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2,900 | this delightful comedy | 1positive
|
2,901 | vapid | 0negative
|
2,902 | a worthwhile effort | 1positive
|
2,903 | a pathetic exploitation film that tries to seem sincere , and just seems worse for the effort . | 0negative
|
2,904 | by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about | 0negative
|
2,905 | extraordinary access | 1positive
|
2,906 | so intimate and sensual and funny and psychologically self-revealing | 1positive
|
2,907 | highly engaging . | 1positive
|
2,908 | wisdom and emotion | 1positive
|
2,909 | fascinating , unnerving examination | 1positive
|
2,910 | watching this film , one is left with the inescapable conclusion that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power . | 1positive
|
2,911 | you were at home watching that movie instead of in the theater watching this one | 0negative
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2,912 | about 90 minutes of a so-called ` comedy ' and not laugh | 0negative
|
2,913 | arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two | 1positive
|
2,914 | affection for its characters | 1positive
|
2,915 | mixes in as much humor as pathos | 1positive
|
2,916 | a complete moron | 0negative
|
2,917 | abandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed . | 0negative
|
2,918 | few nice twists | 1positive
|
2,919 | a moving story | 1positive
|
2,920 | a bunch of typical late-twenty-somethings natter on about nothing | 0negative
|
2,921 | not only better than its predecessor | 1positive
|
2,922 | funny and , in the end , very touching | 1positive
|
2,923 | too skewed to ever get a hold on | 0negative
|
2,924 | thriller as lazy as it is interminable | 0negative
|
2,925 | 's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 . | 0negative
|
2,926 | a funny , puzzling movie | 1positive
|
2,927 | , i enjoyed it just as much ! | 1positive
|
2,928 | stooping | 0negative
|
2,929 | with a completely predictable plot | 0negative
|
2,930 | solid base | 1positive
|
2,931 | by bad luck and their own immaturity | 0negative
|
2,932 | to a strangely sinister happy ending | 1positive
|
2,933 | had the balance shifted in favor of water-bound action over the land-based ` drama | 0negative
|
2,934 | so we got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat . | 0negative
|
2,935 | , pathetic , starving and untalented | 0negative
|
2,936 | the problem with antwone fisher is that it has a screenplay written by antwone fisher based on the book by antwone fisher . | 0negative
|
2,937 | has merit and | 1positive
|
2,938 | , with really solid performances by ving rhames and wesley snipes . | 1positive
|
2,939 | both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise | 1positive
|
2,940 | not that any of us | 0negative
|
2,941 | astonish and entertain | 1positive
|
2,942 | play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution | 1positive
|
2,943 | a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress | 1positive
|
2,944 | be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble | 1positive
|
2,945 | having been slimed in the name of high art | 0negative
|
2,946 | shooting itself | 0negative
|
2,947 | , sterile and lacking | 0negative
|
2,948 | elicit more of a sense of deja vu than awe | 0negative
|
2,949 | been worth cheering as a breakthrough | 1positive
|
2,950 | all credibility flies out the window . | 0negative
|
2,951 | corny television | 0negative
|
2,952 | fights the good fight in vietnam | 1positive
|
2,953 | engaging the audience in the travails of creating a screenplay | 1positive
|
2,954 | rustic , realistic , and altogether creepy | 1positive
|
2,955 | things really get weird , though not particularly scary : | 0negative
|
2,956 | hughes comedy | 1positive
|
2,957 | the disjointed | 0negative
|
2,958 | assumes you are n't very bright | 0negative
|
2,959 | is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery . | 1positive
|
2,960 | 's not entirely memorable | 0negative
|
2,961 | heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long | 0negative
|
2,962 | nothing left to work with , sort of like michael jackson 's nose | 0negative
|
2,963 | daring and beautifully made | 1positive
|
2,964 | , you may be surprised at the variety of tones in spielberg 's work . | 1positive
|
2,965 | works against itself | 0negative
|
2,966 | i hated myself in the morning . | 0negative
|
2,967 | with efficiency and an affection for the period | 1positive
|
2,968 | confection that 's pure entertainment | 1positive
|
2,969 | bearing the unmistakable stamp of authority | 1positive
|
2,970 | the intentionally low standards of frat-boy humor | 0negative
|
2,971 | is impressive | 1positive
|
2,972 | if cinema had been around to capture the chaos of france in the 1790 's , one imagines the result would look like something like this . | 1positive
|
2,973 | ... it is visually ravishing , penetrating , impenetrable . | 1positive
|
2,974 | of the jokes , most at women 's expense | 0negative
|
2,975 | fascination , and | 1positive
|
2,976 | amazing slapstick | 1positive
|
2,977 | low , very low , | 0negative
|
2,978 | weightless that a decent draft in the auditorium might blow it off the screen | 0negative
|
2,979 | leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics | 0negative
|
2,980 | told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday | 1positive
|
2,981 | those who do will have found a cult favorite to enjoy for a lifetime . | 1positive
|
2,982 | undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold | 0negative
|
2,983 | starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television | 0negative
|
2,984 | is even worse | 0negative
|
2,985 | the inspiration of the original | 1positive
|
2,986 | if oscar had a category called best bad film you thought was going to be really awful but was n't | 1positive
|
2,987 | fine idea | 1positive
|
2,988 | mawkish | 0negative
|
2,989 | payne has created a beautiful canvas , and nicholson proves once again that he 's the best brush in the business . | 1positive
|
2,990 | the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities . | 0negative
|
2,991 | so stupid | 0negative
|
2,992 | a good chance of being the big | 1positive
|
2,993 | wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness | 1positive
|
2,994 | it 's a masterpeice . | 1positive
|
2,995 | a sour taste | 0negative
|
2,996 | , much better . | 1positive
|
2,997 | but on the whole , you 're gon na like this movie . | 1positive
|
2,998 | a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about | 0negative
|
2,999 | the picture provides a satisfyingly unsettling ride into the dark places of our national psyche . | 1positive
|
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