prompt
stringlengths 1
1.92k
| text
stringlengths 1
1.92k
| label
stringclasses 16
values | start_char
int64 0
1.84k
| end_char
int64 1
1.92k
| entity_order
int64 0
166
|
---|---|---|---|---|---|
Once feared and worshipped as the Queen of Ice. Often has a beautiful and delicate voice. Some of have even gathered a fan base. It rocks its body rhythmically. It appears to alter the rhythm depending on how it is feeling. Its motions are so bouncingly alluring, people seeing it are compelled to shake their hips without giving any thought to what they are doing. It speaks a language similar to that of humans. However, it seems to use dancing to communicate. Its cries sound like human speech. However, it is impossible to tell what it is trying to say. Research is under way to determine what is being said. | it is impossible to tell what it is trying to say | context/emotion | 509 | 558 | 10 |
Once feared and worshipped as the Queen of Ice. Often has a beautiful and delicate voice. Some of have even gathered a fan base. It rocks its body rhythmically. It appears to alter the rhythm depending on how it is feeling. Its motions are so bouncingly alluring, people seeing it are compelled to shake their hips without giving any thought to what they are doing. It speaks a language similar to that of humans. However, it seems to use dancing to communicate. Its cries sound like human speech. However, it is impossible to tell what it is trying to say. Research is under way to determine what is being said. | Research is under way to determine what | influence/artwork | 560 | 599 | 11 |
Wind River Valley | Wind River Valley | subject | 0 | 17 | 0 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | Portrait | medium/photography | 0 | 8 | 0 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | steampunk | influence/genre | 14 | 23 | 1 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | cat | subject | 24 | 27 | 2 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | science fiction | influence/genre | 29 | 44 | 3 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | highly detailed | detail | 46 | 61 | 4 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | digital painting | medium/illustration | 63 | 79 | 5 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | artstation | influence/repository | 81 | 91 | 6 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | concept art | medium/illustration | 93 | 104 | 7 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | illustration | medium/illustration | 106 | 118 | 8 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | Greg Rutkowski | influence/artist | 127 | 141 | 9 |
Portrait of a steampunk cat, science fiction, highly detailed, digital painting, artstation, concept art, illustration, art by Greg Rutkowski and alphonse mucha | alphonse mucha | influence/artist | 146 | 160 | 10 |
a graphic novel cover for a fantasy epic about a female warrior in a new dimension | graphic | medium/illustration | 2 | 9 | 0 |
a graphic novel cover for a fantasy epic about a female warrior in a new dimension | novel | influence/genre | 10 | 15 | 1 |
a graphic novel cover for a fantasy epic about a female warrior in a new dimension | cover for | subject | 16 | 25 | 2 |
a graphic novel cover for a fantasy epic about a female warrior in a new dimension | fantasy | influence/genre | 28 | 35 | 3 |
a graphic novel cover for a fantasy epic about a female warrior in a new dimension | epic about a female warrior in a new dimension | subject | 36 | 82 | 4 |
woman in paper bag over the head and a sward Edward Hopper and James Gilleard, Zdzislaw Beksinski, highly detailed | woman in paper bag over the head and a sward | subject | 0 | 44 | 0 |
woman in paper bag over the head and a sward Edward Hopper and James Gilleard, Zdzislaw Beksinski, highly detailed | Edward Hopper | influence/artist | 45 | 58 | 1 |
woman in paper bag over the head and a sward Edward Hopper and James Gilleard, Zdzislaw Beksinski, highly detailed | James Gilleard | influence/artist | 63 | 77 | 2 |
woman in paper bag over the head and a sward Edward Hopper and James Gilleard, Zdzislaw Beksinski, highly detailed | Zdzislaw Beksinski | influence/artist | 79 | 97 | 3 |
woman in paper bag over the head and a sward Edward Hopper and James Gilleard, Zdzislaw Beksinski, highly detailed | highly detailed | detail | 99 | 114 | 4 |
caveman with a rock computor | caveman with a rock computor | subject | 0 | 28 | 0 |
2000ad comic book cover, Judge Dredd, megacity one | 2000ad comic book cover | subject | 0 | 23 | 0 |
2000ad comic book cover, Judge Dredd, megacity one | Judge Dredd | subject | 25 | 36 | 1 |
2000ad comic book cover, Judge Dredd, megacity one | megacity one | subject | 38 | 50 | 2 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | godefroy | influence/artist | 0 | 8 | 0 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | de montmirail | influence/artist | 9 | 22 | 1 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | medieval | context/era | 32 | 40 | 2 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | armor | subject | 41 | 46 | 3 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | bowl haircut | subject | 48 | 60 | 4 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | dark | color | 62 | 66 | 5 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | intricate | detail | 68 | 77 | 6 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | highly detailed | detail | 79 | 94 | 7 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | artstation | influence/repository | 96 | 106 | 8 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | digital illustration | medium/illustration | 108 | 128 | 9 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | ruan jia | influence/artist | 130 | 138 | 10 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | mandy jurgens | influence/artist | 140 | 153 | 11 |
godefroy de montmirail portrait medieval armor, bowl haircut, dark, intricate, highly detailed, artstation, digital illustration, ruan jia, mandy jurgens, rutkowski | rutkowski | influence/artist | 155 | 164 | 12 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | extremely | subject | 0 | 9 | 0 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | detailed | detail | 11 | 19 | 1 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | non-Euclidean | subject | 21 | 34 | 2 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | stunning | context/emotion | 36 | 44 | 3 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | beautiful | context/emotion | 64 | 73 | 4 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | house of.. 6 cantilevered construction | subject | 74 | 112 | 5 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | multi-colored | influence/genre | 131 | 144 | 6 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | plastic balls | subject | 145 | 158 | 7 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | stunning | context/emotion | 161 | 169 | 8 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | volumetric light | light | 170 | 186 | 9 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | sunset | context/weather | 188 | 194 | 10 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | multi- | medium/illustration | 196 | 202 | 11 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | colored | color | 202 | 209 | 12 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | concrete and glass and translucent material | subject | 210 | 253 | 13 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | stunning | context/emotion | 255 | 263 | 14 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | ski | subject | 264 | 267 | 15 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | outside | subject | 268 | 275 | 16 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | -colored | subject | 284 | 292 | 17 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | covered by moss and | subject | 294 | 313 | 18 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | lichen manicured zen carved lawn | subject | 314 | 346 | 19 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | Giacomo Burattini | influence/artist | 359 | 376 | 20 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | Shania McDonagh | influence/artist | 381 | 396 | 21 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | grok | influence/artist | 401 | 405 | 22 |
extremely detailed non-Euclidean. stunning sophisticated thin beautiful house of.. 6 cantilevered construction .. levels made of multi-colored plastic balls , stunning volumetric light, sunset, multi-colored concrete and glass and translucent material, stunning ski,outside is multi-colored covered by moss and lichen manicured zen carved lawn, drawing by Giacomo Burattini and Shania McDonagh and grok, 8k | 8k | detail | 407 | 409 | 23 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | rural landscape | subject | 0 | 15 | 0 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | contemplative and | context/emotion | 19 | 36 | 1 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | exciting | context/emotion | 44 | 52 | 2 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | abstract | influence/genre | 53 | 61 | 3 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | color | color | 86 | 91 | 4 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | tones | subject | 92 | 97 | 5 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | applying the paint in different ways Yamanobe places several gradually brighter layers | subject | 112 | 198 | 6 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | paint | medium/painting | 202 | 207 | 7 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | black | color | 213 | 218 | 8 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | grounding | subject | 219 | 228 | 9 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | finishing this off with | subject | 230 | 253 | 10 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | bright | light | 256 | 262 | 11 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | gray | color | 263 | 267 | 12 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | white | color | 283 | 288 | 13 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | Contemporary music forms | influence/genre | 290 | 314 | 14 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | key source | medium/rendering | 317 | 327 | 15 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | inspiration for him | subject | 331 | 350 | 16 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | medium and render them tangible | subject | 415 | 446 | 17 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | painting | medium/painting | 462 | 470 | 18 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | Yamanobe | influence/artist | 476 | 484 | 19 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | case it serves to | subject | 487 | 504 | 20 |
rural landscape as contemplative and highly exciting abstract pieces with unobtrusive color tones. To this end, applying the paint in different ways Yamanobe places several gradually brighter layers of paint on a black grounding, finishing this off with a bright gray that verges on white. Contemporary music forms a key source of inspiration for him. He repeatedly attempts to transpose compositions into a visual medium and render them tangible. The medium of painting – in Yamanobe’s case it serves to visualize sensitive and emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while. | emotional processes and is therefore actually an avenue for distancing the all too familiar for a short while | subject | 529 | 638 | 21 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | dark | color | 26 | 30 | 0 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | retrowave | subject | 31 | 40 | 1 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | glitch art | influence/genre | 42 | 52 | 2 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | interstellar | subject | 54 | 66 | 3 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | beautifully lit | light | 68 | 83 | 4 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | Thomas Blackshear | influence/artist | 88 | 105 | 5 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | artstation | influence/repository | 107 | 117 | 6 |
a love affair with doubt, dark retrowave, glitch art, interstellar, beautifully lit, by Thomas Blackshear, artstation, unreal engine | unreal engine | medium/rendering | 119 | 132 | 7 |
a top view shot of a man in white futuristic armor, holding a white katana , alphonse mucha , greg rutowski, illustration, science fiction, concept art, digital painting, Trending on artstation | a top view shot of a man | subject | 0 | 24 | 0 |
a top view shot of a man in white futuristic armor, holding a white katana , alphonse mucha , greg rutowski, illustration, science fiction, concept art, digital painting, Trending on artstation | white | color | 28 | 33 | 1 |
a top view shot of a man in white futuristic armor, holding a white katana , alphonse mucha , greg rutowski, illustration, science fiction, concept art, digital painting, Trending on artstation | futuristic | influence/genre | 34 | 44 | 2 |
a top view shot of a man in white futuristic armor, holding a white katana , alphonse mucha , greg rutowski, illustration, science fiction, concept art, digital painting, Trending on artstation | armor | subject | 45 | 50 | 3 |
a top view shot of a man in white futuristic armor, holding a white katana , alphonse mucha , greg rutowski, illustration, science fiction, concept art, digital painting, Trending on artstation | holding a | subject | 52 | 61 | 4 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.