Saint George's Church, Gavril Genovo display more prominent vernacular Gothic Revival features. In Scotland, while a similar Gothic style to that used further south in England was adopted by figures including Frederick Thomas Pilkington (1832–1898) in secular architecture it was marked by the re-adoption of the Scots baronial style. Important for the adoption of the style in the early 19th century was Abbotsford, which became a model for the modern revival of the baronial style. Common features borrowed from 16th- and 17th-century houses included battlemented gateways, crow-stepped gables, pointed turrets and machicolations. The style was popular across Scotland and was applied to many relatively modest dwellings by architects such as William Burn (1789–1870), David Bryce (1803–1876), Edward Blore (1787–1879), Edward Calvert (c. 1847–1914) and Robert Stodart Lorimer (1864–1929) and in urban contexts, including the building of Cockburn Street in Edinburgh (from the 1850s) as well as the National Wallace Monument at Stirling (1859–1869). The reconstruction of Balmoral Castle as a baronial palace and its adoption as a royal retreat from 1855 to 1858 confirmed the popularity of the style. In the United States, the first "Gothic stile" church (as opposed to churches with Gothic elements) was Trinity Church on the Green, New Haven, Connecticut. It was designed by Ithiel Town between 1812 and 1814, while he was building his Federalist-style Center Church, New Haven next to this radical new "Gothic-style" church. Its cornerstone was laid in 1814, and it was consecrated in 1816. It predates St Luke's Church, Chelsea, often said to be the first Gothic-revival church in London. Though built of trap rock stone with arched windows and doors, parts of its tower and its battlements were wood. Gothic buildings were subsequently erected by Episcopal congregations in Connecticut at St John's in Salisbury (1823), St John's in Kent (1823–1826) and St Andrew's in Marble Dale (1821–1823). These were followed by Town's design for Christ Church Cathedral (Hartford, Connecticut) (1827), which incorporated Gothic elements such as buttresses into the fabric of the church. St. Paul's Episcopal Church in Troy, New York, was constructed in 1827–1828 as an exact copy of Town's design for Trinity Church, New Haven, but using local stone; due to changes in the original, St. Paul's is closer to Town's original design than Trinity itself. In the 1830s, architects began to copy specific English Gothic and Gothic Revival Churches, and these "'mature Gothic Revival' buildings made the domestic Gothic style architecture which preceded it seem primitive and old-fashioned". There are many examples of Gothic Revival architecture in Canada. The first major structure was Notre-Dame Basilica in Montreal, Quebec, which was designed in 1824. The capital, Ottawa, Ontario, was predominantly a 19th-century creation in the Gothic Revival style. The Parliament Hill buildings were the preeminent example, of which the original library survives today (after the rest was destroyed by fire in 1916). Their example was followed elsewhere in the city and outlying areas, showing how popular the Gothic Revival movement had become. Other examples of Canadian Gothic Revival architecture in Ottawa are the Victoria Memorial Museum, (1905–1908), the Royal Canadian Mint, (1905–1908), and the Connaught Building, (1913–1916), all by David Ewart. Gothic as a moral force Pugin and "truth" in architecture In the late 1820s, A. W. N. Pugin, still a teenager, was working for two highly visible employers, providing Gothic detailing for luxury goods. For the Royal furniture makers Morel and Seddon he provided designs for redecorations for the elderly George IV at Windsor Castle in a Gothic taste suited to the setting. For the royal silversmiths Rundell Bridge and Co., Pugin provided designs for silver from 1828, using the 14th-century Anglo-French Gothic vocabulary that he would continue to favour later in designs for the new Palace of Westminster. Between 1821 and 1838 Pugin and his father published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic Revivalists for at least the next century. In Contrasts: or, a Parallel between the Noble Edifices of the Middle Ages, and similar Buildings of the Present Day (1836), Pugin expressed his admiration not only for medieval art but for the whole medieval ethos, suggesting that Gothic architecture was the product of a purer society. In The True Principles of Pointed or Christian Architecture (1841), he set out his "two great rules of design: 1st, that there should be no features about a building which are not necessary for convenience, construction or propriety; 2nd, that all ornament should consist of enrichment of the essential construction of the building". Urging modern craftsmen to seek to emulate the style of medieval workmanship as well as reproduce its methods, Pugin sought to reinstate Gothic as the true Christian architectural style. Pugin's most notable project was the Houses of Parliament in London, after its predecessor was largely destroyed in a fire in 1834. His part in the design consisted of two campaigns, 1836–1837 and again in 1844 and 1852, with the classicist Charles Barry as his nominal superior. Pugin provided the external decoration and the interiors, while Barry designed the symmetrical layout of the building, causing Pugin to remark, "All Grecian, Sir; Tudor details on a classic body". Ruskin and Venetian Gothic John Ruskin supplemented Pugin's ideas in his two influential theoretical works, The Seven Lamps of Architecture (1849) and The Stones of Venice (1853). Finding his architectural ideal in Venice, Ruskin proposed that Gothic buildings excelled above all other architecture because of the "sacrifice" of the stone-carvers in intricately decorating every stone. In this, he drew a contrast between the physical and spiritual satisfaction which a medieval craftsman derived from his work, and the lack of these satisfactions afforded to modern, industrialised labour. By declaring the Doge's Palace to be "the central building of the world", Ruskin argued the case for Gothic government buildings as Pugin had done for churches, though mostly only in theory. When his ideas were put into practice, Ruskin often disliked the result, although he supported many architects, such as Thomas Newenham Deane and Benjamin Woodward, and was reputed to have designed some of the corbel decorations for that pair's Oxford University Museum of Natural History. A major clash between the Gothic and Classical styles in relation to governmental offices occurred less than a decade after the publication of The Stones of Venice. A public competition for the construction of a new Foreign Office in Whitehall saw the decision to award first place to a Gothic design by George Gilbert Scott overturned by the Prime Minister, Lord Palmerston, who successfully demanded a building in the Italianate style. Ecclesiology and funerary style In England, the Church of England was undergoing a revival of Anglo-Catholic and ritualist ideology in the form of the Oxford Movement, and it became desirable to build large numbers of new churches to cater for the growing population, and cemeteries for their hygienic burials. This found ready exponents in the universities, where the ecclesiological movement was forming. Its proponents believed that Gothic was the only style appropriate for a parish church, and favoured a particular era of Gothic architecture – the "decorated". The Cambridge Camden Society, through its journal The Ecclesiologist, was so savagely critical of new church buildings that were below its exacting standards and its pronouncements were followed so avidly that it became the epicentre of the flood of Victorian restoration that affected most of the Anglican cathedrals and parish churches in England and Wales. St Luke's Church, Chelsea, was a new-built Commissioner's Church of 1820–1824, partly built using a grant of £8,333 towards its construction with money voted by Parliament as a result of the Church Building Act of 1818. It is often said to be the first Gothic Revival church in London, and, as Charles Locke Eastlake put it: "probably the only church of its time in which the main roof was groined throughout in stone". Nonetheless, the parish was firmly low church, and the original arrangement, modified in the 1860s, was as a "preaching church" dominated by the pulpit, with a small altar and wooden galleries over the nave aisle. The development of the private major metropolitan cemeteries was occurring at the same time as the movement; Sir William Tite pioneered the first cemetery in the Gothic style at West Norwood in 1837, with chapels, gates, and decorative features in the Gothic manner, attracting the interest of contemporary architects such as George Edmund Street, Barry, and William Burges. The style was immediately hailed a success and universally replaced the previous preference for classical design. Not every architect or client was swept away by this tide. Although Gothic Revival succeeded in becoming an increasingly familiar style of architecture, the attempt to associate it with the notion of high church superiority, as advocated by Pugin and the ecclesiological movement, was anathema to those with ecumenical or nonconformist principles. Alexander "Greek" Thomson launched a famous attack; "We are told we should adopt [Gothic] because it is the Christian style, and this most impudent assertion has been accepted as sound doctrine even by earnest and intelligent Protestants; whereas it ought only to have force with those who believe that Christian truth attained its purest and most spiritual development at the period when this style of architecture constituted its corporeal form". Those rejecting the link between Gothic and Catholicism looked to adopt it solely for its aesthetic romantic qualities, to combine it with other styles, or look to northern European Brick Gothic for a more plain appearance; or in some instances all three of these, as at the non-denominational Abney Park Cemetery in east London, designed by William Hosking FSA in 1840. Viollet-le-Duc and Iron Gothic France had lagged slightly in entering the neo-Gothic scene, but produced a major figure in the revival in Eugène Viollet-le-Duc. As well as a powerful and influential theorist, Viollet-le-Duc was a leading architect whose genius lay in restoration. He believed in restoring buildings to a state of completion that they would not have known even when they were first built, theories he applied to his restorations of the walled city of Carcassonne, and to Notre-Dame and Sainte Chapelle in Paris. In this respect he differed from his English counterpart Ruskin, as he often replaced the work of mediaeval stonemasons. His rational approach to Gothic stood in stark contrast to the revival's romanticist origins. Throughout his career he remained in a quandary as to whether iron and masonry should be combined in a building. Iron, in the form of iron anchors, had been used in the most ambitious buildings of medieval Gothic, especially but not only for tracery. It had in fact been used in "Gothic" buildings since the earliest days of the revival. In some cases, cast iron enabled something like a perfection of medieval design. It was only with Ruskin and the archaeological Gothic's demand for historical truth that iron, whether it was visible or not, was deemed improper for a Gothic building. Ultimately, the utility of iron won out: "substituting a cast iron shaft for a granite, marble or stone column is not bad, but one must agree that it cannot be considered as an innovation, as the introduction of a new principle. Replacing a stone or wooden lintel by an iron breastsummer is very good". He strongly opposed illusion, however: reacting against the casing of a cast iron pillar in stone, he wrote; "il faut que la pierre paraisse bien être de la pierre; le fer, du fer; le bois, du bois" (stone must appear to be stone; iron, iron; wood, wood). The arguments against modern construction materials began to collapse in the mid-19th century as great prefabricated structures such as the glass and iron Crystal Palace and the glazed courtyard of the Oxford University Museum of Natural History were erected, which appeared to embody Gothic principles. Between 1863 and 1872 Viollet-le-Duc published his Entretiens sur l'architecture, a set of daring designs for buildings that combined iron and masonry. Though these projects were never realised, they influenced several generations of designers and architects, notably Antoni Gaudí in Spain and, in England, Benjamin Bucknall, Viollet's foremost English follower and translator, whose masterpiece was Woodchester Mansion. The flexibility and strength of cast-iron freed neo-Gothic designers to create new structural Gothic forms impossible in stone, as in Calvert Vaux's cast-iron Gothic bridge in Central Park, New York dating from the 1860. Vaux enlisted openwork forms derived from Gothic blind-arcading and window tracery to express the spring and support of the arching bridge, in flexing forms that presage Art Nouveau. Collegiate Gothic In the United States, Collegiate Gothic was a late and literal resurgence of the English Gothic Revival, adapted for American college and university campuses. The term "Collegiate Gothic" originated from American architect Alexander Jackson Davis's handwritten description of his own "English Collegiate Gothic Mansion" of 1853 for the Harrals of Bridgeport. By the 1890s, the movement was known as "Collegiate Gothic". The firm of Cope & Stewardson was an early and important exponent, transforming the campuses of Bryn Mawr College, Princeton University and the University of Pennsylvania in the 1890s. In 1872, Abner Jackson, the President of Trinity College, Connecticut, visited Britain, seeking models and an architect for a planned new campus for the college. William Burges was chosen and he drew up a four-quadrangled masterplan, in his Early French style. Lavish illustrations were produced by Axel Haig. However, the estimated cost, at just under one million dollars, together with the sheer scale of the plans, thoroughly alarmed the College Trustees and only one-sixth of the plan was executed, the present Long Walk, with Francis H. Kimball acting as local, supervising, architect, and Frederick Law Olmsted laying out the grounds. Hitchcock considers the result, "perhaps the most satisfactory of all of [Burges's] works and the best example anywhere of Victorian Gothic collegiate architecture". The movement continued into the 20th century, with Cope & Stewardson's campus for Washington University in St. Louis (1900–1909), Charles Donagh Maginnis's buildings at Boston College (1910s) (including Gasson Hall), Ralph Adams Cram's design for the Princeton University Graduate College (1913), and James Gamble Rogers' reconstruction of the campus of Yale University (1920s). Charles Klauder's Gothic Revival skyscraper on the University of Pittsburgh's campus, the Cathedral of Learning (1926) exhibited Gothic stylings both inside and out, while using modern technologies to make the building taller. Vernacular adaptations and the revival in the Antipodes Carpenter Gothic houses and small churches became common in North America and other places in the late 19th century. These structures adapted Gothic elements such as pointed arches, steep gables, and towers to traditional American light-frame construction. The invention of the scroll saw and mass-produced wood moldings allowed a few of these structures to mimic the florid fenestration of the High Gothic. But, in most cases, Carpenter Gothic buildings were relatively unadorned, retaining only the basic elements of pointed-arch windows and steep gables. A well-known example of Carpenter Gothic is a house in Eldon, Iowa, that Grant Wood used for the background of his painting American Gothic. New Zealand and Australia Benjamin Mountfort, born in Britain, trained in Birmingham, and subsequently resident in Canterbury, New Zealand imported the Gothic Revival style to his adopted country and designed Gothic Revival churches in both wood and stone, notably in the city of Christchurch. Frederick Thatcher designed wooden churches in the Gothic Revival style, for example Old St. Paul's, Wellington, contributing to what has been described as New Zealand's "one memorable contribution to world architecture". St Mary of the Angels, Wellington by Frederick de Jersey Clere is in the French Gothic style, and was the first Gothic design church built in ferro-concrete. The style also found favour in the southern New Zealand city of Dunedin, where the wealth brought in by the Otago gold rush of the 1860s allowed for substantial stone edifices to be constructed, using hard, dark breccia stone and a local white limestone, Oamaru stone, among them Maxwell Bury's University of Otago Registry Building and the Dunedin Law Courts by John Campbell. Australia, in particular in Melbourne and Sydney, saw the construction of large numbers of Gothic Revival buildings. William Wardell (1823–1899) was among the country's most prolific architects; born and trained in England, after emigrating his most notable Australian designs include St Patrick's Cathedral, Melbourne and St John's College and St Mary's Cathedral in Sydney. In common with many other 19th century architects, Wardell could deploy different styles at the command of his clients; Government House, Melbourne is Italianate. His banking house for the English, Scottish and Australian Bank in Melbourne has been described as "the Australian masterpiece of neo-Gothic". This claim has also been made for Edmund Blacket's MacLaurin Hall at the University of Sydney, which sits in the quadrangle complex described as "arguably the most important group of Gothic and Tudor Revival style architecture in Australia". Global Gothic Henry-Russell Hitchcock, the architectural historian, noted the spread of the Gothic Revival in the 19th and early 20th centuries, "wherever English culture extended – as far as the West Coast of the United States and to the remotest Antipodes". The British Empire, almost at its geographic peak at the height of the Gothic Revival, assisted or compelled this spread. The English-speaking dominions, Canada, Australia particularly the state of Victoria and New Zealand generally adopted British styles in toto (see above); other parts of the empire saw regional adaptations. India saw the construction of many such buildings, in styles termed Indo-Saracenic or Hindu-Gothic. Notable examples include Chhatrapati Shivaji Terminus (formerly Victoria Terminus) and the Taj Mahal Palace Hotel, both in Mumbai. At the hill station of Shimla, the summer capital of British India, an attempt was made to recreate the Home counties in the foothills of the Himalayas. Although Gothic Revival was the predominant architectural style, alternatives were also deployed; Rashtrapati Niwas, the former Viceregal Lodge, has been variously described as Scottish Baronial Revival, Tudor Revival and Jacobethan. Other examples in the east include the late 19th century Church of the Saviour, Beijing, constructed on the orders of the Guangxu Emperor and designed by the Catholic missionary and architect Alphonse Favier; and the Wat Niwet Thammaprawat in the Bang Pa-In Royal Palace in Bangkok, by the Italian Joachim Grassi. In Indonesia, (the former colony of the Dutch East Indies), the Jakarta Cathedral was begun in 1891 and completed in 1901 by Dutch architect Antonius Dijkmans; while further north in the islands of the Philippines, the San Sebastian Church, designed by architects Genaro Palacios and Gustave Eiffel, was consecrated in 1891 in the still Spanish colony. Church building in South Africa was extensive, with little or no effort to adopt vernacular forms. Robert Gray, the first bishop of Cape Town, wrote; "I am sure we do not overestimate the importance of real Churches built after the fashion of our English churches". He oversaw the construction of some fifty such buildings between 1848 and his death in 1872. South America saw a later flourishing of the Revival, particularly in church architecture, for example the Metropolitan Cathedral of São Paulo in Brazil by the German Maximilian Emil Hehl, and the Cathedral of La Plata in Argentina. 20th and 21st centuries The Gothic style dictated the use of structural members in compression, leading to tall, buttressed buildings with interior columns of load-bearing masonry and tall, narrow windows. But, by the start of the 20th century, technological developments such as the steel frame, the incandescent light bulb and the elevator made this approach obsolete. Steel framing supplanted the non-ornamental functions of rib vaults and flying buttresses, providing wider open interiors with fewer columns interrupting the view. Some architects persisted in using Neo-Gothic tracery as applied ornamentation to an iron skeleton underneath, for example in Cass Gilbert's 1913 Woolworth Building skyscraper in New York and Raymond Hood's 1922 Tribune Tower in Chicago. The Tower Life Building in San Antonio, completed in 1929, is noted for the arrays of decorative gargoyles on its upper floors. But, over the first half of the century, Neo-Gothic was supplanted by Modernism, although some modernist architects saw the Gothic tradition of architectural form entirely in terms of the "honest expression" of the technology of the day, and saw themselves as heirs to that tradition, with their use of rectangular frames and exposed iron girders. In spite of this, the Gothic Revival continued to exert its influence, simply because many of its more massive projects were still being built well into the second half of the 20th century, such as Giles Gilbert Scott's Liverpool Cathedral and the Washington National Cathedral (1907–1990). Ralph Adams Cram became a leading force in American Gothic, with his most ambitious project the Cathedral of St. John the Divine in New York (claimed to be the largest cathedral in the world), as well as Collegiate Gothic buildings at Princeton University. Cram said "the style hewn out and perfected by our ancestors [has] become ours by uncontested inheritance". Though the number of new Gothic Revival buildings declined sharply after the 1930s, they continue to be built. St Edmundsbury Cathedral, the cathedral of Bury St Edmunds in Suffolk, was expanded and reconstructed in a neo-Gothic style between the late 1950s and 2005, and a commanding stone central tower was added. A new church in the Gothic style is planned for St. John Vianney Parish in Fishers, Indiana. The Whittle Building at Peterhouse, University of Cambridge, opened in 2016, matches the neo-Gothic style of the rest of the courtyard in which it is situated. Appreciation By 1872, the Gothic Revival was mature enough in the United Kingdom that Charles Locke Eastlake, an influential professor of design, could produce A History of the Gothic Revival. Kenneth Clark's, The Gothic Revival. An Essay, followed in 1928, in which he described the Revival as "the most widespread and influential artistic movement which England has ever produced." The architect and writer Harry Stuart Goodhart-Rendel covered the subject of the Revival in an appreciative way in his Slade Lectures in 1934. But the conventional early 20th century view of the architecture of the Gothic Revival was strongly dismissive, critics writing of "the nineteenth century architectural tragedy", ridiculing "the uncompromising ugliness" of the era's buildings and attacking the "sadistic hatred of beauty" of its architects. The 1950s saw further signs of a recovery in the reputation of Revival architecture. John Steegman's study, Consort of Taste (re-issued in 1970 as Victorian Taste, with a foreword by Nikolaus Pevsner), was published in 1950 and began a slow turn in the tide of opinion "towards a more serious and sympathetic assessment." In 1958, Henry-Russell Hitchcock published his Architecture: Nineteenth and Twentieth Centuries, as part of the Pelican History of Art series edited by Nikolaus Pevsner. Hitchcock devoted substantial chapters to the Gothic Revival, noting that, while "there is no more typical nineteenth-century product than a Victorian Gothic church", the success of the Victorian Gothic saw its practitioners design mansions, castles, colleges, and parliaments. The same year saw the foundation of the Victorian Society in England and, in 1963, the publication of Victorian Architecture, an influential collection of essays edited by Peter Ferriday. By 2008, the fiftieth anniversary of the founding of the Victorian Society, the architecture of the Gothic Revival was more fully appreciated with some of its leading architects receiving scholarly attention and some of its best buildings, such as George Gilbert Scott's St Pancras Station Hotel, being magnificently restored. The Society's 50th anniversary publication, Saving A Century, surveyed a half-century of losses and successes, reflected on the changing perceptions toward Victorian architecture and concluded with a chapter entitled "The Victorians Victorious". Gallery Europe North America South America Australia and New Zealand Asia Decorative arts See also Sub-varieties of the Gothic Revival style Locale Footnotes References Sources Further reading Christian Amalvi, Le Goût du moyen âge (Paris: Plon), 1996. The first French monograph on French Gothic Revival. "Le Gothique retrouvé" avant Viollet-le-Duc. Exhibition, 1979. The first French exhibition concerned with French Neo-Gothic. Hunter-Stiebel, Penelope, Of Knights and Spires: Gothic Revival in France and Germany, 1989. ISBN 0-614-14120-6. Phoebe B Stanton, Pugin (New York: Viking Press, 1972, ©1971). ISBN 0-670-58216-6. Summerson, Sir John, 1948. "Viollet-le-Duc and the rational point of view", collected in Heavenly Mansions and other essays on Architecture. Sir Thomas G. Jackson, Modern Gothic Architecture (1873), Byzantine and Romanesque Architecture (1913), and the three-volume Gothic Architecture in France, England and Italy (1901). External links Basilique Sainte-Clotilde, Paris Canada by Design: Parliament Hill, Ottawa at Library and Archives Canada Books, Research and Information Proyecto Documenta's entries for neo-Gothic elements at the Valparaíso's churches
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Genghis Khan (born Temüjin; c. 1162 – August 1227), also known as Chinggis Khan, was the founder and first khan of the Mongol Empire. After spending most of his life uniting the Mongol tribes, he launched a series of military campaigns, conquering large parts of China and Central Asia. Born between 1155 and 1167 and given the name Temüjin, he was the eldest child of Yesugei, a Mongol chieftain of the Borjigin clan, and his wife Hö'elün. When Temüjin was eight, his father died and his family was abandoned by its tribe. Reduced to near-poverty, Temüjin killed his older half-brother to secure his familial position. His charismatic personality helped to attract his first followers and to form alliances with two prominent steppe leaders named Jamukha and Toghrul; they worked together to retrieve Temüjin's newlywed wife Börte, who had been kidnapped by raiders. As his reputation grew, his relationship with Jamukha deteriorated into open warfare. Temüjin was badly defeated in c. 1187, and may have spent the following years as a subject of the Jin dynasty; upon reemerging in 1196, he swiftly began gaining power. Toghrul came to view Temüjin as a threat and launched a surprise attack on him in 1203. Temüjin retreated, then regrouped and overpowered Toghrul; after defeating the Naiman tribe and executing Jamukha, he was left as the sole ruler on the Mongolian steppe. Temüjin formally adopted the title "Genghis Khan", the meaning of which is uncertain, at an assembly in 1206. Carrying out reforms designed to ensure long-term stability, he transformed the Mongols' tribal structure into an integrated meritocracy dedicated to the service of the ruling family. After thwarting a coup attempt from a powerful shaman, Genghis began to consolidate his power. In 1209, he led a large-scale raid into the neighbouring Western Xia, who agreed to Mongol terms the following year. He then launched a campaign against the Jin dynasty, which lasted for four years and ended in 1215 with the capture of the Jin capital Zhongdu. His general Jebe annexed the Central Asian state of Qara Khitai in 1218. Genghis was provoked to invade the Khwarazmian Empire the following year by the execution of his envoys; the campaign toppled the Khwarazmian state and devastated the regions of Transoxiana and Khorasan, while Jebe and his colleague Subutai led an expedition that reached Georgia and Kievan Rus'. In 1227, Genghis died while subduing the rebellious Western Xia; following a two-year interregnum, his third son and heir Ögedei acceded to the throne in 1229. Genghis Khan remains a controversial figure. He was generous and intensely loyal to his followers, but ruthless towards his enemies. He welcomed advice from diverse sources in his quest for world domination, for which he believed the shamanic supreme deity Tengri had destined him. The Mongol army under Genghis killed millions of people, yet his conquests also facilitated unprecedented commercial and cultural exchange over a vast geographical area. He is remembered as a backwards, savage tyrant in Russia and the Arab world, while recent Western scholarship has begun to reassess its previous view of him as a barbarian warlord. He was posthumously deified in Mongolia; modern Mongolians recognise him as the founding father of their nation. Name and title There is no universal romanisation system used for Mongolian; as a result, modern spellings of Mongolian names vary greatly and may result in considerably different pronunciations from the original. The honorific most commonly rendered as "Genghis" ultimately derives from the Mongolian ᠴᠢᠩᠭᠢᠰ, which may be romanised as Činggis. This was adapted into Chinese as 成吉思 Chéngjísī, and into Persian as چنگیز Čəngīz. As Arabic lacks a sound similar to [tʃ], represented in the Mongolian and Persian romanisations by ⟨č⟩, writers transcribed the name as J̌ingiz, while Syriac authors used Šīngīz. In addition to "Genghis", introduced into English during the 18th century based on a misreading of Persian sources, modern English spellings include "Chinggis", "Chingis", "Jinghis", and "Jengiz". His birth name "Temüjin" (ᠲᠡᠮᠦᠵᠢᠨ; 鐵木真 Tiěmùzhēn) is sometimes also spelled "Temuchin" in English. When Genghis's grandson Kublai Khan established the Yuan dynasty in 1271, he bestowed the temple name Taizu (太祖, meaning 'Supreme Progenitor') and the posthumous name Shengwu Huangdi (聖武皇帝, meaning 'Holy-Martial Emperor') upon his grandfather. Kublai's great-grandson Külüg Khan later expanded this title into Fatian Qiyun Shengwu Huangdi (法天啟運聖武皇帝, meaning 'Interpreter of the Heavenly Law, Initiator of the Good Fortune, Holy-Martial Emperor'). Sources As the sources are written in more than a dozen languages from across Eurasia, modern historians have found it difficult to compile information on the life of Genghis Khan. All accounts of his adolescence and rise to power derive from two Mongolian-language sources—the Secret History of the Mongols, and the Altan Debter (Golden Book). The latter, now lost, served as inspiration for two Chinese chronicles—the 14th-century History of Yuan and the Shengwu qinzheng lu (Campaigns of Genghis Khan). The History of Yuan, while poorly edited, provides a large amount of detail on individual campaigns and people; the Shengwu is more disciplined in its chronology, but does not criticise Genghis and occasionally contains errors. The Secret History survived through being transliterated into Chinese characters during the 14th and 15th centuries. Its historicity has been disputed: the 20th-century sinologist Arthur Waley considered it a literary work with no historiographical value, but more recent historians have given the work much more credence. Although it is clear that the work's chronology is suspect and that some passages were removed or modified for better narration, the Secret History is valued highly because the anonymous author is often critical of Genghis Khan: in addition to presenting him as indecisive and as having a phobia of dogs, the Secret History also recounts taboo events such as his fratricide and the possibility of his son Jochi's illegitimacy. Multiple chronicles in Persian have also survived, which display a mix of positive and negative attitudes towards Genghis Khan and the Mongols. Both Minhaj-i Siraj Juzjani and Ata-Malik Juvayni completed their respective histories in 1260. Juzjani was an eyewitness to the brutality of the Mongol conquests, and the hostility of his chronicle reflects his experiences. His contemporary Juvayni, who had travelled twice to Mongolia and attained a high position in the administration of a Mongol successor state, was more sympathetic; his account is the most reliable for Genghis Khan's western campaigns. The most important Persian source is the Jami' al-tawarikh (Compendium of Chronicles) compiled by Rashid al-Din on the order of Genghis's descendant Ghazan in the early 14th century. Ghazan allowed Rashid privileged access to both confidential Mongol sources such as the Altan Debter and to experts on the Mongol oral tradition, including Kublai Khan's ambassador Bolad Chingsang. As he was writing an official chronicle, Rashid censored inconvenient or taboo details. There are many other contemporary histories which include additional information on Genghis Khan and the Mongols, although their neutrality and reliability are often suspect. Additional Chinese sources include the chronicles of the dynasties conquered by the Mongols, and the Song diplomat Zhao Hong, who visited the Mongols in 1221. Arabic sources include a contemporary biography of the Khwarazmian prince Jalal al-Din by his companion al-Nasawi. There are also several later Christian chronicles, including the Georgian Chronicles, and works by European travellers such as Carpini and Marco Polo. Early life Birth and childhood The year of Temüjin's birth is disputed, as historians favour different dates: 1155, 1162 or 1167. Some traditions place his birth in the Year of the Pig, which was either 1155 or 1167. While a dating to 1155 is supported by the writings of both Zhao Hong and Rashid al-Din, other major sources such as the History of Yuan and the Shengwu favour the year 1162. The 1167 dating, favoured by the sinologist Paul Pelliot, is derived from a minor source—a text of the Yuan artist Yang Weizhen—but is more compatible with the events of Genghis Khan's life than a 1155 placement, which implies that he did not have children until after the age of thirty and continued actively campaigning into his seventh decade. 1162 is the date accepted by most historians; the historian Paul Ratchnevsky noted that Temüjin himself may not have known the truth. The location of Temüjin's birth, which the Secret History records as Delüün Boldog on the Onon River, is similarly debated: it has been placed at either Dadal in Khentii Province or in southern Agin-Buryat Okrug, Russia. Temüjin was born into the Borjigin clan of the Mongol tribe to Yesügei, a chieftain who claimed descent from the legendary warlord Bodonchar Munkhag, and his principal wife Hö'elün, originally of the Olkhonud clan, whom Yesügei had abducted from her Merkit bridegroom Chiledu. The origin of his birth name is contested: the earliest traditions hold that his father had just returned from a successful campaign against the Tatars with a captive named Temüchin-uge, after whom he named the newborn in celebration of his victory, while later traditions highlight the root temür (meaning 'iron') and connect to theories that "Temüjin" means 'blacksmith'. Several legends surround Temüjin's birth. The most prominent is that he was born clutching a blood clot in his hand, a motif in Asian folklore indicating the child would be a warrior. Others claimed that Hö'elün was impregnated by a ray of light which announced the child's destiny, a legend which echoed that of the mythical Borjigin ancestor Alan Gua. Yesügei and Hö'elün had three younger sons after Temüjin: Qasar, Hachiun, and Temüge, as well as one daughter, Temülün. Temüjin also had two half-brothers, Behter and Belgutei, from Yesügei's secondary wife Sochigel, whose identity is uncertain. The siblings grew up at Yesugei's main camp on the banks of the Onon, where they learned how to ride a horse and shoot a bow. When Temüjin was eight years old, his father decided to betroth him to a suitable girl. Yesügei took his heir to the pastures of Hö'elün's prestigious Onggirat tribe, which had intermarried with the Mongols on many previous occasions. There, he arranged a betrothal between Temüjin and Börte, the daughter of an Onggirat chieftain named Dei Sechen. As the betrothal meant Yesügei would gain a powerful ally and as Börte commanded a high bride price, Dei Sechen held the stronger negotiating position, and demanded that Temüjin remain in his household to work off his future debt. Accepting this condition, Yesügei requested a meal from a band of Tatars he encountered while riding homewards alone, relying on the steppe tradition of hospitality to strangers. However, the Tatars recognised their old enemy and slipped poison into his food. Yesügei gradually sickened but managed to return home; close to death, he requested a trusted retainer called Münglig to retrieve Temüjin from the Onggirat. He died soon after. Adolescence Yesügei's death shattered the unity of his people, which included members of the Borjigin, Tayichiud, and other clans. As Temüjin was not yet ten and Behter around two years older, neither was considered experienced enough to rule. The Tayichiud faction excluded Hö'elün from the ancestor worship ceremonies which followed a ruler's death and soon abandoned her camp. The Secret History relates that the entire Borjigin clan followed, despite Hö'elün's attempts to shame them into staying by appealing to their honour. Rashid al-Din and the Shengwu however imply that Yesügei's brothers stood by the widow. It is possible that Hö'elün may have refused to join in levirate marriage with one, resulting in later tensions, or that the author of the Secret History dramatised the situation. All the sources agree that most of Yesügei's people renounced his family in favour of the Tayichiuds and that Hö'elün's family were reduced to a much harsher life. Taking up a hunter-gatherer lifestyle, they collected roots and nuts, hunted for small animals, and caught fish. Tensions developed as the children grew older. Both Temüjin and Behter had claims to be their father's heir: although Temüjin was the child of Yesügei's chief wife, Behter was at least two years his senior. There was even the possibility that, as permitted under levirate law, Behter could marry Hö'elün upon attaining his majority and become Temüjin's stepfather. As the friction, exacerbated by frequent disputes over the division of hunting spoils, intensified, Temüjin and his younger brother Qasar ambushed and killed Behter. This taboo act was omitted from the official chronicles but not from the Secret History, which recounts that Hö'elün angrily reprimanded her sons. Behter's younger full-brother Belgutei did not seek vengeance, and became one of Temüjin's highest-ranking followers alongside Qasar. Around this time, Temüjin developed a close friendship with Jamukha, another boy of aristocratic descent; the Secret History notes that they exchanged knucklebones and arrows as gifts and swore the anda pact—the traditional oath of Mongol blood brothers–at eleven. As the family lacked allies, Temüjin was taken prisoner on multiple occasions. Captured by the Tayichiuds, he escaped during a feast and hid first in the Onon and then in the tent of Sorkan-Shira, a man who had seen him in the river and not raised the alarm. Sorkan-Shira sheltered Temüjin for three days at great personal risk before helping him to escape. Temüjin was assisted on another occasion by Bo'orchu, an adolescent who aided him in retrieving stolen horses. Soon afterwards, Bo'orchu joined Temüjin's camp as his first nökor ('personal companion'; pl. nökod). These incidents, related by the Secret History, are indicative of the emphasis its author put on Genghis' personal charisma. Rise to power Early campaigns Temüjin returned to Dei Sechen to marry Börte when he reached the age of majority at fifteen. Delighted to see the son-in-law he feared had died, Dei Sechen consented to the marriage and accompanied the newlyweds back to Temüjin's camp; his wife Čotan presented Hö'elün with an expensive sable cloak. Seeking a patron, Temüjin chose to regift the cloak to Toghrul, khan (ruler) of the Kerait tribe, who had fought alongside Yesügei and sworn the anda pact with him. Toghrul ruled a vast territory in central Mongolia but distrusted many of his followers. In need of loyal replacements, he was delighted with the valuable gift and welcomed Temüjin into his protection. The two grew close, and Temüjin began to build a following, as nökod such as Jelme entered into his service. Temüjin and Börte had their first child, a daughter named Qojin, around this time. Soon afterwards, seeking revenge for Yesügei's abduction of Hö'elün, around 300 Merkits raided Temüjin's camp. While Temüjin and his brothers were able to hide on Burkhan Khaldun mountain, Börte and Sochigel were abducted. In accordance with levirate law, Börte was given in marriage to the younger brother of the now-deceased Chiledu. Temüjin appealed for aid from Toghrul and his childhood anda Jamukha, who had risen to become chief of the Jadaran tribe. Both chiefs were willing to field armies of 20,000 warriors, and with Jamukha in command, the campaign was soon won. A now-pregnant Börte was recovered successfully and soon gave birth to a son, Jochi; although Temüjin raised him as his own, questions over his true paternity followed Jochi throughout his life. This is narrated in the Secret History and contrasts with Rashid al-Din's account, which protects the family's reputation by removing any hint of illegitimacy. Over the next decade and a half, Temüjin and Börte had three more sons (Chagatai, Ögedei, and Tolui) and four more daughters (Checheyigen, Alaqa, Tümelün, and Al Altan). The followers of Temüjin and Jamukha camped together for a year and a half, during which their leaders reforged their anda pact and slept together under one blanket, according to the Secret History. The source presents this period as close friends bonding, but Ratchnevsky questioned if Temüjin actually entered into Jamukha's service in return for the assistance with the Merkits. Tensions arose and the two leaders parted, ostensibly on account of a cryptic remark made by Jamukha on the subject of camping; in any case, Temüjin followed the advice of Hö'elün and Börte and began to build an independent following. The major tribal rulers remained with Jamukha, but forty-one leaders gave their support to Temüjin along with many commoners: these included Subutai and others of the Uriankhai, the Barulas, the Olkhonuds, and many more. Many were attracted by Temüjin's reputation as a fair and generous lord who could offer better lives, while his shamans prophesied that heaven had allocated him a great destiny. Temüjin was soon acclaimed by his close followers as khan of the Mongols. Toghrul was pleased at his vassal's elevation but Jamukha was resentful. Tensions escalated into open hostility, and in around 1187 the two leaders clashed in battle at Dalan Baljut: the two forces were evenly matched but Temüjin suffered a clear defeat. Later chroniclers including Rashid al-Din instead state that he was victorious but their accounts contradict themselves and each other. Modern historians such as Ratchnevsky and Timothy May consider it very likely that Temüjin spent a large portion of the decade following the clash at Dalan Baljut as a servant of the Jurchen Jin dynasty in North China. Zhao Hong recorded that the future Genghis Khan spent several years as a slave of the Jin. Formerly seen as an expression of nationalistic arrogance, the statement is now thought to be based in fact, especially as no other source convincingly explains Temüjin's activities between Dalan Baljut and c. 1195. Taking refuge across the border was a common practice both for disaffected steppe leaders and disgraced Chinese officials. Temüjin's reemergence having retained significant power indicates that he probably profited in the service of the Jin. As he later overthrew that state, such an episode, detrimental to Mongol prestige, was omitted from all their sources. Zhao Hong was bound by no such taboos. Defeating rivals The sources do not agree on the events of Temüjin's return to the steppe. In early summer 1196, he participated in a joint campaign with the Jin against the Tatars, who had begun to act contrary to Jin interests. As a reward, the Jin awarded him the honorific cha-ut kuri, the meaning of which probably approximated "commander of hundreds" in Jurchen. At around the same time, he assisted Toghrul with reclaiming the lordship of the Kereit, which had been usurped by one of Toghrul's relatives with the support of the powerful Naiman tribe. The actions of 1196 fundamentally changed Temüjin's position in the steppe—although nominally still Toghrul's vassal, he was de facto an equal ally. Jamukha behaved cruelly following his victory at Dalan Baljut—he allegedly boiled seventy prisoners alive and humiliated the corpses of leaders who had opposed him. A number of disaffected followers, including Yesügei's follower Münglig and his sons, defected to Temüjin as a consequence; they were also probably attracted by his newfound wealth. Temüjin subdued the disobedient Jurkin tribe that had previously offended him at a feast and refused to participate in the Tatar campaign. After executing their leaders, he had Belgutei symbolically break a leading Jurkin's back in a staged wrestling match in retribution. This latter incident, which contravened Mongol customs of justice, was only noted by the author of the Secret History, who openly disapproved. These events occurred c. 1197. During the following years, Temüjin and Toghrul campaigned against the Merkits, the Naimans, and the Tatars; sometimes separately and sometimes together. In around 1201, a collection of dissatisfied tribes including the Onggirat, the Tayichiud, and the Tatars swore to break the domination of the Borjigin-Kereit alliance, electing Jamukha as their leader and gurkhan (lit. '"khan of the tribes"'). After some initial successes, Temüjin and Toghrul routed this loose confederation at Yedi Qunan, and Jamukha was forced to beg for Toghrul's clemency. Desiring complete supremacy in eastern Mongolia, Temüjin defeated first the Tayichiud and then, in 1202, the Tatars; after both campaigns, he executed the clan leaders and took the remaining warriors into his service. These included Sorkan-Shira, who had come to his aid previously, and a young warrior named Jebe, who, by killing Temüjin's horse and refusing to hide that fact, had displayed martial ability and personal courage. The absorption of the Tatars left three military powers in the steppe: the Naimans in the west, the Mongols in the east, and the Kereit in between. Seeking to cement his position, Temüjin proposed that his son Jochi marry one of Toghrul's daughters. Led by Toghrul's son Senggum, the Kereit elite believed the proposal to be an attempt to gain control over their tribe, while the doubts over Jochi's parentage would have offended them further. In addition, Jamukha drew attention to the threat Temüjin posed to the traditional steppe aristocracy by his habit of promoting commoners to high positions, which subverted social norms. Yielding eventually to these demands, Toghrul attempted to lure his vassal into an ambush, but his plans were overheard by two herdsmen. Temüjin was able to gather some of his forces, but was soundly defeated at the Battle of Qalaqaljid Sands. Retreating southeast to Baljuna, an unidentified lake or river, Temüjin waited for his scattered forces to regroup: Bo'orchu had lost his horse and was forced to flee on foot, while Temüjin's badly wounded son Ögedei had been transported and tended to by Borokhula, a leading warrior. Temüjin called in every possible ally and swore a famous oath of loyalty, later known as the Baljuna Covenant, to his faithful followers, which subsequently granted them great prestige. The oath-takers of Baljuna were a very heterogeneous group—men from nine different tribes who included Christians, Muslims, and Buddhists, united only by loyalty to Temüjin and to each other. This group became a model for the later empire, termed a "proto-government of a proto-nation" by historian John Man. The Baljuna Covenant was omitted from the Secret History—as the group was predominantly non-Mongol, the author presumably wished to downplay the role of other tribes. A ruse de guerre involving Qasar allowed the Mongols to ambush the Kereit at the Jej'er Heights, but though the ensuing battle still lasted three days, it ended in a decisive victory for Temüjin. Toghrul and Senggum were both forced to flee, and while the latter escaped to Tibet, Toghrul was killed by a Naiman who did not recognise him. Temüjin sealed his victory by absorbing the Kereit elite into his own tribe: he took the princess Ibaqa as a wife, and married her sister Sorghaghtani and niece Doquz to his youngest son Tolui. The ranks of the Naimans had swelled due to the arrival of Jamukha and others defeated by the Mongols, and they prepared for war. Temüjin was informed of these events by Alaqush, the sympathetic ruler of the Ongud tribe. In May 1204, at the Battle of Chakirmaut in the Altai Mountains, the Naimans were decisively defeated: their leader Tayang Khan was killed, and his son Kuchlug was forced to flee west. The Merkits were decimated later that year, while Jamukha, who had abandoned the Naimans at Chakirmaut, was betrayed to Temüjin by companions who were executed for their lack of loyalty. According to the Secret History, Jamukha convinced his childhood anda to execute him honourably; other accounts state that he was killed by dismemberment. Early reign: reforms and Chinese campaigns (1206–1215) Kurultai of 1206 and reforms Now sole ruler of the steppe, Temüjin held a large assembly called a kurultai at the source of the Onon River in 1206. Here, he formally adopted the title "Genghis Khan", the etymology and meaning of which have been much debated. Some commentators hold that the title had no meaning, simply representing Temüjin's eschewal of the traditional gurkhan title, which had been accorded to Jamukha and was thus of lesser worth. Another theory suggests that the word "Genghis" bears connotations of strength, firmness, hardness, or righteousness. A third hypothesis proposes that the title is related to the Turkic tängiz ('ocean'), the title "Genghis Khan" would mean "master of the ocean", and as the ocean was believed to surround the earth, the title thus ultimately implied "Universal Ruler". Having attained control over one million people, Genghis Khan began a "social revolution", in May's words. As traditional tribal systems had primarily evolved to benefit small clans and families, they were unsuitable as the foundations for larger states and had been the downfall of previous steppe confederations. Genghis thus began a series of administrative reforms designed to suppress the power of tribal affiliations and to replace them with unconditional loyalty to the khan and the ruling family. As most of the traditional tribal leaders had been killed during his rise to power, Genghis was able to reconstruct the Mongol social hierarchy in his favour. The highest tier was occupied solely by his and his brothers' families, who became known as the altan uruq (lit. 'Golden Family') or chaghan yasun (lit. 'white bone'); underneath them came the qara yasun (lit. 'black bone'; sometimes qarachu), composed of the surviving pre-empire aristocracy and the most important of the new families. To break any concept of tribal loyalty, Mongol society was reorganised into a military decimal system. Every man between the age of fifteen and seventy was conscripted into a minqan (pl. minkad), a unit of a thousand soldiers, which was further subdivided into units of hundreds (jaghun, pl. jaghat) and tens (arban, pl. arbat). The units also encompassed each man's household, meaning that each military minqan was supported by a minqan of households in what May has termed "a military–industrial complex". Each minqan operated as both a political and social unit, while the warriors of defeated tribes were dispersed to different minqad to make it difficult for them to rebel as a single body. This was intended to ensure the disappearance of old tribal identities, replacing them with loyalty to the "Great Mongol State", and to commanders who had gained their rank through merit and loyalty to the khan. This particular reform proved extremely effective—even after the division of the Mongol Empire, fragmentation never happened along tribal lines. Instead, the descendants of Genghis continued to reign unchallenged, in some cases until as late as the 1700s, and even powerful non-imperial dynasts such as Timur and Edigu were compelled to rule from behind a puppet ruler of his lineage. Genghis's senior nökod were appointed to the highest ranks and received the greatest honours. Bo'orchu and Muqali were each given ten thousand men to lead as commanders of the right and left wings of the army respectively. The other nökod were each given commands of one of the ninety-five minkad. In a display of Genghis' meritocratic ideals, many of these men were born to low social status: Ratchnevsky cited Jelme and Subutai, the sons of blacksmiths, in addition to a carpenter, a shepherd, and even the two herdsmen who had warned Temüjin of Toghrul's plans in 1203. As a special privilege, Genghis allowed certain loyal commanders to retain the tribal identities of their units. Alaqush of the Ongud was allowed to retain five thousand warriors of his tribe because his son had entered into an alliance pact with Genghis, marrying his daughter Alaqa. A key tool which underpinned these reforms was the expansion of the keshig ('bodyguard'). After Temüjin defeated Toghrul in 1203, he had appropriated this Kereit institution in a minor form, but at the 1206 kurultai its numbers were greatly expanded, from 1,150 to 10,000 men. The keshig was not only the khan's bodyguard, but his household staff, a military academy, and the centre of governmental administration. All the warriors in this elite corps were brothers or sons of military commanders and were essentially hostages. The members of the keshig nevertheless received special privileges and direct access to the khan, whom they served and who in return evaluated their capabilities and their potential to govern or command. Commanders such as Subutai, Chormaqan, and Baiju all started out in the keshig, before being given command of their own force. Consolidation of power (1206–1210) From 1204 to 1209, Genghis Khan was predominantly focused on consolidating and maintaining his new nation. He faced a challenge from the shaman Kokechu, whose father Münglig had been allowed to marry Hö'elün after he defected to Temüjin. Kokechu, who had proclaimed Temüjin as Genghis Khan and taken the Tengrist title "Teb Tenggeri" (lit. "Wholly Heavenly") on account of his sorcery, was very influential among the Mongol commoners and sought to divide the imperial family. Genghis's brother Qasar was the first of Kokechu's targets—always distrusted by his brother, Qasar was humiliated and almost imprisoned on false charges before Hö'elün intervened by publicly reprimanding Genghis. Nevertheless, Kokechu's power steadily increased, and he publicly shamed Temüge, Genghis's youngest brother, when he attempted to intervene. Börte saw that Kokechu was a threat to Genghis's power and warned her husband, who still superstitiously revered the shaman but now recognised the political threat he posed. Genghis allowed Temüge to arrange Kokechu's death, and then usurped the shaman's position as the Mongols' highest spiritual authority. During these years, the Mongols imposed their control on surrounding areas. Genghis dispatched Jochi northwards in 1207 to subjugate the Hoi-yin Irgen, a collection of tribes on the edge of the Siberian taiga. Having secured a marriage alliance with the Oirats and defeated the Yenisei Kyrgyz, he took control of the region's trade in grain and furs, as well as its gold mines. Mongol armies also rode westwards, defeating the Naiman-Merkit alliance on the River Irtysh in late 1208. Their khan was killed and Kuchlug fled into Central Asia. Led by Barchuk, the Uyghurs freed themselves from the suzerainty of the Qara Khitai and pledged themselves to Genghis in 1211 as the first sedentary society to submit to the Mongols. The Mongols had started raiding the border settlements of the Tangut-led Western Xia kingdom in 1205, ostensibly in retaliation for allowing Senggum, Toghrul's son, refuge. More prosaic explanations include rejuvenating the depleted Mongol economy with an influx of fresh goods and livestock, or simply subjugating a semi-hostile state to protect the nascent Mongol nation. Most Xia troops were stationed along the southern and eastern borders of the kingdom to guard against attacks from the Song and Jin dynasties respectively, while its northern border relied only on the Gobi desert for protection. After a raid in 1207 sacked the Xia fortress of Wulahai, Genghis decided to personally lead a full-scale invasion in 1209. Wulahai was captured again in May and the Mongols advanced on the capital Zhongxing (modern-day Yinchuan) but suffered a reverse against a Xia army. After a two-month stalemate, Genghis broke the deadlock with a feigned retreat; the Xia forces were deceived out of their defensive positions and overpowered. Although Zhongxing was now mostly undefended, the Mongols lacked any siege equipment better than crude battering rams and were unable to progress the siege. The Xia requested aid from the Jin, but Emperor Zhangzong rejected the plea. Genghis's attempt to redirect the Yellow River into the city with a dam initially worked, but the poorly-constructed earthworks broke—possibly breached by the Xia—in January 1210 and the Mongol camp was flooded, forcing them to retreat. A peace treaty was soon formalised: the Xia emperor Xiangzong submitted and handed over tribute, including his daughter Chaka, in exchange for the Mongol withdrawal. Campaign against the Jin (1211–1215) Wanyan Yongji usurped the Jin throne in 1209. He had previously served on the steppe frontier and Genghis greatly disliked him. When asked to submit and pay the annual tribute to Yongji in 1210, Genghis instead mocked the emperor, spat, and rode away from the Jin envoy—a challenge that meant war. Despite the possibility of being outnumbered eight-to-one by 600,000 Jin soldiers, Genghis had prepared to invade the Jin since learning in 1206 that the state was wracked by internal instabilities. Genghis had two aims: to take vengeance for past wrongs committed by the Jin, foremost among which was the death of Ambaghai Khan in the mid-12th century, and to win the vast amounts of plunder his troops and vassals expected. After calling for a kurultai in March 1211, Genghis launched his invasion of Jin China in May, reaching the outer ring of Jin defences the following month. These border fortifications were guarded by Alaqush's Ongud, who allowed the Mongols to pass without difficulty. The three-pronged chevauchée aimed both to plunder and burn a vast area of Jin territory to deprive them of supplies and popular legitimacy, and to secure the mountain passes which allowed access to the North China Plain. The Jin lost numerous towns and were hindered by a series of defections, the most prominent of which led directly to Muqali's victory at the Battle of Huan'erzhui in autumn 1211. The campaign was halted in 1212 when Genghis was wounded by an arrow during the unsuccessful siege of Xijing (modern Datong). Following this failure, Genghis set up a corps of siege engineers, which recruited 500 Jin experts over the next two years. The defences of Juyong Pass had been strongly reinforced by the time the conflict resumed in 1213, but a Mongol detachment led by Jebe managed to infiltrate the pass and surprise the elite Jin defenders, opening the road to the Jin capital Zhongdu (modern-day Beijing). The Jin administration began to disintegrate: after the Khitans, a tribe subject to the Jin, entered open rebellion, Hushahu, the commander of the forces at Xijing, abandoned his post and staged a coup in Zhongdu, killing Yongji and installing his own puppet ruler, Xuanzong. This governmental breakdown was fortunate for Genghis's forces; emboldened by their victories, they had seriously overreached and lost the initiative. Unable to do more than camp before Zhongdu's fortifications while his army suffered from an epidemic and famine—they resorted to cannibalism according to Carpini, who may have been exaggerating—Genghis opened peace negotiations despite his commanders' militance. He secured tribute, including 3,000 horses, 500 slaves, a Jin princess, and massive amounts of gold and silk, before lifting the siege and setting off homewards in May 1214. As the northern Jin lands had been ravaged by plague and war, Xuanzong moved the capital and imperial court 600 kilometres (370 mi) southwards to Kaifeng. Interpreting this as an attempt to regroup in the south and then restart the war, Genghis concluded the terms of the peace treaty had been broken. He immediately prepared to return and capture Zhongdu. According to Christopher Atwood, it was only at this juncture that Genghis decided to fully conquer northern China. Muqali captured numerous towns in Liaodong during winter 1214–15, and although the inhabitants of Zhongdu surrendered to Genghis on 31 May 1215, the city was sacked. When Genghis returned to Mongolia in early 1216, Muqali was left in command in China. He waged a brutal but effective campaign against the unstable Jin regime until his death in 1223. Later reign: western expansion and return to China (1216–1227) Defeating rebellions and Qara Khitai (1216–1218) In 1207, Genghis had appointed a man named Qorchi as governor of the subdued Hoi-yin Irgen tribes in Siberia. Appointed not for his talents but for prior services rendered, Qorchi's tendency to abduct women as concubines for his harem caused the tribes to rebel and take him prisoner in early 1216. The following year, they ambushed and killed Boroqul, one of Genghis's highest-ranking nökod. The khan was livid at the loss of his close friend and prepared to lead a retaliatory campaign; eventually dissuaded from this course, he dispatched his eldest son Jochi and a Dörbet commander. They managed to surprise and defeat the rebels, securing control over this economically important region. Kuchlug, the Naiman prince who had been defeated in 1204, had usurped the throne of the Central Asian Qara Khitai dynasty between 1211 and 1213. He was a greedy and arbitrary ruler who probably earned the enmity of the native Islamic populace whom he attempted to forcibly convert to Buddhism. Genghis reckoned that Kuchlug could be a threat to his empire, and Jebe was sent with an army of 20,000 cavalry to the city of Kashgar; he undermined Kuchlug's rule by emphasising the Mongol policies of religious tolerance and gained the loyalty of the local elite. Kuchlug was forced to flee southwards to the Pamir Mountains, but was captured by local hunters. Jebe had him beheaded and paraded his corpse through Qara Khitai, proclaiming the end of religious persecution in the region. Invasion of the Khwarazmian Empire (1219–1221) Genghis had now attained complete control of the eastern portion of the Silk Road, and his territory bordered that of the Khwarazmian Empire, which ruled over much of Central Asia, Persia and Afghanistan. Merchants from both sides were eager to restart trading, which had halted during Kuchlug's rule; the Khwarazmian ruler Muhammad II dispatched an envoy shortly after the Mongol capture of Zhongdu, while Genghis instructed his merchants to obtain the high-quality textiles and steel of Central and Western Asia. Many members of the altan uruq invested in one particular caravan of 450 merchants which set off to Khwarazmia in 1218 with a large quantity of wares. Inalchuq, the governor of the Khwarazmian border town of Otrar, decided to massacre the merchants on grounds of espionage and seize the goods; Muhammad had grown suspicious of Genghis's intentions and either supported Inalchuq or turned a blind eye. A Mongol ambassador was sent with two companions to avert war, but Muhammad killed him and humiliated his companions. The killing of an envoy infuriated Genghis, who resolved to leave Muqali with a small force in North China and invade Khwarazmia with most of his army. Muhammad's empire was large but disunited: he ruled alongside his mother Terken Khatun in what the historian Peter Golden terms "an uneasy diarchy", while the Khwarazmian nobility and populace were discontented with his warring and the centralisation of government. For these reasons and others he declined to meet the Mongols in the field, instead garrisoning his unruly troops in his major cities. This allowed the lightly armoured, highly mobile Mongol armies uncontested superiority outside city walls. Otrar was besieged in autumn 1219—the siege dragged on for five months, but in February 1220 the city fell and Inalchuq was executed. Genghis had meanwhile divided his forces. Leaving his sons Chagatai and Ögedei to besiege the city, he had sent Jochi northwards down the Syr Darya river and another force southwards into central Transoxiana, while he and Tolui took the main Mongol army across the Kyzylkum Desert, surprising the garrison of Bukhara in a pincer movement. Bukhara's citadel was captured in February 1220 and Genghis moved against Muhammad's residence Samarkand, which fell the following month. Bewildered by the speed of the Mongol conquests, Muhammad fled from Balkh, closely followed by Jebe and Subutai; the two generals pursued the Khwarazmshah until he died from dysentry on a Caspian Sea island in winter 1220–21, having nominated his eldest son Jalal al-Din as his successor. Jebe and Subutai then set out on a 7,500-kilometre (4,700 mi)-expedition around the Caspian Sea. Later called the Great Raid, this lasted four years and saw the Mongols come into contact with Europe for the first time. Meanwhile, the Khwarazmian capital of Gurganj was being besieged by Genghis's three eldest sons. The long siege ended in spring 1221 amid brutal urban conflict. Jalal al-Din moved southwards to Afghanistan, gathering forces on the way and defeating a Mongol unit under the command of Shigi Qutuqu, Genghis's adopted son, in the Battle of Parwan. Jalal was weakened by arguments among his commanders, and after losing decisively at the Battle of the Indus in November 1221, he was compelled to escape across the Indus river into India. Genghis's youngest son Tolui was concurrently conducting a brutal campaign in the regions of Khorasan. Every city that resisted was destroyed—Nishapur, Merv and Herat, three of the largest and wealthiest cities in the world, were all annihilated. This campaign established Genghis's lasting image as a ruthless, inhumane conqueror. Contemporary Persian historians placed the death toll from the three sieges alone at over 5.7 million—a number regarded as grossly exaggerated by modern scholars. Nevertheless, even a total death toll of 1.25 million for the entire campaign, as estimated by John Man, would have been a demographic catastrophe. Return to China and final campaign (1222–1227) Genghis abruptly halted his Central Asian campaigns in 1221. Initially aiming to return via India, Genghis realised that the heat and humidity of the South Asian climate impeded his army's skills, while the omens were additionally unfavourable. Although the Mongols spent much of 1222 repeatedly overcoming rebellions in Khorasan, they withdrew completely from the region to avoid overextending themselves, setting their new frontier on the Amu Darya river. During his lengthy return journey, Genghis prepared a new administrative division which would govern the conquered territories, appointing darughachi (commissioners, lit. "those who press the seal") and basqaq (local officials) to manage the region back to normalcy. He also summoned and spoke with the Taoist patriarch Changchun in the Hindu Kush. The khan listened attentively to Changchun's teachings and granted his followers numerous privileges, including tax exemptions and authority over all monks throughout the empire—a grant which the Taoists later used to try to gain superiority over Buddhism. The usual reason given for the halting of the campaign is that the Western Xia, having declined to provide auxiliaries for the 1219 invasion, had additionally disobeyed Muqali in his campaign against the remaining Jin in Shaanxi. May has disputed this, arguing that the Xia fought in concert with Muqali until his death in 1223, when, frustrated by Mongol control and sensing an opportunity with Genghis campaigning in Central Asia, they ceased fighting. In either case, Genghis initially attempted to resolve the situation diplomatically, but when the Xia elite failed to come to an agreement on the hostages they were to send to the Mongols, he lost patience. Returning to Mongolia in early 1225, Genghis spent the year in preparation for a campaign against them. This began in the first months of 1226 with the capture of Khara-Khoto on the Xia's western border. The invasion proceeded apace. Genghis ordered that the cities of the Gansu Corridor be sacked one by one, granting clemency only to a few. Having crossed the Yellow River in autumn, the Mongols besieged present-day Lingwu, located just 30 kilometres (19 mi) south of the Xia capital Zhongxing, in November. On 4 December, Genghis decisively defeated a Xia relief army; the khan left the siege of the capital to his generals and moved southwards with Subutai to plunder and secure Jin territories. Death and aftermath Genghis fell from his horse while hunting in the winter of 1226–27 and became increasingly ill during the following months. This slowed the siege of Zhongxing's progress, as his sons and commanders urged him to end the campaign and return to Mongolia to recover, arguing that the Xia would still be there another year. Incensed by insults from Xia's leading commander, Genghis insisted that the siege be continued. He died on either 18 or 25 August 1227, but his death was kept a closely guarded secret and Zhongxing, unaware, fell the following month. The city was put to the sword and its population was treated with extreme savagery—the Xia civilization was essentially extinguished in what Man described as a "very successful ethnocide". The exact nature of the khan's death has been the subject of intense speculation. Rashid al-Din and the History of Yuan mention he suffered from an illness—possibly malaria, typhus, or bubonic plague. Marco Polo claimed that he was shot by an arrow during a siege, while Carpini reported that Genghis was struck by lightning. Legends sprang up around the event—the most famous recounts how the beautiful Gurbelchin, formerly the Xia emperor's wife, injured Genghis's genitals with a dagger during sex. After his death, Genghis was transported back to Mongolia and buried on or near the sacred Burkhan Khaldun peak in the Khentii Mountains, on a site he had chosen years before. Specific details of the funeral procession and burial were not made public knowledge; the mountain, declared ikh khorig (lit. "Great Taboo"; i.e. prohibited zone), was out of bounds to all but its Uriankhai guard. When Ögedei acceded to the throne in 1229, the grave was honoured with three days of offerings and the sacrifice of thirty maidens. Ratchnevsky theorised that the Mongols, who had no knowledge of embalming techniques, may have buried the khan in the Ordos to avoid his body decomposing in the summer heat while en route to Mongolia; Atwood rejects this hypothesis. Succession The tribes of the Mongol steppe had no fixed succession system, but often defaulted to some form of ultimogeniture—succession of the youngest son—because he would have had the least time to gain a following for himself and needed the help of his father's inheritance. However, this type of inheritance applied only to property, not to titles. The Secret History records that Genghis chose his successor while preparing for the Khwarazmian campaigns in 1219; Rashid al-Din, on the other hand, states that the decision came before Genghis's final campaign against the Xia. Regardless of the date, there were five possible candidates: Genghis's four sons and his youngest brother Temüge, who had the weakest claim and who was never seriously considered. Even though there was a strong possibility Jochi was illegitimate, Genghis was not particularly concerned by this; nevertheless, he and Jochi became increasingly estranged over time, due to Jochi's preoccupation with his own appanage. After the siege of Gurganj, where he only reluctantly participated in besieging the wealthy city that would become part of his territory, he failed to give Genghis the normal share of the booty, which exacerbated the tensions. Genghis was angered by Jochi's refusal to return to him in 1223, and was considering sending Ögedei and Chagatai to bring him to heel when news came that Jochi had died from an illness. Chagatai's attitude towards Jochi's possible succession—he had termed his elder brother "a Merkit bastard" and had brawled with him in front of their father—led Genghis to view him as uncompromising, arrogant, and narrow-minded, despite his great knowledge of Mongol legal customs. His elimination left Ögedei and Tolui as the two primary candidates. Tolui was unquestionably superior in military terms—his campaign in Khorasan had broken the Khwarazmian Empire, while his elder brother was far less able as a commander. Ögedei was also known to drink excessively even by Mongol standards—it eventually caused his death in 1241. However, he possessed talents all his brothers lacked—he was generous and generally well-liked. Aware of his own lack of military skill, he was able to trust his capable subordinates, and unlike his elder brothers, compromise on issues; he was also more likely to preserve Mongol traditions than Tolui, whose wife Sorghaghtani, herself a Nestorian Christian, was a patron of many religions including Islam. Ögedei was thus recognised as the heir to the Mongol throne. Serving as regent after Genghis's death, Tolui established a precedent for the customary traditions after a khan's death. These included the halting of all military offensives involving Mongol troops, the establishment of a lengthy mourning period overseen by the regent, and the holding of a kurultai which would nominate successors and select them. For Tolui, this presented an opportunity. He was still a viable candidate for succession and had the support of the family of Jochi. Any general kurultai, attended by the commanders Genghis had promoted and honoured, would however observe their former ruler's desires without question and appoint Ögedei as ruler. It has been suggested that Tolui's reluctance to hold the kurultai was driven by the knowledge of the threat it posed to his ambitions. In the end, Tolui had to be persuaded by the advisor Yelü Chucai to hold the kurultai; in 1229, it crowned Ögedei as khan, with Tolui in attendance. Family Börte, whom Temüjin married c. 1178, remained his senior wife. She gave birth to four sons and five daughters, who all became influential figures in the empire. Genghis granted Börte's sons lands and property through the Mongol appanage system, while he secured marriage alliances by marrying her daughters to important families. Her children were: Qojin, a daughter born c. 1179, who later married Butu of the Ikires, one of Temüjin's earliest and closest supporters and the widower of Temülün. Jochi, a son born c. 1182 after Börte's kidnapping, whose paternity was thus suspect even though Temüjin accepted his legitimacy. Jochi predeceased Genghis; his appanage, along the Irtysh river and extending into Siberia, evolved into the Golden Horde. Chagatai, a son born c. 1184; his appanage was the former Qara Khitai territories surrounding Almaligh in Turkestan, which became the Chagatai Khanate. Ögedei, a son born c. 1186, who received lands in Dzungaria and who succeeded his father as ruler of the empire. Checheyigen, a daughter born c. 1188, whose marriage to Törelchi secured the loyalty of the Oirats to the north. Alaqa, a daughter born c. 1190, who married several members of the Ongud tribe between 1207 and 1225. Tümelün, a daughter born c. 1192, who married Chigu of the Onggirat tribe. Tolui, a son born c. 1193, who received lands near the Altai Mountains as an appanage; two of his sons, Möngke and Kublai, later ruled the empire, while another, Hulagu, founded the Ilkhanate. Al Altan, a daughter born c. 1196, married the powerful Uighur ruler Barchuk. Shortly after the accession of Güyük Khan in the 1240s, she was tried and executed on charges that were later suppressed. After Börte's final childbirth, Temüjin began to acquire a number of junior wives through conquest. These wives had all previously been princesses or queens, and Temüjin married them to demonstrate his political ascendancy. They included the Kereit princess Ibaqa; the Tatar sisters Yesugen and Yesui; Qulan, a Merkit; Gürbesu, the queen of the Naiman Tayang Khan; and two Chinese princesses, Chaqa and Qiguo, of the Western Xia and Jin dynasties respectively. The children of these junior wives were always subservient to those of Börte, with daughters married off to seal lesser alliances and sons, such as Qulan's child Kölgen, never a candidate for succession. Character and achievements No eyewitness description or contemporaneous depiction of Genghis Khan survives. The Persian chronicler Juzjani and the Song diplomat Zhao Hong provide the two earliest descriptions. Both recorded that he was tall and strong with a powerful stature. Zhao wrote that Genghis had a broad brow and long beard while Juzjani commented on his cat's eyes and lack of grey hair. The Secret History records that Börte's father remarked on his "flashing eyes and lively face" when meeting him. Atwood has suggested that many of Genghis Khan's values, especially the emphasis he placed on an orderly society, derive from his turbulent youth. He valued loyalty above all and mutual fidelity became a cornerstone of his new nation. Genghis did not find it difficult to gain the allegiance of others: he was superbly charismatic even as a youth, as shown by the number of people who left existing social roles behind to join him. Although his trust was hard to earn, if he felt loyalty was assured, he granted his total confidence in return. Recognised for his generosity towards his followers, Genghis unhesitatingly rewarded previous assistance. The nökod most honoured at the 1206 kurultai were those who had accompanied him since the beginning, and those who had sworn the Baljuna Covenant with him at his lowest point. He took responsibility for the families of nökod killed in battle or who otherwise fell on hard times by raising a tax to provide them with clothing and sustenance. The principal source of steppe wealth was post-battle plunder, of which a leader would normally claim a large share; Genghis eschewed this custom, choosing instead to divide booty equally between himself and all his men. Disliking any form of luxury, he extolled the simple life of the nomad in a letter to Changchun, and objected to being addressed with obsequious flattery. He encouraged his companions to address him informally, give him advice, and criticise his mistakes. Genghis's openness to criticism and willingness to learn saw him seeking the knowledge of family members, companions, neighbouring states, and enemies. He sought and gained knowledge of sophisticated weaponry from China and the Muslim world, appropriated the Uyghur alphabet with the help of the captured scribe Tata-tonga, and employed numerous specialists across legal, commercial, and administrative fields. He also understood the need for a smooth succession and modern historians agree he showed good judgement in choosing his heir. Although he is today renowned for his military conquests, very little is known about Genghis's personal generalship. His skills were more suited to identifying potential commanders. His institution of a meritocratic command structure gave the Mongol army military superiority, even though it was not technologically or tactically innovative. The army that Genghis created was characterised by its draconian discipline, its ability to gather and use military intelligence efficiently, a mastery of psychological warfare, and a willingness to be utterly ruthless. Genghis thoroughly enjoyed exacting vengeance on his enemies—the concept lay at the heart of achi qari'ulqu (lit. '"good for good, evil for evil"'), the steppe code of justice. In exceptional circumstances, such as when Muhammad of Khwarazm executed his envoys, the need for vengeance overrode all other considerations. Genghis came to believe the supreme deity Tengri had ordained a great destiny for him. Initially, the bounds of this ambition were limited only to Mongolia, but as success followed success and the reach of the Mongol nation expanded, he and his followers came to believe he was embodied with suu (lit. ''divine grace''). Believing that he had an intimate connection with Heaven, anyone who did not recognise his right to world power was treated as an enemy. This viewpoint allowed Genghis to rationalise any hypocritical or duplicitous moments on his own part, such as killing his anda Jamukha or killing nökod who wavered in their loyalties. Legacy and historical assessment Genghis Khan left a vast and controversial legacy. His unification of the Mongol tribes and his foundation of the largest contiguous state in world history "permanently alter[ed] the worldview of European, Islamic, [and] East Asian civilizations", according to Atwood. His conquests enabled the creation of Eurasian trading systems unprecedented in their scale, which brought wealth and security to the tribes. Although he very likely did not codify the written body of laws known as the Great Yasa, he did reorganise the legal system and establish a powerful judicial authority under Shigi Qutuqu. On the other hand, his conquests were ruthless and brutal. The prosperous civilizations of China, Central Asia, and Persia were devastated by the Mongol assaults, and underwent multi-generational trauma and suffering as a result. Perhaps Genghis's greatest failing was his inability to create a working succession system—his division of his empire into appanages, meant to ensure stability, actually did the reverse, as local and state-wide interests diverged and the empire began splitting into the Golden Horde, the Chagatai Khanate, the Ilkhanate, and the Yuan dynasty in the late 1200s. In the mid-1990s, the Washington Post acclaimed Genghis Khan as the "man of the millennium" who "embodied the half-civilized, half-savage duality of the human race". This complex image has remained prevalent in modern scholarship, with historians emphasising both Genghis Khan's positive and negative contributions. Mongolia For many centuries, Genghis was remembered in Mongolia as a religious figure, not a political one. After Altan Khan converted to Tibetan Buddhism in the late 1500s, Genghis was deified and given a central role in the Mongolian religious tradition. As a deity, Genghis drew upon Buddhist, shamanistic, and folk traditions: for example, he was defined as a new incarnation of a chakravartin (idealised ruler) like Ashoka, or of Vajrapani, the martial bodhisattva; he was connected genealogically to the Buddha and to ancient Buddhist kings; he was invoked during weddings and festivals; and he took a large role in ancestor veneration rituals. He also became the focus point of a sleeping hero legend, which says he will return to help the Mongol people in a time of great need. His cult was centred at the naiman chagan ordon (lit. '"Eight White Yurts"'), today a mausoleum in Inner Mongolia, China. In the 19th and early 20th century, Genghis began to be viewed as the national hero of the Mongolian people. Foreign powers recognised this: during its occupation of Inner Mongolia, Imperial Japan funded the construction of a temple to Genghis, while both the Kuomintang and the Chinese Communist Party used the memory of Genghis to woo potential allies in the Chinese Civil War. This attitude was maintained during World War II, when the Soviet-aligned Mongolian People's Republic promoted Genghis to build patriotic zeal against invaders; however, as he was a non-Russian hero who could serve as an anticommunist figurehead, this attitude swiftly changed after the war's end. According to May, Genghis "was condemned as a feudal and reactionary lord [who] exploited the people." His cult was repressed, the alphabet he chose was replaced with the Cyrillic script, and celebrations planned for the 800th anniversary of his birth in 1962 were cancelled and denigrated after loud Soviet complaints. Because Chinese historians were largely more favourable towards him than their Soviet circumstances, Genghis played a minor role in the Sino-Soviet split. The arrival of the policies of glasnost and perestroika in the 1980s paved the way for official rehabilitation. Less than two years after the 1990 revolution, Lenin Avenue in the capital Ulaanbaatar was renamed Chinggis Khan Avenue. Since then, Mongolia has named Chinggis Khaan International Airport and erected a large statue in Sükhbaatar Square (which was itself renamed after Genghis between 2013 and 2016). His visage appears on items ranging from postage stamps and high-value banknotes to brands of alcohol and toilet paper. In 2006, the Mongolian parliament officially discussed the trivialization of his name through excessive advertising. Modern Mongolians tend to downplay Genghis's military conquests in favour of his political and civil legacy—they view the destructive campaigns as "a product of their time", in the words of the historian Michal Biran, and secondary to his other contributions to Mongolian and world history. His policies—such his use of the kurultai, his establishment of the rule of law through an independent judiciary, and human rights—are seen as the foundations that allowed the creation of the modern, democratic Mongolian state. Viewed as someone who brought peace and knowledge rather than war and destruction, Genghis Khan is idealised for making Mongolia the centre of international culture for a period. He is generally recognised as the founding father of Mongolia. Elsewhere The historical and modern Muslim world has associated Genghis Khan with a myriad of ideologies and beliefs. Its first instinct, as Islamic thought had never previously envisioned being ruled by a non-Muslim power, was to view Genghis as the herald of the approaching Judgement Day. Over time, as the world failed to end and as his descendants began converting to Islam, Muslims began to see Genghis as an instrument of God's will who was destined to strengthen the Muslim world by cleansing its innate corruption. In post-Mongol Asia, Genghis was also a source of political legitimacy, because his descendants had been recognised as the only ones entitled to reign. As a result, aspiring potentates not descended from him had to justify their rule, either by nominating puppet rulers of Genghis's dynasty, or by stressing their own connections to him. Most notably, the great conqueror Timur, who established his own empire in Central Asia, did both: he was obliged to pay homage to Genghis's descendants Soyurgatmish and Sultan Mahmud, and his propaganda campaigns vastly exaggerated the prominence of his ancestor Qarachar Noyan, one of Genghis's lesser commanders, depicting him as Genghis's blood relative and second-in-command. He also married at least two of Genghis's descendants. Babur, the founder of the Mughal Empire in India, in turn derived his authority through his descent from both Timur and Genghis. Until the eighteenth century in Central Asia, Genghis was considered the progenitor of the social order, and was second only to the prophet Muhammad in legal authority. With the rise of Arab nationalism in the nineteenth century, the Arab world began to view Genghis increasingly negatively. Today, he is perceived as the ultimate "accursed enemy", a "barbarian savage who began the demolition of civilization which culminated in [the Siege of Baghdad in 1258]" by his grandson Hulegu. Similarly, Genghis is viewed extremely negatively in Russia, where historians have consistently portrayed the rule of the Golden Horde—the "Tatar Yoke"—as backwards, destructive, inimical to all progress, and the reason for all of Russia's flaws. His treatment in modern Central Asia and Turkey is more ambivalent: his position as a non-Muslim means other national traditions and heroes, such as Timur and the Seljuks, are viewed more highly. Under the Yuan dynasty in China, Genghis was revered as the nation's creator, and he remained in this position even after the foundation of the Ming dynasty in 1368. Although the late Ming somewhat disavowed his memory, the positive viewpoint was restored under the Manchu Qing dynasty (1644–1911), who positioned themselves as his heirs. The rise of 20th-century Chinese nationalism initially caused the denigration of Genghis as a traumatic occupier, but he was later resurrected as a useful political symbol on a variety of issues. Modern Chinese historiography has generally viewed Genghis positively and he has been portrayed as a Chinese hero. In contemporary Japan, he is most known for the legend that he was originally Minamoto no Yoshitsune, a samurai and tragic hero who was forced to commit seppuku in 1189. The Western world, never directly affected by Genghis, has viewed him in shifting and contrasting ways. During the 14th century, as shown by the works of Marco Polo and Geoffrey Chaucer, he was seen as a just and wise ruler, but during the eighteenth century he came to embody the Enlightenment stereotype of a tyrannical Oriental despot, and by the twentieth century he represented a prototypical barbarian warlord. In recent decades, Western scholarship has become increasingly nuanced, viewing Genghis as a more complex individual. References Notes Citations === Bibliography ===
That%27s_What_Friends_Are_For
https://en.wikipedia.org/wiki/That%27s_What_Friends_Are_For
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[ "https://en.wikipedia.org/wiki/That%27s_What_Friends_Are_For" ]
"That's What Friends Are For" is a song written by Burt Bacharach and Carole Bayer Sager. It was first recorded in 1982 by Rod Stewart for the soundtrack of the film Night Shift, but it is better known for the 1985 cover version by Dionne Warwick, Elton John, Gladys Knight, and Stevie Wonder. This recording, billed as being by Dionne Warwick & Friends, was released as a charity single for AIDS research and prevention. It was a massive hit, becoming the number-one single of 1986 in the United States, and winning the Grammy Awards for Best Pop Performance by a Duo or Group with Vocals and Song of the Year. It raised more than $3 million for its cause. Rod Stewart version "That’s What Friends Are For" was included on the expanded edition of the 2008 remaster of the album Body Wishes. Personnel Rod Stewart – vocals Jim Cregan – guitar, background vocals Jimmy "Z" Zavala – saxophone Kevin Savigar – keyboards Jay Davis – bass Tony Brock – drums, background vocals Dionne Warwick version Dionne Warwick's recording of "That's What Friends Are For" marked the first time she had worked with Bacharach since the 1970s, when Warwick felt abandoned by Bacharach and Hal David dissolving their partnership. Warwick said of their reconciliation: We realized we were more than just friends. We were family. Time has a way of giving people the opportunity to grow and understand ... Working with Burt is not a bit different from how it used to be. He expects me to deliver and I can. He knows what I'm going to do before I do it, and the same with me. That's how intertwined we've been. A one-off collaboration headed by Warwick and featuring Gladys Knight, Elton John, and Stevie Wonder, with a different second verse, was released as a charity single in the UK and the US in 1985. The song is in the key of E♭ major. It was recorded as a benefit for the American Foundation for AIDS Research, and raised more than US$3 million for that cause. Warwick, who had previously raised money for blood-related diseases such as sickle-cell anemia, wanted to help combat the then-growing AIDS epidemic because she had seen friends die painfully of the disease. John plays piano and Wonder plays harmonica on the song; the two had previously worked together on 1983's "I Guess That's Why They Call It the Blues". In the US, the song held the number-one spot of the adult contemporary chart for two weeks, the number-one spot of the soul chart for three weeks, and the top spot of the Billboard Hot 100 for four weeks. It became Billboard's number one single of 1986. It was certified Gold on January 15, 1986, by the Recording Industry Association of America (RIAA). It was the final US number one for all but John (John would have two more US number-ones during the 1990s). Due to Wonder's involvement, it also holds the distinction of being the last number-one song for anyone who had topped the charts before the British Invasion (his first number-one hit, "Fingertips", came in 1963). Outside the United States, the song topped the charts in Canada and Australia and reached the top 10 in Ireland, New Zealand, Norway, South Africa, and Sweden. On the UK Singles Chart, the song debuted at number 49 and climbed to its peak of number 16 three weeks later, staying at that position for another week before descending the chart. It remained in the UK top 100 for a further five weeks, totaling 10 weeks on the chart altogether. The Dionne and Friends version of the song won the performers the Grammy Award for Best Pop Performance by a Duo or Group with Vocals, as well as Song of the Year for its writers, Bacharach and Bayer Sager. This rendition is also listed at number 75 on Billboard's Greatest Songs of all time. Warwick, John, Knight, and Wonder performed the song live together for the first time in 23 years at the 25th Anniversary amfAR gala in New York City on February 10, 2011. Personnel Dionne Warwick – vocals Elton John – vocals, piano Gladys Knight – vocals Stevie Wonder – vocals, harmonica Freddie Washington – bass John Robinson – drums Carlos Vega – drums Michael Landau – guitar Randy Kerber – keyboards David Foster – synthesizer Paulinho da Costa – percussion Source: Charts Certifications 1990 benefit concert On March 17, 1990, an AIDS benefit titled That's What Friends Are For: Arista Records 15th Anniversary Concert was held at Radio City Music Hall in New York City. One month later, CBS aired a two-hour version of the concert on television. The celebrity guests and performers were: Luther Vandross, Air Supply, Lauren Bacall, Burt Bacharach, Eric Carmen, Chevy Chase, Jane Curtin, Clive Davis, Taylor Dayne, Michael Douglas, Exposé, Whoopi Goldberg, Melanie Griffith, Hall & Oates, Jennifer Holliday, Whitney Houston, Alan Jackson, Kenny G, Melissa Manchester, Barry Manilow, Milli Vanilli, Jeffrey Osborne, Carly Simon, Patti Smith, Lisa Stansfield, The Four Tops, and Dionne Warwick. "That's What Friends Are For" was the finale song sung by Warwick and cousin Houston before being joined on the stage by the other guests of the event. More than $2.5 million was raised that night for the Arista Foundation which gave the proceeds to various AIDS organizations. Other versions In September 2023, British actor-singers Denise van Outen and Duncan James released a duet version in aid of Macmillan Cancer Support, which was recorded in tribute to their friend, singer Sarah Harding, who died from breast cancer in 2021. In 2024, Warwick took part in a parody version of the song for a Capital One commercial celebrating the annual NCAA Division I men's basketball tournament. == References ==
Dionne_Warwick
https://en.wikipedia.org/wiki/Dionne_Warwick
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Marie Dionne Warwick ( dee-ON WOR-wik; born Warrick; December 12, 1940) is an American singer, actress, and television host. Warwick ranks among the 40 biggest U.S. hit makers between 1955 and 1999, based on her chart history on Billboard's Hot 100 pop singles chart. She is the second-most charted female vocalist during the rock era (1955–1999). She is also one of the most-charted vocalists of all time, with 56 of her singles making the Hot 100 between 1962 and 1998 (12 of them Top Ten), and 80 singles in total – either solo or collaboratively – making the Hot 100, R&B, or adult contemporary charts. Warwick ranks number 74 on the Billboard Hot 100's "Greatest Artists of all time". During her career, Warwick has won many awards, including six Grammy Awards. She has been inducted into the Hollywood Walk of Fame, the Grammy Hall of Fame, the National Rhythm & Blues Hall of Fame, the Rock and Roll Hall of Fame and the Apollo Theater Walk of Fame. In 2019, Warwick won the Grammy Lifetime Achievement Award. Three of her songs ("Walk On By", "Alfie", and "Don't Make Me Over") have been inducted into the Grammy Hall of Fame. She is a former Goodwill Ambassador for the UN's Food and Agriculture Organization. Early life Marie Dionne Warrick, later Warwick, was born on December 12, 1940, in East Orange, New Jersey, to Arthur Lee Drinkard and Mancel Warrick. Her mother was manager of the Drinkard Singers, and her father was a Pullman porter, chef, record promoter, and CPA. Dionne was named after her aunt on her mother's side. She had a sister, Delia ("Dee Dee"), who died in 2008, and a brother, Mancel Jr., who was killed in an accident in 1968 at the age of 21. Her parents were both African-American, and she also has Native American and Dutch ancestry. Warwick was raised in East Orange, New Jersey, and was a Girl Scout for a time. She began singing gospel as a child at the New Hope Baptist Church in Newark, New Jersey. After finishing East Orange High School in 1959, Warwick pursued her passion at the Hartt College of Music in West Hartford, Connecticut. She landed some work with her group singing backing vocals for recording sessions in New York City. During one session, Warwick met Burt Bacharach, who hired her to record demos featuring songs written by him and lyricist Hal David. She later landed her own record deal. Career Drinkard Singers Many members of Warwick's family were members of the Drinkard Singers, a family gospel group and RCA recording artists who frequently performed throughout the New York metropolitan area. The original group, known as the Drinkard Jubilairs, consisted of Cissy, Anne, Larry, and Nicky, and later included Warwick's grandparents, Nicholas and Delia Drinkard, and their children: William, Lee (Warwick's mother) and Hansom. When the Drinkard Singers performed on TV Gospel Time, Dionne Warwick had her television performance debut. Marie instructed the group, and they were managed by Lee. As they became more successful, Lee and Marie began performing with the group, and they were augmented by pop/R&B singer Judy Clay, whom Lee had unofficially adopted. Elvis Presley eventually expressed an interest in having them join his touring entourage. The Gospelaires Other talented singers joined The Gospelaires from time-to-time, including Judy Clay, Cissy Houston (mother of Whitney Houston) and Doris "Rikii" Troy, whose chart selection "Just One Look" (when she recorded it in 1963) featured backing vocals from The Gospelaires. After personnel changes (Dionne and Doris left the group after achieving solo success), The Gospelaires became the recording group The Sweet Inspirations, and had some chart success, but were much sought-after as studio background singers. The Gospelaires, and later The Sweet Inspirations, performed on many records cut in New York City for artists such as Garnet Mimms, The Drifters, Jerry Butler, Solomon Burke and, later, Warwick's solo recordings, Aretha Franklin and Elvis Presley. Warwick recalled, in 2002's Biography, that "a man came running frantically backstage at the Apollo and said he needed background singers for a session for Sam "the Man" Taylor and old big-mouth here spoke up and said 'We'll do it!' and we left and did the session. I wish I remembered the gentleman's name because he was responsible for the beginning of my professional career." The chance encounter led to the group being asked to provide background vocals at recording sessions around New York. Soon, the group was in-demand for their harmonies among New York musicians and producers, after hearing their work with The Drifters, Ben E. King, Chuck Jackson, Dinah Washington, Ronnie "the Hawk" Hawkins, and Solomon Burke, among many others. In the same aforementioned Biography interview, Warwick recalled that, on weekdays after school, the girls would catch a bus from East Orange to the Port Authority Terminal, then take the subway to the recording studios in Manhattan, perform their background vocal work, and still be back at home in East Orange with time to do their school homework. Warwick's music work would continue while she pursued her studies at Hartt. Discovery While she was performing background on the Drifters' recording of their 1962 release "Mexican Divorce", Warwick's voice and star presence were noticed by the song's composer, Burt Bacharach, a Brill Building songwriter who was writing songs with many other songwriters, including lyricist Hal David. According to a July 14, 1967, article on Warwick in Time, Bacharach stated, "She has a tremendous strong side and a delicacy when singing softly — like miniature ships in bottles." Musically, she was no "play-safe girl. What emotion I could get away with!" During the session, Bacharach asked Warwick if she would be interested in recording demonstration recordings of his compositions to pitch the tunes to record labels, paying her $12.50 per demo recording session (equivalent to $130 in 2023). One such demo, "It's Love That Really Counts" – destined to be recorded by Scepter-signed act the Shirelles – caught the attention of the President of Scepter Records, Florence Greenberg, who, according to Current Biography (1969 Yearbook), told Bacharach, "Forget the song, get the girl!" Warwick was signed to Bacharach's and David's production company, according to Warwick, which in turn was signed to Scepter Records in 1962 by Greenberg. The partnership would provide Bacharach with the freedom to produce Warwick without the control of recording company executives and company A&R men. Warwick's musical ability and education would also allow Bacharach to compose more challenging tunes. The demo version of "It's Love That Really Counts", along with her original demo of "Make It Easy on Yourself", would surface on Warwick's debut Scepter album, Presenting Dionne Warwick, which was released in early 1963. Early stardom (1962–1965) In November 1962, Scepter Records released her first solo single, "Don't Make Me Over", the title of which Warwick supplied herself when she snapped the phrase at producers Burt Bacharach and Hal David in anger. Warwick had found out that "Make It Easy on Yourself" — a song on which she had recorded the original demo and had wanted to be her first single release — had been given to another artist, Jerry Butler. From the phrase "don't make me over", Bacharach and David created their first top-40 pop hit (No. 21) and a top-5 U.S. R&B hit. Warrick's name was misspelled on the single's label, and she began using the new spelling, "Warwick", both professionally and personally. After "Don't Make Me Over" hit in 1962, she answered the call of her manager, left school and went on a tour of France, where critics crowned her "Paris' Black Pearl", having been introduced on stage at Paris Olympia that year by Marlene Dietrich. The two immediate follow-ups to "Don't Make Me Over" — "This Empty Place" (with "B" side "Wishin' and Hopin'" later recorded by Dusty Springfield) and "Make The Music Play" — charted briefly in the top 100. Her fourth single, "Anyone Who Had a Heart", released in November 1963, was Warwick's first top 10 pop hit (No. 8) in the U.S. and an international million seller. This was followed by "Walk On By" in April 1964, another major international hit and million seller that solidified her career. For the rest of the 1960s, Warwick was a fixture on the U.S. and Canadian charts, and much of her output from 1962 to 1971 was written and produced by the Bacharach/David team. Warwick weathered the British Invasion better than most American artists. Her biggest UK hits were "Walk On By" and "Do You Know the Way to San Jose?" In the UK, a number of Bacharach-David-Warwick songs were recorded by British singers Cilla Black, Sandie Shaw and Dusty Springfield, most notably Black's "Anyone Who Had a Heart" which went to No. 1 in the UK. This upset Warwick, who described feeling insulted when told that in the UK, record company executives wanted her songs recorded by someone else. Warwick met Cilla Black while on tour in Britain. She recalled what she said to her: "I told her that "You're My World" would be my next single in the States. I honestly believe that if I'd sneezed on my next record, then Cilla would have sneezed on hers too. There was no imagination in her recording." Warwick later covered two of Cilla's songs – "You're My World" appeared on Dionne Warwick in Valley of the Dolls, released in 1968 and on the soundtrack to Alfie. Warwick was named the Bestselling Female Vocalist in the Cash Box Magazine poll in 1964, with six chart hits in that year. Cash Box named her the Top Female Vocalist in 1969, 1970 and 1971. In the 1967 Cash Box poll, she was second to Petula Clark, and in 1968's poll second to Aretha Franklin. Playboy's influential Music Poll of 1970 named her the Top Female Vocalist. In 1969, Harvard's Hasty Pudding Society named her Woman of the Year. In Time's cover article of May 21, 1965, entitled "Rock 'n' Roll: The Sound of the Sixties", Warwick's sound was described as: Swinging World. Scholarly articles probe the relationship between the Beatles and the nouvelle vague films of Jean-Luc Godard, discuss "the brio and elegance" of Dionne Warwick's singing style as a 'pleasurable but complex' event to be 'experienced without condescension.' In chic circles, anyone damning rock 'n' roll is labeled not only square but uncultured. For inspirational purposes, such hip artists as Robert Rauschenberg, Larry Rivers and Andy Warhol occasionally paint while listening to rock 'n' roll music. Explains Warhol: "It makes me mindless, and I paint better." After gallery openings in Manhattan, the black-tie gatherings often adjourn to a discothèque. In 1965, Eon Productions intended to use Warwick's song titled "Mr. Kiss Kiss Bang Bang" as the theme song of the James Bond film Thunderball, until Albert R. Broccoli insisted that the theme song include the film's title. A new song was composed and recorded at the eleventh hour titled "Thunderball", performed by Tom Jones. The melody of "Mr. Kiss Kiss Bang Bang" remains a major component of the film score. The Ultimate Edition DVD of Thunderball has the Warwick song playing over the titles on one of the commentary track extras, and the song was released on the 30th anniversary CD of Bond songs. Chart success (1966–1971) The mid-1960s to early 1970s were a more successful time period for Warwick, who saw a string of gold-selling albums and Top 20 and Top 10 hit singles. "Message to Michael", a Bacharach-David composition that the duo was certain was a "man's song", became a top 10 hit for Warwick in May 1966. The January 1967 LP Here Where There Is Love was her first RIAA certified Gold album, and featured "Alfie" and two 1966 hits: "Trains and Boats and Planes" and "I Just Don't Know What to Do with Myself". "Alfie" had become a radio hit when disc jockeys across the nation began to play the album cut early in 1967. "Alfie" was released as the "B" side of a Bacharach/David ballad, "The Beginning of Loneliness", which charted in the Hot 100. Disc jockeys flipped the single and made it a double-sided hit. Bacharach had been contracted to produce "Alfie" for the Michael Caine film of the same name and wanted Warwick to sing the tune, but the British producers wanted a British subject to cut the tune. Cilla Black was selected to record the song, and her version peaked at No. 95 upon its release in the US. A cover version by Cher used in the American prints of the film peaked at No. 33. In the UK and Australia, Black's version was a Top-10 hit. Her follow-up to "I Say a Little Prayer", "(Theme from) Valley of the Dolls", was unusual in several respects. It was not written by Burt Bacharach and Hal David; it was the "B" side of her "I Say a Little Prayer" single, and it was a song that she almost did not record. While the film version of Valley of the Dolls was being made, actress Barbara Parkins suggested that Warwick be considered to sing the film's theme song, written by songwriting team André and Dory Previn. The song was to be recorded by Judy Garland, who was subsequently fired from the film. Warwick performed the song, and when the film became a success in the early weeks of 1968, disc jockeys flipped the single and made the single one of the biggest double-sided hits of the rock era and another million seller. At the time, RIAA rules allowed only one side of a double-sided hit single to be certified as gold, but Scepter awarded Warwick an "in-house award" to recognize "(Theme from) Valley of the Dolls" as a million selling tune. Warwick had re-recorded a Pat Williams-arranged version of the theme at A&R Studios in New York because contractual restrictions with her label would not allow the Warwick version from the film to be included on the 20th Century Fox soundtrack LP, and reverse legal restrictions would not allow the film version to be used anyplace else in a commercial LP. The LP Dionne Warwick in Valley of the Dolls, released in early 1968 and containing the re-recorded version of the movie theme (No. 2 for three weeks), "Do You Know the Way to San Jose?" and several new Bacharach-David compositions, hit the No. 6 position on the Billboard album chart and would remain on the chart for over a year. The film soundtrack LP, without Warwick vocals, failed to impress the public, while Dionne Warwick in Valley of the Dolls earned an RIAA Gold certification. The single "Do You Know the Way to San Jose?" (an international million seller and a Top-10 hit in several countries, including the UK, Canada, Australia, South Africa, Japan and Mexico) was also a double-sided hit, with the "B" side "Let Me Be Lonely" charting at No. 79. More hits followed into 1971, including "Who Is Gonna Love Me" (No. 32, 1968) with "B" side, "(There's) Always Something There to Remind Me" becoming another double-sided hit; "Promises, Promises" (No. 19, 1968); "This Girl's in Love with You" (No. 7, 1969); "The April Fools" (No. 37, 1969); "You've Lost That Lovin' Feelin'" (No. 15, 1969); "I'll Never Fall in Love Again" (No. 6 Pop, No. 1 AC, 1969); "Make It Easy on Yourself" (No. 37 Pop, No. 10 AC, 1970); "Let Me Go to Him" (No. 32 Pop, No. 4 AC, 1970); and "Paper Mache" (No. 43 Pop, No. 3 AC), 1970). Warwick's final Bacharach/David penned single on the Scepter label was March 1971's "Who Gets the Guy" (No. 52 Pop, No. 6 AC), 1971), and her final "official" Scepter single release was "He's Moving On" b/w "Amanda", (No. 83 Pop, No. 12 AC) both from the soundtrack of the motion picture adaptation of Jacqueline Susann's The Love Machine. Warwick had become the priority act of Scepter Records with the release of "Anyone Who Had a Heart" in 1963. Other Scepter LPs certified RIAA Gold include Dionne Warwick's Golden Hits Part 1 released in 1967 and The Dionne Warwicke Story: A Decade of Gold released in 1971. By the end of 1971, Warwick had sold an estimated 35 million singles and albums internationally in less than nine years and more than 16 million singles in the U.S. alone. Exact figures of her sales are unknown and probably underestimated, due to Scepter Records' apparently lax accounting policies and the company policy of not submitting recordings for RIAA audit. Warwick became the first Scepter artist to request RIAA audits of her recordings in 1967 with the release of "I Say a Little Prayer". On September 17, 1969, CBS Television aired Warwick's first television special, entitled The Dionne Warwick Chevy Special. Warwick's guests were Burt Bacharach, George Kirby, Glen Campbell, and Creedence Clearwater Revival. In 1970, Warwick formed her own label, Sonday Records, of which she was president. Sonday was distributed by Scepter. In 1970, she was a performer on the prestigious Royal Variety Performance at the London Palladium, singing The Look of Love, What the World Needs Now and Come Together. In 1971, Warwick left the family atmosphere of Scepter Records for Warner Bros. Records, for a $5 million contract, the most lucrative recording contract given to a female vocalist up to that time, according to Variety. Warwick's last LP for Scepter was the soundtrack for the motion picture The Love Machine, in which she appeared in an uncredited cameo, released in July 1971. In 1975, Bacharach and David sued Scepter Records for an accurate accounting of royalties due the team from their recordings with Warwick and labelmate B.J. Thomas. They were awarded almost $600,000 and the rights to all Bacharach/David recordings on the Scepter label. The label, with the defection of Warwick to Warner Bros. Records, filed for bankruptcy in 1975 and was sold to Springboard International Records in 1976. Following her signing with Warners, with Bacharach and David as writers and producers, Warwick returned to New York City's A&R Studios in late 1971 to begin recording her first album for the new label, the self-titled Dionne (not to be confused with her later Arista debut album) in January 1972. The album peaked at No. 57 on the Billboard Hot 100 Album Chart. In 1972, Burt Bacharach and Hal David scored and wrote the tunes for the motion picture Lost Horizon. However, the film was panned by the critics, and in the fallout, the songwriting duo decided to terminate their working relationship. The break-up left Warwick devoid of their services as her producers and songwriters. She was contractually obligated to fulfill her contract with Warners without Bacharach and David, and she would team with a variety of producers during her tenure with the label. Faced with the prospect of being sued by Warner Bros. Records due to the breakup of Bacharach/David and their failure to honor their contract with Warwick, she filed a $5.5 million lawsuit against her former partners for breach of contract. The suit was settled out of court in 1979 for $5 million, including the rights to all Warwick recordings produced by Bacharach and David. Also in 1971, Warwick had her name changed to "Warwicke" per the advice of Linda Goodman, an astrologer friend, who believed it would bring greater success. A few years later, she reverted to the old spelling after a string of disappointments and an absence from the Billboard top 40. Warner era (1972–1978) Without the guidance and songwriting that Bacharach/David had provided, Warwick's career stalled in the early 1970s although she remained a top concert draw throughout the world. There were no big hits during the early and mid part of the decade, aside from 1974's "Then Came You", recorded as a duet with the Spinners and produced by Thom Bell. Bell later noted, "Dionne made a (strange) face when we finished [the song]. She didn't like it much, but I knew we had something. So we ripped a dollar in two, signed each half and exchanged them. I told her, 'If it doesn't go number one, I'll send you my half.' When it took off, Dionne sent hers back. There was an apology on it." It was her first U.S. No. 1 hit on the Billboard Hot 100. Other than this success, Warwick's five years on Warner Bros. Records produced no other major hits, but "Then Came You" was issued by co-owned Atlantic Records, the Spinners' label. Two notable songs recorded during this period were "His House and Me" and "Once You Hit The Road" (No. 79 pop, No. 5 R&B, No. 22 Adult Contemporary), both of which were produced in 1975 by Thom Bell. Warwick recorded five albums with Warners: Dionne (1972), produced by Bacharach and David and a modest chart success; Just Being Myself (1973), produced by Holland-Dozier-Holland; Then Came You (1975), produced by Jerry Ragovoy; Track of the Cat (1975), produced by Thom Bell; and Love at First Sight (1977), produced by Steve Barri and Michael Omartian. Her five-year contract with Warners expired in 1977, and with that, she ended her stay at the label. Warwick's dry spell on the American charts ended with her signing to Arista Records in 1979, where she began a second highly successful run of hit records and albums well into the late 1980s. Heartbreaker and move to Arista (1979–1989) With the move to Arista Records and the release of her RIAA-certified million seller "I'll Never Love This Way Again" in 1979, Warwick was again enjoying top success on the charts. The song was produced by Barry Manilow. The accompanying album, Dionne, was certified Platinum in the United States for sales exceeding one million units. The album peaked at No. 12 on the Billboard Album Chart and made the Top 10 of the Billboard R&B Albums Chart. Warwick had been personally signed and guided by the label's founder Clive Davis, who told her, "You may be ready to give the business up, but the business is not ready to give you up." Warwick's next single release was another major hit. "Deja Vu" was co-written by Isaac Hayes and hit No. 1 Adult Contemporary as well as No. 15 on Billboard's Hot 100. In 1980, Warwick won two Grammy Awards for Best Pop Vocal Performance, Female for "I'll Never Love This Way Again" and Best R&B Vocal Performance, Female for "Déjà Vu". She became the first female artist in the history of the awards to win in both categories the same year. Her second Arista album, 1980's No Night So Long sold 500,000 U.S. copies and featured the title track which became a major success — hitting No. 1 Adult Contemporary and No. 23 on Billboard's Hot 100 — and the album peaked at No. 23 on the Billboard Albums Chart. In January 1980, while under contract to Arista Records, Warwick hosted a two-hour TV special called Solid Gold '79. This was adapted into the weekly one-hour show Solid Gold, which she hosted throughout 1980 and 1981 and again in 1985–86. Major highlights of each show were the duets she performed with her co-hosts, which often included some of Warwick's hits and her co-hosts' hits, intermingled and arranged by Solid Gold musical director Michael Miller. Another highlight in each show was Warwick's vocal rendition of the Solid Gold theme, composed by Miller (with lyrics by Dean Pitchford). After a brief appearance in the Top Forty in early 1982 with Johnny Mathis on "Friends in Love" — from the album of the same name — Warwick's next hit later that same year was her full-length collaboration with Barry Gibb of the Bee Gees for the album Heartbreaker. The project came about when Clive Davis was attending his aunt's wedding in Orlando, Florida in early 1982 and spoke with Barry Gibb. Gibb mentioned that he had always been a fan of Warwick's, and Davis arranged for Warwick and the Bee Gees to discuss a project. Warwick and the Gibb brothers obviously hit it off as both the album and the title single were released in October 1982 to massive success. Warwick later stated to Wesley Hyatt in his Billboard Book of Number One Adult Contemporary Hits that she was not initially fond of "Heartbreaker" but recorded the tune because she trusted the Bee Gees' judgment that it would be a hit. The song did become one of Warwick's biggest international hits, returning her to the Top 10 of Billboard's Hot 100 as well as No. 1 Adult Contemporary and No. 2 in both the UK and Australia. The tune was also a Top-10 hit throughout continental Europe, Japan, South Africa, Canada and Asia. The album ended up selling 3 million copies internationally and earned Warwick an RIAA Gold record award in the US. In Britain, the disc was certified Platinum. In 1983, Warwick released How Many Times Can We Say Goodbye, produced by Luther Vandross. The album's most successful single was the title track, "How Many Times Can We Say Goodbye", a Warwick/Vandross duet, which peaked at No. 27 on the Billboard Hot 100. It also became a Top-10 hit on the Adult Contemporary and R&B charts. The album peaked at No. 57 on the Billboard album chart. Of note was a reunion with the original Shirelles on Warwick's cover of "Will You (Still) Love Me Tomorrow?" The album Finder of Lost Loves followed in 1984 and reunited her with both Barry Manilow and Burt Bacharach, who was writing with his then current lyricist partner and wife, Carole Bayer Sager. In 1985, Warwick contributed her voice to the multi-Grammy Award winning charity song "We Are the World", along with vocalists like Michael Jackson, Diana Ross, and Ray Charles. The song spent four consecutive weeks at No. 1 on the Billboard Hot 100 chart. It was the year's biggest hit — certified four times Platinum in the United States alone. In 1985, Warwick and Bacharach once again collaborated on the song "That's What Friends are For". This period was the first time they had worked together since the 1970s, when Warwick felt abandoned by Bacharach and Hal David dissolving their partnership. Warwick said of their reconciliation: We realized we were more than just friends. We were family. Time has a way of giving people the opportunity to grow and understand ... Working with Burt is not a bit different from how it used to be. He expects me to deliver and I can. He knows what I'm going to do before I do it, and the same with me. That's how intertwined we've been. Warwick recorded "That's What Friends are For" as a benefit single for the American Foundation for AIDS Research (AmFAR) alongside Gladys Knight, Elton John and Stevie Wonder in 1985. The single, credited to "Dionne and Friends", was released in October and eventually raised more than three million dollars for that cause. The tune was a triple No. 1 — R&B, Adult Contemporary, and four weeks at the summit on the Billboard Hot 100 in early 1986 — selling close to two million 45s in the United States alone. "Working against AIDS, especially after years of raising money for work on many blood-related diseases such as sickle-cell anemia, seemed the right thing to do. You have to be granite not to want to help people with AIDS, because the devastation that it causes is so painful to see. I was so hurt to see my friend die with such agony", Warwick told The Washington Post in 1988. "I am tired of hurting and it does hurt." The single won the performers the NARAS Grammy Award for Best Pop Performance by a Duo or Group with Vocal, as well as Song of the Year for its writers, Bacharach and Bayer Sager. It also was ranked by Billboard magazine as the most popular song of 1986. With this single Warwick also released her most successful album of the 1980s, titled Friends, which reached No. 12 on Billboard's album chart. In 1987, Dionne Warwick won the Special Recognition Award at the American Music Awards for "That's What Friends Are For". In 1987, Warwick scored another hit with "Love Power". Her eighth career No. 1 Adult Contemporary hit, it also reached No. 5 in R&B and No. 12 on Billboard's Hot 100. A duet with Jeffrey Osborne, it was also written by Burt Bacharach and Carole Bayer Sager, and it was featured in Warwick's album Reservations for Two. The album's title song, a duet with Kashif, was also a chart hit. Other artists featured on the album included Smokey Robinson and June Pointer. Friends Can Be Lovers (1990–2000) During the 1990s, Warwick hosted infomercials for the Psychic Friends Network, which featured self-described psychic Linda Georgian. The 900 number psychic service was active from 1991 to 1998. According to press statements throughout the 1990s, the program was the most successful infomercial for several years and Warwick earned in excess of three million dollars per year as spokesperson for the network. In 1998, Inphomation, the corporation owning the network, filed for bankruptcy and Warwick ended her association with the organization. Warwick's longtime friend and tour manager Henry Carr acknowledged that "when Dionne was going through an airport and a child recognized her as 'that psychic lady on TV', Dionne was crushed and said she had worked too hard as an entertainer to become known as 'the psychic lady.'" Warwick's most publicized album during this period was 1993's Friends Can Be Lovers, which was produced in part by Ian Devaney and Lisa Stansfield. Featured on the album was "Sunny Weather Lover", which was the first song that Burt Bacharach and Hal David had written together for Warwick since 1972. It was Warwick's lead single in the United States, and was heavily promoted by Arista, but failed to chart. A follow-up "Where My Lips Have Been" peaked at No. 95 on the Hot R&B/Hip-Hop Singles & Tracks. The 1994 Aquarela Do Brasil album marked the end of Warwick's contract with Arista Records. In 1990, Warwick recorded the song "It's All Over" with former member of Modern Talking Dieter Bohlen (Blue System). The single peaked at No. 60 (No. 33 airplay) on the German pop charts and it was covered on Blue System's album Déjà Vu. In 1993, Forrest Sawyer, host of the ABC news/entertainment program Day One, alleged financial improprieties by the Warwick Foundation, founded in 1989 to benefit AIDS patients, and particularly Warwick's charity concert performances organized to benefit the organization as "America's Ambassador of Health". The network news magazine story, "That's What Friends Are For", reported that the Warwick Foundation was operating at more than 90% administrative cost, donating only about 3% of the money it raised to AIDS groups. Several AIDS groups and nonprofit experts criticized her foundation, including an AIDS group in the Virgin Islands that claimed she nearly bankrupted them after extravagant expenses left nothing for local charities. ABC reported that Warwick flew first class and was accommodated at first-class hotels for charity concerts and events in which she participated for the Warwick Foundation, managed by her close confident, Guy Draper, a former chief of protocol for former Washington DC Mayor Marion Barry, and who had a history of bankruptcies. Warwick alleged that the ABC report was racially motivated and threatened to sue ABC News for defamation, although a suit was never filed. The Internal Revenue Service began an investigation of the Warwick Foundation after other complaints were filed, and the Warwick Foundation was later dissolved. ABC's story was nominated for a national Emmy award in 1994 and won a prestigious Investigative Reporters and Editors national television award in 1993. My Favorite Time of the Year and move to Concord Records (2000–2010) On October 16, 2002, Warwick was nominated to be Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO). In 2004, Warwick's first Christmas album was released. Entitled My Favorite Time of the Year, the CD featured jazzy interpretations of many holiday classics. In 2007, Rhino Records re-released the CD with new cover art. In 2005, Warwick was honored by Oprah Winfrey at her Legends Ball. She appeared on the May 24, 2006, fifth-season finale of American Idol. Warwick sang a medley of "Walk On By" and "That's What Friends Are For", with longtime collaborator Burt Bacharach accompanying her on the piano. In 2006, Warwick signed with Concord Records after a 15-year tenure at Arista, which had ended in 1994. Her first and only release for the label was My Friends and Me, a duets album containing reworkings of her old hits, very similar to her 1998 CD Dionne Sings Dionne. Among her singing partners were Gloria Estefan, Olivia Newton-John, Wynonna Judd and Reba McEntire. The album peaked at No. 66 on the Top R&B/Hip-Hop Albums chart. The album was produced by her son, Damon Elliott. A follow-up album featuring Warwick's old hits as duets with male vocalists was planned, but the project was cancelled. The relationship with Concord concluded with the release of My Friends and Me. A compilation CD of her greatest hits and love songs, The Love Collection, entered the UK album chart at number 27 on February 16, 2008. Warwick's second gospel album, Why We Sing, was released on February 26, 2008, in the United Kingdom and on April 1, 2008, in the United States. The album features guest spots by her sister Dee Dee Warwick and BeBe Winans. On October 18, 2008, Warwick's sister Dee Dee died in a nursing home in Essex County, New Jersey. She had been in failing health for several months. On November 24, 2008, Warwick was the star performer on Divas II, a UK ITV1 special show that also featured Rihanna, Leona Lewis, the Sugababes, Pink, Gabriella Climi and Anastacia. In 2008, Warwick began recording an album of songs from the Sammy Cahn and Jack Wolf songbooks. The finished recording, entitled Only Trust Your Heart, was released in 2011. On October 20, 2009, Starlight Children's Foundation and New Gold Music Ltd. released a song that Warwick had recorded about ten years prior called "Starlight". The lyrics were written by Dean Pitchford, prolific writer of Fame, screenwriter of — and sole or joint lyricist of every song in the soundtrack of — the original 1984 film Footloose, and lyricist of the Solid Gold theme. The music had been composed by Bill Goldstein, whose versatile career included the original music for NBC's Fame TV series. Warwick, Pitchford and Goldstein announced that they would be donating 100% of their royalties to Starlight Children's Foundation, to support Starlight's mission to help seriously ill children and their families cope with pain, fear and isolation through entertainment, education and family activities. When Bill and Dean brought this song to me, I instantly felt connected to its message of shining a little light into the lives of people who need it most", said Warwick. "I admire the work of Starlight Children's Foundation and know that if the song brings hope to even just one sick child, we have succeeded. Only Trust Your Heart and Grammy Award (2010–2019) In 2011, the New Jazz style CD Only Trust Your Heart was released, featuring many Sammy Cahn songs. In March 2011, Warwick appeared on The Celebrity Apprentice 4. Her charity was the Hunger Project. She was dismissed from her "apprenticeship" to Donald Trump during the fourth task of the season. In February 2012, Warwick performed "Walk On By" on The Jonathan Ross Show. She also received the Goldene Kamera Musical Lifetime Achievement Award in Germany, and performed "That's What Friends Are For" at the ceremony. On May 28, 2012, Warwick headlined the World Hunger Day concert at London's Royal Albert Hall. She sang "One World One Song", specially written for the Hunger Project by Tony Hatch and Tim Holder and was joined by Joe McElderry, the London Community Gospel Choir and a choir from Woodbridge School, Woodbridge, Suffolk. In 2012, the 50th anniversary CD entitled NOW was released; Warwick recorded 12 Bacharach/David tracks produced by Phil Ramone. On September 19, 2013, she collaborated with country singer Billy Ray Cyrus for his song "Hope Is Just Ahead". In 2014, the duets album Feels So Good was released. Funkytowngrooves re-issued the remastered Arista albums No Night So Long, How Many Times Can We Say Goodbye ("So Amazing"), and Finder of Lost Loves ("Without Your Love"), all expanded with bonus material. In December 2015, Warwick's website released the Tropical Love EP with five tracks previously unreleased from the Aquarel Do Brasil Sessions in 1994 – To Say Goodbye (Pra Dizer Adeus) with Edu Lobo – Love Me – Lullaby – Bridges (Travessia) – Rainy Day Girl with Ivan Lins. A Heartbreaker two-disc expanded edition was planned for a 2016 release by Funkytowngrooves, which would include the original Heartbreaker album and up to 15 bonus tracks consisting of a mixture of unreleased songs, alternate takes, and instrumentals, with more remastered and expanded Arista albums to follow. In 2016, she was inducted into the Rhythm & Blues Hall of Fame. In 2017, she performed a benefit in Chicago for the Center on Halsted, an organization that contributes to the LGBTQ community. This event was co-chaired by Rahm Emanuel and Barack Obama. Also that year, she made a cameo appearance in the Christian drama Let There Be Light directed by Kevin Sorbo. In 2019 she was awarded the Grammy Lifetime Achievement Award. Documentary and The Masked Singer (2020–present) In 2020, she appeared as "Mouse" on the third season of The Masked Singer. She was eliminated in the fifth round, but came back during the first part of the season three finale to sing "What the World Needs Now is Love" with the finalists Night Angel, Frog and Turtle as a tribute to the healthcare workers working on the front lines during the coronavirus pandemic. This performance was created after the season wrapped production in March. Warwick made a guest appearance during Gladys Knight's and Patti Labelle's Verzuz battle. Together they performed Warwick's song, "That's What Friends Are For". They closed with their collaborative song "Superwoman". In My Life, as I See It: An Autobiography, Warwick lists her honorary doctorate from Hartt among those awarded by six other institutions: Hartt College, Bethune-Cookman University, Shaw University, Columbia College of Chicago, Lincoln College, Illinois [May 2010, Doctor of Arts (hon.)], and University of Maryland Eastern Shore. On February 10, 2021, Dionne was nominated for inclusion in the Rock and Roll Hall of Fame for the first time. On December 3, 2021, Dionne was honored with a star on the Palm Springs Walk of Stars. Warwick appears in a documentary revolving around her life and career, Dionne Warwick: Don't Make Me Over, which had its world premiere at the Toronto International Film Festival in September 2021. Organizers of the Toronto Film Festival announced that she would be honored in the upcoming event as a music icon. On November 26, 2021, Warwick released the single "Nothing's Impossible" a duet featuring Chance the Rapper. Two charities are being supported by the duet: SocialWorks, a Chicago-based nonprofit that Chance founded to empower the youth through the arts, education and civic engagement, and Hunger: Not Impossible, a text-based service connecting kids and their families in need with prepaid, nutritious, to-go meals from local restaurants. On January 1, 2023, the documentary premiered on national television on CNN. In December 2023, Warwick participated in the fifth series of The Masked Singer UK as "Weather". She was eliminated and unmasked on the first episode. On April 26, 2024, Warwick along the vocal group The Chi-Lites, were inducted into The Atlantic City Walk of Fame presented by The National R&B Music Society Inc. Producer, writer and director Dave Wooley was the presenter for Warwick. The induction ceremony was held at Brighton Park in Atlantic City, NJ. In 2024, Warwick was selected for induction into the Rock and Roll Hall of Fame in the musical excellence category. Voice and artistry Warwick is a contralto, particularly known for her signature musicality and "husky" singing voice. The New Yorker theatre critic Hilton Als reported that, early in her singing career, Warwick's wide vocal range "allowed her both to sing contralto low notes and to soar as a soprano". According to Mike Joyce of The Washington Post, some performances on Warwick's album Dionne Warwick Sings Cole Porter (1990) capture her warmth "and emphasize her subtle phrasing". In a separate review published in 1982, Joyce noted that Warwick's "magical" voice still manages to be "opaque, elusive, elegant" simultaneously, even when performing what he described as some of her most banal material in her discography. Reviewing a concert in 1983, The New York Times music critic Stephen Holden observed that Warwick's voice had deepened "into a near-baritone at its bottom end", resulting in "an ever-more fascinating vocal personality". Similarly, in 2006, Sarah Dempster of The Guardian observed that Warwick's voice "has deepened with age, lending a splendidly full-bodied finish to everything". Music critics have described Warwick as the muse of songwriters Burt Bacharach and Hal David's, a term Bacharach himself has used to refer to the singer. Bacharach confirmed that they considered Warwick their "main artist", to whom they allowed first priority on new songs. MTV contributor Carol Cooper said Warwick's interpretation of their songs "established Warwick as the eloquent voice of wounded feminine pride", crediting her with making their material "even more unique and compelling". According to Michael Musto of The Village Voice, the singer's voice proved to be "the perfect venue for Bacharach-David hits", writing, "Dionne could do sultry, pained, wispy, and regretful, all with sophisticated phrasings that made her a vocal emblem for the '60s heartbeat". The singer claims she did not find their material difficult to sing because they had been written specifically for her voice. Cooper identified their partnership as a precedent to the collaborations between R&B singer Toni Braxton, and songwriters Babyface and Diane Warren. Musically, The New York Times music critic Stephen Holden and The Guardian's Ian Gittins described Warwick as a pop soul singer. However, AllMusic biographer William Ruhlmann found the singer particularly difficult to categorize as a vocalist, writing, "Although Warwick grew up singing in church, she is not a gospel singer. Ella Fitzgerald and Sarah Vaughan are clear influences, but she is not a jazz singer. R&B is also part of her background, yet she is not really a soul singer, either, at least not in the sense that Aretha Franklin is". Similar, AllMusic reviewer believes Warwick combines elements of jazz, R&B, and gospel, which ultimately result in a "pure pop singer". The Washington Informer senior editor D. Kevin McNeir reported that Warwick's delivery and stage presence are often described as "scintillating, soothing, sensual and soulful". A writer for the South Bend Tribune observed that Warwick is usually described as a "sophisticated" singer, while noting that this term "doesn't place her in a specific musical category". A writer for The Guardian described Warwick as "one of the greatest pop singers of all time", while Mikael Wood of the Los Angeles Times named her "that one-of-a-kind instrument that defined pop sophistication in the mid-1960s". In recent years, Warwick has become known for sharing candid, straightforward opinions about various topics on the social media platform Twitter, being nicknamed the "Queen of Twitter" by several media publications. Personal life In 1966, Warwick married actor and drummer William Elliott; they divorced in May 1967. They reconciled and were remarried in Milan, Italy, in August 1967. On January 18, 1969, while living in East Orange, New Jersey, she gave birth to her first son, David Elliott. In 1973, her second son Damon Elliott was born. On May 30, 1975, the couple separated and Warwick was granted a divorce in December 1975 in Los Angeles. The court denied Elliott's request for $2,000 a month (equivalent to $11,300 in 2023) in support pending a community property trial, and for $5,000, when he insisted he was making $500 a month in comparison to Warwick making $100,000 a month (equivalent to $566,000 in 2023). Warwick stated "I was the breadwinner. The male ego is a fragile thing. It's hard when the woman is the breadwinner. All my life, the only man who ever took care of me financially was my father. I have always taken care of myself." In 2002, Warwick was arrested at Miami International Airport for possession of marijuana. It was discovered that she had 11 suspected marijuana cigarettes inside her carry-on luggage, hidden in a lipstick container. She was charged with possessing marijuana totaling less than five grams. Warwick made the Top 250 Delinquent Taxpayers List published in October 2007. Warwick was listed with a tax delinquency of $2,665,305.83 in personal income tax and a tax lien was filed July 24, 1997. The IRS eventually discovered that a large portion of the lien was due to an accounting error and revoked $1.2mil of the tax lien in 2009. In 1993, her older son David, a former Los Angeles police officer, co-wrote with Terry Steele the Warwick-Whitney Houston duet "Love Will Find a Way", featured on her album Friends Can Be Lovers. Since 2002, he has periodically toured with and performed duets with his mother (along with being the drummer of her touring band), and had his acting debut in the film Ali as the singer Sam Cooke. David became a singer-songwriter, with Luther Vandross' "Here and Now" among others to his credit. Her second son, Damon Elliott, is a music producer, who has worked with Mýa, Pink, Christina Aguilera and Keyshia Cole. He arranged and produced his mother's 2006 Concord release My Friends and Me. She received a 2014 Grammy Award nomination in the Traditional Pop Category for her 2013 album release, Now. On January 24, 2015, Warwick was hospitalized after a fall in the shower at her home. After ankle surgery, she was discharged from the hospital. Bankruptcy Warwick declared Chapter 7 bankruptcy in New Jersey on March 21, 2013. Due to the reported mismanagement of her business affairs, she listed liabilities that included nearly $7 million owed to the Internal Revenue Service for the years 1991 to 1999 and more than $3 million in business taxes owed to the state of California. Unable to work out an agreement with tax officials, she and her attorney decided that declaring bankruptcy would be the best course of action. Relations Warwick's sister Dee Dee Warwick also had a successful singing career, scoring several notable R&B hits in the US, including the original version of "I'm Gonna Make You Love Me". Dee Dee recorded the original version of the song "You're No Good", which later became a 1963 No. 5 R&B hit for Betty Everett, a 1964 No. 3 UK hit for The Swinging Blue Jeans and a 1975 No. 1 pop hit for Linda Ronstadt. In 1966, the Swinging Blue Jeans had a No. 31 UK hit with a cover of Dionne's "Don't Make Me Over", thus appearing in the UK Singles Chart with covers of songs from both Warwick sisters. Warwick's maternal aunt is gospel-trained vocalist Cissy Houston, mother of Warwick's cousin, the late singer Whitney Houston. In her 2011 autobiography, My Life, as I See It, Warwick notes that opera diva Leontyne Price is a maternal cousin. Discography Studio albums Tours Dionne Warwick Tour (1966) Dionne: 40 Anniversary Tour (2002) Soul Divas Tour (2004) An Evening with Dionne (2007) She's Back: One Last Time (2022) Awards and honors In addition to numerous awards and honors, the Miami-Dade Chamber of Commerce has declared May 25 to be Dionne Warwick Day and Lincoln Elementary School in East Orange, New Jersey, honored her by renaming it to the Dionne Warwick Institute of Economics and Entrepreneurship. Awards Honors Filmography Film Television Bibliography Warwick, Dionne (2010). My Life, As I See It. With David Freeman Wooley. Atria Books. ISBN 978-1--4391-7134-9. Live performances Notes References External links Dionne Warwick at AllMusic VH1 Site (Archived February 16, 2012, at the Wayback Machine) Rolling Stone site Billboard chart history (since 1983) The Scepter Records Story Dionne Warwick at IMDb Appearances on C-SPAN
Elton_John
https://en.wikipedia.org/wiki/Elton_John
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[ "https://en.wikipedia.org/wiki/Elton_John" ]
Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, songwriter and pianist. Acclaimed by critics and musicians, particularly for his work during the 1970s, his music and showmanship have had a significant, lasting impact on the music industry. His songwriting partnership with lyricist Bernie Taupin is one of the most successful in history. John was raised in Pinner and learned to play piano at an early age, winning a scholarship to the Royal Academy of Music, where he studied for five years. He formed the blues band Bluesology in 1962, but left in 1967 to embark on a solo career and met Taupin that same year. For two years, they wrote songs for other artists, and John worked as a session musician. In 1969, John released his debut album Empty Sky, and a year later formed the Elton John Band, also releasing his first hit single, "Your Song". John's critical and commercial success was at its peak in the 1970s, when he released a string of chart-topping albums both in the US and UK, which began with Honky Château (1972) and culminated with Rock of the Westies (1975). His success continued in the 1980s and 1990s, having several hit singles and albums in both decades, and he has continued to record new music since. John has also had success in musical films and theatre, composing music for The Lion King (1994), Aida (2000), and Billy Elliot the Musical (2005). John's final tour, Farewell Yellow Brick Road (2018–2023), became the highest-grossing tour ever at the time. His life and career were dramatised in the 2019 biopic Rocketman. John is an HIV/AIDS charity fundraiser and has been involved in the fight against AIDS since the late 1980s. He established the Elton John AIDS Foundation in 1992, which has raised over £300 million since its inception, and a year later he began hosting his annual AIDS Foundation Academy Awards Party, which has since become one of the biggest high-profile Oscar parties in the Hollywood film industry. John was the chairman and director of Watford Football Club from 1976 to 1987, and again from 1997 to 2002, and is an honorary life president of the club. From the late 1970s to the late 1980s, John developed a severe addiction to drugs and alcohol, but has been clean and sober since 1990. In 2005 he entered a civil partnership with his long-term partner, the Canadian filmmaker David Furnish. They married in 2014, when same-sex marriage became legal in England and Wales. John has had more than fifty top-40 hits on the UK Singles Chart and US Billboard Hot 100, including nine number ones in both countries, as well as seven consecutive number-one albums in the US. He has sold over 300 million records worldwide, making him one of the best-selling music artists of all time. He is the most successful solo artist in the history of the US Billboard charts. His tribute single to Diana, Princess of Wales, "Candle in the Wind 1997", a rewritten version of his 1974 single, sold over 33 million copies worldwide and is the best-selling chart single of all time. In 2021, he became the first solo artist with UK top 10 singles across six decades. Among John's numerous awards, he is one of 19 entertainers to win the EGOT, which includes an Emmy Award, five Grammy Awards, two Academy Awards, and a Tony Award. He also won two Golden Globes, a Laurence Olivier Award, and the Kennedy Center Honor. He was inducted into the Songwriters Hall of Fame in 1992 and the Rock and Roll Hall of Fame in 1994, and is a fellow of The Ivors Academy. He was appointed Knight Bachelor for services to music and charity in 1998 and was appointed a member of the Order of the Companions of Honour in 2020. Early life and education Elton John was born Reginald Kenneth Dwight on 25 March 1947 in Pinner, Middlesex (now part of the London Borough of Harrow), the eldest child of Stanley Dwight (1925–1991) and only child of Sheila Eileen (née Harris; 1925–2017). He was raised in a council house in Pinner by his maternal grandparents. His parents married in 1945, when the family moved to a nearby semi-detached house. He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until he was 17, when he left just before his A-Level examinations to pursue a career in music. When John began to consider a career in music seriously, his father, who served in the Royal Air Force, tried to steer him toward a more conventional career, such as banking. John has said that his wild stage costumes and performances were his way of letting go after a restrictive childhood. Both his parents were musically inclined, his father having been a trumpet player with the Bob Millar Band, a semi-professional big band that played at military dances. The Dwights were keen record buyers, exposing John to the popular singers and musicians of the day. John started playing his grandmother's piano as a young boy, and within a year his mother heard him picking out Waldteufel's "The Skater's Waltz" by ear. After performing at parties and family gatherings, at age seven he began formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies, and gained some notoriety by playing like Jerry Lee Lewis at school functions. At age 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by George Frideric Handel after hearing it for the first time. For the next five years, John attended Saturday classes at the Academy in central London, and he has said he enjoyed playing Frédéric Chopin and Johann Sebastian Bach and singing in the choir during Saturday classes, but that he was not otherwise a diligent classical student. "I kind of resented going to the Academy," he said. "I was one of those children who could just about get away without practising and still pass, scrape through the grades." He has said that he would sometimes skip classes and ride around on the London Underground. Several instructors have attested that he was a "model student", and during the last few years he took lessons from a private tutor in addition to his classes at the Academy. He left the Academy before taking the final exams. John's mother, though strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights had vehement arguments that greatly distressed John. When he was 14, they divorced. His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately called "Derf" ("Fred" backward). They moved into flat No. 3A in an eight-unit apartment building called Frome Court, not far from both previous homes. There John wrote the songs that launched his career as a rock star; he lived there until he had four albums simultaneously in the American Top 40. Career 1962–1969: Pub pianist to staff songwriter At age 15, with his mother's and stepfather's help, John was hired as a pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights. Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as his own songs. A stint with a short-lived group called the Corvettes rounded out his time. Although normal-sighted as a teenager, John began wearing horn-rimmed glasses to imitate Buddy Holly. In 1962, John and some friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians such as the Isley Brothers, Major Lance and Patti LaBelle and the Bluebelles. In 1966, the band became Long John Baldry's supporting band and played 16 times at the Marquee Club. In 1967, John answered an advertisement in the British music paper New Musical Express, placed by Ray Williams, then the A&R manager for Liberty Records. At their first meeting, Williams gave John an unopened envelope of lyrics written by Bernie Taupin, who had answered the same ad. John wrote music for the lyrics and then sent it to Taupin, which began their decades-long partnership that still continues. When the two first met in 1967, they recorded the first John/Taupin song, "Scarecrow". Six months later, John began going by the name Elton John in homage to two members of Bluesology: saxophonist Elton Dean and vocalist Long John Baldry. He legally changed his name to Elton Hercules John on 7 January 1972. "Hercules" came from the name of a horse in British sitcom Steptoe and Son, of which John was a big fan. The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for each of them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the UK entry for the Eurovision Song Contest 1969, for Lulu, called "I Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released single, "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson. 1969–1973: Debut album to Goodbye Yellow Brick Road On the advice of music publisher Steve Brown, John and Taupin began writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, Bluesology's former guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky. For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the US, and established the formula for subsequent albums: gospel-chorded rockers and poignant ballads. The album's first single, "Border Song", peaked at 92 on the Billboard Hot 100. The second, "Your Song", reached number seven in the UK Singles Chart and number eight in the US, becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the US Billboard 200 and number five on the UK Albums Chart. Backed by former Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at the Troubadour in Los Angeles, California on 25 August 1970, and was a success. The concept album Tumbleweed Connection was released in October 1970 and reached number two in the UK and number five in the US. The live album 17-11-70 (titled 11–17–70 in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album took a blow in the US when an east-coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music. John and Taupin wrote the soundtrack to the 1971 film Friends and the album Madman Across the Water, which reached number eight in the US and included the hit songs "Levon" and the album's opening track, "Tiny Dancer". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. Released in 1972, Honky Château became John's first US number one album, spending five weeks at the top of the Billboard 200, and began a streak of seven consecutive US number-one albums. The album reached number two in the UK, and spawned the hit singles "Rocket Man" and "Honky Cat". In 1972 John performed at the Royal Variety Performance, where he was upstaged by the dancing of Larry Smith, the drummer with the Bonzo Dog Doo-Dah Band. Smith was invited to join John's second US tour; Smith later said: "I suggested adding in various other bizarre elements like me doing "Singin' in the Rain" as a song and dance act with Elton playing piano. Kubrick's Clockwork Orange film had recently featured that song. Plus I designed crazy, over-the-top costumes and giant stage sets – known as 'Legstravaganzas'. Elton loved all of it." The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973 and reached number one in the UK, the US, and Australia, among other countries. The album produced the hits "Crocodile Rock", his first US Billboard Hot 100 number one, and "Daniel", which reached number two in the US and number four in the UK. The album and "Crocodile Rock" were respectively the first album and single on the consolidated MCA Records label in the US, replacing MCA's other labels, including Uni. Goodbye Yellow Brick Road, a double-album released in October 1973, gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at number one for two months. It also temporarily established John as a glam rock star. It contained the US number 1 "Bennie and the Jets", along with the hits "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting" and "Funeral for a Friend/Love Lies Bleeding". 1974–1980: The Rocket Record Company to 21 at 33 John formed his own label, The Rocket Record Company (distributed in the US by MCA and initially by Island in the UK), and signed acts to it—notably Neil Sedaka (John sang background vocals on Sedaka's "Bad Blood") and Kiki Dee, in whom he took a personal interest. Instead of releasing his own records on Rocket, he signed an $8 million contract with MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life. In 1974, MCA released Elton John's Greatest Hits, a UK and US number one that is certified Diamond by the RIAA for US sales of 17 million copies. In 1974, John collaborated with John Lennon on his cover of the Beatles' "Lucy in the Sky with Diamonds", the B-side of which was Lennon's "One Day at a Time". It was number 1 for two weeks in the US. In return, John was featured on "Whatever Gets You Thru the Night" on Lennon's album Walls and Bridges. Later that year, in Lennon's last major live performance, the pair performed these two number-one hits, along with the Beatles' "I Saw Her Standing There", at Madison Square Garden in New York City. Lennon made the rare stage appearance with John and his band to keep the promise he had made that he would appear on stage with him if "Whatever Gets You Thru The Night" became a US number-one single. Caribou was released in 1974, becoming John's third number one in the UK and topping the charts in the US, Canada and Australia. Reportedly recorded in two weeks between live appearances, it featured "The Bitch Is Back" and "Don't Let the Sun Go Down on Me". "Step into Christmas" was released as a stand-alone single in November 1973, and appears in the album's 1995 remastered reissue. Pete Townshend of the Who asked John to play the "Local Lad" in the 1975 film adaptation of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used in the movie. The song charted at number 7 in the UK. John, who had adopted a glam aesthetic on stage, would later state glam rock icon Marc Bolan "had a great effect on me." The 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy debuted at number one in the US, the first album to do so, and stayed there for seven weeks. John revealed his previously ambiguous personality on the album, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in his music. The hit single from this album, "Someone Saved My Life Tonight", captured an early turning point in John's life. The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray. According to Circus, a spokesman for John's manager John Reid said the decision was reached mutually via phone while John was in Australia promoting Tommy. Davey Johnstone and Ray Cooper were retained, Quaye and Roger Pope returned, and the new bassist was Kenny Passarelli; this rhythm section provided a heavier backbeat. James Newton Howard joined to arrange in the studio and to play keyboards. In June 1975 John introduced the line-up at the London, England, Wembley Stadium. The rock-oriented Rock of the Westies entered the US albums chart at number 1, as had Captain Fantastic and the Brown Dirt Cowboy, a previously unattained feat. John's stage wardrobe now included ostrich feathers, $5,000 spectacles that spelled his name in lights, and costumes such as the Statue of Liberty, Donald Duck, and Wolfgang Amadeus Mozart. In 1975, he received a star on the Hollywood Walk of Fame. The album features his fifth US number one single, "Island Girl". To celebrate five years since he had first appeared at the venue, in 1975, John played a two-night, four-show stand at the Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year, he also played piano on Kevin Ayers's Sweet Deceiver and was among the first and few white artists to appear on the African-American television series Soul Train. On 9 August 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards in Santa Monica, California. In May 1976, the live album Here and There was released, followed in October by the album Blue Moves, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped a number of charts, including the UK, the US, Australia, France and Canada. Besides being John's most commercially successful period, 1970–1976 is also held in the highest regard critically. In the three-year span from 1972 to 1975, John saw seven consecutive albums reach number one in the US, something that had not been accomplished before. All six of his albums to make Rolling Stone's 2003 list of "The 500 Greatest Albums of All Time" are from this period, with Goodbye Yellow Brick Road ranked highest at number 91. Between 1972 and 1976 he also had six singles reach number one on the Billboard Hot 100. In November 1977, John announced he was retiring from performing; Taupin began collaborating with others. Now producing only one album a year, John issued A Single Man in 1978 with a new lyricist, Gary Osborne; the album produced no singles that made the top 20 in the US, but the two singles from the album released in the UK, "Part-Time Love" and "Song for Guy", both made the top 20 there, with the latter reaching the top 5. In 1979, accompanied by Ray Cooper, John became one of the first Western artists to tour the Soviet Union and Israel. John returned to the US top ten with "Mama Can't Buy You Love" (number 9), a song MCA rejected in 1977, recorded with Philadelphia soul producer Thom Bell. John said Bell was the first person to give him voice lessons and encouraged him to sing in a lower register. A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's Too Low For Zero. 21 at 33, released in 1980, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), with the lyrics by Gary Osborne. In May 1979, John played eight concerts in the Soviet Union; four dates in Leningrad (now Saint Petersburg) and four in Moscow. At the same time, John collaborated with the French couple France Gall and Michel Berger on the songs "Donner pour donner" and "Les Aveux", released together in 1980 as a single. 1981–1989: The Fox to Sleeping with the Past John's 1981 album The Fox was recorded during the same sessions as 21 at 33 and included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, with Olsson and Murray back in the Elton John Band, and joined by Richie Zito on lead guitar, Tim Renwick on rhythm guitar, and James Newton Howard on keyboards, John performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. He played part of the set dressed as Donald Duck. The album Jump Up! was released in 1982, the biggest hit from which was "Blue Eyes". With original band members Johnstone, Murray and Olsson together again, John returned to the charts with the 1983 album Too Low for Zero, which included the singles "I'm Still Standing" (No. 4 UK) and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number four in the US and number five in the UK. In October 1983, John caused controversy when he broke the United Nations' cultural boycott on apartheid-era South Africa by performing at Sun City. He married his close friend and sound engineer, Renate Blauel, on Valentine's Day 1984; the marriage lasted three years. In 1984, he released Breaking Hearts, which featured the song "Sad Songs (Say So Much)", a number five hit in the US and number seven in the UK. In 1985, John was one of the many performers at Live Aid, held at Wembley Stadium. He played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time since the Hammersmith Odeon on 24 December 1982; and introduced George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me". John also recorded material with Millie Jackson in 1985. Towards the end of the year, John released "Nikita" from the album Ice on Fire, which had a music video directed by Ken Russell. The song reached number three in the UK and number seven in the US. John's highest-charting single of the decade was a collaboration with Dionne Warwick, Gladys Knight and Stevie Wonder called "That's What Friends Are For". It reached number one in the US at the beginning of 1986; credited as Dionne and Friends, the song raised funds for HIV/AIDS research. In the same year, a live orchestral version of "Candle in the Wind" reached number six in the US. He also played piano on two tracks on the heavy metal band Saxon's album Rock the Nations. In 1988, he performed five sold-out shows at Madison Square Garden in New York, giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London. He also released "I Don't Wanna Go On with You Like That" from the album Reg Strikes Back, the single reaching number two in the US in 1988. His albums continued to sell, but of those released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the top 20 in the US. 1990–1999: "Sacrifice" to Aida In 1990, John achieved his first solo UK number one hit single, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album Sleeping with the Past; it stayed at the top spot for five weeks. The following year, "Basque" won the Grammy for Best Instrumental, and a guest concert appearance at Wembley Arena John made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the UK and the US. At the 1991 Brit Awards in London, John won Best British Male. In 1992, John released the US number 8 album The One, featuring the hit song "The One". It was his first album recorded entirely sober. As John recalled in 2020, "I was used to making records under the haze of alcohol or drugs, and here I was, 100% sober, so it was tough. But I managed to come up with a good song, which was the title of the record." He also released "Runaway Train", a duet he recorded with his longtime friend Eric Clapton, with whom he played on Clapton's World Tour. John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, including the largest cash advance in music publishing history. In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen's remaining members. In September, John performed "The One" at the 1992 MTV Video Music Awards and closed the ceremony performing "November Rain" with Guns N' Roses. In 1993, he released Duets, which featured collaborations with 15 artists, including Tammy Wynette and RuPaul. This included a new collaboration with Kiki Dee, "True Love", which reached the Top 10 of the UK charts. In the same year, The Bunbury Tails, a multi-artist charity album, was released, which was the soundtrack to the British animated television series of the same name. "Up The Revolution" was John's track, alongside contributions from George Harrison, the Bee Gees and Eric Clapton. The album was issued briefly, and only in the UK. Along with Tim Rice, John wrote the songs for the 1994 Disney animated film The Lion King. At the 67th Academy Awards, three of the five nominees for the Academy Award for Best Original Song were from The Lion King soundtrack. John won the award for "Can You Feel the Love Tonight". Both that and "Circle of Life" became hits. "Can You Feel the Love Tonight" also won the Grammy Award for Best Male Pop Vocal Performance at the 37th Annual Grammy Awards. The soundtrack for The Lion King remained at the top of the Billboard 200 for nine weeks. On 10 November 1999, the RIAA certified The Lion King "Diamond" for selling 15 million copies. In 1994, John was inducted into the Rock and Roll Hall of Fame by Guns N' Roses' frontman Axl Rose. In 1995, he released the album Made in England (number 3). The title track is an autobiographical recounting of parts of his life. The album also featured the single "Believe". John performed "Believe" at the 1995 Brit Awards and won the Outstanding Contribution to Music prize. In September 1995, he appeared as Angel Rick on the original studio album of Randy Newman's musical Faust. A duet with Luciano Pavarotti, "Live Like Horses", reached number nine in the UK in December 1996. A compilation album, Love Songs, was released in 1996. Early in 1997, John held a 50th birthday party, costumed as Louis XIV of France, with 500 friends. He performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat, a work by French ballet legend Maurice Béjart that draws upon the AIDS crisis and the deaths of Freddie Mercury and the company's principal dancer, Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered on 15 July, and Diana, Princess of Wales died in a Paris car crash on 31 August. In early September, John asked Taupin to revise the lyrics of their 1973 song "Candle in the Wind" to honour Diana, and Taupin agreed. On 6 September 1997, John performed "Candle in the Wind 1997" live for the only time at Diana's funeral in Westminster Abbey. The song became the fastest- and biggest-selling single of all time, eventually selling over 33 million copies globally. The best-selling single in UK chart history, and the best-selling single in Billboard history, it is the first single certified Diamond in the US where it sold over 11 million copies. The 2009 Guinness World Records states it is "the biggest-selling single since UK and US singles charts began in the 1950s, having accumulated worldwide sales of 33 million copies". The song's proceeds of approximately £55 million were donated to Diana's charities via the Diana, Princess of Wales Memorial Fund. It won the Grammy Award for Best Male Pop Vocal Performance at the 40th Annual Grammy Awards in 1998. The song "Something About the Way You Look Tonight" was released as a double A-side. On 15 September 1997, John appeared at the Music for Montserrat charity concert at the Royal Albert Hall, London, England, performing three songs solo ("Your Song", "Don't Let the Sun Go Down on Me" and "Live Like Horses") before finishing with "Hey Jude" alongside Paul McCartney, Eric Clapton, Phil Collins, Mark Knopfler and Sting. Two months later he performed on the BBC's Children in Need charity single "Perfect Day", which reached number one in the UK. John appeared as himself in the Spice Girls film Spice World, released in December 1997. The Lion King musical debuted on Broadway in 1997 and the West End theatre in 1999. In 2014, it had grossed over $6 billion and became the top-earning title in box-office history for both stage productions and films, surpassing the record previously held by Andrew Lloyd Webber's 1986 musical The Phantom of the Opera. In addition to The Lion King, John composed music for Disney's musical production Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards, and the Grammy Award for Best Musical Show Album at the 43rd Annual Grammy Awards. The musical had its world premiere at the Atlanta, Georgia, Alliance Theatre and went on to Chicago, Illinois and eventually Broadway in New York City. John released a live compilation album, Elton John One Night Only – The Greatest Hits, featuring songs from his show at Madison Square Garden in New York City that same year. A concept album of songs from the musical Aida, Elton John and Tim Rice's Aida, was also released and featured the John duets "Written in the Stars" with LeAnn Rimes, and "I Know the Truth" with Janet Jackson. 2000–2009: Billy Elliot the Musical and 60th birthday By this time, John disliked appearing in his own music videos; the video for "This Train Don't Stop There Anymore" featured Justin Timberlake portraying a young John, and the video for "I Want Love" featured Robert Downey, Jr. lip-syncing the song. At the 2001 Grammy Awards, John performed "Stan" with Eminem. One month after the 11 September attacks, John appeared at the Concert for New York City, performing "I Want Love" as well as "Your Song" as a duet with Billy Joel. In August 2003, John's fifth UK number one single, "Are You Ready for Love", topped the charts. Returning to musical theatre, John composed music for a West End theatre production of Billy Elliot the Musical in 2005 with playwright Lee Hall. John had been moved to write the musical after seeing the 2000 British coming-of-age film Billy Elliot, saying of the titular character, "he's like me". Opening to strong reviews, the show won four Laurence Olivier Awards, including Best New Musical. The 12th-longest-running musical in West End history, the London production, which featured Tom Holland as Billy for two years, ran through April 2016, with 4,566 performances. As of December 2015, Billy Elliot has been seen by over 5.25 million people in London and nearly 11 million people worldwide (on Broadway where it won the Tony Award for Best Musical, in Sydney and Melbourne, Australia, Chicago, Illinois, Toronto, Ontario, Seoul, South Korea, the Netherlands and São Paulo, Brazil, etc.), grossed over $800 million worldwide and won over 80 theatre awards internationally. John's only theatrical project with Taupin is Lestat, based on Anne Rice's The Vampire Chronicles. It received negative reviews from critics and closed in May 2006 after 39 performances. John featured on rapper Tupac Shakur's posthumous single "Ghetto Gospel", which topped the UK charts in July 2005. In October 2003, John announced that he had signed an exclusive agreement to perform 75 shows over three years at Caesars Palace on the Las Vegas Strip in Nevada. The show, The Red Piano, was a multimedia concert featuring massive props and video montages created by David LaChapelle. Effectively, he and Celine Dion shared performances at Caesars Palace throughout the year; while one performed, the other rested. The first of these shows took place on 13 February 2004. In February 2006, John and Dion sang together at the venue to raise money for Harrah's Entertainment Inc. workers affected by the 2005 hurricanes, performing "Sorry Seems to Be the Hardest Word" and "Saturday Night's Alright (for Fighting)". The Walt Disney Company named John a Disney Legend for his contributions to Disney's films and theatrical works on 9 October 2006. Also in 2006, he told Rolling Stone that he planned for his next record to be in R&B and hip hop. "I want to work with Pharrell Williams, Timbaland, Snoop [Dogg], Kanye [West], Eminem and just see what happens", he said. West sampled John's "Someone Saved My Life Tonight" on his 2007 song "Good Morning" and in 2010 invited him to his Hawaii studio to play piano and sing on "All of the Lights". In March 2007, John performed at Madison Square Garden for a record-breaking 60th time for his 60th birthday; the concert was broadcast live and a DVD recording was released as Elton 60 – Live at Madison Square Garden; a greatest-hits compilation CD, Rocket Man—Number Ones, was released in 17 different versions worldwide, including a CD/DVD combo; and his back catalogue—almost 500 songs from 32 albums—became available for legal paid download. On 1 July 2007, John appeared at the Concert for Diana at Wembley Stadium in honour of Diana, Princess of Wales on what would have been her 46th birthday, with the concert's proceeds going to Diana's charities as well as to charities of which her sons Prince William and Prince Harry are patrons. John opened the concert with "Your Song" and closed it with "Saturday Night's Alright For Fighting", "Tiny Dancer", and "Are You Ready For Love". On 21 June 2008, John performed his 200th show at Caesars Palace. A DVD/CD package of The Red Piano was released through Best Buy in November 2008. In a September 2008 GQ interview John said, "I'm going on the road again with Billy Joel again next year", referring to "Face to Face", a series of concerts featuring the two. The tour began in March. In 2009, John accepted Jerry Cantrell's invitation to collaborate with his band Alice in Chains. John played the piano in the song "Black Gives Way to Blue", a tribute to the band's late lead singer, Layne Staley, which was the title track and closing song of the album Black Gives Way to Blue, released in September 2009. The first concert Staley attended was one of John's, and his mother said he was blown away by it. Cantrell added, "Elton is a very important musical influence to all of us in varying degrees, and especially to me. My first album was Elton John's Greatest Hits. And actually, we were reminded by Layne's stepfather that Elton was his first concert, so it was all really appropriate." John said he had long admired Cantrell and could not resist the offer. 2010–2018: The Union to Wonderful Crazy Night John performed a piano duet with Lady Gaga at the 52nd Annual Grammy Awards, which consisted of two songs of Gaga's, before culminating in "Your Song". On 17 June, and 17 years to the day after his previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other then-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, John said that he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after John did but cancelled in the wake of the aforementioned raid, citing his conscience. John released The Union on 19 October 2010. He has said the album, a collaboration with American singer, songwriter and sideman Leon Russell, marked a new chapter in his recording career, saying: "I don't have to make pop records any more." He began his new show The Million Dollar Piano at the Colosseum at Caesars Palace, Las Vegas, on 28 September 2011, and performed it there for the next three years. He performed his 3000th concert on 8 October 2011 at Caesars. Also in 2011, John performed vocals on "Snowed in at Wheeler Street" with Kate Bush for her album 50 Words for Snow. On 3 February 2012, he visited Costa Rica for the first time, performing at the recently built National Stadium. On 4 June 2012, John performed at Elizabeth II's Diamond Jubilee Concert at Buckingham Palace, playing a three-song set. On 30 June, he played in Kyiv, Ukraine in a joint concert with Queen + Adam Lambert for the Elena Pinchuk ANTIAIDS Foundation. An album containing remixes of songs that he recorded in the 1970s, Good Morning to the Night, was released in July 2012. The remixes were conducted by Australian group Pnau, and the album reached number one in the UK. At the 2012 Pride of Britain Awards on 30 October, John along with Michael Caine, Richard Branson, Simon Cowell and Stephen Fry, recited Rudyard Kipling's poem "If—" in tribute to the 2012 British Olympic and Paralympics athletes. In February 2013, John performed a duet with singer-songwriter Ed Sheeran at the 55th Annual Grammy Awards. Later in 2013, he collaborated with rock band Queens of the Stone Age on their sixth studio album, ...Like Clockwork, contributing piano and vocals on the song "Fairweather Friends". He said he was a fan of frontman Josh Homme's side project, Them Crooked Vultures, and had phoned Homme to ask if he could perform on the album. In September 2013, John received the first Brits Icon Award for his "lasting impact" on the culture of the United Kingdom. Rod Stewart presented him with the award on stage at the London Palladium before the two performed a duet of "Sad Songs (Say So Much)". John's 31st album, The Diving Board, produced by T-Bone Burnett, was released in September 2013 and reached number three in the UK and number four in the US. In October 2015, it was announced he would release his 32nd studio album, Wonderful Crazy Night, on 5 February 2016. It too was produced by Burnett. The album's first single, "Looking Up", was released in the same month. This album marked John's first full album recorded with his touring band since 2006's The Captain & the Kid. He also had a major role, as himself, in the action movie Kingsman: The Golden Circle, which was released in September 2017. On 26 January 2017, it was announced that John would compose the score for the Broadway musical version of the novel The Devil Wears Prada and its film adaptation, with Kevin McCollum as producer and Paul Rudnick writing the lyrics and story. The timeline for the musical is yet to be announced. In June 2017, John appeared in the award-winning documentary The American Epic Sessions, directed by Bernard MacMahon. In the film, he recorded live on the restored first electrical sound recording system from the 1920s. John composed and arranged a lyric by Taupin, "Two Fingers of Whiskey", written specially for the film, live on camera with the help of Burnett and Jack White. Danny Eccleston in Mojo pointed out that "in one of the series' most extraordinary moments, Elton John arrives toting a box-fresh lyric by Bernie Taupin and works it up in an instant, the song materializing in front of the viewers' eyes before John and Jack White go for the take. There's the magic right there." "Two Fingers of Whiskey" was released on 9 June 2017 on Music from The American Epic Sessions: Original Motion Picture Soundtrack. 2018–present: Farewell Yellow Brick Road Tour, biopic, and more On 24 January 2018, it was announced that John was retiring from touring and would soon embark on a three-year farewell tour. The first concert took place in Allentown, Pennsylvania, on 8 September 2018. John cited spending time with his family as the reason for his retirement: "Ten years ago if you asked me if I would stop touring I would have said no. But we had children and that changed our lives. I have had an amazing life and career but my life has changed. My priorities are now my children and my husband and my family." Consisting of more than 300 concerts worldwide, the tour ended in Stockholm, Sweden on 8 July 2023 following rescheduled shows due to the COVID-19 pandemic and health issues. In September 2018, John reportedly signed an agreement with Universal Music Group (UMG) to represent his new music "for the rest of his career" in addition to his work from the last 50 years. A biopic about John's life from his childhood to the 1980s, Rocketman, was produced by Paramount Pictures and released in May 2019. It was directed by Dexter Fletcher, who had also co-directed the film Bohemian Rhapsody, and stars Taron Egerton as John; John had previously appeared as a fictionalised version of himself alongside Egerton in the film Kingsman: The Golden Circle (2017). John and Egerton performed a new song written for Rocketman, "(I'm Gonna) Love Me Again", which premiered on BBC Radio 2 in 2019. The song would see John win the Academy Award for Best Original Song for the second time. In October 2019, John released what he described as his "first and only autobiography", Me. The audiobook of Me was narrated by Egerton, with John reading the prologue and epilogue. John played at the Western Sydney Stadium (Australia) on 7 March before the remainder of the tour was postponed indefinitely on 16 March due to the COVID pandemic. In early 2020, John played piano on Ozzy Osbourne's rock ballad "Ordinary Man", released on Osbourne's album of the same name. On 29 May, his duet with Lady Gaga, "Sine from Above", from her album Chromatica, was released. John released Regimental Sgt. Zippo on 12 June 2021. Recorded as his debut album in 1968, the album was shelved in favour of 1969's Empty Sky, and released vinyl-only in 2021 for Record Store Day. On 1 September 2021, John announced his new collaboration album The Lockdown Sessions which he made during the first COVID-19 lockdown, which was released on 22 October 2021. Artists he collaborated with on the album include Eddie Vedder, Miley Cyrus, Dua Lipa, Lil Nas X, Gorillaz, Nicki Minaj, Young Thug, Stevie Wonder, Rina Sawayama and Stevie Nicks. In a statement on the project, John explained: "I realised there was something weirdly familiar about working like this. At the start of my career, in the late 60s, I worked as a session musician. Working with different artists during lockdown reminded me of that. I'd come full circle: I was a session musician again. And it was still a blast." "Cold Heart (Pnau remix)", a collaboration with Dua Lipa, was released on 13 August 2021 as the album's first single. It peaked at number one in the UK in October 2021, becoming John's first UK number one in 16 years since 2005's "Ghetto Gospel". With this hit, he became the first solo artist to have top 10 singles in the UK in 6 different decades. "Cold Heart" also peaked at number 1 in Australia in November 2021. At 74 years, 7 months and 14 days, John became the oldest artist to hit the top of the ARIA Singles Chart. John contributed to the charity tribute album The Metallica Blacklist, released in September 2021, by backing Miley Cyrus on a cover of the Metallica song "Nothing Else Matters". On 29 November 2021, John and Sheeran released "Merry Christmas", a duet single for charity. Inspired by a scene from the 2003 romantic-comedy film Love Actually, the song's music video sees the duo pay homage to scenes from past British Christmas hits, including "Last Christmas", "Walking in the Air", "Merry Christmas Everyone", and "Stay Another Day". All of the UK profits from the song went to the Elton John AIDS Foundation and the Ed Sheeran Suffolk Music Foundation. The song topped the UK Singles Chart on 10 December to become John's ninth UK number one. Later that month, a comedy version of the song, titled "Sausage Rolls for Everyone" and released as a collaboration with Sheeran and LadBaby, replaced the song atop the chart and became his tenth number one, as well as his third chart-topper of 2021. In January 2022, John continued his farewell tour for the first time since the start of the COVID-19 pandemic, with his first show back taking place in New Orleans, Louisiana. To celebrate his 75th birthday in March 2022, John released a digitally remastered version of his Diamonds compilation album on streaming platforms. In August 2022, John collaborated with Britney Spears on the song "Hold Me Closer", which marked Spears' first new musical release in six years and her first release after the termination of her controversial conservatorship. The song had a polarised critical reception while achieving commercial success upon release. It topped the charts in five countries and reached the top ten in 19 countries. The same month it was announced that John had written the music for a new musical about the life of televangelist Tammy Faye Messner, with book by playwright James Graham and lyrics by Jake Shears. The musical, titled Tammy Faye, opened at the Almeida Theatre in London, England in October 2022. On 25 June 2023, John headlined the Glastonbury Festival. Performing on the Pyramid Stage, John closed the festival with a two-hour performance which saw "Pinball Wizard" played live for the first time in over 10 years. The event drew in the festivals largest ever TV viewing figures in the UK with a peak of 7.6 million and an average of 7.3 million, the BBC also announced it had almost 50% of all viewers across all stations viewing the event. On 8 July 2023, John performed the final concert of the tour in Stockholm, Sweden at the Tele2 Arena. Upon opening the show, John said: "Good evening Stockholm, well this is it". At the time, the tour was the highest-grossing tour ever; it has since been surpassed by Taylor Swift's Eras Tour. Though retired from touring, John has said that he will continue to "do the odd show" and is also in the early planning stages of recording a new album. On 1 October 2024, John made a surprise appearance during a United States premiere of his documentary, Elton John: Never Too Late, at Alice Tully Hall in New York City as part of the 62nd New York Film Festival. After the screening, John appeared on stage, gave an update on his health and performed "Tiny Dancer". His first public performance since his retirement tour ended. Personal life Sexuality and family In the late 1960s, John was engaged to be married to his first lover, secretary Linda Woodrow, who is mentioned in the song "Someone Saved My Life Tonight". Woodrow provided financial assistance to John and Taupin at the time. John ended the relationship two weeks before their intended wedding, after being advised by Taupin and Long John Baldry. In 2020, John helped pay for Woodrow's medical fees upon her request, despite having lost contact with her 50 years previously. In 1970, right after his first US shows in Los Angeles, California, John lost his virginity to and started his first gay relationship with John Reid, the Tamla Motown label manager for the UK, who later became John's manager. The relationship ended five years later, although Reid remained his manager until 1998. John married German recording engineer Renate Blauel on 14 February 1984, in an extravagant wedding ceremony at St Mark's Church, Darling Point, Sydney, Australia. Blauel said she attempted suicide during their honeymoon in St-Tropez after John told her that he wanted to end the union. Their marriage ended in divorce in 1988. John stated: "She was the classiest woman I've ever met, but it wasn't meant to be. I was living a lie." In 2020, Blauel sued John for writing about their relationship in his 2019 Me: Elton John Official Autobiography, which she claimed broke the terms of their divorce agreement. The case was settled later the same year. John had come out as bisexual in a 1976 interview with Rolling Stone. In 1992 he told Rolling Stone in another interview that he was "quite comfortable about being gay". In 1987, John won a libel case against The Sun, which published false allegations that he had had sex with rent boys. In 1993, John began a relationship with David Furnish, a former advertising executive and now filmmaker originally from Toronto, Canada. On 21 December 2005 (the day the Civil Partnership Act came into force), John and Furnish were among the first couples to form a civil partnership in the United Kingdom, which was held at the Windsor Guildhall. After same-sex marriage became legal in the United Kingdom in March 2014, John and Furnish married in Windsor, Berkshire, on 21 December 2014, the ninth anniversary of their civil partnership. John and Furnish have two sons. The elder, Zachary Jackson Levon Furnish-John, was born via surrogacy on 25 December 2010 in California. The younger, Elijah Joseph Daniel Furnish-John, was born on 11 January 2013 via the same surrogate. John also has ten godchildren, including Sean Lennon, David and Victoria Beckham's sons Brooklyn and Romeo, Elizabeth Hurley's son Damian Hurley, and Seymour Stein's daughter. The Los Angeles Times described John as a "self-declared atheist." In 2000, John characterised the beliefs of the Roman Catholic Church on homosexuality as "ignorance" after a priest stated homosexuals engage in "a lifestyle that can never respond to the deepest longings of the human heart." He further stated in a 2006 interview with The Observer that he would "ban religion completely, even though there are some wonderful things about it" and that "religion has always tried to turn hatred toward gay people" and "turns people into hateful lemmings and it is not really compassionate." Reuters reported John admired the teachings of Jesus Christ but was critical of organised religion. In 2010, some Christian groups in the US criticised John after he described Jesus as a "compassionate, super-intelligent gay man who understood human problems". Bill Donohue, president of the Catholic League for Religious and Civil Rights and opponent of gay marriage, responded: "To call Jesus a homosexual is to label him a sexual deviant. But what else would we expect from a man who previously said, 'From my point of view, I would ban religion completely.'" John stated, in his 2019 autobiography Me, that he had received many death threats as a result of his statements. Neal Horsley, a Christian Reconstructionist from Bremen, Georgia, United States, was arrested for making terrorist threats, after posting a YouTube video stating: "We're here today to remind Elton John that he has to die". The charges were subsequently dropped. In 2008, John said he preferred civil partnerships to marriage for gay people, but by 2012 he had changed his position and become a supporter of same-sex marriage in the United Kingdom. John said: "There is a world of difference between calling someone your 'partner' and calling them your 'husband'. 'Partner' is a word that should be preserved for people you play tennis with, or work alongside in business. It doesn't come close to describing the love that I have for David, and he for me. In contrast, 'husband' does". In 2014, John said Jesus would have been in favour of same-sex marriage. Wealth In April 2009, the Sunday Times Rich List estimated John's wealth at £175 million (US$265 million) and ranked him the 322nd wealthiest person in Britain. A decade later, John was estimated to have a fortune of £320 million in the 2019 Sunday Times Rich List, making him one of the 10 wealthiest people in the British music industry. Aside from his main home, Woodside, in Old Windsor, Berkshire, John owns residences in: Atlanta, Georgia (US); London, England; Los Angeles, California; Nice, France and Venice, Italy. His property in Nice is on Mont Boron. John is an art collector and is believed to have one of the largest private photography collections in the world. In 2000, John admitted to spending £30 million in just under two years—an average of £1.5 million a month. Between January 1996 and September 1997, he spent more than £9.6m on property and £293,000 on flowers. In June 2001, John sold twenty of his cars at Christie's auction house, saying he never had the chance to drive them because he was out of the country so often. The sale, which included a 1993 Jaguar XJ220, the most expensive at £234,750, and several Ferraris, Rolls-Royces, and Bentleys, raised nearly £2 million. In 2003, John sold the contents of his Holland Park home – expected to fetch £800,000 at Sotheby's — to modernise the decoration and to display some of his contemporary art collection. Every year since 2004, John has opened a shop called "Elton's Closet", in which he sells his secondhand clothes. In October 2021, John was named in the Pandora Papers, which allege a secret financial deal of politicians and celebrities using tax havens in an effort to avoid the payment of owed taxes. Other By 1975, the pressures of stardom had begun to take a serious toll on John. During "Elton Week" in Los Angeles that year, he had a cocaine overdose. He also developed the eating disorder bulimia. In a 2002 CNN interview with Larry King, King asked if John knew of Diana, Princess of Wales's eating disorder; John replied: "Yes, I did. We were both bulimic." In a July 2019 Instagram post, John stated he had been sober for 29 years. At a 2022 concert in Indianapolis, John said he cleaned himself up after spending time with the family of Ryan White. "I knew that my lifestyle was crazy and out of order. ... I cannot thank them enough, because without them, I'd probably be dead." In a 2014 interview, he also attributed his sobriety to the Kate Bush and Peter Gabriel duet "Don't Give Up" from 1986, in particular the lyric from Bush, "Rest your head. You worry too much. It's going to be all right. When times get rough you can fall back on us. Don't give up." He states, "she [Bush] played a big part in my rebirth. That record helped me so much." A longtime tennis enthusiast, in 1975 he released the song "Philadelphia Freedom" in tribute to his friend Billie Jean King's World Team Tennis team, the Philadelphia Freedoms. King was a player-coach for the team at the time. John and King remain friends and co-host an annual pro-am event to benefit AIDS charities, most notably the Elton John AIDS Foundation, of which King is a chairperson. John, who maintains a part-time residence in Atlanta, Georgia, became a fan of the Atlanta Braves baseball team when he moved there in 1991. John has appeared in commercials for Diet Coke (beginning in 1990), the Royal Mail, Snickers and John Lewis & Partners department store, among others. Authors Roger Blackwell and Tina Stephan wrote "the relationship of Elton John and Diet Coke is one of the classic success stories in the role of sponsorship in brand building." His 2018 John Lewis & Partners Christmas advert shown in the UK, titled "The Boy & The Piano", sees him reminisce about his life and career in reverse, culminating with Christmas Day in the 1950s when he received a piano for Christmas from his mother. An admirer of Monty Python, he was among a group of musicians who helped finance their film Monty Python and the Holy Grail (1975). At the 2nd Empire Awards in 1997, John presented the comedy group the Empire Inspiration Award. On 22 April 2017, John was discharged from hospital after two nights of intensive care for contracting "a harmful and unusual" bacterial infection during his return flight home from a South American tour in Santiago, Chile, and was forced to cancel all his shows scheduled for April and May 2017. In October 2021, John required hip surgery after "falling awkwardly on a hard surface". On 16 February 2020 his first show at Mount Smart Stadium in Auckland, New Zealand was cut short. He had been diagnosed with walking pneumonia, and lost his voice during the show. He was cleared to perform the next show on 19 February. In January 2022, John had to temporarily postpone two shows of his Farewell Yellow Brick Road tour in Dallas, Texas after testing positive for COVID-19 and experiencing mild symptoms, and resumed the tour again after making a full recovery. John performed "Don't Let the Sun Go Down on Me" at the memorial service for Australian cricketer Shane Warne on 30 March 2022. John is among the people interviewed for the documentary film If These Walls Could Sing directed by Mary McCartney about the recording studios at Abbey Road which premiered in November 2022. On 9 December 2022, John left Twitter, following changes to its rules made by new owner Elon Musk, stating: "All my life I've tried to use music to bring people together. Yet it saddens me to see how misinformation is now being used to divide our world. I've decided to no longer use Twitter, given their recent change in policy which will allow misinformation to flourish unchecked." Musk replied to the post saying: "I love your music. Hope you come back. Is there any misinformation in particular that you're concerned about?" On 20 June 2023, John said the reaction to Phillip Schofield's secret affair with a younger colleague was "totally homophobic", stating: "If it was a straight guy in a fling with a young woman, it wouldn't even make the papers." On 17 July 2023, John gave evidence as a defence witness at Kevin Spacey's sexual assault trial. Football John became the chairman and director of Watford in 1976, after supporting the team since his youth. John appointed Graham Taylor as manager and invested large sums of money as the club rose three divisions into the English First Division. At their height, the club finished runners up in the First Division to Liverpool in 1983 and reached the FA Cup Final at Wembley Stadium in 1984. John sold the club to Jack Petchey in 1987, but remained president. Ten years later, John repurchased the club from Petchey and once again became chairman. He stepped down in 2002 when the club needed a full-time chairman, but continued as president. Although no longer the majority shareholder, John still holds a significant financial interest. In 2005 and 2010, John held a concert at Watford's home stadium, Vicarage Road, and donated proceeds to the club. John has remained friends with a number of high-profile players in football, including Pelé and David Beckham. From late 1975 to 1976, John was a part-owner of the Los Angeles Aztecs of the North American Soccer League. On 13 December 2014, he appeared at Watford's Vicarage Road with his husband and sons for the opening of the "Sir Elton John stand". He called the occasion "one of the greatest days of my life". John's paternal cousin Roy Dwight was a professional footballer, who scored for Nottingham Forest in the 1959 FA Cup Final before breaking his leg later in the same match. Political views In 2006, regarding his political views, John said: "If I was to say what I am, I'd be a Labour man. I like Tony Blair a lot, I think he's a good man. And in America I'd definitely be a Democrat; I'd never be a Republican." John met Blair at the Brit Awards 1998, where Blair awarded him the Freddie Mercury Award for his charitable work with the Elton John AIDS Foundation. Although John was still fond of Blair as a person, his opinions about Blair's leadership qualities declined over time, and by 2006 he planned to withdraw his support from the Labour Party, saying: "I think it's very hard to be in power for a long time. I think you lose touch. It's that goldfish bowl mentality." John was also a friend of Blair's successor Gordon Brown, but despite being called "one of the Labour Party's most stalwart supporters" by The Daily Telegraph, the newspaper described him as a "floating voter" in 2009. John announced his intention to vote Remain during the UK's 2016 European Union referendum on Instagram, sharing an image with the words "build bridges not walls", along with the caption "I'm voting to remain. #StrongerInEurope". In 2019, he said the Brexit vote and the way it had been handled had made him ashamed. In 2021, John said that his requests to meet with Boris Johnson regarding Brexit and touring visas for musicians were ignored. In 2023, John addressed a cross-party gathering of politicians at Westminster and said that the winner of the next general election could help to eradicate AIDS worldwide by the end of the decade. He returned to publicly supporting Labour at the 2024 general election, endorsing the party's leader Keir Starmer to become prime minister. John called President George W. Bush "the worst thing that ever happened to America" and was "very against the Iraq War", but later praised Bush as the president who had done the most to combat AIDS. After senator Barack Obama won the 2008 United States presidential election, John called Obama's victory "incredibly moving." He would later meet President Obama in the White House on 6 May 2015. During the 2016 presidential election, John supported Hillary Clinton's campaign, and performed alongside Katy Perry and Andra Day at Clinton's fundraiser concert at Radio City Music Hall, New York City. After his performance, John praised Clinton as "the only choice" America had. John was among 27 artists to have opposed Donald Trump's use of their music at his campaign rallies, and declined an invitation to attend Trump's inauguration in January 2017, stating: "I have given it at lot of thought, and as a British National I don't feel that it's appropriate for me to play at the inauguration of an American President, please accept my apologies." He also exhorted Trump to continue the global fight against HIV/AIDS, and closed his letter by wishing Trump "every success with your presidency." Trump, a fan of John's music, has referenced John on numerous instances, including referring to North Korean Supreme Leader Kim Jong-un as "Little Rocket Man" during Trump's first address to the United Nations in September 2017. He also said he had given Kim a CD of the song "Rocket Man" that was signed by John, and said he had taken piano lessons from John. In an interview with Variety, John was asked about Trump's use of term to describe Kim, and he responded, "I laughed, I thought it was brilliant." In 2022, after John performed at the White House, President Joe Biden surprised him by presenting him with the National Humanities Medal. Biden said of John: "Like so many Americans, our family loves his music. It's clear Elton John's music has changed our lives." Biden said in his 2017 book Promise Me, Dad that he sang "Crocodile Rock" to his son Beau when he was a child, and again when he was dying of cancer. During the 2024 United States presidential election, John assisted Biden at the opening of the Stonewall National Monument Visitor Center in New York, the first LGBTQ center in the National Park Service's network. In 2013, John resisted calls to boycott Russia in protest at the Russian gay propaganda law, but told fans at a Moscow concert that the laws were "inhumane and isolating", and he was "deeply saddened and shocked over the current legislation". In a January 2014 interview, Russian President Vladimir Putin spoke of John in an attempt to show that there was no discrimination against gays in Russia, saying: "Elton John – he's an extraordinary person, a distinguished musician, and millions of our people sincerely love him, regardless of his sexual orientation." John responded by offering to introduce Putin to Russians abused under Russian legislation banning "homosexual propaganda". On 24 September 2015, the Associated Press reported that Putin called John and invited him to meet in the future to discuss LGBT rights in Russia. In October 2020, John called attention to the Nagorno-Karabakh conflict between Armenia and Azerbaijan. He said in his Instagram post: "In May 2018, I visited [Armenia] and was overwhelmed with the kindness and humanity shown to me by the Armenian people. Now Armenia and Artsakh are under attack from unprovoked Azeri/Turkish aggression. Civilians are being targeted and there are needless deaths on both sides." Friendship with the British royal family John has performed at a number of events involving the British royal family, such as the funeral of Diana, Princess of Wales at Westminster Abbey in 1997, the Party at the Palace in 2002 and the Queen's Diamond Jubilee Concert outside Buckingham Palace in 2012. On 4 June 2022, John was projected on to the facade of Buckingham Palace playing "Your Song" (pre-recorded at Windsor Castle) at the Platinum Party at the Palace to mark the Queen's Platinum Jubilee. After the death of Elizabeth II on 8 September 2022, John paid tribute to her during a show by saying "She led the country through some of our greatest and darkest moments with grace, decency and a genuine caring warmth." John was close friends with Diana, and has remained close with her sons William and Harry. Philanthropy John is well known for his philanthropic efforts, being involved in charity fundraising events since 1986. In 1992, after losing two friends – (HIV/AIDS spokesperson Ryan White and fellow musician Freddie Mercury) to AIDS in the span of a year – John founded the Elton John AIDS Foundation, an organisation which has raised over $600 million to support HIV-related programs in 55 countries. John was recognised for his services to charity twice, receiving a knighthood from Queen Elizabeth II in 1998 and being appointed by her to be a member of the Order of the Companions of Honour in 2020. AIDS foundation John has said that he took risks with unprotected sex during the 1980s and considers himself lucky to have avoided contracting HIV. In 1985, he joined with Dionne Warwick, Gladys Knight and Stevie Wonder to record the single "That's What Friends Are For", with profits donated to the American Foundation for AIDS Research. The song went to number one in the United States the following year and won the Grammy Award for Best Pop Performance by a Duo or Group with Vocals. In April 1990, John travelled to Indianapolis, Indiana, to be by the side of Ryan White, a teenage haemophiliac whom he had befriended and whose health was deteriorating. On the eve of White's death, he performed at Farm Aid IV, dedicating "Candle in the Wind" to White. He performed his 1968 ballad "Skyline Pigeon" at White's funeral.John became more closely associated with AIDS charities following the deaths of his friends Ryan White in 1990 and Freddie Mercury in 1991, raising large amounts of money and using his public profile to raise awareness of the disease. He founded the Elton John AIDS Foundation in 1992 as a charity to fund programmes for HIV/AIDS prevention, for the elimination of prejudice and discrimination against HIV/AIDS-affected individuals, and to provide services to people living with or at risk of contracting HIV/AIDS. This continues to be one of his passions. In 1993, he began hosting his annual Academy Award Party, which has become one of the highest-profile Oscar parties in the Hollywood film industry and has raised over US$200 million. To raise money for his AIDS charity, John annually hosts a White Tie & Tiara Ball on the grounds of his home in Old Windsor in Berkshire, to which many celebrities are invited. The ninth annual White Tie & Tiara Ball took place on 28 June 2007. The menu consisted of a truffle soufflé followed by surf and turf and a giant knickerbocker glory ice cream. An auction followed, emceed by Stephen Fry. A Rolls-Royce "Phantom" drophead coupe and a piece of Tracey Emin's artwork both raised £800,000 for the charity fund, with the total amount raised reaching £3.5 million. Later, John sang "Delilah" with Tom Jones and "Big Spender" with Shirley Bassey. The 2011 guests included Prince Andrew's former wife Sarah Ferguson, Elizabeth Hurley and George Michael; the auction raised £5 million, adding to the £45 million the balls have raised for John's foundation. On 23 February 2023, The Elton John AIDS Foundation donated $125,000 via United24 to purchase ten biochemistry analysers, to help assure that all Ukrainians living with HIV can continue to access high-quality care and treatment. Other charity work John and his husband David Furnish founded the Elton John Charitable Trust in 2007, which has supported over 100 charities. In 2014, John launched the Elton John Sports Fund to help citizens with training and competition costs for over 50 sports. John performed "I'm Still Standing" during the One World: Together at Home television special, a benefit concert curated by Lady Gaga for Global Citizen to raise funds for the World Health Organization's COVID-19 Solidarity Response Fund. Artistry Influences John has said he remembers being immediately hooked on rock and roll when his mother brought home records by Elvis Presley and Bill Haley & His Comets in 1956. He also stated of when he was growing up: "I heard Little Richard and Jerry Lee Lewis, and that was it. I didn't ever want to be anything else. I'm more of a Little Richard stylist than a Jerry Lee Lewis, I think. Jerry Lee is a very intricate piano player and very skillful, but Little Richard is more of a pounder." John has also cited Ray Charles, the Beatles, the Band, Leon Russell, Aretha Franklin, Joni Mitchell and Freddie Mercury as influences. John has often expressed a great appreciation for the accomplishments of young artists from the 21st century, collaborating with several of them on the 2021 collaborative album The Lockdown Sessions and interviewing them on his Apple Music radio show Rocket Hour. He stated in an interview: "It's wonderful because you think, 'God, they're 16 or 17 or 15 years of age. How do they do that?' It keeps me animated and it keeps me so happy", and that "These are the kind of artists that keep me young. I listen to all new music, I know all the old music but it's the new music in life that keeps me inspired." Musicianship John has written with Bernie Taupin since 1967, when he answered an advertisement for talent placed in the popular UK music publication New Musical Express by Liberty Records A&R man Ray Williams. The pair have collaborated on more than 30 albums to date. Their method involves Taupin writing the lyrics on his own and sending them to John, who then writes music for them before recording the songs; the two are never in the same room during the process. In November 2017, John said of their 50-year partnership:We've never ever had an argument professionally or personally, which is extraordinary because most songwriters sometimes split up because they get jealous of each other. And it's exciting because it's never changed from the first day we wrote songs. I still write the song when he's not there and then I go and play it to him. So the excitement is still the same as it was from day one and that's kept it fresh and it's kept it exciting. In 1992, along with Taupin, John was inducted into the Songwriter's Hall of Fame. He is a fellow of the British Academy of Songwriters, Composers and Authors (BASCA). His voice was once classed as a tenor prior to his throat surgery; it is now a baritone. His piano playing is influenced by classical music and gospel music. Paul Buckmaster did orchestral arranging for his studio albums during the 1970s. Honours and awards John was inducted into the Rock and Roll Hall of Fame in his first year of eligibility in 1994. He and Taupin had already been inducted into the Songwriters Hall of Fame in 1992. John was appointed a Commander of the Order of the British Empire (CBE) in 1995. In October 1975, John received a star on the Hollywood Walk of Fame. John was knighted by Elizabeth II on 24 February 1998 for services to music and to charity. In the 2020 New Year Honours, he was appointed Member of the Order of the Companions of Honour (CH) by Queen Elizabeth II for services to music and to charity. John was awarded Society of Singers Lifetime Achievement Award in 2005. He received a Kennedy Center Honor in 2004 and a Disney Legends Award in 2006. In 2000, he was named the MusiCares Person of the Year for his artistic achievement in the music industry and dedication to philanthropy. In 2010, he received the PRS for Music Heritage Award, which was erected on The Namaste Lounge Pub in Northwood, London, where John performed his first gig. In 2019, President Emmanuel Macron appointed John a chevalier of the Legion of Honour. In 2019, John was featured on a series of UK postage stamps issued by the Royal Mail. In 2022, after John performed at the White House, President Joe Biden surprised him by presenting him with the National Humanities Medal. Music awards include the Academy Award for Best Original Song for "Can You Feel the Love Tonight" from The Lion King, the 1994 Golden Globe Award for Best Original Song for "Can You Feel the Love Tonight" from The Lion King, and the 2000 Tony Award for Best Original Score for Aida, all of which he shared with Tim Rice. The 2019 Golden Globe Award for Best Original Song and Academy Award for Best Original Song both went to John for "(I'm Gonna) Love Me Again", shared with Taupin. He has also received five Brit Awards, including the 1991 award for Best British Male, and awards for Outstanding Contribution to Music in 1986 and 1995. In 2013, John received the first Brits Icon award in recognition of his "lasting impact" on UK culture, which was presented to him by Rod Stewart. In 2024, John became the 19th person to achieve EGOT status after winning the Primetime Emmy Award for Outstanding Variety Special (Live) for Elton John: Farewell from Dodger Stadium. Rankings "Your Song" and "Bennie and the Jets" are listed in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2000, VH1's "100 Greatest Rock Songs" included "Your Song" at number 70. In 2003, Rolling Stone's 500 Greatest Albums of All Time included Goodbye Yellow Brick Road at number 91, Greatest Hits at number 135, Captain Fantastic and the Brown Dirt Cowboy at number 158, Honky Chateau at number 357, Tumbleweed Connection at number 463, and Elton John at number 468. In 2004, Rolling Stone's The 500 Greatest Songs of All Time included "Your Song" at number 136, "Rocket Man" at number 242, "Candle in the Wind" (original) at number 347, "Goodbye Yellow Brick Road" at number 380, and Tiny Dancer at number 387. In 2004, Rolling Stone ranked John number 49 on their list of the "100 Greatest Artists of All Time". In 2010, John was ranked number 28 on VH1's "100 Greatest Artists of All Time". In 2013, Ultimate Classic Rock website ranked "Rocket Man" number 37 in their Top 100 Classic Rock Songs chart. In their 2019 list of the "Greatest Artists of All Time", Billboard ranked John the top solo artist in US chart history (third overall behind The Beatles and The Rolling Stones). In 2023, Rolling Stone ranked Elton John at number 100 on its list of the 200 Greatest Singers of All Time. Discography Studio albums Collaboration albums Live in Australia with the Melbourne Symphony Orchestra (1986) Duets (1993) The Union (with Leon Russell) (2010) Good Morning to the Night (with Pnau) (2012) The Lockdown Sessions (2021) Soundtrack albums Friends (1971) The Lion King (1994) Elton John and Tim Rice's Aida (1999) The Muse (1999) The Road to El Dorado (2000) Aida (2000) Billy Elliot (2005) Lestat (2005) Gnomeo & Juliet (2011) Rocketman (2019) Selected filmography Born to Boogie, US (1972) as himself with Marc Bolan and Ringo Starr Tommy, UK (1975) as Pinball Wizard Elton John: Tantrums & Tiaras (1997) autobiography as himself Elton John: Me, Myself & I (2007) autobiography as himself Kingsman: The Golden Circle (2017) as himself Brian Wilson: Long Promised Road (2021) as himself If These Walls Could Sing (2022) as himself Tours References Further reading Goodall, Nigel. Elton John: A Visual Documentary, Omnibus Press, 1993. ISBN 0-7119-3078-3 Bernardin, Claude; Stanton, Tom (1 January 1996). Rocket man: Elton John from A–Z (illustrated, revised ed.). Greenwood Publishing Group. ISBN 978-0-275-95698-1. Rosenthal, Elizabeth. His Song: The Musical Journey of Elton John, Billboard Books, 2001. ISBN 0-8230-8892-8 O'Neill, Terry. Elton John by Terry O'Neill: The definitive portrait, with unseen images. Hachette UK, 2019 John, Elton. Me: Elton John Official Autobiography, Pan MacMillan, 2019. ISBN 978-1-50-985331-1 External links Official website Elton John on the Internet Archive Elton John on Facebook Elton John on Instagram Elton John on Spotify Elton John at IMDb Elton John at the Internet Broadway Database Commentary by Elton John (The Guardian)
Stevie_Wonder
https://en.wikipedia.org/wiki/Stevie_Wonder
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[ "https://en.wikipedia.org/wiki/Stevie_Wonder" ]
Stevland Hardaway Morris (; né Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100 in 1963, at the age of 13, making him the youngest solo artist ever to top the chart. Wonder's critical success was at its peak in the 1970s. His "classic period" began in 1972 with the releases of Music of My Mind and Talking Book, the latter featuring "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner Clavinet keyboard. His works Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976) all won the Grammy Award for Album of the Year, making him the only artist to have won the award with three consecutive album releases. Wonder began his "commercial period" in the 1980s; he achieved his biggest hits and highest level of fame, had increased album sales, charity participation, high-profile collaborations (including with Paul McCartney and Michael Jackson), political impact, and television appearances. Wonder has continued to remain active in music and political causes. Wonder is one of the best-selling music artists of all time, with sales of over 100 million records worldwide. He has won 25 Grammy Awards (the most by a male solo artist) and one Academy Award (Best Original Song, for the 1984 film The Woman in Red). Wonder has been inducted into the Rhythm and Blues Music Hall of Fame, Rock and Roll Hall of Fame and Songwriters Hall of Fame. He is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.'s birthday a federal holiday in the U.S. In 2009, he was named a United Nations Messenger of Peace, and in 2014, he was honored with the Presidential Medal of Freedom. Early life Wonder was born Stevland Hardaway Judkins in Saginaw, Michigan, on May 13, 1950, the third of five children born to Lula Mae Hardaway, and the second of Hardaway's two children with Calvin Judkins. Wonder was born six weeks premature, a condition that, along with the oxygen-rich atmosphere in the hospital incubator, resulted in retinopathy of prematurity, a disease that aborts eye growth and often causes the retinas to detach, which left him blind. When Wonder was four, his mother divorced his father and moved with her three children to Detroit. Wonder attended Whitestone Baptist Church, where he sang in the choir and became a soloist at age eight. His mother later rekindled her relationship with her first child's father (whose surname was also coincidentally Hardaway), changed her name back to Lula Hardaway, and had two more children. He began playing instruments at an early age, including piano, harmonica, and drums. He formed a singing partnership with a friend; calling themselves Stevie and John, they played on street corners and occasionally at parties and dances. When Stevie was signed by Motown in 1961, his surname was legally changed to Morris, which (according to Lula Mae Hardaway's authorized biography) was an old family name. Berry Gordy was responsible for creating the stage name of "Little Stevie Wonder". Wonder attended Fitzgerald Elementary School in Detroit. After his first album was released, The Jazz Soul of Little Stevie (1962), he enrolled in Michigan School for the Blind in Lansing, Michigan. Career 1960s: Singles as a youth In 1961, at the age of 11, Wonder sang his own composition, "Lonely Boy", to Ronnie White of the Miracles; White then took Wonder and his mother to an audition at Motown, where CEO Berry Gordy signed Wonder to Motown's Tamla label. Before signing, producer Clarence Paul gave him the name Little Stevie Wonder. Because of Wonder's age, the label drew up a rolling five-year contract in which royalties would be held in trust until Wonder was 21. He and his mother would be paid a weekly stipend to cover their expenses: Wonder received $2.50 (equivalent to $25.49 in 2023) per week, and a private tutor was provided when Wonder was on tour. Wonder was put in the care of producer and songwriter Clarence Paul, and for a year they worked together on two albums. Tribute to Uncle Ray was recorded first, when Wonder was still 11 years old. Mainly covers of Ray Charles's songs, the album included a Wonder and Paul composition, "Sunset". The Jazz Soul of Little Stevie was recorded next, an instrumental album consisting mainly of Paul's compositions, two of which, "Wondering" and "Session Number 112", were co-written with Wonder. Feeling Wonder was now ready, a song, "Mother Thank You", was recorded for release as a single, but then pulled and replaced by the Berry Gordy song "I Call It Pretty Music, But the Old People Call It the Blues" as his début single; released summer 1962, it almost broke into the Billboard 100, spending one week of August at 101. Two follow-up singles, "Little Water Boy" and "Contract on Love", both had no success, and the two albums, released in reverse order of recording—The Jazz Soul of Little Stevie in September 1962 and Tribute to Uncle Ray in October 1962—also met with little success. At the end of 1962, when Wonder was 12 years old, he joined the Motortown Revue, touring the "Chitlin' Circuit" of theatres across America that accepted black artists. At the Regal Theater, Chicago, his 20-minute performance was recorded and released in May 1963 as the album Recorded Live: The 12 Year Old Genius. A single, "Fingertips", from the album was also released in May, and became a major hit. The song, featuring a confident and enthusiastic Wonder returning for a spontaneous encore that catches out the replacement bass player, who is heard to call out "What key? What key?", was a No. 1 hit on the Billboard Hot 100 when Wonder was aged 13, making him the youngest artist ever to top the chart. The single was simultaneously No. 1 on the R&B chart, the first time that had occurred. His next few recordings, however, were not successful; his voice was changing as he got older, and some Motown executives were considering cancelling his recording contract. During 1964, Wonder appeared in two films as himself, Muscle Beach Party and Bikini Beach, but these were not successful either. Sylvia Moy persuaded label owner Berry Gordy to give Wonder another chance. Dropping the "Little" from his name, Moy and Wonder worked together to create the hit "Uptight (Everything's Alright)", and Wonder went on to have a number of other hits during the mid-1960s, including "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan song, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "The Tears of a Clown", a No. 1 hit for Smokey Robinson and the Miracles (it was first released in 1967, mostly unnoticed as the last track of their Make It Happen LP, but eventually became a major success when re-released as a single in 1970, which prompted Robinson to reconsider his intention of leaving the group). In 1968, he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the title Eivets Rednow, which is "Stevie Wonder" spelled backward. The album failed to get much attention, and its only single, a cover of Burt Bacharach's and Hal David's "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the US Adult Contemporary charts. Nonetheless, he managed to score several hits between 1967 and 1970 such as "I Was Made to Love Her", "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". A number of Wonder's early hits, including "My Cherie Amour", "I Was Made to Love Her", and "Uptight (Everything's Alright)", were co-written with Henry Cosby. The hit single "Signed, Sealed, Delivered I'm Yours" was his first-ever self-produced song. In 1969, Wonder participated in the Sanremo Music Festival with the song "Se tu ragazzo mio", in conjunction with Gabriella Ferri. Between 1967 and 1970, he recorded four 45 rpm singles and an Italian LP. Wonder's appearance at the 1969 Harlem Cultural Festival opens the 2021 music documentary, Summer of Soul. Wonder plays a drum solo during his set. 1970s: Classic albums period In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder worked together on the next album, Where I'm Coming From (1971), Wonder writing the music, and Wright helping with the lyrics. Around this time, Wonder became interested in utilizing synthesizers after hearing albums by electronic group Tonto's Expanding Head Band. Wonder and Wright wanted to "touch on the social problems of the world", and for the lyrics "to mean something". The album was released at around the same time as Marvin Gaye's What's Going On. As both albums had similar ambitions and themes, they have been compared; in a contemporaneous review by Vince Aletti in Rolling Stone, Gaye's was seen as successful, while Wonder's was seen as failing due to "self-indulgent and cluttered" production, "undistinguished" and "pretentious" lyrics, and an overall lack of unity and flow. Also in 1970, Wonder co-wrote (and played numerous instruments on) the hit "It's a Shame" for fellow Motown act the Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy. Reaching his 21st birthday on May 13, 1971, Wonder allowed his Motown contract to expire. During this period, he independently recorded two albums and signed a new contract with Motown Records. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate. He returned to Motown in March 1972 with Music of My Mind. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, Music of My Mind was a full-length artistic statement with songs flowing together thematically. Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically he began exploring overdubbing and recording most of the instrumental parts himself. Music of My Mind marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil), and with lyricist Yvonne Wright. Released in late 1972, Wonder's album Talking Book featured the No. 1 hit "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner Clavinet keyboard. Talking Book also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Wonder began touring with the Rolling Stones to alleviate the negative effects from being pigeonholed as an R&B artist in America. His touring with the Stones was also a factor behind the success of both "Superstition" and "You Are the Sunshine of My Life". Between them, the two songs won three Grammy Awards. On an episode of the children's television show Sesame Street that aired in April 1973, Wonder and his band performed "Superstition", as well as an original called "Sesame Street Song", which demonstrated his abilities with television. Wonder's studio album Innervisions, released in 1973, featured "Higher Ground" (No. 4 on the pop charts) as well as the trenchant "Living for the City" (No. 8). Both songs reached No. 1 on the R&B charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole. Innervisions generated three more Grammy Awards, including Album of the Year. The album is ranked No. 34 on Rolling Stone's 500 Greatest Albums of All Time. Wonder had become the most influential and acclaimed black musician of the early 1970s. On August 6, 1973, Wonder was injured in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck. This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste. Despite orders from his doctor to refrain from performing, Wonder performed at a homecoming benefit for Shaw University in Raleigh, in November 1973. Shaw was facing financial difficulties, so Wonder, who was a member of the university's board of trustees, rallied other acts including Exuma, LaBelle, and the Chambers Brothers to join the concert, which raised more than $10,000 for the school's scholarship fund. Wonder embarked on a European tour in early 1974, performing in France at the Midem convention in Cannes, in England at the Rainbow Theatre in London, and on the German television show Musikladen. On his return to the United States, he played a sold-out concert at Madison Square Garden in March 1974, highlighting both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City". The album Fulfillingness' First Finale appeared in July 1974 and set two hits high on the pop charts: the No. 1 "You Haven't Done Nothin'" and the Top Ten "Boogie on Reggae Woman". The Album of the Year was again one of three Grammys won. The same year, Wonder took part in a Los Angeles jam session with ex-Beatles John Lennon and Paul McCartney that would become known as the bootleg album A Toot and a Snore in '74. He also co-wrote and produced the 1974 Syreeta Wright album Stevie Wonder Presents: Syreeta. On October 4, 1975, Wonder performed at the historic "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind. In 1975, he played harmonica on two tracks on Billy Preston's album It's My Pleasure. By 1975, at the age of 25, Wonder had won two consecutive Grammy Awards: in 1974 for Innervisions and in 1975 for Fulfillingness' First Finale. In 1976, when Paul Simon won the Album of the Year Grammy for his Still Crazy After All These Years, he wryly noted: "I'd like to thank Stevie Wonder, who didn't make an album this year." The double album-with-extra-EP, Songs in the Key of Life, was released in September 1976. Sprawling in style and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history. The album became the first by an American artist to debut straight at No. 1 in the Billboard charts, where it stood for 14 non-consecutive weeks. Two tracks became No. 1 Pop/R&B hits: "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" and "Village Ghetto Land" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two other Grammys. The album ranks 4th on Rolling Stone's 500 Greatest Albums of All Time. Also in 1976, Wonder heard about the demonstration of the Kurzweil Reading Machine, the first multi-font reading machine for the blind, on The Today Show, and later became the user of the first production unit, beginning a long-term association between himself and Ray Kurzweil. Until 1979's Stevie Wonder's Journey Through "The Secret Life of Plants", his only further 1970s release was the retrospective three-disc album Looking Back (1977), an anthology of his early Motown period. 1980s: Commercial albums period The mainly instrumental soundtrack album Stevie Wonder's Journey Through "The Secret Life of Plants" (1979), was composed using an early music sampler called a Computer Music Melodian. It was also his first digital recording, and one of the earliest popular albums to use the technology, which Wonder used for all subsequent recordings. Wonder toured briefly with an orchestra in support of the album, and used a Fairlight CMI sampler onstage. In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and ranked by Billboard as the No. 1 R&B single of 1980. Hotter than July (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Martin Luther King Jr.'s birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately". In 1982, Wonder released a retrospective of his 1970s work with Stevie Wonder's Original Musiquarium, which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B side), "Front Line", a narrative about a soldier in the Vietnam War that Wonder wrote and sang in the first person, and "Ribbon in the Sky", one of his many classic compositions. He also gained a No. 1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory". Also in 1982, Wonder invited Raymond Kurzweil to his Los Angeles recording studio, Wonderland, and asked if "we could use the extraordinarily flexible computer control methods on the beautiful sounds of acoustic instruments?" In response, and with Wonder as musical advisor, Kurzweil founded Kurzweil Music Systems, which unveiled the Kurzweil K250 in 1984. In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S. E. Hinton's novel The Outsiders. Wonder wrote the lyrics. In 1983, he scheduled an album to be entitled People Work, Human Play. The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You", was a No. 1 pop and R&B hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy award for best song in 1985. Wonder accepted the award in the name of Nelson Mandela and was subsequently banned from all South African radio by the Government of South Africa. Incidentally, on the occasion of his 35th birthday, Stevie Wonder was honored by the United Nations Special Committee Against Apartheid for his stance against racism in South Africa that same year (1985). The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. Following the success of the album and its lead single, Wonder made an appearance on The Cosby Show, in the episode "A Touch of Wonder", where he demonstrated his ability to sample. The following year's In Square Circle featured the No. 1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home". It also featured the ballad "Overjoyed", which was originally written for Journey Through "The Secret Life of Plants", but did not make the album. He performed "Overjoyed" on Saturday Night Live when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It the Blues". Wonder was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He played harmonica on the album Dreamland Express by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews; wrote the track "I Do Love You" for the Beach Boys' 1985 self-titled album; and played harmonica on "Can't Help Lovin' That Man" on The Broadway Album by Barbra Streisand. In 1987, Wonder appeared on Michael Jackson's Bad album, on the duet "Just Good Friends". Jackson also sang a duet with him entitled "Get It" on Wonder's 1987 album Characters. This was a minor hit single, as were "Skeletons" and "You Will Know". Wonder played harmonica on a remake of his own song, "Have a Talk with God" (from Songs in the Key of Life in 1976), on Jon Gibson's album Body & Soul (1989). 1990s: Jungle Fever and 1996 Olympics Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. From this album, singles and videos were released for "Gotta Have You", "Fun Day" (remix only), "These Three Words" and "Jungle Fever". The B-side to the "Gotta Have You" single was "Feeding Off The Love of the Land", which was played during the end credits of the movie Jungle Fever but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love of the Land" was also released on the Nobody's Child: Romanian Angel Appeal compilation. Conversation Peace and the live album Natural Wonder were released in the 1990s. In 1992, Wonder went to perform at Panafest, a new international festival of music held biennially in Ghana; it was during this trip that he composed many of the songs featured on Conversation Peace, and he would describe in a 1995 interview the powerful impact his visit to that country had: "I'd only been there for 18 hours when I decided I'd eventually move there permanently." In 1994, as co-chair of Panafest that year, he headlined a concert at the National Theatre in Accra. Among his other activities, Wonder played harmonica on the track "Deuce" (sung by Lenny Kravitz) for the 1994 tribute album Kiss My Ass: Classic Kiss Regrooved; sang at the 1996 Summer Olympics closing ceremony; collaborated in 1997 with Babyface on "How Come, How Long", a song about domestic violence that was nominated for a Grammy award; and played harmonica on Sting's 1999 "Brand New Day". In early 1999, Wonder performed in the Super Bowl XXXIII halftime show. In May 1999, Rutgers University presented Wonder with an honorary doctorate degree in fine arts. In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight. Into the 21st century: Later career and collaborations In 2000, Wonder contributed two new songs to the soundtrack for Spike Lee's Bamboozled album ("Misrepresented People" and "Some Years Ago"). Wonder continues to record and perform; though mainly occasional appearances and guest performances, he did do two tours, and released one album of new material, 2005's A Time to Love. In June 2006, Wonder made a guest appearance on Busta Rhymes' album The Big Bang, on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre- and Sha Money XL–produced track. He appeared again on the last track of Snoop Dogg's 2006 album Tha Blue Carpet Treatment, "Conversations". The song is a remake of "Have a Talk with God" from Songs in the Key of Life. In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album Amore, offering harmonica and additional vocals on "Canzoni Stonate". Wonder also performed at Washington, D.C.'s 2006 A Capitol Fourth celebration. His other key appearances include performing at the opening ceremony of the 2002 Winter Paralympics in Salt Lake City, the 2005 Live 8 concert in Philadelphia, the pre-game show for Super Bowl XL in 2006, the Obama Inaugural Celebration in 2009, and the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece. Wonder's first new album in 10 years, A Time to Love, was released in October 2005 to lower sales than previous albums, and lukewarm reviews—most reviewers appearing frustrated at the end of the long delay to get an album that mainly copied the style of Wonder's "classic period" without doing anything new. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart", was a hit on adult-contemporary R&B radio. The album also featured a duet with India Arie on the title track "A Time to Love". Wonder did a 13-date tour of North America in 2007, starting in San Diego on August 23; this was his first U.S. tour in more than 10 years. On September 8, 2008, he started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in more than a decade. His opening show was at the National Indoor Arena in Birmingham in the English Midlands. During the tour, he played eight UK gigs; four at the O2 Arena in London (filmed in HD and subsequently released as a live-in-concert release on DVD and Blu-Ray, Live At Last), two in Birmingham and two at the M.E.N. Arena in Manchester. Wonder's other stop in the tour's European leg also found him performing in the Netherlands (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November. His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee, a stop at the Hard Rock Calling festival in Hyde Park, London, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, a concert in Bergen, Norway, and a concert in Dublin, Ireland, at The O2 on June 24. Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up", featuring CJ Hilton and Raphael Saadiq. Wonder sang at the Michael Jackson memorial service in 2009, at Etta James' funeral, in 2012, a month later at Whitney Houston's memorial service, and at the funeral of Aretha Franklin in 2018. Wonder appeared on singer Celine Dion's studio album Loved Me Back to Life, performing a cover of his 1985 song "Overjoyed". The album was released in October 2013. He was also featured on two tracks on Mark Ronson's 2015 album Uptown Special, and the track "Stop Trying to Be God" on Travis Scott's 2018 album Astroworld. In October 2020, Wonder announced that he had a new vanity label released via Republic Records, So What the Fuss Records, marking the first time his music was not released through Motown Records. The announcement was paired with the release of two singles: "Can't Put It in the Hands of Fate", a "socially-conscious" funk track, and "Where Is Our Love Song", whose proceeds will go towards the organization Feeding America. In June 2021, Wonder appeared in the documentary Summer of Soul, directed by Ahmir "Questlove" Thompson, showing the Harlem Cultural Festival of 1969. In never-before-seen footage, a young 19-year-old Stevie Wonder is seen performing in front of thousands of people in Harlem. His performance shown in the documentary included "It's Your Thing" by The Isley Brothers and a drum solo. Wonder talks about the turning point made in his career during this time and how this helped him get out of being seen as just a child star. In October 2022, Wonder celebrated his 50th anniversary of his project Talking Book. On August 30, 2024, Wonder released his first new song in four years, "Can We Fix Our Nation's Broken Heart". Future projects By June 2008, Wonder was working on two projects simultaneously: a new album called The Gospel Inspired by Lula, which will deal with the various spiritual and cultural crises facing the world, and Through the Eyes of Wonder, an album he has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album. Bennett and Wonder recorded a rendition of "For Once in My Life" which earned them a Grammy for best pop collaboration with vocals in 2006; Bennett died in 2023. In 2013, Wonder revealed that he had been recording new material for two albums, When the World Began and Ten Billion Hearts, in collaboration with producer David Foster, to be released in 2014. The albums have not seen release. In October 2020, while promoting his two recent singles, Wonder mentioned both Through the Eyes of Wonder and The Gospel Inspired by Lula as projects in development (the former as an album that may feature both singles, and the latter as a future album he may record with his former label Motown). Legacy Wonder is one of the most notable popular music figures of the second half of the 20th century. He is one of the most successful songwriters and musicians. Virtually a one-man band during his peak years, his use of synthesizers and further electronic musical instruments during the 1970s helped expand the sound of R&B. He is also credited as one of the artists who helped drive R&B into the album era, by crafting his LPs as cohesive, consistent statements with complex sounds. His "classic period", which culminated in 1976, was marked by his funky keyboard style, personal control of production, and use of integrated series of songs to make concept albums. In 1979, Wonder used Computer Music Inc.'s early music sampler, the Melodian, on his soundtrack album Stevie Wonder's Journey Through "The Secret Life of Plants". This was his first digital recording and one of the earliest popular albums to use the technology, which Wonder used for all subsequent recordings. He recorded several critically acclaimed albums and hit singles, and also wrote and produced songs for many of his label mates and outside artists as well. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. He plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica and Clavinet. Wonder has been credited as a pioneer and influence to musicians of various genres, including pop, rhythm and blues, soul, funk and rock. Wonder's "classic period" is generally agreed to be between 1972 and 1976. Some observers see aspects of 1971's Where I'm Coming From as certain indications of the beginning of Wonder's "classic period", such as its new funky keyboard style that Wonder used throughout the classic period. Some determine Wonder's first "classic" album to be 1972's Music of My Mind, on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album. Others skip over early 1972 and determine the beginning of the classic period to be in late 1972 with Talking Book, the album on which Wonder "hit his stride". Wonder's albums during his "classic period" were considered very influential in the music world: the 1983 Rolling Stone Record Guide said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade"; in 2005, American recording artist Kanye West said of his own work: "I'm not trying to compete with what's out there now. I'm really trying to compete with Innervisions and Songs in the Key of Life. It sounds musically blasphemous to say something like that, but why not set that as your bar?" Slate magazine's pop critic, Jack Hamilton, said: "Most Americans follow up their 21st birthdays with a hangover; Stevie Wonder opted for arguably the greatest sustained run of creativity in the history of popular music. Wonder's "classic period"—the polite phrase for when Stevie spent five years ferociously dunking on the entire history of popular music with the releases of Music of My Mind, Talking Book, Innervisions, Fulfillingness' First Finale, and Songs in the Key of Life [...] We've never heard anything like it since, and barring another reincarnation, we never will again." Wonder has recorded more than 30 U.S. top-ten hits, including ten U.S. number-one hits on the pop charts, well as 20 R&B number one hits. He has sold over 100 million records, 19.5 million of which are albums; he is one of the top 60 best-selling music artists with combined sales of singles and albums. Wonder was the first Motown artist and second African-American musician to win an Academy Award for Best Original Song, which he won for his 1984 hit single "I Just Called to Say I Love You" from the movie The Woman in Red. Wonder won 25 Grammy Awards (the most ever won by a solo artist), as well as a Lifetime Achievement Award. His albums of the "classic period", Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976), all won the Grammy Award for Album of the Year, making him the tied-record holder for the most Album of the Year wins, with three. He is also the only artist to have won the award with three consecutive album releases. He has been inducted into the Rhythm and Blues Music Hall of Fame, Rock and Rock Hall of Fame and Songwriters Hall of Fame, and has received a star on the Hollywood Walk of Fame. He has also been awarded the Polar Music Prize. Rolling Stone named him the seventh greatest singer and fifteenth greatest artist of all time. In June 2009, he became the fourth artist to receive the Montreal Jazz Festival Spirit Award. In 2003, Rolling Stone's "500 Greatest Albums of All Time" list included Innervisions at number 23, Songs in the Key of Life at number 56 (promoted to number 4 for the 2020 edition), Talking Book at number 90 (promoted to number 59 for the 2020 edition), and Music of My Mind at number 284. In 2004, on their "500 Greatest Songs of All Time" list, Rolling Stone included "Superstition" at number 74 (promoted to number 12 for the 2020 edition), "Living for the City" at number 104, "Higher Ground" at number 261 (promoted to number 113 for the 2020 edition), and "You Are the Sunshine of My Life" at number 281 (promoted to number 183 for the 2020 edition); additionally, "Signed, Sealed, Delivered (I'm Yours)" was included in the 2020 edition at number 203. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.'s birthday a federal holiday in the United States. On October 21, 1974, with the Boston busing desegregation underway, Wonder spoke and led students in song at a lounge at the University of Massachusetts Boston the day after he performed at the Boston Garden. Personal life Marriages and children Wonder has been married three times. He was married to Motown singer-songwriter and frequent collaborator Syreeta Wright from 1970 until their amicable divorce in 1972, after which their musical collaboration continued (she sang on 1995's Conversation Peace). From 2001 until 2012, he was married to fashion designer Kai Millard. In October 2009, Wonder and Millard separated; Wonder filed for divorce in August 2012. In 2017, he married Tomeeka Bracy. Wonder has nine children with five women. Two were born to Yolanda Simmons, whom Wonder met when she applied for a job as secretary for his publishing company. Simmons gave birth to Wonder's daughter Aisha Morris on February 2, 1975. After Aisha was born, Wonder said "she was the one thing that I needed in my life and in my music for a long time". Aisha was the inspiration for Wonder's hit single "Isn't She Lovely?" She is now a singer who has toured with her father and accompanied him on recordings, including his 2005 album A Time to Love. Wonder and Simmons also had a son, Keita, in 1977. In 1983, Wonder had a son named Mumtaz Morris with Melody McCulley. Wonder also has a daughter, Sophia, and a son, Kwame, with a woman whose identity has not been publicly disclosed. Wonder has two sons with second wife Kai Millard Morris. The elder is named Kailand, and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born on May 13, 2005 (his father's 55th birthday). Wonder's ninth child, his second with Tomeeka Robyn Bracy, was born in December 2014, amid rumors that he would be the father to triplets. This turned out not to be the case, and the couple named their new daughter Nia, meaning "purpose" (one of the seven principles of Kwanzaa). Family and health On May 31, 2006, Wonder's mother Lula Mae Hardaway died in Los Angeles at the age of 76. During his September 8, 2008, UK concert in Birmingham, he spoke of his decision to begin touring again following his loss: "I want to take all the pain that I feel and celebrate and turn it around." At a concert in London's Hyde Park on July 6, 2019, Wonder announced that he would be undergoing a kidney transplant in September. Religion and politics Wonder has been a longtime Baptist affiliated with black churches. He was introduced to Transcendental Meditation through his marriage to Syreeta Wright. Consistent with that spiritual vision, Wonder became vegetarian, and later a vegan, singing about it in October 2015 on The Late Late Show with James Corden during the show's "Carpool Karaoke" segment. Wonder joined Twitter on April 4, 2018, and his first tweet was a five-minute video honoring Martin Luther King Jr. Dozens of famous personalities were rounded up in the video, which was titled "The Dream Still Lives". Each person involved shared their dream, calling back to King's popular speech in 1963. Wonder's first tweet took the Internet by storm, and he also encouraged viewers to share their own videos about their dreams with the hashtag #DreamStillLives. On August 21, 2024, Wonder performed "Higher Ground" at the 2024 Democratic National Convention, endorsing Vice President Kamala Harris in the 2024 United States presidential election. Wonder also briefly spoke at the convention, saying: “This is a moment to tell your children where you were and what you did. When we stand between history’s pain and tomorrow’s promises, we must choose courage over complacency." Ghanaian citizenship On May 13, 2024, Wonder's 74th birthday, Ghana's President Nana Akufo-Addo conferred Ghanaian citizenship on him. Wonder took the Oath of Allegiance and received his Certificate of Citizenship at Jubilee House in Accra. Awards and recognition Grammy Awards Wonder has won 25 Grammy Awards, as well as a Grammy Lifetime Achievement Award in 1996. He is one of only four artists and groups who have won the Grammy for Album of the Year three times as the main credited artist, along with Frank Sinatra, Paul Simon, and Taylor Swift. Wonder is the only artist to have won the award with three consecutive album releases. Other awards and recognition Wonder has been given a range of awards, both for his music and for his civil rights work, including a Lifetime Achievement Award from the National Civil Rights Museum, being named one of the United Nations Messengers of Peace, and earning a Presidential Medal of Freedom from President Barack Obama in 2014, presented at a ceremony in the White House on November 24 that year. In December 2016, the City of Detroit recognized Wonder's legacy by renaming a portion of his childhood street, Milwaukee Avenue West, between Woodward Avenue and Brush Street, as "Stevie Wonder Avenue". He was also awarded an honorary key to the city, presented by Mayor Mike Duggan on the day of the unveiling of the new street sign. In 2023, Wonder was awarded the Freedom of the City of Newcastle upon Tyne, England, conferred in recognition of his campaign to establish a US national holiday for the birthday of Martin Luther King, Jr., who in November 1967 had received an honorary degree from Newcastle University. In May 2024, Wonder was a recipient (alongside Misty Copeland) of the George Peabody Medal for Outstanding Contributions to Music and Dance in America, the highest honor awarded by the Peabody Institute of Johns Hopkins University. Honorary degrees Stevie Wonder has received many honorary degrees in recognition of his music career. These include: Discography See also List of Billboard Hot 100 chart achievements and milestones List of artists who reached number one on the Hot 100 (U.S.) References External links Official website Stevie Wonder at AllMusic Appearances on C-SPAN Stevie Wonder discography at Discogs Stevie Wonder at IMDb Stevie Wonder discography at MusicBrainz Stevie Wonder collected news and commentary at The New York Times Stevie Wonder Interview at NAMM Oral History Collection (2016)
Gladys_Knight
https://en.wikipedia.org/wiki/Gladys_Knight
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[ "https://en.wikipedia.org/wiki/Gladys_Knight" ]
Gladys Maria Knight (born May 28, 1944), known as the "Empress of Soul", is an American singer. A ten-time Grammy Award-winner, Knight recorded hits through the 1960s, 1970s, and 1980s with her family group Gladys Knight & the Pips, which included her brother Merald "Bubba" Knight and cousins William Guest and Edward Patten. Knight has recorded two number-one Billboard Hot 100 singles ("Midnight Train to Georgia" and "That's What Friends Are For" which she did with Dionne Warwick, Sir Elton John and Stevie Wonder), eleven number-one R&B singles and six number-one R&B albums. She has won seven Grammy Awards (four as a solo artist and three with the Pips) and is an inductee into the Rock and Roll Hall of Fame and Vocal Group Hall of Fame along with The Pips. Two of her songs ("I Heard It Through the Grapevine" and "Midnight Train to Georgia") were inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. She also recorded the theme song for the 1989 James Bond film Licence to Kill. Rolling Stone magazine ranked Knight among the 100 Greatest Singers of All Time. She is also a recipient of the National Medal of Arts and Kennedy Center Honors. Early life Gladys Knight was born in Atlanta, Georgia, on May 28, 1944, to Sarah Elizabeth (née Woods), a nurse's aide, and Merald Woodlow Knight Sr., a postal worker. Her parents were members of both the church choir and a local choir group. She has a sister, Brenda, and two brothers, Merald "Bubba" Jr. and David "Billy." Knight was raised Baptist and began singing gospel music at age four at the Mount Moriah Baptist Church in Atlanta. At the age of eight, she won Ted Mack's The Original Amateur Hour TV show contest singing Nat King Cole's "Too Young." Shortly after, Knight along with her brother Bubba, sister Brenda, and cousins Eleanor and William Guest performed together during Bubba's tenth birthday party after a record player malfunctioned. The quintet later formed a group at the encouragement of Knight's mother. The group settled on the name The Pips, inspired by the nickname of their cousin and manager, James "Pip" Woods. The Pips performed at church, talent shows, and clubs opening for popular acts, then signed with Brunswick Records in 1957 and began releasing singles. After a few lineup changes, the group debuted their first album in 1960 when Knight was just 16. By then, she had recorded five songs and released her first hit single, “Every Beat of My Heart.” The group's success was later halted by Knight's departure to start a family with husband and musician Jimmy Newman, resuming soon after when she returned. Knight attended the historic Booker T. Washington High School, in Atlanta, later transferring and graduating from Archer High School. Success with the Pips Gladys Knight & the Pips joined the Motown Records roster in 1966 (with only three hits to their credit - "Every Beat of My Heart", "Giving Up" and "Letter Full of Tears"), and, although initially regarded as a second-string act by the label, scored several major hit singles, including "I Heard It Through the Grapevine" (#1 in 1967) (released later by Marvin Gaye), "The Nitty Gritty" (1969), "Friendship Train" (1969), "If I Were Your Woman" (1970), "I Don't Want To Do Wrong" (1971), the Grammy Award–winning "Neither One of Us (Wants to Be the First to Say Goodbye)" (1972), and "Daddy Could Swear (I Declare)" (1973). In their early Motown career, Gladys Knight and the Pips toured as the opening act for Diana Ross and the Supremes. Gladys Knight stated in her memoirs that Ross kicked her off the tour because the audience's reception to Knight's soulful performance overshadowed her. Berry Gordy later told Knight that she was giving his act a hard time. The act left Motown for a better deal with Buddah Records in 1973, and achieved even greater mainstream success that year with hits such as the Grammy-winning "Midnight Train to Georgia" (#1 on the pop and R&B chart), "I've Got to Use My Imagination", "The Way We Were/Try To Remember" and "Best Thing That Ever Happened to Me". In the summer of 1974, Knight and the Pips recorded the soundtrack to the film Claudine with producer Curtis Mayfield, which included the songs "On and On", "The Makings of You" and "Make Yours a Happy Home". The act was particularly successful in Europe, and especially the United Kingdom. A number of the Buddah singles became hits in the UK several years after their release in the US. For example, "Midnight Train to Georgia" hit the Top 5 of the UK singles chart in the summer of 1976, a full three years after its success in the U.S. Knight and the Pips continued to have hits until the late 1970s, when they were forced to record separately due to legal issues, resulting in Knight's first solo LP recordings—Miss Gladys Knight (1978) on Buddah and Gladys Knight (1979) on Columbia Records. After divorcing James Newman II in 1973, Knight married Barry Hankerson, then Detroit mayor Coleman Young's executive aide. Knight and Hankerson remained married for four years, during which time they had a son, Shanga Ali. Hankerson and Knight became embroiled in a heated custody battle over Shanga Ali. In 1980, Johnny Mathis invited Knight to record two duets— "When A Child Is Born" (previously a hit for Mathis) and "The Lord's Prayer". Signing with Columbia Records in 1980 and restored to its familiar quartet form, Gladys Knight & the Pips began releasing new material. The act enlisted former Motown producers Nickolas Ashford and Valerie Simpson for their first two albums: About Love (1980), which included the hit "Landlord" and Touch (1981). In 1983, Gladys Knight and the Pips scored again with the hit "Save the Overtime (For Me)". The song, under the artistic direction of Leon Sylvers III (known for collaborating on Shalamar hits), was done in a soulful boogie style. The single was released from their LP "Visions" and reached number sixty-six on the Hot 100, but was more successful on the R&B where it hit number one for a single week in mid 1983. The single was the first time the group hit number one on the R&B chart since 1974. The video accompanying the song became among the earliest R&B videos to incorporate elements of hip hop culture. The album also included the R&B hit "You're Number One (In My Book)". In 1987, Knight decided to pursue a solo career, and she and the Pips recorded their final LP together, All Our Love (1987), for MCA Records. Its infectious lead single, "Love Overboard", was a number-one R&B hit and won another Grammy for the act as well. After a successful 1988 tour, the Pips retired and Knight began her solo career. Gladys Knight & the Pips were inducted into the Georgia Music Hall of Fame in 1989, into the Rock and Roll Hall of Fame in 1996 and the Vocal Group Hall of Fame in 2001. Solo career and other musical endeavors While still with the Pips, Gladys Knight joined with Dionne Warwick, Stevie Wonder, and Elton John on the 1985 AIDS benefit single, "That's What Friends Are For", a triple No. 1 mega-hit, which won a Grammy for Best Pop Performance By A Duo Or Group With Vocal. Knight shared a stage with Dionne Warwick and Patti LaBelle for the 1986 HBO special Sisters in the Name of Love, which she co-executive produced and received three ACE Awards for Performance in a Music Special, as well as nominations for Best Music Special and Costume Design in 1987. On March 27, 1988, Knight performed a rendition of "America the Beautiful" at Wrestlemania 4 in Atlantic City, NJ. In 1989, she recorded "Licence to Kill", the title track for James Bond film of the same name, a Top-10 hit in the UK and Germany. Knight released her third and most successful solo LP, Good Woman, on MCA in 1991, which hit No. 1 on the R&B album chart, featured the No. 2 R&B hit "Men", and reached No. 45 on the main Billboard album chart—her all-time-highest showing. The album also featured "Superwoman", written by Babyface and featuring Dionne Warwick and Patti LaBelle; the track was nominated for a Grammy. Knight and LaBelle collaborated the same year on "I Don't Do Duets", for LaBelle's album Burnin'. Also in 1991, Knight performed the national anthem at Game 1 of the World Series. Her fourth solo album, Just for You, went Gold and was nominated for the 1995 Grammy Award for Best R&B Album. The fifth solo album, At Last, earned her first solo Grammy Award for Best Traditional R&B Album in 2000. Knight created and directs the Mormon-themed choir Saints Unified Voices. SUV has released a Grammy Award-winning CD titled One Voice, and occasionally performs at LDS church firesides. In April 2004, Knight co-headlined the VH1's benefit concert Divas Live 2004 alongside Ashanti, Cyndi Lauper, Jessica Simpson, Joss Stone, Debbie Harry, and Patti LaBelle, in support of the Save the Music Foundation. In 2005, a duet between Knight and Ray Charles of "You Were There" was released on Charles' duets album Genius & Friends. In the spring of 2008, Knight appeared alongside Chaka Khan, Patti LaBelle and Diana Ross at the 'Divas with Heart' concert in aid of cardiac research, at New York's Radio City Hall. Also in 2008 Gladys, Jack Black, Robert Downey Jr. and Ben Stiller performed on American Idol to raise money for charity. In 2009, Knight sang "His Eye Is On The Sparrow" and "The Lord's Prayer" at the funeral service for Michael Jackson. In September 2011, a new, updated recording of Shirley Bassey's 1960s classic "I (Who Have Nothing)" was released on iTunes and Amazon. In 2013, Knight recorded the Lenny Kravitz-written and -produced song "You And I Ain't Nothin' No More" for the soundtrack from Lee Daniels' motion picture The Butler. The song was added to the movie's soundtrack of older songs with various artists so the producers could nominate it for Best Song from a Motion Picture category at the Academy Awards. Where My Heart Belongs (2014) marked her 30th top-40 R&B album, including work by Gladys Knight & the Pips. In a 2014 interview, she expressed a hope that women would "Stand Up" and stop selling sex in the music/entertainment industry. She commented that the growing trend saddened her heart and that she had been taught to dress respectfully for her audiences ... "not take it off, put it on." Knight is ranked number 18 on VH1 network's list of the 100 Greatest Women of Rock. In 2019, Knight accepted an invitation to sing the national anthem at Super Bowl LIII. She faced criticism for agreeing to perform due to the alleged blacklisting of Colin Kaepernick by the National Football League after he began protesting police brutality during pre-game anthem ceremonies. Similar criticism was expressed against the half-time show performers, Maroon 5, Travis Scott, and Big Boi. Knight defended her decision to sing, claiming to understand Kaepernick's reasons for protesting but criticizing him for kneeling during the national anthem. In 2019, Knight was invited to play at the 100th Anniversary of Delaware State Fair, located in Harrington, Delaware. In 2022, Knight received Kennedy Center Honors, presented by U.S. President Joe Biden. She also headlined a U.S.-Africa Leaders Summit Dinner at the White House. Farewell tours In October 2009, Knight started her farewell tour of the United Kingdom, which featured Tito Jackson as her supporting act and special appearances by Dionne Warwick. The UK Farewell Tour featured higher production values than previous "Gladys Knight, a mic and a light" appearances by Knight in the UK. A glossy program was available and the show featured pre-produced animation on large on-stage screens. The tour was promoted by an appearance on the TV program Later... with Jools Holland where Knight performed "If I Were Your Woman" and "Help Me Make It Through the Night". In spite of her "farewell", Knight started touring the UK again a few years later, playing gigs in Scotland and England in 2015, 2016, 2017, 2019, 2022 and 2024. A farewell tour of Australia and New Zealand was announced for March 2024. Acting Film In 1976, Knight made her acting debut as the lead in the film Pipe Dreams for which she was nominated for a Golden Globe Award for New Star of the Year – Actress. In 2003, she had a small role in the movie Hollywood Homicide, which starred Harrison Ford and Josh Hartnett. In 2009, Knight was featured in Tyler Perry's I Can Do Bad All by Myself, the film version of a play he had dramatized, and performed her song "The Need To Be" from the 1974 album I Feel a Song. Television In 1975, Knight starred in a variety show, The Gladys Knight and the Pips Show, which was canceled after four episodes. She also guest-starred on several TV series throughout the 1980s and 1990s, appearing on Benson, The Jeffersons, A Different World, Living Single, The Jamie Foxx Show, and New York Undercover. In 1985, she co-starred on the CBS sitcom Charlie & Co., alongside comedian Flip Wilson, which lasted for one season. In April 2005, she portrayed a singer in an episode of JAG. In April 2009, she made a special guest appearance, and performed a song, on Tyler Perry's House of Payne. Knight has also made a number of cameo appearances, including on Las Vegas and 30 Rock. In 2012, she began a recurring role in the syndicated sitcom The First Family. In 2012, Knight competed on season 14 of Dancing with the Stars, partnered with Tristan MacManus. They were eliminated on April 24 after losing a "dance duel" to Disney Channel star Roshon Fegan and partner Chelsie Hightower, ironically on the show's "Motown Week". In 2017, she appeared as herself in the musical-drama TV series Star. In 2018, she played Ella Grover, mother of Captain Lou Grover, in the "Lele pū nā manu like" ("Birds of a Feather...") episode of Hawaii Five-0, which first aired on November 16, 2018. In February 2019, she was revealed to have competed as "Bee" on the first season of The Masked Singer, in which she placed third. She performed "Chandelier", "Locked Out of Heaven", "Wrecking Ball", "What's Love Got to Do with It", "(You Make Me Feel Like) A Natural Woman", and "I Can't Make You Love Me". She finished behind Donny Osmond as "Peacock" and T-Pain as "Monster". Business ventures Knight's son Shanga Hankerson owns a chain of chicken and waffles restaurants based in Atlanta, bearing her name. Gladys Knight & Ron Winans' Chicken & Waffles opened three locations in the Atlanta area. One location was featured on the Travel Channel original series Man v. Food. In June 2016, authorities in Georgia raided two of the restaurants and its headquarters. In 2016, WSB-TV reported that Hankerson was at the center of an investigation involving unpaid taxes, penalties and interest. Georgia Department of Revenue Special Investigations Chief Jeff Mitchell told the station that the investigation solely involved Hankerson and not Knight. Personal life In 1960, Knight married Atlanta musician and high school sweetheart James "Jimmy" Newman. The couple had a miscarriage and went on to have two children. Their son, James "Jimmy" Gaston Newman III, was born in 1962, and their daughter, Kenya Maria Newman, was born in 1963. In the early 1960s, Knight's family and the Pips moved to Detroit. The family lived in Sherwood Forest, an upscale neighborhood on Detroit's West Side. Knight retired from the road to raise their children while the Pips toured on their own, later returning with Newman as the group's musical director. Newman later became addicted to drugs and left the family when Knight was 20. They remained married for over 12 years and were separated for 7 years until their divorce in 1973. Newman died a few years later. In 1974, Knight married Barry Hankerson, founder of Blackground Records, in Detroit. The couple had a son, Shanga Ali Hankerson, born on August 1, 1976. Around 1977, they relocated to Atlanta. Their marriage ended in 1979 with a prolonged custody battle over their son. Knight spent over a million dollars searching for her son after he was kidnapped. In 1995, Knight married motivational speaker Les Brown, divorcing in 1997. Knight was raised a Baptist, later was a Catholic, and was baptized in 1997 into The Church of Jesus Christ of Latter-day Saints, inspired by her daughter and son who had left Catholicism to join. She had occasionally teased LDS president Gordon B. Hinckley, saying they needed to inject some "pep" into their music. He agreed, which resulted in the founding of the Saints Unified Voices gospel choir directed by Knight. In 2018, Knight led the Be One Choir at the "Be One" event in Salt Lake City, Utah. Knight has an honorary doctorate from Shaw University in Raleigh, North Carolina. Knight's son Jimmy Newman III managed her career through his Newman Management Inc. until his death from heart failure on July 10, 1999, at age 36. Newman was survived by his wife, Michelene; daughters Nastasia and Gabrielle; and sons Rishawn, Stefan, and Sterling. Following his death, her daughter Kenya Jackson took over management. Knight married William McDowell in 2001. They have seventeen grandchildren and ten great-grandchildren between them. Knight and McDowell reside in Fairview, North Carolina, near where they own a community center, the former Reynolds High School in Canton attended by McDowell. In 2017, Knight helped raise $400,000 for the Children's Learning Centers of Fairfield County. The event was held at the Palace Theatre and was co-hosted by Carol Anne Riddell and Alan Kalter. Knight had a gambling addiction that lasted more than a decade. In the late 1980s, after losing $60,000 in one night at the baccarat table, she joined Gamblers Anonymous, which helped her quit the habit. Legacy In 1996, Gladys Knight & the Pips were inducted into the Rock and Roll Hall of Fame. One year before, Knight had received a star on the Hollywood Walk of Fame. In 2007, Knight received the Society of Singers ELLA Award at which time she was declared the "Empress of Soul". She is listed on Rolling Stone's list of the Greatest Singers of All Time. In 2021, Knight received the National Medal of Arts. And, in 2022, Knight received a Kennedy Center Honor. In 2023, Knight received the Grammy Lifetime Achievement Award. Discography Studio albums Miss Gladys Knight (1978) Gladys Knight (1979) Good Woman (1991) Just for You (1994) Many Different Roads (1998) At Last (2000) One Voice (with Saints Unified Voices) (2005) Before Me (2006) Another Journey (2013) Where My Heart Belongs (2014) Published works Knight, Gladys. At Home With Gladys Knight, McGraw-Hill, 2001 – ISBN 1-58040-075-2 Knight, Gladys. Between Each Line of Pain and Glory: My Life Story, Hyperion Press, 1998 – ISBN 0-7868-8371-5 Filmography Films Television Awards, honors, and achievements Grammy Awards Knight has won ten Grammys with twenty-two nominations altogether. Other awards and honors 1992: Essence Award for Career Achievement 1995: Hollywood Walk of Fame 1996: Rock and Roll Hall of Fame 1997: Trumpet Awards Foundation Pinnacle Award 2005: BET Lifetime Achievement Award 2007: NAACP Image Award for Outstanding Jazz Artist 2007: Society of Singers Ella Award, also declared the "Empress of Soul" 2008: BET Inaugural Best Living Legend Award 2008: National Black Arts Festival Honoree at Legends Celebration 2011: Soul Train Music Awards Lifetime Achievement Award 2017: National Rhythm & Blues Hall of Fame 2019: Golden Plate Award of the American Academy of Achievement 2021: National Medal of Arts 2022: 45th Annual Kennedy Center Honors Honorary degrees Honorary Doctorate in Performing Arts, Shaw University References External links Official website Gladys Knight at IMDb Gladys Knight at the Internet Broadway Database
Georgia_(U.S._state)
https://en.wikipedia.org/wiki/Georgia_(U.S._state)
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[ "https://en.wikipedia.org/wiki/Georgia_(U.S._state)" ]
Georgia is a state in the Southeastern region of the United States. It borders Tennessee to the northwest, North Carolina to the north, South Carolina to the northeast, the Atlantic Ocean to the southeast, Florida to the south, and Alabama to the west. Of the 50 United States, Georgia is the 24th-largest by area and 8th most populous. According to the U.S. Census Bureau, its 2023 estimated population was 11,029,227. Atlanta, a global city, is both the state's capital and its largest city. The Atlanta metropolitan area, with a population of more than 6.3 million people in 2023, is the 6th most populous metropolitan area in the United States and contains about 57% of Georgia's entire population. Other major metropolitan areas in the state include Augusta, Savannah, Columbus, and Macon. The Province of Georgia was created in 1732 and first settled in 1733 with the founding of Savannah. Georgia became a British royal colony in 1752. It was the last and southernmost of the original Thirteen Colonies to be established. Named after King George II of Great Britain, the Georgia Colony covered the area from South Carolina south to Spanish Florida and west to French Louisiana at the Mississippi River. On January 2, 1788, Georgia became the fourth state to ratify the United States Constitution. From 1802 to 1804, western Georgia was split to form the Mississippi Territory, which later was admitted as the U.S. states of Alabama and Mississippi. Georgia declared its secession from the Union on January 19, 1861, and was one of the original seven Confederate States. Following the Civil War, it was the last state to be restored to the Union, on July 15, 1870. In the post-Reconstruction era of the late 19th century, Georgia's economy was transformed as a group of prominent politicians, businessmen, and journalists, led by Henry W. Grady, espoused the "New South" philosophy of sectional reconciliation and industrialization. During the mid-20th century, several people from Georgia, most notably Martin Luther King Jr., were prominent leaders during the civil rights movement. Atlanta was selected as host of the 1996 Summer Olympics, which marked the 100th anniversary of the modern Olympic Games. Since 1945, Georgia has seen substantial population and economic growth as part of the broader Sun Belt phenomenon. From 2007 to 2008, 14 of Georgia's counties ranked among the nation's 100 fastest-growing. Georgia is defined by a diversity of landscapes, flora, and fauna. The state's northernmost regions include the Blue Ridge Mountains, part of the larger Appalachian Mountain system. The Piedmont plateau extends from the foothills of the Blue Ridge south to the Fall Line, an escarpment to the Coastal Plain defining the state's southern region. Georgia's highest point is Brasstown Bald at 4,784 feet (1,458 m) above sea level; the lowest is the Atlantic Ocean . With the exception of some high-altitude areas in the Blue Ridge, the entirety of the state has a humid subtropical climate. Of the states entirely east of the Mississippi River, Georgia is the largest in land area. History Before settlement by Europeans colonists, Georgia was inhabited by the mound building cultures. The Province of Georgia was founded by British General James Oglethorpe at Savannah on February 12, 1733, a year after its creation as a new British colony. It was administered by the Trustees for the Establishment of the Colony of Georgia in America under a charter issued by (and named for) King George II. The Trustees implemented an elaborate plan for the colony's settlement, known as the Oglethorpe Plan, which envisioned an agrarian society of yeoman farmers and prohibited slavery. The colony was invaded by the Spanish in 1742, during the War of Jenkins' Ear. In 1752, after the government failed to renew subsidies that had helped support the colony, the Trustees turned over control to the crown. Georgia became a crown colony, with a governor appointed by the king of Great Britain. The Province of Georgia was one of the Thirteen Colonies that revolted against British rule in the American Revolution by signing the 1776 Declaration of Independence. The State of Georgia's first constitution was ratified in February 1777. Georgia was the 10th state to ratify the Articles of Confederation on July 24, 1778, and was the 4th state to ratify the United States Constitution on January 2, 1788. After the Creek War (1813–1814), General Andrew Jackson forced the Muscogee (Creek) tribes to surrender land to the state of Georgia, including in the Treaty of Fort Jackson (1814), surrendering 21 million acres in what is now southern Georgia and central Alabama, and the Treaty of Indian Springs (1825). In 1829, gold was discovered in the North Georgia mountains leading to the Georgia Gold Rush and establishment of a federal mint in Dahlonega, which continued in operation until 1861. The resulting influx of American settlers put pressure on the federal U.S. government to take land from the Cherokee Nation. In 1830, President Andrew Jackson signed into law the Indian Removal Act, sending many eastern Indian nations to reservations in present-day Oklahoma, including all of Georgia's tribes. Despite the Supreme Court's ruling in Worcester v. Georgia (1832) that U.S. states were not permitted to redraw Indian boundaries, President Jackson and the state of Georgia ignored the ruling. In 1838, his successor, Martin Van Buren, dispatched federal troops to gather the tribes and deport them west of the Mississippi. This forced relocation, known as the Trail of Tears, led to the death of more than four thousand Cherokees. In early 1861, Georgia joined the Confederacy (with secessionists having a slight majority of delegates) and became a major theater of the Civil War. Major battles took place at Chickamauga, Kennesaw Mountain, and Atlanta. In December 1864, a large swath of the state from Atlanta to Savannah was destroyed during General William Tecumseh Sherman's March to the Sea. 18,253 Georgian soldiers died in service, roughly one of every five who served. In 1870, following the Reconstruction era, Georgia became the last Confederate state to be restored to the Union. With white Democrats having regained power in the state legislature, they passed a poll tax in 1877, which disenfranchised many poor black (and some white) people, preventing them from registering. In 1908, the state established a white primary; with the only competitive contests within the Democratic Party, it was another way to exclude black people from politics. They constituted 46.7% of the state's population in 1900, but the proportion of Georgia's population that was African American dropped thereafter to 28%, primarily due to tens of thousands leaving the state during the Great Migration. According to the Equal Justice Initiative's 2015 report on lynching in the United States (1877–1950), Georgia had 531 deaths, the second-highest total of these extralegal executions of any state in the South. The overwhelming number of victims were black and male. Political disfranchisement persisted through the mid-1960s, until after Congress passed the Voting Rights Act of 1965. An Atlanta-born Baptist minister who was part of the educated middle class that had developed in Atlanta's African-American community, Martin Luther King Jr., emerged as a national leader in the civil rights movement. King joined with others to form the Southern Christian Leadership Conference (SCLC) in Atlanta in 1957 to provide political leadership for the Civil Rights Movement across the South. The civil rights riots of the 1956 Sugar Bowl would also take place in Atlanta after a clash between Georgia Tech's president Blake R. Van Leer and Governor Marvin Griffin. On February 5, 1958, during a training mission flown by a B-47, a Mark 15 nuclear bomb, also known as the Tybee Bomb, was lost off the coast of Tybee Island near Savannah. The bomb was thought by the Department of Energy to lie buried in silt at the bottom of Wassaw Sound. By the 1960s, the proportion of African Americans in Georgia had declined to 28% of the state's population, after waves of migration to the North and some immigration by whites. With their voting power diminished, it took some years for African Americans to win a state-wide office. Julian Bond, a noted civil rights leader, was elected to the state House in 1965, and served multiple terms there and in the state senate. Atlanta Mayor Ivan Allen Jr. testified before Congress in support of the Civil Rights Act, and Governor Carl Sanders worked with the Kennedy administration to ensure the state's compliance. Ralph McGill, editor and syndicated columnist at the Atlanta Constitution, earned admiration by writing in support of the Civil Rights Movement. In 1970, newly elected Governor Jimmy Carter declared in his inaugural address that the era of racial segregation had ended. In 1972, Georgians elected Andrew Young to Congress as the first African American Congressman since the Reconstruction era. In 1980, construction was completed on an expansion of what is now named Hartsfield–Jackson Atlanta International Airport (ATL). The busiest and most efficient airport in the world, it accommodates more than a hundred million passengers annually. Employing more than 60,000 people, the airport became a major engine for economic growth. With the advantages of cheap real estate, low taxes, right-to-work laws and a regulatory environment limiting government interference, the Atlanta metropolitan area became a national center of finance, insurance, technology, manufacturing, real estate, logistics, and transportation companies, as well as the film, convention, and trade show businesses. As a testament to the city's growing international profile, in 1990 the International Olympic Committee selected Atlanta as the site of the 1996 Summer Olympics. Taking advantage of Atlanta's status as a transportation hub, in 1991 UPS established its headquarters in the suburb of Sandy Springs. In 1992, construction finished on Bank of America Plaza, the tallest building in the U.S. outside of New York or Chicago. On February 19th, 2003, Georgia adopted its current state flag, resembling the state's first official flag. Geography Boundaries Beginning from the Atlantic Ocean, the state's eastern border with South Carolina runs up the Savannah River, northwest to its origin at the confluence of the Tugaloo and Seneca Rivers. It then continues up the Tugaloo (originally Tugalo) and into the Chattooga River, its most significant tributary. These bounds were decided in the 1797 Treaty of Beaufort, and tested in the U.S. Supreme Court in the two Georgia v. South Carolina cases in 1923 and 1989. The border then takes a sharp turn around the tip of Rabun County, at latitude 35°N, though from this point it diverges slightly south (due to inaccuracies in the original survey, conducted in 1818). This northern border was originally the Georgia and North Carolina border all the way to the Mississippi River, until Tennessee was divided from North Carolina, and the Yazoo companies induced the legislature of Georgia to pass an act, approved by the governor in 1795, to sell the greater part of Georgia's territory presently comprising Alabama and Mississippi. The state's western border runs in a straight line south-southeastward from a point southwest of Chattanooga, to meet the Chattahoochee River near West Point. It continues downriver to the point where it joins the Flint River (the confluence of the two forming Florida's Apalachicola River); the southern border goes almost due east and very slightly south, in a straight line to the St. Mary's River, which then forms the remainder of the boundary back to the ocean. The water boundaries are still set to be the original thalweg of the rivers. Since then, several have been inundated by lakes created by dams, including the Apalachicola/Chattahoochee/Flint point now under Lake Seminole. An 1818 survey erroneously placed Georgia's border with Tennessee one mile (1.6 km) south of the intended location of the 35th parallel north. State legislators still dispute this placement, as correction of this inaccuracy would allow Georgia access to water from the Tennessee River. Geology and terrain Georgia consists of five principal physiographic regions: The Cumberland Plateau, Ridge-and-Valley Appalachians, Blue Ridge Mountains, Piedmont, and the Atlantic coastal plain. Each region has its own distinctive characteristics. For instance, the region, which lies in the northwest corner of the state, includes limestone, sandstone, shale, and other sedimentary rocks, which have yielded construction-grade limestone, barite, ocher, and small amounts of coal. Ecology The state of Georgia has approximately 250 tree species and 58 protected plants. Georgia's native trees include red cedar, a variety of pines, oaks, hollies, cypress, sweetgum, scaly-bark and white hickories, and sabal palmetto. East Georgia is in the subtropical coniferous forest biome and conifer species as other broadleaf evergreen flora make up the majority of the southern and coastal regions. Yellow jasmine and mountain laurel make up just a few of the flowering shrubs in the state. White-tailed deer are found in nearly all counties of Georgia. The northern mockingbird and brown thrasher are among the 160 bird species that live in the state. Reptiles include the eastern diamondback, copperhead, and cottonmouth snakes as well as alligators; amphibians include salamanders, frogs and toads. There are about 79 species of reptile and 63 amphibians known to live in Georgia. The Argentine black and white tegu is currently an invasive species in Georgia. It poses a problem to local wildlife by chasing down and killing many native species and dominating habitats. The most popular freshwater game fish are trout, bream, bass, and catfish, all but the last of which are produced in state hatcheries for restocking. Popular saltwater game fish include red drum, spotted seatrout, flounder, and tarpon. Porpoises, whales, shrimp, oysters, and blue crabs are found inshore and offshore of the Georgia coast. Climate The majority of the state is primarily a humid subtropical climate. Hot and humid summers are typical, except at the highest elevations. The entire state, including the North Georgia mountains, receives moderate to heavy precipitation, which varies from 45 inches (1,100 mm) in central Georgia to approximately 75 inches (1,900 mm) around the northeast part of the state. The degree to which the weather of a certain region of Georgia is subtropical depends on the latitude, its proximity to the Atlantic Ocean or Gulf of Mexico, and the elevation. The latter factor is felt chiefly in the mountainous areas of the northern part of the state, which are farther away from the ocean and can be 4,500 feet (1,400 m) above sea level. The USDA plant hardiness zones for Georgia range from zone 6b (no colder than −5 °F (−21 °C)) in the Blue Ridge Mountains to zone 8b (no colder than 15 °F (−9 °C) ) along the Atlantic coast and Florida border. The highest temperature ever recorded is 112 °F (44 °C) in Louisville on July 24, 1952, while the lowest is −17 °F (−27 °C) in northern Floyd County on January 27, 1940. Georgia is one of the leading states in frequency of tornadoes, though they are rarely stronger than EF1. Although tornadoes striking the city are very rare, an EF2 tornado hit downtown Atlanta on March 14, 2008, causing moderate to severe damage to various buildings. With a coastline on the Atlantic Ocean, Georgia is also vulnerable to hurricanes, although direct hurricane strikes were rare during the 20th century. Georgia often is affected by hurricanes that strike the Florida Panhandle, weaken over land, and bring strong tropical storm winds and heavy rain to the interior, a recent example being Hurricane Michael, as well as hurricanes that come close to the Georgia coastline, brushing the coast on their way north without ever making landfall. Hurricane Matthew of 2016 and Hurricane Dorian of 2019 did just that. Due to anthropogenic climate change, the climate of Georgia is warming. This is already causing major disruption, for example, from sea level rise (Georgia is more vulnerable to it than many other states because its land is sinking) and further warming will increase it. Major cities Atlanta, located in north-central Georgia at the Eastern Continental Divide, has been Georgia's capital city since 1868. It is the most populous city in Georgia, with a 2020 U.S. census population of just over 498,000. The state has seventeen cities with populations over 50,000, based on official 2020 U.S. census data. Along with the rest of the Southeast, Georgia's population continues to grow rapidly, with primary gains concentrated in urban areas. The U.S. Census Bureau lists fourteen metropolitan areas in the state. The population of the Atlanta metropolitan area added 1.23 million people (24%) between 2000 and 2010, and Atlanta rose in rank from the eleventh-largest metropolitan area in the United States to the ninth-largest. The Atlanta metropolitan area is the cultural and economic center of the Southeast; its official population in 2020 was over 6 million, or 57% of Georgia's total population. Demographics The United States Census Bureau reported Georgia's official population to be 10,711,908 as of the 2020 United States census. This was an increase of 1,024,255, or 10.57% over the 2010 figure of 9,687,653 residents. As of 2010, the number of illegal immigrants living in Georgia more than doubled to 480,000 from January 2000 to January 2009, according to a federal report. That gave Georgia the greatest percentage increase among the 10 states with the biggest undocumented immigrant populations during those years. Georgia has banned sanctuary cities. In 2018, The top countries of origin for Georgia's immigrants were Mexico, India, Jamaica, Korea, and Guatemala. There were 743,000 veterans in 2009. According to HUD's 2022 Annual Homeless Assessment Report, there were an estimated 10,689 homeless people in Georgia. Race and ethnicity In the 1980 census, 1,584,303 people from Georgia claimed English ancestry out of a total state population of 3,994,817, making them 40% of the state, and the largest ethnic group at the time. Today, many of these same people claiming they are of "American" ancestry are actually of English descent, and some are of Scots-Irish descent; however, their families have lived in the state for so long, in many cases since the colonial period, that they choose to identify simply as having "American" ancestry or do not in fact know their own ancestry. Their ancestry primarily goes back to the original thirteen colonies and for this reason many of them today simply claim "American" ancestry, though they are of predominantly English ancestry. Historically, about half of Georgia's population was composed of African Americans who, before the American Civil War, were almost exclusively enslaved. The Great Migration of hundreds of thousands of blacks from the rural South to the industrial North from 1914 to 1970 reduced the African American population. Georgia had the second-fastest-growing Asian population growth in the U.S. from 1990 to 2000, more than doubling in size during the ten-year period. Indian people and Chinese people are the largest Asian groups in Georgia. In addition, according to census estimates, Georgia ranks third among the states in terms of the percent of the total population that is African American (after Mississippi and Louisiana) and third in numeric Black population after New York and Florida. Georgia also has a sizeable Latino population. Many are of Mexican descent. Georgia is the state with the third-lowest percentage of older people (65 or older), at 12.8 percent (as of 2015). The colonial settlement of large numbers of Scottish American, English American and Scotch-Irish Americans in the mountains and Piedmont, and coastal settlement by some English Americans and African Americans, have strongly influenced the state's culture in food, language and music. The concentration of African slaves repeatedly "imported" to coastal areas in the 18th century from rice-growing regions of West Africa led to the development of Gullah-Geechee language and culture in the Low Country among African Americans. They share a unique heritage in which many African traditions of food, religion and culture were retained. In the creolization of Southern culture, their foodways became an integral part of Low Country cooking. Sephardic Jews, French-speaking Swiss people, Moravians, Irish convicts, Piedmont Italians and Russian people immigrated to the state during the colonial era. As of 2011, 58.8% of Georgia's population younger than 1 were minorities (meaning they had at least one parent who was not non-Hispanic white) compared to other states like California with 75.1%, Texas with 69.8%, and New York with 55.6%. The largest European ancestry groups as of 2011 were: English 8.1%, Irish 8.1%, and German 7.2%. Languages As of 2021, 85.62% (8,711,102) of Georgia residents age 5 and older spoke English at home as a primary language, while 7.82% (795,646) spoke Spanish, and 6.55% (666,849) spoke languages other than English or Spanish at home, with the most common of which were Vietnamese, Chinese, and Korean. In total, 14.38% (1,462,495) of Georgia's population age 5 and older spoke a mother language other than English. Religion According to the Pew Research Center, the composition of religious affiliation in Georgia was 70% Protestant, 9% Catholic, 1% Mormon, 1% Jewish, 0.5% Muslim, 0.5% Buddhist, and 0.5% Hindu. Atheists, deists, agnostics, and other unaffiliated people make up 13% of the population. Overall, Christianity was the dominant religion in the state, as part of the Bible Belt. According to the Association of Religion Data Archives in 2010, the largest Christian denominations by number of adherents were the Southern Baptist Convention with 1,759,317; the United Methodist Church with 619,394; and the Roman Catholic Church with 596,384. Non-denominational Evangelical Protestant had 566,782 members, the Church of God (Cleveland, Tennessee) has 175,184 members, and the National Baptist Convention, USA, Inc. has 172,982 members. The Presbyterian Church (USA) is the largest Presbyterian body in the state, with 300 congregations and 100,000 members. The other large body, Presbyterian Church in America, had at its founding date 14 congregations and 2,800 members; in 2010 it counted 139 congregations and 32,000 members. The Roman Catholic Church is noteworthy in Georgia's urban areas, and includes the Archdiocese of Atlanta and the Diocese of Savannah. Georgia is home to the second-largest Hindu temple in the United States, the BAPS Shri Swaminarayan Mandir Atlanta, located in the suburb city of Lilburn. Georgia is home to large Sikh religion population with 4 gurudwaras (Sikh religious worship places). Georgia is home to several historic synagogues including The Temple (Atlanta), Congregation Beth Jacob (Atlanta), and Congregation Mickve Israel (Savannah). Chabad and the Rohr Jewish Learning Institute are also active in the state. By the 2022 Public Religion Research Institute's study, 71% of the population were Christian; throughout its Christian population, 60% were Protestant and 8% were Catholic. Jehovah's Witnesses and Mormons collectively made up 3% of other Christians according to the study. Judaism, Islam, Buddhism, and Hinduism collectively formed 4% of the state's non-Christian population; New Age spirituality was 2% of the religious population. Approximately 23% of the state was irreligious. Population percentage of Georgia in the United States 2010: 3.14% 2020: 3.23% Native American tribes Tribes which historically lived in what is now Georgia include the Muscogee (including the Hitchiti subgroup), the Cherokee, the Oconi, the Guale, the Yamasee and the Apalachee. Other tribes which at various times lived in or migrated through Georgia include the Apalachicola, the Chatot, the Yuchi, the Chiaha, the Chickasaw, the Okmulgee, the Shawnee and the Timucua. Today there are no federally recognized tribes in Georgia, but there are three state-recognized tribes. Many inhabitants of Georgia identify as being Native American alone (32,151 people in 2010 census and 50,618 in 2020) or Native American in combination with one or more other races (51,873 people in 2010 census and 163,423 in 2020). Many Georgians also reported belonging to various Native American tribes in 2010 census, the largest of which was the Cherokee (21,525 people). Other tribes reported in Georgia in 2010 included for example the Muscogee (2,370 people), the Choctaw (1,419), the Sioux (1,027), the Seminole (664) and more. Economy Georgia's 2018 total gross state product was $602 billion. For years Georgia as a state has had the highest credit rating by Standard & Poor's (AAA) and is one of only 15 states with a AAA rating. If Georgia were a stand-alone country, it would be the 28th-largest economy in the world, based on data from 2005. Total employment 2021 4,034,309 Total employer establishments 2021 253,729 There are 16 Fortune 500 companies and 26 Fortune 1000 companies with headquarters in Georgia, including Home Depot, UPS, Coca-Cola, TSYS, Delta Air Lines, Aflac, Southern Company, and Elevance Health Atlanta boasts the world's busiest airport, as measured both by passenger traffic and by aircraft traffic. Also, the Port of Savannah is the fourth-largest seaport and fastest-growing container seaport in North America, importing and exporting a total of 2.3 million TEUs per year. Atlanta has a significant effect on the state of Georgia, the Southeastern United States, and beyond. It has been the site of growth in finance, insurance, technology, manufacturing, real estate, service, logistics, transportation, film, communications, convention and trade show businesses and industries, while tourism is important to the economy. Atlanta is a global city, also called world city or sometimes alpha city or world center, as a city generally considered to be an important node in the global economic system. For the five years through November 2017, Georgia has been ranked the top state (number 1) in the nation to do business, and has been recognized as number 1 for business and labor climate in the nation, number 1 in business climate in the nation, number 1 in the nation in workforce training and as having a "Best in Class" state economic development agency. In 2016, Georgia had a median annual income per person of between $50,000 and $59,999, which is in inflation-adjusted dollars for 2016. The U.S. median annual income for the entire nation is $57,617. This lies within the range of Georgia's median annual income. A 2024 study listed Georgia in the top 20 of states for an affordable cost of living. Industries While many textile jobs moved overseas, there is still a textile industry located around the cities of Rome, Columbus, Augusta, Macon and along the I-75 corridor between Atlanta and Chattanooga, Tennessee. Historically it started along the fall line in the Piedmont, where factories were powered by waterfalls and rivers. It includes the towns of Cartersville, Calhoun, Ringgold and Dalton In November 2009, the South Korean automaker Kia Corporation began production in Georgia. The first Kia plant built in the U.S., Kia Motors Manufacturing Georgia, is located in West Point. Rivian, an electric vehicle manufacturer, plans to begin production at a facility in Social Circle in 2024. Industrial products include textiles and apparel, transportation equipment, food processing, paper products, chemicals and products, and electric equipment. Agriculture Widespread farms produce peanuts, corn, and soybeans across middle and south Georgia. The state is the number one producer of pecans in the world, thanks to Naomi Chapman Woodroof regarding peanut breeding, with the region around Albany in southwest Georgia being the center of Georgia's pecan production. Gainesville in northeast Georgia touts itself as the Poultry Capital of the World. Georgia is in the top five blueberry producers in the United States. Arts Film The Georgia Film, Music and Digital Entertainment Office promotes filming in the state. Since 1972, over eight hundred films and 1,500 television shows have been filmed on location in Georgia. Georgia overtook California in 2016 as the state with the most feature films produced on location. In the fiscal year 2017, film and television production in Georgia had an economic impact of $9.5 billion. Atlanta has been called the "Hollywood of the South". Television shows like Stranger Things, The Walking Dead, and The Vampire Diaries are filmed in the state. Movies such as Passengers, Forrest Gump, Contagion, Hidden Figures, Sully, Baby Driver, The Hunger Games: Catching Fire, Captain America: Civil War, Black Panther, Birds of Prey, and many more, were filmed around Georgia. Films set in Georgia Two movies, both set in Atlanta, won Oscars for Best Picture: Gone with the Wind (1939) and Driving Miss Daisy (1989). Other films set in Georgia include Deliverance (1972), Parental Guidance (2012), and Vacation (2015). Literature Authors have grappled with Georgia's complex history. Popular novels related to this include Margaret Mitchell's Gone with the Wind, Olive Ann Burns' Cold Sassy Tree, and Alice Walker's The Color Purple. A number of noted authors, poets and playwrights have lived in Georgia, such as James Dickey, Flannery O'Connor, Sidney Lanier, Frank Yerby and Lewis Grizzard. Music A number of notable musicians in various genres of popular music are from Georgia. Among them are Ray Charles (whose many hits include "Georgia on My Mind", now the official state song), and Gladys Knight (known for her Georgia-themed song, "Midnight Train to Georgia"). Rock groups from Georgia include the Atlanta Rhythm Section, The Black Crowes, and The Allman Brothers. The city of Athens sparked an influential rock music scene in the 1980s and 1990s. Among the groups achieving their initial prominence there were R.E.M., Widespread Panic, and the B-52's. Since the 1990s, various hip-hop and R&B musicians have included top-selling artists such as Outkast, Usher, Ludacris, TLC, B.o.B., and Ciara. Atlanta is mentioned in a number of these artists' tracks, such as Usher's "A-Town Down" reference in his 2004 hit "Yeah!" (which also features Atlanta artists Lil Jon and Ludacris), Ludacris' "Welcome to Atlanta", Outkast's album "ATLiens", and B.o.B.'s multiple references to Decatur, Georgia, as in his hit song "Strange Clouds". Television Well-known television shows set in Atlanta include, from Tyler Perry Studios, House of Payne and Tyler Perry's Meet the Browns, The Real Housewives of Atlanta, the CBS sitcom Designing Women, Matlock, the popular AMC series The Walking Dead, FX comedy drama Atlanta, Lifetime's Drop Dead Diva, Rectify and numerous HGTV original productions. The Dukes of Hazzard, a 1980s TV show, was set in the fictional Hazzard County, Georgia. The first five episodes were shot on location in Conyers and Covington, Georgia as well as some locations in Atlanta. Production was then moved to Burbank, California. Also filmed in Georgia was The Vampire Diaries, using Covington as the setting for the fictional Mystic Falls. Energy Georgia's electricity generation and consumption are among the highest in the United States, with natural gas being the primary electrical generation fuel, followed by coal. The state also has two nuclear power facilities, Plant Hatch and Plant Vogtle, which contribute almost one fourth of Georgia's electricity generation, and two additional nuclear reactors are being built at Vogtle as of 2022. In 2013, the generation mix was 39% gas, 35% coal, 23% nuclear, 3% hydro and other renewable sources. The leading area of energy consumption is the industrial sector because Georgia "is a leader in the energy-intensive wood and paper products industry". Solar generated energy is becoming more in use with solar energy generators currently installed ranking Georgia 15th in the country in installed solar capacity. In 2013, $189 million was invested in Georgia to install solar for home, business and utility use representing a 795% increase over the previous year. Logistics Georgia was ranked the number 2 state for infrastructure and global access by Area Development magazine. The Georgia Ports Authority owns and operates four ports in the state: Port of Savannah, Port of Brunswick, Port Bainbridge, and Port Columbus. The Port of Savannah is the third-busiest seaport in the United States, importing and exporting a total of 4.9 million TEUs for 2023. The Port of Savannah's Garden City Terminal is the largest single container terminal in North America. Several major companies including Target, IKEA, and Heineken operate distribution centers in close proximity to the Port of Savannah. Hartsfield–Jackson Atlanta International Airport moves over 650,000 tons of cargo annually through three cargo complexes (2 million square feet or 200,000 square meters of floor space). It has nearby cold storage for perishables; it is the only airport in the Southeast with USDA-approved cold-treatment capabilities. Delta Air Lines also offers an on-airport refrigeration facility for perishable cargo, and a 250-acre Foreign Trade Zone is located at the airport. Georgia is a major railway hub, has the most extensive rail system in the Southeast, and has the service of two Class I railroads, CSX and Norfolk Southern, plus 24 short-line railroads. Georgia is ranked the No. 3 state in the nation for rail accessibility. Rail shipments include intermodal, bulk, automotive and every other type of shipment. Georgia has an extensive interstate highway system including 1,200 miles (1,900 kilometers) of interstate highway and 20,000 miles (32,000 kilometers) of federal and state highways that facilitate the efficient movement of more than $620 billion of cargo by truck each year. Georgia's six interstates connect to 80 percent of the U.S. population within a two-day truck drive. More than $14 billion in funding has been approved for new roadway infrastructure. Military Southern Congressmen have attracted major investment by the U.S. military in the state. The several installations include Moody Air Force Base, Fort Stewart, Hunter Army Airfield, Naval Submarine Base Kings Bay, Fort Moore, Robins Air Force Base, Fort Eisenhower, Marine Corps Logistics Base Albany, Dobbins Air Reserve Base, Coast Guard Air Station Savannah and Coast Guard Station Brunswick. These installations command numerous jobs and business for related contractors. Mining Major products in the mineral industry include a variety of clays, stones, sands and the clay palygorskite, known as attapulgite. Tourism In the Atlanta area, World of Coke, Georgia Aquarium, Zoo Atlanta and Stone Mountain are important tourist attractions. Stone Mountain is Georgia's "most popular attraction"; receiving more than four million tourists per year. The Georgia Aquarium, in Atlanta, was the largest aquarium in the world in 2010 according to Guinness World Records. Callaway Gardens, in western Georgia, is a family resort. The area is also popular with golfers. The Savannah Historic District attracts more than eleven million tourists each year. The Golden Isles is a string of barrier islands off the Atlantic coast of Georgia near Brunswick that includes beaches, golf courses and the Cumberland Island National Seashore. Several sites honor the lives and careers of noted American leaders: the Little White House in Warm Springs, which served as the summer residence of President Franklin Delano Roosevelt while he was being treated for polio; President Jimmy Carter's hometown of Plains and the Carter Presidential Center in Atlanta; the Martin Luther King Jr. National Historical Park in Atlanta, which is the final resting place of Martin Luther King Jr. and Coretta Scott King; and Atlanta's Ebenezer Baptist Church, where King preached. Sports Sports in Georgia include professional teams in nearly all major sports, Olympic Games contenders and medalists, collegiate teams in major and small-school conferences and associations, and active amateur teams and individual sports. The state of Georgia has teams in four major professional leagues—the Atlanta Braves of Major League Baseball, the Atlanta Falcons of the National Football League, the Atlanta Hawks of the National Basketball Association, and Atlanta United FC of Major League Soccer. The Georgia Bulldogs (Southeastern Conference), Georgia Tech Yellow Jackets (Atlantic Coast Conference), Georgia State Panthers and Georgia Southern Eagles (Sun Belt Conference) are Georgia's NCAA Division I FBS football teams, having won multiple national championships between them. The Georgia Bulldogs and the Georgia Tech Yellow Jackets have a historical rivalry in college football known as Clean, Old-Fashioned Hate, and the Georgia State Panthers and the Georgia Southern Eagles have recently developed their own rivalry. The 1996 Summer Olympics took place in Atlanta. The stadium that was built to host various Olympic events was converted to Turner Field, home of the Atlanta Braves through 2016. Atlanta will serve as a host city for the 2026 FIFA World Cup. The Masters golf tournament, the first of the PGA Tour's four "majors", is held annually the second weekend of April at the Augusta National Golf Club. The RSM Classic is a golf tournament on the PGA Tour, played in the autumn in Saint Simons Island, Georgia. The Atlanta Motor Speedway hosts the Dixie 500 NASCAR Cup Series stock car race and Road Atlanta the Petit Le Mans endurance sports car race. Atlanta's Georgia Dome hosted Super Bowl XXVIII in 1994 and Super Bowl XXXIV in 2000. The dome has hosted the NCAA Final Four Men's Basketball National Championship in 2002, 2007, and 2013. It hosted WWE's WrestleMania XXVII in 2011, an event which set an attendance record of 71,617. The venue was also the site of the annual Chick-fil-A Peach Bowl post-season college football games. Since 2017, they have been held at the Mercedes-Benz Stadium along with the FIRST World Championships. Professional baseball's Ty Cobb was the first player inducted into the Baseball Hall of Fame. He was from Narrows, Georgia and was nicknamed the "Georgia Peach". The Mercedes-Benz Stadium hosted Super Bowl LIII in 2018 and the CFP National Championship in the same year, the SEC Championship Game in 2017, the MLS All-Star Game in 2018, the MLS Cup in 2018, and the record-setting friendly fixture between Mexico Men's National Football Team and Honduras Men's National Football Team. Taxes Georgia has a progressive income tax structure with six brackets of state income tax rates that range from 1% to 6%. In 2009, Georgians paid 9% of their income in state and local taxes, compared to the U.S. average of 9.8% of income. This ranks Georgia 25th among the states for total state and local tax burden. The state sales tax in Georgia is 4% with additional percentages added through local options (e.g. special-purpose local-option sales tax or SPLOST), but there is no sales tax on prescription drugs, certain medical devices, or food items for home consumption. The state legislature may allow municipalities to institute local sales taxes and special local taxes, such as the 2% SPLOST tax and the 1% sales tax for MARTA serviced counties. Excise taxes are levied on alcohol, tobacco, and motor fuel. Owners of real property in Georgia pay property tax to their county. All taxes are collected by the Georgia Department of Revenue and then properly distributed according to any agreements that each county has with its cities. Culture The people of Georgia have been named 'Peaches' after the amount of peaches grown and distributed from Georgia. Fine and performing arts Georgia's major fine art museums include the High Museum of Art and the Michael C. Carlos Museum, both in Atlanta; the Georgia Museum of Art on the campus of the University of Georgia in Athens; Telfair Museum of Art and the SCAD Museum of Art in Savannah; and the Morris Museum of Art in Augusta. The state theatre of Georgia is the Springer Opera House located in Columbus. The Atlanta Opera brings opera to Georgia stages. The Atlanta Symphony Orchestra is the most widely recognized orchestra and largest arts organization in the southeastern United States. There are a number of performing arts venues in the state, among the largest are the Fox Theatre, and the Alliance Theatre at the Woodruff Arts Center, both on Peachtree Street in Midtown Atlanta as well as the Cobb Energy Performing Arts Centre, located in Northwest Atlanta. Education Georgia county and city public school systems are administered by school boards with members elected at the local level. As of 2013, all but 19 of 181 boards are elected from single-member districts. Residents and activist groups in Fayette County sued the board of commissioners and school board for maintaining an election system based on at-large voting, which tended to increase the power of the majority and effectively prevented minority participation on elected local boards for nearly 200 years. A change to single-member districts has resulted in the African-American minority being able to elect representatives of its choice. Georgia high schools (grades nine through twelve) are required to administer a standardized, multiple choice End of Course Test, or EOCT, in each of eight core subjects: algebra, geometry, U.S. history, economics, biology, physical science, ninth grade literature and composition, and American literature. The official purpose of the tests is to assess "specific content knowledge and skills". Although a minimum test score is not required for the student to receive credit in the course, completion of the test is mandatory. The EOCT score accounts for 15% of a student's grade in the course. The Georgia Milestone evaluation is taken by public school students in the state. In 2020, because of the ongoing COVID-19 pandemic, the Georgia State BOE agreed to state superintendent Richard Woods' proposal to change the weight of the EOCT test to only count for 0.01% of the Student's course grade. This change is currently only in effect for the 2020–21 school year. Georgia has 85 public colleges, universities, and technical colleges in addition to more than 45 private institutes of higher learning. Among Georgia's public universities is the flagship research university, the University of Georgia, founded in 1785 as the country's oldest state-chartered university and the birthplace of the American system of public higher education. The University System of Georgia is the presiding body over public post-secondary education in the state. The System includes 29 institutions of higher learning and is governed by the Georgia Board of Regents. Georgia's workforce of more than 6.3 million is constantly refreshed by the growing number of people who move there along with the 90,000 graduates from the universities, colleges and technical colleges across the state, including the highly ranked University of Georgia, Georgia Institute of Technology, Georgia State University, Kennesaw State University and Emory University. The HOPE Scholarship, funded by the state lottery, is available to all Georgia residents who have graduated from high school or earned a General Educational Development certificate. The student must maintain a 3.0 or higher grade point average and attend a public college or university in the state. The Georgia Historical Society, an independent educational and research institution, has a research center located in Savannah. The research center's library and archives hold the oldest collection of materials related to Georgia history in the nation. Media The Atlanta metropolitan area is the ninth largest media market in the United States as ranked by Nielsen Media Research. The state's other top markets are Savannah (95th largest), Augusta (115th largest), and Columbus (127th largest). There are 48 television broadcast stations in Georgia including TBS, TNT, TCM, Cartoon Network, CNN and Headline News, all founded by notable Georgia resident Ted Turner. The Weather Channel also has its headquarters in Atlanta. By far, the largest daily newspaper in Georgia is the Atlanta Journal-Constitution with a daily readership of 195,592 and a Sunday readership of 397,925. Other large dailies include The Augusta Chronicle, the Columbus Ledger-Enquirer, The Telegraph (formerly The Macon Telegraph) and the Savannah Morning News. WSB-AM in Atlanta was the first licensed radio station in the southeastern United States, signing on in 1922. Georgia Public Radio has been in service since 1984 and, with the exception of Atlanta, it broadcasts daily on several FM (and one AM) stations across the state. Georgia Public Radio reaches nearly all of Georgia (with the exception of the Atlanta area, which is served by WABE). WSB-TV in Atlanta is the state's oldest television station, having begun operations in 1948. WSB the first television service in Georgia, and the South. Government State government As with all other U.S. states and the federal government, Georgia's government is based on the separation of legislative, executive, and judicial power. Executive authority in the state rests with the governor, currently Brian Kemp (Republican). Both the Governor of Georgia and lieutenant governor are elected on separate ballots to four-year terms of office. Unlike the federal government, but like many other U.S. States, most of the executive officials who comprise the governor's cabinet are elected by the citizens of Georgia rather than appointed by the governor. Legislative authority resides in the General Assembly, composed of the Senate and House of Representatives. The Lieutenant Governor presides over the Senate, while members of the House of Representatives select their own Speaker. The Georgia Constitution mandates a maximum of 56 senators, elected from single-member districts, and a minimum of 180 representatives, apportioned among representative districts (which sometimes results in more than one representative per district); there are currently 56 senators and 180 representatives. The term of office for senators and representatives is two years. The laws enacted by the General Assembly are codified in the Official Code of Georgia Annotated. State judicial authority rests with the state Supreme Court and Court of Appeals, which have statewide authority. In addition, there are smaller courts which have more limited geographical jurisdiction, including Superior Courts, State Courts, Juvenile Courts, Magistrate Courts and Probate Courts. Justices of the Supreme Court and judges of the Court of Appeals are elected statewide by the citizens in non-partisan elections to six-year terms. Judges for the smaller courts are elected to four-year terms by the state's citizens who live within that court's jurisdiction. Local government Georgia consists of 159 counties, second only to Texas, with 254. Georgia had 161 counties until the end of 1931, when Milton and Campbell were merged into the existing Fulton. Some counties have been named for prominent figures in both American and Georgian history, and many bear names with Native American origin. Counties in Georgia have their own elected legislative branch, usually called the Board of Commissioners, which usually also has executive authority in the county. Several counties have a sole Commissioner form of government, with legislative and executive authority vested in a single person. Georgia is the only state with current Sole Commissioner counties. Georgia's Constitution provides all counties and cities with "home rule" authority. The county commissions have considerable power to pass legislation within their county, as a municipality would. Georgia recognizes all local units of government as cities, so every incorporated town is legally a city. Georgia does not provide for townships or independent cities, though there have been bills proposed in the Legislature to provide for townships; it does allow consolidated city-county governments by local referendum. All of Georgia's second-tier cities except Savannah have now formed consolidated city-county governments by referendum: Columbus (in 1970), Athens (1990), Augusta (1995), and Macon (2012). (Augusta and Athens have excluded one or more small, incorporated towns within their consolidated boundaries; Columbus and Macon eventually absorbed all smaller incorporated entities within their consolidated boundaries.) The small town of Cusseta adopted a consolidated city-county government after it merged with unincorporated Chattahoochee County in 2003. Three years later, in 2006, the town of Georgetown consolidated with the rest of Quitman County. There is no true metropolitan government in Georgia, though the Atlanta Regional Commission (ARC) and Georgia Regional Transportation Authority do provide some services, and the ARC must review all major land development projects in the Atlanta metropolitan area. Elections Georgia voted Republican in six consecutive presidential elections from 1996 to 2016, a streak that was broken when the state went for Democratic candidate Joe Biden in 2020. Until 1964, Georgia's state government had the longest unbroken record of single-party dominance, by the Democratic Party, of any state in the Union. This record was established largely due to the disenfranchisement of most blacks and many poor whites by the state in its constitution and laws in the early 20th century. Some elements, such as requiring payment of poll taxes and passing literacy tests, prevented blacks from registering to vote; their exclusion from the political system lasted into the 1960s and reduced the Republican Party to a non-competitive status in the early 20th century. White Democrats regained power after Reconstruction due in part to the efforts of some using intimidation and violence, but this method came into disrepute. In 1900, shortly before Georgia adopted a disfranchising constitutional amendment in 1908, blacks comprised 47% of the state's population. The whites dealt with this problem of potential political power by the 1908 amendment, which in practice disenfranchised blacks and poor whites, nearly half of the state population. It required that any male at least 21 years of age wanting to register to vote must also be of good character and able to pass a test on citizenship, be able to read and write provisions of the U.S. and Georgia constitutions, or own at least forty acres of land or $500 in property. Any Georgian who had fought in any war from the American Revolution through the Spanish–American War was exempted from these additional qualifications. More importantly, any Georgian descended from a veteran of any of these wars also was exempted. Because, by 1908, many white Georgia males were grandsons of veterans or owned the required property, the exemption and the property requirement basically allowed only well-to-do whites to vote. The qualifications of good character, citizenship knowledge, literacy (all determined subjectively by white registrars), and property ownership were used to disqualify most blacks and poor whites, preventing them from registering to vote. The voter rolls dropped dramatically. In the early 20th century, Progressives promoted electoral reform and reducing the power of ward bosses to clean up politics. Their additional rules, such as the eight-box law, continued to effectively close out people who were illiterate. White one-party rule was solidified. For more than 130 years, from 1872 to 2003, Georgians nominated and elected only white Democratic governors, and white Democrats held the majority of seats in the General Assembly. Most of the Democrats elected throughout these years were Southern Democrats, who were fiscally and socially conservative by national standards. This voting pattern continued after the segregationist period. Legal segregation was ended by passage of federal legislation in the 1960s. According to the 1960 census, the proportion of Georgia's population that was African American was 28%; hundreds of thousands of blacks had left the state in the Great Migration to the North and Midwest. New white residents arrived through migration and immigration. Following support from the national Democratic Party for the civil rights movement and especially civil rights legislation of 1964 and 1965, most African-American voters, as well as other minority voters, have largely supported the Democratic Party in Georgia. In 2002, incumbent moderate Democratic Governor Roy Barnes was defeated by Republican Sonny Perdue, a state legislator and former Democrat. While Democrats retained control of the State House, they lost their majority in the Senate when four Democrats switched parties. They lost the House in the 2004 election. Republicans then controlled all three partisan elements of the state government. Even before 2002, the state had become increasingly supportive of Republicans in Presidential elections. It has supported a Democrat for president only four times since 1960. In 1976 and 1980, native son Jimmy Carter carried the state; in 1992, the former Arkansas governor Bill Clinton narrowly won the state; and in 2020, Joe Biden narrowly carried the state. Generally, Republicans were strongest in the predominantly white suburban (especially the Atlanta suburbs) and rural portions of the state. Many of these areas were represented by conservative Democrats in the state legislature well into the 21st century. One of the most conservative of these was U.S. Congressman Larry McDonald, former head of the John Birch Society, who died when the Soviet Union shot down KAL 007 near Sakhalin Island. Democratic candidates have tended to win a higher percentage of the vote in the areas where black voters are most numerous, as well as in the cities among liberal urban populations (especially Atlanta and Athens), and the central and southwestern portion of the state. The ascendancy of the Republican Party in Georgia and in the South in general resulted in Georgia U.S. House of Representatives member Newt Gingrich being elected as Speaker of the House following the election of a Republican majority in the House in 1994. Gingrich served as Speaker until 1999, when he resigned in the aftermath of the loss of House seats held by members of the GOP. Gingrich mounted an unsuccessful bid for president in the 2012 election, but withdrew after winning only the South Carolina and Georgia primaries. In 2008, Democrat Jim Martin ran against incumbent Republican Senator Saxby Chambliss. Chambliss failed to acquire the necessary 50 percent of votes due to a Libertarian Party candidate receiving the remainder of votes. In the runoff election held on December 2, 2008, Chambliss became the second Georgia Republican to be reelected to the U.S. Senate. In the 2018 elections, the governorship remained under control by a Republican (by 54,723 votes against a Democrat, Stacey Abrams), Republicans lost eight seats in the Georgia House of Representatives (winning 106), while Democrats gained ten (winning 74), Republicans lost two seats in the Georgia Senate (winning 35 seats), while Democrats gained two seats (winning 21), and five Democrat U.S. Representatives were elected with Republicans winning nine seats (one winning with just 419 votes over the Democratic challenger, and one seat being lost). In the three presidential elections up to and including 2016, the Republican candidate has won Georgia by approximately five to eight points over the Democratic nominee, at least once for each election being narrower than margins recorded in some states that have flipped within that timeframe, such as Michigan, Ohio and Wisconsin. This trend led to the state narrowly electing Democrat Joe Biden for president in 2020, and it coming to be regarded as a swing state. In a 2020 study, Georgia was ranked as 49th on the "Cost of Voting Index" with only Texas ranking higher. In 2022, Georgia swung substantially back to the right towards Republicans with incumbent Republican Governor Brian Kemp winning reelection by 7.5% over Democrat Stacey Abrams with a raw vote margin of over 300,000 votes in the 2022 Georgia gubernatorial election. The largest amount since the early 2000s, and every other Republican statewide getting elected by a 5–10% margin of victory. Politics During the 1960s and 1970s, Georgia made significant changes in civil rights and governance. As in many other states, its legislature had not reapportioned congressional districts according to population from 1931 to after the 1960 census. Problems of malapportionment in the state legislature, where rural districts had outsize power in relation to urban districts, such as Atlanta's, were corrected after the U.S. Supreme Court ruling in Wesberry v. Sanders (1964). The court ruled that congressional districts had to be reapportioned to have essentially equal populations. A related case, Reynolds v. Sims (1964), required state legislatures to end their use of geographical districts or counties in favor of "one man, one vote"; that is, districts based upon approximately equal populations, to be reviewed and changed as necessary after each census. These changes resulted in residents of Atlanta and other urban areas gaining political power in Georgia in proportion to their populations. From the mid-1960s, the voting electorate increased after African Americans' rights to vote were enforced under civil rights law. Economic growth through this period was dominated by Atlanta and its region. It was a bedrock of the emerging "New South". From the late 20th century, Atlanta attracted headquarters and relocated workers of national companies, becoming more diverse, liberal and cosmopolitan than many areas of the state. In the 21st century, many conservative Democrats, including former U.S. Senator and governor Zell Miller, decided to support Republicans. The state's then-socially conservative bent resulted in wide support for measures such as restrictions on abortion. In 2004, a state constitutional amendment banning same-sex marriages was approved by 76% of voters. However, after the United States Supreme Court issued its ruling in Obergefell v. Hodges, all Georgia counties came into full compliance, recognizing the rights of same-sex couples to marry in the state. In presidential elections, Georgia voted solely Democratic in every election from 1900 to 1960. In 1964, it was one of only a handful of states to vote for Republican Barry Goldwater over Democrat Lyndon B. Johnson. In 1968, it did not vote for either of the two parties, but rather the American Independent Party and its nominee, Alabama Governor George Wallace. In 1972, the state returned to Republicans as part of a landslide victory for Richard Nixon. In 1976 and 1980, it voted for Democrat and former Georgia governor Jimmy Carter. The state returned to Republicans in 1984 and 1988, before going Democratic once again in 1992. For every election between that year and 2020, Georgia voted heavily Republican, in line with many of its neighbors in the Deep South. In 2020, it voted Democratic for the first time in 28 years, aiding Joe Biden in his defeat of incumbent Republican Donald Trump. Prior to 2020, Republicans in state, federal and congressional races had seen decreasing margins of victory, and many election forecasts had ranked Georgia as a "toss-up" state, or with Biden as a very narrow favorite. Concurrent with the 2020 presidential election were two elections for both of Georgia's United States Senate seats (one of which being a special election due to the resignation of Senator Johnny Isakson, and the other being regularly scheduled). After no candidate in either race received a majority of the vote, both went to January 5, 2021, run-offs, which Democrats Jon Ossoff and Raphael Warnock won. Ossoff is the state's first Jewish senator, and Warnock is the state's first Black senator. Biden's, Ossoff's, and Warnock's wins were attributed to the rapid diversification of the suburbs of Atlanta and increased turnout of younger African American voters, particularly around the suburbs of Atlanta and in Savannah, Georgia. Parks and recreational activities There are 48 state parks, 15 historic sites, and numerous wildlife preserves under supervision of the Georgia Department of Natural Resources. Other historic sites and parks are supervised by the National Park Service and include the Andersonville National Historic Site in Andersonville; Appalachian National Scenic Trail; Chattahoochee River National Recreation Area near Atlanta; Chickamauga and Chattanooga National Military Park at Fort Oglethorpe; Cumberland Island National Seashore near St. Marys; Fort Frederica National Monument on St. Simons Island; Fort Pulaski National Monument in Savannah; Jimmy Carter National Historic Site near Plains; Kennesaw Mountain National Battlefield Park near Kennesaw; Martin Luther King Jr. National Historical Park in Atlanta; Ocmulgee National Monument at Macon; Trail of Tears National Historic Trail; and the Okefenokee Swamp in Waycross, Georgia. Outdoor recreational activities include hiking along the Appalachian Trail; Civil War Heritage Trails; rock climbing and whitewater kayaking. Other outdoor activities include hunting and fishing. Infrastructure Transportation Transportation in Georgia is overseen by the Georgia Department of Transportation, a part of the executive branch of the state government. Georgia's major Interstate Highways are I-20, I-75, I-85, and I-95. On March 18, 1998, the Georgia House of Representatives passed a resolution naming the portion of Interstate 75, which runs from the Chattahoochee River northward to the Tennessee state line the Larry McDonald Memorial Highway. Larry McDonald, a Democratic member of the House of Representatives, had been on Korean Air Lines Flight 007 when it was shot down by the Soviets on September 1, 1983. Georgia's primary commercial airport is Hartsfield–Jackson Atlanta International Airport (ATL), the world's busiest airport. In addition to Hartsfield–Jackson, there are eight other airports serving major commercial traffic in Georgia. Savannah/Hilton Head International Airport is the second-busiest airport in the state as measured by passengers served, and is the only additional international airport. Other commercial airports (ranked in order of passengers served) are located in Augusta, Columbus, Albany, Macon, Brunswick, Valdosta, and Athens. The Georgia Ports Authority manages two deepwater seaports, at Savannah and Brunswick, and two river ports, at Bainbridge and Columbus. The Port of Savannah is a major U.S. seaport on the Atlantic coast. The Metropolitan Atlanta Rapid Transit Authority (MARTA) is the principal rapid transit system in the Atlanta metropolitan area. Formed in 1971 as strictly a bus system, MARTA operates a network of bus routes linked to a rapid transit system consisting of 48 miles (77 km) of rail track with 38 train stations. MARTA operates almost exclusively in Fulton and DeKalb counties, with bus service to two destinations in Cobb county and the Cumberland Transfer Center next to the Cumberland Mall, and a single rail station in Clayton County at Hartsfield–Jackson Atlanta International Airport. MARTA also operates a separate paratransit service for disabled customers. As of 2009, the average total daily ridership for the system (bus and rail) was 482,500 passengers. Health care The state has 151 general hospitals, more than 15,000 doctors and almost 6,000 dentists. The state is ranked forty-first in the percentage of residents who engage in regular exercise. Notable people Jimmy Carter, from Plains, Georgia, was President of the United States from 1977 to 1981. Martin Luther King Jr. was born in Atlanta in 1929. He was a civil rights movement leader who protested for equal rights and against racial discrimination. He won the Nobel Peace Prize in 1964. Blake R. Van Leer played an important role in the civil rights movement, Georgia's economy and was president of Georgia Tech. Mordecai Sheftall, the highest ranking Jewish officer in the American Revolution, was born and lived his life in Georgia. Naomi Chapman Woodruff, originally from Idaho, was responsible for developing a peanut breeding program in Georgia which lead to a harvest of nearly five times the typical amount. State symbols Amphibian: American green tree frog Bird: brown thrasher Crop: peanut Fish: largemouth bass Flower: Cherokee rose Fruit: peach Gem: quartz Insect: honey bee Mammal: white-tailed deer Marine mammal: right whale Mineral: staurolite Nicknames: "Peach State" "Empire State of the South" Reptile: gopher tortoise Song: "Georgia on My Mind" Tree: live oak Vegetable: Vidalia onion Reference: Georgia Symbols See also Index of Georgia (U.S. state)-related articles Outline of Georgia (U.S. state) USS Georgia, 2 ships Notes References Bibliography Bartley, Numan V. The Creation of Modern Georgia (1990). Covers 1865–1990 period. ISBN 0-8203-1183-9. Coleman, Kenneth. ed. A History of Georgia (1991). ISBN 0-8203-1269-X. London, Bonnie Bullard. (2005) Georgia and the American Experience Atlanta, Georgia: Clairmont Press ISBN 1-56733-100-9. A middle school textbook. Peirce, Neal R. The Deep South States of America: People, Politics, and Power in the Seven Deep South States (1974). Information on politics and economics 1960–72. ISBN 0-393-05496-9. Williams, David and Christopher C. Meyers. Georgia: A Brief History Macon: Mercer University Press, 2012. External links Georgia state government website Georgia State Guide, from the Library of Congress Geographic data related to Georgia (U.S. state) at OpenStreetMap
Jane_Seymour
https://en.wikipedia.org/wiki/Jane_Seymour
[ 165 ]
[ "https://en.wikipedia.org/wiki/Jane_Seymour" ]
Jane Seymour (; c. 1508 – 24 October 1537) was Queen of England as the third wife of King Henry VIII from their marriage on 30 May 1536 until her death the next year. She became queen following the execution of Henry's second wife, Anne Boleyn, who was accused by King Henry VIII of adultery after failing to produce the male heir he so desperately desired. Jane, however, died of postnatal complications less than two weeks after the birth of her only child, the future King Edward VI. She was the only wife of Henry to receive a queen's funeral; and he was later buried alongside her remains in St George's Chapel, Windsor Castle. Early life Jane, the daughter of Sir John Seymour and Margery Wentworth, was most likely born at Wulfhall, Wiltshire, although West Bower Manor in Somerset has also been suggested. Her birth date is not recorded; various accounts use anywhere from 1504 to 1509, but it is generally estimated around 1508. Through her maternal grandfather, she was a descendant of King Edward III's son Lionel of Antwerp, 1st Duke of Clarence. Because of this, she and King Henry VIII were fifth cousins. She also shared a great-grandmother, Elizabeth Cheney, with his second and fifth wives, Anne Boleyn and Catherine Howard. Jane was not as highly educated as Henry's first and second wives, Catherine of Aragon and Anne Boleyn. She could read and write a little, but was much better at needlework and household management, which were considered much more necessary for women. Her needlework was reportedly beautiful and elaborate; some of it survived as late as 1652, when it is recorded to have been given to the Seymour family. After her death, it was noted that Henry was an "enthusiastic embroiderer". Jane became a maid-of-honour in 1532 to Queen Catherine, but may have served her as early as 1527, and went on to serve Queen Anne with her sister Elizabeth. The first report of Henry's interest in Jane was in February 1536, about three months before Anne's execution. Jane was highly praised for her gentle, peaceful nature, being called as "gentle a lady as ever I knew" by John Russell and "the Pacific" by the Imperial Ambassador Eustace Chapuys, (who referred to her as Jane Semel in his letters,) for her peacemaking efforts at court. According to Chapuys, she was of middling stature and very pale; he also said that she was not of much beauty, but Russell said she was "the fairest of all the King's wives". Polydore Vergil commented that she was "a woman of the utmost charm in both character and appearance". She was regarded as meek, gentle, simple, and chaste, with her large family making her thought to be suitable to have many children. Marriage and birth of heir Henry VIII was betrothed to Jane on 20 May 1536, the day after Anne Boleyn's execution. They were married at the Palace of Whitehall, Whitehall, London, in the Queen's closet by Bishop Gardiner on 30 May 1536. As a wedding gift he granted her 104 manors in four counties as well as a number of forests and hunting chases for her jointure, the income to support her during their marriage. She was publicly proclaimed queen on 4 June 1536. Her well-publicised sympathy for the late Queen Catherine and her daughter Mary showed her to be compassionate and made her a popular figure with the common people and most of the courtiers. She was never crowned because of plague in London, where the coronation was to take place. Henry may have been reluctant to have her crowned before she had fulfilled her duty as a queen consort by bearing him a male heir. As queen, Jane was said to be strict and formal. The lavish entertainments, gaiety, and extravagance of the queen's household, which had reached its peak during Anne Boleyn's time, was replaced by strict decorum. She banned the French fashions Anne had introduced. Politically, Jane appears to have been conservative. Her only reported involvement in national affairs, in 1536, was when she asked for pardons for participants in the Pilgrimage of Grace. Henry is said to have rejected this, reminding her of the fate her predecessor met with when she "meddled in his affairs". Her motto as a queen was Bound to obey and serve. Jane formed a close relationship with her stepdaughter Mary, making efforts to have Mary restored to court and to the royal succession, behind any children she might have with Henry. She brought up the issue of Mary's restoration both before and after she became queen. While she was unable to restore Mary to the line of succession, she was able to reconcile her with Henry. Chapuys wrote to Emperor Charles V of her compassion and efforts on behalf of Mary's return to favour. A letter from Mary to her shows Mary's gratitude. While it was she who first pushed for the restoration, Mary and Elizabeth were not reinstated to the succession until Henry's sixth wife, Catherine Parr, convinced him to do so. One non-contemporary source conjectures that she may have been pregnant and had a miscarriage by Christmas 1536. In January 1537, Jane conceived again. During her pregnancy, she developed a craving for quail, which Henry ordered for her from Calais and Flanders. During the summer, she took no public engagements and led a relatively quiet life, attended by the royal physicians and the best midwives in the kingdom. She went into confinement in September 1537 and gave birth to the coveted male heir, the future King Edward VI, at two o'clock in the morning on 12 October 1537 at Hampton Court Palace. Edward was christened on 15 October 1537, without his mother in attendance, as was the custom. He was the only legitimate son of Henry VIII to survive infancy. Both of his daughters, Mary and Elizabeth, were present and carried Edward's train during the ceremony. Death and funeral Jane's labour had been difficult, lasting two days and three nights, probably because the baby was not well positioned. After the christening, it became clear that she was seriously ill. She died on 24 October 1537 at Hampton Court Palace. Within a few weeks, there were conflicting accounts of the cause of her death. According to King Edward's biographer Jennifer Loach, her death may have been due to an infection from a retained placenta. According to Alison Weir, she may have succumbed to puerperal fever following a bacterial infection contracted during the birth. Weir has also speculated, after medical consultation, that the cause of her death was a pulmonary embolism. Jane was buried on 12 November 1537 in St. George's Chapel at Windsor Castle after the funeral in which her stepdaughter Mary acted as chief mourner. A procession of 29 mourners followed Mary, one for every year of Jane's life. She was the only one of Henry's wives to receive a queen's funeral. After her death, Henry wore black for the next three months. He married Anne of Cleves two years later, although marriage negotiations were tentatively begun soon after Jane's death. He put on weight during his widowerhood, becoming obese and swollen and developing diabetes and gout. Historians have speculated she was his favourite wife because she gave birth to a male heir. When he died in 1547, he was buried beside her, on his request, in the grave he had made for her. Legacy Jane gave the King the son he so desperately desired, helped to restore Mary to the succession and her father's affections, and used her influence to bring about the advancement of her family. Two of her brothers, Thomas and Edward, used her memory to improve their own fortunes. Thomas was rumoured to have been pursuing the future Elizabeth I, but married the queen dowager Catherine Parr instead. In the reign of the young King Edward VI, Edward set himself up as Lord Protector and de facto ruler of the kingdom. Both eventually fell from power, and were executed. Costume An inventory of Henry VIII includes costume belonging to Jane Seymour, which was stored in 1542 in the Old Jewel House of Whitehall Palace. The list includes: gowns of damask, velvet, and satin; kirtles of velvet, cloth of silver, taffeta, and purple cloth of gold; cloaks of satin; sleeves of silver and gold tissue embroidered with Venice gold and tied with gold aglets; placards for gowns; stomachers; frontlets; French hoods and billiments of black velvet and white satin; partlets; and crimson velvet hats. The same clothes were listed again in 1547. Jane Seymour was said to have embroidered a bed, later given by Charles I to her relation William Seymour. Included in the inventory are some items of embroidery, possibly her own work such as a cushion featuring an antelope. A piece with a branch of roses and a crowned white falcon seems to be an emblem associated with Anne Boleyn. Jane Seymour owned great and little "babies", dolls dressed in gowns of cloth of silver, satin, and velvet tied with gold "aglettes", like her own sleeves. These may have been fashion dolls. In popular culture In film and on stage In 1933, Wendy Barrie played Seymour opposite Charles Laughton's Henry VIII in Alexander Korda's highly acclaimed film The Private Life of Henry VIII. In 1969, Lesley Paterson portrayed Jane briefly in Anne of the Thousand Days. As part of the 1970 BBC series The Six Wives of Henry VIII, Henry was played by Keith Michell, and Seymour by Anne Stallybrass. In 1972, this interpretation was repeated in the film Henry VIII and His Six Wives, adapted from the BBC series, in which Keith Michell reprised his role as Henry; on this occasion Seymour was played by Jane Asher. Seymour was played by Charlotte Roach in David Starkey's documentary series The Six Wives of Henry VIII in 2001. Seymour is a supporting character in the 2003 BBC television drama The Other Boleyn Girl, played by Naomi Benson opposite Jared Harris as Henry VIII and Jodhi May as Anne Boleyn. In October 2003, in the two-part ITV drama Henry VIII, Ray Winstone starred as the King. Jane Seymour was played by Emilia Fox. In The Simpsons 2004 episode "Margical History Tour", Seymour is portrayed by the shrill Miss Springfield during Marge's retelling of Henry's reign. Henry (portrayed by Homer) quickly orders Seymour's beheading after hearing her annoying voice. Corinne Galloway depicts Seymour in The Other Boleyn Girl (2008). Anita Briem portrayed Seymour as lady-in-waiting to Anne Boleyn in the second (2008) season of the television series The Tudors, produced for Showtime. In the third season of the same series, when Jane Seymour becomes queen and later dies, the part is played by Annabelle Wallis. Kate Phillips, in her first professional role, plays Jane Seymour in the BBC Two adaptation of Wolf Hall. Phillips reprises the role in Wolf Hall: The Mirror and the Light. Jane Seymour is portrayed in the stage adaptation of Hilary Mantel's Wolf Hall parts I and II, adapted by Mike Poulton. It was presented by the Royal Shakespeare Company in London's West End (2014) and on Broadway (2015). Lucy Telleck played Seymour opposite Charlie Clements as Henry VIII in Suzannah Lipscomb and Dan Jones Henry VIII and his Six Wives on Channel 5. In the musical Six, she was played by Holly Musgrave in the original Edinburgh cast, Natalie Paris in the studio and West End casts and Abby Mueller in the Chicago cast. In books Is the main character in Janet Wertman's Jane the Quene novel, the first installment in her Seymour Saga. Is the main character in Carolly Erickson's highly fictionalized novel The Favoured Queen, which follows her from her appointment as lady-in-waiting to Catherine of Aragon right up until her death. Is the subject of the novel Plain Jane: A Novel of Jane Seymour (Tudor Women Series) by Laurien Gardner (Sarah Hoyt). Appears as a lady serving both Catherine of Aragon and Anne Boleyn in Wolf Hall by Hilary Mantel, which ends with hints of her coming prominence. The second novel in Mantel's series, Bring Up the Bodies focuses on the machinations that led to the execution of Anne Boleyn, Henry VIII's growing determination to replace her with Jane Seymour and the Seymour family's strategems to gain from the King's attraction to Jane. The third volume, The Mirror & the Light, includes Jane Seymour's story. The book I, Jane, by Diane Haeger, tells of her growing up and, before catching the eye of King Henry, meeting a young man whose parents are well placed in court and look down on Jane and her family. Despite this, Jane and the son become close, and over the years she never forgets him. Is the title character of Jane Seymour: Henry VIII's True Love by Elizabeth Norton. Seymour is the title character in Alison Weir's book Jane Seymour: The Haunted Queen, the third in the Six Tudor Queens series. In music As Giovanna Seymour, she appears in Gaetano Donizetti's opera Anna Bolena. Rick Wakeman recorded the piece "Jane Seymour" for his 1973 album The Six Wives of Henry VIII. The English ballad "The Death of Queen Jane" (Child No. 170) is about the death of Jane Seymour following the birth of Prince Edward. The story as related in the ballad is historically inaccurate, but apparently reflects the popular view at the time of the events surrounding her death. The historical fact is that Prince Edward was born naturally, and that his mother succumbed to infection and died 12 days later. Most versions of the song end with the contrast between the joy of the birth of the Prince and the grief of the death of the Queen. A setting of the ballad to a tune by Irish musician Dáithí Sproule was included on the Bothy Band's 1979 album After Hours (Live in Paris), on the 1995 album Trian II by Trian (Sproule, Liz Carroll, and Billy McComiskey), and the Bothy Band's 2008 album Best of the Bothy Band. The song also appears on Loreena McKennitt's 2010 album The Wind That Shakes the Barley, and on Dáithí Sproule's 2011 album Lost River: Vol. 1; and it was performed by Oscar Isaac in the Coen brothers' 2013 film Inside Llewyn Davis. Footnotes Sources External links Portraits of Jane Seymour at the National Portrait Gallery, London A quick overview of Jane's life, with a good portrait gallery as well A more in-depth historical look at Jane's life and times A geo-biography tour Archived 21 December 2008 at the Wayback Machine of the Six Wives of Henry VIII on Google Earth The text of the ballad The Death of Queen Jane 2015 Irish Examiner article Archived 20 June 2018 at the Wayback Machine
Jane_Seymour_(actress)
https://en.wikipedia.org/wiki/Jane_Seymour_(actress)
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[ "https://en.wikipedia.org/wiki/Jane_Seymour_(actress)" ]
Jane Seymour (born Joyce Penelope Wilhelmina Frankenberg; 15 February 1951) is a British actress. After making her screen debut as an uncredited extra in the 1969 musical comedy Oh! What a Lovely War, Seymour moved to roles in film and television, including a leading role in the television series The Onedin Line (1972–1973) and the role of psychic Bond girl Solitaire in the James Bond film Live and Let Die (1973). Critical acclaim followed, with a nomination for the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series for her role in Captains and the Kings (1976). In 1982, Seymour won her first Golden Globe Award for Best Actress in a Miniseries or Motion Picture Made for Television for her role in the miniseries East of Eden (1981). She received three additional Golden Globe nominations in that same category: one for her portrayal of Wallis Simpson (the twice-divorced American wife of King Edward VIII) in the television film The Woman He Loved (1988), and another two (in consecutive years) for her role in the miniseries War and Remembrance (1988-1989). Her War and Remembrance role also garnered her a nomination for the Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or Special. Seymour also won a Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or Special for her portrayal of Maria Callas in Onassis: The Richest Man in the World (1988). In 1993, Seymour was cast as Dr. Michaela Quinn in the television series Dr. Quinn, Medicine Woman, a medical drama set in the Wild West. For her performance in this role, over the course of its six-season run she received nominations twice for the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series, twice for the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series, and four times for the Golden Globe Award for Best Actress in a Television Series – Drama. She went on to win one of the latter awards. Seymour was given a star on the Hollywood Walk of Fame, and, in 2000, was appointed an Officer of the Order of the British Empire. Seymour also had roles in numerous films, including Somewhere in Time (1980), The Scarlet Pimpernel (1982), La Révolution française (1989), Wedding Crashers (2005), Love, Wedding, Marriage (2011), Little Italy (2018), The War with Grandpa (2020) and Friendsgiving (2020). In addition to her acting career, Seymour established a nonprofit, the Open Hearts Foundation, co-authored several children's books and self-help books, and created jewellery, scarves, furniture, rugs, handbags, paintings and sculptures under the label Jane Seymour Designs. Early life Joyce Penelope Wilhelmina Frankenberg was born on 15 February 1951 in Uxbridge, Middlesex (now part of Greater London), England, to Mieke van Tricht (1914–2007), a nurse, and Benjamin John Frankenberg FRCOG (1914–1990), a distinguished gynaecologist and obstetrician. Her father was Jewish; he was born in England to a family from Nowe Trzepowo, a village in Poland. Her mother was a Dutch Protestant (with family from Deventer) who was a prisoner of war during World War II and had lived in the Dutch East Indies (now Indonesia). Seymour has stated she learned Dutch from her mother and her fellow survivors from the Japanese internment camp, who frequently spent holidays together in the Netherlands when she was a child. Encouraged by her parents (who sent her to live with family friends in Geneva to practise her languages), she learned to speak fluent French. Seymour's paternal grandfather Lee Grahame had come to live in the East End of London after escaping the Czarist pogroms when he was 14. He is listed in the 1911 census as living in Bethnal Green working as a hairdresser and went on to establish his own company. Seymour's father Benjamin qualified at the UCL Medical School in 1938. He joined the medical branch of the RAFVR after the outbreak of war, serving in England, Belgium, Italy and South Africa, ending his service as a squadron leader with a mention in despatches. After the war, Frankenberg continued his career at various London hospitals, including St Leonard's Hospital, Hackney, the East End Maternity Hospital, the City of London Maternity Hospital and finally Hillingdon Hospital, for which he designed the maternity unit. A close associate of Patrick Steptoe, he assisted in pioneering discussions on in-vitro fertilisation and published papers on adolescent and teenage sexual behaviours. Seymour was educated at Tring Park School for the Performing Arts in Hertfordshire. She chose the screen name Jane Seymour, after the English queen Jane Seymour, because it seemed more saleable. One of Seymour's notable features is heterochromia, making her right eye brown and her left eye green. Acting career In 1969, Seymour appeared uncredited in her first film, Richard Attenborough's Oh! What a Lovely War. In 1970, Seymour appeared in her first major film role in the war drama The Only Way. She played Lillian Stein, a Jewish woman seeking shelter from Nazi persecution. In 1973, she gained her first major television role as Emma Callon in the successful 1970s series The Onedin Line. During this time, she appeared as the female lead Prima in the two-part television miniseries Frankenstein: The True Story. She appeared as Winston Churchill's girlfriend Pamela Plowden in Young Winston, produced by her father-in-law Richard Attenborough. In 1973, Seymour achieved international fame in her role as Bond girl Solitaire in the James Bond film Live and Let Die. IGN ranked her as 10th in a Top 10 Bond Babes list. In 1975, Seymour was cast as Princess Farah in Sinbad and the Eye of the Tiger, the third part of Ray Harryhausen's Sinbad trilogy. The film was not released until its stop motion animation sequences had been completed in 1977. In 1978, she appeared as Serina in the Battlestar Galactica film and in the first five episodes of the television series. Seymour returned to the big screen in the comedy Oh Heavenly Dog opposite Chevy Chase. In 1980, Seymour played the role on stage of Constanze in Peter Shaffer's play Amadeus, opposite Ian McKellen as Salieri and Tim Curry as Mozart. The play premiered on Broadway in 1980, ran for 1,181 performances and was nominated for seven Tony Awards, of which it won five. Also in 1980, Seymour was given the role of young theatre actress Elise McKenna in the period romance Somewhere in Time. Though the film was made with a markedly limited budget, the role enticed Seymour with a character she felt she knew. The effort was a decided break from her earlier work and marked the start of her friendship with co-star Christopher Reeve. In 1981, she appeared in the television film East of Eden, based on the novel by John Steinbeck. Her portrayal of main antagonist Cathy Ames won her a Golden Globe. In 1982, she appeared in The Scarlet Pimpernel with Anthony Andrews and her Amadeus costar Ian McKellen. In 1984, Seymour appeared nude in the film Lassiter, co-starring Tom Selleck, but the film was a box office flop. In 1987, Seymour was the subject of a pictorial in Playboy magazine, although she did not pose nude. In 1988, Seymour got the female lead in the twelve-part television miniseries War and Remembrance, the continued story from the miniseries The Winds of War. She played Natalie Henry, an American Jewish woman trapped in Europe during World War II. That same year, she won an Emmy Award for playing Maria Callas in the television movie Onassis: The Richest Man in the World. In 1989, on the occasion of the 200th anniversary of the French Revolution, Seymour appeared in the television film La révolution française, filmed in both French and English. Seymour appeared as the doomed French queen, Marie Antoinette; Seymour's two children, Katherine and Sean, appeared as the queen's children. In the 1990s, Seymour earned popular and critical praise for her role as Dr. Michaela "Mike" Quinn in the television series Dr. Quinn, Medicine Woman and its television sequels (1993–2001). Her work on the series earned her a second Golden Globe Award. While working on the series Dr. Quinn, Medicine Woman, she met her fourth husband, actor-director James Keach. In the 2000s, Seymour continued to work primarily in television. In 2004 and 2005, she made six guest appearances in The WB series Smallville, playing Genevieve Teague, the wealthy, scheming mother of Jason Teague (Jensen Ackles). In 2005, Seymour returned to the big screen in the comedy Wedding Crashers, playing Kathleen Cleary, wife of fictional United States Secretary of the Treasury William Cleary, played by Christopher Walken. In spring 2006, she appeared in the short-lived The WB series Modern Men. Later that year, Seymour guest-starred as a law school professor on an episode of the CBS sitcom How I Met Your Mother and as a wealthy client on the Fox legal drama Justice. In 2007, she guest-starred in the ABC sitcom In Case of Emergency. She also appeared in ITV's Marple: Ordeal By Innocence, based on the Agatha Christie novel. She was a contestant on season five of the US reality show Dancing with the Stars; she finished in sixth place, along with her partner Tony Dovolani. Seymour guest starred in "One Life to Lose", a soap opera-themed episode of the ABC crime dramedy Castle. Seymour appeared in the Hallmark Channel film Dear Prudence (2008); the romantic comedy Love, Wedding, Marriage (2011); and the Hallmark Movie Channel film Lake Effects (2012). In April 2016, she starred as Florence Lancaster in Noël Coward's play The Vortex, presented in Singapore by the British Theatre Playhouse. In 2022, Seymour began playing the title role on the Irish Acorn TV series Harry Wild. In 2020, Jane starred in Ruby's Choice, an Australian comedy/drama produced and directed by Michael Budd. It follows Ruby (played by Seymour) as a woman with early dementia and its impact on her and her family when she is no longer able to live independently and moves in with her family. Jane won Australian screen industry Network Award for best actress. The film was released theatrically across Australia and New Zealand on 3 March 2022. On 7 March 2022, Ruby's Choice premiered in Santa Barbara, California at the 37th Santa Barbara International Film Festival where it was a Nominee Best International Feature Film. On 24 September 2023, at the Burbank International Film Festival (BIFF), won Best Foreign Film and Best Feature Film with Ruby's Choice. The event coincided with the honouring of the legendary filmmaker Tim Burton. 'Ruby's Choice' will be released nationwide in North America on May 7th, 2024." She is due to appear in the Netflix movie, Irish Wish in 2024. Personal life Seymour has been married and divorced four times. Her first marriage was to Michael Attenborough. She was then briefly married to Geoffrey Planer. In 1981, Seymour married David Flynn. The marriage produced two children: Katherine Flynn (born on 7 February 1982) and Sean Flynn (born on 31 July 1985). Flynn had involved her in the housing market, an involvement which left her "completely beyond bankrupt". They divorced in 1992. The following year, Seymour married actor James Keach. Together they had twins, John Stacy and Kristopher Steven, born on 30 November 1995, and named after family friends Johnny Cash and Christopher Reeve and James's brother, actor Stacy Keach. In February 2005, Seymour became a naturalised citizen of the United States. Seymour is a celebrity ambassador for Childhelp, a national nonprofit organisation dedicated to helping victims of child abuse and neglect. In 2007, she sponsored a children's Art Pillow contest as part of the Jane Seymour Collection, with the proceeds going to Childhelp. On 12 April 2013, it was announced that Seymour was divorcing Keach. The divorce was finalized in December 2015. In February 2018, she posed for Playboy for a third time, becoming at the age of 67 the oldest woman to be photographed for the magazine. In the Playboy interview, Seymour revealed that she briefly quit acting after being sexually harassed by an unnamed film producer in the early 1970s. Since 2023, she has been in a relationship with musician John Zambetti. Writing and fashion career In the 1980s, Seymour began a parallel career as a writer of self-help and inspirational books, including Jane Seymour's Guide to Romantic Living (1986), Two at a Time: Having Twins (2002), Remarkable Changes (2003) and Among Angels (2010). She also co-wrote several children's books, with her then-husband James Keach, for the This One 'N That One series. In 1985, Seymour appeared at Fashion Aid, a one-time fashion show fundraiser held at the Royal Albert Hall in London. An event organised by Bob Geldof to raise funds for the ongoing Ethiopian famine caused by the policies of dictator Mengistu Haile Mariam, the finale of the show saw her partake in a mock wedding with Freddie Mercury. Seymour wore a white lace wedding dress that was designed by David and Elizabeth Emanuel – who had previously created Princess Diana's wedding gown. In 2008, Seymour replaced Selina Scott as the new face of fashion label CC (formerly known as Country Casuals) under the Austin Reed banner of retailers. Likewise in 2008, Seymour teamed up with and designed the "Open Heart Collection" for Kay Jewelers, which promoted it with the advice, "Keep your heart open and love will always find its way in." Beginning that year, she saw to it that she would always be wearing one of the collection's necklaces whenever seen in public while not in character for any of her acting performances. In the same year, Seymour also wrote and published the books Open Hearts: If Your Heart Is Open, love Will Always Find Its Way In and Open Hearts Family. A 2.08-carat cushion-cut fancy vivid blue diamond in an 18-karat rose-gold-plated platinum setting was named "The Jane Seymour" in her honour by World of Diamonds Group, which had mined it in Russia, cut and set it. The ring was presented to Seymour in April 2016 in Singapore while she was there to star in The Vortex. Bibliography Jane Seymour's Guide to Romantic Living. Macmillan Publishers, 1986. ASIN: B003JFVAKC. Gus Loved His Happy Home. With Seymour Fleishman. Linnet Books, 1989. ISBN 978-0-208-02249-3 Yum!: A Tale of Two Cookies. This One 'N That One series. With James Keach. Angel Gate, 1998. ISBN 978-1-932431-08-7 Boing!: No Bouncing on the Bed. This One 'N That One series. With James Keach. Putnam Juvenile, 1999. ISBN 978-0-399-23440-8 Splat!: The Tale of a Colorful Cat. This One 'N That One series. With James Keach. Turtleback Books, 2001. ISBN 978-1-4176-0825-6 Two at a Time: Having Twins: The Journey Through Pregnancy and Birth. With Pamela Patrick Novotny. Atria Books, 2002. ISBN 978-0-671-03678-2 Remarkable Changes: Turning Life's Challenges into Opportunities. New York: HarperEntertainment, 2003. ISBN 978-0-06-008747-0 Making Yourself at Home: Finding Your Style and Putting It All Together. DK Adult, 2007. ISBN 978-0-7566-2892-5 Open Hearts: If Your Heart Is Open, Love Will Always Find Its Way In. Running Press, 2008. ISBN 0-7624-3662-X Among Angels. Guideposts, 2010. ISBN 978-0-8249-4850-4 Filmography Awards and nominations Honours 1999: Star on the Hollywood Walk of Fame. 2000: New Years Honours List. "For services to acting and entertainment". 2000: OBE Officer of the Order of the British Empire (Civil Division) 2010: Ellis Island Medal of Honor References External links Official website Jane Seymour at IMDb Jane Seymour at AllMovie Jane Seymour at the TCM Movie Database
Dr._Quinn,_Medicine_Woman
https://en.wikipedia.org/wiki/Dr._Quinn,_Medicine_Woman
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[ "https://en.wikipedia.org/wiki/Dr._Quinn,_Medicine_Woman" ]
Dr. Quinn, Medicine Woman is an American Western drama television series created and executive produced by Beth Sullivan and starring Jane Seymour, who plays Dr. Michaela Quinn, a physician who leaves Boston in search of adventure in the Old West and settles in Colorado Springs, Colorado. The television series ran on CBS for six seasons, from January 1, 1993, to May 16, 1998. In total, 150 episodes were produced, plus two television movies that were made after the series was cancelled. Dr. Quinn aired in over 100 countries, including Italy, Denmark (where it was aired on TV2), the United Kingdom, Poland, Romania, France, Canada (where it was aired on CTV throughout its run), Australia (on Eleven), Indonesia, and Bulgaria, where it was first aired on BNT and later aired on NOVA television. Since 1996, reruns have been shown in syndication and on Freeform (formerly ABC Family and several other previous names), PAX (now Ion), the Hallmark Channel, CBS Drama, Up, Hallmark Drama, Pluto TV, fetv and INSP. The most prominent player of the large supporting cast was Joe Lando, who portrayed Byron Sully, Dr. Quinn's most frequently featured love interest. Plot The series begins in the year 1867 and centers on a proper and wealthy female physician from Boston, Massachusetts, Michaela Quinn (Jane Seymour), familiarly known as "Dr. Mike". She was born on February 15, 1833, in Boston and attended the Women's Medical College of Pennsylvania. After graduation, she worked with her M.D. father until his death when she sets out west to the small wild west town Colorado Springs, to set up her own practice. She makes the difficult adjustment to life in Colorado, with the aid of rugged outdoorsman and friend to the Cheyenne, Byron Sully (Joe Lando) and a midwife named Charlotte Cooper (played by Diane Ladd). After Charlotte is bitten by a rattlesnake, she asks Michaela on her deathbed to look after her three children: Matthew (Chad Allen), Colleen (Erika Flores, later Jessica Bowman), and Brian (Shawn Toovey). Dr. Mike settles in Colorado Springs and adapts to her new life as a mother, with the children, while finding true love with Sully. She acts as a one-woman mission to convince the townspeople a female doctor can successfully practice medicine. Episodes Cast Main Supporting Guest stars Production Production notes The pilot episode was shot in early 1992 and aired in a two-hour television special on New Year's Day 1993. CBS aired a second, hour-long episode the next night in order to attract and maintain the audience's attention. The pilot served more as a made-for-television movie – or mini-series suggestion – which could either be developed later into a full series or remain as a stand-alone two-hour movie. CBS ordered the show picked up immediately for the full season. However, the show made some imperative casting changes. Several pilot leads and a few of the supporting cast were replaced. Henry Sanders was recast as Robert E. in place of Ivory Ocean as a less folksy hard-nosed working man; Orson Bean replaced Guy Boyd as a more fatherly, cynically-comical Loren Bray; and Colm Meaney was replaced by Jim Knobeloch, a much younger, attractive, and contemptuously stoic Jake Slicker. Likewise, Larry Sellers's character, a Cheyenne brave called Black Hawk (listed under the closing credits as such) who played an auxiliary role as one of Chief Black Kettle's aides and spoke only their language, was quietly retooled into Cloud Dancing, Sully's blood brother and a major recurring character, who, in addition to aiding Black Kettle, plays a large role in quelling the tribulations of the Cheyenne and other neighboring tribes. He also acquired the ability to speak English, allowing him to act as a liaison alongside Sully. His character's name was never spoken on-screen during his first appearance, which can cause viewers to inadvertently re-interpret this look-alike as Cloud Dancing's first appearance before his formal debut. Filming Dr. Quinn was largely filmed at the Western set on Paramount Ranch in Agoura Hills. Fans of the show were able to visit the sets, talk to the actors, and watch episodes being shot during its six-year run. Since Dr. Quinn ended, the ranch has been used numerous times for other filming projects. Numerous buildings, including the church, Sully's homestead, the school house, and the Spring Chateau Resort, were leveled soon after the series was canceled. However, the entire town still remained. Despite minor changes over the years, it was still recognizable as the Dr. Quinn set, and was a popular tourist attraction for many fans until the entire set was destroyed in the Woolsey Fire in late 2018. Other areas used throughout the series were the back lot at Universal Studios in Hollywood, including the New England street as the location of the Quinn family home; and the New York streets, doubling as the streets of Boston and Washington. The setting of Boston in the final movie was filmed in Canada, using various locations in Old Montreal. Music William Olvis wrote the underscoring music for the series, except for a few episodes in season one (where he either alternated with Star Trek spin-off series composer David Bell, or co-scored with Bell) and the Revolutions movie. In the episode "For Better or Worse: Part 1", the folk song "I've Been Working on the Railroad" was played by the brass band; the song was not written until 1892. Casting Veteran actress Jane Seymour, labeled a mini-series "queen", was a last-minute casting choice for Michaela Quinn, having read the script only a day before production was set to begin on the pilot. She was instructed beforehand to review the script and make a decision of whether or not she felt the role was right for her, and, if so, that she truly wanted to commit to the strict contract Sullivan had demanded for the title character. The next day she began the wardrobe fittings for the series. In a 2015 feature on National Public Radio, Seymour said that she signed her contract for the show (including both the TV-movie/pilot and a five-year series commitment) because she had just discovered that her then husband/business manager had lost all her money and gotten her $9 million in debt. She had told her agent that to avoid losing her house and to protect her two young children, she would do any TV project available, no matter what it was, and Dr. Quinn was the first one offered to her. Colleen portrayer changes There were various cast changes of minor characters during the series. The most controversial change took place during the show's third season, when the character of Colleen Cooper was recast halfway through the year. Unlike the other actors, who signed five-year contracts with the show, Erika Flores was hesitant. She asked to be offered a contract of less than five years. Rumors circulated that Flores's father gave her an ultimatum to end the contract unless they offered her more money, or he would cut her off financially. Flores has denied such rumors, saying that she left the series for personal reasons and to pursue other opportunities. Beth Sullivan decided that she wanted the character to continue instead of being killed off or sent away. As a result, Jessica Bowman was cast as the new Colleen in Flores's place. Some of Erika Flores's fans were quite vocal in their anger over the change and wrote to CBS demanding to know why the actress had been replaced. The producers of the show felt that Jessica Bowman had the ability to successfully recreate the character on her own. Other cast changes Numerous cast changes occurred throughout the series, although none was as significant. Most notable was the replacement of Jane Wyman as Michaela's mother, Elizabeth Quinn. Wyman signed on to play the role for the third episode of Dr. Quinn in season one. Later Wyman turned down an invitation to return for another guest appearance in season two, as she had retired completely from acting by this stage (her previous appearance in season one marked her final acting role of any kind). Georgann Johnson was hired to replace Wyman in the role and continued throughout the remainder of the series, making one guest appearance each season and appearing in the final Dr. Quinn television movie. Michelle Bonilla originated the role of Theresa Morales in season five and was replaced by Alex Meneses in season six. Bonilla was abruptly let go for reasons that were never publicly stated. Meneses's portrayal was well received and she was featured throughout the sixth season, when her character fell in love with Jake Slicker. The role of Anthony (Grace and Robert E.'s adopted son) was played by Brenden Jefferson for four episodes in season four. He was replaced by Brandon Hammond, who continued in the role throughout seasons five and six. Jennifer Youngs did not begin playing Ingrid until the character's second appearance; the first time the character appeared, she was played by Ashley Jones. Themes Dr. Quinn was arguably best known for its large supporting cast and its high-concept storytelling. The series often used its semi-historical setting as a vehicle to address issues of gender and race within the community. For example, one episode took on homophobia when poet Walt Whitman came to town. Religion played a somewhat minor role in the series, but was also used to address certain issues and new ideas. In the season-three finale, "For Better or Worse", Michaela and Sully were married during a special two-hour episode. During season four, Seymour's real-life pregnancy was written into the show. The following season saw the birth of Michaela and Sully's daughter, Katie. Release During its entire original run on CBS, the show aired from 8–9 pm Eastern time on Saturday nights. It was the last successful TV Western drama series to air on a major broadcast network to date, and also one of the last original series to find long-term success in a Saturday timeslot. Syndication The show has enjoyed strong ratings in reruns. Dr. Quinn was one of the rare instances of a show entering rerun syndication in the middle of a TV season. It debuted reruns in most American markets on Monday, December 30, 1996, just two days shy of the show's 4th anniversary. With 4 seasons being the minimum requirement for syndication pickup, Dr. Quinn reruns could have started at the more traditional launch date of September 1996, but the show's distributor, like many, had an additional minimum episode limit in order for the show to be eligible for syndication. This episode count was not reached until several episodes into Dr. Quinn's fifth season (1996–1997), and since stations had already purchased the show at the beginning of that season, the distributor decided not to hold off until the next fall and let the stations start airing reruns right away. When PAX TV launched in August 1998, it acquired reruns of current family-friendly series from CBS, including Dr. Quinn. Because dedicated Dr. Quinn fans were angered by the show's cancellation by CBS that year, these national reruns via PAX helped relieve the blow, especially in markets where local stations were not airing reruns in syndication. Until late 2005, the Hallmark Channel aired it daily, but in late 2005 Hallmark removed Dr. Quinn from its lineup, citing a drop in viewership. It is also believed that the high cost in Dr. Quinn distribution rights played a role in its removal. Dr. Quinn continues to be seen throughout the world and has been translated to several languages. Starting in June 2009, the Gospel Music Channel began airing Dr. Quinn weekdays at 5:00 and 6:00. More recently Vision TV Canada began airing Dr Quinn week nights at 6PM AT. It also airs on CHNU10 in the Lower Mainland of BC, Canada, at 3 PM PST Weekdays. It has also been shown continuously in Denmark since 2001, with plans on to keep it at its daily broadcast time of 1:00, Monday to Friday, on Danish TV station, tv2. Since the last movie in 2001, many of the show's cast members have expressed interest in reprising their roles and would like to do another reunion movie, or even a new season. Jane Seymour, Joe Lando, Chad Allen, and other cast members have stated they would all like to work together again and would reprise their Dr. Quinn roles if the opportunity arises. The show's creator, Beth Sullivan, has also stated her interest in writing another Dr. Quinn movie. In 2003, A&E Network managed to buy the distribution rights for Dr. Quinn, Medicine Woman from CBS. All six seasons plus the two made-for-TV movies have been released on DVD. The series appears on the GMC Network. GMC aired all the series episodes, including the season-six episodes not shown in a decade, during the summer of 2010. Joe Lando did several teasers and promotions for the weekend marathons, and says he finds GMC's ad campaign "funny", saying: "Truthfully, I haven't had that many opportunities to make fun of Sully. No one's really found me that funny. But it's fun to do it now. GMC came up with a great ad campaign. My kids were entertained by it and my wife got a kick out of it." Start TV aired reruns of Dr. Quinn, Medicine Woman every Monday through Saturday at 5 & 6 A.M. as well as Sundays at 7 A.M. through June 2024. Dr. Quinn, Medicine Woman no longer appeared on the Start TV schedule as of July 2024. When Hallmark Drama was relaunched as Hallmark Family in 2024, the series appeared as part of their start-up schedule. Home media A&E Home Video has released all six seasons of Dr. Quinn, Medicine Woman on DVD in Region 1. It has released also the two television movies that were made after the series ended. In Region 2, Revelation Films has released all six seasons on DVD in the UK. The two TV-movies were released separately, the first was entitled Dr. Quinn, Medicine Woman – The Movie and the second was entitled Dr. Quinn, Medicine Woman – The Heart Within. In Australia (Region 4), Via Vision Entertainment release the individual seasons from September 2008 through until February 2012. The TV movies Collection was released in September 2016. The individual seasons were then re-released with new artwork. Via Vision have released six complete series box sets, the first being "The Keepsake Collection" with 39 discs on April 17, 2013. The second version was "The Hat Box Collection" with 39 discs on November 26, 2014. The third released was a repackaged version of "The Hat Box Collection" on November 4, 2015. The fourth release "The Complete Collection - The Complete Seasons One-Six" with 40 discs was released on October 5, 2016. The fifth version under the same title as the fourth release and with 43 discs was released on May 10, 2018 and the sixth release also under the same title as the fourth and fifth editions with 40 discs was released on November 18, 2020. Reception Dr. Quinn was one of the few dramatic shows that allowed fans full access to their filming sets at the Paramount Ranch in Agoura Hills, California. Fans were permitted, often invited, to watch episodes being shot each week. Cast members were known to speak with their fans and sign autographs during shooting breaks. During the show's final season run, an official website was established, which remains active. Two fans went on to create the Dr. Quinn Times, a newsletter in which interviews with the cast, producers, directors, and technical specialists were conducted and distributed to fans, twice each year. Awards and nominations Seymour and Barbara Babcock were the only regular cast members to receive Emmy nominations for their work on the series. Seymour was nominated in 1994 and 1998 for Outstanding Lead Actress in a Drama Series, while Babcock received a single nomination in 1995 for Outstanding Supporting Actress in a Drama Series for the episode entitled "Ladies' Night", as her character, Dorothy Jennings, underwent a mastectomy. Diane Ladd received a nomination for Outstanding Guest Actress in a Drama Series in 1993. Seymour also won a Golden Globe Award for Best Actress - Television Series Drama in 1996 for her portrayal of Michaela Quinn, and was also nominated for the same award in 1994, 1995, and 1997. She was also nominated for the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series twice, in 1994 and 1996. The show did win many technical awards, as well as hair and make-up honors. Ratings Demographics change and cancellation The show was a major hit in the United States for CBS and drew large ratings even though it aired on Saturday nights. Despite the high ratings, CBS claimed that the demographics changed during the show's run. During its final season, the majority of Dr. Quinn's viewers were women 40 years of age and older, and not the male and female 18-to-49 demographic that networks try to reach. In response, CBS ordered the writers to give the show a slightly darker feel than in previous seasons. As a result, season six was darker than any previous season, with the death of several characters as well as some highly sensitive subject matter: the painful miscarriage of Michaela's second child, as well as an episode entitled Point Blank, where Michaela was shot by a man and then later developed post-traumatic stress disorder. Many fans did not like the changes, while others felt that the tensions and high drama benefited the show after the overall pleasant past seasons. Despite these opposing opinions, the ratings still proved to be steady and consistent (finishing at #51 for the year). The series was suddenly canceled in 1998 after its sixth season. Despite this, the series concluded on a bookend by seeing Colleen marry Andrew and prepare to embark as a doctor in her own right, following her adoptive mother's footsteps. There is still an active fan club for William Shockley, who played Hank Lawson on the show, known as "Hank's Hussies". In January 2014, they attended a red carpet movie premiere together in Nashville for his new movie. Post-series Movies Dr. Quinn, Medicine Woman: The Movie The cancellation of Dr. Quinn caused a massive fan uproar, the likes of which had not been seen since Star Trek in the 1960s. CBS decided that instead of producing another season, as the cost involved was deemed too high, it would instead produce a TV movie. In May 1999, one year after its cancellation, CBS aired Dr. Quinn: Revolutions, a television movie special, set in 1877. However, the actual date should have been 1875, two years following the final episode, which would have been in 1873. In this TV movie, Katie Sully, now age 4, is kidnapped, and Dr. Mike and Sully, with help from some townsfolk, embark on a desperate search for their missing daughter in Mexico. Fans were delighted that a special movie was being produced, but they were not altogether impressed with its overall concept. The movie was very different in tone from the rest of the series, incorporating more guns and violence in an effort to please the twenty-something male audience demographics. Furthermore, both Jessica Bowman and Chad Allen declined appearances in that episode, due to its content, and William Olvis' entire score was scrapped in favor of more cost-effective music that was completely unlike that of the original series. Fans were shocked to find a Dr. Quinn episode that did not include the main title sequence or theme. Moreover, the script, acting, and interpretations of the original characters came across as unfamiliar and very unlike their portrayals in the series. Beth Sullivan was furious with CBS's control over the whole project. It was critically panned and failed in the ratings. Following this backlash from having excessive creative say over the film, CBS profoundly softened its involvement with the next attempt to produce a TV movie. Dr. Quinn: The Heart Within A second TV movie, entitled Dr Quinn: The Heart Within, aired in May 2001. The movie was set a year after Revolutions, making it nine years since the first episode of Dr. Quinn in the year 1876. This time around, CBS gave Beth Sullivan total creative control; however, there were some strong ground rules. To save money, the movie had to be filmed in Canada, and only the principal cast could be involved. Jane Seymour also served as an executive producer. The plot revolved around Michaela and the Sully family returning to Boston to attend Colleen's graduation from Harvard Medical School. Having transferred from The Women's Medical College to a male-dominated university since the series finale, Colleen has met harsh criticism from the board as well as from Andrew's father, who resents the fact that she continues to pursue medicine despite his misgivings. Unfortunately, Michaela's mother Elizabeth has fallen ill due to a heart condition and eventually passes, leaving her entire estate to Michaela to establish a hospital back in Colorado Springs, echoing the demise of her father at the very beginning of the series. Colleen soon finds herself in a situation similar to the one her mother Michaela had just nine years earlier–in the same Bostonian sector—in that she is not respected or taken seriously as a woman doctor. The movie is a proper finale to the series, depicting the now-adult Cooper children's farewell to Colorado Springs, finding their new futures in Boston, while Michaela and Sully inevitably return to Colorado Springs to begin a new chapter in their own, now older, adult lives. While this movie was far better received by fans, they did complain that more of the townspeople and original supporting cast were not involved, due to CBS's demands, as well as the last-minute absence of Chad Allen's Matthew (Allen had declined after learning that none of his original supporting costars were offered any appearances). Despite these criticisms, the movie was a success. It was filmed in Montreal, Quebec, Canada. Reboot On October 7, 2019, Jane Seymour announced in a television interview her efforts toward a possible reboot of the series. Historical facts and filming information While much of Dr. Quinn was fictional, some of the events and people were based on historical fact: The Woman's Medical College of Pennsylvania actually existed and is today part of Drexel University College of Medicine. The Sand Creek Massacre in 1864 was referred to in the pilot episode (though it was historically inaccurate as the pilot took place in 1867). Lieutenant Colonel George Armstrong Custer, and Chief Black Kettle, are true historical figures. The Battle of Washita River, seen in the third-season episode "Washita", was an actual historical event. In the show, the battle took place in 1869 in Colorado, while in fact it took place in the fall of 1868 in Oklahoma. People have often asked if Dr. Michaela Quinn was based on a historical person, such as Fraser, Colorado's "Doc Susie", Dr. Susan Anderson. In an interview in September 2013, the show's creator, Beth Sullivan, said that she knew nothing of real women doctors at that point in history. CBS asked her to create a family drama for the eight o'clock time slot and she asked if it could be a female lead in a period piece and they said yes. She said she had always been interested in the post-Civil War period and the rest came from her imagination, giving the character of Dr. Michaela Quinn her own world view. In what most consider the final episode of the series, the town's often-antagonist banker, Preston A. Lodge III, went bankrupt as a result of the great stock market crash, caused by the Panic of 1873, a historically accurate event. Lodge lost much of the townspeople's money along with his own, in the Panic. The episode "The Body Electric" features Walt Whitman, who was a poet and a true historical figure. One of the major historical oversights of the show is that Colorado Springs was not technically founded until 1871, by General William Palmer, and was mainly a resort town. There were no saloons, as Palmer declared Colorado Springs to be alcohol-free. Colorado Springs stayed "dry" until the end of Prohibition in 1933. However, nearby towns, including Old Colorado City and Manitou Springs did permit saloons. Starting in season 4, several episodes featured real-world trivia relevant to the episode's context, usually about medical knowledge. These segments would appear at the end of the episode in the form of white text on a black background, narrated by Jane Seymour. In the episode "A Place to Die", the inclusion of the trivia was particularly significant because it revealed that Dr. Mike's practice was besieged by a staph infection, a malady that was completely unknown at the time. No one, Dr. Mike included, actually figured out what was behind this mysterious blight, which killed several of her patients and forced her to fumigate the building and cremate everything inside, including some irreplaceable keepsakes. Other media Novels There were several books based on the series written by as follows. Some of them were also released abroad, including in France, Germany, the Netherlands, Hungary, and Poland. The books by Dorothy Laudan were originally released in Germany and have never appeared in an English version. However, it was these books that were most commonly translated into other languages. The series of nine covers most of the series, although the episodes on which they are based were shortened and some scenes were left out or were mentioned only briefly. Spin-off In 1997, there were plans of making a spin-off series centered around the Hank Lawson character. Some of the other regular Dr. Quinn characters, including the ones of Jane Seymour, Joe Lando, Jim Knobeloch, Frank Collison and Orson Bean, were in as well. It was directed by Jerry London, with Robert Brooks Mendel as the first assistant director, Timothy O. Johnson as the executive producer, and Beth Sullivan as the producer. The rest of the cast members were Laura Harring (Christina Guevara), Edward Albert (Ted McKay), James Brolin (Sheriff), Eddie Albert (Ben McKay), Carlos Gómez (Father Thomas Guevara) and John Saxon (Rafael Guevara). The show was titled California and only the pilot episode was filmed. It remains unclear whether it has ever aired on television. It was available on YouTube for a time, but has since disappeared, except for a couple of clips. Other appearances In 1996, the British comedy duo French and Saunders did a spoof of Dr. Quinn, Medicine Woman for their BBC comedy sketch show, with the sketch titled "Dr. Quimn, Mad Woman". It featured Jennifer Saunders playing the role of the doctor (parodying Jane Seymour). In the eleventh episode the of third season of the sitcom The Nanny, the protagonist Fran finds herself on Dr. Quinn's set and meets Jane Seymour and Joe Lando, who are trying to film a scene as Dr. Quinn and Byron Sully. Funny or Die parody with original cast In 2014, Jane Seymour, Joe Lando, Orson Bean and numerous other members of the series cast played their original roles in a brief parody of the series for the Funny or Die comedy website titled Dr. Quinn Morphine Woman in which Dr. Quinn has the whole town hopelessly addicted to morphine. The parody remains readily available for viewing online by searching "Funny or Die Dr. Quinn Morphine Woman". See also List of Dr. Quinn, Medicine Woman episodes Bramwell, British television series based on the same premise. Notes References External links Official Dr. Quinn Web Site Official Website Dr. Quinn, Medicine Woman at IMDb
Vampire_Weekend
https://en.wikipedia.org/wiki/Vampire_Weekend
[ 166 ]
[ "https://en.wikipedia.org/wiki/Vampire_Weekend" ]
Vampire Weekend is an American rock band formed in New York City in 2006 and currently signed to Columbia Records. The band was formed by lead vocalist and guitarist Ezra Koenig, multi-instrumentalist Rostam Batmanglij, drummer Chris Tomson, and bassist Chris Baio. Batmanglij departed the group in early 2016 but has continued to occasionally contribute to subsequent albums as a songwriter, producer, and musician. The band's debut album, Vampire Weekend (2008), incorporated elements of indie pop, Afropop, and chamber music. Featuring charting singles "A-Punk" and "Oxford Comma", it has been hailed as one of the greatest debut albums. Their sophomore album, Contra (2010), was similarly acclaimed and garnered strong commercial success, debuting at number one on the US Billboard 200, and featuring well-received singles including "Holiday". Their subsequent studio albums Modern Vampires of the City (2013) and Father of the Bride (2019) continued the band's success, with each album receiving widespread critical acclaim, topping US charts and winning the Grammy Award for Best Alternative Music Album in their respective years. They released their fifth studio album, Only God Was Above Us, on April 5, 2024 to universal acclaim. History Formation and Vampire Weekend (2006–2009) The band members met while enrolled at Columbia University, beginning with a rap collaboration between Koenig, Tomson, and Koenig's roommate Andrew Kalaidjian named "L'Homme Run". They bonded over a shared love of punk rock and African music. Koenig toured with Dirty Projectors during a period of experimentation with African music, inspiring the band to incorporate world sounds into their earliest work. The band chose the name "Vampire Weekend" from the title of a short film project Koenig worked on during the summer between freshman and sophomore years in college. While home for the summer, Koenig watched the 1987 vampire film The Lost Boys and was inspired to make a Northeastern version of the film in which a man named Walcott travels to Cape Cod to warn the mayor that vampires are attacking the United States. Koenig abandoned the project after two days before editing the footage into a two-minute trailer during his senior year. The band began playing shows around Columbia University, starting with a battle of the bands at Lerner Hall in 2006. After graduating from college, the band self-produced their debut album while simultaneously working full-time jobs, Tomson as a music archivist and Koenig as a middle school English teacher. In 2007, Vampire Weekend's song "Cape Cod Kwassa Kwassa" was ranked 67th on Rolling Stone's list of the "100 Best Songs of the Year". In November 2007, they toured the UK with The Shins. The then-nascent influence of blog hype and internet buzz played a role in their success and led to a large prerelease following sufficient to support them performing on three tours before their debut album was released. They were declared "The Year's Best New Band" by Spin magazine in the March 2008 issue, and were the first band to be shot for the cover of the magazine before releasing their debut album. The band made a television appearance on The Late Show with David Letterman on February 1, 2008, and on March 8, 2008, performed on Saturday Night Live. Four songs from the band's first album also made the Triple J Hottest 100, 2008. The internet hype had its backlash, however, as critics reacted against a perceived image of Vampire Weekend as privileged, upper-class Ivy League graduates stealing from foreign musicians. One critic went so far as to call Vampire Weekend the "whitest band in the world", to which they took exception, given their Ukrainian, Persian, Italian, and Hungarian heritages. Koenig responded in a November 2009 interview by saying, "Nobody in our band is a WASP." Saying the backlash involving their social backgrounds was largely unfounded, Koenig claimed he paid for Columbia with a scholarship and student loans; he himself was still paying off student loans in 2009. Self-titled Vampire Weekend, the band's first album was released on January 29, 2008. It received contemporary critical acclaim, being ranked number 430 on Rolling Stone's 500 Greatest Albums of All Time, and has been hailed as one of the greatest debut albums. It featured a blend of Afropop influences, indie pop, and chamber music elements. A success in the US and UK, it peaked at number 15 on the UK Albums Chart and number 17 on the Billboard 200 and had been certified Platinum in both countries. Four singles were released from the album; while "A-Punk" peaked at number 25 on the Billboard Modern rock chart and number 55 on the UK Singles Chart, "Oxford Comma" peaked at number 38 in the UK. "A-Punk" was ranked the 4th on Rolling Stone's Readers' Rock List: Best Songs of 2008. "A-Punk" was also used to open the Will Ferrell/John C. Reilly feature Step Brothers, and featured in the UK television show The Inbetweeners and the video games Guitar Hero 5, Just Dance 2 and Lego Rock Band. Contra (2009–2010) The band's second album, Contra, was released on January 11, 2010, in the UK and the following day in the US, after being pushed back from the original release date for the fall of 2009. The album's first single, "Horchata", was released on October 5, 2009. The album's second single, "Cousins", was released as a single on November 17, 2009. Initial copies of the CD and LP sold at independent record stores in the US included a 3-track bonus CD containing two "melts", which featured bits of album tracks and a remix. It is the band's first album to reach number one on the Billboard 200, and the 12th independently distributed album in history to reach the number one spot on the Billboard 200 since Nielsen Soundscan began recording data in 1991, while also being the first independent artist to have done so without ever having signed with a major label, after already established rock bands Radiohead and Pearl Jam and before Arcade Fire's The Suburbs. The album sold 124,000 copies in its first week and was awarded Gold by the RIAA on November 21, 2011, which means it has sold over 500,000 units in the US alone and over one million copies Worldwide. In 2010, it was awarded a diamond certification from the Independent Music Companies Association which indicated sales of at least 250,000 copies throughout Europe. On January 9, 2010, the band did an acoustic show for MTV Unplugged. The following month, the band toured Europe and Canada with Canadian electro duo Fan Death as their support. The video for their next single "Giving Up the Gun" was also released on February 18, 2010, which included cameos from Joe Jonas, Lil Jon, RZA, and Jake Gyllenhaal. They also played festivals across the USA such as Coachella, Bonnaroo, Austin City Limits Music Festival, All Points West, and the Groovin' The Moo festival in Australia. Their third single, "Holiday", was released on June 7, 2010. On June 25, 2010, the band played the Pyramid Stage at Glastonbury Festival, in Pilton, Somerset, UK. The band were also on the main stage at T in the Park 2010 at Balado Kinross, Scotland, on June 8, and played the Oxegen Festival in Ireland on July 9. They also headlined the Latitude Festival in Suffolk, UK on July 18. On July 16, the band headlined the Main Stage at the Festival Internacional de Benicàssim. In the summer of 2010 the band played at the Utopia stage on Peace and Love, Sweden's biggest Festival. On July 30, 2010, the band played at Jisan Valley Rock Festival in South Korea. In 2010, Vampire Weekend embarked on a North American tour with Beach House and Dum Dum Girls. The tour started off on August 27, 2010, in Vancouver, British Columbia at the Malkin Bowl. Koenig mentioned to the audience that before this concert, the band had the longest "vacation period" that they had had in a while. Contra was nominated for a Grammy for Best Alternative Music Album, but lost to The Black Keys's Brothers. Modern Vampires of the City (2010–2014) On November 11, 2011, the band revealed it was working on a new album. In January 2012, President Barack Obama added Vampire Weekend to a short list of musical artists that he sought support from for his re-election campaign. Vampire Weekend made it onto this list with Jay-Z, John Legend, and Alicia Keys. The band's third album, Modern Vampires of the City was released in May 2013, and written and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House" in Los Angeles, Vox Recording Studios in Hollywood, Rostam Batmanglij's New York apartment and a guest house on Martha's Vineyard. The album was co-produced by Batmanglij and Ariel Rechtshaid. After Batmanglij produced the first two albums himself, this marked the first time the band worked with an outside producer on any of their records. In an interview for the February 2013 edition of Q (released in mid-January), Koenig described the album as "darker and more organic" and "very much the last of a trilogy." Said Koenig, "Things that we might have found boring in the past, we've started to find more fresh. This album has more piano and acoustic guitar and organ." Modern Vampires of the City also continued the use of digital voice modulation as heard in the songs "Diane Young" and "Ya Hey", a technique first used in the song "California English" on Contra The album was recorded and co-produced by Ariel Rechtshaid in his Los Angeles Studio (alongside Batmanglij). The band discussed the album with The FADER and appeared on the cover of the magazine's 84th issue. On March 16, 2013, the band played the closing show at Stubbs on the last day of the SXSW festival in Austin, Texas. In the show they played two new songs from the upcoming album: "Diane Young" and "Ya Hey". On March 18, 2013, Vampire Weekend released a double-sided single, "Diane Young"/"Step". On May 11, 2013, Vampire Weekend were featured as the musical guest on Saturday Night Live with Kristen Wiig hosting, their third time on the show. Released on May 14, 2013, the album debuted at No. 1 on the Billboard chart, marking the second time Vampire Weekend achieved the feat: its second album Contra also debuted at No. 1 in 2010, making them the first independent rock band to enter the charts at No. 1 with two consecutive releases. Modern Vampires of the City also shattered the previous record for first week vinyl sales, moving nearly 10,000 units on vinyl alone and debuting at No. 1 on the Soundscan Vinyl Charts. Additionally, the band charted #1 at Indie, Alternative, Digital and the top 200. In 2014, Modern Vampires of the City won a Grammy for Best Alternative Music Album. To promote the album, XL Recordings released "Diane Young" and "Step" as a double A-sided single on March 19, 2013. Modern Vampires of the City was released by XL on May 14. and Vampire Weekend played several concerts and music festivals shortly after, eventually embarking on a larger supporting tour throughout late 2013, beginning with a show at the Mann Center for the Performing Arts in Philadelphia on September 19. John Gentile of Rolling Stone reported that the band headlined "some of their largest venues to date" on the tour. In the album's first week of release, it debuted number one on the Billboard 200 and sold 134,000 copies in the United States. It was Vampire Weekend's second consecutive number-one record on the chart, as well as the nineteenth independently distributed album to top the Billboard 200 in the Nielsen SoundScan era (1991–present). The record entered the British album charts at number three with first-week sales of 27,805 copies, becoming the group's third consecutive top-twenty album in the United Kingdom. By December 2014, it had been certified gold by the Recording Industry Association of America and sold 505,000 copies in the US. In 2014, it was awarded a diamond certification from the Independent Music Companies Association, which indicated sales of at least 250,000 copies throughout Europe and has sold over one million copies worldwide. In September 2020, Modern Vampires of the City was put by Rolling Stone in their new list of the 500 Greatest Albums of All Time, ranking at position 328. Departure of Batmanglij and Father of the Bride (2014–2021) After concluding their Modern Vampires tour in September 2014, Vampire Weekend went silent until January 26, 2016, when it was announced that Rostam Batmanglij had left the band. Despite his departure, he and Ezra Koenig planned to continue collaborating. On the same day, Koenig revealed the band was in the studio working on their fourth album, at the time titled, Mitsubishi Macchiato, with Batmanglij contributing to it. In late January 2016, the band supported Bernie Sanders by performing at an Iowa rally just before the primaries. Filling in for Batmanglij and Chris Baio, who was touring for his solo project, the band performed with members David Longstreth and Nat Baldwin of Dirty Projectors, Jake Longstreth, the comedy duo the Lucas Brothers, and an all-female a cappella group from the University of Iowa. Koenig, a vocal Sanders supporter, also promoted the candidate on social media and his Beats 1 radio show, Time Crisis. In April 2016, the band briefly performed at another Sanders rally in Washington Square Park, marking their debut as a trio, joined again by Longstreth. In late 2016, Koenig was reportedly in talks to sign the band with Columbia Records, as he reportedly "hit it off" with executive Rob Stringer. Initially, this news was regarded a rumor, until the band's website revamp in 2018, in which a Sony Music copyright appeared on the site. In March 2017, Koenig revealed in an elaborate Instagram update that during 2016 he had spent countless hours researching and writing music in libraries with grad students. Additionally, he revealed that the album, given the working title of "Mitsubishi Macchiato", would feature a more 'spring-time' vibe and one of the songs would be entitled Flower Moon. Koenig revealed that LP4 would be partially inspired by the songwriting of country singer, Kacey Musgraves, after he attended one of her shows in September 2016. In an interview with Stereogum, he stated, "I'm the type of person who has spent hours poring over the avant-garde poetic lyrics of certain songwriters, and there was something that felt so good [about Musgraves' songs and how] from the first verse, you knew who was singing, who they were singing to, what kind of situation they were in. After the show I realized there's not a ton of Vampire Weekend songs where you could listen to the first verse and immediately answer the question of who's singing and who are they singing to." Furthermore, in a September 2017 interview with Zane Lowe, Ezra briefly spoke about LP4 and stated that it was "about 80% done." He mentioned that the album would feature lead producer Ariel Rechtshaid with additional "guest appearances", one of which being Batmanglij. Lowe pushed Koenig for a release date, citing Q1 2018 as a likely candidate. In a December 2017 interview, Koenig noted that Batmanglij was involved in a few songs, some of which was material that they had started working on long ago, and that their method of collaboration had not changed despite the latter's departure from the band. Vampire Weekend's first gigs since the hiatus took place in Ojai, California on June 16 & 17. On January 31, 2018, it was announced that the band would be headlining the UK music festival End of the Road. The festival ran from August 31 to September 3 and marked Vampire Weekend's first return to a festival stage in 4 years. On July 21, they performed in Byron Bay for the Australian festival, Splendour in the Grass. Additionally, it was announced that they would headline the 2018 Fuji Rock Festival, scheduled for July 27 to 29. For their live shows, the core trio of Koenig, Baio, and Tomson has been augmented by Greta Morgan on keyboards, guitar, and vocals, Brian Robert Jones on guitar, Garrett Ray on percussion, drums, and vocals, and Will Canzoneri on keyboards and vocals. During their August 4, 2018 performance at Lollapalooza, where the band played fan favorite "A-Punk" three times in a row, Koenig announced that Vampire Weekend's 4th album was done. On January 17, 2019, Koenig announced the abbreviation of the band's fourth album title as FOTB, and revealed that the album would consist of 18 songs, running at approximately 59 minutes. Additionally, he announced that the album would be promoted by three monthly two-song releases, beginning the following week. On January 24, the songs "Harmony Hall" and "2021" were released, and Koenig confirmed the title of the album as Father of the Bride. He also said that the record would feature an array of collaborators, including Batmanglij, marking the first time the band has included guest vocalists in an album. In an interview with Rolling Stone, Koenig said, "We've had three albums of the same voice over and over again. I like the idea of opening up our world a little bit." He also confirmed that "2021" features a Haruomi Hosono sample, and said that he planned to start work on Vampire Weekend's fifth album. The band's current touring approach is influenced by Phish, the Grateful Dead and other jam bands. Contemporary fans mirror these influences in their Deadhead inspired creation of unofficial merchandise including shirts, shorts, tie-dyes, and bucket hats. Father of the Bride became the band's third consecutive album to debut at number one on the Billboard 200. At the 62nd Annual Grammy Awards, the band received three nominations: Album of the Year and Best Alternative Music Album for Father of the Bride and Best Rock Song for "Harmony Hall". They won for Best Alternative Music Album (their second win in the category). In 2020, the Live in Florida EP featuring songs from the Father of the Bride Tour was released. On February 4, 2021, Vampire Weekend released the 40:42 EP featuring reinterpretations of their song '2021' from Father of the Bride. American saxophonist, Sam Gendel, and Connecticut-based jam band, Goose, were commissioned to expand the song into twenty-minute and twenty-one-second versions. Only God Was Above Us (2021–present) In late 2021, during an interview with Mark Hoppus, Ezra Koenig gave an update on the follow-up to Father of the Bride, stating that the band had been recording in England and Los Angeles. “Sometimes I oversell how close we are with the record because who really knows?” Koenig said, “But we almost have an album’s worth of songs." On June 7, 2023, Vampire Weekend released Frog on the Bass Drum Vol. 1, a live album recorded in Indianapolis during the band's Father of the Bride Tour in 2019. The record was announced to be the first installment in a vinyl-exclusive series of live albums. The release was accompanied by a newsletter written by Chris Tomson which revealed that the band's new studio album is partly inspired by the Indian classical music tradition, raga, after Koenig had taken a singing lesson in the style with Terry Riley in rural Japan. He then added that the album is "close to done" and more news will follow at the end of the year. On December 14, Frog on the Bass Drum Vol. 2 was released, a live show recorded in Milan in July 2019 which features the band playing their song, 'Bambina', twice in a row. Another newsletter was released alongside it, this time written by Chris Baio. He teased that the band had big plans for 2024 and concluded the newsletter: "LP5 IS DONE." On February 8, 2024, the band announced their fifth studio album, Only God Was Above Us, released on April 5, 2024. The album was preceded by double A-side single, "Capricorn" and "Gen-X Cops" on February 16, with the third, follow-up single, "Classical" released on March 14, 2024 respectively. On March 28, 2024, "Mary Boone" was released as the fourth and last single before the album. To further promote the album, the group officially launched a podcast titled Vampire Campfire on March 7, 2024 via Swedish hosting company Acast. The podcast consisted of Koenig, Baio and Tomson gathered around an ignited fire pit in an empty lot detailing various topics and subjects relevant to the band including the making of the new album and forthcoming world tour. The band performed "Gen-X Cops" and "Capricorn" on the May 11, 2024 episode of Saturday Night Live. The Only God Will Above Us tour began on April 8, 2024 in Austin, Texas. The band was a last-minute addition to the first weekend Coachella lineup on April 13, where they invited Paris Hilton onstage to play cornhole. Their only European date of the leg was a May 30 headlining set at Primavera Sound in Barcelona. During the tour, the band performed partial covers of unrehearsed songs per audience request. Vampire Weekend played two hometown shows at New York City's Madison Square Garden on October 5 and 6; the latter was an afternoon matinee show. Band members Current members Ezra Koenig – lead vocals, guitars, piano, occasional saxophone (2006–present) Chris Baio – bass, backing vocals, occasional piano (2006–present) Chris Tomson – drums, percussion, occasional guitars, backing vocals (2006–present) Current touring musicians Will Canzoneri – keyboards, harmonica, backing vocals (2018–present) Garrett Ray – percussion, drums, backing vocals (2018–present) Ray Suen – guitar, keyboards, violin, pedal steel, backing vocals (2024–present) Colin Killalea – guitar, keyboards, saxophone, backing vocals (2024–present) Former members Rostam Batmanglij – keyboards, programming, guitars, percussion, backing and occasional lead vocals (2006–2016) Former touring musicians Brian Robert Jones – guitar, backing vocals (2018–2022; guest appearance in 2024) Greta Morgan – keyboards, guitar, percussion, backing vocals (2018–2022) Contra lawsuit In 2010, the band, along with their record company XL Recordings and photographer Tod Scott Brody, were sued by Kirsten Kennis, the model on the cover of Contra, over the use of her image. Kennis's accusations were that the band used her image without her permission. Vampire Weekend settled with Kennis in 2011. Other contributions Vampire Weekend contributed a cover of "Exit Music (For a Film)" for Stereogum Presents... OKX: A Tribute to OK Computer (2007), a free tribute album celebrating 10 years of Radiohead's album OK Computer. In 2014, the band contributed a cover of "Con te Partiro" by Andrea Bocelli on the Valentine's Day compilation, Sweetheart 2014, as well as a cover of Bruce Springsteen's "I'm Goin' Down" for the Girls Vol. 2 Soundtrack. They have also covered "Everywhere" by Fleetwood Mac, "Ça Plane Pour Moi" by Plastic Bertrand, "Have I the Right?" by The Honeycombs, "Blurred Lines" by Robin Thicke, "Fight For This Love" by Cheryl Cole, and "Ruby Soho" by Rancid. The band also contributed the song "Ottoman" to the soundtrack to the 2008 film Nick and Norah's Infinite Playlist. That song was then sampled by alternative hip-hop artist Kid Cudi. Two tracks from their debut record also appeared in the 2009 comedy I Love You, Man. A new song, "Jonathan Low", was released on June 8, 2010, appearing on the soundtrack to the third installment of the Twilight Saga films, Eclipse. Their song "Worship You" appeared as a soundtrack in EA Sports football video game, FIFA 14. Discography Studio albums Vampire Weekend (2008) Contra (2010) Modern Vampires of the City (2013) Father of the Bride (2019) Only God Was Above Us (2024) Awards and nominations References External links Official website
Ezra_Koenig
https://en.wikipedia.org/wiki/Ezra_Koenig
[ 166 ]
[ "https://en.wikipedia.org/wiki/Ezra_Koenig" ]
Ezra Michael Koenig ( KAY-nig; born April 8, 1984) is an American musician, record producer, and radio personality. He is the lead vocalist, guitarist, and primary songwriter of indie rock band Vampire Weekend. Additionally, Koenig is the creator of the Netflix animated comedy series Neo Yokio and also hosts the Apple Music radio talk show Time Crisis with Ezra Koenig. Time Crisis is airing its ninth season, as of 2023. Koenig's accolades include two Grammy Awards from five nominations; with Vampire Weekend, he won Best Alternative Music Album in 2013 and 2019. He was also nominated for Album of the Year in 2016 for his production work on Beyoncé's album Lemonade (2016). Early life Koenig was born in New York City and is the son of Bobby Bass, a psychotherapist, and Robin Koenig, a set dresser on film and TV productions. He is Jewish, and his family emigrated to the U.S. from Romania and Hungary. His parents lived on the Upper West Side of Manhattan before moving to Glen Ridge, New Jersey shortly after their son's birth. As a young teenager, Ezra attended Buck's Rock Camp, a Montessori-style performing and creative arts camp in Connecticut. He graduated from Glen Ridge High School. Koenig has a younger sister, Emma Koenig (born 1988), who is the author of the books FUCK! I'm in my twenties and Moan, and has written for television and magazines. Ezra began writing music around the age of ten, and his first song ever was titled "Bad Birthday Party". While attending Columbia University, he ran a blog called Internet Vibes about fashion, existentialism, personal identity, and modern culture. After graduating, he taught English through Teach for America at Junior High School 258 in Brooklyn, New York. Students recalled Koenig bringing his guitar with him to class, despite trying to hide it and his music career. He was described as a laid-back teacher who successfully made bonds with his students. In fall 2007, a deal with XL Recordings cut short Koenig's teaching career. During his schooling and college years, he was involved in numerous musical projects with Wes Miles, a childhood friend and now current frontman of Ra Ra Riot. Koenig and Miles formed an experimental band, The Sophisticuffs, which was described as "wildly inventive musical work". In 2004, Koenig formed the hip hop group L'Homme Run, which was notable for the comedic track "Pizza Party", with Andrew Kalaidjian and fellow Vampire Weekend band member Chris Tomson, played saxophone for the indie rock band Dirty Projectors and worked as an intern for The Walkmen. Career Vampire Weekend In 2005, Ezra formed the indie rock band Vampire Weekend. The name of the group was in reference to an unreleased indie film of the same name that Ezra and his friends produced during a vacation. In the film, Ezra portrayed the protagonist, Walcott, a man hell-bent on escaping Cape Cod as he believed vampires were coming. Many songs from the band's eponymous release made reference to the film. Ezra met his bandmates at Columbia University, prior to 2003. After already having met drummer Chris Tomson, Koenig became acquainted with Rostam Batmanglij. The two immediately bonded over Radiohead at a party during freshman year and vowed to start a band one day. Rounding out the group was Chris Baio, Koenig's suite-mate in his sophomore year, with whom he shared a love of Destiny's Child. The group immediately got to work, playing their first show in 2006 at a battle of the bands in a campus basement. They placed third out of four. Later that year, some of their demos appeared online, earning raves from sites like Stereogum and Pitchfork. Before they knew it, they were selling out shows and appearing on the cover of Spin without even having released an album. Their eponymous debut album arrived on January 29, 2008, and by the end of the year they had performed on Saturday Night Live, played for 40,000 fans at England's Glastonbury festival, and sold nearly half a million albums. The album was self-produced while they were working full-time jobs. Since then, the band have released another four albums: Contra (2010), Modern Vampires of the City (2013), Father of the Bride (2019), and Only God Was Above Us (2024). The band has been nominated for multiple Grammy Awards. In 2011, Contra was nominated for Best Alternative Music Album, but Brothers by The Black Keys won the award. In 2014, Modern Vampires of the City was nominated in the category and, this time, the band won the award. Following the win, Koenig exclaimed, "I'm the pre-eminent Ezra of my time, and when I die, then we can talk about who comes next." In 2020, Father of the Bride earned the band a second win for Best Alternative Music Album and a first nomination for Album of the Year. "Harmony Hall" was nominated for Best Rock Song. Time Crisis In 2015 Koenig began hosting his own internet radio show on Apple Music. The show, Time Crisis, features Koenig with co-host Jake Longstreth, an American painter, musician, and internet radio personality. Each episode lasts two hours, during which Koenig and company discuss corporate snack food history, the tasteful palette of ’70s rock (with a focus on the Grateful Dead), portmanteaus, and respond to emails from listeners. Often, the show ends with The Top Five where Koenig and Longstreth compare the top five songs on Apple Music this week to that of a week from the past relevant to the discourse of the episode. Jonah Hill, Rashida Jones, Mark Ronson, Florence Welch, Jamie Foxx, Tim Heidecker, James Corden, and Koenig's sister Emma Koenig have appeared as guests on the internet radio show. The show debuted on July 12, 2015, and new episodes air fortnightly. The show is in its eighth season. Neo Yokio Following a hiatus from Vampire Weekend, Koenig wrote and produced an animated comedy-adventure series about a depressive, demon-slaying playboy voiced by Jaden Smith. The series, Neo Yokio, debuted on Netflix in September 2017. The show was written and produced in 2015, with the final sound mix being completed in January 2016; however, due to issues with Fox, the show was postponed until finally being picked up by Netflix. Neo Yokio is presented in the style of an anime series. However, in an interview with Rolling Stone magazine, Koenig stated that he believes the show is not a traditional anime: "First of all, out of respect for true anime, I've always called Neo Yokio "anime-inspired" – it's a hybrid. But I've always been a fan of anime, and I always wanted to do something that was kind of an homage to it. Maybe a loving parody. Initially the people I was working with thought I should be the voice of the main character, but I was, like, 'I just spent seven years being the frontman of something, using my voice all the time. What I need right now is to slip into the background of something.'" Upon release, the show's first season received mixed reviews from critics, earning a 54% score on Rotten Tomatoes. Shannon Liao of The Verge criticised the show's story and voice-acting, writing that "the initial glamor of the backdrops and talent involved wears off fast. It has awful voice acting, and a pointless, predictable story that’s only surprising because it’s so willing to hit the bottom of the barrel." The New York Times gave the show a more optimistic review, stating that "if a defensive reading of the line, “Yes, my girlfriend broke up with me to take a finance job in San Francisco,” makes you chuckle, “Neo Yokio” may be for you." On an episode of Time Crisis in early 2018, Koenig spoke about the future of Neo Yokio, hinting that "Neo's not dead." However, Netflix canceled the show the following month after one season and a Christmas special. Other projects and appearances In 2009, Koenig provided vocals on the song "Carby" on LP, the debut album from Discovery, a group which features Vampire Weekend keyboardist Rostam Batmanglij and Ra Ra Riot vocalist Wes Miles. In the same year, he appeared on "Warm Heart of Africa" by the Very Best, "Pyromiltia" by Theophilus London, "I Could Be Wrong" by Chromeo and "Dynamo" by Abd al Malik. In 2012, Koenig performed "I Think Ur a Contra" with Angelique Kidjo in her PBS special. He appeared and provided vocals in the music video for Duck Sauce's "Barbra Streisand". His recording of the song "Papa Hobo", by Paul Simon, was included as part of the soundtrack for Max Winkler's film Ceremony. In 2013, Koenig was featured in the song "Jessica" by Major Lazer. In 2014, Koenig was featured on "Ezra's Interlude" by Chromeo, as well as "New Dorp, New York" by SBTRKT. He also appeared in the HBO drama series Girls and Haim's music video for "My Song 5" featuring A$AP Ferg, and performed the voice of Ryland on the animated series Major Lazer. At the 86th Academy Awards, Koenig accompanied Karen O on backing vocals and acoustic guitar for her performance of the Oscar-nominated song "The Moon Song" from the film Her. In 2016, Koenig was credited as a writer and producer on the song "Hold Up" by Beyoncé. Due to these contributions, Koenig was nominated for a Grammy Award for the album Lemonade. In January and April 2016, Koenig vocally supported political candidate Bernie Sanders by performing at a number of his rallies. In 2017, Koenig made an appearance in Charli XCX's music video for "Boys". In 2018, Koenig was credited as a songwriter and producer on the single "I Promise You" by James Corden, from the film Peter Rabbit, which also prominently featured Vampire Weekend's songs. His demo of the song was also released. In February 2020, Vampire Weekend performed at a rally for U.S Presidential Candidate Bernie Sanders. In 2022, Koenig was credited as a co-writer and producer of Liam Gallagher's song "Moscow Rules" from his album C'mon You Know. He also plays multiple instruments across the album. Also in 2022, Koenig was featured as a vocalist in Phoenix's song “Tonight,” which is the third single from the band's seventh album, Alpha Zulu. On August 11, 2024, he appeared in the 2024 Summer Olympics closing ceremony with Phoenix, Angèle, Vannda and Kavinsky. Influences Since the age of 9, Koenig has been an admirer of music. In a 2014 interview with Vulture, he stated, "My dad is a massive music fan, so even just growing up in the house, he was buying new cool music, up through when I was born. So I was very familiar with the Ramones, Run DMC, Blondie—core New York music. My parents would often play the Ramones song, "We’re a Happy Family", so I remember when I was 9 or 10, learning the lyrics and trying to understand." By the time he got to high school, Koenig's taste had slightly changed: "I had some older friends who were really obsessed with hip-hop, De La Soul, Tribe Called Quest. There’s something about Midnight Marauders; it feels like a late night in the city album." Koenig is also a self-professed fan of bands such as the Grateful Dead and Sublime, who he believes largely influenced his musical taste. Personal life In August 2018, Koenig's girlfriend, actress Rashida Jones, gave birth to their son. In a 2024 interview published in The Guardian, Koenig referred to Jones as his wife. In a 2024 interview published in People, Koenig said that the couple are “married in the eyes of God.” References External links Quotations related to Ezra Koenig at Wikiquote Ezra Koenig at IMDb
Chris_Baio
https://en.wikipedia.org/wiki/Chris_Baio
[ 166 ]
[ "https://en.wikipedia.org/wiki/Chris_Baio" ]
Christopher Joseph Baio (born October 29, 1984) is an American musician, best known for being the bassist for the New York City-based indie rock band Vampire Weekend. He also releases as a record producer under the mononym Baio, and his debut solo album The Names was released through Glassnote Records on September 18, 2015. Life Baio was turned on to music at an early age, purchasing his first album at the age of seven and going to his first concert, a live performance by the band Cracker, at the age of nine. Baio said that, as a child, he would go to sleep with Doolittle by Pixies playing. Baio attended Columbia University in New York, majoring in Russian and Eurasian Regional studies and minoring in Math, graduating in May 2007. He served as College Rock Music Director of WBAR during his time at school. Before graduating college and while recording Vampire Weekend's first album, Baio had planned to teach math for Teach for America for two years, however the success of the band led him to declining the position. He is a first cousin once removed of actor Scott Baio, who played Chachi Arcola on Happy Days and Charles on the 1980s television program Charles in Charge. He is also a cousin of actor Jimmy Baio. In April 2013, Baio discovered that he is related to Steve Buscemi. Baio's first cousin is New York Mets outfielder Harrison Bader. His father is originally from Bensonhurst, Brooklyn. Musical career During high school, Baio was lead guitarist, songwriter, and vocalist in a local Bronxville, NY band known as Underrated. Baio was in a country-influenced band called the Midnight Hours with Vampire Weekend's current drummer, Chris Tomson at Columbia University, where the rest of the Vampire Weekend band members were also attending. Following the breakup of Midnight Hours, Baio was working as a DJ as a side job until Vampire Weekend was created. The band members got straight to rehearsing for their first gig, which was booked before the band had even started practicing. A year after Baio graduated, Vampire Weekend's self-titled debut album was released. It peaked at number 15 on the UK Album Chart and number 17 on the Billboard 200. Additionally, one of the album's singles, "A-Punk" was voted the 4th best song of 2008 by Rolling Stone magazine in addition to being featured in the film Step Brothers with Will Ferrell and John C. Reilly, and the popular UK television series The Inbetweeners. On June 14, 2008, they played Central Park SummerStage in Manhattan, and a benefit for democracy in October. In January 2010, the band's second album, Contra, was released. It reached number one on the Billboard 200 and on January 9, 2010 the band appeared on MTV Unplugged. Then on March 6, 2010, the band appeared as the musical guests on Saturday Night Live; the second time the band had appeared on the show. Baio released his debut solo EP, "Sunburn," under his DJ name, Baio on May 21, 2012. Rolling Stone said, "A three-track set of undulating dance grooves that capture a vibe the bassist describes as 'hopeful melancholy,' it's the culmination of a hobby Baio took up half a decade ago as a student at Columbia University in New York." Baio drew a lot of inspiration from electronic and dance music and spent much of the past year on DJing due to Vampire Weekend's light tour schedule, and he said, "I'd lock myself in my little office in my apartment with CDJs and a mixer and just practice mixing all day. I did that quite a bit while we were touring the last record and realized when we finished touring that I really wanted to pursue it." His first completed track was "Sunburn Modern," which was inspired by a "nasty, modern art"-looking sunburn he got from a trip to Mexico with his girlfriend. His solo album, titled The Names, was released in 2015. His sophomore album, Man of the World, was released on June 30, 2017. On January 29, 2021 Baio released his third solo album, Dead Hand Control. Though his earlier albums were pleasantly energetic – this one took a deeper and darker turn, being several octaves below his normal art. A Simlish rendition of his song The Key Is Under The Mat was featured in The Sims 4. Musical influences In an interview with the British newspaper column "Hugs and Kisses 23" Baio said, in reply to the question 'what his favorite album of all time was', "Queen's, Classic Queen. I still like it. It could be Greatest Hits. It's the one with 'Bohemian Rhapsody' on it. They were selling it on MTV with an ad trailer featuring the guys from Wayne's World singing along to it in the car. I was maybe seven, and I was like, I really like that song, so I'll get that album." Vampire Weekend also used The Beatles as an influence saying to Columbia University's alumni journalist "they played extremely popular music but at the same time drew upon Eastern and Western sources. Whereas today, rock music has killed itself by being so white bread. We're trying to mix sounds that are old and new and sounds that are Western and that are not Western. I think that's our vibe." The band also has taken its style from a form of music called Afrobeat which is a mix between jazz, funk, and highlife, all cemented together by heavy traditional African influences. Equipment Baio's primary bass is an old hollow-body Kustom brand bass guitar in teal. He also is frequently seen using a Rickenbacker 4003 bass guitar and an Epiphone Jack Casady bass guitar. In September 2019 on the Stephen Colbert show, Baio played a Kala Wanderer U-Bass, which is a “short-scale” travel bass that looks like a ukulele but sounds like a standard bass guitar. Discography Solo studio albums The Names (2015) Man of the World (2017) Dead Hand Control (2021) Solo EPs Sunburn (2012) Mira (2013) ON&ON&ON&ON / Missive (2014) With Vampire Weekend Vampire Weekend (2008) Contra (2010) Modern Vampires of the City (2013) Father of the Bride (2019) Only God Was Above Us (2024) References See also Vampire Weekend
Chris_Tomson
https://en.wikipedia.org/wiki/Chris_Tomson
[ 166 ]
[ "https://en.wikipedia.org/wiki/Chris_Tomson" ]
Christopher William Tomson (born March 6, 1984), commonly known by his initials "CT", is an American singer, songwriter and musician, best known as the drummer for New York–based indie rock band Vampire Weekend. He is also the lead vocalist and guitarist for a side project called Dams of the West, for which he writes and records the entirety of its music. Background Tomson grew up on a farm in the Imlaystown section of Upper Freehold Township, New Jersey, and later recorded parts of Vampire Weekend's first album there. His father is an engineer whose family is of Irish and Ukrainian heritage (he studied abroad in Ireland in college). His mother is an administrator whose family is of English and German heritage. He graduated from the Peddie School as a salutatorian and then from Columbia University where he studied economics and music. Tomson enjoys photography and is an avid soccer fan; his favorite club is Tottenham Hotspur. Tomson is also a huge fan of Phish, The Band, and the Grateful Dead. After living in the Greenpoint neighborhood of Brooklyn for several years, he moved to Los Angeles in 2019. In 2008, he was involved in a hit-and-run incident in London after the Shockwaves NME Awards. He was taken to hospital to be treated for neck injuries but was released with no notable injuries. Musical career Prior to forming Vampire Weekend, Tomson played with Ezra Koenig in the "serious" rap group called L’Homme Run. Tomson met the members of Vampire Weekend while attending Columbia University—he took music classes with Rostam Batmanglij and started the group in their senior year. The name of the group comes from the movie of the same name that Ezra Koenig and his friends made over a summer vacation. They self-produced their first album after graduation while concurrently working full-time jobs (Tomson worked as an archivist for a record label). Their next three albums—Contra (2010), Modern Vampires of the City (2013), and Father of the Bride (2019)—all reached number one on the US album charts. In February 2017, Tomson released his first solo album, Youngish American, under the pseudonym Dams of the West. References External links Chris Tomson on Twitter
Astrological_sign
https://en.wikipedia.org/wiki/Astrological_sign
[ 166, 393, 411, 820 ]
[ "https://en.wikipedia.org/wiki/Astrological_sign", "https://en.wikipedia.org/wiki/Astrological_sign", "https://en.wikipedia.org/wiki/Astrological_sign", "https://en.wikipedia.org/wiki/Astrological_sign" ]
In Western astrology, astrological signs are the twelve 30-degree sectors that make up Earth's 360-degree orbit around the Sun. The signs enumerate from the first day of spring, known as the First Point of Aries, which is the vernal equinox. The astrological signs are Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, and Pisces. The Western zodiac originated in Babylonian astrology, and was later influenced by the Hellenistic culture. Each sign was named after a constellation the sun annually moved through while crossing the sky. This observation is emphasized in the simplified and popular sun sign astrology. Over the centuries, Western astrology's zodiacal divisions have shifted out of alignment with the constellations they were named after by axial precession of the Earth while Hindu astrology measurements correct for this shifting. Astrology (i.e. a system of omina based on celestial appearances) was developed in Chinese and Tibetan cultures as well but these astrologies are not based upon the zodiac but deal with the whole sky. Astrology is a pseudoscience. Scientific investigations of the theoretical basis and experimental verification of claims have shown it to have no scientific validity or explanatory power. More plausible explanations for the apparent correlation between personality traits and birth months exist, such as the influence of seasonal birth in humans. According to astrology, celestial phenomena relate to human activity on the principle of "as above, so below", so that the signs are held to represent characteristic modes of expression. Scientific astronomy used the same sectors of the ecliptic as Western astrology until the 19th century. Various approaches to measuring and dividing the sky are currently used by differing systems of astrology, although the tradition of the Zodiac's names and symbols remain mostly consistent. Western astrology measures from Equinox and Solstice points (points relating to equal, longest, and shortest days of the tropical year), while Hindu astrology measures along the equatorial plane (sidereal year). Western zodiac signs History Western astrology is a direct continuation of Hellenistic astrology as recorded in Ptolemy's Tetrabiblos in the 2nd century. Hellenistic astrology in turn was partly based on concepts from Babylonian tradition. Specifically, the division of the ecliptic in twelve equal sectors is a Babylonian conceptual construction. This division of the ecliptic originated in the Babylonian "ideal calendar" found in the old compendium MUL.APIN and its combination with the Babylonian lunar calendar, represented as the "path of the moon" in MUL.APIN. In a way, the zodiac is the idealisation of an ideal lunar calendar. By the 4th century BC, Babylonian astronomy and its system of celestial omens influenced the culture of ancient Greece, as did the astronomy of Egypt by late 2nd century BC. This resulted, unlike the Mesopotamian tradition, in a strong focus on the birth chart of the individual and the creation of Horoscopic astrology, employing the use of the Ascendant (the rising degree of the ecliptic, at the time of birth), and of the twelve houses. Association of the astrological signs with Empedocles' four classical elements was another important development in the characterization of the twelve signs. The body of the Hellenistic astrological tradition as it stood by the 2nd century is described in Ptolemy's Tetrabiblos. This is the seminal work for later astronomical tradition not only in the West but also in India and the Islamic sphere and has remained a reference for almost seventeen centuries as later traditions made few substantial changes to its core teachings. Western astrological correspondence chart The following table shows the approximate dates of the twelve astrological signs, along with the classical and modern rulerships of each sign. By definition, Aries starts at the First Point of Aries which is the location of the Sun at the March equinox. The precise date of the Equinox varies from year to year but is always between 19 March and 21 March. The consequence is the start date of Aries and therefore the start date of all the other signs can change slightly from year to year. The following Western astrology table enumerates the twelve divisions of celestial longitude with the Latin names. The longitude intervals, are treated as closed for the first endpoint (a) and open for the second (b) – for instance, 30° of longitude is the first point of Taurus, not part of Aries. The signs are occasionally numbered 0 through 11 in place of symbols in astronomical works. The twelve signs are positioned in a circular pattern, creating a pattern of oppositions related to different philosophically polarized attributes. Fire and air elements are generally 180 degrees opposed in Western astrology, as well as earth and water elements. Not all systems of astrology have four elements, notably the Sepher Yetzirah describes only three elements emanating from a central divine source. Spring signs are opposite to autumn ones, winter signs are opposite to summer ones and vice versa. Aries is opposite to Libra Taurus is opposite to Scorpio Gemini is opposite to Sagittarius Cancer is opposite to Capricorn Leo is opposite to Aquarius Virgo is opposite to Pisces Polarity In Western astrology, the polarity divides the zodiac in half and refers to the alignment of a sign's energy as either positive or negative, with various attributes associated to them as a result. Positive polarity signs, also called active, yang, expressive, or masculine signs, are the six odd-numbered signs of the zodiac: Aries, Gemini, Leo, Libra, Sagittarius, and Aquarius. Positive signs make up the fire and air triplicities. Negative polarity signs, also called passive, yin, receptive, or feminine signs, are the six even-numbered signs of the zodiac: Taurus, Cancer, Virgo, Scorpio, Capricorn, and Pisces. Negative signs make up the earth and water triplicities. The three modalities The modality or mode of a given sign refers to its position in the season it is found in. Each of the four elements manifests in three modalities: cardinal, fixed, and mutable. Since each modality comprehends four signs, they are also known as Quadruplicities. For example, the sign Aries is found in the first month of spring in the Northern Hemisphere, so practitioners of astrology describe it as having a cardinal modality. The combination of element and modality provides the signs with their unique characterizations. For instance, Capricorn is the cardinal earth sign, impressing its association with action (cardinal modality) in the material world (earth element). Triplicities of the four elements The Greek philosopher Empedocles identified fire, earth, air, and water as elements in the fifth-century BC. He explained the nature of the universe as an interaction of two opposing principles, love and strife, which manipulate the elements into different mixtures that produce the different natures of things. He stated all the elements are equal, the same age, rule their own provinces, and possess their own individual character. Empedocles said that those born with nearly equal proportions of the elements are more intelligent and have the most exact perceptions. The elemental categories are called triplicities because each classical element is associated with three signs The four astrological elements are also considered as a direct equivalent to Hippocrates' personality types (sanguine = air; choleric = fire; melancholic = earth; phlegmatic = water). A modern approach looks at elements as "the energy substance of experience" and the next table tries to summarize their description through keywords. The elements have grown in importance and some astrologers begin natal chart interpretations by studying the balance of elements in the location of planets (especially the Sun's and Moon's ascendant signs) and the position of angles in the chart. Celestial body rulerships Rulership is the connection between planet and correlated sign and house. The conventional rulerships are as follows: Aries: Mars Taurus: Venus Gemini: Mercury Cancer: Moon Leo: Sun Virgo: Mercury Libra: Venus Scorpio: classically Mars, Pluto starting in the 20th century Sagittarius: Jupiter Capricorn: Saturn Aquarius: classically Saturn, Uranus starting in the 20th century Pisces: classically Jupiter, Neptune starting in the 20th century Dignity and detriment, exaltation and fall A traditional belief of astrology, known as essential dignity, is the idea that the Sun, Moon, and planets are more powerful and effective in some signs than others because the basic nature of both is held to be in harmony. By contrast, they are held to find some signs to be weak or difficult to operate in because their natures are thought to be in conflict. These categories are Dignity, Detriment, Exaltation, and Fall. Dignity and Detriment: A planet is strengthened or dignified if it falls within the sign that it rules. In other words, it is said to exercise Rulership of the sign. For example, the Moon in Cancer is considered "strong" (well-dignified). If a planet is in the sign opposite which it rules (or is dignified in), it is said to be weakened or in Detriment (for example, the Moon in Capricorn). This may also be termed a "debility". In traditional astrology, other levels of Dignity are recognised in addition to Rulership. These are known as Exaltation, Triplicity, Terms or bounds, and Face or Decan, which together are known as describing a planet's Essential dignity, the quality or ability of one's true nature. Exaltation and Fall: A planet is also strengthened when it is in its sign of exaltation. In traditional horary astrology, this denotes a dignity just less than rulership. Exaltation was considered to give the planet's significance(s) the dignity of an honoured guest: the centre of attention but constrained in power. Examples of planets in their Exaltation are: Saturn (Libra), Sun (Aries), Venus (Pisces), Moon (Taurus), Mercury (Virgo, although some disagree with this classification), Mars (Capricorn), Jupiter (Cancer). A planet in the opposite sign of this is in its fall, and thus weakened, perhaps more than Detriment. There is discord as to the signs in which the two extra-Saturnian planets may be considered to be exalted. In addition to essential dignity, the traditional astrologer considers Accidental dignity of planets. This is placement by house in the chart under examination. Accidental dignity is the planet's "ability to act". So we might have, for example, Moon in Cancer, dignified by rulership, is placed in the 12th house it would have little scope to express its good nature. The twelfth is a cadent house as are the third, sixth and ninth and planets in these houses are considered weak or afflicted. On the other hand, Moon in the first, fourth, seventh, or 10th would be more able to act as these are Angular houses. Planets in Succedent houses of the chart (second, fifth, eighth, eleventh) are generally considered to be of medium ability to act. Besides Accidental Dignity, there are a range of Accidental Debilities, such as retrogradation, Under the Sun's Beams, Combust, and so forth. Additional classifications Each sign can be divided into three 10° sectors known as decans or decanates, though these have fallen into disuse. The first decanate is said to be most emphatically of its own nature and is ruled by the sign ruler. The next decanate is sub-ruled by the planet ruling the next sign in the same triplicity. The last decanate is sub-ruled by the next in order in the same triplicity. While the element and modality of a sign are together sufficient to define it, they can be grouped to indicate their symbolism. The first four signs, Aries, Taurus, Gemini, and Cancer, form the group of personal signs. The next four signs, Leo, Virgo, Libra, and Scorpio form the group of interpersonal signs. The last four signs of the zodiac, Sagittarius, Capricorn, Aquarius, and Pisces, form the group of transpersonal signs. Dane Rudhyar presented the tropical zodiac primary factors, used in the curriculum of the RASA School of Astrology. The tropical zodiac is the zodiac of seasonal factors as opposed to the sidereal zodiac (constellation factors). The primary seasonal factors are based on the changing ratio of sunlight and darkness across the year. The first factor is whether the chosen time falls in the half of the year when daylight is increasing, or the half of the year when darkness is increasing. The second factor is whether the chosen time falls in the half of the year when there is more daylight than darkness, or the half when there is more darkness than daylight. The third factor is which of the four seasons the chosen time falls in, defined by the first two factors. Thus The spring season is when daylight is increasing and there is more daylight than darkness. The summer season is when darkness is increasing and there is more daylight than darkness. The autumn season is when darkness is increasing and there is more darkness than daylight. The winter season is when daylight is increasing and there is more darkness than daylight. Western sign gallery Indian astrology In Indian astrology, there are five elements: fire, earth(Land), air, water, and ether. The master of fire is Mars, while Mercury is of land, Saturn of air, Venus of water, and Jupiter of ether. Jyotisha recognises twelve zodiac signs (Rāśi), that correspond to those in Western astrology. The relation of the signs to the elements is the same in the two systems. Nakshatras A nakshatra (Devanagari: नक्षत्र, Sanskrit nakshatra, a metaphorical compound of naksha- 'map/chart', and tra- 'guard'), or lunar mansion, is one of the 27 divisions of the sky identified by prominent star(s), as used in Hindu astronomy and astrology (Jyotisha). "Nakshatra" in Sanskrit, Kannada, Tulu and Tamil and Prakrit also, thus, it refers to stars themselves. Chinese zodiac signs Chinese astrological signs operate on cycles of years, lunar months, and two-hour periods of the day (also known as shichen). A particular feature of the Chinese zodiac is its operation in a 60-year cycle in combination with the Five Phases of Chinese astrology (Wood, Fire, Metal, Water and Earth). Nevertheless, some researches say that there is an obvious relationship between the Chinese 12-year cycle and zodiac constellations: each year of the cycle corresponds to a certain disposal of Jupiter. For example, in the year of Snake Jupiter is in the Sign of Gemini, in the year of Horse Jupiter is in the Sign of Cancer and so on. So the Chinese 12-year calendar is a solar-lunar-jovian calendar. Zodiac symbolism The following table shows the twelve signs and their attributes. The twelve signs In Chinese astrology, the zodiac of twelve animal signs represents twelve different types of personality. The zodiac traditionally begins with the sign of the Rat, and there are many stories about the Origins of the Chinese Zodiac which explain why this is so. When the twelve zodiac signs are part of the 60-year calendar in combination with the four elements, they are traditionally called the twelve Earthly Branches. The Chinese zodiac follows the lunisolar Chinese calendar and thus the "changeover" days in a month (when one sign changes to another sign) vary each year. The following are the twelve zodiac signs in order. 子 Rat (Yang, 1st Trine, Fixed Element Water): Rat years include 1900, 1912, 1924, 1936, 1948, 1960, 1972, 1984, 1996, 2008, 2020, 2032. The Rat also corresponds to a particular month in the year. The hours of the Rat are 11pm – 1am. 丑 Ox (Yin, 2nd Trine, Fixed Element Earth: Ox years include 1901, 1913, 1925, 1937, 1949, 1961, 1973, 1985, 1997, 2009, 2021, 2033. The Ox also corresponds to a particular month in the year. The hours of the Ox are 1am – 3am. 寅 Tiger (Yang, 3rd Trine, Fixed Element Wood): Tiger years include 1902, 1914, 1926, 1938, 1950, 1962, 1974, 1986, 1998, 2010, 2022, 2034. The Tiger also corresponds to a particular month in the year. The hours of the Tiger are 3am – 5am. 卯 Rabbit (Yin, 4th Trine, Fixed Element Wood): Rabbit Years include 1903, 1915, 1927, 1939, 1951, 1963, 1975, 1987, 1999, 2011, 2023, 2035. The Rabbit also corresponds to a particular month in the year. The hours of the Rabbit are 5am – 7am. 辰 Dragon (Yang, 1st Trine, Fixed Element Earth): Dragon years include 1904, 1916, 1928, 1940, 1952, 1964, 1976, 1988, 2000, 2012, 2024, 2036. The Dragon also corresponds to a particular month in the year. The hours of the Dragon are 7am – 9am. 巳 Snake (Yin, 2nd Trine, Fixed Element Fire): Snake years include 1905, 1917, 1929, 1941, 1953, 1965, 1977, 1989, 2001, 2013, 2025, 2037. The Snake also corresponds to a particular month in the year. The hours of the Snake are 9am – 11am. 午 Horse (Yang, 3rd Trine, Fixed Element Fire): Horse years include 1906, 1918, 1930, 1942, 1954, 1966, 1978, 1990, 2002, 2014, 2026, 2038. The Horse also corresponds to a particular month in the year. The hours of the Horse are 11am – 1pm. 未 Goat (Yin, 4th Trine, Fixed Element Earth): Goat years include 1907, 1919, 1931, 1943, 1955, 1967, 1979, 1991, 2003, 2015, 2027, 2039. The Goat also corresponds to a particular month in the year. The hours of the Goat are 1pm – 3pm. 申 Monkey (Yang, 1st Trine, Fixed Element Metal): Monkey years include 1908, 1920, 1932, 1944, 1956, 1968, 1980, 1992, 2004, 2016, 2028, 2040. The Monkey also corresponds to a particular month in the year. The hours of the Monkey are 3pm – 5pm. 酉 Rooster (Yin, 2nd Trine, Fixed Element Metal): Rooster years include 1909, 1921, 1933, 1945, 1957, 1969, 1981, 1993, 2005, 2017, 2029, 2041. The Rooster also corresponds to a particular month in the year. The hours of the Rooster are 5pm – 7pm. 戌 Dog (Yang, 3rd Trine, Fixed Element Earth): Dog years include 1910, 1922, 1934, 1946, 1958, 1970, 1982, 1994, 2006, 2018, 2030, 2042. The Dog also corresponds to a particular month in the year. The hours of the Dog are 7pm – 9pm. 亥 Pig (Yin, 4th Trine, Fixed Element Water): Pig years include 1911, 1923, 1935, 1947, 1959, 1971, 1983, 1995, 2007, 2019, 2031, 2043. The Pig also corresponds to a particular month in the year. The hours of the Pig are 9pm – 11pm. The five elements Wood: The wood person has high morals, is self-confident, expansive and co-operative, with wide and varied interests and idealistic goals. The direction associated with Wood is East, and the season is spring, which makes it the fixed element for the animal signs Tiger and Rabbit. Fire: The fire person has leadership qualities, dynamic passion, and is decisive, self-confident, positive, and assertive. The direction associated with Fire is South, and the season is summer, which makes it the fixed element for the animal signs Snake and Horse. Earth: The earth person is serious, logical and methodical, intelligent, objective and good at planning. The direction associated with Earth is Center. The season for Earth is the changeover point of the four seasons. It is the fixed element for the animal signs Ox, Dragon, Goat and Dog. Metal: The metal person is sincere, has fixed values and opinions, is strong of will, and has eloquence of speech. The direction associated with Metal is West. The season for Metal is Autumn. It is the fixed element for the animal signs Monkey and Rooster. Water: The water person is persuasive, intuitive, and empathetic. The water person is objective and often sought out for their counsel. The direction associated with water is North. The season for Water is Winter. It is the fixed element for the animal signs Rat and Pig. The five elements operate together with the twelve animal signs in a 60-year calendar. The five elements appear in the calendar in both their yin and yang forms and are known as the ten Heavenly Stems. The yin/yang split seen in the Gregorian calendar means years that end in an even number are Yang (representing masculine, active, and light), those that end with an odd number are Yin (representing feminine, passive and darkness), subject to Chinese New Year having passed. See also Influence of seasonal birth in humans Chinese zodiac Glossary of astrology Notes References Arroyo, Stephen (1975). Astrology, Psychology and The Four Elements. California: CCRS Publications Arroyo, Stephen (1989). Chart Interpretation Handbook. California: CCRS Publications. ISBN 0-916360-49-0 Bobrick, Benson (2005). The Fated Sky: Astrology in History. Simon & Schuster. 369 pp. Caiozzo, Anna (2003). Images of the Sky. Paris-Sorbonne. Signs and Constellations. Archived 2021-04-17 at the Wayback Machine Eric Francis (2016). "Why Your Zodiac Sign is Not Wrong" Hone, Margaret (1978). The Modern Text-Book of Astrology. Revised edition. England: L. N. Fowler & Co. Ltd. ISBN 085243-357-3 Johnsen, Linda (2004 March). A Thousand Suns: Designing Your Future with Vedic Astrology. Yes International Publishers. Mayo, Jeff (1979). Teach Yourself Astrology. London: Hodder and Stoughton. Rochberg, Francesca (1998), "Babylonian Horoscopes", American Philosophical Society, New Series, Vol. 88, No. 1, pp. i–164. doi:10.2307/1006632. JSTOR 1006632. Rudhyar, Dane (1943). Astrological Signs – The Pulse of Life. Sachs, Abraham (1948), "A Classification of the Babylonian Astronomical Tablets of the Seleucid Period", Journal of Cuneiform Studies, Vol. 2, No. 4, pp. 271–290. doi:10.2307/3515929. JSTOR 3515929. Sutton, Komilla (1999). The Essentials of Vedic Astrology. England: The Wessex Astrologer Ltd.
The_Wonderful_Story_of_Henry_Sugar_(film)
https://en.wikipedia.org/wiki/The_Wonderful_Story_of_Henry_Sugar_(film)
[ 167 ]
[ "https://en.wikipedia.org/wiki/The_Wonderful_Story_of_Henry_Sugar_(film)" ]
Roald Dahl's The Wonderful Story of Henry Sugar, or simply The Wonderful Story of Henry Sugar, is a 2023 American fantasy short film written, co-produced, and directed by Wes Anderson, based on the 1977 short story "The Wonderful Story of Henry Sugar" by Roald Dahl. It is the second film adaptation of a Dahl work directed by Anderson, following Fantastic Mr. Fox (2009). It stars Benedict Cumberbatch as the titular character alongside Ralph Fiennes, Dev Patel, Ben Kingsley, and Richard Ayoade. The story sees a rich man learning about a clairvoyant guru who could see without using his eyes through the power of a particular form of Yoga, then setting out to master the skill in order to cheat at gambling. The film is the first of a four-part series of shorts adapted from Dahl's short stories, including "The Swan", "The Rat Catcher", and "Poison". Development on the project began in January 2022, with most of the cast signed on. Principal photography took place in London that month. The Wonderful Story of Henry Sugar was originally reported to be a feature film until Anderson clarified in June 2023 that it would be one of a collection of short films. The Wonderful Story of Henry Sugar premiered at the 80th Venice International Film Festival on September 1, 2023, and received a limited theatrical release on September 20, 2023, followed by being released on Netflix on September 27, 2023. The other three Anderson shorts based on Dahl stories premiered on Netflix on succeeding days: The Swan on September 28, The Rat Catcher on September 29, and Poison on September 30. The film won the Academy Award for Best Live Action Short Film at the 96th Academy Awards. On March 15, 2024, the film was released in a full length film anthology along with the other three shorts titled The Wonderful Story of Henry Sugar and Three More. Plot Henry Sugar is the pseudonym of a bachelor who uses his inherited fortune to fund his gambling habits. One day, he comes across a book of a doctor's report of Imdad Khan, a man who claimed he could see and interact without using his eyes. After watching Imdad perform even greater feats in his own circus act, the doctor interviewed Imdad, and he tells him his life history. As a young runaway in a traveling circus, he sought out a guru known as The Great Yogi, who could meditate while levitating his own body. Reluctantly, the Great Yogi taught Imdad his meditation method, which granted Imdad his abilities, though he died overnight before the doctors could further study him. By practising Imdad's meditations of staring into a candle flame at eye level while picturing the face of the person he loves most in the world, Henry manages to see through the backs of playing cards to read the face value after three years of practice, something that Imdad had been told that only one in a billion would be able to do in a short amount of time. Henry uses his ability at a casino and makes £30,000 at blackjack. Unsatisfied with his ease in earning money, he throws the money off his balcony into the streets of London. After he nearly causes a riot, a police officer suggests that he find a more effective form of charity. Henry decides to travel worldwide, winning money from casinos with his ability under varying disguises and establishing a network of successful hospitals and orphanages. Two decades later, Henry dies from a pulmonary embolism which he knew would cause his death, being able to see the clot through his skin. His accountant commissions Roald Dahl to write his story under the condition his identity remains confidential. Cast Benedict Cumberbatch as Henry Sugar / Max Engelman Ralph Fiennes as Roald Dahl / The Policeman Dev Patel as Dr. Chatterjee / John Winston Ben Kingsley as Imdad Khan / The Dealer Richard Ayoade as Dr. Marshall / The Great Yogi David Gant as Casino Croupier Jarvis Cocker cameos as a casino receptionist and several friends of Henry Sugar Production In September 2021, Netflix acquired the Roald Dahl Story Company for $686 million. The Wonderful Story of Henry Sugar project was confirmed on January 7, 2022, the day after it was reported that Wes Anderson was set to write and direct the film adaptation, with Netflix distributing. It was announced that Benedict Cumberbatch would star as Sugar, with Ralph Fiennes, Dev Patel and Ben Kingsley in supporting roles. Rupert Friend and Richard Ayoade later joined the cast. Principal photography began at The Maidstone Studios in Kent, England, in January 2022. The Wonderful Story of Henry Sugar was originally reported to be a feature film, but Anderson clarified in June 2023 that it would be one of a collection of short films. Release The Wonderful Story of Henry Sugar premiered out-of-competition at the 80th Venice International Film Festival on September 1, 2023. It had a limited theatrical release on September 20, only in New York and California. It was initially set for a streaming release on October 13, 2023, but was released on Netflix on September 27. The short was repackaged as an anthology movie with the three other shorts and released on Netflix on March 15, 2024. Reception On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 95% based on 87 reviews with an average rating of 8.4/10. The website's critics consensus reads, "With The Wonderful Story of Henry Sugar, Wes Anderson returns to the world of Roald Dahl—and proves his distinctive style is a comfortable fit for one of the author's sweetest stories." On Metacritic, the film holds a weighted average score of 85 out of 100 based on 30 critics, indicating "universal acclaim". In Variety, Peter Debruge called the film "delightfully tight" and added that Dahl's short story "proves a good match for Anderson's intricate approach". Similarly, Leslie Felperin of The Hollywood Reporter wrote: "The Wonderful Story of Henry Sugar is a perfectly well-balanced reduction. It’s got most of Anderson's signature flavor notes but in healthy, clarified stock". David Ehrlich of IndieWire called it "the most visually inventive film that Anderson has made thus far" and added: "Its presentation is something we’ve never really seen before, either from Anderson or anyone else, but its ethos couldn’t be more familiar to anyone who’s followed his work". Glenn Kenny from RogerEbert.com gave the film a 4 out of 4 stars and wrote that, "It’s disarming and lovely to see a spiritual growth parable rendered in Anderson’s jewel-box style. His delivery here is not willfully eccentric but gorgeously centered. Form underscores content in Henry Sugar in a most delightful way." Accolades References External links The Wonderful Story of Henry Sugar at IMDb The Wonderful Story of Henry Sugar on Netflix
Ben_Kingsley
https://en.wikipedia.org/wiki/Ben_Kingsley
[ 167 ]
[ "https://en.wikipedia.org/wiki/Ben_Kingsley" ]
Sir Ben Kingsley (born Krishna Pandit Bhanji; 31 December 1943) is an English actor. He has received accolades throughout his career spanning five decades, including an Academy Award, a BAFTA Award, a Grammy Award, and two Golden Globe Awards as well as nominations for four Primetime Emmy Awards and two Laurence Olivier Awards. Kingsley was appointed Knight Bachelor in 2002 for services to the British film industry. He was awarded a star on the Hollywood Walk of Fame in 2010 and received the Britannia Award in 2013. Born to an English mother and an Indian Gujarati father with roots in Jamnagar, Kingsley began his career in theatre, joining the Royal Shakespeare Company in 1967 and spending the next 15 years appearing mainly on stage. His starring roles included productions of As You Like It (his West End debut for the company at the Aldwych Theatre in 1967), Much Ado About Nothing, Richard III, The Tempest, A Midsummer Night's Dream, Hamlet and The Merry Wives of Windsor. Also known for his television roles, he received four Primetime Emmy Award nominations for his performances in Murderers Among Us: The Simon Wiesenthal Story (1989), Joseph (1995), Anne Frank: The Whole Story (2001), and Mrs. Harris (2006). In film, Kingsley is known for his starring role as Mahatma Gandhi in Richard Attenborough's Gandhi (1982), for which he subsequently won the Academy Award for Best Actor and BAFTA Award for Best Actor in a Leading Role. For his portrayal of Itzhak Stern in Steven Spielberg's Schindler's List (1993), he received a BAFTA Award for Best Actor in a Supporting Role nomination. He was Oscar-nominated for Bugsy (1990), Sexy Beast (2000), and House of Sand and Fog (2003). His other notable films include Maurice (1987), Sneakers (1992), Searching for Bobby Fischer (1993), Death and the Maiden (1994), Twelfth Night (1996), Tuck Everlasting (2002), Elegy (2008), Shutter Island (2010), and Hugo (2011). Kingsley played the character of Trevor Slattery in the Marvel Cinematic Universe, appearing in Iron Man 3 (2013), Shang-Chi and the Legend of the Ten Rings (2021), and the upcoming Disney+ series Wonder Man. He also acted in the blockbusters Prince of Persia: The Sands of Time (2010), and Ender's Game (2013). Kingsley lent his voice to the films The Boxtrolls (2014), and The Jungle Book (2016). Early life, ancestry and education Kingsley was born Krishna Pandit Bhanji on 31 December 1943, in Snainton, North Riding of Yorkshire. His mother, Anna Lyna Mary (née Goodman) (1914–2010), was an English actress and model, and she later gave birth to a second son called Sadru Bhanji, who later worked as a psychiatrist in Devon. She was born out of wedlock and "was loath to speak of her background". His father, Rahimtulla Harji Bhanji (1914–1968), was born in Zanzibar (now part of Tanzania) to a family originating from the Indian city of Jamnagar, of Khoja Gujarati descent. Kingsley's paternal grandfather, Harji Bhanji, was a successful spice trader who had moved from India to the Sultanate of Zanzibar, where Kingsley's father lived until moving to the United Kingdom at the age of 14. Kingsley's maternal grandfather was believed by the family to have been of Russian- or German-Jewish descent, while his maternal grandmother was English and worked in the garment district of London's East End. Kingsley stated in 1994, "I'm not Jewish, and though there might be some Russian-Jewish heritage way back on my mother's side, the thread is so fine there's no real evidence." In a 2016 interview, he indicated that his maternal grandmother was impregnated by a Russian-Jewish immigrant who later abandoned her, which led her to become a "vile anti-Semite." Kingsley grew up in Pendlebury, Lancashire. Although his father was a Gujarati Khoja who practised Isma'ili Shia Islam, Kingsley was not raised in his father's faith, and identifies as a Quaker. He was educated at the Manchester Grammar School, where one of his classmates was actor Robert Powell. Kingsley went on to study at De La Salle College in Salford, which later became home to The Ben Kingsley Theatre. While at college, he became involved in amateur dramatics in Manchester, making his professional stage debut on graduation, aged 23. Career 1967–1981: Stage work and early career After graduating, in 1966, Kingsley was approached by music producer and manager Dick James. James, who was the publisher of The Beatles, offered to mould Kingsley into a pop star. Kingsley declined James' offer, and instead chose to join the Royal Shakespeare Company (RSC) in 1967 after an audition before Trevor Nunn. Devoting himself almost exclusively to stage work for the next 15 years, he made his West End debut for the company at the Aldwych Theatre in 1967 in a production of As You Like It. Further productions for the RSC included Much Ado About Nothing, Richard III, The Tempest, A Midsummer Night's Dream (starring in Peter Brook's acclaimed 1970 RSC production as Demetrius), Hamlet and The Merry Wives of Windsor. In the 1960s, Kingsley changed his name to Ben Kingsley, fearing that a foreign name would hamper his career. He told the Radio Times, "As soon as I changed my name, I got the jobs. I had one audition as Krishna Bhanji and they said, 'Beautiful audition but we don't quite know how to place you in our forthcoming season.' I changed my name, crossed the road, and they said when can you start?" In 1971 Kingsley made his Broadway debut playing Demetrius in the revival of William Shakespeare's A Midsummer Night's Dream acting with Patrick Stewart, Frances de la Tour and Martin Best. He played Mosca in Peter Hall's 1977 production of Ben Jonson's Volpone for the Royal National Theatre. In 1981 he returned to Broadway playing the title role in the Raymond Fitzsimmons play Edmund Kean (1983). He played Willy Loman in a 1982 Sydney production of the Arthur Miller play Death of a Salesman opposite Mel Gibson. Kingsley began his transition to film roles early on, making his feature film debut playing a supporting role in the British action thriller Fear Is the Key in 1972. Kingsley continued to play small roles in both film and television, including a role as Ron Jenkins on the soap opera Coronation Street from 1966 to 1967 and regular appearances as a defence counsel in the long-running British legal programme Crown Court. In 1974 he played Thidias in a taped performance of the William Shakespeare play Antony and Cleopatra with the Royal Shakespeare Company. He acted alongside Patrick Stewart and Tim Pigott-Smith. In 1975, he starred as Dante Gabriel Rossetti in the historical drama The Love School and appeared in the TV miniseries Dickens of London the following year. 1982–1998: Transition to film and television A turning point in Kingsley's career came with the historical biographical epic drama film Gandhi (1982), directed by Richard Attenborough, in which Kingsley played the titular role of the anti-colonialist activist and peacemaker Mahatma Gandhi. The film was a critical and financial success with film critic Roger Ebert of The Chicago Sun-Times praising the casting of Kingsley in the lead role writing, "makes the role so completely his own that there is a genuine feeling that the spirit of Gandhi is on the screen. Kingsley's performance is powerful without being loud or histrionic; he is almost always quiet, observant, and soft-spoken on the screen, and yet his performance comes across with such might that we realize, afterward, that the sheer moral force of Gandhi must have been behind the words." Kingsley went on to win numerous accolades for his performance including the Academy Award for Best Actor, the BAFTA Award for Best Actor in a Leading Role, and the Golden Globe Award for Best Actor – Motion Picture Drama for his performance. The following year he acted in the British drama film Betrayal (1983), an adaptation of the 1978 play of the same title by Harold Pinter. Kingsley starred opposite Jeremy Irons and Patricia Hodge. For his performance he won the Evening Standard British Film Awards. Throughout the 1980s, Kingsley appeared in a variety of films, including a leading role in the John Irvin directed British drama Turtle Diary (1985) starring opposite Glenda Jackson. The film was based on the 1975 novel of the same title and was adapted for the screen by Harold Pinter. Sheila Benson of The Los Angeles Times praised their performances writing, "No filmic cliches, no swelling musical score; these are no "littul peeple" who melt into each other's arms, but blessedly real people, who get exhausted and don't talk all the time." He acted in the Merchant-Ivory costume drama Maurice (1987). The film was adapted from the 1971 novel of the same title by E. M. Forster. Kingsley acted alongside Hugh Grant, Rupert Graves, Simon Callow, and Denholm Elliott. He played the Russian composer Dmitri Shostakovich in Testimony, and the main character of Basil Pascali in Pascali's Island (1988), and went on to portray Dr. John Watson alongside Michael Caine's Sherlock Holmes in Without a Clue that year. He was nominated for an Academy Award for Best Supporting Actor for his portrayal of the organised crime figure Meyer Lansky in Bugsy (1991). Additional roles include the supporting character of Cosmo in the thriller film Sneakers (1992), Vice-President Gary Nance in Dave (1993), and the chess teacher Bruce Pandolfini in Searching for Bobby Fischer (1993). In Steven Spielberg's historical drama film Schindler's List (1993), Kingsley portrayed the Holocaust survivor Itzhak Stern alongside Liam Neeson as Oskar Schindler. The film was a critical and commercial success, and Kingsley received a nomination for BAFTA Award for Best Actor in a Supporting Role. Todd McCarthy of Variety wrote of his performance, "Kingsley must act within much more rigid constraints as his trusted accountant Stern, a man who feels he must never make a misstep. Role is reminiscent of Alec Guinness' deluded Col. Nicholson in The Bridge on the River Kwai; in his compulsion to do a perfect job for Schindler, he often seems to forget that he's working for the enemy." Further roles include the BBC adaptation of Silas Marner (1985) as the titular character. Kingsley starred alongside Sigourney Weaver in Roman Polanski's Death and the Maiden (1994), having previously acted with her in Dave. In 1996 he portrayed Feste in Twelfth Night, a film adaptation of the William Shakespeare play. Kingsley starred alongside Helena Bonham Carter, Nigel Hawthorne, and Richard E. Grant. In a mixed review, Todd McCarthy of Variety noted his performance as a highlight writing, "Ben Kingsley brings some nice readings to his rather mysterious role of Feste, the commentator on the convoluted proceedings." The following film he provided a voice in the video game Ceremony of Innocence. In 1998, he was the head of the jury at the 48th Berlin International Film Festival and starred in the family film Spooky House, saying he had chosen a role in a lighter film after acting in roles that left him feeling traumatised. 1999–present: Further success Kingsley took on the role of Don Logan, a violent psychopath and recruiter for London's underworld, in Jonathan Glazer's Sexy Beast (2000), a psychological black comedy crime film acting with Ray Winstone and Ian McShane. Critic Peter Bradshaw of The Guardian praised his performance writing, "The role of Don Logan is perfectly suited to Ben Kingsley's gifts for control and stillness. There is something a little baroque and stylised about his approach - it is arguably a little actorly and unlike the behaviour of any real villain. But it is a very funny, intelligent performance nonetheless, beautifully scripted and acted, and Kingsley tops it off with a bravura show of pure sociopathic cunning". Kingsley's role as Logan earned him another Academy Award nomination for Best Supporting Actor. A year later, he won a Crystal Globe award for having an outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival. In 2003 he portrayed Colonel Massoud Amir Behrani in the Vadim Perelman directed House of Sand and Fog acting opposite Jennifer Connelly and Shohreh Aghdashloo. Critic Owen Gleiberman of Entertainment Weekly wrote of his performance, "Kingsley, carrying his body like armor, sculpting each line into a bitter dart of pride, plays fierceness with a powerful tug of sorrow." For his role he earned nominations for the Academy Award, Golden Globe Award, and Independent Spirit Award for Best Actor. The following year he played a supporting role as Benjamin O'Ryan in the psychological thriller Suspect Zero (2004). Although the film received negative reviews from critics, reservations were made for Kingsley's performance. In July 2006, Kingsley received an Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie nomination for his performance in the HBO television film Mrs. Harris (2005), in which he played famed cardiologist Herman Tarnower, who was murdered by his jilted lover, Jean Harris played by Annette Bening. Later that year, he made a cameo appearance in an episode of The Sopranos titled "Luxury Lounge". Kingsley plays himself in the episode as Chris and Little Carmine pitch him the role of a mob boss in the film Cleaver, which he turns down. In 2007, Kingsley appeared as a Polish American mobster in the Mafia comedy You Kill Me, and a hitman in War, Inc. The following year he acted in the romantic drama Elegy (2008) directed by Isabel Coixet. He starred alongside Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, and Dennis Hopper. Critic Roger Ebert wrote of the film and his performance, "Ben Kingsley, who can play just about any role, seems to be especially effective playing slimy intellectuals. "Elegy" is a film that could have been made for him, although by the time it's over, Penelope Cruz has slipped away with it, and transformed Kingsley's character in the process. It's nicely done." Kingsley received a nomination for the London Film Critics Circle Award for Best British Actor of the Year. The years 2010 and 2011 contained several big roles for Kingsley. In 2010, he worked voicing a character named Sabine in the Lionhead Studios game Fable III and starred alongside Leonardo DiCaprio in Shutter Island (2010), directed by Martin Scorsese. That same year, Kingsley made his Bollywood debut in the thriller Teen Patti (2010). The following year he appeared in Scorsese's next film, the children's adventure film Hugo (2011), playing the French illusionist Georges Méliès. Kingsley's portrayal of Méliès also earned him a Saturn Award for Best Actor. Kingsley also signed on to the sci-fi romance feature Broken Dream. The feature, by Neil Jordan and John Boorman, was later scrapped. In 2013, Kingsley appeared as the villain Trevor Slattery in the Marvel Cinematic Universe film Iron Man 3 with Robert Downey Jr., and as the hero Mazer Rackham in the science-fiction action adventure film Ender's Game with Harrison Ford and Asa Butterfield. A year later he played the Hebrew slave Nun in Ridley Scott's Exodus: Gods and Kings and Merenkahre, a simulacrum of an Egyptian pharaoh and father of Ahkmenrah, in Shawn Levy's Night at the Museum: Secret of the Tomb with Ben Stiller, Robin Williams, Owen Wilson, Rami Malek and Dan Stevens. That same year, Kingsley would also reprise his role as Slattery in the direct-to-video short film All Hail the King. In 2015, Kingsley portrayed a Sikh driving instructor in the film Learning to Drive. He voiced Bagheera in the live-action adaptation of Jon Favreau's The Jungle Book (2016), a remake of the original 1967 film shared cast with Bill Murray, Idris Elba, Lupita Nyong'o, Scarlett Johansson and Christopher Walken. Kingsley also recorded Yogananda's Autobiography of a Yogi in book-on-tape format. In 2018, he narrated Amazon Prime's documentary All or Nothing: Manchester City which followed Manchester City's record breaking 2017–18 Premier League campaign. and served as the voice of General Woundwort in the BBC adaptation of Watership Down. Kingsley reprised his role as Trevor Slattery in the film Shang-Chi and the Legend of the Ten Rings (2021). Kingsley acted in Wes Anderson's The Wonderful Story of Henry Sugar (2023), a film adaptation of a short story by Roald Dahl, and starred opposite Ralph Fiennes, Dev Patel and Benedict Cumberbatch. The film went on to win the Academy Award for Best Live Action Short Film. Kingsley has been announced as playing Ibrahim Arif in the upcoming film of Richard Osman's multi-award winning Thursday Murder Club series. Filming is due to begin in summer 2024. Personal life Marriage and family Kingsley has been married four times and has four children: Thomas Bhanji and artist Jasmin Bhanji, with first wife, actress Angela Morant, and Edmund Kingsley and Ferdinand Kingsley, both of whom became actors, with second wife, theatrical director Alison Sutcliffe. He divorced his third wife Alexandra Christmann in 2005, having been "deeply, deeply shocked" after pictures of her kissing another man surfaced on the internet. On 3 September 2007, Kingsley married Brazilian actress Daniela Lavender at Eynsham Hall in North Leigh, Oxfordshire. Charity Kingsley appeared in a production of The Children's Monologues in 2010 on stage in London alongside Benedict Cumberbatch, Tom Hiddleston, Gemma Arterton, and Eddie Redmayne. It was performed on behalf of Dramatic Need, a charity that sends international arts professionals (such as musicians, artists, and actors) to host workshops in underprivileged and rural communities in Africa. Filmography Awards and nominations Kingsley won an Academy Award in the Best Actor category for Gandhi, and has been nominated three more times: Best Supporting Actor for Bugsy and Sexy Beast, and Best Actor for House of Sand and Fog (2003). In 1984, Kingsley won a Grammy Award for Best Spoken Word or Nonmusical Recording for The Words of Gandhi, received an honorary degree from the University of Salford, and was awarded the Indian civilian honour Padma Shri. He was made a Knight Bachelor in the 2002 New Year Honours for services to the British film industry. The award was announced on 31 December 2001, which happened to be Kingsley's 58th birthday. After being knighted by Queen Elizabeth II at Buckingham Palace, Kingsley stated:I told the Queen that winning an Oscar pales into insignificance—this is insurmountable. I'm fascinated by the ancient, by mythology, by these islands and their tradition of story telling. I feel that I am a story teller and to receive a knighthood is really recognition of that. His demand to be called 'Sir' in film and TV show credits was documented by the BBC, to some criticism. Co-star Penélope Cruz was reportedly unsure what to call him during the filming of Elegy as someone had told her she needed to refer to him as "Sir Ben". One day it slipped out as such, and she called him that for the remainder of the shoot. Kingsley has denied accusations that he prefers to be referred to by his title, saying, "If I've ever insisted on being called 'Sir' by colleagues on a film set then I am profoundly sorry. I don't remember ever doing that and I tend not to forget." In May 2010, Kingsley was awarded a star on the Hollywood Walk of Fame. In April 2013, Kingsley was honoured with the Fellowship Award at The Asian Awards in London. References External links Ben Kingsley at IMDb Ben Kingsley at the BFI's Screenonline Ben Kingsley on Charlie Rose
River_Avon,_Bristol
https://en.wikipedia.org/wiki/River_Avon,_Bristol
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[ "https://en.wikipedia.org/wiki/River_Avon,_Bristol#Hydrology_and_water_quality" ]
The River Avon is a river in the southwest of England. To distinguish it from a number of other rivers of the same name, it is often called the Bristol Avon. The name 'Avon' is loaned from an ancestor of the Welsh word afon, meaning 'river'. The Avon rises just north of the village of Acton Turville in South Gloucestershire, before flowing through Wiltshire into Somerset. In its lower reaches from Bath (where it meets the Kennet and Avon Canal) to the Severn Estuary at Avonmouth near Bristol, the river is navigable and is known as the Avon Navigation. The Avon is the 19th longest river in the United Kingdom, at 83 miles (134 km), although there are just 19 miles (31 km) as the crow flies between the source and its mouth in the Severn Estuary. The catchment area is 2,220 square kilometres (860 sq mi). Etymology The name "Avon" is loaned from the Common Brittonic abona, "river", which survives in the Welsh word afon [ˈavɔn]. "River Avon", therefore, literally means "river river"; several other English and Scottish rivers share the name. The County of Avon that existed from 1974 to 1996 was named after the river, and covered Bristol, Bath, and the lower Avon valley. Course The Avon rises on the southern edge of the Cotswold hills, at Didmarton in Gloucestershire; at Joyce's Pool a plaque marks the source. It flows south-east into Wiltshire to Sherston, where it is joined by the Luckington Brook which drains an area west of Luckington that includes the Badminton House estate. From Sherston the river flows east to Malmesbury, where it is joined by its first major tributary, the Tetbury Avon, which rises just east of Tetbury in Gloucestershire. This is known locally as the Ingleburn, which in Old English means 'English river'. The two rivers flow north and south of a rocky outcrop, almost creating an island for the ancient hilltop town of Malmesbury to sit on. Upstream of this confluence the river is sometimes referred to as the 'River Avon (Sherston branch)' to distinguish it from the Tetbury branch. After the two rivers merge, the Avon turns southeast away from the Cotswolds and then quickly south into the clay Dauntsey Vale, where it is joined by the River Marden, until it reaches the biggest town so far, Chippenham. The wide vale is now known as the Avon Vale, and the river flows on via Lacock to Melksham, then turns north-west through Bradford-on-Avon, where the centre of the town grew up around a ford, hence the origin of the town's name ("Broad-Ford"). This was supplemented in Norman times by the Grade I listed bridge that still stands today; originally a packhorse bridge, it was widened in the 17th century by rebuilding the downstream side. The Avon Valley between Bradford-on-Avon and Bath is an example of a valley where four forms of ground transport are found: road, rail, river, canal. The river passes under the Avoncliff and Dundas Aqueducts which carry the Kennet and Avon Canal, and at Freshford is joined by the Somerset River Frome. Avoncliff Aqueduct was built by John Rennie and chief engineer John Thomas, between 1797 and 1801. The aqueduct consists of three arches and is 110 yards (100 m) long with a central elliptical arch of 60 ft (18 m) span with two side arches each semicircular and 34 ft (10 m) across, all with V-jointed arch stones. The spandrel and wing walls are built in alternate courses of ashlar masonry, and rock-faced blocks. The central span sagged soon after it was built and has been repaired many times. The Dundas Aqueduct was built by the same team between 1797 and 1801 and completed in 1805. James McIlquham was appointed contractor. The aqueduct is 150 yards (137.2 m) long with three arches built of Bath Stone, with Doric pilasters, and balustrades at each end. The central semicircular arch spans 64 feet (19.5 m); the two oval side arches span 20 feet (6.1 m). It is a Grade I listed structure, and was the first canal structure to be designated as a Scheduled Ancient Monument in 1951. The stretch of river below and above the aqueduct, where it is joined by Midford Brook, has been used by rowing crews from Monkton Combe School since at least the beginning of the 1900s. It then flows past Claverton Pumping Station, which pumped water from the River Avon by Warleigh Weir into the canal, using power from the flow of the river. The pumping station is located in a pump house built of Bath Stone, located at river level. Water is diverted from the river by Warleigh Weir, about 200 yd (180 m) upstream. The water flows down a leat to the pumping station, where it powers a water wheel, 24 ft (7.3 m) wide and 17 ft (5.2 m) in diameter, with 48 wooden slats. At full power the wheel uses 2 tons (2 tonnes) of water per second and rotates five times a minute. The water wheel drives gearing which increases the speed to 16 rpm. From here, cranks drive vertical connecting rods which transfer the energy to two 18 ft (5.5 m) long cast iron rocking beams. Each rocking beam in turn drives an 18 in (0.5 m) diameter lift pump, which also take their supply from the mill leat. Each pump stroke raises 50 imperial gallons (230 L; 60 US gal) of water to the canal. In 1981, British Waterways installed two 75 horsepower (56 kW) electric pumps just upstream from the station. The Avon then flows through Bathford, where it is joined by the Bybrook River, and Bathampton where it passes under the Bathampton Toll Bridge. It is joined by the Lam Brook at Lambridge in Bath and then passes under Cleveland and Pulteney Bridges and over the weir. Cleveland Bridge was built in 1826 by William Hazledine, owner of the Coalbrookdale Ironworks, with Henry Goodridge as the architect, on the site of a Roman ferry crossing. Named after the 3rd Duke of Cleveland, it spans the River Avon at Bathwick, and enabled further development of Georgian Bath to take place on the south side of the river. It was designed by architect Henry Goodridge to take the traffic of his day, horse-drawn vehicles and pedestrians, and was constructed using Bath Stone and a cast iron arched span. Pulteney Bridge was completed in 1773 and is designated by English Heritage as a Grade I listed structure. The bridge was designed by Robert Adam, and is one of only four bridges in the world with shops across the full span on both sides. It is named after Frances Pulteney, heiress in 1767 of the Bathwick estate across the river from Bath. Floods in 1799 and 1800 wrecked the north side of the bridge, which had been constructed with inadequate support. It was rebuilt by John Pinch the Elder, surveyor to the Pulteney estate, in a less ambitious version of Adam's design. Bath and North East Somerset council have discussed plans to ban vehicles from the bridge and turn it into a pedestrianised zone, but it remains open to buses and taxis. Some 700 metres below Pulteney weir, the river is joined by the Kennet and Avon Canal which connects through Bath Locks. Together with the Kennet Navigation which joins the River Thames at Reading, this provides a through route for canal boats from Bristol to London. From this point downstream the river is known as the Avon Navigation. Navigation The Avon above Bath remains navigable as far as Bathampton where there is the remains of a flash lock. However, the lock past the weir below Pulteney Bridge was demolished when the weir was reconstructed, so passage between the sections is only possible for dinghies and canoes using the roller slipway on the side of the weir. Beyond its junction with the Kennet and Avon Canal, the Avon flows through Keynsham towards Bristol. For much of its course after leaving Wiltshire, it marks the traditional boundary between Somerset and Gloucestershire. For most of this distance the navigation makes use of the natural riverbed, with six locks overcoming a rise of 30 feet (9 m). From Bath to Netham Lock where it divides into the New Cut and the Floating Harbour is 12 miles (19 km). The stretch is made navigable by the use of locks and weirs. In the centre of Bath it passes under various bridges including the Midland Bridge which was originally built by the Midland Railway Company to allow the Somerset and Dorset Joint Railway access to and from its Green Park Terminus Station. In November 2011 the navigation between Bath and Bristol was closed because of safety concerns about Victoria Bridge. Weston Lock on the outskirts of Bath is in what now forms the Newbridge area. Weston Cut is a man made channel, opened in 1727, for boats to approach and pass through Weston Lock; the island created between the cut and the river weir became known as Dutch Island after the owner of the brass mill established on the riverside in the early 18th century. Kelston Lock and weir have permanent moorings above and below them. The Riverside Inn and Saltford Marina are also close by. Saltford Lock and weir are overlooked by the remains of the Kelston Brass Mill, which was working until 1925. It is a Grade II listed building. Alongside the lock is a pub, whose garden extends over the lock to the small island between the lock and weir. The lock was opened in 1727 and destroyed in 1738 by rival coal dealers to stop the use of the river for transportation. In its heyday, between 1709 and 1859, Swineford had an active brass and copper industry around Swineford Lock, served by the river which also provided water power for the cloth industry, as did the River Boyd, a tributary which flows into the Avon near Bitton. Keynsham Lock opened in 1727. Just above the lock are visitor moorings and a pub, on an island between the lock and the weir. The weir side of the island is also the mouth of the River Chew. Hanham is the last tidal lock, after which the river is joined by Brislington Brook. Netham Lock is the point at Netham in Bristol at which boats from the Avon gain access to Bristol's floating harbour. Construction started in 1804 to build the tidal New Cut, where it is joined by the River Malago, and divert the Avon along the Feeder Canal to the harbour; a system designed and built by William Jessop and later improved by Isambard Kingdom Brunel. A weir carries the river into the New Cut and boats use the adjacent lock. Access to the harbour is only possible during the day when the lock keeper will open the gates unless the water level in the river between Netham and Hanham is above or below the level of the harbour. Netham Lock and the weir form part of Bristol's flood defence mechanisms. It was announced in December 2008 that they would be upgraded as part of the £11 million City Docks Capital Project. In central Bristol, where the river is tidal, it is diverted from its original course into the New Cut, a channel dug between 1804 and 1809 at a cost of £600,000. The original course is held at a constant level by lock gates (designed by Jessop) and is known as the floating harbour. The harbour is protected by an 1870s replacement for Jessop's locks. This unusual dock has a tentacled plan resulting from its origins as the natural river course of the Avon and its tributaries, the River Frome and Siston Brook, and is intimately entwined with Bristol's city centre as few docks are. As a result of this, the floating harbour is one of the more successful pieces of dockland regeneration, with much of the dockside now occupied by residential, office and cultural premises, and the water area heavily used by leisure craft. The harbour gave the port an advantage by enabling shipping to stay afloat rather than grounding when the tide went down. Downstream of central Bristol, the river passes through the deep Avon Gorge, spanned by Brunel's Clifton Suspension Bridge: the river is tidal and is navigable by seagoing vessels at high tide but dries to a steep-sided muddy channel at low tide. It was largely the challenge of navigating this section that sealed the fate of the floating harbour as commercial docks and saw them replaced by docks at Avonmouth where the Avon joins the Severn Estuary. Before reaching its mouth, the Avon is joined by the River Trym at Sea Mills which was the site of Portus Abonae, a Roman port. Shortly after, it passes the village of Pill on the south bank where the Pill Hobblers were based in order to tow ships up the river to Bristol and where yachts and other boats still have moorings in Chapel Pill and Crockerne Pill. It then passes under the Avonmouth Bridge which carries the M5 motorway. The main span is 538 ft (164 m) long, and the bridge is 4,554 ft (1,388 m) long, with an air draught above mean high water level of 98.4 ft (30 m). The river then serves two major dock areas. The Royal Portbury Dock is on the southern side of the mouth of the river. The deepwater dock was constructed between 1972 and 1977, and is now a major port for the import of motor vehicles. The Royal Portbury Dock has the largest entrance lock into any UK port, accommodating vessels up to 41 m (135 ft) beam, 290 m (951 ft) length and 14.5 m (48 ft) draft. The Avonmouth Docks are on the north side of the river and are one of the UK's major ports for chilled foods, especially fruit and vegetables. The first dock at Avonmouth, Avonmouth Old Dock, was opened in 1877 and acquired by Bristol Corporation in 1884. In 1907, a much larger dock, the Royal Edward Dock, was opened. The docks form part of the Port of Bristol and were operated by the Port of Bristol Authority, part of Bristol City Council, until 1991 when the council granted a 150-year lease to the Bristol Port Company. Pilotage is provided by Bristol Pilots LLP who supply authorised pilots for the River Avon and Bristol City docks, as well as the Severn estuary and the Bristol channel; they are based at Avonmouth Docks. Hydrology and water quality At Great Somerford the Avon has a mean flow rate of 3.355 cubic metres per second (118.5 cu ft/s), and a typical river level range between 0.16 metres (6.3 in) and 0.74 metres (2 ft 5 in) with a highest level of 2.43 metres (8 ft 0 in). At Melksham the Avon has a mean flow rate of 6.703 cubic metres per second (236.7 cu ft/s). December 2013 was the highest level recorded at Bradford on Avon when the level reached 3.42 metres (11.2 ft) with a normal range at the monitoring station being 1.01 metres (3 ft 4 in) to 1.40 metres (4 ft 7 in). At Bathford the highest river level was also in December 2013 when it reached 4.41 metres (14.5 ft) while the normal range is 0.75 metres (2 ft 6 in) and 1.60 metres (5 ft 3 in), with a flow rate of 18.274 cubic metres per second (645.3 cu ft/s). In Bath at St James, which is 180 metres (590 ft) upstream of Pultney Weir the mean flow is 20.466 cubic metres per second (722.7 cu ft/s), with a similar flow (20.984 cubic metres per second (741.0 cu ft/s)) downstream of the weir. At the Destructor Bridge in Bath the typical height range is 0.40 metres (1 ft 4 in) to 0.81 metres (2 ft 8 in) with a high of 1.64 metres (5 ft 5 in) also in December 2013. At Saltford the range is 0.46 metres (1 ft 6 in) to 1.41 metres (4 ft 8 in) with a highest recording of 2.31 metres (7 ft 7 in) on 24 December 2013. At Keynsham the typical range is between 0.23 metres (9.1 in) and 2.09 metres (6 ft 10 in). The highest was on 25 December 2013 when it reached 5.36 metres (17.6 ft). At Netham Weir where the new cut carries the flow away from Bristol Harbour the typical range for the depth of the river is 0.15 metres (5.9 in) to 0.84 metres (2 ft 9 in) with the highest ever recorded being 3.22 metres (10.6 ft). For the purpose of water quality monitoring and improvement the river is divided into several catchment management areas; South of Malmesbury, Bristol Avon Rural and Bristol Avon Urban. In the rural area 22 water bodies are classified as good, 46 as moderate and 8 as poor. The main reasons for not achieving good scores are pollution from waste water, agriculture and rural land management. In the urban area one water body is rated good, while 12 are rated moderate and one is poor. The pollution from upstream is added to by the effects of industry, manufacturing and other businesses and is significantly affected by physical modifications to the water course. Within the catchment area there are 137 river water bodies and 6 lakes; of these 22 per cent of rivers are rated as good ecological status, 40 per cent good for chemical status and 31 per cent good for biological status. Conservation areas The river is important for its dragonfly communities, with a strong population of scarce chaser (found in only six other areas in England), together with a strong population of white-legged damselfly. red-eyed damselfly is also found. The river is also important for aquatic plants, including Loddon pondweed. The Kellaways – West Tytherton Site of Special Scientific Interest, 3 miles (4.8 km) north east of Chippenham, is of geological interest as the river bank exposes Callovian highly-fossiliferous sandstone which contains well-preserved bivalves, gastropods, brachiopods, belemnites and ammonites. Further downstream at Newton St Loe the Newton St Loe SSSI is another Geological Conservation Review SSSI. It represents the only remaining known exposure of fossiliferous Pleistocene gravels along the River Avon. In conjunction with other sites within the wider area, it has aided the development of a scientific understanding of the history of early glaciation within South West England. The bodies of mammoths (Mammuthus) and horses (Equus) have been found at the site. The Avon Gorge has been designated as a Site of Special Scientific Interest because it supports some rare fauna and flora, including species unique to the gorge. There are a total of 24 rare plant species and two unique trees: the Bristol and Wilmotts's whitebeams. Other notable plants include Bristol rock-cress, Bristol onion, spiked speedwell, autumn squill and honewort. Other areas along the river which have this designation include Bickley Wood, Cleeve Wood, Hanham for its large population of Bath asparagus (Ornithogalum pyrenaicum). Stidham Farm near Keynsham contains at least At least 2 metres (7 ft) of Pleistocene terrace-gravels, consisting of limestone clasts mainly, but also with Millstone Grit, Pennant Sandstone, flint and chert clasts. The site is of considerable importance for studies relating to the possible glaciation of the area, and of the terrace stratigraphy, particularly as it is one of only two accessible terrace deposits in this part of the Avon valley. Newton St Loe SSSI is also listed for geological reasons as it represents the only remaining known exposure of fossiliferous Pleistocene gravels along the River Avon. In conjunction with other sites within the wider area, they have aided the development of a scientific understanding of the history of early glaciation within South West England. At Horseshoe Bend, Shirehampton the wooded cliff and a narrow salt marsh are supported by rocks of Devonian age Old Red Sandstone and Carboniferous Limestone, overlain by with Triassic dolomitic conglomerate. The site's principal interest and the reason for its designation as an SSSI is the presence of a population of the true service-tree (Sorbus domestica) growing on the cliffs. This tree is nationally rare in Britain, and this site hosts the largest known population in England. Other notable species of Sorbus here are the whitebeams Sorbus eminens and Sorbus anglica, both of which are also nationally rare in Britain. The nationally scarce large-leaved lime (Tilia platyphyllos) also occurs, and herbs include field garlic (Allium oleraceum) and pale St. John's-wort (Hypericum montanum). The saltmarsh vegetation, which lies at the base of the cliff, is predominantly made up of sea aster (Aster tripolium) and English scurvygrass (Cochlearia anglica). There are however two nationally scarce vascular plant species here as well – slender hare's-ear (Bupleurum tenuissimum) and long-stalked orache (Atriplex longipes). The tidal reaches of the River Avon provide habitat for waterbirds, with 64 species having been recorded up to 2004, including 21 species of shorebird, and 13 species of gull. Authorities A catchment board for the Avon was created by the Land Drainage Act 1930 and became the Bristol Avon River Board under the River Boards Act 1948; the board was in turn replaced by the Bristol Avon River Authority under the Water Resources Act 1963. Twenty-five minor watercourses were added to the Authority's jurisdiction in 1973. Reorganisation in 1974, under the Water Act 1973 brought the Avon catchment into a new regional body, the Wessex Water Authority. Privatisation saw responsibility for the catchment pass to the National Rivers Authority on its formation on 1 September 1989. In 1996 the authority became part of the Environment Agency. Navigation conservancy in the lower river from Avonmouth to the lock at Hotwells is the responsibility of The Bristol Port Company as both statutory and competent harbour authority. Navigation within Bristol's floating harbour is retained by Bristol City Council as statutory and competent harbour authority. History The distribution of archaeological finds suggests that the western end of the river between Bath and Avonmouth formed a border between the Dobunni and Durotriges during the late Iron Age, prior to the Roman conquest of Britain. Further east, between Bath and what is now Wiltshire, it may also have formed a border of the territory ruled by the Belgae. After the Roman occupation the river formed a boundary between the lands of the Hwicce (which became Mercia) and the kingdom of Wessex. The river Avon had been navigable from Bristol to Bath during the early years of the 13th century but construction of mills on the river forced its closure. The floodplain of the Avon, on which the city centre of Bath is built, has an altitude of about 59 ft (18 m) above sea level. The river, once an unnavigable series of braided streams broken up by swamps and ponds, has been managed by weirs into a single channel. Periodic flooding, which shortened the life of many buildings in the lowest part of the city, was normal until major flood control works were completed in the 1970s. The Bristol Avon Navigation, which runs the 15 miles (24 km) from the Kennet and Avon Canal at Hanham Lock to the Bristol Channel at Avonmouth, was constructed between 1724 and 1727, following legislation passed by Queen Anne, by a company of proprietors and the engineer John Hore of Newbury. The first cargo of 'Deal boards, Pig-Lead and Meal' arrived in Bath in December 1727. It is now administered by the Canal & River Trust. Throughout Bristol's history the Avon Gorge has been an important transport route, carrying the River Avon, major roads and two railways. The Bristol Channel has a very high tidal range of 15 metres (49 ft), second only to Bay of Fundy in Eastern Canada; and the gorge is relatively narrow and meandering, making it notoriously difficult to navigate. Several vessels have grounded in the gorge including the SS Demerara soon after her launch in 1851, the schooner Gipsy in 1878, the steam tug Black Eagle in 1861 and the Llandaff City. In 1877, Halfpenny Bridge, a pedestrian toll bridge crossing the river from Bath Spa railway station to Widcombe, collapsed with the loss of about 10 lives amongst a large crowd going to the Bath and West Agricultural show. The Avon has flooded several times in its recorded history. These floods include the one in 1799/1800 damaging Pulteney Bridge. Various points along the river including the valley around Freshford are at risk of fluvial flooding, as a result of sediment entering the river and narrowing the channel. To help cope with this some areas on the banks of the river are designated as a functional floodplain to cope with increased flow volumes. The potential changes to weather patterns as a result of climate change suggest that further measures are likely to be needed to protect the population from flooding risk. A tidal surge, combined with high water levels from the flooding of the surrounding area caused flooding in the city of Bristol. Route and points of interest See also Other Rivers Avon Photograph of the Clifton Suspension Bridge from Brunel Way Photograph of the estuary at Avonmouth Rivers of the United Kingdom Wife of Bath References External links Media related to River Avon, South-West England at Wikimedia Commons Bristol Avon Rivers Trust
River_Marden
https://en.wikipedia.org/wiki/River_Marden
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[ "https://en.wikipedia.org/wiki/River_Marden" ]
The River Marden is a small tributary of the River Avon in England. It flows from the hills surrounding Calne and meets the Avon about a mile upstream of Chippenham. The river has a mean flow of 43 cubic feet per second (1.2 m3/s). Course The Marden rises just north of the valley of Ranscombe Bottom near Calstone Wellington in Wiltshire. It then flows in a north-west direction through the Blackland area, where it forms a small ornamental lake at Blackland House, and on to Quemerford, where it is joined on the right bank by the Rivers Brook. In Calne, the Abberd Brook joins on the right. The river turns in a westerly direction and is joined by the overspill from Bowood Lake, part of the Bowood House estate, on the left at Studleybrook Farm. The river is then joined by the combined Fisher's and Cowage brooks before turning to the north-west, past the village of Stanley. 1.5 miles (2.4 km) later it joins the Bristol Avon to the north-east of Chippenham. History The Domesday survey of England in 1086 records four watermills on the Marden at Calne. In the 18th century four fulling mills are recorded and one of these, Upper Mill, became a paper mill in 1768 and continued in operation until 1860. Hassell's Mill at Studley remained in operation until 1960. A branch of the Wilts & Berks Canal, opened in 1810, paralleled the course of the Marden west of Calne. The canal was closed in 1914 following the collapse into the river of the Stanley aqueduct in 1901. Traces of the canal and its towpath survive. Hydrology The Environment Agency gauging station at Stanley has measured the mean flow of the river as 43 cubic feet per second (1.2 m3/s), with a maximum recorded flow of 1,529 cubic feet per second (43.3 m3/s) on 30 October 2000 and a minimum of 3.9 cubic feet per second (0.11 m3/s) on 21 August 1976. == References ==
Joe_Frans_(politician)
https://en.wikipedia.org/wiki/Joe_Frans_(politician)
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[ "https://en.wikipedia.org/wiki/Joe_Frans_(politician)" ]
Joe Frans (born Kojo Frans in Takoradi, Ghana) is a Swedish politician of Ghanaian descent, social activist, board professional and former member of parliament. Career Joe Frans came to Sweden to attend university. During his studies he met his wife and became involved with politics. Frans has a diploma in Communications and has been the producer of the TV-show Sweden Today. He has also been CEO of Sweden Now AB and Skandinavisk Video Teknik AB, companies trading TV-broadcast rights. For many years he worked as a Senior Political Advisor to the Deputy Mayor of Stockholm and as Press Secretary to the Mayor of Stockholm. He then stepped into national political arena and served as a member of the Swedish Parliament 2002–2006. In the Parliament he served on Committee on Justice and European Union Committee. When the Social Democratic Party lost power in 2006, Frans lost his seat in Parliament. Current Appointments Today has several public appointments. He is a member of the University of Stockholm board and the Swedish National Police Board. Joe Frans is also the Chairperson of Forumsyd, the Social Democratic party in Vällingby district, Broderskapdistriktet (a Christian Socialdemocratoc organization) and Rinkeby folketshus. Frans is the founder and CEO of Next Generation Africa and NGA Novum AB. He has also served as an Independent Expert for the United Nations Human Rights Council, Working Group of Experts on People of African Descent. Frans initiated the Swedish Martin Luther King Prize in 2005. == References ==
Languages_of_Ghana
https://en.wikipedia.org/wiki/Languages_of_Ghana
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[ "https://en.wikipedia.org/wiki/Languages_of_Ghana" ]
Ghana is a multilingual country in which about eighty languages are spoken. Of these, English, which was inherited from the colonial era, is the official language and lingua franca. Of the languages indigenous to Ghana, Akan is the most widely spoken in the south. Dagbani, Dagare, Sisaala, Waale, and Gonja are among the most widely spoken in the northern part of the country. Ghana has more than seventy ethnic groups, each with its own distinct language. Languages that belong to the same ethnic group are usually mutually intelligible. The Dagbanli, Nanumba and Mamprusi languages of Northern Region, are almost the same and, are mutually intelligible with the Frafra and Waali languages of the Upper East and Upper West Regions of Ghana. The Mole–Dagbani languages are spoken by more than 20% of the population. Eleven languages have the status of government-sponsored languages: three Akan ethnic languages (Akuapem Twi, Asante Twi and Fante) and two Mole–Dagbani ethnic languages (Dagaare and Dagbanli). The others are Ewe, Dangme, Ga, Nzema, Gonja, and Kasem. In April 2019, the Ghanaian government declared its intention to make French one of Ghana's official languages due to the country being surrounded by Francophone countries (Burkina Faso to a lesser extent, the Ivory Coast and Togo) and the presence of a French speaking minority in the country. Government-sponsored languages The number of government-sponsored languages is either eleven or nine, depending on whether or not Akuapem Twi, Asante Twi, and Fante are considered a single language. They are supported by the Bureau of Ghana Languages, which was established in 1951 and publishes materials in the languages; during the periods when Ghanaian languages were used in primary education, these were the languages which were used. All these languages belong to the Niger–Congo language family, though to several different branches. Akan (Fante, Asante Twi and Akuapem Twi) Akan, part of the Kwa branch of the Niger–Congo family, is a dialect continuum, but with regard to official status, only a few out of the many varieties of Akan are recognised: Fante, Asante Twi, Akuapem Twi. Taken as a whole, Akan is the most-widely spoken language in Ghana. Ewe Ewe is a Gbe language, part of the Volta–Niger branch of the Niger–Congo family. The Ewe Language is spoken in Ghana, Togo and Benin with a trace of the language in West Nigeria. Out of the many dialects of Ewe spoken in Ghana, the major ones are Anlo, Tongu, Vedome, Gbi, and Krepi. Dagbani Dagbani is one of the Gur languages. It is the most spoken language in Northern Ghana. The number of native speakers numbers more than three million, This number will reach six million if dialects such as Nanumba, Mamprusi and Kamara are added. It belongs to the larger Mole–Dagbani ethnic group found in Ghana and makes up about 18.5% of the population. It is spoken by Dagombas in the Northern Region of Ghana. Dangme Dangme is one of the Ga–Dangme languages within the Kwa branch. It is spoken in Greater Accra, in south-east Ghana and Togo. Dangme is a West African Kwa language spoken in Ghana, and it has been gaining popularity among Ghana residents. Dagaare Dagaare is another of the Gur languages. It is spoken in the Upper West Region of Ghana. It is also spoken in Burkina Faso. Waali, spoken by the Wala people, and the Dagaare language are languages that can be understood by each other's speakers. Ga Ga is the other Ga–Dangme language within the Kwa branch. Ga is spoken in south-eastern Ghana, in and around the capital Accra. It is a Niger-Congo language in the Kwa branch, spoken by around 600,000 people in Ghana. Six separate towns comprised the Ga-speaking peoples: Accra, Osu, Labadi, Teshi, Nungua, and Tema. Each town had a central stool of importance in Ga traditions. Accra, among these towns, rose to prominence and now serves as Ghana's capital. Nzema Nzema is one of the Bia languages, closely related to Akan. It is spoken by the Nzema people in the Western Region of Ghana. It is also spoken in the Ivory Coast. Nzema, also known as Appolo, is mainly spoken in Ghana's Jomoro district and Ivory Coast's Comoé district. In 2004, it had around 330,000 speakers. The Nzema language utilizes a Latin-based script and comprises a total of twenty-four alphabetic characters. Kasem Kasem is a Gurunsi language, in the Gur branch. It is spoken in the Upper Eastern Region of Ghana. It is also spoken in Burkina Faso. By 1998, Kasem had around 250,000 speakers, divided between Ghana (130,000) and Burkina Faso (120,000). It's alternatively known as Kasena, Kasim, Kassem, Kasɩm, or Kassena. Gonja Gonja is one of the Guang languages, part of the Tano languages within the Kwa branch along with Akan and Bia. It is spoken in the Northern Region of Ghana and Wa. "Gonja" comes from "Kada Goro-Jaa" in Hausa, signifying "land of Red Cola." Ghana has over 285,000 Gonja people. Languages spoken in Ghana by number of speakers This chart reflects data provided by Ethnologue. Language classification The language of Ghana belong to the following branches within the Niger–Congo language family: Kwa languages (Akan, Bia, Guang in Tano; Ga and Adangme) Gbe languages (Ewe) Gur languages (Gurunsi, Dagbani, Mossi, Dagaare, and Frafra in Oti–Volta) Senufo languages (Nafaanra) Kulango languages Mande languages (Wangara, Ligbi) Older classifications may instead group them as Kwa, Gur, and Mande. See also Ghana Demographics of Ghana Ghanaian English References External links Ethnologue listing for Ghana Ethnologue map of languages in Ghana Owu-Ewie, Charles. 2006. The Language Policy of Education in Ghana: A Critical Look at the English-Only Language Policy of Education. In Selected Proceedings of the 35th Annual Conference on African Linguistics, ed. John Mugane et al., 76-85. Somerville, MA: Cascadilla Proceedings Project. PanAfrican L10n wiki page on Ghana L'aménagement linguistique dans le monde page on Ghana GhanaWeb
Trans%E2%80%93West_African_Coastal_Highway
https://en.wikipedia.org/wiki/Trans%E2%80%93West_African_Coastal_Highway
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[ "https://en.wikipedia.org/wiki/Trans%E2%80%93West_African_Coastal_Highway" ]
The Trans–West African Coastal Highway or TAH 7 is a transnational highway project to link 12 West African coastal nations, from Mauritania in the north-west of the region to Nigeria in the east, with feeder roads already existing to two landlocked countries, Mali and Burkina Faso. The eastern end of the highway terminates at Lagos, Nigeria. Some organizations such as the Economic Community of West African States (ECOWAS) consider its western end to be Nouakchott, Mauritania, and others such as the United Nations Economic Commission for Africa consider it to be Dakar, Senegal, giving rise to these alternative names for the road: Nouakchott–Lagos Highway Lagos–Nouakchott Highway Dakar–Lagos Highway Lagos–Dakar Highway Trans-African Highway 7 in the Trans-African Highway network. Route and status Overall length and condition The length of the route is 4,560 kilometres (2,833 mi) of which 83% or 3,777 km (2,347 mi) has been paved according to African Union (AU) documents, or 4,010 km (2,492 mi) with 3,260 km (2,026 mi) paved, according to African Development Bank (ADB) reports (which do not include the Nouakchott-Dakar section of about 570 km (354 mi)). There are about 9 unpaved sections, but some paved sections require reconstruction. All are two-lane highways with the exception of short four-lane highways in the eastern third of the route. The ADB reports published in 2003 say that 32% of the highway is in poor condition, 9% is good and 59% is fair. Reconstruction of the segment in Lagos, Nigeria began in 2010, and when it is complete that section will be ten lanes wide. Managing authorities The highway is a project of ECOWAS and the New Partnership for Africa’s Development (NEPAD) of the AU, with funding from the African Development Bank. The route is Trans Africa Highway No. 7 (TAH7) in the International Road Federation's list of nine highways which it regards as priorities for a Trans-Africa Highway network. Route The cities and countries served, and status of the road are as follows. Please note that a paved alternate route Dakar-Bamako-Abidjan (shown in black on map) is more practical. Information about construction required is from two sources: the ECOWAS website, undated document, and the ADB website, consultancy report date August 2003. Note: 'spur' indicates the city is on a spur off the main alignment of the highway, 'existing' could mean a pre-existing national road has been adopted for the route or a section has been newly constructed. Nouakchott, Mauritania – existing to: Dakar (spur), Senegal – existing, to: Banjul, The Gambia – existing, some sections with pavement missing, through The Gambia then southern Senegal to: Bissau, Guinea-Bissau – existing to Quebo, with a short new section required to the Guinea border where a major bridge over the Kogon River was planned for construction to start in 2004; a new 89 km (55 mi) section in Guinea is needed from the border to Boké; in Guinea, Boké to Conakry (spur) and the Sierra Leone border is existing; in Sierra Leone reconstruction has been completed, there is a new bridge over the Moa River to Zimmi, continuing to the Liberian border; in Liberia, the section though Monrovia inland to Ganta is existing, with a new section required of about 70 km (43 mi), Ganta-Sanniquellie-Kahnple-Côte d'Ivoire border; in Côte d'Ivoire a new section is needed from the Liberian border through to Danané, while the road from there through Man, Yamoussoukro and Abidjan to the Ghanaian border is complete: in Ghana the road is existing through Cape Coast and Accra to the border with Togo, and 31 km (19 mi) east from Akatsi to Dzodze has been replaced by a new road parallel to the old; the 80 km (50 mi) through Togo has been replaced by a new road by-passing Lomé on the north side; the Benin section through Cotonou and Porto Novo is existing to the Nigerian border: about 60 km (37 mi) from the border to Lagos, Nigeria is existing. Notes Between Monrovia and Abidjan the highway departs from the coastal route and goes as much as 400 km (249 mi) inland. Originally it was planned to follow the coast, and to this end Côte d'Ivoire built a paved road west of Abidjan along its coast to Tabou, near the Liberian border. However Liberia did not build any paved highways along its coast to Monrovia, and later adopted the inland route. The eastern third of the route spanning Côte d'Ivoire, Ghana, Togo, and Benin to Lagos is the longest existing section and probably the oldest, and the most used by traffic, to the extent that it became worn out and congested, leading to the need to construct new parallel by-passes along sections in Togo and in south-eastern Ghana. The longest sections of earth roads needing to be paved, or missing entirely, are in Guinea, Sierra Leone and Liberia, the last two both still recovering from years of civil war. Feeder roads and other transnational highways Bamako, Mali and Ouagadougou, Burkina Faso (the two landlocked countries of ECOWAS) are already linked to the coastal highway by paved highways to Abidjan, Accra and Lomé. Lagos is linked via the largest network of paved highways in West Africa, the national road network of Nigeria, with links to the neighbouring countries of Niger, Chad and Cameroon. The Trans-Sahelian Highway is another ECOWAS project running parallel to the coastal highway linking the Sahelian countries of West Africa from Dakar to Ndjamena, Chad. Two other transnational roads are also under development from Lagos to link to the Trans–West African Coastal Highway: TAH 2 (Trans-Sahara Highway) to Algiers, Algeria, most of which is already paved. TAH 8 (Lagos-Mombasa Highway), which still requires a long paved section through the Democratic Republic of the Congo. The Trans–West African Coastal Highway could then be regarded as the western end of a route spanning the continent from its western extremity virtually to its eastern extremity for a total distance of 10,269 km (6,381 mi). See also Trans-African Highway network Trans-Sahara Highway Trans-Sahelian Highway Cairo-Dakar Highway == References ==
Kente_cloth
https://en.wikipedia.org/wiki/Kente_cloth
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[ "https://en.wikipedia.org/wiki/Kente_cloth#cite_note-CNN-2020-06-08-18" ]
Kente refers to a Ghanaian textile made of hand-woven strips of silk and cotton. Historically the fabric was worn in a toga-like fashion by royalty among the Ashanti and Akan. According to Ashanti oral tradition, it originated from Bonwire in the Ashanti region of Ghana. In modern day Ghana, the wearing of kente cloth has become widespread to commemorate special occasions, and kente brands led by master weavers are in high demand. Kente is also worn in parts of Togo and Ivory Coast by the Ewe and Akan people there. Due to the popularity of kente cloth patterns, production of mass-produced prints with the kente patterns have become popular throughout West Africa, and by extension the whole of Africa. Globally, the print is used in the design of academic stoles in graduation ceremonies. Etymology Kente comes from the word kɛntɛn, which means "basket" in the Asante dialect of the Akan language, referencing its basket-like pattern. In Ghana, the Akan ethnic group also refers to kente as nwentoma, meaning "woven cloth". Ashanti folklore includes a story where weavers invented kente by seeking to replicate the patterns of Anansi the spider. History West African cultures have been weaving textiles for thousands of years. Archaeological evidence for the oldest form of handloom weaving in Southern Ghana has been discovered at Begho and Bono Manso. Spindle whorls and dye holes discovered in these sites have been dated to the 14th–18th centuries. At Wenchi, spindle whorls have been dated to the 16th–17th centuries. Asante oral tradition give the origins of Kente to an individual from Bonwire who introduced a loom among the Asante from Bono Gyaman during the reign of Nana Oti Akenten in the 17th century. Another oral source states that it was developed indigenously by individuals from Bonwire during the reign of Osei Kofi Tutu I, who were inspired by the web designs of a spider. In the 18th century, Asantehene Opoku Ware I was documented by Danish agents Nog and L.F. Rømer, to have encouraged expansion in craft work. The Asantehene set up a factory during his reign to innovate weaving in the Ashanti Empire. This was the early stages of Kente production. The Danish agents described the operations of the factory as: Some of his subjects were able to spin cotton, and they wove bands of it, three fingers wide. When twelve long strips were sewn together it became a "Pantjes" or sash. One strip might be white, the other one blue or sometimes the was a red among them...[Asantehene] Opoke [Ware] bought silk taffeta and materials of all colours. The artists unravelled them. By the late 18th and early 19th centuries, Kente made out of silk was fully developed in Ashanti. In 1817, Thomas Edward Bowdich noted that weaving in Ashanti had progressed to an extent that cloths were made "in all the varieties of colour, as well as pattern, [and] they were of an incredible size and weight." The word "Kente" might have been applied by the Fante traders to Ashanti fabrics. Ewe version of Kente is made out of double-woven bands. According to oral tradition, Ewe weaving goes back to the 16th century when weavers were among the migrants who resettled in Ghana from Benin Republic and Western Nigeria. In the 18th century Keta became the centre of weaving among Ewe migrants who had settled in Southern Ghana. The earliest description of weaving among the southern ewe was from a report in 1718 by a Dutch West India Company official during his visit to Keta. By 1881, weaving was a prominent industry among the northern Ewe who had migrated north of the Volta River. Production Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending on the production style. For authentic kente, the towns of Bonwire, Sakora Wonoo, Ntonso, Safo and Adawomase are noted for kente weaving, and are located in the Ashanti region. Weaving is done on a wooden loom in which multiple threads of dyed fabric are pressed together. Weavers are typically apprenticed under a master weaver or company for a number of years before producing their own patterns. Rolls of cloth are then imprinted with a brand to signify authenticity. Gender has an influence on cloth production. Weaving kente is traditionally considered a male practice. Characteristics There exist hundreds of different kinds of kente patterns. Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name. Names are derived from several sources, including proverbs, historical events, important chiefs, queen mothers, and plants. The cloth symbolizes high value. Ahwepan refers to a simple design of warp stripes, created using plain weave and a single pair of heddles. The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. Example messages include adweneasa, which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft-based patterns woven into every available block of plain weave. Because of the intricate patterns, adweneasa cloth requires three heddles to weave. Symbolic meanings of the colors Black: maturation, intensified spiritual energy, spirits of ancestors, passing rites, mourning, and funerals Blue: peacefulness, harmony, and love Green: vegetation, planting, harvesting, growth, spiritual renewal Gold: royalty, wealth, high status, glory, spiritual purity Grey: healing and cleansing rituals; associated with ash Maroon: the color of mother earth; associated with healing Pink: associated with the female essence of life; a mild, gentle aspect of red Purple: associated with feminine aspects of life; usually worn by women Red: political and spiritual moods; bloodshed; sacrificial rites and death. Silver: serenity, purity, joy; associated with the moon White: purification, sanctification rites and festive occasions Yellow: preciousness, royalty, wealth, fertility, beauty Controversy In June 2020, Democratic Party leaders in the United States caused controversy by wearing stoles made of kente cloth to show support against systemic racism. While it was said to be an act of unity with African-Americans, many, including Jade Bentil, a Ghanaian-Nigerian researcher, voiced objection tweeting "My ancestors did not invent Kente cloth for them to be worn by publicity (obsessed) politicians as 'activism' in 2020". On the other hand Congressional Black Caucus chair Karen Bass said, at a news conference for the introduction of the Justice in Policing Act of 2020, that the non-black lawmakers were showing solidarity, and April Reign, who is credited with initiating the #OscarsSoWhite hashtag, while not a fan of the symbolism, suggested that the legislation's fate is more relevant than the event in the Capitol's Emancipation Hall. There is also a controversy with Louis Vuitton's usage of a printed and monogrammed version of kente in their autumn-winter 2021 collection by American creative director Virgil Abloh, whose grandmother was Ghanaian. Additionally, questions of ownership of the woven craft, its image, and location of ateliers of production of kente. To this question of cultural appropriation, Abloh's response to the press in 2020 was: "Provenance is reality; ownership is a myth. In the same way, we cannot control our inspirations, we cannot trade-mark natural or cultural heritage as contemporary artistic territory." This coincided with the first appearance of this design of kente cloth printed on a dress worn by American poet Amanda Gorman for the cover of Vogue's May 2021 issue. References Bibliography Boateng Boatema (2011). The Copyright Thing Doesn't Work Here: Adinkra and Kente Cloth and Intellectual Property in Ghana. U of Minnesota Press. ISBN 978-0-8166-7002-4. Colleen E. Kriger (2006). Cloth in West African History. Rowman Altamira. ISBN 978-0-7591-0422-8. External links African fabric and fashion Kente Cloth Style Collections National Folklore Board (Ghana)
Niland_brothers
https://en.wikipedia.org/wiki/Niland_brothers
[ 170 ]
[ "https://en.wikipedia.org/wiki/Niland_brothers" ]
The Niland brothers were four American brothers from Tonawanda, New York, who served in the military during World War II. They were sons of Mr. and Mrs. Michael C. Niland. Two survived the war but, for a time, only one, Frederick "Fritz" Niland, was believed to have survived. After the reported deaths of his three brothers, Fritz was sent back to the United States to complete his service, and only later learned that his brother Edward, missing and presumed dead, was captive in a Japanese POW camp in Burma. Brothers Technical Sergeant Edward Francis Niland (December 22, 1912 – February 28, 1984), U.S. Army Air Forces: Imprisoned in a Japanese POW camp in Burma, he was captured on May 16, 1944, and liberated on May 4, 1945. After Edward's B-25 Mitchell was hit, he parachuted and wandered through the Burmese jungle before being taken prisoner. Edward lived in Tonawanda until his death in 1984 at the age of 71. Second Lieutenant Preston Thomas Niland (March 6, 1915 – June 7, 1944), 29, 22nd Infantry Regiment, 4th Infantry Division, was killed in action on June 7, 1944, in Normandy, at the Crisbecq Battery. Technical Sergeant Robert Joseph "Bob" Niland (February 2, 1919 – June 6, 1944), 25, D Company, 505th Parachute Infantry Regiment, 82nd Airborne Division was killed in action on June 6, 1944, in Normandy. He volunteered to stay behind with Corporal James Kelly and hold off a German advance while his company retreated from Neuville-au-Plain. He was killed while manning his machine gun; Corporal James Kelly survived. Sergeant Frederick William "Fritz" Niland (April 23, 1920 – December 1, 1983), H Company, 501st Parachute Infantry Regiment, 101st Airborne Division: Fritz was close friends with Warren Muck and Donald Malarkey, from E Company, 506th Parachute Infantry Regiment, 101st Airborne Division. Fritz fought through the first few days of the Normandy campaign. Nine days following D-Day, Fritz had gone to the 82nd Airborne Division to see his brother, Bob. Once he arrived at division, he was informed that Bob had been killed on D-Day. Fritz was shipped back to England, and finally, to the U.S., where he served as an MP in New York until the completion of the war. Fritz was awarded a Bronze Star for his service. This story is evidenced in Stephen Ambrose's book Band of Brothers, as well as from biographical data on Francis L. Sampson. Private James Ryan in the film Saving Private Ryan is loosely based on him. Fritz died in 1983 in San Francisco at the age of 63. Fritz married Marilyn Hartnett Batt and they had two daughters, Catherine (Cate) and Mary. Memorials In popular culture Steven Spielberg's 1998 film Saving Private Ryan is loosely based on the brothers' story. See also Bixby letter Borgstrom brothers Sullivan brothers Rogers brothers Brothers von Blücher, Germany's counterparts to the Niland/Sullivan Brothers Cervi Brothers Sole Survivor Policy References External links Saving Private Ryan Online Encyclopedia Saving Private Ryan a real-life drama" by Ron Churchill, University of Buffalo Reporter Saving Private Ryan: pictures behind the scenes at Paratrooper Research Team
Saving_Private_Ryan
https://en.wikipedia.org/wiki/Saving_Private_Ryan
[ 170, 502 ]
[ "https://en.wikipedia.org/wiki/Saving_Private_Ryan#Reception", "https://en.wikipedia.org/wiki/Saving_Private_Ryan" ]
Saving Private Ryan is a 1998 American epic war film directed by Steven Spielberg and written by Robert Rodat. Set in 1944 in Normandy, France, during World War II, it follows a group of soldiers, led by Captain John Miller (Tom Hanks), on a mission to locate Private James Francis Ryan (Matt Damon) and bring him home safely after his three brothers have been killed in action. The cast also includes Edward Burns, Tom Sizemore, Barry Pepper, Giovanni Ribisi, Vin Diesel, Adam Goldberg and Jeremy Davies. Inspired by the books of Stephen E. Ambrose and accounts of multiple soldiers in a single family, such as the Niland brothers, being killed in action, Rodat drafted the script, and Paramount Pictures hired him to finish writing it. The project came to the attention of Hanks and Spielberg, whose involvement, due to their previous successes, secured the project's development. Spielberg wanted to make Saving Private Ryan as authentic as possible and hired Frank Darabont and Scott Frank to do uncredited rewrites based on research and interviews with veterans. The main cast went through a week-long boot camp to help them understand the soldier's experience. Filming took place from June to September 1997, on a $65–70 million budget, almost entirely on location in England and Ireland. The opening Omaha Beach battle was the most demanding scene, costing $12 million to film over a four-week period, and using 1,500 background actors. Saving Private Ryan became one of the year's most successful films, earning critical acclaim for its graphic portrayal of combat. WWII veterans described the combat scenes as the most realistic portrayal of their own experiences they had seen; some said they had been unable to watch it due to their traumatic memories. The film earned $481.8 million, making it the second-highest-grossing film of 1998, and went on to win many accolades, including Golden Globe, Academy, BAFTA, and Saturn awards. Considered one of the greatest films ever made, Saving Private Ryan's battle-scene filming techniques impacted many subsequent war, action, and superhero films, and numerous directors have cited Saving Private Ryan as an influence on them. The picture is credited with having helped to renew interest in WWII at the turn of the century, inspiring other films, television shows, and video games set during the war. In 2014, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant". Plot On June 6, 1944, the U.S. Army lands at Omaha Beach as part of the Normandy invasion, incurring major losses against the artillery and machine gun fire of the heavily fortified German forces. Initially dazed by the chaotic battle, 2nd Ranger Battalion Captain John H. Miller takes command of a surviving group and leads a successful infiltration behind German lines to secure victory. The United States Department of War receives communication that three of four Ryan brothers have been killed in action; the last, James Francis Ryan of the 101st Airborne Division, is listed as missing. General George C. Marshall orders that Ryan be found and sent home, to spare his family the loss of all its sons. Miller is tasked with recovering Ryan and assembles a detachment of soldiers to accompany him: Mike Horvath, Richard Reiben, Adrian Caparzo, Stanley Mellish, Daniel Jackson, Irwin Wade, and interpreter Timothy Upham, who lacks any combat experience. The group tracks Ryan to the town of Neuville-au-Plain, where Caparzo is killed by a German sniper while trying to rescue a young girl. Mourning their friend, the men grow resentful at being forced to risk their lives for one man. They later find James Frederick Ryan, but realize he is the wrong man with a similar name. That evening, the men rest in a chapel, where Miller tells Horvath that his hands began uncontrollably shaking after he joined the war. The men travel to a rallying point where the 101st Airborne might be after landing off course, where they find scores of wounded and displaced soldiers. Wade admonishes Reiben, Mellish, and Jackson for callously searching through a pile of deceased soldiers' dog tags in front of passing troops, hoping to find Ryan's among them and conclude their mission. Remorseful for ignoring their behavior, Miller shouts for anyone who knows Ryan; one deafened soldier tells him that Ryan was reassigned to defend a vital bridge in the town of Ramelle. On the way, Miller decides to neutralize a German gun nest they discover, against the advice of his men, and although they are successful, Wade is killed. The men prepare to execute a surrendered German soldier in revenge, but Upham intervenes, arguing that they should follow the rules of war. Miller releases the soldier, nicknamed "Steamboat Willie", ordering that he surrender to the next Allied patrol. Discontented with the mission, Reiben threatens to desert, leading to a standoff between the men that Miller defuses by revealing his civilian background as a teacher and baseball coach, which he had always refused to disclose. Miller muses that people often guessed his career before he became a soldier, while his men could not, implying that war has changed him, and worries whether he is still the man he was and whether his wife will recognize him. In Ramelle, Miller's detachment finds Ryan and informs him of their mission, but Ryan refuses to abandon his post or his fellow soldiers, believing he does not deserve to go home more than anyone else. Horvath convinces Miller that saving Ryan might be the only truly decent thing they can accomplish during the war. Miller takes command of Ryan's group as the only officer present and prepares the soldiers for a German assault. Jackson and Horvath are killed, and Upham stands paralyzed with fear as Mellish is stabbed to death. Steamboat Willie returns and shoots Miller before reinforcements arrive to defeat the Germans. Upham confronts Willie, who attempts to surrender again, and kills him, before sending the other surrendering Germans away. Upham and Reiben observe as the mortally wounded Miller tells Ryan to earn the sacrifices made to send him home. Decades later, an elderly Ryan and his family visit Miller's grave at the Normandy Cemetery. Ryan expresses that he remembers Miller's words every day, lived his life the best he could, and hopes he has earned their sacrifices. Cast Tom Hanks as John H. Miller: A determined U.S. captain suffering from post-traumatic stress disorder Edward Burns as Richard Reiben: A rebellious soldier Tom Sizemore as Mike Horvath: Miller's long-time friend and second-in-command Jeremy Davies as Timothy Upham: A staff assistant lacking any combat experience, recruited by Miller as a French and German interpreter Vin Diesel as Adrian Caparzo: A battle-hardened and compassionate soldier Adam Goldberg as Stanley "Fish" Mellish: A wisecracking Jewish trooper, and Caparzo's close friend Barry Pepper as Daniel Jackson: A religious sniper Giovanni Ribisi as Irwin Wade: The team's diligent and caring combat medic Matt Damon as James Francis Ryan: A young soldier from Iowa Dennis Farina as Walter Anderson: An American officer who tasks Miller with finding Ryan Ted Danson as Fred Hamill: A captain in the 101st Airborne Division's Pathfinders Harve Presnell as George C. Marshall: The Chief of Staff of the United States Army, who orders the mission to recover Ryan. Bryan Cranston as Mac: A staff officer in the War Department David Wohl as T. E. Sanders: An officer in the War Department Nathan Fillion as James Frederick Ryan: A soldier mistaken for James Francis Ryan (credited as Minnesota Ryan) Paul Giamatti as William Hill: A war-weary sergeant in Neuville Ryan Hurst as Mandelsohn: A hearing-impaired paratrooper Max Martini as Henderson: A soldier in Ryan's company Leland Orser as DeWindt: A lieutenant from the 99th Troop Carrier Squadron The cast also includes Glenn Wrage as Doyle, Corey Johnson as a radioman, John Sharian as Corporal Loeb, and Rolf Saxon as Lieutenant Briggs—Allied soldiers at the Omaha beach landing. Demetri Goritsas and Dylan Bruno portray Parker and Private First Class Toynbe, respectively, who aid in the battle of Ramelle. Joerg Stadler appears as Steamboat Willie, a German prisoner. Amanda Boxer portrays Ryan's mother, while Harrison Young and Kathleen Byron portray the elderly James Ryan and his wife, Margaret. Technical advisor and Marine veteran Dale Dye appears as a War Department colonel. Production Concept Producer Mark Gordon was a fan of writer Robert Rodat's previous work on films such as Tall Tale (1995) and Fly Away Home (1996). The pair met in early 1995 to discuss potential projects and ideas. Within a few weeks, Rodat conceived of Saving Private Ryan. He was inspired by a gift from his wife, the historical book D-Day June 6, 1944: The Climactic Battle of World War II (1994), by Stephen E. Ambrose, recounting the events of the Normandy landings. Rodat visited a monument in Keene, New Hampshire dedicated to American soldiers killed in combat; he noticed the losses included brothers. He said, "The idea of losing a son to war is painful beyond description ... the idea of losing more than one son is inconceivable". The Ryan family was based on the four Niland brothers detailed in Ambrose's book, who were deployed during WWII; two were killed and a third presumed dead; per the Sole Survivor Policy, the fourth was returned from the war. Development To develop Saving Private Ryan, Gordon founded the independent film studio Mutual Film Company, alongside producer Gary Levinsohn. Gordon brought Rodat's draft to Paramount Pictures executives; they responded positively and hired Rodat who wrote the script over the following 12 months. Michael Bay was hired as director, but left the project because he could not resolve how to approach the material. Carin Sage, a junior agent representing Tom Hanks at the Creative Artists Agency, gave the script to Hanks, who was immediately interested and met with Gordon and Levinsohn. Hanks shared the script with Steven Spielberg who agreed to direct because the pair had wanted to work together for some time. Rodat thought that Paramount would cancel the project after the studio purchased two other WWII-era scripts, Combat and With Wings as Eagles, with popular actors Bruce Willis and Arnold Schwarzenegger attached, respectively. However, having secured the involvement of Hanks and Spielberg, two of the highest-paid and most successful actors and directors, Gordon suggested Paramount executives prioritize Saving Private Ryan. Describing what interested him about the project, Spielberg said, "So what you're doing is sending eight people out, all of whom have parents, to rescue one boy and send him back to his mom when any or all of these kids, along the mission route, could be killed. That was the central tug that made me want to tell the story". Spielberg had a lifelong interest in WWII, having made war films as a teenager because "it was the seminal conversation inside my family. My parents talked about the Holocaust and they talked about combat and war. And I was born knowing this. My dad was a veteran ... he had many veterans over to the house, and I became absolutely obsessed ... based on my father's stories, recollections, and also based on all the WWII movies". He described the project as a tribute to his father. With Spielberg on board, DreamWorks Pictures, which he co-founded, became involved as a financier, with his company Amblin Entertainment as a production company. Spielberg's clout effectively removed Gordon and Levinsohn from the production, having no creative input, equity, or rights, but receiving a producer's credit and one-off payment. Levinsohn said, "You just know going in what the score is ... I guess it's unspoken that when you hire [Spielberg] you're not going to be on the set making decisions". DreamWorks hired Ian Bryce to replace them. In April 1997, Sumner Redstone, chairman of Paramount's parent company Viacom, had Spielberg flip a coin to determine the film's distribution rights. Spielberg won the toss, giving DreamWorks the favored North American distribution rights and Paramount the international rights. Earnings were held collectively and split evenly between the studios. In exchange, Paramount received the North American distribution rights to DreamWorks' Deep Impact (1998). To keep the budget low, Spielberg and Hanks took minimal upfront salaries in exchange for a guaranteed 17.5% of the gross profits, equivalent to 35 cents of every dollar earned. Rewrite Spielberg's initial concept for Saving Private Ryan was a Boys' Own–style adventure film in which the search for Ryan was a public relations effort by the war department. However, after interviewing WWII veterans for research, he found this idea inappropriate. He decided to embed the story within a realistic portrayal of actual events while portraying the conflicted morality of sending men into life-threatening situations to save one man. He said, "I cannot tell you how many veterans came up to me ... and said: 'Please be honest about it. Please don't make another Hollywood movie about WWII. Please tell our stories ...'" The surviving Niland family was interviewed, and the story was further influenced by other substantial family war losses, including the five Sullivan brothers killed during WWII, and the Bixby brothers during the American Civil War; the resulting letter by Abraham Lincoln is quoted in the film. Spielberg described existing WWII films as "sanitized" and sentimentalized, focused on depicting honor and the glory of service in a manner that was "very safe and wholly untrue". He wanted to present the courage of the soldiers in the face of "palpable terror, almost blind terror": I remember one of the [veterans] telling me the entire charge up the beach was a blur—not a blur to his memory because he still remembered every single grain of sand when he had his face buried in it from that fusillade raining down on them from above. But he described how everything was not in focus for him. He described the sounds, and he described the vibrations of every concussion of every 88 shell that hit the beach, which gave some of them bloody noses, rattled their ears. The ground would come up and slam into their faces from the concussions." Ambrose served as a historical consultant. He disliked glorified depictions of the Normandy landings that ignored the reality of soldiers slowly dying in mud and water, wanting "their mothers, they wanted morphine. It took a long time." Spielberg believed the legacy of the Vietnam War had made his generation less interested in glorifying combat in film. Even so, he was influenced by early war films such as Battleground (1949), The Steel Helmet (1951), and Hell Is for Heroes (1962). Although Rodat's script came close to the ideal WWII project he had hoped for, he believed it had "a few problems". He hired Frank Darabont and Scott Frank to perform uncredited script rewrites. The scene begins as the second wave of soldiers arrives on Omaha beach (Darabont's suggestion), so they would be walking into "Hell on Earth" instead of empty beaches. Scott Frank performed rewrites based on transcriptions of Spielberg's recorded ideas and two folders of historical facts about the Normandy landings; these gave Frank ideas but he found it difficult to parse the reality of events into original ideas. The Normandy cemetery scene was based on Spielberg's own experience visiting the area as a youth; he witnessed a family accompanying a man who fell to his knees and began to cry at a grave marker. Casting Spielberg wanted older actors for his main cast, claiming that young soldiers would look older than their age under the stresses of war. Miller is the "adult in the story," intended to project a calmness and feeling of safety that is undermined by the character's uncontrollable handshaking. Spielberg wanted Hanks to play Miller because he was the only actor he thought of who would not "want to use his teeth to pull out a pin from a hand grenade". Hanks formed Miller's character based on the history of the 2nd Ranger Battalion before Omaha Beach, saying he believed Miller was "horribly afraid" of getting more of his men killed. Mel Gibson and Harrison Ford were considered for the role. Miller's detachment is a diverse group, including a Jew and Italian, reminiscent of earlier WWII films; this was not a deliberate choice, although Spielberg believed he had subconsciously drawn on conventional WWII films. Burns described Reiben as a "wise guy" in the script, but the experience of filming the Omaha Beach landing inspired him to give the character a "much harder edge". Sizemore was cast in The Thin Red Line (1998) when Spielberg offered him an alternative role as Horvath, Miller's friend, and confidant. The actor had a history of drug addiction, and Spielberg mandated that he pass regular drug tests to keep his part, or the role would be recast and his scenes re-shot. Describing his character, Sizemore said, "he was a quiet man; he was taciturn; he followed orders, and he loved the captain ... if he had a tragic flaw, it was that he didn't know when he had had enough when it was time to say, 'I can't do this anymore.'" Diesel was cast after Spielberg saw his self-starring directorial efforts, Multi-Facial (1995) and Strays (1997). The actor was working as a telemarketer at the time, having struggled to secure acting jobs. Goldberg's role did not exist in the script until his casting. Spielberg wanted a relatively unknown actor to portray Private Ryan. Spielberg visited the set of Good Will Hunting (1997), and Robin Williams introduced him to Damon. Spielberg cast him shortly after, believing he possessed a "great American everyboy look," unaware that Good Will Hunting's success would significantly raise Damon's profile. Neil Patrick Harris was considered for the role, and Edward Norton turned it down for American History X (1998). Pete Postlethwaite, Tony Shalhoub, and Garth Brooks were considered for unspecified roles. At Hanks's and Dye's suggestion, Spielberg had the principal cast take part in a six-day boot camp, wanting them to experience cold, wet, and exhaustive conditions, like those of WWII soldiers. Overseen by Dye and retired U.S. marines, the actors remained in character while simulating attacks, performing five-mile runs with full backpacks, weapons training, military exercises, and push-ups after making mistakes, on three hours of sleep per night in cold and rainy conditions. The men wanted to quit, but Hanks convinced them otherwise, saying they would regret not following through and the experience would help them understand their characters and motivations. Diesel said, "at that moment we got this huge respect for him in real life, we were all exhausted, we all wanted to leave and here was this guy who was a superstar, who doesn't have to be here, voting to stay". Dye was present throughout filming to remind the actors of their training. Spielberg kept Damon out of the boot camp because he wanted the other actors to resent him and his character. Pre-production The pre-production for Saving Private Ryan was truncated because Spielberg chose to film Amistad (1997) immediately after finishing work on The Lost World: Jurassic Park (1997). Cinematographer Janusz Kamiński spent several weeks performing camera tests to define the film's visual aesthetic. The pair considered filming monochromatically as Spielberg had with his Holocaust film, Schindler's List (1993). However, they considered that this would seem "pretentious," and were interested in emulating the colored WWII footage from their research. Kamiński let his interpretation of the narrative dictate how to light scenes and narrowed down visual styles by identifying which films he did not want Saving Private Ryan to emulate. He and Spielberg were visually influenced by WWII documentaries, such as Memphis Belle: A Story of a Flying Fortress (1944), The Battle of Midway (1942), Why We Fight (1942–1945), and the Nazi propaganda films of Leni Riefenstahl. They also looked at various books, paintings, and photographs of the Omaha Beach invasion taken by the war photographer Robert Capa. Kamiński wanted it to look like a major production "shot on [16 mm film] by a bunch of combat cameramen". A variety of camera techniques were used to emulate the experience of being on a battlefield: Kamiński removed the protective coating on some lenses, creating a "flatter", degraded image akin to WWII-era cameras, and mismatched lenses when using multiple cameras for an inconsistent result; alternating shutter angles and speeds; and desynchronizing the camera shutter which created a "streaking" effect. Kamiński considered this a risky option because if it failed there was no way to fix the image in post-production. A Clairmont Camera Image Shaker vibrated the camera to emulate the effects of a nearby explosion or rolling tank. Spielberg chose to film in 1.85:1 aspect ratio because he believed it was more lifelike and closer to "the way the human eye really sees," and found widescreen formats to be artificial. Three months were spent scouting for a location to portray the Normandy coast. The real location was too developed for their needs, and many other French beaches were restricted by military or wildlife use; Spielberg believed officials were difficult because they did not want him filming there. Beaches researched in England and Scotland lacked either the aesthetics or amenities required, such as housing for the crew, and the filmmakers needed a specific depth for the cast to leap from the landing crafts into the water. Associate producer, Kevin De La Noy's earlier work on Braveheart (1995) in Ireland had developed contacts with the Irish Army and knowledge of local beaches. One such location, the 11 km (6.8 mi) long Curracloe Beach, near Curracloe, County Wexford, offered the desired golden sands and sheer cliffs and nearby amenities. Spielberg selected a 1 km (0.62 mi) segment of the beach, known as Ballinesker. He said, "I was a bit disappointed that the beach we used wasn't as broad as the real Omaha Beach ... I tried to use certain wide-angle lenses to extend the length of the flats on the sandy beach before the soldiers reach the shingle. I used wider lenses for geography and tighter lenses for the compression of action. A segment adjacent to Blackwater, also in Wexford, was considered, but the local nuns could not make the land available in time. Service roads were built for vehicles to reach Ballinesker. Production designer Thomas E. Sanders led construction of the concrete battlements, bunkers, Czech hedgehogs, and barbed wire, much of which was made by local metalworkers. Over eleven weeks were spent preparing Ballinesker for filming. A storm destroyed some of the props just before filming, but they were rebuilt overnight. The main crew arrived on location on June 25, 1997. Filming in Ireland Principal photography began on June 27, 1997. Filming completed up to 50 shots per day. Spielberg wanted the actors to get little rest, "A war is fought fast, and I really wanted to keep all of the actors off-balance. I didn't want them to be able to read 75 pages of a novel ... I wanted to work fast enough so that they always felt as if they were in combat ... I had to keep them on the set, which meant shooting the film even faster than I normally do. War doesn't give you a break." Saving Private Ryan was shot almost entirely in continuity order, although some of the crew found this "a mentally demoralizing experience" because the cast started together and left as their characters died. The Omaha Beach battle was filmed over three to four weeks, for $12 million. The scene involved about 1,500 people including 400 crew, 1,000 volunteer reserve and Irish army soldiers, and dozens of extras and about 30 amputees and paraplegics fitted with prosthetic limbs to portray disfigured soldiers. Their numbers were supplemented with over one thousand detailed mannequins. The extras were divided into platoons with a designated leader, allowing Dye to control their action via four different radios with aid from three non-commissioned officers. Costume designer Joanna Johnston contracted an American company responsible for making boots for soldiers during WWII to create about 2,000 pairs, using the last batch of dye from that period. Soldiers in the ocean wore wet suits beneath their uniforms to minimize hypothermia. Armorer Simon Atherton was responsible for supplying authentic weapons. Two Higgins Boats used in the landings were used in the scene; additional boats from the 1950s were brought from California, Donegal, and Southampton. Hanks recalled: The first day of shooting ... I was in the back of the landing craft, and that ramp went down and I saw the first 1-2-3-4 rows of guys just getting blown to bits. In my head, of course, I knew it was special effects, but I still wasn't prepared for how tactile it was. The air literally went pink and the noise was deafening and there's bits and pieces of stuff falling all on top of you and it was horrifying." Soldiers vomiting from the boats was achieved using milk of magnesia. A crane shot moving from beneath the ocean surface to above the battlefield was achieved by placing the crane on a flatbed trailer and reversing it into the sea. The Omaha Beach sequence was extensively choreographed by stunt coordinator Simon Crane, with squibs and explosives managed by Neil Corbould. The only serious accident resulted when an extra's foot was run over by a car. Thousands of gallons of fake blood were used, mainly to turn the ocean and shoreline red. Based on his interviews with veterans, Spielberg had dead fish strewn in the water and around the battlefield, as well as floating a Bible on the surface. Bullet impacts were emulated using air pipes concealed beneath the sand and ocean surface. Drums of diesel fuel were burned to create black smoke, while a series of pickup trucks carried systems to disperse white smoke. During filming, the weather was cold, rainy, and overcast; Kamiński said this matched the weather during the Normandy landings, enhancing the film's accuracy. Artificial light was used sparingly apart from on the boats to highlight the actors' eyes under their helmets. Spielberg had the camera stay close to the ground to appear as if it was the view of a soldier avoiding getting shot or a combat cameraman. He intended for the audience to feel like they were a part of the battle rather than watching. Most of Saving Private Ryan was filmed with handheld cameras. This was physically demanding on camera operator Mitch Dubin and Steadicam operator Chris Haarhoff due to both proximity to the ground and movement through exploding scenery. The camera was close enough that fake blood, water, and sand would stick to the camera lens, but the filmmakers believed this made the footage more authentic. Kamiński considered the extensive setup of explosives, smoke, and choreography of over a thousand characters to be demanding as it could take half a day to reset if something went wrong, but the majority of scenes in the sequence were captured in less than four takes, using up to three cameras simultaneously. Spielberg said, "I rarely walked away from a scene until I got what I wanted, and I'd say that I got what I wanted from those complex setups about 80 percent of the time." He reviewed each day's footage nightly in a local parish hall. The production crew remained after filming to restore the beach to its original state over the following month, per an ecological protection order. Filming in England and France Filming relocated to the Hatfield Aerodrome in Hertfordshire, England, at the end of August, for the remaining scenes and the battle of Ramelle. French towns and rivers were scouted where a partial set could be built, but this was discarded over environmental concerns of filming contaminating the water. Instead, Sanders and his team built the fictional Ramelle on the grounds of the Aerodrome, based on five towns where fighting took place. Nearly three city blocks long, the set included fully built buildings, facades, and a custom built, 900 ft (270 m) long river. The river was lined because they "had to control the height of the water very carefully". Explosives were used to create bomb craters and damage around Ramelle. Though the battle involved fewer extras than the Omaha Beach scene, several weeks were spent developing the complex choreography based on a battle plan devised by Dye. Spielberg did not storyboard Saving Private Ryan because he wanted to position the camera spontaneously in reaction to what was taking place in each scene and he often relied on Dye and other WWII consultants for advice on staging the combat scenes. Dale also advised on technical aspects of weapons; where Spielberg wanted to use larger explosions typically found in Hollywood action films, Dye would generally advise him to "go half that size, they were never that big". The production was estimated to have spent about £8 million in the local area. Spielberg's spontaneous approach carried into other aspects; about halfway through filming, he decided to depict the remainder of the film from Upham's perspective, believing he represented the audience's inexperience of war. Goldberg's character was only going to be shot dead until Dye suggested a hand-to-hand combat sequence on the day of filming, leading Mellish to be stabbed through the heart. A separate scene of Ryan talking about his brothers was ad-libbed by Damon. The German machine-gun nest and following ambush of a half-track vehicle were filmed on the grounds of Thame Park, Thame, in Oxfordshire; the chapel interior where Miller's men rest was filmed in the Thame Park chapel. The Iowa cornfields where Ryan's mother lives in a house built for filming was set near West Kennet, Wiltshire. The American war office was filmed in the Hatfield Aerodrome. Kamiński wanted scenes in America to be more colorful and a relief from the muted tones of the combat scenes, so he positioned very bright lighting outside the windows. Scenes featuring the elderly Ryan were filmed at the Normandy American Cemetery and Memorial in Colleville-sur-Mer, France, adjacent to Omaha Beach. Filming concluded ahead of schedule on September 13, 1997, after 12 weeks, with the French church interior scenes. The estimated total budget was $65–$70 million. Post-production Kamiński chose to render his footage using Technicolor's proprietary ENR process (similar to a bleach bypass) which retained more silver in the film stock and produced deeper blacks. He used "70 percent ENR" for a desaturated image which added a blue hue. Concerned this change would make the fake blood appear inauthentic, the effects department mixed blue coloring into it, giving it a dark red appearance. Visual-effects studio Industrial Light & Magic provided digital enhancements; many bullet wounds and blood splatter were computer-generated imagery. Michael Kahn edited the final 170-minute cut. Spielberg said that Kahn's style was intended to defy audience expectations and not make every scene or transition clear. Some scenes were cut because of their graphic imagery, such as Miller's unit encounter with burnt out tanks with charred bodies. Mellish's death was also trimmed, removing parts where the character screams in pain, after Spielberg's projectionist said "It's too painful to watch." Spielberg said his movie had to be "ugly", but was worried the violent content could be seen as exploitative and earn it a restrictive NC-17 rating from the Motion Picture Association of America, restricting it to audiences over 17 years of age. He anticipated that the "historical importance" of the content would be taken into consideration; it received an R rating, meaning children could watch when accompanied by an adult. Music A long-time Spielberg collaborator, composer John Williams, produced the score. Spielberg chose little music accompaniment, wanting the sounds of battle and death to be prominent. Using a spotting process, he and Williams watched a rough cut of the film to agree on which scenes would feature music. Williams deliberately avoided "anything grandiose or operatic". Williams recorded the 55-minute score over three days at Symphony Hall in Boston, with the Boston Symphony Orchestra and vocals by the Tanglewood Festival Chorus. The recording cost about $100,000 per hour. Spielberg chose the Orchestra: "This is a movie about a company of soldiers, and it seemed appropriate to use an experienced company of musicians who are all virtuosos. Also we really wanted the sound of this room, Symphony Hall. On a soundstage you can get acoustically correct sound, but you don't hear the air. Here you get a rich, warm sound off the walls and ceiling, and you do hear the air; Symphony Hall is an instrument too." Release Context The 1998 summer theatrical season began in early May with Deep Impact, a surprise box office hit that studios saw as a positive indicator for their upcoming 100 film releases. Godzilla and Armageddon were expected to be the biggest successes, while industry executives were hopeful for smaller budget films (costing less than $60 million) like Small Soldiers, The Negotiator, The Parent Trap, and There's Something About Mary to become sleeper hits. Fewer sequels and less escapist entertainment were scheduled for release, and more films were targeted toward older audiences. Saving Private Ryan was highly anticipated but analysis suggested the film faced commercial limitations because of its long runtime, restricting the number of times it could be screened daily, and its violent content. DreamWorks' marketing chief Terry Press said it was risky to release a serious drama in the summer, a time generally reserved for family and escapist entertainment, but this was offset by Spielberg and Hanks's popularity. A screening for DreamWorks and Paramount executives was highly praised, but Spielberg had low expectations, believing the film was too violent to attract broad audiences. Box office The film premiered on July 21, 1998. The event was a low-profile affair without a party or many celebrities; Press said of the premiere, "it would have been inappropriate". Saving Private Ryan was released in the United States and Canada on July 24, 1998. During its opening weekend, it earned $30.6 million across 2,463 theaters—an average of $12,414 per theater. This figure made it the number-one film of the weekend, ahead of The Mask of Zorro ($13.4 million) in its second weekend, Lethal Weapon 4 ($13.1 million) in its third, and There's Something About Mary ($12.5 million), also in its second. The audience was split evenly between women and men, and skewed towards those aged over 25. The New York Times described it as unusual for a near-three-hour-long drama to perform so well on its opening weekend, crediting positive reviews. DreamWorks believed the box-office figure would have been higher if not for a delay in film prints arriving in hundreds of theaters across California and Arizona until late in the afternoon. In its second weekend, Saving Private Ryan remained the number-one film, with $23.6 million, ahead of the debuting The Parent Trap ($11.1 million) and There's Something About Mary ($10.9 million) in its third. Saving Private Ryan retained the number-one position in its third weekend with ($17.4 million), ahead of the debuts of Snake Eyes ($16.3 million) and Halloween H20: 20 Years Later ($16.1 million), and its fourth with $13.2 million, ahead of the debuts of How Stella Got Her Groove Back ($11.3 million) and The Avengers ($10.3 million). In its fifth weekend, Saving Private Ryan fell to number 2 with $10.1 million, behind the debut of Blade ($17.1 million). Without regaining the number 1 position, it ranked among the top ten for 12 weeks. By the end of its theatrical run, Saving Private Ryan earned a total box-office gross of $216.5 million, making it the highest-grossing film of the year, ahead of Armageddon ($201.6 million) and There's Something About Mary ($176.5 million). This also made it only the third R-rated film to earn more than $200 million, after 1984's Beverly Hills Cop ($235 million) and 1991's Terminator 2: Judgment Day ($205 million). Outside of the U.S. and Canada, Saving Private Ryan is estimated to have earned a further $265.3 million. This gave the film a cumulative worldwide gross of $481.8 million, making it the second-highest-grossing film of 1998, behind Armageddon ($553.7 million). Saving Private Ryan was seen as the biggest success of the theatrical summer. The New York Times wrote that the success of a "prestige film" during a time of blockbuster entertainment with broad appeal was evidence that audiences were accepting of serious dramas alongside action films, such as Armageddon and Godzilla, and "gross-out comedy" like There's Something About Mary. The publication wrote that the popularity of Saving Private Ryan was, in part, because it depicted a "nobler, cleaner era" promoting values of heroism and "patriotic duty". The 1998 box office broke records with over $7 billion earned. Despite expectations, the biggest successes had relatively modest budgets, such as Saving Private Ryan, There's Something About Mary, Rush Hour, and The Waterboy, while the anticipated blockbusters, such as Godzilla and Armageddon, were so expensive to make that they were less profitable. Re-releases of Saving Private Ryan have raised the box office to $482.3 million. Spielberg's and Hanks's pay agreement earned them an estimated $30–$40 million each of the box office. Reception Critical response Saving Private Ryan received critical acclaim, and audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Critics generally agreed that Saving Private Ryan presented the grim and brutal reality of the "Good War" in a way previously unseen on film. Writing for the Los Angeles Times, Kenneth Turan described the film as darker and more pessimistic than any of Spielberg's previous works, dispelling the mythos of WWII as staunchly good heroes fighting against evil forces, to depict the reality of combat where, "American soldiers mock virtue and shoot surrendering Germans, where decent and altruistic actions tend to be fatal, where death is random, stupid and redeems hardly anything at all". Some reviewers said this exploration of the limitations of morality in combat asked audiences to consider that the lives lost during the conflict were as valuable as those saved by their sacrifices. Writing for the Chicago Tribune, Gene Siskel lauded the film's ability to discuss the "brutality and madness" of war while "believably" celebrating the sacrifices and courage of those fighting it. Salon.com's Gary Kamiya concluded, "it will forever change the way people imagine the most important event in 20th century history. That is no small achievement." In The New York Times, Stephen Holden said "it's a safe bet that Saving Private Ryan, a powerful but flawed movie, will be revered as a classic decades hence." Many reviewers focused on the film's two major combat sequences, particularly the opening on Omaha Beach. Focus was on the "horrifying," "visceral," "brutal," "shocking," and "fierce" violence present in the opening battle, described by Entertainment Weekly's Owen Gleiberman and Time's Richard Schickel as one of the most revolutionary film sequences ever made. Roger Ebert of the Chicago Sun-Times and Schickel compared it with the energy and dread of similar scenes in the Vietnam war film Platoon (1986), but with a grander scope depicting masses of men killing each other from afar, drawing the "horror" out of a lengthy, sustained sequence, without the audience being allowed to become desensitized. Some reviewers believed that the scene was so impactful and thought-provoking that it overshadowed the rest of the film. Although there was some criticism toward the realistic violence and gore, Turan believed it was done purposely and dispassionately, conveying the chaos and despair experienced by the soldiers, and not done for the sake of entertainment. Spielberg rejected this criticism, affirming he wanted the audience to understand what real combat was like and what the soldiers experienced, not observe it from afar as spectators. Some reviewers believed the concluding battle in Ramelle was more violent than Omaha Beach, particularly the slow death of Mellish as he is stabbed through the chest. The New York Observer's Andrew Sarris criticized the "pornography of violence and cruelty" depicted in severed limbs and rivers of blood. Turan and Jonathan Rosenbaum found that, outside of the combat, the script was effective but uninspired and derivative of war films by other directors, such as Oliver Stone, Stanley Kubrick, and Francis Ford Coppola. Others criticized "manipulative" oversentimentality, particularly in the modern day framing device featuring the elderly Ryan. Even so, Kamiya described it as "enormously moving, it serves as a kind of redemption, a necessary if eternally fragile answer to the hell he witnessed". Hanks's performance was generally praised, with some reviewers calling it the best of his career to date. Many reviewers agreed that his everyman persona allowed him to portray Miller with a gentle weariness, empathy, and vulnerability beneath a surface of strength and decency, but also cynicism toward the war. Ebert and Schickel wrote that he offered a quiet reserve "hinting at unspoken competencies" that convince his men and the audience to follow along with him. Turan believed that Hanks's "indelible" performance represented how the audience would hope to be when confronted by the same situations. The other main cast also generally received positive reviews, particularly Davies, with Ebert saying that his transformation from inexperienced interpreter to soldier was the conclusion to "Spielberg's unspoken philosophical argument". Gleiberman and Turan also highlighted the performances of Pepper, Ribisi, and Sizemore, who Turan believed delivered his career's "best, most controlled" performance. Ebert praised the cast for not devolving into cliché or "zany" archetypes and effectively portraying the bonds between them. However, Kamiya wrote that Damon's performance was "jarring", believing both his more cinematic aesthetic and speech about his brothers to be artificial. The review concluded that Ryan was not very compelling, which made it difficult to care about the mission to save him. Accolades At the 56th Golden Globe Awards in 1999, Saving Private Ryan won Best Drama and Best Director (Spielberg), and was nominated for Best Drama Actor (Hanks), Best Original Score (Williams), and Best Screenplay (Rodat). At the 71st Academy Awards, Saving Private Ryan won Best Director (Spielberg), Best Cinematography (Kamiński), Best Film Editing (Kahn), Best Sound (Gary Rydstrom, Gary Summers, Andy Nelson, Ronald Judkins), and Best Sound Effects Editing (Rydstrom and Richard Hymns) while it was nominated for Best Actor (Hanks), Best Original Screenplay (Rodat), Best Music (Williams), Best Production Design (Sanders and Lisa Dean Kavanaugh), and Best Makeup (Lois Burwell, Conor O'Sullivan, Daniel C. Striepeke). Saving Private Ryan's unexpected loss of Best Picture to Shakespeare in Love is seen as one of the biggest upsets in the awards history and led to DreamWorks executives accusing its producers, Miramax, of "overly aggressive campaigning". A 2015 poll of Academy voters suggested that, given another opportunity, they would have voted Saving Private Ryan as Best Picture. At the 52nd British Academy Film Awards, Saving Private Ryan won Best Special Effects and Best Sound, and was nominated for Best Film, Best Direction (Spielberg), and Best Actor (Hanks). At the 25th Saturn Awards, it won Best Action, Adventure, or Thriller Film. The 3rd Golden Satellite Awards also earned the film Best Editing (Kahn), and a nomination for Best Supporting Actor (Sizemore), as well as Best Director (Spielberg) and Best Actor (Hanks) at the Empire Awards. Saving Private Ryan also won awards for Outstanding Directorial Achievement (Directors Guild of America, Spielberg), Motion Picture Producer of the Year (PGA Awards, Spielberg, Bryce, Gordon, and Levinsohn), Best Casting (Casting Society of America, Denise Chamian), Best Instrumental Composition Written for a Motion Picture (Grammy Awards, Williams), Best Sound Editing for Dialogue (Motion Picture Sound Editors, Hymns, Rydstrom, Sandina Bailo-Lape, Ethan Van der Ryn, Teresa Eckton, Frank Eulner Karen Wilson, Larry Oatfield, and Bruce Lacey), and Sound Effects (Hymns, Rydstrom, Gwendolyn Yates Whittle, Larry Singer, Ewa Sztompke Oatfield, Sara Bolder, Denise Whiting, and Thomas Whiting) and Best of Show - Audiovisual (Key Art Awards). In 2014, the United States Library of Congress selected Saving Private Ryan to be preserved in the National Film Registry as "culturally, historically, or aesthetically significant". Post-release Historical accuracy and veteran responses Several publications highlighted the accuracy of the Omaha Beach assault, down to the sound of gunfire, although some errors were noted, such as bullets killing soldiers underwater, the absence of British coxswains steering the boats, and the battle's truncated duration. Historical curator John Delaney said: It's accurate for that unit on that bit of that beach on that day ... but you can't say, 'That's what D-Day was like', because it wasn't. Omaha beach is about three and a half miles long. What's happening at one end of the beach isn't what's happening at the other end. Discussing the core narrative, Ambrose said, "It's a stretch that they would send eight soldiers, but it could have been hard to find him ... the paratroopers were scattered everywhere." Many World War II veterans described the opening of Saving Private Ryan as depicting the most realistic representation of combat. Another veteran, interviewed by Time, said "I remember when I walked out into the lobby of the moviehouse, not a single person coming out of that showing said one word ... everybody was stunned by it ... It just brought back so many memories." There were various reports of some veterans being unable to finish watching Saving Private Ryan because of the memories it brought back. The United States Department of Veterans Affairs created a dedicated phoneline for viewers affected by the film, and more veterans visited counselors for post traumatic stress disorder. The rest of the film is less historically accurate. Fictitious elements include the nonexistent town of Ramelle, the battle associated with it, certain military tactical errors (included for dramatic effect), much of the dialogue, and some of the methods used to locate Ryan. Total Film and some non U.S. veterans were critical of the lack of other Allied forces throughout the film. British broadcaster Channel 4 said that these critics had missed the point of the film, in that it was "unashamedly an American story". Home media Saving Private Ryan was released on VHS in May 1999. It became the most successful rental debut of its time, earning $9.6 million in its first week and $44 million by July 1999. A limited edition two-VHS version was released in November 1999, adding a making-of documentary, as well as a message from Spielberg about D-Day and the National D-Day Museum. A DVD was released alongside the limited edition VHS, with the same extras. A two-disc Special Collector's Edition DVD set was released in May 2004 to coincide with the 60th anniversary of D-Day. This edition included additional content, including behind-the-scenes content recorded during filming. Spielberg discussed his interest in WWII, the Niland brothers, the story and character development, the cast's boot camp experience, the involvement of the Irish army and locations, the recreation of Omaha Beach, the music, sound effects, and a farewell from Spielberg. This was released alongside a four-disc deluxe "The World War II Collection" DVD package that included a collectible book and two documentaries: Price for Peace (directed by James Moll) about the use of dogs in WWII, and Shooting War (directed by Richard Schickel) about combat photographers, with narration by Hanks. Saving Private Ryan was released as a two-disc Blu-ray in May 2010, including all previously released special features apart from Price for Peace. Paramount Home Entertainment issued a recall of the Blu-rays after discovering that some versions featured an audio synchronization issue. The defect was fixed in versions re-released later that month. For the film's 20th anniversary in 2018, a three-disc "Commemorative 20th Anniversary" Blu-ray set was released, including a 4K Ultra HD Blu-ray and all previously released features. Other media A novelization, written by Max Allan Collins and Rodat, was released alongside the film. Saving Private Ryan: The Men, the Mission, the Movie : A Film by Steven Spielberg was also released in 1998. It features illustrations, color plates, extracts from the screenplay and Ambrose's works, as well as commentary by crew including Spielberg, Hanks, and Damon. Thematic analysis Patriotism Leading into the early 21st century, there was renewed focus in America on glorifying the generation that had fought in WWII, depicted in films such as Saving Private Ryan and The Thin Red Line, the miniseries Band of Brothers (2001), books such as The Greatest Generation (1998), and construction of a World War II Memorial in Washington, D.C. Many publications believed this resurgence of interest in the war to be a response to decades of American cynicism toward the nation's failure in the Vietnam War (1955–1975), and anticlimactic victories in the Cold and Gulf Wars that resulted in little diplomatic success or celebration. Many films about the Vietnam War depicted its American combatants as self-hating, "deeply troubled, or even psychotic," offered little respect, and portrayed the conflict itself as one mired in dread, anxiety, and general negativity. Literature professor Marzena Sokołowska-Paryż said the worship of WWII as "the last Good War" and its veterans as "the greatest generation" represented a "therapeutic [form of] patriotism" designed to rehabilitate the modern image of combatants as the enduring legacy of WWII soldiers and the core American national identity while forgetting any lingering guilt over the Vietnam War. Film scholar Albert Auster described this reappraisal as a reversal of attitudes up to the early 1990s where historical wars, including WWII, were not beyond criticism and, particularly in response to the Vietnam War, literary critics aimed to undo the impression of WWII as the "Good War". Saving Private Ryan is American-centric, beginning and ending with an image of the nation's flag fluttering in the wind, a desaturated image suggesting a nostalgic image of "the deep pride we once felt in our flag". Stephen Holden described it as "a wholehearted celebration of American pluck and virtue and honor". Holden and Ebert disagreed with the view of some critics that Saving Private Ryan's "harrowing" and realistic combat scenes were a statement against war. They wrote that it accepts war as a necessity and portrays its main characters not as symbols, but as real people trying to kill the enemy without getting themselves killed. The scenes of the elderly Ryan visiting Miller's grave with his family received some criticism. Author John Biguenet queried how such a "savage and unsentimental film" could conclude with a scene so sentimentalized. Spielberg said in making the film he was meant to "wave the flag and be patriotic," but that the reality of his father's experiences made him want to also convey the harsh reality. The Omaha Beach landing establishes the distance between the commanders safe at home who order Ryan be rescued, and the soldiers endangered in doing so. It is a sentimental mission intended to spare one family the grief of losing all of its sons, but Miller refers to it as a public relations scheme designed to boost civilian morale. General Marshall quotes a letter by Abraham Lincoln to a similarly affected family, but where Lincoln's letter expresses sentiment and patriotic sacrifice to the mother, it is not sentimental nor does it claim that her grief is greater than any other mother who lost her child at war. Biguenet said Marshall, in comparison, confuses sentimentality for morality. Despite the patriotic American imagery, the characters of Saving Private Ryan do not discuss their home country or protecting democracy from fascism. The soldiers are only concerned with returning home to their loved ones. Miller's men openly state that they do not care about Ryan, but Miller says that he will go into metaphorical Hell to save him, if it means Miller can return to his wife. The soldiers actively fighting are not sentimental about their mission. Turan and Biguenet said Saving Private Ryan "feels like an official act of atonement" for modern generations failing to acknowledge the "courage and sacrifice" of WWII soldiers. When Miller tells Ryan to "earn this," he is effectively speaking about the debt owed to veterans who made "the ultimate sacrifice" for their country. Biguenet called this a "terrible, impossible order", a moral burden that Ryan will carry until his own death because there is no way to compensate the high price paid by Miller's men. Spielberg suggested the answer was in the living paying homage to the fallen soldiers and the freedom for which they fought. History professor John Bodnar described the image of the Normandy American Cemetery and Memorial as depicting a national unity with row after row of white grave markers, serving as a permanent reminder "to other nations of the sacrifices made by the United States". Morality and humanity Unlike some older WWII films that portrayed the soldiers as infallible heroes, Saving Private Ryan presents battles fought by brave but frightened civilians, the majority of whom at Omaha Beach were not combat veterans. Ebert believed much of the audience, including himself, would identify with Upham, someone completely unprepared for the realities of war but who must fight regardless. Miller is the opposite: an experienced soldier who is scared and anxious because he knows exactly what to expect and is haunted by his responsibility for the lives of his men. Although 94 men have died under his command, Miller rationalizes that he can prioritize his mission over his men because each sacrifice was responsible for saving many more lives. However, his mission to rescue Ryan demands he risk the lives of several men to save just one. Turan said Miller's trembling hands were a sign that he is "dangerously close to coming apart". Far Out magazine wrote that the focus on Miller's ailment acknowledges the side effects of war such as post-traumatic stress disorder, something he suppresses to fulfil his duty. Spielberg said the mission to rescue Ryan cannot be morally or patriotically justified, risking eight lives to save one. This theme is reinforced when they encounter the sole survivor of a glider crash caused by heavy steel shielding added to protect a single general on board, resulting in 22 deaths. No character claims that the mission of Miller and his men is heroic, and the men express the grief their own mothers will feel should they be killed on this endeavor. The "toughest" soldier, Horvath, gives it meaning when he tells Miller that saving Ryan could be the one decent thing they can accomplish in "this whole godawful, shitty mess". Biguenet said that Spielberg is explicitly condemning their mission as an immoral act to force upon soldiers. Ebert considered the decision to deviate from the mission to attack the German gun nest on the way to Ramelle to be a deliberate rebellion against their orders. The action is not part of their mission and it is possible to avoid the situation entirely, but it grants the soldiers the opportunity to do what they came to Europe for: to fight a war. Hanks said the decision to stay with Ryan and defend Ramelle was the characters "bringing meaning to a situation that until then had been absurd". While film critic Andrew Sarris found the German characters to match evil archetypes found in other WWII films, concluding with Upham's lesson that Steamboat Willie should have been killed earlier, Saving Private Ryan does not portray the Allied soldiers as unimpeachable heroes. Following Omaha Beach, two Allied soldiers laugh as they execute two pleading German soldiers, but the soldiers are speaking Czech, indicating they are potentially from German-conquered Czechoslovakia, forcibly conscripted into the war effort. Biguenet wrote that the Germans are not portrayed as any worse than the Americans, as they are similarly affected by the horrors of war and casually execute downed American soldiers. In Saving Private Ryan, allegiances do not matter, all men are equal, and rules only matter until they conflict with the mission objective. Upham's transformation from cowardly interpreter to Willie's executioner shows the transformative realities of combat. Professor William J. Prior and Auster wrote that Upham represents respect for human life and moral decency when he interferes to prevent Steamboat Willie's execution, despite the fact that it would protect the mission. He offers the intellectual perspective of a civilian, but his lack of combat experience makes him unable to kill the prisoner, which results in the deaths of many of his allies. Miller's experience means he is conscious of the risk involved in releasing Willie, but he is simultaneously struggling to cling to his own humanity and decency, believing that every time he kills he is moving "farther from home". Although Willie is the enemy, he is also a human with his own right to exist, and summarily executing him would further distance Miller from the self he and his wife knew. His decision to spare Willie and reveal his civilian background, returns to him a semblance of his humanity. Legacy Cultural influence Saving Private Ryan was credited with renewing interest in World War II leading into the 21st century. NBC News wrote that in presenting audiences with its "stomach-churning violence and soul-shaking intensity of that pivotal chapter in the war", the film had reshaped the United States' "cultural memory". It is regarded as one of the most accurate and realistic war films ever made, particularly for the opening Omaha Beach battle. Film historian Steven Jay Rubin said, "It was a game-changer ... it was devastatingly dramatic, visceral, immersive. I didn't touch my popcorn because it felt sacrilegious to eat while I'm watching it." Even so, director and Vietnam War veteran Oliver Stone claimed that Saving Private Ryan depicted a "worship" of WWII as "the good war" that, alongside films such as Gladiator (2000) and Black Hawk Down, made audiences more in favor of war: "By the time of the Iraq War, we were ready to go back." American academic Paul Fussell similarly decried Saving Private Ryan for providing an "honest, harrowing, 15-minute opening" of Omaha Beach before descending into more broadly acceptable action-adventure fare. He said, "Its genre was pure cowboys and Indians, with the virtuous cowboys of course victorious." The film is considered to have had a lasting influence on filmmaking, particularly its opening battle scenes. Vanity Fair wrote, "no films about combat made since would look the way they do without the de-saturated, handheld, blood-splatters-and-all horror of cinema that is this extended sequence ... it's a terrifying scene, either honorable or exploitative in its all vérité, depending on whom you ask. Regardless of any moral assessment, it's easily one of the most aped and referenced scenes of the late 20th century." Saving Private Ryan was named by other directors as an influence, such as Quentin Tarantino (Inglourious Basterds, 2009), Christopher Nolan (Dunkirk, 2017), and Robert Altman. The Los Angeles Times wrote that Saving Private Ryan's stylistic choices, such as placing the audience close to the on-screen action, can be seen in war and action media that followed. This includes films such as Gladiator (2000), Enemy at the Gates, Pearl Harbor (both 2001), Flags of Our Fathers (2006), and Hacksaw Ridge (2016), the "psychological anguish" of American Sniper (2014), and modern superhero films. This influence extends to television, with shows such as Game of Thrones ("The Spoils of War", 2017) and The Pacific (2010). Saving Private Ryan is also seen as an influence on video games. Spielberg and DreamWorks developed Medal of Honor (1999) to translate the realism and setting of Saving Private Ryan. Its success launched a series of Medal of Honor games, which, in turn, contributed to the creation of the Call of Duty series. Modern reception Saving Private Ryan is considered one of the greatest war films ever made. In a 2018 interview, Spielberg said, "I didn't anticipate the success of the movie ... in very early screenings, certain associates and other people in my life were saying that I made it too tough. I feared that almost nobody would see it because the word of mouth would spread quickly after the first 25 minutes." In 2007, the American Film Institute (AFI) listed Saving Private Ryan as 71st-greatest American film. The AFI listed it among the most thrilling, inspiring, and epic American films. A 2014 poll of 2,120 entertainment industry professionals by The Hollywood Reporter ranked Saving Private Ryan as the 46th-best film. Publications such as Parade and Variety named it one of the greatest films of all time. Saving Private Ryan is included in the 2013 film reference book 1001 Movies You Must See Before You Die, and it is listed on Rotten Tomatoes' 300 essential movies. The film is generally considered to be among the best of Spielberg's works, and of Hanks's credits. On Rotten Tomatoes, the film holds a 94% approval rating across 149 critics, with an average score of 8.7/10. The consensus reads; "Anchored by another winning performance from Tom Hanks, Steven Spielberg's unflinchingly realistic war film virtually redefines the genre." The film has a score of 91 out of 100 on Metacritic, based on 38 critics, indicating "universal acclaim". Saving Private Ryan has remained popular with audiences, with reader and viewer-ranked polling listing it as one of the greatest war films, among the greatest films of the 1990s, and the greatest films of all time. Notes References Citations Works cited Auster, Albert (2002). "Saving Private Ryan and American Triumphalism". Journal of Popular Film & Television. 30 (2). Oxfordshire, England: Taylor & Francis: 98–104. doi:10.1080/01956050209602844. ISSN 0195-6051. Bodnar, John (2001). "Saving Private Ryan and Postwar Memory in America". The American Historical Review. 106 (3). Oxford, England: Oxford University Press: 805–817. doi:10.2307/2692325. Dyer, Richard (February 24, 1998). "Sounds Of Spielberg At Work Again, He And John Williams Exult In Their Admiring Duet Of 25 Years". The Boston Globe. Boston, Massachusetts: Boston Globe Media Partners, LLC. p. C1. ProQuest 403934546. Retrieved January 14, 2023. Prior, William J. (Autumn 2000). "We Aren't here to do the Decent Thing: Saving Private Ryan and the Morality of War". Parameters. 30 (3). Carlisle, Pennsylvania: United States Army War College: 138–145. Schickel, Richard (2012). "Saving Private Ryan". Spielberg: A Retrospective. London, England: Thames & Hudson. pp. 180–191. ISBN 978-0-5005-1608-9. Schneider, Steven Jay (2013). "1990s". 1001 Movies You Must See Before You Die. Boston, Massachusetts: Murdoch Books. ISBN 978-0-7641-6613-6. Sokołowska-Paryż, Marzena (2022). "Un-doing the Vietnam War Legacy: Monumentalizing Second World War Veterans to Legitimize Contemporary US Military Interventions". Journal of War & Culture Studies. Leeds, England: Maney Publishing: 1–18. doi:10.1080/17526272.2021.2019373. External links Saving Private Ryan at IMDb Saving Private Ryan at AllMovie National World War II Museum Symposium on Saving Private Ryan at C-SPAN
2006–07_FA_Premier_League
https://en.wikipedia.org/wiki/2006–07_FA_Premier_League
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[ "https://en.wikipedia.org/wiki/2006–07_FA_Premier_League" ]
The 2006–07 FA Premier League (known as the FA Barclays Premiership for sponsorship reasons) was the 15th season of the FA Premier League since its establishment in 1992. The season started on 19 August 2006 and concluded on 13 May 2007. Chelsea were the two-time defending champions. On 12 February 2007, the FA Premier League renamed itself simply to the Premier League. The change introduced a new logo, sleeve patches and typeface. The sponsored name remains the Barclays Premier League. The 2006–07 season was the lowest-scoring season in Premier League history, with only 931 goals (with a 2.45 goals per match ratio, the poorest in the history of Premier League). Manchester United won their first Premiership title since 2003, following Chelsea's 1–1 draw with Arsenal on 6 May 2007. The result left the defending champions seven points behind United with two games left. It was their ninth title in fifteen seasons. The three relegation spots were occupied by Watford and Sheffield United who each lasted one season in the league, along with Charlton Athletic who went down after seven seasons. Teams Twenty teams competed in the league – the top seventeen teams from the previous season and the three teams promoted from the Football League Championship. The promoted teams were Reading (playing in the top flight for the first time ever), Sheffield United (returning after a twelve-year absence) and Watford (returning after a six-year absence). They replaced Birmingham City, West Bromwich Albion and Sunderland, who were relegated to the Championship after their top flight spells of four, two and one year respectively. Stadiums and locations Personnel and kits (as of 13 May 2007) Managerial changes League table Results Season statistics Scoring Biggest win: 6 goals – Reading 6–0 West Ham United (1 January 2007) Highest scoring match: 8 goals – Arsenal 6–2 Blackburn Rovers First goal: Rob Hulse for Sheffield United against Liverpool (19 August 2006) Last goal: Harry Kewell (pen.) for Liverpool against Charlton Athletic (13 May 2007) Overall Most wins: 28 – Manchester United Fewest wins: 5 – Watford Most losses: 21 – West Ham United Fewest losses: 3 – Chelsea Most goals scored: 83 – Manchester United Fewest goals scored: 29 – Manchester City and Watford Most goals conceded: 60 – Fulham and Charlton Athletic Fewest goals conceded: 24 – Chelsea Home Most wins: 15 – Manchester United Fewest wins: 3 – Watford Most losses: 10 – Wigan Athletic Fewest losses: 0 – Chelsea Most goals scored: 46 – Manchester United Fewest goals scored: 10 – Manchester City Most goals conceded: 30 – Wigan Athletic Fewest goals conceded: 7 – Liverpool Away Most wins: 13 – Manchester United Fewest wins: 1 – Fulham and Charlton Athletic Most losses: 14 – Sheffield United Fewest losses: 3 – Manchester United and Chelsea Most goals scored: 37 – Manchester United Fewest goals scored: 8 – Sheffield United Most goals conceded: 42 – Fulham Fewest goals conceded: 13 – Chelsea Statistics Top scorers Historic goals 15,000th goal The Premier League expected to have the league's 15,000th goal scored at some point in the period between Christmas and New Year. The target was reached on 30 December when Moritz Volz scored for Fulham against Chelsea. Barclays, the Premiership's sponsor, donated £15,000 to the Fulham Community Sports Trust in Volz' name. Additionally, a fan who correctly predicted that Volz would score the historic goal in a contest presented the player with a special award prior to Fulham's game against Watford at Craven Cottage on 1 January. The honour of scoring the 15,000th goal led to Volz being nicknamed "15,000 Volz". Goalkeeper scores On 17 March 2007, Tottenham Hotspur goalkeeper Paul Robinson scored against Watford from an 83-yard free kick, which bounced over his England teammate Ben Foster, who was in goal for the Hornets, leading Spurs to a 3–1 win at White Hart Lane. This was the third goal scored by a goalkeeper in Premiership history. The other two were scored by Peter Schmeichel, for Aston Villa against Everton on 21 October 2001, and Brad Friedel, for Blackburn Rovers against Charlton Athletic on 21 February 2004. In those two cases, the teams they played for lost. Robinson became the first keeper to score for the winning team in a Premiership match. Relegation controversy West Ham escaped relegation on the final day of the season with a 1–0 win over Manchester United, with Carlos Tevez scoring the winner. Sheffield United were relegated, along with Charlton and Watford. Tevez was subsequently found to have been ineligible to play, as he was not owned by West Ham, but by a third party. Sheffield United sued to keep their Premier League status and, when that failed, went to an FA arbitration panel seeking up to £30m compensation. The arbitration panel found in favour of Sheffield United. The two clubs subsequently settled out of court for an undisclosed sum. Monthly awards Annual awards This season's awards were dominated by Manchester United, who, as a team, picked up a total of eight individual awards, five of which went to Cristiano Ronaldo. They also had eight players in the Team of the Year. PFA Players' Player of the Year The PFA Players' Player of the Year award for 2007 was won by Cristiano Ronaldo. He had won the PFA Young Player of the Year award earlier on in the awards ceremony, making him the first player to win both awards in the same year since Andy Gray managed the same feat in 1977. Didier Drogba came second, while Paul Scholes was third. The shortlist for the PFA Players' Player of the Year award, in alphabetical order, is as follows: Didier Drogba (Chelsea) Cesc Fàbregas (Arsenal) Steven Gerrard (Liverpool) Ryan Giggs (Manchester United) Cristiano Ronaldo (Manchester United) Paul Scholes (Manchester United) PFA Young Player of the Year The PFA Young Player of the Year award was also won by Cristiano Ronaldo of Manchester United. Cesc Fàbregas came in second place, and Aaron Lennon was third. Wayne Rooney was going for a hat-trick of Young Player of the Year awards, having won this award for both of the two preceding seasons, but did not feature in the top three for the 2006–07 season. The shortlist for the award was as follows: Kevin Doyle (Reading) Cesc Fàbregas (Arsenal) Aaron Lennon (Tottenham Hotspur) Micah Richards (Manchester City) Cristiano Ronaldo (Manchester United) Wayne Rooney (Manchester United) PFA Team of the Year The Team of the Year featured eight Manchester United players. Goalkeeper: Edwin van der Sar (Manchester United) Defence: Gary Neville, Patrice Evra, Rio Ferdinand, Nemanja Vidić (all Manchester United) Midfield: Steven Gerrard (Liverpool), Paul Scholes, Ryan Giggs, Cristiano Ronaldo (all Manchester United) Attack: Didier Drogba (Chelsea), Dimitar Berbatov (Tottenham Hotspur) PFA Merit Award The PFA Merit Award was awarded to Sir Alex Ferguson, manager of Manchester United, for his commitment to the club, the Premier League, and in recognition of the 19 major trophies he had won in his time in England. PFA Fans' Player of the Year This award was voted for in an online poll run by the PFA on their website. With four days of voting left before the closing date of midnight on 15 April, the five players with the most votes in the poll were Cristiano Ronaldo, Steven Gerrard, Dimitar Berbatov, Thierry Henry and Frank Lampard, but it was Ronaldo who managed to fend off the challenges of the other four. FWA Footballer of the Year The FWA Footballer of the Year award for 2007 was also won by Cristiano Ronaldo. The award is presented by the Football Writers' Association and voted for by its members. This year, Didier Drogba came second and Ryan Giggs and Paul Scholes came third and fourth respectively. Premier League Manager of the Season The Premier League Manager of the Season award was presented to Manchester United's Sir Alex Ferguson before the club's final game of the season against West Ham United. Premier League Player of the Season The Premier League Player of the Season award was also presented before Manchester United's game with West Ham United on the last day of the season, and was awarded to Cristiano Ronaldo, granting him the sextuple of PFA Players' Player, Young Player, Fans' Player of the Year, Barclays Premiership Player of the Season, Football Writers' Association Player of the Year and a place in the Team of the Year. Premier League Merit Award Ryan Giggs was presented with this special award at the same time as the Manager and Player of the Season Awards were given out, in recognition of his record of nine Premier League titles. Premier League Golden Glove The Premier League Golden Glove award was presented to Liverpool's Pepe Reina for the second successive season after keeping 19 clean sheets, ahead of Tim Howard of Everton (14) and Marcus Hahnemann of Reading (13). See also 2006–07 in English football 2006–07 Football League Notes External links 2006–07 Premier League Season at RSSSF Premier League 2006–07 on BBC Sport: News – Recent results Archived 13 March 2007 at the Wayback Machine – Upcoming fixtures Archived 8 December 2008 at the Wayback Machine – Live Scores – Current standings Archived 9 September 2010 at Archive-It Official Premier League site
Didier_Drogba
https://en.wikipedia.org/wiki/Didier_Drogba
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[ "https://en.wikipedia.org/wiki/Didier_Drogba#Honours", "https://en.wikipedia.org/wiki/Didier_Drogba" ]
Didier Yves Drogba Tébily (French pronunciation: [didje iv dʁɔɡba tebili]; born 11 March 1978) is an Ivorian former professional footballer who played as a striker. He is the all-time top scorer and former captain of the Ivory Coast national team. He is best known for his career at Chelsea, for whom he has scored more goals than any other foreign player and is currently the club's fourth highest goal scorer of all time. Drogba was named Chelsea's greatest ever player in a poll of 20,000 fans conducted by Chelsea Magazine in 2012, and he was also named in the Chelsea team of the 2010–2020 decade by Chelsea's fans in 2020. Regarded as one of the greatest African players of all time, he was noted for his physical strength, speed, ability in the air, powerful, accurate strikes and ball retention. Drogba was named African Footballer of the Year twice, winning the award in 2006 and 2009. After playing in youth teams, Drogba made his professional debut aged 18 for Ligue 2 club Le Mans, and signed his first professional contract aged 21. After finishing the 2002–03 season with 17 goals in 34 appearances for Ligue 1 side Guingamp, he moved to Olympique de Marseille, where he finished as the third highest scorer in the 2003–04 season with 19 goals and helped the club reach the 2004 UEFA Cup Final. In July 2004, Drogba moved to Premier League club Chelsea for a club record £24 million fee, making him the most expensive Ivorian player in history. In his debut season he helped the club win their first league title in 50 years, and a year later he won another Premier League title. His displays saw him named in the FIFA World XI for 2007. In March 2012, he became the first African player to score 100 Premier League goals. Just two months later, he scored in Chelsea's 2012 FA Cup Final win over Liverpool to become the first (and as of 2017, the only) player to score in four separate FA Cup finals. He also played in the 2012 UEFA Champions League Final, in which he scored an 88th-minute equaliser and the winning penalty in the deciding shoot-out against Bayern Munich. After spending six months with Shanghai Shenhua in China, and one and a half seasons with Turkish club Galatasaray where he scored the winning goal in the final of the 2013 Turkish Super Cup, Drogba returned to Chelsea in July 2014. With a career record of scoring 10 goals in 10 finals winning 10 trophies at club level, Drogba has been referred to as the "ultimate big game player". He joined Canadian club Montreal Impact in 2015 as a Designated Player and played 41 matches over two seasons, scoring 23 goals. Drogba became a player–owner for Phoenix Rising of the United Soccer League in 2017, and retired a year later at the age of 40. On 21 April 2022, he was inducted into the Premier League Hall of Fame. An Ivory Coast international between 2002 and 2014, Drogba captained the national team from 2006 until his retirement from the Ivory Coast team and is the nation's all-time top goalscorer with 65 goals from 105 appearances. He led the Ivory Coast to the 2006 FIFA World Cup, their first appearance in the tournament, and also scored their first goal. He later captained the Ivory Coast at the 2010 and 2014 FIFA World Cups. He was part of the Ivory Coast teams that reached the final of the Africa Cup of Nations in 2006 and 2012, but were beaten on penalties on both occasions. On 8 August 2014, he announced his retirement from international football. In 2018, Drogba retired from professional football at the age of 40. Active in social issues in Africa, Drogba played a vital role in the peace process in his home country. In 2007 he was appointed a Goodwill Ambassador for the United Nations Development Programme, and in December 2018 he became Vice President of the international organization Peace and Sport. Early life Drogba is a member of the Bété people. He was born in Abidjan, Ivory Coast, and at the age of five was sent to France by his parents to live with his uncle, Michel Goba, a professional footballer. However, Drogba soon became homesick and returned to Abidjan after three years. His mother nicknamed him "Tito", after president Josip Broz Tito of Yugoslavia, whom she admired greatly. He played football every day in a car park in the city, but his return to the Ivory Coast was short-lived. Both of his parents lost their jobs and he again returned to live with his uncle. In 1991, his parents also travelled to France; first to Vannes and then, in 1993, settling in Antony in the Paris suburbs, at which point the 15-year-old Drogba returned to live with them and his siblings. It was here that he began playing team football more frequently, joining a local youth side. Drogba then joined the semi-professional club Levallois, gaining a reputation as a prolific scorer in the youth team and impressing the coach with his professional attitude. His performances earned him a place in the senior squad but despite scoring in his debut, the 18-year-old Ivorian failed to make an impression on Jacques Loncar, the first team coach. Club career Le Mans When Drogba finished school he moved to the city Le Mans to study accountancy at university and changed clubs, becoming an apprentice at Ligue 2 club Le Mans. However, his first two years there were marred by injuries and he was physically struggling to cope with the training and match schedule. Former Le Mans coach Marc Westerloppe later remarked that "it took Didier four years to be capable of training every day and playing every week". Furthermore, Drogba had never attended a football academy and only began daily football training as an adult. By age 21, Drogba realised that he had to establish himself as a player soon or else he would have little chance of becoming a professional footballer. He made his first team debut for Le Mans soon thereafter and signed his first professional contract in 1999. The same year, he and his Malian wife Alla had their first child, Isaac. He grew into his new responsibilities, later stating: "Isaac's birth was a turning point in my life, it straightened me out". His first season, in which he scored seven goals in thirty games, boded well for the future, but during the following season he did not live up to expectations. Drogba lost his place to Daniel Cousin due to injury, then upon his return, he failed to score throughout the remainder of the season. However, he returned to form the following season, scoring five goals in 21 appearances. Guingamp Halfway through the 2001–02 season Ligue 1 club Guingamp consolidated months of interest with a transfer offer and Drogba left Le Mans for a fee of £80,000. The second half of the 2001–02 season saw Drogba make 11 appearances and score three goals for Guingamp. While his contributions helped the club avoid relegation, the coaching staff remained unconvinced of their new young striker. However, the next season he rewarded his coaches' patience, scoring 17 goals in 34 appearances and helping Guingamp finish seventh, a record league finish. He credited his teammates for his impressive season, highlighting the contributions of winger Florent Malouda, a long time friend of Drogba, as a key factor in his goalscoring prolificity that season. His strong goal scoring record attracted interest from larger clubs and at the end of the season, he moved to Ligue 1 side Olympique de Marseille for a fee of £3.3 million. Marseille After a switch of coaches, Drogba retained his position in the team, scoring 19 goals and winning the National Union of Professional Footballers (UNFP) Player of the Year award. He also scored five goals in that season's UEFA Champions League and six in the UEFA Cup. At the end of the season, he was bought by Chelsea as the club's then record signing for £24 million. His shirt from his only season at Marseille is also framed in the basilica of Marseille, Notre-Dame de la Garde, which he presented to the church before the 2004 UEFA Cup Final. Chelsea 2004–06 Signing for Chelsea in July 2004 for £24 million, he became the club's record signing and the most expensive striker in English domestic football. Drogba scored in his third game for the club with a header against Crystal Palace. His season was interrupted when he pulled a stomach muscle against Liverpool which kept him out of action for over two months. Chelsea won the Premier League, only their second English top-flight championship and their first in 50 years, and the League Cup. Later, Drogba scored in extra time in a 3–2 final win against Liverpool at the Millennium Stadium, as well as reaching the semi-finals of the Champions League. Drogba scored a somewhat disappointing 16 goals in a total of 40 games for Chelsea in his first season: ten in the Premier League, five in the Champions League and one in the League Cup final. Drogba started the 2005–06 season by scoring two goals in a Community Shield win over Arsenal. His reputation was marred amidst accusations of cheating during Chelsea's 2–0 win over Manchester City. Replays showed that he had used his hand to control the ball before scoring the second of his two goals. This occurred just a week after a similar incident against Fulham where the goal was disallowed. Chelsea went on to retain the league title with two games to play, becoming only the second club to win back-to-back English titles in the Premier League era. Again Drogba finished with 16 goals for the season, 12 in the Premier League, two in the Community Shield, one in the Champions League and one in the FA Cup. 2006–07 After the departure of Damien Duff to Newcastle United, Drogba switched from the number 15 shirt he had worn for Chelsea since 2004 to the number 11 shirt vacated by Duff. Drogba scored 33 goals in all competitions during the season (more than his tally in the previous two seasons combined), including 20 in the Premier League to win the Golden Boot. In doing so, he became the first Chelsea player since Kerry Dixon in 1984–85 to reach 30 goals in a season, scoring 20 in the Premier League, six in the Champions League, three in the FA Cup and four in the League Cup. Among the highlights were scoring game-winners from outside the penalty area against Liverpool, Everton (from 35 yards out) and Barcelona, a 93rd-minute equaliser against Barcelona at the Camp Nou and both Chelsea's goals in their 2–1 League Cup final win over Arsenal. His goal against Liverpool saw him control the ball on his chest with his back to goal, before hitting a 20-yard half-volley on the turn. Liverpool defender Jamie Carragher who was closely marking Drogba said, "There's not a lot you can do in certain situations because they were that good." He also completed two hat-tricks; one against Watford and the other against Levski Sofia in the Champions League, Chelsea's first hat-trick in European competition since Gianluca Vialli in the Cup Winners' Cup in 1997. In his last competitive game that season, he scored the winning goal against Manchester United in the first FA Cup final at the new Wembley Stadium. This also meant he became the only player to score in both English domestic finals in the same season and win both. In January 2007, Drogba was named the Ivorian Player of the Year, ahead of Kader Keïta, Aruna Dindane, and Kolo Touré. In March, he was named African Footballer of the Year for the first time, ahead of Samuel Eto'o and Chelsea teammate Michael Essien. His performances during the season saw him named in the PFA Premier League Team of the Year and runner-up to Cristiano Ronaldo in the PFA Player of the Year awards. Drogba faced problems off the pitch during the end of the season as his transfer from Marseille to Chelsea in July 2004 came under scrutiny. The Stevens inquiry in June 2007 expressed concerns because of the lack of co-operation from agents Pinhas Zahavi and Barry Silkman. 2007–08 The 2007–08 season began badly for Drogba as he expressed his doubts about the departure of manager José Mourinho. He was reportedly in tears when Mourinho told him he was leaving the club, and said "Mourinho's departure destroys a certain familiarity we had at the club. Many of us used to play first and foremost for the manager. Now we need to forget those feelings and find another source of motivation". Following these claims, Drogba told France Football magazine "I want to leave Chelsea. Something is broken with Chelsea, The damage is big in the dressing room". Despite having signed a four-year contract with the club in 2006, Drogba reportedly pointed out several favoured clubs in the interview, identifying Barcelona, Real Madrid, A.C. Milan or Inter Milan as possible future destinations, he later admitted he regretted this and was 100% committed to Chelsea. Drogba made it up to the fans by scoring in Chelsea's 2–0 victory over Middlesbrough on 20 October 2007, against Schalke 04 in the Champions League four days later, and two goals against Manchester City. In December 2007, Drogba was voted fourth (after Kaká, Lionel Messi and Cristiano Ronaldo) for the 2007 FIFA World Player of the Year. Drogba continued scoring goals but suffered an injury at the training ground and decided to have an operation on his knee. He was unable to play for four weeks and missed key games against Valencia, Arsenal and Liverpool. Drogba returned from injury to play in an FA Cup third round match against Queens Park Rangers and wore the captain's armband for the last 30 minutes he was on the pitch, but that was his last performance for Chelsea before international duty at the Africa Cup of Nations. Upon his return, Drogba scored a goal in the 2008 League Cup Final, making him the all-time leading scorer in League Cup Finals with four goals, but could not help prevent Chelsea fall to a 2–1 defeat at the hands of Tottenham Hotspur. He scored both goals in a key 2–1 victory against Arsenal on 23 March 2008, bringing Chelsea equal on points with leaders Manchester United. On 26 April 2008, Drogba faced controversy after a clash with Manchester United defender Nemanja Vidić. The Serbian centre-back had to have stitches under his lip after losing a tooth in the clash. There was discussion whether Drogba had the intention or not to injure his rival. The debate also called into question an earlier incident on 26 November 2006 where Drogba elbowed Vidić. Manchester United manager Sir Alex Ferguson expressed concerns over elbowing in the Premier League. Despite media speculation, Drogba's yellow card for the clash was deemed adequate punishment by the Football Association. Controversy still dogged the player as before the UEFA Champions League semi-final second leg clash with Liverpool, Drogba was accused of diving by Liverpool manager Rafael Benítez. Benítez claimed to have compiled a four-year dossier of Drogba's "diving" antics but Drogba hit back at Benítez in an interview. On 30 April 2008, Drogba scored two goals in the second leg of the semi-final against Liverpool, which Chelsea won 3–2 at Stamford Bridge. This was the first time Chelsea had beaten Liverpool in the semi-finals of the Champions League, having lost their previous two meetings to Liverpool. This also led to Chelsea reaching their first Champions League Final. Drogba became Chelsea's top scorer in European competition, the two goals he scored put his total at 17, surpassing Peter Osgood's record of 16. Drogba was sent off in the 117th minute of the 2008 UEFA Champions League Final against Manchester United for slapping defender Vidić, becoming only the second player to be sent off in a European Cup final – after Jens Lehmann in 2006 – and the first for violent conduct. Chelsea went on to lose 6–5 on penalties after a 1–1 draw in extra time. Chelsea assistant boss Henk ten Cate revealed Drogba was due to take the decisive fifth spot-kick in the shootout. Team captain John Terry took his place but missed after slipping whilst taking the penalty. 2008–09 Drogba suffered a string of injuries early on in the 2008–09 season and struggled to regain fitness, missing games from August to November due to knee problems. He scored his first goal of the season in mid-November but there was little reason to celebrate: he incurred disciplinary action and a three-match ban for throwing a coin back into the stands and Chelsea suffered a League Cup defeat against Burnley. Drogba scored his second goal of the season in a 2–1 victory against CFR Cluj in the UEFA Champions League, while his first Premier League goal of the season came in a 2–0 win against West Bromwich Albion in late December 2008. Having missed many games through injury and suspension, Drogba had lost his first team place and manager Scolari favoured playing Nicolas Anelka as a lone striker rather than pairing the two. However, he resolved to regain his position in the squad. Upon the temporary appointment of Guus Hiddink in early February following the sacking of Scolari, Drogba enjoyed a rejuvenation of sorts, returning to his goal-scoring form with four goals in five games after the new manager took over. His revival in form saw him net twice against Bolton Wanderers, and four times in four Champions League matches, one in each leg of the last sixteen and quarter-final of the competition against Juventus and Liverpool respectively, with these goals ensuring Chelsea's passage into the semi-finals. Just four days after his Champions League games, Drogba scored a late goal in the FA Cup semi-final match against Arsenal after Frank Lampard's pass found Drogba and he carefully rounded Arsenal goalkeeper Łukasz Fabiański before passing the ball into Arsenal's empty net. Drogba also caused controversy after Chelsea's Champions League semi-final defeat at the hands of Barcelona. Feeling that many decisions had gone against Chelsea, substituted Drogba confronted referee Tom Henning Øvrebø after the final whistle. He received a yellow card in the process and was recorded shouting "It's a fucking disgrace" into a live television camera. On 17 June 2009, UEFA subsequently handed him a six-game European ban with the final two games suspended. The ban then was reduced by one match after an appeal by Chelsea. In the 2009 FA Cup Final, Drogba scored Chelsea's first and equalising goal as they went on to win 2–1. This was his sixth goal in a major cup final in England. Although Drogba had previously expressed his desire to switch clubs, he decided to remain with the Blues under new coach Carlo Ancelotti and signed a new contract. 2009–10 Drogba began the 2009–10 season in fine form for Chelsea, netting a penalty during a shoot-out win in the Community Shield over Manchester United, before scoring twice in a 2–1 victory over Hull City. Drogba earned himself an assist when he was fouled in the penalty box to give Chelsea a penalty, which Frank Lampard converted, in a 3–1 victory over Sunderland. In Chelsea's third game of the season against West-London rivals Fulham, Drogba scored his third goal of the season. Drogba scored his fourth goal of the season, against Stoke City; Chelsea ended winning the game 2–1 with a late strike from Malouda. He added a fifth at home against London rivals Tottenham Hotspur on 20 September. He scored his 100th goal for Chelsea in a 3–1 defeat against Wigan Athletic. Drogba was again important in the 2–0 win over title rivals Liverpool on 4 October. He assisted both goals, setting up Nicolas Anelka and Florent Malouda. He then scored a glancing header against Blackburn on 24 October 2009, bringing his tally to eight goals in eleven appearances, scoring his third goal in as many games. Drogba continued his fine form scoring a header against Bolton Wanderers in a 4–0 win in the League Cup, Drogba went on to score a goal in the same week with another 4–0 win against Bolton Wanderers in the Premier League. After missing the first three Champions League matches for Chelsea with a ban for being unsportsmanlike, Drogba started the fourth game against Spanish side Atlético Madrid. He scored two goals in the last ten minutes and the match ended 2–2. On 29 November, Drogba scored a goal against London rivals Arsenal at the Emirates Stadium, the second of which a free kick from outside the box. It brought his tally for the season to 14 goals in 16 games. On 12 December, Drogba continued his performance with two goals in 3–3 draw against Everton. Between 3 and 30 January Drogba was on Africa Cup of Nations duty and came back on 2 February against Hull City where he scored a 40th-minute equaliser to tie the game 1–1. On 24 March, Drogba scored his 30th goal of the season in an away game against Portsmouth. On 9 May, Drogba helped Chelsea to win the Premier League by scoring a hat-trick in an 8–0 win over Wigan Athletic. In doing so, he not only collected his third League winner's medal but also won the Golden Boot for the season, his second time doing so, by topping the chart with 29 league goals, beating Wayne Rooney to the title who remained on 26 goals. Both players had the same number of goals (26) before the start of their respective matches. However, during the game, Drogba appeared to be clearly angry with teammate and regular penalty taker Frank Lampard, after Lampard refused to let Drogba take a penalty which would lead Chelsea to go 2–0 up and give him a chance of winning the golden boot. Lampard scored the penalty, but Drogba did not celebrate with his teammates. Later on in the game though Ashley Cole was tripped in the box when Chelsea were already 5–0 up, and this time Lampard allowed Drogba to take the penalty, which he scored to go two goals clear of Rooney. The following week, Drogba scored the only goal of the 2010 FA Cup Final against Portsmouth from a free-kick, keeping up his record of having scored in all six English cup finals (FA Cup and League Cup) in which he has played. 2010–11 Drogba came on as a substitute for Anelka against Manchester United in the Community Shield, but could not help prevent Chelsea from succumbing to a 3–1 loss. However, he started the Premier League season in fine form, continuing from where he left off on the last day of the previous campaign as he scored a hat-trick against West Bromwich Albion in a 6–0 victory. In Chelsea's next game against Wigan Athletic at the DW Stadium, Drogba made three assists in another 6–0 win. Drogba played the next game at home against Stoke City where he lasted the whole 90 minutes and scored his fourth Premier League goal of the season when he kicked home a penalty after Nicolas Anelka was brought down by Thomas Sørensen inside the box. On 7 November 2010, Drogba missed the first half of Chelsea's 2–0 defeat by Liverpool at Anfield. It was later revealed that he had been suffering from malaria for at least a month. He had first complained of feeling unwell before the October 2010 international break but the illness was only diagnosed on 8 November 2010. Having diagnosed the problem, Chelsea insisted that he would make a full recovery within days. 2011–12 While playing against Norwich City on 27 August 2011, Drogba suffered a concussion in a collision with Norwich goalkeeper John Ruddy. After missing two games, Drogba made his return to the Chelsea squad on 24 September against Swansea City. Drogba went on scoring his first goal of the season in a 4–1 win. On 29 November, Drogba rejected a new deal with Chelsea and was set to sign for the highest bidder. On 31 December 2011, Drogba scored his 150th goal for Chelsea against Aston Villa, putting him level with Peter Osgood and Roy Bentley in terms of the club's top scorers of all time. Even though, Chelsea was leading with the penalty scored by Drobga, the game ended in a 3–1 loss for Chelsea. Drogba scored his 99th Premier League goal for Chelsea on 25 February 2012, in a 3–0 win over Bolton Wanderers. Drogba scored his 100th Premier League goal for Chelsea on 10 March 2012, in a 1–0 win over Stoke City. He is the first African player to reach that landmark. Drogba scored his seventh goal at Wembley Stadium against London rivals Tottenham Hotspur on 15 April, blasting the ball past former teammate Carlo Cudicini as Chelsea became 5–1 winners and secured a place in the FA Cup Final against Liverpool. Three days later, he scored a vital goal as Chelsea beat Barcelona 1–0 at Stamford Bridge in the first leg of their UEFA Champions League Semi-final clash. Drogba became the first player to score in four different FA Cup Finals, as he netted the winner in Chelsea's 2–1 triumph over Liverpool on 5 May. Drogba also holds the record for most goals scored at the new Wembley Stadium with eight. In the Champions League final against Bayern Munich on 19 May 2012, with Chelsea finding themselves 1–0 down, Drogba scored the equaliser from Juan Mata's corner in the 88th minute, taking the game into extra time, where he then gave away a penalty for Bayern after fouling Franck Ribéry in the box; former teammate Arjen Robben's shot was saved by Petr Čech. The game went to a penalty shootout, where he scored the winning penalty to give Chelsea their first Champions League trophy. Sir Alex Ferguson remarked: "As far as I was concerned, he [Drogba] won the Champions League for Chelsea." Drogba's headed effort marked his ninth goal in nine cup final appearances for Chelsea, Chelsea legend Gianfranco Zola spoke after the match about Drogba's ability in big games: "In all their very important matches he has put a stamp on it." In November 2012, Drogba was named Chelsea's greatest ever player in a poll of 20,000 fans conducted by Chelsea FC Magazine. Shanghai Shenhua On 22 May 2012, Chelsea released a note on their official website announcing that Drogba would leave the club when his contract expired at the end of June 2012. On 19 June 2012, Drogba declared he would be joining Chinese Super League side Shanghai Shenhua, linking up with his former Chelsea teammate Nicolas Anelka. It was reported that he signed a two-and-a-half-year deal where he would earn £200,000 a week. On 22 July, Drogba made his debut for Shanghai Shenhua in a 1–1 away draw against Guangzhou R&F, coming on as a substitute for Brazilian defender Moisés in the second half. He assisted Cao Yunding's equaliser in the 67th minute. On 4 August, he scored his first two goals in a 5–1 win against Hangzhou Greentown. He scored two more goals on 25 August, both set up by Anelka, as Shenhua drew 3–3 with Shandong Luneng. Galatasaray On 28 January 2013, Drogba agreed to a one-and-a-half-year deal with Süper Lig team Galatasaray. He would earn a sign-on fee of €4 million plus basic wage of €4 million per season, €2 million for the remaining 2012–13 Süper Lig and €15,000 per match. However, on 30 January 2013, Shenhua released a press release that Drogba would unilaterally breach his contract if he were to join Galatasaray. Drogba argued that he had not been paid his wages by the club and asked FIFA, the sport's governing body, to invalidate his contract. In February 2013, FIFA granted a temporary license for him to play for Galatasaray pending the outcome of the contract dispute. On 15 February, Drogba scored his debut goal for Galatasaray just five minutes after coming off the bench against Akhisar Belediyespor in a match that ended 2–1. On 9 April, Drogba scored his first goal for Galatasaray in the Champions League quarter-final game, against Real Madrid. On 20 April, Drogba scored twice in a match against Elazigspor that ended 3–1. He won his first title with Galatasaray on 5 May, with a 4–2 win over Sivasspor. In Galatasary's derby match against Istanbul rivals Fenerbahçe on 12 May, Drogba and his Ivorian teammate Emmanuel Eboue were subjects of racist chants from opposing fans in the team's 2–1 loss, but no fine or bans were handed down to the supporters or the club. On 11 August, he scored the only goal in the 2013 Turkish Super Cup against the same opponents, and he scored two second-half goals in a 2–1 away win against fellow city rivals Beşiktaş on 22 September, although the match was abandoned due to hooliganism from fans of the opponents. Return to Chelsea On 25 July 2014, Chelsea announced on their official website that Drogba completed his return to the club on a free transfer, and signed a one-year contract. Speaking on his move back to the club, Drogba said:It was an easy decision. I couldn't turn down the opportunity to work with José Mourinho again. Everyone knows the special relationship I have with this club and it has always felt like home to me. Mourinho also commented on the transfer, saying: "He's coming because he's one of the best strikers in Europe. I know his personality very well and I know if he comes back he's not protected by history or what he's done for this club previously. He is coming with the mentality to make more history." On 28 July 2014, Chelsea announced that Drogba would wear the number 15 shirt which he wore when he first signed for the club in 2004. Mohamed Salah, who wore the number during the 2013–14 season, took over the number 17 shirt vacated by Eden Hazard. On 15 August, however, it was announced that Drogba had been given back the number 11 shirt he previously wore at the club, with its previous occupant Oscar taking over the number 8 jersey vacated by Frank Lampard. Drogba made his Premier League return for Chelsea in a 3–1 win away to Burnley, replacing winger Eden Hazard in the 84th minute at Turf Moor on 18 August 2014. On 17 September he made the first start of his second spell, in a 1–1 home draw against Schalke 04 in Chelsea's first game of the Champions League group stage. He scored his first goal in his second spell at Stamford Bridge on 21 October, converting a penalty kick in a 6–0 win over Maribor in the Champions League. Five days later, with Chelsea's attack limited by injuries to Diego Costa and Loïc Rémy, Drogba started against Manchester United at Old Trafford, making his 350th appearance for the club. Early in the second-half, he headed in the first Premier League goal of his second spell although Robin van Persie equalised in added time. He scored his 50th goal in European football against Schalke 04. On 24 May 2015, Drogba announced that Chelsea's final game of the season against Sunderland would be his last as a Chelsea player. He started the game as captain and was substituted with injury after half an hour, being carried off by his teammates in an eventual 3–1 win. Drogba's final total of 104 goals was the most by an African in Premier League history until it was surpassed by Liverpool and Egypt forward Mohamed Salah in 2021. Montreal Impact On 27 July 2015, Drogba signed a Designated Player contract with Major League Soccer side Montreal Impact, believed to be 18 months in length. On 23 August, he made his debut in a 0–1 home loss against the Philadelphia Union, coming on as a substitute for Dilly Duka in the second half. On 5 September, Drogba scored a hat-trick on his first MLS start, the first player to do so in the league's history. Additionally, it was considered a "perfect hat-trick", with one goal scored with either foot and one with the head. He was September's MLS Player of the Month after scoring 7 goals in his first 5 games in the league. On 25 October, he scored both of the Impact's goals from back heels as the team came from behind to defeat Toronto FC 2–1 at home in the Canadian Classique; the win gave Montreal the home advantage for their knock-out fixture against Toronto in the 2015 MLS Cup Playoffs. Drogba finished the 2015 MLS regular season with 11 goals in 11 games. On 29 October, Drogba scored Montreal's third goal in a 3–0 home win over Toronto in the knock-out round of the Playoffs, to advance to the Eastern Conference Semi-finals for the first time in the club's history; they were eliminated by Columbus Crew SC. He was named one of the three finalists for the 2015 MLS Newcomer of the Year Award. During the MLS offseason, recently appointed Chelsea manager Guus Hiddink revealed interest in bringing on Drogba in a short-term coaching capacity after Drogba made a visit to Stamford Bridge to watch a Chelsea match with Hiddink and owner Roman Abramovich. Montreal then reiterated their intent for Drogba to finish his contract with the club, but were left uncertain until Drogba publicly confirmed his intent to play with Montreal for the 2016 MLS season on 3 March 2016. After beginning his preseason training in Qatar away from the club, Drogba joined the Impact for the second half of their preseason training in St. Petersburg, Florida. On 3 March, club technical director Adam Braz announced that Drogba would not play matches on artificial turf to begin the season due to possible implications on his knee. In July 2016, Drogba was included in the roster for the 2016 MLS All-Star Game, scoring in a 2–1 defeat to Arsenal on 28 July. On 14 October, following his exclusion from the starting lineup of a match against Toronto FC by manager Mauro Biello, Drogba refused to play for the team that night, removing his name from the squad. With both his fitness, due to a lingering back injury, and his role in the team in question, Drogba did not travel with the team to, although he was in attendance at, their first postseason match at D.C. United, a 4–2 victory on 27 October. Drogba did not experience the same level of success in his second regular season compared to the first, but still scored 10 goals while appearing in only 22 games, as Montreal reached the Conference Final of the 2016 Playoffs. Phoenix Rising On 12 April 2017, after nearly four months as a free agent and declining a move to Brazilian side Corinthians, Drogba signed for USL side Phoenix Rising FC. He also became a minority owner of the club, making him the very first player-owner in football history. He made his debut for the club on 10 June 2017, and scored a goal and an assist, leading the team to a 2–1 victory over Vancouver Whitecaps FC 2. In July 2017 Drogba attracted attention after scoring an impressive last-minute free kick in a game against Orange County to tie the game. On 7 August, he scored with a powerful 40-yard free kick against LA Galaxy reserve side which was followed by his classic knee-slide goal celebration in front of the bench. In November 2018, at the age of 40, Drogba scored against Orange County as Phoenix won the USL Western Conference. On 8 November, Phoenix lost the USL Championship game 1–0 at Louisville City FC. Drogba retired later that month at the age of 40, but remained with his final club to work on their bid to join MLS. International career As the talisman of the team Drogba contributed to the Ivory Coast qualifying for its first ever FIFA World Cup, held in Germany in 2006. Following the victory over Sudan that clinched World Cup qualification he also played a pivotal role in helping to end the Ivorian civil war by making an impassioned speech to the camera which resulted in a cease fire. In February 2006, Drogba captained the Ivory Coast to their second Africa Cup of Nations final, scoring the only goal in their semi-final match with Nigeria and putting away the deciding spot-kick in their record-tying 12–11 penalty shootout quarter-final win over Cameroon. However, they lost in the final to Egypt 4–2 on penalty kicks after a 0–0 draw, with Drogba's shot being stopped by Egyptian goalkeeper Essam El Hadary. At the 2006 FIFA World Cup, the Ivory Coast were drawn in a "group of death" with Serbia and Montenegro, the Netherlands and Argentina. On 10 June 2006, Drogba scored the first World Cup goal of his career and of his country's history in the opening game against Argentina, but his team lost 2–1. The Ivory Coast were eliminated from the World Cup after their next game, a 2–1 defeat to the Netherlands, but came from 0–2 down to win against Serbia and Montenegro 3–2 in their final group game, with Drogba watching from the sidelines following suspension after picking up a yellow card in the previous two games. In the 2008 Africa Cup of Nations, the Ivory Coast were drawn in a group with Nigeria, Mali and underdogs Benin. Drogba scored two goals in the group stage, opening the scoring in the 4–1 win over Benin, as well as in the 3–0 win over Mali. In the quarter-finals, Drogba was on the score sheet once again in the 5–0 win over Guinea with the last four goals coming in the final twenty minutes. The semi-final was a rematch of the 2006 final against Egypt, but it was to be the end of the road for Drogba and the Ivory Coast, losing 4–1 to the eventual champions. On 9 February, Drogba lost 4–2 to hosts Ghana and thus ended their run in the playoffs. Drogba scored six goals in five qualification games to help the Ivory Coast qualify for the 2010 FIFA World Cup. In the 2010 Africa Cup of Nations Drogba scored one goal in the 3–1 victory against Ghana in the group stage. The Ivory Coast reached the quarter-finals but lost 2–3 to Algeria. In March 2010, he was named as the 2009 African Footballer of the Year, his second time winning the award in his career. On 4 June 2010, Drogba was injured in a friendly match with Japan. He received the injury in a high challenge from defender Túlio Tanaka. He fractured the ulna in his right arm and had an operation the next day in the hope of making the finals. On 15 June 2010, Drogba was cleared by FIFA to play in the Ivory Coast's first group game against Portugal wearing a protective cast on his broken arm. The match ended in a goalless draw at the Nelson Mandela Bay Stadium with Drogba coming on in the 65th minute. On 20 June 2010, Drogba became the first player from an African nation to score against Brazil in a World Cup match, scoring with a header in the 78th minute as the Ivory Coast were defeated 1–3. On 25 June 2010, the Ivory Coast went out of the competition despite winning 3–0 against North Korea in their final match. In the 2012 Africa Cup of Nations, the Ivory Coast were drawn in a group with Sudan, Angola and Burkina Faso. Drogba scored the first goal for his team in the tournament against Sudan and his only goal in the group stage. In the quarter-finals, Drogba scored twice in the 3–0 win over Equatorial Guinea but he missed a penalty kick where he could have scored hat-trick in the match and tournament. He did not score in the semi-final in which the Ivory Coast beat Mali 1–0. In the final against Zambia, Drogba missed a penalty kick in the last 15 minutes of the game, which ended with their loss for the second time by penalty shootout. In June 2014, Drogba was named in the Ivory Coast's squad for the 2014 FIFA World Cup. He won his 100th international cap in a pre-tournament friendly against Bosnia and Herzegovina, scoring a penalty kick in his side's 2–1 loss on 2 June. In the Ivory Coast's opening match, he appeared as a second-half substitute with the team trailing 1–0 to Japan. Within five minutes of Drogba's arrival, Les Éléphants scored twice to win the match 2–1. On 8 August 2014, Drogba announced his retirement from international football with a record of 65 goals in 105 appearances. Style of play Given his relatively late breakthrough into professional football, Drogba has often been described as a late bloomer, having signed his first professional contract with Le Mans at the age of 21. He was noted for his physical strength, speed, ability in the air, powerful and accurate strikes, and ball retention. Initially a right-back in his youth, due to his ability to hold-up the ball with his back to goal, he often played as a centre-forward throughout his professional career, and has been described as "the definition of 'target man'" by Martin Li of Bleacher Report. Richard Beech of the Daily Mirror says that his "powerful and intrusive approach made him the lone striker José Mourinho grew to admire, and made it nearly impossible for opposing teams to isolate him and freeze him out of the game." Carl Anka of the BBC writes, "Drogba's robust playing style was so effective that he spearheaded the movement of the Premier League from the 4–4–2 era to a time where the 4–3–2–1 formation was king." Drogba is renowned for performing in big games, with a goalscoring record at club level of 10 goals in 10 finals winning 10 trophies. Carl Anka writes, "Local derbies, top four six-pointers, title challenges or cup finals — if the game was big, Drogba got bigger". Drogba was also capable of providing assists to his teammates. Between the 2009–10 and 2011–12 seasons, he managed 24 assists in the Premier League, with an average pass success rate of 61.4 per cent, owing to his vision and creativity on the ball. He provided 71 assists to teammates over the course of his entire career at Chelsea until May 2012, showing that he is also a team player. Drogba was also known for his free kick ability where he would strike the ball with power and pace. Dr. Ken Bray of the University of Bath has described him as a specialist especially from central positions, and says that he "really just passes the ball very hard". He adds, "He hits it [the ball] very straight and appears to hit the ball with a very powerful side-foot action, almost like the technique used in a side-foot pass. Drogba's style is about beating the goalkeeper with speed and depth." Bleacher Report states he adopted the "knuckle ball" technique developed by Juninho Pernambucano where the ball has almost no spinning motion during flight. Drogba's trademark goal celebration saw him slide on his knees accompanied with an arm pump and a salute to fans – his celebration appears in EA Sports' FIFA video game. One of the greatest African players ever, Drogba is usually ranked among the three greatest African strikers, alongside George Weah and Samuel Eto'o. Drogba's diverse and robust playing style has seen him frequently cited as the toughest striker numerous defenders have had to face, these include Gerard Piqué, Carles Puyol, Chris Smalling, Nemanja Vidić, and Laurent Koscielny. Outside football Personal and family life Drogba was married to Lalla Diakité, a Malian woman whom he met in Paris, and the couple had three children together. His eldest son, Isaac, was born in France in 1999, grew up in England and has played in the Chelsea academy system. He signed for French club Guingamp in February 2018. Drogba has two younger brothers who are also footballers: Joël and Freddy Drogba. Freddy, born in 1992, joined French Ligue 1 side Dijon FCO, and played for the youth team. He is a devout Roman Catholic. His uncle, Michel Goba, is also a professional footballer and Ivorian international, and his cousin Kévin Goba (Michel's son) is a professional footballer who played in the lower leagues of France. In a statement posted on Instagram in January 2021, Drogba confirmed his divorce with his wife Lalla, adding that it was a mutual agreement between the two. “I'm not in the habit of discussing my private life. But because of speculation in the media today, I can confirm that sadly, after 20 years together, Lalla and I took the difficult decision to separate last year... We remain very close and our main priorities have been to protect our children and our family's private life. May God bless you.” Philanthropy Drogba is credited with playing a vital role in bringing peace to his country. After the Ivory Coast qualified for the 2006 World Cup by defeating Sudan on 8 October 2005, Drogba made a desperate plea to the combatants, asking them to lay down their arms, a plea which was answered with a cease fire after five years of civil war. Carl Anka writes, "torn by religious and political tensions, Drogba seized a unifying moment for his country and invited TV cameras into the Elephants changing room where he made a speech to the camera. The man spoke and a nation listened — the elections went off without bloodshed." Drogba later helped move an African Cup of Nations qualifier to the rebel stronghold of Bouake, a move that helped confirm the peace process. On 24 January 2007, Drogba was appointed by the United Nations Development Programme (UNDP) as a Goodwill Ambassador. The UNDP were impressed with his previous charity work and believed that his high-profile would help raise awareness on African issues. In September 2011, Drogba joined the Truth, Reconciliation and Dialogue Commission as a representative to help return peace to his home nation. His involvement in the peace process led to Time magazine naming Drogba one of the world's 100 most influential people for 2010. Drogba's charity work continued when, in late 2009, he announced he would be donating the £3 million signing on fee for his endorsement of Pepsi for the construction of a hospital in his hometown of Abidjan. This work was done through Drogba's recently created "Didier Drogba Foundation" and Chelsea announced they too would donate the fee for the deal toward the Foundation's project. Drogba decided on building the hospital after a recent trip to the Ivorian capital's other hospitals, saying "I decided the Foundation's first project should be to build and fund a hospital giving people basic healthcare and a chance just to stay alive." The same year, Drogba teamed up with sportswear company Nike (whom he is sponsored by) and U2 frontman Bono on the eve of World AIDS Day to fight AIDS, Tuberculosis and Malaria. Drogba said, "It's a big honour and pleasure for me to be linked with Bono and try to help him save some lives. AIDS and HIV is something that really destroyed Africa, and people don't really realise how easy it is to save lives — only two pills a day, which is 40 cents." In November 2014, Drogba appeared in FIFA's "11 against Ebola" campaign with a selection of top football players from around the world, including Cristiano Ronaldo, Neymar, Gareth Bale and Xavi. Under the slogan "Together, we can beat Ebola", FIFA's campaign was done in conjunction with the Confederation of African Football and health experts, with the players holding up eleven messages to raise awareness of the disease and ways to combat it. On 22 February 2018, Drogba, former AC Milan striker and current Liberia President George Weah, and teenage French prodigy Kylian Mbappé had a meeting with French President Emmanuel Macron and FIFA President Gianni Infantino at the Élysée Palace in Paris that focused on a sports development project in Africa. As a UNDP Goodwill Ambassador, Drogba has taken part in the annual Match Against Poverty alongside Ronaldo and Zinedine Zidane. He has appeared in the 2012 and 2015 games. Levallois Sporting Club, the amateur club where Drogba began his career, used their percentage of his transfer fees including £600,000 out of the £24 million paid when he joined Chelsea – first to ensure the club's survival, and then to improve their stadium to incorporate modern sports facilities for the benefit of the local community. They renamed the new stadium Stade Didier Drogba after him. In 2018, Drogba was appointed Vice President of Peace and Sport, an independent organisation based in Monaco and under the patronage of Prince Albert II of Monaco that works in areas across the world where communities have become estranged from one another. In June 2021, he received an honorary degree from RUSTA, due to his contributions to the growth of the game of football and restoration of stability in his home country. Media On 2 December 2019, Drogba co-hosted the 2019 Ballon d’Or ceremony in Paris alongside journalist Sandy Heribert. On 29 November 2021 the duo co-hosted the next ceremony in 2021 which saw Lionel Messi receive the men's award for a record seventh time whilst Alexia Putellas won the Ballon d'Or Féminin. Career statistics Club International Source: Honours Marseille UEFA Cup runner-up: 2003–04 Chelsea Premier League: 2004–05, 2005–06, 2009–10, 2014–15 FA Cup: 2006–07, 2008–09, 2009–10, 2011–12 Football League Cup: 2004–05, 2006–07, 2014–15; runner-up: 2007–08 FA Community Shield: 2005, 2009 UEFA Champions League: 2011–12 Galatasaray Süper Lig: 2012–13 Turkish Cup: 2013–14 Turkish Super Cup: 2013 Phoenix Rising Western Conference (USL): 2018 Ivory Coast Africa Cup of Nations runner-up: 2006, 2012 Individual Africa Cup of Nations Team of the Tournament: 2006, 2008, 2012 Africa Cup of Nations Top Scorer: 2012 African Footballer of the Year: 2006, 2009 Alan Hardaker Trophy: 2007 Barclays Spirit of the Game Award: 2015 BBC African Footballer of the Year: 2009 BBC Goal of the Month: October 2009 CAF Team of the Year: 2005, 2006, 2009, 2010, 2012 Chelsea Players' Player of the Year: 2007 Chelsea Player of the Year: 2010 ESM Team of the Year: 2006–07 FA Community Shield Man of the Match: 2005 FA Cup Final Man of the Match: 2010 FIFPro World XI: 2007 FWA Tribute Award: 2015 Globe Soccer Awards Off the Pitch Award: 2022 Golden Foot: 2013 GQ Sportsman of the Year: 2012 IFFHS All-time Africa Men's Dream Team: 2021 Ivory Coast Player of the Year: 2006, 2007, 2012 Ligue 1 Goal of the Year: 2003–04 Ligue 1 Player of the Month: January 2004, May 2004 Ligue 1 Player of the Year: 2003–04 Ligue 1 Team of the Year: 2003–04 MLS All-Star: 2016 MLS Player of the Month: September 2015, October 2015 Montreal Impact Top Scorer: 2015 Onze d'Or: 2004 Onze de Bronze: 2007 Premier League Golden Boot: 2006–07, 2009–10 Premier League Hall of Fame: 2022 Premier League Most Assists: 2005–06 PFA Team of the Year: 2006–07 Premier League, 2009–10 Premier League Time Top 100: 2010 Turkish Footballer of the Year: 2013 UEFA Champions League Final Man of the Match: 2012 UEFA Cup Top Scorer: 2003–04 UEFA President's Award: 2020 UEFA Team of the Year: 2007 UNFP Trophy of Honour: 2019 West African Footballer of the Year: 2010 Records Chelsea Most goals scored by a non-English player: 164 goals. Most goals scored in Cup Finals: 9 goals. Most goals scored in European club competitions: 36 goals. Most Premier League hat-tricks: 3 hat-tricks (shared-record). Most Premier League goals in a season: 29 goals in 2009–10. Most Premier League Golden Boot wins: 2 (2006–07 and 2009–10). Most Premier League away goals scored in a season: 15 in 2009–10. Most goals in all competitions in a season by a foreign player: 37 goals in 2009–10. First player to score a Champions League hat-trick. Oldest player to score in the Champions League: 36 years, 8 months, 14 days. Other Most goals and assists combined for with another player in the Premier League: 36 with Frank Lampard. One of seven players to score an opening weekend Premier League hat-trick. One of six players to score a hat-trick in consecutive Premier League games. The only player score in and win both English domestic cup finals in the same season. The only player to score in three League Cup finals. The only player to score in four FA Cup finals. Most goals scored at the New Wembley Stadium: 8 goals. Most goals scored in UEFA club competitions by an African player: 50 goals. Most goals scored in the Champions League by an African player: 44 goals. Oldest African goal scorer in the Champions League: 36 years and 259 days old. Most appearances in Champions League by an African player: 94 matches. Most goals scored for an English team in the Champions League: 36 goals with Chelsea. One of eleven players to score hat-tricks for multiple clubs in the Champions League. Ivory Coast national team all-time top scorer: 65 goals. See also List of men's footballers with 50 or more international goals List of footballers with 100 or more caps References External links Didier Drogba's official website – available (in English and French) (archived 16 February 2015) Didier Drogba at Soccerbase Didier Drogba at Soccerway BBC World Service: African Footballer of the Year 2008 Profile at SoccerSurfer.com (archived 19 March 2011) ESPN profile (archived 13 February 2010) Didier Drogba – FIFA competition record (archived) Didier Drogba – UEFA competition record (archive)
List_of_Northern_Ireland_international_footballers
https://en.wikipedia.org/wiki/List_of_Northern_Ireland_international_footballers
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The Northern Ireland national football team represents Northern Ireland in international association football. It is organised by the Irish Football Association (IFA), which was formed in 1880, prior to the partition of Ireland. The original Ireland national team was selected by the IFA and included players from all of Ireland. Following the creation of the Irish Free State, the Football Association of Ireland (FAI) was set up and it picked its own national team. Until 1950, both Irish associations picked players from the whole of the island, which resulted in there being several 'dual internationals' (33 originating from the territory of the Irish Republic and six from the territory of Northern Ireland). After complaints by the FAI against this practice being used by the IFA during 1950 FIFA World Cup qualification matches, FIFA decreed that each association should select teams based on their own part of Ireland. Until the 1950s, the only major competition entered by Ireland/Northern Ireland was the British Home Championship, which operated until 1984. The team won the competition eight times, taking the title outright on three occasions, including the last championship in 1984. The best World Cup performance by Northern Ireland was in their first appearance in the finals, the 1958 World Cup, where they reached the quarter-finals after beating Czechoslovakia 2–1 in a play-off. Northern Ireland became the smallest country to have qualified for the World Cup, a record that stood until Trinidad & Tobago qualified for the 2006 World Cup. Northern Ireland qualified for the 1982 World Cup. Gerry Armstrong scored the goal in a shock 1–0 win against tournament hosts Spain, which helped the team progress to the second group stage by winning their first group stage. Norman Whiteside became the youngest player ever in the World Cup finals, breaking a record set by Pelé. Northern Ireland also qualified for the 1986 World Cup, but did not progress beyond the first group stage. Billy Bingham, a playing member of the 1958 squad, was manager for both of these tournaments. Northern Ireland qualified for the UEFA European Championship for the first time in 2016. They defeated West Germany 1–0 both home and away in UEFA Euro 1984 qualifying and David Healy set a record for goals scored in one European qualifying section, by scoring 13 times in UEFA Euro 2008 qualifying. List of players The list includes all players who were selected for Ireland (IFA) from 1882 to 1952 (including those from the territory of what became the Irish Republic, 33 of whom also played for the FAI team), and all those who played for Northern Ireland from then on. Caps/goals in unofficial wartime international matches are not included here, and any players who appeared in them but did not gain an official cap are not listed. Key As of 21:10, 11 April 2023 (UTC) References External links Northern Ireland's Footballing Greats
Keith_Gillespie
https://en.wikipedia.org/wiki/Keith_Gillespie
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Keith Robert Gillespie ( ghil-ESP-ee; born 18 February 1975) is a Northern Irish former professional footballer who plays as a winger for FC Mindwell in the Mid-Ulster Football League. He began his career at Manchester United after winning the FA Youth Cup in 1992, before moving to Newcastle United, where he played in the UEFA Champions League. Gillespie also played in the Premier League for Blackburn Rovers, Leicester City and Sheffield United, helping Blackburn win the Football League Cup in 2002. Towards the end of his career, he played for Glentoran in the Irish League and Longford Town in the League of Ireland. Gillespie earned 86 caps for Northern Ireland between 1994 and 2008, putting him 6th in their most capped players of all time. He had well-publicised issues with problem gambling during his career, and has since spoken out about gambling. Club career Early career Gillespie was born in Larne, County Antrim. His first years were spent in Islandmagee, County Antrim where he attended Whitehead Primary School. He later moved to Bangor, County Down where he attended Rathmore Primary School and Bangor Grammar School. He was scouted playing for St Andrews FC from Belfast, and was the first professional footballer to come from this club. Manchester United Gillespie signed for Manchester United on leaving school in the summer of 1991, being a member of the FA Youth Cup winning side in 1992. Also in that team were Ryan Giggs, Paul Scholes, David Beckham, Gary Neville and Robbie Savage. Gillespie made his first senior appearance for Manchester United in the 1992–93 season. He scored on his debut against Bury in a 2–0 FA Cup third round triumph on 5 January 1993. He was issued with the number 31 shirt for the 1993–94 season with the introduction of squad numbers, but did not play any first team games and was loaned to Division Three club Wigan Athletic, scoring four goals in eight games. Occasional appearances for United followed in 1994–95, but he was never able to displace Andrei Kanchelskis as United's first-choice right winger. He moved to Newcastle United on 10 January 1995, as a £1 million component in the £7 million deal (£6 million cash) which took Andy Cole to Old Trafford. Gillespie had scored one of United's goals against Newcastle in the 2–0 victory at Old Trafford. This meant that he had scored twice for Manchester United in three seasons as a professional. Newcastle United On 20 August 1995, the News of the World carried reports that Gillespie was subject of an approach from Alex Ferguson to return to Manchester United to fill the gap on the right wing being left by the sale of Andrei Kanchelskis to Everton, but the return to Old Trafford never happened and United instead turned to up-and-coming youngster David Beckham to occupy that position. 18 years later, Gillespie confirmed that Ferguson did contact him regarding a possible return to Manchester United, but claims that he heard nothing more about the prospective transfer after that original telephone conversation with his former manager. Gillespie stayed at Newcastle for three and a half years and during this time he played 143 games, including 15 European ties (in both the Champions League and UEFA Cup) and scored 13 goals. In both the 1995–96 and 1996–97 seasons he helped Newcastle to finish second in the Premier League (runners up to Gillespie's former club, Manchester United, on both occasions), being a key member of "The Entertainers". On the first occasion, the Magpies very nearly beat Gillespie's old club to the title, having been 10 points ahead of them by Christmas 1995 before a dismal final three months of the season saw the title sealed by Gillespie's former team mates. Initially injured from a Phil Neville tackle in a 0–2 defeat at Old Trafford on 27 December 1995 causing him to miss the following three games, at the end of the 1995–96 season Gary Lineker, then a BBC pundit, said that one of the main reasons that Newcastle lost out on the title race was because they dropped Gillespie (who had been supplying Newcastle's forwards with a stream of good crosses) for several key games in the latter part of the season. In September 1996, Gillespie was outed as a problem gambler by The Sun. He then accepted a £5,000 payment by the same tabloid to publicly thank them for helping out his problem. Gillespie has publicly said that he would bet on matches involving his own team, and once lost £52,000 because he had bet on Newcastle scored a late goal and he had bet on them beating Stoke City by under four goals. In his final full season at Newcastle, the 1997–98 season, Gillespie assisted two of Faustino Asprilla's three goals in a 3–2 Champions League victory over FC Barcelona on 17 September 1997. He also scored what he later claimed was his best goal for the club when playing up front due to an injury crisis at home to Blackburn Rovers in 1-1 draw on 25 October 1997. He also helped Newcastle to reach the FA Cup final. However, a foot injury sustained in a 0–2 defeat at Tottenham Hotspur on 25 April 1998 meant, despite a fitness test, he was not in the squad for the final and Newcastle lost to Arsenal. Despite being in manager Kenny Dalglish's plans, the following pre-season Gillespie failed a medical at Middlesbrough but eventually departed Tyneside in a £2.3 million move to Blackburn Rovers following the appointment of Ruud Gullit as manager and a final appearance in a 2–2 draw at Middlesbrough on 6 December 1998. Blackburn Rovers Gillespie was unable to help Blackburn avoid relegation in 1998–99, and manager Brian Kidd was sacked later in the year. Gillespie was initially out of favour with new manager Graeme Souness, and another loan spell at Wigan Athletic brought his total appearances for Athletic to 15, from which he scored four goals. He returned to the Blackburn side for the final months of the 2000–01 season, as the club gained promotion back to the Premier League. He also started in the 2002 Football League Cup Final, setting up a goal by Matt Jansen in the 2–1 victory over Tottenham Hotspur. Five seasons at Ewood Park brought 137 appearances and 6 goals. Leicester City Gillespie moved to newly promoted Leicester City on a free transfer on 8 July 2003, signing a two-year contract. He played 48 games and scored two goals in two seasons. In March 2004, Gillespie and teammates Frank Sinclair and Paul Dickov were held in a prison cell for a week in La Manga, Spain, while charges were made against six more Leicester players. All nine men were cleared when forensic tests proved that none of them had any contact with the three women who accused them. Sheffield United Gillespie signed for Sheffield United on 5 August 2005, signing a one-year contract. This was then extended to June 2007 a month later. In his first season at the club, Gillespie played a role in Sheffield United's successful promotion campaign to the Premier League. Gillespie's most memorable goal for Sheffield United came against Charlton, where he scored the winner in the 88th minute with a stunning volley from 25 yards. This goal was also a nominee for the December Goal of the Month competition, which Paul Scholes eventually won. On 20 January 2007, during a Premier League match against Reading at the Madejski Stadium, Gillespie was sent off for violent conduct, "throwing an elbow in the direction of" Reading's Stephen Hunt, "within 10 seconds" of coming on as a substitute - play had not even restarted following the substitution. As he made his way off the pitch, Gillespie "threw another punch" at Hunt. He submitted a transfer request soon afterwards, but in July of that year Gillespie recanted and signed a new two-year contract. In July 2008, he limped out of a pre-season friendly at Bury and missed the start of the 2008–09 season. Having regained fitness he was unable to regain a first team place and was eventually loaned out to Charlton Athletic. He made only six appearances for the Addicks before being recalled to Bramall Lane as cover for mounting injuries. Despite being recalled to Sheffield United, Gillespie failed to make another appearance and on 30 January 2009 his contract was terminated by mutual consent. He went to Bradford City with whose manager Stuart McCall Gillespie had been a teammate at Sheffield United. However, McCall insisted Gillespie was only training with the club to stay fit and help out the younger players, and not on trial. Bradford City Gillespie impressed McCall during training and told the manager he was very keen to gain match experience; as a result, Gillespie signed for Bradford City in March for the rest of the 2008–09 season. Gillespie was an unused substitute in their 1–0 defeat to Exeter City and so had to wait for his debut which came as a second-half substitute with City already 4–1 down to AFC Bournemouth three days later. After just three appearances Gillespie was not offered a long-term deal by Bradford City. In the summer of 2009 he had a trial with Hungarian side Ferencváros and had been linked with a move to the IFA Premiership. Glentoran In 2009, Gillespie made a shock move to the east Belfast club, Glentoran. It was believed that Gillespie's agents approached Glentoran. He made his debut for Glentoran against Ballymena United in the league, he had previously played for Glentoran the night before for the reserves against Ballymena; Glentoran lost 2–1 in his 1st senior appearance for, at the time, the current league champions. In June 2010, the club announced that Gillespie was to leave after just one season after he and the club failed to agree terms on a new deal. Shamrock Rovers In August 2010, Gillespie's former international teammate Michael O'Neill invited him to play in a friendly for Shamrock Rovers in a reserve game against his first club, Manchester United. Darlington In October 2010, Gillespie joined up with Conference National side Darlington, later signing with the club. He made three appearances before being released on 23 December 2010. Longford Town On 24 March 2011, Gillespie signed for League of Ireland First Division side Longford Town. Gillespie made his debut from the bench in a local derby against Athlone Town on 2 April with Gillespie's new side coming out on top by two goals to nil. He was named on the League of Ireland First Division team of the season for 2012 and was also awarded Longford Town F.C. player of the year, as they lost in the promotion playoffs to Waterford United. Gillespie scored his one and only Longford goal in May 2013 against Cobh Ramblers. Injuries hampered Gillespie during the 2013 season and he announced his retirement prior to the season's end. His final appearance was as a substitute during Longford's 3–1 victory at home to Finn Harps on 7 September 2013. FC Mindwell Gillespie came out of retirement in 2020, aged 45, to play for newly-formed Mid-Ulster Football League side FC Mindwell, a team set up to raise awareness of mental health issues. International career Gillespie is currently sixth place in the list of appearances for Northern Ireland with 86 caps. He made his debut in September 1994 in a 2–1 home defeat by Portugal. He played an important role in his country's 3–2 qualifying win against Spain at Windsor Park on 6 September 2006. Gillespie was investigated by the Irish FA for his involvement in a fracas with George McCartney on the trip back home from a game in Iceland in September 2007. He was not involved with the Northern Ireland set-up since being omitted from the squad that faced San Marino in February 2009. His final cap was won in a 2–0 defeat by Hungary at Windsor Park in November 2008. International goals Scores and results list Northern Ireland's goal tally first, score column indicates score after each Gillespie goal. Personal life Gillespie was declared legally bankrupt on 1 October 2010 by the Belfast High Court. In 2013, he released his autobiography, How Not to Be a Football Millionaire, in which he describes his gambling addiction, estimating he lost more than £7 million. Reviewer Robbie Meredith of When Saturday Comes wrote that "It is too cliched to claim that Gillespie achieves redemption at the end of his tale. Rather he gains the uncertain gift of a better understanding of himself. In doing so, he provides a compelling glimpse into the dark void inherent in the modern age of adrenaline-fuelled football celebrity". Gillespie has supported the Gambling with Lives charity, which calls for tighter regulation of gambling and offers support for people with gambling problems. Honours Manchester United FA Charity Shield: 1994 FA Youth Cup: 1992 Blackburn Rovers Football League Cup: 2001–02 Glentoran Irish League Cup: 2009–10 Individual PFAI First Division Team of the Year: 2012 Longford Town Supporters Player of the Year: 2012 References External links Keith Gillespie player profile at sufc.co.uk Keith Gillespie player profile at lcfc.co.uk Keith Gillespie at Soccerbase NI FA profile
Manchester_United_F.C.
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Manchester United Football Club, commonly referred to as Man United (often stylised as Man Utd) or simply United, is a professional football club based in Old Trafford, Greater Manchester, England. They compete in the Premier League, the top tier of English football. Nicknamed the Red Devils, they were founded as Newton Heath LYR Football Club in 1878, but changed their name to Manchester United in 1902. After a spell playing in Clayton, Manchester, the club moved to their current stadium, Old Trafford, in 1910. Domestically, Manchester United have won a record 20 top-flight league titles, 13 FA Cups, 6 League Cups and a record 21 FA Community Shields. Additionally, in international football, they have won the European Cup/UEFA Champions League three times, and the UEFA Europa League, the UEFA Cup Winners' Cup, the UEFA Super Cup, the Intercontinental Cup and the FIFA Club World Cup once each. Appointed as manager in 1945, Matt Busby built a team with an average age of just 22 nicknamed the Busby Babes that won successive league titles in the 1950s and became the first English club to compete in the European Cup. Eight players were killed in the Munich air disaster, but Busby rebuilt the team around star players George Best, Denis Law and Bobby Charlton – known as the United Trinity. They won two more league titles before becoming the first English club to win the European Cup in 1968. After Busby's retirement, Manchester United were unable to produce sustained success until the arrival of Alex Ferguson, who became the club's longest-serving and most successful manager, winning 38 trophies including 13 league titles, five FA Cups and two Champions League titles between 1986 and 2013. In the 1998–99 season, under Ferguson, the club became the first in the history of English football to achieve the continental treble of the Premier League, FA Cup and UEFA Champions League. In winning the UEFA Europa League under José Mourinho in 2016–17, they became one of five clubs to have won the original three main UEFA club competitions (the Champions League, Europa League and Cup Winners' Cup). Manchester United are one of the most widely supported football clubs in the world and have rivalries with Liverpool, Manchester City, Arsenal and Leeds United. Manchester United were the highest-earning football club in the world for 2016–17, with an annual revenue of €676.3 million, and the world's third-most-valuable football club in 2019, valued at £3.15 billion ($3.81 billion). After being floated on the London Stock Exchange in 1991, the club was taken private in 2005 after a purchase by American businessman Malcolm Glazer valued at almost £800 million, of which over £500 million of borrowed money became the club's debt. From 2012, some shares of the club were listed on the New York Stock Exchange, although the Glazer family retains overall ownership and control of the club. History Early years (1878–1945) Manchester United was formed in 1878 as Newton Heath LYR Football Club by the Carriage and Wagon department of the Lancashire and Yorkshire Railway (LYR) depot at Newton Heath. The team initially played games against other departments and railway companies, but on 20 November 1880, they competed in their first recorded match; wearing the colours of the railway company – green and gold – they were defeated 6–0 by Bolton Wanderers' reserve team. By 1888, the club had become a founding member of The Combination, a regional football league. Following the league's dissolution after only one season, Newton Heath joined the newly formed Football Alliance, which ran for three seasons before being merged with The Football League. This resulted in the club starting the 1892–93 season in the First Division, by which time it had become independent of the railway company and dropped the "LYR" from its name. After two seasons, the club was relegated to the Second Division. In January 1902, with debts of £2,670 – equivalent to £370,000 in 2024 – the club was served with a winding-up order. Captain Harry Stafford found four local businessmen, including John Henry Davies (who became club president), each willing to invest £500 in return for a direct interest in running the club and who subsequently changed the name; on 24 April 1902, Manchester United was officially born. Under Ernest Mangnall, who assumed managerial duties in 1903, Manchester United finished as Second Division runners-up in 1906 and secured promotion to the First Division, which they won in 1908 – the club's first league title. The following season began with victory in the first ever Charity Shield and ended with the club's first FA Cup title. Mangnall was considered a significant influence behind the team's move to Old Trafford in 1910, and Manchester United won the First Division for the second time in 1911. At the end of the following season, however, Mangnall left the club to join Manchester City. In 1922, three years after the resumption of football following the First World War, the club was relegated to the Second Division, where it remained until regaining promotion in 1925. Relegated again in 1931, Manchester United became a yo-yo club, achieving its all-time lowest position of 20th place in the Second Division in 1934. Following the death of principal benefactor John Henry Davies in October 1927, the club's finances deteriorated to the extent that Manchester United would likely have gone bankrupt had it not been for James W. Gibson, who, in December 1931, invested £2,000 and assumed control of the club. In the 1938–39 season, the last year of football before the Second World War, the club finished 14th in the First Division. Busby years (1945–1969) In October 1945, the impending resumption of football after the war led to the managerial appointment of Matt Busby, who demanded an unprecedented level of control over team selection, player transfers and training sessions. Busby led the team to second-place league finishes in 1947, 1948 and 1949, and to FA Cup victory in 1948. In 1952, the club won the First Division, its first league title for 41 years. They then won back-to-back league titles in 1956 and 1957; the squad, who had an average age of 22, were nicknamed "the Busby Babes" by the media, a testament to Busby's faith in his youth players. In 1957, Manchester United became the first English team to compete in the European Cup, despite objections from The Football League, who had denied Chelsea the same opportunity the previous season. En route to the semi-final, which they lost to Real Madrid, the team recorded a 10–0 victory over Belgian champions Anderlecht, which remains the club's biggest victory on record. The following season, on the way home from a European Cup quarter-final victory against Red Star Belgrade, the aircraft carrying the Manchester United players, officials and journalists crashed while attempting to take off after refuelling in Munich, Germany. The Munich air disaster of 6 February 1958 claimed 23 lives, including those of eight players – Geoff Bent, Roger Byrne, Eddie Colman, Duncan Edwards, Mark Jones, David Pegg, Tommy Taylor and Billy Whelan – and injured several more. Assistant manager Jimmy Murphy took over as manager while Busby recovered from his injuries and the club's makeshift side reached the FA Cup final, which they lost to Bolton Wanderers. In recognition of the team's tragedy, UEFA invited the club to compete in the 1958–59 European Cup alongside eventual League champions Wolverhampton Wanderers. Despite approval from The Football Association, The Football League determined that the club should not enter the competition, since it had not qualified. Busby rebuilt the team through the 1960s by signing players such as Denis Law and Pat Crerand, who combined with the next generation of youth players – including George Best – to win the FA Cup in 1963. Busby rested several key players for the League game before the Cup Final which gave Dennis Walker the chance to make his debut against Nottingham Forest on 20 May. Walker thus became the first Black player to represent United. The following season, they finished second in the league, then won the title in 1965 and 1967. In 1968, Manchester United became the first English club to win the European Cup, beating Benfica 4–1 in the final with a team that contained three European Footballers of the Year: Bobby Charlton, Denis Law and George Best. They then represented Europe in the 1968 Intercontinental Cup against Estudiantes of Argentina, but defeat in the first leg in Buenos Aires meant a 1–1 draw at Old Trafford three weeks later was not enough to claim the title. Busby resigned as manager in 1969 before being replaced by the reserve team coach, former Manchester United player Wilf McGuinness. 1969–1986 Following an eighth-place finish in the 1969–70 season and a poor start to the 1970–71 season, Busby was persuaded to temporarily resume managerial duties, and McGuinness returned to his position as reserve team coach. In June 1971, Frank O'Farrell was appointed as manager, but lasted less than 18 months before being replaced by Tommy Docherty in December 1972. Docherty saved Manchester United from relegation that season, only to see them relegated in 1974; by that time the trio of Best, Law, and Charlton had left the club. The team won promotion at the first attempt and reached the FA Cup final in 1976, but were beaten by Southampton. They reached the final again in 1977, beating Liverpool 2–1. Docherty was dismissed shortly afterwards, following the revelation of his affair with the club physiotherapist's wife. Dave Sexton replaced Docherty as manager in the summer of 1977. Despite major signings, including Joe Jordan, Gordon McQueen, Gary Bailey, and Ray Wilkins, the team failed to win any trophies; they finished second in 1979–80 and lost to Arsenal in the 1979 FA Cup final. Sexton was dismissed in 1981, even though the team won the last seven games under his direction. He was replaced by Ron Atkinson, who immediately broke the British record transfer fee to sign Bryan Robson from his former club West Bromwich Albion. Under Atkinson, Manchester United won the FA Cup in 1983 and 1985 and beat rivals Liverpool to win the 1983 Charity Shield. In 1985–86, after 13 wins and two draws in its first 15 matches, the club was favourite to win the league but finished in fourth place. The following season, with the club in danger of relegation by November, Atkinson was dismissed. Ferguson years (1986–2013) Alex Ferguson and his assistant Archie Knox arrived from Aberdeen on the day of Atkinson's dismissal, and guided the club to an 11th-place finish in the league. Despite a second-place finish in 1987–88, the club was back in 11th place the following season. Reportedly on the verge of being dismissed, Ferguson's job was saved by victory over Crystal Palace in the 1990 FA Cup final. The following season, Manchester United claimed their first UEFA Cup Winners' Cup title. That triumph allowed the club to compete in the European Super Cup for the first time, where United beat European Cup holders Red Star Belgrade 1–0 at Old Trafford. The club appeared in two consecutive League Cup finals in 1991 and 1992, beating Nottingham Forest 1–0 in the second to win that competition for the first time as well. In 1993, in the first season of the newly founded Premier League, the club won their first league title since 1967, and a year later, for the first time since 1957, they won a second consecutive title – alongside the FA Cup – to complete the first "Double" in the club's history. United then became the first English club to do the Double twice when they won both competitions again in 1995–96, before retaining the league title once more in 1996–97 with a game to spare. In the 1998–99 season, Manchester United became the first team to win the Premier League, FA Cup and UEFA Champions League – "The Treble" – in the same season. Trailing 1–0 going into injury time in the 1999 UEFA Champions League final, Teddy Sheringham and Ole Gunnar Solskjær scored late goals to claim a dramatic victory over Bayern Munich, in what is considered one of the greatest comebacks of all time. That summer, Ferguson received a knighthood for his services to football. In November 1999, the club became the only British team to ever win the Intercontinental Cup with a 1–0 victory over the strong 1999 Copa Libertadores winners Palmeiras in Tokyo. The Red Devils counted on an unexpected goalkeeper fail by future 2002 FIFA World Cup winner Marcos and a disallowed goal scored by Alex to win the game. Manchester United won the league again in the 1999–2000 and 2000–01 seasons, becoming only the fourth club to win the English title three times in a row. The team finished third in 2001–02, before regaining the title in 2002–03. They won the 2003–04 FA Cup, beating Millwall 3–0 in the final at the Millennium Stadium in Cardiff to lift the trophy for a record 11th time. In the 2005–06 season, Manchester United failed to qualify for the knockout phase of the UEFA Champions League for the first time in over a decade, but recovered to secure a second-place league finish and victory over Wigan Athletic in the 2006 Football League Cup final. The club regained the Premier League title in the 2006–07 season, before completing the European double in 2007–08 with a 6–5 penalty shoot-out victory over Chelsea in the 2008 UEFA Champions League final in Moscow to go with their 17th English league title. Ryan Giggs made a record 759th appearance for the club in that game, overtaking previous record holder Bobby Charlton. In December 2008, the club became the first British team to win the FIFA Club World Cup after beating LDU Quito 1–0 in the final. Manchester United followed this with the 2008–09 Football League Cup, and its third successive Premier League title. That summer, forward Cristiano Ronaldo was sold to Real Madrid for a world record £80 million. In 2010, Manchester United defeated Aston Villa 2–1 at Wembley to retain the League Cup, its first successful defence of a knockout cup competition. After finishing as runners-up to Chelsea in the 2009–10 season, United achieved a record 19th league title in 2010–11, securing the championship with a 1–1 away draw against Blackburn Rovers on 14 May 2011. This was extended to 20 league titles in 2012–13, securing the championship with a 3–0 home win against Aston Villa on 22 April 2013. Post-Fergie years and struggles (2013–present) On 8 May 2013, Ferguson announced that he was to retire as manager at the end of the football season, but would remain at the club as a director and club ambassador. He retired as the most decorated manager in football history. The club announced the next day that Everton manager David Moyes would replace him from 1 July, having signed a six-year contract. Ryan Giggs took over as interim player-manager 10 months later, on 22 April 2014, when Moyes was sacked after a poor season in which the club failed to defend their Premier League title and failed to qualify for the UEFA Champions League for the first time since 1995–96. They also failed to qualify for the UEFA Europa League, the first time Manchester United had not qualified for a European competition since 1990. On 19 May 2014, it was confirmed that Louis van Gaal would replace Moyes as Manchester United manager on a three-year deal, with Giggs as his assistant. Malcolm Glazer, the patriarch of the family that owns the club, died on 28 May 2014. Under Van Gaal, United won a 12th FA Cup, but a disappointing slump in the middle of his second season led to rumours of the board sounding out potential replacements. Van Gaal was ultimately sacked just two days after the cup final victory, with United having finished fifth in the league. Former Porto, Chelsea, Inter Milan and Real Madrid manager José Mourinho was appointed in his place on 27 May 2016. Mourinho signed a three-year contract, and in his first season won the FA Community Shield, EFL Cup and UEFA Europa League. Wayne Rooney scored his 250th goal for United, a stoppage-time equaliser in a league game against Stoke City in January 2017, surpassing Sir Bobby Charlton as the club's all-time top scorer. The following season, United finished second in the league – their highest league placing since 2013 – but were still 19 points behind rivals Manchester City. Mourinho also guided the club to a 19th FA Cup final, but they lost 1–0 to Chelsea. On 18 December 2018, with United in sixth place in the Premier League table, 19 points behind leaders Liverpool and 11 points outside the Champions League places, Mourinho was sacked after 144 games in charge. The following day, former United striker Ole Gunnar Solskjær was appointed as caretaker manager until the end of the season. On 28 March 2019, after winning 14 of his first 19 matches in charge, Solskjær was appointed permanent manager on a three-year deal. On 18 April 2021, Manchester United announced they were joining 11 other European clubs as founding members of the European Super League, a proposed 20-team competition intended to rival the UEFA Champions League. The announcement drew a significant backlash from supporters, other clubs, media partners, sponsors, players and the UK Government, forcing the club to withdraw just two days later. The failure of the project led to the resignation of executive vice-chairman Ed Woodward, while resultant protests against Woodward and the Glazer family led to a pitch invasion ahead of a league match against Liverpool on 2 May 2021, which saw the first postponement of a Premier League game due to supporter protests in the competition's history. On the pitch, United equalled their own record for the biggest win in Premier League history with a 9–0 win over Southampton on 2 February 2021, but ended the season with defeat on penalties in the UEFA Europa League final against Villarreal, going four straight seasons without a trophy. On 20 November 2021, Solskjær left his role as manager. Former midfielder Michael Carrick took charge for the next three games, before the appointment of Ralf Rangnick as interim manager until the end of the season. On 21 April 2022, Erik ten Hag was appointed as the manager from the end of the 2021–22 season, signing a contract until June 2025 with the option of extending for a further year. Under Ten Hag, Manchester United won the 2022–23 EFL Cup, defeating Newcastle United in the final to end their longest period without a trophy since a six-year span between 1977 and 1983. On 5 March 2023, the club suffered their joint-heaviest defeat, losing 7–0 to rivals Liverpool at Anfield. At the end of the following season, the club finished eighth in the Premier League, their lowest league finish since the 1989–90 season, but went on to beat cross-city rivals Manchester City 2–1 in the FA Cup final, to win their 13th FA Cup title. Crest and colours The club crest is derived from the Manchester City Council coat of arms, although all that remains of it on the current crest is the ship in full sail. The devil stems from the club's nickname "The Red Devils" inspired from Salford Rugby Club; it was included on club programmes and scarves in the 1960s, and incorporated into the club crest in 1970, although the crest was not included on the chest of the shirt until 1971. In 1975, the red devil ("A devil facing the sinister guardant supporting with both hands a trident gules") was granted as a heraldic badge by the College of Arms to the English Football League for use by Manchester United. In 2023, the Red Devil motif alone, which had been used in promotional items and merchandise previously, was used as the sole badge on the Manchester United third kit. The existing crest remains on the home and away kits. Newton Heath's uniform in 1879, four years before the club played its first competitive match, has been documented as 'white with blue cord'. A photograph of the Newton Heath team, taken in 1892, is believed to show the players wearing red-and-white quartered jerseys and navy blue knickerbockers. Between 1894 and 1896, the players wore green and gold jerseys which were replaced in 1896 by white shirts, which were worn with navy blue shorts. After the name change in 1902, the club colours were changed to red shirts, white shorts, and black socks, which has become the standard Manchester United home kit. Very few changes were made to the kit until 1922 when the club adopted white shirts bearing a deep red "V" around the neck, similar to the shirt worn in the 1909 FA Cup final. They remained part of their home kits until 1927. For a period in 1934, the cherry and white hooped change shirt became the home colours, but the following season the red shirt was recalled after the club's lowest ever league placing of 20th in the Second Division and the hooped shirt dropped back to being the change. The black socks were changed to white from 1959 to 1965, where they were replaced with red socks up until 1971 with white used on occasion, when the club reverted to black. Black shorts and white socks are sometimes worn with the home strip, most often in away games, if there is a clash with the opponent's kit. For 2018–19, black shorts and red socks became the primary choice for the home kit. Since 1997–98, white socks have been the preferred choice for European games, which are typically played on weeknights, to aid with player visibility. The current home kit is a red shirt with Adidas' trademark three stripes in red on the shoulders, white shorts, and black socks. The Manchester United away strip has often been a white shirt, black shorts and white socks, but there have been several exceptions. These include an all-black strip with blue and gold trimmings between 1993 and 1995, the navy blue shirt with silver horizontal pinstripes worn during the 1999–2000 season, and the 2011–12 away kit, which had a royal blue body and sleeves with hoops made of small midnight navy blue and black stripes, with black shorts and blue socks. An all-grey away kit worn during the 1995–96 season was dropped after just five games; in its final outing against Southampton, Alex Ferguson instructed the team to change into the third kit during half-time. The reason for dropping it being that the players claimed to have trouble finding their teammates against the crowd, United failed to win a competitive game in the kit in five attempts. In 2001, to celebrate 100 years as "Manchester United", a reversible white and gold away kit was released, although the actual match day shirts were not reversible. The club's third kit is often all-blue; this was most recently the case during the 2014–15 season. Exceptions include a green-and-gold halved shirt worn between 1992 and 1994, a blue-and-white striped shirt worn during the 1994–95 and 1995–96 seasons and once in 1996–97, an all-black kit worn during the Treble-winning 1998–99 season, and a white shirt with black-and-red horizontal pinstripes worn between 2003–04 and 2005–06. From 2006–07 to 2013–14, the third kit was the previous season's away kit, albeit updated with the new club sponsor in 2006–07 and 2010–11, apart from the 2008–09 season, when an all-blue kit was launched to mark the 40th anniversary of the 1967–68 European Cup success. Grounds 1878–1893: North Road Newton Heath initially played on a field on North Road, close to the railway yard; the original capacity was about 12,000, but club officials deemed the facilities inadequate for a club hoping to join The Football League. Some expansion took place in 1887, and in 1891, Newton Heath used its minimal financial reserves to purchase two grandstands, each able to hold 1,000 spectators. Although attendances were not recorded for many of the earliest matches at North Road, the highest documented attendance was approximately 15,000 for a First Division match against Sunderland on 4 March 1893. A similar attendance was also recorded for a friendly match against Gorton Villa on 5 September 1889. 1893–1910: Bank Street In June 1893, after the club was evicted from North Road by its owners, Manchester Deans and Canons, who felt it was inappropriate for the club to charge an entry fee to the ground, secretary A. H. Albut procured the use of the Bank Street ground in Clayton. It initially had no stands, by the start of the 1893–94 season, two had been built; one spanning the full length of the pitch on one side and the other behind the goal at the "Bradford end". At the opposite end, the "Clayton end", the ground had been "built up, thousands thus being provided for". Newton Heath's first league match at Bank Street was played against Burnley on 1 September 1893, when 10,000 people saw Alf Farman score a hat-trick, Newton Heath's only goals in a 3–2 win. The remaining stands were completed for the following league game against Nottingham Forest three weeks later. In October 1895, before the visit of Manchester City, the club purchased a 2,000-capacity stand from the Broughton Rangers rugby league club, and put up another stand on the "reserved side" (as distinct from the "popular side"); however, weather restricted the attendance for the Manchester City match to just 12,000. When the Bank Street ground was temporarily closed by bailiffs in 1902, club captain Harry Stafford raised enough money to pay for the club's next away game at Bristol City and found a temporary ground at Harpurhey for the next reserves game against Padiham. Following financial investment, new club president John Henry Davies paid £500 for the erection of a new 1,000-seat stand at Bank Street. Within four years, the stadium had cover on all four sides, as well as the ability to hold approximately 50,000 spectators, some of whom could watch from the viewing gallery atop the Main Stand. 1910–present: Old Trafford Following Manchester United's first league title in 1908 and the FA Cup a year later, it was decided that Bank Street was too restrictive for Davies' ambition; in February 1909, six weeks before the club's first FA Cup title, Old Trafford was named as the home of Manchester United, following the purchase of land for around £60,000. Architect Archibald Leitch was given a budget of £30,000 for construction; original plans called for seating capacity of 100,000, though budget constraints forced a revision to 77,000. The building was constructed by Messrs Brameld and Smith of Manchester. The stadium's record attendance was registered on 25 March 1939, when an FA Cup semi-final between Wolverhampton Wanderers and Grimsby Town drew 76,962 spectators. Bombing in the Second World War destroyed much of the stadium; the central tunnel in the South Stand was all that remained of that quarter. After the war, the club received compensation from the War Damage Commission in the amount of £22,278. While reconstruction took place, the team played its "home" games at Manchester City's Maine Road ground; Manchester United was charged £5,000 per year, plus a nominal percentage of gate receipts. Later improvements included the addition of roofs, first to the Stretford End and then to the North and East Stands. The roofs were supported by pillars that obstructed many fans' views, and they were eventually replaced with a cantilevered structure. The Stretford End was the last stand to receive a cantilevered roof, completed in time for the 1993–94 season. First used on 25 March 1957 and costing £40,000, four 180-foot (55 m) pylons were erected, each housing 54 individual floodlights. These were dismantled in 1987 and replaced by a lighting system embedded in the roof of each stand, which remains in use today. The Taylor Report's requirement for an all-seater stadium lowered capacity at Old Trafford to around 44,000 by 1993. In 1995, the North Stand was redeveloped into three tiers, restoring capacity to approximately 55,000. At the end of the 1998–99 season, second tiers were added to the East and West Stands, raising capacity to around 67,000, and between July 2005 and May 2006, 8,000 more seats were added via second tiers in the north-west and north-east quadrants. Part of the new seating was used for the first time on 26 March 2006, when an attendance of 69,070 became a new Premier League record. The record was pushed steadily upwards before reaching its peak on 31 March 2007, when 76,098 spectators saw Manchester United beat Blackburn Rovers 4–1, with just 114 seats (0.15 per cent of the total capacity of 76,212) unoccupied. In 2009, reorganisation of the seating resulted in a reduction of capacity by 255 to 75,957. Manchester United has the second highest average attendance among European football clubs, behind only Borussia Dortmund. In 2021, United co-chairman Joel Glazer said that "early-stage planning work" for the redevelopment of Old Trafford was underway. This followed "increasing criticism" over the lack of development of the ground since 2006. After the club's takeover by Sir Jim Ratcliffe in 2024, it emerged that plans were being made for the construction of a new, 100,000-capacity stadium near Old Trafford and that the current stadium would be downsized to serve as the home for the women's team and the club's academy. Support Manchester United is one of the most popular football clubs in the world, with one of the highest average home attendances in Europe. The club states that its worldwide fan base includes more than 200 officially recognised branches of the Manchester United Supporters Club (MUSC), in at least 24 countries. The club takes advantage of this support through its worldwide summer tours. Accountancy firm and sports industry consultants Deloitte estimate that Manchester United has 75 million fans worldwide. The club has the third highest social media following in the world among sports teams (after Barcelona and Real Madrid), with over 82 million Facebook followers as of July 2023. A 2014 study showed that Manchester United had the loudest fans in the Premier League. Supporters are represented by two independent bodies; the Independent Manchester United Supporters' Association (IMUSA), which maintains close links to the club through the MUFC Fans Forum, and the Manchester United Supporters' Trust (MUST). After the Glazer family's takeover in 2005, a group of fans formed a splinter club, F.C. United of Manchester. The West Stand of Old Trafford – the "Stretford End" – is the home end and the traditional source of the club's most vocal support. Rivalries Manchester United has high profile rivalries with Liverpool and local neighbours Manchester City. The club has also had rivalries throughout its history with the likes of Arsenal, Leeds United and Chelsea. The matches against Manchester City are known as the Manchester derby, as they are the two most important teams in the city of Manchester. It is considered one of the biggest local derbies in British football, particularly after City's rise to prominence in the 2010s and the two clubs fighting for trophies, such as the league title in 2012 and 2013, as well as two consecutive FA Cup finals in 2023 and 2024. The rivalry with Liverpool is rooted in competition between the cities during the Industrial Revolution, when Manchester was famous for its textile industry while Liverpool was a major port. The two clubs are the most successful in the history of English football; between them they have won 39 league titles, 9 European Cups, 21 FA Cups, 16 League Cups, 4 UEFA Cup/Europa Leagues, 2 FIFA Club World Cups, 1 Intercontinental Cup, 37 FA Community Shields and 5 UEFA Super Cups. Ranked the two biggest clubs in England by France Football magazine based on metrics such as fanbase and historical importance, matches between Manchester United and Liverpool are considered to be the most famous fixture in English football and one of the biggest rivalries in the football world. No player has been transferred between the clubs since 1964. Former Manchester United manager Alex Ferguson said in 2002, "My greatest challenge was knocking Liverpool right off their fucking perch". The "Roses Rivalry" with Leeds stems from the Wars of the Roses, fought between the House of Lancaster and the House of York, with Manchester United representing Lancashire and Leeds representing Yorkshire. The rivalry with Arsenal arose from the numerous times the two teams battled for the Premier League title, especially under managers Alex Ferguson and Arsène Wenger, who also had a heated personal rivalry. With 33 titles between them (20 for Manchester United, 13 for Arsenal), the fixture has been described as a "blockbuster" and the "greatest" rivalry in the history of the Premier League. Global brand Manchester United has been described as a global brand; a 2011 report by Brand Finance, valued the club's trademarks and associated intellectual property at £412 million – an increase of £39 million on the previous year, valuing it at £11 million more than the second best brand, Real Madrid – and gave the brand a strength rating of AAA (Extremely Strong). In July 2012, Manchester United was ranked first by Forbes magazine in its list of the ten most valuable sports team brands, valuing the Manchester United brand at $2.23 billion. The club is ranked third in the Deloitte Football Money League (behind Real Madrid and Barcelona). In January 2013, the club became the first sports team in the world to be valued at $3 billion. Forbes magazine valued the club at $3.3 billion – $1.2 billion higher than the next most valuable sports team. They were overtaken by Real Madrid for the next four years, but Manchester United returned to the top of the Forbes list in June 2017, with a valuation of $3.689 billion. The core strength of Manchester United's global brand is often attributed to Matt Busby's rebuilding of the team and subsequent success following the Munich air disaster, which drew worldwide acclaim. The "iconic" team included Bobby Charlton and Nobby Stiles (members of England's World Cup winning team), Denis Law and George Best. The attacking style of play adopted by this team (in contrast to the defensive-minded "catenaccio" approach favoured by the leading Italian teams of the era) "captured the imagination of the English footballing public". Busby's team also became associated with the liberalisation of Western society during the 1960s; George Best, known as the "Fifth Beatle" for his iconic haircut, was the first footballer to significantly develop an off-the-field media profile. As the second English football club to float on the London Stock Exchange in 1991, the club raised significant capital, with which it further developed its commercial strategy. The club's focus on commercial and sporting success brought significant profits in an industry often characterised by chronic losses. The strength of the Manchester United brand was bolstered by intense off-the-field media attention to individual players, most notably David Beckham (who quickly developed his own global brand). This attention often generates greater interest in on-the-field activities, and hence generates sponsorship opportunities – the value of which is driven by television exposure. During his time with the club, Beckham's popularity across Asia was integral to the club's commercial success in that part of the world. Because higher league placement results in a greater share of television rights, success on the field generates greater income for the club. Since the inception of the Premier League, Manchester United has received the largest share of the revenue generated from the BSkyB broadcasting deal. Manchester United has also consistently enjoyed the highest commercial income of any English club; in 2005–06, the club's commercial arm generated £51 million, compared to £42.5 million at Chelsea, £39.3 million at Liverpool, £34 million at Arsenal and £27.9 million at Newcastle United. A key sponsorship relationship was with sportswear company Nike, who managed the club's merchandising operation as part of a £303 million 13-year partnership between 2002 and 2015. Through Manchester United Finance and the club's membership scheme, One United, those with an affinity for the club can purchase a range of branded goods and services. Additionally, Manchester United-branded media services – such as the club's dedicated television channel, MUTV – have allowed the club to expand its fan base to those beyond the reach of its Old Trafford stadium. Sponsorship In an initial five-year deal worth £500,000, Sharp Electronics became the club's first shirt sponsor at the beginning of the 1982–83 season, a relationship that lasted until the end of the 1999–2000 season, when Vodafone agreed a four-year, £30 million deal. Vodafone agreed to pay £36 million to extend the deal by four years, but after two seasons triggered a break clause in order to concentrate on its sponsorship of the Champions League. To commence at the start of the 2006–07 season, American insurance corporation AIG agreed a four-year £56.5 million deal which in September 2006 became the most valuable in the world. At the beginning of the 2010–11 season, American reinsurance company Aon became the club's principal sponsor in a four-year deal reputed to be worth approximately £80 million, making it the most lucrative shirt sponsorship deal in football history. Manchester United announced their first training kit sponsor in August 2011, agreeing a four-year deal with DHL reported to be worth £40 million; it is believed to be the first instance of training kit sponsorship in English football. The DHL contract lasted for over a year before the club bought back the contract in October 2012, although they remained the club's official logistics partner. The contract for the training kit sponsorship was then sold to Aon in April 2013 for a deal worth £180 million over eight years, which also included purchasing the naming rights for the Trafford Training Centre. The club's first kit manufacturer was Umbro, until a five-year deal was agreed with Admiral Sportswear in 1975. Adidas won the contract in 1980, before Umbro started a second spell in 1992. That sponsorship lasted for ten years, followed by Nike's record-breaking £302.9 million deal, which lasted until 2015; 3.8 million replica shirts were sold in the first 22 months with the company. In addition to Nike and Chevrolet, the club also has several lower-level "platinum" sponsors, including Aon and Budweiser. On 30 July 2012, United signed a seven-year deal with American automotive corporation General Motors, which replaced Aon as the shirt sponsor from the 2014–15 season. The new $80m-a-year shirt deal is worth $559m over seven years and features the logo of General Motors brand Chevrolet. Nike announced that they would not renew their kit supply deal with Manchester United after the 2014–15 season, citing rising costs. Since the start of the 2015–16 season, Adidas has manufactured Manchester United's kit as part of a world-record 10-year deal worth a minimum of £750 million. Plumbing products manufacturer Kohler became the club's first sleeve sponsor ahead of the 2018–19 season. Manchester United and General Motors did not renew their sponsorship deal, and the club subsequently signed a five-year, £235 million sponsorship deal with TeamViewer ahead of the 2021–22 season. At the end of the 2023–24 season, TeamViewer were replaced by Snapdragon, who agreed a deal worth more than £60 million a year to take over as the club's main sponsor. In August 2024, Snapdragon's parent company Qualcomm triggered an option to extend the deal by two years, taking it through to 2029. Ownership and finances Originally funded by the Lancashire and Yorkshire Railway Company, the club became a limited company in 1892 and sold shares to local supporters for £1 via an application form. In 1902, majority ownership passed to the four local businessmen who invested £500 to save the club from bankruptcy, including future club president John Henry Davies. After his death in 1927, the club faced bankruptcy yet again, but was saved in December 1931 by James W. Gibson, who assumed control of the club after an investment of £2,000. Gibson promoted his son, Alan, to the board in 1948, but died three years later; the Gibson family retained ownership of the club through James' wife, Lillian, but the position of chairman passed to former player Harold Hardman. Promoted to the board a few days after the Munich air disaster, Louis Edwards, a friend of Matt Busby, began acquiring shares in the club; for an investment of approximately £40,000, he accumulated a 54 per cent shareholding and took control in January 1964. When Lillian Gibson died in January 1971, her shares passed to Alan Gibson who sold a percentage of his shares to Louis Edwards' son, Martin, in 1978; Martin Edwards went on to become chairman upon his father's death in 1980. Media tycoon Robert Maxwell attempted to buy the club in 1984, but did not meet Edwards' asking price. In 1989, chairman Martin Edwards attempted to sell the club to Michael Knighton for £20 million, but the sale fell through and Knighton joined the board of directors instead. Manchester United was floated on the stock market in June 1991 (raising £6.7 million), and received yet another takeover bid in 1998, this time from Rupert Murdoch's British Sky Broadcasting Corporation. This resulted in the formation of Shareholders United Against Murdoch – now the Manchester United Supporters' Trust – who encouraged supporters to buy shares in the club in an attempt to block any hostile takeover. The Manchester United board accepted a £623 million offer, but the takeover was blocked by the Monopolies and Mergers Commission at the final hurdle in April 1999. A few years later, a power struggle emerged between the club's manager, Alex Ferguson, and his horse-racing partners, John Magnier and J. P. McManus, who had gradually become the majority shareholders. In a dispute that stemmed from contested ownership of the horse Rock of Gibraltar, Magnier and McManus attempted to have Ferguson removed from his position as manager, and the board responded by approaching investors to attempt to reduce the Irishmen's majority. Glazer ownership In May 2005, Malcolm Glazer purchased the 28.7 per cent stake held by McManus and Magnier, thus acquiring a controlling interest through his investment vehicle Red Football Ltd in a highly leveraged takeover valuing the club at approximately £800 million (then approx. $1.5 billion). Once the purchase was complete, the club was taken off the stock exchange. Much of the takeover money was borrowed by the Glazers; the debts were transferred to the club. As a result, the club went from being debt-free to being saddled with debts of £540 million, at interest rates of between 7% and 20%. In July 2006, the club announced a £660 million debt refinancing package, resulting in a 30 per cent reduction in annual interest payments to £62 million a year. In January 2010, with debts of £716.5 million ($1.17 billion), Manchester United further refinanced through a bond issue worth £504 million, enabling them to pay off most of the £509 million owed to international banks. The annual interest payable on the bonds – which were to mature on 1 February 2017 – is approximately £45 million per annum. Despite restructuring, the club's debt prompted protests from fans on 23 January 2010, at Old Trafford and the club's Trafford Training Centre. Supporter groups encouraged match-going fans to wear green and gold, the colours of Newton Heath. On 30 January, reports emerged that the Manchester United Supporters' Trust had held meetings with a group of wealthy fans, dubbed the "Red Knights", with plans to buying out the Glazers' controlling interest. The club's debts reached a high of £777 million in June 2007. In August 2011, the Glazers were believed to have approached Credit Suisse in preparation for a $1 billion (approx. £600 million) initial public offering (IPO) on the Singapore stock exchange that would value the club at more than £2 billion; however, in July 2012, the club announced plans to list its IPO on the New York Stock Exchange instead. Shares were originally set to go on sale for between $16 and $20 each, but the price was cut to $14 by the launch of the IPO on 10 August, following negative comments from Wall Street analysts and Facebook's disappointing stock market debut in May. Even after the cut, Manchester United was valued at $2.3 billion, making it the most valuable football club in the world. The New York Stock Exchange allows for different shareholders to enjoy different voting rights over the club. Shares offered to the public ("Class A") had 10 times lesser voting rights than shares retained by the Glazers ("Class B"). Initially in 2012, only 10% of shares were offered to the public. As of 2019, the Glazers retain ultimate control over the club, with over 70% of shares, and even higher voting power. In 2012, The Guardian estimated that the club had paid a total of over £500 million in debt interest and other fees on behalf of the Glazers, and in 2019, reported that the total sum paid by the club for such fees had risen to £1 billion. At the end of 2019, the club had a net debt of nearly £400 million. In 2023, the Glazers began soliciting bids for the sale of the club, and several bids were received. Sir Jim Ratcliffe, who owns Ineos, and Hamad bin Jassim bin Jaber Al Thani, a Qatari sheikh, were the only bidders who had publicly declared their interest in a controlling share of the club. In March 2023, Finnish entrepreneur Thomas Zilliacus also made his interest in Manchester United public. On 24 December 2023, it was announced that Ratcliffe had purchased 25 per cent of Manchester United, and that his Ineos Sport company was taking control of football operations. The Glazers remain as majority shareholders. Players First-team squad As of August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Under-21s and Academy As of 4 September 2024 List of under-21s and academy players with articles Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Player of the Year awards Coaching staff Managerial history Management Ownership Manchester United plc Manchester United Football Club Honours Manchester United is one of the most successful clubs in Europe in terms of trophies won. The club's first trophy was the Manchester Cup, which they won as Newton Heath LYR in 1886. In 1908, the club won their first league title, and won the FA Cup for the first time the following year. Since then, they have gone on to win a record 20 top-division titles – including a record 13 Premier League titles – and their total of 13 FA Cups is second only to Arsenal (14). Those titles have meant the club has appeared a record 30 times in the FA Community Shield (formerly the FA Charity Shield), which is played at the start of each season between the winners of the league and FA Cup from the previous season; of those 30 appearances, Manchester United have won a record 21, including four times when the match was drawn and the trophy shared by the two clubs. The club had a successful period under the management of Matt Busby, starting with the FA Cup in 1948 and culminating with becoming the first English club to win the European Cup in 1968, winning five league titles and two FA Cups in the intervening years. The club's most successful decade, however, came in the 1990s under Alex Ferguson; five league titles, four FA Cups, one League Cup, five Charity Shields (one shared), one UEFA Champions League, one UEFA Cup Winners' Cup, one UEFA Super Cup and one Intercontinental Cup. The club has won the Double (winning the Premier League and FA Cup in the same season) three times; the second in 1995–96 saw them become the first club to do so twice, and it became referred to as the "Double Double". United became the sole British club to win the Intercontinental Cup in 1999 and are one of only three British clubs to have won the FIFA Club World Cup, in 2008. In 1999, United became the first English club to win the Treble. In 2017, United won the 2016–17 UEFA Europa League, beating Ajax in the final. In winning that title, United became the fifth club to have won the "European Treble" of European Cup/UEFA Champions League, Cup Winners' Cup, and UEFA Cup/Europa League after Juventus, Ajax, Bayern Munich and Chelsea. The club's most recent trophy is the 2023–24 FA Cup. s shared record Doubles and Trebles Doubles League and FA Cup (3): 1993–94, 1995–96, 1998–99 League and UEFA Champions League (2): 1998–99, 2007–08 League and EFL Cup (1): 2008–09 EFL Cup and UEFA Europa League (1): 2016–17 Trebles League, FA Cup and UEFA Champions League (1): 1998–99 Short competitions – such as the FA Charity/Community Shield, Intercontinental Cup (now defunct), FIFA Club World Cup or UEFA Super Cup – are not generally considered to contribute towards a Double or Treble. Manchester United Women Manchester United Supporters Club Ladies began operations in the late 1970s and was unofficially recognised as the club's senior women's team. They became founding members of the North West Women's Regional Football League in 1989. The team made an official partnership with Manchester United in 2001, becoming the club's official women's team; however, in 2005, following Malcolm Glazer's takeover, the club was disbanded as it was seen to be "unprofitable". In 2018, Manchester United formed a new women's football team, which entered the second division of women's football in England for their debut season. The women's football team won their first trophy on 12 May 2024 as they lifted the Women's FA Cup as they defeated Tottenham Hotspur 4-0. Notes References Further reading Andrews, David L., ed. (2004). Manchester United: A Thematic Study. London: Routledge. ISBN 978-0-415-33333-7. Barnes, Justyn; Bostock, Adam; Butler, Cliff; Ferguson, Jim; Meek, David; Mitten, Andy; Pilger, Sam; Taylor, Frank OBE; Tyrrell, Tom (2001) [1998]. The Official Manchester United Illustrated Encyclopedia (3rd ed.). London: Manchester United Books. ISBN 978-0-233-99964-7. Bose, Mihir (2007). Manchester Disunited: Trouble and Takeover at the World's Richest Football Club. London: Aurum Press. ISBN 978-1-84513-121-0. Crick, Michael; Smith, David (1990). Manchester United – The Betrayal of a Legend. London: Pan Books. ISBN 978-0-330-31440-4. Devlin, John (2005). True Colours: Football Kits from 1980 to the Present Day. London: A & C Black. ISBN 978-0-7136-7389-0. Dobson, Stephen; Goddard, John (2004). "Ownership and Finance of Professional Soccer in England and Europe". In Fort, Rodney; Fizel, John (eds.). International Sports Economics Comparisons. Westport, CT: Praeger Publishers. ISBN 978-0-275-98032-0. Dunning, Eric (1999). Sport Matters: Sociological Studies of Sport, Violence and Civilisation. London: Routledge. ISBN 978-0-415-09378-1. Hamil, Sean (2008). "Case 9: Manchester United: the Commercial Development of a Global Football Brand". In Chadwick, Simon; Arth, Dave (eds.). International Cases in the Business of Sport. Oxford: Butterworth-Heinemann. ISBN 978-0-7506-8543-6. Inglis, Simon (1996) [1985]. Football Grounds of Britain (3rd ed.). London: CollinsWillow. ISBN 978-0-00-218426-7. James, Gary (2008). Manchester: A Football History. Halifax: James Ward. ISBN 978-0-9558127-0-5. Morgan, Steve (March 2010). McLeish, Ian (ed.). "Design for life". Inside United (212). ISSN 1749-6497. Murphy, Alex (2006). The Official Illustrated History of Manchester United. London: Orion Books. ISBN 978-0-7528-7603-0. Shury, Alan; Landamore, Brian (2005). The Definitive Newton Heath F.C. SoccerData. ISBN 978-1-899468-16-4. Tyrrell, Tom; Meek, David (1996) [1988]. The Hamlyn Illustrated History of Manchester United 1878–1996 (5th ed.). London: Hamlyn. ISBN 978-0-600-59074-3. White, Jim (2008). Manchester United: The Biography. London: Sphere. ISBN 978-1-84744-088-4. White, John (2007) [2005]. The United Miscellany (2nd ed.). London: Carlton Books. ISBN 978-1-84442-745-1. External links Official website Independent websites Official Manchester United Supporters' Trust Manchester United F.C. on BBC Sport: Club news – Recent results and fixtures Manchester United at Sky Sports Manchester United at Premier League Manchester United at UEFA Business data for Manchester United F.C.:
Wigan_Athletic_F.C.
https://en.wikipedia.org/wiki/Wigan_Athletic_F.C.
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Wigan Athletic Football Club () is a professional association football club based in Wigan, Greater Manchester, England. The team competes in the EFL League One, the third level of the English football league system. Founded in 1932, they have played at the 25,138-seat The Brick Community Stadium since 1999, before which they played at Springfield Park. Their colours are blue and white stripes, although all-blue shirts have been common throughout the club's history. The club regards Bolton Wanderers as its primary derby rival. Wigan competed in the Cheshire County League for the first nine seasons of the club's existence, winning three league titles before being placed in the Lancashire Combination in 1947. It spent 14 years in the Lancashire Combination and secured four league titles during this time. It spent 1961 to 1968 back in the Cheshire County League, picking up another league title in 1964–65. Invited to become a founder member of the Northern Premier League in 1968, the club won two league titles and also reached the FA Trophy final in 1973. Wigan was elected to the Football League in 1978 and was promoted out of the Fourth Division in 1981–82. The club won the Associate Members' Cup in 1985, but was relegated back into the fourth tier in 1993. It won the Third Division title in 1996–97, the Football League Trophy in 1999 and the Second Division in 2002–03, before securing promotion out of the Championship in 2004–05. Wigan lost in the League Cup final in 2006 and won the FA Cup in 2013, beating Manchester City in the final. However, the club was relegated later that year, bringing its eight-season stay in the Premier League to an end. The FA Cup success did, though, gain it a place in the UEFA Europa League group stages the following season. Relegated from the Championship in 2015, the club won the League One title in 2015–16 and repeated this feat in 2017–18 after another relegation. On 1 July 2020, less than a month after a change of ownership, it was placed into administration and was relegated from the Championship due to the subsequent points deduction. After narrowly avoiding relegation to League Two in 2020–21 under new ownership, Wigan won the League One title for a fourth time in 2021–22, but a year later were again relegated from the Championship following two further points deductions. Additional deductions of points were made in May 2023, meaning the club would start the 2023–24 League One season with minus eight points. History Non-League football: 1932–1978 Wigan Athletic was formed in 1932, following the winding-up of Wigan Borough the year before. The establishment of Wigan Athletic was the sixth attempt to create a stable football club in the town following the demise of Wigan A.F.C., Wigan County, Wigan United, Wigan Town and Wigan Borough. The town's die-hard football enthusiasts planned the rebirth of a town team, and a public meeting was held at the Queen's Hall presided over by the then Mayor of Wigan, Councillor W.A. Hipwood, and Callum Roper, who called on the town to keep up its reputation for producing fine sportsmen by keeping intact an Association Football team as well as the Rugby League team. A committee was elected and a new club was formed, Wigan Athletic. Springfield Park, the former home of Wigan Borough, was purchased by the club for £2,850 from the owners of the Woodhouse Lane dog track. Despite their initial application being turned down, Wigan Athletic were elected into the Cheshire County League following the resignation of Manchester Central. The club had also made the first of many attempts to be admitted into the Football League, but failed to receive a single vote. On 27 August 1932, Wigan Athletic played their first-ever league game against Port Vale Reserves. The team played in red and white shirts with black shorts. Wigan Athletic won its first honours in the 1933–34 season, finishing top of the Cheshire League, despite being based in neighbouring Lancashire. In the following season the club won a second league championship and also entered the FA Cup for the first time, defeating Carlisle United 6–1 in the first round – a cup record for the biggest victory by a non-League club over a League club. In the 1935–36 season, the club won its third consecutive Cheshire League title and the Lancashire Junior Cup. After the Second World War, Wigan Athletic adopted their present-day blue and white colours. The club struggled to assemble a competitive side and finished bottom of the league in 1946–47 season. Despite their pre-war success, the club failed to gain re-election and was replaced by Winsford United. The club joined the Lancashire Combination, winning the league in their first season. In 1950, Wigan Athletic came close to election to The Football League, narrowly losing out to Scunthorpe United and Shrewsbury Town. The club would frequently apply for election to the Football League over the next 28 years before finally being accepted. In the 1953–54 season, Wigan played an FA Cup match against Hereford United in front of a crowd of 27,526 – a club record and also a record attendance for a match between two non-League teams at a non-League ground. In the next round of the cup, Wigan Athletic was drawn against First Division side Newcastle United. Wigan Athletic held their top-flight opponents to a 2–2 draw at St James' Park, but went on to lose the replay 3–2. In 1961, the club moved back to the Cheshire League. In the 1964–65 season, Wigan Athletic won its first Cheshire League title since returning to the league, with top goalscorer Harry Lyon scoring 66 times. He remains the club's greatest goalscorer of all time. Wigan Athletic won four cup titles in the 1966–67 season (Lancashire Floodlit Cup winner, Liverpool Non League Senior Cup winner, Northern Floodlit League winner, Northern Floodlit League Cup winner) and was also Cheshire County League runner-up. In 1968, Wigan Athletic was a founder member of the Northern Premier League. In winning the league title in 1970–71, the leading goalscorer, with 42 goals including seven hat-tricks, was Geoff Davies, who scored 28 goals in the following 1971–72 season. The team played at Wembley Stadium for the first time in the 1973 FA Trophy final, where they lost 2–1 to Scarborough. After 34 failed election attempts, including one controversial but headline-making application in 1972 to join the Scottish League Second Division, Wigan Athletic was elected to the Football League in 1978. Early League years: 1978–1995 Wigan Athletic finished in second place in the Northern Premier League in the 1977–78 season, behind winners Boston United. But as Boston's ground and facilities did not meet the Football League criteria for a League club, whereas Springfield Park did, Wigan Athletic were put forward for election to the league. There was no automatic promotion to the Football League until 1987, and at that time a club had to be 'voted out' of the League to allow a non-League team to be promoted in their place. At the end of the 1977–78 season, Southport finished next to the bottom of the old Fourth Division, and faced near neighbours Wigan Athletic for their place in the league. The first round of voting was tied, with both clubs receiving 26 votes. After a tense re-vote which Wigan won 29–20, Southport lost their place in the Fourth Division and Wigan Athletic became an English League club on 2 June 1978. In the club's first season of league football, Wigan Athletic finished in sixth place, just six points off promotion and playing in front of an average crowd of 6,701. Two more top-half finishes came in the following seasons, though a relatively weak 1980–81 season saw the dismissal of long-serving manager Ian McNeill shortly before the end of the season. They gained their first Football League promotion under the management of former Liverpool player Larry Lloyd in 1981–82, when a points tally of 91 saw them join the former Division Three for the first time, beginning a 10-year spell in English football's third tier. The club struggled in their first season in Division Three, which led to Lloyd's sacking in early 1983, at which point Bobby Charlton, a director at the time, took over as temporary manager before being replaced by Harry McNally. Under McNally's management, the club stabilised in Division Three and secured a pair of mid-table finishes, but a dreadful 1984–85 season cost him his job, with Tranmere manager Bryan Hamilton stepping into the breach. Under Hamilton's management, the club's performances went to the next level and they won their first silverware as a league club that season with the Freight Rover Trophy. They were beaten in the Northern final of the same competition the following season by Bolton Wanderers. More importantly, Hamilton achieved Division Three survival, which had looked an impossible task earlier that season. The 1985–86 season saw a marked improvement in the club's league form, eventually finishing in fourth position, a then-club record high which would stand for 17 years until 2002–03. Wigan Athletic finished the season just one point outside the promotion places in the final season before the Football League introduced the play-off system for promotion and relegation. However, Hamilton's feats attracted the attention of First Division Leicester City and he left to become their manager in the summer of 1986. His assistant, Ray Mathias, who had followed him from Tranmere, stepped up to the Wigan Athletic manager's job. Wigan Athletic managed an identical fourth-place finish in the 1986–87 season, but this time were rewarded with the chance to compete for the final promotion place in the new play-off system. (In the first two years of the play-off system, teams finishing third, fourth and fifth joined the team finishing 20th in the division above to play-off for the promotion place; this was changed to the teams finishing third, fourth, fifth and sixth from the 1988–89 season). The Latics lost at the two-legged semi-final stage to Swindon, who went on to win the final promotion place. The fourth-place finishes of the 1985–86 and 1986–87 seasons proved to be the high points of Wigan Athletic's first stint in Division 3. For the next five years, they finished mid-table, flirting with relegation in 1988–89 (at which time Mathias was sacked and the previous manager Bryan Hamilton returned) and 1989–90, until they were relegated for the first time in the club's league history in 1992–93. Wigan Athletic finished in 23rd place, amid tumbling attendances which had fallen from averages of 3,000–4,000 in Wigan Athletic's Division 3 years to just 2,593 in 1992–93. Hamilton resigned shortly before the club were relegated, and was replaced by Kenny Swain. A year later, with the club back in the fourth tier of the English League, the Latics finished fourth from bottom, in 19th place. While there was no relegation that season due to the lack of a promotable club in the Football Conference, this remains the club's lowest-ever finish. The following season would prove to be arguably even worse, as Swain was sacked early in the campaign following a horrific start, and former player Graham Barrow took over as manager. Despite the club being rooted to the bottom of the table until the start of December, the second half of the campaign saw a major upturn in form, and they finished well clear of the relegation zone in 15th place. Attendances fell to a lowest-ever Wigan Athletic League average of 1,845 by 1995. Rising through the league: 1995–2005 In February 1995, local millionaire and owner of JJB Sports, Dave Whelan purchased the club. Through Whelan's business connections in Spain he attracted three Spaniards to the club – Roberto Martínez, Isidro Díaz, and Jesus Seba – who became known as the Three Amigos. The trio became the on-pitch symbols of Whelan's ambitious plan to take Wigan Athletic into the Premier League. The Three Amigos were joined at the club by John Deehan, who replaced Barrow as manager during the 1995–96 season following a 6–2 home defeat to Mansfield Town. Deehan took the Latics within two points of a play-off place in his first season; the club had in fact been in the final automatic promotion spot with four games remaining, but lost them all and so failed to even make the playoffs. The following year Wigan Athletic became Division Three champions on the last day of the season, Graeme Jones scoring a club record 31 league goals in the process. In most seasons they would have been runners-up, but a temporary rule change which saw goals scored take precedence over goal difference allowed them to finish above runners-up Fulham, who had the same number of points and a better goal difference. Following a mid-table finish in Division Two the following season, Deehan quit to become Steve Bruce's assistant at Sheffield United. He was succeeded by Ray Mathias, who returned for his third stint as Wigan Athletic manager. Mathias' team won the Football League Trophy in 1999, beating Millwall 1–0 at Wembley Stadium. The same season the Latics reached the Division Two play-offs, losing 2–1 on aggregate to Manchester City. Mathias was sacked, and replaced by John Benson. He led the team to the top of Division Two in his first six months, but they were only able to qualify for the play-offs. In the last Division Two play-off final played at the old Wembley Stadium, Wigan lost 3–2 after extra time to Gillingham. Benson moved 'upstairs' to the new post of director of football in the summer of 2000, when former Arsenal manager Bruce Rioch took the manager's job for the 2000–01 season. Rioch was hampered by severe injury problems and after a difficult and often unimpressive first half of the season left the club in February 2001. He was temporarily replaced by club stalwart Colin Greenall, before the surprise appointment of Steve Bruce for the final eight games of the season. His arrival brought renewed vigour to Wigan Athletic performances, but the club ultimately lost in the play-offs again, this time against Reading, and Bruce left for Crystal Palace. In the summer of 2001, the former Latics forward Paul Jewell took over as manager following an unsuccessful spell at Sheffield Wednesday. His first season in charge saw mixed results and an embarrassing defeat to non-League Canvey Island in the FA Cup first round, although the club eventually finished in mid-table. Jewell's second season in charge was far more successful. Wigan Athletic went on a run to the quarter-finals of the League Cup, beating Premier League opponents West Brom, Manchester City and Fulham en route. Wigan Athletic won the Division Two championship in 2002–03 with a points total of 100, powered by the goals of then-record £1.2 million signing Nathan Ellington, with a run of 10 consecutive wins along the way. The club lost only four times all season, and Wigan Athletic secured promotion to the second tier of the English Football League for the first time in their history. After losing their first Division One game, Wigan Athletic confounded expectations to go unbeaten for the next 17 games and topped the division by November 2003. A weak finish saw Wigan Athletic win only three of their last 10 games to finish seventh in Division One – a last-minute goal by West Ham's Brian Deane in the final game of the season saw the Latics drop out of the play-off places in favour of eventual play-off winners Crystal Palace. Hoping to build on the previous season's disappointing finish, the Latics went one better than 2003–04 by remaining unbeaten for the first 17 games of the 2004–05 season. Along with Sunderland and Ipswich, the Latics remained in the promotion hunt all season. By the last day of the season, Sunderland had already won the title and Wigan needed at least a draw against Reading – who themselves needed to win to finish in sixth place – to beat Ipswich to the last automatic promotion spot. A 3–1 victory at the JJB Stadium earned Wigan Athletic promotion to the top division of English football for the first time in their 73-year history. Premier League years and FA Cup victory: 2005–2013 The club's first Premier League game was a sell-out at the JJB Stadium against holders Chelsea, a 1–0 defeat after an injury-time winner by Hernán Crespo. A successful run followed, and by November, Wigan were second in the league. Good league form was coupled with an equally strong performance in the Football League Cup, with Wigan reaching their first ever major cup final after defeating Arsenal on away goals in the semi-final. In the final, Wigan were defeated 4–0 by neighbours Manchester United. Wigan Athletic eventually finished the season in 10th place, which remains the club's highest ever league placing. Defender Pascal Chimbonda was also included in the 2005–06 PFA Team of the Season, capping off his season by being picked for the France squad for the 2006 FIFA World Cup. During the close season, Wigan sold many players who had starred in their first season in the Premier League, such as Jimmy Bullard, Jason Roberts and Stéphane Henchoz, while bringing in replacements including Emile Heskey, Denny Landzaat, Chris Kirkland and Antonio Valencia. After a mid-table start to the 2006–07 season, Wigan had eight consecutive losses from mid-December, but was 15th in early March. On the final day of the season, Wigan got a 2–1 away win against Sheffield United, which kept them up at the expense of their opponents. The following day, Paul Jewell unexpectedly resigned as manager; his assistant Chris Hutchings was appointed as his replacement. Wigan's third Premier League campaign saw changes in the squad, with Titus Bramble, Mario Melchiot, Jason Koumas and Marcus Bent among the players brought in, and Melchiot was installed as the new club captain. The 2007–08 season began well for Wigan, with Emile Heskey recalled to the England squad, as the first Wigan player to represent England whilst a full member of the club. However, he broke his foot immediately after his England call-up and was out injured for six weeks. The club's league position subsequently worsened, and on the back of a run of six consecutive defeats, Wigan fell into the relegation zone. Whelan took the decision to sack Hutchings on 5 November 2007, after 12 games in charge, reinstating Steve Bruce, who saved the club from relegation. In the summer of 2008, Bruce signed Lee Cattermole from Middlesbrough for £3.5 million, and Egyptian striker Amr Zaki sign on an initial one-year loan. Zaki had scored 10 Premier League goals by February 2009, as Wigan reached seventh place in the table with 34 points from 25 games. January saw the departure of two key first team members, Wilson Palacios and Emile Heskey, to Tottenham and Aston Villa respectively. Despite these changes, Wigan finished the season in 11th place with 45 points, their second-best finish ever in the Premier League. On 3 June, Bruce left Wigan for the second time to take over the vacant manager position at Sunderland. July saw the departure of another key first team member Antonio Valencia to Manchester United. Before the 2009–10 season got underway, Cattermole left for Sunderland. Wigan appointed Roberto Martínez, then manager of Swansea City, as manager prior to the 2009–10 Premier League season. He previously played for Wigan from 1995 to 2001. On 26 September, they claimed their first three points against a "Big 4" team after beating Chelsea 3–1, with goals from Titus Bramble, Hugo Rodallega and Paul Scharner. A late surge that included a 1–0 win over Liverpool and a 3–2 win over Arsenal – the latter of which saw Wigan recover from two goals down with ten minutes remaining to win in injury time – saw the team once more survive relegation. Most notably, having never defeated any of the traditional "Big Four" in the league until their win over Chelsea (and with only one win over any of them in cup competitions), Wigan ended the season having defeated three of them at home. Despite this high, the season also saw two humiliating 8 goal defeats, firstly a 9–1 thrashing at Tottenham in November, and finally an 8–0 defeat to Chelsea on the final day of the season, a match which saw their opponents crowned Premier League champions. In the 2010–11 season, Wigan fell to the bottom of the league by the end of February, following a 4–0 defeat to Manchester United. However, despite remaining in the bottom three for the majority of the season, they managed to retain their Premier League status on the last day of the season, defeating Stoke City at the Britannia Stadium after a goal from Hugo Rodallega. On 7 May 2012, they simultaneously secured their Premier League status and relegated Blackburn Rovers with a 1–0 victory at Ewood Park. In 2013, after beating Everton in the quarter-final and Millwall in the semi-final, Wigan reached the FA Cup final for the first time in their history. In the final, played at Wembley Stadium, Wigan beat Manchester City 1–0, with a goal by Ben Watson scored in injury time. Wigan's first ever major trophy also gave the club a place in the group stage of the Europa League. Following their 4–1 defeat to Arsenal three days later, Wigan Athletic ended their eight-year spell in the Premier League and became the first team to be relegated and win the FA Cup in the same season. On 5 June it was announced that Martínez had left Wigan and had signed for Everton on a four-year deal. End of the Whelan era: 2013–2018 Owen Coyle became the new manager of Wigan Athletic when Martínez left for Everton. The team lost to Manchester United in the Community Shield. Coyle left by mutual agreement on 2 December 2013 after a poor start to the season, and was replaced by Uwe Rösler. On 12 December in his first match, Wigan were eliminated from the Europa League group stage after defeat to Maribor. On 9 March 2014 Wigan beat Manchester City to reach the semi-final of the FA Cup at Wembley for the second successive year, where they played Arsenal, and lost 4–2 on penalties after normal time and extra time resulted in a 1–1 draw. After finishing 5th in the Championship, Wigan lost their play-off semi-final to Queens Park Rangers. Rösler was sacked in November 2014 with the club in the relegation places, and was replaced by Malky Mackay. Whelan resigned as chairman on 3 March 2015, remaining as owner but handing over the chairmanship to his grandson David Sharpe. The following month, with Wigan in danger of relegation to League One, Mackay was sacked and replaced by former Wigan captain Gary Caldwell, yet the team ended the season with relegation. The squad changed drastically, including the signings of Will Grigg from Brentford and Reece James from Manchester United. The side lost only once in 23 matches in the second half of the season and won the division, with Grigg the league's top scorer with 25 goals. In October 2016, following a poor start to the season, Caldwell was sacked as manager and replaced by Manchester United coach Warren Joyce. Results did not improve under Joyce, who was sacked in March 2017. Wigan were subsequently relegated back to League One in April and interim manager Graham Barrow left, ending a 15-year association with the club. Paul Cook, who had just won League Two with Portsmouth, was appointed Wigan manager in June 2017. In the 2017–18 League One season, Wigan finished top winning promotion back to the Championship. Their promotion was sealed by a 4–0 win against Fleetwood Town. In the 2017–18 FA Cup, Wigan beat Manchester City in the fifth round at home, winning 1–0 after Will Grigg scored in the 79th minute. In the quarter-finals, they were knocked out by Southampton in a 2–0 loss. At the end of the season it was announced that the Whelan family had agreed a deal to sell the club, stadium and training facilities to the Hong Kong–based International Entertainment Corporation (IEC) in a £22m deal. On 2 November 2018, IEC received shareholder approval to complete the acquisition of the football club, ending 23 years of Whelan family ownership. In the 2018–19 season, Wigan finished 18th in the Championship with 52 points, well clear of the relegation zone. Administration, financial instability, and new ownership: Since 2020 On 4 June 2020, IEC sold the majority of Wigan Athletic shareholdings to Hong Kong–based Next Leader Fund; the sale was formally ratified and approved by the shareholders of IEC, the Hong Kong Stock Exchange and the EFL. On 1 July 2020, the club – standing 14th in the Championship, eight points clear of relegation, in a season delayed due to the COVID-19 pandemic – announced it had gone into administration as Next Leader Fund had refused to invest promised money. The insolvency left Wigan facing a 12-point deduction; the sanction would be applied at the end of the 2019–20 season if the club finished outside the bottom three after 46 games. Wigan MP Lisa Nandy and Greater Manchester mayor Andy Burnham wrote a joint letter to Parry calling for an investigation into the club's takeover. Players had not been paid and there was talk of club staff being made redundant and of players being offered for sale, they said. Wigan's supporters club also called for an investigation and for financial support from the EFL; supporters, backed by Nandy, later launched an online petition to try to trigger a parliamentary debate around the EFL's owners' and directors' test. On 7 July, 75 (approximately half) of the club's non-playing staff were made redundant by the administrators. Meanwhile, on 7 July 2020 the club had appealed against the 12-point deduction imposed by the EFL for entering administration. On 14 July, Wigan recorded their biggest League victory, beating Hull City 8–0. This, combined with other results, meant Wigan would not finish in the relegation places, so the 12-point deduction would be applied at the end of the current season with the relegation confirmed on 4 August. On 17 August 2020, it was reported that Au Yeung Wai Kay, the club's owner, had, on 23 June, asked Begbies Traynor about putting it into administration before completing his takeover. Wigan supporters began a fund-raising effort, initially raising £500,000 to help secure the club's future, and then raising £200,000 more. Administrators had been confident a sale would be agreed by their deadline, but later revised their opinion. By early March 2021, the administrators were in advanced talks with a consortium, Phoenix 2021 Ltd, led by Bahrain businessmen Abdulrahman Al-Jasmi and Talal Mubarak al-Hammad, which was confirmed officially on 30 March. In May, the former administrators repaid £171,000 raised by supporters to keep the club going when it first went into administration. The club finished the 2020–21 season in 20th position, one point above the relegation places. Wigan Athletic won the League One title under Leam Richardson in the following season, earning promotion back to the Championship after a final day 3–0 victory at Shrewsbury Town. On 7 March 2023, Wigan reported a £7.7m loss for the financial year to June 2022. Four days later, Wigan released a statement saying there would be a temporary delay in meeting wage obligations due to liquidity issues; the EFL was aware of the situation and on 20 March 2023, bottom-of-the-table Wigan were docked three points for failing to pay players, having had a previous EFL sanction for non-payment suspended. At the end of the 2022–23 season, they were relegated from the Championship. In late May 2023, Wigan were hit with two further points deductions and would therefore start its next season with minus eight points. On 12 June, HMRC lodged a winding-up petition over unpaid tax. On 14 June 2023, Wigan-born billionaire and Wigan Warriors RLFC co-owner Mike Danson bought the club and immediately paid all creditors, including staff. Stadium Wigan Athletic's stadium is the 25,138 capacity The Brick Community Stadium, part of the Robin Park complex in Wigan. It has been the club's home since the 1999–2000 season. Wigan Athletic owns the stadium, but leases the ground to rugby league team Wigan Warriors. The stadium cost £30 million to construct. Previously, home games were played at Springfield Park, the former home of Wigan Borough, which was demolished in June 1999; it is now the site of a housing development. The record attendance at The Brick Community Stadium (then known as the JJB Stadium) for Wigan Athletic is 25,133 for a game against Manchester United on 11 May 2008 – the final match of the 2007–08 season. The stadium, initially known as the JJB Stadium for sponsorship reasons, was the fourth attempt at re-development/re-location for Wigan Athletic, the first coming in 1986 when then-chairman Bill Kenyon revealed plans for a 15,000 all-seater development at Springfield Park including a hotel and shopping facilities. The club was to play at the nearby Woodhouse Stadium (formerly Wigan Municipal Stadium – now demolished) while the building work took place. In 1990, Kenyon submitted his second scheme which would cost £3m, hold 12–15,000 fans and involved moving the pitch nearer to the car park. Neither efforts got past the planning stage. The next chairman, Stephen Gage, spent most of 1993 and 1994 trying to relocate the Latics to the then Robin Park Stadium (now demolished) until his plans were scuppered by Wigan Council when the local council announced plans for their own ground involving Wigan Warriors. Gage finally admitted defeat when he sold the Latics to Dave Whelan on 27 February 1995 for around £1m. Plans for the JJB Stadium were first published in 1997. Contracts for the new stadium were signed in late 1997 and work began immediately. Originally the ground was to be built for both Wigan Athletic and Orrell R.U.F.C., as grants were only available for multi-use stadia at that time. Wigan Warriors did not figure in the equation until Whelan bought the rugby league club some 12 months later after protracted negotiations with the directors of the rugby league club. The modern all-seater stadium was officially opened on 4 August 1999. Its inauguration was marked with a friendly between Wigan and neighbours Manchester United, who were then reigning European Champions, with Alex Ferguson officially opening the stadium. However, Wigan Athletic hosted Morecambe three days earlier on 1 August as a dress rehearsal for the official opening against Manchester United. The game was played during a violent electrical storm and torrential rain, even so, 4,020 supporters attended and the game ended in a goalless draw. The first competitive football match took place on 7 August 1999, with Wigan Athletic facing Scunthorpe United in a Division 2 match. Simon Haworth scored twice, including the first competitive goal at the new stadium, as Athletic won 3–0. On 7 March 2005 Greater Manchester Police announced that it would stop policing Wigan Athletic matches at the stadium from 2 April. This move left Wigan Athletic facing the prospect of playing their home games in the Premier League in an empty stadium, so they paid the money they owed to the police. The club appealed against the payments in court and won, with the claims expected to earn the club around £37,000. On 25 March 2009 it was announced that Wigan Athletic would change the name of their stadium to The DW Stadium, after chairman Dave Whelan's commercial venture, DW Sports Fitness. For 2013–14 Europa League fixtures held at the stadium, the ground was known as The Wigan Athletic Stadium. From 13 May 2024, the stadium was renamed The Brick Community Stadium, in partnership with a local Wigan charity, The Brick, which works to address poverty and homelessness. The name will remain in place until the end of 2025 while Wigan Athletic and Wigan Warriors secure a long-term commercial stadium partner for 2026 and beyond. Supporters Wigan Athletic Official Supporters Club (formerly known as Wigan Athletic Supporters Travel Club) is the official supporters' association of Wigan Athletic Football Club. The supporters club are a non-profit organisation run by volunteers and meet before home matches in the South Stand Bar. The Latics' most vocal supporters can be found in the East Stand of The Brick Community Stadium which houses up to 8,206 fans The South Stand of the ground is the family stand. A long-standing song sung by fans of the club is "You Are My Sunshine". In more recent times, "I'm a Believer", the Hokey cokey, "We Built This City" and "Gold" are among some of the songs that have been adapted by Wigan supporters. The club has one unofficial fanzine, The Mudhutter, which is released between 5 and 6 times during the season. Resulting from a number of incidents at Latics matches where smoke bombs were used by fans (resulting in 17 banning orders as a result of one fixture), several club statements were issued and police presence was increased at some matches. Data from the UK Football Policing Unit found that Wigan Athletic along with Everton and Manchester United had the highest number of incidents involving pyrotechnics. Wigan's return to the Championship saw an average away following of over 1,200. This figure did not include Europa League, Community Shield, League Cup and FA Cup fixtures, where on average supporters turned up in greater numbers. In 2013, the club sold out their 25,000 allocation for the FA Cup final and sold 20,000 tickets for the FA Cup semi-final. A total of 5,500 was also sold for the FA Community Shield in the same year. In 2014, hundreds of fans took part in a charity walk from Wigan to Bolton in aid of local charity Joseph's Goal. Joseph was Wigan's mascot in the 2013 FA Cup final, led out by captain Emmerson Boyce. On Boxing Day, over the years many fans have chosen to attend Wigan Athletic's match in fancy dress. This is particularly prominent with away fixtures on that day where the fans are known as the 'Banana Army'. However, on Boxing Day in 2014 a boycott of the club's fixture against Leeds United was ordered by some supporters due to the ticket prices for the match at Elland Road. Around 750 away fans attended the match. During the 2014–15 season, a Fan Advisory Board (FAB) was set up by the club to allow supporters of Wigan Athletic to have a greater say on any issues they may have. The board meets every month to six weeks with the first meeting having taken place in November 2014. Mascot In August 2019, the club announced that a giant pie, called Crusty, would serve as the team's new mascot for the 2019–20 season. Crusty The Pie was chosen following a competition in which more than 90 primary schools were invited to submit ideas, with over half of the entries opting for a pie. Rivalries Since Wigan Athletic's admission to the Football League in 1978, the club has built up several rivalries, mainly with Bolton Wanderers, the club's primary derby match. One rivalry that has arisen in recent years has been that with Manchester City, since the first time they met in the Second Division in 1998, the season in which City gained passage to the 1999 Division Two play-off final through the "Hand of Goat". Wigan met City in the 2013 FA Cup final and beat them 1–0. Since then, City have failed to beat Wigan in the competition; losing 2–1 at the Etihad in the 2013–14 FA Cup quarter-final and, in February 2018, losing 1–0 with third tier Wigan beating eventual Premier League champions City with a Will Grigg goal. Wigan also have other local rivalries with Preston North End, Blackburn Rovers, Oldham Athletic, Blackpool and Rochdale. One of the club's longest and recently forgotten rivalries was with nearby Lancashire based club Chorley, although the two clubs have not played a league game since 1971 when they were in the Northern Premier League. The last time Wigan played Chorley was in the first round of the FA Cup in 2020, with non-League Chorley beating an administration-stricken Wigan 3–2 after extra-time. European record Wigan's victory in the 2013 FA Cup final qualified them for European football for the first and only time, earning them an automatic place in the group stage of the 2013–14 UEFA Europa League. Players First team As of 16 August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Club officials Board As of 2 August 2024 Owner: Mike Danson Chairman & CEO: Ben Goodburn Director: Lucas Danson Sporting Director: Gregor Rioch Life President: Dave Whelan Honorary President: Brenda Spencer Coaching & Medical Staff As of 2 August 2024 Manager: Shaun Maloney Assistant Manager: Max Rogers First Team Coach: Glenn Whelan First Team Coach: Shadab Iftikhar Goalkeeping Coach: Andy Lonergan Kitman: Naz Ali Academy Manager: Jake Campbell Under 21s Manager: Chris Brown Under 18s Manager: Peter Murphy Notable former players Player of the Year Managers As listed on the official Wigan Athletic website. Records Highest league position: 10th in the Premier League (2005–06) Record League victory: 8–0 vs Hull City (Championship, 14 July 2020) Record attendance at The Brick Community Stadium: 25,133 v Manchester United, Premier League (11 May 2008) Record Attendance Springfield Park (Wigan): 27,526, vs Hereford United F.C., FA Cup (1953) Most League appearances: 317, Kevin Langley (1981–1986, 1990–1994) Most League goals scored: total, 70, Andy Liddell (1998–2003) Most League goals scored, season: 31, Graeme Jones (1996–97) Record consecutive league appearances: 123, Jimmy Bullard (January 2003 – November 2005) Record transfer fee paid: Charles N'Zogbia, £7 million, from Newcastle United, February 2009 Record transfer fee received: Antonio Valencia, £15 million, to Manchester United, June 2009 Honours Source: League Championship (level 2) Runners-up: 2004–05 Second Division / League One (level 3) Champions: 2002–03, 2015–16, 2017–18, 2021–22 Fourth Division / Third Division (level 4) Champions: 1996–97 Promoted: 1981–82 Northern Premier League (level 5) Champions: 1970–71, 1974–75 Lancashire Combination Champions: 1947–48, 1950–51, 1952–53, 1953–54 Northern Floodlit League Champions: 1966–67 Cheshire League Champions: 1933–34, 1934–35, 1935–36, 1964–65 Cup FA Cup Winners: 2012–13 League Cup Runners-up: 2005–06 FA Community Shield Runners-up: 2013 Associate Members' Cup / Football League Trophy Winners: 1984–85, 1998–99 FA Trophy Runners-up: 1972–73 Northern Premier League Shield Winners: 1972–73, 1973–74, 1975–76 Northern Premier League Challenge Cup Winners: 1971–72 Notes and references External links Official website Wigan Athletic at Curlie Wigan Athletic F.C. on BBC Sport: Club news – Recent results and fixtures "Brief history of Wigan Athletic". Archived from the original on 14 December 2005. Retrieved 5 December 2005. The Springfield Park Memorial
Newcastle_United_F.C.
https://en.wikipedia.org/wiki/Newcastle_United_F.C.
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Newcastle United Football Club is a professional association football club based in Newcastle upon Tyne, Tyne and Wear, England. The club competes in the Premier League, the top tier of English football. Since the formation of the club in 1892, when Newcastle East End absorbed the assets of Newcastle West End to become Newcastle United, the club has played its home matches at St James' Park. Located in the centre of Newcastle, it currently has a capacity of 52,374. The club has been a member of the Premier League for all but three years of the competition's history, spending 92 seasons in the top flight as of May 2024, and has never dropped below English football's second tier since joining the Football League in 1893. Newcastle have won four League titles, six FA Cups and an FA Charity Shield, as well as the 1968–69 Inter-Cities Fairs Cup, the ninth-highest total of trophies won by an English club. The club's most successful period was between 1904 and 1910, when they won an FA Cup and three of their League titles. Their last major domestic trophy was in 1955. More recently the club have been League or FA Cup runners-up on four occasions in the 1990s. Newcastle were relegated in 2009, and again in 2016. The club won promotion at the first time of asking each time, returning to the Premier League, as Championship winners, in 2010 and 2017. In October 2021, a consortium led by the Public Investment Fund, the sovereign wealth fund of Saudi Arabia, became majority owners of Newcastle United. The team's traditional kit colours are black-and-white striped shirts, black shorts and black or white socks. Their crest has elements of the city coat of arms, which features two grey hippocamps. Before each home game, the team enters the field to "Going Home", with "Blaydon Races" also being sung during games. The 2005 film Goal! featured Newcastle United, and many signings mentioned the influence the film had on them. History 1881–1903: formation and early history The first record of football being played on Tyneside dates from 3 March 1877 at Elswick Rugby Club. Later that year, Newcastle's first football club, Tyne Association, was formed. The origins of Newcastle United Football Club itself can be traced back to the formation of a football club by the Stanley Cricket Club of Byker in November 1881. This team was renamed Newcastle East End F.C. in October 1882, to avoid confusion with the cricket club in Stanley, County Durham. Rosewood F.C. of Byker merged with Newcastle East End a short time later. In 1886, Newcastle East End moved from Byker to Heaton. In August 1882, Newcastle West End F.C. formed from West End Cricket Club, and in May 1886 moved into St James' Park. The two clubs became rivals in the Northern League. In 1889, Newcastle East End became a professional team, before becoming a limited company the following March. Newcastle West End, on the other hand, was in serious financial trouble and approached East End with a view to a takeover. Newcastle West End was eventually dissolved, and a number of its players and backroom staff joined Newcastle East End, effectively merging the two clubs, with Newcastle East End taking over the lease on St James' Park in May 1892. With only one senior club in the city for fans to support, development of the club was much more rapid. Despite being refused entry to the Football League's First Division at the start of the 1892–93 season, they were invited to play in their new Second Division. However, with no big names playing in the Second Division, they turned down the offer and remained in the Northern League, stating "gates would not meet the heavy expenses incurred for travelling". In a bid to start drawing larger crowds, Newcastle East End decided to adopt a new name in recognition of the merger. Suggested names included 1892 Newcastle, Newcastle Rangers, Newcastle City and City of Newcastle, but Newcastle United was decided upon on 9 December 1892, to signify the unification of the two teams. The name change was accepted by the Football Association on 22 December, but the club was not legally constituted as Newcastle United Football Club Co. Ltd. until 6 September 1895. At the start of the 1893–94 season, Newcastle United were once again refused entry to the First Division and so joined the Second Division, along with Liverpool and Woolwich Arsenal. They played their first competitive match in the division that September against Woolwich Arsenal, with a score of 2–2. Turnstile numbers were still low, and the club published a statement stating, "The Newcastle public do not deserve to be catered for as far as professional football is concerned". However, eventually figures picked up by 1895–96, when 14,000 fans watched the team play Bury. That season Frank Watt became secretary of the club, and he was instrumental in promotion to the First Division for the 1898–99 season. However, they lost their first game 4–2 at home to Wolverhampton Wanderers and finished their first season in 13th place. 1903–1937: first glory years and war years In 1903–04, the club built up a promising squad of players, and went on to dominate English football for almost a decade, the team known for their "artistic play, combining team-work and quick, short passing". Long after his retirement, Peter McWilliam, the team's defender at the time, said, "The Newcastle team of the 1900s would give any modern side a two goal start and beat them, and furthermore, beat them at a trot". Newcastle United went on to win the League on three occasions during the 1900s; 1904–05, 1906–07 and 1908–09. In 1904–05, they nearly did the double, losing to Aston Villa in the 1905 FA Cup Final. They were beaten again the following year by Everton in the 1906 FA Cup Final. They reached the final again in 1908 where they lost to Wolverhampton Wanderers. They finally won the FA Cup in 1910 when they beat Barnsley in the final. They lost again the following year in the final against Bradford City. The team returned to the FA Cup final in 1924, in the second final held at the then new Wembley Stadium. They beat Aston Villa, winning the club's second FA Cup. Three years later, they won the First Division championship a fourth time in 1926–27, with Hughie Gallacher, one of the most prolific goal scorers in the club's history, captaining the team. Other key players in this period were Neil Harris, Stan Seymour and Frank Hudspeth. In 1930, Newcastle United came close to relegation, and at the end of the season Gallacher left the club for Chelsea, and at the same time Andy Cunningham became the club's first team manager. In 1931–32, the club won the FA Cup a third time. However, a couple of years later, at the end of the 1933–34 season, the team were relegated to the Second Division after 35 seasons in the top. Cunningham left as manager and Tom Mather took over. 1937–1969: post-war success The club found it difficult to adjust to the Second Division and were nearly further relegated in the 1937–38 season, when they were spared on goal average. However, when World War II broke out in 1939, Newcastle had a chance to regroup, and in the War period, they brought in Jackie Milburn, Tommy Walker and Bobby Cowell. They were finally promoted back to the First Division at the end of the 1947–48 season. During the 1950s, Newcastle won the FA Cup three times in five years, beating Blackpool in 1951, Arsenal in 1952 and Manchester City in 1955. However, after this last FA Cup victory the club fell back into decline and were relegated to the Second Division once again at the end of the 1960–61 season under the management of Charlie Mitten. Mitten left after one season in the Second Division and was replaced by former player Joe Harvey. Newcastle returned to the First Division at the end of the 1964–65 season after winning the Second Division title. Under Harvey, the club qualified for European competition for the first time after a good run in the 1967–68 season and the following year won the 1969 Inter-Cities Fairs Cup Final, triumphing 6–2 over two legs against Hungary's Újpest in the final. 1969–1992: bouncing between divisions Harvey bought striker Malcolm Macdonald in the summer of 1971, for a club record transfer fee of £180,000 (equivalent to £2,265,000 in 2021). He was an impressive goal scorer, who led United's attack to Wembley in their 1974 FA Cup Final defeat at the hands of Liverpool. The club also had back to back triumphs in the Texaco Cup in 1974 and 1975. Harvey left the club in 1975, with Gordon Lee brought in to replace him. Lee took the team to the 1976 Football League Cup Final against Manchester City, but failed to bring the trophy back to Tyneside. However, he sold Macdonald to Arsenal at the end of the season, a decision of which Macdonald later said "I loved Newcastle, until Gordon Lee took over". Lee left for Everton in 1977, and was replaced by Richard Dinnis. United dropped once again to the Second Division at the end of the 1977–78 season. Dinnis was replaced by Bill McGarry, and then he was replaced by Arthur Cox. Cox steered Newcastle back to the First Division at the end of the 1983–84 season, with players such as Peter Beardsley, Chris Waddle and ex-England captain Kevin Keegan the fulcrum of the team. However, with a lack of funds, Cox left for Derby County and Keegan retired. With managers such as Jack Charlton and then Willie McFaul, Newcastle remained in the top-flight, until key players such as Waddle, Beardsley and Paul Gascoigne were sold, and the team was relegated once more in the 1988–89 season. McFaul left the managerial post, and was replaced by Jim Smith. Smith left at the start of the 1991–92 season and the board appointed Osvaldo Ardiles his replacement. John Hall became the club's chairman in 1992, and replaced Ardiles with Keegan, who managed to save the team from relegation to the Third Division. Keegan was given more money for players, buying Rob Lee, Paul Bracewell and Barry Venison. The club won the First Division championship at the end of the 1992–93 season, earning promotion to the Premier League. 1993–2007: into the Premier League At the end of their first year, 1993–94 season, back in the top flight they finished in third, their highest league finish since 1927. The attacking philosophy of Keegan led to the team being labelled "The Entertainers" by Sky Sports. Keegan took Newcastle to two consecutive runners-up finishes in the league in 1995–96 and 1996–97, coming very close to winning the title in the former season which included a 4–3 game against Liverpool at Anfield – often considered the greatest game in Premier League history – which ended with a defining image of the Premier League with Keegan slumped over the advertising hoarding. The success of the team was in part due to the attacking talent of players like David Ginola, Les Ferdinand and Alan Shearer, who was signed on 30 July 1996 for a then world record fee of £15 million. Keegan left Newcastle in January 1997 and was replaced by Kenny Dalglish, however the club endured a largely unsuccessful season with a 13th-place finish in the 1997–98 FA Premier League, failure to progress beyond the group stages of the 1997–98 UEFA Champions League despite beating Barcelona and group winners Dynamo Kyiv at home as well as coming from 2–0 down to draw 2–2 with Valeriy Lobanovskyi's team in Ukraine and defeat in the 1998 FA Cup Final. Dalglish was replaced as manager early in the following season by Ruud Gullit. The club once again finished 13th in the league and lost the 1999 FA Cup Final. Gullit fell into disagreements with the squad and chairman Freddy Shepherd, and quit the club five games into the 1999–2000 season with the team bottom of the table to be replaced by Bobby Robson. In 1999 Newcastle was 5th-highest revenue producing club in the world; second in England behind Manchester United. A title challenge emerged during the 2001–02 season, and Newcastle's fourth-place finish saw them qualify for the UEFA Champions League. The following season, Robson guided the team to another title challenge and finished third in the League, and the second group stage of the Champions League, after being the first team to have progressed past the first group stage after losing their first three games. Newcastle finished fifth in the league at the end of the 2003–04 season, and exited the Champions League in the qualifying rounds, but despite this Robson was sacked in August 2004 following a series of disagreements with the club. Graeme Souness was brought in as manager early in the 2004–05 season. In his time at the helm, he broke the club's transfer record by signing Michael Owen for £16.8 million. Souness also took Newcastle to the quarter-finals of the 2004–05 UEFA Cup with Alan Shearer winning the tournament's golden boot as well. However, he was sacked in February 2006 after a bad start to the club's 2005–06 season. Glenn Roeder took over, initially on a temporary basis, before being appointed full-time manager at the end of the season. Shearer retired at the end of the 2005–06 season as the club's all-time record goal scorer, with 206 goals. In 2006, Newcastle won the Intertoto Cup for the first time in their history, and their first European trophy since 1973. Despite finishing the 2005–06 season in seventh, Roeder's fortunes changed in the 2006–07 season, with a terrible injury run to the senior squad, and he left the club by mutual consent on 6 May 2007. After the 2006–07 season, and inside the Premier League era, Newcastle United were now the fifth most successful Premiership club in terms of points gained. Sam Allardyce was appointed Roeder's replacement as manager on 15 May 2007. 2007–2021: Mike Ashley era On 7 June, Freddy Shepherd's final shares in the club were sold to Mike Ashley and Shepherd was replaced as chairman by Chris Mort on 25 July. Ashley then announced he would be delisting the club from the London Stock Exchange upon completion of the takeover. The club officially ceased trading on the Stock Exchange as of 8 am on 18 July 2007 at 5p a share. Allardyce departed the club on in January 2008 by mutual consent after a bad start to the 2007–08 season, and Kevin Keegan was reappointed as Newcastle manager. Mort stepped down as chairman in June and was replaced by Derek Llambias, a long-term associate of Ashley. Newcastle finished the 2007–08 season in 12th place, but as the season drew to a close, Keegan publicly criticised the board, stating they were not providing the team enough financial support. In September 2008, Keegan resigned as manager, stating: "It's my opinion that a manager must have the right to manage and that clubs should not impose upon any manager any player that he does not want". Former Wimbledon manager Joe Kinnear was appointed as his replacement, but in February 2009, due to his heart surgery, Alan Shearer was appointed interim manager in his absence. Under Shearer, the club were relegated to the Championship at the end of the 2008–09 season, the first time the club had left the Premier League since joining it in 1993. Following their relegation, the club was put up for sale in June 2009, with an asking price of £100 million. Chris Hughton was given the manager job on a caretaker basis before taking over full-time on 27 October 2009. On the same day, Ashley announced that the club was no longer for sale. Hughton led Newcastle to win the 2009–10 Championship, securing automatic promotion on 5 April 2010 with five games remaining, and securing the title on 19 April; Newcastle were promoted back to the Premier League after just one season away. Under Hughton, Newcastle enjoyed a strong start to the 2010–11 season, but he was sacked on 6 December 2010. The club's board stated that they felt "an individual with more managerial experience [was] needed to take the club forward." Three days later, Alan Pardew was appointed as manager with a five-and-a-half-year contract. Despite some turbulence, Newcastle were able to finish 12th at the end of the season, with one particular highlight being a 4–4 home draw against Arsenal that saw Newcastle come back from four goals down to claim a point. The start of the 2011–12 season was very successful as they went on to enjoy one of their strongest openings to a season, playing 11 consecutive games unbeaten. Newcastle eventually secured a place in the 2012–13 Europa League with a fifth-place finish, their highest league position since the Bobby Robson days. Further honours were to come as Pardew won both the Premier League Manager of the Season and the LMA Manager of the Year awards. In the following season Newcastle made few acquisitions in the summer and suffered injuries over the season. As a result, the first half of the season was marred by a run of 10 losses in 13 games, which saw the club sink near the relegation zone. The Europa League campaign was largely successful with the team making the quarter-finals before bowing out to eventual finalists Benfica. Domestically, Newcastle struggled, and stayed up after a 2–1 victory over already-relegated Queens Park Rangers on the penultimate game of the season. The 2014–15 season saw Newcastle fail to win any of their first seven games, prompting fans to start a campaign to get Pardew sacked as manager before an upturn in form saw them climb to fifth in the table. Pardew left for Crystal Palace in December. On 26 January 2015, his assistant John Carver was put in charge for the remainder of the season but came close to relegation, staying up on the final day with a 2–0 home win against West Ham, with Jonás Gutiérrez, who beat testicular cancer earlier in the season, scoring the team's second goal. On 9 June 2015, Carver was sacked and replaced by Steve McClaren the following day. On 11 March 2016, McClaren was sacked after nine months as manager, with Newcastle in 19th place in the Premier League and the club having won just six of 28 Premier League games during his time at the club. He was replaced by Spaniard Rafael Benítez on the same day, who signed a three-year deal, but was not able to prevent the club from being relegated for the second time under Ashley's ownership. Newcastle returned to the Premier League at the first attempt, winning the Championship title in May 2017. In October, Mike Ashley put Newcastle United up for sale for the second time. The team finished the season with a 3–0 win over the previous year's champions Chelsea, finishing tenth in the league, their highest finish in four years. The following season saw a 13th-place finish, despite being in the relegation zone in January. Ashley came under increased scrutiny for his lack of investment in the squad and apparent focus on other business ventures. Benitez left his position on 30 June 2019 after rejecting a new contract. On 17 July 2019, former Sunderland manager Steve Bruce was appointed as manager on a three-year contract. Bruce oversaw 13th and 12th-placed finishes during his two full seasons in charge. 2021–present: PIF era On 7 October 2021, after 14 years as owner, Ashley sold the club to a new consortium for a reported £305 million. The consortium was made up of Saudi Arabia's Public Investment Fund, RB Sports & Media and PCP Capital Partners. On 20 October, Bruce left his position by mutual consent, after receiving a reported £8 million payout. Eddie Howe was appointed as Bruce's replacement on 8 November. Howe guided the club to an 11th-place finish after a run of 12 wins in their final 18 games, and Newcastle became the first team in Premier League history to avoid relegation after failing to win any of their first 14 games. On 21 August 2022, Newcastle United Women moved into the club's ownership for the first time, after a formal restructuring. At the end of the 2022–23 season, the club sealed qualification for the Champions League for the first time in 20 years. The season was the subject of the Amazon Prime Video documentary We Are Newcastle United. In the 2023–24 season, Newcastle were eliminated in the group stages of the Champions League. Club identity The club's home colours are a black and white striped shirt. Shorts and socks are usually black with white trim, though white socks are sometimes worn. Newcastle's colours at the outset were generally the home kit of Newcastle East End, comprising plain red shirts with white shorts and red socks. In 1894, the club adopted the black and white striped shirts, which had been used as the reserve team's colours. These colours were chosen for the senior team because they were not associated with either of the two teams United were merged from. They played in grey shorts until 1897, and between 1897 and 1921, they played in blue shorts before adopting the black shorts they play in now. United's away colours have changed a number of times over the years. They played in white shirts and black shorts from 1914 until 1961, and then white shorts until 1966. They then played in yellow shirts and blue shorts for the 1967–68 season, but from 1969 to 1974 played in all red with an all blue third kit. In 1974, they returned to a yellow shirt, which they played with various coloured shorts until 1983. They played in all grey from 1983 to 1988, before once again returning to the yellow kit until 1993. Since 1995, the away kit has changed frequently and has not been the same for more than a single season. The current club crest was first used in the 1988–89 season. The crest includes elements from the coat of arms of the city of Newcastle upon Tyne – the two sea horses representing Tyneside's strong connections with the sea, the castle representing the city's keep. The city's coat of arms were first embroidered on the team's shirts in 1969 and worn as standard until 1976. A scroll at the bottom featured the city's motto in Latin; fortiter defendit triumphans which translates into English as "triumphing by brave defence". From 1976 until 1983, the club wore a specific badge which was developed to wear in place of the city's coat of arms. The design was of a circular shape, which featured the club's name in full, it contained a magpie standing in front of the River Tyne with the historic keep of Newcastle in the background. A more simplistic design followed in 1983, featuring the initials of the club's name, NUFC with the small magpie used in the previous crest within the horizontally laid "C,"; this logo was relatively short lived and was discontinued after 1988. Kit suppliers and shirt sponsors In May 2013, Newcastle announced a sponsorship which featured the Wonga.com logo on kits. This attracted criticism from many Newcastle supporters. In July 2013, it was reported that Newcastle striker and practising Muslim Papiss Cissé refused to wear any official kit or training wear with reference to Wonga.com as it did not align with his religious beliefs. The matter was later resolved. On 15 May 2017, the home shirt for the 2017–18 season was revealed, featuring the logo of new sponsors Fun88. The shirt was shown to include a gold and silver commemorative crest to mark the club's 125th football season, based on the city's coat of arms. It was also announced that the kit would feature red numbers for the first time since the 1992–93 season. Newcastle United's current kit sponsor is Sela, a deal that started in 2023. Previous kit sponsors include Newcastle Breweries (1980–1986), Greenall's Beers (1986–1990), McEwan's Lager and Newcastle Brown Ale (1990–2000), NTL (2000–2003), Northern Rock (2003–2012), Virgin Money (2012–2013), Wonga.com (2013–2017), and Fun88 (2017–2023). Newcastle United's current kit manufacturer is Adidas, in a deal that started in 2024. Previous kit manufacturers include Bukta (1974–1975, 1976–1980), Umbro (1975–1976, 1980–1993), Asics (1993–1995), Adidas (1995–2010, 2024–present), Puma (2010–2021), and Castore (2021–2024). Newcastle United's current sleeve sponsor is Noon, in a deal that started in 2022. Previous sleeve sponsors include MRF Tyres (2017–2018), StormGain (2019–2020), ICM.com (2020–2021), and Kayak (2021–2022). Other current team sponsors include Fun88, BetMGM, Carling, Monster Energy, Sportsbet.io, InPost, Fenwick and Saudia. Stadium Throughout Newcastle United's history, their home venue has been St James' Park, the oldest and largest football stadium in North East England, as well as the seventh-largest football stadium in the Premier League. It has hosted 11 international football matches at senior level, the first in 1901 and the most recent in 2024. It was used as a venue for both the 2012 Summer Olympics and the 2015 Rugby World Cup and has been a regular venue for Rugby League's Magic Weekend, attracting record crowds. Football had been played at St James' Park as early as 1880, the ground being occupied by Newcastle Rangers, before becoming the home of Newcastle West End in 1886. Its lease was then bought by Newcastle East End in 1892, before they changed their name to Newcastle United. At the turn of the 20th century, the ground's capacity was given as 30,000 before being redeveloped between 1900 and 1905, increasing the capacity to 60,000 and making it the biggest stadium in England for a time. For most of the 20th century, the stadium changed very little, despite various plans for development of the ground. The old West Stand was replaced with the Milburn Stand in 1987, the Sir John Hall Stand replacing the Leazes End in 1993, and the rest of the ground renovated making the ground a 37,000 capacity all-seater stadium. Between 1998 and 2000, double tiers were added to the Milburn and Sir John Hall stands to bring the venue up to its current capacity of 52,305. In October 2009, Ashley announced that he planned to lease the name of the ground in a bid to increase revenue, and in November the stadium was temporarily renamed sportsdirect.com @ St James' Park Stadium. This name was only supposed to be used until the end of the 2009–10 season, but lasted until November 2011. On 10 November 2011, the club officially changed the name of the stadium to the Sports Direct Arena, although this was an interim name to showcase the sponsorship capabilities of the stadium. The company, owned by Ashley, was not paying anything for the deal. In October 2012, payday loan company Wonga.com became Newcastle United's main commercial sponsor and purchased the stadium naming rights but restored the St James' Park name. Following the conclusion of the 22/23 season, a small allocation of seating in between the East stand and Gallowgate end were converted into Safe standing zones meaning that for the first time since 1993 St James' Park is no longer an all-seater stadium much like many other Premier League grounds. In July 2023 it was confirmed that following the re-purchase of Strawberry Place, plans for a new fan zone outside the Gallowgate End had been submitted. It will be built in partnership with Stack and Sela (The clubs front of shirt sponsor). Since 1982, the stadium has been served by St James Metro station on the Tyne and Wear Metro. The station is decorated in a black and white colour scheme, with archive photographs of the club's players. The club's current training ground is the Newcastle United Training Centre, located at Darsley Park, which is north of the city at Benton. The facility was opened in July 2003. Following the club's ownership takeover in 2021, the Training Centre was renovated extensively, with a new reception area, restaurant, players' lounge, presentation suite, offices, medical facility, dressing room and hydrotherapy unit all constructed. Ownership Newcastle United was set up as a private company limited by shares on 6 September 1895. The club traded in this way for much of the 20th century, dominated by McKeag, Westwood and Seymour family ownership, until April 1997, when John Hall, who bought 72.9% of the club for £3 million in 1991, floated the club on the stock exchange as a public limited company, with less than half the shares sold to the Hall family and the majority holding going to his business partner Freddy Shepherd. Later that year, Hall stepped down as chairman and was replaced by Shepherd, with the Hall family represented on the board by John's son Douglas. In December 1998, after buying a 6.3% stake in the club for £10 million, the media group NTL had considered a full takeover of the club. This was later dropped after the Competition Commission, established in April 1999, expressed concerns about football clubs being owned by media companies. In 2007, businessman Mike Ashley purchased the combined stakes of both Douglas and John Hall, 41% share in the club, through a holding company St James Holdings, with a view to buy the rest. Upon purchasing this share, he appointed Chris Mort as chairman, while gaining more shares, owning 93.19% of the club by 29 June 2007. This figure reached 95% on 11 July 2007, forcing the remaining shareholders to sell their shares. After completing the purchase of the club, Ashley had announced that he planned to sell the club on three occasions. The first occurred after fan protests over the resignation of Kevin Keegan in September 2008, when Ashley stated, "I have listened to you. You want me out. That is what I am now trying to do." However, he took it off the market on 28 December 2008 after being unable to find a buyer. On 31 May 2009, it was reported that Ashley was attempting to sell the club again. On 8 June 2009, Ashley confirmed that the club was up for sale at an asking price of £100 million. By the end of August 2009, the club was back off the market. On 16 October 2017, Newcastle United announced that Ashley had once again put the club up for sale, reporting that he hoped that a deal could be concluded by Christmas 2017. Saudi-led takeover In April 2020, it was widely reported that a consortium consisting of Public Investment Fund, PCP Capital Partners and RB Sports & Media, was finalising an offer to acquire Newcastle United. The proposed sale prompted concerns and criticism, such as arguments considering it sportwashing of Saudi Arabia's human rights record, as well as ongoing piracy of sports broadcasts in the region. In May 2020, two Conservative MPs called upon the government to scrutinise aspects of the deal, with Karl McCartney calling for the sale to be blocked, and Giles Watling calling upon the Department for Digital, Culture, Media and Sport (DCMS) to hold an oral evidence session regarding sports piracy in Saudi Arabia. In May 2020, The Guardian reported that the Premier League had obtained a report from the World Trade Organization (published publicly the following month), which contained evidence that Saudi nationals had backed beoutQ – a pirate broadcaster carrying the beIN Sports networks in the region since the Qatar diplomatic crisis. In June 2020, The Guardian reported that Richard Masters, who appeared in front of the DCMS, had hinted the possible takeover of Newcastle United was close to completion. The MPs warned it would be humiliating to allow a Saudi Arabian consortium to take charge given the country's record on piracy and human rights. In July 2020, The Guardian reported that Saudi Arabia's decision to ban beIN Sports broadcast from operating in the nation had further complicated the takeover of Newcastle United. On 30 July 2020, Saudi Arabia announced its withdrawal from the Newcastle deal, stating "with a deep appreciation for the Newcastle community and the significance of its football club, we have come to the decision to withdraw our interest in acquiring Newcastle United Football Club". The group also stated that the "prolonged process" was a major factor in them pulling out. The collapse of the takeover was met with widespread criticism from Newcastle fans, with Newcastle MP Chi Onwurah accusing the Premier League of treating fans of the club with "contempt" and subsequently wrote to Masters for an explanation. Despite the consortium's withdrawal, disputes over the takeover continued. On 9 September 2020, Newcastle United released a statement claiming that the Premier League had officially rejected the takeover by the consortium and accused Masters and the Premier League board of "[not] acting appropriately in relation to [the takeover]", while stating that the club would be considering any relevant legal action. The Premier League strongly denied this in a statement released the next day, expressing "surprise" and "disappointment" at Newcastle's statement. On 7 October 2021, the Public Investment Fund, PCP Capital Partners and RB Sports & Media confirmed that they had officially completed the acquisition of Newcastle United. An investigation in May 2022 by The Guardian claimed that the British government of Boris Johnson was involved in Saudi Arabia's takeover of Newcastle United. In April 2021, it was revealed that Saudi Crown Prince Mohammed bin Salman had warned Johnson in a text message, stating that the Premier League's decision would impact on UK-Saudi diplomatic relations. Following the warning, Johnson had appointed his special envoy for the Gulf, Edward Lister, to take up the case. It was later reported that Johnson's extensive efforts also involved the Minister of Investment Gerry Grimstone, who held discussions with the Premier League chairman Gary Hoffman and Saudi representatives well-connected with MBS' office. The UK Government and Johnson said they were not involved in the Saudi takeover. After Premier League's approval, Hoffman informed the 20 English Football clubs that there was extensive pressure from the government; he said the decision was not influenced by it. A separate report revealed that despite the US' conclusion that Jamal Khashoggi's assassination was ordered by Saudi's Prince Mohammed, he was able to avert the owners' and directors' test of the Premier League. Human Rights Watch (HRW), a campaign group, has accused the Saudi government of using football, motor racing, and golf for sportswashing. As reported by Josh Noble, a sports editor for the Financial Times, HRW defines sportswashing as "an effort to distract from its serious human rights abuses by taking over events that celebrate human achievement". The Premier League had agreed to the Saudi PIF takeover of Newcastle, following "legally-binding assurances" that the Saudi state will have no control over the club. However, in February 2023, court documents published in the US claimed that the PIF is "a sovereign instrumentality of the Kingdom of Saudi Arabia", and that the PIF governor and Newcastle's chairman Yasir Al-Rumayyan is "a sitting minister of the Saudi government". Following that, Amnesty international, which already criticised Saudi of sportswashing, pushed Premier League to re-examine the Saudi PIF takeover of the club. In March 2023, Richard Masters expressed his doubts to a committee of lawmakers, stating that he was unsure if Premier League had launched the investigation. Social responsibility Newcastle United Foundation is an independent charity established by the club in summer 2008. It seeks to encourage learning and promote healthy living amongst disadvantaged children, young people and families in the North East region, as well as promoting equality and diversity. The charity moved into its state-of-the art ‘NUCASTLE’ building in the Arthur's Hill area of the city in 2021. Open seven days a week, NUCASTLE combines community space with education and wellness facilities, including activity and state-of-the-art cycling studios, specialist STEM room, esports room, four-court sports hall, accessible changing areas, event and meeting spaces, offices and more. The Foundation's commitment, along with a similar foundation run by West Bromwich Albion, the unique relationship that Aston Villa has with Acorns Children's Hospice and Tottenham Hotspur has with SOS Children's Villages UK, are some leading examples of commitment in the highest level of football to responsibility and change in the communities in which they work and who enrich them through their support and ticket sales. The work of these clubs, and others, is changing the way professional sport interacts with their communities and supporters. In December 2012, the club announced that it had become the world's first carbon positive football club. Supporters and rivalries Newcastle United's supporters are known for being some of the most passionate football fans in the world. In 2016, supporters founded the Wor Flags group, which continues to produce large and unique flag, banner and tifo displays at St James' Park. The group is entirely fan-funded. The club's strongest supporter base is in the North East, but supporters' clubs can be found in many countries across the world. The club's nickname is The Magpies, while the club's supporters are also known as the Geordies or the Toon Army. The name Toon originates from the Geordie pronunciation of town. In a 2004 survey by Co-operative Financial Services, it was found that Newcastle United topped the league table for the cost incurred and distance travelled by Newcastle-based fans wishing to travel to every Premier League away game. The total distance travelled for a fan to attend every away game from Newcastle was found to be equivalent to a round-the-world trip. In the 2016–17 season, while in the second tier, Newcastle recorded an average attendance of 51,106. The club's supporters publish a number of fanzines including True Faith and The Mag, along with NUFC.com, which was established in 1996. They set up Newcastle United Supporters Trust in September 2008, aiming to "represent the broad church of Newcastle United's support." In addition to the usual English football chants, Newcastle's supporters sing the traditional Tyneside song "Blaydon Races". Prior to each home game the team enters the field to "Going Home", the closing song of the 1983 film Local Hero, written by Newcastle supporter and Dire Straits founder Mark Knopfler. In 1998, The Police founder and Newcastle fan Sting wrote a song in support of Newcastle, called "Black and White Army (Bringing The Pride Back Home)" (sung by Ryan Molloy). In 2015, some Newcastle fans boycotted games in protest of club management by Mike Ashley, and they were supported by famous club fans like Sting and Jimmy Nail. Traditionally, Newcastle's main rivals are Sunderland, against whom the Tyne–Wear derby is competed, along with Middlesbrough, with whom they compete in the Tyne-Tees derby. Records and statistics As of the 2024–25 season, Newcastle United have spent 93 seasons in the top-flight. They are eighth in the all-time Premier League table and have the ninth-highest total of major honours won by an English club with 11 wins. The holder of the record for the most appearances is Jimmy Lawrence, having made 496 first team appearances between 1904 and 1921. The club's top goalscorer is Alan Shearer, who scored 206 goals in all competitions between 1996 and 2006. Andy Cole holds the record for the most goals scored in a season: 41 in the 1993–94 season in the Premier League. Shay Given is the most capped international for the club, with 134 appearances for the Republic of Ireland. The club's widest victory margin in the league was in the 13–0 win against Newport County in the Second Division in 1946. Their heaviest defeat in the league was 9–0 against Burton Wanderers in the Second Division in 1895. The club's longest number of consecutive seasons in the top flight of English football was 32 from 1898 to 1899 until 1933–34. Newcastle's record home attendance is 68,386 for a First Division match against Chelsea on 3 September 1930. The club's highest attendance in the Premier League is 52,389, in a match against Manchester City on 6 May 2012. Newcastle lost the game 2–0. The highest transfer fee received for a Newcastle player is £35 million, from Liverpool for Andy Carroll in January 2011 & from Nottingham Forest for Elliot Anderson in June 2024, while the most spent by the club on a player is £63 million for Alexander Isak from La Liga side Real Sociedad in August 2022. Players First-team squad As of 8 August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Other players under contract The following players have previously been in the first team squad: Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Reserves and Academy The following Under-21 players have previously been named in a Newcastle United squad for a competitive match: Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Notable players Player of the Year Source: Newcastle United F.C. Management Backroom staff Board of directors Honours Source: League First Division / Premier League (level 1) Champions: 1904–05, 1906–07, 1908–09, 1926–27 Runners-up: 1995–96, 1996–97 Second Division / First Division / Championship (level 2) Champions: 1964–65, 1992–93, 2009–10, 2016–17 Runners-up: 1897–98, 1947–48 Cup FA Cup Winners: 1909–10, 1923–24, 1931–32, 1950–51, 1951–52, 1954–55 Runners-up: 1904–05, 1905–06, 1907–08, 1910–11, 1973–74, 1997–98, 1998–99 Football League Cup / EFL Cup Runners-up: 1975–76, 2022–23 FA Charity Shield Winners: 1909 Runners-up: 1932, 1951, 1952, 1955, 1996 Inter-Cities Fairs Cup Winners: 1968–69 Minor titles Sheriff of London Charity Shield Winners: 1907 Texaco Cup Winners: 1973–74, 1974–75 UEFA Intertoto Cup Winners: 2006 Anglo-Italian Cup Winners: 1973 References External links Official website Independent websites Newcastle United F.C. on BBC Sport: Club news – Recent results and fixtures Newcastle United at Sky Sports Newcastle United FC at Premier League Newcastle United FC at UEFA
Blackburn_Rovers_F.C.
https://en.wikipedia.org/wiki/Blackburn_Rovers_F.C.
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Blackburn Rovers Football Club is a professional football club based in Blackburn, Lancashire, England, which competes in the EFL Championship, the second level of the English football league system. They have played home matches at Ewood Park since 1890. The club's motto is "Arte et Labore", meaning "By Skill and Hard Work" in Latin. They have a long-standing rivalry with nearby club Burnley, with whom they contest the East Lancashire derby. Blackburn Rovers was founded in 1875, becoming a founding member of The Football League in 1888. They won five FA Cup finals in the 19th century: 1884, 1885, 1886, 1890 and 1891. The team was crowned English League champions in 1911–12 and 1913–14, then won a sixth FA Cup in 1928. They were relegated for the first time in 1936, but returned to the top-flight as Second Division champions in 1938–39. Relegated in 1948, Rovers secured promotion again in 1957–58, but were relegated in 1966 and again in 1971. Blackburn won the Third Division title in 1974–75, and were again promoted in 1979–80 after suffering relegation the previous year. They won the Full Members' Cup in 1987. In 1992, Rovers gained promotion to the new Premier League via the play-offs, a year after being taken over by local entrepreneur Jack Walker, who installed Kenny Dalglish as manager. In 1994–95, Rovers became Premier League champions. Relegated four seasons after being crowned champions, they secured promotion at the end of the 2000–01 season, and won the 2002 Football League Cup Final the following year. They spent eleven successive seasons in the Premier League, but were relegated in 2012 and again into the third tier in 2017. Blackburn secured promotion out of League One at the end of the 2017–18 season. History Early years The club was founded following a meeting, at the Leger Hotel, Blackburn, on 5 November 1875. The meeting was organised by two young men, namely John Lewis and Arthur Constantine, two old-boys of Shrewsbury School. The purpose of the meeting was "to discuss the possibility of forming a football club to play under Association rules". The first match played by Blackburn Rovers took place in Church, Lancashire on 18 December 1875 and was a 1–1 draw. On 28 September 1878, Blackburn Rovers became one of 23 clubs to form the Lancashire Football Association. On 1 November 1879 the club played in the FA Cup for the first time, beating the Tyne Association Football Club 5–1. Rovers were eventually put out of the competition in the third round after suffering a heavy 6–0 defeat by Nottingham Forest. On 25 March 1882 the club won through to the final of the FA Cup against the Old Etonians. Blackburn Rovers was the first provincial team to reach the final, but the result was a 1–0 defeat by the Old Etonians. Rovers finally won the FA Cup on 29 March 1884 with a 2–1 victory over the Scottish team Queen's Park. The same teams played the FA Cup final again the next season, with Blackburn Rovers again emerging victorious, with a 2–0 score. Rovers repeated this success yet again the next season, winning the final replay 2–0 against West Bromwich Albion. For this three-in-a-row of FA Cup victories, the club was awarded a specially commissioned silver shield. The 1885–86 season was the birth of the legal professional footballer, and Blackburn Rovers spent £615 on player wages for the season. Football League commences Blackburn Rovers were founder members of the Football League in 1888. Blackburn Rovers again reached the FA Cup final on 29 March 1890 at the Kennington Oval. The club claimed the trophy for the fourth time, by beating Sheffield Wednesday a hefty 6–1 with left forward William Townley scoring three goals and becoming the first player to achieve a hat-trick in the FA Cup final. The 1890–91 season saw Blackburn Rovers win the FA Cup for the fifth time against Notts County with a 3–1 victory. During the 1897–98 season the club were relegated but were elected back into the first division at the Football League's AGM along with Newcastle United. The season marked the beginning of Bob Crompton's 45-year association with the club, as a player and later an FA Cup-winning manager. Early 20th century Blackburn Rovers continued to struggle during the early years of the 20th century, but the results began a gradual improvement. Major renovations were made to Ewood Park: in 1905 the Darwen End was covered at a cost of £1680 and the new Nuttall Stand was opened on New Year's Day 1907. During the first three decades of the 20th century, Blackburn Rovers were still considered a top side in the English league. They were First Division champions in 1911–12 and 1913–14, and F.A Cup winners in 1927–28 with a 3–1 victory against Huddersfield Town, but the F.A Cup win was their last major trophy for nearly 70 years. Mid 20th century Blackburn Rovers maintained a respectable mid-table position in the First Division until they were finally relegated (along with Aston Villa) from the top flight (for the first time since the foundation of the league) in the 1935–36 season. When the league resumed after the war, Blackburn Rovers were relegated in their second season (1947–48). At this time the tradition of burying a coffin began. The club remained in the second division for the following ten years. After promotion in 1958, they again returned to the mid-table position they had occupied in the earlier part of the century. During this time, they seldom made a serious challenge for a major trophy – although they did reach the 1960 FA Cup Final when managed by Scot Dally Duncan. Rovers lost this game 3–0 to Wolverhampton Wanderers after playing most of the game with only 10 men on the field following an injury to Dave Whelan, who broke a leg. There were brief hopes of a return to glory in the 1963–64 season, when a remarkable 8–2 away win over West Ham United in east London on Boxing Day took them to the top of the league. Their lead of the league was short-lived, and they finished the season some way down the table, as the title was seized by a Liverpool side who would record a further 12 league titles over the next 26 years, while Blackburn's fortunes took a very different route. They were relegated from the First Division in 1966 and began a 26-year exile from the top division. 1970s and 1980s During the 1970s, Blackburn Rovers bounced between the Second and Third Divisions, winning the Third Division title in 1975, but never mounted a challenge for promotion to the First Division despite the efforts of successive managers to put the club back on track, and fell back into the Third Division in 1979. They went up as runners-up in the Third Division in 1980 and, save for one season in League One in 2017–18, have remained in the upper two tiers of the English league ever since. A second successive promotion was nearly achieved the following year, but the club missed out on goal difference, and promotion-winning manager Howard Kendall moved to Everton that summer. Kendall's successor, Bobby Saxton only managed mid-table finishes for the next three seasons, then nearly achieved promotion in the 1984–85 season, but a poor finish the following year (just one place above relegation) followed by an abysmal start to the 1986–87 season cost Saxton his job. Saxton was replaced by Don Mackay, who steered them to a decent finish that season and also victory in the Full Members Cup. In the following three seasons Mackay re-established Rovers as promotion contenders, but they fell just short of promotion each time; the closest they came was in 1988–89 reached the Second Division play-off final in its last season of the home-away two-legged format – but lost to Crystal Palace. A defeat in the 1989–90 Second Division playoff semi-finals brought more frustration to Ewood Park, but the following season saw the club taken over by local steelworks owner and lifelong supporter Jack Walker (1929–2000). 1990s Following the Walker takeover Rovers finished 19th in the Second Division at the end of the 1990–91 season, but the new owner had made millions of pounds available to spend on new players and appointed Kenny Dalglish as manager in October 1991. Rovers secured promotion to the new FA Premier League at the end of 1991–92 season as play-off winners, ending 26 years outside the top flight. Rovers made headlines in the summer of 1992 by paying an English record fee of £3.5million for the 22-year-old Southampton and England centre forward Alan Shearer. After finishing fourth in 1992–93 and runners-up in 1993–94, they went on to win the Premier League title in 1994–95. The title chase went down to the last game of the season, but despite Rovers losing to Liverpool they edged out rivals Manchester United to win the championship. Kenny Dalglish moved upstairs to the position of Director of Football at the end of the Premier League winning season, and handed over the reins to his assistant Ray Harford. Blackburn Rovers made a poor start to the 1995–96 season, and found themselves in the bottom half for most of the first half of the season. Rovers also struggled in the Champions League and finished bottom of their group with just four points. A poor start to the 1996–97 Premier League campaign saw Harford resign in late October with the club bottom of the division, having failed to win any of their first ten games. Relegation looked a real possibility, just two seasons after winning the league. After an abortive attempt to bring in Sven-Göran Eriksson as manager, long-serving coach Tony Parkes took over as manager for the rest of the campaign, narrowly steering the side to survival. That summer, the manager's job was taken by Roy Hodgson, who joined the club from Internazionale. UEFA Cup football was secured with a 6th-place finish. Rovers made a poor start to the 1998–99 campaign and Hodgson was sacked in December less than an hour after a 2–0 home defeat by bottom side Southampton, a result that locked Rovers in the relegation zone. He was replaced as manager by Brian Kidd. Kidd failed to save Rovers from relegation. 2000s In 1999–2000 Rovers began the season as promotion favourites, but with the club hovering just above the Division One relegation zone Brian Kidd was sacked in October and replaced in March by Graeme Souness. Jack Walker died just after the start of the 2000–01 season, and the club dedicated its promotion challenge in memory of their benefactor. Fittingly, they returned to the Premier League after a much improved season, finishing second behind Fulham. In 2001–02, record signing Andy Cole was bought in for £8million, and Rovers won their first-ever League Cup by beating Tottenham Hotspur 2–1 at the Millennium Stadium in Cardiff, Cole scoring the winner in the 69th minute. The following season Rovers finished sixth to qualify for the UEFA Cup for the second season running. Souness left just after the start of 2004–05 to take charge at Newcastle, and he was replaced by Welsh national coach Mark Hughes. Hughes secured Rovers' Premier League survival for the 2004–05 season as well as an FA Cup semi-final against Arsenal, with Rovers finishing 15th once again. He led the team to sixth the following season and Rovers's third European qualification in five years. Rovers reached the semi-final of the 2006–07 FA Cup, but lost to Chelsea in extra time, and finished that season's league in tenth, qualifying for the Intertoto Cup, which led to a short run in the 2007–08 UEFA Cup. In May 2008, Mark Hughes left Blackburn Rovers for the vacancy at Manchester City. He was replaced by Paul Ince, whose first job was to persuade some of the wantaway players to stay. with Archie Knox coming in as his assistant. Ince's time in charge started well, but following a run of eleven games without a win he was sacked in December 2008. Sam Allardyce was appointed as Ince's replacement and in 2009–10 he led the team to a tenth-place finish and a League Cup semi-final. 2010 onwards In November 2010, the Indian company V H Group bought Blackburn Rovers under the name of Venky's London Limited for £23 million. The new owners immediately sacked manager Sam Allardyce and replaced him with first-team coach Steve Kean, initially on a temporary basis, but by January 2011 he had been awarded a full-time contract until June 2013. Kean's appointment was shrouded in controversy since his agent Jerome Anderson had earlier played a major role in advising Venky's during the takeover of the club in the preceding months. In December 2011, Blackburn Rovers posted an annual pre-tax loss of £18.6m for the year ending 30 June 2011. Despite this, the owners of Blackburn Rovers provided assurances over the continued funding of the club, even if they were relegated. On 7 May 2012, Blackburn were relegated to the Championship after being defeated at home by Wigan Athletic in the penultimate game of the season, ending eleven years in the Premier League. At the start of the 2012–2013 season, Kean was given a chance by the owners to win promotion and kept his job as the manager. Ultimately though, pressure from the supporters who had been calling for the manager's removal for months resulted in his resignation as manager on 29 September 2012. On 7 May 2017, Blackburn were relegated to League One. On 24 April 2018, the club were promoted back to the second tier with a 1–0 win at Doncaster Rovers. In recent years, they have finished 15th (2018–2019), 11th (2019–2020), 15th (2020–2021), 8th (2021–2022), and 7th (2022–2023) in the Championship. In the 2023–2024 season, Blackburn narrowly avoided relegation on the final matchday, finishing in 19th place after a 2–0 win against title winners Leicester City, their lowest finish since their promotion back to the Championship in 2018. Players Current squad As of 30 August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. For recent transfers, see 2024–25 Blackburn Rovers F.C. season. Development/Academy squad Notable players For a list of notable Blackburn Rovers players in sortable-table format see List of Blackburn Rovers F.C. players. Club staff As of 15 June 2024 Senior Management Senior Football Academy Football Club Operations Awards Player of the season Season-by-season record European football Managerial history Team colours and badge Unlike most teams, Blackburn Rovers have only ever had one design to their home kit. The distinctive blue and white halved jersey is widely acknowledged as the "town colour". Although the design has remained the same, the side in which the colours fall has often changed. Blue has resided on the wearers left since 1946; prior to this, the blue and white often switched order almost yearly. Blackburn Rovers' first kit is uncertain. The 1905 book; Book of Football by Jonathan Russell describes Blackburn Rovers' first kit as a white jersey with Maltese Cross on the wearers left breast, Trousers and a blue and white skull cap. The Maltese Cross notorious with the public schools in which the founders of the club were educated. In contrast an account from the Blackburn Standard on 6 January 1894 accounts the first kit as navy blue and white quartered jersey (quartered accounting for the shirts four panels front and back), white knickers and navy hose. This account is much more synonymous with the kit today. Photographic evidence from 1878 shows the team in Blue and white halved (quartered) jerseys, white shorts and blue socks, complete with blue and white cap and Maltese Cross. Through its history the club has adopted four badges as its crest; the Maltese Cross, the towns coat of arms, Lancashire Rose and the present day Blackburn Rovers Badge. From 1875 to approximately 1882 The Maltese Cross was present on the club's first ever home kit and was worn by both the Shrewsbury and Malvern school teams. Two former Malvernians and two former Salopians played in that first team, so there is a clear link with these public schools. During FA Cup finals it is tradition for the club to adopt the town's coat of arms as their badge. This tradition has carried through all eight FA Cup finals the club has been a part of all the way to their last FA Cup final against Woverhampton Wanderers in 1960. From roughly 1882 and excluding cup finals the club did not use a badge until 1974. In this year the club opted for an embroidered Lancashire Rose with the club's initials "B.R.F.C." below. This badge lasted unchanged for 15 years until it was 1989 due to visibility issues of the dark red rose on the dark blue of the shirt. From 1989 to the present day the current Blackburn Rovers badge has been used. It has encompassed the previous badge in a newer design for the Lancashire Red Rose. Circling the rose is the team name "Blackburn Rovers F.C." and the date in which the club was founded "1875". At the base of the badge is the club motto, "Arte Et Labore" which translated means, "by skill and by labour". This motto has been taken from the town motto which was adopted in 1852. Kit As of 2021, the club's kit has been manufactured by Macron, and sponsored by local law firm, Watson Ramsbottom, since June 2024. Grounds Oozehead Ground 1875–1877 Rovers first home ground was a field at Oozehead on Preston New Road to the north west of the town. This field was farmland and was owned by a local farmer; when Blackburn Rovers weren't using the field it was used to graze cows. In the centre of the field was a large watering hole, which on match days was covered with timber and turf. Pleasington Cricket Ground 1877 Due to the rough conditions at Oozehead, the committee felt an established sports ground would be best to play on. Therefore, during the 1877 season they acquired the use of Pleasington's cricket ground to the south west of the town. Play stopped on this ground after Henry Smith of Preston North End died of a heart attack whilst playing. Alexandra Meadows 1877–1881 Still adopting cricket grounds, the committee acquired the use of the East Lancashire Cricket Club's ground in the centre of the town, Alexandra Meadows. Sources differ as to the date of the first match played by Rovers at Alexandra Meadows. A programme from Clitheroe F.C. states that Clitheroe was the first team to beat Blackburn at Alexandra Meadows on 17 November 1877. Other sources indicate that the first match took place on 2 January 1878 with a Blackburn victory against Partick Thistle. It was on this ground Blackburn Rovers played for the first time under artificial light against Accrington on 4 November 1878. Leamington Road 1881–1890 Due to the increasing demand in football in the area and in particular for Blackburn Rovers the committee felt that a private ground was more fitting. Therefore, in 1881 the club moved to Leamington Road, Blackburn Rovers' first purpose built ground including a 700-person capacity seated grandstand, costing £500. The first game played at this ground was held on 8 October 1881 against Blackburn Olympic resulting in a 4–1 win for Rovers. Whilst at Leamington Road and under James Fielding the club won three FA Cups and was inaugurated into the Football League as a founding Member in 1888. Despite the club's success, they left Leamington Road due to an increase in lease costs. Ewood Park 1890–present Built in April 1882 as Ewood Bridge. The ground was an all purpose sporting venue hosting football, athletics and dog racing. The Blackburn Rovers committee felt this was the ideal venue for the club after having already played numerous games there in 1882. The first game played at the new Ewood Park ground was on 13 September 1890 against Accrington, the 0–0 draw was viewed by 10,000 people and on 31 October 1892 artificial lights were installed. Ewood sits on the bank of the River Darwen in Blackburn, Lancashire. 1913 terrorist incident An attempt was made to destroy the ground in 1913. As part of the suffragette bombing and arson campaign, suffragettes carried out a series of bombings and arson attacks nationwide to publicise their campaign for women's suffrage. In November 1913, suffragettes attempted to burn down Ewood Park's grandstand but were foiled. In the same year, suffragettes succeeded in burning down Arsenal's then South London stadium, and also attempted to burn down Preston North End's ground. More traditionally male sports were targeted in order to protest against male dominance. Supporters and rivalries Blackburn Rovers supporters have formed several support clubs related to the team, and almost all of them are partially focused on making trips to Ewood Park easier. Rovers home games were well attended as a percentage of the Blackburn population throughout the 2000s with average attendances of around 25,000, equal to roughly a quarter of Blackburn's population (approximately 100,000). The supporters' long-running fanzine is called 4,000 Holes. Clement Charnock and his brother Harry were Blackburn Rovers fans who introduced football into Russia in the 1880s. Blackburn's primary rivals are Burnley, with whom they contest the East Lancashire derby. Other rivalries for Rovers include Preston North End, Bolton Wanderers and Wigan Athletic, all by proximity. Statistics and records Records Most League appearances: Derek Fazackerley, 593+3 sub, 1970–71 to 1986–87 Record goalscorer: Simon Garner, 194 goals (168 league), 1978–79 to 1991–92 Record attendance at Ewood Park: 62,255 v Bolton Wanderers, FA Cup 6th round, 2 March 1929 Transfer fee paid: £8m to Manchester United for Andy Cole in December 2001£8m to Huddersfield Town for Jordan Rhodes in August 2012 Transfer fee received: Up to £22m from Crystal Palace for Adam Wharton in February 2024 Record win: 11–0 v Rossendale United, Ewood Park, FA Cup 1st round 13 October 1884 Record League win: 9–0 v Middlesbrough, Ewood Park, Division 2, 6 November 1954 Record away win: 8–2 v West Ham United, Division 1, 26 December 1963 Record League defeat: 0–8 v Arsenal, Division 1, 25 February 1933, 0–8 v Lincoln City, Division 2, 29 August 1953 Record home League defeat: 0-7 v Fulham, 3 November 2021 Record aggregate League score: 13: 5–8 v Derby County, 6 September 1890 Most points gained in a season (2pts): 60 (1974–75) Most points gained in a season (3pts): 91 (2000–01) Fewest points gained in a season (2pts): 20 (1965–66) Fewest points gained in a season (3pts): 31 (2011–12) Most consecutive League appearances: Walter Crook, 208 (1934–46) Most goals scored by a player in a season: Ted Harper, 43, Division 1, 1925–26 Most goals scored by a player in a match: Tommy Briggs, 7 v Bristol Rovers, Ewood Park, Division 2, 5 February 1955 Most hat-tricks in a season: 8, 1963–64 Most individual hat-tricks: 13, Jack Southworth, 1887–1893 Most FA Cup appearances: Ronnie Clayton, 56, 1949–1969 Most League Cup appearances: Derek Fazackerley, 38, 1969–1987 Youngest player to appear for Rovers: Harry Dennison, aged 16 yrs and 155 days against Bristol City, Division 1, 8 April 1911 Oldest player to appear for Rovers: Bob Crompton, 40 yrs and 150 days against Bradford City, Division 1, 23 February 1920 Longest undefeated FA Cup run: 24 games including 3 consecutive FA Cup wins, 1884–86. Still an FA Cup record Reference for above facts Honours Source: League First Division / Premier League (level 1) Champions: 1911–12, 1913–14, 1994–95 Runners-up: 1993–94 Second Division / First Division / Championship (level 2) Champions: 1938–39 Runners-up: 1957–58, 2000–01 Play-off winners: 1992 Third Division / League One (level 3) Champions: 1974–75 Runners-up: 1979–80, 2017–18 Cup FA Cup Winners (6): 1883–84, 1884–85, 1885–86, 1889–90, 1890–91, 1927–28 Runners-up: 1881–82, 1959–60 Football League Cup Winners: 2001–02 FA Charity Shield Winners: 1912 Runners-up: 1928, 1994, 1995 Full Members' Cup Winners: 1986–87 Football League War Cup Runners-up: 1939–40 Regional Lancashire Cup Winners (20): 1881–82, 1882–83, 1883–84, 1884–85, 1895–96, 1900–01, 1901–02, 1903–04, 1906–07, 1908–09, 1910–11, 1944–45, 1983–84, 1985–86, 1987–88, 1989–90, 2006–07, 2010–11, 2018–19, 2020–21 Notes References External links Official website Independent websites Blackburn Rovers F.C. on BBC Sport: Club news – Recent results and fixtures Blackburn Rovers at Sky Sports Blackburm Rovers FC at Premier League Blackburn Rovers FC at UEFA
Leicester_City_F.C.
https://en.wikipedia.org/wiki/Leicester_City_F.C.
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[ "https://en.wikipedia.org/wiki/Leicester_City_F.C." ]
Leicester City Football Club is a professional football club based in the city of Leicester, East Midlands, England. The club competes in the Premier League, the top tier of English football, following promotion from the 2023–24 EFL Championship as league champions. The club was founded in 1884 as Leicester Fosse F.C, and became known as Leicester City in 1919. They moved to Filbert Street in 1891, were elected to the Football League in 1894 and moved to the nearby King Power Stadium in 2002. Leicester City have won five major honours, including one Premier League, one FA Cup and three League Cups. They have also won the FA Community Shield twice, in 1971 and 2021. The club's 2015–16 Premier League title win attracted global attention, and they became one of seven clubs to have won the Premier League since its inception in 1992. Prior to this, Leicester's highest league finish was second place in the top flight in 1928–29. The club have competed in seven European campaigns to date, reaching the UEFA Champions League quarter-finals in 2016–17 and UEFA Europa Conference League semi-finals in 2021–22. They have played in the FA Cup final five times, winning their first title in 2021. Leicester won the League Cup in 1964, 1997 and 2000 respectively, and were finalists in 1964–65 and 1998–99. History Founding and early years (1884–1949) Formed in 1884 by a group of old boys of Wyggeston School as "Leicester Fosse", the club joined The Football Association (FA) in 1890. Before moving to Filbert Street in 1891, the club played at five different grounds, including Victoria Park south-east of the city centre and the Belgrave Road Cycle and Cricket Ground. The club also joined the Midland League in 1891, and were elected to Division Two of the Football League in 1894 after finishing second. Leicester's first Football League game was a 4–3 defeat at Grimsby Town, with a first League win the following week, against Rotherham United at Filbert Street. The same season also saw the team's largest win to date, a 13–0 victory over Notts Olympic in an FA Cup qualifying game. In 1907–08 the club finished as Second Division runners-up, gaining promotion to the First Division, the highest level of English football. However, the club was relegated after a single season which included the team's record defeat, a 12–0 loss against Nottingham Forest. In 1919, when league football resumed after World War I, Leicester Fosse ceased trading due to financial difficulties. The club was reformed as "Leicester City Football Club", particularly appropriate as the borough of Leicester had recently been given city status. Following the name change, the club enjoyed moderate success in the 1920s; under the management of Peter Hodge, who left in May 1926 to be replaced two months later by Willie Orr, and with record goalscorer Arthur Chandler in the side, they won the Division Two title in 1924–25 and recorded their second-highest league finish in 1928–29 as runners-up by a single point to The Wednesday. However, the 1930s saw a downturn in fortunes, with the club relegated in 1934–35 and, after promotion in 1936–37, another relegation in 1938–39 would see them finish the decade in Division Two. Post-World War II (1949–2000) Leicester reached the FA Cup final for the first time in their history in 1949, losing 3–1 to Wolverhampton Wanderers. The club, however, was celebrating a week later when a draw on the last day of the season ensured survival in Division Two. Leicester won the Division Two championship in 1954, with the help of Arthur Rowley, one of the club's most prolific strikers. Although they were relegated from Division One the next season, under Dave Halliday they returned in 1957, with Rowley scoring a club record 44 goals in one season. Leicester remained in Division One until 1969, their longest period in the top flight. Under the management of Matt Gillies and his assistant Bert Johnson, Leicester reached the FA Cup final on another two occasions, but lost in both 1961 and 1963. As they lost to double winners Tottenham Hotspur in 1961, they were England's representatives in the 1961–62 European Cup Winners' Cup. In the 1962–63 season, the club led the First Division during the winter. Thanks to a sensational run of form on icy and frozen pitches, the team became nicknamed the "Ice Kings" and eventually finished fourth, the club's best post-war finish. Gillies guided Leicester to their first piece of silverware in 1964, when Leicester beat Stoke City 4–3 on aggregate to win the League Cup for the first time. Leicester also reached the League Cup final the following year but lost 3–2 on aggregate to Chelsea. Gillies and Johnson received praise for their version of the "whirl" and the "switch" system, a system that had previously been used by the Austrian and Hungarian national teams. After a bad start to the season, Matt Gillies resigned in November 1968. His successor Frank O'Farrell was unable to prevent relegation, but the club reached the FA Cup final in 1969, losing to Manchester City 1–0. In 1971, Leicester were promoted back to the First Division, and won the Charity Shield for the first time. Due to double winners Arsenal's commitments in European competition, Second Division winners Leicester were invited to play FA Cup runners-up Liverpool, beating them 1–0 thanks to a goal by Steve Whitworth. Jimmy Bloomfield was appointed for the new season, and his team remained in the First Division for his tenure. Leicester reached the FA Cup semi-final in 1973–74. Frank McLintock, a noted player for seven years for Leicester in a successful period from the late 1950s to the mid-1960s, succeeded Bloomfield in 1977. On 19 March 1977, Winston White became Leicester's first black player in an away game at Stoke City. The club was relegated at the end of that season and McLintock resigned. Jock Wallace resumed the tradition of successful Scottish managers (after Peter Hodge and Matt Gillies) by steering Leicester to the Second Division championship in 1980. Wallace was unable to keep Leicester in the First Division, but they reached the FA Cup semi-final in 1982. Under Wallace, one of City's most famous home-grown players, Gary Lineker, emerged into the first-team squad. Leicester's next manager was Gordon Milne, who achieved promotion in 1983. Lineker helped Leicester maintain their place in the First Division, but was sold to Everton in 1985; two years later Leicester were relegated, having failed to find a suitable replacement to partner Alan Smith, who was sold to Arsenal after Leicester went down. Milne left in 1986 and was replaced in 1987 by David Pleat, who was sacked in January 1991 with Leicester in danger of relegation to the Third Division. Gordon Lee was put in charge of the club until the end of the season. Leicester won their final game of the season, which guided them clear of relegation to the third tier of the Football League. Brian Little took over in 1991 and by the end of the 1991–92 season Leicester had reached the playoff final for a place in the new Premier League, but lost to Blackburn Rovers by way of a penalty from former Leicester striker Mike Newell. The club also reached the playoff final the following year, losing 4–3 to Swindon Town, having come back from 3–0 down. In 1993–94, Leicester were promoted from the playoffs, beating Derby County 2–1 in the final. Little quit as Leicester manager the following November to take charge at Aston Villa, and his successor Mark McGhee was unable to save Leicester from finishing second-from-bottom in the 1994–95 season. McGhee left the club unexpectedly in December 1995, while Leicester were top of the First Division, to take charge of Wolverhampton Wanderers. McGhee was replaced by Martin O'Neill. Under O'Neill, Leicester qualified for the 1996 Football League play-offs and beat Crystal Palace 2–1 in the final through a 120th-minute Steve Claridge goal to gain promotion to the Premier League. Following promotion, Leicester established themselves in the Premier League with four successive top ten finishes. O'Neill ended Leicester's 33-year wait for a major trophy, winning the League Cup twice, in 1997 and 2000, and Leicester were runners-up in 1999. Thus, the club qualified for the UEFA Cup in 1997–98 and 2000–01, the club's first European competition since 1961. In June 2000, O'Neill left Leicester City to take over as manager of Celtic. Decline in the early 21st century (2000–2008) Martin O'Neill was replaced by former England under-21 coach Peter Taylor. During this time, one of Leicester's European appearances ended in a 3–1 defeat to Red Star Belgrade on 28 September 2000 in the UEFA Cup. Leicester began well under Taylor's management, topping the Premier League for two weeks in the autumn and remaining in contention for a European place for most of the campaign, before a late-season collapse dragged them down to a 13th-place finish. Taylor was sacked after a poor start to the 2001–02 season, and his successor Dave Bassett lasted just six months before being succeeded by his assistant Micky Adams, the change of management being announced just before relegation was confirmed. Leicester won just five league matches all season. Leicester moved into the new 32,314-seat Walkers Stadium at the start of the 2002–03 season, ending 111 years at Filbert Street. Walkers, the Leicester-based crisp manufacturers, acquired the naming rights for a ten-year period. In October 2002, the club went into administration with debts of £30 million. Some of the reasons were the loss of TV money (ITV Digital, itself in administration, had promised money to First Division clubs for TV rights), the large wage bill, lower-than-expected fees for players transferred to other clubs and the cost of the new stadium. Adams was banned from the transfer market for most of the season, even after the club was rescued with a takeover by a consortium led by Gary Lineker. Adams guided Leicester to the runners-up spot in Division One and automatic promotion back to the Premier League with more than 90 points. However, Leicester lasted only one season in the top flight and were relegated to the newly labelled Championship, previously known as Division One. When Adams resigned as manager in October 2004, Craig Levein was appointed boss. This would prove to be an unsuccessful period and after 15 months in charge, Levein was sacked, having failed to get The Foxes anywhere near the promotion places. Assistant manager Rob Kelly took over as caretaker manager, and after winning three out of four matches, was appointed to see out the rest of the season. Kelly steered Leicester to safety and in April 2006 was given the manager's job on a permanent basis. In October 2006, ex-Portsmouth chairman Milan Mandarić was quoted as saying he was interested in buying the club, reportedly at a price of around £6 million, with the current playing squad valued at roughly £4.2 million. The takeover was formally announced on 13 February 2007. On 11 April 2007, Rob Kelly was sacked as manager and Nigel Worthington appointed as caretaker manager until the end of the season. Worthington saved the club from relegation, but was not offered the job on a permanent basis. On 25 May 2007, the club announced former Milton Keynes Dons manager Martin Allen as their new manager with a three-year contract. Allen's relationship with Mandarić became tense and after only four matches, Allen left by mutual consent on 29 August 2007. On 13 September 2007, Mandarić announced Gary Megson as the new manager of the club, citing Megson's "wealth of experience" as a deciding factor in the appointment. However, Megson left on 24 October 2007 after only six weeks in charge, following an approach made for his services by Bolton Wanderers. Mandarić placed Frank Burrows and Gerry Taggart in the shared position as caretaker managers until a professional manager was appointed. On 22 November, Ian Holloway was appointed manager, and he became the first Leicester manager in over 50 years to win his first league match in charge, beating Bristol City 2–0. However, this success did not last, and Leicester were relegated from the Championship at the end of the 2007–08 season. Holloway left by mutual consent after less than a season at the club, being replaced by Nigel Pearson. Rise back to Premier League and change of ownership (2008–2015) The 2008–09 campaign was Leicester's first season outside the top two levels of English football, but they hit this nadir only seven years before becoming the 2015–16 Premier League champions – one of the fastest rises to the top of the English football league system. Following relegation to the third tier the previous season, Leicester returned to the Championship at the first attempt in 2008–09, finishing as champions of League One after a 2–0 win at Southend United, with two matches in hand. The 2009–10 season saw Leicester's revival under manager Nigel Pearson continue, as the club finished fifth and reached the Championship play-offs in their first season back in the second tier. Though coming from 2–0 down on aggregate, away to Cardiff City, to briefly lead 3–2, they eventually lost to a penalty shoot-out in the play-off semi-final. At the end of the season, Pearson left Leicester to become the manager of Hull City, claiming he felt the club seemed reluctant to keep him, and that Paulo Sousa had been the club's guest at both play-off games, hinting at a possible replacement. On 7 July 2010, Sousa was confirmed as Pearson's replacement. In August 2010, following agreement on a three-year shirt sponsorship deal with duty-free retailers the King Power Group, Mandarić sold the club to Thai-led consortium Asian Football Investments (AFI), fronted by King Power Group's Vichai and his son Aiyawatt Srivaddhanaprabha. Mandarić, an investor in AFI, was retained as club chairman. On 1 October 2010, after a poor start that saw Leicester bottom of the Championship with only one win out of the first nine league matches, Paulo Sousa was sacked by the club with immediate effect. Two days later, Sven-Göran Eriksson, who had been approached by the club after the 6–1 loss to then bottom-of-the-table Portsmouth two weeks earlier, was appointed as his replacement, signing a two-year contract with the club. On 10 February 2011, Vichai, part of the Thai-based Asia Football Investments consortium, was appointed new chairman of the club after Mandarić left in November to take over Sheffield Wednesday. Leicester were viewed as one of the favourites for promotion in the 2011–12 season, but on 24 October 2011, following an inconsistent start with the Foxes winning just 5 out of their first 13 matches, Eriksson left the club by mutual consent. Three weeks later, Nigel Pearson returned to the club as Eriksson's successor. Pearson would go on to lead The Foxes to a sixth-place finish in the 2012–13 season, ensuring Leicester were in the Championship play-offs. However, Leicester lost the playoff semi-final 3–2 on aggregate to Watford after Manuel Almunia made a double save from an Anthony Knockaert late penalty and Troy Deeney scored at the other end following a swift counterattack. In 2014, Leicester's march up the league system hit a breakthrough. Their 2–1 home win over Sheffield Wednesday, combined with losses by Queens Park Rangers and Derby County, allowed Leicester City to clinch promotion to the Premier League after a ten-year absence. Later that month, a win at Bolton Wanderers saw Leicester become champions of the 2013–14 Championship, a joint record 7th second-tier title. Leicester started their first season in the Premier League since 2004 with a good run of results in their first five league matches, starting with a 2–2 draw on the opening day against Everton. The Foxes then claimed their first Premier League win since May 2004, with a 1–0 win at Stoke City. On 21 September 2014, Leicester went on to produce one of the greatest comebacks in Premier League history, beating Manchester United 5–3 at King Power Stadium. They made Premier League history by becoming the first team to beat Manchester United from a two-goal deficit since the league's launch in 1992. During the 2014–15 season, a dismal run of form saw the team slip to the bottom of the league table with only 19 points from 29 matches. By 3 April 2015, they were seven points adrift from safety. This could have brought a sudden end to Leicester's seven-year rise, but seven wins from their final nine league matches meant The Foxes finished the season in 14th place with 41 points. They finished the season with a 5–1 thrashing of relegated Queens Park Rangers, and Leicester's upturn in results was described as one of the Premier League's greatest escapes from relegation. They also became only the third team in Premier League history to survive after being bottom at Christmas (the other two being West Bromwich Albion in 2005 and Sunderland in 2014), and no team with fewer than 20 points from 29 matches had previously stayed up. Premier League champions, FA Cup winners, relegation and promotion (2015–present) On 30 June 2015, Nigel Pearson was sacked, with the club stating "the working relationship is no longer viable." The sacking was linked to a number of public relations issues involving Pearson throughout the season, with the final straw involving his son James' role in a "racist sex tape" made by three Leicester reserve players in Thailand during a post-season goodwill tour. Leicester reacted by appointing former Chelsea manager Claudio Ranieri as their new manager for the new 2015–16 Premier League season. Despite an initially sceptical reaction to Ranieri's appointment, the club made an exceptional start to the season. Striker Jamie Vardy scored 13 goals over 11 consecutive matches from August to November, breaking Ruud van Nistelrooy's Premier League record of scoring in 10 consecutive matches. On 19 December, Leicester defeated Everton 3–2 at Goodison Park to top the Premier League on Christmas Day, having been bottom exactly 12 months earlier. A 2–0 victory at Sunderland on 10 April, coupled with Tottenham Hotspur's 3–0 win over Manchester United, ensured Leicester's qualification for the UEFA Champions League for the first time in their history. Leicester won the Premier League on 2 May 2016 after Tottenham lost a 2–0 lead against Chelsea, drawing 2–2 at the "Battle of Stamford Bridge". Bookmakers thought Leicester's victory was so unlikely that Ladbrokes and William Hill offered odds of 5,000–1 for it at the start of the season, which subsequently resulted in the largest payout in British sporting history with total winnings of £25 million. A number of newspapers described Leicester's title win as the greatest sporting shock; multiple bookmakers including Ladbrokes and William Hill had never paid out at such long odds for any sport. One book was titled "The Unbelievables", a spin-off harking back to Arsenal's undefeated team "The Invincibles". The scale of the surprise title victory attracted global attention for the club and the city of Leicester. The Economist declared it would be "pored over for management lessons." Several commentators viewed it as an inspiration to other clubs and fundamentally transforming expectations. Leicester became known for their counterattacking style of play, "incredible pace in the areas it is most essential" and defensive solidarity. Former boss Nigel Pearson was credited by pundits and fans as having laid the foundations for Leicester's title winning season. Reacting to the title win, then executive chairman of the Premier League Richard Scudamore said: If this was a once in every 5,000-year event, then we've effectively got another 5,000 years of hope ahead of us. Leicester, while performing well in the UEFA Champions League, struggled domestically during 2016–17, spending much of the first few months in the bottom half of the Premier League table. In December 2016, Ranieri was awarded coach of the year and Leicester team of the year at the BBC Sports Personality of the Year. However, on 23 February 2017, Ranieri was dismissed due to the club's continuing poor form, resulting in them being only one point above the relegation zone. The sacking was met with significant upset and anger from sections of the media, with Gary Lineker calling the sacking "very sad" and "inexplicable", while Manchester United manager José Mourinho blamed it on "selfish players". Rumours began emerging some days later that players had been meeting with the owners to discuss Ranieri's sacking without Ranieri knowing, which sparked widespread outrage over social media, but these were never proven. Craig Shakespeare took over as caretaker manager, and in his first match in charge, Leicester won 3–1 against 5th placed Liverpool. In his second match as caretaker, Shakespeare led Leicester to another 3–1 victory over Hull City. Following those two results, it was decided on 12 March 2017 that Shakespeare would become manager until the end of the season. The 2016–17 campaign was also the first season in 15 years that Leicester qualified for European football. Leicester were placed in Group G of the 2016–17 UEFA Champions League, alongside Porto, Copenhagen and Club Brugge. In their inaugural Champions League campaign, they went undefeated in their first five matches to progress to the knockout stages as group winners. The Foxes then faced La Liga club Sevilla in the round of 16 and defeated the Spanish side 2–0 on the night, and 3–2 on aggregate to advance to the quarter-finals. There they faced Atlético Madrid, and drew 1–1 in the second leg, but lost 2–1 on aggregate after losing 1–0 in the first leg. This put an end to Leicester's 2016–17 European campaign, and they finished as Champions League quarter-finalists. Despite the loss, Leicester remained unbeaten at home in the 2016–17 Champions League. Craig Shakespeare, having impressed during his caretaker spell, was appointed full-time on a three-year contract. However, following a poor start to the season he was sacked in October 2017 after four months officially in charge, with Leicester in 18th place in the table. He was replaced by former Southampton boss Claude Puel on 25 October 2017. By Christmas, Leicester were in 8th place in the Premier League and finished 9th at the end of the season. On 27 October 2018, a Leonardo AW169 helicopter carrying chairman Vichai Srivaddhanaprabha and four others malfunctioned and crashed outside the club's stadium, shortly after taking off from the pitch. This followed a home match against West Ham United, and all five people on board the helicopter died. One year later, The Vichai Srivaddhanaprabha Memorial Garden officially opened on 27 October 2019, before The Khun Vichai Srivaddhanaprabha Statue was unveiled on 4 April 2022, which would have been Srivaddhanaprabha's 64th birthday. Leicester suffered a poor run of results in 2019 which included four successive home defeats, and following a 4–1 home defeat to Crystal Palace, manager Claude Puel was sacked on 24 February 2019 with the club in 12th place. Former Liverpool manager Brendan Rodgers was appointed as his replacement, and the club finished the season again in 9th place. The 2019–20 season started with the team picking up 38 points from their first 16 matches, which included a record eight-game winning streak from 19 October to 8 December. On 25 October 2019, Leicester recorded a 0–9 away win at Southampton, the joint-largest win in Premier League history and the largest away win in English top-flight history. In the same season, the club reached the semi-final stage of the League Cup but lost out to Aston Villa over two legs. Despite being in the top four for most of the season, Leicester suffered a drop-off in form at the end of the season, winning only two of their nine games following the resumption of league play due to the coronavirus pandemic. Three defeats in their last four matches saw them slide into fifth, the second-highest Premier League finish in their history, securing a place in the UEFA Europa League for the following season. On 15 May 2021, Leicester City won the FA Cup for the first time, having lost all of their previous four finals, in the process securing a second major trophy in the space of five years; Youri Tielemans scored the only goal against Chelsea at Wembley Stadium. The club also went on to win the 2021 FA Community Shield on 7 August 2021, the second in their history. After finishing 5th again in the 2020–21 Premier League, Leicester qualified for the Europa League for the second consecutive year. In their 2021–22 UEFA Europa League campaign, Leicester came third in their group and were transferred to the newly established UEFA Europa Conference League. They went on to reach their first European semi-final, losing to eventual winners A.S. Roma over two legs. In the Premier League, the club finished in 8th place. The club's finances were heavily impacted by the COVID pandemic, with the parent company King Power International Group being in the travel retail (DF&TR) sector. The club were restricted in their spending during the 2022 summer transfer market, while there were also concerns over breaching Financial Fair Play regulations. In addition to this, in the summer of 2021 Leicester went away from their model of selling a key asset and spent more than £50 million on new players, dramatically increasing their wages-to-turnover ratio. Failure to qualify for European football in the proceeding season (2021–22) was an additional factor in reduced spending. At the same time, the club were also continuing to balance investment in infrastructure, to better compete with the Premier League's 'big six' in the long term. Rodgers left the club on 2 April 2023 via mutual consent, with ten games remaining and the team in the relegation zone. Dean Smith was appointed as his replacement until the end of the season. On 28 May, despite a 2–1 home win over West Ham United, Leicester City were relegated as a consequence of Everton's 1–0 home victory over AFC Bournemouth. This ended the club's nine-year stint in the Premier League, making them only the second former Premier League champions to be relegated from the league since it began in 1992–93, following Blackburn Rovers in 1998–99. On 16 June 2023, Enzo Maresca was appointed as the club's new manager ahead of the 2023–24 EFL Championship season. Leicester went on to make their best start to a league season, and the best since the league became known as the Championship in 2004–05. They were promoted back to the Premier League as champions at the first attempt. This was also their eighth second tier title which is a record for the division. Club identity The club's traditional home colours of royal blue shirts, white shorts and either white or blue socks have been used for the team's kits throughout most of its history. In more recent times, the club have alternated between either white or blue shorts. An image of a fox was first incorporated into the club crest in 1948. Since 1992, the club's badge has featured a fox's head overlaid onto a Cinquefoil; the Cinquefoil is similar to the one used on the coat of arms of Leicester. The club's stadium move in 2002 prompted some changes to the crest, and the design has since evolved further. For the 2009–10 season, the club's 125th anniversary year, a special edition crest was worn on the home and away kits. For this season's away kit, there was also a return to the first colours worn by the club (originally Leicester Fosse), albeit with black shorts as opposed to the original white. This kit returned once again for the 2023–24 season, having also featured during the 2004–05 season. In 1941, the club adopted the playing of the "Post Horn Galop" at home matches, to signal both teams entering the pitch. To the present day, the tune is usually played live on the pitch for the first half, while a modern version of the tune is played over the PA system for the second half. The club also play a modern version of their anthem "When You're Smiling" before kick-off on home matchdays, with the connection to the song generally accepted to have originated in the late 1970s. Foxes Never Quit is the club's motto, with these words placed above the tunnel inside the stadium. Kit suppliers and shirt sponsors Source: Since 2018, Leicester City's kit has been manufactured by German sportswear company Adidas. Previous manufacturers have included Bukta (1962–64, 1990–92), Admiral (1976–79, 1983–88), Umbro (1979–83), Scoreline (1988–90), Fox Leisure (1992–2000), Le Coq Sportif (2000–05), JJB (2005–07), Jako (2007–09), Joma (2009–10), Burrda (2010–12) and Puma (2012–18). The club's current main shirt sponsor is BC.GAME. The first sponsorship logo to appear on a Leicester shirt was that of Ind Coope in 1983. British snack food manufacturer Walkers Crisps are the club's official snack partner. Walkers Crisps have held a long association with the club, sponsoring their shirts from 1987 to 2001 and the stadium from 2002 to 2011. Other sponsors have included John Bull (1986–87), LG (2001–03), Alliance & Leicester (2003–07), Topps Tiles (2007–09), Loros (2009–10), King Power (2010–21, 2023–24), Tourism Authority of Thailand (2020–21) and FBS (2021–23). Siam Commercial Bank became the club's first sleeve sponsor, and the deal was valid for the 2017–18 season. Since the 2018–19 season, the sleeve sponsor has been Bia Saigon. Stadium and training ground In their early years, Leicester played at numerous grounds, but have only played at two since they joined the Football League. When first starting out, they played on a field by Fosse Road, hence the original club name Leicester Fosse. They moved from there to Victoria Park, and subsequently to Belgrave Road. Upon turning professional the club moved to Mill Lane. After eviction from Mill Lane the club played at the County Cricket ground while seeking a new ground. The club secured the use of an area of land by Filbert Street and moved there in 1891. Some improvements by noted football architect Archibald Leitch occurred in the Edwardian era, and in 1927 a new two-tier stand was built, nicknamed "the Double Decker", which would persist until the ground's closure in 2002. With the exception of the addition of compulsory seating, the ground saw no further development until 1993, when the Main Stand was demolished and replaced by the new Carling Stand. The addition of the new stand, while the rest of the ground had been untouched since the 1920s, led manager Martin O'Neill to joke that he used to "lead new signings out backwards" so they only saw the Carling Stand. The club moved away from Filbert Street in 2002, to a new 32,500-capacity all-seater stadium located less than 300 yards away. The site's address, Filbert Way, retains a link with the club's former home. The first match hosted at the stadium was a 1–1 friendly draw against Athletic Bilbao, Bilbao's Tiko scored the first goal at the stadium and Jordan Stewart became the first Leicester player to score. The first competitive match was a 2–0 victory against Watford. The stadium was known as the Walkers Stadium until 2011 in a sponsorship deal with Leicester-based food manufacturers Walkers. On 19 August 2010, it emerged that the new owners King Power wanted to rename the stadium King Power Stadium, and had plans to increase the capacity to 42,000 should Leicester secure promotion. On 5 July 2011, it was announced that the Walkers Stadium would now be known as King Power Stadium. The stadium currently has an all-seated capacity of 32,262, with plans formally approved in December 2023 to extend this to 40,000. In 2020, the club moved into a new state-of-the-art training complex in the Leicestershire village of Seagrave, described as being "one of the world's most advanced training facilities." The club's former training ground Belvoir Drive now serves as the training ground for Leicester City Women. Rivalries, support and hooliganism The club's main rivals are Nottingham Forest, Derby County and Coventry City. Lesser rivalries also exist with Chelsea, Leeds United and more recently Tottenham Hotspur. Leicester were widely considered to be Nottingham Forest's main rivals prior to the mid-1970s. However, when Brian Clough was appointed as Forest manager in 1975, much to the dismay of Derby fans, the rivalry between Forest and Derby quickly intensified. The Leicester-Forest rivalry is however, still prominent on the border of both cities, and on the border of both counties (Leicestershire and Nottinghamshire). The club's anthem "When You're Smiling", sung by supporters at home and away matches, is generally accepted to have originated in the late 1970s, with a modern version of the tune currently played before kick-off on home matchdays. Like many other clubs in English football, Leicester have had links to hooliganism. In England and Wales, Leicester were listed as the second most violent football club in August 2000, and averaged the fifth highest number of hooligans at matches between 2019 and 2023. During the 2022–23 and 2023–24 seasons, the club were ranked third and fourth respectively for football banning orders. European record Notes LCFC goals listed first KPO: Knockout round play-offs PR: Preliminary round 1R: First round GS: Group stage R32: Round of 32 R16: Round of 16 QF: Quarter-final SF: Semi-final Managerial history Leicester City's current manager, Steve Cooper, was appointed on 20 June 2024. Nigel Pearson and Peter Hodge have both had two separate spells in charge of the club. Dave Bassett also had a second spell as caretaker manager after his spell as permanent manager. Up until Peter Hodge was hired after World War I, the club had no official manager. A nominal role of secretary/manager was employed, though the board and the selection committee took control of most team affairs. It was Hodge who instated a system at the club for the manager having complete control over player and staff recruitment, team selection, and tactics. Though Hodge was originally also titled "secretary/manager" he has retrospectively been named as the club's first official "manager." Records and statistics Graham Cross holds the record for the most Leicester appearances, with the defender playing 600 games between 1960 and 1976, increased from 599 following the club's decision to incorporate the 1971 Charity Shield into official records. However, Adam Black holds the record for the most appearances in the league with 528 between 1920 and 1935. Striker Arthur Chandler is currently the club's all-time record goal scorer, netting 273 in his 12 years at the club; he also found the net in 8 consecutive matches in the 1924–25 season. The most goals managed in a single season for the club is 44 by Arthur Rowley, in the 1956–57 season. The fastest goal in the club's history was scored by Matty Fryatt, when he netted after just nine seconds against Preston North End in April 2006. Jamie Vardy broke the Premier League record by scoring in 11 consecutive Premier League games, scoring 13 in the process during the 2015–16 Premier League season. Vardy's goal at Sunderland on 10 April 2016 saw him become the first Leicester player since Gary Lineker in 1984–85 to score 20 top flight goals for the club, having already become Leicester's highest Premier League scorer in a single season, ultimately finishing with 23 and the Premier League Golden Boot for the season. The record transfer fee paid by Leicester for a player was in the region of £32-to-40 million for midfielder Youri Tielemans from AS Monaco. The highest transfer fee received for a Leicester player was approximately £80 million from Manchester United for Harry Maguire; at the time of the transfer this was the eleventh-highest-ever fee, the highest-ever move between two English teams, and the highest-ever for a defender. The club's record home attendance is 47,298, for a fifth-round FA Cup match against Tottenham Hotspur at Filbert Street in 1928. The current record home attendance at the current stadium is 32,242, for a Premier League match against Sunderland on 8 August 2015. The highest-ever attendance for a non-competitive football match at King Power Stadium stands at 32,188, for a pre-season friendly against Real Madrid on 30 July 2011. Leicester's highest league finish is first in the Premier League in 2015–16. The club currently holds the all-time record for second tier titles with eight. Leicester's longest unbeaten run in the league was between 1 November 2008 and 7 March 2009, in which the team remained unbeaten for 23 games on their way to the League One title. The club's longest run of consecutive victories in league football is currently nine, which the team achieved between 21 December 2013 and 1 February 2014 in the EFL Championship. In the 2015–16 season, Leicester achieved many new club records in what The Daily Telegraph described as "one of the most astonishing league titles of all-time". They recorded the fewest losses in any of the club's previous Premier League seasons, the fewest away defeats in any top-flight season, and the most consecutive wins in the top flight. Those consecutive victories came against Watford, Newcastle United, Crystal Palace, Southampton and Sunderland. Coincidentally, Leicester kept a record of five straight clean sheets against each of the same five opponents. The King Power Stadium's home crowds in 2015–16 saw their team beaten just once in the Premier League all season. Leicester made their UEFA Champions League debut in the 2016–17 season, their fourth appearance in European football. The club became the third English team to win on their Champions League debut, after Manchester United in 1994 and Newcastle United in 1997. They also became the first English team to win away on their Champions League debut, and win all three of their opening games in the competition. Leicester are currently the first and only team in Champions League history to keep clean sheets in each of their opening four games in the competition. In March 2017, the club became the 50th to reach the UEFA Champions League quarter-finals. On 25 October 2019, the Leicester team set the record for the highest margin of away victory in English top-flight history, defeating Southampton 9–0 at St Mary's Stadium. In doing so they also tied the record for the highest margin of victory in Premier League history, equalling Manchester United's 9–0 home victory over Ipswich Town in 1995. As a result, Leicester City hold the all-time top tier records for the biggest defeat, biggest away win, and highest-scoring draw. In the 2023–24 EFL Championship season, the club made its best start to a league season, and the best in the competition's history (since being known as the Championship). During this period, the club also set a new record of six straight away wins, matched the all-time record of nine consecutive league wins home and away, and went four home matches without conceding for the first time since 1973. League history Since their election to the Football League in 1894, Leicester City have spent all but one season within the top two tiers of English football. During the 2008–09 season, they played in League One, the third tier of English football, after the club's relegation from the Championship in the previous season. However, the club made an instant return to the second tier and were promoted as 2008–09 League One champions. Source Seasons spent at Level 1 of the football league system: 55 Seasons spent at Level 2 of the football league system: 63 Seasons spent at Level 3 of the football league system: 1 (up to and including 2023–24) Players First team As of 30 August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Under-21s and Academy Former players Club staff As of 9 July 2024 Player statistics Player of the Year Leicester City's Player of the Year award is voted for by the club's supporters at the end of every season. English Hall of Fame members The following have played for Leicester and have been inducted into the English Football Hall of Fame: Gordon Banks 2002 (Inaugural Inductee) Peter Shilton 2002 (Inaugural Inductee) Gary Lineker 2003 Don Revie 2004 (Inducted as a manager) Frank McLintock 2009 Football League 100 Legends The Football League 100 Legends is a list of "100 legendary football players" produced by The Football League in 1998, to celebrate the 100th season of League football. It also included Premier League players, and the following former Leicester City players were included: Arthur Rowley Gordon Banks Frank McLintock Peter Shilton Gary Lineker Players with over 300 appearances for Leicester Includes competitive appearances only. Current players in bold. As of 4 May 2024 Players with 50 or more goals for Leicester Includes competitive appearances only. Current players in bold. As of 4 May 2024 Honours Leicester City are currently one of five clubs, including Manchester United, Manchester City, Chelsea and Liverpool, to have won the Premier League, FA Cup and League Cup in the 21st century. Since the start of the millennium, they are the 6th most successful club in English football and one of 14 clubs to have won all four major domestic competitions. The club also hold the record for the most second division titles with eight. League First Division / Premier League (level 1) Champions: 2015–16 Runners-up: 1928–29 Second Division / First Division / Championship (level 2) Champions (8): 1924–25, 1936–37, 1953–54, 1956–57, 1970–71, 1979–80, 2013–14, 2023–24 Runners-up: 1907–08, 2002–03 Play-off winners: 1994, 1996 League One (level 3) Champions: 2008–09 Cup FA Cup Winners: 2020–21 Runners-up: 1948–49, 1960–61, 1962–63, 1968–69 League Cup Winners: 1963–64, 1996–97, 1999–2000 Runners-up: 1964–65, 1998–99 FA Charity Shield / FA Community Shield Winners: 1971, 2021 Runners-up: 2016 Notes References Further reading External links Official website Independent websites Leicester City F.C. on BBC Sport: Club news – Recent results and fixtures Leicester City at Sky Sports Leicester City FC at Premier League Leicester City FC at UEFA
Sheffield_United_F.C.
https://en.wikipedia.org/wiki/Sheffield_United_F.C.
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Sheffield United Football Club is a professional football club based in Sheffield, South Yorkshire, England. The club competes in the EFL Championship, the second tier of English football, following relegation from the Premier League in 2023–24. They are nicknamed "the Blades" due to Sheffield's history of cutlery production. The team have played home games at Bramall Lane since their formation. For most of the club's history, United have played in red and white striped shirts with black shorts. Their main rivals are Sheffield Wednesday, with whom they contest the Steel City derby. Sheffield United was formed as an offshoot of Sheffield United Cricket Club in 1889. Following strong performances in the Midland League and Northern League, they were invited to become founder members of the Football League Second Division in 1892. They won promotion to the First Division at the end of the 1892–93 season, the first team to do so, and went on to be crowned English football champions in 1897–98. United went on to win the FA Cup on four occasions: 1899, 1902, 1915 and 1925; and were beaten finalists in 1901. They spent 41 years in the top-flight before being relegated in 1934. United finished as FA Cup runners-up in 1936 and were promoted as runners-up of the Second Division in 1938–39. United won the Second Division title in 1952–53, following relegation in 1949. They spent the next three decades between the First and Second Divisions, winning promotions in 1960–61 and 1970–71 after relegations in 1956 and 1968. However, a slow decline saw the club drop to the fourth tier by 1982, though they would win an immediate promotion as Fourth Division champions in 1981–82; this achievement meant that Sheffield United are one of only five sides to have won all four professional divisions of English football. Promoted in 1983–84, they recovered from relegation in 1988 to win consecutive promotions into the top-flight at the end of the 1989–90 campaign. Sheffield United were founding members of the Premier League in the 1992–93 season, during which they scored the first ever goal of the competition. They were relegated in 1994 and after losing play-off finals in 1997 and 2003, the club finally regained their Premier League status at the end of the 2005–06 campaign under the stewardship of manager Neil Warnock. However, United were relegated the following year and dropped into League One in 2011. They spent six seasons in the third tier, losing in three play-off campaigns, before manager Chris Wilder led the club to promotion as champions in 2016–17. Promotion to the Premier League followed in 2018–19, though they returned to the Championship in 2021. The club played in the Premier League following a promotion from the EFL Championship in the 2022–23 season, but were relegated in the following season. History Formation and glory years (1888–1975) The club was formed by members of the Sheffield United Cricket Club, formed in 1854 and the first English sports club to use 'United' in its name. Sheffield United's predominant nickname is "The Blades", a reference to Sheffield's status as the major producer of cutlery in the United Kingdom. United's original nickname was in fact "The Cutlers" from 1889 to 1912. City rivals Wednesday held the nickname "The Blades" in their early years, however in 1907 Wednesday officially became "The Owls", in reference to their new ground in Owlerton, and United would later claim "The Blades" nickname for themselves. Sheffield United officially formed on 22 March 1889 at the Adelphi Hotel, Sheffield (now the site of the Crucible Theatre) by the President of the Cricket Club, Sir Charles Clegg. The Wednesday had moved from Bramall Lane to their own ground at Olive Grove after a dispute over gate receipts and the tenants of Bramall Lane needed to create a new team to generate income. Sir Charles Clegg was incidentally also the president of The Wednesday. Undoubtedly United's heyday was the 30-year period from 1895 to 1925, when they were champions of England in 1897–98 and runners-up in 1896–97 and 1899–1900, and FA Cup winners in 1899, 1902, 1915 and 1925. United have not won a trophy since 1925, bar those associated with promotion from lower leagues, their best performances in the cup competitions being several semi-final appearances in the FA Cup and League Cup. Fall from grace and brief revival (1975–1994) Their darkest days came between 1975 and 1981. After finishing sixth in the First Division at the end of the 1974–75 season, they were relegated to the Second Division the following season, and three years after that setback they fell into the Third Division. They reached an absolute low in 1981 when they were relegated to the Fourth Division, but were champions in their first season in the league's basement division and two years afterwards they won promotion to the Second Division. They fell back into the Third Division in 1988, but new manager Dave Bassett masterminded a quick revival which launched the Blades towards one of the most successful eras in their history. Successive promotions in the aftermath of the 1988 relegation saw them return to the First Division in 1990 after a 14-year exile. They survived at this level for four seasons (being founder members of the new Premier League in 1992 after peaking with a ninth-place finish in the last season of the old First Division) and reached an F.A. Cup semi-final in the 1992–93 season before being relegated in 1994. Financial trouble and fall to League One (1994–2013) They remained outside the top flight for the next 12 years, although they qualified for the play-offs under Bassett's successor Howard Kendall in 1997 and caretaker manager Steve Thompson in 1998. They were struggling at the wrong end of Division One when Neil Warnock was appointed manager in December 1999, and a financial crisis was preventing the club from being able to boost their squad, but in 2002–03 they enjoyed their most successful season for a decade, reaching the semi-finals of both domestic cups and also reaching the Division One play-off final, where they were beaten 3–0 by Wolverhampton Wanderers. Three years later, however, Warnock delivered a Premier League return as the Blades finished runners-up in the re-branded Championship. They lasted just one season back amongst the elite, before being relegated from the Premier League amidst the controversy surrounding Carlos Tevez, the player who was controversially signed by West Ham United and whose performances played a big part in their remarkable escape from relegation. Neil Warnock resigned as manager after the Blades went down. The team also purchased Chinese club Chengdu Wuniu in 2006, and redesigned the club crest in the style of the Sheffield United badge and renamed the team "Chengdu Blades". The team were dissolved in 2015. The club struggled to come to terms with life back in the Championship, with a spiralling wage bill not being matched by the quality of the players brought in, and a succession of managers within a short period of time. The Blades reached the Championship playoff final in 2009 under Kevin Blackwell, but a period of decline then set in. The 2010–11 season proved disastrous, with the club employing three different managers in the span of a season, which ultimately ended in relegation to League One under Micky Adams, meaning they would play in the third tier of English football for the first time since 1989. United qualified for the League One play-offs in 2011–12 and 2012–13 but lost in the final and semi-final respectively. Saudi takeover and return to the top flight (2013–present) In September 2013, Abdullah bin Mosaad Al Saud of the House of Saud had bought a 50 per cent stake in United's parent company "Blades Leisure Ltd". Both parties, at that time, agreed to include a "roulette notice" mechanism to end their arrangement when they no longer wished to work together. In 2014, United reached the FA Cup semi-finals at Wembley Stadium but lost 5–3 to Hull City. In 2014–15, the team reached the quarter-finals of the FA Cup and semi-finals of the Football League Cup. United secured promotion back to the second tier in the 2016–17 season under the management of lifelong United fan and former player Chris Wilder, winning the League One title with 100 points. In late 2017, co-owner Kevin McCabe served a roulette notice on Prince Abdullah, giving him the option to sell his 50 per cent at £5 million or buy McCabe's 50 per cent for the same price. Prince Abdullah chose to buy but McCabe refused to sell, a decision that ended up before the High Court of Justice. In the 2018–19 season, Sheffield United achieved automatic promotion to the Premier League. United's first season back in the Premier League, despite being tipped by many for relegation, produced a ninth-place finish. Despite this, ownership disputes between Prince Abdullah and McCabe continued. In September 2019, after 20 months of litigation, the High Court issued its judgment, requiring McCabe's company to sell its shares in United. McCabe sought permission to appeal from the High Court and Court of Appeal but both appeals were rejected. As a result, Prince Abdullah became the sole beneficial owner of the club. The club had a very poor start to the 2020–21 season, winning just one of their opening 18 matches. Wilder left the club by mutual consent in March 2021. He was replaced by Paul Heckingbottom as caretaker manager, who could not prevent relegation at the end of the season. In May 2021, the club appointed Slaviša Jokanović as the new manager, making him the first overseas manager the club's history. However, Jokanović was dismissed in November 2021 after a poor start to the season and Heckingbottom was reappointed as manager, this time on a permanent basis. Heckingbottom appointed former Sheffield United players Stuart McCall and Jack Lester as part of his coaching team. The 2021–22 season resulted in a fifth-place finish in the Championship, losing in the play-off semi-finals to Nottingham Forest on penalties. During the following season, Nigerian businessman Dozy Mmobuosi failed with an attempted £90 million takeover of the financially troubled club having reportedly paid a near-£10 million non-refundable deposit. By the end of the season, Heckingbottom had guided United back to the Premier League, securing automatic promotion with a second-place finish. The team also reached the FA Cup semi-finals, losing 3–0 to Manchester City at Wembley Stadium. Sheffield United's return to the Premier League for the 2023–24 season proved to be difficult and by early December they sat at the bottom of the league. The club's board decided to sack Heckingbottom, replacing him with former Blades manager Chris Wilder. Despite the managerial change, the team's poor form continued and their relegation back to the Championship was confirmed on 27 April 2024 following a 5–1 loss to Newcastle United. On 11 May 2024, after conceding the 101st goal of their campaign in a 1–0 defeat to Everton, Sheffield United set a new record for the most goals conceded in a single Premier League season, breaking Swindon Town's record of 100 from the 1993–94 season. On the final matchday of the season, the club lost 3–0 to Tottenham Hotspur at home, finalizing their new record of 104 goals conceded, in addition to a goal difference of −69, matching Derby County's record from the 2007–08 season. Furthermore, they set new records for goals conceded at home with 57, surpassing Aston Villa's record from the 1935–36 season, and recorded a home goal difference of −38. Kits, colours and crest Sheffield United have played in red and white stripes for most of their history, but began playing in white shirts and blue shorts. They briefly played in narrow red stripes for the 1890–91 season, before returning to all-white the following year. The stripes returned in the 1892–93 season, with black shorts replacing the blue in 1904. The shirts remained largely unchanged until collars were first removed in 1955, replaced by V-necks until the 1966–67 season (when white socks were also used), and from here on the neck style varied. The traditional red and white stripes remained until the 1974–75 season, when elements of black were added, until the 1979–81 and 82 season kit. This was white with a red breast, and with thin stripes down either side, and was created to accommodate the logo of the club's principal sponsor, Cantor's, a local furniture shop. This was to be replaced by a striped kit, with the sponsor Bentley's (1981–82) and Renault (1982–83) written vertically down a white stripe over the left-hand side. Their kits continued to feature striped shirts, albeit with various aids to accommodate their sponsors, including a yellow square for Laver from 1988 to 1992 (the 1990–92 shirt also featured narrow black stripes through each white stripe) and a black hoop, also for Laver in the 1994–95 season. Then came the diamond kit, which was so badly received that the club reverted to stripes the following season. Since then, red and white stripes and black socks with varying trim have been the order of the day, with black shorts for all but the 2002–05 seasons, when white and then red were tried. The club also every few seasons opt to put thin black stripes between the red and white stripes. Sheffield United's home colours were the inspiration for the kit of Irish club, Derry City. In 1934, Derry City adopted the stripes, while Billy Gillespie was manager of the club, in recognition of Gillespie's achievements at Sheffield United. The first time a crest appeared on the shirt was in the 1891–92 season, when a red crest appeared on the white shirt, but this disappeared the following season. United used the city of Sheffield's coat of arms from 1965 to 1977, when a new crest was used, introduced by former manager Jimmy Sirrel, but designed apparently over 20 years previously by former player Jimmy Hagan. This consisted of two white crossed swords, or blades, the club's nickname, with a Yorkshire Rose above, on a black background. This is surrounded by a red ring with "Sheffield United F.C." written around the top and "1889", the year the club was founded, underneath. This has been altered very slightly a few times, with a simple black embroidered crest appearing on shirts from 1987 to 1990, and an all-white crest on a red-edged black shield for the 1992–99 seasons, but reverted to its original form in 2000. Shirt sponsors and manufacturers Ground Sheffield United play at Bramall Lane, near the centre of Sheffield. Bramall Lane is the oldest major league ground anywhere in the world, having hosted its first game in 1862, a match between Hallam and Sheffield Club. Bramall Lane also hosted the world's first ever floodlit football match on 14 October 1878 with two teams picked from the Sheffield Football Association. The power for the lights was provided by two generators. The crowd was 20,000 and the score 2–0. Bramall Lane was originally a cricket ground and in 1855 it was leased to Sheffield United Cricket Club (founded in 1854) by the Duke of Norfolk. The ground was opened with a cricket match on 30 April 1855 and later became a shared cricket/football venue. After Yorkshire County Cricket Club was founded in 1863, it was their main venue in the nineteenth century. They continued to use the ground for some matches each season until 7 August 1973, after which construction work began to convert Bramall Lane into a specialist football stadium. The ground has seen expansion in recent years, with the 2006 completion of a 3,000 seat corner stand, Bramall Lane is now an all-seater stadium fit for the Premier League holding 31,884. In March 2009 the club were officially granted permission to expand the stadium once again, over two phases. The first phase would have seen the Kop being extended to increase the ground's capacity up to approximately 37,000. It would also have seen the removal of the main supporting pillars and a giant screen installed as part of the stand's roof. The second phase would have seen the Valad Stand (formerly Arnold Laver Stand) also extended, bringing the total capacity to a 40,000 all seater. The expansion would also have had a secondary focus of being available for selection for FIFA World Cup matches in 2018 or 2022, if England's bid were to be successful. However, on 16 December 2009 The Football Association announced that should England's 2018/2022 World Cup bid be successful then any games played in Sheffield would be staged at Sheffield Wednesday's Hillsborough Stadium. In light of this United's former chief executive, Trevor Birch, made it known that all planned ground redevelopment had been put on hold until the club was able to regain and maintain Premiership status. A revised application for the redevelopment of Kop was submitted in 2015, which would see 3,215 seats added to the stand's current capacity. Further plans were revealed in 2017 for the development of the corner between the Kop and South Stand, which would see the construction of residential flats and a new club store. Supporters and rivalries Sheffield United derive support from a broad cross-section of the city and its environs, with branches of the official supporters' club running from Swinton, Kiveton Park, Retford, and Eckington. Further afield, supporters groups also exist in Essex, the Republic of Ireland, the Netherlands, and Australia, amongst others. A 2013 study of posts on social networking site Twitter found that Blades fans have the most positive interactions with the official account of their club out of any in English football. Sheffield United were also found to have the most 'obsessed' fans in the 2006–07 Premier League, with supporters reportedly thinking about the team 110 times a day on average. United have a number of celebrity supporters including: Sean Bean, actor Kell Brook, boxer Richard Caborn, Labour Party politician Joe Elliott, singer-songwriter and musician Jessica Ennis-Hill, Olympic gold-medallist Flea, singer and actor Matt Fitzpatrick, golfer Paul Goodison, Olympic gold-medallist Paul Heaton, musician Ding Junhui, professional snooker player Mark Labbett, Chaser on TV quiz show The Chase Michael Palin, writer and television presenter Joe Root, England cricketer Juan Sebastián Verón, former Argentina international footballer Rivalries Sheffield United have numerous rivalries, mostly with other Yorkshire clubs. The most notable rivalry is with their city neighbours Sheffield Wednesday, with whom they contest the Steel City derby (named after the steel industry for which the city of Sheffield is globally famous). Sheffield United's next main regional rival is Leeds United from West Yorkshire. This is known as a Yorkshire derby match (the two cities of Sheffield and Leeds are the largest two cities in Yorkshire). Other local rivalries are shared with the professional clubs of South Yorkshire: Barnsley, Doncaster Rovers and Rotherham United. These matches are known as South Yorkshire derbies. Sheffield United also have a rivalry with Nottingham Forest. This can be attributed to the miners' strikes of the 1980s, where workers in the pits of Nottinghamshire did not join the strike (known locally as scabbing) while miners from Yorkshire did. West Ham United have also become fierce rivals due to the 'Tevez saga' and the following lawsuit charges. Chants Like many English clubs, Sheffield United supporters have a wide variety of chants and songs. The most famous of these is The Greasy Chip Butty Song, sung to the tune of John Denver's 'Annie's Song'. Records and statistics Record League victory: 10–0 away v Port Vale, Division Two, 10 December 1892 and 10–0 home v Burnley, Division One, 19 January 1929 Record Cup victory: 6–0 home v Leyton Orient, FA Cup 1st Round 6 November 2016 Record League defeat: 0–8 home v Newcastle United, Premier League, 24 September 2023 Record Cup defeat: 0–13 home v Bolton Wanderers, FA Cup 2nd round, 1 February 1890 Highest home attendance: 68,287 v Leeds United, FA Cup 5th round, 15 February 1936 Most league appearances: Joe Shaw made 631 appearances between 1948 and 1966 Most goals scored overall: Harry Johnson scored 201 goals in 313 games between 1919 and 1930 Most goals scored in a Season: Jimmy Dunne 41 goals from 41 appearances, Division One, 1930–31 Record Transfer Fee Paid: £23.5 million for Rhian Brewster from Liverpool on 2 October 2020 Record Transfer Fee Received: £11.5 million for David Brooks to AFC Bournemouth on 1 July 2018 League history Seasons spent at Level 1 of the football league system: 62 Seasons spent at Level 2 of the football league system: 44 Seasons spent at Level 3 of the football league system: 11 Seasons spent at Level 4 of the football league system: 1 Players First team As of 30 August 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Player of the Year A 'Player of the Year' award has been presented since 1967 to recognise the player who has made the greatest contribution to the club over the course of the season. Initially organised by the Official Supporters Club the award was voted for by their members although it was presented as an official club award. In recent years the award has been presented at a gala 'End of Season' award ceremony and dinner, usually held at the end of April, and voting has been widened to include a broader section of the club's fanbase. The first winner of the award was long serving goalkeeper Alan Hodgkinson. The player with the most award wins is striker Alan Woodward on four occasions between 1970 and 1978. The longest gap between wins by a player is seven years; Keith Edwards had two spells with the club and won the award during both, in 1977 and 1984. Harry Maguire and Phil Jagielka have won the award on three consecutive occasions. The award was shared between two players for the first time in 2017, with Billy Sharp and John Fleck receiving the award. The award was won by an overseas born player consecutive times for the first time in 2024, Iliman Ndiaye in 2023 and Gustavo Hamer in 2024. Development squads and women's team Academy Sheffield United's Academy is responsible for youth development at the club. It has produced such players as Manchester City defender Kyle Walker and defender Phil Jagielka, both England internationals, and also Swansea City defender Kyle Naughton, Burnley full back Matthew Lowton, Manchester United defender and club captain Harry Maguire and current club captain Billy Sharp. The academy building and training facilities in the Sheffield suburb of Shirecliffe were opened in 2002 by then Minister for Sport Richard Caborn. Sheffield United Academy U18s currently play in the Professional Development League at the Shirecliffe ground at Firshill Crescent, and finished as runners-up in the 2011 FA Youth Cup. In addition, SteelPhalt are the sponsor of the Shirecliffe-based Academy, and are also the major sponsor of Sheffield United Women. Under 23s Sheffield United U23s currently compete in the Professional Development League, playing home games at various venues, including Bramall Lane and Stocksbridge Park Steels FC. The club have fielded a reserve team since 1893, when the reserves played in 'Sheffield League Division One'. United Women Sheffield United also have a Women's team, formerly known as Sheffield United Ladies, who play in the FA Women's Championship after having been promoted in the 2017–18 season from the FA Women's National League. Sheffield United Women also have a Development team and numerous junior teams as part of the Regional Talent Club and an additional grassroots arm. Club management Managerial history At its formation in 1889 United did not employ what would today be termed a manager, the side was coached by a trainer and a football committee selected the team and decided upon tactics (this was a continuation of the structure of Sheffield United Cricket Club from which the football team had been formed). They did appoint Joseph Wostinholm to the position of club secretary and he was responsible for the day-to-day running of the club, matchday organisation and dealing with players and contracts. Wostinholm oversaw a period of rapid growth for the team, culminating in 1898 when United won their only First Division championship, after which he retired. Wostinholm was replaced by John Nicholson as secretary and he would remain in post for over thirty years until his death in 1932. Nicholson presided over the most successful period in the club's history as United became a leading force in English football, winning the FA Cup four times and regularly challenged at the top of the league but a second Division One title for the club eluded him. A new era Following the death of John Nicholson (who died whilst travelling to an away match in Birmingham) the United board turned to Chesterfield manager Teddy Davison to become the club's first real manager. The team were in decline however and were soon relegated for the first time in their history. Davison gradually rebuilt the side with astute signings and young players and regained top flight status, but the club's post-war financial problems would hamper team building for years to come. Davison retired in 1952 and prompted the club to appoint Rotherham United manager Reg Freeman as his successor. Freeman stabilised the team but fell ill and died in 1955 after which United turned to the inexperienced Joe Mercer but he struggled to cope with a team in decline and departed for Aston Villa in 1958. United then appointed Chester manager John Harris who inherited a talented but under performing side which he transformed into a promotion team, returning to Division One in 1961. Harris built a side based on local players and stabilised them in the top flight but financial issues soon prompted the sale of key players and United were eventually relegated once more. Harris opted to 'move upstairs' to become 'general manager' and handed the role of team manager to Arthur Rowley but he was sacked after one season following disappointing results. Harris returned as manager and guided the side to promotion once more but after a good start back in the top flight Harris' confidence faded and he stepped down in 1973 to 'move upstairs' for the second time. Rapid decline Experienced Blackburn Rovers manager Ken Furphy was the man United turned to replace John Harris. He initially did well but the team was ageing and there was little money to replace players. After a good finish in his first season a disastrous string of results the following year led to Furphy's sacking in October 1975. Jimmy Sirrel was recruited from Notts County but he proved unpopular with both the players and fans and could not halt the decline, overseeing relegation and then being sacked in September 1977 with United at the bottom of Division Two. The ambitious and colourful Harry Haslam was handed the reins and although many of his ideas were ahead of their time he built an ageing side based on 'star' players at the end of their career. Now in the Third Division performances deteriorated still further and Haslam stepped down due to illness in January 1981. World Cup winner and then United player Martin Peters was promoted to the position of manager but United were relegated to Division Four at the end of the season and Peters resigned. Moving on up With a new ambitious board in place United recruited Ian Porterfield as manager in June 1981. He had an immediate impact, winning the Division Four championship in his first season and taking the club back into the second tier two years later on a meagre budget. Despite this many fans were unhappy with the style of football and odd team selections and Porterfield was sacked in 1986 following supporter protests. Coach Billy McEwan was promoted to the position of manager but failed to improve the standard of play and with attendances falling and the team in danger of relegation once more he was sacked in January 1988. United now turned to the colourful character of Dave Bassett who had most recently had a short, unsuccessful spell as manager of Watford. It was to prove an astute appointment as although he could not prevent relegation in his first season he built a solid, hard working team on a small budget and won back to back promotions, returning the club to the top flight and achieving regular mid-table finishes. With the formation of the Premier League United's old financial problems and willingness to sell star players without replacing them meant the side eventually succumbed to relegation and when an immediate return was not forthcoming Basset was sacked in December 1995. Comings and goings The following years proved a turbulent time for United as they chased the ambition of Premiership football. Experienced Howard Kendall was recruited as manager and undertook a complete rebuilding of the side but left in June 1997 to take over at Everton. Player-coach Nigel Spackman was promoted to replace Kendall but after initial promise he quit after only eight months citing boardroom interference. This was to become a recurring theme and replacement Steve Bruce would leave after only one season citing the same reasons. Adrian Heath then proved a disastrous appointment and lasted only six months before being sacked with United looking more likely to be relegated than promoted. The Blades then turned to experienced lower league manager Neil Warnock who managed to stave off relegation and began to rebuild the side on a meagre budget. Warnock proved a divisive figure with fans, but after a number of mid-table finishes he achieved promotion back to the Premiership in 2006. The side were relegated the following season, prompting the board not to renew Warnock's contract. Just like Adrian Heath, the appointment of Bryan Robson in 2007 proved an unpopular and unsuccessful one and he was sacked after less than a year following poor results and intense fan pressure. Former assistant manager Kevin Blackwell was appointed as Robson's replacement but despite reaching the play-off finals in his first full season the team was obviously in decline and he was sacked after only two games of the 2010–11 season. Worse was to come however as player-coach Gary Speed was briefly promoted to manager but left after only a few months to take over the Welsh national side. Micky Adams then became the third full-time manager of the season, and oversaw a disastrous run of results which saw United relegated and Adams sacked after only six months in charge. With United in the third tier once more, Danny Wilson was appointed as manager in June 2011, despite protests from United fans over his previous association with cross-town rivals Sheffield Wednesday. Wilson guided the club to the League One play-off final in his first full season in charge, only to lose to Huddersfield Town after a famous penalty shootout in which Huddersfield missed their first three penalties. Despite the club challenging for promotion the following season, a poor run of results led to Wilson's departure in April 2013, being replaced by Chris Morgan until the end of the season. After a long search for a new boss, former Scotland defender David Weir was appointed as Wilson's long-term replacement. Weir's tenure was short-lived however, as he was sacked in October of the same year, having won only one of 13 games in charge. After Chris Morgan had overseen the team for a brief time, Nigel Clough was appointed as Weir's permanent successor in October 2013. Clough guided the Blades to finish seventh in the table narrowly missing the play-offs after having been bottom of the table at the start of February and also led United to an FA Cup semi-final against Hull City which the Blades lost 5–3 after twice taking the lead in the first half. The following season saw Clough guide the Blades to fifth place in the league, thus qualifying for the play-offs and also led them to a first League Cup semi-final in 12 years, with the Blades ultimately losing to Tottenham Hotspur 3–2 on aggregate. United failed to gain promotion through the play-offs after losing to Swindon Town 2–1 in the first leg and drawing 5–5 in the second leg (7–6 on aggregate). Following their failure to gain promotion, Clough was sacked on 25 May 2015 and on 2 June 2015, former Scunthorpe United, Southampton and Reading boss Nigel Adkins was appointed as the new Blades manager. However, his appointment only lasted one season as the Blades (who were in 2nd place after the first five matches) ultimately finished in 11th place, the club's lowest finish in the third tier since 1983. Adkins was duly sacked on 12 May 2016. Atkins was quickly replaced by former Northampton Town manager and former Blades player Chris Wilder, who oversaw United's promotion from League One in 2017, after six years in the division, and its subsequent return to the Premier League in 2019. United went on to finish ninth in their first season back in the top flight, but the following 2020–21 season was a completely different story. On 13 March 2021, Wilder left the club by mutual consent, with the club bottom of the Premier League, with 14 points from 28 games. U23 coach Paul Heckingbottom took interim charge of the team until the end of the season but United were still relegated. On 27 May 2021, former Fulham boss Slaviša Jokanović was appointed by United on a three-year deal, becoming the club's first manager from overseas. However he was sacked on 25 November 2021, after United had only won six of 19 Championship games. Heckingbottom was subsequently appointed manager of Sheffield United, this time on a permanent basis, and eventually guided United to the FA Cup semi-finals in 2023, and back to the Premier League for the 2023–24 season. United struggled on their return to the Premier League for the 2023–24 season and by early December the team was bottom of the League. Paul Heckingbottom was sacked and replaced by former Blades manager, Chris Wilder. Honours League First Division (level 1) Champions: 1897–98 Runners-up: 1896–97, 1899–1900 Second Division / Championship (level 2) Champions: 1952–53 2nd place promotion (8): 1892–93, 1938–39, 1960–61, 1970–71, 1989–90, 2005–06, 2018–19, 2022–23 Third Division / League One (level 3) Champions: 2016–17 2nd place promotion: 1988–89 3rd place promotion: 1983–84 Fourth Division (level 4) Champions: 1981–82 Football League North Champions: 1945–46 Sheffield United are the fourth club to have won a championship title in each of England's four professional leagues. After Burnley, Preston North End and Wolverhampton Wanderers. Cup FA Cup Winners: 1898–99, 1901–02, 1914–15, 1924–25 Runners-up: 1900–01, 1935–36 Sheriff of London Charity Shield Winners: 1898 (shared) In media and popular culture BBC Radio Sheffield is the current radio broadcaster of live commentaries of matches within the catchment area of the station. Available on FM Radio frequencies: 88.6 MHz, 94.7 MHz & 104.1 MHz. DAB Radio and Freeview channel 734. Sheffield United's in-house media label SUTV broadcast matches available to stream through their website. United were, along with Arsenal, the first team to be featured in a live radio commentary. The Division One fixture between the two sides on 22 January 1927 was broadcast by the BBC. Club captain Billy Gillespie scored United's goal in the 1–1 draw and listeners were provided with a numbered map of the pitch via the Radio Times to aid their understanding of where play was taking place. The area in front of the goalkeeper was numbered 1, with the game providing the first use of the phrase "back to square one." A number of films and television programmes have included references to Sheffield United: 1977 Sheffield United are referenced by Brian Blessed's character in a third series episode of the BBC post-apocalyptic drama series Survivors from the 1970s. Blessed's character also wears a Sheffield United scarf throughout. 1990, the BBC produced a six-part documentary series named "United" that followed the fortunes of the club towards the end of the 1989–90 season, in which they achieved automatic promotion to the top flight of English football. 1996 film When Saturday Comes stars real-life United fan Sean Bean as a part-time Hallam FC player who is scouted by Sheffield United, who then goes on to play in a FA Cup semi-final. 1997 British comedy film The Full Monty is set in Sheffield and the character 'Gaz' is seen wearing a replica United shirt at one part of the film, and promises his son a ticket for a game at Bramall Lane between Sheffield United and Manchester United. 2004 Walt Disney film National Treasure which stars Sean Bean, and Nicolas Cage as the lead character. There is a scene where Bean's character is writing on a yellow notepad. Near the top right corner of the notepad is a doodle of the Sheffield United club emblem, the crossed blades and a dot to represent the Yorkshire rose. 2005 film Batman Begins features a child wearing a 1990s Blades shirt. 2012 television drama Prisoners' Wives also references the club. International links In January 2006, Sheffield United became the first foreign club to take over a Chinese team when they purchased the football club Chengdu F.C., based in the city of Chengdu, China. The club was renamed the Chengdu Blades, after their new owners. Sheffield United shirts were sold in China, and Chengdu shirts were sold in Sheffield, increasing revenue streams for both clubs. United sold on their share of the Chinese side in 2010, following Chengdu's implication in a match-fixing scandal and increasing financial pressures on the English club. In February 2008, Kevin McCabe, the club's chairman, finalised an agreement with Budapest-based Ferencváros to buy its football team, and also negotiated with the Hungarian government to purchase and develop the ground around Stadion Albert Flórián. A match was played in Budapest to celebrate the link-up. McCabe left the Fenecváros board in January 2011. The Blades also have operating, business and exchange of ideas links with Central Coast Mariners of Australia and White Star Woluwé of Belgium. In November 2020, they took over the Calicut, Kerala based club Quartz FC which plays in the third tier of Indian Football and rebranded it as Kerala United FC. Affiliated clubs Arklow Town Beerschot Buxton Central Coast Mariners Estudiantes Fenerbahce SK São Paulo Strindheim IL White Star Woluwé Kerala United FC Al Hilal United (2020–present) LB Châteauroux (2021–present) Bibliography Clarebrough, Denis (30 September 1997). Sheffield United Football Club. Chalford Publishing. ISBN 0-7524-1059-8. Clarebrough, Denis; Kirkham, Andrew (1 January 1999). Sheffield United Football Club 1889–1999: A Complete Record. Sheffield United Football Club. ISBN 978-0950858821. Matthews, Tony (15 December 2003). The Official Encyclopaedia of Sheffield United Football Club. Britespot Publishing Ltd. ISBN 1-904103-19-7. Pack, Andy; Cookson, Kevin (1 June 2006). Destination Premiership. J W Northend Ltd. ISBN 978-0901100672. Armstrong, Gary; Garrett, John (1 December 2007). Sheffield United Football Club – The Biography. Hallamshire Publications Ltd. ISBN 978-1-874718-65-9. Phillips, Darren (22 October 2010). The Sheffield United Miscellany. The History Press Ltd. ISBN 978-0752457185. Clarebrough, Denis; Kirkham, Andrew (1 September 2012). Sheffield United: The Complete Record. DB Publishing. ISBN 978-1780910192. Johnson, Nick (17 September 2012). Match of My Life: Twelve Stars Relive Their Greatest Games Sheffield United. Pitch Publishing Ltd. ISBN 978-1908051721. Hall, Danny (8 September 2018). He's One Of Our Own: The Story Of Chris Wilder's Blades Revolution. Vertical Editions. ISBN 978-1908847102. Gillan, Don (2 March 2019). Sheffield United Season Scrapbook 1897/98: T'First Proper Champions. Independently Published. ISBN 978-1798567364. Allsop, Alan (9 May 2019). You Fill Up My Senses: The Joy and Despair of Following Sheffield United. CreateSpace Independent Publishing Platform. ISBN 978-1097573707. Hall, Danny (31 July 2019). 'We're not going to Wembley'. Vertical Editions. ISBN 978-1908847140. Anson, Matt (16 September 2019). Greatest Games Sheffield United Blades' Fifty Finest Matches. Pitch Publishing. ISBN 9781785315503. References External links Official website Independent websites Sheffield United F.C. on BBC Sport: Club news – Recent results and fixtures Sheffield United at Sky Sports Sheffield United FC at Premier League Sheffield United FC at UEFA
Charlton_Athletic_F.C.
https://en.wikipedia.org/wiki/Charlton_Athletic_F.C.
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Charlton Athletic Football Club is a professional association football club based in Charlton, south-east London, England. The team compete in EFL League One, the third level of the English football league system. Their home ground is The Valley, where the club have played since 1919. They also played at The Mount in Catford during the 1923–24 season, and spent seven years at Selhurst Park and the Boleyn Ground between 1985 and 1992, because of financial issues, and then safety concerns raised by the local council. The club's traditional kit consists of red shirts, white shorts and red socks, and their most commonly used nickname is The Addicks. Charlton share local rivalries with fellow South London clubs Crystal Palace and Millwall. The club was founded on 9 June 1905 and turned professional in 1920. They spent one season in the Kent League and one season in the Southern League, before being invited to join the newly-formed Football League Third Division South in 1921. They won the division in the 1928–29 season, and again in 1934–35 following relegation in 1933. Charlton were promoted out of the Second Division in 1935–36, and finished second in the First Division the next season. Having been beaten finalists in 1946, they lifted the FA Cup the following year with a 1–0 victory over Burnley. The departure of Jimmy Seed in 1956, manager for 23 years, saw the club relegated out of the top-flight the following year. Relegated again in 1972, Charlton were promoted from the Third Division in 1974–75, and again in 1980–81 following relegation the previous season. Charlton recovered from administration to secure promotion back to the First Division in 1985–86, and went on to lose in the 1987 final of the Full Members' Cup, though they won the 1987 play-off final to retain their top-flight status. Having been relegated in 1990, Charlton won the 1998 play-off final to make their debut in the Premier League. Though they were relegated the next year, manager Alan Curbishley took them back up as champions in 1999–2000. Charlton spent seven successive years in the Premier League, before suffering two relegations in three years. They won League One with 101 points in 2011–12, though were relegated from the Championship in 2016, and again in 2020 after they won the 2019 League One play-off final. History Early history (1905–1946) Charlton Athletic F.C. was formed on 9 June 1905 by a group of 14 to 15-year-olds in East Street, Charlton, which is now known as Eastmoor Street and no longer residential. Contrary to some histories, the club was founded as "Charlton Athletic" and had no connection to other teams or institutions such as East St Mission, Blundell Mission or Charlton Reds; it was not founded by a church, school, employer or as a franchise for an existing ground. Charlton spent most of the years before the First World War playing in local leagues but progressing rapidly, winning successive leagues and so promotions eight years in a row. In 1905–06 the team played only friendly games but joined, and won, the Lewisham League Division III for the 1906–07 season. For the 1907–08 season the team contested the Lewisham League, Woolwich League and entered the Woolwich Cup. It was also around this time the Addicks nickname was first used in the local press although it may have been in use before then. In the 1908–09 season Charlton Athletic were playing in the Blackheath and District League and by 1910–11 had progressed to the Southern Suburban League. During this period Charlton Athletic won the Woolwich Cup four times, the championship of the Woolwich League three times, won the Blackheath League twice and the Southern Suburban League three times. They became a senior side in 1913, the same year that nearby Woolwich Arsenal F.C. relocated to North London. At the outbreak of World War I, Charlton were one of the first clubs to close down to take part in the "Greater Game" overseas. The club was reformed in 1917, playing mainly friendlies to raise funds for charities connected to the war and for the Woolwich Memorial Hospital Cup, the trophy for which Charlton donated. It had previously been the Woolwich Cup that the team had won outright following three consecutive victories. After the war, they joined the Kent League for one season (1919–20) before becoming professional, appointing Walter Rayner as the first full-time manager. They were accepted by the Southern League and played just a single season (1920–21) before being voted into the Football League. Charlton's first Football League match was against Exeter City in August 1921, which they won 1–0. In 1923, Charlton became "giant killers" in the FA Cup beating top flight sides Manchester City, West Bromwich Albion, and Preston North End before losing to eventual winners Bolton Wanderers in the Quarter-Finals. Later that year, it was proposed that Charlton merge with Catford Southend to create a larger team with bigger support.: 30  In the 1923–24 season Charlton played in Catford at The Mount stadium and wore the colours of "The Enders", light and dark blue vertical stripes. However, the move fell through and the Addicks returned to the Charlton area in 1924, returning to the traditional red and white colours in the process.: 33  Charlton finished second bottom in the Football League in 1926 and were forced to apply for re-election which was successful. Three years later the Addicks won the Division Three championship in 1929 and they remained at the Division Two level for four years. After relegation into the Third Division south at the end of the 1932–33 season the club appointed Jimmy Seed as manager and he oversaw the most successful period in Charlton's history either side of World War II. Seed, an ex-miner who had made a career as a footballer despite suffering the effects of poison gas in the First World War, remains the most successful manager in Charlton's history. He is commemorated in the name of a stand at the Valley.: 19  Seed was an innovative thinker about the game at a time when tactical formations were still relatively unsophisticated. He later recalled "a simple scheme that enabled us to pull several matches out of the fire" during the 1934–35 season: when the team was in trouble "the centre-half was to forsake his defensive role and go up into the attack to add weight to the five forwards.": 66  The organisation Seed brought to the team proved effective and the Addicks gained successive promotions from the Third Division to the First Division between 1934 and 1936, becoming the first club to ever do so. Charlton finally secured promotion to the First Division by beating local rivals West Ham United at the Boleyn Ground, with their centre-half John Oakes playing on despite concussion and a broken nose. In 1937, Charlton finished runners up in the First Division, in 1938 finished fourth and 1939 finished third. They were the most consistent team in the top flight of English football over the three seasons immediately before World War II. This continued during the war years and they won the Football League War Cup and appeared in finals. Post-war success and fall from grace (1946–1984) Charlton reached the 1946 FA Cup Final, but lost 4–1 to Derby County at Wembley. Charlton's Bert Turner scored an own goal in the 80th minute before equalising for the Addicks a minute later to take them into extra time, but they conceded three further goals in the extra period. When the full league programme resumed in 1946–47 Charlton could finish only 19th in the First Division, just above the relegation spots, but they made amends with their performance in the FA Cup, reaching the 1947 FA Cup Final. This time they were successful, beating Burnley 1–0, with Chris Duffy scoring the only goal of the day. In this period of renewed football attendances, Charlton became one of only 13 English football teams to average over 40,000 as their attendance during a full season. The Valley was the largest football ground in the League, drawing crowds in excess of 70,000. However, in the 1950s little investment was made either for players or to The Valley, hampering the club's growth. In 1956, the then board undermined Jimmy Seed and asked for his resignation; Charlton were relegated the following year. From the late 1950s until the early 1970s, Charlton remained a mainstay of the Second Division before relegation to the Third Division in 1972. It caused the team's support to drop, and even a promotion in 1975 back to the second division did little to re-invigorate the team's support and finances. In 1979–80 Charlton were relegated again to the Third Division, but won immediate promotion back to the Second Division in 1980–81. This was a turning point in the club's history leading to a period of turbulence and change including further promotion and exile. A change in management and shortly after a change in club ownership led to severe problems, such as the reckless signing of former European Footballer of the Year Allan Simonsen, and the club looked like it would go out of business.: 141-150 The "exiled" years (1985–1992) In 1984 financial matters came to a head and the club went into administration, to be reformed as Charlton Athletic (1984) Ltd. although the club's finances were still far from secure. They were forced to leave the Valley just after the start of the 1985–86 season, after its safety was criticised by Football League officials in the wake of the Bradford City stadium fire. The club began to ground-share with Crystal Palace at Selhurst Park and this arrangement looked to be for the long-term, as Charlton did not have enough funds to revamp the Valley to meet safety requirements. Despite the move away from the Valley, Charlton were promoted to the First Division as Second Division runners-up at the end of 1985–86, and remained at this level for four years (achieving a highest league finish of 14th) often with late escapes, most notably against Leeds in 1987, where the Addicks triumphed in extra-time of the play-off final replay to secure their top flight place. In 1987 Charlton also returned to Wembley for the first time since the 1947 FA Cup final for the Full Members Cup final against Blackburn.: 156  Eventually, Charlton were relegated in 1990 along with Sheffield Wednesday and bottom club Millwall. Manager Lennie Lawrence remained in charge for one more season before he accepted an offer to take charge of Middlesbrough. He was replaced by joint player-managers Alan Curbishley and Steve Gritt. The pair had unexpected success in their first season finishing just outside the play-offs, and 1992–93 began promisingly and Charlton looked good bets for promotion in the new Division One (the new name of the old Second Division following the formation of the Premier League). However, the club was forced to sell players such as Rob Lee to help pay for a return to the Valley, while club fans formed the Valley Party, nominating candidates to stand in local elections in 1990, pressing the local council to enable the club's return to the Valley – finally achieved in December 1992. In March 1993, defender Tommy Caton, who had been out of action because of injury since January 1991, announced his retirement from playing on medical advice. He died suddenly at the end of the following month at the age of 30. Premier League years (1998–2007) In 1995, new chairman Richard Murray appointed Alan Curbishley as sole manager of Charlton. Under his sole leadership Charlton made an appearance in the play-off in 1996 but were eliminated by Crystal Palace in the semi-finals and the following season brought a disappointing 15th-place finish. 1997–98 was Charlton's best season for years. They reached the Division One play-off final and battled against Sunderland in a thrilling game which ended with a 4–4 draw after extra time. Charlton won 7–6 on penalties, with the match described as "arguably the most dramatic game of football in Wembley's history", and were promoted to the Premier League. Charlton's first Premier League campaign began promisingly (they went top after two games) but they were unable to keep up their good form and were soon battling relegation. The battle was lost on the final day of the season but the club's board kept faith in Curbishley, confident that they could bounce back. Curbishley rewarded the chairman's loyalty with the Division One title in 2000 which signalled a return to the Premier League. After the club's return, Curbishley proved an astute spender and by 2003 he had succeeded in establishing Charlton in the top flight. Charlton spent much of the 2003–04 Premier League season challenging for a Champions League place, but a late-season slump in form and the sale of star player Scott Parker to Chelsea, left Charlton in seventh place, which was still the club's highest finish since the 1950s. Charlton were unable to build on this level of achievement and Curbishley departed in 2006, with the club still established as a solid mid-table side. In May 2006, Iain Dowie was named as Curbishley's successor, but was sacked after 12 league matches in November 2006, with only two wins. Les Reed replaced Dowie as manager, however he too failed to improve Charlton's position in the league table and on Christmas Eve 2006, Reed was replaced by former player Alan Pardew. Although results did improve, Pardew was unable to keep Charlton up and relegation was confirmed in the penultimate match of the season. Return to the Football League (2007–2014) Charlton's return to the second tier of English football was a disappointment, with their promotion campaign tailing off to an 11th-place finish. Early in the following season the Addicks were linked with a foreign takeover, but this was swiftly denied by the club. On 10 October 2008, Charlton received an indicative offer for the club from a Dubai-based diversified investment company. However, the deal later fell through. The full significance of this soon became apparent as the club recorded net losses of over £13 million for that financial year. Pardew left on 22 November after a 2–5 home loss to Sheffield United that saw the team fall into the relegation places. Matters did not improve under caretaker manager Phil Parkinson, and the team went a club record 18 games without a win, a new club record, before finally achieving a 1–0 away victory over Norwich City in an FA Cup third round replay; Parkinson was hired on a permanent basis. The team were relegated to League One after a 2–2 draw against Blackpool on 18 April 2009. After spending almost the entire 2009–10 season in the top six of League One, Charlton were defeated in the Football League One play-offs semi-final second leg on penalties against Swindon Town. After a change in ownership, Parkinson and Charlton legend Mark Kinsella left after a poor run of results. Another Charlton legend, Chris Powell, was appointed manager of the club in January 2011, winning his first game in charge 2–0 over Plymouth at the Valley. This was Charlton's first league win since November. Powell's bright start continued with a further three victories, before running into a downturn which saw the club go 11 games in succession without a win. Yet the fans' respect for Powell saw him come under remarkably little criticism. The club's fortunes picked up towards the end of the season, but leaving them far short of the play-offs. In a busy summer, Powell brought in 19 new players and after a successful season, on 14 April 2012, Charlton Athletic won promotion back to the Championship with a 1–0 away win at Carlisle United. A week later, on 21 April 2012, they were confirmed as champions after a 2–1 home win over Wycombe Wanderers. Charlton then lifted the League One trophy on 5 May 2012, having been in the top position since 15 September 2011, and after recording a 3–2 victory over Hartlepool United, recorded their highest ever league points score of 101, the highest in any professional European league that year. In the first season back in the Championship, the 2012–13 season saw Charlton finish ninth place with 65 points, just three points short of the play-off places to the Premier League. Duchâtelet's ownership (2014–2019) In early January 2014 during the 2013–14 season, Belgian businessman Roland Duchâtelet took over Charlton as owner in a deal worth £14million. This made Charlton a part of a network of football clubs owned by Duchâtelet. On 11 March 2014, two days after an FA Cup quarter-final loss to Sheffield United, and with Charlton sitting bottom of the table, Powell was sacked, private emails suggesting a rift with the owner. New manager Jose Riga, despite having to join Charlton long after the transfer window had closed, was able to improve Charlton's form and eventually guide them to 18th place, successfully avoiding relegation. After Riga's departure to manage Blackpool, former Millwall player Bob Peeters was appointed as manager in May 2014 on a 12-month contract. Charlton started strong, but a long run of draws meant that after only 25 games in charge Peeters was dismissed with the team in 14th place. His replacement, Guy Luzon, ensured there was no relegation battle by winning most of the remaining matches, resulting in a 12th-place finish. The 2015–16 season began promisingly but results under Luzon deteriorated and on 24 October 2015 after a 3–0 defeat at home to Brentford he was sacked. Luzon said in a News Shopper interview that he "was not the one who chose how to do the recruitment" as the reason why he failed as manager. Karel Fraeye was appointed "interim head coach", but was sacked after 14 games and just two wins, with the club then second from bottom in the Championship. On 14 January 2016, Jose Riga was appointed head coach for a second spell, but could not prevent Charlton from being relegated to League One for the 2016–17 season. Riga resigned at the end of the season. To many fans, the managerial changes and subsequent relegation to League One were symptomatic of the mismanagement of the club under Duchâtelet's ownership and several protests began. After a slow start to the new season, with the club in 15th place of League One, the club announced that it had "parted company" with Russell Slade in November 2016. Karl Robinson was appointed on a permanent basis soon after. He led the Addicks to an uneventful 13th-place finish. The following season Robinson had the team challenging for the play-offs, but a drop in form in March led him to resign by mutual consent. He was replaced by former player Lee Bowyer as caretaker manager who guided them to a 6th-place finish, but lost in the play-off semi-final. Bowyer was appointed permanently in September on a one-year contract and managed Charlton to third place in the 2018–19 EFL League One season, qualifying for the play-offs. In their first visit to the New Wembley Stadium and a repeat of their famous match in 1998, Charlton beat Sunderland 2–1 in the League One play-off final to earn promotion back to the EFL Championship after a three-season absence. Bowyer later signed a new one-year contract following promotion, which was later extended to three years in January 2020. Multiple changes of ownership (2019–present) ESI (2019–2020) On 29 November 2019, Charlton Athletic were acquired by East Street Investments (ESI) from Abu Dhabi, subject to EFL approval. Approval was reportedly granted on 2 January 2020. However, on 10 March 2020, a public disagreement between the new owners erupted along with reports that the main investor was pulling out, and the EFL said the takeover had not been approved. The Valley and Charlton's training ground were still owned by Duchâtelet, and a transfer embargo was in place as the new owners had not provided evidence of funding through to June 2021. On 20 April 2020, the EFL said the club was being investigated for misconduct regarding the takeover. In June 2020, Charlton confirmed that ESI had been taken over by a consortium led by businessman Paul Elliott, and said it had contacted the EFL to finalise the ownership change. However, a legal dispute involving former ESI director Matt Southall continued. He attempted to regain control of the club to prevent Elliott's takeover from going ahead, but failed and was subsequently fined and dismissed for challenging the club's directors. On 7 August 2020, the EFL said three individuals, including ESI owner Elliott and lawyer Chris Farnell, had failed its Owners' and Directors' Test, leaving the club's ownership unclear; Charlton appealed against the decision. Meanwhile, Charlton were relegated to League One at the end of the 2019–20 season after finishing 22nd. Because of the COVID-19 pandemic, the final games of the season were played behind closed doors, which remained the case for the majority of the following season. Later in August, Thomas Sandgaard, a Danish businessman based in Colorado, was reported to be negotiating to buy the club. After further court hearings, Elliott was granted an injunction blocking the sale of ESI until a hearing in November 2020. Thomas Sandgaard (2020–2023) On 25 September 2020, Thomas Sandgaard acquired the club itself from ESI, and was reported to have passed the EFL's Owners' and Directors' Tests; the EFL noted the change in control, but said the club's sale was now "a matter for the interested parties". On 15 March 2021, with the club lying in eighth place, Bowyer resigned as club manager and was appointed manager of Birmingham City. His successor, Nigel Adkins, was appointed three days later. The club finished the 2020–21 season in seventh place, but started the following season by winning only two out of 13 League One matches and were in the relegation zone when Adkins was sacked on 21 October 2021. After a successful spell as caretaker manager, Johnnie Jackson was appointed manager in December 2021, but, after Charlton finished the season in 13th place, he was also sacked. Swindon Town manager Ben Garner was appointed as his replacement in June 2022, but was sacked on 5 December 2022 with the team in 17th place. After the club was knocked out of the FA Cup by League Two side Stockport County on 7 December, supporters said Charlton was at its "lowest ebb in living memory", with fans "losing confidence" in owner Thomas Sandgaard. Dean Holden was appointed manager on 20 December 2022, and Charlton improved to finish the 2022–23 season in 10th place. SE7 Partners (2023–present) On 5 June 2023, the club announced that SE7 Partners, comprising former Sunderland director Charlie Methven and Edward Warrick, had agreed a takeover of Charlton Athletic, becoming the club's fourth set of owners in under four years. On 19 July, the EFL and FA cleared SE7 Partners to take over the club, and the deal was completed on 21 July 2023. On 27 August 2023, after one win in the opening six games of the 2023–24 season, Holden was sacked as manager, and succeeded by Michael Appleton. On 23 January 2024, following a 3–2 defeat at The Valley against Northampton Town - and no wins in 10 League One games - Appleton was sacked. He was replaced on 4 February 2024 by Nathan Jones, under whom Charlton lost one and drew three of their next four games as they matched the club's longest winless streak of 18 games. The winless run ended with a 2–1 win away to Derby County on 27 February 2024. Charlton then went on a 14 match unbeaten run, the club's longest in 24 years. However, Charlton finished the season in 16th place, their worst finishing league position in 98 years. Despite a disappointing campaign for the Addicks, Charlton striker Alfie May won the League One Golden Boot award for the 2023–24 season, with his tally of 23 goals. Club identity Colours and crest Charlton have used a number of crests and badges during their history, although the current design has not been changed since 1968. The first known badge, from the 1930s, consisted of the letters CAF in the shape of a club from a pack of cards. In the 1940s, Charlton used a design featuring a robin sitting in a football within a shield, sometimes with the letters CAFC in the four-quarters of the shield, which was worn for the 1946 FA Cup Final. In the late 1940s and early 1950s, the crest of the former metropolitan borough of Greenwich was used as a symbol for the club but this was not used on the team's shirts. In 1963, a competition was held to find a new badge for the club, and the winning entry was a hand holding a sword, which complied with Charlton's nickname of the time, the Valiants. Over the next five years modifications were made to this design, such as the addition of a circle surrounding the hand and sword and including the club's name in the badge. By 1968, the design had reached the one known today, and has been used continuously from this year, apart from a period in the 1970s when just the letters CAFC appeared on the team's shirts. With the exception of one season, Charlton have always played in red and white – colours chosen by the boys who founded Charlton Athletic in 1905 after having to play their first matches in the borrowed kits of their local rivals Woolwich Arsenal, who also played in red and white.: 8  The exception came during part of the 1923–24 season when Charlton wore the colours of Catford Southend as part of the proposed move to Catford, which were light and dark blue stripes.: 32  However, after the move fell through, Charlton returned to wearing red and white as their home colours. The sponsors were as follows: Nicknames Charlton's most common nickname is The Addicks. The origin of this name is from a local fishmonger, Arthur "Ikey" Bryan, who rewarded the team with meals of haddock and chips with vinegar: 10  The progression of the nickname can be seen in the book The Addicks Cartoons: An Affectionate Look into the Early History of Charlton Athletic, which covers the pre-First World War history of Charlton through a narrative based on 56 cartoons which appeared in the now defunct Kentish Independent. The very first cartoon, from 31 October 1908, calls the team the Haddocks. By 1910, the name had changed to Addicks although it also appeared as Haddick. The club also have two other nicknames, The Robins, adopted in 1931, and The Valiants, chosen in a fan competition in the 1960s which also led to the adoption of the sword badge which is still in use. The Addicks nickname never went away and was revived by fans after the club lost its Valley home in 1985 and went into exile at Crystal Palace. It is now once again the official nickname of the club. Charlton fans' chants have included "Valley, Floyd Road", a song noting the stadium's address to the tune of "Mull of Kintyre". Stadium The club's first ground was Siemens Meadow (1905–1907), a patch of rough ground by the River Thames. This was over-shadowed by the Siemens Brothers Telegraph Works. Then followed Woolwich Common (1907–1908), Pound Park (1908–1913), and Angerstein Lane (1913–1915). After the end of the First World War, a chalk quarry known as the Swamps was identified as Charlton's new ground, and in the summer of 1919 work began to create the level playing area and remove debris from the site. The first match at this site, now known as the club's current ground The Valley, was in September 1919. Charlton stayed at The Valley until 1923, when the club moved to The Mount stadium in Catford as part of a proposed merger with Catford Southend. However, after this move collapsed in 1924, Charlton returned to The Valley. During the 1930s and 1940s, significant improvements were made to the ground, making it one of the largest in the country at that time. In 1938 the highest attendance to date at the ground was recorded at over 75,000 for a FA Cup match against Aston Villa. During the 1940s and 1950s the attendance was often above 40,000, and Charlton had one of the largest support bases in the country. However, after the club's relegation little investment was made in The Valley as it fell into decline. In the 1980s matters came to a head as the ownership of the club and The Valley was divided. The large East Terrace had been closed down by the authorities after the Bradford City stadium fire and the ground's owner wanted to use part of the site for housing. In September 1985, Charlton made the controversial move to ground-share with South London neighbours Crystal Palace at Selhurst Park. This move was unpopular with supporters and in the late 1980s significant steps were taken to bring about the club's return to The Valley. A single issue political party, the Valley Party, contested the 1990 local Greenwich Borough Council elections on a ticket of reopening the stadium, capturing 11% of the vote, aiding the club's return. The Valley Gold investment scheme was created to help supporters fund the return to The Valley, and several players were also sold to raise funds. For the 1991–92 season and part of the 1992–93 season, the Addicks played at West Ham's Upton Park as Wimbledon had moved into Selhurst Park alongside Crystal Palace. Charlton finally returned to The Valley in December 1992, celebrating with a 1–0 victory against Portsmouth. Since the return to The Valley, three sides of the ground have been completely redeveloped turning The Valley into a modern, all-seater stadium with a 27,111 capacity which is the biggest in South London. There are plans in place to increase the ground's capacity to approximately 31,000 and even around 40,000 in the future. Supporters and rivalries The bulk of the club's support base comes from South East London and Kent, particularly the London boroughs of Greenwich, Bexley and Bromley. Supporters played a key role in the return of the club to The Valley in 1992 and were rewarded by being granted a voice on the board in the form of an elected supporter director. Any season ticket holder could put themselves forward for election, with a certain number of nominations, and votes were cast by all season ticket holders over the age of 18. The last such director, Ben Hayes, was elected in 2006 to serve until 2008, when the role was discontinued as a result of legal issues. Its functions were replaced by a fans forum, which met for the first time in December 2008 and is still active to this day. Charlton's main rivals are their South London neighbours, Crystal Palace and Millwall. Unlike those rivals Charlton have never competed in football's fourth tier and are the only one of the three to have won the FA Cup. In 1985, Charlton were forced to ground-share with Crystal Palace after safety concerns at The Valley. They played their home fixtures at the Glaziers' Selhurst Park stadium until 1991. The arrangement was seen by Crystal Palace chairman Ron Noades as essential for the future of football, but it was unpopular with both sets of fans. Charlton fans campaigned for a return to The Valley throughout their time at Selhurst Park. In 2005, Palace were relegated by Charlton at the Valley after a 2–2 draw. Palace needed a win to survive. However, with seven minutes left, Charlton equalised, relegating their rivals. Post-match, there was a well-publicised altercation between the two chairmen of the respective clubs, Richard Murray and Simon Jordan. Since their first meeting in the Football League in 1925, Charlton have won 17, drawn 13 and lost 26 games against Palace. The teams last met in 2015, a 4–1 win for Palace in the League Cup. Charlton are closest in proximity to Millwall than any other EFL club, with The Valley and The Den being less than four miles (6.4 km) apart. They last met in July 2020, a 1–0 win for Millwall at the Valley. Since their first Football League game in 1921, Charlton have won 11, drawn 26 and lost 37 league games (the two sides also met twice in the Anglo-Italian Cup in the 1992–93 season; Charlton winning one tie, and one draw). The Addicks have not beaten Millwall in the last 12 league fixtures between the sides; their last win came on 9 March 1996 at The Valley. In popular culture Film and TV Charlton Athletic featured in the ITV one-off drama Albert's Memorial, shown on 12 September 2010 and starring David Jason and David Warner. In the long-running BBC sitcom Only Fools and Horses, Rodney Charlton Trotter is named after the club. In the BBC science-fiction series Doctor Who, the seventh Doctor's companion Ace (played by Sophie Aldred from 1987 to 1989) wears a Charlton Athletic badge on her black bomber jacket and the club is mentioned in Silver Nemesis. The Valley and manager Alan Curbishley made cameo appearances in the Sky One television series Dream Team. Charlton Athletic assumes a pivotal role in the film The Silent Playground (1963). Three children get in to trouble when their mother's boyfriend 'Uncle' Alan (John Ronane), gives them pocket money to wander off on their own, so that he can attend a Charlton football match. There is some footage from the ground which Ronane is later seen leaving. A Charlton Athletic match against Manchester United in the 1950s is depicted in BBC Two television film United (released in 2011). A young Billy Butcher has a Charlton flag in his room in Amazon Prime Video series The Boys. Books Charlton Athletic has also featured in several book publications, in both fiction and factual/sports writing. These include works by Charlie Connelly and Paul Breen's work of popular fiction which is entitled The Charlton Men. The book is set against Charlton's successful 2011–12 season when they won the League One title and promotion back to the Championship in concurrence with the 2011 London riots. Timothy Young, the protagonist in Out of the Shelter, a 1970 novel by David Lodge, supports Charlton Athletic. The book describes Timothy listening to Charlton's victory in the 1947 FA Cup Final on the radio. Records and statistics Sam Bartram is Charlton's record appearance maker, having played a total of 623 times between 1934 and 1956. But for six years lost to the Second World War, when no league football was played, this tally would be far higher.: 104  Keith Peacock is the club's second highest appearance maker with 591 games between 1961 and 1979: 320  He was also the first-ever substitute in a Football League game, replacing injured goalkeeper Mike Rose after 11 minutes of a match against Bolton Wanderers on 21 August 1965. Defender and midfielder Radostin Kishishev is Charlton's record international appearance maker, having received 42 caps for Bulgaria while a Charlton player. In total, 12 Charlton players have received full England caps. The first was Seth Plum, in 1923 and the most recent was Darren Bent, in 2006. Luke Young, with seven caps, is Charlton's most capped England international. Charlton's record goalscorer is Derek Hales, who scored 168 times in all competitions in 368 matches, during two spells, for the club.: 320  Counting only league goals, Stuart Leary is the club's record scorer with 153 goals between 1951 and 1962.: 112  The record number of goals scored in one season is 33, scored by Ralph Allen in the 1934–35 season.: 58  Charlton's record home attendance is 75,031 which was set on 12 February 1938 for an FA Cup match against Aston Villa The record all-seated attendance is 27,111, The Valley's current capacity. This record was first set in September 2005 in a Premier League match against Chelsea and has since been equalled several times. Player records Players As of 9 October 2024 First-team squad Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Under-21s squad Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Under-18s squad Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Women's team Player of the Year Club officials As of 2 October 2024 Coaching staff Managerial history Source: List of chairmen Honours Source: League First Division (level 1) Runners-up: 1936–37 Second Division / First Division (level 2) Champions: 1999–2000 2nd place promotion: 1935–36, 1985–86 Play-off winners: 1987, 1998 Third Division South / Third Division / League One (level 3) Champions: 1928–29 (South), 1934–35 (South), 2011–12 3rd place promotion: 1974–75, 1980–81 Play-off winners: 2019 Cup FA Cup Winners: 1946–47 Runners-up: 1945–46 Full Members' Cup Runners-up: 1986–87 Football League War Cup Joint winners: 1943–44 Kent Senior Cup Winners: 1994–95, 2012–13, 2014–15 Runners-up: 1995–96, 2015–16 London Senior Cup Winners: 2022–23, 2023–24 References Bibliography Clayton, Paul (2001). The Essential History of Charlton Athletic. Headline Book Publishing. ISBN 978-0-7553-1020-3. See also Football in London External links Official website Charlton Athletic – UEFA.com Charlton Athletic information and statistics Archived 2010-05-29 at the Wayback Machine – Soccerbase Charlton Athletic F.C. on BBC Sport: Club news – Recent results and fixtures
Bradford_City_A.F.C.
https://en.wikipedia.org/wiki/Bradford_City_A.F.C.
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Bradford City Association Football Club is an English professional football club in Bradford, West Yorkshire. The team competes in League Two, the fourth tier of the English football league system, and is managed by Graham Alexander. The club was founded in 1903 and immediately elected into the Football League Second Division. Promotion to the top tier followed as they won the 1907–08 Second Division title and then they went on to win the 1911 FA Cup final, which remains the club's only major honour. They were relegated in 1922 and again in 1927, before winning the Third Division North title in 1928–29. Another relegation in 1937 did allow the club to go on to win the Third Division North Cup in 1939, however a further relegation followed in 1962 to leave the club in the newly created Fourth Division. They secured promotions back into the third tier in 1969 and 1977, but were relegated in 1972 and 1978. They found success in the 1980s under the stewardship of first Roy McFarland and then Trevor Cherry, winning promotion in 1981–82 and following this up with the Third Division title in 1984–85, though they were relegated out of the Second Division in 1990. Bradford were promoted back into the second tier via the play-offs in 1996, before securing another promotion in 1998–99 to reach the Premier League, marking a return to the top-flight after a 77-year absence. They entered Europe and reached the semi-finals of the UEFA Intertoto Cup in 2000–01 but ended the campaign with relegation from the Premier League. A succession of financial crises followed as the club entered administration twice in two years and further relegations followed in 2004 and 2007 to leave the club back in the fourth tier. They found success under the management of Phil Parkinson by reaching the 2013 League Cup final and then going on to win that year's League Two play-off final but were relegated from League One in 2019. The club's home ground is the 24,840-capacity Valley Parade, which was the site of the Bradford City stadium fire on 11 May 1985, which took the lives of 56 supporters. They are the only professional football club in England to wear claret and amber, and have worn these colours throughout their history. They have though been known by various nicknames, with the "Bantams" being the most commonly used nickname as it appears on the current club crest. Supporters hold West Yorkshire derby rivalries with Huddersfield Town and Leeds United, as well as a historic Bradford derby rivalry with the now non-league side Bradford (Park Avenue). History Bradford City were formed in 1903 as a result of a series of meetings called by James Whyte, a sub-editor of the Bradford Observer, with Football Association representatives and officials at Manningham F.C., a rugby league side. The Football League saw the invitation as a chance to promote association football in the rugby league-dominated county of the West Riding of Yorkshire. It duly elected the new club into the Second Division, in place of Doncaster Rovers. Four days later, at the 23rd annual meeting of Manningham FC, the committee decided to change codes from rugby league to association football. Bradford City Association Football Club were formed without having played a game, taking over Manningham's colours of claret and amber, and their Valley Parade ground. Robert Campbell was appointed the club's first manager and with the help of the new committee, he assembled a playing squad at the cost of £917 10s 0d. City's first game was a 2–0 defeat at Grimsby Town on 1 September 1903, six days before their first home game attracted 11,000 fans. The club finished 10th in their first season. Peter O'Rourke took over as manager in November 1905, and he led City to the Second Division title in 1907–08 and with it promotion to the First Division. Having narrowly avoided relegation in their first season in the top flight, City recorded their highest finish of 5th in 1910–11. The same season they won the FA Cup, when a goal from captain Jimmy Speirs won the final replay against Newcastle United. City's defence of the cup, which included the first Bradford derby against Bradford Park Avenue, was stopped by Barnsley after a run of 12 consecutive clean sheets. City remained in the top flight in the period up to the First World War and for three seasons afterwards, but were relegated in 1921–22 along with Manchester United. Back in the Second Division, attendances dropped and City struggled for form, with five consecutive finishes in the bottom half of the table. They suffered a second relegation to the Third Division (North) in 1926–27. Two seasons later, O'Rourke, who had initially retired in 1921 following the death of his son, returned and guided City to promotion with a record haul of 128 goals. O'Rourke left for a second time after one more season, and although City spent a total of eight seasons back in the Second Division, they rarely looked like earning promotion back to the top flight. Instead in 1936–37, the club were relegated back to the Third Division (North). City won their third piece of silverware two seasons later, when they lifted the Third Division North Challenge Cup, but they were unable to defend the trophy because competitive football was suspended for the Second World War. After the war, City went through two managers in the first two seasons, and were consistently in the bottom half of the Third Division (North) table until 1955–56. After three successive top half finishes, City were placed in the new national Third Division in 1958–59. Bradford spent just three seasons in the Third Division, but during their relegation season in 1960–61, they upset First Division side Manchester United in the inaugural season of the League Cup. With 34 goals from David Layne, City nearly earned promotion the following season 1961–62, but did also suffer a record 9–1 defeat to Colchester United. Layne left for Sheffield Wednesday, and without him City finished second from bottom of the league and had to apply for re-election. Bradford City just failed to win promotion in 1963–64, winning more games than any other team in the division that season, twenty five, with Rodney Green top scoring with 29 league goals. There followed three difficult seasons during which time manager Grenville Hair died following a heart attack in training, City returned to the Third Division after getting promoted in 1968–69. City's stay in the Third Division lasted just three years, when they finished bottom in 1971–72. Promotion via fourth spot was won again in 1976–77 but it was instantly followed by a relegation season. City failed to win promotion for three successive seasons, until the board appointed former England centre back Roy McFarland as manager in May 1981. McFarland won promotion in his first season, but was poached by his former club Derby County just six months later. City won compensation from Derby and installed another England international Trevor Cherry as McFarland's replacement. Cherry, with former teammate Terry Yorath as his assistant manager, failed to win for two months, but eventually the pair guided City to safety from relegation. During the summer, however, the club chairman Bob Martin had to call in the official receivers. The club was saved by former chairman Stafford Heginbotham and former board member Jack Tordoff, but to ensure the club could start the new season, prize asset, striker Bobby Campbell was sold to Derby. City struggled but so did Campbell, and when he returned, the club went on a record run of ten successive victories. Although they missed out on promotion, City won the league the following season 1984–85, to return to the second tier of the Football League. However, City's triumph was overshadowed when the main stand at Valley Parade caught fire during the final game of the season, killing 56 people. City played games away from Valley Parade for 19 months. But just ten days after the new £2.6 million ground was opened, Cherry was sacked. His replacement, Terry Dolan, steered City away from possible relegation, before he mounted a promotion challenge the following season. City went top of the table in September 1987, but fell away during Christmas and missed out on promotion on the final day of the season. Instead, they entered the play-offs but were defeated in the semi-finals by Middlesbrough. Two years later City were relegated back to the Third Division. For three seasons, City finished mid-table in the third tier, which was renamed Division Two following the formation of the Premier League in 1992. In January 1994, Geoffrey Richmond came from Scarborough to take over as chairman, and promised to guide City to the Premier League within five years. He cleared the debts and after four months sacked manager Frank Stapleton to appoint his own manager, Lennie Lawrence. Lawrence left after little more than a year to join Luton Town but his successor, Chris Kamara, took City to the play-offs and their first game at Wembley Stadium. They defeated Notts County 2–0 in the final to earn promotion to Division One. City avoided relegation the following season by winning their last two league games, 1–0 against Charlton Athletic and then beating Queens Park Rangers 3–0 on the final day of the season, but Kamara was sacked in January 1998. Paul Jewell took over, initially on a temporary basis, before he was given a permanent contract. He bought the club's first £1 million signings and guided the club to the Premier League — the first time they had been in the top flight for 77 years — with a second-place finish. The following season, Jewell continued to defy the critics, who labelled his team Dad's Army, by avoiding relegation again on the last day with a 1–0 victory over Liverpool, with a goal from David Wetherall. However, Jewell left shortly afterwards. His assistant Chris Hutchings was promoted to the manager's position, and despite a series of new expensive signings, he was sacked by November 2000, with City second from bottom of the league. Jim Jefferies took over but could not save the club from relegation. At the end of the first season back in Division One, City were placed in administration with debts of nearly £13 million. Two years later, the club suffered a second spell in administration and a second relegation. Two top-half finishes followed, but the club were relegated for a third time in seven seasons in 2006–07 meaning the following season would be their first in the bottom tier for 26 seasons. Former player Stuart McCall was appointed the new manager, and although he said anything less than promotion would be a failure, he finally led the team to a 10th-place finish. McCall eventually left Bradford City on 8 February 2010 following a board meeting after a run of poor results. In September 2011, the club became linked with American amateur side SC United Bantams. In January 2013, City became the first club from the fourth tier of English football since Rochdale in 1962 to reach the League Cup final, and the first fourth tier club ever to reach a major Wembley Cup final. They defeated three Premier League sides en route to the final – Wigan Athletic 4–2 on penalties in the fourth round, Arsenal 3–2 on penalties in the quarter-finals and Aston Villa 4–3 on aggregate over the two legs of the semi-final. They met Premier League side Swansea City in the final at Wembley but lost 5–0. The run to the final is thought to have been worth at least £1.3 million to the club, with joint chairman Mark Lawn stating that the final itself could be worth an additional £1 million, taking the club's total earnings to £2.3 million during their cup campaign. On 18 May 2013, the club returned to Wembley where they defeated Northampton Town 3–0 in the League Two play-off final to secure a place in League One for 2013–14. On 24 January 2015, Bradford City caused an upset by beating Premiership leaders Chelsea 4–2 away in the FA Cup. The victory sent Bradford through to the fifth round for the first time in eighteen years. They beat Sunderland, another Premier League club, 2–0 at home in the next round on 15 February 2015. In the quarter-finals, the Bantams faced Reading at home, in a game that ended in a goalless draw. The replay was played on 16 March 2015 at the Madejski Stadium, where Reading won 3–0. The club was relegated to League Two at the end of the 2018–19 season. In December 2021, the club was approached by American investors known as WAGMI United (who use cryptocurrency and NFTs) about a possible buyout. The offer was rejected. On 24 February 2022, Mark Hughes was appointed manager of the club on a contract until the summer of 2024. He was sacked on 4 October 2023, with player Kevin McDonald becoming player-caretaker manager. Later that month, assistant manager Mark Trueman replaced McDonald as caretaker manager. Colours and club crest Bradford City is the only professional football club in England to wear claret and amber. The club colours were inherited from Manningham FC, when the club converted to football upon Bradford City's foundation in 1903. However, whereas Manningham played in hoops, the new football club adopted claret and amber stripes. Manningham RFC adopted the colours in 1884 before the move to Valley Parade in 1886. Having originally worn black shirts with white shorts, the club's first game in claret and amber was against Hull on 20 September 1884, at Carlisle Road. The reason Manningham chose claret and amber is not documented but the colours were the same as those of The Prince of Wales's Own West Yorkshire Regiment, which was based at Belle Vue Barracks on nearby Manningham Lane. Both Manningham, from 1886, and Bradford City, from 1903 to 1908, used the barracks as changing and club rooms. Bradford City has worn claret and amber, with either white or black, since it was founded. Since the fire in 1985, the club has used black on the kit as a memorial to the 56 supporters who died. The club's away shirt has traditionally been white and to a lesser extent also blue, but there has been a profusion of other colours and designs particularly in more recent years. The away kit for the 2008–09 season was all white. For the 2009–10 season, the away kit was all black with a thin claret and amber stripe down the centre-left. City scarves have also sold in large numbers in recent years to fans of Harry Potter, because the colours are the same as Harry's house scarf at Hogwarts School. A number of other clubs across the world wear claret and amber. They include Scottish club Motherwell, who originally wore blue and white until they wore claret and amber for the first time on 23 August 1913, against Celtic. It is erroneously believed that Motherwell chose the claret and amber colours because they were the racing colours of Lord Hamilton; it is more likely that Motherwell were influenced by Bradford City's English FA cup win in 1911. The club's crest combines a series of logos from over the years. In 1974, City adopted a contemporary style crest incorporating the club's initials, with a B-C logo. At the time, the new logo maintained the previous nickname of the Paraders. By December 1981, the club relaunched the Bantams as the official identity with a bantam on the new crest. The crest maintains the club colours and also includes the words The Bantams. Nickname Bradford City have had a number of nicknames during their history. In their early years, they were referred to as the Robins or Wasps, taking over the nickname of Manningham FC, as a result of Manningham's claret and amber hoops. Other nicknames have been the Citizens or Paraders, but the club is better known as the Bantams. Stadium Valley Parade was the site of a quarry on the hillside below Manningham, Bradford, owned by Midland Railway Company, in 1886, when Manningham RFC bought one-third of the land and leased the remainder, because they had been forced to find a new home. They spent £1,400 erecting a ground with a capacity of 20,000, club facilities and levelling the land. When Bradford City were formed in 1903, they took over the ground at Valley Parade, which was also at this time the headquarters of The 2nd West Riding Brigade Royal Field Artillery (Territorial Force), playing their first home game on 5 September 1903 against Gainsborough Trinity, drawing a crowd of 11,000. Five years later, the club won promotion to the First Division, and so commissioned football architect Archibald Leitch to redevelop the ground. The capacity was increased to 40,000 by December 1908 with a 5,300-seater main stand, a terraced paddock in front, a Spion Kop, and an 8,000-capacity Midland Road stand. Its first game against Bristol City on Christmas Day attracted a crowd of 36,000. On 11 March 1911, Valley Parade attracted its highest attendance 39,146, for an FA Cup game between Bradford City and Burnley during Bradford's FA Cup winning run. Until 1952, by which time Bradford City had bought the remaining two-thirds of the ground to own it outright, the ground remained virtually unchanged. However, twice during the next decade, the club's Midland Road stand had to be demolished. Club officials first closed part of the stand in 1952, as a result of the Burnden Park disaster six years earlier. Its frame was sold to Berwick Rangers and a replacement stand built in 1954. Six years later, the new stand was itself demolished, and Valley Parade remained a three-sided ground until 1966, when the pitch was moved, and a new stand built. On 11 May 1985, Valley Parade was the scene of a fatal fire, during which 56 supporters were killed and at least 265 were injured. The game was the final match of the 1984–85 season, before which City were presented with the Third Division championship trophy. The fire destroyed the wooden main stand in just nine minutes. The club played its home games at Odsal Stadium, a rugby league ground in Bradford, Elland Road, Leeds, and Leeds Road, the former home of Huddersfield Town, until December 1986, while Valley Parade was redeveloped. The club spent £2.6 million building a new main stand and improving the Kop and reopened the new ground on 14 December 1986 for an exhibition match against an England international XI. In 1991, the Bradford end of the ground was the next to be redeveloped and was converted into a two-tier stand with a scoreboard. In 1996, following City's promotion to Division One, club chairman Geoffrey Richmond announced the construction of a 4,500 seater stand on the Midland Road side. Ahead of promotion to the Premiership in 1999, Richmond spent another £6.5 million to convert the Kop into a two-tier 7,500-seat capacity stand. A corner stand between the Kop and main stand was opened in December 2000, taking the capacity to 20,000 for the first time since 1970. The following summer, the main stand was also converted into a two-tier stand, taking the capacity to 24,840. Further projects were planned until the club went into administration in May 2002 so none have taken place. The following year, Valley Parade was sold to Gibb's pension fund for £5 million, with the club's offices, the shop and car park sold to London-based Development Securities for £2.5 million, but these (club offices, shop and car park) were bought back by the club's joint chairmen in the summer of 2011. The club's annual rent and maintenance costs to Gibb's pension fund is £1.2m, and so as of February 2009, the club is considering a return to Odsal. The club and Bradford Bulls would share the new £50m complex, which would also feature cricket, cycling and athletics facilities. Valley Parade has had several other names under sponsorship naming deals. In July 2016 it became the Northern Commercials Stadium, and in July 2019 it became the Utilita Energy Stadium. This partnership came to an end in July 2022. The University of Bradford subsequently became title sponsor of Valley Parade. Supporters The club spearheaded an initiative in 2007 to slash the price of watching professional football for the 2007–08 season. As a result, season tickets to watch Bradford City were the cheapest in England at £138, the equivalent of £6 per match. When the offer finished, the club confirmed the amount of season tickets sold was 12,019. The scheme enabled the club to top the average league attendances for Football League Two during the 2007–08 season, attracting more than three times more than any other club. The club won the Perform Best Fan Marketing campaign category in The Football League Awards for the scheme and earned them an invitation to the Houses of Parliament. The club aimed to attract 20,000 fans for the 2008–09 by offering a free season ticket to anyone buying a season ticket as long as 9,000 adults sign up, but they fell 704 short of the target. Joint-chairman Mark Lawn announced in November 2008 that season tickets in the Bradford End for the 2009–10 season would be available for just £99 and £138 for the rest of the ground if bought in December 2008. For the 2015–16 season, the club announced its latest season ticket scheme aimed at continuing to make football affordable for fans. Season ticket prices were set at £149 for adults, senior citizens and students, while admission for under-11s was free when purchased with an adult ticket. An initial campaign target of 15,000 was set. On 6 July, the club announced a record-breaking 18,000 tickets had been sold following a successful campaign. The campaign was repeated for the 2016–17 season, where the club sold in excess of 17,000 tickets. Bradford City have one official mascot, Billy Bantam. Bradford City announced 'Own The Moment' 2022–23 season ticket sales of 14,190 in September 2022. The figure was a League Two record for the club. It surpassed the previous fourth-tier season-ticket sales record of 13,614 in 2019–20. On 4 March 2023, Bradford City set a new attendance record for Football League Two at a 2–0 victory against Colchester United, with an attendance of 20,383, including 345 away fans. The Bantams then broke this record again in a home fixture on 8 May 2023 against Leyton Orient, with 22,576 supporters in attendance, including 1,902 Leyton Orient fans. Rivalry Bradford City have participated in the Bradford derby with city rivals Bradford Park Avenue. The West Yorkshire derby is held between City and local rivals Leeds United and Huddersfield Town. A "friendly" rivalry also existed with now-defunct club Halifax Town. According to a survey conducted in August 2019, Bradford City fans also see Burnley, Barnsley and Oldham Athletic as rivals. European football Bradford City's only participation in European football to date came in the 2000 UEFA Intertoto Cup. Players Current squad As of 6 October 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Player of the Year Staff Current staff As of 23 July 2024 Former managers Honours and records League Second Division / First Division (level 2) Champions: 1907–08 Runners-up: 1998–99 Third Division North / Third Division / Second Division (level 3) Champions: 1928–29, 1984–85 Play-off winners: 1996 Fourth Division / League Two (level 4) Runners-up: 1981–82 Promoted: 1968–69, 1976–77 Play-off winners: 2013 Cup FA Cup Winners: 1910–11 Football League Cup Runners-up: 2012–13 Third Division North Challenge Cup Winners: 1938–39 West Riding County FA Challenge Cup Winners: 1906, 1907, 1908, 1909 Records Record league victory: 11–1 v Rotherham United, Third Division (North), 25 August 1928 Record FA Cup victory: 11–3 v Walker Celtic, first round replay, 1 December 1937 Record League Cup victory: 7–2 v Darlington, Second Round Second Leg, 25 September 2000 Record league defeat: 0–8 v Manchester City, Second Division, 7 May 1927 / 1–9 v Colchester United, Fourth Division, 30 December 1961 Record FA Cup defeat: 1–6 v Newcastle United, third round, 7 March 1963 / 0–5 v Burnley, fifth round replay, 3 February 1960 / 0–5 v Tottenham Hotspur, third round, 7 January 1970 Record home attendance: 39,146 v Burnley, FA Cup fourth round, 11 March 1911 Record gate receipts: £300,000 v Arsenal, Football League Cup quarter-final, 11 December 2012 Longest unbeaten run : 21 1968 to 1969 Longest run of wins: 10 1983 to 1984 Most appearances : 574 Ces Podd Most league appearances: 502 – Ces Podd Most goals scored : 143 – Bobby Campbell Most league goals: 121 – Bobby Campbell Most goals in a season: 36 – David Layne, 1961–62 Most goals scored in a match: 7 – Albert Whitehurst v Tranmere Rovers, Third Division (North), 6 March 1929 Highest transfer fee paid: £2.5 million – David Hopkin, from Leeds United, July 2000 Highest transfer fee received: £2 million – Des Hamilton, to Newcastle United, March 1997 / Andy O'Brien, to Newcastle United, March 2001 Most team league goals in a season: 128 – Third Division (North), 1928–29 Most points (three points for a win): 94 – Third Division, 1984–85 Most points (two points for a win): 63 – Third Division (North), 1928–29 All records from Bradford City F.C. official website. Sponsors Kit and main sponsors Tables of kit suppliers and shirt sponsors appear below: Stadium 1995–1999 The Pulse 2005–2007 Bradford & Bingley 2007 Intersonic 2007–2016 Coral Windows 2016–2019 Northern Commercials 2019–2022 Utilita Energy 2022–present University of Bradford See also Football in Yorkshire References External links Official website Site of Bradford City's bantamspast museum Play-off record. Archived 26 September 2013 at the Wayback Machine.
Darlington_F.C.
https://en.wikipedia.org/wiki/Darlington_F.C.
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Darlington Football Club is an association football club based in Darlington, County Durham, England. As of the 2023–24 season, the team competes in the National League North, at the sixth level of English football. The club was founded in 1883, and played its matches at Feethams. The club originally played in regionally organised leagues, and was one of the founding members of the Northern League in 1889. They were first admitted to the Football League when the Third Division North was formed in 1921. They won the Third Division North title in 1925, and their 15th place in the Second Division in 1926 remains their highest ever league finish. After their admission to the League, they spent most of their history in the bottom tier. They won the Third Division North Cup in 1934, their first victory in nationally organised cup competition. They reached the last 16 of the FA Cup twice, and the quarter-final of the League Cup once, in 1968. In the early 1990s they won successive titles, in the Conference National in 1990 and the Fourth Division in 1991. In 2011 they won the FA Trophy, defeating Mansfield Town 1–0 at Wembley Stadium. Darlington moved to the all-seater, 25,000-capacity Darlington Arena in 2003. The cost of the stadium was a major factor in driving the club into administration in 2003, 2009, and 2012. As the fan owned club was unable to agree a creditors voluntary agreement it was expelled from the Football Association (FA). A new club was immediately formed and moved to Blackwell Meadows stadium but the FA ruled that, as a new club, it must have a different playing name from the expelled club. The name chosen was Darlington 1883, and that club was placed in the Northern League Division One, the ninth tier of English football, for the 2012–13 season. They won three promotions in four seasons before the FA approved their request to change to the traditional Darlington FC name. The club have at times worn strips of black and white shirts, black shorts and black and white socks. The club's crest depicts Locomotion No. 1, referring to the town's railway history; as well as a stylised Quaker hat, referring to the religious movement that had a historic influence on the town, and which was the source of the team's nickname, the Quakers. The club's main rival's historically are Hartlepool United. History Founding and pre-war In July 1883, a meeting was called in Darlington Grammar School to address concerns that so few Darlington-based football clubs were entering the major competition in the region, the Durham Challenge Cup. The meeting agreed with the view expressed by the Darlington & Stockton Times newspaper, that there was "no club, urban or rural, sufficiently powerful to worthily represent Darlington", decided to form a new club, and elected one Charles Samuel Craven, a local engineer, as secretary. Darlington Football Club duly entered the Durham Challenge Cup, reached the final in their first season, and won the trophy in 1885. The following season Darlington entered the FA Cup for the first time, only to lose 8–0 to Grimsby Town. Craven was instrumental in the formation of the Northern League in 1889. Darlington were one of the founder members, and went on to win the league title in 1896 and 1900; they reached the semi-final of the FA Amateur Cup in the same two seasons. The club turned professional in 1908 and joined the North Eastern League. The 1910–11 season saw Darlington reach the last 16 of the FA Cup, progressing through five qualifying rounds to lose to Swindon Town in the third round proper, and two years later they won the North Eastern League. Ground improvements begun before the First World War left the club in financial difficulty during it; the chairman of Darlington Forge Albion financed the completion of the East Stand and cleared the debts, allowing them to continue to compete. When competitive football resumed after the war, Darlington finished second in the North Eastern League, and were champions for a second time the following year. This victory was well timed, as it coincided with the formation of the Northern Section of the Football League's Third Division, which Darlington were invited to join. Their first season in the Third Division was a successful one and they ended up in second place. Three years later, in 1924–25, they were champions and won promotion to the Football League Second Division. The 15th-place finish in 1926 remains Darlington's best League performance, but they were relegated back to the Third Division in 1927, where they remained until the Second World War put an end to competitive football. They came as high as third in 1929–30, but twice had to apply for re-election to the League, in 1932–33 and 1936–37, after finishing in last place in the section. In 1934, they enjoyed their first success in a nationally organised cup competition, defeating Stockport County 4–3 at Old Trafford to win the Football League Third Division North Cup, and reached the final again two years later, this time losing 2–1 at home to Chester. Post-war Soon after the Football Association gave permission for competitive matches to be played under floodlights, Darlington beat Carlisle United 3–1 in the first floodlit FA Cup match between Football League clubs, a replay held at St James' Park, Newcastle United's ground, in November 1955.[B] The 1957–58 season saw the club equal their previous best FA Cup run, reaching the last 16 by defeating Chelsea, Football League champions only three years earlier, in the fourth round. After letting slip a three-goal lead at Stamford Bridge, Darlington won the replay 4–1 after extra time, described as "a most meritorious win, earned by a combination of sound tactics and an enthusiasm that Chelsea never equalled" by The Times' correspondent, who felt it "surprising that extra time was necessary, for Darlington always seemed to have the match well in hand". In the League, Darlington's fourth place in 1948–49 was their only top-half finish in the first twelve seasons after the war, and when the regional sections of the Third Division were merged, they were allocated to the new Fourth Division. The Supporters' Club raised £20,000 to pay for a roof at one end of the Feethams ground and for floodlights, which were first used on 19 September 1960. Later that night, the West Stand burned down due to an electrical fault. Darlington's attendance record, of 21,023 against Bolton Wanderers in the League Cup fourth round, was set two months later. Under the management of Lol Morgan, they won promotion to the Third Division in 1966. A crowd of 16,000 watched the draw against Torquay United on the last day of the season which ensured they finished as runners-up, but they were relegated the following year. Darlington reached the quarter-finals of the 1968 League Cup; drawn away to Brian Clough's Derby County, they took the lead, only to lose 5–4. During the 1970s the club had to apply for re-election to the League five times, and by 1982 they were facing a financial crisis which they survived thanks to fundraising efforts in the town. Three years later they won promotion by finishing third in the league under manager Cyril Knowles. Darlington spent two seasons in the Third Division; the 13th-place finish in 1986 was the highest position they achieved in the Football League since the introduction of the four-division structure in 1958, but they were relegated the following season. Though Brian Little's appointment as manager in February 1989 was too late to stave off relegation to the Conference, he went on to lead them to successive promotions. An immediate return to the Football League as Conference champions preceded the Fourth Division title in 1990–91, but Little's departure for Leicester City was followed by relegation and a succession of short-term managers. They came close to a return to the Third Division via the play-offs in 1996; on their first visit to Wembley, against Plymouth Argyle, they were beaten by a Ronnie Mauge goal. New stadium, administration and decline The 1999–2000 season, the first under George Reynolds' chairmanship, was marked by Darlington becoming the first team to lose an FA Cup tie and still qualify for the next round. Manchester United's involvement in the FIFA Club World Championship meant they did not enter the FA Cup. To decide who took their place, a "lucky losers" draw was held from the 20 teams knocked out in the second round; Darlington were selected, and lost their third-round tie 2–1 to Aston Villa at Villa Park. Their second Wembley appearance came later that season, facing Peterborough United in the play-off final after automatic promotion had seemed certain earlier in the season. After a 3–0 aggregate semi-final win over Hartlepool United, Quakers missed numerous chances and were again undone by a single goal, this time from Andy Clarke. In 2002, Darlington made unsuccessful approaches to sign international stars Paul Gascoigne and Faustino Asprilla, and moved into their new stadium, named the Reynolds Arena, in summer 2003. Reynolds had paid the club's debts when he took over, but the cost of the stadium, partly financed with high-interest loans and built without realistic expectation of filling it, drove the club into administration six months later. Reynolds resigned as a director in January 2004 with the club under threat of imminent closure. A benefit match, featuring footballers such as Gascoigne, Bryan Robson and Kenny Dalglish, played in front of a crowd of over 14,000, raised £100,000 to help ensure survival in the short term. Despite the off-field problems, David Hodgson, in his third spell as manager, and his players produced some fine performances as the team avoided relegation. At the end of the season, Reynolds was obliged to hand over control to the Sterling Consortium to bring the club out of administration, Stewart Davies taking over as chairman. He and his staff adopted a fan-friendly approach, in contrast to the abrasive Reynolds, before in 2006, the club was sold to property developer George Houghton. For four consecutive seasons, under Hodgson, sacked in 2006, and then under successor Dave Penney, the Quakers finished in the top half of the table, reaching the play-off semi-final in 2008 only to lose to Rochdale on penalties. In February 2009, Darlington again went into administration, triggering an automatic 10-point deduction, without which they would have again reached the play-offs. Fundraising efforts kept the club going, but when no buyer was found for the club by a May deadline, the administrators made the majority of the first-team squad available for transfer and cut staff numbers to a minimum. On 20 May, Houghton returned to the club as chairman, appointed former Middlesbrough boss Colin Todd as manager, and brokered an agreement which led to the club coming out of administration and ownership passing to local businessman Raj Singh and enabling it to compete in the 2009–10 season without any points deduction. Todd left the club after losing seven of his first nine games and was replaced by former Republic of Ireland manager Steve Staunton, who only won four of 23 league games. The club were eventually relegated to the Conference, and suffered more managerial turmoil during the summer when Simon Davey and successor Ryan Kidd both left within 11 days, to leave Mark Cooper in charge. He led the club to victory in the 2011 FA Trophy final at Wembley Stadium, defeating Mansfield Town 1–0 with a goal from Chris Senior in the last minute of extra time. Following a succession of poor performances at the start of the 2011–12 season, Cooper and his assistant Richard Dryden were sacked by the club in October. A little more than two months later, Singh placed the club into administration for the third time in less than a decade. A number of players were released and allowed to join other clubs for nominal fees in January before interim manager Craig Liddle and the remaining playing staff had their contracts terminated by Darlington's administrator. Two days later, the club was spared from liquidation after a last-minute injection of funding by supporters' groups. Enough funds were raised for Darlington to complete the season, but relegation was confirmed with three matches remaining. Darlington 1883 On 3 May 2012, the club was taken over by DFC 1883 Ltd with the intention of moving into community ownership. Because it failed to agree a creditors voluntary agreement, the club was expelled from the Football Association and was eventually wound up in the High Court. DFC 1883 Limited immediately formed a new club. Because the club proposed to play at a ground without the required grading for the Northern Premier League, the new club was placed in the Northern League Division One, by the Football Association. Martin Gray was appointed manager. An appeal against the new club not being treated as a continuation of the old club was rejected, confirming that the club was to be treated as a new club and would not be able to play under the name Darlington F.C. The new owners opted to name the new club Darlington 1883. In February 2013, the club became 100% fan- and community-owned after the Darlington Football Club Community Interest Company (DFC CIC), representing around 800 members, had taken a 52% stake; the Supporters' Club held 15%, and individual fans held the remaining 33%. The new ownership were committed to paying off debts incurred under the previous owners; five months later, the club made a final payment on tax owed to HMRC. On the pitch, Darlington were crowned Northern League Division One champions in 2012–13 with a club record haul of 122 points, having scored 145 goals in the process, thus gaining promotion to the Northern Premier League Division One North for the 2013–14 season. The season saw them finish as Division One North runners-up, before losing in the play-off semi-final to Ramsbottom United. In 2014–15, Darlington again finished second, and this time won the play-off final 2–0 against Bamber Bridge, earning promotion to the Premier Division. Darlington clinched their second successive promotion and the 2015–16 Northern Premier League Premier Division title on 21 April 2016 after beating Whitby Town 7–1. However, the club were unable to make it three promotions in a row, as despite finishing in the National League North play-off positions in 2016–17, ground grading issues prevented their participation. Return to Darlington F.C. In April 2017, the FA approved the club's request to change to the traditional name of Darlington F.C. for the 2017–18 season. In the summer of 2017, it was reported through the club website that work had begun on a new playing area and a new seated stand, following the addition of more fundraising. In October 2017, Gray resigned as manager to join rivals York City. He was succeeded by former player Tommy Wright, with another former player Alan White as his assistant. Wright led Darlington to a 12th and 16th-place finish respectively during the two seasons he was in charge before leaving by mutual consent in April 2019. In May 2019, Wright was succeeded by another former player Alun Armstrong who joined from Blyth Spartans. Assistant Manager Alan White also left the club in July 2019 before replacing him with another former player Darren Holloway a week later. In Armstrong's first season as manager, Darlington qualified for the first round of the FA Cup for the first time since they were reformed in 2012, including wins all away from home against Trafford, Leamington and Tamworth. In the first round, they played away again against League Two side Walsall and the match finished 2–2 with midfielder Joe Wheatley getting a 97th-minute equaliser to get a replay at Blackwell Meadows. Darlington did then lose the first round replay 1–0 in a record crowd since their first game at Blackwell Meadows with the attendance of 3,106, which was shown in front of the BT Sport cameras. After a 10th-place finish in the 2019–20 season, the 2020-21 campaign was disrupted by the COVID-19 pandemic. Darlington finished 13th in 2021–22 and after being top of the league in January 2023, fell to 10th in the 2022–23 season. The poor run continued into the 2023–24 season, and Armstrong was dismissed on 6 September 2023. Josh Gowling replaced Armstrong, but only lasted three months before he was dismissed after only winning three out of sixteen games during his tenure and left the club second bottom in the league. Steve Watson replaced Gowling and brought Terry Mitchell from Workington with him as his assistant manager. They guided Darlington to a 16th-place finish after being 9 points adrift from safety at one stage of the season and winning 10 out of the last 15 games of the season, completing "The Great Escape". Colours and badge In 1888, Darlington's kit consisted of a shirt with black and white vertical stripes, black shorts and black socks. Apart from a period between the 1910s and 1936, when blue shorts were worn, the basic colours of the home kit have remained black and white. The shirt design has varied, from the 1888 vertical stripes, through hoops, plain white, and back to hoops again in the 1990s. Sponsors' names have appeared on Darlington's shirts since the 1980s. A table of kit manufacturers (since the 1970s) and shirt sponsors appears on the right. The club badge is in the form of a shield, divided diagonally into two parts; the smaller section, to the upper right, is in the club's home colour of white, the larger is red, their traditional away colour. In the white section is a stylised Quaker hat, emblematic of the major role played by the Religious Society of Friends (Quakers) in the history of the town. The larger section depicts George Stephenson's Locomotion No 1, the steam locomotive that hauled the first train on the Stockton and Darlington Railway in 1825, representing the importance of the railway industry to the area. Across the bottom of the shield is a ribbon bearing the club's nickname, The Quakers, and the whole rests on a bed of oak leaves, symbolic of strength and endurance. Stadiums Feethams was originally used by Darlington Cricket Club, but began to be used for football in the 1860s. Darlington F.C. began playing there when they formed in 1883. With growing crowd figures, the ground was expanded with the construction of the West stand at the turn of the century and the Polam Lane end in 1905. In 1913, a pair of towers were built at the entrance to the ground, and in 1920, offices and changing rooms were built underneath the East stand. Floodlights were installed in September 1960, but after their first use an electrical fault gutted the West stand in a fire, prompting its rebuilding. In 1997, the East stand was demolished and rebuilt as an all-seater stand, but its cost had a major negative effect on the club's finances. George Reynolds came in to the club, paid its debts and initiated construction of a new stadium. The last match played at Feethams was a 2–2 draw with Leyton Orient on 3 May 2003. Following the closure of the ground, the floodlights were sold to Workington A.F.C. and the stadium demolished. A housing estate was planned for the cleared site. The 25,000-seat Reynolds Arena was opened in 2003, at a cost of £18 million. The first match at the new stadium was a 2–0 loss to Kidderminster Harriers on 16 August 2003. The attendance of 11,600 still stands as a record for the ground. After Reynolds left the club, the stadium had a variety of sponsored names, but it is generally known as the Darlington Arena. The capacity was restricted to just 10,000 because of county and local planning regulations,[A] but attendances rarely reached 3,000, and in 2011, the club's receivers put it up for sale. In May 2012, Darlington confirmed they would no longer play at the Arena. Later that year, it was bought by Darlington Mowden Park R.F.C. Plans had originally been laid down to groundshare with Shildon, but arrangements were eventually for Darlington to share Bishop Auckland's Heritage Park ground from the start of the 2012/13 season. In December 2013, it was confirmed that a deal had been reached in principle for the football team to share Darlington RFC's ground at Blackwell Meadows ground, and thus return to the town of Darlington. In March 2016, it was confirmed that Darlington aimed to relocate by the start of the 2016/17 season, with expansion plans in place to increase the capacity to 3,000, as required for promotion to the National League. In the event, they played their first match at Blackwell Meadows on 26 December 2016, a 3–2 National League North win against F.C. Halifax Town in front of 3,000 spectators. Darlington expanded the seated stand at Blackwell Meadows to seat 588 in 2018, after a successful funding drive by their fans, allowing for the club to be promoted to the National League. This was built following the 2016–17 season, where Darlington finished the season in the playoff, but were disqualified from playing due to the inadequate number of seats at Blackwell Meadows. The club continues to explore further ways to improve Blackwell Meadows, including a stand at the currently empty west end of the ground. Supporters and rivalries Darlington's supporters consider Hartlepool United their main rivals. The feeling is reciprocated: in a 2008 survey, 95% of supporters of both clubs named the other as their bitterest rivals. They have fierce competition each time they come up against each other. The clubs, based 25 miles (40 km) apart, had met 147 times in the Football League, as of 2009–10, of which Hartlepool won 60 to Darlington's 57. The meeting between the two clubs in 2007 attracted a crowd of 10,121 to the Darlington Arena, the largest attendance for that League fixture for 50 years, though the average League attendance at the stadium declined from over 5,000 in its opening season to 2,744 in 2009–10. In the 2012–13 season, Darlington's first season as a renamed club, its main rivals were Spennymoor Town owing to the hotly contested title for the Northern League. Spennymoor Town had won the league for the three previous years, but had not applied for promotion until the 2012–13 season when Darlington entered the league. Spennymoor Town were the only club to contend with Darlington for the title towards the end of the season. To a lesser extent, landlords Bishop Auckland were also rivals owing to their shared home ground. In the 2014–15 season, Darlington once again locked horns with Spennymoor Town after they achieved promotion from the Northern League in 2014. Again, they contested Darlington for promotion in a semi-final playoff match that Darlington won 3–2. The rivalry with Spennymoor was re-ignited in 2017–18 when Spennymoor booked their place in the National League North, with the first game ending all square 1–1 at Blackwell Meadows on 28 August 2017. The team's mascots included Mr Q, "a flat-looking cartoon man with a very big hat", Darlo Dog, a Dalmatian who was once ejected from the ground for climbing on the advertising boards in front of television cameras, and a panda named Feethams. Fanzines included Mission Impossible, first published in the early 1990s, and Where's The Money Gone, whose teenage editor, along with the editor of the Darlo Uncovered website, were among several supporters banned from the ground by chairman George Reynolds for criticising the running of the club. Since 2013, a fan-run internet radio station, Darlo Fans Radio, has provided commentary on Darlington matches both home and away. Darlington had an official supporters' club and an away supporters group, known as Darlington Away Far Travelling Supporters (DAFTS), who represented Darlington supporters from places elsewhere in the country. A supporters' trust was founded in 2002; it established a Disabled Supporters Group, tried to maintain a working relationship between club and supporters, and, together with the Darlington Camera Club, staged a "Farewell to Feethams" exhibition in celebration of the club's longtime home. Together with the supporters' club, the trust was actively involved in fund-raising particularly during the club's periods of administration. Players Current squad As of 20 September 2024 Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Out on loan Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality. Staff As of 1 July 2024 Boardroom Football Reserve team In October 2016 it was announced that Horden Colliery Welfare would move 30 miles to Darlington to become the reserve team of Darlington; they will change their name to Darlington 1883 Reserves and play on the 4G surface at Eastbourne Sports Complex. Horden chairman Norman Stephens said "If the move had not have happened, Horden would have been dead by Xmas". Stephens and some of the playing staff were retained by Darlington who took Horden's place in the Wearside League. They played their first game under the new name on 6 October in a 1–0 away defeat to Boldon C.A. In June 2024, Darlington announced that they would be forming an Under 23s team. The team would be a continuation of Grant Cuthbertson and John Walters' U18s team, that won 3 successive county cups, and would be entering the Wearside League Division Three. Honours Honours achieved by Darlington since their foundation in 1883 include the following: League Third Division North (level 3) Champions: 1924–25 Runners-up: 1921–22 Fourth Division (level 4) Champions: 1990–91 Runners-up: 1965–66 Promoted: 1984–85 Football Conference (level 5) Champions: 1989–90 Northern Premier League Premier Division (level 7) Champions: 2015–16 Northern Premier League Division One North (level 8) Runners-up and play-off winners: 2014–15 Runners-up: 2013–14 Northern League Champions: 1895–96, 1899–1900, 2012–13 Runners-up: 1896–97, 1898–99 North Eastern League Champions: 1912–13, 1920–21 Runners-up: 1919–20 Cup FA Trophy Winners: 2010–11 Football League Third Division North Cup Winners: 1933–34 Runners-up: 1935–36 Durham Challenge Cup Winners: 1884–85, 1890–91, 1892–93, 1896–97, 1919–20, 1999–2000 Records Darlington's highest league finish was fifteenth in the Football League Second Division, during the 1925–26 season. The club's best performance in the FA Cup has been two appearances in the last 16 of the competition. This first was in 1910–11, when they lost to Swindon Town in the third round. The second was in the 1957–58 season, when they beat Chelsea 4–1 in a replay to reach the fifth round, in which they lost 6–1 to Wolverhampton Wanderers. The club's best League Cup performance was reaching the quarter-final in the 1967–68 season. The Quakers' biggest home win was a 13–1 defeat of Scarborough in the FA Cup on 24 October 1891. Their best away win in the Football League was on 22 October 1921, when they beat Durham City 7–3 in the Third Division North. They achieved 7–1 wins in the Northern League Division One against Billingham Town in October 2012 and Hebburn Town in February 2013, and in the Northern Premier League against Whitby Town in April 2016. The player with the most league appearances for Darlington is Ron Greener with 439 between 1955 and 1967. He made a total of 490 senior appearances for the club. Alan Walsh scored a club-record 87 league goals between 1978 and 1984, and scored 100 goals for Darlington overall. The most league goals scored for the club by a single player in a season is 39, by David Brown in the 1924–25 season. Franz Burgmeier has the most senior international appearances while a Darlington player, with seven caps for Liechtenstein in the 2008–09 season. Dream team As part of the 2003 "Farewell to Feethams" celebrations, a competition in the club programme selected the following all-time "Dream Team": Mark Prudhoe, Ron Greener, Craig Liddle, Kevan Smith, John Peverell, Andy Toman, David McLean, Alan Sproates, Alan Walsh, Marco Gabbiadini and Colin Sinclair. Gabbiadini, scorer of 53 goals in his two seasons at Darlington, was voted greatest ever player. Notes A. ^ The Darlington Arena was built to hold 25,000 seated spectators, yet a condition was imposed at the planning stage that "at no time should the owner of the property admit or permit the admission of more than 10,000 people to the new stadium". Capacity was for a time restricted to 6,000 for weekend events and 4,500 for midweek events unless prior written permission was granted to exceed those limits. B. ^ Though not the first FA Cup match to be played under lights, as the club history suggests: a preliminary round replay between Kidderminster Harriers and Brierley Hill Alliance took place under floodlights on 14 September 1955, some two months before Darlington's match against Carlisle United. References External links Official website Darlington F.C. on Facebook
List_of_multiple_Olympic_gold_medalists_at_a_single_Games
https://en.wikipedia.org/wiki/List_of_multiple_Olympic_gold_medalists_at_a_single_Games
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This is a list of athletes who have won multiple gold medals at a single Olympic Games. List of most gold medals won at a single Olympic Games This is a list of most gold medals won in a single Olympic Games. Medals won in the 1906 Intercalated Games are not included. It includes top-three placings in 1896 and 1900, before medals were awarded for top-three placings. Timeline The historical progression of the leading performance(s). List of most individual gold medals won at a single Olympic Games Timeline The historical progression of the leading performance(s). See also List of multiple Olympic gold medalists List of multiple Olympic gold medalists in one event List of Olympic sweeps in Athletics List of multiple Paralympic gold medalists All-time Olympic Games medal table List of multiple Paralympic gold medalists at a single Games References "Winners". International Olympic Committee. Retrieved 2007-04-03. "databaseOlympics.com". databaseSports.com. Archived from the original on 2007-03-18. Retrieved 2007-03-20. See also references in the articles on each athlete.
2008_Summer_Olympics
https://en.wikipedia.org/wiki/2008_Summer_Olympics
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[ "https://en.wikipedia.org/wiki/2008_Summer_Olympics", "https://en.wikipedia.org/wiki/2008_Summer_Olympics" ]
The 2008 Summer Olympics (2008年夏季奥运会), officially the Games of the XXIX Olympiad (第二十九届夏季奥林匹克运动会) and officially branded as Beijing 2008 (北京2008), were an international multisport event held from 8 to 24 August 2008, in Beijing, China. A total of 10,942 athletes from 204 National Olympic Committees (NOCs) competed in 28 sports and 302 events, one event more than those scheduled for the 2004 Summer Olympics. This was the first time China had hosted the Olympic Games, and the third time the Summer Olympic Games had been held in East Asia, following the 1964 Olympics in Tokyo, Japan, and the 1988 Olympics in Seoul, South Korea. These were also the second Summer Olympic Games to be held in a communist state, the first being the 1980 Summer Olympics in the Soviet Union (with venues in Russia, Ukraine, Byelorussia, and Estonia). Beijing was awarded the 2008 Games over four competitors on 13 July 2001, having won a majority of votes from members of the International Olympic Committee (IOC) after two rounds of voting. The Government of the People's Republic of China promoted the 2008 Games and invested heavily in new facilities and transport systems. 37 venues were used to host the events, including twelve constructed specifically for the 2008 Games. The equestrian events were held in Hong Kong, making these the third Olympics for which the events were held under the jurisdiction of two different NOCs. The sailing events were contested in Qingdao, while the football events took place across several different cities. The official logo for the 2008 Games, titled "Dancing Beijing" (舞动北京), created by Guo Chunning (郭春宁), featured the Chinese character for capital (京, stylized into the shape of a human being) in reference to the host city. The 2008 Olympics were watched by 3.5 billion people worldwide, and featured the longest distance for an Olympic Torch relay. The 2008 Games also set numerous world and Olympic records, and were the most expensive Summer Olympics of all time, and the second most expensive overall, after the 2014 Winter Games in Sochi. The opening ceremony was lauded by spectators and numerous international presses as spectacular, spellbinding, and by many accounts, "the greatest ever in the history of Olympics". Beijing hosted the 2022 Winter Olympics, making it the first city ever to host both the Summer and Winter Games. An unprecedented 87 countries won at least one medal during the 2008 Games. Host nation China won the most gold medals (48), and became the seventh different team to top the Summer Olympics medal standings, winning a total of 100 medals overall. The United States placed second in the gold medal tally but won the highest number of medals overall (112). The third place in the gold and overall medal tally was achieved by Russia. This Olympic Games marked the return of the Summer Olympic Games to Asia after the 1988 Olympics in South Korea. It was the first Olympics for Serbia as a separate state since 1912 and the first for Montenegro, having separated from Serbia in 2006. It was also the first Olympics for Nepal as a republic, the Marshall Islands and Tuvalu. Mongolia and Panama each won their first Olympic gold medal. In addition, Afghanistan, Mauritius, Serbia, Sudan, Tajikistan and Togo won their first Olympic medals at these Games. North Korea, having symbolically marched with South Korea as one team at the opening ceremonies of the preceding three Games that it entered (2000 in Sydney, 2004 in Athens, and 2006 in Turin), paraded separately this time. Organization Bid Under the direction of Liu Qi, Beijing was elected as the host city for the 2008 Summer Olympics on 13 July 2001, during the 112th IOC Session in Moscow, defeating bids from Toronto, Paris, Istanbul, and Osaka. Prior to the session, five other cities (Bangkok, Cairo, Havana, Kuala Lumpur, and Seville) had submitted bids to the IOC, but failed to make the short list chosen by the IOC Executive Committee in 2000. After the first round of voting, Beijing held a significant lead over the other four candidates. Osaka received only six votes and was eliminated. In the second round, Beijing was supported by a majority of voters, eliminating the need for subsequent rounds. Toronto's bid was its fifth failure since 1960 (failed bids for 1960, 1964, 1976 and 1996 Games, losing to Rome, Tokyo, Montreal and Atlanta). Members of the IOC did not disclose their votes, but news reports speculated that broad international support led to China's selection, especially from developing nations that had received assistance from China to construct stadiums. The size of China, its increased enforcement of doping controls, and sympathy concerning its loss of the 2000 Summer Olympics to Sydney were all factors in the decision. Eight years earlier, Beijing had led every round of voting for the 2000 Summer Olympics before losing to Sydney by two votes in the final round. Human rights concerns expressed by Amnesty International and politicians in both Europe and North America were considered by the delegates, according to IOC Executive Director François Carrard. Carrard and others suggested that the selection might lead to improvements in human rights in China. In addition, many IOC delegates who had formerly been athletes expressed concern about heat and air quality during the Games, considering the high levels of air pollution in Beijing. China outlined plans to address these environmental concerns in its bid application. Costs On 6 March 2009, the Beijing Organizing Committee for the Olympic Games reported that total spending on the Games was "generally as much as that of the Athens 2004 Olympic Games", which was equivalent to about US$15 billion. They went on to claim that surplus revenues from the Games would exceed the original target of $16 million. Other reports, however, estimated the total costs from $40 to $44 billion, which would make the Games "far and away the most expensive ever". Its budget was later exceeded by the 2014 Winter Olympics in Sochi, which suffered from major cost overruns; the 2014 Winter Olympics costed roughly US$50 billion in public funding. The Oxford Olympics Study 2016 estimates the outturn cost of the Beijing 2008 Summer Olympics at US$6.8 billion in 2015-dollars. This includes sports-related costs only, such as those incurred by the organizing committee or those incurred by the host city, country, and private investors to build structures required to host the Games. Indirect capital costs—those not directly related to staging the Games—are not included. The Beijing Olympics' cost of US$6.8 billion compares with costs of US$4.6 billion for Rio 2016 and US$15 billion for London 2012. Venues By May 2007 the construction of all 31 Beijing-based Olympic Games venues had begun. The Chinese government renovated and constructed six venues outside Beijing, and constructed 59 training facilities. The largest structures built were the Beijing National Stadium, Beijing National Indoor Stadium, Beijing National Aquatics Center, Peking University Gymnasium, Olympic Green Convention Center, Olympic Green, and Beijing Wukesong Culture & Sports Center. Almost 85% of the construction budget for the six main venues was funded by $2.1 billion (RMB¥17.4 billion) in corporate bids and tenders. Investments were expected from corporations seeking ownership rights after the Olympics. Some events were held outside Beijing, namely football in Qinhuangdao, Shanghai, Shenyang, and Tianjin; sailing in Qingdao; and, because of the "uncertainties of equine diseases and major difficulties in establishing a disease-free zone", the equestrian events were held in Hong Kong. Some stadiums were built on the former site of hutong neighbourhoods, including Qianmen Subdistrict. The showpiece of the 2008 Summer Olympics was the Beijing National Stadium, nicknamed "The Bird's Nest" because of its nest-like skeletal structure. The stadium hosted both the opening and closing ceremonies, as well as the athletics competition. Construction of the venue began on 24 December 2003. The Guangdong Olympic Stadium was originally planned, constructed, and completed in 2001 to help host the Games, but a decision was made to construct a new stadium in Beijing. In 2001, the city held a bidding process to select the best arena design. Several criteria were required of each design, including flexibility for post-Olympics use, a retractable roof, and low maintenance costs. The entry list was narrowed to thirteen final designs. The bird's nest model submitted by architects Jacques Herzog and Pierre de Meuron in collaboration with Li Xinggang of China Architecture Design and Research Group (CADG) was selected as the top design by both a professional panel and by a broader audience during a public exhibition. The selection of the design became official in April 2003. Construction of the stadium was a joint venture among the original designers, project architect Stefan Marbach, artist Ai Weiwei, and a group of CADG architects led by Li Xinggang. Its $423 million cost was funded by the state-owned corporate conglomerate CITIC and the Beijing State-Owned Assets Management Company. Transport To prepare for Olympic visitors, Beijing's transportation infrastructure was expanded. Beijing's airport underwent a major renovation with the addition of the new Terminal 3, designed by architect Norman Foster. Within the city itself, Beijing's subway was doubled in capacity and length, with the addition of seven lines and 80 stations to the previously existing four lines and 64 stations. Included in this expansion was a new link connecting to the city's airport. A fleet of thousands of buses, minibuses, and official cars transported spectators, athletes, and officials between venues. In an effort to improve air quality, the city placed restrictions on construction sites and gas stations and limited the use of commercial and passenger vehicles in Beijing. From 20 July through 20 September, passenger vehicle restrictions were placed on alternative days depending on the terminal digit of the car's license plate. It was anticipated that this measure would take 45% of Beijing's 3.3 million cars off the streets. The boosted public transport network was expected to absorb the demand created by these restrictions and the influx of visitors, which was estimated at more than 4 million additional passengers per day. Marketing The 2008 Summer Olympics emblem was known as Dancing Beijing. The emblem combined a traditional Chinese red seal and a representation of the calligraphic character for "capital" (京, also the second character of Beijing's Chinese name) with athletic features. The open arms of the calligraphic word symbolized the invitation from China to the world to share in its culture. IOC president Jacques Rogge was rather pleased with the emblem, saying, "Your new emblem immediately conveys the awesome beauty and power of China which are embodied in your heritage and your people." The official motto for the 2008 Olympics was "One World, One Dream" (同一个世界 同一个梦想). It called upon the whole world to join in the Olympic spirit and build a better future for humanity, and was chosen from over 210,000 entries submitted from around the world. Following the announcement of the motto, the phrase was used by international advocates of Tibetan secession. Banners reading "One World, One Dream, Free Tibet" were unfurled from various structures around the globe in the lead up to the Beijing Olympics, such as from the San Francisco Golden Gate Bridge and the Sydney Opera House in Australia. The mascots of Beijing 2008 were the five Fuwa, each of which represented both a color of the Olympic rings and a symbol of Chinese culture. In 2006, the Beijing Organizing Committee for the Olympic Games released pictograms of 35 Olympic disciplines (however, for some multidiscipline sports such as cycling, a single pictogram was released). This set of sport icons was named the beauty of seal characters, because of each pictogram's likeness to Chinese seal script. Mascots The mascots of the 2008 Summer Olympics were the Fuwa, created by Han Meilin (韩美林). The mascots consisted of Beibei, a fish, Jingjing, a panda, Huanhuan, an Olympic flame, Yingying, a Tibetan antelope, and Nini, a sand martin kite. When their Chinese characters are combined, they form 北京欢迎你, or "Beijing Welcomes You". A year before the Games in 2007, the 100-episode The Olympic Adventures of Fuwa featuring the mascots, was released. Media coverage The 2008 Games were the first to be produced and broadcast entirely in high definition by the host broadcaster. In comparison, American broadcaster NBC broadcast only half of the Turin 2006 Winter Olympics in HD. In their bid for the Olympic Games in 2001, Beijing stated to the Olympic Evaluation Commission that there would be "no restrictions on media reporting and movement of journalists up to and including the Olympic Games." However, some media outlets claimed that organizers ultimately failed to live up to this commitment. According to Nielsen Media Research, 4.7 billion viewers worldwide tuned in to some of the television coverage, one-fifth larger than the 3.9 billion who watched the 2004 Olympic Games in Athens. American broadcaster NBC produced only two hours of online streaming video for the 2006 Winter Games but produced approximately 2,200 hours of coverage for the 2008 Summer Games. CNN reported that, for the first time, "live online video rights in some markets for the Olympics have been separately negotiated, not part of the overall 'broadcast rights.'" The new media of the digital economy was said to be growing "nine times faster than the rest of the advertising market." The international European Broadcasting Union (EBU) provided live coverage and highlights of all arenas only for certain territories on their website, Eurovisionsports.tv. Many national broadcasters likewise restricted the viewing of online events to their domestic audiences. The General National Copyright Administration of China announced that "individual (sic) and websites will face fines as high as 100,000 yuan for uploading recordings of Olympic Games video to the internet", part of an extensive campaign to protect the pertinent intellectual property rights. The Olympic Committee also set up a separate YouTube channel at Beijing 2008. Theme song The theme song of the 2008 Summer Olympics was "You and Me", which was composed by Chen Qigang, the musical director of the opening ceremony. It was performed during the opening ceremony by Chinese singer Liu Huan and British singer Sarah Brightman. The theme song was originally going to be a song called "So much love, so far away (Tanto amor, tan lejos)" written by Cuban singer-songwriter Jon Secada and Peruvian singer-songwriter Gian Marco under production from Cuban producer Emilio Estefan Jr. from EMI. Torch relay The design of the 2008 Olympic Torch was based on traditional scrolls and used a traditional Chinese design known as the "Propitious Clouds" (祥云). The torch was designed to remain lit in 65 km/h (40 mph) winds, and in rain of up to 50 mm (2 in) per hour. The relay, with the theme "Journey of Harmony", was met with protests and demonstrations by pro-Tibet supporters throughout its journey. It lasted 130 days and carried the torch 137,000 km (85,000 mi)—the longest distance of any Olympic torch relay since the tradition began at the 1936 Berlin Games. The torch relay was described as a "public relations disaster" for China by USA Today, with protests against China's human rights record, particularly focused on Tibet. The IOC subsequently barred future Olympics organizers from staging international torch relays. The relay began 24 March 2008, in Olympia, Greece. From there, it traveled across Greece to Panathinaiko Stadium in Athens, and then to Beijing, arriving on 31 March. From Beijing, the torch followed a route passing through every continent except Antarctica. The torch visited cities on the Silk Road, symbolizing ancient links between China and the rest of the world. A total of 21,880 torchbearers were selected from around the world by various organizations and entities. The international portion of the relay was problematic. The month-long world tour encountered wide-scale anti-Chinese protests. After trouble in London involving attempts by protesters to put out the flame, the torch was extinguished in Paris the following day. The American leg in San Francisco on 9 April was altered without prior warning to avoid such disturbances, although there were still demonstrations along the original route. The relay was further delayed and simplified after the 2008 Sichuan earthquake hit western China. The flame was carried to the top of Mount Everest on a 108 km (67 mi) long "highway" scaling the Tibetan side of the mountain, built especially for the relay. The $19.7 million blacktop project spanned from Tingri County of Xigazê Prefecture to the Everest Base Camp. In March 2008, China banned mountaineers from climbing its side of Mount Everest, and later persuaded the Nepalese government to close their side as well, officially citing environmental concerns. It also reflected concerns by the Chinese government that Tibet activists might try to disrupt its plans to carry the Olympic torch up the world's tallest peak. The originally proposed route would have taken the torch through Taipei after leaving Vietnam and before heading for Hong Kong. However, the government of Taiwan (then led by the independence-leaning Democratic Progressive Party) objected to this proposal, claiming that this route would make the portion of the relay in Taiwan appear to be part of the torch's domestic journey through China, rather than a leg on the international route. This dispute, as well as Chinese demands that the flag and the national anthem of the Republic of China be banned along the route led the government of Taiwan to reject the proposal that it be part of the relay route. The two sides of the Taiwan Strait subsequently blamed each other for injecting politics into the event. The Games Participating National Olympic Committees All but one of the 205 recognized National Olympic Committees (NOCs) that existed as of 2008 participated in the 2008 Summer Olympics, the exception being Brunei. Three countries participated in the Olympic Games for their first time: the Marshall Islands, Montenegro and Tuvalu. While not a full member recognized by the IOC and thus not allowed to compete formally in the Olympics, the Macau Sports and Olympic Committee sent a delegation to participate in the Wushu Tournament Beijing 2008, being the only unrecognized National Olympic Committee to have taken part in the 2008 Summer Olympics. It also coordinated efforts with the Chinese Olympic Committee to organize the torch relay through Macau. The Marshall Islands and Tuvalu gained National Olympic Committee status in 2006 and 2007 respectively, and 2008 was the first Games in which they were eligible to participate. The states of Serbia and Montenegro, which participated at the 2004 Games jointly as Serbia and Montenegro, competed separately for the first time since Serbia last participated in 1912. Montenegro made its debut appearance, as the Montenegrin Olympic Committee was accepted as a new National Olympic Committee in 2007. Neighboring Kosovo, however, did not participate. After the declaration of independence in Kosovo, the IOC specified requirements that Kosovo needs to meet before being recognized by the IOC; most notably, it has to be recognized as independent by the United Nations. However, it has since been recognised by the IOC in 2014 without fulfilling these criteria and made its debut in the 2016 games. More than 100 sovereigns, heads of state and heads of government as well as 170 Ministers of Sport attended the Beijing Olympic Games. Number of athletes by National Olympic Committees National participation changes Athletes from the Republic of China (Taiwan) competed at the 2008 Games as Chinese Taipei (TPE) under the Chinese Taipei Olympic flag and used the National Banner Song as their official anthem. The participation of Taiwan was briefly in doubt because of disagreements over the name of their team in the Chinese language and concerns about Taiwan marching in the Opening Ceremony next to the special administrative region of Hong Kong. A compromise based at the Nagoya Protocol about the naming was reached some months before the opening ceremonies, and Taiwan was referred to during the Games as "Chinese Taipei", rather than "Taipei, China," as the mainland China government had proposed. In addition, the Central African Republic was placed between Taipei and Hong Kong,China on protocol order. Starting in 2005, North Korea and South Korea held meetings to discuss the possibility of sending a united team to the 2008 Olympics. The proposal failed, because of disagreements about how athletes would be chosen; North Korea was demanding a certain percentage representation for its athletes. A subsequent attempt to broker an agreement for the two nations to walk together during the March of Nations failed as well, despite their having done so during the 2000 and 2004 Games. On 24 July 2008, the International Olympic Committee (IOC) banned Iraq from competing in the 2008 Olympic Summer Games because of "political interference by the government in sports." The IOC reversed its decision five days later and allowed the nation to compete after a pledge by Iraq to ensure "the independence of its national Olympics panel" by instituting fair elections before the end of November. In the meantime, Iraq's Olympic Organization was to be run by "an interim committee proposed by its national sports federations and approved by the IOC." Brunei Darussalam was due to take part in the 2008 Summer Olympic Games. However, they were disqualified on 8 August, having failed to register either of their two athletes. The IOC spokeswoman Emmanuelle Moreau said in a statement that "it is a great shame and very sad for the athletes who lose out because of the decision by their team not to register them. The IOC tried up until the last minute, midday Friday 8 August 2008, the day of the official opening, to have them register, but to no avail." Brunei's Ministry of Culture, Youth and Sports issued a press release stating that their decision not to participate was due to an injury to one of their athletes. Georgia announced on 9 August 2008, that it was considering withdrawing from the Beijing Olympic Games because of the 2008 South Ossetia war, but it went on to compete while the conflict was still ongoing. Participation of athletes with disabilities South African swimmer Natalie du Toit, whose left leg was amputated following a motor scooter accident, qualified to compete at the Beijing Olympics. The five time gold medalist at the Athens Paralympics in 2004 made history by becoming the first amputee to qualify for the Olympic Games since Olivér Halassy in 1936. She was able to compete in the Olympics rather than the Paralympics because she does not use a prosthetic leg while swimming. Polish athlete Natalia Partyka, who was born without a right forearm, competed in Table Tennis in the 2008 Summer Olympics and 2008 Paralympic Games. Sports The program for the Beijing Games was quite similar to that of the 2004 Summer Olympics held in Athens. There were 28 sports and 302 events at the 2008 Games. Nine new events were held, including two from the new cycling discipline of BMX. Women competed in the 3,000-meter (9,843 ft) steeplechase for the first time. Open water swimming events for men and women, over the distance of 10 kilometers (6.2 mi), were added to the swimming discipline. Team events (men and women) in table tennis replaced the doubles events. In fencing, the women's team foil and women's team saber replaced men's team foil and women's team épée. Two sports were open only to men, baseball and boxing, while one sport and one discipline were open only to women, softball and synchronized swimming. Equestrian and mixed badminton are the only sports in which men and women compete together, although three events in the Sailing allowed the opportunity for both males and female participants. However, only male participants took part in all three events. The following were the 302 events in 28 sports that were contested at the Games. The number of events contested in each sport is indicated in parentheses (in sports with more than one discipline, as identified by the IOC, these are also specified). In addition to the official Olympic sports, the Beijing Organizing Committee was given special dispensation by the IOC to run a wushu competition in tandem with the Games. The 2008 Beijing Wushu Tournament saw 128 athletes from 43 countries participate, with medals awarded in 15 separate events; however, these were not to be added to the official medal tally since Wushu was not on the official program of the 2008 Summer Olympics. Calendar In the following calendar for the 2008 Summer Olympics, each blue box represents an event competition, such as a qualification round, on that day. The yellow boxes represent days during which medal-awarding finals for a sport were held. Each bullet in these boxes is an event final, the number of bullets per box representing the number of finals that were contested on that day. On the left, the calendar lists each sport with events held during the Games, and at the right how many gold medals were won in that sport. There is a key at the top of the calendar to aid the reader. All dates are Beijing Time (UTC+8) Records 125 Olympic records including 37 world records were set in various events at the Games. In swimming, sixty-five Olympic swimming records including 25 world records were broken because of the use of the LZR Racer, a specialized swimming suit developed by NASA and the Australian Institute of Sport. Only two swimming Olympic records remained intact after the Games. Opening ceremony Before the event started, the People's Liberation Army Navy Band performed the Welcome March song as delegations of both IOC and the Chinese government, led by Jacques Rogge and Hu Jintao, entered Beijing National Stadium (The Bird's Nest). The opening ceremony officially began at 8:00 pm China Standard Time (UTC+8) on 8 August 2008. The number 8 is associated with prosperity and confidence in Chinese culture, and the ceremonial start comprised a triple eight for the date and one extra for time (close to 08:08:08 pm). The ceremony was co-directed by Chinese filmmaker Zhang Yimou and Chinese choreographer Zhang Jigang and featured a cast of over 15,000 performers. The ceremony lasted over four hours and was reported to have cost over US$100 million to produce. UNGA President Miguel d'Escoto and leaders from 105 countries and territories attended this ceremony. A rich showcase of ancient Chinese art and culture dominated the ceremony cultural segments. It opened with the beating of Fou drums for the countdown. Subsequently, a giant scroll was unveiled and became the show's centerpiece. The official song of the 2008 Summer Olympics, titled "You and Me", was performed by Britain's Sarah Brightman and China's Liu Huan, on a large spinning rendition of the globe. As the Olympic Charter determines the parade of nations section, is led by the Greek team, which hosted the previous games, entered first in honour of its status as the Olympic birthplace. They were led by judoka Ilias Iliadis. Meanwhile, the Chinese team entered last as the host country, led by the NBA's Houston Rockets superstar Yao Ming and earthquake survivor Lin Hao, who was just 9 years old. The last torchbearer in the Olympic Torch was the gymnast legend Li Ning ignited the cauldron, after being suspended into the air by wires and completing the relay last 400m of the National Stadium at roof height. The opening ceremony was lauded by spectators and various international presses as "spectacular" and "spellbinding". Hein Verbruggen, chairman of the IOC Coordination Commission for the XXIX Olympiad, called the ceremony "a grand, unprecedented success." Closing ceremony The 2008 Summer Olympics Closing Ceremony concluded the Beijing Games on 24 August 2008. It began at 8:00 pm China Standard Time (UTC+8) and took place at the Beijing National Stadium. The Ceremony included the handover of the Games from Beijing to London. Guo Jinlong, the Mayor of Beijing handed over the Olympic flag to the Mayor of London Boris Johnson, followed by a performance organized by London Organising Committee of the Olympic and Paralympic Games. This presentation included performances by guitarist Jimmy Page and recording artist Leona Lewis. Footballer David Beckham was also featured during London's presentation. Medal table Of the 204 nations that participated in the 2008 Games, 87 earned medals and 54 of those won at least one gold medal, both of these figures setting new records for Olympic Games. There were 117 participating countries that did not win any medals. Athletes from China won the highest number of gold medals of any nation at these Games, with 48, thus making China the seventh nation to rank top in the medal table in the history of the modern Olympics, along with the United States (fifteen times), France (in 1900), Great Britain (in 1908), Germany (in 1936), the Soviet Union (six times), and the Unified Team (in 1992). The United States team won the most medals overall, with 112. Afghanistan, Mauritius, Sudan, Tajikistan and Togo won their first Olympic medals. Mongolia (which previously held the record for most medals without a gold) and Panama won their first gold medals. Four members of the water polo team from Serbia won the first medal for their country under its new name, having previously won medals representing Yugoslavia and Serbia and Montenegro. American swimmer Michael Phelps won a total of eight gold medals, more than any other athlete in a single Olympic Games, setting numerous world and Olympic records in the process. Jamaican sprinter Usain Bolt also set records in several different events, completing the 100m final with a time of 9.69 seconds, beating his own previous world record. Gymnast Nastia Liukin won the all-around gold medal in artistic gymnastics, becoming the third American female to do so, following in the footsteps of Mary Lou Retton in 1984 and Carly Patterson in 2004. These are the top ten nations that won medals in the 2008 Games ‡ Changes in medal standings (see here). * Host nation (China) Podium sweeps Concerns and controversies A variety of concerns over the Games, or China's hosting of the Games, had been expressed by various entities, including claims that China violated its pledge to allow open media access, various claims of human rights violations, its alleged continuous support of repressive regimes (such as Zimbabwe, Myanmar, Sudan, and North Korea), air pollution in both the city of Beijing and environs, proposed boycotts, warnings of the possibility that the Beijing Olympics could be targeted by terrorist groups, disruption from Tibetan separatist protesters, and religious persecutions. There were also claims that several members of China's women's gymnastics team, including double gold medal winner He Kexin, were too young to compete under the International Gymnastics Federation's rules for Olympic eligibility, but all were exonerated after an official IOC investigation. Collectively, the Beijing Olympics are associated with a variety of problematic topics: the ecological impact, residential displacement due to construction, treatment of migrant workers, the government's political stance on Tibet, etc. In the lead-up to the Olympics, the government allegedly issued guidelines to the local media for their reporting during the Games: most political issues not directly related to the Olympics were to be downplayed; topics such as pro-Tibetan independence and East Turkestan movements were not to be reported on, as were food safety issues such as "cancer-causing mineral water". As the 2008 Chinese milk scandal broke in September 2008, there was widespread speculation that China's desire for a perfect Games may have been a factor contributing towards the delayed recall of contaminated infant formula. The 2008 Olympics were hit by a number of doping scandals before and after the Games had commenced. Since seven Russian track and field stars were suspended just before the start of the Games for allegedly tampering with their urine samples, only five of the seven who were due to take part could participate. Eleven Greek weightlifters also failed tests in the run up to the Games and the entire Bulgarian weightlifting team had to withdraw after eleven of their weightlifters also failed tests. A small number of athletes from other nations also failed pre-Games tests. Legacy The 2008 Summer Olympics have been generally accepted by the world's media as a logistical success. Many of the worst fears about the Games failed to materialize: no terrorists struck Beijing; no athlete protested at the podium (though Swedish wrestler Ara Abrahamian tossed his bronze medal in disgust over judging); and the air quality, despite being the worst in Olympics history, was not as bad as many had feared beforehand – due largely to favorable weather patterns. Many in China viewed the Olympics as "an affirmation of a single nationalistic dream" and saw protests during the international torch relay as an insult to China. The Games also bolstered domestic support for the Chinese government, and for the policies of the Communist Party, giving rise to concerns that the Olympics would give the state more leverage to suppress political dissent, at least temporarily. Efforts to quell any unrest before and during the Games also contributed to a rapid expansion in the size and political clout of China's internal security forces, and this growth continued through the following years. Reports also indicated that the Olympics boosted the political careers of pro-Beijing politicians in Hong Kong, as many Chinese gold medal winners campaigned on behalf of the pro-Beijing DAB during the 2008 election, although any trend towards greater identification by Hong Kongers with mainland China appears to have been short-lived. Some sectors of the Beijing economy may have benefited from the influx of tourists. Other sectors such as manufacturing lost revenue because of plant closings related to the government's efforts to improve air quality. Four years after the Games, many of the specially constructed facilities were underused or even deserted. It is generally expected by economists that there will be no lasting effects on Beijing's economy from the Games. See also 2008 Summer Paralympics Olympic Games held in China 2008 Summer Olympics – Beijing 2014 Summer Youth Olympics – Nanjing 2022 Winter Olympics – Beijing List of IOC country codes Doping at the Olympic Games – 2008 Beijing Notes References External links "Beijing 2008". Olympics.com. International Olympic Committee. "2008 Summer Olympics Official Site". Archived from the original on 12 October 2008. Retrieved 20 June 2013.{{cite web}}: CS1 maint: bot: original URL status unknown (link) Beijing Olympic Sites Four Years Later – What Remains at Modern Day Ruins Mallon, Bill (18 January 2019). "ALL OLYMPIC DOPING POSITIVES – THE COUNT BY GAMES". OlympStats.
Boeing_777
https://en.wikipedia.org/wiki/Boeing_777
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[ "https://en.wikipedia.org/wiki/Boeing_777" ]
The Boeing 777, commonly referred to as the Triple Seven, is an American long-range wide-body airliner developed and manufactured by Boeing Commercial Airplanes. The 777 is the world's largest twinjet and the most-built wide-body airliner. The jetliner was designed to bridge the gap between Boeing's other wide body airplanes, the twin-engined 767 and quad-engined 747, and to replace aging DC-10 and L-1011 trijets. Developed in consultation with eight major airlines, the 777 program was launched in October 1990, with an order from United Airlines. The prototype aircraft rolled out in April 1994, and first flew in June of that year. The 777 entered service with the launch operator United Airlines in June 1995. Longer-range variants were launched in 2000, and first delivered in 2004. The 777 can accommodate a ten–abreast seating layout and has a typical 3-class capacity of 301 to 368 passengers, with a range of 5,240 to 8,555 nautical miles [nmi] (9,700 to 15,840 km; 6,030 to 9,840 mi). The jetliner is recognizable for its large-diameter turbofan engines, raked wingtips, six wheels on each main landing gear, fully circular fuselage cross-section, and a blade-shaped tail cone. The 777 became the first Boeing airliner to use fly-by-wire controls and to apply a carbon composite structure in the tailplanes. The original 777 with a maximum takeoff weight (MTOW) of 545,000–660,000 lb (247–299 t) was produced in two fuselage lengths: the initial 777-200 was followed by the extended-range -200ER in 1997; and the 33.25 ft (10.13 m) longer 777-300 in 1998. These 777 Classics were powered by 77,200–98,000 lbf (343–436 kN) General Electric GE90, Pratt & Whitney PW4000, or Rolls-Royce Trent 800 engines. The extended-range 777-300ER, with a MTOW of 700,000–775,000 lb (318–352 t), entered service in 2004, the longer-range 777-200LR in 2006, and the 777F freighter in 2009. These second-generation 777 variants have extended raked wingtips and are powered exclusively by 110,000–115,300 lbf (489–513 kN) GE90 engines. In November 2013, Boeing announced the development of the third generation 777X -8 and -9 variants, both featuring composite wings with folding wingtips and General Electric GE9X engines. As of 2018, Emirates was the largest operator with a fleet of 163 aircraft. As of September 2024, more than 60 customers have placed orders for 2,295 Triple Sevens across all variants, of which 1,738 have been delivered. This makes the 777 the best-selling wide-body airliner, while its best-selling variant is the 777-300ER with 837 aircraft ordered and 832 delivered. The airliner initially competed with the Airbus A340 and McDonnell Douglas MD-11; since 2015 it has mainly competed with the Airbus A350 and later also with the A330-900. As of May 2024, the 777 has been involved in 31 aviation accidents and incidents, including five hull loss accidents out of eight total hull losses with 542 fatalities including 3 ground casualties. Development Background In the early 1970s, the Boeing 747, McDonnell Douglas DC-10, and the Lockheed L-1011 TriStar became the first generation of wide-body passenger airliners to enter service. In 1978, Boeing unveiled three new models: the twin-engine or twinjet Boeing 7N7 (later named Boeing 757) to replace its 727, the twinjet Boeing 7X7 (later named 767 to challenge the Airbus A300, and a trijet "777" concept to compete with the DC-10 and L-1011. The mid-size 757 and 767 launched to market success, due in part to 1980s' extended-range twin-engine operational performance standards (ETOPS) regulations governing transoceanic twinjet operations. These regulations allowed twin-engine airliners to make ocean crossings at up to three hours' distance from emergency diversionary airports. Under ETOPS rules, airlines began operating the 767 on long-distance overseas routes that did not require the capacity of larger airliners. The trijet "777" was later dropped, following marketing studies that favored the 757 and 767 variants. Boeing was left with a size and range gap in its product line between the 767-300ER and the 747-400. By the late 1980s, DC-10 and L-1011 models were expected to be retired in the next decade, prompting manufacturers to develop replacement designs. McDonnell Douglas was working on the MD-11, a stretched successor of the DC-10, while Airbus was developing its A330 and A340 series. In 1986, Boeing unveiled proposals for an enlarged 767, tentatively named 767-X, to target the replacement market for first-generation wide-bodies such as the DC-10, and to complement existing 767 and 747 models in the company lineup. The initial proposal featured a longer fuselage and larger wings than the existing 767, along with winglets. Later plans expanded the fuselage cross-section but retained the existing 767 flight deck, nose, and other elements. However, airline customers were uninterested in the 767-X proposals, and instead wanted an even wider fuselage cross-section, fully flexible interior configurations, short- to intercontinental-range capability, and an operating cost lower than that of any 767 stretch. Airline planners' requirements for larger aircraft had become increasingly specific, adding to the heightened competition among aircraft manufacturers. By 1988, Boeing realized that the only answer was a clean-sheet design, which became the twinjet 777. The company opted for the twin-engine configuration given past design successes, projected engine developments, and reduced-cost benefits. On December 8, 1989, Boeing began issuing offers to airlines for the 777. Design effort Alan Mulally served as the Boeing 777 program's director of engineering, and then was promoted in September 1992 to lead it as vice-president and general manager. The design phase of the all-new twinjet was different from Boeing's previous jetliners, in which eight major airlines (All Nippon Airways, American Airlines, British Airways, Cathay Pacific, Delta Air Lines, Japan Airlines, Qantas, and United Airlines) played a role in the development. This was a departure from industry practice, where manufacturers typically designed aircraft with minimal customer input. The eight airlines that contributed to the design process became known within Boeing as the "Working Together" group. At the group's first meeting in January 1990, a 23-page questionnaire was distributed to the airlines, asking what each wanted in the design. By March 1990, the group had decided upon a baseline configuration: a cabin cross-section close to the 747's, capacity up to 325 passengers, flexible interiors, a glass cockpit, fly-by-wire controls, and 10 percent better seat-mile costs than the A330 and MD-11. The development phase of the 777 coincided with United Airlines's replacement program for its aging DC-10s. On October 14, 1990, United became the launch customer with an order for 34 Pratt & Whitney-powered 777s valued at US$11 billion (~$22.7 billion in 2023) and options for 34 more. The airline required that the new aircraft be capable of flying three different routes: Chicago to Hawaii, Chicago to Europe, and non-stop from Denver, a hot and high airport, to Hawaii. ETOPS certification was also a priority for United, given the overwater portion of United's Hawaii routes. In late 1991, Boeing selected its Everett factory in Washington, home of 747 production, as the 777's final assembly line (FAL). In January 1993, a team of United developers joined other airline teams and Boeing designers at the Everett factory. The 240 design teams, with up to 40 members each, addressed almost 1,500 design issues with individual aircraft components. The fuselage diameter was increased to suit Cathay Pacific, the baseline model grew longer for All Nippon Airways, and British Airways' input led to added built-in testing and interior flexibility, along with higher operating weight options. The 777 was the first commercial aircraft to be developed using an entirely computer-aided design (CAD) process. Each design drawing was created on a three-dimensional CAD software system known as CATIA, sourced from Dassault Systemes and IBM. This allowed engineers to virtually assemble the 777 aircraft on a computer system to check for interference and verify that the thousands of parts fit properly before the actual assembly process—thus reducing costly rework. Boeing developed its high-performance visualization system, FlyThru, later called IVT (Integrated Visualization Tool) to support large-scale collaborative engineering design reviews, production illustrations, and other uses of the CAD data outside of engineering. Boeing was initially not convinced of CATIA's abilities and built a physical mock-up of the nose section to verify its results. The test was so successful that additional mock-ups were canceled. The 777 was completed with such precision that it was the first Boeing jetliner that did not require the details to be worked out on an expensive physical aircraft mock-up. This helped the design program to limit costs to a reported $5 billion. Testing and certification Major assembly of the first aircraft began on January 4, 1993. On April 9, 1994, the first 777, number WA001, was rolled out in a series of 15 ceremonies held during the day to accommodate the 100,000 invited guests. The first flight took place on June 12, 1994, under the command of chief test pilot John E. Cashman. This marked the start of an 11-month flight test program that was more extensive than testing for any previous Boeing model. Nine aircraft fitted with General Electric, Pratt & Whitney, and Rolls-Royce engines were flight tested at locations ranging from the desert airfield at Edwards Air Force Base in California to frigid conditions in Alaska, mainly Fairbanks International Airport. To satisfy ETOPS requirements, eight 180-minute single-engine test flights were performed. The first aircraft built was used by Boeing's nondestructive testing campaign from 1994 to 1996, and provided data for the -200ER and -300 programs. At the successful conclusion of flight testing, the 777 was awarded simultaneous airworthiness certification by the US Federal Aviation Administration (FAA) and European Joint Aviation Authorities (JAA) on April 19, 1995. Entry into service Boeing delivered the first 777 to United Airlines on May 15, 1995. The FAA awarded 180-minute ETOPS clearance ("ETOPS-180") for the Pratt & Whitney PW4084-engined aircraft on May 30, 1995, making it the first airliner to carry an ETOPS-180 rating at its entry into service. The first commercial flight took place on June 7, 1995, from London Heathrow Airport to Dulles International Airport near Washington, D.C. Longer ETOPS clearance of 207 minutes was approved in October 1996. On November 12, 1995, Boeing delivered the first model with General Electric GE90-77B engines to British Airways, which entered service five days later. Initial service was affected by gearbox bearing wear issues, which caused British Airways to temporarily withdraw its 777 fleet from transatlantic service in 1997, returning to full service later that year. General Electric subsequently announced engine upgrades. The first Rolls-Royce Trent 877-powered aircraft was delivered to Thai Airways International on March 31, 1996, completing the introduction of the three powerplants initially developed for the airliner. Each engine-aircraft combination had secured ETOPS-180 certification from its entry into service. By June 1997, orders for the 777 numbered 323 from 25 airlines, including launch customers that had ordered additional aircraft. Operations performance data established the consistent capabilities of the twinjet over long-haul transoceanic routes, leading to additional sales. By 1998, the 777 fleet had approached 900,000 flight hours. Boeing states that the 777 fleet has a dispatch reliability (rate of departure from the gate with no more than 15 minutes delay due to technical issues) above 99 percent. Improvement and stretching: -200ER/-300 After the baseline model, the 777-200, Boeing developed an increased gross weight variant with greater range and payload capability. Initially named 777-200IGW, the 777-200ER first flew on October 7, 1996, received FAA and JAA certification on January 17, 1997, and entered service with British Airways on February 9, 1997. Offering greater long-haul performance, the variant became the most widely ordered version of the aircraft through the early 2000s. On April 2, 1997, a Malaysia Airlines -200ER named "Super Ranger" broke the great circle "distance without landing" record for an airliner by flying eastward from Boeing Field, Seattle to Kuala Lumpur, a distance of 10,823 nautical miles (20,044 km; 12,455 mi), in 21 hours and 23 minutes. Following the introduction of the -200ER, Boeing turned its attention to a stretched version of the baseline model. On October 16, 1997, the 777-300 made its first flight. At 242.4 ft (73.9 m) in length, the -300 became the longest airliner yet produced (until the A340-600), and had a 20 percent greater overall capacity than the standard length model. The -300 was awarded type certification simultaneously from the FAA and JAA on May 4, 1998, and entered service with launch customer Cathay Pacific on May 27, 1998. The first generation of Boeing 777 models, the -200, -200ER, and -300 have since been known collectively as Boeing 777 Classics. These three early 777 variants had three engine options ranging from 77,200 to 98,000 lbf (343 to 436 kN): General Electric GE90, Pratt & Whitney PW4000, or Rolls-Royce Trent 800. Production The production process included substantial international content, an unprecedented level of global subcontracting for a Boeing jetliner, later exceeded by the 787. International contributors included Mitsubishi Heavy Industries and Kawasaki Heavy Industries (fuselage panels), Fuji Heavy Industries, Ltd. (center wing section), Hawker de Havilland (elevators), and Aerospace Technologies of Australia (rudder). An agreement between Boeing and the Japan Aircraft Development Corporation, representing Japanese aerospace contractors, made the latter risk-sharing partners for 20 percent of the entire development program. To accommodate production of its new airliner, Boeing doubled the size of the Everett factory at the cost of nearly US$1.5 billion (~$2.86 billion in 2023) to provide space for two new assembly lines. New production methods were developed, including a turn machine that could rotate fuselage subassemblies 180 degrees, giving workers access to upper body sections. By the start of production in 1993, the program had amassed 118 firm orders, with options for 95 more from 10 airlines. Total investment in the program was estimated at over $4 billion from Boeing, with an additional $2 billion from suppliers. Initially second to the 747 as Boeing's most profitable jetliner, the 777 became the company's most lucrative model in the 2000s. An analyst established the 777 program, assuming Boeing has fully recouped the plane's development costs, may account for $400 million of the company's pretax earnings in 2000, $50 million more than the 747. By 2004, the airliner accounted for the bulk of wide-body revenues for Boeing Commercial Airplanes. In 2007, orders for second-generation 777 models approached 350 aircraft, and in November of that year, Boeing announced that all production slots were sold out to 2012. The program backlog of 356 orders was valued at $95 billion at list prices in 2008. In 2010, Boeing announced plans to increase production from 5 aircraft per month to 7 aircraft per month by mid-2011, and 8.3 per month by early 2013. In November 2011, assembly of the 1,000th 777, a -300ER, began when it took 49 days to fully assemble one of these variants. The aircraft in question was built for Emirates airline, and rolled out of the production facility in March 2012. By the mid-2010s, the 777 had become prevalent on the longest flights internationally and had become the most widely used airliner for transpacific routes, with variants of the type operating over half of all scheduled flights and with the majority of transpacific carriers. By April 2014, with cumulative sales surpassing those of the 747, the 777 became the best-selling wide-body airliner; at existing production rates, the aircraft was on track to become the most-delivered wide-body airliner by mid-2016. By February 2015, the backlog of undelivered 777s totaled 278 aircraft, equivalent to nearly three years at the then production rate of 8.3 aircraft per month, causing Boeing to ponder the 2018–2020 time frame. In January 2016, Boeing confirmed plans to reduce the production rate of the 777 family from 8.3 per month to 7 per month in 2017 to help close the production gap between the 777 and 777X due to a lack of new orders. In August 2017, Boeing was scheduled to drop 777 production again to five per month. In 2018, assembling test 777-9 aircraft was expected to lower output to an effective rate of 5.5 per month. In March 2018, as previously predicted, the 777 overtook the 747 as the world's most produced wide body aircraft. Due to the impact of the COVID-19 pandemic on aviation, demand for new jets fell in 2020 and Boeing further reduced monthly 777 production from five to two aircraft. Second generation (777-X): -300ER/-200LR/F From the program's start, Boeing had considered building ultra-long-range variants. Early plans centered on a 777-100X proposal, a shortened variant of the -200 with reduced weight and increased range, similar to the 747SP. However, the -100X would have carried fewer passengers than the -200 while having similar operating costs, leading to a higher cost per seat. By the late 1990s, design plans shifted to longer-range versions of existing models. In March 1997, the Boeing board approved the 777-200X/300X specifications: 298 passengers in three classes over 8,600 nmi (15,900 km; 9,900 mi) for the 200X and 6,600 nmi (12,200 km; 7,600 mi) with 355 passengers in a tri-class layout for the 300X, with design freeze planned in May 1998, 200X certification in August 2000, and introduction in September and in January 2001 for the 300X. The 4.5 ft (1.37 m) wider wing was to be strengthened and the fuel capacity enlarged, and it was to be powered by simple derivatives with similar fans. GE was proposing a 102,000 lbf (454 kN) GE90-102B, while P&W offered its 98,000 lbf (436 kN) PW4098 and R-R was proposing a 98,000 lbf (437 kN) Trent 8100. Rolls-Royce was also studying a Trent 8102 over 100,000 lbf (445 kN). Boeing was also studying a semi-levered, articulated main gear to help the take-off rotation of the proposed -300X, with its higher 715,600 lb (324,600 kg) MTOW. By January 1999, its MTOW grew to 750,700 lb (340,500 kg), and thrust requirements increased to 110,000–114,000 lbf (490–510 kN). A more powerful engine in the thrust class of 100,000 lbf (440 kN) was required, leading to talks between Boeing and engine manufacturers. General Electric offered to develop the GE90-115B engine, while Rolls-Royce proposed developing the Trent 8104 engine. In 1999, Boeing announced an agreement with General Electric, beating out rival proposals. Under the deal with General Electric, Boeing agreed to only offer GE90 engines on new 777 versions. On February 29, 2000, Boeing launched its next-generation twinjet program, initially called 777-X, and began issuing offers to airlines. Development was slowed by an industry downturn during the early 2000s. The first model to emerge from the program, the 777-300ER, was launched with an order for ten aircraft from Air France, along with additional commitments. On February 24, 2003, the -300ER made its first flight, and the FAA and EASA (European Aviation Safety Agency, successor to the JAA) certified the model on March 16, 2004. The first delivery to Air France took place on April 29, 2004. The -300ER, which combined the -300's added capacity with the -200ER's range, became the top-selling 777 variant in the late 2000s, benefitting as airlines replaced comparable four-engine models with twinjets for their lower operating costs. The second long-range model, the 777-200LR, rolled out on February 15, 2005, and completed its first flight on March 8, 2005. The -200LR was certified by both the FAA and EASA on February 2, 2006, and the first delivery to Pakistan International Airlines occurred on February 26, 2006. On November 10, 2005, the first -200LR set a record for the longest non-stop flight of a passenger airliner by flying 11,664 nautical miles (21,602 km; 13,423 mi) eastward from Hong Kong to London. Lasting 22 hours and 42 minutes, the flight surpassed the -200LR's standard design range and was logged in the Guinness World Records. The production freighter model, the 777F, rolled out on May 23, 2008. The maiden flight of the 777F, which used the structural design and engine specifications of the -200LR along with fuel tanks derived from the -300ER, occurred on July 14, 2008. FAA and EASA type certification for the freighter was received on February 6, 2009, and the first delivery to launch customer Air France took place on February 19, 2009. By the late 2000s, the 777 was facing increased potential competition from Airbus' planned A350 XWB and internally from proposed 787 series, both airliners that offer fuel efficiency improvements. As a consequence, the 777-300ER received engine and aerodynamics improvement packages for reduced drag and weight. In 2010, the variant further received a 5,000 lb (2,300 kg) maximum zero-fuel weight increase, equivalent to a higher payload of 20–25 passengers; its GE90-115B1 engines received a 1–2.5 percent thrust enhancement for increased takeoff weights at higher-altitude airports. Through these improvements, the 777 remains the largest twin-engine jetliner in the world. In 2011, the 787 Dreamliner entered service, the completed first stage a.k.a. the Yellowstone-2 (Y2) of a replacement aircraft initiative called the Boeing Yellowstone Project, which would replace large variants of the 767 (300/300ER/400) but also small variants of the 777 (-200/200ER/200LR). While the larger variants of the 777 (-300/300ER) as well as the 747 could eventually be replaced by a new generation aircraft, the Yellowstone-3 (Y3), which would draw upon technologies from the 787 Dreamliner (Y2). More changes were targeted for late 2012, including possible extension of the wingspan, along with other major changes, including a composite wing, a new generation engine, and different fuselage lengths. Emirates was reportedly working closely with Boeing on the project, in conjunction with being a potential launch customer for the new 777 generation. Among customers for the aircraft during this period, China Airlines ordered ten 777-300ER aircraft to replace 747-400s on long-haul transpacific routes (with the first of those aircraft entering service in 2015), noting that the 777-300ER's per seat cost is about 20% lower than the 747's costs (varying due to fuel prices). Improvement packages In tandem with the development of the third generation Boeing 777X, Boeing worked with General Electric to offer a 2% improvement in fuel efficiency to in-production 777-300ER aircraft. General Electric improved the fan module and the high-pressure compressor stage-1 blisk in the GE-90-115 turbofan, as well as reduced clearances between the tips of the turbine blades and the shroud during cruise. These improvements, of which the latter is the most important and was derived from work to develop the 787, were stated by GE to lower fuel burn by 0.5%. Boeing's wing modifications were intended to deliver the remainder. Boeing stated that every 1% improvement in the 777-300ER's fuel burn translates into being able to fly the aircraft another 75 nmi (139 km; 86 mi) on the same load of fuel, or add ten passengers or 2,400 lb (1,100 kg) of cargo to a "load limited" flight. In March 2015, additional details of the "improvement package" were unveiled. The 777-300ER was to shed 1,800 lb (820 kg) by replacing the fuselage crown with tie rods and composite integration panels, similar to those used on the 787. The new flight control software would eliminate the need for the tail skid by keeping the tail off the runway surface regardless of the extent to which pilots command the elevators. Boeing was also redesigning the inboard flap fairings to reduce drag by reducing pressure on the underside of the wing. The outboard raked wingtip was to have a divergent trailing edge, described as a "poor man's airfoil" by Boeing; this was originally developed for the McDonnell Douglas MD-12 project. Another change involved elevator trim bias. These changes were to increase fuel efficiency and allow airlines to add 14 additional seats to the airplane, increasing per seat fuel efficiency by 5%. Mindful of the long time required to bring the 777X to the market, Boeing continued to develop improvement packages which improve fuel efficiency, as well as lower prices for the existing product. In January 2015, United Airlines ordered ten 777-300ERs, normally costing around $150 million each but paid around $130 million, a discount to bridge the production gap to the 777X. In 2019, the -200ER unit cost was $306.6 million, the -200LR: $346.9 million, the -300ER: $375.5 million and the 777F $352.3 million. The -200ER is the only Classic variant listed. Third generation (777X): -8/-8F/-9 In November 2013, with orders and commitments totaling 259 aircraft from Lufthansa, Emirates, Qatar Airways, and Etihad Airways, Boeing formally launched the 777X program, the third generation of the 777, with two models: the 777-8 and 777-9. The 777-9 is a further stretched variant with a capacity of over 400 passengers and a range of over 8,200 nmi (15,200 km; 9,400 mi), whereas the 777-8 is slated to seat approximately 350 passengers and have a range of over 9,300 nmi (17,200 km; 10,700 mi). Both models are to be equipped with new generation GE9X engines and feature new composite wings with folding wingtips. The first member of the 777X family was projected to enter service in 2020 at the time of the program announcement. The roll-out of the prototype 777X, a 777-9 model, occurred on March 13, 2019. The 777-9 first flew on January 25, 2020, with deliveries initially forecast for 2022 or 2023 and later delayed to 2025. Design Boeing introduced a number of advanced technologies with the 777 design, including fully digital fly-by-wire controls, fully software-configurable avionics, Honeywell LCD glass cockpit flight displays, and the first use of a fiber optic avionics network on a commercial airliner. Boeing made use of work done on the cancelled Boeing 7J7 regional jet, which utilized similar versions of the chosen technologies. In 2003, Boeing began offering the option of cockpit electronic flight bag computer displays. In 2013, Boeing announced that the upgraded 777X models would incorporate airframe, systems, and interior technologies from the 787. Fly-by-wire In designing the 777 as its first fly-by-wire commercial aircraft, Boeing decided to retain conventional control yokes rather than change to sidestick controllers as used in many fly-by-wire fighter aircraft and in many Airbus airliners. Along with traditional yoke and rudder controls, the cockpit features a simplified layout that retains similarities to previous Boeing models. The fly-by-wire system also incorporates flight envelope protection, a system that guides pilot inputs within a computer-calculated framework of operating parameters, acting to prevent stalls, overspeeds, and excessively stressful maneuvers. This system can be overridden by the pilot if deemed necessary. The fly-by-wire system is supplemented by mechanical backup. Airframe and systems The airframe incorporates the use of composite materials, accounting for nine percent of the original structural weight, while the third-generation models, the 777-8 and 777-9, feature more composite parts. Composite components include the cabin floor and rudder, with the 777 being the first Boeing airliner to use composite materials for both the horizontal and vertical stabilizers (empennage). The main fuselage cross-section is fully circular, and tapers rearward into a blade-shaped tail cone with a port-facing auxiliary power unit. The wings on the 777 feature a supercritical airfoil design that is swept back at 31.6 degrees and optimized for cruising at Mach 0.83 (revised after flight tests up to Mach 0.84). The wings are designed with increased thickness and a longer span than previous airliners, resulting in greater payload and range, improved takeoff performance, and a higher cruising altitude. The wings also serve as fuel storage, with longer-range models able to carry up to 47,890 US gallons (181,300 L) of fuel. This capacity allows the 777-200LR to operate ultra-long-distance, trans-polar routes such as Toronto to Hong Kong. In 2013, a new wing made of composite materials was introduced for the upgraded 777X, with a wider span and design features based on the 787's wings. Folding wingtips, 21 feet (6.40 m) long, were offered when the 777 was first launched, to appeal to airlines who might use gates made to accommodate smaller aircraft, but no airline purchased this option. Folding wingtips reemerged as a design feature at the announcement of the upgraded 777X in 2013. Smaller folding wingtips of 11 feet (3.35 m) in length will allow 777X models to use the same airport gates and taxiways as earlier 777s. These smaller folding wingtips are less complex than those proposed for earlier 777s, and internally only affect the wiring needed for wingtip lights. The aircraft features the largest landing gear and the biggest tires ever used in a commercial jetliner. The six-wheel bogies are designed to spread the load of the aircraft over a wide area without requiring an additional centerline gear. This helps reduce weight and simplifies the aircraft's braking and hydraulic systems. Each tire of a 777-300ER six-wheel main landing gear can carry a load of 59,490 lb (26,980 kg), which is heavier than other wide-bodies such as the 747-400. The aircraft has triple redundant hydraulic systems with only one system required for landing. A ram air turbine—a small retractable device which can provide emergency power—is also fitted in the wing root fairing. Interior The original 777 interior, also known as the Boeing Signature Interior, features curved panels, larger overhead bins, and indirect lighting. Seating options range from four to six–abreast in first class up to ten–abreast in economy. The 777's windows were the largest of any current commercial airliner until the 787, and measure 15 by 10 inches (380 by 250 mm) for all models outside the 777-8 and -9. The cabin also features "Flexibility Zones", which entails deliberate placement of water, electrical, pneumatic, and other connection points throughout the interior space, allowing airlines to move seats, galleys, and lavatories quickly and more easily when adjusting cabin arrangements. Several aircraft have also been fitted with VIP interiors for non-airline use. Boeing designed a hydraulically damped toilet seat cover hinge that closes slowly. In February 2003, Boeing introduced overhead crew rests as an option on the 777. Located above the main cabin and connected via staircases, the forward flight crew rest contains two seats and two bunks, while the aft cabin crew rest features multiple bunks. The Signature Interior has since been adapted for other Boeing wide-body and narrow-body aircraft, including 737NG, 747-400, 757-300, and newer 767 models, including all 767-400ER models. The 747-8 and 767-400ER have also adopted the larger, more rounded windows of the original 777. In July 2011, Flight International reported that Boeing was considering replacing the Signature Interior on the 777 with a new interior similar to that on the 787, as part of a move towards a "common cabin experience" across all Boeing platforms. With the launch of the 777X in 2013, Boeing confirmed that the aircraft would be receiving a new interior featuring 787 cabin elements and larger windows. Further details released in 2014 included re-sculpted cabin sidewalls for greater interior room, noise-damping technology, and higher cabin humidity. Air France has a 777-300ER sub-fleet with 472 seats each, more than any other international 777, to achieve a cost per available seat kilometer (CASK) around €.05, similar to Level's 314-seat Airbus A330-200, its benchmark for low-cost, long-haul. Competing on similar French overseas departments destinations, Air Caraïbes has 389 seats on the A350-900 and 429 on the -1000. French Bee's is even more dense with its 411 seats A350-900, due to 10-abreast economy seating, reaching a €.04 CASK according to Air France, and lower again with its 480 seats on the -1000. Engines The initial 777-200 model was launched with propulsion options from three manufacturers, General Electric, Pratt & Whitney, and Rolls-Royce, giving the airlines their choice of engines from competing firms. Each manufacturer agreed to develop an engine in the 77,000 lbf (340 kN) and higher thrust class (a measure of jet engine output) for the world's largest twinjet. Variants Boeing uses two characteristics – fuselage length and range – to define its 777 models. Passengers and cargo capacity varies by fuselage length: the 777-300 has a stretched fuselage compared to the base 777-200. Three range categories were defined: the A-market would cover domestic and regional operations, the B-market would cover routes from Europe to the US West coast and the C-market the longest transpacific routes. The A-market would be covered by a 4,200 nmi (7,800 km; 4,800 mi) range, 516,000 lb (234 t) MTOW aircraft for 353 to 374 passengers powered by 71,000 lbf (316 kN) engines, followed by a 6,600 nmi (12,200 km; 7,600 mi) B-market range for 286 passengers in three-class, with 82,000 lbf (365 kN) unit thrust and 580,000 lb (263 t) of MTOW, an A340 competitor, basis of an A-market 409 to 434 passengers stretch, and eventually a 7,600 nmi (14,000 km; 8,700 mi) C-market with 90,000 lbf (400 kN) engines. When referring to different variants, the International Air Transport Association (IATA) code collapses the 777 model designator and the -200 or -300 variant designator to "772" or "773". The International Civil Aviation Organization (ICAO) aircraft type designator system adds a preceding manufacturer letter, in this case "B" for Boeing, hence "B772" or "B773". Designations may append a range identifier like "B77W" for the 777-300ER by the ICAO, "77W" for the IATA, though the -200ER is a company marketing designation and not certificated as such. Other notations include "773ER" and "773B" for the -300ER. 777-200 The initial 777-200 made its maiden flight on June 12, 1994, and was first delivered to United Airlines on May 15, 1995. With a 545,000 lb (247 t) MTOW and 77,000 lbf (340 kN) engines, it has a range of 5,240 nautical miles (9,700 km; 6,030 mi) with 305 passenger seats in a three-class configuration. The -200 was primarily aimed at US domestic airlines, although several Asian carriers and British Airways have also operated the type. Nine different -200 customers have taken delivery of 88 aircraft, with 55 in airline service as of 2018. The competing Airbus aircraft was the A330-300. In March 2016, United Airlines shifted operations with all 19 of its -200s to exclusively domestic US routes, including flights to and from Hawaii, and added more economy class seats by shifting to a ten-abreast configuration (a pattern that matched American Airlines' reconfiguration of the type). As of 2019, Boeing no longer markets the -200, as indicated by its removal from the manufacturer's price listings for 777 variants. 777-200ER The B-market 777-200ER ("ER" for Extended Range), originally known as the 777-200IGW (increased gross weight), has additional fuel capacity and an increased MTOW enabling transoceanic routes. With a 658,000 lb (298 t) MTOW and 93,700 lbf (417 kN) engines, it has a 7,065 nmi (13,084 km; 8,130 mi) range with 301 passenger seats in a three-class configuaration. It was delivered first to British Airways on February 6, 1997. Thirty-three customers received 422 deliveries, with no unfilled orders as of 2019. As of 2018, 338 examples of the -200ER are in airline service. It competed with the A340-300. Boeing proposed the 787-10 to replace it. The value of a new -200ER rose from US$110 million at service entry to US$130 million in 2007; a 2007 model 777 was selling for US$30 million ten years later, while the oldest ones had a value around US$5–6 million, depending on the remaining engine time. The engine can be delivered de-rated with reduced engine thrust for shorter routes to lower the MTOW, reduce purchase price and landing fees (as 777-200 specifications) but can be re-rated to full standard. Singapore Airlines ordered over half of its -200ERs de-rated. 777-200LR The 777-200LR ("LR" for Long Range), the C-market model, entered service in 2006 as one of the longest-range commercial airliners. Boeing nicknamed it Worldliner as it can connect almost any two airports in the world, although it is still subject to ETOPS restrictions. It holds the world record for the longest nonstop flight by a commercial airliner. It has a maximum design range of 8,555 nautical miles (15,844 km; 9,845 mi) as of 2017. The -200LR was intended for ultra long-haul routes such as Los Angeles to Singapore. Developed alongside the -300ER, the -200LR features an increased MTOW and three optional auxiliary fuel tanks in the rear cargo hold. Other new features include extended raked wingtips, redesigned main landing gear, and additional structural strengthening. As with the -300ER and 777F, the -200LR is equipped with wingtip extensions of 12.8 ft (3.90 m). The -200LR is powered by GE90-110B1 or GE90-115B turbofans. The first -200LR was delivered to Pakistan International Airlines on February 26, 2006. Twelve different -200LR customers took delivery of 61 aircraft. Airlines operated 50 of the -200LR variant as of 2018. Emirates is the largest operator of the LR variant with 10 aircraft. The closest competing aircraft from Airbus are the discontinued A340-500HGW and the current A350-900ULR. 777-300 Launched at the Paris Air Show on June 26, 1995, its major assembly started in March 1997 and its body was joined on July 21, it was rolled-out on September 8 and made its first flight on October 16. The 777-300 was designed to be stretched by 20%: 60 extra seats to 368 in a three-class configuration, 75 more to 451 in two classes, or up to 550 in all-economy like the 747SR. The 33 ft (10.1 m) stretch is done with 17 ft (5.3 m) in ten frames forward and 16 ft (4.8 m) in nine frames aft for a 242 ft (73.8 m) length, 11 ft (3.4 m) longer than the 747-400. It uses the -200ER 45,200 US gal (171,200 L) fuel capacity and 84,000–98,000 lbf (374–436 kN) engines with a 580,000 to 661,000 lb (263.3 to 299.6 t) MTOW. It has ground maneuvering cameras for taxiing and a tailskid to rotate, while the proposed 716,000 lb (324.6 t) MTOW -300X would have needed a semi-levered main gear. Its overwing fuselage section 44 was strengthened, with its skin thickness going from the -200's 0.25 to 0.45 in (6.3 to 11.4 mm), and received a new evacuation door pair. Its operating empty weight with Rolls-Royce engines in typical tri-class layout is 343,300 lb (155.72 t) compared to 307,300 lb (139.38 t) for a similarly configured -200. Boeing wanted to deliver 170 -300s by 2006 and to produce 28 per year by 2002, to replace early Boeing 747s, burning one-third less fuel with 40% lower maintenance costs. With a 660,000 lb (299 t) MTOW and 90,000 lbf (400 kN) engines, it has a range of 6,005 nautical miles (11,121 km; 6,910 mi) with 368 passengers in three-class. Eight different customers have taken delivery of 60 aircraft of the variant, of which 18 were powered by the PW4000 and 42 by the RR Trent 800 (none were ordered with the GE90, which was never certified on this variant), with 48 in airline service as of 2018. The last -300 was delivered in 2006 while the longer-range -300ER started deliveries in 2004. 777-300ER The 777-300ER ("ER" for Extended Range) is the B-market version of the -300. Its higher MTOW and increased fuel capacity permits a maximum range of 7,370 nautical miles (13,650 km; 8,480 mi) with 392 passengers in a two-class seating arrangement. The 777-300ER features extended raked wingtips, a strengthened fuselage and wings and a modified main landing gear. Its wings have an aspect ratio of 9.0. It is powered by the GE90-115B turbofan, the world's most powerful jet engine with a maximum thrust of 115,300 lbf (513 kN). Following flight testing, aerodynamic refinements have reduced fuel burn by an additional 1.4%. At Mach 0.839 (495 kn; 916 km/h), FL300, -59 °C and at a 513,400 lb (232.9 t) weight, it burns 17,300 lb (7.8 t) of fuel per hour. Its operating empty weight is 371,600 lb (168.6 t). The projected operational empty weight is 371,610 lb (168,560 kg) in airline configuration, at a weight of 477,010 lb (216,370 kg) and FL350, total fuel flow is 15,000 lb/h (6,790 kg/h) at Mach 0.84 (495 kn; 917 km/h), rising to 19,600 lb/h (8,890 kg/h) at Mach 0.87 (513 kn; 950 km/h). Since its launch, the -300ER has been a primary driver of the airplane's sales past the rival A330/340 series. Its direct competitors have included the Airbus A340-600 and the A350-1000. Using two engines produces a typical operating cost advantage of around 8–9% for the -300ER over the A340-600. Several airlines have acquired the -300ER as a 747-400 replacement amid rising fuel prices given its 20% fuel burn advantage. The -300ER has an operating cost of $44 per seat hour, compared to an Airbus A380's roughly $50 per seat hour and $90 per seat hour for a Boeing 747-400 as of 2015. The first 777-300ER was delivered to Air France on April 29, 2004. The -300ER is the best-selling 777 variant, having surpassed the -200ER in orders in 2010 and deliveries in 2013. As of 2018, 784 units of the -300ER variant were in service, and as of 2020, the best-seller had a total of 837 orders and 832 deliveries. 777 Freighter The 777 Freighter (777F) is an all-cargo version of the twinjet, and shares features with the -200LR; these include its airframe, engines, and fuel capacity. With a maximum payload of 228,700 lb (103,700 kg) (similar to the 243,000 lb (110,000 kg) of the Boeing 747-200F), it has a maximum range of 9,750 nmi (18,057 km; 11,220 mi)) or 4,970 nmi (9,200 km; 5,720 mi)) at its max structural payload. The 777F also features a new supernumerary area, which includes four business-class seats forward of the rigid cargo barrier, full main deck access, bunks, and a galley. As the aircraft promises improved operating economics compared to older freighters, airlines have viewed the 777F as a replacement for freighters such as the Boeing 747-200F, McDonnell Douglas DC-10, and McDonnell Douglas MD-11F. The first 777F was delivered to Air France on February 19, 2009. As of April 2021, 247 freighters have been ordered by 25 different customers with 45 unfilled orders. Operators had 202 of the 777F in service as of 2018. In the 2000s, Boeing began studying the conversion of 777-200ER and -200 passenger airliners into freighters, under the name 777 BCF (Boeing Converted Freighter). The company has been in discussion with several airline customers, including FedEx Express, UPS Airlines, and GE Capital Aviation Services, to provide launch orders for a 777 BCF program. 777-300ER Special Freighter (SF) In July 2018, Boeing was studying a 777-300ER freighter conversion, targeted for the volumetric market instead of the density market served by the 777F. After having considered a -200ER P2F program, Boeing was hoping to conclude its study by the Fall as the 777X replacing aging -300ERs from 2020 will generate feedstock. New-build 777-300ERs may maintain the delivery rate at five per month, to bridge the production gap until the 777X is delivered. Within the 811 777-300ERs delivered and 33 to be delivered by October 2019, GE Capital Aviation Services (GECAS) anticipates up to 150-175 orders through 2030, the four to five month conversion costing around $35 million. In October 2019, Boeing and Israeli Aerospace Industries (IAI) launched the 777-300ERSF passenger to freighter conversion program with GECAS ordering 15 aircraft and 15 options, the first aftermarket 777 freighter conversion program. In June 2020, IAI received the first 777-300ER to be converted, from GECAS. In October 2020, GECAS announced the launch operator from 2023: Michigan-based Kalitta Air, already operating 24 747-400Fs, nine 767-300ERFs and three 777-200LRFs. IAI should receive the first aircraft in December 2020 while certification and service entry was scheduled for late 2022. The converted aircraft has a maximum payload of 224,000 lb (101.6 t), a range of 4,500 nmi (8,300 km; 5,200 mi) and shares the door aperture and aft position of the 777F. It has a cargo volume capacity of 28,900 cu ft (819 m3), 5,800 cu ft (164 m3) greater than the 777F (or 25% more) and can hold 47 standard 96 x 125 in pallet (P6P) positions, 10 more positions than a 777-200LRF or eight more than a 747-400F. With windows plugged, passenger doors deactivated, fuselage and floor reinforced, and a main-deck cargo door installed, the 777-300ERSF has 15% more volume than a 747-400BCF. By March 2023, IAI had completed the 777-300ER first flight, converted for AerCap, as it had a backlog over 60 orders. 777X The 777X is to feature new GE9X engines and new composite wings with folding wingtips. It was launched in November 2013 with two variants: the 777-8 and the 777-9. The 777-8 provides seating for 395 passengers and has a range of 8,745 nmi (16,196 km; 10,064 mi), while the 777-9 has seating for 426 passengers and a range of over 7,285 nmi (13,492 km; 8,383 mi). A longer 777-10X, 777X Freighter, and 777X BBJ variants have also been proposed. Government and corporate Versions of the 777 have been acquired by government and private customers. The main purpose has been for VIP transport, including as an air transport for heads of state, although the aircraft has also been proposed for other military applications. 777 Business Jet (777 VIP) – the Boeing Business Jet version of the 777 that is sold to corporate customers. Boeing has received orders for 777 VIP aircraft based on the 777-200LR and 777-300ER passenger models. The aircraft are fitted with private jet cabins by third party contractors, and completion may take three years. KC-777 – this was a proposed tanker version of the 777. In September 2006, Boeing announced that it would produce the KC-777 if the United States Air Force (USAF) required a larger tanker than the KC-767, able to transport more cargo or personnel. In April 2007, Boeing offered its 767-based KC-767 Advanced Tanker instead of the KC-777 to replace the smaller Boeing KC-135 Stratotanker under the USAF's KC-X program. Boeing officials have described the KC-777 as suitable for the related KC-Z program to replace the wide-body McDonnell Douglas KC-10 Extender. In 2014, the Japanese government chose to procure two 777-300ERs to serve as the official air transport for the Emperor of Japan and Prime Minister of Japan. The aircraft, operated by the Japan Air Self-Defense Force under the callsign Japanese Air Force One, entered service in 2019 and replaced two 747-400s - the 777-300ER was specifically selected by the Ministry of Defense owing to its similar capabilities to the preceding 747 pair. Besides VIP transport, the 777s are also intended for use in emergency relief missions. 777s are serving or have served as official government transports for nations including Gabon (VIP-configured 777-200ER), Turkmenistan (VIP-configured 777-200LR) and the United Arab Emirates (VIP-configured 777-200ER and 777-300ER operated by Abu Dhabi Amiri Flight). Prior to returning to power as Prime Minister of Lebanon, Rafic Hariri acquired a 777-200ER as an official transport. The Indian government purchased two Air India 777-300ERs and converted them for VVIP transport operated by the Indian Air Force under the callsign Air India One; they entered service in 2021 replacing the Air India-owned 747s. In 2014, the USAF examined the possibility of adopting modified 777-300ERs or 777-9Xs to replace the Boeing 747-200 aircraft used as Air Force One. Although the USAF had preferred a four-engine aircraft, this was mainly due to precedent (existing aircraft were purchased when the 767 was just beginning to prove itself with ETOPS; decades later, the 777 and other twin jets established a comparable level of performance to quad-jet aircraft). Ultimately, the Air Force decided against the 777, and selected the Boeing 747-8 to become the next presidential aircraft. Experimental Boeing has used 777 aircraft in two research and development programs. The first program, the Quiet Technology Demonstrator (QTD) was run in collaboration with Rolls-Royce and General Electric to develop and validate engine intake and exhaust modifications, including the chevrons subsequently used in the 737 MAX, 747-8 and 787 series. The tests were flown in 2001 and 2005. A further program, the ecoDemonstrator series, is intended to test and develop technologies and techniques to reduce aviation's environmental impact. The program started in 2011, with the first ecoDemonstrator aircraft flying in 2012. Various airframes have been used since to test a wide variety of technologies in collaboration with a range of industrial partners. 777s have been used on three occasions as of 2024. The first of these, a 777F in 2018, performed the world's first commercial airliner flights using 100% sustainable aviation fuel (SAF). In 2022, the testbed is a 777-200ER. Operators Boeing customers that have received the most 777s are Emirates, Singapore Airlines, United Airlines, ILFC, and American Airlines. Emirates is the largest airline operator as of 2018, and is the only customer to have operated all 777 variants produced, including the -200, -200ER, -200LR, -300, -300ER, and 777F. The 1,000th 777 off the production line, a -300ER set to be Emirates' 102nd 777, was unveiled at a factory ceremony in March 2012. A total of 1,416 aircraft (all variants) were in airline service as of 2018, with Emirates (163), United Airlines (91), Air France (70), Cathay Pacific (69), American Airlines (67), Qatar Airways (67), British Airways (58), Korean Air (53), All Nippon Airways (50), Singapore Airlines (46), and other operators with fewer aircraft of the type. In 2017, 777 Classics are reaching the end of their mainline service: with a -200 age ranging from three to 22 years, 43 Classic 777s or 7.5% of the fleet have been retired. Values of 777-200ERs have declined by 45% since January 2014, faster than Airbus A330s and Boeing 767s with 30%, due to the lack of a major secondary market but only a few budget, air charters and ACMI operators. In 2015, Richard H. Anderson, then Delta Air Lines' chairman and chief executive, said he had been offered 777-200s for less than US$10 million. To keep them cost-efficient, operators densify their 777s for about US$10 million each, like Scoot with 402 seats in its dual-class -200s, or Cathay Pacific which switched the 3–3–3 economy layout of 777-300s to 3–4–3 to seat 396 on regional services. Orders and deliveries The 777 surpassed 2,000 orders by the end of 2018. Orders and deliveries through September 2024 Orders through September 30, 2024 and deliveries Boeing 777 orders and deliveries (cumulative, by year):  Orders  Deliveries Orders and deliveries through September 30, 2024 Accidents and incidents As of May 2024, the 777 had been involved in 31 aviation accidents and incidents, including a total of eight hull losses (five in-flight accidents), resulting in 542 fatalities (including three fatalities due to ground casualties), along with three hijackings. The first fatality involving the twinjet occurred in a fire while an aircraft was being refueled at Denver International Airport in the United States on September 5, 2001, during which a ground worker sustained fatal burns. The aircraft, operated by British Airways, sustained fire damage to the lower wing panels and engine housing; it was later repaired and returned to service. The first hull loss occurred on January 17, 2008, when a 777-200ER with Rolls-Royce Trent 895 engines, flying from Beijing to London as British Airways Flight 38, crash-landed approximately 1,000 feet (300 m) short of Heathrow Airport's runway 27L and slid onto the runway's threshold. There were 47 injuries and no fatalities. The impact severely damaged the landing gear, wing roots and engines. The accident was attributed to ice crystals suspended in the aircraft's fuel clogging the fuel-oil heat exchanger (FOHE). Two other minor momentary losses of thrust with Trent 895 engines occurred later in 2008. Investigators found these were also caused by ice in the fuel clogging the FOHE. As a result, the heat exchanger was redesigned. The second hull loss occurred on July 29, 2011, when a 777-200ER scheduled to operate as EgyptAir Flight 667 suffered a cockpit fire while parked at the gate at Cairo International Airport before its departure. The aircraft was evacuated with no injuries, and airport fire teams extinguished the fire. The aircraft sustained structural, heat and smoke damage, and was written off. Investigators focused on a possible short circuit between an electrical cable and a supply hose in the cockpit crew oxygen system. The third hull loss occurred on July 6, 2013, when a 777-200ER, operating as Asiana Airlines Flight 214, crashed while landing at San Francisco International Airport after touching down short of the runway. The 307 surviving passengers and crew on board evacuated before fire destroyed the aircraft. Two passengers, who had not been wearing their seatbelts, were ejected from the aircraft during the crash and were killed. A third passenger died six days later as a result of injuries sustained during the crash. These were the first fatalities in a crash involving a 777 since its entry into service in 1995. The official accident investigation concluded in June 2014 that the pilots committed 20 to 30 minor to significant errors in their final approach. Deficiencies in Asiana Airlines' pilot training and in Boeing's documentation of complex flight control systems were also cited as contributory factors. The fourth hull loss occurred on March 8, 2014, when a 777-200ER carrying 227 passengers and 12 crew, en route from Kuala Lumpur to Beijing as Malaysia Airlines Flight 370, was reported missing. Air Traffic Control's last reported coordinates for the aircraft were over the South China Sea. After the search for the aircraft began, Malaysia's prime minister announced on March 24, 2014, that after analysis of new satellite data it was now to be assumed "beyond reasonable doubt" that the aircraft had crashed in the Indian Ocean and there were no survivors. The cause remains unknown, but the Malaysian Government in January 2015, declared it an accident. US officials believe the most likely explanation to be that someone in the cockpit of Flight 370 re-programmed the aircraft's autopilot to travel south across the Indian Ocean. On July 29, 2015, an item later identified as a flaperon from the still missing aircraft was found on the island of Réunion in the western Indian Ocean, consistent with having drifted from the main search area. The fifth hull loss occurred on July 17, 2014, when a 777-200ER, bound for Kuala Lumpur from Amsterdam as Malaysia Airlines Flight 17 (MH17), was shot down by an anti-aircraft missile while flying over eastern Ukraine. All 298 people (283 passengers and 15 crew) on board were killed, making this the deadliest crash involving the Boeing 777. The incident was linked to the ongoing War in Donbas. On the basis of the Dutch Safety Board and the Joint Investigation Team official conclusions of May 2018, the governments of the Netherlands and Australia hold Russia responsible for the deployment of the Buk missile system used in shooting down the airliner from territory held by pro-Russian separatists. The sixth hull loss occurred on August 3, 2016, when a 777-300 crashed while landing and caught fire at Dubai Airport at the end of its flight as Emirates Flight 521. The preliminary investigation indicated that the aircraft was attempting a landing during active wind shear conditions. The pilots initiated a go-around procedure shortly after the wheels touched-down onto the runway; however, the aircraft settled back onto the ground, apparently due to late throttle application. As the undercarriage was in the process of being retracted, the aircraft landed on its rear underbody and engine nacelles, resulting in the separation of one engine, loss of control and subsequent crash. There were no passenger casualties of the 300 people on board, but one airport fireman was killed fighting the fire. The aircraft's fuselage and right wing were irreparably damaged by the fire. The seventh hull loss occurred on November 29, 2017, when a Singapore Airlines 777-200ER experienced a fire while being towed at Singapore Changi Airport. An aircraft technician was the only occupant on board and evacuated safely. The aircraft sustained heat damage and was written off. Another fire occurred on July 22, 2020 to an Ethiopian Airlines 777F while at the cargo area of Shanghai Pudong International Airport. The aircraft sustained heat damage and was written off as the eighth hull loss. On February 20, 2021, a 777-200 operating as United Airlines Flight 328 suffered a failure of its starboard engine. The cowling and other engine parts fell over a Denver suburb. The captain declared an emergency and returned to land at the Denver airport. An immediate examination, before any formal investigation, found that two fan blades had broken off. One blade had suffered metal fatigue and may have chipped another blade, which also broke off. Boeing recommended suspending flights of all 128 operational 777s equipped with Pratt & Whitney PW4000 engines until they had been inspected. Several countries also restricted flights of PW4000-equipped 777s in their territory. In 2018, there had been a similar issue on United Airlines Flight 1175 from San Francisco to Hawaii, involving another 777-200 equipped with the same engine type. On May 21, 2024, Singapore Airlines Flight 321, operated by a 777-300ER, encountered severe turbulence over the Andaman Sea that injured 104 passengers and led to the death of one passenger (who died of a suspected heart attack). Aircraft on display The first prototype Boeing 777-200, B-HNL (ex. N7771), was retired in mid-2018 amid press reports that it was to be displayed at the Museum of Flight in Seattle, although the museum subsequently denied the reports. On September 18, 2018, Cathay Pacific and Boeing announced that B-HNL would be donated to the Pima Air & Space Museum near Tucson, Arizona, where it would be placed on permanent display. This aircraft, which had previously been in regular use by Cathay Pacific between 2000 and 2018, was manufactured in 1994 and was delivered to the airline after spending six years with Boeing. The forward fuselage section and cockpit of a former Korean Air Boeing 777-200ER, HL7531, has been installed at the Dongwon Institute of Science and Technology as an educational facility for students that are training in aerospace fields. The flight deck and portions of the first class and economy class cabins have been retained, whereas the forward cargo hold has been converted into a meeting area. The installation was completed in October 2022. A former Korean Air 777-200ER, HL7526, was partially disassembled and installed near the Department of Aeronautical Engineering at Inha University in 2024. Three retired Saudia 777-200ER aircraft, formerly registered HZ-AKG, HZ-AKK, and HZ-AKP, respectively, were transported by road from Jeddah to Riyadh in September 2024 to be displayed at the Riyadh Season exhibition. The fuselage of each aircraft was to be used as a tourist attraction featuring aviation-themed exhibits and/or dining and retail options. Specifications See also Competition between Airbus and Boeing Aircraft of comparable role, configuration, and era Airbus A330 – Wide-body twin-engine jet airliner Airbus A340 – AircraftPages displaying short descriptions with no spaces Airbus A350 XWB – Family of long-range, wide-body jet airlinersPages displaying short descriptions of redirect targets Boeing 787 Dreamliner – Boeing wide-body jet airliner introduced in 2011 Ilyushin Il-96 – Russian long-range wide-body airliner McDonnell Douglas MD-11 – Wide body airliners developed from the DC-10 Related lists List of Boeing 777 operators List of Boeing 777 orders and deliveries List of Boeing 777X orders and deliveries List of Boeing customer codes List of commercial jet airliners List of civil aircraft References Footnotes Citations Bibliography External links Official website
Emirates_(airline)
https://en.wikipedia.org/wiki/Emirates_(airline)
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[ "https://en.wikipedia.org/wiki/Emirates_(airline)#Services" ]
Emirates (Arabic: طَيَران الإمارات DMG: Ṭayarān Al-Imārāt) is one of the two flag carriers of the United Arab Emirates (the other being Etihad Airways). Based in Garhoud, Dubai, the airline is a subsidiary of The Emirates Group, which is owned by the government of Dubai's Investment Corporation of Dubai. It is the largest airline in the Middle East, operating more than 3,600 flights per week from its hub at Terminal 3 of Dubai International Airport. It operates to more than 150 cities in 80 countries across six continents on its fleet of nearly 250 aircraft. Cargo activities are undertaken by Emirates SkyCargo. Emirates is the world's fourth-largest airline by scheduled revenue passenger-kilometers flown. It is also the second-largest in terms of freight tonne-kilometers flown. During the mid-1980s, Gulf Air began to cut back its services to Dubai. As a result, Emirates was founded on 15 March 1985, with backing from Dubai's royal family and its first two aircraft provided by Pakistan International Airlines. With $10 million in start-up capital, it was required to operate independently of government subsidies. Pakistan International Airlines also provided free training facilities to Emirates' cabin crew at Karachi Airport. The airline was founded by Ahmed bin Saeed Al Maktoum, the airline's present chairman. In the years following its founding, the airline rapidly expanded both its fleet and its destinations. In October 2008, Emirates moved all of its operations at Dubai International Airport to Terminal 3. Emirates operates a mixed fleet of Airbus and Boeing wide-body aircraft and is one of the few airlines to operate an all-wide-body aircraft fleet (excluding Emirates Executive). As of August 2024, Emirates is the world's largest Airbus A380 operator with 123 aircraft in service. Since its introduction, the Airbus A380 has become an integral part of the Emirates fleet, especially on long-haul, high-density routes. Emirates is also the world's largest Boeing 777 operator with 133 aircraft in service. History Emirates was founded in March 1985 with backing from Dubai's ruler, Mohammed bin Rashid Al Maktoum. On 3 July 1987, A6-EKA flew from Toulouse to Dubai as Emirates took delivery of its first owned aircraft, an Airbus A310-304. On 25 October 1985, Emirates operated its first flight from Dubai to Karachi and Mumbai, using the Airbus A300 B4 and the Boeing 737 both wet-leased from Pakistan International Airlines. During its early years, Emirates experienced strong growth, averaging 30% annually. The Gulf War helped boost business for the airline as it was the only airline to continue flying in the last ten days of the war. In 2000, the airline placed an order for a large number of aircraft, including the Boeing 777-300 and the Airbus A380, and also launched its frequent flyer program, Skywards. Since then, the airline has continued to expand its fleet and network, with a focus on operating flights to anywhere in the world via Dubai and competing with other major airlines on international routes. Its growth has attracted criticism from other carriers, who claim that the airline has unfair advantages and have called for an end to open-skies policies with the UAE as a result. In 2017, Emirates "renewed its aircraft buying spree" and agreed to buy a number of Boeing's 787 Dreamliners for $15.1 billion. The Wall Street Journal described the deal as a "painful loss" for Airbus. In 2023, Emirates ordered $50 billion of Boeing jets with their sister airline, flyDubai at the Dubai Airshow. Emirates ordered 90 aircraft, including both versions of the new long-haul jet. Corporate management The airline is a subsidiary of The Emirates Group, which is a subsidiary of the Dubai government's investment company, Investment Corporation of Dubai. The airline has recorded a profit every year, except its second year, and the growth has never fallen below 20% a year. In its first 11 years, it doubled in size every 3.5 years, and has every four years since. In 2015, Emirates paid dividends worth AED2.6 billion (US$708 million), compared to AED1 billion (US$272 million) in 2014. The government has received AED14.6 billion from Emirates since dividends started being paid in 1999 for having provided an initial start-up capital of US$10 million and an additional investment of about US$80 million at the time of the airline's inception. The Dubai government is the sole owner of the company, but it does not put any new money into it, nor does it interfere with running the airline. Structure and employment Emirates has diversified into related industries and sectors, including airport services, engineering, catering, and tour operator operations. Emirates has seven subsidiaries and its parent company has more than 50. At the end of the fiscal year on 31 March 2020, the company employed a total of 59,519 staff, of which 21,789 were cabin crew, 4,313 were flight deck crew, 3,316 were in engineering, 12,627 were listed as other, 5,376 employees were at overseas stations, and 12,098 were at subsidiary companies.: 72  The Emirates Group employed a total of 105,730 employees.: 184  Emirates provides its employees with benefits such as comprehensive health plans and paid maternity and sick leave. Another strategy employed by Emirates is to use profit sharing and merit pay as part of its competency-based approach to performance management. In 2023 and 2024, the group awarded its employees hefty bonuses as their share of the company's profits earned in those years. In 2023 employees got 24 weeks of pay as they bonus and in 2024 they received 20 weeks of pay. Environmental record The airline claims to have lower emissions than other airlines because its fleet has an average fuel burn of fewer than 4 litres for every 100 passenger–kilometers. In 2023, the airline announced it would invest $200 million over three years to find research and development regarding the reduction of fossil fuels in commercial aviation, including investing in the development of fuel and energy alternatives and solutions. The key trends for Emirates are (as of the financial year ending 31 March): Branding In the 1990s, Emirates launched its first set of commercials all with the slogan "So be good to yourself, Fly Emirates". In 1999, it launched a very rare A330-200 commercial with different pictures showing the aircraft painted in the original livery and the livery used from 1999 until 2023, which was launched a few months prior. Commercials reappeared beginning in 2002 and the airline adopted the slogan "Fly Emirates. Keep Discovering" in 2004. In the 2010s, Emirates utilised multiple slogans in its advertising including "Fly Emirates. Keep Discovering", "Fly Emirates To over Six Continents", and "Hello Tomorrow". Emirates currently uses the slogan "Fly Better". Emirates introduced a new uniform design in August 2008 for its 16,000 staff, designed by Simon Jersey. The offboard uniform includes the Emirates hat, red kick-pleats in the skirts, more fitted blouses, and the return of red leather shoes and handbags. For the onboard uniform, male and female cabin crew wear service waistcoats in place of the previously worn service jackets and tabards. The male flight attendants wear a chocolate brown suit, featuring pinstripes, with a cream shirt and caramel, honey, and red tie. Both male and female pursers wear this chocolate brown color, but with no red featured. Since its formation in 1985, Emirates aircraft have carried a section of the United Arab Emirates flag on the tail fins, a calligraphy version of the logo in Arabic on the engines, and the "Emirates" logo on the fuselage both in Arabic and English. The colour scheme used since 1985 was changed in November 1999. This change including the modification of logotype, the enlargement and movement of the English logo (the Arabic remaining smaller) towards the front of the aircraft, and a different, flowing flag on the tailfin. In 2022, Emirates launched two commercials featuring a flight attendant standing on the spire of the Burj Khalifa. The first commercial was about the UAE moving to the UK's Amber list in the wake of the COVID-19 travel restrictions. The second commercial was to promote the Expo 2020 event with an Airbus A380, painted in a special livery, circling the woman. The woman in the videos was actually a qualified stuntwoman dressed as an Emirates flight attendant. Sponsorship Infrastructure From 2011 until 2022, Emirates sponsored the Emirates Air Line cable car over the River Thames in East London. Since 2015, Emirates has sponsored the England-based Spinnaker Tower in Portsmouth on the south coast. The airline had £3.5 million worth of plans to paint the landmark red, but after discussion with the residents of Portsmouth and Southsea, Emirates agreed the tower was to be coloured blue and gold, with red lettering of the Emirates sponsor, for the reason that Portsmouth F.C. (the local football team) is coloured blue and rival football team Southampton F.C. is coloured red. It is now named "Emirates Spinnaker Tower". Cricket Emirates sponsors Cricket Australia, Lord's Taverners, and Pro Arch Tournament. Its branding also features on international cricket umpires shirts. Emirates was also an official partner of the International Cricket Council. The deal gives Emirates association with all major ICC tournaments, including the 2011, 2015, and 2019 ICC Cricket World Cups, ICC Champions Trophy, and ICC World Twenty20. Emirates is the Twenty20 shirt sponsor of Durham County Cricket Club and holds the naming rights to the Riverside Ground, now known as Emirates Riverside, as well as the naming rights to the Emirates Old Trafford Cricket Ground, and is the shirt sponsor of Lancashire County Cricket Club. Emirates was also the major sponsor of the Kings XI Punjab (seasons two-four) and Deccan Chargers (season five) the teams of the Indian Premier League, the largest domestic cricket tournament in the world. Football Emirates was a sponsor of FIFA and the FIFA World Cup, but stopped its sponsorship in early 2015 because of allegations of corruption and bribery within FIFA, as well as FIFA's controversial decision to award the 2022 FIFA World Cup to Qatar. Since the 2006–07 season, it has been the primary shirt sponsor of Arsenal (2006 to 2028), AC Milan since the 2010–11 season, Real Madrid since the 2013–14 season, Benfica since the 2015–16 season, Olympique Lyonnais since the 2020–21 season, and Étoile du Sahel since the 2023–24 season. It is also the primary shirt sponsor of the New York Cosmos. Emirates is also the title sponsor of the FA Cup, Emirates Cup, and Arsenal's Emirates Stadium. It was the primary shirt sponsor of Chelsea from August 2001 until May 2005, Paris Saint-Germain (until May 2019), and Hamburger SV until June 2020. In August 2009 the Scottish Junior Football Association announced that Emirates would sponsor its Scottish Cup competition. Emirates is the sponsor of Asian Football Confederation travel and play, in AFC Champions League and AFF Suzuki Cup. Arsenal Arsenal WFC Lyon AC Milan AC Milan WFC Real Madrid Real Madrid B Real Madrid W Benfica Benfica B Benfica under-19 Étoile du Sahel Rugby league Emirates has sponsored the Super League Rugby League team, the Warrington Wolves between 2013 and 2017. The multi-year sponsorship cost has been touted as around £300,000 annually. Rugby union Since 2015, Emirates has been also the sponsor of the Super Rugby South African team the Lions, as well as having the naming rights of the team and Ellis Park rugby stadium. It is also the main sponsor of USA Rugby. Emirates is the sponsor of the World Rugby panel of international referees. Basketball On 23 September 2019, Emirates partnered with Beirut Basketball Club to sponsor their 2019-2020 season, the deal included branding opportunities during televised matches, social media activation rights and game ticket allocations. The season was later canceled amidst the Covid-19 pandemic. Emirates later signed a multi-year sponsorship with the club in September 2023 becoming its official airline and jersey sponsor for the next three seasons. On 8 February 2024, Emirates signed a multi year partnership with the National Basketball Association (NBA) to become the official airline of the league, this deal also includes getting the naming rights for the NBA Cup, becoming the Emirates NBA Cup starting in the 2024 season. This deal also will see a Emirates patch come onto NBA referee jerseys Other sports In horse racing, Emirates sponsors the Dubai International Racing Carnival. It sponsored the Australian Turf Club's Autumn and Spring Carnival until 2011, and the Melbourne Cup Carnival from 2003 until 2017. Emirates is also a regular sponsor of the equestrian sport showjumping, notably at events in Dubai with the CSI5* Emirates Airline Dubai Grand Prix, and with the Longines Masters series, which currently runs CSI5* competitions in Hong Kong, Paris, and New York (formerly held in Los Angeles). Emirates is one of the main sponsors of the Australian and the French Opens at the start of the 2021 season after returning from the first signed the contract in 2016. Emirates is the major sponsor of the Emirates Team New Zealand, winners of the 35th America's Cup in sailing. Emirates was a sponsor of the British Formula One (F1) team McLaren in the 2006 season. It was also the official airline sponsor of Formula One from the 2013 season until the 2022 season. It was outbid by rival Qatar Airways for the 2023 season. Since the 2012 season, Emirates has sponsored the US Open Series, a six-week summer tennis season leading up to the US Open. Its sponsorship was to run until 2019. Emirates also sponsors Collingwood Football Club in the Australian Football League, and FC Dallas in Major League Soccer. Since the 2016 season, Emirates is the official airline of the Los Angeles Dodgers of Major League Baseball. Since 2017, Emirates has been the sponsor of the UAE Team Emirates (former Team Lampre-Mérida), which is a UCI World Tour Cycling Team. Being World Tour, the team obtains automatic entry to the Tour de France, Giro d'Italia, and Vuelta a Espana, as well as all the major one-day races. Spokesperson In 2015, Jennifer Aniston starred in two commercials for the airline. Since 2023, Penélope Cruz has been the brand ambassador for Emirates. Expo 2020 Emirates became one of the official premier partners of the Expo 2020 event hosted by Dubai. To commemorate the event, Emirates unveiled a special livery in three colours (orange, green, and blue) to represent the three themes of the event, namely, Opportunity, Sustainability, and Mobility, respectively. One of its A380s was painted in a blue, nose-to-tail livery that said, "Join The Making of a New World". The sponsorship lasted from 1 October 2021, till the event's closure on 31 March 2022. Destinations As of August 2024, Emirates operates over 3,000 flights every week across its network of 137 destinations in 77 countries across six continents from its hub in Dubai. Alliance Emirates has partnerships with other airlines, but is not a member of any of the three global airline alliances – Oneworld, SkyTeam, or Star Alliance. In 2000, the airline briefly considered joining Star Alliance, but opted to remain independent. The reasoning for this was later revealed by the senior vice president of the airline's commercial operations worldwide that, "Your ability to react in the marketplace is hindered because you need a consensus from your alliance partners". Codeshare agreements Emirates codeshares with the following airlines: Divisions Emirates SkyCargo Emirates SkyCargo is the cargo division of Emirates. It began operations in October 1985, the same year Emirates was formed, and launched its own aircraft services in 2001 with a Boeing 747 Freighter. It serves 10 exclusive cargo destinations, besides others in common with the Emirates passenger network. During the 2020 pandemic, SkyCargo also began to operate 777-300ER and A380 passenger aircraft as preighters to expand their total cargo capacity. In 2022, Emirates ordered 5 more Boeing 777 freighters, up from their 11 at the time. Emirates Executive Emirates Executive was launched in 2013 for corporate and private charters. It operates a single Airbus ACJ319 business jet, accommodating 19 people. It features a mix of private suites and seating, a lounge, a dining area, and bathrooms with full-height showers. Fleet As of July 2023, Emirates operates a fleet of 249 passenger aircraft and 11 cargo aircraft operated by Emirates SkyCargo. Emirates operates the largest fleet of both the Airbus A380 and Boeing 777 aircraft in the world, with one A319 as an executive jet (this is painted in a plain white livery). Emirates has had no narrow-body aircraft in its mainline fleet since 1995. In July 2014, Emirates finalized an order for 150 Boeing 777X aircraft (this number was later reduced, see below), consisting of 35 777-8s and 115 777-9s, and was expected to become the launch operator for the 777X in mid-2020. In November 2017, it signed a commitment for 40 787-10s, but by early 2019, it was considering cancelling this order because engine margins were insufficient for the hot Dubai weather, in favour of the Airbus A350. In February 2019, Emirates signed a memorandum of understanding with Airbus for 40 A330-900s and 30 A350-900s, while reducing its total A380 order to eight (with the last one to be delivered in 2022) after which Airbus planned to cease production of the A380. Emirates received the final A380 (registration A6-EVS) built by Airbus on 16 December 2021. It was the 123rd A380 to join the fleet. The delivery officially marked the end of the Airbus A380 production 14 years after the first delivery to Singapore Airlines in 2007. In November 2019, Emirates announced an order of 50 A350-900s worth US$16 billion that superseded the February memorandum of understanding. Also in November 2019, Emirates placed an order for 30 Boeing 787-9 Dreamliners for a value of US$8.8 billion, while reducing its order of 777Xs from 150 to 126. In December 2019, Emirates clarified that 11 of its 777X orders were subject to reconfirmation, but the overall number of orders had not been reduced. Being the largest operator of the A380, Emirates maintains its fleet via the MRO subsidiary of Safran, OEMServices. On 13 November 2023, at the Dubai Airshow, Emirates finalized an order of 90 777X aircraft, US$52 Billion, including 50 Boeing 777-9 aircraft and 35 Boeing 777-8 aircraft. This brings the total Boeing 777X backlog to 205 aircraft. Another 5 Boeing 787 Dreamliners were ordered, growing Emirates' 787 backlog to 35 – while converting 30 787-9s to 20 787-8 and 10 787-10 aircraft. On 16 November 2023, also at the Dubai Airshow, Emirates ordered an additional 15 Airbus A350-900s worth US$6 billion, bringing the total of A350-900s ordered by Emirates to 65. Livery First livery (1985–1999) The first livery of Emirates, created by Negus & Negus, was similar to the second livery, except that the company name "Emirates" was written in a different font; it was relatively smaller, located on the top of the windows; and it was followed by the company name in Arabic. All aircraft wearing the 1st generation livery were either repainted or retired. This livery was retired by 2005 as the last aircraft with the first generation livery (an Airbus A310-300) was repainted to the second generation livery. Second livery (1999–2023) The second Emirates livery, which featured a UAE flag on the vertical stabiliser and a white fuselage, with the golden word "Emirates" painted on the upper fuselage, was introduced in November 1999 on the Boeing 777-300 and on all Airbus A330/A340 aircraft that were delivered from November 1999. The livery rolled out shortly after in 2000 on the rest of the Emirates fleet, and Emirates repainted all aircraft to this livery by 2005. The second Emirates livery also kept the Arabic company name, but the font size was smaller than the one from the first Emirates livery. The Emirates logo in Arabic is painted gold on all engines. The livery was updated in 2005, which the red word "Emirates" was introduced painted on the belly of the fuselage. Current livery (2023–present) On 16 March 2023, Emirates revealed their new livery. The livery features a more dynamic, flowing design of the UAE flag on the tailfin with a 3D effect. The wingtips are now painted red, displaying the Emirates logo in white Arabic calligraphy. Passengers with window seats are able to see the UAE flag colours painted on the inside of the wingtips, facing the fuselage. Services Cabin First class The two types of first class seating are the fully enclosed suite with a floor-to-ceiling door and a private suite with doors that close but do not extend to the ceiling. Both suites come complete with closing doors to ensure privacy, a minibar, a coat rack, and storage. They also feature the ICE system on a 23-inch-wide (58 cm) LCD screen in the private suites and a 32-inch-wide (81 cm) on the fully enclosed suite. The seat converts into a 2-metre-long (79 in) fully flat bed. Private suites are available on three-class and four-class Airbus A380-800 and three-class Boeing 777-300ER aircraft. The fully enclosed suites are available only on newly delivered Boeing 777-300ER aircraft. On its newly delivered Airbus A380-800, first class features private suites, two shower-equipped lavatories and spa, and access to the first/business class bar area and lounge. Premium class seating is located on the entire upper deck of A380-800 aircraft. Emirates introduced a new first-class cabin for its Boeing 777-300ER fleet on 12 November 2017 and first flight to Brussels and Geneva on 1 December 2017. The new first-class cabin is configured with six suites on a 1-1-1 layout. Both of the middle suites are equipped with three virtual windows, which are high-definition LCD screens that relay real-time images using HD cameras on either side of the aircraft. Amenities include two minibars placed on either side of the entertainment screen, a 13-inch tablet with a front camera to communicate with the cabin crew and to order room service, and a panel to control the lighting and temperature inside the suite. Emirates has also introduced a new seat in collaboration with Mercedes-Benz, which features a new zero-gravity position. The suites are expected to resemble "a private bedroom on a luxury yacht". Many consider this product the best First Class in the world. Business class Business class on Boeing 777-200LRs and Boeing 777-300ERs feature seats with a 1.5-metre-long (60 in) pitch that reclines to 2-metre-long (79 in), angled lie-flat beds. Amenities include massage function, privacy partition, winged headrest with six-way movement, two individual reading lights, and an overhead light per seat; in-seat power supply, USB ports, and an RCA socket for laptop connection; and over 600 channels of entertainment on ICE, shown on a 23 in-wide (58 cm) HD TV screen. On Airbus A380-800 aircraft, the seats recline to form a fully flat bed and are equipped with personal minibars. The unique staggered layout makes half of the business-class seats on Emirates A380 23 cm (9 in) shorter than the others, at only 1.8 m (70 in) long. Business class passengers also have access to an on-board bar at the rear of the aircraft. Premium economy class In December 2020, it was announced that Emirates' new Premium economy cabin would be equipped with Recaro PL3530 seats which were designed exclusively for the airline. The seats offer a pitch of up to 40 in (101 cm), a recline of 8 in (20 cm) and measure 19.5 in (49 cm) wide. All seats are equipped with a 13.3 in (33 cm) entertainment screen using the Emirates ICE system. Currently, twenty-two Airbus A380 aircraft in the Emirates fleet have the new premium economy class cabin. These seats are also set to be retrofitted on the airline's older Boeing 777-300ERs and Airbus A380s as part of a retrofit program which began at the end of 2022; by the end of the program, 67 Airbus A380s and 53 Boeing 777s will be fitted with premium economy. Economy class Emirates economy class offers a 79–81-centimetre-long (31–32 in) seat pitch on Airbus aircraft and 86 cm (34 in) on Boeing aircraft, with standard seat width (except on the Boeing 777 fleet). Emirates has 10 seats per row on its Boeing 777 fleet. The seat features adjustable headrests, a 3000-channel ICE in-flight entertainment system, and in-seat laptop power outlets on newer aircraft and laptop recharging facilities in galleys in older aircraft. Additional recline is available on A380 economy-class seats. Catering Catering on Emirates flights from Dubai International is provided by Emirates Flight Catering, which operates one of the largest airline catering facilities in the world. Emirates also offers special meal options, in all classes, based on age, dietary restrictions and preference, and religious observance. Special meals must be ordered in advance at least 24 hours before the flight departure time. All meals are prepared according to Halal dietary guidelines. In June 2018, Emirates signed a $40 million joint venture with Oakland, California-based Crop One Holdings, to build and maintain the world's largest hydroponic growing facility. It will provide daily yields of roughly 3 tons of leafy greens per day to all flights, with a near 150,000-square-foot (14,000 m2) indoor, vertical farm. In-flight entertainment system Emirates became one of the first airlines in the world to introduce a personal entertainment system on commercial aircraft in 1992, with Virgin Atlantic introducing a similar system throughout the cabins of its aircraft. All three classes feature a personal in-flight entertainment (IFE) system in the Emirates aircraft. There are two types of entertainment systems on Emirates: ICE and ICE Digital Widescreen. In 2012, Emirates introduced larger high-definition IFE screens in all classes. The new IFE is the first to be fully high definition, and in economy, the screens are the largest offered by any airline. The new IFE will only be installed on the Airbus A380 fleet and the newly delivered Boeing 777s. In flight entertainment system (ICE) ICE (information, communication, entertainment) is the in-flight entertainment system operated by Emirates. Introduced in 2003, ICE is available on all new aircraft and now features 4,000 channels (on most flights) to all passengers. ICE is found on the airline's Airbus A380-800, Boeing 777-200LR, and Boeing 777-300ER. In July 2007, Emirates introduced ICE Digital Widescreen, an updated version of ICE. It offered over 1200 channels of selected entertainment to all passengers. ICE Digital Widescreen is available on all Emirates aircraft. In 2015, Emirates upgraded its ICE system to the new eX3 system, which includes new upgrades that improved passenger experience, such as a handset with more controls, larger screens, new sockets, some 3,500 channels of movies, TV shows, music, and games, on demand and in multiple languages, new ICE features, such as a Voyager app, Bluetooth audio, and personal video playback. This is fitted on all B777 and A380 aircraft delivered after 2009. According to Emirates, ICE has received more awards than any other airline in the world for inflight entertainment. Information The system is based on the 3000i system from Panasonic Avionics Corporation. ICE provides passengers with a direct data link to BBC News. ICE is the first IFE system to be connected directly to automatic news updates. This is complemented by ICE's Airshow moving-map software from Rockwell Collins. Exterior cameras located on the aircraft can be viewed by any passenger, through the IFE system, during takeoff, cruise, and landing. Emirates was also one of the first airlines to introduce high-speed, in-flight internet service along with Singapore Airlines, by installing the Inmarsat's satellite system and became the second airline in the world to offer live international television broadcasts using the same system. Communication ICE has a link to an in-flight email server, which allows passengers to access, send, or receive emails for US$1 per message. ICE also supports a seat-to-seat chat service. In November 2006, the airline signed a deal with mobile communications firm AeroMobile to allow in-flight use of mobile phones to call or text people on the ground. The service was first introduced in March 2008. Entertainment The ICE system includes movies, music, and video games. ICE offers over 600 on-demand movie titles, over 2000 video on demand and prerecorded television channels, over 1000 hours of music, and over 100 video-game titles. ICE can be accessed in more than 40 languages, including English, French, German, Russian, Spanish, Arabic, Chinese, Hindi, Urdu, Persian, Korean, Tamil, Thai, Dutch, Swedish, Italian, and Japanese. Since 2003, all entertainment options are available on demand to all classes with options to pause, forward, and rewind them. Emirates began to offer docking capability for Apple Inc.'s iPod portable music and video player in mid-2007. This allows the device's battery to be charged and integrates with Emirates' in-flight entertainment (IFE) system. The IFE system can play music, television shows, or movies stored on the iPod, and function as a control system. This feature was removed from Emirates aircraft starting in the late 2010s due to the iPod being discontinued. Business model The established network carriers in Europe and Australia, such as Air France-KLM, British Airways, Lufthansa, and Qantas, see Emirates' strategic decision to reposition itself as a global carrier as a major threat because it enables travelers to bypass traditional airline hubs such as London-Heathrow, Paris-CDG, and Frankfurt on their way between Europe/North America and Asia/Australia by changing flights in Dubai instead. These carriers also find it difficult to deal with the growing competitive threat Emirates poses to their business because of their much higher cost base. Some of these carriers, notably Air France and Qantas, have accused Emirates of receiving hidden state subsidies and maintaining too close of a relationship with Dubai's airport authority and its aviation authority, both of which are also wholly state-owned entities that share the same government owner with the airline. Qantas' chairman claimed that Emirates can reduce its borrowing costs below market rates by taking advantage of its government shareholders' sovereign borrower status. Emirates' president disagrees and has also referred to United States airlines bankruptcy protection as being a tangible form of state assistance. The airline makes regular profits. In 2016, American Airlines, Delta Air Lines, and United Airlines made similar claims, as well as stating that Emirates violates Open Skies, but these conflicts were resolved in May 2018. In May 2010, Emirates executives denied claims that the carrier does not pay taxes and receives substantial financial assistance from the Dubai government. They claimed that the airline received $80m in cash in the 25 years since the airline was established and this was substantially lower than what other national carriers had received. Maurice Flanagan also claimed that Emirates incurred social costs of around $600m in 2009 and this included municipal taxes to the city of Dubai. The airline also paid a dividend of AED956m ($260m) in 2010, compared to AED2.9bn ($793m) in 2009, and each year the Government has received at least $100m in dividends. Emirates also faces competition from other Middle Eastern airlines, mainly Qatar Airways and Abu Dhabi–based Etihad Airways. Sustainability In its efforts to reduce carbon emissions, Emirates started exploring the use of Sustainable Aviation Fuel (SAF) for their fleet since 2017. The airline has partnered with world’s leading biodiesel producers such as Neste, the Finnish producer of sustainable aviation fuel as well as Shell Aviation. In January 2023 the airline conducted a successful demonstration flight of a Boeing 777-300ER using 100 per cent SAF in one of its two engines. In November of the same year, Emirates conducted another demonstration flight of an Airbus A380 using 100 per cent SAF in one of the airplane’s four engines. Following successful tests, Emirates operated its first commercial flight using SAF blend on October 24, 2023 on an Emirates flight number EK 412 from Dubai to Sydney, Australia using an Airbus A380. Currently, the airline has suppliers set up to supply its flights with SAF in several airports around the world including Paris, Lyon, Oslo, Amsterdam, London, Singapore and its home base in Dubai. Accidents and incidents Emirates has experienced several aircraft incidents (none with passenger or crew fatalities). On 9 April 2004, Emirates Flight 789, an Airbus A340-300 operating from Johannesburg to Dubai, sustained serious damage during takeoff when it overran runway 03L, striking runway 21R approach lights, causing four tires to burst, which threw debris into various parts of the aircraft, ultimately damaging the flap drive mechanism. This rendered the flaps immovable in the takeoff position. The aircraft returned for an emergency landing during which the normal braking system failed as a result of the damage. The aircraft was brought to a stop only 250 m (820 ft) from the end of the 3,400-metre (11,200 ft) runway using reverse thrust and the alternative braking system. In their report, South African investigators found that the captain had used a wrong take-off technique, and criticized Emirates training and rostering practices. On 20 March 2009, Emirates Flight 407, an Airbus A340-500 registered A6-ERG en route from Melbourne to Dubai, failed to take off properly at Melbourne Airport, hitting several structures at the end of the runway before eventually climbing enough to return to the airport for a safe landing. There were no injuries, but the accident was severe enough to be classified as an accident by the Australian Transport Safety Bureau. On 3 August 2016, Emirates Flight 521, a Boeing 777-300 registered A6-EMW arriving from Trivandrum International Airport, crash-landed and caught fire at Dubai International Airport at 12:44 pm local time. All 282 passengers and 18 crew on board survived the impact with some having minor injuries. However, an airport firefighter died fighting the blaze. The aircraft was destroyed by the fire. Flight 521 is currently the first and only hull loss in the history of Emirates. On 14 April 2020, an Emirates Boeing 777-300ER registered as A6-EBR was struck by a British Airways Airbus A350-1000 (G-XWBA) on the ground while the A350 was pushing back from the gate for departure. No casualties were reported, however the horizontal stabilizer on both aircraft were damaged as a result of the collision. On 20 December 2021, Emirates Flight 231, a Boeing 777-300ER registered as A6-EQI departed Dubai International Airport towards Washington Dulles. The aircraft nearly overran the runway during takeoff, flying at only 75 ft (23 m) over houses located near the airport. The aircraft was not damaged and there were no injuries. The incident remains under investigation. On 1 July 2022, Emirates Flight 430, an Airbus A380-800 registered as A6-EVK departed Dubai International Airport towards Brisbane, Qld, Australia. During cruise, one of the aircraft's 22 tires experienced a rupture, which caused damage to a portion of the aerodynamic fairing. The plane landed safely in Brisbane and there were no injuries. On 24 March 2024, Airbus A380 suffered serious damage after it was hit by an emergency vehicle on the tarmac of Moscow Domodedovo International airport. On 28 March 2024, an Emirates Boeing 777 nearly avoided a collision with an Ethiopian Airlines Boeing 737 Max over Somaliland. On 20 May 2024, Emirates Flight 508, a Boeing 777-300ER, suffered a bird strike before landing at Mumbai. While there were no injuries among passengers and crew, the plane suffered substantial damage and at least 36 flamingos were killed in the strike while the plane was flying over Ghatkopar suburban region of Mumbai. An alternative aircraft was arranged for the return flight, while the plane was later repaired and put back into service. On 15 June 2024, Emirates Flight 262, an A380-861 registered as A6-EUL, aborted the takeoff from runway 09L at São Paulo-Guarulhos International Airport, SP (GRU) after an engine left side surged while the flight crew applied takeoff thrust. Controversy Emirates has received criticism for their treatment of staff, which Emirates has disputed. On September 23, 2016, an Italian man sued Emirates for being squashed by an obese man for 9 hours. Emirates was sued in 2019 by an Australian woman who said to have collapsed during a long-haul flight for not receiving water. The woman, who sued Emirates, lost against the airline. In August 2022, Emirates suspended its flights to Nigeria after it got into a dispute with the government of Nigeria over repatriation of undisclosed amount of money from the country. The dispute has since been resolved and in June 2024, the airline resumed its regular flights to the West African nation. Emirates has been sued twice in 2023 for deceptive advertising, once by a New Zealand male passenger and again two months later by a British energy trader. The New Zealand case was awarded in favor of the passenger, and the British case is ongoing. In August 2023, a Pakistani man sued Emirates for Rs5,000,000 claiming that the airline's service was extremely poor and below International standards. On June 13, 2024, the United States government fined Emirates for $1.8 million for operating flights carrying JetBlue Airways’ designator code below 32,000 feet (9,800 m) over a prohibited airspace in Iraq. See also Etihad Airways Dubai International Airport Emirates Flight Training Academy List of airlines of the United Arab Emirates List of airports in the United Arab Emirates Notes A Emirates moved its operations to its dedicated Terminal 3 at Dubai International Airport on 14 October 2008. B The number of destinations does not include cargo-only destinations. C The Emirates Group does not publish figures separately for Emirates SkyCargo or Emirates, both companies' financial results are aggregated. References Bibliography The Economist, 2005/6. London, UK: The Economist Newspaper Ltd. (The Economist online) Financial Times, 29 October 2005. London, UK: UK Edition. (Financial Times online) Financial Times, 19 July 2006. London, UK: UK Edition. (Financial Times online) The Sunday Times, 23 July 2006. London, UK. (The Sunday Times online) Flight International, 25–31 July 2006. Sutton, UK: Reed Business Information Ltd. (Flight International online) Further reading "Emirates – 25 Years of Excellence: Building a global network". Airliner World. Stamford, UK: Key Publishing: 28–37. October 2010. ISSN 1465-6337. (Airliner World online) External links Official website
PC-Talk
https://en.wikipedia.org/wiki/PC-Talk
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PC-Talk is a communications software program. It was one of the first three widely popular software products sold via the marketing method that became known as shareware. It was written by Andrew Fluegelman in late 1982, and helped created shareware's sales and marketing methodology. Fluegelman distributed PC-Talk by sending a copy to anyone who sent him a formatted floppy disk. The application encouraged users who liked it to send him $25, but doing so was not obligatory. Fluegelman also encouraged users to make copies for friends, and provided a batch file to do so. Though PC-Talk is regarded as a progenitor of the shareware distribution model, it was labeled at the time both freeware and "user-supported software", and included elements of open-source software (but not free software). PC-Talk III was sold for $35 instead of being distributed for free; The Headlands Press offered a $25 discount to those who had previously donated. Its source code was available and many derivative works were created by its user community. The CompuServe IBM/PC SIG forum developed "PC-TALK III Version B, Level 850311". Both the user-modified version of the program and the CompuServe distribution point were officially sanctioned by Fluegelman and The Headlands Press, holders of the copyright for PC-TALK. Members of HAL-PC also produced custom versions that supported videotex and IBM 3101 emulation. Reception PC Magazine said that PC-Talk "is elegantly written and performs beautifully. It is easy to use and has all the features I would expect from a communications program". == References ==
Andrew_Fluegelman
https://en.wikipedia.org/wiki/Andrew_Fluegelman
[ 175 ]
[ "https://en.wikipedia.org/wiki/Andrew_Fluegelman" ]
Andrew Cardozo Fluegelman (November 27, 1943 – c.  July 6, 1985) was a publisher, photographer, programmer and attorney best known as a pioneer of what is now known as the shareware business model for software marketing. He was also the founding editor of both PC World and Macworld and the leader of the 1970s New Games movement, which advocated the development of noncompetitive games. Early life Fluegelman was raised in White Plains, New York. He graduated from Yale University in 1969. Career Attorney Following graduation, Fluegelman worked in Midtown Manhattan before moving to California and working for a law firm in San Francisco. He was admitted to the State Bar of California in January 1971. He resigned in 1972 without any particular plan about his future. Writing The following year, Fluegelman started working for the Whole Earth Catalog, a job that lasted for about a year. During that time, he separated from his wife and starting living in Sausalito, California. At one point, he fasted for 49 days, drinking only water. He started writing and publishing books, such as San Francisco Free and Easy and The New Games Book. Publisher In 1981, Fluegelman was the owner and sole employee of The Headlands Press, a small book publisher in Tiburon, California. He had attended an early computer expo in San Francisco in the late 1970s, and after agreeing to publish and coauthor Writing in the Computer Age decided to purchase his first computer. In October, Fluegelman bought one of the first IBM PCs sold in San Francisco, and in two weeks began to write his own accounting program in IBM BASIC. "Freeware" In late 1982 Fluegelman developed PC-Talk, a very popular and successful communications program. He marketed it under a system he called "Freeware", which he characterized as "an experiment in economics more than altruism". Freeware was licensed under terms that encouraged users to make voluntary payments for the software, and it allowed users to copy and redistribute the software freely as long as the license terms and text were not altered. He collaborated with PC-File (database software) developer Jim Knopf to adopt similar names (PC-File was originally "Easy-File"), and prices, for their initial shareware offerings; they also agreed to mention each other's products in their program's documentation. Magazine editor Fluegelman edited PC World magazine from its introduction in 1982 until 1985, and Macworld magazine from its introduction in 1984 until 1985. Disappearance Fluegelman suffered from ulcerative colitis. In July 1985, he was prescribed prednisone to treat the condition. Within a few days of beginning to take the medication, he became depressed and agitated. He started profusely apologizing to his colleague for perceived failures. In order to reduce his stress, his employer rearranged his work schedule; Fluegelman's behavior did not improve. On the afternoon of July 6, 1985, he left his office in Tiburon, California. A week later, his abandoned car was found at the north end of the Golden Gate Bridge near San Francisco. His family held a memorial service for Fluegelman, and he is presumed dead, though his body has never been found. Kevin Strehlo, then an InfoWorld columnist, submitted a memorial column which mentioned that "friends say a suicide note was found inside" his car. InfoWorld rejected this column, but an online news service published it. Works Books edited The Headlands Press produced books and negotiated publishing contracts for them with major publishers. Many of the books were designed by Howard Jacobsen and produced by his company, Community Type and Design. This list is arranged by year of book publication: The New Games Book Edited by Andrew Fluegelman and Shoshana Tembeck. A Headlands Press Book, Dolphin/Doubleday (1976). ISBN 0-385-12516-X A Traveler's Guide to El Dorado & the Inca Empire By Meisch, Lynn. A Headlands Press Book. Publisher: Penguin Books New York (1977). ISBN 0-14-046280-5 Familiar Subjects: Polaroid SX-70 Impressions By Norman Locks. A Headlands Press Book. HARPER & ROW, PUBLISHERS, San Francisco (1978). ISBN 0-06-250530-0 How to Make and Sell Your Own Record By Diane Sward Rapaport. A Headlands Press Book. Putnam, Prentice-Hall (1979). ISBN 0-8256-9932-0 How to watch a football game By Frank Barrett; Lynn Barrett. Publisher: New York: Holt, Rinehart, and Winston (1980). ISBN 0-03-056958-3 Worksteads: Living and Working in the Same Place By Jeremy Joan Hewes. The Headlands Press, Inc., San Francisco. Doubleday (1981). ISBN 0-385-15995-1 More New Games By The New Games Foundation. Main Street Books New York: Dolphin Books/Doubleday & Company (1981). ISBN 0-385-17514-0 SUSHI By Mia Detrick, Illustrated by Kathryn Kleinman A Headlands Press Book. Chronicle Books LLC (1983) ISBN 0-87701-238-5 Books co-authored Writing in the Computer Age: Word Processing Skills and Style for Every Writer By Andrew Fluegelman and Jeremy Joan Hewes. Anchor Press/Doubleday Publishing Group (1983) ISBN 0-385-18125-6 Photography Mime: A Playbook of Silent Fantasy By Kay Hamblin. The Doubleday Publishing Group (1978) ISBN 0-385-14246-3 See also Free software List of people who disappeared List of programmers References External links Andrew Fluegelman at the CharleyProject.org Missing Person: Andrew Cardoza Fluegelman MicroTimes Volume 2 Number 5, with a full interview of Andrew Flugelman two months before his death
Demographics_of_East_Timor
https://en.wikipedia.org/wiki/Demographics_of_East_Timor
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[ "https://en.wikipedia.org/wiki/Demographics_of_East_Timor" ]
This is a demography of the population of East Timor including population density, ethnicity, education level, health of the populace, economic status, religious affiliations and other aspects of the population. Vital statistics UN estimates Registration of vital events is in East Timor not complete. The Population Department of the United Nations prepared the following estimates. Population estimates account for under numeration in population censuses. Fertility and Births Total Fertility Rate (TFR) and Crude Birth Rate (CBR): Fertility rate by municipality Aileu Municipality and Ainaro Municipality have the highest fertility rate with 5.5 children per woman, followed by Ermera Municipality with 5.4 children per woman. Between 2014/15, around 43.5% of the births occurred in a health facility, up from 36.3% in 2010/11. This percentage varies widely from 77.5% in Dili Municipality to only 15.1% of all births in Ermera Municipality. Life expectancy at birth Average life expectancy at age 0 of the total population. Population pyramids Median age In 2015 the median age of the population was 19.6 years old. The population living in rural areas is slightly younger (19.0) compared to the population living in urban areas (20.6). Ainaro Municipality has the lowest median age with 17.3 years, while Dili Municipality has the highest median age with 21.2 years. CIA World Factbook demographic statistics The following demographic statistics are from the CIA World Factbook Population 1,242,000 (2017) Birth rate 33.4 births/1,000 population (2017 est.) Death rate 5.9 deaths/1,000 population (2017 est.) Population growth rate 2.36% (2017 est.) Net migration rate -3.9 migrant(s)/1,000 population (2017 est.) Infant mortality rate total: 35.1 deaths/1,000 live births (2017 est) Life expectancy at birth total population: 68.4 years male: 66.8 years female: 70.1 years (2017 est.) Total fertility rate 4.97 children born/woman (2017 est) Nationality noun: East Timorese adjective: East Timorese Ethnic groups Austronesian (Malayo-Polynesian), Papuan, small Chinese particularly Cantonese people and Europeans particularly Portuguese people descent. Religions Roman Catholic 97.6% (2015 est.) Protestant/Evangelical 2% (2015 est.) Islam 0.2% (2015 est.) Other 0.2% (2015 est.) Languages Tetum (official), Portuguese (official), Indonesian (constitutionally defined as a 'working language') and English (constitutionally defined as a 'working language'). Note: There are a total of about 16 indigenous languages, of which Tetum, Galole, Mambae, and Kemak are spoken by significant numbers of people. The Tetum language is partially influenced by European languages, particularly Portuguese, a legacy of Portuguese rule. Literacy definition: age 15 and over can read and write (2015 est.) After achieving independence, East Timor had a high illiteracy rate, with 55% of women and 46% of men illiterate. Approximately 18% of the adult population had achieved secondary education and approximately 1.4% of them had an academic degree or achieved other higher education, nearly all of whom resided in urban areas, primarily the capital Dili. Attempts to improve education services face challenges in the form of a lack of educated and experienced teachers. Continuing high fertility rates also translates to greater strains on the government to increase education budgets. The United Nations (UN) has assisted in rebuilding the education system increasing the number of teachers and rehabilitating many schools, leading to a rapid increase in school enrollment. However, problems remain as the quality of education was deemed secondary to the need to increase enrollment in East Timor. Another problem faced in increasing the education levels includes the economic conditions of the population. With high proportions of the population living below the poverty line and large households with many children, the direct costs of schooling is significant for families. Lack of monetary resources to send children to school imposes greater difficulty in increasing enrollment rates in schools. In addition, parents may be disillusioned with the poor quality of education and thus may not even be interested to send their children to schools. Much remains to be done to establish a new curriculum and support it with texts and learning materials to improve the quality of education. The variety of language spoken also means a large number of children do not speak the language of instruction – Portuguese – and this causes them to be marginalised. Many teachers do not speak Portuguese. The inaccessibility of schools with proper facilities adds to the problem of providing adequate education to the population. Schools are located far away from homes and, coupled with the poor conditions of schools, may inhibit the early enrollment of children or lead to early drop-outs. Schools in rural areas face substantial lack of facilities to render them safe. As for the schools in urban areas, significant urban migration has meant that the supply of schools in urban areas have not managed to keep up with the increasing demand; leading to overcrowding in urban schools. Besides the problems faced at the level of the individual households and the schools, problems in the governance and management of education are also significant impediments to raising education levels in East Timor. The lack of qualified personnel in critical positions within the education ministry has meant that overall policy making, planning and management functions are restricted. Management of schools at the district level is often under-qualified due to the lack of formal training. Today therefore, East Timor faces many challenges in increasing the literacy rates of their people. At the end of Portuguese rule, literacy was at 5%. East Timor's adult literacy rate in 2010 was 58.3%, up from 37.6% in 2001. By 2021 it was 68% among adults, and 84% among those aged 15–24, being slightly higher among women than men.: 27 Education East Timor's adult literacy rate in 2010 was 58.3%, up from 37.6% in 2001. At the end of Portuguese rule, literacy was at 5%. By 2021 it was 68% among adults, and 84% among those aged 15-24, being slightly higher among women than men.: 27  More girls than boys attend school, although some drop out upon reaching puberty.: 25  Primary schools exist throughout the country, although the quality of materials and teaching is often poor. Secondary schools are generally limited to municipal capitals. Education takes up 10% of the national budget.: 27  As of 2016 22% of working age women (15-49) and 19% of working age men had no education, 15% of women and 18% of men had some primary education, 52% of women and 51% of men had some secondary education, and 11% of women and 12% of men had higher education. Overall, 75% of women and 82% of men were literate.: 2  The country's main university is the National University of East Timor. There are also four colleges. Since independence, both Indonesian and Tetum have lost ground as media of instruction, while Portuguese has increased: in 2001 only 8.4% of primary school and 6.8% of secondary school students attended a Portuguese-medium school; by 2005 this had increased to 81.6% for primary and 46.3% for secondary schools. Indonesian formerly played a considerable role in education, being used by 73.7% of all secondary school students as a medium of instruction, but by 2005 Portuguese was used by most schools in Baucau, Manatuto, as well as the capital district. Portugal provides support to about 3% of the public schools in East Timor, focused on those in urban areas, further encouraging the use of the Portuguese language.: 28  The Philippines has sent Filipino teachers to East Timor to teach English, so as to facilitate a program between the two countries, under which deserving East Timorese nationals with English language skills will be granted university scholarships in the Philippines. The Human Rights Measurement Initiative (HRMI) finds that Timor-Leste is fulfilling only 84.5% of what it should be fulfilling for the right to education based on the country's level of income. HRMI breaks down the right to education by looking at the rights to both primary education and secondary education. While taking into consideration Timor-Leste income level, the nation is achieving 90.6% of what should be possible based on its resources (income) for primary education but only 78.4% for secondary education. References External links Fernandes, Ajito; Prabawa, Titi Susilowati; Therik, Wilson M. A. (April 2022). "The Livelihood of Chinese Migrants in Timor-Leste". Social Sciences. 11 (4): 157. doi:10.3390/socsci11040157. ISSN 2076-0760.
Demographics_of_Japan
https://en.wikipedia.org/wiki/Demographics_of_Japan
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[ "https://en.wikipedia.org/wiki/Demographics_of_Japan" ]
The demographics of Japan include birth and death rates, age distribution, population density, ethnicity, education level, healthcare system of the populace, economic status, religious affiliations, and other aspects regarding the Japanese population. According to the United Nations, the population of Japan was roughly 126.4 million people (as of January 2020), and peaked at 128.5 million people in 2010. It is the 6th-most populous country in Asia, and the 11th-most populous country in the world. In 2023, the median age of Japanese people was projected to be 49.5 years, the highest level since 1950, compared to 29.5 for India, 38.8 for the United States and 39.8 for China. Japan has the second highest median age in the world (behind only Monaco). An improved quality of life and regular health checks are just two reasons why Japan has one of the highest life expectancies in the world. The life expectancy from birth in Japan improved significantly after World War II, rising 20 years in the decade between 1945 and 1955. As life expectancy rises further, Japan expects to experience difficulties caring for the older generations in the future. Shortages in the service sector are already a major concern, with demand for nurses and care workers increasing. The fertility rate among Japanese women was around 1.4 children per woman from 2010 to 2018. From then until 2022, the fertility rate further declined to 1.2. Apart from a small baby boom in the early 1970s, the crude birth rate in Japan has been declining since 1950; it reached its currently lowest point of 5.8 births per thousand people in 2023. With a falling birth rate and a large share of its inhabitants reaching old age, Japan's total population is expected to continue declining, a trend that has been seen since 2010. Japanese is a major language of the Japonic language family spoken by Japanese people, which is separated into several dialects with the Tokyo dialect considered Standard Japanese. It has around 128 million speakers in total, primarily in Japan, the only country where it is the national language, and within the Japanese diaspora across the globe. The sex ratio in Japan in 2021 was 95.38 males per 100 females. There are 61.53 million males and 64.52 million females in Japan. The percentage of female population is 51.18%, compared to 48.82% male population. Japan has 2.98 million more females than males. Historical overview As of 2017, Japan was the world's eleventh-most populous country. The total population had declined by 0.8 percent from the time of the census five years previously, the first time it had declined since the 1945 census. Since 2010, Japan has experienced net population loss due to falling birth rates and minimal immigration, despite having one of the highest life expectancies in the world, at 85.00 years as of 2016 (it stood at 81.25 as of 2006). Using the annual estimate for October of each year, the population peaked in 2008 at 128,083,960 and had fallen by 2,983,352 by October 2021. Based on 2012 data from the National Institute of Population and Social Security Research, Japan's population will keep declining by about one million people every year in the coming decades, which would leave it with a population of around 70 million by 2060 and 42 million by early 22nd century if the current projections do not change. More than 40% of the population is expected to be over the age of 65 in 2060. In 2021 the population had for fifteen consecutive years declined by 644,000 on this year, the largest drop on record since 1945 and also reflecting a record low of 831,000 births. As of 2013 more than 20 percent of the population of Japan were aged 65 and over. The population consisted of 47,062,743 households, with 78.7% in urban areas (July 2000). High population density; 329.5 people per square kilometer for total area; 1,523 persons per square kilometer for habitable land. More than 50% of the population lives on 2% of the land. (July 1993). According to research in 2009, the population to land density ratio has gradually increased, now at 127 million per 337 km2. Compared to the findings of July 1993 as well as in July 2000, the population density has greatly increased, from 50% of the population living on 2% of the land to 77%. However, as the years have progressed since the last recordings of the population, Japan's population has decreased, raising concern about the future of Japan. There are many causes, such as the declining birthrates, as well as the ratio of men to women since the last measurements from the years of 2006 and 2010. According to the Japanese Health Ministry, the population is estimated to drop from its current state of 125.58 million to 86.74 million by the year 2060. Japan dropped from the 5th most populous country in the world to 6th in 1964, 7th in 1978, 8th in 1990, to 9th in 1998, to 10th in the early 21st century, 11th in 2020, and to 12th in 2023. Over the period of 2010 to 2015, the population shrank by almost a million, and Japan lost a half-million in 2022 alone. The number of Japanese citizens decreased by 801,000 to 122,423,038 in 2022 from a year earlier, which was the most severe decrease and the first time all 47 prefectures have suffered a decline since the launch of the poll in 1968. The nation's population reached 128,057,352 Japanese people by early 2010. However, the long-lasting effects of Japanese economic crisis during the Great Recession strongly slowed down immigration rates in Japan in 2010s. In March 2011, Japan suffered from the triple disaster (earthquake, tsunami, and nuclear disaster, etc.), resulting 20,000 deaths, a reduction of about 1.39 years in the average life expectancy, an ultimate decrease in birth rates, and a marked decrease in immigration rates, worst since the end of World War II. According to studies from the Institute for Health Metrics and Evaluation, from January 2020 to the end of September 2021 as a direct effect of COVID-19 pandemic, Japan registered at least 112,000 excess deaths with six times higher, a reduction of about 2.6 years in the average life expectancy, a noticeable decrease in birth rates and a marked decrease in immigration rates, the overall effect being a record natural population decline of 798,214 units in that year, although the excess mortality rate for all causes has been estimated at between 100,000 and 130,000 deaths. It is the largest ever recorded since 1914 (at the time of World War I, Spanish flu pandemic, and the Great Kanto earthquake). According to a demographic study conducted by Japanese Ministry of Internal Affairs and Communications, Japanese population (including foreign residents) has declined from 128 million people in 2010 to 124.3 million people in 2023, with a decrease of almost 511,000 people in one year. Population Population Projection Census Japan collects census information every five years, with censuses conducted by the Statistics Bureau of the Ministry of Internal Affairs. The latest population census reflects the situation as of 2020. Population density Japan's population density was 336 people per square kilometer as of 2014 (874 people per square mile) according to World Development Indicators. It ranks 44th in a list of countries by population density. Between 1955 and 1989, land prices in the six largest cities increased by 15,000% (+12% per year compound). Urban land prices generally increased 40% from 1980 to 1987; in the six largest cities, the price of land doubled over that period. For many families, this trend put housing in central cities out of reach. The result was lengthy commutes for many workers in the big cities, especially in the Tokyo area where daily commutes of two hours each way are common. In 1991, as the bubble economy started to collapse, land prices began a steep decline, and within a few years fell 60% below their peak. After a decade of declining land prices, residents began moving back into central city areas (especially Tokyo's 23 wards), as evidenced by 2005 census figures. Despite nearly 70% of Japan being covered by forests, parks in many major cities—especially Tokyo and Osaka—are smaller and scarcer than in major West European or North American cities. As of 2014, parkland per inhabitant in Tokyo is 5.78 square meters, which is roughly half of the 11.5 square meters of Madrid. National and regional governments devote resources to making regional cities and rural areas more attractive by developing transportation networks, social services, industry, and educational institutions to try to decentralize settlement and improve the quality of life. Nevertheless, major cities, especially Tokyo, Yokohama and Fukuoka, and to a lesser extent Kyoto, Osaka and Nagoya, remain attractive to young people seeking education and jobs. Urban distribution Japan has a high population concentration in urban areas on the plains since 75% of Japan's land area is made up of mountains, and also Japan has a forest cover rate of 68.5% (the only other developed countries with such a high forest cover percentage are Finland and Sweden). The 2010 census shows 90.7% of the total Japanese population live in cities. Japan is an urban society with about only 5% of the labor force working in agriculture. Many farmers supplement their income with part-time jobs in nearby towns and cities. About 80 million of the urban population is heavily concentrated on the Pacific shore of Honshu. Metropolitan Tokyo-Yokohama, with its population of 35 million residents, is the world's most populous city. Japan faces the same problems that confront urban industrialized societies throughout the world: overcrowded cities and congested highways. Age structure Japan's population is aging faster than that of any other nation. The population of those 65 years or older roughly doubled in 24 years, from 7.1% of the population in 1970 to 14.1% in 1994. The same increase took 61 years in Italy, 85 years in Sweden, and 115 years in France. In 2014, 26% of Japan's population was estimated to be 65 years or older, and the Health and Welfare Ministry has estimated that over-65s will account for 40% of the population by 2060. The demographic shift in Japan's age profile has triggered concerns about the nation's economic future and the viability of its welfare state. Population pyramids of Japans prefectures in 2020 Life expectancy Sources: Our World In Data and the United Nations. 1865–1949 1950–2015 Source: UN World Population Prospects Fertility As of 2022, Japan's total fertility rate was 1.26, among the lowest in the world and far below the replacement rate of 2.1. Japanese Prime Minister Fumio Kishida has pledged to take urgent steps to tackle the country's declining birth rate, calling it "now or never" for Japan's aging society, and plans to double the budget for child-related policies by June and set up a new government agency in April. Sex ratio Vital statistics Live births, birth and death rates, overall fertility rate, and net change in Japan from 1899 to present. The statistics below do not include foreign nationalities. Current vital statistics Migration Internal migration Between 6 million and 7 million people moved their residences each year during the 1980s. About 50% of these moves were within the same prefecture; the others were relocations from one prefecture to another. During Japan's economic development in the twentieth century, and especially during the 1950s and 1960s, migration was characterized by urbanization as people from rural areas in increasing numbers moved to the larger metropolitan areas in search of better jobs and education. Out-migration from rural prefectures continued in the late 1980s, but more slowly than in previous decades. In the 1980s, government policy provided support for new urban development away from the large cities, particularly Tokyo, and assisted regional cities to attract young people to live and work there. Regional cities offered familiarity to those from nearby areas, lower costs of living, shorter commutes, and, in general, a more relaxed lifestyle than could be had in larger cities. Young people continued to move to large cities, however, to attend universities and find work, but some returned to regional cities (a pattern known as U-turn) or to their prefecture of origin (referred to as "J-turn"), or even moved to a rural area for the first time ("I-turn"). Government statistics show that in the 1980s significant numbers of people left the largest central cities (Tokyo and Osaka) to move to suburbs within their metropolitan areas. In 1988, more than 500,000 people left Tokyo, which experienced a net loss through migration of nearly 73,000 for the year. Osaka had a net loss of nearly 36,000 in the same year. With a decreasing total population, internal migration results in only eight prefectures showing an increase in population. These are Okinawa (2.9%), Tokyo (2.7%), Aichi (1.0%), Saitama (1.0%), Kanagawa (0.9%), Fukuoka (0.6%), Shiga (0.2%), and Chiba (0.1%). Emigration About 663,300 Japanese were living abroad, approximately 75,000 of whom had permanent foreign residency, more than six times the number who had that status in 1975. More than 200,000 Japanese went abroad in 1990 for extended periods of study, research, or business assignments. As the government and private corporations have stressed internationalization, greater numbers of individuals have been directly affected, decreasing Japan's historical insularity. By the late 1980s, these problems, particularly the bullying of returnee children in schools, had become a major public issue both in Japan and in Japanese communities abroad. Cities with significant populations of Japanese nationals in 2015 included: Los Angeles, United States: 68,689 Bangkok, Thailand: 48,700 Shanghai, China: 46,115 New York, United States: 44,636 Singapore: 36,963 London, United Kingdom: 36,721 Sydney, Australia: 30,448 Vancouver, Canada: 26,999 Hong Kong: 26,869 San Francisco, United States: 18,777 Toronto, Canada: 13,410 Note: The above data shows the number of Japanese nationals living overseas. It was published by the Ministry of Foreign Affairs of Japan and relates to 2015. Immigration According to the Japanese immigration centre, the number of foreign residents in Japan has steadily increased, and the number of foreign residents exceeded 3 410 992 people in December 2023. In 2020, the number of foreigners in Japan was 2,887,116. This includes 325,000 Filipinos, many of whom are married to Japanese nationals and possessing some degree of Japanese ancestry, 208,538 Brazilians, the majority possessing some degree of Japanese ancestry, 778,112 Chinese, 448,053 Vietnamese and 426,908 South Koreans. Chinese, Vietnamese, Koreans, Filipinos and Brazilians account for about 77% of foreign residents in Japan. The current issue of the shrinking workforce in Japan alongside its aging population has resulted in a recent need to attract foreign labour to the country. Reforms which took effect in 2015 relax visa requirements for "Highly Skilled Foreign Professionals" and create a new type of residence status with an unlimited period of stay. According to the Civil Affairs Bureau of Japan's Ministry of Justice, the number of naturalized individuals peaked in 2003 at 17,633, before declining to 8,800 by 2023. Most of the decline is accounted for by a steep reduction in the number of Japan-born Koreans taking Japanese citizenship. Historically the bulk of those taking Japanese citizenship have not been foreign-born immigrants but rather Japanese-born descendants of Koreans and Taiwanese who lost their citizenship in the Japanese Empire in 1947 as part of the American Occupation policy for Japan. Japanese statistical authorities do not collect information on ethnicity, only nationality. As a result, both native and naturalized Japanese citizens are counted in a single group. Although official statistics therefore show homogeneity, other analyses describe the population as “multi-ethnic”. Languages The Japanese society of Yamato people is linguistically homogeneous with small populations of Koreans (0.9 million), Chinese/Taiwanese (0.65 million), Filipino (306,000 some being Japanese Filipino; children of Japanese and Filipino parentage). This can be also said for Brazilians (300,000, many of whom are ethnically Japanese) as well as Peruvians and Argentineans of both Latin American and Japanese descent. Japan has indigenous minority groups such as the Ainu and Ryukyuans, who generally speak Japanese. Citizenship Japanese citizenship is conferred jure sanguinis, and monolingual Japanese-speaking minorities often reside in Japan for generations under permanent residency status without acquiring citizenship in their country of birth, although legally they are allowed to do so. This is because Japanese law does not recognize dual citizenship after the age of adulthood, and so people becoming naturalized Japanese citizens must relinquish their previous citizenship upon reaching the age of 22 years In addition, people taking Japanese citizenship must take a name using one or more of the Japanese character sets (hiragana, katakana, kanji). Names written in the Western alphabet, Korean alphabet, Arabic characters, etc., are not acceptable as legal names. Chinese characters are usually legally acceptable as nearly all Chinese characters are recognized as valid by the Japanese government. Transliterations of non-Japanese names using katakana (e.g. スミス "Sumisu" for "Smith") are also legally acceptable. However, some naturalizing foreigners feel that becoming a Japanese citizen should mean that they have a Japanese name and that they should abandon their foreign name, and some foreign residents do not wish to do this—although most Special Permanent Resident Koreans and Chinese already use Japanese names. Nonetheless, some 10,000 Zainichi Koreans naturalize every year. Approximately 98.6% of the population are Japanese citizens, and 99% of the population speak Japanese as their first language. Non-ethnic Japanese in the past, and to an extent in the present, also live in small numbers in the Japanese archipelago. Society Lifestyle Japanese people enjoy a high standard of living, and nearly 90% of the population consider themselves part of the middle class. However, many studies on happiness and satisfaction with life tend to find that Japanese people average relatively low levels of life satisfaction and happiness when compared with most of the highly developed world; the levels have remained consistent if not declining slightly over the last half century. Japanese have been surveyed to be relatively lacking in financial satisfaction. The societal view generally disapproves of out-of-wedlock births and premarital pregnancies. Social isolation is a problem for a segment of Japanese society, with almost 500,000 young people belonging to this group, they are also known as hikikomori. The Japanese management working culture in Japan has led some to work-related deaths due to heart attack or stroke, this has led to the term karoshi (lit. "overwork death"). The government has received 200 claims of karoshi related work injuries each year, with some leading to suicide. Many Japanese lead a sexless marriage. Japan has the lowest level of couples having sex at 45 times per year, well below the global average of 103 times. With reasons of "tired" and "bored with intercourse" usually given as an answer. Despite this, Japan ranks as number two globally on the amount spent on pornography, after South Korea. Marriages and divorce Marriage and divorce statistics Ethnic groups Naturalized Japanese citizens and native-born Japanese nationals with a multi-ethnic background are all considered to be Japanese in the population census of Japan. Discrimination against ethnic minorities Three native Japanese minority groups can be identified. The largest are the hisabetsu buraku or "discriminated communities", also known as the burakumin. These descendants of premodern outcast hereditary occupational groups, such as butchers, leatherworkers, funeral directors, and certain entertainers, may be considered a Japanese analog of India's Dalits. Historically, discrimination against these occupational groups was based on Buddhist prohibitions on killing and Shinto notions of pollution, and it was also a feature of governmental attempts to maintain social control. During the Edo period, such people were required to live in special buraku and, like the rest of the population, they were bound by sumptuary laws which were based on the inheritance of social class. The Meiji government abolished most of the derogatory names which were applied to these discriminated communities in 1871, but the new laws had little effect on the social discrimination which was faced by the former outcasts and their descendants. However, the laws eliminated the economic monopoly which they had on certain occupations. The buraku continued to be treated as social outcasts and some casual interactions with the majority caste were perceived taboo until the era after World War II. Estimates of their number range from 2 to 4 million (about 4% of the national population in 2022). Although the members of these marginalized communities are physically indistinguishable from other Japanese, most of them live in urban ghettoes or they live in the traditional special hamlets which are located in rural areas, and as a result, membership in a marginalized group can be surmised from the location of a family's home, a family's occupation, the dialect which a family speaks, or the mannerisms which a family uses when it communicates with people. Checks on the backgrounds of families which were designed to ferret out buraku were commonly performed as a condition of marriage arrangements and employment applications, but in Osaka, they have been illegal since 1985. Among the hisabetsu buraku, past and current discrimination against them has resulted in lower educational attainments and it has also resulted in a lower socioeconomic status, by contrast, the majority of Japanese have higher educational attainments and they also have a higher economic status. Movements with objectives which range from "liberation" to the encouragement of integration have attempted to change this situation, with some success. Nadamoto Masahisa of the Buraku History Institute estimates that as of 1998, between 60 and 80% of burakumin marry a non-burakumin. Ryukyuans One of the largest minority groups among Japanese citizens is the Ryukyuan people. They are primarily distinguished by their use of several distinct Ryukyuan languages, though use of Ryukyuan is dying out. The Ryukyuan people and language originated in the Ryukyu Islands, which are in Okinawa prefecture and Kagoshima Prefecture. Ainu The third largest minority group among Japanese citizens is the Ainu, whose language is an isolate. Historically, the Ainu were an indigenous hunting and gathering population who occupied most of northern Honshū as late as the Nara period (A.D. 710–94). As Japanese settlement expanded, the Ainu were pushed northward, by the Tokugawa shogunate, the Ainu were pushed into the island of Hokkaido. Characterized as remnants of a primitive circumpolar culture, the fewer than 20,000 Ainu in 1990 were considered racially distinct and thus not fully Japanese. Disease and a low birth rate had severely diminished their numbers over the past two centuries, and intermarriage had brought about an almost completely mixed population. Although no longer in daily use, the Ainu language is preserved in epics, songs, and stories transmitted orally over succeeding generations. Distinctive rhythmic music and dances and some Ainu festivals and crafts are preserved, but mainly in order to take advantage of tourism. Hāfu Hāfu (a kana rendition of "half") is a term used for people who are biracial and ethnically half Japanese. Of the one million children born in Japan in 2013, 2.2% had one or two non-Japanese parents.[70] According to the Japanese Ministry of Health, Labor and Welfare, one in forty-nine babies born in Japan today are born into families with one non-Japanese parent. Most intermarriages in Japan are between Japanese men and women from other Asian countries, including China, the Philippines and South Korea. Southeast Asia too, also has significant populations of people with half-Japanese ancestry, particularly in the Philippines, Indonesia, Malaysia, Singapore and Thailand. In the 1940s, biracial Japanese children (Ainoko), specifically Amerasian children, encountered social problems such as poverty, perception of impurity and discrimination due to negative treatment in Japan. In the 21st century, discrimination against hāfu occurs based on how different their identity, behavior and appearance is from a typical Japanese person. Foreign residents In 2021, there were 2,887,116 foreign residents in Japan, representing 2.3% of the Japanese population. Foreign Army personnel, of which there were up to 430,000 from the SCAP (post-occupation, United States Forces Japan) and 40,000 BCOF in the immediate post-war years, have not been at any time included in Japanese foreign resident statistics. Most foreign residents in Japan come from Brazil or from other Asian countries, particularly from China, Vietnam, South Korea, the Philippines, and Nepal. A number of long-term resident Koreans in Japan today retain familial links with the descendants of Koreans, that either immigrated voluntarily or were forcibly relocated during the Japanese occupation of Korea. Within this group, a number hold Special Permanent Resident status, granted under the terms of the Normalisation Treaty (22. June 1965) between South Korea and Japan. In many cases special residents, despite being born in Japan and speaking Japanese, have chosen not to take advantage of the mostly automatic granting of citizenship to special resident applicants. Beginning in 1947 the Japanese government started to repatriate Korean nationals, who had nominally been granted Japanese citizenship during the years of military occupation. When the Treaty of San Francisco came into force many ethnic Koreans lost their Japanese citizenship from April 28, 1952, and with it the right to welfare grants, to hold a government job of any kind or to attend Japanese schools. In the following year the government contrived, with the help of the Red Cross, a scheme to "repatriate" Korean residents, who mainly were from the Southern Provinces, to their "home" of North Korea. Between 1959 and 1984 93,430 people used this route, of whom 6,737 were Japanese or Chinese dependents. Most of these departures – 78,276 – occurred before 1962. All non-Japanese without special residential status (people whose residential roots go back to before WWII) are required by law to register with the government and carry alien registration cards. From the early 1980s, a civil disobedience movement encouraged refusal of the fingerprinting that accompanied registration every five years. Opponents of fingerprinting argued that it was discriminatory because the only Japanese who were fingerprinted were criminals. The courts upheld fingerprinting, but the law was changed so that fingerprinting was done once rather than with each renewal of the registration, which until a law reform in 1989 was usually required every six months for anybody from the age of 16. Those refusing fingerprinting were denied re-entry permits, thus depriving them of freedom of movement. Of these foreign residents below, the new wave started in 2014 comes to Japan as students or trainees. These foreigners are registered under student visa or trainee visa, which gives them the student residency status. Most of these new foreigners are under this visa. Almost all of these foreign students and trainees will return to their home country after three to four years (one valid period); few students extend their visa. Vietnamese makes the largest increase, however Burmese, Cambodians, Filipinos and Chinese are also increasing. Asian migrant wives of Japanese men have also contributed to the foreign-born population in the country. Many young single Japanese male farmers choose foreign wives, mainly from the Philippines, Thailand, China and South Korea, due to a lack of interest from Japanese women living a farming life. Migrant wives often travel as mail-order brides as a result of arranged marriages with Japanese men. Foreign residents as of 2015 There was an increase of 110,358 foreign residents from 2014 to 2015. Vietnamese made the largest proportion of these new foreign residents, whilst Nepalese, Filipino, Chinese and Taiwanese are also significant in numbers. Together these countries makes up 91,126 or 82.6% of all new residents from 2014 to 2015. However, the majority of these immigrants will only remain in Japan for a maximum of five years, as many of them have entered the country in order to complete trainee programmes. Once they complete their programmes, they will be required to return to their home countries. As of December 2014 there were 2,121,831 foreigners residing in Japan, 677,019 of whom were long-term residents in Japan, according to national demographics figures. The majority of long-term residents were from Asia, totalling 478,953. Chinese made up the largest portion of them with 215,155, followed by Filipinos with 115,857, and Koreans with 65,711. Thai, Vietnamese, and Taiwanese long-term residents totaled 47,956, and those from other Asian countries totaled 34,274. The Korean figures do not include zainichi Koreans with tokubetsu eijusha ("special permanent resident") visas, of whom there were 354,503 (of a total of 358,409 of all nationalities with such visas). The total number of permanent residents had declined over the previous five years due to high cost of living. Foreign residents as of 2021 The number of foreign residents of Japan reached a high of 2.93 million in 2019 before falling to 2.76 million at the end of 2021. The number of foreign workers was 1.46 million in 2018, 29.7% are in the manufacturing sector; 389,000 are from Vietnam and 316,000 are from China. On April 1, 2019, Japan's revised immigration law was enacted. The revision clarifies and better protects the rights of foreign workers. Japan formally accepts foreign blue-collar workers. This helps reduce labour shortage in certain sectors of the economy. The reform changes the status of foreign workers to regular employees and they can obtain permanent residence status. The reform includes a new visa status called tokutei gino (特定技能, "designated skills"). In order to qualify, applicants must pass a language and skills test (level N4 or higher of the Japanese-Language Proficiency Test). In the old "Technical Trainee programme" a foreign employee was tied to their employer. This caused numerous cases of exploitation. The revision gives foreign workers more freedom to leave and change their employer. Japanese nationality data mapped in prefectures in 2020 Religion Shinto and Buddhism are Japan's two major religions. They have co-existed for more than a thousand years. However, most Japanese people generally do not exclusively identify themselves as adherents of one religion, but rather incorporate various elements in a syncretic fashion. There are small Christian and other minorities as well, with the Christian population dating to as early as the 1500s, as a result of European missionary work before sakoku was implemented from 1635 to 1853. See also Demographic history of Japan before the Meiji Restoration Demography of the Empire of Japan Elderly people in Japan Largest cities in Japan by population by decade References Details for Japan birth life information Archived 2023-08-06 at the Wayback Machine. Data is for 2023. External links Media related to Demographics of Japan at Wikimedia Commons Japan Population Census 2010 Expatriates in Japan Archived 2017-06-08 at the Wayback Machine "The Dilemma Posed by Japan's Population Decline" Archived 2005-09-15 at the Wayback Machine—Discussion paper by Julian Chapple in the electronic journal of contemporary japanese studies Archived 2005-11-08 at the Wayback Machine, 18 October 2004. The Exodus to North Korea Museum—Commemorates the story of the 93,340 people who migrated from Japan to North Korea in the period 1959–1984 Another Tsunami Warning: Caring for Japan's Elderly Archived 2017-10-03 at the Wayback Machine—Brief on what the future of Japan looks like for an increasingly aging population, and if this demographic transition is limited to Japan alone Morita, Kiriro and Saskia Sassen. "The New Illegal Immigration in Japan, 1980–1992 Archived 2021-10-31 at the Wayback Machine". International Migration Review. Vol. 28, No. 1 (Spring 1994), pp. 153–163. JSTOR 2547030.
Ana_Ollo
https://en.wikipedia.org/wiki/Ana_Ollo
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[ "https://en.wikipedia.org/wiki/Ana_Ollo" ]
Ana Ollo Hualde (born 24 January 1965) is a Navarrese politician, Minister of Citizen Relations of Navarre since July 2015 and Spokesperson of the Government of Navarre from July 2015 to September 2016. == References ==
Israel
https://en.wikipedia.org/wiki/Israel
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[ "https://en.wikipedia.org/wiki/Israel" ]
Israel, officially the State of Israel, is a country in the Southern Levant region of West Asia. It is bordered by Lebanon and Syria to the north, the West Bank and Jordan to the east, the Gaza Strip and Egypt to the southwest, and the Mediterranean Sea to the west. The country also has a small coastline on the Red Sea at its southernmost point, and part of the Dead Sea lies along its eastern border. Israel's proclaimed capital is in Jerusalem, while Tel Aviv is the country's largest urban area and economic center. Israel is located in a region known to Jews as the Land of Israel, synonymous with the Palestine region, the Holy Land, and Canaan. In antiquity, it was home to the Canaanite civilization followed by the kingdoms of Israel and Judah. Situated at a continental crossroad, the region experienced demographic changes under the rule of various empires from the Romans to the Ottomans. European antisemitism in the late 19th century galvanized Zionism, which sought a Jewish homeland in Palestine and gained British support. After World War I, Britain occupied the region and established Mandatory Palestine in 1920. Increased Jewish immigration in the leadup to the Holocaust and British colonial policy led to intercommunal conflict between Jews and Arabs, which escalated into a civil war in 1947 after the UN proposed partitioning the land between them. The State of Israel declared its establishment on 14 May 1948. The armies of neighboring Arab states invaded the area of the former Mandate the next day, beginning the First Arab–Israeli War. Subsequent armistice agreements established Israeli control over 77 percent of the former Mandate territory. The majority of Palestinian Arabs were either expelled or fled in what is known as the Nakba, with those remaining becoming the new state's main minority. Over the following decades, Israel's population increased greatly as the country received an influx of Jews who emigrated, fled or were expelled from the Muslim world. Following the 1967 Six-Day War Israel occupied the West Bank, Gaza Strip, Egyptian Sinai Peninsula and Syrian Golan Heights. Israel established and continues to expand settlements across the illegally occupied territories, contrary to international law, and has effectively annexed East Jerusalem and the Golan Heights in moves largely unrecognized internationally. After the 1973 Yom Kippur War, Israel signed peace treaties with Egypt—returning the Sinai in 1982—and Jordan. In the 2020s, it normalized relations with more Arab countries. However, efforts to resolve the Israeli–Palestinian conflict after the interim Oslo Accords have not succeeded, and the country has engaged in several wars and clashes with Palestinian militant groups. Israel's practices in its occupation of the Palestinian territories have drawn sustained international criticism along with accusations that it has committed war crimes and crimes against humanity against the Palestinian people from human rights organizations and United Nations officials. The country's Basic Laws establish a unicameral parliament elected by proportional representation, the Knesset, which determines the makeup of the government headed by the prime minister and elects the figurehead president. Israel is the only country to have a revived official language, Hebrew. Its culture comprises Jewish and Jewish diaspora elements alongside Arab influences. Israel has one of the biggest economies in the Middle East and among the highest GDP per capita and standards of living in Asia. One of the most technologically advanced and developed countries in the world, it spends proportionally more on research and development than any other and is widely believed to possess nuclear weapons. The country joined the Organisation for Economic Co-operation and Development in 2010. Etymology Under the British Mandate (1920–1948), the whole region was known as Palestine. Upon establishment in 1948, the country formally adopted the name State of Israel (Hebrew: מְדִינַת יִשְׂרָאֵל, [mediˈnat jisʁaˈʔel]; Arabic: دَوْلَة إِسْرَائِيل, Dawlat Isrāʼīl, [dawlat ʔisraːˈʔiːl]) after other proposed names including Land of Israel (Eretz Israel), Ever (from ancestor Eber), Zion, and Judea, were considered but rejected. The name Israel was suggested by Ben-Gurion and passed by a vote of 6–3. In the early weeks after establishment, the government chose the term Israeli to denote a citizen of the Israeli state. The names Land of Israel and Children of Israel have historically been used to refer to the biblical Kingdom of Israel and the entire Jewish people respectively. The name Israel (Hebrew: Yīsrāʾēl; Septuagint Greek: Ἰσραήλ, Israēl, "El (God) persists/rules", though after Hosea 12:4 often interpreted as "struggle with God") refers to the patriarch Jacob who, according to the Hebrew Bible, was given the name after he successfully wrestled with the angel of the Lord. The earliest known archaeological artefact to mention the word Israel as a collective is the Merneptah Stele of ancient Egypt (dated to the late 13th century BCE). History Prehistory Early hominin presence in the Levant, where Israel is located, dates back at least 1.5 million years based on the Ubeidiya prehistoric site. The Skhul and Qafzeh hominins, dating back 120,000 years, are some of the earliest traces of anatomically modern humans outside of Africa. The Natufian culture, which may have been linked to Proto-Afroasiatic language, emerged by the 10th millennium BCE, followed by the Ghassulian culture by around 4,500 BCE. Bronze and Iron Ages Early references to "Canaanites" and "Canaan" appear in Near Eastern and Egyptian texts (c. 2000 BCE); these populations were structured as politically independent city-states. During the Late Bronze Age (1550–1200 BCE), large parts of Canaan formed vassal states of the New Kingdom of Egypt. As a result of the Late Bronze Age collapse, Canaan fell into chaos, and Egyptian control over the region collapsed. A people named Israel appear for the first time in the Merneptah Stele, an ancient Egyptian inscription which dates to about 1200 BCE. Ancestors of the Israelites are thought to have included ancient Semitic-speaking peoples native to this area.: 78–79  Modern archaeological accounts suggest that the Israelites and their culture branched out of the Canaanite peoples through the development of a distinct monolatristic—and later monotheistic—religion centered on Yahweh. They spoke an archaic form of Hebrew, known as Biblical Hebrew. Around the same time, the Philistines settled on the southern coastal plain. Modern archaeology has largely discarded the historicity of the narrative in the Torah and instead views the narrative as the Israelites' national myth. However, some elements of these traditions do appear to have historical roots. There is debate about the earliest existence of the Kingdoms of Israel and Judah and their extent and power. While it is unclear if there was ever a United Kingdom of Israel, historians and archaeologists agree that the northern Kingdom of Israel existed by ca. 900 BCE: 169–195  and the Kingdom of Judah by ca. 850 BCE. The Kingdom of Israel was the more prosperous of the two and soon developed into a regional power, with a capital at Samaria; during the Omride dynasty, it controlled Samaria, Galilee, the upper Jordan Valley, the Sharon and large parts of the Transjordan. The Kingdom of Israel was conquered around 720 BCE by the Neo-Assyrian Empire. The Kingdom of Judah, under Davidic rule with its capital in Jerusalem, later became a client state of first the Neo-Assyrian Empire and then the Neo-Babylonian Empire. It is estimated that the region's population was around 400,000 in the Iron Age II. In 587/6 BCE, following a revolt in Judah, King Nebuchadnezzar II besieged and destroyed Jerusalem and Solomon's Temple, dissolved the kingdom and exiled much of the Judean elite to Babylon. Classical antiquity After capturing Babylon in 539 BCE, Cyrus the Great, founder of the Achaemenid Empire, issued a proclamation allowing the exiled Judean population to return to Judah. The construction of the Second Temple was completed c. 520 BCE. The Achaemenids ruled the region as the province of Yehud Medinata. In 332 BCE, Alexander the Great of Macedon conquered the region as part of his campaign against the Achaemenid Empire. After his death, the area was controlled by the Ptolemaic and Seleucid empires as a part of Coele-Syria. Over the ensuing centuries, the Hellenization of the region led to cultural tensions that came to a head during the reign of Antiochus IV, giving rise to the Maccabean Revolt of 167 BCE. The civil unrest weakened Seleucid rule and in the late 2nd century the semi-autonomous Hasmonean Kingdom of Judea arose, eventually attaining full independence and expanding into neighboring regions. The Roman Republic invaded the region in 63 BCE, first taking control of Syria, and then intervening in the Hasmonean Civil War. The struggle between pro-Roman and pro-Parthian factions in Judea led to the installation of Herod the Great as a dynastic vassal of Rome. In 6 CE, the area was annexed as the Roman province of Judaea; tensions with Roman rule led to a series of Jewish–Roman wars, resulting in widespread destruction. The First Jewish–Roman War (66–73 CE) resulted in the destruction of Jerusalem and the Second Temple and a sizable portion of the population being killed or displaced. A second uprising known as the Bar Kokhba revolt (132–136 CE) initially allowed the Jews to form an independent state, but the Romans brutally crushed the rebellion, devastating and depopulating Judea's countryside. Jerusalem was rebuilt as a Roman colony (Aelia Capitolina), and the province of Judea was renamed Syria Palaestina. Jews were expelled from the districts surrounding Jerusalem. Nevertheless, there was a continuous small Jewish presence and Galilee became its religious center. Late antiquity and the medieval period Early Christianity displaced Roman paganism in the 4th century CE, with Constantine embracing and promoting the Christian religion and Theodosius I making it the state religion. A series of laws were passed that discriminated against Jews and Judaism, and Jews were persecuted by both the church and the authorities. Many Jews had emigrated to flourishing Diaspora communities, while locally there was both Christian immigration and local conversion. By the middle of the 5th century, there was a Christian majority. Towards the end of the 5th century, Samaritan revolts erupted, continuing until the late 6th century and resulting in a large decrease in the Samaritan population. After the Sasanian conquest of Jerusalem and the short-lived Jewish revolt against Heraclius in 614 CE, the Byzantine Empire reconsolidated control of the area in 628. In 634–641 CE, the Rashidun Caliphate conquered the Levant. Over the next six centuries, control of the region transferred between the Umayyad, Abbasid, Fatimid caliphates, and subsequently the Seljuks and Ayyubid dynasties. The population drastically decreased during the following several centuries, dropping from an estimated 1 million during Roman and Byzantine periods to about 300,000 by the early Ottoman period, and there was a steady process of Arabization and Islamization. The end of the 11th century brought the Crusades, papally-sanctioned incursions of Christian crusaders intent on wresting Jerusalem and the Holy Land from Muslim control and establishing Crusader States. The Ayyubids pushed back the crusaders before Muslim rule was fully restored by the Mamluk sultans of Egypt in 1291. Modern period and the emergence of Zionism In 1516, the Ottoman Empire conquered the region and ruled it as part of Ottoman Syria. Two violent incidents took place against Jews, the 1517 Safed attacks and the 1517 Hebron attacks, after the Turkish Ottomans ousted the Mamluks during the Ottoman–Mamluk War. Under the Ottoman Empire, the Levant was fairly cosmopolitan, with religious freedoms for Christians, Muslims, and Jews. In 1561 the Ottoman sultan invited Sephardi Jews escaping the Spanish Inquisition to settle in and rebuild the city of Tiberias. Under the Ottoman Empire's millet system, Christians and Jews were considered dhimmi (meaning "protected") under Ottoman law in exchange for loyalty to the state and payment of the jizya tax. Non-Muslim Ottoman subjects faced geographic and lifestyle restrictions, though these were not always enforced. The millet system organized non-Muslims into autonomous communities on the basis of religion. The concept of the "return" remained a symbol within religious Jewish belief which emphasized that their return should be determined by Divine Providence rather than human action. Leading Zionist historian Shlomo Avineri describes this connection: "Jews did not relate to the vision of the Return in a more active way than most Christians viewed the Second Coming." The religious Judaic notion of being a nation was distinct from the modern European notion of nationalism. The Jewish population of Palestine from the Ottoman rule to the beginning of the Zionist movement, known as the Old Yishuv, comprised a minority and fluctuated in size. During the 16th century, Jewish communities struck roots in the Four Holy Cities—Jerusalem, Tiberias, Hebron, and Safed—and in 1697, Rabbi Yehuda Hachasid led a group of 1,500 Jews to Jerusalem. A 1660 Druze revolt against the Ottomans destroyed Safed and Tiberias. In the second half of the 18th century, Eastern European Jews who were opponents of Hasidism, known as the Perushim, settled in Palestine. In the late 18th century, local Arab Sheikh Zahir al-Umar created a de facto independent Emirate in the Galilee. Ottoman attempts to subdue the Sheikh failed. After Zahir's death the Ottomans regained control of the area. In 1799, governor Jazzar Pasha repelled an assault on Acre by Napoleon's troops, prompting the French to abandon the Syrian campaign. In 1834, a revolt by Palestinian Arab peasants against Egyptian conscription and taxation policies under Muhammad Ali was suppressed; Muhammad Ali's army retreated and Ottoman rule was restored with British support in 1840. The Tanzimat reforms were implemented across the Ottoman Empire. The first wave of modern Jewish migration to Ottoman-ruled Palestine, known as the First Aliyah, began in 1881, as Jews fled pogroms in Eastern Europe. The 1882 May Laws increased economic discrimination against Jews, and restricted where they could live. In response, political Zionism took form, a movement that sought to establish a Jewish state in Palestine, thus offering a solution to the Jewish question of the European states. Antisemitism, pogroms and official policies, in tsarist Russia led to the emigration of three million Jews in the years between 1882 and 1914, only 1% of which went to Palestine. Those who went to Palestine were driven primarily by ideas of self-determination and Jewish identity, rather than as a response to pogroms or economic insecurity. The Second Aliyah (1904–1914) began after the Kishinev pogrom; some 40,000 Jews settled in Palestine, although nearly half left eventually. Both the first and second waves of migrants were mainly Orthodox Jews. The Second Aliyah included Zionist socialist groups who established the kibbutz movement based on the idea of establishing a separate Jewish economy based exclusively on Jewish labor. Those of the Second Aliyah who became leaders of the Yishuv in the coming decades believed that the Jewish settler economy should not depend on Arab labor. This would be a dominant source of antagonism with the Arab population, with the new Yishuv's nationalist ideology overpowering its socialist one. Though the immigrants of the Second Aliyah largely sought to create communal Jewish agricultural settlements, Tel Aviv was established as the first planned Jewish town in 1909. Jewish armed militias emerged during this period, the first being Bar-Giora in 1907. Two years later, the larger Hashomer organization was founded as its replacement. British Mandate for Palestine Chaim Weizmann's efforts to garner British support for the Zionist movement eventually secured the Balfour Declaration (1917), stating Britain's support for the creation of a Jewish "national home" in Palestine. Weizmann's interpretation of the declaration was that negotiations on the future of the country were to happen directly between Britain and the Jews, excluding Arabs. The years that followed would see Jewish-Arab relations in Palestine deteriorate dramatically. In 1918, the Jewish Legion, primarily Zionist volunteers, assisted in the British conquest of Palestine. In 1920, the territory was divided between Britain and France under the mandate system, and the British-administered area (including modern Israel) was named Mandatory Palestine. Arab opposition to British rule and Jewish immigration led to the 1920 Palestine riots and the formation of a Jewish militia known as the Haganah as an outgrowth of Hashomer, from which the Irgun and Lehi paramilitaries later split. In 1922, the League of Nations granted Britain the Mandate for Palestine under terms which included the Balfour Declaration with its promise to the Jews, and with similar provisions regarding the Arab Palestinians. The population of the area was predominantly Arab and Muslim, with Jews accounting for about 11%, and Arab Christians about 9.5% of the population. The Third (1919–1923) and Fourth Aliyahs (1924–1929) brought an additional 100,000 Jews to Palestine. The rise of Nazism and the increasing persecution of Jews in 1930s Europe led to the Fifth Aliyah, with an influx of a quarter of a million Jews. This was a major cause of the Arab revolt of 1936–39, which was suppressed by British security forces and Zionist militias. Several hundred British security personnel and Jews were killed. 5,032 Arabs were killed, 14,760 were wounded, and 12,622 were detained. An estimated ten percent of the adult male Palestinian Arab population was killed, wounded, imprisoned or exiled. The British introduced restrictions on Jewish immigration to Palestine with the White Paper of 1939. With countries around the world turning away Jewish refugees fleeing the Holocaust, a clandestine movement known as Aliyah Bet was organized to bring Jews to Palestine. By the end of World War II, 31% of the total population of Palestine was Jewish. The UK found itself facing a Jewish insurgency over immigration restrictions and continued conflict with the Arab community over limit levels. The Haganah joined Irgun and Lehi in an armed struggle against British rule. The Haganah attempted to bring tens of thousands of Jewish refugees and Holocaust survivors to Palestine by ship in a programme called Aliyah Bet. Most of the ships were intercepted by the Royal Navy and the refugees placed in detention camps in Atlit and Cyprus. On 22 July 1946, Irgun bombed the British administrative headquarters for Palestine, killing 91. The attack was a response to Operation Agatha (a series of raids, including one on the Jewish Agency, by the British) and was the deadliest directed at the British during the Mandate era. The Jewish insurgency continued throughout 1946 and 1947 despite concerted efforts by the British military and Palestine Police Force to suppress it. British efforts to mediate a negotiated solution with Jewish and Arab representatives also failed as the Jews were unwilling to accept any solution that did not involve a Jewish state and suggested a partition of Palestine into Jewish and Arab states, while the Arabs were adamant that a Jewish state in any part of Palestine was unacceptable and that the only solution was a unified Palestine under Arab rule. In February 1947, the British referred the Palestine issue to the newly formed United Nations. On 15 May 1947, the UN General Assembly resolved that a Special Committee be created "to prepare ... a report on the question of Palestine". The Report of the Committee proposed a plan to replace the British Mandate with "an independent Arab State, an independent Jewish State, and the City of Jerusalem [...] the last to be under an International Trusteeship System". Meanwhile, the Jewish insurgency continued and peaked in July 1947, with a series of widespread guerrilla raids culminating in the Sergeants affair, in which the Irgun took two British sergeants hostage as attempted leverage against the planned execution of three Irgun operatives. After the executions were carried out, the Irgun killed the two British soldiers, hanged their bodies from trees, and left a booby trap at the scene which injured a British soldier. The incident caused widespread outrage in the UK. In September 1947, the British cabinet decided to evacuate Palestine as the Mandate was no longer tenable. On 29 November 1947, the General Assembly adopted Resolution 181 (II). The plan attached to the resolution was essentially that proposed in the report of 3 September. The Jewish Agency, the recognized representative of the Jewish community, accepted the plan, which assigned 55–56% of Mandatory Palestine to the Jews. At the time, the Jews were about a third of the population and owned around 6–7% of the land. Arabs constituted the majority and owned about 20% of the land, with the remainder held by the Mandate authorities or foreign landowners. The Arab League and Arab Higher Committee of Palestine rejected it on the basis that the partition plan privileged European interests over those of the Palestinians, and indicated that they would reject any other plan of partition. On 1 December 1947, the Arab Higher Committee proclaimed a three-day strike, and riots broke out in Jerusalem. The situation spiraled into a civil war. Colonial Secretary Arthur Creech Jones announced that the British Mandate would end on 15 May 1948, at which point the British would evacuate. As Arab militias and gangs attacked Jewish areas, they were faced mainly by the Haganah, as well as the smaller Irgun and Lehi. In April 1948, the Haganah moved onto the offensive. State of Israel Establishment and early years On 14 May 1948, the day before the expiration of the British Mandate, David Ben-Gurion, the head of the Jewish Agency, declared "the establishment of a Jewish state in Eretz-Israel". The only reference in the text of the Declaration to the borders of the new state is the use of the term Eretz-Israel ("Land of Israel"). The following day, the armies of four Arab countries—Egypt, Syria, Transjordan and Iraq—entered what had been Mandatory Palestine, launching the 1948 Arab–Israeli War; contingents from Yemen, Morocco, Saudi Arabia and Sudan joined the war. The apparent purpose of the invasion was to prevent the establishment of the Jewish state. The Arab league stated the invasion was to restore order and prevent further bloodshed. After a year of fighting, a ceasefire was declared and temporary borders, known as the Green Line, were established. Jordan annexed what became known as the West Bank, including East Jerusalem, and Egypt occupied the Gaza Strip. Over 700,000 Palestinians fled or were expelled by Zionist militias and the Israeli military—what would become known in Arabic as the Nakba ('catastrophe'). The events also led to the destruction of most of Palestine's predominantly Arab population's society, culture, identity, political rights, and national aspirations. Some 156,000 remained and became Arab citizens of Israel. Israel was admitted as a member of the UN on 11 May 1949. In the early years of the state, the Labor Zionist movement led by Prime Minister David Ben-Gurion dominated Israeli politics. Immigration to Israel during the late 1940s and early 1950s was aided by the Israeli Immigration Department and the non-government sponsored Mossad LeAliyah Bet (lit. "Institute for Immigration B"). The latter engaged in clandestine operations in countries, particularly in the Middle East and Eastern Europe, where the lives of Jews were believed to be in danger and exit was difficult. Mossad LeAliyah Bet was disbanded in 1953. The immigration was in accordance with the One Million Plan. Some immigrants held Zionist beliefs or came for the promise of a better life, while others moved to escape persecution or were expelled. An influx of Holocaust survivors and Jews from Arab and Muslim countries to Israel during the first three years increased the number of Jews from 700,000 to 1,400,000. By 1958, the population had risen to two million. Between 1948 and 1970, approximately 1,150,000 Jewish refugees relocated to Israel. Some new immigrants arrived as refugees and were housed in temporary camps known as ma'abarot; by 1952, over 200,000 people were living in these tent cities. Jews of European background were often treated more favorably than Jews from Middle Eastern and North African countries—housing units reserved for the latter were often re-designated for the former, so Jews newly arrived from Arab lands generally ended up staying longer in transit camps. During this period, food, clothes and furniture were rationed in what became known as the austerity period. The need to solve the crisis led Ben-Gurion to sign a reparations agreement with West Germany that triggered mass protests by Jews angered at the idea that Israel could accept monetary compensation for the Holocaust. Arab–Israeli conflict During the 1950s, Israel was frequently attacked by Palestinian fedayeen, nearly always against civilians, mainly from the Egyptian-occupied Gaza Strip, leading to several Israeli reprisal operations. In 1956, the UK and France aimed at regaining control of the Suez Canal, which Egypt had nationalized. The continued blockade of the Suez Canal and Straits of Tiran to Israeli shipping, together with increasing Fedayeen attacks against Israel's southern population and recent Arab threatening statements, prompted Israel to attack Egypt. Israel joined a secret alliance with the UK and France and overran the Sinai Peninsula in the Suez Crisis, but was pressured to withdraw by the UN in return for guarantees of Israeli shipping rights. The war resulted in significant reduction of Israeli border infiltration. In the early 1960s, Israel captured Nazi war criminal Adolf Eichmann in Argentina and brought him to Israel for trial. Eichmann remains the only person executed in Israel by conviction in an Israeli civilian court. In 1963, Israel was engaged in a diplomatic standoff with the United States due to the Israeli nuclear programme. Since 1964, Arab countries, concerned over Israeli plans to divert waters of the Jordan River into the coastal plain, had been trying to divert the headwaters to deprive Israel of water resources, provoking tensions between Israel on the one hand, and Syria and Lebanon on the other. Arab nationalists led by Egyptian President Gamal Abdel Nasser refused to recognize Israel and called for its destruction. By 1966, Israeli-Arab relations had deteriorated to the point of battles taking place between Israeli and Arab forces. In May 1967, Egypt massed its army near the border with Israel, expelled UN peacekeepers, stationed in the Sinai Peninsula since 1957, and blocked Israel's access to the Red Sea. Other Arab states mobilized their forces. Israel reiterated that these actions were a casus belli and launched a pre-emptive strike against Egypt in June. Jordan, Syria and Iraq attacked Israel. In the Six-Day War, Israel captured and occupied the West Bank from Jordan, the Gaza Strip and Sinai Peninsula from Egypt, and the Golan Heights from Syria. Jerusalem's boundaries were enlarged, incorporating East Jerusalem. The 1949 Green Line became the administrative boundary between Israel and the occupied territories. Following the 1967 war and the "Three Nos" resolution of the Arab League, Israel faced attacks from the Egyptians in the Sinai Peninsula during the 1967–1970 War of Attrition, and from Palestinian groups targeting Israelis in the occupied territories, globally, and in Israel. Most important among the Palestinian and Arab groups was the Palestinian Liberation Organization (PLO), established in 1964, which initially committed itself to "armed struggle as the only way to liberate the homeland". In the late 1960s and early 1970s, Palestinian groups launched attacks against Israeli and Jewish targets around the world, including a massacre of Israeli athletes at the 1972 Summer Olympics in Munich. The Israeli government responded with an assassination campaign against the organizers of the massacre, a bombing and a raid on the PLO headquarters in Lebanon. On 6 October 1973, the Egyptian and Syrian armies launched a surprise attack against Israeli forces in the Sinai Peninsula and Golan Heights, opening the Yom Kippur War. The war ended on 25 October with Israel repelling Egyptian and Syrian forces but suffering great losses. An internal inquiry exonerated the government of responsibility for failures before and during the war, but public anger forced Prime Minister Golda Meir to resign. In July 1976, an airliner was hijacked in flight from Israel to France by Palestinian guerrillas; Israeli commandos rescued 102 out of 106 Israeli hostages. Peace process The 1977 Knesset elections marked a major turning point in Israeli political history as Menachem Begin's Likud party took control from the Labor Party. Later that year, Egyptian President Anwar El Sadat made a trip to Israel and spoke before the Knesset in what was the first recognition of Israel by an Arab head of state. Sadat and Begin signed the Camp David Accords (1978) and the Egypt–Israel peace treaty (1979). In return, Israel withdrew from the Sinai Peninsula and agreed to enter negotiations over autonomy for Palestinians in the West Bank and the Gaza Strip. On 11 March 1978, a PLO guerilla raid from Lebanon led to the Coastal Road massacre. Israel responded by launching an invasion of southern Lebanon to destroy PLO bases. Most PLO fighters withdrew, but Israel was able to secure southern Lebanon until a UN force and the Lebanese army could take over. The PLO soon resumed its insurgency against Israel, and Israel carried out numerous retaliatory attacks. Meanwhile, Begin's government provided incentives for Israelis to settle in the occupied West Bank, increasing friction with the Palestinians there. The Jerusalem Law (1980) was believed by some to reaffirm Israel's 1967 annexation of Jerusalem by government decree, and reignited international controversy over the status of the city. No Israeli legislation has defined the territory of Israel and no act specifically included East Jerusalem therein. In 1981 Israel effectively annexed the Golan Heights. The international community largely rejected these moves, with the UN Security Council declaring both the Jerusalem Law and the Golan Heights Law null and void. Several waves of Ethiopian Jews immigrated to Israel since the 1980s, while between 1990 and 1994, immigration from the post-Soviet states increased Israel's population by twelve percent. On 7 June 1981, during the Iran–Iraq War, the Israeli air force destroyed Iraq's sole nuclear reactor, then under construction, in order to impede the Iraqi nuclear weapons program. Following a series of PLO attacks in 1982, Israel invaded Lebanon to destroy the PLO bases. In the first six days, the Israelis destroyed the military forces of the PLO in Lebanon and decisively defeated the Syrians. An Israeli government inquiry (the Kahan Commission) held Begin and several Israeli generals indirectly responsible for the Sabra and Shatila massacre and held Defense minister Ariel Sharon as bearing "personal responsibility". Sharon was forced to resign. In 1985, Israel responded to a Palestinian terrorist attack in Cyprus by bombing the PLO headquarters in Tunisia. Israel withdrew from most of Lebanon in 1986, but maintained a borderland buffer zone in southern Lebanon until 2000, from where Israeli forces engaged in conflict with Hezbollah. The First Intifada, a Palestinian uprising against Israeli rule, broke out in 1987, with waves of uncoordinated demonstrations and violence in the occupied West Bank and Gaza. Over the following six years, the Intifada became more organized and included economic and cultural measures aimed at disrupting the Israeli occupation. Over a thousand people were killed. During the 1991 Gulf War, the PLO supported Saddam Hussein and Iraqi missile attacks against Israel. Despite public outrage, Israel heeded American calls to refrain from hitting back. In 1992, Yitzhak Rabin became prime minister following an election in which his party called for compromise with Israel's neighbours. The following year, Shimon Peres on behalf of Israel, and Mahmoud Abbas for the PLO, signed the Oslo Accords, which gave the Palestinian National Authority (PNA) the right to govern parts of the West Bank and the Gaza Strip. The PLO also recognized Israel's right to exist and pledged an end to terrorism. In 1994, the Israel–Jordan peace treaty was signed, making Jordan the second Arab country to normalize relations with Israel. Arab public support for the Accords was damaged by the continuation of Israeli settlements and checkpoints, and the deterioration of economic conditions. Israeli public support for the Accords waned after Palestinian suicide attacks. In November 1995, Yitzhak Rabin was assassinated by Yigal Amir, a far-right Jew who opposed the Accords. During Benjamin Netanyahu's premiership at the end of the 1990s, Israel agreed to withdraw from Hebron, though this was never ratified or implemented, and signed the Wye River Memorandum, giving greater control to the PNA. Ehud Barak, elected Prime Minister in 1999, withdrew forces from Southern Lebanon and conducted negotiations with PNA Chairman Yasser Arafat and U.S. President Bill Clinton at the 2000 Camp David Summit. Barak offered a plan for the establishment of a Palestinian state, including the entirety of the Gaza Strip and over 90% of the West Bank with Jerusalem as a shared capital. Each side blamed the other for the failure of the talks. 21st century In late 2000, after a controversial visit by Likud leader Ariel Sharon to the Temple Mount, the 4.5-year Second Intifada began. Suicide bombings were a recurrent feature. Some commentators contend that the Intifada was pre-planned by Arafat due to the collapse of peace talks. Sharon became prime minister in a 2001 election; he carried out his plan to unilaterally withdraw from the Gaza Strip and spearheaded the construction of the Israeli West Bank barrier, ending the Intifada. Between 2000 and 2008, 1,063 Israelis, 5,517 Palestinians and 64 foreign citizens were killed. In 2006, a Hezbollah artillery assault on Israel's northern border communities and a cross-border abduction of two Israeli soldiers precipitated the month-long Second Lebanon War. In 2007, the Israeli Air Force destroyed a nuclear reactor in Syria. In 2008, a ceasefire between Hamas and Israel collapsed, resulting in the three-week Gaza War. In what Israel described as a response to over a hundred Palestinian rocket attacks on southern Israeli cities, Israel began an operation in the Gaza Strip in 2012, lasting eight days. Israel started another operation in Gaza following an escalation of rocket attacks by Hamas in July 2014. In May 2021, another round of fighting took place in Gaza and Israel, lasting eleven days. By the 2010s, increasing regional cooperation between Israel and Arab League countries have been established, culminating in the signing of the Abraham Accords. The Israeli security situation shifted from the traditional Arab–Israeli conflict towards the Iran–Israel proxy conflict and direct confrontation with Iran during the Syrian civil war. On 7 October 2023, Palestinian militant groups from Gaza, led by Hamas, launched a series of coordinated attacks on Israel, leading to the start of the Israel–Hamas war. On that day, approximately 1300 Israelis, predominantly civilians, were killed in communities near the Gaza Strip border and during a music festival. Over 200 hostages were kidnapped and taken to the Gaza Strip. After clearing militants from its territory, Israel launched one of the most destructive bombing campaigns in modern history and invaded Gaza on 27 October with the stated objectives of destroying Hamas and freeing hostages. The fifth war of the Gaza–Israel conflict since 2008, it has been the deadliest for Palestinians in the entire Israeli–Palestinian conflict, and the most significant military engagement in the region since the Yom Kippur War in 1973. Geography Israel is located in the Levant area of the Fertile Crescent. The country is at the eastern end of the Mediterranean Sea, bounded by Lebanon to the north, Syria to the northeast, Jordan and the West Bank to the east, and Egypt and the Gaza Strip to the southwest. It lies between latitudes 29° and 34° N, and longitudes 34° and 36° E. The sovereign territory of Israel (according to the demarcation lines of the 1949 Armistice Agreements and excluding all territories captured by Israel during the 1967 Six-Day War) is approximately 20,770 square kilometers (8,019 sq mi), of which two percent is water. However Israel is so narrow (100 km at its widest, compared to 400 km from north to south) that the exclusive economic zone in the Mediterranean is double the land area of the country. The total area under Israeli law, including East Jerusalem and the Golan Heights, is 22,072 square kilometers (8,522 sq mi), and the total area under Israeli control, including the military-controlled and partially Palestinian-governed territory of the West Bank, is 27,799 square kilometers (10,733 sq mi). Despite its small size, Israel is home to a variety of geographic features, from the Negev desert in the south to the inland fertile Jezreel Valley, mountain ranges of the Galilee, Carmel and toward the Golan in the north. The Israeli coastal plain on the shores of the Mediterranean is home to most of the nation's population. East of the central highlands lies the Jordan Rift Valley, a small part of the 6,500-kilometer (4,039 mi) Great Rift Valley. The Jordan River runs along the Jordan Rift Valley, from Mount Hermon through the Hulah Valley and the Sea of Galilee to the Dead Sea, the lowest point on the surface of the Earth. Further south is the Arabah, ending with the Gulf of Eilat, part of the Red Sea. Makhtesh, or "erosion cirques" are unique to the Negev and the Sinai Peninsula, the largest being the Makhtesh Ramon at 38 km in length. Israel has the largest number of plant species per square meter of the countries in the Mediterranean Basin. Israel contains four terrestrial ecoregions: Eastern Mediterranean conifer-sclerophyllous-broadleaf forests, Southern Anatolian montane conifer and deciduous forests, Arabian Desert, and Mesopotamian shrub desert. Forests accounted for 8.5% of the country's area in 2016, up from 2% in 1948, as the result of a large-scale forest planting program by the Jewish National Fund. Tectonics and seismicity The Jordan Rift Valley is the result of tectonic movements within the Dead Sea Transform (DSF) fault system. The DSF forms the transform boundary between the African Plate to the west and the Arabian Plate to the east. The Golan Heights and all of Jordan are part of the Arabian Plate, while the Galilee, West Bank, Coastal Plain, and Negev along with the Sinai Peninsula are on the African Plate. This tectonic disposition leads to a relatively high seismic activity. The entire Jordan Valley segment is thought to have ruptured repeatedly, for instance during the last two major earthquakes along this structure in 749 and 1033. The deficit in slip that has built up since the 1033 event is sufficient to cause an earthquake of Mw ~7.4. The most catastrophic known earthquakes occurred in 31 BCE, 363, 749, and 1033 CE, that is every ca. 400 years on average. Destructive earthquakes leading to serious loss of life strike about every 80 years. While stringent construction regulations are in place and recently built structures are earthquake-safe, as of 2007 many public buildings as well as 50,000 residential buildings did not meet the new standards and were "expected to collapse" if exposed to a strong earthquake. Climate Temperatures in Israel vary widely, especially during the winter. Coastal areas, such as those of Tel Aviv and Haifa, have a typical Mediterranean climate with cool, rainy winters and long, hot summers. The area of Beersheba and the Northern Negev have a semi-arid climate with hot summers, cool winters, and fewer rainy days. The Southern Negev and the Arava areas have a desert climate with very hot, dry summers, and mild winters with few days of rain. The highest temperature in the world outside Africa and North America as of 2021, 54 °C (129 °F), was recorded in 1942 in the Tirat Zvi kibbutz in the northern Jordan River valley. Mountainous regions can be windy and cold, and areas at elevation of 750 metres (2,460 ft) or more (same elevation as Jerusalem) usually receive at least one snowfall each year. From May to September, rain in Israel is rare. There are four different phytogeographic regions in Israel, due to the country's location between the temperate and tropical zones. For this reason, the flora and fauna are extremely diverse. There are 2,867 known species of plants in Israel. Of these, at least 253 species are introduced and non-native. There are 380 Israeli nature reserves. With scarce water resources, Israel has developed various water-saving technologies, including drip irrigation. The considerable sunlight available for solar energy makes Israel the leading nation in solar energy use per capita—practically every house uses solar panels for water heating. The Israeli Ministry of Environmental Protection has reported that climate change "will have a decisive impact on all areas of life", particularly for vulnerable populations. Government and politics Israel has a parliamentary system, proportional representation and universal suffrage. A member of parliament supported by a parliamentary majority becomes the prime minister—usually this is the chair of the largest party. The prime minister is the head of government and of cabinet. The president is head of state, with limited and largely ceremonial duties. Israel is governed by a 120-member parliament, known as the Knesset. Membership of the Knesset is based on proportional representation of political parties, with a 3.25% electoral threshold, which in practice has resulted in coalition governments. Residents of Israeli settlements in the West Bank are eligible to vote and after the 2015 election, 10 of the 120 members of the Knesset (8%) were settlers. Parliamentary elections are scheduled every four years, but unstable coalitions or a no-confidence vote can dissolve a government earlier. The first Arab-led party was established in 1988 and as of 2022, Arab-led parties hold about 10% of seats. The Basic Law: The Knesset (1958) and its amendments prevent a party list from running for election to the Knesset if its objectives or actions include the "negation of the existence of the State of Israel as the state of the Jewish people". The Basic Laws of Israel function as an uncodified constitution. In its Basic Laws, Israel defines itself as a Jewish and democratic state, and the nation-state of exclusively the Jewish people. In 2003, the Knesset began to draft an official constitution based on these laws. Israel has no official religion, but the definition of the state as "Jewish and democratic" creates a strong connection with Judaism. On 19 July 2018, the Knesset passed a Basic Law that characterizes the State of Israel as principally a "Nation State of the Jewish People", and Hebrew as its official language. The bill ascribes, an undefined, "special status" to the Arabic language. The same bill gives Jews a unique right to national self-determination, and views the developing of Jewish settlement in the country as "a national interest", empowering the government to "take steps to encourage, advance and implement this interest". Administrative divisions The State of Israel is divided into six main administrative districts, known as mehozot (Hebrew: מחוזות; sg.: mahoz)—Center, Haifa, Jerusalem, North, South, and Tel Aviv districts, as well as the Judea and Samaria Area in the West Bank. All of the Judea and Samaria Area and parts of the Jerusalem and Northern districts are not recognized internationally as part of Israel. Districts are further divided into fifteen sub-districts known as nafot (Hebrew: נפות; sg.: nafa), which are themselves partitioned into fifty natural regions. ^a Including 361,700 Arabs and 233,900 Jews in East Jerusalem, as of 2020. ^b Israeli citizens only. Israeli citizenship law The two primary pieces of legislation relating to Israeli citizenship are the 1950 Law of Return and 1952 Citizenship Law. The law of return grants Jews the unrestricted right to immigrate to Israel and obtain Israeli citizenship. Individuals born within the country receive birthright citizenship if at least one parent is a citizen. Israeli law defines Jewish nationality as distinct from Israeli nationality, and the Supreme Court of Israel has ruled that an Israeli nationality does not exist. Israeli law defines a Jewish national as any person practicing Judaism and their descendants. Legislation has defined Israel as the nation state of the Jewish people since 2018. Israeli-occupied territories In 1967, as a result of the Six-Day War, Israel captured and occupied the West Bank, including East Jerusalem, the Gaza Strip and the Golan Heights. Israel also captured the Sinai Peninsula, but returned it to Egypt as part of the 1979 Egypt–Israel peace treaty. Between 1982 and 2000, Israel occupied part of southern Lebanon, in what was known as the Security Belt. Since Israel's capture of these territories, Israeli settlements and military installations have been built within each of them, except Lebanon. The Golan Heights and East Jerusalem have been fully incorporated into Israel under Israeli law, but not under international law. Israel has applied civilian law to both areas and granted their inhabitants permanent residency status and the ability to apply for citizenship. The UN Security Council has declared the annexation of the Golan Heights and East Jerusalem to be "null and void" and continues to view the territories as occupied. The status of East Jerusalem in any future peace settlement has at times been a difficult issue in negotiations between Israeli governments and representatives of the Palestinians. The West Bank excluding East Jerusalem is known in Israeli law as the Judea and Samaria Area. The almost 400,000 Israeli settlers residing in the area are considered part of Israel's population, have Knesset representation, are subject to a large part of Israel's civil and criminal laws, and their output is considered part of Israel's economy. The land itself is not considered part of Israel under Israeli law, as Israel has consciously refrained from annexing the territory, without ever relinquishing its legal claim to the land or defining a border. Israeli political opposition to annexation is primarily due to the perceived "demographic threat" of incorporating the West Bank's Palestinian population into Israel. Outside of the Israeli settlements, the West Bank remains under direct Israeli military rule, and Palestinians in the area cannot become Israeli citizens. The international community maintains that Israel does not have sovereignty in the West Bank, and considers Israel's control of the area to be the longest military occupation in modern history. The West Bank was occupied and annexed by Jordan in 1950, following the 1949 Armistice Agreements. Only Britain recognized this annexation and Jordan has since ceded its claim to the territory to the PLO. The population are mainly Palestinians, including refugees of the 1948 Arab–Israeli War. From their occupation in 1967 until 1993, the Palestinians living in these territories were under Israeli military administration. Since the Israel–PLO letters of recognition, most of the Palestinian population and cities have been under the internal jurisdiction of the Palestinian Authority, and only partial Israeli military control, although Israel has redeployed its troops and reinstated full military administration during periods of unrest. In response to increasing attacks during the Second Intifada, the Israeli government started to construct the Israeli West Bank barrier. When completed, approximately 13% of the barrier will be constructed on the Green Line or in Israel with 87% inside the West Bank. Israel's claim of universal suffrage has been questioned due to its blurred territorial boundaries and its simultaneous extension of voting rights to Israeli settlers in the occupied territories and denial of voting rights to their Palestinian neighbours, as well as the alleged ethnocratic nature of the state. The Gaza Strip is considered to be a "foreign territory" under Israeli law. Israel and Egypt operate a land, air, and sea blockade of the Gaza Strip. The Gaza Strip was occupied by Israel after 1967. In 2005, as part of Israel's unilateral disengagement plan, Israel removed its settlers and forces from the territory but continues to maintain control of its airspace and waters. The international community, including numerous international humanitarian organizations and UN bodies, consider Gaza to remain occupied. Following the 2007 Battle of Gaza, when Hamas assumed power in the Gaza Strip, Israel tightened control of the Gaza crossings along its border, as well as by sea and air, and prevented persons from entering and exiting except for isolated cases it deemed humanitarian. Gaza has a border with Egypt, and an agreement between Israel, the EU, and the PA governs how border crossings take place. The application of democracy to its Palestinian citizens, and the selective application of Israeli democracy in the Israeli-controlled Palestinian territories, has been criticized. International opinion The International Court of Justice said, in its 2004 advisory opinion on the legality of the construction of the Israeli West Bank barrier, that the lands captured by Israel in the Six-Day War, including East Jerusalem, are occupied territory and found that the construction of the wall within the occupied Palestinian territory violates international law. Most negotiations relating to the territories have been on the basis of UN Security Council Resolution 242, which emphasizes "the inadmissibility of the acquisition of territory by war", and calls on Israel to withdraw from occupied territories in return for normalization of relations with Arab states ("Land for peace"). Israel has been criticized for engaging in systematic and widespread violations of human rights in the occupied territories, including the occupation itself and war crimes against civilians. The allegations include violations of international humanitarian law by the UN Human Rights Council. The U.S. State Department has called reports of abuses of significant human rights of Palestinians "credible" both within Israel and the occupied territories. Amnesty International and other NGOs have documented mass arbitrary arrests, torture, unlawful killings, systemic abuses and impunity in tandem with a denial of the right to Palestinian self-determination. Prime Minister Netanyahu has defended the country's security forces for protecting the innocent from terrorists and expressed contempt for what he describes as a lack of concern about the human rights violations committed by "criminal killers". The international community widely regards Israeli settlements in the occupied territories illegal under international law. United Nations Security Council Resolution 2334 (passed 2016) states that Israel's settlement activity constitutes a "flagrant violation" of international law and demands that Israel stop such activity and fulfill its obligations as an occupying power under the Fourth Geneva Convention. A United Nations special rapporteur concluded that the settlement program was a war crime under the Rome Statute, and Amnesty International found that the settlement program constitutes an illegal transfer of civilians into occupied territory and "pillage", which is prohibited by the Hague Conventions and Geneva Conventions as well as being a war crime under the Rome Statute. In a 2024 advisory opinion, the International Court of Justice stated that Israel's occupation of the Palestinian territories violated international law; Israel should end its occupation as quickly as possible and pay reparations. The court also advised that other states were under an obligation not to recognise the occupation as lawful nor to aid or assist it. In addition, the court found that Israel was in breach of article 3 of the International Convention on the Elimination of All Forms of Racial Discrimination, which requires states to prevent, prohibit and eradicate all practices of racial segregation and apartheid. Apartheid Israel's treatment of the Palestinians within the occupied territories have drawn widespread accusations that it is guilty of apartheid, a crime against humanity under the Rome Statute and the International Convention on the Suppression and Punishment of the Crime of Apartheid. The Washington Post's 2021 survey of scholars and academic experts on the Middle East found an increase from 59% to 65% of these scholars describing Israel as a "one-state reality akin to apartheid". The claim that Israel's policies for Palestinians within Israel amount to apartheid has been affirmed by Israeli human rights organization B'tselem and international human rights organizations such as Amnesty International and Human Rights Watch. Israeli human rights organization Yesh Din has also accused Israel of apartheid. Amnesty's claim was criticised by politicians and representatives from Israel and its closest allies such as, the US, the UK, the European Commission, Australia, Netherlands and Germany, while said accusations were welcomed by Palestinians, representatives from other states, and organizations such as the Arab League. In 2022, Michael Lynk, a Canadian law professor appointed by the U.N. Human Rights Council said that the situation met the legal definition of apartheid, and concluded: "Israel has imposed upon Palestine an apartheid reality in a post-apartheid world". Subsequent reports from his successor, Francesca Albanese and from Permanent United Nations Fact Finding Mission on the Israel Palestine conflict chair Navi Pillay echoed the opinion. In February 2024, The ICJ held public hearings in regards to the legal consequences arising from the policies and practices of Israel in the occupied Palestinian territory including East Jerusalem. During the hearings, 24 States and three international organizations said that Israeli practices amount to a breach of the prohibition of apartheid and/or amount to prohibited acts of racial discrimination. Foreign relations Israel maintains diplomatic relations with 165 UN member states, as well as with the Holy See, Kosovo, the Cook Islands and Niue. It has 107 diplomatic missions; countries with which it has no diplomatic relations include most Muslim countries. Six out of twenty-two nations in the Arab League have normalized relations with Israel. Israel remains formally in a state of war with Syria, a status that dates back uninterrupted to 1948. It has been in a similarly formal state of war with Lebanon since the end of the Lebanese Civil War in 2000, with the Israel–Lebanon border remaining unagreed by treaty. Despite the peace treaty between Israel and Egypt, Israel is still widely considered an enemy country among Egyptians. Iran withdrew its recognition of Israel during the Islamic Revolution. Israeli citizens may not visit Syria, Lebanon, Iraq, Saudi Arabia, and Yemen without permission from the Ministry of the Interior. As a result of the 2008–09 Gaza War, Mauritania, Qatar, Bolivia, and Venezuela suspended political and economic ties with Israel, though Bolivia renewed ties in 2019. The United States and the Soviet Union were the first two countries to recognize the State of Israel, having declared recognition roughly simultaneously. Diplomatic relations with the Soviet Union were broken in 1967, following the Six-Day War, and renewed in October 1991. The United States regards Israel as its "most reliable partner in the Middle East", based on "common democratic values, religious affinities, and security interests". The US has provided $68 billion in military assistance and $32 billion in grants to Israel since 1967, under the Foreign Assistance Act (period beginning 1962), more than any other country for that period until 2003. Most surveyed Americans have also held consistently favorable views of Israel. The United Kingdom is seen as having a "natural" relationship with Israel because of the Mandate for Palestine. By 2007, Germany had paid 25 billion euros in reparations to the Israeli state and individual Israeli Holocaust survivors. Israel is included in the European Union's European Neighbourhood Policy. Although Turkey and Israel did not establish full diplomatic relations until 1991, Turkey has cooperated with the Jewish state since its recognition of Israel in 1949. Turkey's ties to other Muslim-majority nations in the region have at times resulted in pressure from Arab and Muslim states to temper its relationship with Israel. Relations between Turkey and Israel took a downturn after the 2008–09 Gaza War and Israel's raid of the Gaza flotilla. Relations between Greece and Israel have improved since 1995 due to the decline of Israeli–Turkish relations. The two countries have a defense cooperation agreement and in 2010, the Israeli Air Force hosted Greece's Hellenic Air Force in a joint exercise. The joint Cyprus-Israel oil and gas explorations centered on the Leviathan gas field are an important factor for Greece, given its strong links with Cyprus. Cooperation in the world's longest submarine power cable, the EuroAsia Interconnector, has strengthened Cyprus–Israel relations. Azerbaijan is one of the few majority Muslim countries to develop strategic and economic relations with Israel. Kazakhstan also has an economic and strategic partnership with Israel. India established full diplomatic ties with Israel in 1992 and has fostered a strong military, technological and cultural partnership with the country since then. India is the largest customer of the Israeli military equipment and Israel is the second-largest military partner of India after Russia. Ethiopia is Israel's main ally in Africa due to common political, religious and security interests. Foreign aid Israel has a history of providing emergency foreign aid and humanitarian response to disasters across the world. In 1955 Israel began its foreign aid programme in Burma. The programme's focus subsequently shifted to Africa. Israel's humanitarian efforts officially began in 1957, with the establishment of Mashav, the Israel's Agency for International Development Cooperation. In this early period, whilst Israel's aid represented only a small percentage of total aid to Africa, its programme was effective in creating goodwill; however, following the 1967 war relations soured. Israel's foreign aid programme subsequently shifted its focus to Latin America. Since the late 1970s Israel's foreign aid has gradually decreased, although in recent years Israel has tried to reestablish aid to Africa. There are additional Israeli humanitarian and emergency response groups that work with the Israel government, including IsraAid, a joint programme run by Israeli organizations and North American Jewish groups, ZAKA, The Fast Israeli Rescue and Search Team, Israeli Flying Aid, Save a Child's Heart and Latet. Between 1985 and 2015, Israel sent 24 delegations of IDF search and rescue unit, the Home Front Command, to 22 countries. Currently Israeli foreign aid ranks low among OECD nations, spending less than 0.1% of its GNI on development assistance. The country ranked 38th in the 2018 World Giving Index. Military The Israel Defense Forces (IDF) is the sole military wing of the Israeli security forces and is headed by its Chief of General Staff, the Ramatkal, subordinate to the Cabinet. The IDF consists of the army, air force and navy. It was founded during the 1948 Arab–Israeli War by consolidating paramilitary organizations—chiefly the Haganah. The IDF also draws upon the resources of the Military Intelligence Directorate (Aman). The IDF have been involved in several major wars and border conflicts, making it one of the most battle-trained armed forces in the world. Most Israelis are conscripted at age 18. Men serve two years and eight months and women two years. Following mandatory service, Israeli men join the reserve forces and usually do up to several weeks of reserve duty every year until their forties. Most women are exempt from reserve duty. Arab citizens of Israel (except the Druze) and those engaged in full-time religious studies are exempt, although the exemption of yeshiva students has been a source of contention. An alternative for those who receive exemptions on various grounds is Sherut Leumi, or national service, which involves a programme of service in social welfare frameworks. A small minority of Israeli Arabs also volunteer in the army. As a result of its conscription programme, the IDF maintains approximately 176,500 active troops and 465,000 reservists, giving Israel one of the world's highest percentage of citizens with military training. The military relies heavily on high-tech weapons systems designed and manufactured in Israel as well as some foreign imports. The Arrow missile is one of the world's few operational anti-ballistic missile systems. The Python air-to-air missile series is often considered one of the most crucial weapons in its military history. Israel's Spike missile is one of the most widely exported anti-tank guided missiles in the world. Israel's Iron Dome anti-missile air defense system gained worldwide acclaim after intercepting hundreds of rockets fired by Palestinian militants from the Gaza Strip. Since the Yom Kippur War, Israel has developed a network of reconnaissance satellites. The Ofeq programme has made Israel one of seven countries capable of launching such satellites. Israel is widely believed to possess nuclear weapons and per a 1993 report, chemical and biological weapons of mass destruction. Israel has not signed the Treaty on the Non-Proliferation of Nuclear Weapons and maintains a policy of deliberate ambiguity toward its nuclear capabilities. The Israeli Navy's Dolphin submarines are believed to be armed with nuclear missiles offering second-strike capability. Since the Gulf War in 1991, all homes in Israel are required to have a reinforced security room, Merkhav Mugan, impermeable to chemical and biological substances. Since Israel's establishment, military expenditure constituted a significant portion of the country's gross domestic product, with peak of 30.3% of GDP in 1975. In 2021, Israel ranked 15th in the world by total military expenditure, with $24.3 billion, and 6th by defense spending as a percentage of GDP, with 5.2%. Since 1974, the United States has been a particularly notable contributor of military aid. Under a memorandum of understanding signed in 2016, the U.S. is expected to provide the country with $3.8 billion per year, or around 20% of Israel's defense budget, from 2018 to 2028. Israel ranked 9th globally for arms exports in 2022. The majority of Israel's arms exports are unreported for security reasons. Israel is consistently rated low in the Global Peace Index, ranking 134th out of 163 nations in 2022. Legal system Israel has a three-tier court system. At the lowest level are magistrate courts, situated in most cities across the country. Above them are district courts, serving as both appellate courts and courts of first instance; they are situated in five of Israel's six districts. The third and highest tier is the Supreme Court, located in Jerusalem; it serves a dual role as the highest court of appeals and the High Court of Justice. In the latter role, the Supreme Court rules as a court of first instance, allowing individuals, both citizens and non-citizens, to petition against the decisions of state authorities. Israel's legal system combines three legal traditions: English common law, civil law, and Jewish law. It is based on the principle of stare decisis (precedent) and is an adversarial system. Court cases are decided by professional judges with no role for juries. Marriage and divorce are under the jurisdiction of the religious courts: Jewish, Muslim, Druze, and Christian. The election of judges is carried out by a selection committee chaired by the justice minister (currently Yariv Levin). Israel's Basic Law: Human Dignity and Liberty seeks to defend human rights and liberties in Israel. The United Nations Human Rights Council and Israeli human rights organization Adalah have highlighted that this law does not in fact contain a general provision for equality and non-discrimination. As a result of "Enclave law", large portions of Israeli civil law are applied to Israeli settlements and Israeli residents in the occupied territories. Economy Israel is considered the most advanced country in Western Asia and the Middle East in economic and industrial development. As of October 2023, the IMF estimated Israel's GDP at 521.7 billion dollars and Israel's GDP per capita at 53.2 thousand (ranking 13th worldwide). It is the third richest country in Asia by nominal per capita income. Israel has the highest average wealth per adult in the Middle East.The Economist ranked Israel as the 4th most successful economy among the developed countries for 2022. It has the most billionaires in the Middle East, and the 18th most in the world. In recent years Israel had one of the highest growth rates in the developed world. In 2010, it joined the OECD. The country is ranked 20th in the World Economic Forum's Global Competitiveness Report and 35th on the World Bank's Ease of Doing Business index. Israeli economic data covers the economic territory of Israel, including the Golan Heights, East Jerusalem and Israeli settlements in the West Bank. Despite limited natural resources, intensive development of the agricultural and industrial sectors over the past decades has made Israel largely self-sufficient in food production, apart from grains and beef. Imports to Israel, totaling $96.5 billion in 2020, include raw materials, military equipment, investment goods, rough diamonds, fuels, grain, and consumer goods. Leading exports include machinery, equipment, software, cut diamonds, agricultural products, chemicals, textiles, and apparel; in 2020, Israeli exports reached $114 billion. The Bank of Israel holds $201 billion of foreign-exchange reserves, the 17th highest in the world. Since the 1970s, Israel has received military aid from the United States, as well as economic assistance in the form of loan guarantees, which account for roughly half of Israel's external debt. Israel has one of the lowest external debts in the developed world, and is a lender in terms of net external debt (assets vs. liabilities abroad), which in 2015 stood at a surplus of $69 billion. Israel has the second-largest number of startup companies after the United States, and the third-largest number of NASDAQ-listed companies. It is the world leader for number of start-ups per capita. Israel has been dubbed the "Start-Up Nation". Intel and Microsoft built their first overseas research and development facilities in Israel, and other high-tech multinational corporations have opened research and development centres in the country. The days which are allocated to working times in Israel are Sunday through Thursday (for a five-day workweek), or Friday (for a six-day workweek). In observance of Shabbat, in places where Friday is a work day and the majority of population is Jewish, Friday is a "short day". Several proposals have been raised to adjust the work week with the majority of the world. Science and technology Israel's development of cutting-edge technologies in software, communications and the life sciences have evoked comparisons with Silicon Valley. Israel is first in the world in expenditure on research and development as a percentage of GDP. It is ranked 15th in the Global Innovation Index in 2024, and fifth in the 2019 Bloomberg Innovation Index. Israel has 140 scientists, technicians, and engineers per 10,000 employees, the highest number in the world. Israel has produced six Nobel Prize-winning scientists since 2004 and has been frequently ranked as one of the countries with the highest ratios of scientific papers per capita. Israeli universities are ranked among the top 50 world universities in computer science (Technion and Tel Aviv University), mathematics (Hebrew University of Jerusalem) and chemistry (Weizmann Institute of Science). In 2012, Israel was ranked ninth in the world by the Futron's Space Competitiveness Index. The Israel Space Agency coordinates all Israeli space research programmes with scientific and commercial goals, and have designed and built at least 13 commercial, research and spy satellites. Some of Israel's satellites are ranked among the world's most advanced space systems. Shavit is a space launch vehicle produced by Israel to launch small satellites into low Earth orbit. It was first launched in 1988, making Israel the eighth nation to have a space launch capability. In 2003, Ilan Ramon became Israel's first astronaut, serving on the fatal mission of Space Shuttle Columbia. The ongoing water shortage has spurred innovation in water conservation techniques, and a substantial agricultural modernization, drip irrigation, was invented in Israel. Israel is also at the technological forefront of desalination and water recycling. The Sorek desalination plant is the largest seawater reverse osmosis desalination facility in the world. By 2014, Israel's desalination programmes provided roughly 35% of Israel's drinking water and it is expected to supply 70% by 2050. As of 2015, over 50 percent of the water for Israeli households, agriculture and industry is artificially produced. In 2011, Israel's water technology industry was worth around $2 billion a year with annual exports of products and services in the tens of millions of dollars. As a result of innovations in reverse osmosis technology, Israel is set to become a net exporter of water. Israel has embraced solar energy; its engineers are on the cutting edge of solar energy technology and its solar companies work on projects around the world. Over 90% of Israeli homes use solar energy for hot water, the highest per capita. According to government figures, the country saves 8% of its electricity consumption per year because of its solar energy use in heating. The high annual incident solar irradiance at its geographic latitude creates ideal conditions for what is an internationally renowned solar research and development industry in the Negev Desert. Israel had a modern electric car infrastructure involving a countrywide network of charging stations. However, Israel's electric car company Better Place shut down in 2013. Energy Israel began producing natural gas from its own offshore gas fields in 2004. In 2009, a natural gas reserve, Tamar, was found near the coast of Israel. A second reserve, Leviathan, was discovered in 2010. The natural gas reserves in these two fields could make Israel energy-secure for more than 50 years. In 2013, Israel began commercial production of natural gas from the Tamar field. As of 2014, Israel produced over 7.5 billion cubic meters (bcm) of natural gas a year. Israel had 199 billion bcm of proven reserves of natural gas as of 2016. The Leviathan gas field started production in 2019. Ketura Sun is Israel's first commercial solar field. Built in 2011 by the Arava Power Company, the field consists of 18,500 photovoltaic panels made by Suntech, which will produce about 9 gigawatt-hours (GWh) of electricity per year. In the next twenty years, the field will spare the production of some 125,000 metric tons of carbon dioxide. Transport Israel has 19,224 kilometres (11,945 mi) of paved roads and 3 million motor vehicles. The number of motor vehicles per 1,000 persons is 365, relatively low among developed countries. The country aims to have 30% of vehicles on its roads powered by electricity by 2030. Israel has 5,715 buses on scheduled routes, operated by several carriers, the largest and oldest of which is Egged, serving most of the country. Railways stretch across 1,277 kilometres (793 mi) and are operated by government-owned Israel Railways. Following major investments beginning in the early to mid-1990s, the number of train passengers per year has grown from 2.5 million in 1990, to 53 million in 2015; railways transport 7.5 million tons of cargo per year. Israel is served by three international airports: Ben Gurion Airport, the country's main hub for international air travel; Ramon Airport; and Haifa Airport. Ben Gurion, Israel's largest airport, handled over 21.1 million passengers in 2023. The country has three main ports: the Port of Haifa, the country's oldest and largest, on the Mediterranean coast, Ashdod Port; and the smaller Port of Eilat on the Red Sea. Tourism Tourism, especially religious tourism, is an important industry in Israel, with the country's beaches, archaeological, other historical and biblical sites, and unique geography also drawing tourists. Israel's security problems have taken their toll on the industry, but the number of tourists is on the rebound. In 2017, a record 3.6 million tourists visited Israel, yielding a 25 percent growth since 2016 and contributed NIS 20 billion to the Israeli economy. Real estate Housing prices in Israel are listed in the top third of all countries, with an average of 150 salaries required to buy an apartment. As of 2022, there are about 2.7 million properties in Israel, with an annual increase of over 50,000. However, the demand for housing exceeds supply, with a shortage of about 200,000 apartments as of 2021. As a result, by 2021 housing prices rose by 5.6%. In 2021, Israelis took a record of NIS 116.1 billion in mortgages, an increase of 50% from 2020. Demographics Israel has the largest Jewish population in the world and is the only country where Jews are the majority. As of 31 May 2024, Israel's population was an estimated 9,907,100. In 2022, the government recorded 73.6% of the population as Jews, 21.1% as Arabs, and 5.3% as "Others" (non-Arab Christians and people who have no religion listed). Over the last decade, large numbers of migrant workers from Romania, Thailand, China, Africa, and South America have settled in Israel. Exact figures are unknown, as many of them are living in the country illegally, but estimates run from 166,000 to 203,000. By June 2012, approximately 60,000 African migrants had entered Israel. About 93% of Israelis live in urban areas. 90% of Palestinian Israelis reside in 139 densely populated towns and villages concentrated in the Galilee, Triangle and Negev regions, with the remaining 10% in mixed cities and neighbourhoods. The OECD in 2016 estimated the average life expectancy at 82.5 years, the 6th-highest in the world. Israeli Arab life expectancy lags by 3 to 4 years and is higher than in most Arab and Muslim countries. The country has the highest fertility rate in the OECD and the only one which is above the replacement figure of 2.1. Retention of Israel's population since 1948 is about even or greater, when compared to other countries with mass immigration. Jewish emigration from Israel (called yerida), primarily to the United States and Canada, is described by demographers as modest, but is often cited by Israeli government ministries as a major threat to Israel's future. Approximately 80% of Israeli Jews are born in Israel, 14% are immigrants from Europe and the Americas, and 6% are immigrants from Asia and Africa. Jews from Europe and the former Soviet Union and their descendants born in Israel, including Ashkenazi Jews, constitute approximately 44% of Jewish Israelis. Jews from Arab and Muslim countries and their descendants, including both Mizrahi and Sephardi Jews, form most of the rest of the Jewish population. Jewish intermarriage rates run at over 35% and recent studies suggest that the percentage of Israelis descended from both Sephardi and Ashkenazi Jews increases by 0.5 percent yearly, with over 25% of schoolchildren now originating from both. Around 4% of Israelis (300,000), ethnically defined as "others", are Russian descendants of Jewish origin or family who are not Jewish according to rabbinical law, but were eligible for citizenship under the Law of Return. The total number of Israeli settlers beyond the Green Line is over 600,000 (≈10% of the Jewish Israeli population). In 2016, 399,300 Israelis lived in West Bank settlements, including those that predated the establishment of the State of Israel and which were re-established after the Six-Day War, in cities such as Hebron and Gush Etzion bloc. Additionally there were more than 200,000 Jews living in East Jerusalem, and 22,000 in the Golan Heights. Approximately 7,800 Israelis lived in settlements in the Gaza Strip, known as Gush Katif, until they were evacuated by the government as part of its 2005 disengagement plan. Israeli Arabs (including the Arab population of East Jerusalem and the Golan Heights) comprise 21.1% of the population or 1,995,000 people. In a 2017 poll, 40% of Arab citizens of Israel identified as "Arab in Israel" or "Arab citizen of Israel", 15% identified as "Palestinian", 8.9% as "Palestinian in Israel" or "Palestinian citizen of Israel", and 8.7% as "Arab"; a poll found that 60% of Israeli Arabs have a positive view of the state. Major urban areas Israel has four major metropolitan areas: Gush Dan (Tel Aviv metropolitan area; population 3,854,000), Jerusalem (population 1,253,900), Haifa (924,400), and Beersheba (377,100). Israel's largest municipality, in population and area, is Jerusalem with 981,711 residents in an area of 125 square kilometres (48 sq mi). Israeli government statistics on Jerusalem include the population and area of East Jerusalem, the status of which is in international dispute. Tel Aviv and Haifa rank as Israel's next most populous cities, with populations of 474,530 and 290,306, respectively. The (mainly Haredi) city of Bnei Brak is the most densely populated city in Israel and one of the 10 most densely populated cities in the world. Israel has 16 cities with populations over 100,000. As of 2018 there are 77 Israeli localities granted "municipalities" (or "city") status by the Ministry of the Interior, four of which are in the West Bank. ^a This number includes East Jerusalem and West Bank areas, which had a total population of 573,330 inhabitants in 2019. Israeli sovereignty over East Jerusalem is internationally unrecognized. Language Israel's official language is Hebrew. Hebrew is the primary language of the state and is spoken daily by the majority of the population. Prior to 1948, opposition to Yiddish, the historical language of the Ashkenazi Jews, was common among supporters of the Zionist movement, including the Yishuv, who sought to promote Hebrew's revival as a unifying national language. These sentiments were reflected in the early policies of the Israeli government, which largely banned Yiddish theatre performances and publications. Until 2018, Arabic was also an official language of Israel; in 2018 it was downgraded to having a "special status in the state". Arabic is spoken by the Arab minority, with Hebrew taught in Arab schools. Due to mass immigration from the former Soviet Union and Ethiopia (some 130,000 Ethiopian Jews live in Israel), Russian and Amharic are widely spoken. Over one million Russian-speaking immigrants arrived in Israel between 1990 and 2004. French is spoken by around 700,000 Israelis, mostly originating from France and North Africa (see Maghrebi Jews). English was an official language during the Mandate period; it lost this status after the establishment of Israel, but retains a role comparable to that of an official language. Many Israelis communicate reasonably well in English, as many television programmes are broadcast in English with subtitles and the language is taught from the early grades in elementary school. Israeli universities offer courses in the English language on various subjects. Religion The estimated religious affiliation of the Israeli population as of 2022 was 73.5% Jewish, 18.1% Muslim, 1.9% Christian, 1.6% Druze, and 4.9% other. The religious affiliation of Israeli Jews varies widely: a 2016 survey by Pew Research indicates that 49% self-identify as Hiloni (secular), 29% as Masorti (traditional), 13% as Dati (religious) and 9% as Haredi (ultra-Orthodox). Haredi Jews are expected to represent over 20% of Israel's Jewish population by 2028. Muslims constitute Israel's largest religious minority, making up about 18.1% of the population. About 1.9% of the population is Christian and 1.6% is Druze. The Christian population comprises primarily Arab Christians and Aramean Christians, but also includes post-Soviet immigrants, foreign laborers, and followers of Messianic Judaism, considered by most Christians and Jews to be a form of Christianity. Members of many other religious groups, including Buddhists and Hindus, maintain a presence in Israel, albeit in small numbers. Out of over one million immigrants from the former Soviet Union, about 300,000 are considered not Jewish by the Chief Rabbinate of Israel. Israel comprises a major part of the Holy Land, a region of significant importance to all Abrahamic religions. The city of Jerusalem is of special importance to Jews, Muslims, and Christians, as it is the home of sites that are pivotal to their religious beliefs, such as the Old City that incorporates the Western Wall and the Temple Mount (Al-Aqsa Mosque compound) and the Church of the Holy Sepulchre. Other locations of religious importance are Nazareth (site of the Annunciation of Mary), Tiberias and Safed (two of the Four Holy Cities in Judaism), the White Mosque in Ramla (shrine of the prophet Saleh), and the Church of Saint George and Mosque of Al-Khadr, Lod (tomb of Saint George or Al Khidr). A number of other religious landmarks are located in the West Bank, including Joseph's Tomb, the birthplace of Jesus, Rachel's Tomb, and the Cave of the Patriarchs. The administrative center of the Baháʼí Faith and the Shrine of the Báb are located at the Baháʼí World Centre in Haifa; the leader of the faith is buried in Acre. The Mahmood Mosque is affiliated with the reformist Ahmadiyya movement. Kababir, Haifa's mixed neighbourhood of Jews and Ahmadi Arabs, is one of a few of its kind in the country. Education Education is highly valued in the Israeli culture and was viewed as a fundamental block of ancient Israelites. In 2015, the country ranked third among OECD members for the percentage of 25–64 year-olds that have attained tertiary education with 49% compared with the OECD average of 35%. In 2012, the country ranked third in the number of academic degrees per capita (20 percent of the population). Israel has a school life expectancy of 16 years and a literacy rate of 97.8%. The State Education Law (1953) established five types of schools: state secular, state religious, ultra orthodox, communal settlement schools, and Arab schools. The public secular is the largest school group, and is attended by the majority of Jewish and non-Arab pupils. Most Arabs send their children to schools where Arabic is the language of instruction. Education is compulsory for children between the ages of three and eighteen. Schooling is divided into three tiers—primary school (grades 1–6), middle school (grades 7–9), and high school (grades 10–12)—culminating with Bagrut matriculation exams. Proficiency in core subjects such as mathematics, the Hebrew language, Hebrew and general literature, the English language, history, Biblical scripture and civics is necessary to receive a Bagrut certificate. Israel's Jewish population maintains a relatively high level of educational attainment where just under half of all Israeli Jews (46%) hold post-secondary degrees. Israeli Jews (among those ages 25 and older) have average of 11.6 years of schooling making them one of the most highly educated of all major religious groups in the world. In Arab, Christian and Druze schools, the exam on Biblical studies is replaced by an exam on Muslim, Christian or Druze heritage. In 2020, 68.7% of all Israeli twelfth graders earned a matriculation certificate. Israel has a tradition of higher education where its quality university education has been largely responsible in spurring the nation's modern economic development. Israel has nine public universities subsidized by the state and 49 private colleges. The Hebrew University of Jerusalem houses the National Library of Israel, the world's largest repository of Judaica and Hebraica. The Technion and the Hebrew University consistently ranked among world's 100 top universities by ARWU ranking. Other major universities include the Weizmann Institute of Science, Tel Aviv University, Ben-Gurion University of the Negev, Bar-Ilan University, the University of Haifa, and the Open University of Israel. Culture Israel's cultural diversity stems from its diverse population: Jews from various diaspora communities brought their cultural and religious traditions with them. Arab influences are present in many cultural spheres, being found in Israeli architecture, music, and cuisine. Israel is the only country where life revolves around the Hebrew calendar. Holidays are determined by the Jewish holidays. The official day of rest is Saturday, the Jewish Sabbath. Literature Israeli literature is primarily poetry and prose written in Hebrew, as part of the renaissance of Hebrew as a spoken language since the mid-19th century, although a small body of literature is published in other languages. By law, two copies of all printed matter published in Israel must be deposited in the National Library of Israel. In 2001, the law was amended to include audio and video recordings, and other non-print media. In 2016, 89 percent of the 7,300 books transferred to the library were in Hebrew. In 1966, Shmuel Yosef Agnon shared the Nobel Prize in Literature with German Jewish author Nelly Sachs. Leading Israeli poets include Yehuda Amichai, Nathan Alterman, Leah Goldberg, and Rachel Bluwstein. Internationally famous contemporary Israeli novelists include Amos Oz, Etgar Keret and David Grossman. Music and dance Israeli music includes Mizrahi and Sephardic music, Hasidic melodies, Greek music, jazz, and pop rock. The Israel Philharmonic Orchestra has been in operation for over seventy years and performs more than two hundred concerts each year. Itzhak Perlman, Pinchas Zukerman and Ofra Haza are among the internationally acclaimed musicians born in Israel. Israel has participated in the Eurovision Song Contest nearly every year since 1973, winning the competition four times and hosting it twice. Eilat has hosted its own international music festival, the Red Sea Jazz Festival, every summer since 1987. The nation's canonical folk songs are known as "Songs of the Land of Israel". Cinema and theatre Ten Israeli films have been final nominees for Best Foreign Language Film at the Academy Awards. Palestinian Israeli filmmakers have made films dealing with the Arab-Israeli conflict and status of Palestinians within Israel, such as Mohammed Bakri's 2002 film Jenin, Jenin and The Syrian Bride. Continuing the strong theatrical traditions of the Yiddish theatre in Eastern Europe, Israel maintains a vibrant theatre scene. Founded in 1918, Habima Theatre in Tel Aviv is Israel's oldest repertory theater company and national theater. Other theatres include Ohel, the Cameri and Gesher. Arts Israeli Jewish art has been particularly influenced by the Kabbalah, the Talmud and the Zohar. Another art movement that held a prominent role in the 20th century was the School of Paris. In the late 19th and early 20th century, the Yishuv's art was dominated by art trends emanating Bezalel. Beginning in the 1920s, the local art scene was heavily influenced by modern French art, first introduced by Isaac Frenkel Frenel. Jewish masters of the school of Paris, such as Soutine, Kikoine, Frenkel, Chagall heavily influenced the subsequent development of Israeli art. Israeli sculpture took inspiration from modern European sculpture as well Mesopotamian, Assyrian and local art. Avraham Melnikov's roaring lion, David Polus' Alexander Zaid and Ze'ev Ben Zvi's cubist sculpture exemplify some of the different streams in Israeli sculpture. Common themes in Israeli art are the mystical cities of Safed and Jerusalem, the bohemian café culture of Tel Aviv, agricultural landscapes, biblical stories and war. Today Israeli art has delved into Optical art, AI art, digital art and the use of salt in sculpture. Architecture Due to the immigration of Jewish architects, architecture in Israel has come to reflect different styles. In the early 20th century Jewish architects sought to combine Occidental and Oriental architecture producing buildings that showcase a myriad of infused styles. The eclectic style gave way to the modernist Bauhaus style with the influx of German Jewish architects (among them Erich Mendelsohn) fleeing Nazi persecution. The White City of Tel Aviv is a UNESCO heritage site. Following independence, multiple government projects were commissioned, a grand part built in a brutalist style with heavy emphasis on the use of concrete and acclimatization to the Israel's desert climate. Several novel ideas such as the Garden City were implemented Israeli cities; the Geddes plan of Tel Aviv became renowned internationally for its revolutionary design and adaptation to the local climate. The design of kibbutzim also came to reflect ideology, such as the planning of the circular kibbutz Nahalal by Richard Kauffmann. Media Israeli media is diverse, reflecting the spectrum of Israeli audiences. Notable newspapers include the leftwing Haaretz, centrist Yedioth Ahronoth, and center-right Israel Hayom. There are several major TV channels which cater to different audiences, from Russian language Channel 9 to Arabic language Kan 33. The 2024 Freedom House report found Israeli media is "vibrant and free to criticize government policy". In the 2024 Press Freedom Index by Reporters Without Borders, Israel was placed 101st of 180 countries, second in the Middle East and North Africa. Reporters Without Borders noted that the Israel Defense Forces had killed more than 100 journalists in Gaza. Since the Israel–Hamas war, Israel had been "been trying to suppress the reporting coming out of the besieged enclave while disinformation infiltrates its own media ecosystem." On 5 May 2024, Israel shut down the local offices of Qatari channel Al Jazeera. Israel later briefly seized equipment belonging to the Associated Press, saying that its video stream of Gaza was being provided to Al Jazeera; after an intervention by the U.S. government the equipment was returned. Museums The Israel Museum in Jerusalem is one of Israel's most important cultural institutions and houses the Dead Sea Scrolls, along with an extensive collection of Judaica and European art. Israel's national Holocaust museum, Yad Vashem, is the world central archive of Holocaust-related information. ANU - Museum of the Jewish People on the campus of Tel Aviv University, is an interactive museum devoted to the history of Jewish communities around the world. Israel has the highest number of museums per capita. Several Israeli museums are devoted to Islamic culture, including the Rockefeller Museum and the L. A. Mayer Institute for Islamic Art, both in Jerusalem. The Rockefeller specializes in archaeological remains from Middle East history. It is also the home of the first hominid fossil skull found in Western Asia, called Galilee Man. Cuisine Israeli cuisine includes local dishes as well as Jewish cuisine brought to the country by immigrants. Particularly since the late 1970s, an Israeli fusion cuisine has developed. Israeli cuisine has adopted, and continues to adapt, elements of the Mizrahi, Sephardi, and Ashkenazi styles of cooking. It incorporates many foods traditionally eaten in the Levantine, Arab, Middle Eastern and Mediterranean cuisines, such as falafel, hummus, shakshouka, couscous, and za'atar. Schnitzel, pizza, hamburgers, French fries, rice and salad are common in Israel. Roughly half of the Israeli-Jewish population attests to keeping kosher at home. Kosher restaurants make up around a quarter of the total as of 2015. Together with non-kosher fish, rabbits and ostriches, pork—often called "white meat" in Israel—is produced and consumed, though it is forbidden by both Judaism and Islam. Sports The most popular spectator sports in Israel are association football and basketball. The Israeli Premier League is the country's premier football league, and the Israeli Basketball Premier League is the premier basketball league. Maccabi Haifa, Maccabi Tel Aviv, Hapoel Tel Aviv and Beitar Jerusalem are the largest football clubs. Maccabi Tel Aviv, Maccabi Haifa and Hapoel Tel Aviv have competed in the UEFA Champions League and Hapoel Tel Aviv reached the UEFA Cup quarter-finals. Israel hosted and won the 1964 AFC Asian Cup; in 1970 the Israel national football team qualified for the FIFA World Cup, the only time it participated in the World Cup. The 1974 Asian Games, held in Tehran, were the last Asian Games in which Israel participated, plagued by Arab countries that refused to compete with Israel. Israel was excluded from the 1978 Asian Games and since then has not competed in Asian sport events. In 1994, UEFA agreed to admit Israel, and its football teams now compete in Europe. Maccabi Tel Aviv B.C. has won the European championship in basketball six times. Israel has won nine Olympic medals since its first win in 1992, including a gold medal in windsurfing at the 2004 Summer Olympics. Israel has won over 100 gold medals in the Paralympic Games and is ranked 20th in the all-time medal count. The 1968 Summer Paralympics were hosted by Israel. The Maccabiah Games, an Olympic-style event for Jewish and Israeli athletes, was inaugurated in the 1930s, and has been held every four years since then. Krav Maga, a martial art developed by Jewish ghetto defenders during the struggle against fascism in Europe, is used by the Israeli security forces and police. Chess is a leading sport in Israel. There are many Israeli grandmasters and Israeli chess players have won a number of youth world championships. Israel stages an annual international championship and hosted the World Team Chess Championship in 2005. See also Index of Israel-related articles Outline of Israel References Notes Citations Sources External links Government Official website of the Israel Prime Minister's Office Official website of the Israel Central Bureau of Statistics The Israel Collection at the National Library of Israel General information Israel at the Encyclopædia Britannica Israel at BBC News Online Israel at the OECD Israel web resources provided by GovPubs at the University of Colorado Boulder Libraries Maps Wikimedia Atlas of Israel Geographic data related to Israel at OpenStreetMap
Scooby-Doo_(film)
https://en.wikipedia.org/wiki/Scooby-Doo_(film)
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[ "https://en.wikipedia.org/wiki/Scooby-Doo_(film)" ]
Scooby-Doo (also known as Scooby-Doo: The Movie) is a 2002 American mystery adventure comedy film produced by Mosaic Media Group and based on the long-running animated franchise of the same name. The first installment in the Scooby-Doo live-action film series, the film was directed by Raja Gosnell from a screenplay by James Gunn, and stars Freddie Prinze Jr., Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini and Rowan Atkinson. Neil Fanning provides the voice of the titular character. The plot revolves around Mystery Incorporated, a group of four young adults and a talking Great Dane who solve mysteries, who reunite after a two-year disbandment to investigate a mystery at a popular horror-themed tropical island resort. Filmed in and around Queensland, Australia, on a budget of $84 million, Scooby-Doo was released by Warner Bros. Pictures on June 14, 2002, and grossed $275 million worldwide. Reggae artist Shaggy and rock group MxPx performed different versions of the Scooby-Doo, Where Are You! theme song. The Scooby-Doo Spooky Coaster, a ride based on the film, was built at Warner Bros. Movie World on the Gold Coast, Queensland, in 2002. The film received generally negative reviews from critics, but has amassed a cult following. A sequel, Scooby-Doo 2: Monsters Unleashed, was released on March 26, 2004. Plot After Mystery, Inc. solves the mystery of the Luna Ghost at a toy factory, long-brewing friction between Fred, the self-obsessed glory hog; Daphne, who has become sick of being the damsel in distress; and Velma, from whom Fred regularly steals credit for her plans, causes the gang to break into a heated argument and subsequently disband, abandoning a dismayed Scooby Doo and Shaggy, leaving them to care for the gang's van, the Mystery Machine. Two years later, they are all invited to solve a mystery on a horror-themed tropical resort named "Spooky Island" at the behest of owner Emile Mondavarious, who believes the guests have fallen under a demonic curse. While Shaggy and Scooby hope this will bring the gang back together, Velma, Fred, and Daphne each intend to solve the mystery on their own. Velma attends a ritualistic performance given by actor N'Goo Tuana and his henchman, famous luchador Zarkos. N'Goo claims ancient demons once ruled the island, but have been plotting revenge ever since they were displaced by the resort. Meanwhile, Shaggy falls for a girl named Mary Jane, who is allergic to dogs, distancing himself from Scooby in the process. The gang members are led separately to the resort's haunted house ride. After some slight arguments between Fred, Daphne, and Velma, they decide to get along for the time being to split up and search for clues. Fred and Velma discover a film that educates inhuman creatures about human culture, while Daphne finds a pyramid-shaped artifact called the "Daemon Ritus". Later, at the resort's hotel, Fred, Velma, and Mondavarious are kidnapped and possessed by the island's demons. Mary Jane calls the Coast Guard for help but ignores them. The next day, after trying and failing to tell Shaggy that Mary Jane is secretly possessed by a demon, the two have a falling-out that results in Scooby-Doo going missing as well; Zarkos steals back the Daemon Ritus from Daphne, who is also captured and possessed. Shaggy searches for his friends underground and finds a vat of protoplasm containing the souls of all those possessed. He frees the souls of Daphne, Fred, and Velma, who quickly discover sunlight destroys the demons. A local voodoo priest informs the gang the demons are to perform their "Darpokalypse" Ritual, which will see them rule the world for 10,000 years if a pure soul is sacrificed in the Daemon Ritus. The gang realizes that the pure soul is that of Scooby-Doo, whom Mondavarious was ultimately after. Finally realizing their mistake, Fred, Daphne, and Velma put aside their differences for good and team up with Shaggy to save Scooby and the world. The gang infiltrates the ritual, where Mondavarious is foiled in sacrificing Scooby's soul by Shaggy. Mondavarious turns out to be a robot controlled by Scooby's estranged nephew Scrappy-Doo, who has been plotting revenge on the gang for being abandoned long ago due to his increasingly power-hungry and egomaniacal nature. Absorbing the tourists' souls, Scrappy transforms into an enormous, muscular monster and tries to kill the gang. Daphne knocks Zarkos into the vat, tipping it over and returning most of the other souls to their bodies, then reflects sunlight through a skull-shaped disco ball, killing the released demons. Shaggy frees the rest of the souls, reversing Scrappy's transformation in the process, and finds the real Mondavarious, having been captured and replaced by Scrappy. Scrappy and his henchmen are arrested, and Mystery, Inc. reunites. Cast Freddie Prinze Jr. as Fred Jones Sarah Michelle Gellar as Daphne Blake Matthew Lillard as Norville "Shaggy" Rogers Linda Cardellini as Velma Dinkley Rowan Atkinson as Mondavarious Isla Fisher as Mary Jane Miguel A. Núñez Jr. as Voodoo Maestro Neil Fanning voices the titular character, Scooby-Doo. Scott Innes reprises his role as the voice of Scrappy-Doo and J. P. Manoux voices Scrappy Rex. Sam Greco portrays Zarkos; Steven Grieves portrays N'Goo Tuana; Kristian Schmid portrays Brad; and Michala Banas portrays Carol. Additionally, Holly Brisley appears as a Training Video Woman. Frank Welker and Jess Harnell voice the creatures. Sugar Ray, Pamela Anderson, and Nicholas Hope appeared in cameo roles. Production Development Producer Charles Roven began developing a live-action treatment of Scooby-Doo in 1994. By the end of the decade, the combined popularity of Scooby-Doo, Where Are You!, along with the addition of the script and updated digital animation, led Warner Bros. to fast track production of the film. Mike Myers was reported to be co-writing the screenplay with Jay Kogan in July 1998, and was later on board to play Shaggy as well. In October 2000, the film was officially given the green light. Variety reported that Raja Gosnell had been hired to direct the film. The film was shot on location in and around Queensland, Australia. Production was started on February 12, 2001, at the Warner Bros. Movie World theme park, with over 400 cast and crew also taking over Tangalooma Island Resort for six weeks to film all the scenes set on Spooky Island. Production wrapped in June 2001. The film was originally set to have a much darker tone, essentially poking fun at the original series, much like The Brady Bunch Movie, and was set for a PG-13 rating. Shaggy was set to be a stoner, and there were many marijuana references. Several rumors about these aspects in the original cartoon series were passed around by fans of the original and were to be incorporated into the live action film. In March 2001, one month into filming, the first official cast picture was released. According to Sarah Michelle Gellar, after the cast had signed on there was a change, and the film became more family friendly, though some of the original adult jokes are still in the film. They are also included in deleted scenes on the home media releases. Gellar said her character and Linda Cardellini's shared an onscreen kiss that did not make the final film. "It wasn't just, like, for fun," she said, explaining it took place in the body-switching scene. "Initially in the soul-swapping scene, Velma and Daphne couldn't seem to get their souls back together in the woods. And so the way they found was to kiss, and the souls went back into proper alignment." In 2017, the 15th anniversary of the release of the film, James Gunn, the film's screenwriter, revealed in a Facebook post that there was an R-rated cut of Scooby-Doo and that CGI was used to remove cleavage of the female cast members. Casting Actors Freddie Prinze Jr. and Sarah Michelle Gellar, who both previously worked together in I Know What You Did Last Summer (1997) and portray Fred and Daphne, are romantically involved in both the film and reality. This film marks the first time in the franchise's history where the characters are portrayed as a couple. The pair married shortly after the film was released. Prinze said of his character, "[He] always showed more arrogance than everyone else. So in the movie, I took the opportunity to make him as narcissistic and self-loving as possible." Jim Carrey was originally attached to play Shaggy, while Mike Myers also expressed interest in the role. Lochlyn Munro also auditioned for the role. The role was eventually given to Matthew Lillard. When asked about watching several cartoons before playing Shaggy, Lillard responded, "Everything I could get my hands on. If I ever have to see another episode of Scooby-Doo, it will be way too soon." Lillard would continue voicing Shaggy in the rest of the Scooby-Doo media starting in 2010, at the request of the character's original voice actor Casey Kasem, who had stepped down due to health issues; he would also poke fun at this appearance in the following year's Looney Tunes: Back in Action, where an animated Shaggy and Scooby voice their grievances over Lillard's portrayal during a lunch in the Warner Bros. studio cafeteria and threaten him to portray the character better in the sequel. Isla Fisher grew up watching Scooby-Doo in Australia, and said that the "best part of making this movie was being part of an institution, something that has been in people's childhoods and is something that means a lot to a lot of people." Linda Cardellini was also a fan of the Scooby-Doo series. Filming Principal photography began on February 13, 2001, and wrapped on June 1, 2001. Filming took place throughout Queensland, Australia. Spooky Island was filmed on Tangalooma Island resort in Moreton Island. Soundtrack The film's score was composed by David Newman. A soundtrack was released on June 4, 2002, by Atlantic Records. It peaked at number 24 on the Billboard 200 and 49 on the Top R&B/Hip-Hop Albums. Distribution Marketing On November 16, 2001, the first trailer of Scooby-Doo was released in theaters with the opening of Harry Potter and the Sorcerer's Stone. A second trailer debuted with the release of Ice Age and Showtime on March 15, 2002. A video game based upon the film was released for Game Boy Advance shortly before the film was released. The game is played in third-person point of view and has multiple puzzle games and mini-games. The game's structure was similar to a board game. Metacritic rated it 64/100 based on five reviews, which they labeled as "mixed or average reviews". Meanwhile, Dairy Queen began promoting the film with kids meal toys, frozen cakes and a limited edition Mystery Crunch Blizzard flavor. Home media The film was released on VHS and DVD on October 11, 2002. The release included deleted scenes, among them an alternate opening animated in the style of the original television series. It was later released on Blu-ray on January 16, 2007. Said Blu-ray was given a double feature pack with its sequel, Monsters Unleashed, on November 9, 2010. Reception Box office Scooby-Doo debuted with $19.2 million on its opening day and $54.1 million over the weekend from 3,447 theaters, averaging about $15,711 per venue and ranking No. 1 at the box office above The Bourne Identity. At the time, it had the second-highest June opening weekend, behind Austin Powers: The Spy Who Shagged Me. During its theatrical run, Scooby-Doo also competed against another family-oriented film, Lilo & Stitch. The film closed on October 31, 2002, with a final gross of $153 million in the United States and Canada. It made an additional $122 million in other territories, bringing the total worldwide gross to $275.7 million, making it the fifteenth most successful film worldwide of 2002. The film was released in the United Kingdom on July 12, 2002, and topped the country's box office for the next two weekends, before being dethroned by Austin Powers in Goldmember. Critical response On review aggregator Rotten Tomatoes, the film has an approval rating of 32% based on 147 reviews, with an average rating of 4.6/10. The site's critical consensus reads: "Though Lillard is uncannily spot-on as Shaggy, Scooby Doo is a tired live-action update, filled with lame jokes." On Metacritic, the film received a weighted average score of 35 out of 100 based on 31 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Roger Ebert of the Chicago Sun-Times gave the film one out of four stars, stating that the film "exists in a closed universe, and the rest of us are aliens. The Internet was invented so that you can find someone else's review of Scooby-Doo. Start surfing." Peter Travers of Rolling Stone said, "Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood." Chris Hewitt of Empire gave the film two out of five stars. Robin Rauzi of the Los Angeles Times called the film "entertainment more disposable than Hanna-Barbera's half-hour cartoons ever were." Although Jay Boyar of the Orlando Sentinel said that children who liked the animated version of Scooby-Doo will "probably like" the film, he urged parents to "know that the violence is a bit harder-edged than in the cartoon version". He would later go on to say that adults who remember the cartoon version "may get caught up in what Scooby would call the 'rostalgia'", but said that "adults who do not fondly recall the Scooby-Doo cartoons are strongly advised to steer clear." Robert K. Elder of the Chicago Tribune gave the film 2 and 1/2 stars out of 4 and wrote, "Screenwriter James Gunn gets it mostly right, remaining fiercely faithful to Mystery Inc. mythology, from integrating Scooby's annoying nephew Scrappy-Doo to Velma's penchant for yelling 'jinkees!' Unlike the lead balloon adaptation 'Josie and the Pussycats,' Scooby-Doo knows when to take itself seriously and when to laugh at itself -- even if its audience isn't laughing along at every gag." Conversely, Hank Struever of The Washington Post gave the film a positive review, stating that "You don't want to love this, but you will. Although Scooby-Doo falls far short of becoming the Blazing Saddles of Generations X, Y and Z, it is hard to resist in its charms." Accolades Gellar won the Teen Choice Award for Choice Movie Actress – Comedy. Prinze was nominated for the Golden Raspberry Award for Worst Supporting Actor (Razzie), but he lost to Hayden Christensen for Star Wars: Episode II – Attack of the Clones. It was also nominated for another Razzie, Most Flatulent Teen-Targeted Movie, but lost against Jackass: The Movie. It won the Kids' Choice Award for Favorite Fart in a Movie. Other media Sequel A sequel, Scooby-Doo 2: Monsters Unleashed, was released in 2004. A third film was planned, but canceled after the poor critical and financial results of the second. Reboots In 2009 and 2010, two telefilm reboots, Scooby-Doo! The Mystery Begins and Scooby-Doo! Curse of the Lake Monster, aired on Cartoon Network. In 2018, a direct-to-video film titled Daphne & Velma, with no connection to the previous Scooby-Doo films, was released. References External links Scooby-Doo at IMDb Scooby-Doo at AllMovie Scooby-Doo at Box Office Mojo Scooby-Doo at Rotten Tomatoes Scooby-Doo at Metacritic
Freddie_Prinze_Jr.
https://en.wikipedia.org/wiki/Freddie_Prinze_Jr.
[ 178 ]
[ "https://en.wikipedia.org/wiki/Freddie_Prinze_Jr." ]
Freddie James Prinze Jr. (born March 8, 1976) is an American actor. He has starred in films such as I Know What You Did Last Summer (1997) and its sequel (1998), She's All That (1999), Down to You, Boys and Girls (both 2000), Summer Catch (2001), Scooby-Doo (2002), and Scooby-Doo 2: Monsters Unleashed (2004). Alongside recurring roles on Boston Legal (2004) and 24 (2010), Prinze starred on the self-titled ABC sitcom Freddie (2005–2006)—which he co-created and executive produced—and voiced Kanan Jarrus in the Disney XD series Star Wars Rebels (2014–2018). He is the only child of actor and comedian Freddie Prinze. Early life Freddie James Prinze Jr. was born in Los Angeles on March 8, 1976, the only child of Katherine Elaine Prinze (née Cochran) and actor and stand-up comedian Freddie Prinze. On January 29, 1977, Freddie Prinze died of a self-inflicted gunshot wound, after which Prinze Jr. relocated with his mother to Albuquerque, New Mexico. Prinze was raised Catholic. His paternal grandmother was from Puerto Rico and he is fluent in Spanish. Prinze had "enjoyed acting in school productions" as a child and participated in Albuquerque Children's Theatre, though he originally planned to become a civil engineer before getting roles on Family Matters and The Watcher. Soon after that he saw Neil Patrick Harris at his high school getting kids excited about getting into acting, and he decided to do that. After graduating from La Cueva High School in 1994, Prinze moved to Los Angeles to audition for television roles. Career Television and film Prinze was cast in a guest role on the ABC TV series Family Matters in 1995. He then appeared in a few programs and made-for-TV movies, before making his motion picture debut in To Gillian on Her 37th Birthday in 1996. In subsequent years, Prinze appeared in youth-oriented movies I Know What You Did Last Summer (1997) and its sequel I Still Know What You Did Last Summer (1998), made him known to teenage audiences. His first leading role, the romantic comedy She's All That (1999), grossed $63 million in the United States. Subsequently, he had leading roles in Wing Commander (1999), Down to You (2000), Boys and Girls (2000), Head over Heels (2001), and Summer Catch (2001), most of which were disliked by critics and had moderate box office success. He played Fred Jones in the 2002 live-action film version of the popular cartoon Scooby-Doo, and reprised the role in the 2004 sequel, Scooby-Doo 2: Monsters Unleashed, both alongside his wife Sarah Michelle Gellar and along with Matthew Lillard and Linda Cardellini. He guest starred on the popular NBC show Friends as a sensitive male nanny named Sandy on the series' 200th episode. He took the role of Sandy after Tom Hanks could not do it due to scheduling. He also appeared as Donny Crane, a character believed to be Denny Crane's son in the ABC legal drama-comedy Boston Legal. Prinze starred in his own television sitcom, titled Freddie. The sitcom is said to depict some actual events from his life, and was cancelled after one season in May 2006. He guest starred on George Lopez for a crossover with Freddie. In 2004, Prinze accepted a special award from TV Land on behalf of his late father. He thanked his father's former co-star Della Reese for her continued advice and support. In 2006, he lent his voice to the character of Pi in the animated film Shark Bait. Also in 2007, he lent his voice to the character of Rick in Happily N'Ever After along with his wife Gellar, Wallace Shawn, Andy Dick, George Carlin, and Sigourney Weaver. In 2008, he auditioned for Jigsaw in Punisher: War Zone, but was not given the part at the decision of Lionsgate Studios. He later was the voice of the titular character in the animated movie Delgo. In 2010, Prinze guest starred on Psych as Dennis, a grade school friend of Shawn Spencer and Burton Guster. In March 2019, Prinze was cast as Nancy Drew's father, Carson Drew, in The CW mystery pilot Nancy Drew, but was later replaced by Scott Wolf. He also voiced the future version of Tim and Jim Possible in the Kim Possible movie Kim Possible: A Sitch in Time. In March 2009, it was announced that Prinze had signed on to star as Bradley, aka Ultimatum, in the ABC show No Heroics, a U.S. remake of the British show of the same name. The show was not picked up, but Prinze was cast as a series regular for the eighth season of the television show 24; he played Cole Ortiz, a new CTU operative. In 2021, Prinze joined the reboot of Punky Brewster on Peacock, playing the title character's ex-husband. Other work He voiced a pilot in a Vatta's War: Trading in Danger graphic audio book. Prinze voiced different characters in BioWare video games: Lieutenant James Vega in Mass Effect 3 and The Iron Bull in Dragon Age: Inquisition. He returned to the role of James Vega again for the animated feature film Mass Effect: Paragon Lost, dubbed by FUNimation. From 2014 until 2018, he was the voice of Kanan Jarrus, one of the last surviving Jedi Knights, on the Disney XD series Star Wars Rebels. He reprised the role for the opening scene of the pilot episode of the Disney+ series The Bad Batch in May 2021. In March, 2023, he launched a new podcast, That Was Pretty Scary, with cohost Jon Lee Brody. Professional wrestling Work with WWE (2008–2009, 2010–2012) Prinze is a WWE fan and was seen on television in attendance at the March 2008 WrestleMania XXIV pay-per-view and its preceding Hall of Fame ceremony. He also made a cameo on an episode of The Dirt Sheet, an online program hosted by wrestlers John Morrison and The Miz. He had created an official profile on WWE's "Universe" blog community where he would regularly write his thoughts about the current goings-on in the world of the WWE. His relationship with the company was furthered when he was hired as a member of the creative staff to contribute to weekly television and pay-per-view programming for the SmackDown brand. It was reported on February 22, 2009 that Prinze and WWE had parted ways, but in January 2021, Prinze explained that he had actually chosen to leave the company at that time. On August 17, 2009, Prinze appeared on Raw as a special guest host, where he was assaulted by then WWE Champion Randy Orton after refusing to bail Orton out of his tag team match with John Cena, who was due to challenge him in the upcoming SummerSlam. Prinze later returned to the program and got his payback during Orton's match with Cena against Big Show and Chris Jericho, by setting up a lumberjack match involving Mark Henry, Primo, Evan Bourne, Kofi Kingston, MVP, and Jamie Noble. Prinze returned to WWE on October 1, 2010 in a role as a producer and director. On the November 1, 2010 episode of Monday Night Raw, Prinze made an on-screen appearance as Vince McMahon's doctor, a dream sequence scene that coincided with Linda McMahon's attempt to win a seat in the Senate for the state of Connecticut. Prinze left WWE for a second time due to a comment made by Stone Cold Steve Austin to a contestant while taping an episode of the fifth season of WWE Tough Enough. Podcast (since 2021) In November 2021, Prinze started his own podcast Wrestling With Freddie with cohost Jeff Dye. Premier Streaming Network In April 2023, Freddie Prinze Jr. joined the ownership team of Premier Streaming Network, a streaming platform focused on wrestling, sports, and entertainment content. MyFandom Sports App In June 2024, Freddie Prinze Jr. was announced as part of the ownership team behind MyFandom, an iOS app co-founded by brothers Fred and Josh Shernoff. MyFandom allows sports fans to contribute personal media to a collective archive of sporting events, creating a user-generated historical record while enabling individuals to curate their own attendance history. Personal life Prinze dated actress Kimberly McCullough from 1996 until 1999. He married actress Sarah Michelle Gellar on September 1, 2002, in Puerto Vallarta, Jalisco, Mexico. The couple met several years before, while filming I Know What You Did Last Summer (1997), started dating in 2000 and were engaged in April 2001. They co-starred in Scooby-Doo (2002), Scooby-Doo 2: Monsters Unleashed (2004), Happily N'Ever After (2006), and Star Wars Rebels (2014–2018). Gellar made a non-speaking cameo in Prinze's film She's All That (1999). They have two children together: a daughter born September 2009, and a son born September 2012, and live in Los Angeles. Prinze is an avid practitioner of Brazilian jiu-jitsu and has reached the rank of purple belt in the sport, having been promoted under Jean Jacques Machado. Filmography Film Television Video games Music videos Podcasts Awards and nominations See also List of Puerto Ricans References External links Freddie Prinze Jr. at IMDb Freddie Prinze Jr. on Twitch
This_Is_Your_Brain_on_Drugs
https://en.wikipedia.org/wiki/This_Is_Your_Brain_on_Drugs
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[ "https://en.wikipedia.org/wiki/This_Is_Your_Brain_on_Drugs" ]
This Is Your Brain on Drugs was a large-scale US anti-narcotics campaign by Partnership for a Drug-Free America (PDFA) launched in 1987, that used three televised public service announcements (PSAs) and a related poster campaign. 1987 version The 30-second version of the first PSA, from 1987, shows a man (played by John Roselius) in a kitchen who asks if there is anyone out there who still does not understand the dangers of drug abuse. He holds up an egg and says, "This is your brain," before motioning to a frying pan and adding, "This is drugs." He then cracks open the egg, fries the contents, and says, "This is your brain on drugs." Finally, he looks up at the camera and asks, "Any questions?" In contrast, the 10-second and 15-second versions simply show a close-up of an egg dropping into a frying pan. This is accompanied by a voice-over saying in the 15-second version: "Okay, last time. This is drugs. This is your brain on drugs. Any questions?" The 10-second version omits the first sentence. The PSA, titled "Frying Pan" (a.k.a. "Fried Egg" and "Any Questions?"), was conceived by art directors Scot Fletcher and Rick Bell, copywriter Larre Johnson and creative director Paul Keye at Los Angeles-based agency keye/donna/pearlstein. It was directed by Joe Pytka through his own Venice-based production company Pytka Productions and produced by agency producer Harvey Greenberg, Pytka executive producer Jane McCann and Pytka producer John Turney. Anthony Marinelli scored the shorter versions. 1997 version The second PSA, from 1997, featured 18-year-old actress Rachael Leigh Cook, who, as before, holds up an egg and says, "this is your brain", before lifting up a frying pan with the words, "and this is heroin", after which she places the egg on a kitchen counter—"this is what happens to your brain after snorting heroin"—and slams the pan down on it. She lifts the pan back up, saying, "and this is what your body goes through", in reference to the remnants of the smashed egg now dripping from the bottom of the pan and down her arm. Cook then says, "Wait, It's not over yet", and proceeds to smash everything in the kitchen with the frying pan in a rage, yelling "this is what your family goes through! And your friends! And your money! And your job! And your self-respect! And your future!" She ends with "And your life". Cook then drops the pan on the counter and says, "Any questions?" This PSA, likewise titled "Frying Pan", was conceived by art director Doug Hill, copywriter Ken Cills and creative director Graham Turner at New York-based agency Margeotes/Fertitta & Partners. It was directed by Eden Tyler through New York-based production company Zooma Zooma, produced by agency producer Ed Kleban and Zooma Zooma producer Joseph Mantegna and edited by Jay Nelson at Santa Monica-based Avenue Edit. 2016 version The third PSA, from 2016, is a loose remake which shows an egg in a human hand, stating "This is your brain", alongside a frying pan that the other hand is pointing to, stating, "This is drugs." The egg is then cracked and fried into the pan, with the narration, "This is your brain on drugs. Any questions?" This is followed by scenes of teens, some of whom state, "Um, yeah, I have questions", "Prescription drugs aren't as bad as street drugs, right?", "Weed's legal, isn't it?", "Drinking is worse than smoking weed. Isn't it?", "Why is heroin so addictive?", "Molly just makes you feel happy", "I have questions", "Mom, Dad, did you ever try drugs?" The narrator returns to say, "They're going to ask. Be ready." 2017 War on Drugs Critique version In 2017, Rachael Leigh Cook used imagery from the This is Your Brain on Drugs commercials in a PSA by the Drug Policy Alliance. The PSA critiqued the war on drugs and its contribution to mass incarceration, structural racism and poverty. The ad was posted to YouTube on April 20, 2017 in recognition of 4/20. Analysis TV Guide named the commercial one of the top one hundred television advertisements of all time, and Entertainment Weekly named it the 8th best commercial of all time. Impact Consumerism A poster produced in the early 1990s called "Famous Brains on Drugs" parodied the concept by having eggs appear in the frying pan in forms intended to remind the viewer of certain people. For instance, a pan labeled "Saddam Hussein" had an egg with a crosshair over it, and a pan labeled "Milli Vanilli" contained a box of imitation eggs. There have also been parody T-shirts, such as versions based on The Simpsons ("This is your brain on donuts", showing an X-ray of Homer Simpson's head) and the Yankees–Red Sox rivalry (shirts targeted to both allegiances of the famed rivalry), among others. In media This Is Your Brain on Drugs has been widely parodied in various forms, including a Saturday Night Live skit which parodied the PSA, adding "with a side of bacon" to the commercial's tagline. Television In an episode of the sitcom Roseanne, the title character reenacts the PSA while having a conversation with one of her children about drugs. In Living Color parodied the PSA with Oprah Winfrey, played by Kim Wayans. In the eighteenth episode of the fourth season of the sitcom Married... with Children, "What Goes Around Comes Around" (1990), the character Al Bundy takes an egg, says "This is your brain," then says "This is your brain on marriage," drops it on the ground, and asks, "Any questions?" An episode of the teen series Beverly Hills, 90210 ends with the characters Brandon and Brenda Walsh acting out the PSA with their friends in their favorite diner. After the show, the actual 30-second commercial aired, and Jason Priestley delivered his own anti-drug message on the air. PBS Kids did a parody of the famous PSA as well, in a short titled "This is your brain on books", in which a gold egg falls on a frying pan with books on it, then falls into a human brain, in which he thinks about composing, computing, and creating, ending it all with "Any questions?". The second version was satirized in the series premiere of the animated television sketch show Robot Chicken, "Junk in the Trunk" (2005). Rachael Leigh Cook (who provided the voice acting) goes on a psychopathic rampage, destroying everything she encounters, ending eventually with her smashing herself in the head and falling down a building. In the tenth episode of the second season of the TV series Breaking Bad, "Over" (2009), the character Jesse Pinkman references the commercial, frying one egg and accompanying it with "this is your brain", while adding another egg and accompanying it with "this is your brain on drugs". In the sixteenth episode of the ABC sitcom The Goldbergs, "Muscles Mirsky", references the PSA while Beverly is making breakfast. To promote season 2 of Riverdale on Netflix, Camila Mendes, who plays Veronica Lodge, re-stages the 1997 version PSA, which featured actor Rachael Leigh Cook. The promotion is shot-for-shot, except that a burger is used in place of an egg, and instead of talking about heroin, she talks about Jingle Jangle. Films In the film Batman Forever (1995), the character the Riddler parodies the commercial saying, "This is your brain on the box. This is my brain on the box. Does anybody else feel like a fried egg?!" The 1991 film sequel Freddy's Dead: The Final Nightmare spoofed the PSA by having Johnny Depp (whose acting career began with the original A Nightmare on Elm Street movie) perform the skit. The PSA goes on as normal until Robert Englund (who plays Freddy Krueger) hits Depp with the frying pan and says, "Yeah! What are you on? Looks like a frying pan and some eggs to me." Music The cover of Primus' 1990 album Frizzle Fry showed a sculpture of a brain melting in a frying pan and was meant to be a play on the commercial. English virtual band Gorillaz used the PSA in the music video for their 2017 single "Sleeping Powder". The teaser for the 2019 "No Drug Like Me" music video by Carly Rae Jepsen re-stages the 1997 version PSA, which featured actor Rachael Leigh Cook. The music video for Demi Lovato's 2022 single "Substance" features a recreation of the PSA. Books The title of the popular science book This Is Your Brain On Music: The Science of a Human Obsession (2006) by Daniel Levitin is a nod to the PSA. Other media A 2011 CBS Cares PSA parodied this in talking about sunburn, which showed a slice of uncooked bacon that accompanied a voice saying "This is your skin", and a slice of it was then placed in a frying pan, cooking it, stating "This is your skin in the sun", and then follows it by a shot of a sun in which the voice says "Any questions?", accompanied by the phrase "Save your bacon. Use sunscreen." superimposed over the sun. The Nostalgia Critic placed the ad at number three on his "Top 11 Drug PSAs" list, noting that everyone he knew had a "witty retort" to the commercial's signature "any questions?" After demonstrating a few comebacks, he then watches Rachael Leigh Cook's version of the PSA, responding to her manic performance with a shocked "What the hell kind of drugs are you on?" In 2012, two PSAs based on the PDFA campaign were released by Tea Party activist Herman Cain. The violent death of a goldfish and a rabbit were supposed to represent what President Obama's stimulus plan did to the American economy. Rob DenBlyker, one of the creators of the webcomic Cyanide & Happiness, parodied the commercial in a 2013 installment where a father, after re-enacting the commercial, admits to his son that he himself is on drugs. "But I don't see how that's relevant", he adds. A 2021 commercial for Kraft Singles parodied the PSA as well, which showed melting butter when Alfonso Ribeiro says "This is your brain", then puts a slice of bread when he says "This is bread", followed by two slices of Kraft Singles when he says "These are delicious Kraft Singles" followed by Ribeiro saying "Any questions?" and his daughter responding with "Yes, do you have to make every meal this boring?". In the 2005 video game Tony Hawk's American Wasteland, when the player attempts to go beyond the open world map, the game prevents them from doing so, often placing a message such as "Out of bounds!" or "Who loaned you that skateboard?". One of the messages is "This is your brain on drugs!" Criticism The American Egg Board took issue with the PSA, claiming that eggs were being correlated with the unhealthiness of drug use. The board worried that young children might misinterpret the TV message and believe that eggs were harmful. Comedian Bill Hicks spoke negatively about the commercial frequently during his stand-up routine, claiming "I've seen a lot of weird shit on drugs, I've never ever ever ever ever looked at an egg and thought it was a fucking brain." See also Just Say No I learned it by watching you! References External links Partnership for Drug Free Kids 1997 35″ 1997 30″
Rachael_Leigh_Cook
https://en.wikipedia.org/wiki/Rachael_Leigh_Cook
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[ "https://en.wikipedia.org/wiki/Rachael_Leigh_Cook" ]
Rachael Leigh Cook (born October 4, 1979) is an American actress and model. She has starred in the films The Baby-Sitters Club (1995), She's All That (1999), and Josie and the Pussycats (2001), and in the television series Into the West and Perception. She is also the voice behind various characters in Robot Chicken and Tifa Lockhart in the Final Fantasy series, starting with the English version of the film Final Fantasy VII: Advent Children. Since 2016, her television appearances have primarily been made-for-TV movies on the Hallmark Channel. Early life Rachael Leigh Cook was born on October 4, 1979, in Minneapolis, Minnesota, the daughter of Thomas Howard Cook, a social worker and former stand-up comedian, and JoAnn, a cooking instructor and weaver. She is of part English and Italian descent. Cook first appeared in a public service announcement for foster care at seven years of age and began working as a child print model at the age of 10, including nationwide advertisements for Target and appearing on the boxes of Milk-Bone dog biscuits. She attended Clara Barton Open School, Laurel Springs School, and Minneapolis South High School. Career Cook began auditioning for acting work at age 14. She made her screen debut as an actress in the 1995 film The Baby-Sitters Club. She also played a role in the adventure film Tom and Huck, released in December 1995. In 1996, her modeling agency sent her to star in a short film, 26 Summer Street. In 1997, Cook appeared in a leading role in the film Country Justice as a 15-year-old rape victim who is impregnated by her rapist. In 1999, Cook starred in her breakout role in the sleeper hit film She's All That, a romantic comedy that so far is the most financially successful film of her career. In 2000, she starred opposite Elijah Wood in the well-received The Bumblebee Flies Anyway. She took the lead role in 2001's Josie and the Pussycats, which turned out to be a box office failure, although it has since become a cult classic. In 2000, she was the cover girl for the U.S. March/April issue of FHM. She also starred in the music video for New Found Glory's 2000 single "Dressed to Kill". In 2002, she was ranked No. 26 in Stuff magazine's "102 Sexiest Women in the World". In 2003, she starred in the film 11:14 as Cheri. She also appeared as a main cast member in the 2005 television miniseries Into the West produced by Steven Spielberg. In 2006, she appeared in the music video for Daniel Powter's "Love You Lately". In 2007, Cook was seen in the big screen adaptation of Nancy Drew. She played the female lead in the independent sports drama The Final Season. She has appeared in numerous episodes of the Seth Green comedies Titan Maximum and Robot Chicken. In 2008, she guest-starred as Abigail Lytar in two third-season episodes of the USA Network series Psych. She reprised the role in the following season. In February 2010, Cook signed on to play the female lead role in Fox TV's comedy pilot Nirvana. She had a role in the Western horror film Vampire, the English-language feature debut of Japanese director Iwai Shunji. In 2012, Cook signed on to play the female lead role in the TNT crime drama series Perception opposite Eric McCormack. She starred in the independent film Broken Kingdom, which was directed by her husband Daniel Gillies. She also appeared in a Funny or Die sketch with Chad Michael Murray. Cook starred in the Hallmark Channel original film Summer Love in 2016. In the same year, she starred in another Hallmark film, Autumn In the Vineyard, followed by its sequel Summer in the Vineyard in 2017. 2017 also saw Cook develop, star and executive produce the Hallmark Channel film Frozen in Love, which was broadcast in January 2018 as part of the channel's 'Winterfest' season of programming. Cook provided the voice for Chelsea Cunningham on the Kids' WB animated series Batman Beyond and in the animated film Batman Beyond: Return of the Joker. Cook voiced Tifa Lockhart in the video games Kingdom Hearts II, Dirge of Cerberus: Final Fantasy VII and Dissidia 012 Final Fantasy, as well as the film Final Fantasy VII Advent Children. In 2011, she voiced the character of Jaesa Willsaam in the MMO game, Star Wars: The Old Republic. Cook's latest voice-over role is for the video game Yakuza in which she voices the role of Reina. In 2020 Cook appeared in the fifteenth season of Criminal Minds playing the role of Max in the final episodes of the series. Cook owns her own production company, Ben's Sister Productions (in reference to her younger brother Ben Cook). She produced and starred in the film Love, Guaranteed, which debuted on Netflix on September 3, 2020. Public service Cook first gained national attention in 1997, when she was featured in an updated This Is Your Brain on Drugs public service announcement (PSA) television advertisement, in which she proceeds to destroy a kitchen with a frying pan. In 2011, she was selected by the Obama administration as a Champion of Change for Arts Education. In June 2012, she began to award a small scholarship to students between ages 14 and 19. The scholarship helps pay for career classes, mentoring programs, and other school fees. In 2017, Rachael Leigh Cook reprised her "This Is Your Brain on Drugs" role twenty years later for a PSA by the Drug Policy Alliance critiquing the War on Drugs and its contribution to mass incarceration, structural racism and poverty. The ad was posted to YouTube on April 20, 2017, in recognition of 4/20. Personal life Cook married New Zealand-Canadian actor Daniel Gillies on August 8, 2004, “We got engaged after dating for maybe five months and we got married a couple of months after that.” They have two children: a daughter born in September 2013 and a son born in April 2015. The couple separated in June 2019 and divorced in 2021. Cook is a vegetarian. Filmography Film Television Music videos Video games Awards and nominations References External links Rachael Leigh Cook on Twitter Rachael Leigh Cook at IMDb Rachael Leigh Cook at AllMovie "Rachael Leigh Cook". TCM Movie Database. Archived from the original on September 7, 2021.
She%27s_All_That
https://en.wikipedia.org/wiki/She%27s_All_That
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[ "https://en.wikipedia.org/wiki/She%27s_All_That" ]
She's All That is a 1999 American teen romantic comedy film directed by Robert Iscove. It stars Freddie Prinze Jr., Rachael Leigh Cook, Matthew Lillard, and Paul Walker. After being dumped by his girlfriend, Zack Siler boasts he could make any girl at his high school popular. It is a modern adaptation of George Bernard Shaw's play Pygmalion and George Cukor's 1964 film My Fair Lady. The film received mixed reviews from critics, who praised the performances of the lead actors, but were critical of the script. It was one of the most popular teen films of the late 1990s and reached No. 1 at the box office in its first week of release. It went on to earn $103 million worldwide. After featuring in the film, the song "Kiss Me" reached No. 2 on Billboard's Hot 100 and stayed in the Top 10 for 16 weeks. A gender-swapped remake, titled He's All That, was released on August 27, 2021, by Netflix. Plot Zack Siler is the big man on campus at his Southern California high school. After returning from spring break, he finds out his girlfriend, Taylor, has cheated on him with a reality TV star, Brock. After Zack and Taylor's breakup, he consoles himself by claiming that she is replaceable with any girl in the school. Zack's friend Dean disagrees and bets Zack to turn any random girl from school into the prom queen in six weeks. He accepts, so Dean chooses Laney Boggs, an awkward and unpopular art student. Zack attempts to befriend Laney, but she pointedly ignores his advances until he asks for her help with art. She reluctantly invites him to a small theater lounge where she will perform. Intending to deter him, Laney volunteers Zack to perform onstage. He manages to improvise a routine with his hacky sack. Laney is impressed but still rejects him when Zack attempts to charm her again. When Zack shows up at her house, Laney reluctantly agrees to go to the beach with him and his friends, and they invite her to a party later. Laney says she's busy, but Zack persuades her to go. He enlists his sister, Mack, to give her a makeover. At the party, Taylor, who is embarrassed by Brock and jealous of Laney, publicly humiliates her, bringing her to tears. Laney is surprised to be nominated for prom queen, along with Taylor. Zack then goes by her house and asks about her mother, who died when Laney was young, and talks about his father, who is pressuring him to go to Dartmouth for college. Zack leans in to kiss Laney but pulls back when she jokes that it is just to get her vote for prom king. The next day, Zack defends Laney's brother, Simon, from bullies in the cafeteria. After a falling out with Zack, Dean asks Laney to be his prom date. Taylor is humiliated when Brock dumps her, so she cozies up to Zack. When he turns her down, she tells him that Dean has already asked Laney to the prom. When Zack confronts him, Dean reveals the bet, forcing a public confession from Zack. A furious Laney rushes from the room, refusing to speak to Zack. Unable to reconcile with Laney, Zack takes his sister to the prom. After some persuading from her father, a disheartened Laney agrees to go with Dean. At the dance, Dean boasts of his plan to seduce Laney. Laney's friend Jesse overhears, and he and Mack rush to warn Zack, who has taken the stage with Taylor as Prom King and Queen. Zack rushes after Laney, who has already left with Dean. Laney returns home to find Zack is there. She explains how she avoided Dean's advances with a fog horn. Zack confesses his true feelings, and they share a dance and kiss by the pool. Laney asks Zack about the bet, and he says mysteriously he will honor the terms. On the day of graduation he appears onstage nude except for cap and a soccer ball, getting applause from the crowd and a smile from Laney. Cast Production Casting The film had an ensemble cast of up-and-coming actors, including Kieran Culkin, Oscar winner Anna Paquin, Jodi Lyn O'Keefe, musician Usher Raymond, Gabrielle Union in her film debut, Dulé Hill, and Lil' Kim. Producer Richard N. Gladstein noted, "There were other films that you could've seen them in, but they weren't usually the leads in those films." According to director Robert Iscove, Miramax co-head Harvey Weinstein was very involved in script development and casting, and was able to get great actors in very small parts as a personal favor. Iscove said Josh Hartnett was considered for the role of Zack Siler, and many actresses were considered for the role of Laney Boggs, including Mena Suvari, Leelee Sobieski, and Jordana Brewster. Kevin Pollak said he signed up for the movie in part because he was impressed with Freddie Prinze Jr.’s performance in The House of Yes a few years earlier and was interested in working with him. Writing R. Lee Fleming Jr. is officially credited as the sole screenwriter for the film. In a 2002 interview, M. Night Shyamalan stated that he polished the screenplay while adapting Stuart Little and writing a spec script for The Sixth Sense. This was also confirmed in the film's audio commentary by Iscove. In 2013, Shyamalan claimed that, rather than simply polishing Fleming's original script, he actually ghost-wrote the film. This was disputed by Fleming. Jack Lechner (who served as Miramax's head of development in the late 1990s) confirmed that technically both Shyamalan and Fleming contributed to the script: Fleming wrote the initial script that Miramax bought, while Shyamalan did an uncredited rewrite (doing more than "a polish") that got the film green-lit. Lechner reiterated that content from both writers was included in the final cut of the film. Producer Richard N. Gladstein said that the script "was pretty much done" already, but that Shyamalan's changes "helped enormously with the relationship with Kevin Pollak [who played Laney's father, Wayne]". Iscove attributed the performance art piece and the hacky sack sequence to Shyamalan. Fleming attributed the line "Am I a fucking bet?" to Shyamalan. Fleming included various pop culture references in his script: Laney Boggs was named after two characters played by Winona Ryder, Kim Boggs from Edward Scissorhands and Laney Pierce from Reality Bites; the characters Zack and Taylor were named after two of the three members of the band Hanson. Pollak constantly guessing Jeopardy! answers incorrectly is a running joke, which he previously did in the 1997 film Truth or Consequences, N.M.. The idea was in Fleming's script but Pollak expanded and improvised his answers. Iscove was influenced by the movies of John Hughes and was trying do something different for the '90s generation that would still resonate. He stressed the importance of the story having a heart, how Zack had to be worthy of Laney, and how Laney had to learn to be more open. The story was rewritten to better fit Prinze Jr. and make Zack a more sympathetic character with his own challenges. Iscove was well aware that it was implausible to suggest Rachael Leigh Cook was ugly, but said it was standard practice in Hollywood to cast "the beautiful girl" and that it requires the audience to suspend their disbelief: "You either go along with it or you don't go along with it." Comparing Laney's transformation to that of Clark Kent into Superman, Iscove said casting the role was more about finding an actor who had the range to give the necessary performance. Filming Filming took place from August 6, 1998, to September 28, 1998, in various California locations. The high school scenes were shot at Torrance High School, where television series Buffy the Vampire Slayer and Beverly Hills, 90210 were previously filmed. Iscove was also a choreographer and wanted to expand and embellish the prom scenes, while also showing the Weinsteins how musical numbers could work in films. The dance scene was choreographed by Adam Shankman at the request of the film's co-producer Jennifer Gibgot, who is Shankman's sister. Shankman was assisted by Anne Fletcher. Shankman was concerned about the scene not tonally meshing with the rest of the film, but Iscove persisted. Test audiences did not understand why the dance scene was happening, so Bob Weinstein asked for a reshoot with Usher to link the scene. Shankman also worked with Matthew Lillard on his solo dance scenes. Costume designer Denise Wingate said, "We had no budget so we had to be really creative—everything in that prom scene was white, black, and gold, and we got it all from The Salvation Army and just completely reworked it." Having majored in psychology, Wingate tried to explore the possible reasons for the characters’ wardrobe. Wingate concluded that Laney wore clothes like armor after the death of her mother, but also wanted to express herself as an artist, resulting in a mix of vintage clothes, overalls, aprons, and various quirky t-shirts. The falafel restaurant hat was created on short notice with items picked up from a Michaels craft store. Laney's transformation was reflected in the red dress, which demonstrated "a bold statement of her dressing in a color that was so different than anything we’d seen her in before." Leigh Cook recalled "feeling really self-conscious” in the scene where she first descends the stairs in the dress. There were two versions of the red dress: a stunt double dress reserved for the scene when Laney falls down in a driveway outside a party, and a second smaller dress, which left Cook holding her breath trying to get through the scene quickly. Soundtrack The song "Kiss Me" was used as the main theme song. The film's box office success helped "Kiss Me" to gain widespread mainstream attention and chart success. It climbed to No. 2 on Billboard's Hot 100 list, and stayed in the Top 10 for 16 straight weeks and No. 4 in the UK and New Zealand. The film was released in Italy with the title "Kiss Me". Reception Critical response On review aggregator Rotten Tomatoes, the film has an approval rating of 41% based on 63 reviews, with an average rating of 5/10. The website's critics consensus states: "Despite its charming young leads, She's All That can't overcome its predictable, inconsistently funny script." On Metacritic, the film has a weighted average score of 51 out of 100, based on 32 critics, indicating "mixed or average reviews". It was the last movie to be reviewed by Gene Siskel before his death in February 1999. Siskel gave a positive review and wrote, "Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment." Roger Ebert suggested: "To give the movie credit, it's as bored with the underlying plot as we are. Even the prom queen election is only a backdrop for more interesting material, as She's All That explores differences in class and style, and peppers its screenplay with very funny little moments." Ebert says it "is not a great movie, but it has its moments", giving it 2.5 out of 4 stars. Stephen Holden of The New York Times praised Cook for her performance, comparing her to Winona Ryder, saying, "Unlike so many actors playing smart young people, she actually projects some intelligence along with a sly sense of comedy." Mick LaSalle of the San Francisco Chronicle calls it "About one idea short of being an excellent teenage romance. As it stands it's a pleasing but routine effort." LaSalle criticized the film for running out of plot about halfway, saying the "story line is stretched to the breaking point. In one instance, director Robert Iscove stops the action for a long dance sequence, set at the prom, that has nothing to do with anything." He commented the film is "intermittently funny" and praised Matthew Lillard's performance, calling it the best thing in the picture. Geoff Berkshire of Variety was critical of the lack of originality, and wrote, "Suggesting that Miramax needs to put Kevin Williamson on permanent retainer if it's going to remain in the teen-pics field, She's All That notably fails to bring to comedy the insight that the Williamson-penned Scream brought so memorably to horror". Berkshire was positive about the two leads, saying "appealing young actors come off as competent, nothing more, given a context that can't be transcended." He described the direction as "nothing to be ashamed of here, but nothing of any distinction, either", and noted the soundtrack as a not unexpected plus. Jane Ganahl of the San Francisco Examiner wrote, "And once, just once, I'd love to see a teen flick that doesn't send out a message to young girls that to be acceptable, you have to conform. I liked the artist girl much better before." William Thomas of Empire criticized the film, saying that despite a few scenes, "The rest is just breezy propaganda for American high school fascism", and "The most worrying thing about She's All That is its message. The 'ugly duckling' (specs, dungarees, art-lover) must conform (she gets a makeover and the boys notice her "bobos" for the first time) to fit in." Box office She's All That premiered on January 19, 1999 at the Mann Festival Theater in Westwood, Los Angeles. The film went into general release on January 29. The film was released in Italy with the title "Kiss Me". The film reached No. 1 at the box office in the first week of its release, grossing $16.1 million over the Super Bowl opening weekend. It earned $63.4 million in the United States and $39.8 million at international box offices, totaling $103.2 million worldwide against a production budget between $7–10 million. Miramax spent a further $18 million on television advertising to promote the film. Accolades The film won eight awards, and was nominated for five others. Remake In September 2020, a gender-swapped remake of the film was announced, titled He's All That, with Mark Waters to direct, original screenwriter R. Lee Fleming Jr. to write, and starring Addison Rae and Tanner Buchanan. That October, Myra Molloy, Madison Pettis, Peyton Meyer, Isabella Crovetti, and Annie Jacob were cast. In December 2020, Rachael Leigh Cook joined the cast to portray Rae's character's mother. It has been confirmed that Cook's character is unrelated to her original character. He's All That was released on August 27, 2021, by Netflix. Notes References External links Official website She's All That at IMDb She's All That at AllMovie She's All That at the AFI Catalog of Feature Films She's All That at the TCM Movie Database
West_Quoddy_Head_Light
https://en.wikipedia.org/wiki/West_Quoddy_Head_Light
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West Quoddy Head, in Quoddy Head State Park, Lubec, Maine, is the easternmost point of the contiguous United States. In 1808 a lighthouse was constructed at the site to guide ships through the Quoddy Narrows. The current tower, with distinctive red-and-white stripes, was constructed in 1858 and is an active aid to navigation. The 3rd order Fresnel lens is the only 3rd order and one of only eight Fresnel lenses still in use on the Maine Coast. The light station was added to the National Register of Historic Places as West Quoddy Head Light Station on July 4, 1980. Description West Quoddy Head is an easterly-pointing peninsula in southeastern Lubec, overlooking Quoddy Narrows, a strait between Lubec and Campobello Island, Canada, that provides access to Passamaquoddy Bay and harbors located on the St. Croix River and other rivers which empty into the bay. Most of the peninsula is part of Quoddy Head State Park, and the light station is located near the southern end of its eastern face. A stone sign describes the lighthouse as the "easternmost point in the U.S.A." It is the easternmost building in the United States (a nearby sign proclaims the "easternmost giftshop in the U.S."), but the easternmost point is at rocks extending eastward from the shore. The present light station includes a tower, former keeper's quarters, service building, and oil house. The tower is circular, and is 49 feet (15 m) in height, with the beacon at 83 feet (25 m) above sea level. The light, magnified by a third-order Fresnel lens, has a range of 18 miles (29 km). The tower is built of brick, and painted in alternating horizontal red and white stripes. A small gabled entry vestibule, also brick, projects from the tower. The keeper's house is a wood-frame structure, 11⁄2 stories in height. History A lighthouse at West Quoddy Head, Maine, was authorized by Congress in 1806. The light station was finished on April 21, 1808, at a cost of $5,000 (equivalent to $95,000 in 2023). In 1820, Congress authorized the station's first fog signal, a 500-pound (230 kg) bell, costing $1,000 (equivalent to $22,000 in 2023). The current tower was built in 1858. The present station was built in 1858. The former keeper's house now serves as a museum and visitor's center. In 1990, the U.S. Postal Service issued a 25-cent stamp featuring the West Quoddy Head Light. Keepers The first keeper was Thomas Dexter. 1939: Howard Grey was the last civilian keeper of the station prior to its transfer to the U.S. Coast Guard. 1962: As of August 15, 1962, BM1 Bruce Keene was OIC, or Officer-in-Charge (dates of the time he began and ended his tour are not known— he served at least through September 1964.) According to documents in the West Quoddy file, his father, LT Thomas Keene, had previously served as the head keeper of the light station. 1963: As of October 27, Keene was still OIC and (Engineman?) Richard Copeland was his assistant. 1978: Through May 31 the OIC was BM1 Cliffton Scholfield. He had a crew of two assistants: MK3 Kenneth Fisher (February–July 1977), MT2 Carl Hatch and FN David Blanding. 1978: On June 1, BM2 George Eaton took over as the OIC of the station. He had two assistants. 1979: MK3 Carl Hatch was a member of the crew. 1981: As of September 14, the OIC was BM1 John Richardson. 1988: The last OIC (keeper) was Malcolm Rouse, USCG. See also National Register of Historic Places listings in Washington County, Maine Head Harbour Lighthouse - Also known as East Quoddy Head Light, counterpart light on Canadian side References External links West Quoddy Head Lighthouse - West Quoddy Head Light Keepers Association
Cape_Sarichef_Light
https://en.wikipedia.org/wiki/Cape_Sarichef_Light
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[ "https://en.wikipedia.org/wiki/Cape_Sarichef_Light" ]
Cape Sarichef Light is a lighthouse located on the northwest tip of Unimak Island, approximately 630 miles (1,010 km) southwest of Anchorage, Alaska. The most westerly and most isolated lighthouse in North America, Cape Sarichef Light marks the northwest end of Unimak Pass, the main passage through the Aleutian Islands between the Bering Sea and the Pacific Ocean. When it was first lit on July 1, 1904, it was Alaska's second coastal lighthouse (after Scotch Cap Light), and the only staffed U.S. lighthouse on the Bering Sea. Today, the lighthouse is automated, and the beacon is mounted on a skeleton tower. Cape Sarichef was named in 1816 by Russian explorer Otto von Kotzebue after Admiral Gavril Sarychev of the Imperial Russian Navy. History The original lighthouse was a wood tower on an octagonal wood building, 45 feet (14 m) in height. The light was 126 feet (38 m) above the sea. The lighthouse was known for its extreme isolation, which precluded regular resupply. From August 1912 to June 1913, the lighthouse received no supplies at all; the nearest neighbor was a trapper some 10 miles (16 km) away. Although living quarters were originally provided for keepers' families, the Lighthouse Board prohibited civilian keepers from bringing their families because of the site's isolation. Mail and supplies were not received for months at a time. The station shut down from December 1 through March 1 because the Bering Sea was frozen. Due to the privations they endured, civilian keepers got one full year off every 4 years of service. Circa 1933, one of the assistant keepers suffered a breakdown after two years at the lonely station. Following the disastrous tsunami in 1946 that destroyed Scotch Cap Light and killed its 5-man crew, the Coast Guard razed and rebuilt Cape Sarichef Light in 1950. The upgrade included a LORAN radiobeacon to help ships and aircraft obtain an accurate position. A crew of 21 men each served a one-year tour of duty at the station. Approximately 2 miles (3.2 km) from the station was an Air Force DEW (Distant Early Warning) Line radar station crewed by 25 men. Relations between the two services were reportedly very good, with a lot of swapping of everything from food to vehicle parts. The station was automated in 1979. The new light was erected on a steel skeleton next to the old tower. The old light, fog horn and radiobeacon were turned off. The Coast Guard turned the property over to the Fish and Wildlife Service. The old tower and buildings were demolished in 1999. Climate See also List of lighthouses in the United States References External links National Park Service — Inventory of Historic Light Stations – Alaska Lighthouses Archived 2006-10-30 at the Wayback Machine Lighthouse Depot — Cape Sarichef Light Archived 2006-02-13 at the Wayback Machine Lighthouse Depot — Supplying Cape Sarichef Archived 2006-05-13 at the Wayback Machine USCG Loran Station Cape Sarichef on Unimak island A Land-Locked Coastie — Cape Sarichef Loran Station Coast Guard Wives — Cape Sarichef Lighthouse, Unimak Island "Historic Light Station Information and Photography: Alaska" (PDF). United States Coast Guard Historian's Office. Rowlett, Russ. "Lighthouses of Alaska". The Lighthouse Directory. University of North Carolina at Chapel Hill.
Module:Location_map/data/USA_New_York_City
https://en.wikipedia.org/wiki/Module:Location_map/data/USA_New_York_City
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[ "https://en.wikipedia.org/wiki/Module:Location_map/data/USA_New_York_City" ]
Prague
https://en.wikipedia.org/wiki/Prague
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[ "https://en.wikipedia.org/wiki/Prague#:~:text=Prague%20is%20located%20approximately%20at,N%2014%C2%B025%E2%80%B2E." ]
Prague ( PRAHG; Czech: Praha [ˈpraɦa] ) is the capital and largest city of the Czech Republic and the historical capital of Bohemia. Situated on the Vltava river, Prague is home to about 1.4 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of Central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378) and Rudolf II (r. 1575–1611). It was an important city to the Habsburg monarchy and Austria-Hungary. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions including Prague Castle, Charles Bridge, Old Town Square with the Prague astronomical clock, the Jewish Quarter, Petřín hill and Vyšehrad. Since 1992, the historic center of Prague has been included in the UNESCO list of World Heritage Sites. The city has more than ten major museums, along with numerous theatres, galleries, cinemas, and other historical exhibits. An extensive modern public transportation system connects the city. It is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe. Prague is classified as an "Alpha-" global city according to GaWC studies. In 2019, the city was ranked as 69th most livable city in the world by Mercer. In the same year, the PICSA Index ranked the city as 13th most livable city in the world. Its rich history makes it a popular tourist destination and as of 2017, the city receives more than 8.5 million international visitors annually. In 2017, Prague was listed as the fifth most visited European city after London, Paris, Rome, and Istanbul. Etymology and names The Czech name Praha is derived from an old Slavic word, práh, which means "ford" or "rapid", referring to the city's origin at a crossing point of the Vltava river. Another view to the origin of the name is also related to the Czech word práh (with the meaning of a threshold) and a legendary etymology connects the name of the city with princess Libuše, prophetess and a wife of the mythical founder of the Přemyslid dynasty. She is said to have ordered the city "to be built where a man hews a threshold of his house". The Czech práh might thus be understood to refer to rapids or fords in the river, the edge of which could have acted as a means of fording the river – thus providing a "threshold" to the castle. Another derivation of the name Praha is suggested from na prazě, the original term for the shale hillside rock upon which the original castle was built. At that time, the castle was surrounded by forests, covering the nine hills of the future city – the Old Town on the opposite side of the river, as well as the Lesser Town beneath the existing castle, appeared only later. The English spelling of the city's name is borrowed from French. In the 19th and early 20th centuries it was pronounced in English to rhyme with "vague": it was so pronounced by Lady Diana Cooper (born 1892) on Desert Island Discs in 1969, and it is written to rhyme with "vague" in a verse of The Beleaguered City by Longfellow (1839) and also in the limerick There was an Old Lady of Prague by Edward Lear (1846). Prague is also called the "City of a Hundred Spires", based on a count by 19th century mathematician Bernard Bolzano; today's count is estimated by the Prague Information Service at 500. Nicknames for Prague have also included: the Golden City, the Mother of Cities and the Heart of Europe. The local Jewish community, which belongs to one of the oldest continuously existing in the world, have described the city as עיר ואם בישראל Ir va-em be-yisrael, "The city and mother in Israel". History Prague has grown from a settlement stretching from Prague Castle in the north to the fort of Vyšehrad in the south, to become the capital of a modern European country. Early history The region was settled as early as the Paleolithic age. Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the city was founded as Boihaem in c. 1306 BC by an ancient king, Boyya. Around the fifth and fourth century BC, a Celtic tribe appeared in the area, later establishing settlements, including the largest Celtic oppidum in Bohemia, Závist, in a present-day south suburb Zbraslav in Prague, and naming the region of Bohemia, which means "home of the Boii people". In the last century BC, the Celts were slowly driven away by Germanic tribes (Marcomanni, Quadi, Lombards and possibly the Suebi), leading some to place the seat of the Marcomanni king, Maroboduus, in Závist. Around the area where present-day Prague stands, the 2nd century map drawn by Roman geographer Ptolemaios mentioned a Germanic city called Casurgis. In the late 5th century AD, during the great Migration Period following the collapse of the Western Roman Empire, the Germanic tribes living in Bohemia moved westwards and, probably in the 6th century, the Slavic tribes settled the Central Bohemian Region. In the following three centuries, the Czech tribes built several fortified settlements in the area, most notably in the Šárka valley, Butovice and Levý Hradec. The construction of what came to be known as Prague Castle began near the end of the 9th century, expanding a fortified settlement that had existed on the site since the year 800. The first masonry under Prague Castle dates from the year 885 at the latest. The other prominent Prague fort, the Přemyslid fort Vyšehrad, was founded in the 10th century, some 70 years later than Prague Castle. Prague Castle is dominated by the cathedral, which began construction in 1344, but was not completed until the 20th century. The legendary origins of Prague attribute its foundation to the 8th-century Czech duchess and prophetess Libuše and her husband, Přemysl, founder of the Přemyslid dynasty. Legend says that Libuše came out on a rocky cliff high above the Vltava and prophesied: "I see a great city whose glory will touch the stars". She ordered a castle and a town called Praha to be built on the site. The region became the seat of the dukes, and later kings of Bohemia. Under Duke of Bohemia Boleslaus II the Pious the area became a bishopric in 973. Until Prague was elevated to archbishopric in 1344, it was under the jurisdiction of the Archbishopric of Mainz. Prague was an important seat for trading where merchants from across Europe settled, including many Jews, as recalled in 965 by the Hispano-Jewish merchant and traveler Abraham ben Jacob. The Old New Synagogue of 1270 still stands in the city. Prague was also once home to an important slave market. At the site of the ford in the Vltava river, King Vladislaus I had the first bridge built in 1170, the Judith Bridge (Juditin most), named in honor of his wife Judith of Thuringia. This bridge was destroyed by a flood in 1342, but some of the original foundation stones of that bridge remain in the river. It was rebuilt and named the Charles Bridge. In 1257, under King Ottokar II, Malá Strana ("Lesser Quarter") was founded in Prague on the site of an older village in what would become the Hradčany (Prague Castle) area. This was the district of the German people, who had the right to administer the law autonomously, pursuant to Magdeburg rights. The new district was on the bank opposite of the Staré Město ("Old Town"), which had borough status and was bordered by a line of walls and fortifications. Late Middle Ages Prague flourished during the 14th-century reign (1346–1378) of Charles IV, Holy Roman Emperor and the king of Bohemia of the new Luxembourg dynasty. As King of Bohemia and Holy Roman Emperor, he transformed Prague into an imperial capital. In the 1470s, Prague had around 70,000 inhabitants and with an area of 360 ha (~1.4 square miles) it was the third-largest city in the Holy Roman Empire. Charles IV ordered the building of the New Town (Nové Město) adjacent to the Old Town and laid out the design himself. The Charles Bridge, replacing the Judith Bridge destroyed in the flood just prior to his reign, was erected to connect the east bank districts to the Malá Strana and castle area. In 1347, he founded Charles University, the oldest university in Central Europe. His father John of Bohemia began construction of the Gothic Saint Vitus Cathedral, within the largest of the Prague Castle courtyards, on the site of the Romanesque rotunda there. Prague was elevated to an archbishopric in 1344, the year the cathedral was begun. The city had a mint and was a center of trade for German and Italian bankers and merchants. The social order, however, became more turbulent due to the rising power of the craftsmen's guilds (themselves often torn by internal conflicts), and the increasing number of poor. The Hunger Wall, a substantial fortification wall south of Malá Strana and the castle area was built during a famine in the 1360s. The work is reputed to have been ordered by Charles IV as a means of providing employment and food to the workers and their families. Charles IV died in 1378. During the reign of his son, King Wenceslaus IV (1378–1419), a period of intense turmoil ensued. During Easter 1389, members of the Prague clergy announced that Jews had desecrated the host (Eucharistic wafer) and the clergy encouraged mobs to pillage, ransack and burn the Jewish quarter. Nearly the entire Jewish population of Prague (ca 750 people) was murdered. Jan Hus, a theologian and rector at Charles University, preached in Prague. In 1402, he began giving sermons in the Bethlehem Chapel. Inspired by John Wycliffe, these sermons focused on what were seen as radical reforms of a corrupt Church. Having become too dangerous for the political and religious establishment, Hus was summoned to the Council of Constance, put on trial for heresy, and burned at the stake in Konstanz in 1415. Four years later Prague experienced its first defenestration, when the people rebelled under the command of the Prague priest Jan Želivský. Hus' death, coupled with Czech proto-nationalism and proto-Protestantism, had spurred the Hussite Wars. Peasant rebels, led by the general Jan Žižka, along with Hussite troops from Prague, defeated Emperor Sigismund, in the Battle of Vítkov Hill in 1420. During the Hussite Wars when Prague was attacked by "Crusader" and mercenary forces, the city militia fought bravely under the Prague Banner. This swallow-tailed banner is approximately 4 by 6 ft (1.2 by 1.8 m), with a red field sprinkled with small white fleurs-de-lis, and a silver old Town Coat-of-Arms in the center. The words "PÁN BŮH POMOC NAŠE" (The Lord is our Relief/Help) appeared above the coat-of-arms, with a Hussite chalice centered on the top. Near the swallow-tails is a crescent-shaped golden sun with rays protruding. One of these banners was captured by Swedish troops during the Battle of Prague (1648) when they captured the western bank of the Vltava river and were repulsed from the eastern bank, they placed it in the Royal Military Museum in Stockholm; although this flag still exists, it is in very poor condition. They also took the Codex Gigas and the Codex Argenteus. The earliest evidence indicates that a gonfalon with a municipal charge painted on it was used for the Old Town as early as 1419. Since this city militia flag was in use before 1477 and during the Hussite Wars, it is the oldest still preserved municipal flag of Bohemia. In the following two centuries, Prague strengthened its role as a merchant city. Many noteworthy Gothic buildings were erected and Vladislav Hall of the Prague Castle was added. Habsburg era In 1526, the Bohemian estates elected Ferdinand I of the House of Habsburg. The fervent Catholicism of its members brought them into conflict in Bohemia, and then in Prague, where Protestant ideas were gaining popularity. These problems were not preeminent under Holy Roman Emperor Rudolf II, elected King of Bohemia in 1576, who chose Prague as his home. He lived in Prague Castle, where his court welcomed not only astrologers and magicians but also scientists, musicians, and artists. Rudolf was an art lover as well, and Prague became the capital of European culture. This was a prosperous period for the city: famous people living there in that age include the astronomers Tycho Brahe and Johannes Kepler, the painter Arcimboldo, the alchemists Edward Kelley and John Dee, the poet Elizabeth Jane Weston, and others. In 1618, the famous second defenestration of Prague provoked the Thirty Years' War, a particularly harsh period for Prague and Bohemia. Ferdinand II of Habsburg was deposed, and his place as King of Bohemia taken by Frederick V, Elector Palatine; however his army was crushed in the Battle of White Mountain (1620) not far from the city. Following this in 1621 was an execution of 27 Czech Protestant leaders (involved in the uprising) in Old Town Square and the exiling of many others. Prague was forcibly converted back to Roman Catholicism followed by the rest of Czech lands. The city suffered subsequently during the war under an attack by Electorate of Saxony (1631) and during the Battle of Prague (1648). Prague began a steady decline which reduced the population from the 60,000 it had had in the years before the war to 20,000. In the second half of the 17th century, Prague's population began to grow again. Jews had been in Prague since the end of the 10th century and, by 1708, they accounted for about a quarter of Prague's population. In 1689, a great fire devastated Prague, but this spurred a renovation and a rebuilding of the city. In 1713–14, a major outbreak of plague hit Prague one last time, killing 12,000 to 13,000 people. In 1744, Frederick the Great of Prussia invaded Bohemia. He took Prague after a severe and prolonged siege in the course of which a large part of the town was destroyed. Empress Maria Theresa expelled the Jews from Prague in 1745; though she rescinded the expulsion in 1748, the proportion of Jewish residents in the city never recovered. In 1757 the Prussian bombardment destroyed more than one-quarter of the city and heavily damaged St. Vitus Cathedral. However, a month later, Frederick the Great was defeated and forced to retreat from Bohemia. The economy of Prague continued to improve during the 18th century. The population increased to 80,000 inhabitants by 1771. Many rich merchants and nobles enhanced the city with a host of palaces, churches and gardens full of art and music, creating a Baroque city renowned throughout the world to this day. In 1784, under Joseph II, the four municipalities of Malá Strana, Nové Město, Staré Město, and Hradčany were merged into a single entity. The Jewish district, called Josefov, was included only in 1850. The Industrial Revolution produced great changes and developments in Prague, as new factories could take advantage of the coal mines and ironworks of the nearby regions. The first suburb, Karlín, was created in 1817, and twenty years later the population exceeded 100,000. The revolutions in Europe in 1848 also touched Prague, but they were fiercely suppressed. In the following years, the Czech National Revival began its rise, until it gained the majority in the town council in 1861. Prague had a large number of German speakers in 1848, but by 1880 the number of German speakers had decreased to 14% (42,000), and by 1910 to 6.7% (37,000), due to a massive increase in the city's overall population caused by the influx of Czechs from the rest of Bohemia and Moravia and the increasing prestige and importance of the Czech language as part of the Czech National Revival. 20th century First Czechoslovak Republic World War I ended with the defeat of the Austro-Hungarian Empire and the creation of Czechoslovakia. Prague was chosen as its capital and Prague Castle as the seat of president Tomáš Garrigue Masaryk. At this time Prague was a true European capital with highly developed industry. By 1930, the population had risen to 850,000. Second World War Hitler ordered the German Army to enter Prague on 15 March 1939, and from Prague Castle proclaimed Bohemia and Moravia a German protectorate. For most of its history, Prague had been a multi-ethnic city with important Czech, German and (mostly native German-speaking) Jewish populations. From 1939, when the country was occupied by Nazi Germany, Hitler took over Prague Castle. During the Second World War, most Jews were deported and killed by the Germans. In 1942, Prague was witness to the assassination of one of the most powerful men in Nazi Germany—Reinhard Heydrich—during Operation Anthropoid, accomplished by Czechoslovak national heroes Jozef Gabčík and Jan Kubiš. Hitler ordered bloody reprisals. In February 1945, Prague suffered several bombing raids by the US Army Air Forces. 701 people were killed, more than 1,000 people were injured and some buildings, factories and historic landmarks (Emmaus Monastery, Faust House, Vinohrady Synagogue) were destroyed. Many historic structures in Prague, however, escaped the destruction of the war and the damage was small compared to the total destruction of many other cities in that time. According to American pilots, it was the result of a navigational mistake. In March, a deliberate raid targeted military factories in Prague, killing about 370 people. On 5 May 1945, two days before Germany capitulated, an uprising against Germany occurred. Several thousand Czechs were killed in four days of bloody street fighting, with many atrocities committed by both sides. At daybreak on 9 May, the 3rd Shock Army of the Red Army took the city almost unopposed. The majority (about 50,000 people) of the German population of Prague either fled or were expelled by the Beneš decrees in the aftermath of the war. Cold War Prague was a city in a country under the military, economic, and political control of the Soviet Union (see Iron Curtain and COMECON). The world's largest Stalin Monument was unveiled on Letná hill in 1955 and destroyed in 1962. The 4th Czechoslovak Writers' Congress, held in the city in June 1967, took a strong position against the regime. On 31 October 1967 students demonstrated at Strahov. This spurred the new secretary of the Czechoslovak Communist Party, Alexander Dubček, to proclaim a new deal in his city's and country's life, starting the short-lived season of the "socialism with a human face". It was the Prague Spring, which aimed at the renovation of political institutions in a democratic way. The other Warsaw Pact member countries, except Romania and Albania, were led by the Soviet Union to repress these reforms through the invasion of Czechoslovakia and the capital, Prague, on 21 August 1968. The invasion, chiefly by infantry and tanks, effectively suppressed any further attempts at reform. The military occupation of Czechoslovakia by the Red Army would end only in 1991. Jan Palach and Jan Zajíc committed suicide by self-immolation in January and February 1969 to protest against the "normalization" of the country. After the Velvet Revolution In 1989, after riot police beat back a peaceful student demonstration, the Velvet Revolution crowded the streets of Prague, and the capital of Czechoslovakia benefited greatly from the new mood. In 1992, the Historic Centre of Prague and its monuments were inscribed as a cultural UNESCO World Heritage Site. In 1993, after the Velvet Divorce, Prague became the capital city of the new Czech Republic. From 1995, high-rise buildings began to be built in Prague in large quantities. In the late 1990s, Prague again became an important cultural center of Europe and was notably influenced by globalisation. In 2000, the IMF and World Bank summits took place in Prague and anti-globalization riots took place here. In 2002, Prague suffered from widespread floods that damaged buildings and its underground transport system. Prague launched a bid for the 2016 Summer Olympics, but failed to make the candidate city shortlist. In June 2009, as the result of financial pressures from the global recession, Prague's officials chose to cancel the city's planned bid for the 2020 Summer Olympics. On 21 December 2023, a mass shooting took place at Charles University in central Prague. In total, 15 people were killed and 25 injured. It was the deadliest mass murder in the history of the Czech Republic. Geography Prague is situated on the Vltava river. The Berounka flows into the Vltava in the suburbs of Lahovice. There are 99 watercourses in Prague with a total length of 340 km (210 mi). The longest streams are Rokytka and Botič. There are 3 reservoirs, 37 ponds, and 34 retention reservoirs and dry polders in the city. The largest pond is Velký Počernický with 41.76 ha (103.2 acres). The largest body of water is Hostivař Reservoir with 42 hectares (103.8 acres). In terms of geomorphological division, most of Prague is located in the Prague Plateau. In the south the city's territory extends into the Hořovice Uplands, in the north it extends into the Central Elbe Table lowland. The highest point is the top of the hill Teleček on the western border of Prague, at 399 m (1,309 ft) above sea level. Notable hills in the centre of Prague are Petřín with 327 m (1,073 ft) and Vítkov with 270 m (890 ft). The lowest point is the Vltava in Suchdol at the place where it leaves the city, at 172 m (564 ft). Prague is located approximately at 50°5′N 14°25′E. Prague is approximately at the same latitude as Frankfurt, Germany; Paris, France; and Vancouver, Canada. The northernmost point is at 50°10′39″N 14°31′37″E, the southernmost point is at 49°56′31″N 14°23′44″E, the westernmost point is at 50°6′14″N 14°13′31″E, and the easternmost point is at 50°5′14″N 14°42′23″E. Farthest geographical points of the city territory are marked physically by so called „Prague Poles". Climate Prague has an oceanic climate (Köppen: Cfb) bordering on a humid continental climate (Dfb), defined as such by the 0 °C (32 °F) isotherm. The winters are relatively cold with average temperatures at about freezing point (0 °C), and with very little sunshine. Snow cover can be common between mid-November and late March although snow accumulations of more than 200 mm (8 in) are infrequent. There are also a few periods of mild temperatures in winter. Summers usually bring plenty of sunshine and the average high temperature of 24 °C (75 °F). Nights can be quite cool even in summer, though. Precipitation in Prague is moderate (600–500 mm or 24–20 in per year) since it is located in the rain shadow of the Sudetes and other mountain ranges. The driest season is usually winter while late spring and summer can bring quite heavy rain, especially in the form of thundershowers. The number of hours of average sunshine has increased over time. Temperature inversions are relatively common between mid-October and mid-March bringing foggy, cold days and sometimes moderate air pollution. Prague is also a windy city with common sustained western winds and an average wind speed of 16 km/h (10 mph) that often helps break temperature inversions and clear the air in cold months. Administration Administrative division Prague is the capital of the Czech Republic and as such is the regular seat of its central authorities. Since 24 November 1990, it is de facto again a statutory city, but has a specific status of the municipality and the region at the same time. Prague also houses the administrative institutions of the Central Bohemian Region. Until 1949, all administrative districts of Prague were formed by the whole one or more cadastral unit, municipality or town. Since 1949, there has been a fundamental change in the administrative division. Since then, the boundaries of many urban districts, administrative districts and city districts are independent of the boundaries of cadastral territories and some cadastral territories are thus divided into administrative and self-governing parts of the city. Cadastral area (for example, Vinohrady and Smíchov) are still relevant especially for the registration of land and real estate and house numbering. Prague is divided into 10 municipal districts (1–10), 22 administrative districts (1–22), 57 municipal parts, and 112 cadastral areas. City government Prague is administered by the autonomous Prague City Assembly, which consists of 65 members and is elected through municipal elections. The executive body of Prague, elected by the Assembly, is Prague City Council. The municipal office of Prague is at Prague City Hall and has 11 members, including the mayor. It prepares proposals for the Assembly meetings and ensures that adopted resolutions are fulfilled. The Mayor of Prague is Civic Democratic Party member Bohuslav Svoboda. Demographics 2011 census Even though the official population of Prague hovers around 1.3 million as of the 2011 census, the city's real population is much higher due to only 65% of its residents being marked as permanently living in the city. Data taken from mobile phone movements around the city suggest that the real population of Prague is closer to 1.9 or 2.0 million, with an additional 300,000 to 400,000 commuters coming to the city on weekdays for work, education, or commerce. About 14% of the city's inhabitants were born outside the Czech Republic, the highest proportion in the country. However, 64.8% of the city's population self-identified as ethnically Czech, which is slightly higher than the national average of 63.7%. Almost 29% of respondents declined to answer the question on ethnicity at all, so it may be assumed that the real percentage of ethnic Czechs in Prague is considerably higher. The largest ethnic minority are Slovaks, followed by Ukrainians and Russians. Prague's population is the oldest and best-educated in the country. It has the lowest proportion of children. Only 10.8% of census respondents claimed adherence to a religion; the majority of these were Roman Catholics. Historical population Development of the Prague population since 1378 (since 1869 according to the censuses within the limits of present-day Prague): Foreign residents As of 31 March 2023, there were 325,336 foreign residents in Prague, of which 118,996 with permanent residence in Prague. The following nationalities are the most numerous: Culture The city is traditionally one of the cultural centres of Europe, hosting many cultural events. Some of the significant cultural institutions include the National Theatre (Národní Divadlo) and the Estates Theatre (Stavovské or Tylovo or Nosticovo divadlo), where the premières of Mozart's Don Giovanni and La clemenza di Tito were held. Other major cultural institutions are the Rudolfinum which is home to the Czech Philharmonic Orchestra and the Municipal House which is home to the Prague Symphony Orchestra. The Prague State Opera (Státní opera) performs at the Smetana Theatre. The city has many world-class museums, including the National Museum (Národní muzeum), the Museum of the Capital City of Prague, the Jewish Museum in Prague, the Alfons Mucha Museum, the African-Prague Museum, the Museum of Decorative Arts in Prague, the Náprstek Museum (Náprstkovo Muzeum), the Josef Sudek Gallery and The Josef Sudek Studio, the National Library, the National Gallery, which manages the largest collection of art in the Czech Republic and the Kunsthalle Praha, the newest museum in the city. There are hundreds of concert halls, galleries, cinemas and music clubs in the city. It hosts music festivals including the Prague Spring International Music Festival, the Prague Autumn International Music Festival, the Prague International Organ Festival, the Dvořák Prague International Music Festival, and the Prague International Jazz Festival. Film festivals include Bohemia Film Awards, the Febiofest, the One World Film Festival and Echoes of the Karlovy Vary International Film Festival. The city also hosts the Prague Writers' Festival, the Prague Folklore Days, Prague Advent Choral Meeting the Summer Shakespeare Festival, the Prague Fringe Festival, the World Roma Festival, as well as the hundreds of Vernissages and fashion shows. With the growth of low-cost airlines in Europe, Prague has become a weekend city destination allowing tourists to visit its museums and cultural sites as well as try its Czech beers and cuisine. The city has many buildings by renowned architects, including Adolf Loos (Villa Müller), Frank O. Gehry (Dancing House) and Jean Nouvel (Golden Angel). Recent major events held in Prague: In popular culture The early 1912 silent drama film Pro peníze was filmed mostly in Prague. Many films have been afterwards made at Barrandov Studios and at Prague Studios. Hollywood films produced in Prague include Mission Impossible, Dungeons and Dragons, xXx, Blade II, Children of Dune, Alien vs. Predator, Doom, Chronicles of Narnia, Hellboy, EuroTrip, Van Helsing, Red Tails, and Spider-Man: Far From Home. Many Indian films have also been filmed in the city including Yuvvraaj, Drona and Rockstar. Among the most famous foreign music videos filmed in Prague are: Never Tear Us Apart by INXS, Some Things by Lasgo, Silver and Cold by AFI, Diamonds from Sierra Leone by Kanye West and Don't Stop the Music by Rihanna. Video games set in Prague include Osman, Vampire: The Masquerade – Redemption, Soldier of Fortune II: Double Helix, Tomb Raider: The Angel of Darkness, Indiana Jones and the Emperor's Tomb, Broken Sword: The Sleeping Dragon, Still Life, Metal Gear Solid 4, Call of Duty: Modern Warfare 3, Forza Motorsport 5, 6 and Deus Ex: Mankind Divided. Cuisine In 2008, the Allegro restaurant received the first Michelin star in the whole of the post-Communist part of Central Europe. It retained its star until 2011. As of 2018, there were just two Michelin-starred restaurants in Prague: La Degustation Bohême Bourgeoise and Field. Another six have been awarded Michelin's Bib Gourmand: Bistrøt 104, Divinis, Eska, Maso a Kobliha, Na Kopci and Sansho. However, as of 2022, there are 27 Michelin-starred restaurants in Prague which still include La Degustation Bohême Bourgeoise and Field. Czech beer has a long history, with brewing taking place in Břevnov Monastery in 993. In Old Town, Žižkov and Vinohrady there are hundreds of restaurants, bars and pubs, especially with Czech beer. Prague also hosts several microbrewery festivals throughout the year. The city is home to historical breweries Staropramen (Praha 5), U Fleků, U Medvídků, U Tří růží, Strahov Monastery Brewery (Praha 1) and Břevnov Monastery Brewery (Praha 6). Among many microbreweries are: Novoměstský, Pražský most u Valšů, Národní, Boršov, Loď pivovar, U Dobřenských, U Dvou koček, U Supa (Praha 1), Pivovarský dům (Praha 2), Sousedský pivovar Bašta (Praha 4), Suchdolský Jeník, Libocký pivovar (Praha 6), Marina (Praha 7), U Bulovky (Praha 8), Beznoska, Kolčavka (Praha 9), Vinohradský pivovar, Zubatý pes, Malešický mikropivovar (Praha 10), Jihoměstský pivovar (Praha 11), Lužiny (Praha 13), Počernický pivovar (Praha 14) and Hostivar (Praha 15). Economy Prague's economy accounts for 25% of the Czech GDP making it the highest performing regional economy of the country. As of 2021, its GDP per capita in purchasing power standard is €58,216, making it the third best performing region in the EU at 203 per cent of the EU-27 average in 2021. Prague employs almost a fifth of the entire Czech workforce, and its wages are significantly above average (≈+20%). In 4Q/2020, during the pandemic, average salaries available in Prague reached CZK 45.944 (≈€1,800) per month, an annual increase of 4%, which was nevertheless lower than national increase of 6.5% both in nominal and real terms. (Inflation in the Czech Republic was 3.2% in 4Q/2020.) Since 1990, the city's economic structure has shifted from industrial to service-oriented. Industry is present in sectors such as pharmaceuticals, printing, food processing, manufacture of transport equipment, computer technology, and electrical engineering. In the service sector, financial and commercial services, trade, restaurants, hospitality and public administration are the most significant. Services account for around 80 per cent of employment. There are 800,000 employees in Prague, including 120,000 commuters. The number of (legally registered) foreign residents in Prague has been increasing in spite of the country's economic downturn. As of March 2010, 148,035 foreign workers were reported to be living in the city making up about 18 per cent of the workforce, up from 131,132 in 2008. Approximately one-fifth of all investment in the Czech Republic takes place in the city. Almost one-half of the national income from tourism is spent in Prague. The city offers approximately 73,000 beds in accommodation facilities, most of which were built after 1990, including almost 51,000 beds in hotels and boarding houses. From the late 1990s to late 2000s, the city was a common filming location for international productions such as Hollywood and Bollywood motion pictures. A combination of architecture, low costs and the existing motion picture infrastructure have proven attractive to international film production companies. The modern economy of Prague is largely service and export-based and, in a 2010 survey, the city was named the best city in Central and Eastern Europe (CEE) for business. In 2005, Prague was deemed among the three best cities in Central and Eastern Europe according to The Economist's livability rankings. The city was named as a top-tier nexus city for innovation across multiple sectors of the global innovation economy, placing 29th globally out of 289 cities, ahead of Brussels and Helsinki for innovation in 2010. Na příkopě is the most expensive street among all the states of the V4. In 2017, with the amount of rent €2,640 (CZK 67,480) per square meter per year, ranked on 22nd place among the most expensive streets in the world. The second most expensive is Pařížská street. In the Eurostat research, Prague ranked fifth among Europe's 271 regions in terms of gross domestic product per inhabitant, achieving 172 per cent of the EU average. It ranked just above Paris and well above the country as a whole, which achieved 80 per cent of the EU average. Companies with highest turnover in the region in 2014: Prague is also the site of some of the most important offices and institutions of the Czech Republic President of the Czech Republic The Government and both houses of Parliament Ministries and other national offices (Industrial Property Office, Czech Statistical Office, National Security Authority, etc.) Czech National Bank Czech Television and other major broadcasters Radio Free Europe – Radio Liberty Galileo global navigation project Academy of Sciences of the Czech Republic Tourism Since the fall of the Iron Curtain, Prague has become one of the world's most popular tourist destinations. Prague suffered considerably less damage during World War II than some other major cities in the region, allowing most of its historic architecture to stay true to form. It contains one of the world's most pristine and varied collections of architecture, from Romanesque, to Gothic, Renaissance, Baroque, Rococo, Neo-Renaissance, Neo-Gothic, Art Nouveau, Cubist, Neo-Classical and ultra-modern. Prague is classified as an "Alpha-" global city according to GaWC studies, comparable to Vienna, Manila and Washington, D.C. Prague ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination, and the city receives more than 8.4 million international visitors annually, as of 2017. Furthermore, the city was ranked 7th in the world ICCA Destination Performance Index measuring performance of conference tourism in 2021. Main attractions Hradčany and Lesser Town (Malá Strana) Old Town (Staré Město) and Josefov New Town (Nové Město) Vinohrady and Žižkov Other places Tourism statistics Prague is by far the most visited Czech city. In 2023, Prague was visited by 7,442,614 guests who stayed overnight, of which 78.8% were from abroad. Average number of overnight stays of non-residents was 2.3. Most non-residents arriving to Prague and staying overnight were from the following countries: In 2023, the most visited tourist destinations of Prague were: Education Nine public universities and thirty six private universities are located in the city, including: Public universities Public arts academies Private universities Jan Amos Komenský University (UJAK) founded in 2001 Metropolitan University Prague (MUP) founded in 2001 The University of Finance and Administration (VSFS) founded in 1999 Largest private colleges International institutions Science, research and hi-tech centres The region city of Prague is an important centre of research. It is the seat of 39 out of 54 institutes of the Czech Academy of Sciences, including the largest ones, the Institute of Physics, the Institute of Microbiology and the Institute of Organic Chemistry and Biochemistry. It is also a seat of 10 public research institutes, four business incubators and large hospitals performing research and development activities such as the Motol University Hospital or Institute for Clinical and Experimental Medicine, which was the largest transplant center in Europe as of 2019. Universities seated in Prague (see section Colleges and Universities) also represent important centres of science and research activities. As of 2008, there were 13,000 researchers (out of 30,000 in the country, counted in full-time equivalents), representing a 3% share of Prague's economically active population. Gross expenditure on research and development accounted for €901.3 million (41.5% of country's total). Some well-known multinational companies have established research and development facilities in Prague, among them Siemens, Honeywell, Oracle, Microsoft and Broadcom. Prague was selected to host administration of the EU satellite navigation system Galileo. It started to provide its first services in December 2016 and full completion is expected by 2020. Transport As of 2017, Prague's transport modal share by journey was 52% public transport, 24.5% by car, 22.4% on foot, 0.4% by bicycle and 0.5% by aeroplane. Public transportation The public transport infrastructure consists of the heavily used Prague Integrated Transport (PID, Pražská integrovaná doprava) system, consisting of the Prague Metro (lines A, B, and C – its length is 65 km (40 mi) with 61 stations in total), Prague tram system, Prague buses service, commuter trains, funiculars, and seven ferries. Prague has one of the highest rates of public transport usage in the world, with 1.2 billion passenger journeys per year. Prague has about 300 bus lines (numbers 100–960) and 34 regular tram lines (numbers 1–26 and 91–99). As of 2022 the bus lines are being extended with trolley bus lines. There are also three funiculars, the Petřín funicular on Petřín Hill, one on Mrázovka Hill and a third at the Zoo in Troja. The Prague tram system now operates various types of trams, including the Tatra T3, newer Tatra KT8D5, Škoda 14 T (designed by Porsche), newer modern Škoda 15 T and nostalgic tram lines 23 and 41. Around 400 vehicles are the modernized T3 class, which are typically operated coupled together in pairs. The Prague tram system is the twelfth longest in the world (144 km) and its rolling stock consists of 786 individual cars, which is the largest in the world. The system carries more than 360 million passengers annually, the highest tram patronage in the world after Budapest, on a per capita basis, Prague has the second highest tram patronage after Zürich. All services (metro, tramways, city buses, funiculars and ferries) have a common ticketing system that operates on a proof-of-payment system. Basic transfer tickets can be bought for 30 and 90-minute rides, short-term tourist passes are available for periods of 24 hours or 3 days, and longer-term tickets can be bought on the smart ticketing system Lítačka, for periods of one month, three months or one year. Since August 2021, people up to the age of 14 and over 65 can use Prague's public transport free of charge (proof of age is required). Persons between 15 and 18 years and between 60 and 64 years pay half price for single tickets and day tickets. Services are run by the Prague Public Transport Company and several other companies. Since 2005 the Regional Organiser of Prague Integrated Transport (ROPID) has franchised operation of ferries on the Vltava river, which are also a part of the public transport system with common fares. Taxi services make pick-ups on the streets or operate from regulated taxi stands. Prague Metro The Metro has three major lines extending throughout the city: A (green), B (yellow) and C (red). A fourth Metro line D is under construction, which will connect the city centre to southern parts of the city (as of 2022, the completion is expected in 2028). The Prague Metro system served 589.2 million passengers in 2012, making it the fifth busiest metro system in Europe and the most-patronised in the world on a per capita basis. The first section of the Prague metro was put into operation in 1974. It was the stretch between stations Kačerov and Florenc on the current line C. The first part of Line A was opened in 1978 (Dejvická – Náměstí Míru), the first part of line B in 1985 (Anděl – Florenc). In April 2015, construction finished to extend the green line A further into the northwest corner of Prague closer to the airport. A new interchange station for the bus in the direction of the airport is the station Nádraží Veleslavín. The final station of the green line is Nemocnice Motol (Motol Hospital), giving people direct public transportation access to the largest medical facility in the Czech Republic and one of the largest in Europe. A railway connection to the airport is planned. In operation there are two kinds of units: "81-71M" which is modernized variant of the Soviet Metrovagonmash 81-71 (completely modernized between 1995 and 2003) and new "Metro M1" trains (since 2000), manufactured by consortium consisting of Siemens, ČKD Praha and ADtranz. The minimum interval between two trains is 90 seconds. The original Soviet vehicles "Ečs" were excluded in 1997, but one vehicle is placed in public transport museum in depot Střešovice. The Náměstí Míru metro station is the deepest station and is equipped with the longest escalator in European Union. The Prague metro is generally considered very safe. Roads The main flow of traffic leads through the centre of the city and through inner and outer ring roads (partially in operation). Inner Ring Road (The City Ring "MO"): surrounds central Prague. It is the longest city tunnel in Europe with a length of 5.5 km (3.4 mi) and five interchanges has been completed to relieve congestion in the north-western part of Prague. Called Blanka tunnel complex and part of the City Ring Road, it was estimated to eventually cost (after several increases) CZK 43 billion. Construction started in 2007 and, after repeated delays, the tunnel officially opened in September 2015. This tunnel complex completes a major part of the inner ring road. Outer Ring Road (The Prague Ring "D0"): this ring road will connect all major motorways and speedways that meet each other in Prague region and provide faster transit without a necessity to drive through the city. So far 39 km (24 mi), out of a total planned 83 km (52 mi), is in operation. Most recently, the southern part of this road (with a length of more than 20 km (12 mi)) was opened on 22 September 2010. As of 2021, the next 12 km (7 mi) section between Modletice and Běchovice is planned to be completed in 2025. Rail The city forms the hub of the Czech railway system, with services to all parts of the country and abroad. The railway system links Prague with major European cities (which can be reached without transfers), including Dresden, Berlin, Hamburg, Leipzig, Regensburg and Munich (Germany); Vienna, Graz and Linz (Austria); Warsaw, Kraków and Przemyśl (Poland); Bratislava, Poprad and Košice (Slovakia); Budapest (Hungary); Basel and Zürich (Switzerland). Travel times range between 2 hours to Dresden and 13 hours to Zürich. Prague's main international railway station is Hlavní nádraží, rail services are also available from other main stations: Masarykovo nádraží, Holešovice and Smíchov, in addition to suburban stations. Commuter rail services operate under the name Esko Praha, which is part of PID (Prague Integrated Transport). Air Prague is served by Václav Havel Airport Prague, the largest airport in the Czech Republic and one of the largest and busiest airports in central and eastern Europe. The airport is the hub of carriers Smartwings and Czech Airlines operating throughout Europe. Other airports in Prague include the city's original airport in the north-eastern district of Kbely, which is serviced by the Czech Air Force, also internationally. It also houses the Prague Aviation Museum. The nearby Letňany Airport is mainly used for private aviation and aeroclub aviation. Another airport in the proximity is Aero Vodochody aircraft factory to the north, used for testing purposes, as well as for aeroclub aviation. There are a few aeroclubs around Prague, such as the Točná airfield. Cycling In 2018, 1–2.5 % of people commute by bike in Prague, depending on season. Cycling is very common as a sport or recreation. As of 2019, there were 194 km (121 mi) of protected cycle paths and routes. Also, there were 50 km (31 mi) of bike lanes and 26 km (16 mi) of specially marked bus lanes that are free to be used by cyclists. As of 2024, there are four companies providing bicycle sharing in Prague: Rekola (1,000 bikes), Nextbike (1,000 bikes), Bolt and Lime. Bikesharing is partly connected to the public transportation and subsidised by the city. Sport Prague is the site of many sports events, national stadiums and teams. Teams Sparta Prague (Czech First League) – football club Slavia Prague (Czech First League) – football club Bohemians 1905 (Czech First League) – football club Dukla Prague (Czech 2nd Football League) – football club Viktoria Žižkov (Czech 2nd Football League) – football club HC Sparta Praha (Czech Extraliga) – ice hockey club HC Slavia Praha (Czech 2nd Hockey League) – ice hockey club USK Praha (National Basketball League) – basketball club Prague Lions (European League of Football) –American football AK Markéta Praha (speedway club) PSK Olymp Praha (athletics club) Stadia and arenas O2 Arena – the second largest ice hockey arena in Europe. It hosted 2004 and 2015 Ice Hockey World Championship, NHL 2008 and 2010 Opening Game and Euroleague Final Four. Strahov Stadium – the largest stadium in the world. Fortuna Arena, football stadium I. ČLTK Prague, tennis club Markéta Stadium, speedway and athletics stadium Stadion Juliska, football and athletics stadium Gutovka– sport area with a large concrete skatepark, the highest outdoor climbing wall in Central Europe, four beach volleyball courts and children's playground; Central European Beach Volleyball Championship 2018 took place here. Events Prague International Marathon Prague Open – Tennis Tournament Prague Chess Festival Sparta Prague Open – Tennis Tournament held at TK Sparta Prague in Prague 7 Josef Odložil Memorial – athletics meeting World Ultimate Club Championships 2010 concluded in Strahov and Eden Arena. Mystic SK8 Cup – World Cup of Skateboarding venue held at the Štvanice skatepark International relations The city of Prague maintains its own EU delegation in Brussels called Prague House. Prague was the location of U.S. President Barack Obama's speech on 5 April 2009, which led to the New START treaty with Russia, signed in Prague on 8 April 2010. The annual conference Forum 2000, which was founded by former Czech President Václav Havel, Japanese philanthropist Yōhei Sasakawa, and Nobel Peace Prize laureate Elie Wiesel in 1996, is held in Prague. Its main objective is "to identify the key issues facing civilization and to explore ways to prevent the escalation of conflicts that have religion, culture or ethnicity as their primary components", and also intends to promote democracy in non-democratic countries and to support civil society. Conferences have attracted a number of prominent thinkers, Nobel laureates, former and acting politicians, business leaders and other individuals like: Frederik Willem de Klerk, Bill Clinton, Nicholas Winton, Oscar Arias Sánchez, Dalai Lama, Hans Küng, Shimon Peres and Madeleine Albright. Twin towns – sister cities Prague is twinned with: Namesakes A number of other settlements are derived or similar to the name of Prague. In many of these cases, Czech emigration has left a number of namesake cities scattered over the globe, with a notable concentration in the New World. Additionally, Kłodzko is sometimes referred to as "Little Prague" (German: Klein-Prag). Although now in Poland, it had been traditionally a part of Bohemia until 1763 when it became part of Silesia. See also Churches in Prague List of people from Prague Outline of the Czech Republic Outline of Prague List of museums in Prague Notes References Further reading External links Official website (in Czech and English) Official tourist portal Old maps of Prague Archived 26 July 2022 at the Wayback Machine in Historic Cities site
Dead_to_Me_(TV_series)
https://en.wikipedia.org/wiki/Dead_to_Me_(TV_series)
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Dead to Me is an American black comedy-drama television series that stars Christina Applegate and Linda Cardellini as two grieving women who bond during therapy. It was created by Liz Feldman and executive produced by Feldman, Will Ferrell, Adam McKay, and Jessica Elbaum. The series premiered on May 3, 2019, on Netflix and received positive reviews. In June 2019, Netflix renewed the series for a second season which was released on May 8, 2020. At the 71st Primetime Emmy Awards, Applegate received a nomination for Outstanding Lead Actress in a Comedy Series. In July 2020, the series was renewed for a third and final season. Due to the COVID-19 pandemic, production of the third season was delayed until mid-2021, and was then further delayed by Applegate's multiple sclerosis diagnosis. The third and final season was released on November 17, 2022. At the 72nd Primetime Emmy Awards, the show received four nominations including Primetime Emmy Award for Outstanding Comedy Series and two Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for Applegate and Cardellini. At the 75th Primetime Emmy Awards, Applegate received her third Outstanding Lead Actress nomination on the series for its final season. Premise Dead to Me is about a friendship that blossoms between Jen (Applegate) and Judy (Cardellini). Jen is a recently widowed real estate agent based in Laguna Beach, California, trying to come to terms with her loss through therapy, exercise, and other methods. She uses anger and resentment as an outlet for her grief. She meets Judy in a grief support group. Jen mourns her husband, who was killed by a hit-and-run driver, while Judy claims that she is grieving for her fiancé who died of a heart attack. In actuality, Judy is the hit-and-run driver, and her fiancé simply broke up with her. The two characters face their struggles differently, as Jen finds herself in a dark place while Judy maintains a positive disposition. This difference quickly leads to a deep bond between the two. Jen becomes more unhinged as she unravels the mystery of her husband's death and Judy's secrets. Cast and characters Main Christina Applegate as Jen Harding, a realtor whose husband Ted was killed by a hit-and-run driver shortly before the start of the series Linda Cardellini as Judy Hale, a woman Jen meets at a grief support group who befriends her; she is the hit-and-run driver James Marsden as Steve Wood (season 1), Judy's emotionally abusive ex-fiancé, an attorney involved with the Greek Mafia Ben Wood (seasons 2–3), Steve's semi-identical twin brother, a chiropractor, and Jen's new love interest Max Jenkins as Christopher Doyle (seasons 1–2, recurring season 3), Jen's real estate business partner and friend Sam McCarthy as Charlie Harding, Jen's older son Luke Roessler as Henry Harding, Jen's younger son Recurring Diana-Maria Riva as Ana Perez, the police detective in charge of the hit-and-run case Brandon Scott as Nick Prager, a police detective on administrative leave whom Judy meets at the grieving retreat Valerie Mahaffey as Lorna Harding, Jen's mother-in-law and Ted's mother Natalie Morales as Michelle (seasons 2–3), Judy's love interest and Ana's ex-girlfriend Ed Asner as Abe Rifkin (season 1), Judy's friend from the retirement home where she works Keong Sim as Pastor Wayne, Jen and Judy's grief support group leader Telma Hopkins as Yolanda, a member of the grief support group Sadie Stanley as Parker (season 2), Charlie's brief love interest and self-proclaimed social media micro-influencer Haley Sims as Kayley, Steve's assistant Blair Beeken as Wendy, a member of the grief support group Edward Fordham Jr. as Kyle, a member of the grief support group Frances Conroy as Eileen Wood (seasons 2–3), Steve and Ben's mother Suzy Nakamura as Karen, Jen's neighbor, who is obsessed with protecting her house and preparing for the apocalypse. Jere Burns as Howard Hastings (season 2), a corrupt police chief who is working with the Greek Mafia Garret Dillahunt as Glenn Moranis (season 3), an FBI agent who is investigating Steve's death and ties to the Greek Mafia Guest Olivia Macklin as Bambi (season 1), a waitress and Ted's mistress Steve Howey as Jason (season 1), a widower Jen meets at a grief retreat Tara Karsian as Erica Brewer (season 1), Charlie's principal Lily Knight as Linda, a member of the grief support group Tom Virtue as Doug (season 1), a potential client of Jen's Beth Littleford as Doug's wife (season 1) Adora Soleil Bricher as Shandy Adams, a girl in Henry's class who finds Ted's body Chelsea Spack as Heidi (seasons 1-2), Steve's new girlfriend, and employee at TKG Arts Rick Holmes as Andrew Peters (seasons 1-2), a man Jen suspects of killing her husband Marc Evan Jackson as Jeff (seasons 2–3), Karen's husband who is gay and having an affair Katey Sagal as Eleanor Hale (seasons 2–3), Judy's drug-addicted and emotionally abusive mother Nicolas Coster as Jim Wood (season 3), Steve and Ben's father Episodes Season 1 (2019) Season 2 (2020) Season 3 (2022) Production Development On April 5, 2018, it was announced that Netflix had given the production a series order for a first season consisting of ten episodes. The series was created by Liz Feldman who was also expected to write for the series and executive produce alongside Will Ferrell, Adam McKay, and Jessica Elbaum. Production companies involved with the series were slated to consist of Gloria Sanchez Productions and CBS Television Studios. On November 2, 2018, it was reported that Amy York Rubin would direct the first and second episodes of the series. On April 1, 2019, it was announced that the series was set to be released on May 3, 2019. On June 3, 2019, the series was renewed for a second season, set to be released in 2020. On April 10, 2020, Netflix announced that the second season would be released on May 8, 2020. On July 6, 2020, Netflix renewed the series for a third and final season. Filming for the third and final season began on May 7, 2021; however, in August, 2021, production was paused temporarily due to Applegate’s health. On December 21, 2021, it was reported that there were positive COVID-19 cases on the set, but filming was not impacted or shut down. There were three weeks of filming left to conclude in early 2022, but filming did not wrap until April 25, 2022. The third and final season premiered on November 17, 2022. Casting On July 11, 2018, it was announced that Christina Applegate had been cast in one of the series' two lead roles. On August 3, 2018, it was reported that Linda Cardellini had been cast in the series' other lead role. A week later, it was announced that Max Jenkins and Luke Roessler had been cast in series regular roles. On September 12, 2018, it was reported that James Marsden and Ed Asner had been cast in starring roles. In October 2018, it was announced that Sam McCarthy had joined the cast in a series regular capacity and that Diana-Maria Riva had been cast in a recurring role. In October 2019, Natalie Morales was cast in the recurring role of Michelle on the second season. Reception Critical response On review aggregator website Rotten Tomatoes, the first season has an approval rating of 86% based on 50 reviews, with an average rating of 6.5/10. The website's critics consensus reads: "Dead to Me doesn't always deliver on the gallows humor that it promises, but the sterling duo of Christina Applegate and Linda Cardellini elevates the series above its pulpier aspects—offering a deeply moving relationship shaped by mutual grief." On Metacritic, it has a weighted average score of 67 out of 100, based on 21 critics, indicating "generally favorable reviews". On Rotten Tomatoes, the second season has an approval rating of 94% based on 48 reviews, with an average rating of 7.6/10. The website's critics consensus reads: "Dead to Me doubles down on the twists and turns out an exciting second season that makes excellent use of its well-matched leads." On Metacritic, it has a weighted average score of 72 out of 100, based on 10 critics, indicating "generally favorable reviews". On Rotten Tomatoes, the third season holds an approval rating of 82% based on 17 reviews, with an average rating of 6.1/10. The website's critics consensus reads: "Dead to Me's final season has some diminishing returns as the twists begin to feel overplayed, but Christina Applegate and Linda Cardellini remain a compelling duo who viewers will want to stick with to the bitter end." On Metacritic, it has a weighted average score of 70 out of 100, based on 7 critics, indicating "generally favorable reviews". Viewership On July 17, 2019, Netflix announced that the series was on track to be streamed by over 30 million viewers within its first month of release on the streaming platform. Accolades References External links Official website Dead to Me at IMDb
Christina_Applegate
https://en.wikipedia.org/wiki/Christina_Applegate
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[ "https://en.wikipedia.org/wiki/Christina_Applegate" ]
Christina Applegate (born November 25, 1971) is an American actress. After appearing in several roles since early childhood, she gained recognition for starring as Kelly Bundy in the comedy sitcom Married... with Children (1987–1997). Applegate established a successful film and television career in her adult years, winning a Primetime Emmy Award as well as gaining nominations for four Golden Globe Awards and a Tony Award. Applegate starred in the title role of the sitcom Jesse (1998–2000), which earned her a Golden Globe Award nomination. She received a Primetime Emmy Award for her guest role in the NBC sitcom Friends (2002–2003). For her role in the Broadway revival of Sweet Charity (2005), she earned a nomination for the Tony Award for Best Actress in a Musical. She went on to star in the sitcom Samantha Who? (2007–2009), for which she received nominations for two Primetime Emmy Awards and Golden Globe Awards; the sitcom Up All Night (2011–2012); and the dark tragicomedy series Dead to Me (2019–2022), which earned her three Primetime Emmy Award nominations and a Golden Globe nomination. Applegate has also had major roles in several films, including Don't Tell Mom the Babysitter's Dead (1991), The Big Hit (1998), The Sweetest Thing (2002), Grand Theft Parsons (2003), Anchorman: The Legend of Ron Burgundy (2004), Hall Pass (2011), Anchorman 2: The Legend Continues (2013), Vacation (2015), Bad Moms (2016), and Crash Pad (2017). Early and family life Applegate was born in Hollywood, Los Angeles, California. Her father, Robert William "Bobby" Applegate, was a staff producer at Dot Records; her mother, Nancy Priddy, is a singer and actress. She was named after the Andrew Wyeth painting Christina's World, for which her mother also named a song on her album You've Come This Way Before. Her parents separated shortly after her birth. She has two half-siblings, Alisa and Kyle, from her father's second marriage. After her divorce, Applegate's mother had a relationship with musician Stephen Stills. As a child, Applegate trained as a dancer in various styles, including jazz and ballet. Career 1972–1986: Early projects Applegate made her television debut in 1972 alongside her mother in the soap opera Days of Our Lives and starred in a commercial for Playtex baby bottles at 3 months old. She made her film debut in the 1981 horror film Jaws of Satan (or King Cobra) and appeared in the 1981 movie Beatlemania. She debuted as a young Grace Kelly in the television biopic Grace Kelly (1983) and appeared in her first television series in Showtime's political comedy Washingtoon (1985), in which she played a congressman's daughter. Applegate was a guest in the series Father Murphy (1981), Charles in Charge (1984–1985), and Silver Spoons (1986). In 1986, she won the role of Robin Kennedy, a policeman's daughter, in the police drama series Heart of the City (1986–1987). For her performance, she received a Young Artist Award. She guest-starred in several television series, including All Is Forgiven, Still the Beaver, Amazing Stories, and Family Ties. 1987–2001: Breakthrough and Married... with Children From 1987 to 1997, Applegate played the ditzy, sexually promiscuous daughter, Kelly Bundy, on Fox's first sitcom, Married... with Children. While working on the series, Applegate was seen in Dance 'til Dawn (1988) and Streets (1990), in which a teenage drug addict is stalked by a psychotic police officer. She guest-starred in 21 Jump Street (1988) and Top of the Heap (1991) and hosted Saturday Night Live (1993) and MADtv (1996). The character of Sue Ellen Crandell in the black comedy feature Don't Tell Mom the Babysitter's Dead (1991) was Applegate's first starring role in a mainstream film, playing a rebellious teenager who is forced to take care of siblings after their summer babysitter dies. She had roles in films such as Vibrations (1995), Across the Moon (1995), Wild Bill (1995), Tim Burton's Mars Attacks! (1996), and Gregg Araki's Nowhere (1997). Contrary to reports, she did not audition for Titanic, as she told Vanity Fair in their May 2023 edition: “No. Who said that?…That would not have come across my desk, if I had a desk.” [Shaw, Vanity Fair, May 4, 2023.] When Married... with Children was cancelled in 1997, producers pitched a spinoff centered on Kelly Bundy, but Applegate declined. In 1998, Applegate starred as Claudine Van Doozen in the independent feature Claudine's Return (or Kiss of Fire), appeared in the action-comedy The Big Hit and played the fiancée of a mob boss in the Mafia satire Jane Austen's Mafia. Applegate was one of the founding members of The Pussycat Dolls, which debuted at Johnny Depp's Viper Room on the Sunset Strip in 1995. She emceed for the group when they moved to The Roxy Theatre in 2002. In 1998, Applegate began portraying the title role in the NBC sitcom Jesse. She won the People's Choice Award for Favorite Female Performer in a New Television Series, the TV Guide Award for Favorite Star of a New Series, and was nominated for a Golden Globe Award for Best Actress in a Comedy. The series was cancelled in 2000. 2002–2009: Anchorman, stage, and television Applegate played the dual role of a 12th-century noblewoman, Princess Rosalind, and her 21st-century descendant, Julia Malfete, in the time-travel comedy Just Visiting (2001). She was Princess Gwendolyn and Kate in the movie Prince Charming (2001). After playing Cameron Diaz's level-headed best friend, Courtney Rockcliffe, in The Sweetest Thing (2002), she appeared in Heroes (2002), the romantic airplane comedy View from the Top (2003), the true-crime film Wonderland (2003) based on the Wonderland murders, and the Gram Parsons biopic Grand Theft Parsons (2003). In 2004, she starred with Ben Affleck in the holiday comedy Surviving Christmas and with Matt Dillon in Employee of the Month. She was the executive producer of Comforters, Miserable (2001). Applegate guest-starred on Friends in the ninth (2002) and tenth (2003) seasons in episodes titled "The One with Rachel's Other Sister" and "The One Where Rachel's Sister Babysits" as Amy Green, Rachel Green's (Jennifer Aniston) sister. She won the Primetime Emmy Award from two nominations for Outstanding Guest Actress in a Comedy Series for her performance in "The One with Rachel's Other Sister." Applegate received recognition for her portrayal of anchorwoman Veronica Corningstone in the 2004 comedy films Anchorman: The Legend of Ron Burgundy and Wake Up, Ron Burgundy: The Lost Movie, an alternative film comprising alternate takes and deleted scenes and story elements. Applegate has performed on stage in The Axeman's Jazz, Nobody Leaves Empty Handed, The Runthrough, and John Cassavetes' The Third Day (co-starring Gena Rowlands). In 2004, she debuted on Broadway as Charity Hope Valentine in a revival of the 1966 musical Sweet Charity. In late April 2005, she took part in the annual Broadway Cares' Easter Bonnet Competition, being sawed in half by a magician in their Clearly Impossible sawing illusion. Sweet Charity ended its Broadway run on December 31, 2005. Applegate won the 2005 Theatre World Award and was nominated for a 2005 Tony Award for Best Actress in a Musical for her role in the musical. While appearing in Sweet Charity, Applegate broke her foot and it was announced that the musical would close during previews. She persuaded the producers to change their minds. Because of her injury, she had to wear special shoes to prevent another accident. In a 2013 interview, she said that because of what happened, she "actually can't dance anymore. And that is sad for me because I always wanted to go back. But I probably won't be able to." She does dance whenever the opportunity presents, but cannot perform in strenuous roles. In 2006, Applegate appeared in Jessica Simpson's music video for "A Public Affair" with Eva Longoria, Ryan Seacrest, and Christina Milian. She starred in the ABC comedy Samantha Who? from October 15, 2007, until it was cancelled on May 18, 2009; the finale aired on July 23, 2009. The series co-starred Jean Smart, Jennifer Esposito, and Melissa McCarthy and focused on a 30-year-old who, after a hit-and-run accident, develops amnesia and has to rediscover her life, her relationships, and herself. She received two nominations for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series and two nominations for the Golden Globe Award for Best Actress – Television Series Musical or Comedy. Shortly after the cancellation was announced, she began a campaign to get the show back into production, which failed. She topped the list of People's Most Beautiful People in 2009. She appeared with her Married... with Children co-star David Faustino in an episode of Faustino's comedy series Star-ving. 2010–present: Dead to Me and further acclaim Applegate voiced Catherine the Cat in the three-dimensional talking animal sequel Cats & Dogs: The Revenge of Kitty Galore (2010). She said her mother wanted her to be involved in the film. Prior to Cats & Dogs 2, she voiced Brittany, one of the Chipettes, in Alvin and the Chipmunks: The Squeakquel (2009), Alvin and the Chipmunks: Chipwrecked (2011), and Alvin and the Chipmunks: The Road Chip (2015). In 2011, Applegate starred in the Farrelly brothers comedy Hall Pass. Applegate also starred in the NBC sitcom Up All Night with Maya Rudolph and Will Arnett, which debuted on September 14, 2011. On February 8, 2013, she left the series after its second-season hiatus, which was leading into a planned format change. The series was ultimately cancelled. On July 31, 2013, Applegate was featured on the second episode of the fourth season of the revived American version of the TLC series Who Do You Think You Are?. The episode centered on Applegate trying to find information about her paternal grandmother, Lavina Applegate Walton, who was absent for most of Applegate's father's life and died when he was young. Applegate learned that Walton died in 1955 from tuberculosis and alcohol-related cirrhosis. In 2013, Applegate reprised her role as Veronica Corningstone in the comedy sequel film Anchorman 2: The Legend Continues. The film received positive reviews from critics and was a box office success. In 2014, she had a starring voice role as Mary Beth in the animated musical fantasy film The Book of Life. In 2015, she starred with Ed Helms in the National Lampoon sequel Vacation, the fifth full-length movie episode of the road-trip comedies. They played Rusty Griswold and his wife, Debbie, who with their two sons take a trip to Walley World, just as Rusty did with his parents in the 1983 original film, National Lampoon's Vacation. The film was poorly reviewed, but was a box office success. In 2016, she starred as Gwendolyn James in the comedy film Bad Moms with Mila Kunis, Kristen Bell, and Kathryn Hahn. The film earned mixed reviews from critics and was a box office success. She reprised her role for a cameo appearance in the November 2017 sequel A Bad Moms Christmas. Also in 2017, she starred in the comedy film Crash Pad. In July 2018, Applegate co-starred with Linda Cardellini in the Netflix dark comedy series Dead to Me and executive produced the series with Will Ferrell, Adam McKay, and Jessica Elbaum. The series received critical acclaim. Applegate received two nominations for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for her performance in seasons one and two and nominations for a Golden Globe Award, Screen Actors Guild Award, and TCA Award. On November 14, 2022, she received a star on Hollywood Walk of Fame. She was accompanied by her Married... with Children co-stars Katey Sagal and David Faustino. Her star was placed adjacent to Sagal and Ed O'Neill's stars. In 2024, Applegate began a podcast with fellow actress with MS Jamie-Lynn Sigler called MeSsy about their friendship based on the condition. Personal life Applegate married actor Johnathon Schaech in Palm Springs, California on October 20, 2001. Schaech filed for divorce in December 2005, citing irreconcilable differences, and the divorce was finalized in August 2007. She began dating Dutch musician Martyn LeNoble in 2009. The couple became engaged on Valentine's Day 2010 and married on February 23, 2013, at their Los Angeles home. It was the second marriage for both. They have one daughter, born in January 2011. Health People reported in 2008 that Applegate had been diagnosed with breast cancer. A representative stated, "Christina Applegate was diagnosed with an early stage of breast cancer. Detected early through doctor-ordered magnetic resonance imaging (MRI), the cancer was not life-threatening. Christina is following the recommended treatment of her doctors and will have a full recovery." It was announced that she was cancer-free after a double mastectomy, although cancer had been found in only one breast. She has an inherited genetic trait, a BRCA1 mutation, which can trigger breast and ovarian cancer. Her mother is also a breast cancer survivor. Applegate said when she first was diagnosed, "I was just shaking and then also immediately, I had to go into 'take care of business mode'," which included a change to a more healthy diet. Applegate announced in August 2021 that she had received a diagnosis of multiple sclerosis a few months before. The disease heavily affected her ability to perform in the final season of Dead to Me, for whose success she credits her co-star Linda Cardellini and showrunner Liz Feldman's support and openness in making reasonable adjustments to her filming schedule. Applegate said in 2023 that because of her illness she probably would no longer act on camera, but that she would be open to voiceover work, such as a planned animated revival of Married... with Children, in addition to working behind the scenes. Philanthropy Applegate has supported Entertainment Industry Foundation, Adopt-A-Classroom, The Motion Picture and Television Fund Foundation, World Animal Protection, and the Trevor Project. In 2003, she was the spokesman for the Lee National Denim Day, which raises millions of dollars for breast cancer education and research. Following her breast cancer diagnosis, she appeared on a television special, Stand Up to Cancer, designed to raise funds for breast cancer research. The one-hour special was broadcast on CBS, NBC and ABC television networks on September 5, 2008. In 2009, Applegate announced plans to return as the ambassador for Lee National Denim Day. Also in 2009, she founded Right Action for Women, a charitable foundation dedicated to breast-cancer screening for women and focused on the type of MRI scan that saved her life. In February 2015, she was awarded the Saint Vintage Love Cures Award at the 2nd annual unite4:humanity event hosted by Variety magazine for her dedication to and work with Right Action for Women. Filmography Film Television Theatre Music videos Awards and nominations References Further reading Dye, David. Child and Youth Actors: Filmography of Their Entire Careers, 1914–1985. Jefferson, NC: McFarland & Co., 1988, p. 6. ISBN 978-0899502472 External links Christina Applegate at AllMovie Christina Applegate at the Internet Broadway Database Christina Applegate at IMDb Christina Applegate on Twitter
The_Clash
https://en.wikipedia.org/wiki/The_Clash
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[ "https://en.wikipedia.org/wiki/The_Clash" ]
The Clash were an English rock band that formed in London in 1976 and were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they used elements of reggae, dub, funk, ska, and rockabilly, and they contributed to the post-punk and new wave movements that followed punk. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. The Clash achieved critical and commercial success in the United Kingdom with the release of their debut album The Clash (1977) and their second album Give 'Em Enough Rope (1978). Their experimental third album London Calling, which was released in the UK in December 1979, earned them popularity in the United States, where it was released the following month. A decade later, Rolling Stone named London Calling the best album of the 1980s. Following continued musical experimentation on their fourth album Sandinista! (1980), the band achieved further commercial success with the release of Combat Rock (1982), which includes the US top-10 hit "Rock the Casbah", helping the album to achieve a 2× platinum certification there. In 1982, Headon left the band due to internal friction surrounding his increasing heroin addiction, and Jones departed the following year. With a new lineup, the band released their final album Cut the Crap in 1985 before disbanding a few weeks later. In January 2003, shortly after the death of Joe Strummer, the band, including original drummer Terry Chimes, were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked the Clash number 28 on its list of the "100 Greatest Artists of All Time". History Origins: 1974–1976 Before the Clash's founding, the band's future members were active in different parts of the London music scene. Joe Strummer, whose real name was John Graham Mellor, sang and played rhythm guitar in the pub rock band The 101ers, which he had formed in 1974 with Alvaro Pena-Rojas. Mellor later abandoned his original stage name "Woody" Mellor in favour of "Joe Strummer", a reference to his rudimentary strumming skills on the ukulele while he was a busker in the London Underground. Mick Jones played guitar in protopunk band London SS, who rehearsed for much of 1975 but never played a live show and recorded only one demo. London SS were managed by Bernard Rhodes, an associate of impresario Malcolm McLaren and a friend of the members of the Sex Pistols, whom Mclaren managed. Jones and his bandmates became friendly with Sex Pistols members Glen Matlock and Steve Jones, who helped them as they auditioned potential new members. Vocalist Paul Simonon and drummer Terry Chimes auditioned for London SS but were rejected, and Nicky Headon drummed with the band for a week then quit. After London SS broke up in early 1976, Rhodes continued as Jones' manager. In February, Jones saw the Sex Pistols perform for the first time and commented: "You knew straight away that was it, and this was what it was going to be like from now on. It was a new scene, new values—so different from what had happened before. A bit dangerous." In March of that year, at the instigation of Rhodes, Jones contacted Simonon and suggested he learn an instrument so he could join the new band Jones was organising. Soon Jones, Simonon on bass, Keith Levene on guitar and "whoever we could find really to play the drums" were rehearsing. Chimes was asked to audition for the new band and was accepted but quit soon after. The band were still searching for a lead singer. According to Chimes, Billy Watts, who "seemed to be, like, nineteen or eighteen then, as we all were", handled the duties for a time. Rhodes was watching Strummer, with whom he made exploratory contact; both Jones and Levene had seen Strummer perform and were impressed. In April, Strummer saw the Sex Pistols open for one of his band's gigs. Strummer later said: I knew something was up, so I went out in the crowd which was fairly sparse. And I saw the future—with a snotty handkerchief—right in front of me. It was immediately clear. Pub rock was, "Hello, you bunch of drunks, I'm gonna play these boogies and I hope you like them." The Pistols came out that Tuesday evening and their attitude was, "Here's our tunes, and we couldn't give a flying fuck whether you like them or not. In fact, we're gonna play them even if you fucking hate them." On 30 May, Rhodes and Levene approached Strummer after a 101ers gig and invited him to meet up at the band's rehearsal location on Davis Road. After Strummer turned up, Levene played "Keys to Your Heart", one of Strummer's own tunes. Rhodes gave Strummer 48 hours to decide whether to join the new band that would "rival the Pistols". Within 24 hours, he agreed. Simonon later said: "Once we had Joe on board it all started to come together". Strummer introduced the band to his school friend Pablo LaBritain, who sat in on drums during Strummer's first few rehearsals with the band. LaBritain left the band shortly after and joined 999. Terry Chimes, whom Jones later referred to as "one of the best drummers" in their circle, became the band's regular drummer. In Westway to the World, Jones said: "I don't think Terry was officially hired or anything. He had just been playing with us." Chimes did not like Strummer at first, saying: "He was like twenty-two or twenty-three or something that seemed 'old' to me then. And he had these retro clothes and this croaky voice." Simonon thought of the band's name; they had briefly named themselves the Weak Heartdrops and the Psychotic Negatives. According to Simonon: "It really came to my head when I started reading the newspapers and a word that kept recurring was the word 'clash', so I thought 'the Clash, what about that' to the others. And they and Bernard, they went for it." Early gigs and the growing scene: 1976 After rehearsing with Strummer for less than a month, the Clash made their debut performance on 4 July 1976, supporting the Sex Pistols at the Black Swan nightclub in Sheffield. The Clash wanted to appear on stage before their rivals The Damned, another London SS spinoff, made their own scheduled debut two days later. The Clash did not play in front of another audience for five weeks. Levene was becoming disaffected with his position in the group. At the Black Swan, he approached the Sex Pistols' lead singer John Lydon, whose stage name was Johnny Rotten, and suggested they form a band together if the Pistols broke up. Hours after their debut, the Clash, most of the Sex Pistols and much of London's "inner circle" of punks attended a performance by New York City's leading punk rock band the Ramones at Dingwalls; according to Strummer: "It can't be stressed how great the first Ramones album was to the scene ... It was the first word of Punk, a fantastic record". Afterwards "came the first example of the rivalry-induced squabbling that was to dog the punk scene and undermine any attempts to promote a spirit of unity among the bands involved". Simonon fought with J.J. Burnel, the bass player of The Stranglers, a slightly older band who were publicly identified with the punk scene but were not part of the "inner circle", which centered on the Sex Pistols. Rhodes insisted the Clash should not perform live again until they were much tighter so they intensely rehearsed the following month. According to Strummer, the band devoted themselves to creating a distinct identity, saying:The day I joined The Clash was very much back to square one, year zero. Part of Punk was that you had to shed all of what you knew before. We were almost Stalinist in the way that you had to shed all your friends, or everything that you'd known, or every way that you'd played before. Strummer and Jones shared most of the writing duties; according to Jones: "Joe would give me the words and I would make a song out of them". The band sometimes met in the office over their Camden Town rehearsal studio. According to Strummer: "Bernie [Rhodes] would say, 'An issue, an issue. Don't write about love, write about what's affecting you, what's important." Jones's later said: "Bernie had a hand in everything. Not the lyrics—he didn't help with the lyrics. He didn't tell us not to write love songs, as the myth goes—that's kind of simplified version of it. He told us to write what we knew about" Strummer performed lead vocals on the majority of songs but he and Jones sometimes shared the lead. Once the band began recording, Jones rarely had a solo lead on more than one song per album, though he was responsible for two of the group's biggest hits. On 13 August 1976, the Clash, wearing paint-spattered "Jackson Pollock" outfits, played in their Camden studio before a small, invitation-only audience, which included Sounds magazine critic Giovanni Dadamo, whose review described the band as a "runaway train ... so powerful, they're the first new group to come along who can really scare the Sex Pistols shitless". On 29 August, the Clash and Manchester's Buzzcocks opened for the Sex Pistols at The Screen on the Green; it was the Clash's first public performance since 4 July. The triple-bill show is seen as pivotal to the consolidation of the British punk scene into a movement; New Musical Express reviewer Charles Shaar Murray wrote: "The Clash are the sort of garage band that should be speedily returned to the garage, preferably with the motor still running". Strummer later credited Murray's comments with inspiring the Clash's song "Garageland". In early September, Levene was fired from the Clash. According to Strummer, Levene's dwindling interest in the band was due to his use of speed, a point Levene denied. On 21 September 1976, the Clash performed publicly for the first time without Levene at the 100 Club Punk Special, sharing the bill with the Sex Pistols, Siouxsie and the Banshees and Subway Sect. Chimes left in late November; he was briefly replaced by Rob Harper as the Clash toured in support of the Sex Pistols during December's Anarchy Tour. The Clash promoted a left-wing message in their songs and interviews, and sang about social problems, such as career opportunities, unemployment, and the need for a backlash against racism and oppression. Joe Strummer said in 1976: "We're anti-fascist, we're anti-violence, we're anti-racist and we're pro-creative". Strummer also said: "I don't believe in all that anarchy bollocks!" According to the Clash guitarist Mick Jones: "The important thing is to encourage people to do things for themselves, think for themselves and stand up for what their rights are". A confrontation between Black youth and police at the 1976 Notting Hill Carnival was important in the development of the Clash's political stance and inspired Joe Strummer to write "White Riot". Images of the riots were used as The Clash's stage backdrop and as the back cover of their first album, and was reprinted on badges and Clash t-shirts. Punk breakthrough and UK fame: 1977–1979 By January 1977, punk had become a major media phenomenon in the UK; according to New Musical Express (NME): "1977 is the year of The Clash". On 25 January, the band signed to CBS Records for £100,000, a remarkable amount for a band who had played about thirty gigs and very few headlining shows. Clash historian Marcus Gray said: "the band members found themselves having to justify [the deal] to both the music press and to fans who picked up on the critics' muttered asides about the Clash having 'sold out' to the establishment". Mark Perry, founder of the leading London punk periodical Sniffin' Glue wrote: "Punk died the day the Clash signed to CBS", but recanted when he first heard the single "White Riot", saying: "They're the most important group in the world at the moment. I believe in them completely. All I said about them is crap." According to one of the band's associates the deal "was later used as a classic example of the kind of contract that no group should ever sign—the group had to pay for their own tours, recordings, remixes, artwork, expenses ..." According to Strummer in March 1977: Signing that contract did bother me a lot. I've been turning it over in my mind, but now I've come to terms with it. I've realised that all it boils down to is perhaps two-year's security ... Before, all I could think about was my stomach ... Now I feel free to think—and free to write down what I'm thinking about ... And look—I've been fucked about for so long I'm not going to suddenly turn into Rod Stewart just because I get £25.00 a week. I'm much too far gone for that, I tell you. Mickey Foote, who worked as a technician at the band's concerts, was hired to produce their debut album, and Terry Chimes was drafted back for the recording. The band's first single "White Riot" was released in March and peaked at number 34 in the UK Singles Chart. The album The Clash was released the following month and peaked at number 12 on the UK Albums Chart; with lyrics criticising the ruling establishment, bosses and the police and addressing themes such as alienation and boredom. The Clash presaged the band's future works with their cover of the reggae song "Police and Thieves". The band had been influenced by the subject matter, slogans and lyrics of reggae, which they often played in rehearsals but recording "Police and Thieves" was an important step that was only taken after a lot of discussion within the group. According to music journalist and former punk musician John Robb: "Amidst the Sex Pistols' inertia in the first half of 1977, the Clash found themselves as the flag-wavers of the punk rock consciousness". Though The Clash quickly rose to number 12 in the UK, CBS refused to give it a US release, believing that its raw, barely produced sound would make it unmarketable there. A North American version of the album with a modified track listing released in the US in 1979, after the UK release, became the US's best-selling import album of the year. Chimes, whose career aspirations owed little to the punk ethos, left the band again soon after the recording sessions. He later said: "The point was I wanted one kind of life and they wanted another and, like, why are we working together, if we want completely different things?" As a result, only Simonon, Jones and Strummer are featured on the album's cover, and Chimes was credited as "Tory Crimes". Strummer later said: "We must have tried every drummer that then had a kit. I mean every drummer in London. I think we counted 205. And that's why we were lost until we found Topper Headon." Simonon nicknamed Headon, who had briefly played with Jones's band London SS, "Topper" because he felt Headon resembled Mickey the Monkey, a character in the comic Topper. Headon could also play piano, bass and guitar. The day after he signed to the band, Headon said: "I really wanted to join the Clash. I want to give them even more energy than they've got—if that's possible"; in an interview over twenty years later, he said his original plan was to stay briefly, gain a name for himself, and then move on to a better gig. Strummer later said: "Finding someone who not only had the chops, but the strength and the stamina to do it was just the breakthrough for us". In May, The Clash set out on the White Riot Tour, headlining a punk package that included Buzzcocks, The Jam, Subway Sect, The Slits and The Prefects. The day after a Newcastle gig, Strummer and Headon were arrested for stealing pillowcases from their hotel room. The highlight of the tour was the Rainbow Theatre in London on 9 May; it was the first time The Clash had played a major music venue. The audience began ripping up seats and the gig turned into a riot. The Sun reported the violence with the front-page headline "Punk Wreck".New Musical Express, while expressing serious concerns over the violence, said: "The Clash are probably the best band in the country right now". Strummer commented: "That was the night punk broke ... we were in the right place doing the right thing at the right time". That same month, CBS released "Remote Control" as The Clash's second single, defying the wishes of the band, who saw it as one of the album's weakest tracks. Headon's first recording with the band was the single "Complete Control", which addresses the band's anger at their record label's behaviour. It was co-produced by reggae artist Lee "Scratch" Perry, though Foote was summoned to "ground things". The single was released in September 1977 and NME commented that CBS had allowed the group to "bait their masters". The single peaked at number 28 on the UK chart and has been cited as one of punk's greatest singles. In October 1977, the Clash set out on the "Out of Control" UK tour. The tour was due to open at the Ulster Hall, Belfast but the insurance was pulled and the gig was cancelled at the last moment. This led to punks blocking the road outside the venue and a confrontation between the punks and the police, which became known as the "Battle of Bedford Street". In February 1978, the Clash released the single "Clash City Rockers"; and played the song live, along with "Tommy Gun", on BBC television's youth show Something Else. On 30 April, the Clash played at Rock Against Racism in Victoria Park, London. Late 1970s England had seen an increase in racist attacks and a growth in support for the far-right political party The National Front. Also on the bill were X-Ray Spex, Steel Pulse, Misty in Roots, and headliners Tom Robinson Band; they played to 100,000 people, who marched through London and attended the RAR Carnival. In June, the band released "(White Man) In Hammersmith Palais" as a single, which peaked at number 32 in the UK Singles chart; it quickly became a favourite with Clash fans and was voted single of the year in the 1978 NME Readers' Poll. Before the Clash began recording their second album, CBS requested they adopt a cleaner sound than its predecessor to reach American audiences. Sandy Pearlman, who is known for his work with Blue Öyster Cult, was hired to produce the record. Simonon later said: "[R]ecording that album was just the most boring situation ever. It was just so nitpicking, such a contrast to the first album ... it ruined any spontaneity." Strummer said: "it wasn't our easiest session". The band dismissed their manager Bernie Rhodes and hired journalist Caroline Coon to replace him. The album Give 'Em Enough Rope was released in early November 1978, and received mixed reviews in the UK music press, where some reviewers complained about its relatively mainstream production style. The album reached number 2 in the UK album chart. NME readers voted Give 'Em Enough Rope the second-best album of 1978 and the Clash were voted the best group in the same end-of-year poll. In the US, the album peaked at number 128 on the Billboard chart. "Tommy Gun", the album's first UK single, peaked at number 19, the highest chart position for a Clash single to date. To accompany the single, the band produced their first official music video, in which Joe Strummer wears an H Block T-shirt in support of the campaign for political status for Irish Republican prisoners. The band embarked on a North American tour, culminating in a performance at the Palladium in New York City. "English Civil War", which warned against the rise of the far-right in the UK, was released as the album's second single in February 1979, reaching number 25 in the UK Singles Chart. The B-side is a cover of the Toots and the Maytals' song "Pressure Drop", once again illustrating the group's reggae influences. In support of the album, the Clash toured the UK supported by the Slits and the Innocents. The tour, which consisted of more than thirty shows, was promoted as the Sort It Out Tour. The band later undertook their first, largely successful tour of North America in February 1979. In June 1979, the band released the Extended Play (EP) The Cost of Living, which includes a cover of Bobby Fuller's song "I Fought the Law", two original songs and a re-recording of "Capital Radio". The EP reached 22 in the UK charts and the band dismissed Coon as their manager. They then embarked on a second tour of the US, adding Mick Gallagher on keyboards. Changing style and US breakthrough: 1979–1982 In August and September 1979, The Clash recorded the double album London Calling, which Guy Stevens, a former A&R executive who had worked with Mott the Hoople and Traffic, produced. The double album was a mix of punk rock, reggae, ska, rockabilly and traditional rock and roll. It is regarded as one of the greatest rock albums ever recorded. In the US, the single "Train in Vain" became their first top-40 hit, peaking at number 23 on the Billboard chart. In the UK, the title track was released as a single and peaked at number 11—the highest position any Clash single reached in the UK before the band's break-up. London Calling was released in December 1979; it peaked at number 9 on the British album chart and at number 27 in the United States, where it was issued in January 1980. The album's cover photograph by Pennie Smith became one of the most-recognisable images and Q magazine later cited it as the "best rock 'n roll photograph of all time". During this period, The Clash began to be regularly billed as "The Only Band That Matters". Musician Gary Lucas, who was employed by CBS Records' creative services department, has said he coined the tagline. Fans and journalists soon widely adopted the epithet. At the end of 1979, the band members attended a private screening of a new film called Rude Boy, which is part fiction and tells the story of a Clash fan who leaves his job in a Soho sex shop to become a roadie for the group. The movie, which was named after the rude boy subculture, includes footage of the band on tour, at a London Rock Against Racism concert, and in the studio recording Give 'Em Enough Rope. The band were disenchanted with the film so they had Better Badges make badges that said: "I don't want RUDE BOY Clash Film". On 27 February 1980, the film premiered at the 30th Berlin International Film Festival, where it won an honourable mention. The Clash had planned to record and release a single every month in 1980. CBS dismissed this idea and the band released only one single—an original reggae song called "Bankrobber", in August. It featured Mikey Dread and reached number 12 in the UK Singles Chart. In October, the band's US record company released a B-side compilation EP called Black Market Clash, which was later re-released in expanded form as a full-length album. In December 1980, The Clash released the 36-song triple album Sandinista!, which again reflected a broad range of musical styles. It was produced by the band members with further participation of Mikey Dread. Sandinista! proved to be controversial, both politically and musically. Critical opinions were divided; Trouser Press writer Ira Robbins described half of the album as "great" and the other half as "nonsense" and worse, while New Rolling Stone Record Guide critic Dave Marsh said: "Sandinista! is nonsensically cluttered. Or rather seems nonsensically cluttered. One of the Clash's principal concerns ... is to avoid being stereotyped." The album sold reasonably well in the US, where it charted at number 24. In the UK, the album peaked at number 19 and the single "The Call Up" charted at number 40. In January 1980, Rhodes was reinstated as the band's manager and the single "Hitsville UK" reached number 54 in the UK Singles Chart while "The Magnificent Seven" charted at number 34, and the band spent most of the year touring. In December 1981, the Clash released "This Is Radio Clash" as a single; it charted at number 47 in the UK Singles Chart. In September 1981, the band began work on their fifth album Combat Rock, which Glyn Johns produced and was released in May 1982. In the UK, the first single "Know Your Rights" reached number 43. The lead single in the US was "Should I Stay or Should I Go", which was released in June 1982 and received significant airplay on Album-oriented rock (AOR) stations. The follow-up single "Rock the Casbah" was composed by Headon, who performed the percussion, piano and bass on the track. It became the band's biggest US hit, charting at number eight while the album reached number two in the UK and number seven in the US. Disintegration and break up: 1982–1986 After the release of Combat Rock, the Clash began to disintegrate. In May 1982, Headon was asked to leave the band because his addiction caused reliability problems. Chimes was brought back to drum for the next few months. The band opened for The Who on a leg of their final US tour that included a show at New York's Shea Stadium. Chimes left the band after the Combat Rock Tour and was replaced with Pete Howard in May 1983. The Clash co-headlined the US Festival in San Bernardino, California, on 28 May in front of a crowd of 140,000. After the show, members of the band brawled with security staff. The festival was Jones' last appearance with the band; Strummer and Simonon dismissed him in September that year. Nick Sheppard, formerly of the Bristol-based band The Cortinas, and Vince White were recruited as the Clash's new guitarists. The band's new lineup played their first shows in January 1984 with a batch of new material and embarked on the self-financed Out of Control Tour, travelling widely over the winter and into early summer. The band also headlined a benefit show for striking miners. In November 1985, they released the album Cut the Crap; it includes the single "This Is England", which charted at number 24 in the UK Singles Chart. Strummer later noted: "CBS had paid an advance for it so they had to put it out". Dave Marsh later listed "This Is England" as one of the top 1001 rock singles of all time. The album peaked at number 16 in the UK Albums Chart and at number 88 in the US. Strummer largely disowned the album but later said: "I really like 'This Is England' and [album track] 'North and South' is a vibe". In January 1986, it was announced that the Clash had disbanded. Strummer later said: "When the Clash collapsed, we were tired. There had been a lot of intense activity in five years. Secondly, I felt we'd run out of idea gasoline. And thirdly, I wanted to shut up and let someone else have a go at it." Collaborations, reunions and Strummer's death: 1986–present After his dismissal, Jones formed Big Audio Dynamite (B.A.D.), who released their debut album This Is Big Audio Dynamite late in 1985. Jones and Strummer worked together on their respective 1986 projects; Jones helped with the two songs Strummer wrote and performed for the soundtrack to the film Sid and Nancy (1986), and Strummer co-wrote a number of the tracks for the second B.A.D. album No. 10, Upping St., which he also co-produced. With Jones committed to B.A.D., Strummer moved on to solo projects and screen acting. Simonon formed a band called Havana 3am. Headon recorded a solo album Waking Up but was imprisoned in 1987 for drug-related offences. In 1988, the compilation album The Story of the Clash, Volume 1 was released and the single "I Fought The Law" was reissued and reached number 29 in the UK Singles Chart. On 2 March 1991, a reissue of "Should I Stay or Should I Go" gave the Clash their first and only number-one UK single. The same year, "Rock the Casbah" featured on a broadcast of Armed Forces Radio during the Gulf War. In 1999, Strummer, Jones and Simonon cooperated in compiling the live album From Here to Eternity and the video documentary Westway to the World. On 7 November 2002, the Rock and Roll Hall of Fame announced the Clash would be inducted the following March. On 15 November, Jones and Strummer shared the stage, performing three Clash songs during a London benefit show by Joe Strummer and the Mescaleros. Strummer, Jones and Headon wanted to play a reunion show to coincide with their induction into the Hall of Fame; Simonon did not want to participate because he believed playing at the high-priced event would not have been in the spirit of the Clash. On 22 December 2002, Strummer died from a congenital heart defect, ending any possibility of a full reunion. In March 2003, Strummer, Jones, Simonon, Chimes and Headon were inducted into the Hall of Fame. In early 2008, Carbon/Silicon, a new band founded by Mick Jones and his former London SS bandmate Tony James, entered into a six-week residency at London's Inn on the Green. On opening night, 11 January, Headon joined the band for the Clash's song "Train in Vain". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This was the first time since 1982 that Headon and Jones had performed together on stage. In September 2009, Jones and Headon reunited to re-record the 1970s Clash B-side "Jail Guitar Doors" with Billy Bragg, who founded an eponymous charity that gives musical instruments and lessons to prison inmates. Simonon and Jones are featured on the title track of the Gorillaz album Plastic Beach (2010), marking the first time they had worked together in over twenty years. They later joined Gorillaz on their Escape to Plastic Beach Tour for the remainder of 2010. In July 2012, Strummer's daughters Jazz and Lola gave a rare interview to discuss the tenth anniversary of Strummer's death, his legacy and the possibility of a Clash reunion had their father lived. Jazz said: There was talk about the Clash reforming before he died. But there had been talk for years and years about them reforming. They had been offered stupid amounts of money to do it, but they were very good at keeping the moral high ground and saying no. But I think if Dad hadn't died, it would have happened. It felt like it was in the air. In the UK on 9 September 2013, and a day later in the US, the Clash released a 12-disc box set called Sound System, which includes their re-mastered studio albums on eight discs and three discs featuring demos, non-album singles, rarities and B-sides; a DVD with previously unseen footage by Don Letts and Julien Temple and other film footage; and merchandising ephemera, including an exclusive the Clash poster. Mick Jones and Paul Simonon oversaw the project, including the re-masters. The box set was accompanied by 5 Album Studio Set, which contains the first five studio albums (excluding Cut the Crap), and The Clash Hits Back, a 33-track, two-CD best-of collection. In a 3 September 2013 interview with Rolling Stone, Mick Jones discussed the band reuniting, saying it likely would not have occurred. Jones said: There were a few moments at the time I was up for it (Hall of Fame reunion in 2003), Joe was up for it. Paul wasn't. And neither, probably, was Topper, who didn't wind up even coming in the end. It didn't look like a performance was going to happen anyway. I mean, you usually play at that ceremony when you get in. Joe had passed by that point, so we didn't. We were never in agreement. It was never at a point where all of us wanted to do it at the same time. Most importantly for us, we became friends again after the group broke up, and continued that way for the rest of the time. That was more important to us than the band. Jones also stated the Sound System box set was the last time he would be involved in the band's releases: "I'm not even thinking about any more Clash releases. This is it for me, and I say that with an exclamation mark". On 6 September 2013, Mick Jones, Paul Simonon and Topper Headon reunited for an exclusive BBC Radio 6 Music show to promote their legacy and the release of Sound System. In an October 2013 interview with BBC 6 Music, Jones said Strummer did have intentions of a Clash reunion and that new music was being written for a possible album. In the months before Strummer's death, Jones and Strummer began working on new music for what he thought would be the next Mescaleros album. Jones said: We wrote a batch – we didn't used to write one, we used to write a batch at a time – like gumbo. The idea was he was going to go into the studio with the Mescaleros during the day and then send them all home. I'd come in all night and we'd all work all night. According to Jones, months after their work together, he ran into Strummer at an event; Strummer informed him the songs were going to be used for the next Clash album. On 6 April 2022, the Clash announced the re-release of Combat Rock, including demos with Ranking Roger's vocals, titled 'Combat Rock / The People's Hall'. "Rock the Casbah (Ranking Roger)" and "Red Angel Dragnet (Ranking Roger)" were released as supporting singles. The re-release occurred on 20 May 2022 to mixed reviews. On 11 November 2022, a month before the 20th anniversary of Strummer's death, founding member Keith Levene died in Norfolk, England. Politics The Clash's music often expresses left-wing ideological sentiments. Strummer was a committed socialist. The Clash are credited with pioneering the advocacy of radical politics in punk rock; NME dubbed them "Thinking Man's Yobs". Like many early punk bands, the Clash protested against monarchy and aristocracy but unlike many of their peers, they rejected nihilism. Instead, they found solidarity with a number of liberation movements and were involved with groups such as the Anti-Nazi League. At their performance on 30 April 1978 at the Rock Against Racism concert in London's Victoria Park for a crowd of between 50,000 and 100,000 people, Strummer wore a T-shirt identifying two far-left armed militant groups: Italy's Red Brigades (Brigate Rosse, misspelt as Brigade Rosse on the T-shirt) and West Germany's Red Army Faction. According to rock historian Mikal Gilmore: The moment that best exemplifies the Clash ... took place in August 1977, at a music festival in Liege, Belgium. The band was playing before 20,000 people and had been under fire from a crowd that was throwing bottles at the stage. But that wasn't what bothered lead singer Joe Strummer. What enraged him was a 10-foot-high barbed-wire fence strung between concrete posts and forming a barrier between the group and the audience ... [He] jumped from the stage and attacked the fence, trying to pull it down ... The Clash were the only performers at the show who tried to do anything about the obstacle. They were more willing to run the risk of the crowd than to tolerate barbed wire that was meant to fend off that crowd. This is more or less what the Clash were about: fighting the good fight that few others would fight. The band made their politics explicit in the lyrics of early recordings including "White Riot", which encourages disaffected white youths to riot like their black counterparts; "Career Opportunities", which addressed the alienation of low-paid, routine jobs and discontent over the lack of alternatives; and "London's Burning" is about the bleakness and boredom of life in the inner city. Artist Caroline Coon, who was associated with the punk scene, said: "[t]hose tough, militaristic songs were what we needed as we went into Thatcherism". The title of Sandinista! refers to the Sandinista National Liberation Front, a group of left-wing rebels who had recently overthrown Nicaraguan President Anastasio Somoza Debayle; the album includes songs that were inspired by other political issues; "Washington Bullets" addresses covert military operations around the globe and "The Call-Up" is a meditation on US draft policies. scholars Simon Reynolds and Joy Press described Combat Rock's track "Straight to Hell" as an "around-the-world-at-war-in-five-verses guided tour of hell-zones where boy-soldiers had languished". The band's political sentiments are reflected in their resistance to the music industry's profit motivations; even at their peak, tickets to shows and souvenirs were reasonably priced. The group insisted CBS sell their double and triple albums London Calling and Sandinista! for the price of a single album (then £5), succeeding with the former and compromising with the latter by agreeing to sell it for £5.99 and forfeit their performance royalties on the first 200,000 sales. These "value for money" (VFM) principles meant they were constantly in debt to CBS and only started to break even around 1982. Musical style, legacy and influence The Clash are mainly described as a punk rock band. According to Stephen Thomas Erlewine of AllMusic: "Sex Pistols may have been the first British punk rock band, but the Clash were the definitive British punk rockers". Later in their career, The Clash used elements of a variety of musical genres, including reggae, rockabilly, dub and R&B. With their double album London Calling, the band expanded the breadth of their musical styles. The band's music has been described as experimental rock and new wave. Since their beginning, the band covered reggae songs and wrote their own, and incorporated lovers' rock into London Calling. In 2004, Rolling Stone ranked the Clash number 28 on its list of the 100 Greatest Artists of All Time, and in 2010, the band was ranked 22nd on VH1's 100 Greatest Artists of All Time. According to The Times, the Clash's debut, alongside Never Mind the Bollocks, Here's the Sex Pistols, is "punk's definitive statement" and London Calling "remains one of the most influential rock albums". London Calling was ranked eighth In Rolling Stone's 2003 list of the 500 greatest albums of all time, which is the highest entry by a punk band; in the same list, The Clash was ranked 77th and Sandinista! was ranked 404th. In the magazine's 2004 list of the 500 Greatest Songs of All Time, "London Calling" was ranked number 15, again the highest entry for any song by a punk band. Four other Clash songs made the list: "Should I Stay Or Should I Go" (228), "Train in Vain" (292), "Complete Control" (361), and "(White Man) in Hammersmith Palais" (430). "London Calling" ranked number 48 in the magazine's 2008 list of the 100 Greatest Guitar Songs of All Time. In 2010, the cover art of London Calling was one of ten albums by British music acts whose albums were commemorated on a UK postage stamp issued by Royal Mail. Jake Burns of Stiff Little Fingers, the first major punk band from Northern Ireland, said of their debut album's impact: [T]he big watershed was the Clash album—that was go out, cut your hair, stop mucking about time, y'know. Up to that point we'd still been singing about bowling down California highways. I mean, it meant nothing to me. Although the Damned and the Pistols were great, they were only exciting musically; lyrically, I couldn't really make out a lot of it ... [T]o realise that [The Clash] were actually singing about their own lives in West London was like a bolt out of the blue. The Clash inspired many musicians who were only loosely associated, if at all, with punk. The band's embrace of ska and reggae, and England's Jamaican subculture helped provide impetus for the 2 Tone movement that emerged after the punk explosion. Other musicians who began performing while the Clash were active and acknowledged their debt to the band include Billy Bragg and Aztec Camera. U2's The Edge has compared the Clash's inspirational effect to that of Ramones, both of which gave young rock musicians a "sense that the door of possibility had swung open". He wrote: "The Clash, more than any other group, kick-started a thousand garage bands across Ireland and the UK ... [S]eeing them perform was a life-changing experience". Bono described the Clash as "the greatest rock band. They wrote the rule book for U2." While Sex Pistols' debut gig at Manchester's Lesser Free Trade Hall has been acknowledged as the starting point of that city's punk scene, the Clash's first performance at Eric's, where they were supported by The Specials, had a similar effect in Liverpool. The gig was witnessed by Jayne Casey, Julian Cope, Pete Wylie, Pete Burns, Bill Drummond, Holly Johnson, Will Sergeant, Budgie and Ian McCulloch. Jon Langford of The Mekons said: You can't overestimate how important The Clash were back in 1977. We loved the Pistols' self-aware nihilism, but we didn't want to be the Pistols, and if The Clash were cartoon-heroic and occasionally a bit silly we still loved them and recognised the risks they were taking. The Clash's influence can be heard in the works of American political punk bands such as The Offspring, Rancid, Anti-Flag, Bad Religion, NOFX, Green Day, and Rise Against, and in the political hard rock of early Manic Street Preachers. California band Rancid are known as "incurable Clash zealots". The title track of Rancid's album Indestructible says: "I'll keep listening to that great Joe Strummer!" Outside rock music, Chuck D has credited The Clash as an inspiration for Public Enemy, in particular for their use of socially and politically conscious lyrics, which gained them attention from the music press: "They talked about important subjects, so therefore journalists printed what they said, which was very pointed ... We took that from the Clash, because we were very similar in that regard. Public Enemy just did it 10 years later". In 2019, Chuck D narrated Stay Free: The Story of The Clash, an eight-part podcast series produced by Spotify and BBC Studios. According to biographer Antonio Ambrosio, the Clash's involvement with Jamaican musical and production styles inspired similar cross-cultural efforts by bands such as Bad Brains, Massive Attack, 311, Sublime and No Doubt. Jakob Dylan of The Wallflowers lists London Calling as the record that "changed his life". Bands identified with the garage rock revival of the late 1990s and 2000s such as Sweden's The Hives, Australia's The Vines, Britain's The Libertines, and America's The White Stripes and the Strokes, show the Clash's influence. Among the many late-20th-century British acts identified as having been inspired by the Clash are Babyshambles, The Futureheads, The Charlatans and Arctic Monkeys. Use in film and television The band's 1982 hit "Should I Stay or Should I Go" appears in multiple episodes of the 2016 Netflix science-fiction drama series Stranger Things, which is set in 1983. London Town, a film that tells the story of a Clash-obsessed teenager who in 1979 meets Joe Strummer by chance and finds his life changing as a result, was released in 2016. Notable covers of The Clash songs Before M.I.A. had an international hit in 2008 with "Paper Planes", which is built around a sample from "Straight to Hell", she referenced "London Calling" on 2003's "Galang". A cover of "The Guns of Brixton" by German punk band Die Toten Hosen was released as a single in 2006. A version by reggae singer Jimmy Cliff with Tim Armstrong from Rancid was scheduled for release in November 2011. American-Irish punk band Dropkick Murphys released a cover of "The Guns of Brixton" on Anti Heroes vs Dropkick Murphys (1997). In June 2009, Bruce Springsteen & the E Street Band opened their concert in Hyde Park, London, with "London Calling". The concert was later released on DVD as London Calling: Live in Hyde Park. Bruce Springsteen, Little Steven, Dave Grohl and Elvis Costello performed the same song at the 2003 Grammys as a tribute to Joe Strummer, who died the year before. In 2009, Springsteen & the E Street Band covered Strummer's song "Coma Girl" and in 2014, along with Tom Morello, they opened some of their shows on the High Hopes Tour with "Clampdown". The band has also had a notable impact on music in the Spanish-speaking world. In 1997, a Clash tribute album featuring performances by Buenos Aires punk bands was released. Many rock en español bands such as Todos Tus Muertos, Café Tacuba, Maldita Vecindad, Los Prisioneros, Tijuana No, and Attaque 77, are indebted to the Clash. Argentina's Los Fabulosos Cadillacs covered "Should I Stay or Should I Go", London Calling's "Revolution Rock" and "The Guns of Brixton", and invited Mick Jones to sing on their song "Mal Bicho". The Clash's influence is similarly reflected in Paris-founded band Mano Negra's politicised lyrics and fusion of musical styles. In March 2022, following Russia's invasion of Ukraine, surviving members of the Clash gave permission to Ukrainian punk band Beton to rewrite the lyrics of London Calling. The song was mixed in Los Angeles by music producer Danny Saber and proceeds from its sales were designated to help fund war efforts. Band members Classic lineup (1977–1982) Joe Strummer – lead and backing vocals, rhythm guitar (1976–1986; died 2002) Mick Jones – lead guitar, lead and backing vocals (1976–1983) Paul Simonon – bass guitar, backing and lead vocals (1976–1986) Nicky "Topper" Headon – drums, percussion (1977–1982) Discography The Clash (1977) Give 'Em Enough Rope (1978) London Calling (1979) Sandinista! (1980) Combat Rock (1982) Cut the Crap (1985) See also Album era The Clash on film John Richards, KEXP radio personality, created International Clash Day on 7 February 2013. Footnotes References Sources Further reading External links The Clash Website "The Clash". Rock and Roll Hall of Fame. The Clash at AllMusic The Clash discography at Discogs The Clash's channel on YouTube Legacy Recordings Official Site Documentary of The Clash on YouTube by Google Play The Clash: London Calling exhibit
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The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time. Songs on the album were composed by guitarists Joe Strummer and Mick Jones, with the notable exception of the reggae cover "Police and Thieves". The song "What's My Name" is co-credited to Clash founding member Keith Levene, who left the band in September 1976. Several songs from the album's recording sessions, including "Janie Jones", "White Riot", and "London's Burning" became classics of the punk genre and were among the first punk songs to see significant presence on singles charts. The Clash featured Jones and Strummer sharing guitar and vocal duties, with Paul Simonon on bass and Terry Chimes on drums, his only studio appearance with the band (Chimes and Rob Harper drummed intermittently with The Clash until Topper Headon joined the band as permanent drummer in May 1977). Chimes was credited as "Tory Crimes" on the album's original sleeve. The Clash was not released in the US until 1979, making it the band's second US release. The US version also included a significantly different track listing, changing the track order and swapping out several songs for non-album tracks recorded in the interim. Background Most of the album was conceived on the 18th floor of a council high rise on London's Harrow Road, in a flat that was rented by Mick Jones's grandmother, who frequently went to see their live concerts. The album was recorded over three weekend sessions at CBS Studio 3 in February 1977. By the third of these sessions, the album was recorded and mixed to completion, with the tapes being delivered to CBS at the start of March. It cost £4,000 to produce. Album cover The cover artwork was designed by Polish artist Rosław Szaybo. The album's front cover photo, shot by Kate Simon, was taken in the alleyway directly opposite the front door of the band's 'Rehearsal Rehearsals' building in Camden Market. Drummer Terry Chimes, though a full member of the Clash at the time, did not appear in the picture as he had already decided to leave the group. Another picture from the same Kate Simon photoshoot appears on the UK Special Edition DVD of Rude Boy, released in 2003. The picture of the charging police officers on the rear, shot by Rocco Macauly, was taken during the 1976 riot at the Notting Hill Carnival—the inspiration for the track "White Riot". Songs The subject of the opening track, "Janie Jones", was a famous brothel keeper in London during the 1970s. "Remote Control" was written by Mick Jones after the Anarchy Tour and contains pointed observations about the civic hall bureaucrats who had cancelled concerts, the police, big business and especially record companies. CBS decided to release the song as a single without consulting the band. "I'm So Bored with the USA", developed from a Mick Jones song titled "I'm So Bored with You", condemns the Americanization of the UK. "White Riot" was the Clash's debut single. The song is short and intense, in a punk style of two chords played very fast (five chords are used in the whole song). Lyrically, it is about class economics and race. "Career Opportunities", the opening track of the second side of the album, attacks the political and economic situation in England at the time, citing the lack of jobs available, and the dreariness and lack of appeal of those that were available. "Protex Blue", sung by Mick Jones, is about a 1970s brand of condom. It was inspired by the contraceptive vending machine in the Windsor Castle's toilets. The song ends with the shouted phrase "Johnny Johnny!", johnny being a British slang term for a condom. The version of "White Riot" featured on the album was not recorded for the album; the original demo (recorded at Beaconsfield Studios before the band signed to CBS) was used instead. "Police & Thieves" was added to the album when the group realised that the track listing was too short. Another cover the band played at these sessions was The Wailers' "Dancing Shoes". "Garageland" was written in response to Charles Shaar Murray's damning review of the Clash's early appearance at the Sex Pistols Screen on the Green concert – "The Clash are the kind of garage band who should be returned to the garage immediately, preferably with the engine running". It was the final track recorded for the album. Release The Clash was released in the United Kingdom through CBS Records on 8 April 1977, engineered by CBS staff engineer Simon Humphrey and produced by Clash live soundman Mickey Foote, at the (since demolished) CBS Whitfield Street Studio No. 3. The Clash was unusually musically varied for a punk band, with reggae and early rock and roll influences plainly evident. Reception The Clash received critical acclaim and peaked at number 12 in the UK charts. When the album was released in April 1977, Tony Parsons wrote in the New Musical Express: “Jones and Strummer write with graphic perception about contemporary Great British urban reality as though it’s suffocating them … Their songs don’t lie … The Clash have made an album that consists of some of the most exciting rock’n’roll in contemporary music.” Mark Perry declared in Sniffin’ Glue: “The Clash album is like a mirror. It reflects all the shit. It shows us the truth. To me, it is the most important album ever released.” The review by Kris Needs in April 1977's Zigzag announced: “This is the most exciting album I’ve heard in years … it’s one of the most important records ever made.” In his 1979 consumer guide for The Village Voice, critic Robert Christgau gave the album's US release an "A" grade and stated, "Cut for cut, this may be the greatest rock and roll album (plus limited-edition bonus single) ever manufactured in the U.S. It offers 10 of the 14 titles on the band's British debut as well as 7 of the 13 available only on 45. [...] The U.K. version of The Clash is the greatest rock and roll album ever manufactured anywhere". In his decade-end list for the newspaper, he ranked the UK version as the best album of the 1970s. In 1993, the New Musical Express ranked the album number 13 on its list of the greatest albums of all time. NME also ranked The Clash number three on its list of the Greatest Albums of the '70s, and wrote in the review that "the speed-freaked brain of punk set to the tinniest, most frantic guitars ever trapped on vinyl. Lives were changed beyond recognition by it". In 1999, Q magazine wrote that the Clash "would never sound so punk as they did on 1977's self-titled debut", calling it a "lyrically intricate" album that "still howled with anger". In 2000, Alternative Press described The Clash as "the eternal punk album" and "a blueprint for the pantomime of 'punkier' rock acts", concluding that "for all of its forced politics and angst, The Clash continues to sound crucial." The Clash was voted number 180 in Colin Larkin's All Time Top 1000 Albums (2000). Q placed The Clash at number 48 on its list of the "100 Greatest British Albums Ever" in 2000, and included the album in its "100 Best Punk Albums of All Time" list in 2002. Spin ranked the album at number three on its 2001 list of the "50 Most Essential Punk Records", calling it "punk as alienated rage, as anticorporate blather, as joyous racial confusion, as evangelic outreach and white knuckles and haywire impulses". In 2003, Mojo ranked The Clash at second place on its list of the "Top 50 Punk Albums", deeming it "the ultimate punk protest album". The same year, the US version was ranked number 77 on Rolling Stone's list of the 500 greatest albums of all time. The album was re-ranked at number 81 in 2012, and at number 102 in the 2020 update. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. Noted Jamaican producer Lee Perry heard the album while in London in 1977, and played it to Bob Marley, who in turn mentioned the Clash on his own track "Punky Reggae Party". Track listing All lead vocals by Joe Strummer, except where noted. 1979 US version In the United States, the Clash's debut studio album was released one year after Give 'Em Enough Rope, making it their second release in the US. CBS in America had decided that the album was 'not radio friendly', so it was initially only available in the States during 1977–1978 as an import, and as such became the best-selling import of the year, selling over 100,000 copies. In July 1979, Epic released a modified version of the album for the United States market. This version replaced four songs from the original version with five non-album singles and B-sides, some of which were recorded and released after the Clash's second studio album, Give 'Em Enough Rope (1978). It also used the re-recorded single version of "White Riot", rather than the original take featured on the UK version. Owing to its inclusion of non-album singles, the US edition of The Clash could be considered a de facto compilation album. Omitted from the US version of The Clash were the following tracks: "Deny" "Cheat" "Protex Blue" "48 Hours" "White Riot" (original version) Added were the following tracks: "Clash City Rockers" – Initially released as a single (A-side) in the UK in February 1978 "Complete Control" – Initially released as a single (A-side) in the UK in September 1977 "White Riot" (re-recorded version) – Initially released as a single (A-side) in the UK in March 1977 "(White Man) In Hammersmith Palais" – Initially released as a single (A-side) in the UK in June 1978 "I Fought the Law" – Initially released as a track on the Clash EP The Cost of Living in the UK in May 1979 "Jail Guitar Doors" – Initially released as the B-side to "Clash City Rockers" in the UK in February 1978 Initial copies of the US version also came with a bonus 7-inch single which featured "Groovy Times" and "Gates of the West". The liner notes incorrectly credit new drummer Nicky Headon for "White Riot". It was another moderately successful album for the Clash in the United States, even though the sales were likely diluted by the longstanding popularity of the UK version on the import market. The Clash peaked at number 126 on the Billboard charts, setting the stage for the commercial breakthrough of London Calling later that year. Since the Clash's first UK album had already been released in Canada by CBS Records, when CBS Canada released the US version, they changed the cover art so as to not confuse the record-buying public. The CBS Canada version of the LP has a dark blue border instead of green. Initial copies also contained the bonus "Groovy Times" 7". Some original cassette pressings of the US version featured "What's My Name?" as track 4 and "Complete Control" as track 11. Though the back of these original pressings list the two songs as they are featured on recent versions of the album. Track listing Personnel The Clash Joe Strummer − lead and backing vocals, rhythm guitar, lead guitar on "48 Hours," piano and production on US version Mick Jones − lead guitar, backing and lead vocals, production on US version Paul Simonon − bass guitar, production on US version Terry Chimes (listed as "Tory Crimes") − drums, production on UK version Topper Headon − drums on side one tracks 1, 4, 6, and 8 and side two track 6 on US version, production on US version Production Mickey Foote − production, engineering on US version Simon Humphrey − engineering Kate Simon − cover art Rocco Macauly − back cover photo Lee "Scratch" Perry – production on US version Sandy Pearlman – production on US version Bill Price – production on US version Charts Certifications References Further reading Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th ed.). London: Aurum Press. ISBN 1-84513-113-4. OCLC 61177239. Gray, Marcus (2005) [1995]. The Clash: Return of the Last Gang in Town (5th revised ed.). London: Helter Skelter. ISBN 1-905139-10-1. OCLC 60668626. Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. ISBN 0-7528-5843-2. OCLC 52990890. Gruen, Bob; Chris Salewicz (2004) [2001]. The Clash (3rd ed.). London: Omnibus. ISBN 1-903399-34-3. OCLC 69241279. Needs, Kris (25 January 2005). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN 0-85965-348-X. OCLC 53155325. Topping, Keith (2004) [2003]. The Complete Clash (2nd ed.). Richmond: Reynolds & Hearn. ISBN 1-903111-70-6. OCLC 63129186. External links The Clash at Discogs (list of releases)
Columbia_Records
https://en.wikipedia.org/wiki/Columbia_Records
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[ "https://en.wikipedia.org/wiki/Columbia_Records" ]
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the American division of multinational conglomerate Sony. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels: Epic Records, and former longtime rivals, RCA Records and Arista Records as the latter two were originally owned by BMG before its 2008 relaunch after Sony's acquisition alongside other BMG labels. History Beginnings (1889–1929) The Columbia Phonograph Company was founded on January 15, 1889, by stenographer, lawyer, and New Jersey native Edward D. Easton (1856–1915) and a group of investors. It derived its name from the District of Columbia, where it was headquartered. At first it had a local monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington, D.C., Maryland, and Delaware. As was the custom of some of the regional phonograph companies, Columbia produced many commercial cylinder recordings of its own, and its catalogue of musical records in 1891 was 10 pages. Columbia's ties to Edison were severed in 1894 with the North American Phonograph Company's breakup. Thereafter, it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the "XP" record, a molded brown wax record, to use up old stock. Columbia introduced black wax records in 1903. According to one source, they continued to mold brown waxes until 1904 with the highest number being 32601, "Heinie", which is a duet by Arthur Collins and Byron G. Harlan. The molded brown waxes may have been sold to Sears for distribution (possibly under Sears' Oxford trademark for Columbia products). Columbia began selling disc records, invented and patented by Victor Talking Machine Company's Emile Berliner, and phonographs in addition to the cylinder system in 1901, preceded only by their "Toy Graphophone" of 1899, which used small, vertically cut records. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and Victor Talking Machine Company disc records as one of the top three names in American sound recording. In 1903, in order to add prestige to its early catalog of artists, Columbia contracted a number of prominent singers from the Metropolitan Opera in New York to make a highly touted series of Grand Opera Records. These stars included Marcella Sembrich, Lillian Nordica, Antonio Scotti, and Edouard de Reszke, but the technical standard of Columbia's Grand Opera series was not considered to be as high as the results achieved with opera singers during the pre–World War I period by Victor, Edison, England's His Master's Voice (The Gramophone Company Ltd.) or Italy's Fonotipia Records. After an abortive attempt in 1904 to manufacture discs with the recording grooves stamped into both sides of each disc—not just one—in 1908 Columbia commenced successful mass production of what they called their "Double-Faced" discs, the 10-inch variety initially selling for 65 cents each. Columbia also introduced the internal-horn "Grafonola" to compete with the extremely popular "Victrola" introduced by the rival Victor Talking Machine Company in 1906. During this era, Columbia began to use the "Magic Notes" logo—a pair of sixteenth notes (semiquavers) in a circle—both in the United States and overseas (where this particular logo would never substantially change). In 1908, Columbia ceased the recording and manufacturing of wax cylinder records after arranging to issue celluloid cylinder records made by the Indestructible Record Company of Albany, New York, as "Columbia Indestructible Records". In July 1912, Columbia decided to concentrate exclusively on disc records and ended production of cylinder phonographs, although Indestructible cylinders continued to be sold under the Columbia label for a few more years. Columbia was split into two companies, one to make records and one to make players. Columbia Phonograph relocated to Bridgeport, Connecticut, and Edward Easton went with it. Eventually it was renamed the Dictaphone Corporation. Columbia Phonograph Company ownership (1925–1931) In late 1922, Columbia entered receivership. The company was bought by its UK subsidiary, the Columbia Graphophone Company, in 1925 and the label, record numbering system, and recording process changed. On February 25, 1925, Columbia began recording with the electric recording process licensed from Western Electric. "Viva-tonal" records set a benchmark in tone and clarity unequaled on commercial discs during the 78-rpm era. The first electrical recordings were made by Art Gillham, the "Whispering Pianist". In a secret agreement with Victor, electrical technology was kept secret to avoid hurting sales of acoustic records. Louis Sterling, managing director of the Columbia Graphophone Company, had been the moving force behind bringing Western Electric's recording process, and the British takeover. Originally from New York, Sterling became Chairman of Columbia NY from 1925 until 1931, and oversaw stability and success. In 1926, Columbia acquired Okeh Records and its growing stable of jazz and blues artists, including Louis Armstrong and Clarence Williams. Columbia had already built a catalog of blues and jazz artists, including Bessie Smith in their 14000-D Race series. Columbia also had a successful "Hillbilly" series (15000-D) with Dan Hornsby among others. By 1927, the "Sweet Jazz" bandleader Guy Lombardo also joined Columbia and recorded forty five 78 rpm's by 1931. In 1928, Paul Whiteman, the nation's most popular orchestra leader, left Victor to record for Columbia. During the same year, Columbia executive Frank Buckley Walker pioneered some of the first country music or "hillbilly" genre recordings with the Johnson City sessions in Tennessee, including artists such as Clarence Horton Greene and "Fiddlin'" Charlie Bowman. He followed that with a return to Tennessee the next year, as well as recording sessions in other cities of the South. Moran and Mack as The Two Black Crows 1926 recording 'The Early Bird Catches the Worm' sold 2.5 million copies. In 1929, Ben Selvin became house bandleader and A. & R. director. Other favorites in the Viva-tonal era included Ruth Etting, Paul Whiteman, Fletcher Henderson, Ipana Troubadours (a Sam Lanin group), and Ted Lewis. Columbia used acoustic recording for "budget label" pop product well into 1929 on the labels Harmony, Velvet Tone (both general purpose labels), and Diva (sold exclusively at W.T. Grant stores). When Edison Records folded, Columbia was the oldest surviving record label. Columbia ownership separation (1931–1936) The repercussions of the stock market Crash of 1929 and subsequent Great Depression led to the near collapse of the entire recording industry and, in March 1931, J.P Morgan, the major shareholder, steered the Columbia Graphophone Company (along with Odeon records and Parlophone, which it had owned since 1926) into a merger with the Gramophone Company ("His Master's Voice") to form Electric and Musical Industries Ltd (EMI). Since the Gramophone Company (HMV) was now a wholly owned subsidiary of Victor, and Columbia in America was a subsidiary of UK Columbia, Victor now technically owned its largest rival in the US. To avoid antitrust legislation, EMI had to sell off its US Columbia operation, which continued to release pressings of matrices made in the UK. In December, 1931, the U.S. Columbia Phonograph Company, Inc. was acquired by the Grigsby-Grunow Company, the manufacturers of Majestic radios and refrigerators. When Grigsby-Grunow declared bankruptcy in November 1933, Columbia was placed in receivership, and in June 1934, the company was sold to Sacro Enterprises Inc. ("Sacro") for $70,000. Sacro was incorporated a few days before the sale in New York. Public documents do not contain any names. Many suspect that it was a shell corporation set up by Consolidated Films Industries, Inc. ("CFI") to hold the Columbia stock, while its subsidiary, American Record Corporation ("ARC"), operated the label. This assumption grew out of the ease which CFI later exhibited in selling Columbia in 1938. On December 3, 1931, CFI made a deal with Warner Brothers Pictures, Inc. ("WB") to lease Brunswick Record Corporation, which included the trademarks and masters of the Brunswick, Vocalion, and Melotone labels to ARC. WB would receive a portion of the sales of its catalogues, while ARC was free to use the labels for new recordings. Brunswick immediately became the premium $.75 label, Melotone would release new hillbilly and other $.35 dime-store discounted discs, and Vocalion, while re-releasing prior ARC records, would also be the blues-R&B label, and the exclusive outlet for Bob Wills and His Texas Playboys, a phenomenal mid-1930s Western Swing band, which drew 10,000+ customers nightly to dance. Columbia was added in mid-1932, relegated to slower sellers such as the Hawaiian music of Andy Iona, the Irving Mills stable of artists and songs, and the still unknown Benny Goodman. It tried a marketing ploy, the Columbia "Royal Blue Record", a brilliant blue laminated product with matching label. Royal Blue issues, made from late 1932 through 1935, are particularly popular with collectors for their rarity and musical interest. The Columbia plant in Oakland, California, did Columbia's pressings for sale west of the Rockies and continued using the Royal Blue material for these until about mid-1936. As southern gospel developed, Columbia had astutely sought to record the artists associated with the emerging genre; for example, Columbia was the only company to record Charles Davis Tillman. Most fortuitously for Columbia in its Depression Era financial woes, in 1936 the company entered into an exclusive recording contract with the Chuck Wagon Gang, a hugely successful relationship which continued into the 1970s. A signature group of southern gospel, the Chuck Wagon Gang became Columbia's bestsellers with at least 37 million records, many of them through the aegis of the Mull Singing Convention of the Air sponsored on radio (and later television) by southern gospel broadcaster J. Bazzel Mull (1914–2006). In 1935, Herbert M. Greenspon, an 18-year-old shipping clerk, led a committee to organize the first trade union shop at the main manufacturing factory in Bridgeport, Connecticut. Elected as president of the Congress of Industrial Unions (CIO) local, Greenspon negotiated the first contract between factory workers and Columbia management. In a career with Columbia that lasted 30 years, Greenspon retired after achieving the position of executive vice president of the company. Columbia also hired talent scout, music writer, producer, and impresario John Hammond in 1937. Alongside his significance as a discoverer, promoter, and producer of jazz, blues, and folk artists during the swing music era, Hammond had already been of great help to Columbia in 1932–33. Through his involvement in the UK music paper Melody Maker, Hammond had arranged for the struggling US Columbia label to provide recordings for the UK Columbia label, mostly using the specially created Columbia W-265000 matrix series. Hammond recorded Fletcher Henderson, Benny Carter, Joe Venuti, Roger Wolfe Kahn and other jazz performers during a time when the economy was bad enough that many of them would not have had the opportunity to enter a studio and play real jazz (a handful of these in this special series were issued in the US). Hammond's work for Columbia was interrupted by his service during World War II, and he had less involvement with the music scene during the bebop era, but when he returned to work as a talent scout for Columbia in the 1950s, his career proved to be of incalculable historical and cultural importance – the list of superstar artists he would discover and sign to Columbia over the course of his career included Charlie Christian, Count Basie, Teddy Wilson, Pete Seeger, Bob Dylan, Leonard Cohen, Aretha Franklin, Bruce Springsteen and Stevie Ray Vaughan, and in the early 1960s Hammond would also exert an enormous cultural effect on the emerging rock music scene thanks to his championing of reissue LPs of the music of blues artists Robert Johnson and Bessie Smith. By 1937–38, the record business in America was finally recovering from the near-death blow of the Great Depression, at least for RCA Victor and Decca, but privately, there were doubts about the survival of ARC. In a 1941 court case brought by unhappy shareholders of Columbia Broadcasting System, Inc. ("CBS"), Edward Wallerstein, a high executive with RCA Victor from 1932 thru 1938, was asked to comment on ARC. "The chief value was that the record industry had come back tremendously, especially in the case of two other record companies; and the American Record Company, with all its facilities, had not, so far as I could learn, increased its business in any degree at all in the previous six years." CBS takes over (1938–1947) On December 17, 1938, the ARC, including the Columbia label in the U.S., was acquired by William S. Paley of the Columbia Broadcasting System, Inc. for US$700,000,. ten times the price ARC paid in 1934, which would later spark lawsuits by disgruntled shareholders. (Columbia Records had originally co-founded CBS in 1927 along with New York talent agent Arthur Judson, but soon cashed out of the partnership leaving only the name; Paley acquired the fledgling radio network in 1928.) On January 3, 1939, Wallerstein left RCA Victor to become president of the CBS phonograph subsidiary, a position he would hold for twelve years. CBS kept the ARC name for three months. then on April 4, it amended the New York Department of State record of "Columbia Phonograph Company, Inc.," naming several of its own employees to directorships, and announced in a press release, "The American Record Co. tag is discarded". Columbia Records was actually reborn on May 22, 1939, as "Columbia Recording Corporation, Inc.", a Delaware corporation. The NYDOS shows a later incorporation date of April 4, 1947. This corporation changed its name to Columbia Records, Inc. on October 11, 1954, and reverted to Columbia Recording Corporation on January 2, 1962. The Columbia trademark remained under Columbia Records, Inc. of Delaware, filed back in 1929. Brothers Ike and Leon Levy owned stakes in CBS. In February 1939, NYC Studios moved from ARC headquarters at 1776 Broadway, to 799 7th Avenue, 6th&7th flrs, New York City ("Studio A"). Corporate offices, studio and Pressing Plant would also continue at 1473 Barnum Avenue, Bridgeport, CT. John Hammond was hired by Wallerstein as "Associate Director Popular Recording" (at 7th Ave). Another executive from ARC, Art Satherley, was not expected to transition over as easily. "It is understood that CBS and the Levys are not interested in retaining American Record's hillbilly department, and that Art Satherly, who has been running this section for many years, will take it out of the company with him". Fortunately, to the delight of many, this did not happen, and Art went on to many more successful years supervising all aspects of Columbia's Hillbilly/Country artists and sessions. On August 30, 1939, Columbia replaced its $.75 Brunswick record for a $.50 Columbia label. Brunswick was gradually phased out, the final issue being Brunswick 8520, in April 1940. Wallerstein and Paley knew in advance that their course of action would lead to violation of the 1931 Brunswick lease agreement, so they discontinued Vocalion in June 1940, and fired up Okeh. By July, it was releasing new Hillbilly platters by Gene Autry and Bob Wills, and re-issuing past Vocalion discs, using the same catalogue numbers with a leading zero added. When a January 1941 audit found that not more than 150,000 Brunswick records had sold during the period from December 1, 1939, through December 31, 1940, control of the loaned trademarks and catalog of master recordings made prior to December 3, 1931, reverted to Warner Bros. Pictures. The Columbia trademark from this point until the late 1950s was two overlapping circles with the Magic Notes in the left circle and a CBS microphone in the right circle. The Royal Blue labels were dropped in favor of a deep red, which caused RCA Victor to claim infringement on its famous Red Seal trademark (RCA lost the case). The blue Columbia label was retained for its classical music Columbia Masterworks Records series until it was later changed to a green label before switching to a gray label in the late 1950s, and then to the bronze that is familiar to owners of Columbia/CBS classical and Broadway albums. Columbia Phonograph Company of Canada did not survive the Great Depression, so CBS made a distribution deal with Sparton Records in 1939 to release Columbia records in Canada under the Columbia name. During the 1940s, Frank Sinatra recorded for Columbia and helped to substantially boost the company's revenue. Sinatra recorded over 200 songs for Columbia which include his most popular songs from his early years. Other popular artists on Columbia at this time included Benny Goodman (signed from RCA Victor in 1939), Count Basie, Jimmie Lunceford (both signed from Decca), Eddy Duchin, Ray Noble (both moved to Columbia from Brunswick), Kate Smith, Mildred Bailey, and Will Bradley. In 1947, the company was renamed Columbia Records Inc. and founded its Mexican record company, Discos Columbia de Mexico. 1948 saw the first classical LP Nathan Milstein's recording of the Mendelssohn Violin Concerto. Columbia's new 33 rpm format quickly spelled the death of the classical 78 rpm record and for the first time in nearly fifty years, gave Columbia a commanding lead over RCA Victor Red Seal. The LP record (1948–1959) Columbia's president Edward Wallerstein was instrumental in steering Paley towards the ARC purchase. He set his talents to his goal of hearing an entire movement of a symphony on one side of an album. Ward Botsford writing for the Twenty-Fifth Anniversary Issue of High Fidelity Magazine relates: "He was no inventor—he was simply a man who seized an idea whose time was ripe and begged, ordered, and cajoled a thousand men into bringing into being the now accepted medium of the record business." Despite Wallerstein's stormy tenure, in June 1948, Columbia introduced the Long Playing "microgroove" LP record format (sometimes written "Lp" in early advertisements), which rotated at 33⅓ revolutions per minute, to be the standard for the gramophone record for forty years. CBS research director Dr. Peter Goldmark played a managerial role in the collaborative effort, but Wallerstein credits engineer William Savory with the technical prowess that brought the long-playing disc to the public. By the early 1940s, Columbia had been experimenting with higher fidelity recordings, as well as longer masters, which paved the way for the successful release of the LPs in 1948. One such record that helped set a new standard for music listeners was the 10" LP reissue of The Voice of Frank Sinatra, originally released on March 4, 1946, as an album of four 78 rpm records, which was the first pop album issued in the new LP format. Sinatra was arguably Columbia's hottest commodity and his artistic vision combined with the direction Columbia were taking the medium of music, both popular and classic, were well suited. The Voice of Frank Sinatra was also considered to be the first genuine concept album. Since the term "LP" has come to refer to the 12-inch 33+1⁄3 rpm vinyl disk, the first LP is the Mendelssohn Violin Concerto in E minor played by Nathan Milstein with Bruno Walter conducting the New York Philharmonic (then called the Philharmonic-Symphony Orchestra of New York), Columbia ML 4001, found in the Columbia Record Catalog for 1949, published in July 1948. The other "LP's" listed in the catalog were in the 10 inch format starting with ML 2001 for the light classics, CL 6001 for popular songs and JL 8001 for children's records. The Library of Congress in Washington DC now holds the Columbia Records Paperwork Archive which shows the Label order for ML 4001 being written on March 1, 1948. One can infer that Columbia was pressing the first LPs for distribution to their dealers for at least 3 months prior to the introduction of the LP on June 21, 1948. The catalog numbering system has had minor changes ever since. Columbia's LPs were particularly well-suited to classical music's longer pieces, so some of the early albums featured such artists as Eugene Ormandy and the Philadelphia Orchestra, Bruno Walter and the New York Philharmonic Orchestra, and Sir Thomas Beecham and the Royal Philharmonic Orchestra. The success of these recordings persuaded Capitol Records to begin releasing LPs in 1949. Even before the LP record was officially demonstrated, Columbia offered to share the new speed with rival RCA Victor, who initially rejected it and soon introduced their new competitive 45 RPM record. When it became clear that the LP was the preferred format for classical recordings, RCA Victor announced that the company would begin releasing its own LPs in January 1950. This was quickly followed by the other major American labels. Decca Records in the U.K. was the first to release LPs in Europe, beginning in 1949. EMI would not fully adopt the LP format until 1955. An "original cast recording" of Rodgers & Hammerstein's South Pacific with Ezio Pinza and Mary Martin was recorded in 1949. Both conventional metal masters and tape were used in the sessions in New York City. For some reason, the taped version was not used until Sony released it as part of a set of CDs devoted to Columbia's Broadway albums. Over the years, Columbia joined Decca and RCA Victor in specializing in albums devoted to Broadway musicals with members of the original casts. In the 1950s, Columbia also began releasing LPs drawn from the soundtracks of popular films. Many album covers put together by Columbia and the other major labels were put together using one piece of cardboard (folded in half) and two paper "slicks", one for the front and one for the back. The front slick bent around the top, bottom, and left sides (the right side is open for the record to be inserted into the cover) and glued the two halves of cardboard together at the top and bottom. The back slick is pasted over the edges of the pasted-on front slick to make it appear that the album cover is one continuous piece. Columbia discovered that printing two front cover slicks, one for mono and one for stereo, was inefficient and therefore needlessly costly. Starting in the summer of 1959 with some of the albums released in August, they went to the "paste-over" front slick, which had the stereo information printed on the top and the mono information printed on the bottom. For stereo issues, they moved the front slick down so the stereo information was showing at the top, and the mono information was bent around the bottom to the back and "pasted over" by the back slick. Conversely, for a mono album, they moved the slick up so the mono information showed at the bottom, and the stereo information was pasted over. Soon, other record companies had adopted the paste-over method. 1950s In 1951, Columbia US began issuing records in the 45 rpm format RCA Victor had introduced two years earlier. The same year, Ted Wallerstein retired as Columbia Records chairman; and Columbia US also severed its decades-long distribution arrangement with EMI and signed a distribution deal with Philips Records to market Columbia recordings outside North America. EMI continued to distribute Okeh and later Epic label recordings until 1968. EMI also continued to distribute Columbia recordings in Australia and New Zealand. American Columbia was not happy with EMI's reluctance to introduce long playing records. Columbia became the most successful non-rock record company in the 1950s after it lured producer and bandleader Mitch Miller away from the Mercury label in 1950. Despite its many successes, Columbia remained largely uninvolved in the teenage rock'n'roll market until the mid-1960s, despite a handful of crossover hits, largely because of Miller's frequently expressed loathing of rock'n'roll. (Miller was a classically trained oboist who had been a friend of Columbia executive Goddard Lieberson since their days at the Eastman School of Music in the 1930s.) Miller quickly signed up Mercury's biggest artist at the time, Frankie Laine, and discovered several of the decade's biggest recording stars including Tony Bennett, Mahalia Jackson, Jimmy Boyd, Guy Mitchell (whose stage surname was taken from Miller's first name), Johnnie Ray, The Four Lads, Rosemary Clooney, Kay Lande, Ray Conniff, Jerry Vale and Johnny Mathis. He also oversaw many of the early singles by the label's top female recording star of the decade, Doris Day. In 1953, Columbia formed a new subsidiary label Epic Records. 1954 saw Columbia end its distribution arrangement with Sparton Records and form Columbia Records of Canada. To enhance its country music stable, which already included Marty Robbins, Ray Price and Carl Smith, Columbia bid $15,000 for Elvis Presley's contract from Sun Records in 1955. Presley's manager, Colonel Tom Parker, turned down their offer and signed Presley with RCA Victor. However, Columbia did sign two Sun artists in 1958: Johnny Cash and Carl Perkins. With 1954, Columbia U.S. decisively broke with its past when it introduced its new, modernist-style "Walking Eye" logo, designed by Columbia's art director S. Neil Fujita. This logo actually depicts a stylus (the legs) on a record (the eye); however, the "eye" also subtly refers to CBS's main business in television, and that division's iconic Eye logo. Columbia continued to use the "notes and mike" logo on record labels and even used a promo label showing both logos until the "notes and mike" was phased out (along with the 78 in the US) in 1958. In Canada, Columbia 78s were pressed with the "Walking Eye" logo in 1958. The original Walking Eye was tall and solid; it was modified in 1961 to the familiar one still used today (pictured on this page), despite the fact that the Walking Eye was used only sporadically during most of the 1990s. Although the big band era had passed, Columbia had Duke Ellington under contract for several years, capturing the historic moment when Ellington's band provoked a post-midnight frenzy (followed by international headlines) at the 1956 Newport Jazz Festival, which proved a boost to a bandleader whose career had stalled. Under new head producer George Avakian, Columbia became the most vital label to the general public's appreciation and understanding (with help from Avakian's prolific and perceptive play-by-play liner notes) of jazz, releasing a series of LP's by Louis Armstrong, but also signing to long-term contracts Dave Brubeck and Miles Davis, the two modern jazz artists who would in 1959 record albums that remain—more than sixty years later—among the best-selling jazz albums by any label—viz., Time Out by the Brubeck Quartet and, to an even greater extent, Kind of Blue by the Davis Sextet, which, in 2003, appeared as number 12 in Rolling Stone's list of the "500 Greatest Albums Of All Time". With another producer, Teo Macero, a skilled modernist composer himself, Columbia cemented contracts with jazz composer/musicians Thelonious Monk and Charles Mingus, while Macero became a significant figure in Miles Davis career from an explorer of the art of modal jazz from Davis' sextets 1958 album Milestones to innovator and avatar of the marriage of jazz with rock and electronic sounds—commonly known as jazz fusion. In 1954, Columbia embraced small-group modern jazz by signing of the Dave Brubeck Quartet, which resulted in the release of the on-location, best-selling jazz album (up to this time), Jazz Goes to College. Contemporaneously with Columbia's first release of modern jazz by a small group, which was also the Brubeck Quartet's debut on the label, was a Time magazine cover story on the phenomenon of Brubeck's success on college campuses. The humble Dave Brubeck demurred, saying that the second Time cover story on a jazz musician (the first featured Louis Armstrong's picture) had been earned by Duke Ellington, not himself. Within two years Ellington's picture would appear on the cover of Time, following his success at the 1956 Newport Jazz Festival. Ellington at Newport, recorded on Columbia, was also the bandleader-composer-pianist's best-selling album. Moreover, this exclusive trinity of jazz giants featured on the cover of Time magazine were all Columbia artists. (In the early 1960s Columbia jazz artist Thelonious Monk would be afforded the same honor.) Columbia changed distributors in Australia and New Zealand in 1956 when the Australian Record Company picked up distribution of U.S. Columbia product to replace the Capitol Records product which ARC lost when EMI bought Capitol. As EMI owned the Columbia trademark at that time, the U.S. Columbia material was issued in Australia and New Zealand on the CBS Coronet label. In the same year, former Columbia A&R manager Goddard Lieberson was promoted to President of the entire CBS recording division, which included Columbia and Epic, as well as the company's various international divisions and licensees. Under his leadership the corporation's music division soon overtook RCA Victor as the top recording company in the world, boasting a star-studded roster of artists and an unmatched catalogue of popular, jazz, classical and stage and screen soundtrack titles. Lieberson, who had joined Columbia as an A&R manager in 1938, was known for both his personal elegance and his dedication to quality, overseeing the release of many hugely successful albums and singles, as well as championing prestige releases that sold relatively poorly, and even some titles that had limited appeal, such as complete editions of the works of Arnold Schoenberg and Anton von Webern. One of his first major successes was the original Broadway cast album of My Fair Lady, which sold over 5 million copies worldwide in 1957, becoming the most successful LP ever released up to that time. Lieberson also convinced long-serving CBS President William S. Paley to become the sole backer of the original Broadway production, a $500,000 investment which subsequently earned the company some $32 million in profits. In October 1958, Columbia, in time for the Christmas season, put out a series of "Greatest Hits" packages by such artists as Johnny Mathis, Doris Day, Guy Mitchell, Johnnie Ray, Jo Stafford, Tony Bennett, Rosemary Clooney, Frankie Laine and the Four Lads; months later, it put out another Mathis compilation as well as that of Marty Robbins. Only Mathis' compilations charted, since there were only 25 positions on Billboard's album charts at the time. However, the compilations were so successful that they led to Columbia doing such packages on a widespread basis, usually when an artist's career was in decline. Stereo Although Columbia began recording in stereo in 1956, stereo LPs did not begin to be manufactured until 1958. One of Columbia's first stereo releases was an abridged and re-structured performance of Handel's Messiah by the New York Philharmonic and the Westminster Choir conducted by Leonard Bernstein (recorded on December 31, 1956, on 1⁄2-inch tape, using an Ampex 300-3 machine). Bernstein combined the Nativity and Resurrection sections, and ended the performance with the death of Christ. As with RCA Victor, most of the early stereo recordings were of classical artists, including the New York Philharmonic Orchestra conducted by Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein, and the Philadelphia Orchestra conducted by Eugene Ormandy, who also recorded an abridged Messiah for Columbia. Some sessions were made with the Columbia Symphony Orchestra, an ensemble drawn from leading New York musicians, which had first made recordings with Sir Thomas Beecham in 1949 in Columbia's New York City studios. George Szell and the Cleveland Orchestra recorded mostly for Epic. When Epic dropped classical music, the roster and catalogue was moved to Columbia Masterworks Records. Columbia released its first pop stereo albums in the summer of 1958. All of the first dozen or so were stereo versions of albums already available in mono. It was not until September 1958, that Columbia began simultaneous mono/stereo releases. Mono versions of otherwise stereo recordings were discontinued in 1968. To celebrate the 10th anniversary of the introduction of the LP, in 1958 Columbia initiated the "Adventures in Sound" series that showcased music from around the world. As far as the catalog numbering system went, there was no correlation between mono and stereo versions for the first few years. Columbia started a new CS 8000 series for pop stereo releases, and figuring the stereo releases as some sort of specialty niche records, didn't bother to link the mono and stereo numbers for two years. Masterworks classical LPs had an MS 6000 series, while showtunes albums on Masterworks were OS 2000. Finally, in 1960, the pop stereo series jumped from 8300 to 8310 to match Lambert, Hendricks & Ross Sing Ellington, the Lambert, Hendricks & Ross album issued as CL-1510. From that point, the stereo numbers on pop albums were exactly 6800 higher than the mono; stereo classical albums were the mono number plus 600; and showtunes releases were the mono number MINUS 3600. Only the last two digits in the respective catalog series' matched. Pop stereo LPs got into the high 9000s by 1970, when CBS Records revamped and unified its catalog numbering system across all its labels. Masterworks classical albums were in the 7000s, while showtunes stayed in the low 2000s. Columbia's engineering department developed a process for emulating stereo from a mono source. They called this process "Electronically Rechanneled for Stereo". In the June 16, 1962, issue of Billboard magazine (page 5), Columbia announced it would issue "rechanneled" versions of greatest hits compilations that had been recorded in mono, including albums by Doris Day, Frankie Laine, Percy Faith, Mitch Miller, Marty Robbins, Dave Brubeck, Miles Davis, and Johnny Mathis. The 1960s Outing of "deep groove" By the latter half of 1961, Columbia started using pressing plants with newer equipment. The "deep groove" pressings were made on older pressing machines, where the groove was an artifact of the metal stamper being affixed to a round center "block" to assure the resulting record would be centered. Newer machines used parts with a slightly different geometry, that only left a small "ledge" where the deep groove used to be. This changeover did not happen all at once, as different plants replaced machines at different times, leaving the possibility that both deep groove and ledge varieties could be original pressings. The changeover took place starting in late 1961. CBS Records In 1961, CBS ended its arrangement with Philips Records and formed its own international organization, CBS Records International, in 1962. This subsidiary label released Columbia recordings outside the US and Canada on the CBS label (until 1964 marketed by Philips in Britain). The recordings could not be released under the Columbia Records name because EMI operated a separate record label by that name, Columbia Graphophone Company, outside North America. This was the result of legal maneuvers which led to the creation of EMI in the early 1930s. While this happened, starting in late 1961, both the mono and the stereo labels of domestic Columbia releases started carrying a small "CBS" at the top of the label. This was not something that changed at a certain date, but rather, pressing plants were told to use up the stock of old (pre-CBS) labels first, resulting in a mixture of labels for some given releases. Some are known with the CBS text on mono albums, and not on stereo of the same album, and vice versa; diggings brought up pressings with the CBS text on one side and not on the other. Many, but certainly not all, of the early numbers with the "ledge" variation (i.e., no deep groove), had the small "CBS". This text would be used on the Columbia labels until June 1962. Columbia's Mexican unit, Discos Columbia, was renamed Discos CBS. With the formation of CBS Records International, CBS started establishing its own distribution in the early 1960s, beginning in Australia. In 1960 CBS took over its distributor in Australia and New Zealand, the Australian Record Company (founded in 1936) including Coronet Records, one of the leading Australian independent recording and distribution companies of the day. The CBS Coronet label was replaced by the CBS label with the 'walking eye' logo in 1963. ARC continued trading under that name until the late 1970s when it formally changed its business name to CBS Australia. Mitch Miller on television In 1961, Columbia's music repertoire was given an enormous boost when Mitch Miller, its A&R manager and bandleader, became the host of the variety series Sing Along with Mitch on NBC. The show was based on Miller's 'folksy' but appealing 'chorus' style performance of popular standards. During its four-season run, the series promoted Miller's "Singalong" albums, which sold over 20 million units, and received a 34% audience share when it was cancelled in 1964. Bob Dylan In September 1961, CBS A&R manager John Hammond was producing the first Columbia album by folk singer Carolyn Hester, who invited a friend to accompany her on one of the recording sessions. It was here that Hammond first met Bob Dylan, whom he signed to the label, initially as a harmonica player. Dylan's self-titled debut album was released in March 1962 and sold only moderately. Some executives in Columbia dubbed Dylan "Hammond's folly" and suggest that Dylan be dropped from the label. But John Hammond and Johnny Cash defended Dylan, who over the next four years became one of Columbia's highest earning acts. Over the course of the 1960s, Dylan achieved a prominent position in Columbia. His early folk songs were recorded by many acts and became hits for Peter, Paul & Mary and The Turtles. Some of these cover versions became the foundation of the folk rock genre. The Byrds achieved their pop breakthrough with a version of Dylan's "Mr. Tambourine Man". In 1965, Dylan's controversial decision to 'go electric' and work with rock musicians divided his audience but catapulted him to greater commercial success with his 1965 hit single "Like a Rolling Stone". Following his withdrawal from touring in 1966, Dylan recorded a large group of songs with his backing group The Band which reached other artists as 'demo recordings'. These resulted in hits by Manfred Mann ("The Mighty Quinn") and Brian Auger, Julie Driscoll & Trinity ("This Wheel's On Fire"). Dylan's late 1960s albums John Wesley Harding and Nashville Skyline became cornerstone recordings of the emergent country rock genre and influenced The Byrds and The Flying Burrito Brothers. Rock and roll When the British Invasion arrived in January 1964, Columbia had no rock musicians on its roster except for Dion, who was signed in 1963 as the label's first major rock star, and Paul Revere & the Raiders who were also signed in 1963. The label released a merseybeat album, The Exciting New Liverpool Sound (Columbia CL-2172, issued in mono only). Terry Melcher, son of Doris Day, produced the hard driving "Don't Make My Baby Blue" for Frankie Laine, who had gone six years without a hit record. The song reached No. 51 on the pop chart and No. 17 on the easy listening chart. Melcher and Bruce Johnston discovered and brought to Columbia the Rip Chords, a vocal group consisting of Ernie Bringas and Phil Stewart, and turned it into a rock group through production techniques. The group had hits in "Here I Stand", a remake of the song by Wade Flemons, and "Hey Little Cobra". Columbia saw the two recordings as a start to getting into rock and roll. Melcher and Johnston recorded several additional singles for Columbia in 1964 as "Bruce & Terry" and later as "The Rogues". Melcher produced early albums by the Byrds and Paul Revere & the Raiders for Columbia while Johnston produced the Beach Boys for Capitol Records. Ascension of Clive Davis When Mitch Miller retired in 1965, Columbia was at a turning point. Miller's disdain for rock and roll and pop rock had dominated Columbia's A&R policy. Sales of Broadway soundtracks and Mitch Miller's singalong series were waning. Pretax earnings had flattened to about $5 million annually. The label's only significant "pop" acts at the time were Bob Dylan, the Byrds, Paul Revere & the Raiders and Simon & Garfunkel. In its catalogue were other genres: classical, jazz and country, along with a select group of R&B artists, among them Aretha Franklin. Most historians observed that Columbia had problems marketing Franklin as a major talent in the R&B genre, which led to her leaving the label for Atlantic Records in 1967. In 1967, Brooklyn-born lawyer Clive Davis became president of Columbia. Following the appointment of Davis, the Columbia label became more of a rock music label, thanks mainly to Davis's fortuitous decision to attend the Monterey International Pop Festival, where he spotted and signed several leading acts including Janis Joplin. Joplin led the way for several generations of female rock and rollers. However, Columbia/CBS still had a hand in traditional pop and jazz and one of its key acquisitions during this period was Barbra Streisand. She released her first solo album on Columbia in 1963 and remains with the label to this day. Additionally, the label kept Miles Davis on the roster, and his late 1960s recordings, In a Silent Way and Bitches Brew, pioneered a fusion of jazz and rock music. A San Francisco group called Moby Grape had been gaining popularity on the West Coast, and were signed by Davis in 1967. As a way of introducing them to the world with a splash, they released their debut album, along with five singles from the album, all on the same day, June 6, 1967, 23 years following D-Day. The album hit made No. 24 on the Billboard 200, but the singles barely made a dent in the charts, the best performer being "Omaha", which lasted a mere three weeks on the Hot 100 reaching only No. 88. The other charter, "Hey Grandma", only reached the Bubbling Under chart and faded within a week. Also, there were some complaints about the obscene gesture made to the American flag on the front cover that had to be edited out on the second pressing, not to mention that the group started to decline in sales after that. The return on all the promotional budget for the singles realized nothing. Although the group made two more albums, this particular publicity stunt was never again attempted by Columbia or any other major label. Simon & Garfunkel Arguably the most commercially successful Columbia pop act of this period, other than Bob Dylan, was Simon & Garfunkel. The duo scored a surprise No. 1 hit in 1965 when Columbia producer Tom Wilson, inspired by the folk-rock experiments of Dylan, The Byrds and others, added drums and bass to the duo's earlier recording of "The Sound of Silence" without their knowledge or approval. Indeed, the duo had already broken up some months earlier, discouraged by the poor sales of their debut LP, and Paul Simon had relocated to the UK, where he only found out about the single being a hit via the music press. The dramatic success of the song prompted Simon to return to the US; the duo reformed, and they soon became one of the flagship acts of the folk-rock boom of the mid-1960s. Their next album, Parsley, Sage, Rosemary and Thyme, went to No. 4 on the Billboard album chart. The duo subsequently had a Top 20 single, "A Hazy Shade of Winter", but progress slowed during 1966–67 as Simon struggled with writer's block and the demands of constant touring. They shot back to the top in 1968 after Simon agreed to write songs for the Mike Nichols film The Graduate. The resulting single, "Mrs. Robinson", became a smash hit. Both The Graduate soundtrack and Simon & Garfunkel's next studio album, Bookends, were major hits on the album chart, with combined total sales in excess of five million copies. Simon and Garfunkel's fifth and final studio album, Bridge over Troubled Water (1970), reached number one in the US album charts in January 1970 and became one of the most successful albums of all time. Hoyt Axton and Tom Rush Davis lured artists Hoyt Axton and Tom Rush to Columbia in 1969, and both were given what was known as "the pop treatment" by the label. Hoyt Axton had been a folk/blues singer-songwriter since the early 1960s, when he made several albums for Horizon, then Vee-Jay. By the time he joined Columbia, he had mixed successful pop songs like "Greenback Dollar", with hard rock songs for Steppenwolf, such as "The Pusher", which was used in the film Easy Rider in the same year. When he landed at Columbia, his album My Griffin Is Gone was described as "the poster child for 'overproduced,' full of all kinds of instruments and even strings". After that album, Axton left and joined Capitol Records, where his next albums contained "Joy to the World" and "Never Been to Spain", which became hits for Three Dog Night on Dunhill. Axton eventually became a country singer, and founded his own record label, Jeremiah. Tom Rush had always been the "storyteller" or "balladeer" type of folk artist, before and after his stint with Columbia, to which Rush was lured from Elektra. As with Axton, Rush was given "the treatment" on his self-titled Columbia debut. The multitude of instruments added to his usual solo guitar were all done "tastefully", of course, but was not really on par with Rush's audience expectations. He commented to record label historian Mike Callahan: Well, when you're in the studio, they bring out all these "sweeteners" and things they have, and while you're there, you say, yeah, that sounds good. But then you get the album home and you almost can't hear yourself under all that. Eventually, Rush returned to his usual sound (which he applied to his next three albums for Columbia) and has been playing to appreciative audiences ever since. The 1970s Catalog numbers The Columbia album series began in 1951 with album GL-500 (CL-500) and reached an awkward milestone in 1970, when the stereo numbering sequence reached CS-9999, assigned to the Patti Page album Honey Come Back. This presented a catalog numbering system challenge as Columbia had used a four-digit catalog number for 13 years, and CS-10000 seemed cumbersome. Columbia decided to start issuing albums at CS-1000 instead, preserving the four-digit catalog number. However, this resulted in the reuse of numbers previously used in 1957–58, although the prefix was now different. In July 1970, the cataloging department implemented a new system, combining all their labels into a unified catalog numbering system starting with 30000, with the prefix letter indicating the label: C for Columbia, E for Epic, H for Harmony (budget reissue line), M for Columbia Masterworks, S for movie soundtrack and original Broadway cast albums, Y for Columbia Odyssey, and Z for every other label that CBS distributed (collectively referred to as CBS Associated). The prefix letter G was also used for two album sets—or the number of records in the set after the label letter, such as KC2. The first CBS album released under the new system was The Elvin Bishop Group's self-titled album on Fillmore Records, assigned with F 30001 (the earliest Fillmore albums had the 'F' prefix, rather than a 'Z'), while the first actual Columbia release under the system was Herschel Bernardi's Show Stopper, assigned with C 30004. The highest catalog number released in the old system was CS-1069, assigned to The Sesame Street Book and Record. Chronologically, Columbia issued at least one album in this series in August, but by that time, the CBS Consolidated 30000 series, which started issuing albums in July with the new label design, was well underway, having issued nearly 100 albums. The system was later expanded with even more prefix letters (including R and V for Portrait, A and W for Special Products, L for Sony Wonder, S for Sony Classical, N for Monument, O for Chaos Recordings, and B for 550 Music), which continued until 2005. In September 1970, under the guidance of Clive Davis, Columbia Records entered the West Coast rock market, opening a state-of-the art recording studio (which was located at 827 Folsom St. in San Francisco and later morphed into the Automatt) and establishing an A&R head and office in San Francisco at Fisherman's Wharf, headed by George Daly, a producer and artist for Monument Records (who inked a distribution deal with Columbia at the time) and a former bandmate of Nils Lofgren and Roy Buchanan. The recording studio operated under CBS until 1978. Quadraphonic Sound During 1971 Columbia began producing records in four-channel quadraphonic sound, using the "SQ Quadraphonic" matrix decoding system. These recordings were backward compatible on conventional two-channel stereo playback systems, but played four-channels of surround sound when heard with special amplifiers and additional speakers. Artists using this technology covered all genres, including classical music Leonard Bernstein and Pierre Boulez, plus popular artists such as Electric Light Orchestra, Billy Joel, Pink Floyd, Johnny Cash, Barbra Streisand, Ray Conniff, Santana, Herbie Hancock, and Blue Öyster Cult. RCA had already begun releasing quadraphonic recordings on 8-track tape starting in 1970, and countered on LP record with the Quadradisc system. The RCA process required a special phono cartridge for "discrete" four-channel playback unlike the Columbia "matrix" system. Although the Columbia process was simpler and quite effective, many consumers were confused by competing systems and sales of both were disappointing. Columbia released its last quadraphonic recordings in 1978. Starting in the 1990s multichannel surround sound music surged again with the popularity of home cinema systems. Many quadraphonic recordings were reissued in new surround sound formats such as Dolby Digital, DTS, Super Audio CD and Blu-ray, however, multichannel music still did not reach mass-market acceptance. Yetnikoff becomes president In 1975, Walter Yetnikoff was promoted to become President of Columbia Records, and his vacated position as President of CBS Records International was filled by Dick Asher. At this point, according to music historian Frederic Dannen, the shy and introverted Yetnikoff began to transform his personality, becoming (in Asher's words) "wild, menacing, crude, and above all, very loud". In Dannen's view, Yetnikoff was probably over-compensating for his naturally sensitive and generous personality, and that he had little hope of being recognised as a "record man" (someone with a musical ear and an intuitive understanding of current trends and artists' intentions) because he was tone-deaf, so he instead determined to become a "colourful character". Yetnikoff soon became notorious for his violent temper and regular tantrums: "He shattered glassware, spewed a mixture of Yiddish and barnyard epithets, and had people physically ejected from the CBS building." In 1976, Columbia Records of Canada was renamed CBS Records Canada Ltd. The Columbia label continued to be used by CBS Canada, but the CBS label was introduced for French-language recordings. On May 5, 1979, Columbia Masterworks began digital recording in a recording session of Stravinsky's Petrouchka by the New York Philharmonic Orchestra, conducted by Zubin Mehta, in New York (using 3M's 32-channel multitrack digital recorder). Dick Asher vs "The Network" CBS Records had a popular roster of musicians. It distributed Philadelphia International Records, Blue Sky Records, the Isley Brothers' T-Neck Records and Monument Records (from 1971 to 1976). But the music industry was in financial decline. Total sales fell by 11%, the biggest drop since World War II. In 1979, CBS had a pre-tax income of $51 million and sales of over $1 billion. The label laid off hundreds of employees. To deal with the crisis, CEO John Backe promoted Dick Asher from Vice President of Business Affairs to Deputy President. Charged with cutting costs and restoring profits, Asher was reportedly reluctant to take on the role. He was worried that Yetnikoff would resent his promotion. But Backe had confidence in Asher's experience. In 1972, Asher had turned the British division of CBS from loss to profit. Backe considered him to be honest and trustworthy, and he appealed to Asher's loyalty to the company. Employees at CBS thought Asher was a bore and an interloper. He cut back on expenses and on perks like limousines and restaurants. His relationship with Yetnikoff deteriorated. Asher became increasingly concerned about the huge and rapidly growing cost of hiring independent agents, who were paid to promote new singles to radio station program directors. "Indies" had been used by record labels for many years to promote new releases, but as he methodically delved into CBS Records' expenses, Asher was dismayed to discover that hiring these independent promoters was now costing CBS alone as much as $10 million per year. When Asher took over CBS' UK division in 1972, a freelance promoter might only charge $100 per week, but by 1979 the top American independent promoters had organized themselves into a loose collective known as "The Network", and their fees were now running into the tens millions of dollars per year, Music historian Frederic Dannen estimates that by 1980 the major labels were paying anywhere from to $100,000 to $300,000 per song to the "Network" promoters, and that it was costing the industry as whole as much as $80 million annually. During this period, Columbia scored a Top 40 hit with the Pink Floyd single "Another Brick in the Wall", and its parent album The Wall would spend four months at No. 1 on the Billboard LP chart in early 1980, but few in the industry knew that Dick Asher was in fact using the single as a covert experiment to test the extent of the pernicious influence of The Network – by not paying them to promote the new Pink Floyd single. The results were immediate and deeply troubling – not one of the major radio stations in Los Angeles would program the record, despite the fact that the group was in town, performing the first seven concerts on their elaborate The Wall Tour at the Los Angeles Memorial Sports Arena to rave reviews and sold-out crowds. Asher was already worried about the growing power of The Network, and the fact it operated entirely outside the control of the label, but he was profoundly dismayed to realize that "The Network" was in effect a huge extortion racket, and that the operation could well be linked to organized crime – a concern vehemently dismissed by Yetnikoff, who resolutely defended the "indies" and declared them to be "mensches". But Dick Asher now knew that The Network's real power lay in their ability to prevent records from being picked up by radio, and as an experienced media lawyer and a loyal CBS employee, he was also acutely aware that this could become a new payola scandal which had the potential to engulf the entire CBS corporation, and that the Federal Communications Commission (FCC) could even revoke CBS' all-important broadcast licenses if the corporation was found to be involved in any illegality. The 1980s and sale to Sony The structure of US Columbia remained the same until 1980, when it spun off the classical/Broadway unit, Columbia Masterworks Records, into a separate imprint, CBS Masterworks Records. In 1988, the CBS Records Group, including the Columbia Records unit, was acquired by Sony, which re-christened the parent division Sony Music Entertainment in 1991. As Sony only had a temporary license on the CBS Records name, it then acquired the rights to the Columbia trademarks (Columbia Graphophone) outside the U.S., Canada, Spain (trademark owned by BMG) and Japan (Nippon Columbia) from EMI, a firm which generally had not used them since the early 1970s. The CBS Records label was officially renamed Columbia Records on January 1, 1991, worldwide except Spain (where Sony got the rights in 2004 by forming a joint venture with BMG) and Japan. CBS Masterworks Records was renamed Sony Classical Records. In December 2006, CBS Corporation revived the CBS Records name for a new minor label closely linked with its television properties (coincidentally, the new CBS Records is currently distributed by another Sony Music division, RED Distribution). The 1990s–present American talent manager Will Botwin was recruited in 1996 to serve as a Senior Vice President. In 1998, he was appointed Executive Vice President/General Manager and worked closely with many of the label's established artists, as well as newer performers such as Microdisney and Five For Fighting. In 2002, Botwin was promoted to President of the Columbia Records Group; he was appointed Chairman in 2005. In 2006, he left Columbia to head Red Light Management and its associated ATO Records. Columbia Records remains a premier subsidiary label of Sony Music Entertainment. In 2009, during the re-consolidation of Sony Music, Columbia was partnered with its Epic Records sister to form the Columbia/Epic Label Group under which it operated as an imprint. In July 2011, as part of further corporate restructuring, Epic was split from the Columbia/Epic Group as Epic took in multiple artists from Jive Records. As of March 2013, Columbia Records was home to 90 artists such as Lauren Jauregui, Robbie Williams, Calvin Harris and Daft Punk. On January 2, 2018, Ron Perry was named as the chairman and CEO of Columbia Records. In January 2023, Jennifer Mallory was appointed President. Logos and branding The acquisition of rights to the Columbia trademarks by EMI (including the "Magic Notes" logo) presented the company with a dilemma of which logo to use. For much of the 1990s, Columbia released its albums without a logo, just the "COLUMBIA" word mark in the Bodoni Classic Bold typeface. Columbia experimented with bringing back the "Notes and Mic" logo but without the CBS mark on the microphone. That logo is currently used in the "Columbia Jazz" series of jazz releases and reissues. A modified "Magic Notes" logo is found on the logo for Sony Classical. In mid to late 1999, it was eventually decided that the "Walking Eye" (previously the CBS Records logo outside North America) would be Columbia's logo, with the retained Columbia word mark design, throughout the world except in Japan where Nippon Columbia has the rights to the Columbia trademark to this day and continues to use the "Magic Notes" logo. In Japan, CBS/Sony Records was renamed Sony Records in 1991 and stopped using the "Walking Eye" logo in 1998. List of Columbia Records artists As of 2024, the current Columbia Records roster includes Barbra Streisand, Bruce Springsteen, Celine Dion, Beyoncé, Adele, Rosalía, Harry Styles, Miley Cyrus, Lil Nas X, Blink-182, Addison Rae, Jennie, JoJo Siwa, Dove Cameron, Central Cee, Chlöe, Halsey, Ive and many more. In October 2012, there were 85 recording artists signed to Columbia Records, making it the largest of the three flagship labels owned by Sony Music (followed by RCA Records with 78 artists and Epic Records with 43 artists). Subsidiaries Kemosabe Records Small Giant Records CloudBoy Records Signal Records CMV: Columbia Music Video Brushfire Records Affiliated labels Columbia Label Group (UK) In January 2006, Sony BMG UK split its front-line operations into two separate labels: RCA Label Group, mainly dealing with Pop and R&B and Columbia Label Group, mainly dealing with Rock, Dance and Alternative music (although this remit has widened in recent years). Domestic artists include Calvin Harris, George Ezra, Central Cee and Robbie Williams. Dipesh Parmar is the President of Columba Label Group and Amy Wheatley is the Managing Director. Subsidiary labels include Ministry of Sound Records and Room Two Recordings. American Recording Company (ARC) During August 1978 Maurice White, founder and leader of the band Earth, Wind & Fire, re-launched the American Recording Company (ARC). In addition to White's Earth, Wind & Fire, the Columbia Records-distributed label artist roster included successful R&B and pop singer Deniece Williams, jazz-fusion group Weather Report, and R&B trio the Emotions. Since the 1940s, Columbia has also re-issued thousands of 1930s records issued on ARC labels. Aware Records In 1997, Columbia made an affiliation with unsigned artist promotion label Aware Records to distribute Aware's artists' music. In 2002, Columbia and Aware accepted the option to continue this relationship. Columbia Nashville In 2007, Columbia formed Columbia Nashville, which is part of Sony Music Nashville. This gave Columbia Nashville complete autonomy and managerial separation from Columbia in New York City. Columbia had given its country music department semi-autonomy for many years and through the 1950s, had a 20,000 series catalog for country music singles while the rest of Columbia's output of singles had a 30,000, then 40,000 series catalog number. In 2009, Columbia Nashville became part of Sony Music Nashville under the Sony Group Corporation umbrella through Sony Music Group. Recording studios Columbia Records operated recording studios, the most notable of which were in New York City, Nashville, Hollywood and San Francisco. Columbia's first recording studio was established in 1913, after the company moved into the Woolworth Building in Manhattan, the tallest building in the world at the time. In 1917, Columbia used this studio to make one of the earliest jazz records, by the Original Dixieland Jass Band. 7th Avenue, New York In 1939, Columbia established Studio A at 799 Seventh Avenue in New York City. This studio – well known for its use by Bob Dylan in the 1960s – was purchased in 1967 by Jack Arnold and Phil Ramone's A&R Recording, and became Studios A-1 and A-2 for A & R. The building was demolished in 1983 to make way for the Equitable Tower. 52nd Street, New York Studio B and Studio E were located in the CBS Studio Building at 49 East 52nd Street in New York City – on the second and fifth floor, respectively. 30th Street, New York In 1948, Columbia built additional new studios at 207 East 30th Street in Manhattan's Murray Hill district, naming them Studio C and Studio D. This complex, nicknamed "The Church" due to it having been built within an 1875 building that was originally constructed as a Christian church, was considered by some in the music industry to be the best-sounding room of its time, and many consider it to have been the greatest recording studio in history. CBS never took up the option to buy the building outright, giving up its lease and closing the studio in 1981. In spite of the building's inherent heritage status and its cultural significance, it was sold to developers in 1985, demolished, and replaced by a high-rise apartment complex. Columbia Square, Hollywood In 1961, Columbia Records renovated and repurposed CBS Radio Studio A at the company's Columbia Square complex at 6121 Sunset Boulevard in Hollywood, California. Columbia utilized the studio for recording and mastering services until its closure in 1972. Columbia Studios, Nashville In 1962, Columbia Records purchased the Bradley Studios in Nashville, Tennessee (also known as the Quonset Hut), the first recording studio in what would become Nashville's Music Row district when first established by Harold and Owen Bradley in 1954. Renamed Columbia Studios, the company replaced Bradley Studio A with a building containing a newer, larger studio A, mixing and mastering studios, and administrative offices. Columbia operated these studios from 1962 through 1982, when they were converted into office space. Philanthropist Mike Curb bought the structure in 2006 and restored it; it is now a recording classroom for Belmont University's Mike Curb College of Entertainment & Music Business. Liederkranz Hall Studio, New York Columbia also recorded in the highly respected Liederkranz Hall, at 111 East 58th Street between Park and Lexington Avenues, in New York City, it was built by and formerly belonged to a German cultural and musical society, The Liederkranz Society, and used as a recording studio (Victor also recorded in Liederkranz Hall in the late 1920s). The producer Morty Palitz had been instrumental in convincing Columbia Records to begin to use the Liederkranz Hall studio for recording music, additionally convincing the conductor Andre Kostelanetz to make some of the first recordings in Liederkranz Hall which until then had only been used for CBS Symphony radio shows. In 1949, the large Liederkranz Hall space was physically rearranged to create four television studios. Executives Ron Perry – Chairman & CEO Jenifer Mallory – GM Stephen Russo – EVP & CFO Abou "Bu" Thiam – EVP Edward Wallerstein – Chairman & CEO (1939–1951) See also Jim Flora, successor to Alex Steinweiss and legendary illustrator for the label during the 1940s List of record labels Sony BMG Alex Steinweiss, the label's Art Director from 1938 to 1943, inventor of the illustrated album cover and the LP sleeve References Dannen, Frederic (1991). Hit Men: Power Brokers and Fast Money Inside The Music Business. London: Vintage. ISBN 0099813106. Further reading External links Official website Columbia masters in the Discography of American Historical Recordings See the Profile of Designer Alex Steinweiss
Australian_Record_Company
https://en.wikipedia.org/wiki/Australian_Record_Company
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[ "https://en.wikipedia.org/wiki/Australian_Record_Company" ]
The Australian Record Company (ARC) was a record label and manufacturer later acquired by CBS Records International. Originally known as Featuradio, a company formed in 1933 by George Sutton and his brother-in-law James M. Sayer. They sold the business in 1936, and Sutton continued to work there until it became The Australian Record Company (ARC) in 1938. At the time, ARC shared a studio with radio station 2GB in Sydney and produced transcription discs for radio broadcast, and later began pressing and distributing records. They created original radio programmes directed by Gordon Grimsdale. In 1949, ARC started two new labels, Rodeo and Pacific. Rodeo released music by Reg Lindsay and recordings of Tex Morton. Pacific produced local versions of pop songs from Capitol Records, but stopped when in 1951 ARC purchased the rights to distribute London Records and Capitol Records catalogue in Australia. They later sold its rights to Capitol to EMI. In 1953 The Australian Record Company became The Australian Record Company Limited, and released the first 10" LP and first 45 RPM record in Australia. They acquired the license to press records from the US Columbia Records, and did so under the name Coronet. ARC was the largest record company in Australia in 1960 and employed 167 people at the time. That year, ARC were acquired by CBS Records International and changed their name to CBS Records Australia in 1977. By the end of the 1980s, the company had become Sony Music Australia, and later Sony Music Entertainment (Australia) Limited. References General references The Australian 45rpm Revolution THE CAPITOL RECORD STORY, Barrier Miner (16 Oct 1954) Page 6 The Australian Record Company at Milesago External links Australian Record Company discography at Discogs (1938 to 1953) Australian Record Company discography at Discogs (1953 to 1977)
Coronet_Records
https://en.wikipedia.org/wiki/Coronet_Records
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Coronet Records is the name of at least three different record companies. One was based in San Francisco in the 1940s and was responsible for the first recordings of Dave Brubeck. Brubeck's Coronet Records disbanded when it couldn't pay its bills and its recordings were taken over by what became Fantasy Records. The second, a division of Premier Albums, issued a wide range of inexpensive LP records in the 1950s and 1960s in the United States. The third was a record label in Australia, based in Sydney. It operated from the early 1950s until around 1962 and was recognizable by its octagonal label. Until early 1960 Coronet was the principal house label of the ARC, releasing material licensed from international labels, primarily CBS Records in the U.S., as well as material recorded by Australian artists. In 1960 ARC was taken over by CBS Records (although the company continued to trade as ARC until the late 1970s) and the Coronet label was phased out in favour of the new CBS Australia label, which used the CBS/Columbia "walking eye" logo. References External links Coronet Records discography - Global Dog Productions MILESAGO: "The Australian Record Company" See also List of record labels
Sofi_Oksanen
https://en.wikipedia.org/wiki/Sofi_Oksanen
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Sofi-Elina Oksanen (born 7 January 1977) is a Finnish writer and playwright. Oksanen has published six novels, of which "Purge" has gained the widest recognition. She has received several international and domestic awards for her literary work. Her work has been translated into more than 40 languages and sold more than two million copies. Oksanen has been called "Finnish-Estonian Charles Dickens" and her work has often been compared to Margaret Atwood's novels. Oksanen is actively involved in public debate in Finland and comments on current issues in her columns and various talk shows. Early years and education Sofi-Elina Oksanen was born in Jyväskylä in central Finland, where she grew up in the Halssila district. Her father is a Finnish electrician. Her mother is an Estonian engineer who grew up in Estonia during the Soviet occupation and through marriage was able to move to Finland in the 1970s. Oksanen studied literature at the University of Jyväskylä and University of Helsinki and later drama at the Finnish Theatre Academy in Helsinki. Career Oksanen's first play "Purge" (Puhdistus) was staged at the Finnish National Theatre in 2007. From out of the play grew Oksanen's third novel "Purge" (2008). It ranked number 1 on the bestseller list for fiction in Finland when it was published and has received numerous awards, both in Finland and abroad. The play "Purge'" had its American première at La MaMa Experimental Theatre Club, in New York City, on 10 February 2011. The text was translated by Eva Buchwald and the production directed by Zishan Ugurlu. From October 2011, the play was produced in 15 countries, with productions in Norway, France, Portugal, Spain, Sweden, Iceland, Lithuania, Germany, Ukraine, and Hungary. It premiered in London at the Arcola Theatre from 22 February to 24 March with a new production directed by Elgiva Field. In Canada it premiered in 2021. The novel has been adapted into a film – see "Purge" (2012) – directed by Antti Jokinen, selected as the Finnish entry for the Best Foreign Language Oscar at the 85th Academy Awards. "Purge" was adapted into an opera, composed by Jüri Reinvere, and it premiered at Finnish National Opera in 2012. Her novel "Baby Jane" has also been adapted into an opera "Baby Jane". The composer is Markus Kärki. Helsingin Sanomat called it an opera event of the season. In 2012, Oksanen published a map of Soviet Gulag prison camps, drawn by Niilo Koljonen, in the National Audiovisual Archive. Her fourth novel "When the Doves Disappeared" (Kun kyyhkyset katosivat) was published on 31 August 2012 and it was the most sold Finnish novel of the year. The title refers to German soldiers catching and eating all the pigeons in Tallinn during the Nazi German occupation of Estonia during World War II. The book was translated into English by Lola Rogers: "When the Doves Disappeared: A novel". (Knopf, 2015. ISBN 978-0-385-35017-4.) Oksanen wrote a libretto for Kaija Saariaho's opera "Innocence." The world premiere was scheduled for 2020 at the Royal Opera House, Covent Garden, in London, but was postponed due to the Covid-19 pandemic. The opera had its world premiere on July 3, 2021 at the Grand Théâtre de Provence as part of the Festival d'Aix-en-Provence. The opera was called a "triumph" and a "masterpiece" in the press, and its international reception was overwhelmingly positive. Le Monde said it already has a place in the history of opera. Oksanen's libretto was described masterly, innovative, palpitating and thrilling. Les Echos reviewed the libretto perfect for stage and said: "From the libretto to the staging, everything promises this dark and strong work a great future in the biggest international theaters." The magazine "Transfuge" praised Oksanen's libretto for it remarkable format and chilling efficiency: "Each character has its identity, its language, its drama, its specter." After the world premiere the opera will travel to Finland's National Opera, Dutch National Opera, Royal Opera House (Covent Garden) and San Francisco Opera House. Oksanen has also written numerous articles published in international newspapers. The topics are often related to freedom of speech, women's rights, Russian politics, information war, immigration and Finlandization. In 2014, Die Welt published her article about information war from the point of view of former Eastern Bloc countries. Her novel, "Norma", translated by Owen F. Witesman, was published in English by Knopf in the US, Atlantic in the UK and House of Anansi in Canada. Oksanen's novel "The Dog Park" came out in English in 2021 published by Knopf in the US, Atlantic in the UK and House of Anansi in Canada. The translator was Owen F. Witesman. Two of her novels have been adapted into movies, "Purge" and "Baby Jane". The movie rights for "When the Doves Disappeared" and "Stalin's Cows" have been acquired. Personal life Sofi Oksanen and her husband, Juha Korhonen, were married in 2011 in Helsinki. Works Novels Stalin's Cows (original title Stalinin lehmät, published in Finnish 2003) Baby Jane (original title Baby Jane, published in Finnish 2005) Purge (original title Puhdistus, published in Finnish 2007) When the Doves Disappeared (original title Kun Kyyhkyset katosivat, published in Finnish 2012) Norma (original title Norma, published in Finnish 2015) The Dog Park (original title Koirapuisto, published in Finnish 2019) Plays The Blue-cheeked girls (original title Siniposkiset tytöt, 2005) Purge (original title Puhdistus, the world premiere at the Finnish National Theatre, 2007) When the Doves Disappeared (original title Kun kyyhkyset katosivat, the world premiere at the Finnish National Theatre, 2013) I love you already (original title Rakastan sinua jo nyt, 2017) Lyrics/Poems Too short skirt – tales from the kitchen (original title Liian lyhyt hame - kertomuksia keittiöstä, 2011) Libretto Innocence – opera by Kaija Saariaho, world premiere 2021 at the festival Aix-en-Provence Essays in English A Lion in a Cage, Eurozine, 19.5.2015 What's it like to write about Russia, 14.6.2016, UpNorth Your silence will not protect you, 28.2.2018, UpNorth My family knew all about iron curtain: it's vital to protect our right to speak out, The Guardian, 30.5.2018 A Soviet shadow looms over the Putin-Trump summit in Helsinki, The Guardian, 11.7.2018 Social media can work as life insurance for Navalny, Found Me, 5.2.2021 Awards Finlandia Prize, Finland, 2008 The Kristiina of the year, Kristiina-institute, Finland, 2008 The Mika Waltari Award, Finland, 2008 The Great Finnish Book Club Prize, Finland, 2008 The SSKK Recognition Award, Finland, 2008 The Kalevi Jäntti Award, Finland, 2008 Runeberg Prize, Finland, 2009 The Person of the Year, Postimees, Estonia, 2009 The Order of the Cross of Terra Mariana, Estonia, 2010 Nordic Council Literature Prize (2010) for Puhdistus The Prix Femina Ètranger, France, 2010 The Prix du Roman FNAC, France, 2010 The European Book Prize, EU, 2010 The French Booksellers Prize, France, 2012 The Order of the Lion of Finland, the Pro Finlandia, Finland, 2012 The Budapest Grand Prize, Hungary, 2013 The Swedish Academy Nordic Prize, Sweden, 2013 Wolmar Schildt Award, Finland, 2015 Premio Salerno Libro d'Europa, Italy, 2015 Chevalier Medal of Honour by Ordre des Arts et des Lettres, France, 2018 Nominations The Helsingin Sanomat Prize for the best debutant novel, Finland, 2003 Runeberg Prize, Finland, 2004 Prix Médicis, France, 2010 The Dublin International Literary Award (IMPAC), Ireland, 2012 The Dublin International Literary Award (IMPAC), Ireland, 2017 The Ambassador of Finnish Culture (The Culture Gala of the Century), Finland, 2017 The New Academy Prize in Literature, Sweden, 2018 Fedora Opera Prize, 2021 References External links Official site Kun kyyhkyset katosivat, When the Doves Disappeared What Westerners weren't supposed to see 29. May 2012, Sofi Oksanen's New Book to Break Printing Record, news 30. August 2012, Sofi Oksanen: Tiet keskitysleireille on kivetty hyvillä aikomuksilla 31. August 2012, Puhdistuksen ensi-ilta keräsi tähdet punaiselle matolle