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6,400 | like most of jaglom 's films , some of it is honestly affecting , | 1positive
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6,401 | you should see this movie | 1positive
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6,402 | of the best films of the year | 1positive
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6,403 | you will enjoy seeing how both evolve | 1positive
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6,404 | from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style | 1positive
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6,405 | so purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride . | 1positive
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6,406 | for exploiting the novelty of the `` webcast | 0negative
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6,407 | showcases davies as a young woman of great charm , generosity and diplomacy | 1positive
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6,408 | one scene after another in this supposedly funny movie | 0negative
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6,409 | thurman and lewis give what can easily be considered career-best performances | 1positive
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6,410 | accurately | 1positive
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6,411 | ruined by amateurish writing and acting , | 0negative
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6,412 | well-made pb & j sandwich | 1positive
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6,413 | the blanket statements and dime-store ruminations | 0negative
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6,414 | engages us | 1positive
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6,415 | it looks like woo 's a p.o.w. | 0negative
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6,416 | has turned out to be a one-trick pony | 0negative
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6,417 | on three short films and two features | 1positive
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6,418 | the results are honest | 1positive
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6,419 | 's nice | 1positive
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6,420 | has a way of seeping into your consciousness , with lingering questions about what the film is really getting at | 1positive
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6,421 | , inexplicable and unpleasant | 0negative
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6,422 | a thriller without thrills and a mystery devoid of urgent questions | 0negative
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6,423 | falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in . | 0negative
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6,424 | one of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie . | 1positive
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6,425 | a quirky comedy | 1positive
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6,426 | artful , watery tones of blue , green and brown | 1positive
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6,427 | leaves an awful sour taste | 0negative
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6,428 | this is cinema | 1positive
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6,429 | a diverse and astonishingly articulate | 1positive
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6,430 | the charm of the first movie is still there | 1positive
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6,431 | by turns gripping , amusing , tender and heart-wrenching | 1positive
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6,432 | 's because relatively nothing happens | 0negative
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6,433 | a gift to anyone who loves both dance and cinema | 1positive
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6,434 | dies | 0negative
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6,435 | this is the one . | 1positive
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6,436 | one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning . | 1positive
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6,437 | unacceptable | 0negative
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6,438 | deepest tragedies | 0negative
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6,439 | how to suffer ' and if you see this film you 'll know too | 0negative
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6,440 | 've got to hand it to director george clooney for biting off such a big job the first time out | 1positive
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6,441 | the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard . | 1positive
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6,442 | one of the great minds of our times | 1positive
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6,443 | audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching | 0negative
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6,444 | an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time | 1positive
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6,445 | that effortlessly draws you in | 1positive
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6,446 | the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and | 1positive
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6,447 | colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor . | 1positive
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6,448 | climactic | 1positive
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6,449 | really does n't have much to say beyond the news | 0negative
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6,450 | the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned . | 1positive
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6,451 | more outre aspects | 1positive
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6,452 | evans is no hollywood villain | 1positive
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6,453 | a loss | 0negative
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6,454 | can drown out the tinny self-righteousness of his voice | 0negative
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6,455 | falling in love | 1positive
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6,456 | tremendously moving | 1positive
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6,457 | will leave you wanting to abandon the theater . | 0negative
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6,458 | benefits from having a real writer plot out all of the characters ' moves and overlapping story | 1positive
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6,459 | spaces | 1positive
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6,460 | a very good ( but not great ) movie | 1positive
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6,461 | funny , insightfully human | 1positive
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6,462 | visually engrossing | 1positive
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6,463 | a fascinating , unnerving examination of the delusions | 1positive
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6,464 | on standard horror flick formula | 0negative
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6,465 | glum as mr. de niro | 0negative
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6,466 | extremely well acted by the four primary actors | 1positive
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6,467 | the universal themes , | 1positive
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6,468 | collateral damage is trash | 0negative
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6,469 | makes all the difference | 1positive
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6,470 | gentle , lapping rhythms | 1positive
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6,471 | pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success . | 0negative
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6,472 | using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater . | 1positive
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6,473 | funny , sexy , and rousing | 1positive
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6,474 | is a pretty good job | 1positive
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6,475 | visualize schizophrenia | 0negative
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6,476 | scenic shots | 1positive
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6,477 | '' will leave you wanting to abandon the theater . | 0negative
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6,478 | return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market . | 0negative
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6,479 | that celebi could take me back to a time before i saw this movie | 0negative
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6,480 | making such a tragedy the backdrop to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror . | 1positive
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6,481 | fascinating , ludicrous , provocative and vainglorious | 1positive
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6,482 | has made a movie that will leave you wondering about the characters ' lives after the clever credits roll | 1positive
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6,483 | too cynical | 0negative
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6,484 | spooky and subtly | 1positive
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6,485 | into a classic genre | 1positive
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6,486 | is too busy getting in its own way to be anything but frustrating , boring , and forgettable | 0negative
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6,487 | up walking out not only satisfied but also somewhat touched | 1positive
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6,488 | the plot seems a bit on the skinny side | 0negative
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6,489 | accompanied by the sketchiest of captions . | 0negative
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6,490 | melodramatic paranormal romance is an all-time low for kevin costner . | 0negative
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6,491 | 's something of the ultimate scorsese film | 1positive
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6,492 | a more annoying , though | 0negative
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6,493 | loathe him | 0negative
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6,494 | hell , i dunno | 0negative
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6,495 | for two directors with far less endearing disabilities | 0negative
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6,496 | if mostly martha is mostly unsurprising , it 's still a sweet , even delectable diversion . | 1positive
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6,497 | beautiful | 1positive
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6,498 | enhanced by a surplus of vintage archive footage | 1positive
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6,499 | is that it progresses in such a low-key manner that it risks monotony . | 0negative
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