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8,500 | for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven . | 1positive
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8,501 | utterly ridiculous shaggy dog story | 0negative
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8,502 | a lump of play-doh | 1positive
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8,503 | a smart movie that knows its classical music , knows its freud and knows its sade | 1positive
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8,504 | really won my heart | 1positive
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8,505 | to see a feature that concentrates on people , a project in which the script and characters hold sway | 1positive
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8,506 | as a reverie about memory and regret | 1positive
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8,507 | shreve 's graceful dual narrative gets clunky on the screen , and | 0negative
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8,508 | lacks in depth | 0negative
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8,509 | charming and funny | 1positive
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8,510 | worst revenge-of-the-nerds clichés | 0negative
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8,511 | given the fact that virtually no one is bound to show up at theaters for it , the project should have been made for the tube . | 0negative
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8,512 | he 's back in form , with an astoundingly rich film | 1positive
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8,513 | , sobering , heart-felt drama | 1positive
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8,514 | proper respect | 1positive
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8,515 | a fifty car pileup of cliches . | 0negative
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8,516 | suspense on different levels | 1positive
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8,517 | all its fusty squareness | 0negative
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8,518 | and pasta-fagioli comedy | 1positive
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8,519 | held my interest precisely | 1positive
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8,520 | entertained by | 1positive
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8,521 | , nutty , consistently funny . | 1positive
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8,522 | by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience | 1positive
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8,523 | more slowly | 0negative
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8,524 | , original | 1positive
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8,525 | too stupid | 0negative
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8,526 | for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers | 1positive
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8,527 | was being attempted here that stubbornly refused to gel | 0negative
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8,528 | like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables | 0negative
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8,529 | collapses after 30 minutes into a slap-happy series | 0negative
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8,530 | so insanely dysfunctional | 0negative
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8,531 | nice , light treat | 1positive
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8,532 | intimate and universal cinema | 1positive
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8,533 | incredibly captivating and | 1positive
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8,534 | a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination . | 1positive
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8,535 | what the hell was coming next | 0negative
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8,536 | is long on narrative and ( too ) short on action | 0negative
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8,537 | an unsophisticated sci-fi drama that takes itself all too seriously . | 0negative
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8,538 | forget | 0negative
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8,539 | are strong , though the subject matter demands acting that borders on hammy at times . | 1positive
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8,540 | 'd bother watching past the second commercial break | 0negative
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8,541 | tasty morsels | 1positive
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8,542 | suffers because it does n't have enough vices to merit its 103-minute length | 0negative
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8,543 | needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism . | 0negative
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8,544 | think the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star . | 0negative
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8,545 | the best of herzog 's works | 1positive
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8,546 | `` the good girl '' a film worth watching | 1positive
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8,547 | drawing on an irresistible , languid romanticism , byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth . | 1positive
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8,548 | is as generic as its title | 0negative
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8,549 | this bracingly truthful antidote to hollywood teenage movies that slather clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty . | 1positive
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8,550 | you might want to check it out | 1positive
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8,551 | the most important and exhilarating forms of animated filmmaking since old walt | 1positive
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8,552 | going to take you | 1positive
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8,553 | the filmmaker 's extraordinary access | 1positive
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8,554 | arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love , meets so many of the challenges it poses for itself that one can forgive the film its flaws . | 1positive
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8,555 | being unique | 1positive
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8,556 | jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier . | 0negative
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8,557 | with the kind of visual flair that shows what great cinema can really do | 1positive
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8,558 | works on some levels and | 1positive
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8,559 | dawns , real dawns , comic relief | 1positive
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8,560 | refracting | 0negative
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8,561 | a strong script , powerful direction | 1positive
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8,562 | rigged and sluggish | 0negative
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8,563 | affected child acting to the dullest irish pub scenes ever filmed | 0negative
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8,564 | from a philosophical emptiness and maddeningly sedate pacing | 0negative
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8,565 | what emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice . | 1positive
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8,566 | no cute factor | 0negative
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8,567 | would be an abridged edition | 0negative
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8,568 | seen through the right eyes | 1positive
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8,569 | something hip and transgressive | 1positive
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8,570 | sweet , charming | 1positive
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8,571 | are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy . | 0negative
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8,572 | is gripping , as are the scenes of jia with his family . | 1positive
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8,573 | a xerox machine | 0negative
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8,574 | they do n't fit well together and neither is well told | 0negative
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8,575 | that powerhouse | 1positive
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8,576 | concentrates on people , a project in which the script and characters hold sway | 1positive
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8,577 | a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title | 0negative
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8,578 | most excruciating 86 minutes one | 0negative
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8,579 | a triumph of emotionally and narratively complex filmmaking | 1positive
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8,580 | the feelings evoked in the film are lukewarm and quick to pass . | 0negative
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8,581 | in alcatraz ' ... a cinematic corpse | 0negative
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8,582 | a fully developed story | 1positive
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8,583 | screams at the top of their lungs no matter what the situation | 0negative
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8,584 | one well-timed explosion in a movie can be a knockout , | 1positive
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8,585 | with celluloid garbage | 0negative
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8,586 | if the title is a jeopardy question , then the answer might be `` how does steven seagal come across these days ? '' | 0negative
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8,587 | about identity and alienation | 0negative
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8,588 | to old movies , when you could just rent those movies instead , let alone seek out a respectable new one | 0negative
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8,589 | girlfriends are bad , wives are worse and babies are the kiss of death in this bitter italian comedy | 0negative
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8,590 | it more than adequately fills the eyes and stirs the emotions | 1positive
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8,591 | simple tale | 1positive
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8,592 | one problem with the movie , directed by joel schumacher | 0negative
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8,593 | fast , frenetic , funny , even punny 6 | 1positive
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8,594 | as an important , original talent in international cinema | 1positive
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8,595 | at its most basic , this cartoon adventure is that wind-in-the-hair exhilarating . | 1positive
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8,596 | than a particularly slanted , gay s/m fantasy | 0negative
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8,597 | the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note | 0negative
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8,598 | the movie 's various victimized audience members after a while | 0negative
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8,599 | the performances are often engaging | 1positive
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