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Some people don't like the animation. Personally, I think the animation was quite remarkable given when this movie was done. There are lots of older cartoons that I just love. My problems with this movie are not the animation, but basically the way it was constructed. The characters are all just... well, goofy. And for this movie, they shouldn't be. Apparently, everyone in LOTR has a limping problem (for starters.) Just the way they acted in general annoyed me. My two sisters and I were laughing through most of this movie. I think that if many people had seen this before seeing the newer ones, they wouldn't have gone. I'm glad I rented this and didn't buy it. There are few movies that give me a headache. This was one of them. However, this isn't the worst movie I've ever seen, although it ranks up there. Or down there, depending on your view. | negative |
"Winchester '73" marked the first of a series of westerns involving James Stewart and director Anthony Mann. As in most of them Stewart's hero has an violent edge that threatens to explode at any time.<br /><br /> The title refers to a "one in a thousand" rifle that is up for competition at a rifle shoot held in Dodge City on July 4, 1876. Into town comes Lin McAdam (Stewart) and his sidekick High Spade (Millard Mitchell) who are on the trail of Dutch Henry Brown (Stephen McNally) for a past dastardly deed. They arrive just in time to see Marshal Wyatt Earp (Will Geer) running saloon girl Lola (Shelley Winters) out of town. It turns out that Dutch Henry is also in town for the rifle shoot. Lin and Dutch Henry shoot it out for the coveted prize with Lin winning but Dutch Henry robs Lin of the gun and escapes.<br /><br /> Lin and High Spade trail Dutch Henry across country where they encounter Lola with her cowardly beau Steve Miller (Charles Drake) hold up in a U.S. Cavalry camp awaiting attack by the Indians led by Young Bull (Rock Hudson) who has acquired the prized rifle by murdering wily gun runner John McIntyre. He had got the weapon by cheating Dutch Henry at poker. Young Bull is killed during the attack and the gun passes to Steve.<br /><br /> Meanwhile, back at the ranch, Lola and Steve meet up with notorious gunman Waco Johnny Dean (Dan Duryea) who kills Steve and takes the valued rifle and Lola for himself. When Dean meets up with Dutch Henry, he allows him to take back "his gun" planning to murder him later. In the town of Tuscosa, Lin kills Dean as Dutch Henry's plans of holding up the bank go bad and he escapes into the hills with Lin in pursuit. In one of the best final shoot outs ever, the two meet in the final showdown.<br /><br /> I believe that this movie was the only one of the Stewart/Mann collaborations that was shot in B&W. It is beautifully photographed, especially the scenes in the "wide open spaces" and in particular, the final showdown. Stewart playing against type, plays the hero with a violent revenge motive edge, an emotion that he would carry into future films with Mann.<br /><br /> As in most Universal westerns, this one boasts a cast of seasoned veterans and contract players of the day. In addition to those mentioned above, J.C. Flippen appears as the cavalry sergeant, Steve Brodie, James Millican, John Doucette and Chuck Roberson as various henchmen, Ray Teal as the sheriff pursuing Duryea, Tony Curtis and James Best as rookie soldiers and Edmund Cobb, Chief Yowlachie and John War Eagle in various roles in the Dodge City sequence.<br /><br /> A classic western in every sense of the word. It was responsible for re-generating Stewart's career as an action star. | positive |
This is basically a goofball comedy, with somewhat odd pacing due to some dramatic elements. For Michael J. Fox and Paul Reubens, it was their first film(Fox had previously been in a short lived TV series and a TV movie).<br /><br />Since the movie is basically a race/scavenger hunt type movie, like "Cannonball Run", "It's a Mad Mad Mad Mad World", or more recently "Rat Race", there are no main characters. Instead there are groups of characters, splitting the screen time and allowing for tons of mini-plots. Usually these kind of movies are a way to cram the maximum amount of stars (or semi-stars) onto a film.<br /><br />This one has teams, with one being the primary team which Fox belongs to, who are the only characters to be developed. Their plot is more of a stereotypical Disney affiar, about a college boy not paying attention to his younger brother, who he thinks of as a lazy punk. Since they are forced on a team together, along with the older brother's girlfriend, they are forced to work together. Since this is the main plot it gets the most screen time.<br /><br />Some of the other silly plots stand out. The Blue Team is about an overweight rich kid whose dad just wants him and his misfit friends out of the house. They end up with a cool custom van which had an on-board computer (in 1980!) to instantly solve the riddles, plus play video games with the time saved! One member, Stephen Furst, went on to play Dr. Axelrod on "St. Elsewhere", and later was on "Babylon 5". I'll also admit that I still laugh when Barf, while trying to unscramble a word a'la Scrabble, comes up with, "Fagabefe?" This is much funnier than Bart Simpson's "Qwyjibo", in my opinion.<br /><br />The other three teams have plots that are somewhat linked together. The green team is a bunch of frat boys, with mostly beer jokes which climaxes into a breakdown for one when the hunt leads to the Pabst Blue Ribbon Brewery. They get a chance to harass the red team, with two feminists and two fun-loving twins. The white team of nerds are lead by Eddie Deezen, who was previously in "Grease" but went on to play a critical computer geek role in "Wargames" and later Tim Conway's sidekick in some of the "Dorf" series.<br /><br />If you grew up in the 80's, then there are some classic moments in the movie that bring back memories. The early video arcade, from back when they were cool is always a plus in my mind. Look for Paul Reubens and his quarter-shooting guns. There is also a miniature golf course and a roller disco.<br /><br />The movie is actually an okay family movie simply because profanity is almost non-existant, and the small amount of sexual humor is completely innocent. The odd pacing thanks to the yellow team's cheesy dramatic moments will put parents to sleep while their kids can giggle at giant melons at Fat Burger (oh, they actually have a special melon platter? That must be it, right?) | positive |
If you're a fan of Turkish and Middle Eastern music, you're in great luck. This film is a documentary of current music in Istanbul, spanning the traditional to the modern. It's very good. You could not do better if you went to Istanbul yourself. We get interviews with Orhan Gencebay, concert clips of modern musical icons, a road show with a Romani (Gypsy) audience, Turkish Hip Hop (surprisingly very very good), and much much more. Some of the best female vocalists I've ever heard. A Kurdish woman singing in a hamam (steam bath) who will rip your heart out. Lots of social and political background. If this is your thing, you'll have a grand time. I could barely sit still in the theatre.<br /><br />CD soundtrack now available on amazon. Pricey. | positive |
I don't know what it is about this movie, the charisma of the two leads, their chemistry on screen, the chance to see Matthau's real-life son (you can't miss him)or Art Carney's performance but I love it. I've seen it a few times and never tire of watching it again. Rent and enjoy. | positive |
The best way to have fun in this movie is to count how many clichés it is rehashing. Snarling Chinese gangsters. A female vice-president. A ventilator duct that happens to be big enough to fit a big Caucasian male. Shooting through the wall to kill the bad guy. A Situation where you need to snuff out some innocent people to prevent Armageddon. Independence Day scenes where you snuff out some memorable landmarks in a fireball. The vice president in a nice well lighted room surrounded by subordinates, while the Chinese premier virtually alone in a dark room with just bit of dim light shining, snarling as viciously as the slimy gangsters. A lone hero left alone in a ship (building, airplane, whatever) wreaking havoc on clueless bad guys with big automatic weapons. Etc., etc., etc.<br /><br />The second best way is to count how many zeroes you need to put after the decimal to accurately gauge the probability of the film scenario. I counted up to 45. A president agreeing to a meeting on board a private vessel. The impossibly non-overridable command from the nuke box. The part where the Chinese decided to play shoot 'em up. Etc., etc. Man the earth is more likely fall into the sun than for this film to happen. <br /><br />I admit the film was interesting until the point the evil Taiwanese gangsters kidnapped the President. Then the boredom kicked in. Suspension of disbelief ceased, and I started thinking the fun I'd have torturing this film... | negative |
I went to see "Quitting" with high hopes, because the director's "Shower" had impressed me so. Despite a few lapses into mawkishness, "Shower" ranks high on my list of all-time favorite movies for its penetrating insight into family relationships and its generally superb acting and direction. And I've seen it at least three times now.<br /><br />But "Quitting" fell flat, in my estimation. It seemed a pointless exercise and I was quickly so tired of the main character's insufferable personality that I was longing for the movie to end. I admit to falling asleep six or seven times, but it was only for a few seconds at a time, so I think it's still OK to write this comment.<br /><br />I did admire the parents and sister. The device of using all real characters in the film is a nice one I've never seen used before.<br /><br />Disappointment aside, I will still make an effort to see any film bearing Yang Zhang's name, simply on the basis of the beautiful "Shower." | negative |
This isn't the comedic Robin Williams, nor is it the quirky/insane Robin Williams of recent thriller fame. This is a hybrid of the classic drama without over-dramatization, mixed with Robin's new love of the thriller. But this isn't a thriller, per se. This is more a mystery/suspense vehicle through which Williams attempts to locate a sick boy and his keeper.<br /><br />Also starring Sandra Oh and Rory Culkin, this Suspense Drama plays pretty much like a news report, until William's character gets close to achieving his goal.<br /><br />I must say that I was highly entertained, though this movie fails to teach, guide, inspect, or amuse. It felt more like I was watching a guy (Williams), as he was actually performing the actions, from a third person perspective. In other words, it felt real, and I was able to subscribe to the premise of the story.<br /><br />All in all, it's worth a watch, though it's definitely not Friday/Saturday night fare.<br /><br />It rates a 7.7/10 from...<br /><br />the Fiend :. | positive |
This is one of THE century's best tv-series ever with all the great suspense,story,and a cast of absolutely fantastic actors and love and grief that really gets you involved and captivated in front of your tv. If you have seen it once, you will go back to see it again. I have several times and still do it. The 20 th century's best drama. | positive |
Yes, Kazaam is one of those horribly bad movies that almost reminds one of everything that is wrong with not just kids movies, but with humanity. Here we have Shaq as a rapping genie- yes, a RAPPING genie- where he does everything from making bad puns to dressing in ridiculous outfits, all ending in him in a Christ-like pose with lots of light surrounding him. So, yeah, expect really cheesy bits, including the first wish being a lot of junk food falling down from the sky (and, regrettably, not knocking out the two main characters, particularly the kid). What might not be expected is that a film with a kid and Shaquille O'Neill would be so incredibly schmaltzy! The main plot of the film involves this kid, played in that all-too-typical and annoying-kid fashion by the great-grandson of Frank Capra (where in which the kid is yelling out his dialog angrily), who comes upon a genie who's been trapped in a boom-box. Then "hiarity ensues" as the kid makes the Shaq-genie his quasi-slave as he waits on his last two wishes as he tries to make amends with his shady-gang-type absentee father.<br /><br />This really sappy, contrived son and father story would be bad enough, as there are certain lines that have been uttered in a million other movies (i.e. the "two chances in life" speech from father to son). But it's Shaquille O'Neill who is both the reason to watch the film (ironically), and the obvious sinking crux of it all. His plot line involves him, when not getting the over-talky treatment from Capra, to rap within the dialog and also start off his blossoming recording career. On top of this, he also kicks ass and takes names with the main bad guys who want him back in the boom-box. So is there a camp factor to the movie? Up to a point, but this is even squashed by all of the mushy scenes and 'heart-felt' moments that have really no business with the rest of the material. One might ask if the people making the movie, who were obviously doing it at the behest of the popularity of a BASKETBALL player who wanted to go on the Michael Jordan acting bandwagon, if it would be anywhere near decently entertaining or convincing. I'd hope that they too knew they were just getting paid. But I'd hope even more that they felt at least a little guilty afterwords for feeding the Shaq-machine.<br /><br />So, if you want to have a fun night of Shaq as genie-turned-rapper-turned-wisecracker, all the more fun to you. Hell, it might even be interesting to have a Shaq movie night with this and his other critically acclaimed effort Steel. But if you're hoping to keep a few brain cells, stay away from what is very likely the worst flick of 1996, and a candidate among many others for worst of the 90's. | negative |
The film is very complete in what it is, keeping one continuously interested with the flashbacks to childhood and growing up with such a bizarre father, and interspersing it with the tails of serial murder, one simply cannot go wrong. The very plot in itself, the very story and essence of the film, is entertaining. It is the sort of story that the director (Bill Paxton) could do so much with, and in this case, he really did do a lot with it.<br /><br />From beginning to end you are kept anticipating more and more about what is happening and where the film is going, and the creativity that is behind this story is first class. I felt as if this film was exquisitely done from start to finish, and one of those rare gems that seemed to be without any boring lulls -- the action flowing neatly, quickly, and tightly from one scene to the next. <br /><br />It demonstrates just how far people can go: so as to do such horrible things to their loved ones, and to do such acts of evil, in the name of 'God' when they are disillusioned as in this case. It also is sometimes interesting in its' twists & takes on the concept of morality as a whole.<br /><br />Overall, this is the sort of film that one easily overlooks, but I would recommend you to not do likewise and to check this film out -- it is very much so worth your time. | positive |
I agree with "johnlewis", who said that there is a lot going on between the lines in this film. While I do think the pacing of this film could be improved, I do think that the complexity of the relationships between the characters is fascinating.<br /><br />Examples : <br /><br />Pierre is going to marry his cousin, even though his love for her seems very cousin-y ? <br /><br />Pierre and his stepmother have a rather...curious relationship.<br /><br />Pierre, Lucie, and Thibault seem to have a triangular relationship, and the actual points to the triangle are not quite certain...<br /><br />Lucie's brother is a bit of a eunuch, or is he ? <br /><br />And Isabelle, who is she really ?? <br /><br />Overall, I think it was worth my time. An interesting film, and one that makes me want to read Melville. | positive |
Another of my delves into the bargain bin, this movie gave me exactly what I expected - a load of trashy horror complete with screaming ladies.<br /><br />It all started so well - I liked the little intro with the "newsreel" about the young couple being exposed to a nuclear blast, and was totally absorbed right up until the first person caught fire...<br /><br />From then onwards the film descended into outright silliness, and at times became almost embarrassing to watch. When the heroine turned out to have been afflicted with the same condition as the main character (the ability to light one's own farts without the aid of a match) it seemed almost as if someone had thrown the idea in at the last moment ("that'll be good!" you can almost hear them say...) As for the almost psychic link between the main character and the nuclear power plant, well...<br /><br />The movie came across as cheap tat - if you pay more than £1.50 for it you've been done. | negative |
Can only be described as awful. It is bad to start with and then gets even more bad. When you start you really have to watch it through because it is impossible to believe that it can get worse - but fear not because it does. Another poorly written script for a donkey director for no-talent offspring of past movie stars. It's hard to decide if the script is worse than the acting or whether the directing is worse than both. As for the hero - well he belts up everyone including one scene where he beats the living daylights out of the tough by swinging open the wardrobe door and smashing him against the window with it. And in another scene he gets thrown through a window and crashes 20ft onto concrete - doesn't even blink - then gets up immediately and gets stuck into the baddies. This is a really ridiculous movie. Lucky it only cost me $1 to hire. | negative |
I thought that this film was very enjoyable. I watched this film with my wife BEFORE I had my first child. Therefore, I was not watching it as simply family entertainment and I still thoroughly enjoyed it. It seems as though many of the reviews are pointing out that this movie is not earth shattering, there were no unexpected plot changes and that the movie was predictable and boring. If these people were watching this movie expecting to have a religious experience doing so, then they were obviously going to be disappointed. This is simply an animated movie; nothing more. If you want to see this movie simply to sit back and let yourself be entertained, you will not be disappointed. In closing, this is definitely not the best movie Disney has made, but it IS entertaining and I do not understand the bad reputation it has received. | positive |
Now before people start having a breakdown about this movie (those who play rugby anyway) this is a film! It's been given the Hollywood treatment to entertain people and therefore those who play rugby (myself included) are naturally gonna pick holes in the choreography of the game in the film. Althogether it is a decent film and bring to the attention the morals and ideas behind the game of rugby.<br /><br />The film is based on a real team, a real coach and his work helping guide kids in the right direction to be better people in the future, and also is based on real people who have played for the highland team. Its just a typical sports movie with a character who is misguided and eventually finds his way on the right track again through the rugby medium in this case. Is generally a feel good movie that is enjoyable but has flaws in terms of it's portrayal of the game. however, like i said it is a film under the Hollywood treatment. | positive |
Your mind will not be satisfied by this nobudget doomsday thriller; but, pray, who's will? A youngish couple spends the actual end of the world in the hidden laboratory of some aliens masquerading as Church people.<br /><br />Small _apocalyptically themed outing, END OF THE WORLD has the ingenuity and the lack of both brio and style of the purely '50s similar movies. And it's not only that, but EOTW plays like a hybridnot only doomsday but convent creeps as well. The villain of the movie is a wellknown character actor.<br /><br />This wholly shameless slapdash seems a piece of conventexploitation, that significantly '70s genre which looks today so amusingly outdated. Anyway, the convent's secret laboratory is some nasty piece of futuristic deco! Christopher Lee is the pride of End of the World; but the End of the World is not at all his pride! | negative |
Engaging entry from Europe about Czech fighter pilots flying for the RAF during WW2. It's always interesting as an American to see a new point of view on familiar events in history. There's nothing terribly original or revolutionary about the style in which this is filmed or the romantic love triangle that anchors the narrative. Still, it is compelling all the way through. There is a good balance between drama, romance, humor, action, and symbolism that is understated beautifully by the director and cast. This is a breath of fresh air after sitting through overblown and boring Hollywood epics like "Pearl Harbor." A solid production all around. This is definitely worth your time if you are a fan of foreign cinema. | positive |
To be honest fellow IMDb reviewers, I enjoyed this show a lot. The reason? Well, it didn't try to be more than it is; I mean, a sitcom with regular expectations, with a well known and repeated plot, funny and talented actors, and clever jokes oriented for a post college audience.<br /><br />This is what Grown Ups is all about: trying to be mature but in a funny way.<br /><br />Jaleel White is funny as always and delivers some witty, and hilarious sex oriented jokes. The humor is very 90's without taking in account the tendencies of the new millennium and that's the main reason in my opinion why the show didn't have success. It got stuck in the 90's.<br /><br />Oh and Mrs. Ribisi was really funny and perky.<br /><br />My favorite show has to be the one that deals with Karma biting the ass! Not a cult classic but I'm sure it's part of regular early 2000's nostalgia. | positive |
I am really surprised that this film only has a rating of 6.4 as of the time I did this review. While not exactly a great film, I do think it's one of the best films Dietrich did and it's a shame it isn't more highly regarded. I think a lot of the reason I liked the film so much is that the usual silly Dietrich persona as the "über-vamp" isn't present and her role required her to actually act. I just hate seeing film after film after film in the early days of her career where she seemed more like a caricature or cliché than a real woman. I don't necessarily blame Dietrich for the silly vampish films she made in the 1930s--audiences loved them and they did make her famous. But here, she showed she really could act. After all, just looking at her in films like MOROCCO, BLONDE VENUS and THE BLUE ANGEL, who would have guessed that she was well-cast to play a Gypsy! I was quite prepared to hate the film because of this casting decision, but it worked--she was pretty believable and a lot of fun to watch as well! The film is, essentially, a vehicle just for Ray Milland and Marlene Dietrich--the other supporting characters are very much secondary to the movie. Milland is a wanted spy in pre-WWII Germany and in his efforts to escape, he stumbles upon a rather frisky lone Gypsy (Dietrich) who instantly takes him to be a fulfillment of prophecy--in other words, her new lover! Milland is quite stuffy but reluctantly agrees to travel in her wagon--even putting on body paint and piercing his ears to make him look like a Gypsy (hence the title to the movie). Over time, he slowly starts to realize that underneath her very uncouth exterior is quite a woman and romance slowly blossoms.<br /><br />The film in a word is "charming". A nice romance with a good dose of comedy and fun--just the sort of picture you wish Hollywood still made. Also, please note the performance of Murvyn Vye as "Zoltan". He was very magnetic in the short time he was on film and I just loved his deep and beautiful voice.<br /><br />Finally, a sad note to consider. While the film is set in Germany, no mention is made of the upcoming Gypsy Holocaust. During the war, throughout German territory, the Nazis exterminated a huge percentage of Gypsies and so the final nice ending to the film is a tad far-fetched. | positive |
The Late Shift is a great book, I read the book several years ago, and I was transfixed at the cutthroat debauchery that went on when Johnny Carson retired and Jay Leno and Johnny Carson tried to grab his spot. When the movie came out, I snagged a VHS copy of the movie, and having reread the book recently, it's hard to say which I enjoy more, because they're quite equal in the amount of information conveyed. The two lead actors, John Michael Higgins, and Daniel Roebuck, two actors I never heard of before, and haven't heard of since, play Leno and Letterman convincingly, despite Letterman's dismissal of his portrayal as being poor. They play the parts quite well, despite a lot of people looking for an imitation of the two. I wasn't as interested in that. The story is what counts. And that brings me to Kathy Bates. Kathy Bates, playing Helen Kushnick, IS this movie. She plays this evil bitch of a character so menacingly you realize how on earth can this woman control herself, much less a national TV show. Yikes! There should be a sequel!! | positive |
This movie is a terrible waste of time. Although it is only an hour and a half long it feels somewhere close to 4. I have never seen a movie move so slowly and so without a purpose. This is also a "horror" film that takes place a lot of the time during daylight. My friend and I laughed an insane amount of times when we were probably supposed to be scared.<br /><br />The only thing we want to know is why such a terrible movie was released in so many countries. It cannot be that high in demand. <br /><br />The supermodel Nicole Petty should stick to modeling because although she is beautiful she lost her accent so many times in this movie, half of the time she is British and half the time she is American. | negative |
After an undercover mission in Bucharest to disclose an international gang of weapon dealers, the agent Sonni Griffith (Wesley Snipes) is assigned to protect the Romanian Nadia Kaminski (Silvia Colloca), the widow of an accountant of the Romanian Mafia. However, the CIA safe house is broken in by the criminals, and Sonni realizes that the information was leaked from inside the Agency. Alone, trusting only in his friend Michael Shepard (William Hope), Sonni fights to survive and protect Nadia.<br /><br />The career of Wesley Snipes is downhill. I have just seen this flick, and it is another disappointing movie of this actor, whose career is presently very similar to Steven Segal's one. The movie has many explosions, shots and car chase associated to an awful story and horrible acting. First, the Afro-American Wesley Snipes is chased by the police of Bucharest, but they never find a black American man. I have never been in Romania, but I believe there are not many Afro-Americans in this country. His character does not like to bath, wearing the same clothes along many days. There is no chemistry between Sonni and the sexy Silvia Colloca, but she freely has sex, falls in love for him and shares her fortune with him. The boy that performs Nadia's son is horrible. My vote is four.<br /><br />Title (Brazil): "O Detonador" ("The Detonator") | negative |
Okay, so when a friend of mine told me he was supposed to direct MM2 and MM3, I thought, heck, I got to check out Monster Man and see what its like, maybe I can get a part in it, but when I popped it into my DVD player and and tried to choke down the first 45 minutes of nothing but bad, bad I mean horribly annoying bad comedy from that fat ass thinking he's funny, not to mention how looooong the director spent on the pointless desert road trip, I cam to the conclusion that these guys didn't have a clue of what they were doing and missed the boat by a long shot. The story had potential to be somewhat different than the usual BS you see on the Blockbuster/Hollywood Video shelf put out by Lions gate these days, but they surely messed this one up. Why put so much time and effort in shooting annoying bad acting and bad jokes, why not shorten the road trip and put more of the plot in the movie. Myabe the writing was so bad that they had to cut out a lot of the movie or maybe the director didn't shoot enough of the horror and gore, that they had to find filler to make the usual 84 minutes???? All in all, and I'm being easy here, maybe because a friend of mine is the bald redneck in the bar scene that gets his skull crushed when chasing the three leads out into the street, I will give it at least 1 star for trying, and the gore/kill scenes weren't that bad, again, they tried. Too bad, Lions Gate could have created a cool franchise from this idea, but failed. I don't recommend paying to rent it, maybe you can find a cut down version where the movie starts from the hitch hiker scene. CRAP! | negative |
First, a little summary. This reporter named Torch is basically trying to get out the story of a zombie outbreak and finds the military & government censoring him. Nice message, government censorship and all that, but the way they DID the movie was, well let me explain.<br /><br />This movie is beyond description. The idea that somebody holds it in higher regard than anything by George Romero is justification enough for the reviewer to be committed to a mental institution. The script is atrocious on its own, like it was written by a sixth grader.As for special effects, I understand that independent films have low budgets, and some gore effects looked acceptable, but if you want a scene with fire, here's a tip: buy some nonflammable material, have an extinguisher ready, and get a fire going! Don't digitally add it in and make it look like an explosion from a Nintendo 64 game. The acting, well let's put it this way. In my summer theater program, a cold reading of the script is, compared to this, The Godfather. I won't even go into the inconsistencies. Find them yourself.<br /><br />What disturbed me the most, though, was when everything was finished after shooting and editing, somebody might have said, "Okay, this looks good. Let's release it." It sends a chill down my spine to even think about it, to think somebody felt that this was good enough for DVD release. This isn't DVD quality. This isn't Sci-Fi channel quality. Hell, this isn't even film school quality. If you were to submit this in for a project at a film school, you would get an F. No, not even an F, more like an F-. I wouldn't be surprised if he would try to get you expelled.<br /><br />I felt used after I saw this thing. Blockbuster and the makers of this movie have my money right now, and I'd prefer not to think of what they're doing with it. I have been the pawn of some elaborate, nefarious scheme at legalized theft, and it doesn't feel good to think that I walked right into it, looking at the back cover with pleasant memories of 28 Days Later only to find a film Ed Wood would watch and say afterwards, "I didn't much care for this." This film is the single most terrible movie I have seen. I have not seen anything by Ed Wood, but I have confidence this is worse. If you are looking for serious cinema, so much as being within ten feet of it will probably give you a bad headache. If not, I still recommend that you personally write the director and ask how he sleeps at night. However, if you are the kind of person who get a laugh out of really bad stuff then I recommend you check this out. You won't be disappointed. | negative |
Saw this last night and being a fan of the first Demons, I had hoped that the sequel would have the same fun, spooky spirit of it's predecessor. This is unfortunately not the case. The set-up is similar as the first, in which a horde of flesh-eating demons burst forth into reality by being released from a horror movie being played... (The first had been a movie theater, this one takes place in an apartment building and on TV.) Once the demons are released, madness and mass carnage ensues. That's pretty much it as far as plot development goes. It worked nicely in the first part because of the ghoulish make-up FX, fast pace and unpredictability. The sequel, however, doesn't cut it. The first problem seems to be that there are way too many characters who we don't really care about one way or another. If they were annoying or idiots, then there would at least be some kind of gratification when they are inevitably butchered/demonized/eaten alive...but these people are just kind of there waiting to be slaughtered. Plus, the fact that most of the characters are in different parts of the apartment building (and out of it), they are constantly cutting back and forth between them, which kept pulling me out of the story. There are some amusing bits, courtesy of the splatter FX and campiness. Such as a constant flow of dripping blood eating through one floor's construction after another as if it were alien acid... The first demon possession of a crabby birthday girl leads to the destruction of her entire party, and a creepy demon child clawing his way into the room of a tenant who is pregnant with child. However, that sequence parlays into a ridiculous-looking rubber demon baby puppet thing that bursts from the chest of the human child that constantly flies across the room at its intended victim. I got a couple of chuckles out of that scene, but I don't think that was Bava's intention. The scene probably would've worked better if they just kept the child demon around to attack the woman, but hey... Other little things like the over-zealous acting of most of the characters and the bad dubbing don't help matters. In summation, I managed to see the unrated version on DVD, and can't imagine having to sit all the way through the previously only available R rated version, because the make-up FX and gore were the only thing I got out of it. Also notable is an early role of producer Argento's future hottie daughter, Asia. In fact, she probably gives the best performance of the whole cast and she's barely on screen. Argento/Bava fan's might want to check it out just to see it, but will probably find themselves looking at their watch, like I did. Gore fans might get a kick out of some of the fx, but will be laughing themselves out of their chairs at the most goofy-looking evil baby puppet since Little Selwyn from Dead/Alive. You could do worse, but it certainly doesn't live up to the original. | negative |
Having seen the movie years ago and been disappointed by its squandered potential, when I heard that it was becoming a TV series, I flatly refused to watch it. My best friend became a rabid fan immediately, and knowing my love for horror movies, could not believe that I wouldn't watch a single episode. I told him that the movie had scarred me for life as far as anything BUFFY was concerned, and he told me to forget that the movie even existed. He insisted that I give two episodes a shot: "Once More With Feeling" and this one.<br /><br />Both of them are why I am a BUFFY fan today. He was right - I was hooked immediately. I have never seen a show with the guts to dare try an episode that has next to no dialogue, and nothing else could've pulled it off with the panache and the pure creativity of BUFFY. I think X FILES might've gotten away with it if they'd thought of it first, but I'm glad that BUFFY did it instead. <br /><br />It is a credit to everyone involved that you are riveted for the entire hour, sometimes hanging onto the edge of your seat. And when it was all over, I craved to know more about every character. So I went out and bought the Season One boxed set. And the rest is history...<br /><br />I guarantee you that if you've never seen it, either, you'll want to see more if you make this episode your first. <br /><br />The only reason I'm not giving it 10 out of 10 is because I'm reserving that score for "Once More..." | positive |
This is just a case of a previously worthless island changed into something worthwhile. Jesus Christ people lets throw a big fit over 2000 islanders big deal.This is just a case of a previously worthless island changed into something worthwhile. Jesus Christ people lets throw a big fit over 2000 islanders big deal.This is just a case of a previously worthless island changed into something worthwhile. Jesus Christ people lets throw a big fit over 2000 islanders big deal.This is just a case of a previously worthless island changed into something worthwhile. Jesus Christ people lets throw a big fit over 2000 islanders big deal. | negative |
Otto Preminger, completing a noir cycle at Twentieth Century Fox, reunited his "Laura" leads for this stark, gritty detective drama. Dana Andrews again portrays a cop, but this time he's hardened, cynical and has been accused of police brutality by his superior - "You don't hate hoods, you liked to beat them up!". Mark Dixon (Andrews) despises criminals, as his own father was a crook. He doesn't want to be "Sandy Dixon's kid" so he became a policeman, but his methods are harsh and hated.<br /><br />One night, investigating a murder, he unknowingly punches a suspect, Ken Paine (Craig Stevens) so hard that it kills him. A shaken Dixon does his best to cover it up, intending to frame a hated thug, Scalise (Gary Merrill) for the crime. However, the blame falls on Paine's father-in-law, Jiggs Taylor (Tom Tully), whose daughter, department store model Morgan Taylor (Tierney) is estranged from her husband but keeps getting drawn into his gambling schemes. Paine had slapped his wife, enraging her father, who did show up at his son-in-law's apartment, but not until Dixon had departed with the body. With no better suspects, Jiggs is arrested and charged.<br /><br />Riddled with guilt, Mark falls for Morgan and offers money for an attorney. He decides to take on Scalise anyway but leaves a letter to be given to the department in the event of his death, confessing everything. In the end, he cannot live with the knowledge with what he has done, and he permits the letter to be read by his superior and by Morgan. Despite all the tragic circumstances, Morgan professes her love for Mark and will wait for him.<br /><br />It was great to find this film on DVD, after so many years of televised obscurity. Eddie Mueller, a film noir historian, provides the commentary and does a good job, but I find his assertion that audiences wouldn't have caught the significance of the casting of the two leads, since "Laura" had been made six years earlier. In that respect, he is mistaken because they had appeared in "The Iron Curtain" two years prior to WTSE and the film was a box-office success.<br /><br />Andrews and Tierney were fabulous together, and Ruth Donnelly is tremendous comic relief as restaurant owner Martha, fanning the flames between the detective and the dame.<br /><br />The night cityscapes give the film an air of menace. Gary Merrill is great as the low-life Scalise, who had a criminal past with Dixon's dad ("Your father liked me," he taunts Mark). Karl Malden and a young Neville Brand are terrific also. And Tom Tully is just touching and funny as Morgan's unjustly accused pop.<br /><br />A watchable film noir with a fantastic cast. | positive |
I just got done watching "Kalifornia" on Showtime for the fourth time since I first saw it back in July of 2001. You would think that with the recent wave of serial killer films, that "Kalifornia" would be amongst some of the earlier films worthy of mention but hasn't. Perhaps if this film had been released sometime between like 1996-1999, maybe it might have been more successful. In my opinion, "Kalifornia" is much different from most serial killer films released during the late 1990s. It has an almost completely different atmosphere from most of today's serial killer films like "Seven" or "The Bone Collector". Many serial killer films have shown a killer but that person is always behind a mask or we never see enough of them to actually learn anything about them. "Kalifornia" is a film that actually tries to break through that barrier and actually understand the criminal mind. It tries to answer questions like "why do they do the things they do? Is it because of something that happened in their past? Does it make them feel superior or powerful? Or do they do it because they like the thrill of the kill?" These are some of the things that "Kalifornia" tries to answer but also leaves room for us to try and figure things out for ourselves. Brad Pitt makes an everlasting impression as Early Grayce. When we first meet Early in the beginning of the film, we see that he is obviously one disturbed individual. When we first see him, it's late at night. Early is possibly drunk. We then see him pick up a rock, throw it off a bridge, and it later lands on the windshield of a passing car. Pitt is fierce in this film. It is always good to see him when he plays psychos or really bad people. It's funny that this would later lead him play a true loon like in "12 Monkeys" and that he would be on the other end of the spectrum in David Fincher's "Seven". | positive |
I thought this movie was good, I loved the plot, I loved the shoot out scenes, except for a few, they were not needed and i also enjoyed Ma's character, she was a rider I liked that. I do have to say that in this gangster movie the actors were picked well because sometimes some actors just don't fit the role. However though i hate to say it, but I hated the ending, I felt as if it should have went in a different direction. Also it would have been better with a little more details, its based on a true story but there was so much of the facts left out but other than that it was good. If you enjoy movies on the past gangsters you'll enjoy this movie. | positive |
Just saw the movie this past weekend, I am upset, and disappointed with it. Basically, the movie tells you that immigrants, the ones from former Soviet Union especially, come to this country, bring everyone they can with them from the old country, and invade and take over what Americans have been working for. Which is a very wrong way of looking at immigration, and a much worse way of telling people about it. That's the main thing. Another thing, the overall writing, directing and filming is on the level of village amateurs. The actors did pretty well, but it wasn't up to them save this bunch of crap. A few jokes were funny, but most were bad and cheesy. Couldn't wait to get out of the theater, want my money back. | negative |
This is one of the best episodes of Doctor Who EVER. We have the Cybermen, The Cyber conversion units (May scare young children) and of coarse the Doctor doing one of his best acts. Bravo David Tennant. Good scenes as if it was a movie, with thrilling scenes in some streets, an invasion on the Cyberman's base, and leaving the world different to ours, basically a 45 minute movie.<br /><br />Being Part 2 of Rise of the Cybermen, this would never disappoint. With it having a great build up to the final.<br /><br />The Doctor plus an evil enemy (Daleks, Cybermen, Master, Sontarans, Davros, Autons, or even Macra) is a battle to the death, just be careful with young children watching this. | positive |
No Strings Attached is one of Carlos Mencia's best performances to date. Mencia is known for poking and making fun of racial issues. However, he does more than that in this stand-up performance, which took place in San Francisco. In general, Mencia's material does not only make you laugh but it also makes you think about what is really wrong with society today.<br /><br />In this hour long performance, Mencia talks about such things as illegal immigration, what women really mean when they ask for equality in the workplace, terrorism, his opinion of Mel Gibson's Passion of the Christ and an argument that he got into with a woman regarding whether or not he is affected by Jesus, and how society should treat those that are physically or mentally handicapped. Mencia even discusses whether or one should have the right to speak out and tell a joke.<br /><br />Carlos Mencia is not afraid to offend, which at many times gets him trouble with his critics. For example, he does go somewhat far (and he admits it) with a joke regarding Pope John Paul II and what he is most likely doing in heaven right now. <br /><br />Mencia's main message in all of his performances is that we all have have a voice and that we should use that voice to speak what we feel and not be afraid to offend. He reminds us that we have a right to free speech and that we must use this right as Americans.<br /><br />If you enjoy this performance, I definitely recommend watching Mind of Mencia, his show on Comedy Central. | positive |
Let's face it, lot's of bad movies are made all the time. For those people who work in film, you have probably poured a lot of time and effort into many of these plot less wonders. Sometimes, and this is my opinion, it is the act of merely making the movie that is important to us. To tell a story, (no matter how simple and unrealistic). Also, the collaborative process is one key characteristic that is unique to film and theater. To put on a production of any caliber, requires the talents of a varying amount of people, depending on its scale, to bring its story to life. The most intriguing part of American Movie, however, is not the movie being filmed. It is the movie maker himself, as a character of his own life, which demands our attention. None of them serve as models of the filmmakers we know and have worked with. But, I will argue, they are archetypes of small parts of us which try to be a part of this cult activity of independent film-making. (Alright a very small part of us) These are the people who live under the rocks of their own lives and just so happen to be snared by the romance of cinema. This leads me to my next argument. American Movie captures the raw spirit of independent film-making. Bad stories told on (nowadays) digital film with sloppy effects and horrible performances- because this IS the best they can do with a budget of a couple thousand dollars rather than a studio budget of several million dollars a day. That is the difference between low low LOW end productions and studio productions. The independent filmmaker just wants to create a linear or even a nonlinear story to shoot as well as he can with the money he's investing in himself and the resources around him in order to see a finished product on his rundown TV. Rugged Individualism materializes in every art form. I find this film to be a brilliant document of truth for many filmmakers. And no, I'm not full of myself. Man, these people are hilarious. Their problems seem hilarious, their characteristics are hilarious. Best line of the movie: "It's alright!. . . It's okay!. . . There's something to live for!. . . Jesus told me so!!!" Said a million times by a funny old man. Hat's off to Tom Beach. Chicago Rules. | positive |
the movie is complete disaster. i don't know who write scripts for movies like this one, but i would definitely love to meet one of them and talk to him a little bit. perhaps script writers really don't know sh*t about situation in foreign countries in present or recent past? or they just don't give a damn and write everything that they think it's interesting.<br /><br />a great and everlasting formula with mad dictator + 1 lonely hero (an American of course) might seem like a good idea, but come on?! we had such a tyrant in serbia (milosevic) who did a lot of bad things to it's people, but i simply can't imagine him yelling "shoot them, shoot them" with such a barbaric passion, like in medieval times. maybe they wanted to show how evil he was, but it was a stupid idea. much better impression would be if he just did it in cold blood, like the real monsters do.<br /><br />the list of nonsense is too long, but the funniest thing is: no matter how many national TV stations there are in Russia, Russian president watch American SNN (CNN) news?? OMFG!<br /><br />give me a break!<br /><br />burn this piece of rubish please!<br /><br />AWFUL! | negative |
I'm afraid that you'll find that the huge majority of people who rate this movie as a 10 are highly Christian. I am not. If you are looking for a Christian movie, I recommend this film. If you are looking for a good general movie, I'm afraid you'll need to go elsewhere.<br /><br />I was annoyed by the characters, and their illogical behaviour. The premise of the movie is that the teaching of morality without teaching that it was Jesus who is the basis of morality is itself wrong. One scene shows the main character telling a boy that it is wrong to steal, and then the character goes on to say that it was Jesus who taught us this. I find that offensive: are we to believe that "thou shalt not steal" came from Jesus? I suppose he wrote the Ten Commandments? And stealing was acceptable before that? I rented the movie from Netflix. I should have realized the nature of the movie from the comments. Oh well. | negative |
This was a crappy movie, with a whole lotta non-sense and too many loose-ends to count. I only watched this movie because one of my favorite actors (Ron Livingston) made a cameo in it, and I continued watching it because as a girl, I love any movie that includes male nudity for a change. Later, I found myself wondering just how much more ridiculous the storyline could get, and each time it got...more... ridiculous.<br /><br />Sean Crawley (good-looking Chris L. McKenna, whom I've never seen before - but LOVED his little nude scene)is making ends meet as a painter, when he meets electrician Duke Wayne (George Wendt from "Cheers"). Thinking he's getting more work from Duke, Sean agrees to meet contractor Ray Matthews (Daniel Baldwin, playing a stereotypically evil guy). Ray is being investigated by a City Hall accountant (Ron Livingston in a cameo, who I've been in love with from "Office Space" up to "Sex & the City"). Ray end up offering the apparently desperate-for- cash Sean $13k to kill the accountant, and Sean accepts the job. Sean stalks out the accountant, whose wife (Kari Wuhrer) he finds himself attracted to, completes the hit, and leaves - taking the file of information against Ray with him. Sean quickly learns he was being used, that Ray never intended to pay him, and Sean uses the file as leverage to get his money.<br /><br />Up to this point, it's a descent flick...generally worth watching. But as soon as Ray, Duke and their crew kidnap Sean to muscle the information about the file out of him, it just got dumber and dumber (and still DUMBER...), until finally it seemed like the film's writer, Charlie Higson, had snapped out of a 10-day writing hangover and realized he needed to desperately figure out how to wrap up the series of implausible messes he created before a deadline or something. Without simply detailing the movie, let's just say that in every-single-scene you watch after the kidnapping, you find yourself gasping "what the f**K!," baffled by the ongoing nonsense as Sean follows a fairly graphic and gross path towards redemption. In the end, so many loose-ends are left in the movie, that you begin to regret that you even watched it.<br /><br />This is a movie that you should only watch after it hits cable, and you should have enough beer and friends around to mock the film to it's full value. It's supposed to be a psychological thriller, and McKenna is a decent actor, but it's hard to give yourself to the movie when you have "Norm" from "Cheers" and a Baldwin brother doing the dirty work, and a kidnapping strategy that really makes no damned sense. Guys will love the violence, blood and guts scenes, and the absolutely unnecessary sex scenes and boob shots. Girls will enjoy handsome Sean's gratuitous crotch shot in a mainstream movie, when its almost always the girls that get stripped down in a movie. Personally, I hate that the only actor worth watching for more than his looks (Ron Livingston) is only in the first one-third of the movie. | negative |
Las Vegas is very funny and focuses on the substance.....<br /><br />The sets are amazing and the scenes outside are breathtaking; the characters are all very fun and cool.<br /><br />The women are a plus....<br /><br />Holly Sims is lovable as the daughter of James Caan who heads the security of the casino. While Josh Duhamel is very funny and lets face it, he looks like he can take down anyone.<br /><br />Vanessa Marcil and Nikki Cox add that special touch.<br /><br />The story lines are very fun and weird at times.<br /><br />You can easily just relax into this show and doesn't bring the heavy story lines like the other shows that rule the ratings... | positive |
"Black Vengeance" is an alternate title for "Ying hung ho hon" AKA "Tragic Hero" (1987). I have just seen this on VHS, together with the first part of the story, "Gong woo ching" ("Rich and Famous"), also 1987. (The poster and 2 stills featured on the page are for a 4-DVD set of movies starring Rod Perry (The Black Gestapo), Fred Williamson (Black Cobra 2), Richard Lawson (Black Fist). The fourth movie is called "The Black Six"). Strangely, while the characters retain their original names in "Rich and Famous", in "Black Vengeance" Chow Yun-Fat's character is named Eddie Shaw, Alex Man (Man Tze Leung) is Harry, and Andy Lau is called Johnny. Also confusing is the fact that 1994 is given as the copyright dates on both films. Perhaps that was the year they were American-dubbed. According to the release dates given on IMDb "Tragic Hero" was released before "Rich and Famous". Was there any reason for releasing the sequel first? Despite some users' comments, I enjoyed these films, although they aren't among CYF's best such as "The Killer" and "Hard-Boiled" which are truly astonishing. However,if one day I come across a 2-DVD set of "Rich and Famous" and "Tragic Hero" I won't hesitate to buy it. Hopefully, these comments about "Black Vengeance" clear up, which was also for me, a mystery as to where it belonged in Chow Yun-Fat's filmography. | negative |
Abysmal Indonesian action film from legendary Arizal triumphantly sculpts a template for future Cinemax pap like 'China O'Brien' and 'Do or Die' with Erik Estrada while simultaneously burying poor rising action star Pat O'Brien with a hackneyed backyard script and three cans of hair-styling gel to perm his impressive 1984 mullet. This guy's physical prowess resembles a more femme Mark Gregory and his next credit would be second fiddle to Chris Mitchum as "Tom Selick." Powerful. At least the action is mindless and non-stop with some daring Asian stuntmen risking their lives for what is essentially a poorly constructed movie by teens and/or meth addicts with no concept of reality. One poor extra gets gorno-ly shredded by an electric hedge clipper and many more are killed by getting hit in the head by odd objects such as a motorcycle wheel or cardboard box. Classic rape scenes are tasteless and priceless and quotable dialog such as, "I would rather trust a rattlesnake!" are delivered with such exuberance and fervor from the third-rate polizioteschi voice actors. Random highlight: some crazy dude eating live lizards. Movie also holds the record for most cars driven through walls. 2/10 | negative |
I throughly enjoyed this short, even as a Toronto Maple Leafs fan. <br /><br />Director Sheldon Cohen and Narrator Roch Carrier captured all of the boy's emotions perfectly. From the feelings he had for his hero, Maurice "Rocket" Richard, to the excitement, anticipation and hope of getting a new Montreal Canadiens sweater soon, to the look of horror on his face when he got his sweater from his mother; A Toronto Maple Leafs sweater was priceless and the shame of having to wear this dreadful (in his eyes) blue and white Toronto Maple Leafs sweater; Not the rouge, bleu and blanc of the Montreal Canadiens with Richard's number nine, like his old sweater. And worst of all, his Mum made him wear this Maple Leafs sweater out of the house. You could envision and anticipate the ridicule he would get from his friends when he hit the ice wearing that sweater before he got there.<br /><br />I was laughing the whole time and this is one of the best animated shorts I've seen.<br /><br /> | positive |
This movie has it all. Great actors, good dialog, drama, comedy, and excellent writing and directing by Paul Thomas Anderson. I have seen this film several times and enjoy it more each time. It doesn't get old, it is consistently entertaining and stimulating. Easily Burt Reynolds best role, and he does a great job. John C. Reilly and Don Cheadle also give excellent comedic performances. There is not a weak element in this film. | positive |
While the original First Blood had its far-fetched moments, it was at least exciting in parts. In Rambo: First Blood, Part II the emphasis is shifted very much onto comic-book action. Plausibility is totally rejected; logic nose-dives; Stallone becomes so impregnable that there can be no doubt he will succeed in his mission. Just like any other wish-fulfilment actioner of that time (e.g. Invasion USA, Commando, Red Scorpion), Rambo: First Blood, Part II cancels out its own opportunities for real excitement by presenting a hero too invulnerable to fear for. If you can tell from the word go that Rambo is going to wipe out hundreds of enemy soldiers, what is left to get excited about?<br /><br />Imprisoned after the events of the first movie, John J Rambo (Sylvester Stallone) is offered a pardon if he will join a covert operation in the Far East. The year is 1985, and a mission is being arranged to find out if there are any American PoWs still trapped in the jungles of Vietnam. Rambo is encouraged to take the job by his old mentor Colonel Trautman (Richard Crenna), but the assignment is actually the brainchild of a government outfit fronted by Marshall Murdock (Charles Napier). Rambo's job is merely to head for a prison camp in the jungle and check out if it contains any American PoWs if it doesn't, he is to rendezvous with a chopper; if it does, he is to get photographic evidence of their existence so that they can be rescued at a later date. Aiding him in his quest is a lady soldier with local knowledge, the beautiful and resourceful Co Bao (Julia Nickson). Sure enough, Rambo discovers that there are PoWs in the camp, but he exceeds his orders by rescuing one of them
when he reaches the rendezvous point, the rescue chopper abandons him on the orders of Murdock who, it seems, doesn't really want to find any PoWs because of the political and military implications. Rambo is captured by the enemy and tortured, but following an explosive escape he sets out to free the PoWs and get his revenge on the treacherous Murdock.<br /><br />The few good points of the film come from Jack Cardiff's polished photography, Jerry Goldsmith's exhilarating score, and the sheer professionalism of the stunt team in performing various action antics. Beyond these scant pickings, the film is a failure. The actors are reduced to macho posturing, the plot rings false, the action sequences are soulless and suspenseless, the dialogue is absurd
even the violence becomes numbingly predictable. At the time of its release America was under the presidency of Ronald Reagan, a man with simplistic and near-hysterical anti-communist sentiments. For this reason, contemporary audiences lapped up this Commie-bashing shooting-fest as if it was the greatest movie of all-time, transforming it into an undeserved box office success. Thankfully times have changed nowadays we can look upon it as a simple-minded action flick with a ludicrously high body count, ludicrously dumb politics, and a ludicrous hero. | negative |
In Cold Mountain, North Colorado, near to the period of the American Civil War, the Reverend Monroe (Donald Sutherland) arrives in the small town with his daughter, the shy Ada Monroe (Nicole Kidman), due to health reasons. Ada meets the also shy Inman (Jude Law), and they fall in love with each other. With the beginning of the war, Inman becomes a soldier, and his great support to stay alive is the wish to see Ada in Cold Mountain again. Meanwhile, Ada meets Ruby Thewes (Renée Zellweger), a survivor of the war, who helps her in the farm and becomes her best friend. The story alternates present and past situations, disclosing a beautiful romance. I liked this film a lot. Having names such as Philip Seymour Hoffman, Natalie Portman and Giovanni Ribisi in the supporting cast, a magnificent direction of Anthony Minghella and seven indications to the Oscar, this movie does not disappoint. My remark is that there are some very important scenes deleted in the story and presented in the DVD. At least one of them, which show what happens with Sara, her baby and the three dead bodies in her farm, should not be deleted as it was. My vote is nine.<br /><br />Title (Brazil): 'Cold Mountain' | positive |
I just came back from a pre-release viewing of this excellent sci-fi film noire. It's style is definitively unique and very well made. It is filmed with actual actors, but transformed into a black and white comic-strip style you have never seen before. It goes one step further than Sin City, and it does it well. It's a successful combination of french comic and movie cultures. The story and mood remind of Blade Runner, and if you liked that one you will surely like this one, too. The storyline is intelligent, never boring and has some nice little twists. This film is a must-see for any cinephile except perhaps those who absolutely don't like sci-fi or b&w. | positive |
A horror movie is being shot and things aren't going well. It's about a masked killer. The director tells off the killer in front of the cast and crew. He goes crazy and kills two people. He's killed himself and the film is never finished. Twelve years later a bunch of film students decide to try and finish it--but there's a curse. People who try and finish it are killed themselves. The students ignore that. Guess what happens next?<br /><br />The plot is old hat but this isn't bad...for what it is (a low budget slasher film). It's well-made with a young and fairly talented young cast. No one is great but no one is terrible either. It also avoids the obligatory (and needless) female nude scenes. It moves quickly, the gore is nice and bloody and the script doesn't insult your intelligence. Also Molly Ringwald is in this having the time of her life playing a bitchy faded actress.<br /><br />No great shakes but not bad at all. I give it a 7. | positive |
My guide for the quality of the a movie is if I'm still thinking about it after leaving the theater. I'm still thinking about this one the next day, which doesn't happen often.<br /><br />The scenery (a reasonable guess for 16th century Italy), costumes, lighting, cinematography are all excellent. It is a beautiful film visually.<br /><br />Characters can never rise above the script they must recite, but these actors made the most of their material, which is excellent. This is one of Shakespeare's best plays, which people will still enjoy another 400 years down the road. All of the principals were interesting and enjoyable.<br /><br />Those who say this is anti-semitic must be deaf and blind. If anything, it is anti-Venitian-16th-century-Catholic. While Shylock plays a man controlled and tortured by the hurts he has suffered, it is clear that the society in which he lives is largely to blame. The script clearly places his personal responsibility where it belongs, as well.<br /><br />A great film. | positive |
There are moments in the film that are so dreadful, your teeth ache. But knowing that there were only weeks left before the Code made movies innocuous and bland, Paramount rushed this into production before innuendo and leering went out of style. Vanities is so horrifically anti-female that it's delicious. As Kitty Carlisle sings, women are displayed with price tags that would insult a Bronx hooker. They emerge from clams (nudge,nudge;wink,wink) in postures of absolute submission. Minions of the law, so stupid they cannot find the door, get to look up their skirts and snicker. Bare-breasted chorus girls sit uncomfortably in giant cacti (Could they be a source of hallucinogens, perhaps?) while we listen to "Sweet Marijuana" and watch as blood falls on a chorines's breast.<br /><br />Sure, Carl Brisson learned his lines phonetically and doesn't seem to have a clue what he is saying. But it's all worth it as Norma steals the show while no one is looking.<br /><br />Taking one moment of this fragile fluff seriously is missing the point of the whole exercise. Watch this with a charter member of NOW and prepare to justify the whole Hollywood machismo sch tick between body blows.<br /><br />Toby Wing, by the way, is the icing on the cake. And Duke Ellington doesn't hurt either.<br /><br />A must stroll down Memory Lane. | positive |
I should have known I was in trouble with Casper Van Diem as the lead character. Words cannot describe, nor do they do justice to just how terrible this movie was. But please allow me to try to describe it: Horrible acting, terrible dialog, corny situations and through it all you get the feeling that you are being force-fed the beliefs and propeganda from the Trinity Broadcasting Network. Its a weak attempt at trying to show Hollywood that a movie can be entertaining and have a deep, religious message attached to it. They failed miserably. It was clearly the worst movie I have seen in a long time. | negative |
Unfortunately for myself - I stumbled onto this show late in it's lifetime. I only caught a few episodes (about three) before it was cancelled by ABC. I loved the characters, and storyline - but most of all the GREAT actors! I was a fan of Sex and the City, so I saw two characters I recognized (Bridget Moynahan was & The Character "Todd" was "Smith Jared"), as well as Jay Hernandez (From Carlito's Way: Rise To Power) and Erika Christensen (Swimfan). I enjoy watching young actors get their due, and felt like this show would propel their career further along. I hope this at least gets put back out on DVD, and maybe WB will pick it up for a second season sometime? In the meantime, I'm viewing it on ABC's website from the beginning. | positive |
i really like this series. its funny and unique style of off the wall, sometimes controversial comedy, is a fresh take on the genre. whilst it is a sitcom, it stands out due to the what could be awkward subjects.<br /><br />every aspect has a comedy turn, and the show really is very good. my favourite part of the program is the rather odd comments of the father, dave. his rants break the program up, and allow a really good flow. not perfect, because sometimes the comedy isn't laugh out loud funny, and the actors sometimes seem to be waiting for an audience response, but otherwise this program is good.<br /><br />i strongly recommend this program, and am very sad that it has been cancelled. please make another series, and finish it properly | positive |
To begin with, I really love Lucy. Her TV show still makes me laugh. She was one of the greatest comedians who ever lived, right up there with Chaplin and Keaton. But, her performance in this movie is disappointing. She was too old, and the gauze filters on the lens make her look like a London fog refugee. She couldn't sing, and her voice was so froggy that she croaked through every song. Her dancing days were long in the past. Just because you are a Lucy fan, don't gloss over this mistaken, sad performance and sing it's praises. I prefer to remember Lucy in her wonderful TV series(I Love Lucy) and to draw the curtain of charity over the terrible mess of a movie called "Mame". | negative |
As a lover of the surreal (in art and film) I was pleased to discover this film on IFC. It is definitely a keeper. Most of the other reviews tell the general plot (not all correct) so I won't bother to bore anyone with that. The main thing is the alternate worlds concept which is brought on by Ana's impending illness, and the way she manages to link with someone else after being so "alone", and finally with her family, which I believe is still at least a little troubled. It only can be called a horror movie in that it has frightening scenes but is a fantasy (with a little hint of "coming of age" only because Ana is a pre-teen who "hates boys"). I heartily recommend it to those who appreciate the stretch of their imagination. | positive |
This small John Ford western with no 'stars' but a cast of character actors is one of his masterpieces. It has a documentary-like feel to it as it traces the journey West of a party of Mormons and it may be the most authentic looking of all Ford's films, (it's on par with "The Sun Shines Bright" which he made a couple of years later).<br /><br />There is a plot of sorts, (a group of bank robbers join the wagon train at one point), but the film's dramatic highlights are almost incidental. The splendid performances of Ford's stock company, (Ben Johnson, Harry Carey Jr, Ward Bond, Jane Darwell etc), adds considerably to the film's authenticity while the nearest the film gets to a full-bodied star performance is Joanne Dru's Denver. Dru was a much finer actress than she was ever given credit for as were Bond and Johnson, who at least was finally awarded with the recognition of an Oscar for his work in "The Last Picture Show". As he said himself, 'It couldn't have happened to a nicer fella'. Add Bert Glennon's superb location photography and you have a genuine piece of Americana that couldn't have some from anyone other than Ford. This is a film that truly honors America's pioneers and is full of sentiment and feeling. | positive |
This early film has its flaws-- a predictable plot and some overlong scenes of dubious relevance-- but it already clearly demonstrates Hitchcock's mastery of editing and the use of powerful images. It's also among the most expressionist of his films stylistically; note, for examples, the weird distortions he uses during the party sequence and the frequent echoes of both title and plot in the imagery.<br /><br />Its core, though, remains the final match, which is still among the more exciting examples of cinematic boxing. Even though you know that the hero has to win, it becomes quite believable that he will lose, and the movement of his wife from the champion's corner to his, motivating the final plot pay-off, is very well entwined with the progress of the match. The inserts of the stopwatch do exactly what they should; you can almost hear the ticking (even though this is a silent film, the visuals often have a surprisingly auditory feel to them). The pacing becomes astonishingly rapid, and the viewer gets sucked into the excitement and brutality of both the match and the sexual jealousy which underlies it.<br /><br />The only DVD release with which I am familiar is that of Laserlight, a public domain company. As with each Hitchcock silent they've released, they've attached various musical selections, mostly orchestral, to the action. The sound editing is frequently sloppy, and the sound quality varies widely, but some genuine care seems to have gone into most of the actual choices, and the music accompanying the final match works extremely well; it is unlikely that this sequence will ever be better accompanied than it is here.<br /><br />This is a much more impressive film than its present obscurity would suggest. It deserves an honorable place in both the Hitchcock canon and the slender list of worthwhile boxing films. | positive |
I wondered why I didn't like Peggy Sue Got Married more than I did, when it first came out in 1986, with all the hype. Somehow I found Nic Cage's character off-putting. Way off-putting. Then the plot didn't seem to make sense. Then by the end of the credits, the question came to mind: What point was this movie making? What was it saying? The answer, unfortunately, was not much, if anything. I really don't think this movie aimed at making a statement; unless it was "your life is your life, you're gonna make the same mistakes no matter what, so keep your eye upon the doughnut, and not the hole". Not a very profound statement, and I'm sorry, not profoundly made in this movie. The writing simply isn't that good. The direction is uneven, and is strangely overblown at times. Kathleen Turner was the best, and in my opinion, only worthwhile thing in this movie, and performed something of a miracle creating a whole character despite bizarre, unexplained circumstances, with a script that had no apparent statement to make. <br /><br />She also finally cleared up the mystery for me of the main reason I didn't enjoy this movie more. She states in her autobiography that Cage made a point of fighting his uncle Coppola's direction every step of the way, doing it "his own way" (not a good idea for a new actor), and putting on a goofy voice she called "stupid". His voice was annoying, abrasive and unnatural, and his character was obnoxious and overbearing as a young guy. I understand what he was attempting to do: play a young-guy "hot shot" who is not as hot as he thinks he is, setting up his own karma for future failure. But he goes overboard, the way he does it is abrasive, not effective, and if he had listened to his uncle instead of "fighting the Man", we would have had a more enjoyable film. Cage slips a little with his obnoxious voice stylings in the movie and occasionally sounds like a real person, and those scenes are more watchable than others. But if I had to watch the movie through in its entirety, I would find myself wanting to pay someone in L.A. to pour a bucket of water over his head during some of his more affected (put-on) scenes. <br /><br />The movie doesn't aim for a statement, doesn't make a point, is great to look at except when Cage is doing a demented Elvis impression (but without the voice), and is, ultimately, confusing and a waste of time. Given all this, Kathleen Turner surely deserved an Oscar in this flailing mess of a movie. I can't recommend anyone spending two hours watching this, unless you like Turner and have a remote to pick out all her scenes. Believe me, you will miss nothing plotwise by skipping the other scenes, and it will make just as much sense. <br /><br />Kathleen Turner is getting a lot of flak from critics regarding her Cage comments, which proves that she's strong enough to be honest, and to hell with other people's comments. You go, Turner! I'm not particularly a fan of this actress any more than I am of any other first-rate actor or actress, but her candor is refreshing. Cage's acting can be good to annoying, and here it doesn't work. At least, in this film, now we know why. | negative |
I used to love the Muppets. The Muppet Movie, The Great Muppet Caper and The Muppets Take Manhattan were good family movies, cleverly written and fun to watch. I never thought I would see the day when they would jump on the Hollywood sleaze bandwagon, but here it is: Scooter as a caged rave dancer, Pepe making lewd and suggestive comments every five minutes -- this is not your father's Muppets. It's not Jim Henson's Muppets anymore, either.<br /><br />This "It's A Wonderful Life" themed movie has its moments, but not enough to save it. I cringed while watching this with my children. I still have hope for their next movie, but this one was certainly a disappointment. | negative |
This was obviously the prototype for Mick Dundee but 'The Adventures of Barry McKenzie is funnier. I was amused throughout and laughed out loud plenty of times. Terrific central performance by Barry Crocker in the title role, an Australian who invades England to upset the poms with his free-flowing uncouth ways. Few Brits will be upset by Barry's frequently cruel observations on his hosts. The relationsip between the two countries is prickly but friendly and this is highlighted by the film's final line, delivered by a somewhat reluctant McKenzie as he boards the plane home. "I was just starting to like the poms." | positive |
As this movie is completely in Swiss dialect, it's probably hard for most German speakers to really follow this movie. I'm not from Switzerland, but I worked there for some years, so I had the chance to understand this great spoof of the Lord of the Rings. I've seen a lot of movies of this kind (eg. Scary Movie, loads of Scifi spoofs etc.) but this one is the best one of that kind, I've seen so far. I give a 9 of 10. The only reason I can't give a 10 is, because there are some little details which could have been done better and because they supplied no subtitles in any language on the DVD, so there's almost no chance for non-Swiss to understand. | positive |
It is a shame that a movie with such a good cinematography as this one had no plot to be supported by the work of Sarah Cawley (cinematography) and Adam Lichtenstein (Film Editing), and above all, no sense of what goes on in Mexico City. The movie tries to be a very realistic depiction of life in city, but it is unable to do it. It is a shame, a lot of film wasted. An American woman tries to find her brother who has been kidnaped. The first account of the story is powerful and interesting, very realistic, but it seems that there was no effort to come with a better narrative of the ordeal, especially when it comes to the issue of the attitudes of the US embassy personnel in Mexico City, when dealing with an issue like this one. Compare, as an example, with Frantic(1988), which deals with a similar issue. Something similar can be said of the role of local authorities. Compare, as an example, with Todo el Poder (1999). The movie is worth watching if you want to get a sense of the looks of the City itself, paying little or no attention to the rather weak "plot" and the many twists that require a rather extensive suspension of disbelief. Who is going to believe that a Mexican patrol from Mexico City is going to go all the way to catch the main characters to the Mexico-US border? And that this policeman is going to be able to use its radio from the border to Mexico City! Only the producers of this movie. It is worth mentioning that unlike Frida and other movies about Mexico at least in these one Mexicans talk Spanish. | negative |
I am pretty surprised to see that this movie earned even lukewarm reviews, I found this movie downright awful. The plot flounders around trying to decide if it is a comedy or a thriller, then realizes it cannot achieve either. So it throws in the towel and continues with its absurd plot highlighted with a unintentional hilarious scene with Laura Linney, an injection, and spilled coffee that leaves the audience awkwardly squirming in their seats looking at one another like is this for real? Basically it is abysmal and really disappointing for Robin Williams fans, and it makes you think someone blackmailed Laura Linney into adding this piece of trash to her otherwise respectable resume. I wanted to leave after 10 minutes and wish I had, even seeing it for free I wanted someone to pay me for my wasted time. The computer glitch/twist in this movie was embarrassingly stupid, and by the end you don't care who wins the election. I vote for straight to DVD. | negative |
I LOVED this movie because Bobbie Phillips can REALLY FIGHT! I always hate when actors are not believable in action parts. It was great to see, no offense, but a WOMAN who can skillfully perform martial arts and fighting. If you compare this with most action movies with females you will DEFINITELY see what I mean. They don't have to cut up the shots with someone that can fight and it flows better. I was VERY impressed. I hope there's more! | positive |
Michael Caine might have tried to make a larger than life character to a successful degree but the whole storyline and Character's around him where not likable or interesting at all. It was all very Boring and somewhat predictable. Martin Landau , a favorite actor of mine had a nothing role.He was useless. Michael Caine got a bit irritating after a while and the film couldn't decide if it was a comedy or a serious thriller. Caine tries hard and good on him but i felt the direction and storyline let him down. Don't waste your time. It starts off well for the first 10 minutes and then that's about it. A film for Die Hard Caine Fans Only. Stay away from this One... | negative |
This is one of the rare movies that I did not immediately discuss with my friends after watching it. This wasn't because it had particularly entranced or impressed me. The contrary, it had given me nothing at all.<br /><br />Why? Because somehow, everything was so much overdone that I couldn't take this film seriously anymore. There was so much sex and violence that I got the strong impression that the film was trying very, very hard to be offensive, as if it was aiming at superlatives in ugliness, rather than in telling a convincing tale about two women caught in a spiral of crime.<br /><br />Baise-moi had been described as "Thelma & Louise with actual sex" to me. Well, it is true that the main idea is similar. There are two women traveling through the country because they've committed crimes and know that their lives are finished now, that the police are going to catch them, and they decide that now that everything's over anyway, there is no way to hold back.<br /><br />Baise-moi had been described as a feminist film where women, who had suffered from male dominance in the past, exact revenge upon the men that they encounter.<br /><br />This is something that I had never interpreted into this film, simply because none of these women had ever been innocent, and because they do not just kill irresponsible, violent men, but also men that they seduce themselves, men that show the sense of wanting to do protected sex. And they kill women. No, they are in no way better than the characters that they encounter and murder in hideous, brutal ways.<br /><br />How easily the "heroines" decide to murder, and how much pleasure they take in it, made it absolutely impossible for me to relate to them in any way, or even take them seriously. It was just all too much. Too much sex, too much violence. I got the feeling that sex and violence were only there in order to create a superlative in ugliness, rather than in conveying a story, or making a point.<br /><br />Baise-moi left me with no impression, hadn't set me thinking, because it was so far removed from any real world. So constructed, unrealistic and over the top.<br /><br />There was nothing that I could do with this film, there was simply nothing about it to think about, other than "Why did they make this terrible film?" Had the intense unpleasantness going on in this film, served a purpose, I'd easily accepted it. But since I found nothing, since the film's story appeared to be not more than an excuse to squeeze as much and as ugly sex as possible into one film... I filed it away under "unnecessary torture", decided to never ever, EVER, watch this film again, and I now consider this to be the worst film I've ever seen. <br /><br />Worst, not just because it really isn't my cup of tea to watch people get raped, rape, have sex in other forms and kill one another... but because whatever it was that the makers wanted to tell the world with their film... if they wanted to say anything at all... it just didn't work. And there's nothing else that could save this film, because it's also filmed in such an ugly style. | negative |
Although the likeliness of someone focusing on THIS comment among the other 80+ for this movie is low, I feel that I have to say something about this one. I am not the kind of movie-watcher who pays attention to production value, thought-provoking dialog, or brilliant acting & directing. However, I claim that this movie sucks. I don't know why I don't like it... I mean it has almost everything i want out of a horror movie: blood, outrageousness, unintentional humor, etc. According to this evidence it should be my favorite. Still, Zombi 3 is a baaad movie.<br /><br />There are just too many things that compels you to yell at the screen. Like when the girl leaves the army guy when their car breaks down to find water (this spoils nothing so don't worry). She walks into what I see as an abandoned hotel or something. Did she not see that there was a friggin' lake in the middle of the building??? Yes she's looking for water and passes up a lake. Why? Cuz she wants to know why the people (who aren't there cuz the place is abandoned) won't answer her when she calls out: "Is anybody there?" Oh this is just a little, insignificant piece of the big picture I'm painting.<br /><br />There is a reason, though, why I gave this film more than 1 star. It's one of those movies where if you forget how bad it really is, like I have a few times, you'll want to watch it again because it's just so over-the-top in every aspect. I called it blood in the first paragraph, but this movie has no blood, it has an ocean of gore. Also, it has pretty weird creatures in it as well: a zombie-baby (with an adult-size hand???) and a magically flying head to name just two.<br /><br />You know when you try to think of the worst and cheesiest movies ever made and you come up with '50's sci-fi movies? I believe that Zombi 3 and movies like it should top those. It has all the elements: scientists arguing with the government, warnings of the apocalypse on the radio, armies battling monsters, and so on. This IS the Plan 9 of the '80's! While I won't say that this is a waste of money if you want to buy it, just expect the very worst. And when you find out that expecting the worst is underestimating Zombi 3, it won't be all that bad. You might actually like it, I'm not saying that's impossible.<br /><br />Don't think I hate this movie, I don't... really. Oh, P.S. Killing Birds (aka Zombie 5) rules! (did I just blow my credibility?) | negative |
I was so looking forward to seeing this film that I can't really understand how I got the impression I would enjoy it. I'm afraid it really is a yawn fest - every single patron in the cinema I attended yawned and fidgeted frequently during the whole film. This is a shame because it is a fantastic story - I'm inclined to think that it would make a better read. It is not helped by the principle character only showing his teeth once - and that was as a result of the camera angle. As the story unfolds it becomes easier to understand the main character's dilemmas. However, the suspense and drama that could have made this a really top rated film have been completely spoilt by the dull treatment. Dull as a half-baked documentary! | negative |
One of the more enjoyable aspects of Asian cinema (or, indeed, most anything done outside these holier-than-thou United States) are the permutations that crop up. In post-World War Two Japanese manga (comics), for instance, are to be found a veritable endless variety of subjects, many of them handled in uniquely imaginative fashion. The same thing happens in genre film-making, as well; though, again, I'm referring to movies made outside the U.$. (where we're just too "sophisticated" in our close-mindedness to appreciate anything that isn't about or by US). Would an American company, for instance, back not one but a series of movies featuring a masked professional wrestler (El Santo) or a werewolf (Paul Naschy) or a real-life martial artist (Bruce Lee)...? As for television: forget it. While I still love the KUNG FU series that starred the late David Carradine, I've always felt that the Americanized version of Asian martial arts was- how to put it kindly- a bit lacking. To this very day, there hasn't been a pay-per-view channel to feature Asian martial artists playing Asian martial artists in Asia. (There are lots of soft-core porn masquerading as entertainment shows, but the so-called Action Channel, for instance, has yet to import or to produce a True Martial Arts teleseries.) Before Brother Cadfile was investigating murders on the BBC, there was, of all things, at least one Kung Fu movie that featured a group of martial artists more or less involved in a murder mystery: THE 5 DEADLY VENOMS. In its own right as fascinating as any other genre-based whodunit (western, cop show, etc.), this martial arts masterpiece stands out as a truly superior piece of work. It's now available from Dragon Dynasty and the print is beautiful and the DVD commentary by Bey Logan is EXACTLY the kind of intelligent, thoughtful analysis these gems truly deserve. If you're a martial arts movie fan, rejoice: one of the greatest movie genres of all time (specifically, the martial arts movies of the 1970s and early 1980s) are getting a long-overdue second life (and greatly appreciated second look) on DVD. | positive |
First of all, I loved Bruce Broughton's music score, very lyrical, and this alone added to the film's charm. The best aspect of the movie were the three animals, superlatively voiced by Michael J.Fox, Sally Field and the late Don Ameche. Whereas Fox has the funniest lines, Ameche plays a rather brooding otherwise engaging character(the voice of reason), and Field adds wit into a character that is always seen telling Chance off. The humans weren't as engaging, and sometimes the film dragged, but that is my only complaint. This is one beautiful-looking film, with beautiful close up shots of Canada, I believe. Although the film itself is quite long, there is never a seriously dull moment, and this is advantaged by the voice work and a well-written script. All in all, a charming and perhaps underrated film, with a 9/10 from me. Bethany Cox. | positive |
While John Garfield seems to get the bulk of attention, the true star of Four Daughters is Priscilla Lane. Her performance is the glue that holds the large cast together.<br /><br />Her ability to interact equally well with John Garfield and the more carefree Jeffrey Lynn is at the core of the success of Four Daughters. | positive |
A beautiful piece of children's cinema buried in a world of archaic Celticism. Setting the story around the famous Book of Kels, believed to have been comprised by monks from the small island of Iona, off the western coast of Scotland.<br /><br />Telling the tale of a young abbots apprentice who goes off into the forest in search of Crom-Cruic, the fierce headless horseman of pagan mythology. In hopes of recovering a lost artefact.<br /><br />The films true beauty lies in its' animation. Cell shaded in a bright and inspirational style of deep complexity resulting in a look of seem less simplicity. Deriving much from the artistic style of the brilliant Cartoon Network series 'Samurai Jack' for its genius use of mark making and background depth, The Secret of Kels creates a consistently affective Celtic world living under the shadow of Viking invasion.<br /><br />The history may be intensely inaccurate and the ways of life portrayed lacking realism but these facts are utterly irrelevant as the film sets itself in a world of fantasy and Celtic-revivalist mysticism. The girl of the forest is a wonderful addition and in my opinion makes the picture what it is, as she glides from branch to branch. Appearing and disappearing like a mysterious nymph with qualities resembling the legendary Cheshire Cat from Alice and Wonderland.<br /><br />The Secret of Kels is an absolute treat. For all genders, all ages, it's a lovely piece of family cinema.<br /><br />Don't expect to be awed but instead pleasantly impressed! | positive |
This is a really great film in the pulp fiction genre with a touch of film noir thrown in. Truly one of Emma Thompson's best performances to date...this film has everything, it's well written, well directed, beautifully films, and has some great performances. I don't know why it didn't catch on. It's spectacular! | positive |
Not a terrible movie... But there are monster scenes where you will be rolling on the floor laughing - not a good thing for a action/thriller. The acting is generally pretty decent for a SciFi channel movie. Barry Corbin plays a credible US senator, and Lou Diamond Phillips again gives us a decent military/police/sheriff/agent/marshal figure. The special effects are well, "special" - for example, the external train shots are very obviously a model train.<br /><br />Goofs: A meteor strikes a stationary car in the opening scene. The car bursts into flames but does not budge an inch. After the impact, the meteor is lodged in the top of the car's hood - impossible from the low angle that the meteor came in at.<br /><br />Spoilers...<br /><br />A good portion of the movie's events are predictable, from the helicopter crash ("Pull up, pull up!"), to the fact that the annoying people get it in the end, to the classic blown bridge over a 1000 foot gorge awaiting the train, to the sequel set-up at the end.<br /><br />The scenes showing the aliens attacking are hilarious. They are vicious cute puppets and move at lightening speed - remember the Monty Python rabbit? Spoiler Goof: In one scene four people shooting clip after clip cannot hit a single creature because they move at lightning speed. Later in the movie Todd Bridges rigs up a mini flame thrower which he uses to dispatch a number of creatures at close range. On several occasions, Lou Diamond Phillips is able to easily grab creatures with his bare hands. | negative |
Police Story is arguably one of the best works by the master of action himself.Compared to other action films,Police Story makes Schwarzenegger and Stallone look like beginners.The stunt scenes are well cheorgraphed and the action scenes are superb.If New Line Cinema has any sense,they would release this in theaters. | positive |
The first episode of 'Man to Man with Dean Learner' that just aired was at least up to scratch with most episodes of 'Garth Marenghi's Darkplace' and had me at "My Maisonette". Hope it keeps up the good work of 'faux terribles' on my TV. Richard Ayoade is one of the best in the new breed of "alternative comedy"(I hate this phrase but am too lazy too think of another one.) comedians on TV today.I'm glad that on a trip of local DVD retailers today "Garth Marenghi's Darkplace" was sold out across the board. Even from his brief stint in Nathan Barley I knew that Ayoade was a serious talent and I'm sure he would have been great as Dixon Bainbridge in 'The Mighty Boosh' To continued success! In the vein of these programs I also felt it necessary to extend my review, in order to secure a place on this public domain. | positive |
If you weren't there, then unfortunately this movie will be beyond compassion for you. Which as I say is a shame because although some of the acting is amateurish, it is meant to be for realism. Let's face it--in real life, we don't say things in an exacting or perfect way, even when we mean to. In this sense, it works. This, however, does not apply to our "known" actors in this film, notably Jodie Foster (born a natural). The fact that the other 3 girls are not accomplished only adds to the story--Jodie plays the glue that struggles to keep their friendship close, even with the obvious feeling of fatality. Meaning that no matter how close friends are, eventually there are some people that just fade away, no matter how you try.<br /><br />And therein is the core of the movie. It's not about partying, it's not about sexuality, but about these 4 girls and their final time as still young girls before they have to go the world alone.<br /><br />If you have ever had a friendship like that in your life, you will feel this movie--it will mean a lot to you, no matter what era it is set in, or what era you grew up in. We all knew these girls in school, or at the very least knew of them. We all knew the frustrated virgin, half wanting to hold onto childhood and half wanting desperately to grow up and thinking that will do it for her. We all knew the boy-crazy one, the fashion plate whose vanity hides her fear of the world, her fear of acceptance. We all knew the party girl, the one they whispered about, with tales of not only her sad home life but of her notorious exploits. And we all knew the "mother figure", the one a little more real, a little more grounded, a little more sad because she knew what would happen. Maybe you were one of those girls. Maybe, like me, you had been each one at one time or another...<br /><br />This film really captures that fragile time in life when want, needs, pressures, womanhood, childhood, the world and loneliness are all embodied in each female's head, each factor on the precipice. Which aspect do you hang on to? What do you toss over the edge, no matter how you may want to hold on? And how painful is goodbye to everything you've known? That's what this movie is--steps into womanhood while clinging onto childhood, and how damn tough it is to keep walking. If you were there, you know...and love this film, as I do. Aching and tenderly done. A fine piece of captured femininity. | positive |
Not too keen on this really. The story is pretty horrid and unconvincing. I enjoyed the first 10 minutes, bill nunns good. After that it was pretty appalling. Tim doesn't fit the role, he comes across as a smug self inflated ass & Pruitt taylor vince is entirely unconvincing as a trumpet player. It's a idealist film and as a musician, feel slightly offended after watching it. There's no scenes of 1900 practising or playing with his fellow band mates, he's completely self indulgent. I find it hard to build any relationship with this kind of character, maybe i'm watching the wrong film. If you have no real passion for life or sense of what musics all about then happily indulge in the suspension of disbelief and watch this waffle. | negative |
I saw this on a cheap DVD release with the title "The Entity Force". Since I enjoy cheesy 80's horror films I thought I was in for a real treat. Sadly the film is mostly boring and you're constantly waiting for something to happen. It does eventually get somewhat interesting, but this is in the last quarter of the film. It's a case of too little too late. When the action does happen it's not that great, what we get are dead corpses 'floating' along the ground and chasing after the girls in the mausoleum. It's not the absolute worst I've seen, but you can do a lot better. I would only recommend this to die-hard collectors of cheesy 80's horror. | negative |
Jochen Hick wrote and directed this little thriller of a suspense film based on the concept that the AIDS virus was a sheep virus mutated by the government to rid the world of gays and was apparently tested on convicts in the years before the outbreak of the hideous disease. Were it not for the poignancy of the concept of the film, this would fall into the category of the many films about the ruination of the world by a rampant non-prejudicial infective organism.<br /><br />Stefan (Tom Wlaschiha) journeys from Berlin to San Francisco to investigate his father's scientific suppositions about the induced sheep virus and its effects of the convicts in whom it was infused. He meets with some disdain and resistance to a dead theory, but also encounters some folks who know of the theory and support his investigation. Simultaneously with his visit a series of serial murders takes place, each victim killed in a similar manner and each murder apparently accompanied by strains of music from Puccini's opera 'Turandot' which just happens to be opening at the San Francisco Opera. A police investigator Louise Tolliver (Irit Levi) and her companion cop (Kalene Parker) follow the murders while Stefan makes the rounds of the sex clubs and bars in San Francisco trying to locate men who may have been guinea pigs for his father's theory. He encounters a strange lad Jeffrey (Jim Thalman) with whom he has a cat and mouse attraction and a prominent Doctor Burroughs (Richard Conti) who seems oddly involved in the cast of suspects. How this all come to an end is the play of the film, a story as much about the search for self identity between Stefan and Jeffery as it is a case for investigation of murders.<br /><br />While Tom Wlaschiha, Jim Thalman and Richard Conti do well with their roles (they are the only three who have any prior acting experience in the film!), the quality of the film sags considerably by the less than acceptable minimally talented Irit Levy and Kaylene Parker: when on screen the credibility of the story drops below zero. There are some small cameos by other actors that brighten the screen for the moments they inhabit, but in all the film is drowned by the incessant replay of 'Nessun dorma' as sung by Mario del Monaco from a recording o the opera - and that seems to be the reason for making the film! Good idea for a film and some good characterizations by the actors, but there is no resolution of the initial premise that started the whole thing. Grady Harp, February 06 | negative |
Seeing as Keifer Sutherland plays my favorite character in the history of TV, it was a foregone conclusion i was gonna go to the movies and spend $15 on this. I also think this applies to Eva Longoria fans.<br /><br />The movie revolves around a leak that a Secret Service agent is planning to assassinate the President. As the investigation unfolds, it seems the only likely candidate is the highly decorated Pete (Michael Douglas). Pleading innocence, Pete goes on the fun, fugitive style, to search for the truth.<br /><br />It's solid, but certainly not spectacular. A decent cast, a decent story but it left me feeling a bit empty, but you could certainly do far worse. | positive |
The Ascent (1977) <br /><br />Larisa Shepitko is a name very few are familiar with. Her bright career as a director only lasted a single decade, ended abruptly by a tragic car accident. Despite her short career, she however managed to create some of the best Soviet films of her time. Her last film, The Ascent, is widely regarded as one of the finest Soviet films of the 1970s. Nevertheless, her work remained in obscurity throughout the years that followed, usually only available on rare and poor copies on video. That has now changed thanks to the folks at Criterion. They've released two of Shepitko's best works through their Eclipse department - Wings, and her penultimate masterpiece The Ascent.<br /><br />Set during the darkest days of WWII in snowy rural Russia, two partisans trudge their way across the land in search of food after their party is attacked by Nazi patrols. They're originally only to go to a nearby farm, but when they arrive they find it razed by the Germans. Not wanting to return empty handed, they continue on deeper into enemy territory. Along the way they must confront not only enemy soldiers, but the harsh conditions of the Russian plains, potential betrayal and their own souls.<br /><br />The movie does not fall into simplistic plot devices or destinations. It addresses difficult questions with painful rationality. It never takes the easy road or gives us comforting answers. The second half of the film is filled with moral dilemmas. Shepitko shows us the intimate horrors of war through the internal conflict between fellow Russians - those who collaborated and those who fought back. While she does show the collaborators as the clear heels, she nevertheless also shows why many turned to such tactics - survival.<br /><br />The film contains a number of religious references, particularly to the lead up to the crucifixion. This is a spiritual journey, into the hearts, souls, and minds of the two partisans and those they encounter. Shepitko and her cinematographer capture the journey in beautiful black and white photography. The camera moves in long shots, similar to the camera-work of another of Russia's greatest filmmakers, Andrei Tarkovsky. Shepitko, like many others, was clearly influenced by Tarkovsky's style, and the Ascent takes some of its rhythmic notes from Ivan's Childhood. It is a stunning film to look at, and does a fantastic job of capturing the cold and terrifying atmosphere of occupied Russia.<br /><br />Shepitko's husband would pay homage to her great film a decade later. Elem Klimov made his own war masterpiece with one of the greatest films I've ever seen - Come and See. The story and themes of that film were clearly influenced by The Ascent. Though that film is also a fairly obscure one, it received far more attention that any of Shepitko's films. That however acted as a bridge to Shepitko, and has been one of the best helps to keeping her work alive.<br /><br />The Ascent is a truly magnificent film, and rightly should be considered one of the best films of the 70s. It's stunning cinematography is inspiring; its mood is frighteningly authentic; and its lessons are unforgettable. It is, in any definition of the word, nothing less than a masterpiece. How unfortunate that Shepitko's career was cut short just as it was hitting its peak. | positive |
J.S. Cardone directed a little known 'Video Nasty' in 1982 called "The Slayer" and since then has gone on to have a hand in a handful of feature films; including the rubbish 2001 vampire movie The Forsaken. His latest feature film, Wicked Little Things, boasts a plot that sounds decent as well as a creepy looking poster that I seem to remember surfacing a couple of years ago in relation to a film that Tobe Hooper was meant to direct. Well I guess he felt that this one was too similar to his silly zombie fungus movie 'Mortuary' and so turned this one down. I don't blame him for it either. The plot focuses on a mother and her two daughters that move to an old house in the mountains that once belonged to her late husband. However, what they don't realise is that around a hundred years earlier; a group of children that were being used as miners were trapped down a mineshaft. Naturally, that's not the end of them and they managed to survive their ordeal and now prowl the area in search of revenge
<br /><br />The film is essentially a collection of clichés; from the youngest kid with an "imaginary friend", the mother who dismisses it and all the usual zombie rubbish. J.S. Cardone attempts to get the horror fans back on side with shocks and gory scenes (mostly involving kids) but its not enough. The story doesn't play out very well at all either and really did remind me too much of the earlier Mortuary, and that's not a good thing (although Mortuary is actually a better film than this one). The acting is nothing to write home about either; Lori Heuring is decent looking, as is eldest daughter Scout Taylor-Compton; but neither manages to provide an interesting performance. Chloe Moretz is slightly better than the usual child actor. The plot is given hardly any credibility and indeed the screenplay can't even be bothered to explain the reasons why the kids attack the locals. It all boils down to a typical and rather dull ending and overall I have to say that if you know your horror movies, then you can feel free to skip this one! | negative |
I couldn't agree more with the other comment, it's like Falling down. Peter Weller is OK and William Hurt great as always, except in Lost in Space. This is a good movie. With pretty good performances. Very recommendable. If you like Falling down you're going to enjoy this one. 8 of 10 | positive |
This film is available from David Shepard and Kino on the Before Hollywood There Was Fort Lee, NJ, although that is a shortened version with just the "behind-the-scenes movie sections. I'm not sure if Blackhawk Films only had a film print of these parts, or they edited out the other scenes. The original Blackhawk version was retitled A Movie Romance. The complete feature does survive, but the preprint for this version had some nitrate decomposition, and a couple of sections looked bad, so that may be why Blackhawk's version was edited.<br /><br />Directed by Maurice Tourneur, the film has Tourneur playing himself, or more likely a caricature of himself. Supposedly, director Emile Chautard and future director Joseph von Sternberg also can be spotted.<br /><br />Country lass Mary (Doris Kenyon) longs for a romantic man to sweep her off her feet. She dreams of a troubadour that will woo her, but is constantly interrupted by the only available local boy, Johnny Applebloom.<br /><br />Meanwhile, a film company from New York (actually New Jersey) is filming a western in the countryside. Mary sees an Indian (in full headdress) and raises an alarm -- spoiling a scene that the movie company is filming. She is immediately attracted to the dashing film star Kenneth Driscoll (Robert Warwick). He encourages her to leave her home and try to become an actress in the big city.<br /><br />When she arrives at the studio, she discovers that everything about the movies is fake. The doors and walls are just flats that are hastily assembled for the set. That lanky walk of the western hero or the happy skip of the heroine are just acting too. The sets are on a big revolving stage, so the angle of the sun can even be manipulated. The black attendant at the studio signs all the movie stars' "autographed" photos. The signs on the wall say "Positively No Smoking", but everybody smokes anyway. Even the titles of the film (which are illustrated nicely) emphasize everything fake about the movie-making life.<br /><br />Movie star Driscoll is just as disenchanted with the ho-hum of everyday film-making. He makes a temporary split from girlfriend Vivian (June Elvidge) to pursue this "exciting" country girl. His plans are dashed when Mary's screen-test is a stinker. We don't get to see the actual film, but only the audience's pained reactions to it.<br /><br />Mary is devastated, but she doesn't want to admit to everyone back home that she was a failure, so she continues to see Driscoll and we she has lunch with him in the studio cafeteria along with other extras dressed as policemen, soldiers, cowboys, etc.<br /><br />Mary decides to stay with Driscoll. At a party with their movie "friends", she agrees to marry him although there is not much love between them. Surprisingly, her mother appears, with a cake especially for Mary's birthday. This causes Mary to re-evaluate her future.<br /><br />This film has all kinds of fascinating scenes of studios, movie sets, dressing rooms, editing rooms, etc. If you've always wondered what went on behind the scenes when a silent film was being made, this movie peeks behind the curtain. | positive |
I recently rented this movie as part of a nostalgic phase I'm going through. I was born in 1980, and so film from mid-80s to mid-90s has quite an important place in my growing up.<br /><br />This particular movie was one of my favourites, and so I was thrilled when it became available in the UK. It hasn't become worse with time, it is still a great fun film, with plenty of excitement in its own way. Sure, it pales in the shadow of bigger, larger budget films, but don't let that stop you enjoying this.<br /><br />Worth a rent, or even a purchase at the discount prices you'll find it for. | positive |
I have always been a great admirer of Nicolas Roeg and "Walkabout" is one of my favorite films. This is a film version of Roegs stage play and while most of the film takes place in a hotel room it still has some of Roegs cinematic flare. Very unique story is about a famous actress (Theresa Russell) who after a hard nights work on a film in 1954 goes to a hotel to visit a famous professor (Michael Emil) and together in his hotel room they talk. After awhile she wants to go to bed with him but as they start to get undressed her husband is banging on the door. Her husband is a famous ex-baseball player (Gary Busey) and he wants to know what is going on. The three of them in the hotel room talk about what is going on and what the future holds for them. Meanwhile, a famous senator (Tony Curtis) is threatening to take away the professors papers if he doesn't testify at a hearing. Theresa Russell is just excellent and while she's not trying exactly to impersonate Marilyn Monroe she does a wonderful job of exuding the phobia's and nuances that Monroe is very well known for. One thing the film does is show her as not only a woman on the verge of a mental breakdown but show her as a physical wreck as well. She talks of being unable to have children and at one point in the film she suffers a miscarriage. You can make an excellent case that this is Russell's best performance and I probably wouldn't argue. The film does an interesting thing in showing many flashbacks as the characters continue to talk about one thing and in the flashback we see one of many reasons for their actions. Busey also gives a good solid performance and it reminds me of what a strong persona he gives off on screen. Emil as the professor is a character that has many more things on his mind then we originally thought. The last scene in this film is a demonstration of his darker side! One of the highlights of the film for me is the little conversation he has with the elevator man (Will Sampson of "Cuckoo's Nest") and they discuss what Cherokee Indians think about at all times. But of course the famous scene in this film is where Russell demonstrates to Emil how she does understand the theory of relativity and uses toys to show this. The professor is delighted by her demonstration and so are we! Russell and Roeg are married in real life and they do admirable work when they are in collaboration and this is probably their best film together. Good performances and a very interesting job of directing make this a challenging and visually thought provoking film. | positive |
One of the best memories of my childhood. Should be on DVD. It captured everything we grew up with in the seventies - peace, mellowness, flower power and great acoustic music. The two hosts, Carol and Paula, were the definitive peacenik hippies, with long hair, peasant blouses and bell bottoms(they looked like a Katherine Ross(ala "The Graduate") and Ali McGraw(ala "Love Story"),respectively.)<br /><br />They made us happy with jokes from the daisy "chucklepatch", gave us lessons on being nice through conversations with the crotchedy garden squirrel, and entertained us with music from their guitar. They were the best, and Carol was also the original Sandy in the original production of "Grease"(cool).<br /><br />This show should be in a time capsule from the era that would also include, "The Yellow Submarine", "Arrow to the Sun", and Marlo Thomas', "Free to Be...You & Me.", also, "Sunshine", and "The Point."<br /><br />And last, but not least, that theme song, "See ya, See ya, Hope you had a good, good time, ah ha, Glad we got to say good mornin' to ya , Hope we get get to see ya again, See ya, See ya, Glad that you could stay awhile, ah ha, hope we get see ya again, see ya, see ya. | positive |
Don't bother. A little prosciutto could go a long way, but all we get is pure ham, particularly from Dunaway. The plot is one of those bumper car episodes... the vehicle bounces into another and everything changes direction again, until we are merely scratching our heads wondering if there were ever a plot. Gina Phillips is actually good, but it's hard playing across from a mystified Dunaway playing Lady Macbeth lost in the Marx's Brother's Duck Soup. Ah, the Raven...now there's an actor. And there is the relative who just lies and bed and looks ghostly. Or Dr. Dread who's filled with lots of gloom and no working remedies. I'm one of those suckers who just has to see a movie to the end. Quoth the Raven, "Nevermore." | negative |
Well, I have to agree with the critics on this one, who all said "leave it alone." Why they had to make this re-make of the 1960 "Psycho," I don't know. My guess is they wanted to reach a new audience and thought color and modern-day actors were the answer, since those were the main changes. The dialog was the same and the story the same.<br /><br />On one hand, I applaud them for not making this over with a lot of profanity and nudity and making it a sleazy film. Yet, if they were going to keep everything the same, why bother when you weren't going to improve on Tony Perkins, Janet Leigh and the original cast?<br /><br />Did they honestly think Vince Vaughn was going to be as good or better than Perkins? Are you kidding? Ann Heche, with her short mannish-haircut, is going to be better than Leigh? I don't think so!<br /><br />Yes, the colors were pretty in here but it's the black-and-white photography that helped make the 1960 version so creepy to begin with. It's perfect for the story, not a bunch of greens and pinks! Once again, I guess the filmmakers were banking on an audience that never saw the original.<br /><br />This was just a stupid project that never should have gotten off the ground. | negative |
This film lacked something I couldn't put my finger on at first: charisma on the part of the leading actress. This inevitably translated to lack of chemistry when she shared the screen with her leading man. Even the romantic scenes came across as being merely the actors at play. It could very well have been the director who miscalculated what he needed from the actors. I just don't know.<br /><br />But could it have been the screenplay? Just exactly who was the chef in love with? He seemed more enamored of his culinary skills and restaurant, and ultimately of himself and his youthful exploits, than of anybody or anything else. He never convinced me he was in love with the princess.<br /><br />I was disappointed in this movie. But, don't forget it was nominated for an Oscar, so judge for yourself. | negative |
I have seen this film only the one time about 25 years ago, and to this day I have always told people it is probably the best film I have ever seen. Considering there was no verbal dialogue and only thought dialogue i found the film to be enthralling and I even found myself holding my breath so as not to make any sound. I would highly recomend this film, I wish it was available on DVD. | positive |
I haven't read a biography of Lincoln, so maybe this was an accurate portrayal......<br /><br />And maybe it's because I'm used to the equally alienating and unrealistic worshiping portrayals that unnaturally deify Lincoln as brilliant, honorable, and the savior of our country......<br /><br />But why would they make a movie representing Lincoln as a buffoon? While Henry Fonda made an excellent Lincoln, his portrayal of him as an "aw shucks, I'm just a simple guy" seemed a little insulting.<br /><br />[Granted, that was Bushie Jr.'s whole campaign, to make us think he was "just a regular guy" so we wouldn't care that he's a rich & privileged moron -- but that's a whole other story.]<br /><br />Not only did the film show Lincoln as sort of a simple (almost simple-minded) kind of guy , the film states that Lincoln just sort of got into law by accident, and that he wasn't even that interested in the law - only with the falsely simplistic idea of the law being about rights & wrongs. In the film he's not a very good defense attorney (he lounges around with his feet on the table and makes fun of the witnesses), and the outcome is mostly determined by chance/luck.<br /><br />Furthermore, partly because this was financed by Republicans (in reaction to some play sponsored by Democrats that had come out) and partly because it was just the sentiment of the times, the film is unfortunately religious, racist and conservative.<br /><br />Don't waste your time on this film! | negative |
Le conseguenze dell'amore (2004)is a beautifully made film that takes small carefully positioned steps towards its ending that need to be savoured in order to be enjoyed. From the contrasting landscapes, to the tightly enclosed world that the hero inhabits, we are taken by the Director and controlled from the very moment we enter the hotel. We, like the hero, will never escape from the suffocating intensity and paradoxical monotony of his criminally driven, Mafia world. That the film resists Mafia stereotypes whilst revelling in them makes it all the more successful. The concrete grave, the inevitable brutal executions and overwhelming maleness are laid bare and exposed for what they are. Just brutality and business, and no more. Life is about being part of the corporate machine that is organised crime and not about love or living for self, family or others. Our hero is indeed a hero in that he gives up his life for the sake of the touch of the beautiful barmaid, the resolution of the misery suffered by his only neighbours in the hotel and in order to escape his decorative prison. The consequences of love are indeed beautiful and brutal at the same time. See it!! | positive |
Want a great recipe for failure? Take a s****y plot, add in some weak, completely undeveloped characters and than throw in the worst special effects a horror movie has known. Let stew for a week (the amount of time probably spent making this trash). The result is Corpse Grinders, a movie that takes bad movies to dangerous and exotically low places.<br /><br />The movie utterly blew. My words cannot convey how painful it was to watch. This is not one of those bad movies that you and your friends can sit around and make fun of. This is not Plan 9 From Outer Space. This is a long, boring, sad waste of time. Corpse Grinders II is the biggest waste of energy and talent I have ever seen. I depresses me when I realize that people actually took time out of their lives to act in this shit, if you can call it acting. But than again, when you have poor direction, poor storywriting, poor everything, acting is the last thing to criticize.<br /><br />This movie is like a huge, disgusting turd that you yearn to quickly flush out of existence, fearful that a friend or loved one might somehow see it. I really with I could somehow destroy every copy of this film, so it will not pollute the minds of aspiring filmmakers. Thank you, Ted V. Mikels, for giving me new found respect for every movie I have ever seen. You have shown me what is truly awful, and why I should appreciate all those movies that are merely crappy or boring. | negative |
I can't believe I am just now seeing this film -- I think perhaps I thought it was another movie about slaves being mistreated, and I avoided Roots for the same reason -- just as I have yet to see Schindler's List -- I don't want to be "entertained" by other peoples' pain, not matter how authentic or informative it is supposed to be.<br /><br />So I guess the main thing I noticed about The Color Purple was that it was not about black people being mistreated by whites. The black people were perfectly capable of raping their own daughters -- or giving them away to be treated as slaves by their "husbands". It was painful to watch, but everyone redeemed himself in the end, and the acting was phenomenal! I couldn't believe the character Oprah played at the age of 35! And I adore Whoopi to start with - she was amazing. I'm so glad I was feeling lousy yesterday afternoon and Showtime was running The Color Purple. | positive |
This movie is well made, it is beautiful and wise. It is heart-warming. It is great. And again it shows how great Peter Falk is... he is fantastic and he even gets better, the older he gets! Thank you, Peter Falk! Thank you very much for this gem of a movie! <br /><br />This movie entertains. There is lot of wisdom in this movie. There is lot of humor in this movie. There is life in this movie... and meaning. This movie shows, how life can be.<br /><br />Peter Falk is in that movie. He is just great! Where is the Oscar for Peter Falk? He deserves it so very much.<br /><br />Peter Falk just turned 80. I do sincerely hope that there will be more movies!<br /><br />Walter J. Langbein | positive |
Every once in awhile I'll remember that I've actually seen this bizarre fiasco that's a cross between "Whatever Happened to Baby Jane?", "Sunset Boulevard," the Lana Turner LSD movie "The Big Cube" and the Manson murders, which also took place in 1969 but maybe before this so-called "movie" was made! There are some descriptions of the plot already here, so I won't go into it. But it's worth noting that Miriam Hopkins plays a parody of herself: a chattering, ego-maniacal, fading actress. Perhaps she thought she was making a movie that would be as successful as one of the Bette Davis horrors. The old gal Hopkins never stopped working, so you have to hand it to her. She shows a little too much flesh in this movie, something Davis and Crawford would never have done. And there's a scene with Miriam in the actual tacky Hollywood Boulevard Christmas parade, which must have been filmed Xmas, 1968.<br /><br />Gale Sondergard is old, old, old. It's just shocking how wrinkled and awful she looks. John Garfield, Jr. looks a bit like his father, but not as interesting. I think one of the Three Stooges is the tour guide at the beginning. If it's not one of the Stooges, it's somebody.<br /><br />I was astounded to come across this thing in the form of a commercial videotape given to me by a friend who knows all about junk like this. It's amazing!!! | negative |
Deathtrap is not a whodunit. It's a who gonna do it to who first. It's so hard to describe this movie without giving anything away so I won't mention anything more about the plot. As far as acting goes it is Cris Reeves greatest role as Clifford, a young playwrite. You really see the range in his acting abilities in this movie from "exhaling cheeseburgers" to downright frightening. Clifford is such a hard role to play and in the stage production of this I have never seen Clifford played well on both ends of the spectrum. The actor plays him as a little puppy or a homicidal maniac. Reeves is the only person I have seen who has the character right all the way through. As for Michael Caine he's.....well he's Michael Caine. One of the best actors of the last 50 years and in this film as good as he has ever been. | positive |
This thing takes the horny teenager genre, very poorly respected to begin with, and completely flushes it down the toilet. The only people I would even consider recommending it to are teenage girls, for a "revealing" scene in a boys' locker room. And in the end I wouldn't make such a recommendation. To do so would be to contribute to the delinquency of a juvenile. An absolute piece of garbage with utterly no redeeming qualities. | negative |
One of the finest films ever made! Why it only got a 7.6 rating is a mystery. This film is a window into the world of the black experience in America. Should be mandatory viewing for all white people and all children above age 10. I recommend watching it with "The Long Walk Home" as a companion piece. If you think Whoopi Goldberg's work is about "Homer and Eddie" or "Hollywood Squares," think again. Don't miss this movie, which should have won the Oscar. (And read the book, too!) | positive |
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