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selling or something."
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He turned to go.
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"Oh, Mr. Roark!" she called.
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"Yes?"
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"The Dean phoned for you while you were out."
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For once, she expected some emotion from him; and an emotion would be the
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equivalent of seeing him broken. She did not know what it was about him that had
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always made her want to see him broken.
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"Yes?" he asked.
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"The Dean," she repeated uncertainly, trying to recapture her effect. "The Dean
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himself through his secretary."
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"Well?"
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"She said to tell you that the Dean wanted to see you immediately the moment you
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got back."
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"Thank you."
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"What do you suppose he can want now?"
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"I don’t know."
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He had said: "I don’t know." She had heard distinctly: "I don’t give a damn."
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She stared at him incredulously.
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"By the way," she said, "Petey is graduating today." She said it without
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apparent relevance.
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"Today? Oh, yes."
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"It’s a great day for me. When I think of how I skimped and slaved to put my boy
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through school. Not that I’m complaining. I’m not one to complain. Petey’s a
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brilliant boy."
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She stood drawn up. Her stout little body was corseted so tightly under the
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9
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starched folds of her cotton dress that it seemed to squeeze the fat out to her
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wrists and ankles.
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"But of course," she went on rapidly, with the eagerness of her favorite
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subject, "I’m not one to boast. Some mothers are lucky and others just aren’t.
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We’re all in our rightful place. You just watch Petey from now on. I’m not one
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to want my boy to kill himself with work and I’ll thank the Lord for any small
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success that comes his way. But if that boy isn’t the greatest architect of this
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U.S.A., his mother will want to know the reason why!"
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He moved to go.
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"But what am I doing, gabbing with you like that!" she said brightly. "You’ve
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got to hurry and change and run along. The Dean’s waiting for you."
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She stood looking after him through the screen door, watching his gaunt figure
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move across the rigid neatness of her parlor. He always made her uncomfortable
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in the house, with a vague feeling of apprehension, as if she were waiting to
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see him swing out suddenly and smash her coffee tables, her Chinese vases, her
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framed photographs. He had never shown any inclination to do so. She kept
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expecting it, without knowing why.
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Roark went up the stairs to his room. It was a large, bare room, made luminous
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by the clean glow of whitewash. Mrs. Keating had never had the feeling that
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Roark really lived there. He had not added a single object to the bare
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necessities of furniture which she had provided; no pictures, no pennants, no
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cheering human touch. He had brought nothing to the room but his clothes and his
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drawings; there were few clothes and too many drawings; they were stacked high
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in one comer; sometimes she thought that the drawings lived there, not the man.
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Roark walked now to these drawings; they were the first things to be packed. He
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lifted one of them, then the next, then another. He stood looking at the broad
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sheets.
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They were sketches of buildings such as had never stood on the face of the
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earth. They were as the first houses built by the first man born, who had never
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heard of others building before him. There was nothing to be said of them,
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except that each structure was inevitably what it had to be. It was not as if
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the draftsman had sat over them, pondering laboriously, piecing together doors,
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windows and columns, as his whim dictated and as the books prescribed. It was as
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if the buildings had sprung from the earth and from some living force, complete,
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unalterably right. The hand that had made the sharp pencil lines still had much
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to learn. But not a line seemed superfluous, not a needed plane was missing. The
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structures were austere and simple, until one looked at them and realized what
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work, what complexity of method, what tension of thought had achieved the
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simplicity. No laws had dictated a single detail. The buildings were not
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Classical, they were not Gothic, they were not Renaissance. They were only
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Howard Roark.
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He stopped, looking at a sketch. It was one that had never satisfied him. He had
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designed it as an exercise he had given himself, apart from his schoolwork; he
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did that often when he found some particular site and stopped before it to think
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of what building it should bear. He had spent nights staring at this sketch,
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wondering what he had missed. Glancing at it now, unprepared, he saw the mistake
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he had made.
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He flung the sketch down on the table, he bent over it, he slashed lines
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straight through his neat drawing. He stopped once in a while and stood looking
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at it, his fingertips pressed to the paper; as if his hands held the building.
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10
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His hands had long fingers, hard veins, prominent joints and wristbones.
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An hour later he heard a knock at his door.
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"Come in!" he snapped, without stopping.
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"Mr. Roark!" gasped Mrs. Keating, staring at him from the threshold. "What on
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earth are you doing?"
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He turned and looked at her, trying to remember who she was.
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"How about the Dean?" she moaned. "The Dean that’s waiting for you?"
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"Oh," said Roark. "Oh, yes. I forgot."
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"You...forgot?"
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"Yes." There was a note of wonder in his voice, astonished by her astonishment.
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"Well, all I can say," she choked, "is that it serves you right! It just serves
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you right. And with the commencement beginning at four-thirty, how do you expect
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him to have time to see you?"
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"I’ll go at once, Mrs. Keating."
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It was not her curiosity alone that prompted her to action; it was a secret fear
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that the sentence of the Board might be revoked. He went to the bathroom at the
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end of the hall; she watched him washing his hands, throwing his loose, straight
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hair back into a semblance of order. He came out again, he was on his way to the
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stairs before she realized that he was leaving.
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"Mr. Roark!" she gasped, pointing at his clothes. "You’re not going like this?"
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