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1,300 | ( allen ) manages to breathe life into this somewhat tired premise . | 1positive
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1,301 | the writing and direction to the soggy performances | 0negative
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1,302 | went back | 1positive
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1,303 | unfunny | 0negative
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1,304 | good film | 1positive
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1,305 | a simplistic narrative and | 1positive
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1,306 | plodding , peevish and gimmicky . | 0negative
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1,307 | finely written | 1positive
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1,308 | attentive | 1positive
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1,309 | a canny crowd pleaser , | 1positive
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1,310 | real and amusing | 1positive
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1,311 | a dependable concept | 1positive
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1,312 | straight from the saturday morning cartoons | 0negative
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1,313 | least | 0negative
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1,314 | very light | 1positive
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1,315 | thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except | 0negative
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1,316 | dying a slow death | 0negative
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1,317 | some good material in their story about a retail clerk wanting more out of life | 1positive
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1,318 | lack contrast , are murky and are frequently too dark to be decipherable . | 0negative
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1,319 | under the skin of a man we only know as an evil , monstrous lunatic | 0negative
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1,320 | transporting is that it 's also one of the smartest | 1positive
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1,321 | reminiscent of gong li and a vivid personality | 1positive
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1,322 | to convince almost everyone that it was put on the screen , just for them | 1positive
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1,323 | downright intoxicating | 1positive
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1,324 | with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . | 1positive
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1,325 | especially the pseudo-educational stuff we all ca n't stand | 0negative
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1,326 | vaporize from your memory minutes | 0negative
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1,327 | energetic | 1positive
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1,328 | 's the inimitable diaz , holding it all together . | 1positive
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1,329 | decrepit | 0negative
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1,330 | two guys yelling in your face for two hours | 0negative
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1,331 | bloody beauty as vivid | 1positive
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1,332 | cold , sterile and lacking any color or warmth | 0negative
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1,333 | is not handled well | 0negative
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1,334 | long and eventful | 1positive
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1,335 | , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers | 1positive
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1,336 | suffocating | 0negative
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1,337 | has considerable charm | 1positive
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1,338 | for its extraordinary intelligence and originality | 1positive
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1,339 | stink | 0negative
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1,340 | good-bad that makes eight legged freaks a perfectly entertaining summer diversion | 1positive
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1,341 | the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch | 0negative
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1,342 | kids will love its fantasy and adventure | 1positive
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1,343 | ( or role , or edit , or score , or anything , really | 0negative
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1,344 | , to my great pleasure , | 1positive
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1,345 | one of the most entertaining bonds in years | 1positive
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1,346 | in a standard plot | 0negative
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1,347 | the moral shrapnel and mental shellshock will linger long after this film has ended . | 1positive
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1,348 | been written so well , that even a simple `` goddammit | 1positive
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1,349 | b movies | 0negative
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1,350 | to address his own world war ii experience in his signature style | 1positive
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1,351 | from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches | 1positive
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1,352 | draws on an elegant visual sense and a talent | 1positive
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1,353 | be one of those movies barely registering a blip on the radar screen of 2002 | 0negative
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1,354 | for pretentious arts majors | 0negative
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1,355 | see a movie with its heart | 1positive
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1,356 | reek of a script | 0negative
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1,357 | bottom tier | 0negative
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1,358 | delivers a powerful commentary on how governments lie , no matter who runs them | 1positive
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1,359 | an admirable reconstruction of terrible events | 1positive
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1,360 | 's a tribute to the actress , and to her inventive director | 1positive
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1,361 | as john ritter 's glory days | 1positive
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1,362 | fights a good fight | 1positive
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1,363 | is god | 1positive
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1,364 | floating narrative | 1positive
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1,365 | stand in future years as an eloquent memorial to the world trade center tragedy | 1positive
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1,366 | a screenplay that forces them into bizarre , implausible behavior | 0negative
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1,367 | of this dog of a movie | 0negative
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1,368 | too bad kramer could n't make a guest appearance to liven things up . | 0negative
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1,369 | plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story . | 0negative
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1,370 | yet depressing film | 0negative
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1,371 | does pack some serious suspense . | 1positive
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1,372 | descends into such message-mongering moralism | 0negative
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1,373 | gripping humanity | 1positive
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1,374 | fall fast asleep | 0negative
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1,375 | virtually no aftertaste | 0negative
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1,376 | inane and unimaginative | 0negative
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1,377 | 's no surprise that as a director washington demands and receives excellent performances , | 1positive
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1,378 | bound | 1positive
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1,379 | self-absorbed | 0negative
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1,380 | see the forest for the trees | 1positive
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1,381 | 's a feel-good movie about which you can actually feel good | 1positive
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1,382 | intolerable company | 0negative
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1,383 | talky , artificial and opaque | 0negative
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1,384 | for one splendidly cast pair | 1positive
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1,385 | underneath such a mountain of clichés and borrowed images | 0negative
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1,386 | falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice . | 0negative
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1,387 | convincing as this bland blank of a man with unimaginable demons | 0negative
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1,388 | are ... impeccable throughout . | 1positive
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1,389 | driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs | 1positive
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1,390 | horror/action hybrid | 1positive
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1,391 | of the finest films of the year | 1positive
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1,392 | lives up to the stories and faces and music of the men who are its subject . | 1positive
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1,393 | that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch | 1positive
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1,394 | director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding . | 1positive
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1,395 | is too long with too little going on | 0negative
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1,396 | much needed | 1positive
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1,397 | jones and snipes are enthralling | 1positive
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1,398 | that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out | 1positive
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1,399 | participation | 1positive
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Subsets and Splits