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|---|---|---|---|---|
Girls' Generation
|
[
[
"Girls' Generation",
"country of origin",
"South Korea"
]
] |
South Korean girl group
|
topping the list three times (2011, 2012, 2014). Girls' Generation consistently ranked in the top five of Gallup Korea's "Artist of the Year" poll from 2007 to 2016, topping the list three times (2009, 2010, 2011). The Sisa Journal named the group as the most influential entertainers of 2011 and 2012, while Asia Today (ko) included the group in their list of 50 Korean Power Leaders in 2011. The group was named one of South Korea's "super brands" by the Korean Institute for Industrial Policy Studies in 2011, and one of the five South Korean musical acts that best represented
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"genre",
"K-pop"
]
] |
South Korean girl group
|
K-pop during the past two decades by the Korea Creative Content Agency in 2015. Girls' Generation is also the first Korean celebrity to have official postage stamps distributed by the Korea Post. The group's 2009 single "Gee" was declared "Song of the Decade" by Melon and regarded as one of the first K-Pop songs to gain international attention, according to Google Statistics. Ian Martin of The Japan Times noted that the group's popularity was still strong even after the Korean Wave appeal had died down in Japan in 2011–12. During 2009–2011, the group generated ₩68.8 billion ($62 million), raking in
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"genre",
"K-pop"
],
[
"Girls' Generation",
"record label",
"SM Entertainment"
],
[
"Girls' Generation",
"country of origin",
"South Korea"
]
] |
South Korean girl group
|
$20 million in profits and becoming the highest profit earner for their label SM Entertainment. By 2012, Girls' Generation had sold over 30 million digital singles and 4.4 million albums, making them one of the best-selling artists in South Korea. Their songs have been widely recognized as the signature songs of K-pop: Pitchfork included "I Got a Boy" and "Gee" in their list of 20 essential K-pop songs, crediting them as the "magnum opera" of modern Korean music. Spin labelled "Run Devil Run" and "Gee" the 11th and 5th greatest K-pop songs, respectively, while WatchMojo.com ranked "Gee" second on their
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"instance of",
"Girl group"
],
[
"Girls' Generation",
"genre",
"K-pop"
]
] |
South Korean girl group
|
list of Top 10 Iconic K-Pop Songs. Billboard placed "I Got a Boy" at number 21 on their list of the 100 Greatest Girl Group Songs, describing it as "proof to why girl-group music is in a league of its own in terms of excitement and boundary pushing." Girls' Generation became the first girl group to achieve four music videos with over 100 million views on YouTube in 2015, with "Gee", "I Got a Boy", "The Boys", and "Mr. Taxi", and the first Asian girl group to amass five such videos with the addition of "Oh!" in 2016. Billboard Boxscore
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"instance of",
"Girl group"
],
[
"Girls' Generation",
"genre",
"K-pop"
]
] |
South Korean girl group
|
reported that Girls' Generation was the top touring K-pop girl group by 2016. Five of their concert tours ranked among the ten highest-grossing tours by a girl group as of 2016: Love & Peace (2014; $31.6 million), Girls' Generation's Phantasia (2015; $22.3 million), Girls & Peace: 2nd Japan Tour (2013; $21.5 million), The First Japan Arena Tour (2011; $14.98 million), and Girls & Peace World Tour (2013; $14.97 million). The group won two Digital Daesangs (2009 and 2011) and one Disk Daesang (2010) at the Golden Disk Awards, making them the first girl group to win a Grand Prize three
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"instance of",
"Girl group"
],
[
"Girls' Generation",
"location of formation",
"Seoul"
],
[
"Girls' Generation",
"country of origin",
"South Korea"
]
] |
South Korean girl group
|
times in a row in the award's history and the only girl group to have won a Disk Daesang so far. They also won two Daesangs at the Seoul Music Awards, and were crowned both Artist of the Year and Best Female Group at the 2011 Mnet Asian Music Awards. The Guinness World Records recognized Girls' Generation in its 2018 edition as the artist that earned the most awards at the Melon Music Awards (13 in total). Endorsements Girls' Generation are regarded as one of the most sought-out advertisers in South Korea. Marketers named the group as the models with
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"location of formation",
"Seoul"
]
] |
South Korean girl group
|
the most influence over consumers, attributing the group's positive attention from the public to their vocals, looks, and fashion sense. In 2009, the popularity of "Gee" helped the group generate ₩1.5 billion ($1.2 million) in endorsement revenue. In 2011 and 2012, the members of Girls' Generation combined were the South Korean celebrities who shot the most number of commercials. The group has appeared in over forty endorsement deals—major ones included LG, Intel, Korean chicken chain Goobne Chicken, Casio, Samantha Thavasa, Domino's Pizza and Lotte. They also collaborated with Korean shopping mall 10 Corso Como Seoul to create their own perfume
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Girls' Generation
|
[
[
"Girls' Generation",
"genre",
"K-pop"
],
[
"Girls' Generation",
"country of origin",
"South Korea"
]
] |
South Korean girl group
|
Live '08 (2008–2009) SMTown Live '10 World Tour (2010–2011) SMTown Live World Tour III (2012–2013) SMTown Week (2013) SMTown Live World Tour IV (2014–2015) SMTown Live World Tour V (2016) SMTown Live World Tour VI (2017) Filmography I AM. (2012) SMTown: The Stage (2015) See also List of best-selling girl groups References Notes Citations External links Category:2007 establishments in South Korea Category:Bubblegum pop Category:Electropop groups Category:English-language singers from South Korea Category:Grand Prize Golden Disc Award recipients Category:Interscope Records artists Category:Japanese-language singers of South Korea Category:Mandarin-language singers of South Korea Category:K-pop music groups Category:Korean Music Award winners Category:Mnet Asian Music Award
|
[
"Girls Generation",
"SNSD",
"So nyeo shsi dae"
] |
Megabyzus
|
[
[
"Megabyzus",
"father",
"Zopyrus"
]
] |
Persian general
|
Megabyzus (, a folk-etymological alteration of Old Persian Bagabuxša, meaning "God saved") was an Achaemenid Persian general, son of Zopyrus, satrap of Babylonia, and grandson of Megabyzus I, one of the seven conspirators who had put Darius I on the throne. His father was killed when the satrapy rebelled in 482 BCE, and Megabyzus led the forces that recaptured the city, after which the statue of the god Marduk was destroyed to prevent future revolts. Megabyzus subsequently took part in the Second Persian invasion of Greece (480-479 BCE). Herodotus claims that he refused to act on orders to pillage Delphi,
|
[] |
Megabyzus
|
[
[
"Megabyzus",
"spouse",
"Amytis"
]
] |
Persian general
|
but it is doubtful such orders were ever given. Revolt According to Ctesias, who is not especially reliable but is often our only source, Amytis, wife of Megabyzus and daughter of Xerxes, was accused of adultery shortly afterwards. As such, Megabyzus took part in the conspiracy of Artabanus to assassinate the emperor, but betrayed him before he could kill the new emperor Artaxerxes as well. In a battle, Artabanus' sons were killed and Megabyzus was wounded, but Amytis interceded on his behalf and he was cured. Egyptian campaign After this Megabyzus became satrap of Syria. Together with Artabazus, satrap of
|
[] |
Megabyzus
|
[
[
"Megabyzus",
"allegiance",
"Achaemenid Empire"
]
] |
Persian general
|
Phrygia, he had command of the Persian armies sent to put down the revolt of Inarus in Egypt. They arrived in 456 BC, and within two years had put down the revolt, capturing Inarus and various Athenians supporting him. Origin of the Egyptian campaign When Xerxes I was assassinated in 465 BCE, he was succeeded by his son Artaxerxes I, but several parts of the Achaemenid empire soon revolted, foremost of which were Bactria and Egypt. The Egyptian Inarus defeated the Persian satrap of Egypt Achaemenes, a brother of Artaxerxes, and took control of Lower Egypt. He contacted the Greeks,
|
[] |
Megabyzus
|
[
[
"Megabyzus",
"spouse",
"Amytis"
]
] |
Persian general
|
of Egypt and then prince Menostanes, a nephew of the king, were sent against him, both foregoing battle for (non-fatal) duels between the generals, and in both cases Megabyzus was victorious. The king resolved to send his brother Artarius, the eunuch Artoxares and Amytis in a peace embassy. His honour restored, Megabyzus agreed to surrender and was pardoned, retaining his position. Some time later, Megabyzus saved Artaxerxes from a lion in a hunt and was subsequently exiled to Cyrtae for violating the royal prerogative to make the first kill, but he returned to Susa by pretending to be a leper
|
[] |
Softball
|
[
[
"Softball",
"country of origin",
"Japan"
]
] |
Japanese all-girl punk band
|
is played in all states and territories in Australia and at all levels of academic education. The game is widely promoted to maintain fitness, health, personal achievements and pleasure. Australia has excellent softball teams which are a reflection of its coaching, education and training system. Japan Japan has had a long tradition of softball which is played at all levels in the country. Many high schools and colleges have sports programs which include softball. Like baseball, softball in Japan is intensely competitive. Japan's win over the United States at the 2008 Olympics reflects the advanced level of play in this
|
[] |
Medicago
|
[
[
"Medicago",
"taxon rank",
"Genus"
]
] |
genus of plants
|
Medicago is a genus of flowering plants, commonly known as medick or burclover, in the legume family (Fabaceae). It contains at least 87 species and is distributed mainly around the Mediterranean basin. The best-known member of the genus is alfalfa (M. sativa), an important forage crop, and the genus name is based on the Latin name for that plant, , from Median (grass). Most members of the genus are low, creeping herbs, resembling clover, but with burs (hence the common name). However, alfalfa grows to a height of 1 meter, and tree medick (M. arborea) is a shrub. Members of
|
[
"medick",
"burclover"
] |
Medicago
|
[
[
"Medicago",
"taxon rank",
"Genus"
]
] |
genus of plants
|
the genus are known to produce bioactive compounds such as medicarpin (a flavonoid) and medicagenic acid (a triterpenoid saponin). Chromosome numbers in Medicago range from 2n = 14 to 48. The species Medicago truncatula is a model legume due to its relatively small stature, small genome (450–500 Mbp), short generation time (about 3 months), and ability to reproduce both by outcrossing and selfing. Comprehensive descriptions of the genus are Lesinš and Lesinš 1979 and Small and Jomphe 1989. Major collections are SARDI (Australia), USDA-GRIN (United States), ICARDA (Syria), and INRA (France). Evolution Medicago diverged from Glycine (soybean) about 53–55 million
|
[
"medick",
"burclover"
] |
Medicago
|
[
[
"Medicago",
"taxon rank",
"Genus"
]
] |
genus of plants
|
creeping members of the family (such as Medicago lupulina and Medicago truncatula) have been used as forage crops. Insect herbivores Medicago species are used as food plants by the larvae of some Lepidoptera species including the common swift, flame, latticed heath, lime-speck pug, nutmeg, setaceous Hebrew character, and turnip moths and case-bearers of the genus Coleophora, including C. frischella (recorded on M. sativa) and C. fuscociliella (feeds exclusively on Medicago spp.). Species This list is compiled from: Section Buceras Subsection Deflexae Medicago retrorsa (Boiss.) E. Small Subsection Erectae Medicago arenicola (Huber-Mor.) E. Small Medicago astroites (Fisch. & Mey.) Trautv. Medicago
|
[
"medick",
"burclover"
] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"date of birth",
"1918"
],
[
"Akilu Aliyu",
"occupation",
"Poet"
]
] |
Nigerian poet
|
Alhaji Dr. Aliyu Akilu M.F.R (1918 – October 19, 1999) also known as Malam Akilu Aliyu or Aqilu Aliyu was a Nigerian poet, writer, scholar, politician and one of the greatest Hausa poets of the twentieth century. Aliyu was born in Jega (in a town called Kyarmi, in present-day Kebbi State. For his early education, he was trained in a Quranic school in Kano, under the Tijaniyya brotherhood, and later went to Borno to study under prominent Islamic scholars from the northeastern part of the country. He was an erudite poet who wrote in Hausa and Arabic, and his recitals
|
[] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"occupation",
"Poet"
],
[
"Akilu Aliyu",
"country of citizenship",
"Nigeria"
]
] |
Nigerian poet
|
drew great acclaim among many Hausa speakers. He started writing Arabic poems in the 1930s. Malam Akilu’s aptitude in poetry began to show while he was only a teenager. In an interview with Radio Nigeria, Kaduna in 1966, the poet said that he started composing in Arabic even before venturing into Hausa poetry. As at then, he said in the interview, he had over seven hundred poems to his credit some of which had up to 300 verses. In fact, he composed one with a thousand verses! Biography Akliu Aliyu was born in Jega (in a town called Kyarmi, in
|
[] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"occupation",
"Poet"
]
] |
Nigerian poet
|
and a poet (poetry was a medium through which he taught thousands of invisible students). He established, and taught in, Islamic schools in Maiduguri and Azare. The poet was most revered by fellow Hausa literati who considered him a senior for his exceptional poetic power. Professor Neil Skinner, the renown Hausa scholar, in his book, An Anthology of Hausa Literature, described Malam Akilu as "vigorous and highly productive poet." Sheikh Na’ibi Suleiman Wali, an Islamic scholar and excellent bilingual poet (Arabic and Hausa), called the late poet a fasihi; a Hausanised Arabic word meaning ‘talented’. Alhaji Mudi Sipikin also held
|
[] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"instance of",
"Human"
],
[
"Akilu Aliyu",
"occupation",
"Poet"
]
] |
Nigerian poet
|
the poet in high esteem. When Alhaji Shehu Shagari was in power (he is also a poet, remember Wakar Nijeriya ),he invited fellow Hausa poets to Argungu and honoured them and of course Malam Akilu was among them. Malam Akilu was also a recipient of a national honour as well as an honorary doctorate degree from Bayero University, Kano. Another thing that further earned the poet respect was his acceptance of modernity. This could be seen in the flexibility of his poetry which touches almost all spheres of human existence like religion, occupation, leisure, nature, education, et cetera. One of
|
[] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"occupation",
"Poet"
]
] |
Nigerian poet
|
addu’a bayana; Amin na roke ku zumaina Allah dai ya cikan fatana." The above poetic lines were what Akilu Aliyu, wrote under his photograph in Fasaha Akiliya, a collection of some of his poems whose contribution to Hausa poetry in quantity and quality, to the best of this writer’s knowledge, is yet to be surpassed. The poet was most revered by fellow Hausa literati who considered him a senior for his exceptional poetic power. Professor Neil Skinner, the renown Hausa scholar, in his book, An Anthology of Hausa Literature, described Malam Akilu as "vigorous and highly productive poet." Sheikh Na’ibi
|
[] |
Akilu Aliyu
|
[
[
"Akilu Aliyu",
"occupation",
"Poet"
]
] |
Nigerian poet
|
Suleiman Wali, an Islamic scholar and excellent bilingual poet (Arabic and Hausa), called the late poet a fasihi; a Hausanised Arabic word meaning ‘talented’. Alhaji Mudi Sipikin also held the poet in high esteem. When Alhaji Shehu Shagari was in power (he is also a poet, remember Wakar Nijeriya ),he invited fellow Hausa poets to Argungu and honoured them and of course Malam Akilu was among them. Malam Akilu was also a recipient of a national honour as well as an honorary doctorate degree from Bayero University, Kano. Hamisu Muhammad Gumel said "there could hardly be a Hausa poet with
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"educated at",
"Royal College of Art"
],
[
"Gavin Turk",
"occupation",
"Artist"
],
[
"Gavin Turk",
"given name",
"Gavin"
]
] |
British artist
|
Gavin Turk (born 1967) is a British artist, and is considered to be one of the Young British Artists. Turk's oeuvre deals with issues of authenticity and identity, engaged with modernist and avant-garde debates surrounding the 'myth' of the artist and the 'authorship' of a work of art. Early work Turk studied at Chelsea School of Art from 1986 to 1989, and at the Royal College of Art from 1989 to 1991. In 1991, tutors at the Royal College of Art refused to present Gavin Turk with his postgraduate degree, a decision based on his graduation exhibition. Titled Cave, it
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"occupation",
"Sculptor"
],
[
"Gavin Turk",
"given name",
"Gavin"
],
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
consisted of a whitewashed studio space, containing a blue heritage plaque (of the kind normally found on historic buildings) commemorating his own presence as a sculptor, stating "Gavin Turk worked here, 1989–1991". This bestowed some instant notoriety on Turk, whose work was collected by numerous collectors including Charles Saatchi, who later exhibited Turk's work in the exhibition Sensation, which toured London (Royal Academy of Arts), Berlin (Hamburger Bahnhof) and New York (Brooklyn Museum). Turk attended the private view of the Sensation exhibition at the Royal Academy, dressed as a down-and-out He has subsequently produced an extensive body of work, which
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"occupation",
"Artist"
]
] |
British artist
|
purports to question the value and integrity of a hermetic artistic identity. Practice Turk's wide ranging practice often incorporates iconic images of figures taken from popular culture and art historical sources. A series of detailed life-sized waxworks, incorporating the artists own appearance, features the artist assuming various poses as different characters, including Sid Vicious, Jean-Paul Marat and the Marxist revolutionary Che Guevara. Turk's most famous work in this series, Pop (1993) is a waxwork of Turk as Sid Vicious. The work appropriates the stance of Andy Warhol's screen print of Elvis Presley. In the work, the right hand is pointing
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"occupation",
"Artist"
]
] |
British artist
|
a gun, a motif which recurs in other works in the series, such as Bum (1998). Turk has appropriated recognisable elements from artists such as Jacques-Louis David, Yves Klein, Marcel Duchamp, Andy Warhol, René Magritte, Alighiero Boetti, Robert Morris (artist) and Jasper Johns. Elvis Presley From 2005 Turk began producing a small number of silkscreen works on canvas, depicting himself as Elvis Presley, in a pose taken from the paintings by Andy Warhol of the same subject from the 1960s, such as Warhol's Triple Elvis. Turk applied diamond dust to some of the Elvis works made from diamanté applied to
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
silkscreened canvas in vibrant pop colours, which sparkles in direct light. Warhol was one of the first artists to use diamond dust in his artworks. Examples of Turk's Elvis series are Diamond Yellow Elvis, 2005 and Diamond Pink Elvis, 2005. Che Guevara A set of what appeared to be classic posters of Che Guevara in a beret, again revealed themselves on further scrutiny to be photos of Turk himself. Turk alleged that the management of London's (now defunct) Millennium Dome refused to display his Che Gavara (sic) sculpture, for fear of offending arms-manufacturing Dome sponsor BAe/Marconi (however a correspondent in
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"given name",
"Gavin"
],
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
spent matches to worn paving slabs to discarded vehicle exhaust pipes. [[File:Gavin Turk 'Nail', 2011, photo by Andy Keate.jpg|thumb|right|Gavin Turk 'Nail''', 2011, photo by Andy Keate]] In December 2009, Turk took part in the "Bricks" exhibition at Area 10 in Peckham in Southeast London. However, the day before the exhibition was to start, organizers noticed that his piece entitled "Revolting Brick" had been stolen and replaced with a fake brick. The fake brick held the words "Thank You Have a Nice Day, Next" and was part of a set of 500 that was given away at the exhibition. "Revolting Brick"
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"occupation",
"Artist"
],
[
"Gavin Turk",
"given name",
"Gavin"
]
] |
British artist
|
was number eight in a series of ten that Turk had created and signed. The artist stated that he "was upset but flattered" at what had happened and that the theft "raises questions about value and worth". In May 2011, Turk's first large-scale, 12-metre public sculpture was unveiled between the One New Change City mall, designed by Pritzker Prize-winning architect Jean Nouvel, and St Paul's Cathedral.thumb|left|Gavin Turk, Bum, 1998 Exhibitions Gavin Turk has exhibited widely internationally. His solo exhibitions include 'L'Amour Fou', David Nolan Gallery, New York City (2013), 'Türk', Galerist, Istanbul, Turkey (2012), 'Gavin & Turk', Ben Brown Gallery,
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"movement",
"Contemporary art"
],
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
London (2013), 'Jack Shit!', Aeroplastics, Brussels, Belgium (2011), 'Before The World Was Round', Galerie Krinzinger, Vienna, Austria (2011) and 'En Face', Galerie Almine Rech, Paris, France (2010), 'The Mirror Stage', Goodman Gallery, Cape Town, South Africa (2009), 'Burnt Out', Kunsthaus Baselland, Basel, Switzerland (2008), 'Piss Off', Galerie Krinzinger, Vienna, Austria (2008) and 'Negotiation of Purpose', GEM Museum for Contemporary Art, The Hague, Netherlands (2007). Additionally, Turk has had solo exhibitions at Sean Kelly Gallery, New York (2005), the New Art Centre Sculpture Park and Gallery, Salisbury, England (2003), the New Art Gallery in Walsall, England (2002), and "The Stuff Show"
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"movement",
"Contemporary art"
],
[
"Gavin Turk",
"work location",
"London"
],
[
"Gavin Turk",
"has works in the collection",
"Tate"
]
] |
British artist
|
at South London Gallery (1998). Recent group exhibitions include 'Street', New Art gallery Walsall (2012), 'Made in Britain: Contemporary Art from the British Council Collection', Sichuan (2012), 'Deja-vu? The Art of Copying from Dürer to You Tube', Staatliche Kunsthalle Karlsruhe, Germany (2012), 'Twenty', Aurel Scheibler, Berlin, Germany (2012), 'The Art of Chess', Bendigo Gallery; University of Queensland Art Museum, Australia (2012), 'Identity Theft', Mimmo scognamiglio Arte Contemporanea, Milan, Italy (2010), 'Pop Life: Art in a Material World', Tate Modern, London (2009), 'The Third Dimension, Whitechapel Art Gallery', London (2009), 'DLA Piper Series: This is Sculpture', Tate Liverpool, Liverpool (2009), Turk
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"country of citizenship",
"United Kingdom"
],
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
has also been involved in "teach-in" events such as "The Che Gavara (sic) Story" (2001). Politics In August 2014, Turk was one of 200 public figures who were signatories to a letter to The Guardian expressing their hope that Scotland would vote to remain part of the United Kingdom in September's referendum on that issue. In November 2018, Turk was one of 82 people arrested during a coordinated occupation of five bridges in Central London. The demonstration which was co-ordinated by Extinction Rebellion, was to raise the awareness of climate change. Turk said, “It seems like everyone is in an
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"work location",
"London"
]
] |
British artist
|
odd sense of denial about climate change.” The House of Fairy Tales In 2007 Turk established, with his partner Deborah Curtis, The House of Fairy Tales, a children's arts charity based in London, that brings together hundreds of artists, performers, actors, writers and philosophers to deliver theatrical events, guides and exhibitions. The project continues to further community education projects based around, supported by, and advocating art. The House of Fairy Tales tour the country in a mobile gallery horse box which made its festival debut at the 2008 Crunch festival in Hay-on-Wye. In 2009, they appeared at the Glastonbury Festival.
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"given name",
"Gavin"
],
[
"Gavin Turk",
"work location",
"London"
],
[
"Gavin Turk",
"has works in the collection",
"Tate"
]
] |
British artist
|
In the summer of 2009, The House of Fairy Tales also staged The Long Weekend'', a pop-up festival for all ages, hosted by Tate Modern. Awards In 2001, Turk was awarded the Jack Goldhill Sculpture Prize for his work 'Bag' (2000) by the Royal Academy of Arts, London, who in 2007 also awarded him the Charles Wollaston award for his work 'Dumb Candle' (2007), a carving of a candle made from the top of an old broom handle. Professorship Gavin Turk was awarded an Honorary Doctorate in Arts, University of East London in 2010. Since 2012 Turk has held the
|
[] |
Gavin Turk
|
[
[
"Gavin Turk",
"given name",
"Gavin"
],
[
"Gavin Turk",
"employer",
"Bath Spa University"
]
] |
British artist
|
post of Professor of Art and Design at Bath Spa University. Notes and references External links The Official Site for Gavin Turk The Official Site for The House of Fairy Tales Clippings from an interview by David Barrett Gavin Turk at Sculpture.org.uk BAe/Marconi and the Millennium Dome Video of panel debate with Gavin Turk Gavin Turk talks to www.theartnewspaper.tv about Duck Rabbit at Frieze 2009 Gavin Turk on BBC4, discussing the impact of Charles Saatchi on the modern art world Gavin Turk discussing The House of Fairy Tales with the Guardian newspaper Gavin Turk Transit Disaster at Paul Stolper Gallery,
|
[] |
Phantoms of Happiness
|
[
[
"Phantoms of Happiness",
"instance of",
"Film"
],
[
"Phantoms of Happiness",
"director",
"Reinhold Schünzel"
],
[
"Phantoms of Happiness",
"cast member",
"Michael Chekhov"
],
[
"Phantoms of Happiness",
"cast member",
"Karina Bell"
],
[
"Phantoms of Happiness",
"cast member",
"Gaston Modot"
],
[
"Phantoms of Happiness",
"cast member",
"Oskar Sima"
],
[
"Phantoms of Happiness",
"cast member",
"Ekkehard Arendt"
],
[
"Phantoms of Happiness",
"cast member",
"Inge Landgut"
],
[
"Phantoms of Happiness",
"cast member",
"Leonard Steckel"
]
] |
1929 film by Reinhold Schünzel
|
Phantoms of Happiness (German: Phantome des Glücks) is a 1930 German drama film directed by Reinhold Schünzel and starring Michael Chekhov, Karina Bell and Gaston Modot. It was originally made as a silent, then re-released in 1930 with an added soundtrack. The film's art direction was by Heinz Fenchel and Jacek Rotmil. Cast Michael Chekhov as Jacques Bramard Karina Bell as Marisa, a dancer Gaston Modot as Dupont Oskar Sima as J. Berré Ekkehard Arendt as René:, Vallon, Komponist Yvette Darnys as Frau Dupont Inge Landgut as Madeleine Leonard Steckel as Gefängnisarzt References Bibliography Prawer, S.S. Between Two Worlds: The
|
[] |
Srđan Spiridonović
|
[
[
"Srđan Spiridonović",
"country of citizenship",
"Austria"
],
[
"Srđan Spiridonović",
"place of birth",
"Vienna"
],
[
"Srđan Spiridonović",
"given name",
"Srđan"
]
] |
Austrian association footballer
|
Srđan Spiridonović (, born 13 October 1993) is an Austrian footballer of Serbian descent who plays for Pogoń Szczecin as a left winger. Career Born in Vienna, Austria, Spiridonović started his career at Austria Vienna. In summer 2014 Spiridonović was signed by Italian Lega Pro club Vicenza. The club was accidentally selected to replace A.C. Siena in at the start of Serie B season. He wore no.11 shirt. On 29 January 2015 Spiridonović was farmed to Lega Pro club Messina in a temporary deal. His no.11 was also taken by Leonardo Spinazzola. In the next season he changed to wear
|
[
"Srdjan Spiridonovic"
] |
FM Belfast
|
[
[
"FM Belfast",
"location of formation",
"Reykjavík"
],
[
"FM Belfast",
"country of origin",
"Iceland"
]
] |
band
|
FM Belfast is an electro-pop band from Reykjavík, Iceland. Its members include Lóa Hlín Hjálmtýsdóttir, Árni Rúnar Hlöðversson, Örvar Þóreyjarson Smárason, Egill Eyjólfsson and Ívar Pétur Kjartansson. History FM Belfast formed in late 2005 as a duo of Árni Rúnar Hlöðversson (Plúseinn) and Lóa Hlín Hjálmtýsdóttir, but didn't really get going properly until Árni Vilhjálmsson and Örvar Þóreyjarson Smárason joined. The band was a studio project for some time until the Iceland Airwaves festival 2006 when the band expanded into a full-on live act. The members now vary from 3 to 8 depending on member availability. The core of the
|
[] |
FM Belfast
|
[
[
"FM Belfast",
"country of origin",
"Iceland"
]
] |
band
|
band is made up of Árni Rúnar Hlöðversson (Plúseinn, Hairdoctor, Motion Boys), Lóa Hlín Hjálmtýsdóttir, Örvar Þóreyjarson Smárason (múm, Borko, Skakkamanage), Egill Eyjólfsson, and Ívar Pétur Kjartansson. They are joined sometimes by Sveinbjorn Hermann Pálsson (Terrordisco), Björn Kristjánsson (Borko, Skakkamanage), Birgitta Birgisdóttir and Eiríkur Orri (múm, Kira Kira, Benni Hemm Hemm). The band's live show often features many percussionists, among them are Sveinbjörn Pálsson, Björn Kristjánsson (Borko), Halli Civelek, Svanhvít Tryggvadóttir, Unnsteinn Manuel Stefánsson (Retro Stefson) and Þórður jörundsson (Retro Stefson). Their first album was recorded in New York and Iceland, with the group recording, mixing, and mastering it, and
|
[] |
Quiet as It's Kept
|
[
[
"Quiet as It's Kept",
"performer",
"Max Roach"
],
[
"Quiet as It's Kept",
"instance of",
"Album"
],
[
"Quiet as It's Kept",
"genre",
"Jazz"
]
] |
album by Max Roach
|
Quiet as It's Kept is an album by American jazz drummer Max Roach featuring tracks recorded in 1959 and released on the Mercury label. Reception In his review for Allmusic, Michael G. Nastos stated, "this 1960 band, with the brothers Tommy and Stanley Turrentine, and Julian Priester, was short-lived, very satisfying, and one of the most memorable combos the drummer led. Continuing to concentrate on hard bop themes, the band is hardly quiet as the title would suggest. It perhaps could be said that this band was a sleeper in not being as recognized as the superior collective talent would
|
[] |
Boris Smelov
|
[
[
"Boris Smelov",
"occupation",
"Photographer"
]
] |
Russian and Soviet photographer (1951-1998)
|
Boris Smelov, Petit-Boris (March 13, 1951 — January 18, 1998) was a Russian and Soviet photographer considered a master of still life, portraits, and urban landscapes. Smelov was the founder of the ‘unofficial photography’ of the 1970s—1990s and is considered as one of the most outstanding Soviet underground artists. Life and work Boris was born in Leningrad, USSR. As a child he was engaged in painting and studied at the mathematical school in Leningrad. Boris had started showing an interest in photography at the age of 10 and began taking classes at Leningrad's Pioneers’ Palace. He consciously began to take
|
[
"Boris Ivanovich Smelov"
] |
Boris Smelov
|
[
[
"Boris Smelov",
"country of citizenship",
"Russia"
],
[
"Boris Smelov",
"occupation",
"Painter"
],
[
"Boris Smelov",
"occupation",
"Photographer"
]
] |
Russian and Soviet photographer (1951-1998)
|
works can be found in private and public collections in Russia, USA, France, Sweden, Italy, Great Britain, Germany and Austria. His works are being compared with the pillars of the world photography such as works of Cartier-Bresson, Doyen and Curtis. Personal life From 1974 to 1976 Smelov was in a relationship with clandestine street photographer Masha Ivashintsova, whose works were discovered by her relatives in the family attic and made public. Soon following his separation from Ivashintsova, Smelov began a relationship with a Russian painter, Natalia Zhilina. They married in the late 1970s in Leningrad. Boris Smelov adopted Natalia's children,
|
[
"Boris Ivanovich Smelov"
] |
Boris Smelov
|
[
[
"Boris Smelov",
"country of citizenship",
"Russia"
],
[
"Boris Smelov",
"occupation",
"Photographer"
]
] |
Russian and Soviet photographer (1951-1998)
|
Dmitry Shagin and Maria Snigirevskaya, who took interest in photography in 1979 thanks to her stepfather Boris Smelov, who had already been a recognized photographer by that time. Selected exhibitions 2018, Hermitage, Saint-Petersburg, Russia 2017, Columbus Museum of Art, Columbus, USA 2012-2013, Frolov Gallery, Winzavod, Moscow, Russia 2012, Lumiere Brothers Center, Moscow, Russia 2012, Rosphoto, Saint-Petersburg, Russia 2012, FotoFest, Houston, USA 2012, Nailya Alexander Gallery, New York, USA 2011, Sputnik Gallery, New York, USA 2010, Photographic museum «House Metenkova», Ekaterinburg, Russia 2009, Hermitage, Saint-Petersburg, Russia 2004, The State Central Museum Of Contemporary History Of Russia, Moscow, Russia References External links
|
[
"Boris Ivanovich Smelov"
] |
Veli bek Jedigar
|
[
[
"Veli bek Jedigar",
"date of death",
"1971"
],
[
"Veli bek Jedigar",
"place of birth",
"Tiflis Governorate"
],
[
"Veli bek Jedigar",
"country of citizenship",
"Poland"
],
[
"Veli bek Jedigar",
"allegiance",
"Russian Empire"
]
] |
Polish officer
|
Veli bek Jedigar (1897 - 1971) was a soldier of the Imperial Russian Army and officer of both the Azerbaijani Armed Forces, Polish Army in the Second Polish Republic and the Home Army. He served in different armed forces from 1916 until 1946, fighting in both World War One and World War Two. In the interbellum Poland, he was promoted to commandant of the 7th Lublin Uhlan Regiment. Jedigar was born on October 31, 1897 in the real estate of Tekeli, Tiflis Governorate, Russian Empire, in a noble Azerbaijani family. He attended a private gymnasium in Tiflis, graduating in 1915.
|
[] |
Veli bek Jedigar
|
[
[
"Veli bek Jedigar",
"country of citizenship",
"Poland"
]
] |
Polish officer
|
Turkey and Romania left for Poland. In November 1922 he was officially accepted into the Polish Army, with the rank of the rittmeister. In October 1924, Veli bek Jedigar completed cavalry training for officers, at the Cavalry Training Center in Grudziadz, and in January 1925 he was sent to the 10th Mounted Rifles Regiment, stationed in Lancut. His skills were appreciated by the military authorities, and the Azerbaijani soldier was quickly promoted. Furthermore, he was a protege of General Janusz Głuchowski, deputy minister of military affairs and commandant of the 7th Lublin Uhlan Regiment. In June 1930, Veli bek Jedigar
|
[] |
Veli bek Jedigar
|
[
[
"Veli bek Jedigar",
"country of citizenship",
"Poland"
]
] |
Polish officer
|
of a Turkish mission to Poland. After Pilsudski’s death, bek Jedigar selected as one of the soldiers to stand guard over the open casket. In late August 1939, Veli bek Jedigar was a lecturer at the Cavalry Training Center in Grudziadz, and a contract officer in the Mazowiecka Cavalry Brigade. Following the Invasion of Poland, he joined the brigade as its chief of staff. Captured by the Germans as a POW, he was released due to his foreign ethnicity, and returned to Warsaw in August 1940. After return to Warsaw, bek Jedigar immediately became involved in Polish resistance activities. He
|
[] |
Veli bek Jedigar
|
[
[
"Veli bek Jedigar",
"country of citizenship",
"Poland"
]
] |
Polish officer
|
formed conspirational 7th Lublin Uhlan Regiment, and commanded it since August 1940 until July 1944. He was respected by the Home Army authorities, and as a personal friend of General Tadeusz Bor-Komorowski, was responsible for cavalry training. In mid-July 1944, Bor-Komorowski ordered him to leave occupied Poland and escape to the West, to avoid Soviet captivity. Bek Jedigar, together with wife and daughter, went to Vienna, to return to Warsaw after the outbreak of Warsaw Uprising. Jedigar remained in occupied Poland until January 1945. In mid-1945, Jedigar reached Italy, joining Polish II Corps. After some time, he left for Great
|
[] |
Veli bek Jedigar
|
[
[
"Veli bek Jedigar",
"date of death",
"1971"
],
[
"Veli bek Jedigar",
"place of death",
"Buenos Aires"
],
[
"Veli bek Jedigar",
"country of citizenship",
"Poland"
]
] |
Polish officer
|
Britain, and in 1949, together with the family, emigrated to Argentina. He was a very active member of different associations of Polish war veterans, and deputy chairman of Organization of Subjugated Nations Liberacion Europea. Veli bek Jedigar died of heart attack in Buenos Aires, on December 13, 1971. On August 4, 1990, his ashes were buried at Warsaw’s Muslim Tatar Cemetery, during an official ceremony. Awards Order of the Azerbaijan Democratic Republic, Gold Cross of Merit (Poland), Cross of Valour (Poland), Armia Krajowa Cross. Sources Andrzej Krzysztof Kunert: Słownik biograficzny konspiracji warszawskiej 1939-1945 T.1. Warszawa: Instytut Wydawniczy PAX, 1987 See
|
[] |
Scolia procera
|
[
[
"Scolia procera",
"taxon rank",
"Species"
]
] |
species of wasp
|
Scolia procera is a species of wasp belonging to the family Scoliidae. Description Scolia procera can reach a length of about . Males are smaller and slimmer than females and have longer antennae. These insects have a black stout body with red spots on the thorax and abdomen. The head is black with a large almost square yellow-red marking. Large red spot are present at the sides of the pronotum. The legs are hairy. The edge of the brown wings is quite wrinkled. Behavior These parasitic wasps are not aggressive, but their stings are very painful. Females lay their eggs
|
[] |
Mokhonoana
|
[
[
"Mokhonoana",
"instance of",
"Surname"
]
] |
family name
|
Mokhonoana is a popular surname of the Northern Ndebele people in South Africa. The surname is most concentrated in Mokopane vaaltyn in however it has also spread to other parts of the country like the Townships of Pretoria and Johannesburg. The Mokhonoana descendants originate from the Kekana descendants and the split was because of fighting a tsonga tribe after that battle does Kekana's with hands that were cut short were called MOKHONOANA.Mokhonoana is actually does with short hands. Later on Mokhonoana had his own descendants like Lamola, Lekalakala, Kutumela,Monama all this families are descendants of the Royal family of Kekana.
|
[] |
Cheng Shifa
|
[
[
"Cheng Shifa",
"occupation",
"Painter"
],
[
"Cheng Shifa",
"place of death",
"Shanghai"
],
[
"Cheng Shifa",
"place of birth",
"Shanghai"
]
] |
Chinese cartoonist (1921-2007)
|
Cheng Shifa (; 1921 – June 17, 2007) was a Chinese calligrapher, painter, and cartoonist. Cheng was born in a small Chinese village outside the city of Shanghai in 1921, in modern Fengjing township. He originally studied medicine before deciding to focus on art. He graduated from Shanghai Art College in 1941. Cheng staged his first art show in 1942. Cheng was originally known as an illustrator. He initially gained attention for illustrating short stories for Lu Xun, who is considered to be one of the 20th century's best known Chinese satirists. However, Cheng ultimately became best known for his
|
[] |
Susana Thénon
|
[
[
"Susana Thénon",
"country of citizenship",
"Argentina"
],
[
"Susana Thénon",
"occupation",
"Photographer"
],
[
"Susana Thénon",
"occupation",
"Translator"
],
[
"Susana Thénon",
"genre",
"Poetry"
]
] |
Argentine writer and photographer
|
Susana Thénon (Buenos Aires, 1935-1991) was an Argentine avant-garde poet, translator, and artistic photographer. The daughter of the psychiatrist Jorge Thénon, she was a member of Argentina's Generación del ’60. Although she was a contemporary of Juana Bignozzi and Alejandra Pizarnik, Thenon was not part of any literary group. She affiliated within the marginal construction that works in her poetry, without adhering to any reigning movement. Her relationship with other poets of her generation was minimal, with the exceptions of Maria Negroni, who later became one of the compilers in Thenon's posthumous books (La Morada Impossible I and II) and
|
[
"Susana Thenon"
] |
Oslo City Culture Award
|
[
[
"Oslo City Culture Award",
"instance of",
"Award"
]
] |
Norwegian arts award
|
The Oslo City Culture Award is a Norwegian award given to a person, group or cultural activity of outstanding achievement in or long-time contribution to arts, science or other cultural work in the city of Oslo's or the country's cultural life. A bronze medal and monetary reward are included with the prize. The award is distributed alongside the Oslo City Artist Award by the city's mayor in April and May every year, at the City Hall. The Oslo City Culture Award has been distributed annually since 1966, with the exception of 1991 for lack of funding. References Category:Norwegian awards Category:Awards
|
[] |
2016–17 Hannover 96 season
|
[
[
"2016–17 Hannover 96 season",
"season of club or team",
"Hannover 96"
]
] |
season of football team
|
The 2016–17 Hannover 96 season is the first since being relegated from the Bundesliga. Background Hannover were relegated from the Bundesliga. They had been in the Bundesliga for 14 seasons. This was the fifth time they were relegated from the Bundesliga. Hannover 96 are looking for a new coach. During the 2015–16 season, Michael Frontzeck resigned and Thomas Schaaf was sacked. Daniel Stendel took over for the rest of 2015–16 season as interim head coach and was eventually given the permanent job. Florian Hübner and Sebastian Maier joined Hannover. Marcelo transferred to Beşiktaş after playing there on loan for the
|
[] |
2016–17 Hannover 96 season
|
[
[
"2016–17 Hannover 96 season",
"season of club or team",
"Hannover 96"
]
] |
season of football team
|
wins and three draws, causing them to spend the break in second place. They started the second half of the season with a 1–0 home win against Kaiserslautern, thereby moving up to first place for the first time since the second matchday. On 20 March 2017, after only one win in the previous four matches, Hannover 96 sacked coach Daniel Stendel and appointed André Breitenreiter as new head coach. League table Results summary Results by round League fixtures and results DFB-Pokal DFB-Pokal review In the first round draw, Hannover were drawn against Kickers Offenbach, beating them 3–2 after extra time
|
[] |
Bass-Perry House
|
[
[
"Bass-Perry House",
"instance of",
"House"
]
] |
Seale, Alabama, listed on the National Register of Historic Places (NRHP) in Russell County
|
The Bass-Perry House is a historic house on a former plantation in Seale, Alabama, U.S. History The house was built between 1840 and 1844 for Hartwell Bass, a planter from Virginia who was a trustee of the Good Hope Male and Female Academy. It was designed in the Greek Revival architectural style. When Bass died in the early 1840s, it was inherited by his widow, Elizabeth, and her son-in-law, Patrick Henry Perry. The house remained in the family until 1939. The house was owned by Hillary Mott from 1939 to 1968. Mott was the president and later chairman of the
|
[] |
Jouko Kataja
|
[
[
"Jouko Kataja",
"given name",
"Jouko"
],
[
"Jouko Kataja",
"country of citizenship",
"Finland"
],
[
"Jouko Kataja",
"sport",
"Association football"
],
[
"Jouko Kataja",
"member of sports team",
"Kotkan Työväen Palloilijat"
],
[
"Jouko Kataja",
"member of sports team",
"Sudet"
],
[
"Jouko Kataja",
"place of birth",
"Lahti"
]
] |
Finnish association football player (1953-2018)
|
Jouko Kataja (4 June 1953 – 2018) was a Finnish footballer. He played 11 eleven seasons in the Finnish premier division Mestaruussarja in 1972–1982 for Reipas, MiPK and KTP. Kataja was a member of the Finland squad at the 1980 Summer Olympics, although he was never capped by the Finland A team. Kataja died in November 2018 at the age of 65. Club honours Finnish Cup 1973, 1980 References Category:1953 births Category:2018 deaths Category:Sportspeople from Lahti Category:Finnish footballers Category:Association football goalkeepers Category:Kotkan Työväen Palloilijat players Category:Sudet players Category:Mestaruussarja players Category:Olympic footballers of Finland Category:Footballers at the 1980 Summer Olympics Category:Reipas
|
[] |
Nicola Francesco Haym
|
[
[
"Nicola Francesco Haym",
"place of birth",
"Rome"
],
[
"Nicola Francesco Haym",
"place of death",
"London"
],
[
"Nicola Francesco Haym",
"occupation",
"Composer"
],
[
"Nicola Francesco Haym",
"occupation",
"Librettist"
],
[
"Nicola Francesco Haym",
"occupation",
"Numismatist"
],
[
"Nicola Francesco Haym",
"given name",
"Francesco"
],
[
"Nicola Francesco Haym",
"work location",
"London"
]
] |
Italian composer and musician
|
Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, literary editor and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for Giulio Cesare, Ottone, Flavio, Tamerlano, Rodelinda, and several others; for Bononcini, he produced two, Calfurnia and Astianatte. Compositions Haym was born in Rome. His career began as a cellist in Italy, and he arrived in London in 1701: he swiftly became master of the 2nd Duke of
|
[
"Nicolas François Haym"
] |
Nicola Francesco Haym
|
[
[
"Nicola Francesco Haym",
"place of death",
"London"
],
[
"Nicola Francesco Haym",
"work location",
"London"
]
] |
Italian composer and musician
|
Bedford's chamber music. He wrote the libretto for Bononcini's Camilla, a seminal work of enormous success that did much to establish Italian opera in London. Later, when operas in London came to be performed entirely in Italian, rather than in a bilingual blend of English and Italian, Haym spent much time adapting both libretti and music for the many pasticcios that were staged at this time. In 1720 he was employed as a continuo cellist for the new Royal Academy of Music; in 1722, however, he became the Academy's Secretary for its final six seasons: he not only wrote the
|
[
"Nicolas François Haym"
] |
Nicola Francesco Haym
|
[
[
"Nicola Francesco Haym",
"place of death",
"London"
],
[
"Nicola Francesco Haym",
"work location",
"London"
]
] |
Italian composer and musician
|
libretti but also took on the role of stage manager during this time. Prior to his death in London in 1729, he was planning to assist Handel and Heidegger construct a new Academy after the demise of the old one. Publishing work Haym was a collector of paintings and engravings and made drawings himself. In 1719-29 Haym published a catalogue of ancient Greek and Roman coins and medals Del tesoro britannico parte prima, the first work on the ancient coins in the collection of the British Museum. This was illustrated with his own drawings. He was also the author of
|
[
"Nicolas François Haym"
] |
Nicola Francesco Haym
|
[
[
"Nicola Francesco Haym",
"place of death",
"London"
],
[
"Nicola Francesco Haym",
"work location",
"London"
]
] |
Italian composer and musician
|
Biblioteca Italiana, o sia Notizia de' Libri Rari nella lingua Italiana, a bibliography of Italian books from the beginning of printing to about 1715. Published in London in 1726 and reprinted in Venice in 1728 and 1741, the work was originally intended to list only rare books. However, subsequent editors, beginning with Angelo Geremia, so enlarged the work that it came to be considered a general bibliography of Italian literature. It is arranged in sections, beginning with history and geography, then poetry, followed by prose writings, and a final extensive section on arts and sciences, including grammar, linguistics, history of
|
[
"Nicolas François Haym"
] |
Nicola Francesco Haym
|
[
[
"Nicola Francesco Haym",
"place of death",
"London"
],
[
"Nicola Francesco Haym",
"work location",
"London"
]
] |
Italian composer and musician
|
art, philosophy, politics and political history, mathematics, and astronomy. The format of the cited books is given, in addition to some indication of rarity and advice on the best edition. A much enlarged edition was published in Milan in 1771-72 by Federico Giandonati, and the work was the standard bibliography of Italian literature until the nineteenth century. It served as a model for Giuseppe Baretti's The Italian Library (London, 1757); some claimed that Baretti "pillaged" Haym's work. References Lowell Lindgren: "Franceso Haym, Nicola", Grove Music Online ed L. Macy (Accessed 19 April 2007), grovemusic.com, subscription access. Joseph Cooper Walker, Historical
|
[
"Nicolas François Haym"
] |
The Clean Heart
|
[
[
"The Clean Heart",
"instance of",
"Film"
],
[
"The Clean Heart",
"country of origin",
"United States"
],
[
"The Clean Heart",
"director",
"J. Stuart Blackton"
]
] |
1924 film directed by J. Stuart Blackton
|
The Clean Heart is a 1924 American silent drama film directed by J. Stuart Blackton and starring Percy Marmont, Otis Harlan and Marguerite De La Motte. Cast Percy Marmont as Philip Wriford Otis Harlan as Puddlebox Marguerite De La Motte as Essie Bickers Andrew Arbuckle as Bickers Martha Petelle as Mrs. Bickers Violet La Plante as Brida George Ingleton Anna Lockhardt References Bibliography Munden, Kenneth White. The American Film Institute Catalog of Motion Pictures Produced in the United States, Part 1. University of California Press, 1997. External links Category:1924 films Category:1920s drama films Category:American films Category:American drama films Category:American silent
|
[
"Clean Heart"
] |
Gallt y Daren
|
[
[
"Gallt y Daren",
"instance of",
"Mountain"
],
[
"Gallt y Daren",
"parent peak",
"Moel Llyfnant"
],
[
"Gallt y Daren",
"mountain range",
"Snowdonia"
]
] |
mountain in United Kingdom
|
Gallt y Daren is a peak in the southern half of the Snowdonia National Park in Gwynedd, North Wales, and forms part of the Arenig mountain range. It is a top of Moel Llyfnant, and is twin peaked. It lies to the west of Moel Llyfnant. The summit itself is situated on a rocky outcrop offering extensive views of the Rhinogs and Snowdonia to the north. The peak is often known as Foel Boeth. However, the Nuttall list includes both the twin tops resulting in the higher top being called Gallt y Daren and the lower top being called Foel
|
[] |
Konstantinos Amantos
|
[
[
"Konstantinos Amantos",
"place of birth",
"Chios"
],
[
"Konstantinos Amantos",
"given name",
"Konstantinos"
],
[
"Konstantinos Amantos",
"place of death",
"Athens"
]
] |
Greek writer, university professor and politician
|
Konstantinos Amantos (; 2 August 1874 – 23 January 1960) was a Greek Byzantinist and university professor. Life Konstantinos Amantos was born on 2 August 1874 on Chios, then part of the Ottoman Empire. After completing school in Chios, he was appointed as a teacher at the island's "Civic School" (Ἀστικῆ Σχολῆ) in 1893. He remained at this post until 1897, when, through a scholarship granted from the bequest of the Chiot benefactor Stamatis Proïos, he was able to continue his studies. He studied first at the University of Athens, and in 1899 moved to the University of Munich, where
|
[] |
Konstantinos Amantos
|
[
[
"Konstantinos Amantos",
"country of citizenship",
"Greece"
],
[
"Konstantinos Amantos",
"place of birth",
"Chios"
],
[
"Konstantinos Amantos",
"languages spoken, written or signed",
"Modern Greek"
]
] |
Greek writer, university professor and politician
|
he studied under the famous Byzantinist Karl Krumbacher. Amantos received his doctorate in 1903, with a treatise on the suffixes of modern Greek toponyms. On his return to Greece, Amantos worked in 1904–1911 as professor at the Gymnasium of Chios, then as director of the Gymnasium of Nicosia (1911), and in 1912–1914 as director of the Ampeteios School at Cairo. In 1914, he was selected as an editor for the Historical Dictionary of the Greek Language (Ἰστορικὸν Λεξικὸν τῆς Ἑλληνικῆς Γλώσσης), a position he held until 1924, when he became director of the project. In 1925, he was elected to
|
[] |
Konstantinos Amantos
|
[
[
"Konstantinos Amantos",
"place of birth",
"Chios"
],
[
"Konstantinos Amantos",
"place of death",
"Athens"
]
] |
Greek writer, university professor and politician
|
the chair of Byzantine history at the University of Athens, and held the post until his retirement in 1939. In 1926 he became a founding member of the Academy of Athens. In 1945 he served as Minister of Education in the short-lived cabinet of Nikolaos Plastiras (4 January – 8 April). Work Amantos published several studies on linguistic issues, particularly of the dialect of his native Chios, as well as the historical geography of the Greek world. He was also active as the editor of the journals Chian Chronicles (Χιακά Χρονικά) and Aegean (Αἰγαῖον), which focused on Chios, as well
|
[] |
Konstantinos Amantos
|
[
[
"Konstantinos Amantos",
"country of citizenship",
"Greece"
],
[
"Konstantinos Amantos",
"ethnic group",
"Greeks"
]
] |
Greek writer, university professor and politician
|
the second in 1947 (2nd edition in 1953 and 1957 respectively). This work covered the history of Byzantium from the division of the Roman Empire in 395 until the fall of Constantinople to the Fourth Crusade in 1204. Amantos also published important studies on the Greeks of Asia Minor in the Middle Ages (Ὁ Ἑλληνισμός τῆς Μικράς Ἀσίας κατὰ τον μεσαίωνα, 1919), the South Slavs, Bulgarians, and Albanians (Οἱ βόρειοι γείτονες τῆς Ἑλλάδος (Βούλγαροι - Ἀλβανοί - Νοτιοσλάβοι), 1923), and a number of articles focusing particularly on the history of Slavs in Greece and the relations of the Greeks with
|
[] |
Konstantinos Amantos
|
[
[
"Konstantinos Amantos",
"country of citizenship",
"Greece"
],
[
"Konstantinos Amantos",
"place of birth",
"Chios"
],
[
"Konstantinos Amantos",
"place of death",
"Athens"
],
[
"Konstantinos Amantos",
"employer",
"National and Kapodistrian University of Athens"
]
] |
Greek writer, university professor and politician
|
the Serbs, Bulgarians, and Turks. He extended his attention to the Ottoman era as well, with studies on Rigas Feraios, the Phanariote official Alexandros Mavrokordatos, the Chiot Renaissance scholar Leo Allatius, and Adamantios Korais. Other works include the Brief History of Cyprus in 1956, a number of studies on the Monastery of Saint Catherine on Mount Sinai, and studies dedicated to his native Chios, particularly during the Ottoman era. References Sources Category:1874 births Category:1960 deaths Category:Greek Byzantinists Category:People from Chios Category:National and Kapodistrian University of Athens faculty Category:Ministers of National Education and Religious Affairs of Greece Category:Ludwig Maximilian University of
|
[] |
New England English
|
[
[
"New England English",
"instance of",
"Dialect"
],
[
"New England English",
"subclass of",
"American English"
],
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
New England English collectively refers to the various distinct dialects and varieties of American English originating in the New England area. Most of eastern and central New England once spoke the "Yankee dialect", and many of those accent features still remain in eastern New England, such as "R-dropping" (though this feature is receding among younger speakers today). One linguistic division of New England is into Eastern and Western New England English, as defined in the 1939 Linguistic Atlas of New England and the 2006 Atlas of North American English (ANAE). The ANAE further argues for a division between Northern and
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
Southern New England English, especially on the basis of the cot–caught merger and fronting. The ANAE also categorizes the strongest differentiated New England accents into four combinations of the above dichotomies, simply defined as follows: Northeastern New England English with non-rhoticity and the cot–caught merger. It centers on Boston, Massachusetts, extending into New Hampshire and coastal Maine. Southeastern New England English with non-rhoticity and a lack of the cot–caught merger. It centers on Providence, Rhode Island and the Narragansett Bay. Northwestern New England English with rhoticity and the cot–caught merger. It centers on Vermont. Southwestern New England English with rhoticity
|
[] |
New England English
|
[
[
"New England English",
"instance of",
"Dialect"
],
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
and a lack of (or transitional state of) the cot–caught merger. It centers around the Hartford-Springfield area of Connecticut and western Massachusetts. Overview Phonology Distinctions New England English is not a single American dialect, but a collective term for a number of dialects and varieties that are close geographic neighbors within New England, but which differ on a spectrum that broadly divides New England English into a unique north versus south (specifically, a northern merger of the vowels and , versus a southern distinction between these vowels), as well as a unique east versus west (specifically, an eastern pronunciation of
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
the "r" sound only before vowels, versus a western pronunciation of all "r" sounds). Regarding the former feature, all of northern New England (most famously including Boston, but going as far southeast as Cape Cod and as far north as central Maine) historically merges the open and open-mid back rounded vowels (so that, for instance, pond and pawned are pronounced the same, which is commonly called the cot–caught merger), while southern coastal New England (including Rhode Island) historically maintains a noticeable distinction between these two vowels. Regarding the second feature, all of eastern New England is historically non-rhotic (famously pronouncing
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
"car" like "kah"), while all of western New England is historically rhotic (or "r-ful"). Therefore, four combinations of these two features are possible, and coincidentally all four exist among New England English speakers, largely correlated with the exact geographic quadrant in New England in which a speaker was raised. Commonalities All of New England raises the tongue in the first element of the diphthong before voiceless consonants; eastern New England, specifically, also raises the first element of before voiceless consonants (commonly known as Canadian raising). All the local dialects of New England are also known for commonly pronouncing the unstressed
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
sequences and (for example, found in "sitting" or "Britain" ) as (). This form of t-glottalization (especially the form) is found commonly in other parts of the country as well, like in the word "Britain" (sometimes represented along the lines of Brih'in). The extent that speakers raise the tongue in the English "short a vowel varies widely in New England; however, across the board, New England speakers demonstrate a definite "nasal" short-a system, in which the vowel is always raised the absolute strongest whenever occurring before the nasal consonants and (so that, pan, for example, nearly approaches the sound of
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
the word paean). In all of New England except Rhode Island and southern Connecticut, the short a may also be noticeably raised in many other environments. Vocabulary The following terms originate from and are used commonly and nearly exclusively throughout New England: grinder for sub, a long, large sandwich (predominant in Western New England English, with Italian sandwich in Maine English) package store or packie for liquor store (predominant in Boston and Southern New England English) tag sale for garage sale or yard sale (predominant in Southwestern New England English) rotary for traffic circle or roundabout As in the rest
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
of the Northeast, sneakers is the primary term for athletic shoes, and common typically before adjectives or adverbs, wicked is used as an intensifier word (predominant in Northern and Eastern New England English, from Boston). Many Boston-originating local terms have dispersed throughout Eastern New England and, prominently, all the rest of Massachusetts. Eastern New England English Eastern New England English encompasses Boston and Maine accents, and, according to some sources, the distinct Rhode Island accent. All Eastern New England English is famous for non-rhoticity, meaning it drops the r sound everywhere except before a vowel: thus, in words like car,
|
[] |
New England English
|
[
[
"New England English",
"instance of",
"Dialect"
],
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
card, fear, and chowder (). The phrase Park the car in Harvard Yard—dialectally transcribed —is commonly used as a shibboleth, or speech indicator, for the non-rhotic Eastern New England dialect running from Boston north to Maine, and as far west as Worcester, which contrasts with the generally rhotic dialects elsewhere in North America. In all of Eastern New England, except Rhode Island, words like caught and cot are pronounced identically (both are often rounded, thus: ), because those two vowel sounds have fully merged. A phenomenon called Canadian raising occurs throughout Eastern New England, causing writer to have a different
|
[] |
New England English
|
[
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
stressed vowel sound than rider, and for the verb house to have a different vowel sound than the noun house. and have relatively back starting positions. The horse–hoarse distinction is still present to some extent in some areas, as well as the Mary–marry–merry distinction in many speakers. Western New England English Western New England English encompasses the accents of Vermont, western Massachusetts, and Connecticut. These accents are fully rhotic, meaning all r sounds are pronounced, as in most of North America. Here, and have slightly fronted starting positions, and the Mary–marry–merry merger and horse–hoarse merger are fully complete. Western New
|
[] |
New England English
|
[
[
"New England English",
"instance of",
"Dialect"
],
[
"New England English",
"location",
"New England"
]
] |
variety of American English
|
England English exhibits the entire continuum for the cot–caught merger: a full merger is heard in its northern reaches (namely, Vermont) and a full distinction at its southern reaches (namely, coastal Connecticut), including a transitional area in the middle. Western New England English is closely related to and influential on, but more conservative (i.e. preserving more historical features) than, the Inland North dialect which prevails farther west, and which has altered away from Western New England English due to an entirely new chain shift of the vowels since the 1900s. Some Western New England English speakers do have these shift's
|
[] |
Tatacoa Desert
|
[
[
"Tatacoa Desert",
"country",
"Colombia"
],
[
"Tatacoa Desert",
"instance of",
"Desert"
],
[
"Tatacoa Desert",
"located in the administrative territorial entity",
"Huila Department"
]
] |
arid zone in Colombia
|
The Tatacoa Desert is the second largest arid zone in Colombia after the Guajira Peninsula. It occupies more than 330 square kilometers. This region is located north of Huila Department, 38 km from the city of Neiva in Colombia and from Natagaima in Tolima. It is renown as a rich deposit of fossils and a tourist destination. The Tatacoa Desert has two distinctive colors: ocher in the area of Cuzco and gray in the Los Hoyos area. The Tatacoa, or the Valley of Sorrows, as it was called in 1538 by the conquistador Gonzalo Jiménez de Quesada, is not just
|
[
"Sadness Valley"
] |
Tatacoa Desert
|
[
[
"Tatacoa Desert",
"instance of",
"Desert"
]
] |
arid zone in Colombia
|
a desert, but a tropical dry forest. The name "Tatacoa" also given by the Spanish, refers to its rattlesnakes. During the Tertiary Period, it was wetter, with thousands of flowers and trees, but has been gradually drying up to become a desert. Geography The Tatacoa covers 330 square kilometers around the town of Villavieja. The area is heavily eroded and crossed by dry canyons that develop transiently in the winter months. These shapes are created on clay surfaces, creating labyrinthine gullies in the landscape that can reach 20 meters deep. Fauna and flora There is relatively little runoff, and animal
|
[
"Sadness Valley"
] |
From Hello Dolly to Goodbye Charlie
|
[
[
"From Hello Dolly to Goodbye Charlie",
"instance of",
"Album"
],
[
"From Hello Dolly to Goodbye Charlie",
"performer",
"Bobby Darin"
]
] |
album by Bobby Darin
|
From Hello Dolly to Goodbye Charlie is a 1964 album by Bobby Darin. The album was arranged and conducted by Richard Wess. Reception Music critic Richie Unterberger wrote in his Allmusic review "It's got the competent verve you'd expect from Darin's mid-'60s pop'n'swing vocals, though not so exceptional that you'd recommend it as the cream of the crop. The highlight, if only because it doesn't sound like more of the same, is the dramatic, somber ballad "The End of Never," with its unexpected melodic arches and Darin's committed singing." Track listing Side one "Hello, Dolly!" (Jerry Herman) – 3:14 "Call
|
[] |
From Hello Dolly to Goodbye Charlie
|
[
[
"From Hello Dolly to Goodbye Charlie",
"performer",
"Bobby Darin"
]
] |
album by Bobby Darin
|
Me Irresponsible" (Jimmy Van Heusen, Sammy Cahn) – 2:04 "The Days of Wine and Roses" (Henry Mancini, Johnny Mercer) – 2:34 "More (Theme From "Mondo Cane")" (Norman Newell, Nino Oliviero, Riz Ortolani) – 2:25 "The End of Never" (Bobby Darin, Francine Forest) – 2:39 "Charade" (Mancini, Mercer) – 1:46 Side two "Once in a Lifetime (Only Once)" (Leslie Bricusse, Anthony Newley) – 2:06 "Sunday in New York" (Peter Nero, Carroll Coates) – 2:30 "Where Love Has Gone" (Van Heusen, Cahn) – 2:43 "Look At Me" (Darin, Randy Newman) – 1:50 "Goodbye, Charlie" (André Previn, Dory Langdon) – 2:22 Personnel Bobby
|
[] |
Pfeifferhorn
|
[
[
"Pfeifferhorn",
"instance of",
"Mountain"
],
[
"Pfeifferhorn",
"country",
"United States"
],
[
"Pfeifferhorn",
"mountain range",
"Wasatch Range"
],
[
"Pfeifferhorn",
"located in protected area",
"Lone Peak Wilderness"
]
] |
mountain in United States of America
|
The Pfeifferhorn is the triangularly-shaped peak located in the most isolated part of the Lone Peak Wilderness Area of the Wasatch Mountains in northern Utah, United States. This rugged Utah mountain, commonly referred to as the Little Matterhorn, is the fifth-highest peak in the Wasatch Range. The summit can be reached by hiking, though some scrambling is required. There are several technical rock climbing routes with the north ridge being the most popular. This summit also makes an excellent winter mountaineering adventure. Routes The easiest and most popular route is the East Ridge via Red Pine Lake trail up Little
|
[
"The Pfeifferhorn"
] |
Royce Pollard
|
[
[
"Royce Pollard",
"place of birth",
"Burlington, Vermont"
],
[
"Royce Pollard",
"occupation",
"Politician"
]
] |
American mayor
|
Royce Pollard (born 1939) is an American politician who served as the six-term mayor of Vancouver, Washington. He served seven years on City Council and became mayor in 1996. He lost a reelection race to Tim Leavitt in 2010. Early history A native of Burlington, Vermont, Pollard served in the U.S. Army beginning in 1961, including deployment during the Vietnam War; he is a member of the American Legion and the Vietnam Veterans of America. His final post was as Commander of the Vancouver Barracks, from which he retired in 1988. Subsequently, the Pollard family settled in Vancouver and he
|
[] |
Head Phones President
|
[
[
"Head Phones President",
"genre",
"Alternative metal"
],
[
"Head Phones President",
"location of formation",
"Tokyo"
]
] |
japanese metal band
|
Head Phones President (stylized as HEAD PHONES PRESIDENT) is a Japanese metal band, formed in Tokyo in 1999. Their sound has been described as alternative metal, progressive metal, avant-garde metal and nu metal. They have played various music festivals, including Loud Park 08, Taste of Chaos, Metal Female Voices Fest, sharing the stage with the likes of Slipknot, Avenged Sevenfold, Story of the Year and In This Moment. They have also played in the U.S., Sweden, Australia, neighboring Asian countries, and South America. History After vocalist Anza Ohyama ceased performing with the Sailor Moon musicals in 1998, she embarked on
|
[] |
Head Phones President
|
[
[
"Head Phones President",
"country of origin",
"Japan"
]
] |
japanese metal band
|
a solo career for almost two years, receiving help from guitarist Hiro and his brother Mar. They had a desire to play heavier music, so together they formed the band Deep Last Blue. They found bassist Kawady and drummer Okaji and changed their name to Head Phones President before releasing their first single, "Escapism", in 2000. Bassist Kawady left soon after and was replaced by Take the following year. Playing at small venues all over Japan, they started to gain more popularity. In 2002, the group released the EP ID, after which Take left due to family reasons and was
|
[] |
Head Phones President
|
[
[
"Head Phones President",
"country of origin",
"Japan"
]
] |
japanese metal band
|
replaced by Narumi. That year, Head Phones President had their first international tour, including a stop in New York City. Head Phones President's first album Vary was released in late 2003, after which the band returned to America for another short tour and started releasing CDs in the United States. Okaji left the band in October 2004, desiring to make his own music. They recruited support drummer Batch in January 2005 (he was made an official member in 2009). They continued to tour Japan, taking intermittent breaks to allow Anza to work on her solo career. Head Phones President released
|
[] |
Head Phones President
|
[
[
"Head Phones President",
"location of formation",
"Tokyo"
]
] |
japanese metal band
|
and at Belgium's Metal Female Voices Fest on October 17 and 19, 2014. The band released their first compilation album Alteration on November 18, 2015, which also includes six remixes, in celebration of the 15th anniversary of their first EP. The music of Head Phones President was the genesis of the rock musical Stand in the World, written and directed by Shohei Hayashi, which ran at the Tokyo Arts Center from June 11–13, 2016. The band performed during the show which starred Erika Yamakawa, Manabu Oda, and Hikari Ono. Their fifth studio album, Realize, was released on May 17, 2017.
|
[] |
Pramac Racing
|
[
[
"Pramac Racing",
"country",
"Italy"
]
] |
italian-based motorcycle racing team
|
of Hardwick Racing, relocating to Italy and using the Honda NSR500 with Tetsuya Harada as a rider. In September 2002 Pramac signed a three-year deal with Max Biaggi and Honda Racing Corporation to enter a Honda RC211V. Two months later Pramac and Pons Racing reached an agreement whereby Biaggi would have competed for Pons while still under contract with Pramac. In 2003 Pramac also entered his own team with a Honda RC211V for Makoto Tamada, being the only Honda team to use Bridgestone tyres. A podium in Brazil was the team's best result, while Biaggi scored two wins and finished
|
[
"Octo Pramac Yakhnich"
] |
Sharon Lovelace Blackburn
|
[
[
"Sharon Lovelace Blackburn",
"country of citizenship",
"United States"
],
[
"Sharon Lovelace Blackburn",
"occupation",
"Judge"
],
[
"Sharon Lovelace Blackburn",
"given name",
"Sharon"
],
[
"Sharon Lovelace Blackburn",
"educated at",
"University of Alabama"
],
[
"Sharon Lovelace Blackburn",
"place of birth",
"Pensacola, Florida"
]
] |
United States federal judge
|
Sharon Lovelace Blackburn (born May 7, 1950) is a Senior United States District Judge of the United States District Court for the Northern District of Alabama. Education and career Born in Pensacola, Florida, Blackburn received a Bachelor of Arts degree from the University of Alabama in 1973 and a Juris Doctor from Samford University, Cumberland School of Law in 1977. She was a law clerk to the Justice J. O. Sentell of the Alabama Supreme Court in 1977, and to United States District Judge Robert Varner of the Middle District of Alabama, from 1977 to 1978. She was a staff
|
[] |
Sharon Lovelace Blackburn
|
[
[
"Sharon Lovelace Blackburn",
"country of citizenship",
"United States"
],
[
"Sharon Lovelace Blackburn",
"work location",
"Birmingham, Alabama"
]
] |
United States federal judge
|
attorney of Birmingham Area Legal Services in Birmingham, Alabama in 1979, and was then an Assistant United States Attorney for the Northern District of Alabama, in the Civil Division from 1979 to 1985, and in the Criminal Division from 1985 to 1991. Federal judicial service On April 11, 1991, Blackburn was nominated by President George H. W. Bush to a new seat on the United States District Court for the Northern District of Alabama created by 104 Stat. 5089. She was confirmed by the United States Senate on May 24, 1991, and received her commission on May 30, 1991. She
|
[] |
Hans Prinzhorn
|
[
[
"Hans Prinzhorn",
"place of birth",
"Hemer"
],
[
"Hans Prinzhorn",
"occupation",
"Psychiatrist"
],
[
"Hans Prinzhorn",
"educated at",
"University of Vienna"
]
] |
German art historian
|
Hans Prinzhorn (6 June 1886 – 14 June 1933) was a German psychiatrist and art historian. Born in Hemer, Westphalia, he studied art history and philosophy at the University of Vienna, receiving his doctorate in 1908. He then went to England to receive voice training, as he planned to become a professional singer. He later received training in medicine and psychiatry, serving as an Army surgeon during World War I. In 1919 he became assistant to Karl Wilmanns at the psychiatric hospital of the University of Heidelberg. His task was to expand an earlier collection of art created by the
|
[] |
Hans Prinzhorn
|
[
[
"Hans Prinzhorn",
"place of death",
"Munich"
]
] |
German art historian
|
is mainly concerned with the borderline between psychiatry and art, illness and self-expression. It represents one of the first attempts to analyse the work of the mentally ill. After short stays at sanatoriums in Zurich, Dresden and Wiesbaden, he began a psychotherapy practice in Frankfurt in 1925, but without much success. He continued to write books, and a half dozen were published in his lifetime. His hopes to find a permanent position at a university were never fulfilled. Disillusioned by professional failures, and after three failed marriages, he moved in with an aunt in Munich and retreated from public life,
|
[] |
Hans Prinzhorn
|
[
[
"Hans Prinzhorn",
"place of death",
"Munich"
]
] |
German art historian
|
making a living from giving lectures and writing essays. He died in 1933 in Munich of typhus. Shortly after his death the Prinzhorn Collection was stowed away in the attics of the university. In 1938 a few items were displayed in the Nazi propaganda exhibition Entartete Kunst ("Degenerate Art"). Since 2001 the collection has been on display in a former oratory of the University of Heidelberg. Books Hans Prinzhorn, Artistry of the mentally ill: a contribution to the psychology and psychopathology of configuration, translated by Eric von Brockdorff from the second German edition, with an introduction by James L. Foy
|
[] |
Hans Prinzhorn
|
[
[
"Hans Prinzhorn",
"country of citizenship",
"Germany"
]
] |
German art historian
|
(Wien, New York: Springer-Verlag), 1995. Hans Prinzhorn, Expressions de la Folie. Paris: Gallimard, 1984. Catherine de Zegher (ed.), The Prinzhorn Collection: Traces upon the Wunderblock. Essays by C. de Zegher, Hal Foster, Sander L. Gilman, S. Weiss and Bracha Lichtenberg Ettinger. The Drawing Center's Drawing Papers no. 7, 2000. Films Christian Beetz, Between Insanity and Beauty - The Art Collection of Dr. Prinzhorn, Adolf-Grimme-Award 2008 (Beetz Brothers Film Production, Germany), 2008. The film follows the history of the Prinzhorn Collection, illustrating the inner conflicts of the schizophrenic patients through their artwork. External links The Prinzhorn collection (in German) Robin Pape,
|
[] |
Brad Hand
|
[
[
"Brad Hand",
"sport",
"Baseball"
],
[
"Brad Hand",
"member of sports team",
"San Diego Padres"
]
] |
baseball player
|
Bradley Richard Hand (born March 20, 1990) is an American professional baseball pitcher for the Cleveland Indians of Major League Baseball (MLB). He made his MLB debut with the Florida Marlins in 2011. After being released by the Marlins in 2016, he was claimed off waivers by the San Diego Padres. He was a two-time MLB All-Star with the Padres before he was traded to the Indians in 2018. Early life Hand is a 2008 graduate of Chaska High School in Chaska, Minnesota. He was named the Star Tribune Metro Player of the Year in baseball for 2008. Hand committed
|
[
"Bradley Richard Hand"
] |
Brad Hand
|
[
[
"Brad Hand",
"sport",
"Baseball"
]
] |
baseball player
|
to attend Arizona State University on a scholarship to play college baseball for the Arizona State Sun Devils. Professional career Florida / Miami Marlins The Florida Marlins selected Hand in the second round, with the 52nd overall selection, of the 2008 MLB draft. He signed with the Marlins, rather than attend Arizona State. He played at the Rookie-level in 2008, pitching to a 3–2 win–loss record and a 2.64 earned run average (ERA). He pitched for the Greensboro Grasshoppers of the Class A South Atlantic League in 2009, ending the year with a 7–13 record and a 4.86 ERA. He
|
[
"Bradley Richard Hand"
] |
Brad Hand
|
[
[
"Brad Hand",
"position played on team / speciality",
"Starting pitcher"
]
] |
baseball player
|
Marlins had already looked at a number of starting pitcher options. Hand had varied results with an ERA of 3.80 as a starter after his return. For the full 2014 season, Hand pitched to a 4.38 ERA in 111 innings. In 2015, Hand prepared for a starting role in spring training. He was used mostly as a long reliever early in the season, but was inserted into the rotation in August. Hand had a 4–6 record and 5.68 ERA in 12 starts, and a 4.71 ERA in 36 innings over 26 appearances in relief. Hand was one of the final
|
[
"Bradley Richard Hand"
] |
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