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32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | Did he have a dinosaur with pink spots? | {
"answer_start": [
538
],
"text": [
"one with purple spots"
]
} |
32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | Which toys were his favorites? | {
"answer_start": [
639
],
"text": [
"Logan's favorite toys were his race cars"
]
} |
32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | Why | {
"answer_start": [
681
],
"text": [
"That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars."
]
} |
32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | Did anyone else play in the room? | {
"answer_start": [
823
],
"text": [
"he even lets his sister in his toy room "
]
} |
32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | Who? | {
"answer_start": [
826
],
"text": [
"even lets his sister in his toy room "
]
} |
32zkvd547fnu6149fn9rb5z8e8b3bd | Logan had lots of toys. He had balls, dinosaurs, race cars, and even robots! Logan had so many toys he had a room for his toys. There he could play with whatever he wanted, when he wanted, and not even have to pick them back up. Logan had all kinds of balls. He had red ones, green ones, blue ones and even a pink one he hid from his sister. His robots were so cool they could change shape, fly, or race. Some even saved the world in his imagination. Logan loved his dinosaurs. He had one with big sharp teeth, one with little tiny arms, one with purple spots, and even one that his dad said didn't eat anything but plants and vegetables. Logan's favorite toys were his race cars. That was because when his dad came home from work he always went to the toy room with Logan to play with his race cars. Logan had so much fun he even lets his sister in his toy room so she can play dad too! The toy room was Logan's favorite room in the house. He spends all the time he can in his room with all his friends and family and he has so much fun. | When would his father play with him? | {
"answer_start": [
698
],
"text": [
"when his dad came home from work"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What is this chapter called? | {
"answer_start": [
17
],
"text": [
"TOM TRINGLE GETS AN ANSWER."
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | Who took a job at a station by Albury? | {
"answer_start": [
719
],
"text": [
"But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him. \n\nNevertheless he must do his best, and he took a gig at the station nearest to Albury"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | Did he hope to stay there? | {
"answer_start": [
1023
],
"text": [
"but still he lived in hope that he would be able to return to London the same day."
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What did he hope? | {
"answer_start": [
1023
],
"text": [
"but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep him"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What did he take along? | {
"answer_start": [
981
],
"text": [
"He was careful to carry his bag with him,"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | Who did he ask about? | {
"answer_start": [
1212
],
"text": [
"when he asked the footman at the door whether Colonel Stubbs were there"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What was his question? | {
"answer_start": [
1216
],
"text": [
" he asked the footman at the door whether Colonel Stubbs were there"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | Who did he ask? | {
"answer_start": [
1212
],
"text": [
"when he asked the footman at the doo"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What was the answer? | {
"answer_start": [
1417
],
"text": [
" But Colonel Stubbs had not gone away. Colonel Stubbs was in the house."
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What was he hoping? | {
"answer_start": [
1285
],
"text": [
"he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the glob"
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What did Faddle think was absurd? | {
"answer_start": [
103
],
"text": [
" that the law which required such letters to be delivered by hand was an absurd law."
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | Did he think the mail would be just as good? | {
"answer_start": [
188
],
"text": [
"The post would have done just as well, "
]
} |
388u7oumf71l5gm1sxdy9m65ul2r0y | CHAPTER XXXVI.
TOM TRINGLE GETS AN ANSWER.
Faddle as he went down into the country made up his mind that the law which required such letters to be delivered by hand was an absurd law. The post would have done just as well, and would have saved a great deal of trouble. These gloomy thoughts were occasioned by a conviction that he could not carry himself easily or make himself happy among such "howling swells" as these Alburys. If they should invite him to the house the matter would be worse that way than the other. He had no confidence in his dress coat, which he was aware had been damaged by nocturnal orgies. It is all very well to tell a fellow to be as "big a swell" as anybody else, as Tom had told him. But Faddle acknowledged to himself the difficulty of acting up to such advice. Even the eyes of Colonel Stubbs turned upon him after receipt of the letter would oppress him.
Nevertheless he must do his best, and he took a gig at the station nearest to Albury. He was careful to carry his bag with him, but still he lived in hope that he would be able to return to London the same day. When he found himself within the lodges of Stalham Park he could hardly keep himself from shivering, and, when he asked the footman at the door whether Colonel Stubbs were there, he longed to be told that Colonel Stubbs had gone away on the previous day to some--he did not care what--distant part of the globe. But Colonel Stubbs had not gone away. Colonel Stubbs was in the house. | What would be a worse matter? | {
"answer_start": [
433
],
"text": [
" If they should invite him to the house the matter would be worse that way than the other."
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | who came in the house in a hurry? | {
"answer_start": [
14
],
"text": [
"FERN Mullins rushed into the house o"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | when? | {
"answer_start": [
54
],
"text": [
"Saturday morning"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | was it late? | {
"answer_start": [
55
],
"text": [
"aturday morning"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | what month? | {
"answer_start": [
80
],
"text": [
"September"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | What was the excitement over? | {
"answer_start": [
748
],
"text": [
"So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable. "
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | why was that exciting? | {
"answer_start": [
-1
],
"text": [
"unknown"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | was it because Fern wanted to have a spree before her arrest? | {
"answer_start": [
114
],
"text": [
"School starts"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | who attended the picnic? | {
"answer_start": [
765
],
"text": [
"Carol, Fern, Erik, Cy Bogart, and the Dyers"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | was it immoral? | {
"answer_start": [
813
],
"text": [
"not only moral but inevitable. "
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | Who was the chaperone? | {
"answer_start": [
799
],
"text": [
"the Dyers"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | What was said about Erik? | {
"answer_start": [
662
],
"text": [
" he's got lots more style"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | where did the picnic take place? | {
"answer_start": [
883
],
"text": [
"south shore of Lake Minniemashie"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | what kind of grove? | {
"answer_start": [
-1
],
"text": [
"unknown"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | was it a birch grove? | {
"answer_start": [
-1
],
"text": [
"unknown"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | How was Mr. Dyer acting? | {
"answer_start": [
917
],
"text": [
"Dave Dyer was his most clownish self."
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | what did he do? | {
"answer_start": [
1223
],
"text": [
"Dave splashed water on them"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | who's hat did he wear? | {
"answer_start": [
973
],
"text": [
" wore Carol's hat"
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | Who was the brat? | {
"answer_start": [
299
],
"text": [
"Cy Bogart wants to go--he's a brat but he's lively.\""
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | what did he do? | {
"answer_start": [
1459
],
"text": [
"Cy climbed a tree to throw acorns at them."
]
} |
3mx2nq3yc9u4xjuey2p2fzokb0yx50 | CHAPTER XXX
FERN Mullins rushed into the house on a Saturday morning early in September and shrieked at Carol, "School starts next Tuesday. I've got to have one more spree before I'm arrested. Let's get up a picnic down the lake for this afternoon. Won't you come, Mrs. Kennicott, and the doctor? Cy Bogart wants to go--he's a brat but he's lively."
"I don't think the doctor can go," sedately. "He said something about having to make a country call this afternoon. But I'd love to."
"That's dandy! Who can we get?"
"Mrs. Dyer might be chaperon. She's been so nice. And maybe Dave, if he could get away from the store."
"How about Erik Valborg? I think he's got lots more style than these town boys. You like him all right, don't you?"
So the picnic of Carol, Fern, Erik, Cy Bogart, and the Dyers was not only moral but inevitable.
They drove to the birch grove on the south shore of Lake Minniemashie. Dave Dyer was his most clownish self. He yelped, jigged, wore Carol's hat, dropped an ant down Fern's back, and when they went swimming (the women modestly changing in the car with the side curtains up, the men undressing behind the bushes, constantly repeating, "Gee, hope we don't run into poison ivy"), Dave splashed water on them and dived to clutch his wife's ankle. He infected the others. Erik gave an imitation of the Greek dancers he had seen in vaudeville, and when they sat down to picnic supper spread on a lap-robe on the grass, Cy climbed a tree to throw acorns at them. | why? | {
"answer_start": [
1477
],
"text": [
"to throw acorns"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Is Utah part of the United States? | {
"answer_start": [
0
],
"text": [
"Utah ( or ) is a stat"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What area of the US is it located in? | {
"answer_start": [
30
],
"text": [
"west"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Are more than half of the people living there Mormons? | {
"answer_start": [
608
],
"text": [
"Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons)"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What percentage are Mormon? | {
"answer_start": [
622
],
"text": [
"62%"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What is the name of the Mormon church? | {
"answer_start": [
666
],
"text": [
"The Church of Jesus Christ of Latter-day Saints"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What year did it become part of the US? | {
"answer_start": [
113
],
"text": [
"1896"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What month and day? | {
"answer_start": [
102
],
"text": [
"January 4"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Was it the 15th state to become part of the US? | {
"answer_start": [
51
],
"text": [
". It became the 45th state admitted to the U.S. on January 4, 1896"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Was it the 45th? | {
"answer_start": [
53
],
"text": [
"It became the 45th state admitted to the U.S. on January 4, 1896"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | How many people live there? | {
"answer_start": [
256
],
"text": [
"more than 3 million"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Where so most of them reside? | {
"answer_start": [
342
],
"text": [
" along the Wasatch Front"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What is the capital? | {
"answer_start": [
399
],
"text": [
"Salt Lake City"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What states border Utah? | {
"answer_start": [
434
],
"text": [
" Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What state does it touch a corner of? | {
"answer_start": [
577
],
"text": [
"New Mexico"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Does the state have a slow growing population? | {
"answer_start": [
1156
],
"text": [
"Utah had the second fastest-growing population of any state"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What city was said to be the fastest growing? | {
"answer_start": [
1217
],
"text": [
"St. George"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | In what years? | {
"answer_start": [
1290
],
"text": [
" from 2000 to 2005"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | Do they have a high level of income inequality? | {
"answer_start": [
1368
],
"text": [
"he least income inequality of any U.S. state."
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What did the Gallup survey find? | {
"answer_start": [
1450
],
"text": [
"Utah overall to be the \"best state to live in"
]
} |
3fprzhyepy79ff2fk40rchtfi333v2 | Utah ( or ) is a state in the western United States. It became the 45th state admitted to the U.S. on January 4, 1896. Utah is the 13th-largest by area, 31st-most-populous, and 10th-least-densely populated of the 50 United States. Utah has a population of more than 3 million (Census estimate for July 1, 2016), approximately 80% of whom live along the Wasatch Front, centering on the state capital Salt Lake City. Utah is bordered by Colorado to the east, Wyoming to the northeast, Idaho to the north, Arizona to the south, and Nevada to the west. It also touches a corner of New Mexico in the southeast.
Approximately 62% of Utahns are reported to be members of The Church of Jesus Christ of Latter-day Saints or LDS (Mormons), which greatly influences Utahn culture and daily life. The LDS Church's world headquarters is located in Salt Lake City. Utah is the only state with a majority population belonging to a single church.
The state is a center of transportation, education, information technology and research, government services, mining, and a major tourist destination for outdoor recreation. In 2013, the U.S. Census Bureau estimated that Utah had the second fastest-growing population of any state. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah also has the 14th highest median average income and the least income inequality of any U.S. state. A 2012 Gallup national survey found Utah overall to be the "best state to live in" based on 13 forward-looking measurements including various economic, lifestyle, and health-related outlook metrics. | What did they base that on? | {
"answer_start": [
1505
],
"text": [
" 13 forward-looking measurements"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | Who established the legion of honour? | {
"answer_start": [
144
],
"text": [
"established in 1802 by Napoléon Bonaparte. \n"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | In what year? | {
"answer_start": [
159
],
"text": [
"1802"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | What is the legion of honour? | {
"answer_start": [
83
],
"text": [
"highest French order of merit for military and civil merits"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | Give me its full name? | {
"answer_start": [
33
],
"text": [
"National Order of the Legion of Honour"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | How many degrees of distinction is the order divided? | {
"answer_start": [
333
],
"text": [
"The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and \" (Grand Cross). \n"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | Name them? | {
"answer_start": [
401
],
"text": [
"(Knight), ' (Officer), ' (Commander), ' (Grand Officer) and \" (Grand Cross). "
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | What's the order's motto? | {
"answer_start": [
214
],
"text": [
"Honour and Fatherland"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | What was Napoleon's wish? | {
"answer_start": [
597
],
"text": [
"t was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a \"\", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | Why did he create this order? | {
"answer_start": [
665
],
"text": [
"reward to commend civilians and soldiers"
]
} |
338jkrmm26z4hz6gouyxkogcgyphar | The Legion of Honour, full name, National Order of the Legion of Honour (), is the highest French order of merit for military and civil merits, established in 1802 by Napoléon Bonaparte.
The order's motto is ' ("Honour and Fatherland") and its seat is the next to the Musée d'Orsay, on the left bank of the River Seine in Paris.
The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and " (Grand Cross).
In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a "", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the "Ordre de Saint-Louis". The badges of the legion also bear a resemblance to the , which also used a red ribbon.
Napoleon originally created this to ensure political loyalty. The organization would be used as a facade to give political favours, gifts, and concessions. The was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional "cohorts" and a grand council. The highest rank was not a grand cross but a " (grand eagle), a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously: | Was Napoleon the first consul? | {
"answer_start": [
480
],
"text": [
"In the French Revolution, all of the French orders of chivalry were abolished, and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers and from this wish was instituted a \"\", a body of men that was not an order of chivalry, for Napoleon believed France wanted a recognition of merit rather than a new system of nobility. The however did use the organization of old French orders of chivalry for example the \"Ordre de Saint-Louis\". The badges of the legion also bear a resemblance to the , which also used a red ribbon. \n"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What is music often divided into? | {
"answer_start": [
367
],
"text": [
"Music can be divided into different genres"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Are these objective categorizations? | {
"answer_start": [
474
],
"text": [
"these classifications are often subjective"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Is there distinct boundaries between all genres? | {
"answer_start": [
540
],
"text": [
"some genres may overlap"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What did Green publish? | {
"answer_start": [
637
],
"text": [
"In his book \"Form in Tonal Music\", Douglass M. Green"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | How many categories of Renassiance music did he list? | {
"answer_start": [
728
],
"text": [
"He lists madrigal, motet, canzona, ricercar, and dance"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Is dance one of those? | {
"answer_start": [
777
],
"text": [
"dance"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Did he argue that genre and form were essentially the same? | {
"answer_start": [
672
],
"text": [
"Douglass M. Green distinguishes between genre and form"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Which pieces did he argue with the same genre but had different forms? | {
"answer_start": [
891
],
"text": [
"\"Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form."
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Which works were examples of the exact opposite of that? | {
"answer_start": [
1021
],
"text": [
"Mozart's Rondo for Piano, K. 511, and the \"Agnus Dei\" from his Mass, K. 317"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What genre would The Beethoven and Mendelssohn pieces be listed as? | {
"answer_start": [
890
],
"text": [
" \"Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Do van der Merwe and Moore argue the same point? | {
"answer_start": [
1162
],
"text": [
"ome, like Peter van der Merwe, treat the terms \"genre\" and \"style\" as the same"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Which one of them thinks genre and style are the same? | {
"answer_start": [
1172
],
"text": [
"Peter van der Merwe, treat the terms \"genre\" and \"style\" as the same"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | How does he define it? | {
"answer_start": [
1254
],
"text": [
"\"genre\" should be defined as pieces of music that share a certain style"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Is musical technique one way define a genre? | {
"answer_start": [
1539
],
"text": [
"A music genre or subgenre may also be defined by the musical techniques"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What is another? | {
"answer_start": [
1539
],
"text": [
"A music genre or subgenre may also be defined by the musical techniques, the style,"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Is geographical origin ever used? | {
"answer_start": [
1687
],
"text": [
"Geographical origin is sometimes used to identify a music genre"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What is one issue with that? | {
"answer_start": [
1759
],
"text": [
"a single geographical category will often include a wide variety of subgenres"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | Who said that the term has graduated from being a subset of popular music studies? | {
"answer_start": [
1838
],
"text": [
"Timothy Laurie argues that since the early 1980s, \"genre has graduated from being a subset"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What type of framework has it become in his opinion? | {
"answer_start": [
1963
],
"text": [
"an almost ubiquitous framework for constituting and evaluating musical research objects"
]
} |
37td41k0ah9h0nhuj26nuxd2pbjscf | A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from "musical form" and "musical style", although in practice these terms are sometimes used interchangeably. Recently, academics have argued that categorizing music by genre is inaccurate and outdated.
Music can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term "genre "itself. In his book "Form in Tonal Music", Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of "genre", Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, and the "Agnus Dei" from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe, treat the terms "genre" and "style" as the same, saying that "genre" should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that "genre" and "style" are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may also be defined by the musical techniques, the style, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". | What do recent academics think about this type of categorization? | {
"answer_start": [
273
],
"text": [
"ecently, academics have argued that categorizing music by genre is inaccurate and outdated"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | When was Miyake born? | {
"answer_start": [
1094
],
"text": [
"Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | Where? | {
"answer_start": [
1094
],
"text": [
"Born in Miyagi Prefecture in Honshu"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | Where is that? | {
"answer_start": [
1094
],
"text": [
"Born in Miyagi Prefecture in Honshu, north of Tokyo"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | Does he have any world records? | {
"answer_start": [
1224
],
"text": [
"he set 25 world records"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | How many? | {
"answer_start": [
1223
],
"text": [
" he set 25 world records"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | Did he ever beat his own? | {
"answer_start": [
1271
],
"text": [
"he bettered his own standards"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | When was he the world champion? | {
"answer_start": [
1302
],
"text": [
"He was the world champion in 1962-1963 and 1964-1965"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | When did he win an Olympic gold medal? | {
"answer_start": [
672
],
"text": [
"Miyake's Olympic gold in 1968"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | What did earn in 1964? | {
"answer_start": [
982
],
"text": [
"In 1964 he had also won gold"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | where? | {
"answer_start": [
982
],
"text": [
"In 1964 he had also won gold in Tokyo"
]
} |
3dzqrbdbslftnnlbq9vm1u98jzr3sf | (CNN) -- Yoshinobu Miyake is perhaps the only athlete apart from Dick Fosbury who has had a technique named after him.
Miyake: the strongest man ever?
While Fosbury was throwing himself backward over the bar in the high jump in Mexico City 1968, Miyake was placing his ankles together, instead of apart, for the lifting snatch.
The "Miyake Pull" was also coined "Frog Style" after the stance the lifter adopts before the pull: heels together with knees fanned outward to around sixty degrees with a wide grip on the bar, resembling a frog upon the lift.
The technique proved physiologically efficient for a body bearing some 60 kilograms (132 pounds) of stress.
Miyake's Olympic gold in 1968 is less well known than Fosbury's, but pound for pound, in his own sport, he is considered one of the strongest men who ever lived -- and Japan's finest weightlifting exponent.
The medal re-affirmed Miyake's pre-eminence in the featherweight class and proved he could travel.
In 1964 he had also won gold in Tokyo in front of a home crowd, improving on a silver earned in Rome in 1960.
Born in Miyagi Prefecture in Honshu, north of Tokyo, in 1939, Miyake was all but unstoppable in the mid-1960s.
During that time he set 25 world records, many consecutively as he bettered his own standards. He was the world champion in 1962-1963 and 1964-1965.
After coming fourth at the 1972 Munich Games, Miyake retired from competitive action to coach Japan's weightlifting team, helping his brother, Yoshiyuki, become world champion in 1969 and 1971. | What had he gotten before that? | {
"answer_start": [
1046
],
"text": [
"improving on a silver earned in Rome in 1960"
]
} |
Subsets and Splits