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Tati_Gabrielle | https://en.wikipedia.org/wiki/Tati_Gabrielle | [
234
] | [
"https://en.wikipedia.org/wiki/Tati_Gabrielle"
] | Tatiana Gabrielle Hobson (born January 25, 1996) is an American actress. She is known for her roles as Gaia on The CW science fiction television series The 100, Prudence on the Netflix original series Chilling Adventures of Sabrina, and Marienne Bellamy on the Netflix series You. She also provided the voice of Willow Park on the Disney Channel animated series The Owl House, and played Jo Braddock in the 2022 movie Uncharted and Hannah Kim on the Netflix series Kaleidoscope.
Early life and education
Hobson was born on January 25, 1996, in San Francisco, California. She is one of three children born to Traci (née Hewitt) and Terry Hobson. Her father is African American, and her mother was born in Korea to a Korean woman and African American soldier. At age four, her mother was adopted by an African American military family that was stationed in Japan at the time.
Hobson began acting in the third grade, in an adaptation of Lemony Snicket's A Series of Unfortunate Events, where she played the main role of Lemony Snicket. She auditioned for Oakland School for the Arts in middle school and was accepted into their theatre program. She has performed in and directed several productions and has won multiple awards for her work at various theatre festivals, including the Edinburgh Festival Fringe in Scotland.
Hobson graduated from Oakland School for the Arts with a 3.7 GPA. She moved to Atlanta after high school to attend Spelman College, where she majored in drama and French.
Career
Gabrielle's first credit was under the name Tatiana Hobson, in the 2014 short film To Stay the Sword. In 2015, Gabrielle moved to Los Angeles. She starred in the 2015 short film Tatterdemalion and the 2016 television film Just Jenna as Monique.
Her first credit as Tati Gabrielle came in 2016 for her guest role as Wacky Jacky in the "Tightrope of Doom" episode of the Disney Channel comedy series K.C. Undercover. Later that year, Gabrielle also starred in Nickelodeon's The Thundermans in the episode "Stealing Home" as Hacksaw.
In 2017, Gabrielle landed her first recurring role as Gaia in The CW apocalyptic drama The 100. That same year, she was featured in an episode titled "Bob" of the Hulu anthology series Dimension 404, where she portrayed Amanda's sister. Gabrielle also voiced Addie in the 2017 film The Emoji Movie, her first major film role, and recurred in the second season of Hulu's Freakish as Birdie and on the TBS animated series Tarantula.
In March 2018, Gabrielle was cast as a series regular in the role of Prudence in the Netflix original series, Chilling Adventures of Sabrina. In 2020, Gabrielle was cast as Marienne Bellamy on the third season of the Netflix psychological thriller series You, and reprised her role on the fourth season. In 2022, Gabrielle starred as the villain Jo Braddock in the film Uncharted. In May 2023, Gabrielle was cast as Jade in an untitled sequel to the 2021 Mortal Kombat film.
Filmography
References
External links
Tati Gabrielle at IMDb |
You_(TV_series) | https://en.wikipedia.org/wiki/You_(TV_series) | [
234
] | [
"https://en.wikipedia.org/wiki/You_(TV_series)#Season_2_(2019)"
] | You is an American psychological thriller television series based on the books by Caroline Kepnes, developed by Greg Berlanti and Sera Gamble, and produced by Berlanti Productions, Alloy Entertainment, and A+E Studios in association with Warner Horizon Television, now Warner Bros. Television.
The first season, which is based on the novel You, premiered on Lifetime in September 2018, and follows Joe Goldberg, a bookstore manager and serial killer who falls in love and develops an extreme obsession. The season stars Penn Badgley, Elizabeth Lail, Luca Padovan, Zach Cherry, and Shay Mitchell. Lifetime announced in July 2018 that You had been renewed for a second season, based on Kepnes' follow-up novel Hidden Bodies. The series later moved to Netflix and the second season was released in December 2019. The season follows Joe as he moves to Los Angeles and falls in love with local heiress Love Quinn. For the second season, Ambyr Childers was upgraded to a series regular, joining newly cast Victoria Pedretti, James Scully, Jenna Ortega, and Carmela Zumbado.
In January 2020, the series was renewed for a third season by Netflix, which was released on October 15, 2021. In the third season, Saffron Burrows was upgraded to a series regular, joining newly cast Travis Van Winkle, Shalita Grant, Tati Gabrielle, and Dylan Arnold. In October 2021, ahead of the third-season premiere, the series was renewed for a fourth season, which was released over two parts on February 9 and March 9, 2023. The season also stars Charlotte Ritchie, Tilly Keeper, Amy-Leigh Hickman, Ed Speleers and Lukas Gage. In March 2023, the series was renewed for a fifth and final season.
Premise
The first season follows the story of Joe Goldberg, a bookstore manager in New York, who upon meeting Guinevere Beck, an aspiring writer, becomes infatuated with her. He feeds his obsession using social media and other technology to track her presence and watch her in her house and remove obstacles to their romance including her friends and ex-boyfriend.
In the second season, Joe Goldberg moves from New York to Los Angeles to escape his past and starts over with a new identity to avoid his ex-girlfriend Candace who seeks revenge for burying her alive prior to season 1. When he meets avid chef Love Quinn, Joe begins falling into his old patterns of obsession and violence. As Joe attempts to forge a new love, he strives to make his relationship with Love succeed at all costs to avoid the fate of his past romantic endeavors. Unbeknownst to him, Love has dark secrets herself.
In the third season, Joe and Love are married and raising their newborn son, Henry, in the Californian suburb of Madre Linda. As their relationship dynamic takes a new turn, Joe continues to repeat the cycle of obsession with a burgeoning interest in Natalie, the next door neighbor, and local librarian Marienne. This time, Love ensures that her dream of having the perfect family will not be torn away so easily by Joe's compulsive actions.
In the fourth season, Joe Goldberg, posing as Jonathan Moore, is now residing in London, working as an English professor at a respected university, and leading a sedate existence. He has also been following Marienne around Europe in an attempt to locate her. His new life of solitude, however, is disrupted when he begins to bond with a circle of wealthy socialites, who begin to die off one by one as a serial murderer begins to target their elite group. Joe reverts to his old habits when he is pinned with evidence and blackmailed by the killer, who plays mind games with his subconscious. While trying to keep his true identity hidden from the group and working to catch the killer, Joe develops feelings for another woman named Kate.
Cast and characters
Penn Badgley as Joe Goldberg / Will Bettelheim / Jonathan Moore, a charming bookstore manager at Mooney's who stalks and dates Beck in the first season. In the second season, he goes by the name Will Bettelheim and works as a bookstore clerk at Anavrin, and stalks and dates Love. In the third season, he is going by Joe once more, married to Love Quinn with their child. In the fourth season, Joe is in London and is masquerading as a university professor going by the name Jonathan Moore. Joe is portrayed as a teenager by Gianni Ciardiello in the first season, and as a child by Aidan Wallace and Jack Fisher in the second and third seasons, respectively.
Elizabeth Lail as Guinevere Beck (season 1; special guest season 2, 4), a broke NYU graduate student and an aspiring writer who enters into a relationship with Joe
Luca Padovan as Paco (season 1), Joe's young neighbor who sees Joe as a source of support and a role model
Zach Cherry as Ethan Russell (season 1), a bookstore clerk who works with Joe and dates Beck's friend Blythe
Shay Mitchell as Peach Salinger (season 1), a wealthy and influential socialite and Beck's best friend whom she met at Brown University, who harbors a secret passion for her
Victoria Pedretti as Love Quinn (seasons 2–3, special guest season 4), an aspiring chef and health guru in Los Angeles who gets involved with Joe and has dark secrets herself
Carmela Zumbado as Delilah Alves (season 2), Ellie's older sister, an investigative reporter who leases Joe's flat to him and they have a brief romantic encounter
Jenna Ortega as Ellie Alves (season 2), Delilah's fifteen-year-old sister who lives in the same block of apartments as Joe/Will
James Scully as Forty Quinn (season 2; special guest season 3), Love's beloved and troubled twin brother who relies on Love for support in most matters due to his addictions and mental health issues
Ambyr Childers as Candace Stone (season 2; recurring season 1), Joe's ex-girlfriend who follows him to Los Angeles seeking revenge
Saffron Burrows as Dottie Quinn (season 3; recurring season 2), Love and Forty's mother
Tati Gabrielle as Marienne Bellamy (season 3–present), a librarian and keen observer of the neighborhood's denizens. Beneath her practical exterior, Marienne is hiding personal struggles that set her back, as she tries to create a better life for herself and her daughter. She moves with her daughter to Paris after the events of the third season.
Shalita Grant as Sherry Conrad (season 3), a locally famous "momfluencer", admired by her social media followers for her well crafted persona, she often insults people through veiled insults and sees herself as superior to everyone in Madre Linda. She is very fake and only seeks things that support her personal interests.
Travis Van Winkle as Cary Conrad (season 3), a wealthy, charismatic, and self-proclaimed founder who runs his own supplement company and is married to Sherry with whom they share twin girls
Dylan Arnold as Theodore "Theo" Engler (season 3), a troubled college student who has a strained relationship with his stepfather, Matthew Engler, and who has a crush on Love
Charlotte Ritchie as Katherine "Kate" Galvin-Lockwood (season 4), a fearsomely intelligent art gallery director. Her partying boyfriend Malcolm will bring Joe into their lives.
Tilly Keeper as Lady Phoebe Borehall-Blaxworth (season 4), a wealthy social media influencer who is part of the royal family. She is romantically involved with Adam and has a dramatic yet bubbly personality.
Amy-Leigh Hickman as Nadia Farran (season 4), one of Joe's students. She is outspoken and competitive, and a lover of genre fiction.
Ed Speleers as Rhys Montrose (season 4), an author and mayoral hopeful whose memoir about his experiences in prison lifted him out of poverty. He appears to quickly form a connection with Joe over their similar personal backgrounds.
Lukas Gage as Adam Pratt (season 4), an American playboy who hails from a wealthy family and owns Sundry House, an elite London social club. He is dating Lady Phoebe and has a strained relationship with his father, who he typically consults to bail him out of debt from his failed business ventures.
Episodes
Season 1 (2018)
Season 2 (2019)
Season 3 (2021)
Season 4 (2023)
Season 5
Production
Development
In February 2015, it was announced that Greg Berlanti and Sera Gamble would develop a series based on Caroline Kepnes' book You with Berlanti and Gamble as the scriptwriters, and Berlanti as the pilot director. Initially, Berlanti and Gamble pitched the show to Showtime but were unsuccessful in their attempts. In addition, both creators had also originally pitched the series to Netflix but were declined twice, prior to Netflix's head of international non-English originals, Bela Bajaria joining the company in late 2016. Berlanti recounted his experience of pitching the show to Netflix in an interview with Entertainment Weekly, stating that You "felt like more of a binge show". He further added that his team "tried initially to sell it to Netflix at the very beginning and [Netflix's chief content officer] Ted Sarandos has said as much that they wish they'd gotten it the first time".
In January 2017, it was announced that the series had been purchased by Lifetime and put into fast-track development. In April 2017, Lifetime gave You a 10-episode straight-to-series order. On July 26, 2018, ahead of the series premiere, Lifetime announced that the series had been renewed for a second season.
In November 2018, Gamble confirmed that like Hidden Bodies, the sequel novel to You, the setting of the series would move to Los Angeles for the second season. On December 3, 2018, it was confirmed that Lifetime had rescinded its renewal of the series and that Netflix had picked up You ahead of the release of the second season. On January 14, 2020, Netflix renewed the series for a 10-episode third season. On October 13, 2021, ahead of the third-season premiere, Netflix renewed the series for a fourth season. On March 24, 2023, the series was renewed for a fifth and final season, initially set to release in 2024. However, journalists predicted delays, as the 2023 Writers Guild of America and SAG-AFTRA strikes delayed the season's scripting and production schedules.
In March 2019, Berlanti discussed the challenges of finding the right platform for the series in a panel interview. Speaking at the INTV conference, he stated that "we pitched [You] and sold it to Showtime of all places, but…once they read the script, they were really cool about saying, 'You can take it somewhere else'...". After being turned down by the network, he later pitched the show to Lifetime, who "wanted to make it, and we shot it, and because of their launch cycle it sat in the can for a while for two-and-a-half years. Then they finally started to release it, and it didn't do very well." Although, Lifetime reneged on their initial renewal offer for a second season in late 2018, Berlanti recalled that he went to the offices of the network executives to plead them to change their mind, asking "I still think it's going to work, I still think it's going to work – maybe one more episode, maybe if people have a chance to see five more episodes." Later, he was relieved by the news of Netflix's guarantee of committing to a second season after Lifetime canceled the series.
Following Netflix's reportings on the considerable success that You obtained after it was made available to stream on their platform service, Penn Badgley wrote in an email response to The Washington Post that "We're grateful to Lifetime for being the gateway to getting the show made. We wouldn't have been able to make the show without them, as far as I can tell. There is no sense of bewilderment that the show had one reaction while it was on Lifetime and another when it went to Netflix. The difference in viewership is obvious, and it's indicative of so many different things, not the least of which is the way young people consume media."
Casting
Penn Badgley was cast as lead character Joe Goldberg in June 2017. Elizabeth Lail's casting as Guinevere Beck was announced in July 2017, as well as Luca Padovan as Joe's neighbor Paco, and Zach Cherry as Ethan, a bookstore clerk who works with Joe. Shay Mitchell was cast as Peach Salinger, Beck's wealthy best friend, in August 2017.
In September 2017, Hari Nef was cast in the recurring role as Blythe, a talented and competitive peer in Beck's MFA program. A few days later it was announced that Daniel Cosgrove had been cast in the recurring role of Ron, a correctional officer. In October 2017, Michael Maize and Ambyr Childers were cast in the recurring roles of Officer Nico and Candace, respectively. It was announced in November 2017 that John Stamos would recur as Dr. Nicky, Beck's therapist.
On January 30, 2019, it was announced that Victoria Pedretti had been cast in the main role of Love Quinn for the second season. Pedretti had originally auditioned for the role of Guinevere Beck prior to the filming of the first season in 2017. Though the part later went to Lail, Pedretti was cast in the following season after the showrunners saw the actress's performance in Netflix's The Haunting of Hill House and the casting directors liked her chemistry with Badgley. On January 31, 2019, James Scully was cast in a main role as Forty Quinn, Love's brother, and Jenna Ortega was also cast in a main role as Ellie Alves.
On February 1, 2019, Deadline Hollywood reported that Ambyr Childers had been promoted to a series regular role, ahead of the premiere of the second season. On February 6, 2019, Adwin Brown was cast in the recurring role of Calvin on the second season. On February 15, 2019, Robin Lord Taylor was cast in the recurring role of Will on the second season. On February 21, 2019, Carmela Zumbado was cast in the series regular role of Delilah Alves on the second season. On March 4, 2019, it was reported that Marielle Scott has been cast in the recurring role of Lucy on the second season. On March 5, 2019, Chris D'Elia was cast in the recurring role of Henderson on the second season. On March 26, 2019, Charlie Barnett was cast in the recurring role of Gabe on the second season. On April 4, 2019, Melanie Field and Magda Apanowicz were cast in recurring roles as Sunrise and Sandy, respectively. On June 4, 2019, Danny Vasquez had been cast in a recurring role. On June 24, 2019, it was confirmed that John Stamos would reprise his role as Dr. Nicky in the second season. On October 17, 2019, Elizabeth Lail confirmed in a Build Series interview that she would reprise her role as Guinevere Beck in a guest appearance on the second season.
In October 2020, Travis Van Winkle and Shalita Grant were cast as series regulars while Scott Speedman was cast in a recurring role for the third season. In November 2020, it was announced that Saffron Burrows was upped to regular status after recurring in the second season. Additionally, Tati Gabrielle and Dylan Arnold were also cast as series regulars for the third season, with Michaela McManus, Shannon Chan-Kent, Ben Mehl, Christopher O'Shea, Christopher Sean, Bryan Safi, Mackenzie Astin, Ayelet Zurer, Jack Fisher, and Mauricio Lara added as recurring cast members. On January 25, 2021, Scott Michael Foster joined the cast in a recurring role for the third season. On April 15, 2021, it was confirmed that John Stamos would not be returning in the third season.
In February 2022, Lukas Gage was cast as a series regular for the fourth season. In March 2022, Charlotte Ritchie was cast as a series regular for the fourth season. In April 2022, Tilly Keeper, Amy Leigh Hickman, and Ed Speleers were cast as new series regulars while Niccy Lin, Aidan Cheng, Stephen Hagan, Ben Wiggins, Eve Austin, Ozioma Whenu, Dario Coates, Sean Pertwee, Brad Alexander, Alison Pargeter, and Adam James joined the cast in recurring roles for the fourth season.
In March 2024, Madeline Brewer, Anna Camp and Griffin Matthews were cast as series regulars for the fifth season.
Filming
The first season of You was filmed in New York City and filming concluded on December 19, 2017. For the second season, the series relocated its production to California to take advantage of tax incentives provided by the California Film Commission under its "Program 2.0" initiative.
Filming for the second season took place on location in Los Angeles, California, from February 2019 to June 2019.
For the third season, the series was awarded $7.2 million in tax credits by the state of California. Filming for the third season began on November 2, 2020, and was originally scheduled to conclude in April 2021. On December 31, 2020, production of the third season was paused for two weeks due to the COVID-19 pandemic. Filming resumed in February 2021 and ended in April 2021.
Filming on the fourth season officially began on March 21, 2022, in London, and ended on August 27, 2022. The London filming locations included Royal Holloway, South Kensington, Grant's Quay Wharf in Old Billingsgate, Lincoln's Inn Library, Knebworth House and St. Pancras Station. Badgley made his directorial debut with the ninth episode of the season.
Filming for the fifth season began in late March 2024, and ended in August 2024.
Technical aspects
Lee Toland Krieger and David Lanzenberg were both credited as the director and cinematographer for the first two episodes, respectively. Since then, the series has had a number of cinematographers and directors. Krieger and Lanzenberg were inspired by the works of cinematographer Darius Khondji in films such as David Fincher's Seven (1995) and Woody Allen's Midnight in Paris (2011).
As part of creating the striking look for the series, they executed various dolly shots and used anamorphic lenses to evoke a level of surrealistic voyeurism, demanding from the viewer their participation in the romantic manifestations of Joe's worldview. Krieger asserted that in order to sell Joe's character to the audience, he needed to craft You with a certain visual look and mood, slightly different, unconventional and accented than the standard color palette and tone for contemporary thrillers. He stated that "I wanted something that felt like a great New York love story, just with a very disturbed protagonist", adding that "The show opens with these luscious slow-motion shots. There's that amber glow. It doesn't feel like a thriller."
For the second season, the setting change from New York to Los Angeles, entailed a distinctive use of saturated hues and colorful warm lighting, in part to contrast and depict an alteration of Joe's perspective of a new city which he had never visited previously. It would also signal a period in which Joe could find an avenue for encountering newer opportunities for a fresh start. In a Variety interview with the lead showrunner, Gamble noted the change, stating that "If you went straight from Season 1 to Season 2, you'll notice the sun-drenched color palette. There's something creamier about the light in L.A. than Season 1."
Release
The official trailer for You was released on April 10, 2018, by Lifetime. You premiered on Lifetime in the United States on September 9, 2018. In May 2018, it was announced that Netflix acquired the exclusive international broadcast rights to You, making it available as an original series on the platform. On December 3, 2018, it was announced that Lifetime had passed on the second season, and that the series would move to Netflix as a global Netflix Original series. The first season became available to stream instantly on Netflix worldwide on December 26, 2018. The first season was released on DVD as a manufacture-on-demand title by Warner Archive Collection on January 14, 2020. On December 5, 2019, a teaser trailer for the second season was released by Netflix. On December 16, 2019, the official trailer for the second season was released. The second season was released on December 26, 2019. The second season was released on DVD on January 26, 2021. As part of a video and letter to its shareholders in April 2021, Netflix's co-chief executive officer and chief content officer, Ted Sarandos confirmed that the third season of You is expected to premiere sometime in the fourth quarter of 2021. On August 30, 2021, Netflix announced that the third season will premiere on October 15, 2021. On September 17, 2021, the official trailer for the third season was released. The fourth season was slated to be split into two parts. The first part of the fourth season premiered on February 9, 2023, and the second part premiered on March 9.
Marketing
Teasing the original premiere on Lifetime on September 9, 2018, the main cast, Penn Badgley, Elizabeth Lail and Shay Mitchell, as well as the show creator, Sera Gamble, and author of the original book, Caroline Kepnes, sat down with Build Series, a YouTube talk show meant to promote new buzzworthy shows and movies.
Before the show's premiere, Badgley mentioned his disinterest in playing the character of Joe Goldberg in an interview with Entertainment Weekly, saying that "I didn't want to do it — it was too much. I was conflicted with the nature of the role. If this is a love story, what is it saying? It's not an average show; it's a social experiment." However, he was strongly convinced by the script and the social commentary around the series, adding that "what was key in me wanting to jump on board were my conversations with Greg Berlanti and Sera Gamble, the creators, and understanding Joe's humanity. I knew that I would be conflicted about the role from day one till the last day, and that is why they thought I would be good for it, is that I'm not psyched to play somebody of this nature."
Relaying similar thoughts in an interview with GQ, Badgley again raised his concerns of portraying Joe, noting that he was first apprehensive at the role but later, changed his mind, expressing that "no one in any position of authority could ever try to act as though we don't know that sex and murder sells, but how can it work in a different way we've not seen? That's where I think this show does something that none of us could have said for certain that we would nail. It could have been really irresponsible. It could have fallen flat and been like, whoa." In another interview at The Contenders Emmys 2019 panel, Badgley mentioned that his character was "the hero of his own story...every serial killer is" but added that Joe is "ultimately, the word that's coming to mind is un-saveable". The actor highlighted that though, there is an apparent affinity to Joe's character, it is somewhat of a "Rorschach test of a kind for us," adding that "we're failing. . ." In an interview with TheWrap, Badgley was asked about whether his approach to portraying Joe over the course of the second season had shifted from the previous season. Badgley stated in response that playing Joe was still an "isolating" experience, but admitted that he was surprised by "how deep of a metaphor we're working with this guy". Nonetheless, he stressed that the incredible range of responses from audiences that followed from portraying "such a damaged, traumatized person", who is "awful and blind and abusive", allowed for "more meaningful conversations about the themes that the show is working" to be discussed in the public sphere.
Various critics gave praise to the series, by complimenting its eerie tone and terrifying approach to the themes of violence and stalking, reminiscent of contemporary thriller films and series like Dexter, Gone Girl and American Psycho. Certain reviewers highlighted that You provides an alluring but disturbing insight into the mind and profile of a psychopath, who charmingly manipulates – through his anti-hero charisma, motives and warped sense of morality – the audience into "[sympathizing] with a stalker" and "serial killer".
The marketing for the series used the buzz around the #MeToo Movement to gain attention to the start of the show. You has been said to have been "tailor-made for the #MeToo Era." One of the show creators, Sera Gamble, commented on this era by highlighting that in contemporary culture, attention is almost unanimously given to the perspective of the male and his story, so naturally he is positioned through the lens of a hero. She states "We're focused on their story, their triumph, their downfall, their redemption arc ... So I doubt the show will single-handedly change the way we think about dudes and our culture, but I'm happy to be part of the conversation."
Themes
You explores the psychodynamic view of erotomania and obsessive love between Joe and his romantic interests. In addition, the series further raises questions on the ethics and potential implications of manipulating circumstances and how the psychology of stalking, murder and violence is best exemplified by Joe's intrusive and insidious actions, to manufacture the constructs of an idealized love relationship. The theme of obsession and violence is significantly expanded upon in the second season with the introduction of the character of Love Quinn. The examination and deconstruction of the Manic Pixie Dream Girl and Cool Girl tropes enabled the writers to express the idea that certain women such as Love harbor internalized misogyny through actions that either minimize or question the lived experiences of female victims in favor of men that they are romantically inclined to. The balance of such an approach in emotional conflict poses an interesting dilemma for the viewer, where sympathy is later garnered for Love's perspective due to her complicated history, underlying motives in manifesting the goal of attaining her idealized soulmate, and the tension between her perceived image against Joe's mental projection of a conceptualized fantasy girl.
As the first season of You is situated in modern-day New York City, it explores the dangers of stalking and social media culture with an emphasis on a lack of digital privacy. The author of the novel, Caroline Kepnes, explained the darkness of You, which deconstructs the romantic-comedy tropes highlighted in many films and shows, by making the protagonist a violent stalker and serial killer, saying it was written in a dark period of her life, the year her father died of cancer, and in which she experienced several other personal challenges. She further stated that her inspiration for the novel grew out of her moving back to LA. She expressed that when she moved, she noticed that "suddenly everyone was following each other and being followed, and I always thought of that as such a negative thing," soon creating Joe in her mind as a very real possibility of what can happen with that type of access into people's lives. After the series premiered, Kepnes mentioned in an interview with Emily Baker from iNews, that she was initially hesitant on labeling Joe, as a few readers argued that his actions, classified him as a serial killer. The author then, clarified her position on the matter, citing that "I remember when I wrote You and someone first referred to Joe as a serial killer. I argued 'he's not a serial killer, he meets these terrible people and has these awful thoughts, but he's very sensitive. It's very strange to realize you have written a serial killer."
Sera Gamble, the showrunner and co-creator of the series, stated in an interview with Collider, that when envisioning Joe, the main protagonist of the series, she wanted to delve deeply into the root cause of the pathology of his behavior that shaped his amoral position to justify and rationalize stalking, kidnapping and killing his victims. When she was writing the character, she stated that "I want to understand what coaxes behavior of this nature out of that very tiny percentage of men. I like to think it's a very tiny percentage of men who would cross a line like the line that Joe Goldberg crosses".
In an interview at The Contenders Emmys 2019 panel, Gamble highlighted the importance of casting the right person to play the role of Joe Goldberg. She stated that "it had to be a love story and a horror movie in every single scene", further adding that if they "cast someone who was sort of creepy, then the story wouldn't work; the idea is that it's a lead in a romantic comedy who works in a bookstore and a woman walks in, they have a cute meet and fall in love and live happily ever after. That's the show." Expanding on her commentary on the show's themes and origin, Gamble stated at The Hollywood Reporter's roundtable interview, that she was not surprised to hear an overwhelming reception to Joe's character amongst online fans and viewers, citing that "There's a very vocal contingent of fans of Caroline Kepnes' book [on which You is based] who were like, "I heart Joe." Essentially what she's done is taken the classic romantic hero and just peeled back the gloss and sheen and John Cusack with the boombox and she followed it to its logical conclusion. I mean, if you turn off the sappy music and turn on a David Fincher score, romantic comedies are stalker movies. The plot of pretty much every one I can think of — and we have watched all of them many times in the writers room — is contingent on the guy ... well, first of all, he has to do a certain amount of fucking up so she can forgive him. And he has to get over some of her shortcomings. I mean, that's love, right? But also, he's chasing her through a fucking airport, chasing her on a freeway, watching her sleep because he feels protective. Romantic comedy behavior in real life is criminal! And that was basically the starting place for the show."
After the series was acquired by Netflix, Gamble noted in several interviews on the changes that would occur in the following season. In an interview with New Musical Express, Gamble highlighted that an exploration of Joe's descent in future storylines will further necessitate a focus on underlying issues that inform his skewed worldview. She later added that "We're interested in exploring the character and we're well aware that what the character is doing is not ok – it's deeply, deeply problematic. So what's interesting to us is: what does he think he's done wrong, what does he think he has to do differently, and to really explore that while still keeping that clinical cold eye on the whole show. And that eye is on a show that's about a guy who kills people." Given the hands off approach that Netflix is known for, Gamble added in an interview with The New York Times that the second season will be different, explaining that "Certain things are changing in the way we are thinking about Season 2 of You. We have a little more flexibility around timing, since we don't have commercial ads, and also we can say the word [expletive] a lot more. As someone who swears a lot, that's a great thing. Netflix lets you give as many [expletive] as you want." In an interview with LadBible, Gamble declared that the team's approach to writing the second season would necessitate a change in the formula, noting that "We knew that it wouldn't be possible to repeat it as the audience is very much onto Joe now and will see through him". Furthermore, she highlighted that the second season will be "gorier and scarier than anything we had in season one."
Due to narrative changes, the second season would necessitate a shift in setting to Los Angeles from the prior season. As a result, Gamble noted in an interview with Entertainment Weekly that the season will have a different feeling, citing that "Los Angeles is full of people who are really trying to live their best life and self-actualize," and that "When you put somebody who needs a lot of healing into a city that advertises itself basically as this Mecca full of cutting-edge healers, the alchemy is a little unexpected for him." She further added, that there will be more deviations in the ongoing story compared to Kepnes' sequel novel Hidden Bodies but stressed that some plot elements will still be adapted in the second season. Speaking in an interview with Vogue, the showrunner explained that the second season, offered an opportunity for the writers to satirize and dig beneath the Hollywood scene, influencer lifestyle and wellness culture that permeates the surface of Los Angeles. Though, Gamble mentioned that it was imperative to balance the pokes at L.A. culture by representing a different side to the city, citing that "I think when you squint at it from far away, it seems like a city that's sprung up around the entertainment business which is technically true to a certain extent, but a lot of the portrayal of LA that people have seen in stuff like Entourage... and what you see in tabloids, where you think it's all famous people running around to their plastic surgeon and in BMWs, and that's actually a very small slice of a city that's this vast patchwork of neighbourhoods. We're all very lucky that Hollywood is here because it's paying our bills... the reach of Hollywood is vast... but people have much fuller, deeper more expansive lives than that, once you're here." In an interview with Boston Herald, Gamble stated that "Joe will always have biting thoughts about other people," further highlighting that "so it's fun to drop him into an environment that gives him a lot of fodder. He had judgments about the crowd in New York, and he also does about the crowd around him in L.A. And since we [the show's creative team] all live in Los Angeles, that's a lot of fun for us. We're really excited to do the other side of the coin."
Reception and impact
Audience viewership
On January 17, 2019, Netflix announced that the series was on track to be streamed by over 40 million viewers within its first month of release on the streaming platform. On December 13, 2019, Netflix announced over 43 million viewers had completed watching the whole season since its release on the service. On December 30, 2019, Netflix issued a number of official lists, including the Most Popular TV Shows of 2019. The series was among the most viewed in the U.S. market, where You was ranked fifth among series. On January 21, 2020, Netflix announced that the second season had been viewed by over 54 million viewers on its service within its first month of release, referring to viewers who had watched at least 2 minutes of one episode. According to the year-end summary from Nielsen, You was in the group of top ten most-watched original series in the U.S. market between December 30, 2019, through December 27, 2020, where it ranked tenth based on minutes watched, with a 10.96 billion total minutes of streaming.
Critical response
On the review aggregator website, Rotten Tomatoes, the first season has a 93% approval rating with 60 reviews, with an average rating of 7.10/10. The website's critical consensus reads, "You pairs thrilling drama with trashy fun to create an addictive social media horror story that works its way under the skin – and stays there." Review aggregator Metacritic gave the first season a score of 74 out of 100 based on 29 critics, indicating "generally favorable reviews".
On Rotten Tomatoes, the second season has an 87% approval rating with an average rating of 8.01/10, based on 45 reviews. The website's critical consensus reads, "Penn Badgley's perversely endearing serial stalker keeps looking for love in all the wrong places during a second season that maintains the subversive tension while adding some welcome variations on the series' formula." On Metacritic, the second season has a weighted average score of 74 out of 100, based on 17 critics, indicating "generally favorable reviews".
On Rotten Tomatoes, the third season holds a 96% approval rating with an average rating of 8.00/10 based on 53 reviews. The website's critics consensus reads, "You takes its thrilling saga to the suburbs with superb results, made all the more delicious by Penn Badgley and Victoria Pedretti's committed performances." On Metacritic, the third season has a weighted average score of 77 out of 100, based on 13 critics, indicating "generally favorable reviews".
The fourth season has an approval rating of 92% on Rotten Tomatoes, based on 53 reviews, with an average rating of 7.3/10. The website's critics consensus states, "The hunter becomes prey in You's London-set fourth season, which shows some wear as this premise begins to outlive its believability—but Penn Badgley's sardonic performance continues to paper over most lapses in logic." On Metacritic, the first part of the fourth season received a score of 73 based on reviews from 20 critics, indicating "generally favorable reviews". For the second part of season 4, Metacritic, which uses a weighted average, assigned a score of 82 out of 100 based on 8 critics, indicating "universal acclaim".
Cultural influence
You gained a dedicated following soon after its release on Netflix. Once the first season became available to stream worldwide on Netflix, the series' popularity increased dramatically with an estimated 40 million people having viewed it, in its first month on the streaming platform, dwarfing its viewership from Lifetime. The series later became the subject of numerous online discussions and debates surrounding the romanticization of the serial killer and stalker protagonist in question. According to many reporters and critics, concerns were expressed regarding the viewers who have positively identified and connected with Penn Badgley's character on multiple social media platforms, despite the transgressive acts that the protagonist displayed and committed over the course of the season. Among the viewers who took an affinity to Joe was Stranger Things actress Millie Bobby Brown. Brown took to social media, sharing her initial thoughts in a video by downplaying Joe's questionable acts, but subsequently, changed her position on the matter after watching the entirety of the first season.
After Badgley received tweets from various fans and viewers of the series about how the series seemingly glorified Joe's violent behaviors, the actor responded with tongue-in-cheek replies on Twitter and Instagram and noted the importance of not romanticizing the actions of a psychopathic murderer. In response to the growing concerns of viewers romanticizing Joe's vicious behaviors, Elizabeth Lail conveyed her thoughts surrounding the conversation in an interview with Image. Lail expressed she initially had concerns about the audience's reactions but explained that "I think we are programmed that way. Myself included. With all the rom-coms and fairy tales we've read, we're programmed to root for the hero at any cost, unfortunately. And so, my hope is that these women notice that inside themselves; and ask themselves, 'oh gosh, why do I love this terrible man?' I hope they recognize it as an unconscious bias (that's inside most of us), and actively work against it."
Victoria Pedretti, the lead actress of the second season, responded in a commentary to the audience's strong alignment to Joe's perspective. In an interview with Variety, Pedretti stated that, though she is aware of the phenomenon behind the reactions and concerns after the series gained a remarkable following, it is fueling the conversation, citing that it "talks about the kind of horrors of being a young person on the internet today. [. . .] I think it's a really smart way to discuss this trope that we've romanticized so much — this idea of this man that Penn plays. We know these people, and they're really hard to pluck out because they see themselves, and we see them, as the nice guys."
Accolades
Notes
References
External links
You on Netflix
You at IMDb |
Procellariiformes | https://en.wikipedia.org/wiki/Procellariiformes | [
235
] | [
"https://en.wikipedia.org/wiki/Procellariiformes"
] | Procellariiformes is an order of seabirds that comprises four families: the albatrosses, the petrels and shearwaters, and two families of storm petrels. Formerly called Tubinares and still called tubenoses in English, procellariiforms are often referred to collectively as the petrels, a term that has been applied to all members of the order, or more commonly all the families except the albatrosses. They are almost exclusively pelagic (feeding in the open ocean), and have a cosmopolitan distribution across the world's oceans, with the highest diversity being around New Zealand.
Procellariiforms are colonial, mostly nesting on remote, predator-free islands. The larger species nest on the surface, while most smaller species nest in natural cavities and burrows. They exhibit strong philopatry, returning to their natal colony to breed and returning to the same nesting site over many years. Procellariiforms are monogamous and form long-term pair bonds that are formed over several years and may last for the life of the pair. A single egg is laid per nesting attempt, and usually a single nesting attempt is made per year, although the larger albatrosses may only nest once every two years. Both parents participate in incubation and chick rearing. Incubation times are long compared to other birds, as are fledging periods. Once a chick has fledged there is no further parental care.
Procellariiforms have had a long relationship with humans. They have been important food sources for many people, and continue to be hunted as such in some parts of the world. The albatrosses in particular have been the subject of numerous cultural depictions. Procellariiforms include some of the most endangered bird taxa, with many species threatened with extinction due to introduced predators in their breeding colonies, marine pollution and the danger of fisheries by-catch. Scientists, conservationists, fishermen, and governments around the world are working to reduce the threats posed to them, and these efforts have led to the signing of the Agreement on the Conservation of Albatrosses and Petrels, a legally binding international treaty signed in 2001.
Taxonomy
The order was named Procellariiformes by German anatomist Max Fürbringer in 1888. The word comes from the Latin word procella, which means a violent wind or a storm, and -iformes for order.
Until the beginning of the 20th century, the family Hydrobatidae was named Procellariidae, and the family now called Procellariidae was rendered "Puffinidae." The order itself was called Tubinares. A major early work on this group is Frederick DuCane Godman's Monograph of the Petrels, five fascicles, 1907–1910, with figures by John Gerrard Keulemans.
In the Sibley-Ahlquist taxonomy, the tubenoses were included in a greatly enlarged order "Ciconiiformes". This taxonomic treatment was almost certainly erroneous, but its assumption of a close evolutionary relationship with other "higher waterbirds" – such as loons (Gaviiformes) and penguins (Sphenisciformes) – appears to be correct. The procellariiforms are most closely related to penguins, having diverged from them about 60 million years ago.
The diving petrels in the genus Pelecanoides were formerly placed in their own family Pelecanoididae. When genetic studies found that they were embedded within the family Procellariidae, the two families were merged.
All the storm petrels were once placed in the family Hydrobatidae but genetic data indicated that Hydrobatidae consisted of two deeply divergent clades that were not sister taxa. In 2018 the austral storm petrels were moved to the new family Oceanitidae. The northern storm petrels in the family Hydrobatidae are more closely related to the family Procellariidae than they are to the austral storm petrels in the family Oceanitidae.
Earlier molecular phylogenetic studies found the family Oceantidae containing the austral storm petrels as the most basal with differing branching topologies for other three families. More recent large-scale studies have found a consistent pattern with the albatross family Diomedeidae as the most basal and Hydrobatidae sister to Procellariidae.
There are 147 living species of procellariiform worldwide, and the order is divided into four extant families, with a fifth prehistorically extinct:
Family Diomedeidae (albatrosses) are very large seabirds with a large strong hooked bill. They have strong legs, enabling them to walk well on land.
Family Oceanitidae (Austral storm petrels) are among the smallest seabirds, with fluttering flight and long but weak legs. Most have dark upperparts and a white underside.
Family Hydrobatidae (northern storm petrels) are similar to the austral storm petrels but have longer more pointed wings and most species have forked tails.
Family Procellariidae (shearwaters, fulmarine petrels, gadfly petrels, and prions) are a varied group of small or medium-sized seabirds, the largest being the giant petrels. They are heavy for their size, with a high wing loading, so they need to fly fast. Most, except the giant petrels, have weak legs and are nearly helpless on land.
Family †Diomedeoididae (Early Oligocene – Early Miocene) is an extinct group that had narrow beaks and feet with wide, flat phalanges, especially on the fourth toe.
Fossils of a bird similar to a petrel from the Eocene have been found in the London Clay and in Louisiana. Diving petrels occurred in the Miocene, with a species from that family (Pelecanoides miokuaka) being described in 2007. The most numerous fossils from the Paleogene are those from the extinct family Diomedeoididae, fossils of which have been found in Central Europe and Iran.
Biology
Distribution and movements
The procellariiforms have a cosmopolitan distribution across the world's oceans and seas, although at the levels of family and genus there are some clear patterns. Antarctic petrels, Thalassoica antarctica, have to fly over 100 mi (160 km) to get to the ocean from their breeding colonies in Antarctica, and northern fulmars breed on the northeastern tip of Greenland, the northernmost piece of land. The most cosmopolitan family is the Procellariidae, which are found in tropical, temperate and polar zones of both the Northern and the Southern Hemispheres, though the majority do not breed in the tropics, and half the species are restricted to southern temperate and polar regions. The gadfly petrels, Pterodroma, have a generally tropical and temperate distribution, whereas the fulmarine petrels are mostly polar with some temperate species. The majority of the fulmarine petrels, along with the prions, are confined to the Southern Hemisphere.
The storm petrels are almost as widespread as the procellariids, and fall into two distinct families; the Oceanitidae have a mostly Southern Hemisphere distribution and the Hydrobatidae are found mostly in the Northern Hemisphere. Amongst the albatrosses the majority of the family is restricted to the Southern Hemisphere, feeding and nesting in cool temperate areas, although one genus, Phoebastria, ranges across the north Pacific. The family is absent from the north Atlantic, although fossil records indicate they bred there once. Finally the diving petrels are restricted to the Southern Hemisphere.
Migration
The various species within the order have a variety of migration strategies. Some species undertake regular trans-equatorial migrations, such as the sooty shearwater which annually migrates from its breeding grounds in New Zealand and Chile to the North Pacific off Japan, Alaska and California, an annual round trip of 64,000 km (40,000 mi), the second longest measured annual migration of any bird. A number of other petrel species undertake trans-equatorial migrations, including the Wilson's storm petrel and the Providence petrel, but no albatrosses cross the equator, as they rely on wind assisted flight. There are other long-distance migrants within the order; Swinhoe's storm petrels breed in the western Pacific and migrate to the western Indian Ocean, and Bonin petrels nesting in Hawaii migrate to the coast of Japan during the non-breeding season.
Navigation
Many species in the order travel long distances over open water but return to the same nest site each year, raising the question of how they navigate so accurately. The Welsh naturalist Ronald Lockley carried out early research into animal navigation with the Manx shearwaters that nested on the island of Skokholm. In release experiments, a Manx shearwater flew from Boston to Skokholm, a distance of 3,000 miles (4,800 kilometres) in 121⁄2 days.
Lockley showed that when released "under a clear sky" with sun or stars visible, the shearwaters oriented themselves and then "flew off in a direct line for Skokholm", making the journey so rapidly that they must have flown almost in a straight line. But if the sky was overcast at the time of release, the shearwaters flew around in circles "as if lost" and returned slowly or not at all, implying that they navigated using astronomical cues.
Researchers have also begun investigating olfaction's role in procellariiform navigation. In a study where Cory's shearwaters were rendered anosmic with zinc sulphate, a compound which kills the surface layer of the olfactory epithelium, and released hundreds of kilometers away from their home colony at night, control birds found their way to their home nests before night was over, whereas anosmic birds did not home until the next day. A similar study that released Cory's shearwaters 800 km from their home nests, testing both magnetic and olfactory disturbances’ effects on navigation, found that anosmic birds took longer to home than magnetically disturbed or control birds.
Morphology and flight
Procellariiforms range in size from the very large wandering albatross, at 11 kg (24 lb) and a 3.6-metre (12-foot) wingspan, to tiny birds like the least storm petrel, at 20 g (0.71 oz) with a 32-centimetre (13-inch) wingspan, and the smallest of the prions, the fairy prion, with a wingspan of 23 to 28 cm (9.1 to 11.0 in). Their nostrils are enclosed in one or two tubes on their straight deeply-grooved bills with hooked tips. The beaks are made up of several plates. Their wings are long and narrow; the feet are webbed, and the hind toe is undeveloped or non-existent; their adult plumage is predominantly black, white, and grey.
The order has a few unifying characteristics, starting with their tubular nasal passage which is used for olfaction. Procellariiformes that nest in burrows have a strong sense of smell, being able to detect dimethyl sulfide released from plankton in the ocean. This ability to smell helps to locate patchily distributed prey at sea and may also help locate their nests within nesting colonies. In contrast, surface nesting Procellariiformes have increased vision, having six times better spatial resolution than those that nest in burrows. The structure of the bill, which contains seven to nine distinct horny plates, is another unifying feature, although there are differences within the order. Petrels have a plate called the maxillary unguis that forms a hook on the maxilla. The smaller members of the order have a comb-like mandible, made by the tomial plate, for plankton feeding. Most members of the order are unable to walk well on land, and many species visit their remote breeding islands only at night. The exceptions are the huge albatrosses, several of the gadfly petrels and shearwaters and the fulmar-petrels. The latter can disable even large predatory birds with their obnoxious stomach oil, which they can project some distance. This stomach oil, stored in the proventriculus, is a digestive residue created in the foregut of all tubenoses except the diving petrels, and is used mainly for storage of energy-rich food during their long flights. The oil is also fed to their young, as well as being used for defense.
Procellariiforms drink seawater, so they have to excrete excess salt. All birds have an enlarged nasal gland at the base of the bill, above the eyes, and in the Procellariiformes the gland is active. In general terms, the salt gland removes salt from the system and forms a 5 percent saline solution that drips out of the nostrils, or is forcibly ejected in some petrels. The processes behind this involve high levels of sodium ion reabsorption into the blood plasma within the kidneys, and secretion of sodium chloride via the salt glands using less water than was absorbed, which essentially generates salt-free water for other physiological uses. This high efficiency of sodium ion absorption is attributed to mammalian-type nephrons.
Most albatrosses and procellariids use two techniques to minimise exertion while flying, namely, dynamic soaring and slope soaring. The albatrosses and giant petrels share a morphological adaptation to aid in flight, a sheet of tendon which locks the wing when fully extended, allowing the wing to be kept up and out without any muscle effort. Amongst the Oceanitinae storm-petrels there are two unique flight patterns, one being surface pattering. In this they move across the water surface holding and moving their feet on the water's surface while holding steady above the water, and remaining stationary by hovering with rapid fluttering or by using the wind to anchor themselves in place. A similar flight method is thought to have been used by the extinct petrel family Diomedeoididae. The white-faced storm petrel possesses a unique variation on pattering: holding its wings motionless and at an angle into the wind, it pushes itself off the water's surface in a succession of bounding jumps.
Diet and feeding
The procellariiforms are for the most part exclusively marine foragers; the only exception to this rule are the two species of giant petrel, which regularly feed on carrion or other seabirds while on land. While some other species of fulmarine and Procellaria petrels also take carrion, the diet of most species of albatrosses and petrels is dominated by fish, squid, krill and other marine zooplankton. The importance of these food sources varies from species to species and family to family. For example, of the two albatross species found in Hawaii, the black-footed albatross takes mostly fish, while the Laysan feeds mainly on squid. The albatrosses in general feed on fish, squid and krill. Among the procellariids, the prions concentrate on small crustacea, the fulmarine petrels take fish and krill but little squid, while the Procellaria petrels consume mainly squid. The storm petrels take small droplets of oil from the surface of the water, as well as small crustaceans and fish.
Petrels obtain food by snatching prey while swimming on the surface, snatching prey from the wing or diving down under the water to pursue prey. Dipping down from flight is most commonly used by the gadfly petrels and the storm petrels. There have been records of wedge-tailed shearwaters snatching flying fish from the air, but as a rule this technique is rare. Some diving birds may aid diving by beginning with a plunge from the air, but for the most part petrels are active divers and use their wings to move around under the water. The depths achieved by various species were determined in the 1990s and came as a surprise to scientists; short-tailed shearwaters have been recorded diving to 70 m (230 ft) and the Light-mantled sooty albatross to 12 m (39 ft).
Breeding behaviour
Breeding colonies
All procellariiforms are colonial, predominantly breeding on offshore or oceanic islands. The few species that nest on continents do so in inhospitable environments such as dry deserts or on Antarctica. These colonies can vary from the widely spaced colonies of the giant petrels to the dense 3.6 million-strong colonies of Leach's storm petrels. For almost all species the need to breed is the only reason that procellariiforms return to land at all. Some of the larger petrels have to nest on windswept locations as they require wind to take off and forage for food. Within the colonies, pairs defend usually small territories (the giant petrels and some albatrosses can have very large territories) which is the small area around either the nest or a burrow. Competition between pairs can be intense, as is competition between species, particularly for burrows. Larger species of petrels will even kill the chicks and even adults of smaller species in disputes over burrows. Burrows and natural crevices are most commonly used by the smaller species; all the storm petrels and diving petrels are cavity nesters, as are many of the procellariids. The fulmarine petrels and some tropical gadfly petrels and shearwaters are surface nesters, as are all the albatrosses.
Procellariiforms show high levels of philopatry, both site fidelity and natal philopatry. Natal philopatry is the tendency of an individual bird to return to its natal colony to breed, often many years after leaving the colony as a chick. This tendency has been shown through ringing studies and mitochondrial DNA studies. Birds ringed as chicks have been recaptured close to their original nests, sometimes extremely close; in the Laysan albatross the average distance between hatching site and the site where a bird established its own territory was 22 m (72 ft), and a study of Cory's shearwaters nesting near Corsica found that nine out of 61 male chicks that returned to breed at their natal colony actually bred in the burrow they were raised in. Mitochondrial DNA provides evidence of restricted gene flow between different colonies, strongly suggesting philopatry.
The other type of philopatry exhibited is site fidelity, where pairs of birds return to the same nesting site for a number of years. Among the most extreme examples known of this tendency was the fidelity of a ringed northern fulmar that returned to the same nest site for 25 years. The average number of birds returning to the same nest sites is high in all species studied, with around 91 percent for Bulwer's petrels, and 85 percent of males and 76 percent of females for Cory's shearwaters (after a successful breeding attempt).
Pair bonds and life history
Procellariiforms are monogamous breeders and form long-term pair bonds. These pair bonds take several years to develop in some species, particularly with the albatrosses. Once formed, they last for many breeding seasons, in some cases for the life of the pair. Petrel courtship can be elaborate. It reaches its extreme with the albatrosses, where pairs spend many years perfecting and elaborating mating dances. These dances are composed of synchronised performances of various actions such as preening, pointing, calling, bill clacking, staring, and combinations of such behaviours (like the sky-call). Each particular pair will develop their own individual version of the dance. The breeding behaviour of other procellariiforms is less elaborate, although similar bonding behaviours are involved, particularly for surface-nesting species. These can involve synchronised flights, mutual preening and calling. Calls are important for helping birds locate potential mates and distinguishing between species, and may also help individuals assess the quality of potential mates. After pairs have been formed, calls serve to help them reunite; the ability of individuals to recognise their own mate has been demonstrated in several species.
Procellariiforms are K-selected, being long-lived and caring extensively for their few offspring. Breeding is delayed for several years after fledging, sometimes for as long as ten years in the largest species. Once they begin breeding, they make only a single breeding attempt per nesting season; even if the egg is lost early in the season, they seldom re-lay. Much effort is placed into laying a single (proportionally) large egg and raising a single chick. Procellariiforms are long-lived: the longest living albatross known survived for 51 years, but was probably older, and even the tiny storm-petrels are known to have survived for 30 years. Additionally, the oldest living bird is Wisdom, a female Laysan albatross.
Nesting and chick rearing
The majority of procellariiforms nest once a year and do so seasonally. Some tropical shearwaters, like the Christmas shearwater, are able to nest on cycles slightly shorter than a year, and the large great albatrosses (genus Diomedea) nest in alternate years (if successful). Most temperate and polar species nest over the spring-summer, although some albatrosses and procellariids nest over the winter. In the tropics, some species can be found breeding throughout the year, but most nest in discreet periods. Procellariiforms return to nesting colonies as much as several months before laying, and attend their nest sites regularly before copulation. Prior to laying, females embark on a lengthy pre-laying exodus to build up energy reserves in order to lay the exceptionally large egg. In the stormy petrel, a very small procellariiform, the egg can be 29 percent of the body weight of the female, while in the grey-faced petrel, the female may spend as much as 80 days feeding out at sea after courtship before laying the egg.
When the female returns and lays, incubation is shared between the sexes, with the male taking the first incubation stint and the female returning to sea. The duration of individual stints varies from just a few days to as much as several weeks, during which the incubating bird can lose a considerable amount of weight. The incubation period varies from species to species, around 40 days for the smallest storm-petrels but longer for the largest species; for albatrosses it can span 70 to 80 days, which is the longest incubation period of any bird.
Upon hatching, the chicks are semi-precocial, having open eyes, a dense covering of white or grey down feathers, and the ability to move around the nesting site. After hatching, the incubating adult remains with the chick for a number of days, a period known as the guard phase. In the case of most burrow-nesting species, this is only until the chick is able to thermoregulate, usually two or three days. Diving-petrel chicks take longer to thermoregulate and have a longer guard phase than other burrow nesters. However, surface-nesting species, which have to deal with a greater range of weather and to contend with predators like skuas and frigatebirds, consequently have a longer guard phase (as long as two weeks in procellariids and three weeks in albatrosses).
The chick is fed by both parents. Chicks are fed on fish, squid, krill, and stomach oil. Stomach oil is oil composed of neutral dietary lipids that are the residue created by digestion of the prey items. As an energy source for chicks it has several advantages over undigested prey, its calorific value is around 9.6 kcal per gram, which is only slightly lower than the value for diesel oil. This can be a real advantage for species that range over huge distances to provide food for hungry chicks. The oil is also used in defence. All procellariiforms create stomach oil except the diving-petrels.
The chick fledges between two and nine months after hatching, almost twice as long as a gull of the same body mass. The reasons behind the length of time are associated with the distance from the breeding site to food. First, there are few predators at the nesting colonies, therefore there is no pressure to fledge quickly. Second, the time between feedings is long due to the distance from the nest site that adults forage, thus a chick that had a higher growth rate would stand a better chance of starving to death. The duration between feedings vary among species and during the stages of development. Small feeds are frequent during the guard phase, but afterward become less frequent. However, each feed can deliver a large amount of energy; both sooty shearwater and mottled petrel chicks have been recorded to double their weight in a single night, probably when fed by both parents.
Relationship with humans
Role in culture
The most important family culturally is the albatrosses, which have been described by one author as "the most legendary of birds". Albatrosses have featured in poetry in the form of Samuel Taylor Coleridge's famous 1798 poem The Rime of the Ancient Mariner, which in turn gave rise to the usage of albatross as metaphor for a burden. More generally, albatrosses were believed to be good omens, and to kill one would bring bad luck. There are few instances of petrels in culture, although there are sailors' legends regarding the storm petrels, which are considered to warn of oncoming storms. In general, petrels were considered to be "soul birds", representing the souls of drowned sailors, and it was considered unlucky to touch them.
In the Russian language, many petrel species from the Hydrobatidae and Procellariidae families of the order Procellariiformes are known as burevestnik, which literally means 'the announcer of the storm'. When in 1901, the Russian writer Maxim Gorky turned to the imagery of subantarctic avifauna to describe Russian society's attitudes to the coming revolution, he used a storm-announcing petrel as the lead character of a poem that soon became popular in the revolutionary circles as "the battle anthem of the revolution". Although the species called "stormy petrel" in English is not one of those to which the burevestnik name is applied in Russian (it, in fact, is known in Russian as an entirely un-romantic kachurka), the English translators uniformly used the "stormy petrel" image in their translations of the poem, usually known in English as The Song of the Stormy Petrel.
Various tubenose birds are relevant to the mythologies and oral traditions of Polynesia. The Māori used the wing bones of the albatross to carve flutes. In Hawaiian mythology, Laysan albatrosses are considered aumakua, being a sacred manifestation of the ancestors, and quite possibly also the sacred bird of Kāne. The storm petrel features prominently in the "Origin of Birds" myth.
Exploitation
Albatrosses and petrels have been important food sources for humans for as long as people have been able to reach their remote breeding colonies. Amongst the earliest-known examples of this is the remains of shearwaters and albatrosses along with those of other seabirds in 5,000-year-old middens in Chile, although it is likely that they were exploited prior to this. Since then, many other marine cultures, both subsistence and industrial, have exploited procellariiforms, in some cases almost to extinction. Some cultures continue to harvest shearwaters (a practice known as muttonbirding); for example, the Māori of New Zealand use a sustainable traditional method known as kaitiakitanga. In Alaska, residents of Kodiak Island harpoon short-tailed albatrosses, Diomedea albatrus, and until the late 1980s residents of Tristan Island in the Indian Ocean harvested the eggs of the Yellow-nosed Mollymawks, Diomedea chlororhynchos, and sooty albatrosses, Phoebetria fusca. Albatrosses and petrels are also now tourist draws in some locations, such as Taiaroa Head. While such exploitation is non-consumptive, it can have deleterious effects that need careful management to protect both the birds and the tourism.
The English naturalist William Yarrell wrote in 1843 that "ten or twelve years ago, Mr. Gould exhibited twenty-four [storm petrels], in a large dish, at one of the evening meetings of the Zoological Society".
The engraver Thomas Bewick wrote in 1804 that "Pennant, speaking of those [birds] which breed on, or inhabit, the Isle of St Kilda, says—'No bird is of so much use to the islanders as this: the Fulmar supplies them with oil for their lamps, down for their beds, a delicacy for their tables, a balm for their wounds, and a medicine for their distempers.'" A photograph by George Washington Wilson taken about 1886 shows a "view of the men and women of St Kilda on the beach dividing up the catch of Fulmar". James Fisher, author of The Fulmar (1952) calculated that every person on St Kilda consumed over 100 fulmars each year; the meat was their staple food, and they caught around 12,000 birds annually. However, when the human population left St Kilda in 1930, the population did not suddenly grow.
Threats and conservation
The albatrosses and petrels are "amongst the most severely threatened taxa worldwide". They face a variety of threats, the severity of which varies greatly from species to species. Several species are among the most common of seabirds, including Wilson's storm petrel (an estimated 12 to 30 million individuals) and the short-tailed shearwater (23 million individuals); while the total population of some other species is a few hundred. There are less than 200 Magenta petrels breeding on the Chatham Islands, only 130 to 160 Zino's petrels and only 170 Amsterdam albatrosses. Only one species is thought to have become extinct since 1600, the Guadalupe storm petrel of Mexico, although a number of species had died out before this. Numerous species are very poorly known; for example, the Fiji petrel has rarely been seen since its discovery. The breeding colony of the New Zealand storm petrel was not located until February 2013; it had been thought extinct for 150 years until its rediscovery in 2003, while the Bermuda petrel had been considered extinct for nearly 300 years.
The principal threat to the albatrosses and larger species of procellariids is long-line fishing. Bait set on hooks is attractive to foraging birds and many are hooked by the lines as they are set. As many as 100,000 albatrosses are hooked and drown each year on tuna lines set out by long-line fisheries. Before 1991 and the ban on drift-net fisheries, it was estimated that 500,000 seabirds a year died as a result. This has caused steep declines in some species, as procellariiforms are extremely slow breeders and cannot replace their numbers fast enough. Losses of albatrosses and petrels in the Southern Ocean were estimated at between 1 percent and 16 percent per year, which these species cannot sustain for long.
Exotic species introduced to the remote breeding colonies threaten all types of procellariiform. These principally take the form of predators; most albatross and petrel species are clumsy on land and unable to defend themselves from mammals such as rats, feral cats and pigs. This phenomenon, ecological naivete, has resulted in declines in many species and was implicated in the extinction of the Guadalupe storm petrel. Already in 1910 Godman wrote:
Owing to the introduction of the mongoose and other small carnivorous mammals into their breeding haunts, some species, such as Oestrelata jamaicensis and newelli, have already been completely exterminated, and others appear to be in danger of extinction.
Introduced herbivores may unbalance the ecology of islands; introduced rabbits destroyed the forest understory on Cabbage Tree Island off New South Wales, which increased the vulnerability of the Gould's petrels nesting on the island to natural predators, and left them vulnerable to the sticky fruits of the native birdlime tree (Pisonia umbellifera). In the natural state these fruits lodge in the understory of the forest, but with the understory removed the fruits fall to the ground where the petrels move about, sticking to their feathers and making flight impossible.
Exploitation has decreased in importance as a threat. Other threats include the ingestion of plastic flotsam. Once swallowed, plastic can cause a general decline in the fitness of the bird, or in some cases lodge in the gut and cause a blockage, leading to death by starvation. It can also be picked up by foraging adults and fed to chicks, stunting their development and reducing the chances of successfully fledging. Procellariids are also vulnerable to marine pollution, as well as oil spills. Some species, such as Barau's petrel, Newell's shearwater and Cory's shearwater, which nest high up on large developed islands, are victims of light pollution. Fledging chicks are attracted to streetlights and may then be unable to reach the sea. An estimated 20 to 40 percent of fledging Barau's petrels and 45 to 60 percent of fledging Cory's shearwater are attracted to the streetlights on Réunion and Tenerife, respectively.
References
Bibliography
Brooke, M. (2004). Albatrosses And Petrels Across The World. Oxford University Press, Oxford, UK. ISBN 0-19-850125-0
Cocker, M.; Mabey, R. (2005). Birds Britannica. Chatto and Windus. ISBN 978-0-701-16907-7.
Onley, D.; Scofield P. (2007). Albatrosses, Petrels and Shearwaters of the World. Princeton University Press, Princeton, New Jersey. ISBN 978-0-691-13132-0
External links
The Agreement for the Conservation of Albatrosses and Petrels (ACAP) |
Aaron_Dessner | https://en.wikipedia.org/wiki/Aaron_Dessner | [
235
] | [
"https://en.wikipedia.org/wiki/Aaron_Dessner"
] | Aaron Brooking Dessner (born April 23, 1976) is an American musician. He is best known as a founding member of the rock band The National, with whom he has recorded nine studio albums; a co-founder of the indie rock duo Big Red Machine, teaming with Bon Iver's Justin Vernon; and a collaborator on Taylor Swift's critically acclaimed studio albums Folklore and Evermore, both of which contended for the Grammy Award for Album of the Year in 2021 and 2022, respectively, with the former winning the accolade; as well as The Tortured Poets Department (2024).
Dessner has co-written, produced or co-produced songs by Taylor Swift, Ed Sheeran, Michael Stipe, Gracie Abrams, Frightened Rabbit, Ben Howard, Sharon Van Etten, Local Natives, This Is the Kit, Adia Victoria, Lisa Hannigan, Fred Again, Girl in Red, Mustafa the Poet, Brian Eno and Lone Bellow, among others. Dessner co-founded and curates three music festivals: Eaux Claires in Eau Claire, Wisconsin, alongside his Big Red Machine partner Vernon; HAVEN in Copenhagen with his brother Bryce, and Boston Calling Music Festival.
On May 19, 2022, alongside Questlove, Dessner was awarded a Doctor of Fine Arts honoris causa from The University of the Arts, for "his eagerness to seek out opportunities, to really be a thoughtful collaborator, and someone who would encourage every single student at UArts to explore with their peers across disciplines, new opportunities, and new ideas."
Dessner, along with his twin brother Bryce, was named the 243rd greatest guitarist of all time by Rolling Stone in 2023.
Early life
Dessner grew up in Cincinnati, Ohio with his twin brother, Bryce Dessner. Dessner was raised as Jewish and has Polish Jewish and Russian Jewish ancestry. Dessner has said that his Jewish background influences his music: "My brother and I have always been fascinated by liturgical religious melodies in Judaism ... I don't like major chords. I like the meditative patterns in certain prayers, and I like music that repeats itself." Dessner attended high school at Cincinnati Country Day School and graduated in 1994. Dessner went on to study Modern European History at Columbia University.
Career
The National
Aaron Dessner and his twin brother Bryce were childhood friends with Bryan Devendorf. In 1998, after Dessner's earlier band, Project Nim, broke up, Devendorf invited the brothers to join his band the National. With Devendorf and the Dessner brothers were Scott Devendorf, Bryan's older brother, and Matt Berninger. The band's self-titled first album was released in 2001 on Brassland Records, a label Dessner co-founded along with his brother Bryce and Alec Hanley Bemis. The band's second album, Sad Songs for Dirty Lovers, was released in 2003, also on Brassland. After some critical success with Sad Songs, the band signed with Beggars Banquet Records. With the new label, they released their third studio album, Alligator, in 2005. The album received a positive response from critics, which exposed the band to a larger audience.
In 2007, the band released their fourth album, Boxer, also through Beggars Banquet. Upon release, the album received widespread critical acclaim, and was named to "album of the year" lists. Several songs from the album appeared in TV shows and movies. In 2008, then-Senator Barack Obama used an instrumental version of the song "Fake Empire" in a presidential campaign video.
Following the success of Boxer, the band began collaborating with other artists on various songs and compilation albums. In 2009, the band participated in Dark Was the Night, a charity album to benefit the Red Hot Organization. That same year, they recorded a song for the album Ciao My Shining Star: The Songs of Mark Mulcahy, to help support Polaris frontman Mark Mulcahy who had recently lost his wife. In 2010, the band released High Violet, their fifth full-length album. The album saw both critical and commercial success, debuting at No. 3 on US charts, and going on to sell over 850,000 copies worldwide. The band followed up High Violet by releasing their sixth album, Trouble Will Find Me, on May 21, 2013, via 4AD. Like their previous two efforts, Trouble was named to several year-end best-of lists. The album was nominated for Best Alternative Album at the 56th Grammy Awards. Later that year, Dessner and the rest of the band were featured in the documentary Mistaken for Strangers, which followed the band's tour for High Violet and early recording of Trouble.
In 2017, the band released Sleep Well Beast, their seventh full-length album. The lead single from the album, "The System Only Dreams in Total Darkness", became the band's first song to reach No. 1 on a Billboards chart after topping the Adult Alternative Songs list in August that same year. The band released their eighth studio album I Am Easy to Find in 2019 alongside a short film by Mike Mills. In 2023, the band released two studio albums, First Two Pages of Frankenstein and Laugh Track, with the latter being a surprise album.
Dessner has production credits on all of the band's albums since Alligator. The majority of both High Violet and Trouble Will Find Me were recorded in his garage studio behind his house in Brooklyn, and Alligator and Boxer were partially recorded in his attic and in his sister's attic, which is on the same street in Brooklyn.
Big Red Machine
In 2008, Dessner sent Justin Vernon an instrumental sketch of a song called "Big Red Machine" for the compilation album Dark Was the Night. Vernon wrote a song to it, interpreting the Big Red Machine title as a heart. After 10 years, the pair formed a band called Big Red Machine, and on August 31, 2018, released a self-titled album. The record was produced by Vernon and Dessner with longtime collaborator Brad Cook and engineered by Jonathan Low primarily at Dessner's studio Long Pond in Upper Hudson Valley, New York.
The duo released a second studio album How Long Do You Think It's Gonna Last? on August 27, 2021. The album was produced by Dessner and featured many guests and many of his previous collaborators, including Ben Howard, Sharon Van Etten, and Taylor Swift.
Other production work
Dessner worked with singer Sharon Van Etten on her album, Tramp (2012). Van Etten and Dessner spent over fourteen months working in his studio, finally releasing the album to widespread critical success. Dessner produced Local Natives' second full-length album Hummingbird, in 2013. Dessner was first introduced to the band while on tour with the National. Hummingbird received positive reviews, and Pitchfork praised Dessner's production work especially, saying that he "knows how to make things sound good, and there's plenty of richness and depth to these songs." Dessner produced the Lone Bellow's Then Came the Morning, which was recorded in Dessner's garage as well as in a 19th-century church in upstate New York. The album was released in January 2015 on Descendent Records. That same year, he worked with This Is the Kit for their album Bashed Out, which was released through Dessner's Brassland Records.
In 2016, Dessner produced Lisa Hannigan's album At Swim. The album reached No. 1 in Ireland, No. 7 on the US Top Heatseekers Albums chart and No. 24 in the UK, and received widespread critical acclaim. The Guardian, which awarded it four out of five stars, commented on the album's "stunningly pretty songs with quietly powerful undertones" and the Evening Standard, which also awarded it four out of five stars, praised the "new-found accessibility" of the album. Frightened Rabbit's fifth album Painting of a Panic Attack, released in 2016 via Atlantic Records, was also produced by Dessner. Dessner produced the Lone Bellow's 2020 album Half Moon Light and co-wrote several tracks on it. He also co-wrote and produced the acclaimed debut of UK songwriter Eve Owen, Don't Let the Ink Dry, released in 2020.
In April 2020, during the COVID-19 pandemic, Dessner was approached by American singer-songwriter Taylor Swift to collaborate on music, and he subsequently produced and co-wrote her eighth studio album, Folklore. It was a surprise release that debuted to critical acclaim on July 24, 2020, and won Album of the Year at the 63rd Annual Grammy Awards in 2021. Dessner continued his collaboration with Swift on her subsequent albums Evermore (2020), Midnights (2022), and The Tortured Poets Department (2024), as well as her re-recorded albums Fearless (Taylor's Version) (2021), Red (Taylor's Version) (2021), and Speak Now (Taylor's Version) (2023). After the release of Folklore, the documentary film Folklore: The Long Pond Studio Sessions and Evermore, artists such as Maya Hawke, Gracie Abrams, Ed Sheeran, King Princess, and Girl in Red expressed interest in collaborating with Dessner and recording songs at his Long Pond Studio. Dessner stated, "After Taylor, it was a bit crazy how many people reached out. And getting to meet and write songs with people you wouldn't have had access to… I'm so grateful for it."
Dessner also co-produced British singer-songwriter Ben Howard's fourth studio album, Collections from the Whiteout, alongside Howard himself, which was released on March 26, 2021. Additionally, Dessner produced Day of the Dead, which was released in 2016, and Dark Was the Night, both of which are AIDS charity compilations for the Red Hot Organization; and Doveman's 2009 release The Conformist.
Film scores
Dessner and his brother Bryce co-composed the score for Transpecos, which won the Audience Award at the 2016 South by Southwest. They also worked together on the score for 2013 film Big Sur, an adaptation of the 1962 novel of the same name by Jack Kerouac. The film debuted on January 23, 2013, at the Sundance Film Festival, where it received positive reviews. In 2021, together with his brother, Dessner scored two films – Mike Mills' C'mon C'mon and Cyrano.
Collaborations
Day of the Dead
On March 17, 2016, Aaron and Bryce Dessner announced Day of the Dead, a charity tribute album to the Grateful Dead released by 4AD on May 20, 2016. Day of the Dead was created, curated and produced by both Dessner brothers. The compilation is a wide-ranging tribute to the songwriting and experimentalism of the Dead which took four years to record, features over 60 artists from varied musical backgrounds, 59 tracks and is almost 6 hours long. All profits will help fight for AIDS/ HIV and related health issues around the world through the Red Hot Organization. Day of the Dead is the follow-up to 2009's Dark Was the Night (4AD), a 32-track, multi-artist compilation also produced by the Dessner brothers for Red Hot.
Of the 59 tracks on the compilation, many feature a house band made up of Aaron, Bryce, fellow the National bandmates and brothers Scott and Bryan Devendorf, Josh Kaufman (who co-produced the project), and Conrad Doucette along with Sam Cohen and Walter Martin. The National have a couple of tracks on the album, including "Peggy-O," "Morning Dew" and "I Know You Rider".
A Day of the Dead live performance took place in August 2016 at the second annual Eaux Claires Festival (August 12–13) featuring Jenny Lewis, Matthew Houck, Lucius, Will Oldham, Sam Amidon, Richard Reed Parry, Justin Vernon, Bruce Hornsby, Ruban Nielson and The National.
Forever Love
Forever Love is a collaboration between Aaron and Bryce Dessner, renowned Icelandic performance artist Ragnar Kjartansson and Gyða and Kristín Anna Valtýsdóttir, formerly of the Icelandic band múm. The project is a blending of visual and performance art with live music, all centered around a song cycle written and performed by Aaron and Bryce alongside Gyða and Kristín Anna Valtýsdóttir. It was commissioned by Eaux Claires Festival and made its world premiere in 2015 where it served as the official starting point of the festival on both Friday and Saturday.
Forever Love marked a live performance reunion for the Dessner twins and Kjartansson, as both artists had previously collaborated on a six-hour video work, A Lot of Sorrow, which documents the National performing their three-song "Sorrow" for six hours in front of a live audience at MoMA PS1.
The Long Count
The Long Count was a large commission for the BAM Next Wave Festival in 2009. Dessner and his brother, Bryce, worked alongside visual artist Matthew Ritchie, creating a work loosely based on the Mayan creation story Popol Vuh. The work included a 12-piece orchestra and a number of guest singers, including Kim and Kelley Deal (the Breeders, the Pixies), Matt Berninger (the National), Shara Worden (My Brightest Diamond), and Tunde Adebimpe (TV on the Radio). The work had its world premiere at the Krannert Center for the Performing Arts in September 2009 as part of the Ellnora Festival.
Dark Was the Night
In 2009, Aaron and Bryce Dessner produced an extensive AIDS charity compilation, Dark Was the Night, for the Red Hot Organization. Dark Was the Night has raised over 2 million dollars for AIDS charities as of January 2012. In 2009, Dessner contributed a track to the Dark Was the Night compilation. On May 3, 2009, 4AD and Red Hot produced Dark Was the Night – Live, a concert celebrating the newest Red Hot album. The show took place at Radio City Music Hall and featured several of the artists that contributed to the compilation.
Other collaborations and contributions
Dessner is a frequent collaborator with a wide range of musicians, including his brother and bandmate Bryce Dessner. In August 2008, Aaron and Bryce performed a collaborative concert with David Cossin, and Luca Tarantino as a part of Soundres, an international residency program for contemporary music and art in Salento, Italy and at the Guitare Au Palais Festival Perpignan France. They also performed at Matthew Ritchie's Ghost Operator opening at the White Cube Gallery in London. Aaron and Bryce have also collaborated with many world-renowned orchestras. Most recently the brothers played with the Copenhagen Philharmonic in a concert billed as "Sixty Minutes of the Dessners."
The program included "St. Carolyn by the Sea," "Lachrimae" and "Raphael," all of which were composed by Bryce Dessner. Bryce and Aaron have also performed "St. Carolyn by the Sea" and "Raphael" with the Amsterdam Sinfonietta during the Holland Festival. These performances took place at Muziekgebouw aan 't IJ in Amsterdam and Muziekgebouw Frits Philips in Eindhoven. In October 2011, Dessner joined his brother to perform "St. Carolyn by the Sea" with the American Composers Orchestra at The World Financial Center in New York City.
Marshall Curry's award-winning documentary Racing Dreams includes music contributed by both Dessner and the National. "Win Win" directed by Thomas McCarthy closes with "Think You Can Wait," a track written by Dessner and Matt Berninger, recorded by the National with additional vocals from Sharon Van Etten. Dessner also played an important role in the National's contribution to the HBO show Game of Thrones.
In March 2012, Dessner, Scott Devendorf and Bryan Devendorf teamed up with Grateful Dead guitarist Bob Weir for a live webcast, which featured two musical sets and a political discussion. The event was produced by Head Count, a non-partisan organization that uses live music events to promote voter registration and awareness. In May 2012, the National's performance of "Rains of Castamere" played during the closing credits of season two episode nine. In December 2012, Dessner curated a day of Other Voices, an Irish music festival that aired live on RTÉ Two in Ireland. The performances took place in the Church of St James in Dingle, County Kerry.
Curator
Eaux Claires Music & Arts Festival
Eaux Claires is a music festival founded and curated by Dessner and Justin Vernon. The inaugural festival took place in July 2015 in Vernon's hometown of Eau Claire, Wisconsin. Speaking about the festival, Dessner and Vernon said they were driven by the idea that this festival would "encourage music-genre-walls to melt away."
PEOPLE Festival
PEOPLE Festival is a not-for-profit gathering of artists in Berlin for a weekend-long festival of music curated and produced by Aaron Dessner along with his brother Bryce Dessner, Bon Iver, Berlin's Michelberger Hotel and others. The first festival took place October 1–2, 2016, under the name "Michelberger Music" in the Funkhaus, the historical radio recording studios of the former GDR.
Boston Calling Music Festival
Boston Calling is a music festival co-curated by Dessner. Debuting in May 2013, Boston Calling previously took place twice a year, May and September, at City Hall Plaza. Boston Calling moved to the Harvard Athletic Complex in Allston in May 2017 and transitioned to one festival per year.
Record labels
Dessner co-founded the record label 37d03d (read: PEOPLE upside down) with Justin Vernon and Bryce Dessner.
Alongside Alec Hanley Bemis and Bryce Dessner, Dessner founded Brassland Records, a label that has released albums from the National, This Is the Kit, Clogs, Doveman and Nico Muhly.
Musical equipment
Dessner often plays a 1965 Gibson Firebird purchased on eBay and refurbished. During the Sleep Well Beast recording sessions, he used the Firebird as well as a 1972 Fender Telecaster. During live shows, Dessner usually plays the Firebird and a 1963 Fender Jazzmaster.
For the Sleep Well Beast sessions, amplifiers used include a 1959 Fender Champ, a 1960s Fender Princeton, a 1970s Music Man, an Ampeg Gemini, and a Fender Bassman.
Personal life
Dessner married Stine Wengler around 2016. They have three children, one of whom is named Robin. Taylor Swift's song of the same name is speculated to be about him. Dessner is a keen soccer fan and an avid supporter of Liverpool F.C.
Awards and nominations
Grammy Awards
Discography
With The National
The National (2001)
Sad Songs for Dirty Lovers (2003)
Alligator (2005)
Boxer (2007)
High Violet (2010)
Trouble Will Find Me (2013)
Sleep Well Beast (2017)
I Am Easy to Find (2019)
First Two Pages of Frankenstein (2023)
Laugh Track (2023)
With Project Nim
A Tower of Babel (1995)
Where the Nothings Live (1997)
Evenings Pop and Curve (1998)
With Equinox
Equinox (1993)
With Big Red Machine
Big Red Machine (August 31, 2018)
How Long Do You Think It's Gonna Last? (August 27, 2021)
With Complete Mountain Almanac
Complete Mountain Almanac (January 27, 2023)
Film scores
Big Sur (2013) with Bryce Dessner
Transpecos (2016) with Bryce Dessner
C'mon, C'mon (2021) with Bryce Dessner
Stage musicals
Cyrano (2018) with Matt Berninger, Carin Besser, Bryce Dessner, and Erica Schmidt
Production and songwriting credits for other artists
References
External links
Interview with Aquarium Drunkard
Interview with Pitchfork the National and production projects |
The_Tortured_Poets_Department | https://en.wikipedia.org/wiki/The_Tortured_Poets_Department | [
235
] | [
"https://en.wikipedia.org/wiki/The_Tortured_Poets_Department"
] | The Tortured Poets Department is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.
Swift began writing The Tortured Poets Department shortly after finishing her tenth studio album, Midnights (2022), and continued developing it during the Eras Tour in 2023. She conceived The Tortured Poets Department as a "lifeline" songwriting project amidst the heightened fame and media scrutiny ensuing from the tour. The songs introspect on her public and private lives, detailing tumult and sorrow via motifs of self-awareness, mourning, anger, humor, and delusion. Produced with Jack Antonoff and Aaron Dessner, the album is a minimalist synth-pop, folk-pop, and chamber pop effort with rock and country stylings. The composition is largely mid-tempo, driven by a mix of synthesizers and drum machines with piano and guitar, whereas the visual aesthetic draws mainly from dark academia.
The album broke various sales and streaming records, regionally and globally. It achieved the highest single-day and single-week streams for an album on Spotify, and topped the charts across Europe, Asia-Pacific, and the Americas. In the United States, The Tortured Poets Department opened with first-week 2.6 million album-equivalent units, including 1.9 million pure sales—Swift's biggest sales week and record-extending seventh release to open with over a million units. It topped the Billboard 200 chart for a career-best 15 weeks, whereas its tracks made Swift the only artist to monopolize the first 14 positions of the Billboard Hot 100, with the single "Fortnight" leading.
Upon the album's release, critical reception was polarized. The majority of reviews were positive, praising Swift's cathartic songwriting for its emotional resonance and wit, but some found the album lengthy and lacking profundity. Subsequent assessments appreciated the album's musical and lyrical nuances that emerged upon further listens, and disputed the credibility of the initial critique for allegedly focusing on Swift's public image rather than the album's artistic merit. Swift performed songs from the album in the revamped set list of the Eras Tour, starting in May 2024, and released the live versions.
Background and conception
Swift released her tenth studio album, Midnights, on October 21, 2022, to critical praise and commercial success. In 2023, she released two re-recorded albums, Speak Now (Taylor's Version) and 1989 (Taylor's Version), as part of her "Taylor's Version" re-recording project after a dispute over the ownership of her first six studio albums. Both re-recordings were released amidst Swift's sixth headlining concert tour, the Eras Tour. At the 66th Annual Grammy Awards on February 4, 2024, Swift won Best Pop Vocal Album and Album of the Year for Midnights. During her acceptance speech for the former category, she announced The Tortured Poets Department as a new original studio album that she had worked on since 2022. This announcement was met with surprise from her fans, who had anticipated her to announce the re-recording of her 2017 album, Reputation, based on her social media clues.
Swift began conceiving the album immediately after submitting Midnights to her record label, Republic Records, and continued working on it in secret throughout the U.S. leg of the Eras Tour in 2023. While she was creating the album, her dating life continued to be a widely covered topic in the press, who reported on Swift's relationships with Joe Alwyn, Matty Healy, and Travis Kelce. At the Eras Tour concerts in Melbourne in February 2024, Swift said that The Tortured Poets Department was a "lifeline" for her and an album that she "really needed" to make, reflecting on how it made her confirm that songwriting was an integral part of her life. In an Instagram post, Swift described the album as "an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time—one that was both sensational and sorrowful in equal measure".
Themes and lyrics
The standard edition consists of 16 songs; Swift wrote three of them herself and co-wrote the rest mostly with Jack Antonoff and Aaron Dessner. Post Malone featured on and co-wrote "Fortnight", and Florence and the Machine featured on "Florida!!!", which was co-written by the band's frontwoman Florence Welch. Swift produced all tracks with Antonoff and Dessner.
The album is rooted in personal songwriting, exploring Swift's introspections on the events in her private and public lives. She was inspired by her tumultuous relationships and the public perception of her celebrity to create lyrical narratives that were messy, unbridled, and unguarded, containing meta-references to her personal life through allusions and name-dropping. Heartbreak is the primary topic, expressed via themes such as delusion, anger, mourning, and death. While the lyrics evoke vulnerable and devastating sentiments, they also incorporate humor and hyperbole. Critics found them either self-aware or self-conscious. Swift considered the album a cathartic exercise and described the content as "fatalistic" with overarching themes of "longing, pining, lost dreams".
Critics characterized The Tortured Poets Department as a post-breakup album. Ann Powers wrote in NPR that throughout the record, "Swift is trying to work out how emotional violence occurs." In The Conversation, the music professor Samuel Murray opined that the album uses melodrama as a narrative device to "celebrate emotional vulnerability as she shares her innermost thoughts". Business Insider's Callie Ahlgrim described the album's content as Swift's "messiest, horniest, and funniest". In The Independent, Helen Brown suggested that Swift's songwriting draws on her country music roots to explore detail-heavy narratives.
While the album is rooted in autobiographical songwriting with confessional narratives and first-person perspectives, some songs are not strictly self-referential and employ fictional elements. According to the literary critic Stephanie Burt, the album title evokes the European poète maudit ("cursed poet") archetype of self-destructive poets who suffered from love, such as Arthur Rimbaud, Charles Baudelaire, or Dylan Thomas. Burt argued that Swift both embraces and rejects this archetype by acknowledging her most intense emotions from heartbreak but also making fun of them with "barbed words, sharp hooks, and sarcastic replies".
Production and music
Mainly produced by Swift and Antonoff, the album's standard portion is primarily synth-pop, with a mid-tempo production incorporating subdued synths and sparse drum machines. Critics found the production minimalist and compared this synth-based sonic approach to the sound of Midnights. PopMatters's Igor Bannikov described it as "simplistic, indie-ish, and almost muted", The Guardian's Alexis Petridis wrote that it additionally features "the glossy 80s-influenced pop-rock" of Swift's 2014 album 1989, and The Times' Will Hodgkinson described the album as an amalgam of synth-pop and 1980s power ballads. Swift mostly sings in her lower vocal register to deliver rap-like, conversational verses. As per Murray's analysis, the album uses some of Swift's familiar devices such as one-note melodies and recitative delivery with a conversational rhythm. The music is "downcast", departing from danceable pop, as per The Economist.
Several tracks feature a more stripped-down instrumentation, driven by piano or guitar, with stylings of varied genres; "But Daddy I Love Him" and "Guilty as Sin?" incorporate live drums and influences of country and rock, "Down Bad" evokes R&B in its dynamic shifts and cadences, "Fresh Out the Slammer" features Western-rock electric guitars, and "I Can Fix Him (No Really I Can)", "Florida!!!", and "Who's Afraid of Little Old Me?" experiment with Southern gothic. Tyler Foggart of The New Yorker dubbed The Tortured Poets Department a mix of dream pop and Southern gothic infused with some "country-ish vibes", while Josh Kurp of Uproxx thought that the album was genre-less.
The second part of the double album, subtitled The Anthology, mostly consists of chamber pop and folk-pop piano ballads. Swift and Dessner produced the majority of the second volume, which has an acoustic, folk-oriented sound instrumented by picked acoustic guitar, soft piano, and subtle synths, which critics likened to the sound of Swift's 2020 albums Folklore and Evermore. Neil McCormick of The Daily Telegraph argued that this mellower sound allows for more subtlety in the lyrics, which explore Swift's character studies ("Cassandra", "Peter", "Robin") and self-reflection ("The Albatross", "The Bolter", "I Look in People's Windows", "I Hate It Here").
Marketing
Aesthetic
The lack of an apostrophe in the official title, as in The Tortured Poets' Department, was the subject of a debate over grammatical correctness. Scholars stated that Swift employed Tortured Poets as an attributive noun, as in the case with the 1989 drama film Dead Poets Society, and not as a possessive noun that warrants an apostrophe. The cover artwork, photographed by Beth Garrabrant, is a black-and-white glamor photo shot of Swift lying on a bed wearing black lingerie: a see-through top and high waist shorts, from the Row and Yves Saint Laurent. Both the artwork and title were parodied by numerous brands, organizations, sports teams, and franchises, and inspired numerous memes. Media outlets described the album's visual aesthetic as gothic, especially dark academia.
Promotion and release
After the Grammy announcement, Swift revealed the standard track listing via social media on February 6, 2024. Swift announced four physical editions that were each titled after a corresponding bonus track: "The Manuscript", "The Bolter", "The Albatross", and "The Black Dog"; she announced the latter three editions during the Australian and Singaporean shows of the Eras Tour. She partnered with Target for an exclusive "Phantom Clear" collector's vinyl edition.
The album was promoted on digital platforms like Apple Music, Spotify, YouTube, Instagram, and Threads, prompting Swifties to search for Easter eggs. It included five Swift-curated Apple Music playlists containing her old songs inspired by the five stages of grief; a pop-up library of curated articles at The Grove, Los Angeles, hosted by Spotify; QR code murals in various cities worldwide that led to unlisted YouTube shorts on Swift's channel; a countdown to the album's release revealed upon refreshing Swift's Instagram profile; and special shimmer effects on Threads posts tagged with hashtags related to Swift and the album. iHeartRadio and Sirius XM announced special programs with exclusive content from Swift to celebrate the album's release; the former temporarily rebranded as "iHeartTaylor".
The Tortured Poets Department was released on April 19, 2024. A double album edition, subtitled The Anthology and containing 15 bonus tracks, was surprise-released digitally two hours later. Two days earlier, the standard edition of the album was leaked, which resulted in the phrase "Taylor Swift leak" being temporarily banned from searches on the social media platform X (formerly Twitter). The Tortured Poets Department was available in 19 physical variants—nine CD, six vinyl, and four cassette variants, with deluxe CDs and cassettes being exclusive to Swift's official website. Physical copies of the album included an original poem by the American singer-songwriter Stevie Nicks. "Fortnight" was released as the lead single in conjunction with the album, accompanied by a music video. Universal Music released "I Can Do It with a Broken Heart" to Italian radio on July 2.
From May 2024, starting with the Paris shows, Swift revamped the set list of the Eras Tour to include songs from The Tortured Poets Department in a new act, which she informally described as "Female Rage the Musical". She released the live versions as bonus tracks on the physical album via her website exclusively to US customers. Other limited editions of the physical album included acoustic versions of five tracks. Limited digital variants contained first draft phone demo recordings of four tracks, and the Eras Tour live recordings of some tracks from the Paris, Stockholm, Lyon and London shows. The release of bonus-track versions was a way for Swift and her fans to maintain the album's number-one position on the charts, a method Swift and other artists have previously utilized to boost album sales and chart positions.
Critical reception
Reviews
Upon release, The Tortured Poets Department divided music critics; secondary sources described the critical consensus as either positive or mixed. According to the review aggregator Metacritic, The Tortured Poets Department received "generally favorable reviews" based on a weighted average score of 76 out of 100 from 24 critic scores. Its second part, The Anthology, scored 69 from six critic scores on the website.
A number of critics regarded the album a landmark in Swift's discography. Reviews from The Independent's Helen Brown, The Arts Desk's Ellie Roberts, The Times' Dan Cairns, PopMatters's Jeffrey Davies, and Will Harris of Q praised the album as one of Swift's most solid outputs, considering the musical composition, vocal stylings and lyrical tonality as ambitious and tastefully experimental. Others, including Variety's Chris Willman, the i's Ed Power, and The Observer's Kitty Empire, called it a quintessential Swift album containing some of the best songs of her career.
Swift's songwriting was a source of compliment. The Line of Best Fit's Paul Bridgewater dubbed it her most cohesive body of work to-date, finding the music sophisticated and the lyricism symbolic. To Ludovic Hunter-Tilney of the Financial Times, the album is a stylistic evolution for Swift, with writing that marks a "characteristically appealing turn" into moody melodrama. Alexis Petridis of The Guardian and Alex Hopper of American Songwriter thought that the album has Swift's wittiest lyrics, featuring nuanced musical choices that show Swift is "willing to take risks in a risk-averse era for pop" and "constantly evolving and pushing her limits", respectively. In a more measured review, Olivia Horn of Pitchfork felt the lyrics did not "distill an overarching emotional truth, tending to smother rather than sting." Others, such as The New York Times' Lindsay Zoladz, Slant Magazine's Jonathan Keefe, and Exclaim!'s Alex Hudson, described some lyrics as weak and overwritten; Hudson claimed that many of its tracks "mistake verbosity for poetry".
The tumultuous mood and unconstrained emotion of the lyrics were also highlighted. Multiple reviews complimented the album's heavy, unfiltered emotion; Clash's Lauren Webb described it as "a spell-binding, toxic, chaotic illustration" of deteriorating mental sanity. Powers opined that The Tortured Poets Department shows Swift's newfound freedom, with a "lack of concern about whether these songs speak to and for anyone but herself". In a similar perspective, rave reviews from Rolling Stone's Rob Sheffield and Variety's Chris Willman described the album as Swift's "gloriously chaotic" and "audacious, transfixing" project, respectively. To Willman, the album combines "cleverness with catharsis". Consequence's Mary Siroky, on the other hand, found this style of lyricism jarring and "outright bizarre" at times, and felt the album was an attempt at self-parody rather than a showcase of Swift's songwriting acumen.
Many critics, including Zoladz, NME's Laura Molloy, and Stereogum's Tom Breihan, argued that Swift and Antonoff's collaboration on The Tortured Poets Department was uninventive due to a sonic similarity to their past collaborations. The New Yorker's Amanda Petrusich rather favored Dessner's input to the album as "gentler, more tender, and more surprising". Horn and the BBC's Mark Savage felt the melodies were sonically monotonous and "staid", but others argued that the minimalistic approach complemented Swift's hyper-personal lyrics; Hopper opined that "Swift's confidence as an artist is at a peak" with The Tortured Poets Department. According to Mary Kate Carr of The A.V. Club, the album is "perfectly good" but arrived at a time when Swift has "nothing to prove" anymore, resulting in a stagnant point in her artistry; this idea was shared by an anonymous, negative Paste review that criticized the album as rushed, hollow, and unrelatable.
Post-review commentary
Various peer journalists and columnists cross-examined the album's critical reception. Publications considered The Tortured Poets Department a polarizing album; The Ringer's Nathan Hubbard deemed it Swift's most controversial release since Reputation (2017). Journalists from The New York Times and Vox attributed this phenomenon to Swift's heightened fame and associated media "overexposure" between 2020 and 2024, including eight album releases, the influential Eras Tour, and her relationship with Travis Kelce. Paste's anonymous review was singled out by other publications as "scathing"; Sumnima Kandangwa of the South China Morning Post opined that they hid their reviewer's identity because Swifties "can become quite spirited when it comes to protecting their favourite singer". The album's Pitchfork score is Swift's lowest from the website. Sputnikmusic published reviews with three different ratings in a short period of time, each lower than the one before; Minh Anh of L'Officiel found this to be a confusing way to rate music. Swift shared the album's positive reviews on her social media, tagging the respective authors, which some considered as a response to Paste and other unfavorable reviews.
A number of commentators opined that the initial reviews demonstrated a flawed approach of mainstream music criticism. Bloomberg News' Jessica Karl wrote that the "lengthy" duration of the album made the reviewers "[stay] up until dawn to finish listening to an album" to publish, contributing to some reviews that were hasty, criticizing both the "exclamation-pointed digs" at Swift in Paste and the "instant classic" review by Rolling Stone. In The Ringer, Nora Princiotti attributed the polarized reviews to the unexpected double album release, and Nathan Hubbard argued that some "cooler-than-thou" critics from sites like The New Yorker, The New York Times, and Paste used Swift's billionaire status to downplay the personal issues she detailed in the album. Karl opined that some "reputable publications" catered gossip instead of a serious artistic analysis, while Anh highlighted that reviews mentioned aspects of Swift's public image instead of focusing on the music. The New Yorker's Sinéad O'Sullivan asserted that Swift's albums contain multiple layers of self-referential "lore", writing that the unfavorable reviews were due to critics not taking that into account or not allotting enough listening time.
Some early critics of the album recanted and declared they were "hasty" in reviewing it, as per Slate's Chris Molanphy, who opined it has become a "widely agreed point" in later critical commentary that The Tortured Poets Department "grows on you" after more listens; Molanphy stated he liked the album better than he did a week before. CNN's Oliver Darcy said he had judged The Tortured Poets Department quickly, stating that he reviewed it keeping in the mind its mixed critical reception, and found the album overlong and unimpressive in agreement with other critics, but a week later, "after spending more time with the two-hour sonic feast, more methodically touring through its subtleties and nuances, I am ready to declare that it is one of Swift's best works yet." Darcy opined that the album cannot be fully digested at "the speed of TikTok", and criticized reviewers who do not let music albums "marinate" and instead expect "instant satisfaction".
Commercial performance
The Tortured Poets Department broke numerous consumption records, leading The Guardian to comment that it "cemented Swift as the biggest pop star this century by many metrics". On Spotify, it became the most pre-saved album of all time; the most streamed album in a single day, surpassing 200 million and then 300 million streams and breaking the all-time record previously held by Swift's Midnights; and the first album to accumulate one billion streams in a single week, doing so in five days. The album also became the most streamed album in a single day on Amazon Music and the most streamed pop album in a single day on Apple Music. It amassed 1.76 billion streams globally within its first week of availability, an all-time record. Republic Records reported global first-week consumption of four million units.
In the United States, the album accumulated 1.6 million album-equivalent units in four days, selling 700,000 vinyl LPs to break the record for the highest single-week vinyl sales previously held by Swift's 1989 (Taylor's Version) (2023). It broke the single-week streaming record previously held by Drake's Scorpion (2018), amassing 799 million on-demand streams in six days. After a full week of availability, The Tortured Poets Department debuted atop the Billboard 200 with 2.61 million units, including 1.914 million pure copies and 891.34 million on-demand streams. It became Swift's 14th number-one album, tying her with Jay-Z for the most chart toppers among soloists. The album also registered the second-largest week by overall units and the third-largest week by pure sales in Billboard history. The album continued to chart at number one on the Billboard 200 for 15 total non-consecutive weeks, becoming the longest-leading chart topper in Swift's career, and contributed to the number-two peaks of albums such as Billie Eilish's Hit Me Hard and Soft, ¥$'s Vultures 2, and Chappell Roan's The Rise and Fall of a Midwest Princess. It is also the third album in history and first by a female artist to spend its first 12 weeks atop the chart.
All 31 songs from The Anthology debuted on the Billboard Hot 100, occupying the entire top 14 simultaneously for the first time in chart history. Swift set the record for most simultaneous entries by a female artist (32) and became the first woman to surpass 50 career top-10 songs. By July 2024, The Tortured Poets Department has sold 2.47 million pure sales and accumulated 5.30 million units in the United States. Sales were boosted by multiple variants of the album, with double-digit variants in digital and CD mediums.
The Tortured Poets Department broke chart records in other countries. In Germany, it recorded the largest streaming day for an album and debuted atop the chart with the highest sales week for an international solo artist in seven years. In the United Kingdom, it became the fastest-selling album by any artist in seven years and by a non-British artist in 18 years, and it tied Swift with Madonna for the most female number-one albums on the UK Albums Chart (12). It became the fastest-selling vinyl album since 1994 and Swift's album with the most weeks at number one (8). On the Australian ARIA Charts, The Tortured Poets Department became Swift's 13th number-one album, a record among female artists; its songs set records for the most simultaneous entries by a single artist in the top 10 (10), top 50 (29), and top 100 (31) of the singles chart. Debuting atop the Canadian Albums Chart as Swift's 14th consecutive chart topper, the album registered the highest single-week vinyl sales and streaming figures in chart history. Ten tracks from the album debuted on the Billboard Brasil Hot 100.
Accolades
Track listing
Notes
^[a] signifies a vocal producer
"Loml" and "Imgonnagetyouback" are stylized in all lowercase.
"Thank You Aimee" is stylized as "thanK you aIMee" or "thank You aimEe".
Physical editions of the standard album include either "The Black Dog", "The Albatross", "The Bolter" or "The Manuscript" as a bonus track.
Personnel
Musicians
Technical
Charts
Certifications
Release history
Notes
References
Source
Zaleski, Annie (2024). "The Tortured Poets Department Era". Taylor Swift: The Stories Behind the Songs. Thunder Bay Press. pp. 232–238. ISBN 978-1-6672-0845-9. |
Secret_Service_code_name | https://en.wikipedia.org/wiki/Secret_Service_code_name | [
236
] | [
"https://en.wikipedia.org/wiki/Secret_Service_code_name"
] | The United States Secret Service uses code names for U.S. presidents, first ladies, and other prominent persons and locations. The use of such names was originally for security purposes and dates to a time when sensitive electronic communications were not routinely encrypted; today, the names simply serve for purposes of brevity, clarity, and tradition. The Secret Service does not choose these names, however. The White House Communications Agency maintains a list that candidates choose from, often choosing ones that resonate with them personally.
According to an established protocol, good codewords are unambiguous words that can be easily pronounced and readily understood by those who transmit and receive voice messages by radio or telephone regardless of their native language. Traditionally, all family members' code names start with the same letter.
The codenames change over time for security purposes, but are often publicly known. For security, codenames are generally picked from a list of such 'good' words, but avoiding the use of common words which could likely be intended to mean their normal definitions.
Presidents and their families
Vice presidents and their families
Spiro Agnew – Pathfinder
Judy Agnew – Photograph
Nelson Rockefeller – Sandstorm
Happy Rockefeller – Shooting Star or Stardust
Walter Mondale – Cavalier
Joan Mondale – Cameo
Ted Mondale – Centurion
Eleanor Mondale – Calico
William Mondale – Chessman
Dan Quayle – Scorecard or Supervisor
Marilyn Quayle – Sunshine
Al Gore – Sundance or Sawhorse
Tipper Gore – Skylark
Karenna Gore – Smurfette
Kristin Gore – Silhouette
Sarah Gore – Screwdriver
Albert Gore III – Shortstop
Dick Cheney – Angler
Lynne Cheney – Author
Elizabeth Cheney – Apollo
Mary Cheney – Alpine
Mike Pence – Hoosier
Karen Pence – Hummingbird
Kamala Harris – Pioneer
Political candidates and their spouses
U.S. Secret Service codenames are often given to high-profile political candidates (such as presidential and vice presidential candidates), and their respective families and spouses who are assigned U.S. Secret Service protection. These codenames often differ from those held if they are elected or those from prior periods if they held positions needing codenames.
Government officials
Kennedy Administration
Cabinet
Secretary of State Dean Rusk – Freedom
Staff
Rear Adm. George Burkley (Physician to the president) – Market
Senior military aide General Chester Clifton – Watchman
Associate Press Secretary Andrew Hatcher – Winner
Assistant Press Secretary Malcolm Kilduff – Warrior
Personal secretary Evelyn Lincoln – Willow
Air Force aide Godfrey McHugh – Wing
Special assistant and appointments secretary Kenneth O'Donnell – Wand
Naval aide Captain Tazewell Shepard – Witness
White House secretary Priscilla Wear – Fiddle
White House secretary Jill Cowen – Faddle
Lyndon Johnson Administration
Staff
Walter Jenkins – Vigilant
Pierre Salinger – Wayside
Nixon Administration
Cabinet
Secretary of State and National Security Advisor Henry Kissinger – Woodcutter
His wife, Nancy Kissinger – Woodlark
Staff
White House photographer Ollie Atkins – Hawkeye
Gulf Coast Regional Chairman James Baker – Fencing Master or Foxtail
Deputy Assistant to the President Dwight Chapin – Watchdog
Domestic Affairs Advisor Kenneth Reese Cole Jr. – Spectator
John Ehrlichman – Wisdom
White House aide Tim Elbourne – Snapshot
Secretary of State Alexander Haig – Claw Hammer
White House Chief of Staff H. R. Haldeman – Welcome
Assistant to Haldeman Lawrence Higby – Semaphore
Air Force aide James D. Hughes – Red Barron
Communications Director Herbert G. Klein – Witness
Dr. William Lukash (Physician to the president) – Sawhorse
Senior assistant Clark MacGregor – Whipcrack
Assistant for Legislative Affairs William Timmons – Windowpane
Dr. Walter Tkach (Physician to the president) – Signature
Director of the White House Office of Presidential Advance, later Director of the National Park Service, Ronald H. Walker – Roadrunner
Personal secretary Rose Mary Woods – Strawberry
Press Secretary and Assistant to the President Ron Ziegler – Whale Boat
Presidential spokesman Ken W. Clawson – Thunderstorm
Ford Administration
Staff
Press Secretary Ron Nessen – Clam Chowder
Deputy Chief of Staff, later Chief of Staff, Dick Cheney – Backseat
Carter Administration
Cabinet
Secretary of State Cyrus Vance – Fade Away
Secretary of Defense Harold Brown – Finley
Staff
National Security Advisor Zbigniew Brzeziński – Hawkeye
Director of the Office of Management and Budget Bert Lance – Dumbo
Reagan Administration
Attorney General William French Smith – Flivver
Secretary of Education Terrel Bell – Foxcraft
George W. Bush Administration
Scott McClellan – Matrix (generic name for White House press secretary)
Chief of Staff Andy Card – Potomac, later Patriot
Chief of Staff Josh Bolten – Fatboy
Secretary of Labor Elaine Chao – Firebird
Obama Administration
Chief of Staff Rahm Emanuel – Black Hawk
Tim Geithner – Fencing Master (generic codename for Secretary of the Treasury)
Trump Administration
Senior Counselor to the President Kellyanne Conway – Blueberry
Other individuals
Israel
Prime Minister Menachem Begin – Cedar
Hasia Begin Milo – Crystal
Commonwealth realms
Queen Elizabeth II – Kittyhawk, Redfern
King Charles III – Principal or Unicorn
United States
Senator Howard Baker (R-Tennessee) – Snapshot
Actor Antonio Banderas – Zorro
Congressman and Speaker of the House Thomas P. "Tip" O'Neill – Flag Day
Florida banker and businessman, confidant of President Nixon, Bebe Rebozo – Christopher
Social secretary to First Lady Eleanor Roosevelt, and mistress to President Franklin D. Roosevelt, Lucy Mercer Rutherfurd – Mrs. Johnson
Singer and actor Frank Sinatra – Napoleon
Senator Strom Thurmond (R-South Carolina) – Footprint
Vatican
Pope John Paul II – Halo
Locations, objects, places and parts of Secret Service
U.S. Secret Service codenames are not only given to people; they are often given to places, locations and even objects, such as aircraft like Air Force One, and vehicles such as the Presidential State Car.
Joint Base Andrews, in Prince George's County, Maryland – Acrobat or Andy
The Presidential Motorcade – Bamboo
The Harry S Truman Building (Department of State headquarters) – Birds-eye
Camp David, presidential retreat in Catoctin Mountain Park, in Frederick County, Maryland – Cactus or Buckeye
The Vice President's office – Cobweb
The Vice President's staff – Pacemaker
The Waldorf-Astoria Hotel, New York City – Roadhouse
Air Force One – Angel or Cowpuncher
The U.S. Presidential State Car – Stagecoach
Follow-up car – Halfback
The White House – Castle (Crown referring to the Executive Mansion, the central representative and office spaces of the White House)
The Capitol – Punch bowl
The White House Situation Room – Cement Mixer
Eisenhower Executive Office Building (part of the White House Complex) – Central
Reagan National Airport – Curbside
The temporary residence of the President – Charcoal or Base
The Pentagon – Calico
White House garage – Carpet
J. Edgar Hoover Building (FBI Headquarters) – Cork
Lyndon Baines Johnson's ranch – Volcano
Secret Service Counterassault Team – Hawkeye
Secret Service Counter-sniper Team – Hercules
In fiction
In popular culture, the practice of assigning codenames is often used to provide additional verisimilitude in fictional works about the executive branch, or high-ranking governmental figures.
1600 Penn
First Son Standrich "Skip" Gilchrist Jr. – Meatball
Air Force One
President James Marshall – Boy Scout
The American President
President Andrew Shepherd – Liberty
Chasing Liberty
First Daughter Anna Foster – Liberty
Designated Survivor
President Tom Kirkman – Phoenix (formerly Glasses during his time as Secretary of Housing and Urban Development)
First Daughter
First Daughter Samantha Mackenzie – Lucky Charm
First Kid
President Paul Davenport – Eagle
First Son Luke Davenport – Prince
House of Cards
President Claire Underwood – Lone Star
In the Line of Fire
The President – Traveler
Jericho
President Jon Tomarchio – Condor
The Night Agent
Maddie Redfield (VP Daughter) – Badger
Omar Zadar (PIF leader) – Osprey
The Prodigal Daughter
President Florentyna Kane – Baroness
Red, White & Royal Blue
First Son Alexander Claremont-Diaz – Barracuda
First Daughter June Claremont-Diaz – Bluebonnet
Scandal
President Fitzgerald Thomas "Fitz" Grant III – Falcon
First Lady Melody Margaret "Mellie" Grant – Foxtail
White House Chief of Staff Abigail "Abby" Whelan – Firebrand
The Sentinel
President John Ballentine – Classic
First Lady Sara Ballentine – Cincinnati
Squeeze Me
The President – Mastodon
The First Lady – Mockingbird
Tom Clancy's novels
Unnamed President in Clear and Present Danger – Wrangler
President Jack Ryan in Debt of Honor and Executive Orders – Swordsman
Dr. Caroline "Cathy" Ryan in Executive Orders – Surgeon
Olivia "Sally" Ryan in Executive Orders – Shadow
Jack Ryan, Jr in Executive Orders – Shortstop
Katie Ryan in Executive Orders – Sandbox
Kyle Daniel Ryan in The Bear and the Dragon – Sprite
George Winston (Secretary of the Treasury) in Executive Orders – Trader
Benjamin Goodley (National Security Advisor) in Executive Orders – Cardsharp
Arnold Van Damm (White House Chief of Staff) in Executive Orders and The Bear and the Dragon – Carpenter
Callie Weston (Chief Speechwriter) in Executive Orders and The Bear and the Dragon – Calliope
Scott Adler (Secretary of State) in Executive Orders and The Bear and the Dragon – Eagle
The West Wing
President Josiah "Jed" Bartlet – Eagle or Liberty
Zoey Bartlet – Bookbag
C. J. Cregg – Flamingo
Sam Seaborn – Princeton
Gus Westin (grandson of Jed Bartlet) – Tonka
Arnold Vinick – Big Sur
See also
00 Agent § Origin of nomenclature
CIA cryptonym
List of nicknames of United States Presidents
== References == |
List_of_Jeep_vehicles | https://en.wikipedia.org/wiki/List_of_Jeep_vehicles | [
236
] | [
"https://en.wikipedia.org/wiki/List_of_Jeep_vehicles"
] | Jeep, a former American automobile marque, now owned by multi-national corporation Stellantis, has produced numerous vehicles since its inception in 1943.
Current models
CJ
CJ-2A (1945–1949)
The first Civilian Jeep put into production by Willys, marketed as the "Universal Jeep". 212,402 units were produced.
CJ-3A (1949–1953)
A refined CJ-2A, the CJ-3A featured a redesigned one-piece windshield with air vents below the glass. 131,843 units were produced. Derived from it was the first post-war military jeep: the M38.
CJ-3B (1953–1968)
Essentially a CJ-3A fitted with a taller hood (the CJ-3B is also known as the "high-hood" Jeep) to accommodate the Willys Hurricane engine. 155,494 were built over its 15-year lifespan. Most later ones were M606 military jeeps shipped to South America.
CJ-5 (1955–1983)
Introduced in late 1954 as a 1955 model, the CJ-5 was a civilian version of the M38A1 military Jeep used in the Korean War. The most noticeable addition was the new rounded hood, designed specifically to accommodate the Hurricane engine. 603,303 were built over nearly 30 years, making it the longest-lived and most popular "Universal".
CJ-5A "Tuxedo Park" (1964–1967)
The Tuxedo Park had been an option package on the CJ-5 from 1961 to 1963, and by 1964 it was given its own model designation code. It featured more standard equipment (from 1965 onward standard equipment included the Dauntless V6 engine and bucket seats), but the Tuxedo Park never garnered a large customer base due to the higher base price. Only 7,394 CJ-5As were produced.
CJ-6 (1955–1975)
Mechanically, the CJ-6 was nothing more than a CJ-5 with a 20 in. longer wheelbase. This addressed the most common customer complaint: lack of rear seat room. Despite ceding to consumer demand sales were modest, with only 50,172 units manufactured over 20 years.
CJ-6A "Tuxedo Park" (1964–1967)
Similar to the CJ-5A, the CJ-6A was a "Tuxedo Park" version of the CJ-6. Like the CJ-5A it was not popular, with only 459 units produced, making it the rarest CJ.
CJ-7 (1976–1986)
The CJ-7 was introduced in 1976 as a longer alternative to the CJ-5, as a compromise between the CJ-5 and CJ-6's wheelbase length. 379,299 were built. This was the first model to lack the "Universal Jeep" designation.
CJ-8 "Scrambler" (1981–1985)
Once again consumers complained of too little room in the CJ-7. Like the CJ-6 before it, the Scrambler was an extended version of a smaller CJ, in this case the more modern CJ-7.
CJ-10 (1981–1985)
The Jeep CJ-10 was a CJ-bodied pickup truck based on a heavily modified Jeep J10 pickup truck. Produced from 1981 to 1985, it was sold and designed for export markets; Australia in particular.
CJ-10A (1984–1986)
The Jeep CJ-10A was a CJ-10-based flightline aircraft tug. Produced in Mexico from 1984 to 1986.
Willys Wagon and Willys Pickup
The Willys Wagon (1946–1965) and Willys Pickup (1947–1965) were full-size trucks featuring a wagon and pickup bodystyle respectively.
VJ
Willys Jeepster (1948–1950)
The Willys Jeepster was a roadster designed to appeal to consumers who would not otherwise purchase a utilitarian CJ. Most of its parts were shared with the Jeep Wagon and Jeep Pickup. Unfortunately it proved to be unpopular, with its production life cut to only three years.
DJ
DJ-3A (1955–1964)
The first of the Dispatcher Jeeps, the DJ-3A was essentially a two wheel drive version of the CJ-3A, designed for lighter-duty work not requiring four wheel drive.
DJ-5 "Dispatcher 100" (1965–1967)
Like the DJ-3A, the DJ-5 was a two wheel drive version of the CJ-5.
DJ-5A (1968–1970)
The DJ-5A was an offshoot of the DJ-5 featuring a specialized hardtop body and right hand drive steering, designed for use as a mail truck. It was also powered by a 153 in³ Chevrolet four-cylinder engine.
DJ-5B (1970–1972)
Nearly identical to the DJ-5A, the DJ-5B was differentiated by its powertrain: a 232 in³ AMC six-cylinder engine.
DJ-5C (1973–1974)
Nearly identical to the DJ-5B.
DJ-5D (1975–1976)
Nearly identical to the DJ-5B.
DJ-5E "Electruck" (1976)
A special electric version of the Dispatcher featuring an electric motor and battery pack in place of the original internal combustion engine.
DJ-5F (1977–1978)
Nearly identical to the DJ-5B. The DJ-5F was also available with the AMC 258 engine.
DJ-5G (1979)
Nearly identical to the DJ-5B. The DJ-5G was powered by a 2.0 L Volkswagen/Audi four-cylinder engine.
DJ-5L (1982)
Nearly identical to the DJ-5B. The DJ-5L was powered by the Pontiac 2.5 L "Iron Duke" engine.
FC
FC-150 (1956–1965)
The Forward Control trucks were essentially CJ-5s with a pickup bed and a flat-faced cab mounted on top of the engine. The FC-150 was mechanically nearly identical to the CJ-5.
FC-170 (1957–1965)
The FC-150 was joined by a longer FC-170 model, equipped with the Willys Super Hurricane engine.
FJ
The FJ (1961–1965) was a DJ-3A fitted with a van body with a redesigned steering and seating arrangement similar to the Forward Control trucks. The Fleetvan Jeeps were designed specifically for moving cargo. The FJ-3 (easily distinguishable by horizontal grille slots) was offered specifically as a postal truck, while a longer FJ-3A was offered for other fleet purposes.
SJ
Wagoneer (1963–1983)
The Wagoneer was designed to replace the Jeep Wagon, which had been produced relatively unchanged since 1946. It was leaps and bounds more sophisticated than its predecessor and competitors, offering modern amenities and car-like attributes such as an independent front suspension and a SOHC engine.
J-series (1963–1988)
The Wagoneer's SJ chassis was also designed for a pickup truck bed, replacing the Willys Jeep Pickup. Originally named Gladiator, the truck underwent several name changes. Originally the Gladiator models were distinguished by a three-digit model code signifying wheelbase and gross vehicle weight rating. For 1965 the model codes were changed to four digits. The Gladiator name was dropped for 1972. In 1974, the model codes were changed for the final time to a two-digit code signifying GVWR. The sporty Honcho package was a popular option on half-ton J-10s.
Super Wagoneer (1966–1969)
The Super Wagoneer was a special luxury version of the Wagoneer, featuring amenities such as air conditioning, an automatic transmission and a V8 engine as standard equipment. All of this was years prior to the existence of the Range Rover, considered by many to be the "original luxury SUV".
Cherokee (1974–1983)
The Cherokee was added to the Jeep lineup as a sporty two-door model in 1974. A four-door body was later added in 1977.
Grand Wagoneer (1984–1991)
The Wagoneer and Cherokee were replaced for 1984 by the smaller XJ Cherokee and Wagoneer. The SJ continued on as the Grand Wagoneer, the most opulent Jeep in the range.
C101
Jeepster Commando (1966–1971)
The Jeepster Commando was introduced in 1966 to appeal to consumers seeking a less utilitarian vehicle than the CJ. Based heavily upon the CJ-5, the Jeepster Commando was available in many body styles, including a convertible and pickup.
C104
Commando (1972–1973)
The C101 Jeepster Commando was redesigned in 1972 by AMC in order to accommodate AMC engines under its hood. The result was the new C104 Commando (Jeepster having been dropped from the name). The new front fascia, reminiscent of the Ford Bronco, was very unpopular, and Commando was dropped after its second year.
XJ
Cherokee (1984–2001)
The most ambitious Jeep ever undertaken, the XJ (said to mean eXperimental Jeep, although the veracity of this is not well substantiated) was revolutionary in design: it was the first SUV to use a bespoke unibody chassis for more car-like performance and design attributes. The "UniFrame" chassis made the XJ light and maneuverable, while the QuadraLink front suspension gave it excellent off-road ability. The XJ Cherokee increased Jeep sales to levels never seen before, and proved to be the single most popular Jeep of all time, with over 2.8 million units sold.
Wagoneer Limited (1984–1990)
The Wagoneer was offered alongside the Cherokee as a more luxurious model. Exterior changes were the only discernible differences, with a different grille and optional (plastic) wood panelling. Not to be confused with Grand Wagoneer SJ model.
MJ
Comanche (1986–1992)
The Comanche was offered as a pickup version of the Cherokee. It is unique in that it is one of few unibody pickup trucks ever produced.
YJ
Wrangler (1987–1995) (No Wrangler produced in 1996 as they revamped the design for the new TJ's in 1997)
The Wrangler, distinguished by its square headlamps, replaced the long-lived CJ. This model carried wider track axles and a stronger frame. It had more creature comforts and later on, had the benefit of the more efficient, fuel injected engines. The last model year of the YJ included galvanized bodies and larger U-joints.
ZJ
Grand Cherokee (1993–1998)
Originally designed as the XJ's replacement, the ZJ was instead moved upmarket as the Grand Cherokee.
Grand Wagoneer (1993)
A top-of-the-line Grand Cherokee featuring more standard equipment, such as a 5.2L Magnum V8. It was dropped after one year.
TJ
Wrangler (1997–2006)
The YJ's replacement, the TJ, has been the most bold evolution of the "Universal" yet, with coil springs at all four wheels (it also returned to the circular headlights of the CJ). Halfway through the 2004 model year a long-wheelbase version of the TJ was released as the Wrangler Unlimited. The Wrangler Unlimited is unofficially referred to as the LJ to differentiate between the standard- and long-wheelbase models.
LJ
Wrangler (2004-2006)
Unlimited Sport Edition: Came standard with 4.0 L and the Dana 44 rear limited slip axle with 3.73 gear ratio and the command-Trac NV231 transfer case. The LJ has all the sport options but with a 10 inch (250 mm) longer wheelbase aka the LWB or LJ model. The LJ Unlimited has 2 more inches of rear seat legroom and 13 inches more cargo storage. The LJ also came with 3500 lbs towing capacity compared to the 2000 lbs towing capacity of the TJ.
WJ
Grand Cherokee (1999–2004)
An evolution of the ZJ, available in a straight 6 or V8. The 4.7 L Powertech V8 signalled a return to SOHC engines: it was the first in a new Jeep since the Kaiser Tornado engine was dropped from the lineup in 1965.
KJ
Liberty (2002–2007)
The first new Jeep to feature an independent suspension since the 1963 Wagoneer, the Liberty (as it is known in North America; it goes by the name Cherokee in all other markets) replaced the XJ Cherokee in 2002. The Liberty comes with a 3.7 liter V6 engine, but was also available in the US in 2005–2006 with a 2.8L 4cylinder common rail diesel (CRD) engine.
WK
Grand Cherokee (2005–2010)
Using the WJ and KJ as a springboard, the most recent WK Grand Cherokee has a greater blend of car-like ride and handling with traditional offroad capability. Grand Cherokee has been completely redone for 2011.
XK
Commander (2006–2010)
With an exterior design reminiscent of the XJ, the Commander was the first seven-passenger Jeep, pushing the brand into market waters never before trodden. The Commander was discontinued due to the fact that the 2011 Dodge Durango is going to be Chrysler's 7 passenger SUV offering. It is rumored that the Commander may still be built overseas for certain markets.
JK
Wrangler (2007–early 2018)
The new JK Wrangler includes a 3-piece hardtop roof. 2007–2011 used Chrysler's 3.8 L V6 engine. For 2012+, the Wrangler uses Chrysler's 3.6L Pentastar V6.
JKU
4 Door Wrangler (2007–2018)
Designation of the 4 door body style JK Wrangler.
MK
Compass/Patriot (2007–2017)
The product of a Chrysler to bring 4x4 and fuel economy into the crossover market.
MP
Compass (2017–present)
A completely redesigned compact crossover developed by Fiat Chrysler Automobiles.
KK
Liberty (2008–2012)
3.7 liters V6 210hp, some engines can run on E-85 fuel. Replaced the KJ.
WK2
Grand Cherokee (2011–2022)
3.6 Liter Pentastar V6, 5.7 Liter Hemi V8, 3.0 Liter EcoDiesel V6. 4x2 or 4x4 options. RWD platform. Replaced the WK.
KL
Cherokee (2014–2023)
The new KL is the return of the Cherokee designation in a compact-wide body featuring a distinctive new front end and sporting a 2.4L Tigershark Inline 4, a 2.0L Hurricane turbo 4, or a 3.2L Pentastar V-6 mated with a 9-speed 948TE automatic transmission. The trailrated edition of the KL is referred to as the Cherokee Trailhawk.
BU
Renegade (2015–present)
The BU is Jeeps new 4x4 capable compact SUV based on the Fiat small-wide platform. Sporting a 2.4L Tigershark Inline 4-cylinder engine mated with a 9-speed automatic transmission or a 1.4L Turbo mated with a 6 speed manual. The TrailRated edition of the BU is referred to as the Renegade Trailhawk.
JL
Wrangler (2018–present)
The JL utilized many of the same features as the JK, however modifications were done to incorporate an All Wheel Drive feature (full-time 4WD) and front axle disconnects for improved fuel mileage.
K8
Grand Commander (2018–2022)
JT
Gladiator (2019–present)
Based on the Jeep Wrangler (JL) Unlimited
H1/H6
Commander (2021–present)
Meridian (2021–present)
WL
Grand Cherokee L (2021–present)
Grand Cherokee (2022–present)
WS
Wagoneer (2021–present)
Grand Wagoneer (2021–present)
Wagoneer L (2023–present)
Grand Wagoneer L (2023–present)
JJ
Avenger (2023–present) |
Grammy_Award_for_Best_New_Artist | https://en.wikipedia.org/wiki/Grammy_Award_for_Best_New_Artist | [
237
] | [
"https://en.wikipedia.org/wiki/Grammy_Award_for_Best_New_Artist#1960s"
] | The Grammy Award for Best New Artist has been awarded since the 2nd Annual Grammy Awards in 1960, but was not presented in 1967. Years reflect the year in which the Grammy Awards were handed out, for records released in the previous year. The official guidelines are as follows: "For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist." Note that this is not necessarily the first album released by an artist; for example, Shelby Lynne won the award in 2001 after having already released six albums over 13 years.
The Best New Artist award has a reputation for being given to artists whose music industry success ends up being short-lived; it is sometimes asserted, with varying degrees of sincerity, that the award itself brings a curse. This viewpoint was expressed by former Starland Vocal Band member Taffy Danoff in a 2002 interview for VH1's 100 Greatest One Hit Wonders: "We got two of the five Grammys – one was Best New Artist. So that was basically the kiss of death and I feel sorry for everyone who's gotten it since."
The category is also notable for being the only category in which a Grammy Award was vacated; this occurred in 1990 after it was revealed that winners Milli Vanilli did not contribute their own vocals on their album Girl You Know It's True. The award was not then given to another artist.
Further information
Of the 62 acts who have won the award since its inception, 31 are solo female artists, 19 are duos or groups, and 12 are solo male artists. Of the solo male artists, half were given the award in its first decade; since 1970, only six solo male artists have won the award, the most recent being Chance the Rapper in 2017. From 1997 to 2003, and again from 2018 to 2024, all the winners were solo female artists. Only five artists have won both Best New Artist and Album of the Year in the same year: Bob Newhart in 1961, Christopher Cross in 1981, Lauryn Hill in 1999, Norah Jones in 2003, and Billie Eilish in 2020. Of these, Cross, Jones, and Eilish had songs winning Record of the Year and Song of the Year for the same year, with Cross as the sole songwriter, Eilish as co-writer, and Jones lacking songwriting credit, which therefore made her miss out on completing the single year big four Grammy achievement, a feat that only Cross and Eilish attained; while Adele was the only artist to win all General field Grammys from separate occasions. Only two artists have lost Best New Artist yet won Album of the Year in the same year: Vaughn Meader in 1963 and Alanis Morissette in 1996.
Of all the winners, only three have been country artists. In 1997, LeAnn Rimes became the first country artist and (at age 14) the youngest artist to win the award. She was followed by Carrie Underwood in 2007 and Zac Brown Band in 2010. Additionally, 2017 marked the first time that two country artists were nominated in this category in the same year, in which Maren Morris and Kelsea Ballerini were both nominated. In 2018, Alessia Cara became the first Canadian artist to ever win the award, and the only woman to win a major category that year. In 2020, Rosalía became the first all Spanish-language artist to be nominated. 2021 marked the first time that multiple female rappers were nominated in the same year, when Chika, Doja Cat and Megan Thee Stallion were all nominated, with the latter winning the award.
For the award's first several years of existence, comedians and comic acts were regularly nominated, and one, Bob Newhart, won the award. However, this ended abruptly after 1963, and since then, only one comedian has been nominated for the award: Robin Williams in 1980. (That same year, the semi-comic act The Blues Brothers was also nominated.)
David Crosby and Carl Palmer hold the distinction of being the only artists to be nominated twice for this award. Palmer was nominated both times as a member of a supergroup: Emerson, Lake & Palmer and Asia, while Crosby was nominated as a member of The Byrds and won as a member of the supergroup Crosby, Stills & Nash.
1984 marked the first time that all of the nominees were from outside the United States (winner Culture Club, Eurythmics, Musical Youth, and Big Country were from the United Kingdom, and Men Without Hats were from Canada).
Eight artists who have been nominated for Best New Artist and have been later awarded with the Grammy Lifetime Achievement Award: The Beatles (1965, 2014), Chicago (1970, 2020), Cream (1969, 2006), Jefferson Airplane (1968, 2016), Antônio Carlos Jobim (1965, 2012), Led Zeppelin, (1970, 2005), Leontyne Price (1961, 1989), and John Prine (1972, 2020).
Process
From 1995 to 2021, members of the National Academy of Recording Arts and Sciences nominated their choices for the best new artist. A list of the top twenty artists was given to the Nominations Review Committee, a specially selected group of anonymous members, who initially selected the top five artists to gain a nomination in the category in a special ballot; the number of nominated artists was increased to eight in 2018. The rest of the members then vote on a winner from the final nominees. In 2021, it was announced that the Nomination Review Committees would be disbanded, and the final nominees for best new artist would be decided by votes from members. Starting in 2022, the number of nominees in the category increased to 10. However, the decision to expand the number of nominees in this category was made 24 hours before the nominees were announced after an early version of the nominations list had already been circulated. This allowed Baby Keem and Arooj Aftab to be nominated as they were the artists that received the most votes besides the other eight nominees. As of the 2024 ceremony, the number of nominees has been reduced to eight.
Rules changes
Over the years, the eligibility rules for this category have changed several times. In 2010, Lady Gaga's exclusion from the Best New Artist category caused the Recording Academy to change eligibility requirements for the next ceremony. She was ineligible for the nomination because her hit "Just Dance" had been nominated in 2008. The new rule stated that an artist may be nominated as long as that artist has not previously released an entire album and has subsequently not won a Grammy. In June 2016, the Grammy organization amended the Best New Artist rules once again, to remove the album barrier "given current trends in how new music and developing artists are released and promoted". To be eligible in the category of Best New Artist, the artist, duo, or group:
Must have released a minimum of five singles/tracks or one album (until 2020 there was a maximum of 30 singles/tracks or three albums, but this maximum limit was removed for the 2021 awards season)
May not have entered into this category more than three times, including as a performing member of an established group.
Must have achieved a breakthrough into the public consciousness and impacted the musical landscape during the eligibility period.
These new rules were put in effect with the 59th Annual Grammy Awards. The category was then expanded to include eight nominees in 2019. Starting in 2021, screening committees were charged with determining whether the artist had attained a breakthrough or prominence prior to the eligibility year. Such a determination would result in disqualification.
Recipients
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Notes
^[I] Each year is linked to the article about the Grammy Awards held that year.
^[II] The Grammy Award for Best New Artist wasn't presented during the 9th Grammy Awards.
^[III] Milli Vanilli were originally presented with the award on February 21, 1990, but were later stripped of it after admitting that they were not the actual singers on their album. The category was left vacant for the year.
See also
List of Grammy Award categories
References
External links
Official website |
List_of_prime_ministers_of_Canada | https://en.wikipedia.org/wiki/List_of_prime_ministers_of_Canada | [
237,
488,
583
] | [
"https://en.wikipedia.org/wiki/List_of_prime_ministers_of_Canada#Prime_ministers",
"https://en.wikipedia.org/wiki/List_of_prime_ministers_of_Canada",
"https://en.wikipedia.org/wiki/List_of_prime_ministers_of_Canada"
] | The prime minister of Canada is an official who serves as the primary minister of the Crown, chair of the Cabinet, and thus head of government of Canada. Twenty-three people (twenty-two men and one woman) have served as prime ministers. Officially, the prime minister is appointed by the governor general of Canada, but by constitutional convention, the prime minister must have the confidence of the elected House of Commons. Normally, this is the leader of the party caucus with the greatest number of seats in the house. But if that leader lacks the support of the majority, the governor general can appoint another leader who has that support or may dissolve parliament and call a new election. By constitutional convention, a prime minister holds a seat in parliament and, since the early 20th century, this has more specifically meant the House of Commons.
The 23rd and current prime minister is Justin Trudeau, who assumed office on 4 November 2015. There are currently five living former prime ministers. The most recent former prime minister to die was Brian Mulroney, on 29 February 2024.
Model
The office is not outlined in any of the documents that constitute the written portion of the Constitution of Canada; executive authority is formally vested in the sovereign and exercised on the sovereign's behalf by the governor general. The prime ministership is part of Canada's constitutional convention tradition. The office was modelled after that which existed in the United Kingdom at the time. John A. Macdonald was commissioned by the Viscount Monck on 24 May 1867, to form the first government of the Canadian Confederation. On 1 July 1867, the first ministry assumed office.
Term
The prime minister begins their term has been determined by the date sworn into their portfolio, as an oath of office as prime minister is not required. However, since 1957, the incoming prime minister has sworn an oath as prime minister. Before 1920, prime ministers' resignations were accepted immediately by the governor general and the last day of the ministries were the date he died or the date of resignation. Since 1920, the outgoing prime minister has only formally resigned when the new government is ready to be formed. The Interpretation Act of 1967 states that "where an appointment is made effective or terminates on a specified day, that appointment is considered to be effective or to terminate after the end of the previous day". Thus, although the outgoing prime minister formally resigns only hours before the incoming ministry swears their oaths, both during the day, the ministries are effectively changed at midnight the night before. Some sources, including the Parliament of Canada, apply this convention as far back as 1917. Two prime ministers have died in office: John A. Macdonald (1867–1873, 1878–1891), and John Thompson (1892–1894), both of natural causes. All others have resigned, either after losing an election or upon retirement.
Prime ministers
Canadian custom is to count by the individuals who were prime minister, not by terms. Since Confederation, 23 prime ministers have been "called upon" by the governor general to form 29 Canadian ministries.
Timeline
See also
Fathers of Confederation
Historical rankings of prime ministers of Canada
Leader of the Official Opposition (Canada)
List of Canadian federal parliaments
List of Canadian monarchs
List of prime ministers of Canada by time in office
List of prime ministers of Canada by religious affiliation
List of prime ministers of Queen Victoria
List of prime ministers of Edward VII
List of prime ministers of George V
List of prime ministers of Edward VIII
List of prime ministers of George VI
List of prime ministers of Elizabeth II
List of prime ministers of Charles III
List of joint premiers of the Province of Canada
Spouse of the prime minister of Canada
References
Further reading
External links
Prime Minister's Official Site – Government of Canada
The Prime Ministers of Canada – The Historica Dominion Institute
Prime Ministers of Canada – Library of Parliament
Prime Ministers – Canada History |
St._Louis_Cardinals | https://en.wikipedia.org/wiki/St._Louis_Cardinals | [
238
] | [
"https://en.wikipedia.org/wiki/St._Louis_Cardinals"
] | The St. Louis Cardinals are an American professional baseball team based in St. Louis. The Cardinals compete in Major League Baseball (MLB) as a member club of the National League (NL) Central Division. Since the 2006 season, the Cardinals have played their home games at Busch Stadium in downtown St. Louis. One of the nation's oldest and most successful professional baseball clubs, the Cardinals have won 11 World Series championships, the most of any NL team and second in MLB only to the New York Yankees. The team has won 19 National League pennants, third-most of any team behind the Los Angeles Dodgers and San Francisco Giants. St. Louis has also won 15 division titles in the East and Central divisions.
In 1881, entrepreneur Chris von der Ahe purchased the Brown Stockings barnstorming club, renamed it the St. Louis Browns, and made it a charter member of the American Association baseball league. The team won four league championships, qualifying them to play in the era's professional baseball championship series, a forerunner of the modern World Series. In two of these championships, the Browns met the Chicago White Stockings, now the Chicago Cubs, launching the enduring Cardinals–Cubs rivalry.
In 1892, the Browns – also called the Perfectos – joined the National League. In 1900, the team was renamed the Cardinals. (Two years later, an unrelated St. Louis Browns team joined the American League.)
Notable Cardinals achievements include manager/owner Branch Rickey's invention of the farm system, Rogers Hornsby's two batting Triple Crowns, Dizzy Dean's 30-win season in 1934, Stan Musial's 17 MLB and 29 NL records, Bob Gibson's 1.12 earned run average (ERA) in 1968, Whitey Herzog's Whiteyball, Mark McGwire's single-season home run record in 1998, the 2011 championship team's unprecedented comebacks, and Albert Pujols’ 700th home run. The Cardinals have won 105 or more games in four seasons and won 100 or more nine times. Cardinals players have won 21 league MVPs, four batting Triple Crowns, and three Cy Young Awards. Baseball Hall of Fame inductees include Lou Brock, Dizzy Dean, Bob Gibson, Whitey Herzog, Rogers Hornsby, Tony LaRussa, Joe Medwick, Stan Musial, Enos Slaughter, Branch Rickey, Red Schoendienst, Ozzie Smith, Ted Simmons, Bruce Sutter, and Scott Rolen.
In 2018, Forbes valued the Cardinals at $1.9 billion, the 7th-highest among MLB clubs and far more than the $147 million paid in 1995 by owner William DeWitt Jr.'s investment group. In 2017, the team took in revenue of $319 million on an operating income of $40.0 million. John Mozeliak is the President of Baseball Operations, Mike Girsch is the general manager, and Oliver Marmol is the manager. The Cardinals are renowned for their strong fan support: despite being in one of the sport's mid-level markets, they routinely see attendances among the league's highest, and are consistently among the top three in MLB in local television ratings.
Through 2024, the Cardinals' all-time win-loss record is 11,285–10,402–152 (.520).
History
Before the Cardinals (1875–1881)
Professional baseball began in St. Louis with the inception of the Brown Stockings in the National Association (NA) in 1875. The NA folded following that season, and the next season, St. Louis joined the National League as a charter member, finishing in third place at 45–19. George Bradley hurled the first no-hitter in Major League history. The NL expelled St. Louis from the league after 1877 due to a game-fixing scandal and the team went bankrupt. Without a league, they continued play as a semi-professional barnstorming team through 1881.
The magnitudes of the reorganizations, following the 1877 and 1881 seasons, are such that the 1875–1877 and 1878–1881 Brown Stockings teams are not generally considered to share continuity as a franchise with the current St. Louis Cardinals.
American Association and early National League eras (1882–1919)
For the 1882 season, Chris von der Ahe purchased the team, reorganized it, and made it a founding member of the American Association (AA), a league to rival the NL. 1882 is generally considered to be the first year of existence for the franchise which would later become known as the St. Louis Cardinals.
The next season, St. Louis shortened their name to the Browns. Soon thereafter they became the dominant team in the AA, as manager Charlie Comiskey guided St. Louis to four pennants in a row from 1885 to 1888. Pitcher and outfielder Bob Caruthers led the league in ERA (2.07) and wins (40) in 1885 and finished in the top six in both in each of the following two seasons. He also led the AA in OBP (.448) and OPS (.974) in 1886 and finished fourth in batting average in 1886 (.334) and fifth in 1887 (.357). Outfielder Tip O'Neill won the first batting triple crown in franchise history in 1887 and the only one in AA history. By winning the pennant, the Browns played the NL pennant winner in a predecessor of the World Series. The Browns twice met the Chicago White Stockings—the predecessor to the Chicago Cubs—tying one in a heated dispute and winning the other, thus spurring the vigorous St. Louis-Chicago rivalry that ensues to this day. During the franchise's ten seasons in the AA, they compiled an all-time league-high of 780 wins and .639 winning percentage. They lost just 432 contests while tying 21 others.
The AA went bankrupt after the 1891 season and the Browns transferred to the National League. This time, the club entered an era of stark futility. Between 1892 and 1919, St. Louis managed just five winning seasons, finished in last or next-to-last place sixteen times, and ended four seasons with 100 losses or more. The nadir was the 1897 season: a 29–102 record for a franchise-worst .221 winning percentage. St. Louis' 84–67 finish as the Perfectos in 1899 would be the team's best finish between the AA era and Sam Breadon's purchase of the team. As the "Perfectos", the team wore their jersey with a cardinal red trim and sock striping. Later that season, St. Louis Republic sportswriter Willie McHale included an account in a column of a female fan he heard remarking about the uniforms, "What a lovely shade of cardinal." Fans liked the moniker "Cardinals" and, the next year in 1900, popularity for the nickname induced an official change to Cardinals.
In 1902, an American League team moved from Milwaukee into St. Louis, renamed themselves the St. Louis Browns and built a new park on the site of the Cardinals' old stadium, striking a rivalry that lasted five decades. Breadon bought a minority interest in the Cardinals in 1917 and in 1919 Browns manager Branch Rickey joined the Cardinals. The Cardinals' first 28 seasons in the NL were a complete reversal of their stay in the AA – with a .406 winning percentage, they compiled 1,632 wins, 2,425 losses and 74 ties.
Breadon era (1920–1952)
St. Louis baseball commenced a renaissance: since 1926 the Cardinals have won eleven World Series and nineteen NL pennants. Breadon spurred this revival when he bought out the majority stake in 1920 and appointed Rickey as business manager, who expanded scouting, player development, and pioneered the minor league farm system, filling the role of today's general manager. With Rogers Hornsby at second base, he claimed Triple Crowns in 1922 and 1925, and the Cardinals won the 1926 World Series, their first. St. Louis then won the league in 1928, 1930, and 1931 and the 1931 World Series.
The Gashouse Gang edition claimed the 1934 World Series and the Cardinals amassed new thresholds of popularity far outside St. Louis via radio, which led to the coining of the term "Cardinal Nation". Dizzy Dean led the Gang, winning the 1934 MVP, and leading the NL multiple times in wins, strikeouts, innings, complete games and shutouts. Johnny Mize and Joe Medwick emerged as two power threats, with Medwick claiming the last Triple Crown for a Cardinal in 1937.
In the 1940s, a golden era emerged as Rickey's farm system became laden with such talent as Marty Marion, Enos Slaughter, Mort Cooper, Walker Cooper, Stan Musial, Max Lanier, Whitey Kurowski, Red Schoendienst and Johnny Beazley. It was one of the most successful decades in franchise history with 960 wins and 580 losses for a winning percentage higher than any other Major League team at .623. With Billy Southworth managing, they won the World Series in 1942 and 1944 (in the only all-St. Louis series against the Browns), and won 105 or more games each in 1942, 1943, and 1944. Southworth's managerial winning percentage (.642) is St. Louis' highest since the franchise joined the National League. Musial was considered the most consistent hitter of his era and most accomplished in team history, winning three MVPs and seven batting titles. St. Louis then won the 1946 World Series on Slaughter's Mad Dash in Game 7. Breadon was forced to sell the team in 1947 but won six World Series and nine NL pennants as Cardinals owner. They remained competitive, finishing .500 or better in thirteen of the next seventeen seasons, but fell short of winning the league or World Series until 1964.
Gussie Busch era (1953–1989)
In 1953 the Anheuser-Busch brewery bought the Cardinals and August "Gussie" Busch became team president, spurring the Browns' departure in 1953 to Baltimore to become the Orioles, and making the Cardinals the only major league club in town. More success followed in the 1960s, starting with what is considered one of the most lopsided trades in Major League history, as St. Louis received outfielder Lou Brock from the Cubs for pitcher Ernie Broglio. MVP third baseman Ken Boyer and pitcher Bob Gibson led the club to a World Series win the same year and Curt Flood, Bill White, Curt Simmons, and Steve Carlton also made key contributions in this decade. In 1967, new arrival Orlando Cepeda won the MVP, helping to propel St. Louis to the World Series. The Cardinals won the league the following year behind their Major League-leading 2.49 staff ERA in what was an all-round record-breaking season of pitching dominance. Posting a modern-day record low ERA of 1.12 and striking out a one-game World Series-record of 17, Gibson won both the MVP and Cy Young awards that year. However, the Cardinals failed to repeat as World Series champions, blowing a 3–1 lead to the underdog Detroit Tigers.
In the 1970s, catcher/third baseman Joe Torre and first baseman Keith Hernandez each won MVPs, but the team's best finishes were second place and 90 wins. The team found their way back to the World Series three times in the 1980s, starting with manager Whitey Herzog and his Whiteyball style of play and another trade that altered course of the franchise: in 1982, shortstop Garry Templeton was shipped to the Padres for fellow shortstop Ozzie Smith. Widely regarded as one of the best defensive players in history, Smith ranks first all-time among shortstops in Gold Glove Awards (13), All-Star games (15), assists (8,375), and double plays (1,590). St. Louis won the 1982 World Series from the Milwaukee Brewers that fall. The Cardinals again won the league in 1985 and 1987. In the 1985 Series, they faced-off with cross-state rivals Kansas City Royals for the first time in a non-exhibition game, but they lost the series after a controversial call in Game 6; the 1987 series saw them face off against the Minnesota Twins, but could only win all three of their games played at home in the seven-game series.
Bill DeWitt era (1996–present)
After Gussie Busch died in 1989, the brewery took control and hired Joe Torre to manage late in 1990, then sold the team to an investment group led by William DeWitt Jr. in 1996. Tony La Russa replaced Torre in the spring of 1996. In 1998, Mark McGwire competed with the Cubs' Sammy Sosa for a barrage of home runs in their pursuit of the single-season home run record. From 2000 to 2013, the Cardinals reestablished their way to the top with ten playoff appearances, four NL pennants, two World Series titles and 1,274 regular season wins against 993 losses for a .560 winning percentage, leading the National League and second in MLB only to the New York Yankees. With the addition of Jim Edmonds, Albert Pujols, and Scott Rolen, the Cardinals featured three prominent sluggers and defenders nicknamed "MV3;" Pujols won three MVPs and hit .328 with 445 home runs in his Cardinals career. In 2004, playoff stalwart Chris Carpenter's 3.09 ERA and 15 wins helped power the team to a major-league best 105 wins and take the NL pennant. In 2006, beset with injuries and inconsistency, they won the World Series, beating Detroit in five games to set an all-time record-low of 83 wins for a World Series winner.
In 2009, the Cardinals reached 10,000 wins, dating to when they first played in the American Association (AA). St. Louis returned to the playoffs in 2011, first surmounting the largest games-won deficit after 130 games (at 10.5) to upstage the Atlanta Braves on the final day for the wild card playoff berth. In Game 3 of the World Series, Pujols became just the third player to hit three home runs in a World Series game. In Game 6, third baseman David Freese and outfielder Lance Berkman each tied the score on the Cardinals' final strike—the first such occurrence in any game in MLB history—and St. Louis defeated the Texas Rangers later that game with a walk-off home run from Freese. After winning that Series, La Russa retired and became the only manager to do so after winning a title. He also finished with the most wins for managers in franchise history with 1,408.
La Russa's successor, Mike Matheny, helped extend St. Louis' playoff run as he became the first manager in the division play era to guide the Cardinals to the NLCS and playoffs in his first two seasons. In 2014, the Cardinals extended their NLCS streak to 4, with their 3–1 series victory over the Dodgers, in the NLDS. Ten days after being eliminated from the postseason by the San Francisco Giants, rookie outfielder Oscar Taveras was killed in a car accident while traveling to his hometown Puerto Plata in the Dominican Republic. On November 17, they acquired Atlanta Braves right-fielder Jason Heyward (who had just come off a Gold Glove-winning season) to replace Taveras. On June 16, 2015, the FBI and the Justice Department started an investigation on the Cardinals for possibly hacking the Houston Astros. The hacking incident was perpetrated by Scouting Director Chris Correa. For the first time since the 2007–2008 seasons, the Cardinals missed the playoffs in consecutive years, 2016–2017.
On July 14, 2018, following an 8–2 loss to the Cincinnati Reds, the St. Louis Cardinals announced they had dismissed manager Mike Matheny after 6+1⁄2 seasons. The team then named Mike Shildt interim manager, and he was made the permanent manager a month later.
On November 19, 2018, the team announced that the "Victory Blue" uniforms, worn by the Cardinals during the late 1970s and 1980s, would be returning for the 2019 season. The uniforms, integrating the powder blue color with the team's current "Saturday alternate" jersey design, were to be worn 13 times on the road during the 2019 season. The Cardinals acquired Paul Goldschmidt in a trade from the Arizona Diamondbacks on December 5, 2018.
On September 14, 2022, long-time starting pitcher Adam Wainwright and catcher Yadier Molina set the NL/AL record for most starts as pitcher and catcher duo, also referred to as a battery, at 325 starts together going back to 2007. The previous record holding duo, Mickey Lolich and Bill Freehan, had held the record since 1975.
Ballpark
The Cardinals play their home games at Busch Stadium (also referred to as New Busch Stadium or Busch III) in downtown St. Louis, straddling 7th and Clark near the intersection of Interstates 64, 55, and 44. The stadium opened for the 2006 season at a cost of $411 million and holds a normal capacity of 46,861. The Cardinals finished their inaugural season in the new Busch Stadium by winning the 2006 World Series, the first team to do so since the New York Yankees in 1923. This open-air stadium emulates the HOK Sport (now Populous)-designed "retro-style" baseball-only parks built since the 1990s. The open panoramic perspective over the outfield wall offers a remarkable view of St. Louis' downtown skyline featuring the distinctive Gateway Arch. A replica of the Eads Bridge spans the entrance to the park on the third base side, while the statue of Stan Musial stands in front of that entrance. Other statues at the corner of 8th and Clark include Hall of Famers Rogers Hornsby, Ozzie Smith, George Sisler, Cool Papa Bell, Bob Gibson, Jack Buck, and others.
Due to increased demand, Game 7 of the 2011 World Series accommodated a baseball record of 47,399 by increasing the number of standing room only tickets. The attendance record for any sporting event is 48,263, in a 2013 association football (soccer) friendly match between Chelsea F.C. and Manchester City F.C., made possible by on-field seating. The largest attendance (53,000) of any event at Busch belongs to U2 during a concert from their 360° Tour in 2011.
Ballpark Village is a mixed-use development located across Clark Street from Busch Stadium. Phase 1 of the development, completed for the start of the 2014 season, includes entertainment venues, restaurants, and retail. Anchored by Cardinals Nation (which includes the Cardinals Hall of Fame, a two-story Cardinals-themed restaurant and rooftop seating for 300+ fans with views of the field across the street), a 20,000 sq ft (1,900 m2) Budweiser Brew House, FOX Sports Midwest Live! and PBR, the $100 million phase 1 development of Ballpark Village is intended to be a gathering space throughout the year, not just during the baseball season.
Previous ballparks
Busch Stadium is the Cardinals' fourth home ballpark and the third to bear that name. The Cardinals' original home ballpark was Sportsman's Park from 1882 to 1892 when they played in the American Association and were known as the Browns. In 1893, the Browns moved to a new ballpark five blocks northwest of Sportsman's Park which would serve as their home from 1893 to 1920. The new park was originally called New Sportsman's Park but became more commonly referred to as Robison Field. Midway through the 1920 season, the Cardinals abandoned Robison Field and returned to the original Sportsman's Park and became tenants of their American League rivals, the St. Louis Browns. In 1953, the Anheuser-Busch Brewery purchased the Cardinals and the new owner subsequently also purchased Sportsman's Park from the Browns and renamed it Busch Stadium, later becoming Busch I. The Browns then left St. Louis for Baltimore after the season, becoming the Orioles. The Cardinals built Busch Memorial Stadium, or Busch II, in downtown St. Louis, opened it during the 1966 season and played there until 2005. It was built as the multi-purpose stadium home of both the baseball Cardinals and the NFL football Cardinals, who are now the Arizona Cardinals; the NFL's Rams also played the first four games of their home schedule upon their arrival in St. Louis in 1995. The current Busch Stadium was constructed partly atop the site of Busch Memorial Stadium.
Spring training
The Cardinals home field in spring training is Roger Dean Stadium in Jupiter, Florida. They share the complex, which opened in 1998, with the Miami Marlins. Before moving to Jupiter, the Cardinals hosted spring training at Al Lang Field in St. Petersburg, Florida from 1937 to 1997.
Regular season home attendance
The Cardinals have exceeded the attendance total of 3 million every season from 2004 to 2019. Every season from 2013 to 2019, the Cardinals finished second among MLB franchises in home game attendance, surpassed only by the Los Angeles Dodgers each season. The Cardinals since 1987, have surpassed 3 million in 25 years, with the 25th season on September 18, 2023.
Logos and uniforms
The Cardinals have had few logos throughout their history, although those logos have evolved over time. The first logo associated with the Cardinals was an interlocking "SL" that appeared on the team's caps and or sleeves as early as 1899 or 1900 (depending on the source). Those early uniforms usually featured the name "St. Louis" on white home and gray road uniforms which both had cardinal red accents. During an 1899 road trip to Chicago, a girl in the stands remarked, "Oh, isn't that a lovely shade of cardinal." The team, known as the Perfectos at the time, changed its name to Cardinals the following season. In 1920, the "SL" largely disappeared from the team's uniforms, and for the next 20 years the team wore caps that were white with red striping and a red bill.
In 1922, the Cardinals wore uniforms for the first time that featured two cardinal birds perched on a baseball bat over the name "Cardinals" with the letter "C" of the word hooked over the bat. The concept of the birds originated after general manager Branch Rickey noticed a colorful cardboard arrangement featuring cardinal birds on a table in a Presbyterian church in Ferguson, Missouri, at which he was speaking. The arrangement's production was by a woman named Allie May Schmidt. Schmidt's father, a graphic designer, helped Rickey make the logo a familiar staple on Cardinals uniforms. While the team had been known as the Cardinals for over 20 years by then, this logo changed the perception from the color to the bird. The now-famous "birds on the bat" design initially appeared with the birds perched on a black bat and "Cardinals" in printed letters. An alternate version of this logo with "St. Louis" replacing "Cardinals" appeared in 1930 and was the primary logo in 1931 and 1932 before "Cardinals" returned. In 1940, the now-familiar "StL" logo was introduced on the team's caps. The interlocking "StL" has undergone several slight modifications over the years but has appeared on the team's caps every year since. The first appearance of the "STL" in 1940 coincided with the introduction of navy blue as a uniform color. From 1940 until 1955, the team wore navy blue caps with red bills and a red interlocking "StL" while the jerseys featured both cardinal red and navy blue accents. In 1951, the "birds on the bat" logo was changed to feature a yellow baseball bat.
In 1956, the Cardinals changed their caps to solid blue with a red "StL", removing the red bill. Also, for that season only, the Cardinals wore a script "Cardinals" wordmark on their uniforms excluding the "birds on the bat". An updated version of the "birds on the bat" logo returned in 1957 with the word "Cardinals" written in cursive beneath the bat; this logo, with some incremental changes along the way, has been the team's logo since. In 1962, the Cardinals became the first National League team (and the second in all of Major League Baseball after the Chicago White Sox in 1960) to display players' names on the back of their jerseys. In 1964, while retaining their blue caps for road games, the Cardinals changed their home caps to all red with first a blue, than a white, interlocking "StL". The next year, the red caps were the only cap worn by the team full-time. In 1967, the birds on the bat emblem on the jersey was again tweaked, making the birds more realistic and changing the position of their tails relative to the bat and this version remained on all Cardinals game jerseys through 1997.
In 1971, following the trend in baseball at the time, the Cardinals replaced the traditional flannel front-button shirts and pants with belts with new pullover knit jerseys and beltless elastic waist pants. In 1973, the crew-neck collar became a V-neck. Another trend in baseball led the Cardinals to change their road uniforms from gray to light blue from 1976 to 1984; the player numbers were worn on the sleeves in 1979 and 1980. In 1992, the Cardinals returned to wearing traditional button-down shirts and pants with belts. That same year, they also brought back the all-navy cap with a red "StL", which were last worn in 1964, for use on the road only while wearing the same red and white cap for home games.
In 1998, the "birds on the bat" was updated for the first time in 30 years with more detailed birds and bolder letters. That year, St. Louis introduced a cap featuring a single cardinal bird perched on a bat worn for Sunday home games only. Up until 2020, the alternate "bird" caps were paired with their primary "StL" red batting helmets, but in the 2021 season, the Cardinals added a new helmet to match their home Sunday alternate caps. The new birds on the bat design was modified again the next year, with yellow beaks and white eyes replacing the red beaks and yellow eyes of the 1998 version. Uniform numbers also returned to the front of the jerseys in 1999 after a two-year absence.
On November 16, 2012, the Cardinals unveiled a new alternate uniform to be worn at home games on Saturdays beginning with the 2013 season. The modified jersey, cream-colored with red trim on the sleeves and down the front, retains the "birds on the bat" but is the first since 1932 in which "St. Louis" is used instead of "Cardinals". 2013 also saw the team adopt their red caps as their main cap for both home and away games for the first time since 1991; the navy cap was retained as an alternate, used when visiting other teams with red home caps.
Starting with the 2019 season, the Cardinals have worn updated powder blue alternate uniforms during Saturday road games. Like the Saturday home cream alternates, it features red piping and "St. Louis" below the "birds on the bat" logo. In 2020, the Cardinals introduced a slightly updated version of their "StL" cap logo, which was "soft launched" in 2019 via their social media accounts and game broadcasts.
In 2023, the Cardinals introduced Stifel as its first uniform sponsor. The Stifel patch, which has red letters with the background color corresponding to the team's uniform, is placed on either sleeve depending on a player's handedness.
In 2024, the Cardinals unveiled their City Connect uniform. The red-based uniform with white pants maintained the trademark "birds on the bat" logo in front, but with the script "The Lou" in white trimmed in navy blue instead of either the city or team name. "The Lou" paid homage to rapper Nelly, a St. Louis native who once coined the city's nickname on his 2000 single Country Grammar. Darker red wavy pinstripes were an allusion to the Mississippi River where St. Louis is situated. A red circular patch containing a yellow fleur-de-lis, a navy blue illustration of the Gateway Arch, and a red "STL" wordmark, is placed on either sleeve. Caps are red and featured the aforementioned "STL" wordmark in white with navy blue trim.
Support
Fans
Mascots
The team mascot is an anthropomorphic cardinal wearing the team's uniform named Fredbird. He is assisted by Team Fredbird, a group of eleven women who entertain fans from the field and on top of the dugouts.
While unofficial, the Rally Squirrel became an unexpected phenomenon during the 2011 postseason. Making its "debut" in Game 3 of the NLDS on October 4, a squirrel ran across home plate in the middle of a pitch from Roy Oswalt of the Phillies to the Cardinals' Skip Schumaker. The Cardinals would win Game 4 and subsequently Game 5 (October 7) in Philadelphia to advance to the NLCS, symbolizing the squirrel's "role" in the victory. The squirrel was popularized as "Buschie the Rally Squirrel". As a tribute to the popularity of the squirrel, a small depiction of the Rally Squirrel is also included on the official World Series rings the team received. It shows up under the "STL" logo on the side of the ring.
Fredbird sparked controversy in May 2015, when he was asked by a fan for a photograph and handed him a sign that said "Police Lives Matter". The team later claimed that Fredbird should not be involved in any political activity or social commentary.
Rivalries
Chicago Cubs
The Cardinals–Cubs rivalry refers to games between the Cardinals and the Chicago Cubs. The rivalry is also known as the Downstate Illinois rivalry or the I-55 Series (in earlier years as the Route 66 Series) as both cities are located along Interstate 55 (which itself succeeded the famous U.S. Route 66). The Cubs lead the series 1,253–1,196, through October 2021, while the Cardinals lead in National League pennants with 19 against the Cubs' 17. The Cubs have won 11 of those pennants in Major League Baseball's Modern Era (1901–present), while all 19 of the Cardinals' pennants have been won since 1926. The Cardinals also have an edge when it comes to World Series successes, having won 11 championships to the Cubs' 3. Games featuring the Cardinals and Cubs see numerous visiting fans in either Busch Stadium in St. Louis or Wrigley Field in Chicago. When the National League split into two and then three divisions, the Cardinals and Cubs remained together. This has added excitement to several pennant races over the years. The Cardinals and Cubs have played each other once in the postseason, 2015 National League Division Series, which the Cubs won 3–1.
Kansas City Royals
The Cardinals have an interleague and intrastate rivalry with the Kansas City Royals, dubbed the "Show-Me Series" after the nickname of the team's home state, Missouri; or the "I–70 Series" after the interstate highway that connects the cities. The teams first met in the 1985 World Series, which the Royals won 4–3, and which remains their only post-season meeting.
Since interleague play began in 1997, the Cardinals and Royals have met in four to six games each season, evenly split between the two cities. As of 2021, the Cardinals lead the overall series 71–50.
The rivalry heated up in 2015, when both teams held the best records in their respective leagues when they opened each of their two series. The Royals advanced to the World Series, where they faced and ultimately defeated the New York Mets, while the Cardinals lost in the NLDS. Had the Cardinals made it to the World Series, they would have faced the Royals in a rematch of 1985.
Los Angeles Dodgers
Primarily a playoff rivalry; since 1892, The Cardinals and Dodgers have met 6 times in the postseason with 2 meetings in the NLCS won by the Cardinals. Both teams have recently grown a history of animosity towards one another since the late 2000s as both teams often met frequently in the postseason. The Dodgers have not fared as well against the Cardinals in the postseason. In five prior postseason series matchups, the Cardinals have won four with the Dodgers winning only the 2009 NLDS and the 2021 National League Wild Card Game.
New York Mets
The rivalry between the Cardinals and the New York Mets peaked during the 1980s when both teams contended for National League East supremacy. The rivalry began with the 1983 trade that brought Keith Hernandez from the Cardinals to the Mets, essentially turning the latter into contenders. Between 1985 and 1988, the division was dominated by either of the two teams, and in three of those years, the NL East winner went on to the World Series. In 1994, the Cardinals were moved to the National League Central, and the rivalry faded soon after. The two teams would meet in the 2000 and 2006 National League Championship Series, briefly rekindling the rivalry.
Executives and club officials
Ownership and valuation
An investment group led by William DeWitt Jr. owns the St. Louis Cardinals, having bought the team from Anheuser-Busch (AB) in 1996. As with other periods of the Cardinals' transaction history, doubt loomed as to whether the purchaser would keep the team in St. Louis, due to the city's status as a "small market", which appears to handicap a club's competitiveness. Such was the case when Sam Breadon put the Cardinals up for sale in 1947: then-NL President Ford Frick proposed moving the Cardinals to Chicago. When AB placed the Cardinals for sale in 1995, they publicly expressed intention to find a buyer who would keep the club in St. Louis. In March 1996, AB sold the team for $147 million to a partnership headed by Southwest Bank's Drew Baur, Hanser and DeWitt Jr. Civic Center Redevelopment, a subsidiary of AB, held the parking garages and adjacent property and also transferred them to the Baur ownership group. Baur's group then sold the garages to another investment group, lowering the net franchise purchase price to about $100 million, about $10 million less than Financial World's value of the team at the time $110 million.
Current Cincinnati Reds owners Bob Castellini and brothers Thomas Williams and W. Joseph Williams Jr. each once owned a stake in the Cardinals dating back to the Baur-DeWitt group's purchase of the team. To allow their purchase of the Reds in 2005, the rest of the group bought out Castellini's and the Williams brothers' shares, totaling an estimated 13 percent. At that time, the Forbes valued the Cardinals at about $370 million. However, after reabsorbing that stake into the remainder of the group, they decided to make it available to new investors in 2010. Amid later allegations that the Cardinals owed the city profit shares, DeWitt revealed that their profitability had not reached the threshold to trigger that obligation.
Recent annual financial records
As of 2024, Forbes valued the Cardinals tenth among the 30 MLB franchises. Their estimated value of $2.55 billion was the same from the season before, when they ranked tenth. St. Louis' revenue in 2024 was $372 million, up $14 million from 2023. Their Operating income was $57 million. The Cardinals' deal with Fox Sports Midwest (now Bally Sports Midwest), signed in 2015, began in 2018, and is worth $1 billion through 2032. In 2014, Forbes valued the Cardinals at $820 million and opined previously that they play "in the best single-team baseball market in the country and are among the league's leaders in television ratings and attendance every season." Concurrent with the growth of Major League Baseball, the Cardinals value has increased significantly since the Baur-DeWitt purchase. In 2000, the franchise was valued at $219 million, a growth rate of 374% through 2014. The franchise's value grew 12.7% from 2013 to 2014.
The Forbes methodology of team values are enterprise values (equity plus net debt) that include the economics of the ballpark but exclude the value of real estate itself. Forbes does not include the value of team-owned regional sports networks. The league's ownership in Major League Baseball Advanced Media (100%) and the MLB Network (67%) and league's investment portfolio are included in our values. In total, these three assets constitute about $425 million in value for each team. Revenue and operating income (earnings before interest, taxes, depreciation and amortization) measure cash in versus cash out (not accrual accounting) for the 2017 season. Their figures include the post-season and are net of revenue sharing and stadium debt payments. Revenues include the pro-rated upfront bonuses networks pay teams as well as proceeds from non-MLB events at the ballpark. The non-recurring $18 million each team received in 2017 from the sale of a stake in BamTech to Walt Disney was excluded, as were profits or losses from team-owned RSNs.
All valuations per Forbes.
1 Based on current stadium deal (unless new stadium is pending) without deduction for debt, other than stadium debt.
(2024: market $1,070 mil., stadium $540 mil., sport $590 mil., brand management $350 mil.)
(2018: market $715 mil., stadium $447 mil., sport $493 mil., brand management $245 mil.)
(2017: market $666 mil., stadium $411 mil., sport $488 mil., brand management $235 mil.)
(2016: market $613 mil., stadium $378 mil., sport $406 mil., brand management $219 mil.)
(2015: market $548 mil., stadium $338 mil., sport $331 mil., brand management $197 mil.)
(2014: market $339 mil., stadium $211 mil., sport $156 mil., brand management $124 mil.)
(2013: market $291 mil., stadium $182 mil., sport $151 mil., brand management $91 mil.)
(2012: market $240 mil., stadium $157 mil., sport $119 mil., brand management $78 mil.)
(2011: market $206 mil., stadium $136 mil., sport $111 mil., brand management $65 mil.)
2 Net of stadium revenues used for debt payments.
3 Earnings before interest, taxes, depreciation and amortization.
4 Includes benefits and bonuses.
5 Compares the number of wins per player payroll relative to the rest of MLB. Playoff wins count twice as much as regular season wins. A score of 120 means that the team achieved 20% more victories per dollar of payroll compared with the league average in 2010.
Other interests
The Cardinals own three of their six Minor League Baseball affiliates:
Palm Beach Cardinals, Florida State League
FCL Cardinals, Florida Complex League
DSL Cardinals, Dominican Summer League
Executives
Franchise Principals
Chairman & CEO: William DeWitt Jr.
President: Bill DeWitt III
Sr. Vice President & General Counsel: Mike Whittle
Vice President, Business Development: Dan Good
Baseball Operations
President of Baseball Operations: John Mozeliak
Vice President & General Manager: Mike Girsch
Assistant General Manager: Moisés Rodríguez
Assistant General Manager & Director of Scouting: Randy Flores
Assistant General Manager & Director of Player Development: Gary LaRocque
Advisor to President, Baseball Operations: Chaim Bloom
Special Assistant to GM / Player Procurement: Matt Slater
Special Assistant to President, Baseball Operations: Joe McEwing
Special Assistant to President, Baseball Operations: Yadier Molina
Director, Baseball Administration: John Vuch
Baseball Analytics
Sr. Director of Baseball Development: Jeremy Cohen
Baseball Systems
Senior Lead Application Developer: Brian Seyfert
Travel & Clubhouse
Director, Team Travel: Ernie Moore
Performance & Medical
Director of Medical Operations / Head Athletic Trainer: Adam Olsen
Communications
Sr. Director, Communications: Brian Bartow
Cardinals Care & Community Relations
Vice President, Community Relations & Exec. Director, Cardinals Care: Michael Hall
Event Services and Merchandising
Vice President, Event Services & Merchandising: Vicki Bryant
Finance and Administration
Sr. Vice President & CFO: Brad Wood
Stadium Operations
Vice President, Stadium Operations: Matt Gifford
Ticket Sales, Marketing & Corporate Sales
Sr. Vice President, Business Operations: Anuk Karunaratne
Business Analytics & Information Technology
Vice President, Business Strategy & Analytics: Mark Murray
Corporate Sales & Broadcasting
Vice President, Corporate Sales & Broadcasting: Thane vanBreusegen
Content & Production
Sr. Director, Content & Production: Tony Simokaitis
Marketing & Brand Execution
Sr. Director, Marketing & Brand Management: Martin Coco
Publications
Sr. Director, Publications: Steve Zesch
Ticket Sales
Vice President, Ticket Sales: Joe Strohm
Managers
Field managers with one or more years managing, and the current manager are included here.
Table key
*All-time franchise leader. ** Franchise leader since 1900.
Players
Current roster
Coaching staff
Selected individual achievements and awards
Darryl Kile Award: Two awards are presented each year, one to a St. Louis Cardinal and one to a Houston Astro, each of whom exemplifies Kile's virtues of being "a good teammate, a great friend, a fine father and a humble man." The winner is selected by each local chapter of the Baseball Writers' Association of America. See: St. Louis Cardinals award winners and league leaders § Darryl Kile Good Guy Award.
No-hitters: Cardinal pitchers have thrown 10 no-hitters: Ted Breitenstein (1891), Jesse Haines (1924), Paul Dean (1934), Lon Warneke (1941), Ray Washburn (1968), Bob Gibson (1971), Bob Forsch (1978 and 1983), José Jiménez (1999), and Bud Smith (2001). The Cardinals have never been involved in a perfect game, win or lose.
Cy Young Awards: Two Cardinal pitchers have won Cy Young Awards: Bob Gibson in 1968 and 1970, and Chris Carpenter in 2005.
MVP Awards: 17 different Cardinal players have won a total of 21 Most Valuable Player awards, the most recent being Paul Goldschmidt in 2022. Albert Pujols and Stan Musial have collected the most MVPs with three apiece. Bob Gibson won both the Cy Young Award and the MVP award in 1968. The Cardinals are second only to the New York Yankees' 22 MVP awards.
Rookie of the Year: Six Cardinals have won the Rookie of the Year award: Wally Moon in 1954, Bill Virdon in 1955, Bake McBride in 1974, Vince Coleman in 1985, Todd Worrell in 1986, and Albert Pujols in 2001.
Hitting for the cycle: 19 different Cardinal players have hit for the cycle for a total of 21 times, the most recent being Nolan Arenado in 2022.
Triple Crown: Four of the 16 batting Triple Crowns in the major leagues (including three of only six in the National League) were by Cardinals. Tip O'Neill won the only American Association Triple Crown and the first in franchise history in 1887. Rogers Hornsby became the only two-time winner in NL history when he did it in 1922 and 1925 (Ted Williams won two AL Triple Crowns). Joe Medwick's Triple Crown in 1937 is the last in the history of the National League. Hornsby's 1925 numbers led the entire major leagues, making him one of only five players to have won this expanded Triple Crown.
Home runs and RBI in a game: Jim Bottomley drove in 12 runs against the Brooklyn Robins on September 16, 1924, an all-time MLB single-game record that still stands. On September 7, 1993, Mark Whiten tied that record and another MLB single-game record with four home runs.
Four home runs in a row by consecutive batters: Nolan Arenado, Nolan Gorman, Juan Yepez, and Dylan Carlson hit consecutive home runs on July 2, 2022, off starting pitcher Kyle Gibson of the Phillies. This feat has only occurred eleven times in the history of Major League Baseball.
Two grand slams in a single inning: Fernando Tatís is the only player in Major League history to hit two grand slam home runs in the same inning, on April 23, 1999. Both were against Chan Ho Park of the Dodgers.
Team captains
Leo Durocher 1934–1937
Terry Moore 1942–1948
Ken Boyer 1959–1965
Ted Simmons and Reggie Smith 1976
Hall of Famers
Inducted into the National Baseball Hall of Fame and Museum
St. Louis Cardinals Hall of Fame Museum
In 2014, the Cardinals announced the reopening of the franchise Hall of Fame after a 6-year hiatus. A formal selection process recognizes former players as Cardinals Hall of Famers each year. To be eligible for election, a player must have been a member of the Cardinals for at least three seasons. The team initially released the names of 22 former players and personnel included in the inaugural class of 2014. There are now 52 members of the Cardinals Hall of Fame.
Positions that are listed were played the equivalent of a full season for the Cardinals.
Players who have been nominated, but not inducted, include Joaquín Andújar, Steve Carlton, George Hendrick, Édgar Rentería, and Lee Smith.
After receiving the most fan votes on the 2023 ballot, David Freese later declined his induction into the Cardinals Hall of Fame.
Inducted into the Missouri Sports Hall of Fame
Retired numbers
The Cardinals have retired 13 total jersey numbers––second in MLB only to the New York Yankees' 22––in honoring 15 total former players and club personnel on the left field wall at Busch Stadium. A 16th, Jackie Robinson, is honored by all MLB teams. For the majority of Rogers Hornsby's career, the Cardinals did not have any numbers on their uniforms. When the Cardinals experimented with numbers on uniforms in 1923, Hornsby briefly donned the number 4. He switched to 6 the following season before the team abandoned the practice. Upon his return to the team in 1933, Hornsby again wore number 4 before being traded later that year. The club opted to simply honor his name with no number attached to him in 1997.
Notes:
Hornsby: When honored in 1997, '"SL"' was used in place of a number as he played mostly in an era without numbers.
42: Jackie Robinson's number 42 was retired throughout baseball in 1997. The Cardinals again retired 42 in September 2006 in honor of Sutter, who was elected to the Hall of Fame earlier in the year.
85: Cardinal stockholders honored Busch with the number 85 on his 85th birthday in 1984.
Out of circulation, but not officially retired
4: Yadier Molina's (C, 2004–2022) number has not been reissued since he retired after the 2022 season.
5: Albert Pujols's (1B, 2001–2011, 2022) number has not been reissued since he retired after the 2022 season.
50: Adam Wainwright's (SP, 2005–2010, 2012–2023) number has not been reissued since he retired after the 2023 season.
51: Willie McGee's (OF, 1982–1990, 1996–1999; Coach, 2018–present) number has not been reissued since late in the 2001 season. McGee became a coach on the Cardinals' staff in the 2018 season and was reissued the number.
Cardinals records
Minor league affiliations
The St. Louis Cardinals farm system consists of six minor league affiliates.
Radio and television coverage
Radio
In St. Louis, Audacy-owned KMOX (1120 AM) airs Cardinals games over radio and feeds the rest of the Cardinals network. Capable of reaching 21 million listeners in nine states including Missouri, Illinois, Arkansas, Indiana, Iowa, Kentucky, Mississippi, Oklahoma, and Tennessee, the Cardinals radio network is the second-largest in MLB with 117 affiliate stations.
Ricky Horton and John Rooney alternate as play-by-play announcers, with Matt Pauley serving as pre-game and post-game host. KMOX's 50,000-watt clear-channel signal covers much of the continental United States at night. At one time, owing to the Cardinals' status as a "regional" franchise, the Cardinals radio network reached almost half of the country.
The 2011 season marked the Cardinals' return to KMOX following five seasons on KTRS (550 AM), a station which is 50 percent owned by the Cardinals. With a partnership spanning seven decades, and continuously since 1954, its conclusion was realized after the 2005 season when the then owners of KMOX, CBS Radio, and the Cardinals failed to reach terms on a new rights agreement. However, frustrated by the underpowered coverage of 5,000-watt KTRS, the Cardinals reached a new deal with KMOX in 2011.
Starting in 2013 (at age 74), Mike Shannon started reducing his workload. As of the 2016 season, he only called home games for the Cardinals. As of the 2019 season, his 47th in the broadcast booth, he surpassed Jack Buck, his long-time broadcast companion, as the longest-tenured Cardinal broadcaster.
On January 14, 2021, Shannon announced that the upcoming season, his 50th season in the broadcast booth, would be his last.
Television
Since 2000, Cardinals telecasts have generated the top three in ratings in MLB every season. Bally Sports Midwest airs all games in high-definition and is the team's exclusive television broadcaster, with the exception of selected Saturday afternoon games on Fox (via its St. Louis affiliate, KTVI) or Sunday Night Baseball on ESPN. Bally Sports Indiana, Bally Sports South, Bally Sports Oklahoma, Bally Sports Southwest, and Bally Sports Southeast air Cardinals games for fans living within the Cardinals broadcast territory who do not receive the Bally Sports Midwest channel. During the 2016 season, the Cardinals averaged an 8.54 rating and 104,000 viewers on primetime TV broadcasts in St Louis.
The television commentators lineup includes Chip Caray, Brad Thompson, and Jim Edmonds. Jimmy "The Cat" Hayes serves as dugout reporter during the game as well as on Cardinals Live, a pre- and post-game show. Cardinals Live is hosted in-studio by Alexa Datt along with game analysts and former Cardinals players Al Hrabosky and Rick Ankiel.
Cardinals Kids, a program aimed at the team's younger fans, airs weekly in-season on Fox Sports Midwest. It is hosted by former Cardinals pitcher Brad Thompson, team mascot Fredbird, and Busch Stadium Public Address announcer John "The U-Man" Ulett. The 30-minute show began airing in 2003 and presents team news, player profiles, and Cardinals team history in a kid-friendly manner along with games and trivia.
A weekly magazine program, This Week in Cardinal Nation, airs on St. Louis' NBC affiliate KSDK. Cardinals games had been seen on KSDK (and its predecessor, KSD-TV) from 1947 through 1958, 1963 through 1987, and 2007 until 2010. KPLR-TV was the Cardinals' other over-the-air broadcaster, carrying games from 1959 through 1962 and from 1988 until 2006.
Former Cardinals broadcasters include Jack Buck, Harry Caray, Bob Carpenter, Dizzy Dean, Joe Garagiola, Dan McLaughlin, and Jay Randolph. Joe Buck, the son of Jack Buck, was an official member of the Cardinals' broadcast team from 1991 until 2007. The younger Buck once served as the lead play-by-play caller for Fox Sports' national Major League Baseball and National Football League broadcasts before joining ESPN as the voice of Monday Night Football in 2022.
Opening Day lineups
Opening Day salaries
Opening Day payrolls for 25-man roster (since 2000): 2018–23 payroll obligations
2020 season shortened to 60 games. Payroll adjusted from $168,930,500 to $69,461,295.
Notes
References
Further reading
Cash, Jon (2002). Before They Were Cardinals: Major-League Baseball in Nineteenth-Century St. Louis. University of Missouri Press. ISBN 0-826-21935-7.
Eisenbath, Mike (1999). The Cardinals Encyclopedia. Philadelphia: Temple University Press. ISBN 1-56639-703-0. OCLC 40193767.
Judd, Dennis (2002). The Infrastructure of Play: Building the Tourist City. Armonk, N.Y.: M.E. Sharpe. ISBN 978-0-7656-0956-4.
Taylor, Phil (October 31, 2011). "Where's The Boo In Booster?". Sports Illustrated. Archived from the original on October 29, 2011. Retrieved October 28, 2011. Redbird Nation's reputation as the most knowledgeable, loyal and, above all, friendly fans in the majors ... 'Our fans are the best because they're just as passionate as anywhere else, ..., but they're probably a little more fair-minded,' says St. Louis manager Tony La Russa.
Weintraub, Robert (2013). The Victory Season: The End of World War II and the Birth of Baseball's Golden Age. New York: Little, Brown & Company. ISBN 978-0-316-20591-7.
External links
St. Louis Cardinals official website
St. Louis Cardinals news Archived August 11, 2023, at the Wayback Machine (from the St. Louis Post-Dispatch)
St. Louis Cardinals Team Index (at Baseball Reference)
St. Louis Cardinals Team Page (at Scout.com) |
Yadier_Molina | https://en.wikipedia.org/wiki/Yadier_Molina | [
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] | [
"https://en.wikipedia.org/wiki/Yadier_Molina"
] | Yadier Benjamín Molina (Spanish pronunciation: [ɟʝaˈðjeɾ moˈlina]; born July 13, 1982), nicknamed "Yadi", is a Puerto Rican former professional baseball catcher who played his entire 19-year career with the St. Louis Cardinals of Major League Baseball (MLB) and who is currently the team's Special Assistant to the President of Baseball Operations. Widely considered one of the greatest defensive catchers of all time for his blocking ability and his caught-stealing percentage, Molina won nine Rawlings Gold Gloves and six Fielding Bible Awards. A two-time World Series champion, he played for Cardinals teams that made 12 playoff appearances and won four National League pennants. Molina also played for the Puerto Rican national team in four World Baseball Classic (WBC) tournaments, winning two silver medals.
When he retired after the 2022 season, Molina ranked first all-time among catchers in putouts and second all-time among catchers with 130 Defensive Runs Saved (DRS); among active players, he ranked first with 845 assists, 40.21% of runners caught stealing, and 55 pickoffs. Along with pitcher Adam Wainwright, Molina holds the records for most games started and won as a battery. As a hitter, Molina accrued more than 2,100 hits, 150 home runs, and 1,000 runs batted in (RBIs); he batted over .300 in five seasons. Other distinctions include selection to ten MLB All-Star Games, four Platinum Glove Awards, and one Silver Slugger Award. He was a two-time selection to the All-WBC Tournament Team and was a member of the 2018 MLB Japan All-Star Series.
The product of a baseball family, Molina was born in Bayamon, Puerto Rico. His father was an amateur second baseman and the all-time hits leader in Puerto Rican baseball, and his two older brothers, Bengie and José, also developed into standout defensive catchers with lengthy MLB careers. The Cardinals' fourth-round selection in the 2000 MLB draft, Molina entered the major leagues in the 2004 season and quickly showed one of the strongest and most accurate arms in the game. Over his career, he earned a reputation as a team leader, eventually formulating pregame plans to handle opposing hitters, including pitching strategies and fielder positioning.
Molina appeared on five NL Most Valuable Player Award (MVP) ballots, including finishing fourth in 2012 and third in 2013. When Hurricane Maria ravaged the island of Puerto Rico in September 2017, Molina began relief efforts for victims of the catastrophe, consequently receiving the Roberto Clemente Award in 2018.
Early life
Yadier Benjamín Molina was born on July 13, 1982, in Bayamón, Puerto Rico, the youngest of three boys to Gladys Matta and Benjamín Molina, Sr. He attended Maestro Ladislao Martínez High School in Vega Alta. Baseball in Puerto Rico is a significant part of the island's culture. Molina's father played second base as an amateur and worked as a tools technician 10 hours per day in a Westinghouse factory. The all-time hits leader in Liga de Béisbol Profesional Roberto Clemente (or Doble-A Beísbol) history, the elder Molina delivered a .320 career batting average and gained election to the Puerto Rican baseball hall of fame in 2002. Molina's two older brothers, Bengie and José, also developed into distinguished defensive catchers with lengthy careers in Major League Baseball (MLB), and each of the three won at least one World Series championship.
Each day when he completed work, Molina's father went directly home, ate dinner with his family, and crossed the street from his family's home with his sons and his son’s friend Carlos Diaz to Jesús Mambe Kuilan Park, spending countless evening hours teaching them the fundamentals of the sport. He remained hopeful that his sons would become professional baseball players.
Molina's catching aptitude showed as early as age five and developed quickly. Nonetheless, he developed great competence in playing all over the baseball field and, as older brother Bengie recalled, always seemed to "be the first player taken in the youth league draft". Molina concentrated on infield positions until about age 16, when he began to develop the familiar Molina physique: as of 2013, he stood 5'11" and weighed 220 pounds.
Molina's father also sought to accelerate him on the diamond. Following Yadier's suspension from a youth league about age 15, he anticipated the desistance would stagnate his development, so he searched for an alternative. Against the wishes of coaches, family members and friends, he scheduled Yadier for a workout with the Hatillo Tigres, an amateur league team. Molina made the team after a single workout and immediately became the starting catcher. The Tigres' first baseman, Luís Rosario, was the one who recommended him to the organization. The Tigres played in a league composed mainly of players 10 or more years older than Molina, well before he was eligible for the MLB draft.
Professional career
Draft and minor leagues
Minnesota Twins scout Edwin Rodríguez followed and scrutinized Molina starting in high school. He observed that Molina's skills closely resembled that of both his older brothers—both accomplished major league catchers—and decided that his defense was "polished" enough to be considered more advanced than most high schoolers in the United States. However, Molina's hitting lagged behind his defense. The initial report on his skill set was "defensive catcher, great arm, weak bat"; the closest comparable hitter as catcher was one whom the Cardinals eventually placed at the top of their organizational ladder, his future manager Mike Matheny.
Before he was drafted, Molina worked out for the Cincinnati Reds. He put on a spectacle at Riverfront Stadium with his arm and bat that grabbed the attention of executives, scouts, and prominent former Reds players, including Johnny Bench and Bob Boone. As Molina recalled, he left the session with the impression that Cincinnati intended to draft him. Undeterred by the universal reservations about his offensive ceiling, the St. Louis Cardinals instead took Molina in the fourth round of the 2000 MLB draft and signed him for $325,000.
The Cardinals then invited Molina to major league spring training camp. Described as "raw", the young catcher worked to emulate Matheny. At one point in that extended spring training, instructor Dave Ricketts observed Molina from a golf cart during a game. Molina allowed a passed ball through his legs with a runner on third base, and raced to the backstop to retrieve the ball. Still hoping to prevent the runner from scoring, he instead found Ricketts in the golf cart parked on top of home plate. Ricketts, who had a reputation for becoming upset when minor league catchers allowed balls to bounce between their legs, removed Molina from the game and drove him to the batting cage. There, Molina later recalled, Ricketts batted 150 to 200 ground balls to improve the young catcher's ability to block pitches.
Molina began his professional career with the Johnson City Cardinals of the Rookie-level Appalachian League in 2001, playing 44 total games and batting .259. He advanced one level in each of four seasons in the minor leagues. Even without highly developed offensive skills, Molina proved difficult to strike out. Mainly a singles hitter who favored hitting the ball the other way, he batted .278 with 14 home runs and 133 runs batted in (RBIs) with 118 strikeouts in 1,044 at-bats in four minor league seasons. In his first three seasons, he threw out 111 base runners attempting to steal while allowing 133 stolen bases, for a caught-stealing percentage of 45%.
St. Louis Cardinals (2004–2022)
2004–06
Molina's first chance in the Major Leagues came when the incumbent catcher, Matheny, went on the disabled list (DL) with a strained rib in the Cardinals' pennant-winning season of 2004. Molina made his Major League debut on June 3. One of his first game-winning hits occurred on August 7. He stroked a broken-bat single to shallow center field in the bottom of the ninth inning against the New York Mets. On the play, the center fielder, Mike Cameron started towards the outfield wall based on Molina's full swing, not immediately realizing that he had made only partial contact because of the broken bat. By the time Cameron charged the ball, it was too late; it fell in for a hit, scoring Jim Edmonds. Three weeks later, on August 29, the Cardinals beat the Pittsburgh Pirates 6–4, thanks in part to two plays in which Molina tagged out the runner at home plate, including a collision with Ty Wigginton.
Molina appeared in 51 regular-season games and batted .267 with two home runs and 15 RBIs in 151 plate appearances. He threw out more than half of would-be base-stealers (nine of 17). In the World Series against the Boston Red Sox, manager Tony La Russa elected to start Molina over Matheny in Game 4. The Red Sox swept the Cardinals and claimed the title that game, their first in 86 years. The following offseason, Matheny signed a three-year, $10.5-million contract with the San Francisco Giants, clearing the way for Molina to become the Cardinals' starting catcher.
In 2005, Molina struggled with injuries and saw a drop off in the offensive performance in his rookie season. He doubled and scored on David Eckstein's go-ahead single on his way to three hits in a June 12 defeat of the New York Yankees, 5–3. Molina returned from a 33-game absence on August 19 induced by a hairline fracture of his left fifth metacarpal bone from being hit by a pitch on July 7. Starting pitcher Chris Carpenter, attempting to extend a winning streak to ten games on an August 19 game versus the San Francisco Giants, found himself in a 4–0 deficit in the ninth inning. Capped by Molina's three-run home run, the Cardinals rallied and won 5–4 in the ninth. The next day, Molina's suicide squeeze bunt scored Mark Grudzielanek, tying the game and allowing the Cardinals to win 4–2. Those were just two wins of 100 as St. Louis made their way to another division title following 105 wins the season before.
In 114 games, Molina posted a .252 batting average with eight home runs and 49 RBIs with just 30 strikeouts in 421 plate appearances. Defensively, he registered career-highs of nine pickoffs and a caught-stealing percentage of 64 from throwing out 25 of 39 would-be base-stealers. According to Baseball-Reference.com, as of 2013, that percentage ranked as the 26th highest all-time season-single caught stealing percentage. Since 1957, only Mike LaValliere's 1993 figure of 72.7% was higher.
Before the 2006 season commenced, Molina participated in the inaugural World Baseball Classic (WBC) for Puerto Rico. After returning to the Cardinals, he changed his jersey number from 41 to 4. However, the regular season presented some of his greatest offensive challenges as he struggled through a career-worst .216 batting average in 461 regular-season plate appearances. It was a culmination of a decline over his first three seasons; Molina's on-base plus slugging percentages (OPS) registered at .684 in 2004, .654 in 2005 and .595 in 2006. The low batting average was due in part to a deflated batting average on balls in play (BABIP) of .226 (normal is around .300), a career low.
In a May 27 game against the San Diego Padres at Petco Park in San Diego with the Cardinals holding a 4–3 lead in the bottom of the ninth, Molina picked Brian Giles off first to end the game, the first pickoff to end a major league game in nearly four years. The Cardinals faced the Padres again in the National League Division Series (NLDS) playoff game in the playoffs, he again picked a Padre off at first, this time Mike Piazza, while bailing pitcher Jeff Suppan out of a jam. For the season, he caught 41% of all base-stealing attempts and picked off seven runners.
Even as his bat languished, Molina's defense was instrumental in propelling the Cardinals to the National League Central division crown in a season heavily marred by injuries for the team. However, the following playoffs marked a turning point in his career offensive output. He posted a .358 composite batting average, .424 on-base percentage (OBP), two home runs and eight RBIs in 16 games as the Cardinals reached the World Series. He batted .308 in the National League Division Series (NLDS), .348 in the National League Championship Series (NLCS) and .412 in the World Series.
One of Molina's landmark playoff performances came in Game 7 of the NLCS against the New York Mets, the final game of the series tied at three games each. Starting in the top of the ninth, he batted with a 1–1 score. In the sixth inning, Mets left fielder Endy Chávez had prevented the Cardinals from taking the lead when he leapt to catch Scott Rolen's near-miss home run over the left field fence. This time, however, Molina hit a two-run home run off Aaron Heilman over left field that was too high for Chávez to catch and gave the Cardinals a 3–1 edge.
In the bottom of the ninth, rookie pitcher Adam Wainwright – filling in as emergency closer – found himself in a two-out, bases-loaded situation against center fielder Carlos Beltrán, who had already homered three times in the NLCS. Molina called for a mound conference. Initially, he wanted a sinker from Wainwright but changed his mind because he suspected Wainwright would overthrow it and give Beltrán an easy pitch to hit. Molina made an unconventional choice by calling for a changeup to start the sequence against Beltrán. It was called for a strike. Had Beltrán successfully got a base hit, the scheme may have caused tension for the third-year catcher with La Russa and pitching coach Dave Duncan because throwing a first-pitch changeup ran contrary to Duncan's teaching. Molina then called for two curveballs. Beltrán fouled off the first, but Wainwright struck him out looking at a "bender that started up and away and bit hard to the low inside corner" for the final out of the game. The Cardinals' conquest of the NLCS gave them a return trip to the World Series after two years. They proceeded to defeat the Detroit Tigers in five games, giving Molina his first championship ring. His mask was turned in for display at the Baseball Hall of Fame.
2007–09
Batting out of the number-five spot in the batting order for the first time in his career on Opening Day, 2007, Molina collected two hits. In a game against the Milwaukee Brewers on April 15, Molina picked Prince Fielder off first base as he leaned far off the bag, tipping off Molina and first baseman Albert Pujols to a hit and run the Brewers were planning. Four days later, Molina faced his brother Bengie for the first time in a game against the San Francisco Giants. It was also the first time they had seen each other in about three and one-half years.
From May 1 to 24, Molina strung together a then-career high 15-game hitting streak, during which he batted .373. It was the longest streak for a Cardinals catcher since Erik Pappas' 16-game streak in 1993. Molina was absent for most of June due to a fractured left wrist. In the third inning of the May 29 game against Colorado, he took a foul tip off his wrist from Rockies right fielder Brad Hawpe's bat. After missing 26 games, the Cardinals activated him from the disabled list on June 28.
The first multi-error game of Molina's career occurred July 13 against the Philadelphia Phillies on a catch and throw. In a span of 11 starts from August 2–16, he racked up four three-hit games. On August 16, he hit two home runs against the Brewers for his first career multi-homer game. Molina homered and stroked the go-ahead double in an August 22 defeat of Florida. One week later, he homered in back-to-back games against the Cincinnati Reds; he, Edmonds, and Rick Ankiel each drove in three runs in an 11–3 victory on September 2. On Yadier Molina Bobblehead Night September 19 versus Philadelphia, he stroked three hits including the game-winning single in the tenth inning.
Molina suffered a concussion in September and underwent arthroscopic surgery to repair torn cartilage in his right knee. The knee surgery ended his season early on September 24. In Molina's final 50 games, he successfully collected 49 hits in 158 AB for a .310 AVG. Of his final 35 starts, 12 were multi-hit games. His .281 batting average after the All-Star break ranked fifth among NL catchers. He finished the season with a new career-best .275 batting average, six home runs, and 40 RBIs in 111 games. He threw out 50% (23 of 46) baserunners attempting to steal, the highest percentage in the majors. From 2005 to 2007, he led all MLB with a 47% caught-stealing rate and 18 pick-offs.
On January 14, 2008, Molina and the Cardinals agreed to a four-year, $15.5 million deal with a club option for a fifth, cementing his position as their starting catcher. He reported to spring training having lost 15 pounds and in improved physical shape from rehabilitating following knee surgery. He started the season with an Opening Day home run and seven-game hitting streak. After a home plate collision with Eric Bruntlett on June 15 against the Philadelphia Phillies in the ninth inning, Molina sustained head and neck injuries and was removed from the field on a stretcher. There were no indications of a concussion. He held on to the ball to help the Cardinals win. He missed the next four games. To that point, Molina was batting .295 with three home runs and 24 RBIs. He also had thrown out 10 of 32 baserunners (31.3%) – well below his career average of 45% – but an Associated Press reporter attributed the decline to an inexperienced pitching staff.
Molina returned to the field against Boston at Fenway Park as the designated hitter. In that game, his solo home run provided the difference in a 5–4 Cardinals victory. It was also the first game of the first of two 13-game hitting streaks for the season. His first career start at first base, also against Boston, occurred two days later. During that streak, he collected 17 hits in 47 at-bats for a .362 batting average. The second hitting streak spanned from August 16 to September 2, where he successfully hit 19 times in 50 at bats for a .380 average. On September 2, he and Felipe López hit consecutive home runs against the Arizona Diamondbacks en route to an 8–2 victory.
Overall, Molina enjoyed a breakout offensive season, finishing with new career highs with a .304 batting average – his first over .300 – and in hits (135), OBP (.349), SLG (.392), runs (37) and RBIs (56). Of all catchers in franchise history with at least 450 PA in a season, he became just the second ever, after Simmons, to bat over .300; it was then the fourth-best season batting average; and, his 29 strikeouts were the fewest since Simmons fanned 20 times in 1976. Molina led the team and was sixth in the NL with a .340 batting average with runners in scoring position. For the season, he successfully caught 35% of opposing baserunners, still higher than the league average of 27%. He led all MLB with seven pickoffs. That November, Molina received his first Gold Glove Award, becoming the third Cardinal catcher ever to win the honor, after Tom Pagnozzi and Matheny.
Before the 2009 season commenced, Molina participated with Puerto Rico in his second WBC. When the event concluded, he returned to the Cardinals. In an April 16 game against the Arizona Diamondbacks, he reached base in all five of his plate appearances in a 12–7 victory. Starting pitcher Joel Piñeiro – struggling with his fastball command in previous starts – experimented with a sinker and shut out the New York Mets on June 24 with just two hits. Molina erased a Mets runner by throwing out Luis Castillo attempting to steal second base. Molina was batting .278 with five home runs and 25 RBIs through July 5, 2009. He was selected through fan vote to represent the Cardinals in the All-Star Game in St. Louis' Busch Stadium – his first All-Star Game. As the top vote-getter among NL catchers with 2,641,467 votes, Molina was named the NL's starting catcher. He caught eight innings and drove home a run.
Following the All-Star break on July 18, Molina's four hits and Albert Pujols' two home runs helped cap Chris Carpenter's 6–1 victory over the Diamondbacks, who pitched around nine runners on base in eight innings. On August 15, Molina picked off San Diego's Kevin Kouzmanoff at first on the way to a 7–4 victory, the 33rd of his career. At that point, Bill James Online rated that Molina saved his team fifteen total runs from pickoffs alone in his career.
A sore left knee sustained after taking a foul ball of his kneecap temporarily disabled Molina on September 26. He was back in action on October 1 against Cincinnati, although he was removed from that game due to a "tweaked" knee. He finished the season with a .293 batting average, six home runs, 54 RBIs, and a major league-leading 136 games caught, the highest franchise total since Ted Simmons' total in 1977. His strikeout rate of once every 13.9 PA was the second-lowest in the NL. While accumulating 39 mult-hit games, the Cardinals won 27 of them. He led the major leagues with eight pickoffs and was second in the NL in innings caught. He also won his second Gold Glove award after the season. The Sporting News announced that major league managers and coaches had selected Molina for the magazine's end-of-season All-Star award. For the first time in his career, Molina earned Most Valuable Player Award (MVP) consideration. He finished tied for 23rd with Miguel Tejada with one percent of the vote share.
2010–11
On Opening Day, April 5, 2010, Molina connected for a grand slam, becoming just the third Cardinals player to hit an Opening Day grand slam, following Mark McGwire and Scott Rolen. On April 17, he caught all 20 innings of a game against the Mets. Molina turned in a productive April, driving in 15 runners, the most for a Cardinals catcher in the month of April since Ted Simmons drove in 20 in 1977. He also continued his productivity with the bases loaded that month, collecting four hits and 11 RBIs in five at bats.
Before the All-Star break, Molina batted just .223. However, he was voted to start his second consecutive game, and second overall, and played four innings. After the All-Star break, his hitting improved, as he stroked 63 hits in 200 at bats for .315 batting average. During a game against the Cincinnati Reds on August 10, as second baseman Brandon Phillips came to bat, he exchanged words with Molina that escalated to a bench-clearing confrontation, although no one was ejected. On September 17, he amassed a career-high five RBIs and career-tying four hits against San Diego, including two doubles. After an examination on his sore right knee on September 23, Molina was shut down for the rest of the season, missing 12 games.
The final batting results for Molina's 2010 season consisted of a .262 batting average, six home runs, and 62 RBIs. He ranked as the fourth toughest in the NL to strike out with 10.2 at bats per strikeout. He led all NL catchers in at-bats (465) and stolen bases (eight), and his 122 hits ranked second, just behind Brian McCann's 123. He was tops in the NL with 24 bases-loaded RBIs, collecting eight hits in 15 AB for a .533 batting average in those situations. He also was first in the Majors with a .455 batting average (10–22) on 0–2 counts. He led all MLB catchers in innings (1138.0), games started (130) and assists (79), and led the NL for the third time in caught-stealing percentage at 49%. On November 1, he won his fourth consecutive Fielding Bible Award as the sole catcher. In addition, Molina became the first player at any position to win the award unanimously with a perfect score of 100. Nine days later, he was awarded his third consecutive Gold Glove Award.
With increased offensive productivity in 2011, Molina continued to help anchor the middle of Cardinals lineup in addition to the pitching staff and defense. From May 15 to 18, he put together four consecutive multi-hit games. Selected to his third consecutive All-Star Game, he substituted for the starter, McCann, played four innings and doubled in his only at-bat. Molina hit safety in 14 consecutive games from July 21 to August 11, one fewer than his career high. From July 22–25, he homered in three consecutive games, the second time in his career he had done so.
On August 2, Molina was ejected from a game against the Milwaukee Brewers for arguing a called strike. He bumped umpire Rob Drake in the chest multiple times and appeared to spit upon him. Molina later apologized, stating that he did not intend to spit on the umpire and that he "was caught up in the moment. That's what happens when you're caught up in the race and trying to win. I didn't handle it the right way." He served a five-game suspension handed down by MLB for "making contact with umpire Rob Drake multiple times and spraying him with spit twice while arguing."
Although the Cardinals stayed competitive, they were, at best, on the fringes of making the playoffs through August. As of August 28, with a 70–64 record, they faced a 10+1⁄2-game deficit to the Braves for the wild card playoff berth with 28 left to play. Molina provided a spark to the offense in the close of the season, batting .342 in August and .341 in September. With his 30th double on September 21, he became the fourth catcher in Cardinals history to reach that milestone, following Simmons, Bob O'Farrell and Walker Cooper.
St. Louis won 20 of 28 games to finish the season, allowing them to tie the Braves for the wild card lead going into the final day. Molina caught Carpenter's 8–0 shutout of the Astros, the final game of the regular season. Meanwhile, the Philles defeated the Braves 4–3 in 13 innings, giving the Cardinals the wild card title and eliminating the Braves from the playoffs. The 10+1⁄2 games-won deficit marked the largest lead surrendered with 28 left to play in MLB history, consummating what St. Louis Post-Dispatch sportswriter Bernie Miklasz termed an "improbable comeback," and one of the greatest sports history. It was just the first in a series of improbable comebacks for the Cardinals in 2011.
Molina compiled a .305 batting average, 32 doubles, 14 home runs and 65 RBIs during the 2011 regular season. His batting average led the Cardinals and was eighth in the NL. However, his posted a career-low 29% caught-stealing percentage. His OPS+ (126), batting average, and hit totals led NL catchers, doubles placed second and RBIs third. His .337 batting average following the All-Star Break tied for seventh in the NL. He also led all NL catchers with 12 three-hit games, and collated 39 multi-hit games and 13 multi-RBI games.
By making the playoffs, Molina became the first catcher in franchise history to appear in five postseasons for the Cardinals. He batted .333 in the NLCS against Milwaukee, including five hits in eight AB in the final two games. In Game 1 of the World Series against the Texas Rangers, Molina threw out Ian Kinsler attempting to steal in the first inning on the way to a 3–2 win. It was the Rangers' only attempted steal of the game. That caught stealing gave Molina five in seven total chances in the 2011 postseason to that point; the Rangers had been tied with the Cardinals for most steals in that postseason. For the series, the Rangers attempted to steal four bases and were successful just once. In Game 3, Molina accumulated four RBI, and two more each in Games 6 and 7.
The Cardinals won the Series in seven games, giving Molina his second championship ring. He batted .333 and set a team World Series record with nine RBIs. It was the highest World Series RBI total among catchers since Sandy Alomar Jr., drove in 10 in 1997. Molina started all 18 games and played every inning in that 2011 playoff run, including one at first. Overall, he batted .299 with five doubles and 12 RBIs. His 20 hits were the most by a catcher in the postseason since Iván Rodríguez stroked 21 in 2003. On November 1, Molina won his fourth consecutive Gold Glove Award, becoming just the fifth catcher on a pennant-winning club to lead his position in OPS+ in his league while winning a Gold Glove. He also won the first-ever National League Rawlings Platinum Glove Award, bestowed upon one player in each league. For the second time in his career, he won MVP consideration; he finished tied for 21st for the NL MVP balloting.
2012
On March 1, 2012, Molina signed a five-year extension with the Cardinals worth $75 million through 2017. The contract included a $1 million signing bonus, no-trade clause, and a mutual option for 2018 worth another $15 million. The deal made him the second-highest-paid catcher in the majors. He collected his tenth career four-hit game against the Brewers on April 29 with a two-run home run that led the Cardinals to a 7–3 win. On May 1, Molina mounted the first of two two-stolen base games of the season; the other occurred August 3.
On May 27 against the Phillies, Molina blasted his third career grand slam against Roy Halladay. His made his 1,000th career appearance in an MLB game against the Chicago White Sox on June 12. From July 25 to August 7, he maintained a season-best 11-game hitting streak in which he batted .413. In a game against Pittsburgh at PNC Park on August 28, he sustained head, neck and back injuries – although no concussion – in a second-inning home plate collision with second baseman Josh Harrison. In August, he batted .403 with a .453 OBP, both tied for third in the NL. As the season progressed, he garnered widespread consideration for the National League MVP award. On September 4, Molina collected his 1,000th career hit, an infield single against the Mets at home in the second inning.
The 2012 season was one of Molina's crowning achievements as a hitter, especially considering early professional scouting reports did not forecast his bat being much of a factor in the major leagues. He set new career highs in multiple offensive categories, including a .315 batting average, 22 home runs, 76 RBI, 65 runs scored, .373 OBP, .501 slugging percentage and 12 stolen bases. He led the team in batting average for the second straight season, thus becoming the first catcher in franchise history to do so.
Panning Molina's performance National League-wide, he ranked fourth in batting average, tenth in on-base percentage, 14th in slugging percentage and tied for 18th with 46 multihit games. He led NL catchers in stolen bases and set a Cardinals single-season record for catchers, and ranked second among NL catchers in HR and third in RBIs and batting average. An aggressive hitter, he batted .380 with seven home runs on the first pitch; his home run total on first pitches ranked seventh in the NL. His 32 baserunners caught stealing topped MLB, 47.9 caught stealing percentage ranked second, and three pickoffs tied for first in the NL and were second in MLB.
From a historic perspective, Fangraphs' Dave Cameron noted that Molina's combination of offensive productivity and interception of base runners in 2012 was one of the rarest performances in history. He became just the ninth MLB catcher to post a season with a weighted runs created (WRC+) factor of 140 and 45 percent of runners caught stealing. At 143, his WRC+ was tied for eighth all-time among catchers with at 45% of base runners caught stealing. Further, those figures aligned with peak seasons of other catchers such as Johnny Bench, Elston Howard, Carlton Fisk, and Rick Wilkins.
After being the subject of much speculation for the MVP award throughout the season, Molina ultimately finished fourth. However, he did win the prestigious and oldest award given to Latino players: the LatinoMVP award given by Latino Sports and the Latino Sports Writers & Broadcasters Association (LSWBA). He and winner Buster Posey became the first pair of catchers to finish in the top four in the award's 88-year history. However, like in years past, other awards were on their way. In November, he won his fifth straight Gold Glove award, making him the first Cardinal since Jim Edmonds to win that many consecutively, which Edmonds did in 2004. On December 4, he won his first GIBBY Award for Defensive Player of the Year. The St. Louis chapter of the Baseball Writers' Association of America (BBWAA) named him the St. Louis Baseball Man of the Year for 2012. In a Los Angeles Times report that published the top MLB jersey sales from the All-Star break until October 1, his jersey ranked 18th.
2013
With increased profile coming in conjunction with his offensive breakout from the year before, Molina's popularity with fans around the game also increased. Following his 2012 fourth-place MVP finish, his 2013 in-season jersey sales rose to third place, just after Posey and retiring New York Yankees closer Mariano Rivera, according to a July 11 report. On June 2 he was ejected by 1st base umpire Clint Fagan for throwing his helmet. Molina collected two doubles in a three-hit game on June 12, giving him 21 doubles for the season, a pre-All-Star break career high. It was also the second-highest pre-All-Star break total in franchise history following Ted Simmons' 29 thirty-five years earlier. That three-hit game also gave Molina 78 for his career, tied for 43 on the all-time list for catchers.
Through July 15, Molina led the NL with a .341 (110 hits in 323 at-bats) batting average. In the final All-Star Game balloting, Molina (6,883,258 votes) edged out Posey (6,474,088) for the role of the NL's starting catcher in the game held at Citi Field in Queens, New York City. The Cardinals placed Molina on the 15-day disabled list on July 31 due to a right knee sprain. At the time he went on the DL, Molina was batting .330 with eight homers, thirty doubles, and 54 RBIs. A magnetic resonance image (MRI) indicated inflammation but no structural damage, so the knee was drained of excess fluid buildup and Molina was given a cortisone injection.
The knee injury impacted his batting average, contributing to a late-season slump. On September 16, Molina collected four hits with three runs scored to help the Cardinals to a 12–2 win over the Seattle Mariners and break an 0–15 slump, raising his batting average to .317. Eight days later, Molina was behind the plate to call rookie Michael Wacha's one-hit, 8 2⁄3 innings of shutout work in a 2–0 victory over the Washington Nationals. It was actually a no-hitter through that point until Ryan Zimmerman broke it up with a high-bouncing ground ball that glanced off Wacha's glove for the Nationals' only hit of the game.
For the year, Molina set new career highs in batting average (.319), doubles (44), runs scored (68), and RBIs (80). He also hit .373 with runners in scoring position (RISP) in a season in which the Cardinals set the all-team team record for batting average with RISP at .330. He finished fourth in the NL in batting average, second in doubles and sixth in batting average with RISP. His 44 doubles were the most in the Major Leagues among catchers since Iván Rodríguez' 47 in 1996.
Molina was also noted for his handling of the pitching staff. The Cardinals overcame losing key pitchers Chris Carpenter, Jason Motte, and Jaime García – among others – early in the season by substituting twelve rookie pitchers en route to winning a competitive NL Central division title over the Pittsburgh Pirates and Cincinnati Reds (each team finished with at least 90 wins). A continuously evolving core exceeded expectations by filling in for 52 games started, 36 wins, and five saves and Molina was credited with their success in a large part due to his pitch-calling skills and aptness to guide. The rookies' 36 wins were the most in franchise history since 1941.
The Cardinals squared off against the Pirates in the NLDS. Two weeks removed from just missing a no-hitter, Wacha again nearly repeated the feat with Molina behind the plate in an elimination game, Game 4. Molina threw out pinch runner Josh Harrison attempting to steal second base in the eighth inning to help the Cardinals preserve a 2–1 lead. In the World Series against the Boston Red Sox, Molina became just the ninth player – and the first in the expansion era – in franchise history to appear in four World Series with the club, and the first since Stan Musial in the 1946 World Series, also against the Red Sox. Molina collected more awards following the season, including his first Silver Slugger Award, sixth Gold Glove, and a third-place finish in MVP voting. Molina was a co-winner, along with Wainwright and Matt Carpenter, for the BBWAA St. Louis Baseball Man of the Year.
2014
Along with three other players each separately displayed, Sports Illustrated featured Molina on the cover of their March 31 issue complementing the 2014 MLB season preview article. On the 2014 Opening Day – the same day Sports Illustrated published the Molina cover edition – he stroked his second season-entry home run and the 90th of his career, accounting for the difference in a 1–0 defeat of the Reds in Cincinnati. It also secured the 100th win for batterymate Adam Wainwright. Molina added a single for two of the Cardinals' five hits.
With a one ball, two strike pitch from relief pitcher Randy Choate incoming to Cubs outfielder Nate Schierholtz in a May 4 game, the batter foul tipped the pitch. Instead of Molina being in a position to catch it cleanly with his glove, the ball hit the thigh. Molina instantly hunched over the ball, trapping it between the thigh and rib cage. He held on, qualifying it as a third strike.
With the All-Star Game nearing, Brewers catcher Jonathan Lucroy aired Archived July 15, 2014, at the Wayback Machine a satirical television commercial in the style of a political advertising campaign on June 17 to outgain Molina in the All-Star voting totals. The voice-over narrator posed the question, "Do you want another St. Louis Cardinals catcher to star in an All Star game? Isn’t there a better way? Cast a ballot for change. Cardinals fans need to know that enough is enough." At that point, Molina led the vote total for NL catchers with more than two million, while Posey was second at 1.4 million and Lucroy third with 1.1 million.
Some, including Matheny, took the message literally. However, Brad Weimer, the advertisement's creator, confirmed the humor was meant to be tongue-in-cheek. Molina stayed in the lead and won the vote as the starting catcher in the All-Star Game at Target Field in Minneapolis, Minnesota, his sixth consecutive appearance.
His season was interrupted on July 9 against the Pirates. While sliding past third base, he attempted to grab the bag to stay on. However, during the play, he injured his right thumb. An MRI revealed torn ligaments, requiring surgery and forcing him to miss the next eight to 12 weeks. Regarding the injury as having a significance impact on the Cardinals' season, St. Louis Post-Dispatch sportswriter Bernie Miklasz commented, "Losing the best catcher in the world for the next 8 to 12 weeks with a torn thumb ligament is a horrendous, demoralizing setback for the Cardinals. This could be a season-ending injury." At that point, he was batting .287 with a .341 OBP, .409 SLG, 16 doubles, seven homers, and 30 RBIs through 83 games. He also led MLB with a 49 caught-stealing percentage.
He returned from the DL ahead of schedule, about seven weeks and 40 games missed after the injury, and was activated August 29 before a series against the Cubs. However, he still had not fully recovered, as he batted .250 in September with a pronounced drop in power production. His 110 appearances were his fewest since his rookie season in 2004. He finished the season with a .282 batting average, seven HR, 38 RBIs, 21 doubles, a .333 OBP and .386 SLG, all lower totals than 2013, and many since 2010. Among players with at least 90 games played, Molina's 48% caught stealing and 3.20 catcher's ERA were both first in the major leagues.
During Game 1 of the NLDS against the Dodgers, Wainwright hit Adrián González with a pitch, and both benches cleared. Umpire Jerry Meals attempted to get between González and Molina, but Molina briefly shoved Meals. MLB fined Molina $5,000 without suspending him. In Game 2 of the NLCS against the Giants, Molina collected his 89th career hit in the postseason, passing Pujols for the franchise record. However, he sustained his second significant injury of the season in that same game, straining his left abdominal oblique muscle during another at bat, due in part to compensation in his swing for lost power following his thumb injury earlier in the season.
After missing the next game, his string of 83 consecutive playoff games started was stopped, which was a major league record. The last playoff game he had not started was Game 3 of the 2004 World Series. On November 4, Molina was announced as winning his seventh consecutive Gold Glove, tying Boone as having won the third-most Gold Gloves among catchers. Further, only Bench and Rodríguez had won more consecutive (10 each) as catchers in major league history. He won the National League Platinum Glove award on November 8, his third time in the award's first four years.
2015
With his 11th consecutive Opening Day start on April 5, 2015, against the Cubs, Molina became the first catcher in club history to achieve this feat. On May 10 against the Pirates, he was on the dubious end of a piece of MLB history: lining out into the first "4–5–4" triple play in MLB history. Second baseman Neil Walker caught his line drive with two runners on, then threw to third baseman Jung-ho Kang to double up Jhonny Peralta for the second out. Kang briefly pirouetted the ball in his hand, albeit confused, but threw back to Walker to tag Jason Heyward for the third out. Molina's first home run of the season and first in 95 games occurred against the Minnesota Twins on June 15; his previous home run dated back to June 27, 2014.
On July 7, he was selected to his seventh consecutive All-Star Game, played at Great American Ball Park in Cincinnati. In the Reds' clubhouse for the All-Star Game, Molina shared a locker with Reds' second baseman Brandon Phillips. Since the brawl between the Cardinals and Reds in 2010, the two mended their schism, and Molina has a photograph of their families together. When informed whose locker he was using, Molina replied, "This is Phillips' locker? How about that? I'll have to write something to him." While the pregame roster introductions were made, Reds fans booed all six Cardinals players who were selected, and even former Cardinal Albert Pujols. When Molina was introduced, he smiled and turned and pointed his thumbs toward the back of his jersey. Pujols provided levity when he then joined in the booing. After the game, Molina remarked to reporters, "when you spend 12 years coming to Cincinnati and you beat them so many times, they’re going to boo you." In his career to that point, he hit .319 with a .352 on-base percentage and .500 slugging percentage in 270 career at-bats at Great American Ball Park.
Hitting his first triple in more than four years and 2,000 at bats, with the bases loaded, Molina provided the decisive run in a 3–2 outcome against the Chicago White Sox on July 22. In the annual Baseball America Toolbox Awards, managers and coaches around the National League rated Molina as both the "Best hit and run artist" and "Best defensive catcher" in the NL. His 100th career home run was well-timed, becoming the game-winning run in the bottom of the eighth inning at Busch Stadium on August 19 in a 4–3 win over San Francisco. After sustaining an injury to his left thumb during a September 20 game against the Cubs, an MRI revealed a partial ligament tear, preventing him from playing. Molina won his eighth consecutive Gold Glove Award and fourth Platinum Glove Award in 2015. In December, it was revealed that Molina had a second surgery on his left thumb, pushing his return to late in 2016 spring training. He was winner of the Darryl Kile Good Guy Award.
2016
At age 33, Molina broke the Cardinals' all-time games caught record on April 8, 2016, in his 1,440th game, passing Ted Simmons (1968–80). His 1,343 games started since the beginning of the 2005 season was the highest total in the major leagues. He made his 1,500th career major league appearance on May 14 in a 5–3 loss to the Los Angeles Dodgers. While playing the Washington Nationals in the seventh inning of a 2–1 loss at Nationals Park on May 26, Stephen Drew hit a high infield fly that stayed over the pitcher's mound. With both Aledmys Díaz and Mike Leake attempting to catch the ball, Molina posited himself and waited. As the ball deflected off Díaz' glove, he almost collided with Leake, but Molina instinctively moved his glove and caught the ball before it hit the ground. He recorded his 1,500th career hit on July 2 against Milwaukee, becoming the 34th catcher in MLB history, and second for the Cardinals, after Simmons.
Molina's ninth-inning, RBI double, tied the July 27 game against the New York Mets at 4−4, ending Jeurys Familia’s consecutive-saves streak of 52, the third-longest in major league history. His tenth-inning double against Milwaukee on August 30, his 30th of the season and 300th of his career, helped lead the Cardinals to a 2–1 victory. He caught a career-high 146 games. After starting with a .256 average through 85 games, Molina batted .365 from July 8 to the end of the season, and overall hit .307, eight home runs, 58 RBIs, and led all major league catchers with 164 hits and 38 doubles. His hit total was also a career-high, leading the club, and he was eighth in the league in batting and ninth in doubles.
2017
During Spring Training before the 2017 season, and the final guaranteed year on Molina's contract, the Cardinals began to negotiate an extension to keep Molina in St. Louis for the remainder of his career. He agreed to a three-year contract extension for a reported $60 million, making him the highest-paid catcher in baseball. He was not interested in exercising his 2018 mutual option, which would have been worth $15 million. The extension assured Molina of remaining in St. Louis through 2020, and increases the chances that he will finish his career having played for just one organization, the one that drafted him. This distinction of having Molina retire as a Cardinal is something that carried weight for both parties throughout the negotiations.
On June 26, Molina became the ninth catcher all-time to record 11,000 career putouts at the position. For the eighth time in his career, he was an All-Star selection, as resulted in a vote by fellow players. He homered, making him the oldest catcher to hit a homer in an All-Star Game, in his age-34 season, and the first Cardinal to homer in an All-Star Game since Reggie Smith in 1974.
On August 9 against the Kansas City Royals, Molina came in with two outs and the bases loaded. After drawing a 1–0 count against Peter Moylan, a brief delay occurred when a stray kitten had made its way onto the outfield. On the very next pitch to Molina, he hit it 387 feet into the left field seats for a go-ahead grand slam. This was the fifth grand slam of his career, tying him with Tim McCarver for second-most career grand slams by a Cardinals catcher. This also proved to be the deciding hit in this game, as the Cardinals held up to win, 8–5.
On September 19, Molina tied Jim Bottomley (1922–1932) for 10th place in Cardinals history with 1,727 hits. Molina led the team in 2017 with 134 hits and 78 RBIs, and all NL catchers in both categories, entering play on that date. He broke the tie with Bottomley on September 20, with his 1,728th hit, and tied his own career-high RBI total for a season with 80, reached in 2013. He passed 80 on September 21, with his 81st and 82nd RBI. He was the 2017 recipient of the Missouri Athletic Club's Sports Personality of the Year Award.
2018
In January 2018, Molina expressed his plan to retire following the 2020 season when his contract would expire. As batterymates, Wainwright and Molina had accumulated more starts together than any other in franchise history. He passed Bench for two milestones early in the season: for 13th place in major league history in innings caught with 14,494+1⁄3 on April 14 while playing the Cincinnati Reds, and 16th in games caught versus with 1,743 on May 2 versus the Chicago White Sox. Molina doubled versus Cincinnati on April 22 to give him 338 for his career and tie Ozzie Smith for tenth place in Cardinals' history. On May 5, Molina exited the game after a foul tip struck him in the groin. The next day, on May 6, Molina underwent emergency surgery for a pelvic injury with traumatic hematoma.
The Cardinals activated Molina from the DL on June 5. On June 19, he set the major league record for most games caught with one team with 1,757, passing Gabby Hartnett who had previously held the record as a member of the Cubs. Molina homered twice in a loss to Philadelphia on June 20 for his fifth career multihomer game. He homered twice again on June 23 versus Milwaukee to fuel a 3–2 win, giving him five home runs over his previous six games.
Batting .279 with 13 home runs, Molina was named to the 2018 MLB All-Star Game to replace the injured Buster Posey. He finished his 2018 campaign batting .261 with twenty home runs and 74 RBIs in 123 games. He had the highest fielding percentage among major league catchers, at .998. He won his ninth Gold Glove.
2019
On Opening Day 2019, versus the Brewers, Molina extended his team-record for Opening Day starts with 15. He made his first career appearance at third base in extra innings of a 6−5 win on April 1 versus the Pirates. The Cardinals were in need of infield depth with an injury to regular utility infielder Jedd Gyorko. He was placed on the injured list on May 31 with a thumb tendon strain.
For the 2019 season, Molina batted .270/.312/.399 with ten home runs and 57 RBIs over 113 games. He batted .143 in the NLCS and .167 in the NLDS. He had the slowest sprint speed of all National League players, at 22.8 feet/second. On October 9, Molina set the record for the most appearances by a National League player in post-season MLB play, at ninety-four games. He was nominated for a Gold Glove.
2020
In 2020, Molina made his 16th consecutive Opening Day start. On August 4, it was announced that Molina had tested positive for COVID-19, and he was subsequently placed on the injured list. Molina would eventually recover from the disease. On September 24, against the Milwaukee Brewers, he singled to right-center field for his 2,000th career hit.
For the season, he batted a slash line of .262/.303/.359, with four home runs and 16 RBIs. He was the second-oldest player in the NL, and had the slowest sprint speed of all major league catchers, at 23.0 feet per second. On defense, he led all NL catchers in errors, with five.
At the end of the 2020 season, Molina entered into free agency for the first time in his career.
2021
In 2021, Molina returned temporarily to Puerto Rico to play in the Liga de Béisbol Profesional Roberto Clemente to play as a reinforcement with the Atenienses de Manatí in the semifinals. However, his participation was shadowed by the poor performance of the team, resulting in a sweeping 4-0 series with the Indios de Mayagüez.
On February 8, 2021, the Cardinals announced that they had signed Molina to a one-year deal for a reported $9 million. In regards to the signing, Molina stated "this is my home" and "I'm happy to be back." On April 14, Molina caught his 2,000th game with the Cardinals, the most by a catcher on one team. On August 24, Molina signed a one-year extension worth $10 million and announced that 2022 would be his final season.
Molina finished the 2021 season batting .252/.297/.370 with 11 home runs and 66 RBIs over 121 games and again had the slowest sprint speed of all major league catchers, at 22.6 feet/second. He was nominated for a Gold Glove, making him one of six Cardinals to be nominated which led the major leagues.
2022
On May 15, 2022, Molina and Adam Wainwright won their 203rd game as a starting battery, setting the MLB record. On May 22, Molina made his first career pitching performance as he closed an 18–4 win against the Pittsburgh Pirates. He gave up all four of the Pirates' runs on four hits and two home runs. His pitching debut came one week after that of teammate Albert Pujols, who also gave up four hits and two home runs in the ninth inning. On June 8, Molina came in to pitch again in the eighth inning of an 11-3 loss against the Tampa Bay Rays. In the mound appearance, Molina collected his first career pitching strikeout, punching out Rays infielder Isaac Paredes.
On September 14, Wainwright and Molina set another MLB record by starting alongside one another for the 325th time, surpassing Mickey Lolich and Bill Freehan of the Detroit Tigers for the most starts by a battery in MLB history. His last game was played on October 8, 2022 as the Cardinals were beaten 2–0 in the 2022 Wild Card Series by the Philadelphia Phillies. He went one for four and left two runners on base.
In 2022 he batted .214/.233/.302 in 262 at bats, and was the slowest player in major league baseball, with a sprint speed of 21.8 feet per second.
International career
Molina participated in the first four World Baseball Classic (WBC) tournaments – 2006, 2009, 2013, and 2017 – for the Puerto Rican team. He was fellow defensive standout Iván Rodríguez’s backup in 2006 and 2009 and the primary catcher for the 2013 and 2017 squads.
In his first classic in 2006, Molina played four games and collected three hits in five at-bats. In a 2009 tournament game against the Netherlands on March 9, Molina's eighth-inning double keyed a rally in which Puerto Rico won 3–1. Speaking the next day, Molina stated that the previous night's double had been a bigger thrill than his two-run homer to beat the Mets in Game 7 of the 2006 NLCS.
With Molina as the starting catcher in 2013, Puerto Rico earned the silver medal. Edwin Rodríguez, who had scouted Molina in Puerto Rico before the Cardinals signed him, became the manager for the 2013 squad. Shortly after learning he would be the 2013 manager, Rodríguez contacted Molina for input on constructing the roster. Molina prepared for the Classic by playing 14 games for the winter league team in Puerto Rico Rodríguez managed. Molina was voted on the All-World Baseball Classic team for the first time.
In a 2013 semifinal game against Japan, Molina alertly took advantage of a baserunning mistake to record an unusual putout. With Shinnosuke Abe batting for Japan in the top of the eighth inning, and Hirokazu Ibata on second and Seiichi Uchikawa on first, J. C. Romero was pitching for Puerto Rico. Abe took a pitch from Romero inside for a ball as the runners went in motion. However, Ibata retreated to second as Uchikawa charged toward him. Instead of throwing and risking an error, Molina held on to the ball. He then chased Uchikawa, cornered him by positioning himself between first and second and tagged out Uchikawa – an unassisted caught stealing. The Japanese later stated they were attempting to exploit Romero's slow delivery.
Puerto Rico advanced the finals again in 2017, falling to the United States 8−0 in earning their second consecutive silver medal, and only loss of the tournament. Molina made a strong case to be named Most Valuable Player (MVP) of the entire tournament, batting .333 with two home runs and a .583 slugging percentage in six games. After collecting three hits and a home run in eight at bats over two games in Pool F competition, he was named that group's MVP. In the semifinal game against the Netherlands, he picked two runners off base in one inning. He was named the catcher of 2017 All-World Baseball Classic team, his second All-WBC honor. Also, the coaching staff often allowed him to conduct the preparation meetings, took his advice on construction of the starting rotation, and when to remove tiring pitchers.
On September 10, 2018, he was selected to be part of the 2018 MLB Japan All-Star Series as a member of the MLB All-Stars team.
Managerial career
Molina's first experience managing was with Puerto Rico's U-23 baseball team, in both the qualifiers for and actual tournament of the 2018 U-23 Baseball World Cup. Puerto Rico dropped its first three games to the Dominican Republic, Venezuela, and South Korea, preventing it from moving on in the tournament. However, Molina managed the team to four more victories in the group stage and consolation round.
In 2022, Molina announced that he would be managing the Navegantes del Magallanes in the Venezuelan Professional Baseball League, having been recruited by former major leaguer Pablo Sandoval. Molina said the opportunity could open the door to managing a team in MLB, saying that Navegantes was "something different, and I’d like to try it early and see how it goes. And then after, I can decide if I want to do it [in the United States]." He managed Magallanes to a 29–27 regular season finish, though they were eliminated in the playoff round-robin.
Also in 2022, Molina was announced as manager of the Puerto Rico national team in the 2023 World Baseball Classic. The appointment created some controversy in Puerto Rico after the resignation of team general manager Eduardo Pérez, who had reportedly sought to name Astros bench coach Joe Espada to the position. Puerto Rico was placed in Pool D, the so-called "group of death," along with Venezuela and the Dominican Republic. At the tournament, Molina managed Puerto Rico to eight perfect innings against Israel, as well as a 5-2 upset victory over the Dominican Republic to decide which team moved on to the knockout stage. However, Puerto Rico was eliminated by Mexico in the quarterfinals.
Molina managed the Criollos de Caguas to the 2023–24 Roberto Clemente Professional Baseball League title in Puerto Rico, as well as at the 2024 Caribbean Series.
Skills profile
Defense, pitch calling, throwing and hands
The winner of eight consecutive Gold Gloves, Molina was widely praised for his preparation, defense and leadership, not just of the pitching staff, but also of the entire team, even from Johnny Bench. Fellow catchers Jorge Posada and Brian McCann stated in 2009 that Molina was "the best defensive catcher in baseball"; Víctor Martínez also called him "the best behind the plate." In 2013, a scout pronounced Molina the "one piece the St. Louis Cardinals cannot lose" while another commented that he was "irreplaceable." When the club did lose Molina midway through the 2014 season to a thumb injury, ESPN's Keith Law tweeted, "Yadier Molina missing two-plus months would be bad for the Cardinals, but also just bad for baseball, period." In his time in the major leagues, Molina was widely viewed as evolving into a competitive influence and an unofficial on-field coach.
As a part of his pre-game preparation, Molina would meticulously study and prepare for the upcoming game's opposing hitters by creating a complete pitching and defensive plan. Other preparation included handling ground balls at shortstop and third base, extending his agility for blocking pitches thrown in the dirt. Former Cardinals starter Jake Westbrook said he was "a part of every aspect of the game: starters, relievers, offense, defense."
Advanced defensive metrics — known as sabermetrics — show Molina to be a top defender among catchers in MLB history. Molina ranked second all-time among catchers at the end of the 2014 season on Baseball-Reference.com's career defensive runs saved (DRS) with 120, behind only Iván Rodríguez (167), and ahead of Jim Sundberg (114), Bob Boone (107) and Gary Carter (106), the only catchers with over 100 on the list. He was the season leader in the NL every year from 2005 to 2014, except 2008 and 2011–12. Fangraphs tallied his career DRS at 106, with a career-high of 20 in 2010. The sabermetric stat defensive wins above replacement (dWAR) has also ranked Molina's defense highly; he never had a full season with a negative dWAR, and he had a career-high 2.9 dWAR in 2010. Fangraphs has also ranked Molina as the most valuable defensive player at any position in baseball history.
Molina was known for his in-game pitch-calling skills, and pitchers rarely rejected signs that he showed for the next pitch. In 2013, Matheny said, "We tell all our young pitchers when they come up to pitch their game. Yadi needs to find out how they work. He's a quick study. But at the same time, they tend to just follow him. We do put them in Yadi's hands." Molina read opposing hitters and would move fielders with subtle signs and gestures to align them with his pitch calling. La Russa said that "it's not just instinct. It's sense, based on how a hitter's standing, how he responds to the pitch or two before, and he's very creative in how he makes his adjustment based on what he sees with the hitter and knowing what his pitcher can do."
Baseball Prospectus estimated in 2013 that Molina saved 35 defensive runs per season through his pitch framing and had moved 301 out-of-zone pitches that were called strikes between April 1 and June 30, 2013.
Molina was among the best in the game at throwing out baserunners with pickoffs and during steal attempts. As of July 2013, Molina had thrown out 45% of would-be basestealers. He studied baserunners to learn how they decide when and whether to attempt a steal and when they were less guarded against a pickoff. He practiced pickoff moves and coordinates signals with the first basemen to indicate when he was primed to move for a pickoff throw. Molina threw from behind left-handed batters to obfuscate the runner's view of his motion to first base. In 2012, a Sports Illustrated poll of 306 players found that Molina was the "toughest catcher to run on." An Arizona Diamondbacks official said team policy was not to run on Molina.
Batting
As the publication Viva El Birdos wrote, "Yadier Molina broke into the majors as a light-hitting defensive specialist", who hit mostly singles. Molina pushed to shed the light-hitter label he had in common with his brothers. A fidgeter with his batting stance early in his career, Molina mimicked and vacillated between more accomplished hitters such as Andrés Galarraga and Albert Pujols. However, it was a dip in his swing and an inability to get around on fastballs that sapped his efforts. Over time, with assistance of teammates such as Pujols, Molina found his comfortable stance, sounder mechanics and adopted a line-drive style of swing that eliminated the dip and helped him hit fastballs with more authority.
Thus, he became a more consistent hitter as his career progressed, defying the scouting reports that he would have a weak bat. In combination with an improved ability to pull the ball and hit it up the middle, he improved his batting average, batting .293 or higher in five of his last six seasons. His line-drive pull percentage of 2009–11 increased by about 6% in 2012–13; his batting average on balls in play increased from .280 in 2005–10 to .327 in 2011–13; and his weighted on-base average (wOBA) increased from .290 in 2009 to over .520 in 2013. To keep his bat in the lineup but allow respite from the rigors of his in-game catching duties, Molina has occasionally started at first base.
Aside from swinging with increased line-drive contact and hitting fastballs with more authority, very little has actually changed in the catcher's approach. One trait that always persisted throughout his career was Molina's aggressive and free-swinging — but high-contact — batting style. Through 2012, he swung at more than 51% percent of the pitches he saw — he has a reputation for swinging at pitches in and out of the strike zone, low and away and even in toward his hands. Because of his free-swinging tendency, he naturally had a walk rate (7.1%) below the Major League average (8.4%). Combined with his ability to put the bat on the ball quite frequently (87%) and his improved approach at the plate, he increased his career-high single-season batting average five times between 2006 and 2013.
Despite batting just .238 in his first three seasons and .240 after 1,000 at-bats, Molina increased his average to .284 average after 3,983 at-bats (1,132 hits) as of 2013 due in part to having only one season lower than .293 from 2009 to 2013. He hit into 27 double plays in 2009, but in 2012 reduced that figure to 10. Molina's home run and doubles rates also increased; from 2011 to 2013, he hit 104 of his 226 career doubles.
Awards and accomplishments
Records
MLB records
Consecutive playoff games started, 83
All Time Leader in Putouts by a Catcher 14,866
St. Louis Cardinals records
Consecutive Opening Day starts at catcher, 15 (2005–19)
Consecutive seasons leading the team in batting average as catcher, 2
Gold Gloves won as catcher, 9
Defensive runs saved as catcher, 120
Playoff appearances as catcher, 8
Playoff hits for career, 89
Statistical achievements
Personal life
Molina resides in Vega Alta and stayed in Caseyville, Illinois, during the baseball season until 2015. He then purchased a home in Creve Coeur, Missouri. Molina also owned a home in Jupiter, Florida, the home of the Cardinals spring training facilities, but sold it in 2020.
Molina married his wife Wanda Torres in 2007 and the couple have three children. On September 4, 2008, they had a son; on July 4, 2010, a daughter; and on February 6, 2016, another son. After signing his $75 million contract in 2012, Molina purchased a home on a four-acre property in Jupiter, Florida, for $7.15 million. His agent is Melvin Roman of MDR Sports Management, who has represented him since he signed his first professional contract with the Cardinals shortly after being drafted in 2000. Molina's charitable organization, named Foundation 4, has helped to raise donations for childhood cancer patients in Puerto Rico. Molina is an avid fan of the St. Louis Blues, and attends games frequently. He is close friends with Vladimir Tarasenko.
Molina's two older brothers, Bengie and José Molina, played a combined 28 seasons in the major leagues. Each of the three brothers has won at least one World Series ring, making them the only trio of brothers with such a distinction (Bengie and José both won their first while with the Anaheim Angels in 2002). They are also the only trio of brothers to play as catchers in the major leagues. Of a total of nineteen trios of brothers who have played in the Major Leagues – including the DiMaggios and the Cruzes – only one other trio of brothers has all appeared in a World Series: Matty, Félipe and Jesús Alou.
Even while the Molina brothers still lived in the United States playing professional baseball, their parents stayed in the same home near the park where the brothers grew up playing ball, Jesús Rivera Park. Benjamín Molina organized youth teams. On October 11, 2008, Molina's father died from a heart attack. At the moment it occurred, he was tending to a baseball field that he had built for the youth in Bayamón.
Spurred by absences from autograph shows for which he was paid to appear, Steiner Sports Marketing filed a lawsuit for $175,000 against Molina in the New York state supreme court in Manhattan on October 2, 2009. Steiner Sports allegedly paid him $90,640 in advance when they renewed their contract with him in July 2008. The firm stated that he ignored their agreement to make public and private appearances to sign autographs and did not return the money.
After Hurricane Maria devastated the island of Puerto Rico in September 2017, Molina and Wanda started a GoFundMe page Archived September 22, 2017, at the Wayback Machine for the victims on September 21 with a goal of $1 million. It raised $20,000 in the first seven hours. More than three million Puerto Ricans were left without power, and The New York Times had reported that over 95% of cell service was unavailable. Drone video coverage on The Weather Channel described Bayamon as looking "like a war zone." Continuing with relief efforts, Molina was consequently named the recipient of the annual Roberto Clemente Award on October 24, 2018.
See also
References
Footnotes
Source notes
External links
Career statistics and player information from MLB, or ESPN, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet
Yadier Molina on Twitter
Yadier Molina on Instagram |
Adam_Wainwright | https://en.wikipedia.org/wiki/Adam_Wainwright | [
238
] | [
"https://en.wikipedia.org/wiki/Adam_Wainwright"
] | Adam Parrish Wainwright (born August 30, 1981), nicknamed "Waino" and "Uncle Charlie", is an American former professional baseball pitcher who spent his entire 18-year Major League Baseball (MLB) career with the St. Louis Cardinals.
The Atlanta Braves selected him 29th overall in the first round of the 2000 amateur draft from Glynn Academy in Brunswick, Georgia. His performance in the minor leagues made him one of the Braves' top pitching prospects. After the 2003 season, the Braves traded him to the Cardinals for outfielder J. D. Drew.
Wainwright made his MLB debut on September 11, 2005, and spent the rest of the season as a relief pitcher. The next year, he briefly assumed closer duties, saving the series-clinching games of the 2006 National League Championship Series and the 2006 World Series over the Detroit Tigers. In 2007, he returned to starting pitching, a role in which he would remain for the rest of his career. He missed the 2011 season due to Tommy John surgery, but emerged as an ace, leading the National League multiple times in wins, innings pitched, and games started. He also has multiple top-ten finishes in earned run average, strikeouts, walks plus hits per inning pitched, and complete games. In 2014, Wainwright became the first pitcher in Major League history to post nine of his first 18 starts with seven innings pitched and no runs allowed. In his career, Wainwright won 200 games, received three All-Star selections and two Gold Glove Awards, and finished in the top three in the Cy Young Award balloting four times.
With 2,202 career strikeouts, Wainwright is second to Bob Gibson (3,117) in Cardinals franchise history. Wainwright and longtime teammate Yadier Molina are the most successful battery in Major League history, having both the most wins and starts together.
On September 18, 2023, he became the third Cardinals' pitcher to win 200 games, joining Bob Gibson (251), and Jesse Haines (210), and the 122nd in baseball history. With three strikeouts, he also became the 66th pitcher in baseball history with at least 2,200 strikeouts.
Early life
Wainwright was born in Brunswick, Georgia, to Bill, an attorney, and Nancy Wainwright, a real estate agent. His parents divorced when he was seven years old and his father moved to Florida, leaving only Wainwright's mother to raise him and his older brother Trey, now an attorney in Atlanta. Wainwright credits Trey, seven years his senior, with teaching him everything he knows about sports after their father left, including building a pitcher's mound in their back yard to teach him how to pitch. Wainwright also participated in the Cub Scouts, Boy Scouts, and numerous church activities, and grew up an Atlanta Braves fan.
High school
Wainwright attended high school at Glynn Academy in his native Brunswick, where he was an athletic and academic standout. With a fastball over 90 mph and batting average at times over .500, Wainwright was named Gatorade Georgia Player of the Year in 2000. He also played football, in which he was named to the All-State team as a wide receiver his junior and senior years as well as All-Region honors as a placekicker. Various colleges and universities, including Georgia Tech, offered him academic and baseball scholarships.
Professional career
Draft and minor leagues (2000–05)
Atlanta Braves organization (2000–03)
The Atlanta Braves selected Wainwright 29th overall in the first round of the 2000 MLB draft, using a compensatory pick from the Arizona Diamondbacks for signing Russ Springer in the offseason. Wainwright chose to forgo college to go straight to the pros, signing a contract that included a $1.25 million bonus. The Braves had been his favorite team growing up. Less than two weeks after high school graduation, Wainwright reported to the Braves rookie team and soon advanced to Atlanta's Class A Danville Braves in the Appalachian League. He pitched for the Macon Braves in the South Atlantic League in 2001, where he broke the team record for strikeouts, previously held by Bruce Chen, with 184.
Wainwright spent the 2002 season in the Carolina League and also participated in that season's All-Star Futures Game. In 2003, Wainwright advanced to the Braves' Double-A club, Greenville. He was Baseball America's top Braves prospect in 2003. In December of that year, the St. Louis Cardinals acquired Wainwright and pitchers Jason Marquis and Ray King in a trade that sent outfielder J. D. Drew and utility player Eli Marrero to the Braves.
St. Louis Cardinals (2005–2023)
Wainwright pitched just 12 games for the Triple-A Memphis Redbirds in 2004 before he was shut down for nearly the entire rest of the season with an elbow strain. There, he had a 4–4 win–loss record (W–L) with a 5.37 earned run average (ERA) in 63+2⁄3 innings pitched (IP). He struck out 64 batters and allowed 68 hits and 28 walks (BB). In the Arizona Fall League, he returned to pitch 10 innings. He spent the next season with Memphis, starting 29 games, completing 182 IP, allowing 204 hits and 51 BB while striking out 147. His win–loss record was 10–10. After two somewhat uneven seasons in the Cardinals' minor league system, Wainwright made his MLB debut for St. Louis on September 11, 2005.
2006
Wainwright made the Cardinals' Opening Day roster as a relief pitcher after having been a starter for his entire minor league career. On May 24, 2006, he hit a home run on the first pitch he saw as batter in the major leagues against the San Francisco Giants' Noah Lowry; he became the 22nd batter, and only the seventh pitcher, in Major League history and 11th National Leaguer to hit a home run off the first pitch thrown in his first at-bat.
Wainwright pitched capably as a middle reliever, but when incumbent closer Jason Isringhausen underwent season-ending hip surgery in September, Wainwright was pressed into service as the closer. He saved two crucial games on September 27 and 30 as St. Louis held off the Houston Astros' late charge and won the NL Central Division championship. Despite their unexceptional 83–78 regular-season record, the Cardinals rolled through October to win the 10th world championship in franchise history. As the closer, Wainwright closed out the final game of the Cardinals' National League Division Series, ending the New York Mets' season and propelling the Cardinals to the 2006 National League Championship Series, where he famously struck out Carlos Beltrán in Game 7 to send the Cardinals to the World Series. In Game 5 of the 2006 World Series, Wainwright struck out Detroit Tigers third baseman Brandon Inge to win the championship.
2007
Wainwright moved from the bullpen to the starting rotation for 2007. Shortly after losing ace Chris Carpenter for the year due to elbow surgery, Wainwright emerged as the Cardinals' most reliable starter. On August 10, he threw the first complete game of his career, a 2–1 loss to Los Angeles, and the only nine-inning complete game for the Cardinals that season. By September, Wainwright had established himself as the staff ace in Carpenter's absence, going 9–6 with a 2.94 ERA from mid-May to the end of the season. He finished his first year by leading the club in almost every pitching category—games started, innings pitched, strikeouts, and wins—while compiling a 3.70 ERA and a 14–12 record. His 14 wins were the most in franchise history for a first-year starter. His 2.71 ERA after the All-Star break was third-best in the NL.
2008
In March 2008, Wainwright signed a four-year deal with the Cardinals worth $21 million, with two club options for 2012 and 2013 that made the potential aggregate value $36 million. He gave up four runs or less in each of his first seven starts. However, the Cardinals lost to the Brewers 8–3 in Wainwright's eighth start, on May 13, as Ryan Braun hit two home runs off him. He suffered a strain on the middle finger of his pitching hand in June, causing him to miss 2+1⁄2 months of the season. In 20 starts, he finished 11–3 with a 3.20 ERA.
2009
On August 19, 2009, at Dodger Stadium, Wainwright had a no-hitter going against the Los Angeles Dodgers for 5+1⁄3 innings before Orlando Hudson broke it up with a clean single to left field. In his next start against the Astros, he pitched eight shutout innings to pick up his then-league-leading 15th win in a 1–0 victory. It was Wainwright's 25th straight start with at least six innings pitched. In five August starts that season, he completed 35+2⁄3 IP with just one walk and 22 SO. On September 26, Wainwright pitched eight innings and struck out eleven for a 6–3, NL Central division-clinching victory against the Colorado Rockies at Coors Field for his 19th win. Wainwright finished with a 19–8 record and a 2.63 ERA, leading the National League in wins, games started (34), and innings pitched (233). He also struck out a major-league high 140 batters on third-strike curveballs.
On October 28, Wainwright won the Players Choice Award as the NL Most Outstanding Pitcher. He won his first Gold Glove Award on November 11, 2009. Wainwright was a top contender for the Cy Young Award along with teammate Chris Carpenter and eventual winner Tim Lincecum. He became only the second pitcher ever—Trevor Hoffman was the first—to get the most first-place votes and not win the award.
2010
Pitching in his first All-Star Game, Wainwright completed one inning. He faced five batters, throwing 17 pitches for ten strikes and seven balls, and allowed no runs with just one hit—a double off the glove of fellow Cardinal All-Star Matt Holliday—one walk, and two strikeouts. In one 11-game stretch preceding August 16, he compiled 66+1⁄3 IP in nine of those starts and allowed two earned runs for a 0.27 ERA.
Wainwright finished the 2010 season 20–11 with a 2.42 ERA, five complete games, 213 strikeouts, 56 walks, 15 home runs allowed, and a WHIP of 1.05, in 230+1⁄3 IP. His win, strikeout, complete game, and shutout totals were all career-bests. His win total and ERA were both good for second place in the National League (behind only Josh Johnson's 2.30 ERA and Roy Halladay's 21 wins). He also pitched the first two shutouts of his career in 2010—one against the Milwaukee Brewers on June 4 and a two-hitter against the Florida Marlins on August 6.
Wainwright was the runner-up for the 2010 NL Cy Young Award, finishing second in voting behind unanimous winner Halladay. Wainwright picked up 28 of 32 second-place votes. Near the end of the season, he had experienced elbow discomfort and nerve swelling. A magnetic resonance imaging (MRI) scan cleared him after the season.
2011
Shortly after reporting to spring training, Wainwright experienced discomfort in his right elbow while pitching batting practice on February 21. Three days later, the Cardinals announced that Wainwright would miss the entire 2011 season—and possibly the first three months of the next season—after finding that ulnar collateral ligament damage necessitated Tommy John surgery (TJS). George Paletta, the team physician, performed the surgery on February 28 in St. Louis and it was deemed "a success". Former clients for the same surgery included teammates Chris Carpenter, Jaime García, and Kyle McClellan. Wainwright's contract featured options for 2012 and 2013 totaling $21 million with a provision that they would not automatically vest if he ended the 2011 season on the disabled list.
The Cardinals made the playoffs as a wild card entry, overtaking the Braves on the final day of the season. They eventually won the World Series, defeating the Texas Rangers four games to three. The Cardinals awarded Wainwright his second World Series ring, despite not pitching the entire season.
2012
Fully recovered after TJS and rehabilitation, Wainwright was ready ahead of schedule for spring training. Statistically, the 2012 season proved to be an overall disappointment by Wainwright's standards, as he wound up 14–13 with a 3.94 ERA. However, it was encouraging in regards to the health of his right arm, as he completed the entire season without any issues. In addition, pitchers recovering from TJS often find it challenging at first to throw with the same command as before the surgery, and thus to achieve post-surgery results equal to pre-surgery results. This was the case at first with Wainwright.
On May 22, he threw his first complete-game shutout since August 6, 2010, and the third of his career in his ninth complete game. It was a four-hit, 4–0 win at home against the San Diego Padres, striking out nine and walking only one. Wainwright reached his 1,000th career inning on July 29. The May 22 start marked a turning point in the season. During a 13-start stretch through August 3, he pitched 85+2⁄3 innings, striking out 83 while allowing just four home runs and 17 BB. Wainwright attributed the improvement to be able to sustain the usual finishing movement on his pitches through late innings, which earlier in the season, had eluded him, thus making his pitches easier to hit. He also corrected a subtle flaw that had developed on the grip of his curveball during a bullpen session prior to the start against San Diego. The flaw made it increasingly difficult to throw the curveball for consistent strikes.
2013
On March 28, 2013, the Cardinals announced they and Wainwright had agreed to a five-year contract extension. At the time, he was under the last year of his previous contract, so the new deal extended him through 2018. With a total value of $97.5 million, it was the largest contract ever for a Cardinals pitcher. On April 18, he became the first pitcher in baseball since 1900 to achieve 28 strikeouts and zero walks in his first four starts of a season. Slim Sallee established the franchise record exactly 100 years earlier by not issuing a walk in his first 40 innings. Wainwright's streak ended in a start at Washington on April 23 after 34+2⁄3 innings and 133 batters faced.
The first MLB pitcher to post 10 wins on June 13, Wainwright put up seven scoreless innings in a 2–1 defeat of the Mets at Citi Field. Moreover, his strikeout of David Wright was his first of the game and the 1,000th of his career. He allowed six hits and struck out a total of four. Wainwright became the NL Pitcher of the Month for June with a 4–2 record and 1.77 ERA. With 40 strikeouts for the month, Wainwright issued just six walks while holding opposing batters to a .220 average. Through that point in the season, he was 11–5 with a 2.22 ERA, and was the MLB leader with four complete games and a 9.5 strikeout-to-walk ratio.
In successive starts against the Reds in late August, Wainwright allowed 15 runs, both losses. He struck out eight in seven shutout innings on September 7 at home in a 5–0 win over the first-place Pirates in earning his 16th victory of the season. The Pirates, Reds, and Cardinals were all close contenders for the Central division title in September. The win gave the Cardinals first place over the Pirates by a half-game, and 1+1⁄2 games over the Reds. Wainwright's seven strikeouts increased his career total to 1,103, passing Dizzy Dean (1,095) for second place among Cardinals' pitchers. Only Bob Gibson (3,117 in 528 games) had more.
In a 60-inning stretch following the All-Star break Wainwright had walked 14, compared with 15 in 146+2⁄3 IP before the break. When fellow starter Shelby Miller defeated Nationals' starter Jordan Zimmermann on September 26, he denied Zimmermann his 20th victory. Two days later, Wainwright, who was second in the league with 18 entering the game, defeated the Chicago Cubs in his final start of the season to tie Zimmerman for the lead in wins at 19. Wainwright also became just the third pitcher in franchise history to twice lead the league in wins, joining Dizzy Dean (1934–35) and Mort Cooper (1942–43). He also led the NL in games started (34), innings pitched (241+2⁄3), hits allowed (223), and batters faced (956), and was third in strikeouts.
The Cardinals faced the Boston Red Sox in the World Series, and called upon Wainwright to start Game 1 against Jon Lester. It was Wainwright's first World Series appearance since 2006 and first start. He allowed five runs and St. Louis lost, 8–1. In Game 5, a rematch against Lester, the Cardinals again lost, this time 3–1. Wainwright struck out 10 in seven innings, becoming the first Cardinal to reach double digits in strikeouts in a World Series game since Gibson against the Detroit Tigers in 1968. After the Cardinals took a 2–1 Series lead, the Red Sox won the final three games to take the title.
Wainwright won his second Gold Glove award in 2013. In the Cy Young balloting, Wainwright placed second, his second such ranking, and finished 23rd in the NL MVP voting.
2014
Starting for the Cardinals against the Reds on Opening Day, March 31, 2014, Wainwright won his 100th career decision. In seven innings, he struck out nine and gave up just three singles in a 1–0 win. At Nationals Park against Washington on April 17, he pitched a two-hit shutout, winning 8–0. Wainwright gave up the first hit in the second inning on a high infield chopper, but none after until two outs into the ninth. He walked three and struck out eight. It was his seventh career shutout. In an April 27 start against the Pirates, Wainwright tallied eight scoreless innings to extend a streak to 25 innings as the Cardinals won, 7–0, but was pulled before he could get a complete game due to concerns over his April 22 hyperextended right knee injury. His streak of 25 scoreless innings ended in the first inning on May 2 in a loss against the Cubs, to whom he allowed six runs.
On May 20, Wainwright pitched a one-hitter against the Diamondbacks. He retired the first 11 batters before giving up a double to Paul Goldschmidt in the fourth inning. After the hit, Wainwright retired the final 16 batters, facing only 28, one over the minimum for a perfect game. He walked none and struck out nine, throwing 115 pitches, 86 for strikes. It was Wainwright's seventh win of the year, tying for the National League lead, and his 106th career victory against 59 losses. It also tied him for eighth place with Sallee on the all-time Cardinals' pitching win list and was his eighth career shutout. Wainwright followed that effort with eight more scoreless innings on May 25. Between those two starts, he gave up just one walk and struck out a major-league-leading 21 batters in 17 scoreless innings. He was named NL Co-Player of the Week with Dodgers starter Josh Beckett, who threw a no-hitter on May 25. However, he missed his June 16 against the Mets due to elbow tendinitis, but an MRI showed no structural damage to the Tommy John surgically repaired ligament.
After leading the NL with a 1.79 ERA and 11 wins through July 6, Wainwright was selected to his third All-Star Game at Target Field in Minneapolis, Minnesota. He was selected as the NL's starting pitcher for the first time in his career. Besides two starts in which he gave up seven runs to the Giants and six to the Cubs, Wainwright had allowed 13 runs in 16 of his first 18 starts. Nine of those starts included totals with seven or more innings pitched and zero earned runs allowed. Per the Elias Sports Bureau (ESB), it was the first time in Major League history that any pitcher achieved that feat in his first 18 starts of the season.
When the Cardinals defeated the Brewers 10–2 on July 12, Wainwright finished his pre-All Star break total with a 12–4 record and a 1.83 ERA. Further, he joined Hall of Fame member Steve Carlton as the only Cardinals to post an ERA less than 2.00 and at least 12 wins before the All-Star break (1969). In that game, Wainwright posted his Major League-leading 15th start of the season with at least seven innings pitched and two or fewer runs allowed. At the plate, his RBI-single scored rookie Oscar Taveras for his 100th career hit.
In the All-Star Game, Wainwright incurred controversy over his remarks about facing leadoff hitter Derek Jeter. Jeter, who was retiring after the season, doubled on Wainwright's second pitch of the game. During interviews, he admitted that he gave Jeter an easy pitch to hit. "I was gonna give him a couple of pipe shots. He deserved it," Wainwright said. "I didn’t know he was gonna hit a double or I might have changed my mind." Wainwright later recanted, stating that it was in humor and that he was "not intentionally giving up hits out there".
Conversely, Jeter was appreciative. "He grooved them? The first one was a little cutter that he threw down and away. He probably assumed I was swinging. So he didn't groove the first one. The second was about 90, a two-seamer that stayed on a really good ... No, I don't know, man," he paused and smiled, drawing laughs from reporters. "I have no idea. If he grooved it, thank you. You still got to hit it."
Following the All-Star break, Wainwright temporarily struggled to keep the consistency of the first half of the season due to frequent elbow irritation. In June, he gave up just four earned runs in 31 IP for a 1.16 ERA, and followed that up with a 1.62 ERA in July. His results reversed in August when he allowed 22 ER in 38+1⁄3 IP for a 5.17 ERA. However, in September, he posted a 1.38 ERA in 39 IP with 29 SO and a 5–0 W–L. He was subsequently named the NL Pitcher of the Month for September.
After the season, Wainwright had a procedure to remove part of the cartilage of the right elbow on October 24. At times—commencing in June—he had altered his mechanics to mitigate the discomfort. In his third-to-last and second-to-last starts of the season—which were in the NLDS against the Dodgers and NLCS against the Giants—Wainwright was unable to complete five innings in both starts. This led to speculation Wainwright was pitching with pain, which he denied.
Through the 2014 season he had a career 132 ERA+, third-highest for an active pitcher who has a minimum of 1,000 innings, and a .643 winning percentage, fourth-highest for active pitchers. Wainwright finished third in the Cy Young voting for 2014, his third such placing, and fourth time he was positioned in the top three.
2015
The Cardinals selected Wainwright to make his fourth career Opening Day start, and the season-opening game for MLB in 2015, in what was also the first-ever MLB Opening Night game. He was credited with the win as the Cardinals defeated the Cubs at Wrigley Field, 3–0. On April 25, Wainwright left the game against the Brewers in the top of the fifth after suffering an ankle injury while batting. The next day, the Cardinals placed him on the 15-day disabled list, and announced the following day that he had an Achilles tendon rupture and would likely miss the remainder of the season. He underwent successful surgery to repair the tendon on April 30.
With a recovery initially expected to take nine to twelve months, Wainwright had made four appearances through that point in the season, going 2–1 with a 1.44 ERA. As the season progressed, he consistently stated his goal was to return to pitching before the end of the season. After working diligently to accelerate his recovery, the Cardinals announced on September 21 that he was cleared to resume baseball activities, two weeks prior to the conclusion of the regular season. His actual recovery took five months.
Making his first appearance of the season since April, Wainwright pitched a scoreless inning of relief in the first game of a doubleheader against Pittsburgh on September 30, an 8–2 loss. It was his first relief appearance since the 2006 World Series. Wainwright was named the Hutch Award winner for 2015.
2016
The Cardinals announced before spring training that Wainwright would be the Opening Day starter in 2016, his fifth time. For the three previous seasons, he had gone 41–19 with a 2.61 ERA. For the second consecutive season, the Cardinals opened the MLB season, this time at PNC Park against the Pittsburgh Pirates on April 3. The Cardinals lost the game, 4–1, with Wainwright taking the first loss of the season. He hit his first home run of season in a 10–3 win over the Philadelphia Phillies on May 2, also being credited with his second win. In each of four consecutive plate appearances spanning April 27 to May 7, he became the first Cardinal pitcher since 1900 to garner an extra base hit while batting, per Elias Sports Bureau. On the mound, he struggled early, yielding a 5.04 ERA in his first 16 starts of the season.
Wainwright pitched a three-hit, complete-game shutout and 5−0 win against Miami on July 15, 2016; the first hit he allowed was a double to Adeiny Hechavarria in the sixth inning. With four RBI against Colorado on September 20, Wainwright increased his season total to 18, the highest total for all pitchers in the designated hitter era – since 1973 – and the most since Ferguson Jenkins drove in 20 for the Cubs in 1971.
2017
On April 21, 2017, Wainwright struck out nine and hit a home run with four RBI as the Cardinals defeated the Milwaukee Brewers, 6−3. His May 27 appearance was the 330th of his career, tying him with Larry Jackson (1955−1962) for tenth place in games pitched for the Cardinals. while passing Al Hrabosky. Wainwright pitched six scoreless innings versus Los Angeles on June 1, while hitting a two-run home run facing Brandon McCarthy, for a 2−0 win.
On July 17, he passed Bill Doak for fifth place in wins (145) for the Cardinals. On the same day, Wainwright became the only active major league pitcher with multiple seasons of 10+ RBI (2016–17).
The Cardinals placed Wainwright on the 10-day DL on July 25 due to mid-back tightness, retroactive to July 23. It was the fourth time in his career that he had been placed on the DL. Wainwright was activated from the DL on August 6, and totaled 11 innings in three starts. On August 18, the Cardinals placed him back on the DL for right elbow impingement. Wainwright reported pain in his right elbow for the second consecutive season and displayed a precipitous decline in velocity in his most recent starts. Treatments on the right elbow that Wainwright received during the season included trimming cartilage and an injection of platelet-rich plasma into the joint. In 23 games he had started, he allowed a 5.12 ERA with a 12−5 W−L record. Wainwright returned to pitch on September 18 from the bullpen for the remainder of the season.
In 2017, Wainwright won his first career Silver Slugger Award, the first Cardinal pitcher to win the award since Bob Forsch (1980 and 1987) and Jason Marquis (2005). He batted .262/.279/.452, a career-high .731 OPS, and two home runs. Wainwright led all pitchers with seven runs scored and 11 RBI, and, among all with at least 40 plate appearances, in slugging percentage and OPS. He also hit .462 with runners in scoring position.
After the season, Wainwright underwent right elbow surgery to remove a cartilage flap, the first surgery on the elbow since having Tommy John surgery in 2011. The cartilage flap was believed to have caused a bone bruise which led to reduced velocity and efficacy of his breaking pitches. Recovery time was expected to take six weeks with full readiness in time for the 2018 season.
2018
Wainwright began the 2018 season on the 10-day disabled list with a left hamstring sprain. He was reactivated on April 5 but placed on the disabled list again with right elbow inflammation on April 22. Wainwright was activated once again on May 13 and started that same day against the San Diego Padres. He gave up two runs and walked six batters in 2+1⁄3 innings as San Diego beat St. Louis 5–3. Two days later, Wainwright was placed back on the 10-day DL before being transferred to the 60-day DL on May 17.
2019
Wainwright signed a one-year, $2 million contract extension with the Cardinals prior to the 2019 offseason. On April 24, 2019, Wainwright picked up his 150th win in a 5–2 victory against the Brewers. Over 31 starts during the regular season, he went 14–10 with a 4.19 ERA, striking out 153 over 171+2⁄3 innings. In the 2019 MLB postseason, Wainwright struck out 19 over 16+2⁄3 innings and had a 1.62 ERA.
2020
On November 12, 2019, Wainwright and the Cardinals agreed to a one-year contract for the 2020 season. On his 39th birthday, Wainwright pitched his first complete game since 2016 against the Cleveland Indians in a 7–2 win. He pitched a second, albeit 7-inning complete game against the Milwaukee Brewers on September 16. Over 10 starts for the 2020 season, Wainwright went 5–3 with a 3.15 ERA and 54 strikeouts over 65+2⁄3 innings.
2021
On January 28, 2021, Wainwright signed a one-year, $8 million contract to stay with the Cardinals. On April 26, Wainwright pitched a complete game against the Philadelphia Phillies in a 2–1 loss as Rhys Hoskins hit two solo home runs off him. It was the second such occurrence in his career to pitch a 9-inning complete game and lose since a 2–1 loss to the Los Angeles Dodgers in 2007.
Wainwright picked up his first win of the season in a 6–5 win over the New York Mets on May 3, while also picking up his 1,000th career strikeout at Busch Stadium; joining Bob Gibson as the only Cardinals pitchers with 1,000 strikeouts at their home ballparks. On June 14, Wainwright picked up his 1,900th strikeout against the Miami Marlins. On Father's Day, June 20, he pitched his second complete game of the year, albeit 7 innings in the first game of a doubleheader against the Atlanta Braves; striking out 11 while allowing just one run. On August 10, Wainwright pitched his first shutout since 2016, and his first ever Maddux against the Pittsburgh Pirates at PNC Park in a 4–0 Cardinals win, throwing 88 pitches. At 39, he became the oldest pitcher to record a shutout since Bartolo Colón in 2015. He was subsequently named National League Pitcher of the Month for August after going 5–1 with a 1.45 ERA, striking out 36 while walking just six over 44 innings. On September 3, Wainwright started against the Brewers with battery mate Yadier Molina, marking their 300th start as a battery. They are the fourth battery in MLB history to make 300 starts. The Cardinals won the game 15–4, with Wainwright picking up the win. While facing the Milwaukee Brewers on September 23, Wainwright recorded his 2,000th career strikeout against Luis Urías. Wainwright became the second pitcher in franchise history alongside Bob Gibson to reach the milestone.
On October 1, the Cardinals and Wainwright agreed on a one-year deal for the 2022 season.
Statistically for 2021, Wainwright had his best season since 2014, going 17–7 with a 3.05 ERA and 174 strikeouts in 206+1⁄3 innings. Wainwright was second in MLB in wins (17), third in innings pitched (206+1⁄3), tied for first in complete games (3) and tenth in walks and hits per inning pitched (1.057). He led the major leagues in sacrifice hits, with 14.
Wainwright finished seventh in the 2021 NL Cy Young Award voting.
2022
On October 4, 2021, Wainwright and the Cardinals agreed to a one-year, $17.5 million deal for the 2022 season
On April 7, 2022, Wainwright won his 100th game at Busch Stadium on Opening Day in a 9–0 win against the Pittsburgh Pirates, pitching six shutout innings with six strikeouts. On May 15, 2022, Wainwright and Molina made history claiming their 203rd win together, becoming the most successful battery in MLB history. Later that season on September 14, Wainwright and Molina set another MLB record by starting alongside one another for the 325th time, surpassing Mickey Lolich and Bill Freehan of the Detroit Tigers for the most starts by a battery.
In November 2022, it was announced that Wainwright intended to represent Team USA in the 2023 World Baseball Classic.
2023
Wainwright announced that the 2023 season would be his last. On March 30, Wainwright sang the national anthem before the opening day game. In 21 starts for the Cardinals, Wainwright struggled to a 5–11 record and 7.40 ERA with 55 strikeouts in 101.0 innings of work.
On September 18, pitching at home against the division-leading Milwaukee Brewers, he won his 200th game, 1-0, pitching seven scoreless innings, giving up only four hits, walking two, striking out three. His 2,202 career strikeouts make him the 66th pitcher to have at least 2,200 strikeouts. His 200 wins make him the 122nd pitcher in baseball history to reach that milestone. His 200 wins, all with the Cardinals, rank him third in the team's history, joining Bob Gibson (251) and Jesse Haines (210).
At home on September 29, he batted for the first time since October 6, 2021. In the sixth inning with the team trailing 14-2, he pinch-hit for designated hitter Luken Baker. On the second pitch, he grounded out sharply to second base. It was his only at-bat that night.
Over his career, he had 10 home runs, 75 RBIs, and a .192 batting average. He has five seasons batting over .200. Defensively, he recorded a .982 fielding percentage, with only 10 errors in 569 total chances, which was 26 points higher than the league average at his position.
Annual statistical achievements
Notes: Through 2019 season. Per Baseball-Reference.com.
Pitching style
Wainwright has a sinkerball, throwing it in the 90–92 miles per hour (145–148 km/h) range. He also throws a good deal of cutters 84–88 miles per hour (135–142 km/h) and curveballs 73–77 miles per hour (117–124 km/h) that have dropped more than 8 inches before from top to bottom of the pitch. Less commonly, he also throws a four-seam fastball 90–95 miles per hour (145–153 km/h) and an 84–86 miles per hour (135–138 km/h) changeup. He uses all of his pitches against left-handed hitters, but he does not use the changeup against right-handers. Wainwright's most-used pitch in two-strike counts is his curveball.
In spring training of 2013, he started incorporating an elevated four-seam fastball, making his curveball more effective.
Discography
Studio Albums
Singles
"—" denotes a release that did not chart.
Outside baseball
Big League Impact
A fantasy football enthusiast, Wainwright created and hosts a fantasy football network in eight cities called Big League Impact, designed to raise money for various charities. In 2015, the organization raised more than $1 million total. Other major leaguers, including David Wright, Hunter Pence, and John Smoltz host in their respective cities.
The concept officially opened in July 2013 with the launch of a website called WainosWorld.com. In an interview with Fox Sports Midwest, Wainwright remarked that the program combined his love of fantasy football with his passion for helping the less fortunate. For a registration fee, all of which goes to charity, fans can assemble their own fantasy team and compete throughout the season against not only Wainwright but his current and former Cardinals teammates Allen Craig, David Freese, and Matt Holliday. Those with the best team records at season's end will receive prizes. The league raised $100,000 in 2013 and supported Operation Food Search and Water Missions International.
Wainwright was the recipient of the 2020 Roberto Clemente Award due to his work with Big League Impact alongside his contributions in helping build Haiti's Ferrier Village Secondary School.
As an actor
With longtime aspirations to host an episode of Saturday Night Live, Wainwright made his film debut in the 2016 comedy-drama Proximity, directed by Dan Steadman and filmed in the St. Louis area. The majority of the work done was completed in 2015, after the opportunity presented to Wainwright due in part to the Achilles tendon injury he had suffered early in the season.
Broadcasting
Adam Wainwright made his national TV broadcasting debut on October 6, 2020, calling the 2020 NLDS between the Miami Marlins and Atlanta Braves on Fox Sports 1 along with Adam Amin and former teammate A. J. Pierzynski. The trio worked together for the 2021 ALDS between the Astros and the Chicago White Sox and again in the 2023 ALDS between the Houston Astros and Minnesota Twins. Prior to the 2024 MLB season, Wainwright was hired as a full time color commentator for Fox Sports.
Musician
On March 30, 2023, Wainwright surprised his teammates by performing the national anthem prior to the Cardinals' home opener against the Toronto Blue Jays. After he accomplished his musical goal, he nervously admitted, "I didn't mess the words up." Wainwright aspires to be a country music singer after his baseball career concludes; he held a concert in Springfield, Illinois, in January 2023 for approximately 500 fans.
Wainwright has released three singles and one full-length album, Hey Y'all. It which was originally scheduled to be released on March 9, 2024 when he made his Grand Ole Opry debut, but was officially released on April 5, 2024.
Personal life
Wainwright married his high school sweetheart, Jenny Curry, in 2004. In a quirk of fate, he was in the midst of proposing to Curry in December 2003, when a telephone call interrupted him to inform him he'd been traded from the Braves to the Cardinals. Jenny holds a degree in interior design from Georgia Southern University. In the off-season, the Wainwrights reside on St. Simons Island, Georgia, with their four daughters and a son, whom they adopted in 2019. Wainwright has openly expressed his Christian faith, and is active in the Fellowship of Christian Athletes.
See also
References
Footnotes
Source notes
External links
Media related to Adam Wainwright at Wikimedia Commons
Quotations related to Adam Wainwright at Wikiquote
Career statistics and player information from MLB, or Baseball Reference, or Fangraphs, or Baseball Reference (Minors), or Retrosheet |
Wheatland_(James_Buchanan_House) | https://en.wikipedia.org/wiki/Wheatland_(James_Buchanan_House) | [
239
] | [
"https://en.wikipedia.org/wiki/Wheatland_(James_Buchanan_House)"
] | Wheatland, or the James Buchanan House, is a brick Federal style house which is located in Lancaster Township, Lancaster County, Pennsylvania, outside of Lancaster, Pennsylvania. It was formerly owned by the 15th president of the United States, James Buchanan.
The house was constructed in 1828 by William Jenkins, a local lawyer. The second owner was Thomas Fuller Potter. He sold it to William M. Meredith in 1845.
Wheatland changed hands again in 1848, when it was purchased by Buchanan. Buchanan occupied the house for the next two decades, except for several years during his ambassadorship in Great Britain and during his presidency. After his death in 1868, Wheatland was inherited by Buchanan's niece, Harriet Lane, who sold it in 1884 to George Willson.
It was inherited by a relative of Willson's in 1929. Wheatland was put up for sale again after the relative died in 1934 and was acquired by a group of people who set up a foundation for the purpose of preserving the house. Wheatland was designated a National Historic Landmark in 1961 and was added to the National Register of Historic Places in 1966. It was designated a contributing property to the Northeast Lancaster Township Historic District in 1980. The foundation and the adjacent historical society merged in 2009.
Location
Wheatland is located off Pennsylvania Route 23 (Marietta Avenue) in Lancaster Township, about 1.5 miles (2.4 km) from the center of the city of Lancaster. It is situated on 10 acres (40,470 m2) of land, which it shares with Lancaster County's historical society, at the intersection of Marietta Avenue and President Avenue.
The region was originally inhabited by the Susquehannocks, who were first encountered in what is now Lancaster County by John Smith in 1608. They were also known to early settlers of the area as the "Conestogas", after the creek they resided near. In 1680, William Penn received a charter from Charles II for land to found the Province of Pennsylvania; Penn divided the land into the three counties: Bucks, Chester and Philadelphia. Lancaster County was formed from parts of Chester County on May 10, 1729. Lancaster Township was settled between 1717 and 1720, and was incorporated out of portions of Conestoga Township in 1729. The city of Lancaster was laid out in March 1730 and was incorporated as a borough in August 1742, before being incorporated as a city on March 20, 1818.
History
On November 20, 1824, over 403 acres (1,630,883 m2) of land was turned over to a bank in Lancaster by a farmer. The bank sold 165 acres (1 km2) and 68 square perches (18,513 ft2; 1,720 m2) of that land, on January 29, 1828, for $11,731.871⁄2, (equal to $325,506 today), through the use of a straw man, to William Jenkins, a lawyer and, then, president of said bank. Jenkins had a house constructed on the property and named it "The Wheatlands", either after the surrounding wheatfields or because the site of the house used to be a wheatfield. Jenkins sold 17 acres (68,797 m2) and 253⁄4 square perches (7,010 ft2; 651 m2) of land, including the house, to his son-in-law Thomas Fuller Potter in 1836. William M. Meredith bought the same plot on May 8, 1845, plus an additional 5 acres (20,234 m2), for $6,750, equal to $220,725 today. Meredith used it as primarily a summer house and as a home for his wife and children; Meredith's duties as head of the bar in Philadelphia prevented him from living at Wheatland on a permanent basis.
Wheatland was put up for sale by Meredith and was contacted in June 1848 by Secretary of State James Buchanan, who was interested in the house. The sale of Wheatland was delayed by Meredith, who was not sure whether he really wanted to sell the estate, and by Buchanan, who did not want to force Meredith into making a decision that he might regret. Wheatland was sold in December 1848 at the same price that Meredith had purchased it at; Buchanan moved into the mansion several months later, accompanied by his niece, Harriet Lane, and nephew, James Buchanan "Buck" Henry, and his housekeeper, Esther "Miss Hetty" Parker. Buchanan ran unsuccessfully for the Democratic Party's nomination for President in the 1852 election, however he was appointed the Minister to Great Britain by the newly elected Franklin Pierce. Buchanan did not return to the United States, and to Wheatland, until 1856.
Not long after arriving back at Wheatland, Buchanan was nominated by the Democratic Party to be its candidate for President on June 9, 1856. Buchanan did not tour the country as part of the campaign. Instead, he conducted it from Wheatland as a "front porch campaign". Buchanan won the election and carried all of the Southern states, with most of the votes in the Northern states going to the Republican nominee John C. Frémont. Part of Buchanan's success in the South was his, and the party platform's, support of the Kansas–Nebraska Act. One of the tactics used in the campaign involved lithographs of Wheatland being printed and circulated, primarily in the South, "as a polite way of informing the Southerners that the Democratic candidate, though from the North, had a 'plantation estate' and held a course of life similar to their own."
Post-presidency
If my successor should be as happy in entering the White House as I shall feel on returning to Wheatland he will indeed be a happy man.
During his presidency, Buchanan returned to Wheatland sporadically and never for very long. He retired to Wheatland in 1861, after the election of Abraham Lincoln and the end of his term as President. Buchanan died in a room on the second floor in Wheatland on June 1, 1868. Thousands of people attended Buchanan's funeral and the procession from Wheatland to the Woodward Hill Cemetery on June 4. The estate was inherited by Harriet Lane, who used it as a summer house. After both of Lane's sons died—one in 1881 and the other a year later—and a few weeks after her husband died, Lane sold Wheatland in 1884 to George Willson.
Wheatland was inherited by Mary Willson Rettew, a cousin of George Willson, after he died of a heart attack in 1929. Rettew died in 1934 and, left a will stipulating "the establishment of 'The Willson Memorial Building'" to preserve the family's heirlooms. Her will also requested that the building be occupied by the Lancaster County Historical Society, which had been founded in 1880. Wheatland, along with 4.25 acres (17,199.14 m2) of land, were put up for sale by the executors of the will. The Junior League of Lancaster founded the "James Buchanan Foundation for the Preservation of Wheatland" in 1935 with the purpose of raising funds to buy Wheatland. Wheatland was sold to the Foundation for $40,000 (equal to $878,273 today) on February 27, 1936. It was opened to the public on May 5, 1936 and was dedicated "as a new presidential shrine, taking its place with Mount Vernon, Monticello and The Hermitage," in October 1937. Wheatland was designated a National Historic Landmark on July 4, 1961 and listed on the National Register of Historic Places on October 15, 1966. Wheatland became a contributing property to the Northeast Lancaster Township Historic District on March 20, 1986. The James Buchanan Foundation and the neighboring Lancaster County Historical Society were merged in 2009 to form LancasterHistory.org.
Architecture and decor
Wheatland is a Federal style house made of brick. As no documents on the actual construction are known to exist, the person or persons responsible for the design of Wheatland have remained anonymous. However, the architecture of Wheatland, as well as its location on the property, indicates someone who was skilled in classical architecture. Design elements, like various lunette windows, also show the influence of various architectural guidebooks that were prevalent in the early 19th century.
The interior of Wheatland is furnished as it would have been in the mid-19th Century, with most of the furniture being original to the house. As Wheatland has never been significantly altered or remodeled, other than the installation of modern lighting and heating, it provides an accurate view of the lifestyle in the Victorian era.
The house is made up of a 2+1⁄2-story, "bilaterally symmetrical", central section, flanked by two, three-story wings set back from the main facade. The roofs of both wings are flat and sloping towards the rear of the house; the northern wing also a "pent roof", a sloped, shingled roof between the first floor and second floor windows, on the rear. The front entrance to Wheatland is sheltered by a portico supported by Tuscan order columns, while the rear entrance is on a veranda.
Interior
Both of the main entrances into Wheatland open onto a T-shaped hallway. The main portion of the hall is 42 feet (13 m) long and 8 feet (2 m) wide, while the cross-hall is 34 by 8 feet (10 m × 2 m). It is covered with an oilcloth flooring that was decorated with "geometric squares to imitate tile"—painting one material to resemble another, more expensive one that was popular in the Victorian era. The original cloth was covered with a modern, red carpet up until 1990; it has since been overlaid with an identical, reproduction covering.
On the first floor are located the parlor, the library, two dining rooms, and the kitchen. One of the dining rooms is located in the western wing, off of the hallway, and was used primarily used by the family for smaller meals like breakfast or tea. The kitchen is also in the wing, directly adjacent to the dining room. The other dining room, located in the front western side of the main house, was used only for formal dinners and as the sitting room where the men would converse after dinner. The fireplace in the room was enclosed in marble when Buchanan bought Wheatland and had a furnace installed. Across the hall, on the other side of the main house is the parlor, where the women guests would congregate after dinner. The library is located off the hallway in the east wing. The woodwork, doors, a bookcase, and a bookshelf built into the wall were grained to resemble oak. The shelves in the bookshelf no longer exist; but, the backboard of the bookshelf is visible, as is the plaster wall made to resemble wood. Two mahogany bookcases, flanking the fireplace in the library, were furnished by Jenkins and having been sold to each successive owner by the previous one. The library was primarily used by Buchanan as the place to meet with guests.
The second floor is reached by means of an elliptical stairway in the cross-hall. Embedded into the newel post at the base of the stairs is glass "peace stone", symbolizing the owners' "peace of mind" after having paid off the mortgage. The living quarters for the inhabitants of Wheatland were located on the second floor. A bathroom, complete with bathtub, shower and a bidet, was installed in the west wing when the Willsons bought Wheatland in 1884. The third floor was primarily used as servants' quarters and has been left unrestored.
Grounds
Originally constituting 22 acres (89,031 m2), the grounds surrounding Wheatland were incrementally sold until only 4.25 acres (17,199.14 m2) remained when it was listed on the National Register of Historic Places. The merger in 2009, however, included the 5.75 acres (23,269.42 m2) given to the historical society in 1934; the total of the two parcels is almost half of Wheatland's original property.
On the grounds, behind Wheatland, stand a privy, a smokehouse, and a carriage house. A stable used to stand on the property but was replaced by the carriage house in the late 1880s; an icehouse also no longer exists. The carriage house, today, houses meeting and reception space.
Wheatland is open to the public Monday-Saturday from mid-January through mid-November, with tours available hourly.
See also
Buchanan's Birthplace State Park
List of National Historic Landmarks in Pennsylvania
List of residences of presidents of the United States
National Register of Historic Places listings in Lancaster County, Pennsylvania
Presidential memorials in the United States
References
Sources
External links
President James Buchanan's Wheatland (LancasterHistory.org)
President James Buchanan's Wheatland (NPS.gov)
"Life Portrait of James Buchanan", from C-SPAN's American Presidents: Life Portraits, broadcast from Wheatland, June 21, 1999
Wheatland, 1120 Marietta Avenue, Lancaster, Lancaster County, PA: 19 measured drawings at Historic American Buildings Survey |
Wheatland,_Wyoming | https://en.wikipedia.org/wiki/Wheatland,_Wyoming | [
239
] | [
"https://en.wikipedia.org/wiki/Wheatland,_Wyoming"
] | Wheatland is a town in and the county seat of Platte County in southeastern Wyoming, United States. The population was 3,588 at the 2020 census.
History
Before the late 19th century, the area around the future site of Wheatland was a flat, arid landscape with desert-like vegetation. In 1883 local rancher and judge Joseph M. Carey, along with Horace Plunkett, John Hoyt, Morton Post, Francis E. Warren, William Irvine, and Andrew Gilchrist, established the Wyoming Development Company. The company hoped to irrigate in the Wheatland Flats and profit from new development.
By the fall of 1883 an irrigation system was constructed on the Wheatland flats including a 2,380 foot long tunnel to divert water for irrigation into Bluegrass Creek and the first two of the system's canals. The Cheyenne and Northern Railway line reached the Wheatland flats in July 1887, eventually extending to the Wyoming Central Railway at Wendover. The line was eventually sold to the Colorado and Southern Railway, controlled by the Chicago, Burlington, and Quincy Railroad, and operated at Wheatland station. Lots in the town of Wheatland were auctioned in 1894. By 1915 many farms were established in the irrigation district and the population of the flats was 5,277.
In 1911 Platte County was created from a portion of Albany County, and Wheatland was selected as the county seat. The Platte County Courthouse was built in Wheatland in 1917.
The Wheatland Irrigation District is still the largest privately owned irrigation system in the country.
Geography
Wheatland is located at 42°3′14″N 104°57′34″W (42.053917, –104.959460).
According to the United States Census Bureau, the town has a total area of 4.10 square miles (10.62 km2), all land.
Demographics
2010 census
As of the census of 2010, there were 3,627 people, 1,657 households, and 974 families living in the town. The population density was 884.6 inhabitants per square mile (341.5/km2). There were 1,879 housing units at an average density of 458.3 per square mile (177.0/km2). The racial makeup of the town was 95.1% White, 0.1% African American, 0.4% Native American, 0.7% Asian, 2.1% from other races, and 1.6% from two or more races. Hispanic or Latino of any race were 7.4% of the population.
There were 1,657 households, of which 25.0% had children under the age of 18 living with them, 46.0% were married couples living together, 8.8% had a female householder with no husband present, 3.9% had a male householder with no wife present, and 41.2% were non-families. 37.5% of all households were made up of individuals, and 19.3% had someone living alone who was 65 years of age or older. The average household size was 2.13 and the average family size was 2.78.
The median age in the town was 45.4 years. 20.7% of residents were under the age of 18; 7.1% were between the ages of 18 and 24; 21.6% were from 25 to 44; 28.3% were from 45 to 64; and 22.3% were 65 years of age or older. The gender makeup of the town was 48.7% male and 51.3% female.
2000 census
As of the census of 2000, there were 3,548 people, 1,539 households, and 980 families living in the town. The population density was 837.6 people per square mile (323.1/km2). There were 1,764 housing units at an average density of 416.4 per square mile (160.6/km2). The racial makeup of the town was 96.00% White, 0.31% African American, 0.68% Native American, 0.34% Asian, 1.89% from other races, and 0.79% from two or more races. Hispanic or Latino of any race were 6.54% of the population.
There were 1,539 households, out of which 27.0% had children under the age of 18 living with them, 52.7% were married couples living together, 7.9% had a female householder with no husband present, and 36.3% were non-families. 32.2% of all households were made up of individuals, and 16.8% had someone living alone who was 65 years of age or older. The average household size was 2.24 and the average family size was 2.83.
In the town, the population was spread out, with 22.8% under the age of 18, 7.2% from 18 to 24, 22.7% from 25 to 44, 26.5% from 45 to 64, and 20.8% who were 65 years of age or older. The median age was 43 years. For every 100 females, there were 89.5 males. For every 100 females age 18 and over, there were 88.8 males.
The median income for a household in the town was $35,208, and the median income for a family was $42,623. Males had a median income of $34,940 versus $20,185 for females. The per capita income for the town was $19,069. About 6.9% of families and 8.9% of the population were below the poverty line, including 9.9% of those under age 18 and 8.6% of those age 65 or over.
Climate
Wheatland experiences a semi-arid climate (Köppen BSk) with cold, dry winters and hot, wetter summers.
Education
Public education in the town of Wheatland is provided by Platte County School District #1. Campuses serving the town include Libbey Elementary School (grades K–2), West Elementary School (grades 3–5), Wheatland Middle School (grades 6–8), and Wheatland High School (grades 9–12).
Wheatland has a public library, a branch of the Platte County Public Library System.
Transport
Highways
I-25 - bypasses on the west.
US 87 - north-south route through Wheatland.
WYO 310 (Hightower Rd.)
WYO 312 (Ferguson Rd.)
WYO 316 (Antelope Gap Rd.)
WYO 320 (No. Wheatland Hwy.)
Transit
Intercity bus service to the city is provided by Express Arrow.
Air Transport
Wheatland is served by Phifer Airfield just east of town on State Route 316 (Gilchrist St./Antelope Gap Rd.). However, the field has no direct commercial service, residents can choose between Western Nebraska Regional Airport, Casper–Natrona County International Airport, and Cheyenne Regional Airport.
Railroads
Wheatland is the home of the historical Wheatland station, then operated by Union Pacific, Denver and Gulf Railway. The station is not open today for revenue service, though the tracks through Wheatland are currently owned and used by Berkshire Hathaway's BNSF Railway after a series of acquisitions which gave BNSF the Wheatland assets formerly operated by Union Pacific, Denver and Gulf. BNSF currently has small offices located in Wheatland.
Arts and culture
Wheatland hosts the annual Platte County Fair & Rodeo, usually held the second full week of August, at the fairgrounds on the east edge of town at Front Street and Antelope Gap Road.
The horse Steamboat, the model for the bucking horse and rider motif on the Wyoming license, was stabled near Wheatland in a barn owned and maintained as a historical structure by Mike and Linda Holst. Steamboat is also the logo for the University of Wyoming.
Notable people
Benjamin N. Bellis (1924–2019), United States Air Force Lieutenant General
Freckles Brown (1921–1987), Professional Rodeo Cowboys Association world champion bull rider
Edward Bryant (1945–2017), science fiction writer, fantasy author
Jim Geringer (born 1944), former governor of Wyoming
Robert Mills Grant (1926–2012), rancher and Republican member of the Wyoming House of Representatives from 1983 to 1992
Jeremy Haroldson, pastor, member of the Wyoming House of Representatives
Floyd Shaman (1935–2005), sculptor
Dennis Utter (1939–2011), Nebraska state legislator
Charles Hoskinson (born 1987), founder of Cardano (blockchain platform), co-founder of Ethereum
References
External links
Platte County Record Times
Wheaterville News |
Cardano_(blockchain_platform) | https://en.wikipedia.org/wiki/Cardano_(blockchain_platform) | [
239
] | [
"https://en.wikipedia.org/wiki/Cardano_(blockchain_platform)"
] | Cardano is a public blockchain platform. It is open-source and decentralized, with consensus achieved using proof of stake. It can facilitate peer-to-peer transactions with its internal cryptocurrency, ADA.
Cardano's development began in 2015, led by Ethereum co-founder Charles Hoskinson. The project is overseen and supervised by the Cardano Foundation based in Zug, Switzerland. When launched in 2017, it was the largest cryptocurrency to use a proof-of-stake blockchain, which is seen as a greener alternative to proof-of-work protocols.
History
After leaving Ethereum in 2014 Charles Hoskinson and Jeremy Wood set out their plans for Cardano in 2015. Hoskinson had left Ethereum after a dispute with another co-founder, Vitalik Buterin. Hoskinson wanted to accept venture capital and create a company, while Buterin wanted to keep it as a nonprofit organization. Woods and Hoskinson co-founded the business IOHK to develop blockchains for use by corporations, governments, and education institutions.
Cardano was initially released to the public in 2017. That year, IOHK partnered with the University of Edinburgh to launch the Blockchain Technology Laboratory. The lab had six post-doctoral and professorial positions with up to 35 jobs created in total, and was led by Aggelos Kiayias, developer of the Ouroboros protocol.
Cardano reached a market cap of $77 billion in May 2021, which was the fourth highest for a cryptocurrency at that time.
Advertising agency MBLM ranked Cardano 26th for brand intimacy out of 600 brands in August 2022, in between Ford and Nestlé and the highest rank for a cryptocurrency. Citing an MBLM partner, advertising industry magazine Ad Age said Cardano's high ranking "can likely be chalked up to the gambling element of crypto".
Design
Governance
Cardano is controlled by three entities:
Cardano foundation aims to standardize and promote the ecosystem (based in Switzerland).
IOHK: an engineering company responsible for building the Cardano blockchain.
Emurgo: responsible for commercial applications.
As of 2021, Frederik Gregaard is known to be the CEO of the Cardano Foundation.
The platform is named after Italian mathematician Gerolamo Cardano, while the cryptocurrency itself is named after the English mathematician Ada Lovelace. The Ada sub-unit is the Lovelace; one Ada = 1,000,000 Lovelaces. Cardano is focused on scientific research with universities.
Technical design
Atypically, Cardano does not have a white paper. Instead, it uses design principles intended to overcome issues – such as scalability, interoperability, and a lack of regulatory compliance – faced by earlier cryptocurrencies. Cardano claims that it overcomes problems found in other cryptocurrencies, mainly that Bitcoin is too slow and inflexible and that Ethereum is not safe or scalable. Like Bitcoin, Cardano uses a UTXO ledger model, though it is an extended version (EUTXO) to facilitate smart contracts and scripting languages.
Cardano uses a proof-of-stake (PoS) protocol named Ouroboros; this was in contrast to Bitcoin and Ethereum, which used proof-of-work protocols (though the latter switched over in 2022). Proof-of-stake blockchains use far less energy than proof-of-work chains. This is achieved by eliminating the computing resources that a proof-of-work algorithm requires. In February 2021, Hoskinson estimated the Cardano network used 6 GWh annually, less than 0.01% of the 110.53 TWh used by the Bitcoin network as calculated by the University of Cambridge.
Within the Cardano platform, Ada exists on the settlement layer. This layer keeps track of transactions. The second layer is the computation layer and is designed to be similar to Ethereum, enabling smart contracts and applications to run on the platform. Like other cryptocurrencies, Ada (ADA) can be stored on a digital wallet. Cardano's native digital wallet is named "Daedalus". The Daedalus wallet downloads a full copy of the entire transaction history of the Cardano blockchain. Wallet users face the risk of losing access to funds if the wallet's seed phrase is lost or stolen.
Development phases of Cardano, or "eras", are named after notable figures in poetry and computer science: Byron, Shelley, Goguen, Basho, and Voltaire. The first three stages implemented a basic blockchain, and then implemented decentralisation and smart contracts. The Basho era focuses on scaling the blockchain. Voltaire, the final era, adds voting and treasury management functionality to the blockchain.
Once Voltaire is complete IOHK has said it plans to release the development of the network entirely to the community. The "Cardano improvement proposal" CIP-1694 is the first step towards "on-chain" governance. It intends to allow ADA token holders to create proposals that may be voted upon by the community and, if successful, implemented.
As with other proof-of-stake cryptocurrencies, Cardano offers "staking", which allows token holders to set-aside (delegate) tokens to potentially "validate" transactions on the same blockchain (Figure 1). The quantity of tokens staked corresponds with the likelihood of being chosen to validate a transaction, and thus be rewarded by the algorithm with more of the same token. Cardano's Daedalus wallet allows for staking. For Cardano, users participate in "staking pools" with other token-holders.
Applications
Applications of the Cardano blockchain include:
In 2018, IOHK signed a memorandum of understanding with the government of Ethiopia to consider the use of Cardano in its coffee supply chain. The partnership with the Ethiopian government also investigate other ways to deploy Cardano in the country.
In 2019, the Ministry of Education in the country of Georgia signed a memorandum of understanding with the Free University of Tbilisi to use Cardano and Atala, IOHK's decentralized identity software, to build a credential verification system for Georgia.
In 2019, New Balance announced a pilot program on the Cardano blockchain so buyers could track the authenticity of OMN1S Kawhi Leonard basketball shoes.
In April 2021, IOHK and the Ethiopia Ministry of Education announced plans for an identity and record-keeping system on Cardano and Atala for the country's five million school pupils.
In 2021, Hoskinson began working with electronic dance music DJ Paul Oakenfold to release an album, Zombie Lobster, on the Cardano blockchain.
In 2021, IOHK and Dish Network announced a collaboration to investigate the use of distributed ledger technology.
The Cardano blockchain was cited in Quartz as having the potential to help citizens in Zanzibar, Ethiopia, and Burundi get digital IDs.
World Mobile Token (WMT), a project built on Cardano, offers remote mobile network access in Africa with approximately 150 nodes in East Africa (2022). Mark Cuban is cited as being skeptical about the project and Cardano adoption.
In 2023, a Ghanaian startup named "Mazzuma" received funding from the Adaverse, a Cardano ecosystem accelerator. MassumaGPT aims to use AI in its contract creation platform.
Decentralized finance
Cardano implemented decentralized finance (DeFi) services on September 12, 2021, including an upgrade to enable smart contracts and the ability to build decentralized applications (DApps). Also included is Plutus, a smart contract language written in Haskell, and Marlowe, a domain-specific language designed by Simon Thompson for non-programmers in the financial sector.
Partner chains
In November 2023 Cardano began introducing sidechains, referred to by the project as "partner chains". Sidechains are intended to perform off-chain computations, known as smart contracts, while using the Cardano network for settlement. The first example of such a chain, named "Midnight", will make use of the Polkadot framework in combination with Cardano.
Non-fungible tokens (NFTs)
Cardano also enables creating non-fungible tokens (NFTs). Snoop Dogg released several thousand NFTs in a project named "Baked Nation" for the Cardano chain in April 2022. In 2023 a digital artist from the UK sold 7,200 individual works of humanoid deer for almost £500,000 on Cardano.
Legal status and regulation
In 2023, the Securities and Exchange Commission (SEC), a US regulator, issued a complaint against the cryptocurrency exchange Kraken for offering unregistered securities (in violation of the Securities Act) and promising returns on investment for staking in multiple proof-of-stake cryptocurrencies, including Cardano. Without any admission of wrongdoing, Kraken agreed to pay a fine of $30 million and halt its staking program in response.
In June 2023, the SEC sued Binance. Among the allegations was that Cardano was a security and so the cryptocurrency exchange was trading illegally in the US. IOG responded that the filing was inaccurate and that Ada was not a security. Robinhood Markets said it would remove Cardano and two other proof of stake coins from its platform. The Ada price fell from $0.38 to $0.26 in a day on the FT Wilshire index. Both the Wall Street Journal and The Times linked a fall in the price of Cardano – 19 per cent in June – and a slide for other major coins to the SEC's actions.
References
External links
Official website |
Ethereum | https://en.wikipedia.org/wiki/Ethereum | [
239
] | [
"https://en.wikipedia.org/wiki/Ethereum#Ether"
] | Ethereum is a decentralized blockchain with smart contract functionality. Ether (abbreviation: ETH) is the native cryptocurrency of the platform. Among cryptocurrencies, ether is second only to bitcoin in market capitalization. It is open-source software.
Ethereum was conceived in 2013 by programmer Vitalik Buterin. Other founders include Gavin Wood, Charles Hoskinson, Anthony Di Iorio, and Joseph Lubin. In 2014, development work began and was crowdfunded, and the network went live on 30 July 2015. Ethereum allows anyone to deploy permanent and immutable decentralized applications onto it, with which users can interact. Decentralized finance (DeFi) applications provide financial instruments that do not directly rely on financial intermediaries like brokerages, exchanges, or banks. This facilitates borrowing against cryptocurrency holdings or lending them out for interest. Ethereum also allows users to create and exchange non-fungible tokens (NFTs), which are tokens that can be tied to unique digital assets, such as images. Additionally, many other cryptocurrencies utilize the ERC-20 token standard on top of the Ethereum blockchain and have utilized the platform for initial coin offerings.
On 15 September 2022, Ethereum transitioned its consensus mechanism from proof-of-work (PoW) to proof-of-stake (PoS) in an upgrade process known as "the Merge". This has cut Ethereum's energy usage by 99%.
History
Founding (2013–2014)
Ethereum was initially described in late 2013 in a white paper by Vitalik Buterin, a programmer and co-founder of Bitcoin Magazine, that described a way to build decentralized applications. Buterin argued to the Bitcoin Core developers that blockchain technology could benefit from other applications besides money and that it needed a more robust language for application development: 88 that could lead to attaching real-world assets, such as stocks and property, to the blockchain. In 2013, Buterin briefly worked with eToro CEO Yoni Assia on the Colored Coins project and drafted its white paper outlining additional use cases for blockchain technology. However, after failing to gain agreement on how the project should proceed, he proposed the development of a new platform with a more robust scripting language—a Turing-complete programming language—that would eventually become Ethereum.
Ethereum was announced at the North American Bitcoin Conference in Miami, in January 2014. During the conference, Gavin Wood, Charles Hoskinson, and Anthony Di Iorio (who financed the project) rented a house in Miami with Buterin at which they could develop a fuller sense of what Ethereum might become. Di Iorio invited friend Joseph Lubin, who invited reporter Morgen Peck, to bear witness. Peck subsequently wrote about the experience in Wired. Six months later the founders met again in Zug, Switzerland, where Buterin told the founders that the project would proceed as a non-profit. Hoskinson left the project at that time and soon after founded IOHK, a blockchain company responsible for Cardano.
Ethereum has an unusually long list of founders. Anthony Di Iorio wrote: "Ethereum was founded by Vitalik Buterin, Myself, Charles Hoskinson, Mihai Alisie & Amir Chetrit (the initial 5) in December 2013. Joseph Lubin, Gavin Wood, & Jeffrey Wilcke were added in early 2014 as founders." Buterin chose the name Ethereum after browsing a list of elements from science fiction on Wikipedia. He stated, "I immediately realized that I liked it better than all of the other alternatives that I had seen; I suppose it was that [it] sounded nice and it had the word 'ether', referring to the hypothetical invisible medium that permeates the universe and allows light to travel." Buterin wanted his platform to be the underlying and imperceptible medium for the applications running on top of it.
Development (2014)
Formal development of the software underlying Ethereum began in early 2014 through a Swiss company, Ethereum Switzerland GmbH (EthSuisse).
The idea of putting executable smart contracts in the blockchain needed to be specified before it could be implemented in software. This work was done by Gavin Wood, then the chief technology officer, in the Ethereum Yellow Paper that specified the Ethereum Virtual Machine. Subsequently, a Swiss non-profit foundation, the Ethereum Foundation (Stiftung Ethereum), was founded. Development was funded by an online public crowd sale from July to August 2014, in which participants bought the Ethereum value token (ether) with another digital currency, bitcoin. While there was early praise for the technical innovations of Ethereum, questions were also raised about its security and scalability.
Launch and the DAO event (2014–2016)
Several codenamed prototypes of Ethereum were developed over 18 months in 2014 and 2015 by the Ethereum Foundation as part of their proof-of-concept series. "Olympic" was the last prototype and public beta pre-release. The Olympic network gave users a bug bounty of 25,000 ether for stress-testing the Ethereum blockchain. On 30 July 2015, "Frontier" marked the official launch of the Ethereum platform, and Ethereum created its "genesis block". The genesis block contained 8,893 transactions allocating various amounts of ether to different addresses, and a block reward of 5 ETH.
Since the initial launch, Ethereum has undergone a number of planned protocol upgrades, which are important changes affecting the underlying functionality and/or incentive structures of the platform. Protocol upgrades are accomplished by means of a hard fork.
In 2016, a decentralized autonomous organization called The DAO—a set of smart contracts developed on the platform—raised a record US$150 million in a crowd sale to fund the project. The DAO was exploited in June 2016 when US$50 million of DAO tokens were stolen by an unknown hacker. The event sparked a debate in the crypto-community about whether Ethereum should perform a contentious "hard fork" to reappropriate the affected funds. The fork resulted in the network splitting into two blockchains: Ethereum with the theft reversed, and Ethereum Classic which continued on the original chain.
Continued development and milestones (2017–present)
In March 2017, various blockchain startups, research groups, and Fortune 500 companies announced the creation of the Enterprise Ethereum Alliance (EEA) with 30 founding members. By May 2017, the nonprofit organization had 116 enterprise members, including ConsenSys, CME Group, Cornell University's research group, Toyota Research Institute, Samsung SDS, Microsoft, Intel, J. P. Morgan, Cooley LLP, Merck KGaA, DTCC, Deloitte, Accenture, Banco Santander, BNY Mellon, ING, and National Bank of Canada. By July 2017, there were over 150 members in the alliance, including MasterCard, Cisco Systems, Sberbank, and Scotiabank.
In 2024, Paul Brody, EEA board member for EY, was announced as the new chairperson, and Karen Scarbrough, board member for Microsoft, as the new executive director. Vanessa Grellet from Arche Capital also joined as a new board member.
CryptoKitties and the ERC-721 NFT standard
In 2017, CryptoKitties, the blockchain game and decentralized application (dApp) featuring digital cat artwork as NFTs, was launched on the Ethereum network. In cultivating popularity with users and collectors, it gained notable mainstream media attention providing significant exposure to Ethereum in the process. It was considered the most popular smart contract in use on the network but it also highlighted concerns over Ethereum's scalability due to the game's substantial consumption of network capacity at the time.
In January 2018, a community-driven paper (an EIP, "Ethereum Improvement Proposal") under the leadership of civic hacker and lead author William Entriken was published, called ERC-721: Non-Fungible Token Standard. It introduced ERC-721, the first official NFT standard on Ethereum. This standardization allowed Ethereum to become central to a multi-billion dollar digital collectibles market.
Continued developments
By January 2018, ether was the second-largest cryptocurrency in terms of market capitalization, behind bitcoin. As of 2021, it maintained that relative position.
In 2019, Ethereum Foundation employee Virgil Griffith was arrested by the US government for presenting at a blockchain conference in North Korea. He would later plead guilty to one count of conspiring to violate the International Emergency Economic Powers Act in 2021.
In March 2021, Visa Inc. announced that it began settling stablecoin transactions using Ethereum. In April 2021, JP Morgan Chase, UBS, and MasterCard announced that they were investing US$65 million into ConsenSys, a software development firm that builds Ethereum-related infrastructure.
There were two network upgrades in 2021. The first was "Berlin", implemented on 14 April 2021. The second was "London", which took effect on 5 August. The London upgrade included Ethereum Improvement Proposal ("EIP") 1559, a mechanism for reducing transaction fee volatility. The mechanism causes a portion of the ether paid in transaction fees for each block to be destroyed rather than given to the block proposer, reducing the inflation rate of ether and potentially resulting in periods of deflation.
On 27 August 2021, the blockchain experienced a brief fork that was the result of clients running different incompatible software versions.
Ethereum 2.0
Ethereum 2.0 (Eth2) was a set of three or more upgrades, also known as "phases", meant to transition the network's consensus mechanism to proof-of-stake, and to scale the network's transaction throughput with execution sharding and an improved EVM architecture.
The switch from proof-of-work to proof-of-stake on 15 September 2022 has cut Ethereum's energy usage by 99%. This upgrade, known as "The Merge", was the first phase in the series of upgrades. However, the impact this has on global energy consumption and climate change may be limited since the computers previously used for mining ether may be used to mine other cryptocurrencies that are energy-intensive.
On March 13, 2024 the second phase known as "Dencun" or also "Deneb-Cancun" upgrade went live. This upgrade lowered the transaction fees on the many Layer 2 networks built on top of the base Ethereum blockchain.
Design
Overview
Ethereum is a peer-to-peer network that maintains a database containing the storage values of all Ethereum accounts and processes state-altering transactions. Approximately every 12 seconds, a batch of new transactions, known as a "block", is processed by the network. Each block contains a cryptographic hash identifying the series of blocks that must precede it if the block is to be considered valid. This series of blocks is known as the blockchain.
Each "node" (network participant) connects with a relatively small subset of the network to offer blocks and unvalidated transactions (i.e. transactions not yet in the blockchain) to its peers for download, and it downloads any of these from its peers that it doesn't already have. Each node usually has a unique set of peers, so that offering an item to its peers results in the propagation of that item throughout the entire network within seconds. A node's collection of unvalidated transactions is known as its "mempool".
A node may choose to create a copy of the state for itself. It does this by starting with the genesis state and executing every transaction in the blockchain, in the proper order of blocks and in the order they are listed within each block.
Any Ethereum account may "stake" (deposit) 32 ETH to become a validator. At the end of each "epoch" (32 block slots, each slot lasting 12 seconds), each validator is pseudorandomly assigned to one of the slots of the epoch after the next, either as the block proposer or as an attester. During a slot, the block proposer uses their mempool to create a block that is intended to become the new "head" (latest block) of the blockchain, and the attesters attest to which block is at the head of the chain. If a validator makes self-contradicting proposals or attestations, or if it is inactive, it loses a portion of its stake. It may add to its stake at any time. A validator's attestation is given a weight equal to its stake or 32, whichever is less. According to the Ethereum protocol, the blockchain with the highest accumulated weight of attestations at any given time is to be regarded as the canonical chain. Validators are rewarded for making valid proposals and attestations. A validator's rewards are paid via transactions within the same chain that contains their proposal or attestation, and therefore would have little or no market value unless that chain becomes the canonical chain. This incentivizes validators to support the chain that they think other validators view as the canonical chain, which results in a high degree of consensus.
Ether
Ether (ETH) is the cryptocurrency generated in accordance with the Ethereum protocol as a reward to validators in a proof-of-stake system for adding blocks to the blockchain. Ether is represented in the state as an unsigned integer associated with each account, this being the account's ETH balance denominated in wei (1018 wei = 1 ether). At the end of each epoch, new ETH is generated by the addition of protocol-specified amounts to the balances of all validators for that epoch, with the block proposers receiving the largest portion. Additionally, ether is the only currency accepted by the protocol as payment for the transaction fee. The transaction fee is composed of two parts: the base fee and the tip. The base fee is "burned" (deleted from existence) and the tip goes to the block proposer. The validator reward together with the tips provide the incentive to validators to keep the blockchain growing (i.e. to keep processing new transactions). Therefore, ETH is fundamental to the operation of the network. Ether may be "sent" from one account to another via a transaction, the execution of which simply entails subtracting the amount to be sent from the sender's balance and adding the same amount to the recipient's balance.
Ether is often erroneously referred to as "Ethereum".
The uppercase Greek letter Xi, Ξ, is sometimes used as a currency symbol for ether.
Accounts
There are two types of accounts on Ethereum: user accounts (also known as externally-owned accounts), and contract accounts. Both types have an ETH balance, may transfer ETH to any account, may execute the code of another contract, or create a new contract, and are identified on the blockchain and in the state by an account address.
Contracts are the only type of account that has associated bytecode and storage (to store contract-specific state). The code of a contract is evaluated when a transaction is sent to it. The code of the contract may read user-specified data from the transaction, and may have a return value. In addition to control flow statements, the bytecode may include instructions to send ETH, read from and write to the contract's storage, create temporary storage (memory) that vanishes at the end of code evaluation, perform arithmetic and hashing operations, send transactions to other contracts (thus executing their code), create new contracts, and query information about the current transaction or the blockchain.
Addresses
Ethereum addresses are composed of the prefix "0x" (a common identifier for hexadecimal) concatenated with the rightmost 20 bytes of the Keccak-256 hash of the ECDSA public key (the curve used is the so-called secp256k1). In hexadecimal, two digits represent a byte, and so addresses contain 40 hexadecimal digits after the "0x", e.g. 0xb794f5ea0ba39494ce839613fffba74279579268. Contract addresses are in the same format, however, they are determined by sender and creation transaction nonce.
Virtual machine
The Ethereum Virtual Machine (EVM) is the runtime environment for transaction execution in Ethereum. The EVM is a stack based virtual machine with an instruction set specifically designed for Ethereum. The instruction set includes, among other things, stack operations, memory operations, and operations to inspect the current execution context, such as remaining gas, information about the current block, and the current transaction. The EVM is designed to be deterministic on a wide variety of hardware and operating systems, so that given a pre-transaction state and a transaction, each node produces the same post-transaction state, thereby enabling network consensus. The formal definition of the EVM is specified in the Ethereum Yellow Paper. EVMs have been implemented in C++, C#, Go, Haskell, Java, JavaScript, Python, Ruby, Rust, Elixir, Erlang, and soon WebAssembly.
Gas
Gas is a unit of account within the EVM used in the calculation of the transaction fee, which is the amount of ETH a transaction's sender must pay to the network to have the transaction included in the blockchain. Each type of operation which may be performed by the EVM is hardcoded with a certain gas cost, which is intended to be roughly proportional to the monetary value of the resources (e.g. computation and storage) a node must expend or dedicate to perform that operation.
When a sender is creating a transaction, the sender must specify a gas limit and gas price. The gas limit is the maximum amount of gas the sender is willing to use in the transaction, and the gas price is the amount of ETH the sender wishes to pay to the network per unit of gas used. A transaction may only be included in the blockchain at a block slot that has a base gas price less than or equal to the transaction's gas price. The portion of the gas price that is in excess of the base gas price is known as the tip and goes to the block proposer; the higher the tip, the more incentive a block proposer has to include the transaction in their block, and thus the quicker the transaction will be included in the blockchain. The sender buys the full amount of gas (i.e. their ETH balance is debited gas limit × gas price and their gas balance is set to gas limit) up-front, at the start of the execution of the transaction, and is refunded at the end for any unused gas. If at any point the transaction does not have enough gas to perform the next operation, the transaction is reverted but the sender is still only refunded for the unused gas. In user interfaces, gas prices are typically denominated in gigawei (Gwei), a subunit of ETH equal to 10−9 ETH.
Applications
The EVM's instruction set is Turing-complete. Popular uses of Ethereum have included the creation of fungible (ERC-20) and non-fungible (ERC-721) tokens with a variety of properties, crowdfunding (e.g. initial coin offerings), decentralized finance, decentralized exchanges, decentralized autonomous organizations (DAOs), games, prediction markets, and gambling.
Contract source code
Ethereum's smart contracts are written in high-level programming languages and then compiled down to EVM bytecode and deployed to the Ethereum blockchain. They can be written in Solidity (a language library with similarities to C and JavaScript), Serpent (similar to Python, but deprecated), Yul (an intermediate language that can compile to various different backends—EVM 1.0, EVM 1.5, and eWASM are planned), LLL (a low-level Lisp-like language), and Mutan (Go-based, but deprecated). Source code and compiler information are usually published along with the launch of the contract so that users can see the code and verify that it compiles to the bytecode that is on-chain.
One issue related to using smart contracts on a public blockchain is that bugs, including security holes, are visible to all but cannot be fixed quickly. One example of this is the 2016 attack on The DAO, which could not be quickly stopped or reversed.
ERC-20 tokens
The ERC-20 (Ethereum Request-for-Comments #20) Token Standard allows for fungible tokens on the Ethereum blockchain. The standard, proposed by Fabian Vogelsteller in November 2015, implements an API for tokens within smart contracts. The standard provides functions that include the transfer of tokens from one account to another, getting the current token balance of an account, and getting the total supply of the token available on the network. Smart contracts that correctly implement ERC-20 processes are called ERC-20 Token Contracts, and they keep track of created tokens on Ethereum. Numerous cryptocurrencies have launched as ERC-20 tokens and have been distributed through initial coin offerings.
Non-fungible tokens (NFTs)
Ethereum also allows for the creation of unique and indivisible tokens, called non-fungible tokens (NFTs). Since tokens of this type are unique, they have been used to represent such things as collectibles, digital art, sports memorabilia, virtual real estate, and items within games. ERC-721 is the first official NFT standard for Ethereum and was followed up by ERC-1155 which introduced semi-fungibility, both are widely used, though some fully fungible tokens using ERC-20 have been used for NFTs such as CryptoPunks.
The first NFT project, Etheria, a 3D map of tradable and customizable hexagonal tiles, was deployed to the network in October 2015 and demonstrated live at DEVCON1 in November of that year. In 2021, Christie's sold a digital image with an NFT by Beeple for US$69.3 million, making him the third-most-valuable living artist in terms of auction prices at the time, although observers have noted that both the buyer and seller had a vested interest in driving demand for the artist's work.
Decentralized finance
Decentralized finance (DeFi) offers financial instruments in a decentralized architecture, outside of companies' and governments' control, such as money market funds which let users earn interest. DeFi applications are typically accessed through a Web3-enabled browser extension or application, such as MetaMask, which allows users to directly interact with the Ethereum blockchain through a website. Many of these DApps can connect and work together to create complex financial services.
Examples of DeFi platforms include MakerDAO. Uniswap, a decentralized exchange for tokens on Ethereum grew from US$20 million in liquidity to US$2.9 billion in 2020. As of October 2020, over US$11 billion was invested in various DeFi protocols. Additionally, through a process called "wrapping", certain DeFi protocols allow synthetic versions of various assets (such as bitcoin, gold, and oil) to be tradeable on Ethereum and also compatible with all of Ethereum's major wallets and applications.
Enterprise software
Ethereum-based software and networks, independent from the public Ethereum chain, have been tested by enterprise software companies. Interested parties have included Microsoft, IBM, JPMorgan Chase, Deloitte, R3, and Innovate UK (cross-border payments prototype). Barclays, UBS, Credit Suisse, Amazon, Visa, and other companies have also experimented with Ethereum.
Permissioned ledgers
Ethereum-based permissioned blockchain variants are used and being investigated for various projects:
In 2017, JPMorgan Chase proposed developing JPM Coin on a permissioned-variant of Ethereum blockchain dubbed "Quorum". It is "designed to toe the line between private and public in the realm of shuffling derivatives and payments. The idea is to satisfy regulators who need seamless access to financial goings-on while protecting the privacy of parties that don't wish to reveal their identities nor the details of their transactions to the general public."
Performance
As of January 2016, the Ethereum protocol could process about 25 transactions per second; this did not change after the move to proof-of-stake. In comparison, the Visa payment platform processes 45,000 payments per second. This has led some to question the scalability of Ethereum.
A proposal to partition global state and computation into shard chains was presented at Ethereum's Devcon 3 in November 2017. If implemented, each node in the network would only have to store and validate a subset of the network.
Ethereum's blockchain uses a Merkle-Patricia Tree to store account state in each block. The trie allows for storage savings, set membership proofs (called "Merkle proofs"), and light client synchronization. The network has faced congestion problems, such as in 2017 in relation to CryptoKitties.
Regulation
In the United States, the proposed Digital Commodities Consumer Protection Act would treat Ethereum and other cryptocurrencies as commodities, which could then be regulated by the Commodity Futures Trading Commission (CFTC).
Notes
References
External links
Official website |
Marvel_vs._Capcom | https://en.wikipedia.org/wiki/Marvel_vs._Capcom | [
240
] | [
"https://en.wikipedia.org/wiki/Marvel_vs._Capcom"
] | Marvel vs. Capcom is a series of crossover fighting games developed and published by Capcom, featuring characters from their own video game franchises and comic book series published by Marvel Comics. The series originated as coin-operated arcade games, though later releases would be specifically developed for home consoles, handhelds, and personal computers.
Its gameplay borrows heavily from Capcom's previous Marvel-licensed fighting games X-Men: Children of the Atom and Marvel Super Heroes; however, instead of focusing on single combat, the games incorporated tag team battles. Players form teams of two or three characters and, controlling one fighter at a time, attempt to damage and knock out their opponents. Players can switch out their characters during the match, allowing team members to replenish their health and prolong their ability to fight. The series' gameplay is also distinguished from other fighting game franchises due to its character assist mechanics and emphasis on aerial combat.
The Marvel vs. Capcom series has received generally positive reviews from critics, who have praised its fast-paced gameplay, vibrant visuals, and wealth of playable characters. The series has enjoyed broad appeal, especially in markets outside of Japan, selling approximately 11 million units as of 2023.
Games
Main Games
X-Men vs. Street Fighter was initially released as an arcade game in 1996. The game was later ported to the Sega Saturn in 1997 and PlayStation in 1998. It established the series' basic gameplay conventions by combining Street Fighter-style combat with tag team features. X-Men vs. Street Fighter also borrowed gameplay concepts from Capcom's previous Marvel Comics-licensed fighting games, X-Men: Children of the Atom and Marvel Super Heroes.
Marvel Super Heroes vs. Street Fighter was released in arcades in 1997. It was then ported to the Sega Saturn in 1998 and PlayStation in 1999. The game expanded the playable roster to the larger Marvel Universe, introducing characters such as Captain America, Hulk, and Spider-Man. It was also responsible for introducing character assist moves to the franchise, a gameplay element which would influence future Marvel vs. Capcom installments.
Marvel vs. Capcom: Clash of Super Heroes debuted in arcades in 1998. Ports to the Dreamcast and PlayStation soon followed in 1999. Rather than strictly using Street Fighter characters, the game included characters from other Capcom video game franchises, such as Mega Man, Morrigan, and Strider Hiryu. It removed the character assist feature used in Marvel Super Heroes vs. Street Fighter and implemented its own system, which randomly allocated guest characters to each player.
Marvel vs. Capcom 2: New Age of Heroes was released in arcades in 2000 and ported to the Dreamcast within the same year. The game received ports to the PlayStation 2 and Xbox in 2002. It was then re-released for the Xbox 360 and PlayStation 3 through the Xbox Live Arcade and PlayStation Network, respectively, in 2009. Lastly, a version for iOS devices was released in 2012. Featuring a large playable roster, Marvel vs. Capcom 2 reused the assist features from Marvel Super Heroes vs. Street Fighter and changed the series' two-on-two battle system to three-on-three fights.
Marvel vs. Capcom 3: Fate of Two Worlds was released for PlayStation 3 and Xbox 360 in 2011. The series' traditional sprites transitioned into 3D character models while retaining the 2D-style combat. The game includes various gameplay features designed to make it more accessible to newer players, such as the additions of a comeback mechanic and a more simplified control scheme.
Ultimate Marvel vs. Capcom 3, a standalone updated edition of the original Marvel vs. Capcom 3, was released for PlayStation 3, PlayStation Vita, and Xbox 360 in 2011. The game was also released for the PlayStation 4 via the PlayStation Network in 2016; releases for the Xbox One via the Xbox Live Arcade and Microsoft Windows via Steam followed in 2017. It features new characters, stages, modes, and other enhancements to improve game balance and online functionality.
Marvel vs. Capcom: Infinite was released in 2017 for PlayStation 4, Xbox One, and Microsoft Windows. It features two-on-two battles, similar to earlier Marvel vs. Capcom games, and removes traditional assist moves in favor of its own dual-character combo system. The game also implements a gameplay mechanic involving the Infinity Stones, which grants players unique abilities and upgrades depending on the type of stone selected. It is the first game to feature a cinematic story mode.
Compilations
Marvel vs. Capcom Origins, a compilation game which includes Marvel Super Heroes and Marvel vs. Capcom: Clash of Super Heroes, was released for the PlayStation 3 and Xbox 360 through the PlayStation Network and Xbox Live Arcade, respectively, in 2012. It features high-definition visuals, online multiplayer, dynamic challenges, and unlockables.
Marvel vs. Capcom Fighting Collection: Arcade Classics is a compilation comprising all seven Capcom-developed Marvel games originally released for arcades: The Punisher, X-Men: Children of the Atom, Marvel Super Heroes, X-Men vs. Street Fighter, Marvel Super Heroes vs. Street Fighter, Marvel vs. Capcom: Clash of Super Heroes, and Marvel vs. Capcom 2: New Age of Heroes. It released in 2024 for Nintendo Switch, PlayStation 4, and Microsoft Windows. An Xbox One version will launch in 2025.
Related media
In 2011, a series of Minimates based on the playable characters from Marvel vs. Capcom 3: Fate of Two Worlds were released by Art Asylum.
Udon Entertainment published Marvel vs. Capcom: Official Complete Works art book consisting of promotional artwork, sketches and bonus material from the video game collaborations between Marvel and Capcom, beginning with the 1993 arcade game The Punisher to Ultimate Marvel vs. Capcom 3. It contains contributions from a variety of artists and illustrators, including Akiman, Bengus, Shinkiro, Joe Madureira, Adi Granov, Joe Ng, Long Vo, Chamba, Adam Warren and Takeshi Miyazawa. Official Complete Works made its international debut at San Diego Comic-Con on July 11, 2012, in an exclusive hardcover edition. The hardcover also featured a wrap-around cover designed by Udon Entertainment and Capcom artist Alvin Lee, and digitally-painted by Udon's Genzoman. A standard-format softcover was released in November 2012 by Diamond Comics.
Within the Marvel Comics multiverse, the Marvel vs. Capcom universe is designated as "Earth-30847". The iteration of Spider-Man from the series made a cameo appearance in the second issue of the comics crossover event Spider-Verse (2014-15), where he is defeated by Morlun as he hunts all Spider-Totems across the multiverse.
Gameplay
The basic gameplay of the Marvel vs. Capcom series was originally derived from X-Men: Children of the Atom and Marvel Super Heroes. Players compete in battle using characters with unique moves and special attacks. Using a combination of joystick movements and button presses, players must execute various moves to damage their opponent and deplete their life gauge, or alternatively, have the most cumulative health when the timer runs out. However, unlike the two aforementioned games, which focus on single combat, the Marvel vs. Capcom series revolve around tag team-based combat. Instead of choosing a single character, players select multiple characters to form teams of two or three. Each character on the team is given their own life gauge. Players control one character at a time, while the others await off-screen. Players are also free to swap between their characters at any point during the match. As characters take damage, portions of their life gauge will turn red, known as "red health", which represents the amount of health that a character can recover if the player tags them out. The off-screen, dormant characters will slowly replenish their red health, allowing players to cycle through their team members and prolong their ability to fight. Furthermore, as characters deal and receive damage, a colored meter at the bottom of the screen known as the "Hyper Combo Gauge" will gradually fill. By expending meter from their Hyper Combo Gauge, players can perform "Hyper Combos" – powerful, cinematic attacks that deal heavy damage to the opponent – in addition to several other special techniques. If one character loses all of their health, they are knocked out and the next available fighter will automatically come into play.
Each successive Marvel vs. Capcom installment has added, removed, or altered gameplay elements over the course of the series' history. X-Men vs. Street Fighter added two-on-two tag team features. Marvel Super Heroes vs. Street Fighter introduced the concept of the "assist" by allowing the player to summon their off-screen partner to perform a special move without switching characters. This feature was replaced in Marvel vs. Capcom: Clash of Super Heroes, which instead randomly allocated an unplayable guest character with a preset assist move before each match; in addition, assists were limited to only a few uses per round. The assist features from Marvel Super Heroes vs. Street Fighter were re-incorporated into the following sequel, Marvel vs. Capcom 2: New Age of Heroes, once again granting players the ability to call in their off-screen characters at any time during the match without constraint. Marvel vs. Capcom 2 also increased the number of characters per team by one, providing a three-on-three battle format. Marvel vs. Capcom 3: Fate of Two Worlds introduced "X-Factor", a comeback mechanic which offers increased damage, speed, and red health regeneration for a limited time upon activation. Marvel vs. Capcom: Infinite reverts to two-on-two partner battles and removes traditional character assists, in favour of a free-form tag system where the second character switches in at any point, irrespective of whether the player is mid-combo or in air. Infinite also implements the Infinity Stones as a gameplay mechanic, where each of the six stones grants unique abilities and enhancements to the player.
Another gameplay element that helps to distinguish the Marvel vs. Capcom series from other fighting game franchises is its emphasis on aerial combat. Every character in the Marvel vs. Capcom series is given a "Launcher" move, which sends the opponent flying up into the air. The player can then choose to follow up immediately by using a "Super Jump", which allows a character to jump much higher than normal, in order to continue their combo; these airborne combos are called "Air Combos" or "Aerial Raves". Marvel vs. Capcom 3 introduced a gameplay feature known as the "Team Aerial Combo" or "Aerial Exchange", giving players the opportunity to extend their Air Combos further by quickly tagging in their other characters while mid-air.
As Capcom's design philosophy for the series has changed to appeal to a wider audience, the control scheme has been repeatedly modified to accommodate people less familiar with the fighting game genre. The first three installments utilized the same layout of six attack buttons, separated as three pairs of light, medium, and hard punches and kicks. In Marvel vs. Capcom 2, in order to make the game more accessible, the layout was tweaked to four attack buttons, consisting of two pairs of light and heavy punches and kicks, and two dedicated assist buttons. The control scheme was further simplified with the release of Marvel vs. Capcom 3, which included three attack buttons designated to undefined light, medium, and hard attacks, two assist buttons, and an "exchange button" used to perform Launchers and switch between characters during Air Combos. In addition, Marvel vs. Capcom 3 included two different control scheme options: Normal Mode and Simple Mode. Simple Mode, designed for casual players, allows players to perform special moves and Hyper Combos with single button presses at the expense of limiting a character's available moveset. Though Marvel vs. Capcom: Infinite returned to a control scheme similar to Marvel vs. Capcom 2 ― with four attack buttons, one dedicated button for character tagging, and another for activating Infinity Stone abilities ― it introduced a new "auto-combo" system to improve accessibility that allows players to repeatedly mash the light punch input to automatically execute ground and air combos without any damage penalty.
Characters
Marvel vs. Capcom has featured over 100 playable fighters, primarily drawn from comic book series published by Marvel Comics and video games franchises developed and produced by Capcom. The games have introduced a few original characters, which include Norimaro from Marvel Super Heroes vs. Street Fighter, and Amingo, Ruby Heart, and SonSon from Marvel vs. Capcom 2: New Age of Heroes. In addition to the playable cast, other characters from the Marvel and Capcom universes make appearances in the games in varying capacities. Both Marvel Super Heroes vs. Street Fighter and Marvel vs. Capcom: Clash of Super Heroes include secret characters which can be played by inputting specific sequences of joystick movements on the character select screen. These secret characters consist of palette swaps of existing fighters with different moveset properties. Clash of Super Heroes also has unplayable summon characters as part of its "Guest Character/Special Partner" assist system.
Many Marvel vs. Capcom installments also allow players to fight as the games' boss characters in special game modes, with the exception of Abyss from Marvel vs. Capcom 2. Characters that have not been playable frequently make cameo appearances in the games' cutscenes and stage backgrounds. Lastly, numerous non-playable Marvel and Capcom characters are featured as "Ability Cards" in the Heroes and Heralds game mode in Ultimate Marvel vs. Capcom 3. Out of all the playable characters, Ryu and Chun-Li are the only ones to have appeared in every game released thus far.
Notes
History
Capcom's partnership with Marvel Comics began in 1993 with the release of The Punisher, an arcade beat 'em up based on the comic book series of the same name. Capcom then created their first Marvel-licensed fighting game, X-Men: Children of the Atom, in 1994. Marvel Super Heroes soon followed in 1995. Many of the gameplay mechanics used in the Marvel vs. Capcom series were first developed and refined in these two fighting games, serving as precursors to the series. In 2011, then-current Capcom USA Strategic Marketing Director of Online and Community Seth Killian stated that many fighting game aficionados, including himself, consider them to have laid the foundation for the series.
The idea for implementing tag teams was allegedly inspired by an easter egg from Capcom's own 1995 fighting game Street Fighter Alpha: Warriors' Dreams. In a secret "Dramatic Battle" mode, two players, controlling Ryu and Ken, were able to fight against an AI-controlled M. Bison at the same time. The easter egg itself had drawn inspiration from the final battle sequence of Street Fighter II: The Animated Movie, which featured a similar fight scene. Recognizing the uniqueness of a team-up concept, Capcom began to work on their next project. After their earlier licensing ventures with Children of the Atom and Marvel Super Heroes, the company decided to combine Marvel's X-Men franchise, their own Street Fighter franchise, and their team-up concept, leading to the creation of X-Men vs. Street Fighter. The game debuted in Japanese arcades in 1996, establishing the series' fast-paced, tag team-based gameplay style.
Marvel Super Heroes vs. Street Fighter was then released in 1997, which replaced most of the X-Men cast with other heroes from the Marvel Universe and introduced the character assist mechanic. Marvel vs. Capcom: Clash of Super Heroes later followed in 1998, exchanging the majority of the Street Fighter cast with characters from other Capcom video games series, such as Mega Man and Darkstalkers. In 1999, Capcom announced the development of yet another sequel, called Marvel vs. Capcom 2: New Age of Heroes. Marvel vs. Capcom 2 heavily re-used assets from previous Capcom-developed games, including Street Fighter Alpha, Darkstalkers, and the earlier Marvel vs. Capcom titles, resulting in a large roster of 56 playable characters. Shortly after the release of the PlayStation 2 and Xbox ports for Marvel vs. Capcom 2, Capcom lost the use of the Marvel license, putting the series on an indefinite hiatus. However, with the resurgence of 2D fighting games in 2008, owing to the success of Street Fighter IV, Marvel requested Capcom to collaborate with them once again. Capcom would announce the development of the next installment in the Marvel vs. Capcom series, Marvel vs. Capcom 3: Fate of Two Worlds, in 2010. The game was eventually released in 2011. An updated version of Marvel vs. Capcom 3, titled Ultimate Marvel vs. Capcom 3, was released later in the same year. The high-definition compilation game Marvel vs. Capcom Origins was then released in 2012.
Following the release of Ultimate Marvel vs. Capcom 3 for the PlayStation Vita in 2012, Marvel's new parent company, The Walt Disney Company, which acquired Marvel in 2009, chose not to renew Capcom's license with the Marvel characters, instead opting to put them in its own self-published Disney Infinity series. As a result, Capcom had to pull both Ultimate Marvel vs. Capcom 3 and Marvel vs. Capcom 2 off their online platforms in 2013. However, in 2016, Disney announced its decision to cancel the Disney Infinity series, discontinue self-publishing efforts, and switch to a licensing-only model, allowing them to license their characters to third-party game developers, including Capcom. Marvel vs. Capcom: Infinite was revealed in 2016, and then released in 2017.
In June 2024, Capcom announced Marvel vs. Capcom Fighting Collection: Arcade Classics for Nintendo Switch, PlayStation 4 and Windows. The compilation features the seven Marvel titles developed and published by Capcom for arcades from The Punisher through Marvel vs. Capcom 2: New Age of Heroes. It notably marks the series' debut on Nintendo platforms, the first time the classic entries have been made available on PC, as well as the first general re-releases for Marvel Super Heroes, Clash of Super Heroes and New Age of Heroes since the original Origins compilation and the remaster of Marvel vs. Capcom 2 were digitally delisted from seventh generation console storefronts.
Future
Following the announcement of Marvel vs. Capcom Fighting Collection: Arcade Classics, the reveal led to some speculation from fans about a potential revival of the series. The term Marvel vs. Capcom 4 was referenced in Cody Ziglar’s Deadpool (2024) issue #4. In July 2024, Capcom producer Shuhei Matsumoto stated in an interview that the development team has "big dreams" to make more Marvel crossover games and that there might be an opportunity for a potential installment in the series. In September 2024, Matsumoto later expressed interest in making a new entry for the series to happen.
Reception
The Marvel vs. Capcom series has received reviews ranging from average to positive from critics. According to Capcom President and COO Haruhiro Tsujimoto, the games have enjoyed broad appeal, especially in markets outside of Japan. As of December 2023, 11 million units of the series have been sold.
The series' first three titles, X-Men vs. Street Fighter, Marvel Super Heroes vs. Street Fighter, and Marvel vs. Capcom: Clash of Super Heroes, received praise for their frantic gameplay style, visual flair, playable character rosters, and the quality of their sprite animations. The games' Dreamcast and Sega Saturn ports were also lauded for their technical performance, matching the capabilities of the arcade versions. Conversely, the PlayStation ports were criticized for their removal of tag team battles and noticeable decline in frame rate and animation quality – changes which stemmed from the console's RAM limitations.
Marvel vs. Capcom 2: New Age of Heroes received similar praise, with particular attention given towards the large cast and the addition of three-on-three combat. The Dreamcast, PlayStation 2, and Xbox versions were criticized for their lack of online multiplayer support outside Japan. These concerns were addressed with the release of the PlayStation 3 and Xbox 360 ports, which reviewers commended for their smooth online experience. A common source of complaints was the game's jazz-inspired soundtrack, which critics deemed as out of place.
In addition to its character variety and visual presentation, Marvel vs. Capcom 3: Fate of Two Worlds garnered praise for simplifying the series' combat mechanics and control scheme, thus making it more accessible for players new to fighting games. Ultimate Marvel vs. Capcom was applauded for its additions to the character roster, gameplay tweaks, and improved online functionality. Both games, however, were criticized for their lack of game modes and single-player content. Marvel vs. Capcom Origins was praised for preserving the original arcade releases' integrity and its addition of online multiplayer, dynamic challenges, and unlockable content; however, in remaining faithful to the arcade versions, some reviewers criticized the games for their outdated gameplay and unbalanced fighters. Marvel vs. Capcom: Infinite received mixed to positive reviews, with critics praising its implementation of new gameplay mechanics, such as the "Active Switch" combo system and the addition of the six Infinity Stones. On the other hand, the game was criticized for its presentation, particularly its art direction, and its character roster.
In 2012, Complex ranked Marvel vs. Capcom at number 37 on the list of the best video game franchises, commenting that "a frenetic pace and over the top effects work together to make this franchise stand the test of time".
Notes
References
External links
Marvel vs. Capcom at the Killer List of Videogames - Arcade version |
Ultimate_Marvel_vs._Capcom_3 | https://en.wikipedia.org/wiki/Ultimate_Marvel_vs._Capcom_3 | [
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"https://en.wikipedia.org/wiki/Ultimate_Marvel_vs._Capcom_3"
] | Ultimate Marvel vs. Capcom 3 is a crossover fighting game developed by Capcom in collaboration with Eighting. It is an updated version of Marvel vs. Capcom 3: Fate of Two Worlds. The game features characters from both Capcom's video game franchises and comic book series published by Marvel Comics. The game was released in November 2011 for the PlayStation 3 and Xbox 360, and was featured as a launch title for the PlayStation Vita in 2012. The game was later ported to PlayStation 4 in December 2016, and Windows and Xbox One in March 2017.
In Ultimate Marvel vs. Capcom 3, players select a team of three characters to engage in combat and attempt to knock out their opponents. As an update, the game utilizes largely identical gameplay mechanics to the original. However, both the aerial combat and X-Factor systems, introduced in Fate of Two Worlds, have received adjustments. In addition to gameplay modifications and new playable characters, the game features several aesthetic changes.
After the events of the 2011 Tōhoku earthquake and tsunami disrupted the development schedule for downloadable content for Fate of Two Worlds, the additional content was created into a standalone title, Ultimate Marvel vs. Capcom 3, for a discounted retail price. The game received generally positive reviews upon release; critics praised the expanded character roster and improved online experience, but criticized the lack of new features and game modes. A sequel, titled Marvel vs. Capcom: Infinite, was released in September 2017.
Gameplay
Ultimate Marvel vs. Capcom 3 is an updated version of Marvel vs. Capcom 3: Fate of Two Worlds, an arcade-style fighting game, and changes little from the basic gameplay of the original. Players select teams of three different characters to engage in one-on-one combat. The game utilizes the same tag team-based fighting mechanics as its predecessors; players may choose to swap between their characters at any point during a match. Players must use the various attacks in their arsenal, such as character assists, special moves, and hyper combos, to exhaust their opponent's life gauge and defeat the entire enemy team, or have the most cumulative health when time runs out. While the core mechanics remain the same, a number of aesthetic changes have been made in Ultimate Marvel vs. Capcom 3, with a stronger emphasis on the comic book motif. The HUD, character selection, and stage selection screens have been redesigned. In addition, many returning characters receive balancing changes, which include new moves and animation tweaks.
Ultimate Marvel vs. Capcom 3 uses the same simplified, three-button control scheme of undefined light, medium, and heavy attacks introduced in Fate of Two Worlds. The "exchange button", used to launch opponents into the air and switch between characters while performing air combos, returns. The aerial exchange feature has been altered in Ultimate Marvel vs. Capcom 3; players can either remove meter from their opponent's Hyper Combo gauge, add meter to their own gauge, or simply deal more damage. The "X-Factor" mechanic, which grants increased damage output, speed, and health regeneration for a limited time, also reappears from Fate of Two Worlds. In Ultimate Marvel vs. Capcom 3, the attack and speed boosts for each character while using X-Factor have been adjusted. X-Factor can now be used while in the air, as opposed to the previous game, in which activation was restricted to characters on the ground.
Modes
Ultimate Marvel vs. Capcom 3 includes several game modes from the original, including Arcade Mode, where the player fights against AI-controlled opponents to reach the final boss character, Galactus; Versus Mode, where two players engage in combat; Mission Mode, which includes a series of trials for each playable character; and Training Mode. "Heroes and Heralds" is a free downloadable single-player and multiplayer team-based mode where players earn new abilities with upgrade cards, customize their characters with new powers, and compete in factions as either the heroes defending Earth or as one of Galactus' Heralds. The "ability cards", which feature various characters from the Marvel and Capcom universes, unlock special power-ups, such as invisibility and projectile invincibility, for use during mode-specific combat. Up to three different cards may be equipped at once, with more than 100 cards available to collect. A new offline mode, called "Galactus Mode", allows players to fight as Galactus against AI-controlled opponents.
An optimized netcode is present in the game, providing smoother online play compared to Fate of Two Worlds. A new spectator mode allows up to six players to watch online matches between other players. Rematch features and leaderboard functionality have also been improved to enhance the game's online experience.
Playable characters
Ultimate Marvel vs. Capcom 3 features the original 36 characters from Marvel vs. Capcom 3: Fate of Two Worlds and introduces 12 new playable fighters. Jill Valentine and Shuma-Gorath, the two characters released as downloadable content (DLC) for the previous game, remained available for download, up until all DLC for the game was removed from online stores in December 2013; they are included in the PlayStation 4, Xbox One, and PC re-releases. Characters added to Ultimate are marked in bold.
Marvel characters
Capcom characters
Development
On July 20, 2011, at San Diego Comic-Con, Capcom announced that an updated version of Marvel vs. Capcom 3: Fate of Two Worlds was under development. The update, titled Ultimate Marvel vs. Capcom 3, would add new characters, stages, modes, and other enhancements to improve the game's balance and online functionality. According to Capcom, many new features and refinements, such as the addition of a spectator mode and tweaks to X-Factor, were the results of fan feedback. At the 2011 Tokyo Game Show, Capcom video game producer, Yoshinori Ono, would later announce that the game would also be released as a launch title for the PlayStation Vita. The handheld edition promised to contain the same content as the console versions, in addition to touchscreen control support.
After the release of Marvel vs. Capcom 3: Fate of Two Worlds, the game's development team had plans to release more downloadable content. However, after the 2011 Tōhoku earthquake and tsunami, in addition to staff health issues, delayed the development schedule, producer Ryota Niitsuma and his team decided to release the proposed DLC, along with rebalanced gameplay and other additions, as a separate installment. As a result, the makeup of Ultimate Marvel vs. Capcom 3 is split "about half and half" between DLC meant for Fate of Two Worlds and brand new content.
Character selection was a collaborative process between Capcom and Marvel. According to Seth Killian, a former community manager for Capcom, Marvel presented a list of their own characters that they were interested in seeing in Ultimate Marvel vs. Capcom 3. Capcom then provided input regarding moveset possibilities in order to reach a consensus. Each company also had their own set of interests and priorities. Marvel characters, such as Rocket Raccoon and Nova, were chosen to cross-promote upcoming products. On the other hand, Capcom sought to bring more diversity into the cast. For example, Capcom wanted a monster-like character that could fight while in the air, leading to the inclusion of Firebrand.
Release
Ultimate Marvel vs. Capcom 3 was released for the PlayStation 3 and Xbox 360 on November 15, 2011, in North America, November 17 in Japan, and November 18 in Europe. The PlayStation Vita version was released on December 17, 2011, in Japan, and February 22, 2012, in North America and Europe. People who ordered the PlayStation Vita "First Edition" bundle in North America were able to receive an early copy of Ultimate Marvel vs. Capcom 3 on February 15, 2012, one week ahead of the console's official launch date.
To promote Ultimate Marvel vs. Capcom 3, special retailer-exclusive costume packs were available as pre-order bonuses. If the game was pre-ordered from GameStop, the players received the Femme Fatale Pack (Chun-Li, Morrigan, Storm, X-23). Amazon offered the New Age of Heroes Costume Pack (Akuma, Doctor Doom, Sentinel, Strider Hiryu), while Best Buy gave access to the Villains Costume Pack (C. Viper, M.O.D.O.K., Super-Skrull, Wesker). After the game's launch, several other costume packs became available for purchase on specific dates through the Xbox Live Marketplace and PlayStation Network. The Ancient Warriors Costume Pack, consisting of Arthur, Firebrand, Hulk, and Magneto, was originally planned to be released on December 20, 2011, but, on December 19, Capcom announced that the pack would be delayed until March 6 following year, due to existing controversy with Magneto's alternate costume. The costume in question, which was based on Magneto's appearance in Marvel's House of M series, bore similarities to the attire of the King of Spain, Juan Carlos I, and was later removed from the pack.
Prior to the release of Ultimate Marvel vs. Capcom 3, both Capcom and Marvel announced that the game would include reversible packaging. The front cover art featured the work of Capcom illustrator Shinkiro, while the reverse side featured the art of Marvel Comics' Mark Brooks. Brook's alternate cover featured all twelve of the game's new characters in his own comic book style. Both pieces of art were printed on a single reversible cover for the entire first run of Ultimate Marvel vs. Capcom 3 in North America.
On December 13, 2013, Capcom announced that digital versions of Ultimate Marvel vs. Capcom 3 and its DLC would be removed from online platforms towards the end of the month, following the apparent expiration of Capcom's licensing contracts with Marvel Comics. The game was pulled from the PlayStation Network on December 17 and 19 in North America and Europe, respectively, and from the Xbox Live Arcade on December 26.
Later, on December 3, 2016, Ultimate Marvel vs. Capcom 3 was re-released digitally for the PlayStation 4, coinciding with the announcement of Marvel vs. Capcom: Infinite; digital re-releases for Windows and Xbox One were released on March 7, 2017. These versions included all previously released downloadable content, including Jill Valentine and Shuma-Gorath, a new gallery mode containing artwork from Marvel vs. Capcom: Official Complete Works, and an improved 1080p resolution at 60 frames per second. Physical copies of the PlayStation 4 and Xbox One versions were made available for a limited time through GameStop and EB Games. The physical editions included updated cover art and a 10-page comic book featuring the artwork of Marvel Comics' Sean Chen and Gerardo Sandoval.
Reception
Ultimate Marvel vs. Capcom 3 was released to generally favorable reviews, garnering scores of 80/100 and 79/100 from Metacritic for the PlayStation 3 and Xbox 360 versions, respectively. The PlayStation Vita version received a score of 80/100 from Metacritic.
The game received praise for addressing several gameplay issues prevalent in Marvel vs. Capcom 3: Fate of Two Worlds and refining the online experience. Daniel Maniago of G4 praised the game for its "simple, yet deep gameplay", character roster, and improved online features. 1UP.com's Neidel Crisan cited the game as a major improvement over the original. GameSpot's Maxwell McGee stated that Ultimate Marvel vs. Capcom 3 was unquestionably the superior version, highlighting the series' "unique blend of structured insanity".
A common criticism amongst reviewers for Ultimate Marvel vs. Capcom 3 was the lack of additional on-disc content beyond the expanded character roster and gameplay tweaks. While IGN's Steven Hopper praised the inclusion of new characters, he criticized the lack of new features and modes. As a result, he stated that the game's US$40 price tag was "a little hard to swallow". Tim Turi of Game Informer stated that while hardcore fans would appreciate Capcom's balancing tweaks, casual fans who already played Fate of Two Worlds and were only interested in new characters would "likely be left wanting".
Reviewers praised the PlayStation Vita version for its technical performance, despite hardware constraints, and for providing the full console version experience on a portable system. Hopper complimented the graphics, stating that the Vita port matched the visual fidelity of the console versions. Martin Robinson of Eurogamer claimed Ultimate Marvel vs. Capcom 3 was one of the Vita's "finer-looking launch games", praising its detail and faithfulness to the original. However, he criticized the addition of touchscreen controls, stating its implementation fell short of the mark laid down by Super Street Fighter IV: 3D Edition.
During the 15th Annual Interactive Achievement Awards, the Academy of Interactive Arts & Sciences nominated Ultimate Marvel vs. Capcom 3 for "Fighting Game of the Year", but lost to Mortal Kombat.
Ultimate Marvel vs. Capcom 3 reached number 19 in the United Kingdom PlayStation 3 sales chart and number 24 for the Xbox 360. The game sold approximately 600,000 units worldwide for the PlayStation 3 and Xbox 360 during the first two months of its release. By March 2015, the game had sold 1.20 million units for the PS3 and Xbox 360. As of March 2024, it has sold 3 million units across the PS3, Xbox 360, PS4, PC, and Xbox One.
Sequel
Following the release of Ultimate Marvel vs. Capcom 3 for the PlayStation Vita in 2012, Marvel's new parent company, The Walt Disney Company, which acquired Marvel in 2009, chose not to renew Capcom's license with the Marvel characters, instead opting to put them in its own self-published Disney Infinity series. As a result, Capcom had to pull both Ultimate Marvel vs. Capcom 3 and Marvel vs. Capcom 2: New Age of Heroes off Xbox Live Arcade and the PlayStation Network in 2013. However, in 2016, Disney decided to cancel its Disney Infinity series, discontinue self-publishing efforts, and switch to a licensing-only model, allowing them to license their characters to third-party game developers, including Capcom. On December 3 that year Marvel vs. Capcom: Infinite was officially unveiled during Sony's PlayStation Experience event. The game was released on September 19, 2017, for PlayStation 4, Windows, and Xbox One.
Notes
References
External links
Official Japanese Ultimate Marvel vs. Capcom 3 website Archived 2012-02-29 at the Wayback Machine (in Japanese)
Official US Ultimate Marvel vs. Capcom 3 website
Ultimate Marvel vs. Capcom 3 at MobyGames |
Jill_Valentine | https://en.wikipedia.org/wiki/Jill_Valentine | [
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"https://en.wikipedia.org/wiki/Jill_Valentine"
] | Jill Valentine is a character in Resident Evil (Biohazard in Japan), a survival horror video game series created by the Japanese company Capcom. She was introduced as one of the two player characters in the original Resident Evil (1996), alongside her partner Chris Redfield, as a member of the Raccoon City Police Department's Special Tactics And Rescue Service (S.T.A.R.S.) unit. Jill and Chris fight against the Umbrella Corporation, a pharmaceutical company whose bioterrorism creates zombies and other bio-organic weapons, and later become founding members of the United Nations' Bioterrorism Security Assessment Alliance (BSAA).
Jill is the protagonist of several Resident Evil games, novelizations, films, and has also appeared in other game franchises including Marvel vs. Capcom, Project X Zone, Teppen, and Dead by Daylight. In later games, such as the 2002 Resident Evil remake, The Umbrella Chronicles (2007), Resident Evil 5 (2009), and The Mercenaries 3D (2011), her features were based on Canadian model and actress Julia Voth. Several actresses have portrayed Jill, including Sienna Guillory and Hannah John-Kamen in the live-action Resident Evil films.
Video game publications described Jill as among the most popular and iconic video game characters, and praised her as the most likable and consistent Resident Evil character. She has received both acclaim and criticism with regard to gender representation in video games. Several publications praised the series for its portrayal of women and considered Jill significantly less sexualized than other female game characters; she was also cited as an example of a female character who was as competent and skilled as her male counterparts. Others argued she was weakened as a protagonist by attributes that undermined her role as a heroine, specifically an unrealistic body shape that did not reflect her military background; some of her overtly sexualized costumes have also been criticized.
Concept and design
Jill was introduced as one of two playable protagonists, alongside her partner Chris Redfield, in Capcom's 1996 survival horror video game Resident Evil. She was created by director Shinji Mikami and designer Isao Ohishi. To avoid the sexual objectification of women in video games, Mikami refused to eroticize or portray women as submissive in Resident Evil; instead, Jill was characterized as independent.
Of Japanese and French descent, Jill excelled at bomb disposal during her training with Delta Force, and later joined the Special Tactics and Rescue Service (S.T.A.R.S.) special operations unit. Experienced with weapons, explosives material, and lock picking, she was intelligent, brave, and loyal. Although their storylines progress toward "the same general direction", the gameplay differs for Jill and Chris; her inventory is larger, and she has a lock pick, giving her early access to more health and ammunition. Based on these differences, Jill was recommended to first-time players of Resident Evil. Resident Evil game designer Jun Takeuchi gave each character a unique clothing style to make them instantly recognisable, with Jill's character being given a distinct blue beret.
According to digital media scholar Esther MacCallum-Stewart, Mikami's female characters possess unique qualities making them viable choices for players to select over their male counterparts, and said their combat attire helped them avoid criticism of adhering to the male gaze. Mikami explained: "I don't know if I've put more emphasis on women characters, but when I do introduce them, it is never as objects. In [other] games, they will be peripheral characters with ridiculous breast physics. I avoid that sort of obvious eroticism." Despite this, subsequent games in the series not directed by Mikami depicted her wearing revealing costumes. Media scholars said players have been intentionally encouraged to both objectify and identify with the character. Several commentators suggested that Mikami's initial portrayal of Jill as a military professional tempered the ability of subsequent game directors to overtly sexualize the character.
Jill continued to be redesigned over the course of the series. In the 2002 remake of the original game, her appearance was based on Canadian model and actress Julia Voth. Capcom producer Hiroyuki Kobayashi said they made her more kawaii in the remake, but also kept her tough and muscular. Voth's likeness was reused for Resident Evil: The Umbrella Chronicles (2007) and Resident Evil 5 (2009). Resident Evil 5 features Chris as a protagonist; designers opted to focus on how both characters had aged since the original game. Jill underwent another redesign for Resident Evil 5 to reflect her status as a test subject in biological research experiments. Depicted with blonde hair, pale skin, and tight-fitting outfit – described as a battle suit – these changes represent the effects of the experimentation. Fans criticized the new appearance as an example of whitewashing. MacCallum-Stewart suggested the popularity of the series was damaged by the unexplained reappearance of Jill as a "mind-controlled BDSM assassin". In the 2020 remake of Resident Evil 3, Jill is modeled after Russian model Sasha Zotova. Jill's redesign reflects the developers' creative vision behind the character's reimagination as a genuine action hero; because the art direction for the remake is based on photorealism, Capcom wanted to ensure that Jill fits into the game world environment.
Alternate costumes as rewards for players have been a staple of the Resident Evil series. Completing the 2002 remake unlocked the ability to dress Jill in her Resident Evil 3: Nemesis miniskirt costume and as Sarah Connor from the 1991 film Terminator 2: Judgment Day. The miniskirt was added during development upon the staff's request. Following its addition, developers changed camera angles to reduce the amount of upskirting and matched the color of the skirt and underwear to make it less obvious. The outfit reappears in Resident Evil: The Mercenaries 3D (2011). A prequel to the events of Resident Evil 5, the downloadable content (DLC) episode Lost in Nightmares includes an alternative outfit for Jill, based on military clothing and sportswear. Since Resident Evil: Revelations (2012) was set at sea, her costume was made to resemble a wetsuit. The initial design featured more tactical gear attached to her buoyancy control device, but it was removed to highlight her body's contours. Her alternate outfit in the game, a revealing pirate costume, was deliberately made to be colorful to contrast with the storyline's dark themes.
Voice-over and live-action actresses
The actresses who appeared in the original game's live-action cutscenes and recorded the voice work were credited only by their first names; Jill was portrayed by a high school student credited as "Inezh". Over the course of the franchise, voice actresses who played Jill included Catherine Disher in Resident Evil 3, Heidi Anderson in the 2002 remake, Kathleen Barr in Capcom's 2004 action-adventure game Under the Skin, and Tara Platt in Pachislot Biohazard, a recreational arcade game released solely in Japan. Patricia Ja Lee provided the voice and motion capture for both The Umbrella Chronicles and Resident Evil 5. Kari Wahlgren voiced the character in the 2011 game Marvel vs. Capcom 3: Fate of Two Worlds and Ultimate Marvel vs. Capcom 3. In Revelations, Jill was voiced by Michelle Ruff, who returned for the non-canon game Resident Evil: Operation Raccoon City. Nicole Tompkins voiced and provided motion capture performance for Jill in the 2020 Resident Evil 3 remake and reprised her role in CG animated film Resident Evil: Death Island. Atsuko Yuya voiced Jill in the Japanese versions of the games.
The character appeared in three entries of the original Resident Evil film series, where she was portrayed by English actress Sienna Guillory. Hannah John-Kamen played the role in the 2021 film Resident Evil: Welcome to Raccoon City.
Appearances
In Resident Evil series
Every game in the series is set in the fictional American metropolitan area of Raccoon City until its destruction at the end of Resident Evil 3: Nemesis. Subsequent games featuring Jill take place on an international scale, namely in Russia, Africa, and the Mediterranean Sea. The original game is set in July 1998 in a mansion on the outskirts of Raccoon City, which Jill and her team enter while searching for colleagues. Working with partner Barry Burton, she discovers the property is a façade for a biological warfare laboratory operated by the Umbrella Corporation and its undead occupants are the scientists who developed the T-virus mutagen. Her commander Albert Wesker is revealed to be a double agent for Umbrella. Jill and Chris are among the five survivors of the incident, who form a strong friendship and become passionate opponents of bioterrorism.
Jill did not appear in Resident Evil 2 (1998), as the production team used new protagonists (Leon S. Kennedy and Claire Redfield) to preserve the original game's horror elements: Mikami believed Jill and Chris would be too experienced to be scared by the events in the sequel. She returned as the sole protagonist in Resident Evil 3 (1999). Mikami – the lead producer of both Nemesis and the concurrently-produced Resident Evil – Code: Veronica (2000) – wanted each game to highlight a female character who had previously appeared in the series; Jill is the protagonist in Nemesis, while Claire is the lead character in Code: Veronica. Commentators suggested these decisions were made as a result of the success of the Tomb Raider series, which featured Lara Croft as the protagonist.
Nemesis is set two months after the first game, during which time Jill joined the Raccoon City Police Department (RCPD) to protect as many civilians as possible from the T-virus. The reason given by Capcom for her informal clothing in this entry was her resignation from the police immediately before the city's population was infected with the virus. She quit in protest over the failure of law enforcement to take action against Umbrella but remained in the city to investigate the corporation. The police uniform she wore in the original game was replaced with a less formal blue tube top, black miniskirt and knee-high boots.
In Nemesis, she escapes Raccoon City before its destruction from a nuclear strike as part of a U.S. government cover-up. She is pursued by Nemesis, a supersoldier whose task is to kill all remaining members of the S.T.A.R.S. team. Instead of killing Jill, Nemesis infects her with the T-virus; her new partner Carlos Oliveira – a former Umbrella mercenary – cures her of the infection with an Umbrella-produced vaccine. The Umbrella Chronicles occurs in 2003, when Jill and Chris join a private organization with the goal of exposing Umbrella's biological warfare activities, leading a group to destroy their only remaining research facility. After the fall of the corporation, the pair become founding members of the United Nations' Bioterrorism Security Assessment Alliance (BSAA). In Revelations – set two years later – Jill and new partner Parker Luciani are sent on a mission to rescue Chris, who is allegedly being held hostage on a ghost ship in the Mediterranean. Once aboard, she discovers the ship is infested with a new type of mutagen capable of infecting the aquatic ecosystem. Jill and Chris then unravel a political conspiracy involving an earlier mutagenic outbreak and a botched investigation by a rival agency.
Resident Evil 5 takes place in 2009 in the fictional African town of Kijuju, where terrorists are turning local residents into zombies. One of these terrorists is revealed to be Jill, who was missing in action for the previous two and a half years. Set in 2006, the Lost in Nightmares DLC showed Jill and Chris searching inside a mansion for Umbrella's founder; to save Chris from Wesker, Jill tackled the latter through a window. Neither of their bodies were recovered, and Jill is declared dead. In fact, she was injured by the fall and taken hostage by Wesker, who then used her as a test subject in his biological experiments. The antibodies produced by Jill's system as a result of her Nemesis-era T-virus infection were used as the basis for the Uroboros Virus, the catalyst for the events of Resident Evil 5.
During Resident Evil 5, Chris discovers that Jill is alive; Wesker attached a mind-control device on Jill which forced her to commit the terrorist acts and fight Chris and his new partner, local BSAA agent Sheva Alomar. Jill finds enough self-control to open her outfit so the device can be seen and removed. After its removal, she explains that she knew what she was doing but was unable to control her actions and urges Chris and Sheva to continue their mission. Another DLC episode, Desperate Escape, describes how Jill was able to escape safety with the help of local BSAA agent Josh Stone before they aid both Chris and Sheva to kill Wesker.
Other appearances
Jill features in several of the Resident Evil films. She was originally scheduled to be the protagonist for the first Resident Evil movie (2002), while it was under the direction of George A. Romero. When Paul W. S. Anderson took over from Romero, he created a new character for the film series, Alice, portrayed by Milla Jovovich. Jill appears in the 2004 sequel Resident Evil: Apocalypse, where she is a disgraced police officer who escapes the ruins of Raccoon City with the help of Alice and other survivors. Her outfit in the movie is based on her clothing from Resident Evil 3. Anderson considered explanations to justify the usage of the costume, such as having it described as an undercover outfit, while Jovovich suggested using a heat wave as the reason. Anderson eventually decided to ignore the issue altogether, arguing that people who would criticize her attire "probably shouldn't be watching a Resident Evil movie [at all]."
Jill appears in a post-credits scene in Resident Evil: Afterlife (2010), wearing the mind-controlling device from Resident Evil 5 and leading an attack against Alice, Chris, Claire, and the survivors they rescued after a virus outbreak in Los Angeles. In Resident Evil: Retribution (2012), Jill is an antagonist programmed to capture Alice, but regains control of herself after Alice removes Wesker's mind-control device. The film includes a fight between Jill and Alice containing around 200 moves. She did not appear in the final film, Resident Evil: The Final Chapter (2016), apparently dying offscreen. According to Jovovich, Jill was excluded because there were too many Resident Evil characters to include in the film. The Resident Evil film series consistently received negative reviews. Cinefantastique praised Guillory's performance in Apocalypse as the film's only highlight. In the reboot film Resident Evil: Welcome to Raccoon City (2021), Jill is played by Hannah John-Kamen. She has also appeared in the 2023 animated film, Resident Evil: Death Island. Jill's youthful appearance in the film, despite being aged 40, was said to be a result of the T-virus slowing her aging.
Jill is a playable character in several non-canon Resident Evil games. She features in numerous Resident Evil mobile games, and is the protagonist of Resident Evil: Genesis (2008), an alternative-story version of the original game. She is a playable character in Marvel vs. Capcom 2 (2000), Marvel vs. Capcom 3 (2011), Project X Zone (2012), Project X Zone 2 (2015), Dead by Daylight (2016), Puzzle Fighter (2017), and the digital collectible card game Teppen (2019). She appears as an alternate skin for Chun-Li in Super Gem Fighter Mini Mix (1998), Cammy in Street Fighter V (2016), and Zofia in Tom Clancy's The Division 2 (2019), and can also be selected as a playable skin in We Love Golf! (2007), Tom Clancy's Rainbow Six Siege (2015), and Fortnite Battle Royale (2017). Jill appears as a non-playable cameo in 2004's Under the Skin, is one of the 'Spirit' power-ups in Super Smash Bros. Ultimate (2018), and a robot dressed as Jill makes a cameo reference in Astro's Playroom (2020) and Astro Bot (2024).
Jill features in novelizations of the films and games and plays a supporting role in the first novel, Resident Evil: Caliban Cove (1998), in a series by S. D. Perry. In Resident Evil: The Umbrella Conspiracy (1998), Perry's novelization of the original game, Jill's Delta Force background is not mentioned; before her career in law enforcement, she is said to have acted as an accomplice for her father Dick Valentine, a professional thief. Several comic books based on the games were released, and she is a character in Bandai's Resident Evil Deck Building Card Game (2011). Merchandise featuring Jill include action figures, figurines and a gun replica. The character was featured in Resident Evil-themed attractions at Universal Studios Japan and Universal Orlando's Halloween Horror Nights. Capcom's themed restaurant Biohazard Cafe & Grill S.T.A.R.S., which opened in Shibuya, Tokyo, in 2012, sold a noodle dish named after her.
Reception and legacy
Game publications, including the 2011 version of the Guinness World Records Gamer's Edition, described Jill Valentine among the most popular and iconic video game characters. At the 2013 Penny Arcade Expo, journalists and game developers nominated her as one of the top-three lead characters of Western and Japanese role-playing video games. Magazines praised her as the most likable Resident Evil character, with the most believable and consistent story arc in the series. She was also identified as one of the all-time greatest mascots of the video game industry, as a tough, strong and attractive female character who could appeal to a broad demographic.
Critics commented that Jill was not oversexualized in her initial appearances. She was highlighted as an example of the series' female characters who were not judged solely on gender, and for having "the most sensible design" for a female character of the mid-to-late 1990s. Her professional relationship with Chris was celebrated for its basis in loyalty rather than romance and its balance in their personalities: Jill's intellect and Chris's brawn. Female digital critics felt that several of Jill's features undermine her role as a heroine and weaken her as a protagonist – specifically that her body shape is unrealistic and not reflective of her military background or physical training, noting that she was the only member of her team in the original game not to wear a bulletproof vest. The extent to which her appearance changed over the course of the game series has been criticized as excessive, with the Resident Evil 3 outfit derided for deviating too much from Mikami's initial militaristic iteration of the character. In Tropes vs. Women in Video Games, feminist media critic Anita Sarkeesian criticized Jill's alternate costumes as too revealing, particularly the pirate costume in Resident Evil: Revelations. She also cited Jill's movement in Revelations as an example of female characters who walk in an overtly sexualized manner.
MacCallum-Stewart said the first Resident Evil game became famous for its "extremely clunky dialogue and voice acting, an element which lent the otherwise suspenseful game an element of charm that endeared it to players". Although she explains that the weak dialogue might be attributed to poor translation of the original Japanese text, she said this inadvertently helped differentiate the series from its rivals. Several lines from the game achieved enduring popularity: "You were almost a Jill sandwich", a quip delivered in awkward voiceover by Barry Burton after a falling ceiling trap almost crushes Jill, was revived as an Internet meme a decade after the game's release; it became the subject of fan art depicting Jill in or as a sandwich. Capcom referenced the line in several of their later games, including Dead Rising (2006), Resident Evil: Uprising (2009), Resident Evil: Revelations 2 (2015), and Resident Evil: Resistance (2020). Another piece of dialogue spoken by Burton – "And, Jill, here's a lock pick. It might be handy if you, the master of unlocking, take it with you" – also gained notoriety. The quote has been parodied for containing an excessive amount of silence between words. It was removed from later editions.
Notes
References
Bibliography
External links
Jill Valentine at the Internet Movie Database (archived) |
Nemesis_(Resident_Evil) | https://en.wikipedia.org/wiki/Nemesis_(Resident_Evil) | [
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"https://en.wikipedia.org/wiki/Nemesis_(Resident_Evil)"
] | The Nemesis, also called the Nemesis-T Type, or the Pursuer (Japanese: 追跡者, Hepburn: Tsuisekisha) in Japan, is a character in the Resident Evil survival horror video game series created by Capcom. Although smaller than other Tyrant models, the creature dwarfs a typical human, and possesses vastly superior intelligence and physical dexterity to its undead peers. It is featured in Resident Evil 3: Nemesis (1999) as a titular main villain before later emerging in other titles and cameo roles. It is also featured on various merchandise and was portrayed by Matthew G. Taylor in the 2004 film Resident Evil: Apocalypse. The character is voiced by Tony Rosato in the original game and Gregg Berger in Operation Raccoon City (2012). In the 2020 remake of Resident Evil 3, the character is voiced by David Cockman, with Neil Newbon providing the motion capture performance. Nemesis has also been featured in several other game franchises, including as a playable character in Marvel vs. Capcom and Dead by Daylight.
Taking inspiration from the T-1000 from Terminator 2: Judgment Day, Nemesis was conceived by Shinji Mikami and Kazuhiro Aoyama as an enemy that stalk the player throughout the game and invoke a persistent feeling of paranoia. Written by Yashuhisa Kawamura to be a weapon of revenge by the Umbrella Corporation, Nemesis's design was drawn by artist Yoshinori Matsushita, who was instructed to create "a rough guy who attacks with weapons and has an intimidating build" in order to heighten the fear of being pursued. Since the Nemesis' introduction, the character has received a positive reception and has come to be regarded as one of the series' most popular characters, though his design and role in the Resident Evil 3 remake has been criticized. Some publications have praised its role as an intimidating villain, while others have noted it as one of their favorite and most terrifying monsters in video games.
Conception and creation
Introduced in Resident Evil 3: Nemesis, producer Shinji Mikami and director Kazuhiro Aoyama wanted to implement a stalker-enemy into the game early on that would chase the player, according to Mikami intended to "introduce a new kind of fear into the game, a persistent feeling of paranoia." Taking inspiration from the T-1000 villain from the film Terminator 2: Judgment Day, the character was initially meant to be a slime creature that could bypass obstacles such as doors by liquifying past them or melting through them. However due to the nondescript nature of the creature, he felt the stalker aspect was lost on the player as there was no recognizable sense of cohesion. So they started over, focusing on the early "Tyrant" enemy introduced in the original Resident Evil as a base. The character was designed under the concept of a "huge, overpowering monster that could use weapons and intelligently track you anywhere," partly inspired by the movie Day of the Dead, where scientists attempt to train zombies, only to be shot by them at the end of the film.
The character's backstory and biology was created by writer Yashuhisa Kawamura, who felt the horror aspect of Resident Evil was "stuck in a rut" at that time and wanted to explore new ways to bring horror through Nemesis. Kawamura conceived the character as the result of infecting a T-103 model Tyrant—a humanoid bio organic weapon (BOW) created to be the ultimate lifeform by the Umbrella Corporation—with the Nemesis Alpha parasite (or "NE-α") designed to increase its intelligence. Upon infection, the parasite takes control of the Tyrant's nervous system, forming its own brain and enabling it to follow precise instructions and make decisions without needing constant direction. Upon spotting its target, it says the target's name out loud and attacks. In this backstory, the European branch of Umbrella intended to not only demonstrate their superiority within the company with their new creation, but also seek revenge against the "S.T.A.R.S." police group that had destroyed their original Tyrant creation, codenaming their new creature "Nemesis" after the Greek mythology Goddess of Vengeance.
Design
Nemesis' appearance was designed by Yoshinori Matsushita, with Aoyama instructing him to create "a rough guy who attacks with weapons and has an intimidating build" in order to heighten the fear of being pursued. who drafted several early takes on the character. Although some elements remained consistent among them, the early designs featured several different degrees of surface damage as well as different options for clothing, such as a protective vest instead of a coat, or a nude design similar to the original Tyrant. Clothed in black trousers, an overcoat, boots, and gloves, the Nemesis is armed with a rocket launcher mounted on its left arm. A parasite was added to help further characterize it. To emphasize its design as a prototype, the game developers left exposed muscles on its body and added stitches to cover its right eye. It lacks lips and a nose whatsoever, with the underneath facial muscles and teeth completely exposed. As Nemesis is damaged its appearance does not change as drastically as previous Tyrants, due to Matsushita wanting to keep him visually different from Resident Evil 2's William Birkin in this regard.
The secretions from the parasite give the Nemesis massively heightened regenerative abilities, which result in the creature being almost impervious to damage; although it can be put down with enough fire from small arms, eventually it will repair itself and resume the pursuit of its targets. However, this resulted in unexpected side effects, including damage to the skin and the emergence of additional tentacles, as well as unpredictable mutations caused by further attacks. In Resident Evil 3, the creature's survival instincts eventually override Nemesis' programming, causing the host's body to reject the parasite and transform into a giant digestive organ. Featuring large central bone protrusions and elongated tentacles, it crawls looking for prey, yet continues trying to complete its mission despite its now diminished intelligence. This design proved to be the most difficult for Matsushita, as he worked to try to make it appear as unique as possible. To this end he designed it to be a quadrupedal creature facing upwards, with the fang-like protrustions from the body being Nemesis's exposed ribs.
In the 2020 remake of Resident Evil 3, the producer indicated that the reinvention of Nemesis was influenced by Mr. X from Resident Evil 2. According to producer Peter Fabiano, "During development, our director saw what the team did with Tyrant in last year's RE2 and was determined to surpass that with Nemesis." He also goes on to say that the team intends to transform Nemesis into its own brand of terror, "a relentless pursuer with its own arsenal of weapons." The parasite's origins are partially retconned in the 2020 remake to be a genetically engineered copy of the Las Plagas parasite, introduced in Resident Evil 4. Because Nemesis is a prototype and not a completed model, its body is covered in haphazard restrictive gear from head to toe consisting of thick black plastic and various warning labels over the body. A large metal device on its chest regulates the parasite, and also keeps it from going out of control. It now retains both eyes and the Tyrant's original nose, but with the skin stretched drastically on the face resulting in a broken crooked nose. The aim was to contrast between Nemesis and Mr. X, with the latter having the more completed look. As with the original, the remake Nemesis also mutates after suffering heavy damage. However the development team chose to give it a more animalistic, quadrupedal body with diminished intelligence, the in-universe reasoning being that the parasite could no longer maintain a humanoid form. Dubbed "Type 2", it was designed so the player could not evade it as easily as the original, but that its movements could be better anticipated.
Appearances
In video games
Nemesis first appears in the 1999 PlayStation game Resident Evil 3: Nemesis as the game's title character and primary antagonist. The product of years of research, the prototype is deployed by the Umbrella Corporation as a field test to hunt and kill the STARS police team before they can expose Umbrella's activity in the Arklay mountains. The game's protagonist, Jill Valentine, first encounters the Nemesis outside Raccoon City's police station where it kills Brad Vickers and then pursues her, uttering "STARS..." on sight. The Nemesis continues to stalk Valentine throughout the game, attacking with physical blows and grabs, and later, armed with a rocket launcher. After losing its overcoat as a result of heavy damage, the Nemesis mutates, and gains the ability to attack with long, extendable tentacles. Despite later being doused in acid, the Nemesis continues its pursuit, and mutates into a much larger, tentacled monster after absorbing a dead Tyrant, gaining the ability to spew poison. Jill finally defeats the Nemesis using a rail cannon, and then depending on the choice of the player, she either kills it once and for all by unloading her weapons into it, or leaves it to die in the nuclear explosion that destroys Raccoon City.
After its initial appearance, it appeared in other Resident Evil titles such as Resident Evil Survivor 2 – Code: Veronica, in which it will chase the player if they fail to complete a level before the time limit expires and kill them instantly if it hits them. In this game it can also be fought as a secret boss armed with a rocket launcher if the player has met the proper conditions upon completing the game. The Nemesis returns for the Resident Evil 3 chapter of Resident Evil: The Umbrella Chronicles, in which it pursues Jill in the same manner as the original game and mutates into its secondary form as a boss. The Nemesis also appears in Resident Evil: Operation Raccoon City, in which its programming is damaged and Umbrella dispatches a task force to find a NE-Alpha parasite to repair it. Once the parasite is found, they defeat Nemesis and inject it with the parasite. In the game it uses a gatling gun for the fight and is mainly based on its film counterpart; however once the task force completes their mission, the Nemesis awakens to find its rocket launcher and proceeds to hunt after the STARS police team. In the 2020 remake of Resident Evil 3, Nemesis returns as the game's first boss fight, wielding a flamethrower. Nemesis also appeared as a playable character in Resident Evil: Resistance and in Resident Evil Re:Verse, a companion game to Resident Evil Village.
The character has been featured in other games outside of the Resident Evil franchise as well, such as in the Capcom title Under the Skin alongside Jill, and serves as a boss the player must steal coins from in a Raccoon City-inspired level. In an interview, Marvel vs. Capcom 3: Fate of Two Worlds producer Ryouta Niitsuma stated a desire to use the Nemesis in the title as a "monster-type" character from the Resident Evil series, but was dropped after considering it too "grotesque and disgusting" and in consideration of ESRB ratings. The character would instead appear briefly in the game's ending sequence for the Hulk. However, despite the initial concerns about its inclusion, the Nemesis appears as a playable character in Ultimate Marvel vs. Capcom 3, an updated version of Marvel vs. Capcom 3. The Nemesis returns as a playable character in Marvel vs. Capcom: Infinite. In the game's story, following the Convergence, it is captured by A.I.M.brella leader M.O.D.O.K. and reprogrammed as his enforcer; it later battles and is defeated by Chris Redfield and Mike Haggar. In the tactical role-playing game Project X Zone, Nemesis appears as a rival unit. Nemesis appeared in an online multiplayer battle royale game Knives Out as a costume at July 29 to August 12, 2021. Nemesis, along with Leon S. Kennedy and Jill Valentine, appeared in Dead by Daylight as playable characters.
In card based games, Nemesis appears in SVC: Card Fighters' Clash 2 Expand Edition and its Nintendo DS counterpart, He was also included in the 2012 mobile games Minna to BIOHAZARD Clan Master in both its regular and damaged states from Resident Evil 3. In the 2019 game TEPPEN a card for the character was added in its "Day of Nightmares" expansion, and later another in its "A Dark Agenda" expansion, this one modeled after its appearance in the Resident Evil 3 remake. His outfit also appears in Dead Rising Deluxe Remaster (2024) for Frank West. In printed trading card media, he appears in the Bandai produced game Resident Evil: The Deck Building Game.
In film
The Nemesis is featured in the 2004 film, Resident Evil: Apocalypse, portrayed by Matthew G. Taylor. The character's design was left relatively unchanged, brandishing a rocket launcher and similar attire, but with the addition of a forearm-mounted rail gun, modeled after a heavily modified minigun. Writer and producer Paul W. S. Anderson noted that the gun's addition was inspired by the idea of the Nemesis "walking around with a gigantic, powerful weapon in each hand and almost indecisive as to which one to use". The costume for Nemesis was created by Kropserkel Inc. and PJFX Studios, and stands roughly 7 feet 3 inches (2.21 m) tall, weighing nearly 100 pounds (45 kg). After production of Apocalypse was completed, the costume was restored and put on display at Kropserkel's offices.
While The Nemesis' design remained similar, the character itself was expanded upon, now portrayed as a tragic villain. Formerly Matt Addison (portrayed by Eric Mabius), a survivor of the events of the first film, he was infected with the T-virus after being scratched by a Licker and later captured and experimented upon by the Umbrella Corporation. Transformed into the Nemesis, he is sent to kill the surviving members of STARS, but remembers his humanity after fighting Alice, and fights alongside the protagonists towards the film's conclusion. The Nemesis is eventually crushed beneath a crashing helicopter, and is later killed by the nuclear explosion that destroys Raccoon City.
In printed adaptations
The Nemesis appears in a 1999 Hong Kong manhua adaptation of Resident Evil 3 by Lee Chung Hing, Biohazard 3: Last Escape, which is named after the game's Japanese title. The 27-issue series adds to the Nemesis' backstory, detailing its origin by showing the infection and transformation of the original Tyrant by the Nemesis parasite. Some elements are changed for its design, such as the Nemesis retaining both eyes initially, and then losing the right eye and gaining cranial staples only after an encounter with Jill. The comic also introduces characters from Resident Evil 2 into the storyline, which results in several face-offs between the Nemesis and the mutated William Birkin throughout the series. During these fights Nemesis remembers before being experimented on his life as a boxer whose family had been infected and killed by a sadistic Umbrella executive. Encountering the man after defeating Birkin, Nemesis bites his head clean off in a fit of rage.
In 2000, Simon & Schuster published a novelization of Resident Evil 3, written by S. D. Perry. Though left unchanged for the most part, the Nemesis is immediately recognized as a modified Tyrant in the novel, which Jill Valentine dubs the "Nemesis" after thinking about why it hunts her. Instead of mutating due to having taken damage, the Nemesis transforms voluntarily towards the conclusion of the story in its pursuit of Jill, with its second form from the game being its actual appearance beneath the coat.
A novelization of Apocalypse was released in 2004, written by Keith R. A. DeCandido. In the book, Matt and the Nemesis act as separate personalities in the same body, both aware, but with the Nemesis dominant. Matt eventually regains control after his body is impaled on a metal shard while fighting Alice, by showing the Nemesis his memories of Umbrella's experimentation upon "them". The Nemesis is later mentioned in the 2007 novelization of Resident Evil: Extinction, in which antagonist Doctor Isaacs considers the Nemesis both his greatest success and his greatest failure, hating mention of it and blaming its defection and destruction upon Umbrella's desire to immediately field test it.
Promotion and reception
Nemesis appears on the cover of every version of Resident Evil 3, and is mentioned prominently on flyers for Resident Evil: Survivor 2. Capcom has also released commercial products modeled on the character, such as a silver ring modeled after Nemesis's head available for purchase through their Japanese online store. Palisades Toys used its likeness to create a posable action figure (packaged with a base and equipable rocket launcher) and a mini bust, which were released alongside several other Resident Evil-based merchandise. Moby Dick released its own line of Resident Evil action figures bundled in pairs of a playable character and enemy. Included in the series were Nemesis's first and second form, with the first form featuring an alternate head and equipable rocket launcher. Each set additionally includes a part of an action figure of Nemesis's third form, which measures 24 inches (60 cm) long when completed. In 2019, a minted icon 9-inch plush depicting Nemesis was also made. In 2022, Numskull made a 10.9" collectible figurine of Nemesis, based on his appearance in the remake. In 2024, the character was featured in Resident Evil-themed attractions at Universal Studios Japan.
Following the game's debut in 1999, the Nemesis became one of the most recognizable and popular characters in the Resident Evil series. G4's Filter named the Nemesis one of the top ten videogame villains of all time as selected by viewers, placing fifth on the list. 1UP.com named the battle against the Nemesis one of the "25 of the Most Badass Boss Fights of All Time", saying "There are plenty of bosses worth mentioning from the Resident Evil series... but the one that to this day most people point to as the biggest badass of the bunch is Nemesis [sic]". GameSpot featured Nemesis in a "Reader's Choice" edition of their "Top 10 Video Game Villains" article and noting the character's high popularity among fans when compared to the Tyrant. Dave Meikleham of GamesRadar described Nemesis as the "deadliest villain in the history of survival horror", comparing him to another fictional character the terminator and adding "Resident Evil 3 is undoubtedly defined by its iconic villain". Patrick Gill of Polygon said Nemesis moves in a menacing manner, but the worst part is to watch his "nasty trash face". He also stated he's frightening and defended how you lose him while catching up to you. Aaron Potter of Den of Geek named Nemesis as second of their "Best Resident Evil Bosses and Monsters", stating that "He becomes more deformed the longer Resident Evil 3’s campaign progresses, too, making each fight feel scarier than the last." In 2021, Alex Aniel in the book Itchy, Tasty: An Unofficial History of Resident Evil described Nemesis as an icon fondly remembered for his aggressiveness and terrifying personality, and further noted him as a popular subject for fandom convention cosplay.
While IGN described Nemesis as one of the best Resident Evil bosses and one of their favorite video game monsters of all time, they noted disdain for his film counterpart, stating "little of what made us love Nemesis made it through to his film incarnation. As it runs out, a man in a rubber suit isn't half as scary as a well-crafted collection of polygons." Michael Kennedy of Screen Rant shared similar sentiments, describing him as the "coolest of the bunch" in terms of game series adversaries, but added that the film ruined the character and "Making Nemesis a good guy was an absolutely terrible decision, and understandably elicited a collective groan from fans of the Resident Evil games." While Trace Thurman of Bloody Disgusting noted Nemesis "looks awesome and is a total badass" in the film, he shared similar disdain for the character's heroic turn in the finale, exclaiming "Why would you take the biggest and baddest Resident Evil villain and neuter him?"
On the other hand, Nemesis's appearance in the Resident Evil 3 remake has received mixed reception from critics. Hirun Cryer of Eurogamer criticized and described Nemesis's "large fangs and smooshed nose" as "cartoonish". Ben Tyrer of GamesRadar downplayed Nemesis's appearance and stated that "Resident Evil 3's main villain has lost his fear factor," while Andy Kelly of PC Gamer described Nemesis as "giant and terrifying stalker in town". Kirk McKeand of VG247 explained that Nemesis is only active in a small portion of the game, and that he is primarily featured in scripted sequences or boss fights. This led some critics to believe that he was underused and that a lot of his potential was wasted, with Electronic Gaming Monthly's Mollie Patterson stating "[if] you were hoping for him to dial up the danger, you may feel some disappointment." Red Bull called Nemesis in the remake one of the scariest video game villains of all time, stating "You cannot kill him, you cannot stop him. At best you can run away and even that isn't always effective", and noting his increased mobility options in the remake provided him enhanced this aspect.
References
External links
Details behind the Nemesis costume used in Apocalypse |
Albert_Wesker | https://en.wikipedia.org/wiki/Albert_Wesker | [
240
] | [
"https://en.wikipedia.org/wiki/Albert_Wesker"
] | Albert Wesker (Japanese: アルバート・ウェスカー, Hepburn: Arubāto Wesukā) is a character in the Resident Evil survival horror video game series created by the Japanese company Capcom. He was first introduced in the original Resident Evil (1996) as the captain of the Special Tactics and Rescue Service (S.T.A.R.S.) unit of the Raccoon Police Department. Wesker has been one of the series' main antagonists as a member of the pharmaceutical conglomerate Umbrella Corporation, the primary antagonistic faction, manipulating story events behind the scenes. To further his own plans, Wesker betrays his allies, fakes his death, gains superhuman abilities, and works with both Umbrella's mysterious rival company and their successors in the field of biological weapons development until his ultimate defeat by Chris Redfield and Sheva Alomar in Resident Evil 5 (2009).
Wesker appears in several Resident Evil games, novelizations, and films and has also appeared in other game franchises, including Marvel vs. Capcom, Teppen, and Dead by Daylight. In his first appearance, Wesker was voiced by Pablo Kuntz, while D. C. Douglas voiced the character across most of his other appearances; in Japanese dubbings, Jouji Nakata has consistently voiced the character across all of his video game appearances. Several actors have portrayed Wesker, including Jason O'Mara, Shawn Roberts, Tom Hopper, and Lance Reddick, in the live-action Resident Evil films and television series.
Wesker was conceptualized by writer Kenichi Iwao, who envisioned Wesker as an arrogant, intelligent, and unsympathetic character. Wesker is presented as a virologist focused on advancing human evolution and later becomes a bio-terrorist obsessed with eradicating humanity. He possesses superhuman strength, speed, stamina, and regeneration, and he mutates into a more powerful form in Resident Evil 5. Wesker has received mostly positive reviews from video game publications, with critics praising him for being one of the most memorable video game villains, particularly his death, but critiquing him for appearing as a one-dimensional and stereotypical villain.
Concept and design
Albert Wesker is an American of Caucasian descent. He was created by director Shinji Mikami and designer Isao Ohishi. The main characters were originally intended to be cyborg police officers, until writer Kenichi Iwao discarded the idea and completely redesigned the characters and the game's backstory. He envisioned Wesker as a former special forces member who possessed exceptional intelligence and physical prowess, with a cold demeanor that matched his egotistical mindset. His co-workers suggested making the character a traitor who betrays the protagonist. The game's designers ultimately developed Wesker into the commander of the protagonists' elite police task force, who is secretly employed as a virologist for the Umbrella Corporation. His drive to develop viral agents and engineer the ultimate lifeform is a central plotline in the Resident Evil series. Wesker is depicted as a white male with blonde hair in the video games and movies. Designer Jun Takeuchi helped create Wesker's in-game character model in the first Resident Evil. He suggested giving Wesker a pair of black sunglasses to help differentiate him from the other characters, which became a staple of his appearance throughout the series.
During the finale of Resident Evil 5, Wesker fully sheds his human appearance when he infects himself with the Uroboros virus, a volatile and mutagenic viral agent. The Uroboros virus grants him more strength while also transforming his arms into tentacles that allow him to absorb and wield metallic objects as weapons. The early concept sketches of his Uroboros mutation differed significantly from the final version. In the initial design, his combat style would have relied solely on his mental powers to manipulate Uroboros. This concept was shaped by the one-on-one battle between Wesker and Chris Redfield, without a co-op partner. However, with the addition of Sheva Alomar as a co-op partner, adjustments were made to bolster Wesker's abilities and provide him with additional makeshift weaponry for the final boss battle. Following Wesker's demise, producer Masachika Kawata stated that there was no possibility of the character returning.
Voice-over and live-action actors
Wesker was originally voiced by Pablo Kuntz, who said that Capcom's staff gave him limited direction and that he did not fully understand the game's plot at the time of recording. He later reflected on his performance, stating: "I know the acting was slightly over-the-top, but you know, the more we played RE1, the more the voices seemed to harmonize with everything the gameplay offered". He was also surprised at the character's popularity among fans, commenting that it was "a wonderful experience" to voice him.
Peter Jessop voiced the character in the 2002 remake of Resident Evil and a recreational arcade game released solely in Japan. Wesker was next voiced by Richard Waugh in Resident Evil – Code: Veronica. His performance of Wesker was influenced by George Sanders, particularly his role as Shere Khan in The Jungle Book. He wanted to give the character a "precise and inhuman" speech pattern by speaking with a "military-type" tone and never using contractions. He reprised his role in Wesker's Report, a fictional documentary detailing Wesker's backstory, as well as Resident Evil Zero and Resident Evil 4. He also provided voice recordings in Resident Evil: The Umbrella Chronicles, but they were replaced by D. C. Douglas's recordings before launch.
Douglas then voiced Wesker in Resident Evil: The Umbrella Chronicles, Resident Evil 5, Resident Evil: The Darkside Chronicles, Resident Evil: The Mercenaries 3D, Resident Evil Zero HD Remaster, Resident Evil: Revelations 2, Umbrella Corps, Marvel vs. Capcom 3: Fate of Two Worlds, and Ultimate Marvel vs. Capcom 3.
Ken Lally provided a motion capture for Wesker in Resident Evil 5. In the 2023 remake of Resident Evil 4, he was voiced and motion captured by Craig Burnatowski. Eric Pirius portrayed Wesker in the Resident Evil live-action cutscenes. In Resident Evil: Extinction, Jason O'Mara portrayed Wesker, and Shawn Roberts portrayed him in Resident Evil: Afterlife, Resident Evil: Retribution, and Resident Evil: The Final Chapter. Tom Hopper portrayed Wesker in Resident Evil: Welcome to Raccoon City. He explained that the filmmakers did not want Wesker "to be a stereotypical villain, we wanted him to be likable. We're seeing who he really is underneath the sunglasses."
In the 2022 Resident Evil Netflix series, Lance Reddick portrayed the character; he was the first person of color to do so. The series' showrunners did not want to limit themselves to actors who resembled Wesker's in-game appearance; showrunner Andrew Dabb stated that "you're making the show weaker by going with someone that may be more aesthetically a match to the game." Reddick did not know that the character was from a video game series, stating: "When I was doing it, I didn't think of having to play an already established iconic character, I just kept trying to bring what was on the page to life". He further said, "This Wesker, although very very much based on the Wesker in the games, isn't exactly him".
Appearances
In the Resident Evil series
Every game in the series is set in the fictional American metropolitan area of Raccoon City until its destruction at the end of Resident Evil 3: Nemesis. Wesker's presence was initially limited to cutscenes in the main Resident Evil games, where he manipulates the series' events from the background. He leverages his genius-level intellect to engineer mutagenic viruses to forcefully advance human evolution. Wesker's backstory was largely left undeveloped until the release of The Wesker Report, a fictional documentary that details his virology research and role within the Umbrella Corporation. Resident Evil 5 reveals the Umbrella Corporation raised Wesker as part of a eugenics program, which offers him the best education but also indoctrinates him into developing misanthropic views and a superiority complex.
Wesker debuted in the original Resident Evil (1996), where he is the captain of the Special Tactics and Rescue Service (S.T.A.R.S.), a special forces police unit in Raccoon City. He initially helps the player by providing supplies and useful information. However, the protagonists learn Wesker is secretly working with the Umbrella Corporation to develop mutagenic viruses and bio-organic weapons (BOWs). Wesker is seemingly killed after releasing his latest BOW, the Tyrant, which unexpectedly impales him during the game's finale.
He returned to the franchise after a two-game hiatus in Resident Evil – Code: Veronica (2000) as the game's secondary antagonist. He survives his apparent death due to an experimental virus that not only resurrected him after suffering grievous injuries but also endowed him with enhanced strength, speed, and agility. Wesker, now working for an unnamed rival to the Umbrella Corporation, conducts a raid on a secret research facility in Antarctica. He is defeated by Chris Redfield, who arrives at the facility while searching for his missing sister, Claire. Wesker makes a cameo appearance in Resident Evil 4 (2005), where he is revealed to be working with Ada Wong to obtain a specimen sample for further BOW research.
He is the central antagonist in Resident Evil 5 (2009), where he conspires to release the Uroboros virus across the world and trigger an extinction event. He appears in-game as a nigh-invincible boss during the game's penultimate battle, in which he effortlessly dodges and parries most of the player's attacks. Chris and his partner Sheva ultimately halt his plans and kill Wesker in an active volcano at the end of the game. Despite his demise, his plans continue to drive the plot of the series, as his viral and BOW research causes many of the disasters and outbreaks in the subsequent games. The producer of the series has acknowledged that Wesker is indeed dead in the mainline video games.
Other appearances
Wesker appears in several of the Resident Evil live-action film series. His character was adapted for the 2007 live-action film Resident Evil: Extinction. This version of Wesker is the head of the Umbrella Corporation, unlike Wesker's role in the games as a renegade high-ranking Umbrella researcher. He runs Umbrella's operations from behind the scenes, holding meetings via hologram with his underground board of directors in Tokyo. Originally, Wesker's character was not intended to be in the film, with his role and lines in the script being given to Commander Okamoto. He reappears in 2010's Resident Evil: Afterlife as the main antagonist of the film. He later appears in Resident Evil: Retribution (2012) as a defector from Umbrella, who sends Ada to rescue Alice from an underground Russian Umbrella outpost run by the Red Queen, who has taken over the rest of Umbrella. Wesker returns in the sixth film, Resident Evil: The Final Chapter (2016), where he betrays Alice. She then tracks him down to the Hive and kills him. His death triggers a dead man's switch, which destroys the Hive and everyone within, including Alicia Marcus, the Umbrella High Command, and thousands of others held in stasis. In the reboot film Resident Evil: Welcome to Raccoon City (2021), he is portrayed as a more sympathetic police officer for the Raccoon Police Department and serves as a secondary antagonist. Notwithstanding his appearance in the Resident Evil Netflix series (2022), which delves into his backstory and personal experiments with human cloning.
Wesker is a playable character in several non-canonical Resident Evil games. He features in numerous Resident Evil mobile games. He appears in two games in the Marvel vs. Capcom franchise and in the asymmetrical survival horror game Dead by Daylight (2016). He also makes a cameo appearance as an unlockable alternate skin in Lost Planet 2 (2010), Street Fighter V (2016) for Urien as an alternate skin, as a spirit in the Nintendo crossover video game Super Smash Bros. Ultimate (2018), and in the digital collectible card game Teppen (2019).
Wesker features in novelizations of the first game and Code: Veronica. In the former, titled The Umbrella Conspiracy, Wesker is attacked by multiple Chimeras and fatally wounded; he manages to awaken the Tyrant, which kills him. Several comic books based on the games were released, and he is a character in Bandai's Resident Evil Deck Building Card Game (2011). Merchandise featuring Wesker includes action figures and gun replicas.
Reception
Game publications have described Wesker as one of the best and most memorable villains in video game history. In 2013, Guinness World Records named Wesker among the 50 greatest video game villains of all time. Kazuma Hashimoto of Polygon noted that the character's light skin and blonde hair design evoke the aesthetic of the Nazi ideal of Übermensch, reflecting the series' "core" theme of eugenics. He noted that Wesker's monologue in Resident Evil 5 fully illustrated the visual metaphor and stand-in Wesker embodies, drawing on standard social Darwinist talking points from Friedrich Nietzsche's Übermensch theory. Together with other themes from the series, Wesker's monologue creates a sense of terror that transcends the visual into something genuinely unsettling and intensely political. Kat Bailey of VG247 stated that Wesker is the perfect horror game villain. She said, "With his trenchcoat and omnipresent sunglasses hiding red, reptilian eyes, Wesker is the overarching antagonist through much of the series". Ryan Davis of GameSpot said that the voice acting of Wesker "is a better fit", and he is entertaining while serving as the narrator of Resident Evil: The Umbrella Chronicles. Jesse Schedeen of IGN discussed his appearances across the franchise and also said that "even if the games start over from square one, we highly doubt Wesker will be left out of the party. After all, the best bad guys are the ones that wear shades." Rich Stanton of Eurogamer said that "Chris and Wesker's final showdown is both a terrible boss fight and unforgettable, because despite the faults it showcases a certain mindset about what an ultimate action climax should be." GamesRadar+ staff described him among the "best characters in the three decades of Capcom's history" and wrote, "Even after his death in Resident Evil 5, Albert Wesker shows no signs of stopping, which is just the way we like it." Matt Cundy of GamesRadar+ praised Wesker's death scene in Resident Evil 5, as it showed the character's strength. Brandon Trush of Bloody Disgusting and Luke McKinney of Den of Geek both echoed a similar sentiment and regarded Weskers' death scene as one of the most outstanding and over-the-top moments of the Resident Evil series. Conversely, Shubhankar Parijat of GamingBolt stated that "Resident Evil hasn't had an overbearing villainous presence since Wesker died", but noted that "his arc was wrapped up very well, and bringing him back might not be the best idea."
The character has also received negative critical reviews. Ron Whitaker of The Escapist described Wesker as one of the terrible video game villains; he said that he always finds Wesker "kind of a joke of a villain." He further said that it became worse in Resident Evil 5 when he shows up "looking like he just failed a casting call for a character from The Matrix." Obi Anyanwu of Complex described him as the "second-douchiest" video game character, stating that "Wesker has a following, yes, but there's something very Agent Smith, a villain in The Matrix, about him that makes us shake our heads." Marshall Lemon of The Escapist also compared Wesker to Agent Smith, noting both villains' creators illogically enhanced their characters' power in subsequent installments, which diminished the narrative's coherence. Lemon stated that the amount of varied roles Wesker played in association with his constant reappearances was cited by Lemon as devaluing his influence and effectiveness overall. Andy Kelly of PC Gamer commented that Wesker lacked the depth of a complex villain and instead embodied the over-the-top antagonist trope, surmising the character as "a comically evil asshole who can do cool Matrix moves and transform into a monster." Ben Yahtzee Croshaw of The Escapist said that he cannot stand with Wesker and described him as "emotionless shithead", "grating", and "boring cunt." Andy Kelly of PlayStation Official Magazine described the battle with Wesker in Resident Evil 5 as one of the worst boss fights in a PlayStation 3 game. John Friscia of The Escapist said that the final boss fight against Wesker was a "pisstake for the ages." He felt that the boss fight was not difficult but basic, though he said that he "couldn't crack it." Bob Mackey of 1UP.com has called him one of the least scary things in Resident Evil, suggesting that "[t]o accentuate his alleged nefariousness, we suggest that Wesker grow a zombie mustache — that twirls itself."
There was also commentary on Wesker's film persona. Lance Reddick's portrayal of Wesker in the 2022 Resident Evil Netflix series was lauded by critics. Zosha Millman of Polygon described his performance as the "perfect balance of menacing and mannered." Charles Pulliam-Moore of The Verge offered a mixed review of the series but cited Wesker as the show's best character, which they attributed to Reddick's "steely, menacing energy". Taylor Lyes of IGN noted that the Netflix series' portrayal and characterization of Wesker diverged from his video game counterpart, but commended the character's revised backstory and story arc. However, Shawn Roberts' performance as Wesker in Resident Evil: Afterlife was criticized by Jim Vejvoda of IGN, who wrote that his portrayal of the character is "one-dimensionally evil and over-the-top", which he attributed to poorly developed writing. Cory Wells of Hardcore Gamer criticized Tom Hopper's portrayal as Wesker in Resident Evil: Welcome to Raccoon City and said "Wesker lacks his monotone, conniving demeanor that's matched in the games" and "doesn't exude cocky confidence in the game series, but does [in the film]."
Notes
References
Bibliography
Perry, S. D. (2000). Resident Evil: The Umbrella Conspiracy. Pocket Books. ISBN 0671024396.
External links
Albert Wesker at the Internet Movie Database |
Chris_Redfield | https://en.wikipedia.org/wiki/Chris_Redfield | [
240
] | [
"https://en.wikipedia.org/wiki/Chris_Redfield"
] | Chris Redfield (Japanese: クリス・レッドフィールド, Hepburn: Kurisu Reddofīrudo) is a character in the Resident Evil survival horror video game series created by the Japanese company Capcom. He was introduced as one of the two playable characters of the original Resident Evil (1996), alongside his partner Jill Valentine, as a member of the Raccoon Police Department's Special Tactics and Rescue Service (S.T.A.R.S.) unit. Vowing to never let any tragedies like Raccoon City happen again, Chris becomes a founding member of the United Nations' Bioterrorism Security Assessment Alliance (BSAA).
Chris is the protagonist of several Resident Evil games, novelizations, and films and has also appeared in other game franchises, including Marvel vs. Capcom, Project X Zone, and Dead by Daylight. In later games, such as Resident Evil 7 (2017) and Resident Evil: Village (2021), his features were based on New Zealand model Geordie Dandy. Several actors have portrayed Chris, including Wentworth Miller and Robbie Amell, in the live-action Resident Evil films.
Video game magazines have mainly given Chris unfavorable reviews; in particular, they have taken issue with the frequent modifications to his design and inconsistent use of appearance. However, he has been recognized for his sex appeal and is considered one of the sexiest video game characters by several publications. Some critics have referred to a scene of Chris punching a boulder in Resident Evil 5 as one of the most memorable within the Resident Evil series, which was also subjected to Internet memes.
Concept and design
Chris was introduced as one of the two playable protagonists, alongside his partner Jill Valentine, in Capcom's 1996 survival horror video game Resident Evil. He was created by director Shinji Mikami and designer Isao Ohishi. Designer Hideki Kamiya described Chris as a "blunt, tough-guy type", admitting that he was a fan of this archetype. Chris is a white American, Chris joined the Special Tactics and Rescue Service (S.T.A.R.S.) special operations unit. Although their storylines progress in "the same general direction," the gameplay differs for Jill and Chris; Chris can't carry as many goods in his inventory, but he can run quicker, aim more precisely, and withstand more damage.
Resident Evil 5 features Chris as a protagonist; designers opted to focus on how the character had aged since the original game. Chris' increased muscle mass was to show that he had trained heavily in order to fight the series' powerful villain, Albert Wesker, bare-handed. Modeler Yosuke Yamagata added that they "made a new design that retained their signature color—green for Chris, blue for Jill—to carry over the same look from the past. The facial structures are mainly based on the visuals of the GameCube version, and we added various details to these in order to develop a realistic structure." Resident Evil 5's producer Jun Takeuchi said that the series' fans "would really love" a video game featuring both Leon S. Kennedy and Chris as the protagonists due to their popularity, and at the same time, it would be "pretty dramatic" if the two characters never met before the series would end; this eventually occurred in Resident Evil 6. In Resident Evil 6, Chris has a slightly disheveled look due to his alcoholism and post-traumatic amnesia.
In Resident Evil 7, Chris was given an entirely new design as the producers wanted to give him a more realistic look. The character's new design made him completely "unrecognizable", as stated by commentators and players. Director Kōshi Nakanishi stated that Resident Evil 6's Chris model "was just not suitable for Resident Evil 7's game engine or aesthetic". He further said that "[a]lthough it is a fairly realistic impression, even if it mixes with the character of "7", it seems that a sense of incongruity will come out." Takeuchi, the executive producer, added that they had been thinking about Chris as the primary character at the time and that, as it was the first time we had seen him in a long time, he needed to be shown as a hero. In retrospect, he also understood that creating Chris into a hero was not the same as creating a Resident Evil game. In Resident Evil Village, Chris is once again redesigned, but his look closer resembles that in Resident Evil 6, due to fan backlash against his look in Resident Evil 7. According to the director of Resident Evil Village DLC, Kento Kinoshita, the production team behind the DLC for the horror sequel initially had a completely different plan in mind. "At the time of the project," he says, referencing the DLC's early days of planning, "there were some ideas that focused on Chris. But we wanted to focus on Rose Winters," disclosing that the crew had a preference for a DLC that starred Rose as the main character rather than having Chris rejoin the action.
Voice-over and live-action actors
In the original Resident Evil, which uses live-action cinematics, Chris is played by Charlie Kraslavsky. He is the first actor to have portrayed the character. In English, Scott McCulloch voiced Chris in the original Resident Evil; Michael Filipowich voiced him in Resident Evil – Code: Veronica; Joe Whyte voiced him in Resident Evil (2002); Kevin Dorman voiced him in Resident Evil: The Umbrella Chronicles, Resident Evil: Vendetta, and Resident Evil: Death Island; Roger Craig Smith voiced him in Resident Evil 5, Resident Evil 6, Resident Evil: The Darkside Chronicles, Ultimate Marvel vs. Capcom 3, Marvel vs Capcom Infinite, Marvel vs. Capcom 3: Fate of Two Worlds, and Resident Evil: The Mercenaries 3D; and a recreational arcade game released solely in Japan. David Vaughn voiced him in Resident Evil 7, Jeff Schine voiced him in Resident Evil: Village, and Gerard Vachon voiced him in Dead by Daylight. In Japanese, Hiroki Tōchi voiced him in Resident Evil: Afterlife, Marvel vs. Capcom 3, Ultimate Marvel vs. Capcom 3, Resident Evil: Revelations, Project X Zone, Project X Zone 2, Resident Evil 6, Resident Evil 7, 2002 Resident Evil, Resident Evil: Vendetta, Resident Evil: Village, and Resident Evil: Death Island, while Subaru Kimura voiced him in Resident Evil: Welcome to Raccoon City.
Reuben Langdon did Chris' motion capture for several Resident Evil games, while Geordie Dandy did it in Resident Evil 7 and Village. Wentworth Miller portrayed him in Resident Evil: Afterlife. Miller said that he had seen the series and recalled in particular the third film's trailer, which included a shot above Vegas buried in the sand, described it as "iconic and arresting". He requested that the filmmakers put together a montage of noteworthy video game scenes that related to or clarified the mythology or history of his character as part of [his] research." Miller also conducted research to learn what the character meant to the audience. He claimed that in order to prepare for the part, he felt compelled to honor the existing mythology around video games. To that end, he conducted online research by visiting fan sites and blogs to learn about the discussions surrounding this character and what kinds of expectations people could have. However, he had to strike a balance between it and his acting identity, his natural talents, and the Chris Redfield that Paul W.S. Anderson creates for this film. Rather than the games, he was quite particular about the Resident Evil feature film adaptation. Robbie Amell portrayed him in Resident Evil: Welcome to Raccoon City. Amell described playing Chris as a "dream come true". Amell revealed that they tried to incorporate a scene of Chris punching a boulder, as in Resident Evil 5, but it did not fit the movie's tone. According to Amell, Johannes had discussed Resident Evil 4 or Code Veronica as possible games that could be adapted as the film's sequel and that he would be open to reprising his role.
Appearances
In Resident Evil series
Every game in the series is set in the fictional American metropolitan area of Raccoon City until its destruction at the end of Resident Evil 3: Nemesis. Subsequent games featuring Chris take place on an international scale, namely in Russia, Antarctica, China, Louisiana, Romania, Africa, and the Mediterranean Sea. The original game is set in July 1998 in a mansion on the outskirts of Raccoon City, which Chris and his team enter while searching for colleagues. Working with fellow survivor Rebecca Chambers, he discovers the property is a façade for a biological warfare laboratory operated by the Umbrella Corporation, and its undead occupants are the scientists who developed the T-virus mutagen. His commander, Albert Wesker, is revealed to be a double agent for Umbrella. Chris and Jill are among the five survivors of the incident who form a strong friendship and become passionate opponents of bioterrorism.
Chris did not appear in Resident Evil 2 (1998), as the production team used new protagonists (Leon and Claire Redfield) to preserve the original game's horror elements. Mikami believed Chris and Jill would be too experienced to be scared by the events in the sequel. Set five months later, Resident Evil - Code: Veronica (2000) sees Chris return as the protagonist of the second half of the game. He attempts to rescue his younger sister, Claire, from the Umbrella Corporation's research facilities on the fictional Rockfort Island, in the Pacific Ocean, and in Antarctica. Upon discovering she is in Antarctica, Chris is briefly confronted by Wesker, who is revealed to have survived the events of the "Mansion Incident" and now has enhanced strength and speed and is seeking revenge on Chris for having destroyed his plans. Eventually, he confronts Alexia Ashford, the creator of the T-Veronica virus. At the end of the game, he fights with Wesker shortly after killing Alexia. He is no match for him, and their fight is cut short because of the imminent destruction of the base. They vow to finish things another time.
The Umbrella Chronicles occurs in 2003, when Jill and Chris join a private organization with the goal of exposing Umbrella's biological warfare activities, leading a group to destroy their only remaining research facility. After the fall of the corporation, the pair become founding members of the United Nations' Bioterrorism Security Assessment Alliance (BSAA). In Revelations – set two years later – Jill and her new partner Parker Luciani are sent on a mission to rescue Chris, who is allegedly being held hostage on a ghost ship in the Mediterranean. Jill and Chris then unravel a political conspiracy involving an earlier mutagenic outbreak and a botched investigation by a rival agency.
Resident Evil 5 takes place in 2009 in the fictional African town of Kijuju, where terrorists are turning local residents into zombies. Chris is the protagonist of the game and one of the founding members of the UN paramilitary group Bio-terrorism Security Assessment Alliance (BSAA). In the game, he investigates in Africa, while looking for Jill, who is missing and declared dead. In fact, she was injured by the fall and taken hostage by Wesker, who then used her as a test subject in his biological experiments. Accompanying him is his new partner, Sheva Alomar. Eventually, Chris and Sheva manage to find and free Jill and ultimately defeat and destroy Wesker, who was planning to spread the Uroboros virus across the world.
Resident Evil 6 (2012) sees Chris return as one of the four protagonists alongside Leon, Ada Wong, and Jake Muller, the illegitimate son of Albert Wesker. In the game, Chris leads a squad of BSAA soldiers to investigate a bio-terror attack in Europe. Ambushed by Carla Radames, posing as Ada, they suffer severe casualties. Only Chris and Piers Nivans survive the assault, with the rest of his team being turned into monsters by Carla. Chris is overwhelmed with guilt and resigns from the BSAA., but Piers later convinces Chris to return to avenge their fallen comrades. They travel to China to investigate bio-terror activity and find themselves in another C-virus outbreak. While attempting to rescue Jake, who possesses the antibodies needed to stop the outbreak, Chris and Piers encounter Haos, a powerful BOW. Piers is grievously injured during the battle and injects himself with the C-virus to gain superhuman powers. He saves Chris, but sacrifices himself to ensure Haos is destroyed. Chris continues to serve the BSAA in Piers' memory.
At the end of Resident Evil 7: Biohazard (2017), a man identifying himself as "Redfield" arrives to rescue Ethan Winters. While the credits refer to the character as Chris Redfield, the helicopter he arrives in is branded with the Umbrella Corporation logo, which is now blue instead of red, initially causing people to question the person's identity. Capcom later confirmed this character to be Chris, in spite of the noticeable change in his appearance due to a different actor portraying him. Additionally, this new iteration of Umbrella opposes its predecessor's B.O.W. research and instead works closely with the BSAA. Chris appeared in the downloadable content campaign Not a Hero, which was released on December 12, 2017. This subchapter focuses on Chris attempting to apprehend Lucas Baker, and although he fails to save his men, he confronts and kills Lucas. He also appears at the conclusion of the End of Zoe downloadable content.
Chris returned for the eighth main installment in the series, titled Resident Evil Village (2021). During the three-year gap between Resident Evil 7 and Village, Chris has been running an off-the-books covert operation investigating an unidentified village suspected to have biohazards in Transylvania, Romania, managed by Mother Miranda. During the events of Village, Chris and his Hound Wolf squad learn that Miranda was capable of shape-shifting and posed as Mia, and they promptly shoot her in order to protect Ethan and Mia, only for his efforts to be foiled in the process. After revealing the nature of his mission to Ethan, Chris saves the real Mia, learns Miranda's connection to the late Oswell E. Spencer (who was killed by Wesker in Resident Evil 5: Lost in Nightmares), and helps plant a bomb on a megamycete in order to destroy the village. During extraction, a dying Ethan gives a recently rescued Rosemary to Chris before sacrificing himself to ensure the village's destruction. With Mia and Rosemary rescued, Chris and his team head to BSAA's European headquarters to demand explanations over their use of BOWs as frontline soldiers.
Other appearances
Chris features in the non-canonical Resident Evil live-action film series. In the rejected Resident Evil film script written by George A. Romero in 1998, Chris is a Native American civilian and ultimately one of the few survivors. In 2000, Capcom fired Romero and replaced him with Paul W. S. Anderson, who wrote a new script. Chris appears in the 2010 live-action film Resident Evil: Afterlife, portrayed by Wentworth Miller. In the film, Chris is found trapped in a maximum security cell after his unit's attempt to control the T-virus in Los Angeles goes haywire; the survivors who find him believe him to be a prisoner. He is reunited with his sister Claire, who cannot remember him because of memory damage caused by an Umbrella mind control device. He, Alice, and Claire eventually defeat Wesker and rescue imprisoned survivors being used for Umbrella's experiments. Miller said he prepared for the role by searching for images and videos of Chris on the Internet, as well as doing cardio for endurance. He appears in the reboot film Resident Evil: Welcome to Raccoon City (2021). Chris also appears in the adult animated Resident Evil films. He was one of the main characters in Resident Evil: Vendetta (2017), alongside Leon and Rebecca. Unlike the live-action films, the animated films are in the same continuity as the games. He returned in the sequel, Resident Evil: Death Island (2023).
Chris is a playable character in several non-canonical Resident Evil games. He features in the Resident Evil mobile game Resident Evil: Mercenaries Vs. (2011). He appears in three games in the Marvel vs. Capcom franchise and the crossover tactical role-playing games Project X Zone and Project X Zone 2. He also made a cameo appearance in the Nintendo crossover video game Super Smash Bros. Ultimate (2018), Dead by Daylight (2016) as an alternate skin, Fortnite Battle Royale (2017), Tom Clancy's The Division 2 (2019), State of Survival (2019), digital collectible card game Teppen (2019), Astro's Playroom (2020), Astro Bot (2024), and in Dead Rising Deluxe Remaster (2024) as an outfit for Frank West.
Chris features in novelizations of the films and games. Additionally, he makes an appearance in the prequel manga for Resident Evil 6, which describes Chris' activities prior to the events. Several comic books based on the games were released, and he is a character in Bandai's Resident Evil Deck Building Card Game (2011). The character was featured in a Resident Evil-themed attraction at Universal Studios Japan's Halloween Horror Nights. Merchandise featuring Chris includes outfits, perfumes, gun replicas, watches, and figurines.
Reception
Chris Redfield has received mostly negative reviews from critics. Several game publications have noted the character's lack of consistent visual design for his appearances throughout the Resident Evil franchise. Polygon's Cass Marshall noted his variations in body mass throughout the games by repeatedly changing from lean to muscular and back again, while Ian Walker from Kotaku compared his appearances in Resident Evil 7 and Resident Evil Village as "transition[ing] from global bio-terrorism agent to [...] someone's henchman in a British crime comedy written and directed by Guy Ritchie." According to PC Gamer's Andy Kelly, Chris is "finally a person". He claimed that in Village, it has "a very different Chris than we've ever seen before. For the first time, he feels like a human." Several Kotaku employees have also referred to Chris as the worst of the Resident Evil heroes, calling him "bland" and "boring" and critiquing the majority of his redesigns. Ravi Sinha of GamingBolt considered the character's design in Resident Evil 7 among the worst in video games, noting that "the overly buff, borderline steroid-abusing macho man" was replaced by a "normal looking guy". On the other hand, while Matt Cundy of GamesRadar+ compared his Code Veronica and Resident Evil 5 designs while trying to evaluate which would fit better for a zombie apocalypse, they found the latter provided a better chance to survive a zombie attack. It also judged Chris from the original game as "horribly ill-prepared". GameSpy called his new design in Resident Evil 5 "a cross between Colin Farrell and Hugh Jackman" in particular, and it became a source of controversy and was often ridiculed. Jesse Schedeen of IGN described him as one of the most overrated video game characters, with the suggestion that he should "ditch the 'roids and concentrate on getting the job done", while Alexander Sliwinski of Engadget commented that during The Umbrella Chronicles, Chris possibly started his "steroid abuse". Conversely, Chris has been named by IGN and fans as one of the popular Resident Evil characters. His professional relationship with Jill was celebrated for its basis in loyalty rather than romance and its balance in their personalities: Chris's brawn and Jill's intellect.
Near the climax of Resident Evil 5, Chris and Sheva engage in a final confrontation against a heavily mutated Wesker inside a volcano, but the duo become separated. In order for them to reunite, the player controlling Chris must engage in a button-mashing sequence where Chris pushes and punches a large boulder until it falls into the lava. The scene became recognized as one of the most memorable within the Resident Evil series, largely due to its ridiculousness. It became the subject of Internet memes, with fans using it to demonstrate Chris' masculinity. Wes Fenlon of PC Gamer said that Chris punching a boulder inside an active volcano "gave us what is truly one of the greatest moments in the history of videogames" and "as a quicktime event. It is perfect." In Resident Evil Village, during the boss fight with Karl Heisenberg, Karl calls Chris a "boulder-punching asshole," a reference to the aforementioned scene in Resident Evil 5.
Chris has often been recognized for his sex appeal, particularly since his more muscular appearance in Resident Evil 5. Some critics have described him as one of the sexiest video game characters. Sikh media and video game critic Veerender Singh Jubbal stated in a Kotaku interview that Chris, as he appears in Resident Evil 5, "allowed [him] to understand [his] bisexuality" better; noted that his design was "different than previous iterations", Jubbal described Chris as a "large muscle-bound hunk [and] something [he] was attracted to". Natalie Romano of GameZone included Chris in their top "gaming gods" for his new look, describing him as "one gorgeous hunk" with "a killer body and dreamy good-looks". Ed Nightingale of PinkNews, an online newspaper marketed to the LGBT community, described Chris as "burly" and having arms "to thirst over". Eurogamer's Matt Wales, in reviewing Resident Evil Revelations, described Chris as the "supreme beefcake". Trace Thurman of Bloody Disgusting found Chris' sailor outfit to be one of the "silliest" in the franchise, while recognizing that "never before has Chris looked sexier", further highlighting his shirtless warrior outfit from Resident Evil 5. Conversely, Matt Liebl of GameZone said that seeing Chris' "skimpy" sailor outfit in Resident Evil: Revelations is "weird to see".
Notes
References
External links
Media related to Chris Redfield at Wikimedia Commons |
Frank_West_(Dead_Rising) | https://en.wikipedia.org/wiki/Frank_West_(Dead_Rising) | [
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"https://en.wikipedia.org/wiki/Frank_West_(Dead_Rising)"
] | Frank West (Japanese: フランク・ウェスト, Hepburn: Furanku Wesuto) is a character in Dead Rising, an action-adventure video game series created and published by Japanese company Capcom. He first appeared as the protagonist in the 2006 video game Dead Rising. In the series, West is a freelance journalist. The character has been well received by video game publications as well as by the fans, mainly in the West, leading Frank to appear in several more games in and outside the Dead Rising series.
Concept and design
Keiji Inafune, producer of Dead Rising, wanted the main character Frank West to be different from the usual Japanese main character, a young and beautiful protagonist. In the beginning, the staff considered making the character ugly and fat. However, the American branch of Capcom said he was too ugly; Inafune then wanted to create an everyman that looked average rather than beautiful or ugly. His conception as "rough, tough, gritty character" was aimed primarily to attract the Western audience.
Appearances
In Dead Rising series
Introduced in the first Dead Rising game, Frank West is the player character, a famed freelancer photographer and photojournalist who has covered many world events, wars, and other big stories. Lately, however, his career has begun to fizzle out. Looking for the next big scoop, he stumbles on to some strange events happening in the small town of Willamette, Colorado. There, he winds up in a barricaded shopping mall and attempts to rescue a host of human survivors from the zombie hordes and violent psychopaths laying siege to the mall, while also covering the story.
Frank makes a return as the secondary protagonist of Dead Rising 2: Case West and fights alongside Chuck Greene after rescuing him from Fortune City as they tackle Phenotrans at one of their facilities. In the end, Frank escapes the facility with Chuck, though Isabela Keyes was kidnapped by Dr. Mallon, he has successfully retrieved evidence to help clear Chuck's name in the Fortune City disaster.
Frank reappears in Dead Rising 2: Off the Record, which is an alternate version of the Dead Rising 2 storyline in which Frank is the protagonist. In this version of the story, Frank became an overnight celebrity for his actions in exposing the Willamette incident. Cashing in on his success, Frank released a memoir, hosted a talk-show, and used his fame and money to treat his zombie wounds from Willamette with Zombrex (among other perks). Unfortunately, between his squandered money and a series of scathing scandals, Frank's show was cancelled and his stardom quickly plummeted. In desperation, Frank goes to Fortune City to appear on "Terror is Reality" as a competitor and make some quick money, but is trapped in the city when the zombie outbreak begins. Though at first Frank sees the outbreak as his big comeback, he gradually learns of the terrifying conspiracy behind it and becomes more determined to uncover the truth.
In Dead Rising 3, Frank does not appear in the main story, but is playable in the Dead Rising 3 DLC and can also be found as a statue players can find spread across Los Perdidos.
Frank returns as the protagonist of Dead Rising 4, in which he now works as a college photography teacher and returns to Willamette 16 years after the events of the first game, only to be caught in the middle of another zombie outbreak.
Other appearances
West is a playable character in Tatsunoko vs. Capcom: Ultimate All-Stars fighting game, with his special moves revolving around the use of zombies, a helmet featuring the Servbot character from Mega Man Legends, and a variety of makeshift weapons from Dead Rising. He is one of six Capcom characters added to the fighting game Ultimate Marvel vs. Capcom 3, a standalone updated version of Marvel vs. Capcom 3: Fate of Two Worlds. His fighting style makes use of the Dead Rising "Level Up" mechanic that gives him access to more moves, stronger attacks, and increased damage resistance the more exp he gains from taking pictures. He is also playable in the game's sequel, Marvel vs. Capcom: Infinite. He also appears as one of the characters at player's disposal in the tactical role-playing game Project X Zone, where he is paired with Hsien-Ko from the Darkstalkers series.
West also appears as a multiplayer character in Capcom's Lost Planet: Extreme Condition, and in the sequel, Lost Planet 2. In Valve's add-on content "The Passing" for Left 4 Dead 2, a message from Frank directed to Otis appears among other pop culture messages graffitied on the wall of a bar.
Film
West appeared in the live-action film Dead Rising: Watchtower, portrayed by Rob Riggle. Frank can also be seen as several statues hidden in frame.
Reception
In 2008, The Age ranked West as the 22nd greatest Xbox character of all time, while GameDaily ranked him as the 17th best Capcom character of all time in 2008. In 2012, GamesRadar ranked him as the 76th "most memorable, influential, and badass" protagonist in games. UGO Networks included West among the "Top Heroes in Entertainment", placing him as 68th. In 2013, GamesRadar staff included him among the 30 best characters in the three decades of Capcom's history, noting that "Frank has been a fast-rising star within Capcom, appearing in multiple fighting games and cameo roles in the handful of years since his debut." GamesRadar's staff also placed him at number 48 in a list of the 50 best game characters of the generation.
He was listed on Game Informer's "Ten Faces We Won't Soon Forget", with Meagan Marie emphasizing the fact that he is an everyman, saying "Frank West represents that little part in all of us that hopes to survive a zombie apocalypse some day." In 2009, IGN's Jesse Schedeen included Frank West in an "Ultimate Zombie Strike Team". IGN also listed Frank as one of characters they wished to see appear in a future Marvel vs. Capcom title, adding that he "should definitely come equipped with some of the more eclectic toys he picked up in the mall, including his Mega Man gear and lightsaber." He was also featured in a 2010s "Gaming's Most Inappropriate Outfits Ever" by NowGamer. UGO Networks ranked him as fifth "awesomest hidden character" for his appearance in Tatsunoko vs. Capcom, noting the difficulty to unlock the character while West's guest appearance in Left 4 Dead 2 was ranked as first in GamesRadar's 2010 list of best character cameos.
== References == |
Resident_Evil_3:_Nemesis | https://en.wikipedia.org/wiki/Resident_Evil_3:_Nemesis | [
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"https://en.wikipedia.org/wiki/Resident_Evil_3:_Nemesis"
] | Resident Evil 3: Nemesis is a 1999 survival horror video game developed and published by Capcom originally for the PlayStation. It is the third game in the Resident Evil series and takes place almost concurrently with the events of Resident Evil 2. The player must control former elite agent Jill Valentine as she escapes from Raccoon City, which has been overrun by zombies. The game uses the same engine as its predecessors and features 3D models over pre-rendered backgrounds with fixed camera angles. Choices through the game affect how the story unfolds and which ending is achieved.
Resident Evil 3 was developed concurrently with Resident Evil – Code: Veronica and was conceived as a spin-off featuring a different protagonist. It was designed to have a more action-oriented gameplay than its predecessors and features a larger number of enemies for the player to defeat. It also introduces Nemesis, a creature that periodically pursues the player throughout the game and that was inspired by the T-1000 Terminator from the 1991 film Terminator 2: Judgment Day.
Resident Evil 3 received positive reviews and sold more than three million copies worldwide. Critics praised the detailed graphics and Nemesis as an intimidating villain, but some criticized its short length and story. In the years following its release on the PlayStation, Resident Evil 3 was ported to Windows, Dreamcast, and GameCube with varying degrees of critical success. In particular, the GameCube version was criticized for its relatively high retail price and outdated graphics. A remake, entitled Resident Evil 3, was released in 2020.
Gameplay
Resident Evil 3: Nemesis is a survival horror game where the player controls the protagonist, Jill Valentine, from a third-person perspective to interact with the environment and enemies. The player takes control of another character for a brief portion of the game. To advance, the player explores a city while avoiding, outsmarting and defeating enemies. The player can interact with the environment in several ways, such as opening doors, pushing objects or climbing obstacles. Scattered throughout the city are weapons, ammunition and other items, which can be collected and put in the player's inventory. Items can be examined, used, or combined with others. The inventory is limited to a certain number of slots, and the player must often move items from the inventory to a storage box located in special rooms to manage space.
The player can use a variety of firearms to defeat enemies, ranging from pistols to a rocket launcher. Aside from enemies, parts of the environment, such as explosive barrels, can be shot at, causing them to explode and damage nearby enemies. The game also introduces the ability for players to dodge attacks or perform a quick 180-degree turn to evade enemies. The player has a certain amount of health which decreases when attacked by enemies. Health is regained with first aid sprays, as well as herbs, which can be used separately or mixed together to increase their healing effect. The game also features an ammunition creation system that allows players to create new ammunition from different varieties of gunpowder. In addition to engaging in combat, the player must often solve puzzles that focus on logical and conceptual challenges.
During certain situations, the player will be put in a perilous situation, where they will be prompted to choose between two possible actions or suffer a certain penalty, if not instant death. These choices affect how the story unfolds and which ending is achieved. Additionally, a creature called Nemesis is encountered multiple times throughout the game as a recurring boss. Nemesis is considerably more powerful than the player and has the ability to use a rocket launcher as a weapon, dodge incoming fire, and pursue the player from one area to the next. During one of these encounters, the player can choose to either fight Nemesis or run until he is evaded. A variety of encounters are possible, with some being mandatory, and some varying in nature and location based on certain choices made by the player. Even if evaded or defeated during one of these encounters, Nemesis will inevitably continue to pursue the player until the end of the game.
Once the player completes the game, a mode called The Mercenaries - Operation: Mad Jackal is unlocked. In this mode, the player must control mercenaries that Jill encounters during the main game and run from one side of the city to the other within a limited amount of time and resources. However, the starting time limit given is insufficient to actually perform this task directly, and the player must continuously receive time extensions by performing certain actions such as defeating enemies, rescuing civilians and exploring hidden areas. Depending on the rank received and difficulty chosen, completing the main game may unlock alternate costumes for Jill and epilogue files that detail the activities of different characters following the events of the game. The Mercenaries mode and alternate costumes for Jill do not need to be unlocked in the Windows and Dreamcast versions of the game.
Plot
On September 28, 1998, 24 hours prior to the events of Resident Evil 2, former Special Tactics And Rescue Service (S.T.A.R.S.) member Jill Valentine attempts to escape from Raccoon City. Most of the population has been transformed into zombies by an outbreak of the T-virus, the gruesome biological weapon secretly developed by the pharmaceutical company Umbrella Corporation. After fighting through zombies and mutants on her way to the Raccoon City Police Department, Jill runs into fellow team member Brad Vickers, who is later killed by a new enemy. This creature, Nemesis-T Type, is a bio-organic weapon programmed to target the remaining surviving S.T.A.R.S. members, who had knowledge of Umbrella's experiments. After she evades Nemesis, Jill encounters three surviving members of the Umbrella Biohazard Countermeasure Service (U.B.C.S.): Carlos Oliveira, Mikhail Victor, and Nikolai Zinoviev. Nikolai explains to Jill that a rescue helicopter can be contacted if they manage to reach the city's Clock Tower to ring the bell.
When they are finished repairing a cable car, Nikolai goes missing and is presumed dead. Nemesis then corners the remaining members of the group onto the car as they head to the tower. Mikhail sacrifices himself with a grenade, causing the car to crash into the tower's central courtyard and separating Jill and Carlos briefly. At the Clock Tower, Jill summons the helicopter by ringing the Clock Tower's bell before being confronted by Nemesis, which destroys the helicopter and infects Jill with the T-virus. Jill manages to temporarily defeat Nemesis but she falls unconscious due to the T-virus infection given by Nemesis. Carlos finds Jill and takes her to safety within the Clock Tower. Three days later, he finds a vaccine for Jill's T-virus infection in a nearby Umbrella owned hospital. He then returns and administers it to Jill, saving her.
After she regains consciousness, Jill proceeds towards the Raccoon Park to search for an escape route and enters the park caretaker's cabin. There, she runs into Nikolai, who reveals that he is a "supervisor" sent into Raccoon City to gather combat data on Umbrella's bioweapons. Nikolai retreats, and Jill later is confronted by the Gravedigger which is a massive worm-like creature. Jill defeats the monster and escapes to an abandoned Umbrella factory at the edge of town through the worms tunnels. Inside the factory, Jill meets up with Carlos, who tells her that the U.S. government is planning to launch a nuclear missile into Raccoon City to eradicate the T-virus infestation. After confronting Nemesis and grabbing a keycard needed to escape, Jill learns from the factory's control tower that the missile attack on Raccoon City has begun, with only a short time left before the city is destroyed.
Depending on the path taken by the player, Jill's final encounter with Nikolai will differ. In one version of the events, Nikolai will attempt to start a gunfight with Jill, only to be ambushed and killed by Nemesis. In another event, Nikolai will hijack Jill's intended escape chopper, and the player must either reason with Nikolai or destroy the helicopter. If Jill negotiates with Nikolai, he reveals that he has killed the other supervisors and boasts about collecting the bounty placed on Jill by Umbrella before escaping. Regardless of Nikolai's fate, Jill makes her way to the rear yard and confronts Nemesis one last time. After an intense battle, Jill defeats Nemesis with the help of a large prototype railgun before meeting up with Carlos and escaping the city via a helicopter. If the previous escape chopper was stolen by Nikolai, Jill, and Carlos will instead meet up with S.T.A.R.S. Alpha Team's weapons specialist Barry Burton, who helps them escape in his helicopter. The nuclear missile vaporizes Raccoon City, and Jill swears revenge on Umbrella. A newscast then briefly details the destruction and offers condolences for the lost lives.
Development
Resident Evil 3 was developed by Capcom and produced by Shinji Mikami, who had directed the original Resident Evil and produced Resident Evil 2. After Resident Evil 2 was released, Capcom was working on multiple Resident Evil projects, with Hideki Kamiya directing what was planned to be the next main installment. This game would take place on a cruise ship and would involve HUNK attempting to bring back a sample of the G-Virus. However, Capcom cancelled the project after Sony announced the PlayStation 2, claiming that its development would not be completed before the PlayStation 2's launch. Because Capcom did not want fans to wait years for a new Resident Evil on PlayStation, it promoted one of its side projects as the third main game while Kamiya's team moved onto Resident Evil 4.
The selected project was a spin-off developed by an inexperienced team led by director Kazuhiro Aoyama. It was intended to introduce a new character who would escape from an infected Raccoon City. However, after the promotion, Capcom made Resident Evil protagonist Jill Valentine the main character and decided that Raccoon City would be destroyed. Unlike the majority of the early scripts in the series, the story was not created by Capcom's Flagship studio but by internal Capcom writer Yasuhisa Kawamura, who had little experience with Resident Evil. Kawamura played the original game to familiarize himself with its fictional universe. The story was proofread and sanctioned by Flagship to avoid continuity errors with other games, an issue that was also given attention in monthly meetings between all directors and producers.
Resident Evil 3 uses the same game engine as its predecessors. The environments consist of 2D pre-rendered backgrounds while moving objects, such as enemies and some interactive elements, consist of 3D polygon graphics. The developers chose this technique because having full 3D graphics would not allow them to create graphically rich and detailed environments. According to project supervisor Yoshiki Okamoto, "the number of polygons allocated for the enemies would not be sufficient. We did not want to have blocky, pixelated zombies." Interaction with the environment was improved so that the player could shoot objects such as explosive barrels to damage enemies. The developers also added more zombie varieties, which can take the form of policemen, doctors, and ordinary citizens, among others.
Unlike previous Resident Evil games, which mostly took place inside buildings, Resident Evil 3 takes place largely in the streets of Raccoon City. This allowed the developers to create more varied environments. Capcom introduced more action mechanics, which resulted in the addition of the 180-degree turn and a dodge feature to avoid attacks. Additionally, the developers designed the game so that up to nine enemies can appear at the same time, and improved their artificial intelligence to hunt the player up and down stairs. The Nemesis creature was inspired by the liquid-metal T-1000 from the 1991 film Terminator 2: Judgment Day. According to Mikami, "I wanted to introduce a new kind of fear into the game, a persistent feeling of paranoia. The Nemesis brings that on in spades. When it disappears after the first confrontation, you live in constant dread of the next attack. The idea is to make you feel like you're being stalked."
The game was developed concurrently with the Dreamcast version of Resident Evil – Code: Veronica. It was originally referred to as Biohazard 1.9 or Biohazard 1.5 because it takes place between the first two Resident Evil games. Although Code: Veronica is set after Resident Evil 2, Capcom wanted Nemesis to be the third numbered game to keep the PlayStation games consistent. Development began with a team of 20 people, but the size gradually increased to between 40 and 50 staff members. Unlike Resident Evil 2, which features two discs with two different protagonists, Resident Evil 3 is a single-CD game that centers on Jill Valentine. Capcom chose her as the only protagonist because she was "the only suitable character remaining", noting that Claire Redfield and Chris Redfield had already been chosen for Code: Veronica.
Marketing and release
Resident Evil 3 was featured at the Tokyo Game Show in March 1999. A playable version was available at the Electronic Entertainment Expo in 1999. At the time, the dodging feature had not been completed and was absent from the demo. To promote the game, Capcom included a brief demo of Resident Evil 3 in the US shipments of their earlier game, Dino Crisis, which had a successful launch in Japan. Prior to the release of the game, Capcom spent US$20 million on advertisement campaigns for Resident Evil 3 and Dino Crisis, as well as the Nintendo 64 version of Resident Evil 2. The marketing campaign included dedicated television advertising, print advertising, and incentives to the consumer. A double soundtrack album, composed by Masami Ueda, Saori Maeda and Shusaku Uchiyama, was released on September 22, 1999. A novelization, Nemesis, written by S. D. Perry, was published in 2000.
Resident Evil 3 was released for the PlayStation video game console on September 22, 1999 in Japan and November 11, 1999 in North America. The first 500,000 units of the game included additional demo discs of Dino Crisis. The game was a commercial hit, selling more than 1 million units worldwide by early October. According to NPD, Resident Evil 3 was the top-selling game for the PlayStation in the US during the first two weeks of November 1999. In Europe, the game was released on February 21, 2000 and became a bestseller in the UK, where it received a "Gold" sales award from the Entertainment and Leisure Software Publishers Association, indicating sales of at least 200,000 copies. As of June 2012, a total of 3.5 million copies of the PlayStation version had been sold.
Reception
Upon its release on the PlayStation console, Resident Evil 3 received "universal acclaim", according to Metacritic. GameSpot editor James Mielke considered it the most sophisticated and accomplished Resident Evil game in terms of graphics and gameplay. Official UK PlayStation Magazine called Resident Evil 3 "a modern-day classic", concluding that the game "creates a believable environment, populates it with a host of evil adversaries and uses Raccoon City's urban sprawl to enhance the fiendish puzzles." Computer and Video Games (CVG) remarked that the game preserves the best features of its predecessors and adds "some exciting new elements". Similarly, Edge described it as "engrossing", despite its similarity to its predecessors, and found the Mercenaries mode a valuable addition.
The pre-rendered backgrounds were credited for their rich details and dark art style. According to IGN editor Doug Perry, "Crashed cars, rubbish and rubble, totally destroyed city streets, and scattered broken glass and debris, all are housed in a suburban area that truly looks devastated in the worst possible way." GameSpot felt that the 3D modeling of Jill Valentine was greatly improved compared to the "blocky" models in the original game. The music and sound effects received similar praise, with GamePro remarking that the game "keeps the action hot by hiding what you shouldn't see, but telling you about it through the audio". The introduction of the Nemesis creature was praised. Official UK PlayStation Magazine described the first encounter as shocking, while CVG said that the creature increases the tension level "to an insane degree" because the player never knows when he will appear.
GameSpot praised the prompted choices during certain points in the game as they encourage replay value, but felt the game was too short compared to Resident Evil 2, with only one disc and one protagonist. Perry praised the live-action-choice feature, stating that it "speeds up the pace, increases the tension, and forces a decision that varies the following scene". He found the 180-degree turn and dodge moves as welcome and necessary additions. In contrast, Official U.S. PlayStation Magazine criticized the dodge feature as impractical and for relying too much on timing, resulting in doing more harm to the player. GameRevolution and Official U.S. PlayStation Magazine criticized the simple premise and voice acting, while Next Generation said that the game might be a bit tiresome for players familiar with its predecessors. Resident Evil 3 was nominated for GameSpot's 1999 Adventure Game of the Year.
Legacy
Ports and re-releases
Resident Evil 3 was ported to the Microsoft Windows and Dreamcast platforms in 2000, featuring enhanced 3D character models and higher resolution graphics. The Dreamcast version includes more alternate costumes than in the PlayStation version. Critical reception for these ports was not as positive. The Microsoft Windows version was criticized for not being optimized for keyboard and mouse and for not letting players save their progress at any time. Critics noted that some of the pre-rendered backgrounds in the Dreamcast version of the game were not improved, resulting in them looking not as good as the PlayStation version's due to the Dreamcast's higher graphic fidelity. CVG generally praised the Dreamcast version, but admitted that the difference in graphical quality between Resident Evil 3 and Code: Veronica was very large.
A GameCube version of the game was released in 2003 as part of an exclusivity agreement between Capcom and Nintendo. It received mixed reviews from critics and was mainly criticized for its relatively high retail price and outdated graphics. AllGame noted that the fact that the game was not priced as a budget title could mislead buyers into thinking that it was an enhanced update similar to the 2002 Resident Evil on the GameCube. GamePro remarked that, while the game's graphics on the GameCube were not like those of the 2002 Resident Evil or Resident Evil Zero, they were better-looking than previous versions of the game. As of November 2003, 41,395 copies of the GameCube version had been sold in the U.S. Resident Evil 3 was digitally released on the PlayStation Network in Japan in 2008 and North America in 2009, allowing PlayStation 3 and PlayStation Portable users to play the PlayStation version of the game via emulation.
In July 2024, Resident Evil was released on GOG.com, with ports of Resident Evil 2 and Resident Evil 3: Nemesis expected to come later. The game will get enhanced 3D character models and higher-resolution graphics on its release.
Remake
A remake, entitled Resident Evil 3, was released in 2020. The game is played from an over-the-shoulder, third-person perspective and runs on Capcom's proprietary RE Engine. Although it features the same premise as the original game, many parts were rearranged in favor of a more focused story. Some features such as the original game's multiple endings, several locations and The Mercenaries - Operation: Mad Jackal mode were removed. The game received generally positive reviews from critics.
Notes
References
External links
"Official website". Archived from the original on February 22, 2012. (in Japanese) |
Golden_Globe_Award_for_Best_Actor_in_a_Motion_Picture_%E2%80%93_Drama | https://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Actor_in_a_Motion_Picture_%E2%80%93_Drama | [
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"https://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Actor_in_a_Motion_Picture_%E2%80%93_Drama"
] | The Golden Globe Award for Best Actor in a Motion Picture – Drama is a Golden Globe Award that was first awarded by the Hollywood Foreign Press Association as a separate category in 1951. Previously, there was a single award for "Best Actor in a Motion Picture" but the splitting allowed for recognition of it and the Best Actor – Musical or Comedy.
The formal title has varied since its inception. In 2005, it was officially called: "Best Performance by an Actor in a Motion Picture – Drama". As of 2013, the wording is "Best Actor in a Motion Picture – Drama".
Winners and nominees
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Multiple nominations
Multiple wins
See also
Academy Award for Best Actor
Critics' Choice Movie Award for Best Actor
Independent Spirit Award for Best Male Lead
BAFTA Award for Best Actor in a Leading Role
Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role
== References == |
Golden_Globe_Award_for_Best_Screenplay | https://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Screenplay | [
241
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"https://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Screenplay"
] | The Golden Globe Award for Best Screenplay – Motion Picture is a Golden Globe Award given by the Hollywood Foreign Press Association.
Winners and nominees
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Multiple wins and nominations
See also
Academy Award for Best Story
BAFTA Award for Best Original Screenplay
BAFTA Award for Best Adapted Screenplay
Academy Award for Best Original Screenplay
Academy Award for Best Adapted Screenplay
AACTA International Award for Best Screenplay
Critics' Choice Movie Award for Best Screenplay
Writers Guild of America Award for Best Original Screenplay
Writers Guild of America Award for Best Adapted Screenplay
References
External links
Nominees/Winners of Best Screenplay Award |
Tim_Robbins | https://en.wikipedia.org/wiki/Tim_Robbins | [
241
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"https://en.wikipedia.org/wiki/Tim_Robbins"
] | Timothy Francis Robbins (born October 16, 1958) is an American actor. He is best known for portraying Andy Dufresne in the film The Shawshank Redemption (1994), and Jacob Singer in Jacob's Ladder (1990), as well as winning an Academy Award and Golden Globe award for his role in Mystic River (2003) and another Golden Globe for The Player (1992).
Robbins's other roles include starring as Lt. Samuel "Merlin" Wells in Top Gun (1986), Nuke LaLoosh in Bull Durham (1988), Erik in Erik the Viking (1989), Ed Walters in I.Q. (1994), Nick Beam in Nothing to Lose (1997) and Senator Robert Hammond in Green Lantern (2011). He also directed the films Bob Roberts (1992) and Dead Man Walking (1995), both of which were well received. He received an Academy Award nomination for Best Director for Dead Man Walking.
On television, Robbins played Secretary of State Walter Larson in the HBO comedy The Brink (2015), and in Here and Now (2018) portrayed Greg Boatwright. In 2023, he starred as Bernard Holland in the Apple TV+ series Silo.
Early life
Robbins was born in West Covina, California, and raised in New York City. His parents were Mary Cecelia (née Bledsoe), a musician, and Gilbert Lee Robbins, a singer, actor, and manager of The Gaslight Cafe. Robbins has two sisters, Adele and Gabrielle, and a brother, composer David Robbins. He was raised Catholic.
Robbins moved to Greenwich Village with his family at a young age while his father pursued a career as a member of a folk music group called The Highwaymen. Robbins started performing in theater at age twelve and joined the drama club at Stuyvesant High School (Class of 1976). He spent two years at SUNY Plattsburgh and then returned to California to study at the UCLA Film School, graduating with a Bachelor of Arts degree in Drama in 1981.
Career
Robbins's acting career began at Theater for the New City, where he spent his teenage years in their Annual Summer Street Theater and also played the title role in a musical adaptation of Antoine de Saint-Exupéry's The Little Prince. After graduation from college in 1981, Robbins founded the Actors' Gang, an experimental theater group, in Los Angeles with actor friends from his college softball team, as well as John Cusack.
In 1982, he appeared as domestic terrorist Andrew Reinhardt in three episodes of the television program St. Elsewhere. He had a small role in the film No Small Affair (1984), starring Demi Moore. In 1985, he guest-starred in the second episode of the television series Moonlighting, "Gunfight at the So-So Corral". He also took parts in films, such as the role of frat animal "Mother" in Fraternity Vacation (1985) and Lt Sam "Merlin" Wells in the fighter pilot film Top Gun (1986). He appeared on The Love Boat, as a young version of one of the characters in retrospection about the Second World War. His breakthrough role was as pitcher Ebby Calvin "Nuke" LaLoosh in the baseball film Bull Durham (1988), in which he co-starred with Susan Sarandon and Kevin Costner.
Robbins's amoral film executive in Robert Altman's film The Player (1992) was described by Peter Travers in Rolling Stone as "a classic performance, mining every comic and lethal nuance in the role of his career". He won the Best Actor Award at Cannes. He made his directorial and screenwriting debut with Bob Roberts (also 1992), a mockumentary about a right-wing senatorial candidate. Todd McCarthy in Variety commented that the film is "both a stimulating social satire and, for thinking people, a depressing commentary on the devolution of the American political system". Robbins then starred alongside Morgan Freeman in The Shawshank Redemption (1994), which was based on Stephen King's novella.
Robbins has written, produced, and directed several films with strong social content, such as the capital punishment saga Dead Man Walking (1995), starring Sarandon and Sean Penn. The film earned him an Oscar nomination for Best Director. According to Roger Ebert in early 1996: "With this film he leaps far beyond" Bob Roberts "and has made that rare thing, a film that is an exercise of philosophy. This is the kind of movie that spoils us for other films, because it reveals so starkly how most movies fall into conventional routine, and lull us with the reassurance that they will not look too hard, or probe too deeply, or make us think beyond the boundaries of what is comfortable".
His next directorial effort was Depression-era musical Cradle Will Rock (1999). Robbins has also appeared in mainstream Hollywood thrillers, such as Arlington Road (also 1999) as a suspected terrorist and Antitrust (2001) as a malicious computer tycoon, and in comical films such as The Hudsucker Proxy (1994), Nothing to Lose (1997), and High Fidelity (2000). Robbins has also acted in and directed several Actors' Gang theater productions.
Robbins won the Best Supporting Actor Oscar and the SAG Award for his work in Mystic River (2003), as a man traumatized from having been molested as a child. He followed his Oscar-win with roles as a temporarily blind man who is nursed to health by a psychologically wounded young woman in The Secret Life of Words (2005) and an apartheid torturer in Catch a Fire (2006). As of 2006, he was the tallest Academy Award-winning actor at 6 feet 5 inches (1.96 m).
In early 2006, Robbins directed an adaptation of George Orwell's novel 1984, written by Michael Gene Sullivan of the Tony Award-winning San Francisco Mime Troupe. The production opened at Actors' Gang, at their new location at The Ivy Substation in Culver City, California. In addition to venues around the United States, it has played in Athens, Greece, the Melbourne International Festival in Australia and the Hong Kong Arts Festival. Robbins was soon considering a film adaptation.
Robbins appeared in The Lucky Ones, with co-star Rachel McAdams as well as City of Ember (both 2008). Robbins next film role was as Senator Hammond, the disapproving father of the film's villain Hector Hammond, in the superhero film Green Lantern (2011).
Robbins released the album Tim Robbins & The Rogues Gallery Band (2010), a collection of songs written over the course of 25 years that he ultimately took on a world tour. He was originally offered the chance to record an album in 1992 after the success of his film Bob Roberts, but he declined because he had "too much respect for the process", having seen his father work so hard as a musician, and because he felt he had nothing to say at the time.
Robbins directed two episodes of the HBO series Treme. The series follows the interconnected lives of a group of New Orleanians in the wake of Hurricane Katrina. He helmed the episodes "Everything I Do Gonh Be Funky" in Season 2 (2011) and "Promised Land" in Season 3 (2012). Robbins became interested in the show while staying in New Orleans during the filming of Green Lantern. "I had the unique experience of watching Treme with locals. It resonated for me immediately, and it resonated for them as well, because they have seen their town get misinterpreted and represented in ridiculous ways," he told The Times-Picayune in 2011. "Something about this show was different for them. I appreciated that. I loved the writing and the actors. I loved the environment it's set in. I watched the whole first season in New Orleans, and got in touch with David Simon and said, 'If you guys need a director next year, I'd be happy to do an episode.'"
In 2013, he was a member of the jury at the 63rd Berlin International Film Festival.
In fall of 2024, Robbins and the Actors' Gang presented a production of his play 'Topsy Turvy - Ramazuri' at the Csokonai National Theatre in Debrecen.
Personal life
In 1988, Robbins began a relationship with actress Susan Sarandon, whom he met on the set of Bull Durham. They have two sons: John "Jack" Henry (b. May 15, 1989) and Miles Robbins (b. May 4, 1992). Sarandon, like Robbins, is a lapsed Catholic, and they share leftist political views. Robbins' relationship with Sarandon ended in December 2009.
Robbins married Gratiela Brancusi on February 1, 2017. They split on July 1, 2020. News of the marriage was kept private until Robbins filed for divorce in January 2021. The divorce was finalized in 2022.
Political views
Robbins supported Ralph Nader's 2000 presidential campaign and appeared on stage in character as Bob Roberts during the "Nader Rocks the Garden" rally at Madison Square Garden. In December 2007, Robbins campaigned for Senator John Edwards in the 2008 U.S. presidential election. He made critical statements against Hillary Clinton and the Democratic Leadership Council while introducing Bernie Sanders at a 2016 campaign stop.
Robbins opposed the 2003 invasion of Iraq. In 2003, a 15th anniversary celebration of Bull Durham at the National Baseball Hall of Fame was canceled by Hall of Fame President Dale Petroskey. Petroskey told Robbins that his stance helped to "undermine the U.S. position, which could put our troops in even more danger." Durham co-star Kevin Costner defended Robbins and Sarandon: "I think Tim and Susan's courage is the type of courage that makes our democracy work. Pulling back this invite is against the whole principle about what we fight for and profess to be about."
In 2023, Robbins criticized COVID-19 lockdowns, arguing they undermined freedom of speech and freedom of assembly. Robbins added that his villainous character in the television series Silo, a "leader who crushes any dissent or protest with swift violence", was inspired by pro-lockdown politicians.
Filmography
Awards and nominations
References
External links
Official website
Tim Robbins at IMDb
Robbins's blog at HuffPost
Embedded Live, the play and Embedded /Live, the DVD
TheAge.com Article: "Tim Robbins: Hall of Fame Violates Freedom" |
Patrick_Sheane_Duncan | https://en.wikipedia.org/wiki/Patrick_Sheane_Duncan | [
241
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"https://en.wikipedia.org/wiki/Patrick_Sheane_Duncan"
] | Patrick Sheane Duncan (born 1947) is an American writer, film producer and director.
A graduate of Grand Valley State University in Allendale Charter Township, Michigan, Duncan's career has been influenced by his Vietnam War experiences, which inspired the television miniseries Vietnam War Story (1987) and its sequel Vietnam War Story: The Last Days (1989) and the films 84C MoPic (1989) and Courage Under Fire (1996). Additional writing credits include A Home of Our Own (1993), The Pornographer (1994), Nick of Time (1995), Mr. Holland's Opus (1995), and the television movies A Painted House (2003), Elvis (2005), and the Little Red Wagon (2012).
Duncan is a winner of the CableACE Award for Writing for a Dramatic Series for Vietnam War Story: The Last Days and a Christopher Award for Mr. Holland's Opus, which also garnered him a Golden Globe nomination. He was nominated for the Grand Jury Prize at the Sundance Film Festival for 84C MoPic and The Pornographer and the Independent Spirit Award for Best First Feature and Best Screenplay for 84C MoPic. He received the Vietnam Veterans of America Excellence in the Arts Award at the organization's 1989 National Convention in Chicago.
Duncan's play, Souls on Fire, was produced by Danny Glover's theatre company, Robey Theatre Company in Los Angeles.
In 2016, Duncan published the historical horror novel Dracula vs. Hitler.
References
External links
Patrick Sheane Duncan at IMDb |
Stonewall_riots | https://en.wikipedia.org/wiki/Stonewall_riots | [
242
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] | The Stonewall riots, also known as the Stonewall uprising, Stonewall rebellion, Stonewall revolution, or simply Stonewall, were a series of spontaneous, violent demonstrations against a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn, in the Greenwich Village neighborhood of New York City. Although the demonstrations were not the first time American homosexuals fought back against government-sponsored persecution of sexual minorities, the Stonewall riots marked a new beginning for the gay rights movement in the United States and around the world.
American gays and lesbians in the 1950s and 1960s faced a legal system more anti-homosexual than those of some Warsaw Pact countries. Early homophile groups in the U.S. sought to prove that gay people could be assimilated into society, and they favored non-confrontational education for homosexuals and heterosexuals alike. The last years of the 1960s, however, were very contentious, as many social movements were active, including the African American Civil Rights Movement, the Counterculture of the 1960s, and antiwar demonstrations. These influences, along with the liberal environment of Greenwich Village, served as catalysts for the Stonewall riots.
Very few establishments welcomed openly gay people in the 1950s and 1960s. Those that did were often bars, although bar owners and managers were rarely gay. The Stonewall Inn was owned by the Mafia and catered to an assortment of patrons, popular among the poorest and most marginalized people in the gay community: drag queens, representatives of a newly self-aware transgender community, effeminate young men, hustlers, and homeless youth. Police raids on gay bars were routine in the 1960s, but officers quickly lost control of the situation at the Stonewall Inn and attracted a crowd that was incited to riot. Tensions between New York City police and gay residents of Greenwich Village erupted into more protests the next evening and again several nights later. Within weeks, Village residents quickly organized into activist groups to concentrate efforts on establishing places for gays and lesbians to be open about their sexual orientation without fear of being arrested.
Following the Stonewall riots, sexual minorities in New York City faced gender, class, and generational obstacles to becoming a cohesive community. In the weeks and months after, they initiated politically active social organizations and launched publications that spoke openly about rights for gay people. The first anniversary of the riots was marked by peaceful demonstrations in several American cities that have since grown to become pride parades. The Stonewall National Monument was established at the site in 2016. Today, pride events are held annually throughout the world toward the end of June to mark the Stonewall riots.
Background
Homosexuality in 20th-century United States
Following the social upheaval of World War II, many people in the United States felt a fervent desire to "restore the prewar social order and hold off the forces of change", according to historian Barry Adam. Spurred by the national emphasis on anti-communism, Senator Joseph McCarthy conducted hearings searching for communists in the U.S. government, the U.S. Army, and other government-funded agencies and institutions, leading to a national paranoia. Anarchists, communists, and other people deemed un-American and subversive were considered security risks. Gay men and lesbians were included in this list by the U.S. State Department on the theory that they were susceptible to blackmail. In 1950, a Senate investigation chaired by Clyde R. Hoey noted in a report, "It is generally believed that those who engage in overt acts of perversion lack the emotional stability of normal persons", and said all of the government's intelligence agencies "are in complete agreement that sex perverts in Government constitute security risks". Between 1947 and 1950, 1,700 federal job applications were denied, 4,380 people were discharged from the military, and 420 were fired from their government jobs for being suspected homosexuals.
Throughout the 1950s and 1960s, the Federal Bureau of Investigation (FBI) and police departments kept lists of known homosexuals and their favored establishments and friends; the U.S. Post Office kept track of addresses where material pertaining to homosexuality was mailed. State and local governments followed suit: bars catering to gay men and lesbians were shut down and their customers were arrested and exposed in newspapers. Cities performed "sweeps" to rid neighborhoods, parks, bars, and beaches of gay people. They outlawed the wearing of opposite-gender clothes and universities expelled instructors suspected of being homosexual.
In 1952, the American Psychiatric Association listed homosexuality in the Diagnostic and Statistical Manual (DSM) as a mental disorder. A large-scale study of homosexuality in 1962 was used to justify the inclusion of the "disorder" as a supposed pathological hidden fear of the opposite sex caused by traumatic parent–child relationships. This view was widely influential in the medical profession. In 1956, the psychologist Evelyn Hooker performed a study that compared the happiness and well-adjusted nature of self-identified homosexual men with heterosexual men and found no difference. Her study stunned the medical community and made her a hero to many gay men and lesbians, but homosexuality remained in the DSM until 1974.
Homophile activism
In response to this trend, two organizations formed independently of each other to advance the cause of gay men and lesbians and provide opportunities where they could socialize without fear of being arrested. Los Angeles area homosexuals created the Mattachine Society in 1950, in the home of communist activist Harry Hay. Their objectives were to unify homosexuals, educate them, provide leadership, and assist "sexual deviants" with legal troubles. Facing enormous opposition to their radical approach, in 1953 the Mattachine shifted their focus to assimilation and respectability. They reasoned that they would change more minds about homosexuality by proving that gay men and lesbians were normal people, no different from heterosexuals. Soon after, several women in San Francisco met in their living rooms to form the Daughters of Bilitis (DOB) for lesbians. Although the eight women who created the DOB initially came together to be able to have a safe place to dance, as the DOB grew they developed similar goals to the Mattachine and urged their members to assimilate into general society.
One of the first challenges to government repression came in 1953. An organization named ONE, Inc. published a magazine called ONE. The U.S. Postal Service refused to mail its August issue, which concerned homosexual people in heterosexual marriages, on the grounds that the material was obscene despite it being covered in brown paper wrapping. The case eventually went to the Supreme Court, which in 1958 ruled that ONE, Inc. could mail its materials through the Postal Service.
Homophile organizations—as homosexual groups self-identified in this era—grew in number and spread to the East Coast. Gradually, members of these organizations grew bolder. Frank Kameny founded the Mattachine of Washington, D.C. He had been fired from the U.S. Army Map Service for being a homosexual and sued unsuccessfully to be reinstated. Kameny wrote that homosexuals were no different from heterosexuals, often aiming his efforts at mental health professionals, some of whom attended Mattachine and DOB meetings telling members they were abnormal.
In 1965, news on Cuban prison work camps for homosexuals inspired Mattachine New York and D.C. to organize protests at the United Nations and the White House. Similar demonstrations were then held also at other government buildings. The purpose was to protest the treatment of gay people in Cuba and U.S. employment discrimination. These pickets shocked many gay people and upset some of the leadership of Mattachine and the DOB. At the same time, demonstrations in the civil rights movement and opposition to the Vietnam War all grew in prominence, frequency, and severity throughout the 1960s, as did their confrontations with police forces.
Earlier resistance and riots
On the outer fringes of the few small gay communities were people who challenged gender expectations. They were effeminate men and masculine women, or people who dressed and lived in contrast to their sex assigned at birth, either part or full-time. Contemporaneous nomenclature classified them as transvestites and they were the most visible representatives of sexual minorities. They belied the carefully crafted image portrayed by the Mattachine Society and DOB asserted homosexuals were respectable, normal people. The Mattachine and DOB considered the trials of being arrested for wearing clothing of the opposite gender as a parallel to the struggles of homophile organizations: similar but distinctly separate.
Gay, lesbian, bisexual, and transgender people staged a small riot at the Cooper Do-nuts café in Los Angeles in 1959 in response to police harassment. In a larger 1966 event in San Francisco, drag queens, hustlers, and trans women were sitting in Compton's Cafeteria when the police arrived to arrest people appearing to be physically male who were presenting as women. A riot ensued, with the cafeteria patrons slinging cups, plates, and saucers and breaking the plexiglass windows in the front of the restaurant and returning several days later to smash the windows again after they were replaced. Professor Susan Stryker classifies the Compton's Cafeteria riot as an "act of anti-transgender discrimination, rather than an act of discrimination against sexual orientation" and connects the uprising to the issues of gender, race, and class that were being downplayed by homophile organizations. It marked the beginning of transgender activism in San Francisco.
Greenwich Village
The Manhattan neighborhoods of Greenwich Village and Harlem were home to sizable gay and lesbian populations after World War I, when people who had served in the military took advantage of the opportunity to settle in larger cities. The enclaves of gay men and lesbians, described by a newspaper story as "short-haired women and long-haired men", developed a distinct subculture through the following two decades. Prohibition inadvertently benefited gay establishments, as drinking alcohol was pushed underground along with other behaviors considered immoral. New York City passed laws against homosexuality in public and private businesses, but because alcohol was in high demand, speakeasies and impromptu drinking establishments were so numerous and temporary that authorities were unable to police them all. However, police raids continued, resulting in the closure of iconic establishments such as Eve's Hangout in 1926.
The social repression of the 1950s resulted in a cultural revolution in Greenwich Village. A cohort of poets, later named the Beat poets, wrote about the evils of the social organization at the time, glorifying anarchy, drugs, and hedonistic pleasures over unquestioning social compliance, consumerism, and closed-mindedness. Of them, Allen Ginsberg and William S. Burroughs—both Greenwich Village residents—also wrote bluntly and honestly about homosexuality. Their writings attracted sympathetic liberal-minded people, as well as homosexuals looking for a community.
By the early 1960s, a campaign to rid New York City of gay bars was in full effect by order of Mayor Robert F. Wagner Jr., who was concerned about the image of the city in preparation for the 1964 World's Fair. The city revoked the liquor licenses of the bars and undercover police officers worked to entrap as many homosexual men as possible. Entrapment usually consisted of an undercover officer who found a man in a bar or public park, engaged him in conversation; if the conversation headed toward the possibility that they might leave together—or the officer bought the man a drink—he was arrested for solicitation. One story in the New York Post described an arrest in a gym locker room, where the officer grabbed his crotch, moaning, and a man who asked him if he was all right was arrested. Few lawyers would defend cases as undesirable as these and some of those lawyers kicked back their fees to the arresting officer.
The Mattachine Society succeeded in getting newly elected mayor John Lindsay to end the campaign of police entrapment in New York City. They had a more difficult time with the New York State Liquor Authority (SLA). While no laws prohibited serving homosexuals, courts allowed the SLA discretion in approving and revoking liquor licenses for businesses that might become "disorderly". Despite the high population of gay men and lesbians who called Greenwich Village home, very few places existed, other than bars, where they were able to congregate openly without being harassed or arrested. In 1966 the New York Mattachine held a "sip-in" at a Greenwich Village bar named Julius, which was frequented by gay men, to illustrate the discrimination homosexuals faced.
None of the bars frequented by gay men and lesbians were owned by gay people. Almost all of them were owned and controlled by organized crime, who treated the regulars poorly, watered down the liquor, and overcharged for drinks. However, they also paid off police to prevent frequent raids.
Stonewall Inn
The Stonewall Inn, located at 51 and 53 Christopher Street, along with several other establishments in the city, was owned by the Genovese crime family. In 1966, three members of the Mafia invested $3,500 to turn the Stonewall Inn into a gay bar, after it had been a restaurant and a nightclub for heterosexuals. Once a week a police officer would collect envelopes of cash as a payoff known as a gayola, as the Stonewall Inn had no liquor license. It had no running water behind the bar—dirty glasses were run through tubs of water and immediately reused. There were no fire exits, and the toilets overran consistently. Though the bar was not used for prostitution, drug sales and other black market activities took place. It was the only bar for gay men in New York City where dancing was allowed; dancing was its main draw since its re-opening as a gay club.
Visitors to the Stonewall Inn in 1969 were greeted by a bouncer who inspected them through a peephole in the door. The legal drinking age was 18 and to avoid unwittingly letting in undercover police (who were called "Lily Law", "Alice Blue Gown", or "Betty Badge"), visitors would have to be known by the doorman or 'look gay'. Patrons were required to sign their names in a book to prove that the bar was a private "bottle club", but they rarely signed their real names. There were two dance floors in the Stonewall. The interior was painted black, making it very dark inside, with pulsing gel lights or black lights. If police were spotted, regular white lights were turned on, signaling that everyone should stop dancing or touching. In the rear of the bar was a smaller room frequented by "queens"; it was one of two bars where effeminate men who wore makeup and teased their hair (though dressed in men's clothing) could go. Only a few people in full drag were allowed in by the bouncers. The customers were "98 percent male" but a few lesbians sometimes came to the bar. Younger homeless adolescent males, who slept in nearby Christopher Park, would often try to get in so customers would buy them drinks. The age of the clientele ranged between the upper teens and early thirties and the racial mix was distributed among mainly white, with Black, and Hispanic patrons. Because of its mix of people, its location, and the attraction of dancing, the Stonewall Inn was known by many as "the gay bar in the city".
Police raids on gay bars were frequent, occurring on average once a month for each bar. Many bars kept extra liquor in a secret panel behind the bar, or in a car down the block, to facilitate resuming business as quickly as possible if alcohol was seized. Bar management usually knew about raids beforehand due to police tip-offs, and raids occurred early enough in the evening that business could commence after the police had finished. During a typical raid, the lights were turned on and customers were lined up and their identification cards checked. Those without identification or dressed in full drag were arrested; others were allowed to leave. Some of the men, including those in drag, used their draft cards as identification. Women were required to wear three pieces of feminine clothing and would be arrested if found not wearing them. Typically, employees and management of the bars were also arrested. The period immediately before June 28, 1969, was marked by frequent raids of local bars—including a raid at the Stonewall Inn on the Tuesday before the riots—and the closing of the Checkerboard, the Tele-Star, and two other clubs in Greenwich Village.
Riots
Police raid
At 1:20 a.m. on Saturday, June 28, 1969, four plainclothes policemen in dark suits, two patrol officers in uniform, Detective Charles Smythe, and Deputy Inspector Seymour Pine arrived at the Stonewall Inn's double doors and announced "Police! We're taking the place!" Two undercover policewomen and two undercover policemen entered the bar early that evening to gather visual evidence, as the Public Morals Squad waited outside for the signal. Once ready, the undercover officers called for backup from the Sixth Precinct using the bar's pay telephone. Stonewall employees do not recall being tipped off that a raid was to occur that night, as was the custom. The music was turned off and the main lights were turned on. Approximately 200 people were in the bar that night. Patrons who had never experienced a police raid were confused. A few who realized what was happening began to run for doors and windows in the bathrooms, but police barred the doors. Michael Fader remembered, "Things happened so fast you kind of got caught not knowing. All of a sudden there were police there and we were told to all get in lines and to have our identification ready to be led out of the bar."
The raid did not go as planned. Standard procedure was to line up the patrons, check their identification and have female police officers take customers dressed as women to the bathroom to verify their sex, upon which any people appearing to be physically male and dressed as women would be arrested. Those dressed as women that night refused to go with the officers. Men in line began to refuse to produce their identification. The police decided to take everyone present to the police station, after separating those suspected of cross-dressing in a room in the back of the bar. All parties involved recall that a sense of discomfort spread very quickly, started by police who assaulted some of the lesbians by "feeling some of them up inappropriately" while frisking them.
The police were to transport the bar's alcohol in patrol wagons. Twenty-eight cases of beer and nineteen bottles of hard liquor were seized, but the patrol wagons had not yet arrived, so patrons were required to wait in line for about 15 minutes. Those who were not arrested were released from the front door, but they did not leave quickly as usual. Instead, they stopped outside and a crowd began to grow and watch. Within minutes, between 100 and 150 people had congregated outside, some after they were released from inside the Stonewall and some after noticing the police cars and the crowd. Although the police forcefully pushed or kicked some patrons out of the bar, some customers released by the police performed for the crowd by posing and saluting the police in an exaggerated fashion. The crowd's applause encouraged them further.
When the first patrol wagon arrived, Inspector Pine recalled that the crowd—most of whom were homosexual—had grown to at least ten times the number of people who were arrested and they all became very quiet. Confusion over radio communication delayed the arrival of a second wagon. The police began escorting Mafia members into the first wagon, to the cheers of the bystanders. Next, regular employees were loaded into the wagon. A bystander shouted, "Gay power!", someone began singing "We Shall Overcome" and the crowd reacted with amusement and general good humor mixed with "growing and intensive hostility". An officer shoved a person in drag, who responded by hitting him on the head with her purse. The cop clubbed her over the head, as the crowd began to boo. Author Edmund White, who had been passing by, recalled, "Everyone's restless, angry, and high-spirited. No one has a slogan, no one even has an attitude, but something's brewing." Pennies, then beer bottles, were thrown at the wagon as a rumor spread through the crowd that patrons still inside the bar were being beaten.
A scuffle broke out when a woman in handcuffs was escorted from the door of the bar to the waiting police wagon several times. She escaped repeatedly and fought with four of the police, swearing and shouting, for about ten minutes. Described as "a typical New York butch" and "a dyke–stone butch", she had been hit on the head by an officer with a baton for, as one witness claimed, complaining that her handcuffs were too tight. Bystanders recalled that the woman, whose identity remains unknown (Stormé DeLarverie has been identified by some, including herself, as the woman, but accounts vary), sparked the crowd to fight when she looked at bystanders and shouted, "Why don't you guys do something?" After an officer picked her up and heaved her into the back of the wagon, the crowd became a mob and became violent.
Violence breaks out
The police tried to restrain some of the crowd, knocking a few people down, which incited bystanders even more. Some of those handcuffed in the wagon escaped when police left them unattended (deliberately, according to some witnesses). As the crowd tried to overturn the police wagon, two police cars and the wagon—with a few slashed tires—left immediately, with Inspector Pine urging them to return as soon as possible. The commotion attracted more people who learned what was happening. Someone in the crowd declared that the bar had been raided because "they didn't pay off the cops", to which someone else yelled, "Let's pay them off!" Coins sailed through the air towards the police as the crowd shouted "Pigs!" and "Faggot cops!" Beer cans were thrown and the police lashed out, dispersing some of the crowd who found a construction site nearby with stacks of bricks. The police, outnumbered by between 500 and 600 people, grabbed several people, including activist folk singer (and mentor of Bob Dylan) Dave Van Ronk—who had been attracted to the revolt from a bar two doors away from the Stonewall. Though Van Ronk was not gay, he had experienced police violence when he participated in antiwar demonstrations: "As far as I was concerned, anybody who'd stand against the cops was all right with me and that's why I stayed in ... Every time you turned around the cops were pulling some outrage or another." Van Ronk was the first of thirteen arrested that night. Ten police officers—including two policewomen—barricaded themselves, Van Ronk, Howard Smith (a column writer for The Village Voice), and several handcuffed detainees inside the Stonewall Inn for their own safety.
Multiple accounts of the riot assert that there was no pre-existing organization or apparent cause for the demonstration; what ensued was spontaneous. Michael Fader explained:
We all had a collective feeling like we'd had enough of this kind of shit. It wasn't anything tangible anybody said to anyone else, it was just kind of like everything over the years had come to a head on that one particular night in the one particular place and it was not an organized demonstration...
The only known photograph from the first night of the riots, taken by freelance photographer Joseph Ambrosini, shows the homeless gay youth who slept in nearby Christopher Park, scuffling with police. Jackie Hormona and Tommy Lanigan-Schmidt are on the far left.
The Mattachine Society newsletter a month later offered its explanation of why the riots occurred: "It catered largely to a group of people who are not welcome in, or cannot afford, other places of homosexual social gathering ... The Stonewall became home to these kids. When it was raided, they fought for it. That and the fact that they had nothing to lose other than the most tolerant and broadminded gay place in town, explains why."
Garbage cans, garbage, bottles, rocks, and bricks were hurled at the building, breaking the windows. Witnesses attest that "flame queens", hustlers, and gay "street kids"—the most outcast people in the gay community—were responsible for the first volley of projectiles, as well as the uprooting of a parking meter used as a battering ram on the doors of the Stonewall Inn.
The mob lit garbage on fire and stuffed it through the broken windows as the police grabbed a fire hose. Because it had no water pressure, the hose was ineffective in dispersing the crowd and seemed only to encourage them. Marsha P. Johnson later said that it was the police that had started the fire in the bar. When demonstrators broke through the windows—which had been covered by plywood by the bar owners to deter the police from raiding the bar—the police inside unholstered their pistols. The doors flew open and officers pointed their weapons at the angry crowd, threatening to shoot. Howard Smith, in the bar with the police, took a wrench from the bar and stuffed it in his pants, unsure if he might have to use it against the mob or the police. He watched someone squirt lighter fluid into the bar; as it was lit and the police took aim, sirens were heard and fire trucks arrived. The onslaught had lasted 45 minutes.
When the violence broke out, the women and transmasculine people being held down the street at The Women's House of Detention joined in by chanting, setting fire to their belongings and tossing them into the street below. The historian Hugh Ryan says, "When I would talk to people about Stonewall, they would tell me, that night on Stonewall, we looked to the prison because we saw the women rioting and chanting, 'Gay rights, gay rights, gay rights.'"
Escalation
The Tactical Patrol Force (TPF) of the New York City Police Department arrived to free the police trapped inside the Stonewall. One officer's eye was cut and a few others were bruised from being struck by flying debris. Bob Kohler, who was walking his dog by the Stonewall that night, saw the TPF arrive:
I had been in enough riots to know the fun was over ... The cops were totally humiliated. This never, ever happened. They were angrier than I guess they had ever been because everybody else had rioted ... but the fairies were not supposed to riot ... no group had ever forced cops to retreat before, so the anger was just enormous. I mean, they wanted to kill.
With larger numbers, police detained anyone they could and put them in patrol wagons to go to jail, though Inspector Pine recalled, "Fights erupted with the transvestites, who wouldn't go into the patrol wagon." His recollection was corroborated by another witness across the street who said, "All I could see about who was fighting was that it was transvestites and they were fighting furiously."
The TPF formed a phalanx and attempted to clear the streets by marching slowly and pushing the crowd back. The mob openly mocked the police. The crowd cheered, started impromptu kick lines and sang to the tune of "Ta-ra-ra Boom-de-ay": "We are the Stonewall girls/ We wear our hair in curls/ We don't wear underwear/ We show our pubic hair." Lucian Truscott reported in The Village Voice: "A stagnant situation there brought on some gay tomfoolery in the form of a chorus line facing the line of helmeted and club-carrying cops. Just as the line got into a full kick routine, the TPF advanced again and cleared the crowd of screaming gay power[-]ites down Christopher to Seventh Avenue." One participant who had been in the Stonewall during the raid recalled, "The police rushed us and that's when I realized this is not a good thing to do, because they got me in the back with a nightstick." Another account stated, "I just can't ever get that one sight out of my mind. The cops with the [nightsticks] and the kick line on the other side. It was the most amazing thing ... And all the sudden that kick line, which I guess was a spoof on the machismo ... I think that's when I felt rage. Because people were getting smashed with bats. And for what? A kick line."
Marsha P. Johnson, an African-American street queen, recalled arriving at the bar around "2:00 [am]", and that at that point the riots were well underway, with the building in flames. As the riots went on into the early hours of the morning, Johnson, along with Zazu Nova and Jackie Hormona, were noted as "three individuals known to have been in the vanguard" of the pushback against the police.
Craig Rodwell, owner of the Oscar Wilde Memorial Bookshop, reported watching police chase participants through the crooked streets, only to see them appear around the next corner behind the police. Members of the mob stopped cars, overturning one of them to block Christopher Street. Jack Nichols and Lige Clarke, in their column printed in Screw, declared that "massive crowds of angry protesters chased [the police] for blocks screaming, 'Catch them!'"
By 4:00 am, the streets had nearly been cleared. Many people sat on stoops or gathered nearby in Christopher Park throughout the morning, dazed in disbelief at what had transpired. Many witnesses remembered the surreal and eerie quiet that descended upon Christopher Street, though there continued to be "electricity in the air". One commented: "There was a certain beauty in the aftermath of the riot ... It was obvious, at least to me, that a lot of people really were gay and, you know, this was our street." Thirteen people had been arrested. Some in the crowd were hospitalized, and four police officers were injured. Almost everything in the Stonewall Inn was broken. Inspector Pine had intended to close and dismantle the Stonewall Inn that night. Pay phones, toilets, mirrors, jukeboxes, and cigarette machines were all smashed, possibly in the riot and possibly by the police.
Second night of rioting
During the siege of the Stonewall, Craig Rodwell called The New York Times, the New York Post, and the Daily News to tell them what was happening. All three papers covered the riots; the Daily News placed coverage on the front page. News of the riot spread quickly throughout Greenwich Village, fueled by rumors that it had been organized by the Students for a Democratic Society, the Black Panthers, or triggered by "a homosexual police officer whose roommate went dancing at the Stonewall against the officer's wishes". All day Saturday, June 28, people came to stare at the burned and blackened Stonewall Inn. Graffiti appeared on the walls of the bar, declaring "Drag power", "They invaded our rights", "Support gay power" and "Legalize gay bars", along with accusations of police looting and—regarding the status of the bar—"We are open."
The next night, rioting again surrounded Christopher Street; participants remember differently which night was more frantic or violent. Many of the same people returned from the previous evening—hustlers, street youths, and "queens"—but they were joined by "police provocateurs", curious bystanders, and even tourists. Remarkable to many was the sudden exhibition of homosexual affection in public, as described by one witness: "From going to places where you had to knock on a door and speak to someone through a peephole in order to get in. We were just out. We were in the streets."
Thousands of people had gathered in front of the Stonewall, which had opened again, choking Christopher Street until the crowd spilled into adjoining blocks. The throng surrounded buses and cars, harassing the occupants unless they either admitted they were gay or indicated their support for the demonstrators. Marsha P. Johnson was seen climbing a lamppost and dropping a heavy bag onto the hood of a police car, shattering the windshield.
As on the previous evening, fires were started in garbage cans throughout the neighborhood. More than a hundred police were present from the Fourth, Fifth, Sixth and Ninth Precincts, but after 2:00 a.m. the TPF arrived again. Kick lines and police chases waxed and waned; when police captured demonstrators, whom the majority of witnesses described as "sissies" or "swishes", the crowd surged to recapture them. Again, street battling ensued until 4:00 am.
Beat poet and longtime Greenwich Village resident Allen Ginsberg lived on Christopher Street and happened upon the jubilant chaos. After he learned of the riot that had occurred the previous evening, he stated, "Gay power! Isn't that great! ... It's about time we did something to assert ourselves" and visited the open Stonewall Inn for the first time. While walking home, he declared to Lucian Truscott, "You know, the guys there were so beautiful—they've lost that wounded look that fags all had 10 years ago."
Activist Mark Segal recounts that Martha Shelley and Marty Robinson stood and made speeches from the front door of the Stonewall on June 29, 1969, the second night of the riot.
Leaflets, press coverage, and more violence
Activity in Greenwich Village was sporadic on Monday, June 30, and Tuesday, July 1, partly due to rain. Police and Village residents had a few altercations, as both groups antagonized each other. Craig Rodwell and his partner Fred Sargeant took the opportunity the morning after the first riot to print and distribute 5,000 leaflets, one of them reading: "Get the Mafia and the Cops out of Gay Bars." The leaflets called for gay people to own their own establishments, for a boycott of the Stonewall and other Mafia-owned bars, and for public pressure on the mayor's office to investigate the "intolerable situation".
Not everyone in the gay community considered the revolt a positive development. To many older homosexuals and many members of the Mattachine Society who had worked throughout the 1960s to promote homosexuals as no different from heterosexuals, the display of violence and effeminate behavior was embarrassing. Randy Wicker, who had marched in the first gay picket lines before the White House in 1965, said the "screaming queens forming chorus lines and kicking went against everything that I wanted people to think about homosexuals ... that we were a bunch of drag queens in the Village acting disorderly and tacky and cheap." Others found the closing of the Stonewall Inn, termed a "sleaze joint", as advantageous to the Village.
On Wednesday, however, The Village Voice ran reports of the riots, written by Howard Smith and Lucian Truscott, that included unflattering descriptions of the events and its participants: "forces of faggotry", "limp wrists" and "Sunday fag follies". A mob descended upon Christopher Street once again and threatened to burn down the offices of The Village Voice, which at the time was headquartered several buildings west of the Stonewall Inn on Christopher Street; that proximity gave Truscott and other writers for the newspaper first hand observations of the uprising. Also in the mob of between 500 and 1,000 were other groups that had had unsuccessful confrontations with the police and were curious how the police were defeated in this situation. Another explosive street battle took place, with injuries to demonstrators and police alike, local shops getting looted, and arrests of five people. The incidents on Wednesday night lasted about an hour and were summarized by one witness: "The word is out. Christopher Street shall be liberated. The fags have had it with oppression."
Aftermath
The feeling of urgency spread throughout Greenwich Village, even to people who had not witnessed the riots. Many who were moved by the rebellion attended organizational meetings, sensing an opportunity to take action. On July 4, 1969, the Mattachine Society performed its annual picket in front of Independence Hall in Philadelphia, called the Annual Reminder. Organizers Craig Rodwell, Frank Kameny, Randy Wicker, Barbara Gittings, and Kay Lahusen, who had all participated for several years, took a bus along with other picketers from New York City to Philadelphia. Since 1965, the pickets had been very controlled: women wore skirts and men wore suits and ties and all marched quietly in organized lines. This year Rodwell remembered feeling restricted by the rules Kameny had set. When two women spontaneously held hands, Kameny broke them apart, saying, "None of that! None of that!" Rodwell, however, convinced about ten couples to hold hands. The hand-holding couples made Kameny furious, but they earned more press attention than all of the previous marches. Participant Lilli Vincenz remembered, "It was clear that things were changing. People who had felt oppressed now felt empowered." Rodwell returned to New York City determined to change the established quiet, meek ways of trying to get attention. One of his first priorities was planning Christopher Street Liberation Day.
Gay Liberation Front
Although the Mattachine Society had existed since the 1950s, many of their methods now seemed too mild for people who had witnessed or been inspired by the riots. Mattachine recognized the shift in attitudes in a story from their newsletter entitled, "The Hairpin Drop Heard Around the World." When a Mattachine officer suggested an "amicable and sweet" candlelight vigil demonstration, a man in the audience fumed and shouted, "Sweet! Bullshit! That's the role society has been forcing these queens to play." With a flyer announcing: "Do You Think Homosexuals Are Revolting? You Bet Your Sweet Ass We Are!", the Gay Liberation Front (GLF) was soon formed, the first gay organization to use gay in its name. Previous organizations such as the Mattachine Society, the Daughters of Bilitis (DOB), and various homophile groups had masked their purpose by deliberately choosing obscure names.
The rise of militancy became apparent to Frank Kameny and Barbara Gittings—who had worked in homophile organizations for years and were both very public about their roles—when they attended a GLF meeting to see the new group. A young GLF member demanded to know who they were and what their credentials were. Gittings, nonplussed, stammered, "I'm gay. That's why I'm here." The GLF borrowed tactics from and aligned themselves with black and antiwar demonstrators with the ideal that they "could work to restructure American society". They took on causes of the Black Panthers, marching to the Women's House of Detention in support of Afeni Shakur and other radical New Left causes. Four months after the group formed, however, it disbanded when members were unable to agree on operating procedure.
Gay Activists Alliance
Within six months of the Stonewall riots, activists started a citywide newspaper called Gay; they considered it necessary because the most liberal publication in the city—The Village Voice—refused to print the word gay in GLF advertisements seeking new members and volunteers. Two other newspapers were initiated within a six-week period: Come Out! and Gay Power; the readership of these three periodicals quickly climbed to between 20,000 and 25,000.
GLF members organized several same-sex dances, but GLF meetings were chaotic. When Bob Kohler asked for clothes and money to help the homeless youth who had participated in the riots, many of whom slept in Christopher Park or Sheridan Square, the response was a discussion on the downfall of capitalism. In late December 1969, several people who had visited GLF meetings and left out of frustration formed the Gay Activists Alliance (GAA). The GAA was to be more orderly and entirely focused on gay issues. Their constitution began, "We as liberated homosexual activists demand the freedom for expression of our dignity and value as human beings." The GAA developed and perfected a confrontational tactic called a zap: they would catch a politician off guard during a public relations opportunity and force him or her to acknowledge gay and lesbian rights. City councilmen were zapped and mayor John Lindsay was zapped several times—once on television when GAA members made up the majority of the audience.
Police raids on gay bars did not stop after the Stonewall riots. In March 1970, deputy inspector Seymour Pine raided the Zodiac and 17 Barrow Street. An after-hours gay club with no liquor or occupancy licenses called The Snake Pit was soon raided and 167 people were arrested. One of them was Diego Viñales, an Argentinian national so frightened that he might be deported as a homosexual that he tried to escape the police precinct by jumping out of a two-story window, impaling himself on a 14-inch (36 cm) spike fence. The New York Daily News printed a graphic photo of the young man's impalement on the front page. GAA members organized a march from Christopher Park to the Sixth Precinct in which hundreds of gay men, lesbians, and liberal sympathizers peacefully confronted the TPF. They also sponsored a letter-writing campaign to Mayor Lindsay in which the Greenwich Village Democratic Party and congressman Ed Koch sent pleas to end raids on gay bars in the city.
The Stonewall Inn lasted only a few weeks after the riot. By October 1969 it was up for rent. Village residents surmised it was too notorious a location and Rodwell's boycott discouraged business.
Gay Pride
Christopher Street Liberation Day, on June 28, 1970, marked the first anniversary of the Stonewall riots with an assembly on Christopher Street; with simultaneous Gay Pride marches in Los Angeles and Chicago, these were the first Gay Pride marches in US history. The next year, Gay Pride marches took place in Boston, Dallas, Milwaukee, London, Paris, West Berlin and Stockholm. The march in New York covered 51 blocks, from Christopher Street to Central Park. The march took less than half the scheduled time due to excitement, but also due to wariness about walking through the city with gay banners and signs. Although the parade permit was delivered only two hours before the start of the march, the marchers encountered little resistance from onlookers. The New York Times reported (on the front page) that the marchers took up the entire street for about 15 city blocks. Reporting by The Village Voice was positive, describing "the out-front resistance that grew out of the police raid on the Stonewall Inn one year ago".
By 1972, the participating cities included Atlanta, Buffalo, Detroit, Washington, D.C., Miami, Minneapolis, and Philadelphia, as well as San Francisco.
Frank Kameny soon realized the pivotal change brought by the Stonewall riots. An organizer of gay activism in the 1950s, he was used to persuasion, trying to convince heterosexuals that gay people were no different from them. When he and other people marched in front of the White House, the State Department, and Independence Hall only five years earlier, their objective was to look as if they could work for the US government. Ten people marched with Kameny then and they alerted no press to their intentions. Although he was stunned by the upheaval by participants in the Annual Reminder in 1969, he later observed, "By the time of Stonewall, we had fifty to sixty gay groups in the country. A year later there were at least fifteen hundred. By two years later, to the extent that a count could be made, it was twenty-five hundred."
Similar to Kameny's regret at his own reaction to the shift in attitudes after the riots, Randy Wicker came to describe his embarrassment as "one of the greatest mistakes of his life". The image of gay people retaliating against police, after so many years of allowing such treatment to go unchallenged, "stirred an unexpected spirit among many homosexuals". Kay Lahusen, who photographed the marches in 1965, stated, "Up to 1969, this movement was generally called the homosexual or homophile movement ... Many new activists consider the Stonewall uprising the birth of the gay liberation movement. Certainly, it was the birth of gay pride on a massive scale." David Carter explained that even though there were several uprisings before Stonewall, the reason Stonewall was so significant was that thousands of people were involved, the riot lasted a long time (six days), it was the first to get major media coverage, and it sparked the formation of many gay rights groups.
Trans organizations
According to Susan Stryker's book, Transgender History, the Stonewall riots had significant effects on trans rights activism. Sylvia Rivera and Marsha P. Johnson established the Street Transvestite Action Revolutionaries (STAR) organization, as they believed that trans people weren't being adequately represented in the Gay Activists Alliance and Gay Liberation Front. They established politicized versions of "houses", which came from Black and Latino queer communities, and were places that marginalized trans youth could seek shelter.
Besides STAR, organizations such as Transvestites and Transsexuals (TAT) and Queens' Liberation Front (QLF) were also established. QLF, which was established by drag queen Lee Brewster and heterosexual transvestite Bunny Eisenhower, marched on Christopher Street Liberation Day and fought against drag erasure and for trans visibility.
Legacy
The Stonewall riots are often considered to be the origin or impetus of the gay liberation movement, and many studies of LGBT history in the U.S. are divided into pre- and post-Stonewall analyses. This has been criticized by historians of sexuality. Calls for the rights of gender and sexual minorities predate the Stonewall riots. The first homosexual movement began one hundred years earlier, in Germany. West Germany had abolished criminal liability for homosexual acts among adults over 21 years of age through a change of Section 175 of the German Criminal Code on June 25, 1969 − just three days before the Stonewall riots began. There was already the emergence of a gay liberation movement in New York at the time of the riots. The Stonewall riots were not the only time LGBT people organized politically amid attacks on LGBT establishments. The event has been said to occupy a unique place in the collective memory of many LGBT people, including those outside of the United States, as it "is marked by an international commemorative ritual – an annual gay pride parade", according to sociologist Elizabeth A. Armstrong.
Community
Within two years of the Stonewall riots, there were gay rights groups in every major American city, as well as in Canada, Australia, and Western Europe. People who joined activist organizations after the riots had very little in common other than their same-sex attraction. Many who arrived at GLF or GAA meetings were taken aback by the number of gay people in one place. Race, class, ideology, and gender became frequent obstacles in the years after the riots. This was illustrated during the 1973 Stonewall rally when, moments after Barbara Gittings exuberantly praised the diversity of the crowd, feminist activist Jean O'Leary protested what she perceived as the mocking of women by cross-dressers and drag queens in attendance. During a speech by O'Leary, in which she claimed that drag queens made fun of women for entertainment value and profit, Sylvia Rivera and Lee Brewster jumped on the stage and shouted "You go to bars because of what drag queens did for you and these bitches tell us to quit being ourselves!" Both the drag queens and lesbian feminists in attendance left in disgust.
O'Leary also worked in the early 1970s to exclude transgender people from gay rights issues because she felt that rights for transgender people would be too difficult to attain. Sylvia Rivera left New York City in the mid-1970s, relocating to upstate New York. She later returned to the city in the mid-1990s, after the 1992 death of friend Marsha P. Johnson. Rivera lived on the "gay pier" at the end of Christopher street and advocated for homeless members of the gay community. The initial disagreements among participants in the movements often evolved after further reflection. O'Leary later regretted her stance against the drag queens attending in 1973: "Looking back, I find this so embarrassing because my views have changed so much since then. I would never pick on a transvestite now." "It was horrible. How could I work to exclude transvestites and at the same time criticize the feminists who were doing their best back in those days to exclude lesbians?"
O'Leary was referring to the Lavender Menace, an appellation by second-wave feminist Betty Friedan based on attempts by members of the National Organization for Women (NOW) to distance themselves from the perception of NOW as a haven for lesbians. As part of this process, Rita Mae Brown and other lesbians who had been active in NOW were forced out. They staged a protest in 1970 at the Second Congress to Unite Women and earned the support of many NOW members, finally gaining full acceptance in 1971.
The growth of lesbian feminism in the 1970s at times so conflicted with the gay liberation movement that some lesbians refused to work with gay men. Many lesbians found men's attitudes patriarchal and chauvinistic and saw in gay men the same misguided notions about women that they saw in heterosexual men. The issues most important to gay men—entrapment and public solicitation—were not shared by lesbians. In 1977, a Lesbian Pride Rally was organized as an alternative to sharing gay men's issues, especially what Adrienne Rich termed "the violent, self-destructive world of the gay bars". Veteran gay activist Barbara Gittings chose to work in the gay rights movement, explaining, "It's a matter of where does it hurt the most? For me it hurts the most not in the female arena, but the gay arena."
Throughout the 1970s, gay activism had significant successes. One of the first and most important was the "zap" in May 1970 by the Los Angeles GLF at a convention of the American Psychiatric Association (APA). At a conference on behavior modification, during a film demonstrating the use of electroshock therapy to decrease same-sex attraction, Morris Kight and GLF members in the audience interrupted the film with shouts of "Torture!" and "Barbarism!" They took over the microphone to announce that medical professionals who prescribed such therapy for their homosexual patients were complicit in torturing them. Although 20 psychiatrists in attendance left, the GLF spent the hour following the zap with those remaining, trying to convince them that homosexual people were not mentally ill. When the APA invited gay activists to speak to the group in 1972, activists brought John E. Fryer, a gay psychiatrist who wore a mask, because he felt his practice was in danger. In December 1973—in large part due to the efforts of gay activists—the APA voted unanimously to remove homosexuality from the Diagnostic and Statistical Manual.
Gay men and lesbians came together to work in grassroots political organizations responding to organized resistance in 1977. A coalition of conservatives named Save Our Children staged a campaign to repeal a civil rights ordinance in Miami-Dade County. Save Our Children was successful enough to influence similar repeals in several American cities in 1978. However, that same year, a campaign in California called the Briggs Initiative, designed to force the dismissal of homosexual public school employees, was defeated. Reaction to the influence of Save Our Children and the Briggs Initiative in the gay community was so significant that it has been called the second Stonewall for many activists, marking their initiation into political participation. The subsequent 1979 National March on Washington for Lesbian and Gay Rights was timed to coincide with the tenth anniversary of the Stonewall riots.
Rejection of prior gay subculture
The Stonewall riots marked such a significant turning point that many aspects of prior gay and lesbian culture, such as bar culture formed from decades of shame and secrecy, were forcefully ignored and denied. Historian Martin Duberman writes, "The decades preceding Stonewall ... continue to be regarded by most gay men and lesbians as some vast neolithic wasteland." Sociologist Barry Adam notes, "Every social movement must choose at some point what to retain and what to reject out of its past. What traits are the results of oppression and what are healthy and authentic?" In conjunction with the growing feminist movement of the early 1970s, roles of butch and femme that developed in lesbian bars in the 1950s and 1960s were rejected, because as one writer put it: "all role playing is sick." Lesbian feminists considered the butch roles as archaic imitations of masculine behavior. Some women, according to Lillian Faderman, were eager to shed the roles they felt forced into playing. The roles returned for some women in the 1980s, although they allowed for more flexibility than before Stonewall.
Author Michael Bronski highlights the "attack on pre-Stonewall culture", particularly gay pulp fiction for men, where the themes often reflected self-hatred or ambivalence about being gay. Many books ended unsatisfactorily and drastically, often with suicide, and writers portrayed their gay characters as alcoholics or deeply unhappy. These books, which he describes as "an enormous and cohesive literature by and for gay men", have not been reissued and are lost to later generations. Dismissing the notion that the rejection was motivated by political correctness, Bronski writes, "gay liberation was a youth movement whose sense of history was defined to a large degree by rejection of the past."
Impact and recognition
The riots spawned from a bar raid became a literal example of gay men and lesbians fighting back and a symbolic call to arms for many people. Historian David Carter remarks in his book about the Stonewall riots that the bar itself was a complex business that represented a community center, an opportunity for the Mafia to blackmail its own customers, a home, and a place of "exploitation and degradation". The true legacy of the Stonewall riots, Carter insists, is the "ongoing struggle for lesbian, gay, bisexual, and transgender equality". Historian Nicholas Edsall writes:
Stonewall has been compared to any number of acts of radical protest and defiance in American history from the Boston Tea Party on. But the best and certainly a more nearly contemporary analogy is Rosa Parks' refusal to move to the back of the bus in Montgomery, Alabama, in December 1955, which sparked the modern civil rights movement. Within months after Stonewall, radical gay liberation groups and newsletters sprang up in cities and on college campuses across America and then across all of northern Europe as well.
Before the rebellion at the Stonewall Inn, homosexuals were, as historians Dudley Clendinen and Adam Nagourney write:
a secret legion of people, known of but discounted, ignored, laughed at or despised. And like the holders of a secret, they had an advantage which was a disadvantage too, and which was true of no other minority group in the United States. They were invisible. Unlike African Americans, women, Native Americans, Jews, the Irish, Italians, Asians, Hispanics, or any other cultural group which struggled for respect and equal rights, homosexuals had no physical or cultural markings, no language or dialect which could identify them to each other, or to anyone else ... But that night, for the first time, the usual acquiescence turned into violent resistance ... From that night the lives of millions of gay men and lesbians and the attitude toward them of the larger culture in which they lived, began to change rapidly. People began to appear in public as homosexuals, demanding respect.
Historian Lillian Faderman calls the riots the "shot heard round the world", explaining, "The Stonewall Rebellion was crucial because it sounded the rally for that movement. It became an emblem of gay and lesbian power. By calling on the dramatic tactic of violent protest that was being used by other oppressed groups, the events at the Stonewall implied that homosexuals had as much reason to be disaffected as they."
Joan Nestle co-founded the Lesbian Herstory Archives in 1974 and credits "its creation to that night and the courage that found its voice in the streets." Cautious, however, not to attribute the start of gay activism to the Stonewall riots, Nestle writes:
I certainly don't see gay and lesbian history starting with Stonewall ... and I don't see resistance starting with Stonewall. What I do see is a historical coming together of forces, and the sixties changed how human beings endured things in this society and what they refused to endure ... Certainly, something special happened on that night in 1969 and we've made it more special in our need to have what I call a point of origin ... it's more complex than saying that it all started with Stonewall.
The events of the early morning of June 28, 1969, were not the first instances of gay men and lesbians fighting back against police in New York City and elsewhere. Not only had the Mattachine Society been active in major cities such as Los Angeles and Chicago, but similarly marginalized people started the riot at Compton's Cafeteria in 1966 and another riot responded to a raid on Los Angeles' Black Cat Tavern in 1967. However, several circumstances were in play that made the Stonewall riots memorable. The location of the Lower Manhattan raid was a factor: it was across the street from The Village Voice offices, and the narrow crooked streets gave the rioters an advantage over the police. Many of the participants and residents of Greenwich Village were involved in political organizations that were effectively able to mobilize a large and cohesive gay community in the weeks and months after the rebellion. The most significant facet of the Stonewall riots, however, was the commemoration of them in Christopher Street Liberation Day, which grew into the annual Gay Pride events around the world.
Stonewall (officially Stonewall Equality Limited) is an LGBT rights charity in the United Kingdom, founded in 1989 and named after the Stonewall Inn because of the Stonewall riots. The Stonewall Awards is an annual event the charity has held since 2006 to recognize people who have affected the lives of British lesbian, gay, and bisexual people.
The middle of the 1990s was marked by the inclusion of bisexuals as a represented group within the gay community, when they successfully sought to be included on the platform of the 1993 March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation. Transgender people also asked to be included but were not, though trans-inclusive language was added to the march's list of demands. The transgender community continued to find itself simultaneously welcome and at odds with the gay community as attitudes about non-binary gender discrimination and pansexual orientation developed and came increasingly into conflict. In 1994, New York City celebrated "Stonewall 25" with a march that went past the United Nations Headquarters and into Central Park. Estimates put the attendance at 1.1 million people. Sylvia Rivera led an alternate march in New York City in 1994 to protest the exclusion of transgender people from the events.
Attendance at LGBT Pride events has grown substantially over the decades. Most large cities around the world now have some kind of Pride demonstration; Pride events in some cities mark the largest annual celebration of any kind. The growing trend towards commercializing marches into parades—with events receiving corporate sponsorship—has caused concern about taking away the autonomy of the original grassroots demonstrations.
President Barack Obama declared June 2009 Lesbian, Gay, Bisexual, and Transgender Pride Month, citing the riots as a reason to "commit to achieving equal justice under law for LGBT Americans". The year marked the 40th anniversary of the riots. An editorial in the Washington Blade compared the scruffy, violent activism during and following the Stonewall riots to the lackluster response to failed promises given by President Obama; for being ignored, wealthy LGBT activists reacted by promising to give less money to Democratic causes. Two years later, the Stonewall Inn served as a rallying point for celebrations after the New York State Senate voted to pass same-sex marriage. The act was signed into law by Governor Andrew Cuomo on June 24, 2011.
Obama also referenced the Stonewall riots in a call for full equality during his second inaugural address on January 21, 2013:
We, the people, declare today that the most evident of truths—that all of us are created equal—is the star that guides us still; just as it guided our forebears through Seneca Falls and Selma and Stonewall ... Our journey is not complete until our gay brothers and sisters are treated like anyone else under the law—for if we are truly created equal, then surely the love we commit to one another must be equal as well.
This was a historic moment: the first time that a president mentioned gay rights or the word "gay" in an inaugural address.
Throughout June 2019, Stonewall 50 – WorldPride NYC 2019, produced by Heritage of Pride in partnership with the I Love New York program's LGBT division, took place in New York to commemorate the 50th anniversary of the Stonewall uprising. The final official estimate included 5 million visitors attending in Manhattan alone, making it the largest LGBTQ celebration in history. June is traditionally Pride month in New York City and worldwide, and the events were held under the auspices of the annual NYC Pride March. On June 6, 2019, coinciding with WorldPride being celebrated in New York City, Police Commissioner James P. O'Neill apologized on behalf of the NYPD for the actions of its officers at the Stonewall uprising.
The official 50th-anniversary commemoration of the Stonewall Uprising occurred on June 28 on Christopher Street in front of Stonewall Inn. The official commemoration was themed as a rally, in reference to the original rallies in front of Stonewall Inn in 1969. Speakers at this event included mayor Bill De Blasio, senator Kirsten Gillibrand, congressman Jerry Nadler, American activist X González, and global activist Rémy Bonny.
In 2019, Paris, France, officially named a square in the Marais district as Place des Émeutes-de-Stonewall (Stonewall Riots Place).
Stonewall Day
In 2018, 49 years after the uprising, Stonewall Day was announced as a commemoration day by Pride Live, a social advocacy and community engagement organization. The second Stonewall Day was held on Friday, June 28, 2019, outside the Stonewall Inn. During this event, Pride Live introduced their Stonewall Ambassadors program, to raise awareness for the 50th anniversary of the Stonewall Riots.
Historic landmark and monument
In June 1999, the US Department of the Interior included 51 and 53 Christopher Street and the surrounding area in Greenwich Village into the National Register of Historic Places, the first of significance to the LGBT community. In a dedication ceremony, Assistant Secretary of the Department of the Interior John Berry stated, "Let it forever be remembered that here—on this spot—men and women stood proud, they stood fast, so that we may be who we are, we may work where we will, live where we choose, and love whom our hearts desire." The Stonewall Inn was also named a National Historic Landmark in February 2000.
On June 23, 2015, the New York City Landmarks Preservation Commission designated Stonewall as a city landmark, the first to be designated based on its LGBT cultural significance alone. On June 24, 2016, President Barack Obama announced the establishment of the Stonewall National Monument, administered by the National Park Service. The designation protects Christopher Park and adjacent areas totaling more than seven acres; the Stonewall Inn is within the boundaries of the monument but remains privately owned. The National Park Foundation formed a new nonprofit organization to raise funds for a ranger station and interpretive exhibits for the monument, including the first official national visitor center dedicated to the LGBTQIA+ experience, which was inaugurated on June 28, 2024. The New York City Subway's Christopher Street–Sheridan Square station was renamed the Christopher Street–Stonewall station on the same day.
Media representations
No newsreel or TV footage was taken of the riots and few home movies and photographs exist, but those that do have been used in documentaries.
Film
Before Stonewall: The Making of a Gay and Lesbian Community (1984), a documentary on the decades leading up to the Stonewall Rebellion
Stonewall (1995), a dramatic presentation of the events leading up to the riots
After Stonewall (1999), a documentary of the years from Stonewall to the century's end
Stonewall uprising (2010), a documentary using archival footage, photographs, documents, and witness statements
Stonewall (2015), a drama about a fictional protagonist who interacts with fictionalized versions of some of the people in and around the riots
Happy Birthday, Marsha! (2016), a short, experimental drama, inspired by some of the legends surrounding gay and transgender rights activists Marsha P. Johnson and Sylvia Rivera, set on the night of the riots
Music
Activist Madeline Davis wrote the folk song "Stonewall Nation" in 1971 after attending her first gay civil rights march. Released on Mark Custom Recording Service, it is widely regarded as the first gay liberation record, with lyrics that "celebrate the resiliency and potential power of radical gay activism."
The song "'69: Judy Garland", written by Stephin Merritt and appearing on 50 Song Memoir by The Magnetic Fields, centers on the Stonewall Riots and the idea that they were caused by the death of Judy Garland six days earlier, on June 22, 1969.
New York City Opera commissioned the English composer Iain Bell and American librettist Mark Campbell in 2018 to write the opera Stonewall to commemorate the 50th anniversary of the riots, to be premiered on June 19, 2019 and directed by Leonard Foglia.
The Stonewall Celebration Concert is the debut studio album by Renato Russo, released in 1994. The album was a tribute to twenty-five years of the Stonewall riots in New York. Part of the royalties was donated to Ação da Cidadania Contra a Fome, a Miséria e Pela Vida (Citizen Action Against Hunger and Poverty and for Life) campaign.
Theatre
Street Theatre (1982) by Doric Wilson
See also
Christopher Street Day
LGBT culture in New York City
LGBT history in New York
LGBT rights in New York
Queer Liberation March
Analogous events
Dance of the Forty-One (1901), Mexico
Ariston Bathhouse raid (1903), the first anti-gay police raid in New York City
Huanchaca street scandal (15 June 1969), Chile
Operation Soap (1981), Toronto, Canada
Sex Garage raid (1990), Montreal, Canada
Tasty nightclub raid (1994), dubbed "Australia's Stonewall"
Bar Abanicos police raid (1997), Ecuador
Rainbow Night (2020), dubbed "Polish Stonewall"
Notes
Citations
Sources
External links
"Police Records Document Start of Stonewall Uprising", The New York Times, June 22, 2009
Village Voice Articles that Sparked a Final Night of Rioting: "Full Moon Over the Stonewall" by Howard Smith and "Gay Power Comes to Sheridan Square" by Lucian Truscott
"The Night They Raided Stonewall" by Martin Duberman, Grand Street (1993, No. 44)
Newspaper reports of the event
"Media Could Use a Stonewall Uprising of Their Own" by Karl Frisch, The Huffington Post
"A Look Back at the Uprising that Launched the Modern Gay Rights Movement" – video report by Democracy Now!, begins at 12:40 in the archived June 26 2009 episode at the Internet Archive; incorporates portions of Remembering Stonewall, a 1989 radio retrospective narrated and produced by David Isay (subsequent founder of StoryCorps) and an interview with historian David Carter, author of the Stonewall: The Riots that Sparked the Gay Revolution
Stonewall Uprising on PBS' American Experience
National Park Service: Stonewall National Monument
"Who Threw the First Brick at Stonewall?" – 2019 New York Times video featuring interviews with participants in the Stonewall uprising, historians and early members of the Gay Liberation movement
Stonewall Uprising Interview Collection from the American Archive of Public Broadcasting
Stonewall Forever a Monument to 50 Years of Pride Stonewall National Monument
Stonewall Veterans' Association Official site of the Stonewall Rebellion Veterans' Association |
Jim_Lovell | https://en.wikipedia.org/wiki/Jim_Lovell | [
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"https://en.wikipedia.org/wiki/Jim_Lovell"
] | James Arthur Lovell Jr. ( LUV-əl; born March 25, 1928) is an American retired astronaut, naval aviator, test pilot and mechanical engineer. In 1968, as command module pilot of Apollo 8, he became, with Frank Borman and William Anders, one of the first three astronauts to fly to and orbit the Moon. He then commanded the Apollo 13 lunar mission in 1970 which, after a critical failure en route, looped around the Moon and returned safely to Earth.
A graduate of the United States Naval Academy in Annapolis, Maryland, in the class of 1952, Lovell flew F2H Banshee night fighters. This included a Western Pacific deployment aboard the aircraft carrier USS Shangri-La. In January 1958, he entered a six-month test pilot training course at the Naval Air Test Center at Naval Air Station Patuxent River, Maryland, with Class 20 and graduated at the top of the class. He was then assigned to Electronics Test, working with radar, and in 1960 he became the Navy's McDonnell Douglas F-4 Phantom II program manager. The following year he became a flight instructor and safety engineering officer at Naval Air Station Oceana in Virginia Beach, Virginia, and completed Aviation Safety School at the University of Southern California.
Lovell was not selected by NASA as one of the Mercury Seven astronauts due to a temporarily high bilirubin count. He was accepted in September 1962 as one of the second group of astronauts needed for the Gemini and Apollo programs. Prior to Apollo, Lovell flew in space on two Gemini missions, Gemini 7 (with Borman) in 1965 and Gemini 12 in 1966. He was the first person to fly into space four times. One of 24 people to have flown to the Moon, Lovell was the first to fly to it twice. He is a recipient of the Congressional Space Medal of Honor and the Presidential Medal of Freedom. He co-authored the 1994 book Lost Moon, on which the 1995 film Apollo 13 was based. Lovell was featured in a cameo appearance in the film.
Early life
James Arthur Lovell Jr. was born in Cleveland, Ohio, on March 25, 1928, the only child of James Lovell Sr., a Toronto, Ontario, Canada-born coal furnace salesman who died in a car accident in 1933 and Blanche née Masek, who was of Czech descent. For the first two years after the death of his father, Lovell and his mother lived with a relative in Terre Haute, Indiana. They then relocated to Milwaukee, Wisconsin, where he went to Juneau High School. He was a member of the Boy Scouts during his childhood and eventually achieved Eagle Scout, the organization's highest rank. He became interested in rocketry and built flying models as a teenager.
After graduating from high school, Lovell attended the University of Wisconsin in Madison for two years, where he studied engineering under the United States Navy's "Flying Midshipman" program from 1946 to 1948. He would later credit the program for his ability to attend college, citing that he didn't otherwise have the money to attend. At Wisconsin, he played college football and pledged to the Alpha Phi Omega fraternity. He supplemented his meager Navy stipend by working at a local restaurant washing dishes and busing tables, and caring for the university's lab rats and mice on weekends.
While Lovell was attending pre-flight training in the summer of 1948, the Navy was beginning to make cutbacks in the program, and cadets were under a great deal of pressure to transfer out. There were concerns that some or most of the students who graduated as naval aviators would not have pilot billets to fill. To avoid this prospect, Lovell decided to apply to the United States Naval Academy in Annapolis, Maryland. He secured a nomination from his local U.S. Representative, John C. Brophy, and entered Annapolis in July 1948.
During his first year, Lovell wrote a treatise on the liquid-propellant rocket engine. He graduated in the spring of 1952 with a Bachelor of Science degree and was commissioned as an ensign in the Navy. On June 6, he married Marilyn Lillie Gerlach in a ceremony at St. Anne's Church in Annapolis. The two had begun dating while they were in high school. As a college student, Gerlach had transferred from Wisconsin State Teachers College to George Washington University in Washington, D.C., so she could be near him while he was at Annapolis. They had four children: Barbara, James, Susan, and Jeffrey.
Navy career
Lovell was one of 50 members of his graduating class of 783 initially selected for naval aviation training. He went to flight training at Naval Air Station Pensacola from October 1952 to February 1954. He was designated a naval aviator on February 1, 1954, upon completion of pilot training, and was assigned to VC-3 at Moffett Field near San Francisco, California. From 1954 to 1956 he flew McDonnell F2H Banshee night fighters. This included a Western Pacific deployment aboard the aircraft carrier USS Shangri-La. Lovell eventually completed 107 carrier deck landings. Upon his return to shore duty, he was reassigned to provide pilot transition training for the North American FJ-4 Fury, McDonnell F3H Demon and Vought F8U Crusader.
In January 1958, Lovell entered a six-month test pilot training course at what was then the Naval Air Test Center (now the United States Naval Test Pilot School) at Naval Air Station Patuxent River, Maryland, with Class 20, which also included future astronauts Wally Schirra and Pete Conrad, who gave Lovell the nickname "Shaky". Lovell graduated at the top of the class. Usually the top graduate was assigned to flight test on graduation, but the head of electronics test had complained about never getting the top graduate, so Lovell was assigned to electronics test, where he worked with radar sets.
Later that year, Lovell, Conrad, and Schirra were among 110 military test pilots selected as potential astronaut candidates for Project Mercury. Schirra went on to become one of the Mercury Seven, but Lovell was not selected because of a temporarily high bilirubin count. In 1960, electronics test was merged with armaments test to become weapons test, and Lovell became the McDonnell Douglas F-4 Phantom II program manager. During this time future astronaut John Young served under him. In 1961 Lovell received orders for VF-101 "Detachment Alpha" at Naval Air Station Oceana in Virginia Beach, Virginia, as a flight instructor and safety engineering officer, and he completed Aviation Safety School at the University of Southern California.
NASA career
Astronaut selection
In 1962, NASA began recruiting its second group of astronauts, intended to fly during the Gemini and Apollo programs. This time the process was a public one. Lovell found out about the selection from an advertisement that had been placed in Aviation Week & Space Technology, and decided to apply a second time. A three-person selection panel consisting of Mercury Seven astronauts Alan Shepard and Deke Slayton, and NASA test pilot Warren J. North, reduced the candidates to 32 finalists, who were sent to Brooks Air Force Base in San Antonio for medical examinations. The tests there were much the same as those employed to select the Mercury Seven, but this time Lovell passed. The remaining 27 then went to Ellington Air Force Base near Houston, where they were individually interviewed by the selection panel.
On September 14, Slayton informed Lovell that he had been accepted. To avoid tipping off the media, all checked into the Rice Hotel in Houston under the name of Max Peck, its general manager. On September 17, the media crowded into the 1800-seat Cullen Auditorium at the University of Houston for the official announcement, but it was a low-key event compared to the unveiling of the Mercury Seven three years before. The group became known as the "Next Nine" or the "New Nine". The new astronauts moved to the Houston area in October 1962. Conrad and Lovell built houses in Timber Cove, south of the Manned Spacecraft Center (MSC). Developers in Timber Cove offered astronauts mortgages with small down payments and low interest rates. The MSC complex was not yet complete, so NASA temporarily leased office space in Houston.
The task of supervising the Next Nine's training fell to Mercury Seven astronaut Gus Grissom. Initially, each of the astronauts was given four months of classroom instruction on subjects such as spacecraft propulsion, orbital mechanics, astronomy, computing, and space medicine. Classes were for six hours a day, two days a week, and all sixteen astronauts had to attend. There was also familiarization with the Gemini spacecraft, Titan II and Atlas boosters, and the Agena target vehicle. Jungle survival training was conducted at the United States Air Force (USAF) Tropic Survival School at Albrook Air Force Station in the Panama Canal Zone, desert survival training at Stead Air Force Base in Nevada, and water survival training on the Dilbert Dunker at the USN school at the Naval Air Station Pensacola and on Galveston Bay. Following the precedent set by the Mercury Seven, each of the Next Nine was assigned a special area in which to develop expertise that could be shared with the others, and to provide astronaut input to designers and engineers. Lovell became responsible for recovery systems.
Gemini program
Gemini 7
Lovell was selected as backup pilot for Gemini 4, which was officially announced on July 29, 1964. It put him in position for his first space flight three missions later, as pilot of Gemini 7 with command pilot Frank Borman, under a rotation system devised by Slayton. Borman was a USAF officer, and Lovell had first met him during the evaluation process for astronaut selection. Their selection for the Gemini 7 mission was officially announced on July 1, 1965, along with that of Edward White and Michael Collins as their backup crew.
Like all Gemini missions, it was part of the preparations for Apollo. The flight's objective was to evaluate the effects on the crew and spacecraft from fourteen days in orbit, this being sufficiently long for any possible Moon mission, and would therefore enable doctors to evaluate the medical aspects of such a flight. Whereas the Gemini 6 mission preceding it was to demonstrate techniques for space rendezvous, likewise critical requirement of Apollo. These techniques had been worked out by Dean F. Grimm and Buzz Aldrin, who had written his doctoral thesis on the subject.
The Gemini 6 mission, which was commanded by Schirra with Tom Stafford as pilot, had a serious setback on October 15, 1965, when the Agena target vehicle that Gemini 6 was supposed to rendezvous with exploded soon after takeoff. Lovell was present at the Launch Control Center at Cape Kennedy when this occurred. Officials from McDonnell, the manufacturer of the Gemini spacecraft, then raised the possibility of a rendezvous between Gemini 6 and Gemini 7 during the two weeks while Gemini 7 was in orbit. The only change to the latter's flight plan this required was to circularize its orbit to match that intended for the Agena target vehicle. Borman rejected a proposal by Schirra that Lovell and Stafford exchange places, on the grounds that it was hazardous and likely to jeopardize the fourteen-day mission objective through loss of oxygen.
In planning the mission, it was decided that both astronauts would sleep at the same time and observe the same work periods, one in the morning and one in the afternoon. Experiments were not scheduled, but fitted in when time allowed. Of the twenty experiments, eight were medical, aimed at gathering data about the effects of long-duration space flight. Of the rest, four were tests of spacecraft systems, five involved radiometry or navigation, and three involved photography and observation, To save space, the G5C space suit was designed that incorporated a soft hood instead of a helmet and zippers instead of a neck ring. It weighed a third less than the standard Gemini space suit and could be stowed more easily.
Gemini 7 lifted off on December 4, 1965, and reached its intended 300-kilometer (160 nmi) near-circular orbit. Lovell was taller than Borman and had more difficulty donning and removing his space suit. Initially one astronaut had to be suited, but this made him uncomfortably warm, and eventually mission control relented and allowed both to leave their space suits off. Gemini 6, now called Gemini 6A, attempted to launch on December 12; the engines ignited, but shut down less than two seconds later due to an electrical problem and a fuel cap accidentally having been left in place. After repairs, Gemini 6A successfully lifted off on December 15, and rendezvoused with Gemini 7 on Gemini 6A's fourth orbit. The two spacecraft then flew in tandem for three orbits, the distance between them varying between 0.30 and 90 meters (1 and 300 ft). Gemini 6A returned to Earth on December 16.
In the final two days of the mission, Lovell had time to read part of Drums Along the Mohawk by Walter D. Edmonds. As in earlier long-duration flights, malfunctions accumulated as the flight wore on. Two of the thrusters stopped working. After the flight, this was traced to the fact that they had an old type of laminate in the thrust chamber instead of the new type that had been developed to solve this problem. This proved to be only an annoyance, but there was more concern over a loss of power in the fuel cells. By day thirteen, a warning light was illuminated continuously and it was feared that the cells, which were only giving partial output, might fail completely, and the mission might have to be cut short; tests were carried out in St. Louis that demonstrated that the batteries could sustain them for the remainder of the flight. Gemini 7 made a successful return from orbit on December 18. The fourteen-day flight set an endurance record, making 206 orbits.
Gemini 12
On January 24, 1966, Lovell was named as the backup command pilot of Gemini 10, with Aldrin as the pilot. On March 21, this was changed as a result of the deaths of the Gemini 9 prime crew, Elliot See and Charles Bassett, in an air crash. The Gemini 9 backup crew of Tom Stafford and Gene Cernan became the prime crew of Gemini 9A, and Lovell and Aldrin became their backups. This positioned Lovell for his second flight and first command, of Gemini 12. Lovell and Aldrin's selection for this mission was officially announced on June 17, along with that of Gordon Cooper and Gene Cernan as their backups.
The goals of Gemini 12, the final Gemini mission, were ill-defined at first. "Essentially Gemini 12 didn't have a mission", Lovell later recalled. "It was, I guess, by default ... supposed to wind up the Gemini program and catch all those items that were not caught on previous flights." By July, its mission had become to master extravehicular activity (EVA), something that had proven problematic on earlier Gemini missions, as they had been more strenuous than expected and performing simple tasks had been more complicated. A series of innovations had been developed in response to the problems that had been encountered. It had been found that moving in space was similar to being underwater, and Aldrin made use of this new training technique. A waist restraint was provided on the space suit, and the Gemini spacecraft and the Agena target vehicle had additional handrails, handholds, and rings for tethering the waist restraint. Procedures were modified to minimize fatigue.
Gemini 12 lifted off on November 11, and quickly achieved orbit. Its first task was to rendezvous with its Agena target vehicle. This was complicated when the rendezvous radar set failed. Instead, Aldrin, who had written his PhD on the rendezvous, used a sextant to measure the angle between the spacecraft and the Agena, and then calculated the required actions using the onboard computer. Lovell then flew the spacecraft accordingly. Rendezvous was achieved, and Gemini successfully docked with the Agena, achieving the fifth space rendezvous and fourth space docking with an Agena target vehicle. Lovell then successfully undocked and docked again.
Aldrin performed three EVAs. The first was a standup EVA on November 12, in which the spacecraft door was opened and he stood up, but did not leave the spacecraft. The standup EVA mimicked some of the actions he would do during his free-flight EVA, so he could compare the effort expended between the two. It set an EVA record of two hours and twenty minutes. The next day Aldrin performed his free-flight EVA. He climbed across the newly installed hand-holds to the Agena and installed the cable needed for the gravity-gradient stabilization experiment. He performed several tasks, including installing electrical connectors and testing tools that would be needed for Apollo. The EVA concluded after two hours and six minutes. Before returning to the spacecraft, Aldrin cleaned the pilot's window with a cloth, and Lovell jokingly asked him if he could change the oil too. A third, 55-minute standup EVA was conducted on November 14, during which Aldrin took photographs, conducted experiments, and discarded some unneeded items.
Gemini 12 returned to Earth on November 15, after 59 orbits. During re-entry a pouch containing books and small pieces of equipment broke free and landed in Lovell's lap. He did not want to grab it, as he feared he might pull on the D-ring that activated the ejector seat. It did not move any further, and the landing went well. The spacecraft landed just 5.5 kilometers (3.0 nmi) from the recovery ship, the aircraft carrier USS Wasp. Twelve experiments had been carried out. This mission proved that people could work effectively outside the spacecraft, which was required for the Apollo missions with the goal of getting man on the Moon by the end of the decade.
Apollo program
Apollo 1
On January 27, 1967, Grissom, White and Roger Chaffee were killed in the Apollo 1 fire. At the time, Lovell was in Washington, D.C., where, along with fellow astronauts Neil Armstrong, Scott Carpenter, Gordon Cooper and Richard Gordon, he had attended the signing of the Outer Space Treaty and the reception afterwards in the Green Room of the White House hosted by President Lyndon Johnson. Four days later, Lovell flew to West Point, New York, with Borman in a NASA T-38 for the funeral service for White at the Old Cadet Chapel. After the service, White was laid to rest in the West Point Cemetery; Lovell served as a pallbearer along with Armstrong, Borman, Conrad, Stafford and Aldrin.
The Apollo command module was redesigned after the fire, and afterwards it underwent a series of qualification tests. In April 1968, Lovell, along with fellow astronauts Stuart Roosa and Charles Duke, spent 48 hours in command module CM-007A, bobbing in the Gulf of Mexico to test the seaworthiness of the Apollo spacecraft. The NASA research vessel MV Retriever stood by with technicians and divers, while the astronauts assessed how quickly the spacecraft's flotation devices could right it from the "stable II" (upside down) position. The urine collection hose was used to vacuum up water that entered the cabin. Although this did not seem to bother Lovell, Duke regarded it as his worst experience as an astronaut, and Roosa became quite seasick. The NASA Roundup newspaper wrote the event up under the headline, "Yo, Ho, Ho and a Bottle of Marezine", referencing the brand name of a motion sickness drug.
Apollo 8
Lovell was originally chosen as command module pilot (CMP) on the backup crew for Apollo 9 along with Armstrong as commander (CDR) and Aldrin as lunar module pilot (LMP). Apollo 9 was planned as a high-apogee Earth orbital test of the Lunar Module (LM). Lovell later replaced Michael Collins as CMP on the Apollo 9 prime crew in July 1968 when Collins needed to have surgery for a bone spur on his spine. This reunited Lovell with his Gemini 7 commander Frank Borman, along with LMP William Anders. Aldrin became Lovell's backup CMP, and Fred Haise joined Armstrong's crew as LMP.
Construction delays of the first crewed LM prevented it from being ready in time to fly on Apollo 8, planned as a low Earth orbit test. It was decided to swap the Apollo 8 and Apollo 9 prime and backup crews in the flight schedule so that the crew trained for the low-orbit test could fly it as Apollo 9, when the LM would be ready. A lunar orbital flight, now Apollo 8, replaced the original Apollo 9 medium Earth orbit test mission. The crew was informed of this decision on August 10, 1968, and the training schedule was adjusted accordingly. Starting in September, the crew spent ten hours a day in the simulator rehearsing the mission.
Apollo 8 was launched on December 21, 1968, and Borman, Lovell and Anders became the first crew to ride the Saturn V rocket, as well as the first to travel to the Moon. Their Apollo craft entered lunar orbit on December 24 (Christmas Eve) and reduced speed to go into a 11-by-312-kilometer (5.9 by 168.5 nmi) orbit. The engine was then fired again to enter a 112-kilometer (60 nmi) circular orbit around the Moon.
On Christmas Eve, the crew broadcast black-and-white television pictures of the lunar surface back to Earth. Lovell took his turn with Borman and Anders in reading a passage from the Biblical creation story in the Book of Genesis. They made a total of ten orbits of the Moon in 20 hours and ten minutes, and began their return to Earth on December 25 (Christmas Day) with a rocket burn made on the Moon's far side, out of radio contact with Earth. When contact was re-established, Lovell broadcast, "Please be informed, there is a Santa Claus."
As CMP, Lovell served as the navigator, using the spacecraft's built-in sextant to determine its position by measuring star positions. This information was then used to calculate required mid-course corrections. Lovell used some otherwise idle time to do navigational sightings, maneuvering the module to view stars by using the Apollo guidance computer keyboard. Lovell accidentally erased some of the computer's memory by entering the wrong codes, which caused the inertial measurement unit (IMU) to contain data indicating that the module was in the same relative orientation it had been in before lift-off; the IMU then fired the thrusters to "correct" the module's attitude.
Once the crew realized why the computer had changed the module's attitude, they knew that they would have to reenter the correct data to tell the computer the module's actual orientation. It took Lovell ten minutes to figure out the correct values, using the thrusters to get the stars Rigel and Sirius aligned, and another 15 minutes to enter the corrected data into the computer. Sixteen months later, during the Apollo 13 mission, Lovell would have to perform a similar manual realignment under even more critical conditions after the module's IMU had been turned off to conserve energy.
A feature on the Moon's surface (Mount Marilyn) was named by Lovell in honor of his wife.
The spacecraft splashed down safely before dawn on December 27 after 147 hours of flight, 4.8 kilometers (2.6 nmi) from the recovery ship, the aircraft carrier USS Yorktown. It was estimated that the crew had traveled 933,419 kilometers (504,006 nmi).
Apollo 13
Lovell was backup CDR of Apollo 11, with Anders as CMP, and Haise as LMP. In early 1969, Anders accepted a job with the National Aeronautics and Space Council effective August 1969, and announced he would retire as an astronaut at that time. Ken Mattingly was moved from the support crew into parallel training with Anders as backup CMP in case Apollo 11 was delayed past its intended July launch date, at which point Anders would be unavailable.
Under the normal crew rotation in place during Apollo, Lovell, Mattingly, and Haise were scheduled to fly as the prime crew of Apollo 14, but George Mueller, the director of NASA's Office of Manned Space Flight, rejected Slayton's choice of fellow Mercury Seven astronaut Alan Shepard to command Apollo 13. Shepard had only recently returned to flight status after being grounded for several years, and Mueller thought that he needed more training time to prepare for a mission to the Moon. Slayton then asked Lovell if he was willing to switch places with Shepard's crew to give them more training time. "Sure, why not?" Lovell replied, "What could possibly be the difference between Apollo 13 and Apollo 14?"
There was one more change. Seven days before launch, a member of the Apollo 13 backup crew, Duke, contracted rubella from a friend of his son. This exposed both the prime and backup crews, who trained together. Of the five, only Mattingly was not immune through prior exposure. Normally, if any member of the prime crew had to be grounded, the remaining crew would be replaced as well, and the backup crew substituted, but Duke's illness ruled this out, so two days before launch, Mattingly was replaced by Jack Swigert from the backup crew. Mattingly never developed rubella and later flew to the Moon on Apollo 16.
Lovell lifted off aboard Apollo 13 on April 11, 1970. He and Haise were to land near the Fra Mauro crater. The Fra Mauro formation was believed to contain much material spattered by the impact that had filled the Imbrium basin early in the Moon's history, and dating it would provide information about the early history of the Earth and the Moon.
During a routine liquid oxygen tank stir in transit to the Moon, a fire started inside an oxygen tank. The most probable cause determined by NASA was damaged electrical insulation on wiring that created a spark that started the fire. A problem with draining the tank had been reported before the mission, and Lovell had approved the action taken to turn on the heaters to purge the oxygen rather than to replace the faulty tank, which would have delayed the mission by a month. Neither he nor the launch pad crew were aware that the tank contained the wrong thermostat switch. The heaters were left on for eight hours, and while this successfully purged the oxygen, it also removed teflon insulation from the copper electrical wiring. Liquid oxygen rapidly turned into a high-pressure gas, which burst the tank and caused the leak of a second oxygen tank. In just over two hours, all onboard oxygen was lost, disabling the hydrogen fuel cells that provided electrical power to the Command/Service Module Odyssey.
Apollo 13 was the second mission not to use a free-return trajectory, so that they could explore the western lunar regions. Using the Apollo Lunar Module as a "life boat" providing battery power, oxygen, and propulsion, Lovell and his crew re-established the free return trajectory that they had left, and swung around the Moon to return home. Based on the flight controllers' calculations made on Earth, Lovell had to adjust the course twice by manually controlling the Lunar Module's thrusters and engine.
Apollo 13 returned safely to Earth on April 17. "I'm afraid", Lovell said, "this is going to be the last lunar mission for a long time." His comment was rebutted by NASA Administrator Thomas O. Paine, who hastened to reassure the public that NASA would be mounting more missions to the Moon. Nine months later, Apollo 14 would make the voyage to Fra Mauro, with modified oxygen tanks and an extra battery for emergencies.
Apollo 13's flight trajectory gave Lovell, Haise, and Swigert the record for the farthest distance that humans have ever traveled from Earth. Lovell is one of only three men to travel to the Moon twice, but unlike the other two, John Young and Gene Cernan, he never walked on it. He accrued 715 hours and 5 minutes in space flights on his Gemini and Apollo flights, a personal record that stood until the Skylab 3 mission in 1973.
Later life
Lovell retired from the Navy and the space program on March 1, 1973, and went to work at the Bay-Houston Towing Company in Houston, Texas, taking on the role of CEO in 1975. He became president of Fisk Telephone Systems in 1977, and later worked for Centel Corporation in Chicago, retiring as an executive vice president on January 1, 1991. Lovell was a recipient of the Distinguished Eagle Scout Award. He was also recognized by the Boy Scouts of America with their Silver Buffalo Award.
Lovell served on the board of directors for several organizations, including Federal Signal Corporation in Chicago from 1984 to 2003, the Astronautics Corporation of America in his hometown of Milwaukee from 1990 to 1999, and Centel from 1987 to 1991.
In 1999, the Lovell family opened a restaurant in Lake Forest, Illinois, "Lovell's of Lake Forest". The restaurant displayed memorabilia from Lovell's time with NASA and the filming of Apollo 13. The restaurant was sold to son and executive chef James ("Jay") in 2006. The restaurant was put on the market for sale in February 2014, and it closed in April 2015, the property being auctioned the same month.
Marilyn Lovell (born on July 11, 1930) died of natural causes at the age of 93, at her home in the Lake Forest Place retirement community in Lake Forest, Illinois on August 27, 2023.
Upon the death of Frank Borman on November 7, 2023, Lovell became the oldest living former astronaut.
Awards and decorations
Lovell's awards and decorations include:
Military, federal service, and foreign awards
Navy Distinguished Service Medal with gold star
Distinguished Flying Cross with gold star
Presidential Medal of Freedom
Congressional Space Medal of Honor
NASA Distinguished Service Medal
NASA Exceptional Service Medal with star
Légion d'honneur (Chevalier)
Other awards and accomplishments
Alpha Phi Omega Fall Pledge Class Namesake (1967)
American Academy of Achievement Golden Plate Award (1968)
Henry H. Arnold Trophy (1969)
Institute of Navigation Award (1969)
National Geographic Society's Hubbard Medal (1969)
Fédération Aéronautique Internationale (FAI) De Laval Medal & Gold Space Medals (1971)
Distinguished Eagle Scout Award (1990)
Silver Buffalo (Boy Scouts of America) (1992)
Space Foundation's General James E. Hill Lifetime Space Achievement Award (2003)
NASA Ambassadors of Exploration Award (2009)
Laureate of the Order of Lincoln—the highest honor awarded by the state of Illinois (2012)
The Honourable Company of Air Pilots Award of Honour, presented by the Duke of York in October 2013
The Gemini 6 and 7 crews were awarded the Harmon International Trophy for 1966 in a ceremony at the White House. Lovell received a second Harmon International Trophy in 1967 when he and Aldrin were selected for their Gemini 12 flight. The Apollo 8 crew won the Robert J. Collier Trophy for 1968, and President Richard Nixon awarded them the Dr. Robert H. Goddard Memorial Trophy in 1969, which Lovell accepted on behalf of the crew. The General Thomas D. White USAF Space Trophy is normally awarded to Air Force personnel, but an exception was made to include Lovell, and the Apollo 8 crew were awarded the 1968 trophy. Lovell was awarded a third Harmon International Trophy in 1969 for his role in the Apollo 8 mission. The Apollo 8 crew was also awarded the American Institute of Aeronautics and Astronautics (AIAA) Haley Astronautics Award for 1970, and were named Time Magazine Men of the Year in 1968. The Apollo 7, 8, 9, and 10 crews were awarded the National Academy of Television Arts and Sciences Special Trustees Award for 1969. Lovell was one of ten Gemini astronauts inducted into the International Space Hall of Fame in 1982, and, along with the other 12 Gemini astronauts, Lovell was inducted into the second U.S. Astronaut Hall of Fame class in 1993.
At a parade attended by 500,000 people, Lovell was conferred Chicago's medal of merit. The Apollo 13 crew was awarded the City of New York Gold Medal, but Lovell had already received it for the Apollo 8 mission. In lieu of a second medal, the mayor gifted him a crystal paperweight that he "invented for the occasion". He was also awarded the 1970 City of Houston Medal for Valor for the mission. He was awarded his second Haley Astronautics Award for his role on Apollo 13.
Lovell was featured on the cover of Time magazine on January 3, 1969, and April 27, 1970, and on the cover of Life magazine on April 24, 1970.
Lovell was a recipient of the University of Wisconsin's Distinguished Alumni Service Award in 1970. In his acceptance speech he emphasized the use of words over "rock throwing" to help attain political goals. He was awarded an honorary doctor of science degree at Western Michigan University's summer commencement exercises in 1970. He was also awarded an honorary doctor of laws degree at William Paterson College's commencement exercises in 1974. Lovell was also granted an honorary doctor of science degree from University of Wisconsin–Madison, his original alma mater, speaking at the December 2016 commencement.
Tributes
A small crater on the far side of the Moon was named Lovell in his honor in 1970. Discovery World in Milwaukee was renamed The James Lovell Museum of Science, Economics and Technology. It was at the time located on James Lovell St., also named for Lovell. The Captain James A. Lovell Federal Health Care Center was completed in October 2010, merging the Naval Health Clinic Great Lakes and the North Chicago Veterans Affairs Medical Center.
Organizations
Trustee of the National Space Institute
Chairman of the National Eagle Scouts Association
Fellow in the Society of Experimental Test Pilots
In popular culture
About a month after the return to Earth of Apollo 13, Lovell and his crewmates, Fred Haise and Jack Swigert, appeared on The Tonight Show with host Johnny Carson. In 1976, Lovell made a cameo appearance in the Nicolas Roeg movie The Man Who Fell to Earth.
Lovell and Jeffrey Kluger wrote a 1994 book about the Apollo 13 mission, Lost Moon: The Perilous Voyage of Apollo 13, on which the 1995 Ron Howard film Apollo 13 was based. Lovell's first impression on being approached about the film was that Kevin Costner would be a good choice to portray him, given the physical resemblance, but Tom Hanks was cast in the role. To prepare, Hanks visited James and Marilyn Lovell at their home in Texas and flew with Lovell in his private airplane. Kathleen Quinlan was nominated for a supporting actress Oscar for her performance as Marilyn.
In the film, Lovell has a cameo as the captain of the USS Iwo Jima. He can be seen as the naval officer shaking Hanks' hand, as Hanks speaks in voice-over, in the scene where the astronauts come aboard the Iwo Jima. The filmmakers offered to make Lovell's character an admiral aboard the ship, but Lovell said: "I retired as a captain and a captain I will be." He was cast as the ship's skipper, Captain Leland Kirkemo. Along with his wife Marilyn, who also has a cameo in the film, Lovell provided a commentary track on both the single disc and the two-disc special edition DVD.
Tim Daly portrayed Lovell in the 1998 HBO miniseries From the Earth to the Moon, and Pablo Schreiber in the 2018 film about Armstrong, First Man.
Notes
References
External links
Interview with Jim Lovell for NOVA series: To the Moon WGBH Educational Foundation, raw footage, 1998
Appearances on C-SPAN
Jim Lovell at IMDb |
Jack_Swigert | https://en.wikipedia.org/wiki/Jack_Swigert | [
242
] | [
"https://en.wikipedia.org/wiki/Jack_Swigert"
] | John Leonard Swigert Jr. (August 30, 1931 – December 27, 1982) was an American NASA astronaut, test pilot, mechanical engineer, aerospace engineer, United States Air Force pilot, and politician. In April 1970, as command module pilot of Apollo 13, he became one of 24 astronauts who flew to the Moon. Ironically, due to the "slingshot" route around the Moon they chose to safely return to Earth, the Apollo 13 astronauts flew farther away from Earth than any other astronauts before or since, though they had to abort the Moon landing.
Before joining NASA in 1966, Swigert was a civilian test pilot and fighter pilot in the Air National Guard. After leaving NASA, he ran for Senate but lost in a primary election against Bill Armstrong. Later he ran for Congress, but while running was diagnosed with cancer. He won the election for Colorado's new 6th district in 1982, but died before being sworn in.
Early life
John Leonard Swigert Jr. was born on August 30, 1931, in Denver, Colorado, to parents John Leonard Swigert Sr. (1903–1973) and Virginia Swigert (1906–1993). Swigert's father was an ophthalmologist. At the age of 14, he became fascinated by aviation. While he would have been content just watching planes take off from nearby Combs Field, young Jack became determined to do more than be a spectator. He took on a newspaper route to earn money for flying lessons, and by age 16 he was a licensed private pilot. He was a member of the Boy Scouts of America and attained the rank of Second Class Scout. He attended Blessed Sacrament School, Regis Jesuit High School, and East High School, from which he graduated in 1949.
Swigert received a Bachelor of Science degree in mechanical engineering from University of Colorado in 1953, where he also played football for the Buffaloes. He later earned a Master of Science degree in aerospace engineering from Rensselaer Polytechnic Institute (Hartford campus) in 1965, and a Master of Business Administration degree from University of Hartford in 1967.
His recreational interests included golf, handball, bowling, skiing, swimming, and basketball. His hobbies included photography.
Flight experience
Following his graduation from Colorado in 1953, Swigert joined the United States Air Force (USAF). Upon graduation from the Pilot Training Program and Gunnery School at Nellis Air Force Base, Nevada, he was assigned as a fighter pilot in Japan and South Korea. In 1953, he survived his plane crashing into a radar unit on a Korean airstrip.
After completing his tour of active duty in the USAF, he served as a jet fighter pilot with the Massachusetts (1957–1960) and Connecticut Air National Guard (1960–1965). Swigert held a position as engineering test pilot for North American Aviation before joining NASA. He was previously an engineering test pilot for Pratt & Whitney, from February 1957 to June 1964.
He logged over 7,200 hours in flight, including more than 5,725 hours in jet aircraft.
NASA career
After unsuccessfully applying for NASA's second and third astronaut selections, Swigert was accepted into the NASA Astronaut Corps as part of NASA Astronaut Group 5 in April 1966. Swigert became a specialist on the Apollo command module: he was one of the few astronauts who requested to be command module pilots.
Swigert was a member of Apollo 7's astronaut support crew, the first support crew for an Apollo mission; he served as Capsule communicator (CAPCOM) during the ascent phase of the flight.
Apollo 13
Swigert was one of three astronauts aboard the Apollo 13 Moon mission launched April 11, 1970. Originally part of the backup crew for the mission, he was assigned to the mission three days before launch, replacing astronaut Ken Mattingly. The prime crew had been exposed to German Measles (the rubella virus) from Charles Duke and, because Mattingly had no immunity to the disease, NASA did not want to risk him falling ill during critical phases of the flight.
Apollo 13 was the third crewed lunar-landing attempt, but was aborted after the rupture of an oxygen tank in the spacecraft's service module. Swigert was the astronaut who first announced, "Houston, we've had a problem here". The statement was then repeated by commander of the flight Jim Lovell. Swigert, along with fellow astronauts Lovell and Fred Haise, traveled around the Moon and returned safely to Earth on April 17 after about 5 days and 23 hours, and received the Presidential Medal of Freedom the next day.
Apollo–Soyuz Test Project
NASA Director of Flight Crew Operations Deke Slayton, who selected the astronauts, recommended Swigert as command module pilot for the Apollo–Soyuz Test Project, the first joint mission with the Soviet Union. Slayton felt Swigert deserved another chance to fly after having been selected for Apollo 13 two days before launch, and performing well.
During 1972, the Apollo 15 postal covers incident caused NASA investigators to inquire into other astronauts. A number of Apollo astronauts, including Swigert, had made agreements with West German stamp dealer Hermann Sieger, who originated the idea for the Apollo 15 covers, to autograph philatelic items in exchange for a payment of about $2,500. Swigert originally denied involvement when interviewed by NASA investigators. According to Christopher C. Kraft, the investigators subpoenaed his bank records, finding more funds than expected, and records of a predated charitable donation. Swigert's subsequent admission caused NASA Deputy Administrator George M. Low to remove him from Apollo–Soyuz.
Post-NASA career
Aware that his spaceflight career was most likely over, Swigert took a leave of absence from NASA in April 1973 and went to Washington, D.C. to become executive director of the Committee on Science and Astronautics, U.S. House of Representatives.
Swigert eventually left NASA and the committee in August 1977 to enter politics. He ran for the U.S. Senate in 1978, but was soundly defeated in the Republican primary in September by Congressman Bill Armstrong, who was far better known. In 1979, Swigert became vice president of B.D.M. Corporation in Golden. He left in 1981 to join International Gold and Minerals Limited as vice president for financial and corporate affairs.
In February 1982, Swigert left International Gold and Minerals Limited to run for U.S. Congress in the newly created 6th district as a Republican. When a malignant tumor in his right nasal passage was found, the astronaut-politician disclosed this to the voters. Doctors told him he would finish radiation treatments on June 15 and make a complete recovery. However, in August, Swigert developed back pain and was diagnosed with bone marrow cancer. On November 2, 1982, he won the seat with 64% of the popular vote.
Death
On December 19, 1982, seven weeks after his election, he was airlifted from his home in Littleton to Georgetown University Hospital in Washington, D.C. He died of respiratory failure at its Lombardi Cancer Center on December 27, seven days before the beginning of his congressional term, aged 51. He was the last member-elect of the House to die before taking office until Luke Letlow's death from COVID-19 in December 2020.
Fifteen astronauts, including fellow Apollo 13 crewmates Jim Lovell and Fred Haise, were among the thousand mourners at his full military honors funeral in Denver, presided over by Archbishop James Casey, which included a missing man flyover by A-7 Corsairs of the Colorado Air National Guard. He is buried alongside his parents in Mount Olivet Cemetery in Wheat Ridge.
Awards, honors, and organizations
Swigert received the American Institute of Aeronautics and Astronautics (AIAA) Octave Chanute Award for 1966 for his participation in demonstrating the Rogallo wing as a feasible land landing system for returning space vehicles and astronauts.
President Richard Nixon awarded the Presidential Medal of Freedom to the Apollo 13 crew shortly after the conclusion of their mission. Following a sparse parade, Swigert received the City of New York Gold Medal on June 3. He received the City of Houston Medal for Valor, 1970. Swigert received the American Astronautical Society Flight Achievement Award for 1970. He was given University of Colorado-Boulder's Distinguished Engineering Alumnus Award in 1970. Vice President Spiro Agnew presented the crews of Apollo 11, 12, and 13 with the NASA Distinguished Service Medal in 1970. The Apollo 13 crew also received the AIAA Haley Astronautics Award in 1971, which included a small monetary award and a medal.
Swigert was awarded the 1972 Antonian Gold Medal.
He was presented an Honorary Doctorate of Science degree from American International College in 1970, an Honorary Doctorate of Laws degree from Western State University in 1970, and an Honorary Doctorate of Science from Western Michigan University in 1970.
In 1983, Swigert was among 14 Apollo astronauts inducted into the International Space Hall of Fame.
In 1988, Swigert was inducted into the Colorado Aviation Hall of Fame.
In 1995, Swigert was portrayed by Kevin Bacon in Ron Howard's film Apollo 13.
In 1997, Swigert, along with 23 other Apollo astronauts, was posthumously inducted into the U.S. Astronaut Hall of Fame which is located at the Kennedy Space Center.
He was elected in September 2003 to the Rensselaer Polytechnic Institute Alumni Hall of Fame.
In 1997, a statue of Swigert made by George and Mark Lundeen was placed on display in the U.S. Capitol Building as one of two statues given by the state of Colorado to the National Statuary Hall Collection. As of December 2008 the statue is on display in Emancipation Hall in the United States Capitol Visitor Center. A duplicate statue is currently on display at Denver International Airport Terminal B, where passengers exit the airport's train system.
The Space Foundation was founded in 1983 in part to honor the memory and accomplishments of Swigert. In 2004, the Space Foundation launched the John L. "Jack" Swigert Jr. Award for Space Exploration, which is presented annually to an individual, group, or organization that has made a significant contribution to space exploration. On August 18, 2009, the Space Foundation and Colorado Springs District 11 partnered to open the Jack Swigert Aerospace Academy.
Swigert was a member of numerous organizations. He was a fellow of the American Astronautical Society; associate fellow of the Society of Experimental Test Pilots and the American Institute of Aeronautics and Astronautics; and member of the Quiet Birdmen, Phi Gamma Delta, Pi Tau Sigma, and Sigma Tau.
See also
Astronaut-politician
List of members-elect of the United States House of Representatives who never took their seats
List of spaceflight records
The Astronaut Monument
References
Works cited
Chaikin, Andrew (1998). A Man on the Moon. Penguin Books Ltd. ISBN 978-0-14-024146-4.
Lovell, James A. (1975). "Chapter 13: "Houston, We've Had a Problem"" (PDF). In Cortright, Edgar M. (ed.). Apollo Expeditions to the Moon (PDF). Washington, D.C.: NASA. SP-350.
Kraft, Christopher (2001). Flight: My Life in Mission Control. New York: Dutton. ISBN 978-0-525-94571-0.
Slayton, Donald K. "Deke"; Cassutt, Michael (1994). Deke! U.S. Manned Space: From Mercury to the Shuttle (1st ed.). New York: Forge. ISBN 978-0-312-85503-1.
External links
Jack Swigert at the Internet Movie Database |
Fred_Haise | https://en.wikipedia.org/wiki/Fred_Haise | [
242
] | [
"https://en.wikipedia.org/wiki/Fred_Haise"
] | Fred Wallace Haise Jr. ( HAYZ; born November 14, 1933) is an American former NASA astronaut, engineer, fighter pilot with the U.S. Marine Corps and U.S. Air Force, and a test pilot. He is one of 24 people to have flown to the Moon, having flown as Lunar Module pilot on Apollo 13. He was slated to become the 6th person to walk on the Moon, but the Apollo 13 landing mission was aborted en route.
Haise went on to fly five Space Shuttle Approach and Landing Tests in 1977, before retiring from NASA in 1979.
Early life
Fred Wallace Haise, Jr. was born on November 14, 1933, and raised in Biloxi, Mississippi, to Fred Wallace Haise (1903–1960) and Lucille (née Blacksher) Haise (1913–2005).: 1 He has a younger sister who was born in 1941.: 6 After the attack on Pearl Harbor on December 7, 1941, his father enlisted in the U.S. Navy at the age of 38, and the Haise family moved to Chicago.: 8 The family then moved to Key West, Florida, until his father's ship, YMS-84, deployed to the South Pacific, when the family moved back to Biloxi.: 9–10 He graduated from Biloxi High School in 1950.: 13 He attended Perkinston Junior College with a scholarship for journalism,: 13 and played on the baseball team.: 14 He graduated in 1952, and joined the Naval Aviation Cadet Program.: 16 He went to ground school at NAS Pensacola,: 16 and then moved to NAS Whiting Field in 1952.: 18 He trained in the SNJ and F6F Hellcat, and completed his flight training in 1954.: 22–26 He served as a U.S. Marine Corps fighter pilot, with VMF-533, then VMF-114 on the F2H-4 Banshee and F9F-8 Cougar at MCAS Cherry Point, North Carolina, from March 1954 to September 1956. Haise also served as a tactics and all-weather flight instructor in the U.S. Navy Advanced Training Command at NAS Kingsville, Texas.
Haise has accumulated 9,300 hours flying time, including 6,200 hours in jets.
After his military service, Haise returned to school and graduated with a Bachelor of Science degree with honors in aeronautical engineering from the University of Oklahoma in 1959, concurrently serving for two years in the Oklahoma Air National Guard, as a fighter interceptor pilot with the 185th Fighter Interceptor Squadron, flying the F-86D. He then worked for the newly created National Aeronautics and Space Administration (NASA), first as a research pilot at the Lewis Research Center near Cleveland. His Air National Guard unit was called up during the Berlin Crisis of 1961 and he served ten months as a fighter pilot in the United States Air Force. He was a tactical fighter pilot and chief of the 164th Standardization-Evaluation Flight of the 164th Tactical Fighter Squadron at Mansfield Lahm Air National Guard Base, Ohio, flying the F-84F.
Haise completed post-graduate courses at the U.S. Air Force Aerospace Research Pilot School (Class 64A) at Edwards Air Force Base, California in 1964, and attended the six-week Harvard Business School's Advanced Management Program in 1972.
NASA career
In 1966, Haise was one of 19 astronauts selected for NASA Astronaut Group 5. He had already worked with NASA for several years as a civilian research pilot. He was the first astronaut in his group to be assigned to a mission, serving as backup Lunar Module Pilot for both Apollo 8 and Apollo 11.
Apollo 13
According to the rotation of crews during Apollo, Haise was originally assigned as Lunar Module Pilot for Apollo 14, but his crew was switched to Apollo 13 so that Alan Shepard could have more training time. He flew as Lunar Module Pilot on the aborted Apollo 13 lunar mission in 1970. Due to the distance between the Earth and Moon during the mission, Haise, Jim Lovell, and Jack Swigert hold the record for the farthest distance from the Earth ever traveled by human beings. Haise and Jack Swigert were the first people from Group 5 to fly in space. During this flight Haise developed a urinary tract infection and later kidney infections. These caused him to be in pain for most of the trip.
Haise was slated to become the 6th human to walk on the Moon during Apollo 13 behind Lovell, who was to be 5th. Alan Shepard and Edgar Mitchell eventually became the fifth and sixth, respectively, on Apollo 14, which completed Apollo 13's mission to the Fra Mauro formation.
Haise later served as backup commander for Apollo 16. Though there was no formal selection, Haise was prospectively slated to command Apollo 19 with William R. Pogue as Command Module Pilot and Gerald P. Carr as Lunar Module Pilot. However, the mission was canceled in 1970 due to budget cuts.
Space Shuttle approach and landing tests
After completing his backup assignment on Apollo 16, Haise moved to the Space Shuttle program. In 1977, he participated in the program's Approach and Landing Tests (ALT) at Edwards Air Force Base. Along with C. Gordon Fullerton as pilot, Haise as commander piloted the Space Shuttle Enterprise in free flight to three landings after being released from the Shuttle Carrier Aircraft. The tests verified the shuttle's flight characteristics, an important step toward the success of the program.
Haise was assigned to command STS-2A, with Jack R. Lousma as pilot, the second Space Shuttle mission, which would have delivered the Teleoperator Retrieval System that would have boosted Skylab to a higher orbit, preserving it for future use. Delays in the Shuttle program development as well as an unexpected increase in Skylab's orbital decay led to the mission being canceled. Skylab was destroyed upon entering the Earth's atmosphere in July 1979, while the Space Shuttle did not launch until April 1981.
In June 1979, Haise left NASA to become a test pilot and executive with Grumman Aerospace Corporation, where he remained until retiring in 1996. He was the only one of the four astronauts who conducted the Enterprise landing tests not to fly in space on the Shuttle.
Personal life
Haise has four children with his first wife Mary Griffin Grant, whom he married on June 4, 1954, and divorced on July 21, 1978. He married Frances Patt Price, on January 9, 1979. On February 7, 2022, Frances died.
On August 22, 1973, Haise was piloting a Convair BT-13 belonging to the Commemorative Air Force that had been converted to look like an Aichi D3A "Val" torpedo bomber for the 1970 film Tora! Tora! Tora!. While attempting a landing go around at Scholes Field in Galveston, Texas, an undetermined power plant failure led to a crash landing. Haise suffered second‐degree burns over 50 percent of his body in the post crash fire.
Haise published his autobiography, Never Panic Early, about his life and experiences in the Apollo program in 2022.
Organizations
Haise is a fellow of the American Astronautical Society (AAS) and the Society of Experimental Test Pilots (SETP); member, Tau Beta Pi, Sigma Gamma Tau, and Phi Theta Kappa; and honorary member, National WWII Glider Pilots Association.
Awards and honors
Haise's other awards include the American Institute of Aeronautics and Astronautics (AIAA) Haley Astronautics Award for 1971; the American Astronautical Society Flight Achievement Awards for 1970 and 1977; the City of New York Gold Medal in 1970; the City of Houston Medal for Valor in 1970; the Jeff Davis Award (1970); the Mississippi Distinguished Civilian Service Medal (1970); the American Defense Ribbon; the SETP's Ray E. Tenhoff Award for 1966; the A. B. Honts Trophy as the outstanding graduate of Class 64A from the Aerospace Research Pilot School in 1964; an honorary doctor of science degree from Western Michigan University (1970); the JSC Special Achievement Award (1978); the Soaring Society of America's Certificate of Achievement Award (1978); the General Thomas D. White USAF Space Trophy for 1977; the SETP's Iven C. Kincheloe Award (1978); and the Air Force Association's David C. Schilling Award (1978).
He received the Presidential Medal of Freedom, NASA Distinguished Service Medal, and NASA Exceptional Service Medal.
He was inducted into the International Space Hall of Fame in 1983 and the Aerospace Walk of Honor in 1995. He was also one of 24 Apollo astronauts inducted into the U.S. Astronaut Hall of Fame on October 4, 1997.
On February 13, 2022, the City of Biloxi unveiled a statue of Haise in the parking lot of the historic Biloxi Lighthouse. Haise was present at the ceremony and had his handprints set in concrete at the statue's base prior to its unveiling. The statue was created by Mississippi artist Mary Ott Tremel Davidson.
In September 2023, Haise was inducted into the National Aviation Hall of Fame in Dayton, Ohio.
In popular culture
In the 1995 motion picture Apollo 13, Haise was played by Bill Paxton.
See also
List of spaceflight records
The Astronaut Monument
Jack Swigert
Jim Lovell
References
Sources
Adamo, Daniel (2009). "The Elusive Human Maximum Altitude Record". Quest: The History of Spaceflight Quarterly. Vol. 16, no. 4. ISSN 1065-7738.
Glenday, Craig, ed. (2010). Guinness World Records 2010. New York: Bantam Books. ISBN 978-0-553-59337-2.
Slayton, Donald K. "Deke"; Cassutt, Michael (1994). Deke! U.S. Manned Space: From Mercury to the Shuttle (1st ed.). New York: Forge. ISBN 978-0-312-85503-1.
External links
Fred Haise's Personal Archives
Space and Things Podcast - STP47 - So Much More Than Apollo 13 - An Interview With Fred Haise
Interview with Fred Haise for NOVA series: To the Moon WGBH Educational Foundation, raw footage, 1998
Spacefacts biography of Fred Haise
Haise at Encyclopedia of Science
Fred Haise at IMDb
Short audio interview on Astrotalkuk.org during his visit to UK in 2009 Archived March 6, 2012, at the Wayback Machine |
2015_FIFA_Women%27s_World_Cup_knockout_stage | https://en.wikipedia.org/wiki/2015_FIFA_Women%27s_World_Cup_knockout_stage | [
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"https://en.wikipedia.org/wiki/2015_FIFA_Women%27s_World_Cup_knockout_stage"
] | The knockout stage of the 2015 FIFA Women's World Cup began on 20 June and ended with the final match on 5 July 2015. A total of 16 teams competed in this knockout stage.
Format
The knockout stage comprises the 16 teams that advanced from the group stage of the tournament. There are four rounds of matches, with each round eliminating half of the teams entering that round. The successive rounds are the round of 16, quarter-finals, semi-finals, and the final. There is also a match to decide third and fourth place. For each game in the knockout stage, any draw at 90 minutes is followed by 30 minutes of extra time; if scores are still level, there is a penalty shootout to determine who progresses to the next round. Single yellow cards accrued will be cancelled after the quarter-finals, therefore ensuring that no players miss the Final because of receiving a caution in the semi-finals.
Combinations of matches in the round of 16
The third-placed teams which advanced will be placed with the winners of groups A, B, C and D according to a table published in Section 28 of the tournament regulations.
Qualified teams
The top two teams of each preliminary group and the four best-ranked third place teams advanced to the knockout stage.
Bracket
Round of 16
Germany vs Sweden
China PR vs Cameroon
Brazil vs Australia
France vs South Korea
Canada vs Switzerland
Norway vs England
United States vs Colombia
Japan vs Netherlands
Quarter-finals
Germany vs France
China PR vs United States
Australia vs Japan
England vs Canada
Semi-finals
United States vs Germany
Japan vs England
Third place play-off
Final
References
External links
Official website
USA v Germany (Canada 2015) Full match on YouTube |
Kelley_O%27Hara | https://en.wikipedia.org/wiki/Kelley_O%27Hara | [
243
] | [
"https://en.wikipedia.org/wiki/Kelley_O%27Hara"
] | Kelley Maureen O'Hara (born August 4, 1988) is an American former professional soccer player. She represented the United States national team on 160 occasions, winning two FIFA Women's World Cups and an Olympic gold medal. She spent most of her club career with National Women's Soccer League club NJ/NY Gotham FC. Known for her intensity, she played primarily as a wingback but played as a forward in college and occasionally played an attacking role in her professional career.
O'Hara received the Hermann Trophy while playing for the Stanford Cardinal in 2009. She then played for FC Gold Pride and the Boston Breakers in Women's Professional Soccer. When the NWSL was formed in 2013, she joined Gotham FC (then known as Sky Blue FC). She later played for Utah Royals FC and the Washington Spirit, with whom she scored the winning goal in the NWSL Championship in 2021. She returned to Gotham and won her second NWSL Championship in 2023. She was named to the FIFA FIFPRO Women's World 11 in 2019.
O'Hara played internationally for the United States from 2010 to 2023. She appeared at four Women's World Cups in 2011; 2015, helping the team win the title; 2019, defending the title; and 2023. She appeared at three Olympic Games in 2012 Olympics, where she was one of three U.S. players that played every minute of the tournament as they won gold; 2016; and 2020, where she won bronze.
O'Hara announced that she would retire from professional soccer at the end of the 2024 NWSL season. On September 21, 2024, she was put on the season-ending injury list due to chronic knee degeneration, thus effectively ending her career.
Early life
O'Hara was born in Fayetteville, Georgia, near Atlanta to parents Dan and Karen O'Hara. She has a brother named Jerry and a sister named Erin. O'Hara has Irish heritage. O'Hara grew up in Peachtree City, Georgia and graduated from Starr's Mill High School in Fayette County where she played four years on the varsity soccer team and captained the team during her junior and senior years. O'Hara helped lead the Panthers to the 5A state title in 2006 with 20 goals and 16 assists. The team finished second in the state championships during her sophomore year. O'Hara was named Parade All-American as a junior and a senior and All-League, All-County and All-State all four years. In 2006, she was named the 2006 Atlanta Journal-Constitution (AJC) Player of the Year and Gatorade Georgia State Player of the Year. She was also named NSCAA All-American.
O'Hara played for club teams, the Peachtree City Lazers and AFC Lightning before playing for the U.S. U-16s in 2004 and then joining the U-17 youth women's national team of that same year. She played on the Concorde Fire South '88 Elite that went on to win the 2007 GA U19G State Cup and advance to the Semi Finals of Regionals.
Stanford Cardinal (2006–2009)
A two-time Parade All-American coming into her freshman year at Stanford University, O'Hara led the Cardinal in scoring in 2006 with nine goals. She repeated that feat during her sophomore year, helping the Cardinal to the third round of the NCAA Tournament.
During O'Hara's junior year, Stanford advanced to the College Cup for the first time since 1993, defeating 2005 national champion Portland, 1–0. The Cardinal would fall in the semi-final, 0–1, to Notre Dame.
As a senior, she had one of the best seasons in Division I history, scoring 26 goals with 13 assists. O'Hara's senior year ended in the 2009 College Cup, where the Cardinal lost to North Carolina. O'Hara received two yellow cards in the second half, ejecting her from the game, forcing the Cardinal to finish the game a woman down. The game ended with a score of 1–0, thus marking North Carolina's twentieth National Championship. She finished her college career at Stanford with 57 goals and 32 assists, both school records at the time.
O'Hara was awarded the 2009 Hermann Trophy as collegiate soccer's top player. She had been on the MAC Hermann Trophy watch list for three consecutive seasons. O'Hara was also a member of the Kappa Kappa Gamma sorority during her time at Stanford.
Club career
Prior to graduating from Stanford, O'Hara played for the Pali Blues of the USL W-League (semi-pro) in the summer of 2009, scoring four goals during her tenure with the club.
WPS: FC Gold Pride, Boston Breakers (2010–2011)
O'Hara was drafted third overall by FC Gold Pride at the 2010 WPS Draft. In addition to the close proximity of home stadium Pioneer Stadium to O'Hara's alma mater Stanford University, O'Hara had previously worked with FC Gold Pride head coach Albertin Montoya when he served as an assistant coach at Stanford University in 2008.
The team dominated the season finishing first during the regular season after defeating the Philadelphia Independence 4–1 with goals from O'Hara, Christine Sinclair and Marta. As the regular season champion, the team earned a direct route to the championship playoff game where they faced the Philadelphia Independence. During the final, FC Gold Pride defeated the Independence 4–0 to clinch the WPS Championship. Despite their successful season, the club ceased operations on November 16, 2010, due to not meeting the league's financial reserve requirement.
After FC Gold Pride folded in November 2010, O'Hara was signed by the Boston Breakers. She scored 10 goals during her two seasons in the WPS playing primarily as an outside midfielder. On January 5, 2012, it was announced O'Hara would be going back to her hometown because she had signed with the Atlanta Beat. However, the league folded just before the 2012 season began.
NWSL: Sky Blue FC, 2013–2017
On January 11, 2013, O'Hara joined Sky Blue FC in the new National Women's Soccer League. Because the club's head coach, Jim Gabarra, played O'Hara as a forward, she reverted to a role she filled with success in college.
Over her career at Sky Blue, O'Hara has been played in several roles including forward, winger, right-back, and central midfielder.
Utah Royals FC, 2017–2020
On December 29, 2017, O'Hara was traded to Utah Royals FC. Due to a hamstring injury, O'Hara only appeared in 8 games for Utah in 2018. O'Hara contributed to Utah's first-ever franchise win, scoring a goal in the team's 2–0 victory over the Washington Spirit in May 2018.
Utah finished the season in 5th place, just 2 points shy of making the playoffs. O'Hara underwent ankle surgery after the 2018 season.
In 2019, she made only 2 starts in 4 appearances for Utah due to injuries and World Cup duties. She was still recuperating from an off-season ankle injury at the start of the NWSL season and saw limited minutes as a substitute in two late-April games. Following her World Cup win, O'Hara started in two games for Utah at the end of July, notching an assist in the team's 2–2 draw against Portland. She was named to the 2019 NWSL second XI.
O'Hara played only 65 minutes for the Royals in the abbreviated 2020 NWSL season. She was still recovering from an injury at the start of the Challenge Cup and did not dress for the first few games. She saw limited minutes in Utah's July 13 game against Chicago and the July 18 game against Houston.
Starting in August 2020, rumors of a O'Hara trade to the Washington Spirit began to circulate and O'Hara announced in August that she would opt out of the 2020 NWSL Fall Series, set to begin in early September.
Washington Spirit, 2021–2022
O'Hara's trade to the Spirit was officially announced on December 2, 2020. The deal sent $75,000 in allocation money to the Utah Royals and a 2022 first round draft pick. O'Hara stated that she requested the move to Spirit so that she could live, work in a same city with her partner.
The Spirit won their first NWSL Championship on November 20, 2021, when they defeated the Chicago Red Stars, 2–1 in extra time at Lynn Family Stadium in Louisville, Kentucky. O'Hara scored the winning goal in the 97th minute of the game.
NJ/NY Gotham FC, 2023–present
After the 2022 season, O'Hara announced on November 15 that she would sign with NJ/NY Gotham FC, returning to the club she formerly played for when it was called Sky Blue. The move made her the first NWSL player to sign with a new team in free agency. Gotham FC officially announced her signing on January 25, 2023. O'Hara won her second NWSL championship with Gotham in 2023.
O'Hara announced on May 2, 2024, that she would retire from professional soccer at the end of the season. On September 21, 2024, O'Hara was put on the season-ending injury list due to chronic knee degeneration, thus effectively ending her career.
International career
Youth national teams (2005–2010)
O'Hara represented the United States in various youth national teams from 2005 through 2010. She scored 24 goals in her 35 under-20 caps, the third-most ever for a U.S. player in the U-20 age group. She was a member of the fourth-place United States U-20 women's national soccer team that competed in the 2006 FIFA U-20 Women's World Championship in Russia. O'Hara scored two goals in the tournament: one against the Congo (for which game she was named FIFA's player of the match) and one against Germany. She was also the first player in the tournament to be ejected from a game, having picked up two yellow cards in the game against Argentina.
O'Hara rejoined the U-20 national team at the 2007 Pan American Games. She scored four goals in the women's football tournament, against Paraguay, Panama, and Mexico. The United States, which only sent their U-20 women to the tournament, would fall in the final game, 0–5, to a full-strength Brazilian senior team featuring Brazilian powerhouse, Marta.
In February 2008, O'Hara returned to the U-20 women's national team to play in the U-20 Four Nations Tournament in Chile. Her last appearance for the U-20 team occurred in July 2008, at the 2008 CONCACAF Women's U-20 Championship in Puebla, Mexico. O'Hara helped the U-20 team qualify for the 2008 FIFA U-20 Women's World Cup in Chile. She did not play in the U-20 World Cup, instead remaining with her college team in its NCAA postseason campaign.
Senior national team (2008–present)
She was called into the senior national team's training camp in December 2009 and attended the January 2010 training camp in the lead-up to the 2010 Algarve Cup. O'Hara earned her first senior national team cap in March 2010, coming in as a substitute during a friendly match against Mexico.
2011 FIFA Women's World Cup
After falling short of making the 21 player World Cup roster, O'Hara was called up to replace Lindsay Tarpley who tore her ACL in a send-off match against Japan on May 14, 2011. O'Hara earned just one cap at right midfield in the 2011 FIFA Women's World Cup in the final group stage game against Sweden. The United States went on to win the silver medal in that tournament.
2012 Olympics
Throughout her national U-20s, collegiate, and club career, O'Hara was one of the top young offensive players in the United States, but under head coach Pia Sundhage, O'Hara was converted to play outside back in 2012 after teammate Ali Krieger went down with an ACL injury in the 2012 CONCACAF Women's Olympic Qualifying Tournament. Against Guatemala on January 22, 2012, in the Olympic Qualifiers, she made her first start at left back and registered three assists. O'Hara started at right back against Costa Rica in the match that qualified the United States for the 2012 Summer Olympics in London. O'Hara played in every minute of the United States' gold medal run, one of three American players to do so.
2015 FIFA Women's World Cup
In the United States' first four games of the 2015 FIFA Women's World Cup, O'Hara did not see any playing time. O'Hara made her first start of the tournament in the quarter-final game against China PR. She was replaced by Christen Press in the 61st minute. O'Hara scored her first career international goal in the United States' 2–0 victory over Germany in the semi-final. In the final against Japan, O'Hara entered the game in the 61st minute to replace Megan Rapinoe. The United States went on to defeat Japan 5–2, winning the first World Cup title since 1999 and the third overall World Cup title for the United States since the inaugural Women's World Cup in 1991.
2016 Olympics
2019 FIFA Women's World Cup
Despite injuries which kept her from playing regularly for the United States in the year leading up to the World Cup, O'Hara was named to Jill Ellis' roster for the 2019 FIFA World Cup in France. She played in five of the United States' seven games and appeared in all knockout stage games.
In the team's opening game
against Thailand, O'Hara crossed the ball to Alex Morgan in the 12th minute who converted O'Hara's service to notch the team's first goal of the tournament. The U.S. went on to beat Thailand 13–0. O'Hara made her second assist of the tournament in the semifinal against England when she delivered a cross from the right flank to Christen Press whose 10th minute goal put the U.S. in the lead.
O'Hara started in the final against the Netherlands but was substituted at halftime due to a collision just before the break with the Dutch winger Lieke Martens. The U.S. won the match 2–0 and O'Hara won her second World Cup.
2020 Olympics
2023 FIFA Women's World Cup
On June 21, 2023, Vlatko Andonovski named O'Hara to the United States squad for the 2023 FIFA Women's World Cup in Australia, her fourth World Cup tournament. She made her tournament debut in the 84th minute of the group-stage opener against Vietnam. While she did not feature in the next two games against the Netherlands and Portugal, she made her next appearance during the game against Sweden, coming on in the last minute of extra time before the penalty shootout. O'Hara was the third U.S. player to miss her penalty shot, and Sweden advanced on penalties, eliminating the U.S. from the World Cup in the Round of 16.
Endorsements
O'Hara has appeared in multiple commercials and advertisements for Under Armour. In 2015, she appeared in television commercials and promotional materials promoting chocolate milk on behalf of the National Fluid Milk Processor Promotion Board.
Podcast
In July 2020, O'Hara launched a podcast with sports website Just Women's Sports. The podcast was rebranded as The Players' Pod in April 2022. Website founder Haley Rosen had asked O'Hara to join the advisory board. O'Hara said that she instead asked to host their podcast because she'd "always thought hosting a podcast would be fun." O'Hara says her goal is to generate "open, candid conversations" about the lives of athletes, particularly female athletes. The podcast posted its last episode on August 9, 2023.
Personal life
O'Hara was one of many out LGBT athletes to compete in the 2019 FIFA Women's World Cup in France. As of 2019, during her off-season, she resides with her partner, Kameryn Stanhouse, in Washington, D.C. She got engaged to Stanhouse on New Year's Eve 2022, announcing it to fans via Instagram. On April 23, 2024, O'Hara announced that she was one of the executive producers of "Ripe!," a queer short film in which two young women develop feelings for each other after a competitive moment in a pickup soccer game. "Ripe!," which celebrates the ripening of LGBTQIA+ identities and shedding queer shame, premiered at the 2024 Tribeca Film Festival on June 9, 2024.
Career statistics
Club
As of June 11, 2024
International
As of match played August 6, 2023
Scores and results list United States's goal tally first, score column indicates score after each O'Hara goal.
Honors
FC Gold Pride
WPS Championship: 2010
Washington Spirit
NWSL Championship: 2021
NJ/NY Gotham FC
NWSL Championship: 2023
United States U20
CONCACAF Women's U-20 Championship runner-up: 2008
United States
FIFA Women's World Cup: 2015, 2019, runner-up: 2011
Olympic Gold Medal: 2012
Olympic Bronze Medal: 2020
CONCACAF Women's Championship: 2014; 2018; 2022
CONCACAF Women's Olympic Qualifying Tournament: 2012; 2016; 2020
SheBelieves Cup: 2016; 2018; 2020, 2021; 2022
Algarve Cup: 2011, 2013, 2015
Four Nations Tournament: 2011
Individual
Pac-10 Conference First-Team: 2006, 2007, 2009
U.S. Soccer Young Female Athlete of the Year Finalist: 2007, 2009
Hermann Trophy Winner: 2009
NCAA All-American First-Team: 2009
ESPN Academic All-America First-Team: 2009
Georgia Sports Hall of Fame: Inducted February 22, 2020. O'Hara was the youngest person ever inducted and first soccer player to be inducted.
IFFHS CONCACAF Woman Team of the Decade 2011–2020
FIFPro Women's World XI: 2019
See also
List of Olympic medalists in football
List of Stanford University people
CONCACAF Women's U-20 Championship
Soccer America Player of the Year Award
Honda Sports Award
References
Match report
Further reading
Grainey, Timothy (2012), Beyond Bend It Like Beckham: The Global Phenomenon of Women's Soccer, University of Nebraska Press, ISBN 0803240368
Killion, Ann (2018), Champions of Women's Soccer, Penguin, ISBN 9780399549021
Lisi, Clemente A. (2010), The U.S. Women's Soccer Team: An American Success Story, Scarecrow Press, ISBN 0810874164
Lloyd, Carli and Wayne Coffey (2016), When Nobody was Watching: My Hard-fought Journey to the Top of the Soccer World, Houghton Mifflin Harcourt, ISBN 9780544814622
Murray, Caitlin (2019), The National Team: The Inside Story of the Women Who Changed Soccer, Abrams, ISBN 9781683355274
Stevens, Dakota (2011), A Look at the Women's Professional Soccer Including the Soccer Associations, Teams, Players, Awards, and More, BiblioBazaar, ISBN 1241047464
External links
Kelley O'Hara at the National Women's Soccer League
Kelley O'Hara #5 at NJ/NY Gotham FC
Kelley O'Hara #5 at Washington Spirit (archived)
Kelley O'Hara at Soccerway
Kelley O'Hara at U.S. Soccer
Kelley O'Hara at Team USA (archive)
Kelley O'Hara at Olympics.com
Kelley O'Hara at Olympedia
Kelley O'Hara on Instagram |
Carli_Lloyd | https://en.wikipedia.org/wiki/Carli_Lloyd | [
243
] | [
"https://en.wikipedia.org/wiki/Carli_Lloyd"
] | Carli Anne Hollins (née Lloyd; born July 16, 1982) is an American former professional soccer player. She is a two-time Olympic gold medalist (2008 and 2012), two-time FIFA Women's World Cup champion (2015 and 2019), two-time FIFA Player of the Year (2015 and 2016), and a four-time Olympian (2008, 2012, 2016 and 2021). Lloyd scored the gold medal-winning goals in the finals of the 2008 Summer Olympics and the 2012 Summer Olympics. Lloyd also helped the United States win their titles at the 2015 and 2019 FIFA Women's World Cups, the bronze medal at the 2020 Summer Olympics, and she played for the team at the 2011 FIFA Women's World Cup where the U.S. finished in second place. After the 2020 Summer Olympics, Lloyd announced she would be retiring from the national team following four final friendly matches in 2021. Lloyd has made 316 appearances for the U.S. national team, placing her second in caps, and has the third-most goals and fifth-most assists for the team. In March 2021, she was named as the highest paid female soccer player in the world. She played her last international match with the USWNT on October 26, 2021, shortly before retiring from professional soccer at the completion of the 2021 NJ/NY Gotham FC season.
During the United States' 5–2 win over Japan in the 2015 FIFA Women's World Cup Final, Lloyd became the first player ever to score three goals in a FIFA Women's World Cup final and the second soccer player ever to score a hat-trick in any senior FIFA World Cup Final, after Geoff Hurst. Lloyd scored three goals in the first 16 minutes of the final, with the first two occurring in the first five minutes of the game and within three minutes of each other. She received the Golden Ball Trophy as the best player of the tournament and earned the Silver Boot for her six goals and one assist during the tournament.
She previously played for the Chicago Red Stars, Sky Blue FC (now known as NJ/NY Gotham FC), and Atlanta Beat in Women's Professional Soccer (WPS). In 2013, she was allocated to the Western New York Flash for the inaugural season of the National Women's Soccer League (NWSL) and helped her team win the regular season championship. After two seasons with the Flash, she was traded to Houston Dash prior to the 2015 season and then to Sky Blue before the 2018 season. Her memoir, When Nobody Was Watching, was published in September 2016.
Early life
Born to Stephen and Pamela Lloyd, Carli was raised in Delran Township, a suburban community located in South Jersey about 20 minutes northeast of Philadelphia. Lloyd began playing soccer at age five. Of her exposure to soccer at a young age, Lloyd's mother, Pamela said, "At that age, it was coed, and Carli was hanging with the boys. She always loved it and showed a lot of ability from an early age, but she also has always worked hard." Lloyd has a brother, Stephen, and a sister, Ashley. Lloyd attended the opening U.S. match of the 1999 FIFA Women's World Cup, which inspired her to play for the national team.
Lloyd attended Delran High School from 1997 to 2000 where she played soccer under the tutelage of the late Rudy "The Red Baron" Klobach. As a high school athlete, she was known for her exceptional ball control and skill at distributing the ball from the midfield. During her senior year, she scored 26 goals and served eight assists while captaining her team to an 18–3 record. The Philadelphia Inquirer twice-named her Girls' High School Player of the Year in 1999 and 2000. She was named to the Star-Ledger All-State First Team twice and received 1999 and 2000 Parade All-American honors. In 2000, she was named the Courier-Post Player of the Year and the South Jersey Soccer Coaches Association (SJSCA) Midfielder of the Year.
Rutgers Scarlet Knights, 2001–2004
Lloyd attended Rutgers University from 2001 to 2004 and played for the Scarlet Knights women's soccer team under head coach Glenn Crooks. She was named First-Team All-Big East for four straight years – the first athlete at Rutgers to do so. She ended her collegiate career as the school's all-time leader in points (117), goals (50), and shots.
During her freshman season, Lloyd started every match and was the team's leading scorer with 15 goals for a total of 37 points. She was named to Soccer America's All-Freshman Team and was the first Rutgers player to earn Big East Rookie of the Year honors. As a sophomore, she was the team's leading scorer for the second consecutive season with 12 goals and seven assists for 31 points. The same year Lloyd was a finalist for the Hermann Trophy, widely considered the highest accolade for collegiate soccer players. During her third season with the Scarlet Knights, she scored 13 goals and served 2 assists for a total of 28 points and was named a Big East Academic All-Star. As a senior, she was a starter for 18 of the 20 games she played, scored 10 goals and served one assist. Lloyd was named the 2004 Big East Midfielder of the Year. She earned a bachelor's degree from Rutgers University in Exercise Science and Sport Studies.
In 2013, Lloyd was inducted into the Rutgers Hall of Distinguished Alumni.
Her presence is still widely felt in the Rutgers community. Her posters hang high all throughout the Rodkin facility.
Club career
W-League Experience (1999–2004)
While still in high school, Lloyd played for W-League teams Central Jersey Splash in 1999, New Brunswick Power in 2000, and South Jersey Banshees in 2001. In the summer prior to her senior year at Rutgers, Lloyd played for the New Jersey Wildcats in 2004 with teammates Kelly Smith, Manya Makoski, Tobin Heath, and Heather O'Reilly. She made only one appearance for the club.
The WPS Years (2009–2011)
With the return of a top-flight women's professional soccer league to the United States via Women's Professional Soccer, Lloyd's playing rights were allocated to the Chicago Red Stars in 2008. During the league's inaugural season, she started in 14 of her 16 appearances for Chicago playing a total of 1,313 minutes on the pitch. She scored two goals: one in the 23rd minute of her team's 4–0 win over the Boston Breakers on April 25; and the other during the 24th minute of a 3–1 defeat of the Los Angeles Sol on August 2. The Red Stars finished sixth on the season with a 5–10–5 record.
Following the conclusion of the season, Lloyd was declared a free agent and subsequently signed with her home state club and 2009 WPS champions, Sky Blue FC, for the 2010 season. In April 2010, during a match against her former team, Chicago Red Stars, Lloyd slipped and broke her ankle. The injury kept her off the pitch for most of the season although she did return for two games in September.
In December 2010, Lloyd signed with expansion team Atlanta Beat for the 2011 season. Of her signing, Beat head coach James Galanis said, "She is a fantastic midfielder and someone who is fully focused on the game. I have known her from her college days, and I have had the opportunity to train her and improve her game individually. She has made a lot of sacrifices off the field to reach her dreams, and she is going to bring a lot of professionalism to the team." Lloyd scored two goals in her ten appearances for the Beat. She scored the team's lone goal in a 4–1 defeat by the Boston Breakers on April 9. Her second goal on the season was an equalizer during the 70th minute of a 2–2 draw against the Western New York Flash. The Beat finished their first season in last place with a 1–13–4 record.
Western New York Flash (2013–2014)
On January 11, 2013, Lloyd joined the Western New York Flash in the new National Women's Soccer League as part of the NWSL Player Allocation. After recovering from a shoulder injury suffered earlier in the year, Lloyd made her debut for the Flash on May 12, 2013, during the team's 2–1 defeat of FC Kansas City. She scored her first goal in a match against her former club, Sky Blue FC, helping the Flash win 3–0. During a match against the Washington Spirit on June 28, Lloyd scored a hat trick leading the Flash to a 4–0 win. She was subsequently named NWSL Player of the Week for her performance.
Lloyd finished the 2013 season with 10 goals, the third most goals scored on the season. The Flash finished first during the regular season with a 10–4–8 record and advanced to the playoffs. During the Flash's semi-final match against Sky Blue FC, Lloyd scored both of the Flash's game-winning goals: one in the 33rd minute and the second coming during stoppage time. Her two goals resulted in a 2–0 win that advanced the Flash to the championship final against the Portland Thorns FC. The Flash were defeated 2–0 during the final.
Houston Dash (2015–2017)
On October 16, 2014, Lloyd was traded to the Houston Dash in exchange for Becky Edwards, Whitney Engen and a third-round pick in the 2016 NWSL College Draft.
Manchester City (2017 loan)
In February 2017, Lloyd joined Manchester City on loan, for the FA WSL Spring Series. While Lloyd was at Manchester City, they finished second in the WSL Spring Series, and won the 2016–17 FA Women's Cup, with her scoring in the final. Lloyd's final appearance for City came on May 21, when she was sent off for elbowing Yeovil Town's Annie Heatherson in the face. The three match ban she received for violent conduct ran for the remainder of her loan stay.
Sky Blue / NJ/NY Gotham (2018–2021)
On January 18, 2018, Lloyd was traded to Sky Blue FC (later known as NJ/NY Gotham FC) along with Janine Beckie by the Dash in a three-team trade with the Chicago Red Stars and Sky Blue FC. Lloyd scored 4 goals in 18 appearances for Sky Blue in 2018. She scored the only goal in a 1–0 win over the Orlando Pride on the last day of the 2018 NWSL season. It was Sky Blue's first and only win of the season. She was named to the 2018 NWSL Second XI.
International career
Youth national team
Lloyd represented the United States at the under-21 level before making the jump to the senior team at the age of 23. As a member of the under-21 team, she played at the Nordic Cup four times winning consecutive titles from 2002 to 2005 in Finland, Denmark, Iceland, and Sweden respectively. During the first round of the 2003 Nordic Cup, she served the assist in the U.S.' 1–0 win against Denmark. At the 2004 Nordic Cup, she scored two goals and served one assist while starting in every match. The following year at the 2005 Nordic Cup, she scored three times including one goal during the championship match against Norway.
Senior national team
Lloyd made her first appearance for the United States women's national soccer team on July 10, 2005, against Ukraine. She scored her first international goal on October 1, 2006, against Taiwan. At the 2006 Four Nations Tournament, Lloyd won a third cap. Her first two starts of her international career came at the 2006 Algarve Cup, starting the group game against Denmark and in the final against Germany. She played in 19 games, starting 13, and scored one goal.
2007 FIFA Women's World Cup
After scoring once in her first 24 matches with the national team, Lloyd scored four goals at the 2007 Algarve Cup. As the tournament's top scorer, she was awarded Most Valuable Player tournament honors. Lloyd logged her first brace for the national team during a 6–1 win against New Zealand.
The same year, Lloyd played in her first FIFA Women's World Cup tournament. Heading into the tournament, the national team had not lost a game in regulation time in nearly three years and was considered a favorite to win the tournament in China. During their first match of the tournament, the U.S. tied North Korea 2–2. The team faced Sweden in their next match on September 14 and won 2–0 with two goals from Abby Wambach. The U.S. finished group play with a 1–0 win over Nigeria women's national football team on September 18.
During the quarterfinal match against England on September 22, the U.S. won 3–0. All three goals were scored within 12 minutes. The U.S. faced Brazil in the semi-final in what would become a controversial and game-changing match for the team. Coach Greg Ryan decided to bench starting goalkeeper, Hope Solo, and instead started Brianna Scurry, a veteran goalkeeper who had started in three World Cups and two Olympics, but who had started very few matches since the 2004 Olympics. The U.S. was defeated 4–0 by Brazil. The loss relegated them to a final match against Norway, which they won 4–1, to secure third place standing at the tournament. Lloyd started three of the five games in which she played at the tournament.
Throughout 2007, Lloyd started 13 of the 23 matches in which she played. She ranked third on the team in scoring with nine goals and three assists.
2008 Beijing Olympics
During the championship match of the CONCACAF Women's Olympic Qualifying Tournament, Lloyd scored the U.S.' only goal during stoppage time on a free-kick. The U.S. eventually defeated Canada 6–5 in penalty kicks. She scored two goals during the 2008 Olympics: the game-winning goal in the team's 1–0 defeat of Japan during the tournament's group stage and another game-winning goal in extra time against Brazil during the final helping the U.S. win gold.
Lloyd was named the 2008 U.S. Soccer Athlete of the Year along with Tim Howard. She was on the starting lineup in all 35 games in which she played in 2008, tying for the team lead in matches started during the year. Her 2,781 minutes on the pitch for the U.S. ranked third on the team in minutes played. Her nine goals and nine assists resulted in her best scoring year yet on the national team.
Injury recovery, 100th cap and World Cup qualifying, 2009–2010
In 2009, the U.S. national team competed in eight games, of which Lloyd was on the starting lineup in five. At the 2010 Algarve Cup, Lloyd scored the game-opening goal in the final helping the U.S. clinch the championship title after defeating Germany 3–2.
Although she suffered a broken ankle in the fourth game of the 2010 WPS Season while playing for Sky Blue FC, she played in 15 matches for the United States in 2010, starting 14. Lloyd started all five games at the 2010 CONCACAF Women's World Cup Qualifying Tournament, scoring two goals, including the United States' lone goal during the championship match. She ended the tournament with five assists and was named the Player of the Match three times during the tournament. After the U.S. finished third at the tournament, they traveled to Italy to vie for a place at the 2011 FIFA Women's World Cup in the UEFA-CONCACAF play-off against Italy. Playing every minute of the series, Lloyd scored three goals with five assists during the series. She earned her 100th career cap during the second leg of the series.
2011 FIFA Women's World Cup
2011 saw the U.S. team making preparations for the 2011 FIFA Women's World Cup and training starting with the Four Nations Tournament. Lloyd scored the lone goal for the U.S. in the opening match loss to Sweden. In the championship match, the U.S. defeated Canada 2–0 with Lloyd scoring the first goal and being named Player of the Match.
At the 2011 Algarve Cup, Lloyd scored three goals including the first goal in the championship match; subsequently named best goal for the tournament. She was named player of the match for the 2nd time in the tournament. The team won the cup, making it their eighth title win.
At the 2011 FIFA Women's World Cup, Lloyd scored the final goal in a 3–0 win against Colombia for her first World Cup goal. Throughout the tournament, she tallied an assist, a goal, and one successful penalty kick in the shootout against Brazil to send the U.S. to the semi-finals vs. France. In the World Cup final, after finishing the game tied 2–2 the U.S. went on to penalty kicks with Japan. Along with two teammates who failed to convert their penalty kicks, Lloyd mishit the ball over the crossbar. The U.S. won the silver medal at the tournament.
2012 London Olympics
The national team opened 2012 with the Olympic Qualifiers in Vancouver, British Columbia, Canada. The U.S. was placed in Group B with the Dominican Republic, Guatemala, and Mexico. In the first match, the United States routed the Dominican Republic by a score of 14–0 with Lloyd tallying one goal and one assist. In the second match, the U.S. again defeated Guatemala 13–0 with Lloyd again finding the back of the net and providing an assist.
The game to win the group and thus play the second place team from Group A occurred between the U.S. and Mexico. The U.S. was previously defeated 2–1 by Mexico during the 2010 CONCACAF Women's Gold Cup. This time, the U.S. beat Mexico 4–0 with Lloyd netting her first career hat trick. She was subsequently named player of the match.
In the semi-final, the U.S. faced Costa Rica. During the second half, the U.S. scored two goals, the second coming from Lloyd. The U.S. beat Costa Rica 3–0 with Lloyd named player of the match for the second game in a row. During the final match against Canada, the U.S. defeated Canada at home 4–0 to move on to the Olympics as the CONCACAF champions. Lloyd finished the tournament with six goals and three assists and tied for the team lead in goals scored.
At the 2012 Summer Olympics in London, Lloyd scored the go-ahead goal in the 56th minute of the team's opening match against France, to boost the U.S. to a 3–2 lead; the match ended with a final score of 4–2. She scored her second goal of the tournament against Colombia during the group stage.
During the Olympic gold medal match against Japan, played at London's Wembley Stadium, Lloyd scored both American goals in the team's 2–1 victory. Her four goals in the tournament tied for the second highest on the U.S. squad. She is the only player (of either gender) in history to score the game-winning goal in two separate Olympic gold medal matches; her first occurred during the Beijing 2008 final against Brazil.
After scoring her 46th international goal in the 13th minute of a friendly against New Zealand in October 2013, Lloyd became the highest-scoring midfielder in the team's history, passing Julie Foudy, who finished her career with 45 goals.
2015 FIFA Women's World Cup
In April 2015, Lloyd was named by head coach Jill Ellis to the 23-player roster for the 2015 FIFA Women's World Cup in Canada. Lloyd captained the team during four of the team's matches, including the quarterfinal against China, in which she scored the winning goal on her 200th cap, semi-final against Germany and final against Japan, and scored six goals during the tournament, finishing the tournament on a four-game goalscoring streak that spanned the knockout stage and that culminated in a hat-trick in the game's opening 16 minutes during the final against Japan. The last goal was hailed by Reuters as "one of the most remarkable goals ever witnessed in a Women's World Cup", and featured Lloyd catching Japanese goalkeeper Ayumi Kaihori off her line and chipping her virtually from the halfway line.
For her efforts in leading the United States to a record third World Cup title, and first since 1999, she won the Golden Ball as the best player of the tournament. While Lloyd's six goals were enough to match Célia Šašić as the tournament's top scorer, Šašić won the Golden Boot for playing fewer minutes and Lloyd was awarded the Silver Boot. Lloyd also became the first woman to score a hat-trick in a World Cup final and the first player, male or female, to do so since Geoff Hurst did so for England against West Germany at Wembley in 1966. Only one player has since replicated the feat – Kylian Mbappé for France against Argentina in Lusail, Qatar in 2022. Furthermore, her third goal earned her a nomination for the FIFA Puskás Award, FIFA's annual award for Goal of the Year. Finally, Lloyd is the only player to have scored a hat-trick in normal time of a World Cup final; Hurst scored two goals in extra time and Mbappé one.
2019 FIFA Women's World Cup
Lloyd scored in her first two games of the 2019 FIFA Women's World Cup; one against Thailand and two against Chile. Hence, she became the first player to score in six straight Women's World Cup matches.
Reaching her 300th cap, 2019–2021
On April 10, 2021, Lloyd earned her 300th cap in a friendly match against Sweden to become the third player to achieve that feat after Kristine Lilly and Christie Pearce. On June 14, 2021, she became the oldest player at 38 years and 332 days to score for the United States in a 4–0 win over Jamaica at the BBVA Stadium, and thereby beating the record previously held by Kristine Lilly (38 years, 264 days).
2020 Tokyo Olympics and retirement
On August 5, 2021, she scored twice in a 4–3 win over Australia in the bronze medal match of the 2020 Summer Olympics, to set the U.S. women's record for most Olympic goals, 10 goals in total, surpassing Abby Wambach. Following the Olympics, Lloyd announced she would be retiring from the national team in 2021.
In early 2022, she partnered with Teqball USA and one of her retirement plans is to make Teqball an Olympic sport by 2028. She also developed CL10 Soccer Clinic, a program to help people improve their soccer skills. In October 2022, she co-conducted the draw for the 2023 Women's World Cup in Australia and New Zealand held at the Aotea Centre in Auckland. She also co-conducted the draw for the 2022 FIFA World Cup in Qatar, held at the Doha Exhibition and Convention Center, in April 2022.
Criticism of USWNT post-retirement
Since retiring, Lloyd has made numerous critical comments regarding the national team, saying she "hated" playing for the team in the final years of her career. Lloyd has said that the culture became "toxic" after the 2015 World Cup victory, alleging that players became more focused on building their brands than winning as a team. During the 2023 FIFA Women's World Cup, Lloyd criticized the team for celebrating after finishing runners-up in their group, avoiding elimination after being close to losing to Portugal in their last group match, saying, "Players are smiling. They're laughing. It's not good enough." Lloyd's comments created controversy and drew pushback from both current players and former teammates.
Later in 2023, she said U.S. Soccer never wanted her to be the star of the team. “That’s just the way the world works as far as showcasing players," Lloyd said. "They’re not always highlighting the best players. They’re oftentimes highlighting the most marketable players.”
Style of play
Although she was criticised for being inconsistent at the beginning of career, and for losing possession too easily, Lloyd later developed into one of the best players in the world, and is highly regarded for her outstanding determination, mental strength, and work-ethic. A tenacious, energetic, and hard-working player, she also is known for her control, technique, and passing accuracy, and is capable of aiding her team both defensively and offensively, due to her stamina, strength, and tackling, as well as her ability to get into good attacking positions, and either score goals or create chances for teammates. These abilities, coupled with her tactical versatility, enabled her to be deployed in several midfield positions; although she began her career in the centre, as a defensive midfielder, she was most comfortable when moved to a more advanced role, as an attacking midfielder behind the forwards. Lloyd earned a reputation as a "clutch player", due to her tendency to score decisive goals. A powerful striker of the ball, she was capable of scoring from any position on the pitch, and could finish well both with her head and with her feet inside the area.
Personal life
Lloyd lives with her husband, golfer Brian Hollins, in Medford, New Jersey. They married on November 4, 2016, in Puerto Morelos, Mexico. On May 1, 2024, the couple announced that they are expecting their first child in October 2024.
In popular culture
Endorsements
Lloyd has had an endorsement deal with Nike for several years. In 2011, she was the focus of a promotional feature for the sports company entitled, Pressure Makes Us: Carli Lloyd. Following the 2015 FIFA Women's World Cup, Lloyd starred in a commercial for Xfinity and signed an endorsement deal with Visa. In August 2015, she co-starred in a Nike commercial called Snow Day also featuring Rob Gronkowski and teammate Sydney Leroux. In April 2016, she was named brand ambassador for Lifeway Foods and appeared in a television commercial for Heineken the same year. She has a partnership with Whole Foods Market and appeared in a television commercial for United Airlines. In June 2016, she joined Michael Phelps in partnership deals with Krave Jerky. She also has endorsement deals with Beats by Dre, Kind, and NJM Insurance.
Magazines, television, and video games
Lloyd has been featured in Glamour, Shape, and Sports Illustrated magazines. She was on the covers of Howler Magazine and Sports Illustrated.
In 2012, Lloyd appeared in an ESPN feature called Title IX is Mine: USWNT. She has been interviewed on numerous television shows including: Good Morning America, The Daily Show with Jon Stewart, Live with Kelly and Michael, The Today Show, Late Night with Seth Meyers, Fox & Friends, Late Late Show with James Corden. Lloyd also participated in the 2023 reality show Special Forces: World's Toughest Test. She joined Soccer on Fox Sports as a studio analyst in 2022.
Lloyd was featured along with her national teammates in the EA Sports' FIFA video game series in FIFA 16, the first time women players were included in the game. In September 2015, she was ranked by EA Sports as the No. 1 women's player in the game.
Ticker tape parade and White House honor
Following the United States' win at the 2015 FIFA Women's World Cup, Lloyd and her teammates became the first women's sports team to be honored with a ticker tape parade in New York City. Each player received a key to the city from Mayor Bill de Blasio. In October of the same year, the team was honored by President Barack Obama at the White House.
Career statistics
International goals
Goals by opponent
Honors
Western New York Flash
NWSL Shield: 2013
Manchester City
FA Women's Cup: 2016–17
United States
Algarve Cup: 2007, 2008, 2010, 2011, 2013, 2015
CONCACAF Women's Championship: 2014, 2018
CONCACAF Women's Olympic Qualifying Tournament: 2008, 2012, 2016; 2020
Olympic Gold Medal: 2008, 2012
Olympic Bronze Medal: 2021
FIFA Women's World Cup: 2015, 2019Runner-up: 2011
SheBelieves Cup: 2016; 2018; 2020; 2021
Tournament of Nations: 2018
Individual
Algarve Cup Most Valuable Player: 2007
U.S. Soccer Athlete of the Year: 2008
FIFA World Player of the Year Shortlist: 2012, 2015, 2016
FIFA Puskás Award Nominee: 2015
NWSL Player of the Week: July 2013, July 2014
NWSL Player of the Month: July 2015
NWSL Second XI: 2014, 2015, 2018
CONCACAF Women's Player of the Year: 2015
CONCACAF Goal of the Year: 2015
FIFA Women's World Cup Golden Ball: 2015
FIFA Women's World Cup Silver Boot: 2015
FIFA Women's World Cup All-Star Team: 2015
FIFA Women's World Cup Dream Team: 2015
FIFA Women's World Cup Goal of the Tournament: 2015
Women's Sports Foundation Sportswoman of the Year Team Sport Award: 2015
IFFHS World's Best Woman Playmaker: 2015
FIFA World Player of the Year: 2015
FIFPro: FIFA FIFPro World XI 2015, 2016, 2021
The Best FIFA Women's Player: 2016
Inductee into New Jersey Hall of Fame: 2017
IFFHS CONCACAF Best Woman Player of the Decade 2011–2020
IFFHS World's Woman Team of the Decade 2011–2020
IFFHS CONCACAF Woman Team of the Decade 2011–2020
See also
List of multiple Olympic gold medalists in one event
List of Olympic medalists in football
List of women's footballers with 100 or more caps
List of FIFA Women's World Cup hat-tricks
List of Rutgers University alumni
References
Match reports
Further reading
Grainey, Timothy (2012), Beyond Bend It Like Beckham: The Global Phenomenon of Women's Soccer, University of Nebraska Press, ISBN 0803240368
Lisi, Clemente A. (2010), The U.S. Women's Soccer Team: An American Success Story, Scarecrow Press, ISBN 0810874164
Lloyd, Carli (2017). When Nobody Was Watching: My Hard-fought Journey to the Top of the Soccer World. Mariner Books. ISBN 978-1328745620.
Solo, Hope (2012), Solo: A Memoir of Hope, Harper & Collins, ISBN 0062136755
Stevens, Dakota (2011), A Look at the Women's Professional Soccer Including the Soccer Associations, Teams, Players, Awards, and More, BiblioBazaar, ISBN 1241047464
External links
Official website
Carli Lloyd at Soccerway.com
Carli Lloyd at FBref.com
Carli Lloyd at Olympics.com
Carli Lloyd at Olympedia
Carli Lloyd at the National Women's Soccer League
Carli Lloyd at Sky Blue FC (archived)
Carli Lloyd at Houston Dash
Carli Lloyd at Western New York Flash (archived)
Carli Lloyd at Atlanta Beat (archived)
Carli Lloyd at New Jersey Wildcats (archived)
Carli Lloyd at U.S. Soccer (archive)
Carli Lloyd at Team USA (archive April 18, 2023)
Carli Lloyd at IMDb |
2016_CONCACAF_Women%27s_Olympic_Qualifying_Championship | https://en.wikipedia.org/wiki/2016_CONCACAF_Women%27s_Olympic_Qualifying_Championship | [
243
] | [
"https://en.wikipedia.org/wiki/2016_CONCACAF_Women%27s_Olympic_Qualifying_Championship#Group_A"
] | The 2016 CONCACAF Women's Olympic Qualifying Championship was the 4th edition of the CONCACAF Women's Olympic Qualifying, the quadrennial international football tournament organized by CONCACAF to determine which women's national teams from the North, Central American and Caribbean region qualify for the Olympic football tournament. CONCACAF announced on 12 August 2015 that the United States would host the tournament between 10 – 21 February 2016 in Frisco and Houston, Texas. A total of eight teams played in the tournament.
The top two teams of the tournament qualified for the 2016 Summer Olympic Women's football tournament in Brazil as the CONCACAF representatives.
The United States won the tournament with a 2–0 final win over Canada. Both teams qualified for the Summer Olympics, their sixth and third in a row respectively.
Qualification
The eight berths were allocated to the three regional zones as follows:
Three teams from the North American Zone (NAFU), i.e., Canada, Mexico and the hosts United States, who all qualified automatically due to being the only teams in the zone
Two teams from the Central American Zone (UNCAF)
Three teams from the Caribbean Zone (CFU)
Regional qualification tournaments were held to determine the five teams joining Canada, Mexico, and the United States at the final tournament.
Qualified teams
The following eight teams qualified for the final tournament.
Venues
The two venues were announced by CONCACAF on 12 August 2015.
Toyota Stadium, Frisco
BBVA Compass Stadium, Houston
Draw
The draw for the tournament took place on 23 November 2015 at 10:00 EST (UTC−5) at the InterContinental Doral in Doral, Florida, United States. The draw was conducted by Cat Whitehill and Tiffany Roberts.
The eight teams were drawn into two groups of four teams. Tournament host, defending CONCACAF Olympic Qualifying Championship champion and 2012 Olympic gold medalist United States were seeded in Group A.
Squads
Each team could register a maximum of 20 players (two of whom must be goalkeepers).
Group stage
The top two teams of each group advanced to the semi-finals. The teams were ranked according to points (3 points for a win, 1 point for a draw, 0 points for a loss). If tied on points, tiebreakers would be applied in the following order:
Goal difference in all group matches;
Greatest number of goals scored in all group matches;
Greatest number of points obtained in the group matches between the teams concerned;
Goal difference resulting from the group matches between the teams concerned;
Greater number of goals scored in all group matches between the teams concerned;
Drawing of lots.
All times were local, CST (UTC−6).
Group A
Group B
Knockout stage
In the knockout stage, extra time and penalty shoot-out would be used to decide the winner if necessary.
Bracket
Semi-finals
Winners qualified for 2016 Summer Olympics.
Final
Final ranking
As per statistical convention in football, matches decided in extra time are counted as wins and losses, while matches decided by penalty shoot-outs are counted as draws.
Qualified teams for 2016 Summer Olympics
The following two teams from CONCACAF qualified for the 2016 Summer Olympic Women's football tournament.
Goalscorers
6 goals
5 goals
4 goals
3 goals
2 goals
1 goal
Own goal
Ashley Rivera (playing against United States)
Awards
The following awards were given at the conclusion of the tournament.
Best XI
Goalkeeper: Hope Solo
Right Defender: Kelley O'Hara
Central Defender: Becky Sauerbrunn
Central Defender: Kadeisha Buchanan
Left Defender: Allysha Chapman
Right Midfielder: Tobin Heath
Central Midfielder: Lindsey Horan
Central Midfielder: Morgan Brian
Left Midfielder: Ashley Lawrence
Forward: Alex Morgan
Forward: Carli Lloyd
Golden Ball
Morgan Brian
Golden Boot
Crystal Dunn (6 goals)
Golden Glove
Hope Solo
Fair Play Award
United States
Notes
References
External links
Olympic Qualifying – Women, CONCACAF.com |
History_of_Formula_One | https://en.wikipedia.org/wiki/History_of_Formula_One | [
244
] | [
"https://en.wikipedia.org/wiki/History_of_Formula_One"
] | Formula One automobile racing has its roots in the European Grand Prix championships of the 1920s and 1930s, though the foundation of the modern Formula One began in 1946 with the Fédération Internationale de l'Automobile's (FIA) standardisation of rules, which was followed by a World Championship of Drivers in 1950.
The sport's history parallels the evolution of its technical regulations. In addition to the world championship series, non-championship Formula One races were held for many years, the last held in 1983 due to the rising cost of competition. National championships existed in South Africa and the United Kingdom in the 1960s and 1970s.
History
Early years and continuation of pre-World War II supercharged engines (1946–1950)
Formula One was first defined in 1946 by the Commission Sportive Internationale (CSI) of the FIA, forerunner of FISA, as the premier single-seater racing category in worldwide motorsport to become effective in 1947. This new "International Formula" was initially known variously as Formula A, Formula I, or Formula 1 with the corresponding "Voiturette" formula being titled Formula B, Formula II, or Formula 2. When the 500cc formula was internationally recognised as Formula 3 in 1950 it was never titled as "Formula C" so the three International Formulae were then "officially" titled Formula 1, Formula 2 and Formula 3.
In the beginning, the formula was largely based on pre-World War II regulations defined by engine capacity. The regulation expected to bring a new balance between supercharged and normally aspirated cars. Non-supercharged 4.5-litre pre-war Grand Prix cars were allowed to race against the pre-war 1.5-litre supercharged 'voiturettes', while pre-war supercharged 3-litre Grand Prix cars were banned.
There is some debate as to what can be considered to be the first Formula 1 race. The first race under the new regulations was the 1946 Turin Grand Prix held on 1 September, the race being won by Achille Varzi in an Alfa Romeo 158 Alfetta - but this was before the Formula was officially in place. The next contender is the 1947 Swedish Winter Grand Prix which was won by Reg Parnell driving an ERA - but this race was run on ice and some consider that it therefore was not a "proper" race (there is also some doubt whether it was a Formula 1 race or a Formule Libre race). The third claimant is the 1947 Pau Grand Prix which was won by Nello Pagani driving a Maserati 4CL, which is irrefutable.
Championships for drivers or constructors were not introduced immediately. In the early years there were around 20 races held from late Spring to early Autumn (Fall) in Europe, although not all of these were considered significant. Most competitive cars came from Italy, particularly Maserati. Races saw pre-war heroes like Rudolf Caracciola, Manfred Von Brauchitsch and Tazio Nuvolari end their careers, while drivers like Alberto Ascari and Juan Manuel Fangio rose to the front.
Era of factory Italian and Mercedes front-engine cars (1950–1957)
The Motorcycle World Championships was introduced in 1949. In 1950, the FIA responded with the first ever official World Championship for Drivers. The championship series, to be held across six of the 'major' Grands Prix of Europe plus the Indianapolis 500, was in effect a formalization of what had already been developing in Grand Prix racing during the previous years. Italian teams of Alfa Romeo, Ferrari, and Maserati were best positioned to dominate the early years. Other national manufacturers – such as the French manufacturer Talbot or the British BRM – competed, although less successfully. A number of private cars also took part in local races. The Italian and German factory teams in those days often employed 2 to 3 drivers whose nationality was the same as the team's and at least 1 foreign driver; for example the Alfa Romeo team in 1950 consisted of Italian drivers Giuseppe Farina, Luigi Fagioli and Piero Taruffi; and Argentine driver Juan Manuel Fangio.
Alfa Romeo dominated all before them in the 1950 season, winning every race but one in the championship with the pre-war "Alfetta" 158s. The sole exception was the Indianapolis 500, which was part of the championship (1950 to 1960), although not run to Formula One regulations and never contested by the teams that participated on the regular Formula One circuit (Alberto Ascari in 1952 and Juan Manuel Fangio in 1958 being the only regular Formula One drivers to bother with the Indianapolis 500 during this period). The Indianapolis 500 would never be important for Formula One and was no longer part of the championship after 1960. Nino Farina won the inaugural championship, Juan Manuel Fangio taking it in 1951 with the Alfa-Romeo 159, an evolution of the 158. The Alfetta's engines were extremely powerful for their capacity: in 1951 the 159 engine was producing around 420 bhp (310 kW) but this was at the price of a fuel consumption of 125 to 175 litres per 100 km (2.26 to 1.61 mpg imp/1.88 mpg to 1.34 mpg US). Enzo Ferrari, who had raced the Alfettas before the war, and his engine designer Aurelio Lampredi, were the first to understand that the 1.5-litre supercharged engine was a dead end: any increase in power meant more fuel to carry or more time lost in the pits for refuelling, so for the last races of 1950 Ferrari sent his 1.5-litre supercharged 125s to the museum, and fielded the new V12 4.5-litre normally aspirated 375s. With a fuel consumption of around 35 litres per 100 kilometres (8.1 mpg‑imp; 6.7 mpg‑US) the 375s offered fierce opposition to the Alfettas towards the end of the 1951 season. Alfa Romeo, at the time a state-owned company, decided to withdraw after a refusal of the Italian government to fund the expensive design of a new car. Surprisingly, Alfa Romeo involvement in racing was made with a very thin budget, using mostly pre-war technology and material during the two seasons. For instance, the team won two championships using only nine pre-war built engine blocks.
No Alfa Romeo, a supporting cast of privateer Lago-Talbot entries and an almost undriveable, unreliable BRM would make Ferrari effectively invincible. The FIA was in an embarrassing position as it had already announced that current Formula One regulations would last until 1954 before switching to 2.5-litre atmospheric engines. Major manufacturers were already working to develop cars for the future regulation and it was obvious that nobody would develop a new car for only two years. The promoters of the World Championship Grands Prix, mindful of the lack of serious competition for the Alfettas, eventually all adopted Formula Two regulations for two years. However, Ferrari's dominance went on with the light 4-cylinder powered 500s, bringing Italian Alberto Ascari his two championships in the 1952 and 1953 seasons. Ferrari's Formula One cars continued to race very successfully in non-championship Formula One and Formula Libre races through this period. Ironically, during this period the only World Championship race for which Formula One cars were eligible was the Indianapolis 500. In 1952 Ferrari entered four Formula One 375s with Alberto Ascari as lead driver, but with little success.
Discounting the Indianapolis 500, the World Championship was entirely based in Europe until 1953 when the season opened in Argentina. Since then, there has always been at least one race outside Europe each year. As planned, the World Championship races returned to Formula One regulations for the 1954 season, now based on a new 2.5-litre atmospheric engine regulation. This successfully brought more entrants to the field. Lancia and Mercedes-Benz came to the formula, hiring the best drivers of the era: Ascari for Lancia, Fangio for Mercedes. Featuring desmodromic valves, fuel injection, magnesium and exotic alloys parts, "streamlined" bodywork and other advanced features, the brand new Mercedes began the 1954 season with Fangio taking pole position at the "Grand Prix de l'ACF" at Reims-Gueux with the first lap over 200 km/h (124 mph) in Formula One before winning the race after a duel with other Mercedes driver Karl Kling, who finished second.
The Mercedes cars swept the next two seasons with Fangio and Moss winning all but three of the races. However, at the end of the 1955 season Mercedes vanished as swiftly as they had come. They had proven the superiority of their technology, but the crash of one of their sportscars that year at Le Mans, killing 83 people, was also a significant factor. The company would not return to Formula One for forty years. After Le Mans, four of the year's remaining Grands Prix were cancelled. The Monaco Grand Prix saw a spectacular incident when Ascari and his Lancia crashed into the harbour after missing a chicane. Ascari was pulled out of the water alive and apparently well. However, there was speculation over an undetected internal injury when four days later Ascari was killed at Monza while testing a sportscar. After Ascari's death, Lancia followed Mercedes out of the category, passing their engines, cars, information and technology to Ferrari. The 1956 season saw Fangio make good use of the Lancia-born Ferrari to win his fourth championship. Driving for Maserati, he took his fifth championship in the 1957 season, a record which would not be beaten for 46 years. Ferrari developed a new engine for 1957, the V6 "Dino" engine, it was competitive by 1958 and Mike Hawthorn became the first British F1 World Champion, though his victory was short-lived: he died the following winter.
British independent specialist teams and the rear-mid engine revolution (1958–1961)
See 1958 season, 1959 season, 1960 season and 1961 season.
Although the basic formula remained unchanged in 1958, races were shortened from around 500 km/300miles to 300 km/200 miles and cars had to use avgas instead of various fuel mixtures using methanol as the primary component. 1958 saw the introduction of an International Cup for F1 Manufacturers, with points allocated on an 8, 6, 4, 3, 2, 1 basis to the first six cars in the race (i.e. unlike in the Drivers' Championship, there was no point for fastest lap). Furthermore, points were only awarded to the highest placed car of each make, i.e. if a make finished 1st and 2nd they would receive only eight points and the 3rd placed car would receive 4 points. Indianapolis, which was included in the World Championship of Drivers (though no Formula One drivers competed), did not count towards the International Cup for F1 Manufacturers.
With Fangio retired, Mike Hawthorn in a Ferrari took the 1958 Drivers' Championship – becoming the first English driver to earn a title. The British Vanwall team took the maiden Constructors' Championship that season, but ruined their Drivers' Championship aspirations by taking points off one another. Stirling Moss, despite having many more wins than Hawthorn, lost the championship by one point. It was high sportsmanship that cost Moss the 1958 title. When Hawthorn was threatened with disqualification at the finish of the Portuguese Grand Prix for going in the wrong direction (to restart his car following a spin), Moss argued to stewards on Hawthorn's behalf. The points granted Hawthorn were the difference in the championship. This season also saw a woman driving in Formula One for the first time with Maria Teresa de Filippis racing a private Maserati at the Belgian Grand Prix.
1958 was a watershed in another crucial way for Formula One. Against a small field of Ferraris and Maseratis, Stirling Moss won the Argentine Grand Prix driving a mid-engined Cooper entered by the private team of Rob Walker, and powered by a 2-litre Coventry-Climax Straight-4. This was the first victory for a car with the engine mounted behind the driver in Formula One. It was also the first World Championship GP win for a private entrant (excepting the Indianapolis 500 where all the entries were technically private entrants using bought-in chassis) as well as the first win for a car powered by an engine built by another manufacturer. The next Grand Prix in Monaco was also won by the same Cooper car, this time driven by Maurice Trintignant and facing more substantial opposition. Powered by undersized engines, the Coopers remained outsiders in 1958 but as soon as the new 2.5-litre Coventry-Climax engine was available, the little British cars went on to dominate Formula One. The 1959 season was effectively the start of the mid-engined revolution, and this season saw fierce competition between the works Cooper of Australian Jack Brabham and Moss in the Walker team's Cooper. The Getrag-modified Citroën Traction Avant transaxle proved to be the Achilles heel of the Coopers, so Walker switched to a transaxle manufactured by ex-Maserati engineer Valerio Colotti. The special transmission turned out to be more unreliable than the standard part, and Brabham took the title with Moss second.
For 1960 while Enzo Ferrari adopted a conservative attitude, claiming "the horses pull the car rather than push it." It was probably disinformation: at the same time Ferrari was preparing for 1961 by designing mid-engined F2 and F1 cars. The Italian front-engined red cars were not only being effectively beaten by the British teams but thoroughly outclassed- the British rear mid-engined cars had considerably better road holding than the front-engined cars. Although down on power, the British cars' superior handling and lesser demands on tyres more than made up the power deficit. It was obvious to everyone that rear-mid engined cars were the way to go at that point in time. Lotus and BRM introduced mid-engined machines. Walker's team switched to a Lotus 18 chassis. Moss gave Lotus its first Formula One victory at Monaco but his season was ruined by a serious crash at Spa, Belgium. Brabham took a second title with his Cooper, but Moss returned in time to win the final race of the season, the U.S. Grand Prix at Riverside, California.
The mid-engined revolution rendered another potentially revolutionary car obsolete. The front-engined four-wheel drive Ferguson P99 raced in British Formula One races in 1961, winning the non-Championship Oulton Park International Gold Cup under heavy rain. The car was too heavy and complex compared to the new breed of mid-engined machines. By 1961, British specialist teams such as Lotus, Cooper and BRM, and later McLaren, Tyrrell and Williams- organizations created purely for producing, developing and competing purpose-built open-wheel racing cars had overtaken the industrial manufacturing powers such as Ferrari, Mercedes, Maserati and Alfa Romeo. The only major automotive manufacturer with a full works effort was Ferrari- which was really a manufacturer that made road cars to fund its racing in F1 and endurance racing. Whereas the big continental manufacturers, with much money to spend, built the whole car including the drivetrain systems themselves, (excluding BRM), the British teams, with only limited amounts of money only built their chassis; they bought their engines and gearboxes from independent manufacturers such as Coventry-Climax and later Ford/Cosworth engines, and Hewland gearboxes. The only British team that was also a manufacturer of road cars like Ferrari was Lotus; but even so, that company grew considerably but never to the size of Mercedes or Alfa Romeo. From 1957 to 1961, Formula One had transformed from a scattershot industrial manufacturer sideshow of technology to a seriously competitive business for team owners and engineers wanting to come up with new technologies to out-do the opposition and also to sell their technology to big manufacturers or other interested parties. People like Cooper and Lotus founders John Cooper and Colin Chapman proved that competitiveness and developing new automotive technology was about fresh thinking, not industrial might. These British teams were regularly beating manufacturer teams like Ferrari, whom company founder Enzo Ferrari referring to these new British teams as garagistes – Italian for garage teams, which is effectively how all these British teams operated – their cars were built in small sheds or garages.
In 1961, in an attempt to curb speeds, Formula One was downgraded to 1.5-litre, non-supercharged engines (essentially the then-current Formula Two rules), a formula which would remain for the next five years. Forced induction was still an option, but limited to 750 cc, and no one seriously considered the option, as supercharging had proven limiting to fuel consumption. Ferrari could have used its already proven V6 powered mid-engined Formula 2 cars, but preferred to go one step forward by designing a very sophisticated car powered by a 120° V6, which was their first ever rear-mid engined car, the 156. The considerably more powerful and efficient engine Ferrari had led to the Maranello outfit dominating the 1961 season as the British teams scrambled to come up with a suitable engine. American Phil Hill won the 1961 title in a works Ferrari. His teammate, Wolfgang von Trips of Germany, died along with 14 spectators in a horrific crash on the first lap of the Italian Grand Prix at Monza.
Throughout the 1950s and 1960s, the Formula One World Championship was merely the tip of the iceberg when it came to races run to Formula One regulations. The total number of races run to Formula One regulations remained about the same as it had been before the introduction of the World Championship. Many famous races, such as the Pau and Syracuse Grands Prix, the BRDC International Trophy, the Race of Champions and the Oulton Park Gold Cup, were not part of the World Championship, but nonetheless continued to draw the top drivers and teams to compete.
Anglophone drivers and 1.5-litre engines (1962–1967)
See 1962 season, 1963 season, 1964 season, 1965 season, 1966 season and 1967 season.
In 1962, the Lotus team ran the Lotus 25 powered by the new Coventry-Climax FWMV V8 engine. The car had an aluminium sheet monocoque chassis instead of the traditional spaceframe design. This proved to be the greatest technological breakthrough since the introduction of mid-engined cars, but the Lotus was unreliable at first. Jim Clark finished second that year leaving the title to Graham Hill and his new V8 powered BRM.
As soon as the car and the engine became reliable, the era of the Lotus and of Jim Clark began. Clark won the title twice in three years, 1963 and 1965, the latter being the only occasion to date of a driver winning both the Championship and the Indianapolis 500-Mile Race in the same year. For 1964 Lotus introduced the new Lotus 33 and Ferrari made considerable technological and financial effort to win the title. Ferrari used no less than three different engines in the season – the existing V6, a V8 and a flat-12, while Lotus was struggling with the teething troubles of a new car. The title went to John Surtees and Ferrari. Surtees' title was especially notable, as he became the only driver ever to win the World Championship for both cars and motorcycles. The 1965 Mexican Grand Prix, the last race of the 1.5 litres Formula One, saw Richie Ginther give Honda its first victory at the end of the second season for the Japanese newcomer. This was the first victory by a Japanese car and, as of today, the only one by a car powered by a transverse engine.
1966 saw a 'Return to Power' as Formula One changed the engine rules once again, allowing engines of 3.0-litre normally aspirated, or 1.5-litre supercharged or forced induction. 1966 was a transitional year for most teams, however, the year did see the first use of composite materials, a technology which would later revolutionise the sport. The McLaren M2B, designed by Robin Herd, used an aluminium-wood laminate known as Mallite for much of its monocoque, although the car's design did not make best use of the new material. Given the shift to 1500 cc forced induction, it is surprising that any teams did not seriously consider fielding turbocharged versions of their 1500 cc naturally aspirated engines right from that point, Coventry Climax had considered it for their FWMW flat 16, but the company had decided to end its Formula 1 racing activities and the idea stopped there. It would be eleven years before a team exploited the 1500 cc forced induction option again.
Ferrari was the great favorite with a 3-litre version of his well tested powerful sports car V12 design, but the new cars were very heavy, probably in an excess of self-confidence. An enlarged V6 held some promise but Surtees left mid-season after a dispute with team manager Eugenio Dragoni at the 24 Hours of Le Mans sportscar race. Coventry-Climax, formerly supplier to much of the field, pulled out of the sport leaving teams like Lotus to struggle with enlarged versions of obsolete Climax engines. Cooper turned to a development of an otherwise obsolete Maserati V12 that was originally designed for the Maserati 250 F in the late 1950s, while BRM made the choice to design an incredibly heavy and complex H-16. The big winner was Jack Brabham, whose eponymous racing team took victory two years running with a light and compact spaceframe chassis powered by the aluminium-block stock-derived Repco V8 unit. With SOHC heads and no more than 330 bhp, the Repco was one of the least powerful of the new 3-litre engines but unlike the others it was light, reliable and available right from the start of the new rules. 1966 was Jack's year, while 1967 went to his teammate, New Zealander Denny Hulme, as Jack tried new parts on his car.
In 1967, Lotus introduced the Lotus 49, powered by the Ford-Cosworth DFV V-8 engine that was to dominate Formula One for the next decade. Like the Repco the Cosworth was light and compact but it was a real racing engine using 4-valve DOHC heads and delivered much more power. Cosworth had aimed for 400 bhp (300 kW) and exceeded this when the engine first ran. The DFV was designed to be fully stressed (an idea pioneered by the Lancia D50). This allowed Chapman to design a monocoque that ended just after the driver's seat while the Brabham were still using a very classic tubular frame that supported the engine, the gearbox, and the rear suspension wishbones. The newborn DFV suffered from frequent failures due to excessive vibration from the flat-plane crank, forcing Keith Duckworth to redesign several parts and allowing Hulme to win the World Drivers' Crown on reliability.
1967 also saw a remarkable result by Rhodesian driver John Love with a 2.7-litre four-cylinder Cooper-Climax. Love, who was in his forties and although seen as one of the finest drivers in Southern Africa was not a major star, led and finished second in that year's South African Grand Prix. Love's obsolete Cooper was originally designed for the short races of the Tasman Series; to run a full Grand Prix, Love added two auxiliary fuel tanks. Unfortunately, the auxiliary tank's fuel pump failed and forced him to refuel after having led most of the race.
By the late 1960s, overseas races outside Europe formed about a third of the championship in any year. The core of the season remained the European season run over the Northern Hemisphere summer, with overseas races usually falling at the start or end of the season, a pattern which has continued to this day. There were also a number of non-championship races run outside Europe; the South African Grand Prix was occasionally one of these. British and English-native speaking drivers dominated the racing scene in the 1960s. Britons Graham Hill, Jim Clark, John Surtees and Jackie Stewart won 7 championships combined in that decade- Australian Jack Brabham won 2 championships, New Zealander Denny Hulme won a championship in 1967 and American Phil Hill won a championship in 1961.
DFV engine, 12-cylinder engines, and the arrival of sponsorship, safety, and aerodynamics (1968–1976)
See 1968 season, 1969 season, 1970 season, 1971 season, 1972 season, 1973 season, 1974 season, 1975 season and 1976 season.
In 1968, Lotus lost its exclusive right to use the DFV. McLaren built a DFV-powered car and a new force appeared on the scene when Ken Tyrrell entered his team using Cosworth-powered French Matra chassis driven by ex-BRM Jackie Stewart as lead driver. Clark took his last win at the 1968 season opening South African Grand Prix. On 7 April 1968, the double champion was killed at Hockenheim in a Formula Two event.
The season saw three significant innovations. The first was the arrival of unrestricted sponsorship, which the FIA decided to permit that year after the withdrawal of support from automobile related firms like BP, Shell and Firestone. Team Gunston, a South African privateer team, was the first Formula One team to paint their cars in the livery of their sponsors when they entered a private Brabham for John Love, painted in the colours of Gunston cigarettes, in the 1968 South African Grand Prix. In the next round at the 1968 Spanish Grand Prix, Team Lotus, initially using the British racing green, became the first works team to follow this example, with Graham Hill's Lotus 49B entered in the Red, Gold and White colors of the Imperial Tobacco's Gold Leaf brand.
The second innovation was the introduction of wings as seen previously on various cars including the Chaparral 2F sports car. Colin Chapman introduced modest front wings and a spoiler on Graham Hill's Lotus 49B at the 1968 Monaco Grand Prix. Brabham and Ferrari went one better at the 1968 Belgian Grand Prix with full width wings mounted on struts high above the driver. Lotus replied with a full width wing directly connected to the rear suspension that required a redesign of suspension wishbones and transmission shafts. Matra then produced a high mounted front wing connected to the front suspension. This last innovation was mostly used during practice as it required a lot of effort from the driver. By the end of the season, most teams were using sophisticated wings. There were several cases of wings, struts, or even suspension collapsing.
Lastly, the third innovation was the introduction of a full face helmet for drivers, with Dan Gurney becoming the first driver to wear such helmet at the 1968 German Grand Prix. Lotus won both titles in 1968 with Graham Hill with Stewart second.
1968 was the year that former double World Champion Jim Clark died in a Formula 2 race in Germany. This was a tragedy for the sport and many of its fans and within the next few years, many of the drivers campaigned for more safety at races to stop more deaths from happening. The 1968 Matra's most innovative feature was the use of aviation-inspired structural fuel tanks but the FIA decided to ban the technology for 1970. For 1969 Matra made the radical decision to withdraw its works team and build a new car using structural tanks for the Tyrrell team, even though it would be eligible for only a single season. The 1969 season started with cars using larger and more sophisticated wings than the previous year. When both Lotus cars broke their wings' struts and crashed at the Spanish Grand Prix, the FIA banned wings for the next race at Monaco. They were reintroduced later in the season but were to be restricted in size and height and attached directly to the chassis in a fixed position.
Safety became a major issue in Formula One and the Belgian Grand Prix at Spa did not take place as the drivers boycotted the circuit after safety upgrades were not installed as demanded. Stewart won the 1969 title easily with the new Matra MS80, a spectacular achievement from a constructor and a team that had only entered Formula One the previous year. It remains the only title won by a chassis built in France. 1969 also saw a brief resurgence of interest in four-wheel drive with a record of four such cars on the field at the British Grand Prix. Johnny Servoz-Gavin became the one and the only driver to score a point with a 4WD, finishing sixth with the Matra MS84 at the Canadian Grand Prix, although the front wheel transmission was actually disconnected. Wide tyres and downforce had proved to be better means of increasing grip, and the technology was largely abandoned. Jacky Ickx finished second in the championship for Brabham, competitive again after dropping its Repco engines in favour of the DFV.
For 1970 Tyrrell was asked by Matra to use their V12, but decided to retain the Cosworth instead. As Matra was now a Chrysler affiliate and Tyrrell derived much of its income from Ford and Elf (associated with Renault) the partnership ended. Ken Tyrrell bought March 701 chassis as an interim solution while developing his own car for the next season. The new wedge-shaped Lotus 72 was a very innovative car featuring variable flexibility torsion bar suspension, hip-mounted radiators, inboard front brakes, and an overhanging rear wing. The 72 originally had suspension problems, but once resolved the car quickly showed its superiority, and Lotus's new leader, the Austrian Jochen Rindt, dominated the championship until he was killed at Monza when a brake shaft broke. He took the 1970 title posthumously for Lotus. 1970 saw the introduction of slick tyres by Goodyear. Ferrari's new flat-12 engine proved to be more powerful than the Ford-Cosworth DFV; but slightly heavier. Their performance started to improve at the end of that season, and Belgian Jacky Ickx won 3 races- but this proved to not be enough to overhaul Rindt's points total; Ickx later said he was happy to not have won the championship that year.
After Rindt's death, the Lotus team had a desultory 1971 season with its two new and inexperienced drivers – Emerson Fittipaldi and Reine Wisell. The team spent a lot of time experimenting with a gas turbine powered car, and with four-wheel drive again. After Jack Brabham's retirement, his old team went into a steep decline. Using their own chassis heavily inspired by the Matra MS80 but with conventional tanks, Tyrrell and Stewart easily took success in 1971. Focusing again on the type 72 chassis, now fielded in John Player Special's black and gold livery, Lotus took the 1972 championship by surprise with 25-year-old Brazilian driver Emerson Fittipaldi becoming the then youngest world champion. Stewart came second, his performance compromised by a stomach ulcer.
In 1973, Lotus teammates Fittipaldi and Ronnie Peterson raced each other while Stewart was supported by François Cevert at Tyrrell. Stewart took the Drivers' title, but then at the final race of the season, the United States Grand Prix at Watkins Glen, Cevert crashed during Saturday practice in the notorious esses and was killed instantly. Stewart, temporary hire Chris Amon, and Tyrrell withdrew from the race effectively handing the Constructors' title to Lotus. At the end of the season, Stewart made public his decision to retire, a decision that was already made before the U.S. Grand Prix.
McLaren, having fully recovered from the death of its founder, ended the 1973 season with three wins and several poles. The new M23, an updated interpretation of the Lotus 72 concept, appeared to many as the best design on the field. Fittipaldi made the choice to leave Lotus for McLaren that offered him true lead driver status that Chapman refused to him.
The 1974 season went to pre-season favourites McLaren and Fittipaldi but was a far closer result than expected. Ferrari bounced back from a dismal 1973 season with its first true monocoque cars, the flat-12 powered 312 B3s driven by young Austrian Niki Lauda and the experienced Clay Regazzoni. Despite the failure of the new Lotus 76, Peterson managed to win Grands Prix with the four-year-old 72. Brabham driver Carlos Reutemann was also able to win with the new BT44 and young talent Jody Scheckter ended most of the races in the points, including winning the Swedish Grand Prix with the M23-lookalike Tyrrell 007. Lauda's season fizzled out after a crash on the first lap of the German Grand Prix. Only the last race of the season decided the Drivers' title between Fittipaldi, Regazzoni, and Scheckter.
By this time the innovations introduced by the Lotus 49 and 72 had changed car design. Fully stressed engine and variable flexibility suspension was now the norm, most cars had wedge shaped bodywork and airboxes towered over driver's heads. The main innovation of this era came in 1975, when the Ferrari 312T appeared, its transverse gearbox allowing better weight distribution.
Ferrari won the Constructors titles in 1975, 1976, and 1977. Lauda took a relatively straightforward first Drivers' title in 1975. The main surprise of the season came when the tiny Hesketh team won the Dutch Grand Prix with James Hunt. Despite entering only one car and refusing sponsorship the team finished 4th in the Constructors' Championship. That year also saw Lella Lombardi score the first points by a woman in Formula One for 6th place at the Spanish Grand Prix.
For 1976, Fittipaldi made the surprising decision to drive for the Brazilian Fittipaldi Automotive team of his brother Wilson, sponsored by Copersucar. James Hunt, who knew that Hesketh's future was doomed by its lack of sponsorship (Lord Hesketh had tried to obtain major backing once he realised Hunt was a likely title contender and that he could no longer afford to run the team out of his own pocket), signed for McLaren. In 1976 Lauda's second successive title seemed inevitable until he crashed on the second lap at the Nürburgring, suffering severe burns as well as lung and blood damage. He was given the last rites but unbelievably was back in his Ferrari six weeks later. He lost the championship by a single point to James Hunt in heavy rain at the final round at Fuji in Japan when he pitted his car and refused to continue, declaring that the risk was too great and that from now on he would refuse to race under extreme conditions.
The most radical innovation of 1976 was the 6-wheeled Tyrrell P34. The P34 was a good car, often finishing third or fourth and winning the Swedish Grand Prix, but it was not superior to the best 4-wheeled cars. 1976 also saw the Lotus team fitting brushes or plastic skirts under its rather uncompetitive 77; McLaren and Brabham also experimented with air-dams and splitters in an attempt to cause low-pressure areas under the car but found no significant effect on performance, in fact, nobody knew what was in Chapman's mind.
The incident at Fuji damaged Lauda's relationship with Enzo Ferrari and Lauda officially became the second driver of the Scuderia with Carlos Reutemann as the leader. Lauda signed for Brabham before the end of the 1977 championship, having taken the title easily before Enzo Ferrari refused him a car for the end of the season. His second title was mostly built on regularity and reliability. Despite his conflict with the "Commendatore" and his second driver status Lauda enjoyed immense respect from the Ferrari team, which did its best to give him a good car. There was in fact a very competitive field that year but no single challenger to the Austrian emerged and points taken away from Ferrari were shared between many teams and drivers. Surprisingly, the new Wolf team, born from the ashes of Frank Williams Racing Cars and Hesketh, made excellent use of its legacy with Jody Scheckter finishing second to Niki Lauda.
Ground-effect era (1977–1982)
See 1977 season, 1978 season, 1979 season, 1980 season, 1981 season and 1982 season.
1977 also saw two radical technical innovations that would change the future of Formula One. The purpose of Lotus's experimentation in 1976 was revealed with the Lotus 78, which brought ground effect to Formula One for the first time, using wing-profiled sidepods sealed to the ground by sliding lexan skirts. Generating radically increased downforce with significantly less drag, the Lotus 78s driven by Mario Andretti and Gunnar Nilsson won five Grands Prix in 1977. Renault unveiled the second when their RS01 made its first appearance powered by a 1.5-litre turbocharged engine, derived from their sportscar unit. Although supercharged engines were successful in the 1950s and the regulations allowing for turbocharged engines had existed for 11 years, no Formula One team had built one, feeling that the fuel consumption and turbo lag (boost lag) would negate its superior power. Motor engineer Bernard Dudot, who had observed the turbocharged Offenhauser engines used in Indy car racing in the US, pushed for this choice.
The entry of Renault also brought Michelin's radial tyres to Formula One. Goodyear, who enjoyed a monopoly before the entry of Michelin, was still using the cross ply design for racing. Goodyear saw the entry of Michelin as a serious threat and made a notable effort in research and development to develop its own radial tyres. Tyrrell's 1977 season was disastrous because Goodyear was too busy to continue to develop the unique small tyres required by the P34. Without continuing development, the tyres became less competitive and the six-wheeled concept had to be dropped. Michelin eventually left F1 after the 1984 season.
For 1978 the new Lotus 79 made more radical and mature use of the ground effect concept. Many other teams began experimenting with the technology, but Lotus had a head start and Mario Andretti won the Championship in the "Black Beauty", becoming the first driver to win both the American IndyCar championship and the Formula One title. Brabham outbid Lotus in generating downforce with BT46B "fan car", a revival of the "sucker car" concept used by Jim Hall's Chaparral 2J in the Can-Am series in the early 1970s. The car exploited a loophole in the regulations, but the team, led by Bernie Ecclestone who had recently become president of the Formula One Constructors Association, withdrew the car before it had a chance to be banned after winning its only race with Niki Lauda at the wheel at the Swedish Grand Prix. Late in the season, Ronnie Peterson crashed into the barriers in the first lap at Monza and his Lotus burst into flames. James Hunt heroically pulled him out of the car and the medical prognosis was initially good but the Swede died the next day because of an embolism. Hunt would retire after the following season's Monaco Grand Prix.
For 1979 Ligier, the up-and-coming Williams team and surprisingly Ferrari, despite the handicap of the Flat-12 that obstructed wind tunnels, produced wing-cars designs that were more effective than the Lotus 79. This forced Lotus to hastily introduce the new 80 that overplayed the ground effect concept (it was originally intended to run with no drag-inducing wings, merely ground-effect sidepods) and never proved competitive. Renault persisted with the turbo engine, despite frequent breakdowns that resulted in the nickname of the 'Little Yellow Teapot', and finally won for the first time at Dijon in 1979 with the RS10 that featured both ground effect and turbo engine.
The new technologies introduced by Renault and Lotus became entangled in the FISA–FOCA war of the early 1980s. Turbo engines were complex machines whose layout limited the ground effect 'tunnels' under the car. They were an emerging technology and so they were difficult and expensive to develop and build and make reliable. It was mostly manufacturer-supported teams, such as Renault, Ferrari, and Alfa Romeo which took that route. In contrast, the cheap, reliable, and narrow Ford-Cosworth DFV engine, still used by most teams more than a decade after its introduction, lent itself well to highly efficient ground effect aerodynamics. These two groups were represented by two political bodies – the sport's governing body FISA, headed by Jean-Marie Balestre; and FOCA, headed up by Bernie Ecclestone. The first group supported a strict limitation of ground effect to gain full advantage from their powerful turbos while the other relied on unrestricted ground effect to balance their horsepower deficit. There were also financial considerations. Faced with large constructors with unrestricted budgets, the smaller constructors wanted a larger share of Formula One's income to remain competitive.
The battles between FISA and FOCA during the first years of the 1980s overshadowed the events on track. Jody Scheckter took Ferrari's last title for 21 years in 1979, but attention there was already being focused on young Canadian Gilles Villeneuve. Alan Jones and Keke Rosberg brought success to Frank Williams at last in 1980 and 1982, while young Brazilian Nelson Piquet won titles for Brabham team owner Ecclestone in 1981 and 1983.
Patrick Depailler was killed in 1980, probably due to high lateral acceleration causing a black out in Hockenheim's fast Ostkurve. The double blow struck to Ferrari in 1982, of the death of Gilles Villeneuve and the crippling injury to teammate Didier Pironi only a few weeks later, helped bring this crisis into the spotlight, and helped both sides settle the dispute for the good of the sport.
The old fashioned DFV helped make the UK domestic Aurora Formula One series possible between 1978 and 1980. As in South Africa a generation before, second hand cars from manufacturers like Lotus and Fittipaldi Automotive were the order of the day, although some, such as the March 781, were built specifically for the series. In 1980 the series saw South African Desiré Wilson become the only woman to win a Formula One race when she triumphed at Brands Hatch in a Williams in a non-championship event.
After several years in darkness McLaren merged with Ron Dennis's Formula Two Project-4 team. The McLaren MP4/1 (McLaren Project-4) introduced the first carbon fiber composite chassis in 1981, an innovation which, despite initial doubts over its likely performance in a crash, had been taken up by all the teams by the middle of the decade. The use of carbon fibre composite in place of aluminium honeycomb produced cars that were significantly lighter, yet also far stiffer which improved grip and therefore cornering speed. Significant skepticism regarding the use of carbon fiber chassis remained, but John Watson's 1981 crash in the MP4/1 showed that the new technology was sufficiently safe, with the violent accident leaving Watson unscathed, where similar previous incidents had resulted in death or serious injury.
1.5-litre turbo-charged engines (1983–1988)
See 1983 season, 1984 season, 1985 season, 1986 season, 1987 season and 1988 season.
The 1983 drivers' title, won by Piquet for the BMW-powered Brabham team of Bernie Ecclestone, was the first-ever won by a turbocharged engine. By 1983, the dispute between FISA and FOCA had been resolved and although FOCA emerged with the stronger hand, the teams had seen the writing on the wall. Renault had proven in 1979 and 1980 that turbo-charged engines were a more efficient means of getting more performance from the powertrain with the FIA regulations. The turbo cars were faster on almost all of the high speed (Hockenheim, Österreichring, Monza, Silverstone) and high-altitude tracks (Interlagos, Kyalami), but by 1982, the turbo cars were fastest just about everywhere. The 1982 season made it obvious to all the competing Formula One teams that turbocharged engines were the way to go if anyone wanted to be competitive in Formula 1. By 1983, the reliability of the turbo-charged engines had been ironed out and made more reliable, and in 1984, only Tyrrell still struggled on with the old DFV engines. 1983 also saw the last non-championship Formula One race: The 1983 Race of Champions at Brands Hatch, won by reigning World Champion Keke Rosberg in a Williams-Ford/Cosworth in a close fight with American Danny Sullivan.
After nearly 50 years the power achieved by the turbocharged cars could finally match the 640 hp (477 kW) produced by the supercharged 1937 Mercedes-Benz W125, without a huge consumption of special fuel. By 1986, some engines were producing over 1,350 bhp (1,010 kW) in short bursts in qualifying. BMW's 1,000 bhp (750 kW) dynamometer was incapable of measuring the output of their qualifying engines – Paul Rosche estimated that it might be as much as 1,400 bhp (1,000 kW). First fuel consumption and then turbocharger boost were restricted to 4-bar in 1987 and 1.5-bar in 1988. By 1988, the turbos were only slightly more powerful than the lighter 3.5-litre naturally aspirated cars that had been introduced the previous year. The thirsty turbo engines briefly saw refuelling introduced into the sport, but this was banned for 1984.
With controversy at last left behind, the Formula One teams flourished through the remainder of the 1980s and into the 1990s. Despite the overwhelming dominance of some teams during some seasons, this period is regarded (perhaps ironically) as one of the brightest spots in F1's 50-year history. Niki Lauda, coming out of retirement for a hefty sum in 1982, pipped his teammate Alain Prost to the title in 1984 by a mere half-point, the closest ever finish in Formula One history. That half-point in itself was controversial in that it came at the rain-shortened Grand Prix of Monaco, which resulted in half points, Prost won the race, but Ayrton Senna made the stronger impression in his Toleman car by finishing 2nd and rapidly closing on Prost, It was the start of a rivalry between the two men that would continue for nearly a decade. But in the early years, Prost held the advantage, driving for the McLaren team with the Porsche-built TAG turbo engine which took three world titles in a row.
1986 provided another close finish. The Honda-powered Williams cars of Nelson Piquet and Nigel Mansell looked untouchable, but too often they took points from each other, allowing McLaren's Prost to stay in touch. Although Williams easily won the Constructors' Championship that year, it was not until the season-ending Grand Prix of Australia that the Drivers' title was decided, Prost making the most of both Williams drivers tyre problems. 1987 saw the Williams grow only stronger, with Piquet driving more consistent races to take his 3rd title ahead of Mansell who crashed in Japan in practice forcing him to sit out for the final 2 races.
1987 also saw the return of atmospheric engines to Formula One, after the turbo-only year of 1986. Capacity was increased to 3.5 litres, and the turbo engines were restricted in boost pressure and fuel capacity to limit their effect, with a total ban to be introduced in 1989. Nevertheless, while turbo engines lasted, they dominated, with Williams-Honda winning easily in 1987, and then Honda teaming up with McLaren in 1988 that resulted in the super-team of Prost and Senna winning 15 of 16 races, a record unmatched today. It was Senna who emerged the victor, claiming the first of his three World Titles.
3.5-litre naturally-aspirated engines, active suspension, and electronic driver aids (1989–1993)
See 1989 season, 1990 season, 1991 season, 1992 season and 1993 season.
In 1989, turbos were banned and new regulations allowing only naturally aspirated engines up to 3.5 litres were put in their place. The dominance of McLaren-Honda continued for the next 3 seasons, Prost winning the title in 1989, Senna in 1990 and 1991. The V10 and V12 engines produced by the Japanese manufacturer proved to be just as good as the turbo V6s before them, and the V10 was the best engine over the two seasons it was used and developed by Honda. The championship was marred however by the fierce rivalry between the two men, culminating in a pair of clashes at the Japanese Grands Prix of 1989 and 1990. They both dominated Formula One from 1988 to 1990, winning 37 of the 48 Grand Prix staged and each scoring almost twice as many points as the third-place driver in those championships. In 1989 Prost 'closed the door' on his overtaking teammate while Senna later freely admitted to deliberately driving into Prost in the 1990 race, drawing stiff condemnation from all quarters of Formula One. Senna, however, was more concerned with the threat (and opportunity) afforded by the resurgent Williams, now powered by Renault (the French giant's innovative engine technology resulted in major progress) and designed by aerodynamics genius Adrian Newey which were to dominate Formula One for the next 7 years.
In the early 1990s, teams started introducing electronic driver aids, whose use spread rapidly. Active suspension, (pioneered by Lotus in 1987), semi-automatic gearboxes (Ferrari in 1989), and traction control (Ferrari in 1990) All enabled cars to reach higher and higher speeds provided the teams were willing to spend the money. The FIA, due to complaints that technology was determining the outcome of races more than driver skill, banned many such aids in 1994. However, many observers felt that the ban on driver aids was a ban in name only as the FIA did not have the technology or the methods to eliminate these features from the competition. Even this controversy did not diminish the pleasure British fans of the sport felt in 1992, when Nigel Mansell finally won the title, after a decade of trying, nor French fans in 1993 when Alain Prost took his 4th Championship, both drivers piloting Williams-Renault cars.
Lightweight television cameras attached to the cars became common in the early 1990s (following an American network TV practise actually pioneered in Australia). As well as boosting audience figures this also made the sport more attractive to sponsors beyond the traditional cigarette companies. Safety improvements also meant that the major car manufacturers were more inclined to attach themselves to teams on a rolling basis. 1994 then seemed ripe to produce a stunning season. Ayrton Senna had moved to Williams to replace Prost, who retired from the sport. Young German driver Michael Schumacher had Ford power for his Benetton. McLaren had high hopes for its new Peugeot engine (which had been developed through the French marque's Le Mans sportscar racing program) which ultimately did not happen and Ferrari were looking to put the tumultuous seasons of 1991–93 behind them with Gerhard Berger and Jean Alesi. The season was stunning but for all the wrong reasons.
Safety, rules, and regulations (1994)
See 1994 season.
By 1994, the previous death in Formula One was nearly a decade past, that of Elio de Angelis during testing at the Circuit Paul Ricard in 1986. There had been several horrifying accidents (for example Nelson Piquet and Gerhard Berger at Imola, or Martin Donnelly at Jerez), but no fatalities. The speed of Formula One cars had continuously risen over 8 years, despite turbocharged engines being made illegal, the width of tyres being reduced and driver aids eventually being removed. There was an "air of invincibility" in Formula One, a belief that the cars were inherently safe and no more drivers would die.
At the San Marino Grand Prix weekend this belief was crushed completely with the serious injuries sustained by Rubens Barrichello in practice and the deaths of Roland Ratzenberger during qualifying and Ayrton Senna in the race on 1 May 1994. Furthermore, Karl Wendlinger was left comatose after a crash two weeks later at the Monaco Grand Prix. The shock from the sudden injuries and deaths was stunning. Not only had two drivers been killed, but one of them was a triple world champion and arguably the best F1 driver at the time. The FIA reacted swiftly and harshly with major changes to be enforced from that year onwards, and it was the beginning of the FIA's push to increase safety in Formula One.
While significant changes could not be made to cars in 1994, the FIA required all Formula One cars' airboxes to be perforated to reduce their "ram-air" effect, to reduce power. For the same reason special racing fuels, previously an exotic mixture of benzenes and toluenes, were banned and only those with similar characteristics to everyday unleaded petrol would be permitted. To reduce downforce, and therefore the cornering speed of the cars, a wooden "plank" was to be fitted beneath the central portion of the chassis, forcing a large section of the floor further away from the track. If the plank was worn over a certain tolerance (approximately 10 mm), the car would be deemed illegal. This wooden plank remains under F1 cars today.
Further, from 1995 designs were required to be drawn from a reference plane (template), and strict limitations were enforced as to the minimum and maximum tolerances for aspects of the vehicle such as the size of the cockpit opening (an idea well known in Champ Car for a decade) and of aerodynamic devices, commonly called wings. Further, maximum engine displacement was reduced from 3.5 to 3 litres. Further changes were mandated as the FIA continued to try to curb the increase in speeds of Formula One cars as the years progressed. These changes included the increase in the size of the cockpit opening (to ensure driver egress was easy and to minimise possible side head impacts), introducing grooved tyres (to reduce cornering speeds by reducing grip) and narrower bodywork (this would complicate cooling and also reduce cornering speed), raising and reducing wing sizes and elements (cutting aerodynamic downforce, thus reducing cornering speed), and introducing comprehensive checks on stiffness tolerances and measurements to ensure cars conformed completely with the regulations (for example, weight tests on wings and bodywork to ensure that they maintained integrity and did not flex to give an aerodynamic advantage in a straight line).
The rapid introduction of all of these new rules and regulations, particularly those introduced in 1994, made the atmosphere even more chaotic for Formula One. Michael Schumacher had to fight desperately for his first World Drivers' Championship, as his Benetton team found itself in frequent violations of FIA regulations and Schumacher was suspended for two races as a result. Even his championship-clinching race in Australia was controversial, as he collided with rival Damon Hill (son of Graham) and ensured himself of the title.
3-litre engines (1995–1999)
See 1995 season, 1996 season, 1997 season, 1998 season and 1999 season.
By 1995, things had settled down somewhat. The downgraded 3-litre formula had no effect of the domination of the Renault V10, and Schumacher took his second Drivers' title, and Benetton their first Constructors' title, with relative ease, defeating the Williams team of Hill and David Coulthard. The Renault engine which powered both teams was virtually unbeatable, with only Ferrari claiming a single win at the Canadian Grand Prix for Alesi, his only career win.
For 1996, the FIA mandated a much larger minimum size cockpit area, along with driver's head protection, to ensure the driver's head was less exposed (ironically, this limited driver visibility and contributed to accidents). As part of his plan to rebuild Ferrari, Jean Todt brought Michael Schumacher to the team from Benetton that year, essentially in exchange for his 1995 drivers Alesi and Berger. There was an immediate effect, in his first year with the Scuderia Schumacher won three races, more than the team had managed in the previous five years. Ferrari were not championship contenders though and Damon Hill made a strong run to the title, finally claiming the crown after 3 years of almost but not quite.
In 1997, another son of an F1 racing legend took the titles for Williams once again, as Jacques Villeneuve became the 4th driver to take both the Formula One and CART championship (the others being Mario Andretti, Emerson Fittipaldi, and Nigel Mansell). Villeneuve also became the only Canadian to have won a Formula 1 Drivers' title. The 1997 season was much closer than 1996, and Villeneuve only clinched the Drivers' Championship at the final race. Once again, Michael Schumacher collided with his championship rival at the final race, but unlike 1994 events turned against him. Schumacher not only found himself knocked out of the race, but was found to have deliberately tried to run Villeneuve off of the road. Schumacher was stripped of second place in the Championship and was disgraced.
At the end of 1997 Renault withdrew from Formula One. McLaren-Mercedes took the Drivers' Crown for the next two years, both being claimed by Mika Häkkinen. The Finn was nearly untouchable as he took his first title while Schumacher and Villeneuve could only watch. 1999 provided a stiffer contest for the title. Villeneuve was out of the picture at the brand-new BAR but Schumacher was in contention when he crashed and broke his leg at Silverstone. His teammate Eddie Irvine eventually lost by only two points to Mika Häkkinen, but his efforts contributed to Ferrari's first Constructors' Championship since 1983.
Behind the title races, however, there were signs of trouble brewing in Formula One. The long-established, highly-respected Lotus name vanished from the starting grids, following Brabham's demise in mid-1992. French manufacturer Ligier found themselves in desperate straits, and were sold to Alain Prost. Ken Tyrrell's team floundered on, despite dismal results, until 1998, when BAR bought the team. And the colourful era of the small, private teams finally came to an end. Names like Larrousse, Dallara, Simtek, Pacific, MasterCard Lola, Life Racing Engines, March Engineering, Onyx Grand Prix, Coloni, Andrea Moda, Fondmetal, Osella, Footwork, AGS, Lambo, Leyton House Racing, EuroBrun and Forti would no longer be seen on the starting grids, with only Jordan, Sauber, Arrows and Minardi managing to survive somehow. The flourishing of Jordan in 1998 and 1999, under the leadership of Damon Hill, Heinz-Harald Frentzen and Ralf Schumacher (Michael's younger brother) proved to be a last hurrah of the privateer, not a sign of health in the sport. Even once-mighty Benetton champions only a few years before were barely surviving. Jackie Stewart fronted his own team from 1997 to 1999 with backing from Ford but even then sold out as the team transformed into Jaguar.
V10 engines and rise of road car manufacturer participation (2000–2005)
See 2000 season, 2001 season, 2002 season, 2003 season, 2004 season and 2005 season.
After the banning of turbocharged engines in 1989, V10 became the most popular engine configuration in Formula One, because it offered the best compromise between power and fuel consumption. From the 1998 season onwards, all competing teams had V10 engines in their cars. V12s were powerful but thirsty, while V8s were more fuel-efficient but lacked power. 2000 saw the grids of Formula One start to revert to normal, as Jordan rapidly faded out of sight, and Williams, looking forward to a new partnership with BMW started to reassert itself. The fight at the front, however, was very much between Häkkinen and Schumacher, each two-time champion, driving cars closely matched in performance. Ferrari had been steadily improving since their low point in the early 1990s and in 2000 Schumacher prevailed, becoming the first three-time Champion since Senna, and bringing the World Drivers' title to Ferrari for the first time since Jody Scheckter in 1979. The 2001 season saw Ferrari start to leave the rest of the grid behind, and Schumacher won the championship by the Hungarian Grand Prix, which tied him as second quickest championship winner with Nigel Mansell. 2001 also saw the reintroduction of electronic driver aids after a seven-year absence, starting at the Spanish Grand Prix, which included fully-automatic gearboxes, launch control, and traction control, marking the first time since the 1993 season that these systems were allowed to be used. For 2002, the season was a red-wash. Ferrari finished every race and won 15 of 17. Michael Schumacher scored more points than the second and third-placed drivers combined, after gaining a podium in all of the races (Schumacher had only a single third place, in Malaysia). In this season, he wrapped up the championship at the French Grand Prix (Round 11 of 17), becoming the earliest ever championship winner.
While Ferrari celebrated their dominance, the sport itself was seen by many to be in trouble. Two more privateers, Prost and Arrows, had closed their doors for good, while Benetton was bought out by Renault. Even more troubling was the one team in seemingly no danger of disappearing: Ferrari. While Formula One was no stranger to teams monopolizing the winner's stand, Ferrari's actions throughout the 2002 season annoyed many; in particular, the staged finishes of the Austrian Grand Prix and the US Grand Prix. It seemed to many that it was possible to take the dictum of 'win at all costs' too far. Ratings and attendance noticeably declined in the latter half of 2002, a serious problem for a sport which was by far the most expensive (and, more importantly, most lucrative) in the world by this time.
A number of major car manufacturers had joined Formula One since 2000 – there were as many as eight manufacturers participating in Formula One at most. BMW and Honda had returned as works engine manufacturers in 2000, while Ford had rebranded the Stewart team as Jaguar and developed engines through its Cosworth subsidiary. In 2001, Renault also returned as a works engine maker and bought the Enstone-based Benetton team, which it rebranded as Renault in 2002. Toyota joined the series in 2002, developing both chassis and engine at its facility in Cologne. Mercedes continued its participation as engine manufacturer in association with Ilmor, and part-owned McLaren.
In 2003, despite heavy rule changes (such as a new points system) in order to prevent another year of Ferrari dominance, Schumacher won the championship once more. He was run close by both Kimi Räikkönen and Juan Pablo Montoya, but Schumacher prevailed, taking the championship by two points at Suzuka. It seemed that 2003 was the perfect balm to ease the memories of the previous season, with 8 different race winners (including first-time victories for Fernando Alonso, Kimi Räikkönen and Giancarlo Fisichella) and 5 different teams, including both Renault (for the first time in twenty years) and Jordan, who grabbed a lucky win in a wild Brazilian Grand Prix.
In 2004, Ferrari and Schumacher returned to almost total dominance of the championships, winning both with ease – in the first thirteen races of the season, Schumacher managed to win twelve. A new race in Bahrain made its debut in April and another new race in China debuted in September. It was initially thought that in introducing these new races, older Grands Prix in Europe, like the British Grand Prix, might be removed from the championship, but instead, the number of races was increased to eighteen. According to Ecclestone, the move was to increase Formula One's global reach, though the steady tightening of restrictions on tobacco advertising in Europe and elsewhere may also have been a factor. This move saw the percentage of races held outside Formula One's traditional European home climb to around fifty percent – meaning the World Championship, which visits four of the six continents, truly deserves its name. 2004 was Michael Schumacher's most recent of his record seven World Championships. Schumacher also held the record for the most races won – with ninety-one, and now remains the driver with the second most wins ever. The 2004 season also saw a big change in technical regulations, including the banning of two electronic driver aid systems; namely fully-automatic gearboxes and launch control, both of which had been used for the last three seasons, marking the first time since 1994 that cars competed without using these systems. This was done to ensure that costs were kept down for a competitive F1 team, as well as keeping the skill of driving a Formula 1 car relevant to the driver. However, the use of traction control was still permitted by the FIA, and was used for the next three seasons, until an effort to ban the system led to the FIA finally outlawing it for the 2008 season.
Despite Ferrari's dominance (taking 15 wins from the 18 races), the battle back in the pack was much more open than 2002, as powerhouses McLaren and Williams got off to horrendous starts with radical new cars. As could have been expected, Renault was quick to capitalize on the misfortunes of the two older British teams, but the real shock came from British American Racing, led by Jenson Button. Although failing to win a race, Button was a regular sight on the 2nd or 3rd step of the podium, and with teammate Takuma Sato who had finished 3rd at the US Grand Prix behind the Ferraris managed to clinch 2nd in the Constructors' Championship, leaving Renault 3rd, Jarno Trulli's win in Monaco some consolation. Montoya and Räikkönen each managed a solitary win for their teams, which finished 4th and 5th in the results. The Ford Motor Company's decision to pull out of Formula One at the end of 2004 exposed the vulnerabilities of some small teams. Not only was their works Jaguar team sold to Austrian drinks company Red Bull, but the few remaining small independent teams, who traditionally had used Ford engines, found their engine supply in a precarious state.
In 2005, Formula One saw Ferrari and BAR rapidly fade out of sight, as the works Renault team dominated the early part of the season, and Fernando Alonso forged a clear championship lead. In the latter part of the season, McLaren was significantly the stronger team, with consistently better results and a win tally of 6 from 7 races. However, their early record of poor reliability had meant that catching Renault in either Drivers' or Constructors' Championships was a tall order.
For a while, it looked close between Räikkönen and Alonso, but by Brazil Alonso had become Formula One's youngest ever champion. The Constructors' Championship looked even more likely for McLaren, widely regarded as the faster car and with reliability much improved. However, a retirement for Juan Pablo Montoya in the season finale at Shanghai secured the Constructors' title for Renault. One statistic proved the two teams' dominance: they together won all but one of the races, the controversial U.S. Grand Prix, in which neither of the two teams participated, which was Schumacher and Ferrari's only win of the year.
Arguably, the final small specialist racing team disappeared with the September 2005 purchase of Minardi by Red Bull to be renamed as Scuderia Toro Rosso and run as a separate entity alongside Red Bull Racing. Jordan had been bought by Russo-Canadian steel company Midland early in 2005 and was renamed Midland F1 for the 2006 season. In June 2005, BMW bought a majority stake in Sauber, which became their factory entry. The Williams team ceased their partnership with BMW as a result, entering a commercial arrangement with Cosworth instead. From 2006 manufacturer teams had an unprecedented level of involvement in the sport. Honda also bought BAR.
2005 marked the end of the V10-era in Formula One. To keep costs down, the configuration had been made mandatory in 2000 (although only V10s had been in use since 1998, Toyota were planning on entering Formula One with a V12 and had to delay their entry by a year to redesign) so that engine builders would not develop and experiment with other configurations. Over this period, the statistics show the supremacy of the Renault and Ferrari engines, with Renault clinching six Constructors and five Drivers' Championships as engine suppliers for Williams and Benetton from 1992 to 1997, and their first-ever Drivers' and Constructors' Championships in a 100% Renault car in 2005. Ferrari also enjoyed great success in the V10 era, winning six Constructors' Championships and five Drivers' Championships from 1999 to 2004.
2.4-litre V8 engines (2006–2008)
See 2006 season, 2007 season and 2008 season.
2006 was the last season with two tyre manufacturers: Japanese manufacturer Bridgestone and French company Michelin. In December 2005, the FIA announced that from the 2008 season, there would be only one tyre-supplier. Five days later, Michelin announced it would quit Formula One at the end of the 2006 season, leaving Bridgestone as the sole supplier from 2007. Renault and Fernando Alonso established early leads in both the Constructors' and Drivers' Championships. By mid-season, Ferrari appeared to be making a comeback. The Italian Grand Prix saw Schumacher reduce Alonso's lead to only two points as Alonso suffered an engine failure. The race also saw Ferrari pull ahead of Renault for the first time in 2006. The race results were largely overshadowed by Schumacher announcing, during the post-race press conference, that he would retire at the end of the season. An engine failure for Schumacher at the Japanese Grand Prix, along with costly puncture in the final round in Brazil allowed Alonso to secure the Drivers' Championship for the second year running, with Renault also securing the Constructors' Championship.
The 2007 Formula One season saw a much more competitive McLaren, with current world champion Alonso alongside rookie Lewis Hamilton. However, Hamilton surprised everyone with a run of nine consecutive podiums in his first nine races seeing him take a significant lead in the Drivers' Championship. Alonso's relationship with McLaren deteriorated as the season progressed, as he believed it was his right as world champion to be favoured above his teammate. A mistake by Hamilton in China and a mechanical problem in Brazil ruined his championship. Alonso, however, was not able to fully capitalise
on the situation, and Ferrari's Kimi Räikkönen took the championship after a strong second half to the season. Räikkönen turned around a 17-point deficit with two races to go to win by a single point.
Both McLarens finished the Championship on 109 points. Fernando Alonso was placed third, behind Lewis Hamilton through countback. Renault had a much less successful season in 2007 than in previous years and struggled to match the pace of McLaren and Ferrari. Ferrari also clinched the Constructors' Championship after McLaren's disqualification over the controversy over the suspicion that McLaren had Ferrari information. 2007 marked the seventh and final season, since its reintroduction in 2001, that the use of traction control was permitted in F1. Standardised ECUs were mandated by the FIA from the 2008 season onwards, which prevented teams from using this kind of technology. The 2008 season also marked the first time since the 2001 San Marino Grand Prix that all cars competed without using traction control. For the 2008 and 2009 seasons Fernando Alonso returned to Renault, but having little success he joined Ferrari in 2010.
2008 again saw McLaren and Ferrari have the most competitive cars. However, the season was much more open, with winners from three other teams. After agonising defeat in 2007, Hamilton clinched the Drivers' Championship in dramatic fashion, overtaking Timo Glock in the Toyota to secure the fifth place he needed in the last corner of the last lap of the final Grand Prix. Felipe Massa had won the race, and would also have won the Drivers' Championship if it had not been for Hamilton's crucial overtake. Despite this, Ferrari secured the Constructors' Championship for the eighth time in ten years.
Cost-cutting measures and departure of car manufacturers (2009–2013)
See 2009 season, 2010 season, 2011 season, 2012 season and 2013 season.
During the 2000s, Formula One cars had become extremely complex, efficient, and reliable, so much so that actual racing between drivers began to become less and less common. 2009 saw the introduction of many new rules and regulations (including engine RPM limits, an adjustable front wing, and disproportionate wing sizes) to encourage overtaking. Engine RPM reached 20,000 rpm (and over for Renault and Cosworth) in 2006, and was initially limited to 19,000 rpm for 2007; this was lowered to 18,000 from 2009 to 2013.
The most significant system introduced in F1 was the Kinetic Energy Recovery System (KERS), a system that stores energy, created by braking, through a flywheel; this energy is then channeled to the car's drivetrain to increase acceleration. A few well-funded teams had tested this technology the previous year but it remained too experimental; all of the teams' KERS systems needed more development, so none of them would be ready for 2009. Due to the global economic recession, many more rule changes were brought in to reduce the cost of participating in Formula One. Initially a standardised engine was proposed, but this idea was rejected by the teams, who came up with their own cost-cutting measures. These included a huge reduction in testing times and an increase in the required engine and gearbox mileage. Many teams voiced concerns over the cost of KERS and have suggested a standardised unit, but so far no such opportunity exists. The new rules and regulations saw a new order in 2009, with new teams Brawn GP and Red Bull Racing and their drivers leading the way, with Ferrari and McLaren having a poor season. However, Ferrari started by the British Grand Prix to make the most of their car with a string of podium finishes and a race victory in Belgium, while a redesign of the McLaren challenger helped Lewis Hamilton to win two races and gain more points than any other driver after it was upgraded at the German Grand Prix.
After dominating the beginning of the season with six out of seven race wins, Jenson Button eventually clinched the Drivers' Championship in Brazil, with Brawn GP winning the Constructors' Championship in its only season, before being taken over by Mercedes. Rubens Barrichello, Jenson Button's teammate, was second in the Drivers' Championship for the whole season until he had a problem at the Brazilian Grand Prix and was overtaken (in points) by Sebastian Vettel, a Red Bull driver, who won the Abu Dhabi Grand Prix to finish eleven points behind Button. Also, the major manufacturer teams were starting to disappear rapidly due to the worldwide economy crisis. In addition to Ford/Jaguar which had left in 2004, Honda had departed in 2008 also due to uncompetitiveness, Toyota and BMW both departed entirely in 2009 (BMW sold Sauber, a team it had bought in 2005 after its split with Williams even though in 2010 the team was still called BMW Sauber), Renault changed their involvement as a full works effort to engine supplier in 2011 and Cosworth departed entirely as an engine supplier in 2013.
2010 saw more changes in the way of rules and regulations. KERS and double diffusers were banned for the 2010 season, but new innovative features on the cars such as F-ducts were introduced. An allocated eight engines, per driver, for the whole season was also introduced as part of more cost-cutting methods. The biggest change in the points scoring system in F1 history happened between 2009 & 2010. The 10–8–6–5–4–3–2–1 point system for the top eight finishers (which had been running since 2003), was replaced with the drastically different 25–18–15–12–10–8–6–4–2–1 for the top-10 finishers.
Red Bull Racing returned to have a great season in 2010, thanks to their hiring of designer Adrian Newey in 2007. They won the Constructors' Championship in the penultimate round in Brazil, and Red Bull driver Sebastian Vettel won the championship in the final round of the 2010 season at Abu Dhabi. Mercedes GP (formerly Brawn GP) had a much less successful and winless season than 2009 with their two new drivers – seven-time World Champion Michael Schumacher had returned to Formula One, but was regularly beaten by fellow German, Nico Rosberg.
McLaren and Ferrari had better seasons in 2010, finishing respectively second and third among the constructors. The Drivers' Championship was very closely fought, with six drivers leading the championship at various points, in the joint longest ever (nineteen-race) season. For most of the season, the title looked like it could have gone to either Red Bull's Sebastian Vettel or Mark Webber, or either McLaren's Lewis Hamilton or reigning World Champion Jenson Button (also at McLaren). But, the Ferrari of Fernando Alonso clawed back 47 points after the British Grand Prix, to be leading the Drivers' Championship with two races left. A record four drivers were still in contention for the title going into the final round in Abu Dhabi. They were Alonso, Webber, Vettel and Hamilton (placing in that order in number of points before the race). They did not finish that way though, with Vettel winning the race and the title when the others finished too far down the field. Vettel became the youngest ever World Champion in the history of the sport.
After a controversial race in Hockenheim, 2010 led to the ban on team orders being dropped. When Ferrari asked Felipe Massa to move over to allow their No.1 driver Fernando Alonso into the lead of the race and take the win, they were fined $100,000. The FIA decided that the rule was too vague, and there was nothing they could do to enforce it. This led to an end to the ban on team orders for the 2011 Formula One season. Other changes included a re-introduction KERS, the introduction of the Drag reduction system (DRS) (a driver activated moveable flap on the cars rear wing), and a change in tyre supplier from Bridgestone to Pirelli. Vettel and Red Bull lead their respective championship from the start until the end of the season, dominating and taking their second successive titles. Vettel also became the youngest double world champion when he clinched the title at the 2011 Japanese Grand Prix, Red Bull took the Constructors' Championship at the following race in South Korea.
McLaren and Ferrari finished second and third in the standings once again, albeit much further behind. Button eventually took second place in the standings, with Webber in third once again. Vettel took 11 victories throughout the course of the year, broke the record for the most pole positions in a season (15) and the most championship points (392). After a slow start to the 2012 season, Vettel won 4 races in a row and challenged Fernando Alonso and Ferrari all the way through. Eventually, the German Vettel took the lead from the Spanish Alonso and Vettel opened up a 13-point gap come the last round in Brazil. Vettel won his third consecutive Drivers' title after finishing 6th at Interlagos, while Alonso finished 2nd. 2013 also went Vettel's way: the superiority of the Red Bull in race trim allowed the German to open up a small lead early in the season, and starting with the Belgian Grand Prix (after F1's 4-week summer break), the superiority of the Red Bull car began to show. The British-based Austrian team had developed an engine-mapping system that gave their car a type of traction control (actual traction control systems are illegal), and Vettel used this to his considerable advantage. He won in Belgium and after that, the rest of the remaining races in the season (9 races total). The German and the Red Bull team simply ran away with the Drivers' and Constructors' Championships, both of which they won in India – Vettel won his 4th consecutive Drivers' Championship there. Come the Korean round, 2 rounds before the Indian one, Red Bull had developed a special aerodynamic diffuser that gave the cars a considerable cornering advantage. Vettel and his Australian teammate Mark Webber were leading 1–2 for most of those 9 races, and the cars often qualified in the top 3 grid spots; and when they qualified 1–2, it was often by considerable amounts of time.
Introduction of 1.6-litre turbocharged V6 hybrid power units and cost cap (2014–2021)
See 2014 season, 2015 season, 2016 season, 2017 season, 2018 season, 2019 season, 2020 season, 2021 season and Formula One engines.
Formula One entered its second turbocharged era in 2014. Australia was the location of the end of the first era (Adelaide 1988) and start of the second (Melbourne 2014). The series is being run under the most radical engine regulation changes since 1995. All cars entering any Formula One championship race must run with 1.6-litre single turbocharged 6-cylinder engines with a rev limit of 15,000 rpm and maximum fuel flow of 100 kg/hr. New car regulations will also be enforced, and the minimum weight regulations will be raised from 642 kg (1,415 lb) to 690 kg (1,521 lb). Ferrari, Mercedes and Renault produced engines from 2014 with Honda producing engines from 2015; Cosworth did not participate from 2014 and beyond. In-season engine development returned; the previous V8's development was frozen. The new turbo engines produce 600 bhp (the previous V8s produce approximately 750 hp); but the new energy recovery system (ERS) would be twice as powerful as the previous KERS system; this new ERS system would give the drivers up to the equivalent of 160 hp when activated, whereas the previous KERS gave cars an extra 80 hp when activated. Since 2017 new rules about aerodynamics and the consistent improvement of the engines, that now reach around 1000 hp, have made the cars finally faster than the 2004 ones, breaking numerous track records.
The Mercedes team and their drivers Lewis Hamilton and Nico Rosberg dominated the start of the hybrid era, winning 51 of the 59 races (31 for Hamilton and 20 for Rosberg) between 2014 and 2016 as well as all titles during that period (Hamilton was champion in 2014 and 2015 while Rosberg won in 2016). This success was the result of Mercedes' development of the "split turbocharger", a system in which the compressor and turbine components of the turbo charger are placed at separate sides of the engine and connected by a rod running through the V of the engine. This new technology gave Mercedes and their customer teams many advantages over their competitors due to the need for less cooling and a more compact power unit.
Ferrari and their driver Sebastian Vettel emerged as strong title contenders in 2017 and 2018 after rule changes in aerodynamic design were implemented for 2017, but despite mid-season championship leads for Vettel in both seasons, Hamilton and Mercedes ultimately won the titles with multiple races to spare. Mercedes subsequently won both championships comfortably in 2019 and 2020 along with an additional constructors' title in 2021, with Hamilton managing to equal Michael Schumacher's record of seven World Championships. In 2021, Mercedes faced stiff competition from the Honda-powered Red Bull team, whose driver Max Verstappen won the Drivers' Championship after a season-long battle with Hamilton to end the run of Mercedes only winning titles in the hybrid era.
Ground effect cars and aerodynamic changes for closer racing (2022–2025)
See 2022 season, 2023 season
In 2022, the FIA designed a new set of rules designed to promote "closer racing." This mostly included aerodynamic changes. Citing a loss of downforce in a trailing car caused by dirty air, the FIA introduced a new type of car designed around using ground effect to create downforce. This was the first time ground effect was used since venturi tunnels under cars were banned in 1983. In the previous cars, air led off the car in a chaotic pattern, creating "dirty air" that decreased the downforce of the car right behind it. The new 2022 car uses ground effect to create downforce, meaning there is less drag and dirty air behind the car. This promotes closer racing as it allows attacking cars to get up closer to the leading car, increasing the number of risky overtakes per race. This is done by simplifying the exterior of the car and instead using the floor to generate downforce, instead of sending air outwards or under the car into the diffuser. A newer front wing is designed to prevent outwash. Ground effect features in the car also allow the car to follow leading cars better by decreasing the effect of dirty air on its downforce. Bargeboards were eliminated and a newer front wing with simpler endplates to decrease the complexity of aerodynamic components. The front wings were also required to directly attach to the nosecone, which has an increased height. The wider rear wings are mounted higher, and regulations limit the teams' ability to use exhaust gases to increase downforce. The number of aerodynamic upgrades a team can make to the car was decreased, to cut the costs of competing. Although the cars used the same 1.6-litre turbocharged V6 hybrid engines from the previous era, the engines also included new sensors and standard components. This increases the FIA's ability to monitor the power units. However, there were changes made to the type of fuel in the engines. In 2022, the percentage of bio-components in fuel increased from 5.75% in previous years to 10%, moving to E10 (ethanol) fuels. This is designed to make Formula 1 more sustainable, as well as align better with road car fuel regulations.
After a slow season beginning dominated by Scuderia Ferrari, Red Bull Racing dominated the season. Their drivers Max Verstappen and Sergio Pérez dominated most races. The season ended with Verstappen winning the World Drivers' Championship and Red Bull winning the Constructors' Championship. Verstappen ended the season with 454 points, the highest number of points in one season ever recorded. He was 146 points ahead of Charles Leclerc in second place and his teammate Pérez in third.
In 2023, Verstappem cruised to his third consecutive Drivers' Championship title clinching it at the Qatar Grand Prix, winning a record 19 out of 22 Grands Prix held and finishing on the podium 21 times (also a record number for most podiums in a season) by the end of the championship. His team, Red Bull Racing achieved their sixth Constructors' Championship title, the second consecutively, at the preceding Japanese Grand Prix. Red Bull Racing won 21 out of 22 Grands Prix, breaking the team record for highest percentage of Grand Prix wins in a season at 95.45%, beating McLaren's 1988 season, the only 2023 Grand Prix to elude them being the 2023 Singapore Grand Prix won by Carlos Sainz in a Ferrari. Verstappen also broke the record for the highest Grand Prix win percentage for drivers, with a win rate percentage of 86.36%, beating the previous record set by Alberto Ascari in 1952.
Relative importance of car quality to driver skill (1950–2020)
In 2020, the British magazine The Economist ranked champion drivers by the relative importance of car quality to driver skill, based on a study by Andrew Bell of the University of Sheffield, UK. This ranking considers the relative statistical significance of the car maker's contributions:
Juan Manuel Fangio (2.9)
Jim Clark (2.6)
Alain Prost (2.1)
Jackie Stewart (1.95)
Michael Schumacher (1.9)
Lewis Hamilton (1.8)
Alberto Ascari (1.75)
Ayrton Senna (1.7)
The ranking illustrates that over time car quality has become more important. For example, Michael Schumacher won 5 of his 7 titles (1994–2004) with a single car maker (Ferrari). Lewis Hamilton won all of his 7 titles (2008–2020) with a Mercedes-Benz engine (one of them in conjunction with McLaren). In the 1950s, Juan Manuel Fangio won his 5 titles (1951–1957) with four different teams: Alfa Romeo, Mercedes-Benz, Ferrari, Maserati.
Notes
References
General references
The Official Formula One Website – Results Archive (2006).
FerrariWorld – see F1 racing cars 1940s–1990s (2006). [1]. Retrieved 9 February 2006.
Hillier, V.A.W (1993). Fundamentals of Motor Vehicle Technology. Nelson Thornes Ltd. ISBN 0-7487-0531-7.
Autosport 50th Anniversary Edition, 13 July 2000
Roderick Eime: The "Little Alfa" That Grew Too Big.
Pierre Ménard: Automobile Historique N°45 Février 2005 – Lotus 72 (1973–1975) – Prolongations exceptionnelles p. 60–71 (in French)
Histoire d’un sport: La formule 1 (in French) |
1992_Formula_One_World_Championship | https://en.wikipedia.org/wiki/1992_Formula_One_World_Championship | [
244
] | [
"https://en.wikipedia.org/wiki/1992_Formula_One_World_Championship"
] | The 1992 Formula One World Championship was the 46th season of FIA Formula One motor racing. It featured the 1992 Formula One World Championship for Drivers and the 1992 Formula One World Championship for Constructors, which were contested concurrently over a sixteen-race series that commenced on 1 March and ended on 8 November. Nigel Mansell won the Drivers' Championship and Williams-Renault won the Constructors' Championship.
Mansell won the first five races of the season and went on to become the first driver in Formula One history to win nine World Championship races in a single season. He sealed the championship at the Hungarian Grand Prix in mid-August, with five races still to run, becoming the first Briton to win the championship since James Hunt in 1976. Reigning champion Ayrton Senna won three races for McLaren-Honda but could only manage fourth in the championship, with Mansell's Williams teammate Riccardo Patrese finishing second and young Michael Schumacher third for Benetton-Ford.
Drivers and constructors
The following teams and drivers competed in the 1992 FIA Formula One World Championship. All teams competed with tyres supplied by Goodyear. This was the first season in which all teams ran two cars.
Team changes
March completed a take-over of Leyton House Racing.
Modena designed a car for 1992, but had to cease operations before the season started, due to insurmountable financial challenges.
After a one-year spell with Lamborghini, Ligier signed a three-year full-works engine deal with Renault. They received the same treatment as Williams, by utilizing the same engine specifications.
Lamborghini moved on to supply Minardi and Larrousse, who collaborated with Venturi Automobiles.
Judd supplied Team Lotus and BMS Scuderia Italia in 1991, but moved on to Brabham and Andrea Moda in 1992. Lotus was supplied by Ford, BMS received a 1991-spec Ferrari engine.
Brabham's former supplier, Yamaha, moved to Jordan.
After preparing the Honda engines for Tyrrell in 1991, Mugen Motorsports made their public debut as supplier to Footwork. Tyrrell moved on to engine supplier Ilmor.
Mid-season changes
After being in Formula 1 since 1962, Brabham went into administration 11 races into the 1992 season.
Andrea Moda was expelled from the championship after 12 races, on the regulatory grounds of "[failure to operate a] team in a manner compatible with the standards of the championship or in any way brings the championship into disrepute."
The Fondmetal team ran out of money after 13 races.
Post-season
March left the sport after more than twenty years in F1.
Driver changes
After Alain Prost was released from his contract with Ferrari before the 1991 season ended, the team attracted Ivan Capelli.
Three-time world champion Nelson Piquet retired and Benetton attracted Martin Brundle, coming from Brabham.
Brabham signed Eric van de Poele and Giovanna Amati, the first female F1 driver since Desiré Wilson in 1980. Ex-driver Mark Blundell could not find a seat for 1992.
Stefano Modena and Andrea de Cesaris switched employers, Modena going to Jordan and De Cesaris to Tyrrell. Jordan also signed Maurício Gugelmin from Leyton House, while Tyrrell replaced the retired Satoru Nakajima with Olivier Grouillard.
Pierluigi Martini moved from Minardi to Scuderia Italia, replacing Emanuele Pirro making place at Minardi for debutant Christian Fittipaldi.
Aguri Suzuki moved from Larrousse to Footwork, freeing a seat for newcomer and fellow Japanese Ukyo Katayama. Ex-Footwork driver Alex Caffi moved to Andrea Moda, besides Enrico Bertaggia.
Andrea Chiesa debuted with Fondmetal, the team fielding a second car for the first time.
Mid-season changes
After three races, Giovanna Amati was replaced by Williams test driver Damon Hill, while he was still competing in the F3000.
Before the Hungarian Grand Prix, Andrea Chiesa was replaced at Fondmetal by Eric van de Poele, coming from the defunct Brabham team. Unfortunately, Fondmetal folded just three races later.
At March, Emanuele Naspetti left the F3000 championship while he was leading, to replace Paul Belmondo, and Jan Lammers made a surprise comeback when he replaced Karl Wendlinger for the final two races of the season. Lammers set a record by returning a full ten years after his initial final race.
Christian Fittipaldi was replaced at Minardi by Alessandro Zanardi when he crashed during qualifying of the French Grand Prix. After three races, the Brazilian returned.
Ferrari promoted their test driver and ITCC champion Nicola Larini to the racing seat. He had helped develop their active suspension system and when it was time to launch the car with that upgrade, Larini was awarded the drive.
After just two races, Andrea Moda separated with both drivers and hired Roberto Moreno and Perry McCarthy.
Calendar
Calendar changes
The United States Grand Prix was originally scheduled for 15 March at the Phoenix street circuit, which was to be the second round as a result of the return of South Africa but was cancelled due to the inability to install more seats in order to attract spectators.
This made way for the return of the South African Grand Prix. After a seven-year absence, the FIA lifted its ban on events in South Africa due to the end of Apartheid. The race was held again at Kyalami Grand Prix Circuit, but there was a new layout compared to the last time they raced in 1985.
The Mexican Grand Prix was moved from its mid-June date to March and the Spanish Grand Prix was moved from September to May.
The Austrian Grand Prix, originally scheduled for 16 August, was cancelled due to financial problems. The Hungarian Grand Prix moved up from 23 August to take its slot.
The European Grand Prix, originally scheduled for 4 October at the Jerez circuit, was cancelled.
Regulation changes
Technical regulations
Unleaded gasoline fuel became mandatory for all Formula One cars from the 1992 season onwards, as leaded gasoline fuel was deemed too hazardous for health. Previously, unleaded gasoline fuel was optional for top teams only.
Stricter crash tests were introduced.
Sporting and event regulations
The use of the Safety Car was formalised.
Circuits were demanded to lower the kerbs, to widen the pit lane to at least 12 meters and to add a chicane in the pit lane entry.
Race-by-race
Race 1: South Africa
The season started off in South Africa at the newly rebuilt Kyalami circuit near the high altitude city of Johannesburg where Mansell took pole ahead of Senna, Berger, Patrese, Alesi and Schumacher. At the start, Patrese overtook both McLarens and Berger lost out to both Alesi and Schumacher as well. The order was: Mansell, Patrese, Senna, Alesi, Schumacher and Berger.
Mansell quickly pulled away from Patrese who was under no pressure at all from Senna. Brundle spun off on the first lap in the Benetton and then retired with a broken clutch. Alesi was well behind Senna and had a comfortable gap to Schumacher, whom Berger could do nothing about. The pit stops left the order unchanged, and it held until Alesi's engine failed on lap 41. Andrea de Cesaris was sixth and in the points for one lap until his engine failed as well.
Mansell won the race easily with Patrese making it a Williams 1–2 ahead of Senna, Schumacher, Berger and Johnny Herbert. Mansell had also won the previous South African Grand Prix, held in 1985, in a Williams-Honda.
Race 2: Mexico
The cancellation of the United States Grand Prix on a street circuit in Phoenix, Arizona, originally scheduled for 15 March left a 3-week gap between the first two races, and there was some controversy surrounding the next race in Mexico: the venue for this race, the Hermanos Rodríguez Autodrome in Mexico City (an even higher altitude city) had an appallingly bumpy track surface, thanks to the circuit being located on a geologically active area. It also had a dauntingly fast final corner called the Peraltada which was 180 degrees and banked. Although the banking had been eased from the previous year, making the corner slightly slower, the bumps were still disastrous as Ayrton Senna hit a nasty bump in the Esses and crashed into a concrete wall, receiving severe bruising. He was cleared fit enough to race.
The Williams cars were 1–2 in qualifying in Mexico ahead of the Benettons and the McLarens with Mansell on pole ahead of Patrese, Schumacher, Brundle, Berger and Senna. At the start, Senna blasted past his teammate and the Benettons with Brundle getting ahead of Schumacher. The order was: Mansell, Patrese, Senna, Brundle, Schumacher and Berger.
Schumacher quickly passed Brundle on lap 2 and soon afterwards there was a big queue behind Senna, who was apparently having some sort of trouble. Schumacher got past on lap 7 and the rest were relieved of being stuck up when Senna retired with transmission troubles on lap 11.
After the stops, Berger got ahead of Brundle only to be passed two laps later. Berger repassed Brundle on lap 36. Brundle got back ahead on lap 39 only for Berger to repass him two laps later. Brundle was back in fourth on lap 44 but retired with engine trouble three laps later, ending the battle for fourth. At the front, Mansell won with Patrese making it a Williams 1–2 again ahead of Schumacher, Berger, de Cesaris and Mika Häkkinen.
Race 3: Brazil
For the Brazilian Grand Prix at the Interlagos circuit in São Paulo, the Williamses were ahead of the McLarens with Mansell on pole ahead of Patrese with Senna third in front of his home crowd ahead of Berger, Schumacher and Alesi. On the parade lap, Berger stalled and had to start at the back. At the start, Mansell was poor and Patrese blasted ahead of him with Brundle getting ahead of Alesi. The order was: Patrese, Mansell, Senna, Schumacher, Brundle and Alesi.
Berger had to retire after only 4 laps in the pits with electrical failure. The Williamses pulled away while Senna was holding the rest at bay; Schumacher was 30 seconds behind by the time he had passed Senna for third on lap 13. Brundle and Alesi passed him soon afterwards and Senna retired with engine troubles on lap 17.
The stops brought Alesi closer to Brundle and Alesi made his move on lap 31. The two collided, with Brundle spinning out. This promoted Karl Wendlinger to fifth and he was there until his clutch failed on lap 56. As Thierry Boutsen collided with Érik Comas and forced Johnny Herbert off into the gravel at the Senna S as it forced both drivers to retire but Comas managed to continue, just 6 laps after Brundle's retirement. Meanwhile, Mansell pitted while passing back markers and took advantage of subsequent clear laps, taking over first place when Patrese pitted after slower laps passing more of the back markers. Mansell then built a lead and won with a 29-second lead over Patrese in second, making it yet another Williams 1–2 ahead of Schumacher, Alesi, Capelli and Michele Alboreto.
Race 4: Spain
Mansell was on pole once again in Spain at the Catalunya circuit in Montmeló ahead of Schumacher, Senna, Patrese, Capelli and Brundle. At the start, in torrential wet conditions, Patrese got by Senna and Schumacher while Alesi sensationally climbed up from eighth to third. The order was: Mansell, Patrese, Alesi, Schumacher, Senna and Capelli.
Brundle retired yet again after spinning off on the main straight with a clutch problem by lap 5, meaning it was his fourth consecutive retirement. Schumacher attacked and passed Alesi on lap 7. Senna tried to do the same but tipped Alesi into a spin, putting the Frenchman behind Berger and Capelli as well. By now the rain intensified, and Patrese spun off on lap 20 while trying to lap a backmarker. This put Mansell ahead of Schumacher, Senna, Berger, Capelli and Alesi. Maurício Gugelmin as the only Jordan in the race, and lapped by the McLarens, had spun into the pit wall at lap 25.
During the pit-stops, Alesi got past Capelli and began to charge up through the field. He cruised past Berger for fourth and began to attack Senna for third. He wanted to attack Schumacher as well and was in a hurry. The pressure was so intense that Senna spun off with two laps to go. At the same time, Capelli spun off as well. Mansell won again from Schumacher, Alesi, Berger, Alboreto and Pierluigi Martini.
Race 5: San Marino
At the San Marino Grand Prix at the Imola circuit in Italy, the Williamses were still well ahead of the McLarens and the Benettons, Mansell taking another pole ahead of Patrese, Senna, Berger, Schumacher and Brundle. At the start, Patrese attacked Mansell but Mansell kept the lead and Schumacher got ahead of Berger to take fourth. The order at the end of the first lap was: Mansell, Patrese, Senna, Schumacher, Berger and Brundle.
As usual, Mansell was pulling away from Patrese as the two of them began to pull away from the field. Capelli in the second Ferrari spun off into the gravel trap on lap 12. Schumacher was pressurizing Senna but it was he who made the mistake first, spinning out into retirement on lap 21 with the result of rear suspension damage after clipping the tyre wall. Alesi was planning to go without a stop and so after the others stopped, he had climbed up to third. However, he was soon under pressure from the McLarens of Senna and Berger. Senna went ahead at Tosa on lap 40, but Berger tried to follow him through and Alesi lost momentum and spun towards Berger, taking both out.
Mansell made it five wins out of five with Patrese making it one more Williams 1–2 ahead of Senna, Brundle, Alboreto and Martini.
Race 6: Monaco
In Monaco, the Williamses were again dominant, with Mansell taking six poles in six with Patrese beside him, Senna third, Alesi fourth, Berger fifth and Schumacher sixth. At the start, Senna got ahead of Patrese while Schumacher took Alesi and Berger into the first corner. However, Alesi took fourth back at Mirabeau and then the race settled down. The order was: Mansell, Senna, Patrese, Alesi, Schumacher and Berger.
Patrese began to attack Senna but then began to drop back with gearbox troubles. On lap 12, Schumacher tried to pass Alesi and the two collided, and an electronic box was damaged in Alesi's car, with Schumacher getting ahead. Alesi continued to stay fifth for another 16 laps before the damage forced him to retire on lap 28. This promoted Berger to fifth, a place which he held for just under 5 laps before he had to retire from gearbox troubles.
On lap 60, Alboreto, just about to be lapped by Senna, spun in front of him and Senna lost another 10 seconds. Then, there was a loose wheelnut in Mansell's car and Mansell had to pit and rejoined behind Senna. He closed the gap quickly but with overtaking being extremely hard, Senna was able to legally block every move that Mansell made. Senna won from Mansell, Patrese, Schumacher, Brundle and Bertrand Gachot.
Race 7: Canada
There was a change in Circuit Gilles Villeneuve in Montreal, Canada with Senna taking his 61st career pole position ahead of Patrese, Mansell, Berger, Schumacher and Herbert. At the start, Mansell got ahead of Patrese and behind them Brundle was able to get by Herbert. The order was: Senna, Mansell, Patrese, Berger, Schumacher and Brundle.
The race settled down for the first 14 laps but then on lap 15, Mansell attacked Senna at the final chicane and hit a kerb, pushing his car into the air. It landed nose-first into the gravel and spun back onto the track. Mansell claimed that Senna had pushed him off the track. He was out and this forced Patrese to slow down and suddenly Berger went through to second. Senna then began to pull away from the field and the stops changed nothing. Senna still led Berger, Patrese, Schumacher, Brundle and Herbert. Herbert went out on lap 34 with clutch troubles.
Senna lost a certain victory when electrical failure put him out on lap 38. Behind them, Brundle passed Schumacher for third and this became second when Patrese's gearbox failed on lap 44. However, Brundle only lasted for two more laps before he retired with transmission trouble. Berger won from Schumacher, Alesi, Wendlinger, de Cesaris and Érik Comas.
Race 8: France
The Williamses took the front row at the Magny-Cours circuit in France ahead of the McLarens, with Mansell on pole ahead of Patrese, Senna, Berger, Schumacher and Alesi. At the start, Patrese got by Mansell while Berger got ahead of Senna and Brundle was able to pass Alesi. At the Adelaide hairpin, Schumacher tried to pass Senna but instead hit him, taking Senna out and forcing himself to pit. Meanwhile, Patrese and Mansell were side by side but Patrese kept the lead. Patrese led Mansell, Berger, Brundle, Alesi and Häkkinen and then Patrese waved Mansell through.
Nothing changed until lap 11 when Berger's engine failed. Soon afterwards it began to rain so heavily that the race was stopped. After some time the rain decreased and the grid formed up again. Patrese took the lead again with Alesi getting ahead of Häkkinen as well. Mansell tried to get past but Patrese defended and once again kept the lead. Patrese led Mansell, Brundle, Alesi, Häkkinen and Comas on aggregate. Patrese then waved Mansell through on track and soon Mansell got ahead on aggregate.
It began to rain again and everyone pitted for wets with Alesi going too late and dropping down to sixth. His engine failed on lap 61. Mansell won with Patrese making it a Williams 1–2 ahead of Brundle, Häkkinen, Comas and Herbert.
Thus, at the halfway stage of the season, Mansell was comfortably leading the championship with 66 points compared to Patrese's 34. Schumacher was third with 26, Senna was fourth with 18, Berger was fifth with 18, Alesi was sixth with 11, Brundle was seventh with 9 and Alboreto was eighth with 5. The 66 points that Mansell had after the French Grand Prix would have been enough for him to have been crowned world champion even if he had scored no further points in the season; Patrese was the eventual runner-up with 56 points. In the Constructors' Championship, Williams were dominant, with 100 points and well ahead of the field. McLaren were second with 36, Benetton were third with 35, and Ferrari were fourth with 13.
This Grand Prix saw, for the first time in the sport, the trialing of a safety car, in this case a Ford Escort RS Cosworth.
Race 9: Great Britain
Mansell took pole position at Silverstone in Britain with Patrese making another Williams 1–2 ahead of Senna, Schumacher, Berger and Brundle. At the start, Patrese got ahead of Mansell while Brundle had a superb start, blasting by the three in front of him, and Schumacher also got ahead of Senna. Patrese waved Mansell through on the Hangar straight with action behind as both Senna and Berger got ahead of Schumacher. Schumacher quickly recovered and passed Berger at Priory before the first lap was over. Mansell led Patrese, Brundle, Senna, Schumacher and Berger.
Herbert became the first of the leaders to retire from sixth position in the leading Lotus with transmission problems on lap 32. Alesi in the leading Ferrari eventually went off the track with mechanical problems by lap 44. Senna put Brundle under pressure but Brundle kept the place. The round of stops changed nothing, with Mansell leading from Patrese, Brundle, Senna, Schumacher and Berger. Schumacher then went wide at a corner giving fifth to Berger. Senna only lasted until lap 53 when his transmission failed. On the next lap, Schumacher passed Berger who was suffering from engine trouble, but still managed to cross the line just before it let go and finished fifth.
Mansell took the win with Patrese making it one more Williams 1–2 ahead of Brundle, Schumacher, Berger and Häkkinen. Spectators began to invade the track to celebrate his win even before the final lap had finished, and thousands entered the track following the chequered flag. The win saw Mansell overtake Jackie Stewart as the most successful British driver, with 28 wins to Stewart's 27. Mansell's record was subsequently overtaken by Lewis Hamilton.
This Grand Prix also saw repeated trials for a safety car, first run at the preceding French Grand Prix.
Race 10: Germany
At Hockenheim in Germany, the Williamses were again ahead of the McLarens, with Mansell on pole ahead of Patrese, Senna, Berger, Alesi and home hero Schumacher. At the start, Mansell defended from Patrese while Alesi lost out to both Schumacher and a fast-starting Brundle. Mansell was leading Patrese, Senna, Berger, Schumacher and Brundle at the end of the first lap.
Mansell then pulled away from Patrese who was doing the same to the McLarens. Soon the stops came and everyone in the top pitted except Senna and the Benettons were planning to go without a stop. Berger had a slow stop and retired with a misfire soon after. The order after the stops was: Senna, Mansell, Schumacher, Patrese, Brundle and Alesi.
Mansell did not want to stay second and passed Senna to lead with Patrese taking third from Schumacher soon after. Patrese was on a charge and smashed the lap record in his chase of Senna. He was right with Senna on the penultimate lap and tried to attack on the last lap. But Patrese in his attempt spun off into the gravel trap and was out. Mansell took his eighth win of the season ahead of Senna, Schumacher, Brundle, Alesi and Comas.
Race 11: Hungary
By the time the Hungarian Grand Prix in Mogyoród came around, Mansell was 46 points ahead of Patrese and the Williams team were 77 points ahead of Benetton with 6 races to go. This was the chance for Williams to seal both titles and they were dominant, but it was Patrese who took pole ahead of Mansell, Senna, Schumacher, Berger and Brundle. At the start, Berger got by Schumacher and then Mansell lost momentum and Senna passed him with Berger following his teammate through. The order was: Patrese, Senna, Berger, Mansell, Schumacher and Brundle.
There was a collision on the first lap between Comas, Herbert, Boutsen and Tarquini who all retired on the first lap (meaning both Ligiers of Comas and Boutsen retired on the first lap), before Van de Poole spun into retirement at the first corner on lap 3 as both Fondmetals retired after only 2 laps. Mansell passed Berger on lap 8 and set off after Senna. However, as hard as he tried, the combination of the small circuit and Senna's skills in defending meant that he could not pass. Alesi in the leading Ferrari behind the leading pack spun out with the rear wheels in the gravel trap by lap 15. On lap 31, Patrese made a mistake and went wide and rejoined behind Berger. Two laps later, Mansell passed Berger to get back third. Then, a pivotal movement came on lap 39 when Patrese spun off. He rejoined in seventh, outside the points which meant that Mansell would be the world champion if results stayed the same. However, on lap 51, Mansell had to go to the pits with tyre troubles and rejoined in sixth, just ahead of Patrese. Mansell quickly passed Häkkinen but before Patrese, who was right behind, could take sixth, Patrese's engine blew. He was out and would get no points.
Mansell quickly caught and passed Brundle on lap 60 and four laps later, he was up to third when Schumacher's rear wing broke, spinning him out and retired on lap 64. Senna, a minute ahead, made a precautionary stop just as Häkkinen passed Brundle for fourth. Mansell passed Berger for second and now had a toehold on the championship. Soon afterwards, Häkkinen tried to pass Berger and spun into Brundle's path. Brundle was forced to spin to avoid a collision and both rejoined without losing places, with Häkkinen staying ahead. Senna won ahead of new world champion Mansell, Berger, Häkkinen, Brundle and Capelli.
Race 12: Belgium
Now to Spa-Francorchamps in Belgium and champion-elect Mansell took pole ahead of Senna, Schumacher, Patrese, Alesi and Berger. At the start, it was damp and Senna outdragged Mansell with Patrese getting ahead of Schumacher while Berger did not move. Senna was leading Mansell, Patrese, Schumacher, Alesi and Thierry Boutsen.
At the start before La Source, Berger failed to get away and retired after an immediate transmission problem & put him out straight away. Mansell attacked and passed Senna at the end of the second lap with Patrese following suit. Then it began to rain and almost everybody pitted for wets. Senna stayed out in the hope that the rain would stop but it did not. He pitted late and rejoined down in 12th as Alesi went out with a puncture after colliding with Mansell at La Source. The order was: Mansell, Patrese, Schumacher, Brundle, Häkkinen and Boutsen. Capelli suffered a dramatic engine failure on lap 26 as he went straight off into the gravel trap at Blanchimont whilst battling Herbert for sixth position. The track was beginning to dry and Boutsen spun off on lap 28. Schumacher lost two seconds after going off the track and stopped for dries at the end of the lap. However, Mansell and Patrese stayed out far too long and when both pitted late, they rejoined behind Schumacher. Herbert eventually retired yet again with engine problems on lap 43, the Englishman would be classified 13th.
Mansell tried to close in but cracked an exhaust and dropped back. Patrese suffered the same fate and had to hold back Brundle. Behind, the recovering Senna took fifth from Häkkinen. Schumacher took his maiden win ahead of Mansell, Patrese, Brundle, Senna and Häkkinen. The Constructors' Championship went to Williams after their 2–3 finish. This was also the only race to have 18 classified finishers, the highest number of finishers that year.
Thus, with three-quarters of the season over, Mansell was the World Champion with 98 points, with Patrese second with 44, Schumacher third with 43, Senna fourth with 36, Berger fifth with 24, Brundle sixth with 21, Alesi seventh with 13, and Häkkinen eighth with 9. Williams were the World Champion in the Constructors' Championship with 142 points, with Benetton second with 64, McLaren third with 60, and Ferrari fourth with 16.
Race 13: Italy
At Monza in Italy, Mansell was on pole ahead of Senna, Alesi, Berger, Patrese and Schumacher. At the start, Mansell took off while Patrese got ahead of Alesi and Berger lost out to Schumacher, Capelli and Brundle. Mansell led Senna, Patrese, Alesi, Schumacher and Capelli.
Mansell pulled away fast with Senna holding up Patrese. On lap 13, both Ferraris went out: Alesi with trouble in his fuel system and Capelli with electrical problems. Patrese then passed Senna but Mansell was already 10 seconds up the road. Then, everybody stopped during which Brundle got ahead of Schumacher. The order was: Mansell, Patrese, Senna, Brundle, Schumacher and Berger. Then Mansell suddenly slowed down and allowed Patrese to pass him.
Then, on lap 36, he began to drop back with hydraulic troubles. Senna, Brundle, Schumacher and Berger all passed him. He trolled round and retired in the pits on lap 41. Patrese led but then Senna began to close in. Patrese also began to suffer from hydraulic troubles and Senna passed him on lap 49. On the next lap, both Brundle and Schumacher found a way through. Patrese held fourth until the last lap when Berger passed him. Senna won from Brundle, Schumacher, Berger, the hobbling Patrese and de Cesaris.
Race 14: Portugal
The Williamses were again ahead of the McLarens and the Benettons in Estoril just outside Lisbon with Mansell on pole ahead of Patrese, Senna, Berger, Schumacher and Brundle. At the start, Schumacher was late firing up and started at the back of the grid. At the start, Berger got ahead of Senna. Mansell led from Patrese, Berger, Senna, Brundle and Häkkinen.
Herbert in the second Lotus collided with Alesi on the first lap, Herbert eventually crashed out on lap 3 as Alesi in the leading Ferrari had spun off by lap 13, making it his 4th retirement in a row. Then it was the usual sight of Mansell pulling away from Patrese and the two getting away from the rest. The Williamses pitted early unlike the McLarens. Mansell had a quick stop and rejoined in the lead but Patrese had a problem with his right rear jack and joined behind the McLarens. He passed Senna quickly and set off after Berger. On lap 35, the recovering Schumacher took sixth from Alboreto. Soon after, Patrese was right with Berger, looking for a way through.
Berger realised that he had blistered his tyres and slowed down as he was about to go to the pits. Patrese was caught unawares, hit the back of Berger and had a massive crash. Luckily, Patrese was unhurt. Schumacher hit the debris and had to pit again, dropping back to eighth. Mansell took his 30th career win ahead of Berger, Senna, Brundle, Häkkinen and Alboreto.
With two more races to go, Mansell was already World Champion with 108 points but there was a big battle for second. Senna was second with 50, Schumacher was third with 47, Patrese was fourth with 46, Berger was fifth with 33, Brundle was sixth with 30, Alesi was seventh with 13, and Häkkinen was eighth with 11. In the Constructors' Championship, Williams was the World Champion with 154 points. McLaren was second with 83, Benetton was third with 77, and Ferrari was fourth with 16.
Race 15: Japan
Before the race at Suzuka in Japan, Ferrari had dropped Capelli who had a poor season and replaced him with Nicola Larini. In qualifying, the Williamses showed their class with Mansell taking pole ahead of Patrese, Senna, Berger, Schumacher and Herbert. At the start, there were no changes at the front and Mansell still led Patrese, Senna, Berger, Schumacher and Herbert.
Senna did not last long, going out with engine troubles on lap 3. Gouillard had crashed out in the second Tyrrell by lap 6. Berger decided to make an early stop and dropped back down to sixth. Schumacher had gearbox troubles and retired at the end of lap 13. Herbert now inherited third only to go out with the same problems two laps later. Berger and Brundle who stopped earlier did not stop when the others did and so the order after the stops was: Mansell, Patrese, Berger, Häkkinen, Brundle and Comas.
On lap 36, Mansell slowed down and let Patrese through before again speeding up and hanging on Patrese's tail. However, on lap 45, an engine failure ended Mansell's race. At the same time, Häkkinen went out with the same problem. Patrese won from Berger, Brundle, de Cesaris, Alesi and Christian Fittipaldi.
Race 16: Australia
For the season's final race on the streets of Adelaide, Australia, Mansell took pole ahead of Senna, Patrese, Berger, Schumacher and Alesi. At the start, Alesi had to hold off Brundle and there were no changes ahead of him. The order was: Mansell, Senna, Patrese, Berger, Schumacher and Alesi.
There was a collision at the start behind the leaders as Grouillard's Tyrrell collided with the Dallara of Martini on the first lap (eliminating both drivers on the same lap). However, Mansell did not pull away as usual. Senna was right with him and tried to pass him on lap 8. Gugelmin had once again spun out and crashed in the second Jordan by lap 9. He went wide and Mansell retained the lead. The top two were pulling away from Patrese and the rest but Senna could not attack Mansell. The gap stayed at less than a second. Then, on lap 19, entering the final corner, Senna crashed into the back of Mansell resulting in both drivers retiring. Some claimed that Mansell 'brake tested' Senna.
Patrese was now leading under immense pressure from Berger. Berger tried to pass around the outside but he too went wide. While Patrese did not pit, Berger pitted, followed 5 laps later by Schumacher. Berger rejoined 4 seconds ahead. Behind them, Brundle had got ahead of Alesi in the stops. On lap 51, Patrese, nearly 20 seconds ahead, coasted to a halt with an engine failure. So, Berger won with Schumacher close behind ahead of Brundle, Alesi, Boutsen (the last time the Belgian would score points) and Stefano Modena, this race was remembered for being Modena's last Grand Prix and the only point for the Jordan team that season.
Season result
At the end of the season, Mansell was named world champion with 108 points with Patrese edging out the battle for second with 56, Schumacher third with 53, Senna fourth with 50, Berger fifth with 49, Brundle sixth with 38, Alesi seventh with 18 and Häkkinen eighth with 11. In the Constructors' Championship, Williams was dominant champion with 164 points, McLaren just edging out second with 99, Benetton a close third with 91, and Ferrari fourth with 21.
Results and standings
Grands Prix
Scoring system
Points were awarded to the top six classified finishers in the following system:
World Drivers' Championship standings
Notes:
† – Driver did not finish the Grand Prix but was classified, as they completed more than 90% of the race distance.
World Constructors' Championship standings
Notes:
† – Driver did not finish the Grand Prix but was classified, as they completed more than 90% of the race distance.
Non-championship event results
The 1992 season also included a single event which did not count towards the World Championship, the Formula One Indoor Trophy at the Bologna Motor Show.
References
External links
formula1.com – 1992 official driver standings (archived)
formula1.com – 1992 official team standings (archived)
1992 Formula One results and images at f1-facts.com |
Williams_Grand_Prix_Engineering | https://en.wikipedia.org/wiki/Williams_Grand_Prix_Engineering | [
244
] | [
"https://en.m.wikipedia.org/wiki/Williams_Grand_Prix_Engineering"
] | Williams Grand Prix Engineering Limited, currently racing in Formula One as Williams Racing, is a British Formula One team and constructor. It was founded by Sir Frank Williams (1942–2021) and Sir Patrick Head. The team was formed in 1977 after Frank Williams's earlier unsuccessful F1 operation: Frank Williams Racing Cars (which later became Wolf–Williams Racing in 1976). The team is based in Grove, Oxfordshire, on a 60-acre (24 ha) site.
The team's first race was the 1977 Spanish Grand Prix, where the new team ran a March chassis for Patrick Nève. Williams started manufacturing its own cars the following year, and Clay Regazzoni won Williams's first race at the 1979 British Grand Prix. At the 1997 British Grand Prix, Jacques Villeneuve scored the team's 100th race victory, making Williams one of only five teams in Formula One, alongside Ferrari, McLaren, Mercedes, and Red Bull Racing to win 100 races. Williams won nine Constructors' Championships between 1980 and 1997. This was a record until Ferrari won its tenth championship in 2000.
Notable drivers for Williams include: Alan Jones, Keke Rosberg, Nigel Mansell, Damon Hill, David Coulthard, Jenson Button, Juan Pablo Montoya, Alain Prost, Nelson Piquet, Ayrton Senna, Riccardo Patrese, Valtteri Bottas, Carlos Reutemann, Felipe Massa and Jacques Villeneuve. Of these drivers, Jones, Rosberg, Mansell, Hill, Piquet, Prost, and Villeneuve won the Drivers' title with the team. Of those who have won the championship with Williams, only Jones, Rosberg and Villeneuve defended their title while still with the team; as Piquet moved to Lotus after winning the 1987 championship; Mansell left F1 to compete in the CART series after winning the 1992 championship, Prost retired after winning the 1993 championship, and Hill moved to Arrows after winning the 1996 championship. None of Williams's Drivers' Champions went on to win another championship after their success with Williams.
Williams have worked with many engine manufacturers, most successfully with Renault, winning five of their nine Constructors' titles with the company. Along with Ferrari, McLaren, Benetton and Renault, Williams is one of a group of five teams that won every Constructors' Championship between 1979 and 2008 and every Drivers' Championship from 1984 to 2008. Williams also has business interests beyond Formula One. They have established Williams Advanced Engineering and Williams Hybrid Power, who take technology originally developed for Formula One and adapt it for commercial applications. In April 2014, Williams Hybrid Power was sold to GKN. In May 2020, Williams announced they were seeking buyers for a portion of the team due to poor financial performance in 2019 and that they had terminated the contract of title sponsor ROKiT. On 21 August 2020, Williams was acquired by Dorilton Capital. Frank and Claire Williams stepped down from being Manager and Deputy Manager of the team on 6 September 2020, with the 2020 Italian Grand Prix being their last time in their respective positions.
Origins
Frank Williams founded Williams in 1977 after his previous team, Frank Williams Racing Cars, failed to achieve the success he desired. Despite the promise of a new owner, Canadian millionaire Walter Wolf, and the team's rebranding as Wolf–Williams Racing in 1976, the cars still were not competitive. Eventually, Williams left the rechristened Walter Wolf Racing and moved to Didcot to rebuild his team as Williams Grand Prix Engineering. Frank recruited Patrick Head to work for the team, creating the Williams–Head partnership.
Racing history – Formula One
Ford-Cosworth engines (1977–1983)
1977 season
Williams entered a March 761 for the 1977 season. Lone driver Patrick Nève competed in 11 races that year, starting with the Spanish Grand Prix. The new team failed to score a point, achieving a best finish of 7th at the Italian Grand Prix.
1978 season
For the 1978 season, Patrick Head designed the first Williams car: the FW06. Williams signed Alan Jones, who had won the Austrian Grand Prix the previous season for a devastated Shadow team following the death of their lead driver, Tom Pryce. Jones's first race for the team was the Argentine Grand Prix where he qualified in 14th position but retired after 36 laps due to a fuel system failure. The team scored its first championship points two races later at the South African Grand Prix when Jones finished in fourth. Williams earnt their first podium at the United States Grand Prix, where Jones came second, 20 seconds behind the Ferrari of Carlos Reutemann. Williams finished the season in ninth place in the Constructors' Championship, with a respectable 11 points, while Alan Jones finished 11th in the Drivers' Championship. Towards the end of 1978, Frank Williams recruited Frank Dernie to join Patrick Head in the design office.
1979 season
Head designed the FW07 chassis and gearbox for the 1979 season with Frank Dernie picking up the suspension, aerodynamic development and skirt design. This was the team's first ground effect car, a technology that was first introduced by Colin Chapman and Team Lotus. Williams also obtained membership of the Formula One Constructors' Association (FOCA) which expressed a preference for teams to run two cars, so Jones was joined at the team by Clay Regazzoni. It was not until the seventh round of the championship, the Monaco Grand Prix, that they finished in the points. Regazzoni came close to taking the team's first win but finished second, less than a second behind race winner Jody Scheckter. The next race, the French Grand Prix, is remembered for the final lap battle between René Arnoux and Gilles Villeneuve, but also saw both cars finish in the points for the first time; as Jones was fourth with Regazzoni in sixth. The team's first win came at the British Grand Prix (their home Grand Prix) when Regazzoni finished 25 seconds ahead of second place.
Greater success followed when Williams got a 1-2 finish at the next round in Germany, Jones in first with Regazzoni two seconds behind in second. Jones then made it three wins in a row at the Austrian Grand Prix, finishing half a minute ahead of Gilles Villeneuve's Ferrari. Three wins in a row became four two weeks later at the Dutch Grand Prix, with Alan Jones winning yet again by a comfortable margin over Jody Scheckter's Ferrari. Scheckter ended Williams's winning streak when he won the Italian Grand Prix; with Regazzoni finishing third behind Scheckter and Villeneuve. Alan Jones managed another win at the penultimate race in Canada to cap off a great season.
Williams had greatly improved their Constructors' Championship position, finishing eight places higher than the previous year and scoring 59 more points. Alan Jones was the closest driver to the Ferrari duo of Villeneuve and 1979 champion Jody Scheckter. Jones scored 43 points, 17 points behind Scheckter, while Regazzoni was two places behind him with 32 points.
1980 season
Before the start of the 1980 season, Regazzoni left the team. So, Carlos Reutemann joined the team. Williams started strong in the championship, with Jones winning the first race of the season in Argentina. Jones won four more races: the French Grand Prix, the British Grand Prix, the Canadian Grand Prix and, the last race of the season, the United States Grand Prix. Jones became the first of seven Williams drivers to win the Drivers' Championship, 17 points ahead of Nelson Piquet's Brabham. Williams also won its first Constructors' Championship, scoring 120 points, almost twice as many as second-placed Ligier.
1981 season
Williams won four races in 1981. Alan Jones won the first race of the season, the United States West Grand Prix, and the final race of the season, the Caesars Palace Grand Prix. Meanwhile, Carlos Reutemann won the Brazilian Grand Prix and the Belgian Grand Prix. Williams won the Constructors' title for the second year in a row, scoring 95 points, 34 points more than second-placed Brabham.
1982 season
This season, Alan Jones retired from Formula One (though he would come back a year later for a single race with the Arrows team). The Australian was replaced by Keke Rosberg, the father of 2016 World Champion Nico Rosberg. Rosberg had not scored a single point the previous year. He won the Drivers' title that year despite winning only one race, the Swiss Grand Prix. Rosberg's teammate, Reutemann, finished in 15th place having quit Formula One after just two races of the new season. His seat was filled by Mario Andretti for the United States Grand Prix West; before Derek Daly took over for the rest of the year. Williams finished fourth in the Constructors' Championship that year, 16 points behind first-place Ferrari.
Honda engines (1983–1987)
1983 season
Frank Williams looked towards Honda, who was developing a turbocharged V6 engine with Spirit. A deal between Honda and Williams was settled early in 1983 and the team used the engines for the 1984 season. For the 1983 season however, Williams continued to use the Ford engine except for the last race of the year in South Africa; where Keke Rosberg finished in an impressive fifth place. The team finished fourth in the Constructors' Championship, scoring 36 points. Also, Rosberg won that year's Monaco Grand Prix.
1984 season
For the 1984 season, the team ran an FW09. Keke Rosberg won the Dallas Grand Prix and finished in second at the opening race in Brazil. Rosberg's new teammate, Jacques Laffite, came 14th in the Drivers' Championship with five points. The team finished sixth in the Constructors' with 25.5 points, with Rosberg finishing in eighth in the Drivers' Championship.
1985 season
In 1985, Head designed the FW10, the team's first chassis to employ the carbon-fibre composite technology pioneered by McLaren. Nigel Mansell replaced Laffite to partner with Rosberg. Dernie produced another competitive aerodynamic package. The team scored four wins with Rosberg winning the Detroit and Australian Grands Prix, and Mansell won the European Grand Prix and the South African Grand Prix. Williams finished in third in the Constructors' Championship, scoring 71 points.
During qualifying for the British Grand Prix, Rosberg completed a lap of the circuit in 1:05.591. The lap's average speed was 160.938 mph (259.005 km/h). This was the fastest recorded lap in Formula One history to that point.
From 1985 until 1993, Williams ran their famous yellow, blue and white Canon livery.
1986 season
In March 1986, Frank Williams faced the most serious challenge of his life. While returning to the airport at Nice, France, after pre-season testing, he was involved in a road accident that left him paralysed. He did not return to the pit lane for almost a year. Despite the lack of his trackside presence, the Williams team won nine Grands Prix and the Constructors' Championship and came close to winning the Drivers' Championship with Nigel Mansell, but the British driver's left-rear tyre blew at the Australian Grand Prix, the final race of the season, while his fellow championship rival and new teammate, Nelson Piquet made a pitstop shortly after Mansell's retirement as a precaution. This left Alain Prost to defend his title successfully, despite being in a slower car.
1987 season
The 1987 season brought the Williams-Honda partnership its first and only Drivers' Championship title in the hands of Nelson Piquet. Piquet won three races and scored 73 points in the Drivers' Championship. His teammate Mansell came in second place with six victories and 61 points. Williams won the Constructors' Championship for the second year in a row, scoring 137 points, 61 points ahead of their nearest rivals, McLaren. Despite this success, Honda ended their partnership with Williams at the end of the year in favour of McLaren.
Judd engines (1988)
1988 season
Unable to make a deal with another major engine manufacturer, Williams used naturally aspirated Judd engines for the 1988 season. This left them with a significant performance deficit compared with their turbo-powered rivals. Piquet left Williams to join Lotus who had retained their Honda engines for the 1988 season, helped by having Satoru Nakajima as number 2 driver to Piquet. Nelson Piquet called Frank Dernie every week to persuade him to join Lotus. Eventually Dernie moved to Lotus to become their new Technical Director. Williams brought in Riccardo Patrese to replace Piquet. The team did not win a race that season and finished seventh in the Constructors' Championship, scoring 20 points. The highlights of the season for the team were two second-place finishes by Mansell. When Mansell was forced to miss two races due to illness, he was replaced by Martin Brundle for Belgium and Jean-Louis Schlesser for Italy. Schlesser's collision with Ayrton Senna in that race would deny McLaren a clean sweep of race wins that season.
Renault engines (1989–1997)
The team secured Renault as their engine supplier in 1989. Renault engines subsequently powered Williams's drivers to another four Drivers' and five Constructors' Championships up until Renault's departure from Formula One at the end of 1997. The team brought in Adrian Newey to replace Frank Dernie. The combination of Renault's powerful engine and Adrian Newey's designing expertise led to the team dominating the sport in the mid-1990s alongside McLaren. Mansell had a record-breaking 1992 season, winning the title in record time and leading numerous races from pole to finish.
1989 season
The Renault era started in 1989, with Riccardo Patrese and Thierry Boutsen at the helm of the two Williams cars. Boutsen replaced Mansell, who had signed a contract with Ferrari. The engine's first Grand Prix in Brazil was one that the team would prefer to forget: Boutsen retired with an engine failure and Patrese with an alternator failure. Williams managed to get back on track with Boutsen finishing in fourth at the next race in Italy; winning the team three points. Two races later at the Mexican Grand Prix, the team managed to achieve their first podium with the Renault engine, as Patrese finished second, 15 seconds behind Ayrton Senna in first. The next race saw Patrese finish second again, having started from 14th on the grid, with Boutsen finishing in 6th. At the sixth round in Canada, Williams not only scored their first win with the Renault engine but also their first one-two: with Boutsen finishing in first followed by Patrese in second. This won the team 15 points. Williams came second in the Constructors' Championship, scoring 77 points, 64 points behind McLaren. Patrese finished 3rd in the Drivers' Championship with 40 points, 41 points behind second-placed Alain Prost. Boutsen finished 5th in the championship with 37 points after also winning in Australia. Boutsen's win gave Williams the distinction of having won both the first and last Grand Prix of the 1980s.
1990 season
In the 1990 season, Williams kept Patrese and Boutsen as the team's drivers. The team scored 20 fewer points than the previous year and finished fourth in the Constructors' Championship two positions lower than in 1989. In the Drivers' Championship, Boutsen finished sixth with 34 points and Patrese in seventh with 23 points.
1991 season
Boutsen left Williams and joined Ligier at the start of the 1991 season. Replacing him was a returning Nigel Mansell, who had spent the previous two seasons driving for Ferrari. Williams also recruited future 1996 world champion, Damon Hill, as their reserve driver. Williams failed to finish the first Grand Prix of the season, the US Grand Prix, with both drivers retiring due to gearbox problems. Patrese got back on track for the team in the next Grand Prix at Interlagos, coming second behind McLaren's Ayrton Senna. The 1991 San Marino Grand Prix saw both cars retiring yet again: with Mansell crashing and Patrese suffering from an electrical failure. The Monaco Grand Prix saw Mansell finish in the points, coming in second. At the next race, the Canadian Grand Prix, Williams locked out the front row only for Patrese to drop back with gearbox problems and Mansell to retire from the lead on the final lap due to an electrical fault. At the following race in Mexico, Williams achieved a 1–2 finish, with Patrese finishing in first and Mansell finishing in second. Williams then ran a streak of victories, with Mansell winning the French Grand Prix, five seconds ahead of Alain Prost's Ferrari. Mansell then won again at the British Grand Prix; it had been four years since a Briton had won the Grand Prix, Mansell having won it in 1987. Three consecutive victories became four when Mansell won again in Germany, with Patrese about 10 seconds behind him in second place. Senna ended Williams's run of victories by winning in Hungary, finishing five seconds ahead of Mansell. Mansell later won the Italian Grand Prix and the Spanish Grand Prix, while Patrese won the Portuguese Grand Prix after Mansell's race was ruined by a botched pitstop in which only three wheel nuts were fitted. Williams finished second in the Constructors' Championship, scoring 125 points in total, 14 points behind McLaren. Mansell finished second in the Drivers' Championship with 72 points, 24 points behind Senna.
1992 season
Williams took a step up for the 1992 season, keeping their 1991 driver line-up of Patrese and Mansell. Mansell dominated the first round in South Africa, qualifying in pole position and winning the race by 24 seconds from his teammate, Patrese. Nigel Mansell won the next four rounds for Williams, at Mexico City, Interlagos, Catalunya and Imola, Patrese coming second in all but one (the Spanish Grand Prix at Catalunya, where he retired after spinning off). Mansell's five victories in the opening five races was a new record in Formula One. Senna won the next race in Monaco, ahead of both Williams cars, which finished second and third. In the next race, in Canada, both Williams cars retired: Mansell spun off on entering the final corner (he claimed that Senna pushed him off) and Patrese had a gearbox failure. Mansell went on to record four more Grand Prix wins, including at the British Grand Prix. (In the final round, in Adelaide, the two Williams cars again retired, Mansell after Senna violently crashed into the back of him, and Patrese with electrical problems.) Williams won the Constructors' Championship with 164 points, 65 points more than second-place McLaren. Mansell became World Champion, scoring 108 points, with Patrese finishing second with 56 points. Placing first in nine races, Mansell had set a new record for the most wins by a single driver in one year. Despite this, there looked to be significant upheaval at Williams for 1993; what followed led to a domino effect that had not only effects on the World Championship, but also the CART-sanctioned PPG IndyCar Series.
1992 off-season
Williams was interested in signing Alain Prost to drive one of its two cars for 1993 as he was returning from his year long sabbatical after being sacked by Scuderia Ferrari during the 1991 World Championship. Patrese, perhaps figuring that he would be the driver being sacked in order for Prost to take one of the two available rides, decided to leave after driving for Williams since 1987. He would join up with Benetton, where he would replace Martin Brundle alongside Michael Schumacher in the team's Camel-backed Fords.
Mansell, meanwhile, was not pleased that Williams was looking to bring Prost aboard. Prost and Gerhard Berger had essentially swapped rides after the 1989 season with Prost becoming Mansell's teammate at Ferrari. The acrimonious relationship between the two that ensued nearly resulted in Mansell retiring from the sport altogether and he had not forgotten this; as such, Mansell began looking for other options to continue his racing career. He eventually decided to move over to CART, where he paired with Mario Andretti at Newman/Haas Racing.
That seat, meanwhile, had opened up because Andretti's son, Michael, was leaving CART to replace Berger at McLaren. McLaren also was potentially dealing with losing a driver, as Ayrton Senna's contract had expired following the 1992 season. In addition to this, McLaren's arrangement with Honda to provide engines had also expired, and the team had signed to run Ford engines for 1993. With McLaren having fallen behind Williams on the grid, combined with his uncertainty regarding the new engine supplier, Senna approached Williams and offered to take over the second car. His interest was such that he was willing to drive for Williams while collecting no salary.
However, like with Mansell, Prost had a rather testy relationship with Senna from when the two were teammates and rivals at McLaren in the 1980s. As such, he negotiated a two-year contract with Williams that gave him the power to approve or disapprove any driver Williams would seek to have him team with for 1993. Once the contract was signed, Prost used that power to freeze Senna out of driving for Williams; he would return to McLaren for one more season with the team running Ford engines.
Needing a replacement, Williams decided not to pursue any of the available drivers such as Berger and Brundle. Instead, they chose to promote former Brabham driver Damon Hill, who had been their test driver since Brabham collapsed and folded during the 1992 season, to join Prost in the other Renault.
1993 season
The Williams FW15C was an extremely dominant car, with active suspension and traction control systems beyond anything available to the other teams. Prost won on his debut for the team in South Africa and, like Mansell, dominated the weekend, taking pole position and finishing a minute ahead of Senna, who was second. The next Grand Prix in Brazil saw Prost collide with Christian Fittipaldi's Minardi in the rain on lap 29, while Hill went on to his first podium finish: second, 16 seconds behind Senna. Prost won three of the next four Grands Prix for Williams, Senna winning the other race. Prost and Hill later scored a 1–2 in France: the only 1–2 of the season for Williams. Prost won the next two Grands Prix at Silverstone and Hockenheim. Hill proved competitive especially in the second half of the season. Mechanical problems cost Hill leads in Britain and Germany, but he went on to win the next three Grands Prix at Hungary, Belgium and Italy which moved him to second in the standings, as well as giving him a chance of taking the Drivers' title. After Italy, Williams would not win a Grand Prix for the rest of the season, as a young Michael Schumacher won the following race in Portugal, and Senna took Japan and Australia to overtake Hill in the points. Williams retained their Constructors' title, 84 points ahead of second-placed McLaren. Prost clinched the Drivers' Championship in Portugal and finished the season 26 points ahead of second-placed Senna.
Based on his victory in the 1992 World Championship, Mansell would have been issued car number 1 for the 1993 season, and his teammate issued number 2. However, Mansell's move to the IndyCar series meant that number 1 was not issued; instead, the team was issued the number 0, which was placed on Hill's car, while Prost was issued number 2.
1993 marked the final season that Williams ran with Canon as its primary backer.
1994 season
During the 1994 season, Williams used FW16 (developed during the pre-season) and FW16B (with shorter sidepods and optimised for the revised floor regulations which were introduced during the season).
After Canon left the team Williams signed a contract with tobacco company Rothmans International for 1994, and their namesake brand became its primary sponsor from 1994 to 1997.
Despite Prost's continued unwillingness to have his former McLaren teammate run with him, pressure from various sources including the team's new sponsor led Williams to agree to terms with Ayrton Senna for 1994. The veto power in Prost's contract was only in effect for the 1993 season, and since Williams was now free to do as it desired and that Senna was again a free agent, the team decided it would bring in the multi-time former champion. To appease Prost, who decided to retire from racing permanently after Senna's signing, Williams agreed to pay him his full salary for the second half of the contract.
Given this was the same team that had won the previous two World Championships with vastly superior cars, Senna was a natural and presumptive pre-season title favourite, with second-year driver Damon Hill intended to play the supporting role. Between them, Prost, Senna, and Hill had won every race in 1993 but one, which was taken by Benetton's Michael Schumacher.
As with 1993, Williams's cars were issued numbers 0 and 2, following Prost's victory in the 1993 championship and subsequent retirement. Hill retained the number 0, while Senna's car was issued number 2.
Pre-season testing showed the FW16 had speed but was difficult to drive. The Fédération Internationale de l'Automobile (FIA) had banned electronic driver's aids, such as active suspension, traction control and ABS, to make the sport more "human". It was these technological advancements that the Williams chassis of the previous years had been built around. With their removal in 1994, Williams had not been a good-handling car, as observed by other F1 drivers, having been seen to be very loose at the rear. Senna himself had made numerous comments that the Williams FW16 had quirks that needed to be ironed out. It was obvious that the FW16, after the regulation changes banning active suspension and traction control, exhibited none of the superiority of the FW15C and Williams FW14B cars that had preceded it. The surprise of testing was Benetton-Ford which was less powerful but more nimble than the Williams.
The first four rounds were won by Michael Schumacher in the Benetton-Ford. Senna took pole in the first two races but failed to finish either of them. In the third race, the 1994 San Marino Grand Prix in Imola, Senna again took pole position, but was involved in a fatal crash at the second corner after completing six laps. The repercussions of Senna's fatal accident were severe for the team itself, as the Italian prosecutors tried to charge the team and Frank Williams with manslaughter, an episode which was not over until 2005. At the next race in Monaco, Damon Hill was the only Williams on the grid, as a mark of respect to Senna, and retired on the first lap. Since Senna's death, every Williams F1 car has carried a Senna 's' on its livery in his honour and to symbolise the team's ongoing support of the Instituto Ayrton Senna, but cars from 2022 onwards will not have the Senna S, with CEO Capito stating it was time to "move on".
At the next race in Spain, Williams brought in test driver David Coulthard as Hill's new teammate. Hill took the team's first victory of the season, by almost half a minute over Schumacher's Benetton, while Coulthard would retire due to an electrical problem. In Montreal, both Williams cars finished in the points for the first time that season, with Hill finishing second and Coulthard finishing fifth. In France, Nigel Mansell replaced Coulthard (in the first of four appearances), at the behest of Renault. At Silverstone, Damon Hill accomplished what had eluded his father, twice Formula One World Champion Graham Hill, by winning the British Grand Prix. Hill closed the points gap with Schumacher, who was disqualified from first at Spa after the Stewards found floorboard irregularities on his Benetton. He was banned for the next two races, and Hill capitalised on this with wins in Italy and a Williams 1–2 in Portugal.
With three races left, 1992 champion Nigel Mansell returned from CART (where the season had concluded) to replace Coulthard for the remainder of the season. Mansell would get approximately £900,000 per race, while Hill was paid £300,000 for the entire season, though Hill remained as lead driver.
Schumacher came back after his suspension for the European Grand Prix, which he won by about 25 seconds, to take a lead of 5 points into the penultimate round in Japan. The race in Japan was held in torrential rain, with Hill managing to win the restarted race, by three seconds on aggregate over Schumacher who finished second. Going into the final round at Adelaide, Schumacher led Hill by a single point. Mansell took pole for Williams but had a poor start which let Hill and Schumacher through to fight for the lead and the 1994 title. Midway through the race, Schumacher's perceived need for a low downforce setup cost him, as he lost control and clipped the outside wall at the 5th corner (out of sight of Hill). As Schumacher recovered, Hill came around the corner and attempted to overtake into the next corner. Schumacher turned in and the resulting contact (Schumacher in the wall and Hill retiring with bent suspension), meant Schumacher was the champion. This collision has been controversial. Some, such as Williams's Patrick Head, have suggested that this was a deliberate attempt by Schumacher to take Hill out of the race. Others, such as then BBC commentator Murray Walker, defended Schumacher, calling the accident a "racing incident". Meanwhile, Nigel Mansell won the last Grand Prix of his career here, driving the second Williams car.
Williams would end the season as Constructors' Champion for the third consecutive year, scoring 118 points, while Hill finished second in the Drivers' Championship with 91 points.
1995 season
In 1995, Nigel Mansell was not retained, Williams favouring Coulthard over him to partner Hill. Schumacher, whose Benetton team had switched engine suppliers from Ford to Renault in the off-season, won the first round in Brazil, with Coulthard taking second. However, both were disqualified from the race after it was found that Elf supplied their teams with a type of fuel for which samples had not been provided to the FIA. Thus, Gerhard Berger and Ferrari were declared winners. Schumacher and Coulthard had their positions reinstated after appeal, though Benetton and Williams were not awarded their Constructors' points. Hill won the next two races in Argentina and San Marino and would later win races at The Hungaroring and in Adelaide. Hill won two laps ahead of the field at Adelaide in one of F1's most dominating victories. Coulthard recorded his only 1995 win for the Williams team at Estoril, before moving to McLaren.
Williams's champion streak was ended by Benetton, who elected to switch engine suppliers from Ford to Renault, the same as Williams. As such, Benetton outscored Williams by 29 points in the Constructors' Championship. Damon Hill placed second in the Drivers' Championship, 33 points behind Benetton's Michael Schumacher.
1996 season
For 1996, Williams had the quickest and most reliable car, the FW18. Coulthard had left Williams to join Mika Häkkinen at McLaren, and Williams replaced him with Canadian Jacques Villeneuve, who had won the CART series title in 1995, while Hill remained with the team. Schumacher left Benetton to join Ferrari. Williams won the first five Grands Prix, Hill winning all but one of them. Olivier Panis would take victory at the sixth round in Monaco after both Williams cars retired. Hill would retire for the second time in a row after he spun-off in Spain, while his teammate, Villeneuve, took third place. Hill and Villeneuve dominated the next Grand Prix in Canada, with a 1–2 in qualifying and a 1–2 finish. Williams made it a second 1–2 after Hill won the French Grand Prix. Villeneuve won his second race in F1 at Silverstone after Hill retired with a wheel bearing failure on lap 26. Hill was victorious in the next Grand Prix in Germany while Villeneuve won the race after that in Hungary. Schumacher's Ferrari would then take the next two Grands Prix at Spa-Francorchamps and Monza. Villeneuve mounted a title challenge going into the final race of the season at Japan, but Hill reasserted his dominance to take the race and the 1996 title, while Villeneuve lost a wheel and retired.
Williams's dominance was such that they had clinched the Constructors' Championship and only their drivers had a mathematical chance of taking the title, several races before the season concluded. Around that time, Frank Williams announced that Hill would not be re-signed after his contract expired, despite Hill's successes and eventual Drivers' Championship, so he joined Arrows for 1997. Adrian Newey had ambitions as a technical director (rather than just chief designer), but this was not possible at Williams, as Patrick Head was a founder and shareholder of the team. McLaren lured Newey away, though he was forced to take garden leave for the majority of 1997.
1997 season
For what would be the final season of Williams-Renault and a car designed with Newey's input, Frank Williams brought in German Heinz-Harald Frentzen, who had created a good impression on Williams during his first few seasons in Formula One. Frentzen proved to be a disappointment though, and won only one race in two years with Williams, the 1997 San Marino Grand Prix. Jacques Villeneuve won seven races during 1997, compared to five wins by his main rival, Michael Schumacher of a resurgent Ferrari. Williams also achieved the 100-race-win milestone at the British Grand Prix. Coming to the final round of the season at Jerez, Schumacher led Villeneuve by 1 point; however, on lap 48, Schumacher and Villeneuve collided. Schumacher was disqualified from second place in the championship as the accident was deemed by the FIA as "avoidable". Williams won the Constructors' title for the second time in a row, scoring 123 points. Jacques Villeneuve won the Drivers' Championship by three points to Michael Schumacher, who kept his points total despite being removed from second place; thus, runner-up went to Frentzen with 42 points.
Mecachrome engines (1998)
1998 season
After 1997, the team was unable to maintain their dominance in Formula 1 as Renault ended their full-time involvement in Formula 1, and Adrian Newey moved to the rival team, McLaren. Williams then had to pay for Mecachrome engines, which were old, rebadged Renault F1 engines. This meant that the FW20 not only featured a very similar aerodynamic package to their 1997 car but also virtually the same engine, leading some to comment that they ran what was virtually the same car, adjusted for the 1998 regulations. There were changes on the sponsorship front, as Rothmans opted to promote their Winfield brand, replacing the popular blue and white livery with a red one. For 1998, Williams kept both drivers from the previous season, the first time since 1983 that a reigning world champion remained driving for the team. While Ferrari and McLaren battled for the Constructors' and Drivers' titles, Williams fell to the middle of the field. The team won no races and took only 3 podiums during the season, with Frentzen finishing in third at the first round in Australia and Villeneuve finishing third in Germany and Hungary. Williams finished third in the Constructors' Championship, scoring 38 points, while Villeneuve finished fifth in the Drivers' Championship with 21 points, and his German teammate, Frentzen, finished 4 points behind him in seventh.
Supertec engines (1999)
1999 season
In 1999, Williams employed the Supertec engine, which was a rebadged Mecachrome-Renault unit, and a new driver line-up. Villeneuve moved to the new British American Racing (BAR) team, while Frentzen moved to Jordan trading places with fellow German Ralf Schumacher who joined Williams. To replace Villeneuve, Williams signed Italian Alex Zanardi, who after an unsuccessful F1 career in the early 1990s had been racing in the CART series for Chip Ganassi Racing, winning two series championships and a total of fifteen races in his three years. As with Schumacher, a driver trade was made with Ganassi, where Zanardi would join Williams and the team's test driver at the time, Juan Pablo Montoya, would join CART in Zanardi's car for 1999 and 2000.
The team managed three podiums, all scored by Ralf Schumacher, with third place in Australia and Britain and a second place in Italy. Zanardi, meanwhile, struggled through the entire season and failed to finish in the points at any race. Due in large part to this, the team finished fifth in the Constructors' Championship, the lowest finish for Williams in the 1990s; the team finished behind Stewart and Jordan, with Schumacher scoring all of the team's 35 points.
After the season, deciding the relationship was not working, Zanardi's contract with the team was terminated by mutual agreement. He would eventually return to CART in 2001.
BMW engines (2000–2005)
In 1998, the team signed a long-term agreement with German manufacturer BMW to supply engines and expertise for a period of 6 years. As part of the deal, BMW expected at least one driver to be German, which led to the team's signing of Ralf Schumacher for the subsequent season. In 1999, the team had a Williams car with a BMW engine testing at circuits, in preparation for a debut in the 2000 season.
There were major sponsorship changes for 2000–2005, as Rothmans International had been purchased in 1999 by British American Tobacco (BAT), which owned British American Racing and chose not to renew Rothmans's contract with Williams. BMW paid for Williams cars to be entirely in blue and white – unlike the standard motorsport livery scheme, dominated by the colours of the team or major sponsors with the logos of minor sponsors in their own colour schemes. Williams's second major sponsor became Compaq, and following Compaq's acquisition the team debuted Hewlett-Packard (HP) sponsorship at the 2002 British Grand Prix. In a cross-promotion of this technological partnership, a worldwide television commercial featured drivers Ralf Schumacher and Juan Pablo Montoya seemingly driving their BMW Williams cars around a track by radio control from a grandstand.
The new "clean" image allowed Williams to sign a cigarette anti-craving brand, Niquitin, and Anheuser-Busch, alternating with the Budweiser beer brand and SeaWorld Adventure Parks, in compliance with trademark disputes or alcohol bans.
2000 season
To replace Zanardi, Britain's Jenson Button made his series debut. The first season of Williams's partnership with BMW did not yield a single victory, but they managed to get on the podium three times, with Ralf Schumacher responsible for all three. Williams finished third in the Constructors' Championship, with 36 points, one more than the prior year. Ralf Schumacher finished fifth in the Drivers' Championship, while Button, in his debut season, finished in eighth. Button made scrappy mistakes in early races (Monaco, Europe), but overall made an impressive debut in Melbourne, and continued to impress, notably at Silverstone, Spa, and Suzuka.
2001 season
In 2001, the arrangement between Williams and Ganassi came to an end, and thus Williams was able to bring Juan Pablo Montoya back to drive full-time for the team. He was returning after two successful years in CART, where he succeeded Zanardi as champion for 1999 and won ten races total; he also had become the first CART driver since the infamous 1996 split of American open-wheel racing to win the Indianapolis 500, doing so in 2000.
Since Montoya was returning to Williams, this left Jenson Button as the odd man out. He would move over to Benetton, which was still running rebadged Renault engines, for what was the team's final season under that name.
The FW23 won four races, three by Ralf Schumacher at Imola, Montreal, and his home Grand Prix in Germany. His teammate, Montoya, was victorious at Monza, and would have won a few more races if not for the FW23's unreliability and pit crew blunders. The car proved to be quicker than the Ferrari and McLaren counterparts in several races, but Williams's 2001 campaign only yielded third place in the Constructors' Championship.
2002 season
Williams maintained their driver line-up for the 2002 season. The team only won one race, which was at Malaysia, one of only 2 races not won by Ferrari in a year dominated by the Ferraris of Michael Schumacher and Rubens Barrichello. Despite Montoya qualifying on pole for 7 races, he ended up having a winless season. Williams did improve on their Constructors' Championship position, finishing in second. Montoya finished third in the Drivers' Championship, eight points ahead of Ralf Schumacher, who finished fourth.
In qualifying for the Italian Grand Prix at the 5.793 km (3.600 mi) Monza circuit, Montoya lapped his Williams FW24 in 1:20.264 for an average speed of 161.449 mph (259.827 km/h), breaking the speed record of 160.938 mph (259.005 km/h) set by Keke Rosberg in a Honda turbo-powered Williams FW10 at Silverstone for the 1985 British Grand Prix.
2003 season
2003 would see Williams come closest to winning its first title since 1997. During pre-season, Frank Williams was very confident that the FW25 would challenge for the title. The team won four races, with Montoya winning at Monaco and Germany, while Ralf Schumacher won at the Nürburgring and the following race at Magny-Cours. Montoya stayed in contention for the Drivers' Championship during the season, and finished third, 11 points behind Michael Schumacher, while Ralf Schumacher finished fifth, 24 points behind Montoya. Williams finished second in the Constructors' Championship, two points ahead of McLaren.
2004 season
At the start of the 2004 season, it was announced that Montoya would be moving to McLaren in 2005. The team began the season with a radical nose-cone design, known as the "Walrus-Nose", that proved uncompetitive and was replaced by a more conventional assembly in Hungary. Ferrari dominated for a third consecutive season, winning 15 of the 18 races. Williams picked up a win at the final race in Brazil, with Juan Pablo Montoya finishing one second ahead of Kimi Räikkönen's McLaren; this remained Williams's last F1 win until the 2012 Spanish Grand Prix. Another low part of the season was when both Williams and Toyota were disqualified from the Canadian Grand Prix after it was discovered that both cars had brake irregularities, the brake ducts seemingly not conforming to regulations. Williams finished the season in fourth, scoring 88 points and finishing on the podium six times, while Montoya was the highest-placed Williams driver that year, scoring 58 points to finish in fifth position.
2005 season
For the 2005 season, Schumacher moved to Toyota, while Montoya moved to McLaren. Taking their places were Australian Mark Webber and German Nick Heidfeld. Jenson Button was to have driven for Williams in 2005, but an FIA ruling forced Button to remain with his current team, BAR. Antônio Pizzonia served as the test driver for the team during the 2005 season. Meanwhile, Button signed a contract to drive for Williams in 2006.
Although there was some positive moments, such as a double podium finish in Monaco and Heidfeld qualifying on pole position at the Nürburgring, Williams slipped further back down the field in 2005, due in part to the return to form of rivals McLaren and the emergence of Toyota as a front-running team. Williams failed to win a race for the first time since 2000, and only registered four podium finishes over the course of the season, finishing fifth in the constructors' championship with 66 points. Heidfeld was replaced by Pizzonia for the last five races of the season after the former suffered firstly a testing accident, and then was hit by a motorbike when out cycling prior to the race in Brazil. Pizzonia could only contribute two points towards the team's tally.
During the course of the 2004 and 2005 F1 seasons, BMW Motorsport and director Mario Theissen increasingly became publicly critical of the Williams F1 team's inability to create a package capable of winning the Constructors' Championship, or even multiple victories within a single season. Williams, on the other hand, blamed BMW for not producing a good enough engine. Williams's failed attempt to prise Jenson Button out of his BAR contract may also have been an issue with Theissen. Despite Frank Williams's rare decision to capitulate to commercial demands by employing German driver Nick Heidfeld when he allegedly preferred Antônio Pizzonia, the fallout between Williams and BMW continued through the 2005 Formula One season. Despite BMW's contract with Williams to supply engines until 2009, this public deterioration of the relationship between Williams and BMW was a factor in the decision by BMW Motorsport to buy Sauber and rebrand that team to feature the BMW name.
Cosworth engines (2006)
2006 season
Williams opted for Cosworth V8 engines for the 2006 which saw Nico Rosberg replace German Nick Heidfeld, who departed for BMW Sauber, while Mark Webber stayed on with the team. Despite having signed a contract to race for Williams, Jenson Button decided to stay with BAR for 2006 as it was to become a Honda works team. In September 2005 a deal was reached to allow Button to remain with BAR, with Williams receiving around £24m, some of it paid by Button himself, to cancel this contract.
Williams and Cosworth entered a partnership agreement where Cosworth would supply engines, transmissions and associated electronics and software for the team. Major sponsors Hewlett-Packard concluded sponsorship agreements one year before their official end of contract. The Williams team also switched to Bridgestone tyres.
The season started well, with both drivers scoring points in the opening race of the season, and Nico Rosberg setting the fastest lap at the Bahrain Grand Prix. The rest of the season was disappointing for Williams, with 20 retirements out of 36 starts for the two cars. The team failed to finish on the podium all season, the first time this had happened since Williams's debut season in 1977. The team eventually finished eighth in the Constructors' Championship, with only 11 points.
Customer Toyota engines (2007–2009)
2007–2009 seasons
Following Williams's worst points tally since 1978, the team announced that Japanese manufacturer Toyota would be supplying the leased customer engines for the 2007 season. In addition, the Toyota engine customer deal also included Magneti Marelli Step 11 engine control unit (ECU) systems and Panasonic battery package as it was used by works Toyota team. A number of other changes were announced for 2007: Alexander Wurz, who had been a test driver at Williams since 2006, became the team's second driver to replace the outgoing Mark Webber; Japanese driver Kazuki Nakajima, son of Satoru, replaced Wurz as a test driver alongside Karthikeyan. Sponsorship saw a change in 2007, as it was announced that AT&T would become the title sponsors for the team from the upcoming season. AT&T was previously involved as minor sponsors with the Jaguar and McLaren teams but moved to Williams following McLaren's announcement of a title sponsorship deal with Vodafone, a competitor of AT&T. On 2 February, the new FW29 was presented to the media in the UK. Soon afterwards, the team secured a sponsorship deal with Lenovo who built the team's new supercomputer.
Rosberg and Wurz gave Williams a more productive season in terms of points and, in Montreal, Wurz scored the team's first podium finish since Nick Heidfeld's second-place at the 2005 European Grand Prix. Over the course of the year, Rosberg was consistently in the points, scoring 20 during the season; in comparison, teammate Wurz finished in the points three times. Following the announcement that Wurz would be retiring from the sport, Williams brought in their young test driver Nakajima to drive the second car for them in the final race in Brazil. The Japanese driver finished in tenth despite starting from near the back of the grid, while Rosberg enjoyed his best race of the season, finishing in fourth. Williams finished fourth in the Constructors' Championship that year.
For the 2008 season, Williams confirmed Nico Rosberg and Kazuki Nakajima as their race drivers. Rosberg was confirmed as staying with Williams until the end of 2009 on 9 December 2007, ending speculation that he could take Fernando Alonso's vacated seat at McLaren. During the Winter testing sessions, the team ran six different liveries to celebrate their 30th year in the sport and their 500th Grand Prix.
The 2008 season was a mixture of success and disappointment for Williams. While Rosberg managed to obtain 2 podiums in Australia and Singapore, the team struggled at circuits with high-speed corners. The fact that the team was one of the first to switch development to their 2009 car (when new regulations came in) also hindered their season and Williams finished a disappointing 8th in the Constructors' Championship. Rosberg stated that unless the team was more competitive in the near future, he would look to drive elsewhere. Williams retained Rosberg and Nakajima for the 2009 season.
Frank Williams had admitted that he had regretted parting with BMW but stated that Toyota had a tremendous ability to become a top engine supplier. Speculation had been surrounding Toyota's future on the Formula 1 grid. This was due to the fact that for a big-budget team, Toyota had only managed second place as their best result. In December 2008, Williams confirmed their commitment to F1 following the Honda withdrawal announcement.
Ahead of the 2009 Brazilian Grand Prix, Williams announced that it would be ending its three-year partnership with Toyota and finding a new engine supplier for 2010.
Return to Cosworth engines (2010–2011)
2010–2011 seasons
After the termination of their Toyota contract, Williams announced that from the 2010 season they were to enter into a "long-term partnership" with Cosworth, and would be using an updated version of the CA V8 engine which powered their cars in 2006. Williams also announced a complete driver change for the 2010 season. Rubens Barrichello joined from 2009 Constructors' Champion Brawn GP, whilst GP2 champion Nico Hülkenberg graduated from the test driver seat. Replacing Hülkenberg in the test seat was Finland's Valtteri Bottas, who finished third in the 2009 Formula Three Euroseries as well as winning the non-championship Masters of Formula 3 event at Zandvoort.
Their new 2010 car, the Williams FW32, was unveiled for the first time at a shakedown test at Silverstone. Its first official test was on 1 February at Circuit Ricardo Tormo in Valencia. Hülkenberg took the team's first pole position in over five years, in variable conditions at the Brazilian Grand Prix. Hülkenberg was dropped from the team ahead of the 2011 season, and replaced by Venezuelan newcomer and reigning GP2 Series champion Pastor Maldonado. The combination of Barrichello and Maldonado meant that 2011 would be the first time since 1981 that Williams would start a season without a European driver in their line-up.
At the second pre-season test in Jerez, Barrichello posted the fastest time of the week on the last day. That was to no avail as Williams endured one of their worst seasons to date: two ninth places for Barrichello and one tenth place for Maldonado were their best results during the entire year. After Brazil, the team ended with a ninth place in the Constructors' Championship.
Return to Renault engines (2012–2013)
2012–2013 seasons
On 4 July 2011, Williams announced they would be reuniting with engine-supplier Renault who were to supply the team's engines from 2012 onwards. On 1 December 2011, it was confirmed that Maldonado would be retained for the 2012 season, along with reserve driver Valtteri Bottas, who took part in 15 Friday practice sessions. In January 2012, it was confirmed that Bruno Senna would be the driver to partner Maldonado, effectively ending Rubens Barrichello's F1 career.
Prior to the 2012 season, Patrick Head moved from the Williams F1 team to Williams Hybrid Power Limited, another subsidiary of Williams Grand Prix Holdings. The team also announced that its relationship with AT&T ended by mutual agreement, and there were negotiations with another telecommunications company for team's title sponsorship. At the 2012 Spanish Grand Prix, Pastor Maldonado took his only Grand Prix victory, which was also Williams's first race victory since 2004 Brazilian Grand Prix. Around 90 minutes after celebrating this win, a fire broke out in the garage of the Williams team, damaging the FW34 of Bruno Senna and leaving several injured. The team eventually achieved eighth position in the Formula One World Constructors' Championship.
Claire Williams, the daughter of team principal Frank Williams, was appointed deputy principal in March 2013. Maldonado was retained by the team for 2013 and was joined by Bottas, promoted from his role as test driver. The team struggled throughout the season, despite a good qualifying session at the Canadian Grand Prix and a place in the top 10 at the United States Grand Prix, scoring only five points in the World Constructors' Championship.
While Williams enjoyed a victory in the 2012 season and occasional points finishes, they did not reach the same heights as was achieved during their domination of Formula One during the 1990s. This, combined with an absolutely dismal 2013 season, prompted Williams to look for a new engine supplier from the 2014 season onwards.
Mercedes power units (2014–present)
2014–2017 seasons
In May 2013, Williams signed a long-term contract with Mercedes to supply engines for the team, the German manufacturer providing 1.6-litre V6 turbo engines from the start of the 2014 season. Bottas was retained as driver for 2014, and Felipe Massa was signed from Ferrari to replace Maldonado. The team also unveiled a new, multi-year title sponsorship deal with drinks brand Martini. As part of the deal, the team became Williams Martini Racing, except in Bahrain, Russia and Abu Dhabi, where the team is known as Williams Racing because of alcohol advertising restrictions.
The team won its first pole position since 2012, courtesy of Massa at the Austrian Grand Prix; it was the only time that Mercedes would be beaten to pole position over the course of the 2014 season. With Bottas qualifying alongside Massa, it was also the first time the team had locked out the front row since the 2003 German Grand Prix. The team enjoyed an upturn in performance, including a double podium in Abu Dhabi, resulting in them taking third place in the Constructors' Championship. They repeated this feat in the 2015 season, despite a low-key season owing to the resurgence of Ferrari.
The team went into the 2016 season with Bottas and Massa retained. Former Ferrari Driver Academy member Lance Stroll joined the team as a development driver; Alex Lynn became a reserve driver with Paul di Resta who was announced on 13 March, following Susie Wolff's retirement from motorsport.
In September 2016, Massa announced his intentions to retire from Formula One, with Stroll later announced as his replacement for 2017. Following Nico Rosberg's decision to retire, the team released Bottas from his contract to allow him to take his place at Mercedes, with Massa returning to the team on a one-year deal.
Massa was forced to withdraw from the 2017 Hungarian Grand Prix due to illness; the team then announced that Paul di Resta would be racing alongside Stroll instead.
2018–2019: Continued decline
On 4 November 2017, Felipe Massa announced his decision to retire from F1. Renault reserve driver and 2016 GP2 Series 3rd-place finisher Sergey Sirotkin was signed as his replacement for 2018, with Robert Kubica joining the team as a reserve and development driver.
Williams struggled over the course of the 2018 season, scoring only 7 points and finishing last in the Constructors' Championship standings. Although the FW41 rarely suffered from reliability issues, it was significantly off the pace; the team's highest finish was Stroll's 8th-place finish in Azerbaijan. The team's only other points finish was at the Italian Grand Prix, with Stroll finishing 9th and Sirotkin scoring his first championship point in 10th. This was also the only Grand Prix of the season in which the team reached the third qualifying session, with Stroll starting 10th on the grid.
On 27 February 2018 Martini announced that they would leave Williams and Formula One at the end of the 2018 season.
On 12 October 2018, the team announced that reigning Formula 2 champion George Russell would be joining the team for the 2019 season. On 22 November 2018 it was announced that reserve driver Robert Kubica would be promoted to the other seat, marking his return to Formula One after eight years away from the sport due to injury. For the 2019 season, the team entered into a partnership with Polish petroleum company PKN Orlen and a multi-year title sponsorship arrangement with telecommunications company ROKiT.
Williams missed the first two-and-a-half days of pre-season testing in Barcelona due to the FW42 not yet being ready, the only team to suffer such a setback. Williams began the season out of reach from being competitive. During qualifying at the season-opener in Australia, their fastest time was almost 1.3 seconds slower than the nearest competitor. In the race, Russell and Kubica finished two and three laps behind the leader respectively. The team's best result of the season came in Germany, where Kubica was classified 10th, the team's only points finish that season. However, this result only came after post-race penalties for other drivers. Upgrades came during the season with which the FW42 began to catch up to its competitors; Russell came within 0.1 seconds of reaching Q2 in qualifying for the Hungarian Grand Prix and finished close to the points with 12th in Brazil. However, both cars would be eliminated in Q1 at every race of the season. Despite the team's lack of performance in comparison to 2014–2017, it was confirmed that Williams have extended their engine supplier partnership with Mercedes until 2025.
On 19 September 2019, Williams announced that Kubica had decided to leave the team at the end of the 2019 season; he would go on to join Alfa Romeo as a reserve driver. 2019 Formula 2 Championship runner-up Nicholas Latifi was promoted from his role of reserve driver to replace Kubica for the 2020 season. Jack Aitken replaced Latifi as reserve driver. In May 2020, following publication of significant losses in 2019, Williams announced the immediate termination of its title sponsorship deal with ROKiT.
2020–present: Buyout and new management
In the opening race of 2020, the 2020 Austrian Grand Prix, Latifi reached 11th place, just outside the points, whereas in qualifying Russell was only 0.15 seconds away from reaching Q2 (Russell retired in the race with a fuel pressure issue). In the wet qualifying for the next race, the Styrian Grand Prix, Russell succeeded in making it out of Q1, the first time a Williams driver had done so since the 2018 Brazilian Grand Prix, and, in the slippery conditions, qualified in 12th. Russell started the race in 11th, following the application of penalties for other drivers.
At the 2020 Hungarian Grand Prix, both drivers made it out of Q1 for the first time since the 2018 Italian Grand Prix. It was Russell's second time getting out of Q1, and Latifi's first time getting out of Q1.
On 21 August 2020, Williams was acquired by US investment group Dorilton Capital for €152 million. The amount includes settling the debt of the company and it will continue to run under the Williams name and keep its UK base.
Despite being offered the chance to stay on as Team Principal, Claire Williams announced her departure from the team effective after the weekend of the 2020 Italian Grand Prix. Following this announcement, it will be the first time Williams F1 Team has not been under the leadership of the Williams family since its inception 43 years prior. Simon Roberts, who joined Williams from McLaren in May 2020, became the acting team principal of the team. In December 2020, Williams announced Jost Capito will be joining Williams as the new CEO, with Roberts becoming team principal and reporting to Capito. Williams failed to score a point in the 2020 season that had been disrupted and shortened by the COVID-19 pandemic, making it their first pointless season in 44 years.
During the 2021 Monaco Grand Prix, Williams celebrated their 750th Grand Prix start. To celebrate the occasion, Williams launched a competition where the names of 100 Williams supporters were featured on their car, the Williams FW43B, together with the number of races since they started supporting Williams. In June 2021, Roberts left the team. Most of his responsibilities were taken over by Capito, with François-Xavier Demaison taking his trackside leadership duties. The 2021 Hungarian Grand Prix saw Williams score their first points since the 2019 German Grand Prix with Robert Kubica, and their first double points finish since the 2018 Italian Grand Prix. At the 2021 Belgian Grand Prix, Russell qualified in 2nd place and scored Williams's first podium since the 2017 Azerbaijan Grand Prix, as the race was stopped after only two laps under safety car conditions were completed, allowing most drivers to retain their qualifying position. The team also achieved a second consecutive double points finish, as Latifi finished 9th.
Russell scored back-to-back points at the 2021 Italian Grand Prix and at the 2021 Russian Grand Prix (9th and 10th respectively; in the latter he qualified 3rd, behind Carlos Sainz Jr. and pole-sitter Lando Norris). Williams finished in 8th place in the Constructors' Championship with 23 points, 10 points ahead of Alfa Romeo, which finished in 9th place.
For the 2022 season, Russell left Williams to join the Mercedes works team, whose junior team he had been a part of. Ex-Red Bull driver, Alex Albon, was signed to replace Russell. Latifi retained his spot in the team. Prior to the season, Williams announced a partnership deal with the battery manufacturer Duracell. Albon scored the team's first points of the season in the Australian Grand Prix, where he pitted only once on the last lap and finished tenth. Albon also finished ninth in the Miami Grand Prix. Latifi achieved his first ever Q3 appearance at the British Grand Prix, though he dropped out of the points and finished in twelfth. Following a number of penalties for other drivers at the Belgian Grand Prix, Albon qualified ninth and started sixth. Albon went on to score Williams's third point position finish by ending the race in tenth. Prior to the third practice session at the Italian Grand Prix, Albon withdrew after feeling ill and suffering from appendicitis. Williams announced Nyck de Vries as the replacement. In his first ever qualifying session, de Vries qualified thirteenth, but started eighth after penalties. de Vries went on to finish ninth, scoring points on his debut.
Preceding the start of the 2023 race year, Mercedes ex-chief strategist James Vowles was announced to take over as the Team's new Principal, following the resignation of former Team Principal Jost Capito in 2022.
For the 2023 season, Williams announced a long-term partnership with Gulf Oil. Albon's contract had been extended, partnering rookie Logan Sargeant; Sargeant, who replaces the departing Nicholas Latifi, is the first American driver to race in Formula One since Alexander Rossi drove for the former Marussia F1 team for five races in 2015.
The season-opener of the Bahrain Grand Prix saw Albon score one point in tenth ahead of Sargeant, who finished twelfth. Albon retired at the following race at the Saudi Arabian Grand Prix due to a brake failure with Sargeant placing sixteenth after he failed to set a time within the 107% rule in qualification due to mechanical issues. In the Australian Grand Prix, Albon retired again after losing control of his car and crashing heavily early into the race, causing a red flag. Sargeant, meanwhile, crashed with AlphaTauri driver Nyck de Vries during lap 56 of 58 after a restart. However, Sargeant was classified as having finished 16th, given that he had completed more than 90% of the race distance. Albon and Sargeant were retained for the 2024 season. The latter will be replaced by Carlos Sainz Jr. in the 2025 season. However, Sargeant was released after the 2024 Dutch Grand Prix due to his underperformances and his crash in the third practice section. His replacement, from the 2024 Italian Grand Prix to the end of the season, was current Formula 2 driver and Williams Driver Academy member Franco Colapinto, who would become the first Argentine driver to compete in F1 since Gastón Mazzacane in 2001.
Williams Group
Williams Grand Prix Holdings is the public company of Williams Group, which includes the Formula One Team and others like Williams Heritage, Williams Grand Prix Technologies (WGPT), and collaborations with other brands. It was also the former parent company of Williams Hybrid Power & Williams Advanced Engineering. Both of these businesses took technology developed for F1 and adapted it for multiple commercial applications. Williams Hybrid Power was sold to GKN in March 2014 and Williams Advanced Engineering was sold to Fortescue in February 2022.
Williams Grand Prix Holdings is currently owned by Dorilton Capital who purchased the team on 21 August 2020. With the acquisition, Claire Williams was offered the chance to stay on as a team principal but that offer was declined. The 2020 Italian Grand Prix in Monza was the last race where the Williams family led the team.
The sale happened after years of financial difficulties. Reuters reported on 20 November 2009 that founders Sir Frank Williams and Patrick Head had sold a minority stake in the team to an investment company led by Toto Wolff. In February 2011, Williams F1 announced plans to raise capital through an initial public offering (IPO) on the Frankfurt Stock Exchange (FWB) in March 2011, with Sir Frank Williams remaining the majority shareholder and team principal after the IPO.
In December 2017 Sir Frank Williams owned 51.3% of the company, with 24.1% on the public marketplace, Brad Hollinger owning 11.7%, Patrick Head 9.3%, and 3.6% is held by an employee trust fund. However in May 2020, Williams was put up for sale after posting a £13 million loss in the previous year.
Williams Heritage
Williams Heritage (WH) is the retired chassis and restoration division of Williams F1 (similar to Ferrari F1 Clienti and Classic Team Lotus) that keeps and maintains old retired Williams Formula One chassis that are no longer in racing use. The division's headquarters are located at the Formula One team's site in Grove, Oxfordshire. Williams Heritage manage the restorations, maintenance and on-track activities of the entire Williams collection, as well as privately owned Williams cars. The division was created by Jonathan Williams and the current Heritage Director is Jonathan Kennard.
Williams Grand Prix Technologies
Williams Grand Prix Technologies (WGPT) was launched in April 2024, and the company applies the innovation and technologies of F1 to tackling clients’ engineering challenges in other sectors. Services, capabilities and assets originally developed for and used by the Williams race team are offered by WGPT to a range of sectors that include the wider motorsport sector, premium automotive, aerospace, defence, marine, energy, sport and lifestyle.
Services offered by WGPT include F1 standard platform dynamics, advanced materials, simulation and modelling, and instrument and data analytics. These core engineering services are supported by a range of in-house prototype testing and evaluation resources that include a wind tunnel, a driver-in-the-loop simulator, single-axis testing machines, an 8-post rig, chassis rig, and bedplate testing.
Williams Driver Academy
Like most F1 teams, Williams operates its own driver academy. As of 2023, the Williams Driver Academy's roster is Jamie Chadwick, Roy Nissany, Zak O'Sullivan, Oliver Gray, Franco Colapinto, and Luke Browning.
Former drivers include Logan Sargeant, Lance Stroll, Oliver Rowland, Nicholas Latifi, Dan Ticktum, and Jack Aitken. Both Colapinto and Stroll are driving in Formula One as of the 2024 season, while Sargeant, Latifi and Aitken are the other three members to drive in the sport.
Williams Experience Centre
The Williams Experience Centre is located at the home of the Williams Formula 1 team in Grove, Oxfordshire.
Originally the base of BMW's Le Mans project, the building was converted in 2002.
Other motorsports activities
Formula Two
Williams developed the car for the revived Formula Two championship, beginning in 2009. The design was originally created for a new, more-powerful offshoot of the Formula Palmer Audi series, however the car was re-purposed when Jonathan Palmer's MotorSport Vision successfully bid for the rights to run the new Formula Two series.
Group B rallying (1985–1986)
The MG Metro 6R4 rally car was developed by Williams in 1984 on commission from Rover. The rally car was a MG Metro with a completely new V6 engine (mid-engined) and four-wheel drive, developed to the international Group B rallying regulations. Williams developed the car in just six months.
British Touring Car Championship (1995–1999)
Williams entered the British Touring Car Championship in 1995, taking over the works Renault programme. Alain Menu transferred from Renault Dealer Racing, with Will Hoy signed to partner him. Williams employed Ian Harrison, future director of Triple Eight Racing as team manager. While Menu was a championship contender, Hoy had constant failures and bad luck during the first half of the season. However, Hoy's luck changed and he won three races and scored several podium finishes in the second half of the year, eventually taking fourth in the championship while Menu finished second in the championship with seven wins. Renault won the manufacturers championship. 1996 was a more difficult year with the front-wheel-drive cars outclassed by the 4WD Audi A4s of Frank Biela and John Bintcliffe. Menu was second in the championship again, while Hoy finished a lowly ninth. 1997 was a breakthrough year for Williams, winning the drivers' championship with Menu, the manufacturers' trophy and teams' award. Other changes for the team saw Jason Plato replacing Hoy, taking third in the championship. The team won 15 races out of 24 in 1997. It also competed in the 1997 Bathurst 1000 with Menu and Plato leading for much of the early part of the race. Alan Jones drove the second car, his first appearance for Williams since 1981.
1998 saw few changes to the Williams team: the driver line-up was unchanged with Menu to defend his title alongside Plato, but the main sponsor for 1998 was Nescafé, with Renault still putting sponsorship in for the team. While the Renaults had a new look for 1998, the opposition had caught up after 1997, and both Menu and Plato had a more difficult season, finishing fourth and fifth in the championship. In the final round of 1998 at Silverstone, a third car was entered for Independents Champion Tommy Rustad. Renault ultimately finished third in the manufacturers trophy and second in the teams championship. 1999 was the most difficult season for Williams, as Menu left Renault after racing with them since 1993. Plato was joined by Jean-Christophe Boullion. Nescafé were again the main sponsor for the Williams team in 1999. Renault did not have much luck in 1999 with engine failures haunting the team during the mid-part of the season. One win for Plato was the only success for the season, and Renault pulled out of the BTCC at the end of the season.
Le Mans 24 Hours and Sportscars (1998–2000)
Prior to their F1 partnership, Williams Motorsport built Le Mans Prototypes for BMW, known as the V12 LM and V12 LMR. The V12 LMR won the 24 Hours of Le Mans in 1999. The car was driven by Pierluigi Martini, Yannick Dalmas and Joachim Winkelhock, and operated by Schnitzer Motorsport under the name of BMW Motorsport.
Formula E
Williams's Advanced Engineering division collaborated with Jaguar Racing in its debut season. Williams have a contract to supply the battery system for the Gen 3 Car from the 2021–22 Formula E World Championship.
Automobile activities
Jaguar C-X75
In May 2011 Jaguar announced a limited production of the C-X75 from 2013 to 2015, with a compact, forced induction petrol engine combined with electric motors instead of the micro gas turbines in the concept car. A maximum of 250 cars were planned to be built in partnership with Williams Advanced Engineering. The Jaguar C-X75 is a hybrid-electric, 2-seat, concept car produced by British automobile manufacturer Jaguar Cars in partnership with the derivative of the Formula One team, Williams Advanced Engineering which debuted at the 2010 Paris Motor Show.
Renault Clio Williams
The Williams name and logo were used on the Renault Clio Williams, a limited sports model of the production supermini, which was Formula One's safety car at the 1996 Argentine Grand Prix.
However, no input was provided by Williams into the development of the car.
Porsche 911 GT3R Hybrid
Through subsidiary Williams Hybrid Power, the company developed and supplied a flywheel-based kinetic-energy storage system which was in use on a Porsche 911 GT3 R car in various GT racing series. The car achieved its first victory on 28 May 2011 at the 4th round of the VLN Endurance Racing Championship held at the Nürburgring.
Former subsidiaries
WAE Technologies
WAE Technologies, formerly known as Williams Advanced Engineering (WAE), was the technology and engineering services business of the Williams Group. Based in the United Kingdom, it is located in a dedicated facility of 3,800 square metres (41,000 sq ft), adjacent to Williams Formula One facilities.
The company provides the battery technology used in Formula E and Extreme E, and has assisted the development of the electric Vanda Dendrobium car from Singapore. It has worked with Jaguar to create the C-X75 hybrid supercar. WAE partnered once again with Jaguar to build new stunt C-X75s for the 24th James Bond film, Spectre.
WAE announced in June 2013 a new collaboration with Nismo, the performance-orientated brand of Nissan, to partner in the development of high-performance road cars.
WAE generated revenues of £10.9m in fiscal year 2014–15, with profits of £1m.
The company announced in August 2017 a collaboration with Singer Vehicle Design. The initial work is a modified, naturally aspirated, air-cooled, flat-six Porsche 911 engine with a 4.0L capacity, four valves per cylinder and four camshafts, rated at 500HP.
On 1 May 2019, Williams Advanced Engineering announced their partnership with the FIA sanctioned electric off-road racing series, Extreme E. Williams Advanced Engineering will supply the batteries for the first two seasons of Extreme E, which began in 2021.
On 2 May 2019, it was announced that Williams Advanced Engineering will supply the batteries for the multi-make ETCR series that is due to launch in 2020.
On 24 January 2022, the Australian mining firm Fortescue announced it had purchased Williams Advanced Engineering for £164m in an effort to meet its carbon neutral targets for 2030. In January 2023, the company was renamed WAE Technologies.
Williams Hybrid Power
Williams Hybrid Power (WHP) was the division of Williams F1 that developed electromechanical flywheels for mobile applications such as buses, trams and high-performance endurance-racing cars. A hybrid system that uses a spinning composite rotor to store energy, these flywheels help a vehicle save fuel and ultimately reduce its CO2 emissions.
WHP was first established in 2008 and immediately set about developing a new flywheel energy-recovery system for the Williams F1 Team after the introduction of Kinetic Energy Recovery Systems (KERS) into Formula One for the 2009 season. While other teams were pouring their efforts into electric battery systems, Williams F1 opted to go down the flywheel route because of a strong belief in the technology's wider applications. While it was never raced in Formula One due to technical changes, WHP has since seen its technology adapted for a range of applications. For example, the Audi R18 hybrid car that won the 2012 Le Mans 24 Hours used a WHP flywheel. WHP has also seen its flywheel technology introduced into a series of buses as part of a deal with the Go-Ahead Group, one of the UK's biggest transport operators. In April 2014, Williams Hybrid Power was sold to GKN.
Racecars
Formula One results
Constructors' Championships winning percentage: 19.6%
Drivers' Championships winning percentage: 15.2%
Winning percentage: 13.9%
Drivers' Champions
The following drivers won the Formula One Drivers' Championship for Williams:
Alan Jones (1980)
Keke Rosberg (1982)
Nelson Piquet (1987)
Nigel Mansell (1992)
Alain Prost (1993)
Damon Hill (1996)
Jacques Villeneuve (1997)
Notes
References
Sources
External links
Official website |
Yaquina_Bay_Light | https://en.wikipedia.org/wiki/Yaquina_Bay_Light | [
245
] | [
"https://en.wikipedia.org/wiki/Yaquina_Bay_Light"
] | The Yaquina Bay Light is a lighthouse that was built in 1871, soon after the founding of the city of Newport, Oregon, in the United States. It is located on the north side of Yaquina Bay. In 1871–1874, it was the busiest and most populated of the many coastal ports between Washington and California.
History
The Yaquina Bay Light was built by Ben Simpson and first lit on November 3, 1871. It was active for only three years due to the establishment of the larger Yaquina Head Light in 1873 that was located just 3 miles (4.8 km) north of the Yaquina Bay Light. So the lighthouse was decommissioned on October 1, 1874, because the newer Yaquina Head Light made it obsolete. The fifth-order Fresnel lens was then installed in the Yerba Buena Light in California for its opening in 1875.
The United States Army Corps of Engineers used the lighthouse from 1888 to 1896 as their living quarters while they built the North and South Jetties at the mouth of Yaquina Bay. The United States Coast Guard later used the lighthouse as lookout and living quarters from 1906 to 1915, before moving to their more central quarters which overlooked the busy Newport bayfront. During this period, the Coast Guard also built the eight-story steel observation tower that still stands next to the original lighthouse.
In 1934, the Oregon State Highway Division bought the property around the lighthouse to build a new state park. The park site included the lighthouse, the Coast Guard observation tower, and many acres of forested bluff, ocean dunes and surrounding beaches. It is now the Yaquina Bay State Recreation Area and consists of 32 acres of several day-use areas including hiking trails, picnic areas, fishing, and beach access, and has approximately 1,700,000 visitors per year.
Sometime later in 1946, the lighthouse was scheduled for demolition, which led to the formation of the Lincoln County Historical Society to save it. They raised money for three years to save the dilapidated structure, and got a delay. But by 1951, demolition was again scheduled. Then, Mr. L. E. Warford, who had recently moved to Newport from Ohio, arranged for the Yaquina Bay Lighthouse to be recognized as a historical site supervised by the Historical Society. It served as a county museum for 18 years until 1970.
The lighthouse was then listed on the National Register of Historic Places in 1970, and restored under the Historic Preservation Act in 1974. At that time, its ownership was transferred to the Oregon Parks and Recreation Department.
The light was re-lit on December 7, 1996, with "a 9.8-inch (250 mm) modern optic, on loan from lighthouse historian James A. Gibbs." The lighthouse is now a privately maintained navigational aid belonging to the U.S. Coast Guard that displays "a fixed white light visible for six miles," and is open for public viewing and tours daily.
The Yaquina Bay structure is the only existing lighthouse in the state in which the living quarters are housed in the same building as the light. Only a few with this arrangement were built on the entire Pacific coast.
The building is reputed to be haunted. The haunting is the subject of a fictional work by a local author called The Lighthouse Ghost Of Yaquina Bay.
See also
Yaquina Bay State Recreation Site
List of lighthouses in Oregon
References
External links
Yaquina Bay Light entry in National Park Service inventory of historic lighthouses (web archive)
Friends of Yaquina Lighthouses
Yaquina Bay Lighthouse from Splintercat |
Oregon | https://en.wikipedia.org/wiki/Oregon | [
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"https://en.wikipedia.org/wiki/Oregon"
] | Oregon ( ORR-ih-ghən, -gon) is a state in the Pacific Northwest region of the United States. It is a part of the Western U.S., with the Columbia River delineating much of Oregon's northern boundary with Washington, while the Snake River delineates much of its eastern boundary with Idaho. The 42° north parallel delineates the southern boundary with California and Nevada. The western boundary is formed by the Pacific Ocean.
Oregon has been home to many indigenous nations for thousands of years. The first European traders, explorers, and settlers began exploring what is now Oregon's Pacific coast in the early to mid-16th century. As early as 1564, the Spanish began sending vessels northeast from the Philippines, riding the Kuroshio Current in a sweeping circular route across the northern part of the Pacific. In 1592, Juan de Fuca undertook detailed mapping and studies of ocean currents in the Pacific Northwest, including the Oregon coast as well as the strait now bearing his name. The Lewis and Clark Expedition traversed Oregon in the early 1800s, and the first permanent European settlements in Oregon were established by fur trappers and traders. In 1843, an autonomous government was formed in the Oregon Country, and the Oregon Territory was created in 1848. Oregon became the 33rd state of the U.S. on February 14, 1859.
Today, with 4.2 million people over 98,000 square miles (250,000 km2), Oregon is the ninth largest and 27th most populous U.S. state. The capital, Salem, is the third-most populous city in Oregon, with 175,535 residents. Portland, with 652,503, ranks as the 26th among U.S. cities. The Portland metropolitan area, which includes neighboring counties in Washington, is the 25th largest metro area in the nation, with a population of 2,512,859. Oregon is also one of the most geographically diverse states in the U.S., marked by volcanoes, abundant bodies of water, dense evergreen and mixed forests, as well as high deserts and semi-arid shrublands. At 11,249 feet (3,429 m), Mount Hood is the state's highest point. Oregon's only national park, Crater Lake National Park, comprises the caldera surrounding Crater Lake, the deepest lake in the U.S. The state is also home to the single largest organism in the world, Armillaria ostoyae, a fungus that runs beneath 2,200 acres (8.9 km2) of the Malheur National Forest.
Oregon's economy has historically been powered by various forms of agriculture, fishing, logging, and hydroelectric power. Oregon is the top lumber producer of the contiguous U.S., with the lumber industry dominating the state's economy during the 20th century. Technology is another one of Oregon's major economic forces, beginning in the 1970s with the establishment of the Silicon Forest and the expansion of Tektronix and Intel. Sportswear company Nike, Inc., headquartered in Beaverton, is the state's largest public corporation with an annual revenue of $46.7 billion.
Etymology
The origin of the state's name is uncertain. The earliest geographical designation "orejón" (meaning "big ear") comes from the Spanish historical chronicle Relación de la Alta y Baja California (1598), written by Rodrigo Montezuma of New Spain; here it refers to the region of the Columbia River as it was encountered by the first Spanish scouts. The "j" in the Spanish phrase "El Orejón" was eventually corrupted into a "g".
Another possible source is the Spanish word oregano, which refers to a plant that grows in the southern part of the region.
It is also possible that the area around the Columbia River was named after a stream in Spain called "Arroyo del Oregón", located in the province of Ciudad Real.
Another early use of the name, spelled Ouragon, was by Major Robert Rogers in a 1765 petition to the Kingdom of Great Britain. The term referred to the then-mythical River of the West (the Columbia River). By 1778, the spelling had shifted to Oregon. Rogers wrote:
... from the Great Lakes towards the Head of the Mississippi, and from thence to the River called by the Indians Ouragon ...
One suggestion is that this name comes from the French word ouragan ("windstorm" or "hurricane"), which was applied to the River of the West based on Native American tales of powerful Chinook winds on the lower Columbia River, or perhaps from first-hand French experience with the Chinook winds of the Great Plains. At the time, the River of the West was thought to rise in western Minnesota and flow west through the Great Plains.
Another suggestion comes from Joaquin Miller, who wrote in Sunset magazine in 1904:
The name, Oregon, is rounded down phonetically, from Ouve água—Oragua, Or-a-gon, Oregon—given probably by the same Portuguese navigator that named the Farallones after his first officer, and it literally, in a large way, means cascades: "Hear the waters." You should steam up the Columbia and hear and feel the waters falling out of the clouds of Mount Hood to understand entirely the full meaning of the name Ouve a água, Oregon.
Yet another account, endorsed as the "most plausible explanation" in the book Oregon Geographic Names, was advanced by George R. Stewart in a 1944 article in American Speech. According to Stewart, the name came from an engraver's error in a French map published in the early 18th century, on which the Ouisiconsink (Wisconsin) River was spelled "Ouaricon-sint", broken on two lines with the -sint below, so there appeared to be a river flowing to the west named "Ouaricon".
According to the Oregon Tourism Commission, present-day Oregonians pronounce the state's name as "or-uh-gun, never or-ee-gone". After being drafted by the Detroit Lions in 2002, former Oregon Ducks quarterback Joey Harrington distributed "Orygun" stickers to members of the media as a reminder of how to pronounce the name of his home state. The stickers are sold by the University of Oregon Bookstore.
History
Earliest inhabitants
While there is considerable evidence that Paleo-Indians inhabited the region, the oldest evidence of habitation in Oregon was found at Fort Rock Cave and the Paisley Caves in Lake County. Archaeologist Luther Cressman dated material from Fort Rock to 13,200 years ago, and there is evidence supporting inhabitants in the region at least 15,000 years ago. By 8000 BC, there were settlements throughout the state, with populations concentrated along the lower Columbia River, in the western valleys, and around coastal estuaries.
During the prehistoric period, the Willamette Valley region was flooded after the collapse of glacial dams from then Lake Missoula, located in what would later become Montana. These massive floods occurred during the last glacial period and filled the valley with 300 to 400 feet (91 to 122 m) of water.
By the 16th century, Oregon was home to many Native American groups, including the Chinook, Coquille (Ko-Kwell), Bannock, Kalapuya, Klamath, Klickitat, Molala, Nez Perce, Shasta, Takelma, Umatilla, and Umpqua.
European and pioneer settlement
The first Europeans to visit Oregon were Spanish explorers led by Juan Rodríguez Cabrillo, who sighted southern Oregon off the Pacific coast in 1543. Sailing from Central America on the Golden Hind in 1579 in search of the Strait of Anian during his circumnavigation of the Earth, the English explorer and privateer Sir Francis Drake briefly anchored at South Cove, Cape Arago, just south of Coos Bay, before sailing for what is now California. Martín de Aguilar, continuing separately from Sebastián Vizcaíno's scouting of California, reached as far north as Cape Blanco and possibly to Coos Bay in 1603. Exploration continued routinely in 1774, starting with the expedition of the frigate Santiago by Juan José Pérez Hernández, and the coast of Oregon became a valuable trade route to Asia. In 1778, British captain James Cook also explored the coast.
French Canadians, Scots, Métis, and other continental natives (e.g. Iroquois) trappers arrived in the late 18th and early 19th centuries, soon to be followed by Catholic clergy. Some traveled as members of the Lewis and Clark and Astor Expeditions. Few stayed permanently such as Étienne Lussier, often referred to as the first "European" farmer in the state of Oregon. Evidence of the French Canadian presence can be found in numerous names of French origin such as Malheur Lake, the Malheur, Grande Ronde, and Deschutes Rivers, and the city of La Grande. Furthermore, many of the early pioneers first came out West with the North West Company and the Hudson's Bay Company before heading South of the Columbia for better farmland as the fur trade declined. French Prairie by the Willamette River and French Settlement by the Umpqua River are known as early mixed ancestry settlements.
The Lewis and Clark Expedition traveled through northern Oregon also in search of the Northwest Passage. They built their winter fort in 1805–1806 at Fort Clatsop, near the mouth of the Columbia River, staying at the encampment from December until March.
British explorer David Thompson also conducted overland exploration. In 1811, while working for the North West Company, Thompson became the first European to navigate the entire Columbia River. Stopping on the way, at the junction of the Snake River, he posted a claim to the region for Great Britain and the North West Company. Upon returning to Montreal, he publicized the abundance of fur-bearing animals in the area.
Also in 1811, New Yorker John Jacob Astor financed the establishment of Fort Astoria at the mouth of the Columbia River as a western outpost to his Pacific Fur Company; this was the first permanent European settlement in Oregon.
In the War of 1812, the British gained control of all Pacific Fur Company posts. The Treaty of 1818 established joint British and American occupancy of the region west of the Rocky Mountains to the Pacific Ocean. By the 1820s and 1830s, the Hudson's Bay Company dominated the Pacific Northwest from its Columbia District headquarters at Fort Vancouver (built in 1825 by the district's chief factor, John McLoughlin, across the Columbia from present-day Portland).
In 1841, the expert trapper and entrepreneur Ewing Young died leaving considerable wealth and no apparent heir, and no system to probate his estate. A meeting followed Young's funeral, at which a probate government was proposed. Doctor Ira Babcock of Jason Lee's Methodist Mission was elected supreme judge. Babcock chaired two meetings in 1842 at Champoeg, (halfway between Lee's mission and Oregon City), to discuss wolves and other animals of contemporary concern. These meetings were precursors to an all-citizen meeting in 1843, which instituted a provisional government headed by an executive committee made up of David Hill, Alanson Beers, and Joseph Gale. This government was the first acting public government of the Oregon Country before annexation by the government of the United States. It was succeeded by a Second Executive Committee, made up of Peter G. Stewart, Osborne Russell, and William J. Bailey, and this committee was itself succeeded by George Abernethy, who was the first and only Governor of Oregon under the provisional government.
Also in 1841, Sir George Simpson, governor of the Hudson's Bay Company, reversed the Hudson's Bay Company's long-standing policy of discouraging settlement because it interfered with the lucrative fur trade. He directed that some 200 Red River Colony settlers be relocated to HBC farms near Fort Vancouver, (the James Sinclair expedition), in an attempt to hold Columbia District.
Starting in 1842–1843, the Oregon Trail brought many new American settlers to the Oregon Country. Oregon's boundaries were disputed for a time, contributing to tensions between the U.K. and the U.S., but the border was defined peacefully in the 1846 Oregon Treaty. The border between the U.S. and British North America was set at the 49th parallel. The Oregon Territory was officially organized on August 13, 1848.
Settlement increased with the Donation Land Claim Act of 1850 and the forced relocation of the native population to Indian reservations in Oregon.
The first Oregon proposition for a railroad in Oregon was made in 1850 by H. M. Knighton, the original owner of the townsite of St. Helens. Knighton asserted that this would fulfill his township's belief that it should be the supreme metropolitan seaport in that area upon the Columbia River, as opposed to Portland. He suggested building a railroad in 1851 from St. Helens, through the Cornelius pass and across Washington County to the city of Lafayette, which was at the time the big town of the Willamette Valley.
Black exclusion laws
In December 1844, Oregon passed its first black exclusion law, which prohibited African Americans from entering the territory while simultaneously prohibiting slavery. Slave owners who brought their slaves with them were given three years before they were forced to free them. Any African Americans in the region after the law was passed were forced to leave, and those who did not comply were arrested and beaten. They received no less than twenty and no more than thirty-nine stripes across the back if they still did not leave. This process could be repeated every six months.
Statehood
Slavery played a major part in Oregon's history and even influenced its path to statehood. The territory's request for statehood was delayed several times, as members of Congress argued among themselves whether the territory should be admitted as a "free" or "slave" state. Eventually politicians from the South agreed to allow Oregon to enter as a "free" state, in exchange for opening slavery to the Southwestern U.S.
Oregon was admitted to the Union on February 14, 1859, though no one in Oregon knew it until March 15. Founded as a refuge from disputes over slavery, Oregon had a "whites only" clause in its original state Constitution. At the outbreak of the American Civil War, regular U.S. troops were withdrawn and sent east to aid the Union. Volunteer cavalry recruited in California were sent north to Oregon to keep peace and protect the populace. The First Oregon Cavalry served until June 1865.
Post-Reconstruction
Beginning in the 1880s, the growth of railroads expanded the state's lumber, wheat, and other agricultural markets, and the rapid growth of its cities. Due to the abundance of timber and waterway access via the Willamette River, Portland became a major force in the lumber industry of the Pacific Northwest, and quickly became the state's largest city. It would earn the nickname "Stumptown", and would later become recognized as one of the most dangerous port cities in the United States due to racketeering and illegal activities at the turn of the 20th century. In 1902, Oregon introduced direct legislation by the state's citizens through initiatives and referendums, known as the Oregon System.
On May 5, 1945, six civilians were killed by a Japanese balloon bomb that exploded on Gearhart Mountain near Bly. They remained the only people on American soil whose deaths were attributed to an enemy balloon bomb explosion during World War II. The bombing site is now located in the Mitchell Recreation Area.
Industrial expansion began in earnest following the 1933–1937 construction of the Bonneville Dam on the Columbia River. Hydroelectric power, food, and lumber provided by Oregon helped fuel the development of the West, although the periodic fluctuations in the U.S. building industry have hurt the state's economy on multiple occasions. Portland, in particular, experienced a population boom between 1900 and 1930, tripling in size; the arrival of World War II also provided the northwest region of the state with an industrial boom, where Liberty ships and aircraft carriers were constructed.
During the 1970s, the Pacific Northwest was particularly affected by the 1973 oil crisis, with Oregon suffering a substantial shortage.
In 1972, the Oregon Beverage Container Act of 1971, popularly called the Bottle Bill, became the first law of its kind in the United States. The Bottle Bill system in Oregon was created to control litter. In practice, the system promotes recycling, not reusing, and the collected containers are generally destroyed and made into new containers. Ten states currently have similar laws.
In 1994, Oregon became the first U.S. state to legalize physician-assisted suicide through the Oregon Death with Dignity Act. A measure to legalize recreational use of marijuana in Oregon was approved on November 4, 2014, making Oregon only the second state at the time to have legalized gay marriage, physician-assisted suicide, and recreational marijuana.
Gasoline pump law
Self service gasoline was banned in Oregon from 1951 until August 2023. Although self-serve is now allowed in Oregon, gas stations are not required to offer it and many currently do not.
New Jersey is the only state remaining where self serve gas stations are not allowed.
Geography
Oregon is 295 miles (475 km) north to south at longest distance, and 395 miles (636 km) east to west. With an area of 98,381 square miles (254,810 km2), Oregon is slightly larger than the United Kingdom. It is the ninth largest state in the U.S. Oregon's highest point is the summit of Mount Hood, at 11,249 feet (3,429 m), and its lowest point is the sea level of the Pacific Ocean along the Oregon Coast. Oregon's mean elevation is 3,300 feet (1,006 m). Crater Lake National Park, the state's only national park, is the site of the deepest lake in the U.S. at 1,943 feet (592 m). Oregon claims the D River as the shortest river in the world, though the state of Montana makes the same claim of its Roe River. Oregon is also home to Mill Ends Park (in Portland), the smallest park in the world at 452 square inches (0.29 m2).
Oregon is split into eight geographical regions. In Western Oregon: Oregon Coast (west of the Coast Range), the Willamette Valley, Rogue Valley, Cascade Range and Klamath Mountains; and in Central and Eastern Oregon: the Columbia Plateau, the High Desert, and the Blue Mountains.
Oregon lies in two time zones. Most of Malheur County is in the Mountain Time Zone, while the rest of the state lies in the Pacific Time Zone.
Geology and terrain
Western Oregon's mountainous regions, home to three of the most prominent mountain peaks of the U.S. including Mount Hood, were formed by the volcanic activity of the Juan de Fuca Plate, a tectonic plate that poses a continued threat of volcanic activity and earthquakes in the region. The most recent major activity was the 1700 Cascadia earthquake. Washington's Mount St. Helens erupted in 1980, an event visible from northern Oregon and affecting some areas there.
The Columbia River, which forms much of Oregon's northern border, also played a major role in the region's geological evolution, as well as its economic and cultural development. The Columbia is one of North America's largest rivers, and one of two rivers to cut through the Cascades (the Klamath River in southern Oregon is the other). About 15,000 years ago, the Columbia repeatedly flooded much of Oregon during the Missoula Floods; the modern fertility of the Willamette Valley is largely the result. Plentiful salmon made parts of the river, such as Celilo Falls, hubs of economic activity for thousands of years.
Today, Oregon's landscape varies from rain forest in the Coast Range to barren desert in the southeast, which still meets the technical definition of a frontier. Oregon's geographical center is further west than any of the other 48 contiguous states (although the westernmost point of the lower 48 states is in Washington). Central Oregon's geographical features range from high desert and volcanic rock formations resulting from lava beds. The Oregon Badlands Wilderness is in this region of the state.
Flora and fauna
Typical of a western state, Oregon is home to a unique and diverse array of wildlife. Roughly 60 percent of the state is covered in forest, while the areas west of the Cascades are more densely populated by forest, making up around 80 percent of the landscape. Some 60 percent of Oregon's forests are within federal land. Oregon is the top timber producer of the lower 48 states.
Typical tree species include the Douglas fir (the state tree), as well as redwood, ponderosa pine, western red cedar, and hemlock. Ponderosa pine are more common in the Blue Mountains in the eastern part of the state and firs are more common in the west.
Many species of mammals live in the state, which include opossums, shrews, moles, little pocket mice, great basin pocket mice, dark kangaroo mouse, California kangaroo rat, chisel-toothed kangaroo rat, ord's kangaroo rat, bats, rabbits, pikas, mountain beavers, chipmunks, squirrels, yellow-bellied marmots, beavers (the state mammal), porcupines, coyotes, wolves, foxes black bears, raccoons, badgers, skunks, antelopes, cougars, bobcats, lynxes, deer, elk, and moose.
Marine mammals include seals, sea lions, humpback whales, killer whales, gray whales, blue whales, sperm whales, pacific white-sided dolphins, and bottlenose dolphins.
Notable birds include American widgeons, mallard ducks, great blue herons, bald eagles, golden eagles, western meadowlarks (the state bird), barn owls, great horned owls, rufous hummingbirds, pileated woodpeckers, wrens, towhees, sparrows, and buntings.
Moose have not always inhabited the state but came to Oregon in the 1960s; the Wallowa Valley herd numbered about 60 as of 2013. Gray wolves were extirpated from Oregon around 1930 but have since found their way back; most reside in northeast Oregon, with two packs living in the south-central part. Although their existence in Oregon is unconfirmed, reports of grizzly bears still turn up, and it is probable some still move into eastern Oregon from Idaho.
Oregon is home to what is considered the largest single organism in the world, an Armillaria solidipes fungus beneath the Malheur National Forest of eastern Oregon.
Oregon has several National Park System sites, including Crater Lake National Park in the southern part of the Cascades, John Day Fossil Beds National Monument east of the Cascades, Lewis and Clark National Historical Park on the north coast, and Oregon Caves National Monument near the south coast. Other areas that were considered for potential national park status in the 20th century include the southern Oregon Coast, Mount Hood, and Hells Canyon to the east.
Climate
Most of Oregon has a generally mild climate, though there is significant variation given the variety of landscapes across the state. The state's western region (west of the Cascade Range) has an oceanic climate, populated by dense evergreen mixed forests. Western Oregon's climate is heavily influenced by the Pacific Ocean; the western third of Oregon is very wet in the winter, moderately to very wet during the spring and fall, and dry during the summer. The relative humidity of Western Oregon is high except during summer days, which are semi-dry to semi-humid; Eastern Oregon typically sees low humidity year-round.
The state's southwestern portion, particularly the Rogue Valley, has a Mediterranean climate with drier and sunnier winters and hotter summers, similar to Northern California.
Oregon's northeastern portion has a steppe climate, and its high terrain regions have a subarctic climate. Like Western Europe, Oregon, and the Pacific Northwest in general, is considered warm for its latitude, and the state has far milder winters at a given elevation than comparable latitudes elsewhere in North America, such as the Upper Midwest, Ontario, Quebec and New England. However, the state ranks fifth for coolest summer temperatures of any state in the country, after Maine, Idaho, Wyoming, and Alaska.
The eastern two thirds of Oregon, which largely comprise high desert, have cold, snowy winters and very dry summers. Much of the east is semiarid to arid like the rest of the Great Basin, though the Blue Mountains are wet enough to support extensive forests. Most of Oregon receives significant snowfall, but the Willamette Valley, where 60 percent of the population lives, has considerably milder winters for its latitude and typically sees only light snowfall.
Oregon's highest recorded temperature is 119 °F (48 °C), which was set at Prineville on July 29, 1898, and tied at Pendleton on August 10, 1898, and Pelton Dam on June 29, 2021. The lowest recorded temperature is −54 °F (−48 °C) at Seneca on February 10, 1933.
Cities and towns
Oregon's population is largely concentrated in the Willamette Valley, which stretches from Eugene in the south (home of the University of Oregon) through Corvallis (home of Oregon State University) and Salem (the capital) to Portland (Oregon's largest city).
Astoria, at the mouth of the Columbia River, was the first permanent English-speaking settlement west of the Rockies in what is now the U.S. Oregon City, at the end of the Oregon Trail, was the Oregon Territory's first incorporated city, and was its first capital from 1848 until 1852, when the capital was moved to Salem. Bend, near the geographic center of the state, is one of the ten fastest-growing metropolitan areas in the U.S. In southern Oregon, Medford is a rapidly growing metro area and is home to the Rogue Valley International–Medford Airport, the state's third-busiest airport. To the south, near the California border, is the city of Ashland. Eastern Oregon is sparsely populated, but is home to Hermiston, which with a population of 18,000 is the largest and fastest-growing city in the region.
Demographics
Population
The 2020 U.S. census determined that the population of Oregon was 4,237,256 in 2020, a 10.60% increase over the 2010 census.
Oregon was the nation's "Top Moving Destination" in 2014, with two families moving into the state for every one moving out (66.4% to 33.6%). Oregon was also the top moving destination in 2013, and the second-most popular destination in 2010 through 2012.
As of the 2020 census, the population of Oregon was 4,237,256. The gender makeup of the state was 49.5% male and 50.5% female. 20.5% of the population were under the age of 18; 60.8% were between the ages of 18 and 64; and 18.8% were 65 years of age or older.
According to the U.S. Department of Housing and Urban Development's 2022 Annual Homeless Assessment Report, there were an estimated 17,959 homeless people in Oregon.
According to the 2020 census, 13.9% of Oregon's population was of Hispanic or Latino origin (of any race) and 71.7% non-Hispanic White, 2.0% African American, 1.5% Native American, 4.6% Asian, 1.5% Pacific Islander, and 10.5% two or more races. According to the 2016 American Community Survey, 12.4% of Oregon's population were of Hispanic or Latino origin (of any race): Mexican (10.4%), Puerto Rican (0.3%), Cuban (0.1%), and other Hispanic or Latino origin (1.5%). The five largest ancestry groups for White Oregonians were: German (19.1%), Irish (11.7%), English (11.3%), American (5.3%), and Norwegian (3.8%).
The state's most populous ethnic group, non-Hispanic Whites, decreased from 95.8% of the total population in 1970 to 71.7% in 2020, though it increased in absolute numbers.
As of 2011, 38.7% of Oregon's children under one year of age belonged to minority groups, meaning they had at least one parent who was not a non-Hispanic White. Of the state's total population, 22.6% was under the age 18, and 77.4% were 18 or older.
The center of population of Oregon is located in Linn County, in the city of Lyons. Around 60% of Oregon's population resides within the Portland metropolitan area.
As of 2009, Oregon's population comprised 361,393 foreign-born residents. Of the foreign-born residents, the three largest groups are originally from countries in: Latin America (47.8%), Asia (27.4%), and Europe (16.5%). Mexico, Vietnam, China, India, and the Philippines were the top countries of origin for Oregon's immigrants in 2018.
The Roma first reached Oregon in the 1890s. There is a substantial Roma population in Willamette Valley and around Portland. The majority of Oregon's population is predominantly of white (European) ancestry and is American-born. Around one-tenth of Oregon's population is made up of Hispanics. There are also small populations of Asians, Native Americans, and African Americans in state.
Languages
Religious and secular communities
Oregon has frequently been cited by statistical agencies for having a smaller percentage of religious communities than other U.S. states. According to a 2009 Gallup poll, Oregon was paired with Vermont as the two "least religious" states in the U.S.
In the same 2009 Gallup poll, 69% of Oregonians identified themselves as being Christian. The largest Christian denominations in Oregon by number of adherents in 2010 were the Roman Catholic Church with 398,738; The Church of Jesus Christ of Latter-day Saints with 147,965; and the Assemblies of God with 45,492. Oregon also contains the largest community of Russian Old Believers to be found in the U.S. Judaism is the largest non-Christian religion in Oregon with more than 50,000 adherents, 47,000 of whom live in the Portland area. Recently, new kosher food and Jewish educational offerings have led to a rapid increase in Portland's Orthodox Jewish population. The Northwest Tibetan Cultural Association is headquartered in Portland. There are an estimated 6,000 to 10,000 Muslims in Oregon, most of whom live in and around Portland.
Most of the remainder of the population had no religious affiliation; the 2008 American Religious Identification Survey placed Oregon as tied with Nevada in fifth place of U.S. states having the highest percentage of residents identifying themselves as "non-religious", at 24 percent. Secular organizations include the Center for Inquiry, the Humanists of Greater Portland, and the United States Atheists.
During much of the 1990s, a group of conservative Christians formed the Oregon Citizens Alliance, and unsuccessfully tried to pass legislation to prevent "gay sensitivity training" in public schools and legal benefits for homosexual couples.
Since 2016, data for births of White Hispanic origin are not collected, but included in one Hispanic group; persons of Hispanic origin may be of any race.
Births in table do not sum to 100% because Hispanics are counted both by their ethnicity and by their race.
Future projections
Projections from the U.S. Census Bureau show Oregon's population increasing to 4,833,918 by 2030, an increase of 41.3% compared to the state's population of 3,421,399 in 2000. The state's own projections forecast a total population of 5,425,408 in 2040.
Economy
As of 2015, Oregon ranks as the 17th highest in median household income at $60,834. The gross domestic product (GDP) of Oregon in 2013 was $219.6 billion, a 2.7% increase from 2012; Oregon is the 25th wealthiest state by GDP. In 2003, Oregon was 28th in the U.S. by GDP. The state's per capita personal income (PCPI) in 2013 was $39,848, a 1.5% increase from 2012. Oregon ranks 33rd in the U.S. by PCPI, compared to 31st in 2003. The national PCPI in 2013 was $44,765.
Oregon's unemployment rate was 5.5% in September 2016, while the U.S. unemployment rate was 5.0% that month. Oregon has the third largest amount of food stamp users in the nation (21% of the population).
Agriculture
Oregon's diverse landscapes provide ideal environments for various types of farming. Land in the Willamette Valley owes its fertility to the Missoula Floods, which deposited lake sediment from Glacial Lake Missoula in western Montana onto the valley floor. In 2016, the Willamette Valley region produced over 100 million pounds (45 kt) of blueberries. The industry is governed and represented by the Oregon Department of Agriculture.
Oregon is also one of four major world hazelnut (Corylus avellana) growing regions, and produces 95% of the domestic hazelnuts in the United States. While the history of wine production in Oregon can be traced to before Prohibition, it became a significant industry beginning in the 1970s. In 2005, Oregon ranked third among U.S. states with 303 wineries. Due to regional similarities in climate and soil, the grapes planted in Oregon are often the same varieties found in the French regions of Alsace and Burgundy. In 2014, 71 wineries opened in the state. The total is currently 676, which represents a growth of 12% over 2013.
In the southern Oregon coast, commercially cultivated cranberries account for about 7 percent of U.S. production, and the cranberry ranks 23rd among Oregon's top 50 agricultural commodities. Cranberry cultivation in Oregon uses about 27,000 acres (110 square kilometers) in southern Coos and northern Curry counties, centered around the coastal city of Bandon. In the northeastern region of the state, particularly around Pendleton, both irrigated and dry land wheat is grown. Oregon farmers and ranchers also produce cattle, sheep, dairy products, eggs and poultry.
Caneberries (Rubus) are farmed here.: 25 Stamen blight (Hapalosphaeria deformans) is significant here and throughout the PNW.: 25 Here it especially hinders commercial dewberries.: 25
Phytophthora ramorum was first discovered in the 1990s on the California Central Coast and was quickly found here as well. P. ramorum is of economic concern due to its infestation of Rubus and Vaccinium spp. (including cranberry and blueberry).
Peaches grown in the Willamette Valley are mostly sold directly and do not enter the more distant markets. OSU Extension recommended several peach and nectarine cultivars for Willamette.
Forestry and fisheries
Vast forests have historically made Oregon one of the nation's major timber-producing and logging states, but forest fires (such as the Tillamook Burn), over-harvesting, and lawsuits over the proper management of the extensive federal forest holdings have reduced the timber produced. Between 1989 and 2011, the amount of timber harvested from federal lands in Oregon dropped about 90%, although harvest levels on private land have remained relatively constant.
Even the shift in recent years towards finished goods such as paper and building materials has not slowed the decline of the timber industry in the state. The effects of this decline have included Weyerhaeuser's acquisition of Portland-based Willamette Industries in January 2002, the relocation of Louisiana-Pacific's corporate headquarters from Portland to Nashville, and the decline of former lumber company towns such as Gilchrist. Despite these changes, Oregon still leads the U.S. in softwood lumber production; in 2011, 4,134 million board feet (9,760,000 m3) was produced in Oregon, compared with 3,685 million board feet (8,700,000 m3) in Washington, 1,914 million board feet (4,520,000 m3) in Georgia, and 1,708 million board feet (4,030,000 m3) in Mississippi. The slowing of the timber and lumber industry has caused high unemployment rates in rural areas.
Oregon has one of the largest salmon-fishing industries in the world, although ocean fisheries have reduced the river fisheries in recent years. Because of the abundance of waterways in the state, it is also a major producer of hydroelectric energy.
On June 30, 2022, an emerald ash borer infestation was found in Forest Grove in 2022, the first for Western North America.
Tourism and entertainment
Tourism is also a strong industry in the state. Tourism is centered on the state's natural features – mountains, forests, waterfalls, rivers, beaches and lakes, including Crater Lake National Park, Multnomah Falls, the Painted Hills, the Deschutes River, and the Oregon Caves. Mount Hood and Mount Bachelor also draw visitors year-round for skiing and other snow activities.
Portland is home to the Oregon Museum of Science and Industry, the Portland Art Museum, and the Oregon Zoo, which is the oldest zoo west of the Mississippi River. The International Rose Test Garden is another prominent attraction in the city. Portland has also been named the best city in the world for street food by several publications, including the U.S. News & World Report and CNN. Oregon is home to many breweries, and Portland has the largest number of breweries of any city in the world.
The state's coastal region produces significant tourism as well. The Oregon Coast Aquarium comprises 23 acres (9.3 ha) along Yaquina Bay in Newport, and was also home to Keiko the orca whale. It has been noted as one of the top ten aquariums in North America. Fort Clatsop in Warrenton features a replica of Lewis and Clark's encampment at the mouth of the Columbia River in 1805. The Sea Lion Caves in Florence are the largest system of sea caverns in the U.S., and also attract many visitors.
In Southern Oregon, the Oregon Shakespeare Festival, held in Ashland, is also a tourist draw, as is the Oregon Vortex and the Wolf Creek Inn State Heritage Site, a historic inn where Jack London wrote his 1913 novel Valley of the Moon.
Oregon has also historically been a popular region for film shoots due to its diverse landscapes, as well as its proximity to Hollywood. Movies filmed in Oregon include: Animal House, Free Willy, The General, The Goonies, Kindergarten Cop, One Flew Over the Cuckoo's Nest, and Stand By Me. Oregon native Matt Groening, creator of The Simpsons, has incorporated many references from his hometown of Portland into the TV series. Additionally, several television shows have been filmed throughout the state including Portlandia, Grimm, Bates Motel, and Leverage. The Oregon Film Museum is located in the old Clatsop County Jail in Astoria. Additionally, the last remaining Blockbuster store is located in Bend.
Technology
High technology industries located in Silicon Forest have been a major employer since the 1970s. Tektronix was the largest private employer in Oregon until the late 1980s. Intel's creation and expansion of several facilities in eastern Washington County continued the growth that Tektronix had started. Intel, the state's largest for-profit private employer, operates four large facilities, with Ronler Acres, Jones Farm and Hawthorn Farm all located in Hillsboro.
The spinoffs and startups that were produced by these two companies led to the establishment of the so-called Silicon Forest. The recession and dot-com bust of 2001 hit the region hard; many high technology employers reduced the number of their employees or went out of business. Open Source Development Labs made news in 2004 when they hired Linus Torvalds, developer of the Linux kernel. In 2010, biotechnology giant Genentech opened a $400 million facility in Hillsboro to expand its production capabilities. Oregon is home to several large datacenters that take advantage of cheap power and a climate conducive to reducing cooling costs. Google operates a large datacenter in The Dalles, and Facebook built a large datacenter near Prineville in 2010. Amazon opened a datacenter near Boardman in 2011, and a fulfillment center in Troutdale in 2018.
Corporate headquarters
Oregon is also the home of large corporations in other industries. The world headquarters of Nike is located near Beaverton. Medford is home to Harry and David, which sells gift items under several brands. Medford is also home to the national headquarters of Lithia Motors. Portland is home to one of the West's largest trade book publishing houses, Graphic Arts Center Publishing. Oregon is also home to Mentor Graphics Corporation, a world leader in electronic design automation located in Wilsonville and employs roughly 4,500 people worldwide.
Adidas Corporations American Headquarters is located in Portland and employs roughly 900 full-time workers at its Portland campus. Nike, located in Beaverton, employs roughly 5,000 full-time employees at its 200-acre (81 ha) campus. Nike's Beaverton campus is continuously ranked as a top employer in the Portland area-along with competitor Adidas. Intel Corporation employs 22,000 in Oregon with the majority of these employees located at the company's Hillsboro campus located about 30 minutes west of Portland. Intel has been a top employer in Oregon since 1974.
The U.S. Federal Government and Providence Health systems are respective contenders for top employers in Oregon with roughly 12,000 federal workers and 14,000 Providence Health workers.
In 2015, a total of seven companies headquartered in Oregon landed in the Fortune 1000: Nike, at 106; Precision Castparts Corp. at 302; Lithia Motors at 482; StanCorp Financial Group at 804; Schnitzer Steel Industries at 853; The Greenbrier Companies at 948; and Columbia Sportswear at 982.
Taxes and budgets
Oregon's biennial state budget, $2.6 billion in 2017, comprises General Funds, Federal Funds, Lottery Funds, and Other Funds.
Oregon is one of only five states that have no sales tax. Oregon voters have been resolute in their opposition to a sales tax, voting proposals down each of the nine times they have been presented. The last vote, for 1993's Measure 1, was defeated by a 75–25% margin.
The state also has a minimum corporate tax of only $150 a year, amounting to 5.6% of the General Fund in the 2005–07 biennium; data about which businesses pay the minimum is not available to the public. As a result, the state relies on property and income taxes for its revenue. Oregon has the fifth highest personal income tax in the nation. According to the U.S. Census Bureau, Oregon ranked 41st out of the 50 states in taxes per capita in 2005 with an average amount paid of 1,791.45.
A few local governments levy sales taxes on services: the city of Ashland, for example, collects a 5% sales tax on prepared food.
The City of Portland imposes an Arts Education and Access Income Tax on residents over 18—a flat tax of $35 collected from individuals earning $1,000 or more per year and residing in a household with an annual income exceeding the federal poverty level. The tax funds Portland school teachers, and art focused non-profit organizations in Portland.
The State of Oregon also allows transit districts to levy an income tax on employers and the self-employed. The State currently collects the tax for TriMet and the Lane Transit District.
Oregon is one of six states with a revenue limit. The "kicker law" stipulates that when income tax collections exceed state economists' estimates by two percent or more, any excess must be returned to taxpayers. Since the enactment of the law in 1979, refunds have been issued for seven of the eleven biennia. In 2000, Ballot Measure 86 converted the "kicker" law from statute to the Oregon Constitution, and changed some of its provisions.
Federal payments to county governments that were granted to replace timber revenue when logging in National Forests was restricted in the 1990s, have been under threat of suspension for several years. This issue dominates the future revenue of rural counties, which have come to rely on the payments in providing essential services.
55% of state revenues are spent on public education, 23% on human services (child protective services, Medicaid, and senior services), 17% on public safety, and 5% on other services.
Oregon has had a $15 bicycle tax for each new bicycles over $200 since 2018. Oregon is the only state in the nation with a bicycle excise tax.
Healthcare
For health insurance, as of 2018 Cambia Health Solutions has the highest market share at 21%, followed by Providence Health. In the Portland region, Kaiser Permanente leads. Providence and Kaiser are vertically integrated delivery systems which operate hospitals and offer insurance plans. Aside from Providence and Kaiser, hospital systems which are primarily Oregon-based include Legacy Health mostly covering Portland, Samaritan Health Services with five hospitals in various areas across the state, and Tuality Healthcare in the western Portland metropolitan area. In Southern Oregon, Asante runs several hospitals, including Rogue Regional Medical Center. Some hospitals are operated by multi-state organizations such as PeaceHealth and CommonSpirit Health. Some hospitals such Salem Hospital operate independently of larger systems.
Oregon Health & Science University is a Portland-based medical school that operates two hospitals and clinics.
The Oregon Health Plan is the state's Medicaid managed care plan, and it is known for innovations. The Portland area is a mature managed care and two-thirds of Medicare enrollees are in Medicare Advantage plans.
Education
Elementary, middle, and high school
In the 2013–2014 school year, the state had 567,000 students in public schools. There were 197 public school districts, served by 19 education service districts.
In 2016, the largest school districts in the state were: Portland Public Schools, comprising 47,323 students; Salem-Keizer School District, comprising 40,565 students; Beaverton School District, comprising 39,625 students; Hillsboro School District, comprising 21,118 students; and North Clackamas School District, comprising 17,053 students.
Approximately 90.5% of Oregon high school students graduate, improving on the national average of 88.3% as measured from the 2010 U.S. census.
On May 8, 2019, educators across the state protested to demand smaller class sizes, hiring more support staff, such as school counselors, librarians, and nurses, and the restoration of art, music, and physical education classes. The protests caused two dozen school districts to close, which equals to about 600 schools across the state.
Colleges and universities
Especially since the 1990 passage of Measure 5, which set limits on property tax levels, Oregon has struggled to fund higher education. Since then, Oregon has cut its higher education budget and now ranks 46th in the country in state spending per student. However, 2007 legislation funded the university system far beyond the governor's requested budget though still capping tuition increases at 3% per year. Oregon supports a total of seven public universities and one affiliate. It is home to three public research universities: The University of Oregon (UO) in Eugene and Oregon State University (OSU) in Corvallis, both classified as research universities with very high research activity, and Portland State University which is classified as a research university with high research activity.
UO is the state's highest nationally ranked and most selective public university by U.S. News & World Report and Forbes. OSU is the state's only land-grant university, has the state's largest enrollment for fall 2014, and is the state's highest ranking university according to Academic Ranking of World Universities, Washington Monthly, and QS World University Rankings. OSU receives more annual funding for research than all other public higher education institutions in Oregon combined. The state's urban Portland State University has Oregon's second largest enrollment.
The state has three regional universities: Western Oregon University in Monmouth, Southern Oregon University in Ashland, and Eastern Oregon University in La Grande. The Oregon Institute of Technology has its campus in Klamath Falls. The quasi-public Oregon Health & Science University (OHSU) includes medical, dental, and nursing schools, and graduate programs in biomedical sciences in Portland and a science and engineering school in Hillsboro. The state also supports 17 community colleges.
Oregon is home to a wide variety of private colleges, the majority of which are located in the Portland area. The University of Portland, a Catholic university, is affiliated with the Congregation of Holy Cross. Reed College, a rigorous liberal arts college in Portland, was ranked by Forbes as the 52nd best college in the country in 2015.
Other private institutions in Portland include Lewis & Clark College; Multnomah University; Portland Bible College; Warner Pacific College; Cascade College; the National University of Natural Medicine; and Western Seminary, a theological graduate school. Pacific University is in the Portland suburb of Forest Grove. There are also private colleges further south in the Willamette Valley. McMinnville is home to Linfield College, while nearby Newberg is home to George Fox University. Salem is home to two private schools: Willamette University (the state's oldest, established during the provisional period) and Corban University. Also located near Salem is Mount Angel Seminary, one of America's largest Roman Catholic seminaries. The state's second medical school, the College of Osteopathic Medicine of the Pacific, Northwest, is located in Lebanon. Eugene is home to three private colleges: Bushnell University, New Hope Christian College, and Gutenberg College.
Law and government
A writer in the Oregon Country book A Pacific Republic, written in 1839, predicted the territory was to become an independent republic. Four years later, in 1843, settlers of the Willamette Valley voted in majority for a republican form of government. The Oregon Country functioned in this way until August 13, 1848, when Oregon was annexed by the U.S. and a territorial government was established. Oregon maintained a territorial government until February 14, 1859, when it was granted statehood.
Structure
Oregon state government has a separation of powers similar to the federal government, with three branches:
a legislative branch (the bicameral Oregon Legislative Assembly),
an executive branch which includes an "administrative department" and Oregon's governor as chief executive, and
a judicial branch, headed by the Chief Justice of the Oregon Supreme Court.
Governors in Oregon serve four-year terms and are limited to two consecutive terms, but an unlimited number of total terms. Oregon has no lieutenant governor; in case the office of governor is vacated, Article V, Section 8a of the Oregon Constitution specifies that the Secretary of State is first in line for succession. The other statewide officers are Treasurer, Attorney General, and Labor Commissioner.
The biennial Oregon Legislative Assembly consists of a thirty-member Senate and a sixty-member House. A debate over whether to move to annual sessions is a long-standing battle in Oregon politics, but the voters have resisted the move from citizen legislators to professional lawmakers. Because Oregon's state budget is written in two-year increments and, there being no sales tax, state revenue is based largely on income taxes, it is often significantly over or under budget. Recent legislatures have had to be called into special sessions repeatedly to address revenue shortfalls resulting from economic downturns, bringing to a head the need for more frequent legislative sessions. Oregon Initiative 71, passed in 2010, mandates the legislature to begin meeting every year, for 160 days in odd-numbered years, and 35 days in even-numbered years.
The state supreme court has seven elected justices, currently including the only two openly gay state supreme court justices in the nation. They choose one of their own to serve a six-year term as Chief Justice.
Ballot measures
Oregon's constitution provides for ballot initiatives voted upon by the electorate in general. In the 2002 general election, Oregon voters approved a ballot measure to increase the state minimum wage automatically each year according to inflationary changes, which are measured by the consumer price index (CPI). In the 2004 general election, Oregon voters passed ballot measures banning same-sex marriage and restricting land use regulation. In the 2006 general election, voters restricted the use of eminent domain and extended the state's discount prescription drug coverage.
In the 2020 general election, Oregon voters approved a ballot measure decriminalizing the possession of small quantities of street drugs such as cocaine and heroin, becoming the first state in the country to do so after the drugs were originally made illegal. The initiative has been described as a mixed success after three years of implementation, and calls for change arose. Drug overdose deaths continued to rise, in line with other states. Funds allocated to treatment and other services have apparently not increased the success of these alternate outcomes. In 2024, Governor Kotek signed a bill reversing the decriminalization component of the ballot measure while also expanding funding for drug treatment.
In 2020 the state also approved a ballot measure to create a legal means of administering psilocybin for medicinal use, making it the first state in the country to legalize the drug.
Federal representation
Like all U.S. states, Oregon is represented by two senators. Following the 1980 census, Oregon had five congressional districts. After Oregon was admitted to the Union, it began with a single member in the House of Representatives (La Fayette Grover, who served in the 35th U.S. Congress for less than a month). Congressional apportionment increased the size of the delegation following the censuses of 1890, 1910, 1940, and 1980. Following the 2020 census, Oregon gained a sixth congressional seat. It was filled in the 2022 Congressional Elections. A detailed list of the past and present Congressional delegations from Oregon is available.
The U.S. District Court for the District of Oregon hears federal cases in the state. The court has courthouses in Portland, Eugene, Medford, and Pendleton. Also in Portland is the federal bankruptcy court, with a second branch in Eugene. Oregon (among other western states and territories) is in the 9th Court of Appeals. One of the court's meeting places is at the Pioneer Courthouse in downtown Portland, a National Historic Landmark built in 1869.
Politics
Political opinions in Oregon are geographically split by the Cascade Range, with Western Oregon being more liberal and Eastern Oregon being conservative. In a 2008 analysis of the 2004 presidential election, a political analyst found that according to the application of a Likert scale, Oregon boasted both the most liberal Kerry voters and the most conservative Bush voters, making it the most politically polarized state in the country. The base of Democratic support is largely concentrated in the urban centers of the Willamette Valley. The eastern two-thirds of the state beyond the Cascade Mountains typically votes Republican; in 2000 and 2004, George W. Bush carried every county east of the Cascades. However, the region's sparse population means the more populous counties in the Willamette Valley usually outweigh the eastern counties in statewide elections.
In 2008, for instance, Republican Senate incumbent Gordon H. Smith lost his bid for a third term, even though he carried all but eight counties. His Democratic challenger, Jeff Merkley, won Multnomah County by 142,000 votes, more than double the overall margin of victory. Oregonians have voted for the Democratic presidential candidate in every election since 1988. In 2004 and 2006, Democrats won control of the State Senate, and then the House. Since 2023, Oregon has been represented by four Democrats and two Republicans in the U.S. House of Representatives. Since 2009, the state has had two Democratic U.S. senators, Ron Wyden and Jeff Merkley. Oregon voters have elected Democratic governors in every election since 1986, most recently electing Tina Kotek over Republican Christine Drazan and Independent Betsy Johnson in the 2022 gubernatorial election.
During Oregon's history, it has adopted many electoral reforms proposed during the Progressive Era, through the efforts of William S. U'Ren and his Direct Legislation League. Under his leadership, the state overwhelmingly approved a ballot measure in 1902 that created the initiative and referendum for citizens to introduce or approve proposed laws or amendments to the state constitution directly, making Oregon the first state to adopt such a system. Today, roughly half of U.S. states do so.
In following years, the primary election to select party candidates was adopted in 1904, and in 1908 the Oregon Constitution was amended to include recall of public officials. More recent amendments include the nation's first doctor-assisted suicide law, called the Death with Dignity Act (which was challenged, unsuccessfully, in 2005 by the Bush administration in a case heard by the U.S. Supreme Court), legalization of medical cannabis, and among the nation's strongest anti-urban sprawl and pro-environment laws. More recently, 2004's Measure 37 reflects a backlash against such land-use laws. However, a further ballot measure in 2007, Measure 49, curtailed many of the provisions of 37.
Of the measures placed on the ballot since 1902, the people have passed 99 of the 288 initiatives and 25 of the 61 referendums on the ballot, though not all of them survived challenges in courts (see Pierce v. Society of Sisters, for an example). During the same period, the legislature has referred 363 measures to the people, of which 206 have passed.
Oregon pioneered the American use of postal voting, beginning with experimentation approved by the Oregon Legislative Assembly in 1981 and culminating with a 1998 ballot measure mandating that all counties conduct elections by mail. It remains one of just two states, the other being Washington, where voting by mail is the only method of voting.
In 1994, Oregon adopted the Oregon Health Plan, which made health care available to most of its citizens without private health insurance.
Oregon is the only state that does not have a mechanism to impeach executive officeholders, including the governor. Removing an executive office holder would require a recall election. It is one of four states that requires two-thirds of members of the House and Senate be present to establish a quorum. It is one of a minority of states that does not have a lieutenant governor. The Secretary of State is the first in line of succession to replace the governor in event of a vacancy. This last occurred in 2015, when Gov. John Kitzhaber resigned amid allegation of influence peddling and Secretary of State Kate Brown became governor. Brown won a special election in 2016 to retain the position, and won a full four-year term in 2018.
In the U.S. Electoral College, Oregon cast seven votes through the 2020 presidential election. Under apportionment of Congress under the 2020 U.S. census, Oregon added a sixth congressional seat. Under the Electoral College formula of votes equaling the number of U.S. House seats plus the two U.S. Senators, Oregon will cast eight votes in the 2024 election. Oregon has supported Democratic candidates in the last nine elections. Democratic incumbent Barack Obama won the state by a margin of twelve percentage points, with over 54% of the popular vote in 2012. In the 2016 election, Hillary Clinton won Oregon by 11 percentage points. In the 2020 election, Joe Biden won Oregon by 16 percentage points over his opponent, Donald Trump.
In a 2020 study, Oregon was ranked as the easiest state for citizens to vote in.
Oregon retains the death penalty. There is currently a gubernatorial hold on executions.
Sports
Oregon is home to three major professional sports teams: the Portland Trail Blazers of the NBA, the Portland Thorns FC of the NWSL and the Portland Timbers of MLS.
Until 2011, the only major professional sports team in Oregon was the Portland Trail Blazers of the National Basketball Association. From the 1970s to the 1990s, the Blazers were one of the most successful teams in the NBA in terms of both win–loss record and attendance. In the early 21st century, the team's popularity declined due to personnel and financial issues, but revived after the departure of controversial players and the acquisition of new players such as Brandon Roy and LaMarcus Aldridge, and still later Damian Lillard. The Blazers play in the Moda Center in Portland's Lloyd District, which also is home to the Portland Winterhawks of the junior Western Hockey League.
The Portland Timbers play at Providence Park, just west of downtown Portland. The Timbers have a strong following, with the team regularly selling out its games. The Timbers repurposed the formerly multi-use stadium into a soccer-specific stadium in fall 2010, increasing the seating in the process. The Timbers operate Portland Thorns FC, a women's soccer team that has played in the National Women's Soccer League since the league's first season in 2013. The Thorns, who also play at Providence Park, have won two league championships, in the inaugural 2013 season and also in 2017, and have been by far the NWSL's attendance leader in each of the league's seasons.
Eugene and Hillsboro have minor-league baseball teams: the Eugene Emeralds and the Hillsboro Hops both play in the High-A High-A West. Portland has had minor-league baseball teams in the past, including the Portland Beavers and Portland Rockies, who played most recently at Providence Park when it was known as PGE Park. Salem also previously had a Class A Short Season Northwest League team, the Salem-Keizer Volcanoes that was not included in the 2021 Minor League Baseball reorganization. The Volcanoes ownership later formed the amateur Mavericks Independent Baseball League, which is fully based in Salem.
The Oregon State Beavers and the University of Oregon Ducks football teams of the Pac-12 Conference meet annually in the Oregon–Oregon State football rivalry. Both schools have had recent success in other sports as well: Oregon State won back-to-back college baseball championships in 2006 and 2007, winning a third in 2018; and the University of Oregon won back-to-back NCAA men's cross country championships in 2007 and 2008.
Sister regions
Fujian Province, People's Republic of China
Taiwan Province, Republic of China (Taiwan)
Toyama Prefecture, Japan
Jeollanam-do Province, Republic of Korea (South Korea)
Iraqi Kurdistan, Iraq
See also
Outline of Oregon (organized list of topics about Oregon)
Index of Oregon-related articles
Bibliography of Oregon history
Notes
Citations
References
External links
Oregon at Curlie
Oregon Encyclopedia
Oregon State Databases at the American Library Association
Government
State of Oregon
Oregon State Legislature
Oregon Constitution
Tourism and recreation
TravelOregon.com an official website of the Oregon Tourism Commission
Oregon State Parks
Oregon State Facts from the United States Department of Agriculture
History and culture
Oregon Historical Society
Oregon Blue Book, the online version of the state's official directory and fact book
Maps and geology
Real-time, geographic, and other scientific resources of Oregon Archived December 9, 2016, at the Wayback Machine from the United States Geological Survey
Geographic data related to Oregon at OpenStreetMap |
Yaquina_Bay | https://en.wikipedia.org/wiki/Yaquina_Bay | [
245
] | [
"https://en.wikipedia.org/wiki/Yaquina_Bay"
] | Yaquina Bay ( yə-KWIN-ə) is a coastal estuarine community found in Newport, Oregon. Yaquina Bay is a semi-enclosed body of water, approximately 8 km2 (3.2 mi2) in area, with free connection to the Pacific Ocean, but also diluted with freshwater from the Yaquina River land drainage. The Bay is traversed by the Yaquina Bay Bridge.
There are three small communities that border the Yaquina River and Bay: Newport (population approx. 9,989), Toledo (population approx. 3,459) and Elk City (population approx. 25). The Yaquina Bay in Newport is a popular tourist destination along the Pacific Coast Highway. It is also an important estuary for the area's ecology and economy.
History
Yaquina Bay is named after the Yaquina Tribe that occupied the territory along the Yaquina River. With the railroad addition in the late 1880s, many thought Yaquina Bay would be the commerce center for the Pacific Northwest. Wheat, lumber, and other goods were transported to Yaquina Bay as the area began to develop. Oyster companies and other merchandise organizations began to take residence in the Bay.
Exploration and settlement
Indigenous peoples of the region had called Yaquina Bay home for years until the westward expansion. In 1856, the first vessel entered Yaquina Bay carrying supplies for Siletz Block-houses up the Yaquina River. The newfound Bay access promised a great deal of advantages, particularly open transportation and shipping to and from San Francisco Bay. Also in 1856, a doctor from the Willamette Valley was appointed surgeon to an Indian agency in Yaquina Bay. Following Indian trails through the Coast Range, the doctor, along with three other explorers, set out for the coast in quest for his new appointment.
In 1861, Captain Spencer, from the state of Washington, first settled in Yaquina Bay. Spencer, with the assistance of a local Indian guide, discovered valuable oyster beds within the Bay, which would attract future businesses, particularly firms from San Francisco.
In 1866, news spread the promises and new life Yaquina Bay had to offer, and it quickly brought a surge of settlers to the area. Newport was quickly formed and oyster companies and other industries began to take residence. The growing oyster business initiated the construction of a wagon road from Corvallis to Yaquina Bay, costing approximately $20,000 and spanning 45 miles. The road was completed in 1873 and promised continued connections between Corvallis and the coast, and even helped settlers reach their new coastal home.
With the influx of residents, seasonal visitors to the area, and booming businesses, Yaquina Bay's oyster trade quickly began to decline. In 1869, a group of oystermen formed a task force with the interest of preserving oyster beds. To better the public's interest and their own, they worked diligently to restore and protect the oyster communities.
Shortly after the establishment of Newport, the Yaquina Bay lighthouse began construction in 1871. However, with the establishment of the Yaquina Head lighthouse to the north, it was decommissioned in 1874.
For a long time, Yaquina Bay was the midpoint between San Francisco and Seattle. With increased ship and navigation traffic into the area, the number of shipwrecks increased rapidly.
Past uses
Historical uses of Yaquina Bay include commercial oyster farming and fishing, recreational clamming, and shipping and navigation. Logging practices also occurred in the Yaquina Bay estuary from the 1920s to the 1980s.
Economy
Yaquina Bay and its watershed have multiple uses, including fishing, tourism, recreation, and research. As of 2014, the highest percentage of the Newport workforce is employed in management, business, science, and arts (36.7%), while only 8.9% are employed in natural resources, construction, and maintenance. Agriculture is a small percentage of the economy in Lincoln County, but has increased in the past ten years. While timber harvesting has been a historic contributor to the economy, this industry has since decreased. Employment had declined by 82% between about 1980 and 2000.
Fisheries and aquaculture
In 2015, Pacific Whiting, or North Pacific Hake, was the largest source of fish caught by commercial fisheries from Newport, OR, while Pink Shrimp brought in the greatest dollar amount. As of 2015, the value of commercial fisheries out of Newport totals approximately $33,221,009. Recreational fishing also occurs in Yaquina Bay, with perch, rockfish, herring, chinook salmon, clams, and crabs being the popular catch. Aquaculture of oysters also occurs in Yaquina Bay, totaling 1,172 pounds in 2012.
Recreation and tourism
Yaquina Bay Harbor houses commercial and recreational fishing vessels, other recreational boats, government vessels, and research vessels. Tourism represents a substantial contributor to the county economy, accounting for $133.8 million in industry income in 2012. Some tourist destinations include South Beach State Park, Yaquina Bay State Recreation Site, the Oregon Coast Aquarium, restaurants, shops, and attractions on the Bayfront, and Hatfield Marine Science Center.
Physical geography
Physical characteristics
Yaquina Bay is a characteristic estuary, with freshwater input from the Yaquina River as well as an open access to the Pacific Ocean introducing ocean saltwater. Yaquina Bay is maintained at 6.7 m (22 ft) in depth with the help of dredging, but depth decreases upstream with the occurrence of shoals, tidal flats, and other shallow zones. The estuary is about 11.6 km2 at mean tide and can decrease to 9.1 km2 at mean low tide. The North and South Yaquina Jetties, at the junction between the Pacific Ocean and Yaquina Bay, were constructed in 1888.
Predictions of tidal height and times are based on National Oceanic Atmospheric Administration (NOAA) data with respect to Hatfield Marine Science Center's Center Dock. Yaquina Bay's high and low tidal range is approximately 2.4 m (7.9 ft). Tidal flux is typically vigorous and allows intense mixing near the mouth of the Bay. However, there is seasonal variation on mixing within the estuary. During the summer and early months, June to October, the estuary is well-mixed contrasted to the winter months, November to May, when the estuary is more stratified. Due to the variation in tides and mixing, the salinity changes drastically depending on location within the Bay. Average salinity at the mouth of the Bay is 34 psu, whereas the salinity upriver is 0.
The Yaquina River is 95 km (59 mi) long, beginning at the Central Oregon Coast Range, rounding past multiple bordered cities, and eventually opening up into Yaquina Bay. The river provides nutrients for the Bay and supports a variety of biology.
Sediments and deposition
Sediments that are found within Yaquina Bay are derived from tertiary rocks from the Central Oregon Coast Range, Pleistocene marine sediments and estuarine deposits. These sediments have three realms of deposition; marine deposition, fluviatile, and an intermediate transition state called marine-fluviatile. Marine deposition is found within the initial 2.4 km (1.5 mi) of the estuary and is associated with average ocean salinity and turbulent mixing. The sediment is similar in texture to sand and other fine grains. Fluviatile deposition extends from the point of freshwater input up to 9.7 km (6 mi) into the Bay, with its sediments more coarse. The transition stage between these two realms contains sediment mixes from the marine and fluviatile areas.
The last recorded rate of sediment deposition was in 1936, with a recorded estimate of 23 cm (9.1 in) annually. However, deposition is subject to seasonal variations. Maximum deposition takes place in the winter and early spring when river runoff is highest due to increased rain, when the longshore drift is coming from the south, and when winds are from the southwest. In the summer, deposition is low because of lower runoff, southward longshore drift and northwest winds.
Turbulent mixing within the estuary increases the amount of suspended sediment and therefore increases the turbidity within Yaquina Bay. Turbidity has been found to be most prominent when river runoff is low, typically during the summer. Chlorophyll concentrations and other measurements of water chemistry (see Chemistry section below) verify these observations.
Geology
Yaquina Bay was formed roughly 2.2 million years ago in the Oligocene Epoch of the Cenozoic Era. Increased sedimentation and subsidence contributed to formation of Yaquina Bay. Sedimentary rocks in this area are mainly "sandstone, siltstone and clay-containing mudstone", as indicated in geological samples from the sediments. The oldest rocks found in the Coast Range and in Yaquina Bay date back to Paleocene and Eocene Epochs, about 40-60 million years ago. The seafloor to the west of Oregon is continually spreading and there is evidence of subduction taking place along the coast of Oregon and Washington.
Biology
Yaquina Bay comprises several different habitats that provide resources for many species. These habitats include intertidal eelgrass beds, mudflats, and sandflats, and subtidal areas. Mudflats and sandflats are typically covered by water during high tide and exposed to air during low tide, while subtidal areas are covered by water almost all of the time.
Life in Yaquina Bay
Beds of native eelgrass (Zostera marina) and beds of invasive eelgrass (Zostera japonica) grow separately and provide a distinct habitat for certain organisms. Birds, including gulls, ducks, shorebirds, crows, geese, egrets, rails, pelicans and cormorants are present in Yaquina Bay using the eelgrass and mudflats as habitats. Mud shrimp also live in mudflats, and they play an important role in nutrient cycling within the estuary. Burrows in the mud made by mud shrimp pump oxygen deeper into the sediment, which makes it available for microbes to use. Mud shrimp activity has also been shown to increase the movement of carbon and dissolved inorganic nitrogen in and out of the mud. Some species of diatoms, a type of phytoplankton, can be found on the sediments of Yaquina Bay wetlands. These diatoms are also important in nutrient cycling within the estuary.
Another type of estuary habitat is formed by native Olympia oysters (Ostrea lurida). These are historically abundant in Yaquina Bay, and in addition to creating hard surfaces in the estuary, oysters also filter the bay water and provide food for local people. In fact, settlement on the mouth of Yaquina Bay is attributed in part to the oyster fishery.
In subtidal areas, marine mammals such as harbor seals and California sea lions are sometimes present in Yaquina Bay. Sea lions in the estuary are mostly male. They move through the estuary, but spend a lot of time near the Bayfront or hauled out on docks, perhaps due to the additional food or safety. Some fish species present in Yaquina Bay include English sole and sculpin, in addition to river lamprey, lingcod, anchovies, Pacific herring, sturgeon, flounder, and salmon. Clams and Dungeness crabs are also present within the bay and make up a resource for recreational fishers.
The estuary as a nursery
Yaquina Bay has been shown to be a site for spawning and development of many species. Pacific Herring and bay goby larvae are abundant, but other larval fishes such as sculpin, anchovy, smelt, clingfishes, cod, stickleback, pipefish, prickleback, gunnels, sandlance, rockfish, greenlings, lumpfish, and flounder are present in the estuary. Although there are larval fish present in the estuary, the Pacific herring was found to be the only commercial species that relies on the estuary for spawning and development. Yaquina Bay also provides a nursery environment for English sole. Multiple species of juvenile salmon, including chum, coho, and chinook, also pass through Yaquina Bay during their life cycle, often transitioning from shallower to deeper waters as they grow.
Chemistry of Yaquina Bay
The Yaquina Bay estuarine chemistry is influenced by daily tides, river sediment input, summer upwelling along the coast, and biological processes.
Tides
Yaquina Bay experiences mixed semidiurnal tides, ranging from 1.9 to 2.5 m (6.2-8.2 ft) daily. The influx of water from the ocean changes the salinity of the estuary, creating a salt intrusion that has been estimated to reach as far as 21.8 km (13.5 mi) upriver. Daily tidal changes affect estuary mixing and stratification. Flood tides coming from the ocean bring coastal nutrients like nitrogen and phosphorus into the estuary. During mixing events, the Yaquina Bay estuary experiences changes in gradients for salinity, concentration of chemical species, and suspended sediment, which in turn influences biological productivity. The Yaquina Bay estuary has high primary productivity throughout the year due to high dissolved oxygen concentrations and cool water temperature from tidal flushing.
Nutrients
Silicon
Sediment input from the Yaquina River contributes to the Yaquina Bay estuary chemistry, varying with seasonal rainfall. In the winter, when there is higher rainfall and therefore more input from the river, siliceous diatoms are more abundant and have higher species diversity. This is contrasted with fewer diatom species in seasons when there is less rainfall.
Rocks are mostly made of silica and when land weathering takes place, rocks are broken down into their smaller silica components. With increased rainfall and sediment transport, this weathering provides a source of silica for diatoms in Yaquina Bay.
The upstream Yaquina River source material is more quartz dominated (more silica) than downstream source material. Some of the heavy minerals upstream include micas (biotite and muscovite made of potassium, aluminum, and silica), hematite (iron), and limonite (iron oxides). Near the coastal shoreline and mouth of the Yaquina Bay estuary, the sand grains are mostly feldspars and chert (silica), and volcanic fragments (most likely high in silica, potassium, aluminum, sodium, and calcium). In nearshore marine deposit sediment, the source material is less quartz (less silica) compared to upriver sources; heavy minerals include pyroxene (a group of silicate minerals), hypersthene (magnesium iron silica), and diopside (magnesium calcium silica).
Carbon
Organic carbon concentrations of the Yaquina Bay estuary vary depending on depth. Concentrations are lowest in the channel (<0.2%) and highest in shallower sediments, particularly from samples collected at tidal flats (2.7%). About 1-7% of sand in the Yaquina Bay estuary is made of carbonates like mollusk shell fragments and foraminifera. Carbonate concentrations are higher in the bay channel (5%) and decrease towards the bay margin (3%).
Nitrogen
Major nitrogen sources for the Yaquina Bay estuary change with season. During drier seasons, the ocean is the major nitrogen source while the river is the major source in wetter seasons, where river discharge can be up to five times higher than drier seasons. Samples taken at the surface with varying salinities showed dissolved inorganic nitrogen is found mostly at the two salinity extremes; the mouth of the estuary and up the Yaquina River. The input at the mouth of Yaquina Bay indicates input from upwelled waters during the summer season. The nutrient flux into the estuary is enough to sustain primary productivity during the summer months.
Phosphorus
Phosphorus is generally a limiting nutrient in the ocean. In Pacific Northwest estuaries, an important source of phosphorus comes from ocean upwelling in the summer (see below). Samples taken at the surface with varying salinities showed dissolved inorganic phosphorus more prevalent in areas with higher salinities compared to lower, thus indicating the ocean as the source for this system.
Oxygen
Dissolved oxygen (DO) concentration is an important water quality parameter because of its close relationship with biological activity. In the Yaquina Bay estuary, DO levels may be lower and almost hypoxic due to low DO levels with coastal upwelled water imported into the estuary. DO levels of imported ocean water are dependent on physical factors (wind stress and cool water temperature) and biological factors (association with chlorophyll a and respiration). Ocean influence of DO levels in the estuary extends to about 10 km (6.2 mi) upriver. In the upper estuary beyond ocean influence, DO levels decrease with increasing temperature.
Chlorophyll a
Chlorophyll a (Chl a) concentrations vary seasonally with ocean water import, particularly during summer upwelling. Variation of Chl a also depends on the timing of summer upwelling each year, where upwelling could occur earlier or be delayed. Oregon estuaries typically have low median Chl a levels, about less than 5 micrograms per liter of water. When high concentrations of Chl a are advected into the estuary, there is also an increase in flood tide DO levels.
Upwelling
Summer upwelling along the Oregon coast brings nutrients from deep waters up into the Yaquina Bay estuary. This event, along with decreased rain and river input, and increased light, all contribute to the seasonal chemistry variability in the Bay.
Environment
Coastal hazards
As with any coastal zone, there are inherent hazards present. Especially in the Pacific Northwest, coastlines are impacted by large waves, storm surge, strong currents, wind, and rain. Yaquina Bay is seasonally affected by these impacts, with winter typically the most intense period. Storms and rain increase, which leads to more land runoff and also causes waves and currents to reshape the coastline.
Erosion is a challenge for Yaquina Bay and the entire Oregon Coast. Yaquina Bay's sediments are made up of sandstone, siltstone and clay-containing mudstone and these soft sediments contribute to annual erosion. Waves, however, are the main proponent of erosion. Waves are parallel to the beach and as wind increases, energy is enhanced and height grows, causing a devastating effect on beaches. Also, as currents run along the coast, they move sand causing either addition or depletion of sand in some areas. This has been evident around the Yaquina Jetty. With longshore drift increased during the winter, sand is deposited and dramatically built up in this area.
In 2002, researchers, stakeholders, and policy makers organized a vulnerability assessment to assess the current state of the coast in respect to future hazards occurring. They included Yaquina Bay in their case study, as this area is heavily influenced by tourism, businesses, industries, vessels, to name a few. The assessment was able to address areas of concern and helped businesses and industries by highlighting ways to adapt to the changing conditions to prevent future damage.
See also
Hatfield Marine Science Center
Steamboats of Yaquina Bay and Yaquina River
Yaquina Bay Bridge
Yaquina Bay State Recreation Site
References
External links
Yaquina Bay State Recreation Site at Oregon.gov |
Guy_Fawkes | https://en.wikipedia.org/wiki/Guy_Fawkes | [
246
] | [
"https://en.wikipedia.org/wiki/Guy_Fawkes"
] | Guy Fawkes (; 13 April 1570 – 31 January 1606), also known as Guido Fawkes while fighting for the Spanish, was a member of a group of provincial English Catholics involved in the failed Gunpowder Plot of 1605. He was born and educated in York; his father died when Fawkes was eight years old, after which his mother married a recusant Catholic.
Fawkes converted to Catholicism and left for mainland Europe, where he fought for Catholic Spain in the Eighty Years' War against Protestant Dutch reformers in the Low Countries. He travelled to Spain to seek support for a Catholic rebellion in England without success. He later met Thomas Wintour, with whom he returned to England. Wintour introduced him to Robert Catesby, who planned to assassinate King James I and restore a Catholic monarch to the throne. The plotters leased an undercroft beneath the House of Lords; Fawkes was placed in charge of the gunpowder that they stockpiled there. The authorities were prompted by an anonymous letter to search Westminster Palace during the early hours of 5 November, and they found Fawkes guarding the explosives. He was questioned and tortured over the next few days and confessed to wanting to blow up the House of Lords.
Fawkes was sentenced to be hanged, drawn and quartered. However, at his execution on 31 January, he died when his neck was broken as he was hanged, with some sources claiming that he deliberately jumped to make this happen; he thus avoided the agony of his sentence. He became synonymous with the Gunpowder Plot, the failure of which has been commemorated in the UK as Guy Fawkes Night since 5 November 1605, when his effigy is traditionally burned on a bonfire, commonly accompanied by fireworks.
Early life
Childhood
Guy Fawkes was born in 1570 in Stonegate, York. He was the second of four children born to Edward Fawkes, a proctor and an advocate of the consistory court at York, and his wife, Edith. Guy's parents were regular communicants of the Church of England, as were his paternal grandparents; his grandmother, born Ellen Harrington, was the daughter of a prominent merchant, who served as Lord Mayor of York in 1536. Guy's mother's family were recusant Catholics, and his cousin, Richard Cowling, became a Jesuit priest. Guy was an uncommon name in England, but may have been popular in York on account of a local notable, Sir Guy Fairfax of Steeton.
The date of Fawkes's birth is unknown, but he was baptised in the church of St Michael le Belfrey, York on 16 April. As the customary gap between birth and baptism was three days, he was probably born about 13 April. In 1568, Edith had given birth to a daughter named Anne, but the child died aged about seven weeks, in November that year. She bore two more children after Guy: Anne (b. 1572), and Elizabeth (b. 1575). Both were married, in 1599 and 1594 respectively.
In 1579, when Guy was eight years old, his father died. His mother remarried several years later, to the Catholic Dionis Baynbrigge (or Denis Bainbridge) of Scotton, Harrogate. Fawkes may have become a Catholic through the Baynbrigge family's recusant tendencies, and also the Catholic branches of the Pulleyn and Percy families of Scotton, but also from his time at St. Peter's School in York. A governor of the school had spent about 20 years in prison for recusancy, and its headmaster, John Pulleyn, came from a family of noted Yorkshire recusants, the Pulleyns of Blubberhouses. In her 1915 work The Pulleynes of Yorkshire, author Catharine Pullein suggested that Fawkes's Catholic education came from his Harrington relatives, who were known for harbouring priests, one of whom later accompanied Fawkes to Flanders in 1592–1593. Fawkes's fellow students included John Wright and his brother Christopher (both later involved with Fawkes in the Gunpowder Plot) and Oswald Tesimond, Edward Oldcorne and Robert Middleton, who became priests (the latter executed in 1601).
After leaving school Fawkes entered the service of Anthony Browne, 1st Viscount Montagu. The Viscount took a dislike to Fawkes and after a short time dismissed him; he was subsequently employed by Anthony-Maria Browne, 2nd Viscount Montagu, who succeeded his grandfather at the age of 18. At least one source claims that Fawkes married and had a son, but no known contemporary accounts confirm this.
Military career
In October 1591 Fawkes sold the estate in Clifton in York that he had inherited from his father. He travelled to the continent to fight in the Eighty Years War for Catholic Spain against the new Dutch Republic and, from 1595 until the Peace of Vervins in 1598, France. Although England was not by then engaged in land operations against Spain, the two countries were still at war, and the attempted invasion of England, led by the Spanish Armada in 1588, was only five years in the past. He joined Sir William Stanley, an English Catholic and veteran commander in his mid-forties who had raised an army in Ireland to fight in Leicester's expedition to the Netherlands. Stanley had been held in high regard by Elizabeth I, but following his surrender of Deventer to the Spanish in 1587 he, and most of his troops, had switched sides to serve Spain. Fawkes became an alférez or junior officer, fought well at the siege of Calais in 1596, and by 1603 had been recommended for a captaincy. That year, he travelled to Spain to seek support for a Catholic rebellion in England. He used the occasion to adopt the Italian version of his name, Guido, and in his memorandum described James I (who became king of England that year) as "a heretic", who intended "to have all of the Papist sect driven out of England." He denounced Scotland, and the King's favourites among the Scottish nobles, writing "it will not be possible to reconcile these two nations, as they are, for very long". Although he was received politely, the court of Philip III was unwilling to offer him any support.
Gunpowder Plot
In 1604 Fawkes became involved with a small group of English Catholics, led by Robert Catesby, who planned to assassinate the Protestant King James and replace him with his daughter, third in the line of succession, Princess Elizabeth. Fawkes was described by the Jesuit priest and former school friend Oswald Tesimond as "pleasant of approach and cheerful of manner, opposed to quarrels and strife ... loyal to his friends". Tesimond also claimed Fawkes was "a man highly skilled in matters of war", and that it was this mixture of piety and professionalism that endeared him to his fellow conspirators. The author Antonia Fraser describes Fawkes as "a tall, powerfully built man, with thick reddish-brown hair, a flowing moustache in the tradition of the time, and a bushy reddish-brown beard", and that he was "a man of action ... capable of intelligent argument as well as physical endurance, somewhat to the surprise of his enemies."
The first meeting of the five central conspirators took place on Sunday 20 May 1604, at an inn called the Duck and Drake, in the fashionable Strand district of London. Catesby had already proposed at an earlier meeting with Thomas Wintour and John Wright to kill the King and his government by blowing up "the Parliament House with gunpowder". Wintour, who at first objected to the plan, was convinced by Catesby to travel to the continent to seek help. Wintour met with the Constable of Castile, the exiled Welsh spy Hugh Owen, and Sir William Stanley, who said that Catesby would receive no support from Spain. Owen did, however, introduce Wintour to Fawkes, who had by then been away from England for many years, and thus was largely unknown in the country. Wintour and Fawkes were contemporaries; each was militant, and had first-hand experience of the unwillingness of the Spaniards to help. Wintour told Fawkes of their plan to "doe some whatt in Ingland if the pece with Spaine healped us nott", and thus in April 1604 the two men returned to England. Wintour's news did not surprise Catesby; despite positive noises from the Spanish authorities, he feared that "the deeds would nott answere".
One of the conspirators, Thomas Percy, was appointed a Gentleman Pensioner in June 1604, gaining access to a house in London that belonged to John Whynniard, Keeper of the King's Wardrobe. Fawkes was installed as a caretaker and began using the pseudonym John Johnson, servant to Percy. The contemporaneous account of the prosecution (taken from Thomas Wintour's confession) claimed that the conspirators attempted to dig a tunnel from beneath Whynniard's house to Parliament, although this story may have been a government fabrication; no evidence for the existence of a tunnel was presented by the prosecution, and no trace of one has ever been found; Fawkes himself did not admit the existence of such a scheme until his fifth interrogation, but even then he could not locate the tunnel. If the story is true, however, by December 1604 the conspirators were busy tunnelling from their rented house to the House of Lords. They ceased their efforts when, during tunnelling, they heard a noise from above. Fawkes was sent out to investigate, and returned with the news that the tenant's widow was clearing out a nearby undercroft, directly beneath the House of Lords.
The plotters purchased the lease to the room, which also belonged to John Whynniard. Unused and filthy, it was considered an ideal hiding place for the gunpowder the plotters planned to store. According to Fawkes, 20 barrels of gunpowder were brought in at first, followed by 16 more on 20 July. On 28 July however, the ever-present threat of the plague delayed the opening of Parliament until Tuesday, 5 November.
Overseas
In an attempt to gain foreign support, in May 1605 Fawkes travelled overseas and informed Hugh Owen of the plotters' plan. At some point during this trip his name made its way into the files of Robert Cecil, 1st Earl of Salisbury, who employed a network of spies across Europe. One of these spies, Captain William Turner, may have been responsible. Although the information he provided to Salisbury usually amounted to no more than a vague pattern of invasion reports, and included nothing which regarded the Gunpowder Plot, on 21 April he told how Fawkes was to be brought by Tesimond to England. Fawkes was a well-known Flemish mercenary, and would be introduced to "Mr Catesby" and "honourable friends of the nobility and others who would have arms and horses in readiness". Turner's report did not, however, mention Fawkes's pseudonym in England, John Johnson, and did not reach Cecil until late in November, well after the plot had been discovered.
It is uncertain when Fawkes returned to England, but he was back in London by late August 1605, when he and Wintour discovered that the gunpowder stored in the undercroft had decayed. More gunpowder was brought into the room, along with firewood to conceal it. Fawkes's final role in the plot was settled during a series of meetings in October. He was to light the fuse and then escape across the Thames. Simultaneously, a revolt in the Midlands would help to ensure the capture of Princess Elizabeth. Acts of regicide were frowned upon, and Fawkes would therefore head to the continent, where he would explain to the Catholic powers his holy duty to kill the King and his retinue.
Discovery
A few of the conspirators were concerned about fellow Catholics who would be present at Parliament during the opening. On the evening of 26 October, Lord Monteagle received an anonymous letter warning him to stay away, and to "retyre youre self into yowre contee whence yow maye expect the event in safti for ... they shall receyve a terrible blowe this parleament". Despite quickly becoming aware of the letter – informed by one of Monteagle's servants – the conspirators resolved to continue with their plans, as it appeared that it "was clearly thought to be a hoax". Fawkes checked the undercroft on 30 October, and reported that nothing had been disturbed. Monteagle's suspicions had been aroused, however, and the letter was shown to King James. The King ordered Sir Thomas Knyvet to conduct a search of the cellars underneath Parliament, which he did in the early hours of 5 November. Fawkes had taken up his station late on the previous night, armed with a slow match and a watch given to him by Percy "becaus he should knowe howe the time went away". He was found leaving the cellar, shortly after midnight, and arrested. Inside, the barrels of gunpowder were discovered hidden under piles of firewood and coal.
Torture
Fawkes gave his name as John Johnson and was first interrogated by members of the King's Privy chamber, where he remained defiant. When asked by one of the lords what he was doing in possession of so much gunpowder, Fawkes answered that his intention was "to blow you Scotch beggars back to your native mountains." He identified himself as a 36-year-old Catholic from Netherdale in Yorkshire, and gave his father's name as Thomas and his mother's as Edith Jackson. Wounds on his body noted by his questioners he explained as the effects of pleurisy. Fawkes admitted his intention to blow up the House of Lords, and expressed regret at his failure to do so. His steadfast manner earned him the admiration of King James, who described Fawkes as possessing "a Roman resolution".
James's admiration did not, however, prevent him from ordering on 6 November that "John Johnson" be tortured, to reveal the names of his co-conspirators. He directed that the torture be light at first, referring to the use of manacles, but more severe if necessary, authorising the use of the rack: "the gentler Tortures are to be first used unto him et sic per gradus ad ima tenditur [and so by degrees proceeding to the worst]". Fawkes was transferred to the Tower of London. The King composed a list of questions to be put to "Johnson", such as "as to what he is, For I can never yet hear of any man that knows him", "When and where he learned to speak French?", and "If he was a Papist, who brought him up in it?" The room in which Fawkes was interrogated subsequently became known as the Guy Fawkes Room.
Sir William Waad, Lieutenant of the Tower, supervised the torture and obtained Fawkes's confession. He searched his prisoner, and found a letter addressed to Guy Fawkes. To Waad's surprise, "Johnson" remained silent, revealing nothing about the plot or its authors. On the night of 6 November he spoke with Waad, who reported to Salisbury "He [Johnson] told us that since he undertook this action he did every day pray to God he might perform that which might be for the advancement of the Catholic Faith and saving his own soul". According to Waad, Fawkes managed to rest through the night, despite his being warned that he would be interrogated until "I had gotton the inwards secret of his thoughts and all his complices". His composure was broken at some point during the following day.
The observer Sir Edward Hoby remarked "Since Johnson's being in the Tower, he beginneth to speak English". Fawkes revealed his true identity on 7 November, and told his interrogators that there were five people involved in the plot to kill the King. He began to reveal their names on 8 November, and told how they intended to place Princess Elizabeth on the throne. His third confession, on 9 November, implicated Francis Tresham. Following the Ridolfi plot of 1571, prisoners were made to dictate their confessions, before copying and signing them, if they still could. Although it is uncertain if he was tortured on the rack, Fawkes's scrawled signature suggests the suffering he endured at the hands of his interrogators.
Trial and execution
The trial of eight of the plotters began on Monday 27 January 1606. Fawkes shared the barge from the Tower to Westminster Hall with seven of his co-conspirators. They were kept in the Star Chamber before being taken to Westminster Hall, where they were displayed on a purpose-built scaffold. The King and his close family, watching in secret, were among the spectators as the Lords Commissioners read out the list of charges. Fawkes was identified as Guido Fawkes, "otherwise called Guido Johnson". He pleaded not guilty, despite his apparent acceptance of guilt from the moment he was captured.
The jury found all the defendants guilty, and the Lord Chief Justice Sir John Popham pronounced them guilty of high treason. The Attorney General Sir Edward Coke told the court that each of the condemned would be drawn backwards to his death, by a horse, his head near the ground. They were to be "put to death halfway between heaven and earth as unworthy of both". Their genitals would be cut off and burnt before their eyes, and their bowels and hearts removed. They would then be decapitated, and the dismembered parts of their bodies displayed so that they might become "prey for the fowls of the air". Fawkes's and Tresham's testimony regarding the Spanish treason was read aloud, as well as confessions related specifically to the Gunpowder Plot. The last piece of evidence offered was a conversation between Fawkes and Wintour, who had been kept in adjacent cells. The two men apparently thought they had been speaking in private, but their conversation was intercepted by a government spy. When the prisoners were allowed to speak, Fawkes explained his not guilty plea as ignorance of certain aspects of the indictment.
On 31 January 1606, Fawkes and three others – Thomas Wintour, Ambrose Rookwood, and Robert Keyes – were dragged from the Tower on wattled hurdles to the Old Palace Yard at Westminster, opposite the building they had attempted to destroy. His fellow plotters were then hanged and quartered. Fawkes was the last to stand on the scaffold. He asked for forgiveness of the King and state, while keeping up his "crosses and idle ceremonies" (Catholic practices). Weakened by torture and aided by the hangman, Fawkes began to climb the ladder to the noose, but either through jumping to his death or climbing too high so the rope was incorrectly set, he managed to avoid the agony of the latter part of his execution by breaking his neck. His lifeless body was nevertheless quartered and, as was the custom, his body parts were then distributed to "the four corners of the kingdom", to be displayed as a warning to other would-be traitors.
Legacy
On 5 November 1605, Londoners were encouraged to celebrate the King's escape from assassination by lighting bonfires, provided that "this testemonye of joy be carefull done without any danger or disorder". An Act of Parliament designated each 5 November as a day of thanksgiving for "the joyful day of deliverance", and remained in force until 1859. Fawkes was one of 13 conspirators, but he is the individual most associated with the plot.
In Britain, 5 November has variously been called Guy Fawkes Night, Guy Fawkes Day, Plot Night, and Bonfire Night (which can be traced directly back to the original celebration of 5 November 1605). Bonfires were accompanied by fireworks from the 1650s onwards, and it became the custom after 1673 to burn an effigy (usually of the pope) when heir presumptive James, Duke of York, converted to Catholicism. Effigies of other notable figures have found their way onto the bonfires, such as Paul Kruger, Margaret Thatcher, Liz Truss, Rishi Sunak and Vladimir Putin. The "guy" is normally created by children from old clothes, newspapers, and a mask. During the 19th century, "guy" came to mean an oddly dressed person, while in many places it has lost any pejorative connotation and instead refers to any male person and the plural form can refer to people of any gender (as in "you guys").
James Sharpe, professor of history at the University of York, has described how Guy Fawkes came to be toasted as "the last man to enter Parliament with honest intentions". William Harrison Ainsworth's 1841 historical romance Guy Fawkes; or, The Gunpowder Treason portrays Fawkes in a generally sympathetic light and his novel transformed Fawkes in the public perception into an "acceptable fictional character". Fawkes subsequently appeared as "essentially an action hero" in children's books and penny dreadfuls such as The Boyhood Days of Guy Fawkes; or, The Conspirators of Old London, published around 1905. According to the historian Lewis Call, Fawkes is now "a major icon in modern political culture", whose face has become "a potentially powerful instrument for the articulation of postmodern anarchism" in the late 20th century. Fawkes is regarded by some as a martyr, political rebel or freedom-fighter, especially amongst a minority of Catholics in the United Kingdom.
References
Footnotes
Citations
Bibliography
External links
Guy Fawkes story from the BBC, including archive video clips
The Trials of Robert Winter, Thomas Winter, Guy Fawkes, John Grant, Ambrose Rookwood, Robert Keyes, Thomas Bates, and Sir Everard Digby
Guy Fawkes Attainder from the Parliamentary Archives |
2012_Summer_Olympics_opening_ceremony | https://en.wikipedia.org/wiki/2012_Summer_Olympics_opening_ceremony | [
246
] | [
"https://en.wikipedia.org/wiki/2012_Summer_Olympics_opening_ceremony"
] | The opening ceremony of the 2012 Summer Olympics took place on the evening of Friday 27 July 2012 in the Olympic Stadium, London, during which the Games were formally opened by Queen Elizabeth II. As mandated by the Olympic Charter, the proceedings combined the ceremonial opening of this international sporting event (including welcoming speeches, hoisting of the flags and the parade of athletes) with an artistic spectacle to showcase the host nation's culture. The spectacle was entitled Isles of Wonder and directed by Academy Award-winning British film director Danny Boyle.
Prior to London 2012 there had been considerable apprehension about Britain's ability to stage an opening ceremony that could reach the standard set at the Beijing Summer Games of 2008. The 2008 ceremony had been noted for its scale, extravagance and expense, hailed as the "greatest ever", and had cost £65m. In contrast, London spent an estimated £27m (out of £80m budgeted for its four ceremonies), which was nevertheless about twice the original budget. Nonetheless, the London opening ceremony was immediately seen as a tremendous success, widely praised as a "masterpiece" and "a love letter to Britain".
The ceremony began at 21:00 BST and lasted almost four hours. It was watched by an estimated worldwide television audience of 900 million, falling short of the IOC's 1.5 billion viewership estimate for the 2008 ceremony, but becoming the most-viewed in the UK and US. The content had largely been kept secret before the performance, despite involving thousands of volunteers and two public rehearsals. The principal sections of the artistic display represented Britain's Industrial Revolution, National Health Service, literary heritage, popular music and culture, and were noted for their vibrant storytelling and use of music. Two shorter sections drew particular comment, involving a filmed cameo appearance of the Queen with James Bond as her escort, and a live performance by the London Symphony Orchestra joined by comedian Rowan Atkinson. These were widely ascribed to Britain's sense of humour. The ceremony featured children and young people in most of its segments, reflecting the 'inspire a generation' aspiration of London's original bid for the Games.
The BBC released footage of the entire opening ceremony on 29 October 2012, edited by Danny Boyle and with background extras, along with more than seven hours of sporting highlights and the complete closing ceremony.
Preparations
The London Organising Committee of the Olympic and Paralympic Games (LOCOG) approached Danny Boyle to be the director of the ceremony in June 2010, and he immediately accepted. Boyle explained that there had been four things that made him take the job: he was a big Olympics fan, he lived a mile from the Stadium and so felt invested in the area, his late father's birthday was on the ceremony's date, and he felt his 'Oscar clout' would enable him to push through what he wanted to do. He said it "felt weirdly more like a ... civic or national responsibility" to take the job.
Boyle acknowledged that the extravagance of the 2008 opening ceremony was an impossible act to follow — "you can't get bigger than Beijing" — and that this realisation had in fact liberated his team creatively. He said "..obviously I'm not going to try and build on Beijing, because how could you? We can't, and you wouldn't want to, so we're going back to the beginning. We're going to try and give the impression that we're rethinking and restarting, because they've (opening ceremonies) escalated since Los Angeles in 1984. They've tried to top themselves each time and you can't do that after Beijing." Beijing's budget had been £65m, whereas London's final budget was £27m, which was twice the original provision. The London stadium had the same number of seats as Beijing's, but was half the size; this intimacy of scale meant that Boyle felt he could achieve something personal and connecting.
The different sections of the ceremony were designed to reflect aspects of British history and culture, with the title Isles of Wonder partly inspired by Shakespeare's play The Tempest (particularly Caliban's 'Be not afeard' speech), and partly by the G. K. Chesterton aphorism: "The world shall perish not for lack of wonders, but for lack of wonder."
In July 2010, Boyle started brainstorming ideas with designer Mark Tildesley, writer Frank Cottrell-Boyce and costume designer Suttirat Anne Larlarb. They considered "what was essentially British", with the non-British Larlarb able to offer a view of what the world thought Britain meant. Cottrell-Boyce had given Boyle a copy of Pandaemonium, (named after the capital of Hell in Paradise Lost) by Humphrey Jennings, which collated contemporary reports from the Industrial Revolution. It had become traditional during the opening ceremony to 'produce' the Olympic rings in a spectacular manner. Cottrell-Boyce commented "Danny had a very clear idea that in the first 15 minutes you had to have a great, startling image that could go around the world; it had to climax with something that made people go 'Oh my God!'". Boyle decided that "the journey from the pastoral to the industrial, ending with the forging of the Olympic rings" would be that image.
The ten distinct chapters on which the team started work were gradually compressed into three principal movements: the violent transition from 'Green and Pleasant Land' to the 'Pandemonium' of industrial revolution, a salute to the NHS and children's literature, and a celebration of pop culture, technology and the digital revolution.
When Boyle returned to work on the ceremony in the spring of 2011 he asked Rick Smith of Underworld, with whom he had worked on several film projects as well as his theatrical production of Mary Shelley's Frankenstein, to be the musical director. At the same time the team moved to the Three Mills studio complex in east London, where a 4x4 metre scale model of the stadium was built. For security reasons, a single CGI-assisted version of the ceremony was kept on editor Sascha Dhillon's laptop; anyone needing it had to come to the studio.
The cast included professional performers and 7,500 volunteers. Boyle considered the volunteers to be "the most valuable commodity of all". In November 2011 they auditioned at Three Mills, and rehearsals began in earnest in spring 2012 at an open-air site at Dagenham (the abandoned Ford plant), often in foul weather. Although key contributors had to sign non-disclosure agreements and some elements were codenamed, Boyle placed immense trust in the volunteers by asking them simply to "save the surprise" and not leak any information. Further volunteers were recruited to help with security and marshalling, and to support the technical crew. Three weeks before the ceremony, Mark Rylance, who was to have taken a leading part, pulled out after a family bereavement and was replaced by Kenneth Branagh.
The Olympic Bell, the largest harmonically tuned bell in the world, weighing 23 tonnes, had been cast in brass under the direction of the Whitechapel Bell Foundry by Royal Eijsbouts of the Netherlands, and hung in the Stadium. It was inscribed with a line from Caliban's speech in The Tempest: "Be not afeard, the isle is full of noises".
Boyle gave significant emphasis to the London 2012 theme 'inspire a generation' and devised a programme relying heavily on children and young people, and built around themes that would relate to the young. 25 schools in the six original East London host boroughs were used to recruit child volunteers for the performance, and 170 sixth formers (16–18-year-olds), between them speaking more than 50 languages, were recruited from their colleges.
On 12 June 2012 at a press conference, Boyle had promised a huge set of rural Britain, which was to include a village cricket team, farm animals, a model of Glastonbury Tor, as well as a maypole and a rain-producing cloud. His intention was to represent the rural and urban landscape of Britain. The design was to include a mosh pit at each end of the set, one with people celebrating a rock festival and the other the Last Night of the Proms.
Boyle promised a ceremony with which everyone would feel involved; he said, "I hope it will reveal how peculiar and contrary we are – and how there's also, I hope, a warmth about us." Some of the set was designed with real grass turf and soil. The use of animals (40 sheep, 12 horses, 3 cows, 2 goats, 10 chickens, 10 ducks, 9 geese and 3 sheep dogs, looked after by 34 animal handlers) drew some criticism from People for the Ethical Treatment of Animals (PETA). Boyle, who was being advised by the RSPCA, assured PETA that the animals would be well cared for. After the press conference, much commentary in the UK Press was negative and attracted "hundreds of comments online completely supporting...the view that the opening ceremony would be a disaster."
The overwhelming majority of the music used was British. The team worked next door to the office of the musical director for the closing ceremony, David Arnold, and so hearing each other's music there was a scramble to claim a particular song first. A.R. Rahman, who worked with Boyle on Slumdog Millionaire and 127 Hours, composed a Punjabi song 'Nimma Nimma' to showcase Indian influence in the UK, according to Boyle's wishes. More Indian music was also scheduled for inclusion in the medley. Paul McCartney was to be the ceremony's closing act.
Sebastian Coe was instrumental in asking the Queen to take part, responding positively when Boyle first pitched the Happy and Glorious film sequence featuring the Queen. Boyle suggested that the Queen be played either a lookalike, or by a world-class actress such as Helen Mirren, in a location to double as Buckingham Palace. Coe asked Princess Anne, a British member of the IOC and LOCOG, what she thought, and she told him to ask the Queen. Coe presented the idea to the Queen's Deputy Private Secretary. Boyle was surprised to hear that the Queen would be happy to play herself, and wanted a speaking part. Filming took place in late March 2012, and Happy and Glorious was produced by the BBC, as was the opening film sequence Journey along the Thames.
Changes were still being made to the programme in the final days before the ceremony: a BMX bike section was dropped due to time constraints, and the 'Pandemonium' and 'Thanks..Tim' sections were edited down. In 2016 Boyle recounted how he had come under pressure from Jeremy Hunt, then the Olympics and Culture Secretary, to cut back the NHS section, which he had saved only by threatening to resign and take the volunteers with him.
Two full dress and technical rehearsals took place in the Olympic stadium, on 23 and 25 July, in front of an audience of 60,000 comprising volunteers, cast members' families, competition winners, and others connected to the Games. Boyle asked them not to 'spoil the surprise' by using the hashtag #savethesurprise on social media, keeping the performance a secret for the hundreds of millions who would watch on the Friday night.
Officials and guests
Royal Box
Seated in the Royal Box were the Queen and the Duke of Edinburgh, the Prince of Wales, and other members of the British royal family. They were accompanied by Archbishop of Canterbury Rowan Williams, Prime Minister David Cameron, Spouse of the Prime Minister Samantha Cameron, former Prime Ministers John Major, Tony Blair and Gordon Brown and Mayor of London Boris Johnson. Officials of the Olympic movement included President of the IOC Jacques Rogge, LOCOG Chairman Sebastian Coe and members of the IOC.
International dignitaries
The ceremony was the largest gathering of world leaders for an Olympic and sporting event in history, surpassing that of 2008. Three multilateral leaders, more than ninety five heads of state and government and representatives from five organisations and one hundred and twenty countries attended.
Proceedings
Schedule
Prologue
At exactly 20:12 BST, the Red Arrows performed a flypast over the Olympic Stadium and then over the concert in Hyde Park. This concert featured artists selected to represent the four nations of the United Kingdom: Duran Duran, Stereophonics, Snow Patrol and Paolo Nutini.
At the beginning the stadium contained a rural scene including the model of Glastonbury Tor, a model village and a water wheel, replete with live animals (removed shortly before the ceremony began), and actors portraying working villagers, football and cricket players.
Frank Turner performed three songs ("Sailor's Boots", "Wessex Boy" and "I Still Believe") on the model of Glastonbury Tor, joined by Emily Barker, Ben Marwood and Jim Lockey, as well as his regular backing band the Sleeping Souls. LSO On Track (an orchestra of 80 young musicians from ten East London boroughs together with 20 LSO members) then performed Edward Elgar's "Nimrod" from the Enigma Variations, accompanied by extracts from the BBC Radio Shipping Forecast, and maritime images on the big screens, while the audience held up blue sheeting to simulate the sight of the ocean. This performance celebrated Britain's maritime heritage and geographical insularity.
Countdown (21:00–21:04 BST)
The ceremony began at 21:00 after a one-minute '60 to 1' countdown film made up of shots of numbers, such as those on house doors, street nameplates, London buses, station platforms and market labels. The number 39 is seen at the foot of a flight of steps, a reference to John Buchan's novel The Thirty-Nine Steps, while the 10 is the door number from 10 Downing Street.
A two-minute film, Journey along the Thames, directed by Boyle and produced by the BBC, opened the ceremony. To the sound of "Surf Solar" by Fuck Buttons, it followed the River Thames from its source to the heart of London, juxtaposing images of contemporary British life with pastoral shots and flashes of scenes from the stadium. The characters Ratty, Mole and Toad from The Wind in the Willows were briefly seen, as was a 'Monty Python hand' pointing towards London on umbrellas, and an InterCity 125 train passing the Olympic rings as crop circles in a field. At Battersea Power Station a Pink Floyd pig was flying between the towers; the clock sound from another Pink Floyd song "Time" was heard passing Big Ben. The soundtrack included clips from the theme tune of The South Bank Show, "London Calling" by The Clash, and the Sex Pistols' "God Save the Queen" as the film followed the route of the band's infamous cruise down the River Thames during the Silver Jubilee.
After lifting to an aerial view of East London mirroring the title sequence of the BBC soap opera EastEnders, to the sound of the drum beats from the closing theme, the film flashed down through the Thames Barrier, into Bow Creek, and then below surface through a London Underground train and station, historic footage of Isambard Kingdom Brunel's Thames Tunnel, and through the Rotherhithe Tunnel. It then switched to a sequence filmed outside the stadium shortly before the ceremony, superimposed with posters from previous Summer Olympics (all of them except 1900 Paris, 1936 Berlin, 1984 Los Angeles, and 1996 Atlanta), to a recording of "Map of the Problematique" by Muse. This ended with a live shot of three cast members holding the posters for the 2012 competition.
There was then a ten-second countdown in the stadium, with children holding clusters of balloons that burst simultaneously, with the audience shouting out the numbers. Bradley Wiggins, who had won the Tour de France five days earlier, opened the ceremony by ringing the Olympic Bell that hung at one end of the stadium. Four upper-atmosphere balloons were released, each expected to carry a set of Olympic rings and a camera up to the mid-stratosphere.
Green and Pleasant Land (21:04–21:09)
The depiction of rural life already in the arena was billed as "a reminder and a promise of a once and future better life". Youth choirs began a cappella performances of the informal anthems of the four nations of the UK: "Jerusalem" (for England, sung by a live choir in the stadium), "Danny Boy" (from the Giant's Causeway in Northern Ireland), "Flower of Scotland" (from Edinburgh Castle in Scotland), and "Bread of Heaven" (from Rhossili Beach in Wales). These were inter-cut with footage of notable Rugby Union Home Nations' tries, England's winning drop goal from the 2003 Rugby World Cup Final, and live shots from the stadium.
As the last choir performance concluded, vintage London General Omnibus Company stagecoaches entered, carrying businessmen and early industrialists in Victorian dress and top hats, led by Kenneth Branagh as Isambard Kingdom Brunel. The 50 men stepped down from the carriages and surveyed the land approvingly. After walking onto the Glastonbury Tor, Brunel delivered Caliban's "Be not afeard" speech, reflecting Boyle's introduction to the ceremony in the programme and signifying an aspiration of new industry or a new era in Britain. This anticipated the next section of the ceremony.
Pandemonium (21:09–21:25)
This section encapsulated British economic and social development from rural economy through the Industrial Revolution to the 1960s.
Proceedings were suddenly interrupted by a loud shout, recorded by volunteers during the rehearsals, followed by drumming (the pre-recorded drumming amplified by 965 cast members drumming on inverted household buckets and bins), led by Evelyn Glennie. The three-tonne oak tree on top of the Glastonbury Tor lifted, and industrial workers emerged from both the Tor's brightly lit interior and the entrances to the stadium, to swell the cast to a total of 2,500 volunteers. So began what Boyle had called the "biggest scene change in theatre history" and something he had been advised against attempting. Underworld's "And I Will Kiss" began to play, as the cast rolled away the grass and other rural props.
Seven smoking chimney stacks with accompanying steeplejacks rose from the ground, along with other industrial machinery: five beam engines, six looms, a crucible and a water wheel (one of the few items left from the rural scene). Boyle said that this section celebrated the "tremendous potential" afforded by the advancements of the Victorian era. It also included a minute's silence in remembrance of the loss of life of both world wars, featuring British 'Tommies' and shots of poppies, during which the names of the Accrington Pals were shown on the stadium screens. Unprompted, members of the audience stood in respect during this segment.
Volunteers paraded around the stadium representing some of the groups that had changed the face of Britain: the woman's suffrage movement, the Jarrow Crusade, the first Caribbean immigrants arriving in 1948 on board the Empire Windrush, a 1970s DJ float, the Nostalgia Steel Band, and the Beatles as they appeared on the cover of Sgt. Pepper's Lonely Hearts Club Band. Also included were real-life Chelsea Pensioners, the Grimethorpe Colliery Band, and a group of Pearly Kings and Queens.
Workers began casting an iron ring. As the noise level and tension built, driven by the relentless rhythm of the music and the drumming, participants mimed repetitive mechanical movements associated with industrial processes such as weaving. Four glowing orange rings gradually began to be carried high above the stadium toward its centre on overhead wires, and then the ring seemingly being cast and forged in the arena began to rise. The five rings converged, still glowing and accompanied by steam and firework effects to give the impression that they were of hot metal. When the five rings formed the Olympic symbol above the stadium, they ignited and rained fire in silver and gold. The image of the Olympic rings in flame became the iconic image of the ceremony, reproduced in newspapers and web stories around the world.
Happy and Glorious (21:25–21:35)
A short film directed by Boyle and produced by the BBC, called Happy and Glorious (after a line in the national anthem), featured the character James Bond, played by then-Bond actor Daniel Craig, entering the front gate of Buckingham Palace in a London black cab. His entrance (accompanied by an arrangement of Handel's "Arrival of the Queen of Sheba") is noticed by Brazilian children (a nod to Rio de Janeiro, which was to be the next summer Games host city) in the throne room. Bond escorted Elizabeth II (who played herself, acknowledging Bond with the words, "Good evening, Mr Bond") out of the building and into a waiting AgustaWestland AW139 helicopter. The film followed the helicopter across London, with shots of a cheering crowd on The Mall, Nelson's Column, the Palace of Westminster with an animated Winston Churchill statue in Parliament Square, and of the Thames past the London Eye, St Paul's Cathedral, the financial district City of London.
The helicopter then passed through Tower Bridge, accompanied by the Dambusters March. The film finished with Bond and the Queen apparently jumping from a real helicopter live above the stadium, accompanied by the "James Bond Theme". The Queen and the Duke of Edinburgh, along with Rogge, were then introduced to the audience. The Queen was wearing the same dress as in the film, as if she had just arrived with Bond.
The idea of the royal helicopter jump was first pitched by director Danny Boyle to Sebastian Coe, who loved it so much he took it to Edward Young, Private Secretary to the Queen, at Buckingham Palace in the summer of 2011. Young 'listened sagely, laughed, and promised to ask the boss'. Word came back to Coe that the Queen would love to take part. Young, Boyle and Coe agreed to keep the plan secret so as not to spoil the surprise. On 19 September 2022, the morning of the Queen's funeral, Coe told BBC News he originally took the concept to Princess Anne whose only question was "What kind of helicopter?" Back in 2014, during a State visit by Irish President Michael Higgins, the Queen herself had credited the humour in some degree to Boyle's Irish heritage, saying, “It took someone of Irish descent, Danny Boyle, to get me to jump from a helicopter."
For the scenes with the helicopter, the Queen was doubled by actress Julia McKenzie, and for the parachute jump by BASE jumper and stuntman Gary Connery wearing a dress, hat, jewellery and with a handbag. Bond was played by Mark Sutton. The helicopter had flown to the stadium from Stapleford Aerodrome in Essex, piloted by Marc Wolff.
The Union Flag was then raised by members of the British Armed Forces, while the first and third verses of the national anthem were performed a cappella by the Kaos Signing Choir for Deaf and Hearing Children.
Second to the right, and straight on till morning (21:35–21:47)
The first part of this sequence celebrated the National Health Service ("the institution which more than any other unites our nation", according to the programme), which had been founded in the year of the previous London Games in 1948. Music was by Mike Oldfield. 600 dancers, all of whom were NHS staff, along with 1,200 volunteers recruited from British hospitals, entered along with children on 320 hospital beds, some of which functioned as trampolines. They started a short jive routine. Watching from the tor were specially invited hospital staff and nine child patients from Great Ormond Street Hospital. The blankets on the beds illuminated and the beds were arranged to depict a child's face with a smile and a tear (the Hospital Children's Charity's logo). The acronym 'GOSH' then changed into the initials 'NHS', turning into the shape of a crescent moon as the children were hushed to sleep and read books by the nurses.
The sequence then moved on to celebrate British children's literature. J. K. Rowling began by reading from J. M. Barrie's Peter Pan (whose copyright was given to Great Ormond Street Hospital). The Child Catcher appeared amongst the children, followed by giant puppet representations of villains from British children's literature: the Queen of Hearts, Captain Hook, Cruella de Vil, and Lord Voldemort. Minutes later, 32 women playing Mary Poppins descended with their umbrellas, as the villains deflated and the actors resumed dancing. The music for this sequence included partially rearranged sections from Tubular Bells (with a giant set of tubular bells at the rear of the stage), Tubular Bells III and, after the villains had been driven away by the Mary Poppins characters, In Dulci Jubilo. During this performance the children in pyjamas jumped up and down on their brightly lit beds, creating a memorable image amid the darkness of the stadium.
The sequence concluded with a pale, gigantic baby's head, with a rippling sheet for its body, in the centre of the arena. This celebrated the Scottish pioneers of obstetric ultrasound imaging.
Interlude (21:47–21:52)
Simon Rattle was then introduced to conduct the London Symphony Orchestra in a performance of Vangelis's "Chariots of Fire", as a tribute to the British film industry with Rowan Atkinson reprising his role as Mr. Bean, comically playing a repeated note on a synthesiser. He then lapsed into a filmed dream sequence in which he joined the runners from the film Chariots of Fire, beating them in their iconic run along West Sands at St Andrews by riding in a car, rejoining the race and tripping the front runner. Danny Boyle later explained: "It wasn't actually Mr. Bean. Strictly speaking, the name of his character was Derek". In 2021's "Happy Birthday Mr Bean" documentary, Atkinson also stated that the performance was not actually intended to be the character Mr. Bean.
Frankie and June say...thanks Tim (21:52–22:09)
This sequence celebrated British popular music and culture, paying homage to each decade since the 1960s. To the accompaniment of the BBC newsreel theme 'Girls in Grey' and the theme tune from The Archers, a young mother and son arrive in a Mini Cooper at a full-size replica of a modern British house. The 1987 "don't worry about a hurricane" weather forecast by Michael Fish was shown on the big screens as rain suddenly poured on the house, followed by "Push the Button", by Sugababes. In the centre of the arena the sides of another house, three times larger, were used as screens to show clips from various TV programmes, music videos and films, including A Matter of Life and Death (June is named for its protagonist), as well as Gregory's Girl, Kes, Bedknobs and Broomsticks, The Snowman, The Wicker Man, Four Weddings and a Funeral, British soap operas Coronation Street and EastEnders, Spanish TV show Cuéntame cómo pasó, and Boyle's own Trainspotting on the top and the inside of the house on the bottom. A large group of dancers, centred around Frankie and June (19-year-old Henrique Costa and 18-year-old Jasmine Breinburg) on a night out, performed to an assortment of British popular songs arranged broadly chronologically, beginning with "Going Underground" by The Jam, suggesting a ride on the London Underground. During this track images of the Underground were projected onto the house and former London Mayor Ken Livingstone was briefly seen in the driver's seat. Throughout the sequence cast members were texting each other or placing social networking status updates on the Internet. Frankie and June first notice each other as a snippet from "Wonderful Tonight" by Eric Clapton plays, but when Frankie saw that June had dropped her phone on the Tube, he set off to return it (communicating using last number redial to her sister's phone).
An extended dance sequence followed, with songs including "My Generation" by The Who, "(I Can't Get No) Satisfaction" by the Rolling Stones, "My Boy Lollipop" sung by Millie Small, "All Day and All of the Night" by the Kinks, "She Loves You" by the Beatles (with footage of the band performing the song), "Trampled Under Foot" by Led Zeppelin, "Starman" by David Bowie, "Bohemian Rhapsody" by Queen (during which the sound of the TARDIS from Doctor Who could be heard), "Pretty Vacant" by the Sex Pistols (during which dancers on power jumpers wearing large heads with Mohawk hairstyles performed a pogo dance, and the lyrics to the song were spelt out in LED lights around the stadium), "Blue Monday" by New Order, "Relax" by Frankie Goes to Hollywood (during which Frankie, asked by June for his name, replied by revealing one of the band's "Frankie say..." T-shirts), "Back to Life (However Do You Want Me)" by Soul II Soul, "Step On" by Happy Mondays, "Sweet Dreams (Are Made of This)" by Eurythmics, "Firestarter" by The Prodigy, and "Born Slippy .NUXX" by Underworld, ending with the cast singing "I'm Forever Blowing Bubbles" as Frankie and June walked towards each other. A sequence from the film Four Weddings and a Funeral was projected behind them; when they kissed, a montage of memorable kisses from film, TV and real life was shown (including one of the first interracial kisses on British television in Emergency Ward 10 and the first lesbian kiss from Brookside, which in some countries, including Saudi Arabia, then became the first lesbian kiss ever shown on pre-watershed television), while "Song 2" by Blur was played. A live performance of "Bonkers" by Dizzee Rascal (who grew up in the host borough of Tower Hamlets) followed, along with a further sequence in which all the cast (and Britain's Got Talent dancing duo Signature) attend a party at June's house whilst Amy Winehouse's "Valerie", Muse's "Uprising", and Tinie Tempah's "Pass Out" played.
At the close, while "Heaven" by Emeli Sandé was played, the larger house was raised to reveal Tim Berners-Lee working at a NeXT Computer, like the one on which he invented the World Wide Web. He tweeted 'This is for everyone', instantly spelt out in LED lights around the stadium. The programme explained "Music connects us with each other and with the most important moments in our lives. One of the things that makes those connections possible is the World Wide Web". Boyle wanted to honour Berners-Lee for having made the World Wide Web free and available to everyone (hence the tweet), rather than seeking a commercial profit from it.
Abide with Me (22:09–22:20)
A filmed sequence showed extracts from the torch relay around the UK, to the music "I Heard Wonders" by David Holmes. This then cut live to show David Beckham driving a dramatically illuminated motor boat down the River Thames and under Tower Bridge, to fireworks, while footballer Jade Bailey held on to the torch in the boat. This section had been rehearsed on 24 July 2012 when the close-up shots were pre-recorded, and was directed by Stephen Daldry.
There was then a tribute to "..friends and family of those in the stadium who cannot be here tonight", including the victims of the '7/7' 2005 London bombings (on the day after London had been awarded the Games). Photos of people who had died were displayed on screens as a memorial, accompanied by an excerpt from Brian Eno's ambient work "An Ending (Ascent)". The hymn "Abide with Me" was then sung by Emeli Sandé while a group of dancers choreographed by and including Akram Khan performed a contemporary dance on the theme of mortality.
Welcome (22:20–00:00)
The Parade of Nations of athletes (drawn from the 10,490 competing) and officials from 204 nations (and also the "Independent Olympic Athletes") was led, according to custom, by the Greek team, followed by other competing countries in alphabetical order, and finally the host nation Great Britain. Each of the 205 teams entered the stadium led by their flagbearer, accompanied by a child volunteer carrying a copper petal (later revealed to be part of the cauldron) and a young woman carrying a sign with the country's name in English (and wearing a dress made from fabric printed with photos of people who had applied to be Olympic volunteers).
The parade was accompanied by mainly British dance tracks and popular songs, including "Galvanize" by Chemical Brothers, "West End Girls" by Pet Shop Boys, "Rolling in the Deep" by Adele, "Stayin' Alive" by the Bee Gees and both "Where the Streets Have No Name" and "Beautiful Day" by Irish band U2, with Great Britain entering to David Bowie's song "Heroes". Welsh drum and bass DJ High Contrast mixed and sequenced the music for the athletes' parade.
Music with a fast rhythm of 120 bpm was used in an attempt to keep the teams walking quickly around the stadium, and this was reinforced by the drummers in the stadium; nevertheless the parade part of the programme took 1 hour 40 minutes to complete, compared to the 1 hour 29 minutes estimated in the official media guide. Once all of the athletes were inside the stadium, seven billion small pieces of paper were dropped from a Westland helicopter, each piece representing one person on Earth. Each nation's flag was planted on the Glastonbury Tor.
Bike a.m. (00:00–00:07 BST 28 July)
Once the athletes had gathered in the centre of the stadium, Arctic Monkeys performed "I Bet You Look Good on the Dancefloor" and The Beatles' "Come Together", the latter whilst 75 cyclists circled the stadium with wings lit by LEDs representing Doves of Peace. Doves were traditionally released at Olympic opening ceremonies, although real birds have not been used since 1992. A single dove cyclist, his beak painted yellow in honour of Bradley Wiggins, appeared to fly out of the stadium.
Let the Games Begin (00:07–00:24)
The formal part of the ceremony was introduced by Sebastian Coe, speaking from the Tor and surrounded by flags of the participating nations. He welcomed the watching world to London. He expressed pride in being British and part of the Olympic movement, and said that the Olympics "brings together the people of the world...to celebrate what is best about mankind". He continued to speak of the "truth and drama" of sport, and then thanked Britain for "making all this possible". Rogge responded by thanking London, stating that it was the third time that London had held the Games, following 1908, held at short notice when Rome was unable to do so (after a volcanic eruption), and 1948 three years after the end of World War II. Rogge thanked the thousands of volunteers, to huge cheers. He announced that for the first time in Olympic history, every team had female participants. Rogge acknowledged the important role the UK had played as "the birthplace of modern sport", codifying its "fair play" ethos and building sport into the school curriculum. He appealed to athletes to play fairly and be drug-free, according to the values of Baron de Courbertin, reminding them that they were role models who would "inspire a generation". After expressing these sentiments again briefly in French, he invited the Queen to open the Games.
The Queen declared the competition officially open, immediately followed by a trumpet fanfare based on a theme from Tubular Bells by Mike Oldfield and then a fireworks display. The 2012 ceremony was the second time the Queen had opened an Olympic Games, the first being the 1976 Summer Olympics in Montreal in her capacity as Queen of Canada. It was also the first time any individual had opened a Summer Olympics twice (two more Olympiads had been opened on her behalf, with a further two Winter Games opened on her behalf).
The Olympic Flag was carried by eight people chosen from around the world to embody the Olympic values: Doreen Lawrence (chosen for her "tireless thirst for justice"), Haile Gebrselassie (for his "fight against poverty"), Sally Becker (for her "courage"), Ban Ki-moon (as UN secretary-general), Leymah Gbowee (as "a great peacemaker"), Shami Chakrabarti (for "her integrity"), Daniel Barenboim (for bringing "harmony in place of discord"), and Marina Silva (as UN Champion of the Earth). The flag paused in front of Muhammad Ali (invited to represent 'respect, confidence, conviction, dedication, generosity and spiritual strength'), who held it for a few moments. The flag was received by a colour guard of Her Majesty's Armed Forces and hoisted to the Olympic Anthem, performed by the LSO and the Grimethorpe Colliery Band. A brief reprise of "And I will Kiss" commenced the Olympic Oaths, taken by taekwondo athlete Sarah Stevenson on behalf of the athletes, by British AIBA Referee Mik Basi on behalf of the officials, and by Eric Farrell on behalf of the coaches.
There Is a Light That Never Goes Out (00:24–00:38)
This section was named after the song of the same name by The Smiths. The motorboat driven by David Beckham arrived with the Olympic Flame via the Limehouse Cut and the Lee Navigation. Steve Redgrave lit his torch from that on the boat, and carried it into the stadium through an honour guard of 500 of the construction workers who had built the Olympic Park. He passed the flame on to a team of seven young people, each nominated by a famous British Olympian to convey the Games' aim to 'inspire a generation'. Six of the team were athletes, and the seventh was a volunteer young ambassador.
The teenagers made a lap of the stadium, each carrying the torch in turn, while Alex Trimble, lead singer of Two Door Cinema Club, performed "Caliban's Dream" with the Dockhead Choir, Only Men Aloud, Elizabeth Roberts, and Esme Smith. This had been written especially for the ceremony by Rick Smith of Underworld.
Each young athlete was greeted by their nominating Olympian (watched by 260 British medallists from previous summer and winter Games since London 1948) and presented with their own torch, which was then lit from the flame. They jogged through a corridor between assembled athletes to the centre of the stadium, where the 204 copper petals (each inscribed with the name of the team it accompanied during the parade) were now seen in a circular formation attached to long pipes (the petals were to accompany each team home after the competition, as a souvenir). The young athletes lit some of the petals, and when the flame had spread to all of them, the pipes rose slowly from the floor of the stadium and converged to form the cauldron. The cauldron lighters were (nominator in brackets):
Callum Airlie (Shirley Robertson)
Jordan Duckitt (Duncan Goodhew)
Desiree Henry (Daley Thompson)
Katie Kirk (Mary Peters)
Cameron MacRitchie (Steve Redgrave)
Aidan Reynolds (Lynn Davies)
Adelle Tracey (Kelly Holmes)
The cauldron designed by Thomas Heatherwick was described as "one of the best-kept secrets of the opening ceremony": until this point, its design, location, and who would light it had not been revealed.
And in the end (00:38–00:46)
A flurry of spectacular fireworks accompanied by Pink Floyd's song "Eclipse" was supported by images of memorable Olympic victories shown on the big screens, with the stadium pixels showing Jesse Owens running. The climax of this section was a live view of the Olympic rings 34 kilometres (21 miles) above the Earth, transmitted from one of the balloons launched three and a half hours earlier. The sky was then lit by searchlights piercing the smoke (another iconic London image) from the fireworks, the Orbit tower was illuminated. Paul McCartney and his band performed the closing section of "The End", and then "Hey Jude", with its chorus sung by the audience to close the ceremony at 00:46 BST.
Music
The eclectic programme of music was chosen to showcase almost exclusively British music with pieces representing the UK's four nations. It included classical works by British composers such as Hubert Parry, and performances by UK choirs and orchestras. The focus was mainly on music of the 1960s onwards, causing one Chinese journalist to ask: "Will this be the most rock and roll opening ceremony ever?".
Rick Smith and Underworld composed pieces for the ceremony, including "And I Will Kiss" used during the 'Pandemonium' section, and "Caliban's Dream" heard during the lighting of the cauldron. These were favourably reviewed; in The Guardian, Michael Hann wrote "Underworld ... had a bit of a triumph: the builds and fades they learned in the world of dance music lent the sometimes overwhelming visual spectacle a sense of structure".
Musical motifs were used to bind the ceremony programme together: for example, the 'whistling' theme first heard during the minute's silence embedded within "And I Will Kiss" returned frequently – behind the fury as the ring was being forged, emerging triumphant as the five rings came together, and again later as the main theme of 'Caliban's Dream' whilst the flame was paraded around the stadium.
Bells were a theme of the opening day of the Olympics, starting at 8:12 am with artist Martin Creed's Work No. 1197: All the Bells, when bells were rung across the UK including forty strikes of Big Ben. "The sound of bells is the sound of England", Boyle had told volunteers during rehearsal. Much of the music for the ceremony contained 'bell' references, linking to the large bell forged for the ceremony and evoking bells as "the sound of freedom and peace". Modified sequences based on the traditional British eight-bell peal underlaid "And I Will Kiss" and carried through into the "Tubular Bells"/NHS section, with handbells and a tolling large bell featured on 'Caliban's Dream' and at key points in the ceremony. A handbell chime also played after the close, as the stadium emptied.
Boyle approached many of the artists personally, to see if they would be interested in performing, and he also flew to Barbados for an hour-long meeting with Mike Oldfield. A few turned him down, including Elvis Costello and David Bowie. The performing artists were paid a nominal £1 fee to make their contracts legally binding.
The pre-recorded soundtrack Isles of Wonder was released on iTunes at midnight of 28 July 2012, with a two-disc CD set released on 2 August. Within two days the download album had topped the iTunes album charts in Britain, France, Belgium and Spain, and reached No. 5 in the United States, as well as being No. 5 in the British album charts. Rick Smith's concluding comment in the CD cover notes was: "The isle is full of noises. The soundtrack writes itself."
Anthems
National Anthem of the United Kingdom – Kaos Signing Choir for Deaf and Hearing Children
Olympic Anthem – London Symphony Orchestra
Technical aspects
The main loading of the stadium started on 10 May and took ten weeks of what was the wettest summer for a hundred years, posing considerable challenges. Dismantling the staging took just sixty hours. The infield staging area was 2.5 metres high, and had to accommodate the elements revealed during the ceremony, such as the chimneys and beam engines from 'Pandemonium', and the cauldron. To ensure that it remained secret, the cauldron was code-named 'Betty', and installed and tested at night.
The stadium was rigged with a one million watt sound system and more than 500 speakers. Some 15,000 square metres (3.7 acres) of staging and 12,956 props were used, as well as 7,346 square metres (1.815 acres) of turf including crops. 70,799 25 centimetre (10 inch) pixel panels were placed around the stadium, including between every seat. Each panel connected to a central computer and was fitted with nine full-colour LED pixels by Tait Technology. These enabled images to be broadcast during the performance, such as of a 1960s go-go dancer, a London Underground train, and a representation of the birth of the internet. The audience was also able to participate by waving the paddles to create a twinkling effect. These animations were designed by 59 Productions and the video animations were produced by Chinese company Crystal CG. The 2D to 3D transformation and mapping of video content onto the panels were done by Avolites Media media server consoles.
Technical director Piers Shepperd masterminded the complex change from rural to industrial during 'Pandemonium'. The seven inflatable chimneys were made by Airworks, and varied in height (three were 22-metre (72 ft), two were 23-metre (75 ft) and two were 30-metre (98 ft) high). They were made of soft fabric, with an outer layer of printed brick pattern. Each contained four industrial fans at the base to inflate them, and a smoke machine near the top, and were hoisted into the air from the overhead rigs. Life-size beam engines were constructed onstage by teams of stage hands and members of the Volunteer Staging Team. At the climax of 'Pandemonium', in the Olympic ring forging scene, amber lights lit in sequence created the illusion of a 30-metre (98 ft) molten steel river, with pyrotechnic smoke and dry ice as steam. The original grass floor surface had been removed to reveal a giant stylised map of London.
Working alongside the professional crew were over 800 volunteers; some were production arts students from British drama schools. Many had been working on the Olympic and Paralympic ceremonies since early 2012 at the Three Mills Studios and Dagenham rehearsal sites, before moving to the Stadium on 16 June. The thousands of cast were cued and co-ordinated by directions received through earphones ('in-ear monitors'), and adjustments were made during the performance: for example during Pandemonium extra volunteers were sent to make sure all the turf was cleared on time. The earphones also carried a continuous electronic metronomic four-beat to keep everyone walking and moving in time with the music.
In July 2013 it was revealed that on the morning of the ceremony, Britain's surveillance headquarters GCHQ had detected a credible cyber attack threat that could have killed the lighting system in the stadium. Counter-measures were taken, and in the afternoon contingency plans were discussed with government ministers at a meeting in the Cabinet Office briefing room. However, this attack never materialised.
Ceremony key team
TV coverage
The BBC's coverage started at 19:00 and continued uninterrupted until 00:50. The BBC audience averaged about 24.46 million viewers and peaked at approximately 26.9 million. This was the largest average audience for any broadcast since 1996 and one of the top 20 most-watched UK television broadcasts of all time. David Stringer of Associated Press described the coverage as "a success...so far, the BBC's ambitious – and technically tricky – Olympic plan has worked almost without a flaw." Euan Ferguson of The Observer commented that "Coverage of the Olympics so far ... has been near perfect." However, Clive James was critical of the build-up programme, presented by Gary Lineker and Sue Barker. Commentators for the BBC were Huw Edwards, Hazel Irvine and Trevor Nelson, the latter criticised by Andy Dawson of the Daily Mirror as floundering "like a ventriloquist's dummy pumped full of low-grade ketamine". Private talks were held between Boyle and BBC commentators in the run-up to the ceremony. Boyle was unhappy with a voiceover being imposed on the ceremony, which he wanted viewers to be able to enjoy without commentary. The BBC offered several options including 'no commentary' coverage for both its TV and online transmissions. Audio description was also provided with commentary by Nick Mullins.
Nearly 41 million US viewers watched NBC's coverage of the event. Criticism was levelled at its decision to tape-delay this broadcast, and not make a live version available even to cable and web users. There were frequent interruptions by commercial breaks. Many US viewers looked for other ways to watch (such as the live BBC feed), despite both NBC and the IOC vowing to crack down on unauthorised streams. More significant criticism was levelled at NBC for cutting to a Ryan Seacrest interview with Michael Phelps during the 'memorial wall' tribute including commemoration of the victims of the 7/7 London bombings, which was seen as disrespectful and insensitive. An NBC spokesman said the network had left out that segment because its programming was "tailored for the US audience". There was also criticism of commentators Matt Lauer and Meredith Vieira for suggesting that the Queen had actually jumped out of a helicopter. Vieira and Lauer admitted to not knowing that Tim Berners-Lee was the inventor of the World Wide Web, as she commented "If you haven't heard of him, we haven't either", before Lauer told the audience to Google him. These failings were picked up on Twitter during the broadcast with the hashtag #nbcfail.
The ceremony was recorded by three separate broadcasters: the BBC, the Olympic Broadcasting Services (directed by the Finnish state broadcaster YLE on behalf of the OBS), and by independent production company Done and Dusted, hired by LOCOG and working under Boyle's direction. This was the first time that an independent production company had been used for an Olympic ceremony. This situation led to some tension, as Boyle wanted more artistic control and felt he was getting no co-operation from the OBS. He criticised the OBS coverage during his commentary for the BBC DVD. In addition, the BBC filmed some of the pre-recorded parts of the ceremony. The filming was directed for television by Hamish Hamilton, who described it as "easily the most difficult job of my life".
The BBC released footage of the entire ceremony on 29 October 2012, edited by Danny Boyle and with background extras, filling more than one disc of a five DVD or Blu-ray disc set, which also contained more than seven hours of sporting highlights as well as the complete closing ceremony. A 'BBC commentary-free' option for the opening ceremony is available on the DVD, as well as a commentary track by Danny Boyle and Frank Cottrell-Boyce.
Reception
The Times described the ceremony as "a masterpiece", with The Daily Telegraph saying it was "brilliant, breathtaking, bonkers and utterly British". The BBC's chief sports writer Tom Fordyce called it "eccentric" and "tongue-in-cheek", saying "no-one expected ... it would be quite so gloriously daft, so cynicism-squashingly charming and, well, so much pinch-yourself fun." Two weeks after the ceremony Jonathan Freedland of The Guardian wrote that "Boyle's spectacular, so beautifully executed and ingeniously conceived it lingers in the mind even as the closing draws near, stood apart from its predecessors thanks not only to its humour and eccentricity, but also because it had something to say." Writing in The Observer, Jackie Kay commented that "it seemed that Boyle had invented a new kind of opening ceremony, a concept ceremony, one that embraces big ideas as passionately as it does technical flamboyancy". The Stage said that "Danny Boyle's spectacular and moving Olympics Opening Ceremony was undoubtedly the theatrical highlight of 2012".
Although praise came from across the political spectrum, a few on the British political right were unhappy. Aidan Burley, a Conservative MP, denounced the ceremony on Twitter as "leftie multicultural crap". Burley's comments were dismissed by many fellow Conservatives, including David Cameron and Boris Johnson.
Foreign reaction was overwhelmingly positive. The New York Times said the ceremony was "hilariously quirky ... a wild jumble of the celebratory and the fanciful; the conventional and the eccentric; and the frankly off-the-wall." Forbes called it Boyle's "love song to Britain", while Sports Illustrated noted its political aspects, calling it "a celebration of protest and dissent". The Sydney Morning Herald said it was "an unforgettable start ... at once subversive and sublime" and The Times of India said "London presented a vibrant picture of Great Britain's rich heritage and culture." The Chinese news agency Xinhua described the ceremony as "dazzling" and an "eccentric and exuberant celebration of British history, art and culture". Chinese artist Ai Weiwei praised the ceremony for its "human touch", saying "In London, they really turned the ceremony into a party ... such a density of information about events and stories and literature and music; about folktales and movies."
Russian President Putin said the ceremony was "wonderful and unforgettable". Dmitry Medvedev said "It was an exceptional spectacle, very well prepared and quite rich ... it succeeded in creating a very British atmosphere ... they managed to find the right language ... to communicate." Panos Samaras of Greece's NET said "it was more like a big musical, a rock opera ... than an Olympics ceremony". French sports newspaper L'Équipe wrote that it "took the classic from such events and had fun with them" whilst Le Parisien said it "was magnificent, inventive and offbeat drawing heavily on the roots of British identity". Germany's Die Welt hailed it as "spectacular, glitzy but also provoking and moving".
Chinese news CCTV-4 said the ceremony was a "stunning feast for the eyes". South Korea's Yonhap said it was "by turns dramatic, imaginative, humorous and solemn" and "weaved the story of the country's past, present and future". Singapore's Straits Times said it was a "grand show" noteworthy for both "scale" and "authenticity". The Australian praised a "glorious pandemonium devoted to London's thriving, chaotic energy ... deliberately revelling in the chaos of Britain's free society and popular culture". France's Le Figaro said it reflected "the best contributions that Britain has given to the world ... its sense of humour, its music, and of course sport". The Canadian Broadcasting Corporation said it was a "rocking, rollicking, sometimes quiet and brooding ceremony." Qatar's The Peninsula said London did a "spectacular job" making the ceremony a "memorable event".
In an end of the year review, British magazine Q said "It could all have been so different. As the London 2012 Summer Olympics approached, the tide of scepticism seemed almost irreversible. There was the heavy-handed sponsorship, the draconian security, the ticketing problems, the ballooning budget, and the lurking fear that the Opening Ceremony might be, in director Danny Boyle's pungent description, 'shite'. It took less than four hours on the night of Friday 27 July to turn the whole country around. Not only was the ceremony demonstrably not shite, it was the most surprising, moving, spectacular cultural event this country had ever seen...modern Britain, in all its berserk, multi-faceted glory."
The writer of the ceremony, Frank Cottrell-Boyce, said: "People around us thought it might need defending, so I was told to do press the next morning. I was completely surprised [by the positive response]. A lot of people were surprised. But I don't think Danny was surprised. Danny never blinked. At no point did he show any feeling that it was going to be anything but amazing. And he was right."
In December 2012 the culture critic of The Guardian picked the ceremony as "best art event of the year". A British public survey by Samsung voted it the second most inspiring television moment of all time, second only to the 1969 Apollo 11 Moon landing. A Digital Spy survey of more than 25,000 overwhelmingly voted the ceremony as the entertainment highlight of 2012. The ceremony was the second most-mentioned entertainment event on the internet in 2012, with just over six million mentions, coming second to the Grammy Awards. The BBC reported that it was the most requested item from 2012 on its iPlayer on-demand service, with 3.3 million requests.
Boyle was offered a knighthood in late 2012, but turned it down, saying "I'm very proud to be an equal citizen and I think that's what the Opening Ceremony was actually about."
Awards and accolades
Legacy
The ceremony was identified by some commentators as precipitating a new mood in the United Kingdom: it "had barely finished before it had become a byword for a new approach, not only to British culture but to Britishness itself. Politicians would soon be referring to it, using it as shorthand for a new kind of patriotism that does not lament a vanished Britain but loves the country that has changed. Boyle's ceremony was hailed from (almost) all sides...for providing a nation that had grown used to mocking its myriad flaws with a new, unfamiliarly positive view of itself ... It was, perhaps, this lack of cynicism that people responded to ... So used to British irony and detachment, it felt refreshing to witness an unembarrassed, positive case for this country. Boyle himself says this was the most important thing he took away from the Olympic experience: "How important it is to believe in something. You might make a fool of yourself and people will go, 'How can you believe in that, you stupid idiot?' But if you believe in something, you carry people with you."
Business leaders also took inspiration from the event, admiring its risk-taking and creative freedom, as well as the trust placed in and loyalty inspired from the workers and volunteers. In February 2013 the BBC's Head of Drama Ben Stephenson told an audience of writers, commissioners and producers that he "wanted them to seek inspiration from the opening ceremony of the London Olympics" which, he said, "had scale and brilliance and, above all, had succeeded not in spite of its Britishness but because of its Britishness, delighting viewers here and around the world by rooting itself in the authentic stories and spirit of these islands." Steve Coogan told Frank Cottrell-Boyce that he felt it was "like the emperor's new clothes in reverse ... it made irony and postmodernism feel tired and past its sell-by date", and Russell T Davies told Boyce: "It changed my idea of the possible."
Reviewing the 2014 Winter Olympics opening ceremony at Sochi, Russia, Owen Gibson of The Guardian observed that with his 'complex, intimate snapshot of "who we were, who we are and who we wish to be"', Boyle “rewrote the rule book for opening ceremonies”.
See also
2012 Summer Olympics closing ceremony
2012 Summer Paralympics opening ceremony, which was also themed on The Tempest
2012 Summer Paralympics closing ceremony
Further reading
Frank Cottrell-Boyce, Humphrey Jennings and Marie-Louise Jennings, Pandaemonium 1660-1886: The Coming of the Machine as Seen by Contemporary Observers. Icon Books, 2012. ISBN 9781848315853.
Russell Moon Days of Wonders: Inside the 2012 Opening Ceremony. The Oak House Partnership, 2012. ISBN 978-095747310-2.
Amy Raphael Danny Boyle: Creating Wonder London: Faber & Faber, published 21 March 2013, ISBN 9780571301867.
References
External links
Media related to 2012 Summer Olympics opening ceremony at Wikimedia Commons
Official website
"London 2012 Olympic Games Opening Ceremony Media Guide" (PDF) (Press release). London 2012. Archived from the original (PDF) on 31 July 2012. Retrieved 21 December 2018.
Media guide on Olympic World Library
Video of Jacques Rogge, President of the International Olympic Committee speech
Jacques Rogge, President of the International Olympic Committee's speech
London Olympics Opening Ceremony Explorer
Opening Ceremony Music List and Credits, Official Explorer website |
Henry_I_of_England | https://en.wikipedia.org/wiki/Henry_I_of_England | [
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"https://en.wikipedia.org/wiki/Henry_I_of_England"
] | Henry I (c. 1068 – 1 December 1135), also known as Henry Beauclerc, was King of England from 1100 to his death in 1135. He was the fourth son of William the Conqueror and was educated in Latin and the liberal arts. On William's death in 1087, Henry's elder brothers Robert Curthose and William Rufus inherited Normandy and England, respectively, but Henry was left landless. He purchased the County of Cotentin in western Normandy from Robert, but his brothers deposed him in 1091. He gradually rebuilt his power base in the Cotentin and allied himself with William Rufus against Robert.
Present in England with his brother William when William died in a hunting accident, Henry seized the English throne, promising at his coronation to correct many of William's less popular policies. He married Matilda of Scotland and they had two surviving children, Empress Matilda and William Adelin; he also had many illegitimate children by his numerous mistresses. Robert, who invaded from Normandy in 1101, disputed Henry's control of England; this military campaign ended in a negotiated settlement that confirmed Henry as king. The peace was short-lived, and Henry invaded the Duchy of Normandy in 1105 and 1106, finally defeating Robert at the Battle of Tinchebray. Henry kept Robert imprisoned for the rest of his life. Henry's control of Normandy was challenged by Louis VI of France, Baldwin VII of Flanders and Fulk V of Anjou, who promoted the rival claims of Robert's son, William Clito, and supported a major rebellion in the Duchy between 1116 and 1119. Following Henry's victory at the Battle of Brémule, a favourable peace settlement was agreed with Louis in 1120.
Considered by contemporaries to be a harsh but effective ruler, Henry skilfully manipulated the barons in England and Normandy. In England, he drew on the existing Anglo-Saxon system of justice, local government and taxation, but also strengthened it with more institutions, including the royal exchequer and itinerant justices. Normandy was also governed through a growing system of justices and an exchequer. Many of the officials who ran Henry's system were "new men" of obscure backgrounds, rather than from families of high status, who rose through the ranks as administrators. Henry encouraged ecclesiastical reform, but became embroiled in a serious dispute in 1101 with Archbishop Anselm of Canterbury, which was resolved through a compromise solution in 1105. He supported the Cluniac order and played a major role in the selection of the senior clergy in England and Normandy.
Henry's son William drowned in the White Ship disaster of 1120, throwing the royal succession into doubt. Henry took a second wife, Adeliza of Louvain, in the hope of having another son, but their marriage was childless. In response to this, he declared his daughter Matilda his heir and married her to Geoffrey of Anjou. The relationship between Henry and the couple became strained, and fighting broke out along the border with Anjou. Henry died on 1 December 1135 after a week of illness. Despite his plans for Matilda, the King was succeeded by his nephew Stephen of Blois, resulting in a period of civil war known as the Anarchy.
Early life, 1068–1099
Childhood and appearance, 1068–1086
Henry was probably born in England in 1068, in either the summer or the last weeks of the year, possibly in the town of Selby in Yorkshire. His father was William the Conqueror, the duke of Normandy who had invaded England in 1066 to become the king of England, establishing lands stretching into Wales. The invasion had created an Anglo-Norman ruling class, many with estates on both sides of the English Channel. These Anglo-Norman barons typically had close links to the Kingdom of France, which was then a loose collection of counties and smaller polities, only nominally under control of the king. Henry's mother, Matilda of Flanders, was the granddaughter of King Robert II of France, and she probably named Henry after her uncle Henry I of France.
Henry was the youngest of William and Matilda's four sons. Physically he resembled his older brothers Robert Curthose, Richard and William Rufus, being, as historian David Carpenter describes, "short, stocky and barrel-chested," with black hair. As a result of their age differences and Richard's early death, Henry would have probably seen relatively little of his older brothers. He probably knew his sister Adela well, as the two were close in age. There is little documentary evidence for his early years; historians Warren Hollister and Kathleen Thompson suggest he was brought up predominantly in England, while Judith Green argues he was initially brought up in the Duchy. He was probably educated by the Church, possibly by Bishop Osmund, the King's chancellor, at Salisbury Cathedral; it is uncertain if this indicated an intent by his parents for Henry to become a member of the clergy. It is also uncertain how far Henry's education extended, but he was probably able to read Latin and had some background in the liberal arts. He was given military training by an instructor called Robert Achard, and Henry was knighted by his father on 24 May 1086.
Inheritance, 1087–1088
In 1087, William was fatally injured during a campaign in the Vexin. Henry joined his dying father near Rouen in September, where the King partitioned his possessions among his sons. The rules of succession in western Europe at the time were uncertain; in some parts of France, primogeniture, in which the eldest son would inherit a title, was growing in popularity. In other parts of Europe, including Normandy and England, the tradition was for lands to be divided, with the eldest son taking patrimonial lands – usually considered to be the most valuable – and younger sons given smaller, or more recently acquired, partitions or estates.
In dividing his lands, William appears to have followed the Norman tradition, distinguishing between Normandy, which he had inherited, and England, which he had acquired through war. William's second son, Richard, had died in a hunting accident, leaving Henry and his two brothers to inherit William's estate. Robert, the eldest, despite being in armed rebellion against his father at the time of his death, received Normandy. England was given to William Rufus, who was in favour with the dying king. Henry was given a large sum of money, usually reported as £5,000, with the expectation that he would also be given his mother's modest set of lands in Buckinghamshire and Gloucestershire. William's funeral at Caen was marred by angry complaints from a local man, and Henry may have been responsible for resolving the dispute by buying off the protester with silver.
Robert returned to Normandy, expecting to have been given both the Duchy and England, to find that William Rufus had crossed the Channel and been crowned king. The two brothers disagreed fundamentally over the inheritance, and Robert soon began to plan an invasion of England to seize the kingdom, helped by a rebellion by some of the leading nobles against William Rufus. Henry remained in Normandy and took up a role within Robert's court, possibly either because he was unwilling to side openly with William Rufus, or because Robert might have taken the opportunity to confiscate Henry's inherited money if he had tried to leave. William Rufus sequestered Henry's new estates in England, leaving Henry landless.
In 1088, Robert's plans for the invasion of England began to falter, and he turned to Henry, proposing that his brother lend him some of his inheritance, which Henry refused. Henry and Robert then came to an alternative arrangement, in which Robert would make Henry the count of western Normandy, in exchange for £3,000. Henry's lands were a new countship created by a delegation of the ducal authority in the Cotentin, but it extended across the Avranchin, with control over the bishoprics of both. This also gave Henry influence over two major Norman leaders, Hugh d'Avranches and Richard de Redvers, and the abbey of Mont Saint-Michel, whose lands spread out further across the Duchy. Robert's invasion force failed to leave Normandy, leaving William Rufus secure in England.
Count of the Cotentin, 1088–90
Henry quickly established himself as count, building up a network of followers from western Normandy and eastern Brittany, whom the historian John Le Patourel has characterised as "Henry's gang". His early supporters included Roger of Mandeville, Richard of Redvers, Richard d'Avranches and Robert Fitzhamon, along with the churchman Roger of Salisbury. Robert attempted to go back on his deal with Henry and re-appropriate the county, but Henry's grip was already sufficiently firm to prevent this. Robert's rule of the duchy was chaotic, and parts of Henry's lands became almost independent of central control from Rouen.
During this period, neither William nor Robert seems to have trusted Henry. Waiting until the rebellion against William Rufus was safely over, Henry returned to England in July 1088. He met with the King but was unable to persuade him to grant him their mother's estates, and travelled back to Normandy in the autumn. While he had been away, however, Odo, Bishop of Bayeux, who regarded Henry as a potential competitor, had convinced Robert that Henry was conspiring against the duke with William Rufus. On landing, Odo seized Henry and imprisoned him in Neuilly-la-Forêt, and Robert took back the county of the Cotentin. Henry was held there over the winter, but in the spring of 1089 the senior elements of the Normandy nobility prevailed upon Robert to release him.
Although no longer formally the Count of Cotentin, Henry continued to control the west of Normandy. The struggle between his brothers continued. William Rufus continued to put down resistance to his rule in England, but began to build a series of alliances against Robert with barons in Normandy and neighbouring Ponthieu. Robert allied himself with Philip I of France. In late 1090 William Rufus encouraged Conan Pilatus, a powerful burgher in Rouen, to rebel against Robert; Conan was supported by most of Rouen and made appeals to the neighbouring ducal garrisons to switch allegiance as well.
Robert issued an appeal for help to his barons, and Henry was the first to arrive in Rouen in November. Violence broke out, leading to savage, confused street fighting as both sides attempted to take control of the city. Robert and Henry left the castle to join the battle, but Robert then retreated, leaving Henry to continue the fighting. The battle turned in favour of the ducal forces and Henry took Conan prisoner. Henry was angry that Conan had turned against his feudal lord. He had him taken to the top of Rouen Castle and then, despite Conan's offers to pay a huge ransom, threw him off the top of the castle to his death. Contemporaries considered Henry to have acted appropriately in making an example of Conan, and Henry became famous for his exploits in the battle.
Fall and rise, 1091–1099
In the aftermath, Robert forced Henry to leave Rouen, probably because Henry's role in the fighting had been more prominent than his own, and possibly because Henry had asked to be formally reinstated as the count of the Cotentin. In early 1091, William Rufus invaded Normandy with a sufficiently large army to bring Robert to the negotiating table. The two brothers signed a treaty at Rouen, granting William Rufus a range of lands and castles in Normandy. In return, William Rufus promised to support Robert's attempts to regain control of the neighbouring county of Maine, once under Norman control, and help in regaining control over the duchy, including Henry's lands. They nominated each other as heirs to England and Normandy, excluding Henry from any succession while either one of them lived.
War now broke out between Henry and his brothers. Henry mobilised a mercenary army in the west of Normandy, but as William Rufus and Robert's forces advanced, his network of baronial support melted away. Henry focused his remaining forces at Mont Saint-Michel, where he was besieged, probably in March 1091. The site was easy to defend, but lacked fresh water. The chronicler William of Malmesbury suggested that when Henry's water ran short, Robert allowed his brother fresh supplies, leading to remonstrations between Robert and William Rufus. The events of the final days of the siege are unclear: the besiegers had begun to argue about the future strategy for the campaign, but Henry then abandoned Mont Saint-Michel, probably as part of a negotiated surrender. He left for Brittany and crossed over into France.
Henry's next steps are not well documented; one chronicler, Orderic Vitalis, suggests that he travelled in the French Vexin, along the Normandy border, for over a year with a small band of followers. By the end of the year, Robert and William Rufus had fallen out once again, and the Treaty of Rouen had been abandoned. In 1092, Henry and his followers seized the Normandy town of Domfront. Domfront had previously been controlled by Robert of Bellême, but the inhabitants disliked his rule and invited Henry to take over the town, which he did in a bloodless coup. Over the next two years, Henry re-established his network of supporters across western Normandy, forming what Judith Green terms a "court in waiting". By 1094, he was allocating lands and castles to his followers as if he were the Duke of Normandy. William Rufus began to support Henry with money, encouraging his campaign against Robert, and Henry used some of this to construct a substantial castle at Domfront.
William Rufus crossed into Normandy to take the war to Robert in 1094, and when progress stalled, called upon Henry for assistance. Henry responded, but travelled to London instead of joining the main campaign further east in Normandy, possibly at the request of the King, who in any event abandoned the campaign and returned to England. Over the next few years, Henry appears to have strengthened his power base in western Normandy, visiting England occasionally to attend at William Rufus's court. In 1095 Pope Urban II called the First Crusade, encouraging knights from across Europe to join. Robert joined the Crusade, borrowing money from William Rufus to do so, and granting the King temporary custody of his part of the Duchy in exchange. The King appeared confident of regaining the remainder of Normandy from Robert, and Henry appeared ever closer to William Rufus. They campaigned together in the Norman Vexin between 1097 and 1098.
Early reign, 1100–1106
Taking the throne, 1100
On the afternoon of 2 August 1100, King William Rufus went hunting in the New Forest, accompanied by a team of huntsmen and Norman nobility, including Henry. An arrow, possibly shot by the baron Walter Tirel, hit and killed William Rufus. Many conspiracy theories have been put forward suggesting that the King was killed deliberately; most modern historians reject these, as hunting was a risky activity and such accidents were common. Chaos broke out, and Tirel fled the scene for France, either because he had shot the fatal arrow, or because he had been incorrectly accused and feared that he would be made a scapegoat for the King's death.
Henry rode to Winchester, where an argument ensued as to who now had the best claim to the throne. William of Breteuil championed the rights of Robert, who was still abroad, returning from the Crusade, and to whom Henry and the barons had given homage in previous years. Henry argued that, unlike Robert, he had been born to a reigning king and queen, thereby giving him a claim under the right of porphyrogeniture. Tempers flared, but Henry, supported by Henry de Beaumont and Robert of Meulan, held sway and persuaded the barons to follow him. He occupied Winchester Castle and seized the royal treasury.
Henry was hastily crowned king in Westminster Abbey on 5 August by Maurice, the bishop of London, as Anselm, the archbishop of Canterbury, had been exiled by William Rufus, and Thomas, the archbishop of York, was in the north of England at Ripon. In accordance with English tradition and in a bid to legitimise his rule, Henry issued a coronation charter laying out various commitments. The new king presented himself as having restored order to a trouble-torn country. He announced that he would abandon William Rufus's policies towards the Church, which had been seen as oppressive by the clergy; he promised to prevent royal abuses of the barons' property rights, and assured a return to the gentler customs of Edward the Confessor; he asserted that he would "establish a firm peace" across England and ordered "that this peace shall henceforth be kept".
As well as his existing circle of supporters, many of whom were richly rewarded with new lands, Henry quickly co-opted many of the existing administration into his new royal household. William Giffard, William Rufus's chancellor, was made the bishop of Winchester, and the prominent sheriffs Urse d'Abetot, Haimo Dapifer and Robert Fitzhamon continued to play a senior role in government. By contrast, the unpopular Ranulf Flambard, the bishop of Durham and a key member of the previous regime, was imprisoned in the Tower of London and charged with corruption. The late king had left many Church positions unfilled, and Henry set about nominating candidates to these, in an effort to build further support for his new government. The appointments needed to be consecrated, and Henry wrote to Anselm, apologising for having been crowned while the archbishop was still in France and asking him to return at once.
Marriage to Matilda, 1100
On 11 November 1100 Henry married Matilda, the daughter of Malcolm III of Scotland, in Westminster Abbey. Henry was now around 31 years old, but late marriages for noblemen were not unusual in the 11th century. The pair had probably first met earlier the previous decade, possibly being introduced through Bishop Osmund of Salisbury. Historian Warren Hollister argues that Henry and Matilda were emotionally close, but their union was also certainly politically motivated. Matilda had originally been named Edith, an Anglo-Saxon name, and was a member of the West Saxon royal family, being the niece of Edgar the Ætheling, the great-granddaughter of Edmund Ironside and a descendant of Alfred the Great. For Henry, marrying Matilda gave his reign increased legitimacy, and for Matilda, an ambitious woman, it was an opportunity for high status and power in England.
Matilda had been educated in a sequence of convents and may well have taken the vows to formally become a nun, which formed an obstacle to the marriage progressing. She did not wish to be a nun and appealed to Anselm for permission to marry Henry, and the Archbishop established a council at Lambeth Palace to judge the issue. Despite some dissenting voices, the council concluded that although Matilda had lived in a convent, she had not actually become a nun and was therefore free to marry, a judgement that Anselm then affirmed, allowing the marriage to proceed. Matilda proved an effective queen for Henry, acting as a regent in England on occasion, addressing and presiding over councils, and extensively supporting the arts. The couple soon had two children, Matilda, born in 1102, and William Adelin, born in 1103; it is possible that they also had a second son, Richard, who died young. Following the birth of these children, Matilda preferred to remain based in Westminster while Henry travelled across England and Normandy, either for religious reasons or because she enjoyed being involved in the machinery of royal governance.
Henry had a considerable sexual appetite and enjoyed a substantial number of sexual partners, resulting in many illegitimate children, at least nine sons and 13 daughters, many of whom he appears to have recognised and supported. It was normal for unmarried Anglo-Norman noblemen to have sexual relations with prostitutes and local women, and kings were also expected to have mistresses. Some of these relationships occurred before Henry was married, but many others took place after his marriage to Matilda. Henry had a wide range of mistresses from a range of backgrounds, and the relationships appear to have been conducted relatively openly. He may have chosen some of his noble mistresses for political purposes, but the evidence to support this theory is limited.
Treaty of Alton, 1101–1102
By early 1101, Henry's new regime was established and functioning, but many of the Anglo-Norman elite still supported his brother Robert, or would be prepared to switch sides if Robert appeared likely to gain power in England. In February, Flambard escaped from the Tower of London and crossed the Channel to Normandy, where he injected fresh direction and energy to Robert's attempts to mobilise an invasion force. By July, Robert had formed an army and a fleet, ready to move against Henry in England. Raising the stakes in the conflict, Henry seized Flambard's lands and, with the support of Anselm, Flambard was removed from his position as bishop. The King held court in April and June, where the nobility renewed their oaths of allegiance to him, but their support still appeared partial and shaky.
With the invasion imminent, Henry mobilised his forces and fleet outside Pevensey, close to Robert's anticipated landing site, training some of them personally in how to counter cavalry charges. Despite English levies and knights owing military service to the Church arriving in considerable numbers, many of his barons did not appear. Anselm intervened with some of the doubters, emphasising the religious importance of their loyalty to Henry. Robert unexpectedly landed further up the coast at Portsmouth on 20 July with a modest force of a few hundred men, but these were quickly joined by many of the barons in England. Instead of marching into nearby Winchester and seizing Henry's treasury, Robert paused, giving Henry time to march west and intercept the invasion force.
The two armies met at Alton, Hampshire, where peace negotiations began, possibly initiated by either Henry or Robert, and probably supported by Flambard. The brothers then agreed to the Treaty of Alton, under which Robert released Henry from his oath of homage and recognised him as king; Henry renounced his claims on western Normandy, except for Domfront, and agreed to pay Robert £2,000 a year for life; if either brother died without a male heir, the other would inherit his lands; the barons whose lands had been seized by either the King or the Duke for supporting his rival would have them returned, and Flambard would be reinstated as bishop; the two brothers would campaign together to defend their territories in Normandy. Robert remained in England for a few months more with Henry before returning to Normandy.
Despite the treaty, Henry set about inflicting severe penalties on the barons who had stood against him during the invasion. William de Warenne, the Earl of Surrey, was accused of fresh crimes, which were not covered by the Alton amnesty, and was banished from England. In 1102 Henry then turned against Robert of Bellême and his brothers, the most powerful of the barons, accusing him of 45 different offences. Robert escaped and took up arms against Henry. Henry besieged Robert's castles at Arundel, Tickhill and Shrewsbury, pushing down into the south-west to attack Bridgnorth. His power base in England broken, Robert accepted Henry's offer of banishment and left the country for Normandy.
Conquest of Normandy, 1103–1106
Henry's network of allies in Normandy became stronger during 1103. He arranged the marriages of his illegitimate daughters, Juliane and Matilda, to Eustace of Breteuil and Rotrou III, Count of Perche, respectively, the latter union securing the Norman border. Henry attempted to win over other members of the Norman nobility and gave other English estates and lucrative offers to key Norman lords. Duke Robert continued to fight Robert of Bellême, but the Duke's position worsened, until by 1104, he had to ally himself formally with Bellême to survive. Arguing that the Duke had broken the terms of their treaty, the King crossed over the Channel to Domfront, where he met with senior barons from across Normandy, eager to ally themselves with him. He confronted the Duke and accused him of siding with his enemies, before returning to England.
Normandy continued to disintegrate into chaos. In 1105, Henry sent his friend Robert Fitzhamon and a force of knights into the Duchy, apparently to provoke a confrontation with Duke Robert. Fitzhamon was captured, and Henry used this as an excuse to invade, promising to restore peace and order. Henry had the support of most of the neighbouring counts around Normandy's borders, and King Philip of France was persuaded to remain neutral. Henry occupied western Normandy, and advanced east on Bayeux, where Fitzhamon was held. The city refused to surrender, and Henry besieged it, burning it to the ground. Terrified of meeting the same fate, the town of Caen switched sides and surrendered, allowing Henry to advance on Falaise, Calvados, which he took with some casualties. His campaign stalled, and the King instead began peace discussions with Robert. The negotiations were inconclusive and the fighting dragged on until Christmas, when Henry returned to England.
Henry invaded again in July 1106, hoping to provoke a decisive battle. After some initial tactical successes, he turned south-west towards the castle of Tinchebray. He besieged the castle and Duke Robert, supported by Robert of Bellême, advanced from Falaise to relieve it. After attempts at negotiation failed, the Battle of Tinchebray took place, probably on 28 September. The battle lasted around an hour, and began with a charge by Duke Robert's cavalry; the infantry and dismounted knights of both sides then joined the battle. Henry's reserves, led by Elias I, Count of Maine, and Alan IV, Duke of Brittany, attacked the enemy's flanks, routing first Bellême's troops and then the bulk of the ducal forces. Duke Robert was taken prisoner, but Bellême escaped.
Henry mopped up the remaining resistance in Normandy, and Duke Robert ordered his last garrisons to surrender. Reaching Rouen, Henry reaffirmed the laws and customs of Normandy and took homage from the leading barons and citizens. The lesser prisoners taken at Tinchebray were released, but the Duke and several other leading nobles were imprisoned indefinitely. The Duke's son, William Clito, was only three years old and was released to the care of Helias of Saint-Saens, a Norman baron. Henry reconciled himself with Robert of Bellême, who gave up the ducal lands he had seized and rejoined the royal court. Henry had no way of legally removing the Duchy from his brother, and initially Henry avoided using the title "duke" at all, emphasising that, as the king of England, he was only acting as the guardian of the troubled Duchy.
Government, family and household
Government, law and court
Henry inherited the kingdom of England from William Rufus, giving him a claim of suzerainty over Wales and Scotland, and acquired the Duchy of Normandy, a complex entity with troubled borders. The borders between England and Scotland were still uncertain during Henry's reign, with Anglo-Norman influence pushing northwards through Cumbria, but his relationship with King David I of Scotland was generally good, partially due to Henry's marriage to his sister. In Wales, Henry used his power to coerce and charm the indigenous Welsh princes, while Norman Marcher Lords pushed across the valleys of South Wales. Normandy was controlled via interlocking networks of ducal, ecclesiastical and family contacts, backed by a growing string of important ducal castles along the borders. Alliances and relationships with neighbouring counties along the Norman border were particularly important to maintaining the stability of the Duchy.
Henry ruled through the barons and lords in England and Normandy, whom he manipulated skilfully for political effect. Political friendships, termed amicitia in Latin, were important during the 12th century, and Henry maintained a wide range of these, mediating between his friends in factions across his realm when necessary, and rewarding those who were loyal to him. He also had a reputation for punishing those barons who stood against him, and he maintained an effective network of informers and spies who reported to him on events. Henry was a harsh, firm ruler, but not excessively so by the standards of the day. Over time, he increased the degree of his control over the barons, removing his enemies and bolstering his friends until the "reconstructed baronage", as historian Warren Hollister describes it, was predominantly loyal and dependent on the King.
Henry's itinerant royal court comprised several parts. At the heart was his domestic household, called the domus; a wider grouping was termed the familia regis, and formal gatherings of the court were termed curia. The domus was divided into several parts. The chapel, headed by the chancellor, looked after the royal documents, the chamber dealt with financial affairs and the master-marshal was responsible for travel and accommodation. The familia regis included Henry's mounted household troops, up to several hundred strong, who came from a wider range of social backgrounds, and could be deployed across England and Normandy as required. Initially Henry continued his father's practice of regular crown-wearing ceremonies at his curia, but they became less frequent as the years passed. Henry's court was grand and ostentatious, financing the construction of large new buildings and castles with a range of precious gifts on display, including his private menagerie of exotic animals, which he kept at Woodstock Palace. Despite being a lively community, Henry's court was more tightly controlled than those of previous kings. Strict rules controlled personal behaviour and prohibited members of the court from pillaging neighbouring villages, as had been the norm under William Rufus.
Henry was responsible for a substantial expansion of the royal justice system. In England, Henry drew on the existing Anglo-Saxon system of justice, local government and taxes, but strengthened it with more central governmental institutions. Roger of Salisbury began to develop the royal exchequer after 1110, using it to collect and audit revenues from the King's sheriffs in the shires. Itinerant justices began to emerge under Henry, travelling around the country managing eyre courts, and many more laws were formally recorded. Henry gathered increasing revenue from the expansion of royal justice, both from fines and from fees. The first Pipe Roll that is known to have survived dates from 1130, recording royal expenditures. Henry reformed the coinage in 1107, 1108 and in 1125, inflicting harsh corporal punishments to English coiners who had been found guilty of debasing the currency. In Normandy, he restored law and order after 1106, operating through a body of Norman justices and an exchequer system similar to that in England. Norman institutions grew in scale and scope under Henry, although less quickly than in England. Many of the officials that ran Henry's system were termed "new men", relatively low-born individuals who rose through the ranks as administrators, managing justice or the royal revenues.
Relations with the Church
Church and the King
Henry's ability to govern was intimately bound up with the Church, which formed the key to the administration of both England and Normandy, and this relationship changed considerably over the course of his reign. William the Conqueror had reformed the English Church with the support of his Archbishop of Canterbury, Lanfranc, who became a close colleague and advisor to the King. Under William Rufus this arrangement had collapsed, the King and Archbishop Anselm had become estranged and Anselm had gone into exile. Henry also believed in Church reform, but on taking power in England he became embroiled in the investiture controversy.
The argument concerned who should invest a new bishop with his staff and ring: traditionally, this had been carried out by the King in a symbolic demonstration of royal power, but Pope Urban II had condemned this practice in 1099, arguing that only the papacy could carry out this task, and declaring that the clergy should not give homage to their local temporal rulers. Anselm returned to England from exile in 1100 having heard Urban's pronouncement, and informed Henry that he would be complying with the Pope's wishes. Henry was in a difficult position. On one hand, the symbolism and homage was important to him; on the other hand, he needed Anselm's support in his struggle with his brother Duke Robert.
Anselm stuck firmly to the letter of the papal decree, despite Henry's attempts to persuade him to give way in return for a vague assurance of a future royal compromise. Matters escalated, with Anselm going back into exile and Henry confiscating the revenues of his estates. Anselm threatened excommunication, and in July 1105 the two men finally negotiated a solution. A distinction was drawn between the secular and ecclesiastical powers of the prelates, under which Henry gave up his right to invest his clergy, but retained the custom of requiring them to come and do homage for the temporalities, the landed properties they held in England. Despite this argument, the pair worked closely together, combining to deal with Duke Robert's invasion of 1101, for example, and holding major reforming councils in 1102 and 1108.
A long-running dispute between the Archbishops of Canterbury and York flared up under Anselm's successor, Ralph d'Escures. Canterbury, traditionally the senior of the two establishments, had long argued that the Archbishop of York should formally promise to obey their Archbishop, but York argued that the two episcopates were independent within the English Church and that no such promise was necessary. Henry supported the primacy of Canterbury, to ensure that England remained under a single ecclesiastical administration, but the Pope preferred the case of York. The matter was complicated by Henry's personal friendship with Thurstan, the Archbishop of York, and the King's desire that the case should not end up in a papal court, beyond royal control. Henry needed the support of the Papacy in his struggle with Louis of France, however, and therefore allowed Thurstan to attend the Council of Rheims in 1119, where Thurstan was then consecrated by the Pope with no mention of any duty towards Canterbury. Henry believed that this went against assurances Thurstan had previously made and exiled him from England until the King and Archbishop came to a negotiated solution the following year.
Even after the investiture dispute, Henry continued to play a major role in the selection of new English and Norman bishops and archbishops. He appointed many of his officials to bishoprics and, as historian Martin Brett suggests, "some of his officers could look forward to a mitre with all but absolute confidence". Henry's chancellors, and those of his queens, became bishops of Durham, Hereford, London, Lincoln, Winchester and Salisbury. Henry increasingly drew on a wider range of these bishops as advisors – particularly Roger of Salisbury – breaking with the earlier tradition of relying primarily on the Archbishop of Canterbury. The result was a cohesive body of administrators through which Henry could exercise careful influence, holding general councils to discuss key matters of policy. This stability shifted slightly after 1125, when he began to inject a wider range of candidates into the senior positions of the Church, often with more reformist views, and the impact of this generation would be felt in the years after Henry's death.
Personal beliefs and piety
Like other rulers of the period, Henry donated to the Church and patronised several religious communities, but contemporary chroniclers did not consider him an unusually pious king. His personal beliefs and piety may have developed during the course of his life; Henry had always taken an interest in religion, but in his later years he may have become much more concerned about spiritual affairs. If so, the major shifts in his thinking would appear to have occurred after 1120, when his son William Adelin died, and 1129, when his daughter's marriage teetered on the verge of collapse.
As a proponent of religious reform, Henry gave extensively to reformist groups within the Church. He was a keen supporter of the Cluniac order, probably for intellectual reasons. He donated money to the abbey at Cluny itself, and after 1120 gave generously to Reading Abbey, a Cluniac establishment. Construction on Reading began in 1121, and Henry endowed it with rich lands and extensive privileges, making it a symbol of his dynastic lines. He also focused effort on promoting the conversion of communities of clerks into Augustinian canons, the foundation of leper hospitals, expanding the provision of nunneries, and the charismatic orders of the Savigniacs and Tironensians. He was an avid collector of relics, sending an embassy to Constantinople in 1118 to collect Byzantine items, some of which were donated to Reading Abbey.
Later reign, 1107–1135
Continental and Welsh politics, 1108–1114
Normandy faced an increased threat from France, Anjou and Flanders after 1108. Louis VI of France succeeded to the French throne in 1108 and began to reassert central royal power. Louis demanded Henry give homage to him and that two disputed castles along the Normandy border be placed into the control of neutral castellans. Henry refused, and Louis responded by mobilising an army. After some arguments, the two kings negotiated a truce and retreated without fighting, leaving the underlying issues unresolved. Fulk V assumed power in Anjou in 1109 and began to rebuild Angevin authority. He inherited the county of Maine, but refused to recognise Henry as his feudal lord and instead allied himself with Louis. Robert II of Flanders also briefly joined the alliance, before his death in 1111.
In 1108, Henry betrothed his six-year-old daughter, Matilda, to Henry V, the future Holy Roman Emperor. For King Henry, this was a prestigious match; for Henry V, it was an opportunity to restore his financial situation and fund an expedition to Italy, as he received a dowry of £6,666 from England and Normandy. Raising this money proved challenging, and required the implementation of a special "aid", or tax, in England. Matilda was crowned German queen in 1110.
Henry responded to the French and Angevin threat by expanding his own network of supporters beyond the Norman borders. Some Norman barons deemed unreliable were arrested or dispossessed, and Henry used their forfeited estates to bribe his potential allies in the neighbouring territories, in particular Maine. Around 1110, Henry attempted to arrest the young William Clito, but William's mentors moved him to the safety of Flanders before he could be taken. At about this time, Henry probably began to style himself as the duke of Normandy. Robert of Bellême turned against Henry once again, and when he appeared at Henry's court in 1112 in a new role as a French ambassador, he was arrested and imprisoned.
Rebellions broke out in France and Anjou between 1111 and 1113, and Henry crossed into Normandy to support his nephew, Count Theobald II, Count of Champagne, who had sided against Louis in the uprising. In a bid to isolate Louis diplomatically, Henry betrothed his young son, William Adelin, to Fulk's daughter Matilda, and married his illegitimate daughter Matilda to Duke Conan III of Brittany, creating alliances with Anjou and Brittany respectively. Louis backed down and in March 1113 met with Henry near Gisors to agree a peace settlement, giving Henry the disputed fortresses and confirming Henry's overlordship of Maine, Bellême and Brittany.
Meanwhile, the situation in Wales was deteriorating. Henry had conducted a campaign in South Wales in 1108, pushing out royal power in the region and colonising the area around Pembroke with Flemings. By 1114, some of the resident Norman lords were under attack, while in Mid-Wales, Owain ap Cadwgan blinded one of the political hostages he was holding, and in North Wales Gruffudd ap Cynan threatened the power of the Earl of Chester. Henry sent three armies into Wales that year, with Gilbert Fitz Richard leading a force from the south, Alexander, King of Scotland, pressing from the north and Henry himself advancing into Mid-Wales. Owain and Gruffudd sued for peace, and Henry accepted a political compromise. He reinforced the Welsh Marches with his own appointees, strengthening the border territories.
Rebellion, 1115–1120
Concerned about the succession, Henry sought to persuade Louis VI to accept his son, William Adelin, as the legitimate future Duke of Normandy, in exchange for his son's homage. Henry crossed into Normandy in 1115 and assembled the Norman barons to swear loyalty; he also almost successfully negotiated a settlement with Louis, affirming William's right to the Duchy in exchange for a large sum of money. Louis, backed by his ally Baldwin of Flanders, instead declared that he considered William Clito the legitimate heir to the Duchy.
War broke out after Henry returned to Normandy with an army to support Theobald of Blois, who was under attack from Louis. Henry and Louis raided each other's towns along the border, and a wider conflict then broke out, probably in 1116. Henry was pushed onto the defensive as French, Flemish and Angevin forces began to pillage the Normandy countryside. Amaury III of Montfort and many other barons rose up against Henry, and there was an assassination plot from within his own household. Henry's wife, Matilda, died in early 1118, but the situation in Normandy was sufficiently pressing that Henry was unable to return to England for her funeral.
Henry responded by mounting campaigns against the rebel barons and deepening his alliance with Theobald. Baldwin of Flanders was wounded in battle and died in September 1118, easing the pressure on Normandy from the north-east. Henry attempted to crush a revolt in the city of Alençon, but was defeated by Fulk and the Angevin army. Forced to retreat from Alençon, Henry's position deteriorated alarmingly, as his resources became overstretched and more barons abandoned his cause. Early in 1119, Eustace of Breteuil and Henry's daughter, Juliana, threatened to join the baronial revolt. Hostages were exchanged in a bid to avoid conflict, but relations broke down and both sides mutilated their captives. Henry attacked and took the town of Breteuil, Eure, despite Juliana's attempt to kill her father with a crossbow. In the aftermath, Henry dispossessed the couple of almost all of their lands in Normandy.
Henry's situation improved in May 1119 when he enticed Fulk to switch sides by finally agreeing to marry William Adelin to Fulk's daughter, Matilda, and paying Fulk a large sum of money. Fulk left for the Levant, leaving the County of Maine in Henry's care, and the King was free to focus on crushing his remaining enemies. During the summer Henry advanced into the Norman Vexin, where he encountered Louis's army, resulting in the Battle of Brémule. Henry appears to have deployed scouts and then organised his troops into several carefully formed lines of dismounted knights. Unlike Henry's forces, the French knights remained mounted; they hastily charged the Anglo-Norman positions, breaking through the first rank of the defences but then becoming entangled in Henry's second line of knights. Surrounded, the French army began to collapse. In the melee, Henry was hit by a sword blow, but his armour protected him. Louis and William Clito escaped from the battle, leaving Henry to return to Rouen in triumph.
The war slowly petered out after this battle, and Louis took the dispute over Normandy to Pope Callixtus II's council in Reims that October. Henry faced French complaints concerning his acquisition and subsequent management of Normandy, and despite being defended by Geoffrey, the Archbishop of Rouen, Henry's case was shouted down by the pro-French elements of the council. Callixtus declined to support Louis, and merely advised the two rulers to seek peace. Amaury de Montfort came to terms with Henry, but Henry and William Clito failed to find a mutually satisfactory compromise. In June 1120, Henry and Louis formally made peace on terms advantageous to the King of England: William Adelin gave homage to Louis, and in return Louis confirmed William's rights to the Duchy.
Succession crisis, 1120–1124
Henry's succession plans were thrown into chaos by the sinking of the White Ship on 25 November 1120. Henry had left the port of Barfleur for England in the early evening, leaving William Adelin and many of the younger members of the court to follow on that night in a separate vessel, the White Ship. Both the crew and passengers were drunk and, just outside the harbour, the ship hit a submerged rock. The ship sank, killing as many as 300 people, with only one survivor, a butcher from Rouen. Henry's court was initially too scared to report William's death to the King. When he was finally told, he collapsed with grief.
The disaster left Henry with no legitimate son, his nephews now the closest possible male heirs. Henry announced he would take a new wife, Adeliza of Louvain, opening up the prospect of a new royal son, and the two were married at Windsor Castle in January 1121. Henry appears to have chosen her because she was attractive and came from a prestigious noble line. Adeliza seems to have been fond of Henry and joined him in his travels, probably to maximise the chances of her conceiving a child. The White Ship disaster initiated fresh conflict in Wales, where the drowning of Richard, Earl of Chester, encouraged a rebellion led by Maredudd ap Bleddyn. Henry intervened in North Wales that summer with an army and, although he was hit by a Welsh arrow, the campaign reaffirmed royal power across the region.
Henry's alliance with Anjou – which had been based on his son William marrying Fulk's daughter Matilda – began to disintegrate. Fulk returned from the Levant and demanded that Henry return Matilda and her dowry, a range of estates and fortifications in Maine. Matilda left for Anjou, but Henry argued that the dowry had in fact originally belonged to him before it came into the possession of Fulk, and so declined to hand the estates back to Anjou. Fulk married his daughter Sibylla to William Clito, and granted them Maine. Once again, conflict broke out, as Amaury de Montfort allied himself with Fulk and led a revolt along the Norman-Anjou border in 1123. Amaury was joined by several other Norman barons, headed by Waleran de Beaumont, one of the sons of Henry's old ally, Robert of Meulan.
Henry dispatched Robert of Gloucester and Ranulf le Meschin to Normandy and then intervened himself in late 1123. He began the process of besieging the rebel castles, before wintering in the Duchy. In the spring of 1124, campaigning began again. In the battle of Bourgthéroulde, Odo Borleng, castellan of Bernay, Eure, led the King's army and received intelligence that the rebels were departing from the rebel base in Beaumont-le-Roger allowing him to ambush them as they traversed through the Brotonne forest. Waleran charged the royal forces, but his knights were cut down by Odo's archers and the rebels were quickly overwhelmed. Waleran was captured, but Amaury escaped. Henry mopped up the remainder of the rebellion, blinding some of the rebel leaders – considered, at the time, a more merciful punishment than execution – and recovering the last rebel castles. He paid Pope Callixtus a large amount of money, in exchange for the Papacy annulling the marriage of William Clito and Sibylla on the grounds of consanguinity.
Planning the succession, 1125–1134
Henry and Adeliza did not conceive any children, generating prurient speculation as to the possible explanation, and the future of the dynasty appeared at risk. Henry may have begun to look among his nephews for a possible heir. He may have considered Stephen of Blois as a possible option and, perhaps in preparation for this, he arranged a beneficial marriage for Stephen to a wealthy heiress, Matilda. Theobald of Blois, his close ally, may have also felt that he was in favour with Henry. William Clito, who was King Louis's preferred choice, remained opposed to Henry and was therefore unsuitable. Henry may have also considered his own illegitimate son, Robert of Gloucester, as a possible candidate, but English tradition and custom would have looked unfavourably on this.
Henry's plans shifted when the Empress Matilda's husband, the Emperor Henry, died in 1125. The King recalled his daughter to England the next year and declared that, should he die without a male heir, she was to be his rightful successor. The Anglo-Norman barons were gathered together at Westminster at Christmas 1126, where they swore to recognise Matilda and any future legitimate heir she might have. Putting forward a woman as a potential heir in this way was unusual: opposition to Matilda continued to exist within the English court, and Louis was vehemently opposed to her candidacy.
Fresh conflict broke out in 1127, when the childless Charles I, Count of Flanders, was murdered, creating a local succession crisis. Backed by King Louis, William Clito was chosen by the Flemings to become their new ruler. This development potentially threatened Normandy, and Henry began to finance a proxy war in Flanders, promoting the claims of William's Flemish rivals. In an effort to disrupt the French alliance with William, Henry mounted an attack into France in 1128, forcing Louis to cut his aid to William. William died unexpectedly in July, removing the last major challenger to Henry's rule and bringing the war in Flanders to a halt. Without William, the baronial opposition in Normandy lacked a leader. A fresh peace was made with France, and Henry was finally able to release the remaining prisoners from the revolt of 1123, including Waleran of Meulan, who was rehabilitated into the royal court.
Meanwhile, Henry rebuilt his alliance with Fulk of Anjou, this time by marrying Matilda to Fulk's eldest son, Geoffrey. The pair were betrothed in 1127 and married the following year. It is unknown whether Henry intended Geoffrey to have any future claim on England or Normandy, and he was probably keeping his son-in-law's status deliberately uncertain. Similarly, although Matilda was granted several castles in Normandy as part of her dowry, it was not specified when the couple would actually take possession of them. Fulk left Anjou for Jerusalem in 1129, declaring Geoffrey the Count of Anjou and Maine. The marriage proved difficult, as the couple did not particularly like each other and the disputed castles proved a point of contention, resulting in Matilda returning to Normandy later that year. Henry appears to have blamed Geoffrey for the separation, but in 1131 the couple were reconciled. Much to the pleasure and relief of Henry, Matilda then gave birth to two sons, Henry and Geoffrey, in 1133 and 1134.
Death and legacy
Death
Relations among Henry, Matilda, and Geoffrey became increasingly strained during the King's final years. Matilda and Geoffrey suspected that they lacked genuine support in England. In 1135 they urged Henry to hand over the royal castles in Normandy to Matilda while he was still alive, and insisted that the Norman nobility swear immediate allegiance to her, thereby giving the couple a more powerful position after Henry's death. Henry angrily declined to do so, probably out of concern that Geoffrey would try to seize power in Normandy. A fresh rebellion broke out among the barons in southern Normandy, led by William III, Count of Ponthieu, whereupon Geoffrey and Matilda intervened in support of the rebels.
Henry campaigned throughout the autumn, strengthening the southern frontier, and then travelled to Lyons-la-Forêt in November to enjoy some hunting, still apparently healthy. There he fell ill – according to the chronicler Henry of Huntingdon, he ate too many ("a surfeit of") lampreys against his physician's advice – and his condition worsened over the course of a week. Once the condition appeared terminal, Henry gave confession and summoned Archbishop Hugh of Amiens, who was joined by Robert of Gloucester and other members of the court. In accordance with custom, preparations were made to settle Henry's outstanding debts and to revoke outstanding sentences of forfeiture. The King died on 1 December 1135, and his corpse was taken to Rouen accompanied by the barons, where it was embalmed; his entrails were buried locally at the priory of Notre-Dame du Pré, and the preserved body was taken on to England, where it was interred at Reading Abbey.
Despite Henry's efforts, the succession was disputed. When news began to spread of the King's death, Geoffrey and Matilda were in Anjou supporting the rebels in their campaign against the royal army, which included a number of Matilda's supporters such as Robert of Gloucester. Many of these barons had taken an oath to stay in Normandy until the late king was properly buried, which prevented them from returning to England. The Norman nobility discussed declaring Theobald of Blois king. Theobald's younger brother, Stephen of Blois, quickly crossed from Boulogne to England, accompanied by his military household. Hugh Bigod dubiously testified that Henry, on his deathbed, had released the barons from their oath to Matilda, and with the help of his brother, Henry of Blois, Stephen seized power in England and was crowned king on 22 December. Matilda did not give up her claim to England and Normandy, appealing at first to the Pope against the decision to allow the coronation of Stephen, and then invading England to start a prolonged civil war, known as the Anarchy, between 1135 and 1153.
Historiography
Historians have drawn on a range of sources on Henry, including the accounts of chroniclers; other documentary evidence, including early pipe rolls; and surviving buildings and architecture. The three main chroniclers to describe the events of Henry's life were William of Malmesbury, Orderic Vitalis, and Henry of Huntingdon, but each incorporated extensive social and moral commentary into their accounts and borrowed a range of literary devices and stereotypical events from other popular works. Other chroniclers include Eadmer, Hugh the Chanter, Abbot Suger, and the authors of the Welsh Brut. Not all royal documents from the period have survived, but there are several royal acts, charters, writs, and letters, along with some early financial records. Some of these have since been discovered to be forgeries, and others had been subsequently amended or tampered with.
Late medieval historians seized on the accounts of selected chroniclers regarding Henry's education and gave him the title of Henry "Beauclerc", a theme echoed in the analysis of Victorian and Edwardian historians such as Francis Palgrave and Henry Davis. The historian Charles David dismissed this argument in 1929, showing the more extreme claims for Henry's education to be without foundation. Modern histories of Henry commenced with Richard Southern's work in the early 1960s, followed by extensive research during the rest of the 20th century into a wide variety of themes from his reign in England, and a much more limited number of studies of his rule in Normandy. Only two major, modern biographies of Henry have been produced, C. Warren Hollister's posthumous volume in 2001, and Judith Green's 2006 work.
Interpretation of Henry's personality by historians has altered over time. Earlier historians such as Austin Poole and Richard Southern considered Henry as a cruel, draconian ruler. More recent historians, such as Hollister and Green, view his implementation of justice much more sympathetically, particularly when set against the standards of the day, but even Green has noted that Henry was "in many respects highly unpleasant", and Alan Cooper has observed that many contemporary chroniclers were probably too scared of the King to voice much criticism. Historians have also debated the extent to which Henry's administrative reforms genuinely constituted an introduction of what Hollister and John Baldwin have termed systematic, "administrative kingship", or whether his outlook remained fundamentally traditional.
Henry's burial at Reading Abbey is marked by a local cross and a plaque, but Reading Abbey was slowly demolished during the Dissolution of the Monasteries in the 16th century. The exact location is uncertain, but the most likely location of the tomb itself is now in a built-up area of central Reading, on the site of the former abbey choir. A plan to locate his remains was announced in March 2015, with support from English Heritage and Philippa Langley, who aided with the successful discovery and exhumation of Richard III.
Family and children
Legitimate
In addition to Matilda and William, Henry possibly had a short-lived son, Richard, with his first wife, Matilda of Scotland. Henry and his second wife, Adeliza of Louvain, had no children.
Illegitimate
Henry had a number of illegitimate children by various mistresses.
Sons
Robert FitzRoy, Earl of Gloucester, born in the 1090s to a woman of Gay family of north Oxfordshire;
Richard, born to Ansfride, brought up by Robert Bloet, the Bishop of Lincoln;
Reginald de Dunstanville, Earl of Cornwall, born in the 1110s or early 1120s, possibly to Sibyl Corbet;
Robert FitzEdith, born to Edith Forne;
Gilbert FitzRoy, possibly born to an unnamed sister or daughter of Walter of Gand;
William de Tracy, possibly born in the 1090s;
Henry FitzRoy, possibly born to Nest ferch Rhys;
Fulk FitzRoy, possibly born to Ansfride;
William, the full brother of Sybilla of Normandy, probably also of Reginald de Dunstanville.
Daughters
Matilda FitzRoy, Countess of Perche;
Matilda FitzRoy; Duchess of Brittany.
Juliane, wife of Eustace of Breteuil, possibly born to Ansfrida;
Mabel, wife of William Gouet;
Constance, Viscountess of Beaumont-sur-Sarthe;
Aline, wife of Matthew de Montmorency;
Isabel, daughter of Isabel de Beaumont, Countess of Pembroke;
Sybilla de Normandy, Queen of Scotland, probably born before 1100;
Matilda Fitzroy, Abbess of Montivilliers;
Gundrada de Dunstanville;
Possibly Rohese, wife of Henry de la Pomerai;
Emma, wife of Guy of Laval;
Adeliza;
Elizabeth Fitzroy, the wife of Fergus of Galloway;
Possibly Sibyl of Falaise.
Family tree
See also
List of earls in the reign of Henry I of England
Notes
References
Bibliography
External links
Henry I at the official website of the British monarchy
Henry I at BBC History
Portraits of King Henry I at the National Portrait Gallery, London |
Battle_of_Naseby | https://en.wikipedia.org/wiki/Battle_of_Naseby | [
246
] | [
"https://en.wikipedia.org/wiki/Battle_of_Naseby"
] | The Battle of Naseby took place on 14 June 1645 during the First English Civil War, near the village of Naseby in Northamptonshire. The Parliamentarian New Model Army, commanded by Sir Thomas Fairfax and Oliver Cromwell, destroyed the main Royalist army under Charles I and Prince Rupert. The defeat ended any real hope of royalist victory, although Charles did not finally surrender until May 1646.
The 1645 campaign began in April when the newly formed New Model Army marched west to relieve Taunton, before being ordered back to lay siege to Oxford, the Royalist wartime capital. On 31 May, the Royalists stormed Leicester and Fairfax was instructed to abandon the siege and engage them. Although heavily outnumbered, Charles decided to stand and fight and after several hours of combat, his force was effectively destroyed. The Royalists suffered over 1,000 casualties, with over 4,500 of their infantry captured and paraded through the streets of London; they would never again field an army of comparable quality.
They also lost all their artillery and stores, along with Charles' personal baggage and private papers, which revealed his attempts to bring the Irish Catholic Confederation and foreign mercenaries into the war. These were published in a pamphlet titled The King's Cabinet Opened, whose appearance was a great boost to the cause of Parliament.
Background
In July 1644, a Parliamentarian force under Sir Thomas Fairfax and Oliver Cromwell secured control of Northern England by victory at Marston Moor. However, this was offset first by defeat at Lostwithiel in September, then lack of decisiveness at the Second Battle of Newbury in October. The two commanders involved, Essex and Manchester, were accused by many in Parliament of lacking commitment, a group that included moderates like Sir William Waller as well as radicals like Cromwell.
In December, Sir Henry Vane introduced the Self-denying Ordinance, requiring any military officers to resign from Parliament. As members of the House of Lords, Manchester and Essex were automatically removed since unlike MPs they could not resign their titles, although they could be re-appointed, 'if Parliament approved.' It also led to the creation of the New Model Army, a centralised, professional force. Moderates Fairfax and Philip Skippon were appointed Commander-in-Chief and head of the infantry, respectively; Cromwell remained an MP but was given command of the cavalry on a 'temporary' three-month commission, constantly renewed.
At the outset of 1645, the Royalist high command was divided on strategy. Prince Rupert of the Rhine, recently appointed senior commander, wanted to link up with his brother Prince Maurice at Chester and retake the north, a key source of recruits and supplies. A faction headed by Lord Digby considered the New Model a threat to their capital at Oxford, while a third group preferred to consolidate control of the West Country. On 30 April, Fairfax marched west to relieve the Parliamentarian stronghold of Taunton; Lord Goring was despatched with 3,000 cavalry to support the Siege of Taunton, while the main Royalist field army of 8,600 men under Charles I and Prince Rupert moved north.
Concerned by this threat, Parliament's Committee of Both Kingdoms ordered Fairfax to change his plans and besiege Oxford. Although he made little progress, by the end of May the town was running short of provisions and to relieve the pressure, the Royalists stormed the Parliamentarian-held town of Leicester on 31 May, allegedly killing over 700 soldiers and civilians. Alarmed by this, Parliament instructed Fairfax to abandon the siege and on 5 June he marched north to engage the Royalist army. Unlike Prince Rupert who had been beaten by Fairfax and Cromwell the previous summer, Digby and Charles dismissed the fighting capabilities of the New Model. Despite being seriously outnumbered, they were eager for battle; messages were sent ordering Goring to rejoin them, but he refused to leave the West Country.
On 12 June, the Royalists were alerted to the presence of the New Model when Parliamentarian patrols clashed with their outposts near Daventry. The next day, Fairfax was reinforced by Cromwell's cavalry and troops from the Eastern Association under Edward Rossiter, bringing his numbers up to 14,000. Although Prince Rupert favoured withdrawing, Digby convinced Charles that retreat would be bad for morale and they decided to stand and fight.
Battle
The morning of 14 June was foggy, preventing the opposing armies from sighting each other across the battlefield. The Royalists occupied a strong position on a ridge between the villages of Little Oxendon and East Farndon about 2 miles (3.2 km) south of Market Harborough. The Royalist scoutmaster, Sir Francis Ruce, was sent out to find the Parliamentarian army and rode south for 2 or 3 miles (3.2 or 4.8 km) but saw no sign of it, perhaps through negligence. Rupert himself moved forward and saw some Parliamentarian cavalry, apparently retiring. He was determined to secure the commanding Naseby ridge and ordered the Royalist army to advance.
Fairfax initially considered occupying the northern slopes of Naseby ridge. Cromwell believed that this position was too strong, and that the Royalists would refuse battle rather than attack it. He is said to have sent a message to Fairfax, saying, "I beseech you, withdraw to yonder hill, which may provoke the enemy to charge us". Fairfax agreed, and moved his army back slightly.
The Royalists did not see Fairfax's position until they reached the village of Clipston, just over a mile north of Naseby ridge. It was clearly impossible for the Royalists to withdraw to their original position without being attacked by the Parliamentarian cavalry while on the line of march and therefore at a disadvantage. Rupert deployed the army to its right, where the ground appeared to be more favourable for his own cavalry and prepared for battle.
Deployments
Royalists
The Royalists occupied a front of about a mile and a half, between the Clipston-Naseby track on the left and the Sulby Hedges on the right. Their right wing consisted of between 2,000 and 3,000 cavalry under Prince Rupert and his brother Prince Maurice. The centre was commanded by Lord Astley and organised as three infantry brigades or tertias under Sir George Lisle, Henry Bard and Astley's son, Sir Bernard Astley, with a regiment of horse under Colonel Howard in support. On the left under Sir Marmaduke Langdale were 1,500 "Northern Horse", the remnants of cavalry regiments which had escaped from Marston Moor. Charles commanded a small reserve, consisting of his own and Rupert's regiments of foot (800 in total) and his lifeguard of horse.
Parliamentarians
Fairfax had drawn up his army on the ridge a mile north of Naseby, although some of it was behind the crest on the reverse slope. Ireton's wing of five and a half regiments of cavalry was on the left. The infantry under Sergeant-Major General Sir Philip Skippon was in the centre with five regiments on the front line and three in support. A forlorn hope of 300 musketeers was deployed to the front, with a reserve provided by two companies of Colonel Edward Harley's regiment, commanded by its Lieutenant Colonel Thomas Pride. A Parliamentarian engraving of the battle shows 11 pieces of artillery, in the intervals between the infantry regiments. They played little part in the battle; their first salvoes went high, and the Royalist and Parliamentarian infantry were subsequently too closely engaged for the guns to be used. Cromwell's wing, with six and a half regiments of cavalry, was on the right.
The Parliamentarian army occupied a front about 2 miles (3.2 km) long. They outflanked the Royalist left, but their own left flank rested, like the Royalists' right flank, on the Sulby Hedges. At the last minute, as the Royalists began to advance, Cromwell sent a regiment of dragoons under Colonel John Okey into the Sulby Hedges, where they could fire into the flank of Rupert's cavalry. The number of dragoons has generally been reported as their official strength of 1,000 but an analysis of pay warrants shows it was no more than 676 in total.
Action
The Royalist centre attacked first, with Rupert keeping his own wing of cavalry in hand so that the horse and foot could hit the enemy simultaneously. Skippon's infantry moved forward over the crest of the ridge to meet the Royalist foot. There was time for only one volley of musketry before both sides were fighting hand-to-hand, the veteran Royalist infantry using their swords and the butt ends of their muskets. Sir Edward Walker, Charles's secretary of war, stated "The Foot on either side hardly saw each other until they were within Carabine Shot, and so made only one Volley; our falling in with Sword and butt end of the Musquet did notable Execution, so much as I saw their Colours fall and their Foot in great Disorder." [sic] Skippon was wounded by a bullet which splintered his armour and struck him under the ribs, although he stayed on the field to prevent panic from spreading. Even so, the Parliamentarians were hard-pressed and forced back.
On the Parliamentarian left, the opposing wings of horse paused briefly to dress ranks before charging into each other. Henry Ireton's own regiment repulsed their Royalist opposite numbers, but Ireton then led at least part of them to the aid of the beleaguered Parliamentarian infantry. His troopers were driven off by Royalist pikemen, and Ireton himself was unhorsed, wounded in the leg and face and taken prisoner. At the same time, the second line of Royalist cavalry broke most of the Parliamentarian horsemen. Some of Ireton's regiments, on the far left, were saved from destruction by the fire from Okey's dragoons, but the others broke and fled, some of them not stopping until they reached Northampton, 15 miles (24 km) away. The entire Royalist right wing had been committed to defeating Ireton, and none were left in reserve. Rupert either neglected or was unable to rally the cavalier horsemen, who galloped off the battlefield in pursuit of the fleeing Parliamentarians.
Meanwhile, the Parliamentarian right wing of horse under Cromwell and the Royalist Northern Horse faced each other, neither willing to charge to the aid of their infantry while the other could threaten their flank. Eventually, after half an hour, the Royalist cavalry began to charge and Cromwell's troops moved to meet them. Langdale's men were not only outflanked and outnumbered two to one, but forced to charge up a slope broken up by bushes and a rabbit warren. After a brief contest, they were routed.
Unlike Rupert, Cromwell had roughly half of his wing uncommitted, as only the front line of Cromwell's wing had taken part in the defeat of Langdale. He sent only four divisions (roughly two regiments) after Langdale, and turned his reserves against the left flank and rear of the Royalist centre. At about the same time, Okey's dragoons mounted their horses and charged from the Sulby Hedges against the right wing of the Royalist infantry, as did some of Ireton's regiments which had partly rallied.
Some of the trapped Royalist infantry began to throw down their arms and call for quarter; others tried to conduct a fighting retreat. One regiment, apparently Rupert's "Bluecoats", stood their ground and repulsed all attacks. One eyewitness said "The Blue regiment of the Kings stood to it very stoutly, and stirred not, like a wall of brasse...". [sic] Eventually, Fairfax led his own regiment of foot and horse against them, breaking their resistance, with Fairfax reportedly capturing their standard himself. Archaeological evidence, chiefly recovered musket balls, suggests this episode took place in the vicinity of Long Hold Spinney, about 1 kilometre (0.62 mi) behind the original Royalist positions.
At some stage, the King attempted to lead his lifeguard of horse to the rescue of his centre or in a counter-attack against Cromwell's troopers, but was prevented from doing so by a Scottish nobleman, the Earl of Carnwath, who seized his bridle and said, "Would you go upon your death, Sire?" Seeing the King swerve away from the enemy, his lifeguard also retreated in disorder for several hundred yards. Meanwhile, Rupert's cavalry had reached Naseby and the Parliamentarian baggage, whose escort refused to surrender and drove them off. Although Rupert rallied his men and returned to the battlefield, it was now too late to save the remnants of their infantry, and he could not induce his cavalry to make another charge. Fairfax halted and reorganised his lines, and when he resumed his advance, the Royalist cavalry withdrew.
Fairfax's forces pursued survivors fleeing north towards Leicester. Archaeological evidence suggests fugitives and Royalist baggage guards tried to rally on the slopes of Castle Yard (also known as Wadborough Hill), a wooded hill with the ruins of a motte and bailey castle, about 1.5 miles (2.4 km) behind the original battle line. Many Royalists were slaughtered when they mistakenly followed what they thought was the main road to Leicester into the churchyard in the village of Marston Trussell, and were unable to escape their pursuers. In the aftermath of the battle, Parliamentarian troops reportedly killed at least 100 female camp followers and mutilated many others. This was supposedly done in the belief they were Irish, though the women were probably Welsh whose language was mistaken for Irish.
Aftermath
Fairfax recovered Leicester on 18 June. He immediately led his army southwest to relieve Taunton and capture the Royalist-held West Country. The Royalist forces surrendered at Truro in Cornwall, while leading Royalist commanders, including Lord Hopton, the Prince of Wales, Sir Edward Hyde, and Lord Capell, fled to Jersey from Falmouth.
The main Royalist military force had been shattered at Naseby. The King had lost his veteran infantry (including 500 officers), all his artillery, and many arms. He lacked the resources to create an army of such quality again, and after Naseby, it simply remained for the Parliamentarian armies to wipe out the last pockets of Royalist resistance. Charles hoped to rebuild his army with new recruits from Wales and the border counties and headed in that direction. He also had expectations that reinforcements might arrive from Ireland. The Committee of Both Kingdoms responded on 28 June by ordering Leven's Scottish Covenanters to move to strike at the Royalist stronghold of Hereford. The ensuing Siege of Hereford by Covenanter forces ended in failure, but in December of the same year, Hereford was seized by John Birch in a surprise attack.
The Parliamentarians had also captured the King's personal baggage, with correspondence which showed he intended to seek support from the Irish Catholic Confederation through the Cessation Treaty, and Catholic nations in Europe. By publishing this correspondence, entitled The King's Cabinet Opened, Parliament gained much support in favour of fighting the war to a finish. Within a year, the first civil war ended in a Parliamentarian military victory.
See also
A Commonwealth of England Navy ship, Naseby, was named after the battle.
Wars of the Three Kingdoms
References
Citations
Sources
Further reading
External links
The Naseby Battlefield Project
Battlefields Trust Resource Centre
British Civil Wars site |
Jos%C3%A9_Loiola | https://en.wikipedia.org/wiki/Jos%C3%A9_Loiola | [
247
] | [
"https://en.wikipedia.org/wiki/Jos%C3%A9_Loiola"
] | José Geraldo Loiola (born March 28, 1970) is a Brazilian former beach volleyball player. He won the gold medal at the 1999 Beach Volleyball World Championships in Marseille, partnering with Emanuel Rego.
Loiola began playing beach volleyball in the AVP in 1993 with partner Eduardo "Anjinho" Bacil. He was selected as the AVP Rookie of the Year in 1993. He eventually won 11 tournaments partnering with Adam Johnson and 17 partnering with Kent Steffes. He was named MVP of the AVP tour in 1997, and was voted Best Offensive Player of the AVP four times. In total, he won 55 tournaments and $1,900,000 in prize money in the AVP and FIVB. Loiola was noted for his exceptional vertical jump.
Loiola represented his native country at the 2000 Summer Olympics in Sydney, and added a silver medal to his tally a year later at the 2001 Beach Volleyball World Championships in Klagenfurt, alongside Ricardo Santos.
Hall of Fame
In 2014, Loiola was inducted into the California Beach Volleyball Hall of Fame. In 2017, he was inducted into the International Volleyball Hall of Fame.
Coaching
Loiola coached Sara Hughes and Kelly Claes of the United States in preparation for the 2020 Olympic beach volleyball qualification. He currently works as a coach for the United States beach national team.
Awards
AVP Rookie of the Year 1993
AVP Most Valuable Player 1997
Four-time AVP Best Offensive Player 1995, 1996, 1997, 1998
Gold Medal at World Championships at Marseille 1999
CBVA Hall of Fame 2014
International Volleyball Hall of Fame 2017
References
External links
José Loiola at the Beach Volleyball Database
José Loiola at Olympics.com
CBVA Hall of Fame
Volleybox.net profile |
1999%E2%80%932000_Olympique_de_Marseille_season | https://en.wikipedia.org/wiki/1999%E2%80%932000_Olympique_de_Marseille_season | [
247
] | [
"https://en.wikipedia.org/wiki/1999%E2%80%932000_Olympique_de_Marseille_season"
] | Olympique de Marseille nearly crashed out of the French league following a chaotic season, in which all things that could go wrong, indeed went that way. Despite having several internationally respected players in the squad, only goal difference saved the team from being relegated. On the other hand, l'OM was only seven points behind Lens in fifth, suggesting that the league was the tightest ever.
Squad
Goalkeepers
Stéphane Porato
Cédric Carrasso
Stéphane Trévisan
Defenders
William Gallas
Sébastien Pérez
Jacques Abardonado
Pierre Issa
Eduardo Berizzo
Loris Reina
Lilian Martin
Patrick Blondeau
Lamine Diatta
Jean-Pierre Cyprien
Franck Dumas
Midfielders
Daniel Montenegro
Robert Pires
Seydou Keita
Iván de la Peña
Frédéric Brando
Jérôme Leroy
Peter Luccin
Djamel Belmadi
Stéphane Dalmat
Arthur Moses
Attackers
Florian Maurice
Kaba Diawara
Ibrahima Bakayoko
Cyrille Pouget
Fabrizio Ravanelli
Christophe Dugarry
Competitions
Division 1
League table
Results summary
Results by round
Matches
Topscorers
Florian Maurice 8
Ibrahima Bakayoko 8
Fabrizio Ravanelli 6
Cyrille Pouget 5
Christophe Dugarry 3
Coupe de France
Coupe de la Ligue
UEFA Champions League
First group stage
Second group stage
Sources
RSSSF - France 1999/2000 |
Elephant_beetle | https://en.wikipedia.org/wiki/Elephant_beetle | [
248
] | [
"https://en.wikipedia.org/wiki/Elephant_beetle"
] | The elephant beetle (Megasoma elephas) is a member of the family Scarabaeidae and the subfamily Dynastinae. Elephant beetles are Neotropical rhinoceros beetles.
Appearance
Elephant beetles are black in color and covered with a coat of fine microscopic hairs. The hairs grow particularly thick on the beetle's elytra. The hairs give the beetle's body a yellowish color. Males have two horns protruding from the head and another from the prothorax. The longest head horn gives the beetle its common name, since it resembles an elephant’s trunk. Females have no horns. The horns are used for defense, and in competition among males for food and mates.
Size
In size, elephant beetles typically range between 7 and 12 cm (2.75–4.75 in), with the largest male specimen known measuring 13.7 cm, including the horn.
Location
Elephant beetles are located in southern Mexico, Central America, and in South American rainforests.
List of subspecies
Megasoma elephas elephas (Fabricius, 1775)
Megasoma elephas iijimai Nagai, 2003
Breeding
Elephant beetle larvae develop in large decaying logs and take up to three years to develop into adult beetles, depending upon the subspecies. The female elephant beetle lays her eggs inside the decaying log or in the ground. Some weeks after that (usually three) the eggs hatch into C-shaped larvae, white grubs with brown heads and six legs. The larval stage lasts around 29 months, during which time the grubs consume organic matter. The third and last stage, the pupal stage, lasts around five weeks at a temperature of 26 degrees Celsius. The life span of an adult elephant beetle is around one to three months.
Food
For their diet, elephant beetles eat the sap of particular trees and ripened fallen fruits. In captivity, they also eat exotic fruits such as pineapples, longan, lychee fruit, and bark from certain trees like the poinciana.
Behavior and habitat
Elephant beetles live in rainforests and are mainly active during the night. They are able to maintain a high internal body heat when foraging despite reduced ambient temperature.
Elephant beetle population has been depleted by the destruction of the rainforests, which has reduced their grounds for mating. In some countries such as Costa Rica, Nicaragua, and others in Central America the male's head is used as a charm necklace, decorated with gold. This has affected the population severely.
Potential military use
As part of a Pentagon-sponsored project, researchers at the University of California, Berkeley have implanted electrodes into elephant beetle pupae. This allows some remote control of the adults’ flying behaviour.
See also
List of largest insects
References
External links
Video article on the BBC News Website
Photos and size of Megasoma elephas elephas
Megasoma elephas elephas pics
Megasoma elephas occidentalis pics
Elephants at the Insectarium?
Family Scarabaeidae - Megasoma elephas
God of Insects
History of Insects
Viva Natura TV |
Xylotrupes_gideon | https://en.wikipedia.org/wiki/Xylotrupes_gideon | [
248
] | [
"https://en.wikipedia.org/wiki/Xylotrupes_gideon"
] | Xylotrupes gideon, the brown rhinoceros beetle, is a species of large scarab beetle belonging to the subfamily Dynastinae.
Subspecies
Seven subspecies have been identified.
Xylotrupes gideon australicus
Xylotrupes gideon borneensis Minck, 1920
Xylotrupes gideon gideon (Linnaeus, 1767)
Xylotrupes gideon kaszabi
Xylotrupes gideon lakorensis Silvestre, 2002
Xylotrupes gideon sawuensis Silvestre, 2002
Xylotrupes gideon sondaicus Silvestre, 2002
Xylotrupes gideon tonkinensis Minck, 1920
Distribution
This species is widespread in India, Sri Lanka, Thailand, Indonesia: Java (nominotypical form), Borneo (borneensis), Sunda Islands and Moluccas.
Description
Xylotrupes gideon can reach a length of 3.5–7 centimetres (1.4–2.8 in). As usual with rhinoceros beetles there is a great difference between the genders. Males are larger than females. They have two chitinous bifurcated horns, a thick thoracic horn and a smaller cephalic horn, which they use to eliminate their rivals during the mating period. These beetles are shiny dark red, dark brown, or black in coloration. The eyes are located on each side of the head. When disturbed these beetles make a hissing noise, produced by rubbing the tip of the abdomen against the edge the elytra.
Males with transverse, scantily punctured head; clypeus elongate, scantily and minutely punctured. Antenna with 10 segments. Pronotum and scutellum scantily and minutely punctured. Elytra and pygidium coriaceous, finely and scantily punctured. Dorsum of female is rugose, with coarsely and densely punctured pronotum. Pygidium finely rugose.
Biology
One source gives the average duration of the different developmental stages; females lay about 55 eggs at one time in decaying logs; eggs mature in 21 days, where the larvae hatch from decaying coconut logs; the total larval period is 188 days, followed by 14 days of prepupal and 32 days of pupal periods; adult females are live about 102 days, whereas adult males survive 90 days. Other sources indicate that the larvae develop in decaying vegetable matter and usually take two years in development, the adult beetles live 2–4 months. A female can lay about 20-30 eggs but it depends on the place where they live.
This species is considered as a serious pest on coconut and also a minor pest on plum, okra, oil palm, sugarcane, Persea bombycina, rubber, banana, bamboo, Delonix regia, Cacao tree, poinciana, cassia, litchi, potato, apple and pear.
See also
Xylotrupes ulysses
Elephant beetle
Rhinoceros beetle
References
Rowland, J.M. (2011) Notes on nomenclature in Xylotrupes Hope (Scarabaeidae: Dynastinae: Dynastini)
External links
Media related to Xylotrupes gideon at Wikimedia Commons |
Bee_hummingbird | https://en.wikipedia.org/wiki/Bee_hummingbird | [
248
] | [
"https://en.wikipedia.org/wiki/Bee_hummingbird"
] | The bee hummingbird, zunzuncito or Helena hummingbird (Mellisuga helenae) is a species of hummingbird, native to the island of Cuba in the Caribbean. It is the smallest known bird. The bee hummingbird feeds on nectar of flowers and bugs found in Cuba.
Description
The bee hummingbird is the smallest living bird. Females weigh 2.6 g (0.092 oz) and are 6.1 cm (2+3⁄8 in) long, and are slightly larger than males, which have an average weight of 1.95 g (0.069 oz) and length of 5.5 cm (2+1⁄8 in). Like all hummingbirds, it is a swift, strong flier.
The male has a green pileum and bright red throat, iridescent gorget with elongated lateral plumes, bluish upper parts, and the rest of the underparts mostly greyish white. Compared to other small hummingbirds, which often have a slender appearance, the bee hummingbird looks rounded and plump.
Female bee hummingbirds are bluish green with a pale gray underside. The tips of their tail feathers have white spots. During the mating season, males have a reddish to pink head, chin, and throat. The female lays only two eggs at a time, each about the size of a coffee bean.
The bee hummingbird's feathers have iridescent colors, which is not always noticeable, but depends on the viewing angle. The bird's slender, pointed bill is adapted for probing deep into flowers. The bee hummingbird feeds mainly on nectar, by moving its tongue rapidly in and out of its mouth. In the process of feeding, the bird picks up pollen on its bill and head. When it flies from flower to flower, it transfers the pollen. In this way, it plays an important role in plant reproduction. In one day, the bee hummingbird may visit 1,500 flowers. It is a diurnal bird that can fly at 40–48 km/h (22–26 kn; 11–13 m/s), and it beats its wings 80–200 times per second, which allows it to remain stationary in the air to feed on flowers. The bee hummingbird lives up to seven years in the wild, and 10 years in captivity.
The bee hummingbird has also been described as "the smallest dinosaur". This characterization is based upon the recognition that birds are, in fact, a living form of theropod dinosaurs (or, strictly speaking, avian dinosaurs), and no smaller bird or non-avian dinosaur has been found in the fossil record.
The call is described as "high pitched, jumbled twitter". Within their territory a male will often sing atop the highest tree.
Diet
The bee hummingbird has been reported to visit ten plant species, nine of them native to Cuba.
They occasionally eat insects and spiders. In a typical day, bee hummingbirds will consume up to half their body weight in food.
Taxonomy
The closest evolutionary relative of the bee hummingbird is the vervain hummingbird (Mellisuga minima), the only other member of its genus. The habitats of the vervain hummingbird are in Cuba's neighboring islands, Hispaniola and Jamaica.
Habitat and distribution
The bee hummingbird is endemic to the entire Cuban archipelago, including the main island of Cuba and the Isla de la Juventud in the West Indies. In these regions bee hummingbirds generally live in areas of thick growth that contain lianas and epiphytes. Its population is fragmented; it is found in Cuba's mogote areas in Pinar del Río Province and more commonly in Zapata Swamp (Matanzas Province) and in eastern Cuba, with reference localities in Alexander Humboldt National Park and Baitiquirí Ecological Reserve (Guantánamo Province) and Gibara and Sierra Cristal (Holguín Province).
Breeding
Bee hummingbirds reach sexual maturity at one year of age. Male bee hummingbirds court females with sound from tail-feathers, which flutter during display dives. The bee hummingbird's breeding season is March–June, with the female laying one or two eggs.
Using strands of cobwebs, bark, and lichen, female bee hummingbirds build a cup-shaped nest about 2.5 cm (1 in) in diameter and 3–5 m off the ground. The nest is lined with a layer of soft plant wool. Branches in mature, leafy jucaro (Terminalia buceras) and juvenile ocuje (Calophyllum antillanum) trees are commonly used for nest building. After completion of the nest, the eggs are incubated for 21 days by only the female, followed by 2 days of hatching, and 18 days of care by the mother. During days of care the mother will hunt for small insects while chicks are left alone in the nest. Over the final 4–5 days of care, juvenile bee hummingbirds practice their flight capabilities. The nests are used only once.
Coevolution with flowers
The bee hummingbird's interaction with the flowers that supply nectar is a notable example of bird–plant coevolution with its primary food source (flowers for nectar). Flowers that bee hummingbirds often feed from are odorless, have long narrow tubular corolla that are brightly colored, and has dilute nectar.
See also
Hummingbird moth
Dinosaur size
Smallest organisms
References
External links
Bee hummingbird videos, photos, and sounds, Internet Bird Collection
Bee hummingbird photo gallery, Vireo |
Bird | https://en.wikipedia.org/wiki/Bird | [
248
] | [
"https://en.wikipedia.org/wiki/Bird#Anatomy_and_physiology"
] | Birds are a group of warm-blooded vertebrates constituting the class Aves (), characterised by feathers, toothless beaked jaws, the laying of hard-shelled eggs, a high metabolic rate, a four-chambered heart, and a strong yet lightweight skeleton. Birds live worldwide and range in size from the 5.5 cm (2.2 in) bee hummingbird to the 2.8 m (9 ft 2 in) common ostrich. There are over 11,000 living species, more than half of which are passerine, or "perching" birds. Birds have wings whose development varies according to species; the only known groups without wings are the extinct moa and elephant birds. Wings, which are modified forelimbs, gave birds the ability to fly, although further evolution has led to the loss of flight in some birds, including ratites, penguins, and diverse endemic island species. The digestive and respiratory systems of birds are also uniquely adapted for flight. Some bird species of aquatic environments, particularly seabirds and some waterbirds, have further evolved for swimming. The study of birds is called ornithology.
Birds are feathered theropod dinosaurs and constitute the only known living dinosaurs. Likewise, birds are considered reptiles in the modern cladistic sense of the term, and their closest living relatives are the crocodilians. Birds are descendants of the primitive avialans (whose members include Archaeopteryx) which first appeared during the Late Jurassic. According to recent estimates, modern birds (Neornithes) evolved in the Late Cretaceous and diversified dramatically around the time of the Cretaceous–Paleogene extinction event 66 million years ago, which killed off the pterosaurs and all non-avian dinosaurs.
Many social species preserve knowledge across generations (culture). Birds are social, communicating with visual signals, calls, and songs, and participating in such behaviours as cooperative breeding and hunting, flocking, and mobbing of predators. The vast majority of bird species are socially (but not necessarily sexually) monogamous, usually for one breeding season at a time, sometimes for years, and rarely for life. Other species have breeding systems that are polygynous (one male with many females) or, rarely, polyandrous (one female with many males). Birds produce offspring by laying eggs which are fertilised through sexual reproduction. They are usually laid in a nest and incubated by the parents. Most birds have an extended period of parental care after hatching.
Many species of birds are economically important as food for human consumption and raw material in manufacturing, with domesticated and undomesticated birds being important sources of eggs, meat, and feathers. Songbirds, parrots, and other species are popular as pets. Guano (bird excrement) is harvested for use as a fertiliser. Birds figure throughout human culture. About 120 to 130 species have become extinct due to human activity since the 17th century, and hundreds more before then. Human activity threatens about 1,200 bird species with extinction, though efforts are underway to protect them. Recreational birdwatching is an important part of the ecotourism industry.
Evolution and classification
The first classification of birds was developed by Francis Willughby and John Ray in their 1676 volume Ornithologiae.
Carl Linnaeus modified that work in 1758 to devise the taxonomic classification system currently in use. Birds are categorised as the biological class Aves in Linnaean taxonomy. Phylogenetic taxonomy places Aves in the clade Theropoda.
Definition
Aves and a sister group, the order Crocodilia, contain the only living representatives of the reptile clade Archosauria. During the late 1990s, Aves was most commonly defined phylogenetically as all descendants of the most recent common ancestor of modern birds and Archaeopteryx lithographica. However, an earlier definition proposed by Jacques Gauthier gained wide currency in the 21st century, and is used by many scientists including adherents to the PhyloCode. Gauthier defined Aves to include only the crown group of the set of modern birds. This was done by excluding most groups known only from fossils, and assigning them, instead, to the broader group Avialae, on the principle that a clade based on extant species should be limited to those extant species and their closest extinct relatives.
Gauthier and de Queiroz identified four different definitions for the same biological name "Aves", which is a problem. The authors proposed to reserve the term Aves only for the crown group consisting of the last common ancestor of all living birds and all of its descendants, which corresponds to meaning number 4 below. They assigned other names to the other groups.
Aves can mean all archosaurs closer to birds than to crocodiles (alternately Avemetatarsalia)
Aves can mean those advanced archosaurs with feathers (alternately Avifilopluma)
Aves can mean those feathered dinosaurs that fly (alternately Avialae)
Aves can mean the last common ancestor of all the currently living birds and all of its descendants (a "crown group", in this sense synonymous with Neornithes)
Under the fourth definition Archaeopteryx, traditionally considered one of the earliest members of Aves, is removed from this group, becoming a non-avian dinosaur instead. These proposals have been adopted by many researchers in the field of palaeontology and bird evolution, though the exact definitions applied have been inconsistent. Avialae, initially proposed to replace the traditional fossil content of Aves, is often used synonymously with the vernacular term "bird" by these researchers.
Most researchers define Avialae as branch-based clade, though definitions vary. Many authors have used a definition similar to "all theropods closer to birds than to Deinonychus", with Troodon being sometimes added as a second external specifier in case it is closer to birds than to Deinonychus. Avialae is also occasionally defined as an apomorphy-based clade (that is, one based on physical characteristics). Jacques Gauthier, who named Avialae in 1986, re-defined it in 2001 as all dinosaurs that possessed feathered wings used in flapping flight, and the birds that descended from them.
Despite being currently one of the most widely used, the crown-group definition of Aves has been criticised by some researchers. Lee and Spencer (1997) argued that, contrary to what Gauthier defended, this definition would not increase the stability of the clade and the exact content of Aves will always be uncertain because any defined clade (either crown or not) will have few synapomorphies distinguishing it from its closest relatives. Their alternative definition is synonymous to Avifilopluma.
Dinosaurs and the origin of birds
Based on fossil and biological evidence, most scientists accept that birds are a specialised subgroup of theropod dinosaurs and, more specifically, members of Maniraptora, a group of theropods which includes dromaeosaurids and oviraptorosaurs, among others. As scientists have discovered more theropods closely related to birds, the previously clear distinction between non-birds and birds has become blurred. By the 2000s, discoveries in the Liaoning Province of northeast China, which demonstrated many small theropod feathered dinosaurs, contributed to this ambiguity.
The consensus view in contemporary palaeontology is that the flying theropods, or avialans, are the closest relatives of the deinonychosaurs, which include dromaeosaurids and troodontids. Together, these form a group called Paraves. Some basal members of Deinonychosauria, such as Microraptor, have features which may have enabled them to glide or fly. The most basal deinonychosaurs were very small. This evidence raises the possibility that the ancestor of all paravians may have been arboreal, have been able to glide, or both. Unlike Archaeopteryx and the non-avialan feathered dinosaurs, who primarily ate meat, studies suggest that the first avialans were omnivores.
The Late Jurassic Archaeopteryx is well known as one of the first transitional fossils to be found, and it provided support for the theory of evolution in the late 19th century. Archaeopteryx was the first fossil to display both clearly traditional reptilian characteristics—teeth, clawed fingers, and a long, lizard-like tail—as well as wings with flight feathers similar to those of modern birds. It is not considered a direct ancestor of birds, though it is possibly closely related to the true ancestor.
Early evolution
Over 40% of key traits found in modern birds evolved during the 60 million year transition from the earliest bird-line archosaurs to the first maniraptoromorphs, i.e. the first dinosaurs closer to living birds than to Tyrannosaurus rex. The loss of osteoderms otherwise common in archosaurs and acquisition of primitive feathers might have occurred early during this phase. After the appearance of Maniraptoromorpha, the next 40 million years marked a continuous reduction of body size and the accumulation of neotenic (juvenile-like) characteristics. Hypercarnivory became increasingly less common while braincases enlarged and forelimbs became longer. The integument evolved into complex, pennaceous feathers.
The oldest known paravian (and probably the earliest avialan) fossils come from the Tiaojishan Formation of China, which has been dated to the late Jurassic period (Oxfordian stage), about 160 million years ago. The avialan species from this time period include Anchiornis huxleyi, Xiaotingia zhengi, and Aurornis xui.
The well-known probable early avialan, Archaeopteryx, dates from slightly later Jurassic rocks (about 155 million years old) from Germany. Many of these early avialans shared unusual anatomical features that may be ancestral to modern birds but were later lost during bird evolution. These features include enlarged claws on the second toe which may have been held clear of the ground in life, and long feathers or "hind wings" covering the hind limbs and feet, which may have been used in aerial maneuvering.
Avialans diversified into a wide variety of forms during the Cretaceous period. Many groups retained primitive characteristics, such as clawed wings and teeth, though the latter were lost independently in a number of avialan groups, including modern birds (Aves). Increasingly stiff tails (especially the outermost half) can be seen in the evolution of maniraptoromorphs, and this process culminated in the appearance of the pygostyle, an ossification of fused tail vertebrae. In the late Cretaceous, about 100 million years ago, the ancestors of all modern birds evolved a more open pelvis, allowing them to lay larger eggs compared to body size. Around 95 million years ago, they evolved a better sense of smell.
A third stage of bird evolution starting with Ornithothoraces (the "bird-chested" avialans) can be associated with the refining of aerodynamics and flight capabilities, and the loss or co-ossification of several skeletal features. Particularly significant are the development of an enlarged, keeled sternum and the alula, and the loss of grasping hands.
Early diversity of bird ancestors
The first large, diverse lineage of short-tailed avialans to evolve were the Enantiornithes, or "opposite birds", so named because the construction of their shoulder bones was in reverse to that of modern birds. Enantiornithes occupied a wide array of ecological niches, from sand-probing shorebirds and fish-eaters to tree-dwelling forms and seed-eaters. While they were the dominant group of avialans during the Cretaceous period, enantiornithes became extinct along with many other dinosaur groups at the end of the Mesozoic era.
Many species of the second major avialan lineage to diversify, the Euornithes (meaning "true birds", because they include the ancestors of modern birds), were semi-aquatic and specialised in eating fish and other small aquatic organisms. Unlike the Enantiornithes, which dominated land-based and arboreal habitats, most early euornithes lacked perching adaptations and likely included shorebird-like species, waders, and swimming and diving species.
The latter included the superficially gull-like Ichthyornis and the Hesperornithiformes, which became so well adapted to hunting fish in marine environments that they lost the ability to fly and became primarily aquatic. The early euornithes also saw the development of many traits associated with modern birds, like strongly keeled breastbones, toothless, beaked portions of their jaws (though most non-avian euornithes retained teeth in other parts of the jaws). Euornithes also included the first avialans to develop true pygostyle and a fully mobile fan of tail feathers, which may have replaced the "hind wing" as the primary mode of aerial maneuverability and braking in flight.
A study on mosaic evolution in the avian skull found that the last common ancestor of all Neornithes might have had a beak similar to that of the modern hook-billed vanga and a skull similar to that of the Eurasian golden oriole. As both species are small aerial and canopy foraging omnivores, a similar ecological niche was inferred for this hypothetical ancestor.
Diversification of modern birds
Most studies agree on a Cretaceous age for the most recent common ancestor of modern birds but estimates range from the Early Cretaceous to the latest Cretaceous. Similarly, there is no agreement on whether most of the early diversification of modern birds occurred in the Cretaceous and associated with breakup of the supercontinent Gondwana or occurred later and potentially as a consequence of the Cretaceous–Palaeogene extinction event. This disagreement is in part caused by a divergence in the evidence; most molecular dating studies suggests a Cretaceous evolutionary radiation, while fossil evidence points to a Cenozoic radiation (the so-called 'rocks' versus 'clocks' controversy).
The discovery of Vegavis from the Maastrichtian, the last stage of the Late Cretaceous proved that the diversification of modern birds started before the Cenozoic era. The affinities of an earlier fossil, the possible galliform Austinornis lentus, dated to about 85 million years ago, are still too controversial to provide a fossil evidence of modern bird diversification. In 2020, Asteriornis from the Maastrichtian was described, it appears to be a close relative of Galloanserae, the earliest diverging lineage within Neognathae.
Attempts to reconcile molecular and fossil evidence using genomic-scale DNA data and comprehensive fossil information have not resolved the controversy. However, a 2015 estimate that used a new method for calibrating molecular clocks confirmed that while modern birds originated early in the Late Cretaceous, likely in Western Gondwana, a pulse of diversification in all major groups occurred around the Cretaceous–Palaeogene extinction event. Modern birds would have expanded from West Gondwana through two routes. One route was an Antarctic interchange in the Paleogene. The other route was probably via Paleocene land bridges between South America and North America, which allowed for the rapid expansion and diversification of Neornithes into the Holarctic and Paleotropics. On the other hand, the occurrence of Asteriornis in the Northern Hemisphere suggest that Neornithes dispersed out of East Gondwana before the Paleocene.
Classification of bird orders
All modern birds lie within the crown group Aves (alternately Neornithes), which has two subdivisions: the Palaeognathae, which includes the flightless ratites (such as the ostriches) and the weak-flying tinamous, and the extremely diverse Neognathae, containing all other birds. These two subdivisions have variously been given the rank of superorder, cohort, or infraclass. The number of known living bird species is around 11,000 although sources may differ in their precise numbers.
Cladogram of modern bird relationships based on Stiller et al. (2024).
The classification of birds is a contentious issue. Sibley and Ahlquist's Phylogeny and Classification of Birds (1990) is a landmark work on the subject. Most evidence seems to suggest the assignment of orders is accurate, but scientists disagree about the relationships among the orders themselves; evidence from modern bird anatomy, fossils and DNA have all been brought to bear on the problem, but no strong consensus has emerged. Fossil and molecular evidence from the 2010s is providing an increasingly clear picture of the evolution of modern bird orders.
Genomics
As of 2010, the genome had been sequenced for only two birds, the chicken and the zebra finch. As of 2022 the genomes of 542 species of birds had been completed. At least one genome has been sequenced from every order.
These include at least one species in about 90% of extant avian families (218 out of 236 families recognised by the Howard and Moore Checklist).
Being able to sequence and compare whole genomes gives researchers many types of information, about genes, the DNA that regulates the genes, and their evolutionary history. This has led to reconsideration of some of the classifications that were based solely on the identification of protein-coding genes. Waterbirds such as pelicans and flamingos, for example, may have in common specific adaptations suited to their environment that were developed independently.
Distribution
Birds live and breed in most terrestrial habitats and on all seven continents, reaching their southern extreme in the snow petrel's breeding colonies up to 440 kilometres (270 mi) inland in Antarctica. The highest bird diversity occurs in tropical regions. It was earlier thought that this high diversity was the result of higher speciation rates in the tropics; however studies from the 2000s found higher speciation rates in the high latitudes that were offset by greater extinction rates than in the tropics. Many species migrate annually over great distances and across oceans; several families of birds have adapted to life both on the world's oceans and in them, and some seabird species come ashore only to breed, while some penguins have been recorded diving up to 300 metres (980 ft) deep.
Many bird species have established breeding populations in areas to which they have been introduced by humans. Some of these introductions have been deliberate; the ring-necked pheasant, for example, has been introduced around the world as a game bird. Others have been accidental, such as the establishment of wild monk parakeets in several North American cities after their escape from captivity. Some species, including cattle egret, yellow-headed caracara and galah, have spread naturally far beyond their original ranges as agricultural expansion created alternative habitats although modern practices of intensive agriculture have negatively impacted farmland bird populations.
Anatomy and physiology
Compared with other vertebrates, birds have a body plan that shows many unusual adaptations, mostly to facilitate flight.
Skeletal system
The skeleton consists of very lightweight bones. They have large air-filled cavities (called pneumatic cavities) which connect with the respiratory system. The skull bones in adults are fused and do not show cranial sutures. The orbital cavities that house the eyeballs are large and separated from each other by a bony septum (partition). The spine has cervical, thoracic, lumbar and caudal regions with the number of cervical (neck) vertebrae highly variable and especially flexible, but movement is reduced in the anterior thoracic vertebrae and absent in the later vertebrae. The last few are fused with the pelvis to form the synsacrum. The ribs are flattened and the sternum is keeled for the attachment of flight muscles except in the flightless bird orders. The forelimbs are modified into wings. The wings are more or less developed depending on the species; the only known groups that lost their wings are the extinct moa and elephant birds.
Excretory system
Like the reptiles, birds are primarily uricotelic, that is, their kidneys extract nitrogenous waste from their bloodstream and excrete it as uric acid, instead of urea or ammonia, through the ureters into the intestine. Birds do not have a urinary bladder or external urethral opening and (with exception of the ostrich) uric acid is excreted along with faeces as a semisolid waste. However, birds such as hummingbirds can be facultatively ammonotelic, excreting most of the nitrogenous wastes as ammonia. They also excrete creatine, rather than creatinine like mammals. This material, as well as the output of the intestines, emerges from the bird's cloaca. The cloaca is a multi-purpose opening: waste is expelled through it, most birds mate by joining cloaca, and females lay eggs from it. In addition, many species of birds regurgitate pellets.
It is a common but not universal feature of altricial passerine nestlings (born helpless, under constant parental care) that instead of excreting directly into the nest, they produce a fecal sac. This is a mucus-covered pouch that allows parents to either dispose of the waste outside the nest or to recycle the waste through their own digestive system.
Reproductive system
Most male birds do not have intromittent penises. Males within Palaeognathae (with the exception of the kiwis), the Anseriformes (with the exception of screamers), and in rudimentary forms in Galliformes (but fully developed in Cracidae) possess a penis, which is never present in Neoaves. Its length is thought to be related to sperm competition and it fills with lymphatic fluid instead of blood when erect. When not copulating, it is hidden within the proctodeum compartment within the cloaca, just inside the vent. Female birds have sperm storage tubules that allow sperm to remain viable long after copulation, a hundred days in some species. Sperm from multiple males may compete through this mechanism. Most female birds have a single ovary and a single oviduct, both on the left side, but there are exceptions: species in at least 16 different orders of birds have two ovaries. Even these species, however, tend to have a single oviduct. It has been speculated that this might be an adaptation to flight, but males have two testes, and it is also observed that the gonads in both sexes decrease dramatically in size outside the breeding season. Also terrestrial birds generally have a single ovary, as does the platypus, an egg-laying mammal. A more likely explanation is that the egg develops a shell while passing through the oviduct over a period of about a day, so that if two eggs were to develop at the same time, there would be a risk to survival. While rare, mostly abortive, parthenogenesis is not unknown in birds and eggs can be diploid, automictic and results in male offspring.
Birds are solely gonochoric. Meaning they have two sexes: either female or male. The sex of birds is determined by the Z and W sex chromosomes, rather than by the X and Y chromosomes present in mammals. Male birds have two Z chromosomes (ZZ), and female birds have a W chromosome and a Z chromosome (WZ). A complex system of disassortative mating with two morphs is involved in the white-throated sparrow Zonotrichia albicollis, where white- and tan-browed morphs of opposite sex pair, making it appear as if four sexes were involved since any individual is compatible with only a fourth of the population.
In nearly all species of birds, an individual's sex is determined at fertilisation. However, one 2007 study claimed to demonstrate temperature-dependent sex determination among the Australian brushturkey, for which higher temperatures during incubation resulted in a higher female-to-male sex ratio. This, however, was later proven to not be the case. These birds do not exhibit temperature-dependent sex determination, but temperature-dependent sex mortality.
Respiratory and circulatory systems
Birds have one of the most complex respiratory systems of all animal groups. Upon inhalation, 75% of the fresh air bypasses the lungs and flows directly into a posterior air sac which extends from the lungs and connects with air spaces in the bones and fills them with air. The other 25% of the air goes directly into the lungs. When the bird exhales, the used air flows out of the lungs and the stored fresh air from the posterior air sac is simultaneously forced into the lungs. Thus, a bird's lungs receive a constant supply of fresh air during both inhalation and exhalation. Sound production is achieved using the syrinx, a muscular chamber incorporating multiple tympanic membranes which diverges from the lower end of the trachea; the trachea being elongated in some species, increasing the volume of vocalisations and the perception of the bird's size.
In birds, the main arteries taking blood away from the heart originate from the right aortic arch (or pharyngeal arch), unlike in the mammals where the left aortic arch forms this part of the aorta. The postcava receives blood from the limbs via the renal portal system. Unlike in mammals, the circulating red blood cells in birds retain their nucleus.
Heart type and features
The avian circulatory system is driven by a four-chambered, myogenic heart contained in a fibrous pericardial sac. This pericardial sac is filled with a serous fluid for lubrication. The heart itself is divided into a right and left half, each with an atrium and ventricle. The atrium and ventricles of each side are separated by atrioventricular valves which prevent back flow from one chamber to the next during contraction. Being myogenic, the heart's pace is maintained by pacemaker cells found in the sinoatrial node, located on the right atrium.
The sinoatrial node uses calcium to cause a depolarising signal transduction pathway from the atrium through right and left atrioventricular bundle which communicates contraction to the ventricles. The avian heart also consists of muscular arches that are made up of thick bundles of muscular layers. Much like a mammalian heart, the avian heart is composed of endocardial, myocardial and epicardial layers. The atrium walls tend to be thinner than the ventricle walls, due to the intense ventricular contraction used to pump oxygenated blood throughout the body. Avian hearts are generally larger than mammalian hearts when compared to body mass. This adaptation allows more blood to be pumped to meet the high metabolic need associated with flight.
Organisation
Birds have a very efficient system for diffusing oxygen into the blood; birds have a ten times greater surface area to gas exchange volume than mammals. As a result, birds have more blood in their capillaries per unit of volume of lung than a mammal. The arteries are composed of thick elastic muscles to withstand the pressure of the ventricular contractions, and become more rigid as they move away from the heart. Blood moves through the arteries, which undergo vasoconstriction, and into arterioles which act as a transportation system to distribute primarily oxygen as well as nutrients to all tissues of the body. As the arterioles move away from the heart and into individual organs and tissues they are further divided to increase surface area and slow blood flow. Blood travels through the arterioles and moves into the capillaries where gas exchange can occur.
Capillaries are organised into capillary beds in tissues; it is here that blood exchanges oxygen for carbon dioxide waste. In the capillary beds, blood flow is slowed to allow maximum diffusion of oxygen into the tissues. Once the blood has become deoxygenated, it travels through venules then veins and back to the heart. Veins, unlike arteries, are thin and rigid as they do not need to withstand extreme pressure. As blood travels through the venules to the veins a funneling occurs called vasodilation bringing blood back to the heart. Once the blood reaches the heart, it moves first into the right atrium, then the right ventricle to be pumped through the lungs for further gas exchange of carbon dioxide waste for oxygen. Oxygenated blood then flows from the lungs through the left atrium to the left ventricle where it is pumped out to the body.
Nervous system
The nervous system is large relative to the bird's size. The most developed part of the brain of birds is the one that controls the flight-related functions, while the cerebellum coordinates movement and the cerebrum controls behaviour patterns, navigation, mating and nest building. Most birds have a poor sense of smell with notable exceptions including kiwis, New World vultures and tubenoses. The avian visual system is usually highly developed. Water birds have special flexible lenses, allowing accommodation for vision in air and water. Some species also have dual fovea. Birds are tetrachromatic, possessing ultraviolet (UV) sensitive cone cells in the eye as well as green, red and blue ones. They also have double cones, likely to mediate achromatic vision.
Many birds show plumage patterns in ultraviolet that are invisible to the human eye; some birds whose sexes appear similar to the naked eye are distinguished by the presence of ultraviolet reflective patches on their feathers. Male blue tits have an ultraviolet reflective crown patch which is displayed in courtship by posturing and raising of their nape feathers. Ultraviolet light is also used in foraging—kestrels have been shown to search for prey by detecting the UV reflective urine trail marks left on the ground by rodents. With the exception of pigeons and a few other species, the eyelids of birds are not used in blinking. Instead the eye is lubricated by the nictitating membrane, a third eyelid that moves horizontally. The nictitating membrane also covers the eye and acts as a contact lens in many aquatic birds. The bird retina has a fan shaped blood supply system called the pecten.
Eyes of most birds are large, not very round and capable of only limited movement in the orbits, typically 10–20°. Birds with eyes on the sides of their heads have a wide visual field, while birds with eyes on the front of their heads, such as owls, have binocular vision and can estimate the depth of field. The avian ear lacks external pinnae but is covered by feathers, although in some birds, such as the Asio, Bubo and Otus owls, these feathers form tufts which resemble ears. The inner ear has a cochlea, but it is not spiral as in mammals.
Defence and intraspecific combat
A few species are able to use chemical defences against predators; some Procellariiformes can eject an unpleasant stomach oil against an aggressor, and some species of pitohuis from New Guinea have a powerful neurotoxin in their skin and feathers.
A lack of field observations limit our knowledge, but intraspecific conflicts are known to sometimes result in injury or death. The screamers (Anhimidae), some jacanas (Jacana, Hydrophasianus), the spur-winged goose (Plectropterus), the torrent duck (Merganetta) and nine species of lapwing (Vanellus) use a sharp spur on the wing as a weapon. The steamer ducks (Tachyeres), geese and swans (Anserinae), the solitaire (Pezophaps), sheathbills (Chionis), some guans (Crax) and stone curlews (Burhinus) use a bony knob on the alular metacarpal to punch and hammer opponents. The jacanas Actophilornis and Irediparra have an expanded, blade-like radius. The extinct Xenicibis was unique in having an elongate forelimb and massive hand which likely functioned in combat or defence as a jointed club or flail. Swans, for instance, may strike with the bony spurs and bite when defending eggs or young.
Feathers, plumage, and scales
Feathers are a feature characteristic of birds (though also present in some dinosaurs not currently considered to be true birds). They facilitate flight, provide insulation that aids in thermoregulation, and are used in display, camouflage, and signalling. There are several types of feathers, each serving its own set of purposes. Feathers are epidermal growths attached to the skin and arise only in specific tracts of skin called pterylae. The distribution pattern of these feather tracts (pterylosis) is used in taxonomy and systematics. The arrangement and appearance of feathers on the body, called plumage, may vary within species by age, social status, and sex.
Plumage is regularly moulted; the standard plumage of a bird that has moulted after breeding is known as the "non-breeding" plumage, or—in the Humphrey–Parkes terminology—"basic" plumage; breeding plumages or variations of the basic plumage are known under the Humphrey–Parkes system as "alternate" plumages. Moulting is annual in most species, although some may have two moults a year, and large birds of prey may moult only once every few years. Moulting patterns vary across species. In passerines, flight feathers are replaced one at a time with the innermost primary being the first. When the fifth of sixth primary is replaced, the outermost tertiaries begin to drop. After the innermost tertiaries are moulted, the secondaries starting from the innermost begin to drop and this proceeds to the outer feathers (centrifugal moult). The greater primary coverts are moulted in synchrony with the primary that they overlap.
A small number of species, such as ducks and geese, lose all of their flight feathers at once, temporarily becoming flightless. As a general rule, the tail feathers are moulted and replaced starting with the innermost pair. Centripetal moults of tail feathers are however seen in the Phasianidae. The centrifugal moult is modified in the tail feathers of woodpeckers and treecreepers, in that it begins with the second innermost pair of feathers and finishes with the central pair of feathers so that the bird maintains a functional climbing tail. The general pattern seen in passerines is that the primaries are replaced outward, secondaries inward, and the tail from centre outward. Before nesting, the females of most bird species gain a bare brood patch by losing feathers close to the belly. The skin there is well supplied with blood vessels and helps the bird in incubation.
Feathers require maintenance and birds preen or groom them daily, spending an average of around 9% of their daily time on this. The bill is used to brush away foreign particles and to apply waxy secretions from the uropygial gland; these secretions protect the feathers' flexibility and act as an antimicrobial agent, inhibiting the growth of feather-degrading bacteria. This may be supplemented with the secretions of formic acid from ants, which birds receive through a behaviour known as anting, to remove feather parasites.
The scales of birds are composed of the same keratin as beaks, claws, and spurs. They are found mainly on the toes and metatarsus, but may be found further up on the ankle in some birds. Most bird scales do not overlap significantly, except in the cases of kingfishers and woodpeckers.
The scales of birds are thought to be homologous to those of reptiles and mammals.
Flight
Most birds can fly, which distinguishes them from almost all other vertebrate classes. Flight is the primary means of locomotion for most bird species and is used for searching for food and for escaping from predators. Birds have various adaptations for flight, including a lightweight skeleton, two large flight muscles, the pectoralis (which accounts for 15% of the total mass of the bird) and the supracoracoideus, as well as a modified forelimb (wing) that serves as an aerofoil.
Wing shape and size generally determine a bird's flight style and performance; many birds combine powered, flapping flight with less energy-intensive soaring flight. About 60 extant bird species are flightless, as were many extinct birds. Flightlessness often arises in birds on isolated islands, most likely due to limited resources and the absence of mammalian land predators. Flightlessness is almost exclusively correlated with gigantism due to an island's inherent condition of isolation. Although flightless, penguins use similar musculature and movements to "fly" through the water, as do some flight-capable birds such as auks, shearwaters and dippers.
Behaviour
Most birds are diurnal, but some birds, such as many species of owls and nightjars, are nocturnal or crepuscular (active during twilight hours), and many coastal waders feed when the tides are appropriate, by day or night.
Diet and feeding
Birds' diets are varied and often include nectar, fruit, plants, seeds, carrion, and various small animals, including other birds. The digestive system of birds is unique, with a crop for storage and a gizzard that contains swallowed stones for grinding food to compensate for the lack of teeth. Some species such as pigeons and some psittacine species do not have a gallbladder. Most birds are highly adapted for rapid digestion to aid with flight. Some migratory birds have adapted to use protein stored in many parts of their bodies, including protein from the intestines, as additional energy during migration.
Birds that employ many strategies to obtain food or feed on a variety of food items are called generalists, while others that concentrate time and effort on specific food items or have a single strategy to obtain food are considered specialists. Avian foraging strategies can vary widely by species. Many birds glean for insects, invertebrates, fruit, or seeds. Some hunt insects by suddenly attacking from a branch. Those species that seek pest insects are considered beneficial 'biological control agents' and their presence encouraged in biological pest control programmes. Combined, insectivorous birds eat 400–500 million metric tons of arthropods annually.
Nectar feeders such as hummingbirds, sunbirds, lories, and lorikeets amongst others have specially adapted brushy tongues and in many cases bills designed to fit co-adapted flowers. Kiwis and shorebirds with long bills probe for invertebrates; shorebirds' varied bill lengths and feeding methods result in the separation of ecological niches. Loons, diving ducks, penguins and auks pursue their prey underwater, using their wings or feet for propulsion, while aerial predators such as sulids, kingfishers and terns plunge dive after their prey. Flamingos, three species of prion, and some ducks are filter feeders. Geese and dabbling ducks are primarily grazers.
Some species, including frigatebirds, gulls, and skuas, engage in kleptoparasitism, stealing food items from other birds. Kleptoparasitism is thought to be a supplement to food obtained by hunting, rather than a significant part of any species' diet; a study of great frigatebirds stealing from masked boobies estimated that the frigatebirds stole at most 40% of their food and on average stole only 5%. Other birds are scavengers; some of these, like vultures, are specialised carrion eaters, while others, like gulls, corvids, or other birds of prey, are opportunists.
Water and drinking
Water is needed by many birds although their mode of excretion and lack of sweat glands reduces the physiological demands. Some desert birds can obtain their water needs entirely from moisture in their food. Some have other adaptations such as allowing their body temperature to rise, saving on moisture loss from evaporative cooling or panting. Seabirds can drink seawater and have salt glands inside the head that eliminate excess salt out of the nostrils.
Most birds scoop water in their beaks and raise their head to let water run down the throat. Some species, especially of arid zones, belonging to the pigeon, finch, mousebird, button-quail and bustard families are capable of sucking up water without the need to tilt back their heads. Some desert birds depend on water sources and sandgrouse are particularly well known for congregating daily at waterholes. Nesting sandgrouse and many plovers carry water to their young by wetting their belly feathers. Some birds carry water for chicks at the nest in their crop or regurgitate it along with food. The pigeon family, flamingos and penguins have adaptations to produce a nutritive fluid called crop milk that they provide to their chicks.
Feather care
Feathers, being critical to the survival of a bird, require maintenance. Apart from physical wear and tear, feathers face the onslaught of fungi, ectoparasitic feather mites and bird lice. The physical condition of feathers are maintained by preening often with the application of secretions from the preen gland. Birds also bathe in water or dust themselves. While some birds dip into shallow water, more aerial species may make aerial dips into water and arboreal species often make use of dew or rain that collect on leaves. Birds of arid regions make use of loose soil to dust-bathe. A behaviour termed as anting in which the bird encourages ants to run through their plumage is also thought to help them reduce the ectoparasite load in feathers. Many species will spread out their wings and expose them to direct sunlight and this too is thought to help in reducing fungal and ectoparasitic activity that may lead to feather damage.
Migration
Many bird species migrate to take advantage of global differences of seasonal temperatures, therefore optimising availability of food sources and breeding habitat. These migrations vary among the different groups. Many landbirds, shorebirds, and waterbirds undertake annual long-distance migrations, usually triggered by the length of daylight as well as weather conditions. These birds are characterised by a breeding season spent in the temperate or polar regions and a non-breeding season in the tropical regions or opposite hemisphere. Before migration, birds substantially increase body fats and reserves and reduce the size of some of their organs.
Migration is highly demanding energetically, particularly as birds need to cross deserts and oceans without refuelling. Landbirds have a flight range of around 2,500 km (1,600 mi) and shorebirds can fly up to 4,000 km (2,500 mi), although the bar-tailed godwit is capable of non-stop flights of up to 10,200 km (6,300 mi). Some Seabirds undertake long migrations, with the longest annual migrations including those of Arctic terns, which were recorded travelling an average of 70,900 km (44,100 mi) between their Arctic breeding grounds in Greenland and Iceland and their wintering grounds in Antarctica, with one bird covering 81,600 km (50,700 mi), and sooty shearwaters, which nest in New Zealand and Chile and make annual round trips of 64,000 km (39,800 mi) to their summer feeding grounds in the North Pacific off Japan, Alaska and California.
Other seabirds disperse after breeding, travelling widely but having no set migration route. Albatrosses nesting in the Southern Ocean often undertake circumpolar trips between breeding seasons.
Some bird species undertake shorter migrations, travelling only as far as is required to avoid bad weather or obtain food. Irruptive species such as the boreal finches are one such group and can commonly be found at a location in one year and absent the next. This type of migration is normally associated with food availability. Species may also travel shorter distances over part of their range, with individuals from higher latitudes travelling into the existing range of conspecifics; others undertake partial migrations, where only a fraction of the population, usually females and subdominant males, migrates. Partial migration can form a large percentage of the migration behaviour of birds in some regions; in Australia, surveys found that 44% of non-passerine birds and 32% of passerines were partially migratory.
Altitudinal migration is a form of short-distance migration in which birds spend the breeding season at higher altitudes and move to lower ones during suboptimal conditions. It is most often triggered by temperature changes and usually occurs when the normal territories also become inhospitable due to lack of food. Some species may also be nomadic, holding no fixed territory and moving according to weather and food availability. Parrots as a family are overwhelmingly neither migratory nor sedentary but considered to either be dispersive, irruptive, nomadic or undertake small and irregular migrations.
The ability of birds to return to precise locations across vast distances has been known for some time; in an experiment conducted in the 1950s, a Manx shearwater released in Boston in the United States returned to its colony in Skomer, in Wales within 13 days, a distance of 5,150 km (3,200 mi). Birds navigate during migration using a variety of methods. For diurnal migrants, the sun is used to navigate by day, and a stellar compass is used at night. Birds that use the sun compensate for the changing position of the sun during the day by the use of an internal clock. Orientation with the stellar compass depends on the position of the constellations surrounding Polaris. These are backed up in some species by their ability to sense the Earth's geomagnetism through specialised photoreceptors.
Communication
Birds communicate primarily using visual and auditory signals. Signals can be interspecific (between species) and intraspecific (within species).
Birds sometimes use plumage to assess and assert social dominance, to display breeding condition in sexually selected species, or to make threatening displays, as in the sunbittern's mimicry of a large predator to ward off hawks and protect young chicks.
Visual communication among birds may also involve ritualised displays, which have developed from non-signalling actions such as preening, the adjustments of feather position, pecking, or other behaviour. These displays may signal aggression or submission or may contribute to the formation of pair-bonds. The most elaborate displays occur during courtship, where "dances" are often formed from complex combinations of many possible component movements; males' breeding success may depend on the quality of such displays.
Bird calls and songs, which are produced in the syrinx, are the major means by which birds communicate with sound. This communication can be very complex; some species can operate the two sides of the syrinx independently, allowing the simultaneous production of two different songs.
Calls are used for a variety of purposes, including mate attraction, evaluation of potential mates, bond formation, the claiming and maintenance of territories, the identification of other individuals (such as when parents look for chicks in colonies or when mates reunite at the start of breeding season), and the warning of other birds of potential predators, sometimes with specific information about the nature of the threat. Some birds also use mechanical sounds for auditory communication. The Coenocorypha snipes of New Zealand drive air through their feathers, woodpeckers drum for long-distance communication, and palm cockatoos use tools to drum.
Flocking and other associations
While some birds are essentially territorial or live in small family groups, other birds may form large flocks. The principal benefits of flocking are safety in numbers and increased foraging efficiency. Defence against predators is particularly important in closed habitats like forests, where ambush predation is common and multiple eyes can provide a valuable early warning system. This has led to the development of many mixed-species feeding flocks, which are usually composed of small numbers of many species; these flocks provide safety in numbers but increase potential competition for resources. Costs of flocking include bullying of socially subordinate birds by more dominant birds and the reduction of feeding efficiency in certain cases. Some species have a mixed system with breeding pairs maintaining territories, while unmated or young birds live in flocks where they secure mates prior to finding territories.
Birds sometimes also form associations with non-avian species. Plunge-diving seabirds associate with dolphins and tuna, which push shoaling fish towards the surface. Some species of hornbills have a mutualistic relationship with dwarf mongooses, in which they forage together and warn each other of nearby birds of prey and other predators.
Resting and roosting
The high metabolic rates of birds during the active part of the day is supplemented by rest at other times. Sleeping birds often use a type of sleep known as vigilant sleep, where periods of rest are interspersed with quick eye-opening "peeks", allowing them to be sensitive to disturbances and enable rapid escape from threats. Swifts are believed to be able to sleep in flight and radar observations suggest that they orient themselves to face the wind in their roosting flight. It has been suggested that there may be certain kinds of sleep which are possible even when in flight.
Some birds have also demonstrated the capacity to fall into slow-wave sleep one hemisphere of the brain at a time. The birds tend to exercise this ability depending upon its position relative to the outside of the flock. This may allow the eye opposite the sleeping hemisphere to remain vigilant for predators by viewing the outer margins of the flock. This adaptation is also known from marine mammals. Communal roosting is common because it lowers the loss of body heat and decreases the risks associated with predators. Roosting sites are often chosen with regard to thermoregulation and safety. Unusual mobile roost sites include large herbivores on the African savanna that are used by oxpeckers.
Many sleeping birds bend their heads over their backs and tuck their bills in their back feathers, although others place their beaks among their breast feathers. Many birds rest on one leg, while some may pull up their legs into their feathers, especially in cold weather. Perching birds have a tendon-locking mechanism that helps them hold on to the perch when they are asleep. Many ground birds, such as quails and pheasants, roost in trees. A few parrots of the genus Loriculus roost hanging upside down. Some hummingbirds go into a nightly state of torpor accompanied with a reduction of their metabolic rates. This physiological adaptation shows in nearly a hundred other species, including owlet-nightjars, nightjars, and woodswallows. One species, the common poorwill, even enters a state of hibernation. Birds do not have sweat glands, but can lose water directly through the skin, and they may cool themselves by moving to shade, standing in water, panting, increasing their surface area, fluttering their throat or using special behaviours like urohidrosis to cool themselves.
Breeding
Social systems
Ninety-five per cent of bird species are socially monogamous. These species pair for at least the length of the breeding season or—in some cases—for several years or until the death of one mate. Monogamy allows for both paternal care and biparental care, which is especially important for species in which care from both the female and the male parent is required in order to successfully rear a brood. Among many socially monogamous species, extra-pair copulation (infidelity) is common. Such behaviour typically occurs between dominant males and females paired with subordinate males, but may also be the result of forced copulation in ducks and other anatids.
For females, possible benefits of extra-pair copulation include getting better genes for her offspring and insuring against the possibility of infertility in her mate. Males of species that engage in extra-pair copulations will closely guard their mates to ensure the parentage of the offspring that they raise.
Other mating systems, including polygyny, polyandry, polygamy, polygynandry, and promiscuity, also occur. Polygamous breeding systems arise when females are able to raise broods without the help of males. Mating systems vary across bird families but variations within species are thought to be driven by environmental conditions. A unique system is the formation of trios where a third individual is allowed by a breeding pair temporarily into the territory to assist with brood raising thereby leading to higher fitness.
Breeding usually involves some form of courtship display, typically performed by the male. Most displays are rather simple and involve some type of song. Some displays, however, are quite elaborate. Depending on the species, these may include wing or tail drumming, dancing, aerial flights, or communal lekking. Females are generally the ones that drive partner selection, although in the polyandrous phalaropes, this is reversed: plainer males choose brightly coloured females. Courtship feeding, billing and allopreening are commonly performed between partners, generally after the birds have paired and mated.
Homosexual behaviour has been observed in males or females in numerous species of birds, including copulation, pair-bonding, and joint parenting of chicks. Over 130 avian species around the world engage in sexual interactions between the same sex or homosexual behaviours. "Same-sex courtship activities may involve elaborate displays, synchronised dances, gift-giving ceremonies, or behaviours at specific display areas including bowers, arenas, or leks."
Territories, nesting and incubation
Many birds actively defend a territory from others of the same species during the breeding season; maintenance of territories protects the food source for their chicks. Species that are unable to defend feeding territories, such as seabirds and swifts, often breed in colonies instead; this is thought to offer protection from predators. Colonial breeders defend small nesting sites, and competition between and within species for nesting sites can be intense.
All birds lay amniotic eggs with hard shells made mostly of calcium carbonate. Hole and burrow nesting species tend to lay white or pale eggs, while open nesters lay camouflaged eggs. There are many exceptions to this pattern, however; the ground-nesting nightjars have pale eggs, and camouflage is instead provided by their plumage. Species that are victims of brood parasites have varying egg colours to improve the chances of spotting a parasite's egg, which forces female parasites to match their eggs to those of their hosts.
Bird eggs are usually laid in a nest. Most species create somewhat elaborate nests, which can be cups, domes, plates, mounds, or burrows. Some bird nests can be a simple scrape, with minimal or no lining; most seabird and wader nests are no more than a scrape on the ground. Most birds build nests in sheltered, hidden areas to avoid predation, but large or colonial birds—which are more capable of defence—may build more open nests. During nest construction, some species seek out plant matter from plants with parasite-reducing toxins to improve chick survival, and feathers are often used for nest insulation. Some bird species have no nests; the cliff-nesting common guillemot lays its eggs on bare rock, and male emperor penguins keep eggs between their body and feet. The absence of nests is especially prevalent in open habitat ground-nesting species where any addition of nest material would make the nest more conspicuous. Many ground nesting birds lay a clutch of eggs that hatch synchronously, with precocial chicks led away from the nests (nidifugous) by their parents soon after hatching.
Incubation, which regulates temperature for chick development, usually begins after the last egg has been laid. In monogamous species incubation duties are often shared, whereas in polygamous species one parent is wholly responsible for incubation. Warmth from parents passes to the eggs through brood patches, areas of bare skin on the abdomen or breast of the incubating birds. Incubation can be an energetically demanding process; adult albatrosses, for instance, lose as much as 83 grams (2.9 oz) of body weight per day of incubation. The warmth for the incubation of the eggs of megapodes comes from the sun, decaying vegetation or volcanic sources. Incubation periods range from 10 days (in woodpeckers, cuckoos and passerine birds) to over 80 days (in albatrosses and kiwis).
The diversity of characteristics of birds is great, sometimes even in closely related species. Several avian characteristics are compared in the table below.
Parental care and fledging
At the time of their hatching, chicks range in development from helpless to independent, depending on their species. Helpless chicks are termed altricial, and tend to be born small, blind, immobile and naked; chicks that are mobile and feathered upon hatching are termed precocial. Altricial chicks need help thermoregulating and must be brooded for longer than precocial chicks. The young of many bird species do not precisely fit into either the precocial or altricial category, having some aspects of each and thus fall somewhere on an "altricial-precocial spectrum". Chicks at neither extreme but favouring one or the other may be termed semi-precocial or semi-altricial.
The length and nature of parental care varies widely amongst different orders and species. At one extreme, parental care in megapodes ends at hatching; the newly hatched chick digs itself out of the nest mound without parental assistance and can fend for itself immediately. At the other extreme, many seabirds have extended periods of parental care, the longest being that of the great frigatebird, whose chicks take up to six months to fledge and are fed by the parents for up to an additional 14 months. The chick guard stage describes the period of breeding during which one of the adult birds is permanently present at the nest after chicks have hatched. The main purpose of the guard stage is to aid offspring to thermoregulate and protect them from predation.
In some species, both parents care for nestlings and fledglings; in others, such care is the responsibility of only one sex. In some species, other members of the same species—usually close relatives of the breeding pair, such as offspring from previous broods—will help with the raising of the young. Such alloparenting is particularly common among the Corvida, which includes such birds as the true crows, Australian magpie and fairy-wrens, but has been observed in species as different as the rifleman and red kite. Among most groups of animals, male parental care is rare. In birds, however, it is quite common—more so than in any other vertebrate class. Although territory and nest site defence, incubation, and chick feeding are often shared tasks, there is sometimes a division of labour in which one mate undertakes all or most of a particular duty.
The point at which chicks fledge varies dramatically. The chicks of the Synthliboramphus murrelets, like the ancient murrelet, leave the nest the night after they hatch, following their parents out to sea, where they are raised away from terrestrial predators. Some other species, such as ducks, move their chicks away from the nest at an early age. In most species, chicks leave the nest just before, or soon after, they are able to fly. The amount of parental care after fledging varies; albatross chicks leave the nest on their own and receive no further help, while other species continue some supplementary feeding after fledging. Chicks may also follow their parents during their first migration.
Brood parasites
Brood parasitism, in which an egg-layer leaves her eggs with another individual's brood, is more common among birds than any other type of organism. After a parasitic bird lays her eggs in another bird's nest, they are often accepted and raised by the host at the expense of the host's own brood. Brood parasites may be either obligate brood parasites, which must lay their eggs in the nests of other species because they are incapable of raising their own young, or non-obligate brood parasites, which sometimes lay eggs in the nests of conspecifics to increase their reproductive output even though they could have raised their own young. One hundred bird species, including honeyguides, icterids, and ducks, are obligate parasites, though the most famous are the cuckoos. Some brood parasites are adapted to hatch before their host's young, which allows them to destroy the host's eggs by pushing them out of the nest or to kill the host's chicks; this ensures that all food brought to the nest will be fed to the parasitic chicks.
Sexual selection
Birds have evolved a variety of mating behaviours, with the peacock tail being perhaps the most famous example of sexual selection and the Fisherian runaway. Commonly occurring sexual dimorphisms such as size and colour differences are energetically costly attributes that signal competitive breeding situations. Many types of avian sexual selection have been identified; intersexual selection, also known as female choice; and intrasexual competition, where individuals of the more abundant sex compete with each other for the privilege to mate. Sexually selected traits often evolve to become more pronounced in competitive breeding situations until the trait begins to limit the individual's fitness. Conflicts between an individual fitness and signalling adaptations ensure that sexually selected ornaments such as plumage colouration and courtship behaviour are "honest" traits. Signals must be costly to ensure that only good-quality individuals can present these exaggerated sexual ornaments and behaviours.
Inbreeding depression
Inbreeding causes early death (inbreeding depression) in the zebra finch Taeniopygia guttata. Embryo survival (that is, hatching success of fertile eggs) was significantly lower for sib-sib mating pairs than for unrelated pairs.
Darwin's finch Geospiza scandens experiences inbreeding depression (reduced survival of offspring) and the magnitude of this effect is influenced by environmental conditions such as low food availability.
Inbreeding avoidance
Incestuous matings by the purple-crowned fairy wren Malurus coronatus result in severe fitness costs due to inbreeding depression (greater than 30% reduction in hatchability of eggs). Females paired with related males may undertake extra pair matings (see Promiscuity#Other animals for 90% frequency in avian species) that can reduce the negative effects of inbreeding. However, there are ecological and demographic constraints on extra pair matings. Nevertheless, 43% of broods produced by incestuously paired females contained extra pair young.
Inbreeding depression occurs in the great tit (Parus major) when the offspring produced as a result of a mating between close relatives show reduced fitness. In natural populations of Parus major, inbreeding is avoided by dispersal of individuals from their birthplace, which reduces the chance of mating with a close relative.
Southern pied babblers Turdoides bicolor appear to avoid inbreeding in two ways. The first is through dispersal, and the second is by avoiding familiar group members as mates.
Cooperative breeding in birds typically occurs when offspring, usually males, delay dispersal from their natal group in order to remain with the family to help rear younger kin. Female offspring rarely stay at home, dispersing over distances that allow them to breed independently, or to join unrelated groups. In general, inbreeding is avoided because it leads to a reduction in progeny fitness (inbreeding depression) due largely to the homozygous expression of deleterious recessive alleles. Cross-fertilisation between unrelated individuals ordinarily leads to the masking of deleterious recessive alleles in progeny.
Ecology
Birds occupy a wide range of ecological positions. While some birds are generalists, others are highly specialised in their habitat or food requirements. Even within a single habitat, such as a forest, the niches occupied by different species of birds vary, with some species feeding in the forest canopy, others beneath the canopy, and still others on the forest floor. Forest birds may be insectivores, frugivores, or nectarivores. Aquatic birds generally feed by fishing, plant eating, and piracy or kleptoparasitism. Many grassland birds are granivores. Birds of prey specialise in hunting mammals or other birds, while vultures are specialised scavengers. Birds are also preyed upon by a range of mammals including a few avivorous bats. A wide range of endo- and ectoparasites depend on birds and some parasites that are transmitted from parent to young have co-evolved and show host-specificity.
Some nectar-feeding birds are important pollinators, and many frugivores play a key role in seed dispersal. Plants and pollinating birds often coevolve, and in some cases a flower's primary pollinator is the only species capable of reaching its nectar.
Birds are often important to island ecology. Birds have frequently reached islands that mammals have not; on those islands, birds may fulfil ecological roles typically played by larger animals. For example, in New Zealand nine species of moa were important browsers, as are the kererū and kokako today. Today the plants of New Zealand retain the defensive adaptations evolved to protect them from the extinct moa.
Many birds act as ecosystem engineers through the construction of nests, which provide important microhabitats and food for hundreds of species of invertebrates. Nesting seabirds may affect the ecology of islands and surrounding seas, principally through the concentration of large quantities of guano, which may enrich the local soil and the surrounding seas.
A wide variety of avian ecology field methods, including counts, nest monitoring, and capturing and marking, are used for researching avian ecology.
Relationship with humans
Since birds are highly visible and common animals, humans have had a relationship with them since the dawn of man. Sometimes, these relationships are mutualistic, like the cooperative honey-gathering among honeyguides and African peoples such as the Borana. Other times, they may be commensal, as when species such as the house sparrow have benefited from human activities. Several species have reconciled to habits of farmers who practice traditional farming. Examples include the Sarus Crane that begins nesting in India when farmers flood the fields in anticipation of rains, and the Woolly-necked Storks that have taken to nesting on a short tree grown for agroforestry beside fields and canals. Several bird species have become commercially significant agricultural pests, and some pose an aviation hazard. Human activities can also be detrimental, and have threatened numerous bird species with extinction (hunting, avian lead poisoning, pesticides, roadkill, wind turbine kills and predation by pet cats and dogs are common causes of death for birds).
Birds can act as vectors for spreading diseases such as psittacosis, salmonellosis, campylobacteriosis, mycobacteriosis (avian tuberculosis), avian influenza (bird flu), giardiasis, and cryptosporidiosis over long distances. Some of these are zoonotic diseases that can also be transmitted to humans.
Economic importance
Domesticated birds raised for meat and eggs, called poultry, are the largest source of animal protein eaten by humans; in 2003, 76 million tons of poultry and 61 million tons of eggs were produced worldwide. Chickens account for much of human poultry consumption, though domesticated turkeys, ducks, and geese are also relatively common. Many species of birds are also hunted for meat. Bird hunting is primarily a recreational activity except in extremely undeveloped areas. The most important birds hunted in North and South America are waterfowl; other widely hunted birds include pheasants, wild turkeys, quail, doves, partridge, grouse, snipe, and woodcock. Muttonbirding is also popular in Australia and New Zealand. Although some hunting, such as that of muttonbirds, may be sustainable, hunting has led to the extinction or endangerment of dozens of species.
Other commercially valuable products from birds include feathers (especially the down of geese and ducks), which are used as insulation in clothing and bedding, and seabird faeces (guano), which is a valuable source of phosphorus and nitrogen. The War of the Pacific, sometimes called the Guano War, was fought in part over the control of guano deposits.
Birds have been domesticated by humans both as pets and for practical purposes. Colourful birds, such as parrots and mynas, are bred in captivity or kept as pets, a practice that has led to the illegal trafficking of some endangered species. Falcons and cormorants have long been used for hunting and fishing, respectively. Messenger pigeons, used since at least 1 AD, remained important as recently as World War II. Today, such activities are more common either as hobbies, for entertainment and tourism,
Amateur bird enthusiasts (called birdwatchers, twitchers or, more commonly, birders) number in the millions. Many homeowners erect bird feeders near their homes to attract various species. Bird feeding has grown into a multimillion-dollar industry; for example, an estimated 75% of households in Britain provide food for birds at some point during the winter.
In religion and mythology
Birds play prominent and diverse roles in religion and mythology.
In religion, birds may serve as either messengers or priests and leaders for a deity, such as in the Cult of Makemake, in which the Tangata manu of Easter Island served as chiefs or as attendants, as in the case of Hugin and Munin, the two common ravens who whispered news into the ears of the Norse god Odin. In several civilisations of ancient Italy, particularly Etruscan and Roman religion, priests were involved in augury, or interpreting the words of birds while the "auspex" (from which the word "auspicious" is derived) watched their activities to foretell events.
They may also serve as religious symbols, as when Jonah (Hebrew: יונה, dove) embodied the fright, passivity, mourning, and beauty traditionally associated with doves. Birds have themselves been deified, as in the case of the common peacock, which is perceived as Mother Earth by the people of southern India. In the ancient world, doves were used as symbols of the Mesopotamian goddess Inanna (later known as Ishtar), the Canaanite mother goddess Asherah, and the Greek goddess Aphrodite. In ancient Greece, Athena, the goddess of wisdom and patron deity of the city of Athens, had a little owl as her symbol. In religious images preserved from the Inca and Tiwanaku empires, birds are depicted in the process of transgressing boundaries between earthly and underground spiritual realms. Indigenous peoples of the central Andes maintain legends of birds passing to and from metaphysical worlds.
In culture and folklore
Birds have featured in culture and art since prehistoric times, when they were represented in early cave painting and carvings. Some birds have been perceived as monsters, including the mythological Roc and the Māori's legendary Pouākai, a giant bird capable of snatching humans. Birds were later used as symbols of power, as in the magnificent Peacock Throne of the Mughal and Persian emperors. With the advent of scientific interest in birds, many paintings of birds were commissioned for books.
Among the most famous of these bird artists was John James Audubon, whose paintings of North American birds were a great commercial success in Europe and who later lent his name to the National Audubon Society. Birds are also important figures in poetry; for example, Homer incorporated nightingales into his Odyssey, and Catullus used a sparrow as an erotic symbol in his Catullus 2. The relationship between an albatross and a sailor is the central theme of Samuel Taylor Coleridge's The Rime of the Ancient Mariner, which led to the use of the term as a metaphor for a 'burden'. Other English metaphors derive from birds; vulture funds and vulture investors, for instance, take their name from the scavenging vulture. Aircraft, particularly military aircraft, are frequently named after birds. The predatory nature of raptors make them popular choices for fighter aircraft such as the F-16 Fighting Falcon and the Harrier Jump Jet, while the names of seabirds may be chosen for aircraft primarily used by naval forces such as the HU-16 Albatross and the V-22 Osprey.
Perceptions of bird species vary across cultures. Owls are associated with bad luck, witchcraft, and death in parts of Africa, but are regarded as wise across much of Europe. Hoopoes were considered sacred in Ancient Egypt and symbols of virtue in Persia, but were thought of as thieves across much of Europe and harbingers of war in Scandinavia. In heraldry, birds, especially eagles, often appear in coats of arms In vexillology, birds are a popular choice on flags. Birds feature in the flag designs of 17 countries and numerous subnational entities and territories. Birds are used by nations to symbolise a country's identity and heritage, with 91 countries officially recognising a national bird. Birds of prey are highly represented, though some nations have chosen other species of birds with parrots being popular among smaller, tropical nations.
In music
In music, birdsong has influenced composers and musicians in several ways: they can be inspired by birdsong; they can intentionally imitate bird song in a composition, as Vivaldi, Messiaen, and Beethoven did, along with many later composers; they can incorporate recordings of birds into their works, as Ottorino Respighi first did; or like Beatrice Harrison and David Rothenberg, they can duet with birds.
A 2023 archaeological excavation of a 10000-year-old site in Israel yielded hollow wing bones of coots and ducks with perforations made on the side that are thought to have allowed them to be used as flutes or whistles possibly used by Natufian people to lure birds of prey.
Threats and conservation
Human activities have caused population decreases or extinction in many bird species. Over a hundred bird species have gone extinct in historical times, although the most dramatic human-caused avian extinctions, eradicating an estimated 750–1800 species, occurred during the human colonisation of Melanesian, Polynesian, and Micronesian islands. Many bird populations are declining worldwide, with 1,227 species listed as threatened by BirdLife International and the IUCN in 2009. There have been long-term declines in North American bird populations, with an estimated loss of 2.9 billion breeding adults, about 30% of the total, since 1970.
The most commonly cited human threat to birds is habitat loss. Other threats include overhunting, accidental mortality due to collisions with buildings or vehicles, long-line fishing bycatch, pollution (including oil spills and pesticide use), competition and predation from nonnative invasive species, and climate change.
Governments and conservation groups work to protect birds, either by passing laws that preserve and restore bird habitat or by establishing captive populations for reintroductions. Such projects have produced some successes; one study estimated that conservation efforts saved 16 species of bird that would otherwise have gone extinct between 1994 and 2004, including the California condor and Norfolk parakeet.
Human activities have allowed the expansion of a few temperate area species, such as the barn swallow and European starling. In the tropics and sub-tropics, relatively more species are expanding due to human activities, particularly due to the spread of crops such as rice whose expansion in south Asia has benefitted at least 64 bird species, though may have harmed many more species.
See also
Avian sleep
Biodiversity loss
Climate change and birds
Glossary of bird terms
List of individual birds
Ornithology
List of bird genera
References
Further reading
All the Birds of the World, Lynx Edicions, 2020.
Del Hoyo, Josep; Elliott, Andrew; Sargatal, Jordi (eds.). Handbook of the Birds of the World (17-volume encyclopaedia), Lynx Edicions, Barcelona, 1992–2010. (Vol. 1: Ostrich to Ducks: ISBN 978-84-87334-10-8, etc.).
Lederer, Roger; Carol Burr (2014). Latein für Vogelbeobachter: über 3000 ornithologische Begriffe erklärt und erforscht, aus dem Englischen übersetzt von Susanne Kuhlmannn-Krieg, Verlag DuMont, Köln, ISBN 978-3-8321-9491-8.
National Geographic Field Guide to Birds of North America, National Geographic, 7th edition, 2017. ISBN 9781426218354
National Audubon Society Field Guide to North American Birds: Eastern Region, National Audubon Society, Knopf.
National Audubon Society Field Guide to North American Birds: Western Region, National Audubon Society, Knopf.
Svensson, Lars (2010). Birds of Europe, Princeton University Press, second edition. ISBN 9780691143927
Svensson, Lars (2010). Collins Bird Guide: The Most Complete Guide to the Birds of Britain and Europe, Collins, 2nd edition. ISBN 978-0007268146
External links
Birdlife International – Dedicated to bird conservation worldwide; has a database with about 250,000 records on endangered bird species.
Bird biogeography
Birds and Science from the National Audubon Society
Cornell Lab of Ornithology
"Bird" at the Encyclopedia of Life
Essays on bird biology
North American Birds for Kids Archived 9 August 2010 at the Wayback Machine
Ornithology
Sora – Searchable online research archive; Archives of the following ornithological journals The Auk, Condor, Journal of Field Ornithology', North American Bird Bander, Studies in Avian Biology, Pacific Coast Avifauna, and the Wilson Bulletin.
The Internet Bird Collection – A free library of videos of the world's birds
The Institute for Bird Populations, California
List of field guides to birds, from the International Field Guides database
RSPB bird identifier Archived 5 November 2013 at the Wayback Machine – Interactive identification of all UK birds
Are Birds Really Dinosaurs? — University of California Museum of Paleontology. |
Insect | https://en.wikipedia.org/wiki/Insect | [
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] | [
"https://en.wikipedia.org/wiki/Insect"
] | Insects (from Latin insectum) are hexapod invertebrates of the class Insecta. They are the largest group within the arthropod phylum. Insects have a chitinous exoskeleton, a three-part body (head, thorax and abdomen), three pairs of jointed legs, compound eyes, and a pair of antennae. Insects are the most diverse group of animals, with more than a million described species; they represent more than half of all animal species.
The insect nervous system consists of a brain and a ventral nerve cord. Most insects reproduce by laying eggs. Insects breathe air through a system of paired openings along their sides, connected to small tubes that take air directly to the tissues. The blood therefore does not carry oxygen; it is only partly contained in vessels, and some circulates in an open hemocoel. Insect vision is mainly through their compound eyes, with additional small ocelli. Many insects can hear, using tympanal organs, which may be on the legs or other parts of the body. Their sense of smell is via receptors, usually on the antennae and the mouthparts.
Nearly all insects hatch from eggs. Insect growth is constrained by the inelastic exoskeleton, so development involves a series of molts. The immature stages often differ from the adults in structure, habit and habitat. Groups that undergo four-stage metamorphosis often have a nearly immobile pupa. Insects that undergo three-stage metamorphosis lack a pupa, developing through a series of increasingly adult-like nymphal stages. The higher level relationship of the insects is unclear. Fossilized insects of enormous size have been found from the Paleozoic Era, including giant dragonfly-like insects with wingspans of 55 to 70 cm (22 to 28 in). The most diverse insect groups appear to have coevolved with flowering plants.
Adult insects typically move about by walking and flying; some can swim. Insects are the only invertebrates that can achieve sustained powered flight; insect flight evolved just once. Many insects are at least partly aquatic, and have larvae with gills; in some species, the adults too are aquatic. Some species, such as water striders, can walk on the surface of water. Insects are mostly solitary, but some, such as bees, ants and termites, are social and live in large, well-organized colonies. Others, such as earwigs, provide maternal care, guarding their eggs and young. Insects can communicate with each other in a variety of ways. Male moths can sense the pheromones of female moths over great distances. Other species communicate with sounds: crickets stridulate, or rub their wings together, to attract a mate and repel other males. Lampyrid beetles communicate with light.
Humans regard many insects as pests, especially those that damage crops, and attempt to control them using insecticides and other techniques. Others are parasitic, and may act as vectors of diseases. Insect pollinators are essential to the reproduction of many flowering plants and so to their ecosystems. Many insects are ecologically beneficial as predators of pest insects, while a few provide direct economic benefit. Two species in particular are economically important and were domesticated many centuries ago: silkworms for silk and honey bees for honey. Insects are consumed as food in 80% of the world's nations, by people in roughly 3000 ethnic groups. Human activities are having serious effects on insect biodiversity.
Etymology
The word insect comes from the Latin word insectum from in, "cut up", as insects appear to be cut into three parts. The Latin word was introduced by Pliny the Elder who calqued the Ancient Greek word ἔντομον éntomon "insect" (as in entomology) from ἔντομος éntomos "cut in pieces"; this was Aristotle's term for this class of life in his biology, also in reference to their notched bodies. The English word insect first appears in 1601 in Philemon Holland's translation of Pliny.
Insects and other bugs
Distinguishing features
In common speech, insects and other terrestrial arthropods are often called bugs. Entomologists to some extent reserve the name "bugs" for a narrow category of "true bugs", insects of the order Hemiptera, such as cicadas and shield bugs. Other terrestrial arthropods, such as centipedes, millipedes, woodlice, spiders, mites and scorpions, are sometimes confused with insects, since they have a jointed exoskeleton. Adult insects are the only arthropods that ever have wings, with up to two pairs on the thorax. Whether winged or not, adult insects can be distinguished by their three-part body plan, with head, thorax, and abdomen; they have three pairs of legs on the thorax.
Insects and other bugs that could be confused with them
Diversity
Estimates of the total number of insect species vary considerably, suggesting that there are perhaps some 5.5 million insect species in existence, of which about one million have been described and named. These constitute around half of all eukaryote species, including animals, plants, and fungi. The most diverse insect orders are the Hemiptera (true bugs), Lepidoptera (butterflies and moths), Diptera (true flies), Hymenoptera (wasps, ants, and bees), and Coleoptera (beetles), each with more than 100,000 described species.
Insects are extremely diverse. Five groups each have over 100,000 described species.
Distribution and habitats
Insects occur in habitats as varied as snow, freshwater, the tropics, desert, and even the sea.
Insects are distributed over every continent and almost every terrestrial habitat. There are many more species in the tropics, especially in rainforests, than in temperate zones. The world's regions have received widely differing amounts of attention from entomologists. The British Isles have been thoroughly surveyed, so that Gullan and Cranston 2014 state that the total of around 22,500 species is probably within 5% of the actual number there; they comment that Canada's list of 30,000 described species is surely over half of the actual total. They add that the 3000 species of the American Arctic must be broadly accurate. In contrast, a large majority of the insect species of the tropics and the southern hemisphere are probably undescribed. Some 30–40,000 species inhabit freshwater; very few insects, perhaps a hundred species, are marine. Insects such as snow scorpionflies flourish in cold habitats including the Arctic and at high altitude. Insects such as desert locusts, ants, beetles, and termites are adapted to some of the hottest and driest environments on earth, such as the Sonoran Desert.
Phylogeny and evolution
External phylogeny
Insects form a clade, a natural group with a common ancestor, among the arthropods. A phylogenetic analysis by Kjer et al. (2016) places the insects among the Hexapoda, six-legged animals with segmented bodies; their closest relatives are the Diplura (bristletails).
Internal phylogeny
The internal phylogeny is based on the works of Wipfler et al. 2019 for the Polyneoptera, Johnson et al. 2018 for the Paraneoptera, and Kjer et al. 2016 for the Holometabola. The numbers of described extant species (boldface for groups with over 100,000 species) are from Stork 2018.
Taxonomy
Early
Aristotle was the first to describe the insects as a distinct group. He placed them as the second-lowest level of animals on his scala naturae, above the spontaneously generating sponges and worms, but below the hard-shelled marine snails. His classification remained in use for many centuries.
In 1758, in his Systema Naturae, Carl Linnaeus divided the animal kingdom into six classes including Insecta. He created seven orders of insect according to the structure of their wings. These were the wingless Aptera, the 2-winged Diptera, and five 4-winged orders: the Coleoptera with fully-hardened forewings; the Hemiptera with partly-hardened forewings; the Lepidoptera with scaly wings; the Neuroptera with membranous wings but no sting; and the Hymenoptera, with membranous wings and a sting.
Jean-Baptiste de Lamarck, in his 1809 Philosophie Zoologique, treated the insects as one of nine invertebrate phyla. In his 1817 Le Règne Animal, Georges Cuvier grouped all animals into four embranchements ("branches" with different body plans), one of which was the articulated animals, containing arthropods and annelids. This arrangement was followed by the embryologist Karl Ernst von Baer in 1828, the zoologist Louis Agassiz in 1857, and the comparative anatomist Richard Owen in 1860. In 1874, Ernst Haeckel divided the animal kingdom into two subkingdoms, one of which was Metazoa for the multicellular animals. It had five phyla, including the articulates.
Modern
Traditional morphology-based systematics have usually given the Hexapoda the rank of superclass, and identified four groups within it: insects (Ectognatha), Collembola, Protura, and Diplura, the latter three being grouped together as the Entognatha on the basis of internalized mouth parts.
The use of phylogenetic data has brought about numerous changes in relationships above the level of orders. Insects can be divided into two groups historically treated as subclasses: wingless insects or Apterygota, and winged insects or Pterygota. The Apterygota traditionally consisted of the primitively wingless orders Archaeognatha (jumping bristletails) and Zygentoma (silverfish). However, Apterygota is not monophyletic, as Archaeognatha are sister to all other insects, based on the arrangement of their mandibles, while the Pterygota, the winged insects, emerged from within the Dicondylia, alongside the Zygentoma.
The Pterygota (Palaeoptera and Neoptera) are winged and have hardened plates on the outside of their body segments; the Neoptera have muscles that allow their wings to fold flat over the abdomen. Neoptera can be divided into groups with incomplete metamorphosis (Polyneoptera and Paraneoptera) and those with complete metamorphosis (Holometabola). The molecular finding that the traditional louse orders Mallophaga and Anoplura are within Psocoptera has led to the new taxon Psocodea. Phasmatodea and Embiidina have been suggested to form the Eukinolabia. Mantodea, Blattodea, and Isoptera form a monophyletic group, Dictyoptera. Fleas are now thought to be closely related to boreid mecopterans.
Evolutionary history
The oldest fossil that may be a primitive wingless insect is Leverhulmia from the Early Devonian Windyfield chert. The oldest known flying insects are from the mid-Carboniferous, around 328–324 million years ago. The group subsequently underwent a rapid explosive diversification. Claims that they originated substantially earlier, during the Silurian or Devonian (some 400 million years ago) based on molecular clock estimates, are unlikely to be correct, given the fossil record.
Four large-scale radiations of insects have occurred: beetles (from about 300 million years ago), flies (from about 250 million years ago), moths and wasps (both from about 150 million years ago).
The remarkably successful Hymenoptera (wasps, bees, and ants) appeared some 200 million years ago in the Triassic period, but achieved their wide diversity more recently in the Cenozoic era, which began 66 million years ago. Some highly successful insect groups evolved in conjunction with flowering plants, a powerful illustration of coevolution. Insects were among the earliest terrestrial herbivores and acted as major selection agents on plants. Plants evolved chemical defenses against this herbivory and the insects, in turn, evolved mechanisms to deal with plant toxins. Many insects make use of these toxins to protect themselves from their predators. Such insects often advertise their toxicity using warning colors.
Morphology and physiology
External
Three-part body
Insects have a segmented body supported by an exoskeleton, the hard outer covering made mostly of chitin. The body is organized into three interconnected units: the head, thorax and abdomen. The head supports a pair of sensory antennae, a pair of compound eyes, zero to three simple eyes (or ocelli) and three sets of variously modified appendages that form the mouthparts. The thorax carries the three pairs of legs and up to two pairs of wings. The abdomen contains most of the digestive, respiratory, excretory and reproductive structures.
Segmentation
The head is enclosed in a hard, heavily sclerotized, unsegmented head capsule, which contains most of the sensing organs, including the antennae, compound eyes, ocelli, and mouthparts. The thorax is composed of three sections named (from front to back) the prothorax, mesothorax and metathorax. The prothorax carries the first pair of legs. The mesothorax carries the second pair of legs and the front wings. The metathorax carries the third pair of legs and the hind wings. The abdomen is the largest part of the insect, typically with 11–12 segments, and is less strongly sclerotized than the head or thorax. Each segment of the abdomen has sclerotized upper and lower plates (the tergum and sternum), connected to adjacent sclerotized parts by membranes. Each segment carries a pair of spiracles.
Exoskeleton
The outer skeleton, the cuticle, is made up of two layers: the epicuticle, a thin and waxy water-resistant outer layer without chitin, and a lower layer, the thick chitinous procuticle. The procuticle has two layers: an outer exocuticle and an inner endocuticle. The tough and flexible endocuticle is built from numerous layers of fibrous chitin and proteins, criss-crossing each other in a sandwich pattern, while the exocuticle is rigid and sclerotized. As an adaptation to life on land, insects have an enzyme that uses atmospheric oxygen to harden their cuticle, unlike crustaceans which use heavy calcium compounds for the same purpose. This makes the insect exoskeleton a lightweight material.
Internal systems
Nervous
The nervous system of an insect consists of a brain and a ventral nerve cord. The head capsule is made up of six fused segments, each with either a pair of ganglia, or a cluster of nerve cells outside of the brain. The first three pairs of ganglia are fused into the brain, while the three following pairs are fused into a structure of three pairs of ganglia under the insect's esophagus, called the subesophageal ganglion. The thoracic segments have one ganglion on each side, connected into a pair per segment. This arrangement is also seen in the first eight segments of the abdomen. Many insects have fewer ganglia than this. Insects are capable of learning.
Digestive
An insect uses its digestive system to extract nutrients and other substances from the food it consumes. There is extensive variation among different orders, life stages, and even castes in the digestive system of insects. The gut runs lengthwise through the body. It has three sections, with paired salivary glands and salivary reservoirs. By moving its mouthparts the insect mixes its food with saliva. Some insects, like flies, expel digestive enzymes onto their food to break it down, but most insects digest their food in the gut. The foregut is lined with cuticule as protection from tough food. It includes the mouth, pharynx, and crop which stores food. Digestion starts in the mouth with enzymes in the saliva. Strong muscles in the pharynx pump fluid into the mouth, lubricating the food, and enabling certain insects to feed on blood or from the xylem and phloem transport vessels of plants. Once food leaves the crop, it passes to the midgut, where the majority of digestion takes place. Microscopic projections, microvilli, increase the surface area of the wall to absorb nutrients. In the hindgut, undigested food particles are joined by uric acid to form fecal pellets; most of the water is absorbed, leaving a dry pellet to be eliminated. Insects may have one to hundreds of Malpighian tubules. These remove nitrogenous wastes from the hemolymph of the insect and regulate osmotic balance. Wastes and solutes are emptied directly into the alimentary canal, at the junction between the midgut and hindgut.
Reproductive
The reproductive system of female insects consist of a pair of ovaries, accessory glands, one or more spermathecae to store sperm, and ducts connecting these parts. The ovaries are made up of a variable number of egg tubes, ovarioles. Female insects make eggs, receive and store sperm, manipulate sperm from different males, and lay eggs. Accessory glands produce substances to maintain sperm and to protect the eggs. They can produce glue and protective substances for coating eggs, or tough coverings for a batch of eggs called oothecae.
For males, the reproductive system consists of one or two testes, suspended in the body cavity by tracheae. The testes contain sperm tubes or follicles in a membranous sac. These connect to a duct that leads to the outside. The terminal portion of the duct may be sclerotized to form the intromittent organ, the aedeagus.
Respiratory
Insect respiration is accomplished without lungs. Instead, insects have a system of internal tubes and sacs through which gases either diffuse or are actively pumped, delivering oxygen directly to tissues that need it via their tracheae and tracheoles. In most insects, air is taken in through paired spiracles, openings on the sides of the abdomen and thorax. The respiratory system limits the size of insects. As insects get larger, gas exchange via spiracles becomes less efficient, and thus the heaviest insect currently weighs less than 100 g. However, with increased atmospheric oxygen levels, as were present in the late Paleozoic, larger insects were possible, such as dragonflies with wingspans of more than two feet (60 cm). Gas exchange patterns in insects range from continuous and diffusive ventilation, to discontinuous.
Circulatory
Because oxygen is delivered directly to tissues via tracheoles, the circulatory system is not used to carry oxygen, and is therefore greatly reduced. The insect circulatory system is open; it has no veins or arteries, and instead consists of little more than a single, perforated dorsal tube that pulses peristaltically. This dorsal blood vessel is divided into two sections: the heart and aorta. The dorsal blood vessel circulates the hemolymph, arthropods' fluid analog of blood, from the rear of the body cavity forward. Hemolymph is composed of plasma in which hemocytes are suspended. Nutrients, hormones, wastes, and other substances are transported throughout the insect body in the hemolymph. Hemocytes include many types of cells that are important for immune responses, wound healing, and other functions. Hemolymph pressure may be increased by muscle contractions or by swallowing air into the digestive system to aid in molting.
Sensory
Many insects possess numerous specialized sensory organs able to detect stimuli including limb position (proprioception) by campaniform sensilla, light, water, chemicals (senses of taste and smell), sound, and heat. Some insects such as bees can perceive ultraviolet wavelengths, or detect polarized light, while the antennae of male moths can detect the pheromones of female moths over distances of over a kilometer. There is a trade-off between visual acuity and chemical or tactile acuity, such that most insects with well-developed eyes have reduced or simple antennae, and vice versa. Insects perceive sound by different mechanisms, such as thin vibrating membranes (tympana). Insects were the earliest organisms to produce and sense sounds. Hearing has evolved independently at least 19 times in different insect groups.
Most insects, except some cave crickets, are able to perceive light and dark. Many have acute vision capable of detecting small and rapid movements. The eyes may include simple eyes or ocelli as well as larger compound eyes. Many species can detect light in the infrared, ultraviolet and visible light wavelengths, with color vision. Phylogenetic analysis suggests that UV-green-blue trichromacy existed from at least the Devonian period, some 400 million years ago.
The individual lenses in compound eyes are immobile, but fruit flies have photoreceptor cells underneath each lens which move rapidly in and out of focus, in a series of movements called photoreceptor microsaccades. This gives them, and possibly many other insects, a much clearer image of the world than previously assumed.
An insect's sense of smell is via chemical receptors, usually on the antennae and the mouthparts. These detect both airborne volatile compounds and odorants on surfaces, including pheromones from other insects and compounds released by food plants. Insects use olfaction to locate mating partners, food, and places to lay eggs, and to avoid predators. It is thus an extremely important sense, enabling insects to discriminate between thousands of volatile compounds.
Some insects are capable of magnetoreception; ants and bees navigate using it both locally (near their nests) and when migrating. The Brazilian stingless bee detects magnetic fields using the hair-like sensilla on its antennae.
Reproduction and development
Life-cycles
The majority of insects hatch from eggs. The fertilization and development takes place inside the egg, enclosed by a shell (chorion) that consists of maternal tissue. In contrast to eggs of other arthropods, most insect eggs are drought resistant. This is because inside the chorion two additional membranes develop from embryonic tissue, the amnion and the serosa. This serosa secretes a cuticle rich in chitin that protects the embryo against desiccation. Some species of insects, like aphids and tsetse flies, are ovoviviparous: their eggs develop entirely inside the female, and then hatch immediately upon being laid. Some other species, such as in the cockroach genus Diploptera, are viviparous, gestating inside the mother and born alive. Some insects, like parasitoid wasps, are polyembryonic, meaning that a single fertilized egg divides into many separate embryos. Insects may be univoltine, bivoltine or multivoltine, having one, two or many broods in a year.
Other developmental and reproductive variations include haplodiploidy, polymorphism, paedomorphosis or peramorphosis, sexual dimorphism, parthenogenesis, and more rarely hermaphroditism. In haplodiploidy, which is a type of sex-determination system, the offspring's sex is determined by the number of sets of chromosomes an individual receives. This system is typical in bees and wasps.
Some insects are parthenogenetic, meaning that the female can reproduce and give birth without having the eggs fertilized by a male. Many aphids undergo a cyclical form of parthenogenesis in which they alternate between one or many generations of asexual and sexual reproduction. In summer, aphids are generally female and parthenogenetic; in the autumn, males may be produced for sexual reproduction. Other insects produced by parthenogenesis are bees, wasps and ants; in their haplodiploid system, diploid females spawn many females and a few haploid males.
Metamorphosis
Metamorphosis in insects is the process of development that converts young to adults. There are two forms of metamorphosis: incomplete and complete.
Incomplete
Hemimetabolous insects, those with incomplete metamorphosis, change gradually after hatching from the egg by undergoing a series of molts through stages called instars, until the final, adult, stage is reached. An insect molts when it outgrows its exoskeleton, which does not stretch and would otherwise restrict the insect's growth. The molting process begins as the insect's epidermis secretes a new epicuticle inside the old one. After this new epicuticle is secreted, the epidermis releases a mixture of enzymes that digests the endocuticle and thus detaches the old cuticle. When this stage is complete, the insect makes its body swell by taking in a large quantity of water or air; this makes the old cuticle split along predefined weaknesses where it was thinnest.
Complete
Holometabolism, or complete metamorphosis, is where the insect changes in four stages, an egg or embryo, a larva, a pupa and the adult or imago. In these species, an egg hatches to produce a larva, which is generally worm-like in form. This can be eruciform (caterpillar-like), scarabaeiform (grub-like), campodeiform (elongated, flattened and active), elateriform (wireworm-like) or vermiform (maggot-like). The larva grows and eventually becomes a pupa, a stage marked by reduced movement. There are three types of pupae: obtect, exarate or coarctate. Obtect pupae are compact, with the legs and other appendages enclosed. Exarate pupae have their legs and other appendages free and extended. Coarctate pupae develop inside the larval skin. Insects undergo considerable change in form during the pupal stage, and emerge as adults. Butterflies are well-known for undergoing complete metamorphosis; most insects use this life cycle. Some insects have evolved this system to hypermetamorphosis. Complete metamorphosis is a trait of the most diverse insect group, the Endopterygota.
Communication
Insects that produce sound can generally hear it. Most insects can hear only a narrow range of frequencies related to the frequency of the sounds they can produce. Mosquitoes can hear up to 2 kilohertz. Certain predatory and parasitic insects can detect the characteristic sounds made by their prey or hosts, respectively. Likewise, some nocturnal moths can perceive the ultrasonic emissions of bats, which helps them avoid predation.
Light production
A few insects, such as Mycetophilidae (Diptera) and the beetle families Lampyridae, Phengodidae, Elateridae and Staphylinidae are bioluminescent. The most familiar group are the fireflies, beetles of the family Lampyridae. Some species are able to control this light generation to produce flashes. The function varies with some species using them to attract mates, while others use them to lure prey. Cave dwelling larvae of Arachnocampa (Mycetophilidae, fungus gnats) glow to lure small flying insects into sticky strands of silk. Some fireflies of the genus Photuris mimic the flashing of female Photinus species to attract males of that species, which are then captured and devoured. The colors of emitted light vary from dull blue (Orfelia fultoni, Mycetophilidae) to the familiar greens and the rare reds (Phrixothrix tiemanni, Phengodidae).
Sound production
Insects make sounds mostly by mechanical action of appendages. In grasshoppers and crickets, this is achieved by stridulation. Cicadas make the loudest sounds among the insects by producing and amplifying sounds with special modifications to their body to form tymbals and associated musculature. The African cicada Brevisana brevis has been measured at 106.7 decibels at a distance of 50 cm (20 in). Some insects, such as the Helicoverpa zea moths, hawk moths and Hedylid butterflies, can hear ultrasound and take evasive action when they sense that they have been detected by bats. Some moths produce ultrasonic clicks that warn predatory bats of their unpalatability (acoustic aposematism), while some palatable moths have evolved to mimic these calls (acoustic Batesian mimicry). The claim that some moths can jam bat sonar has been revisited. Ultrasonic recording and high-speed infrared videography of bat-moth interactions suggest the palatable tiger moth really does defend against attacking big brown bats using ultrasonic clicks that jam bat sonar.
Very low sounds are produced in various species of Coleoptera, Hymenoptera, Lepidoptera, Mantodea and Neuroptera. These low sounds are produced by the insect's movement, amplified by stridulatory structures on the insect's muscles and joints; these sounds can be used to warn or communicate with other insects. Most sound-making insects also have tympanal organs that can perceive airborne sounds. Some hemipterans, such as the water boatmen, communicate via underwater sounds.
Communication using surface-borne vibrational signals is more widespread among insects because of size constraints in producing air-borne sounds. Insects cannot effectively produce low-frequency sounds, and high-frequency sounds tend to disperse more in a dense environment (such as foliage), so insects living in such environments communicate primarily using substrate-borne vibrations.
Some species use vibrations for communicating, such as to attract mates as in the songs of the shield bug Nezara viridula. Vibrations can also be used to communicate between species; lycaenid caterpillars, which form a mutualistic association with ants communicate with ants in this way. The Madagascar hissing cockroach has the ability to press air through its spiracles to make a hissing noise as a sign of aggression; the death's-head hawkmoth makes a squeaking noise by forcing air out of their pharynx when agitated, which may also reduce aggressive worker honey bee behavior when the two are close.
Chemical communication
Many insects have evolved chemical means for communication. These semiochemicals are often derived from plant metabolites including those meant to attract, repel and provide other kinds of information. Pheromones are used for attracting mates of the opposite sex, for aggregating conspecific individuals of both sexes, for deterring other individuals from approaching, to mark a trail, and to trigger aggression in nearby individuals. Allomones benefit their producer by the effect they have upon the receiver. Kairomones benefit their receiver instead of their producer. Synomones benefit the producer and the receiver. While some chemicals are targeted at individuals of the same species, others are used for communication across species. The use of scents is especially well-developed in social insects. Cuticular hydrocarbons are nonstructural materials produced and secreted to the cuticle surface to fight desiccation and pathogens. They are important, too, as pheromones, especially in social insects.
Social behavior
Social insects, such as termites, ants and many bees and wasps, are eusocial. They live together in such large well-organized colonies of genetically similar individuals that they are sometimes considered superorganisms. In particular, reproduction is largely limited to a queen caste; other females are workers, prevented from reproducing by worker policing. Honey bees have evolved a system of abstract symbolic communication where a behavior is used to represent and convey specific information about the environment. In this communication system, called dance language, the angle at which a bee dances represents a direction relative to the sun, and the length of the dance represents the distance to be flown. Bumblebees too have some social communication behaviors. Bombus terrestris, for example, more rapidly learns about visiting unfamiliar, yet rewarding flowers, when they can see a conspecific foraging on the same species.
Only insects that live in nests or colonies possess fine-scale spatial orientation. Some can navigate unerringly to a single hole a few millimeters in diameter among thousands of similar holes, after a trip of several kilometers. In philopatry, insects that hibernate are able to recall a specific location up to a year after last viewing the area of interest. A few insects seasonally migrate large distances between different geographic regions, as in the continent-wide monarch butterfly migration.
Care of young
Eusocial insects build nests, guard eggs, and provide food for offspring full-time. Most insects, however, lead short lives as adults, and rarely interact with one another except to mate or compete for mates. A small number provide parental care, where they at least guard their eggs, and sometimes guard their offspring until adulthood, possibly even feeding them. Many wasps and bees construct a nest or burrow, store provisions in it, and lay an egg upon those provisions, providing no further care.
Locomotion
Flight
Insects are the only group of invertebrates to have developed flight. The ancient groups of insects in the Palaeoptera, the dragonflies, damselflies and mayflies, operate their wings directly by paired muscles attached to points on each wing base that raise and lower them. This can only be done at a relatively slow rate. All other insects, the Neoptera, have indirect flight, in which the flight muscles cause rapid oscillation of the thorax: there can be more wingbeats than nerve impulses commanding the muscles. One pair of flight muscles is aligned vertically, contracting to pull the top of the thorax down, and the wings up. The other pair runs longitudinally, contracting to force the top of the thorax up and the wings down. Most insects gain aerodynamic lift by creating a spiralling vortex at the leading edge of the wings. Small insects like thrips with tiny feathery wings gain lift using the clap and fling mechanism; the wings are clapped together and pulled apart, flinging vortices into the air at the leading edges and at the wingtips.
The evolution of insect wings has been a subject of debate; it has been suggested they came from modified gills, flaps on the spiracles, or an appendage, the epicoxa, at the base of the legs. More recently, entomologists have favored evolution of wings from lobes of the notum, of the pleuron, or more likely both.
In the Carboniferous age, the dragonfly-like Meganeura had as much as a 50 cm (20 in) wide wingspan. The appearance of gigantic insects is consistent with high atmospheric oxygen at that time, as the respiratory system of insects constrains their size. The largest flying insects today are much smaller, with the largest wingspan belonging to the white witch moth (Thysania agrippina), at approximately 28 cm (11 in).
Unlike birds, small insects are swept along by the prevailing winds although many larger insects migrate. Aphids are transported long distances by low-level jet streams.
Walking
Many adult insects use six legs for walking, with an alternating tripod gait. This allows for rapid walking with a stable stance; it has been studied extensively in cockroaches and ants. For the first step, the middle right leg and the front and rear left legs are in contact with the ground and move the insect forward, while the front and rear right leg and the middle left leg are lifted and moved forward to a new position. When they touch the ground to form a new stable triangle, the other legs can be lifted and brought forward in turn. The purest form of the tripedal gait is seen in insects moving at high speeds. However, this type of locomotion is not rigid and insects can adapt a variety of gaits. For example, when moving slowly, turning, avoiding obstacles, climbing or slippery surfaces, four (tetrapodal) or more feet (wave-gait) may be touching the ground. Cockroaches are among the fastest insect runners and, at full speed, adopt a bipedal run. More sedate locomotion is seen in the well-camouflaged stick insects (Phasmatodea). A small number of species such as Water striders can move on the surface of water; their claws are recessed in a special groove, preventing the claws from piercing the water's surface film. The ocean-skaters in the genus Halobates even live on the surface of open oceans, a habitat that has few insect species.
Swimming
A large number of insects live either part or the whole of their lives underwater. In many of the more primitive orders of insect, the immature stages are aquatic. In some groups, such as water beetles, the adults too are aquatic.
Many of these species are adapted for under-water locomotion. Water beetles and water bugs have legs adapted into paddle-like structures. Dragonfly naiads use jet propulsion, forcibly expelling water out of their rectal chamber. Other insects such as the rove beetle Stenus emit pygidial gland surfactant secretions that reduce surface tension; this enables them to move on the surface of water by Marangoni propulsion.
Ecology
Insects play many critical roles in ecosystems, including soil turning and aeration, dung burial, pest control, pollination and wildlife nutrition. For instance, termites modify the environment around their nests, encouraging grass growth; many beetles are scavengers; dung beetles recycle biological materials into forms useful to other organisms. Insects are responsible for much of the process by which topsoil is created.
Defense
Insects are mostly small, soft bodied, and fragile compared to larger lifeforms. The immature stages are small, move slowly or are immobile, and so all stages are exposed to predation and parasitism. Insects accordingly employ multiple defensive strategies, including camouflage, mimicry, toxicity and active defense.
Many insects rely on camouflage to avoid being noticed by their predators or prey. It is common among leaf beetles and weevils that feed on wood or vegetation. Stick insects mimic the forms of sticks and leaves.
Many insects use mimicry to deceive predators into avoiding them. In Batesian mimicry, edible species, such as of hoverflies (the mimics), gain a survival advantage by resembling inedible species (the models). In Müllerian mimicry, inedible species, such as of wasps and bees, resemble each other so as to reduce the sampling rate by predators who need to learn that those insects are inedible. Heliconius butterflies, many of which are toxic, form Müllerian complexes, advertising their inedibility.
Chemical defense is common among Coleoptera and Lepidoptera, usually being advertised by bright warning colors (aposematism), as in the monarch butterfly. As larvae, they obtain their toxicity by sequestering chemicals from the plants they eat into their own tissues. Some manufacture their own toxins. Predators that eat poisonous butterflies and moths may vomit violently, learning not to eat insects with similar markings; this is the basis of Müllerian mimicry.
Some ground beetles of the family Carabidae actively defend themselves, spraying chemicals from their abdomen with great accuracy, to repel predators.
Pollination
Pollination is the process by which pollen is transferred in the reproduction of plants, thereby enabling fertilisation and sexual reproduction. Most flowering plants require an animal to do the transportation. The majority of pollination is by insects. Because insects usually receive benefit for the pollination in the form of energy rich nectar it is a mutualism. The various flower traits, such as bright colors and pheromones that coevolved with their pollinators, have been called pollination syndromes, though around one third of flowers cannot be assigned to a single syndrome.
Parasitism
Many insects are parasitic. The largest group, with over 100,000 species and perhaps over a million, consists of a single clade of parasitoid wasps among the Hymenoptera. These are parasites of other insects, eventually killing their hosts. Some are hyper-parasites, as their hosts are other parasitoid wasps. Several groups of insects can be considered as either micropredators or external parasites; for example, many hemipteran bugs have piercing and sucking mouthparts, adapted for feeding on plant sap, while species in groups such as fleas, lice, and mosquitoes are hematophagous, feeding on the blood of animals.
Relationship to humans
As pests
Many insects are considered pests by humans. These include parasites of people and livestock, such as lice and bed bugs; mosquitoes act as vectors of several diseases. Other pests include insects like termites that damage wooden structures; herbivorous insects such as locusts, aphids, and thrips that destroy agricultural crops, or like wheat weevils damage stored agricultural produce. Farmers have often attempted to control insects with chemical insecticides, but increasingly rely on biological pest control. This uses one organism to reduce the population density of a pest organism; it is a key element of integrated pest management. Biological control is favored because insecticides can cause harm to ecosystems far beyond the intended pest targets.
In beneficial roles
Pollination of flowering plants by insects including bees, butterflies, flies, and beetles, is economically important. The value of insect pollination of crops and fruit trees was estimated in 2021 to be about $34 billion in the US alone.
Insects produce useful substances such as honey, wax, lacquer and silk. Honey bees have been cultured by humans for thousands of years for honey. Beekeeping in pottery vessels began about 9,000 years ago in North Africa. The silkworm has greatly affected human history, as silk-driven trade established relationships between China and the rest of the world.
Insects that feed on or parasitise other insects are beneficial to humans if they thereby reduce damage to agriculture and human structures. For example, aphids feed on crops, causing economic loss, but ladybugs feed on aphids, and can be used to control them. Insects account for the vast majority of insect consumption.
Fly larvae (maggots) were formerly used to treat wounds to prevent or stop gangrene, as they would only consume dead flesh. This treatment is finding modern usage in some hospitals. Insects have gained attention as potential sources of drugs and other medicinal substances. Adult insects, such as crickets and insect larvae of various kinds, are commonly used as fishing bait.
Population declines
At least 66 insect species extinctions have been recorded since 1500, many of them on oceanic islands. Declines in insect abundance have been attributed to human activity in the form of artificial lighting, land use changes such as urbanization or farming, pesticide use, and invasive species. A 2019 research review suggested that a large proportion of insect species is threatened with extinction in the 21st century, though the details have been disputed. A larger 2020 meta-study, analyzing data from 166 long-term surveys, suggested that populations of terrestrial insects are indeed decreasing rapidly, by about 9% per decade.
In research
Insects play important roles in biological research. For example, because of its small size, short generation time and high fecundity, the common fruit fly Drosophila melanogaster is a model organism for studies in the genetics of eukaryotes, including genetic linkage, interactions between genes, chromosomal genetics, development, behavior and evolution. Because genetic systems are well conserved among eukaryotes, understanding basic cellular processes like DNA replication or transcription in fruit flies can help to understand those processes in other eukaryotes, including humans. The genome of D. melanogaster was sequenced in 2000, reflecting the organism's important role in biological research. It was found that 70% of the fly genome is similar to the human genome, supporting the theory of evolution.
As food
Insects are consumed as food in 80% of the world's nations, by people in roughly 3000 ethnic groups. In Africa, locally abundant species of locusts and termites are a common traditional human food source. Some, especially deep-fried cicadas, are considered to be delicacies. Insects have a high protein content for their mass, and some authors suggest their potential as a major source of protein in human nutrition. In most first-world countries, however, entomophagy (the eating of insects), is taboo. They are also recommended by armed forces as a survival food for troops in adversity. Because of the abundance of insects and a worldwide concern of food shortages, the Food and Agriculture Organization of the United Nations considers that people throughout the world may have to eat insects as a food staple. Insects are noted for their nutrients, having a high content of protein, minerals and fats and are already regularly eaten by one-third of the world's population.
In other products
Black soldier fly larvae can provide protein and fats for use in cosmetics. Insect cooking oil, insect butter and fatty alcohols can be made from such insects as the superworm (Zophobas morio). Insect species including the black soldier fly or the housefly in their maggot forms, and beetle larvae such as mealworms, can be processed and used as feed for farmed animals including chicken, fish and pigs. Many species of insects are sold and kept as pets.
In religion and folklore
Scarab beetles held religious and cultural symbolism in ancient Egypt, Greece and some shamanistic Old World cultures. The ancient Chinese regarded cicadas as symbols of rebirth or immortality. In Mesopotamian literature, the epic poem of Gilgamesh has allusions to Odonata that signify the impossibility of immortality. Among the Aborigines of Australia of the Arrernte language groups, honey ants and witchetty grubs served as personal clan totems. In the case of the 'San' bush-men of the Kalahari, it is the praying mantis that holds much cultural significance including creation and zen-like patience in waiting.
See also
Entomology
Ethnoentomology
Flying and gliding animals
Insect-borne diseases
Notes
References
Sources
Gullan, P. J.; Cranston, P. S. (2005). The Insects: An Outline of Entomology (3rd ed.). Oxford: Blackwell Publishing. ISBN 978-1-4051-1113-3.
Gullan, P. J.; Cranston, P. S. (2014). The Insects: An Outline of Entomology (5th ed.). Oxford: Wiley Blackwell. ISBN 978-1-118-84616-2.
Nation, James L. (2001). Insect Physiology and Biochemistry (1st ed.). CRC Press. ISBN 978-0-8493-1181-9.
Resh, Vincent H.; Carde, Ring T. (2009). Encyclopedia of Insects (2 ed.). Academic Press. ISBN 978-0-12-374144-8.
Schowalter, Timothy Duane (2006). Insect Ecology: An Ecosystem Epproach (2nd (illustrated) ed.). Academic Press. ISBN 978-0-12-088772-9. Archived from the original on 3 June 2016. Retrieved 27 October 2015.
External links
Insect species and observations on iNaturalist
Overview of Orders of Insects
"Insect" at the Encyclopedia of Life
A Safrinet Manual for Entomology and Arachnology SPC
Tree of Life Project – Insecta, Insecta Movies
Fossil Insect Database: Holotypes at the International Palaeoentological Society
UF Book of Insect Records
InsectImages.org 24,000 high resolution insect photographs |
Shrek | https://en.wikipedia.org/wiki/Shrek | [
249
] | [
"https://en.wikipedia.org/wiki/Shrek#Accolades"
] | Shrek is a 2001 American animated fantasy comedy film loosely based on the 1990 children's picture book of the same name by William Steig. Directed by Andrew Adamson and Vicky Jenson (in their feature directorial debuts) and written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, it is the first installment in the Shrek film series. The film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, an embittered ogre named Shrek (Myers) finds his home in the swamp overrun by fairy tale creatures banished by the obsessive ruler Lord Farquaad (Lithgow). With the help of Donkey (Murphy), Shrek makes a pact with Farquaad to rescue Princess Fiona (Diaz) in exchange for regaining control of his swamp.
After purchasing rights to Steig's book in 1991, Steven Spielberg sought to produce a traditionally-animated film adaptation, but John H. Williams convinced him to bring the project to the newly founded DreamWorks in 1994. Jeffrey Katzenberg, along with Williams and Aron Warner, began development on Shrek in 1995, immediately following the studio's purchase of the rights from Spielberg. Chris Farley was cast as the voice for the title character, recording most of the required dialogue, but died in 1997 before his work on the film was finished; Myers was hired to replace him, and gave Shrek his Scottish accent. The film was initially intended to be created using motion capture, but after poor test results, the studio hired Pacific Data Images to complete the final computer animation. Shrek parodies other fairy tale adaptations, primarily animated Disney films.
Shrek premiered at the Mann Village Theatre In Westwood, and was later shown at the 2001 Cannes Film Festival, where it competed for the Palme d'Or, making it the first animated film since Disney's Peter Pan (1953) to be chosen to do so. The film was theatrically released by DreamWorks Pictures in the United States on May 18, 2001, and grossed over $492 million worldwide, becoming the fourth highest-grossing film of 2001. It was widely praised by critics for its animation, voice performances, soundtrack, writing and humor, which they noted catered to both adults and children. Shrek was nominated for the Academy Award for Best Adapted Screenplay and won the first Academy Award for Best Animated Feature.
The film's major success helped establish DreamWorks Animation as a competitor to Pixar in feature film computer animation. Three sequels have been released—Shrek 2 (2004), Shrek the Third (2007), and Shrek Forever After (2010)—along with two spin-off films—Puss in Boots (2011) and Puss in Boots: The Last Wish (2022)—with other productions, notably Shrek 5, in development. It is also regarded as one of the most influential animated films of the 2000s and one of the greatest animated films ever made. The United States Library of Congress selected Shrek for preservation in the National Film Registry in 2020, becoming the first animated film of the 21st century to be preserved.
Plot
Shrek is an anti-social and highly territorial ogre who loves the solitude of his swamp and enjoys fending off mobs and intruders. His life is interrupted after the dwarfish Lord Farquaad of Duloc exiles a vast number of fairy-tale creatures, who inadvertently end up in the swamp. Angered by the intrusion, Shrek decides to visit Farquaad and demand him to move the creatures elsewhere. Shrek reluctantly allows a talkative Donkey, whom he saved from Farquaad's guards before, to tag along and guide him to Duloc.
Meanwhile, Farquaad is presented with the Magic Mirror, who tells him that he must marry a princess in order to become king. Farquaad chooses Princess Fiona, who is imprisoned in a castle guarded by a Dragon. Unwilling to rescue Fiona himself, he organizes a tournament in which the winner will receive the "privilege" of performing the task on his behalf. When Shrek and Donkey arrive at Duloc, Farquaad announces that whoever kills Shrek will win the tournament; however, Shrek and Donkey defeat Farquaad's knights with relative ease. Amused, Farquaad proclaims them champions, and agrees to relocate the fairy-tale creatures if Shrek rescues Fiona.
Shrek and Donkey travel to the castle and are attacked by the Dragon. Shrek locates Fiona, who is appalled by his lack of romanticism; they flee the castle after rescuing Donkey from the dragon, who's revaled to be female and has fallen in love with him. When Shrek removes his helmet and reveals he is an ogre, Fiona stubbornly refuses to go to Duloc, demanding Farquaad arrive in person to save her. Shrek carries Fiona against her will. That night, after setting up camp, and with Fiona alone in a cave, Shrek admits to Donkey that he is antisocial because he grew frustrated after being constantly judged for his appearance. Fiona overhears this, and decides to be more kind to Shrek. The next day, the three are harassed by Robin Hood and his band of Merry Men, but Fiona easily defeats them in physical combat. Shrek becomes impressed with Fiona, and they begin to fall in love.
When the trio nears Duloc, Fiona takes shelter in a windmill for the evening. Donkey later enters alone and discovers that Fiona has transformed into an ogre. She explains that during her childhood, she was cursed to transform into an ogre at night, but retain her human form during the day. She tells Donkey that only "true love's kiss" will break the spell and change her to "love's true form". Meanwhile, Shrek is about to confess his feelings to Fiona, when he overhears Fiona referring to herself as an "ugly beast". Believing that she is talking about him, Shrek angrily leaves and returns the next morning with Farquaad. Confused and hurt by Shrek's abrupt hostility, Fiona accepts Farquaad's marriage proposal and requests that they be married before nightfall.
Shrek abandons Donkey and returns to his now-vacated swamp, but quickly realizes that he feels miserable without Fiona. Donkey appears, scolded Shrek for his bad behavior and for jumping to conclusions. He even tells Shrek that Fiona was not talking about him as an "ugly beast" and encourages him to express his love to Fiona. The two reconcile, and quickly travel to Duloc by riding the Dragon, whom Donkey has befriended.
Shrek interrupts the wedding just before the ceremony ends, and tells Fiona that Farquaad is only marrying her to become king. The sun sets as Fiona transforms into an ogre in front of everyone, causing Shrek to understand Fiona's previous remarks. Outraged and disgusted, Farquaad orders Shrek killed and Fiona re-imprisoned, so that he will still be king by technicality. The two are saved when the Dragon, ridden by Donkey, breaks in and devours Farquaad. Shrek and Fiona profess their love and share a kiss. Fiona's curse is broken; she is surprised to find she has remained an ogre, though Shrek reassures her that he still finds her beautiful. They marry in the swamp with the fairy-tale creatures in attendance, then leave for their honeymoon.
Voice cast
Mike Myers as:
Shrek
One of the Three Blind Mice
Eddie Murphy as Donkey
Cameron Diaz as Princess Fiona
John Lithgow as Lord Farquaad
Vincent Cassel as "Monsieur" Robin Hood
Conrad Vernon as Gingerbread Man
Chris Miller as:
Magic Mirror
Geppetto
Cody Cameron as:
Pinocchio
The Three Little Pigs
Simon J. Smith as Blind Mouse
Christopher Knights as:
Thelonius
One of the Three Blind Mice
Aron Warner as Big Bad Wolf
Jim Cummings as Captain of the Guards
Kathleen Freeman as Old Woman
Andrew Adamson as Duloc Mascot
Bobby Block as Baby Bear from the Three Bears
Michael Galasso as Peter Pan
Production
Development
At the time DreamWorks Pictures was founded, producer John H. Williams got hold of the book from his children and when he brought it to DreamWorks, it caught CEO Jeffrey Katzenberg's attention and the studio decided to make it into a film. Recounting the inspiration of making the film, Williams said: Every development deal starts with a pitch and my pitch came from my then kindergartner, in collaboration with his pre-school brother. Upon our second reading of Shrek, the kindergartner started quoting large segments of the book pretending he could read them. Even as an adult, I thought Shrek was outrageous, irreverent, iconoclastic, gross, and just a lot of fun. He was a great movie character in search of a movie.
After buying the rights to the film, Katzenberg quickly put it in active development in November 1995. Steven Spielberg had thought about making a traditionally animated film adaptation of the book before, when he bought the rights to the book in 1991 before the founding of DreamWorks, where Bill Murray would play Shrek and Steve Martin would play Donkey. In the beginning of production, co-director Andrew Adamson refused to be intimidated by Katzenberg and had an argument with him about how much the film should appeal to adults. Katzenberg wanted both audiences, but he deemed some of Adamson's ideas, such as adding sexual jokes and Guns N' Roses music to the soundtrack, to be too outrageous. Adamson and Kelly Asbury joined in 1997 to co-direct the film. However, Asbury left a year later for work on the 2002 film Spirit: Stallion of the Cimarron, and was replaced with story artist Vicky Jenson, although Asbury would later co-direct the sequel. Both Adamson and Jenson decided to work on the film in half, so the crew could at least know whom to go to with specific detail questions about the film's sequences; "We both ended up doing a lot of everything," Adamson said. "We're both kinda control freaks, and we both wanted to do everything."
Some early sketches of Shrek's house were done between 1996 and 1997 using Photoshop, with the sketches showing Shrek first living in a garbage dump near a human village called Wart Creek. It was also thought at one time that he would live with his parents and keep rotting fish in his bedroom. Donkey was modeled after Pericles (born 1994; also known as Perry), a real miniature donkey from Barron Park in Palo Alto, California. Raman Hui, supervising animator of Shrek, stated that Fiona "wasn't based on any real person" and he did many different sketches for her. He had done over 100 sculptures of Fiona before the directors chose the final design. In early development, the art directors visited Hearst Castle, Stratford upon Avon, and Dordogne for inspiration. Art Director Douglas Rogers visited a magnolia plantation in Charleston, South Carolina, for inspiration of Shrek's swamp. Planned characters not used in the film include Goldilocks and Sleeping Beauty.
Writing
The screenplay was written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, loosely based on the picture book by William Steig. The way Steig upended fairy tale conventions in the original book by making an ogre the protagonist formed the basis for the movie being a parody of fairy tales. Elliott and Rossio began writing for the film in 1997 and worked on the project for two years. They centered the four main characters’ personalities on maladaptive responses to self-esteem issues; as the DreamWorks story crew developed the plot, their personalities remained the same, ensuring the “thematic unity” of the story was preserved. When the studio leaned towards Shrek being a kind person shunned for being an ogre, they pushed for Shrek to remain a “misanthropic anti-hero.”
Casting
Nicolas Cage was initially offered the role of Shrek but he turned it down because he did not want to look like an ogre. In 2013, Cage explained: "When you're drawn, in a way it says more about how children are going to see you than anything else, and I so care about that."
Chris Farley was initially hired to voice Shrek, and he had recorded nearly all of the dialogue for the character, but died before completing the project. According to David Spade, Farley only had 5 days left of voice work and Farley's brother John was asked if he would come in and finish his lines but John refused. A story reel featuring a sample of Farley's recorded dialogue was leaked to the public in August 2015. DreamWorks then re-cast the voice role to Mike Myers, who insisted on a complete script rewrite, to leave no traces of Farley's version of Shrek. According to Myers, he wanted to voice the character "for two reasons: I wanted the opportunity to work with Jeffrey Katzenberg; and [the book is] a great story about accepting yourself for who you are."
After Myers had completed providing the voice for the character over the course of 1999 and the film was well into production, a rough cut of the movie was shown to him in February 2000. Myers asked to re-record all of his lines with a Scottish accent, similar to that his mother used when she told him bedtime stories and also used for his roles in other films, such as So I Married an Axe Murderer and Austin Powers: The Spy Who Shagged Me. According to the DVD commentary, he had also tried using a Lothar of the Hill People accent and a Canadian accent. After hearing the alternative, Katzenberg agreed to redo scenes in the film, saying, "It was so good we took $4M worth of animation out and did it again." Myers disputed the cost, saying "it didn't cost the studio 'millions of dollars'," as rumored. "What it meant is instead of me going in for ten sessions, I went in for twenty sessions. I got paid the same." Because of Myers voicing the character, more ideas began to come. There were clearer story points, fresher gags and comedy bits. "I got a letter from Spielberg thanking me so much for caring about the character," Myers said. "And he said the Scottish accent had improved the movie."
Another person planned to voice a character in the film was Janeane Garofalo, who was set to star alongside Farley as Princess Fiona. However, she was fired from the project for unexplained reasons. Years later, Garofalo stated "I was never told why [I was fired]. I assume because I sound like a man sometimes? I don't know why. Nobody told me ... But, you know, the movie didn't do anything, so who cares?"
Animation
Shrek was originally set up to be a live-action/CG animation hybrid with background plate miniature sets and the main characters composited into the scene as motion-captured computer graphics, using an ExpertVision Hires Falcon 10 camera system to capture and apply realistic human movement to the characters. A sizable crew was hired to run a test, and after a year and a half of R & D, the test was finally screened in May 1997. The results were not satisfactory, with Katzenberg stating "It looked terrible, it didn't work, it wasn't funny, and we didn't like it." The animation wasn't released publicly until 2023 when it was posted by production designer Barry E. Jackson on his YouTube channel. The studio then turned to its production partners at Pacific Data Images (PDI), who began production with the studio in 1998 and helped Shrek get to its final, computer-animated look. At this time, Antz was still in production at the studio and effects supervisor Ken Bielenberg was asked by Aron Warner "to start development for Shrek". Similar to previous PDI films, PDI used its own proprietary software (like the Fluid Animation System) for its animated movies. For some elements, however, it also took advantage of some of the powerhouse animation software on the market. This is particularly true with Maya, which PDI used for most of its dynamic cloth animation and for the hair of Fiona and Farquaad.
"We did a lot of work on character and set-up, and then kept changing the set up while we were doing the animation," Hui noted. "In Antz, we had a facial system that gave us all the facial muscles under the skin. In Shrek, we applied that to whole body. So, if you pay attention to Shrek when he talks, you see that when he opens his jaw, he forms a double chin, because we have the fat and the muscles underneath. That kind of detail took us a long time to get right." One of the most difficult parts of creating the film was making Donkey's fur flow smoothly so that it did not look like that of a Chia Pet. This fell into the hands of the surfacing animators, who used flow controls within a complex shader to provide the fur with many attributes (ability to change directions, lie flat, swirl, etc.). It was then the job of the visual effects group, led by Ken Bielenberg, to make the fur react to environment conditions. Once the technology was mastered, it could be applied to many aspects of the movie, including grass, moss, beards, eyebrows, and even threads on Shrek's tunic. Making human hair realistic was different from Donkey's fur, requiring a separate rendering system and much attention from the lighting and visual effects teams.
Shrek has 31 sequences, with 1,288 total shots. Aron Warner said that the creators "envisioned a magical environment that you could immerse yourself into". Shrek includes 36 separate in-film locations to make the world of the film, which DreamWorks claimed was more than any previous computer-animated feature. In-film locations were finalized and, as demonstrated by past DreamWorks animated movies, color and mood was of the utmost importance. The animation was completed in 2000.
Music
Shrek is the third DreamWorks animated film (and the only film in the Shrek series) to have Harry Gregson-Williams team up with John Powell to compose the score following Antz (1998) and Chicken Run (2000). Powell was left out to compose scores for later Shrek films with Gregson-Williams due to a conflict. The score was recorded at Abbey Road Studios by Nick Wollage and Slamm Andrews, with the latter mixing it at Media Ventures and Patricia Sullivan-Fourstar handling mastering.
Shrek introduced a new element to give the film a unique feel. The film used pop music and other oldies to make the story more forward. Covers of songs like "On the Road Again" and "Try a Little Tenderness" were integrated in the film's score. The band Smash Mouth's song "All Star" gained massive popularity after its original release two years earlier, due to its usage in the film's opening credits. As the film was about to be completed, Katzenberg suggested to the filmmakers to redo the film's ending to "go out with a big laugh"; instead of ending the film with just a storybook closing over Shrek and Fiona as they ride off into the sunset, they decided to add a song "I'm a Believer" covered by Smash Mouth and show all the fairytale creatures in the film.
Although Rufus Wainwright's version of the song "Hallelujah" appeared in the soundtrack album, it was John Cale's version that appeared in the film; in a radio interview, Rufus Wainwright suggested that his version of "Hallelujah" did not appear in the film due to the "glass ceiling" he was hitting because of his sexuality. An alternative explanation is that, although the filmmakers wanted Cale's version for the film, licensing issues prevented its use in the soundtrack album, because Wainwright was an artist for DreamWorks but Cale was not.
The film's 1996 animation test used the song "I Got You (I Feel Good)". The clip was considered lost until 2023.
Cultural references
In many places, the film references classic movies, predominantly those by Disney. When Tinker Bell falls on Donkey and he says "I can fly" and people around including the Three Little Pigs say "He can fly, he can fly"; this is a reference to Disney's Peter Pan. Donkey then says, while still flying, "You might have seen a house fly, maybe even a super fly, but I bet you ain't never seen a Donkey fly!". This scene is a reference to the Disney film Dumbo. The scene where Fiona is singing to the blue bird is a reference to Snow White and the Seven Dwarfs. The transformation scene at the end of the film references Disney's Beauty and the Beast.
When Shrek crosses the bridge to the Castle and says, "That'll do, Donkey, that'll do", this is a reference to the movie Babe. The scene where Princess Fiona is fighting the Merry Men is a lengthy reference to the film The Matrix. At the end of the film, the Gingerbread Man at the end with a crutch (and one leg) says "God bless us, everyone" which is a reference to Tiny Tim in A Christmas Carol.
In the scene where the Magic Mirror gives Lord Farquaad the option to marry three princesses, it parodies popular American television show The Dating Game featuring: Cinderella and Snow White. In addition, Lord Farquaad's theme park style kingdom Duloc heavily mimics Disneyland, even in so far as parodying the famous "It's a Small World" musical ride in the scene with the singing puppets. It has been suggested that Lord Farquaad himself is an unflattering parody of then-Disney CEO Michael Eisner, whom producer Katzenberg reportedly dislikes.
Release
Marketing
In 2000, IMAX released CyberWorld onto its branded large-screen theaters. It was a compilation film that featured stereoscopic conversions of various animated shorts and sequences, including the bar sequence in Antz. DreamWorks was so impressed by the technology used for the sequence's "stereoscopic translation", that the studio and IMAX decided to plan a big-screen 3D version of Shrek. The film would have been re-released during the Christmas season of 2001, or the following summer, after its conventional 2D release. The re-release would have also included new sequences and an alternate ending. Plans for this was dropped due to "creative changes" instituted by DreamWorks and resulted in a loss of $1.18 million, down from IMAX's profit of $3.24 million.
Radio Disney was told not to allow any ads for the film to air on the station, stating, "Due to recent initiatives with The Walt Disney Company, we are being asked not to align ourselves promotionally with this new release Shrek. Stations may accept spot dollars only in individual markets." The restriction was later relaxed to allow ads for the film's soundtrack album onto the network.
On May 7, 2001, Burger King began promotions for the film, giving out a selection of nine exclusive Candy Caddies based on the Shrek characters, in Big Kids Meal and Kids Meal orders. Ice cream chain Baskin-Robbins also ran an 8-week promotion of the film, selling products such as Shrek's Hot Sludge Sundae, a combination of Oreo Cookies 'n Cream ice cream, hot fudge, crushed chocolate cookies, whipped cream and squiggly gummy worms, and Shrek Freeze Frame Cake, featuring an image of Shrek and Donkey framed by sunflowers. This was to support the film's DVD/VHS release.
Home media
Shrek was released by DreamWorks Home Entertainment on VHS and DVD on November 2, 2001. It surpassed Star Wars: Episode I – The Phantom Menace's record for being the fastest-selling DVD ever, selling 2.5 million copies within the first three days of release. Another 4.5 million copies were sold on VHS in the same timespan, making it the biggest opening weekend in retail video since The Lion King in 1995. Both releases included Shrek in the Swamp Karaoke Dance Party, a 3-minute musical short film, that takes up right after Shrek's ending, with film's characters performing a medley of modern pop songs.
Coincidentally, the film was released on video the same day that Pixar's Monsters, Inc. hit theaters. Since videos were traditionally released on Tuesdays, Disney's executives did not receive this well, saying that the move "seemed like an underhanded attempt to siphon off some of their film's steam". DreamWorks responded that it "simply shifted the release to a Friday to make it more of an event and predicted that it and other studios would do so more frequently with important films." Monsters, Inc. earned that weekend more than $62 million, breaking the record for an animated film, while Shrek's video release made more than $100 million, and eventually became the biggest selling DVD at the time with over 5.5 million sales. This broke the record previously held by Gladiator, another DreamWorks film. Shrek generated more than $420 million in revenue for DreamWorks on DVD and VHS, and has sold more than 21 million copies of the 23 million shipped by January 2002. Worldwide, more than 10 million Shrek DVDs have been sold by that point.
A 3D version of the film was released on Blu-ray 3D by Paramount Home Entertainment on December 1, 2010, along with its sequels, and a regular 2D Blu-ray boxset of the series was released six days later.
In commemoration of the film's 20th anniversary, an Ultra HD Blu-ray edition was released on May 11, 2021, by Universal Pictures Home Entertainment.
Reception
Box office
Shrek opened on around 6,000 screens across 3,587 theaters; eleven of them showed the film digitally. This was the first time that DreamWorks had shown one of its films digitally. The film earned $11.6 million on its first day and $42.3 million on its opening weekend, topping the box office for the weekend and averaging $11,805 from 3,587 theaters. In its second weekend, due to the Memorial Day Weekend holiday, the film gained 0.3 percent to $42.5 million and $55.2 million over the four-day weekend, resulting in an overall 30 percent gain. Despite this, the film finished in second place behind Pearl Harbor and had an average of $15,240 from expanding to 3,623 sites. In its third weekend, the film retreated 34 percent to $28.2 million for a $7,695 average from expanding to 3,661 theaters. By mid-June 2001, Shrek became the top-grossing movie of the year domestically, defeating The Mummy Returns. The film closed on December 6, 2001, after grossing $267.7 million domestically, along with $216.7 million overseas, for a worldwide total of $484.4 million. Produced on a $60 million budget, the film was a huge box office smash and is the fourth highest-grossing film of 2001.
Shrek became the highest-grossing animated film ever to be released in Australia, passing the mark set by The Lion King in 1994. In the United Kingdom, Shrek regained the top spot at the British box office after being beaten out the previous week by Lara Croft: Tomb Raider, earning a $20.3 million since its opening in the UK.
Critical response
In addition to being an instant box office success, Shrek received wide critical acclaim. 88% of 213 professional reviews of the film on the review aggregator website Rotten Tomatoes are positive, with an average rating of 7.8/10. The website's critical consensus reads, "While simultaneously embracing and subverting fairy tales, the irreverent Shrek also manages to tweak Disney's nose, provide a moral message to children, and offer viewers a funny, fast-paced ride." Metacritic assigned Shrek a weighted average score of 84 out of 100 based on 34 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.
Roger Ebert praised the film, giving it four stars out of a possible four and describing it as "jolly and wicked, filled with sly in-jokes and yet somehow possessing a heart". USA Today's Susan Wloszczyna praised Eddie Murphy's performance, stating it "gives the comic performance of his career, aided by sensational digital artistry, as he brays for the slightly neurotic motormouth". Richard Schickel of Time also enjoyed Murphy's role, stating "No one has ever made a funnier jackass of himself than Murphy." Peter Rainer of New York magazine liked the script, also stating "The animation, directed by Andrew Adamson and Vicky Jenson, is often on the same wriggly, giggly level as the script, although the more "human" characters, such as Princess Fiona and Lord Farquaad, are less interesting than the animals and creatures—a common pitfall in animated films of all types." Peter Travers of Rolling Stone wrote "Shrek is a world-class charmer that could even seduce the academy when it hands out the first official animation Oscar next year." James Berardinelli of ReelViews gave the film three and a half stars out of four, saying "Shrek is not a guilty pleasure for sophisticated movie-goers; it is, purely and simply, a pleasure." Kenneth Turan of the Los Angeles Times wrote "The witty, fractured fairy tale Shrek has a solid base of clever writing." Lisa Schwarzbaum of Entertainment Weekly gave the film an A−, saying "A kind of palace coup, a shout of defiance, and a coming of age for DreamWorks." Jay Boyar of the Orlando Sentinel wrote "It's a pleasure to be able to report that the movie both captures and expands upon the book's playful spirit of deconstruction."
Steven Rosen of The Denver Post wrote "DreamWorks Pictures again proves a name to trust for imaginative, funny animated movies that delight kids and adults equally." Susan Stark of The Detroit News gave the film four out of four stars, saying "Swift, sweet, irreverent, rangy and as spirited in the writing and voice work as it is splendid in design." Jami Bernard of the New York Daily News gave the film four out of four stars, saying "The brilliance of the voice work, script, direction and animation all serve to make Shrek an adorable, infectious work of true sophistication." Rene Rodriguez gave the film three out of four stars, calling it "a gleefully fractured fairy tale that never becomes cynical or crass". Elvis Mitchell of The New York Times gave the film four out of five stars, saying "Beating up on the irritatingly dainty Disney trademarks is nothing new; it's just that it has rarely been done with the demolition-derby zest of Shrek." William Steig, the author of the original book, and his wife Jeanne Steig also enjoyed the film, stating "We all went sort of expecting to hate it, thinking, 'What has Hollywood done to it?' But we loved it. We were afraid it would be too sickeningly cute and, instead, Bill just thought they did a wonderful, witty job of it."
John Anderson of Newsday wrote "The kind of movie that will entertain everyone of every age and probably for ages to come." Jay Carr of The Boston Globe wrote "In an era when much on film seems old, Shrek seems new and fresh and clever." Stephen Hunter of The Washington Post gave the film five out of five stars, saying "Despite all its high-tech weirdness, it is really that most perdurable of human constructions, a tale told well and true." Joe Baltake of The Sacramento Bee wrote that it "isn't so much a fractured spoof of everything Disney, but actually a Monty Python flick for kids – kids of all ages". Andrew Sarris of The New York Observer wrote "What gives Shrek its special artistic distinction is its witty and knowingly sassy dialogue, delivered by vocally charismatic performers whose voices remind us of their stellar screen personae in live-action movies." Lisa Alspector of the Chicago Reader wrote "This romantic fantasy complicates the roles of beauty and beast, making it hard to guess what form a sensitive resolution will take." Joe Morgenstern of The Wall Street Journal wrote "The charms of Shrek, which is based on the children's book by William Steig, go far beyond in-jokes for adults." John Zebrowski of The Seattle Times gave the film three out of four stars, saying "The movie is helped immensely by its cast, who carry it through some of the early, sluggish scenes. But this is Murphy's movie. Donkey gets most of the good lines, and Murphy hits every one."
A mixed review came from Mark Caro of the Chicago Tribune, who gave the film two and a half stars out of four and compared it to Toy Story 2, which he said "had a higher in-jokes/laughs ratio without straining to demonstrate its hipness or to evoke heartfelt emotions". On the more negative side, Michael Atkinson of The Village Voice said he was "desperately avoiding the risk of even a half-second of boredom", and said "the movie is wall-to-window-to-door noise, babbling, and jokes (the first minute sees the first fart gag), and demographically it's a hard-sell shotgun spray." Christy Lemire of the Associated Press described Shrek as a "90-minute onslaught of in-jokes", and said while it "strives to have a heart" with "a message about beauty coming from within", "somehow [the message] rings hollow". Anthony Lane of The New Yorker said, despite the film "cunning the rendering of surfaces, there's still something flat and charmless in the digital look, and most of the pleasure rises not from the main romance but from the quick, incidental gags."
Accolades
Legacy
Rank
Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Prince Charming? So last millennium. This decade, fairy-tale fans – and Princess Fiona – fell for a fat and flatulent Ogre. Now, that's progress." In June 2008, the American Film Institute revealed its "Ten top Ten"; the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community Shrek was acknowledged as the eighth best film in the animated genre, and the only non-Disney·Pixar film in the Top 10. Shrek was also ranked second in a Channel 4 poll of the "100 Greatest Family Films", losing out on the top spot to E.T. the Extra-Terrestrial. In 2005, Shrek came sixth in Channel 4's 100 Greatest Cartoons poll behind The Simpsons, Tom and Jerry, South Park, Toy Story and Family Guy. In November 2009, the character, Lord Farquaad, was listed No. 14 in IGN UK's "Top 15 Fantasy Villains". In 2006, it was ranked third on Bravo's 100 funniest films list. The film's title character was awarded his own star on the Hollywood Walk of Fame in May 2010.
American Film Institute recognition:
AFI's 100 Years...100 Heroes & Villains:
Shrek – Nominated Hero
AFI's 100 Years...100 Songs:
"I'm a Believer" – Nominated
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated
AFI's 10 Top 10 – No. 8 Animated film
Cultural impact
The New York Times retrospectively described the film as "a beloved, offbeat fairy tale whose characters and jokes continue to permeate pop culture, reaching another generation of fans." Previous films and TV shows, such as Fractured Fairy Tales and The Princess Bride, have parodied the traditional fairy tale. Shrek had a significant impact that influenced a later generation of mainstream animated films, receiving recognition for being one of the most influential from the 2000s. Particularly after Shrek 2, animated films began to incorporate more pop culture references and end-film musical numbers. Such elements can be seen in films like Robots, Chicken Little, Doogal, Ron's Gone Wrong and more recently with Ruby Gillman: Teenage Kraken and The Tiger’s Apprentice. It also inspired a number of computer animated films which also spoofed fairy tales, or other related story genres, often including adult-oriented humor, most of which were not nearly as successful as Shrek, such as Chicken Little, Happily N'Ever After, Igor, Hoodwinked!, Enchanted and its sequel Disenchanted. In 2020, the United States Library of Congress selected Shrek to be preserved in the National Film Registry for being "culturally, historically, or aesthetically significant".
Other media
Several video game adaptations of the film have been published on various game console platforms, including Shrek (2001), Shrek: Hassle at the Castle (2002), Shrek: Extra Large (2002), Shrek: Super Party (2002) and Shrek SuperSlam (2005). Shrek was also included as a bonus unlockable character in the video game Tony Hawk's Underground 2 (2004).
In 2003, Dark Horse Comics released a three-issue mini-series comic book adaptation of Shrek which was written by Mark Evanier, and the issues were later compiled into a trade paperback.
A musical version, based on the film, with music by Jeanine Tesori and a book and lyrics by David Lindsay-Abaire, opened on Broadway on December 14, 2008, and closed January 3, 2010, running for a total of 441 performances. It starred Brian d'Arcy James in the title role, Sutton Foster as Princess Fiona, Christopher Sieber as Lord Farquaad, Daniel Breaker as Donkey, and John Tartaglia as Pinocchio. The Broadway production was recorded and released on DVD, Blu-ray and digital media. A North American Tour opened July 25, 2010, in Chicago. A London production opened in the West End on June 7, 2011. The musical received many Tony Award nominations and won the 2009 Tony Award for Best Costume Design. It received five Laurence Olivier Award nominations including Best New Musical.
A shot-for-shot fan remake titled Shrek Retold was released through 3GI Industries on November 29, 2018. The project was a collaboration of 200 filmmakers and mixes live action, hand drawn animation, Flash animation, CGI and various other art forms to recreate the film. The film is available on YouTube for free.
Future
Three sequels were released over the years – the Oscar-nominated Shrek 2 in 2004, Shrek the Third in 2007, and Shrek Forever After in 2010. Shrek 2 was the only one to receive similar acclaim from critics, though all three sequels were commercially successful. Shrek the Halls (2007) and Scared Shrekless (2010) were released as holiday-themed short films. A spin-off prequel film entitled Puss in Boots, centered on the titular character's life before his debut in Shrek 2, was released in 2011, while a sequel, titled Puss in Boots: The Last Wish and set after the events of Shrek Forever After, was released in 2022. A fifth feature film was originally planned during the development of Shrek Forever After, but the idea was later abandoned by DreamWorks Animation CEO Jeffrey Katzenberg. Leading up to NBCUniversal's planned acquisition of DreamWorks Animation in 2016, it was announced that a fifth Shrek film would be released in 2019. On November 6, 2018, Variety reported that Chris Meledandri had been tasked to reboot both Shrek and Puss in Boots, with the original cast potentially returning to reprise their roles. While cast members reported that a script was completed for a fifth Shrek film, development stalled and future plans have yet to be officially announced. After it was reported in April 2023 that a fifth Shrek film with the original cast and a spinoff featuring Donkey was planned, Murphy said in June 2024 that he had begun voice recording sessions for Shrek 5 months ago and would begin working for the Donkey spinoff once it was finished.
See also
Shrek fandom
Fairy tale parody
Notes
References
Bibliography
External links
Official website at the Wayback Machine (archived March 30, 2004)
Official website at DreamWorks
Shrek at IMDb
Tom Hester – Shrek Character Designer at the Wayback Machine (archived July 30, 2019) |
74th_Academy_Awards | https://en.wikipedia.org/wiki/74th_Academy_Awards | [
249
] | [
"https://en.wikipedia.org/wiki/74th_Academy_Awards#Winners_and_nominees"
] | The 74th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 24, 2002, at the Kodak Theatre in Hollywood, Los Angeles. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 2001. The ceremony, televised in the United States by ABC, was produced by Laura Ziskin and directed by Louis J. Horvitz. Actress Whoopi Goldberg hosted the show for the fourth time. She first hosted the 66th ceremony held in 1994 and had last hosted the 71st ceremony in 1999. Three weeks earlier, in a ceremony held at the Regent Beverly Wilshire Hotel in Beverly Hills, California, on March 2, the Academy Awards for Technical Achievement were presented by host Charlize Theron.
A Beautiful Mind won four awards, including Best Picture. Other winners included The Lord of the Rings: The Fellowship of the Ring with four awards, Black Hawk Down and Moulin Rouge! with two, and The Accountant, For the Birds, Gosford Park, Iris, Monster's Ball, Monsters, Inc., Murder on a Sunday Morning, No Man's Land, Pearl Harbor, Shrek, Thoth, and Training Day with one. Despite a record length of four hours and twenty-three minutes, the telecast garnered nearly 42 million viewers in the United States.
Winners and nominees
The nominees for the 74th Academy Awards were announced on February 12, 2002, at the Samuel Goldwyn Theater in Beverly Hills, California, by Frank Pierson, president of the academy, and the actress Marcia Gay Harden. The Lord of the Rings: The Fellowship of the Ring earned the most nominations with thirteen. It was the seventh film to earn that many nominations. A Beautiful Mind and Moulin Rouge! tied for second place with eight apiece.
The winners were announced during the awards ceremony on March 24, 2002. By virtue of its latest Best Picture victory for A Beautiful Mind, DreamWorks became the second film studio to release three consecutive Best Picture winners; the studio had previously released American Beauty and Gladiator. Denzel Washington was the second African-American to win the Academy Award for Best Actor, following Sidney Poitier for 1963's Lilies of the Field. Halle Berry became the first, and as of 2023, only, African-American to win the Academy Award for Best Actress. Nominated for their performances as the title character in Iris, Best Actress nominee Judi Dench and Best Supporting Actress nominee Kate Winslet became the second pair of actresses nominated for portraying the same character in the same film, following Best Actress nominee Winslet and Best Supporting Actress nominee Gloria Stuart as Rose in 1997's Titanic.
Awards
Winners are listed first, highlighted in boldface, and indicated with a double dagger (‡).
Academy Honorary Award
Sidney Poitier
Robert Redford
Jean Hersholt Humanitarian Award
Arthur Hiller
Films with multiple nominations and awards
Presenters and performers
The following individuals (in order of appearance) presented awards or performed musical numbers.
Presenters
Performers
Ceremony information
The academy wanted to find a new venue for the festivities amid limited seating and rehearsal time concerns with the Dorothy Chandler Pavilion. In addition, problems arose regarding staging the Oscars at the Shrine Auditorium because there was difficulty of directing guests from the auditorium where the main event took place to the adjacent Exhibition Hall for the Governor's Ball. In August 1997, AMPAS and Canadian development firm TrizecHahn went into negotiations over the development of an entertainment complex located on the corner of Hollywood Boulevard and Highland Avenue adjacent to the Mann's Chinese Theatre. Seven months later, both the academy and TrizecHahn agreed on a twenty-year lease that allowed for the ceremony to be staged at a new venue, which would later be called the Kodak Theatre, located within the property which was also situated near the Hollywood Roosevelt Hotel site of the inaugural awards ceremony in 1929. This was the first time the ceremony was held in Hollywood since the 32nd ceremony took place at the Pantages Theatre in 1960.
In view of the return of the Oscars to Hollywood, the academy hired film producer and Sony Pictures Entertainment chairman Laura Ziskin in September 2001 to oversee production of the telecast. Pierson explained the decision to hire Ziskin saying, "This show is one of the most difficult—if not the most difficult—producing jobs in show business. Laura Ziskin brings intelligence, experience and wit expressed in everything she has done." This marked the first occurrence that a woman produced the Oscars solo. Four months later, Whoopi Goldberg was selected as host of the 2002 ceremony. In an article in the Los Angeles Times, Ziskin justified her choice of Goldberg commenting that she has "great warmth, with humor, humanity and social conscience, all qualities that I feel are essential for this year's show. I look forward to collaborating with Whoopi to put on a meaningful and entertaining evening."
Furthermore, the September 11 attacks affected the telecast and its surrounding events. Despite speculation and suggestions that the festivities be postponed or canceled, AMPAS President Pierson wrote in a Variety column refusing to take such action stating that it would send the message that "the terrorists have won". However, due to security concerns the academy announced that red carpet bleacher seats would now be limited on a reservation basis based on a random selection and a background check.
On Oscar night, Tom Cruise opened the show and stated that it was the job of filmmakers to make films during troubling times. In addition, later in the evening Goldberg introduced a "New York icon" to the stage and filmmaker and director Woody Allen, who had previously refused to attend a ceremony, made a surprise appearance. He was greeted with a hearty standing ovation from audience members including Baz Luhrmann, Ron Howard, Jennifer Connelly, Washington, and Ethan Hawke. He explained after the events that happened that September he was there to represent the city he so loved and to plead filmmakers to continue to film in New York City. Woody then presented a film montage created by fellow New Yorker and screenwriter Nora Ephron saluting New York City in film.
Several other people participated in the production of the ceremony. Actors Glenn Close and Donald Sutherland served as announcers during the show. The orchestra led by film composer and telecast musical supervisor John Williams, performed selections of film scores during a montage saluting film composers produced by Kyle Cooper. Filmmaker Errol Morris filmed a vignette featuring several famous people discuss movie memories. Director Penelope Spheeris produced a montage saluting 60 years of Oscar-winning documentary feature films. Cirque du Soleil performed a dance number inspired by movies and visual effects.
Introduction of Best Animated Feature award
Beginning with this ceremony, AMPAS introduced a new competitive award that would honor animated feature films. According to Academy communications director John Pavlik, the film must be at least 70 minutes in length, have a significant amount of animated characters, and be at least 75 percent animated in order to be qualified for consideration. A minimum of eight qualifying films must be released within the calendar year to permit a slate of three nominees. If the number of films exceeds twelve, the nominee roster increases to five. Prior to the introduction of this category, three Disney films (1937's Snow White and the Seven Dwarfs, 1988's Who Framed Roger Rabbit, and 1995's Toy Story) were all given Special Achievement Academy Awards.
Box office performance of nominated films
At the time of the nominations announcement on February 12, the combined gross of the five Best Picture nominees at the US box office was $484 million, with an average of $96.9 million per film. The Lord of the Rings: The Fellowship of the Ring was the highest earner among the Best Picture nominees with $271 million in domestic box office receipts. The film was followed by A Beautiful Mind ($113 million), Moulin Rouge! ($57.1 million), Gosford Park ($22.2 million), and finally In the Bedroom ($19.5 million).
Of the top 50 grossing movies of the year, 46 nominations went to 14 films on the list. Only The Lord of the Rings: The Fellowship of the Ring (2nd), Shrek (3rd), Monsters, Inc. (4th), A Beautiful Mind (15th), Black Hawk Down (25th), Jimmy Neutron: Boy Genius (27th), Training Day (29th), Bridget Jones's Diary (31st), Ali (41st), and Moulin Rouge! (44th) were nominated for Best Picture, Best Animated Feature, or any of the directing, acting, or screenwriting awards. The other top-50 box office hits that earned nominations were Harry Potter and the Sorcerer's Stone (1st), Pearl Harbor (7th), Vanilla Sky (19th), and AI: Artificial Intelligence (28th).
Critical reviews
The show received a mixed reception from media publications. Some media outlets were more critical of the show. Television critic Robert Bianco of USA Today complained that the awards ceremony was "intensely narcissistic and characteristically, almost unrelievedly, dull." Columnist Matthew Gilbert of The Boston Globe bemoaned that "TV's most-watched slug crawled back into town last night." He also sniped, "As usual, the technical awards formed a Bermuda triangle in the middle of the show, and the film-clip fests and production numbers numbed our brains." The Sacramento Bee's Rick Kishman lamented that "It was the first time both best-acting Oscars went to African Americans...yet viewers had to fight hours and hours of boredom to care." He also quipped that the excessive amount of montage and tributes dragged down the proceedings.
Other media outlets received the broadcast more positively. Orange County Register film critic Henry Sheehan praised Goldberg's performance as hosting writing that her "ensuing entrance a la Moulin Rouge was a comparative triumph and her boom-boom-boom succession of jokes put the show right on track." Television columnist Joanne Ostrow of The Denver Post raved, "The nearly five-hour telecast was stunning, historic, slick, efficient, and helped along by some knockout clothes." She also commented that Washington and Berry's acceptance speeches and the Sidney Poitier tribute added to the historic and emotional mood of the festivities. John Levesque of the Seattle Post-Intelligencer commended producer Ziskin for producing "the best Oscar telecast this TV watcher can remember." In addition, he wrote that "It was clear the 74th Academy Awards ceremony was something special: fresh, crisp, different from its predecessors."
Ratings and reception
At four hours and 23 minutes, the ceremony was as of 2022 the longest in history. The American telecast on ABC drew in an average of 41.82 million people over its length, which was a 3% decrease from the previous year's ceremony. The show also earned lower Nielsen ratings compared to the previous ceremony with 25.54% of households watching over a 40.34 share. In addition, it garnered a lower 18–49 demo rating with a 16.13 rating over a 36.46 share among viewers in that demographic.
In July 2002, the ceremony presentation received seven nominations at the 54th Primetime Emmys. Two months later, the ceremony won one of those nominations for Debra Brown's choreography during the telecast.
"In Memoriam"
The annual "In Memoriam" tribute, presented by actor Kevin Spacey, honored the following people.
Before the In Memoriam montage was shown, Spacey requested a moment of silence in memory of the victims of the September 11 attacks.
See also
8th Screen Actors Guild Awards
22nd Golden Raspberry Awards
44th Grammy Awards
54th Primetime Emmy Awards
55th British Academy Film Awards
56th Tony Awards
59th Golden Globe Awards
List of submissions to the 74th Academy Awards for Best Foreign Language Film
List of Academy Award records
References
Bibliography
Levy, Emanuel (2003). All About Oscar: The History and Politics of the Academy Awards. New York, United States: Continuum International Publishing Group. ISBN 0-8264-1452-4.
Osborne, Robert (2013). 85 Years of the Oscar: The Complete History of the Academy Awards. New York, United States: Abbeville Publishing Group. ISBN 978-0-7892-1142-2.
Pond, Steve (2005), The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, New York, United States: Faber and Faber, ISBN 0-571-21193-3
External links
Official websites
Academy Awards Official website Archived March 4, 2009, at the Wayback Machine
The Academy of Motion Picture Arts and Sciences Official website Archived January 22, 2009, at the Wayback Machine
Oscar's Channel Archived October 2, 2018, at the Wayback Machine at YouTube (run by the Academy of Motion Picture Arts and Sciences)
News resources
Oscars 2002 Archived January 26, 2014, at the Wayback Machine BBC News
Academy Awards coverage Archived November 5, 2013, at the Wayback Machine CNN
Analysis
2001 Academy Awards Winners and History Archived March 31, 2014, at the Wayback Machine Filmsite
Academy Awards, USA: 2002 Archived December 9, 2010, at the Wayback Machine Internet Movie Database
Other resources
The 74th Annual Academy Awards at IMDb |
Academy_Award_for_Best_Animated_Feature | https://en.wikipedia.org/wiki/Academy_Award_for_Best_Animated_Feature | [
249
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"https://en.wikipedia.org/wiki/Academy_Award_for_Best_Animated_Feature#Multiple_wins_and_nominations"
] | The Academy Award for Best Animated Feature is given each year for the best animated film. An animated feature is defined by the academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-by-frame technique, a significant number of the major characters are animated, and animation figures in no less than 75 percent of the running time. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001.
The entire AMPAS membership has been eligible to choose the winner since the award's inception. If there are sixteen or more films submitted for the category, the winner is voted from a shortlist of five films, otherwise there will only be three films on the shortlist.
History
For much of the Academy Awards' history, AMPAS was resistant to the idea of a regular award for animated features, considering there were simply too few produced to justify such consideration. Instead, the Academy occasionally bestowed special Oscars for exceptional productions, usually for Walt Disney Pictures, such as for Snow White and the Seven Dwarfs in 1938, and the Special Achievement Academy Award for the live action/animated hybrid Who Framed Roger Rabbit in 1989 and Toy Story in 1996. In fact, prior to the award's creation, only one animated film was nominated for Best Picture: 1991's Beauty and the Beast, also by Disney.
By 2001, the rise of sustained competitors to Disney in the feature animated film market, such as DreamWorks Animation (founded by former Disney executive Jeffrey Katzenberg), created an increase of film releases of significant annual number enough for AMPAS to reconsider. The Academy Award for Best Animated Feature was first given out at the 74th Academy Awards, held on March 24, 2002. The academy included a rule that stated that the award would not be presented in a year in which fewer than eight eligible films opened in theaters. It dropped the rule on April 23, 2019, to make voting for animated films more acceptable. People in the animation industry, as well as fans, expressed hope that the prestige from this award and the resulting boost to the box office would encourage the increased production of animated features.
In 2009, when the nominee slots for Best Picture were doubled to ten, Up was nominated for both Animated Feature and Picture at the 82nd Academy Awards, the first to do so since the inception of the Animated Feature category. This feat was repeated the following year by Toy Story 3.
In 2010, the academy enacted a new rule regarding the motion capture technique employed in films such as A Christmas Carol (2009) and The Adventures of Tintin (2011), directed by Academy Award for Best Director winners Robert Zemeckis and Steven Spielberg respectively, and how they might not be eligible in this category in the future. This rule was possibly made to prevent nominations of live-action films that rely heavily on motion capture, such as Avatar (2009).
In 2022, it was unclear whether Marcel the Shell with Shoes On would be eligible for the award at the 95th Academy Awards due to being a live-action/stop-motion animated hybrid. Director Dean Fleischer Camp said that he and A24 had to submit documentation in order to prove the film had enough animation to meet the award's minimum requirements. The AMPAS officially deemed the film eligible for consideration in the Animated Feature category and was eventually nominated for said category.
Best Picture criticism
As of 2008, some members and fans have criticized the category; however, saying it is only intended to prevent animated films from having a chance of winning and nominating Best Picture. The most notable example is Shrek, became an immediate favorite for the nomination, similar the way of nominating animated films like the animation rivalry's 1991 film Beauty and the Beast; DreamWorks had advertised heavily during the holiday 2001 season for the film like the studio's previous years, but it didn’t materialize the category due to its inauguration of the Best Animated Film category, which sparked criticism from the industry, though it ultimately won the inaugural Best Animated Feature award. Nonetheless, it was successfully nominated for Golden Globe Award for Best Motion Picture - Musical or Comedy, and was also the first animated film to be nominated for PGA Award for Best Theatrical Motion Picture, BAFTA Award for Best Film, and Critics' Choice Awards for Best Picture, respectively.
Another criticism surrounding the category was particularly prominent at the 81st Academy Awards, in which WALL-E won the award but was not nominated for Best Picture, despite receiving multiple accolades. This sparked controversy over whether the film was deliberately snubbed of such nomination by the Academy. Film critic Peter Travers commented that "if there was ever a time where an animated feature deserved to be nominated for Best Picture, it's WALL-E." However, official Academy Award regulations state that any film nominated for this category can still be nominated for Best Picture. This, as well as more backlash that The Dark Knight was also not another Best Picture nominee meant that next year, the Academy expanded the Best Picture category. After the expansion, two animated films—Up (2009) and Toy Story 3 (2010)—were nominated for Best Picture.
From 2010 onward, with the increasing competitiveness of the Animated Feature category, Pixar (a perennial nominee) did not receive nominations for several recent films due to the more mixed critical response and comparatively low box-office receipts, while Pixar's sister studio Disney Animation won their first three awards but in similar response. Other studios have also come close to a Best Picture nomination with critical and commercial success, including Guillermo del Toro's Pinocchio (Netflix Animation), The Boy and the Heron (Studio Ghibli), and Spider-Man: Across the Spider-Verse (Sony Pictures Animation); the latter grew strong positive reactions and received several Best Picture nominations from critics' groups.
Milestones and records
Films and production companies
Pixar broke records of any studios in the same category: the most wins with 11, the most nominations of any studio with 18, and the most consecutive wins took four years in a row with their films released (between 2007 and 2010).
Pixar, with 11 wins, and Walt Disney Animation Studios, with 4, are both owned by The Walt Disney Company, which has 15 wins for the category, in total.
Laika has the most nominations without a win, with 6 films.
Almost all the winners have been computer-animated films. The exceptions are Spirited Away and The Boy and the Heron, which are the only hand-drawn animated films, and Wallace & Gromit: The Curse of the Were-Rabbit and Guillermo del Toro's Pinocchio, the only stop motion animated films to win.
Toy Story is the only franchise with multiple wins, for its third and fourth films. Additionally, the third film marks the first sequel to win this category.
Another franchise Shrek (with one win) is the most-nominated with four. Other franchises with three include How to Train Your Dragon and Cartoon Saloon's "Irish Folklore Trilogy" (consisting of The Secret of Kells, Song of the Sea, and Wolfwalkers); both hold the record as the most-nominated franchises without a win.
Of the several adult animated films (judging from their MPAA ratings), The Triplets of Belleville was the first PG-13 rated nominee and Anomalisa was the first, and so far only, R-rated animated film to be nominated; The Boy and The Heron became the first animated film for adults (in this case, PG-13-rated) winner.
Studio Ghibli (Japan) has the most wins (two) and nominations (seven) for a non-US studio; Spirited Away and The Boy and the Heron are the only non-English language films to win, despite the fact their use of English dubbing as necessary.
Flee is the first animated documentary film to be nominated.
Shaun the Sheep Movie (and its sequel), The Red Turtle, and Robot Dreams are the only non-dialogue films to be nominated, although the former two speak gibberish.
Since 2019, each year has had at least one nominee that was mainly released via streaming, with two winners (denoted in bold): Klaus (Netflix) in 2019, Soul (Disney+) in 2020, Luca (Disney+) and The Mitchells vs. the Machines (Netflix) in 2021, Guillermo del Toro's Pinocchio (Netflix), The Sea Beast (Netflix) and Turning Red (Disney+) in 2022, and Nimona (Netflix) in 2023.
People
Pete Docter has the most wins and nominations of any individual, the latter being tied with Hayao Miyazaki. Additionally, Miyazaki has the most wins and nominations for a non-US individual.
Hayao Miyazaki is the oldest winner established in 2003 at the age of 62 (it held the record for two decades until Mark Gustafson in 2023), and again in 2024, making him the oldest two-time winner at the age of 83. Similarly, Aron Warner is the sole winner established in 2002 at the age of 41 until Miyazaki and Andrew Stanton took over the separate record; Stanton established his youngest recipient in 2004 at the age of 38, and again in 2009, making Stanton the youngest two-time winner at the age of 43.
Ron Clements, Dean DeBlois, Travis Knight, Tomm Moore, and Chris Sanders are tied for receiving the most nominations without winning, with three each.
Mark Gustafson is the only directing credit to win the award before his death.
In diversity, Brenda Chapman was the first woman to win for Brave, Peter Ramsey was the first black director to win for Spider-Man: Into the Spider-Verse, and Yvett Merino was the first woman in color to win for Encanto.
Byron Howard is the first queer (openly gay) to win for Zootopia, established in 2017 and again in 2022 for Encanto, making him the only two-time queer winner.
Winners and nominees
2000s
2010s
2020s
Multiple wins and nominations
Studios and franchises with multiple nominations
Studios
Franchises
Notes
Age superlatives
See also
Lists of animated films
List of animation awards
List of animated feature films nominated for Academy Awards
List of submissions for the Academy Award for Best Animated Feature
List of Academy Award–nominated films
References
Bibliography
External links
Oscars.org (official Academy site)
The Academy Awards Database (official site)
Oscar.com (official ceremony promotional site) |
Hayao_Miyazaki | https://en.wikipedia.org/wiki/Hayao_Miyazaki | [
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] | [
"https://en.wikipedia.org/wiki/Hayao_Miyazaki#Views"
] | Hayao Miyazaki (宮崎 駿 or 宮﨑 駿, Miyazaki Hayao, [mijaꜜzaki hajao]; born January 5, 1941) is a Japanese animator, filmmaker, and manga artist. A founder of Studio Ghibli, he has attained international acclaim as a masterful storyteller and creator of Japanese animated feature films, and is widely regarded as one of the most accomplished filmmakers in the history of animation.
Born in Tokyo City, Miyazaki expressed interest in manga and animation from an early age. He joined Toei Animation in 1963, working as an inbetween artist and key animator on films like Gulliver's Travels Beyond the Moon (1965), Puss in Boots (1969), and Animal Treasure Island (1971), before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I (1971–1972) alongside Isao Takahata. After moving to Zuiyō Eizō (later Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater and directed the television series Future Boy Conan (1978). He joined Tokyo Movie Shinsha in 1979 to direct his first feature film The Castle of Cagliostro (1979) and the television series Sherlock Hound (1984–1985). He wrote and illustrated the manga Nausicaä of the Valley of the Wind (1982–1994) and directed the 1984 film adaptation produced by Topcraft.
Miyazaki co-founded Studio Ghibli in 1985, writing and directing films such as Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), and Porco Rosso (1992), which were met with critical and commercial success in Japan. Miyazaki's Princess Mononoke (1997) was the first animated film to win the Japan Academy Film Prize for Picture of the Year and briefly became the highest-grossing film in Japan; its Western distribution increased Ghibli's worldwide popularity and influence. Spirited Away (2001) became Japan's highest-grossing film and won the Academy Award for Best Animated Feature; it is frequently ranked among the greatest films of the 21st century. Miyazaki's later films—Howl's Moving Castle (2004), Ponyo (2008), and The Wind Rises (2013)—also enjoyed critical and commercial success. He retired from feature films in 2013 but later returned to make The Boy and the Heron (2023), which won the Academy Award for Best Animated Feature.
Miyazaki's works are frequently subject to scholarly analysis and have been characterized by the recurrence of themes such as humanity's relationship with nature and technology, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. His protagonists are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in 2012, and received the Academy Honorary Award for his impact on animation and cinema in 2014. Miyazaki has frequently been cited as an inspiration for numerous animators, directors, and writers.
Early life
Hayao Miyazaki was born on January 5, 1941, in the town Akebono-cho in Hongō, Tokyo City, Empire of Japan, the second of four sons. His father, Katsuji Miyazaki (born 1915), was the director of Miyazaki Airplane, his brother's company, which manufactured rudders for fighter planes during World War II. The business allowed his family to remain affluent during Miyazaki's early life. Miyazaki's father enjoyed purchasing paintings and demonstrating them to guests, but otherwise had little known artistic understanding. He was in the Imperial Japanese Army around 1940, discharged and lectured about disloyalty after declaring to his commanding officer that he wished not to fight because of his wife and young child. According to Miyazaki, his father often told him about his exploits, claiming he continued to attend nightclubs after turning 70. Katsuji Miyazaki died on March 18, 1993. After his death, Miyazaki felt he had often looked at his father negatively and that he had never said anything "lofty or inspiring". He regretted not having a serious discussion with his father, and felt he had inherited his "anarchistic feelings and his lack of concern about embracing contradictions".
Some of Miyazaki's earliest memories are of "bombed-out cities". In 1944, when he was three years old, Miyazaki's family evacuated to Utsunomiya. After the bombing of Utsunomiya in July 1945, he and his family evacuated to Kanuma. The bombing left a lasting impression on Miyazaki, then aged four. As a child, Miyazaki suffered from digestive problems, and was told he would not live beyond 20, making him feel like an outcast; he considered himself "clumsy and weak", protected at school by his older brother. From 1947 to 1955, Miyazaki's mother Yoshiko suffered from spinal tuberculosis; she spent the first few years in hospital before being nursed from home, forcing Miyazaki and his siblings to take over domestic duties. Yoshiko was frugal, and described as a strict, intellectual woman who regularly questioned "socially accepted norms". She was closest with Miyazaki, and had a strong influence on him and his later work. Yoshiko Miyazaki died in July 1983 at the age of 72.
Miyazaki began school as an evacuee in 1947, at an elementary school in Utsunomiya, completing the first through third grades. After his family moved back to Suginami-ku in 1950, Miyazaki completed the fourth grade at Ōmiya Elementary School, and fifth grade at Eifuku Elementary School, which was newly established after splitting off from Ōmiya Elementary. After graduating from Eifuku as part of the first graduating class, he attended Ōmiya Junior High School. He aspired to become a manga artist, but discovered he could not draw people; instead, he drew planes, tanks, and battleships for several years. Miyazaki was influenced by several manga artists, such as Tetsuji Fukushima, Soji Yamakawa and Osamu Tezuka. Miyazaki destroyed much of his early work, believing it was "bad form" to copy Tezuka's style as it was hindering his own development as an artist. He preferred to see artists like Tezuka as fellow artists rather than idols to worship. Around this time, Miyazaki often saw movies with his father, who was an avid moviegoer; memorable films for Miyazaki include Meshi (1951) and Tasogare Sakaba (1955).
After graduating from Ōmiya Junior High, Miyazaki attended Toyotama High School. During his third and final year, Miyazaki's interest in animation was sparked by Panda and the Magic Serpent (1958), Japan's first feature-length animated film in color; he had sneaked out to watch the film instead of studying for his entrance exams. Miyazaki later recounted that, falling in love with its heroine, the film moved him to tears and left a profound impression, prompting him to create work true to his own feelings instead of imitating popular trends; he wrote the film's "pure, earnest world" promoted a side of him that "yearned desperately to affirm the world rather than negate it". After graduating from Toyotama, Miyazaki attended Gakushuin University in the department of political economy, majoring in Japanese Industrial Theory; he considered himself a poor student as he instead focused on art. He joined the "Children's Literature Research Club", the "closest thing back then to a comics club"; he was sometimes the sole member of the club. In his free time, Miyazaki would visit his art teacher from middle school and sketch in his studio, where the two would drink and "talk about politics, life, all sorts of things". Around this time, he also drew manga; he never completed any stories, but accumulated thousands of pages of the beginnings of stories. He also frequently approached manga publishers to rent their stories. In 1960, Miyazaki was a bystander during the Anpo protests, having developed an interest after seeing photographs in Asahi Graph; by that point, he was too late to participate in the demonstrations. Miyazaki graduated from Gakushuin in 1963 with degrees in political science and economics.
Career
Early career
In 1963, Miyazaki was employed at Toei Doga; this was the last year the company hired regularly. He began renting a four-and-a-half tatami (7.4 m2; 80 sq ft) apartment in Nerima, Tokyo, near Toei's studio; the rent was ¥6,000, while his salary at Toei was ¥19,500. Miyazaki worked as an inbetween artist on the theatrical feature films Doggie March (1963) and Gulliver's Travels Beyond the Moon (1965) and the television anime Wolf Boy Ken (1963). His proposed changes to the ending of Gulliver's Travels Beyond the Moon were accepted by its director; he was uncredited but his work was praised. Miyazaki found inbetween art unsatisfying and wanted to work on more expressive designs. He was a leader in a labor dispute soon after his arrival at Toei, and became chief secretary of its labor union in 1964; its vice-chairman was Isao Takahata, with whom Miyazaki would form a lifelong collaboration and friendship. Around this time, Miyazaki questioned his career choice and considered leaving the industry; a screening of The Snow Queen in 1964 moved him, prompting him to continue working "with renewed determination".
During production of the anime series Shōnen Ninja Kaze no Fujimaru (1964–1965), Miyazaki moved from inbetween art to key animation, and worked in the latter role on two episodes of Sally the Witch (1966–1968) and several of Hustle Punch (1965–1966) and Rainbow Sentai Robin (1966–1967). Concerned that opportunities to work on creative projects and feature films would become scarce following an increase in animated television, Miyazaki volunteered in 1964 to work on the film The Great Adventure of Horus, Prince of the Sun (1968); he was chief animator, concept artist, and scene designer, and was credited as "scene designer" to reflect his role. On the film, he worked closely with his mentor, Yasuo Ōtsuka, whose approach to animation profoundly influenced Miyazaki's work. Directed by Takahata, the film was highly praised, and deemed a pivotal work in the evolution of animation, though its limited release and minimal promotion led to a disappointing box office result, among Toei Animation's worst, which threatened the studio financially.
Miyazaki moved to a residence in Higashimurayama after his wedding in October 1965, to Ōizumigakuenchō after the birth of his second son in April 1969, and to Tokorozawa in 1970.
Miyazaki provided key animation for The Wonderful World of Puss 'n Boots (1969), directed by Kimio Yabuki. He created a 12-chapter manga series as a promotional tie-in for the film; the series ran in the Sunday edition of Tokyo Shimbun from January to March 1969. Miyazaki later proposed scenes in the screenplay for Flying Phantom Ship (1969) in which military tanks would cause mass hysteria in downtown Tokyo, and was hired to storyboard and animate the scenes. Beginning a shift towards slow-paced productions featuring mostly female protagonists, he provided key animation for Moomin (1969), two episodes of Himitsu no Akko-chan (1969–1970), and one episode of Sarutobi Ecchan (1971), and was organizer and key animator for Ali Baba and the Forty Thieves (1971). Under the pseudonym Akitsu Saburō (秋津 三朗), Miyazaki wrote and illustrated the manga People of the Desert, published in 26 installments between September 1969 and March 1970 in Boys and Girls Newspaper (少年少女新聞, Shōnen shōjo shinbun). He was influenced by illustrated stories such as Fukushima's Evil Lord of the Desert (沙漠の魔王, Sabaku no maō). In 1971, Miyazaki developed structure, characters, and designs for Hiroshi Ikeda's adaptation of Animal Treasure Island, providing key animation and script development. He created the 13-part manga adaptation, printed in Tokyo Shimbun from January to March 1971.
Miyazaki left Toei Animation in August 1971, having become dissatisfied by the lack of creative prospects and autonomy, and by confrontations with management regarding The Great Adventure of Horus. He followed Takahata and Yōichi Kotabe to A-Pro, where he directed, or co-directed with Takahata, 17 of the 23 episodes of Lupin the Third Part I, originally intended as a movie project. This was Miyazaki's directorial debut. He and Takahata were engaged to emphasize the series' humor over its violence. The two also began pre-production on a series based on Astrid Lindgren's Pippi Longstocking books, designing extensive storyboards; Miyazaki and Tokyo Movie Shinsha president Yutaka Fujioka traveled to Sweden to secure the rights—Miyazaki's first trip outside Japan and possibly the first overseas trip for any Japanese animator for a production—but the series was canceled after they were unable to meet Lindgren, and permission was refused to complete the project. Foreign travel left an impression on Miyazaki; using concepts, scripts, design, and animation from the project, he wrote, designed and animated two Panda! Go, Panda! shorts in 1972 and 1973, with Takahata as director and Ōtsuka as animation director. Their choice of pandas was inspired by the panda craze in Japan at the time.
Miyazaki drew storyboards for the first episode of The Gutsy Frog in 1971 (though they went unused), provided key animation and storyboards for two episodes of Akado Suzunosuke in 1972, and delivered key animation for one episode each of Kōya no Shōnen Isamu (directed by Takahata) and Samurai Giants in 1973. In 1972, he directed a five-minute pilot film for the television series Yuki's Sun; the series was never produced, and the pilot fell into obscurity before resurfacing as part of a Blu-ray release of Miyazaki's works in 2014. In June 1973, Miyazaki and Takahata moved from A-Pro to Zuiyō Eizō, where they worked on World Masterpiece Theater, which featured their animation series Heidi, Girl of the Alps, an adaptation of Johanna Spyri's Heidi. The production team wanted the series to set new heights for television animation, and Miyazaki traveled to Switzerland to research and sketch in preparation. Zuiyō Eizō split into two companies in July 1975; Miyazaki and Takahata's branch became Nippon Animation. They briefly worked on Dog of Flanders in 1975 before moving on to the larger-scale 3000 Leagues in Search of Mother (1976), directed by Takahata, for which Miyazaki traveled to Argentina and Italy as research.
In 1977, Miyazaki was chosen to direct his first animated television series, Future Boy Conan; he directed 24 of the 26 episodes, which were broadcast in 1978. Only eight episodes were completed when the series began airing; each episode was completed within ten to fourteen days. An adaptation of Alexander Key's The Incredible Tide, the series features several elements that later reappeared in Miyazaki's work, such as warplanes, airplanes, and environmentalism. Also working on the series was Takahata, Ōtsuka, and Yoshifumi Kondō, whom Miyazaki and Takahata had met at A-Pro. Visually, Miyazaki was inspired by Paul Grimault's The Adventures of Mr. Wonderbird. Miyazaki did key animation for thirty episodes of the World Masterpiece Theater series Rascal the Raccoon (1977) and provided scene design and organization on the first fifteen episodes of Takahata's Anne of Green Gables before leaving Nippon Animation in 1979.
Breakthrough films
Miyazaki moved to Tokyo Movie Shinsha to direct his first feature anime film, The Castle of Cagliostro (1979), an installment of the Lupin III franchise. Ōtsuka had approached him to direct the film following the release of Lupin the 3rd: The Mystery of Mamo (1978), and Miyazaki wrote the story with Haruya Yamazaki. Wishing to insert his own creativity into the franchise, Miyazaki inserted several elements and references, inspired by several of Maurice Leblanc's Arsène Lupin novels, on which Lupin III is based, as well as The Adventures of Mr. Wonderbird. Visually, he was inspired by Kagoshima Publishing's Italian Mountain Cities and the Tiber Estuary, reflecting his love for Europe. Production ran for four months and the film was released on December 15, 1979; Miyazaki wished he could have had another month of production. It was well received; Animage readers voted it the best animation of all time—it remained in the top ten for more than fifteen years—and Clarisse the best heroine. In 2005, former princess Sayako Kuroda's wedding dress was reportedly inspired by Clarisse's, having been a fan of Miyazaki and his work. Several Japanese and American filmmakers were inspired by the film, prompting homages in other works.
Miyazaki became a chief animation instructor for new employees at Telecom Animation Film, a subsidiary of Tokyo Movie Shinsha. and subsequently directed two episodes of Lupin the Third Part II under the pseudonym Teruki Tsutomu (照樹 務), which can read as "employee of Telecom". In his role at Telecom, Miyazaki helped train the second wave of employees. Miyazaki provided key animation for one episode of The New Adventures of Gigantor (1980–1981), and directed six episodes of Sherlock Hound in 1981, until legal issues with Arthur Conan Doyle's estate led to a suspension in production; Miyazaki was busy with other projects by the time the issues were resolved, and the remaining episodes were directed by Kyôsuke Mikuriya and broadcast from November 1984 to May 1985. It was Miyazaki's final television work. In 1982, Miyazaki, Takahata, and Kondō started work on a film adaptation of Little Nemo, but Miyazaki and Takahata left after a few months due to creative clashes with Fujioka (Kondō remained until 1985); the film was completed six years later as Little Nemo: Adventures in Slumberland (1989). Miyazaki spent some time in the United States during the film's production.
After the release of The Castle of Cagliostro, Miyazaki began working on his ideas for an animated film adaptation of Richard Corben's comic book Rowlf and pitched the idea to Yutaka Fujioka at Tokyo Movie Shinsha. In November 1980, a proposal was drawn up to acquire the film rights. Around that time, Miyazaki was also approached for a series of magazine articles by Animage's editorial staff. Editors Toshio Suzuki and Osamu Kameyama took some of his ideas to Animage's parent company, Tokuma Shoten, which had been considering funding animated films. Two projects were proposed: Warring States Demon Castle (戦国魔城, Sengoku ma-jō), to be set in the Sengoku period; and the adaptation of Corben's Rowlf. Both were rejected, as the company was unwilling to fund anime not based on existing manga and the rights for Rowlf could not be secured. Elements of Miyazaki's proposal for Rowlf were recycled in his later works.
With no films in production, Miyazaki agreed to develop a manga for the magazine, titled Nausicaä of the Valley of the Wind; he had intended to stop making the manga when he received animation work; while he took some breaks in releases, the manga ultimately ran from February 1982 to March 1994. Miyazaki's busy schedule and perfectionist mindset led to several delays in publications, and on one occasion he withdrew some chapters before publication; he considered its continued publication a burden on his other work. The story, as re-printed in the tankōbon volumes, spans seven volumes for a combined total of 1,060 pages. It sold more than ten million copies in its first two years. Miyazaki drew the episodes primarily in pencil, and it was printed monochrome in sepia-toned ink. The main character, Nausicaä, was partly inspired by the character from Homer's Odyssey (whom Miyazaki had discovered while reading Bernard Evslin's Dictionary of Grecian Myths) and the Japanese folk tale The Lady who Loved Insects, while the world and ecosystem was based on Miyazaki's readings of scientific, historical, and political writings, such as Sasuke Nakao's Origins of Plant Cultivation and Agriculture, Eiichi Fujimori's The World of Jomon, Paul Carell's Hitler Moves East. He was also inspired by the comic series Arzach by Jean Giraud, whom he met while working on the manga.
In 1982, Miyazaki assisted with key animation for an unreleased Zorro series, and for the feature film Space Adventure Cobra: The Movie. He resigned from Telecom Animation Film in November. Around this time, he wrote the graphic novel The Journey of Shuna, inspired by the Tibetan folk tale "Prince who became a dog". The novel was published by Tokuma Shoten in June 1983, dramatized for radio broadcast in 1987, and published in English as Shuna's Journey in 2022. Hayao Miyazaki's Daydream Data Notes was also irregularly published from November 1984 to October 1994 in Model Graphix; selections of the stories received radio broadcast in 1995. Following the completion of Nausicaä of the Valley of the Wind's first two volumes, Animage editors suggested a 15-minute short film adaptation. Miyazaki, initially reluctant, countered that an hour-long animation would be more suitable, and Tokuma Shoten agreed on a feature-length film.
Production began on May 31, 1983, with animation beginning in August; funding was provided through a joint venture between Tokuma Shoten and the advertising agency Hakuhodo, for whom Miyazaki's youngest brother worked. Animation studio Topcraft was chosen as the production house. Miyazaki found some of Topcraft's staff unreliable, and brought on several of his previous collaborators, including Takahata, who served as producer, though he was reluctant to do so. Pre-production began on May 31, 1983; Miyazaki encountered difficulties in creating the screenplay, with only sixteen chapters of the manga to work with. Takahata enlisted experimental and minimalist musician Joe Hisaishi to compose the film's score; he subsequently worked on all of Miyazaki's feature films.
For the film, Miyazaki's imagination was sparked by the mercury poisoning of Minamata Bay and how nature responded and thrived in a poisoned environment, using it to create the film's polluted world. For the lead role of Nausicaä, Miyazaki cast Sumi Shimamoto, who had impressed him as Clarisse in The Castle of Cagliostro and Maki in Lupin the Third Part II. Nausicaä of the Valley of the Wind was created in ten months, and released on March 11, 1984. It grossed ¥1.48 billion at the box office, and made an additional ¥742 million in distribution income. It is often seen as Miyazaki's pivotal work, cementing his reputation as an animator. It was lauded for its positive portrayal of women, particularly Nausicaä. Several critics have labeled Nausicaä of the Valley of the Wind as possessing anti-war and feminist themes; Miyazaki argues otherwise, stating he only wishes to entertain. He felt Nausicaä's ability to understand her opponent rather than simply defeat them meant she had to be female. The successful cooperation on the creation of the manga and the film laid the foundation for other collaborative projects. In April 1984, Miyazaki and Takahata created a studio to handle copyright of their work, naming it Nibariki (meaning "Two-Horse Power", the nickname for the Citroën 2CV, which Miyazaki drove), for which an office was secured in Suginami Ward, with Miyazaki serving as the senior partner.
Studio Ghibli
Early films (1985–1995)
Following the success of Nausicaä of the Valley of the Wind, Miyazaki and Takahata founded the animation production company Studio Ghibli on June 15, 1985, as a subsidiary of Tokuma Shoten, with offices in Kichijōji designed by Miyazaki. Miyazaki named the studio after the Caproni Ca.309 and the Italian word meaning "a hot wind that blows in the desert"; the name had been registered a year earlier. Suzuki worked for Studio Ghibli as producer, joining full-time in 1989, while Topcraft's Tōru Hara became production manager; Suzuki's role in the creation of the studio and its films has led him to being occasionally named a co-founder, and Hara is often viewed as influential to the company's success. Yasuyoshi Tokuma, the founder of Tokuma Shoten, was also closely related to the company's creation, having provided financial backing. Topcraft had been considered as a partner to produce Miyazaki's next film, but the company went bankrupt in 1985. Several staff members subsequently hired at Studio Ghibli—up to 70 full-time and 200 part-time employees in 1985—had previously worked with Miyazaki at different studios, such as Telecom, Topcraft, and Toei Doga, and others like Madhouse, Inc. and Oh! Production.
In 1984, Miyazaki traveled to Wales, drawing the mining villages and communities of Rhondda; he witnessed the miners' strike and admired the miners' dedication to their work and community. He was angered by the "military superpowers" of the Roman Empire who conquered the Celts and felt this anguish, alongside the miners' strike, was perceptible in Welsh communities. He returned in May 1985 to research his next film, Laputa: Castle in the Sky, the first by Studio Ghibli. Its tight production schedule forced Miyazaki to work all day, including before and after normal working hours, and he wrote lyrics for its end theme. Miyazaki used the floating island of Laputa from Gulliver's Travels in the film. Laputa was released on August 2, 1986, by the Toei Company. It sold around 775,000 tickets, making a modest financial return, though Miyazaki and Suzuki expressed their disappointment with its box office figures of approximately US$2.5 million.
After the success of Nausicaä, Miyazaki visited Yanagawa and considered imitating it in an animated film, fascinated by its canal system; instead, Takahata directed a live-action documentary about the region, The Story of Yanagawa's Canals (1987). Miyazaki produced and financed the film, and provided several animated sequences. Its creation spanned four years, and Miyazaki considered it his social responsibility—to both Japanese society and filmmaking—in seeing it produced. Laputa was created partly to fund production of the documentary, for which Takahata had depleted his funds. In June 1985, Nausicaä of the Valley of the Wind was released in the United States as Warriors of the Wind, with significant cuts; almost 30 minutes of dialogue and character development were removed, erasing parts of its plot and themes. Miyazaki and Takahata subsequently refused to consider Western releases of their films for the following decade.
Miyazaki's next film, My Neighbor Totoro, originated in ideas he had as a child; he felt "Totoro is where my consciousness began". An attempt to pitch My Neighbor Totoro to Tokuma Shoten in the early 1980s had been unsuccessful, and Miyazaki faced difficulty in attempting to pitch it again in 1987. Suzuki proposed that Totoro be released as a double bill alongside Takahata's Grave of the Fireflies; as the latter, based on the 1967 short story by Akiyuki Nosaka, had historical value, Suzuki predicted school students would be taken to watch both. Totoro features the theme of the relationship between the environment and humanity, showing that harmony is the result of respecting the environment. The film also references Miyazaki's mother; the child protagonists' mother is bedridden. As with Laputa, Miyazaki wrote lyrics for Totoro's end theme. Miyazaki struggled with the film's script until he read a Mainichi Graph story about Japan forty years prior, opting to set the film in the country before Tokyo's expansion and the advent of television. Miyazaki has subsequently donated money and artwork to fund preservation of the forested land in Saitama Prefecture, in which the film is set.
Production of My Neighbor Totoro began in April 1987 and took exactly a year; it was released on April 16, 1988. While the film received critical acclaim, it was only moderately successful at the box office. Studio Ghibli approved merchandising rights in 1990, which led to major commercial success; merchandise profits alone were able to sustain the studio for years. The film was labeled a cult classic, eventually gaining success in the United States after its release in 1993, where its home video release sold almost 500,000 copies. Akira Kurosawa said the film moved him, naming it among his hundred favorite films—one of few Japanese films to be named. An asteroid discovered by Takao Kobayashi in December 1994 was named after the film: 10160 Totoro.
In 1987, Studio Ghibli acquired the rights to create a film adaptation of Eiko Kadono's novel Kiki's Delivery Service. Miyazaki's work on My Neighbor Totoro prevented him from directing the adaptation; he acted as producer, while Sunao Katabuchi was chosen as director and Nobuyuki Isshiki as script writer. Miyazaki's dissatisfaction of Isshiki's first draft led him to make changes to the project, ultimately taking the role of director. Kadono expressed her dissatisfaction with the differences between the book and screenplay, but Miyazaki and Takahata convinced her to let production continue. The film was originally intended to be a 60-minute special, but expanded into a feature film after Miyazaki completed the storyboards and screenplay. Miyazaki felt the struggles of the protagonist, Kiki, reflected the feelings of young girls in Japan yearning to live independently in cities, while her talents reflected those of real girls, despite her magical powers. In preparation for production, Miyazaki and other senior staff members traveled to Sweden, where they captured eighty rolls of film in Stockholm and Visby, the former being the primary inspiration behind the film's city. Kiki's Delivery Service premiered on July 29, 1989; it was critically successful, winning the Anime Grand Prix. With more than 2.6 million tickets sold, it earned ¥2.15 billion at the box office and was the highest-grossing film in Japan in 1989. Miyazaki and Studio Ghibli personally approved the subsequent English translations.
From March to May 1989, Miyazaki's manga Hikōtei Jidai was published in the magazine Model Graphix, based on an earlier film idea he had assigned to a younger director in 1988 that fell through due to creative differences. Miyazaki began production on a 45-minute in-flight film for Japan Airlines based on the manga; Suzuki extended it into a feature-length film, titled Porco Rosso, as expectations and budget grew. Miyazaki began work on the film with little assistance, as its production overlapped with Takahata's Only Yesterday (1991), which Miyazaki co-produced. The outbreak of the Yugoslav Wars in 1991 affected Miyazaki, prompting a more sombre tone for Porco Rosso; the Croatian War of Independence moved the film's setting from Dubrovnik to the Adriatic Sea. Miyazaki later referred to the film as "foolish", as its mature tones were unsuitable for children, noting he had made it for his "own pleasure" due to his love of planes.
Except for the Curtiss R3C-2, all planes in Porco Rosso are original creations from Miyazaki's imagination, based on his childhood memories. The film also pays homage to the work of Fleischer Studios and Winsor McCay, which were influential to Japanese animation in the 1940s. The film featured anti-war themes, which Miyazaki would later revisit. The protagonist's name, Marco Pagot, is the same as an Italian animator with whom Miyazaki had worked on Sherlock Hound. Some female staff at Studio Ghibli considered the film's Piccolo factory—led by a man and staffed by women—an intentional mirroring of Studio Ghibli's staff, of whom many are women; some viewed it as Miyazaki's respect for their work ethic, though others felt it implied women were easier to exploit. Japan Airlines remained a major investor in the film, resulting in its initial premiere as an in-flight film, prior to its theatrical release on July 18, 1992. It was Miyazaki's first film not to top Animage's yearly reader poll, which has been attributed to its mature focus. The film was commercially successful, becoming the highest-grossing film of the year in Japan; it remained one of the highest-grossing films for several years.
During production of Porco Rosso, Miyazaki spearheaded work on Studio Ghibli's new studio in Koganei, Tokyo, designing the blueprints, selecting materials, and working with builders. The studio opened in August 1992, and the staff moved in shortly after Porco Rosso's release. Around this time, Miyazaki started work on the final volumes of the manga Nausicaä of the Valley of the Wind, which he created in-house at Studio Ghibli. In November, two television spots directed by Miyazaki were broadcast by Nippon Television Network (NTV): Sora Iro no Tane, a 90-second spot adapted from the illustrated story Sora Iro no Tane by Rieko Nakagawa and Yuriko Omura; and Nandarou, a series of four five-second advertisements featuring an undefinable creature. Miyazaki assisted with the concept of Takahata's Pom Poko (1994), and designed the storyboards and wrote the screenplay for Kondō's Whisper of the Heart (1995), being particularly involved in the latter's fantasy sequences. Critics and fans began to see Kondō as "the heir-apparent" to Studio Ghibli.
Global emergence (1995–2001)
Miyazaki's next film, Princess Mononoke, originated in sketches he had made in the late 1970s, based on Japanese folklore and the French fairytale Beauty and the Beast; his original ideas were rejected, and he published his sketches and initial story idea in a book in 1982. He revisited the project after the success of Porco Rosso allowed him more creative freedom. He chose the Muromachi period for the setting as he felt Japanese people stopped worshiping nature and began attempting to control it. Miyazaki began writing the film's treatment in August 1994. While experiencing writer's block in December, Miyazaki accepted a request to create On Your Mark, a music video for the song by Chage and Aska. He experimented with computer animation to supplement traditional animation. On Your Mark premiered as a short before Whisper of the Heart. The video's story was partly inspired by the Chernobyl disaster. Miyazaki intentionally made it cryptic, wanting viewers to interpret it themselves. Despite the video's popularity, Suzuki said it was not given "100 percent" focus.
Miyazaki completed Princess Mononoke's formal proposal in April 1995 and began working on storyboards in May. He had intended it to be his final directorial work at Studio Ghibli, citing his poorer eyesight and physical pains. In July 1996, the Walt Disney Company offered Tokuma Shoten a deal to distribute Studio Ghibli's films worldwide (except for Southeast Asia) through its Buena Vista and Miramax Films brands. Miyazaki approved the deal, not personally interested in the money and wanting to support Tokuma Shoten, who had earlier supported him. In May 1995, Miyazaki took four art directors to Yakushima—which had previously provided inspiration for Nausicaä of the Valley of the Wind—to research the forests as inspiration; another art director, Kazuo Oga, traveled to Shirakami-Sanchi. The landscapes in the film were inspired by Yakushima. In Princess Mononoke, Miyazaki revisited the ecological and political themes of Nausicaä of the Valley of the Wind. His historical research, including that of Eiichi Fujimori, led him to the conclusion that women had more freedom during the prehistoric Jomon period, and he opted to focus on ordinary people in society.
Miyazaki felt the melancholy of the protagonist, Ashitaka, reflected his own attitude, while he compared Ashitaka's scar to modern physical conditions that children endure, like AIDS. Animation work began in July 1995, before the storyboards were completed—a first for Miyazaki. He supervised the 144,000 cels in the film, about 80,000 of which were key animation. Princess Mononoke was produced with an estimated budget of ¥2.35 billion (approximately US$23.5 million), making it the most expensive Japanese animated film at the time. Approximately fifteen minutes of the film uses computer animation: about five minutes uses techniques such as 3D rendering, digital composition, and texture mapping; the remaining ten minutes uses digital ink and paint. While the original intention was to digitally paint 5,000 of the film's frames, time constraints doubled this, though it remained below ten percent of the final film. Animation was completed in mid-June 1997. Miyazaki collaborated directly with Hisaishi on the soundtrack from early in production; Hisaishi wrote an "image album" of pieces inspired by the story, which were reworked as production continued.
Upon its premiere on July 12, 1997, Princess Mononoke was critically acclaimed, becoming the first animated film nominated for the Japan Academy Film Prize for Picture of the Year, which it won. The film was also commercially successful; it was watched by twelve million people by November, grossing US$160 million, and became the highest-grossing film in Japan for several months. Its home video release sold over two million copies within three weeks, and over four million by December 1998. For the North American release, Miramax sought to make some cuts to obtain a lower rating than PG-13, but Studio Ghibli refused. Neil Gaiman wrote the English-language script; he met Miyazaki in September 1999, when he traveled to the United States for the film's release and expressed his pleasure at Gaiman's work. While it was largely unsuccessful at the American box office, grossing about US$2.3 million, it was seen as the introduction of Studio Ghibli to global markets.
In 1997, Miyazaki contributed to Visionaire, an arthouse magazine. Tokuma Shoten merged with Studio Ghibli in June 1997. Within walking distance of Studio Ghibli, Miyazaki designed his private office, which he named Buta-ya (meaning "pig house"). It was intended as his retirement office for personal projects; he held his farewell party there in January 1998, having left Studio Ghibli on January 14 to be succeeded by Kondō. However, Kondō's death on January 21 impacted Miyazaki, and within days it was announced he would return to Studio Ghibli to direct a new film. A manga by Miyazaki, Doromamire no Tora, was published in Model Graphix in December 1998, based on a book by German tank commander Otto Carius. Miyazaki officially returned to Studio Ghibli as its leader on January 16, 1999, taking an active role in employee organization.
From 1998, Miyazaki worked on designs for the Ghibli Museum, dedicated to showcasing the studio's works, including several exclusive short films, for which production began in July 1999. Construction for the museum began in March 2000, and it officially opened on October 1, 2001, featuring the short film Kujiratori. Miyazaki served as its executive director. In 1999, a Japanese theme park engaged Studio Ghibli to create a 20-minute short film about cats; Miyazaki agreed on the condition that it featured returning characters from Whisper of the Heart. Aoi Hiiragi wrote a manga based on the concept, titled Baron: The Cat Returns. When the theme park withdrew, Miyazaki expanded the idea into a 45-minute film and, wanting to foster new talent at the studio, assigned it to first-time director Hiroyuki Morita. The film was released as The Cat Returns in 2002.
Miyazaki's next film was conceived while on vacation at a mountain cabin with his family and five young girls who were family friends. Miyazaki realized he had not created a film for 10-year-old girls and set out to do so. He read shōjō manga magazines like Nakayoshi and Ribon for inspiration but felt they only offered subjects on "crushes and romance", which is not what the girls "held dear in their hearts"; he decided to produce the film about a female heroine whom they could look up to, based on two of the girls he had met. Production of the film, titled Spirited Away, commenced in 2000 on a budget of ¥1.9 billion (US$15 million). As with Princess Mononoke, the staff experimented with computer animation, but kept the technology at a level to enhance the story, not to "steal the show". Spirited Away deals with symbols of human greed, symbolizing the 1980s Japanese asset price bubble, and a liminal journey through the realm of spirits. The film was released on July 20, 2001; it received critical acclaim, winning the Japan Academy Film Prize for Picture of the Year. The film was commercially successful, selling a record-breaking 21.4 million tickets and earning ¥30.4 billion (US$289.1 million) at the box office. It became the highest-grossing film in Japan, a record it maintained for almost 20 years, and was the first Japanese film to earn US$200 million internationally, prior to its American release.
Kirk Wise directed the English-language version; Disney Animation's John Lasseter wanted Miyazaki to travel to the United States to work on the translated version, but Miyazaki trusted Lasseter to handle it. Spirited Away's hopping lamp character is seen as an homage to Lasseter's character Luxo Jr. The film's successful American release through Buena Vista cemented Studio Ghibli's reputation in Western regions and established Miyazaki's popularity in North America; it was the first animated film to win the Golden Bear at the Berlin International Film Festival (tied with Blood Sunday) and the first Japanese film to win Best Animated Feature at the Academy Awards, alongside several other accolades. It has been frequently ranked among the greatest films of the 21st century. Upon completing the film, like with Princess Mononoke, Miyazaki declared it his last. He traveled to France in December 2001 and the United States in September 2002 to promote the film. Following the death of Tokuma in September 2000, Miyazaki served as the head of his funeral committee. Miyazaki wrote and directed more short films for the Ghibli Museum: Koro no Daisanpo, which screened from January 2002, and Mei and the Kittenbus, which screened from October. One of the short films, Imaginary Flying Machines, was later screened as in-flight entertainment by Japan Airlines alongside Porco Rosso.
Later films (2001–2011)
Studio Ghibli announced the production of Howl's Moving Castle in September 2001, based on the novel by Diana Wynne Jones, which Miyazaki had read in 1999. Toei Animation's Mamoru Hosoda was originally selected to direct the film, but disagreements between Hosoda and Studio Ghibli executives led to the project's abandonment in 2002. After six months, Studio Ghibli resurrected the project. Miyazaki was inspired to direct the film, struck by the image of a castle moving around the countryside; the novel does not explain how the castle moved, which led to Miyazaki's designs. Some computer animation was used to animate the castle's movements, though Miyazaki dictated it consist of no more than 10 percent of the film. Miyazaki traveled to Colmar and Riquewihr in Alsace, France, to study the architecture and the surroundings for the film's setting, while additional inspiration came from the concepts of future technology in Albert Robida's work. The war featured in the film was thematically influenced by the 2003 invasion and subsequent war in Iraq, the events of which enraged Miyazaki.
Howl's Moving Castle was released on November 20, 2004, and received widespread critical acclaim. The film received the Golden Osella for Technical Excellence at the 61st Venice International Film Festival, and was nominated for the Academy Award for Best Animated Feature. In Japan, the film sold more than 1.1 million tickets within two days and grossed a record US$14.5 million in its first week. It became Japan's third-highest-grossing film, and remains among the top rankings with a worldwide gross of over ¥19.3 billion. Miyazaki received the honorary Golden Lion for Lifetime Achievement award at the 62nd Venice International Film Festival in 2005. He visited the United States in June 2005 to promote the film.
In March 2005, Studio Ghibli split from Tokuma Shoten, and Miyazaki became corporate director. After Howl's Moving Castle, Miyazaki created some short films for the Ghibli Museum, for which he returned solely to traditional animation techniques; all three began screening in January 2006. Studio Ghibli obtained the rights to produce an adaptation of Ursula K. Le Guin's Earthsea novels in 2003; Miyazaki had contacted her in the 1980s expressing interest but she declined, unaware of his work. Upon watching My Neighbor Totoro several years later, she expressed approval to the concept and met with Suzuki in August 2005, who wanted Miyazaki's son Goro to direct the film, as Miyazaki had wished to retire. Disappointed that Miyazaki was not directing but under the impression he would supervise his son's work, Le Guin approved of the film's production. Miyazaki later publicly opposed and criticized Goro's appointment as director. The film's designs were partly inspired by Miyazaki's manga The Journey of Shuna. Upon Miyazaki's viewing of the film, he wrote a message for his son: "It was made honestly, so it was good".
In February 2006, Miyazaki traveled to the United Kingdom to research A Trip to Tynemouth (based on Robert Westall's "Blackham's Wimpy"), for which he designed the cover, created a short manga, and worked as editor; it was released in October. Miyazaki's next film, Ponyo, began production in May 2006. It was initially inspired by "The Little Mermaid" by Hans Christian Andersen, though began to take its own form as production continued. Miyazaki aimed for the film to celebrate the innocence and cheerfulness of a child's universe. He was intimately involved with the artwork, preferring to draw the sea and waves himself, as he enjoyed experimenting. Two short films—Looking for a Home and Water Spider Monmon—were made for the Ghibli Museum shortly before Ponyo entered production as animation experiments for sea life.
Ponyo features 170,000 frames—a record for Miyazaki. Its seaside village was inspired by Tomonoura, a town in Setonaikai National Park, where Miyazaki stayed in 2004. The main character, Sōsuke, is based on Gorō. Following its release on July 19, 2008, Ponyo was critically acclaimed, receiving Animation of the Year at the 32nd Japan Academy Film Prize. The film was also a commercial success, earning ¥10 billion (US$93.2 million) in its first month and ¥15.5 billion by the end of 2008, placing it among the highest-grossing films in Japan; its box office earnings outpaced its ¥3.4 billion budget fivefold. In April 2008, Miyazaki founded Home of the Three Bears, a preschool for the children of Studio Ghibli employees for which he had worked on early architectural plans.
In early 2009, Miyazaki began writing a manga called Kaze Tachinu (風立ちぬ, The Wind Rises), telling the story of Mitsubishi A6M Zero fighter designer Jiro Horikoshi. The manga was first published in two issues of the Model Graphix magazine, published on February 25 and March 25, 2009. For the Ghibli Museum, Miyazaki wrote the short film A Sumo Wrestler's Tail, directed by Akihiko Yamashita, and wrote and directed Mr. Dough and the Egg Princess; both started screening in 2010. From July 2008, Miyazaki planned and produced the film Arrietty (2010), for which he co-wrote the screenplay with Keiko Niwa, based on the 1952 novel The Borrowers; it was the directorial debut of Hiromasa Yonebayashi, who had started as an inbetween artist on Princess Mononoke. Miyazaki and Niwa wrote the screenplay for From Up on Poppy Hill (2011), based the 1979–1980 manga Coquelicot-zaka kara; the film, directed by Goro Miyazaki, was the highest-grossing Japanese film in the country in 2011 and won Animation of the Year at the Japan Academy Awards.
Retirement and return (2012–present)
Miyazaki wanted his next film to be a sequel to Ponyo, but Suzuki convinced him to instead adapt Kaze Tachinu to film. In November 2012, Studio Ghibli announced the production of The Wind Rises, based on Kaze Tachinu, to be released as a double bill alongside Takahata's The Tale of the Princess Kaguya; the latter was ultimately delayed. Miyazaki was inspired to create The Wind Rises after reading a quote from Horikoshi: "All I wanted to do was to make something beautiful". Several scenes in The Wind Rises were inspired by Tatsuo Hori's novel The Wind Has Risen (風立ちぬ), in which Hori wrote about his life experiences with his fiancée before she died from tuberculosis. The female lead character's name, Naoko Satomi, was borrowed from Hori's novel Naoko (菜穂子), while the name of a German man, Hans Castorp, taken from Thomas Mann's The Magic Mountain. Naoko's struggles with tuberculosis echo the illness of Miyazaki's mother, and Horikoshi's story of growing from a young boy dreaming of airplanes to an inspirational artist is reflective of Miyazaki's own life.
The Wind Rises reflects Miyazaki's pacifist stance, continuing the themes of his earlier works, despite stating that condemning war was not the intention of the film; he felt that, despite his occupation, Horikoshi was not militant. Miyazaki was moved by the film, the first of his own works to make him cry. As Horikoshi, he cast Hideaki Anno, who had worked on Nausicaä of the Valley of the Wind and later became known for creating Neon Genesis Evangelion. The film premiered on July 20, 2013, It received critical acclaim for its animation, narrative, and characters, though some viewers were critical of the film's focus on Horikoshi due to the impacts of his inventions and others were disappointed by its lack of fantastical elements. It was named Animation of the Year at the 37th Japan Academy Film Prize and was nominated for Best Animated Feature at the 86th Academy Awards. It was commercially successful, grossing ¥11.6 billion (US$110 million) at the Japanese box office, becoming the highest-grossing film in Japan in 2013. The film's production was documented in Mami Sunada's The Kingdom of Dreams and Madness.
In September 2013, Miyazaki announced he was retiring from the production of feature films due to his age, but wished to continue working on the displays at the Ghibli Museum. Miyazaki was awarded the Academy Honorary Award at the Governors Awards in November 2014. He developed Boro the Caterpillar, an animated short film which was first discussed during pre-production for Princess Mononoke. It was screened exclusively at the Ghibli Museum in July 2017. Around this time, Miyazaki was working on a manga titled Teppo Samurai. In February 2019, a four-part documentary was broadcast on the NHK network titled 10 Years with Hayao Miyazaki, documenting production of his films in his private studio. In 2019, Miyazaki approved a musical adaptation of Nausicaä of the Valley of the Wind, as it was performed by a kabuki troupe.
In August 2016, Miyazaki proposed a new feature-length film, Kimi-tachi wa Dō Ikiru ka (titled The Boy and the Heron in English), on which he began animation work without receiving official approval. The film opened in Japanese theaters on July 14, 2023. It was preceded by a minimal marketing campaign, forgoing trailers, commercials, and advertisements, a response from Suzuki to his perceived oversaturation of marketing materials in mainstream films. Despite claims that The Boy and the Heron would be Miyazaki's final film, Studio Ghibli vice president Junichi Nishioka said in September 2023 that Miyazaki continued to attend the office daily to plan his next film. Suzuki said he could no longer convince Miyazaki to retire. The Boy and the Heron won Miyazaki his second Academy Award for Best Animated Feature at the 96th Academy Awards, becoming the oldest director to do so; Miyazaki did not attend the show due to his advanced age.
Views
Miyazaki has often criticized the state of the animation industry, stating that some animators lack a foundational understanding of their subjects and do not prioritize realism. He is particularly critical of Japanese animation, saying that anime is "produced by humans who can't stand looking at other humans ... that's why the industry is full of otaku !". He has frequently criticized otaku, including "fanatics" of guns and fighter aircraft, declaring it a "fetish" and refusing to identify himself as such. He bemoaned the state of Disney animated films in 1988, saying "they show nothing but contempt for the audience".
In 2013, Miyazaki criticized Japanese Prime Minister Shinzo Abe's policies and the proposed Constitutional amendment that would allow Abe to revise the clause outlawing war as a means to settle international disputes. Miyazaki felt Abe wished to "leave his name in history as a great man who revised the Constitution and its interpretation", describing it as "despicable" and stating "People who don't think enough shouldn't meddle with the constitution". In 2015, Miyazaki disapproved Abe's denial of Japan's military aggression, stating Japan "should clearly say that [they] inflicted enormous damage on China and express deep remorse over it". He felt the government should give a "proper apology" to Korean comfort women who were forced to service the Japanese army during World War II and suggested the Senkaku Islands be "split in half" or controlled by both Japan and China. After the release of The Wind Rises in 2013, some online critics labeled Miyazaki a "traitor" and "anti-Japanese", describing the film as overly "left-wing"; Miyazaki recognized leftist values in his movies, citing his influence by and appreciation of communism as defined by Karl Marx, but criticized the Soviet Union's political system.
When Spirited Away was nominated at the 75th Academy Awards in 2003, Miyazaki refused to attend in protest of the United States's involvement in the Iraq War, and later said he "didn't want to visit a country that was bombing Iraq". He did not publicly express this opinion at the request of his producer until 2009 when he lifted his boycott and attended San Diego Comic-Con as a favor to his friend John Lasseter. Miyazaki also expressed his opinion about the terrorist attack at the offices of the French satirical magazine Charlie Hebdo, criticizing the magazine's decision to publish the content cited as the catalyst for the incident; he felt caricatures should be made of politicians, not cultures. In November 2016, Miyazaki believed "many of the people who voted for Brexit and Trump" were affected by the increase in unemployment due to companies "building cars in Mexico because of low wages and [selling] them in the US". He did not think Donald Trump would be elected president, calling it "a terrible thing", but said Trump's political opponent Hillary Clinton was "terrible as well".
Themes
Miyazaki's works are characterized by the recurrence of themes such as feminism, environmentalism, pacifism, love, and family. His narratives are also notable for not pitting a hero against an unsympathetic antagonist; Miyazaki felt Spirited Away's Chihiro "manages not because she has destroyed the 'evil', but because she has acquired the ability to survive".
Miyazaki's films often emphasize environmentalism and the Earth's fragility. Margaret Talbot stated Miyazaki dislikes modern technology, and believes much of modern culture is "thin and shallow and fake"; he anticipates a time with "no more high-rises". Miyazaki felt frustrated growing up in the Shōwa period from 1955 to 1965 because "nature—the mountains and rivers—was being destroyed in the name of economic progress". Peter Schellhase of The Imaginative Conservative identified that several antagonists of Miyazaki's films "attempt to dominate nature in pursuit of political domination, and are ultimately destructive to both nature and human civilization". Miyazaki is critical of exploitation under both communism and capitalism, as well as globalization and its effects on modern life, believing "a company is common property of the people that work there". Ram Prakash Dwivedi identified values of Mahatma Gandhi in the films of Miyazaki.
Several of Miyazaki's films feature anti-war themes. Daisuke Akimoto of Animation Studies categorized Porco Rosso as "anti-war propaganda" and felt the protagonist, Porco, transforms into a pig partly due to his extreme distaste of militarism. Akimoto also argues that The Wind Rises reflects Miyazaki's "antiwar pacifism", despite Miyazaki stating that the film does not attempt to "denounce" war. Schellhase also identifies Princess Mononoke as a pacifist film due to the protagonist, Ashitaka; instead of joining the campaign of revenge against humankind, as his ethnic history would lead him to do, Ashitaka strives for peace. David Loy and Linda Goodhew argue both Nausicaä of the Valley of the Wind and Princess Mononoke do not depict traditional evil, but the Buddhist roots of evil: greed, ill will, and delusion; according to Buddhism, the roots of evil must transform into "generosity, loving-kindness and wisdom" in order to overcome suffering, and both Nausicaä and Ashitaka accomplish this. When characters in Miyazaki's films are forced to engage in violence, it is shown as being a difficult task; in Howl's Moving Castle, Howl is forced to fight an inescapable battle in defense of those he loves, and it almost destroys him, though he is ultimately saved by Sophie's love and bravery.
Suzuki described Miyazaki as a feminist in reference to his attitude to female workers. Miyazaki has described his female characters as "brave, self-sufficient girls that don't think twice about fighting for what they believe in with all their heart", stating they may "need a friend, or a supporter, but never a saviour" and "any woman is just as capable of being a hero as any man". Nausicaä of the Valley of the Wind was lauded for its positive portrayal of women, particularly protagonist Nausicaä. Schellhase noted the female characters in Miyazaki's films are not objectified or sexualized, and possess complex and individual characteristics absent from Hollywood productions. Schellhase also identified a "coming of age" element for the heroines in Miyazaki's films, as they each discover "individual personality and strengths". Gabrielle Bellot of The Atlantic wrote that, in his films, Miyazaki "shows a keen understanding of the complexities of what it might mean to be a woman". In particular, Bellot cites Nausicaä of the Valley of the Wind, praising the film's challenging of gender expectations, and the strong and independent nature of Nausicaä. Bellot also noted Princess Mononoke's San represents the "conflict between selfhood and expression".
Miyazaki is concerned with the sense of wonder in young people, seeking to maintain themes of love and family in his films. Michael Toscano of Curator found Miyazaki "fears Japanese children are dimmed by a culture of overconsumption, overprotection, utilitarian education, careerism, techno-industrialism, and a secularism that is swallowing Japan's native animism". Schellhase wrote that several of Miyazaki's works feature themes of love and romance, but felt emphasis is placed on "the way lonely and vulnerable individuals are integrated into relationships of mutual reliance and responsibility, which generally benefit everyone around them". He also found many of the protagonists in Miyazaki's films present an idealized image of families, whereas others are dysfunctional.
Creation process and influences
Miyazaki forgoes traditional screenplays in his productions, instead developing the narrative as he designs the storyboards, stating "We never know where the story will go but we just keep working on the film as it develops". Miyazaki has employed traditional animation methods in all of his films, drawing each frame by hand; computer-generated imagery has been employed in several of his later films, beginning with Princess Mononoke, to "enrich the visual look", though he ensures each film can "retain the right ratio between working by hand and computer ... and still be able to call my films 2D". He oversees every frame of his films. For character designs, Miyazaki draws original drafts used by animation directors to create reference sheets, which are then corrected by Miyazaki in his style.
Miyazaki has cited several Japanese artists as his influences, including Sanpei Shirato, Osamu Tezuka, Soji Yamakawa, and Isao Takahata, and Western artists and animators like Frédéric Back, Jean Giraud, Paul Grimault, Yuri Norstein, and animation studio Aardman Animations (specifically the works of Nick Park). A number of authors have also influenced his works, including Lewis Carroll, Roald Dahl, Ursula K. Le Guin, Philippa Pearce, Rosemary Sutcliff, and Antoine de Saint-Exupéry, Specific works that have influenced Miyazaki include Animal Farm (1945), The Snow Queen (1957), and The King and the Mockingbird (1980); The Snow Queen is said to be the true catalyst for Miyazaki's filmography, influencing his training and work. When animating young children, Miyazaki often takes inspiration from his friends' children and memories of his own childhood.
Personal life
Miyazaki's wife, Akemi Ōta (大田朱美), was born in 1938 and hired as an inbetween artist at Toei Animation in 1958, working on Panda and the Magic Serpent and Alakazam the Great (1960). She and Miyazaki met at Toei in 1964, and they married in October 1965. At Toei, they worked together on The Great Adventure of Horus, Prince of the Sun and The Wonderful World of Puss 'n Boots. They have two sons: Goro, born in January 1967, and Keisuke, born in April 1969. Becoming a father changed Miyazaki and he tried to produce work to please his children.
Miyazaki initially fulfilled a promise to his wife that they would both continue to work after Goro's birth, dropping him off at preschool for the day; however, upon seeing Goro's exhaustion walking home one day, Miyazaki decided they could not continue, and his wife quit in 1972 to stay at home and raise their children. She was reluctant to do so but considered it necessary to allow Miyazaki to focus on his work. Miyazaki's dedication to his work harmed his relationship with his children as he was often absent. Goro watched his father's works to "understand" him since the two rarely talked. Miyazaki said he "tried to be a good father, but in the end [he] wasn't a very good parent". During production of Tales from Earthsea in 2006, Goro said his father "gets zero marks as a father but full marks as a director of animated films".
Goro worked at a landscape design firm before beginning to work at the Ghibli Museum; he designed the garden on its rooftop and eventually became its curator. Keisuke studied forestry at Shinshu University and works as a wood artist; he designed a woodcut print that appears in Whisper of the Heart. Miyazaki's niece, Mei Okuyama, who was the inspiration behind the character Mei in My Neighbor Totoro, is married to animation artist Daisuke Tsutsumi.
Legacy
Miyazaki was described as the "godfather of animation in Japan" by BBC's Tessa Wong in 2016, citing his craftsmanship and humanity, the themes of his films, and his inspiration to younger artists. Courtney Lanning of Arkansas Democrat-Gazette named him one of the world's greatest animators, comparing him to Osamu Tezuka and Walt Disney; Miyazaki has been called "the Disney of Japan", though Helen McCarthy considered comparison to Akira Kurosawa more appropriate due to the combination of grandeur and sensitivity in his work, dubbing him "the Kurosawa of animation". Swapnil Dhruv Bose of Far Out Magazine wrote that Miyazaki's work "has shaped not only the future of animation but also filmmaking in general", and that it helped "generation after generation of young viewers to observe the magic that exists in the mundane". Richard James Havis of South China Morning Post called him a "genius ... who sets exacting standards for himself, his peers and studio staff". Paste's Toussaint Egan described Miyazaki as "one of anime's great auteurs", whose "stories of such singular thematic vision and unmistakable aesthetic" captured viewers otherwise unfamiliar with anime. Miyazaki became the subject of an exhibit at the Academy Museum of Motion Pictures in Los Angeles in 2021, featuring over 400 objects from his films.
Miyazaki has frequently been cited as an inspiration to numerous animators, directors and writers around the world, including Wes Anderson, Tony Bancroft, James Cameron, Barry Cook, Dean DeBlois, Guillermo del Toro, Pete Docter, Mamoru Hosoda, Bong Joon-ho, Travis Knight, John Lasseter, Nick Park, Henry Selick, Makoto Shinkai, and Steven Spielberg. Glen Keane said Miyazaki is a "huge influence" on Walt Disney Animation Studios and has been "part of our heritage" ever since The Rescuers Down Under (1990). The Disney Renaissance era was also prompted by competition with the development of Miyazaki's films. Artists from Pixar and Aardman Studios signed a tribute stating, "You're our inspiration, Miyazaki-san!" He has also been cited as inspiration for video game designers including Shigeru Miyamoto on The Legend of Zelda and Hironobu Sakaguchi on Final Fantasy, as well as the television series Avatar: The Last Airbender, and the video game Ori and the Blind Forest (2015).
Several books have been written about Miyazaki by scholars such as Raz Greenberg, Helen McCarthy, and Susan J. Napier; according to Jeff Lenburg, more papers have been written about Miyazaki than any other Japanese artist. Studio Ghibli has searched for some time for Miyazaki and Suzuki's successor to lead the studio; Kondō, the director of Whisper of the Heart, was initially considered, but died from a sudden heart attack in 1998. Some candidates were considered by 2023—including Miyazaki's son Goro, who declined—but the studio was not able to find a successor.
Selected filmography
The Castle of Cagliostro (1979)
Nausicaä of the Valley of the Wind (1984)
Laputa: Castle in the Sky (1986)
My Neighbor Totoro (1988)
Kiki's Delivery Service (1989)
Porco Rosso (1992)
Princess Mononoke (1997)
Spirited Away (2001)
Howl's Moving Castle (2004)
Ponyo (2008)
The Wind Rises (2013)
The Boy and the Heron (2023)
Awards and nominations
Miyazaki won the Ōfuji Noburō Award at the Mainichi Film Awards for The Castle of Cagliostro (1979), Nausicaä of the Valley of the Wind (1984), Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), and The Boy and the Heron (2023), and the Mainichi Film Award for Best Animation Film for Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), and Whale Hunt (2001). Spirited Away and The Boy and the Heron were awarded the Academy Award for Best Animated Feature, while Howl's Moving Castle (2004) and The Wind Rises (2013) received nominations. He was named a Person of Cultural Merit by the Japanese government in November 2012, for outstanding cultural contributions. Time named him one of the 100 most influential people in the world in 2005 and 2024, and Gold House honored him on its Most Impactful Asians A100 list in 2024. He was an honoree of the Ramon Magsaysay Award in 2024 for his usage of art to "illuminate the human condition". Miyazaki's other accolades include several Annie Awards, Japan Academy Film Prizes, Kinema Junpo Awards, and Tokyo Anime Awards.
Notes
References
Sources
Print sources
Journal articles
Web sources
Video sources
External links
Studio Ghibli (in Japanese)
Hayao Miyazaki at Anime News Network's encyclopedia
Hayao Miyazaki at IMDb
Hayao Miyazaki at Library of Congress, with 14 library catalogue records |
Battle_of_Sobraon | https://en.wikipedia.org/wiki/Battle_of_Sobraon | [
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] | [
"https://en.wikipedia.org/wiki/Battle_of_Sobraon"
] | The Battle of Sobraon was fought on 10 February 1846, between the forces of the East India Company and the Sikh Khalsa Army, the army of the declining Sikh Empire of the Punjab. The Sikhs were completely defeated, making this the decisive battle of the First Anglo-Sikh War.
Background
The First Anglo-Sikh war began in late 1845, after a combination of increasing disorder in the Sikh empire following the death of Ranjit Singh in 1839 and provocations by the British East India Company led to the Sikh Khalsa Army invading British territory. The British had won the first two major battles of the war through a combination of luck, the steadfastness of British and Bengal units and treachery by Tej Singh and Lal Singh, the commanders of the Sikh Army.
On the British side, the Governor General, Sir Henry Hardinge, had been dismayed by the head-on tactics of the Bengal Army's commander-in-chief, Sir Hugh Gough, and was seeking to have him removed from command. However, no commander senior enough to supersede Gough could arrive from England for several months. Then the army's spirits were revived by the victory gained by Sir Harry Smith at the Battle of Aliwal, in which he eliminated a threat to the army's lines of communication, and the arrival of reinforcements including much-needed heavy artillery and two battalions of Gurkhas.
The Sikhs had been temporarily dismayed by their defeat at the Battle of Ferozeshah, and had withdrawn most of their forces across the Sutlej River. The Regent Jind Kaur who was ruling in the name of her son, the infant Maharaja Duleep Singh, had accused 500 of her officers of cowardice, even flinging one of her garments in their faces.
The Khalsa had been reinforced from districts west of Lahore, and now moved in strength into a bridgehead across the Sutlej at Sobraon, entrenching and fortifying their encampment. Any wavering after their earlier defeats was dispelled by the presence of the respected veteran leader, Sham Singh Attariwala. Unfortunately for the Khalsa, Tej Singh and Lal Singh retained the overall direction of the Sikh armies. Also, their position at Sobraon was linked to the west, Punjabi, bank of the river by a single vulnerable pontoon bridge. Three days' continuous rain before the battle had swollen the river and threatened to carry away this bridge.
The battle
Gough had intended to attack the Sikh army as soon as Smith's division rejoined from Ludhiana, but Hardinge forced him to wait until a heavy artillery train had arrived. At last, he moved forward early on 10 February. The start of the battle was delayed by heavy fog, but as it lifted, 35 British heavy guns and howitzers opened fire. The Sikh cannon replied. The bombardment went on for two hours without much effect on the Sikh defences. Gough was told that his heavy guns were running short of ammunition and is alleged to have replied, "Thank God! Then I'll be at them with the bayonet."
Two British divisions under Harry Smith and Major General Sir Walter Gilbert made feint attacks on the Sikh left, while another division under Major General Robert Henry Dick made the main attack on the Sikh right, where the defences were of soft sand and were lower and weaker than the rest of the line. (It is believed that Lal Singh had supplied this information to Major Henry Lawrence, the Political Agent at Gough's headquarters.) Nevertheless, Dick's division was driven back by Sikh counter-attacks after initially gaining footholds within the Sikh lines. Dick himself was killed. As the British fell back, some frenzied Sikh soldiers attacked British wounded left in the ditch in front of the entrenchments, enraging the British soldiers.
The British, Gurkhas and Bengal regiments renewed their attacks along the entire front of the entrenchment, and broke through at several points. On the vulnerable Sikh right, engineers blew a breach in the fortifications and British cavalry and horse artillery pushed through it to engage the Sikhs in the centre of their position. Tej Singh had left the battlefield early. It is alleged in many Sikh accounts that he deliberately weakened the pontoon bridge, casting loose the boat at its centre, or that he ordered his own artillery on the west bank to fire on the bridge on the pretext of preventing British pursuit. British accounts claim that the bridge, having been weakened by the swollen river, simply broke under the weight of the numbers of soldiers trying to retreat across it. Whichever account is correct, the bridge broke, trapping nearly 20,000 of the Sikh Khalsa Army on the east bank.
None of the trapped Sikh soldiers attempted to surrender. Many detachments, including one led by Sham Singh Attariwala, fought to the death. Some Sikhs rushed forward to attack the British regiments sword in hand; others tried to ford or swim the river. British horse artillery lined the bank of the river and continued to fire into the crowds in the water. By the time the firing ceased, the Sikhs had lost between 8,000 and 10,000 men. The British had also captured 67 guns.
Aftermath
The destruction of the bridge did not delay Gough at all, if this had indeed been Tej Singh's intention. The first British units began to cross the river on the evening of the day of battle, and on 13 February, Gough's army was only 30 miles (48 km) from Lahore, the Sikh empire's capital. Although detachments of the Khalsa remained intact in outlying frontier districts of the Punjab, they could not be concentrated quickly enough to defend Lahore.
The central durbar of the Punjab nominated Gulab Singh, the effective ruler of Jammu, to negotiate terms for surrender. By the Treaty of Lahore, the Sikhs ceded the valuable agricultural lands of the Bist Doab (Jullundur Doab) (between the Beas and Sutlej Rivers) to the East India Company, and allowed a British Resident at Lahore with subordinates in other principal cities. These Residents and Agents would indirectly govern the Punjab, through Sikh Sardars. In addition, the Sikhs were to pay an indemnity of 1.2 million pounds. Since they could not readily find this sum, Gulab Singh was allowed to acquire Kashmir from the Punjab by paying 750,000 pounds to the East India Company.
Order of battle
British regiments
3rd King’s Own Light Dragoons
9th Queen’s Royal Light Dragoons (Lancers)
16th The Queen's Lancers
9th Foot
10th Foot
29th Foot
31st Foot
50th Foot
53rd Foot
80th Foot
British Indian Army regiments
Governor General’s Bodyguard
3rd Bengal Native Cavalry
4th Bengal Native Cavalry
5th Bengal Native Cavalry
2nd Bengal Irregular Cavalry
4th Bengal Irregular Cavalry
8th Bengal Irregular Cavalry
9th Bengal Irregular Cavalry
1st Bengal European Regiment
4th Bengal Native Infantry
5th Bengal Native Infantry
16th Bengal Native Infantry
26th Bengal Native Infantry
31st Bengal Native Infantry
33rd Bengal Native Infantry
41st Bengal Native Infantry
42nd Bengal Native Infantry
43rd Bengal Native Infantry
47th Bengal Native Infantry
59th Bengal Native Infantry
62nd Bengal Native Infantry
63rd Bengal Native Infantry
68th Bengal Native Infantry
73rd Bengal Native Infantry
Nasiri Battalion (1st Gurkha Rifles)
Sirmoor Battalion (2nd Gurkha Rifles)
Monument
A monument was erected on the battle site at Rhodawala in 1868. Photographs of the monument
Folklore and personal accounts
Several years after the battle, Gough wrote,
"The awful slaughter, confusion and dismay were such as would have excited compassion in the hearts of their generous conquerors, if the Khalsa troops had not, in the early part of the action, sullied their gallantry by slaughtering and barbarously mangling every wounded soldier whom, in the vicissitudes of attack, the fortune of war left at their mercy."
After hearing of the battle, the wife of Sham Singh Attariwala immolated herself on a funeral pyre without waiting for news of her husband, convinced (correctly) that he would never return alive from such a defeat.
Some accounts state that Lal Singh was present on the battlefield, and accompanied Tej Singh on his retreat. Other sources maintain that he commanded a large body of gorchurras (irregular cavalry) which was some miles away, and took no action against Gough's army although he might have attacked Gough's communications.
A long-standing friendship between the 10th (Lincolnshire) Regiment and 29th (Worcestershire) Regiment was cemented at the battle when their two battalions met in the captured trenches that had cost so many lives to take. For many years afterwards, it was the custom that sergeants and officers were honorary members of each other's messes and the adjutants of the two regiments addressed each other as 'My Dear Cousin' in official correspondence
Popular culture
The battle provides the climax for George MacDonald Fraser's novel, Flashman and the Mountain of Light. It is mentioned in Rudyard Kipling's Stalky & Co
See also
9th Regiment of Foot
53rd Regiment of Foot
1st King George V's Own Gurkha Rifles (The Malaun Regiment)
2nd King Edward VII's Own Gurkha Rifles (The Sirmoor Rifles)
101st Grenadiers
Jat Regiment
References
Bibliography
Hernon, Ian (2003). Britain's forgotten wars. Sutton. ISBN 0-7509-3162-0.
External links
allaboutsikhs.com
BritishBattles.com |
Lahore | https://en.wikipedia.org/wiki/Lahore | [
250
] | [
"https://en.wikipedia.org/wiki/Lahore"
] | Lahore ( lə-HOR; Punjabi: لہور [lɔː˩˥ɾ]; Urdu: لاہور [laːˈɦɔːɾ] ) is the capital and largest city of the Pakistani province of Punjab. It is the second largest city in Pakistan, after Karachi, and 26th largest in the world, with a population of over 13 million. Located in central-eastern Punjab, along the River Ravi, it is the largest Punjabi-speaking city in the world. Lahore is one of Pakistan's major industrial, educational and economic hubs. It has been the historic capital and cultural centre of the wider Punjab region, and is one of Pakistan's most socially liberal, progressive, and cosmopolitan cities.
Lahore's origin dates back to antiquity. The city has been inhabited for around two millennia, although it rose to prominence in the late 10th century with the establishment of the fortified Walled City. Lahore served as the capital of several empires during the medieval era, including the Hindu Shahis, Ghaznavids and Delhi Sultanate. It succeeded Multan as the primary cultural centre of Punjab in the late-medieval era, reaching the height of its splendor under the Mughal Empire between the late 16th and early 18th centuries and also serving as its capital city between 1586 and 1598. During this period, it was one of the largest cities in the world.
The city was captured and looted by the forces of the Persian Afsharid ruler Nader Shah in 1739. Although Mughal authority was briefly re-established, it fell into a period of decline and nominal control with frequent raids and invasions by Afghans and Marathas. After the official end of Mughal rule and Afghan–Maratha War in Punjab, the city became heavily contested among the Afghans and the local Punjabi states between 1748 and 1798. The Afghans were eventually driven out of Punjab as the city was captured by the Sukerchakia Misl, based in Gujranwala, under Ranjit Singh in July 1799 where he was crowned the Maharaja of Punjab, thus Lahore became the capital of the Sikh Empire in the early 19th century, regaining some of its lost grandeur.
In the aftermath of the Second Anglo-Sikh War, Punjab was annexed by the East India Company in 1849 and Lahore became the capital of British Punjab. Lahore was central to the independence movements of both India and Pakistan, with the city being the site of both the Declaration of Indian Independence and the resolution calling for the establishment of Pakistan. It experienced some of the worst rioting during the partition period, preceding Pakistan's independence. Following the establishment of Pakistan in 1947, Lahore served as the capital of West Punjab from 1947 to 1955, and of West Pakistan from 1955 to 1970.
Primarily inhabited by ethnic Punjabis, Lahore exerts a strong cultural and political influence over Pakistan. A UNESCO City of Literature and major centre for Pakistan's publishing industry, Lahore remains the foremost center of Pakistan's literary scene. The city is also a major centre of education sector, with some of Pakistan's leading universities based in the city. Lahore is home to Pakistan's Punjabi film industry, and is a major centre of Qawwali music. The city also hosts much of Pakistan's tourist industry, with major attractions including the Walled City, the famous Badshahi and Wazir Khan mosques, as well as several Sikh and Sufi shrines. Lahore is also home to the Lahore Fort and Shalimar Gardens, both of which are UNESCO World Heritage Sites.
Etymology
The origin of Lahore's name is unclear. The city's name has been variously recorded by early Muslim historians as Luhawar, Lūhār, and Rahwar. The Iranian polymath and geographer, Abu Rayhan Al-Biruni, referred to the city as Luhāwar in his 11th century work, Qanun, while the poet Amir Khusrow, who lived during the Delhi Sultanate period, recorded the city's name as Lāhanūr. Yaqut al-Hamawi records the city's name as Lawhūr, mentioning that it was famously known as Lahāwar. Persian historian Firishta mentions the city as Alahwar in his work, with al-Ahwar being another variation.
One theory suggests that Lahore's name is a corruption of the word Ravāwar, as R to L shifts are common in languages derived from Sanskrit. Ravāwar is the simplified pronunciation of the name Iravatyāwar, a name possibly derived from the Ravi River, known as the Iravati River in the Vedas. Another theory suggests the city's name may derive from the word Lohar, meaning "blacksmith".
According to a legend, Lahore's name derives from Lavpur or Lavapuri (City of Lava), and is said to have been founded by Prince Lava, the son of Sita and Rama. The same account attributes the founding of nearby Kasur to his twin brother Kusha, though it was actually established in the 16th century.
History
Origins
No definitive record of Lahore's early history exists, and its ambiguous historical background has given rise to various theories about its establishment and history. Hindu legend states that Keneksen, the founder of the Solar dynasty, migrated out from the city.
Alexander the Great's historians make no mention of any city near Lahore's location during his invasion in 326 BCE, suggesting the city had not been founded by that point or was not noteworthy. Ptolemy mentions in his Geography a city called Labokla situated near the Chenab and Ravi rivers which may have been in reference to ancient Lahore, or an abandoned predecessor of the city. Chinese pilgrim Xuanzang gave a vivid description of a large and prosperous unnamed city that may have been Lahore when he visited the region in 630 CE during his tour of India. Xuanzang described the city, then under Taank rule, as a great Brahmin city.
The first document that mentions Lahore by name is the Hudud al-'Alam ("The Regions of the World"), written in 982 CE, in which Lahore is mentioned as a town which had "impressive temples, large markets and huge orchards".
Lahore, previously a town, first emerged as a notable city in 11th century during the era of Sufi saint Ali al-Hajvery. Few other references to Lahore remain from before its capture by the Ghaznavid Sultan Mahmud in the 11th century. During this time, Lahore appears to have served as the capital of Punjab under Raja Anandapala of the Üdi Shahi empire, who moved his capital there from Waihind.
Medieval era
Ghaznavid
Sultan Mahmud conquered Lahore between 1020 and 1027, making it part of Ghaznavid Empire. He appointed Malik Ayaz as its governor in 1021. In 1034, the city was captured by Nialtigin, the rebellious governor of Multan. However, his forces were expelled by Malik Ayaz in 1036.
With the support of Sultan Ibrahim, Malik Ayaz rebuilt and repopulated the city, which had been devastated after the Ghaznavid invasion. He also erected city walls and a masonry fort was built in 1037–1040 on the ruins of a previous one. A confederation of Hindu princes unsuccessfully laid siege to Lahore in 1043–44 during Ayaz's rule. The city became a cultural and academic centre, renowned for poetry.
Lahore was formally made the eastern capital of Ghaznavid Empire during the reign of Khusrau Shah in 1152. After the fall of Ghazni in 1163, It became the sole capital. Under their patronage, poets and scholars from other cities of Ghaznavid Empire congregated in Lahore. The entire city of Lahore during the medieval Ghaznavid era was probably located west of the modern Shah Alami Bazaar and north of the Bhatti Gate.
Mamluk
Following the Siege of Lahore in 1186, the Ghurid ruler Muhammad captured the city and imprisoned the last Ghaznavid ruler Khusrau Malik, thus ending Ghaznavid rule over Lahore. Lahore was made an important establishment of the Mamluk dynasty of the Delhi Sultanate following the assassination of Muhammad of Ghor in 1206. Under the reign of Mamluk sultan Qutb ud-Din Aibak, Lahore attracted poets and scholars from medieval Muslim World. Lahore at this time had more poets writing in Persian than any other city. Following the death of Aibak, Lahore first came under the control of the Governor of Multan, Nasir ad-Din Qabacha, and then was briefly captured in 1217 by the sultan in Delhi, Iltutmish.
In an alliance with local Khokhars in 1223, Khwarazmian sultan Jalal al-Din Mangburni captured Lahore after fleeing from Genghis Khan's invasion of his realm. Mangburni then fled from Lahore to the city of Uch Sharif after Iltutmish's army re-captured Lahore in 1228.
The threat of Mongol invasions and political instability in Lahore caused future sultans to regard Delhi as a safer capital for the sultanate, even though Delhi was considered a forward base whereas Lahore was widely considered as the centre of Islamic culture in northeastern Punjab.
Lahore came under progressively weaker central rule under Iltutmish's descendants in Delhi, to the point that governors in the city acted with great autonomy. Under the rule of Kabir Khan Ayaz, Lahore was virtually independent from the Delhi Sultanate. Actual Sultanate rule on Lahore lasted only a few decades until the locals reclaimed their autonomy. Lahore was sacked and ruined by the Mongol army in 1241. Lahore governor Malik Ikhtyaruddin Qaraqash fled the Mongols, while the Mongols held the city for a few years under the rule of the Mongol chief Toghrul.
In 1266, sultan Balban reconquered Lahore, but in 1287 under the Mongol ruler Temür Khan, the Mongols again overran northern Punjab. Because of Mongol invasions, Lahore region became a city on a frontier, with the region's administrative centre shifted south to Dipalpur. The Mongols again invaded northern Punjab in 1298, though their advance was eventually stopped by Ulugh Khan, brother of Sultan Alauddin Khalji of Delhi. The Mongols again attacked Lahore in 1305.
Tughluq
Lahore briefly flourished again under the reign of Ghiyath al-Din Tughlaq (Ghazi Malik) of the Tughluq dynasty between 1320 and 1325, though the city was again sacked in 1329 by Tarmashirin of the Central Asian Chagatai Khanate, and then again by the Mongol chief Hülechü. Khokhars seized Lahore in 1342, but the city was retaken by Ghazi Malik's son, Muhammad bin Tughluq. The weakened city then fell into obscurity and was captured once more by the Khokhar chief, Shaikha in 1394. By the time the Mongol conqueror Timur captured the city in 1398 from Shaikha, he did not loot it because it was no longer wealthy.
Late Sultanates
Timur gave control of the Lahore region to Khizr Khan, governor of Multan, who later established the Sayyid dynasty in 1414 – the fourth dynasty of the Delhi Sultanate. The city was twice besieged by Jasrat, ruler of Sialkot, during the reign of Mubarak Shah, the longest of which being in 1431–32. To combat Jasrat, the city was granted by the Sayyid dynasty to Bahlul Lodi in 1441, though Lodi would then displace the Sayyids in 1451 by establishing himself upon the throne of Delhi.
Bahlul Lodi installed his cousin, Tatar Khan, to be governor of the city, though Tatar Khan died in battle with Sikandar Lodi in 1485. Governorship of Lahore was transferred by Sikandar Lodi to Umar Khan Sarwani, who quickly left the management of this city to his son Said Khan Sarwani. Said Khan was removed from power in 1500 by Sikandar Lodi, and Lahore came under the governorship of Daulat Khan Lodi, son of Tatar Khan and former employer of Guru Nanak (the founder of Sikhism).
Mughals
Early Mughal
Babur, the founder of the Mughal Empire, captured and sacked Lahore and Dipalpur, although he retreated after the Lodi nobles backed away from assisting him. The city became a refuge to Humayun and his cousin Kamran Mirza when Sher Shah Suri rose in power in the Gangetic plains, displacing Mughals. Sher Shah Suri seized Lahore in 1540, though Humayun reconquered Lahore in February 1555. The establishment of Mughal rule eventually led to the most prosperous era of Lahore's history. Lahore's prosperity and central position has yielded more Mughal-era monuments in Lahore than either Delhi or Agra.
By the time of the rule of the Mughal empire's greatest emperors, a majority of Lahore's residents did not live within the walled city itself but instead lived in suburbs that had spread outside the city's walls. Only 9 of the 36 urban quarters around Lahore, known as guzars, were located within the city walls during the Akbar period. During this period, Lahore was closely tied to smaller market towns known as qasbahs, such as Kasur and Eminabad, as well as Amritsar, and Batala in modern-day India, which in turn, linked to supply chains in villages surrounding each qasbah.
Akbar
Beginning in 1584, Lahore became the Mughal capital when Akbar began re-fortifying the city's ruined citadel, laying the foundations for the revival of the Lahore Fort. Akbar made Lahore one of his original twelve subah provinces, and in 1585–86, relegated governorship of the city and subah to Bhagwant Das, brother of Mariam-uz-Zamani, who was commonly known as "Jodhabhai".
Akbar also rebuilt the city's walls and extended their perimeter east of the Shah Alami bazaar to encompass the sparsely populated area of Rarra Maidan. The Akbari Mandi grain market was set up during this era, which continues to function to the present-day. Akbar also established the Dharampura neighbourhood in the early 1580s, which survives today. The earliest of Lahore's many havelis date from the Akbari era.
Lahore's Mughal monuments were built under the reign of Akbar and several subsequent emperors. Lahore reached its cultural zenith during this period, with dozens of mosques, tombs, shrines, and urban infrastructure developed in the city.
Jahangir
During the reign of Emperor Jahangir in the early 17th century, Lahore's bazaars were noted to be vibrant, frequented by foreigners, and stocked with a wide array of goods. In 1606, Jehangir's rebel son Khusrau Mirza laid siege to Lahore after obtaining the blessings of the Sikh Guru Arjan Dev. Jehangir quickly defeated his son at Bhairowal, and the roots of Mughal–Sikh animosity grew. Sikh Guru Arjan Dev was executed in Lahore in 1606 for his involvement in the rebellion. Emperor Jahangir chose to be buried in Lahore, and his tomb was built in Lahore's Shahdara Bagh suburb in 1637 by his wife Nur Jahan, whose tomb is also nearby.
Shah Jahan
Jahangir's son, Shah Jahan (reigned 1628–1658), was born in Lahore in 1592. He renovated large portions of the Lahore Fort with luxurious white marble and erected the iconic Naulakha Pavilion in 1633. Shah Jahan lavished Lahore with some of its most celebrated and iconic monuments, such as the Shahi Hammam in 1635, and both the Shalimar Gardens and the extravagantly decorated Wazir Khan Mosque in 1641. The population of pre-modern Lahore probably reached its zenith during his reign, with suburban districts home to perhaps 6 times as many compared to within the Walled City.
Aurangzeb
Shah Jahan's son, Aurangzeb, last of the great Mughal Emperors, further contributed to the development of Lahore. Aurangzeb built the Alamgiri Bund embankment along the Ravi river in 1662 in order to prevent its shifting course from threatening the city's walls. The area near the embankment grew into a fashionable locality, with several nearby pleasure gardens laid by Lahore's gentry. The largest of Lahore's Mughal monuments, the Badshahi Mosque, was raised during Aurangzeb's reign in 1673, as well as the iconic Alamgiri Gate of the Lahore fort in 1674.
Late Mughal
Civil wars regarding succession to the Mughal throne following Aurangzeb's death in 1707 led to weakening control over Lahore from Delhi, and a prolonged period of decline in Lahore. Mughal preoccupation with the Marathas in the Deccan Plateau eventually resulted in Lahore being governed by a series of governors who pledged nominal allegiance to the ever-weaker Mughal emperors in Delhi.
Mughal Emperor Bahadur Shah I died en route to Lahore as part of a campaign in 1711 to subdue Sikh rebels under the leadership of Banda Singh Bahadur. His sons fought a battle outside Lahore in 1712 for succession to the Mughal crown, with Jahandar winning the throne. Sikh rebels were defeated during the reign of Farrukhsiyar when Abd as-Samad and Zakariyya Khan suppressed them.
Nader Shah's brief invasion of the Mughal Empire in early 1739 wrested control away from Zakariya Khan Bahadur. Though Khan was able to win back control after the Persian armies had left, the trade routes had shifted away from Lahore, and south towards Kandahar instead. Indus ports near the Arabian Sea that served Lahore also silted up during this time, reducing the city's importance even further.
Struggles between Zakariyya Khan's sons following his death in 1745 further weakened Muslim control over Lahore, thus leaving the city in a power vacuum, and vulnerable to foreign marauders.
Durrani invasions
The Durrani ruler Ahmad Shah occupied Lahore in 1748. Following Ahmed Shah Durrani's quick retreat, the Mughals entrusted Lahore to Mu’īn al-Mulk Mir Mannu. Ahmad Shah again invaded in 1751, forcing Mir Mannu into signing a treaty that nominally subjected Lahore to Durrani rule. Lahore was third time conquered by Ahmad Shah in 1752. The Mughal Grand Vizier Ghazi-Din Imad al-Mulk seized Lahore in 1756, provoking Ahmad Shah to invade for fourth time in 1757, after which he placed the city under the rule of his son, Timur Shah.
Durrani rule was interrupted when Lahore was conquered by Adina Beg Arain with the assistance of Marathas in 1758 during their campaigns against Afghans. After Adina Beg's untimely death in 1758, however, Marathas occupied the city. The following year, Durranis again marched and conquered it. After the Durranis withdrew from the city in 1765, Sikh forces quickly occupied it. By this time, the city had been ravaged several time and had lost all of its former grandeur. The Durranis invaded two more times—in 1797 and 1798—under Shah Zaman, but the Sikhs re-occupied the city after both invasions.
Sikh
Early
Expanding Sikh Misls secured control over Lahore in 1767, when the Bhangi Misl state captured the city. In 1780, the city was divided among three rulers: Gujjar Singh, Lahna Singh, and Sobha Singh. Instability resulting from this arrangement allowed nearby Amritsar to establish itself as the area's primary commercial centre in place of Lahore.
Ahmad Shah Durrani's grandson, Zaman Shah, invaded Lahore in 1796, and again in 1798–99. Ranjit Singh negotiated with the Afghans for the post of subahdar to control Lahore following the second invasion.
By the end of the 18th century, the city's population drastically declined, with its remaining residents living within the city walls, while the extramural suburbs lay abandoned, forcing travellers to pass through abandoned and ruined suburbs for a few miles before reaching the city's gates.
Sikh Empire
In the aftermath of Zaman Shah's 1799 invasion of Punjab, Ranjit Singh, of nearby Gujranwala, began to consolidate his position. Singh was able to seize control of the region after a series of battles with the Bhangi chiefs who had seized Lahore in 1780. His army marched to Anarkali, where according to legend, the gatekeeper of the Lohari Gate, Mukham Din Chaudhry, opened the gates allowing Ranjit Singh's army to enter Lahore. After capturing Lahore, Sikh soldiers immediately began plundering Muslim areas of the city until their actions were reined in by Ranjit Singh.
Ranjit Singh's rule restored some of Lahore's lost grandeur, but at the expense of destroying the remaining Mughal architecture for building materials. He established a mint in the city in 1800, and moved into the Mughal palace at the Lahore fort after repurposing it for his own use in governing the Sikh Empire. In 1801, he established a Gurdwara Ram Das to mark the site where Guru Ram Das was born in 1534.
Lahore became the empire's administrative capital, though the nearby economic centre of Amritsar had also been established as the empire's spiritual capital by 1802. By 1812, Singh had mostly refurbished the city's defences by adding a second circuit of outer walls surrounding Akbar's original walls, with the two separated by a moat. Singh also partially restored Shah Jahan's decaying Shalimar Gardens and built the Hazuri Bagh Baradari in 1818 to celebrate his capture of the Koh-i-Noor diamond from Shuja Shah Durrani in 1813. He erected the Gurdwara Dera Sahib to mark the site of Guru Arjan Dev's death (1606). The Sikh royal court also endowed religious architecture in the city, including a number of Sikh gurdwaras, Hindu temples, and havelis.
While much of Lahore's Mughal-era fabric lay in ruins by the time of his arrival, Ranjit Singh's rule saw the re-establishment of Lahore's glory, though the Mughal monuments suffered during the Sikh period. Singh's armies plundered most of Lahore's most precious Mughal monuments, and stripped the white marble from several monuments to send to different parts of the Sikh Empire during his reign. Monuments plundered for decorative materials include the Tomb of Asif Khan, the Tomb of Nur Jahan, and the Shalimar Gardens. Ranjit Singh's army also desecrated the Badshahi Mosque by converting it into an ammunition depot and a stable for horses. The Sunehri Mosque in the Walled City was also converted to a gurdwara, while the Mariyam Zamani Mosque was repurposed into a gunpowder factory.
Late
The Sikh royal court (Lahore Durbar) underwent a quick succession of rulers after the death of Ranjit Singh. His son Kharak Singh died on 6 November 1840, soon after taking the throne. On that same day, the next appointed successor to the throne, Nau Nihal Singh, died in an accident at the gardens of Hazuri Bagh. Maharaja Sher Singh was then selected as Maharajah, though his claim to the throne was quickly challenged by Chand Kaur, widow of Kharak Singh and mother of Nau Nihal Singh, who quickly seized the throne. Sher Singh raised an army that attacked Chand Kaur's forces in Lahore on 14 January 1841. His soldiers mounted weaponry on the minarets of the Badshahi Mosque in order to target Chand Kaur's forces in the Lahore fort, destroying the fort's historic Diwan-e-Aam. Kaur quickly ceded the throne, but Sher Sing was then assassinated in 1843 in Lahore's Chah Miran neighbourhood along with his wazir Dhiyan Singh. Dhyan Singh's son, Hira Singh, sought to avenge his father's death by laying siege to Lahore in order to capture his father's assassins. The siege resulted in the capture of his father's murderer, Ajit Singh. Duleep Singh was then crowned Maharajah, with Hira Singh as his wazir, but his power would be weakened by the continued infighting among Sikh nobles, as well as confrontations against the British during the two Anglo-Sikh wars.
After the conclusion of the two Anglo-Sikh wars, the Sikh Empire fell into disarray, resulting in the fall of the Lahore Durbar, and commencement of British rule after they captured Lahore and the wider Punjab region.
British colonial period
The British East India Company seized control of Lahore in February 1846 from the collapsing Sikh state and occupied the rest of Punjab in 1848. Following the defeat of the Sikhs at the Battle of Gujrat, British troops formally deposed Maharaja Duleep Singh in Lahore that same year. Punjab was then annexed to the British Indian Empire in 1849.
At the commencement of British rule, Lahore was estimated to have a population of 120,000. Prior to annexation by the British, Lahore's environs consisted mostly of the Walled City surrounded by plains interrupted by settlements to the south and east, such as Mozang and Qila Gujar Singh, which have since been engulfed by modern Lahore. The plains between the settlements also contained the remains of Mughal gardens, tombs, and Sikh-era military structures.
The British viewed Lahore's Walled City as a bed of potential social discontent and disease epidemics, and so largely left the inner city alone, while focusing development efforts in Lahore's suburban areas and Punjab's fertile countryside. The British instead laid out their capital city in an area south of the Walled City that would first come to be known as "Donald's Town" before being renamed "Civil Station".
Under early British rule, formerly prominent Mughal-era monuments that were scattered throughout Civil Station were also re-purposed and sometimes desecrated – including the Tomb of Anarkali, which the British had initially converted to clerical offices before re-purposing it as an Anglican church in 1851. The 17th-century Dai Anga Mosque was converted into railway administration offices during this time, the tomb of Nawab Bahadur Khan was converted into a storehouse, and the tomb of Mir Mannu was used as a wine shop. The British also used older structures to house municipal offices, such as the Civil Secretariat, Public Works Department, and Accountant General's Office.
The British built the Lahore Railway Station just outside the Walled City shortly after the Sepoy Mutiny of 1857; the station was therefore styled as a medieval castle to ward off any potential future uprisings, with thick walls, turrets, and holes to direct gun and cannon fire for the defence of the structure. Lahore's most prominent government institutions and commercial enterprises came to be concentrated in Civil Station in a half-mile wide area flanking The Mall, where unlike in Lahore's military zone, the British and locals were allowed to mix. The Mall continues to serve as the epicentre of Lahore's civil administration, as well as one of its most fashionable commercial areas. The British also laid the spacious Lahore Cantonment to the southeast of the Walled City at the former village of Mian Mir, where unlike around The Mall, laws did exist against the mixing of different races.
Lahore was visited on 9 February 1870 by Prince Alfred, Duke of Edinburgh – a visit in which he received delegations from the Dogras of Jammu, Maharajas of Patiala, the Nawab of Bahawalpur, and other rulers from various Punjabi states. During the visit, he visited several of Lahore's major sights. British authorities built several important structures around the time of the Golden Jubilee of Queen Victoria (1887) in the distinctive Indo-Saracenic style, including the Lahore Museum and Mayo School of Industrial Arts.
The British carried out a census of Lahore in 1901, and counted 20,691 houses in the Walled City. An estimated 200,000 people lived in Lahore at this time. Lahore's posh Model Town was established as a "garden town" suburb in 1921, while Krishan Nagar locality was laid in the 1930s near The Mall and Walled City.
Lahore played an important role in the independence movements of both India and Pakistan. The Declaration of the Independence of India was moved by Jawaharlal Nehru and passed unanimously at midnight on 31 December 1929 at Lahore's Bradlaugh Hall. The Indian Swaraj flag was adopted this time as well. Lahore's jail was used by the British to imprison independence activists such as Jatin Das, and was also where Bhagat Singh was hanged in 1931. Under the leadership of Muhammad Ali Jinnah, the All India Muslim League passed the Lahore Resolution in 1940, demanding the creation of Pakistan as a separate homeland for the Muslims of India.
Partition
The 1941 census showed that city of Lahore had a population of 671,659, of which was 64.5% Muslim, with the remainder 35% being Hindu and Sikh, alongside a small Christian community. The population figure was disputed by Hindus and Sikhs before the Boundary Commission that would draw the Radcliffe Line to demarcate the border of the two new states based on religious demography. In a bid to have Lahore awarded to India, they argued that the city was only 54% Muslim, and that Hindu and Sikh domination of the city's economy and educational institutions should trump Muslim demography. Two-thirds of shops, and 80% of Lahore's factories belonged to the Hindu and Sikh community. Kuldip Nayyar claimed that Cyril Radcliffe had told him in 1971 that he originally had planned to give Lahore to the new Dominion of India, but decided to place it within the Dominion of Pakistan, which he saw as lacking a major city as he had already awarded Calcutta to India.
As tensions grew over the city's uncertain fate, Lahore experienced Partition's worst riots. Carnage ensued in which all three religious groups were both victims and perpetrators. Early riots in March and April 1947 destroyed 6,000 of Lahore's 82,000 homes. Violence continued to rise throughout the summer, despite the presence of armoured British personnel. Hindus and Sikhs began to leave the city en masse as their hopes that the Boundary Commission would award the city to India came to be regarded as increasingly unlikely. By late August 1947, 66% of Hindus and Sikhs had left the city. The Shah Alami Bazaar, once a largely Hindu quarter of the Walled City, was entirely burnt down during subsequent rioting.
When Pakistan's independence was declared on 14 August 1947, the Radcliffe Line had not yet been announced, and so cries of "Long live Pakistan" and "God is greatest" were heard intermittently with "Long live Hindustan" throughout the night. On 17 August 1947, Lahore was awarded to Pakistan on the basis of its Muslim majority in the 1941 census and was made capital of the Punjab province in the new state of Pakistan. The city's location near the Indian border meant that it received large numbers of refugees fleeing eastern Punjab and northern India, though it was able to accommodate them given the large stock of abandoned Hindu and Sikh properties that could be re-distributed to newly arrived refugees.
Modern
Partition left Lahore with a much-weakened economy, and a stymied social and cultural scene that had previously been invigorated by the city's Hindus and Sikhs. Industrial production dropped to one-third of pre-Partition level by the end of the 1940s, and only 27% of its manufacturing units were operating by 1950, and usually well-below capacity. Capital flight further weakened the city's economy while Karachi industrialized and became more prosperous.
The city's weakened economy, and proximity to the Indian border, meant that the city was deemed unsuitable to be the Pakistani capital after independence. Karachi was therefore chosen to be the capital on account of its relative tranquility during the Partition period, stronger economy, and better infrastructure.
After independence, Lahore slowly regained its significance as an economic and cultural centre of western Punjab. Reconstruction began in 1949 of the Shah Alami Bazaar, the former commercial heart of the Walled City until it was destroyed in the 1947 riots. The Tomb of Allama Iqbal was built in 1951 to honour the philosopher-poet who provided the spiritual inspiration for the Pakistan movement. In 1955, Lahore was selected to be the capital of all West Pakistan during the single-unit period that lasted until 1970. Shortly afterwards, Lahore's iconic Minar-e-Pakistan was completed in 1968 to mark the spot where the Pakistan Resolution was passed. With support from the United Nations, the government was able to rebuild Lahore, and most scars from the communal violence of Partition were ameliorated.
The second Islamic Summit Conference was held in the city in 1974. In retaliation for the destruction of the Babri Masjid in India, riots erupted in 1992 in which several non-Muslim monuments were targeted, including the tomb of Maharaja Sher Singh, and the former Jain temple near The Mall. In 1996, the International Cricket Council Cricket World Cup final match was held at the Gaddafi Stadium in Lahore.
The Walled City of Lahore restoration project began in 2009, when the Punjab government restored the Royal Trail from Akbari Gate to the Lahore Fort with money from the World Bank.
Geography
Lahore is in northeastern portion of Pakistan, lying between 31°15′—31°45′ N and 74°01′—74°39′ E. The city is bounded on the north and west by the Sheikhupura District, on the east by Wagah, and on the south by Kasur District. The Ravi River flows on the northern side of Lahore. Lahore city covers a total land area of 404 square kilometres (156 sq mi).
Climate
Lahore has a Humid Subtropical climate (Köppen climate classification BSh), bordering with Semi Arid Climate. The hottest month is June, where temperatures routinely exceed 45 °C (113 °F). The monsoon season starts in late June, and the wettest months are July, August and September. with heavy rainfalls and evening thunderstorms with the possibility of cloudbursts and flash floods. The coolest month is January, with dense fog.
The city's record high temperature was 50.4 °C (122.7 °F), recorded on 5 June 2003. On 10 June 2007, a temperature of 48 °C (118 °F) was recorded; this was in the shade, and the meteorological office recording the figure reported a heat index in direct sunlight of 55 °C (131 °F). The highest rainfall in a 24-hour period is 337 millimetres (13.3 in), recorded on 01 August 2024.
Demographics
Population
The results of the 2017 Census determined the population of Lahore to be 11,126,285, with an annual growth rate of 4.07% since 1998. Gender-wise, 52.35% of the population are male, 47.64% are female, and 0.01% are transgender. Lahore is a demographically young city, with over 40% of its inhabitants below the age of 15.
Tribes and background
At the time of the 2017 Pakistani census, the largest tribal group were Arain Punjabis, constituting 40%, followed by Punjabi Kashmiris at 30% with other groups such as Rajput Punjabis and Kamboh Punjabis at 5% each.
Controversy about the city's Pashtun population
Some Pashtun nationalist parties argue that the Pashtun population of Lahore in the 2017 census has been underestimated, with Ameer Bahadur Khan, provincial general secretary of Awami National Party, putting their numbers at 1.5 million, while Gul Muhammad Regwal, a member of Pakhtunkhwa Milli Awami Party, claiming more than 1 million including 300,000 in the Walled City alone, most of these having moved over the last 20 years, including due to military operations, but remaining uncounted as they're not considered permanent residents of Lahore.
Religion
According to the 2023 Census, the vast majority of Lahore's population are Muslims (95.26%), up from 94.7% in 2017. Other religions include Christians (4.64%, slightly less than 5.14% in 2017) and small numbers of Ahmadis, Baháʼís, Hindus, Parsis, and Sikhs. There is also a small but longstanding Zoroastrian community.
Since Lahore contains some of Sikhism's holiest sites, it is a major pilgrimage destination for Sikhs. Lahore's first church was built during the reign of Emperor Akbar in the late 16th century, but was then leveled by Shah Jahan in 1632. Due to the few numbers of Hindus living in Lahore, the only two functional Hindu temples in the city are the Shri Krishna Mandir and the Valmiki Mandir.
Languages
The Punjabi language is the most-widely spoken native language in Lahore, with 73.58% of Lahore counting it as their first language according to the 2023 Census. Lahore is the largest Punjabi-speaking city in the world. According to the 2023 Pakistani census 21.1% speak Urdu, 2.06% Pashto, 2.01% Mewati and 2.78% other mother tongues.
Urdu and English are used as official languages and as mediums of instruction and media administration. However, Punjabi is also taught at graduation level and used in theatres, films, and newspapers from Lahore. Several Lahore-based prominent educational leaders, researchers, and social commentators have demanded that the Punjabi language should be declared as the medium of instruction at the primary level and be used officially in the Punjab Assembly, Lahore.
Cityscape
Old City
Lahore's modern cityscape consists of the historic Walled City of Lahore in the northern part of the city, which contains several World Heritage Sites and national heritage sites. Lahore's urban planning was not based on geometric design but was instead built piecemeal, with small cul-de-sacs, as katrahs and galis developed in the context of neighbouring buildings. Though certain neighbourhoods were named for particular religious or ethnic communities, the neighbourhoods themselves typically were diverse and were not dominated by the namesake group.
Lahore's urban typology is similar to other ancient cities in South Asia, such as Peshawar, Multan and Delhi – all of which were founded near a major river, and included an old walled city and royal citadel.
By the end of the Sikh rule, most of Lahore's massive haveli compounds had been occupied by settlers. New neighbourhoods occasionally grew up entirely within the confines of an old Mughal haveli, such as the Mohallah Pathan Wali, which grew within the ruins of a haveli of the same name, built by Mian Khan. By 1831, all Mughal Havelis in the Walled City had been encroached upon by the surrounding neighbourhood, leading to the modern-day absence of any Mughal Havelis in Lahore.
A total of thirteen gates once surrounded the historic walled city. Some of the remaining gates include the Raushnai Gate, Masti Gate, Yakki Gate, Kashmiri Gate, Khizri Gate, Shah Burj Gate, Akbari Gate, and Lahori Gate. Southeast of the walled city is the spacious British-era Lahore Cantonment.
Architecture
Lahore is home to numerous monuments from the Mughal Dynasty, Sikh Empire, and the British Indian Raj. The architectural style of the Walled City of Lahore has traditionally been influenced by Mughal and Sikh styles.
Sikh period
By the arrival of the Sikh Empire at the end of the 18th century, Lahore had decayed from its former glory as the Mughal capital. Rebuilding efforts under Ranjit Singh and his successors were influenced by Mughal practices, and Lahore was known as the 'City of Gardens' during the Ranjit Singh period. Later, British maps of the area surrounding Lahore dating from the mid-19th century show many walled private gardens which were confiscated from the Muslim noble families bearing the names of prominent Sikh nobles – a pattern of patronage which was inherited from the Mughals.
While much of Lahore's Mughal-era fabric lay in ruins by the time of his arrival, Ranjit Singh's army's plundered most of Lahore's most precious Mughal monuments, and stripped the white marble from several monuments to send to different parts of the Sikh Empire. Monuments plundered of their marble include the Tomb of Asif Khan and the Tomb of Nur Jahan; the Shalimar Gardens was plundered of much of its marble, and its costly agate gate was stripped. The Sikh state also demolished a number of shrines and monuments laying outside the city's walls.
Still, Sikh rule left Lahore with several monuments, and a heavily altered Lahore Fort. Ranjit Singh's rule restored some of Lahore's previous grandeur, and the city was left with a large number of religious monuments from this period. Several havelis were built during this era, though only a few still remain.
British period
As the capital of British Punjab, the city derived much of its architecture from British colonialists. Structures were built predominantly in the Indo-Gothic style – a syncretic architectural style that blends elements of Victorian and Islamic architecture o r in the distinct Indo-Saracenic style. The British also built neoclassical Montgomery Hall, which today serves as the Quaid-e-Azam Library.
Lawrence Gardens were also laid near Civil Station, and were paid for by donations solicited from both Lahore's European community, as well as from wealthy locals. The gardens featured over 600 species of plants, and were tended to by a horticulturist sent from London's Royal Botanic Gardens at Kew.
The leafy suburbs to the south of the Old City, as well as the Cantonment southwest of the Old City, were largely developed under British colonial rule, and feature colonial-era buildings built alongside leafy avenues.
The British authorities built several important structures around the time of the Golden Jubilee of Queen Victoria in 1887 in the distinctive Indo-Saracenic style, such as the Lahore Museum and Mayo School of Industrial Arts. Other prominent examples of the Indo-Saracenic style in Lahore include Lahore's prestigious Aitchison College, the Punjab Chief Court (today the Lahore High Court), Lahore Museum, and the University of the Punjab.
Many of Lahore's most important buildings were designed by civil engineer and architect Sir Ganga Ram, who is considered "the father of modern Lahore".
Parks and gardens
Lahore is also known as "the city of gardens" due to its large number of gardens. The Shahdara Bagh was one of the earliest Mughal gardens, laid out in 15th century, and contains the Tomb of Jahangir. The Shalimar Gardens were laid out during the reign of Shah Jahan and were designed to mimic the Islamic paradise of the afterlife described in the Qur'an. The gardens follow the familiar charbagh layout of four squares, with three descending terraces. In 1818, Hazuri Bagh was built during reign of Ranjit Singh to celebrate his capture of the Koh-i-Noor diamond from Shuja Shah Durrani.
The Lawrence Garden was established in 1862 and was originally named after Sir John Lawrence, late 19th-century British Viceroy to India. The Circular Garden, which surrounds the Walled City on three sides, was established by 1892. The former parade ground adjacent to Badshahi Mosque was also renamed during the British era as Minto Park, which after restoration was re-established as Iqbal Park.
The many other gardens and parks in the city include Hazuri Bagh, Iqbal Park, Mochi Bagh, Gulshan-e-Iqbal Park, Model Town Park, Jilani Park, Nasir Bagh Lahore, Jallo Park, Lahore Zoo Safari Park, and Changa Manga, a human-made forest near Lahore in the Kasur district. Another example is the Bagh-e-Jinnah, a 141-acre (57 ha) botanical garden that houses entertainment and sports facilities as well as a library.
Economy
As of 2008, the city's gross domestic product (GDP) by purchasing power parity (PPP) was estimated at $40 billion with a projected average growth rate of 5.6 percent. This is on par with Karachi, Pakistan's economic hub, with Lahore (having half the population) fostering an economy that is 51% of the size of Karachi's ($78 billion in 2008). It is estimated that Lahore contributes 11.5% to the national economy, and 19% to the provincial economy of Punjab. As a whole, Punjab has a $115 billion economy, making it the first (and to date, only) Pakistani Subdivision with an economy of more than $100 billion, at the rank 144. Lahore's GDP is projected to be $102 billion by 2025, with a slightly higher growth rate of 5.6% per annum, as compared to Karachi's 5.5%.
A major industrial agglomeration with about 9,000 industrial units, Lahore has shifted in recent decades from manufacturing to service industries. Some 42% of its workforce is employed in finance, banking, real estate, community, cultural, and social services. The city is Pakistan's largest software and hardware producing centre, and hosts a growing computer-assembly industry. The city has always been a centre for publications; 80% of Pakistan's books are published in Lahore, and it remains the foremost centre of literary, educational, and cultural activity in Pakistan.
The Lahore Expo Centre is one of the biggest projects in the history of the city and was inaugurated on 22 May 2010. Defense Raya Golf Resort, also under construction, will be Pakistan's and Asia's largest golf course. The project is the result of a partnership between DHA Lahore and BRDB Malaysia. The rapid development of large projects such as these in the city is expected to boost the economy of the country. Ferozepur Road of the Central business districts of Lahore contains high-rises and skyscrapers including Kayre International Hotel and Arfa Software Technology Park.
Transport
Public transportation
Lahore's main public transportation system is operated by the Lahore Transport Company (LTC) and Punjab Mass Transit Authority (PMTA). The backbone of its public transport network is the PMTA's Lahore Metrobus and the Orange Line of the Lahore Metro train. LTC and PMTA also operates an extensive network of buses, providing bus service to many parts of the city and acting as a feeder system for the Metrobus. The Orange Line metro spans 27.1 km (16.8 mi) around the city and operates at a speed of 80 km/h (50 mph).
Metrobus
The Lahore Metrobus is a bus rapid transit service operating in Lahore, Punjab, Pakistan. Lahore Metrobus service is integrated with Lahore Transport Company's local bus service to operate as one urban transport system, providing a connected transit service across Lahore District with connections to neighboring suburban communities.
Low occupancy vehicles
Low occupancy vehicle (LOVs)—functionally a medium-sized van or wagon—run on routes throughout the city. They function like buses and operate on many routes throughout the city.
Metro Train
Orange Line
The Orange Line Metro Train is an automated rapid transit system in Lahore. The Orange line is the first of the three proposed rail lines proposed for the Lahore Metro. As of 2020, it is the primary metro rail line in the city. The line spans 27.1 km (16.8 mi), with 25.4 km (15.8 mi) elevated and 1.72 km (1.1 mi) underground, and had a cost of 251.06 billion rupees ($1.6 billion). The line consists of 26 subway stations (Ali Town Station to Dera Gujran Station) and is designed to carry over 250,000 passengers daily. CRRC Zhuzhou Locomotive rolled out the first of 27 trains for the metro on 16 May 2017. The train has speed up to 80 km/h (50 mph). For improved durability, its bogies are heat-resistant, can manage unstable voltage, and feature energy-saving air-conditioning. Successful initial test trials were run in mid-2018, and commercial operations began on 25 October 2020.
Blue Line
The Blue Line is a proposed 24 kilometres (15 mi) line from Chauburji to College Road Township. Along the way, it will connect places like Mozang Chungi, Shadman Chowk, Jail Road, Mian Boulevard Gulberg, Mian Boulevard Garden Town, and Faisal Town.
Purple Line
The Purple Line is a proposed 19 kilometres (12 mi) line from Bhaati Chowk to the Allama Iqbal International Airport. Along the way, it will connect places like Brandreth Road, Railway Station, Allama Iqbal Road, Dharampura, and Ghazi Road.
Taxi and rickshaw
Ride-sharing services such as Uber and Careem are available in the city. Motorcycle rides are also available in the city, which have been introduced by private companies.
Auto rickshaws play an important role of public transport in Lahore. As of 2019, there were approximately 82,000 auto rickshaws and 65,000 motorcycle rickshaws in the city. Motorcycle rickshaws, usually called chingchi (after the Chinese company Jinan Qingqi Motorcycle Co. Ltd, who first introduced these to the market) or chand gari ('moon car') are cheaper than auto rickshaws and provide a shared ride experience for multiple passengers and fares, whereas auto rickshaws cater to only one passenger or group for a fare. Since 2002, all auto rickshaws have been required to use compressed natural gas as fuel, and all-electric rickshaws were introduced in 2023.
Intercity transportation
Railways
Lahore Junction Station serves as the main railway station for Lahore, and serves as a major hub for all Pakistan Railways services in Northern Pakistan. It includes services to Peshawar and the national capital metropolitan area of Islamabad–Rawalpindi, and long-distance services to Karachi and Quetta. Lahore Cantonment Station also operates a few trains.
Buses
Lahore Badami Bagh Bus Terminal (known colloquially as "Lari Adda") serves as a hub for intercity bus services in Lahore, served by multiple bus companies providing a comprehensive network of services in Punjab and neighbouring provinces. Lahore Jinnah Bus Terminal is also a major bus stand in southern Lahore. Apart from these stations, multiple privately owned bus transportation companies operate from Band Road (referred to colloquially as Chowk Yateem Khana), offering intercity transport at varying fares and comfort levels.
Airports
Pakistan's third busiest airport, Allama Iqbal International Airport (IATA: LHE), straddles the city's eastern boundary. The new passenger terminal was opened in 2003, replacing the old terminal which now serves as a VIP and Hajj lounge. The airport was named after the national poet-philosopher, Muhammad Iqbal, and is a secondary hub for the national carrier, Pakistan International Airlines. Walton Airport in Askari neighbourhood provides general aviation facilities. Sialkot International Airport (IATA: SKT) and Faisalabad International Airport (IATA: LYP) also serve as alternate airports for the Lahore area, in addition to serving their respective cities.
Allama Iqbal International Airport connects Lahore with many cities worldwide (including domestic destinations) by both passenger and cargo flight including Ras al Khaimah, Guangzhou (begins 28 August 2018), Ürümqi, Abu Dhabi, Barcelona, Beijing–Capital, Copenhagen, Dammam, Dera Ghazi Khan, Doha, Dubai–International, Islamabad, Jeddah, Karachi, Kuala Lumpur–International, London–Heathrow, Manchester, Medina, Milan–Malpensa, Multan, Muscat, Oslo–Gardermoen, Paris–Charles de Gaulle, Peshawar, Quetta, Rahim Yar Khan, Riyadh, Salalah, Tokyo–Narita, Toronto–Pearson, Mashhad, Bangkok–Suvarnabhumi, and Tashkent.
Roads
There are a number of municipal, provincial and federal roads that serve Lahore.
Municipal roads
Canal Road – serves as the major north–south artery
Provincial highways
Lahore Ring Road
Lahore–Kasur Road (Ferozepur Road)
Lahore–Raiwind Road (Raiwind Road)
Lahore–Sharaqpur Road (Sagianwala Bypass Road)
Lahore–Wagah Road
Grand Trunk Road (G.T Road )
Federal highways
M-2 motorway
M-3 motorway
M-11 motorway
N-5 National Highway (Multan Road)
N-60 National Highway (Sargodha–Lahore road)
Government
Metropolitan Corporation
Under Punjab Local Government Act 2013, Lahore is a metropolitan area under the authority of the Metropolitan Corporation Lahore. The Metropolitan Corporation Lahore is a body consisting of nine deputy mayors (one from each zone in the district) and the city's mayor – all of whom are elected in popular elections. The Metropolitan Corporation approves zoning and land use, coordinates urban design and planning, sets environmental protection laws, and provides municipal services.
Mayor
As per the Punjab Local Government Act 2013, the Mayor of Lahore is the elected head of the Metropolitan Corporation of Lahore. The mayor is directly elected in municipal elections every four years alongside 9 deputy town mayors. Mubashir Javed of the Pakistan Muslim League (N) was elected mayor of Lahore in 2016. The mayor is responsible for the administration of government services, the composition of councils and committees overseeing Lahore City District departments and serves as the chairperson for the meeting of the Lahore Council. The mayor also functions to help devise long-term development plans in consultation with other stakeholders and bodies to improve the condition, livability, and sustainability of urban areas.
Neighbourhoods
Lahore District is a subdivision of the Punjab, and is further divided into 9 administrative zones. Each town in turn consists of a group of union councils, of which there are 274 total.
Politics
The 2015 local government elections for Union Councils in Lahore yielded the following results:
Festivals
The people of Lahore celebrate many festivals and events throughout the year, including Islamic, traditional Punjabi, Christian, and national holidays and festivals.
Many people decorate their houses and light candles to illuminate the streets and houses during public holidays; roads and businesses may be lit for days. Many of Lahore's dozens of Sufi shrines hold annual festivals called urs to honour their respective saints. For example, the mausoleum of Ali Hujwiri at the Data Darbar shrine has an annual urs that attracts up to one million visitors per year. The popular Mela Chiraghan festival in Lahore takes place at the shrine of Madho Lal Hussain, while other large urs take place at the shrines of Bibi Pak Daman, and at the Shrine of Mian Mir. Eid ul-Fitr and Eid ul-Adha are celebrated in the city with public buildings and shopping centers decorated in lights. The people of Lahore also commemorate the martyrdom of Imam Husain at Karbala with massive processions that take place during the first ten days of the month of Muharram.
Basant is a traditional Punjabi festival that marks the coming of spring. Basant celebrations in Pakistan are centred in Lahore, and people from all over the country and abroad come to the city for the annual festivities. Kite-flying competitions traditionally take place on city rooftops during Basant, while the Lahore Canal is decorated with floating lanterns. Courts have banned kite-flying because of casualties and power installation losses. The ban was lifted for two days in 2007, then immediately reimposed when 11 people were killed by celebratory gunfire, sharp kite-strings, electrocution, and falls related to the competition.
Lahore's churches are elaborately decorated for Christmas and Easter celebrations. Shopping centers and public buildings also feature Christmas installations to celebrate the holiday, even though Christians only constitute 3% of the total population of Lahore in 2016.
Tourism
Lahore remains a major tourist destination in Pakistan. The Walled City of Lahore was renovated in 2014 and is popular due to the presence of UNESCO World Heritage Sites. Among the most popular sights are the Lahore Fort, adjacent to the Walled City, and home to the Sheesh Mahal, the Alamgiri Gate, the Naulakha pavilion, and the Moti Masjid. The fort and adjoining Shalimar Gardens have been a UNESCO World Heritage Site since 1981.
The city is home to several ancient religious sites, including prominent Hindu temples: the Krishna Temple and Valmiki Mandir. The Samadhi of Ranjit Singh, also located near the Walled City, houses the funerary urns of the Sikh ruler Maharaja Ranjit Singh. The most prominent religious building is the Badshahi Mosque, constructed in 1673; it was the largest mosque in the world upon construction. Another popular sight is the Wazir Khan Mosque, constructed in 1635 and known for its extensive faience tile work.
Cuisine
Religious sites
Well-known religious sites in the city include:
Museums
Tombs
Shrines
Samadhis
Bhai Vasti Ram
Ranjit Singh
Samadhi of Bhai Mani Singh
Sir Ganga Ram
Bhai Taru Singh
Havelis
There are many havelis inside the Walled City of Lahore, some in good condition while others need urgent attention. Many of these havelis are fine examples of Mughal and Sikh architecture. Some of the havelis inside the Walled City include:
Other landmarks
Shahi Hammam
Alhamra Art Council
Lahore Royal Fort
Greater Iqbal Park
Historic neighbourhoods
Anarkali
Badami Bagh
Baghbanpura
Begampura
Heera Mandi
Mughalpura
Shahdara Bagh
Walled City of Lahore
Education
Lahore is known as Pakistan's educational capital, with more colleges and universities than any other city in Pakistan. The literacy rate of Lahore is 74%. The city is Pakistan's largest producer of professionals in the fields of science, technology, IT, law, engineering, medicine, nuclear sciences, pharmacology, telecommunication, biotechnology, microelectronics, and nanotechnology, and has the only future hyper high-tech center in Pakistan.
Most of the reputable universities are public, but in recent years there has also been an upsurge in the number of private universities. Lahore University of Management Sciences (LUMS) is the only AACSB accredited business school in Pakistan. Lahore hosts some of Pakistan's oldest and best educational institutes, including:
Aitchison College, established in 1886
Beaconhouse National University, established in 2003
Central Model School, established in 1883
Crescent Model Higher Secondary School, established in 1968
College of Home Economics, established in 1955
College of Statistical and Actuarial Sciences, established in 1950
Convent of Jesus and Mary, established in 1867
Dayal Singh College, established in 1910
De'Montmorency College of Dentistry, established in 1929
Fatima Jinnah Medical University, established in 1948
Forman Christian College, established in 1864
Government College University, Lahore, established in 1864
Hailey College of Commerce, established in 1927
Islamia College, established in 1892
Jamia Ashrafia, established in 1947
King Edward Medical University, established in 1860
Kinnaird College for Women University, established in 1913
Lady Maclagan Training College, established in 1933
Lady Willingdon Nursing School, established in 1933
Lahore College for Women University, established in 1922
Lahore Garrison University
Lahore Grammar School, established in 1979
Lahore Medical and Dental College, established in 1997
Lahore School of Economics, established in 1993
Lahore University of Management Sciences, established in 1986
M.A.O College, established in 1933
Muslim Model High School, established in 1890
National College of Arts, established in 1875
Oriental College, established in 1876
Pakistan Institute of Fashion and Design, established in 1994
PakTurk International Schools and Colleges, established in 2006
Queen Mary College, established in 1908
Sacred Heart High School, established in 1906
Shaikh Khalifa Bin Zayed Al-Nahyan Medical and Dental College, established in 2009
St. Anthony's High School, established in 1892
St. Francis High School, established in 1842
University College of Pharmacy, established in 1944
University Law College, established in 1868
University of Central Punjab, established in 2002
University of Education, established in 2002
University of Engineering and Technology, Lahore, established in 1921
University of Health Sciences, Lahore, established in 2002
University of Lahore, established in 1999
University of Management and Technology (Lahore), established in 2002
University of the Punjab, established in 1882
University of Veterinary and Animal Sciences, established in 1882
Notable people
Sports
Sports venues
Lahore has successfully hosted many international sports events, including the finals of the 1990 Men's Hockey World Cup and the 1996 Cricket World Cup. The headquarters of all major sports governing bodies in Pakistan are located in Lahore, including cricket, hockey, rugby, and football. Lahore is also home to the head office of the Pakistan Olympic Association.
Gaddafi Stadium is a Test cricket ground in Lahore. It was completed in 1959, and renovations were carried out by Pakistani architect Nayyar Ali Dada in the 1990s.
The multi purpose Punjab Stadium located near the headquarters of the Pakistan Football Federation, is mainly used for football matches and has hosted several events including AFC President's Cup and FIFA World Cup qualifiers.
Lahore is home to several golf courses, including the Lahore Gymkhana Golf Course, the Lahore Garrison Golf and Country Club, the Royal Palm Golf Club, and newly built Defence Raya Golf & Country Club. Lake City, a 9-hole course, opened in nearby Raiwind Road in 2011. The newly opened Oasis Golf and Aqua Resort is a state-of-the-art resort, featuring golf, water parks, and leisure activities like horse riding and archery.
The Lahore Marathon is part of an annual package of six international marathons sponsored by Standard Chartered Bank across Asia, Africa, and the Middle East. More than 20,000 athletes from Pakistan and all over the world participate in this event. It was first held on 30 January 2005, and again on 29 January 2006. More than 22,000 people participated in the 2006 race. The third marathon was held on 14 January 2007. Plans exist to build Pakistan's first sports city in Lahore, on the bank of the Ravi River.
Professional sports teams from Lahore
Twin towns and sister cities
The following international cities have been declared twin towns and sister cities of Lahore.
Awards
In 1966, the Government of Pakistan awarded a special flag, the Hilal-i-istaqlal, to the cities of Lahore, Sargodha, and Sialkot for showing severe resistance to the enemy during the Indo-Pakistani War of 1965, as these cities were targets of the Indian aggression. Every year on Defence Day (6 September), this flag is hoisted in these cities in recognition of the will, courage, and perseverance of their people.
See also
Notes
References
Bibliography
Glover, William (2008). Making Lahore Modern, Constructing and Imagining a Colonial City. Univ. of Minnesota Press. ISBN 978-0-8166-5022-4.
Kudaisya, Gyanesh; Yong, Tan Tai (2004). The Aftermath of Partition in South Asia. Routledge. ISBN 978-1134440481.
Latif, Syad Muhammad (1892). Lahore: Its History, Architectural Remains and Antiquities. New Imperial Press. Internet Archive
Neville, Pran (2006). Lahore: A Sentimental Journey. Penguin Books. ISBN 978-0-14-306197-7.
Sidhwa, Bapsi (2005). City of Sin and Splendour: Writings on Lahore. Penguin Books India. ISBN 978-0-14-303166-6.
Wink, André (2002a). Al-Hind, the Making of the Indo-Islamic World. Vol. I, early medieval India and the expansion of Islam, 7th-11th centuries. Boston and Leiden: Brill Academic Publishers. ISBN 0-391-04173-8.
Wink, André (2002b). Al-Hind, the Making of the Indo-Islamic World. Vol. II, the Slave Kings and the Islamic Conquest, 11th–13th centuries. Boston and Leiden: Brill Academic Publishers. ISBN 0-391-04174-6.
External links
Official website |
Punjab_Province_(British_India) | https://en.wikipedia.org/wiki/Punjab_Province_(British_India) | [
250
] | [
"https://en.wikipedia.org/wiki/Punjab_Province_(British_India)"
] | The Punjab Province was a province of British India. Most of the Punjab region was annexed by the British East India Company on 29 March 1849; it was one of the last areas of the Indian subcontinent to fall under British control. In 1858, the Punjab, along with the rest of British India, came under the rule of the British Crown. It had a land area of 358,355 square kilometers.
The province comprised four natural geographic regions – Indo-Gangetic Plain West, Himalayan, Sub-Himalayan, and the North-West Dry Area – along with five administrative divisions – Delhi, Jullundur, Lahore, Multan, and Rawalpindi – and a number of princely states. In 1947, the Partition of India led to the province's division into East Punjab and West Punjab, in the newly independent dominions of the Indian Union and Pakistan respectively.
Etymology
The region was originally called Sapta Sindhu Rivers, the Vedic land of the seven rivers originally: Saraswati, Indus, Sutlej, Jehlum, Chenab, Ravi, and Beas. The Sanskrit name for the region, as mentioned in the Ramayana and Mahabharata for example, was Pañcanada which means literally "Five Waters", and was translated from Sanskrit to Farsi as Panj-Âb after the Islamic conquests. The later name Punjab is thus a compound of two Farsi words Panj (five) and āb (water) and was introduced to the region by the Turko-Persian conquerors of India and more formally popularised during the Mughal Empire. Punjab literally means "(The Land of) Five Waters" referring to the rivers: Jhelum, Chenab, Ravi, Sutlej, and Beas. All are tributaries of the Indus River, the Chenab being the largest.
Geography
Geographically, the province was a triangular tract of country of which the Indus River and its tributary the Sutlej formed the two sides up to their confluence, the base of the triangle in the north being the Lower Himalayan Range between those two rivers. Moreover, the province as constituted under British rule also included a large tract outside these boundaries. Along the northern border, Himalayan ranges divided it from Kashmir and Tibet. On the west it was separated from the North-West Frontier Province by the Indus, until it reached the border of Dera Ghazi Khan District, which was divided from Baluchistan by the Sulaiman Range. To the south lay Sindh and Rajputana, while on the east the rivers Jumna and Tons separated it from the United Provinces. In total Punjab had an area of approximately 357 000 km square about the same size as modern day Germany, being one of the largest provinces of the British Raj.
It encompassed the present day Indian states of Punjab, Haryana, Chandigarh, Delhi, and some parts of Himachal Pradesh which were merged with Punjab by the British for administrative purposes (but excluding the former princely states which were later combined into the Patiala and East Punjab States Union) and the Pakistani regions of the Punjab, Islamabad Capital Territory and Khyber Pakhtunkhwa.
In 1901 the frontier districts beyond the Indus were separated from Punjab and made into a new province: the North-West Frontier Province. Subsequently, Punjab was divided into four natural geographical divisions by colonial officials on the decadal census data:: 2 : 4
Indo-Gangetic Plain West geographical division (including Hisar district, Loharu State, Rohtak district, Dujana State, Gurgaon district, Pataudi State, Delhi, Karnal district, Jalandhar district, Kapurthala State, Ludhiana district, Malerkotla State, Firozpur district, Faridkot State, Patiala State, Jind State, Nabha State, Lahore District, Amritsar district, Gujranwala District, and Sheikhupura District);
Himalayan geographical division (including Sirmoor State, Simla District, Simla Hill States, Bilaspur State, Kangra district, Mandi State, Suket State, and Chamba State);
Sub-Himalayan geographical division (including Ambala district, Kalsia State, Hoshiarpur district, Gurdaspur district, Sialkot District, Gujrat District, Jhelum District, Rawalpindi District, and Attock District;
North-West Dry Area geographical division (including Montgomery District, Shahpur District, Mianwali District, Lyallpur District, Jhang District, Multan District, Bahawalpur State, Muzaffargarh District, Dera Ghazi Khan District, and the Biloch Trans–Frontier Tract).
History
Company rule
On 21 February 1849, the East India Company decisively defeated the Sikh Empire at the Battle of Gujrat bringing to an end the Second Anglo-Sikh War. Following the victory, the East India Company annexed the Punjab on 2 April 1849 and incorporated it within British India. The province whilst nominally under the control of the Bengal Presidency was administratively independent. Lord Dalhousie constituted the Board of Administration by inducting into it the most experienced and seasoned British officers. The Board was led by Sir Henry Lawrence, who had previously worked as British Resident at the Lahore Durbar and also consisted of his younger brother John Lawrence and Charles Grenville Mansel. Below the Board, a group of acclaimed officers collectively known as Henry Lawrence's "Young Men" assisted in the administration of the newly acquired province. The Board was abolished by Lord Dalhousie in 1853; Sir Henry was assigned to the Rajputana Agency, and his brother John succeeded as the first Chief Commissioner.
Recognising the cultural diversity of the Punjab, the Board maintained a strict policy of non-interference in regard to religious and cultural matters. Sikh aristocrats were given patronage and pensions and groups in control of historical places of worship were allowed to remain in control.
During the Indian Rebellion of 1857, the Punjab remained relatively peaceful, apart from rebellion led by Ahmad Khan Kharral. In May, John Lawrence took swift action to disarm potentially mutinous sepoys and redeploy most European troops to the Delhi ridge. Finally he recruited new regiments of Punjabis to replace the depleted force, and was provided with manpower and support from surrounding princely states such as Jind, Patiala, Nabha and Kapurthala and tribal chiefs on the borderlands with Afghanistan. By 1858, an estimated 70,000 extra men had been recruited for the army and militarised police from within the Punjab.
British Raj
In 1858, under the terms of the Queen's Proclamation issued by Queen Victoria, the Punjab, along with the rest of British India, came under the direct rule of the British Crown. Delhi Territory was transferred from the North-Western Provinces to the Punjab in 1858, partly to punish the city for the important role the last Mughal emperor, Bahadur Shah II, and the city as a whole, played in the 1857 Rebellion.
Sir John Lawrence, then Chief Commissioner, was appointed the first Lieutenant-Governor on 1 January 1859. In 1866, the Judicial Commissioner was replaced by a Chief Court. The direct administrative functions of the Government were carried by the Lieutenant-Governor through the Secretariat, comprising a Chief Secretary, a Secretary and two Under-Secretaries. They were usually members of the Indian Civil Service. The territory under the Lieutenant consisted of 29 Districts, grouped under 5 Divisions, and 43 Princely States. Each District was under a Deputy-Commissioner, who reported to the Commissioner of the Division. Each District was subdivided into between three and seven tehsils, each under a tahsildar, assisted by a naib (deputy) tahsildar.
In 1885 the Punjab administration began an ambitious plan to transform over six million acres of barren waste land in central and western Punjab into irrigable agricultural land. The creation of canal colonies was designed to relieve demographic pressures in the central parts of the province, increase productivity and revenues, and create a loyal support amongst peasant landholders. The colonisation resulted in an agricultural revolution in the province, rapid industrial growth, and the resettlement of over one million Punjabis in the new areas. A number of towns were created or saw significant development in the colonies, such as Lyallpur, Sargodha and Montgomery. Colonisation led to the canal irrigated area of the Punjab increasing from three to fourteen million acres in the period from 1885 to 1947.
The beginning of the twentieth century saw increasing unrest in the Punjab. Conditions in the Chenab colony, together with land reforms such as the Punjab Land Alienation Act, 1900 and the Colonisation Bill, 1906 contributed to the 1907 Punjab unrest. The unrest was unlike any previous agitation in the province as the government had for the first time aggrieved a large portion of the rural population. Mass demonstrations were organised, headed by Lala Lajpat Rai, a leader of the Hindu revivalist sect Arya Samaj. The unrest resulted in the repeal of the Colonisation Bill and the end of paternalist policies in the colonies.
During the First World War, Punjabi manpower contributed heavily to the Indian Army. Out of a total of 683,149 combat troops, 349,688 hailed from the province. In 1918, an influenza epidemic broke out in the province, resulting in the deaths of an estimated 962,937 people or 4.77 percent of the total estimated population. In March 1919 the Rowlatt Act was passed extending emergency measures of detention and incarceration in response to the perceived threat of terrorism from revolutionary nationalist organisations. This led to the infamous Jallianwala Bagh massacre in April 1919, where Colonel Reginald Edward Harry Dyer ordered detachments of the 9th Gorkha Rifles and the 59th Scinde Rifles under his command to fire into a group of some 10,000 unarmed protesters and Baisakhi pilgrims, killing 379.
Administrative reforms
The Montagu–Chelmsford Reforms enacted through the Government of India Act 1919 expanded the Punjab Legislative Council and introduced the principle of dyarchy, whereby certain responsibilities such as agriculture, health, education, and local government, were transferred to elected ministers. The first Punjab Legislative Council under the 1919 Act was constituted in 1921, comprising 93 members, seventy per cent to be elected and rest to be nominated. Some of the British Indian ministers under the dyarchy scheme were Sir Sheikh Abdul Qadir, Sir Shahab-ud-Din Virk and Lala Hari Kishen Lal.
The Government of India Act 1935 introduced provincial autonomy to Punjab replacing the system of dyarchy. It provided for the constitution of Punjab Legislative Assembly of 175 members presided by a Speaker and an executive government responsible to the Assembly. The Unionist Party under Sir Sikandar Hayat Khan formed the government in 1937. Sir Sikandar was succeeded by Malik Khizar Hayat Tiwana in 1942 who remained the Premier till partition in 1947. Although the term of the Assembly was five years, the Assembly continued for about eight years and its last sitting was held on 19 March 1945.
Partition
The struggle for Indian independence witnessed competing and conflicting interests in the Punjab. The landed elites of the Muslim, Hindu and Sikh communities had loyally collaborated with the British since annexation, supported the Unionist Party and were hostile to the Congress party led independence movement. Amongst the peasantry and urban middle classes, the Hindus were the most active National Congress supporters, the Sikhs flocked to the Akali movement whilst the Muslims eventually supported the All-India Muslim League.
Since the partition of the sub-continent had been decided, special meetings of the Western and Eastern Section of the Legislative Assembly were held on 23 June 1947 to decide whether or not the Province of the Punjab be partitioned. After voting on both sides, partition was decided and the existing Punjab Legislative Assembly was also divided into West Punjab Legislative Assembly and the East Punjab Legislative Assembly. This last Assembly before independence, held its last sitting on 4 July 1947.
Demographics
The first British census of the Punjab was carried out in 1855. This covered only British territory to the exclusion of local princely states, and placed the population at 17.6 million. The first regular census of British India carried out in 1881 recorded a population of 20.8 million people. The final British census in 1941 recorded 34.3 million people in the Punjab, which comprised 29 districts within British territory, 43 princely states, 52,047 villages and 283 towns.
In 1881, only Amritsar and Lahore had populations over 100,000. The commercial and industrial city of Amritsar (152,000) was slightly larger than the cultural capital of Lahore (149,000). Over the following sixty years, Lahore increased in population fourfold, whilst Amritsar grew two-fold. By 1941, the province had seven cities with populations over 100,000 with emergence and growth of Rawalpindi, Multan, Sialkot, Jullundur and Ludhiana.
The colonial period saw large scale migration within the Punjab due to the creation of canal colonies in western Punjab. The majority of colonists hailed from the seven most densely populated districts of Amritsar, Gurdaspur, Jullundur, Hoshiarpur, Ludhiana, Ambala and Sialkot, and consisted primarily of Khatris, Brahmins, Jats, Arains, Sainis, Kambohs and Rajputs. The movement of many highly skilled farmers from eastern and central Punjab to the new colonies, led to western Punjab becoming the most progressive and advanced agricultural region of the province. The period also saw significant numbers of Punjabis emigrate to other regions of the British Empire. The main destinations were East Africa - Kenya, Uganda and Tanzania, Southeast Asia - Malaya and Burma, Hong Kong and Canada.
Religion
The Punjab was a religiously eclectic province, comprising three major groups: Muslims, Hindus and Sikhs. By 1941, the religious Muslims constituting an absolute majority at 53.2%, whilst the Hindu population was at 30.1%. The period between 1881 and 1941 saw a significant increase in the Sikh and Christian populations, growing from 8.2% and 0.1% to 14.9% and 1.9% respectively. The decrease in the Hindu population has been attributed to the conversion of Hindus mainly to Sikhism and Islam, and also to Christianity.
In 1941, the Hindus, Muslims and Sikhs made 30.1, 53.2 and 14.9 per cent of the total population of Punjab but
made 37.9, 51.4 and 8.4 per cent of its urban population respectively.
Indo−Gangetic Plain West geographical division
Including Hisar district, Loharu State, Rohtak district, Dujana State, Gurgaon district, Pataudi State, Delhi, Karnal district, Jalandhar district, Kapurthala State, Ludhiana district, Malerkotla State, Firozpur district, Faridkot State, Patiala State, Jind State, Nabha State, Lahore District, Amritsar district, Gujranwala District, and Sheikhupura District.: 48 : 2
Himalayan geographical division
Including Sirmoor State, Simla District, Simla Hill States, Bilaspur State, Kangra district, Mandi State, Suket State, and Chamba State.: 48 : 2
Sub−Himalayan geographical division
Including Ambala district, Kalsia State, Hoshiarpur district, Gurdaspur district, Sialkot District, Gujrat District, Jhelum District, Rawalpindi District, and Attock District.: 48 : 2
North−West Dry Area geographical division
Including Montgomery District, Shahpur District, Mianwali District, Lyallpur District, Jhang District, Multan District, Bahawalpur State, Muzaffargarh District, Dera Ghazi Khan District, and the Biloch Trans–Frontier Tract.: 48 : 2
Language
As with religion, Punjab was a linguistically eclectically diverse province and region. In 1837, Persian had been abolished as the official language of Company administration and replaced by local Indian vernacular languages. In the Sikh Empire, Persian continued to be the official state language. Shortly after annexing the Punjab in 1849, the Board of Administration canvassed local officials in each of the provinces's six divisions to decide which language was "best suited for the Courts and Public Business". Officials in the western divisions recommended Persian whilst eastern officials suggested a shift to Urdu. In September 1849 a two-language policy was instituted throughout the province. The language policy in the Punjab differed from other Indian provinces in that Urdu was not a widespread local vernacular. In 1849 John Lawrence noted "that Urdu is not the language of these districts and neither is Persian".
In 1854, the Board of Administration abruptly ended the two-language policy and Urdu was designated as the official language of government across the province. The decision was motivated by new civil service rules requiring all officials pass a test in the official language of their local court. In fear of potentially losing their jobs, officials in Persian districts petitioned the board to replace Persian with Urdu, believing Urdu the easier language to master. Urdu remained the official administrative language until 1947.
Officials, although aware that Punjabi was the colloquial language of the majority, instead favoured the use of Urdu for a number of reasons. Criticism of Punjabi included the belief that it was simply a form of patois, lacking any form of standardisation, and that "would be inflexible and barren, and incapable of expressing nice shades of meaning and exact logical ideas with the precision so essential in local proceedings." Similar arguments had earlier been made about Bengali, Oriya and Hindustani; however, those languages were later adopted for local administration. Instead it is believed the advantages of Urdu served the administration greater. Urdu, and initially Persian, allowed the Company to recruit experienced administrators from elsewhere in India who did not speak Punjabi, to facilitate greater integration with other Indian territories which were administered with Urdu, and to help foster ties with local elites who spoke Persian and Urdu and could act as intermediaries with the wider populace.
As per the 1911 census, speakers of the Punjabi dialects and languages, including standard Punjabi along with Lahnda formed just over three-quarters (75.93 per cent) of the total provincial population.
Indo−Gangetic Plain West geographical division
Including Hisar district, Loharu State, Rohtak district, Dujana State, Gurgaon district, Pataudi State, Delhi, Karnal district, Jalandhar district, Kapurthala State, Ludhiana district, Malerkotla State, Firozpur district, Faridkot State, Patiala State, Jind State, Nabha State, Lahore District, Amritsar district, and Gujranwala District.
Himalayan geographical division
Including Nahan State, Simla district, Simla Hill States, Kangra district, Mandi State, Suket State, and Chamba State.
Sub−Himalayan geographical division
Including Ambala district, Kalsia State, Hoshiarpur district, Gurdaspur district, Sialkot District, Gujrat District, Jhelum District, Rawalpindi District, and Attock District.
North–West Dry Area geographical division
Including Montgomery District, Shahpur District, Mianwali District, Lyallpur District, Jhang District, Multan District, Bahawalpur State, Muzaffargarh District, and Dera Ghazi Khan District.
Tribes
Punjab Province was diverse, with the main castes represented alongside numerous subcastes and tribes (also known as Jāti or Barādarī), forming parts of the various ethnic groups in the province, contemporarily known as Punjabis, Saraikis, Haryanvis, Hindkowans, Dogras, Paharis, and others.
Literacy
Administrative divisions
Agriculture
Within a few years of its annexation, the Punjab was regarded as British India's model agricultural province. From the 1860s onwards, agricultural prices and land values soared in the Punjab. This stemmed from increasing political security and improvements in infrastructure and communications. New cash crops such as wheat, tobacco, sugar cane and cotton were introduced. By the 1920s the Punjab produced a tenth of India's total cotton crop and a third of its wheat crop. Per capita output of all the crops in the province increased by approximately 45 percent between 1891 and 1921, a growth contrasting to agricultural crises in Bengal, Bihar and Orissa during the period.
The Punjab Agricultural College and Research Institute became the first higher educational agricultural institution in the Punjab when established in 1906. Rapid agricultural growth, combined with access to easy credit for landowners, led to a growing crisis of indebtedness. When landowners were unable to pay down their loans, urban based moneylenders took advantage of the law to foreclose debts of mortgaged land. This led to a situation where land increasingly passed to absentee moneylenders who had little connection to the villages were the land was located. The colonial government recognised this as a potential threat to the stability of the province, and a split emerged in the government between paternalists who favoured intervention to ensure order, and those who opposed state intervention in private property relations. The paternalists emerged victorious and the Punjab Land Alienation Act, 1900 prevented urban commercial castes, who were overwhelmingly Hindu, from permanently acquiring land from statutory agriculturalist tribes, who were mainly Muslim and Sikh.
Accompanied by the increasing franchise of the rural population, this interventionist approach led to a long lasting impact on the political landscape of the province. The agricultural lobby remained loyal to the government, and rejected communalism in common defence of its privileges against urban moneylenders. This position was entrenched by the Unionist Party. The Congress Party's opposition to the Act led to it being marginalised in the Punjab, reducing its influence more so than in any other province, and inhibiting its ability to challenge colonial rule locally. The political dominance of the Unionist Party would remain until partition, and significantly it was only on the collapse of its power on the eve of independence from Britain, that communal violence began to spread in rural Punjab.
Army
In the immediate aftermath of annexation, the Sikh Khalsa Army was disbanded, and soldiers were required to surrender their weapons and return to agricultural or other pursuits. The Bengal Army, keen to utilise the highly trained ex-Khalsa army troops began to recruit from the Punjab for Bengal infantry units stationed in the province. However opposition to the recruitment of these soldiers spread and resentment emerged from sepoys of the Bengal Army towards the incursion of Punjabis into their ranks. In 1851, the Punjab Irregular Force also known as the 'Piffars' was raised. Initially they consisted of one garrison and four mule batteries, four regiments of cavalry, eleven of infantry and the Corps of Guides, totalling approximately 13,000 men. The gunners and infantry were mostly Punjabi, many from the Khalsa Army, whilst the cavalry had a considerable Hindustani presence.
During the Indian Rebellion of 1857, eighteen new regiments were raised from the Punjab which remained loyal to the East India Company throughout the crisis in the Punjab and United Provinces. By June 1858, of the 80,000 native troops in the Bengal Army, 75,000 were Punjabi of which 23,000 were Sikh. In the aftermath of the rebellion, a thorough re-organisation of the army took place. Henceforth recruitment into the British Indian Army was restricted to loyal peoples and provinces. Punjabi Sikhs emerged as a particularly favoured martial race to serve the army. In the midst of The Great Game, and fearful of a Russian invasion of British India, the Punjab was regarded of significant strategic importance as a frontier province. In addition to their loyalty and a belief in their suitability to serve in harsh conditions, Punjabi recruits were favoured as they could be paid at the local service rate, whereas soldiers serving on the frontier from more distant lands had to be paid extra foreign service allowances. By 1875, of the entire Indian army, a third of recruits hailed from the Punjab.
In 1914, three fifths of the Indian army came from the Punjab, despite the region constituting approximately one tenth of the total population of British India. During the First World War, Punjabi Sikhs alone accounted for one quarter of all armed personnel in India. Military service provided access to the wider world, and personnel were deployed across the British Empire from Malaya, the Mediterranean and Africa. Upon completion of their terms of service, these personnel were often amongst the first to seek their fortunes abroad. At the outbreak of the Second World War, 48 percent of the Indian army came from the province. In Jhelum, Rawalpindi and Attock, the percentage of the total male population who enlisted reached fifteen percent. The Punjab continued to be the main supplier of troops throughout the war, contributing 36 percent of the total Indian troops who served in the conflict.
The huge proportion of Punjabis in the army meant that a significant amount of military expenditure went to Punjabis and in turn resulted in an abnormally high level of resource input in the Punjab. It has been suggested that by 1935 if remittances of serving officers were combined with income from military pensions, more than two thirds of Punjab's land revenue could have been paid out of military incomes. Military service further helped reduce the extent of indebtedness across the Province. In Hoshiarpur, a notable source of military personnel, in 1920 thirty percent of proprietors were debt free compared to the region's average of eleven percent. In addition, the benefits of military service and the perception that the government was benevolent towards soldiers, affected the latter's attitudes towards the British. The loyalty of recruited peasantry and the influence of military groups in rural areas across the province limited the reach of the nationalist movement in the province.
Communications and transport
In 1853, the Viceroy Lord Dalhousie issued a minute stressing the military importance of railways across India. In the Punjab, however, it was initially strategic commercial interests which drove investment in railways and communications from 1860.
Independent railway companies emerged, such as the Scinde, Punjab and Delhi railways to build and operate new lines. In 1862, the first section of railway in the Punjab was constructed between Lahore and Amritsar, and Lahore Junction railway station opened. Lines were opened between Lahore and Multan in 1864, and Amritsar and Delhi in 1870. The Scinde, Punjab and Delhi railways merged to form the Scinde, Punjab & Delhi Railway in 1870, creating a link between Karachi and Lahore via Multan. The Punjab Northern State Railway linked Lahore and Peshawar in 1883. By 1886, the independent railways had amalgamated into North Western State Railway.
The construction of railway lines and the network of railway workshops generated employment opportunities, which in turn led to increased immigration into cantonment towns. As connectivity increased across the province, it facilitated the movement of goods, and increased human interaction. It has been observed that the Ferozpur, Lahore and Amritsar began to develop into one composite cultural triangle due to the ease of connectivity between them. Similarly barriers of spoken dialects eroded over time, and cultural affinities were increasingly fostered.
Education
In 1854, the Punjab education department was instituted with a policy to provide secular education in all government managed institutions. Privately run institutions would only receive grants-in-aid in return for providing secular instruction. By 1864 this had resulted in a situation whereby all grants-in-aid to higher education schools and colleges were received by institutions under European management, and no indigenous owned schools received government help.
In the early 1860s, a number of educational colleges were established, including Lawrence College, Murree, King Edward Medical University, Government College, Lahore,
Glancy Medical College and Forman Christian College. In 1882, Gottlieb Wilhelm Leitner published a damning report on the state of education in the Punjab. He lamented the failure to reconcile government run schools with traditional indigenous schools, and noted a steady decline in the number of schools across the province since annexation. He noted in particular how Punjabi Muslim's avoided government run schools due to the lack of religious subjects taught in them, observing how at least 120,000 Punjabis attended schools unsupported by the state and describing it as 'a protest by the people against our system of education.' Leitner had long advocated the benefits of oriental scholarship, and the fusion of government education with religious instruction. In January 1865 he had established the Anjuman-i-Punjab, a subscription based association aimed at using a European style of learning to promote useful knowledge, whilst also reviving traditional scholarship in Arabic, Persian and Sanskrit. In 1884, a reorganisation of the Punjab education system occurred, introducing measures tending towards decentralisation of control over education and the promotion of an indigenous education agency. As a consequence several new institutions were encouraged in the province. The Arya Samaj opened a college in Lahore in 1886, the Sikhs opened the Khalsa College whilst the Anjuman-i-Himayat-i-Islam stepped in to organise Muslim education. In 1886, the Punjab Chiefs' College, later renamed Aitchison College, was opened to further the education of the elite classes.
Government
Early administration
In 1849, a Board of Administration was put in place to govern the newly annexed province. The Board was led by a President and two assistants. Beneath them Commissioners acted as Superintendents of revenue and police and exercised the civil appellate and the original criminal powers of Sessions Judges, whilst Deputy Commissioners were given subordinate civil, criminal and fiscal powers. In 1853, the Board of Administration was abolished, and authority was invested in a single Chief Commissioner. The Government of India Act 1858 led to further restructuring and the office of Lieutenant-Governor replaced that of Chief Commissioner.
Although The Indian Councils Act, 1861 laid the foundation for the establishment of a local legislature in the Punjab, the first legislature was constituted in 1897. It consisted of a body of nominated officials and non-officials and was presided over by the Lieutenant-Governor. The first council lasted for eleven years until 1909. The Morley-Minto Reforms led to an elected members complementing the nominated officials in subsequent councils.
Punjab Legislative Council and Assembly
The Government of India Act 1919 introduced the system of dyarchy across British India and led to the implementation of the first Punjab Legislative Council in 1921. At the same time the office of lieutenant governor was replaced with that of governor. The initial Council had ninety three members, seventy per cent of which were elected and the rest nominated. A president was elected by the Council to preside over the meetings. Between 1921 and 1936, there were four terms of the Council.
In 1935, the Government of India Act 1935 replaced dyarchy with increased provincial autonomy. It introduced direct elections, and enabled elected Indian representatives to form governments in the provincial assemblies. The Punjab Legislative Council was replaced by a Punjab Legislative Assembly, and the role of President with that of a Speaker. Membership of the Assembly was fixed at 175 members, and it was intended to sit for five years.
First Assembly Election
The first election was held in 1937 and was won outright by the Unionist Party. Its leader, Sir Sikandar Hayat Khan was asked by the Governor, Sir Herbert Emerson to form a Ministry and he chose a cabinet consisting of three Muslims, two Hindus and a Sikh. Sir Sikandar died in 1942 and was succeeded as Premier by Khizar Hayat Khan Tiwana.
Second Assembly Election
The next election was held in 1946. The Muslim League won the most seats, winning 73 out of a total of 175. However a coalition led by the Unionist Party and consisting of the Congress Party and Akali Party were able to secure an overall majority. A campaign of civil disobedience by the Muslim League followed, lasting six weeks, and led to the resignation of Sir Khizar Tiwana and the collapse of the coalition government on 2 March 1947. The Muslim League however were unable to attract the support of other minorities to form a coalition government themselves. Amid this stalemate the Governor Sir Evan Jenkins assumed control of the government and remained in charge until the independence of India and Pakistan.
Coat of arms
Crescat e Fluviis meaning, Let it grow from the rivers was the Latin motto used in the coat of arms for Punjab Province. As per the book History of the Sikhs written by Khushwant Singh, it means Strength from the Rivers.
See also
Notable people from Punjab Province, British India
History of Punjab
British Raj
List of misls of the Sikh Confederacy
Punjab (region)
Sikh Empire
Notes
== References == |
Caldecott_Medal | https://en.wikipedia.org/wiki/Caldecott_Medal | [
251
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"https://en.wikipedia.org/wiki/Caldecott_Medal#Recipients"
] | The Randolph Caldecott Medal, frequently shortened to just the Caldecott, annually recognizes the preceding year's "most distinguished American picture book for children". It is awarded to the illustrator by the Association for Library Service to Children (ALSC), a division of the American Library Association (ALA). The Caldecott and Newbery Medals are considered the most prestigious American children's book awards. Besides the Caldecott Medal, the committee awards a variable number of citations to runners-up they deem worthy, called the Caldecott Honor or Caldecott Honor Books.
The Caldecott Medal was first proposed by Frederic G. Melcher in 1937. The award was named after English illustrator Randolph Caldecott. Unchanged since its founding, the medal, which is given to every winner, features two of Caldecott's illustrations. The awarding process has changed several times over the years, including the use of the term "Honor" for the runner-ups beginning in 1971. There have been between one and five honor books named each year.
To be eligible for a Caldecott, the book must be published in English, in the United States first, and be drawn by an American illustrator. An award committee decides on a winner in January or February, voting using a multi-round point system. The committee judges books on several criteria to meet the Caldecott's goal of recognizing "distinguished illustrations in a picture book and for excellence of pictorial presentation for children."
Winning the award can lead to a substantial rise in books sold. It can also increase the prominence of illustrators. Illustrator and author Marcia Brown is the most recognized Caldecott illustrator, having won three medals and having six honor books. In recent years, there has been an increase in the number of minority characters and illustrators recognized. However, this is something which has fluctuated over the history of the award.
History
The Caldecott was suggested in 1937 by Frederic G. Melcher, former editor of Publishers Weekly, following the establishment of the Newbery Medal in 1921.: 1 The American Library Association adopted Melcher's suggestion of awarding a medal to the illustrator "who had created the most distinguished picture book of the year." According to children's literature expert Leonard S. Marcus, the award helped draw American artists into the field of children's books.
The award has been tweaked over the years, with the most recent changes in 2009. When the award was founded, books could be considered either for the Newbery or the Caldecott, with the same committee judging both awards. The committee noted other books of merit, which were frequently referred to as runner-ups. In 1971, these books were formally named Caldecott Honor books, with this name applied retroactively. In 1977, books became eligible for both awards and, beginning with the 1980 award, separate committees for each award were formed. Until 1958, a previous winner could win again only by unanimous vote of the committee, and it was only in 1963 when joint winners were first permitted.: 2
Medal
The award is named for Randolph Caldecott, a nineteenth-century English illustrator. Rene Paul Chambellan designed the Medal in 1937. The obverse scene is derived from Randolph Caldecott's front cover illustration for The Diverting History of John Gilpin (Routledge, 1878, an edition of the 1782 poem by William Cowper), which depicts John Gilpin astride a runaway horse. The reverse is based on "Four and twenty blackbirds baked in a pie", one of Caldecott's illustrations for the nursery rhyme "Sing a Song of Sixpence".
Each illustrator receives a bronze copy of the medal, which, despite being awarded by the Association for Library Service to Children (ALSC), lists Children's Librarian's Section, the original awarding group, for historical reasons.: 3 : 8
Eligibility and criteria
A picture book, according to the award criteria, provides "a visual experience. A picture book has a collective unity of storyline, theme, or concept, developed through the series of pictures" that constitute the book. The Medal is "for distinguished illustrations in a picture book and for excellence of pictorial presentation for children". Specifically, the illustrations are judged on their artistic technique, interpretation of the book's story and theme, the fit between the illustrations and the story and themes, the precision of depiction of elements of the book, like characters and mood, and how well the illustrations serve their targeted audience. Honor books need to fulfill the same criteria. The book must be self-contained, independent of other media for its enjoyment. Components other than illustration, including the book's text or overall design, may be considered as they affect the overall effectiveness of the book's illustrations.
To be eligible for the Caldecott, the artist must be a US citizen or resident, the book must have been published in English, in the United States first, or simultaneously in other countries. Picture books for any audience up to the age of 14 may be considered. In December 2019, children's literature expert Leonard S. Marcus suggested that the Caldecott had achieved its mission in the US and the award should be expanded so children's book illustrations from anywhere in the world be considered.
Selection process
The committee that decides on the Caldecott Award winner comprises fifteen members of ALSC. Seven members are elected by the entire ALSC membership and eight, including the chairperson, are appointed by the ALSC President. Members are chosen based on their experience. Consideration is also done to ensure a diversity of libraries (e.g. public and school, small and large), and geographical areas are represented as well.: 7 Publishers send copies of books to the committee; in 2009, each member received more than 700. However, a book does not need to be sent to the committee to be considered.: 27 Instead, to help identify possible contenders, committee members formally nominate seven books in three rounds over the year, and less formally recommend others.
At ALSC's annual midwinter meeting, held in late January or early February, the committee will discuss the nominations and hold a vote on the winner.: 8 When voting, committee members list their first place, second place, and third place selections. Each vote is assigned a point value, with first place votes receiving four points, second place three points, and third place two points. The winner must receive at least eight first place votes and be at least eight points ahead of the second-place finisher.: 38 After a winner is selected, the committee can decide whether to award any honor books. They may be chosen from runner-ups to the winner, or be selected in a separate ballot.: 39 The winner and honor books are kept secret until they are publicly announced, with the committee calling the winning illustrators the morning of the announcement.: 40
In 2015, K. T. Horning of the University of Wisconsin–Madison's Cooperative Children's Book Center proposed to ALSC that old discussions of the Newbery and Caldecott be made public in the service of researchers and historians. This proposal was met with both support and criticism by former committee members and recognized authors. As of 2020, no change has been made.
Impact and analysis
The Caldecott and Newbery awards have historically been considered the most important children's book awards. Anita Silvey, children's book author, editor, and critic, suggests they might even be the most important book awards, saying that "no other award has the economic significance of the Newbery and Caldecott". According to Silvey, a Caldecott winner can have sales increased from 2,000 to 100,000–200,000. Silvey also credits the Caldecott for helping to establish Bradbury Press and Roaring Brook Press as important publishers. It can also be an important recognition for authors. According to Leonard Marcus, Where the Wild Things Are's recognition brought its author and illustrator, Maurice Sendak, to national prominence.
A 1999 study on the reading levels of Caldecott recipients suggested that most winners were written at the elementary age level, with the average reading level having decreased over time. A 2007 study of Caldecott recipients found that the prevalence and importance of female characters had risen and fallen several times over the history of the Caldecott. It also found that, unlike recipients of the Pura Belpré Award and Coretta Scott King Award, the behaviors of male and female characters remained distinct and adhered to traditional gender norms. A different 2007 study, by one of the same authors, also found an increase in the number of minority characters following a 1965 critique by Nancy Larrick, however the number of minorities had fallen by the 2000s. In recent years, there has been an increase in the number of minority characters and illustrators recognized. The Horn Book Magazine editor Martha Parravano has noted how rarely non-fiction books, especially non-fiction books about science, are recognized by the Caldecott.
Recipients
Multiple award winners
Listed below are all illustrators who have won at least two Caldecott Medals or who have won a Medal and multiple honors.
See also
Kate Greenaway Medal, for illustration of a British children's book
Theodor Seuss Geisel Award, for an American book for beginning readers
References
Citations
"Randolph Caldecott Medal Committee Manual (formatted August 2012)" (PDF). Association for Library Service to Children (ALSC). American Library Association (ALA). June 2009. Archived (PDF) from the original on November 10, 2013. Retrieved May 3, 2013.
Further reading
Kolbe, Richard; Joseph C.Lavoie (1981). "Sex-Role Stereotyping in Preschool Children's Picture Books". Social Psychology Quarterly. 44 (4): 369–74. doi:10.2307/3033906. JSTOR 3033906.
Marcus, Leonard S. (August 11, 2013). "Seal Of Approval". The New York Times Book Review. Archived from the original on August 11, 2013. Retrieved August 10, 2013.
Smith, Irene (1957). A History of the Newbery and Caldecott Medals. New York: Viking Press.
Ebook Central Academic Complete. In the Words of the Winners: The Newbery and Caldecott Medals, 2001–2010. Chicago: American Library Association, 2011.
External links
Official website |
2000_Summer_Olympics | https://en.wikipedia.org/wiki/2000_Summer_Olympics | [
251
] | [
"https://en.wikipedia.org/wiki/2000_Summer_Olympics"
] | The 2000 Summer Olympics, officially the Games of the XXVII Olympiad, officially branded as Sydney 2000, and also known as the Games of the New Millennium, were an international multi-sport event held from 15 September to 1 October 2000 in Sydney, New South Wales, Australia. It marked the second time the Summer Olympics were held in Australia, and in the Southern Hemisphere, the first being in Melbourne, in 1956.
Sydney was selected as the host city for the 2000 Games in 1993. Teams from 199 countries participated in the 2000 Games, which were the first to feature at least 300 events in its official sports program. The Games were estimated to have cost A$6.6 billion. These were the final Olympic Games under the IOC presidency of Juan Antonio Samaranch before the arrival of his successor Jacques Rogge.
The final medal tally at the 2000 Summer Olympics was led by the United States, followed by Russia and China with host Australia in fourth place overall. Cameroon, Colombia, Latvia, Mozambique, and Slovenia won a gold medal for the first time in their Olympic histories, while Barbados, Kuwait, Kyrgyzstan, Macedonia, Saudi Arabia, and Vietnam won their first-ever Olympic medals.
The 2000 Games received universal acclaim, with the organisation, volunteers, sportsmanship, and Australian public being lauded in the international media. Bill Bryson of The Times called the Sydney Games "one of the most successful events on the world stage", saying that they "couldn't be better". James Mossop of the Electronic Telegraph called the Games "such a success that any city considering bidding for future Olympics must be wondering how it can reach the standards set by Sydney", while Jack Todd of the Montreal Gazette suggested that the "IOC should quit while it's ahead. Admit there can never be a better Olympic Games, and be done with it," as "Sydney was both exceptional and the best". These games would provide the inspiration for London's winning bid for the 2012 Olympic Games in 2005; in preparing for the 2012 Games, Lord Coe declared the 2000 Games the "benchmark for the spirit of the Games, unquestionably", admitting that the London organizing committee "attempted in several ways to emulate what the Sydney Organising Committee did."
Australia will host the Summer Olympics in Brisbane in 2032, making it the first Asia-Pacific country to host the Summer Olympics three times.
Host city selection
Sydney won the right to host the Games on 24 September 1993, after being selected over Beijing, Berlin, Istanbul, and Manchester in four rounds of voting, at the 101st IOC Session in Monte Carlo, Monaco. Brasília, Milan, and Tashkent made bids before deciding to withdraw during the bidding process. The Australian city of Melbourne which also hosted the 1956 Summer Olympics had lost out to Atlanta for the 1996 Summer Olympics three years earlier. Beijing would later be selected to host the 2008 Summer Olympics eight years later on 13 July 2001 and the 2022 Winter Olympics twenty-two years later on 31 July 2015. Milan would also go on to win the 2026 Winter Olympics along with Cortina d'Ampezzo twenty-six years later on 24 June 2019. Beijing's loss to Sydney was seen as a "significant blow" to an "urgent political priority" of the Chinese Communist Party leadership having mounted the most intense and expensive candidacy campaign at the date so far (this includes the Summer and Winter Games). Although it is unknown as two members of the International Olympic Committee voted for Sydney over Beijing in 1993, it appears that an important role was played by Human Rights Watch's campaign to "stop Beijing" because of China's human rights record and international isolation following the 1989 Tiananmen Square protests. Many in China were angry at what they saw as U.S.-led interference in the vote, and the outcome contributed to rising anti-Western sentiment in China and a new phase in the tensions in Sino-American relations.
The Games
Costs
The Oxford Olympics Study 2016 estimates the outturn cost of the Sydney 2000 Summer Olympics at US$5 billion in 2015 dollars and cost overrun at 90% in real terms. This includes sports-related costs only, that is, (i) operational costs incurred by the organizing committee to stage the Games, e.g., expenditures for technology, transportation, workforce, administration, security, catering, ceremonies, and medical services, and (ii) direct capital costs incurred by the host city and country or private investors to build, e.g., the competition venues, the Olympic village, international broadcast centre, and media and press centre, which are required to host the Games. Indirect capital costs are not included, such as for road, rail, airport infrastructure, hotel upgrades, or other business investments incurred in preparation for the Games but not directly related to staging the Games. The cost for Sydney 2000 compares with a cost of US$4.6 billion for Rio 2016, US$40–44 billion for Beijing 2008, and US$51 billion for Sochi 2014, the most expensive Olympics in history. The average cost for the Summer Games since 1960 is US$5.2 billion, average cost overrun is 176%.
In 2000, the Auditor-General of New South Wales reported that the Sydney Games cost A$6.6 billion, with a net cost to the public between A$1.7 and A$2.4 billion. In the years leading up to the games, funds were shifted from education and health programs to cover Olympic expenses.
It has been estimated that the economic impact of the 2000 Olympics was that A$2.1 billion has been shaved from public consumption. Economic growth was not stimulated to a net benefit and in the years after 2000, foreign tourism to NSW grew by less than tourism to Australia as a whole. A "multiplier" effect on broader economic development was not realised, as a simple "multiplier" analysis fails to capture that resources have to be redirected from elsewhere: the building of a stadium is at the expense of other public works such as extensions to hospitals. Building sporting venues does not add to the aggregate stock of productive capital in the years following the Games: "Equestrian centers, softball compounds, and man-made rapids are not particularly useful beyond their immediate function."
Many venues that were constructed in Sydney Olympic Park failed financially in the years immediately following the Olympics to meet the expected bookings to meet upkeep expenses. It was only the 2003 Rugby World Cup that reconnected the park back to citizens. In recent years, infrastructure costs for some facilities have been of growing concern to the NSW Government, especially facilities in Western Sydney. Proposed metro and light rail links from Olympic Park to Parramatta have been estimated to cost in the same order of magnitude as the public expenditure on the games. Stadium Australia had been considered for demolition in 2017 by then NSW Premier Gladys Berejiklian, citing that the stadium was "built for an Olympics" but not for modern spectators. The plan was scrapped in 2020 during the COVID-19 pandemic. The Dunc Gray Velodrome has also struggled to keep up its $500,000-per-year maintenance costs, although it is still used for track cycling events.
Chronological Summary of the 2000 Summer Olympics
Although the Opening Ceremony was not scheduled until 15 September, the football competitions began with preliminary matches on 13 September. Among the pre-ceremony fixtures, host nation Australia lost 1–0 to Italy at the Melbourne Cricket Ground, which was the main stadium for the 1956 Melbourne Olympics.
Day 1: 15 September
Cultural display highlights
The opening ceremony began with a tribute to the Australian pastoral heritage of the Australian stockmen and the importance of the stock horse in Australia's heritage. It was produced and filmed by the Sydney Olympic Broadcasting Organisation and the home nation broadcaster Channel 7. This was introduced by lone rider Steve Jefferys and his rearing Australian Stock Horse Ammo. At the cracking of Jefferys' stockwhip, a further 120 riders entered the stadium, their stock horses performing intricate steps, including forming the five Olympic Rings, to a Special Olympics version of the theme, which Bruce Rowland had previously composed for the 1982 film The Man from Snowy River.
The Australian National Anthem was sung in the first verse by Human Nature and the second by Julie Anthony.
The ceremony continued, showing many aspects of the land and its people: the affinity of the mainly coastal-dwelling Australians with the sea that surrounds the Island Continent. The Indigenous inhabitation of the land, the coming of the First Fleet, the continued immigration from many nations, and the rural industry on which the economy of the nation was built, including a display representing the harshness of rural life based on the paintings of Sir Sidney Nolan. Two memorable scenes were the representation of the heart of the country by 200 Aboriginal women from Central Australia who danced up "the mighty spirit of God to protect the Games" and the overwhelmingly noisy representation of the construction industry by hundreds of tap-dancing teenagers.
Because Bibi Salisachs (the wife of IOC President Juan Antonio Samaranch) was seriously ill and unable to accompany her husband to the Olympics, Dawn Fraser, former Australian Olympic Champion swimmer and member of the Parliament of New South Wales, accompanied Samaranch during the Australian cultural display, explaining to him some of the cultural references that are unfamiliar to non-Australians.
Formal presentation
A record 199 nations entered the stadium, with a record 80 of them winning at least one medal. The only missing IOC member was Afghanistan, who was banned due to the extremist rule of the Taliban's oppression of women and its prohibition of sports. The ceremony featured a unified entrance by the athletes of North and South Korea, using a specially designed unification flag: a white background flag with a blue map of the Korean Peninsula. Four athletes from East Timor also marched in the parade of nations as individual Olympic athletes and marched directly before the host country. Although the country-to-be had no National Olympic Committee then, they were allowed to compete under the Olympic Flag with country code IOA. The Governor-General, Sir William Deane, opened the games.
The Olympic Flag was carried around the arena by eight former Australian Olympic champions: Bill Roycroft, Murray Rose, Liane Tooth, Gillian Rolton, Marjorie Jackson, Lorraine Crapp, Michael Wenden and Nick Green. During the raising of the Olympics Flag, the Olympic Hymn was sung by the Millennium Choir of the Greek Orthodox Archdiocese of Australia in Greek. Following this, Tina Arena sang a purpose-written pop song, The Flame.
The opening ceremony concluded with the lighting of the Olympic Flame, which was brought into the stadium by former Australian Olympic champion Herb Elliott. Then, celebrating 100 years of women's participation in the Olympic Games, former Australian women Olympic medalists Betty Cuthbert and Raelene Boyle, Dawn Fraser, Shirley Strickland (later Shirley Strickland de la Hunty), Shane Gould and Debbie Flintoff-King brought the torch through the stadium, handing it over to Cathy Freeman, who lit the flame in the cauldron within a circle of fire. The choice of Freeman, an Aboriginal woman, to light the flame was notable given the history of human rights abuses against Aboriginal people in Australia. Following her lighting, Freeman was the subject of racial abuse from some Australians. The planned spectacular climax to the ceremony was delayed by the technical glitch of a computer switch which malfunctioned, causing the sequence to shut down by giving a false reading. This meant that the Olympic flame was suspended in mid-air for about four minutes rather than immediately rising up a water-covered ramp to the top of the stadium. When the cause of the problem was discovered, the program was overridden and the cauldron continued its course, and the ceremony concluded with a fireworks display.
Day 2: 16 September
The first medals of the Games were awarded in the women's 10 metre air rifle competition, which was won by Nancy Johnson of the United States.
The Triathlon made its Olympic debut with the women's race. Set in the surroundings of the Sydney Opera House, Brigitte McMahon representing Switzerland swam, cycled and ran to the first gold medal in the sport, beating the favoured home athletes such as Michelie Jones who won silver. McMahon only passed Jones in sight of the finish line.
The first star of the Games was 17-year-old Australian Ian Thorpe, who first set a new world record in the 400-metre freestyle final before competing in an exciting 4 × 100 m freestyle final. Swimming the last leg, Thorpe passed the leading American team and arrived in a new world record time, two-tenths of a second ahead of the Americans. In the same event for women, the Americans also broke the world record, finishing ahead of the Netherlands and Sweden.
Samaranch had to leave for home, as his wife was severely ill. Upon arrival, his wife had already died. Samaranch returned to Sydney four days later. The Olympic flag was flown at half-staff during the period as a sign of respect to Samaranch's wife.
Day 3: 17 September
Canadian Simon Whitfield sprinted away in the last 100 metres of the men's triathlon, becoming the inaugural winner in the event.
On the cycling track, Robert Bartko beat fellow German Jens Lehmann in the individual pursuit, setting a new Olympic Record. Leontien Zijlaard-van Moorsel set a world record in the semi-finals the same event for women.
In the swimming pool, American Tom Dolan beat the world record in the 400-metre medley, successfully defending the title he won in Atlanta four years prior. Dutchwoman Inge de Bruijn also clocked a new world record, beating her own time in the 100 m butterfly final to win by more than a second.
Day 4: 18 September
The main event for the Australians on the fourth day of the Games was the 200 m freestyle. Dutchman Pieter van den Hoogenband had broken the world record in the semi-finals, taking it from the new Australian hero Ian Thorpe, who came close to the world record in his semi-final heat. As the final race finished, Van den Hoogenband's time was exactly the same as in the semi-finals, finishing ahead of Thorpe by half a second.
China won the gold medal in the men's team all-around gymnastics competition after being the runner-up in the previous two Olympics. The other medals were taken by Ukraine and Russia, respectively.
Zijlaard-van Moorsel lived up to the expectations set by her world record in cycling in the semis by winning the gold medal.
Day 7: 21 September
During the Women's Gymnastics All-Around, female athletes suffered damning scores and injuries due to improperly installed gymnastics equipment. Gymnasts performing on the vault gave uncharacteristically poor performances and fell. Officials blamed the series of falls and low scores on performance anxiety. It was not until Australian gymnast Allana Slater and her coach, Peggy Liddick, voiced concerns about the equipment that officials discovered the apparatus was five centimetres, or almost two inches, lower than it should have been. While athletes were given the opportunity to perform again, for some of them, the damage to their mental or physical health caused by the vault was irreparable. Chinese gymnast Kui Yuanyuan and American gymnast Kristen Maloney both injured their legs while attempting to stick their landings, with Kui needing to be carried to an examination area and Maloney damaging a titanium rod that had recently been implanted in her shin. Romanian gymnast Andreea Răducan ultimately took gold while her teammates, Simona Amânar and Maria Olaru took silver and bronze, respectively.
Day 9: 23 September
By rowing in the winning coxless four, Steve Redgrave of Great Britain became a member of a select group who had won gold medals at five consecutive Olympics.
The swimming 4 x 100-metre medley relay of B.J. Bedford, Megan Quann (Jendrick), Jenny Thompson and Dara Torres became the first women's relay under 4-minutes, swimming 3:58 and setting a world record, claiming the gold medal for the United States.
Day 10: 24 September
Rulon Gardner, never an NCAA champion or a world medalist, beat Alexander Karelin of Russia to win gold in the super heavyweight class, Greco-Roman wrestling. Karelin had won gold in Seoul, Barcelona and Atlanta. Before this fight, he had never lost in international competition, had been unbeaten in all competitions in 13 years, and had not surrendered a point in a decade.
Day 11: 25 September
Australian Cathy Freeman won the 400-metre final in front of a jubilant Sydney crowd at the Olympic Stadium, ahead of Lorraine Graham of Jamaica and Katharine Merry of Great Britain. Freeman's win made her the first competitor in Olympic Games history to light the Olympic Flame and then go on to win a Gold Medal. The attendance at the stadium was 112,524 – the largest attendance for any sport in Olympic Games history.
In a men's basketball pool match between the United States and France, the USA's Vince Carter made one of the most famous dunks in basketball history. After getting the ball off a steal, the 6'6"/1.98 m Carter drove to the basket, with 7'2"/2.18 m centre Frédéric Weis in his way. Carter jumped, spread his legs in midair, scraped Weis' head on the way up, and dunked. The French media dubbed the feat le dunk de la mort ("the dunk of death").
Day 14: 28 September
The Canadian flag at the athletes' village was lowered to half-mast as Canadian athletes paid tribute to the former prime minister Pierre Trudeau after hearing of his death in Montreal (because of the time zone difference, it was 29 September in Sydney when Trudeau died). The Canadian flag was flown at half-mast for the remainder of the Olympics, on orders from both IOC President Juan Antonio Samaranch and Canadian Foreign Affairs Minister Lloyd Axworthy, and as the state funeral did not take place until 3 October, two days after the closing ceremony, so they have enough time to head back to Canada after the Games and attending his funeral.
Day 16: 30 September
Cameroon won a historic gold medal over Spain in the Men's Olympic Football Final at the Olympic Stadium. The game went to a penalty shootout, which was won by Cameroon 5–3.
Day 17: 1 October
The last event of the games was the Men's Marathon, contested on a course that started in North Sydney. The event was won by Ethiopian Gezahegne Abera, with Kenyan Erick Wainaina second, and Tesfaye Tola, also of Ethiopia, third. It was the first time since the 1968 Olympics that an Ethiopian won the gold medal in this event.
The closing ceremony commenced with Christine Anu performing her version of the Warumpi Band's song "My Island Home", with several Aboriginal dancers atop the Geodome Stage in the middle of the stadium, around which several hundred umbrella and lamp box kids created an image of Aboriginal Dreamtime. The Geodome Stage was used throughout the ceremony, which was a flat stage mechanically raised into the shape of a Geode.
IOC President Juan Antonio Samaranch declared at the Closing Ceremony,
"I am proud and happy to proclaim that you have presented to the world the best Olympic Games ever."
Subsequent Summer Olympics held in Athens, Beijing and London have been described by Samaranch's successor Jacques Rogge as "unforgettable, dream Games", "truly exceptional" and "happy and glorious games" respectively – the practice of declaring games the "best ever" having been retired after the 2000 Games.
Sports
The 2000 Summer Olympic program featured 300 events in the following 28 sports:
Although demonstration sports were abolished following the 1992 Summer Olympics, the Sydney Olympics featured wheelchair racing as exhibition events on the athletics schedule.
Special quarantine conditions were introduced to allow entry of horses into Australia to participate in equestrian events, avoiding the need for such events to take place elsewhere as had happened at the 1956 Summer Olympics in Melbourne.
Calendar
All dates are in AEDST (UTC+11); the other two cities, Adelaide uses ACST (UTC+9:30) and Brisbane uses AEST (UTC+10)
Participating National Olympic Committees
199 National Olympic Committees (NOCs) participated in the Sydney Games, two more than in the 1996 Summer Olympics; in addition, there were four Timorese Individual Olympic Athletes at the 2000 Summer Olympics. Eritrea, the Federated States of Micronesia and Palau made their Olympic debut this year.
Democratic Republic of the Congo was once again designated under that name, after it participated as Zaire from 1984 to 1996.
Afghanistan was the only 1996 participant (and the only existing NOC) that did not participate in the 2000 Olympics, having been banned due to the Taliban's totalitarian rule in Afghanistan, their oppression of women, and its prohibition of sports.
Number of athletes by National Olympic Committee
10,647 athletes from 199 NOCs participated in the 2000 Summer Olympics.
Medal table
These are the top ten nations that won medals in the 2000 Games.
The ranking in this table is based on information provided by the International Olympic Committee. Some other sources may be inconsistent due to not taking into account all later doping cases.
* Host nation (Australia)
Organisation
Organisations responsible for the Olympics
A number of quasi-government bodies were responsible for the construction, organisation and execution of the Sydney Games. These included:
the Sydney Organising Committee for the Olympic Games (SOCOG) and the Sydney Paralympic Organizing Committee (SPOC), primarily responsibles for the staging of the Games
Olympic Coordination Authority (OCA), primarily responsible for construction and oversight
Olympic Roads & Transport Authority (ORTA)
Olympic Security Command Centre (OSCC)
Olympic Intelligence Centre (OIC)
JTF Gold the Australian Defence Force Joint Taskforce Gold
Sydney Olympic Broadcasting Organisation (nominally part of SOCOG)
IBM, provider of technology and the Technical Command Centre
Telstra, provider of telecommunications
Great Big Events, event management and marketing
These organisations worked closely together and with other bodies such as:
the International Olympic Committee (IOC)
the International Paralympic Committee (IPC)
the Australian Olympic Committee (AOC)
the Australian Paralympic Committee (APC)
the other 197 National Olympic Committees (NOCs)
the other 125 National Paralympic Committees (NPCs)
the 33 International Sports Federations (IFs)
all three levels of Australian government (federal, state and local)
dozens of official sponsor and hundreds of official supplier companies
These bodies are often collectively referred to as the "Olympic Family".
Organisation of the Paralympics
The organisation of the 2000 Summer Paralympics was the responsibility of the Sydney Paralympic Organising Committee (SPOC). However, much of the planning and operation of the Paralympic Games was outsourced to SOCOG such that most operational programmes planned both the Olympic and Paralympic Games.
Other Olympic events
The organisation of the Games included not only the actual sporting events, but also the management (and sometimes construction) of the sporting venues and surrounding precincts, and the Olympic torch relay, which began in Greece and travelled to Australia via numerous Oceania island nations. It also included two arts festivals.
The first edition of the Festival of the Dreaming, which was founded by artistic director Rhoda Roberts (who later co-directed segments of the Opening Ceremony), was held in 1997, as the first of four leading up to the Sydney Olympics. Some events were held at the Sydney Opera House, and the festival included an Aboriginal cast performing Shakespeare's A Midsummer Night's Dream, as well as Samuel Beckett's Waiting for Godot performed in the Bundjalung language.
The Sydney Olympic Arts Festival was an arts festival that ran before and during the Olympics, from 18 August to 30 September 2000. It included many performing arts events, mostly presented at the Sydney Opera House. Some of these were Skin, by Bangarra Dance Theatre; concerts by the Australian Youth Orchestra and Melbourne Symphony Orchestra; and various drama performances.
Phases of the Olympic project
The staging of the Olympics were treated as a project on a vast scale, broken into several broad phases:
1993 to 1996 – positioning
1997 – going operational
1998 – procurement/venuisation
1999 – testing/refinement
2000 – implementation
2001 – post-implementation and wind-down
SOCOG organisational design
The internal organisation of SOCOG evolved over the phases of the project and changed, sometimes radically, several times.
In late 1998, the design was principally functional. The top two tiers below the CEO Sandy Hollway consisted of five groups (managed by Group General Managers and the Deputy CEO) and twenty divisions (managed by divisional General Managers), which in turn were further broken up into programmes and sub-programmes or projects.
In 1999, functional areas (FAs) broke up into geographic precinct and venue teams (managed by Precinct Managers and Venue Managers) with functional area staff reporting to both the FA manager and the venue manager. SOCOG moved to a matrix structure. The Interstate Football division extant in 1998 was the first of these geographically based venue teams.
Volunteer program
The origins of the volunteer program for Sydney 2000 dates back to the bid, as early as 1992.
On 17 December 1992, a group of Sydney citizens interested in the prospect of hosting the 2000 Olympic and Paralympic Games gathered for a meeting at Sports House at Wentworth Park in Sydney.
In the period leading up to 1999, after Sydney had won the bid, the small group of volunteers grew from approximately 42 to around 500. These volunteers became known as Pioneer Volunteers. The Pioneer Volunteer program was managed internally by SOCOG's Volunteer Services Department in consultation with prominent peak groups like The Centre for Volunteering (Volunteering and TAFE. Some of the Pioneer Volunteers still meet every four months, an unseen legacy of the games which brought together a community spirit not seen before.
During the Olympic games, tens of thousands of volunteers (the official figure placed at 46,967) helped everywhere at the Olympic venues and elsewhere in the city. They were honoured with a parade like the athletes had a few days before.
Venues
Sydney Olympic Park
Stadium Australia: Ceremonies (opening/closing), Athletics, Football (final)
Sydney International Aquatic Centre: Diving, Modern Pentathlon (swimming) Swimming, Synchronised Swimming, Water Polo (medal events)
State Sports Centre: Table Tennis, Taekwondo
NSW Tennis Centre: Tennis
State Hockey Centre: Field Hockey
The Dome and Exhibition Complex: Badminton, Basketball, Gymnastics (rhythmic), Handball (final), Modern Pentathlon (fencing, shooting), Volleyball (indoor)
Sydney SuperDome: Gymnastics (artistic, trampoline), Basketball (final)
Sydney Baseball Stadium: Baseball, Modern Pentathlon (riding, running)
Sydney International Archery Park: Archery
Sydney
Sydney Convention & Exhibition Centre: Boxing, Fencing, Judo, Weightlifting, Wrestling
Sydney Entertainment Centre: Volleyball (indoor final)
Dunc Gray Velodrome: Cycling (track)
Sydney International Shooting Centre: Shooting
Sydney International Equestrian Centre: Equestrian
Sydney International Regatta Centre: Rowing, Canoeing (sprint)
Blacktown Olympic Centre: Baseball, Softball
Western Sydney Parklands: Cycling (mountain biking)
Ryde Aquatic Leisure Centre: Water Polo
Penrith Whitewater Stadium: Canoeing (slalom)
Bondi Beach: Volleyball (beach)
Sydney Football Stadium: Football
Olympic Sailing Shore Base: Sailing
Centennial Parklands: Cycling (road)
Marathon course: Athletics (marathon)
North Sydney: Athletics (marathon start)
Sydney Opera House: Triathlon.
Outside Sydney
Canberra Stadium, Canberra: Football
Hindmarsh Stadium, Adelaide: Football
Melbourne Cricket Ground: Football
The Gabba (Brisbane Cricket Ground), Brisbane: Football
Marketing
Official logo
The bid logo was introduced in 1992 and created by architect and designer Michael Bryce. It featured a colourful, stylised image of the Sydney Opera House which is a possible reference to the motif of the rainbow serpent.
The official logo was revealed in 1996, and is also referred to as the "Millennium Man". It incorporated similar curves to the bid logo and combined them with a stylised image of a runner to form a torchbearer in motion. The image of the runners composed of two small yellow boomerangs for arms and a larger red boomerang for legs. Over the runner's head is a trail of smoke that represents both the arches of the Sydney Opera House and the Olympic torch carrying the flame.
The design process of the official logo, as well as all other aspects of the Olympic Games' visual design identity, was awarded to Melbourne design studio FHA Image Design. The Sydney Olympics brand identity project officially started in 1993, and lasted 7 years. It was also up to FHA Design to prepare the visual identity of the Paralympic Games and this also absorbed some elements as the identification signals and the pictograms.
Logo Evolution
Mascots
The official mascots chosen for the 2000 Summer Olympics were Syd the platypus, Millie the echidna, and Olly the kookaburra, designed by Matthew Hattan and Jozef Szekeres and named by Philip Sheldon of agency Weekes Morris Osborn in response to the original SOCOG recommendation of Murray, Margery, and Dawn after famous Australian athletes.
There was also Fatso the Fat-Arsed Wombat, an unofficial mascot popularised by comedy team Roy Slaven and HG Nelson on the TV series The Dream with Roy and HG. Roy and HG also frequently disparaged the official mascots on their television program.
Sponsors
Medals and bouquets
A total of 750 gold, 750 silver and 780 bronze medals were minted for the Games. The gold and silver medals contained 99.99 percent of pure silver. The bronze medals were 99 percent bronze with one percent silver, they were made by melting down Australian one-cent and two-cent coins, which had been removed from circulation from 1992 onward.
The bouquets handed to medal recipients incorporated foliage from the Grevillea baileyana, also known as the white oak.
Awards and commendations
The International Olympic Committee awarded Sydney and its inhabitants with the "Pierre de Coubertin Trophy" in recognition of the collaboration and happiness shown by the people of Sydney during the event to all the athletes and visitors around the world.
After the games' end, the New South Wales Police Force was granted use of the Olympic Rings in a new commendation and citation as the IOC consideration after having staged the "safest" games ever.
Mo Awards
The Australian Entertainment Mo Awards (commonly known informally as the Mo Awards), were annual Australian entertainment industry awards. They recognise achievements in live entertainment in Australia from 1975 to 2016.
In popular culture
In Tom Clancy's thriller Rainbow Six and its video game adaptation, the 2000 Olympic Games are the setting of a plot by eco-terrorists who plan to spread a deadly biological agent through Stadium Australia's cooling system.
In Morris Gleitzman's children's book Toad Rage, a cane toad travels to Sydney in a bid to become the Olympic mascot.
The Games was an ABC mockumentary television series that ran in 1998 and 2000. The series satirized corruption and cronyism in the Olympic movement, bureaucratic ineptness in the New South Wales public service, and unethical behaviour within politics and the media. An unusual feature of the show was that the characters shared the same name as the actors who played them.
In the universe of the Cyberpunk tabletop role-playing game, the 2000 Olympics were never held due to bankruptcy and a boycott by nations supporting Aboriginal land claims.
See also
2000 Summer Paralympics
Olympic Games held in Australia
1956 Summer Olympics – Melbourne
2000 Summer Olympics – Sydney
2032 Summer Olympics – Brisbane
List of IOC country codes
The Games of the XXVII Olympiad 2000: Music from the Opening Ceremony
Aussie Aussie Aussie, Oi Oi Oi
John Coates
Use of performance-enhancing drugs in the Olympic Games – Sydney 2000
Notes
References
External links
"Sydney 2000". Olympics.com. International Olympic Committee.
2000 Summer Olympics Official site
Official Report Vol. 1, Vol. 2, Vol. 3
"2000 Summer Olympics Official Site". Archived from the original on 9 November 2000. Retrieved 13 September 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
2000 Summer Olympics – collection of archived websites
Sydney Olympic Games Information
Sydney Olympic Park
Sydney Olympic Games, 2000 – Australian Government
Sydney 2000 Games Collection at the Powerhouse Museum Archived 9 May 2008 at the Wayback Machine – information and audio files
"Satellite view of 2000 Sydney Olympics sites". Archived from the original on 18 April 2004.
Spirit of Sydney Volunteers Website – Website maintained by and for Sydney 2000 Volunteer Alumni
Official 10th Anniversary Volunteers Website – Official 10th Anniversary Volunteers Website |
Snowflake_Bentley_(book) | https://en.wikipedia.org/wiki/Snowflake_Bentley_(book) | [
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"https://en.wikipedia.org/wiki/Snowflake_Bentley_(book)"
] | Snowflake Bentley is a children's picture book written by Jacqueline Briggs Martin and illustrated by Mary Azarian. Published in 1998, the book is about Wilson Bentley, the first known photographer of snowflakes. Azarian won the 1999 Caldecott Medal for her illustrations. In 2003, the company Weston Woods Studios, Inc. adapted the book to a film, narrated by Sean Astin. It was released on DVD in 2004.
Description
Snowflake Bentley is a medium-size book, measuring 10 ½ by 10 ¼ inches, and having 16 pages of illustrations. The majority of the pictures are large colorful prints, the typical art style of artist Mary Azarian, and each picture summarizes the wording for that page. Many of the pages have a vertical side bar in each layout, with a light blue background, and white snowflakes that contains factual information about Wilson Bentley. Azarian also uses a black bold frame around her illustrations, intended to represent a photo that has been taken.
Synopsis
The book is based on a true story. Martin has written about the first known snowflake photographer, Wilson Bentley, and his interest in capturing snowflakes. Wilson lived on a farm with his family in Jericho, Vermont, between Lake Champlain and Mount Mansfield, where the annual snowfall can reach up to about 120 inches. Wilson was very fond of snowflakes and wanted to capture them one day to share with others. With a microscope, Wilson tried to depict the snowflakes through drawings but was never able to finish, as the snow would melt too quickly. As Wilson grew older, he asked his parents if they could get him a camera, so that he could photograph snowflakes. Wilson’s parents decided to spend their savings to buy Wilson his camera because they wanted to support his dream of capturing snowflake photos. With his new-found camera, Wilson went out to take hundreds of pictures. In the beginning, Wilson’s photos were a bunch of failures, but that did not stop him from pursuing his dream. Wilson furthered himself by experimenting more with lighting, lenses and camera exposures. Not many people were interested in what Wilson was up to, nor did they care for his pictures. When it wasn't winter, Wilson loved taking pictures of nature, but taking snow pictures would always be his favorite. Wilson would even hold evening slideshows on his lawn to show his friends. Later down the road, Wilson wrote a book about snow and published his photos in magazines. When Wilson went to publish his first book to share to the world, he got caught in a blizzard on his trip, a misfortune which caused him to catch pneumonia and become ill. Two weeks later, Wilson died of the illness. In memory of him, Wilson’s friends and neighbors built a museum of his work so all would know of “Snowflake” Bentley.
Critical reception
Snowflake Bentley received critical acclaim. Kirkus reviews says “This is a lyrical biographical tribute to a farmer…whose love of snow and careful camera work expanded both natural science and photography”, and Horn book review says “The book exhibits a beautiful blend of Azarian’s splendid woodcuts, a lyrical text, and factual sidebars.”
== References == |
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] | [
"https://en.wikipedia.org/wiki/Williams_sisters_rivalry"
] | The Williams sisters rivalry was a tennis rivalry between sisters Venus Williams and Serena Williams (born June 17, 1980, and September 26, 1981, respectively), regarded as two of the best woman tennis players for over two decades. They met 31 times in professional tournaments between 1998 and 2020, with Serena leading their head-to-head 19–12.
Both sisters have been ranked world No. 1 in singles: Venus for a total of 11 weeks, beginning in February 2002; Serena for a total of 316 weeks, beginning in July 2002. Venus has won 49 singles titles over the course of her career, and Serena won 73.
The Williams sisters are the only two women during the Open Era to contest four consecutive major finals: from the 2002 French Open to the 2003 Australian Open. Serena won all four of these finals.
The sisters are nonetheless personally very close. They won 22 titles when playing doubles together, including 14 majors and 3 Olympic gold medals.
History
1998–2000
Serena and Venus Williams played their first professional match against each other in the second round of the 1998 Australian Open. Venus won 7–6(4), 6–1. The match was described as "subpar". They played again in the quarterfinals of the Italian Open, the first clay court tournament of Serena's career, which Venus won 6–4, 6–2. Together they won two doubles titles.
Their next match was almost a year later in the final of the 1999 Lipton International Players Championships in Key Biscayne, Florida. Serena was coming off her first two tournament titles, but Venus won the match 6–1, 4–6, 6–4. The match was the first singles final between sisters on the WTA tour and was described by their father as a "bullfight". Serena won her first professional singles match against Venus later that year in the final of the Grand Slam Cup. Serena was coming off her first Grand Slam championship at the US Open and defeated her elder sister, and defending champion, 6–1, 3–6, 6–3. Venus was the only top player up to this point that Serena had not yet defeated. Together, they won three doubles titles, two of them being majors: the French Open and the U.S. Open.
Entering their next match in the semifinals of Wimbledon in 2000 (their first match against each other on grass), Serena was the favorite. However, the victory went to Venus 6–2, 7–6(3), who would go on to win the Wimbledon trophy for her first Grand Slam singles title. They teamed up to win the Wimbledon doubles title and later the Olympic gold medal. Venus's career advantage now stood at 4–1.
2001
They started out the year by winning the Australian Open doubles title.
In the spring at the Tennis Masters Series in Indian Wells, California, amid controversy Venus withdrew before her scheduled semifinal match against Serena. The Williams family was accused of match-fixing, but the accusation was dismissed by most, including Andre Agassi who called it "ridiculous". Serena won the final against Kim Clijsters amid boos, during both the match and the subsequent trophy presentation.
The only match between the Williams sisters during 2001 occurred in the final of the US Open, where they had never met but where both had previously won singles titles. This was the first final involving sisters at a Grand Slam tournament during the open era and the first since the Watson sisters played in the 1884 Wimbledon final. This match has been described as arguably "the most-anticipated tennis final in years". However, nerves seem to have played a factor in the match, which was won easily by Venus 6–2, 6–4. With the victory, Venus now led their rivalry 5–1 and in Grand Slam singles titles 4–1.
2002
Venus and Serena would play each other four times in 2002. In addition to being the most times they had met in a single year, this would also mark the first time that Serena would end the season with a leading head-to-head, 4–0.
Their first meeting of the year occurred in the semifinals at the NASDAQ-100 Open. Serena won the match 6–2, 6–2, only the second victory over her sister in her career and the first since 1999. Venus's loss was described as "listless" and it ended her streak of 22 consecutive matches and three consecutive titles at the event.
Their next meeting was their second in a Grand Slam final, and their second on clay courts. At Roland Garros Serena beat Venus in a "tight" match 7–5, 6–3. The Grand Slam was the first for Serena in three years, and it was the first final at the French Open ever played by sisters. By reaching the final, Venus and Serena assured themselves of moving up to first and second in the world rankings, respectively.
One month later, the Williams sisters again met in a Grand Slam final, at Wimbledon. Again, Serena was the victor 7–6(4), 6–3 and the win moved Serena past her sister to the top of the rankings. Venus still led 5–4 in their head-to-head and 4–3 in Grand Slams, but it was now Serena who was seen as the player "now setting the agenda for women's tennis". They won the doubles title together.
Their fourth and last match of the year occurred in the final at the US Open, in a match where the victor would take not only the trophy but the No.1 ranking as well. Serena won the match 6–4, 6–3 with a "blistering" display of tennis.
2003
2003 would be a year of injuries and loss for Venus and Serena Williams, with the two highlights being the Australian Open and Wimbledon finals.
The first match of 2003 contested between the Williams sisters was the first final between the two players at the Australian Open but the fourth consecutive at the majors. Serena won the match 7–6(4), 3–6, 6–4, the closest contested match between them since 1999. The win completed what has become popularly known as the "Serena Slam"; Serena Williams became the first player since Steffi Graf to hold all four Grand Slams at the same time. In addition Venus Williams became the first player since Martina Hingis in 1997 to make four consecutive Grand Slam finals, and the sisters together became the first players in the open era to contest four consecutive finals at the majors. Together they won the doubles title.
This consistent play at recent Grand Slams led some to remark that the Williams sisters had a stranglehold on women's tennis.
The Williams sisters next met in the 2003 Wimbledon final, a repeat of the 2002 final in the same tournament. Again the match was close but Serena, aided by an abdominal injury that negatively impacted Venus's speed, won 4–6, 6–4, 6–2. The win was the second consecutive at Wimbledon for Serena and her fifth out the last six. Additionally, the Williams sisters collectively had now won the last four Wimbledon titles and seven of the last nine Grand Slams. Serena Williams had now won their last six consecutive meetings, and led the head-to-head 7–5.
The Wimbledon final was the last Grand Slam final contested between the two for five years. Both sisters would be knocked off the tour by injuries, and then have to contend with the death of Yetunde Price, their half sister.
2004–2005
Venus and Serena Williams did not meet in a professional tennis match during 2004, a year which saw neither sister win a Grand Slam for the first time since 1998. 2005 would be a return to Grand Slam victory for both of the Williams sisters, but in perhaps a sign of the increased competition neither of their championships were decided against each other.
Their first match of 2005 was due in the quarterfinals of the NASDAQ-100 Open, their third career meeting at the tournament. The match was won by Venus Williams 6–1, 7–6(8); it was the first meeting outside of a final between the two in three years and was the first win by the elder Williams sister in four years.
The Williams sisters next met on one of the largest stages in tennis, the US Open, though much earlier in the tournament than they were accustomed to. Venus, as the recent Wimbledon champion and after three "magnificent efforts" to reach this round was perhaps favored in a Williams head-to-head for the first time in a few years. In the fourth round (their earliest meeting in a Grand Slam since their very first at the 1998 Australian Open) Venus Williams won 7–6(5), 6–2. Venus would lose in the quarterfinals 4–6, 7–5, 6–1 to eventual champion Kim Clijsters, the first time since the 1998 Rome meeting that the winner of a Williams sisters match-up did not win the title.
At the close of the year, after the first year since 2000 in which Serena was unable to win a match against her older sister, Venus Williams had now tied the head-to-head 7–7.
2008–2009
The first meeting in 2008 between the sisters occurred at the Canara Bank Bangalore Open, their first meeting in a Tier II event. The only match between the sisters to end in a third-set tiebreak, both Venus and Serena were, according to commentator and former player Tracy Austin "busting a gut to win". The match end in a 6–3, 3–6, 7–6(4) victory for Serena.
Venus and Serena next met on a familiar stage, Wimbledon; the match was their fourth meeting on the grass courts and their third final. The match featured "big hitting and big serving" as well as "some wonderful defense and court coverage". Testament to the fact that this was arguably the best Williams sisters match to date, former player and commentator John McEnroe has called the match "borderline classic". Venus won the match 7–5, 6–4. They teamed up to win the doubles title and later a second Olympic Gold Medal together.
At the US Open, fourth seeded Serena defeated seventh seeded Venus in the quarterfinals 7–6(6), 7–6(7) and eventually won the tournament. Tennis Magazine proclaimed the match the best women's singles match of 2008. The final match-up of the year between the Williams sisters was during the round robin phase of the year-ending Sony Ericsson Championships, with Venus winning 5–7, 6–1, 6–0. This was the first 6–0 set in their matchups.
At the end of 2008, their career head-to-head record was tied 9–9.
The Williams' first match of year 2009 was at the Barclays Dubai Tennis Championships, where they met in the semifinals. In a match that was described as a "thriller" by CNN, Venus prevailed 6–1, 2–6, 7–6(3). Serena was dogged by a knee injury in the third set, but did not excuse herself because of this, and Venus said that the match had been worthy of a final. Simon Reed, writing for Eurosport, said that the rivalry had become "greater now than it ever has been" in the previous three or four matches, due to the increased emotional intensity that the matches appeared to stir up in the players, which he believed had been lacking in the earlier part of their careers. Venus and Serena next played in the semifinals of the Sony Ericsson Open in April. Serena won the match 6–4, 3–6, 6–3, temporarily secured her World No. 1 ranking, and tied their head-to-head record at ten wins apiece. The two reached the final of the 2009 Wimbledon Championships for both singles and doubles. Serena won the singles title for the first time in six years, beating Venus 7–6(3), 6–2. They met for the fourth time in the year during the round robin phase of the year-ending 2009 Sony Ericsson Championships, with Serena winning 5–7, 6–4, 7–6(4) saving match point. They met again in the final of the tournament with Serena winning again by a score of 6–2, 7–6(4). The head-to-head now stood at 13–10 in favor of Serena, who has also won the last four meetings.
2013–2015
Due to a mixture of injury and illness the pair did not face each other again until the 2013 Family Circle Cup. It was their first matchup on clay since the 2002 French Open final. Serena won her fifth consecutive match against Venus. Venus and Serena's 25th encounter came in the semi-finals of the 2014 Rogers Cup. Serena went into the match with a five consecutive match winning streak against her older sister. However, Venus won the match 6(2)–7, 6–2, 6–3, making the sisters' head-to-head record at 14–11 in favor of Serena. Venus increased her Premier Mandatory/Premier 5 record against Serena to 5–2 and her semi-final record against her sister to 3–4.
After a period of six years, the pair met in the fourth round of Wimbledon in 2015 – their first meeting in a grand slam event since Wimbledon 2009. It was the pair's sixth meeting at Wimbledon. Serena won the match by a score of 6–4, 6–3, making the sisters' head-to-head record 15–11 in Serena's favor and 4–2 in Wimbledon again in favor of Serena. They met again in the quarterfinals of the US Open, where Serena won, taking the head-to-head to 16–11 in her favor.
2017
The sisters renewed their grand slam rivalry in the Australian Open final. Serena won her seventh Australian Open title, and 23rd Grand Slam title overall, defeating Venus 6–4, 6–4. The win also allowed Serena to pass Steffi Graf's 22 grand slam singles titles.
2018
Venus and Serena met twice during 2018. They met in the third round of the BNP Paribas Open (Indian Wells). Venus won the encounter 6–3, 6–4. They met for the second time in the year in the 3rd round of the US Open, with Serena winning 6–1, 6–2.
2020
Venus and Serena met in the second round of the 2020 Top Seed Open in Lexington, Kentucky. In their first tournament since the resumption of the WTA Tour during the COVID-19 pandemic, the sisters faced one another for the 31st and final time in their careers. The clash came more than 22 years after their first professional meeting. Serena entered the tournament as the top seed and defeated Venus 3–6, 6–3, 6–4.
Analysis
Relationship and competitive dynamic
The professional relationship and dynamic between Venus and Serena Williams is deeply affected by their close personal relationship. The notion of two top professionals emerging from the same family to compete against one another is unprecedented, and is a scenario which has been described as being "as improbable as one set of parents raising Picasso and Monet." After Serena's big wins over Venus' only finals at the 2003 Australian Open and the 2002 French Open, journalists said "Clearly Venus has a 'big sister complex' towards Serena". Peter Bodo, further speaking to the unlikeliness of siblings contesting Grand Slam finals, states "It's a common occurrence that will cease to be possible, perhaps ever again, the moment they set the sticks aside."
Legacy
The all-Williams final at the 2001 US Open drew a larger television audience than the Notre Dame-Nebraska college football game being broadcast at the same time. In fact, part of the reason that the women's final at the US Open was moved to its "prime time" spot was because of the positive effect that the Williams sisters had on television ratings. CBS's four highest-rated US Open women's finals of the last decade all involved the Williams sisters.
The Williams legacy can also arguably be seen in the increased representation of African Americans among tennis professionals and new players, though their representation among professionals still remains small. A third of all new players at the grass-roots level are either African American or Hispanic, a fact to which the USTA's president Jane Brown Grimes says, "I can't help but think that Venus and Serena are drivers behind that".
List of all matches
WTA, Grand Slam, and Grand Slam Cup main draw results included.
Singles
Serena Williams–Venus Williams (19–12)
Breakdown of the rivalry
Hard courts: Serena 12–9
Clay courts: Serena, 2–1
Grass courts: Serena, 4–2
Carpet: Serena, 1–0
Grand Slam matches: Serena, 11–5
Grand Slam finals: Serena, 7–2
Year-End Championships matches: Serena, 2–1
Year-End Championships finals: Serena, 1–0
All finals: Serena, 9–3
Mixed doubles
Serena Williams—Venus Williams (0–1)
Exhibitions
Singles
Serena Williams–Venus Williams (5–12)
Doubles
Serena Williams–Venus Williams (2–2)
Grand Slam performance timeline
Head-to-head
Final matches indicated in bold.
Combined singles performance timeline (best result)
Year-end WTA ranking timeline
See also
List of tennis rivalries
Williams sisters
Henin–S. Williams rivalry
References
External links
Sports Illustrated Scrapbook: Venus & Serena Williams |
2003_US_Open_(tennis) | https://en.wikipedia.org/wiki/2003_US_Open_(tennis) | [
252
] | [
"https://en.wikipedia.org/wiki/2003_US_Open_(tennis)"
] | The 2003 US Open was held between August 25 – September 7, 2003.
Both Pete Sampras and Serena Williams did not defend their titles from 2002; Sampras unofficially retired after winning his final Grand Slam title the previous year, and Serena Williams was forced to miss the tournament after withdrawing through injury. This was the first time since 1971 in which neither champion was able to defend their title.
Andy Roddick, who previously won the 2000 US Open as a junior, won his only Grand Slam title, defeating Juan Carlos Ferrero (who inherited the World No.1 ranking after the tournament) in the final. Justine Henin-Hardenne won her first US Open title and second Grand Slam title, defeating her compatriot, rival and future three-times US Open champion Kim Clijsters in the final, dropping only one set through her run.
Seniors
Men's singles
Andy Roddick defeated Juan Carlos Ferrero, 6–3, 7–6(7–2), 6–3
• It was Roddick's 1st and only career Grand Slam singles title. It was Roddick's 6th title of the year, and his 11th overall.
Women's singles
Justine Henin-Hardenne defeated Kim Clijsters, 7–5, 6–1
• It was Henin-Hardenne's 2nd career Grand Slam singles title and her 1st title at the US Open. It was Henin-Hardenne's 7th title of the year, and her 13th overall. She became the first Belgian tennis player to win the US Open singles crown.
Men's doubles
Jonas Björkman / Todd Woodbridge defeated Mike Bryan / Bob Bryan, 5–7, 6–0, 7–5
• It was Björkman's 6th career Grand Slam doubles title and his 1st and only title at the US Open.
• It was Woodbridge's 15th career Grand Slam doubles title and his 3rd and last title at the US Open.
Women's doubles
Virginia Ruano Pascual / Paola Suárez defeated Svetlana Kuznetsova / Martina Navratilova, 6–2, 6–3
• It was Ruano Pascual's 4th career Grand Slam doubles title and her 2nd title at the US Open.
• It was Suárez' 4th career Grand Slam doubles title and her 2nd title at the US Open.
Mixed doubles
Katarina Srebotnik / Bob Bryan defeated Lina Krasnoroutskaya / Daniel Nestor, 5–7, 7–5, 7–6(7–5)
• It was Srebotnik's 2nd career Grand Slam mixed doubles title and her 1st and only title at the US Open.
• It was Bryan's 1st career Grand Slam mixed doubles title.
Juniors
Boys' singles
Jo-Wilfried Tsonga defeated Marcos Baghdatis, 7–6, 6–3
Girls' singles
Kirsten Flipkens defeated Michaëlla Krajicek, 6–3, 7–5
Boys' doubles
Not played due to inclement weather.
Girls' doubles
Not played due to inclement weather.
References
External links
Official US Open website |
Andy_Roddick | https://en.wikipedia.org/wiki/Andy_Roddick | [
252
] | [
"https://en.wikipedia.org/wiki/Andy_Roddick"
] | Andrew Stephen Roddick (born August 30, 1982) is an American former professional tennis player. He is a major champion, having won the 2003 US Open. Roddick reached four other major finals (Wimbledon in 2004, 2005, and 2009, and the US Open in 2006), losing to rival Roger Federer each time. Roddick was ranked in the year-end top 10 for nine consecutive years (2002–2010), first reaching the world No. 1 spot in 2003, while also winning five Masters titles in that period. He was also a crucial player in the U.S. Davis Cup team's successful run to the title in 2007. Roddick retired from professional tennis following the 2012 US Open to focus on his work at the Andy Roddick Foundation. In retirement, Roddick played for the Austin Aces in World Team Tennis in 2015. He was also the 2015 and 2017 champion of the QQQ Champions Series. In 2017, Roddick was inducted into the International Tennis Hall of Fame. He is married to Brooklyn Decker, a swimwear model and actress.
Early life
Roddick was born on August 30, 1982, in Omaha, Nebraska, the youngest son of Blanche (née Corell), a school teacher, and Jerry Roddick, a businessman. Roddick has two older brothers, Lawrence and John, who were both promising tennis players at a young age.
Roddick lived in Austin, Texas, from ages 4 to 11, and then moved to Boca Raton, Florida, in the interest of his brother's tennis career, attending SEK Boca Prep International School, and graduating in 2000. Roddick also took high school classes online through the University of Nebraska High School.
Career
1997–2000: Juniors
Roddick considered quitting competitive tennis at age 17 when he had a losing streak in the juniors. His coach Tarik Benhabiles talked him into giving tennis four more months of undivided attention. Roddick finished as the No. 6 junior in the U.S. in 1999, and as the No. 1 junior in the world in 2000. He won six world junior singles titles and seven world junior doubles titles, and won the US Open and Australian Open junior singles titles in 2000.
2000–2002: Breakthrough
In March in Miami, in the first round, Roddick had his first ATP level victory as he beat No. 41 Fernando Vicente of Spain. In August in Washington, D.C., he beat No. 30 Fabrice Santoro of France. Roddick played the Banana Bowl in the city of São Paulo and won, beating Joachim Johansson in the final. Roddick also won the Australian Junior Open, defeating Mario Ančić in the final.
Entering the pros in 2001 at the age of 18, Roddick quickly showed his promise when he defeated 7-time Wimbledon champion and world No. 4 Pete Sampras in the third round of the Miami Masters. Later that year, he dispatched then World No. 1 Gustavo Kuerten of Brazil in August. Earlier, at the 2001 French Open, Roddick defeated a French Open champion, Michael Chang, in a five set battle in the second round. During the ensuing Wimbledon, he further showed potential by taking a set from eventual winner Goran Ivanišević.
2003: US Open title and world No. 1
Roddick's breakthrough year was 2003, in which he defeated Younes El Aynaoui in the quarterfinals of the 2003 Australian Open. Roddick and the Moroccan battled for five hours, with the fifth set (21–19 in favor of Roddick) at the time the longest fifth set in a Grand Slam tournament during the open era, at 2 hours and 23 minutes. Despite a lackluster French Open, Roddick enjoyed success in the United Kingdom by winning Queen's Club, beating No. 2 Andre Agassi on a final set tie break along the way, and reaching the Wimbledon semifinals, where he lost to eventual champion Roger Federer in straight sets. He avenged that loss in August, beating then No. 3 Federer in Montreal on a final set tie break. It is one of three times that Roddick defeated Federer in an official ATP tournament.
Roddick's hard-court record in 2003 included his first Masters Series titles—coming at Canada and Cincinnati—and his only Grand Slam title. At the 2003 US Open, Roddick rallied from two sets down and a match point in the semifinals to beat David Nalbandian of Argentina in five sets. He then defeated No. 3 Juan Carlos Ferrero in the final in straight sets. At the Tennis Masters Cup in Houston, he defeated No. 7 Carlos Moyá of Spain, and No. 4 Guillermo Coria of Argentina, before losing to Roger Federer in the semifinals. By the end of the year, at age 21, he was ranked No. 1, the first American to finish a year at No. 1 since Andre Agassi in 1999. He also became the youngest American to hold this rank since computer rankings were started in 1973.
2004: First Wimbledon final
Roddick's reign at No. 1 ended the following February, when Roger Federer ascended to the top position, after winning his first Australian Open; the 2004 Australian Open would be the only time in Roddick's career that he was the No. 1 seed in a Grand Slam. In April, Roddick again beat No. 6 Moyá. In June, Roddick advanced to his first Wimbledon final after taking the first set from defending champion Federer, losing in four sets. Roddick was knocked out during the 2004 US Open in a five-set quarterfinal against another big server, Joachim Johansson. In September, he beat No. 9 Marat Safin of Russia in Bangkok. At the 2004 Summer Olympics, Roddick lost to Chilean Fernando González, the eventual bronze medal winner, in the third round. In November he beat No. 7 Tim Henman of Great Britain, No. 4 Safin, and No. 6 Guillermo Coria. Later that year, Roddick teamed up with Mardy Fish and Bob and Mike Bryan on the U.S. Davis Cup team that lost to Spain in the final in Seville. Roddick lost his singles match against Rafael Nadal, who would in the following year win the French Open. Towards the end of 2004, Roddick fired his coach of 18 months, Brad Gilbert, and hired assistant Davis Cup coach Dean Goldfine. Roddick finished 2004 ranked as the world No. 2, U.S. No. 1, and player with the most aces (2,017). In 2004, Roddick saved fellow tennis player Sjeng Schalken and other guests (including close friends Ben Campezi and Dean Monroe) from a hotel fire.
2005: Second Wimbledon final
Roddick's first 2005 tournament victory was the SAP Open in San Jose, California, where he became the first to win the event in consecutive years since Mark Philippoussis in 1999 and 2000. The top-seeded Roddick defeated Cyril Saulnier in 50 minutes, the event's first championship shutout set since Arthur Ashe beat Guillermo Vilas in 1975. In March, he defeated No. 7 Carlos Moyá. In April, Roddick won the U.S. Men's Claycourt Championships, reclaiming the title he won in 2001 and 2002. (He lost in 2003 to Agassi, and in 2004 to Tommy Haas.) At the Rome Masters in May, Roddick had match point in the round of 16 against Spain's Fernando Verdasco. Verdasco was attempting to save the match point on his second serve, when the linesman erroneously called the serve out. If this call had held, Roddick would have won the match. Roddick motioned to the umpire, pointing to the clear ball mark on the clay indicating that the ball was in, and the call was consequently changed. Verdasco went on to win the match. At the 2005 French Open, Roddick lost to unseeded Argentine José Acasuso in the second round, and at Wimbledon, Roddick lost to Federer in the final for the second consecutive year. In August, he defeated No. 3 Lleyton Hewitt at the Masters Series tournament in Cincinnati. At the US Open, Roddick was defeated by No. 70 Gilles Müller in the first round. Roddick's most recent US Open first-round loss had been in 2000. At the Grand Prix de Tennis de Lyon, Roddick defeated Gaël Monfils to wrap up a tournament without losing a set or getting his serve broken.
2006: US Open final
Roddick's first ATP event of the year was the Australian Open. There, he reached the fourth round, before being upset by unseeded and eventual finalist, Marcos Baghdatis. At the French Open, Roddick retired in the first round, after sustaining a foot injury during the match. Two weeks later at Wimbledon, Roddick was upset in the third round by British hopeful Andy Murray. This loss caused Roddick to fall below the top 10 for the first time since 2002. After Wimbledon, Roddick began working with a new coach, tennis legend Jimmy Connors. In his first event with his new coach, Roddick reached the final of Indianapolis, before losing to good friend and fellow American, James Blake. His resurgence finally came at the Cincinnati Masters, where he won the event by defeating Juan Carlos Ferrero in the final, making this the first masters event he won since 2004. At the US Open, Roddick easily won his first two matches against Florent Serra and Kristian Pless. He then won a five-set match against Fernando Verdasco. Next, he beat Benjamin Becker, who was coming off a huge win against recently retired Andre Agassi. In the quarterfinals, Roddick beat Lleyton Hewitt, avenging his loss in 2001, in straight sets. Now in the semifinals for the first time since he won in 2003, Roddick beat Mikhail Youzhny in four sets. In the finals of a Grand Slam for the first time since Wimbledon a year prior, Roddick lost to No. 1 Federer in four sets. He then qualified for the year-ending Tennis Masters Cup, where he defeated No. 4 Ivan Ljubičić of Croatia, but lost in the round robin to No. 1 Federer in a tough three-set battle, despite holding three match points in the second-set tiebreaker.
2007: Davis Cup victory
Roddick entered the 2007 Australian Open as the sixth seed. In his first-round match, he lost a marathon first-set tiebreak 20–18, but eventually won the match in four sets against wild card Jo-Wilfried Tsonga. Roddick defeated 26th-seeded Marat Safin in the third round, ninth-seeded Mario Ančić in a five-set fourth-round match and Mardy Fish in the quarterfinals. His run was ended in the semifinals by No. 1 Federer, who defeated him in straight sets, making his head-to-head record against Federer 1–13. In first-round Davis Cup action, Roddick helped the US defeat the Czech Republic, winning his singles matches against Ivo Minář and Tomáš Berdych. Roddick bowed out to Andy Murray in the semifinals of the SAP Open in San Jose, California and then defeated Murray in the semifinals of the Regions Morgan Keegan Championships and the Cellular South Cup in Memphis, Tennessee, before losing in the final to defending champion Tommy Haas. Reaching the final, however, enabled Roddick to overtake Nikolay Davydenko for the No. 3 position, his first week inside the top three since March 6, 2006. At Pacific Life Open in Indian Wells, California Roddick beat No. 8 Ivan Ljubičić, but lost to No. 2 Rafael Nadal in the semifinals.
Roddick then retired in the quarters of Miami Masters against Andy Murray due to a left hamstring injury. Roddick then helped the U.S. defeat Spain and advance to the Davis Cup semifinals, winning his lone singles match against Fernando Verdasco. However, Roddick re-aggravated his hamstring injury during the Davis Cup tie, and was subsequently forced to pull out of the U.S. Men's Clay Court Championships in Houston, Texas. Roddick also announced that he would withdraw from the Monte Carlo Masters, citing the injury. His next tournament was the Internazionali d'Italia, where he beat Gastón Gaudio before losing to Juan Ignacio Chela in the third round. Roddick then withdrew from the Masters Series Hamburg because, according to his website, he needed time to physically prepare himself for the upcoming French Open. Roddick was seeded third at the French Open, but was eliminated in the first round by Russian Igor Andreev in four sets. Roddick was victorious at the Stella Artois Championships for the fourth time, when he defeated Nicolas Mahut in the final. At Wimbledon, Roddick was seeded third and considered one of the pre-tournament favorites behind Federer and Nadal. He reached the quarterfinals after wins against Justin Gimelstob of the U.S., Danai Udomchoke of Thailand, Fernando Verdasco of Spain, and Paul-Henri Mathieu of France. In the quarterfinals, Roddick lost in five close sets to Richard Gasquet of France.
During the summer hard-court season, Roddick played four tournaments in four weeks. Roddick lost in the semifinals of the Indianapolis Tennis Championships to Frank Dancevic. Roddick claimed his second ATP title of the year by winning the Legg Mason Tennis Classic in Washington, D.C. for the third time, when he beat John Isner. He then lost in the quarterfinals of the Rogers Cup in Montreal to Novak Djokovic, and in the third round of the Western & Southern Financial Group Masters tournament in Cincinnati to David Ferrer. At the US Open, Roddick defeated Gimelstob in the first round. He won his next three matches, one in straight sets and the other two when his opponent retired. In the quarterfinals, Roddick once again lost to Federer, bringing his head-to-head record with Federer 1–14.
Roddick then withdrew from Madrid Masters, citing a knee injury. At his next tournament two weeks later in Lyon, France, Roddick lost in the first round to Frenchman Fabrice Santoro. Roddick then withdrew from the Paris Masters, incurring a $22,600 fine for not fulfilling his media obligations at the tournament. At the season-ending Tennis Masters Cup in Shanghai, Roddick defeated No. 4 Nikolay Davydenko in his first round-robin match, and then defeated No. 7 Fernando González in his next match to become the first player to qualify for the semifinals of the tournament. In his third and final round-robin match, Roddick lost once again to Federer for the 15th time in 16 career matches. In the semifinals, Roddick lost to sixth seed David Ferrer. This was Roddick's third semifinal finish in five years at the Tennis Masters Cup (he reached the semifinals in 2003 and 2004, withdrew in 2005, and failed to advance to the semifinals in 2006 after a 1–2 round-robin record). Roddick finished the year by helping the U.S. defeat Russia and win the 2007 Davis Cup, its 32nd Davis Cup victory, but first since 1995. Roddick won his rubber against Dmitry Tursunov.
2008: Series of injuries
Roddick started 2008 strongly, defeating Ivan Ljubičić, Safin and Marcos Baghdatis to win the AAMI Kooyong Classic for the third consecutive year. Roddick was seeded sixth in the 2008 Australian Open. He defeated Lukáš Dlouhý and Michael Berrer and lost to the 29th seed Philipp Kohlschreiber in the third round in a five-set match. Despite losing, Roddick served a career-high of 42 aces in the match. Roddick won his 24th career title and his third title of the year at the SAP Open in San Jose, California, defeating Radek Štěpánek in straight sets. Roddick's next tournament was the Dubai Tennis Championships. He made it to the semifinals by defeating No. 2 Rafael Nadal, his first victory over Nadal since the second round of the 2004 US Open. The win also marked Roddick's first victory over a player ranked in the top two since June 2003. He beat No. 3 and 2008 Australian Open singles champion Novak Djokovic in the semifinal. In the final he defeated Feliciano López to win his 25th career title. He never lost his serve during the entire tournament.
Following Roddick's quarterfinal match in Dubai, he announced that he had split with his coach of two years, Jimmy Connors. Connors had resigned a week earlier, saying he wanted to spend more time with his family. Roddick would continue to be coached by his brother, John Roddick. He then fell to No. 2 Tommy Haas at the Pacific Life Open in the second round. At the 2008 Sony Ericsson Open, Roddick advanced to the semifinals after defeating No. 1 Roger Federer an hour after proposing to Brooklyn Decker, bringing his head-to-head record against Federer to 2–15. Roddick improved to 3–0 against top-3 players in 2008. Roddick lost in the semifinals to Nikolay Davydenko. Roddick reached the semifinals at Rome, where he retired against Stanislas Wawrinka in the pair's first encounter, due to a back injury.
Roddick was forced to pull out of the French Open due to a shoulder injury (later diagnosed as an inflammation of the rotator cuff). His first tournament after the shoulder injury was the Artois Championship, where he was the defending champion. Roddick defeated Mardy Fish and Andy Murray, before losing to eventual champion Rafael Nadal in the semifinals. At Wimbledon, Roddick was beaten by Serbia's Janko Tipsarević in the second round. This was his earliest exit at Wimbledon. Roddick was beaten at the Rogers Cup in the third round by Marin Čilić. He was then forced to pull out of the Cincinnati Masters following a neck injury, which he said may have been caused by a poor sleeping posture. He stated in an interview that the neck injury had nothing to do with his shoulder injury. Roddick did not participate in the 2008 Summer Olympics, but chose to concentrate on the US Open. Roddick then played in the smaller hard-court tournaments in the US Open Series, including those at Los Angeles and Washington, D.C. At the Countrywide Classic in Los Angeles, Roddick lost to Juan Martín del Potro in the final. At the US Open, Roddick defeated Fabrice Santoro, Ernests Gulbis, Andreas Seppi, and Fernando González. In the quarterfinals, Roddick lost to No. 3 Novak Djokovic, bringing his head-to-head record with Djokovic to 1–2.
Roddick captured his 26th ATP title in Beijing at the China Open in September, beating Dudi Sela in the final. In the third round of the Madrid Masters, he lost to Gaël Monfils in three sets. Two weeks later, Roddick reached the quarterfinals of the Paris Masters by defeating Gilles Simon, before losing to Jo-Wilfried Tsonga. Due to his performance in the tournament, Roddick qualified for the season-ending Tennis Masters Cup. At the Masters Cup in Shanghai, he played Andy Murray in his first round-robin match and lost. He was then scheduled to play Roger Federer, but retired due to an ankle injury and was replaced by Radek Štěpánek.
2009: Longest Wimbledon final
Roddick hired Larry Stefanki as his new coach and started working with him on December 1, 2008. Stefanki had previously trained John McEnroe, Marcelo Ríos, Yevgeny Kafelnikov, Fernando González, and Tim Henman. Roddick began official tournament competition at the Qatar ExxonMobil Open. He defeated Gaël Monfils in the semifinals, before losing to Andy Murray in the final. At the 2009 Australian Open, Roddick defeated Xavier Malisse, Fabrice Santoro and 21st-seeded Tommy Robredo, before Djokovic retired in the fourth set in the quarters while trailing, which allowed Roddick to reach the fourth Australian Open semifinal of his career. Roddick was defeated there by eventual runner-up Roger Federer in straight sets.
At SAP Open, he beat Tommy Haas in the quarterfinals, before losing in the semifinals to Radek Štěpánek. At the Regions Morgan Keegan Championships, Roddick defeated Lleyton Hewitt in the semifinals and Štěpánek in the final. Roddick chose not to defend his Dubai title, with prize money of $2 million, to protest the refusal of the United Arab Emirates to grant Israeli Shahar Pe'er a visa for the Women's Tennis Association event. "I really didn't agree with what went on over there", Roddick said. At BNP Paribas Open in Indian Wells he defeated defending champion Novak Djokovic in the quarterfinals before losing to world No. 1 Rafael Nadal in the semifinals. However, he won the doubles title with partner Mardy Fish. It was his fourth doubles title overall and his second partnering Fish. At the Miami Masters, Roddick beat Gaël Monfils in the fourth round but lost to Roger Federer in the quarterfinals.
After a break from tournament tennis to get married, Roddick returned to action at the ATP World Tour Masters 1000 clay-court event in Madrid. In his first match, Roddick survived two match points in the second-set tiebreaker to defeat Tommy Haas. In the quarterfinals, Roddick again lost to Federer. Roddick had his career-best result at the French Open, when he defeated Marc Gicquel in the third round. He lost in the fourth round to Monfils.
A twisted ankle forced Roddick to retire from his semifinal match against James Blake at 4–4 during the Aegon Championships. Seeded sixth at Wimbledon, Roddick defeated Lleyton Hewitt in the quarterfinals, serving a career-high of 43 aces, and third-seeded Andy Murray in the semifinals. He then lost to Federer for the third time in a Wimbledon final with a fifth set reaching 14–16, and he was praised for his performance. Even though Roddick lost this match, he set a record for number of games won in a Wimbledon final at 39. This was his fourth meeting with Federer in a Grand Slam final, all won by Federer. The match set records for the longest men's Grand Slam final in history at 77 games and fifth set in a men's Grand Slam final. Following the match, when asked to elaborate on his marathon performance, Roddick replied, "I lost." On the strength of his Wimbledon performance, Roddick returned to the top five on July 13, 2009.
At the Legg Mason Tennis Classic he defeated Benjamin Becker, Sam Querrey, Ivo Karlović and John Isner in the semifinals. In the final, he lost to defending champion Juan Martín del Potro, despite saving three match points. At Rogers Cup, he defeated Igor Andreev, Fernando Verdasco, and in the quarterfinal No. 4 Novak Djokovic, improving his career record against Djokovic to 4–2 (3–0 in 2009). He then lost to Juan Martín del Potro in the semifinals, despite having a match point. The loss dropped his career record against del Potro to 0–3. At Cincinnati, he lost to Sam Querrey in his first match. Roddick entered the US Open as the fifth seed. He defeated Björn Phau and Marc Gicquel before losing to John Isner in the third round. He lost his serve only once during the match, as was the case in the Wimbledon final.
Roddick's next tournament was the 2009 China Open in Beijing, where he was the defending champion. In a shocking upset, he was defeated in the first round by Polish qualifier and No. 143 Łukasz Kubot. He and Mark Knowles reached the doubles final, losing to Bob and Mike Bryan. Roddick retired from his first-round match at the 2009 Shanghai Masters against Stanislas Wawrinka while leading 4–3. It was later announced that Roddick would return to the United States to seek medical advice on a left-knee injury. Once again, he qualified for the Year-End Masters in London, securing the sixth spot. However, Roddick withdrew from the 2009 Valencia Open 500, the 2009 BNP Paribas Masters, and the 2009 Barclays ATP World Tour Finals due to the injury he suffered at the Shanghai Masters. He finished 2009 as the No. 7 in the world.
2010: Fifth Masters title
Roddick started his 2010 campaign at the Brisbane International, where he defeated defending champion Radek Štěpánek for his first ATP Tour title since February 2009, and making 2010 his tenth consecutive season with at least one ATP singles title. Roddick teamed with James Blake in the men's doubles and made it to the semifinals, before losing to eventual champions Jérémy Chardy and Marc Gicquel. Roddick did not represent the United States in Davis Cup competition for the 2010 season. Roddick entered the Australian Open as the seventh seed. He lost in the quarterfinals to Marin Čilić, despite coming back from two sets down while battling an apparent shoulder injury.
In SAP Open, he beat Sam Querrey in the semifinals before losing the final to Fernando Verdasco. At Regions Morgan Keegan Championships, he lost in the quarterfinals in a rematch of the San Jose semifinals to Sam Querrey. Playing in the BNP Paribas Open at Indian Wells, Roddick beat Robin Söderling, before losing to Ivan Ljubičić in the final. This was Roddick's first Masters Series final since the 2006 Cincinnati Masters. In the Sony Ericsson Open, Roddick defeated Igor Andreev, Sergiy Stakhovsky, Benjamin Becker, Nicolás Almagro and Rafael Nadal to reach his fourth final of the year. In the final, Roddick won his second Sony Ericsson Open title, after defeating Tomáš Berdych in straight sets. This was Roddick's 29th title in 49 finals, fifth ATP Masters 1000 title, and first Masters 1000 title since 2006.
Roddick did not fare well during the clay-court season, withdrawing from Rome due for personal reasons and from Madrid due to a stomach virus. He then lost in the third round of the French Open to Teymuraz Gabashvili in straight sets. Roddick suffered his earliest ever exit in the 2010 Aegon Championships, a grass-court Wimbledon tune-up event. He was beaten by Dudi Sela in the third round. At Wimbledon, Roddick was seeded fifth, two spots higher than his ATP ranking of seven. He was defeated in the fourth round by No. 82 Lu Yen-hsun of Taiwan in five sets. Like his final match with Roger Federer the previous year, his serve was broken only once during the match, in the fifth set.
At Atlanta Tennis Championships, he was eliminated in the semifinals by eventual champion Mardy Fish. At Legg Mason Tennis Classic, he lost in the round of 16 to Gilles Simon. The only American man in the ATP top 10 prior to the tournament, the loss dropped him from the list. For the first time since the inception of the ATP world rankings, there was no American man in the top 10. Following the Washington tournament, Roddick withdrew from the Canada Masters due to illness, leading to a drop in ranking to No. 13, his lowest ranking since 2002. On August 14, 2010, Roddick revealed that he had been diagnosed with mononucleosis, although he said his doctor believed it was in its later stages and he would make a complete recovery soon. At the Cincinnati Masters, he defeated No. 5 Robin Söderling to reach the quarterfinals, where he defeated second seed Novak Djokovic. The win was Roddick's fourth consecutive over Djokovic, raising his career head-to-head record against Djokovic to 5–2 and ensuring Roddick's return to the top 10. In the semifinals, Roddick lost to Mardy Fish, failing to serve out the match at 5–3 in the second set. In the second round of the US Open, Roddick was beaten by Janko Tipsarević in four sets.
He then played at the Rakuten Japan Open Tennis Championships, but lost in the semifinals to Gaël Monfils. At Shanghai Rolex Masters, Roddick defeated Philipp Kohlschreiber after Kohlschreiber retired in the second set and then Roddick himself retired in the second set against Guillermo García-López, after suffering a groin injury. At the Davidoff Swiss Indoors in Basel, he beat Sam Querrey, Andrey Golubev, and David Nalbandian, before losing to Roger Federer in straight sets.
At the BNP Paribas Masters, Roddick beat Jarkko Nieminen and Ernests Gulbis before losing to Robin Söderling in the quarterfinals. With Fernando Verdasco failing to reach the final, Roddick automatically qualified for the Barclays ATP World Tour Finals for the eighth consecutive year. Though he had dropped out of the top 10 in the ATP rankings after his early exit from the US Open, his victory over Gulbis in Paris assured his return to the top 10 at year end, making him and Federer the only players to maintain year-end top-10 ATP rankings from 2002 through 2010. Roddick played his final tournament of the year at the Barclays ATP World Tour Finals. Roddick lost all his round-robin matches to Rafael Nadal, Novak Djokovic, and Tomáš Berdych. Roddick ended the year No. 8, his ninth consecutive season finishing in the top 10.
2011: Drop out of top 10
Roddick began his 2011 campaign in the Brisbane International, where he was defeated by Robin Söderling in the final. At the Australian Open, Roddick was the eighth seed. In the fourth round, Roddick lost to Stanislas Wawrinka in straight sets. He then won the 2011 Regions Morgan Keegan Championships, defeating Ričardas Berankis, Janko Tipsarević, Lleyton Hewitt, Juan Martín del Potro and Milos Raonic. Roddick began his Davis Cup campaign for the United States against Chile. He faced Nicolás Massú in the opener and defeated him in four sets. He then beat Paul Capdeville in four sets to clinch the victory for the U.S. Roddick improved his record to 12–0 in Davis Cup clinchers.
At the BNP Paribas Open, he was beaten by Richard Gasquet in the fourth round. In the 2011 Sony Ericsson Open, as the defending champion, Roddick was upset by Pablo Cuevas in the second round. This loss dropped Roddick to No. 12 in the rankings and the second-ranked American behind compatriot Mardy Fish. Roddick then began his clay-court season at the Mutua Madrid Open, but he was upset in the first round by Italian qualifier Flavio Cipolla in three sets. At Internazionali BNL d'Italia he lost in the first round for the second straight tournament to Gilles Simon. He teamed with Mardy Fish to play doubles in Rome, and they went to the final before Roddick had to withdraw because of a shoulder injury. Roddick also withdrew from the Nice Open in France and pulled out of the 2011 French Open, after failing to recover.
Roddick returned to action at the Aegon Championships, where he was a four-time champion. In the semifinals, he played Andy Murray, their first meeting since the Wimbledon 2009 semifinals, but Roddick was defeated in straight sets. Roddick was seeded eighth for Wimbledon, and beat Andreas Beck and Victor Hănescu, both in straight sets. In the third round, Roddick was beaten in straight sets by Feliciano López. Roddick had failed to reach the quarterfinals of any Grand Slam since the 2010 Australian open. This was the longest Roddick had ever gone in his career without reaching the quarterfinals of a Grand Slam. In the Davis Cup quarterfinals match against Spain, Roddick drew David Ferrer first, but lost in three tight sets (Spain won the tie).
Roddick withdrew from the Legg Masson Tennis Classic, and Rogers Cup, after partially tearing his oblique muscle while practicing. He returned to action after a couple of weeks' rest from his injury and played at the Western & Southern Open. He lost in the first round to Philipp Kohlschreiber. This loss made him drop out of the top 20 for the first time since August 2001. After suffering an early exit at Cincinnati, Roddick played at the Winston-Salem Open in North Carolina, where he lost in the semifinals to John Isner. Roddick was seeded 21st at the U.S. Open. He beat Michael Russell, Jack Sock, Julien Benneteau and David Ferrer to advance to his first Grand Slam quarterfinal since the 2010 Australian Open, where he lost to No. 2 Rafael Nadal.
After this, he played at the China Open, where he lost to Kevin Anderson. At Shanghai Rolex Masters, he lost to David Ferrer in the quarterfinals. After this, he played at the Swiss Indoors Basel, where he lost to Roger Federer in the quarterfinals. Going straight to Paris for the BNP Paribas Masters, he had a third-round loss to Andy Murray. This loss ended Roddick's 2011 season, which left him out of the top 10, after being there for nine consecutive years.
2012: Retirement
Roddick began his 2012 season at the 2012 Australian Open, where he beat Robin Haase in straight sets, but he retired against Lleyton Hewitt while trailing, due to a hamstring injury. Following the injury, Roddick entered the SAP Open in San Jose, California. He beat Denis Kudla in the round of 16, but lost in the quarterfinals to Denis Istomin. At Regions Morgan Keegan Championships in Memphis, his title defense was short-lived, as he lost his first-round match to Xavier Malisse. At Delray Beach International Tennis Championships, he defeated Philipp Petzschner and Istomin in the first and second rounds, respectively, before falling to Kevin Anderson.
In March, at Indian Wells, Roddick beat Łukasz Kubot in the second round, but then lost in the next round to Tomáš Berdych. Later in the month, Roddick had better results at the Sony Ericsson Open, where he beat Gilles Müller in the second round. That win set up a third-round match with No. 3 Federer, this being the first time they played each other before the quarterfinals of any tournament. Roddick defeated Federer for only the third time in his career to reach the fourth round, but then lost to Juan Mónaco. Roddick then elected not to play in the final three clay-court Masters events leading up to the French Open. At French Open, he fell to Nicolas Mahut in the first round in four sets. After this, Roddick played at Aegon Championships, where he lost in the second round to Édouard Roger-Vasselin, despite having a match point in the third set.
Roddick's next tournament was the Aegon International, where he received a wild card into the main draw as the sixth seed. He beat Sam Querrey, Jérémy Chardy, Fabio Fognini, Steve Darcis and defending champion Andreas Seppi in the final for his 31st career title and first of 2012. He thus became the only male tennis player besides Roger Federer to have won at least one title every year in the past 12 years. At Wimbledon he beat Jamie Baker and Björn Phau, but lost to David Ferrer in the third round in four sets.
Roddick started the US Open Series at the BB&T Atlanta Open. He beat Nicolas Mahut, Michael Russell in the quarterfinals, John Isner in the semifinals and Gilles Müller in the final. Roddick's London Olympics campaign began with a victory over Martin Kližan. In the second round, Roddick lost to No. 2 Novak Djokovic. After the Olympics, Roddick decided not to play in Toronto and went straight to Cincinnati, where he lost in the first round to Frenchman Jérémy Chardy.
In the US Open, Roddick began his campaign with a victory over his countryman Rhyne Williams. On August 30, 2012, which was his thirtieth birthday, Roddick announced that he would retire after the tournament. After announcing his retirement, Roddick defeated Bernard Tomic and Fabio Fognini before his final match on September 5, 2012, where he lost to Juan Martín del Potro in four sets in the fourth round. Four days after his loss, Roddick was honored in a special ceremony in Arthur Ashe Stadium on his retirement, in which Andre Agassi participated. Due to his retirement, he ended the year at No. 39, the lowest he had been since 2000, the year he turned professional, when he only played five events.
2015
Roddick played one tournament on tour, the 2015 BB&T Atlanta Open, where he competed in the men's doubles event with Mardy Fish. They lost in the quarterfinals.
2017: Hall of Fame induction
Roddick was inducted into the International Tennis Hall of Fame on July 22, 2017, alongside Kim Clijsters of Belgium.
Nicknames and on-court behavior
Roddick is often called "A-Rod", a play on the nickname of New York Yankees baseball star Alex Rodriguez, referring to his first initial and the first syllable of his last name.
Roddick made frequent outbursts against umpires and linesmen on the court. At the 2001 US Open, Roddick angrily disputed a ball that landed wide at a crucial point in the fifth set of his quarter-final match against Lleyton Hewitt (he was serving at *4–5), calling umpire Jorge Dias "a moron" and copping a code violation for audible obscenity. During his third-round match at the Australian Open in 2008, he abused umpire Emmanuel Joseph saying, "You're an idiot! Stay in school, kids or you'll end up being an umpire."
Roddick lost his temper again at the 2010 Australian Open after a ball that he did not play was called out on match point, but ruled to be in after a video review. He continued arguing with the umpire after the conclusion of the match but later said that he was wrong. Later again that year, he launched into a tirade at an official over a foot-fault call at the 2010 US Open, a match he eventually lost to Serbia's Janko Tipsarević. In 2011, Roddick snapped at the chair umpire at Indian Wells on his way to lose to France's Richard Gasquet.
In a second-round match against Philipp Kohlschreiber at the 2011 Cincinnati Masters, Roddick was given a penalty point, which resulted in a critical break of serve in favor of his opponent. The penalty point was given due to ball-abuse, when Roddick smashed a ball into the stands in frustration after he had already been warned earlier in the match by umpire Carlos Bernardes for an episode of racquet abuse. This triggered another series of altercations with the umpire, with Roddick expressing his displeasure at the umpire's call. Roddick lost the match.
Endorsements
From 2000 to 2005, Roddick wore Reebok apparel. After Reebok announced it would not renew its contract with Roddick, Roddick signed a five-year, $25 million endorsement deal with Lacoste in April 2005. In November, he signed an agreement to endorse Lacoste eyewear for four years worth between $750,000 and $1 million. In 2011, Lacoste introduced the Andy Roddick collection which included polos, jackets, tennis shorts and track pants. In June 2013, Roddick became an investor and brand ambassador to TravisMathew Apparel.
In 2005, Roddick signed a multiyear worldwide endorsement deal with carmaker Lexus. His other endorsement deals include American Express, Rolex, Powerade in 2002, Parlux Fragrances, Arizona Beverage Company in 2009, Microsoft Xbox and Sega.
Playing style
Roddick's serve was known for its power, usually travelling at 130–150 mph (209~242 km/h) and often unreturnable. He once held the record for fastest serve at 155 mph (249 km/h). Roddick's favorite shot is his off-forehand, which he used in combination with his kicker out wide. Roddick used to play his off-forehand frequently but later adjusted and used it to create points. He usually targeted the two corners to win aces. As for his second serve, he usually employed a heavy kick serve, then used a variety of spins, slices, and angles in the rally to throw off his opponent. He was noted for using heavy topspin on both his serves and his twist serve was particularly high kicking.
Roddick also occasionally used the serve-and-volley tactic on both first and second services to surprise his opponent, though he generally remained near the baseline after a serve. He later developed a more all-court playing style compared to the aggressive baseline style he played with for most of his early career. Although Roddick's backhand was a weakness throughout his career, it improved somewhat in 2009 under Stefanki's guidance.
Media appearances
On April 5, 2002, Roddick guest-starred on the television show Sabrina the Teenage Witch as himself. In the episode, Sabrina summoned him so he could give her tennis lessons.
Roddick appeared on The Late Late Show with Craig Kilborn in 2002 and 2003, Late Show with David Letterman in 2003 and 2009, Late Night with Conan O'Brien, and Live with Regis and Kelly in 2003, Jimmy Kimmel Live! in 2004 and 2005, The Tonight Show with Jay Leno in 2005 and 2007, and The Ellen DeGeneres Show in 2006. Roddick also appeared on Friday Night with Jonathan Ross in 2007 and 2010.
Roddick hosted Saturday Night Live on November 8, 2003, becoming the second professional tennis player to host (Chris Evert being the first during the show's 15th season) and the first (and, as of September 2023, only) male tennis player to host.
Pre-Wimbledon, Roddick appeared on an episode of the British version of The Weakest Link, which was broadcast on 18 June 2004.
Roddick was in an advertisement for This is SportsCenter, with Stuart Scott, in which he confronts the Sports Center anchor about the anchors not calling him "A-Rod", and asks him "Did Alex Rodriguez put you up to this?" Scott replies "Who?" Roddick says "A-Rod!" Scott gets a sneaky look on his face, and Roddick leaves disgusted.
The June/July issue of Men's Fitness magazine carried an article on Roddick. The cover shot featured the tennis ace in a T-shirt, straining to contain massive, pumped-up biceps and hulking shoulder and chest muscles. The image set off widespread online speculation that the magazine had altered Roddick's likeness, a suspicion echoed by Roddick himself. Roddick has quipped that he saw the photo, and that "Nadal wanted his arms back."
In March 2009, Roddick appeared in the "Speed Feels Better" music video for singer-songwriter Michael Tolcher. Other athletes in the video included Amanda Beard, Barry Sanders, Kimmie Meissner, and Rick Ankiel.
Roddick played tennis using a frying pan instead of a racquet for the book Andy Roddick Beat Me With a Frying Pan by Todd Gallagher.
In 2011, Roddick made a cameo at the end of the film Just Go With It, as the new lover of the film's jilted bride, played by Decker.
In 2011 Roddick co-hosted a radio show for one day on Fox Sports Radio with his friend Bobby Bones on the latter's eponymous program. Due to the success of that one-time show, Fox Sports Radio offered Roddick and Bones a nationally syndicated sports radio show. The show debuted on January 7, 2012, and could be heard nationally on Saturdays from 12 to 3 PM CST. It was a mix of sports, pop culture and entertainment. On February 16, 2012, Roddick interviewed his wife, Brooklyn, on the radio show and during that interview he first revealed his plans on retiring and turning the radio show into a daily show and into his new career.
At the 2013 AT&T Pebble Beach Pro-Am, Roddick played his first professional golf tournament (as an amateur) where he teamed up with professional golfer, John Mallinger. Although Roddick's team missed the cut to get the final round, he and Mallinger ended with a combined score of 16 under par (with Roddick individually hitting at a 6 handicap).
In 2013, Roddick was hired by Fox Sports 1 as co-host for the network's flagship program Fox Sports Live.
In 2015, Roddick joined the BBC as pundit and commentator for the 2015 Wimbledon Championships.
In 2017, Roddick's wife revealed that he discarded most of his tennis trophies except the US Open trophy.
In 2019, Roddick appeared on Celebrity Family Feud with his wife and the rest of the Decker family, competing against Bobby Bones and his family.
During the COVID-19 pandemic, Roddick tweeted Tennis Channel requesting a "job." This led him to become a temporary contributor to the channel.
On April 2, 2023, Roddick participated with Michael Chang, Andre Agassi and John McEnroe in the first live airing of Pickleball on ESPN in the Million dollar Pickleball Slam at the Hard Rock Casino in Hollywood, Fla.
In 2024, Roddick began a weekly podcast series for Tennis Channel named "Served with Andy Roddick".
Personal life
From 2003 to 2004, Roddick dated actress and singer Mandy Moore.
It was while Roddick was watching a show on the CNN/Sports Illustrated website called She Says Z Says that he first noticed Brooklyn Decker, to whom he is now married. According to Decker in an interview with David Letterman, Roddick had his agent contact her agent to arrange an initial meeting. The two began dating in 2007, and on March 31, 2008, Roddick announced on his website that they had become engaged. The couple were married on April 17, 2009, in Austin, Texas.
Brooklyn Decker gave birth to the couple's first child on September 30, 2015. She gave birth to their second child, a daughter, on November 27, 2017.
Awards and records
In 2004, Roddick produced what was then the fastest serve in professional tennis: 249.4 km/h (155.0 mph) during a Davis Cup semifinal match with Vladimir Voltchkov on hard court in Charleston, South Carolina. Roddick's record serve has since been superseded by Ivo Karlović, who served at 251 km/h (156 mph) playing at the Davis Cup in March 2011. Roddick also had the fastest serve in U.S. Open history: 244 km/h (152 mph) against American Scoville Jenkins, and against future No. 1 Rafael Nadal. Roddick also won the 2004 ESPY Award for Best Male Tennis Player.
That same year he won the Arthur Ashe Humanitarian Award of the Year because of his charity efforts, which included: raising money for the survivors of the tsunami following 2004 Indian Ocean earthquake through Serving for Tsunami Relief and other efforts; auctioning off several rackets and autographs to raise money for UNICEF; and creating the Andy Roddick Foundation to help at-risk youth.
In 2007, Roddick and the Andy Roddick Foundation were awarded by the Arthur Ashe Institute for Urban Health. Roddick was the first male tennis player ever to receive the award.
Serve records since 1991:
Fastest serve in Australian Open: 148 mph.
Fastest serve in Dubai: 150 mph.
Fastest average in first serve: 134 mph.
Fastest serve in Beijing: 148 mph.
Fastest serve in San Jose: 150 mph.
Fastest serve in Madrid: 151 mph.
Fastest serve in Washington: 151 mph.
Fastest serve in Queens: 153 mph.
Fastest serve in Lyon: 142 mph.
Fastest serve in US Open: 152 mph.
Fastest serve at Roland Garros: 144 mph (2006–2010).
Fastest serve at Queens: 151 mph.
Fastest serve at Wimbledon: 143 mph (2011).
Fastest serve on record (Davis Cup): 155 mph (2004–2011).
Career statistics
Grand Slam tournaments
Performance timeline
Finals: 5 (1 title, 4 runner-ups)
Masters Series
Finals: 9 (5 titles, 4 runner-ups)
Records
These records were attained in the Open Era of tennis.
Filmography
In 2011, Roddick made a cameo appearance in the Adam Sandler comedy film Just Go with It with his real-life wife Brooklyn Decker.
See also
World TeamTennis, played for the Philadelphia Freedoms in 2010.
Federer–Roddick rivalry
References
Further reading
Beth Donelson; Tom Donelson (2004). Coming Of Age: Andy Roddick's Breakthrough Year. New York: iUniverse. ISBN 0-595-30785-X.{{cite book}}: CS1 maint: multiple names: authors list (link)
External links
Official website
Andy Roddick at the Association of Tennis Professionals
Andy Roddick at the International Tennis Federation
Andy Roddick at the Davis Cup
Andy Roddick Foundation
Andy's U.S. Olympic Team bio ... with links to photo gallery
In losing a match, Roddick became a true sportsman, a May 2005 article written by Frank Deford
Roddick reverses form on the lawns
Andy Roddick at IMDb
Tennis Academy – Roddick Total Tennis Academy |
2018%E2%80%9319_Women%27s_Volleyball_Thailand_League | https://en.wikipedia.org/wiki/2018%E2%80%9319_Women%27s_Volleyball_Thailand_League | [
253
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"https://en.wikipedia.org/wiki/2018%E2%80%9319_Women%27s_Volleyball_Thailand_League"
] | The 2018–19 Women's Volleyball Thailand League is the 14th season of the Women's Volleyball Thailand League, the top Thai professional league for women's volleyball clubs, since its establishment in 2005, also known as CP Women's Volleyball Thailand League due to the sponsorship deal with Charoen Pokphand. A total of 8 teams will compete in the league. The season will begin on 27 October 2018 and is scheduled to conclude in 2019. This season will be organized by the Thailand Volleyball Association (TVA) instead Thailand Volleyball Co., Ltd. The season started.
Supreme Chonburi are the defending champions, also the reigning Asian club champions, while the 2018 Pro Challenge champion will has entered as the promoted team from the 2018 Volleyball Pro Challenge.
Changes from last season
Team changes
Promoted clubs
Promoted from the 2018 Women's Volleyball Pro Challenge
Opart 369 (2018 Pro Challenge champion)
Rangsit University (2018 Pro Challenge runner-up)
Relegated clubs
Relegated from the 2017–18 Women's Volleyball Thailand League
Rangsit University
Cosmo Chiang Rai
Reformed club
Bangkok Glass authorize from Quint Air Force
Clubs
Personnel and sponsorship
Managerial changes
National team players
Note :: players who released during second leg transfer window;: players who registered during second leg transfer window;→: players who left club after registered during first or second leg.
National team player quotas except from regulation
Hattaya Bamrungsuk is first time in national team with Nakhon Ratchasima The Mall.
Pimpichaya Kokram is first time in national team with 3BB Nakornnont.
Chitaporn Kamlangmak is first time in national team with Thai–Denmark Khonkaen Star.
Supattra Pairoj is first time in national team with Generali Supreme Chonburi-E.Tech.
Watchareeya Nuanjam is first time in national team with Generali Supreme Chonburi-E.Tech.
Academic players will not including in national team player quota.
Foreign players
Note :: players who released during second leg transfer window;: players who registered during second leg transfer window;→: players who left club after registered during first or second leg.
Transfers
First leg
Second leg
Format
Regular season
First leg: single round-robin.
Second leg: single round-robin.
Regular season standing procedure
Number of matches won
Match points
Sets ratio
Points ratio
Result of the last match between the tied teams
Match won 3–0 or 3–1: 3 match points for the winner, 0 match points for the loser
Match won 3–2: 2 match points for the winner, 1 match point for the loser
Finals series
Venues
Note
^A Keelawes 1 Gymnasium is initiatively proposed venue in Week 4 (17 to 18 November 2018), but TVA moved venue to Mcc Hall The Mall Bangkapi.
^B Chonburi Municipal Gymnasium is initiatively proposed venue in Week 5 (1 to 2 December 2018), but TVA moved venue to Mcc Hall The Mall Bangkapi.
^C Khon Kaen Provincial Gymnasium is initiatively proposed venue in Week 6 and 7 (15 to 16 and 22 to 23 December 2018), but TVA moved venue to Khonkaen International Convention and Exhibition Center.
Regular season
League table
Head-to-Head results
Positions by round
Results
First leg
All times are Indochina Time (UTC+07:00).
Week 1 – Chonburi
Week 2 – Nakhon Ratchasima
Week 3 – Nakhon Ratchasima
Week 4 – Bangkok
Week 5 – Bangkok
Week 6 – Khon Kaen
Week 7 – Khon Kaen
Second leg
All times are Indochina Time (UTC+07:00).
Week 8 – Khon Kaen
Week 9 – Nonthaburi
Week 10 – Nonthaburi
Week 11 – Nakhon Ratchasima
Week 12 – Nakhon Ratchasima
Week 13 – Bangkok
Week 14 – Bangkok
Finals series
All times are Indochina Time (UTC+07:00).
Final Team
Venue
The final series matches are played at the MCC Hall The Mall Bang Kapi in Bangkok.
Semi-finals
3rd place
Final
Final standing
Awards
Statistics leader
The statistics of each group follows the vis reports P2 and P5. The statistics include 6 volleyball skills; serve, reception, set, spike, block, and dig. The table below shows the top 5 ranked players in each skill plus top scorers at the completion of the tournament.
Regular season
After Leg 2 Week 7
See also
2018–19 Men's Volleyball Thailand League
2018 Women's Volleyball Kor Royal Cup
2018 Women's Volleyball Pro Challenge
2018 Men's Volleyball Kor Royal Cup
2018 Men's Volleyball Pro Challenge
References
External links
Official Website (in Thai) |
Charoen_Pokphand | https://en.wikipedia.org/wiki/Charoen_Pokphand | [
253
] | [
"https://en.wikipedia.org/wiki/Charoen_Pokphand"
] | The Charoen Pokphand Group Company, Ltd. (CP) (Thai: เจริญโภคภัณฑ์; RTGS: Charoen Phokkhaphan) is a Thai conglomerate based in Bangkok. It is Thailand's largest private company and the largest privately held Royal Warrant holder of the Thai Royal Family. The company describes itself as having eight business lines covering 13 business groups. As of 2020, the group has investments in 21 countries.
It owns controlling stakes in Charoen Pokphand Foods (CPF), the world's largest producer of feed, shrimp, and a global top three producer of poultry, pork, among other agricultural produces. It also operates Southeast Asia's largest retail business by revenue, with over 12,000 7-Eleven stores the second largest in the world after the 20,000 stores in Japan and a leading cash and carry business through CP Axtra, formerly known as Siam Makro. In the telecommunications sector, CP Group subsidiary, True Group, is one of the largest telecom firms in Southeast Asia with over 25 million mobile customers.
With some 200 business subsidiaries in mainland China, CP Group is known in China as "Zhèng Dà" (正大 - "positive" or "upright"). When China opened up its economy in 1978, the CP Group was the first foreign investor in the country and became the first foreign company registered in the special economic zone of Shenzhen, Guangdong. The company is the single largest investor in Mainland China today commanding over a fifth of China's entire feed meal market. The corporate registration number was "0001." Through its extensive investments, CP Group has been credited with changing the country's dietary habits and leading China's green revolution.
History
Charoen Pokphand traces its beginnings back to 1921, when immigrant brothers Chia Ek Chor (謝易初) and Chia Jin Hyang (謝進賢), hailing from Swatow, China, started a seed store named Chia Tai Chung on Songsawat Road in Bangkok's Chinatown during the reign of King Rama VI. They imported seeds and vegetables from China and exported pigs and eggs to Hong Kong, Taipei, Kuala Lumpur, and Singapore. The two brothers, who were virtually penniless, managed to scrape together enough capital to start their tiny seed shop. For the first few years of the businesses existence, the two brothers experimented to find their own market niche. By the 1950s, the shop began to specialize in exporting animal feed, particularly for chickens but the business struggled until the 1970s when the Bangkok Bank asked it to assume control of a bankrupt chicken farm. The shop later specialized in purchasing grown chickens for distribution to grocers and restaurants with vertically integrated strategy of feed-milling operations with chicken breeding. In 1969, the company had an annual turnover of US$1–2 million.
When the Thai economy was liberalized in the 1970s, the CP Group entered various business negotiations with several major Thai banks, the Thai government, and foreign firms. The CP Group would supply Thai farmers with chicks and feed and teach breeders how to raise chickens while the farmers would sell the grown chickens back to the CP Group which processed the chickens and sold them to high volume grocery stores, restaurants, and fast food franchises across Thailand. The CP Group expanded internationally exporting their contract farming formula across Southeast Asia and around the world to Mexico, Taiwan, Portugal, Mainland China, Indonesia, Turkey, and the United States. By the 1980s, with Thailand becoming a full blown capitalist economy, the CP Group entered the aquaculture business, turning their formula to raising and marketing shrimp.
The company increased its scope from selling vegetable seeds under the trademark of Rua Bin ("Aeroplane") to production of animal feed under Ek Chor's two elder sons, Jaran Chiaravanont and Montri Jiaravanont. The company further integrated its business to include livestock farming, marketing, and distribution, under Dhanin Chearavanont. By the 1970s, the company had a virtual monopoly on the supply of chicken and eggs in Thailand. The company was known for vertical integration, expanding into several business lines, adding breeding farms, slaughterhouses, processed foods production, and, later, its own chain of restaurants. CP had also gone international, launching feed mill operations in Indonesia in 1972, exporting chickens to Japan in 1973, then moving into Singapore in 1976.
In the 1980s, as mainland China opened up to foreign direct investment, the firm became the preferred partner for international brands such as Honda, Walmart, and Tesco. CP's family ties with the mainland enabled it to become the first foreign company to establish itself in the newly created Shenzhen Special Economic Zone, where the company set up its Chia Tai Co. (Chinese: 正大集团; pinyin: Zhèngdà Jítuán) subsidiary. In 1987, the company acquired the rights to the 7-Eleven convenience store chain and the KFC fast food restaurant chain. The company would also expand into Shanghai by manufacturing motorcycles under license from Honda and brewing beer with a license from Heineken. In 1989, CP entered the petrochemical business with Solvay of Belgium to launch Vinythai Co., a manufacturer of polyvinylchloride. In 1990, the CP Group acquired a stake in TelecomAsia, a joint venture with US telecommunications firm NYNEX to build and operate two million telephone lines in Bangkok worth some $3 billion. The CP Group also acquired interests in satellite launch, cable television, and mobile telephone services.
By the early-1990s, CP presided over some 200 subsidiaries in China. CP's investment in poultry production on the mainland was credited with changing the country's dietary habits, as per capita consumption more than doubled by the end of the decade. Starting in 1993, many subsidiaries went public. TA, Charoen Pokphand Feedmill, Siam Makro, and Vinythai were listed publicly on the Stock Exchange of Thailand (SET); its Hong Kong subsidiary, CP Pokphand, on the Hong Kong Stock Exchange; a Shanghai-based animal feed and poultry group on the Shanghai exchange; a real estate development arm, Hong Kong Fortune, on the Hong Kong Exchange; and Ek Chor China Motorcycle on the New York Stock Exchange. Having been listed on the Hong Kong Stock Exchange since 1981, CP Lotus, a retail arm of CP Group in China, opened its first store in Shanghai in 1997.
After the Asian financial crisis in 1997, CP consolidated into three business lines under its main brands: foods (CP Foods), retail (7-Eleven), and telecommunications (True). By the early-2000s, the CP Group claimed $9 billion in business assets. The company sold its stakes in the Tesco Lotus venture with Tesco in 2003 due to its crisis policy in order to focus on 7-Eleven, in which, unlike Tesco, CP owns a majority, as its flagship retail arm.
In 2013, Charoen Pokphand has got clearance to buy HSBC's stake of Chinese Ping An Insurance. On 10 May 2013, in spite of a lack of loan from the China Development Bank, HSBC said "it was selling the 15.6 percent stake at HK$59 a share" to Charoen Pokphand Group.
In 2014, CP announced a tie-up with the Japanese general trading company Itochu under which CP acquired 4.9 percent of Itochu's listed stock for about US$1 billion, and Itochu in turn acquired a 25 percent stake in a Hong Kong-listed CP group company, CP Pokphand Co., for about $854 million. This transaction made CP the third-largest shareholder in Itochu, and was marketed as an alliance between the two conglomerates with a focus on developing international food trading opportunities. In 2015, CP and Itochu announced that they would jointly take a $10.4 billion stake in China's CITIC Limited, forming a trilateral alliance with Itochu and CP each holding 10 percent of CITIC's stock, one of the largest foreign investments in a Chinese state-owned company.
On 9 March 2020, CP Group submitted the winning bid to purchase Thai retailer, Tesco Lotus, for about $10.6 billion. The purchase needed the approval of the Office of Trade Competition Commission (OTCC) as it could constitute a monopoly, given that CP already owns 7-Eleven convenience stores and the Makro cash-and-carry business. The sale became approved in Malaysia in November 2020 and in Thailand in December 2020, with rebranding of the acquired stores beginning in February 2021, replacing the Tesco corporate branding with that of Lotus's.
In February 2021, CP Group was recognized as one of the World's Most Ethical Companies 2021 award from Ethisphere Institute, a global institution for evaluating ethical business standards.
In September 2021, CP Group raised $150 million from existing investors, raising the valuation of its Ascend Money subsidiary to $1.5 billion.
Subsidiaries
Charoen Pokphand Foods
Known as Charoen Pokphand Foods Plc., (CPF). It was established in 1978 with operations in animal feed production, livestock breeding, further processing and trade. Currently, CPF invests overseas in nine countries, has subsidiaries in 17 countries and exports to over 40 countries. Furthermore, CPF is today the leading producer of feed and one of the largest producers of poultry in the world. Charoen Pokphand Foods is listed in the Stock Exchange of Thailand under the code: CPF.
CP Foods had a revenue of approximately US$14 billion in 2012, with a market capitalization of over $8 billion that same year.
CP ALL
CP ALL Public Company Limited is the flagship company of the Charoen Pokphand Group's marketing and distribution business. It has been the Thai licensee of 7-Eleven since 1989 and operates 12,000 convenience stores under that trademark in Thailand. This is the third largest number of stores after the United States and Japan.
7-Eleven
CP All Plc. is the sole operator of 7-Eleven convenience stores in Thailand. The CP Group acquired the rights to distribute the convenience store in 1987. The first 7-Eleven outlet was opened in 1989 on Patpong Road in Bangkok. As of 2020, the company had a total of 11,700 stores nationwide employing 170,000 workers. Of the total, 4,245 stores are in Bangkok and vicinity (44 percent) and 5,297 stores are in provincial areas (56 percent). There are 4,205 corporate-owned stores (44 percent), 4,645 franchise stores (49 percent), and 692 sub-area license stores (seven percent). An average of 11.7 million customers visit 7-Eleven stores each day. In 2016, the company expanded another 710 new stores both as stand-alone stores and stores at PTT gas stations. At the end of 2014, the company had 8,210 stand-alone stores (86 percent) and 1,332 stores in PTT gas stations (14 percent). The company planned to open approximately 700 new stores annually, with the goal of 10,000 stores in 2017.
True Corporation
The Telecommunications Business Group was established during the late 1980s. Known as True Corporation Plc, True offers a "convergence" of voice, video and data services across its integrated communications platform. Based in Bangkok, True currently services more than 23 million subscribers to its various services, which includes Thailand's third-largest mobile operator (TrueMove), the country's largest broadband and dial-up internet provider, largest fixed-line phone operator in Bangkok Metropolitan Area, electronic cash and payment services, personal communication telephone, data services, VoIP services, online portals, online games and is the only nationwide cable-TV provider (TrueVisions). True Corporation is listed on the Stock Exchange of Thailand under the code TRUE.
True Corporation generated approximately US$3.1 billion in revenue in 2012, it had a market capitalization of about $4.3 billion in 2013. It is spinning off its infrastructure operations into a new telecommunications fund set to IPO at about $1.8 billion, putting the group's total value at about $5 billion.
On November 22, 2021, Telenor and Charoen Pokphand Group, officially announced they have agreed to explore a USD 8.6 billion merger plan between Thailand’s second and third largest telecom operators (by subscribers), True Corporation (TRUE) and Total Access Communication (DTAC) – The proposed merger is subject to regulatory approvals. The merger was "acknowledged" by the regulator NBTC at a meeting on October 20, 2022. The newly merged company still retain the True Corporation name, which was founded on March 1, 2023 and it was listed on the Stock Exchange of Thailand under the stock ticker symbol TRUE on March 3, 2023.
Ascend Group
Founded in 2014 as a spin-off of True Corporation, Ascend Group handles the e-commerce, online retail, logistics and fulfillment component of CP Group. It marked its $150-million expansion by launching their affiliates in the Philippines and Indonesia, Vietnam, and also hard to reach economies like Myanmar and Cambodia. Ventures are classified under major subsidiaries: Ascend Commerce, Ascend Money and Ascend Capital, along with smaller independent ventures like TrueIDC and Egg Digital.
Lotus Supercenter
CP Lotus Corporation is a retail operation in China.
C.P. Pokphand Co., Ltd.
Listed in Hong Kong, CPP is one of the world's largest producers of feed and one of China's leading agricultural companies with factories nationwide.
CP Fresh Mart
A Thai-based chain selling frozen foods and finished products, now with over 700 branches.
Dayang Motors
One of China's leading motorcycle producers Dayang Motors, recently signed a joint venture to begin production of cars in Thailand. Its motorcycles are exported to Southeast Asia, Europe, and Africa.
Solvay
In 1989, CP entered the petrochemical business through a joint venture with Solvay, one of Belgium's largest chemical firms. But later sold its stakes.
Wal-Mart
In 1994, CP signed a joint venture agreement with American retail giant, Wal-Mart to establish super-retail stores throughout Asia and later dissolved it.
CP Beverages & Food
CP B&F is the Beverages arm of CP and was established in 2016 in Bangkok, Thailand. It operates Cafes, QSR, Logistics Brands namely Arabitia Cafe, Jungle Cafe, Farmee, Daily Runner and also is into Export - Import Business. The company now operates in 5 countries - China, Thailand, India, Cambodia, Laos and Myanmar and has 5 subsidiaries - CP B&F India Pvt Ltd, CP B&F (Thailand) Co. Ltd, CP B&F (Cambodia) Co., Ltd. In September 2020, CP B&F (Vietnam) Private Company Limited has been established in Vietnam.
SAIC Motor-CP
SAIC Motor-CP Co., Ltd. is a 50-50 joint venture between CP and Chinese automotive manufacturer SAIC Motor. It produces MG vehicles in a manufacturing plant in Chonburi. MG vehicles are distributed in Thailand by MG Sales (Thailand) Co., Ltd.
CP Future City Development Corporation Limited (CPFC)
CP Future City Development Corporation Limited (CPFC) is a fully-integrated real estate company, a subsidiary of C.P. Group, established in 2021, CPFC core businesses focus on property development, investment and management.
Slavery revelations
After a several-month-long investigation, in 2014 the British newspaper The Guardian reported that Charoen Pokphand (CP) Foods purchases fishmeal, which it then feeds to its farmed prawns, from suppliers that own, operate or buy from fishing boats manned with slaves. The Guardian reported that after the slaves are bought for roughly US$250, the working conditions on those boats include forced labour with 20-hour work days, forced drug use, starvation and executions. CP Foods readily admitted to the use of slave labour in its supply chain.
Shrimp feed supply chain traceability and audit
CP Foods produces and sells farmed shrimp. It does not own or operate any fishing vessels. The company has worked to improve the traceability of the fishmeal element of its supply chain since 2012, and broadened this effort to encompass a full traceability system for its farmed shrimp supply chain in 2014. As part of that process, CP Foods has reduced the number of suppliers who provide fishmeal for the production of shrimp feed.
CP Foods has undertaken a full independent, third-party audit of its shrimp feed supply chain (all the way back to the individual fishing boats catching fish for fishmeal production), conducted by a leading international supply chain audit company. Approved by-product fishmeal in shrimp feed is certified "IFFO RS CoC", the highest international benchmark for sustainable fishmeal.
Shrimp Sustainable Supply Chain Task Force
CP Foods is a founding member of the Shrimp Sustainable Supply Chain Task Force (SSSC), established in July 2014, which has convened food producers, international retailers, and NGOs to map out a holistic improvement and audit plan for the Thai shrimp industry, and to identify and agree the steps and timetable to increase the sustainability and transparency of the supply chain. The key aim of CP Foods and the SSSC is to ensure that abuse of workers and damage to the maritime ecosystem in the Gulf of Thailand and Andaman Sea is a thing of the past, and to restore trust in the industry.
References
External links
Corporate website
International Directory of Company Histories, Vol.62: Charoen Pokphand Group, St. James Press, 2004 |
52nd_Tony_Awards | https://en.wikipedia.org/wiki/52nd_Tony_Awards | [
254
] | [
"https://en.wikipedia.org/wiki/52nd_Tony_Awards"
] | The 52nd Annual Tony Awards ceremony was held on June 7, 1998, at Radio City Music Hall and was broadcast by CBS television. A documentaries segment was telecast on PBS television. The ceremony was hosted by Rosie O'Donnell, who hosted a total of three times (1997, 1998, and 2000).
This ceremony is notable for its Best Direction of a Play and Best Direction of a Musical winners both being female, the first time a female has won either award. The writer of the Best Play winner was also female, the second female winner of the award.
Ragtime had 13 nominations, the most of the night, and Ragtime, The Beauty Queen of Leenane and Cabaret each won four Tonys.
Eligibility
Shows that opened on Broadway during the 1997–1998 season before April 30, 1998 are eligible.
The ceremony
The opening number was "Broadway Divas", with Rosie O'Donnell and the Chicago dancers introducing: Patti LuPone ("Don't Cry for Me Argentina" from Evita); Jennifer Holliday ("And I Am Telling You I'm Not Going" from Dreamgirls); and Betty Buckley ("Memory" from Cats).
Musicals represented:
Ragtime ("Ragtime" – Marin Mazzie, Audra McDonald and Company)
The Sound of Music ("Wedding"/"Do-Re-Mi"/"The Sound of Music" Finale – Rebecca Luker and Company)
1776 ("Sit Down, John" – Richard Poe and Company)
The Lion King ("Circle of Life" – Tsidii Le Loka and Company)
Cabaret ("Willkommen" – Alan Cumming and Company)
Side Show ("I Will Never Leave You" – Alice Ripley and Emily Skinner)
The Scarlet Pimpernel ("Into the Fire" – Douglas Sills and Company)
Winners and nominees
Winners are in bold
Special awards
Regional Theater Tony Award
Denver Center Theatre Company
Lifetime Achievement in the Theatre
Ben Edwards
Edward E. Colton
Tony Honor Winner
The International Theatre Institute of the United States
Multiple nominations and awards
See also
Drama Desk Awards
1998 Laurence Olivier Awards – equivalent awards for West End theatre productions
Obie Award
New York Drama Critics' Circle
Theatre World Award
Lucille Lortel Awards
References
"Year by Year – 1998". TonyAwards.com. Archived from the original on 13 August 2017. Retrieved 13 August 2017.
External links
Tony Awards Official website |
Cabaret_(musical) | https://en.wikipedia.org/wiki/Cabaret_(musical) | [
254
] | [
"https://en.wikipedia.org/wiki/Cabaret_(musical)"
] | Cabaret is an American musical with music by John Kander, lyrics by Fred Ebb, and a book by Joe Masteroff. It is based on the 1951 play I Am a Camera by John Van Druten, which in turn was based on the 1939 novel Goodbye to Berlin by Christopher Isherwood.
Set in 1929–1930 Berlin during the twilight of the Jazz Age as the Nazis rise to power, the musical focuses on the hedonistic nightlife at the seedy Kit Kat Klub and revolves around American writer Clifford Bradshaw's relations with English cabaret performer Sally Bowles. A subplot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Master of Ceremonies at the Kit Kat Klub, and the club itself serves as a metaphor for ominous political developments in late Weimar Germany.
The original Broadway production opened on November 20, 1966, at the Broadhurst Theatre in New York City and became a box office hit that ran for 1,166 performances. The production won eight Tony Awards and inspired numerous subsequent productions around the world as well as the 1972 film of the same name.
Background
Historical basis
The events depicted in the 1966 musical are derived from Anglo-American writer Christopher Isherwood's autobiographical tales of his colorful escapades in the Weimar Republic. In 1929, Isherwood visited Weimar-era Berlin during the final months of the Golden Twenties. He relocated to Berlin to avail himself of boy prostitutes and to enjoy the city's orgiastic Jazz Age cabarets. He socialized with a coterie of gay writers that included Stephen Spender, Paul Bowles, and W.H. Auden. At the time, Isherwood viewed the rise of Nazism in Germany with political indifference and instead focused on writing his first novel.
In Berlin, Isherwood shared modest lodgings with 19-year-old British flapper Jean Ross, an aspiring film actress who earned her living as a chanteuse in lesbian bars and second-rate cabarets. While room-mates at Nollendorfstrasse 17 in Schöneberg, a 27-year-old Isherwood settled into a sexual relationship with a 16-year-old German boy, and Ross became pregnant after engaging in a series of sexual liaisons. She believed the father of the child to be jazz pianist and later film actor Peter van Eyck. As a favor to Ross, Isherwood pretended to be her heterosexual impregnator in order to facilitate an abortion of which Ross nearly died due to the doctor's incompetence. Visiting the ailing Ross in a Berlin hospital, Isherwood felt resentment by the hospital staff for, as they assumed, forcing Ross to undergo the abortion. This event inspired Isherwood to write his 1937 novella Sally Bowles and is dramatized as its narrative climax.
While Ross recovered from the botched abortion, the political situation rapidly deteriorated in Weimar Germany as the incipient Nazi Party grew stronger day by day. "There was a sensation of doom to be felt in the Berlin streets", Spender recalled. As Berlin's daily scenes increasingly featured "poverty, unemployment, political demonstrations and street fighting between the forces of the extreme left and the extreme right", Isherwood, Ross, Spender, and other British nationals realized that they must leave the politically volatile country as soon as possible.
Two weeks after the Enabling Act cemented Adolf Hitler's dictatorship, Isherwood fled Germany and returned to England on April 5, 1933. Afterwards, the Nazis shuttered most of Berlin's seedy cabarets, and many of Isherwood's cabaret acquaintances fled abroad or perished in concentration camps. These events served as the genesis for Isherwood's Berlin stories. In 1951, playwright John Van Druten adapted Isherwood's 1939 novel Goodbye to Berlin into the Broadway play I Am a Camera which in turn became a 1955 film starring Laurence Harvey and Julie Harris.
Musical development
In early 1963, producer David Black commissioned English composer and lyricist Sandy Wilson to undertake a musical adaptation of Van Druten's 1951 play I Am a Camera. Black hoped that singer Julie Andrews would agree to star in the adaptation, but Andrews' manager refused to allow her to accept the role of Sally Bowles due to the character's immorality. By the time Wilson completed his work, however, Black's option on both the 1951 Van Druten play and its source material by Isherwood had lapsed and been acquired by rival Broadway producer Harold Prince. Prince wished to create a gritty adaptation of Isherwood's stories that drew parallels between the spiritual bankruptcy of Germany in the 1920s and contemporary social problems in the United States at a time "when the struggle for civil rights for black Americans was heating up as a result of nonviolent but bold demonstrations being held in the Deep South."
Prince hired playwright Joe Masteroff to work on the adaptation. Both men believed that Wilson's score failed to capture the carefree hedonism of the Jazz Age in late 1920s Berlin. They wanted a score that "evoked the Berlin of Kurt Weill and Lotte Lenya." Consequently, Prince invited the songwriting team of John Kander and Fred Ebb to join the project. Kander and Ebb envisioned the work as a dramatic play preceded by a prologue of songs describing the Berlin atmosphere from various points of view. As the composers distributed the songs between scenes, they realized the story could be told in the structure of a more traditional book musical, and they replaced several songs with tunes more relevant to the plot.
For the musical adaptation, playwright Joe Masteroff significantly altered Isherwood's original characters. He transformed the English protagonist into an American writer named Clifford Bradshaw; the antisemitic landlady became a tolerant woman with a Jewish beau who owned a fruit store; they cut various supporting characters and added new characters such as the Nazi smuggler Ernst Ludwig for dramatic purposes. The musical ultimately expressed two stories in one: the first, a revue centered on the decadence of the Kit Kat Klub, for which Hal Prince created the Master of Ceremonies (Emcee) character played by Joel Grey; the second, a story set in the society outside the club, thus juxtaposing the lives of the characters based on Isherwood's real-life associates and acquaintances with the seedy club.
In fall 1966, the musical entered rehearsals. After viewing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Prince's friend Jerome Robbins suggested cutting the songs outside the cabaret, but Prince ignored his advice. In Boston, lead actress Jill Haworth struggled with her characterization of Sally Bowles. Critics thought Sally's blonde hair and white dress suggested a debutante at a senior prom instead of a cabaret singer, so Sally became a brunette before the show opened on Broadway.
Prince staged the show in an unusual way for the time. As the audience entered the theater, they saw the curtain raised, exposing a stage with only a large mirror that reflected the auditorium. Instead of an overture, a drum roll and cymbal crash introduced the opening number. The show mixed dialogue scenes with expository songs and standalone cabaret numbers that provided social commentary. This innovative concept initially surprised audiences. Over time, they discerned the distinction between the two and appreciated the rationale behind them.
Synopsis
Act I
At the twilight of the Jazz Age in Berlin, the incipient Nazi Party is growing stronger. The Kit Kat Klub is a seedy cabaret – a place of decadent celebration. The club's Master of Ceremonies (Emcee) together with the cabaret girls and waiters, warm up the audience ("Willkommen"). Meanwhile, a young American writer named Clifford Bradshaw arrives via a railway train in Berlin. He has journeyed to the city to work on a new novel. Cliff encounters Ernst Ludwig, a German smuggler who offers him black market work and recommends a boarding house. At the boarding house, the proprietress Fräulein Schneider offers Cliff a room for one hundred reichsmarks, but he can only pay fifty. After a brief debate, she relents and allows Cliff to live there for fifty marks. Fräulein Schneider observes that she has learned to take whatever life offers ("So What?").
When Cliff visits the Kit Kat Klub, the Emcee introduces an English chanteuse, Sally Bowles, who performs a flirtatious number ("Don't Tell Mama"). Afterward, she asks Cliff to recite poetry for her, and he recites Ernest Thayer's mock-heroic poem "Casey at the Bat". Cliff offers to escort Sally home, but she says that her boyfriend Max, the club's owner, is too jealous. Sally performs her final number at the Kit Kat Klub aided by a female ensemble of jazz babies ("Mein Herr"). The cabaret ensemble performs a song and dance, calling each other on inter-table phones and inviting each other for dances and drinks ("The Telephone Song").
The next day at the boarding house, Cliff has just finished giving an English lesson to Ernst when Sally arrives. Max has fired her and thrown her out, and now she has no place to live. Sally asks Cliff if she can live in his room. At first he resists, but she convinces him to take her in ("Perfectly Marvelous"). The Emcee and two female companions sing a song ("Two Ladies") that comments on Cliff and Sally's new living arrangement. Herr Schultz, an elderly Jewish fruit-shop owner who lives in the boarding house, gives a pineapple to Fräulein Schneider as a romantic gesture ("It Couldn't Please Me More"). In the Kit Kat Klub, a young waiter starts to sing a song – a patriotic anthem to the Fatherland that slowly descends into a darker, Nazi-inspired marching song ("Tomorrow Belongs to Me"). He initially sings a cappella, before the customers and the band join in.
Months later, Cliff and Sally are still living together and have grown intimate. Cliff knows that he is in a "dream", but he enjoys living with Sally too much to come to his senses ("Why Should I Wake Up?"). Sally reveals that she is pregnant, but she does not know who is the father and decides to obtain an abortion. Cliff reminds her that it could be his child and tries to convince her to have the baby ("Maybe This Time"). Ernst enters and offers Cliff a chance to earn easy money – picking up a suitcase in Paris and delivering it to a client in Berlin. The Emcee comments on this with the song "Sitting Pretty" (or, in later versions, "Money").
Meanwhile, Fräulein Schneider has caught one of her boarders, the prostitute Fräulein Kost, bringing sailors into her room. Fräulein Schneider forbids her from doing so again, but Kost threatens to leave. Kost reveals that she has seen Fräulein Schneider with Herr Schultz in her room. Herr Schultz saves Fräulein Schneider's reputation by telling Fräulein Kost that he and Fräulein Schneider are to be married in three weeks. After Fräulein Kost departs, Fräulein Schneider thanks Herr Schultz for lying to Fräulein Kost. Herr Schultz says that he still wishes to marry Fräulein Schneider ("Married").
At Fräulein Schneider and Herr Schultz's engagement party, Cliff arrives and delivers the suitcase of contraband to Ernst. Sally and Cliff gift the couple a crystal fruit bowl. A tipsy Schultz sings "Meeskite" ("meeskite", he explains, is Yiddish for ugly or funny-looking), a song with a moral ("Anyone responsible for loveliness, large or small/Is not a meeskite at all"). Afterward, seeking revenge on Fräulein Schneider, Kost tells Ernst, who now sports a Nazi armband, that Schultz is a Jew. Ernst warns Schneider that marrying a Jew is unwise. Kost and company reprise "Tomorrow Belongs to Me", with more overtly Nazi overtones, as Cliff, Sally, Schneider, Schultz, and the Emcee look on.
Act II
The cabaret girls – along with the Emcee in drag – perform a kickline routine which eventually becomes a goose-step. Fräulein Schneider expresses her concerns about her impending nuptials to Herr Schultz, who assures her that everything will be all right ("Married" (reprise)). They are interrupted by the crash of a brick being thrown through the glass window of Herr Schultz's fruit shop. Schultz tries to reassure her that it is merely rowdy children making trouble, but Fräulein Schneider is now afraid.
Back at the Kit Kat Klub, the Emcee performs a song-and-dance routine with a woman in a gorilla suit, singing that their love has been met with universal disapproval ("If You Could See Her"). Encouraging the audience to be more open-minded, he defends his ape-woman, concluding with, "if you could see her through my eyes... she wouldn't look Jewish at all." Fräulein Schneider goes to Cliff and Sally's room and returns their engagement present, explaining that her marriage has been called off. When Cliff protests and states that she can't just give up this way, she asks him what other choice she has ("What Would You Do?").
Cliff begs Sally to leave Germany with him so that they can raise their child together in America. Sally protests and claims that their life in Berlin is wonderful. Cliff urges her to "wake up" and to notice the growing social upheaval around them. Sally retorts that politics have nothing to do with them and returns to the Kit Kat Klub ("I Don't Care Much"). At the club, after another heated argument with Sally, Cliff is accosted by Ernst, who has another delivery job for him. Cliff tries to brush him off. When Ernst inquires if Cliff's attitude towards him is because of "that Jew at the party", Cliff attacks him – only to be beaten by Ernst's bodyguards and ejected from the club. On stage, the Emcee introduces Sally, who enters to perform again, singing that "life is a cabaret, old chum," cementing her decision to live in carefree ignorance ("Cabaret").
The next morning, a bruised Cliff is packing his clothes in his room when Herr Schultz visits. He informs Cliff that he is moving to another boarding house, but he is confident that these difficult times will soon pass. He understands the German people, he declares, because he is a German too. When Sally returns, she announces that she has had an abortion, and Cliff slaps her. She chides him for his previous insistence on keeping the baby, pointing out it would be a "terrible burden" for a child knowing it was the only reason the parents were together. Cliff still hopes that she will join him in France, but Sally retorts that she has "always hated Paris." She hopes that, when Cliff finally writes his novel, he will dedicate the work to her. Cliff leaves, heartbroken.
On the railway train to Paris, Cliff begins to compose his novel, reflecting on his experiences: "There was a cabaret, and there was a master of ceremonies ... and there was a city called Berlin, in a country called Germany – and it was the end of the world and I was dancing with Sally Bowles – and we were both fast asleep" ("Willkommen" (reprise)). In the Kit Kat Klub, the Emcee welcomes the audience once again as the ensemble reprises "Willkommen" but the song is now harsh and discordant. The Emcee sings, "Auf Wiedersehen... à bientôt..." followed by a drum roll crescendo and a cymbal crash.
Musical numbers
Every production of Cabaret has modified the original score, with songs being changed, cut, or added from the film version. This is a collective list featuring all songs from every major production.
Song modifications
Many songs planned for the 1966 production were cut. Three excised songs – "Good Time Charlie", "It'll All Blow Over", and "Roommates" – were recorded by Kander and Ebb, and the sheet music published in a collector's book. Sally sang "Good Time Charlie" to Cliff as they walked to Fräulein Schneider and Herr Schultz's engagement party, mocking Cliff for his gloominess. At the end of the first act, Fräulein Schneider sang "It'll All Blow Over," expressing her concerns about marrying a Jew, while Cliff voiced his worries about Germany's emerging Nazism. In the song, Sally declares that all will turn out well in the end. "Perfectly Marvelous" replaced "Roommates" and serves the same plot function of Sally convincing Cliff to let her move in with him.
The 1972 film added several songs, notably "Mein Herr" and "Maybe This Time" which were included in later productions. The latter song had been written by Kander and Ebb for the unproduced musical Golden Gate. The later 1987 and 1998 Broadway revivals also added new songs such as "I Don't Care Much". In the 1987 revival, Kander and Ebb wrote a new song for Cliff titled "Don't Go". In the 1998 revival, "Mein Herr" replaced "The Telephone Song", and "Maybe This Time" replaced "Why Should I Wake Up?".
Originally, the Emcee sang "Sitting Pretty" accompanied by the cabaret girls in international costumes with their units of currency representing Russian rubles, Japanese yen, French francs, American dollars, and German reichsmarks. In the 1972 film, the Emcee and Sally Bowles sang "Money, Money" instead of "Sitting Pretty." The film soundtrack briefly played "Sitting Pretty" as orchestral background music. In the 1987 revival, they presented a special version that combined a medley of both money songs, and they incorporated motifs from the later song into the "international" dance that featured "Sitting Pretty." In the 1998 revival, they used only the later song written for the film. This version included the cabaret girls and carried a darker undertone.
Productions
Original Broadway production
The musical opened on Broadway on November 20, 1966, at the Broadhurst Theatre, transferred to the Imperial Theatre and then the Broadway Theatre before closing on September 6, 1969, after 1,166 performances and 21 previews. Directed by Harold Prince and choreographed by Ron Field, the cast featured Jill Haworth as Sally, Bert Convy as Cliff, Lotte Lenya as Fräulein Schneider, Jack Gilford as Herr Schultz, Joel Grey as the Emcee, Edward Winter as Ernst, and Peg Murray as Fräulein Kost. Replacements later in the run included Anita Gillette and Melissa Hart as Sally, Ken Kercheval and Larry Kert as Cliff, and Martin Ross as the Emcee. In addition, John Serry Sr. performed as the orchestral accordionist.
The original Broadway production was not an instant success according to playwright Joe Masteroff due to its perceived immoral content. "When the show opened in Boston," Masteroff recalled, "there were a lot of walkouts. Once the reviews came out, the public came back." At the time, actor Joel Grey was merely fifth-billed in the show. Nevertheless, audiences were hypnotized by Grey's sinister performance as the Emcee.
In contrast, Jill Haworth's performance as Sally was less well-received and was criticized for its blandness. Emory Lewis, the reviewer for The Morning Call, wrote that "Jill Haworth, the lovely English actress who played Sally Bowles on opening night, was personable, but she was not sufficiently trained for so pivotal a role. And her voice was small and undramatic. Her performance threw 'Cabaret' out of kilter."
The 1967–68 US national tour featured Melissa Hart as Sally, Signe Hasso as Fräulein Schneider, and Leo Fuchs as Herr Schultz. The tour included the Shubert Theatre in New Haven, Connecticut in December 1967, the Ahmanson Theatre in Los Angeles in May 1968, the Curran Theatre in San Francisco in September 1968, and many others.
Original West End production
The musical premiered in the West End on February 28, 1968, at the Palace Theatre with Judi Dench as Sally, Kevin Colson as Cliff, Barry Dennen as the Emcee, Lila Kedrova as Fräulein Schneider and Peter Sallis as Herr Schultz. It ran for 336 performances. Critics such as Ken Mandelbaum have asserted that "Judi Dench was the finest of all the Sallys that appeared in Hal Prince's original staging, and if she's obviously not much of a singer, her Sally is a perfect example of how one can give a thrilling musical theatre performance without a great singing voice."
1986 West End revival
In 1986, the show was revived in London at the Strand Theatre starring Kelly Hunter as Sally, Peter Land as Cliff and Wayne Sleep as the Emcee, directed and choreographed by Gillian Lynne.
1987 Broadway revival
The first Broadway revival opened on October 22, 1987, with direction and choreography by Prince and Field. The revival opened at the Imperial Theatre, and then transferred to the Minskoff Theatre to complete its 261-performance run. Joel Grey received star billing as the Emcee, with Alyson Reed as Sally, Gregg Edelman as Cliff, Regina Resnik as Fräulein Schneider, Werner Klemperer as Herr Schultz, and David Staller as Ernst Ludwig. The song "Don't Go" was added for Cliff's character.
1993 London revival
In 1993, Sam Mendes directed a new production for the Donmar Warehouse in London. The revival starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Fräulein Schneider. Kestelman won the Olivier for Best Supporting Performance in a Musical, and Cumming was nominated for an Olivier Award. Mendes' concept was different from either the original production or the conventional first revival, particularly with respect to the character of the Emcee. The role, as played by Joel Grey in both prior productions, was a sexually aloof, edgy character with rouged cheeks dressed in a tuxedo. Alan Cumming's portrayal was highly sexualized, as he wore suspenders around his crotch and red paint on his nipples. Staging details differed as well. Instead of "Tomorrow Belongs to Me" being performed by a male choir of waiting staff, the Emcee plays a recording of a boy soprano singing it. In the final scene, the Emcee removes his outer clothes to reveal a striped uniform of the type worn by the internees in concentration camps; on it are pinned a yellow badge (identifying Jews), a red star (marking Communists and socialists), and a pink triangle (denoting homosexuals). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys. "I Don't Care Much," which was added for the 1987 Broadway revival, was maintained for this production, and "Mein Herr" was added from the film.
This production was filmed by Channel Four Film for airing on UK television.
1998 Broadway revival
The second Broadway revival, by the Roundabout Theatre Company, was based on the 1993 Mendes-Donmar Warehouse production. For the Broadway transfer, Rob Marshall was co-director and choreographer. The production opened after 37 previews on March 19, 1998, at the Kit Kat Klub, housed in what previously had been known as Henry Miller's Theatre. Later that year it transferred to Studio 54, where it remained for the rest of its 2,377-performance run, becoming the third longest-running revival in Broadway musical history, third only to Oh! Calcutta! and Chicago. Cumming reprised his role as the Emcee, opposite newcomers Natasha Richardson as Sally, John Benjamin Hickey as Cliff, Ron Rifkin as Herr Schultz, Denis O'Hare as Ernst Ludwig, Michele Pawk as Fräulein Kost, and Mary Louise Wilson as Fräulein Schneider.
The Broadway production was nominated for ten Tony Awards, winning four for Cumming, Richardson and Rifkin, as well as the Tony for Best Revival of a Musical. This production featured a number of notable replacements later in the run: Jennifer Jason Leigh, Susan Egan, Joely Fisher, Gina Gershon, Debbie Gibson, Melina Kanakaredes, Jane Leeves, Molly Ringwald, Brooke Shields, and Lea Thompson as Sally; Michael C. Hall, Raúl Esparza, Neil Patrick Harris, Adam Pascal, Jon Secada, and John Stamos as the Emcee; Boyd Gaines, Michael Hayden, and Rick Holmes as Cliff; Tom Bosley, Dick Latessa, Hal Linden, Laurence Luckinbill, and Tony Roberts as Herr Schultz; and Blair Brown, Carole Shelley, Polly Bergen, Alma Cuervo, and Mariette Hartley as Fräulein Schneider.
There were a number of changes made between the 1993 and 1998 revivals, despite the similarities in creative team. The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions. The score was re-orchestrated using synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated, as it had been in the film version, and where in the 1993 revival it had been combined with "Money" (as it had been in 1987 London production), "Money" was now performed on its own. "Maybe This Time", from the film adaptation, was added to the score.
2006 West End revival
In September 2006, a new production presented by Bill Kenwright opened at the Lyric Theatre, directed by Rufus Norris, and starring Anna Maxwell Martin as Sally, James Dreyfus as the Emcee, Harriet Thorpe as Fräulein Kost, Michael Hayden as Cliff, and Sheila Hancock as Fräulein Schneider. Hancock won the Olivier Award for Best Supporting Performance in a Musical. Replacements later in the run included Kim Medcalf and Amy Nuttall as Sally, Honor Blackman and Angela Richards as Fräulein Schneider, and Julian Clary and Alistair McGowan as the Emcee. This production closed in June 2008 and toured the UK for two years opening at the Birmingham Repertory Theatre with a cast that included Wayne Sleep as the Emcee and Samantha Barks as Sally, before Siobhan Dillon took over the role.
2012 West End revival
A revival opened in the West End at the Savoy Theatre on October 3, 2012, following a four-week tour of the UK, including Bromley, Southampton, Nottingham, Norwich and Salford. Will Young played the Emcee and Michelle Ryan portrayed Sally Bowles. Siân Phillips, Harriet Thorpe and Matt Rawle also joined the cast. The production was made by the creative team behind the 2006 London revival, but with new sets, lighting, costumes, choreography and direction.
In August 2013 the show went on tour in the UK, again with Young as the Emcee, Siobhan Dillon reprising her role of Sally and Lyn Paul joining the cast as Fräulein Schneider. The same production toured the UK again in autumn 2017 with Young as the Emcee and Louise Redknapp as Sally. Another UK tour began in autumn 2019 starring John Partridge as the Emcee, Kara Lily Hayworth as Sally Bowles and Anita Harris as Fräulein Schneider.
2014 Broadway revival
In September 2013 Roundabout Theatre Company announced plans to return the company's acclaimed 1998 production to Studio 54 in New York. For this, the show's third Broadway revival, Sam Mendes and Rob Marshall reprised their respective roles as director and co-director/choreographer to recreate their work from the earlier production. Alan Cumming starred again as the Emcee while Academy Award-nominee Michelle Williams made her Broadway debut as Sally Bowles. On October 7, 2013, Tony Award nominees Danny Burstein and Linda Emond joined the cast as Herr Schultz and Fräulein Schneider. The production began a 24-week limited engagement with previews from March 21, 2014, with opening night on April 24, 2014, but the engagement was extended. Emma Stone replaced Michelle Williams as Sally from November 2014 to February 2015, Critics praised Stone's performance for her interpretation of the hard-drinking sybarite Sally Bowles "as a flaming flapper, the kind hymned by F. Scott Fitzgerald and embodied by the young Joan Crawford in silent movies." Sienna Miller took over the role on March 29, 2015, remaining through to the show's closing. Alan Cumming continued in the role of the Emcee until the show's final curtain.
The production later toured the US from January 2016 with Randy Harrison as the Emcee and Andrea Goss (following her appearance as Frenchie in the Broadway production). They were later replaced by Jon Peterson and Leigh Ann Larkin.
2021 West End revival
Eddie Redmayne and Jessie Buckley starred as the Emcee and Sally Bowles in a West End production directed by Rebecca Frecknall, designed by Tom Scutt, choreographed by Julia Cheng, with lighting design by Isabella Byrd and sound design by Nick Lidster. The production also featured Omari Douglas as Cliff, Liza Sadovy as Fraulein Schneider, Elliot Levey as Herr Schultz, Stewart Clarke as Ernst and Anna-Jane Casey as Fraulein Kost. Produced by Underbelly and Ambassador Theatre Group, the production, entitled Cabaret at the Kit Kat Club, began previews at the Playhouse Theatre on November 15, 2021, which has been refurbished as the "Kit Kat Club", including an intimate in-the-round stage reduced to a 550-seat capacity with tables that audience members can dine at as well as a refurbished foyer, in effect transforming the entire theater into a Weimar-era nightclub. The run was extended to October 2022. The production led the 2022 Olivier Award nominations with 11 nods, including Best Musical Revival, Best Actor in a Musical for Redmayne and Best Actress in a Musical for Buckley. The production won 7 awards and set a record for being the most award-winning revival in Olivier history, as well for being the first production to obtain awards in all 4 eligible acting categories.
Following the departure of Redmayne and Buckley, notable players as the Emcee and Sally Bowles have been Fra Fee and Amy Lennox; Callum Scott Howells and Madeline Brewer; Aimee Lou Wood and John McCrea; Maude Apatow and Mason Alexander Park; Jake Shears and Rebecca Lucy Taylor (aka Self Esteem); Luke Treadaway and Cara Delevingne; and Layton Williams and Rhea Norwood.
2024 Broadway revival
The 2021 West End production transferred to the August Wilson Theatre on Broadway, with previews from April 1, 2024, ahead of a gala night on April 20 and press night on April 21. As in the West End production, the August Wilson Theatre was refurbished as the "Kit Kat Club" with an intimate in-the-round staging. Redmayne reprised his role as the Emcee with Gayle Rankin and Ato Blankson-Wood co-starring as Sally and Cliff. Bebe Neuwirth, Steven Skybell, Natascia Diaz, and Henry Gottfried play Fraulein Schneider, Herr Schultz, Fraulein Kost, and Ernst Ludwig, respectively. The production was nominated for 9 Tony Awards, winning one for Best Scenic Design. From September 16, 2024, Adam Lambert and Auli'i Cravalho are set to play the Emcee and Sally.
Other productions
A BBC Radio 2 radio broadcast in 1996 from the Golders Green Hippodrome starred Clare Burt as Sally Bowles, Steven Berkoff as the Emcee, Alexander Hanson as Clifford Bradshaw, Keith Michell as Herr Schultz, and Rosemary Leach as Fräulein Schneider.
Since 2003, international stagings of the show, many influenced by Mendes' concept, have included productions in Argentina, Australia, Brazil, Colombia, Costa Rica, France, Portugal, Greece, Israel, Malaysia, Mexico, Peru, Puerto Rico, Serbia, South Africa, Spain and Venezuela. A 2008 production at the Stratford Shakespeare Festival's Avon Theatre in Canada, designed by Douglas Paraschuk and directed by Amanda Dehnert, featured Bruce Dow as the Emcee, Trish Lindström as Sally, Sean Arbuckle as Cliff, Nora McClellan as Fräulein Schneider and Frank Moore as Herr Schultz. The Shaw Festival at Niagara-on-the-Lake, Ontario, included Cabaret in its 2014 season. The production, which ran from April 10 – October 26, 2014 at the Festival Theatre, was directed by Peter Hinton with choreography by Denise Clarke. It featured Juan Chioran as the Emcee, Deborah Hay as Sally, Gray Powell as Cliff, Benedict Campbell as Herr Schultz, and Corrine Koslo as Fräulein Schneider; it was influenced by Mendes' 1993 revival.
A 2017 revival played in Sydney and Melbourne, Australia, starred Paul Capsis as the Emcee and Chelsea Gibb as Sally. The production mixed elements of the Mendes production, such as its version of "Two Ladies" and its portrayal of a gay Cliff, with the colorful art design of the original (the Emcee is in full makeup and clothed) and most of the additional songs from the 1972 film (with the exception of "Mein Herr").
Cast and characters
Recordings
The first recording of Cabaret was the original Broadway cast album with a number of the songs either truncated (e.g., "Sitting Pretty"/"The Money Song") or outright cut to conserve disk space. When this album was released on compact disc, Kander and Ebb's voice-and-piano recordings of songs cut from the musical were added as bonus material. According to Mandelbaum, the 1968 London cast recording features "a more accurate rendering of the score" and includes the Act One finale "Tomorrow Belongs to Me" reprise, the second-act finale as performed in the theatre, and a number of other previously unrecorded bits and pieces." It was released in the UK and reissued on the CBS Embassy label in 1973.
The 1972 movie soundtrack with Liza Minnelli is much re-written and eliminates all but six of the original songs from the stage production.
Both the 1986 London and 1998 Broadway revival casts were recorded. A 1993 two-CD studio recording contains nearly the entire score, including songs written for the movie and for later productions and much of the incidental music. This recording features Jonathan Pryce as the Emcee, Maria Friedman as Sally, Gregg Edelman as Cliff, Judi Dench as Fräulein Schneider, and Fred Ebb as Herr Schultz. The cast recording of the 2006 London revival at the Lyric Theatre includes James Dreyfus as the Emcee and Anna Maxwell Martin as Sally.
The 2021 London cast recording featuring Eddie Redmayne and Jessie Buckley was recorded live at the Playhouse Theatre, London) and released in January 2023. Cabaret: The Maida Vale Session is an EP that was released in March 2024 with four songs from the revival at the Playhouse Theatre, including "Willkommen", "Don't Tell Mama", "I Don't Care Much" and the title song. It was recorded for a BBC Radio 2 show with Jo Whiley at the BBC's Maida Vale Studios with Jake Shears as Emcee, Rebecca Lucy Taylor as Sally and the 2023 London cast and orchestra.
In addition to these recordings, cast albums for French, Spanish, Greek, Hebrew, Italian, Austrian, Dutch, Mexican, and German productions have been released.
Awards and nominations
Original Broadway production
1987 Broadway revival
1993 London revival
1998 Broadway revival
2006 West End revival
2012 West End revival
2014 Broadway revival
2021 West End revival
2024 Broadway revival
References
Notes
Citations
Works cited
Print sources
Online sources
External links
Cabaret at the Internet Broadway Database
Cabaret (1993 UK TV production starring Alan Cumming) at IMDb
Plot and production information at the Guide to Musical Theatre
The Making of Cabaret by Keith Garebian. OUP 2011 2nd edition. |
Pineapple | https://en.wikipedia.org/wiki/Pineapple | [
254
] | [
"https://en.wikipedia.org/wiki/Pineapple"
] | The pineapple (Ananas comosus) is a tropical plant with an edible fruit; it is the most economically significant plant in the family Bromeliaceae.
The pineapple is indigenous to South America, where it has been cultivated for many centuries. The introduction of the pineapple plant to Europe in the 17th century made it a significant cultural icon of luxury. Since the 1820s, pineapple has been commercially grown in greenhouses and many tropical plantations.
Pineapples grow as a small shrub; the individual flowers of the unpollinated plant fuse to form a multiple fruit. The plant normally propagates from the offset produced at the top of the fruit or from a side shoot, and typically matures within a year.
Description
The pineapple is a herbaceous perennial, which grows to 1.0 to 1.5 m (3 ft 3 in to 4 ft 11 in) tall on average, although sometimes it can be taller. The plant has a short, stocky stem with tough, waxy leaves. When creating its fruit, it usually produces up to 200 flowers, although some large-fruited cultivars can exceed this. Once it flowers, the individual fruits of the flowers join together to create a multiple fruit. After the first fruit is produced, side shoots (called 'suckers' by commercial growers) are produced in the leaf axils of the main stem. These suckers may be removed for propagation, or left to produce additional fruits on the original plant. Commercially, suckers that appear around the base are cultivated. It has 30 or more narrow, fleshy, trough-shaped leaves that are 30 to 100 cm (1 to 3+1⁄2 ft) long, surrounding a thick stem; the leaves have sharp spines along the margins. In the first year of growth, the axis lengthens and thickens, bearing numerous leaves in close spirals. After 12 to 20 months, the stem grows into a spike-like inflorescence up to 15 cm (6 in) long with over 100 spirally arranged, trimerous flowers, each subtended by a bract.
In the wild, pineapples are pollinated primarily by hummingbirds. Certain wild pineapples are foraged and pollinated at night by bats. Under cultivation, because seed development diminishes fruit quality, pollination is performed by hand, and seeds are retained only for breeding. In Hawaii, where pineapples were cultivated and canned industrially throughout the 20th century, importation of hummingbirds was prohibited.
The ovaries develop into berries, which coalesce into a large, compact, multiple fruit. The fruit of a pineapple is usually arranged in two interlocking helices, often with 8 in one direction and 13 in the other, each being a Fibonacci number.
The pineapple carries out CAM photosynthesis, fixing carbon dioxide at night and storing it as the acid malate, then releasing it during the day aiding photosynthesis.
Taxonomy
The pineapple comprises five botanical varieties, formerly regarded as separate species. The genomes of three varieties, including the wild progenitor variety bracteatus, have been sequenced.
History
Etymology
The first reference in English to the pineapple fruit was the 1568 translation from the French of André Thevet's The New Found World, or Antarctike where he refers to a Hoyriri, a fruit cultivated and eaten by the Tupinambá people, living near modern Rio de Janeiro, and now believed to be a pineapple. Later in the same English translation, he describes the same fruit as a "Nana made in the manner of a Pine apple", where he used another Tupi word nanas, meaning 'excellent fruit'. This usage was adopted by many European languages and led to the plant's scientific binomial Ananas comosus, where comosus 'tufted' refers to the stem of the plant. Purchas, writing in English in 1613, referred to the fruit as Ananas, but the Oxford English Dictionary's first record of the word pineapple itself by an English writer is by Mandeville in 1714.
Precolonial cultivation
The wild plant originates from the Paraná–Paraguay River drainages between southern Brazil and Paraguay. Little is known about its domestication, but it spread as a crop throughout South America. Archaeological evidence of use is found as far back as 1200–800 BC (3200–2800 BP) in Peru and 200 BC – 700 AD (2200–1300 BP) in Mexico, where it was cultivated by the Mayas and the Aztecs. By the late 1400s, cropped pineapple was widely distributed and a staple food of Native Americans. The first European to encounter the pineapple was Christopher Columbus, in Guadeloupe on 4 November 1493. The Portuguese took the fruit from Brazil and introduced it into India by 1550. The 'Red Spanish' cultivar was also introduced by the Spanish from Latin America to the Philippines, and it was grown for textile use from at least the 17th century.
Columbus brought the plant back to Spain and called it piña de Indes, meaning "pine of the Indians". The pineapple was documented in Peter Martyr's Decades of the New World (1516) and Antonio Pigafetta's Relazione del primo viaggio intorno al mondo (1524–1525), and the first known illustration was in Oviedo's Historia General de Las Indias (1535).
Old World introduction
While the pineapple fascinated Europeans as a fruit of colonialism, it was not successfully cultivated in Europe until Pieter de la Court (1664–1739) developed greenhouse horticulture near Leiden. Pineapple plants were distributed from the Netherlands to English gardeners in 1719 and French ones in 1730. In England, the first pineapple was grown at Dorney Court, Dorney in Buckinghamshire, and a huge "pineapple stove" to heat the plants was built at the Chelsea Physic Garden in 1723. In France, King Louis XV was presented with a pineapple that had been grown at Versailles in 1733. In Russia, Peter the Great imported de la Court's method into St. Petersburg in the 1720s; in 1730, twenty pineapple saplings were transported from there to a greenhouse at Empress Anna's new Moscow palace.
Because of the expense of direct import and the enormous cost in equipment and labour required to grow them in a temperate climate, in greenhouses called "pineries", pineapple became a symbol of wealth. They were initially used mainly for display at dinner parties, rather than being eaten, and were used again and again until they began to rot. In the second half of the 18th century, the production of the fruit on British estates became the subject of great rivalry between wealthy aristocrats. John Murray, 4th Earl of Dunmore, built a hothouse on his estate surmounted by a huge stone cupola 14 metres tall in the shape of the fruit; it is known as the Dunmore Pineapple. In architecture, pineapple figures became decorative elements symbolizing hospitality.
Since the 19th century: mass commercialization
Many different varieties, mostly from the Antilles, were tried for European glasshouse cultivation. The most significant was "Smooth Cayenne", imported to France in 1820, subsequently re-exported to the United Kingdom in 1835, and then from the UK via Hawaii to Australia and Africa. "Smooth Cayenne" is now the dominant cultivar in world production. Jams and sweets based on pineapple were imported to Europe from the West Indies, Brazil, and Mexico from an early date. By the early 19th century, fresh pineapples were transported direct from the West Indies in large enough quantities to reduce European prices. Later pineapple production was dominated by the Azores for Europe, and Florida and the Caribbean for North America, because of the short trade routes.
The Spanish had introduced the pineapple into Hawaii in the 18th century where it is known as the hala kahiki ("foreign hala"), but the first commercial plantation was established in 1886. The most famous investor was James Dole, who moved to Hawaii in 1899 and started a 24-hectare (60-acre) pineapple plantation in 1900 which would grow into the Dole Food Company. Dole and Del Monte began growing pineapples on the island of Oahu in 1901 and 1917, respectively, and the Maui Pineapple Company began cultivation on Maui in 1909. James Dole began the commercial processing of pineapple, and Dole employee Henry Ginaca invented an automatic peeling and coring machine in 1911.
Hawaiian production started to decline from the 1970s because of competition and the shift to refrigerated sea transport. Dole ceased its cannery operations in Honolulu in 1991, and in 2008, Del Monte terminated its pineapple-growing operations in Hawaii. In 2009, the Maui Pineapple Company reduced its operations to supply pineapples only locally on Maui, and by 2013, only the Dole Plantation on Oahu grew pineapples in a volume of about 0.1 percent of the world's production. Despite this decline, the pineapple is sometimes used as a symbol of Hawaii. Further, foods with pineapple in them are sometimes known as "Hawaiian" for this reason alone.
In the Philippines, "Smooth Cayenne" was introduced in the early 1900s by the US Bureau of Agriculture during the American colonial period. Dole and Del Monte established plantations in the island of Mindanao in the 1920s; in the provinces of Cotabato and Bukidnon, respectively. Large scale canning had started in Southeast Asia, including in the Philippines, from 1920. This trade was severely damaged by World War II, and Hawaii dominated the international trade until the 1960s.
The Philippines remain one of the top exporters of pineapples in the world. The Del Monte plantations are now locally managed, after Del Monte Pacific Ltd., a Filipino company, completed the purchase of Del Monte Foods in 2014.
Composition
Nutrition
Raw pineapple pulp is 86% water, 13% carbohydrates, 0.5% protein, and contains negligible fat (table). In a 100-gram reference amount, raw pineapple supplies 209 kilojoules (50 kilocalories) of food energy, and is a rich source of manganese (40% Daily Value, DV) and vitamin C (53% DV), but otherwise contains no micronutrients in significant amounts.
Phytochemistry
Pineapple fruits and peels contain diverse phytochemicals, among which are polyphenols, including gallic acid, syringic acid, vanillin, ferulic acid, sinapic acid, coumaric acid, chlorogenic acid, epicatechin, and arbutin.
Present in all parts of the pineapple plant, bromelain is a mixture of proteolytic enzymes. It is present in stem, fruit, crown, core, leaves of pineapple itself. Bromelain is under preliminary research for treatment of a variety of clinical disorders, but has not been adequately defined for its effects in the human body. Bromelain may be unsafe for some users, such as in pregnancy, allergies, or anticoagulation therapy.
Having sufficient bromelain content, raw pineapple juice may be useful as a meat marinade and tenderizer. Although pineapple enzymes can interfere with the preparation of some foods or manufactured products, such as gelatin-based desserts or gel capsules, their proteolytic activity responsible for such properties may be degraded during cooking and canning. The quantity of bromelain in a typical serving of pineapple fruit is probably not significant, but specific extraction can yield sufficient quantities for domestic and industrial processing.
Varieties
Cultivars
Many cultivars are known. The leaves of the commonly grown "smooth cayenne" are smooth, and it is the most commonly grown worldwide. Many cultivars have become distributed from its origins in Paraguay and the southern part of Brazil, and later improved stocks were introduced into the Americas, the Azores, Africa, India, Malaysia and Australia. Varieties include:
"Hilo" is a compact, 1.0- to 1.5-kg (2– to 3-lb) Hawaiian variant of smooth cayenne; the fruit is more cylindrical and produces many suckers, but no slips.
"Kona sugarloaf", at 2.5 to 3.0 kg (5–6 lb), has white flesh with no woodiness in the center, is cylindrical in shape, and has a high sugar content but no acid; it has an unusually sweet fruit.
"Natal queen", at 1.0 to 1.5 kg (2 to 3 lb), has golden yellow flesh, crisp texture, and delicate mild flavor; well-adapted to fresh consumption, it keeps well after ripening. It has spiny leaves and is grown in Australia, Malaysia, and South Africa.
"Pernambuco" ("eleuthera") weighs 1–2 kg (2–4 lb), and has pale yellow to white flesh. It is sweet, melting in texture, and excellent for eating fresh; it is poorly adapted for shipping, has spiny leaves, and is grown in Latin America.
"Red Spanish", at 1–2 kg (2–4 lb), has pale yellow flesh with a pleasant aroma, is squarish in shape, and well-adapted for shipping as fresh fruit to distant markets; it has spiny leaves and is grown in Latin America and the Philippines. It was the original pineapple cultivar in the Philippines grown for their leaf fibers (piña) in the traditional Philippine textile industry.
"Smooth cayenne", a 2.5- to 3.0-kg (5- to 6-lb), pale yellow– to yellow-fleshed, cylindrical fruit with high sugar and acid content, is well-adapted to canning and processing; its leaves are without spines. It is an ancient cultivar developed by Amerind peoples. In some parts of Asia, this cultivar is known as Sarawak, after an area of Malaysia in which it is grown. It is one of the ancestors of cultivars "73-50" (also called "MD-1" and "CO-2") and "73–114" (also called "MD-2"). Smooth cayenne was previously the variety produced in Hawaii, and the most easily obtainable in U.S. grocery stores, but was replaced over the course of the mid-1990s and 2000s by MD-2. The success of Del Monte's MD-2 caused Dole to obtain & grow its own MD-2 pineapples, leading to Del Monte Fresh Produce Co. v. Dole Food Co..
Some Ananas species are grown as ornamentals for color, novel fruit size, and other aesthetic qualities.
In the US, in 1986, the Pineapple Research Institute was dissolved and its assets divided between Del Monte and Maui Land and Pineapple. Del Monte took cultivar '73–114', dubbed 'MD-2', to its plantations in Costa Rica, found it to be well-suited to growing there, and launched it publicly in 1996 as 'Gold Extra Sweet', while Del Monte also began marketing '73–50', dubbed 'CO-2', as 'Del Monte Gold'. The Maui Pineapple Company began growing variety 73-50 in 1988 and named it Maui Gold. The successor company to MPC, the Hali'imaile Pineapple Company continues to grow Maui Gold on the slopes of Haleakala.
Production
In 2022, world production of pineapples was 29 million tonnes, led by Indonesia, the Philippines, and Costa Rica, each producing about 3 million tonnes.
Uses
Culinary
The flesh and juice of the pineapple are used in cuisines around the world. In many tropical countries, pineapple is prepared and sold on roadsides as a snack. It is sold whole or in halves with a stick inserted. Whole, cored slices with a cherry in the middle are a common garnish on hams in the West. Chunks of pineapple are used in desserts such as fruit salad, as well as in some savory dishes, including the Hawaiian pizza, or as a grilled ring on a hamburger. Traditional dishes that use pineapple include hamonado, afritada, kaeng som pla, and Hawaiian haystack. Crushed pineapple is used in yogurt, jam, sweets, and ice cream. The juice of the pineapple is served as a beverage, and it is also the main ingredient in cocktails such as the piña colada and in the drink tepache.
In the Philippines, a traditional jelly-like dessert called nata de piña has also been produced since the 18th century. It is made by fermenting pineapple juice with the bacteria Komagataeibacter xylinus.
Pineapple vinegar is an ingredient found in both Honduran and Filipino cuisine, where it is produced locally. In Mexico, it is usually made with peels from the whole fruit, rather than the juice; however, in Taiwanese cuisine, it is often produced by blending pineapple juice with grain vinegar.
The European Union consumed 50% of the global total for pineapple juice in 2012–2016. The Netherlands was the largest importer of pineapple juice in Europe. Thailand, Costa Rica and the Netherlands are the major suppliers to the European Union market in 2012–2016. Countries consuming the most pineapple juice in 2017 were Thailand, Indonesia and the Philippines, having combined consumption of 47% of the world total. The consumption of pineapple juice in China and India is low compared to their populations.
Textiles
The 'Red Spanish' cultivar of pineapples were once extensively cultivated in the Philippines. The long leaves of the cultivar were the source of traditional piña fibers, an adaptation of the native weaving traditions with fibers extracted from abacá. These were woven into lustrous lace-like nipis fabrics usually decorated with intricate floral embroidery known as calado and sombrado. The fabric was a luxury export from the Philippines during the Spanish colonial period and gained favor among European aristocracy in the 18th and 19th centuries. Domestically, they were used to make the traditional barong tagalog, baro't saya, and traje de mestiza clothing of the Filipino upper class, as well as women's kerchiefs (pañuelo). They were favored for their light and breezy quality, which was ideal in the hot tropical climate of the islands. The industry was destroyed in the Second World War and is only starting to be revived.
Houseplant
The variety A. comosus 'Variegatus' is occasionally grown as a houseplant. It needs direct sunlight and thrives at temperatures of 18 to 24 °C (64 to 75 °F), with a minimum winter temperature of 16 °C (61 °F). It should be kept humid, but the soil should be allowed to dry out between waterings. It has almost no resting period but should be repotted each spring until the container reaches 20 centimeters (8 in).
Cultivation
In commercial farming, flowering can be induced artificially, and the early harvesting of the main fruit can encourage the development of a second crop of smaller fruits. Once removed during cleaning, the top of the pineapple can be planted in soil and a new plant will grow. Slips and suckers are planted commercially.
Storage and transport
Some buyers prefer green fruit, others ripened or off-green. A plant growth regulator, Ethephon, is typically sprayed onto the fruit one week before harvest, developing ethylene, which turns the fruit golden yellow. After cleaning and slicing, a pineapple is typically canned in sugar syrup with added preservative. A pineapple never becomes any riper than it was when harvested since it is a non-climacteric fruit.
Ethical and environmental concerns
Like most modern fruit production, pineapple plantations are highly industrialized operations. In Costa Rica particularly, the pineapple industry uses large amounts of insecticides to protect the crop, which have caused health problems in many workers. These workers often receive little compensation, and are mostly poor migrants, often Nicaraguan. Workers' wages also decrease every time prices are lowered overseas. In 2016, the government declared that it would be trying to improve the situation, with the help of various other groups.
Historically, tropical fruit agriculture, such as for pineapples, has been concentrated in so-called "banana republics".
Illegal drug trade
Export pineapples from Costa Rica to Europe are often used as a cover for narcotrafficking, and containers are impounded routinely in both locations.
Expansion into protected areas
In Costa Rica, pineapple cultivation has expanded into the Maquenque, Corredor Fronterizo, Barra del Colorado and Caño Negro wildlife refuges, all located in the north of the country. As those are protected areas and not national parks, limited and restricted sustainable activities are allowed, however pineapple plantations are industrial operations and many of these do not have the proper license to operate in the protected areas, or were started before either the designation of the area, recent regulations or the creation of the environmental regulatory agency (Setena) in 1996. The agency has registers for around 358.5 ha (1.384 sq mi) of pineapple plantations operating within protected areas, but satellite imagery from 2018 reports around 1,659 ha (6.41 sq mi).
Pests and diseases
Pineapples are subject to a variety of diseases, the most serious of which is wilt disease vectored by mealybugs typically found on the surface of pineapples, but possibly in the closed blossom cups. Other diseases include citrus pink disease, bacterial heart rot, anthracnose, fungal heart rot, root rot, black rot, butt rot, fruitlet core rot, and yellow spot virus. Pineapple pink disease (not citrus pink disease) is characterized by the fruit developing a brownish to black discoloration when heated during the canning process. The causal agents of pink disease are the bacteria Acetobacter aceti, Gluconobacter oxydans, Pantoea citrea and Tatumella ptyseos.
Some pests that commonly affect pineapple plants are scales, thrips, mites, mealybugs, ants, and symphylids.
Heart-rot is the most serious disease affecting pineapple plants. The disease is caused by Phytophthora cinnamomi and P. parasitica, fungi that often affect pineapples grown in wet conditions. Since it is difficult to treat, it is advisable to guard against infection by planting resistant cultivars where these are available; all suckers that are required for propagation should be dipped in a fungicide, since the fungus enters through the wounds.
See also
References
Bibliography
External links
Pineapple Fruit Facts Archived 16 May 2005 at the Wayback Machine—information on pineapples from California Rare Fruit Growers
"The Strange History of the 'King-Pine'" from The Paris Review |
Utah_County,_Utah | https://en.wikipedia.org/wiki/Utah_County,_Utah | [
255
] | [
"https://en.wikipedia.org/wiki/Utah_County,_Utah"
] | Utah County is the second-most populous county in the U.S. state of Utah. The county seat and largest city is Provo, which is the state's fourth-largest city, and the largest outside of Salt Lake County. As of the 2020 United States Census, the population was 665,665.
Utah County is one of two counties forming the Provo–Orem metropolitan statistical area, and is part of the larger Salt Lake City–Provo–Orem, UT Combined Statistical Area. In 2020, the center of population of Utah was in Utah County, in the city of Saratoga Springs.
Utah County is one of the fastest-growing counties in the United States, ranking among the top ten counties in numerical growth. Correspondingly, Provo–Orem is among the top eight metropolitan areas by percentage growth in the country.
Utah County is one of seven counties in the United States to have the same name as its state. The other six counties are Arkansas County, Hawaii County, Idaho County, Iowa County, Oklahoma County and New York County (commonly known as Manhattan).
History
The legislature of the State of Deseret created a county on January 31, 1850, to govern the civic affairs of Utah Valley, which by the 1850s was bustling with newly arrived settlers. The county name is derived from the valley name, which is derived from the Spanish name (Yuta) for the Ute Indians. The State of Deseret dissolved soon after (April 5, 1851), but the counties it had set in place continued. There is little record of any official activity conducted by the fledgling county until April 18, 1852, when a full slate of county officials was published, and recordkeeping began. The first courthouse was built in central Provo in 1866–67. It was soon outgrown and was replaced by a second courthouse (1872–73). By the 1920s, this building was also cramped, and the decision was made to erect a combined city-county building, which was completed in 1926.
The county's boundaries were adjusted in 1852, 1854, 1856, 1862, 1880, and 1884. It has retained its present boundary since 1884.
Geography
Utah County terrain ranges from stiff mountain ranges in the east (the Wasatch Range), dropping steeply to a large lake-filled valley. Most of the comparatively level ground is dedicated to agriculture or developed uses, while most of the steep terrain is covered with arid-climate forestation. The county generally slopes to the west and north, with its highest point (the northern peak of the twin-peaked Mt. Nebo in the southern part of the county), at 11,928 ft (3,636 m) ASL. The county has an area of 2,144 square miles (5,550 km2), of which 2,003 square miles (5,190 km2) is land and 141 square miles (370 km2) (6.6%) is water.
Utah Valley lies at the center of the county, lined by the mountains of the Wasatch Range on the east. Utah Lake occupies a large part of the valley. The elevation ranges from 4,487 feet (1,368 m) above sea level at the lake to 11,928 feet (3,636 m) at the peak of Mount Nebo.
Major highways
Source:
Protected areas
Source:
Lakes
Source:
Utah Lake
Provo Bay (an extension of Utah Lake)
Scofield Reservoir (part)
Demographics
1 The 2000 census was the first to allow residents to select multiple race categories. Prior to 2000, the census used the category 'Other Race' as a catch-all identifier. For county-level census data in 1950 and 1900, Utah counted all non-White and non-Black residents using this category. 'Other races' formed 1.4% of Utah County's population in 1990, 0.43% in 1950, and 0.07% in 1900.
2020 census
As of the 2020 United States Census, there were 659,399 people and 171,899 households in the county. The population density was 329.12 people per square mile (127.07 people/km2). There were 192,570 housing units, at an average density of 96.12 units per square mile (37.11 units/km2). The county's racial makeup was 89.4% White, 0.5% Black or African American, 0.6% American Indian or Alaska Native, 1.4% Asian, 0.8% Native Hawaiian or other Pacific Islander, 4.6% some other race, and 2.7% from two or more races. 10.8% of the population were Hispanic or Latino of any race.
There were 140,602 households, out of which 47.7% had children under the age of 18 living with them, 69.9% were headed by married couples living together, 8.0% had a female householder with no husband present, and 18.7% were non-families. Of all households, 11.6% were made up of individuals, and 4.4% were someone living alone who was 65 years of age or older. The average household size was 3.57, and the average family size was 3.88.
The county's population was spread out, with 35.2% under the age of 18, 15.8% from 18 to 24, 28% from 25 to 44, 14.5% from 45 to 64, and 6.5% who were 65 years of age or older. The median age was 24.6 years. For every 100 females, there were 100.3 males. For every 100 females age 18 and over, there were 97.7 males.
At the 2000 census, the median income for a household in the county was $45,833, and the median income for a family was $50,196. Males had a median income of $37,878 versus $22,656 for females. The per capita income for the county was $15,557. About 6.80% of families and 12.00% of the population were below the poverty line, including 8.40% of those under age 18 and 4.80% of those age 65 or over.
1 Due to respondents reporting multiple ethnicities, percentages may add up to greater than 100%.
Religion
2000 census
As of the 2000 United States Census, there were 516,564 people, 140,602 households, and 114,350 families in the county. The population density was 258 people per square mile (100 people/km2). There were 148,350 housing units, at an average density of 74.1 units per square mile (28.6 units/km2). The county's racial makeup was 89.4% White, 0.5% Black or African American, 0.6% American Indian or Alaska Native, 1.4% Asian, 0.8% Native Hawaiian or other Pacific Islander, 4.6% some other race, and 2.7% from two or more races. 10.8% of the population were Hispanic or Latino of any race.
There were 140,602 households, out of which 47.7% had children under the age of 18 living with them, 69.9% were headed by married couples living together, 8.0% had a female householder with no husband present, and 18.7% were non-families. Of all households, 11.6% were made up of individuals, and 4.4% were someone living alone who was 65 years of age or older. The average household size was 3.57, and the average family size was 3.88.
The county's population was spread out, with 35.2% under the age of 18, 15.8% from 18 to 24, 28% from 25 to 44, 14.5% from 45 to 64, and 6.5% who were 65 years of age or older. The median age was 24.6 years. For every 100 females, there were 100.3 males. For every 100 females age 18 and over, there were 97.7 males.
At the 2000 census, the median income for a household in the county was $45,833, and the median income for a family was $50,196. Males had a median income of $37,878 versus $22,656 for females. The per capita income for the county was $15,557. About 6.80% of families and 12.00% of the population were below the poverty line, including 8.40% of those under age 18 and 4.80% of those age 65 or over.
In 2005, the five most reported ancestries in Utah County were:
English: 30%
German: 10%
Danish: 7%
Mexican: 5%
Scottish: 4%
Government
The government is a three-member elected county commission elected at-large. Other elected officials include the county sheriff, the county clerk, county recorder, county assessor, county surveyor, county treasurer, and the county attorney. The current county attorney is Jeff Gray.
In 2020, Utah County voters rejected Proposition 9, which would have changed the county's government to a five-member elected county council with an elected county mayor.
The first sheriff of the county was John T. Willis, who was succeeded by William Madison Wall. Alexander Williams served during John Cradlebaugh's court in 1859. He was succeeded by Eli Whipple, who resigned in 1861 and was replaced by Russell Kelly. In 2020, Sheriff Mike Smith publicly stated he would not enforce COVID-19 face mask mandates.
The Utah County Fire Department provides emergency response to all unincorporated areas within Utah County and works with all the incorporated cities within the county plus all Utah state and federal lands. The department is primarily a wildland fires response and urban interspace service with some structure fire and HAZMAT abatement capability.
Politics
As the center of Mormon culture, Utah County has been referred to as "the most Republican county in the most Republican state in the United States". It has only voted for a Democratic president nine times since statehood, and has not supported a Democrat for president since 1964.
In the 1992 presidential election, George H. W. Bush received the most votes and Bill Clinton was third in votes received. In the 2004 presidential election, 85.99% voted for George W. Bush. In the 2008 U.S. presidential election, the county voted for John McCain by a 58.9% margin over Barack Obama, compared to McCain winning by 28.1% statewide. Eight other Utah counties voted more strongly in favor of McCain. In the 2012 election, Mitt Romney received 88.32% of the vote. In the 2016 election, it gave a slim majority of the vote to Donald Trump, and nearly 30% of the vote to independent candidate Evan McMullin, who outperformed Hillary Clinton in the county. This was McMullin's largest share of the vote in any county in Utah and his second best nationwide after Madison County, Idaho. In 2020, Joe Biden received over 75,000 votes - the Democrats had never previously received more than 30,000 votes in the county.
Until 2013, Utah County was represented entirely by one congressional district. Currently, the county is split between two congressional districts. Most of the county's population is in the 3rd District, represented by Republican John Curtis, former Provo Mayor. Much of the county's area however, including Utah Lake, resides in the 4th District currently represented by Republican Burgess Owens.
The county's Republican bent runs right through state and local politics. All five state senators representing the county, as well as all 14 state representatives, are Republicans.
Social issues
Utah County saw high rates of opioid and other prescription drug addiction from the mid-2000s onwards, foreshadowing the national opioid crisis. The 2008 documentary Happy Valley examined the problem.
Giving USA, which reports on charitable giving in the US, named Utah County as one of the three most generous counties in philanthropic donations, alongside San Juan County, Utah and Madison County, Idaho.
In 2019, one in eight people and one in six children in the county did not have sufficient food.
Infrastructure
Much of Utah's transportation infrastructure was built to support automobiles. Prior to the 1950s, Utah County relied on the U.S. Highway System for local transportation. When I-15 was built in 1956 (parallel to Highway 89), it became the dominant transportation vein in the state. The I-15 CORE project added multiple lanes on I-15 through most of Utah County. This expanded 24 miles (39 km) of freeway and was completed in 2012. Other construction projects by UDOT have been done on I-15 since then, including the Technology Corridor project and the Point of the Mountain project. However, the highway system retains its significance in Utah County due to the mountainous terrain. Highway 6 is the closest major road connecting Colorado to the Wasatch Front, running through Spanish Fork Canyon before converging with I-15 in the city of Spanish Fork. Portions of Highway 89 have become prominent local roads known collectively as 'State Street'. Highway 189 is known as 'University Avenue' in the city of Provo, and runs through Provo Canyon into Heber in neighboring Wasatch County.
Utah County has seen significant growth in public transportation over the past 15 years, owing in part to the county's large student population of more than 70,000 commuting to-and-from Brigham Young University (BYU) in Provo and Utah Valley University (UVU) in Orem. The two cities jointly operate UVX, a bus rapid transit system, as part of their city bus routes. Provo also serves as the southernmost terminus of the FrontRunner, Utah's intrastate commuter rail service. The Provo FrontRunner station is located on South University Avenue, directly southwest of Amtrak's Provo Station—which is Utah's third westbound stop, after Green River and Helper, for the California Zephyr Amtrak route. In addition to Provo, The FrontRunner currently has three stops in the county. The Orem FrontRunner station is located on the west side of I-15, served by a pedestrian bridge over the freeway that connects the UVU campus directly to the station. An additional stop in Vineyard, Utah was completed in August 2022. Utah County also operates the American Fork FrontRunner Station and the Lehi FrontRunner Station located near Thanksgiving Point. From Lehi, the FrontRunner leaves Utah County and enters Salt Lake County.
Education
School districts
School dstricts include:
Alpine School District
Provo School District
Nebo School District
Colleges and universities
Four-year institutions
Brigham Young University (private)
Utah Valley University (public)
Provo College (private for-profit)
Rocky Mountain University of Health Professions (private for-profit)
Two-year institutions
Mountainland Technical College (public)
Communities
Cities
Towns
Census-designated places
Unincorporated communities
Former communities
See also
National Register of Historic Places listings in Utah County, Utah
References
Further reading
(1994) "Utah County" article in the Utah History Encyclopedia. The article was written by Roger Roper and the Encyclopedia was published by the University of Utah Press. ISBN 9780874804256. Archived from the original on March 21, 2024, and retrieved on March 27, 2024.
External links
Utah County official website
Utah County municipal election results 2021
Utah County Sheriff's Office
"Utah, a central county of Utah" . The American Cyclopædia. 1879. |
Provo,_Utah | https://en.wikipedia.org/wiki/Provo,_Utah | [
255
] | [
"https://en.wikipedia.org/wiki/Provo,_Utah"
] | Provo ( PROH-voh) is a city in and the county seat of Utah County, Utah, United States. It is 43 miles (69 km) south of Salt Lake City along the Wasatch Front, and lies between the cities of Orem to the north and Springville to the south. With a population at the 2020 census of 115,162, Provo is the fourth-largest city in Utah and the principal city in the Provo-Orem metropolitan area, which had a population of 526,810 at the 2010 census. It is Utah's second-largest metropolitan area after Salt Lake City.
Provo is the home to Brigham Young University (BYU), a private higher education institution operated by the Church of Jesus Christ of Latter-day Saints (LDS Church). Provo also has the LDS Church's largest Missionary Training Center (MTC). The city is a focus area for technology development in Utah, with several billion-dollar startups. The city's Peaks Ice Arena was a venue for the Salt Lake City Winter Olympics in 2002.
History
The Provo area was originally called Timpanogas, a Numic (Ute people) word perhaps meaning "rock river". The area was inhabited by the Timpanogos. It was the largest and most settled area in modern-day Utah. The ample food from the Provo River made the Timpanogos a peaceful people. The area also served as the traditional meeting place for the Ute and Shoshone tribes and was used as a common location for worship of their creator deity.
Father Silvestre Vélez de Escalante, a Spanish Franciscan missionary-explorer, is considered the first European explorer to have visited the area in 1776. He was guided by two Timpanogos Utes, whom he called Silvestre and Joaquín. Escalante chronicled this first European exploration across the Great Basin Desert. The Europeans did not build a permanent settlement but traded with the Timpanogos, whom they called Lagunas (lake people) or Come Pescado (fish eaters).
In 1847, the Mormon pioneers arrived in the Salt Lake Valley, which was just north of Timpanogos Mountain. At first, the Natives were friendly with the Mormons. But, as relations deteriorated with the Shoshoni and Utes because of disputes over land and cattle, tensions rose. Because of the reported stolen goods of settlers by the Utes, Brigham Young gave small militia orders "to take such measures as would put a final end to their [Indian] depredations in future." This ended in what is known as the Battle Creek massacre, in modern-day Pleasant Grove, Utah.
The Mormons continued pushing into Timpanog lands. In 1849, 33 Mormon families from Salt Lake City established Fort Utah. In 1850, Brigham Young sent an army from Salt Lake to drive out the Timpanogos in what is called the Provo War. Escalating tensions with the Timpanog contributed to the Walker War. Fort Utah was renamed Provo in 1850 for Étienne Provost, an early French-Canadian trapper who arrived in the region in 1825.
In 1850, the first schoolhouse was constructed in Provo, built within Utah Fort.
As more Latter-day Saints arrived, Provo quickly grew as a city. It soon was nicknamed The Garden City with a large number of fruit orchards and gardens there.
In 1872, a railroad reached Provo. It was also this year that the Provo Woolen Mills opened. They were the first large factory in Provo and employed about 150 people, initially mainly skilled textile laborers who had emigrated from Britain.
Geography
Provo lies on the eastern bank of Utah Lake in Utah Valley at an elevation of 4,549 feet (1,387 m). According to the United States Census Bureau, the city has an area of 44.2 square miles (114.4 km2), of which 41.7 square miles (107.9 km2) is land and 2.5 square miles (6.5 km2), or 5.66%, is water.
The Wasatch Range contains many peaks within Utah County along the east side of the Wasatch Front. One of them, known as Y Mountain, towers over the city. There is a large hillside letter Y made of whitewashed concrete halfway up the steep mountain, built in the early part of the 20th century to commemorate BYU (original plans included construction use of all three letters). Wild deer (and less frequently, cougars, and moose) still roam the mountains (and occasionally the city streets). The geography allows for hiking, skiing, fishing and other outdoor activities.
Climate
Provo's climate can be classified as either a hot-summer Mediterranean climate classification (Köppen: Csa) or as a cool semi-arid climate (Köppen: BSk). Overall, annual rainfall at the location of BYU is around 17.23 inches (440 mm); however, the western part of the metropolitan area near Orem is substantially drier, receiving only around 13.5 inches (340 mm) of precipitation and consequently has a cool semi-arid climate (Köppen: BSk). The wettest calendar year in Provo has been 1983 with 37.54 inches (953.5 mm) and the driest 2020 with 7.28 inches (184.9 mm).
Winters are cold with substantial snowfall averaging 57.2 inches (145 cm) and a record monthly total of 66.0 inches (168 cm) in January 1918, during which the record snow cover of 34 inches (86 cm) was recorded on the 17th. Seasonal snowfall has ranged from 127.5 inches (324 cm) in 1983–84 to 10.1 inches (26 cm) in 2014–15. Very cold weather may occur when cold air from over the Continental Divide invades the region: although only four mornings fall to or below 0 °F or −17.8 °C during an average winter and this temperature was not reached at all between 1999 and 2006, during the very cold January 1917 (average temperature 14.9 °F; −9.5 °C), seventeen mornings fell this cold. By contrast, in several recent winters like 1994–95, 1995–96, 1999–2000, 2004–05, and 2005–06, averages have been above freezing every month.
Temperatures warm rapidly during the spring, with the first afternoon over 70 °F (21.1 °C) on March 21, the last freeze expected on April 29, and the first temperature equal to or hotter than 90 °F (32.2 °C) on May 30. Rainfall is not infrequent during the spring: over 5.10 inches (130 mm) was recorded in the Mays of 1995 and 2011, and a total of 12.29 inches (312.2 mm) fell during the four-month span of March to June 2005 – in contrast as little as 2.04 inches (51.8 mm) fell in the same months of 2012.
Being too far north to gain any influence from the monsoon except in rare cases like the 4.38 inches (111.3 mm) of rainfall of August 1983, Provo's summers are hot and dry, though relatively short – no maxima above 100 °F (37.8 °C) have been recorded outside the range of June 7 to August 27. Monthly maxima average over 91 °F (32.8 °C) in July and August, and precipitation averages under one inch per month with a two-month total in 2016 as low as 0.06 inches (1.5 mm). The hottest month on record is July 2003 with a mean of 81.8 °F (27.7 °C), and a mean maximum of 99.0 °F (37.2 °C). The hottest temperature on record is 108 °F (42.2 °C) on July 13, 2002.
The fall season sees steady cooling and a transition to winter weather, with rare influences of rain systems from further south, as in the record wet month of September 1982, which saw 6.53 inches (165.9 mm) of total precipitation, including 4.15 inches (105.4 mm) over the last six days from a storm moving in from Arizona. The last maximum of 90 °F (32.2 °C) can be expected around September 10, and the first morning below freezing on October 14.
Demographics
2020 census
2010 census
At the 2010 census, 112,488 people, 31,524 households and 21,166 families resided in the city. The population density was 2,697.6 inhabitants per square mile (1,041.5/km2). The racial makeup of the city was 84.8% White, 0.7% Black or African American, 0.8% American Indian, 2.5% Asian, 1.1% Pacific Islander, 6.6% from other races, and 3.4% from two or more races. Hispanic or Latino residents of any race were 15.2% of the population.
There were 31,524 households, of which 34.8% had children under 18 living with them, 55.4% were married couples living together, 8.2% had a female householder with no husband present, and 32.9% were non-families. 12.8% of all households were made up of a single individual, and 4.7% had someone living alone who was 65 years of age or older. The average household size was 3.24, and the average family size was 3.41.
In the city, 22.3% of residents were under 18, 36.4% were from 18 to 24, 24.8% from 25 to 44, 10.5% from 45 to 64, and 5.8% were 65 years of age or older. The median age was 23.3 years. For every 100 females, there were 98.2 males. For every 100 females aged 18 and over, there were 96.4 males.
2000 census
At the 2000 census, 105,166 people, 29,192 households and 19,938 families resided in the city. The population density was 2,653.2 inhabitants per square mile (1,024.4/km2). There were 30,374 housing units at an average density of 766.3/sq mi (295.9/km2). The racial makeup of the city was 88.52% White, 0.46% Black or African American, 0.80% American Indian, 1.83% Asian, 0.84% Pacific Islander, 5.10% from other races, and 2.44% from two or more races. Hispanic or Latino residents of any race were 10.47% of the population.
There were 29,192 households, of which 33.8% had children under 18 living with them, 57.0% were married couples living together, 7.8% had a female householder with no husband present, and 31.7% were non-families. 11.8% of all households were made up of a single individual, and 4.6% had someone living alone who was 65 years of age or older. The average household size was 3.34, and the average family size was 3.40.
In the city, 22.3% of residents were under 18, 40.2% from 18 to 24, 23.2% from 25 to 44, 8.6% from 45 to 64, and 5.7% were 65 years of age or older. The median age was 23 years. For every 100 females, there were 92.6 males. For every 100 females aged 18 and over, there were 89.3 males.
The median household income was $34,313, and the median family income was $36,393. Males had a median income of $32,010 and females $20,928. The per capita income was $13,207. About 12.5% of families and 26.8% of the population were below the poverty line, including 14.4% of those under age 18 and 4.3% of those aged 65 or over.
The residents of Provo are predominantly members of the LDS Church. According to data taken in 2000 by the ARDA, 88% of the overall population, and 98% of religious adherents in the Provo-Orem area are Latter-day Saints. According to a study in 2015, the Provo-Orem metro area is about as dissimilar to the rest of America as possible. Weighing factors such as race, housing, income, and education, the study ranked Provo-Orem 376th of 381 of the United States' largest cities in terms of resemblance to the country.
Religion
According to the breakdown for Utah County in 2010, most people (90.6%) were Christian, with Latter-day Saints constituting 88.7% of the population. Catholics constituted 1.3% and Protestants constituted 0.6%. Other religions constituted 0.3% of the population. 9.1% of the population did not adhere to any religion.
Economy
Local companies
Provo has more than 100 restaurants (with over 60 in the downtown area) and a couple of shopping centers. The Shops At Riverwoods and Provo Towne Centre, both shopping malls, operate in Provo. Several small shops, music venues, and boutiques have popped up downtown, along Center Street and University Avenue. Downtown has also begun to host "gallery strolls" every first Friday of the month that features local artists. There are many dining establishments in and around downtown Provo.
Five Provo companies are listed on Inc.com's Inc. 5000 list of the fastest-growing private companies in the United States. The largest, DieCuts With a View, is ranked number 1403 and has revenues of $26.2 million. Other companies on the list are VitalSmarts (ranked 4109, with $41.4 million in revenue), and Connect Public Relations (ranked 3694, with $6.1 million in revenue). The global recreation and entertainment company Ryze Trampoline Parks, with locations throughout Asia, Europe and the U.S., is headquartered in Provo.
Novell, the dominant personal computer networking company from the mid-1980s through the mid-1990s, was headquartered in Provo and occupied several buildings at the height of its success. It was eventually acquired by The Attachmate Group and then by Micro Focus, which still maintains facilities there.
The Food & Care Coalition is a local organization providing services to the homeless and low-income citizens of Provo and Utah Counties. They also provide volunteer opportunities.
International companies
Action Target, a shooting range manufacturer.
Morinda Bioactives (formerly Tahitian Noni International) is a multi-level marketing health and skin care manufacturer whose products are based on the Tahitian fruit called noni.
North American Arms, a firearms manufacturer.
Nu Skin Enterprises, a multi-level marketing firm for skin care products, was founded in 1984.
Qualtrics, a private research software company.
Vivint (formerly APX Alarm Security Solutions) is a residential security company with customers.
Top employers
According to Provo's 2019 Comprehensive Annual Financial Report, the top employers in the city were:
Arts and culture
Annual cultural events
Every July, Provo hosts America's Freedom Festival at Provo which includes the Stadium of Fire at BYU. It is held in LaVell Edwards Stadium, home to BYU's NCAA football team. The Independence Day festivities are popular among residents and have featured such notable figures as Bob Hope, David Hasselhoff, Reba McEntire, Mandy Moore, Huey Lewis and the News, Toby Keith, Sean Hannity, Fred Willard, and Taylor Hicks. In 2015, the event included performances by Journey and Olivia Holt, and was hosted by television personality Montel Williams.
Provo has two other large festivals each fall. Festival Latinoamericano is an annual family-oriented Labor Day weekend event in downtown Provo that offers the community a taste of the region's Hispanic culture through ethnic food, vendors, and performances.
The city has hosted an annual LGBT Provo Pride Festival since 2013.
Points of interest
Covey Center for the Arts
The Covey Center for the Arts, a performing arts center, is at 425 West Center Street. It features plays, ballets, art showcases, and musical performances throughout the year. The size of the building is a total of 42,000 square feet (3,902 m2). The main performance hall seats 670 people. Three dance studios are furnished with a piano, ballet bars, and mirrors. Another theater, the Brinton Black Box Theater, seats 60 for smaller, more intimate events. There are also two art galleries: the 1,620-square-foot (151 m2) Secured Gallery and the Eccles Gallery in the lower lobby.
LDS Church MTC
Provo is the location of the church's largest MTC. Each week approximately 475 missionaries enter for 3–9 weeks of training before they depart for the mission field, becoming part of more than 58,000 in more than 120 countries. About 1,100 instructors (many of them returned missionaries) teach 62 languages. The MTC in Provo began construction in July 1974 and was completed in July 1976. The MTC was expanded in the early 1990s to become the largest of the 17 such centers than in the world. Additional construction was completed in 2017.
Provo City Library at Academy Square
The Provo City Library is a public library that occupies the building of the former Brigham Young Academy, built-in 1892. The building was added to the National Register of Historic Places in 1976. Its collection contains over 277,000 media. The library is on University Avenue and 550 North.
Provo Recreation Center
With construction finished in 2013, the center provides a location for aquatic recreation next to the Provo Power plant.
Provo Utah Temple
The Provo Utah Temple is at the base of Rock Canyon in Provo. This temple has been among the busiest in the LDS Church due to its proximity to BYU and the MTC. The temple closed in February 2024, has been razed, and is currently being reconstructed. The temple, estimated for completion in 2027, will reopen as the Provo Utah Rock Canyon Temple.
Provo City Center Temple
Located at the corner of University Avenue and Center Street, the Provo City Center Temple serves as another temple for the Provo area's Latter-day Saint population. After a fire in 2010 destroyed the Provo Tabernacle, Thomas S. Monson, then LDS Church president, announced the site would become the city's second temple. Renovations were finished and the temple was dedicated in March 2016.
Utah Valley Convention Center
The Utah Valley Convention Center opened in 2012. It has 83,578 square feet (7,764.7 m2) of combined meeting, pre-function and garden space.
Other points of interest
Brigham Young University Arboretum
BYU Museum of Paleontology
LaVell Edwards Stadium - home of the NCAA college football BYU Cougars as well as Stadium of Fire, an annual 4th of July fireworks show and concert
The Marriott Center - home of the NCAA college basketball BYU Cougars. The Marriott Center is also used for large university gatherings, such as devotionals, guest lectures, and graduation ceremonies
Peaks Ice Arena, hockey venue for the 2002 Winter Olympic Games
The Provo River, a river known for fishing and the Provo River Parkway, a paved bicycle and walking trail adjacent to the river
Reed O. Smoot House, a National Historic Landmark, at 183 East 100 South
Seven Peaks Water Park, the largest water park in Utah.
The Shops At Riverwoods, a center of residences, retail, and entertainment at the mouth of Provo Canyon
Timpanogos Cave National Monument
Uinta-Wasatch-Cache National Forest, a national forest on the Wasatch Front bordering the east edge of Provo and Utah Valley
Utah Lake, a fresh-water lake popular for fishing, boating, and other recreational activities
Government
Federally, Provo is part of Utah's 3rd congressional district, represented by Republican John Curtis, elected in 2017.
City administration
Provo is administered by a seven-member city council and a mayor. Five of the council seats are elected by individual city districts, and two of the seats are elected by the city as a whole. These elected officials serve four-year terms, with elections alternating every two years. Provo has a Mayor–council government, which creates two separate but equal branches of government. The mayor is chief executive of the city and the council is the legislative and policy-making body of the city. The mayor is Michelle Kaufusi, who has been in office since December 5, 2017.
Education
Higher education
BYU is a private university operated by the LDS Church. BYU is the third-largest private university in the United States, with more than 34,000 students. It is the flagship of the Church Educational System. On the campus is the Spencer W. Kimball Tower, the tallest building in Provo.
Rocky Mountain University of Health Professions is a private, for-profit university emphasizing graduate healthcare education. The Northwest Commission accredits the university of Colleges and Universities (NWCCU). RMUoHP offers programs in nursing practice, physical therapy, occupational therapy, and health science. RMUoHP will be building Utah County's first new medical school.
Provo College is a private, for-profit educational institution specializing in career education. The school is accredited by the Accrediting Council for Independent Colleges and Schools (ACICS). Provo College offers associate degrees and diplomas in fields such as nursing, medical assisting, criminal justice, graphic design, and office administration.
Primary and secondary education
Almost all of Provo is within the Provo School District. The school board has seven members, each representing a different district of the city. There are thirteen elementary schools, two middle schools, and three high schools. Provo High School was the first school in Utah County to be an IB World school. The school has a record of 4A state basketball championships, more state champions than any other school in the state. Timpview High School has a record of 4A state football championships.
A small section of the city lies within Alpine School District.
Infrastructure
Transportation
Interstate 15 runs through western Provo, connecting it with the rest of the Wasatch Front and much of Utah. US-89 runs northwest to southeast through the city as State Street, while US-189 connects US-89 with I-15, BYU, and Orem to the north. At the north edge of the city, US-189 heads northeast into Provo Canyon, where it connects with Heber.
Amtrak, the national passenger rail system, provides service to Provo station, operating its California Zephyr daily in both directions between Chicago, Illinois, and Emeryville, California (in the San Francisco Bay Area). Provo also can be accessed by Salt Lake Express intercity buses and the extensive Utah Transit Authority (UTA) bus system. UTA's commuter rail service, the FrontRunner, opened an extension to Provo from Salt Lake City on December 10, 2012. The Provo Intermodal Center, adjacent to the Amtrak station, connects the FrontRunner with local bus routes, as well as Greyhound service.
The Provo Municipal Airport is Utah's second busiest airport regarding the number of aircraft take-offs and landings. Allegiant Airlines has been based out of the airport since 2022.
Notable people
Provo is home to (or the hometown of) many well-known people, including The Osmonds (including Donny, Marie, and the Osmond Brothers), LDS Church apostle Dallin H. Oaks, and NFL and BYU quarterback Steve Young. Goodwin Knight, who served as the 35th Governor of California (1947–1953), was born in Provo. The global economist Dambisa Moyo moved to Provo following her marriage to Qualtrics co-founder Jared Smith.
Sister cities
Provo has three sister cities designated by Sister Cities International:
Nanning, China
Chengdu, China
Meissen, Germany
See also
List of cities and towns in Utah
References
External links
Official website
Provo historical images at the Harold B. Lee Library, Brigham Young University
Aerial view of Provo, Utah, MSS SC 2962 at L. Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University
"Provo, Utah". C-SPAN Cities Tour. July 2016. |
List_of_people_from_Provo,_Utah | https://en.wikipedia.org/wiki/List_of_people_from_Provo,_Utah | [
255
] | [
"https://en.wikipedia.org/wiki/List_of_people_from_Provo,_Utah"
] | This is a list of notable people from Provo, Utah. This list includes notable individuals born and raised in Provo, those who currently live in Provo, and those who lived for a significant period in Provo.
Notable people
The Aces (indie pop band), indie pop/alternative pop band
Tyson Apostol (b. 1979), contestant on reality TV show Survivor: Tocantins, Survivor: Heroes vs. Villains, and winner of Survivor: Blood vs. Water
Lindsay Arnold (b. 1994), ballroom dancer on Dancing With the Stars
Earl W. Bascom (1906–1995), rodeo champion, inventor, sculptor, actor, inductee of 11 halls of fame, "father of modern rodeo"
Clyde Bawden, composer and performer of contemporary Christian music.
Robbie Bosco (b. 1963), former BYU football player
Paul D. Boyer (1918–2018), 1997 Nobel Prize in Chemistry
D. J. Butler, science fiction and fantasy writer
Stephen Covey, educator
Richard Davies, actor
LaVell Edwards, BYU football Hall of Fame coach
Paul Engemann, pop musician best known for his 1983 song "Scarface (Push It to the Limit)"
Avard Fairbanks, sculptor
Tom Holmoe, former BYU football and San Francisco 49er player; current BYU Athletic Director
Julianne Hough, professional ballroom dancer on Dancing with the Stars, actress, singer
Imagine Dragons, an indie rock band whose debut album Night Visions peaked at #2 on the Billboard 200
Joshua James, critically acclaimed folk singer and founder of Northplatte Records
Merrill Jenson, composer
Jenna Johnson, dancer on Dancing with the Stars
Brian Kershisnik, artist
Goodwin Knight, governor of California 1953-59
Vance Law, Major League Baseball player
Vern Law, Major League Baseball player
Rocky Long, defensive coordinator for the Syracuse Orange
Bert McCracken, born in Provo, lead singer of Utah-based band The Used
Kurt Mortensen, author
Neon Trees, new wave, synthpop-rock band
Dallin H. Oaks, member of the Quorum of the Twelve Apostles of the Church of Jesus Christ of Latter-day Saints
The Osmonds raised all nine children in Provo, some of whom continue to live there.
Donny Osmond, singer, musician, actor
Marie Osmond, singer, author, actress
The Osmond Brothers, vocal group, band
Trevor Packer, head of the Advanced Placement program at the College Board
Jack Paepke, baseball player, coach, manager and scout
Janice Kapp Perry, composer, LDS musician
Fred Roberts, NBA player for seven teams including Utah Jazz
Clarence Robison, Olympian and BYU track coach
Ryan Shupe & the RubberBand, musicians, "Dream Big"
Roland N. Smoot, U.S. Vice admiral
Beatrice Sparks, psychologist and author
Lindsey Stirling, hip-hop violinist
Suzanne Storrs, 1955 Miss Utah and television actress
Will Swenson, Tony Award-nominated actor
Edgar A. Wedgwood, adjutant general of the Utah National Guard
Brian Wimmer, actor
Steve Young, quarterback; MVP of Super Bowl XXIX; inductee of Pro Football Hall of Fame and College Football Hall of Fame; record-breaking quarterback for BYU and San Francisco 49ers; television commentator
See also
Robert Redford, Academy Award-winning actor, film director, and producer, founder of the Sundance Film Festival, and longtime resident and owner of Sundance Ski Resort, located just outside Provo
== References == |
Neon_Trees | https://en.wikipedia.org/wiki/Neon_Trees | [
255
] | [
"https://en.wikipedia.org/wiki/Neon_Trees"
] | Neon Trees are an American rock band from Provo, Utah. The band received nationwide exposure in late 2008 when they opened several North American tour dates for the band the Killers. Not long after, the band was signed by Mercury Records. Their first single, "Animal", climbed to No. 13 on the Billboard Hot 100 and No. 1 on the Alternative Songs chart.
Since their formation, Neon Trees has released five studio albums: Habits (2010), Picture Show (2012), Pop Psychology (2014), I Can Feel You Forgetting Me (2020), and Sink Your Teeth (2024). The band has also released eight EPs (two exclusive to iTunes) and fourteen singles.
History
Formed initially by childhood friends Tyler Glenn (vocals, keyboards) and Chris Allen (guitar, vocals) who both grew up in Murrieta, California, the band made its first home in Provo after Glenn and Allen moved there from Southern California, eventually adding Branden Campbell (bass guitar, vocals) and Elaine Bradley (drums, percussion, vocals) to the lineup. David Charles also plays with the band as touring guitarist.
They first started playing under the name Neon Trees in late 2005 with five original members, Tyler Glenn and Chris Allen from California, and three veterans of the Utah music scene, bass player Mike Liechty, drummer Jason Gibbons and keyboardist Nathan Evans. The band's name originates from the lighted trees on the In-N-Out Burger signs, which inspired Tyler Glenn. In a strange coincidence, it was later learned that Branden Campbell's father, Steve Campbell, installed the exact Neon Trees in the In-N-Out that inspired Glenn while working for a sign company out of Las Vegas.
They released an EP, Becoming Different People, in 2006 during the time of their first tour through California. The EP featured promising songs like "Phones", "Sister Stereo", "Up Against the Glass". They also recorded other unreleased tracks during the "Treehouse Sessions" in 2006.
The band's lineup soon narrowed down to four members with Branden Campbell and Elaine Bradley joining the group on bass and drums, respectively. Touring musician Bruce Rubenson on keyboards and drums joined in. Shortly thereafter, The Killers' drummer, Ronnie Vannucci Jr., went to watch the band play at a small club in Las Vegas as he had been in a Ska band called "Attaboy Skip" with Neon Trees bassist Branden Campbell prior to joining The Killers. Ronnie was impressed, and as a result they were chosen to open for The Killers for a string of dates on their 2008 North American tour. Vannucci later helped the band sign to major label Mercury Records, which was announced in late 2008. Additionally, the group was voted Band of the Year in 2009 by City Weekly, a popular Salt Lake City publication.
2010–11: Habits and commercial breakthrough
Although they had several prior independent releases, the band released its debut album on Mercury/Island Def Jam, Habits, on March 16, 2010. "Animal" was chosen as the lead single and was shortly thereafter featured as the Free Single of the Week on iTunes in March 2010. They performed the song on Jimmy Kimmel Live! on March 23, 2010, The Tonight Show with Jay Leno on May 14, 2010, Lopez Tonight on October 18, 2010, Live! with Regis & Kelly on November 4, 2010, and TBS' Conan on November 24, 2010. They performed a second single 1983 on Late Night with Jimmy Fallon on January 13, 2011 and another stint on The Tonight Show with Jay Leno on Jan 18, 2011. They performed third single "Your Surrender" on Late Show with David Letterman on May 5, 2011 and a third appearance on The Tonight Show with Jay Leno on Jun 10, 2011. Mark Hoppus of Blink-182 selected "Animal" as his Spin magazine Pick of the Week. The song has also been featured on a commercial for Las Vegas. The group has also released a digital EP of four remixes of the song, one of which by Tyler Glenn.
In 2010, the band covered Justin Bieber's song "Baby" as well as Ben E. King's "Stand By Me". Throughout early 2010 the band, along with Mutemath and Street Drum Corps, opened for the Thirty Seconds to Mars tour Into the Wild. Subsequently, they headlined the Bang the Gong Tour with Paper Tongues, MeTalkPretty, and Civil Twilight in mid-2010, performed a set to 7,000 at Lollapalooza, and went on tour with Thirty Seconds to Mars in the last half of the year.
In November 2010, the band released a Christmas single called "Wish List". It was available for free on iTunes the first week it was released. In November 2010, Tyler and Elaine appeared as Neon Trees on Daryl Hall's monthly Internet concert series Live from Daryl's House. They performed four songs from Habits, including "Animal" and "1983", as well as the Fleetwood Mac hit "Dreams" and Hall & Oates songs "Head Above Water" and "Adult Education."
Neon Trees released a live album, iTunes Live from SoHo, in November 2010 featuring eight live tracks: "Calling My Name", "Animal", "Your Surrender", "Never Tear Us Apart", "In the Next Room", "1983", "Love and Affection", and "Sins of My Youth".
From March 31, 2011, to April 23, 2011, they also opened for My Chemical Romance during the North American leg of their World Contamination Tour. They opened a show for Panic! at the Disco in Central Park in September 2011. In September and October 2011, they opened for Duran Duran on the North American leg of the All You Need Is Now tour.
The band's song "Animal" was also performed by the cast of Glee in the 15th episode of Season 2 entitled "Sexy".
2011–13: Picture Show
On December 7, 2011, an article published by Rolling Stone's website streamed the band's new song "Everybody Talks". On February 10, 2012, a video was posted on their official YouTube page, titled Neon Trees – Picture Show Teaser One / The New Album April 17, advertising their new album is to be released on April 17, 2012. In March 2012, Neon Trees and their single "Everybody Talks" were featured in a commercial for the 2012 Buick Verano. The single was covered in episode five of season four of Glee.
Neon Trees' second studio album Picture Show was released on April 17, 2012. On June 28, 2012, Neon Trees was the opening act for the Flaming Lips concert poolside at the Hard Rock Casino in Biloxi, Mississippi as a part of their Guinness World Record for the most concerts in different cities (eight) in a 24-hour period. On August 29, 2012, Neon Trees performed "Everybody Talks" on the America's Got Talent live results show. In early fall 2012, the band toured with The Offspring and Dead Sara. In 2013 they joined Maroon 5 in their world tour alongside Owl City. In November/December 2013 they were a support act for Taylor Swift's three concerts in New Zealand and four concerts in Australia. The band was featured on NBC's coverage of the 2012 Macy's Thanksgiving Day Parade. They performed an abbreviated version of their single "Everybody Talks". The second single from the album is the track "Lessons in Love (All Day, All Night)" with the collaboration of American record producer and D.J. Kaskade.
2014–2017: Pop Psychology
Neon Trees' third studio album, Pop Psychology, was released on April 22, 2014. The first single from Pop Psychology, titled "Sleeping with a Friend", was released for digital download. The band performed the single on The Tonight Show with Jay Leno on January 22, 2014.
"Sleeping with a Friend" was solicited to U.S. Contemporary hit radio by both Mercury and Island Records on February 25, 2014. Neon Trees later released four more singles following "Sleeping with a Friend". The singles are titled "I Love You (But I Hate Your Friends)", "Voices In the Halls", and "First Things First". "First Things First" is the end credit song for the 2016 Netflix Original series Dirk Gently's Holistic Detective Agency.
In 2015, the group announced the "An Intimate Night With Neon Trees" Tour. The tour ran from June 6, 2015, to July 26, 2015, finishing in Boston, Massachusetts, at the House Of Blues Boston. Opening acts included Alex Winston, Yes You Are, Coin, and Fictionist.
On May 5, 2015, the band released a non-album single entitled "Songs I Can't Listen To" and an accompanying music video on June 3, 2015, featuring Dustin Lance Black.
On August 4, 2017, the band premiered a new single "Feel Good".
2019–2023: I Can Feel You Forgetting Me
Neon Trees released "Used to Like", the lead single from their fourth album, on November 13, 2019. The second single, "New Best Friend" was released on May 20, 2020. On July 10, 2020, the band released the third single called "Mess Me Up". The fourth and final single, "Nights", was released on July 22, 2020. The album, I Can Feel You Forgetting Me, was released on July 24, 2020. In December 2021, they released a new single and video, "Holiday Rock".
2023-present: Sink Your Teeth
Sink Your Teeth, the fifth studio album by Neon Trees, was released on September 20, 2024. There are 12 songs on the album. On June 30, 2023, the first and lead single of the album "Favorite Daze" was released. The second single, "Losing My Head", was released on September 15, 2023. Three more singles were released in early 2024 before the album; "Bad Dreams" (May 31), "El Diablo" (July 19), and "Cruel Intentions" (August 28)
Musical style
Neon Trees' musical style has been described as pop rock, new wave, synth-pop, indie rock, alternative rock, pop, and electropop. When describing the band's sound, Heather Phares of AllMusic wrote "Neon Trees blend new wave, dance, and indie into smart, catchy pop." Sputnikmusic described the band's debut studio album Habits as a "refreshing blast of timeless rock energy and spirit that wouldn’t sound out of place at any point from ‘60s garage-rock to 2010 dance rock."
Band members
Current members
Chris Allen – lead and rhythm guitar, backing vocals (2005–present)
Tyler Glenn – lead vocals (2005–present); keyboards, piano, synthesizer, occasional rhythm guitar (2006–present)
Elaine Bradley – drums, percussion, backing vocals, occasional lead vocals and rhythm guitar (2007–present)
Branden Campbell – bass guitar, backing vocals (2007–present)
Former members
Mike Liechty – bass guitar (2005–2006)
Jason Gibbons – drums, percussion (2005–2006)
Nathan Evans – keyboards, piano, synthesizer (2005–2006)
Touring musicians
David Charles – rhythm guitar (2005–present)
Bruce Rubenson – drums, percussion, keyboards, piano, synthesizer (2006–present)
Timeline
Discography
Habits (2010)
Picture Show (2012)
Pop Psychology (2014)
I Can Feel You Forgetting Me (2020)
Sink Your Teeth (2024)
Awards and nominations
APRA Music Awards
BMI Pop Awards
Billboard Music Awards
International Dance Music Awards
MTV Europe Music Awards
World Music Awards
References
External links
Official website
Neon Trees at Island/Def Jam |
Picture_Show_(album) | https://en.wikipedia.org/wiki/Picture_Show_(album) | [
255
] | [
"https://en.wikipedia.org/wiki/Picture_Show_(album)"
] | Picture Show is the second studio album by American rock band Neon Trees. The lead single, "Everybody Talks", was released on December 20, 2011, and the album was released on April 17, 2012. The music video for "Everybody Talks" was released on March 8, 2012.
On March 15, 2012 an interview with Neon Trees stated that Picture Show would have 11 tracks and 4 bonus tracks. On March 19, the cover art for Picture Show was released, and on March 27, the cover art for the deluxe edition was revealed on their livestream appearance, along with confirmation of a vinyl version that will available for the deluxe edition.
The album was produced by Justin Meldal-Johnsen, mixed by Billy Bush and engineered by Carlos de la Garza, Billy Bush and Greg Collins. It was mastered by Joe LaPorta.
"Everybody Talks" was used in the Homeland episode "Q&A". The episode aired on October 28, 2012.
"Moving in the Dark" was used in the NCIS episode "Namesake". The episode aired on October 30, 2012.
Promotion
The band released their lead single, "Everybody Talks" in December 2011 and a video followed in early March 2012. The single has currently peaked at number 6 on the Billboard Hot 100, and the top 20 of 7 other major charts on Billboard.
The band also went on tour with AWOLNATION across the country, and has toured college campuses/festivals alone.
Reception
The album debuted at number 77 in Canada, and number 17 on the United States Billboard 200. Picture Show received generally mixed to positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 63, based on 7 reviews, which indicates "generally favorable reviews". Billboard gave the album a mixed review, saying that Neon Trees were successful in keeping their new album similar to its predecessor, Habits, but their experimenting did not pay off (with songs like, "Trust" that last over 6 minutes). Similarly, Rolling Stone gave the album 3 stars out of 5, also saying that, "Four of its last five tracks exceed five minutes. Neon Trees clearly hope there's life beyond bubblegum". Entertainment Weekly similarly gave the album a C+ grade.
Track listing
Personnel
Neon Trees
Tyler Glenn – lead vocals, background vocals, keyboards, synthesizers, programming
Branden Campbell – bass, background vocals
Christopher Allen – guitars, background vocals
Elaine Bradley – drums, percussion, background vocals, lead vocals on "Mad Love"
Additional Musicians
Justin Meldal Johnsen – guitars, keyboards, background vocals, programming, percussion
Carlos de la Garza – percussion
Kaskade – additional vocals & production on "Lessons In Love (All Day, All Night)"
Horn Section
David Ralicke – tenor saxophone, alto saxophone
Jordan Katz – trumpet
Steve Baxter – trombone
Release history
== References == |
List_of_supernova_remnants | https://en.wikipedia.org/wiki/List_of_supernova_remnants | [
256
] | [
"https://en.wikipedia.org/wiki/List_of_supernova_remnants"
] | This is a list of observed supernova remnants (SNRs) in the Milky Way, as well as galaxies nearby enough to resolve individual nebulae, such as the Large and Small Magellanic Clouds and the Andromeda Galaxy.
Supernova remnants typically only survive for a few tens of thousands of years, making all known SNRs fairly young compared to many other astronomical objects.
See also
List of supernovae
Supernova
Lists of astronomical objects
References
External links
List of all known (extra)galactic supernova remnants at The Open Supernova Catalog.
Chandra Galactic SNR gallery
SNRcat, the online high-energy catalogue of supernova remnants |
Barque | https://en.wikipedia.org/wiki/Barque | [
256
] | [
"https://en.wikipedia.org/wiki/Barque"
] | A barque, barc, or bark is a type of sailing vessel with three or more masts of which the fore mast, mainmast, and any additional masts are rigged square, and only the aftmost mast (mizzen in three-masted barques) is rigged fore and aft. Sometimes, the mizzen is only partly fore-and-aft rigged, bearing a square-rigged sail above.
Etymology
The word "barque" entered English via the French term, which in turn came from the Latin barca by way of Occitan, Catalan, Spanish, or Italian.
The Latin barca may stem from Celtic barc (per Thurneysen) or Greek baris (per Diez), a term for an Egyptian boat. The Oxford English Dictionary, however, considers the latter improbable.
The word barc appears to have come from Celtic languages. The form adopted by English, perhaps from Irish, was "bark", while that adopted by Latin as barca very early, which gave rise to the French barge and barque.
In Latin, Spanish, and Italian, the term barca refers to a small boat, not a full-sized ship. French influence in England led to the use in English of both words, although their meanings now are not the same.
Well before the 19th century, a barge had become interpreted as a small vessel of coastal or inland waters, or a fast rowing boat carried by warships and normally reserved for the commanding officer. Somewhat later, a bark became a sailing vessel of a distinctive rig as detailed below. In Britain, by the mid-19th century, the spelling had taken on the French form of barque. Although Francis Bacon used the spelling with a "q" as early as 1592, Shakespeare still used the spelling "barke" in Sonnet 116 in 1609. Throughout the period of sail, the word was used also as a shortening of the barca-longa of the Mediterranean Sea.
The usual modern spelling convention is that, to distinguish between homophones, when spelled as barque it refers to a ship, and when spelled as bark it refers to either a sound or to a tree hide.
"Barcarole" in music shares the same etymology, being originally a folk song sung by Venetian gondoliers and derived from barca—"boat" in Italian, or in Late Latin.
Bark
In the 18th century, the Royal Navy used the term bark for a nondescript vessel that did not fit any of its usual categories. Thus, when the British admiralty purchased a collier for use by James Cook in his journey of exploration, she was registered as HM Bark Endeavour to distinguish her from another Endeavour, a sloop already in service at the time. Endeavour happened to be a full-rigged ship with a plain bluff bow and a full stern with windows.
William Falconer's Dictionary of the Marine defined "bark", as "a general name given to small ships: it is however peculiarly appropriated by seamen to those which carry three masts without a mizzen topsail. Our Northern Mariners, who are trained in the coal-trade, apply this distinction to a broad-sterned ship, which carries no ornamental figure on the stem or prow."
The UK's National Archives state that a paper document, surviving from the 16th century in the Cheshire and Chester Archives and Local Studies Service, notes the names of Robert Ratclyfe, owner of the bark Sunday and 10 mariners appointed to serve under Rt. Hon. the Earl of Sussex, Lord Deputy of Ireland.
Barque rig
By the end of the 18th century, the term barque (sometimes, particularly in the US, spelled bark) came to refer to any vessel with a particular type of sail plan. This comprises three (or more) masts, fore-and-aft sails on the aftermost mast and square sails on all other masts. Barques were the workhorse of the golden age of sail in the mid-19th century as they attained passages that nearly matched full-rigged ships, but could operate with smaller crews.
The advantage of these rigs was that they needed smaller (therefore cheaper) crews than a comparable full-rigged ship or brig-rigged vessel, as fewer of the labour-intensive square sails were used, and the rig itself is cheaper. Conversely, the ship rig tended to be retained for training vessels where the larger the crew, the more seamen were trained.
Another advantage is that, downwind, a barque can outperform a schooner or barkentine, and is both easier to handle and better at going to windward than a full-rigged ship. While a full-rigged ship is the best runner available, and while fore-and-aft rigged vessels are the best at going to windward, the barque and the barquentine, are compromises, which combine, in different proportions, the best elements of these two.
Whether square-rig, barque, barquentine or schooner is optimal depends on the degree to which the sailing-route and season can be chosen to achieve following-wind. Square-riggers predominated for intercontinental sailing on routes chosen for following-winds.
Most ocean-going windjammers were four-masted barques, due to the above-described considerations and compromises. Usually the main mast was the tallest; that of Moshulu extends to 58 m off the deck. The four-masted barque can be handled with a surprisingly small crew—at minimum, 10—and while the usual crew was around 30, almost half of them could be apprentices.
Today many sailing-school ships are barques.
A well-preserved example of a commercial barque is the Pommern, the only windjammer in original condition. Its home is in Mariehamn outside the Åland maritime museum. The wooden barque Sigyn, built in Gothenburg 1887, is now a museum ship in Turku. The wooden whaling barque Charles W. Morgan, launched 1841, taken out of service 1921, is now a museum ship at Mystic Seaport in Connecticut. The Charles W. Morgan has recently been refit and is (as of summer, 2014) sailing the New England coast. The United States Coast Guard still has an operational barque, built in Germany in 1936 and captured as a war prize, the USCGC Eagle, which the United States Coast Guard Academy in New London uses as a training vessel. The Sydney Heritage Fleet restored an iron-hulled three-masted barque, the James Craig, originally constructed as Clan Macleod in 1874 and sailing at sea fortnightly. The oldest active sailing vessel in the world, the Star of India, was built in 1863 as a full-rigged ship, then converted into a barque in 1901.
This type of ship inspired the French composer Maurice Ravel to write his famous piece, Une Barque sur l'ocean, originally composed for piano, in 1905, then orchestrated in 1906.
Statsraad Lehmkuhl is in active operation in its barque form, stripped down without most of its winches and later improvements more aligned to the upbringing of future sailors both as a schoolship, training operations for the Norwegian Navy and generally available for interested volunteers.
During the summer of 2021, it hosted "NRK Sommarskuta" with live TV everyday sailing all of the Norwegian coast from north to south and crossing the North Sea to Shetland. After this it will perform its first full sailing trip around world, estimated to take 19 months with many promotional events along the way.
Scientific equipment has been installed in support of ongoing university studies to monitor and log environmental data.
Barques and barque shrines in Ancient Egypt
In Ancient Egypt, barques, referred to using the French word as Egyptian hieroglyphs were first translated by the Frenchman Jean-François Champollion, were a type of boat used from Egypt's earliest recorded times and are depicted in many drawings, paintings, and reliefs that document the culture. Transportation to the afterlife was believed to be accomplished by way of barques, as well, and the image is used in many of the religious murals and carvings in temples and tombs.
The most important Egyptian barque carried the dead pharaoh to become a deity. Great care was taken to provide a beautiful barque to the pharaoh for this journey, and models of the boats were placed in their tombs. Many models of these boats, that range from tiny to huge in size, have been found. Wealthy and royal members of the culture also provided barques for their final journey. The type of vessel depicted in Egyptian images remains quite similar throughout the thousands of years the culture persisted.
Barques were important religious artifacts, and since the deities were thought to travel in this fashion in the sky, the Milky Way was seen as a great waterway that was as important as the Nile on Earth; cult statues of the deities traveled by boats on water and ritual boats were carried about by the priests during festival ceremonies. Temples included barque shrines, sometimes more than one in a temple, in which the sacred barques rested when a procession was not in progress. In these stations, the boats would be watched over and cared for by the priests.
Barque of St. Peter
The Barque of St. Peter, or the Barque of Peter, is a reference to the Roman Catholic Church. The term refers to Peter, the first Pope, who was a fisherman before becoming an apostle of Jesus. The Pope is often said to be steering the Barque of St. Peter.
See also
Barquentine or barkentine (three masts, fore mast square-rigged)
Brigantine (two masts, fore mast square-rigged)
Jackass-barque (three masts, fore mast and upper part of mizzen mast square-rigged)
Schooner
Windjammer
List of large sailing vessels
References
Further reading
Wilhelmsen, Frederick D. (1956). Omega: Last of the barques. Westminster, Maryland: Newman Press. LCCN 56011411. OCLC 3439968.
External links
Description of the four-masted barque Kaiwo Maru |
Pseudoscorpion | https://en.wikipedia.org/wiki/Pseudoscorpion | [
257
] | [
"https://en.wikipedia.org/wiki/Pseudoscorpion#Classification"
] | Pseudoscorpions, also known as false scorpions or book scorpions, are small, scorpion-like arachnids belonging to the order Pseudoscorpiones, also known as Pseudoscorpionida or Chelonethida.
Pseudoscorpions are generally beneficial to humans because they prey on clothes moth larvae, carpet beetle larvae, booklice, ants, mites, and small flies. They are common in many environments, but they are rarely noticed due to their small size. When people see pseudoscorpions, especially indoors, they often mistake them for ticks or small spiders. Pseudoscorpions often carry out phoresis, a form of commensalism in which one organism uses another for the purpose of transport.
Characteristics
Pseudoscorpions belong to the class Arachnida. They are small arachnids with a flat, pear-shaped body, and pincer-like pedipalps that resemble those of scorpions. They usually range from 2 to 8 mm (0.08 to 0.31 in) in length. The largest known species is Garypus titanius of Ascension Island at up to 12 mm (0.5 in). Range is generally smaller at an average of 3 mm (0.1 in).
A pseudoscorpion has eight legs with five to seven segments each; the number of fused segments is used to distinguish families and genera. They have two very long pedipalps with palpal chelae (pincers), which strongly resemble the pincers found on a scorpion.
The pedipalps generally consist of an immobile "hand" and mobile "finger", the latter controlled by an adductor muscle. Members of the clade Iocheirata, which contains the majority of pseudoscorpions, are venomous, with a venom gland and duct usually located in the mobile finger; the venom is used to immobilize the pseudoscorpion's prey. During digestion, pseudoscorpions exude a mildly corrosive fluid over the prey, then ingest the liquefied remains.
The abdomen, referred to as the opisthosoma, is made up of twelve segments, each protected by sclerotized plates (called tergites above and sternites below). The abdomen is short and rounded at the rear, rather than extending into a segmented tail and stinger like true scorpions. The color of the body can be yellowish-tan to dark-brown, with the paired claws often a contrasting color. They may have two, four or no eyes.
Pseudoscorpions spin silk from a gland in their jaws to make disk-shaped cocoons for mating, molting, or waiting out cold weather, but they do not have book lungs like true scorpions and the Tetrapulmonata. Instead, they breathe exclusively through tracheae, which open laterally through two pairs of spiracles on the posterior margins of the sternites of abdominal segments 3 and 4.
Behavior
The male produces a spermatophore which is attached to the substrate and is picked up by the female. Members of the Cheliferoidea (Atemnidae, Cheliferidae, Chernetidae and Withiidae) have an elaborate mating dance, which ends with the male navigating the female over his spermatophore. In Cheliferidae, the male also uses his forelegs to open the female genital operculum, and after she has mounted the packet of sperm, assisting the spermatophore's entry by pushing it into her genital opening. Females in species that possess a spermatheca (sperm storing organ) can store the sperm for a longer period of time before fertilizing the eggs, but species without the organ fertilize the eggs shortly after mating. The female carries the fertilized eggs in a brood pouch attached to her abdomen.
Between 2 and 50 young are hatched in a single brood, with more than one brood per year possible. The young go through three molts called the protonymph, deutonymph and tritonymph. The developing embryo and the protonymph, which remain attached to the mother, is nourished by a ‘milk’ produced by her ovary. Many species molt in a small, silken igloo that protects them from enemies during this vulnerable period.
After reaching adulthood they no longer molt, and will live for 2–3 years. They are active in the warm months of the year, overwintering in silken cocoons when the weather grows cold. Smaller species live in debris and humus. Some species are arboreal, while others are phagophiles, eating parasites in an example of cleaning symbiosis. Some species are phoretic, others may sometimes be found feeding on mites under the wing covers of certain beetles.
Distribution
More than 3,300 species of pseudoscorpions are recorded in more than 430 genera, with more being discovered on a regular basis. They range worldwide, even in temperate to cold regions such as Northern Ontario and above the timberline in Wyoming's Rocky Mountains in the United States and the Jenolan Caves of Australia, but have their most dense and diverse populations in the tropics and subtropics, where they spread even to island territories such as the Canary Islands, where around 25 endemic species have been found. There are also two endemic species on the Maltese Islands. Species have been found under tree bark, in leaf and pine litter, in soil, in tree hollows, under stones, in caves such as the Movile Cave, at the seashore in the intertidal zone, and within fractured rocks.
Chelifer cancroides is the species most commonly found in homes, where it is often observed in rooms with dusty books. There, the tiny animals (2.5–4.5 mm or 0.10–0.18 in) can find their food such as booklice and house dust mites. They enter homes by riding insects (phoresy) larger than themselves, or are brought in with firewood.
Evolution
The oldest known fossil pseudoscorpion, Dracochela deprehendor is known from cuticle fragments of nymphs found in the Panther Mountain Formation near Gilboa in New York, dating to the mid-Devonian, around 383 million years ago. It has all of the traits of a modern pseudoscorpion, indicating that the order evolved very early in the history of land animals. Its morphology suggests that it is more primitive than any living pseudoscorpion. As with most other arachnid orders, the pseudoscorpions have changed very little since they first appeared, retaining almost all the features of their original form. After the Devonian fossils, almost no other fossils of pseudoscorpions are known for over 250 million years until Cretaceous fossils in amber, all belonging to modern families, suggesting that the major diversification of pseudoscorpions had already taken place by this time. The only fossil from this time gap is Archaeofeaella from the Triassic of Ukraine, approximately 227 million years ago, which is suggested to be an early relative of the family Feaellidae.
Historical references
Pseudoscorpions were first described by Aristotle, who probably found them among scrolls in a library where they would have been feeding on booklice. Robert Hooke referred to a "Land-Crab" in his 1665 work Micrographia. Another reference in the 1780s, when George Adams wrote of "a lobster-insect, spied by some labouring men who were drinking their porter, and borne away by an ingenious gentleman, who brought it to my lodging."
Classification
The following taxon numbers are calculated as of the end of 2023.
Atemnidae Kishida, 1929 (21 genera, 194 species)
Bochicidae Chamberlin, 1930 (12 genera, 44 species)
Cheiridiidae Hansen, 1894 (9 genera, 81 species)
Cheliferidae Risso, 1827 (64 genera, 312 species)
Chernetidae Menge, 1855 (120 genera, 728 species)
Chthoniidae Daday, 1888 (54 genera, 909 species)
Feaellidae Ellingsen, 1906 (8 genus, 37 species)
Garypidae Simon, 1879 (11 genera, 110 species)
Garypinidae Daday, 1888 (21 genera, 94 species)
Geogarypidae Chamberlin, 1930 (2 genera, 81 species)
Gymnobisiidae Beier, 1947 (4 genera, 17 species)
Hyidae Chamberlin, 1930 (2 genera, 41 species)
Ideoroncidae Chamberlin, 1930 (15 genera, 86 species)
Larcidae Harvey, 1992 (1 genus, 15 species)
Menthidae Chamberlin, 1930 (5 genera, 12 species)
Neobisiidae Chamberlin, 1930 (34 genera, 748 species)
Olpiidae Banks, 1895 (24 genera, 211 species)
Parahyidae Harvey, 1992 (1 genus, 1 species)
Pseudochiridiidae Chamberlin, 1923 (2 genera, 13 species)
Pseudogarypidae Chamberlin, 1923 (2 genera, 12 species)
Pseudotyrannochthoniidae Beier, 1932 (6 genera, 80 species)
Sternophoridae Chamberlin, 1923 (3 genera, 21 species)
Syarinidae Chamberlin, 1930 (18 genera, 125 species)
Withiidae Chamberlin, 1931 (37 genera, 170 species)
†Dracochelidae Schawaller, Shear & Bonamo, 1991 (1 genus, 1 species)
Cladogram
After Benavides et al., 2019, with historic taxonomic groups from Harvey (1992).
References
Further reading
Mark Harvey (2011). Pseudoscorpions of the World
Joseph C. Chamberlin (1931): The Arachnid Order Chelonethida. Stanford University Publications in Biological Science. 7(1): 1–284.
Clarence Clayton Hoff (1958): List of the Pseudoscorpions of North America North of Mexico. American Museum Novitates. 1875. PDF
Max Beier (1967): Pseudoscorpione vom kontinentalen Südost-Asien. Pacific Insects 9(2): 341–369. PDF
Peter Weygoldt (1969). The biology of pseudoscorpions. Harvard University Press, Cambridge. ISBN 9780674074255.
P. D. Gabbutt (1970): Validity of Life History Analyses of Pseudoscorpions. Journal of Natural History 4: 1–15.
W. B. Muchmore (1982): Pseudoscorpionida. In "Synopsis and Classification of Living Organisms." Vol. 2. Parker, S.P.
J. A. Coddington, S. F. Larcher & J. C. Cokendolpher (1990): The Systematic Status of Arachnida, Exclusive of Acari, in North America North of Mexico. In "Systematics of the North American Insects and Arachnids: Status and Needs." National Biological Survey 3. Virginia Agricultural Experiment Station, Virginia Polytechnic Institute and State University.
Mark S. Harvey (1991): Catalogue of the Pseudoscorpionida. (edited by V . Mahnert). Manchester University Press, Manchester.
External links
Media related to Pseudoscorpiones at Wikimedia Commons
Data related to Pseudoscorpiones at Wikispecies
Video of Pseudoscorpions in Ireland |
Garypidae | https://en.wikipedia.org/wiki/Garypidae | [
257
] | [
"https://en.wikipedia.org/wiki/Garypidae#Genera"
] | Garypidae is a family of pseudoscorpions, first described by Eugène Simon in 1879.
Genera
As of October 2023, the World Pseudoscorpiones Catalog accepts the following eleven genera:
Ammogarypus Beier, 1962
Anagarypus Chamberlin, 1930
Anchigarypus Harvey, 2020
Elattogarypus Beier, 1964
Eremogarypus Beier, 1955
Garypus L. Koch, 1873
Meiogarypus Beier, 1955
Neogarypus Vachon, 1937
Paragarypus Vachon, 1937
Synsphyronus Chamberlin, 1930
Thaumastogarypus Beier, 1947
== References == |
Synsphyronus | https://en.wikipedia.org/wiki/Synsphyronus | [
257
] | [
"https://en.wikipedia.org/wiki/Synsphyronus#Species"
] | Synsphyronus is a genus of pseudoscorpions in the Garypidae family. It was described in 1930 by American arachnologist Joseph Conrad Chamberlin. Its distribution is mainly in Australia, but also extends to New Zealand and New Caledonia.
Species
The genus contains the following species:
== References == |
Mark_Harvey_(arachnologist) | https://en.wikipedia.org/wiki/Mark_Harvey_(arachnologist) | [
257
] | [
"https://en.wikipedia.org/wiki/Mark_Harvey_(arachnologist)#Achievements,_awards_and_recognition"
] | Mark Stephen Harvey (born 17 September 1958) is a museum scientist and biologist. Since 1989 he has been based at the Western Australian Museum.
Career
Harvey graduated from Monash University in 1983 with a PhD titled "Contributions to the systematics of the pseudoscorpionida (arachnida) : the genus synsphyronus chamberlin (garypidae) and the family sternophoridae".
His research interests include the systematics and evolution of arachnids and other terrestrial invertebrates.
As of November 2019, he is a member and Vice-President of the International Commission on Zoological Nomenclature.
Achievements, awards and recognition
Harvey was presented with the 1991 Edgeworth David Medal by the Royal Society of New South Wales, and the Bonnet Award by the International Society of Arachnology in 2013.
In 2017, he was awarded the Distinguished Career Award by the Society of Australian Systematic Biologists.
== References == |
Zooey_Deschanel | https://en.wikipedia.org/wiki/Zooey_Deschanel | [
258
] | [
"https://en.wikipedia.org/wiki/Zooey_Deschanel"
] | Zooey Claire Deschanel ( ZO-ee day-shə-NEL; born January 17, 1980) is an American actress and musician. She made her film debut in Mumford (1999) and had a supporting role in Cameron Crowe's film Almost Famous (2000). Deschanel is known for her deadpan roles in comedy films such as The Good Girl (2002), The New Guy (2002), Elf (2003), The Hitchhiker's Guide to the Galaxy (2005), Failure to Launch (2006), Yes Man (2008), 500 Days of Summer (2009), and Our Idiot Brother (2011). She has also ventured into dramatic film territory with Manic (2001), All the Real Girls (2003), Winter Passing (2005), Bridge to Terabithia (2007), The Happening (2008), and The Driftless Area (2015). From 2011 to 2018, she starred as Jess Day on the Fox sitcom New Girl, for which she received nominations for a Primetime Emmy Award and three Golden Globe Awards.
For a few years starting in 2001, Deschanel performed in the jazz cabaret act If All the Stars Were Pretty Babies with actress Samantha Shelton. In 2006, Deschanel teamed up with M. Ward to form She & Him, and subsequently released their debut album, Volume One, in 2008. They have since released six albums: Volume Two (2010), A Very She & Him Christmas (2011), Volume 3 (2013), Classics (2014), Christmas Party (2016), and Melt Away: A Tribute to Brian Wilson (2022). She received a Grammy Award nomination for Best Song Written for Visual Media for "So Long", which was featured on the soundtrack of the 2011 film Winnie the Pooh. Besides singing, she plays keyboards, percussion, banjo, and ukulele.
Deschanel is also a co-founder of the female-focused website HelloGiggles, which was acquired by Time Inc. in 2015.
Early life
Zooey Claire Deschanel was born in Los Angeles, California on January 17, 1980, the younger daughter of cinematographer and director Caleb Deschanel and actress Mary Jo Deschanel (née Weir). Her paternal grandfather was French, from Oullins, Rhône, and her paternal grandmother came from a Quaker family; she also has Swiss, Dutch, English, Irish, and other French ancestry. She was named after Zooey Glass, the protagonist of J. D. Salinger's 1961 novella Franny and Zooey. Her older sister is actress Emily Deschanel, who starred in the Fox crime comedy-drama series Bones.
Deschanel lived in Los Angeles, but spent much of her childhood traveling because her father shot films on location. She later said that she:
... hated all the traveling... I'm really happy now that I had the experience, but at the time I was just so miserable to have to leave my friends in Los Angeles and go to places where they didn't have any food I liked or things I was used to.
She attended Crossroads, a private preparatory school in Santa Monica, where she befriended future co-stars Jake Gyllenhaal and Kate Hudson. She sang throughout high school, planning to pursue a career in musical theatre and attending French Woods Festival of the Performing Arts. She attended Northwestern University for nine months before dropping out to pursue acting.
Acting career
1997–2002: Early acting credits
Deschanel had a guest appearance on the television series Veronica's Closet in 1998. She made her film debut in Lawrence Kasdan's comedy Mumford (1999), revolving around the neurotic residents in a small town and co-starring Hope Davis, Jason Lee, Alfre Woodard and Mary McDonnell.
That same year, she appeared in a non-singing role in the music video for The Offspring's single "She's Got Issues", which premiered on September 27, 1999. Deschanel was a judge for the ninth Independent Music Awards. In 2005, she modeled for Chanel and Clements Ribeiro, and in 2010, she signed to represent Rimmel.
Deschanel co-starred in Cameron Crowe's semi-autobiographical Almost Famous (2000), where she played Anita Miller, the rebellious older sister of a teenage journalist. Despite a modest box office response, the film received critical praise, winning the Golden Globe Award for Best Film – Musical or Comedy. Deschanel appeared in the independent drama Manic (2001), as the love interest of a troubled teen (Joseph Gordon-Levitt). The film was screened at the Sundance Film Festival and received a limited theatrical release. The New York Times found Deschanel to be "particularly spontaneous, unaffected and emotionally direct" in her role.
Following early notice, Deschanel took on supporting parts in four feature films released throughout 2002: Big Trouble, The New Guy, The Good Girl, and Abandon. In the comedy Big Trouble, with Tim Allen and Rene Russo, she played the daughter of a devoted and reluctant woman, and in the teen comedy The New Guy, starred as a guitar player in a band. Deschanel portrayed a cynical, plain-spoken young woman working in a big-box store in the black dramedy The Good Girl, opposite Jennifer Aniston and Jake Gyllenhaal. The psychological thriller Abandon saw her play the roommate of a woman involved in her boyfriend's disappearance. Deschanel also made a one-episode appearance in Frasier, as Roz's out-of-control Cousin, Jen. The New York Times reported that Deschanel was "one of Hollywood's most sought-after young stars", in 2002, and the Los Angeles Times wrote in early 2003 that Deschanel had become a recognizable type, due to "her deadpan, sardonic and scene-stealing [film] performances" as the protagonist's best friend. Deschanel objected to her typecasting, arguing, "A lot of these roles are just a formula idea of somebody's best friend, and it's like, I don't even have that many friends. In high school, I stayed home all the time, so I don't know how I'm everybody's best friend now."
2003–2010: Breakthrough
Deschanel obtained her first leading film role debut in the independent drama All the Real Girls (2003) as Noel, a sexually curious 18-year-old virgin who has a life-changing romance with an aimless 22-year-old. The film premiered at the Sundance Film Festival and was an arthouse success. Her performance received wide critical acclaim, and Variety remarked: "Performances are all credible and naturalistic, but standing out from the rest is Deschanel's work, which evinces an impressively direct connection to her character's emotions. The actress does a wonderful job presenting a young woman who is trying, with varying degrees of success, to give voice to all sorts of things she has never felt or expressed before". She received an Independent Spirit Award nomination for Best Actress. Also in 2003, Deschanel starred opposite Will Ferrell in the Christmas comedy Elf as a deadpan department store worker and the love interest of a man raised by Santa's elves. Reviewers found the film to be a "spirited, good-natured family comedy" as part of an overall positive critical response; and, budgeted at US$33 million, Elf made US$220.4 million worldwide.
In 2004, Deschanel starred in Eulogy, and in 2005 played Trillian in the film adaptation of Douglas Adams's science fiction novel The Hitchhiker's Guide to the Galaxy. She acted in Winter Passing (2005), co-starring Will Ferrell. Deschanel next appeared in Failure to Launch (2006), as the neurotic roommate of Sarah Jessica Parker's character. She also had a recurring role in four episodes of the Showtime television series Weeds from 2006 to 2007 where she played Kat, Andy Botwin's ex-girlfriend. In September 2006, it was announced that Deschanel had signed on to play 1960s singer Janis Joplin in the film The Gospel According to Janis, to be co-written and directed by Penelope Spheeris. The film was scheduled to begin shooting in 2006, but was then postponed indefinitely; it was then resurrected again, with a planned release date of 2012, before being cancelled altogether in 2011. Deschanel expressed frustration with the cancellation, saying she had spent three years working on imitating Joplin's scratchy singing voice.
In 2007, Deschanel played a music teacher in Bridge to Terabithia, and the voice of a penguin in the animated film Surf's Up. She had a small role as Dorothy Evans in the revisionist Western The Assassination of Jesse James by the Coward Robert Ford and starred in the B comedy Flakes, which was released in only one theater. Deschanel starred as DG in the Syfy miniseries Tin Man, a re-imagined science fiction version of The Wonderful Wizard of Oz. It aired in December 2007. Deschanel also narrated the children's book Players in Pigtails. She voiced Mary, Cletus's daughter in three episodes of The Simpsons since debuting on the April 27, 2008, episode, "Apocalypse Cow".
In M. Night Shyamalan's thriller The Happening (2008), she starred opposite Mark Wahlberg as a couple trying to escape from an inexplicable natural disaster. Despite largely negative reviews, critic Roger Ebert felt that Wahlberg and Deschanel's performances "bring a quiet dignity to their characters", and globally, the film made US$163 million. She starred in the independent comedy Gigantic (2008), which screened at the Toronto International Film Festival and was distributed for a limited release in certain parts of the United States only. In the comedy Yes Man (also 2008), she played an unorthodox singer and the girlfriend of Jim Carrey's character. The film grossed US$223.1 million around the world.
Deschanel reunited with Joseph Gordon-Levitt in the independent romantic drama about the development and demise of a relationship (500) Days of Summer (2009). The film garnered critical acclaim and became a "sleeper hit", earning over $60 million in worldwide returns, far exceeding its $7.5 million budget. Mark Adams of the Daily Mirror found the film to be a "modern romance for grown-ups" and a "sweet-natured, funny, deeply-romantic tale" blessed with "top-notch performances by Deschanel and Gordon-Levitt, who are both charming and have real chemistry". In December 2009, Deschanel guest-starred in a Christmas episode of the Fox crime procedural comedy-drama Bones, which was the first-ever on-screen pairing of the Deschanel sisters.
Since 2010: New Girl and other projects
Deschanel was originally the top choice for Janet van Dyne / The Wasp in an early draft of Joss Whedon's The Avengers in which she would have played a prominent role. However, once Scarlett Johansson was cast as Natasha Romanoff / Black Widow, Deschanel was no longer in consideration to portray the Wasp with Janet's daughter Hope van Dyne taking up the mantle in the Infinity Saga, played by Evangeline Lilly.
Deschanel starred in the comedy Our Idiot Brother (2011) as the independent and bisexual sister of a dimwitted but idealistic man (Paul Rudd). The production was screened at the Sundance Film Festival, to a generally positive critical reception. She played Belladonna in the stoner fantasy-comedy Your Highness (2011), with Danny McBride and James Franco. The film received negative reviews and bombed at the box office. Describing her role, Roger Ebert noted in its review for the film: "[Deschanel is] brought onstage, quickly kidnapped by an evil sorcerer, spends a good deal of time as a captive in his lair, is rescued and lives happily ever after. She might as well be a mannequin, for all she's given to say and do. This intelligent, nuanced actress, standing there baffled. Used as a placeholder".
Deschanel signed on to star as a bubbly and offbeat teacher Jessica "Jess" Day on the Fox sitcom New Girl, created by Elizabeth Meriwether. She became a producer on the show and helped build the character, which she has described as a part of her, especially in regards to "the sort of enthusiasm and optimism" of her youth. The series premiered in September 2011, and USA Today described her performance as "a role tailored to launch her from respected indie actor to certified [television] star, Deschanel soars, combining well-honed skills with a natural charm". She has received an Emmy Award nomination and three Golden Globe nominations for her role. The series finale ran on May 15, 2018.
Deschanel hosted Saturday Night Live on February 11, 2012. That same year, she was featured in a commercial for the iPhone 4S (Siri).
In Rock the Kasbah (2015), she played a Los Angeles singer taken to Afghanistan by her former manager (Bill Murray). Despite a US$15 million budget, the comedy only made US$3 million at the North American box office. She obtained the role of a mysterious woman in the neo-noir drama The Driftless Area (2015), screened at the Tribeca Film Festival and released on video on demand and home media. She voiced a kind-hearted Bergen, Bridget, in the animated family comedy Trolls (2016), which grossed US$344 million worldwide.
In December 2020, Deschanel appeared in the music video for Katy Perry's song "Not the End of the World". In 2021, she co-hosted the ABC television series The Celebrity Dating Game with Michael Bolton.
In January 2022, she began cohosting Welcome to Our Show, a New Girl rewatch podcast with co-stars Hannah Simone and Lamorne Morris, distributed by IHeartRadio. Deschanel appears as Kelly in season 3 of Physical released on August 2, 2023 and Nancy in Dreamin' Wild, released on August 4, 2023. She would also appear as Terry in Harold and the Purple Crayon, which was released on August 2, 2024.
Music career
Singing and performing
In 2001, Deschanel formed If All the Stars Were Pretty Babies, a jazz cabaret act with fellow actress Samantha Shelton. The pair performed around Los Angeles.
In March 2007, Deschanel contributed vocals to two songs "Slowly" and "Ask Her to Dance" on the album Nighttiming by Jason Schwartzman's band Coconut Records. It was reported that Deschanel and M. Ward, who had previously performed with Deschanel on-stage, were recording music under the moniker She & Him. Their first album, titled Volume One, was released by Merge Records on March 18, 2008. It received a strong response from critics, with Paste magazine voting it the No. 1 Album of 2008. Patrick Caldwell of the Austin American Statesman wrote: "The album gently rambled through 13 tracks of sun-dappled pop, with a gentle Orbisonian charm and sweet, wistful vocals from Deschanel."
Deschanel recorded "The Fabric of My Life" for a 2009 advertising campaign for Cotton Incorporated. On March 23, 2010, the second She & Him album, Volume Two, was released. Deschanel and M. Ward both featured on The Place We Ran From (2010), the album by Snow Patrol member Gary Lightbody's side project, Tired Pony. Deschanel contributed vocals to the tracks "Get on the Road" and "Point Me at Lost Islands", while M. Ward contributed vocals and guitar to the track "Held in the Arms of Your Words" and guitar to the track "That Silver Necklace".
Deschanel performed "God Bless America" during the seventh-inning stretch in game three of the National League Championship Series between the Philadelphia Phillies and San Francisco Giants on October 19, 2010, at AT&T Park in San Francisco. On October 23, 2011, Deschanel performed "The Star-Spangled Banner" before game four of the World Series between the Texas Rangers and the St. Louis Cardinals at Rangers Ballpark in Arlington, Texas. Deschanel contributed a cover of Buddy Holly's "It's So Easy" for the tribute album Listen to Me: Buddy Holly, released on September 6, 2011. She had previously appeared on Rave On Buddy Holly, with She & Him performing "Oh, Boy!", released in June 2011.
A Very She & Him Christmas was announced on Pitchfork.com in September 2011. The 12-track Christmas album was released October 25, 2011, under Merge Records. On December 28, 2011, she and Joseph Gordon-Levitt recorded an informal version of "What Are You Doing New Year's Eve?" for her HelloGiggles YouTube channel. It was immensely popular and within four days had over 6 million views. Deschanel was featured on bandmate M. Ward's sixth solo album, A Wasteland Companion (2012).
During a May 2012 performance at the Ryman Auditorium, country music singer Loretta Lynn announced that she was in the development stages of creating a Broadway musical from her autobiography and Deschanel would play the title role., saying, "There's a little girl back stage that's going to do the play of 'Coal Miner's Daughter' on Broadway". She then brought Deschanel onstage and the two sang a duet of the title song. On September 21, 2012, it was announced that Deschanel was producing the comedy Must Be Nice, written by New Girl consulting producer J. J. Philbin.
She and Him's next album, Volume 3 was released by Merge Records in May 2013. In the 15-track album, Deschanel wrote eleven songs, while three others are cover songs. It debuted at number 15 on the Billboard 200. The band's fifth studio album, Classics, received a December 2014 release by Columbia Records, and it features 13 covers of classic songs, recorded live and accompanied by a 20-piece orchestra. Response towards the album was positive, with Robert Hamm for Alternative Press writing that Deschanel "is a delight, at times coy and romantic, and in other moments, moody and pensive". She also appeared as a guest vocalist on Brian Wilson's album No Pier Pressure (2015). She & Him's second Christmas album and sixth album overall, Christmas Party, was released in 2016.
Film-related music
Deschanel made her on-screen singing debut in The New Guy (2002). In Elf (2003), she sings "Baby, It's Cold Outside" with Will Ferrell in the bathroom shower scene, "Auld Lang Syne" with James Caan on piano and with Leon Redbone on the soundtrack. Her piano composition "Bittersuite" was used thematically in the dark dramedy Winter Passing (2006), in which she co starred with Ferrell and Ed Harris, and also sings "My Bonnie Lies over the Ocean" in the film.
In 2007, other singing credits followed: the television musical Once Upon a Mattress ("An Opening for a Princess", "In a Little While", "Normandy", and "Yesterday I Loved You"); an old cabaret song in The Assassination of Jesse James by the Coward Robert Ford ("A Bird in a Gilded Cage"); and the short film Raving ("Hello, Dolly!"). Deschanel and a cast of school children sing the Steve Earle song "Someday" and War's "Why Can't We Be Friends?" in Bridge to Terabithia.
In Yes Man (2008), Deschanel sings several songs featured in the film and on the film soundtrack, and is shown singing "Uh-Huh" and "Sweet Ballad" with San Franciscan all-girl electro soul-punk group Von Iva in a fictional band called "Munchausen by Proxy". In 500 Days of Summer (2009), Deschanel sings a cover of The Smiths's "Please, Please, Please, Let Me Get What I Want" and it appears on the soundtrack of the film, as performed by She & Him. She also sings a cover of "Sugar Town" by Nancy Sinatra. Deschanel and Joseph Gordon-Levitt did a music video, called Bank Dance, directed by 500 Days of Summer director Marc Webb, to accompany the film. It uses the She & Him song "Why Do You Let Me Stay Here?", and some complicated choreography, choreographed by Michael Rooney. Mason Novick, the film's producer said, "We made the short because Zooey came in and said, 'I have this idea ... because I didn't get to dance in the movie'" (as Gordon-Levitt did).
Deschanel sings "The Greatest Most Beautiful Love Song in All the Land" with James Franco in the comedy Your Highness (2011). She also appears with M. Ward in a number of songs on the soundtrack album for Disney's animated version of Winnie the Pooh (2011), earning a Grammy Award for Best Song Written for Visual Media nomination for "So Long". Deschanel wrote and performed the theme song to New Girl. Also, in season three's episode "Prince", the song "Fallinlove2nite" is sung by Deschanel and Prince. In Rock the Kasbah (2015), she sang a cover of Meredith Brooks's "Bitch", which is featured in the soundtrack for the film. In 2016, Deschanel voiced Bridget, the scullery maid in the animated film Trolls.
Other work
In May 2011, after the success of her HelloGiggles YouTube channel, Deschanel, along with producer Sophia Rossi and writer Molly McAleer, founded the website HelloGiggles.com, an entertainment website geared towards women. HelloGiggles.com was acquired by Time, Inc. in 2015.
In 2023, Deschanel hosted the Max informational show What Am I Eating?. It was based on a previous series Deschanel did for ATTN:, Your Food's Roots.
Personal life
Deschanel is allergic to eggs, dairy products, and soy. She had a gluten allergy, but stated in a 2022 interview on Armchair Expert that she no longer suffers from it. She used to be a vegan, which she gave up because she found it difficult to eat enough calories on a vegan diet due to her sensitivities to wheat and soy. A year prior to giving up her vegan diet, she was featured on episode eight of season one of Bravo's Top Chef Masters, in which the chefs participating in the competition were challenged to cater a vegan lunch party for her family and friends using no soy or gluten. Deschanel is currently a pescetarian.
In December 2008, Deschanel became engaged to musician Ben Gibbard, lead vocalist for Death Cab for Cutie and The Postal Service. They married on September 19, 2009, near Seattle, Washington. On November 1, 2011, they announced their separation. Deschanel filed for divorce on December 27, 2011, citing "irreconcilable differences". The divorce was finalized on December 12, 2012.
Deschanel confirmed her engagement to film producer Jacob Pechenik in January 2015, and they married in June 2015. They have two children: a daughter born in July 2015, and a son born in May 2017. Deschanel reportedly converted to Judaism before marrying Pechenik, who is Jewish.
In August 2019, Deschanel met Property Brothers star Jonathan Scott while filming an episode of Carpool Karaoke: The Series.
On September 6, 2019, Deschanel and Pechenik announced their separation. Deschanel and Pechenik divorced on June 1, 2020.
On August 13, 2023, Deschanel and Scott announced their engagement at Edinburgh Castle in Scotland.
Filmography
Discography
Awards and nominations
References
External links
Zooey Deschanel at IMDb
Zooey Deschanel on Instagram
Zooey Deschanel Archived October 14, 2013, at the Wayback Machine Video produced by Makers: Women Who Make America |
New_Girl | https://en.wikipedia.org/wiki/New_Girl | [
258
] | [
"https://en.wikipedia.org/wiki/New_Girl#Episodes"
] | New Girl is an American television sitcom created by Elizabeth Meriwether and produced by 20th Century Fox Television for Fox that aired from September 20, 2011, to May 15, 2018. The series revolves around quirky teacher, Jessica Day (Zooey Deschanel), after she moves into a Los Angeles loft with three men, Nick Miller (Jake Johnson), Schmidt (Max Greenfield), and Coach (Damon Wayans Jr.). Former roommate Winston Bishop (Lamorne Morris) and Jess's best friend Cece Parekh (Hannah Simone) later join the characters. The show combines comedy and drama elements as the characters, who are in their late 20s and early 30s, deal with relationship issues and career choices. New Girl is a joint production between Elizabeth Meriwether Pictures and 20th Century Fox Television and is syndicated by 20th Television.
Produced in Los Angeles as a single-camera comedy, New Girl is an ensemble show aimed at a general audience. New Girl received acclaim from critics and was named one of the best new comedies of the 2011 fall season. The pilot episode drew 10.28 million U.S. viewers and a 4.8 adults 18–49 demo rating, making it the highest-rated fall debut for a Fox scripted show since 2001. Particular praise has been given to the performances of Deschanel, Greenfield, Simone, Johnson and Morris. The show has garnered increased mainstream viewership following its inclusion on Netflix, becoming one of the most popular shows on the platform. The series concluded its seven season run in May 2018.
Plot
Jessica "Jess" Day (Zooey Deschanel), a bubbly and quirky teacher in her late 20s, comes home from vacation to find her boyfriend, Spencer (Ian Wolterstorff), with another woman and leaves him immediately to look for somewhere else to live. After Jess answers an ad for a new roommate on Craigslist, she moves into a loft in Los Angeles with three men around her own age: Nick, Schmidt, and Coach. After the pilot episode, Winston, a former roommate and Nick's childhood friend, replaces Coach, who leaves the apartment to live with his girlfriend. Jess' childhood best friend, Cece, a fashion model frequently visits Jess and the guys.
The series follows the group's interactions with each other as they become closer friends and develop romantic relationships. Midway through season 1, Schmidt and Cece become involved in a mostly sexual relationship but break up at the end of the season. In Season 2, Jess is laid off from her teaching job; she and the others get involved in mostly temporary relationships however, Cece enters an arranged marriage engagement with Shivrang (Satya Bhabha) that is broken up at their wedding in the season 2 finale when Cece realizes she loves Schmidt. Schmidt had recently started dating his old college girlfriend Elizabeth had to choose between Elizabeth and Cece. Meanwhile, Nick and Jess develop feelings and start dating at Cece's wedding, making their relationship official at the end of season 2,and it lasts through most of season 3 until they realize that ultimately, they want different things in life.
Coach returns to the loft in season 3, revealing that he had broken up with his girlfriend and rejoins the gang, and even has a short fling with Cece after ending the short relationship with Schmidt. He stays through season 4 until he moves out to be with another girl, May (Meaghan Rath) to New York. At the end of season 4, Schmidt proposes to Cece, and they marry at the end of season 5. Meanwhile, after bouncing around several random jobs and several dating choices throughout the series, Winston works to become a police officer with the LAPD, and falls in love with his partner Aly (Nasim Pedrad). In the beginning of season 5, Jess is called away to jury duty resulting in the group bringing in temporary roommate Reagan Lucas (Megan Fox), who becomes Nick's love interest for the rest of the season. Shortly after returning from jury duty, Jess realizes that she loves Nick and wants to be with him.
At the end of season 6, Nick and Reagan break up and shortly after, Nick and Jess get together, Cece and Schmidt are pregnant, and Winston is engaged to Aly and is trying to meet his father. Season 7 advances the storyline three years later where Schmidt and Cece have a three-year-old daughter named Ruth, Winston and Aly are expecting their first baby, and Nick proposes to Jess.
Cast and characters
The principal cast of New Girl includes:
Zooey Deschanel as Jessica "Jess" Day: a bubbly, offbeat teacher in her early thirties who is originally from Portland, Oregon. In the premiere episode, she moves into the guys' apartment where Nick, Schmidt, and Coach help her move on from a painful break-up with her boyfriend, Spencer. She later dates Nick on-and-off eventually becoming engaged in the final season.
Jake Johnson as Nick Miller: Jess' roommate who works as a bartender at a nearby bar. At the start of the series, he struggles with a break-up with his long-term girlfriend Caroline. He and Jess have an on-and-off relationship but ultimately end up together.
Max Greenfield as Schmidt: Jess' roommate, a seemingly confident ladies' man. He is a successful marketing associate in a female-dominated office. He dates Cece in the earlier seasons but this ends after he cheats on her. However, they later marry and have a child, Ruth.
Lamorne Morris as Winston Bishop: a former basketball player and Nick's childhood friend from Chicago. Returns to the loft after playing for the Latvian Basketball League, in the second episode. He later becomes a cop and meets his wife on the force. He is very close to his cat, Ferguson, and sometimes is mocked for this.
Hannah Simone as Cece: a fashion model and Jess' best friend since childhood. In spite of their differences, Cece is a very loyal and protective friend to Jess. Initially skeptical of Jess' new roommates, Cece becomes interested in Schmidt and integrates herself more and more socially with the others as time progresses.
Damon Wayans Jr. as Coach (pilot, season 4; special guest seasons 3 & 5–7): a cocky and driven former athlete who works as a personal trainer. He appears briefly in the "Pilot" episode as a roommate but leaves in the second episode. After a break-up with his girlfriend, Coach returns to the loft two years later and reintegrates himself back into the lives of his former roommates, becoming a coach at the middle school Jess teaches at.
Megan Fox as Reagan Lucas (starring season 5; recurring season 6): is an attractive, no-nonsense bisexual pharmaceutical sales rep, first appearing in season 5 when she comes to town on business and rents out Jess' room while the latter is sequestered on jury duty (during Zooey Deschanel's parental leave). She knows Cece from a previous gig they did together.
Danielle and Rhiannon Rockoff as Ruth (season 7): Schmidt and Cece's three-year-old daughter.
Special guest stars
Taylor Swift as Elaine (season 2 finale): Shivrang's love interest who Shivrang leaves Cece for during their wedding.
Prince as Prince (season 3 episode "Prince"): hosts a party the characters attend and provides relationship advice for Nick and Jess.
Kareem Abdul-Jabbar as Kareem Abdul-Jabbar (season 1 episode "Normal"): works with Winston and shares a cubicle wall with him.
Production
Conception
20th Century Fox Television first approached playwright Elizabeth Meriwether in 2008 to develop a pilot that was eventually shelved. After Meriwether's success with the 2011 romantic comedy film No Strings Attached, 20th Century Fox approached her once more, and she pitched an idea for a TV sitcom about an "offbeat girl moving in with three single guys", inspired by her experience of "bouncing from Craigslist sublet to Craigslist sublet, for four years in L.A." when she was in her twenties. This show was initially called Chicks and Dicks with two of the characters similar to the final characters of Jess and Schmidt. The initial idea was a Will & Grace-style comedy inspired by Meriwether's close friendship with a guy after their exes started dating each other. The Fox network liked the script and pursued Zooey Deschanel for the role of Jess, to whose story Meriwether felt most connected. As the script developed, the plot moved on from being about the sexual endeavors of the roommates and became more socially oriented, so the title was changed to New Girl.
The show attempts to combine "comedy and drama as the five characters explore the difficulties of the decade between 30 and 40, which is when many people take their biggest steps toward maturity" with regard to relationships and careers, which, unlike Friends, is giving the show a "built-in biological clock". Producer Jake Kasdan said that "Their lives are moving forward, [but] they're still trying to hang on to some kind of crazy youth" although he does not "want them ever to seem pathetic."
Casting
Movie actress and singer-songwriter Zooey Deschanel was in the process of developing an HBO show when she read the New Girl pilot script and responded to the material. The character of Jess was not specifically written for Deschanel, but the producers found it a great match and adjusted it to better fit the actress. With the support from Fox, Meriwether wanted to make Jess a unique, interesting and funny female character that would have been the side character on other shows. Deschanel became a producer on the show and helped build the character, requesting to not play the classic wife character who would be ignored by the guys she tries to keep out of trouble. Meriwether's goal was to write about herself from an honest perspective, with Jess mirroring her at the start and later Deschanel until Jess turned into a "hybrid of me and Zooey, the writers, and the editor". Deschanel described Jess as a part of her, especially with regard to "the sort of enthusiasm and optimism" of her youth. She does not shy away from playing embarrassing scenes or being unattractive. As Kasdan said, "This show advocates for the attractive dork." Although Meriwether had always imagined the show as an ensemble show, Fox would later focus its first marketing push on Zooey Deschanel and gave the show the promotional tagline "Simply Adorkable."
Basing Nick Miller on a friend also surnamed Miller, she originally imagined Nick as the smartest one of the group who doesn't need to say that and thought of him as "the everyman one, who's stepping away and commenting on what all the crazy people are doing around him." She sent the New Girl pilot script to movie actor Jake Johnson, with whom she had enjoyed working on No Strings Attached and guided him through the audition process. Johnson auditioned with Max Greenfield, who impressed the producers in his first audition as Schmidt. The actors auditioning for Schmidt were more varied in appearance than those auditioning for Nick, and Johnson and Greenfield were initially worried that they looked too much alike. however, both men were cast the same day.
Meriwether originally envisioned Coach as "a fat Jewish guy, like a manchild" and later as "this dumb jock [with] crazy rage problems". David Neher (who would play Schmidt's so-called "fremesis," Benjamin, in four episodes) was among the 400 actors auditioning for Coach before the producers settled on Damon Wayans Jr. who was expecting his show, the ABC sitcom Happy Endings, to be cancelled. When that show was renewed for a second season, Wayans' spot was replaced with Lamorne Morris, who had also read for Coach but had been unavailable for filming the pilot. Meriwether estimated that about 80 percent of the pilot would have needed to be re-shot in order to remove Wayans from the episode, since he was in one of the leading roles of the show. As the producers also liked reflecting the frequent apartment changes in young people's lives, Meriwether, 20th Century Fox and the studio decided to keep the characters and the plot of the pilot episode as they were. Morris joined the show in the second episode of the series when the producers had already broken seven episodes without knowing what the actor was going to be able to do. Wayans returned to New Girl in season 3 for a season-long arc after Happy Endings had been cancelled, and was officially added as a regular for season 4.
Writing
New Girl had 11 writers during its first season and 15 during the second season—including Elizabeth Meriwether, Brett Baer, and Dave Finkel. Stories were developed in a collaborative effort and aimed at viewers of any gender. Writers intended to keep actors and audiences on their toes by planning very few story arcs and focusing on setting up characters in the first couple seasons .
The writers challenged themselves to create new stories and change the show's dynamics to keep things fresh, while aiming to be "as emotionally real as possible." As the show's jokes rely on the actors' performance instead of perfectly constructed punch lines, Meriwether looked for the actors' strengths before writing. The A story generally revolved around Jess and had an emotional core. Still, Meriwether saw the show as an ensemble about friendship with "everybody having their own stories and people being interested in all of the characters."
Each New Girl episode started out as a pitch page, went through stages of an outline and a final draft before being filmed and edited, a process which could take weeks. The writers were broken up to rework drafts until they found the funniest and most emotionally resonant version. All characters were aimed to be tied into the story, and determining their motivation was the major goal so that people would laugh. During the first season, Meriwether usually made a final pass at the draft alone because of her film and theater background. The actors' performance influenced new story ideas with the actors also handing in story ideas.
Filming and editing
The main set built for the pilot was to represent a factory-turned-loft in downtown Los Angeles. It was reused once the show was given a full season. The apartment building exterior is the Binford Building, located at 837 Traction Avenue in the city's Arts District, with interior shots done in a studio set. The exterior shots for the bar where Nick works is of The Griffin (now The High Low), located in Atwater Village. The interior shots of the bar are originally from a restaurant called The Prince in Koreatown, and were recreated in a studio set after the first season.
As a single-camera comedy, New Girl is neither performed in front of a studio audience nor has a laugh track. Some scenes are cross-covered (i.e. are filmed with a shooting camera on each person at the same time), to allow for better improvisations. Handheld cameras are avoided for a more filmic look.
The actors first perform scenes as written, then act out the alternatives or improvise, to later allow the producers and editors to choose the gags that ultimately work best. Morris estimated that 20 percent of each episode is improvised.
True American
True American is a fictional, convoluted drinking game that the New Girl characters first played in the season 1 episode 20, "Normal". After "Normal" aired, internet sources began to summarize the rules for True American, which the characters described as a mix of a drinking game and Candy Land where the floor is lava; it also involves shouting the names of American presidents. The idea of True American came from a New Girl writer who played a similar game in college. As she could not remember the game's exact rules, the writers focused on making the game as funny on the page as possible, but only established chanting "JFK! FDR!" and walking on chairs. Throughout the series, the writers created new rules on the spot in order to keep the actors improvising and encouraged them to "have fun, dig in, jump in".
The game's second appearance in season 2's "Cooler" was played with the strip-poker version called "Clinton Rules", but the exact rules remain unclear even to the actors. True American with updated rules and the resulting hangover were featured in season 3's "Mars Landing". The writers started to do new True American episodes once each year without ever giving explicit rules for the game. Liz Meriwether said the game would not be easier to comprehend in later appearances, as the writers' goal is to actually make it harder to understand.
Relationships
Creator Elizabeth Meriwether sees Nick, Schmidt and Winston "on the weirder side of things". The producers started learning more about the characters by seeing the actors' work and that "We probably rely on them more than we should" to define the characters. Each of the actors improvisations allowed for the characters to switch traits around in the first season before solidifying their characters. Producers found more variety in Nick's character in season 1 and enjoyed Johnson's improvisations, so they relayed Coach's previous attributed rage issues to Nick. Nick's character connects the most with the other roommates, childhood friends with Winston and college roommates with Schmidt, allowing him to be more involved in their stories.
Writers developed the Nick–Winston dynamic in season 1 and sought to figure out Winston's relationship with the other loft mates in season 2. The writers noticed late during the first season that Morris seemed better suited to play a smart character and act as the loft's voice of reason, although Meriwether found that when Winston "finally does blow up, he's crazier than all of them" and that he works better "in these kind of crazy, comedic runners, small pieces of the episode" that contrast the relationship dramas of the other main characters. The Winston–Schmidt friendship was developed significantly in the second half of season 2 when the story focus moved to Nick and Jess. The Nick–Jess relationship affects the three guys' friendship as Nick starts being more considerate of Jess' feelings regarding shenanigans. Damon Wayans Jr. was planned to reprise his role as Coach in at least four episodes in the third season, according to Meriwether "at a time when the roommates are at odds with each other".
With Meriwether's openness regarding straight and gay communities, New Girl also plays with the guys' sexual orientation for humor. One of Winston's recurring alternate persona is Nick's gay lover "Theodore K. Mullins", which started out as an improv of Morris. Johnson thought that Nick and Schmidt had "a pretty funny bromance" with "their own little weird will-they-won't-they". Greenfield improvised kissing Nick a lot in season 1 until the writers started putting Schmidt–Nick kisses into the script, so that they shared more kisses than Nick and Jess did in the first two seasons.
Episodes
Broadcast and ratings
The New Girl pilot was released via on-demand, iTunes, and TiVo on September 6, 2011 before its September 20 premiere on Fox in the United States and on City in Canada. Other international broadcasters include Channel 4 and E4 in the United Kingdom, RTÉ2 in the Republic of Ireland, Network Ten and Eleven in Australia, and Four in New Zealand. The pilot episode drew 10.28 million U.S. viewers and a 4.8 adults 18–49 demo rating, making it the highest-rated fall debut for a Fox scripted show since The Bernie Mac Show in 2001. The second episode made New Girl the top-rated show on television in the marketing-important 18–49 demographic, improved the rating of its lead-in hit series Glee and beat the long-running hit series NCIS and Dancing with the Stars. At this time, Fox ordered 11 additional episodes to the initial 13-episode order, bringing the first season to 24 episodes.
The ratings dropped when the show took a break for baseball, falling almost 30 percent to a 2.1 rating in the 18–49 audience group. During the 2011–12 television season, New Girl averaged 8.22 million viewers and a 4.2 adults 18–49 demo rating. In 18–49 demo, it ranked as the fifth highest rated show on Fox and 13th overall. On April 9, 2012, New Girl was officially renewed for a second season of 24 episodes; Fox ordered one more episode during the second half of the season.
Awards and nominations
Main article: List of awards and nominations received by New Girl
The show has been nominated for several awards, including five Golden Globe Awards and five Primetime Emmy Awards.
Syndication and streaming
New Girl was added to TBS in 2015 and was removed in 2022. Additionally, the sitcom was added to MTV in 2015 and was removed in 2016. After 10 years on Netflix, the show became exclusively available on Hulu and Peacock since April 17, 2023.
Home media
Tie-ins
A 2012 book, The Douche Journals: The Definitive Account of One Man's Genius, compiled the many Schmidtisms from The Douchebag Jar, before Jess moved into the apartment. ISBN 9780062238672
in January 2022, iHeartRadio launched the New Girl rewatch podcast Welcome to Our Show, hosted by Deschanel, Simone, and Morris, who reminisce on their experience filming the show and provide behind the scenes details on its production.
Reception
Critical reviews
On the review aggregator website Rotten Tomatoes, season one holds an approval rating of 84% based on 32 reviews, with an average rating of 6.83/10. Metacritic, which uses a weighted average, assigned the season a score of 66 out of 100 based on 25 critics, indicating "generally favorable reviews".
In June 2011, New Girl was one of eight honorees in the "most exciting new series" category at the 1st Critics' Choice Television Awards, voted by journalists who had seen the pilots. Robert Bianco of USA Today considered New Girl "fall's most promising new series" and praised how Deschanel and Meriwether "have shaped Jess into something we haven't quite seen before – a woman who is sweet yet crass, innocent yet sexy, beautiful yet clumsy, and brash yet irresistibly adorable." However, he noted how "Some people will be resistant to Deschanel's doe-eyed charm; others have a congenital need to insult anyone who most everyone else is praising, particularly if doing so gets them attention." The Hollywood Reporter's Tim Goodman saw the show as a "mostly romantic comedy", and although Jess' adorability "might seem like a thin premise, [...] Meriwether manages to make the situations funny and lets Deschanel channel her charm – a winning combination." David Wiegand of the San Francisco Chronicle would rather see the show tone down. He felt "the show's fundamental setup isn't all that inspired, but it could work with smarter writing and better direction, especially with regard to Deschanel", who, in his opinion, overplayed Jess' weird habits "to the point of overkill within the first 10 minutes of the show".
Alan Sepinwall of HitFix considered New Girl "the best new comedy of the fall season, and the only new show I genuinely enjoyed from start to finish" because it was so well developed from the start. He praised Deschanel's "wonderful comic performance" and said that while the supporting actors "all bounce nicely off of Deschanel", the scenes without Deschanel around them fell flat for him. Writing for the Daily News, David Hinckley lauded how none of the characters "settle in as the stereotypes they could easily become", and presumed that all of them would evolve and get smarter as the show progresses. Lori Rack of the Chicago Sun-Times praised the actors' comedic timing and playing off each other. Despite the guys sounding "like nightmares" on paper, "they have endearing, vulnerable cores that make them likable, and occasionally, lovable. [...] New Girl didn't give me as many laugh-out-loud moments as some comedies", but instead made her "feel warm and fuzzy". Rob Owen of the Pittsburgh Post-Gazette said the show's pilot was "more charming than hilarious" and "cuter than it is funny, but when it does conjure laughs, its style of humor is reminiscent of ABC's Happy Endings".
Many critics considered Max Greenfield the show's breakout star in season 1; The A.V. Club even named Greenfield's Schmidt "the year's breakout TV character" as a "douchebag with a heart of gold". Salon described Schmidt as "a sort of self-created alpha male and a collection of beta male qualities [... which] are performed with such conviction they congeal into a sort of deranged machismo, one slathered in sandalwood-scented lotion. As part of this transition, Schmidt has gone from being a douchebag in the classic model—a guy who, in the pilot, constantly wanted to show off his pecs and scam girls, and seemed capable of doing so—to a douche of a more unique variety." The Huffington Post's Maureen Ryan said how "Schmidt could have easily been 'the dumb guy', or the show could have exploited his status as an eminently mockable douche. But thanks to Max Greenfield's endearing depiction of the would-be lady-killer, there's a lot more the writers have been able to do with the character."
On Rotten Tomatoes, season two holds an approval rating of 88% based on 16 reviews, with an average rating of 6.56/10. After the teasing of the Nick–Jess relationship in the first season, critics named Jake Johnson the breakout star of season 2 as the characters' romance unfolded. Saying that "Not since Ross and Rachel's tango on Friends has watching a comedy romance been so satisfying", The Hollywood Reporter said the producers "did the impossible by engaging their leads in a love story, which only strengthened the artistry of the single-cam comedy". The New York Times said season 2 "erupted in fantastic and bizarre fits and starts" because of the characters' unmatched personalities, and lauded the writers for not playing up the will-they-or-won't-they dynamic. By emphasizing how the characters got together, the show "made for hilarious setups [that occasionally led] to high-level Abbott and Costello slapstick. The continued Nick–Jess relationship was criticized in season 3 for dropping the characters' personalities, lack of tension, and for neglecting the show's female friendship between Jess and Cece.
On Rotten Tomatoes, season three holds an approval rating of 88% based on 14 reviews, with an average rating of 6.46/10. Season four holds an approval rating of 100% based on 10 reviews, with an average rating of 6.67/10. The series' seventh and final season has an approval rating of 100% based on 10 reviews, with an average rating of 6.78, and a critical consensus of, "After seven years of friendship, New Girl signs off with a thoughtful, funny final season that bids a proper adieu to its colorful cast of characters."
References
External links
Official website
New Girl at IMDb |
List_of_New_Girl_episodes | https://en.wikipedia.org/wiki/List_of_New_Girl_episodes | [
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"https://en.wikipedia.org/wiki/List_of_New_Girl_episodes#Season_2_(2012%E2%80%9313)"
] | New Girl is an American television sitcom that premiered on Fox on September 20, 2011. Developed by Elizabeth Meriwether under the working title Chicks & Dicks, the show stars Zooey Deschanel as Jessica "Jess" Day, a well-liked and bubbly woman who is trying to get over her surprise breakup with her boyfriend. With the help of her best friend Cece (Hannah Simone), she finds a new place to stay when she moves in with three single guys: Nick Miller (Jake Johnson), an underachieving bartender; Schmidt (Max Greenfield), who thinks of himself as a modern-day Casanova; and Coach (Damon Wayans, Jr.), who leaves the series in the next episode and is replaced by Winston Bishop (Lamorne Morris), a former professional athlete who achieved modest success abroad and is adjusting to life back in the United States. Coach reappears in the series during seasons three, four, five, six, and seven.
On May 14, 2017, the series was renewed for a seventh and final season, which featured eight episodes. On January 4, 2018, it was announced that the seventh and final season would premiere on April 10, 2018, and also it would end with a one-hour series finale, which was aired on May 15, 2018.
During the course of the series, 146 episodes of New Girl aired over seven seasons.
Series overview
Episodes
Season 1 (2011–12)
Season 2 (2012–13)
Season 3 (2013–14)
Season 4 (2014–15)
Season 5 (2016)
Season 6 (2016–17)
Season 7 (2018)
Ratings
Notes
References
External links
Official website
New Girl at IMDb |
Joan_Didion | https://en.wikipedia.org/wiki/Joan_Didion | [
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"https://en.wikipedia.org/wiki/Joan_Didion"
] | Joan Didion (; December 5, 1934 – December 23, 2021) was an American writer and journalist. She is considered one of the pioneers of New Journalism, along with Gay Talese, Hunter S. Thompson, and Tom Wolfe.
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. She would go on to publish essays in The Saturday Evening Post, Life, Esquire, The New York Review of Books, and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on the subtext of political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest that the Central Park Five had been wrongfully convicted. With her husband John Gregory Dunne, Didion wrote multiple screenplays, including The Panic in Needle Park (1971), A Star Is Born (1976), and Up Close & Personal (1996). In 2005, she won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the sudden death of her husband. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the 2017 Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne.
Early life and education
Didion was born on December 5, 1934, in Sacramento, California, to Eduene (née Jerrett) and Frank Reese Didion. She had one brother, five years her junior, James Jerrett Didion, who became a real estate executive. Didion recalled writing things down as early as age five, although she said she never saw herself as a writer until after her work had been published. She identified as a "shy, bookish child," an avid reader, who pushed herself to overcome social anxiety through acting and public speaking. During her adolescence, she would type out Ernest Hemingway's works to learn how his sentence structures worked.
Didion's early education was nontraditional. She attended kindergarten and first grade, but, because her father was a finance officer in the Army Air Corps and the family constantly relocated, she did not attend school regularly. In 1943 or early 1944, her family returned to Sacramento, and her father went to Detroit to negotiate defense contracts for World War II. Didion wrote in her 2003 memoir Where I Was From that moving so often made her feel as if she were a perpetual outsider.
Didion received a B.A. in English from University of California, Berkeley, in 1956. During her senior year, she won first place in the "Prix de Paris" essay contest, sponsored by Vogue, and was awarded a job as a research assistant at the magazine. The topic of her winning essay was the San Francisco architect William Wurster.
Career
Vogue
During her seven years at Vogue, from 1956 to 1964, Didion worked her way up from promotional copywriter to associate feature editor. Mademoiselle published Didion's article "Berkeley’s Giant: The University of California" in January 1960. While at Vogue, and homesick for California, she wrote her first novel, Run, River (1963), about a Sacramento family as it comes apart. Writer and friend John Gregory Dunne helped her edit the book. John—the younger brother of author, businessman, and television mystery show host Dominick Dunne—was writing for Time magazine at the time. He and Didion married in 1964.
The couple moved to Los Angeles in 1964, intending to stay only temporarily, but California remained their home for the next 20 years. In 1966, they adopted a daughter, whom they named Quintana Roo Dunne. The couple wrote many newsstand-magazine assignments. "She and Dunne started doing that work with an eye to covering the bills, and then a little more," Nathan Heller reported in The New Yorker. "Their [Saturday Evening] Post rates allowed them to rent a tumbledown Hollywood mansion, buy a banana-colored Corvette Stingray, raise a child, and dine well."
In Los Angeles, they settled in Los Feliz from 1963 to 1971, and then, after living in Malibu for eight years, she and Dunne moved to Brentwood Park, a quiet, affluent, residential neighborhood.
Slouching Towards Bethlehem
In 1968, Didion published her first nonfiction book, Slouching Towards Bethlehem, a collection of magazine pieces about her experiences in California. Cited as an example of New Journalism, it used novel-like writing to cover the non-fiction realities of hippie counterculture. She wrote from a personal perspective, adding her own feelings and memories to situations, inventing details and quotes to make the stories more vivid, and using metaphors to give the reader a better understanding of the disordered subjects of her essays: politicians, artists, or just people living an American life. The New York Times characterized the "grace, sophistication, nuance, [and] irony" of her writing.
1970s
Didion's novel Play It as It Lays, set in Hollywood, was published in 1970, and A Book of Common Prayer appeared in 1977. In 1979, she published The White Album, another collection of her magazine pieces from Life, Esquire, The Saturday Evening Post, The New York Times, and The New York Review of Books. In The White Album's title essay, Didion documented an episode she experienced in the summer of 1968. After undergoing psychiatric evaluation, she was diagnosed as having had an attack of vertigo and nausea.
After periods of partial blindness in 1972, she was diagnosed with multiple sclerosis, but remained in remission throughout her life. In her essay entitled "In Bed," Didion explained that she experienced chronic migraines.
Dunne and Didion worked closely for most of their careers. Much of their writing is therefore intertwined. They co-wrote a number of screenplays, including a 1972 film adaptation of her novel Play It as It Lays that starred Anthony Perkins and Tuesday Weld and the screenplay for the 1976 film of A Star is Born. They also spent several years adapting the biography of journalist Jessica Savitch into the 1996 Robert Redford and Michelle Pfeiffer film, Up Close & Personal.
1980s and 1990s
Didion's book-length essay Salvador (1983) was written after a two-week trip to El Salvador with her husband. The next year, she published the novel Democracy, the story of a long, but unrequited love affair between a wealthy heiress and an older man, a CIA officer, against the background of the Cold War and the Vietnam War. Her 1987 nonfiction book Miami looked at the different communities in that city. In 1988, the couple moved from California to New York City.
In a prescient New York Review of Books piece of 1991, a year after the various trials of the Central Park Five, Didion dissected serious flaws in the prosecution's case, making her the earliest mainstream writer to view the guilty verdicts as miscarriages of justice. She suggested the defendants were found guilty because of a sociopolitical narrative with racial overtones that clouded the judgment of the court.
In 1992, Didion published After Henry, a collection of twelve geographical essays and a personal memorial for Henry Robbins, who was Didion's friend and editor until his death in 1979. She published The Last Thing He Wanted, a romantic thriller, in 1996.
The Year of Magical Thinking
In 2003, Didion's daughter Quintana Roo Dunne developed pneumonia that progressed to septic shock and she was comatose in an intensive-care unit when Didion's husband suddenly died of a heart attack on December 30. Didion delayed his funeral arrangements for approximately three months until Quintana was well enough to attend.
On October 4, 2004, Didion began writing The Year of Magical Thinking, a narrative of her response to the death of her husband and the severe illness of their daughter. She finished the manuscript 88 days later on New Year's Eve. Written at the age of 70, this was her first nonfiction book that was not a collection of magazine assignments. She said that she found the subsequent book-tour process very therapeutic during her period of mourning. Documenting the grief she experienced after the sudden death of her husband, the book was called a "masterpiece of two genres: memoir and investigative journalism" and won several awards.
Visiting Los Angeles after her father's funeral, Quintana fell at the airport, hit her head on the pavement and required brain surgery for hematoma. After progressing toward recovery in 2004, Quintana died of acute pancreatitis on August 26, 2005, aged 39, during Didion's New York promotion for The Year of Magical Thinking. Didion wrote about Quintana's death in the 2011 book Blue Nights.
2000s
Didion was living in an apartment on East 71st Street in Manhattan in 2005. Everyman's Library published We Tell Ourselves Stories in Order to Live, a 2006 compendium of much of Didion's writing, including the full content of her first seven published nonfiction books (Slouching Towards Bethlehem, The White Album, Salvador, Miami, After Henry, Political Fictions, and Where I Was From), with an introduction by her contemporary, the critic John Leonard.
Didion began working with English playwright and director David Hare on a one-woman stage adaptation of The Year of Magical Thinking in 2007. Produced by Scott Rudin, the Broadway play featured Vanessa Redgrave. Although Didion was hesitant to write for the theater, she eventually found the genre, which was new to her, exciting.
Didion wrote early drafts of the screenplay for an untitled HBO biopic directed by Robert Benton on Katharine Graham. Sources say it may trace the paper's reporting on the Watergate scandal.
Later works
In 2011, Knopf published Blue Nights, a memoir about aging that also focused on Didion's relationship with her late daughter. More generally, the book deals with the anxieties Didion experienced about adopting and raising a child, as well as the aging process.
A photograph of Didion shot by Juergen Teller was used as part of the 2015 spring-summer campaign of the luxury French fashion brand Céline, while previously the clothing company Gap had featured her in a 1989 campaign. Didion's nephew Griffin Dunne directed a 2017 Netflix documentary about her, Joan Didion: The Center Will Not Hold. In it, Didion discusses her writing and personal life, including the deaths of her husband and daughter, adding context to her books The Year of Magical Thinking and Blue Nights.
In 2021, Didion published Let Me Tell You What I Mean, a collection of 12 essays she wrote between 1968 and 2000.
Death
Didion died from complications of Parkinson's disease at her home in Manhattan on December 23, 2021, at the age of 87.
Writing style and themes
Didion viewed the structure of the sentence as essential to her work. In the New York Times article "Why I Write" (1976), Didion remarked, "To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed... The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind... The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what's going on in the picture."
Didion was heavily influenced by Ernest Hemingway, whose writing taught her the importance of how sentences work in a text. Her other influences included George Eliot and Henry James, who wrote "perfect, indirect, complicated sentences".
Didion was also an observer of journalists, believing the difference between the process of fiction and nonfiction is the element of discovery that takes place in nonfiction, which happens not during the writing, but during the research.
Rituals were a part of Didion's creative process. At the end of the day, she would take a break from writing to remove herself from the "pages", saying that without the distance, she could not make proper edits. She would end her day by cutting out and editing prose, not reviewing the work until the following day. She would sleep in the same room as her work, saying: "That's one reason I go home to Sacramento to finish things. Somehow the book doesn't leave you when you're right next to it."
In a notorious 1980 essay, "Joan Didion: Only Disconnect," Barbara Grizzuti Harrison called Didion a "neurasthenic Cher" whose style was "a bag of tricks" and whose "subject is always herself". In 2011, New York magazine reported that the Harrison criticism "still gets her (Didion's) hackles up, decades later".
Critic Hilton Als suggested that Didion is reread often "because of the honesty of the voice."
Personal life
For several years in her 20s, Didion was in a relationship with Noel E. Parmentel Jr., a political pundit and figure on the New York literary and cultural scene. According to Didion's husband, John Gregory Dunne, he actually met her through Parmentel, and Didion and Dunne remained friends for six years before embarking on a romantic relationship. As he later recalled, when they shared a celebratory lunch after Dunne finished reading the galleys for her first novel, Run, River, "while [h]er [significant] other was out of town, it happened." Didion and Dunne subsequently married in January 1964 and remained together until his death from a heart attack in 2003. Breaking a long-held silence on Didion, whose work he had championed and for which he found publishers, Parmentel was interviewed for a 1996 article in New York magazine. He had been angered in the 1970s by what he felt was a thinly veiled portrait of him in Didion's novel A Book of Common Prayer.
In 1966, while living in Los Angeles, she and John adopted a daughter, whom they named Quintana Roo Dunne.
A Republican in her early years, Didion later drifted toward the Democratic Party, "without ever quite endorsing [its] core beliefs."
As late as 2011, she smoked precisely five cigarettes per day.
Awards and honors
1981: Elected to the American Academy of Arts and Letters
1996: Edward MacDowell Medal
2002: The St. Louis Literary Award from the Saint Louis University Library Associates
2005: National Book Award for Nonfiction for The Year of Magical Thinking
2006: American Academy of Achievement's Golden Plate Award
2006: Elected to the American Philosophical Society
2007: Prix Medicis Essais for The Year of Magical Thinking
2007: National Book Foundation's Medal for Distinguished Contribution to American Letters
2007: Writers Guild of America Evelyn F. Burkey Award
2009: Honorary Doctor of Letters, Harvard University
2011: Honorary Doctor of Letters, Yale University
2013: National Humanities Medal presented by president Barack Obama
2013: Lifetime Achievement Award, PEN Center USA
The Joan Didion: What She Means Exhibition
The Hammer Museum at University of California, Los Angeles, organized the exhibition Joan Didion: What She Means. Curated by The New Yorker contributor and writer Hilton Als, the group show was on view from 2022 and is scheduled to travel to the Pérez Art Museum Miami in 2023. Joan Didion: What She Means pays homage to the writer and thinker through the lens of nearly 50 modern and contemporary international artists such as Félix González-Torres to Betye Saar, Vija Celmins, Maren Hassinger, Silke Otto-Knapp, John Koch, Ed Ruscha, Pat Steir, among others.
Published works
Fiction
Run, River (1963)
Play It as It Lays (1970)
A Book of Common Prayer (1977)
Democracy (1984)
The Last Thing He Wanted (1996)
Nonfiction
Slouching Towards Bethlehem (1968)
The White Album (1979)
Salvador (1983)
Miami (1987)
After Henry (1992)
Political Fictions (2001)
Where I Was From (2003)
Fixed Ideas: America Since 9.11 (2003; essay first published in the January 16, 2003 issue of The New York Review of Books)
The Year of Magical Thinking (2005)
Blue Nights (2011)
South and West: From a Notebook (2017)
Let Me Tell You What I Mean (2021)
Screenplays and plays
The Panic in Needle Park (1971) (with husband John Gregory Dunne and based on the novel by James Mills)
Play It as It Lays (1972) (with John Gregory Dunne and based on her novel of the same name)
A Star Is Born (1976) (with John Gregory Dunne)
True Confessions (1981) (with John Gregory Dunne and based on his novel of the same name)
Up Close & Personal (1996) (with John Gregory Dunne)
The Year of Magical Thinking (2007) (a stage play based on her book)
References
Further reading
Daugherty, Tracy. The Last Love Song: A Biography of Joan Didion. New York: St. Martin's Press, 2015.
Davidson, Sara. Joan: Forty Years of Life, Loss, and Friendship with Joan Didion, 2012. ISBN 978-1-61452-016-0.
External links
Official website
Joan Didion on The California Museum's California Legacy Trails
The New York Review of Books: Joan Didion
Appearances on C-SPAN
Joan Didion at IMDb
Joan Didion, on Enciclopedia Britannica, Encyclopædia Britannica, Inc
Joan Didion, on Open Library, Internet Archive
Joan Didion, on Goodreads
Joan Didion, on AllMovie, All Media Network
Joan Didion, on Internet Broadway Database, The Broadway League |
Play_It_as_It_Lays | https://en.wikipedia.org/wiki/Play_It_as_It_Lays | [
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"https://en.wikipedia.org/wiki/Play_It_as_It_Lays"
] | Play It as It Lays is a 1970 novel by American writer Joan Didion. Time magazine included the novel in its list of the "100 Best English-Language Novels from 1923 to 2005". The novel has been credited for helping define modern American Fiction and has been described as an "instant classic". It is known for depicting the nihilism and the illusory glamor of life in Hollywood, as well as capturing the landscape and culture of 1960s Los Angeles.
The book was adapted into a 1972 film starring Tuesday Weld as Maria and Anthony Perkins as BZ. Didion co-wrote the screenplay with her husband, John Gregory Dunne.
Plot
31-year-old Maria Wyeth's story begins as she is recovering from an implied mental breakdown in a psychiatric hospital in the Los Angeles area. Her journey oscillates between dizzying and domestic, as her acting career slows and her personal life collapses. Her story is revealed though flashbacks and flash forwards.
Maria contrasts her life in Los Angeles with her childhood in Silver Wells, Nevada, a small town so inconsequential that it no longer exists. The daughter of a neurotic mother and a gambling father, who bet on a mine and lost, Maria moves to New York to become an actress. In New York, Maria works temporarily as a model and meets Ivan Costello, a psychopathic blackmailer who has no hesitation exploiting Maria.
In New York, Maria receives news of her mother's death in a car wreck, possibly a suicide. Her father dies soon after, leaving useless mineral rights to his business partner and friend Benny Austin. Maria withdraws from acting and modeling, splits up with Ivan, and eventually meets Carter and moves to Hollywood. Later, we find that she and Carter have a four-year-old daughter Kate. Kate is in a treatment facility for an unspecified "aberrant chemical in her brain". Maria loves Kate, as indicated by her tender descriptions, her frequent hospital visits, and her determination "to get her out".
When Maria discovers she is pregnant, she is unsure if her husband, Carter or her lover, Les Goodwin, is the father and she tells Carter the truth. Carter urges Maria to have an abortion, and suggests that if she chooses to have the child, he will take full custody of their daughter. Set in a time before the legalization of abortion, Maria must find a doctor who will perform an illegal abortion. Maria follows steps to covertly contact and visit the only doctor who does "clean work" in Los Angeles. Maria has an illegal abortion, performed with local anesthetic, in a house where there are newspapers on the floor. Feeling distress after her abortion, Maria begins to have vivid nightmares about dying infants and rattlesnakes.
An inevitable divorce, and the ensuing social chaos bring Maria to indulge in self-destructive behavior. Maria disengages from her social world as she plunges into long days of compulsive driving, wandering Southern California's freeways, through motels and casinos, drinking and chancing sexual encounters with actors and ex-lovers. After a series of disasters for Maria, infidelity among her friends adds further chaos to her life.
The plot reaches a climax when Maria's friend BZ commits suicide in her presence, choosing to overdose on sleeping pills (Seconal) and Maria does not stop him, despite fully understanding what he is doing. Before overdosing, he offers to share his pills with Maria, implying that he could help her die by suicide as well. Maria chooses not to take the pills, and does not stop BZ as he proceeds to swallow them. His final words are "hold onto me", after which they fall asleep on the bed together. Maria awakens to the sound of BZ's wife, Helene screaming as she discovers his dead body next to Maria. Maria ignores the screaming and holds tighter onto BZ's lifeless hand. In not preventing his suicide, Maria is blamed for his death by her friends.
Maria is institutionalized for her inaction in stopping BZ's suicide, under doctors' and friends' assumption that she must have been disconnected from reality at the time the suicide occurred. It is implied that Maria doesn't try to escape her position, but accepts it apathetically. Her institutionalization can be seen as her choice to withdraw from the outside world, rather than a consequence of an actual mental illness or breakdown. From her hospital, Maria turns her visitors away, and plans for a day she might see her daughter again.
Background and publication
Play It as It Lays was author Joan Didion's second novel, after her debut Run, River was published in 1963. Didion gained public attention for her non-fiction collection Slouching Towards Bethlehem in 1968. Published on July 13, 1970, by Farrar, Straus & Giroux, Didion said about the novel, "I didn't think it was going to make it [...] And suddenly it did make it, in a minor way. And from that time on I had more confidence."
The book bears some resemblance to Didion's life, as Didion also had a daughter with a psychological disorder and drove the same car as Maria, a yellow Corvette Stingray. Like the protagonist, Didion lived in New York before moving to California. However, Didion asserted that the book was not autobiographical.
Themes
Life as a game
This theme occurs frequently throughout the novel, especially in reference to gambling and casino games. Having grown up around casinos with her gambling father, Maria sees life as a game in which every player chooses a strategy, or chooses to stop playing. Describing her upbringing she says, "My father advised me that life itself was a crap game: it was one of the two lessons I learned as a child. The other was that overturning a rock was apt to reveal a rattlesnake. As lessons go those two seem to hold up, but not to apply."
The title of the book, Play it as it Lays is a reference to advice from Maria's father on playing craps: "it goes as it lays, don't do it the hard way", an idiom with meaning similar to "playing with the cards you are dealt". At the exposition of the novel, Maria describes the recent events of life as such, "I was holding all the aces, but what was the game?".
Furthermore, social interactions can be seen as a kind of game. Maria tries to be a good "player" when she speaks to her doctors: "There are only certain facts, I say, trying again to be an agreeable player of the game."
Death can be seen as the choice to stop playing the game of life. As he is about to commit suicide, BZ says to Maria, "you're still playing [...] Some day you'll wake up and you just won't feel like playing". By choosing to die, BZ decides to stop playing. Meanwhile Maria references her choice to keep living, and continuing to "play" the game of life despite its meaninglessness, in the famous quote: "I know what 'nothing' means, and keep on playing."
Nihilism
Throughout the novel Maria and other characters reveal a belief in the meaninglessness of life. This theme may be ascribed to depression which the characters experience, to the emptiness of working in Hollywood or as an overarching philosophical theme on life. Many scenes in the book can be seen as an encounter with absurdity and nothingness, as Maria has odd encounters with strangers whom she never sees again. Maria's dark view of life is revealed in quotes such as, "Maria did not particularly believe in rewards, only in punishments, swift and personal."
The concept of nothing occurs in many contexts, such as Maria marking "nothing applies" on her hospital documents, and repeating this thought when revisiting memories of her past. When speaking to Benny about their now-destroyed hometown, Maria says, "there is no Silver Wells", suggesting that finding meaning in past memories is futile. The line "Maria said nothing" occurs repeatedly in several dialogues, suggesting that Maria considers it pointless to explain herself to others.
Maria does not try to find greater meaning in suffering, nor does she ask questions about why suffering occurs and if there is a purpose to it. This view is presented in her opening monologue, "Carter and Helene still ask questions. I used to ask questions, and I got the answer: nothing. The answer is 'nothing.'"
Depiction of Los Angeles
Play It As It Lays is considered a classic Los Angeles novel, containing many literary motifs associated with Los Angeles and California.
Driving, Cars and the Freeway
The interstate freeway plays an important part in both the setting and the plot of the novel, as the protagonist spends her days driving on the freeway as a form of escapism, a motif that is popular in Los Angeles novels. Los Angeles, known as "a city on wheels", has a unique identity as a city designed for cars, due to its flat terrain and relatively late urbanization.
The philosophical themes of the novel have been described as "freeway existentialism" as Maria goes on drives without a destination in mind. Maria fulfills the literary trope of a drifter, a common trope in Los Angeles novels, where protagonists are often depicted driving, either as a way to chase their dreams or to escape their problems. Driving a fast car on the open road is often considered a literary symbol of the illusion of freedom, which is easily achieved in Southern California, where there is a well developed, multi-lane freeway.
Some of the plot developments occur while driving. For instance Maria informs Carter that she is pregnant when they are driving on the freeway. When driving to the house where her illegal abortion is to occur, Maria and the man in the "duck pants" discuss their cars, which brings a sense of normalcy and relief to Maria, "In the past few minutes he had significantly altered her perception of reality: she saw now that she was not a woman on her way to have an abortion. She was a woman parking a Corvette [...] while a man in white pants talked about buying a Camaro. There was no more to it than that."
An ongoing theme is that Maria avoids her problems by driving away from them, and as she sinks deeper into a nihilistic depression, she drives further distances, driving between California and Nevada.
Disillusionment in Hollywood
Didion is often credited for capturing the atmosphere of Hollywood in the 1960s. Play It As it Lays depicts Hollywood as a "broken paradise" as seen from the point of view of a disenchanted actress, in contrast to the more common, utopian view of Hollywood. The novel depicts the scheming, exploitation, and elitism common in the film industry at that time. In the same way that movie makers manufacture stories, the characters in the film industry manufacture their own image to attain status and fame.
Though themes of narcissism and self-destruction among the wealthy are old themes, seen in novels such as The Great Gatsby, the focus on the inner workings of movie production at the end of Golden Era Hollywood, establish Play It As It Lays as a classic Los Angeles novel. Maria's acting career is on the decline because she walked away from a movie set, damaging her reputation in an industry where reputation is highly important. This leads her to become more detached and apathetic to the social culture around her, and she begins to disregard social conventions and isolate herself from her acquaintances, rejecting invitations to parties and choosing to be alone instead.
Many dialogues between Maria and other characters portray the superficiality and strategy associated with the film industry, as characters choose words carefully to achieve an aim or to avoid direct communication. The few dialogues which depict genuine, heartfelt interactions stand out, such as BZ telling Maria, "hold onto me" before overdosing.
Criticism
Reception
Considered a classic work of American fiction, the novel has received largely positive reviews from literary critics, but often draws mixed reviews from the public due to its bleak content and unlikable protagonist. The plot has been described by critics as having "cinematic nihilism", and being a "ruthless dissection of American life in the 1960s." It has been positively described as a "terrifying book." In a review of the novel, Joseph Epstein described Joan Didion as a novelist: "her vision is dark, her views are bleak, but she is richly talented." J. Frakes, reviewing the novel in the Book World column of The Washington Post, described the novel as a "scathing novel, distilling venom in tiny drops, revealing devastation in a sneer and fear in a handful of atomic dust." Library Journal described it as, "intelligent, well-structured, witty, irresistibly relentless."
Didion's writing style in this novel has been applauded for breaking from literary tradition and making use of a precise, minimalist style, composed of short chapters, some of which are only a few sentences long, leaving the page mostly blank. The style has been described as "short, laser-focused chapters that come in hot and burn out just as quickly like a firework."
In popular culture
The novel continues to be a prominent work in popular culture. The book has been referenced in the Netflix television series, You. In a 2023 survey among writers by the LA Times, Play It As It Lays was voted the third most popular LA book. Literary Hub listed the novel in its list of 10 Essential Books That Capture Los Angeles in All Its Sublime, Beautiful Darkness. The independent editorial website Book Riot, included the novel in its list, 10 of the Best Books About Los Angeles, describing Didion, "when people think of Los Angeles authors, Joan Didion is almost always the first name that pops into their minds." The novel is frequently listed as a popular Los Angeles novel by popular culture websites.
Adaptation
The book was adapted into a 1972 film directed by Frank Perry, starring Tuesday Weld as Maria and Anthony Perkins as BZ. Didion co-wrote the screenplay with her husband, John Gregory Dunne.
Notes
References
External links
Book page on the official website |
Play_It_as_It_Lays_(film) | https://en.wikipedia.org/wiki/Play_It_as_It_Lays_(film) | [
259
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"https://en.wikipedia.org/wiki/Play_It_as_It_Lays_(film)"
] | Play It as It Lays is a 1972 American drama film directed by Frank Perry from a screenplay by Joan Didion and John Gregory Dunne, based on the 1970 novel of the same name by Didion. The film stars Tuesday Weld and Anthony Perkins, who previously starred together in the 1968 film Pretty Poison.
Plot
Former model Maria Wyeth, who comes from a Nevada town with a population of 28, is now a successful actress. Unhappily married to, and separated from, temperamental producer Carter Lang, she is also chronically depressed and institutionalized.
Reflecting back on what brought her to the asylum, Maria recalls driving around Los Angeles in her yellow Chevrolet Corvette and spending time with her closest friend, B.Z. Mendenhall, an unhappy man who is gay. Maria has a brain-damaged daughter, Kate, who is being kept in a sanitarium at the insistence of Carter, who resents Maria’s visiting the girl so frequently. Maria's secret desire is to live somewhere with Kate and find some kind of joy in life together.
Maria has been having an affair with Les Goodwin, a screenwriter. When she tells Carter that she’s pregnant with Goodwin’s child, he demands that she get an abortion. Maria goes to Las Vegas and has a fling with a mob-connected lawyer, Larry Kulik. She later returns to L.A. and has a one-night stand with Johnny Waters, a television star who needs to watch his own show on TV in order to get in the mood for sex.
Bored and depressed, Maria steals Johnny's car and speeds off. When she is stopped by police, drugs are found in the car and she is placed under arrest. With her spirits at an all-time low, Maria returns to Las Vegas and finds that B.Z. is equally unhappy. When B.Z. swallows a handful of pills and washes them down with vodka, Maria, rather than calling for help, cradles him and watches him die.
Back at the asylum, a psychiatrist asks Maria why she keeps on playing when she knows what “nothing” (nihilism) really means. She replies, "Why not?"
Cast
Reception
Roger Ebert of the Chicago Sun-Times gave the film four stars and praised the two leads' performances: "What makes the movie work so well on this difficult ground is, happily, easy to say: It has been well-written and directed, and Tuesday Weld and Anthony Perkins are perfectly cast as Maria and her friend B.Z. The material is so thin (and has to be) that the actors have to bring the human texture along with them. They do, and they make us care about characters who have given up caring for themselves."
Molly Haskell of The Village Voice was less enthusiastic, stating that she had "a hard time remembering [the film]."
Vincent Canby of The New York Times found the screenplay and direction "banal", but effused praise for the performances of Weld and Perkins. "The film is beautifully performed by Tuesday Weld as Maria and Anthony Perkins as B.Z., but the whole thing has turned soft," Canby writes.
Critic John Simon described Play it as it Lays as "a very bad movie."
Tuesday Weld was nominated for a 1972 Golden Globe Award for Best Motion Picture Actress in a Drama.
References
External links
Play It as It Lays at IMDb
Play It as It Lays at AllMovie
Play It as It Lays at Rotten Tomatoes
Play It as It Lays at the AFI Catalog of Feature Films
Play It as It Lays at the TCM Movie Database |
Frank_Perry | https://en.wikipedia.org/wiki/Frank_Perry | [
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"https://en.wikipedia.org/wiki/Frank_Perry"
] | Frank Joseph Perry Jr. (August 21, 1930 – August 29, 1995) was an American stage director and filmmaker. His 1962 independent film David and Lisa earned an Academy Award nomination for Best Director and Best Adapted Screenplay (written by his then-wife Eleanor Perry). The couple collaborated on five more films, including The Swimmer, Diary of a Mad Housewife, and the Emmy Award–nominated A Christmas Memory, based on a short story by Truman Capote. Perry went on to form Corsair Pictures, privately financed by United Artists Theatres, which produced Miss Firecracker and A Shock to the System, then folded. His later films include Mommie Dearest and the documentary On the Bridge, about his battle with prostate cancer.
Early life
Frank Joseph Perry Jr. was born in New York City to stockbroker Frank Joseph Perry Sr. (1905–1969) and Pauline E. Schwab (1908–1965), who worked at Alcoholics Anonymous. As a teenager, Frank Jr. began pursuing his interest in the theater with a job as a parking lot attendant for the Westport Country Playhouse in nearby Westport, Connecticut. He attended the University of Miami. Frank also studied under Lee Strasberg in New York. He produced several plays at Westport Country Playhouse and then turned for a time to producing television documentaries.
Career
A veteran of the Korean War, he returned to the entertainment industry after being discharged and made his directorial debut in 1962 with the low-budget drama film David and Lisa. Based on the novel by Theodore Isaac Rubin, the screenplay was written by his wife, Eleanor Rosenfeld, who received a nomination for an Academy Award for Writing Adapted Screenplay. A character study of two emotionally disturbed teenagers, the film was successful at the box office and met with much critical acclaim, earning him a nomination for an Academy Award for Directing. Both Perrys would eventually join the select group of non-actors awarded membership in Actors Studio. Perry went on to direct and produce a number of films, many based on literary sources or with strong literary associations, including The Swimmer, (1968) based on a John Cheever story, Last Summer (1969), and Trilogy (1969), written by Truman Capote.
Perry is known for his character studies, such as Diary of a Mad Housewife (1970). That film earned a Best Actress Oscar nomination for Carrie Snodgress, and Play It as It Lays (1972), starring Tuesday Weld, brought her a Golden Globe Best Actress nomination. Both of these films Perry produced and directed, but he is probably best remembered for directing the biographical drama Mommie Dearest, an adaptation of a biography by actress Joan Crawford's adoptive daughter. The film became a cult classic despite mixed reviews from critics; it also won the Razzie Award for worst picture, and Frank Perry was nominated for worst director, while actress Faye Dunaway received the Razzie for her performance.
Some of Perry's film-related material and personal papers are held at the Wesleyan University Cinema Archives, a collection to which scholars and media experts from around the world today have full access.
Personal life and death
In 1958, Frank married his first wife Eleanor, who was 15 years his senior and had two children, William and Ann, from a previous marriage. Frank and Eleanor collaborated on many screen projects, including screenwriting the Academy Award-nominated 1962 David and Lisa (an adaptation of the novella of the same name) which came about due to Eleanor's daughter Ann bringing the novella to her mother's attention. They divorced in 1971 on grounds of incompatibility. In 1979, Eleanor Perry wrote the novel Blue Pages, based on their relationship. She died of cancer two years later, at age 66.
In 1977, Perry married Barbara Goldsmith, founding editor of New York magazine and book author (Little Gloria...Happy at Last), whom he divorced in 1992. Soon after, he married his Aspen ski instructor, 22-years-younger Virginia Brush Ford, on June 15, 1992.
His sister is pastor Mary Christine Perry, the wife of pastor Maurice Keith Hudson and mother of singers Katy Perry and David Hudson.
Perry died of prostate cancer on August 29, 1995, eight days after his 65th birthday, at Memorial Sloan Kettering Cancer Center in Manhattan. His final film, On the Bridge (1992), is an autobiographical documentary about his illness. His ashes were scattered on the mountains of Aspen, Colorado, where he lived the last three years of his life.
Filmography
Film
Television
References
Further reading
Beaver, Jim (November 1981). "Frank Perry". Films in Review.
Ebiri, Bilge (August 25, 2008). "Domestic Disturbances. The unsung cinema of Frank and Eleanor Perry". Moving Image Source.
Mandarano, Matthew (March 11, 2011). "Along the Bridge: The Films of Frank Perry". Notes on a Film.
External links
Frank Perry at IMDb
Frank Perry at Find a Grave
Official Frank Perry Biography Facebook page |
Katy_Perry | https://en.wikipedia.org/wiki/Katy_Perry | [
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"https://en.wikipedia.org/wiki/Katy_Perry"
] | Katheryn Elizabeth Hudson (born October 25, 1984), known professionally as Katy Perry, is an American singer, songwriter, and television personality. Perry is one of the best-selling music artists of all time, having sold over 143 million units worldwide. She is known for her influence on pop music and her camp style, being dubbed the "Queen of Camp" by Vogue and Rolling Stone. Billboard ranked her fourth on its "Greatest of All Time Pop Songs Artists" list and twenty-fifth on their "Greatest Pop Stars of the 21st Century" list.
At 16, Perry released a gospel record titled Katy Hudson (2001) under Red Hill Records, which was commercially unsuccessful. She moved to Los Angeles at 17 to venture into secular music, and later adopted the stage name "Katy Perry" from her mother's maiden name. She recorded an album while signed to Columbia Records, but was dropped before signing to Capitol Records. Perry rose to fame with One of the Boys (2008), a pop rock record containing her debut single "I Kissed a Girl" and follow-up single "Hot n Cold", which reached number one and three on the U.S. Billboard Hot 100 respectively.
The disco-influenced pop album Teenage Dream (2010) spawned five U.S. number one singles—"California Gurls", "Teenage Dream", "Firework", "E.T.", and "Last Friday Night (T.G.I.F.)"— the only album by a female singer to do so. The album's reissue titled Teenage Dream: The Complete Confection (2012) produced the U.S. number one single "Part of Me". Her empowerment-themed album Prism (2013) had two U.S. number one singles, "Roar" and "Dark Horse". Both their respective music videos made her the first artist to have multiple videos reach one billion views on Vevo and YouTube. Afterwards, Perry released the albums Witness (2017) and Smile (2020) and embarked on her Las Vegas concert residency titled Play (2021–2023). She released her seventh studio album, titled 143, in 2024.
Perry has the second-most U.S. diamond certified singles for any female artist (6). She has received various accolades, including a Billboard Spotlight Award, four Guinness World Records, five Billboard Music Awards, five American Music Awards, a Brit Award, a Juno Award, and the Michael Jackson Video Vanguard Award. Outside of music, she released an autobiographical documentary titled Katy Perry: Part of Me in 2012, voiced Smurfette in The Smurfs film series, and launched her own shoe line Katy Perry Collections in 2017. Perry served as a judge on American Idol from the sixteenth season in 2018 to the twenty-second season in 2024. Forbes ranked her as the world's highest-paid female musician in 2015 and 2018. With an estimated net worth of $350 million, she is one of the world's wealthiest musicians.
Life and career
1984–1999: Early life and family
Katheryn Elizabeth Hudson was born on October 25, 1984, in Santa Barbara, California, to Pentecostal pastors Mary Christine (née Perry) and Maurice Keith Hudson. Both of her parents turned to religion after a "wild youth". Perry has English, German, Irish, and Portuguese ancestry. Through her mother, she is a niece of film director Frank Perry. She has a younger brother named David, who is also a singer, and an older sister, Angela.
From ages three to 11, Perry frequently moved across the country as her very strict parents set up churches before settling again in Santa Barbara. Growing up, she attended religious schools and camps, including Paradise Valley Christian School in Arizona and Santa Barbara Christian School in California during her elementary years. The family struggled financially, sometimes using food stamps and eating food from the food bank which also fed the congregation at her parents' church.
Growing up, Perry and her siblings were not allowed to eat the cereal Lucky Charms as the word "luck" reminded their mother of Lucifer, and were also required to call deviled eggs "angeled eggs". Perry primarily listened to gospel music, as secular music was generally discouraged in the family's home. She discovered popular music through CDs she sneaked from her friends. Perry later recalled a story about how a friend of hers played "You Oughta Know" by Alanis Morissette, which impacted her songwriting and singing.
While not strictly identifying as religious, she has stated, "I pray all the time – for self-control, for humility." Wanting to be like her sister Angela, Perry began singing by practicing with her sister's cassette tapes. She performed the tracks in front of her parents, who let her take vocal lessons like Angela was doing at the time. She began training at age nine and was incorporated into her parents' ministry, singing in church from ages nine to 17. At 13, Perry was given her first guitar for her birthday, and publicly performed songs she wrote. She tried to "be a bit like the typical Californian girl" while growing up, and started rollerskating, skateboarding, and surfing as a teenager. Her brother David described her as a "tomboy" during her adolescence, which Perry talks about on her song "One of the Boys". She took dancing lessons and learned how to swing, Lindy Hop, and jitterbug. Perry completed her General Educational Development (GED) requirements early at age 15, during her first year of high school, and left Dos Pueblos High School to pursue a music career.
2000–2006: Career beginnings, Katy Hudson, and Fingerprints
Perry briefly had vocal lessons with a woman named Agatha Danoff in facilities rented from the Music Academy of the West. Her singing caught the attention of rock artists Steve Thomas and Jennifer Knapp from Nashville, Tennessee, who brought her there to improve her writing skills. In Nashville, she started recording demos and learned how to write songs and play guitar. Perry signed with Red Hill Records and recorded her debut album, a contemporary Christian record titled Katy Hudson, which was released on March 6, 2001. She also went on tour that year as part of Phil Joel's Strangely Normal Tour and embarked on other performances of her own in the United States. Katy Hudson received mixed reviews from critics and was commercially unsuccessful, selling an estimated 200 copies before the label ceased operations in December. Transitioning from gospel music to secular music, Perry started working with producer Glen Ballard, and moved to Los Angeles at age 17. She opted to work with Ballard due to his past work with Alanis Morissette, one of her major inspirations. In 2003, she briefly performed as Katheryn Perry, to avoid confusion with actress Kate Hudson, and later adopted the stage name "Katy Perry", using her mother's maiden name. In 2010, she recalled that "Thinking of You" was one of the first songs she wrote after moving to Los Angeles. Perry would also perform at the Hotel Café, performing new music while she was between record labels.
In 2004, she signed to Ballard's label, Java Records, which was then affiliated with The Island Def Jam Music Group. Perry began work on a solo record due for release in March 2005, but the record was shelved after Java was dropped. Ballard then introduced her to Tim Devine, an A&R executive at Columbia Records, and she was signed as a solo artist. By November 2006, Perry had finished writing and recording material for her Columbia debut titled Fingerprints (with some of the material from this time appearing on One of the Boys) which was planned for release in 2007. Some of the material from Fingerprints that did not make it on One of the Boys was given to other artists, such as "I Do Not Hook Up" and "Long Shot" to Kelly Clarkson and "Rock God" to Selena Gomez & the Scene.
Perry worked with songwriters including Desmond Child, Greg Wells, Butch Walker, Scott Cutler, Anne Preven, the Matrix, Kara DioGuardi, Max Martin, and Dr. Luke. In addition, after Devine suggested that songwriting team the Matrix become a "real group", she recorded an album, The Matrix, with them. The Matrix was planned for release in 2004 but was cancelled due to creative differences. It was released in 2009 after the release of One of the Boys. Perry was dropped from Columbia in 2006 as Fingerprints neared completion. After the label dropped her, she worked at an independent A&R company, Taxi Music.
Perry had minor success prior to her breakthrough. One of the songs she had recorded for her album with Ballard, "Simple", was featured on the soundtrack to the 2005 film The Sisterhood of the Traveling Pants. Perry provided backing vocals on Mick Jagger's song "Old Habits Die Hard", which was included on the soundtrack to the 2004 film Alfie. In September 2004, Blender named her "The Next Big Thing". She recorded background vocals on P.O.D.'s single "Goodbye for Now", was featured at the end of its music video in 2006, and performed it with them on The Tonight Show with Jay Leno. That year, Perry also appeared in the music video for "Learn to Fly" by Carbon Leaf, and played the love interest of her then-boyfriend, Gym Class Heroes lead singer Travie McCoy, in the band's music video for "Cupid's Chokehold".
2007–2009: Breakthrough with One of the Boys
After Columbia dropped Perry, Angelica Cob-Baehler, then a publicity executive at the label, brought Perry's demos to Virgin Records chairman Jason Flom. Flom was convinced that she could be a breakthrough star and she was signed to Capitol Records in April 2007. The label arranged for her to work with Dr. Luke to add an "undeniable smash" to her existing material. Perry and Dr. Luke co-wrote the songs "I Kissed a Girl" and "Hot n Cold" for her second album One of the Boys. A campaign was started with the November 2007 release of the video to "Ur So Gay", a song aimed at introducing her to the music market. A digital EP of the same name was also released that month. Madonna helped publicize the song by praising it on the JohnJay & Rich radio show in April 2008, stating "Ur So Gay" was her "favorite song" at the time. In March 2008, Perry made a cameo appearance as a club singer in the Wildfire episode "Life's Too Short" and appeared as herself during a photo shoot that June on The Young and the Restless for the show's magazine Restless Style.
Perry released her first single with Capitol, "I Kissed a Girl", on April 28, 2008, as the lead single from One of the Boys. The first station to pick up the song was WRVW in Nashville, who were inundated with enthusiastic calls the first three days they played it. The track reached number one on the US Billboard Hot 100. "I Kissed a Girl" created controversy among both religious and LGBT groups. The former criticized its homosexual theme, while the latter accused her of using bi-curiosity to sell records. In response to speculation that her parents opposed her music and career, Perry told MTV that they had no problems with her success. One of the Boys, released on June 17, 2008, garnered mixed critical reviews and reached number nine on the US Billboard 200. The album went on to sell 7 million copies worldwide. "Hot n Cold" was released the following September and became the album's second successful single, reaching number three on the Billboard Hot 100 while topping charts in Germany, Canada, the Netherlands and Austria. Later singles "Thinking of You" and "Waking Up in Vegas" were released in 2009 and reached the top 30 of the Hot 100. The Matrix's self-titled debut album, which Perry had recorded with the band in 2004, was released onto iTunes on January 27, 2009, as a result of her solo success.
After finishing the 2008 Warped Tour, Perry hosted the 2008 MTV Europe Music Awards in November 2008, where she won the award for Best New Act. At the 2009 Brit Awards, she also won the award for International Female Solo Artist. Perry embarked on her first headlining world tour, the Hello Katy Tour, from January to November 2009 to support One of the Boys. On August 4, 2009, she performed as opening act for one date of No Doubt's 2009 Summer Tour. Perry also hosted the 2009 MTV Europe Music Awards in November 2009, becoming the first person to host two consecutive ceremonies of the European awards. On July 22, 2009, Perry recorded a live album titled MTV Unplugged, which featured acoustic performances of five tracks from One of the Boys as well as one new song, "Brick by Brick", and a cover of Fountains of Wayne's "Hackensack". It was released on November 17, 2009. Perry also appeared on two singles with other artists; she was featured on a remix of Colorado-based band 3OH!3's song "Starstrukk" in September 2009, and on a duet with Timbaland entitled "If We Ever Meet Again", from his album Shock Value II, three months later. The Guinness World Records recognized her in its 2010 edition as the "Best Start on the U.S. Digital Chart by a Female Artist", for digital single sales of over two million copies.
After Perry and Travie McCoy split up in December 2008, they briefly reconciled before she ended their relationship in 2009. Perry met her future husband Russell Brand in the summer of 2009 while filming a cameo appearance for his film Get Him to the Greek. Her scene, in which the two kiss, does not appear in the film. She began dating Brand after meeting him again that September at the 2009 MTV Video Music Awards. The couple became engaged on December 31, 2009, while vacationing in Rajasthan, India.
2010–2012: Teenage Dream and marriage
After serving as a guest judge on American Idol, Perry released "California Gurls" featuring Snoop Dogg on May 7, 2010. The song was the lead single from her third studio album, Teenage Dream, and reached number one on the Billboard Hot 100 in June. She also served as a guest judge on British The X Factor later that month before releasing the album's second single, "Teenage Dream", in July. "Teenage Dream" reached number one on the Billboard Hot 100 in September. Released on August 24, 2010, Teenage Dream debuted at number one on the Billboard 200, and received mixed reviews from music critics. It has since sold 6 million copies worldwide. Teenage Dream would go on to win the 2011 Juno Award for International Album of the Year. In October, "Firework" was released as the album's third single. It became the album's third consecutive number one on the Billboard Hot 100 on December 8, 2010.
"E.T." featuring Kanye West was released as the fourth single from Teenage Dream on February 16, 2011. It topped the Billboard Hot 100 for five non-consecutive weeks, making Teenage Dream the ninth album in history to produce four number one singles on the chart. "Last Friday Night (T.G.I.F.)" followed as the fifth single in June, and Perry became the first female artist to achieve five number-one Billboard Hot 100 songs from one album when the single topped that chart on August 17, and the second artist after Michael Jackson with his album Bad. For this record, she received an honorary American Music Award in November 2011 and a 2013 Guinness World Record. On September 7, she set a new record by becoming the first artist to spend 69 consecutive weeks in the top ten of the Hot 100. After "The One That Got Away" was released as the album's sixth single in October, Teenage Dream became the third album to spawn six top-five songs on the Billboard Hot 100 after Rhythm Nation 1814 by Janet Jackson and Faith by George Michael. The song peaked at number three in the US and number two in Canada.
On January 5, 2012, Perry was named the sixth best-selling digital artist in the United States, with sales of 37.6 million units according to Nielsen SoundScan. That month, she became the first artist to have four songs sell over 5 million digital units when "E.T." reached that mark along with "Firework", "California Gurls", and "Hot N Cold". On February 13, Capitol released the lead single from Teenage Dream: The Complete Confection, "Part of Me", which debuted at number one on the Billboard Hot 100 and became Perry's seventh single overall to top the chart. Teenage Dream: The Complete Confection was released on March 23, and serves as a reissue of Teenage Dream. "Wide Awake" was released on May 22 as the re-release's second single, peaking at number two on the Billboard Hot 100 and number one in Canada and New Zealand.
Perry embarked on her second tour, the California Dreams Tour, in support of Teenage Dream from February 2011 to January 2012. The tour grossed $59.5 million globally and won her the award for Best Live Act at the 2011 MTV Europe Music Awards. On September 23, 2011, she performed on the opening day of the 2011 Rock in Rio festival along with Elton John and Rihanna. In September 2010, Perry was scheduled to appear on the 41st-season premiere of Sesame Street. After her scene was uploaded to YouTube, viewers criticized Perry's exposed cleavage. Four days before the scheduled airing, Sesame Workshop announced that the segment would not air on television, but would still be available to watch online. Perry subsequently mocked the controversy on Saturday Night Live, where she was a musical guest and wore an Elmo-themed shirt showing large amounts of cleavage during one skit.
In December 2010, Perry played Moe Szyslak's girlfriend in the live-action segment from a Christmas episode of The Simpsons titled "The Fight Before Christmas". In February 2011, she made a guest appearance on the How I Met Your Mother episode "Oh Honey", playing a woman known as Honey. The role won her the People's Choice Award for Favorite TV Guest Star in January 2012. She made her film debut in the 3D family motion picture The Smurfs as Smurfette on July 29, 2011. The film was a financial success worldwide, while critics gave mostly negative reviews. She hosted Saturday Night Live on December 10, 2011, with Robyn as the episode's musical guest. Perry's work on the episode received generally positive reviews from critics, who praised her performance in the episode's digital short featuring her and Andy Samberg. In March 2012, she guest starred as a prison security guard named Rikki on the Raising Hope episode "Single White Female Role Model". On July 5, 2012, Perry's autobiographical documentary Katy Perry: Part of Me was released to theaters through Paramount Pictures. The film received positive reviews and grossed $32.7 million worldwide at the box office.
Perry began to venture into business when she endorsed her first fragrance, Purr, in November 2010. Her second fragrance, Meow!, was released in December 2011. Both perfumes were released through Nordstrom department stores. Electronic Arts recruited her to promote their new expansion pack for The Sims 3: Showtime, before releasing a separate stuff pack featuring Perry-inspired furniture, outfits, and hairstyles, titled The Sims 3: Katy Perry's Sweet Treats, in June 2012. The following month, she became the spokesperson and ambassador for Popchips and made an investment in the company. Billboard dubbed her as their "Woman of the Year" for 2012.
She married Russell Brand on October 23, 2010, in a traditional Hindu ceremony near the Ranthambhore tiger sanctuary in Rajasthan, India. On December 30, 2011, Brand announced that they were divorcing after 14 months of marriage. Perry later stated that conflicting career schedules and his desire to have children before she was ready led to the end of their marriage and that he never spoke to her again after sending a text message that he was divorcing her, while Brand asserted that he divorced her due to her commercial success and reluctance to engage in activism. She was initially distraught over their divorce and said that she contemplated suicide. Since they married without a prenuptial agreement, he was eligible to claim half of the estimated $44 million she earned during their marriage, but declined. Perry began a relationship with singer John Mayer in August 2012, the year her marriage with Brand had ended.
2013–2015: Prism and Super Bowl XLIX halftime show
In November 2012, Perry began work on her fourth album, Prism. She told Billboard, "I know exactly the record I want to make next. I know the artwork, the coloring and the tone" and "I even know what type of tour I'm doing next. I'll be very pleased if the vision I have in my head becomes a reality." After initially telling L'Uomo Vogue in June 2012 that she planned to have "darker elements" in Prism following the end of her marriage, the singer revealed to MTV during the 2013 MTV Video Music Awards that she changed the album's direction after periods of self-reflection. Perry commented "I felt very prismatic", which inspired the album's name. "Roar" was released as the lead single from Prism on August 10, 2013. It was promoted at the MTV Video Music Awards and reached number one on the Billboard Hot 100. "Unconditionally" followed as the second single from Prism on October 16, 2013, and peaked at number 14 in the United States.
Prism was released on October 18, 2013, and has sold 4 million copies as of August 2015. It received favorable reviews from critics and debuted at number one on the Billboard 200 chart. Four days later, Perry performed the songs from the album at the iHeartRadio Theater in Los Angeles. "Dark Horse" with Juicy J was released as the album's third single in December, and became her ninth U.S. number-one single the following month. In 2014, "Birthday" and "This Is How We Do" respectively followed as the album's fourth and fifth singles, and reached the top 25 on the Hot 100. Prior to ending her relationship with Mayer in February 2014, she recorded and co-wrote a duet with him titled "Who You Love" for his album Paradise Valley. The song was released on August 12, 2013. Perry's third headlining tour, the Prismatic World Tour, began in May 2014 and concluded in October 2015. It sold almost 2 million tickets and grossed $204.3 million worldwide and won Perry the award for "Top Package" at the 2014 Billboard Touring Awards. She also performed at the 2015 Rock in Rio festival on September 27, 2015.
On November 23, 2014, the NFL announced that Perry would perform at the Super Bowl XLIX halftime show on February 1, 2015. Lenny Kravitz and Missy Elliott served as special guests for the show. Her performance was critically acclaimed, and the Guinness World Records announced two days after the singer's halftime show that it garnered 118.5 million viewers in the United States, becoming the most watched and highest rated show in Super Bowl history. The viewership was higher than the game itself, which was viewed by an audience of 114.4 million.
The International Federation of the Phonographic Industry (IFPI) ranked her fifth on the list of Top Global Recording Artists of 2013. On June 26, 2014, she was declared the Top Certified Digital Artist Ever by the Recording Industry Association of America (RIAA) for certified sales of 72 million digital singles in the United States. In May 2014, a portrait of Perry by painter Mark Ryden was featured in his exhibition "The Gay 90s", and shown at the Kohn Gallery in Los Angeles. Along with several other artists, she also recorded a cover version of the song "Daisy Bell (Bicycle Built for Two)" on a limited-edition concept album titled The Gay Nineties Old Tyme Music: Daisy Bell to accompany the exhibition. That month, a portrait of Perry by artist Will Cotton was included in the United States National Portrait Gallery. On November 23, 2015, Perry starred in H&M's holiday advertising campaign, for which she wrote and recorded a song titled "Every Day Is a Holiday". On June 17, 2014, Perry announced that she had founded her own record label under Capitol Records, titled Metamorphosis Music. Ferras was the first artist to get signed to her label, and Perry served as an executive producer on his self-titled EP. She also recorded a duet with him on the EP, titled "Legends Never Die". The label was later renamed Unsub Records.
Outside of her music career, Perry reprised her role as Smurfette in The Smurfs 2, which was released in theaters on July 31, 2013. Like its predecessor, The Smurfs 2 was a financial success but was panned by critics. In March 2014, she made a guest appearance playing herself in the episode "Blisteritos Presents Dad Academy Graduation Congraduritos Red Carpet Viewing Party" of the Kroll Show. Killer Queen was released as her third fragrance in August 2013 through Coty In January 2014, she became a guest curator of Madonna's Art for Freedom initiative. In March 2015, she appeared in Brand: A Second Coming, a documentary following her ex-husband Russell Brand's transition from comedy work to activism, and released a concert film titled Katy Perry: The Prismatic World Tour through Epix, which took place during her tour of the same name. Perry also made a cameo appearance in the music video for Madonna's song "Bitch I'm Madonna" in June 2015. The following month, she released another fragrance with Coty, entitled Mad Potion. In September 2015, she appeared in the documentaries Katy Perry: Making of the Pepsi Super Bowl Halftime Show, which followed Perry's preparation for her Super Bowl performance, and Jeremy Scott: The People's Designer, which followed the life and career of designer Jeremy Scott. Perry released a mobile app titled Katy Perry Pop in December 2015 through Glu Mobile where her character helps players become famous musicians. She described it as "the most fun, colorful world that helps guide your musical dreams".
2016–2018: Witness and American Idol
Perry started writing songs for her new album in June 2016, and recorded an anthem for NBC Sports's coverage of the 2016 Summer Olympics titled "Rise", which was released the following month. Perry chose to release it as a standalone track rather than save it for her album "because now more than ever, there is a need for our world to unite". NBC also felt its message spoke "directly to the spirit of the Olympics and its athletes" for its inspirational themes. The song reached number one in Australia and number eleven in the United States.
In August 2016, Perry stated that she aspired to create material "that connects and relates and inspires" and told Ryan Seacrest that she was "not rushing" her fifth album, adding "I'm just having a lot of fun, but experimenting and trying different producers, and different collaborators, and different styles". On February 10, 2017, Perry released the album's lead single "Chained to the Rhythm" featuring Skip Marley. It reached number one in Hungary and number four in the United States. The track was also streamed over three million times on Spotify within 24 hours, breaking the music streaming service's record at the time for the highest first-day streaming for a single track by a female artist. The album's second single, "Bon Appétit" with Migos, was released that April. Its third single, "Swish Swish", featured Nicki Minaj and followed the next month. They respectively peaked at numbers 59 and 46 in the United States, and made the top 15 in Canada.
The album, titled Witness, was released on June 9, 2017, to mixed reviews, and debuted at number one in the United States. To accompany the album's release, Perry broadcast herself on YouTube for four days with a live-stream titled Katy Perry Live: Witness World Wide, concluding with a live concert on June 12. The live-stream generated over 49 million views from 190 countries. She also embarked on Witness: The Tour, which began in September 2017 and ended in August 2018. On June 15, 2017, Calvin Harris released a song titled "Feels" from his album Funk Wav Bounces Vol. 1, which featured Perry, Big Sean, and Pharrell Williams. The song went on to reach number one in the United Kingdom.
Perry subsequently recorded a cover of the Dear Evan Hansen song "Waving Through a Window" for the deluxe edition of the cast recording, which was released on November 2, 2018. The show's creators Benj Pasek and Justin Paul had requested Perry to cover the song to promote the musical's national tour and bring awareness to mental health. Later that month, Perry released "Cozy Little Christmas". She also recorded the song "Immortal Flame" for the game Final Fantasy Brave Exvius, and had a playable character modeled after her.
Outside of recording music, Perry appeared as herself in the film Zoolander 2, which was released in February 2016. In February 2017, the singer launched a shoe line titled "Katy Perry Collections". Her shoes are available on her website, Katy Perry Collections, and at retailers such as Dillard's and Walmart. The following August, she hosted the 2017 MTV Video Music Awards. Perry was signed for a $25-million salary to serve as a judge on the sixteenth season of American Idol, which premiered in March 2018. Perry began a relationship with Orlando Bloom in early 2016, and the couple got engaged on February 14, 2019.
2019–2020: Smile and motherhood
At the 61st Annual Grammy Awards, Perry performed "Here You Come Again", alongside Dolly Parton and Kacey Musgraves, as part of a tribute to Parton. Four days later, she released a song called "365", with DJ Zedd. In April, Perry was included on a remix of Daddy Yankee's song "Con Calma", featuring Snow. She followed this with the singles "Never Really Over" on May 31, "Small Talk" on August 9, and "Harleys in Hawaii" on October 16. "Never Really Over" in particular received critical acclaim.
In June 2019, Perry appeared in the music video of Taylor Swift's "You Need to Calm Down". In July, a jury in California returned a verdict following a week-long trial that Perry's song "Dark Horse" had copied Flame's 2008 song "Joyful Noise" after he filed a copyright lawsuit alleging that it used his track's beat without permission; the verdict was later overturned. After the initial verdict, the jury ordered her to pay him $550,000. The next month, Josh Kloss, Perry's co-star in the "Teenage Dream" music video, accused her of sexual misconduct. In an Instagram post, Kloss alleged that, during a party at a skating rink, Perry pulled on his sweatpants and underwear, exposing his penis to her male friends. He also said her management prevented him from speaking about his time with the singer. Johnny Wujek, the creative director of said party defended Perry, saying that she "would never do something like that" and accused Kloss of having an "ongoing obsession" with her. After initially refraining from responding to this, believing it would have detracted from the Me Too movement, Perry has also denied Kloss's claims.
Following the release of her single "Never Worn White" in March 2020, Perry revealed in the accompanying music video that she was expecting her first child with Bloom. "Daisies", the lead single from her sixth album, was released on May 15, 2020. Its second single "Smile" followed two months later. The album, also titled Smile, was released on August 28, 2020. Two days before its distribution, she gave birth to a daughter named Daisy Dove Bloom. The album received mixed reviews, and debuted at number five in the United States. Perry further promoted the album with four compilation EPs: Camp Katy, Empowered, Scorpio SZN, and Cosmic Energy. These EPs were followed by the single "Not the End of the World" in December 2020, which had a music video in which Zooey Deschanel impersonates Perry. Additionally she collaborated with various artists to create two remixes of Smile album tracks. Tiësto remix of "Resilient" featuring Aitana was released in November 2020, while Bruno Martini remix of "Cry About It Later" featuring Luísa Sonza was released in April 2021.
2021–2023: Play residency
On January 20, 2021, Perry performed "Firework" at the Celebrating America concert during the inauguration of Joe Biden. Four months later, she released a new single, "Electric", a collaboration with Pokémon as part of its 25th anniversary. That December, Perry followed this with "When I'm Gone", a collaboration with Swedish DJ Alesso that made her the third person to reach number one on Croatia's ARC 100 list across three different decades following Lady Gaga and Coldplay.
Perry began hosting a concert residency named Play at Resorts World Las Vegas on December 29, 2021. The show's inception happened during the COVID-19 lockdowns with Perry being inspired by Honey, I Shrunk the Kids, Pee-wee's Playhouse, and Pee-wee's Big Adventure. She described it as "larger than life" and "the kookiest, most camp show I've ever put together." The show has received critical acclaim with Melinda Sheckells of Billboard saying that Play's "sold-out opening night is part fantasy, part hallucination and thoroughly camp. In addition to a sold out opening night, the Santa Barbara Independent reported that Perry's contract deal for the residency was worth $168 million. It concluded on November 4, 2023, and grossed $46.4 million.
In September 2021, Variety paid tribute to and honored Perry in their "Power of Women" issue, where she discussed her career, motherhood, and philanthropy. As a nominee, she attended the Variety 2021 "Power of Women" dinner. On her 37th birthday the next month, Perry guest hosted The Ellen DeGeneres Show and starred in a holiday advertisement for Gap Inc. which featured her singing "All You Need Is Love" by the Beatles. A full version of her cover was released on streaming platforms the same day. In January 2022, she and Morgan McLachlan established De Soi, a company which produces and sells non-alcoholic apéritifs. Both wanted a beverage that "would mellow the mind, minus the buzz" when creating it.
Along with Thomas Rhett, Perry recorded a country pop duet titled "Where We Started" for his album of the same name that was released on April 1, 2022. The next month, it was announced Perry would create music for the soundtrack to Jeremy Zag's animated musical film Melody and voice its title character. She also became the new face for Just Eat's, SkipTheDishes', Lieferando's, and Menulog's advertisements and created a new remix of their jingle. On June 8, 2022, Perry was awarded with the Key to Las Vegas, the same day it was marked as Katy Perry day.
Perry collaborated with the tech company Apple Inc. starring in advertisements for their GarageBand music software where users could have "Remix Sessions" featuring her song, "Harleys in Hawaii". On the collab, she stated in August 2022: "'Harleys in Hawaii' has lived so many different lives" as well as that there was "so much opportunity to remix this song, and I can't wait to hear all the GarageBand evolutions with this Apple collab." Perry performed at the May 2023 Coronation Concert of Charles III at Windsor Castle. Four months later, she sold her music rights to Litmus Music for an estimated $225 million.
2024: 143
During an appearance on Jimmy Kimmel Live! in February 2024, Perry announced her exit from American Idol following the conclusion of the twenty-second season, wanting to "go out and feel that pulse to my own beat" and release new music after being "in the studio for a while". The season premiered later that month, and concluded the following May. She released "Woman's World", the first single from her seventh album, on July 11, 2024. One day before the track's premiere, Perry revealed the album is be titled 143 and that would be released on September 20 of the same year. She described the album as "super high energy, it's super summer, it's very high BPM" and "just full of so much joy, so much love, so much light". On September 11, Perry received the Michael Jackson Video Vanguard Award at the 2024 MTV Video Music Awards. She performed during the 2024 Rock in Rio festival on the day of 143's release. Eight days later, she will headline the pre-game entertainment at Australia's 2024 AFL Grand Final.
Artistry
Influences
Perry cites her sister Angela as the woman who has had the most influence on her. During the early stages of her career, Perry's musical style gravitated towards gospel and she aspired to be as successful as Amy Grant. At age 15, she heard "Killer Queen" by Queen, which inspired her to pursue a music career. She cites the band's frontman, Freddie Mercury, as her biggest influence and expressed how the "combination of his sarcastic approach to writing lyrics and his 'I don't give a fuck' attitude" inspired her music. She paid homage to the band by naming her third fragrance Killer Queen. Perry described the Beach Boys and their album Pet Sounds as having a considerable influence on her music: "Pet Sounds is one of my favorite records and it influenced pretty much all of my songwriting. All of the melody choices that I make are because of Pet Sounds." The singer also holds the Beatles' album The Beatles in high esteem, and described these two albums as "the only things I listened to for probably two years straight."
She cites Alanis Morissette and her 1995 album Jagged Little Pill as a significant musical inspiration, stating in 2012: "Jagged Little Pill was the most perfect female record ever made. There's a song for anyone on that record; I relate to all those songs. They're still so timeless." Additionally, Perry borrows influence from Flaming Red by Patty Griffin and 10 Cent Wings by Jonatha Brooke. Perry's autobiographical documentary Katy Perry: Part of Me was largely influenced by Madonna: Truth or Dare. She admires Madonna's ability to reinvent herself, saying "I want to evolve like Madonna".
Perry names Björk as an influence, particularly admiring her "willingness to always be taking chances". Other artists who Perry has cited as influences include Stevie Nicks, ABBA, the Cardigans, Whitney Houston, Cyndi Lauper, Ace of Base, 3OH!3, CeCe Peniston, C+C Music Factory, Black Box, Crystal Waters, Mariah Carey, Heart, Joni Mitchell, Paul Simon, Imogen Heap, Rufus Wainwright, Pink, and Gwen Stefani. "Firework" was inspired by a passage in the book On the Road by Jack Kerouac in which the author compares people who are full of life to fireworks that shoot across the sky and make people watch in awe. Her second concert tour, the California Dreams Tour, was reminiscent of Alice's Adventures in Wonderland and The Wonderful Wizard of Oz. She also credits the 1996 film The Craft for inspiring her song "Dark Horse", and Eckhart Tolle's book The Power of Now for influencing Prism.
Musical style and themes
Although Perry's music incorporates elements of pop, rock, and disco, Katy Hudson contains gospel. Her subsequent releases, One of the Boys and Teenage Dream, involve themes of sex and love. One of the Boys is a pop rock record, while Teenage Dream features disco influences. Perry's fourth album, Prism, is significantly influenced by dance and pop music. Lyrically, the album addresses relationships, self-reflection, and everyday life. Her fifth studio effort Witness is an electropop album that she described as a "360-degree liberation" record, with themes including political liberation, sexual liberation, and liberation from negativity. Many of her songs, particularly on Teenage Dream, reflect on love between teenagers; W magazine described the album's sexual innuendos as "irresistible hook-laden melodies". Self-empowerment is a common theme in Perry's music.
Perry has described herself as a "singer-songwriter masquerading as a pop star" and maintains that honest songwriting is very important to her. She told Marie Claire: "I feel like my secret magic trick that separates me from a lot of my peers is the bravery to be vulnerable and truthful and honest. I think you become more relatable when you're vulnerable." Actress and comedian Kristen Wiig commented that "as easy, breezy, and infectious as Perry's songs can be, beneath the surface lurks a sea of mixed emotions, jumbled motives, and contradictory impulses complicated enough to fill a Carole King record." According to Greg Kot of the Chicago Tribune, "being taken seriously may be Perry's greatest challenge yet." In 2013, The New York Times labeled her "the most potent pop star of the day – her hits are relatable with just a hint of experimentation". Randall Roberts of the Los Angeles Times criticized her use of idioms and metaphors in her lyrics and for frequent "clichés". Throughout her career, Perry has also co-written songs recorded by other artists, including Lesley Roy, Kelly Clarkson, Jessie James Decker, Selena Gomez & the Scene, Britney Spears, Iggy Azalea, Rita Ora, Nicki Minaj, and Ariana Grande.
Voice
Perry possesses a contralto vocal range. Her singing has received both praise and criticism. Betty Clarke of The Guardian commented that her "powerful voice is hard-edged" while Rob Sheffield from Rolling Stone described Perry's vocals on Teenage Dream as "processed staccato blips". Darren Harvey of musicOMH compared Perry's vocals on One of the Boys to Alanis Morissette's, both possessing a "perky voice shifting octaves mid-syllable". Alex Miller from NME felt that "Perry's problem is often her voice" on One of the Boys, stating that "somewhere along the line someone convinced her she was like, well, a ballsy rock chick". Conversely, Bernadette McNulty from The Daily Telegraph praised her "rock chick voice" in a review of a concert promoting Prism.
Public image
On social media, Perry surpassed Justin Bieber as the most followed person on Twitter in November 2013. She won the 2015 Guinness World Record for most Twitter followers, and became the first person to gain 100 million followers on the site in June 2017. Keith Caulfield of Billboard stated that Perry is "the rare celebrity who seems to have enormous popularity but genuine ground-level interaction with her adoring KatyCats." With over 106 million Twitter followers, she is the second-most followed woman on the site, and the sixth most followed musician across social media with a combined total of over 385 million followers across Facebook, Instagram, and Twitter. In June 2017, Time magazine listed Perry among its "25 Most Influential People on the Internet" of the year, writing that her live-stream for Witness was "blazing a trail" for being "the closest any major entertainer has come to giving fans the kind of 'real' intimacy that social media purports to provide".
Perry has been described as a sex symbol; GQ labeled her a "full-on male fantasy", while Elle wrote her body looked "as though sketched by a teenage boy". Vice called her a "'serious' popstar/woman/sex symbol". She was placed at number one on the Maxim Hot 100 in 2010 as the "most beautiful woman in the world", with editor Joe Levy describing her as a "triple – no quadruple – kind of hot". Men's Health readers voted her the "sexiest woman of 2013". In November 2010, Perry told Harper's Bazaar that she was proud of and satisfied with her figure.
Perry's fashion often incorporates humor, bright colors, and food-related themes such as her characteristic spinning peppermint swirl dress. Vogue described her as "never exactly one to shy away from the outrageous or the extreme in any realm", and called her the "Queen of Camp", while Glamour named her the "queen of quirk". In February 2009, Perry told Seventeen that her fashion style was "a bit of a concoction of different things" and stated she enjoyed humor in her clothing. She has also described herself as having "multipersonality disorder" for fashion. Perry lists Gwen Stefani, Shirley Manson, Chloë Sevigny, Daphne Guinness, Natalie Portman, and the fictional character Lolita as her style icons. In 2022, Elle dubbed her as "the kitsch-loving pop star renowned for her uniquely experimental style", while Vogue described her style as "synonymous with outrageous, eye-catching ensembles that lean towards the theatrical".
During the 2017 launch of her shoe collection, Katy Perry Collections, she said about shoes: "When I first got to L.A., I cultivated my style on a budget, always shopping at thrift stores or vintage stores. ... Once, I found these flats that looked like Dalmatian dogs. They had ears that moved and a tongue that stuck out. They were such a conversation piece. That's what is so great about fashion. ... It's a form of communication. You don't have to start a smoking habit to start talking to someone. You can just wear cool shoes. It's an icebreaker."
Legacy
Several media outlets such as Billboard and Glamour have referred to her as the "Queen of Pop", while others like Vogue, Rolling Stone, and InStyle have dubbed Perry the "Queen of Camp". Andrew Unterberger of Billboard described Teenage Dream "one of the defining LPs from a new golden age in mega-pop" while Christopher Rosa of Glamour named her as an influence to the pop sound and style of the 2010s, adding that her singles are "some of the most recognizable, iconic, and impactful hits in pop history." Perry was named "one of the last decade's most reliable and successful hitmakers" by the Official Charts Company in 2022.
Additionally, Perry was included in Glamour's "104 Women Who Defined the Decade in Pop Culture" list of the 2010s. It stated Perry "did more than just break chart records. She was one of the driving forces behind the sound of pop radio in the 2010s" for her tracks that were "glossy, booming, sugary-sweet, and undeniably catchy." Variety included Perry in their Variety 500 list of the most influential business leaders, calling her a "global phenomenon" and a "dedicated artist and tireless self-promoter who has leveraged chart-topping hits, sold-out stadium shows, and staggering endorsement deals to become one of the richest and most influential pop stars alive." A 2017 journal published by Psychology of Aesthetics, Creativity, and the Arts studying structural patterns in the melodies of earworm songs compiled lists of catchiest tracks from 3,000 participants, in which Perry's "California Gurls" ranked number six. She has been called a "gay icon" by Taylor Henderson of Out, noting how "I Kissed a Girl" helped fans explore their sexuality and how Perry openly embraced the LGBTQ+ community.
Perry's music has been described by Out as having a "lasting legacy", with American singers Fletcher sampling "I Kissed a Girl" and Olivia Rodrigo referencing Teenage Dream on "Brutal". Additionally, other artists such as Halsey and Ariana Grande have praised Perry's work, with Halsey calling Teenage Dream the "perfect pop album" and Grande saying "The One That Got Away" is "one of the biggest and most perfectly written pop songs ever from one of the best pop albums of all time."
Other ventures
Philanthropy
Perry has supported various charitable organizations and causes throughout her career. She has contributed to organizations aimed at improving the lives and welfare of children in particular. In April 2013, she joined UNICEF to assist children in Madagascar with education and nutrition. On December 3, 2013, she was officially named a UNICEF Goodwill Ambassador, "with a special focus on engaging young people in the agency's work to improve the lives of the world's most vulnerable children and adolescents." She arranged for a portion of the money generated from tickets to her Prismatic World Tour to go to UNICEF. In September 2010, she helped build and design the Boys Hope/Girls Hope foundation shelter for youth in Baltimore, Maryland along with Raven-Symoné, Shaquille O'Neal, and the cast of Extreme Makeover: Home Edition. In 2010, Perry and Nicki Minaj performed a cover of "Girls Just Want to Have Fun" for service members during the 2010 VH1 Divas Salute the Troops concert.
She has also supported children's education and well-being. All profits from sales of the album The Gay Nineties Old Tyme Music: Daisy Bell, which includes her rendition of "Daisy Bell (Bicycle Built for Two)", were donated to the charity Little Kids Rock, which supports musical education in underprivileged elementary schools. In June 2014, she teamed up with Staples Inc. for a project entitled "Make Roar Happen" which donated $1 million to DonorsChoose, an organization that supports teachers and funds classroom resources in public schools. In May 2016, she worked with UNICEF to improve child care quality in Vietnam, hoping to "break the cycle of poverty and drastically improve children's health, education and well-being". The following month, UNICEF announced that Perry would receive the Audrey Hepburn Humanitarian Award "for her work as a UNICEF Goodwill Ambassador in support of the world's most vulnerable children" at their annual Snowflake Ball in November. All Spotify streams of her 2021 cover of "All You Need Is Love" will generate $1 in donations for the charity Baby2Baby.
Perry has supported organizations aimed at aiding people suffering with diseases including cancer and HIV/AIDS. During the 2008 Warped Tour, she had a cast made of her breasts to raise money for the Keep A Breast Foundation. She hosted and performed at the We Can Survive concert along with Bonnie McKee, Kacey Musgraves, Sara Bareilles, Ellie Goulding, and duo Tegan and Sara at the Hollywood Bowl in Los Angeles, California, on October 23, 2013. The concert's profits were donated to Young Survival Coalition, an organization aiding breast cancer in young women. In June 2009, she designed an item of clothing for H&M's "Fashion Against AIDS" campaign, which raises money for HIV/AIDS awareness projects. On February 26, 2017, she served as a co-chair alongside various celebrities such as Beyoncé, Lea Michele, Jim Carrey, Jared Leto, and Kevin Spacey for the 25th Annual Elton John AIDS Foundation Academy Award Party, a fundraiser for HIV/AIDS healthcare.
The proceeds from Perry's single "Part of Me" were donated to the charity MusiCares, which helps musicians in times of need. During her California Dreams Tour, she raised over $175,000 for the Tickets-For-Charity fundraiser. The money was divided between three charities: the Children's Health Fund (CHF), Generosity Water, and The Humane Society of the United States.
On her 27th birthday, Perry set up a donations page for the Society for the Prevention of Cruelty to Animals Auckland, and set up a similar page benefiting the David Lynch Foundation for her 28th birthday. On March 29, 2014, she helped raise $2.4 million for the Museum of Contemporary Art in Los Angeles along with other celebrities such as Ryan Seacrest, Pharrell Williams, Tim Allen, Lisa Edelstein, and Riley Keough.
Perry performed at the One Love Manchester benefit concert for the victims of the 2017 Manchester Arena bombing, among various performers including its organizer Ariana Grande, which was broadcast live on June 4, 2017, on radio and television stations around the world. In March 2018, Perry announced Witness: Coming Home, a benefit concert that was held in her hometown of Santa Barbara on May 19, 2018. The concert benefited those recovering from the aftermath of the 2017 California wildfires and 2018 Southern California mudflows. Perry partnered with the Santa Barbara Foundation, the 93108 Fund and The 805 UndocuFund, organizations which help in assisting members of the community in the Santa Barbara area through grants and various philanthropic efforts.
Activism and political views
Perry has publicly advocated for LGBT rights and admitted that she wrote "I Kissed a Girl" about her own bisexual experiences with other women. In 2017, she received a Nation Equality Award from Human Rights Campaign for "using her powerful voice and international platform to speak out for LGBTQ equality". During her acceptance speech, she discussed having bisexual experiences, her fluid sexuality, and thanked the LGBTQ+ community. In an Out interview in 2021, she was heralded as a "gay icon" with "I Kissed a Girl" being called a "bonafide queer anthem". Perry continued to thank the LGBTQ+ community in the same interview, saying: "I came from a very sheltered upbringing where it wasn't okay to be friends with anyone from that community. And now that is my community." She also mentioned "I wouldn't have survived without the community and it's amazing how full circle it's come and how much growth has happened since I started." Tomás Mier of Rolling Stone remarked Perry "championed queer folks, especially drag queens, throughout her career."
She dedicated the music video to her song "Firework" to the It Gets Better Project. In June 2012, Perry expressed her hopes for LGBT equality, commenting "hopefully, we will look back at this moment and think like we do now concerning [other] civil rights issues. We'll just shake our heads in disbelief, saying, 'Thank God we've evolved.' That would be my prayer for the future." In December 2012, Perry was awarded the Trevor Hero Award by The Trevor Project for her work and activism on behalf of LGBT youth.
Perry identifies as a feminist, and appeared in April 2013 in a video clip for the "Chime for Change" campaign that aimed to spread female empowerment. She has also said that America's lack of free health care drove her "absolutely crazy". Following the shooting at the Pulse nightclub in Orlando in June 2016, Perry and nearly 200 other artists and executives in music signed an open letter organized by Billboard addressed to United States Congress demanding increased gun control in the United States.
Through Twitter and by performing at rallies, Perry supported President Barack Obama in his run for re-election and praised his support for same-sex marriage and LGBT equality. She performed at three rallies for Obama, in Los Angeles, Las Vegas, and Wisconsin, singing a rendition of "Let's Stay Together" as well as a number of her songs. During her Las Vegas performance she wore a dress made to replicate a voting ballot, with Obama's box filled in. On Twitter, she encouraged her followers to vote for Obama.
In August 2013, Perry voiced criticism of Tony Abbott, then-leader of conservative Liberal Party of Australia and candidate for Prime Minister of Australia, due to his opposition to gay marriage and told Abbott, "I love you as a human being but I can't give you my vote."; the statement came after Abbott expressed pride at learning of Perry's then-upcoming performance in Australia. In April 2014, she publicly supported Marianne Williamson in her campaign for California's 33rd congressional district by attending a political press event. She endorsed Kamala Harris in the United States Senate election in California, and organized a fundraiser for Harris at her home in Los Angeles in November 2016. Perry also publicly endorsed former Secretary of State Hillary Clinton for president in 2016. She performed alongside Elton John at a fundraising concert for Clinton in New York City in March 2016. Perry also spoke and performed at the 2016 Democratic National Convention in support of Clinton. Four years later, she supported Joe Biden and Kamala Harris during the 2020 United States presidential election, praising the latter as a leader who had "experience we desperately need right now" and believed that the former "choosing her as his running mate is already a testament to his decision making". In 2022, Perry posted a picture of herself voting for conservative candidate Rick Caruso in the 2022 Los Angeles mayoral election, for which she was heavily criticized by Democrats.
Achievements
Throughout her career, Perry has won five American Music Awards, fourteen People's Choice Awards, four Guinness World Records, a Brit Award, and a Juno Award. In September 2012, Billboard dubbed her the "Woman of the Year". From May 2010 to September 2011, the singer spent a record-breaking 69 consecutive weeks in the top ten of the Billboard Hot 100. Teenage Dream became the first album by a female artist to produce five number-one Billboard Hot 100 singles, and the second album overall after Michael Jackson's Bad. In the United States, she has accumulated nine number-one singles on the Billboard Hot 100, her most recent being "Dark Horse", and holds the record for having 18 consecutive number-one songs on the Billboard Dance Club Songs chart.
Billboard also named her the 15th most successful dance club artist of all time. The magazine additionally ranked her fourth on its "Greatest of All Time Pop Songs Artists" list and twenty-fifth on the "Greatest Pop Stars of the 21st Century" list, included Teenage Dream and Prism among its "Greatest of All Time Billboard 200 Albums by Women" list, and ranked "Dark Horse" at number 100 on its "Greatest of All Time Hot 100 Songs" as well as one of its "Greatest of All Time Hot 100 Songs by Women" along with "E.T.", "Firework", and "California Gurls". In June 2015, her music video for "Dark Horse" became the first video by a female artist to reach 1 billion views on Vevo. The following month, her music video for "Roar" reached 1 billion views on Vevo, making her the first artist to have multiple videos with 1 billion views.
With 143 million records sold globally, Perry is one of the best-selling music artists of all time. She was declared the Top Global Female Recording Artist of 2013 by the International Federation of the Phonographic Industry (IFPI). According to RIAA, Perry is the ninth top digital singles artist in the United States, with 121.5 million certified song units in the country including on-demand streams and also has 19 million certified album units, totaling 129.5 million certified units in the United States. She also became the first artist to have three songs receive Diamond certifications from the RIAA in 2017 with "Dark Horse", "Firework", and "Roar". All three of them and "E.T.", "California Gurls", and "Hot n Cold" have each sold over 5 million digital copies. Six years later, the RIAA certified "California Gurls" as her fourth diamond-certified single in the U.S., breaking her tie with Lady Gaga as the female artist with the most diamond singles there. Perry's albums One of the Boys, Teenage Dream, Prism, Witness, and Smile have individually surpassed one billion streams on Spotify.
In 2011, Forbes ranked her third on their "Top-Earning Women In Music" list with earnings of $44 million and fifth on their 2012 list with $45 million. She subsequently ranked seventh on the 2013 Forbes list for "Top-Earning Women In Music" with $39 million earned, and fifth on their 2014 list with $40 million. With earnings of $135 million, Forbes also ranked Perry number one on their 2015 "Top-Earning Women In Music" list as well as the "World's Highest-Paid Musicians" and declared her the highest earning female celebrity in 2015, placing her at number 3 on the Forbes Celebrity 100 list. In 2016, the magazine estimated her net worth was $125 million, and ranked her number six on their list of "Highest-Paid Women in Music" with earnings of $41 million. The following year, she was ranked number nine on the list with $33 million. In 2018, she topped its "Highest-Paid Women in Music" listing and ranked at number four on the "Highest-Paid Female Celebrities" list, with earnings of $83 million. Perry subsequently was placed at number four on the 2019 "Highest-Paid Women in Music" listings, with $57.5 million. Later that year, with earnings of $530 million throughout the 2010s, the magazine also ranked her as the ninth-highest-earning musician of the decade. Perry is one of the wealthiest musical artists; during September 2023, Forbes surmised she had a net worth of $340 million. This increased to $350 million the following May, where Perry was included on the magazine's 2024 list of "America's Richest Self-Made Women".
Discography
Katy Hudson (2001)
One of the Boys (2008)
Teenage Dream (2010)
Prism (2013)
Witness (2017)
Smile (2020)
143 (2024)
Filmography
The Smurfs (2011)
Katy Perry: Part of Me (2012)
The Smurfs 2 (2013)
Brand: A Second Coming (2015)
Katy Perry: The Prismatic World Tour (2015)
Katy Perry: Making of the Pepsi Super Bowl Halftime Show (2015)
Jeremy Scott: The People's Designer (2015)
Zoolander 2 (2016)
Tours and residency
Headlining tours
Hello Katy Tour (2009)
California Dreams Tour (2011–2012)
Prismatic World Tour (2014–2015)
Witness: The Tour (2017–2018)
The Lifetimes Tour (2025)
Co-headlining tours
Strangely Normal Tour (with Phil Joel) (2001)
Residency
Play (2021–2023)
See also
List of best-selling music artists
List of most-followed Twitter accounts
List of Billboard Social 50 number-one artists
List of highest-certified music artists in the United States
Forbes list of highest-earning musicians
Notes
References
Citations
Sources
External links
Official website
Katy Perry at AllMusic
Katy Perry at IMDb
Katy Perry discography at MusicBrainz
Katy Perry at Rotten Tomatoes |
List_of_awards_and_nominations_received_by_Katy_Perry | https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Katy_Perry | [
259
] | [
"https://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Katy_Perry#Awards_and_nominations"
] | American singer Katy Perry has received various awards and nominations throughout her career. She is the recipient of five American Music Awards, 16 ASCAP Pop Music Awards, five Billboard Music Awards, four Guinness World Records, seven MTV Video Music Awards (including the Michael Jackson Video Vanguard Award), 14 People's Choice Awards, a Juno Award, a Brit Award, two Myx Music Awards, three NRJ Music Awards, and five Teen Choice Awards. She has also been nominated for two ARIA Music Awards, 13 Grammy Awards, two Q Awards, and five Radio Disney Music Awards.
Perry's second studio album One of the Boys was released in 2008 and received the 2009 NRJ Music Award for International Album of the Year. Two singles from the album—"I Kissed a Girl" and "Hot n Cold"—were nominated for the Grammy Award for Best Female Pop Vocal Performance in 2009 and 2010 respectively; the former's music video received five MTV Video Music Award nominations and the MTV Video Music Award Japan for Best Pop Video. She received several Best New Artist nominations, including one at the Los Premios MTV Latinoamérica 2008, and won the 2008 MTV Europe Music Award for Best New Act and also won the 2009 Brit Award for International Female Solo Artist. Her third album, Teenage Dream, became the first by a female artist to produce five number-one Billboard Hot 100 songs—"California Gurls", "Teenage Dream", "Firework", "E.T.", and "Last Friday Night (T.G.I.F.)". For the feat, she received a 2011 honorary American Music Award and an entry in the 2013 edition of Guinness World Record. The album was nominated for six Grammy Awards, including Album of the Year and Record of the Year for "Firework", and won the Juno Award for International Album of the Year.
Perry received the most nominations at the 2011 MTV Video Music Awards with ten, winning Video of the Year for "Firework" and Best Collaboration and Best Special Effects for "E.T.". She became the first artist to be nominated for four different videos at a single ceremony. Her single "Wide Awake" from Teenage Dream: The Complete Confection—a reissue of her third album Teenage Dream—was nominated for the Grammy Award for Best Pop Solo Performance. In 2012, Billboard magazine declared her the "Woman of the Year" for her contributions to music. Perry's fourth album, Prism, released in 2013, produced two Canadian number-one singles "Roar" and "Dark Horse". The former was nominated for Song of the Year and Best Pop Solo Performance at the 56th Annual Grammy Awards. At the following ceremony, the album received a Best Pop Vocal Album nomination while "Dark Horse" was nominated for Best Pop Duo/Group Performance. "Dark Horse" won Single of the Year at the 2014 American Music Awards. Perry was declared the Top Global Female Recording Artist of 2013 by the International Federation of the Phonographic Industry. She has been included in the Forbes list of "Top-Earning Women In Music" from 2011 to 2015, ranking among the top ten each year. Perry was also honored in November 2016 at UNICEF by Hillary Clinton, through the Audrey Hepburn Humanitarian Award.
Awards and nominations
Other accolades
Notes
== References == |
Keir_Clark | https://en.wikipedia.org/wiki/Keir_Clark | [
260
] | [
"https://en.wikipedia.org/wiki/Keir_Clark"
] | William Keir Clark (May 30, 1910 – November 28, 2010) was a Canadian merchant and political figure in Prince Edward Island. After serving as mayor of Montague in 1941 and 1942, he represented 3rd Kings in the Legislative Assembly of Prince Edward Island from 1947 to 1959 and 4th Kings from 1966 to 1970 as a Liberal. In 1970, he sat as an Independent Liberal.
He was born in Mount Stewart, Prince Edward Island, the son of Russell Charles Clark and Marion J. McKay, and was educated at Prince of Wales College and Dalhousie University. In 1940, Clark married Anna I. McLaren. He served as mayor of Montague. Clark served in the province's Executive Council as Minister of Education from 1953 to 1959, as Provincial Treasurer from 1954 to 1955 and as Minister of Health and Municipal Affairs from 1966 to 1969. He resigned from cabinet in 1969, saying that he did not support all aspects of his government's development plan.
He was defeated when he ran for reelection in 1959. In 2008 he became P.E.I.'s oldest living former politician, and he turned 100 in 2010. Clark died in Eldon, Prince Edward Island on November 28, 2010.
References
Notes
Sources
Weeks, Blair (2002). Minding the House: A Biographical Guide to Prince Edward Island MLAs. Acorn Press. ISBN 1-894838-01-7. |
Prince_of_Wales_College | https://en.wikipedia.org/wiki/Prince_of_Wales_College | [
260
] | [
"https://en.wikipedia.org/wiki/Prince_of_Wales_College"
] | Prince of Wales College (PWC) is a former university college, which was located in Charlottetown, Prince Edward Island, Canada. PWC merged with St. Dunstan's University in 1969 to form the University of Prince Edward Island.
PWC traces its history to 1804 when land was set aside by Lieutenant-Governor Edmund Fanning for a college - the colony's first. In 1821 a district school called the National School opened on the site located on Kent Street in the east end of Charlottetown. In 1835 Central Academy opened on a site along Grafton Street, immediately south of the National School. The National School closed in the early 1850s and the provincial Normal School for training teachers opened on the site in 1856.
In 1860 the Central Academy was upgraded and renamed Prince of Wales College (PWC) in honour of a visit to the colony that year by the Prince of Wales, later to become King Edward VII. In 1879, PWC became co-educational and the Normal School was merged into the institution. A significant expansion took place in the late 1920s and early 1930s when a new brick and stone campus was constructed on the site of the original PWC campus. Ferdinand Herbert Marani, an architect with Marani & Paisley designed the new PWC campus which opened in 1932. PWC remained a non-denominational or inter-denominational college which served to provide an education comparable to the present-day colleges in Quebec, namely senior matriculation and one or several years of university. It was the non-denominational character of PWC which led many of Island Roman Catholics to label the school as being "Protestant". Many Catholic women attended PWC despite this label because they were barred from attending St. Dunstan's University which was male-only. It was not until 1965 that the provincial government granted PWC a degree-granting charter and the only Bachelor's degrees from PWC were awarded in the spring 1969 convocation.
PWC had several administrators who proved their importance to Prince Edward Island's education profession:
Dr. Alexander Anderson served as professor 1862–1868 and principal of PWC from 1868–1901, having influenced many islanders, including Lucy Maud Montgomery.
Dr. Samuel Napier Robertson served as professor and took over as principal of PWC following Anderson's move into the provincial civil service, serving in that role from 1901 to 1937.
G. Douglas Steel, a Harvard graduate would be on faculty for 40 years and served from 1937 to 1949 as principal.
Dr. Frank MacKinnon being invited back to the Island in 1949 at the age of 30, he took on the role of principal until he resigned in 1968, amid an effort by government to amalgamate the college with St. Dunstan's University. Sixteen other PWC faculty resigned soon after.
Thomas M. Lothian a biology professor became interim principal from 1968 until its dissolution in 1969.
PWC held high academic standards for its students and as early as the 1910s, McGill University entered into talks related to integrating PWC as its Atlantic coast counterpart to the University of Victoria, which McGill had also helped to establish and nurture. Master plans had called for quadrupling the size of the PWC Grafton Street campus to encompass most of what is now the eastern end of downtown Charlottetown with the proposed PWC-McGill campus being built along the area bounded by Grafton, Prince, Kent, and Edward Streets in a massive redevelopment of the community.
The plans did not come to fruition and by the 1960s, the provincial government began a critical study of its post-secondary education institutions (PWC and SDU), concluding that a merger to form a provincial university was the desired funding and service model for future students. The merger was not without controversy as emotions ran their course on the part of supporters of both institutions, however, in May 1969 the last classes graduated from PWC and SDU and the institutions were merged into the University of Prince Edward Island which opened for the first time in September 1969 on the now-former SDU campus. The PWC campus on Grafton Street was taken over by the provincial government and became part of UPEI during the early period of amalgamation. By the early 1970s it was the Charlottetown campus of a new provincial community college named Holland College.
See also
Royal eponyms in Canada
References
External links
Prince of Wales College history - provided by UPEI |
University_of_Prince_Edward_Island | https://en.wikipedia.org/wiki/University_of_Prince_Edward_Island | [
260
] | [
"https://en.wikipedia.org/wiki/University_of_Prince_Edward_Island"
] | The University of Prince Edward Island (UPEI) is a public university in Charlottetown, Prince Edward Island, Canada, and the only university in the province. Founded in 1969, the enabling legislation is the University Act, R.S.P.E.I 2000.
History
The university traces its roots back to 1804, when Lt. Governor Edmund Fanning and the Legislative Council of Prince Edward Island called for the establishment of Kent College. By 1820, the first Kent College building, known as "the National School", or James Breading's School was erected. Later succeeded by Central Academy, which received a Royal Charter in 1834.
The Colleges were renamed for the Prince of Wales in honour of the future King Edward VII in 1860. The University of Prince Edward Island also traces its roots back to its two earlier predecessor organizations, St. Dunstan's University and Prince of Wales College, founded in 1855 and 1860 respectively. The two institutions were merged in 1969 by the government of Alex Campbell as part of a campaign to integrate the Island's Roman Catholic and Protestant communities, which had previously maintained the two separate institutions of higher learning. Holland College was later created to fill the void left by the merger of Prince of Wales College into the university.
The University of Prince Edward Island is a non-denominational university established in 1969 by the amalgamation of Prince of Wales College (PWC) founded in 1834, and St. Dunstan's University (SDU) founded in 1855. The first student to enrol was Elizabeth Rollins Epperly, who would later become president. Its predecessor institutions ceased to operate although St. Dunstan's still retains its charter and the lands that were home to Prince of Wales became the campus for Holland College. UPEI is located on the former St. Dunstan's campus.
During the COVID-19 pandemic, UPEI received a $500,000 grant from the Public Health Agency of Canada's Immunization Partnership Fund to develop and implement the Island Vaccine Education Program, intended to increase uptake of COVID-19 vaccines among vulnerable families.
Legacy
On 8 May 2004 Canada Post issued 'University of Prince Edward Island, 1804-2004' as part of the Canadian Universities series. The stamp was based on a design by Denis L'Allier and on a photograph by Guy Lavigueur. The 49¢ stamps are perforated 13.5 and were printed by Canadian Bank Note Company, Limited.
Campus
UPEI's campus, located at the corner of Belvedere and University Avenues in Charlottetown, Prince Edward Island's capital city, is built on 134 acres (54 hectares) of land. The Confederation Trail runs alongside its eastern boundary.
Original SDU buildings in the central quadrangle have been renovated to retain integrity of their exterior aesthetic design while meeting modern standards. Main Building, built in 1854, and Dalton Hall, built between 1917 and 1919, are on the registry of Historic Places of Canada.
The War Memorial Hall (more generally known as Memorial Hall) is a landmark building on the campus of UPEI. Built as a men's residence building in 1946, Memorial Hall honours alumni who had enlisted and died in the First World War, and in the Second World War.
Over the past three decades, UPEI has experienced significant growth with many new buildings integrated into the campus, including Central Utility Building (1973), Duffy Science Centre (1967), Blanchard Hall (1973), Bernardine Hall (1968), Robertson Library (1975), Atlantic Veterinary College (1986), Chi-Wan Young Sports Centre (1990), Wanda Wyatt Dining Hall (1990), Food Technology Centre, K.C. Irving Chemistry Centre (1997), W.A. Murphy Student Centre (2002), MacLauchlan Arena (2004), Bill and Denise Andrew Hall residence facility (2006), expansions to the Atlantic Veterinary College (2007 and 2009), Regis and Joan Duffy Research Centre (2007), a research and development laboratory which is home to the National Research Council of Canada, Agriculture and Agri-Food Canada, and other partners, and Don and Marion McDougall Hall (2008). The most recent addition is the Health Sciences Building, home to the School of Nursing and Applied Human Sciences programs.
In October 2004, the UPEI administration undertook an official campus plan to improve the aesthetics of modern buildings constructed since the amalgamation which do not enhance the original SDU design, and to take overall campus aesthetics into account for future developments on and adjacent to the campus.
Organization
The current president and vice-chancellor is Dr. Wendy Rodgers, who began her appointment on June 1, 2024. The current chancellor is the Honourable Diane Griffin, who was installed on April 5, 2024.
Academics
UPEI's seven faculties (arts, business, education, nursing, science, sustainable design engineering and veterinary medicine) and two schools (Mathematical & Computational Sciences and Climate Change & Adaptation) offer a wide range of programs and degrees to undergraduate, graduate and doctoral students. Co-op programs have been established in Business Administration, Computer Science, Physics, and Dietetics. The University is presently developing a Faculty of Medicine, in association with the Memorial University of Newfoundland.
Master's and Doctoral degree programs were first introduced through the Atlantic Veterinary College and, beginning in 1999, a Master of Science degree was offered through the Faculty of Science. In that same year the first students were admitted to the university's new Master of Education program. As of 2010, in addition to the MEd graduate program, the Faculty of Education offered a PhD in Educational Studies. The university also now offers a Master of Arts in Island Studies. Recently the Faculty of Business Administration began offering an Executive Master of Business Administration degree. Since 1998, The Centre for Conflict Resolution Studies has been offering courses leading to a Certificate in Conflict Resolution Studies. The Master of Applied Health Services Research (MAHSR) program is coordinated by the Atlantic Research Training Centre (ARTC).
The Faculty of Education offers one-year (12 months) post-degree bachelor's degrees with specializations in international, adult, and indigenous education, French immersion and human resources development, a Master of Education (MEd) in leadership in learning, and a PhD in Educational Studies.
The Department of Applied Human Sciences has an accredited dietitian program. The university is accredited by a professional organization such as the Dietitians of Canada and the university's graduates may subsequently become registered dieticians.
The Faculty Development Office provides professional development courses applicable to many sectors and industries, including development programs for administrative assistants and new managers; collaboration, conflict, and communication training; and, financial management courses.
Rankings
In Maclean's 2023 Guide to Canadian Universities, UPEI was ranked eighth in the publication's category for "primarily undergraduate" Canadian universities.
Research
UPEI manages over $17 million in annual research expenditures. The on-campus biosciences and health research facility is used by researchers from UPEI, National Research Council (Canada), and Agriculture and Agri-Foods Canada.
UPEI houses the L.M. Montgomery Institute, founded in 1993, which promotes scholarly inquiry into the life, works, culture, and influence of the Canadian writer, L.M. Montgomery. The collection consists of novels, manuscripts, texts, letters, photographs, sound recordings and other Montgomery artifacts and ephemera.
UPEI joined with Dalhousie University and Memorial University of Newfoundland to form the Ocean Frontier Institute, a collaborative research initiative aimed at harnessing the vast potential of the world's oceans.
Student life
Athletics
The UPEI Panthers have nine teams playing in the Atlantic University Sport (AUS) and the Canadian Interuniversity Sport (CIS), including men's and women's ice hockey, soccer, basketball, as well as women's field hockey and rugby union and co-ed swimming.
The UPEI campus provides its students with many athletics amenities typically found on university campuses. The CARI Complex is a public recreation facility located on the campus and includes two hockey rinks (the MacLauchlan Arena as well as a practice rink) as well as two 25-metre swimming pools (a shallow recreational wading pool, and an eight-lane competitive pool with diving boards). In 2009 UPEI inaugurated the UPEI Alumni Canada Games Place which was built in part to host the 2009 Canada Games. It consists of a "class 2" eight-lane 400-metre running track and rugby field that has spectator seating for 1,335.
Residence
The University of Prince Edward Island provides student accommodations in four different residence buildings on campus: Bill and Denise Andrew Hall, Blanchard Hall, Bernardine Hall, and a mixed-use Performing Arts Centre and Residence. Bill and Denise Andrew Hall has two-room suites with single bedrooms. In Blanchard Hall, each suite has two single bedrooms with a kitchenette and a living room. Bernardine Hall (known as "Bernie" to the students) offers suites with two double bedrooms and a shared bathroom. Although the hall is co-ed, one floor is female-only.
Opened in 2023, the Performing Arts Centre and Residence features two towers of residence apartments and lounges with classroom space and a 400-seat auditorium on the main floor.
UPEI/SDU/PWC notable people
List of presidents
Ronald James Baker (1969-1978)
Peter P.M. Meincke (1978-1985)
Charles William John Eliot (1985-1995)
Elizabeth Rollins Epperly (1995-1998)
Wade MacLauchlan (1999-2011)
Alaa Abd-El-Aziz (2011–2021)
Gregory Keefe (2021–2004)
Wendy Rodgers (2024-present)
In 2015 each of the first five presidents were recognized as Founders of the University.
Being a long-standing university and college in the Maritime province of Prince Edward Island (called the Cradle of Confederation) UPEI/SDU/PWC have been in a position to provide education to a long list of people who have gone to notable achievements. The most well known graduate (of Prince of Wales College) is Lucy Maude Montgomery, author of "Anne of Green Gables" and other books. The most distinguished Saint Dunstan's graduate may be James Charles McGuigan, Cardinal-Priest of Santa Maria del Popolo in Rome.
Religion
James Charles McGuigan - Cardinal; Archbishop of Toronto; Cardinal-Priest of Santa Maria del Popolo in Rome.
Joseph Anthony O'Sullivan - Grad of Grand Séminaire de Montréal; Archbishop of Kingston, Ontario; Titular Archbishop of Maraguia
James Morrison - Archbishop, Bishop of Antigonish, Nova Scotia; studied at the Urban College of the Congregatio de Propaganda Fide in Rome.
James Charles McDonald - 4th Bishop of Charlottetown; Studied at Grand Séminaire de Montréal
John T. McNeill - Theological Historian; Graduate of McGill University, University of Edinburgh, and University of Chicago
Medical
Heather G. Morrison - Rhodes Scholar, Oxford University, Medical Doctor, Chief Public Health Officer of PEI.
Sir Andrew Macphail - Physician; Writer for Chicago Times; Enlisted in Canadian Army in WW I at age 50 as ambulance driver. Knighted in 1918 for literary and military work.
John Joseph Alban Gillis - Surgeon, Senior House Doctor at Royal Victoria Hospital, Montreal; MLA in British Columbia Legislative Assembly; Mayor of Merritt, British Columbia
William Henry Sutherland - Physician at Royal Victoria Hospital, Montreal, for the Canadian Pacific Railway, and the Hotel Vancouver; Mayor of Revelstoke, British Columbia
James Walter MacNeill - Physician; First superintendent of Saskatchewan Hospital; Early developer for advanced treatments of the mentally ill
Owen Trainor - Physician; Member of Parliament for Winnipeg Manitoba South; Died during first term in House of Commons
Augustine A. MacDonald - Physician & Member of Legislative Assembly; Awarded Order of Canada in 1968 for providing medical care to the people of rural Prince Edward Island for more than sixty years
Business
Frank Zakem - LLD, B.A., B.Ed., B.Com., OPEI. businessman, politician, educator, author
Brenton St. John - Businessman, fish factory director, farm commodity exporter; Speaker of PEI Legislative Assembly
Henry Callbeck - Ship Builder, Businessman, Sheriff of Queens County, Governor of Prince of Wales College
Don McDougall (baseball) - President of Labatt Brewing Company; principal in establishment of Toronto Blue Jays
Prince Edward Island Lieutenant Governor (Viceregal)
Willibald Joseph MacDonald - 19th Lieutenant Governor (Viceregal) of PEI; Soldier in WW I and WW II
Marion Reid - C.M.Order of Canada, OPEI Order of Prince Edward Island, 24th Lieutenant Governor (Viceregal) of PEI (and first woman Lt. Gov); Dame of Grace of The Most Venerable Order of the Hospital of Saint John of Jerusalem (Order of Saint John (chartered 1888))
George William Howlan - 6th Lieutenant Governor (Viceregal) of PEI; Irish-born merchant and ship owner
Augustine Colin Macdonald - 10th Lieutenant Governor (Viceregal) of PEI; also long time Member of Parliament
Murdock MacKinnon - 11th Lieutenant Governor (Viceregal) of PEI; Farmer; PEI Commissioner of Agriculture
Donald Alexander MacKinnon - 8th Lieutenant Governor (Viceregal) of PEI; Attorney, also grad Dalhousie School of Law
Thomas William Lemuel Prowse - 17th Lieutenant Governor (Vicregal) of PEI; 26th Mayor of Charlottetown; President of Prowse Brother, Ltd
Frederick Walter Hyndman - 18th Lieutenant Governor (Viceregal) of PEI; Canadian Army Major in WW II
Frank Richard Heartz - 12th Lieutenant Governor (Viceregal) of PEI; also businessman and farmer
Gordon Lockhart Bennett - 21st Lieutenant Governor (Viceregal) of PEI; Chemistry Professor at Prince of Wales College; Canadian Curling Hall of Fame
Prince Edward Island Premier
Lemuel Owen - 2nd Premier of PEI; Shipbuilder, Banker; Merchant
Sir William Wilfred Sullivan - 4th Premier of PEI; Knighted by King George V.
Louis Henry Davies - 3rd Premier of PEI, Member of Parliament, 12th Puisne Justice of the Supreme Court of Canada, 6th Chief Justice of Canada
Frederick Peters - 6th Premier of PEI; mother was Mary Cunard (eldest daughter of Sir Samuel Cunard)
Donald Farquharson - 8th Premier of PEI; Member of Parliament; MLA
Herbert James Palmer - 11th Premier of PEI; son of former colonial Premier Edward Palmer (Canadian politician).
Aubin-Edmond Arsenault - 13th Premier of Prince Edward Island, PEI Supreme Court Judge
Albert Charles Saunders - 16th Premier of Prince Edward Island; PEI Supreme Court Judge; elected four times as mayor of Summerside PEI
Thane Campbell - 19th Premier of PEI, Rhodes Scholar, also grad Oxford University
Bennett Campbell - 24th Premier of PEI
Alexander Warburton - Also grad University of Edinburgh. PEI Member of Parliament, 7th Premier of Prince Edward Island
James Lee - 26th Premier of PEI; Sworn to Privy Council of Canada by Her Majesty Queen Elizabeth II.
Keith Milligan - 29th Premier of PEI
William J.P. MacMillan - 18th Premier of PEI; also M.D. and graduate of McGill University School of Medicine
James David Stewart - 15th Premier of PEI
Walter Russell Shaw - 22nd Premier of PEI; Officer of the Order of Canada; Canadian Agricultural Hall of Fame in 1980.
John Howatt Bell - 14th Premier of PEI; PEI Member of Parliament
John Alexander Mathieson - 12th Premier of PEI
Prince Edward Island Members Legislative Assembly
Prosper Arsenault - Educator; Politician, Speaker of the PEI Legislative Assembly
Cletus Dunn - MLA, Civil Servant
Cynthia Dunsford - MLA, Squash Coach, Writer/Performer of CBC Radio comedy show "Parkdale Doris."
Paul Connolly - Educator, Politician; Member National Parole Board in 2002, serving for seven years.
Jamie Ballem - MLA, Businessman; founded Island Green Power Company to promote the development of wind power on the island
Herb Dickieson - MLA, Physician, also grad Dalhousie University School of Medicine; Chief of Medical Staff at Charlottetown Community Hospital
Doug Currie - MLA; Head Coach and Director of Hockey Operations for the University of Prince Edward Island.
Valerie Docherty - MLA
Paula Biggar - MLA
Alan Buchanan - MLA, Educational Administrator; Communication Officer with Island Telecom and later Aliant,
Kevin MacAdam - MLA, Political Advisor
James Warburton - MLA, Mayor of Charlottetown, Physician
Jim Larkin - MLA; Executive with Tourism Industry Association of Canada
George Dewar - MLA; Physician in private practice and earlier with Royal Canadian Medical Corps in WW II; member Order of Canada
Betty Jean Brown - MLA, Nurse Practitioner; Owner of family fur farm
David McKenna - Optometrist, businessman and politician, MLA in Legislative Assembly of Prince Edward Island
Canada national government
Mark MacGuigan - Attorney General of Canada; Secretary of State for External Affairs in the cabinet of Prime Minister Pierre Trudeau
Jacques Hebert - Quebec Senator to Parliament; Author Deux innocents en Chine rouge (with Pierre Trudeau)
Mike Duffy - PEI Senator to Parliament of Canada; TV news show host; covered fall of Saigon, Vietnam
Percy Downe - PEI Senator to Parliament of Canada; Chief of Staff for Prime Minister Jean Chrétien
Lorne Bonnell - PEI Senator to Parliament of Canada; Physician
John McLean - PEI Senator to Parliament of Canada; earlier Member of Parliament; MLA; Director of several businesses, i.e., Maritime Life Insurance Co. and The Guardian newspaper
Melvin McQuaid - PEI Member of Parliament of Canada; PEI Supreme Court Judge
Alfred Lefurgey - PEI Member of Parliament of Canada; also grad Harvard Law
Thomas Joseph Kickham - PEI Senator to Parliament of Canada
James McIsaac - PEI Member of Parliament of Canada; also grad Université Laval
Angus Alexander McLean - PEI Member of Parliament of Canada; also grad Harvard Law
Peter Adolphus McIntyre - PEI Member of Parliament; 7th Lieutenant Governor (Viceregal) of PEI
Joe McGuire - PEI Member of Parliament of Canada
Shawn Murphy - PEI Member of Parliament; Attorney, Queen's Counsel
George Henderson; PEI Member of Parliament; Shellfish Technician; Farmer, Electrical Engineer and Businessman
Chester McLure - PEI Member of Parliament; Fox Farmer; Honorary Lieutenant-Colonel in 1930 for the 2nd Medium Light Artillery
Montague Aldous - Dominion Topographical Surveyor of the Northwest Territories 1877; also grad of Bowdoin College, Maine
Thomas McMillan - political scientist and former politician, Member of Parliament; Minister of the Environment
Provincial/local governments of Canada
David Laird - 1st Lieutenant Governor of Northwest Territories, Canada; Indian Commissioner of the Northwest Territories, Manitoba, and Keewatin
Bob MacQuarrie - Ontario MLA
George Washington McPhee - Saskatchewan Member of Parliament of Canada; Attorney, King's Counsel
Robert Deschamps - Member National Assembly of Quebec; Parti Québécois member and supporter of sovereignty of Quebec
F.H. Auld - Agricultural Scientist, Saskatchewan Deputy Minister of Agriculture, 1916–46
Harold Lloyd Henderson - Presbyterian minister, Mayor Portage la Prairie, Manitoba; also grad McGill University
John Salmon Lamont - PWC and Princeton University, Reeve of Assinibola, Manitoba
John K. McInnis - Mayor of Regina, Saskatchewan
Maurice DeLory - MLA in Nova Scotia House of Assembly; Surgeon
Alexander Campbell - represented St. John's in the Newfoundland and Labrador House of Assembly, 1928–32; also grad Royal College of Physicians of Edinburgh and the University of Vienna.
Arts and letters
Lucy Maud Montgomery - Author: Anne of Green Gables, Avonlea
Irene Gammel - Literary Historian: Baroness Elsa, Looking for Anne of Green Gables
Sandra M. Macdonald - Chairperson National Film Board of Canada
John Smith - Poet Laureate of PEI
Rachna Gilmore - Children's Book Writer; 1999 Governor General's Award for Children's Literature
Anne Compton - Poet; 2005 Governor General's Award for Poetry; 2012 awarded Queen Elizabeth II Diamond Jubilee Medal
Tyler Shaw - Singer; 2012 Billboard Canada Adult Contemporary # 5 song "Kiss Goodnight." Song was certified Gold by Music Canada in 2013.
James Jeffrey Roche - Writer, American Consul in Switzerland; Editor of Boston Pilot newspaper
Education
John Angus Weir - 4th President of Wilfrid Laurier University, Waterloo, Ontario; also grad University of Notre Dame
William Christopher Macdonald - 4th Chancellor of McGill University; founder MacDonald & Brothers tobacco company
Elizabeth Rollins Epperly - Victorian Scholar; grad UPEI and University of London; President of UPEI, 1995–98
Eddie Gardner - Elder-in-Residence University of the Fraser Valley; founder Open-Net Salmon Boycott
Marin Gallant - Educator, MLA, Inspector for PEI French Schools
William Edwin Cameron - first Saint Dunstan's Rhodes Scholar, SDU Class of 1904
Scott MacEachern - Professor of Archaeology and Anthropology at Duke Kunshan University, China, an expert in African archaeology.
Kathy Martin - Professor in the Faculty of Forestry at the University of British Columbia and a senior research scientist with Environment and Climate Change Canada
Tim Carroll - Assistant Professor of History at Saint Francis Xavier University & UPEI; MLA in Legislative Assembly of Prince Edward Island
Philanthropist
Jean-Louis Lévesque - Philanthropist, entrepreneur, racehorse owner
Prince Edward Island law/legal
Wayne Cheverie - PEI Supreme Court Judge
Gerard Mitchell - Chief Justice PEI Supreme Court
Charles St. Clair Trainor - Chief Justice PEI Supreme Court, King's Counsel
Gavan Duffy - Judge of the Prince Edward Island County Court, sitting in Queens County; King's Counsel; Grand Master Knights of Columbus
Reginald Bell - PEI Supreme Court Judge
George McMahon - PEI Supreme Court Judge
Other Canada law/legal
Sir James Hyndman - Alberta Supreme Court Judge; Inducted as a Commander of the Order of the British Empire in 1948.
J. Greg Peters - Superintendent of the Royal Canadian Mounted Police and Usher of the Black Rod of the Senate of Canada.
U.S. government
Jacob Gould Schurman - US Ambassador to Germany; President Cornell University
Cyrus S. Ching - U.S. federal administrator, US Department of Labor Hall of Honor
James U. Campbell - 25th Chief Justice Oregon Supreme Court, USA; U.S. Lieutenant in Philippines during Spanish–American War
Burpee L. Steeves - 9th Lieutenant Governor of Idaho; also grad Willamette University, Oregon
Prince Edward Island local government
Ian MacDonald - 43rd Mayor of Charlottetown; Known as "Tex"
William S. Stewart - Mayor of Charlottetown, 1932–34; MLA; Admiralty Court Judge
Philip Brown - Mayor of Charlottetown, as of January 2019; teacher and businessman
Military
Ralph McInerney - World War I Pilot in Royal Flying Corps; Represented the city of Saint John, New Brunswick in the Legislative Assembly of New Brunswick from 1939 to 1948.
Roger Soloman - Lieutenant Royal Canadian Navy; Tourist cottages business owner on Brudenell River, PEI; High School Principal
Keith Brown - Scottish politician; Deputy Leader of the Scottish National Party; Royal Marines in Falklands War
Athletics
Scott Morrison - Assistant Coach of Boston Celtics, 2017+; 2014-15 NBA Developmental League (D-League) Coach of the Year with Maine Red Claws
Doug MacLean - NHL General Manager and Coach for the Columbus Blue Jackets and the Head Coach for Florida Panthers; Coach for two NHL All Star games, 1995–97; earlier after playing varsity hockey for the UPEI Panthers became hockey coach for the University of New Brunswick. Known as "Prince Eddy" because of his affinity for Prince Edward Island
Al MacAdam - NHL Hockey Player, Stanley Cup Champion 1974, NHL All-Star 1976 & 1977
Bill MacMillan - NHL Hockey Player, Bronze Medal 1976 Winter Olympics in Grenoble, France
Joel Ward - NHL Hockey Player, Team Canada 2014 IIHF World Championship in Minsk, Belarus
Dave Cameron - NHL Coach (2016 Ass't Coach Calgary Flames) and Player (Colorado Rockies and New Jersey Devils)
Darwin McCutcheon - Hockey player; five years professional in American Hockey League and Int'l Hockey League. Played one game in NHL for Toronto Maple Leafs
Gerry Fleming - NHL hockey player for the Montreal Canadiens and American Hockey League for the Fredericton Canadiens
Jim Foley - CFL Football Player, Grey Cup Champion 1973 & 1976, CFL's Rookie of the Year Award in 1971 and later won 1975 Most Outstanding Canadian Award
Vernon Pahl - CFL Football Player, Grey Cup Champion 1984 & 1988
Erin Carmody - Curler, MVP 2010 Scotties Tournament of Hearts
Paul Craig - NASL Soccer Player, FC Edmonton
Kara Grant - Modern Pentathlon: Athens Olympics 2004 and Beijing Olympics 2008; Bronze Medalist at Pan American Games in Rio de Janeiro, Brazil 2002
Anja Weisser - German Women's Ice Hockey Team, 2014 Olympics in Sochi, Russia
Park Ye-eun - Korean Women's Ice Hockey Team, 2018 Olympics in Pyeongchang, Korea.
Katie Baker - Captain Canada National Field Hockey Team; Pan American Games 2007 in Brazil; Commonwealth Games 2010 in Delhi, India.
Cory Vitarelli - Lacrosse player for Rochester Knighthawks in National Lacrosse League. Three time Champion's Cup now known as (National Lacrosse League Cup) winner.
Ryan Anstey - soccer player Toronto Lynx USL First Division, Crown Attorney in Alberta
Jared Gomes - hockey player; Bridgeport Sound Tigers, American Hockey League
Justin Donati - hockey player; Brampton Beast, ECHL; Toronto St. Michael's Majors, Ontario Hockey League
Calvin Tyler Scott - professional basketball player in the National Basketball League of Canada for the Island Storm
Mitch Murphy - Standardbred Canada Board of Directors (horse racing); MLA
Mathew Maione - professional hockey player for Dinamo Riga in the Kontinental Hockey League, Russia
Mark Guggenberger - professional ice hockey goaltender with the Perth Thunder of the Australian Ice Hockey League (AIHL)
Honorary degrees
Following is a partial list of Past Honorary Degree Recipients from UPEI:
Prince Edward, Duke of Edinburgh - Honorary Doctor of Laws, 2007; third son of Queen Elizabeth II and Prince Philip, Duke of Edinburgh
Ted Kennedy - Honorary Doctor of Laws from Saint Dunstan's University and SDU Class of 1964 Commencement Speaker
Angèle Arsenault - Honorary Doctor of Laws from UPEI; actress and singer; Ordre de la Pléiade de l'Association des parlementaires de langue française
Hisako, Princess Takamado - Member of Imperial House of Japan
Anne Murray - Singer: four time Grammy Award winner most famously for the 1970 song Snowbird (song), former H.S. teacher on PEI
Adrienne Clarkson - 26th Governor-General of Canada
David Suzuki - Climate change activist; Ph.D. from University of Chicago in zoology
Colonel George Stanley - Professor Emeritus Royal Military College; Knight of Justice of the Order of St. John; Lt. Governor of New Brunswick
Edward D. Ives - Folklorist of Maine and Canada's Maritime Provinces; Professor of Folklore at University of Maine; Ph.D. from Indiana University
Philip Oland - of the founding family of and CEO of Moosehead Breweries, Saint John, New Brunswick; Retired Brigadier Canadian Forces; Philanthropist
Alan Lund - Dancer and choreographer of television, movies, and theatre; Officer of the Order of Canada
Gordon Pinsent - Screenwriter, Actor: Wind at My Back, Red Green Show, Old Man and the Sea {1999} voice
Lester B. Pearson - Prime Minister of Canada; Awarded in 1967 at Prince of Wales College
Pierre Burton - Journalist, historian and author; Queen Elizabeth II Golden Jubilee Medal honoree
Beverley McLachlin - 17th Chief Justice of Canada; Judge on the Hong Kong Court of Final Appeal
Doug Hall - Lecturer, author, TV and radio host and chemical engineer by education. Master Marketing Inventor at Procter & Gamble
Stompin' Tom Connors - Canadian country and folksinger/writer. Ranked 13th on The Greatest Canadian list, the highest of any artist
Art Linkletter - Canadian-born American radio & television personality, "Kids Say the Darndest Things"
Notable UPEI faculty and administration
Angus Bernard MacEachern - Founded St. Andrew's College; 1st Bishop of Charlottetown (incl Magdalen Islands); studied theology in Spain.
Bernard Donald Macdonald - 2nd Bishop of Charlottetown; Supervisor of construction of Saint Dunstan's College
Wade MacLauchlan - 32nd Premier of PEI, President UPEI; grad University of New Brunswick and Yale University with Masters of Law
William E. Andrew - Chancellor UPEI
Ronald James Baker - 1st president of UPEI; British Air Force WW II; Queen Elizabeth II Diamond Jubilee Medal; grad University of British Columbia and School of Oriental and African Studies at the University of London
Lou Hooper - Professor of Music from 1975; jazz pianist in Harlem, Yew York, Michigan, and Canada. Played with Billie Holiday and Paul Robeson; Taught piano to Oscar Peterson, 1936–39
Dave Nutbrown - Varsity basketball coach; conference all-star player at University of New Brunswick; recruit of New York Knicks
Gustave Gingras - Chancellor of UPEI, 1974–82. Physician; Consultant to United Nations, World Health Organization, and Canadian Red Cross
George Wastie Deblois - Merchant; MLA; Trustee of Prince of Wales College; Land agent for Samuel Cunard, founder of the Cunard Line of ships
Richard Raiswell - Historian and Professor of Medieval and Renaissance History; commentator on Smithsonian Network's "Treasures Decoded;" Cricket enthusiast and writer about the sport
Kenneth Ozmon - Professor and Dean of Arts; Officer of the Order of Canada; later 13th President of Mount Allison University
Godfrey Baldacchino - UNESCO Co-chair in Island Studies and Sustainability at UPEI (in partnership with the University of Malta)
Doris Anderson - Chancellor of UPEI, 1992-96: editor Chatelaine magazine; Member of Trilateral Commission; Companion of the Order of Canada; President of the National Action Committee on the Status of Women
Paul Boutilier - Instructor of International Marketing; Member of the 1983 Stanley Cup champion New York Islanders and seven year NHL player
David Bourque - Associate Professor of Music (Spring 2008 term); teacher of clarinet and bass clarinet; member of Toronto Symphony Orchestra; accompanist in several US films, e.g., Academy Award-winning Norman Jewison's film "Moonstruck"
Reginald C. Stuart - History Professor at UPEI, 1968–88. Distinguished Chair in North American Studies at the Woodrow Wilson Institute Center for Scholars in Washington, DC, Jun-Jan, 2005
Jamie Muir - Instructor of Education; Ph.D. in education from University of Virginia; also an MLA in Nova Scotia
David Staines - Professor of English; Scholar in Medieval, Victorian, and Canadian literature; grad of Harvard University (M.A. and Ph.D.)
Louis Groarke - Professor of Philosophy; Writings in Ethics, Logic, Political Philosophy, and Aesthetics
Anne Simpson - Author and poet; author of seven books, four of which are in the Toronto Globe & Mails Top 100 Books of the Year, i.e., "Falling" (2008) and "Canterbury Beach" (2001) (Short term Writer-in-Residence)
Vianne Timmons - Professor at UPEI; President of the University of Regina (Alberta)
Edward MacDonald - Associate Professor of History, teaching about Canadian political history, Atlantic Canada and Prince Edward Island
Colm Magner - Canadian actor, director and writer
Richard Covey - Canadian composer and Assistant Professor of Theory/Composition
Ian Dowbiggin - Professor in the Department of History and writer on the history of medicine. Fellow of the Royal Society of Canada.
Paul Boutilier - Instructor of International Marketing; Retired professional ice hockey defenceman who was a member of the 1983 Stanley Cup champion New York Islanders.
Silver Donald Cameron - Writer-in-Residence; writing focuses on social justice, nature and the environment
Sam Gindin - Intellectual and activist known for his expertise on the labour movement and the economics of the automobile industry
Hilda Woolnough - Artist who exhibited in Europe, Asia, the Caribbean and North America; member of Royal Canadian Academy of Arts
Robyn MacPhee - Virology technologist at the Atlantic Veterinary College, UPEI; Gold Medalist 2001 World Junior Curling Championships
Marcia Anastasia Christoforides - Established the Sir James Dunn Animal Welfare Centre at UPEI with gift of 2.2 million dollars. Wife of Max Aitken, 1st Baron Beaverbrook with honorific as Dowager Lady Beaverbrook.
Sir Charles Dalton – Silver fox breeder; Owner of the Charlottetown Guardian newspaper; Donated and built Dalton Hall at SDU; Knight Commander in the Order of St. Gregory the Great
See also
Higher education in Prince Edward Island
References
Histories of the University
Bruce, Marian. A Century of Excellence: Prince of Wales College, 1860–1969. Charlottetown: Prince of Wales Alumni Association/Island Studies Press, 2005.
Bruce, Marian. Pets, Professors, and Politicians: The Founding and Early Years of the Atlantic Veterinary College. Charlottetown: Atlantic Veterinary College/Island Studies Press, 2004.
MacEachern, Alan. Utopian U: The Founding of the University of Prince Edward Island, 1968–1970. Charlottetown: University of Prince Edward Island, 2005.
Moase, Lorne Robert. "The Development of the University of Prince Edward Island, 1964-1972." M.Ed., University of New Brunswick, 1972.
External links
University of Prince Edward Island
University Island
UPEI Student Union |
The_Beach_Boys | https://en.wikipedia.org/wiki/The_Beach_Boys | [
261
] | [
"https://en.wikipedia.org/wiki/The_Beach_Boys#History"
] | The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
The Beach Boys formed as a garage band centered on Brian's songwriting and managed by the Wilsons' father, Murry. In 1963, the band enjoyed its first national hit with "Surfin' U.S.A.", beginning a string of top-ten singles that reflected a southern California youth culture of surfing, cars, and romance, dubbed the "California sound". It was one of the few American rock bands to sustain its commercial standing during the British Invasion. Starting with 1965's The Beach Boys Today!, the band abandoned beachgoing themes for more personal lyrics and ambitious orchestrations. In 1966, the Pet Sounds album and "Good Vibrations" single raised the group's prestige as rock innovators; both are now widely considered to be among the greatest and most influential works in popular music history. After scrapping the Smile album in 1967, Brian gradually ceded control of the group to his bandmates, though he still continued to contribute.
In the late 1960s, the group's commercial momentum faltered in the U.S., and it was widely dismissed by the early rock music press before undergoing a rebranding in the early 1970s. Carl took over as de facto leader until the mid-1970s, when the band responded to the growing success of its live shows and greatest hits compilations by transitioning into an oldies act. Dennis drowned in 1983, and Brian soon became estranged from the group. Following Carl's death from lung cancer in 1998, the band granted Love legal rights to tour under the group's name. In the early 2010s, the original members briefly reunited for the band's 50th anniversary tour. As of 2024, Brian and Jardine do not perform with Love's edition of the Beach Boys, but remain official members of the band.
The Beach Boys are one of the most critically acclaimed and commercially successful bands of all time, selling over 100 million records worldwide. It helped legitimize popular music as a recognized art form and influenced the development of music genres and movements such as psychedelia, power pop, progressive rock, punk, alternative, and lo-fi. Between the 1960s and 2020s, the group had 37 songs reach the US Top 40 of the Billboard Hot 100 (the most by an American band), with four topping the chart. In 2004, the group was ranked number 12 on Rolling Stone's list of the greatest artists of all time. Many critics' polls have ranked Today!, Pet Sounds, Smiley Smile (1967), Sunflower (1970), and Surf's Up (1971) among the finest albums in history. The founding members were inducted into the Rock and Roll Hall of Fame in 1988. Other members during the band's history have been David Marks, Bruce Johnston, Blondie Chaplin, and Ricky Fataar.
History
1958–1961: Formation
At the time of his 16th birthday on June 20, 1958, Brian Wilson shared a bedroom with his brothers, Dennis and Carl—aged 13 and 11, respectively—in their family home in Hawthorne. He had watched his father Murry Wilson play piano, and had listened intently to the harmonies of vocal groups such as the Four Freshmen. After dissecting songs such as "Ivory Tower" and "Good News", Brian would teach family members how to sing the background harmonies. For his birthday that year, Brian received a reel-to-reel tape recorder. He learned how to overdub, using his vocals and those of Carl and their mother. Brian played piano, while Carl and David Marks, an eleven-year-old longtime neighbor, played guitars that each had received as Christmas presents.
Soon Brian and Carl were avidly listening to Johnny Otis' KFOX radio show. Inspired by the simple structure and vocals of the rhythm and blues songs he heard, Brian changed his piano-playing style and started writing songs. Family gatherings brought the Wilsons in contact with cousin Mike Love. Brian taught Love's sister Maureen and a friend harmonies. Later, Brian, Love and two friends performed at Hawthorne High School. Brian also knew Al Jardine, a high school classmate. Brian suggested to Jardine that they team up with his cousin and brother Carl. Love gave the fledgling band its name: "The Pendletones", a pun on "Pendleton", a brand of woollen shirt popular at the time. Dennis was the only avid surfer in the group, and he suggested that the group write songs that celebrated the sport and the lifestyle that it had inspired in Southern California. Brian finished the song, titled "Surfin'", and with Mike Love, wrote "Surfin' Safari".
Murry Wilson, who was an occasional songwriter, arranged for the Pendletones to meet his publisher Hite Morgan. He said: "Finally, [Hite] agreed to hear it, and Mrs. Morgan said 'Drop everything, we're going to record your song. I think it's good.' And she's the one responsible." On September 15, 1961, the band recorded a demo of "Surfin'" with the Morgans. A more professional recording was made on October 3, at World Pacific Studio in Hollywood. David Marks was not present at the session as he was in school that day. Murry brought the demos to Herb Newman, owner of Candix Records and Era Records, and he signed the group on December 8. When the single was released a few weeks later, the band found that they had been renamed "the Beach Boys". Candix wanted to name the group the Surfers until Russ Regan, a young promoter with Era Records, noted that there already existed a group by that name. He suggested calling them the Beach Boys. "Surfin'" was a regional success for the West Coast, and reached number 75 on the national Billboard Hot 100 chart.
1962–1967: Peak years
Surfin' Safari, Surfin' U.S.A., Surfer Girl, and Little Deuce Coupe
By this time the de facto manager of the Beach Boys, Murry landed the group's first paying gig (for which they earned $300) on New Year's Eve, 1961, at the Ritchie Valens Memorial Dance in Long Beach. In their early public appearances, the band wore heavy wool jacket-like shirts that local surfers favored before switching to their trademark striped shirts and white pants (a look that was taken directly from the Kingston Trio). All five members sang, with Brian playing bass, Dennis playing drums, Carl playing lead guitar and Al Jardine playing rhythm guitar, while Mike Love was the main singer and occasionally played saxophone. In early 1962, Morgan requested that some of the members add vocals to a couple of instrumental tracks that he had recorded with other musicians. This led to the creation of the short-lived group Kenny & the Cadets, which Brian led under the pseudonym "Kenny". The other members were Carl, Jardine, and the Wilsons' mother Audree. In February, Jardine left the Beach Boys and was replaced by David Marks on rhythm guitar. A common misconception is that Jardine left to focus on dental school. In reality, Jardine did not even apply to dental school until 1964, and the reason he left in February 1962 was due to creative differences and his belief that the newly-formed group would not be a commercial success.
After being turned down by Dot and Liberty, the Beach Boys signed a seven-year contract with Capitol Records. This was at the urging of Capitol executive and staff producer Nick Venet who signed the group, seeing them as the "teenage gold" he had been scouting for. On June 4, 1962, the Beach Boys debuted on Capitol with their second single, "Surfin' Safari" backed with "409". The release prompted national coverage in the June 9 issue of Billboard, which praised Love's lead vocal and said the song had potential. "Surfin' Safari" rose to number 14 and found airplay in New York and Phoenix, a surprise for the label.
The Beach Boys' first album, Surfin' Safari, was released in October 1962. It was different from other rock albums of the time in that it consisted almost entirely of original songs, primarily written by Brian with Mike Love and friend Gary Usher. Another unusual feature of the Beach Boys was that, although they were marketed as "surf music", their repertoire bore little resemblance to the music of other surf bands, which was mainly instrumental and incorporated heavy use of spring reverb. For this reason, some of the Beach Boys' early local performances had young audience members throwing vegetables at the band, believing that the group were poseurs.
In January 1963, the Beach Boys recorded their first top-ten single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The album of the same name followed in March and reached number 2 on the Billboard charts. Its success propelled the group into a nationwide spotlight, and was vital to launching surf music as a national craze, albeit the Beach Boys' vocal approach to the genre, not the original instrumental style pioneered by Dick Dale. Biographer Luis Sanchez highlights the "Surfin' U.S.A." single as a turning point for the band, "creat[ing] a direct passage to California life for a wide teenage audience ... [and] a distinct Southern California sensibility that exceeded its conception as such to advance right to the front of American consciousness."
Throughout 1963, and for the next few years, Brian produced a variety of singles for outside artists. Among these were the Honeys, a surfer trio that comprised sisters Diane and Marilyn Rovell with cousin Ginger Blake. Brian was convinced that they could be a successful female counterpart to the Beach Boys, and he produced a number of singles for them, although they could not replicate the Beach Boys' popularity. He also attended some of Phil Spector's sessions at Gold Star Studios. His creative and songwriting interests were revamped upon hearing the Ronettes' 1963 song "Be My Baby", which was produced by Spector. The first time he heard the song was while driving, and was so overwhelmed that he had to pull over to the side of the road and analyze the chorus. Later, he reflected: "I was unable to really think as a producer up until the time where I really got familiar with Phil Spector's work. That was when I started to design the experience to be a record rather than just a song."
Surfer Girl marked the first time the group used outside musicians on a substantial portion of an LP. Many of them were the musicians Spector used for his Wall of Sound productions. Only a month after Surfer Girl's release the group's fourth album Little Deuce Coupe was issued. To close 1963, the band released a standalone Christmas-themed single, "Little Saint Nick", backed with an a cappella rendition of the scriptural song "The Lord's Prayer". The A-side peaked at number 3 on the US Billboard Christmas chart. By the end of the year David Marks had left the group and Al Jardine had returned.
British Invasion, Shut Down Volume 2, All Summer Long, and Christmas Album
The surf music craze, along with the careers of nearly all surf acts, was slowly replaced by the British Invasion. Following a successful Australasian tour in January and February 1964, the Beach Boys returned home to face their new competition, the Beatles. Both groups shared the same record label in the US, and Capitol's support for the Beach Boys immediately began waning. Although it generated a top-five single in "Fun Fun Fun", the group's fifth album, Shut Down Volume 2, became their first since Surfin' Safari not to reach the US top-ten. This caused Murry to fight for the band at the label more than before, often visiting their offices without warning to "twist executive arms". Carl said that Phil Spector "was Brian's favorite kind of rock; he liked [him] better than the early Beatles stuff. He loved the Beatles' later music when they evolved and started making intelligent, masterful music, but before that Phil was it." According to Mike Love, Carl followed the Beatles closer than anyone else in the band, while Brian was the most "rattled" by the Beatles and felt tremendous pressure to "keep pace" with them. For Brian, the Beatles ultimately "eclipsed a lot [of what] we'd worked for ... [they] eclipsed the whole music world."
Brian wrote his last surf song for nearly four years, "Don't Back Down", in April 1964. That month, during recording of the single "I Get Around", Murry was relieved of his duties as manager. He remained in close contact with the group and attempted to continue advising on their career decisions. When "I Get Around" was released in May, it would climb to number 1 in the US and Canada, their first single to do so (also reaching the top-ten in Sweden and the UK), proving that the Beach Boys could compete with contemporary British pop groups. "I Get Around" and "Don't Back Down" both appeared on the band's sixth album All Summer Long, released in July 1964 and reaching number 4 in the US. All Summer Long introduced exotic textures to the Beach Boys' sound exemplified by the piccolos and xylophones of its title track. The album was a swan-song to the surf and car music the Beach Boys built their commercial standing upon. Later albums took a different stylistic and lyrical path. Before this, a live album, Beach Boys Concert, was released in October to a four-week chart stay at number 1, containing a set list of previously recorded songs and covers that they had not yet recorded.
In June 1964, Brian recorded the bulk of The Beach Boys' Christmas Album with a forty-one-piece studio orchestra in collaboration with Four Freshmen arranger Dick Reynolds. The album was a response to Phil Spector's A Christmas Gift for You (1963). Released in December, the Beach Boys' album was divided between five new, original Christmas-themed songs, and seven reinterpretations of traditional Christmas songs. It would be regarded as one of the finest holiday albums of the rock era. One single from the album, "The Man with All the Toys", was released, peaking at number 6 on the US Billboard Christmas chart. On October 29, the Beach Boys performed for The T.A.M.I. Show, a concert film intended to bring together a wide range of musicians for a one-off performance. The result was released to movie theaters one month later.
Today!, Summer Days, and Party!
By the end of 1964, the stress of road travel, writing, and producing became too much for Brian. On December 23, while on a flight from Los Angeles to Houston, he suffered a panic attack. In January 1965, he announced his withdrawal from touring to concentrate entirely on songwriting and record production. For the last few days of 1964 and into early 1965, session musician and up-and-coming solo artist Glen Campbell agreed to temporarily serve as Brian's replacement in concert. Carl took over as the band's musical director onstage. Now a full-time studio artist, Brian wanted to move the Beach Boys beyond their surf aesthetic, believing that their image was antiquated and distracting the public from his talents as a producer and songwriter. Musically, he said he began to "take the things I learned from Phil Spector and use more instruments whenever I could. I doubled up on basses and tripled up on keyboards, which made everything sound bigger and deeper."
Released in March 1965, The Beach Boys Today! marked the first time the group experimented with the "album-as-art" form. The tracks on side one feature an uptempo sound that contrasts side two, which consists mostly of emotional ballads. Music writer Scott Schinder referenced its "suite-like structure" as an early example of the rock album format being used to make a cohesive artistic statement. Brian also established his new lyrical approach toward the autobiographical; journalist Nick Kent wrote that the subjects of Brian's songs "were suddenly no longer simple happy souls harmonizing their sun-kissed innocence and dying devotion to each other over a honey-coated backdrop of surf and sand. Instead, they'd become highly vulnerable, slightly neurotic and riddled with telling insecurities." In the book Yeah Yeah Yeah: The Story of Modern Pop, Bob Stanley remarked that "Brian was aiming for Johnny Mercer but coming up proto-indie." In 2012, the album was voted 271 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.
In April 1965, Campbell's own career success pulled him from touring with the group. Columbia Records staff producer Bruce Johnston was asked to locate a replacement for Campbell; having failed to find one, Johnston himself became a full-time member of the band on May 19, 1965. With Johnston's arrival, Brian now had a sixth voice he could work with in the band's vocal arrangements, with the June 4 vocal sessions for "California Girls" being Johnston's first recording session with the Beach Boys. "California Girls" was included on the band's next album Summer Days (And Summer Nights!!) and eventually charted at number 3 in the US as the second single from the album, while the album itself went to number 2. The first single from Summer Days had been a reworked arrangement of "Help Me, Rhonda", which became the band's second number 1 US single in the spring of 1965. For contractual reasons, owing to his previous deal with Columbia Records, Johnston was not able to be credited or pictured on Beach Boys records until 1967.
To appease Capitol's demands for a Beach Boys LP for the 1965 Christmas season, Brian conceived Beach Boys' Party!, a live-in-the-studio album consisting mostly of acoustic covers of 1950s rock and R&B songs, in addition to covers of three Beatles songs, Bob Dylan's "The Times They Are a-Changin'", and idiosyncratic rerecordings of the group's earlier songs. The album was an early precursor of the "unplugged" trend. It also included a cover of the Regents' song "Barbara Ann", which unexpectedly reached number 2 when released as a single several weeks later. In November, the group released another top-twenty single, "The Little Girl I Once Knew". It was considered the band's most experimental statement thus far. The single continued Brian's ambitions for daring arrangements, featuring unexpected tempo changes and numerous false endings. With the exception of their 1963 and 1964 Christmas singles ("Little Saint Nick" and "The Man with All the Toys") it was the group's lowest charting single on the Billboard Hot 100 since "Ten Little Indians" in 1962, peaking at number 20. According to Luis Sanchez, in 1965, Bob Dylan was "rewriting the rules for pop success" with his music and image, and it was at this juncture that Wilson "led The Beach Boys into a transitional phase in an effort to win the pop terrain that had been thrown up for grabs."
Pet Sounds
Wilson collaborated with jingle writer Tony Asher for several of the songs on the album Pet Sounds, a refinement of the themes and ideas that were introduced in Today!. In some ways, the music was a jarring departure from their earlier style. Jardine explained that "it took us quite a while to adjust to [the new material] because it wasn't music you could necessarily dance to—it was more like music you could make love to." In The Journal on the Art of Record Production, Marshall Heiser writes that Pet Sounds "diverges from previous Beach Boys' efforts in several ways: its sound field has a greater sense of depth and 'warmth;' the songs employ even more inventive use of harmony and chord voicings; the prominent use of percussion is a key feature (as opposed to driving drum backbeats); whilst the orchestrations, at times, echo the quirkiness of 'exotica' bandleader Les Baxter, or the 'cool' of Burt Bacharach, more so than Spector's teen fanfares."
For Pet Sounds, Brian desired to make "a complete statement", similar to what he believed the Beatles had done with their newest album Rubber Soul, released in December 1965. Brian was immediately enamored with the album, given the impression that it had no filler tracks, a feature that was mostly unheard of at a time when 45 rpm singles were considered more noteworthy than full-length LPs. He later said: "It didn't make me want to copy them but to be as good as them. I didn't want to do the same kind of music, but on the same level." Thanks to mutual connections, Brian was introduced to the Beatles' former press officer Derek Taylor, who was subsequently employed as the Beach Boys' publicist. Responding to Brian's request to reinvent the band's image, Taylor devised a promotion campaign with the tagline "Brian Wilson is a genius", a belief Taylor sincerely held. Taylor's prestige was crucial in offering a credible perspective to those on the outside, and his efforts are widely recognized as instrumental in the album's success in Britain.
Released on May 16, 1966, Pet Sounds was widely influential and raised the band's prestige as an innovative rock group. Early reviews for the album in the US ranged from negative to tentatively positive, and its sales numbered approximately 500,000 units, a drop-off from the run of albums that immediately preceded it. It was assumed that Capitol considered Pet Sounds a risk, appealing more to an older demographic than the younger, female audience upon which the Beach Boys had built their commercial standing. Within two months, the label capitulated by releasing the group's first greatest hits compilation album, Best of the Beach Boys, which was quickly certified gold by the RIAA. By contrast, Pet Sounds met a highly favorable critical response in Britain, where it reached number 2 and remained among the top-ten positions for six months. Responding to the hype, Melody Maker ran a feature in which many pop musicians were asked whether they believed that the album was truly revolutionary and progressive, or "as sickly as peanut butter". The author concluded that "the record's impact on artists and the men behind the artists has been considerable."
"Good Vibrations" and Smile
Throughout the summer of 1966, Brian concentrated on finishing the group's next single, "Good Vibrations". Instead of working on whole songs with clear large-scale syntactical structures, he limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. Coming at a time when pop singles were usually recorded in under two hours, it was one of the most complex pop productions ever undertaken, with sessions for the song stretching over several months in four major Hollywood studios. It was also the most expensive single ever recorded to that point, with production costs estimated to be in the tens of thousands.
In the midst of "Good Vibrations" sessions, Wilson invited session musician and songwriter Van Dyke Parks to collaborate as lyricist for the Beach Boys' next album project, soon titled Smile. Parks agreed. Wilson and Parks intended Smile to be a continuous suite of songs linked both thematically and musically, with the main songs linked together by small vocal pieces and instrumental segments that elaborated on the major songs' musical themes. It was explicitly American in style and subject, a conscious reaction to the overwhelming British dominance of popular music at the time. Some of the music incorporated chanting, cowboy songs, explorations in Indian and Hawaiian music, jazz, classical tone poems, cartoon sound effects, musique concrète, and yodeling. Saturday Evening Post writer Jules Siegel recalled that, on one October evening, Brian announced to his wife and friends that he was "writing a teenage symphony to God".
Recording for Smile lasted about a year, from mid-1966 to mid-1967, and followed the same modular production approach as "Good Vibrations". Concurrently, Wilson planned many different multimedia side projects, such as a sound effects collage, a comedy album, and a "health food" album. Capitol did not support all these ideas, which led to the Beach Boys' desire to form their own label, Brother Records. According to biographer Steven Gaines, Wilson employed his newfound "best friend" David Anderle as head of the label.
Throughout 1966, EMI flooded the UK market with Beach Boys albums not yet released there, including Beach Boys' Party!, The Beach Boys Today! and Summer Days (and Summer Nights!!), while Best of the Beach Boys was number 2 there for several weeks at the end of the year. Over the final quarter of 1966, the Beach Boys were the highest-selling album act in the UK, where for the first time in three years American artists broke the chart dominance of British acts. In 1971, Cue magazine wrote that, from mid-1966 to late-1967, the Beach Boys "were among the vanguard in practically every aspect of the counter culture".
Released on October 10, 1966, "Good Vibrations" was the Beach Boys' third US number 1 single, reaching the top of the Billboard Hot 100 in December, and became their first number 1 in Britain. That month, the record was their first single certified gold by the RIAA. It came to be widely acclaimed as one of the greatest masterpieces of rock music. In December 1966, the Beach Boys were voted the top band in the world in the NME's annual readers' poll, ahead of the Beatles, the Walker Brothers, the Rolling Stones, and the Four Tops.
Throughout the first half of 1967, the album's release date was repeatedly postponed as Brian tinkered with the recordings, experimenting with different takes and mixes, unable or unwilling to supply a final version. Meanwhile, he suffered from delusions and paranoia, believing on one occasion that the would-be album track "Fire" caused a building to burn down. On January 3, 1967, Carl Wilson refused to be drafted for military service, leading to indictment and criminal prosecution, which he challenged as a conscientious objector. The FBI arrested him in April, and it took several years for courts to resolve the matter.
After months of recording and media hype, Smile was shelved for personal, technical, and legal reasons. A February 1967 lawsuit seeking $255,000 (equivalent to $2.33 million in 2023) was launched against Capitol Records over neglected royalty payments. Within the lawsuit was an attempt to terminate the band's contract with Capitol before its November 1969 expiry. Many of Wilson's associates, including Parks and Anderle, disassociated themselves from the group by April 1967. Brian later said: "Time can be spent in the studio to the point where you get so next to it, you don't know where you are with it—you decide to just chuck it for a while."
In the decades following Smile's non-release, it became the subject of intense speculation and mystique and the most legendary unreleased album in pop music history. Many of the album's advocates believe that had it been released, it would have altered the group's direction and cemented them at the vanguard of rock innovators. In 2011, Uncut magazine staff voted Smile the "greatest bootleg recording of all time".
1967–1969: Faltered popularity and Brian's reduced involvement
Smiley Smile and Wild Honey
From 1965 to 1967, the Beach Boys had developed a musical and lyrical sophistication that contrasted their work from before and after. This divide was further solidified by the difference in sound between their albums and their stage performances. This resulted in a split fanbase corresponding to two distinct musical markets. One group enjoys the band's early work as a wholesome representation of American popular culture from before the political and social movements brought on in the mid-1960s. The other group also appreciates the early songs for their energy and complexity, but not as much as the band's ambitious work that was created during the formative psychedelic era. At the time, rock music journalists typically valued the Beach Boys' early records over their experimental work.
In May 1967, the Beach Boys attempted to tour Europe with four extra musicians brought from the US, but were stopped by the British musicians' union. The tour went on without the extra support, and critics described their performances as "amateurish" and "floundering". At the last minute, the Beach Boys declined to headline the Monterey Pop Festival, an event held in June. According to David Leaf, "Monterey was a gathering place for the 'far out' sounds of the 'new' rock ... and it is thought that [their] non-appearance was what really turned the 'underground' tide against them." Fan magazines speculated that the group was on the verge of breaking up. Detractors called the band the "Bleach Boys" and "the California Hypes" as media focus shifted from Los Angeles to the happenings in San Francisco. As authenticity became a higher concern among critics, the group's legitimacy in rock music became an oft-repeated criticism, especially since their early songs appeared to celebrate a politically unconscious youth culture.
Although Smile had been cancelled, the Beach Boys were still under pressure and a contractual obligation to record and present an album to Capitol. Carl remembered: "Brian just said, 'I can't do this. We're going to make a homespun version of [Smile] instead. We're just going to take it easy. I'll get in the pool and sing. Or let's go in the gym and do our parts.' That was Smiley Smile." Sessions for the new album lasted from June to July 1967 at Brian's new makeshift home studio. Most of the album featured the Beach Boys playing their own instruments, rather than the session musicians employed in much of their previous work. It was the first album for which production was credited to the entire group instead of Brian alone.
In July 1967, lead single "Heroes and Villains" was issued, arriving after months of public anticipation, and reached number 12 in US. It was met with general confusion and underwhelming reviews, and in the NME, Jimi Hendrix famously dismissed it as a "psychedelic barbershop quartet". By then, the group's lawsuit with Capitol was resolved, and it was agreed that Smile would not be the band's next album. In August, the group embarked on a two-date tour of Hawaii. The shows saw Brian make a brief return to live performance, as Bruce Johnston chose to take a temporary break from the band during the summer of 1967, feeling that the atmosphere within the band "had all got too weird". The performances were filmed and recorded with the intention of releasing a live album, Lei'd in Hawaii, which was also left unfinished and unreleased. The general record-buying public came to view the music made after this time as the point marking the band's artistic decline.
Smiley Smile was released on September 18, 1967, and peaked at number 41 in the US, making it their worst-selling album to that date. Critics and fans were generally underwhelmed by the album. According to Scott Schinder, the album was released to "general incomprehension. While Smile may have divided the Beach Boys' fans had it been released, Smiley Smile merely baffled them." The group was virtually blacklisted by the music press, to the extent that reviews of the group's records were either withheld from publication or published long after the release dates. When released in the UK in November, it performed better, reaching number 9. Over the years, the album gathered a reputation as one of the best "chill-out" albums to listen to during an LSD comedown. In 1974, NME voted it the 64th-greatest album of all time.
The Beach Boys immediately recorded a new album, Wild Honey, an excursion into soul music, and a self-conscious attempt to "regroup" themselves as a rock band in opposition to their more orchestral affairs of the past. Its music differs in many ways from previous Beach Boys records: it contains very little group singing compared to previous albums, and mainly features Brian singing at his piano. Again, the Beach Boys recorded mostly at his home studio. Love reflected that Wild Honey was "completely out of the mainstream for what was going on at that time ... and that was the idea."
Wild Honey was released on December 18, 1967, in competition with the Beatles' Magical Mystery Tour and the Rolling Stones' Their Satanic Majesties Request. It had a higher chart placing than Smiley Smile, but still failed to make the top-twenty and remained on the charts for only 15 weeks. As with Smiley Smile, contemporary critics viewed it as inconsequential, and it alienated fans whose expectations had been raised by Smile. That month, Mike Love told a British journalist: "Brian has been rethinking our recording program and in any case we all have a much greater say nowadays in what we turn out in the studio."
Friends, 20/20, and Manson affair
The Beach Boys were at their lowest popularity in the late 1960s, and their cultural standing was especially worsened by their public image, which remained incongruous with their peers' "heavier" music. At the end of 1967, Rolling Stone co-founder and editor Jann Wenner printed an influential article that denounced the Beach Boys as "just one prominent example of a group that has gotten hung up on trying to catch The Beatles. It's a pointless pursuit." The article had the effect of excluding the group among serious rock fans and such controversy followed them into the next year. Capitol continued to bill them as "America's Top Surfin' Group!" and expected Brian to write more beachgoing songs for the yearly summer markets. From 1968 onward, his songwriting output declined substantially, but the public narrative of "Brian as leader" continued. The group also stopped wearing their longtime striped-shirt stage uniforms in favor of matching white, polyester suits that resembled a Las Vegas show band's.
After meeting Maharishi Mahesh Yogi at a UNICEF Variety Gala in Paris, Love and other high-profile celebrities such as the Beatles and Donovan traveled to Rishikesh, India, in February–March 1968. The following Beach Boys album, Friends, had songs influenced by the Transcendental Meditation the Maharishi taught. In support of Friends, Love arranged for the Beach Boys to tour with the Maharishi in the US. Starting on May 3, 1968, the tour lasted five shows and was canceled when the Maharishi withdrew to fulfill film contracts. Because of disappointing audience numbers and the Maharishi's withdrawal, 24 tour dates were canceled at a cost estimated at $250,000. Friends, released on June 24, peaked at number 126 in the US. In August, Capitol issued an album of Beach Boys backing tracks, Stack-o-Tracks. It was the first Beach Boys LP that failed to chart in the US and UK.
In June 1968, Dennis befriended Charles Manson, an aspiring singer-songwriter, and their relationship lasted for several months. Dennis bought him time at Brian's home studio, where recording sessions were attempted while Brian stayed in his room. Dennis then proposed that Manson be signed to Brother Records. Brian reportedly disliked Manson, and a deal was never made. In July 1968, the group released the single "Do It Again", which lyrically harkened back to their earlier surf songs. Around this time, Brian admitted himself to a psychiatric hospital; his bandmates wrote and produced material in his absence. Released in January 1969, the album 20/20 mixed new material with outtakes and leftovers from recent albums; Brian produced virtually none of the newer recordings.
The Beach Boys recorded one song by Manson without his involvement: "Cease to Exist", rewritten as "Never Learn Not to Love", which was included on 20/20. As his cult of followers took over Dennis's home, Dennis gradually distanced himself from Manson. According to Leaf, "The entire Wilson family reportedly feared for their lives."
In August, the Manson Family committed the Tate–LaBianca murders. According to Jon Parks, the band's tour manager, it was widely suspected in the Hollywood community that Manson was responsible for the murders, and it had been known that Manson had been involved with the Beach Boys, causing the band to be viewed as pariahs for a time. In November, police apprehended Manson, and his connection with the Beach Boys received media attention. He was later convicted for several counts of murder and conspiracy to murder.
Selling of the band's publishing
In April 1969, the band revisited its 1967 lawsuit against Capitol after it alleged an audit revealed the band was owed over $2 million for unpaid royalties and production duties. In May, Brian told the music press that the group's funds were depleted to the point that it was considering filing for bankruptcy at the end of the year, which Disc & Music Echo called "stunning news" and a "tremendous shock on the American pop scene". Brian hoped that the success of a forthcoming single, "Break Away", would mend the financial issues. The song, written and produced by Brian and Murry, reached number 63 in the US and number 6 in the UK, and Brian's remarks to the press ultimately thwarted long-simmering contract negotiations with Deutsche Grammophon. The group's Capitol contract expired two weeks later with one more album still due. Live in London, a live album recorded in December 1968, was released in several countries in 1970 to fulfil the contract, although it would not see US release until 1976. After the contract was completed Capitol deleted the Beach Boys' catalog from print, effectively cutting off their royalty flow. The lawsuit was later settled in their favor and they acquired the rights to their post-1965 catalog.
In August, Sea of Tunes, the Beach Boys' catalog, was sold to Irving Almo Music for $700,000 (equivalent to $5.82 million in 2023). According to his wife, Marilyn Wilson, Brian was devastated by the sale. Over the years, the catalog generated more than $100 million in publishing royalties, none of which Murry or the band members ever received. That same month, Carl, Dennis, Love, and Jardine sought a permanent replacement for Johnston, with Johnston unaware of this search. They approached Carl's brother-in-law Billy Hinsche, who declined the offer to focus on his college studies.
1970–1978: Reprise era
Sunflower, Surf's Up, Carl and the Passions, and Holland
The group was signed to Reprise Records in 1970. Scott Schinder described the label as "probably the hippest and most artist-friendly major label of the time." The deal was brokered by Van Dyke Parks, who was then employed as a multimedia executive at Warner Music Group. Reprise's contract stipulated Brian's proactive involvement with the band in all albums. By the time the Beach Boys' tenure ended with Capitol in 1969, they had sold 65 million records worldwide, closing the decade as the most commercially successful American group in popular music.
After recording over 30 different songs and going through several album titles, their first LP for Reprise, Sunflower, was released on August 31, 1970. Sunflower featured a strong group presence with significant writing contributions from all six band members. Brian was active during this period, writing or co-writing seven of Sunflower's 12 songs and performing at half of the band's domestic concerts in 1970. The album received critical acclaim in both the US and the UK. This was offset by the album reaching only number 151 on US record charts during a four-week stay, becoming one of the worst-selling of the Beach Boys' albums at that point. Fans generally regard the LP as the Beach Boys' finest post-Pet Sounds album. In 2003, it placed at number 380 on Rolling Stone's "Greatest Albums of All Time" list.
In mid-1970, the Beach Boys hired radio presenter Jack Rieley as their manager. One of his initiatives was to encourage the band to record songs featuring more socially conscious lyrics. He also requested the completion of Smile track "Surf's Up" and arranged a guest appearance at a Grateful Dead concert at Bill Graham's Fillmore East in April 1971 to foreground the Beach Boys' transition into the counterculture. During this time, the group ceased wearing matching uniforms on stage, while Dennis took time to star alongside James Taylor, Laurie Bird, and Warren Oates in the cult film Two-Lane Blacktop, released in 1971. Later in 1971, Dennis injured his hand, leaving him temporarily unable to play the drums. He continued in the band, singing and occasionally playing keyboards, while Ricky Fataar, formally of the Flames, took over on drums. In July, the American music press rated the Beach Boys "the hottest grossing act" in the country, alongside Grand Funk Railroad. The band filmed a concert for ABC-TV in Central Park, which aired as Good Vibrations from Central Park on August 19.
On August 30, the band released Surf's Up, which was moderately successful, reaching the US top-thirty, a marked improvement over their recent releases. While the record charted, the Beach Boys added to their renewed fame by performing a near-sellout set at Carnegie Hall; their live shows during this era included reworked arrangements of many of their previous songs, with their set lists culling from Pet Sounds and Smile. On October 28, the Beach Boys were the featured cover story on that date's issue of Rolling Stone. It included the first part of a lengthy two-part interview, titled "The Beach Boys: A California Saga", conducted by Tom Nolan and David Felton.
Bruce Johnston left the Beach Boys in early 1972, with Fataar and another ex-Flames member, singer and guitarist Blondie Chaplin, becoming official members of the band. The new line-up released the comparatively unsuccessful Carl and the Passions – "So Tough" in May 1972, followed by Holland in January 1973. Reprise felt Holland needed a strong single. Following the intervention of Van Dyke Parks, this resulted in the inclusion of "Sail On, Sailor". Reprise approved, and the resulting album peaked at number 37. Brian's musical children's story, Mount Vernon and Fairway, was included as a bonus EP.
Greatest hits LPs, touring resurgence, and Caribou sessions
After Holland, the group maintained a touring regimen, captured on the double live album The Beach Boys in Concert released in November 1973, but recorded very little in the studio through 1975. Several months earlier, they had announced that they would complete Smile, but this never came to fruition, and plans for its release were once again abandoned. Following Murry's death in June 1973, Brian retreated into his bedroom and withdrew further into drug abuse, alcoholism, chain smoking, and overeating. In October, the band fired Rieley. Rieley's position was succeeded by Mike Love's brother, Stephen, and Chicago manager James William Guercio. Chaplin and Fataar left the band in December 1973 and November 1974, respectively, with Dennis returning to drums following Fataar's departure.
The Beach Boys' greatest hits compilation album Endless Summer was released in June 1974 to unexpected success, becoming the band's second number 1 US album in October. The LP had a 155-week chart run, selling over 3 million copies. The Beach Boys became the number-one act in the US, propelling themselves from opening for Crosby, Stills, Nash and Young in the summer of 1974 to headliners selling out basketball arenas in a matter of weeks. Guercio prevailed upon the group to swap out newer songs with older material in their concert setlists, partly to accommodate their growing audience and the demand for their early hits. Later in the year, members of the band appeared as guests on Chicago's hit "Wishing You Were Here". At the end of 1974, Rolling Stone proclaimed the Beach Boys "Band of the Year" based on the strength of their live performances.
To capitalize on their sudden resurgence in popularity, the Beach Boys accepted Guercio's invitation to record their next Reprise album at his Caribou Ranch studio, located around the mountains of Nederland, Colorado. These October 1974 sessions marked the group's return to the studio after a 21-month period of virtual inactivity, but the proceedings were cut short after Brian had insisted on returning to his home in Los Angeles. With the project put on hold, the Beach Boys spent most of the next year on the road playing college football stadiums and basketball arenas. The only Beach Boys recording of 1974 to see release at the time was the Christmas single "Child of Winter", recorded upon the group's return to Los Angeles in November and released the following month.
Over the summer of 1975, the touring group played a co-headlining series of concert dates with Chicago, a pairing that was nicknamed "Beachago". The tour was massively successful and restored the Beach Boys' profitability to what it had been in the mid-1960s. Although another joint tour with Chicago had been planned for the summer of 1976, the Beach Boys' association with Guercio and his Caribou Management company ended in early 1976. Stephen Love subsequently took over as the band's de facto business manager.
15 Big Ones, Love You, and Adult/Child
Early in 1975, Brian signed a production deal with California Music, a Los Angeles collective that included Bruce Johnston and Gary Usher, but was drawn away by the Beach Boys' pressing demands for a new album. In October, Marilyn persuaded Brian to admit himself to the care of psychologist Eugene Landy, who kept him from indulging in substance abuse with constant supervision. Brian was kept in the program until December 1976.
At the end of January 1976, the Beach Boys returned to the studio with Brian producing once again. Brian decided the band should do an album of rock and roll and doo wop standards. Carl and Dennis disagreed, feeling that an album of originals was far more ideal, while Love and Jardine wanted the album out as quickly as possible. To highlight Brian's recovery and his return to writing and producing, Stephen devised a promotional campaign with the tagline "Brian Is Back!", and paid the Rogers & Cowan publicity agency $3,500 per month to implement it. The band also commissioned an NBC-TV special, later known as The Beach Boys: It's OK!, that was produced by Saturday Night Live creator Lorne Michaels.
Released on July 5, 1976, 15 Big Ones was generally disliked by fans and critics, as well as Carl and Dennis, who disparaged the album to the press. The album peaked at number 8 in the US, becoming their first top-ten album of new material since Pet Sounds, and their highest-charting studio album since Summer Days (And Summer Nights!!). Lead single "Rock and Roll Music" peaked at number 5 – their highest chart ranking since "Good Vibrations".
From late-1976 to early-1977, Brian made sporadic public appearances and produced the band's next album, The Beach Boys Love You. He regarded it as a spiritual successor to Pet Sounds, namely because of the autobiographical lyrics. Released on April 11, 1977, Love You peaked at number 53 in the US and number 28 in the UK. Critically, it was met with polarized reactions from the public. Numerous esteemed critics penned favorable reviews, but casual listeners generally found the album's idiosyncratic sound to be a detriment.
Adult/Child, the intended follow-up to Love You, was completed, but the release was vetoed by Love and Jardine. According to Stan Love, when his brother Mike heard the album, Mike turned to Brian and asked: "What the fuck are you doing?" Some of the unreleased songs on Adult/Child later saw individual release on subsequent Beach Boys albums and compilations. Following this period, his concert appearances with the band gradually diminished and their performances were occasionally erratic.
CBS signing and M.I.U. Album
At the beginning of 1977, the Beach Boys had enjoyed their most lucrative concert tours ever, with the band playing in packed stadiums and earning up to $150,000 per show. Concurrently, the band was the subject of a record company bidding war, as their contract with Warner Bros. had been set to expire soon. Stephen Love arranged for the Beach Boys to sign an $8 million deal with CBS Records on March 1. Numerous stipulations were given in the CBS contract, including that Brian was required to write at least four songs per album, co-write at least 70% of all the tracks, and produce or co-produce alongside his brothers. Another part of the deal required the group to play thirty concerts a year in the U.S., in addition to one tour in Australia and Japan, and two tours in Europe.
Within weeks of the CBS contract, Stephen was effectively fired by the band, with one of the alleged reasons being that Mike had not permitted Stephen to sign on his behalf while at a TM retreat in Switzerland. For Stephen's replacement, the group hired Carl's friend Henry Lazarus, an entertainment business owner that had no prior experience in the music industry. Lazarus arranged a major European tour for the Beach Boys, starting in late July, with stops in Germany, Switzerland, and France. Due to poor planning, the tour was cancelled shortly before it began, as Lazarus had failed to complete the necessary paperwork. The group subsequently fired Lazarus and were sued by many of the concert promoters, with losses of $200,000 in preliminary expenses and $550,000 in potential revenue.
In July, the Beach Boys played a concert at Wembley Stadium that was notable for the fact that, during the show, Mike attacked Brian with a piano bench onstage in front of over 15,000 attendees. In August, Mike and Jardine persuaded Stephen to return as the group's manager, a decision that Carl and Dennis had strongly opposed. By this point, the band had effectively split into two camps; Dennis and Carl on one side, Mike and Jardine on the other, with Brian remaining neutral. These two opposing contingents within the group – known among their associates as the "free-livers" and the "meditators" – were traveling in different planes, using different hotels, and rarely speaking to each other. According to Love, "[T]he terms 'smokers' and 'nonsmokers' were also used."
On September 3, after completing the final date of a northeastern US tour, the internal wrangling came to a head. Following a confrontation on an airport apron – a spectacle that a bystanding Rolling Stone journalist compared to the ending of Casablanca – Dennis declared that he had left the band. The group was broken up until a meeting at Brian's house on September 17. In light of the lucrative CBS contract, the parties negotiated a settlement resulting in Love gaining control of Brian's vote in the group, allowing Love and Jardine to outvote Carl and Dennis on any matter.
The group had still owed one more album for Reprise. Released in September 1978, M.I.U. Album was recorded at Maharishi International University in Iowa at the suggestion of Love. The band originally attempted to record a Christmas album, to be titled Merry Christmas from the Beach Boys, but this idea was rejected by Reprise. These Christmas recordings would eventually be released in 1998 as part of the Ultimate Christmas compilation album. Dennis and Carl made limited contributions to M.I.U. Album; the album was produced by Jardine and Ron Altbach, with Brian credited as "executive producer". Dennis started to withdraw from the group to focus on his second solo album, Bambu, which was shelved just as alcoholism and marital problems overcame all three Wilson brothers. Carl appeared intoxicated during concerts (especially at appearances for their 1978 Australia tour) and Brian gradually slid back into addiction and an unhealthy lifestyle. Stephen was fired shortly after the Australia tour partly due to an incident in which Brian's bodyguards, Rocky Pamplin and Stan Love, physically assaulted Dennis.
1978–1998: Continued recording and Brian's estrangement
L.A. (Light Album) and Keepin' the Summer Alive
The group's first two albums for CBS, 1979's L.A. (Light Album) and 1980's Keepin' the Summer Alive, struggled in the US, charting at 100 and 75 respectively, though the band did manage a top-forty single from L.A. with "Good Timin'". The recording of these albums saw Bruce Johnston return to the band, initially solely as a producer and eventually as a full-time band member. In-between the two albums the group contributed the song "It's a Beautiful Day" to the soundtrack of the film Americathon. In an April 1980 interview, Carl reflected that "the last two years have been the most important and difficult time of our career. We were at the ultimate crossroads. We had to decide whether what we had been involved in since we were teenagers had lost its meaning. We asked ourselves and each other the difficult questions we'd often avoided in the past." By the next year, he left the touring group because of unhappiness with the band's nostalgia format and lackluster live performances, subsequently pursuing a solo career. He stated: "I haven't quit the Beach Boys but I do not plan on touring with them until they decide that 1981 means as much to them as 1961." Carl returned in May 1982, after approximately 14 months of being away, on the condition that the group reconsider their rehearsal and touring policies and refrain from "Las Vegas-type" engagements.
On June 21, 1980, the Beach Boys performed a concert at Knebworth, England, which featured a slightly intoxicated Dennis. The concert would later be released as a live album titled Good Timin': Live at Knebworth England 1980 in 2002. In 1981, the band scored a surprise US top-twenty hit when their cover of the Del-Vikings' "Come Go with Me" from the three year old M.I.U. Album was released as a single.
In late 1982, Eugene Landy was once more employed as Brian's therapist, and a more radical program was undertaken to try to restore Brian to health. This involved removing him from the group on November 5, 1982, at the behest of Carl, Love, and Jardine, in addition to putting him on a rigorous diet and health regimen. Coupled with long, extreme counseling sessions, this therapy was successful in bringing Brian back to physical health, slimming down from 311 pounds (141 kg) to 185 pounds (84 kg).
Death of Dennis, The Beach Boys, and Still Cruisin'
By the late 1970s and early 1980s, Dennis had been embroiled in successive failed romantic relationships, including a tense and short-lived relationship with Fleetwood Mac's Christine McVie, and found himself in severe economic trouble resulting in the sale of Brother Studios, established by the Wilson brothers in 1974 and where Pacific Ocean Blue was produced, and the forfeiture of his beloved yacht. To cope with the combination of devastating losses, Dennis heavily abused alcohol, cocaine, and heroin and was, by 1983, homeless and lived a nomadic lifestyle. He was often seen spending much of his time wandering the Los Angeles coast and often missed Beach Boys performances. By this point, he had lost his voice and much of his ability to play drums.
In 1983, tensions between Dennis and Love escalated to the point that each obtained a restraining order against the other. Following Brian's readmission for Landy's treatment, Dennis was given an ultimatum after his last performance in November 1983 to check into rehab for his alcohol problems or be banned from performing live with the band again. Dennis checked into rehab for his chance to get sober, but on December 28, he drowned at the age of 39 in Marina del Rey while diving from a friend's boat trying to recover items that he had previously thrown overboard in a fit of rage.
The Beach Boys spent the next several years touring, often playing in front of large audiences, and recording songs for film soundtracks and various artists compilations. One new studio album, the self-titled The Beach Boys, appeared in 1985 and proved a modest success, becoming their highest-charting album in the US since 15 Big Ones. The Beach Boys was the group's final album for CBS. The following year they returned to Capitol with a 25th anniversary greatest hits album Made in U.S.A, which featured two new tracks, "Rock 'n' Roll to the Rescue" and a cover of the Mamas and the Papas' "California Dreamin'", with the latter featuring Roger McGuinn of the Byrds on lead guitar. Made in U.S.A eventually went double platinum.
Commenting on his relationship to the band in 1988, Brian said that he avoided his family at Landy's suggestion, adding that "Although we stay together as a group, as people we're a far cry from friends." Mike denied the accusation that he and the band were keeping Brian from participating with the group. In 1987 the band scored a top-twenty single in collaboration with rap group the Fat Boys, on their cover of the Surfaris' "Wipeout!". The following year, the Beach Boys unexpectedly claimed their first US number 1 single in 22 years with "Kokomo", which topped the chart for one week. The track was featured in the film Cocktail. Both "Wipeout!" and "Kokomo" were included on the band's next album, 1989's Still Cruisin', which went platinum in the US. In 1991 the band contributed a cover of "Crocodile Rock" to the Elton John and Bernie Taupin tribute album Two Rooms.
Lawsuits, Summer in Paradise, and Stars and Stripes, Vol. 1
Carlin summarized, "Once surfin' pin-ups, they remade themselves as avant-garde pop artists, then psychedelic oracles. After that they were down-home hippies, then retro-hip icons. Eventually they devolved into none of the above: a kind of perpetual-motion nostalgia machine." Music journalist Erik Davis wrote in 1990, "the Beach Boys are either dead, deranged, or dinosaurs; their records are Eurocentric, square, unsampled; they've made too much money to merit hip revisionism." In 1992, critic Jim Miller wrote, "They have become a figment of their own past, prisoners of their unflagging popularity—incongruous emblems of a sunny myth of eternal youth belied by much of their own best music. … The group is still largely identified with its hits from the early Sixties."
Love filed a defamation lawsuit against Brian due to how he was presented in Brian's 1992 memoir Wouldn't It Be Nice: My Own Story. Its publisher HarperCollins settled the suit for $1.5 million. He said that the suit allowed his lawyer "to gain access to the transcripts of Brian's interviews with his [book] collaborator, Todd Gold. Those interviews affirmed—according to Brian—that I had been the inspiration of the group and that I had written many of the songs that [would soon be] in dispute." Other defamation lawsuits were filed by Carl, Brother Records, and the Wilsons' mother Audree. With Love and Brian unable to determine exactly what Love was properly owed in royalties, Love sued Brian in 1992, winning $13 million in 1994 for lost royalties. 35 of the group's songs were then amended to credit Love. He later called it "almost certainly the largest case of fraud in music history".
The day after California courts issued a restraining order between Brian and Landy, Brian phoned Sire Records staff producer Andy Paley to collaborate on new material tentatively for the Beach Boys. After losing the songwriting credits lawsuit with Love, Brian told MOJO in February 1995: "Mike and I are just cool. There's a lot of shit Andy and I got written for him. I just had to get through that goddamn trial!" In April, it was unclear whether the project would turn into a Wilson solo album, a Beach Boys album, or a combination of the two. The project ultimately disintegrated. Instead, Brian and his bandmates recorded Stars and Stripes Vol. 1, an album of country music stars covering Beach Boys songs, with co-production helmed by River North Records owner Joe Thomas. Afterward, the group discussed finishing the album Smile, but Carl rejected the idea, fearing that it would cause Brian another nervous breakdown.
1998–present: Love-led tours
Death of Carl and band name litigation
Early in 1997, Carl was diagnosed with lung and brain cancer after years of heavy smoking. Despite his terminal condition, Carl continued to perform with the band on its 1997 summer tour (a double-bill with the band Chicago) while undergoing chemotherapy. During performances, he sat on a stool and needed oxygen after every song. Carl died on February 6, 1998, at the age of 51, two months after the death of the Wilsons' mother, Audree.
After Carl's death, Jardine left the touring line-up and began to perform regularly with his band "Beach Boys: Family & Friends" until he ran into legal issues for using the name without license. Meanwhile, Jardine sued Love, claiming that he had been excluded from their concerts, BRI, through its longtime attorney, Ed McPherson, sued Jardine in Federal Court. Jardine, in turn, counter-claimed against BRI for wrongful termination. Courts ruled in Love's favor, denying Jardine the use of the Beach Boys name in any fashion. However, Jardine proceeded to appeal this decision in addition to seeking $4 million in damages. The California Court of Appeal proceeded to rule that, "Love acted wrongfully in freezing Jardine out of touring under the Beach Boys name", allowing Jardine to continue with his lawsuit. The case ended up being settled outside of court with the terms not disclosed. BRI ultimately prevailed.
Jardine's final appearance with the band for more than a decade occurred on May 9, 1998, which was the final official Beach Boys show performed before the license dispute. During the license dispute, Love (with Marks) toured as "The California Beach Band"; it was previously believed he did so "America's Band", but this has since been disproven. Love then continued touring with Johnston (and David Marks, until he left the band again in 1999, due to health issues when he was diagnosed with hepatitis C), after securing a license from BRI, with the first performance of the 'reorganized' Love and Johnston-led touring band on July 4, 1998.
In 2000, ABC-TV premiered a two-part television miniseries, The Beach Boys: An American Family, that dramatized the Beach Boys' story. It was produced by Full House actor John Stamos, and was criticized by numerous parties, including Brian Wilson, for historical inaccuracies.
In 2004, Wilson recorded and released his solo album Brian Wilson Presents Smile, a reinterpretation of the unfinished Smile project. That September, Wilson issued a free CD through the Mail On Sunday that included Beach Boys songs he had recently rerecorded, five of which he co-authored with Love. The 10 track compilation had 2.6 million copies distributed and prompted Love to file a lawsuit in November 2005; he claimed the promotion hurt the sales of the original recordings and that his image was used for the CD. Wilson's wife Melinda alleged that, during the deposition, Love turned to Wilson and remarked, "you better start writing a real big hit because you're going to have to write me a real big check." Love's suit was dismissed in 2007 when a judge determined that there were no triable issues and that the case was without merit.
In 2006, Brian Wilson, Love, Jardine, Marks, and Johnston participated in a non-performing reunion on the rooftop of the Capitol Records building in Los Angeles to celebrate that the compilation album Sounds of Summer: The Very Best of The Beach Boys had been certified double-platinum. Later that year, Jardine joined Brian Wilson and his band for a short tour celebrating the 40th anniversary of Pet Sounds.
In 2008, Marks briefly reunited with Love and Johnston's touring band for a tour of Europe.
In 2010, Jardine released A Postcard from California, his solo debut, in June 2010 (re-released with two extra tracks on April 3, 2012). The album features contributions from Beach Boys Brian Wilson, Carl Wilson (posthumously), Bruce Johnston, David Marks, and Mike Love. Other guests with Beach Boys connections included Glen Campbell, Scott Mathews, Stephen Kalinich, and Gerry Beckley and Dewey Bunnell of America. Also in 2010, Brian Wilson and Jardine sang on "We Are the World 25: for Haiti", a new recording of "We Are the World" (with partially revised lyrics), which was released as a charity single to benefit the population of Haiti.
Jardine made his first appearance with the Beach Boys touring band in more than 10 years in 2011 at a tribute concert for Ronald Reagan's 100th birthday; at this concert, he sang lead on "Help Me, Rhonda" and "Sloop John B". He made a handful of other appearances with Love and Johnston's touring band in preparation for a reunion.
The Smile Sessions, That's Why God Made the Radio, and 50th anniversary reunion tour
On October 31, 2011, Capitol released a double album and box set dedicated to the Smile recordings in the form of The Smile Sessions. The album garnered universal critical acclaim and charted in both the US Billboard and UK top-thirty. It went on to win Best Historical Album at the 2013 Grammy Awards.
On December 16, 2011, it was announced that Wilson, Love, Jardine, Johnston, and David Marks would reunite for a new album and 50th anniversary tour. On February 12, 2012, the Beach Boys performed at the 2012 Grammy Awards, in what was billed as a "special performance" by organizers. It marked the group's first live performance to include Wilson since 1996, Jardine since 1998, and Marks since 1999. Released on June 5, That's Why God Made the Radio debuted at number 3 on the US charts, expanding the group's span of Billboard 200 top-ten albums across 49 years and one week, passing the Beatles with 47 years of top-ten albums. Critics generally regarded the album as an "uneven" collection, with most of the praise centered on its closing musical suite.
During the tour, in May 2012, when asked about the future held for the band and its reunion after the scheduled end of the tour in September, Love stated that "We're looking at our present and future. I think we're going to be doing this again with Brian for a long time." Wilson said that he had begun planning for another Beach Boys album for the band would record after the tour. On June 1, 2012, Love received an e-mail from Ledbetter stating "no more shows for Wilson". Love then began accepting invitations for when the reunion was over. Johnston told reporter Mark Dillon in mid-June that the current tour was "a one-time event. You're not going to see this next year. I'm busy next year doing my thing with Mike." On June 25, Ledbetter sent another e-mail asking to disregard her last message, but by then, Love claimed that "it was too late. We had booked other concerts, and promoters had begun selling tickets."
Despite this, in July, Love stated, "There's talk of us going and doing a return to the Grammys next year, and there's talk about doing another album together. There's nothing in stone, but there's a lot of ideas being floated around. So after this year, after completing the 50th anniversary reunion, we'll entertain doing some more studio work and see what we can come up with and can do in the future." Love said that Wilson and producer Joe Thomas had over 80 hours of material recorded, much of it culled from material they were working on around the time of Wilson's 1998 Imagination album that "were always songs he had earmarked for the Beach Boys" and that their label Capitol Records was excited by the band's reunion and was encouraging the band for more new music and more tour dates.
Ultimately, the reunion tour ended in September 2012 as planned, after a final show on September 28, but amid erroneous rumors that Love had dismissed Wilson from the Beach Boys. At this time, Love and Johnston had announced via a press release that following the end of the reunion tour the Beach Boys would revert to the pre-reunion tour Love/Johnston lineup, without Brian, Jardine, or Marks, all of whom expressed surprise. Although such dates were noted in a late June issue of Rolling Stone, it was widely reported that the three had been "fired". Love later wrote that the end of the reunion came partly as a result of 'interference' from Brian's wife and manager Melinda Ledbetter-Wilson and that he (Love) "had wanted to send out a joint press release, between Brian and me, formally announcing the end of the reunion tour on September 28. But I couldn't get Brian's management team on board..."
On October 5, Love responded in a self-written press release to the Los Angeles Times stating he "did not fire Brian Wilson from the Beach Boys. I cannot fire Brian Wilson from the Beach Boys ... I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys." He claimed that nobody in the band "wanted to do a 50th anniversary tour that lasted 10 years" and that its limited run "was long agreed upon". On October 9, Wilson and Jardine submitted a written response to the rumors stating: "I was completely blindsided by his press release ... We hadn't even discussed as a band what we were going to do with all the offers that were coming in for more 50th shows."
From late September, Love and Johnston continued to perform under the Beach Boys name, while Wilson, Jardine, and Marks toured as a trio in 2013, and a subsequent tour with guitarist Jeff Beck also included Blondie Chaplin at select dates. Wilson and Jardine continued to tour together in 2014 and following years, often joined by Chaplin; Marks declined to join them after 2013.
Copyright extension releases and occasional partial reunions
Responding to a new European Union copyright law that extended copyright to 70 years for recordings that were published within 50 years after they were made, Capitol began issuing annual 50-year anniversary "copyright extension" releases of Beach Boys recordings, starting with The Big Beat 1963 (2013).
In June 2013, Wilson's website announced that he was recording and self-producing new material with Jardine, Marks, Chaplin, Don Was, and Jeff Beck. It stated that the material might be split into three albums: one of new pop songs, another of mostly instrumental tracks with Beck, and another of interwoven tracks dubbed "the suite" which initially began form as the closing four tracks of That's Why God Made the Radio. In January 2014, Wilson declared in an interview that the Beck collaborations would not be released. Released in April 2015, No Pier Pressure marked another collaboration between Wilson and Joe Thomas, featuring guest appearances from Jardine, Marks, Chaplin, and others.
Jardine, Marks, Johnston and Love appeared together at the 2014 Ella Awards Ceremony, where Love was honored for his work as a singer. In 2015, Soundstage aired an episode featuring Wilson performing with Jardine, Chaplin, and Ricky Fataar at The Venetian in Las Vegas. In April, when asked if he was interested in making music with Love again, Wilson replied: "I don't think so, no," adding in July that he "doesn't talk to the Beach Boys [or] Mike Love."
In 2016, Wilson and Jardine embarked on the Pet Sounds 50th Anniversary World Tour, promoted as Wilson's final performances of the album, with Chaplin appearing as a special guest at all dates on select songs. That same year, Love and Wilson each published memoirs, Good Vibrations: My Life as a Beach Boy and I Am Brian Wilson, respectively. Asked about negative comments that Wilson made about him in the book, Love challenged the legitimacy of statements attributed to Wilson in the book and in the press. In an interview with Rolling Stone conducted in June 2016, Wilson said he would like to try to repair his relationship with Love and collaborate with him again. In January 2017, Love said, "If it were possible to make it just Brian and I, and have it under control and done better than what happened in 2012, then yeah, I'd be open to something."
In July 2018, Wilson, Jardine, Love, Johnston, and Marks reunited for a one-off Q&A session moderated by director Rob Reiner at the Capitol Records Tower in Los Angeles. It was the first time the band had appeared together in public since their 2012 tour. That December, Love described his new holiday album, Reason for the Season, as a "message to Brian" and said that he "would love nothing more than to get together with Brian and do some music."
In 2019, Wilson and Jardine (with Chaplin) embarked on a co-headlining tour with the Zombies, performing selections from Friends and Surf's Up.
In February 2020, Wilson and Jardine's official social media pages encouraged fans to boycott the band's music after it was announced that Love's Beach Boys would perform at the Safari Club International Convention in Reno, Nevada on animal rights grounds. The concert proceeded despite online protests, as Love issued a statement that said his group has always supported "freedom of thought and expression as a fundamental tenet of our rights as Americans." In October, Love and Johnston's Beach Boys performed at a fundraiser for Donald Trump's presidential re-election campaign; Wilson and Jardine again issued a statement that they had not been informed about this performance and did not support it.
Selling of the band's intellectual property and 60th anniversary
In March 2020, Jardine was asked about a possible reunion and responded that the band would reunite for a string of live performances in 2021, although he believed a new album was unlikely. In response to reunion rumors, Love said in May that he was open to a 60th anniversary tour, although Wilson has "some serious health issues", while Wilson's manager Jean Sievers commented that no one had spoken to Wilson about such a tour. In February 2021, it was announced that Brian Wilson, Love, Jardine, and the estate of Carl Wilson had sold a majority stake in the band's intellectual property to Irving Azoff and his new company Iconic Artists Group; rumors of a 60th anniversary reunion were again discussed.
In April 2021, Omnivore Recordings released California Music Presents Add Some Music, an album featuring Love, Jardine, Marks, Johnston, and several children of the original Beach Boys (most notably on a re-recording of The Beach Boys' "Add Some Music to Your Day" from 1970's Sunflower). In August, Capitol released the box set Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971. In 2022, the group was expected to participate in a "60th anniversary celebration". Azoff stated in an interview from May 2021, "We're going to announce a major deal with a streamer for the definitive documentary on The Beach Boys and a 60th anniversary celebration. We're planning a tribute concert affiliated with the Rock & Roll Hall of Fame and SiriusXM, with amazing acts. That's adding value, and that's why I invested in The Beach Boys."
On Mike Love's 81st birthday, Jardine once again hinted at a possible reunion on his Facebook page by stating that he was "looking forward" to seeing Love at the "reunion". However, while a reunion ultimately did not occur in 2022, Capitol released the Sail On Sailor – 1972 box set in December; following on from the Feel Flows box set, which focused on Sunflower and Surf's Up, Sail On Sailor focused on Carl and the Passions and Holland.
In January 2023, the tribute concert mentioned by Azoff in 2021 was announced as being part of the "Grammys Salute" series of televised tribute concerts. On February 8—three days after the 2023 Grammy award ceremonies, A Grammy Salute to the Beach Boys was recorded at the Dolby Theatre in Hollywood, California and subsequently aired as a two-hour special on CBS on April 9. Present for the taping were Wilson, Jardine, Marks, Johnston, and Love—this time not as performers but as featured guests, seated in a luxury box at the theatre, overlooking tribute performances covering the gamut of their catalog by mostly contemporary artists. According to Billboard, the program had 5.18 million viewers.
In July 2023, the Beach Boys announced a limited edition to their book, The Beach Boys by The Beach Boys, set to be released in 2024. It will feature exclusive interviews, archived photos, live shots, as well as archived texts from late members Carl and Dennis Wilson.
In March 2024, the band announced the release of a self-titled documentary which would be released by streaming service Disney+, which includes new and archived interviews from various members of the band and their inner circle, including Brian Wilson, Love, Jardine, Marks, Johnston, Carl Wilson, Dennis Wilson, Chaplin, Fataar, Brian Wilson's ex-wife Marilyn, and Don Was, among others. The documentary was directed by Frank Marshall and Thom Zimny and was released on May 24, 2024. The documentary included some footage from a private reunion of Brian Wilson, Love, Jardine, Marks, and Johnston at Paradise Cove, where the Surfin' Safari album cover photo was taken in 1962. Brian Wilson, Love, Jardine, Marks, Johnston, and Blondie Chaplin also participated in a non-performing reunion at the documentary's premiere on May 24, 2024.
Musical style and development
In Understanding Rock: Essays in Musical Analysis, musicologist Daniel Harrison writes:
Even from their inception, the Beach Boys were an experimental group. They combined, as Jim Miller has put it, "the instrumental sleekness of the Ventures, the lyric sophistication of Chuck Berry, and the vocal expertise of some weird cross between the Lettermen and Frankie Lymon and the Teenagers" with lyrics whose images, idioms, and concerns were drawn from the rarefied world of the middle-class white male southern California teenager. ... [But] it was the profound vocal virtuosity of the group, coupled with the obsessional drive and compositional ambitions of their leader, Brian Wilson, that promised their survival after the eventual breaking of fad fever. ... Comparison to other vocally oriented rock groups, such as the Association, shows the Beach Boys' technique to be far superior, almost embarrassingly so. They were so confident of their ability, and of Brian's skill as a producer to enhance it, that they were unafraid of doing sophisticated, a cappella glee-club arrangements containing multiple suspensions, passing formations, complex chords, and both chromatic and enharmonic modulations.
The Beach Boys began as a garage band playing 1950s style rock and roll, reassembling styles of music such as surf to include vocal jazz harmony, which created their unique sound. In addition, they introduced their signature approach to common genres such as the pop ballad by applying harmonic or formal twists not native to rock and roll. Among the distinct elements of the Beach Boys' style were the nasal quality of their singing voices, their use of a falsetto harmony over a driving, locomotive-like melody, and the sudden chiming in of the whole group on a key line. Brian Wilson handled most stages of the group's recording process from the beginning, even though he was not properly credited on most of the early recordings.
Early on, Mike Love sang lead vocals in the rock-oriented songs, while Carl contributed guitar lines on the group's ballads. Jim Miller commented: "On straight rockers they sang tight harmonies behind Love's lead ... on ballads, Brian played his falsetto off against lush, jazz-tinged voicings, often using (for rock) unorthodox harmonic structures." Harrison adds that "even the least distinguished of the Beach Boys' early uptempo rock 'n' roll songs show traces of structural complexity at some level; Brian was simply too curious and experimental to leave convention alone." Although Brian was often dubbed a perfectionist, he was an inexperienced musician, and his understanding of music was mostly self-taught. At the lyric stage, he usually worked with Love, whose assertive persona provided youthful swagger that contrasted Brian's explorations in romanticism and sensitivity. Luis Sanchez noted a pattern where Brian would spare surfing imagery when working with collaborators outside of his band's circle, in the examples "Lonely Sea" and "In My Room".
Brian's bandmates resented the notion that he was the sole creative force in the group. In a 1966 article that asked if "the Beach Boys rely too much on sound genius Brian", Carl said that although Brian was the most responsible for their music, every member of the group contributed ideas. Mike Love wrote, "As far as I was concerned, Brian was a genius, deserving of that recognition. But the rest of us were seen as nameless components in Brian's music machine ... It didn't feel to us as if we were just riding on Brian's coattails." Conversely, Dennis defended Brian's stature in the band, stating: "Brian Wilson is the Beach Boys. He is the band. We're his fucking messengers. He is all of it. Period. We're nothing. He's everything."
Influences
The band's earliest influences came primarily from the work of Chuck Berry and the Four Freshmen. Performed by the Four Freshmen, "Their Hearts Were Full of Spring" (1961) was a particular favorite of the group. By analyzing their arrangements of pop standards, Brian educated himself on jazz harmony. Bearing this in mind, Philip Lambert noted, "If Bob Flanigan helped teach Brian how to sing, then Gershwin, Kern, Porter, and the other members of this pantheon helped him learn how to craft a song." Other general influences on the group included the Hi-Los, the Penguins, the Robins, Bill Haley & His Comets, Otis Williams, the Cadets, the Everly Brothers, the Shirelles, the Regents, and the Crystals.
The eclectic mix of white and black vocal group influences – ranging from the rock and roll of Berry, the jazz harmonies of the Four Freshmen, the pop of the Four Preps, the folk of the Kingston Trio, the R&B of groups like the Coasters and the Five Satins, and the doo wop of Dion and the Belmonts – helped contribute to the Beach Boys' uniqueness in American popular music. Carl remembered that Love was "really immersed in doo-wop" and likely "influenced Brian to listen to it", adding that the "black artists were so much better in terms of rock records in those days that the white records almost sounded like put-ons."
Another significant influence on Brian's work was Burt Bacharach. He said in the 1960s: "Burt Bacharach and Hal David are more like me. They're also the best pop team – per se – today. As a producer, Bacharach has a very fresh, new approach." Regarding surf rock pioneer Dick Dale, Brian said that his influence on the group was limited to Carl and his style of guitar playing. Carl credited Chuck Berry, the Ventures, and John Walker with shaping his guitar style, and that the Beach Boys had learned to play all of the Ventures' songs by ear early in their career.
In 1967, Lou Reed wrote in Aspen that the Beach Boys created a "hybrid sound" out of old rock and the Four Freshmen, explaining that such songs as "Let Him Run Wild", "Don't Worry Baby", "I Get Around", and "Fun, Fun, Fun" were not unlike "Peppermint Stick" by the Elchords. Similarly, John Sebastian of the Lovin' Spoonful noted, "Brian had control of this vocal palette of which we had no idea. We had never paid attention to the Four Freshmen or doo-wop combos like the Crew Cuts. Look what gold he mined out of that."
Vocals
Brian identified each member individually for their vocal range, once detailing the ranges for Carl, Dennis, Jardine ("[they] progress upwards through G, A, and B"), Love ("can go from bass to the E above middle C"), and himself ("I can take the second D in the treble clef"). He declared in 1966 that his greatest interest was to expand modern vocal harmony, owing to his fascination with a voice to the Four Freshmen, which he considered a "groovy sectional sound." He added, "The harmonies that we are able to produce give us a uniqueness which is really the only important thing you can put into records – some quality that no one else has got. I love peaks in a song – and enhancing them on the control panel. Most of all, I love the human voice for its own sake." For a period, Brian avoided singing falsetto for the group, saying, "I thought people thought I was a fairy...the band told me, 'If that's the way you sing, don't worry about it.'"
In the group's early recordings, from lowest intervals to highest, the group's vocal harmony stack usually began with Love or Dennis, followed by Jardine or Carl, and finally Brian on top, according to Jardine, while Carl said that the blend was Love on bottom, Carl above, followed by Dennis or Jardine, and then Brian on top. Jardine explains, "We always sang the same vocal intervals. ... As soon as we heard the chords on the piano we'd figure it out pretty easily. If there was a vocal move [Brian] envisioned, he'd show that particular singer that move. We had somewhat photographic memory as far as the vocal parts were concerned so that [was] never a problem for us." Striving for perfection, Brian insured that his intricate vocal arrangements exercised the group's calculated blend of intonation, attack, phrasing, and expression. Sometimes, he would sing each vocal harmony part alone through multi-track tape.
On the group's blend, Carl said: "[Love] has a beautifully rich, very full-sounding bass voice. Yet his lead singing is real nasal, real punk. [Jardine]'s voice has a bright timbre to it; it really cuts. My voice has a kind of calm sound. We're big oooh-ers; we love to oooh. It's a big, full sound, that's very pleasing to us; it opens up the heart." Rock critic Erik Davis wrote, "The 'purity' of tone and genetic proximity that smoothed their voices was almost creepy, pseudo-castrato, [and] a 'barbershop' sound." Jimmy Webb said, "They used very little vibrato and sing in very straight tones. The voices all lie down beside each other very easily – there's no bumping between them because the pitch is very precise." According to Brian: "Jack Good once told us, 'You sing like eunuchs in a Sistine Chapel,' which was a pretty good quote." Writer Richard Goldstein reported that, according to a fellow journalist who asked Brian about the black roots of his music, Brian's response was: "We're white and we sing white." Goldstein added that when he asked where his approach to vocal harmonies had derived from, Wilson answered: 'Barbershop'."
Use of studio musicians
Biographer James Murphy said, "By most contemporary accounts, they were not a very good live band when they started. ... The Beach Boys learned to play as a band in front of live audiences", eventually to become "one of the best and enduring live bands". With only a few exceptions, the Beach Boys played every instrument heard on their first four albums and first five singles. It is the belief of Richie Unterberger that, "Before session musicians took over most of the parts, the Beach Boys could play respectably gutsy surf rock as a self-contained unit."
As Wilson's arrangements increased in complexity, he began employing a group of professional studio musicians, later known as "the Wrecking Crew", to assist with recording the instrumentation on select tracks. According to some reports, these musicians then completely replaced the Beach Boys on the backing tracks to their records. Much of the relevant documentation, while accounting for the attendance of unionized session players, had failed to record the presence of the Beach Boys themselves. These documents, along with the full unedited studio session tapes, were not available for public scrutiny until the 1990s.
Wilson started occasionally employing members of the Wrecking Crew for certain Beach Boys tracks during the 1963 Surfer Girl sessions – specifically, on two songs, "Hawaii" and "Our Car Club". The 1964 albums Shut Down Volume 2 and All Summer Long featured the Beach Boys themselves playing the vast majority of the instruments while occasionally being augmented by outside musicians. It is commonly misreported that Dennis in particular was replaced by Hal Blaine on drums. Dennis's drumming is documented on a number of the group's singles, including 1964's "I Get Around", "Fun, Fun, Fun", and "Don't Worry Baby". Starting with the 1965 albums Today! and Summer Days, Brian used the Wrecking Crew with greater frequency, "but still", Stebbins writes, "the Beach Boys continued to play the instruments on many of the key tracks and single releases."
Overall, the Beach Boys played the instruments on the majority of their recordings from the decade, with 1966 and 1967 being the only years when Wilson used the Wrecking Crew almost exclusively. Pet Sounds and Smile are their only albums in which the backing tracks were largely played by studio musicians. After 1967, the band's use of studio musicians was considerably reduced. Wrecking Crew biographer Kent Hartman supported in his 2012 book about the musicians, "Though [Brian Wilson] had for several months brought in various session players on a sporadic, potluck basis to supplement things, the other Beach Boys generally played on the earliest songs, too."
The source of the longstanding controversy regarding the Beach Boys' use of studio musicians largely derives from a misinterpreted statement in David Leaf's 1978 biography The Beach Boys and the California Myth, later bolstered by erroneous recollections from participants of the recording sessions. Starting in the 1990s, unedited studio session tapes, along with American Federation of Musicians (AFM) sheets and tape logs, were leaked to the public. Music historian Craig Slowinski, who contributes musician credits to the liner notes of the band's reissues and compilations, wrote in 2006: "[O]nce the vaults were opened up and the tapes were studied, the true situation became clear: the Boys themselves played most of the instruments on their records until the Beach Boys Today! album in early 1965." Slowinski goes on to note, "when painting a picture of a Beach Boys recording session, it's important to examine both the AFM contracts and the session tapes, either of which may be incomplete on their own."
During the period when Brian relied heavily on studio musicians, Carl was an exception among the Beach Boys in that he played alongside the studio musicians whenever he was available to attend sessions. In Slowinski's view, "One should not sell short Carl's own contributions; the youngest Wilson had developed as a musician sufficiently to play alongside the horde of high-dollar session pros that big brother was now bringing into the studio. Carl's guitar playing [was] a key ingredient."
Spirituality
The band members often reflected on the spiritual nature of their music (and music in general), particularly for the recording of Pet Sounds and Smile. Even though the Wilsons did not grow up in a particularly religious household, Carl was described as "the most truly religious person I know" by Brian, and Carl was forthcoming about the group's spiritual beliefs stating: "We believe in God as a kind of universal consciousness. God is love. God is you. God is me. God is everything right here in this room. It's a spiritual concept which inspires a great deal of our music." Carl told Rave magazine in 1967 that the group's influences are of a "religious nature", but not any religion in specific, only "an idea based upon that of Universal Consciousness. ... The spiritual concept of happiness and doing good to others is extremely important to the lyric of our songs, and the religious element of some of the better church music is also contained within some of our new work."
Brian is quoted during the Smile era: "I'm very religious. Not in the sense of churches, going to church; but like the essence of all religion." During the recording of Pet Sounds, Brian held prayer meetings, later reflecting that "God was with us the whole time we were doing this record ... I could feel that feeling in my brain." In 1966, he explained that he wanted to move into a white spiritual sound, and predicted that the rest of the music industry would follow suit. In 2011, Brian maintained the spirituality was important to his music, and that he did not follow any particular religion.
Carl said that Smile was chosen as an album title because of its connection to the group's spiritual beliefs. Brian referred to Smile as his "teenage symphony to God", composing a hymn, "Our Prayer", as the album's opening spiritual invocation. Experimentation with psychotropic substances also proved pivotal to the group's development as artists. He spoke of his LSD trips as a "religious experience", and during a session for "Our Prayer", Brian can be heard asking the other Beach Boys: "Do you guys feel any acid yet?". In 1968, the group's interest in transcendental meditation led them to record the original song, "Transcendental Meditation".
Legacy
Achievements
The Beach Boys are one of the most critically acclaimed, commercially successful, and influential bands of all time. They have sold over 100 million records worldwide. The group's early songs made them major pop stars in the US, the UK, Australia and other countries, having seven top 10 singles between April 1963 and November 1964. They were one of the first American groups to exhibit the definitive traits of a self-contained rock band, playing their own instruments and writing their own songs, and they were one of the few American bands formed prior to the 1964 British Invasion to continue their success. Among artists of the 1960s, they are one of the central figures in the histories of rock. Between the 1960s and 2020s, they had 37 songs reach the US Top 40 (the most by an American group) with four topping the Billboard Hot 100; they also hold Nielsen SoundScan's record as the top-selling American band for albums and singles.
Brian Wilson's artistic control over the Beach Boys' records was unprecedented for the time. Carl Wilson elaborated: "Record companies were used to having absolute control over their artists. It was especially nervy, because Brian was a 21-year-old kid with just two albums. It was unheard of. But what could they say? Brian made good records." This made the Beach Boys one of the first rock groups to exert studio control. Music producers after the mid-1960s would draw on Brian's influence, setting a precedent that allowed bands and artists to enter a recording studio and act as producers, either autonomously, or in conjunction with other like minds.
In 1988, the original five members (the Wilson brothers, Love, and Jardine) were inducted into the Rock and Roll Hall of Fame. Ten years later, they were selected for the Vocal Group Hall of Fame. In 2004, Pet Sounds was preserved in the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant." Their recordings of "In My Room", "Good Vibrations", "California Girls" and the entire Pet Sounds album have been inducted into the Grammy Hall of Fame.
The Beach Boys are one of the most influential acts of the rock era. In 2017, a study of AllMusic's catalog indicated the Beach Boys as the 6th most frequently cited artist influence in its database. In 2021, the staff of Ultimate Classic Rock ranked the Beach Boys as the top American band of all time; the publication's editor wrote in the group's entry that "few bands ... have had a greater impact on popular music."
California sound
Professor of cultural studies James M. Curtis wrote in 1987, "We can say that the Beach Boys represent the outlook and values of white Protestant Anglo-Saxon teenagers in the early sixties. Having said that, we immediately realize that they must mean much more than this. Their stability, their staying power, and their ability to attract new fans prove as much." Cultural historian Kevin Starr explains that the group first connected with young Americans specifically for their lyrical interpretation of a mythologized landscape: "Cars and the beach, surfing, the California Girl, all this fused in the alembic of youth: Here was a way of life, an iconography, already half-released into the chords and multiple tracks of a new sound." In music critic Robert Christgau's opinion, "the Beach Boys were a touchstone for real rock and rollers, all of whom understood that the music had its most essential roots in an innocently hedonistic materialism."
The group's "California sound" grew to national prominence through the success of their 1963 album Surfin' U.S.A., which helped turn the surfing subculture into a mainstream youth-targeted advertising image widely exploited by the film, television, and food industry. The group's surf music was not entirely of their own invention, being preceded by artists such as Dick Dale. However, previous surf musicians did not project a world view as the Beach Boys did. The band's earlier surf music helped raise the profile of the state of California, creating its first major regional style with national significance, and establishing a musical identity for Southern California, as opposed to Hollywood. California ultimately supplanted New York as the center of popular music thanks to the success of Brian's productions.
A 1966 article discussing new trends in rock music writes that the Beach Boys popularized a type of drum beat heard in Jan and Dean's "Surf City", which sounds like "a locomotive getting up speed", in addition to the method of "suddenly stopping in between the chorus and verse". Pete Townshend of the Who is credited with coining the term "power pop", which he defined as "what we play—what the Small Faces used to play, and the kind of pop the Beach Boys played in the days of 'Fun, Fun, Fun' which I preferred."
The California sound gradually evolved to reflect a more musically ambitious and mature worldview, becoming less to do with surfing and cars and more about social consciousness and political awareness. Between 1964 and 1969, it fueled innovation and transition, inspiring artists to tackle largely unmentioned themes such as sexual freedom, black pride, drugs, oppositional politics, other countercultural motifs, and war. Soft pop (later known as "sunshine pop") derived in part from this movement. Sunshine pop producers widely imitated the orchestral style of Pet Sounds; however, the Beach Boys themselves were rarely representative of the genre, which was rooted in easy-listening and advertising jingles.
By the end of the 1960s, the California sound declined due to a combination of the West Coast's cultural shifts, Wilson's professional and psychological downturn, and the Manson murders, with David Howard calling it the "sunset of the original California Sunshine Sound ... [the] sweetness advocated by the California Myth had led to chilling darkness and unsightly rot". Drawing from the Beach Boys' associations with Manson and former California governor Ronald Reagan, Erik Davis remarked, "The Beach Boys may be the only bridge between those deranged poles. There is a wider range of political and aesthetic sentiments in their records than in any other band in those heady times—like the state [of California], they expand and bloat and contradict themselves."
During the 1970s, advertising jingles and imagery were predominately based on the Beach Boys' early music and image. The group also inspired the development of the West Coast style later dubbed "yacht rock". According to Jacobin's Dan O'Sullivan, the band's aesthetic was the first to be "scavenged" by yacht rock acts like Rupert Holmes. O'Sullivan also cites the Beach Boys' recording of "Sloop John B" as the origin of yacht rock's preoccupation with the "sailors and beachgoers" aesthetic that was "lifted by everyone, from Christopher Cross to Eric Carmen, from 'Buffalo Springfield' folksters like Jim Messina to 'Philly Sound' rockers like Hall & Oates."
Innovations
Pet Sounds came to inform the developments of genres such as pop, rock, jazz, electronic, experimental, punk, and hip hop. Similar to subsequent experimental rock LPs by Frank Zappa, the Beatles, and the Who, Pet Sounds featured countertextural aspects that called attention to the very recordedness of the album. Professor of American history John Robert Greene stated that the album broke new ground and took rock music away from its casual lyrics and melodic structures into what was then uncharted territory. He furthermore called it one factor which spawned the majority of trends in post-1965 rock music, the only others being Rubber Soul, the Beatles' Revolver, and the contemporary folk movement. The album was the first piece in popular music to incorporate the Electro-Theremin, an easier-to-play version of the theremin, as well as the first in rock music to feature a theremin-like instrument. With Pet Sounds, they were also the first group to make an entire album that departed from the usual small-ensemble electric rock band format.
According to David Leaf in 1978, Pet Sounds and "Good Vibrations" "established the group as the leaders of a new type of pop music, Art Rock." Academic Bill Martin states that the band opened a path in rock music "that went from Sgt. Pepper's to Close to the Edge and beyond". He argues that the advancing technology of multitrack recording and mixing boards were more influential to experimental rock than electronic instruments such as the synthesizer, allowing the Beatles and the Beach Boys to become the first crop of non-classically trained musicians to create extended and complex compositions. In Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop, Mark Brend writes:
Other artists and producers, notably the Beatles and Phil Spector, had used varied instrumentation and multi-tracking to create complex studio productions before. And others, like Roy Orbison, had written complicated pop songs before. But "Good Vibrations" eclipsed all that came before it, in both its complexity as a production and the liberties it took with conventional notions of how to structure a pop song.
The making of "Good Vibrations", according to Domenic Priore, was "unlike anything previous in the realms of classical, jazz, international, soundtrack, or any other kind of recording", while biographer Peter Ames Carlin wrote that it "sounded like nothing that had ever been played on the radio before." It contained previously untried mixes of instruments, and was the first successful pop song to have cellos in a juddering rhythm. Musicologist Charlie Gillett called it "one of the first records to flaunt studio production as a quality in its own right, rather than as a means of presenting a performance". Again, Brian employed the use of Electro-Theremin for the track. Upon release, the single prompted an unexpected revival in theremins while increasing awareness of analog synthesizers, leading Moog Music to produce their own brand of ribbon-controlled instruments. In a 1968 editorial for Jazz & Pop, Gene Sculatti predicted that the song "may yet prove to be the most significantly revolutionary piece of the current rock renaissance ... In no minor way, 'Good Vibrations' is a primary influential piece for all producing rock artists; everyone has felt its import to some degree".
Discussing Smiley Smile, Daniel Harrison argues that the album could "almost" be considered art music in the Western classical tradition, and that the group's innovations in the musical language of rock can be compared to those that introduced atonal and other nontraditional techniques into that classical tradition. He explains, "The spirit of experimentation is just as palpable ... as it is in, say, Schoenberg's op. 11 piano pieces." However, such notions were not widely acknowledged by rock audiences nor by the classically minded at the time. Harrison concludes: "What influences could these innovations then have? The short answer is, not much. Smiley Smile, Wild Honey, Friends, and 20/20 sound like few other rock albums; they are sui generis. ... It must be remembered that the commercial failure of the Beach Boys' experiments was hardly motivation for imitation." Musicologist David Toop, who included the Smiley Smile track "Fall Breaks and Back to Winter" on a companion CD for his book Ocean of Sound, placed the Beach Boys' effect on sound pioneering in league with Les Baxter, Aphex Twin, Herbie Hancock, King Tubby, and My Bloody Valentine.
Sunflower marked an end to the experimental songwriting and production phase initiated by Smiley Smile. After Surf's Up, Harrison wrote, their albums "contain a mixture of middle-of-the-road music entirely consonant with pop style during the early 1970s with a few oddities that proved that the desire to push beyond conventional boundaries was not dead," until 1974, "the year in which the Beach Boys ceased to be a rock 'n' roll act and became an oldies act."
Punk, alternative, and indie
In the 1970s, the Beach Boys served a "totemic influence" on punk rock that later gave way to indie rock. Brad Shoup of Stereogum surmised that, thanks to the Ramones' praise for the group, many punk, pop punk, or "punk-adjacent" artists showed influence from the Beach Boys, noting cover versions of the band's songs recorded by Slickee Boys, Agent Orange, Bad Religion, Shonen Knife, the Queers, Hi-Standard, the Descendents, the Donnas, M.O.D., and the Vandals. The Beach Boys Love You is sometimes considered the group's "punk album", and Pet Sounds is sometimes advanced as the first emo album.
In the 1990s, the Beach Boys experienced a resurgence of popularity with the alternative rock generation. According to Sean O'Hagan, leader of the High Llamas and former member of Stereolab, a younger generation of record-buyers "stopped listening to indie records" in favor of the Beach Boys. Bands who advocated for the Beach Boys included founding members of the Elephant 6 Collective (Neutral Milk Hotel, the Olivia Tremor Control, the Apples in Stereo, and of Montreal). United by a shared love of the group's music, they named Pet Sounds Studio in honor of the band. Rolling Stone writer Barry Walters wrote in 2000 that albums such as Surf's Up and Love You "are becoming sonic blueprints, akin to what early Velvet Underground LPs meant to the previous indie peer group." The High Llamas, Eric Matthews and Saint Etienne are among the "alt heroes" who contributed cover versions of "unreleased, overlooked or underappreciated Wilson/Beach Boys obscurities" on the tribute album Caroline Now! (2000).
The Beach Boys remained among the most significant influences on indie rock into the late 2000s. Smile became a touchstone for many bands who were labelled "chamber pop", a term used for artists influenced by the lush orchestrations of Brian Wilson, Lee Hazlewood, and Burt Bacharach. Pitchfork writer Mark Richardson cited Smiley Smile as the origin point of "the kind of lo-fi bedroom pop that would later propel Sebadoh, Animal Collective, and other characters." The Sunflower track "All I Wanna Do" is also cited as one of the earliest precursors to chillwave, a microgenre that emerged in 2009.
Landmarks
The Wilsons' California house, where the Wilson brothers grew up and the group began, was demolished in 1986 to make way for Interstate 105, the Century Freeway. A Beach Boys Historic Landmark (California Landmark No. 1041 at 3701 West 119th Street), dedicated on May 20, 2005, marks the location.
On December 30, 1980, the Beach Boys were awarded a star on the Hollywood Walk of Fame, located at 1500 Vine Street.
On September 2, 1977, The Beach Boys performed before an audience of 40,000 at Narragansett Park in Pawtucket, Rhode Island, which remains the largest concert audience in Rhode Island history. On August 9, 2017, a commemoration ceremony produced by Big Noise took place in Rhode Island with The Beach Boys, and the street where the concert stage formerly stood (at 510 Narragansett Park Drive) was officially renamed to "Beach Boys Way".
On September 21, 2017, The Beach Boys were honored by Roger Williams University, along with Al Gomes and Connie Watrous of Big Noise, and plaques were unveiled to commemorate the band's concert on September 22, 1971, at the Baypoint Inn & Conference Center in Portsmouth, Rhode Island. The concert was the first-ever appearance of South African Ricky Fataar as an official member of the band and Filipino Billy Hinsche as a touring member, essentially changing the Beach Boys' live and recording act's line-up into a multi-cultural group. Diversity is a credo of Roger Williams University, which is why they chose to celebrate this moment in the band's history.
Members
Timeline
Notable supporting musicians for both the Beach Boys' live performances and studio recordings included guitarist and session musician Glen Campbell, keyboardists Daryl Dragon and Toni Tennille (Captain & Tennille), keyboardist Billy Hinsche, bass guitarist Carol Kaye, guitarist Jeffrey Foskett, drummers John Cowsill and Hal Blaine, drummer and guitarist (and actor) John Stamos, and saxophonist Charles Lloyd.
Discography
Studio albums
Selected archival releases
Filmography
1962: One Man's Challenge
1964: T.A.M.I. Show
1965: The Girls on the Beach
1965: The Monkey's Uncle
1971: Good Vibrations from Central Park
1976: The Beach Boys: Good Vibrations Tour
1979: The Midnight Special
1980: Beach Boys 4th of July Celebration: Live from Queen Mary
1980: The Beach Boys: A Celebration Concert
1981: The Beach Boys: 20th Anniversary Special
1985: The Beach Boys: An American Band
1987: The Beach Boys: 25 Years Together
1991: The Beach Boys Live in Japan '91
1993: The Beach Boys Today
1996: The Beach Boys: Nashville Sounds
1998: Endless Harmony: The Beach Boys Story
1998: The Beach Boys: The Lost Concert 1964
2002: Good Timin': Live at Knebworth England 1980
2004: Sights + Sounds of Summer: The Very Best of The Beach Boys
2006: The Beach Boys: In London 1966
2012: The Beach Boys 50: Doin' It Again
2012: The 50th Reunion Tour
2014: The Beach Boys: Live at the Hollywood Bowl
2016: Classic Albums: Pet Sounds
2023: A Grammy Salute to The Beach Boys
2024: The Beach Boys documentary on Disney+
Notes
References
Citations
Print sources
Further reading
Articles
Ratliff, Ben (October 26, 2016). "Looking for the Beach Boys". New York Review of Books.
Rogers, Jude (June 12, 2008). "The lure of the beach". New Statesman.
Books
External links
Official website
The Beach Boys at AllMusic |
List_of_Billboard_Hot_100_number_ones_of_1988 | https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number_ones_of_1988 | [
261
] | [
"https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number_ones_of_1988"
] | These are the Billboard magazine Hot 100 number one hits of 1988. The Billboard Hot 100 is a chart that ranks the best-performing singles of the United States. Published by Billboard magazine, the data are based collectively on each single's weekly physical sales, and airplay. R&B/pop megastar Whitney Houston's two singles released from her second studio album Whitney, "So Emotional" and "Where Do Broken Hearts Go", both peaked at number one, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. The longest running number-one single of 1988 was "Roll With It" by Steve Winwood, which obtained four weeks at the top of the chart. When "Dirty Diana" reached number-one on the chart, it became Michael Jackson's fifth single from the album Bad to reach number-one. Jackson became the first artist to have five singles from one album reach number-one on the Billboard Hot 100 and is the only male to do so. George Michael's "Faith" was the best selling single of 1988 in the United States, despite most of its weeks at number one occurring in December 1987. (It carried over into 1988 at number one as the result of a frozen chart.) 1988 is tied with 1989 for the second most #1 hits with 32 songs going to number one.
That year, 17 acts earned their first number one song, such as INXS, Exposé, Rick Astley, Terence Trent D'Arby, Gloria Estefan, Miami Sound Machine, Debbie Gibson, Cheap Trick, Richard Marx, Guns N' Roses, Bobby McFerrin, Def Leppard, UB40, The Escape Club, Will to Power and Poison. George Michael, Whitney Houston, Michael Jackson, and Rick Astley were the only acts to hit number one more than once, with George Michael having the most with four, Michael Jackson with three, and Whitney Houston and Rick Astley with two.
Chart history
An asterisk (*) by a date indicates an unpublished, "frozen" week, due to the special double issues that Billboard published in print at the end of the year for their year-end charts.
Number-one artists
See also
1988 in music
List of Billboard number-one singles
List of Billboard Hot 100 number-one singles of the 1980s
References
Additional sources
Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition (ISBN 0-8230-7677-6)
Joel Whitburn's Top Pop Singles 1955-2008, 12 Edition (ISBN 0-89820-180-2)
Joel Whitburn Presents the Billboard Hot 100 Charts: The Eighties (ISBN 0-89820-079-2)
Additional information obtained can be verified within Billboard's online archive services and print editions of the magazine. |
Ronald_Reagan | https://en.wikipedia.org/wiki/Ronald_Reagan | [
261,
767
] | [
"https://en.wikipedia.org/wiki/Ronald_Reagan",
"https://en.wikipedia.org/wiki/Ronald_Reagan"
] | Ronald Wilson Reagan (February 6, 1911 – June 5, 2004) was an American politician and actor who served as the 40th president of the United States from 1981 to 1989. A member of the Republican Party 1962 onward, he became an important figure in the American conservative movement, and his presidency is known as the Reagan era.
Born and raised in Illinois, Reagan graduated from Eureka College in 1932 and later worked as a sports broadcaster in Iowa. In 1937, he moved to California where he became a well-known film actor. During his acting career, Reagan twice served as the president of the Screen Actors Guild from 1947 to 1952 and from 1959 to 1960. In the 1950s, he began working on television and became a spokesman for General Electric. Subsequently, Reagan's "A Time for Choosing" speech during the 1964 U.S. presidential election launched his rise as a leading conservative figure. After being elected governor of California in 1966, he raised the state taxes, turned the state budget deficit into a surplus and implemented harsh crackdowns on university protests. Following his loss to Gerald Ford in the 1976 Republican Party presidential primaries, Reagan won the Republican Party's nomination and then a landslide victory over President Jimmy Carter in the 1980 presidential election.
In his first term as U.S. president, Reagan began implementing "Reaganomics", which involved economic deregulation and cuts in both taxes and government spending during a period of stagflation. On the world stage, he escalated the arms race, transitioned Cold War policy away from the policies of détente with the Soviet Union, and ordered the 1983 invasion of Grenada. Reagan also survived an assassination attempt, fought public-sector labor unions, expanded the war on drugs, and was slow to respond to the growing AIDS epidemic. In the 1984 presidential election, he defeated Carter's former vice president, Walter Mondale, in another landslide victory. Foreign affairs dominated Reagan's second term, including the 1986 bombing of Libya, the secret and illegal sale of arms to Iran to fund the Contras, and a more conciliatory approach in talks with Soviet leader Mikhail Gorbachev culminating in the Intermediate-Range Nuclear Forces Treaty.
Reagan left the presidency in 1989 with the American economy having seen a significant reduction of inflation, the unemployment rate having fallen, and the U.S. having entered its then-longest peacetime expansion. At the same time, the national debt had nearly tripled since 1981 as a result of his cuts in taxes and increased military spending, despite cuts to domestic discretionary spending. Reagan's policies also contributed to the end of the Cold War and the end of Soviet communism. Alzheimer's disease hindered Reagan post-presidency, and his physical and mental capacities gradually deteriorated, ultimately leading to his death in 2004. Historical rankings of U.S. presidents have typically placed Reagan in the upper tier, and his post-presidential approval ratings by the general public are usually high.
Early life
Ronald Wilson Reagan was born on February 6, 1911, in a commercial building in Tampico, Illinois, as the younger son of Nelle Clyde Wilson and Jack Reagan. Nelle was committed to the Disciples of Christ, which believed in the Social Gospel. She led prayer meetings and ran mid-week prayers at her church when the pastor was out of town. Reagan credited her spiritual influence and he became a Christian. According to American political figure Stephen Vaughn, Reagan's values came from his pastor, and the First Christian Church's religious, economic and social positions "coincided with the words, if not the beliefs of the latter-day Reagan". Jack focused on making money to take care of the family, but this was complicated by his alcoholism. Reagan had an older brother, Neil. The family lived in Chicago, Galesburg, and Monmouth before returning to Tampico. In 1920, they settled in Dixon, Illinois, living in a house near the H. C. Pitney Variety Store Building.
Reagan attended Dixon High School, where he developed interests in drama and football. His first job involved working as a lifeguard at the Rock River in Lowell Park. In 1928, Reagan began attending Eureka College at Nelle's approval on religious grounds. He was a mediocre student who participated in sports, drama, and campus politics. He became student body president and joined a student strike that resulted in the college president's resignation. Reagan was initiated as a member of Tau Kappa Epsilon Fraternity and served as president of the local chapter. Reagan played at the guard position for the 1930 and 1931 Eureka Red Devils football teams and recalled a time when two black football teammates were refused service at a segregated hotel; he invited them to his parents' home nearby in Dixon and his parents welcomed them. At the time, his parents' stance on racial questions was unusually progressive in Dixon. Reagan himself had grown up with very few black Americans there and was oblivious to racial discrimination.
Entertainment career
Radio and film
After obtaining a Bachelor of Arts degree in economics and sociology from Eureka College in 1932, Reagan took a job in Davenport, Iowa, as a sports broadcaster for four football games in the Big Ten Conference. He then worked for WHO radio in Des Moines as a broadcaster for the Chicago Cubs. His specialty was creating play-by-play accounts of games using only basic descriptions that the station received by wire as the games were in progress. Simultaneously, he often expressed his opposition to racism. In 1936, while traveling with the Cubs to their spring training in California, Reagan took a screen test that led to a seven-year contract with Warner Bros.
Reagan arrived at Hollywood in 1937, debuting in Love Is on the Air (1937). Using a simple and direct approach to acting and following his directors' instructions, Reagan made thirty films, mostly B films, before beginning military service in April 1942. He broke out of these types of films by portraying George Gipp in Knute Rockne, All American (1940), which would be rejuvenated when reporters called Reagan "the Gipper" while he campaigned for president of the United States. Afterward, Reagan starred in Kings Row (1942) as a leg amputee, asking, "Where's the rest of me?" His performance was considered his best by many critics. Reagan became a star, with Gallup polls placing him "in the top 100 stars" from 1941 to 1942.
World War II interrupted the movie stardom that Reagan would never be able to achieve again as Warner Bros. became uncertain about his ability to generate ticket sales. Reagan, who had a limited acting range, was dissatisfied with the roles he received. As a result, Lew Wasserman renegotiated his contract with his studio, allowing him to also make films with Universal Pictures, Paramount Pictures, and RKO Pictures as a freelancer. With this, Reagan appeared in multiple western films, something that had been denied to him while working at Warner Bros. In 1952, he ended his relationship with Warner Bros., but went on to appear in a total of 53 films, his last being The Killers (1964).
Military service
In April 1937, Reagan enlisted in the United States Army Reserve. He was assigned as a private in Des Moines' 322nd Cavalry Regiment and reassigned to second lieutenant in the Officers Reserve Corps. He later became a part of the 323rd Cavalry Regiment in California. As relations between the United States and Japan worsened, Reagan was ordered for active duty while he was filming Kings Row. Wasserman and Warner Bros. lawyers successfully sent draft deferments to complete the film in October 1941. However, to avoid accusations of Reagan being a draft dodger, the studio let him go in April 1942.
Reagan reported for duty with severe near-sightedness. His first assignment was at Fort Mason as a liaison officer, a role that allowed him to transfer to the United States Army Air Forces (AAF). Reagan became an AAF public relations officer and was subsequently assigned to the 18th AAF Base Unit in Culver City where he felt that it was "impossible to remove an incompetent or lazy worker" due to what he felt was "the incompetence, the delays, and inefficiencies" of the federal bureaucracy. Despite this, Reagan participated in the Provisional Task Force Show Unit in Burbank and continued to make theatrical films. He was also ordered to temporary duty in New York City to participate in the sixth War Loan Drive before being reassigned to Fort MacArthur until his discharge on December 9, 1945, as a captain. Throughout his military service, Reagan produced over 400 training films.
Screen Actors Guild presidency
When Robert Montgomery resigned as president of the Screen Actors Guild (SAG) on March 10, 1947, Reagan was elected to that position in a special election. Reagan's first tenure saw various labor–management disputes, the Hollywood blacklist, and the Taft–Hartley Act's implementation. On April 10, the Federal Bureau of Investigation (FBI) interviewed Reagan and he provided them with the names of actors whom he believed to be communist sympathizers. During a House Un-American Activities Committee hearing, Reagan testified that some guild members were associated with the Communist Party and that he was well-informed about a "jurisdictional strike". When asked if he was aware of communist efforts within the Screen Writers Guild, he called information about the efforts "hearsay". Reagan resigned as SAG president November 10, 1952, but remained on the board; Walter Pidgeon succeeded him as president.
The SAG fought with film producers for the right to receive residual payments, and on November 16, 1959, the board elected Reagan SAG president for the second time; he replaced Howard Keel, who had resigned. During this second stint, Reagan managed to secure payments for actors whose theatrical films had been released between 1948 and 1959 and subsequently televised. The producers were initially required to pay the actors fees, but they ultimately settled instead for providing pensions and paying residuals for films made after 1959. Reagan resigned from the SAG presidency on June 7, 1960, and also left the board; George Chandler succeeded him as SAG president.
Marriages and children
In January 1940, Reagan married Jane Wyman, his co-star in the 1938 film Brother Rat. Together, they had two biological daughters: Maureen in 1941, and Christine in 1947 (born prematurely and died the following day). They adopted one son, Michael, in 1945. Wyman filed to divorce Reagan in June 1948. She was uninterested in politics, and occasionally recriminated, reconciled and separated with him. Although Reagan was unprepared, the divorce was finalized in July 1949. Reagan would also remain close to his children. Later that year, Reagan met Nancy Davis after she contacted him in his capacity as the SAG president about her name appearing on a communist blacklist in Hollywood; she had been mistaken for another Nancy Davis. They married in March 1952, and had two children, Patti in October 1952, and Ron in May 1958. Reagan has three grandchildren.
Television
Reagan became the host of MCA Inc. television production General Electric Theater at Wasserman's recommendation. It featured multiple guest stars, and Ronald and Nancy Reagan, continuing to use her stage name Nancy Davis, acted together in three episodes. When asked how Reagan was able to recruit such stars to appear on the show during television's infancy, he replied, "Good stories, top direction, production quality". However, the viewership declined in the 1960s and the show was canceled in 1962. In 1965, Reagan became the host of another MCA production, Death Valley Days.
Early political activities
Reagan began his political career as a Democrat, viewing Franklin D. Roosevelt as "a true hero". He joined the American Veterans Committee and Hollywood Independent Citizens Committee of the Arts, Sciences and Professions (HICCASP), worked with the AFL–CIO to fight right-to-work laws, and continued to speak out against racism when he was in Hollywood. In 1945, Reagan planned to lead an HICCASP anti-nuclear rally, but Warner Bros. prevented him from going. In 1946, he appeared in a radio program called Operation Terror to speak out against rising Ku Klux Klan activity in the country, citing the attacks as a "capably organized systematic campaign of fascist violence and intimidation and horror". Reagan also supported Harry S. Truman in the 1948 presidential election, and Helen Gahagan Douglas for the U.S. Senate in 1950. It was Reagan's belief that communism was a powerful backstage influence in Hollywood that led him to rally his friends against them.
Reagan began shifting to the right when he supported the presidential campaigns of Dwight D. Eisenhower in 1952 and Richard Nixon in 1960. When Reagan was contracted by General Electric (GE), he gave speeches to their employees. His speeches had a positive take on free markets. Under GE vice president Lemuel Boulware, a staunch anti-communist, employees were encouraged to vote for business-friendly politicians.
In 1961, Reagan adapted his speeches into another speech to criticize Medicare. In his view, its legislation would have meant "the end of individual freedom in the United States". In 1962, Reagan was dropped by GE, and he formally registered as a Republican.
In the 1964 U.S. presidential election, Reagan gave a speech for presidential contender Barry Goldwater that was eventually referred to as "A Time for Choosing". Reagan argued that the Founding Fathers "knew that governments don't control things. And they knew when a government sets out to do that, it must use force and coercion to achieve its purpose" and that "We've been told increasingly that we must choose between left or right". Even though the speech was not enough to turn around the faltering Goldwater campaign, it increased Reagan's profile among conservatives. David S. Broder and Stephen H. Hess called it "the most successful national political debut since William Jennings Bryan electrified the 1896 Democratic convention with his famous 'Cross of Gold' address".
1966 California gubernatorial election
In January 1966, Reagan announced his candidacy for the California governorship, repeating his stances on individual freedom and big government. When he met with black Republicans in March, he was criticized for opposing the Civil Rights Act of 1964. Reagan responded that bigotry was not in his nature and later argued that certain provisions of the act infringed upon the rights of property owners. After the Supreme Court of California ruled that the initiative that repealed the Rumford Act was unconstitutional in May, he voiced his support for the act's repeal, but later preferred amending it. In the Republican primary, Reagan defeated George Christopher, a moderate Republican who William F. Buckley Jr. thought had painted Reagan as extreme.
Reagan's general election opponent, incumbent governor Pat Brown, attempted to label Reagan as an extremist and tout his own accomplishments. Reagan portrayed himself as a political outsider, and charged Brown as responsible for the Watts riots and lenient on crime. In numerous speeches, Reagan "hit the Brown administration about high taxes, uncontrolled spending, the radicals at the University of California, Berkeley, and the need for accountability in government". Meanwhile, many in the press perceived Reagan as "monumentally ignorant of state issues", though Lou Cannon said that Reagan benefited from an appearance he and Brown made on Meet the Press in September. Ultimately, Reagan won the governorship with 57 percent of the vote compared to Brown's 42 percent.
California governorship (1967–1975)
Brown had spent much of California's funds on new programs, prompting them to use accrual accounting to avoid raising taxes. Consequently, it generated a larger deficit, and Reagan would call for reduced government spending and tax hikes to balance the budget. He worked with Jesse M. Unruh on securing tax increases and promising future property tax cuts. This caused some conservatives to accuse Reagan of betraying his principles. As a result, taxes on sales, banks, corporate profits, inheritances, liquor, and cigarettes jumped. Kevin Starr states, Reagan "gave Californians the biggest tax hike in their history—and got away with it". In the 1970 gubernatorial election, Unruh used Reagan's tax policy against him, saying it disproportionally favored the wealthy. Reagan countered that he was still committed to reducing property taxes. By 1973, the budget had a surplus, which Reagan preferred "to give back to the people".
In 1967, Reagan reacted to the Black Panther Party's strategy of copwatching by signing the Mulford Act to prohibit the public carrying of firearms. The act was California's most restrictive piece of gun control legislation, with critics saying that it was "overreacting to the political activism of organizations such as the Black Panthers". The act marked the beginning of both modern legislation and public attitude studies on gun control. Reagan also signed the 1967 Therapeutic Abortion Act that allowed abortions in the cases of rape and incest when a doctor determined the birth would impair the physical or mental health of the mother. He later expressed regret over signing it, saying that he was unaware of the mental health provision. He believed that doctors were interpreting the provision loosely and more abortions were resulting.
After Reagan won the 1966 election, he and his advisors planned a run in the 1968 Republican presidential primaries. He ran as an unofficial candidate to cut into Nixon's southern support and be a compromise candidate if there were to be a brokered convention. He won California's delegates, but Nixon secured enough delegates for the nomination.
Reagan had previously been critical of former governor Brown and university administrators for tolerating student demonstrations in the city of Berkeley, making it a major theme in his campaigning.
On February 5, 1969, Reagan declared a state of emergency in response to ongoing protests and acts of violence at the University of California, Berkeley, and sent in the California Highway Patrol. In May 1969, these officers, along with local officers from Berkeley and Alameda county, clashed with protestors over a site known as the People's Park. One student was shot and killed while many police officers and two reporters were injured. Reagan then commanded the state National Guard troops to occupy Berkeley for seventeen days to subdue the protesters, allowing other students to attend class safely. In February 1970, violent protests broke out near the University of California, Santa Barbara, where he once again deployed the National Guard. On April 7, Reagan defended his policies regarding campus protests, saying, "If it takes a bloodbath, let's get it over with. No more appeasement".
During his victorious reelection campaign in 1970, Reagan, remaining critical of government, promised to prioritize welfare reform. He was concerned that the programs were disincentivizing work and that the growing welfare rolls would lead to both an unbalanced budget and another big tax hike in 1972. At the same time, the Federal Reserve increased interest rates to combat inflation, putting the American economy in a mild recession. Reagan worked with Bob Moretti to tighten up the eligibility requirements so that the financially needy could continue receiving payments. This was only accomplished after Reagan softened his criticism of Nixon's Family Assistance Plan. Nixon then lifted regulations to shepherd California's experiment. In 1976, the Employment Development Department published a report suggesting that the experiment that ran from 1971 to 1974 was unsuccessful.
Reagan declined to run for the governorship in 1974 and it was won by Pat Brown's son, Jerry. Reagan's governorship, as professor Gary K. Clabaugh writes, saw public schools deteriorate due to his opposition to additional basic education funding. As for higher education, journalist William Trombley believed that the budget cuts Reagan enacted damaged Berkeley's student-faculty ratio and research. Additionally, the homicide rate doubled and armed robbery rates rose by even more during Reagan's eight years, even with the many laws Reagan signed to try toughening criminal sentencing and reforming the criminal justice system. Reagan strongly supported capital punishment, but his efforts to enforce it were thwarted by People v. Anderson in 1972. According to his son, Michael, Reagan said that he regretted signing the Family Law Act that granted no-fault divorces.
Seeking the presidency (1975–1981)
1976 Republican primaries
Insufficiently conservative to Reagan and many other Republicans, President Gerald Ford suffered from multiple political and economic woes. Ford, running for president, was disappointed to hear him also run. Reagan was strongly critical of détente and Ford's policy of détente with the Soviet Union. He repeated "A Time for Choosing" around the country before announcing his campaign on November 20, 1975, when he discussed economic and social problems, and to a lesser extent, foreign affairs. Both candidates were determined to knock each other out early in the primaries, but Reagan would devastatingly lose the first five primaries beginning with New Hampshire, where he popularized the welfare queen narrative about Linda Taylor, exaggerating her misuse of welfare benefits and igniting voter resentment for welfare reform, but never overtly mentioning her name or race.
In Florida, Reagan referred to a "strapping young buck", which became an example of dog whistle politics, and accused Ford for handing the Panama Canal to Panama's government while Ford implied that he would end Social Security. Then, in Illinois, he again criticized Ford's policy and his secretary of state, Henry Kissinger. Losing the first five primaries prompted Reagan to desperately win North Carolina's by running a grassroots campaign and uniting with the Jesse Helms political machine that viciously attacked Ford. Reagan won an upset victory, convincing party delegates that Ford's nomination was no longer guaranteed. Reagan won subsequent victories in Texas, Alabama, Georgia, and Indiana with his attacks on social programs, opposition to forced busing, increased support from inclined voters of a declining George Wallace campaign for the Democratic nomination, and repeated criticisms of Ford and Kissinger's policies, including détente.
The result was a seesaw battle for the 1,130 delegates required for their party's nomination that neither would reach before the Kansas City convention in August and Ford replacing mentions of détente with Reagan's preferred phrase, "peace through strength". Reagan took John Sears' advice of choosing liberal Richard Schweiker as his running mate, hoping to pry loose of delegates from Pennsylvania and other states, and distract Ford. Instead, conservatives were left alienated, and Ford picked up the remaining uncommitted delegates and prevailed, earning 1,187 to Reagan's 1,070. Before giving his acceptance speech, Ford invited Reagan to address the convention; Reagan emphasized individual freedom and the dangers of nuclear weapons. In 1977, Ford told Cannon that Reagan's primary challenge contributed to his own narrow loss to Democrat Jimmy Carter in the 1976 United States presidential election.
1980 election
Reagan emerged as a vocal critic of President Carter in 1977. The Panama Canal Treaty's signing, the 1979 oil crisis, and rise in the interest, inflation and unemployment rates helped set up his 1980 presidential campaign, which he announced on November 13, 1979 with an indictment of the federal government. His announcement stressed his fundamental principles of tax cuts to stimulate the economy and having both a small government and a strong national defense, since he believed the United States was behind the Soviet Union militarily. Heading into 1980, his age became an issue among the press, and the United States was in a severe recession.
In the primaries, Reagan unexpectedly lost the Iowa caucus to George H. W. Bush. Three days before the New Hampshire primary, the Reagan and Bush campaigns agreed to a one-on-one debate sponsored by The Telegraph at Nashua, New Hampshire, but hours before the debate, the Reagan campaign invited other candidates including Bob Dole, John B. Anderson, Howard Baker and Phil Crane. Debate moderator Jon Breen denied seats to the other candidates, asserting that The Telegraph would violate federal campaign contribution laws if it sponsored the debate and changed the ground rules hours before the debate. As a result, the Reagan campaign agreed to pay for the debate. Reagan said that as he was funding the debate, he could decide who would debate. During the debate, when Breen was laying out the ground rules and attempting to ask the first question, Reagan interrupted in protest to make an introductory statement and wanted other candidates to be included before the debate began. The moderator asked Bob Malloy, the volume operator, to mute Reagan's microphone. After Breen repeated his demand to Malloy, Reagan furiously replied, "I am paying for this microphone, Mr. Green! [sic]". This turned out to be the turning point of the debate and the primary race. Ultimately, the four additional candidates left, and the debate continued between Reagan and Bush. Reagan's polling numbers improved, and he won the New Hampshire primary by more than 39,000 votes. Soon thereafter, Reagan's opponents began dropping out of the primaries, including Anderson, who left the party to become an independent candidate. Reagan easily captured the presidential nomination and chose Bush as his running mate at the Detroit convention in July.
The general election pitted Reagan against Carter amid the multitude of domestic concerns and ongoing Iran hostage crisis that began on November 4, 1979. Reagan's campaign worried that Carter would be able to secure the release of the American hostages in Iran as part of the October surprise, Carter "suggested that Reagan would wreck Social Security" and portrayed him as a warmonger, and Anderson carried support from liberal Republicans dissatisfied with Reagan's conservatism. One of Reagan's key strengths was his appeal to the rising conservative movement. Though most conservative leaders espoused cutting taxes and budget deficits, many conservatives focused more closely on social issues like abortion and gay rights. Evangelical Protestants became an increasingly important voting bloc, and they generally supported Reagan. Reagan also won the backing of Reagan Democrats. Though he advocated socially conservative view points, Reagan focused much of his campaign on attacks against Carter's foreign policy.
In August, Reagan gave a speech at the Neshoba County Fair, stating his belief in states' rights. Joseph Crespino argues that the visit was designed to reach out to Wallace-inclined voters, and some also saw these actions as an extension of the Southern strategy to garner white support for Republican candidates. Reagan's supporters have said that this was his typical anti-big government rhetoric, without racial context or intent. In the October 28 debate, Carter chided Reagan for being against national health insurance. Reagan replied, "There you go again", though the audience laughed and viewers found him more appealing. Reagan later asked the audience if they were better off than they were four years ago, slightly paraphrasing Roosevelt's words in 1934. In 1983, Reagan's campaign managers were revealed to having obtained Carter's debate briefing book before the debates. On November 4, 1980, Reagan won in a decisive victory in the Electoral College over Carter, carrying 44 states and receiving 489 electoral votes to Carter's 49 in six states and the District of Columbia. He won the popular vote by a narrower margin, receiving nearly 51 percent to Carter's 41 percent and Anderson's 7 percent. In the United States Congress, Republicans won a majority of seats in the Senate for the first time since 1952 while Democrats retained the House of Representatives.
Presidency (1981–1989)
First inauguration
Reagan was inaugurated as the 40th president of the United States on Tuesday, January 20, 1981. Chief Justice Warren E. Burger administered the presidential oath of office. In his inaugural address, Reagan commented on the country's economic malaise, arguing, "In this present crisis, government is not the solution to our problem, government is the problem". As a final insult to President Carter, Iran waited until Reagan had been sworn in before announcing the release of their American hostages.
"Reaganomics" and the economy
Reagan advocated a laissez-faire philosophy, and promoted a set of neoliberal reforms dubbed "Reaganomics", which included monetarism and supply-side economics.
Taxation
Reagan worked with the boll weevil Democrats to pass tax and budget legislation in a Congress led by Tip O'Neill, a liberal who strongly criticized Reaganomics. He lifted federal oil and gasoline price controls on January 28, 1981, and in August, he signed the Economic Recovery Tax Act of 1981 to dramatically lower federal income tax rates and require exemptions and brackets to be indexed for inflation starting in 1985. Amid growing concerns about the mounting federal debt, Reagan signed the Tax Equity and Fiscal Responsibility Act of 1982, one of the eleven times Reagan raised taxes. The bill doubled the federal cigarette tax, rescinded a portion of the corporate tax cuts from the 1981 tax bill, and according to Paul Krugman, "a third of the 1981 cut" overall. Many of his supporters condemned the bill, but Reagan defended his preservation of cuts on individual income tax rates. By 1983, the amount of federal tax had fallen for all or most taxpayers, but most strongly affected the wealthy.
The Tax Reform Act of 1986 reduced the number of tax brackets and top tax rate, and almost doubled personal exemptions.
To Reagan, the tax cuts would not have increased the deficit as long as there was enough economic growth and spending cuts. His policies proposed that economic growth would occur when the tax cuts spur investments, which would result in more spending, consumption, and ergo tax revenue. This theoretical relationship has been illustrated by some with the controversial Laffer curve. Critics labeled this "trickle-down economics", the belief that tax policies that benefit the wealthy will spread to the poor. Milton Friedman and Robert Mundell argued that these policies invigorated America's economy and contributed to the economic boom of the 1990s.
Inflation and unemployment
Reagan took office in the midst of stagflation. The economy briefly experienced growth before plunging into a recession in July 1981. As Federal Reserve chairman, Paul Volcker fought inflation by pursuing a tight money policy of high interest rates, which restricted lending and investment, raised unemployment, and temporarily reduced economic growth. In December 1982, the Bureau of Labor Statistics (BLS) measured the unemployment rate at 10.8 percent. Around the same time, economic activity began to rise until its end in 1990, setting the record for the longest peacetime expansion. In 1983, the recession ended and Reagan nominated Volcker to a second term in fear of damaging confidence in the economic recovery.
Reagan appointed Alan Greenspan to succeed Volcker in 1987. Greenspan raised interest rates in another attempt to curb inflation, setting off the Black Monday stock market crash, although the markets eventually recovered. By 1989, the BLS measured the unemployment rate at 5.3 percent. The inflation rate dropped from 12 percent during the 1980 election to under 5 percent in 1989. Likewise, the interest rate dropped from 15 percent to under 10 percent. Yet, not all shared equally in the economic recovery, and both economic inequality and the number of homeless individuals increased during the 1980s. Critics have contended that a majority of the jobs created during this decade paid the minimum wage.
Government spending
In 1981, in an effort to keep it solvent, Reagan approved a plan for cuts to Social Security. He later backed off of these plans due to public backlash. He then created the Greenspan Commission to keep Social Security financially secure, and in 1983 he signed amendments to raise both the program's payroll taxes and retirement age for benefits. He had signed the Omnibus Budget Reconciliation Act of 1981 to cut funding for federal assistance such as food stamps, unemployment benefits, subsidized housing and the Aid to Families with Dependent Children, and would discontinue the Comprehensive Employment and Training Act. On the other side, defense spending doubled between 1981 and 1985. During Reagan's presidency, Project Socrates operated within the Defense Intelligence Agency to discover why the United States was unable to maintain its economic competitiveness. According to program director Michael Sekora, their findings helped the country surpass the Soviets in terms of missile defense technology.
Deregulation
Reagan sought to loosen federal regulation of economic activities, and he appointed key officials who shared this agenda. William Leuchtenburg writes that by 1986, the Reagan administration eliminated almost half of the federal regulations that had existed in 1981. The 1982 Garn–St. Germain Depository Institutions Act deregulated savings and loan associations by letting them make a variety of loans and investments outside of real estate. After the bill's passage, savings and loans associations engaged in riskier activities, and the leaders of some institutions embezzled funds. The administration's inattentiveness toward the industry contributed to the savings and loan crisis and costly bailouts.
Deficits
The deficits were exacerbated by the early 1980s recession, which cut into federal revenue. The national debt tripled between the fiscal years of 1980 and 1989, and the national debt as a percentage of the gross domestic product rose from 33 percent in 1981 to 53 percent by 1989. During his time in office, Reagan never fulfilled his 1980 campaign promise of submitting a balanced budget. The United States borrowed heavily to cover newly spawned federal budget deficits. Reagan described the tripled debt the "greatest disappointment of his presidency". Jeffrey Frankel opined that the deficits were a major reason why Reagan's successor, Bush, reneged on his campaign promise by raising taxes through the Budget Enforcement Act of 1990.
Assassination attempt
On March 30, 1981, Reagan was shot by John Hinckley Jr. outside the Washington Hilton. Also struck were: James Brady, Thomas Delahanty, and Tim McCarthy. Although "right on the margin of death" upon arrival at George Washington University Hospital, Reagan underwent surgery and recovered quickly from a broken rib, a punctured lung, and internal bleeding. Professor J. David Woodard says that the assassination attempt "created a bond between him and the American people that was never really broken". Later, Reagan came to believe that God had spared his life "for a chosen mission".
Supreme Court appointments
Reagan appointed three Associate Justices to the Supreme Court of the United States: Sandra Day O'Connor in 1981, which fulfilled a campaign promise to name the first female justice to the Court, Antonin Scalia in 1986, and Anthony Kennedy in 1988. He also elevated William Rehnquist from Associate Justice to Chief Justice in 1986. The direction of the Supreme Court's reshaping has been described as conservative.
Public sector labor union fights
Early in August 1981, the Professional Air Traffic Controllers Organization (PATCO) went on strike, violating a federal law prohibiting government unions from striking. On August 3, Reagan said that he would fire air traffic controllers if they did not return to work within 48 hours; according to him, 38 percent did not return. On August 13, Reagan fired roughly 12,000 striking air traffic controllers who ignored his order. He used military controllers and supervisors to handle the nation's commercial air traffic until new controllers could be hired and trained. The breaking of the PATCO strike demoralized organized labor, and the number of strikes fell greatly in the 1980s. With the assent of Reagan's sympathetic National Labor Relations Board appointees, many companies also won wage and benefit cutbacks from unions, especially in the manufacturing sector. During Reagan's presidency, the share of employees who were part of a labor union dropped from approximately one-fourth of the total workforce to approximately one-sixth of the total workforce.
Civil rights
Despite Reagan having opposed the Voting Rights Act of 1965, the bill was extended for 25 years in 1982. He initially opposed the establishment of Martin Luther King Jr. Day, and alluded to claims that King was associated with communists during his career, but signed a bill to create the holiday in 1983 after it passed both houses of Congress with veto-proof margins. In 1984, he signed legislation intended to impose fines for fair housing discrimination offenses. In March 1988, Reagan vetoed the Civil Rights Restoration Act of 1987, but Congress overrode his veto. He had argued that the bill unreasonably increased the federal government's power and undermined the rights of churches and business owners. Later in September, legislation was passed to correct loopholes in the Fair Housing Act of 1968.
Early in his presidency, Reagan appointed Clarence M. Pendleton Jr., known for his opposition to affirmative action and equal pay for men and women, as chair of the United States Commission on Civil Rights despite Pendleton's hostility toward long-established civil rights views. Pendleton and Reagan's subsequent appointees greatly eroded the enforcement of civil rights law, arousing the ire of civil rights advocates. In 1987, Reagan unsuccessfully nominated Robert Bork to the Supreme Court as a way to achieve his civil rights policy that could not be fulfilled during his presidency; his administration had opposed affirmative action, particularly in education, federal assistance programs, housing and employment, but Reagan reluctantly continued these policies. In housing, Reagan's administration saw considerably fewer fair housing cases filed than the three previous administrations.
War on drugs
In response to concerns about the increasing crack epidemic, Reagan intensified the war on drugs in 1982. While the American public did not see drugs as an important issue then, the FBI, Drug Enforcement Administration and the United States Department of Defense all increased their anti-drug funding immensely. Reagan's administration publicized the campaign to gain support after crack became widespread in 1985. Reagan signed the Anti-Drug Abuse Act of 1986 and 1988 to specify penalties for drug offenses. Both bills have been criticized in the years since for promoting racial disparities. Additionally, Nancy Reagan founded the "Just Say No" campaign to discourage others from engaging in recreational drug use and raise awareness about the dangers of drugs. A 1988 study showed 39 percent of high school seniors using illegal drugs compared to 53 percent in 1980, but Scott Lilienfeld and Hal Arkowitz say that the success of these types of campaigns have not been found to be affirmatively proven.
Escalation of the Cold War
Reagan ordered a massive defense buildup; he revived the B-1 Lancer program that had been rejected by the Carter administration, and deployed the MX missile. In response to Soviet deployment of the SS-20, he oversaw NATO's deployment of the Pershing missile in Western Europe. In 1982, Reagan tried to cut off the Soviet Union's access to hard currency by impeding its proposed gas line to Western Europe. It hurt the Soviet economy, but it also caused much ill will among American allies in Europe who counted on that revenue; he later retreated on this issue. In March 1983, Reagan introduced the Strategic Defense Initiative (SDI) to protect the United States from space intercontinental ballistic missiles. He believed that this defense shield could protect the country from nuclear destruction in a hypothetical nuclear war with the Soviet Union. There was much disbelief among the scientific community surrounding the program's scientific feasibility, leading opponents to dub the SDI "Star Wars", though Soviet leader Yuri Andropov said it would lead to "an extremely dangerous path".
In a 1982 address to the British Parliament, Reagan said, "the march of freedom and democracy... will leave Marxism–Leninism on the ash heap of history". Dismissed by the American press as "wishful thinking", Margaret Thatcher called the address a "triumph". David Cannadine says of Thatcher that "Reagan had been grateful for her interest in him at a time when the British establishment refused to take him seriously" with the two agreeing on "building up stronger defenses against Soviet Russia" and both believing in outfacing "what Reagan would later call 'the evil empire'" in reference to the Soviet Union during a speech to the National Association of Evangelicals in March 1983. After Soviet fighters downed Korean Air Lines Flight 007 in September, which included Congressman Larry McDonald and 61 other Americans, Reagan expressed outrage towards the Soviet Union. The next day, reports suggested that the Soviets had fired on the plane by mistake. In spite of the harsh, discordant rhetoric, Reagan's administration continued discussions with the Soviet Union on START I.
Although the Reagan administration agreed with the communist government in China to reduce the sale of arms to Taiwan in 1982, Reagan himself was the first president to reject containment and détente, and to put into practice the concept that the Soviet Union could be defeated rather than simply negotiated with. His covert aid to Afghan mujahideen forces through Pakistan against the Soviets has been given credit for assisting in ending the Soviet occupation of Afghanistan. However, the United States was subjected to blowback in the form of the Taliban that opposed them in the war in Afghanistan. In his 1985 State of the Union Address, Reagan proclaimed, "Support for freedom fighters is self-defense". Through the Reagan Doctrine, his administration supported anti-communist movements that fought against groups backed by the Soviet Union in an effort to rollback Soviet-backed communist governments and reduce Soviet influence across the world. Critics have felt that the administration ignored the human rights violations in the countries they backed, including genocide in Guatemala and mass killings in Chad.
Invasion of Grenada
On October 19, 1983, Maurice Bishop was overthrown and murdered by one of his colleagues. Several days later, Reagan ordered American forces to invade Grenada. Reagan cited a regional threat posed by a Soviet-Cuban military build-up in the Caribbean nation and concern for the safety of hundreds of American medical students at St. George's University as adequate reasons to invade. Two days of fighting commenced, resulting in an American victory. While the invasion enjoyed public support in the United States, it was criticized internationally, with the United Nations General Assembly voting to censure the American government. Cannon later noted that throughout Reagan's 1984 presidential campaign, the invasion overshadowed the 1983 Beirut barracks bombings, which killed 241 Americans taking part in an international peacekeeping operation during the Lebanese Civil War.
1984 election
Reagan announced his reelection campaign on January 29, 1984, declaring, "America is back and standing tall". In February, his administration reversed the unpopular decision to send the United States Marine Corps to Lebanon, thus eliminating a political liability for him. Reagan faced minimal opposition in the Republican primaries, and he and Bush accepted the nomination at the Dallas convention in August. In the general election, his campaign ran the commercial, "Morning in America". At a time when the American economy was already recovering, former vice president Walter Mondale was attacked by Reagan's campaign as a "tax-and-spend Democrat", while Mondale criticized the deficit, the SDI, and Reagan's civil rights policy. However, Reagan's age induced his campaign managers to minimize his public appearances. Mondale's campaign believed that Reagan's age and mental health were issues before the October presidential debates.
Following Reagan's performance in the first debate where he struggled to recall statistics, his age was brought up by the media in negative fashion. Reagan's campaign changed his tactics for the second debate where he quipped, "I will not make age an issue of this campaign. I am not going to exploit, for political purposes, my opponent's youth and inexperience". This remark generated applause and laughter, even from Mondale. At that point, Broder suggested that age was no longer a liability for Reagan, and Mondale's campaign felt that "the election was over". In November, Reagan won a landslide reelection victory with 59 percent of the popular vote and 525 electoral votes from 49 states. Mondale won 41 percent of the popular vote and 13 electoral votes from the District of Columbia and his home state of Minnesota.
Response to the AIDS epidemic
The AIDS epidemic began to unfold in 1981, and AIDS was initially difficult to understand for physicians and the public. As the epidemic advanced, according to White House physician and later physician to the president, brigadier general John Hutton, Reagan thought of AIDS as though "it was the measles and would go away". The October 1985 death of the President's friend Rock Hudson affected Reagan's view; Reagan approached Hutton for more information on the disease. Still, between September 18, 1985, and February 4, 1986, Reagan did not mention AIDS in public.
In 1986, Reagan asked C. Everett Koop to draw up a report on the AIDS issue. Koop angered many evangelical conservatives, both in and out of the Reagan administration, by stressing the importance of sex education including condom usage in schools. A year later, Reagan, who reportedly had not read the report, gave his first speech on the epidemic when 36,058 Americans had been diagnosed with AIDS, and 20,849 had died of it. Reagan called for increased testing (including routine testing for marriage applicants) and mandatory testing of select groups (including federal prisoners). Even after this speech, however, Reagan remained reluctant to publicly address AIDS.
Scholars and AIDS activists have argued that the Reagan administration largely ignored the AIDS crisis. Randy Shilts and Michael Bronski said that AIDS research was chronically underfunded during Reagan's administration, and Bronski added that requests for more funding by doctors at the Centers for Disease Control and Prevention were routinely denied. In a September 1985 press conference (soon after Hollywood celebrity Rock Hudson had announced his AIDS diagnosis) Reagan called a government AIDS research program a "top priority", but also cited budgetary constraints. Between the fiscal years of 1984 and 1989, federal spending on AIDS totaled $5.6 billion. The Reagan administration proposed $2.8 billion during this time period, but pressure from congressional Democrats resulted in the larger amount.
Addressing apartheid
Popular opposition to apartheid increased during Reagan's first term in office and the disinvestment from South Africa movement achieved critical mass after decades of growing momentum. Criticism of apartheid was particularly strong on college campuses and among mainline Protestant denominations. President Reagan was opposed to divestiture because he personally thought, as he wrote in a letter to Sammy Davis Jr., it "would hurt the very people we are trying to help and would leave us no contact within South Africa to try and bring influence to bear on the government". He also noted the fact that the "American-owned industries there employ more than 80,000 blacks" and that their employment practices were "very different from the normal South African customs".
The Reagan administration developed constructive engagement with the South African government as a means of encouraging it to gradually move away from apartheid and to give up its nuclear weapons program. It was part of a larger initiative designed to foster peaceful economic development and political change throughout southern Africa. This policy, however, engendered much public criticism, and renewed calls for the imposition of stringent sanctions. In response, Reagan announced the imposition of new sanctions on the South African government, including an arms embargo in late 1985. These sanctions were seen as weak by anti-apartheid activists and as insufficient by the president's opponents in Congress. In 1986, Congress approved the Comprehensive Anti-Apartheid Act, which included tougher sanctions; Reagan's veto was overridden by Congress. Afterward, he remained opposed to apartheid and unsure of "how best to oppose it". Several European countries, as well as Japan, also imposed their sanctions on South Africa soon after.
Libya bombing
Contentious relations between Libya and the United States under President Reagan were revived in the West Berlin discotheque bombing that killed an American soldier and injured dozens of others on April 5, 1986. Stating that there was irrefutable evidence that Libya had a direct role in the bombing, Reagan authorized the use of force against the country. On April 14, the United States launched a series of airstrikes on ground targets in Libya. Thatcher allowed the United States Air Force to use Britain's air bases to launch the attack, on the justification that the United Kingdom was supporting America's right to self-defense under Article 51 of the Charter of the United Nations. The attack was, according to Reagan, designed to halt Muammar Gaddafi's "ability to export terrorism", offering him "incentives and reasons to alter his criminal behavior". The attack was condemned by many countries; by an overwhelming vote, the United Nations General Assembly adopted a resolution to condemn the attack and deem it a violation of the Charter and international law.
Iran–Contra affair
Reagan authorized William J. Casey to arm the Contras, fearing that Communists would take over Nicaragua if it remained under the leadership of the Sandinistas. Congress passed the 1982 Boland Amendment, prohibiting the CIA and United States Department of Defense from using their budgets to provide aid to the Contras. Still, the Reagan administration raised funds for the Contras from private donors and foreign governments. When Congress learned that the CIA had secretly placed naval mines in Nicaraguan harbors, Congress passed a second Boland Amendment that barred granting any assistance to the Contras. By mid-1985, Hezbollah began to take American hostages in Lebanon, holding seven of them in reaction to the United States' support of Israel.
Reagan procured the release of seven American hostages held by Hezbollah by selling American arms to Iran, then engaged in the Iran–Iraq War, in hopes that Iran would pressure Hezbollah to release the hostages. The Reagan administration sold over 2,000 missiles to Iran without informing Congress; Hezbollah released four hostages but captured an additional six Americans. On Oliver North's initiative, the administration redirected the proceeds from the missile sales to the Contras. The transactions were exposed by Ash-Shiraa in early November 1986. Reagan initially denied any wrongdoing, but on November 25, he announced that John Poindexter and North had left the administration and that he would form the Tower Commission to investigate the transactions. A few weeks later, Reagan asked a panel of federal judges to appoint a special prosecutor who would conduct a separate investigation.
The Tower Commission released a report in February 1987 confirming that the administration had traded arms for hostages and sent the proceeds of the weapons sales to the Contras. The report laid most of the blame on North, Poindexter, and Robert McFarlane, but it was also critical of Donald Regan and other White House staffers. Investigators did not find conclusive proof that Reagan had known about the aid provided to the Contras, but the report noted that Reagan had "created the conditions which made possible the crimes committed by others" and had "knowingly participated or acquiesced in covering up the scandal". The affair damaged the administration and raised questions about Reagan's competency and the wisdom of conservative policies. The administration's credibility was also badly damaged on the international stage as it had violated its own arms embargo on Iran.
The USS Stark incident
In the context of the Tanker War on May 17, 1987, an Iraqi fighter jet hit the USS Stark with two Exocet missiles, killing 37 sailors. Three days later, President Reagan declared a "policy of self-defense" would now be ordered, as he accepted Iraq's official apology: "Our ships are deployed in the Persian Gulf in order to protect U.S. interests and maintain free access and maintain freedom of navigation and access to the area's oil supplies. It is a vital mission, but our ships need to protect themselves and they will. [From now on] if aircraft approach any of our ships in a way that appears hostile, there is one order of battle. Defend yourselves. Defend American lives.. We're going to do what has to be done to keep the Persian Gulf open. It's international waters. No country there has a right to try and close it off and take it for itself. And the villain in the piece really is Iran. And so they're delighted with what has just happened."
Soviet decline and thaw in relations
Although the Soviets did not accelerate military spending in response to Reagan's military buildup, their enormous military expenses, in combination with collectivized agriculture and inefficient planned manufacturing, were a heavy burden for the Soviet economy. At the same time, the prices of oil, the primary source of Soviet export revenues, fell to one third of the previous level in 1985. These factors contributed to a stagnant economy during the tenure of Mikhail Gorbachev as Soviet leader.
Reagan's foreign policy towards the Soviets wavered between brinkmanship and cooperation. Reagan appreciated Gorbachev's revolutionary change in the direction of the Soviet policy and shifted to diplomacy, intending to encourage him to pursue substantial arms agreements. They held four summit conferences between 1985 and 1988. Reagan believed that if he could persuade the Soviets to allow for more democracy and free speech, this would lead to reform and the end of communism. The critical summit was in Reykjavík in 1986, where they agreed to abolish all nuclear weapons. However, Gorbachev added the condition that SDI research must be confined to laboratories during the ten-year period when disarmament would take place. Reagan refused, stating that it was defensive only and that he would share the secrets with the Soviets, thus failing to reach a deal.
In June 1987, Reagan addressed Gorbachev during a speech at the Berlin Wall, demanding that he "tear down this wall". The remark was ignored at the time, but after the wall fell in November 1989, it was retroactively recast as a soaring achievement. In December, Reagan and Gorbachev met again at the Washington Summit to sign the Intermediate-Range Nuclear Forces Treaty, committing to the total abolition of their respective short-range and medium-range missile stockpiles. The treaty established an inspections regime designed to ensure that both parties honored the agreement. In May 1988, the U.S. Senate overwhelmingly voted in favor of ratifying the treaty, providing a major boost to Reagan's popularity in the aftermath of the Iran–Contra affair. A new era of trade and openness between the two powers commenced, and the United States and Soviet Union cooperated on international issues such as the Iran–Iraq War.
Post-presidency (1989–2004)
Upon leaving the presidency on January 20, 1989, at the age of 77, Reagan became the oldest president at the end of his tenure, surpassing Dwight D. Eisenhower who left office on January 20, 1961, at the age of 70. This distinction will eventually pass to incumbent president Joe Biden who is currently 81 years old.
In retirement, Ronald and Nancy Reagan lived at 668 St. Cloud Road in Bel Air, in addition to Rancho del Cielo in Santa Barbara. He received multiple awards and honors in addition to generous payments for speaking engagements. In 1989 he supported repealing the Twenty-second Amendment's presidential term limits. In 1991, the Ronald Reagan Presidential Library opened. Reagan also addressed the 1992 Republican National Convention "to inspire allegiance to the party regulars"; and favored a constitutional amendment requiring a balanced budget.
Support for Brady Bill
Reagan publicly favored the Brady Bill, drawing criticism from gun control opponents. In 1989, in his first public appearance after leaving office and shortly after the Stockton schoolyard shooting at Cleveland Elementary School in Stockton, California, he stated: "I do not believe in taking away the right of the citizen to own guns for sporting, for hunting, and so forth, or for home defense. But I do believe that an AK-47, a machine gun, is not a sporting weapon or needed for the defense of the home".
In March 1991, Reagan wrote an op-ed in the New York Times, titled "Why I'm for the Brady Bill". In May 1994, Reagan, Gerald Ford, and Jimmy Carter sent a letter to House members, urging them to support the controversial Federal Assault Weapons Ban.
Alzheimer's disease
His final public speech occurred on February 3, 1994, during a tribute to him in Washington, D.C.; his last major public appearance was at the funeral of Richard Nixon on April 27, 1994. In August 1994, Reagan was diagnosed with Alzheimer's disease, which he announced through a handwritten letter in November. There was speculation over how long he had demonstrated symptoms of mental degeneration, but lay observations that he suffered from Alzheimer's while still in office have been disputed by medical experts; his doctors said that he first began exhibiting overt symptoms of the illness in late 1992 or 1993. Over time, the disease destroyed Reagan's mental capacity. By 1997, he was reported to recognize few people other than his wife, though he continued to walk through parks and on beaches, play golf, and visit his office in nearby Century City. Eventually, his family decided that he would live in quiet semi-isolation with his wife. By the end of 2003, Reagan had lost his ability to speak and was mostly confined to his bed, no longer able to recognize any family members.
Death and funeral
Reagan died of pneumonia, complicated by Alzheimer's, at his home in Los Angeles, on June 5, 2004. President George W. Bush called Reagan's death "a sad hour in the life of America". His public funeral was held in the Washington National Cathedral, where eulogies were given by Margaret Thatcher, Brian Mulroney, George H. W. Bush, and George W. Bush. Other world leaders attended including Mikhail Gorbachev and Lech Wałęsa. Reagan was interred at his presidential library.
Legacy
Historical reputation
In 2008, British historian M. J. Heale summarized that scholars had reached a broad consensus in which "Reagan rehabilitated conservatism, turned the country to the right, practiced a 'pragmatic conservatism' that balanced ideology with the constraints of government, revived faith in the presidency and American self-respect, and contributed to critically ending the Cold War", which ended with the dissolution of the Soviet Union in 1991. Many conservative and liberal scholars have agreed that Reagan has been the most influential president since Roosevelt, leaving his imprint on American politics, diplomacy, culture, and economics through his effective communication of his conservative agenda and pragmatic compromising. During the initial years of Reagan's post-presidency, historical rankings placed his presidency in the twenties. Throughout the 2000s and 2010s, his presidency was often placed in the top ten.
Many proponents, including his Cold War contemporaries, believe that his defense policies, economic policies, military policies, and hard-line rhetoric against the Soviet Union and communism, together with his summits with Gorbachev, played a significant part in ending the Cold War. Professor Jeffrey Knopf argues that while Reagan's practice of referring to the Soviet Union as "evil" probably made no difference to the Soviet leaders, it possibly gave encouragement to Eastern European citizens who opposed their communist regimes. President Truman's policy of containment is also regarded as a force behind the fall of the Soviet Union, and the Soviet invasion of Afghanistan undermined the Soviet system itself. Nevertheless, Melvyn P. Leffler called Reagan "Gorbachev's minor, yet indispensable partner, setting the framework for the dramatic changes that neither anticipated happening anytime soon".
Critics, for example Paul Krugman, note Reagan's tenure as having begun a period of increased income inequality, sometimes called the "Great Divergence". Krugman also views Reagan as having initiated the ideology of the current-day Republican Party, which he feels is led by "radicals" who seek to "undo the twentieth century" gains in income equality and unionization. Others, such as Nixon's Secretary of Commerce Peter G. Peterson, also criticize what they feel was not just Reagan's fiscal irresponsibility, but also the ushering in of an era where tax cutting "became the GOP's core platform", with resulting deficits and GOP leaders (speciously in Peterson's opinion) arguing supply-side gains would enable the country to "grow" its way out of deficits.
Reagan was known for storytelling and humor, which involved puns and self-deprecation. Reagan also often emphasized family values, despite being the first president to have been divorced. He showed the ability to comfort Americans during the aftermath of the Space Shuttle Challenger disaster. Reagan's ability to talk about substantive issues with understandable terms and to focus on mainstream American concerns earned him the laudatory moniker the "Great Communicator". He also earned the nickname "Teflon President" in that public perceptions of him were not substantially tarnished by the multitude of controversies that arose during his administration.
Political influence
Reagan led a new conservative movement, altering the political dynamic of the United States. Conservatism became the dominant ideology for Republicans, displacing the party's faction of liberals and moderates. In his time, men began voting more Republican, and women began voting more Democrat – a gender distinction that has persisted. He was supported by young voters, an allegiance that shifted many of them to the party. He attempted to appeal to black voters in 1980, but would receive the lowest black vote for a Republican presidential candidate at the time. Throughout Reagan's presidency, Republicans were unable to gain complete control of Congress.
The period of American history most dominated by Reagan and his policies (particularly on taxes, welfare, defense, the federal judiciary, and the Cold War) is known as the Reagan era, which suggests that the "Reagan Revolution" had a lasting impact on the United States in domestic and foreign policy. The George H. W. Bush and Bill Clinton administrations are often treated as an extension of the era, as is the George W. Bush administration. Since 1988, Republican presidential candidates have invoked Reagan's policies and beliefs.
Notes
References
Citations
Works cited
Books
Chapters
Journal articles
External links
Official sites
Ronald Reagan Foundation and Presidential Library
Ronald Reagan on whitehouse.gov
Ronald Reagan in the Governors' Gallery of the California State Library
The Ronald W. Reagan Society of Eureka College Archived February 19, 2020, at the Wayback Machine
Media
Appearances on C-SPAN
"Life Portrait of Ronald Reagan", from American Presidents: Life Portraits, December 6, 1999
Ronald Reagan Oral Histories at Miller Center
Ronald Reagan's timeline at PBS
Reagan Library's channel on YouTube
News coverage
Ronald Reagan collected news and commentary at The New York Times
Ronald Reagan from The Washington Post
Ronald Reagan at CNN
Ronald Reagan collected news and commentary at The Guardian
Other
Ronald Reagan at IMDb
Ronald Reagan at the TCM Movie Database
Works by or about Ronald Reagan at the Internet Archive
Ronald Reagan at Miller Center |
Associated_Press_NFL_Most_Valuable_Player_Award | https://en.wikipedia.org/wiki/Associated_Press_NFL_Most_Valuable_Player_Award | [
262
] | [
"https://en.wikipedia.org/wiki/Associated_Press_NFL_Most_Valuable_Player_Award"
] | The Associated Press NFL Most Valuable Player Award is presented annually by the Associated Press (AP) to a player in the National Football League (NFL) deemed to have been the "most valuable" in that year's regular season. While there have been many selectors of NFL MVPs in the past, today the MVP award presented by the AP is considered the de facto official NFL MVP award and the most prestigious. Since 2011, the NFL has held the annual NFL Honors ceremony to recognize the winner of each year's AP MVP award, along with other AP awards, such as the AP NFL Offensive Player of the Year and AP NFL Defensive Player of the Year. The most recent AP NFL MVP is quarterback Lamar Jackson of the Baltimore Ravens.
The AP has presented an award recognizing the NFL's top player since 1957. The award is voted upon by a panel of 50 sportswriters at the end of the regular season, before the playoffs, though the results are not announced to the public until the day before the Super Bowl. The sportswriters chosen regularly follow the NFL, and remain mostly consistent from year to year. They are chosen based on expertise and are independent of the league itself. Voters for the award have included Troy Aikman of Fox Sports; Cris Collinsworth and Tony Dungy of NBC Sports; and Herm Edwards of ESPN. Only two players in the history of the award have won it unanimously: New England Patriots quarterback Tom Brady in 2010 and Baltimore Ravens quarterback Lamar Jackson in 2019.
Due to voters' tendency to favor offensive positions (mostly the quarterback and sometimes the running back), the award has been overwhelmingly dominated by offensive players; of the 57 undisputed winners, 54 played an offensive position: 38 quarterbacks and 16 running backs. Two defensive players have won the award: Alan Page in 1971 as a defensive tackle, and Lawrence Taylor as a linebacker in 1986. The sole special teams player to be named AP NFL MVP was Mark Moseley, who won as a placekicker in 1982.
Thirteen awardees also won the Super Bowl (or NFL Championship Game prior to 1966) in the same season. However, this did not occur from 2000 to 2022. During that span, nine AP NFL MVPs have led their team to the Super Bowl and were defeated each time. This has led to tongue-in-cheek claims in recent years that there is a "curse" preventing the awardee's team from winning the Super Bowl.
Six NFL franchises have not produced an MVP, the New York Jets (not counting Joe Namath's two AFL MVPs), Houston Texans, Jacksonville Jaguars, Chicago/St. Louis/Phoenix/Arizona Cardinals, New Orleans Saints, and the Tampa Bay Buccaneers.
The Green Bay Packers have the most overall winners with ten; if including disputed awards (see below), the Colts would be tied with ten. The Green Bay Packers also have the most unique winners with five players winning the award.
Discrepancies
The AP has presented an award recognizing the NFL's top player since the 1957 season, although the pre-1961 awardees are recognized in the Official NFL Record and Fact Book as winning the AP's "NFL Most Outstanding Player Award", and the 1962 winner was recognized as the AP's "Player of the Year". The AP considers 1961 to be the first year in which it presented a "Most Valuable Player" award. Thus there are numerous inconsistencies among sources regarding each of the first four awards, and whether or not the winners are included in the overall list of AP MVP winners at all. The discrepancies include 1958's winner being either Jim Brown or Gino Marchetti; the 1959 winner as Johnny Unitas or Charlie Conerly; and whether or not Norm Van Brocklin shared the award in 1960 with Joe Schmidt.
MVP Super Bowl curse
In recent years, if a player that won the MVP makes it to the Super Bowl, the MVP often loses the Super Bowl in the year they won the MVP. That includes, Kurt Warner in 2001, Rich Gannon in 2002, Shaun Alexander in 2005, Tom Brady in 2007, Peyton Manning in 2009 and 2013, Cam Newton in 2015, Matt Ryan in 2016, and Tom Brady in 2017.
Eleven players have won the Super Bowl and MVP in the same season: Bart Starr in 1966, Terry Bradshaw in 1978, Mark Moseley in 1982, Lawrence Taylor in 1986, Joe Montana in 1989, Emmitt Smith in 1993, Steve Young in 1994, Brett Favre in 1996, Terrell Davis in 1998, Kurt Warner in 1999, and Patrick Mahomes in 2022. In these eleven cases, all but four regular season MVP winners were also the Super Bowl MVP for their respective games - with Moseley, Taylor, Favre, and Davis not completing the duplicate MVP year. 23 years later, Patrick Mahomes broke the MVP Super Bowl curse at Super Bowl LVII.
Winners
Multiple-time winners
See also
National Football League Most Valuable Player Award for an overview of similar awards from other organizations
Associated Press NFL Offensive Player of the Year Award
Associated Press NFL Defensive Player of the Year Award
Associated Press NFL Coach of the Year Award
Super Bowl Most Valuable Player Award
Notes
References
General
"AP NFL Most Valuable Player Winners". Pro-Football-Reference.com. Sports Reference. Archived from the original on January 3, 2024. Retrieved February 5, 2018.
"Full list of NFL MVP winners". Sports Illustrated. February 2, 2016. Archived from the original on January 9, 2017. Retrieved February 1, 2017.
Gellerman, Jacob; Drexler, Sam; Marini, Matt; Cocchiaro, Nicolas; Zerkel, Alex, eds. (2016). 2018 Official NFL Record and Fact Book (PDF). National Football League. pp. 522–523. Archived (PDF) from the original on March 15, 2021. Retrieved August 14, 2018.
Citations |
Super_Bowl_Most_Valuable_Player_Award | https://en.wikipedia.org/wiki/Super_Bowl_Most_Valuable_Player_Award | [
262
] | [
"https://en.wikipedia.org/wiki/Super_Bowl_Most_Valuable_Player_Award"
] | The Super Bowl Most Valuable Player Award, or Super Bowl MVP, is presented annually to the most valuable player of the Super Bowl, the National Football League's (NFL) championship game. The winner is chosen by a panel of 16 football writers and broadcasters, and, since Super Bowl XXXV in 2001, fans voting electronically. The media panel's ballots count for 80 percent of the vote tally, while the viewers' ballots make up the other 20 percent. The game's viewing audience can vote on the Internet or by using cellular phones; Media voters are asked to vote with about five minutes remaining in the game, but are allowed to change their mind when the game ends. They can nominate one player from each team, with instructions to count their vote for the player on the winning team. Voters cannot select an entire unit.
The Super Bowl MVP has been awarded annually since the game's inception in 1967. Through 1989, the award was presented by SPORT magazine. Bart Starr was the MVP of the first two Super Bowls. Since 1990, the award has been presented by the NFL. At Super Bowl XXV, the league first awarded the Pete Rozelle Trophy, named after former NFL commissioner Pete Rozelle, to the Super Bowl MVP. Ottis Anderson was the first to win the trophy. The most recent Super Bowl MVP, from Super Bowl LVIII, is Kansas City Chiefs quarterback Patrick Mahomes.
Tom Brady is the only player to have won five Super Bowl MVP awards (four with the New England Patriots and one with the Tampa Bay Buccaneers); Joe Montana and Mahomes won three times and three other players—Bart Starr, Terry Bradshaw and Eli Manning—have won the award twice. Starr, Bradshaw, and Mahomes are the only ones to have won it in back-to-back years. The MVP has come from the winning team every year except 1971, when Dallas Cowboys linebacker Chuck Howley won the award despite the Cowboys' loss in Super Bowl V to the Baltimore Colts. Harvey Martin and Randy White were named co-MVPs of Super Bowl XII, the only time co-MVPs have been chosen. Including the Super Bowl XII co-MVPs, seven Cowboys players have won Super Bowl MVP awards, the most of any NFL team. Quarterbacks have earned the honor 33 times in 58 games (and 59 awards).
From Super Bowl I to Super Bowl XLIX the Super Bowl MVP won a new car from General Motors as a part of their MVP award. However, since Hyundai became the official vehicle partner of the NFL from the 2015 NFL season onward no new car has been awarded to the Super Bowl MVP since Super Bowl 50.
Winners
By team
By position
Multiple winners
See also
List of Super Bowl starting quarterbacks
List of Super Bowl champions
List of Super Bowl head coaches
List of Super Bowl officials
List of NFL awards
Notes
References
General
2009 ESPN Sports Almanac. New York City: ESPN Books. 2008. ISBN 978-0-345-51172-0.
"Super Bowl History". NFL.com. Retrieved January 6, 2009.
=== Specific === |
2023_Tour_de_France | https://en.wikipedia.org/wiki/2023_Tour_de_France | [
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"https://en.wikipedia.org/wiki/2023_Tour_de_France"
] | The 2023 Tour de France was the 110th edition of the Tour de France. It started in Bilbao, Spain, on 1 July and ended with the final stage at Champs-Élysées, Paris, on 23 July.
Defending champion Jonas Vingegaard (Team Jumbo–Visma) won the general classification for the second year in a row. Two-time champion Tadej Pogačar (UAE Team Emirates) finished in second place, with Adam Yates (UAE Team Emirates) finishing third.
The race began in Bilbao in the Basque Country before returning to France. The first two weeks of the race was closely fought between Vingegaard and Pogačar, with just 10 seconds between the riders by the end of the second week. The decisive stages were the individual time trial on stage 16 where Vingegaard won by 1 minute 38 seconds ahead of Pogačar, and the subsequent stage in the Alps where Vingegaard extended his lead to over seven minutes. Vingegaard won the Tour for the second year running, putting him equal on Tour wins with his rival Pogačar. His winning margin of 7 minutes 29 seconds was the largest since 2014.
The points classification was won by Jasper Philipsen (Alpecin–Deceuninck) for the first time. The mountains classification was won by Giulio Ciccone (Trek–Segafredo), the first Italian to achieve this feat since 1992. The young rider classification was won by Pogačar for the fourth year in a row, and the team of Team Jumbo–Visma won the team classification. Victor Campenaerts (Lotto–Dstny) was chosen as the most combative rider.
The race was followed by the second edition of the Tour de France Femmes, which held its first stage on the final day of the men's Tour.
Teams
22 teams took part in the race. All 18 UCI WorldTeams were automatically invited. They were joined by 4 UCI ProTeams: the two highest placed UCI ProTeams in 2022 (Lotto–Dstny and Team TotalEnergies), along with Uno-X Pro Cycling Team and Israel–Premier Tech who were selected by Amaury Sport Organisation (ASO), the organisers of the Tour. The teams were announced on 4 January 2023.
UCI WorldTeams
UCI ProTeams
Route and stages
In January 2022, Amaury Sport Organisation announced that the Basque Country in Spain would host the Grand Départ, with the first stage in Bilbao. It was the second time that the Basque Country hosted the Tour's start, following the 1992 edition. In October 2022, the full route was announced by Christian Prudhomme.
The race began in Bilbao, next to the Guggenheim Museum, before crossing into France on stage 3. After two stages in the Pyrenees, the Tour returned to the Puy de Dôme for the first time since 1988 at the end of the first week. After the first rest day, the race crossed over the Massif Central into the Alps, with stage 13 on Bastille Day ending with a summit finish on the Col du Grand Colombier. Another summit finish followed two stages later, this time at Saint-Gervais-les-Bains. Following the second rest day, stage 16 was the only individual time trial of the race, at 22.4 km (13.9 mi) in length. Stage 17 in the Alps featured the most amount of climbing, with over 5,000 m (16,000 ft) on the way to Courchevel. Two transitional stages led to the penultimate day, ending at Le Markstein in the Vosges, before a 500 km (310 mi) transfer for the ceremonial final stage in Paris.
The first week of the Tour was described by French rider Romain Bardet (Team dsm–firmenich) as "most difficult [...] that ever existed", featuring a large number of high-mountain climbs and offering up the possibility of significant time differences between the general classification contenders. The route was considered to favour climbers, with one short, uphill time trial on stage 16.
Pre-race favourites
The 2023 Tour de France was generally expected to be a two-way fight between defending champion Jonas Vingegaard (Team Jumbo–Visma) and two-time winner Tadej Pogačar (UAE Team Emirates). Both had finished in first and second place respectively the year before, with the positions reversed in 2021. The pair had raced against one another early in the season at Paris–Nice, a race won by Pogačar, while Vingegaard finished third. Vingegaard's form then picked up as the season progressed. He won three stages and the overall classification at the Tour of the Basque Country in April. At the Critérium du Dauphiné, the most important preparation event for the Tour, he won two stages and won the general classification by the biggest margin since 1993. Pogačar meanwhile enjoyed a very successful spring campaign, winning the Tour of Flanders, the Amstel Gold Race, and La Flèche Wallonne. He also came fourth at Milan–San Remo and third at the E3 Saxo Classic. A crash and subsequent injury at Liège–Bastogne–Liège then interrupted his season.
Behind Vingegaard and Pogačar, the best chances at overall victory were given to 2022 Giro d'Italia winner Jai Hindley (Bora–Hansgrohe). His best result in the run-up to the Tour was fourth overall at the Critérium du Dauphiné. Other riders named as possible favourites were Mikel Landa (Team Bahrain Victorious), Enric Mas (Movistar Team), David Gaudu (Groupama–FDJ), former Giro d'Italia winner Richard Carapaz (EF Education–EasyPost), Ben O'Connor (AG2R Citroën Team), and Romain Bardet (Team dsm–firmenich). Following his victory at the Tour de Suisse, the name of Mattias Skjelmose (Lidl–Trek) was also added to the list of potential favourites. Also named, albeit with even lower chances of victory, were Adam Yates (UAE Team Emirates), his brother Simon Yates (Team Jayco–AlUla), Daniel Martínez, Tom Pidcock (both Ineos Grenadiers), and Giulio Ciccone (Trek–Segafredo). Egan Bernal (Ineos Grenadiers), the winner of the 2019 Tour de France, was not given big chances to win overall, since he was still recovering from a life-threatening crash the year before, even though he performed well at the Critérium du Dauphiné.
Four-time winner Chris Froome (Israel–Premier Tech), who had so far not managed to reach his previous form after a serious accident in 2019, was left off his team's Tour roster. The most notable absentees from the race were a quartet of general classification favourites and former Grand Tour winners who chose to prioritise the 2023 Giro d'Italia, which featured more time trial kilometres than the Tour in 2023, which suited some of these riders. Those four were eventual Giro winner Primož Roglič (Team Jumbo–Visma), 2018 Tour winner Geraint Thomas (Ineos Grenadiers) and two who left the Giro through illness and injury when highly placed, 2020 Giro winner Tao Geoghegan Hart (Ineos Grenadiers) and incumbent World Champion and Vuelta a España winner Remco Evenepoel (Soudal–Quick-Step).
Several riders were seen as possible favourites for victories on stages ending in bunch sprints and therefore for the points classification, which is won based on points collected by high placings on individual stages and awards a green jersey. Mark Cavendish (Astana Qazaqstan Team) returned for his last Tour de France and was chasing the record for most stage wins by any rider, starting the Tour on an equal number of 34 with Eddy Merckx. A stage win at the Giro d'Italia proved that Cavendish was still a strong sprinter, even at the age of 38. Due to strong performances so far in the season, the best chances at multiple sprint stage wins were given to Jasper Philipsen (Alpecin–Deceuninck). Other favourites in this category included Dylan Groenewegen (Team Jayco–AlUla), and Fabio Jakobsen (Soudal–Quick-Step). Riders who could excel both in sprints and on more hilly terrain, and therefore would be candidates for the points classification as well, were defending green jersey winner Wout van Aert (Team Jumbo–Visma), former world champion Mads Pedersen (Lidl–Trek), Mathieu van der Poel (Alpecin–Deceuninck), and Biniam Girmay (Intermarché–Circus–Wanty).
Race overview
Grand Départ and Week One
The first stage around Bilbao in the Basque Country saw a crash of several riders, which ultimately forced two pre-race favourites, Carapaz and Mas, to abandon. The race broke into several groups over the two final climbs of the day, with identical twins Simon and Adam Yates breaking away from a select group on the final ascent. The pair held their advantage to the finish, with Adam Yates taking the stage win and the first leader's yellow jersey ahead of his brother. Pogačar won the sprint in the group behind to finish third, and Neilson Powless (EF Education–EasyPost) took the lead in the mountains classification. Stage 2 featured the climb of the Jaizkibel, prominently used in the race Clásica de San Sebastián later in the season. On the climb, a select group of favourites emerged ahead of the peloton, with Pogačar taking eight bonus seconds available at the summit ahead of Vingegaard. Victor Lafay (Cofidis) broke clear of the leading group within the final kilometre of the stage and managed to keep his advantage to win the stage ahead of van Aert, while Yates retained the yellow jersey.
Jasper Philipsen won the following two, relatively flat, stages from bunch sprints. On stage 3 into Bayonne, he came in ahead of Phil Bauhaus (Team Bahrain Victorious), following a strong lead-out by teammate Mathieu van der Poel. Yates remained in the leader's jersey while Powless collected more points for the mountains classification as part of the breakaway. Philipsen then won ahead of Caleb Ewan (Lotto–Dstny) and Bauhaus at the finish of stage 4, which ended at the Circuit Paul Armagnac in Nogaro. The final part of the stage was marred by several crashes, including Fabio Jakobsen, while Yates retained the yellow jersey for another day. Following two hard opening days and with the high mountains of the Pyrenees to come the day after, the field was taking a slow tempo during stage 4, with no breakaway forming until 100 km (62 mi) into the race. This led to criticism, with some, such as stage winner Philipsen, describing it as "the most boring Tour de France stage for a long time".
On stage 5, the first mountain stage in the Pyrenees, a 36-man breakaway containing multiple pre-race favourites including Jai Hindley escaped from the bunch and established a stable advantage. The maximum lead of the group over the field was four minutes and was still at 2:30 minutes as it began the ascent of the final climb of the day, the Col de Marie-Blanque. Hindley dropped the remaining breakaway riders and rode alone over the top of the climb and into the finish in Laruns to win the stage, taking the lead in the general classification. Felix Gall (AG2R Citroën Team) had gained enough points during the stage to go into the lead of the mountains classification. Behind in the group of favourites, Vingegaard attacked 1.5 km (0.93 mi) from the summit of the Marie-Blanque and managed to distance Pogačar. Catching up to several breakaway riders, Vingegaard finished fifth on the day, 34 seconds behind Hindley. Pogačar opted to wait for distanced teammate Adam Yates to try to limit his losses, but eventually arrived at the finish 1:04 minutes behind Vingegaard, dropping to sixth place overall. With him came in other favourites such as Gaudu, Martinez, Rodriguez, and the Yates brothers. Meanwhile, Ben O'Connor and Romain Bardet lost 1:57 minutes to Hindley.
On stage 6, Vingegaard employed similar tactics to stage 5, outdistancing Hindley, but was unable to answer Pogačar's attack 3 km (1.9 mi) from the finish line; Pogačar won the stage and narrowed Vingegaard's general-classification lead over him to 25 seconds, while Vingegaard took the yellow jersey and second place on the stage. The seventh stage, another flat stage ending in a bunch sprint, was won by Philipsen again, narrowly beating Mark Cavendish, whose bicycle gears slipped within metres of the finish line, slowing his momentum. Stage 8 put an end to Cavendish's attempt to break the record for most stage wins, as an injury sustained in a crash forced him to abandon the Tour; the stage was won in a sprint by Mads Pedersen. In stage 9, a 14-man breakaway emerged early; late in the stage, Matteo Jorgenson (Movistar Team) broke away from the breakaway and led the race alone for most of the last 47 km (29 mi) before being overtaken in the last 500 m (550 yd) by Michael Woods (Israel–Premier Tech), who won the stage at the top of the Puy de Dôme. Vingegaard retained the yellow jersey, but lost time to Pogačar, who crossed the finish line eight seconds ahead of him.
Week Two
After the first rest day, stage 10 had a chaotic beginning, with many groups of riders—at one point including Vingegaard and Pogačar—attempting to break away before being caught by the peloton; a stable breakaway emerged around the halfway point of the stage. Krists Neilands attacked the breakaway group and was solo leader for much of the last section of the stage, but was eventually caught by other breakaway riders including Pello Bilbao, who went on to win the stage. Bilbao dedicated his victory to his late teammate Gino Mäder, who had died after a crash in the Tour de Suisse the previous month. Jasper Philipsen took his fourth stage-win of the Tour in a sprint on the eleventh stage to Moulins. In the twelfth stage, Ion Izagirre of the Cofidis team came in first after he escaped solo in the last 30 km (19 mi) towards Belleville en Beaujolais. Michał Kwiatkowski won stage 13 after breaking away on his own 11 km (6.8 mi) from the finish at the top of the Grand Colombier. Pogačar cut Vingegaard's lead to nine seconds.
In the fourteenth stage, an early 13-rider crash led race officials to suspend the stage for 30 minutes and caused several riders to abandon the Tour. On the climb to the Col de Joux Plane, Pogačar and Vingegaard led the stage. Pogačar attacked about 2 km (1.2 mi) from the top of the climb, but Vingegaard recovered and caught up with him; Pogačar's next attack was obstructed by media motorcycles crowding the road. Carlos Rodríguez caught Vingegaard and Pogačar during the final descent and went on to win the stage, moving one second ahead of Jai Hindley into third place overall. Wout Poels soloed to victory in stage 15 after he broke away 11 km (6.8 mi) from the finish line on the penultimate climb of the Côtes des Amerands. It was his first Tour de France stage win after years as a super-domestique.
Week Three
The third week began with a time trial of 22.4 km between Passy and Combloux in which Pogačar aimed to reverse the 10 second lead of Vingegaard, but the latter won stage 16 decisively and widened his lead to 1 minute and 48 seconds. Pogačar came in second, over a minute ahead of Vingegaard's teammate van Aert, while Adam Yates moved into third place in the general classification, ahead of Rodriguez. On stage 17, which was a mountainous one, a fierce counter-attack from Pogačar was expected. However, Pogačar needed assistance from his teammate Marc Soler in the climb towards the Col de la Loze and lost further time to Vingegaard, who widened the lead to more than seven minutes in a stage won by Gall.
Kasper Asgreen held off the competition to win the eighteenth stage, which entered the Rhone valley. Meanwhile, van Aert left the race to be with his wife, who was about to give birth. On stage 19, Matej Mohorič won by the width of a rim to beat Asgreen in a photo finish in Poligny. After winning the stage, Mohorič, during an emotional interview on the difficulty of professional cycling, paid tribute to his late teammate Gino Mäder, who died in a crash at in the Tour de Suisse in June. In the twentieth stage, Thibaut Pinot, in his last Tour before retirement, attacked the breakaway and was solo leader at the top of the Petit Ballon, which was lined by thousands of fans cheering him on. He was overtaken and dropped by the race leaders on the ascent to the Col du Platzerwasel, and Pogačar won the stage ahead of Gall and his tour rival Vingegaard. In the same stage, the Italian Giulio Ciccone sealed the victory for the mountain classification. He is the first Italian to achieve this feat since Claudio Chiappucci in 1992.
The final stage was traditionally calm and the Belgian Jordi Meeus won just ahead of his compatriot Philipsen, Groenewegen, and Pedersen. Philipsen won the green jersey of the points classification for the first time in his career. Vingegaard crossed the finish line at the Champs-Élysées arm in arm with his teammates, finishing 7:29 minutes ahead of Pogačar and 10:56 minutes ahead of Adam Yates to win the Tour de France for the second straight year. His winning margin of 7 minutes 29 seconds was the largest since 2014. Vingegaard's Team Jumbo–Visma won the teams classification. Victor Campenaerts was chosen as the most combative rider. Runner up Pogačar won the white jersey of the young rider classification for the fourth year in a row.
Classification leadership
Classification standings
General classification
References
External links
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Subsets and Splits