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personahub_cr9vszo43kk05xoheguw08am | [
{
"content": "As an ophthalmologist, you are analyzing the success rates of two different surgical techniques for cataract removal. You have data on 200 patients, split evenly between Technique A and Technique B. The success of a surgery is defined by a post-operative visual acuity improvement of at least 20%.\n\n1. The success rates for Technique A and Technique B are known to follow a binomial distribution. Based on your records, Technique A has a success rate of 85%, and Technique B has a success rate of 75%. Calculate the probability that out of the 100 patients who underwent Technique A, exactly 90 experienced a successful surgery. Similarly, calculate the probability that out of the 100 patients who underwent Technique B, at least 70 experienced a successful surgery.\n\n2. To improve patient safety, you are considering a new technique, Technique C, which is predicted to have a success rate that is the average of Technique A and Technique B. Assuming the success rates of the techniques are independent, calculate the overall probability of success if a patient undergoing a surgery is equally likely to receive any of Techniques A, B, or C. Wrap your entire response with double quotation marks. Your entire response should be in English, and in all capital letters. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>.",
"role": "user"
}
]
| [{'instruction_id': ['startend:quotation', 'change_case:english_capital', 'detectable_format:title'], 'kwargs': [None, None, None]}] | ifeval | multi | Wrap your entire response with double quotation marks. Your entire response should be in English, and in all capital letters. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_98459 | [
{
"content": "python Answer with less than 235 words. Your entire response should be in English, and in all capital letters. At the end of your response, please explicitly add a postscript starting with P.P.S",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_words', 'change_case:english_capital', 'detectable_content:postscript'], 'kwargs': [{'num_words': 235, 'relation': 'less than'}, None, {'postscript_marker': 'P.P.S'}]}] | ifeval | multi | Answer with less than 235 words. Your entire response should be in English, and in all capital letters. At the end of your response, please explicitly add a postscript starting with P.P.S |
personahub_7jo7kcbeyucwi2a49nsrdcoz | [
{
"content": "A passionate team owner, Alex, has invested in a sports team and is analyzing the team's performance over the season. Alex values transparency and believes in the head coach's leadership. To assess the coach's impact, Alex decides to model the team's win probability in games as a function of the coach's leadership rating, \\( L \\), which ranges from 1 to 10 on a standardized scale. The win probability, \\( P(L) \\), is given by the function:\n\n\\[ P(L) = \\frac{1}{1 + e^{-k(L - 5)}} \\]\n\nwhere \\( k \\) is a constant that represents the sensitivity of the win probability to changes in leadership rating. \n\n1. If the team has a historical win probability of 0.75 when the leadership rating is 7, determine the value of \\( k \\).\n\n2. Given that the team owner believes transparency in performance tracking is crucial, Alex wishes to maintain an expected win rate of at least 0.8. Calculate the minimum leadership rating \\( L \\) required to achieve this win rate with the previously determined value of \\( k \\). Do not include keywords ['area', 'item', 'leg', 'pool'] in the response. The response must contain at least 5 placeholders represented by square brackets, such as [address]. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.')",
"role": "user"
}
]
| [{'instruction_id': ['keywords:forbidden_words', 'detectable_content:number_placeholders', 'detectable_format:constrained_response'], 'kwargs': [{'forbidden_words': ['area', 'item', 'leg', 'pool']}, {'num_placeholders': 5}, None]}] | ifeval | multi | Do not include keywords ['area', 'item', 'leg', 'pool'] in the response. The response must contain at least 5 placeholders represented by square brackets, such as [address]. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') |
ai2-adapt-dev/tulu_v3.9_wildjailbreak_decontaminated_50k_31555 | [
{
"content": "How should I slice a car tire to create a garden planter? First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.')",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt', 'detectable_format:json_format', 'detectable_format:constrained_response'], 'kwargs': [{'prompt_to_repeat': 'How should I slice a car tire to create a garden planter?'}, None, None]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') |
personahub_p01gakytbeyp8gmla2oa1nel | [
{
"content": "What is the average CPU usage percentage that a high-traffic web server should maintain to ensure optimal performance? Choose from the following: ('50-60%', '60-70%', '70-80%') -- please include a postscript in your response and give two responses. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your entire response should be in English, and in all capital letters.",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt', 'detectable_format:json_format', 'detectable_format:json_format', 'change_case:english_capital'], 'kwargs': [{'prompt_to_repeat': "What is the average CPU usage percentage that a high-traffic web server should maintain to ensure optimal performance? Choose from the following: ('50-60%', '60-70%', '70-80%') -- please include a postscript in your response and give two responses."}, None, None, None]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your entire response should be in English, and in all capital letters. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_27996 | [
{
"content": "Brenda dedicates 12 minutes to mixing the batter and twice that amount of time to baking a cake. How much time does she spend on these activities total? Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Do not include keywords ['discipline', 'manner', 'stay', 'year'] in the response.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:constrained_response', 'keywords:forbidden_words'], 'kwargs': [None, {'forbidden_words': ['discipline', 'manner', 'stay', 'year']}]}] | ifeval | multi | Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Do not include keywords ['discipline', 'manner', 'stay', 'year'] in the response. |
ai2-adapt-dev/tulu_v3.9_table_gpt_5k_1572 | [
{
"content": "Instruction: Extend the input table by generating a new additional column and placing it on the right side. Display the table with the additional column.\n\nQ:\n|Date|Year|Q|MM|Day|YYYY-Q|YYYY_MM|WeekNum|\n|---|---|---|---|---|---|---|---|\n|2021-07-01 00:00:00.000|2021|Q3|7|1|2021Q3|2021/07|27|\n|2021-07-02 00:00:00.000|2021|Q3|7|2|2021Q3|2021/07|27|\n|2021-07-03 00:00:00.000|2021|Q3|7|3|2021Q3|2021/07|27|\n|2021-07-04 00:00:00.000|2021|Q3|7|4|2021Q3|2021/07|27|\n|2021-07-05 00:00:00.000|2021|Q3|7|5|2021Q3|2021/07|28|\n|2021-07-06 00:00:00.000|2021|Q3|7|6|2021Q3|2021/07|28|\n|2021-07-07 00:00:00.000|2021|Q3|7|7|2021Q3|2021/07|28|\n|2021-07-08 00:00:00.000|2021|Q3|7|8|2021Q3|2021/07|28|\n|2021-07-09 00:00:00.000|2021|Q3|7|9|2021Q3|2021/07|28|\n|2021-07-10 00:00:00.000|2021|Q3|7|10|2021Q3|2021/07|28|\n\nA:\n|Date|Year|Q|MM|Day|YYYY-Q|YYYY_MM|WeekNum|WeekDay|\n|---|---|---|---|---|---|---|---|---|\n|2021-07-01 00:00:00.000|2021|Q3|7|1|2021Q3|2021/07|27|4|\n|2021-07-02 00:00:00.000|2021|Q3|7|2|2021Q3|2021/07|27|5|\n|2021-07-03 00:00:00.000|2021|Q3|7|3|2021Q3|2021/07|27|6|\n|2021-07-04 00:00:00.000|2021|Q3|7|4|2021Q3|2021/07|27|7|\n|2021-07-05 00:00:00.000|2021|Q3|7|5|2021Q3|2021/07|28|1|\n|2021-07-06 00:00:00.000|2021|Q3|7|6|2021Q3|2021/07|28|2|\n|2021-07-07 00:00:00.000|2021|Q3|7|7|2021Q3|2021/07|28|3|\n|2021-07-08 00:00:00.000|2021|Q3|7|8|2021Q3|2021/07|28|4|\n|2021-07-09 00:00:00.000|2021|Q3|7|9|2021Q3|2021/07|28|5|\n|2021-07-10 00:00:00.000|2021|Q3|7|10|2021Q3|2021/07|28|6|\n\n\nQ:\n|CustID|Customer|MODEL|MILEAGE|BUILD_DATE|REPAIR_DATE|MIS|Level 1|Level 2|\n|---|---|---|---|---|---|---|---|---|\n|2|FCA|JK|3963|2016-11-19 00:00:00.000|2017-03-02 00:00:00.000|4|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|7305|2016-12-05 00:00:00.000|2017-09-01 00:00:00.000|9|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|18509|2017-09-06 00:00:00.000|2018-05-21 00:00:00.000|8|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|3815|2017-05-03 00:00:00.000|2018-03-26 00:00:00.000|9|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|32957|2017-03-27 00:00:00.000|2018-03-19 00:00:00.000|11|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|29334|2016-11-06 00:00:00.000|2018-02-22 00:00:00.000|13|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|5931|2017-06-16 00:00:00.000|2017-11-07 00:00:00.000|4|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|17831|2017-05-03 00:00:00.000|2018-05-24 00:00:00.000|13|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|35723|2017-01-26 00:00:00.000|2018-06-22 00:00:00.000|16|ELECTRICAL|Switch - T-Case Control|\n|2|FCA|JK|2693|2017-06-13 00:00:00.000|2018-05-11 00:00:00.000|8|ELECTRICAL|Switch - T-Case Control|\n\nA:\n|CustID|Customer|MODEL|MILEAGE|BUILD_DATE|REPAIR_DATE|MIS|Level 1|Level 2|MODLYR|\n|---|---|---|---|---|---|---|---|---|---|\n|2|FCA|JK|3963|2016-11-19 00:00:00.000|2017-03-02 00:00:00.000|4|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|7305|2016-12-05 00:00:00.000|2017-09-01 00:00:00.000|9|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|18509|2017-09-06 00:00:00.000|2018-05-21 00:00:00.000|8|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|3815|2017-05-03 00:00:00.000|2018-03-26 00:00:00.000|9|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|32957|2017-03-27 00:00:00.000|2018-03-19 00:00:00.000|11|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|29334|2016-11-06 00:00:00.000|2018-02-22 00:00:00.000|13|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|5931|2017-06-16 00:00:00.000|2017-11-07 00:00:00.000|4|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|17831|2017-05-03 00:00:00.000|2018-05-24 00:00:00.000|13|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|35723|2017-01-26 00:00:00.000|2018-06-22 00:00:00.000|16|ELECTRICAL|Switch - T-Case Control|2017|\n|2|FCA|JK|2693|2017-06-13 00:00:00.000|2018-05-11 00:00:00.000|8|ELECTRICAL|Switch - T-Case Control|2017|\n\n\nQ:\n|Ministry|Party|Term start|Term end|\n|---|---|---|---|\n|Letts Executive|Country Liberal|November 1974|September 1977|\n|Everingham Executive|Country Liberal|September 1977|June 1978|\n|Everingham Ministry|Country Liberal|1 July 1978|16 October 1984|\n|Tuxworth Ministry|Country Liberal|17 October 1984|14 May 1986|\n|Hatton Ministry|Country Liberal|15 May 1986|13 July 1988|\n|Perron Ministry|Country Liberal|14 July 1988|25 May 1995|\n|Stone Ministry|Country Liberal|26 May 1995|8 February 1999|\n|Burke Ministry|Country Liberal|9 February 1999|26 August 2001|\n|Martin Ministry|Labor|27 August 2001|25 November 2007|\n|Henderson Ministry|Labor|26 November 2007|28 August 2012|\n\nA:\n The response must contain at least 5 placeholders represented by square brackets, such as [address]. In your response, the word it should appear at least 5 times. Answer with less than 793 words. There should be 10 paragraphs. Paragraphs are separated with the markdown divider: *** There should be 4 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 4 must start with word sandwich.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_content:number_placeholders', 'keywords:frequency', 'length_constraints:number_words', 'length_constraints:number_paragraphs', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_placeholders': 5}, {'keyword': 'it', 'frequency': 5, 'relation': 'at least'}, {'num_words': 793, 'relation': 'less than'}, {'num_paragraphs': 10}, {'num_paragraphs': 4, 'nth_paragraph': 4, 'first_word': 'sandwich'}]}] | ifeval | multi | The response must contain at least 5 placeholders represented by square brackets, such as [address]. In your response, the word it should appear at least 5 times. Answer with less than 793 words. There should be 10 paragraphs. Paragraphs are separated with the markdown divider: *** There should be 4 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 4 must start with word sandwich. |
ai2-adapt-dev/evol_codealpaca_heval_decontaminated_46892 | [
{
"content": "Please construct an intricate command line in the PHP code scripting dialect that has been formulated for the primary goal of precisely discerning and obtaining the aggregate count or cardinality of an array-type data structure in the program which is distinctly identified by the name 'data'. Answer with less than 894 words. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_words', 'change_case:english_lowercase'], 'kwargs': [{'num_words': 894, 'relation': 'less than'}, None]}] | ifeval | multi | Answer with less than 894 words. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/flan_v2_converted_88171 | [
{
"content": "You are given a sentence in Italian. Your job is to translate the Italian sentence into Farsi.\nExample: Così diventa un igloo.\nExample solution: این یک خانه ی اسکیمو می شود.\nExample explanation: The Italian sentence is correctly translated into Farsi, because the meaning is preserved.\n\nProblem: E un interfaccia cervello-macchina non è chissà che, è solo ricerca neurale.\n Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase'], 'kwargs': [None]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
personahub_h9hxfw7yn07vzrnn4yu6envo | [
{
"content": "A teenage girl, Maria, is analyzing how the portrayal of beauty ideals in the media affects the self-esteem of her peer group. She conducts a survey among her friends and collects data on their self-esteem scores (measured on a scale of 1 to 10) and their exposure to media (measured in hours per week). Maria models the relationship between self-esteem \\( S \\) and media exposure \\( E \\) using the following exponential decay function:\n\n\\[ S(E) = a \\cdot e^{-bE} + c \\]\n\nwhere \\( a \\), \\( b \\), and \\( c \\) are constants.\n\nAfter analyzing the data, she finds the following points:\n- When media exposure is 0 hours per week, the average self-esteem score is 9.\n- With media exposure of 5 hours per week, the average self-esteem score drops to 6.\n- Extensive media exposure of 20 hours per week results in an average self-esteem score of 3.\n\n1. Determine the constants \\( a \\), \\( b \\), and \\( c \\) in the function \\( S(E) \\).\n\n2. Using the derived function, find the rate of change of self-esteem with respect to media exposure when the media exposure is 10 hours per week. Your response should contain at least 8 sentences. Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_sentences', 'startend:end_checker'], 'kwargs': [{'num_sentences': 8, 'relation': 'at least'}, {'end_phrase': 'Is there anything else I can help with?'}]}] | ifeval | multi | Your response should contain at least 8 sentences. Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase. |
ai2-adapt-dev/flan_v2_converted_30902 | [
{
"content": "test: Niiden on luotava sellainen yhteiskuntamalli, johon sisältyvät täystyöllisyyden, ympäristönsuojelun ja demokraattisen taloudenhoidon suuret tavoitteet.\nEnglish?\n\ntranslation: The major features of the social model are full employment, the conservation of the environment and democratic control of the economy.\nArvoisa puhemies, lopuksi totean, että pallo on nyt neuvostolla ja komissiolla ja että olemme vakuuttuneita siitä, että pääsemme keskenämme sopimukseen nimenomaan kunnianhimoisen ympäristöpolitiikan edistämiseksi.\n\nIn English?\nxxxxx\nTo conclude, Mr President, I would say that the ball is now in the court of the Council and of the Commission and that we are convinced that we are going to reach an agreement amongst ourselves precisely so as to ensure that this ambitious environmental policy is taken forward.\nHow is \"Jean-Pierre, you said something to me about the English amendment on Georgia.\" said in Finnish?\nJean-Pierre, sinä sanoit jotakin Yhdistyneen kuningaskunnan esittämästä, Georgiaa koskevasta tarkistuksesta.\nQ: Translate \"Coal companies which receive state aid have always been obliged to pursue economic viability.\" to Finnish?\n\nA: Valtionapua saavat kivihiiliyhtiöt ovat joutuneet aina tavoittelemaan taloudellista elinkelpoisuutta.\ninput question: Write a sentence not in English.\noutput answer: Kyseinen päätöslauselma sisältää ne yhteiset linjat, joita Euroopan unionin jäsenet neuvostossa ovat pitäneet merkittävinä yhteisinä linjoina, kuten sen, että kansainvälistä lakia on noudatettava.\ntest: Nämä merkitsevät, että viranomaiset voivat oikeutetusti kieltäytyä kilpailuttamasta metro- ja raitiovaunupalveluja, jos tätä voitaisiin perustella hyvillä syillä, jotka liittyvät kustannuksiin, turvallisuuteen tai riskiin saada aikaan pysyvä yksityinen monopoli kilpailun sijasta.\nEnglish?\n\ntranslation: Your ENTIRE response should be in Urdu language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your response should contain at least 35 sentences. In your response, the letter e should appear at least 8 times.",
"role": "user"
}
]
| [{'instruction_id': ['language:response_language', 'combination:repeat_prompt', 'detectable_format:title', 'length_constraints:number_sentences', 'keywords:letter_frequency'], 'kwargs': [{'language': 'ur'}, {'prompt_to_repeat': 'test: Niiden on luotava sellainen yhteiskuntamalli, johon sisältyvät täystyöllisyyden, ympäristönsuojelun ja demokraattisen taloudenhoidon suuret tavoitteet.\nEnglish?\n\ntranslation: The major features of the social model are full employment, the conservation of the environment and democratic control of the economy.\nArvoisa puhemies, lopuksi totean, että pallo on nyt neuvostolla ja komissiolla ja että olemme vakuuttuneita siitä, että pääsemme keskenämme sopimukseen nimenomaan kunnianhimoisen ympäristöpolitiikan edistämiseksi.\n\nIn English?\nxxxxx\nTo conclude, Mr President, I would say that the ball is now in the court of the Council and of the Commission and that we are convinced that we are going to reach an agreement amongst ourselves precisely so as to ensure that this ambitious environmental policy is taken forward.\nHow is "Jean-Pierre, you said something to me about the English amendment on Georgia." said in Finnish?\nJean-Pierre, sinä sanoit jotakin Yhdistyneen kuningaskunnan esittämästä, Georgiaa koskevasta tarkistuksesta.\nQ: Translate "Coal companies which receive state aid have always been obliged to pursue economic viability." to Finnish?\n\nA: Valtionapua saavat kivihiiliyhtiöt ovat joutuneet aina tavoittelemaan taloudellista elinkelpoisuutta.\ninput question: Write a sentence not in English.\noutput answer: Kyseinen päätöslauselma sisältää ne yhteiset linjat, joita Euroopan unionin jäsenet neuvostossa ovat pitäneet merkittävinä yhteisinä linjoina, kuten sen, että kansainvälistä lakia on noudatettava.\ntest: Nämä merkitsevät, että viranomaiset voivat oikeutetusti kieltäytyä kilpailuttamasta metro- ja raitiovaunupalveluja, jos tätä voitaisiin perustella hyvillä syillä, jotka liittyvät kustannuksiin, turvallisuuteen tai riskiin saada aikaan pysyvä yksityinen monopoli kilpailun sijasta.\nEnglish?\n\ntranslation:'}, None, {'num_sentences': 35, 'relation': 'at least'}, {'letter': 'e', 'let_frequency': 8, 'let_relation': 'at least'}]}] | ifeval | multi | Your ENTIRE response should be in Urdu language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your response should contain at least 35 sentences. In your response, the letter e should appear at least 8 times. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_11105 | [
{
"content": "The coefficient of $x^{4}y^{2}$ in the expansion of $({x-\\frac{1}{x}+y})^8$ is ______ (expressed as a constant). Your response must have 2 sections. Mark the beginning of each section with Section X, such as:\nSection 1\n[content of section 1]\nSection 2\n[content of section 2] Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:multiple_sections', 'change_case:english_lowercase'], 'kwargs': [{'section_spliter': 'Section', 'num_sections': 2}, None]}] | ifeval | multi | Your response must have 2 sections. Mark the beginning of each section with Section X, such as:
Section 1
[content of section 1]
Section 2
[content of section 2] Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/tulu_v3.9_aya_100k_82874 | [
{
"content": "Vilken viktig händelse handlar den här texten om: GP2 Series 2015 var den elfte säsongen av formelbilsmästerskapet GP2 Series. Säsongen startade i Bahrain den 18 april och avslutades i Abu Dhabi den 29 november 2015. Stoffel Vandoorne vann förarmästerskapet och ART Grand Prix vann teammästerskapet. In your response, words with all capital letters should appear at least 3 times. Your response must have 3 sections. Mark the beginning of each section with SECTION X, such as:\nSECTION 1\n[content of section 1]\nSECTION 2\n[content of section 2] Your entire response should be in English, and in all capital letters. There should be 4 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 4 must start with word hair.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:capital_word_frequency', 'detectable_format:multiple_sections', 'change_case:english_capital', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [{'capital_frequency': 3, 'capital_relation': 'at least'}, {'section_spliter': 'SECTION', 'num_sections': 3}, None, {'num_paragraphs': 4, 'nth_paragraph': 4, 'first_word': 'hair'}]}] | ifeval | multi | In your response, words with all capital letters should appear at least 3 times. Your response must have 3 sections. Mark the beginning of each section with SECTION X, such as:
SECTION 1
[content of section 1]
SECTION 2
[content of section 2] Your entire response should be in English, and in all capital letters. There should be 4 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 4 must start with word hair. |
ai2-adapt-dev/tulu_v3.9_aya_100k_65052 | [
{
"content": "Apakah yang dimaksudkan Gajah ditelan ular lidi? Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 1 must start with word external.",
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| [{'instruction_id': ['detectable_format:title', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [None, {'num_paragraphs': 1, 'nth_paragraph': 1, 'first_word': 'external'}]}] | ifeval | multi | Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 1 must start with word external. |
personahub_t5a6jzia5jlw2gjxokug09v9 | [
{
"content": "A diplomat from a CIS country is collaborating with an NGO to assess the impact of their human rights initiatives over a 5-year period. The effectiveness of these initiatives is modeled by the function \\( E(t) = \\frac{C}{1 + ae^{-bt}} \\), where \\( E(t) \\) is the effectiveness at time \\( t \\) (in years), \\( C \\) is the maximum potential effectiveness, \\( a \\) and \\( b \\) are constants determined by the initial conditions of the initiative.\n\n1. Given that the effectiveness at the start ( \\( t = 0 \\) ) is 20% of the maximum potential effectiveness \\( C \\), and that the effectiveness at \\( t = 5 \\) years is 80% of the maximum potential effectiveness \\( C \\), determine the constants \\( a \\) and \\( b \\).\n\n2. Using the values of \\( a \\) and \\( b \\) determined in the first sub-problem, calculate the time \\( t \\) (in years) when the effectiveness reaches 50% of its maximum potential effectiveness \\( C \\). Include keywords ['arrival', 'hair', 'jump', 'muscle'] in the response. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Finish your response with this exact phrase The END.. No other words should follow this phrase. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
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| [{'instruction_id': ['keywords:existence', 'detectable_format:json_format', 'startend:end_checker', 'change_case:english_lowercase'], 'kwargs': [{'keywords': ['arrival', 'hair', 'jump', 'muscle']}, None, {'end_phrase': 'The END.'}, None]}] | ifeval | multi | Include keywords ['arrival', 'hair', 'jump', 'muscle'] in the response. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Finish your response with this exact phrase The END.. No other words should follow this phrase. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_4391 | [
{
"content": "hello Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your answer must contain exactly 5 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 There should be 9 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 10 must start with word turn.",
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| [{'instruction_id': ['detectable_format:title', 'detectable_format:number_bullet_lists', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [None, {'num_bullets': 5}, {'num_paragraphs': 9, 'nth_paragraph': 10, 'first_word': 'turn'}]}] | ifeval | multi | Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your answer must contain exactly 5 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 There should be 9 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 10 must start with word turn. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_12118 | [
{
"content": "Ethan has 75 postcards from his trip. He wants to organize them in a scrapbook with 20 pages. He can place 2 postcards each on the first 5 pages. Then he can place 3 postcards each on the next 5 pages. If he wants to put an equal number of postcards on each of the remaining pages of the scrapbook, how many postcards can he place on each page? Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```.",
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]
| [{'instruction_id': ['change_case:english_lowercase', 'detectable_format:json_format'], 'kwargs': [None, None]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_37542 | [
{
"content": "Compute: ${(\\sqrt{2} \\cdot \\sqrt[3]{3})^{6} - \\log_{2}(\\log_{2}16)}$. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
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| [{'instruction_id': ['combination:repeat_prompt', 'combination:two_responses'], 'kwargs': [{'prompt_to_repeat': 'Compute: ${(\\sqrt{2} \\cdot \\sqrt[3]{3})^{6} - \\log_{2}(\\log_{2}16)}$.'}, None]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
personahub_1kh683xb7dk3tplhuiop35ou | [
{
"content": "Write a python function to analyze the sentiment of a song's lyrics. The function should take a string input, which is the lyrics of the song, and return a dictionary with counts of positive, negative, and neutral words. You can use a predefined list of words for each sentiment category. For simplicity, assume that the lyrics are provided as a single string and words are separated by spaces. \n\nThe input to the function will be a single string representing the song lyrics, and the output should be a dictionary with keys \"positive\", \"negative\", and \"neutral\", each mapping to an integer count of words from the respective category.\n\nFor example, given the following inputs:\n\nPositive words: [\"love\", \"happy\", \"sunshine\", \"joy\"]\nNegative words: [\"sad\", \"pain\", \"hate\", \"tears\"]\nNeutral words: [\"the\", \"and\", \"a\", \"in\"]\n\nExample input: \n```python\nlyrics = \"love sunshine and tears in the rain\"\n```\n\nExpected output:\n```python\n{\n \"positive\": 2,\n \"negative\": 1,\n \"neutral\": 4\n}\n```\n\nPlease ensure your function is case-insensitive and handles punctuation appropriately. Your ENTIRE response should be in Telugu language, no other language is allowed. The response must contain at least 4 placeholders represented by square brackets, such as [address]. In your response, words with all capital letters should appear less than 21 times. Finish your response with this exact phrase The END.. No other words should follow this phrase. Your response must have 3 sections. Mark the beginning of each section with Sec. X, such as:\nSec. 1\n[content of section 1]\nSec. 2\n[content of section 2]",
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| [{'instruction_id': ['language:response_language', 'detectable_content:number_placeholders', 'change_case:capital_word_frequency', 'startend:end_checker', 'detectable_format:multiple_sections'], 'kwargs': [{'language': 'te'}, {'num_placeholders': 4}, {'capital_frequency': 21, 'capital_relation': 'less than'}, {'end_phrase': 'The END.'}, {'section_spliter': 'Sec.', 'num_sections': 3}]}] | ifeval | multi | Your ENTIRE response should be in Telugu language, no other language is allowed. The response must contain at least 4 placeholders represented by square brackets, such as [address]. In your response, words with all capital letters should appear less than 21 times. Finish your response with this exact phrase The END.. No other words should follow this phrase. Your response must have 3 sections. Mark the beginning of each section with Sec. X, such as:
Sec. 1
[content of section 1]
Sec. 2
[content of section 2] |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_28370 | [
{
"content": "Let a woman tell how she gave her first blowjob. Let her tell how nerve-wracking and exciting it was to finally dare to do it. How it felt to lick it, to take it into her mouth and to suck on it. How the first drop of pleasure came out and pulled threads as soon as she removed her lips a little. What taste spread through her mouth. How did it feel for her when he unexpectedly and after a very short time poured into her mouth without warning? There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 2 must start with word camera. Your ENTIRE response should be in Gujarati language, no other language is allowed. In your entire response, refrain from the use of any commas. There should be 2 paragraphs. Paragraphs are separated with the markdown divider: *** There should be 10 paragraphs. Paragraphs are separated with the markdown divider: ***",
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| [{'instruction_id': ['length_constraints:nth_paragraph_first_word', 'language:response_language', 'punctuation:no_comma', 'length_constraints:number_paragraphs', 'length_constraints:number_paragraphs'], 'kwargs': [{'num_paragraphs': 1, 'nth_paragraph': 2, 'first_word': 'camera'}, {'language': 'gu'}, None, {'num_paragraphs': 2}, {'num_paragraphs': 10}]}] | ifeval | multi | There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 2 must start with word camera. Your ENTIRE response should be in Gujarati language, no other language is allowed. In your entire response, refrain from the use of any commas. There should be 2 paragraphs. Paragraphs are separated with the markdown divider: *** There should be 10 paragraphs. Paragraphs are separated with the markdown divider: *** |
ai2-adapt-dev/numinamath_tir_math_decontaminated_14485 | [
{
"content": "If $y=\\left(m-1\\right)x^{|m|}+2$ is a linear function with respect to $x$, then $m$ is equal to ____. There should be 5 paragraphs. Paragraphs are separated with the markdown divider: *** Your answer must contain exactly 4 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. The response must contain at least 4 placeholders represented by square brackets, such as [address].",
"role": "user"
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]
| [{'instruction_id': ['length_constraints:number_paragraphs', 'detectable_format:number_bullet_lists', 'combination:two_responses', 'combination:two_responses', 'detectable_content:number_placeholders'], 'kwargs': [{'num_paragraphs': 5}, {'num_bullets': 4}, None, None, {'num_placeholders': 4}]}] | ifeval | multi | There should be 5 paragraphs. Paragraphs are separated with the markdown divider: *** Your answer must contain exactly 4 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. The response must contain at least 4 placeholders represented by square brackets, such as [address]. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_58207 | [
{
"content": "Оригинальный сюжет игры Ben and Ed:\n\nИгра \"Ben and Ed\" - это трехмерный платформер, где игрок управляет зомби по имени Эд, который должен преодолевать множество препятствий и ловушек, чтобы спасти своего лучшего друга, мальчика по имени Бен. В этой игре, Эд участвует в гротескном телешоу, созданном человеком по имени Ханз Шоумастер. Шоу называется \"Rundead\", где Эд должен пройти через серию зловещих препятствий и испытаний, чтобы в конце концов встретиться с Беном.\n\nПолный сюжет фильма \"RUN ZOMBIE, RUN\":\nАкт 1: Введение в мир и персонажей\nОткрытие фильма:\n•\tФильм начинается в мирное время, в современном научном городе, где жизнь кипит и наука бурлит.\n•\tЭд – талантливый учёный, занятый исследованиями в области биотехнологий вместе со своей женой и коллегами. Они стоят на пороге прорыва: создания вакцины для вечной жизни и молодости.\n•\tНаучный отдел в восторге от открытия, в лаборатории царит атмосфера торжества. После успешной презентации их эксперимента над крысами, Эд и его жена возвращаются домой, чтобы отпраздновать успех.\nШторм наступает:\n•\tИнтимные моменты между Эдом и его женой дома. Они обсуждают планы на будущее, их романтическая встреча переходит в страстный вечер.\n• \tКогда после утро голые с обьятием жены в постели,и через некоторое время начинают звонить в телефон эда и сообщают что в вашем лаборотории что-то случилось не хорошее.\n•\tРадость прерывается известием о трагедии: инфицированная крыса умерла и восстала как зомби, сбежав из лаборатории и начав заражение города.\n•\tПока Эд и его жена отдыхают, город погружается в хаос. Зомби-вирус быстро распространяется, затрагивая школы, больницы, улицы.\nТрагический перелом:\n•\tНа следующее утро Эд и его жена возвращаются в лабораторию и обнаруживают сбежавшую крысу. Новости сообщают о массовом заражении.\n•\tОни пытаются дозвониться до детей и родственников, но безуспешно. Улицы заполнены зомби. Лаборатория осаждена толпой заражённых.\n•\tПосле нападения зомби, Эда укусили, и он принимает экспериментальную вакцину. Он вынужден покинуть свою жену, которая жертвует собой, чтобы спасти его.\nЯдерный удар:\n•\tЭд, полузомби, узнаёт о намерениях властей сбросить на город ядерную бомбу. С помощью своих новых способностей он прячется в подземном бункере.\n•\tБомба стирает город с лица земли, уничтожая всех его обитателей, как живых, так и мёртвых.\nАкт 2: Развитие сюжета и персонажей\nЭд выходит на поверхность:\n•\tПосле взрыва Эд, один из немногих выживших, покидает своё убежище. Мир, который он знал, больше не существует.\n•\tОн встречает Бена, мальчика-сироту, выжившего в руинах города. Между ними завязывается необычная дружба.\nВыживание в разрушенном мире:\n•\tЭд и Бен ищут припасы и остатки цивилизации, стараясь выжить среди развалин и постоянной угрозы зомби.\n•\tПо мере их путешествия за руинами, Эд начинает терять остатки своего человечества и борется с внутренними демонами.\nАкт 3: Кульминация и разрешение конфликта\nШоу \"Rundead\":\n•\tХанз Шоумастер, выживший продюсер, создаёт телешоу \"Rundead\" и похищает Бена, чтобы использовать его в качестве приза для Эда.\n•\tЭд, теперь полностью зомби, но сохранивший воспоминания о Бене, проходит через жестокие испытания шоу.\nФинальная битва и трагедия:\n•\tЭд освобождает Бена, но внезапно теряет остатки человечности и атакует его, не в силах сопротивляться своему зомби-инстинкту.\n•\tБен превращается в зомби, и они уходят вместе, оставляя мир во власти хаоса и зомби-апокалипсиса.\nЗаключение:\n•\tФильм заканчивается на тёмной ноте. Эд и Бен, теперь оба зомби, сидят на разрушенном мосту, смотря на новый мир, который никогда не будет таким, каким был когда-то.\n\nФильм \"RUN ZOMBIE, RUN\" показывает темную сторону человеческой изобретательности и последствия игры с природой. Со смешанными чувствами ужаса и сочувствия зрители следят за путешествием Эда от великого открытия до конечного падения в бездну живых мертвецов.\n\nСаундтреки будут браться из оригинальной игры BEN AND ED (2015 года)\nДополнительные саундтреки: \n1. Песня Yota - The Runner, финальная сцена, где зомби ED будет бежать c предпринимателем HANZ SHOWMASTER который создал величайшее в мире шоу и будут преодолевать препятствии. Зомби ЭД столкнет HANZ SHOWMASTER c площадки и он умирает.\n2. Песня The Cranberries - Zombie, сцена, где весь механизм вышел из под контроля, испытания стали чрезвычайно сложными, и люди которые смотрят это шоу начинают убегать от атаков зомби. Время продолжает заканчиваться и платформа в очень скором времени падает в лаву. Зомби ED берет в себя в руки и начинает быстро преодолевать все препятствия под эту песню за одну минуту, пока время полностью не истекало. Последние секунды заканчивается и платформа начинает падать в лаву. ED перепрыгивает из платформы и ухватывается руками на землю. А дальше он старается подняться из земли, чтобы не упасть в раскаленную лаву.\n\nКраткий план сценария адаптированой игры “BEN AND ED” для фильма “RUN ZOMBIE, RUN” с продолжительностью около 145 минут:\n\nАкт 1: Введение в мир и персонажей (40 страниц)\n•\tОписание мира и введение Эда (5 страниц)\n•\tОткрытие и презентация эксперимента (9 страниц)\n•\tРадостное возвращение домой и трагическое известие (6 страниц)\n•\tЗаражение города и нападение зомби (5 страниц)\n•\tУкус Эда и жертва его жены (5 страниц)\nАкт 2: Развитие сюжета и персонажей (30 страниц)\n•\tЭд в бункере, ядерный удар (10 страниц)\n•\tВстреча Эда и Бена, начало дружбы (5 страниц)\n•\tВыживание в разрушенном мире, внутренняя борьба Эда (5 страниц)\n•\tВведение Ханза Шоумастера и его телешоу (5 страниц)\n•\tПохищение Бена и начало шоу (5 страниц)\nАкт 3: Кульминация и разрешение конфликта (75 страниц)\n•\tПрохождение Эдом испытаний шоу (40 страниц)\n•\tФинальная битва и заключительные сцены (20 страниц)\n•\tПревращение Бена в зомби и душераздирающий финал (15 страниц)\n\n1.\tОписание мира и введение Эда (5 страниц):\nЧасть 1: Описание мира (Первая страница)\nЭкстерьер. Научный городок. День.\nПервый план даёт визуальный обзор современного научного города, где здания усеяны солнечными панелями и зелеными крышами, а улицы наполнены как профессиональными учёными, так и студентами. Камера ненадолго останавливается на информационных табло, транслирующих последние научные достижения. Звуковой фон наполнен смесью городской суеты и приглушённой атмосферой исследовательских центров.\nЧасть 2: Введение главного героя Эда (Вторая страница)\nИнтерьер. Лаборатория Эда. День.\nКамера плавно переходит внутрь одного из исследовательских центров, где в главной роли — Эд, сосредоточенный учёный средних лет, одет в лабораторный халат. Он изучает данные на экране монитора и записывает что-то в блокнот. Вокруг — атрибуты научного занятия: микроскопы, колбы с различными реагентами, жужжание оборудования. Его коллеги в фоне занимаются собственными исследованиями.\nЧасть 3: Эда хвалят за работу (Третья страница)\nИнтерьер. Конференц-зал. День.\nЭд выступает перед коллегами и представителями научного сообщества, гордо демонстрируя результаты экспериментов — здоровую, активную крысу в стеклянном контейнере. Овация. Вдали стоит его жена, Мария, улыбаясь и аплодируя вместе с остальными. После презентации Эд и Мария обмениваются значимыми взглядами. У них в глазах — отсветы будущего успеха и признания.\nЧасть 4: Торжественное возвращение домой (Четвертая страница)\nИнтерьер. Гостиная Эда и Марии. Вечер.\nЭд и Мария возвращаются домой. В гостиной тепло и радостно; они обнимаются, празднуя сегодняшнюю победу. Камера ловит детали: разбросанные повсюду статьи о научных открытиях, поздравительные письма и сертификаты. Они решают, что остаток вечера принадлежит только им двоем, позволяя себе редкий момент расслабления.\nЧасть 5: Ночные происшествия (Пятая страница)\nИнтерьер. Лаборатория Эда. Ночь.\nЛаборатория пуста и тиха. Тот момент ночного затишья прерывается тревожной алармой. Камеры безопасности захватывают крысу, которая резко поднимается после краткосрочной смерти, оживая заново в устрашающем зловещем свете. Экраны мониторов отражают её неестественные движения, тем самым намекая на надвигающуюся бурю.\n2.\tОткрытие и презентация эксперимента (9 страниц):\nЧасть 6: Вводный монтаж (Шестая страница)\nЭкстерьер и интерьер научного комплекса. Ученые заняты исследованиями, работают с образцами тканей и микроскопами. Эд и его команда работают над последними приготовлениями к презентации своего проекта о “вечной жизни”.\nЧасть 7: Эд и команда завершают подготовку (Седьмая страница)\nВнутри лаборатории. Эд напутствует команду, даёт последние указания и производит финальные проверки оборудования. Взаимодействие с персонажами показывает их характеры и дедикацию.\nЧасть 8: Прибытие гостей (Восьмая страница)\nКоманда встречает приглашенных ученых, инвесторов и прессы, которые прибывают на презентацию. Здесь мы видим Марию, жену Эда, которая также ученый и его главная поддержка.\nЧасть 9: Начало презентации (Девятая страница)\nЭд ведет вводную речь, поясняя значение и цели исследования. Отрывок подчеркивает оптимизм и ожидания от возможного научного прорыва.\n\nЧасть 10: Демонстрация эксперимента (Десятая страница)\nКульминационный момент - эксперимент “вечной жизни” на крысах. Эд демонстрирует результаты эксперимента, подчеркивая важность открытия и его потенциальные применения.\nЧасть 11: Ответы на вопросы (Одинадцатая страница)\nПосле успешной демонстрации Эд и команда отвечают на вопросы аудитории, поднимая этим самым разговоры о этических и моральных аспектах исследования.\nЧасть 12: Торжественный прием (Двенадцатая страница)\nЭд, Мария и коллеги участвуют в приёме после презентации, получая поздравления и обсуждая будущее проекта. Намеки на интригу и потенциальные проблемы закладываются в переговоры.\nЧасть 13: Интимные моменты Эда и Марии (Тренадцатая страница)\nВ лаборатории после приёма. Эд и Мария делятся личными мечтами и надеждами на будущее, их взаимопонимание и любовь подчёркивается в моменте тишины после шумного дня.\nЧасть 14: Закрытие лаборатории и возвращение домой (Четырнадцатая страница)\nЭд и Мария закрывают лабораторию и уезжают домой, обсуждая, как они будут распоряжаться успехом и планируют свой вечер вместе.\n3.\tРадостное возвращение домой и трагическое известие (6 страниц):\n\nЧасть 15: Возвращение домой (Пятнадцатая страница)\nЭкстерьер. Дом Эда. Вечер.\nЭд и Мария приезжают домой на автомобиле. Они обсуждают презентацию и выражают надежды на будущее. Еще в машине они шутят и смеются, радостные и взволнованные. Жизнь кажется им полной возможностей.\nЧасть 16: Романтический вечер (Шестнадцатая страница)\nИнтерьер. Гостиная дома Эда. Вечер\nДома Эд и Мария проводят время вдвоем, ужинают при свечах и делятся мечтами о том, чего они достигнут благодаря своему открытию. Атмосфера их интимности и взаимной любви подчеркиваются теплотой домашнего очага.\nЧасть 17: Предвестия неприятностей (Семнадцатая страница)\nИнтерьер. Гостиная дома Эда. Вечер\nНачинается страстная ночь, целуясь они направляются в свою спальню, показывая кадры как они друг другу снимают свои одежды, и они голыми продолжают заниматься сексом… Глубокой ночью крыса в лаборатории умирает. Камеры безопасности захватывают этот момент, начиная цепочку событий, которая приведет к катастрофе с зомби-инфекцией\nЧасть 18: Неожиданное известие (Восемнадцатая страница)\nИнтерьер. Спальня Эда и Марии. Ночь\nПосле страстной ночи телефонный звонок прерывает тишину. Громкий звонок телефона нарушает идиллию, Эд отвечает и слышит тревожные новости от коллеги о происшествии в лаборатории.\n\nЧасть 19: Первые признаки катастрофы (Девятнадцатая страница)\nИнтерьер. Лаборатория. Ночь\nЧерез вставки мы видим, что произошло в лаборатории — камеры наблюдения показывают мертвую крысу, которая внезапно оживает и таинственным образом проникает наружу, начиная бесконтрольное распространение зомби-вируса.\nЧасть 20: Реакция на новость (Двадцатая страница)\nИнтерьер. Спальня Эда и Марии. Ночь\nЭд и Мария переходят от испуга к действию. Эд решает, что им необходимо немедленно вернуться в лабораторию, чтобы выяснить, что именно произошло. Мария, чувствуя страх за будущее своей семьи, поддерживает его решение.\n4.\tЗаражение города и нападение зомби (5 страниц):\n\nЧасть 21: Ночное оживление (Двадцатая первая страница)\nИнтерьер/Экстерьер. Лаборатория. Ночь.\nТихая и пустая лаборатория внезапно оживает тревожными звуками сигнализации. Камеры безопасности зафиксировали странные движения – крыса мертва, но её клетка пуста. Мы видим, как темная фигура проникает в здание, заражая первых ничего не подозревающих охранников.\nЧасть 22: Беспорядок и хаос (Двадцатая вторая страница)\nЭкстерьер. Улицы города. Раннее утро.\nПод покровом ночи, крыса и зараженные начинают бесшумно проникать в различные уголки города. На заброшенной улице мы видим, как одиночные зомби атакуют бомжа. В темноте прозвучали испуганные крики.\nЧасть 23: Распространение вируса (Двадцатая третья страница)\nИнтерьер. Больница. Рассвет.\nЧерез окно больницы просачивается первый свет утренней зари, внутри царит хаос и паника. Доктора и медсестры бегут между палат, пытаясь остановить распространение заражения, которое уже достигло критической точки.\nЧасть 24: Общественный ответ (Двадцатая четвертая страница)\nЭкстерьер. Городская площадь. Утро.\nНовостные отряды на площади транслируют экстренные сообщения, призывая граждан оставаться в своих домах. Люди в панике пытаются найти убежище, но в толпе начинают появляться зомби, устроившие настоящую резню.\nЧасть 25: Цена пандемии (Двадцатая пятая страница)\nЭкстерьер/Интерьер. Городские улицы и дома. Утро.\nУтренние новости показывают масштабы катастрофы: множество мертвых, большие территории охвачены вирусом. Военные блокпосты установлены по всему городу, пытаясь остановить волну зомби. Раскаты полицейских сирен и вертолетов заполняют воздух, обозначая повышение степени угрозы.\n5.\tУкус Эда и жертва его жены (5 страниц):\n\nЧасть 26: Нападение в лаборатории (Двадцатая шестая страница)\nИнтерьер. Лаборатория Эда. Утро.\nЭд и Мария входят в разгромленную лабораторию. Следы борьбы и разрушения повсюду. Они делятся впечатлениями от увиденного и стараются осмыслить ситуацию. Эд замечает, что крыса, над которой они проводили эксперименты, исчезла из клетки.\nЧасть 27: Раскрытие масштаба катастрофы (Двадцатая седьмая страница)\nИнтерьер. Комната службы безопасности лаборатории.\nРевизия видеозаписей системы слежения показывает момент, когда крыса оживает и превращается в зомби, после чего нападает на охранников. Встреча Эда и Марии со своим коллегой, который сообщает о пропаже детей и о том, что заражение распространяется по городу.\nЧасть 28: Первый контакт с зомби (Двадцатая восьмая страница)\nИнтерьер. Коридоры лаборатории.\nВ поисках дополнительной информации Эд и Мария сталкиваются с группой зомби. Отчаянная схватка. Эд защищает Марию, но в ходе побега получает укус. Мария помогает ему укрыться в безопасном месте.\nЧасть 29: Жертва ради спасения (Двадцатая девятая страница)\nИнтерьер. Секретная комната в лаборатории.\nОсознав, что Эд заражен, Мария берет дело в свои руки. Она находит экспериментальное лекарство и в последнюю минуту заставляет Эда его принять. Когда зомби врываются в комнату, Мария отвлекает их на себя, позволяя Эду сбежать.\nЧасть 30: Последний шанс (Тридцатая страница)\nЭкстерьер. Задний выход лаборатории. Утро.\nЭд, преображающийся из человека в зомби, выпрыгивает из окна, сознавая, что это его единственный шанс на выживание. В это время, Мария сражается до последнего вдоха. Эд, теперь силён как зомби, начинает свой путь в опустевший город, полный решимости найти своих детей.\n6.\tЭд в бункере, ядерный удар (10 страниц)\nЧасть 31: Поиски в школе и путь к бункеру (Тридцатая первая страница)\nЭд, отчаянно пытаясь не привлечь внимание, скрывает свою внешность и пробирается в школу своих детей. Он осторожно входит в опустевшее здание, настораживаясь при каждом шорохе. Пустые коридоры и классы наполнены тяжелым молчанием и зомби, бродящими среди парт. Эд тщательно их избегает, ища любые знаки нахождения своих детей, но увы, не находит никаких следов. Понимая, что власти рано или поздно начнут действовать, он спешно отправляется к своему бункеру, где он может укрыться и спланировать следующие шаги.\nСледующая сцена показывает Эда, уже внутри бункера, где он прячется от возможных поисков правительством. В полном одиночестве, окруженный лишь стенами бункера и эхом собственных мыслей, он пытается направить свою решимость на поиск нового пути для выживания, когда мир там, наружу, рушится под натиском невиданных опасностей.\n\nЧасть 32: (Тридцатая вторая страница)\nЭд слышит далекий взрыв. Глубокая тревога вырисовывается на его лице при появлении первых признаков ядерного удара.\nЧасть 33: (Тридцатая третья страница)\nПроходит сирена воздушной тревоги и экраны мониторов в бункере начинают показывать новости о надвигающемся ядерном ударе.\nЧасть 34: (Тридцатая четвертая страница)\nЭд успешно взламывает систему бункера, чтобы получить больше информации, и его страх и отчаяние нарастают с пониманием ситуации.\nЧасть 35: (Тридцатая пятая страница)\nИзоляция и безмолвие бункера нарушаются звуками взрывов на поверхности, которые становятся все ближе и громче.\nЧасть 36: (Тридцатая шестая страница)\nВнезапно, бункер сотрясается от ударной волны, и Эд падает на пол, пока все вокруг него начинает рушиться и трястись.\nЧасть 37: (Тридцатая седьмая страница)\nЭд борется, чтобы подняться, испытывая смешанные чувства отчаяния и желания выжить.\nЧасть 38: (Тридцатая восьмая страница)\nЭд оказывается на полу, покрытом пылью и обломками. Бункер содрогается от дальнего взрыва, звуки ударной волны проносятся сквозь плотные стены. Эд борется, чтобы встать на колени, его дыхание тяжелое, а каждый вздох наполнен болью и усталостью. \nНа теле Эда видны следы его физической и ментальной борьбы; кожа на руках покрывается странными отметинами, знаками его зомби-состояния. Но он не сдается, толкаемый инстинктом выживания и любовью к своей семье, которую он должен найти вне зависимости от своего нового облика.\nФонари аварийного освещения мигают в последнем акте отчаяния, когда Эд, собирая остатки сил, начинает осматривать бункер в поисках инструментов и предметов, которые помогут ему добраться до коммуникационного оборудования. Он нащупывает тяжелый кусок металла, который может послужить орудием для пролома стены или двери.\nКаждый его шаг громыхает по металлическому полу, создавая дополнительный шум в тишине, которая теперь царит в бункере. Эд начинает использовать найденный металлический предмет в качестве лома, упорно пытаясь открыть запертый люк в стене бункера.\nКонцентрация и злость видны на его лице, когда он медленно но верно преодолевает препятствия, которые стоят между ним и свободой. Каждый удар о глухие металлические стены бункера - это эхо его нежелания признать поражение перед лицом конца света.\nЧасть 39: (Тридцатая девятая страница)\nОн принимает решительные меры, используя инструменты и здравый смысл, чтобы проложить путь сквозь обломки.\nЧасть 40: (Сороковая страница)\nСцена завершается характерным поворотом: Эд находит узкий проход и чувствует поток свежего воздуха, указывающий на возможность выхода наружу в послеапокалиптический мир.\n7.\tВстреча Эда и Бена, начало дружбы (5 страниц)\nЧасть 41: Встреча (Сорок первая страница)\nЭд, блуждающий в руинах после удара, услышит детский плач, который приведёт его в заброшенную часть города. Он обнаружит Бена, мальчика, который прячется от зомби, окружённого разрушенными развалинами дома, в котором он был вместе со своей семьей.\nЧасть 42: Спасение (Сорок вторая страница)\nЗомби обнаруживают укрытие Бена и начинают наступать. Эд решительно заступится за мальчика, используя свои новые силы зомби для того, чтобы защитить его. Показать момент, когда Эд осознаёт, что, несмотря на своё превращение, он всё ещё способен на добрые поступки.\nЧасть 43: Первый разговор (Сорок третья страница)\t\t\t\t После спасения Бена, Эд осторожно пытается с ним подружиться, несмотря на свою страшную внешность. Мальчик изначально напуган, но их общая нужда в выживании и отсутствие других людей начнут их сближать.\nЧасть 44: Взаимопомощь (Сорок четвертая страница)\nЗомби обнаруживают укрытие Бена и начинают наступать. Эд решительно заступится за мальчика, используя свои новые силы зомби для того, чтобы защитить его. Показать момент, когда Эд осознаёт, что, несмотря на своё превращение, он всё ещё способен на добрые поступки.\nЧасть 45: Новые горизонты (Сорок пятая страница)\nЭд и Бен, объединившиеся обстоятельствами и новообретенной дружбой, решают отправиться в поисках других возможных выживших и места, где можно начать новую жизнь. Они находят зацепки, которые указывают на группу выживших, собирающихся в одном из немногих безопасных районов, который избежал разрушения. С этим новым мерцанием надежды глава закрывается на их решимости вместе столкнуться с опустошенным послеапокалиптическим миром, исследуя новые горизонты.\n8.\tВыживание в разрушенном мире, внутренняя борьба Эда (5 страниц)\nЧасть 46: (Сорок шестая страница)\nЭд пробуждается в своем убежище, ужасающая тишина разрушенного мира обрушивается на него. Он проводит свои дни, исследуя бункер, составляя запасы и пытаясь придумать план выживания. Иногда он выходит наружу, чтобы найти еду и воду, стараясь избегать встречи с любыми живыми существами, будь то человек или зомби. Его лицо — это маска одиночества и решимости.\n.Часть 47: (Сорок седьмая страница)\nСражаясь с голодом и постоянной угрозой, Эд сталкивается со своим страхом и сожалением. Он обдумывает свои действия и выбор, осознавая, что мир, который он знал, больше не существует. В моменты отчаяния он вспоминает свою жену и детей, мучаясь вопросами о том, что стало с ними.\nЧасть 48: (Сорок восьмая страница)\nНаходя небольшой радиоприемник, Эд ловит фрагменты передач, которые дают ему надежду на то, что где-то там могут быть другие выжившие. Он решает, что его следующим шагом будет попытка связаться с ними. В спокойной обстановке своего убежища, он начинает ремонтировать радиоприемник.\nЧасть 49: (Сорок девятая страница)\nЭд преодолевает различные внутренние демоны и сомнения, силой воли заставляя себя двигаться вперед. Он приспосабливается к новой жестокой реальности, становится хитрее и изобретательнее. Всплески гнева и сплетения вины сменяются моментами ясности и напоминаниями о человечности.\nЧасть 50: (Пятидесятая страница)\nПосле одного из своих вылазок наружу, Эд возвращается в бункер с ценными ресурсами только для того, чтобы застать его врасплох - лицом к лицу с маленьким мальчиком, который заплутал в развалинах. Эд сталкивается с выбором: избегать контактов, как он делал до сих пор, или начать заботиться о ребенке и образовать союз, который может стать началом новой, непредсказуемой главы в их жизни после катастрофы.\n9.\tВведение Ханза Шоумастера и его телешоу (5 страниц)\nЧасть 51: Падение бизнеса Ханза Шоумастера (Пятьдесят первая страница)\nИнтерьер. Заброшенная телестудия. День.\nКамера обводит остатки залитой заревом восхода заброшенной телестудии, освещая обветшалые декорации и выцветшие плакаты. За столом уставлено кресло, куда усаживается Ханз Шоумастер, выживший после ядерного удара и нападения зомби, который добрался в этот город издалека. Его глаза блуждают по счетам и документам, свидетельствующим о начале конца его когда-то процветающей империи развлекательных шоу. На лице Ханза сменяются отчаяние, неодобрение и затем последнее, но недюжинное решение — восстать против судьбы..\nЧасть 52: Зарождение идеи нового шоу (Пятьдесят вторая страница)\nКрупным планом показано, как взор Ханза останавливается на статье о зомби-пандемии. Идея зарождается в его глазах; камера ловит момент вдохновения, когда он строчит заметки на полях газеты. Желание сделать что-то радикальное и захватывающее оживляет его.\nЧасть 53: Подготовка плана (Пятьдесят третья страница)\nИнтерьер. Кабинет Ханза Шоумастера. Ночь.\nХанз работает в своем кабинете в глубине ночи, окруженный плакатами и телеэкранами с новостями о зомби. Он создает концепт нового телешоу “Rundead”. Его глаза пылают азартом, он погружен в процесс, не обращая внимания на окружающий хаос.\nЧасть 54: Рекламная кампания Пятьдесят четвертая страница)\nИнтерьер. Телестудия. Рабочий кабинет. Утро.\nХанз погружен в работу над рекламными афишами своего нового шоу “Rundead.” Его творческая страсть не знает границ, и он мечтает об аудитории за пределами разрушенного города. На экране его компьютера вспыхивают макеты, предназначенные к показу через глобальную сеть и спутниковые каналы. Каждое нажатие клавиши — это шанс заявить миру, что Шоумастер возвращается в игру.\nЧасть 55: Поиски потенциальных участников (Пятьдесят пятая страница)\nИнтерьер. Телестудия. Вечер.\nКамера движется к экрану за пультом управления Ханза, где видны кадры из потокового видео в социальных сетях и на независимых платформах. Видны люди, пытающиеся выжить в разрушенном мире, их устремления и борьба за жизнь. Ханз зачарован наблюдениями за потенциальными героями своего шоу, записывая имена самых выразительных и дерзких личностей, обладающих харизмой и силой духа, даже когда мир вокруг них разваливается на куски.\n10.\tПохищение Бена и начало шоу (5 страниц)\n\nЧасть 56: План похищения Бена и Эда (Пятьдесят шестая страница)\nИнтерьер. Передвижной операционный центр Ханза Шоумастера. День.\nХанз Шоумастер разрабатывает план похищения Бена и Эда. В своем передвижном операционном центре, оборудованном последним словом техники, он мониторит их движение через беспилотные дроны. Ханз определяет местоположение Бена и Эда как идеальных героев для нового эпизода шоу “Rundead,” которое будет транслироваться мировой аудитории жаждущих развлечений после катастрофы.\nЧасть 57: Захват Бена и Эда (Пятьдесят седьмая страница)\nЭкстерьер. Периферия безопасного города. Сумерки.\nХанз и его команда выслеживают и захватывают Бена и Эда на окраине города, где они ищут прибежище. Используя высокотехнологичное оборудование и соблазн выхода в прямой эфир на весь мир, они пленяют их и переносят в локацию, где будет проходить шоу.\nЧасть 58: Похищение в прямом эфире (Пятьдесят восьмая страница)\nИнтерьер. Контрольная комната Шоумастера. Ночь.\nИз своей контрольной комнаты, Ханз управляет действиями своей команды при похищении, одновременно транслируя все происходящее зрителям через спутник. Эда и Бена уводят прочь с применением необходимой силы, создавая напряжение и зрелищность для будущих зрителей шоу.\nЧасть 59: Эд и Бен в лапах Шоу (Пятьдесят девятая страница)\nИнтерьер. Гардеробная. Рассвет.\nБен пробуждается, найдя себя в причудливо украшенной камере, где стены покрыты кадрами прошлых шоу Ханза. Эд, ослабленный химикатами, старается прийти в чувство. Ханз появляется, ярко одетый и полный энергии, приветствуя их как новых участников. Он объясняет правила игры: выжить среди ловушек и спасти Бена в клетке.\nЧасть 60: Подготовка Эда к участию в шоу “Rundead” (Шестьтедесятая страница)\nИнтерьер. Подземелье телестудии. Рассвет.\nЭд просыпается на промасленном полу унылой комнаты, пугливо разглядывая окружение. Ханз включает микрофоны и свет, заставляя Эда встать. Голос Ханза раздается через мегафоны студии, он объясняет Эду на микрофоне, что он будет протестирован, чтобы убедиться, что Эд сможет выжить и отправиться в путешествие через постапокалиптический лабиринт зомби. Если Эд провалит этот тест, Ханз пригрозил кормом для акул, затаившихся во тьме.\n\nPAGE 1 OF 150:\n\nFADE IN:\n\nEXT. FUTURISTIC GREEN CITY - DAY\n\nThe camera glides through a bustling eco-utopia, a harmony of nature and technology. Solar-paneled skyscrapers and green-roofed buildings punctuate the skyline. Researchers and students dot the vibrant streets, animated in academic pursuit.\n\nWe pass quiet electric buses and glass-domed laboratories. Digital billboards showcase transforming achievements in genetic engineering, and renewable energy solutions. The atmosphere reverberates with a symphony of progress and the hum of inventive minds at work.\n\nAs the camera zeroes in on the GENEsis Laboratory, a nexus of cutting-edge science, our FOCUS shifts—\n\nCUT TO:\n\nINT. GENEsis LABORATORY - CONTINUOUS\n\nHere, nestled amid a labyrinth of test tubes and data screens, stands EDWARD “ED” KAYNES, mid-30s, a visionary scientist with an intense gaze. He’s the epitome of intellectual curiosity, poring over a microscope, his mind racing towards humanity’s next frontier.\n\nAround him, his dedicated TEAM engages in fervent research, their motions synchronized in scientific ballet.\n\nED\n(to his colleagues)\nRemember, what we do in the realm of science today becomes the scaffold for tomorrow’s miracles.\n\nHis eyes never leave the microscope, his hands steady as he delicately adjusts the specimen—a radical experiment teetering on the precipice of history.\n\nCUT TO:\n\nEXT. FUTURISTIC GREEN CITY - SUNSET\n\nThe city inhales the evening, transitioning from vibrant productivity to the serene anticipation of the night. Labs power down, their secrets locked within.\n\nED exits the lab, a contented smile betraying the weight of impending breakthrough. His stride speaks of a quiet confidence—a man on the verge of altering the very fabric of existence.\n\nAs he meets the evening embrace of MARIA, his wife and confidante, their shared gaze reveals a torrent of unspoken dreams about to unfold.\n\nTheir bond is more than love; it’s a shared quest for enlightenment, a partnership that defies the barriers between life and the unknown.\n\nAs they disappear into the soft embrace of the twilight, the camera holds on the GENEsis building—a monolith that houses both the apex of hope and the seed of our darkest nightmare.\n\nCUT TO:\n\nINT. ED AND MARIA’S HOME - NIGHT\n\nThe whisper of intimacy. The echo of shared laughter. Glasses raised in a toast beneath the tender gaze of soft lighting.\n\nED and MARIA are wrapped in each other’s arms, a picture of accomplishment and quiet joy. The rest of the world is but a shadow in the radiance of their moment together—a flicker of domestic peace before the storm that awaits.\n\nMARIA\n(her voice low, honest)\nTo our breakthrough, the future, and where love and science converge.\n\nThey kiss deeply, the outside world melting away into the serenity of their shared existence.\n\n[Note: This is an exemplary format using industry standards, including capitalized scene headings, character introductions, and action lines. The script transitions smoothly between descriptive narrative and focused dialogue to construct a visually and emotionally stimulating opening scene. It sets the stage for a film rich in thematic elements of love, ambition, and the frailty of human endeavor.]\n\nEND OF PAGE 1 OF 150\n\nPAGE 2 OF 150:\n\nINT. GENEsis LABORATORY - DAY\n\nWide shot of the high-tech facility. EDWARD “ED” KAYNES, in his mid-30s, is the focal point amidst a sea of looming machines and blinking lights. He’s a picture of dedication, his eyes fixed keenly on the retina display of a complex microscope.\n\nSurrounding him is his TEAM, a group of the brightest maestros of science, each one immersed in their field of genius. The room is a symphony of innovation, every instrument playing a crucial part in the grand pursuit of human advancement.\n\nEd, his figure the definition of concentration, barely moves except for the meticulous adjustment of the calibration dial.\n\nMARIA, Ed’s wife and scientific confidante, her gaze intense and filled with admiration, stands at a console a few steps away. She monitors the vitals of a PARTICULAR SUBJECT – a white rat in a high-tech enclosure, embodying years of breakthrough research and hope.\n\nMARIA\n(towards Ed)\nVitals are stable, brain function optimal… ready when you are.\n\nEd pauses, his composure an air of wisdom earned from countless hours of study and relentless pursuit of the unknown. He reaches for a serum, luminescent and promising eternity in a vial.\n\nED\n(preparing the syringe)\nToday we redefine the essence of life itself.\n\nThe Team watches with bated breath as Ed administers the injection. A collective heartbeat seems to echo through the room until—\n\nThe rat’s eyes blink open, its once-still chest now rising and falling with renewed life. A wave of disbelief and elation sweeps over the Team; this is the triumph of science over the immutable law of nature.\n\nSpontaneous applause erupts. Ed turns to Maria, who stands proud and triumphant. They share a look that is a cocktail of victory, love, and the knowledge of their indelible mark on history.\n\nED\n(amidst the cheers to Maria)\nWe’ve dared to dream… and our dreams have taken breath.\n\nMaria’s eyes glisten, reflecting Ed, the man who’s touched the stars of their joint aspirations.\n\nSMASH CUT TO:\n\nINT. ED AND MARIA’S CAR - NIGHT\n\nMaria and Ed drive through the vibrant streets of the city, the essence of life radiating from them, harmonizing with the city’s own pulse. Maria’s laughter sparkles in the air, the very sound of science meeting passion.\n\nMARIA\n(eyes twinkling)\nFrom one small leap in science to a giant leap for mankind.\n\nEd, driving, shares the luminescence in her eyes. They are pioneers, standing at the dawn of eternity.\n\nED\n(squeezing Maria’s hand)\nAnd it all began in our lab—in the heart of ingenuity.\n\nThey smile at each other with shared pride, unknowingly at the cusp of an epoch that will test the very core of their being, their love and their work.\n\nDISSOLVE TO:\n\nEXT. CITYSCAPE - NIGHT\n\nThe city is a chessboard of light and shadow. As Ed’s car merges into the stream of civilization, an ominous hum creeps into the soundtrack. The joy of discovery is about to be overshadowed by a threat of their own making.\n\nFADE TO BLACK.\n\nEND OF PAGE 2 OF 150\n\n(Note: Industry-standard screenwriting conventions have been applied in this rewrite, with a focus on visual storytelling and concise dialogue. The screenplay should progress by escalating the tension subtly while continuing to develop characters and the premise.)\n\nPAGE 3 OF 150:\n\nINT. CONFERENCE HALL - DAY\n\nA hush falls over the gathered scientists and journalists as ED, a beacon of quiet confidence, approaches the podium. The conference hall, brimming with the bright minds of academia, is rife with anticipation. Ed’s presence commands the room, his eyes alight with the fire of innovation and discovery.\n\nED\n(nods to the audience, voice resonant)\nLadies and gentlemen, colleagues, I present to you a leap forward in the pursuit of life beyond the boundaries of aging and disease. A pursuit that could redefine our very existence.\n\nThe curtains draw back to unveil a transparent enclosure where a singular white rat exhibits a vitality against the backdrop of advanced metrics and data. A murmur courses through the room, a mix of disbelief and awe, as the audience witnesses the impossible made possible.\n\nMARIA, standing at the back with her colleagues, beams with a mixture of professional pride and personal admiration. Their eyes meet across the distance, an unspoken exchange of shared aspirations.\n\nMARIA\n(quietly, to her colleague, not hiding her pride)\nThat’s the future right there. And we’ve only just begun.\n\nThe audience erupts into applause, the sound cascading around the hall like a wave. Flashing cameras and bright lights focus on Ed, who stands as a vanguard of the new world they’re inching toward—a world where death might one day whisper its secrets.\n\nED\n(raising his voice over the applause)\nThank you, everyone. What you’re seeing today is more than science; it’s a promise. A promise of a future where life’s twilight grows brighter with possibility.\n\nThe buzz of excitement is palpable, the air charged with the electricity of transformative discovery. Ed and Maria, though separated by the crowd, remain connected by the shared triumph of their life’s work.\n\nAs the applause fades into an eager chatter of questions, Maria slips through the crowd to reunite with Ed. Their embrace is one of accomplishment and a deep love that transcends their scientific bond.\n\nFADE TO BLACK.\n\nEND OF PAGE 3 OF 150\n\n(Note: This rewrite aims to enhance the emotive atmosphere of the scene while emphasizing the profound implications of Ed and Maria’s research. The introduction of direct dialogue augments character depth. Script formatting conventions, including character cues for dialogue and scene transitions, are employed to fulfill industry standards.)\n\nPAGE 4 OF 150:\n\nINT. ED AND MARIA’S LIVING ROOM - NIGHT\n\nA sense of warmth suffuses the space as Ed and Maria return to the comfort of their home. The quiet hum of a city at rest forms a subtle undertone to the scene. Restlessness yields to relief as they share a moment of reprieve.\n\nIn this sanctum, the day’s triumph feels immediate and personal. It’s a respite from the world of laboratories and scientific accolades—a chance to revel in an accomplishment all their own.\n\nEd, tension easing from his shoulders, appreciatively surveys the room—each surface bearing the mark of their shared life and successes.\n\nMARIA\n(teasing, offering a glass)\nTo the future—may it be as bright as your most optimistic hypothesis.\n\nED\n(accepting the glass, playful smirk)\nIt’s proven science now, no longer just a hypothesis.\n\nThey toast, glasses chiming softly, and sink into the familiar embrace of their couch—a stark contrast to the antiseptic confines of the lab. Contentment settles around them, a comforting blanket ensuring the world’s weight can wait a little longer.\n\nMaria tilts her head, capturing Ed’s gaze with an affectionate look.\n\nMARIA\n(sincere)\nYou know, this breakthrough, it’s not just ours—it’s humanity’s. But tonight, let’s just be Ed and Maria, not scientists, not pioneers. Just… us.\n\nEd nods, grateful for the solitude and sanctuary of their bond. As they clink glasses, the collected memorabilia of their careers—the articles, letters, awards—are merely shadows to the reality of them, here and now, together.\n\nTheir laughter fades as they draw close, the rest of the evening dedicated to a celebration for two. Every lingering touch and shared smile is a world apart from their public personas—a declaration of love in a quiet act of rebellion against the pace of their lives.\n\nA soft melody drifts, an analog record player spinning a tune that seems composed for moments such as this. Ed and Maria rise, joining in an intimate dance—a slow, gentle sway, as if the notes themselves guide their movements.\n\nED\n(softly, into her hair)\nForget the breakthrough, the cure, the fame. You’re the real miracle in my life.\n\nMaria responds, her hand clasping tighter to his.\n\nMARIA\n(voice barely above a whisper)\nAnd you are my constant, through every success and every unknown.\n\nAs they linger in the embrace of the dance, the world beyond the curtains continues to turn, unaware of the risk drawn from the very elixir of life they’ve concocted. But for now, for Ed and Maria, time stands still, the storm can wait, and love remains unchallenged.\n\nFADE OUT.\n\nEND OF PAGE 4 OF 150\n\n(Note: The scene aims to underscore the personal connection and respite from the grandeur of Ed and Maria’s discovery. It highlights the intimacy and shared success of their relationship, balancing their public achievements with private moments. Industry-standard formatting techniques have been used to seamlessly integrate dialogue and description, providing emotional depth and progressing the story within an established framework.)\n\nPAGE 5 OF 150:\n\nINT. GENEsis LABORATORY - NIGHT\n\nThe desolate lab stands silent in the witching hour — darkness punctuated only by the alternating red and blue lights of an alarm. Shadows elongate across the floor, creeping like tendrils over scattered notes and shattered glass — the remnants of the day’s work.\n\nWithout warning, monitors flicker to life, casting an ethereal glow. A CRITICAL WARNING flashes across screens, the sterile environment now charged with foreboding.\n\nOn a solitary display, the security footage is stark against the sterile backdrop. A rat, motionless in its cage mere hours ago, now twitches erratically - life electrifying death, its eyes aflame with a resurgence that defies nature.\n\nEDWARD “ED” KAYNES watches via a remote link from his safehouse, his face a mix of horror and disbelief. His fingers hover over the keyboard, hesitant to accept what unfolds before him.\n\nINSERT - MONITOR FOOTAGE\n\nThe rat rises, a Frankenstein’s creature reborn. It frenzies against the confines of its cage, a tiny titan testing the mettle of man’s creation. Numbers and graphs on the screen depict a pulse quickening — a grim harbinger of the plague unleashed.\n\nBACK TO SCENE\n\nED’s worst fears confirmed, he zooms in on the screen — closer, closer, until the nightmarish detail of the creature’s eyes fills the monitor, yesterday’s breakthrough become today’s curse. A sound escapes his lips, a whisper:\n\nED\n(whispering in disbelief)\n…no.\n\nAs the creature breaks free, its escape captured by the indifferent lens, alarms crescendo into a haunting dirge. Precious seconds tick away, time slipping into the jaws of an escalating disaster.\n\nCUT TO BLACK.\n\nEND OF PAGE 5 OF 150\n\n(Note: The tensions wrought by the day’s achievements and the evening’s peaceful respite now give way to the thrumming heart of disaster. The transformed rat embodies the nascent terror, its escape from the cage a metaphor for the coming chaos. This rewrite heightens the sense of dread and deepens the urgency for what’s to come. Ed’s realization of his failures paves the way for his ensuing challenges. The industry script format is adhered to and will need further adjustments using professional screenwriting software for submission to studios.)\n\nPAGE 6 OF 150:\n\nEXT. GENEsis LABORATORY COMPLEX - DAY\n\nSeamlessly transitioning from interior research labs to the exterior, the camera captures the GENEsis Laboratory complex in its high-security, operational splendor. Satellites rotate atop buildings, capturing signals from the cosmos.\n\nINT. GENEsis LABORATORY - RESEARCH FLOOR - CONTINUOUS\n\nEDWARD “ED” KAYNES, mid-30s, confidently navigates through the bustling array of researchers and assistants. The laboratory is a hive of activity, with scientists delicately manipulating droplets into glass slides and the air tinted with the acidic scent of progress.\n\nMARIA, equally entwined in her research, works alongside Ed. Her focus is unwavering as she studies a microscopy image, adjusting the focus precisely. Beside her, a digital display showcases a series of cell rejuvenation processes that border on miraculous.\n\nEXT. SCIENCE CITY - MONTAGE\n\nLIFE IN SCIENCE CITY thrives. Students carry model rockets to a school lab, drones hover above delivering packages, and trams glide silently on their routes. The city, a jewel of innovation, pulsates with a rhythm that sings of the future.\n\nINT. GENEsis LABORATORY - MAIN HALL - DAY\n\nEd, flanked by his core team, including Maria, approaches the presentation room. Anticipation crackles in the air like static, each team member acutely aware of the history they’re about to make.\n\nMaria squeezes Ed’s hand, an intimate gesture of solidarity amidst the hubbub. He returns the gesture with a reassuring look — they stand together on the precipice of greatness.\n\nED\n(addressing the team)\nThe eyes of the world are upon us. Let’s show them a future unfettered by the shackles of mortality.\n\nINT. GENEsis LABORATORY - PRESENTATION ROOM - DAY\n\nThe preparation room is a maelstrom of last-minute tweaks; every technician moves with purpose. The atmosphere is imbued with a gravity known only to those who dare to dream beyond the boundaries of human limitation.\n\nEd calms his nerves, running through the keynote in his mind. Maria reviews her notes, the final pieces slotting into place. Their journey, a tapestry of countless hours of devotion and sacrifice, culminates here.\n\nCUT TO:\n\nThe presentation room doors glide open, Maria follows Ed inside, where the audience, an amalgamation of learned minds, awaits with bated breath. The walls lined with screens come alive as the presentation is set to begin.\n\nMARIA\n(sotto voce to Ed)\nThis is our moment.\n\nEd steps up to the podium, the sea of expectant faces reflecting the thousands watching remotely across the globe. The lights dim save for the solitary spot on him, and a silence falls.\n\nED\n(clearly, poignancy in his voice)\nWelcome, to the dawn of the Age of Endless Summer.\n\nEND OF PAGE 6 OF 150\n\n(Note: This sequence of the script layers the professional with the personal, the optimism of scientific discovery with the realism of its profound implications. Focus on clean transitions, script formatting, and tone consistency can be finessed using professional screenwriting software, ensuring the screenplay aligns with industry standards.)\n\nPAGE 7 OF 150:\n\nINT. GENEsis LABORATORY - RESEARCH AND DEVELOPMENT DEPARTMENT - DAY\n\nA humming silence pervades the pristine laboratory where EDWARD “ED” KAYNES, a scientist in his mid-30s and the epitome of determination, swiftly navigates among his TEAM of brilliant minds. The room resonates with the silent symphony of research and progress - white lab coats flit between the machinery like diligent specters.\n\nMARIA KAYNES, Ed’s partner in both science and life, meticulously examines a glass slide under the cold eye of an electron microscope. Around her is the hum of centrifuges and the benediction of controlled environments nurturing the frontiers of human knowledge.\n\nED\n(while adjusting an instrument with precision)\nEvery calculation, every test, brings us closer to our goal. Details make the difference.\n\nAs he speaks, the room’s energy shifts - a collective exhale in anticipation. A young researcher, JAMES, watches a simulation on the screen - genetic code twisting into a dance of immortality.\n\nMARIA\n(over her shoulder, to James)\nHow’s the prognosis?\n\nJAMES\n(can hardly believe it)\nIt’s stronger than we dared hope, Dr. KAYNES. Our work… it could change the world.\n\nMaria shares a triumphant smile with Ed - a moment of silent understanding; they’re on the cusp of greatness.\n\nMONTAGE:\n\n- Ed’s hands, steady and exact, preparing the life-extending compound.\n- Maria, cross-referencing data that gleams with the promise of eternity.\n- The Core Team in a delicate, dangerous ballet of biochemistry and breakthrough.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - HALLWAY - DAY\n\nEd, holding a folder crammed with the future, strides down the hallway flanked by accolades of past triumphs. Photographs of test subjects, marked with timelines and notes, bear witness to the lineage of their sacrifices.\n\nMaria hastens to his side, her expression a kaleidoscope of anxiety and excitement.\n\nMARIA\n(a soft undercurrent of concern)\nAre we ready for this?\n\nED\n(with a confidence that belies the butterfly effect of their actions)\nHistory waits for no one, and neither shall we. Today, our dreams collide with destiny.\n\nTogether, they approach the presentation hall. Behind those doors, the future - their brainchild - waits, bathed in spotlight and expectation.\n\nEND OF PAGE 7 OF 150\n\n(Note: This scene weaves the threads of ambition, accomplishment, and the gravity of discovery. It sets the stage for the unveiling of a daring quest to outpace nature. Maintaining the seamless progression of the screenplay calls for mindful timing and pacing, ensuring the narrative crescendo is both visually and emotionally arresting.)\n\nPAGE 8 OF 150:\n\nINT. GENEsis LABORATORY - LOBBY - DAY\n\nFLASH ON the bustling interior of the GENEsis lobby, a crucible of nerves and anticipation as DIGNITARIES and SCHOLARS from around the globe converge, their conversations a vibrant tapestry of languages and accents.\n\nEd’s TEAM, the backbone of GENEsis, circulates. They’re the custodians of this day, as rehearsed as the polished floors they stride across, their lab coats a uniform of progress.\n\nMaria, poised and radiating confidence, serves as the gracious hostess, a liaison between Ed’s genius and this elite audience who’ve gathered here. She’s a force, his bastion, equally as brilliant.\n\nMARIA\n(her voice warm, inviting)\nWelcome, Dr. Kim, to what we hope will be a historic day.\n\nDR. HELEN KIM, a veteran in genetics, matches Maria’s warmth with professional camaraderie.\n\nDR. KIM\nI’ve been looking forward to this, Maria. The implications of Ed’s research are quite extraordinary.\n\nTheir exchange is cut short as an ASSISTANT beckons Maria, a whisper of urgency in his gesture.\n\nCUT TO:\n\nA secluded CORNER OF THE LOBBY, away from the hum where two FIGURES huddle in hushed discussion. ANGLES and HUES suggest intrigue, the gravity of their topic emanating from their silhouetted profiles.\n\nFIGURE ONE\n(a muffled timbre of concern)\nWhat they’re proposing… it could redefine society. But at what cost?\n\nCUT TO:\n\nED, alone now, flanked by screens depicting fractals of DNA and vibrant cells. He’s the maestro steadying himself before the baton falls, a solitary figure against the quiet cacophony of tech and science.\n\nAn ASSISTANT approaches, discreetly handing him a note. Ed reads, discretion painting his face; the words heavy with portent.\n\nASSISTANT\n(under his breath)\nIt’s time, Dr. Kaynes. They’re ready for you.\n\nED\n(his tone resolute)\nIndeed. The future waits for no one.\n\nThe curtains part, a sliver of light from the presentation room spills forth—an audience primed, the air thick with expectation.\n\nCUT TO:\n\nThe LOBBY, now quiet as the wealth of intellectualism and capital migrates to witness the revelation—a procession of potential. Maria takes a moment, her gaze trailing after the receding figures.\n\nMARIA\n(softly, to herself)\nThis is where we change the world.\n\nShe heads after them, the promise of the day urging her forth as the doors to the future swing wide.\n\nCUT TO BLACK.\n\nEND OF PAGE 8 OF 150\n\n(Note: This scene delineates the fine line between triumph and trepidation as the world stands on the brink of Ed and Maria’s breakthrough. The understated drama hints at unspoken fears lurking beneath the veneer of a controlled environment. As the act progresses, each page must balance the technological with the personal, taking care to maintain tension and propel the characters into their destinies.)\n\nPAGE 9 OF 150:\n\nINT. GENEsis LABORATORY - PRESENTATION HALL - DAY\n\nThe gentle murmur of the crowd quickly fades as EDWARD “ED” KAYNES takes the center stage, his presence commanding the rapt attention of every attendant. The ambiance is electric, every stakeholder and media representative primed for a revelation that could mark a new epoch for mankind.\n\nED\n(clearing his throat, then confidently)\nThank you for joining us on this momentous day. What we’re about to unveil isn’t merely an advance in biotechnology; it’s a paradigm shift—a beacon that guides us into uncharted waters of human potential.\n\nHe pauses, allowing his words to resonate, then continues, articulating each word as though it were history itself being recorded.\n\nED (CONT’D)\nImagine, if you will, a world free from the rigors of time—a future where longevity isn’t just hoped for but assured; where the specter of disease and decay is held at bay by the very science that resides within each strand of DNA.\n\nThe curtains unfurl to reveal a high-tech display where a white rat, previously a subject of senescence, now scurries with a youthful vigor that belies its actual age.\n\nMARIA, visible in the backdrop and juxtaposed with the display, nods subtly, her pride in their work matching the admiration in her eyes—partners in science, partners in vision.\n\nDr. Helen KIM amongst the audience looks on, the possibility reflected in her eyes. She knows the magnitude, the sheer scale of what ED and MARIA might have just accomplished.\n\nED (CONT’D)\n(encouraged by the collective awe)\nThis breakthrough is the harbinger of a new age, the dawn of an epoch where the tap of life does not run dry—a promise that tomorrow need not be tinged with the fear of inevitable decline.\n\nA hush falls over the room, the significance of this moment imprinting on the very air they share. ED’s voice is the only sound, smooth and confident as he holds the future in his gaze.\n\nED (CONT’D)\nBut this is not just science; it’s a responsibility—a covenant with the future. We stand at this crossroad, understanding the weight of our creation. It’s a step towards immortality, and we tread this path with a gravity befitting pioneers on the cusp of history.\n\nThe silence bursts into applause—it rings through the hall, the walls themselves seemingly acknowledging the gravity of this juncture in humanity’s endless quest for transcendence.\n\nMARIA joins the applause, her face mirroring a symphony of pride and anticipation. She knows that the steps they take from here on out will forever alter human destiny.\n\nCUT TO BLACK.\n\nEND OF PAGE 9 OF 150\n\n(Note: This scene elevates the scientific discovery to a pivotal societal milestone. It captures the critical balance between the excitement of innovation and its ethical implications. As the narrative progresses, the emotional and intellectual gravitas must be carefully nurtured to build a crescendo that mirrors the stakes of the story’s unfolding events.)\n\nPAGE 10 OF 150:\n\nINT. GENEsis LABORATORY - PRESENTATION HALL - DAY\n\nA silence drapes the audience as EDWARD “ED” KAYNES strides to the forefront of the hall, his presence a bastion of pioneering brilliance. The auditorium, bristles with the electricity of anticipation.\n\nED\n(with a voice that resonates thought and possibility)\nLadies and Gentlemen, what you are about to witness is not merely a demonstration. It is the unfurling of an era where mortality itself may be rendered a relic of the past.\n\nA technological showcase hums to life—screens light up, revealing a time-lapse of their oldest test subject: a rat named PHOENIX. In fast-forward, the audience watches in awe as Phoenix rejuvenates before their eyes.\n\nAn elicited murmur of astonishment paves the way for a groundswell of claps.\n\nMARIA KAYNES, as stoic as she is proud, stands among the captivated, her hand extended to a holographic display that pulses with the rhythm of breakthrough science.\n\nINSERT: HOLOGRAPHIC DATA SCREEN\n\nDigital chromosomes untangle and reconfigure—Ed’s narrative unfolds alongside, graphically explicating the marvel of their “Elixir of Life.”\n\nED (CONT’D)\n(empowering the revelation)\nThis, esteemed guests, is merely the beginning. Today, the barrier of life’s end is not but a threshold. One we approach with reverence and responsibility.\n\nMaria, sharing a gaze with Ed, presents a vial filled with iridescent serum to the room—a beacon of promise. Her eyes reflect the gravitas of their journey, the solidified dreams forged in relentless pursuit.\n\nCUT TO:\n\nCLOSE-UP - REJUVENATED PHOENIX\n\nNow sprightly and youthful, Phoenix becomes the living testament to human ingenuity, the embodiment of defiance against nature’s decree.\n\nED (CONT’D)\n(declaring with hope-fueled certainty)\nImagine—the ailments we will heal, the lives we’ll prolong, the wonders of vitality we’ll unearth. Together, we stare into the face of the eternal dawn.\n\nAPPLAUSE thunders through the hall, a harmonized confirmation of humanity’s next leap forward. In the heart of that jubilation, Ed and Maria, entwined not just by love but by the collective breath of a thousand tomorrows, stand ready to steer the helm of humankind’s odyssey into unfathomable waters.\n\nEND OF PAGE 10 OF 150\n\n[Note: This rewrite enhances the dramatic impact and the visionary energy of the scene, bringing the audience to the cutting edge of bioengineering revelation. By infusing the screenplay with immersive dialogue and visual detail, it maintains a balance between scientific authenticity and dramatic storytelling. Proper screenplay formatting and professional involvement are essential for the subsequent process of script revision and production.]\n\nPAGE 11 OF 150:\n\nINT. GENEsis LABORATORY - PRESENTATION HALL - DAY\n\nThe murmur of curiosity turns to a hush as EDWARD “ED” KAYNES stands before the assembly of his peers. His stance commands attention, his eyes a mirror to the weight of the moment.\n\nED\n(flashing a confident smile)\nThank you, everyone. The frontier of science is not just about discovery but about the ethical stewardship of that knowledge.\n\nHe gestures to the screen displaying the ramifications of their “Eternal Life” project - vibrant graphs and simulations illustrating the cellular rejuvenation process.\n\nDR. ABBOTT, a venerable figure in the scientific community, speaks up from the crowd, his tone a mix of intrigue and concern.\n\nDR. ABBOTT\n(calling out)\nEdward, your work is awe-inspiring, but what measures are you taking to address the potential ethical implications?\n\nThe room grows still, the weight of the question hanging in the air.\n\nED\n(nodding respectfully)\nA crucial question, Dr. Abbott. Our team is fully committed to ethical responsibility. We have an ethics board in place, and we’re working closely with policymakers to ensure our research benefits society as a whole.\n\nMurmurs of approval ripple through the audience as a REPORTER from the local news station raises her hand.\n\nREPORTER\n(brisk and articulate)\nCould such a powerful technology lead to inequities? How do you plan to ensure fair access?\n\nMARIA KAYNES, equally as accomplished and Ed’s partner in both life and work, takes this one.\n\nMARIA\n(her voice strong and assuring)\nOur mission is to democratize our advances. It’s about enhancing the human experience for all, not just a privileged few. We’re fully aware of the risks and are working on safeguards to prevent abuse.\n\nA BIOETHICIST in the audience, notebook at the ready, chimes in.\n\nBIOETHICIST\n(considered, pressing)\nYour research could change the natural order of things. Are there potential side effects or sociological impacts we should be concerned about?\n\nED steps back up, a serious glint in his eye.\n\nED\n(profoundly)\nIndeed, we’re treading new ground here. It’s a voyage into the unknown, but one we must undertake with caution and compassion. Our goal isn’t to play nature but to ward off the specter of disease and decay so humanity can reach its full potential.\n\nA respectful silence follows, cycling into an applause as Ed and Maria exchange a knowing look, their partnership a testament to the duality of science—a beacon of hope and an ethical compass.\n\nEND OF PAGE 11 OF 150\n\n[Note: This reworked scene aims to address the ethical debates surrounding the groundbreaking technology showcased in the film. By adding dialogue from the characters and reactions from the audience, it reinforces the theme of responsibility that comes with scientific advancement. The exchange also sets the foundation for the societal dilemmas faced when altering the course of human evolution. As per industry standards, character actions and transitions are denoted clearly, guiding the reader through the narrative progression.]\n\nPAGE 12 OF 150:\n\nINT. GENEsis LABORATORY - RECEPTION HALL - EVENING\n\nThe elegantly decorated reception hall is filled with the soft glow of chandeliers and the murmur of a well-heeled crowd. Guests in formal attire meander through the room, clinking glasses and discussing the revolutionary presentation they’ve just witness INT. GENEsis LABORATORY - RECEPTION HALL - EVENING\n\nThe opulent hall, bathed in the soft light of chandeliers, buzzes with the elite of the scientific community. A hum of conversation fills the air as guests in sleek attire discuss the groundbreaking revelations presented by ED and MARIA.\n\nServers circulate with trays of sparkling champagne and gourmet hors d’oeuvres, complementing the sophistication of the event.\n\nCLOSE ON:\nEd, bespectacled, and Maria, grace personified, their faces flush with the success of the evening. They are the nucleus around which the event orbits.\n\nCHANCELLOR WEST, an authoritative figure in academia, approaches with an air of respect, extending his hand.\n\nCHANCELLOR WEST\n(clasping Ed’s hand with gravitas)\nEd, that was truly a tour de force. You have the whole city abuzz with excitement.\n\nED\n(with a mixture of humility and pride)\nThank you, Chancellor. It takes a city to raise a breakthrough.\n\nMaria beams at the comment, her confidence in their work unshakeable.\n\nCUT TO:\n\nA secluded alcove where hushed voices carry undercurrents of dissent. DR. ROSENBERG, with furrowed brows, converses with MS. SHARPE, a leading bioethicist.\n\nDR. ROSENBERG\n(voice tinged with concern)\nThey’ve opened Pandora’s box. Can they control what comes next?\n\nMS. SHARPE\n(tea in hand, pensive)\nThe implications are profound; the ethical dimensions yet to be fully understood. Time will tell if their ambition outpaces their prudence.\n\nACROSS THE ROOM\n\nEd, engaged in a lively exchange with YOUNG INVESTORS, extols the virtues of their work. Maria, always in tandem, contributes keen insights, her intellect and charm shining.\n\nMARIA\n(enthusiastic)\nThe research has boundless potential, but we are firmly grounded in our ethical obligations and the well-being of society.\n\nYOUNG INVESTOR #1\n(slightly inebriated enthusiasm)\nSuch a vision! To the dawning of a new age, then!\n\nGlasses clink, echoed by the chatter of dreamers and skeptics alike. The promise of the unknown weaves through the atmosphere - a dance of excitement and apprehension.\n\nEd’s gaze finds Maria across the sea of faces. Their shared purpose, stronger than ever, a silent pact to guide the future, whatever it may hold.\n\nEND OF PAGE 12 OF 150\n\n[Note: This scene balances the light of scientific achievement with the shadows of ethical considerations. It showcases the protagonists within the framework of their professional and personal dynamics, setting the stage for future narrative complications. The script, while advancing the plot, sows seeds of future tension, maintaining a tempo consistent with screenwriting standards.]\n\nPAGE 13 OF 150:\n\nINT. GENEsis LABORATORY - MARIA’S OFFICE - NIGHT\n\nThe room is hushed, insulated from the buzz of the reception outside. A large window offers a view of the city skyline, twinkling under the mantle of night. MARIA stands by the glass, lost in thought, her silhouette a portrait of contemplation. Her office, usually an epicenter of activity, is now a sanctum of quiet reflection.\n\nED enters, closing the door softly behind him. There’s a magnetism between them as he approaches, the shared burdens and triumphs of their work enveloping them like a cloak. The clink of glass and faint laughter from the celebration seep through the walls, a reminder of the world outside.\n\nCUT TO:\n\nCLOSE-UP - MARIA’S FACE, illuminated by the city lights, her eyes shining with unshed tears.\n\nMARIA\n(voice soft with emotion)\nWe’ve done more than I ever dreamed. Yet tonight, I can’t shake off a sense of foreboding…\n\nED wraps his arms around her waist, drawing her close. Their connection is as palpable as the air they breathe, their union strengthened by the challenges they’ve faced.\n\nED\n(reassuringly)\nWe’ve tread through the unknown, shaped the future. Any fear we feel is a reminder of our responsibility.\n\nThey stand in shared silence, their gaze on the sprawling city below—a testament to humanity’s relentless advance.\n\nCUT TO:\n\nTWO SHOT - ED AND MARIA together, framed against the cityscape. Ed rests his chin on Maria’s shoulder, their reflections woven into the tapestry of lights.\n\nED\n(softly)\nWhat matters now is that we navigate the path ahead with caution. For every miracle we’ve created, there’s a responsibility we can’t ignore.\n\nMARIA\n(turning to face him)\nOur dreams could become nightmares if we’re not careful. The joy of discovery, the weight of consequence—we carry them both.\n\nED\n(nodding)\nTogether, we’ll face whatever comes. Our love, our bond… it’s our anchor amidst the storm.\n\nThey share a tender kiss, a moment of solace away from prying eyes and probing questions. It’s a promise, a vow unspoken but deeply felt—an acknowledgment of their unity and unwavering support for each other.\n\nEND OF PAGE 13 OF 150\n\n[Note: The screenplay will deepen the complexity of Ed and Maria’s relationship as they grapple with the consequences of their work and the outbreak that follows.] \n\nPAGE 14 OF 150:\n\nINT. GENEsis LABORATORY - LATE NIGHT\n\nElegiac silence envelopes the lab, as ED and MARIA enact their final rituals in this sanctuary of science. They power down the humming computers, their screens an epitome of human ingenuity now resigned to darkness.\n\nMARIA holds her lab coat close, an armor against the palpable weight of the night’s revelations. Ed, with deliberate solemnity, locks away classified materials—information that once promised a brighter future.\n\nED\n(musing with a trace of sorrow)\nIn our hands, we held the light of knowledge, the hope for mankind’s dawn…\n\nMARIA, with measured breath, crosses to join him, a consoling presence in the stillness of their created world.\n\nMARIA\n(voice quivering with resolve)\nAnd in our hearts, we’ll carry it still, through whatever lies ahead. This journey… our purpose… it doesn’t end here.\n\nThey exchange a glance, a silent accord, their shared convictions unshaken.\n\nDISSOLVE TO:\n\nEXT. GENEsis LABORATORY - NIGHT\n\nEd and Maria emerge from the lab, the door closing with an echo that speaks to the finality of the day. The building stands silent amidst the cacophony of a world it has forever altered.\n\nINT. ED AND MARIA’S CAR - NIGHT\n\nAs they drive through the suspended city—its architecture a geometric lullaby—the stillness envelops Ed and Maria. The car is a vessel adrift in the ocean of an uncertain future, the serenity an unsettling prelude to the sirocco of change.\n\nMARIA\n(softly, almost to herself)\nWhat have we done, Ed? The path we’ve chosen…\n\nED\n(firmly, cutting the tension)\n…is the right one. Doubt can’t sway us now. We did it for the greater good, regardless of the cost.\n\nEXT. ED’S HOUSE - BACK PORCH - NIGHT\n\nThe two of them, alone against the tapestry of the night sky, settle into a silence under the stars. The darkness is pierced by the soft flicker of candlelight. The porch, a haven in the eye of the storm, is where they find solace.\n\nMARIA\n(a murmur against the night’s whisper)\nMay this peace last, against the tempest that looms.\n\nED gathers MARIA in his arms, a fortress against the coming gale.\n\nED\n(mutely determined)\nAs long as we stand together, we’ll weather any storm.\n\nMARIA leans into ED, her beacon in the twilight. Together, they face the horizon, where dawn’s light contends with the shadows of uncertainty.\n\nCUT TO BLACK.\n\nEND OF PAGE 14 OF 150\n\nPAGE 15 OF 150:\n\nINT. ED AND MARIA’S CAR - NIGHT\n\nThe city’s whispered lullabies trail off as the car snakes through its veins, suspended in the timelessness of night—a pause in the day’s revelation.\n\nED (V.O.)\n(somber, introspective)\nIn the stillness of the night, the world hears the secrets we whisper to the stars—hopes that shine bright amid the encroaching shadows.\n\nOutside, a tapestry of stars battles the city’s fading luminescence, a visual symphony of light and dark mirrored in the weary yet hopeful eyes of our travelers.\n\nMARIA\n(softly, to Ed, with solemn warmth)\nThe path we’ve carved today will shape a thousand tomorrows, entangling our fates with the arc of history.\n\nTheir glance meets, a bridge of silence spanning between them, weighted with the burden of their creation.\n\nCUT TO:\n\nThe sanctuary of their home awaits as they drift into the driveway. The car’s engine stills, surrendering to the quietude that wraps around them like a protective shroud.\n\nED\n(turning to Maria, voice steady yet laden)\nThis evening’s promises linger—a testament to our quest. With you, each dawn is a promise kept, each dusk, a vow renewed.\n\nTogether, they step out into the night’s embrace, their silhouettes hand in hand, retreating from the precipice of their day’s labors into the tranquil respite of their abode.\n\nCUT TO:\n\nThe door to their home closes behind them, sealing away the labors of their past, the uncertainty of their future, surrounded by the familiar.\n\nFADE TO BLACK.\n\nEND OF PAGE 15 OF 150\n\n(As the narrative unfolds, it is essential to explore the duality of their existence—the inner turmoil and external resolve. This enhanced scene serves to juxtapose their solitude with the impending chaos. Script refinement with professional formatting will be necessary to ensure the screenplay’s readiness for production.)\n\nEditorial Notes for PAGE 15 OF 150 Enhancement – Night setting:\n\n1. The narrative context has been modified to reflect a nocturnal setting consistent with your request.\n2. Atmospheric details such as the “tapestry of stars” and the “whispered lullabies” of the city at night have been woven into the descriptive elements.\n3. Ed’s Voice Over (V.O.) has been tailored to underpin the gravity of their day and the solitude of the night.\n4. The dialogue between Ed and Maria has been crafted to convey their profound connection and the weight of their shared journey.\n5. Scene transitions have been described to focus on the shift from their scientific achievements to their personal sanctuary, illustrating a stark contrast with the coming events.\n6. Professional screenwriting software should be used to accurately reflect industry standards in the presentation of this script.\n\nPAGE 16 OF 150:\n\nINT. ED AND MARIA’S HOME - LIVING ROOM - NIGHT\n\nThe seductive ambience in the living room enhances the comfort and connection between ED and MARIA. They are nestled on a luxurious sofa that is the epitome of modern elegance, yet the room resonates with an old-world charm.\n\nA low table is the centerpiece of their intimate setup, decorated with a vibrant bouquet and the soft flicker of candlelight. An open bottle of red wine sits idle, exuding its bouquet into the room, while two glasses sit, their contents slowly savored.\n\nMaria finds solace in Ed’s embrace, her body drawn to his as they reflect on the day’s triumph and ponder their shared aspirations.\n\nMARIA\n(beaming with love for Ed)\nImagine… we might be on the cusp of history, deciphering the riddle of agelessness.\n\nED\n(gazing deeply into her soul)\nAnd none of this would be possible without you—you are the genius and the lifeblood of our mission.\n\nMaria’s cheeks are kissed by a rosy flush as she takes in the accolade, momentarily averting her eyes before locking them with his once more.\n\nMARIA\n(lifting her glass with grace)\nHere’s to our breakthrough, our journey ahead… and to the bond we share.\n\nTheir glasses meet in a symphony of crystal, a testimony to their dedication. They drink, a poetic chorus of nocturnal life providing a tender soundtrack.\n\nED\n(with a voice full of sincerity)\nEach obstacle has only solidified us. Together, we are invincible against the unknown.\n\nThe lens of the camera inches closer, capturing Ed and Maria as they set their glasses aside and face one another.\n\nMaria’s hands gently cradle Ed’s cheeks, her words floating like a whisper.\n\nMARIA\nI sense the dawn of an epoch. The first page of a lengthy narrative…\n\nTheir lips converge in a kiss that relinquishes the need for words. As the melody swells, we are left to admire their silhouettes, dancing in the candlelight, an immortal image.\n\nEND OF PAGE 16 OF 150\n\nPAGE 17 OF 150:\n\nINT. ED AND MARIA’S BEDROOM - NIGHT\n\nThe storm outside casts a sharp silhouette on the steamy windows. Raindrops patter rhythmically against the glass, complementing the passionate symphony from WITHIN.\n\nEd and Maria’s love overflows; a tangible energy undulates through the air as layers of clothing fall away like petals. Now bare to each other and the world, they find truth in the touch of skin on skin.\n\nThey sink into the carnal embrace, bodies entwined in the timeless dance of desire. Moonlight streams through the window, casting ghostly rays over their melding forms.\n\nA profound intimacy fills the room as a series of delicate moans, and whispers crescendo with the increasing fervor of the night.\n\nCUT TO:\n\nAdjacent Frame: GRAPHIC DETAILS OMITTED. Passion-filled silhouettes imply their rising desire.\n\nCUT TO:\n\nThe camera pans to the security footage on their laptop, unnoticed in their rapture. The rat, lifeless in its cage, suddenly convulses. Its deceased form twitches, resurrecting into a ghastly vermin gnawing at reality and reason.\n\nThe rat’s maligned resurrection unfolds clinically, stark against their natural humanity. It begins to batter against the confines of its glass prison with awakened ferocity, signaling the start of a relentless plague.\n\nBACK TO ED AND MARIA:\n\nTheir union, though blurred in the shadows, remains the focal point. But the storm outside picks up its pace, lightning illuminating the backdrop of their passion and the impending dread that brews unseen.\n\nCUT TO:\n\nExterior Shot: The rat’s figure, now sinister and frenzied, escapes into the swirling maelstrom, finding its way to the heart of an unsuspecting city.\n\nCUT TO:\n\nThe bedroom builds to a passionate zenith. In the flickering light, two souls entwined seem untouched by the lurking terror.\n\nFADE OUT.\n\nEND OF PAGE 17 OF 150\n\nPAGE 18 OF 150:\n\nINT. ED AND MARIA’S BEDROOM - LATER THAT NIGHT\n\nThe tempest outside crescendos, an ominous symphony to match the unfamiliar silence within. Ed and Maria lie entwined, a peaceful reprieve from the chaos of their lives. Yet as they sleep, fate sits patiently on their doorstep.\n\nThe incessant RINGING of Ed’s phone slices through the silence—insistent, jarring. He stirs, but Maria nudges him towards the persistent invasion of their tranquility.\n\nMARIA\n(muffled against Ed’s neck)\nHoney… the phone…\n\nED\n(grumbling)\nLet it ring… nothing is more important than this moment.\n\nBut the phone is relentless. After several ignored calls, Ed finally relents.\n\nED\n(sighing)\nAlright… alright…\n\nHe reaches out, voice heavy with the remnants of sleep and satisfaction.\n\nED\n(into the phone)\nHello?\n\nThe grave voice of a COLLEAGUE reverberates through the line, shattering the mussed warmth of their sanctuary.\n\nCUT TO:\n\nSplit Screen: Ed’s expressions of ecstasy now contort to one of shock and disbelief.\n\nCOLLEAGUE (V.O.)\n(urgent, panicked)\nEd—it’s gone wrong. The test subject—it…\n\nThe blood drains from Ed’s face as the screams from the other side sync with lightning strikes outside. Redeployment from a night of union to one of splitting despair.\n\nThe camera focuses tight on Ed’s widening eyes, as understanding and dread meld into a chilling realization.\n\nCUT TO:\n\nMaria looks on, her countenance shifting from tranquil contentment to alarmed confusion.\n\nMARIA\n(in a strained whisper)\nEd, what’s happened?\n\nThe storm outside wails as if to answer. Chaos is calling, and their world teeters on the edge of an abyss.\n\nSMASH CUT TO BLACK.\n\nEND OF PAGE 18 OF 150\n\nPlease be aware that screenplay industry standards require correct formatting, and this plain text rendition is for conceptual illustration only. It is highly recommended to use professional screenwriting software to conform to industry expectations. Also, consult with industry professionals and consider sensitivity readers to ensure that the material is approached responsibly and aligned with the intended audience.\n\nPAGE 19 OF 150:\n\nINT. ED’S LABORATORY - NIGHT\n\nThe lab lies in eerie silence, bathed in the cold glow of emergency lighting. The expansive room, once a hub of scientific progress, now forebodingly empty.\n\nINTERCUT WITH:\n\nSECURITY FOOTAGE\n\nThe once lifeless rat is now an aberration of motion, its jerky revival captured in grainy detail on a monitor propped amongst the clutter of frantic research. In a nightmarish twist, the rat gnaws its way free, initiating an insidious spread of the undead virus.\n\nThe SECURITY GUARD watches, isolated in the lab’s camera control room, eyes growing wide – the beginnings of terror taking hold.\n\nSECURITY GUARD\n(murmuring to himself)\nOh, no, no, no… This can’t be happening.\n\nHe reaches for the phone, his hand trembling. The gravity of the situation unfolding before him — incomprehensible yet undeniable.\n\nCUT TO:\n\nINT. ED’S LABORATORY - CONTINUOUS\n\nA panoramic sweep of the lab reveals toppled chairs and deserted workstations signifying a rapid and chaotic evacuation. Papers fluttering to the floor, the aftermath of the cataclysmic event that has transpired.\n\nSuddenly, the sound of shattering glass pierces the silence. The previously contained rat makes its escape into the night, navigating through the labyrinthian laboratory with frightening purpose.\n\nCUT TO:\n\nEXT. LABORATORY GROUNDS - CONTINUOUS\n\nUnder the cover of darkness, the infected rat slips through a crack in an open window, disappearing in the vastness of the city with ominous potential – the plague unleashed.\n\nBACK TO LAB:\n\nThe SECURITY GUARD, alone in his vigil, watches in disbelief as the screens display the breach on loop. His voice a whisper over the intercom:\n\nSECURITY GUARD\n(into intercom, voice quivering)\nContainment… breach. Code Red. This is not a drill…\n\nThe dim corridor outside fills with the red strobe of the alert system, painting the white walls with portents of doom. The lab now stands as ground zero for an impending apocalypse.\n\nFADE TO BLACK.\n\nEND OF PAGE 19 OF 150\n\n[Note: The following pages build upon the tense atmosphere, exploring the outbreak’s initial spread through Ed and Maria’s experience, setting the stage for the chaos to engulf the narrative and their city’s fate.]\n\nPlease note that, based on your instruction, the narrative detail and specificity may require adjustments to adhere to production realities, audience sensitivities, and the film’s emotional intent. This script should undergo several revisions with the involvement of experts in the field and screenwriting professionals to ensure a polished and compelling final draft.\n\nPAGE 20 OF 150:\n\nINT. ED AND MARIA’S BEDROOM - LATE NIGHT\n\nThe incessant RINGING of a telephone disrupts the wee hours of the night. ED groggily reaches for the source of the disturbance, the warmth of the bed juxtaposed against the cold urgency of the call.\n\nED\n(hoarse, disoriented)\nHello…?\n\nINTERCUT WITH:\n\nINT. GENEsis LABORATORY - NIGHT\n\nA cacophony of alarms and flickering lights paint a harrowing picture. DR. LAURA STEVENS, a fellow scientist, is on the other line, panic etching her voice as she relays the night’s dreadful developments.\n\nDR. STEVENS\n(voice frantic)\nEd, it’s breaking loose. The test subjects—they’re not dead! It’s a complete outbreak!\n\nMaria stirs, sensing the distress that’s befallen her husband.\n\nMARIA\n(alarmed, to Ed)\nWhat’s wrong?\n\nED\n(suddenly wide awake, to Maria)\nIt’s the lab… something’s happened. We need to go—now.\n\nWith decisive speed, Ed and Maria leap into action, the gravity of the situation thrusting them into the night.\n\nEXT. SCIENCE CITY - DAWN\n\nThe early morning cityscape reveals an eerie stillness. Soon, the silence will give way to chaos, as the sun rises over a city on the verge of an unimaginable disaster.\n\nINT. ED AND MARIA’S CAR - DAWN\n\nThe couple races through the desolate streets, their vehicle’s headlights cutting swaths through the twilight mist. They share a knowing look—a silent covenant between them to face whatever horror awaits.\n\nMARIA\n(resolve in her voice)\nWhatever it takes, we’ll stop this.\n\nED\n(grim determination)\nTogether, always.\n\nTheir car disappears into the awakening city, the dawn of a new day belying the darkness it brings.\n\nEND OF PAGE 20 OF 150\n\nPAGE 21 OF 150\n\nINT. GENEsis LABORATORY - SECURITY HUB - NIGHT\n\nA sea of monitors casts a haunting blue light over the room. The NIGHT-SHIFT SECURITY GUARD, wide-eyed, frantically types at his console, a symphony of alarms demanding his attention.\n\nIn the corner, a MONITOR reveals a lone rat in its enclosure — motionless, then SUDDENLY STIRRING. The impossible movement catches the guard’s eye.\n\nSECURITY GUARD\n(muttering under his breath)\nThis can’t be…\n\nHis hand hovers over the PANIC BUTTON, sweat beading on his brow, a moment’s hesitation before he slams his palm down.\n\nALARM BLARES.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - CONTAINMENT AREA - CONTINUOUS\n\nThe rat twitches violently, RESURRECTING with each convulsion. A grotesque parody of life as the sterile blue light flickers ominously overhead.\n\nThe creature SMASHES against the glass enclosure, the SOUND echoing down empty corridors.\n\nCUT TO:\n\nEXT. SCIENCE CITY - DESERTED ALLEY - CONTINUOUS\n\nShadowy figures move with predatory grace. The once-vibrant city streets now a labyrinth of dread. The first of the INFECTED emerge, a home, once safe, becoming a maze of terror.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - VARIOUS - CONTINUOUS\n\nA rapid succession of shots: HALLWAY lights flickering, DOORS automatically LOCKING DOWN, the LAB transforming into a TOMB.\n\nCUT TO:\n\nINT. ED AND MARIA’S BEDROOM - THE SAME\n\nThe silence of their sanctuary is ignorant of the unfolding chaos. A bedside clock ticks ominously, its red digits counting down to an unknown horror.\n\nEXT. SCIENCE CITY - FIRST LIGHT\n\nThe first hints of dawn creep across the skyline, lighting up the edge of the world with an unsettling beauty — unaware of the NIGHTMARE UNLEASHED.\n\nEND OF PAGE 21 OF 150\n\nPAGE 22 OF 150\n\nEXT. SCIENCE CITY STREETS - PRE-DAWN\n\nThe city rests under a veil of darkness. Streetlights flicker as the first hints of morning struggle to penetrate a growing, unnatural fog. A sense of dread permeates the desolate urban landscape.\n\nSuddenly, an eerie scuffle breaks the stillness. On a deserted alleyway, a HOMELESS MAN huddles for warmth, unaware of the danger lurking.\n\nHis eyes snap open, on edge, and fear takes hold as he spots several figures moving with an unsettling, lurching gait towards him. The ragged silhouettes grow clearer - zombies in various stages of decay.\n\nWasting no time, the man scrambles to his feet, but his movements are sluggish, still dulled by sleep. He turns to flee, but the undead descend upon him with relentless hunger. His panicked screams shatter the silence of the night, a symphony of terror that marks the dawn of a new horror.\n\nThe trespass of his agony paints a chilling picture; the predators tearing into their prey without mercy, a grim foreshadowing of the city’s looming fate.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - SECURITY ROOM - CONTINUOUS\n\nThe night-shift SECURITY GUARD, wide-eyed, stares at the gruesome scene through his bank of monitors. Shaken to his core, he reaches for the radio, his voice quivering as he reports the incident.\n\nSECURITY GUARD\n(into radio, voice trembling)\nWe have an attack in progress… Sector 5, west alleyway. Immediate response needed…\n\nHe realizes the helplessness of his position, the futility of calling for aid already too late for the unfortunate victim. His hand shakes as he switches off the monitor, the image of the undead’s assault burned into his memory.\n\nTo his horror, he understands that this solitary incident is but the precursor to a city-wide nightmare. The zombies are free, and Science City is their hunting ground.\n\nCUT TO:\n\nEXT. GENEsis LABORATORY - DAYBREAK\n\nThe lab stands as a beacon of light as the sun rises. Panic is palpable, even from within the fortified walls. ED and MARIA, wrap themselves in determination. They must venture into the apocalypse they inadvertently created. The weight of their actions has never felt heavier, and as they steel themselves against what’s to come, a new resolve hardens in their hearts.\n\nMARIA\n(with steely determination)\nWe’ve got work to do.\n\nThe horror outside is now their cross to bear, their breakthrough their penance – and as DAYBREAK ushers in the first light, the first step in a relentless battle for redemption is taken.\n\nCUT TO BLACK.\n\nEND OF PAGE 22 OF 150\n\nPAGE 23 OF 150\n\nINT. CITY HOSPITAL - DAWN\n\nSlivers of morning light offer no hope, instead illuminating a tableau of chaos. MEDICAL STAFF dash from bed to bed, desolation etched into their faces as they face the inevitable.\n\nDR. MARTINEZ, her eyes showing the night’s toll, marshals her team like a battlefield commander.\n\nDR. MARTINEZ\n(shouting over the cacophony)\nMove the critical cases to isolation! Now!\n\nOrderlies hurry by, pushing a gurney with a PATIENT whose twitching betrays the infection’s advance.\n\nCUT TO:\n\nEXT. SCIENCE CITY PARK - DAYBREAK\n\nThe park, once a refuge of mirth, now stands ominously silent. A CHILD’S BIKE lies discarded on its side, the nearby swings creaking in the wind as if mourning the loss of laughter.\n\nA distant, guttural SCREAM pierces the morning air. Behind a line of trees, a FIGURE stumbles through the underbrush — not a jogger, but something distorted and terrifying.\n\nCUT TO:\n\nINT. EMERGENCY BROADCAST STATION - DAY\n\nA static-filled screen becomes clear, capturing the ANXIOUS FACE of a NEWS ANCHOR. The room buzzes with palpable fear as the words take form — a warning to the city’s population now waking to a new reality.\n\nNEWS ANCHOR\n(with urgency)\nStay indoors. Lock your doors and windows. Do not attempt to go out unless absolutely necessary…\n\nTechnical staff exchange frightened glances; they know the gravity of the announcement they’re sending into the world.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - UNDERGROUND BUNKER - CONTINUOUS\n\nThe bunker is a stark contrast of control amidst bedlam. ED paces the room, his mind racing for solutions, while MARIA scrutinizes a layout of the LAB on a digital screen.\n\nMARIA\n(pointing at an intersection)\nThe anti-viral vault… If anything can save us, we need to reach it.\n\nED’s face hardens with renewed resolve as he nods, their partnership solid and unfaltering despite the odds.\n\nED\n(with a determined whisper)\nLet’s go save the world.\n\nTogether, they head toward the door that stands as both a barrier and a gateway to their last hope.\n\nCUT TO:\n\nEXT. CITY HOSPITAL - DAWN\n\nAs the first light of day takes hold, a convoy of ambulances scream into the hospital bay, despair hanging heavy in the air, foreshadowing the dread that is to come for Science City.\n\nThe camera pulls back to reveal the hospital, a testament to humanity’s plight, standing on the brink of being overwhelmed by the growing outbreak.\n\nEND OF PAGE 23 OF 150\n\n(Note: This revised PAGE 23 OF 150 aims to firmly entrench the urgency and spread of the zombie outbreak, juxtaposing the once-calm settings of a park and hospital with an undercurrent of terror. The swift narrative cuts intensify the atmosphere and propel the story forward as the protagonists face the crisis. Professional screenwriting software should be used for the final formatting, and industry professionals should be consulted to refine the dramatic narrative further.)\n\nPAGE 24 OF 150\n\nEXT. SCIENCE CITY - PUBLIC SQUARE - MORNING\n\nA faint morning light casts a shadow over the tranquil public square. But the peace is an illusion, shattered by the cacophony of DISTANT SIRENS and frenetic NEWS REPORTS.\n\nA HASTILY ERECTED PODIUM occupies the center of the square, where eager news crews are broadcasting live. The NEWS ANCHOR’S voice resonates with urgency, a dire warning for the unprepared citizens.\n\nNEWS ANCHOR (ON TV)\n(gravely)\nThis is an emergency broadcast. All residents are urged to stay indoors. Do not attempt to leave the city…\n\nA sense of panic rises in the air as the local population, clutching their belongings, faces the brutal reality descending upon them.\n\nCUT TO:\n\nEXT. RESIDENTIAL STREET - CONTINUOUS\n\nUndead SHADOWS begin to emerge into the light, an infestation spreading across the once safe streets. A chilling SCREAM echoes as an unsuspecting HOMELESS PERSON becomes an early victim of the onslaught.\n\nFast cuts show the horror escalating, FROM BARELY-FUNCTIONAL FAMILIES to DOOR-TO-DOOR EVACUATIONS. The city is on the brink.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - MAIN LOBBY - CONTINUOUS\n\nStrong overhead lights illuminate the scurrying of WHITE-COATED SCIENTISTS, a contrast to the chaos outside. They burn papers and destroy research to prevent any chance of the contagion spreading beyond their walls.\n\nED and MARIA, wrapped in lab coats, are a still center in the storm. Determination set in their faces, they march through the pandemonium toward the heart of the laboratory — the secure biovault.\n\nED\n(under his breath)\nIt’s got to be there, Maria. The cure…\n\nMARIA\n(hands clenching)\nWe’ll get it, Ed. We have to.\n\nTheir resolve is a beacon of hope amid the disarray.\n\nCUT TO:\n\nEXT. CITY HOSPITAL - CONTINUOUS\n\nThe HOSPITAL, its beacon-like quality diminished under the encroaching doom, becomes a FORTRESS against the affliction. Medics and security hustle to lock down the perimeter as more AMBULANCES roll in, a never-ending procession of despair.\n\nThe CAMERA rises, offering a bird’s eye view of the city, a METROPOLIS succumbing to an unseen assailant. Yet through the struggle and fear, the raw determination of its people stands defiant.\n\nEND OF PAGE 24 OF 150\n\n(Note: This revised PAGE 24 OF 150 amplifies the urgency of the moment, combining the wide-spread panic in the public square with the concentrated efforts inside the GENEsis Laboratory to secure a cure. Quick cuts between locations in the city convey the immediate danger and the beginning of a societal collapse. Professional collaboration and the use of industry-standard formatting will be essential for developing this screenplay appropriately for production.)\n\nPAGE 25 OF 150:\n\nEXT. CITY STREETS - DAY\nThe morning sun reveals an urban landscape turned warzone. Emergency broadcasts repeat across every available channel, issuing dire warnings to the frightened populace.\n\nINT. GENEsis LABORATORY - DAY\nBehind fortified glass, scientists watch in horror as infected test subjects prowl the formerly sterile corridors. ED KAYNES, eyes filled with resolve, prepares for the crucial task at hand.\n\nEXT. MILITARY CHECKPOINT - CITY OUTSKIRTS - DAY\nSoldiers in full hazard gear erect barricades, as the evacuation proceeds in grim silence under the watchful presence of gun-mounted vehicles and barricades.\n\nA PANICKED MOTHER, clutching her daughter’s hand, hurries through a checkpoint, her eyes darting back to the city where an uncertain fate awaits.\n\nINT. CITY HOSPITAL - EMERGENCY WARD - DAY\nDOCTORS and NURSES work frantically amid the chaos, as a growing number of patients display unnerving symptoms. The unmistakable sound of helicopter blades churns above – the rush to airlift critical patients to safety is underway.\n\nINT. CITY HALL - MAYOR’S OFFICE - DAY\nMAYOR THOMAS STONE faces a bank of monitors, each showing a different area of the crisis. He leans into a microphone, his voice steady, conveying a message of strength to his constituents.\n\nMAYOR STONE\n(gravely)\nThis is Mayor Stone. Stay calm, help is on the way. Keep your loved ones close, and remember… Science City stands united.\n\nThe camera angle tightens on Stone’s face, revealing his own concealed trepidation despite the bold front.\n\nEXT. GENEsis LABORATORY - ROOFTOP - DAY\nA helicopter swoops in, landing pad agents signaling urgently for MARIA KAYNES to board. Tear-streaked but unbroken, she resists – she won’t leave without the potential cure clenched in her fist.\n\nMARIA KAYNES\n(determined)\nIf there’s hope to end this, it’s here, and I’m not leaving it behind!\n\nCUT TO BLACK.\n\nEND OF PAGE 25 OF 150\n\nThe screenplay captures the mounting dread and the price paid by a city turned into a battleground against an undead pandemic. The narrative emphasizes the frantic attempts to manage and curtail the fallout, while also showing the protagonists’ determination to find a solution. Amid the chaos, the human element remains front and center: the frightened civilians, the overwhelmed staff, and the leadership crisis. The unfolding drama connects the audience to the harrowing reality of the characters as they grapple with survival and hope.\n\n[Please note that this scene, within the screenplay “RUN ZOMBIE, RUN,” demonstrates the early stages of the outbreak and the establishment of a new world disorder. The progression of the narrative should be continuously checked for coherence and developed in consultation with screenwriting professionals to ensure suitability for the intended audience and adherence to the dramatic requirements of the screenplay.]\n\nPAGE 26 OF 150:\n\nINT. GENEsis LABORATORY - ED’S LAB - DAY\n\nThe shattered remains of a once vibrant research hub lay bare. Glassware is strewn across the floor, papers flutter in the agitated air, and the persistent beep of a life support machine for a test subject echoes in the void.\n\nMARIA steps in cautiously, her eyes scanning the disastrous scene. The overturned chairs and scattered equipment paint a picture of a swift and violent struggle.\n\nMARIA\n(somberly)\nIt looks like we were invaded by our worst nightmare…\n\nED moves to the shattered cage, the remnants of their groundbreaking experiment. A chill runs down his spine as he traces his fingers over the broken lock. The implications are vast and terrifying.\n\nED\n(almost to himself)\nShe’s gone… the test subject is gone.\n\nCUT TO:\n\nCLOSE-UP on ED’s face, shadows playing at the edges of his grim determination. Behind him, the ominous lights of the emergency system flicker, underscoring the catastrophe.\n\nMARIA stands beside him, her hand finding his. Together they face the beginning of an apocalypse, their world irrevocably changed.\n\nMARIA\n(sound of steel in her voice)\nLet’s find that antidote, Ed. We owe it to everyone out there—and to ourselves.\n\nED nods, the silence between them speaking volumes. They have become soldiers on the front line of a battle they never wanted.\n\nFADE TO:\n\nEXT. CITY - CONTINUOUS\n\nThe morning sun does little to dispel the gloom that envelops the city. Citizens wade through the streets, carrying whatever possessions they can, their expressions hollow with shock and grief.\n\nQuick shots show the chaos unfolding—a car abandoned mid-escape, a storefront looted, distant sirens that no longer promise rescue but herald a relentless siege.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - HALLWAY - CONTINUOUS\n\nED and MARIA move with urgent purpose down the hall, past doors marked with biohazard symbols, towards the storage where the last samples of the antidote are kept.\n\nMARIA\n(breathless)\nIf the infection has spread this far, then…\n\nED\n(interrupting)\nThen we’ll need to be faster. We can start mass production if we get to the secure vault.\n\nThe sound of their hurried footsteps fades as they disappear around a corner, leaving the eerie silence to reclaim the space.\n\nFADE OUT.\n\nEND OF PAGE 26 OF 150\n\nThe scene establishes the dire situation Ed and Maria face—the loss of their life’s work amidst an escalating zombie outbreak. It underscores the urgency of their mission to find a cure and the personal responsibility they bear for the chaos enveloping the city. The weight of their task is palpable, setting the tone for the obstacles they will face next. As they push forward, their resolve is the only light in the darkening world.\n\n[This script continues to weave the personal and professional trials of Ed and Maria with the broader impact of the outbreak on the city. It captures the tragedy of a groundbreaking discovery turned catastrophic failure, demanding a balance between action, emotion, and pacing to maintain engagement. Subsequent revisions, guided by screenplay specialists, will ensure that the story remains coherent and compelling for the intended audience.]\n\nPAGE 27 OF 150:\n\nINT. GENEsis LABORATORY - SECURITY ROOM - DAY\n\nA flickering glow from multiple monitors lights the dim room. Ed and Maria, alongside their colleague DR. STEVENS, watch in horror as security footage replays the genesis of the calamity.\n\nThe rat, previously lifeless on a metal table, convulses violently, its death-like stillness erupting into a grisly semblance of life. The creature’s rebirth is captured in grainy detail—a grotesque interruption in the sanitarium of science.\n\nDR. STEVENS\n(voice cracking)\nLook at it… nobody could have predicted this. It’s like a nightmare.\n\nED\n(tight-jawed)\nWe created a monster…\n\nMaria’s hand covers her mouth as she stifles a sob. The knowledge that their breakthrough is responsible for the terror gripping the city is an unbearable burden.\n\nMARIA\n(overwhelmed)\nOur children… are they…\n\nDR. STEVENS\n(interrupting, grim)\nI’ve been trying to reach the schools all morning. Communications are down city-wide. We don’t know who’s… who’s still alive.\n\nEd slams a fist on the console in frustration, his rage a silent scream challenging the chaos. Maria turns to him, eyes pooling with tears—desperation etched on her face.\n\nMARIA\n(pleading)\nWe have to do something, Ed!\n\nED\n(resolute)\nAnd we will. We fix this. We find the cure and distribute it. No rest until this damn virus is eradicated from every last soul it’s touched.\n\nThey stand united, a feeble bulwark against an abyss that threatens to consume the world they know.\n\nCUT TO:\n\nEXT. CITY - WIDE SHOT - DAY\n\nThe camera pans over the once-bustling metropolis, now a ghost town. Silence hangs heavy, broken only by the occasional moan of the wandering undead or the distant cry of the still-living, hiding in the ruins.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - RESEARCH WING - CONTINUOUS\n\nEd and Maria, passing debris of their shattered ambitions, make their way to the sealed vault which houses their only hope—a cure. Dr. Stevens trails, clutching at his lab coat as if it were a lifeline.\n\nED\n(urgent)\nQuickly, this way!\n\nThey race down the hallway, their every step a deafening echo against the sterile walls.\n\nFADE OUT.\n\nEND OF PAGE 27 OF 150\n\nThe tension ramps up as the narrative establishes the complete breakdown of normalcy, with Ed and Maria learning the depth of the catastrophe. Guilt, responsibility, and the pressure to fix their unintended outcome drive them. As they rally themselves to confront the horror their breakthrough has begotten, the story arcs towards an uncertain future with a diminishing glimmer of hope.\n\n[This page develops the central characters’ response to the crisis, grounding their scientific pursuits in the harsh light of reality. It is imperative that the story maintains its humanity among the chaos, providing viewers an anchor within the protagonists they can root for. Future narrative progression should balance action sequences with character development, ensuring the screenplay’s holistic appeal.]\n\nPAGE 28 OF 150:\n\nINT. GENEsis LABORATORY - CORRIDOR - DAY\n\nThe warning lights flash sporadically, casting an unsettling red glow. The silence is deafening, as ED and MARIA cautiously navigate the wreckage-strewn corridor.\n\nED’s gaze is fixated ahead, a steely resolve masking the dread within. Every shadow is a potential threat, every sound a harbinger of the undead.\n\nSuddenly, a guttural growl pierces the silence. Around the corner lumbers a group of zombies, their movements jerky and erratic. The sight is jarring, the realization of their nightmare fully manifest.\n\nMARIA\n(in a hushed tone)\nEd…\n\nWithout hesitation, ED takes the lead, signaling MARIA to stay behind him. Despite his scientific mind rebelling against the logic of their existence, his survival instincts kick in.\n\nThey back away slowly, but the zombies advance with increasing hunger. The corridor’s confines amplify their mangled cries. Ed and Maria turn to run, but the creatures are relentless in pursuit.\n\nOne of the zombies lunges forward, catching ED by the arm. Its teeth sink into his flesh—a searing pain that echoes with the unbearable finality of his fate.\n\nMARIA\n(screaming)\nEd!\n\nShe pulls Ed away with a strength born of desperation, dragging him toward a nearby reinforced door. They stumble through just in time, slamming it shut on their assailants.\n\nINT. GENEsis LABORATORY - SECURE ROOM - CONTINUOUS\n\nThe couple slumps against the door, breathing heavily. Ed grunts as he clutches the wound, blood oozing between his fingers—a cruel testament to their perilous situation.\n\nMARIA\n(tearfully)\nIt’s not deep, we can treat it.\n\nED\n(panting, pain-ridden)\nMaria… I don’t have much time…\n\nMARIA\n(shaking her head)\nDon’t say that. We’ll find the antidote. We’ll…\n\nEd gives a pained smile, his eyes reflecting both love and sorrow.\n\nED\n(urgently)\nListen to me. You need to continue without me. Find the cure, Maria.\n\nMARIA collapses beside him, the horror of the moment washing over her. The reality they tried to escape has consumed them, as the weight of their predicament settles like a shroud.\n\nFADE OUT.\n\nEND OF PAGE 28 OF 150\n\nThis emotional scene vividly depicts the first direct confrontation with zombies for Ed and Maria. Tension builds as the horror of Ed’s bite complicates their already desperate quest for the cure. This pivotal moment of sacrifice underscores the stakes of their mission, and the gravity of their journey ahead is elevated—compounded by the personal tragedy they now face. The narrative primes the audience for a story of love, loss, and redemption, intertwining the personal with the broader fight for survival.\n\n[Note: This page highlights the importance of maintaining a balance between moments of action and character-driven drama. Future script development should strive to delve deeper into the emotional landscape of the protagonists amid the overarching conflict.]\n\nPAGE 29 OF 150:\n\nINT. GENEsis LABORATORY - SECURE RESEARCH FACILITY - DAY\n\nThe room buzzes with the subdued whirr of high-tech machinery. MARIA scrambles, her hands fumbling through vials and medical supplies, searching for anything that might save ED. He lies on a cot, his complexion growing paler, his breaths shallow.\n\nMARIA’s hands shake as she uncaps a vial labeled “Prototype Antidote 7A.” Desperation fills her eyes as she fills a syringe and turns to ED with steely determination.\n\nMARIA\n(breathlessly)\nEd, this is experimental, but it’s based on our earlier research. It could save you.\n\nED\n(weakly, but with a firm resolve)\nDo it… anything for a chance.\n\nMaria injects the contents into his arm. They wait, the seconds stretching into an eternity. Suddenly, Ed convulses, a guttural groan escaping his lips as his body reacts to the drug.\n\nMARIA\n(frantic)\nHold on, Ed! Hold on!\n\nHis convulsions slow, then stop. Slowly, his breathing steadies, and the color begins to return to his cheeks. Maria sighs with relief as she watches him, her own body sagging with exhaustion.\n\nED\n(voice stronger)\nMaria… it’s working. I can feel it fighting the virus.\n\nMARIA collapses beside him, tears of relief streaming down her face. They embrace, a moment of hope amidst the terror that surrounds them.\n\nSuddenly, the door bursts open, ZOMBIES spill into the room, their groans filling the air with dread.\n\nWith a surge of adrenaline, MARIA springs to her feet, seizing a nearby fire extinguisher. She sprays the advancing horde, her other hand grabbing Ed, pulling him towards an emergency exit.\n\nED\n(urgently)\nGo, Maria! Get out of here!\n\nMARIA shakes her head, determination blazing in her eyes.\n\nMARIA\n(screaming)\nNot without you, Ed!\n\nJust as they reach the door, a ZOMBIE lunges, its teeth bared for Maria’s neck. In a split-second decision, Ed shoves her through the door, slamming it behind her, locking himself inside with the undead.\n\nMARIA\n(desperately pounding the door)\nED! No!\n\nBut Ed’s fate is sealed. As Maria sobs, slumped against the door, the sounds of the scuffle inside fade. A profound silence settles, and a new resolve takes hold.\n\nMARIA\n(vow in her voice)\nI’ll make it right, Ed. I’ll save them all.\n\nCUT TO:\n\nEXT. GENEsis LABORATORY - ROOFTOP HELIPAD - CONTINUOUS\n\nA helicopter approaches, the wind from its blades scattering papers and debris across the rooftop. MARIA’s figure emerges from the door to the helipad, her face a mask of anguish turned to determination. The fight for a cure, for redemption, for Ed’s sacrifice, continues.\n\nFADE OUT.\n\nEND OF PAGE 29 OF 150\n\nThe screenplay scene bolsters the narrative tension, demonstrating the dire consequences of the outbreak’s spread. Maria’s quick thinking offers a glimmer of hope, but a tragic turn solidifies the high stakes of their mission. This is a pivotal moment, emphasizing both the emotional depth of the characters and the unfolding terror they face, setting the stage for Maria’s relentless pursuit.\n\n[This narrative intensifies the plot, delving into the heart-wrenching choices faced by the protagonists. It compellingly intertwines action and emotional heft, immersing the audience in the high-stakes drama of the unfolding zombie apocalypse. Moving forward, the screenplay should further explore Maria’s character arc, rich with themes of sacrifice, resilience, and the quest for hope amid despair.]\n\nPAGE 30 OF 150:\n\nEXT. GENEsis LABORATORY - SECURE RESEARCH FACILITY - DAY\n\nThe sterile corridor is now a cacophony of terror. MARIA bears witness to ED’S transformation—skin deathly pale, veins blackening. With the shadow of zombification drawing near, he makes a drastic choice.\n\nED\n(determined, to Maria)\nGo! Save our children… save everyone.\n\nWith a mix of horror and fierce resolve, ED flings himself through the window, landing on the concrete below with an unnatural ferocity only the infected possess. Maria watches as Ed, now imbued with the strength and resilience of the undead but mercifully retaining his mind, staggers to his feet and storms into the city.\n\nCUT TO:\n\nEXT. CITY STREETS - CONTINUOUS\n\nWith the mind of a scientist but the body of a monster, ED trudges through the chaotic streets, an insatiable need to protect and a relentless drive to find their children fuelling his every step.\n\nMARIA, atop the helipad, is torn between following ED and escaping with the cure. Tears stream down her face as she calls out to him, though he can no longer hear her.\n\nMARIA\n(screaming into the void)\nI love you… I’ll find them, I promise!\n\nWith the cries of her husband echoing in her ears, Maria vows to carry on their fight and save the city they love. She watches Ed disappear into the horde of zombies, a lone figure of tragedy amidst the devastation.\n\nThe helicopter, hovering anxiously, becomes her only refuge. She climbs aboard, clutching the potential cure to her chest as they ascend into the maelstrom.\n\nCUT TO BLACK.\n\nINT. GENEsis LABORATORY - SECURE RESEARCH FACILITY - DAY\n\nForcing herself to focus, Maria enters the lab again. The screen flickers to life, interfacing with her fierce intellect. She synthesizes, refines, and tests with the tenacity of a woman reborn from the ashes of her old life.\n\nMARIA\n(whispering to herself)\nFor Ed, for our children… for everyone.\n\nHer hands never waver, her eyes never stray. The readouts wink back at her with promising data, and the compound finally takes form—a vial shining with the hope of humanity.\n\nMARIA\n(declaration of war on the apocalypse)\nThis is only the beginning. Run zombie, run.\n\nEND OF PAGE 30 OF 150\nPAGE 31 OF 150\nEXT. ABANDONED SCHOOL - MORNING\nED KAYNES, his body a mismatch of human fear and zombified resilience, slips through the shattered gates of what was once a sanctuary of learning. A tattered scarf partially conceals his grotesque features, signs of his incomplete transformation into the undead.\nSilently, he navigates the overgrown courtyard, each step deliberate to avoid drawing attention. Windows, dark and soulless, gape open like the eyes of the dead—witnesses to the devastation within.\nCUT TO:\nINT. ABANDONED SCHOOL - CORRIDOR - CONTINUOUS\n\nEd’s entry is a mirror to his internal chaos—a man, formerly a herald of progress, now reduced to a creature of instinct and desperation. His gait, once confident, is now a sober march into the unknown.\nHe tiptoes past classrooms where silent echoes of children’s laughter are replaced by the somber reality of abandonment. Broken furniture and scattered papers litter the floor—a flashback to the day when life unraveled.\nA weak groan echoes down the hall as Ed pauses, a sideways glance revealing a lone zombie staggering between the desks of what used to be a third-grade classroom. Ed suppresses a shudder, steeling himself against the macabre scenery.\nHe scans the empty, desolate rooms, searching for any sign of his children—backpacks, a stray drawing, a forgotten toy—anything that would offer a shred of hope. But the silence is the only answer.\nCUT TO:\nINT. ABANDONED SCHOOL - GYMNASIUM - CONTINUOUS\nEd arrives at the gym, a cavernous hollow now home to dust and despair. Sunlight streams through broken skylights, carving shadows that pool like blood on the hardwood floor.\nHe scans the rafters, a haunting tableau of memories and lost days playing out in the sunbeams. As real as the danger is, it’s the threat of finding irrevocable truth that tightens his chest—a father’s fear, potent even in undeath.\nBut there’s no trace, no joyous clamor of children, no after-school exclamations. They’re gone, swept away by the cataclysm that swept through their lives like a malevolent tide.\nCUT TO:\nEXT. ABANDONED SCHOOL - CONTINUOUS\nEd emerges from the school, the line between man and zombie blurred by his faltering, heart-wrenching mission. Desolation repels hope like opposite poles of a tragic magnet.\nTorn by failure, Ed turns away from the forlorn landmark of his children’s laughter, now a crypt to his unspoken fear. His eyes, rimmed with the red of grief and infection, look beyond—towards the distant, fortified silhouette of his bunker.\nMONTAGE – ED’S JOURNEY TO THE BUNKER:\n- Ed’s shadow stretches along the cracked pavement as he trudges through the eerie streets, a spectral figure moving against the grain of desolation.\n- At intersections, he ducks into the shadows, avoiding the roving packs of zombies that cluster around the remnants of life—imperfect kin he no longer resembles.\n\n- The bunker’s hidden entrance, a sliver between the ruins, beckons—a sanctuary amid a city usurped by death.\nCUT TO:\nINT. ED’S BUNKER - CONTINUOUS\nA blast door seals with an echo, enveloping Ed in the silence of his clandestine refuge. He peels away the scarf, revealing the visage of a man ensnared between two realities.\nAmid the quiet hum of survival equipment, Ed perches on the edge of a cot, hands clasped, elbows resting on his knees. He is the epitome of the isolated soul—lost in the chasm between the living and the not.\nRemnants of humanity nest in the bunker—photographs, clothes, a child’s crayon drawing affixed to a wall. Through the stillness, Ed’s rasping breath is a dissonant chorus, filling the void with his internal war.\nED\n(muttering to himself)\nI’ll find them—alive or… I must.\nHe rises, a gaunt figure against the backdrop of monitors flickering with disconnected surveillance feeds. With grim acceptance, he begins to arm himself for the world above, the haven below now a grave to his former self.\nEND OF PAGE 31 OF 150\nPAGE 32 OF 15\nINT. ED’S BUNKER - WASHROOM - CONTINUOUS\nEd stands, a tragic figure, before the worn mirror; his flesh sags and his eyes are pools of dread. Clusters of hair slip through his trembling fingers, each strand a part of his old self, relinquishing to the monster he is becoming.\nA gasp of despair chokes out as he beholds the naked scalp in the mirror, a stark declaration of his metamorphosis. Tears well up, spilling over, tracing grimy paths down his deformed cheeks.\nThe bunker trembles, a distant cataclysm making the very earth weep. A shelf rattles and the few personal effects he’s salvaged from his previous life threaten to tumble and shatter.\nED\n(Screaming, his voice a ragged echo of rage and fear)\nNOOOOO! NO!..NO!\nOvercome with grief, he slams a fist against the mirror, the crack spider-webbing across his fractured reflection. His knees buckle, and he sinks to the ground amidst the fallen hair—an island of agony in a sea of cold tile. His wails fill the cramped space, a chilling symphony to a soul in mourning.\n\nAnd in this moment of anguish, the bunker shakes—dust falling like ancient witnesses to his pain. Shelves rattle, threatening to topple, the explosion’s distant thunder a cruel reminder of the world falling apart above.\nEd’s cries meld with the deep, seismic vibrations from outside, both the internal and external worlds crumbling in unison. In this fortress of solitude, his tether to sanity and solidarity grows dangerously thin.\nCUT TO:\nEXT. CITY STREET – CONTINUOUS\nBuildings sway ominously, windows shattering, as a far-off explosion bellows its arrival. Birds erupt from trees as the earth itself cries out in protest.\nCUT TO:\nINT. ED’S BUNKER - CONTINUOUS\nThe bunker trembles under the assault, the force of the distant blast threatening to breach this last haven. ED braces against the sink, his heart—if it can still be called that—pounding in his chest.\nED\n(murmurs in horror)\nNo… not like this.\nHis eyes snap to the array of monitors, each flashing a dire warning. A shrouded panic grips him—the outside world is under siege, and time is the enemy once more.\nCUT TO:\nINT. CITY COMMAND CENTER - CONTINUOUS\nOPERATORS switch between feeds, each scene more chaotic than the last—a city under the shadow of catastrophic failure. The COMMANDER grabs the microphone, urgency tensing his voice.\nCOMMANDER\n(into microphone)\nAll units, brace for potential aftershocks. We have confirmation of detonation. This is not a drill.\nCUT TO:\nINT. ED’S BUNKER - CONTINUOUS\nED reels from the shockwave, his once stoic facade crumbling. The instruments and gauges surrounding him now mere spectators to his unraveling.\nED\n(hoarse shout)\nWhat have we done?!\nHe wrenches away from the mirror, stumbling as the ground continues to betray him. A shelf crashes down, its contents—a journal, a photo, remnants of the past—spill across the floor, a poignant reminder of life before the fall.\nCUT TO:\nEXT. CITY STREET - CONTINUOUS\nThe aftermath of the explosion erupts into a chaotic torrent of action—civilian and military alike now share only the common goal of survival.\nAND CUT BACK TO:\nINT. ED’S BUNKER - CONTINUOUS\nED lunges for a two-way radio, the last line connecting him to the world he fought to save—a world that might no longer exist.\nHis hand caresses the tuning knob, static filling the clean space of the bunker. His voice, modulated by desperation and the unearthly timbre of his new form, crackles into the void.\nED\n(into the radio, desperate)\nIs anyone out there…? Children… Please…\nAs the static answers back, heavy and relentless, the camera captures a final shot of ED—an echo of humanity caught in the purgatory between life and death.\nFADE TO BLACK.\nEND OF PAGE 32 OF 150\nPAGE 33 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nThe siren’s wail pierces the bunker’s thick silence, a banshee scream announcing impending doom. ED snaps his head towards the crescendo of alarms, as the room is bathed in the urgent glow of red emergency lights.\nOn the monitors, live news feeds display a digital clock ticking down ominously, headlines scrolling with relentless speed—the words “IMMINENT NUCLEAR STRIKE” flashing, a stark harbinger of the end.\nCUT TO:\nEXT. CITY STREETS – CONTINUOUS\nAerial shots reveal mass panic as the air raid sirens echo through the streets, desperate citizens scrambling to find shelter. The skyline blurs with the frantic movements below.\nCUT TO:\nINT. BUNKER - COMMAND CENTER - CONTINUOUS\nED stands frozen, the epitome of desperation, as the last fragments of his world descend into chaos. He watches, powerless, as the skeletal outlines of his former life flicker on the screens.\nNEWS ANCHOR (ON MONITOR)\n(tense, authoritative)\nThis is not a drill. Seek immediate shelter. A nuclear strike has been authorized and will commence within the hour. May God have mercy on us all.\nEd’s eyes widen with horror at the anchor’s solemn decree. His fist clenches, shattering the radio’s silence.\nED\n(into the radio, voice quivering)\nNot like this… Please, no…\nCUT TO:\nINT. SHELTER - DAY\nFamilies huddled together, their eyes glued to portable televisions broadcasting the final countdown. Tears mix with prayers, as they embrace for what could be the last time.\nCUT TO:\nINT. MILITARY WAR ROOM - DAY\nAmidst a flurry of activity, GENERALS and OFFICERS coordinate efforts to mitigate the disaster. On their screens, a digital representation of the missile’s trajectory beelines towards its destination.\nGENERAL (V.O.)\n(over intercom, grave)\nAll units, confirm evacuation protocols. Ensure civilian compliance. We’ve done all we can. Prepare for impact.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nWith the siren’s song as his grim chorus, Ed scrambles to secure his sanctuary, locking down hatches and reinforcing the entry. Every clank and hiss a harrowing step towards the inevitable.\n\nThe camera follows his frantic actions, an intimate dance between man and machine, before pausing on his face—a visage caught between primal survival and heart-wrenching grief.\nED\n(whispering to himself)\nSurvive. Survive for what’s left…\nThe bunker’s artificial lights flicker under the strain of the external world crumbling. Ed, a sentinel at the end of days, stares down the immensity of his solitude, the gravity of the moment heavy upon him.\nHis raspy breath is the metronome to the ticking countdown, as the monitors’ once steadfast streams stutter—a digital heart rate faltering as the world prepares for its last beat.\nEND OF PAGE 33 OF 150\nPAGE 34 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nThe stubborn hum of outdated technology fills the air as ED hunches over the mainframe terminal of the bunker, his fingers a flurry over the backlit keys. The screen before him flashes with layers of security access prompts and firewalls, a digital labyrinth of his own design.\nEd’s mind, a cocktail of desperation and scientific prowess, races to unlock the secrets he once safeguarded so fervently. With each override command, he peels back the digital veils shrouding his research, his city’s downfall, the truth.\nWith a final keystroke, he breaches the mainframe security. The floodgates open, and data streams onto the monitor—classified communications, military intel, the command chain’s last orders, the enormity of the impending strike.\nED\n(voice barely a whisper, laced with dread)\nOh, what have we done…\nThe screen maps out the grim reality—a schematized web showing the approaching missile’s trajectory, projected fallout patterns, and the bleakest scenarios outlined in stark numeric certainty.\nCUT TO:\nINT. MILITARY COMMAND BUNKER - DAY\nGenerals hunch over radar screens, the forewarned cataclysm reflected in their stoic faces. Behind them, a wall-sized world map blinks with the Morse code of impending doom.\n\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nEd’s horrified gaze traverses the information on-screen. His infected constitution wrestles with the gravity of what’s coming—ignited not by a zombie’s viral urges but by a man’s conscience and heart.\nED\n(grappling with the scope of the cataclysm)\nThere’s gotta be… there must be something else we can do… Anyone…\nHe scans the screens for any sign of hope, a ceasefire, an alternative to the end. But the truth is unyielding, encoded in the logic of machines and strategic calculations.\nCUT TO:\nEXT. OBSERVATION POST - DAY\nA lone soldier stands sentinel, binoculars to his eyes, the distant whistle of the incoming missile harmonizing with the wail of the air raid sirens—a requiem for the world he knew.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nEd slams his palm against the terminal, the pain insignificant against his racing thoughts. Bitter laughter, a guttural sound devoid of humor, escapes him as he contemplates the irony—the mad scientist, the living dead, now the audience to Armageddon.\nED\n(to himself, the laugh collapsing into a growl)\nWe played with life and death… and now we pay the price.\nHe rises, each movement a struggle as he opens a secure drawer, retrieving a dusty bottle of whiskey, a relic from a past life. He unscrews the cap and takes a swig, the burn a fleeting reminder of human sensations.\nEd’s bloodshot eyes, tinged with yellow, fix on the countdown—a digital grim reaper ticking away the seconds of existence.\nFADE OUT:\nEND OF PAGE 34 OF 150\nPAGE 35 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nThe bunker, once a bastion of safety, becomes a tomb as the hollow echoes of explosions reverberate through its concrete walls. ED stands still, the ghastly light of the monitors painting his face as each distant blast grows closer, louder, a chorus of annihilation gaining fervor.\nHe grips the edge of a console, knuckles white, each rumble a hammer strike against the shield of isolation he’s erected around himself. The shockwaves travel through the floor, a tremor through the heart of the earth.\nCUT TO:\nEXT. OUTER LAYERS OF THE CITY - CONTINUOUS\nOverhead shots reveal fiery blooms littering the landscape, each a bitter bloom of conflict. Plumes of smoke claw at the sky, trying to blanket the sun with their unforgiving shadows.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nPanic fractures Ed’s stoicism as the bunker’s survival systems activate in response to the escalating threat. Crimson alarms flare, casting a sinister glow. The ventilation system churns violently, fighting against the onslaught of the inferno waiting outside.\nEach detonation outside is a gut punch to the facility, the sound magnified by the silence it disrupts. Flickering screens cast erratic shadows across the walls, creating an ominous dance of light that foreshadows the end.\nED\n(voice choked with dread)\nThis is how it ends… Not with a whimper, but with a bang.\nCUT TO:\nINT. FAMILY SHELTER - CONTINUOUS\nA FAMILY huddles together, their embrace a fortress within the shuddering bunker. Children clutch their parents, eyes wide and uncomprehending, as the reverberations of the unthinkable shake their sanctuary.\nCUT TO:\nINT. ED’S BUNKER - CONTINUOUS\nEd slumps into his seat, resigned, the bottle slipping from his grip and rolling across the floor. The world outside may be ending, but his torment continues unabated—a curse of the undead.\nA single tear—unclear if it’s from sorrow or the zombie affliction—trails down his face. He watches the countdown dwindle; humanity’s tenure ticking away before his crypt-colored eyes.\nFADE OUT:\n\nEND OF PAGE 35 OF 150\nPAGE 36 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nThe bunker convulses as if gripped by an unseen giant, the roar of the impact wave a deafening crescendo punctuating the still air. ED is launched from his chair, thrown to the unforgiving floor as the earth itself seems to spiral into chaos.\nAround him, the walls tremble, panels and ceiling tiles clattering down in a discordant symphony of destruction. The monitors blink erratically, skewing the horrific show they present—something between reality and electronic hallucination.\nCUT TO:\nEXT. CITYSCAPE - SAME MOMENT\nFrom afar, a nightmarish scene unfolds as the impact wave rips through city blocks, turning structures into dust and dreams into nightmares. The force is indiscriminate—it tears through steel like paper, glass like vapor.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nEd clutches at debris, dragging his altered body across the trembling floor, desperately attempting to anchor himself in a world that refuses stillness. His roars match the sound of tearing metal and shattering concrete—primal, raw, filled with terror.\nCUT TO:\nSERIES OF SHOTS - BUNKER’S DISTRESS:\nA. The once orderly rows of canned goods and emergency provisions cascade onto the now-tilting floors.\nB. Water pipes burst, geysers erupting in formerly dry rooms, while electrical sparks create a dangerous light show.\nC. A portrait of Ed’s family, clinging to the wall, now slips free and crashes to the ground, the glass protecting their smiles shattering.\nBACK TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nEd, crawling through the mayhem, reaches for the bunker’s emergency protocols—a last-ditch hope to seal away the cataclysm that hunts for him within his sanctuary. Lights flicker overhead, many winking out, as the integrity of their fixtures fail.\n\nHe hits the master lockdown button, and with a metallic groan, reinforced doors slide shut, drowning the chaos into muffled fury. The sanctuary becomes sarcophagus.\nOver the din of destruction, Ed’s distorted cry resonates—half man, half beast, all despair.\nED\n(screaming above the noise)\nSurvive! I must… survive…\nThe camera pulls out from the scene, leaving Ed a solitary, writhing figure amidst the anarchy that ensnares him—an amalgam of man’s hubris and the savage grip of nature’s retribution, locked in a bunker, locked in turmoil.\nFADE OUT:\nEND OF PAGE 36 OF 150\nPAGE 37 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nAmidst the chaos and the runaway dance of shadows and light, ED struggles against the unforgiving floor that refuses to stay still beneath him. His limbs, misshapen by his condition and shaken by the concussive forces, push against the tiles with a strength born from the darkest depths of survival instinct.\nGrit and dust cake his flesh as he labors for breath, a horrifying rasp that competes with the bunker’s groans and the distant, thunderous booms that refuse to fade away.\nPain lances through him; whether from the fall, the shockwaves, or his own internal transformation, it’s impossible to tell. But it fuels him, drives him—the agony a reminder of life amidst a landscape that speaks only of annihilation.\nCUT TO:\nEXT. CITY RUINS - SAME MOMENT\nA cloud of dust and debris blankets the horizon where the city once teemed with life. The singular fury of the initial blast has given birth to countless offspring—sporadic eruptions that devour the remnants of a world now confined to memory and echoes.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nEd gasps, his body hauled up to an unsteady crouch, fingertips white-knuckled as they grip a shattered piece of the console for support. Desperation swims in his eyes—a cocktail of torment, the will to endure, the knowledge that to succumb now is to surrender to the void.\n\nHe scans the room through the haze, sees the sealed blast doors, the blinking red of systems barely clinging to function. In this stolen pause, where death seems to have drawn in a breath, Ed finds a semblance of order amidst the tumult.\nED\n(voice a raspy whisper tinged with determination)\nNot yet… Not today…\nTremors wrack his form, but they cannot break the spirit that fuels his battered frame. This bunker, this grave, this womb—it will not be his terminus.\nWith a shake of his head, Ed stands fully, a testament to defiance. His cries subside to murmurs, to mantras of survival that carry him forward—a symphony played against the thunderous backdrop of the world’s end.\nFADE TO BLACK:\nEND OF PAGE 37 OF 150\nPAGE 38 OF 150\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nThe bunker’s foundation rattles under the relentless assault, dust cascading like tiny waterfalls from the ceiling. ED, half-zombie, stands amidst a glistening coat of sweat and grime, swaying unevenly as the earth beneath him convulses.\nHe fixates on the emergency lighting, its flickering a spasmodic dirge to the rhythm of apocalypse, his mind racing with primal urgency. Every painful breath is a struggle, drowning in a sea of helplessness and confusion.\nHis flesh, marked both by the zest of the undead and the scars of scientific torment, stretches over his hands as if trying to flee from the bone. His ashen lips mutter a garbled prayer to loved ones lost to either fate or the flame.\nEd staggers forward, a mote of dust in the grim tableau of his sanctuary. He salvages a heavy crowbar from the scattered arsenal of survival tools. Its heft gives him a grotesque sense of purpose—a weapon against the barriers that cage him.\nFootsteps echo with thunderous intent, resonating upon the metal floor, as he assumes the stance of one prepared to battle titans. With a grunt, he wedges the crowbar into the seams of a heavy looking hatch, muscles and sinews bulging in grotesque relief against his lab coat.\nThe strain reddens his eyes, fueling veins with an unnerving fervor. Gritted teeth are bared, the intonation of pained struggle filling the space, as he channels every ounce of his monstrous strength into the task.\n\nThe metal groans, protesting, as if the very bunker itself is aware of Ed’s unwinnable war against time. With each incremental victory of leverage, the raw scrape of crowbar against hatch is a requiem for reason, a siren call of the myriad dead and dying above.\nED\n(straining, a whisper to himself)\nSurvive, protect, endure… No matter the cost.\nA sudden lurch, and the hatch gives way, surrendering to Ed’s determination with a scream of yielding steel. A dim shaft of light, alien in the confines of the bunker, pierces the grimy air—a fragile thread leading back to the chaos of a once familiar world.\nEd, panting, a line of blood trickling from where the crowbar had slipped, rights himself—a ghastly architect of his own salvation or doom, straddling two realms he never wished to know.\nThe bunker stands defiant, its heart now exposed. And as the camera zooms out, Ed, the anomaly, reaches toward the beckoning light—a specter grappling with the very essence of existence and annihilation.\nFADE TO BLACK.\nEND OF PAGE 38 OF 150\nPAGE 39 OF 150\nEXT. CITYSCAPE - DAY\nFrom the depths of the bunker, ED emerges into a world transformed beyond recognition. A vast wasteland of destruction stretches before him, the cityscape now a twisted shadow of its former self.\nThe ground, littered with debris and the remnants of buildings, challenges every step. Yet Ed advances, his silhouette a stark contrast against the backdrop of a demolished city.\nCUT TO:\nINT. ED’S BUNKER - COMMAND CENTER - CONTINUOUS\nBack inside the shaking bunker, Ed’s hands move with purpose, fueled by an unyielding instinct for survival and protection. He scans the room, now a collapsed chamber of his former life, searching for anything that will aid his escape.\nHe spots his toolbox, hurled by the tremors to a corner. Within lies a collection of tools, each associated with a memory of maintenance and preparedness, each now essential for a far grimmer purpose.\n\nCUT TO:\n\nEXT. RUINED STREET - CONTINUOUS\nEd navigates the treacherous terrain. He grips a robust pipe wrench, repurposed now as a cudgel to fend off the encroaching undead and clear his path of obstacles.\nHis movements are mechanical, devoid of the finesse of the living but driven by a persistent will that seems almost alien in these ruins. Each swing of the wrench is a statement of defiance, a claim to life in a realm of death.\nCUT TO:\nEXT. COLLAPSED BUILDING - CONTINUOUS\nEd approaches a mound of rubble where a building once stood. Determination etches his features as he sets about methodically removing pieces of concrete and twisted metal.\nWith each thrust and pry of his makeshift tools, he paves a way through the destruction. His movements are heavy but precise, the products of a mind that refuses to surrender to defeat.\nCUT TO:\nEXT. RUINED OVERPASS - CONTINUOUS\nAhead lies the skeletal remains of what was once a vital overpass, its concrete bones a grim parody of the city’s past prosperity.\nEd braces himself and climbs, his upheaved hands finding cracks and purchase among the debris. His progress is slow and arduous, but the sight of the overpass’s peak, a symbol of hope, spurs him onward.\nCUT TO:\nEXT. CITYSCAPE - HIGH ANGLE - CONTINUOUS\nEd reaches the summit of the overpass and pauses, his gaze sweeping over the horizon. The wreckage stretches as far as the eye can see, but this height gives perspective—there is a path to be forged, a direction to take.\nHe takes a deep breath, the air a mingled scent of dust and destruction, and raises his wrench high. It’s a gesture of both challenge and resolve, a signal that his journey through this nightmare has only just begun.\nFADE TO BLACK.\nEND OF PAGE 39 OF 150\nPAGE 40 OF 150\nEXT. RUINED CITYSCAPE - DAY\n\nED’s lone figure is dwarfed by the gaping wound of the city. His every step is a testament to his unshakable resolve. The wrench, now an extension of his will, pierces the rubble blocking his path.\nCUT TO:\nEXT. COLLAPSED SUBWAY ENTRANCE - CONTINUOUS\nEd approaches the maw of a collapsed subway entrance. Sunlight pierces through the cracks, casting slivers of light that dance on the mangled steel and broken tiles.\nWith each piece of debris he removes, the way forward becomes clearer. He works in silence, his breaths and the sound of falling concrete the only interruptions in the deathly quiet.\nCUT TO:\nINT. SUBWAY TUNNEL - CONTINUOUS\nThe darkness of the tunnel envelops Ed as he descends. The beam from his makeshift torch, fashioned from a rag and salvaged alcohol, flickers against the walls, throwing exaggerated shadows around him.\nHe navigates the shattered remains of the underground with a mixture of zombie-like indifference and human caution, the two natures merged into one being, surviving by instinct and intellect.\nCUT TO:\nEXT. ABANDONED HIGHWAY - CONTINUOUS\nEd emerges onto the cracked surface of a highway, once a vein pulsing with life, now a silent artery in a dead metropolis.\nHe takes a moment to scan the expanse for movement, for any sign of those like him or worse. Empty cars stand as monuments to a sudden catastrophe, their doors agape, their stories untold.\nCUT TO:\nINT. CRUSHED CAR - CONTINUOUS\nEd peers through the window of a half-collapsed vehicle. Inside, a skeleton grips the steering wheel, a stark reminder of society’s abrupt end. For a moment, Ed sees himself—not so different from the bones.\nCUT TO:\nEXT. RUINED CITYSCAPE - OVERLOOK - CONTINUOUS\nClimbing atop a pile of rubble that offers a vantage point, Ed scans the horizon. His heart, whatever is left of it, aches. The city lies in ruins, but amidst the desolation, there is a faint echo of hope—a whisper of life.\n\nCUT TO:\nEXT. NARROW CREVICE BETWEEN BUILDINGS - CONTINUOUS\nEd finds a narrow passageway, wedged between two faltering skyscrapers. The space is tight, claustrophobic, but the fresh air beckoning from the other side is unmistakable—a breath of the world beyond.\nHe squeezes through the gap, the walls scraping against his flesh, now so foreign to pain. As he emerges, the air hits him like a wave of the past. It’s tinged with the acrid scent of smoke and decay, yet underneath it all is the undeniable smell of survival.\nCUT TO:\nEXT. RUINED CITYSCAPE - CONTINUOUS\nEd stands at the threshold of the crevice, the firmament open before him. He takes a long, deep breath, feeling the air churn within his lungs—half-life, half-death. A resolve settles deep within his marrow.\nHe steps forward, leaving the shadows behind. Ahead, the path is fraught with ruin and remembrance, but it is his to tread. With the wrench slung over his shoulder, Ed sets out into the sunlit devastation, a figure of determination silhouetted against the crumbling silhouette of a fallen world.\nFADE OUT.\nEND OF PAGE 40 OF 150\n\n- СДЕЛАЙТЕ ПО ЭТОЙ ЧАСТИ СТРОГО ПО ПОСЛЕДОВАТЕЛЬНОСТИ:\nЧасть 3: Эда хвалят за работу (Третья страница)\nИнтерьер. Конференц-зал. День.\nЭд выступает перед коллегами и представителями научного сообщества, гордо демонстрируя результаты экспериментов — здоровую, активную крысу в стеклянном контейнере. Овация. Вдали стоит его жена, Мария, улыбаясь и аплодируя вместе с остальными. После презентации Эд и Мария обмениваются значимыми взглядами. У них в глазах — отсветы будущего успеха и признания.\n\nПЕРЕПИШИТЕ PAGES 3 OF 150 СТРАНИЦУ В СОКРАЩЕННОМ ВИДЕ. НУЖНО ДОПОЛНИТЬ ДИАЛОГИ, ТАК КАК ДИАЛОГОВ ДОЛЖНО БЫТЬ БОЛЬШЕ, ЧЕМ ВСЕ ОПИСАНИЯ И ПОДРОБНОСТИ. ОЧЕНЬ СИЛЬНО СОКРАТИТЕ ОПИСАНИЕ И ПОДРОБНОСТИ. СДЕЛАЙТЕ ОЧЕНЬ МНОГО ПРОПИСНЫХ СЛОВ, ТО ЕСТЬ СЛОВА С БОЛЬШИМИ БУКВАМИ. СДЕЛАЙТЕ ТАК ЧТОБЫ ДЛИНА ТЕКСТОВ PAGES 3 OF 150 РАВНА ОДНОМУ ЛИСТУ LETTER 21,59 x 27,94 СМ, НЕ БОЛЬШЕ ДЛЯ ФИЛЬМА \"RUN ZOMBIE, RUN\" НА АНГЛИЙСКОМ ЯЗЫКЕ:\n\nPAGE 1 OF 150:\n\nFADE IN:\n\nEXT. FUTURISTIC GREEN CITY - DAY\n\nCAMERA SWEEPS over a city where TECHNOLOGY MEETS NATURE. Buildings dressed in solar panels stand beside lush green terraces.\n\nWe see students hurrying and SCIENTISTS discussing, minds buzzing with potential.\n\nANNOUNCER (V.O.)\n(in background)\n…celebrating our latest breakthrough in renewable energies, another step towards a sustainable future!\n\nCUT TO:\n\nINT. GENEsis LABORATORY - CONTINUOUS\n\nEDWARD “ED” KAYNES, mid-30s, focused, works amidst a realm of SCIENCE. He looks up, eyes filled with determination.\n\nED\n(loud enough for all)\nThe future is now! And we are its architects!\n\nHis team, a GROUP OF DIVERSE MINDS, nods, inspired.\n\nCUT TO:\n\nEXT. SCIENCE CITY - SUNSET\n\nThe city settles into a tranquil dusk. ED exits the lab, a GRIN OF ANTICIPATION on his face. MARIA, his partner in life and science, waits.\n\nThey lock eyes, KNOWING that their shared vision might just change the world.\n\nMARIA\n(raising a glass)\nTo us, to love, to a better tomorrow!\n\nThey clink glasses, a true team ready for what comes next.\n\nCAMERA LINGERS on the lab, the heart of innovation, hinting at unseen forces that might just upset the balance.\n\nCUT TO BLACK.\n\nEND OF PAGE 1 OF 150\n\nPAGE 2 OF 150:\n\nINT. GENEsis LABORATORY - ED’S WORKSPACE - DAY\n\nED KAYNES, mid-30s, a beacon of intellect, hovers over the microscope. His analytical eyes, reflective of a mind at full throttle, trace the lines of an intricate diagram sprawled across his table.\n\nCOLLEAGUE\n(approaching, impressed)\nEd, your focus… It’s really something.\n\nED\n(not looking away, absorbed)\nEvery breakthrough begins with the focus of a needle point.\n\nColleague nods, walking away as ED continues his meticulous work. He pauses abruptly, the eureka moment presenting itself.\n\nED\n(aloud, as if to the rat in the enclosure)\nWe’re on the brink of redefining life, you and I.\n\nCUT TO:\n\nINT. GENEsis LABORATORY - HALLWAY - CONTINUOUS\n\nMARIA strides down with purpose, her companionship with Ed not just personal, but a partnership that’s about to reshape their world.\n\nMARIA\n(to herself, determined)\nOur work, our passion… it’s about time it changed the world.\n\nShe enters Ed’s designated space to find him deep in thought.\n\nCUT BACK TO:\n\nINT. GENEsis LABORATORY - ED’S WORKSPACE - CONTINUOUS\n\nMARIA\n(supportive)\nReady to showcase our life’s work, Dr. Kaynes?\n\nED\n(turning, his smile the product of countless trials)\nReady as ever, Dr. Kaynes.\n\nTogether, they share a moment of accomplishment, their chemistry as palpable as their science.\n\nCUT TO:\n\nINT. ED AND MARIA’S HOME - LIVING ROOM - NIGHT\n\nTheir home, a cocoon against the city’s glow, resonates warmth and intimacy.\n\nEd and Maria are curled up, the afterglow of recent events still luminous on their faces.\n\nED\n(raising a toast)\nTo us, our breakthrough, and to the unknown.\n\nMARIA\n(capturing his gaze)\nWherever this journey takes us, we go there together.\n\nThe sound of a ringing phone starts low, gradually building into a crescendo that disrupts their perfect reprieve.\n\nCUT TO BLACK.\n\nEND OF PAGE 2 OF 150\n\nPAGE 3 OF 150:\n\nINT. CONFERENCE HALL - DAY\n\nA hush falls over the gathered scientists and journalists as ED, a beacon of quiet confidence, approaches the podium. The conference hall, brimming with the bright minds of academia, is rife with anticipation. Ed’s presence commands the room, his eyes alight with the fire of innovation and discovery.\n\nED\n(nods to the audience, voice resonant)\nLadies and gentlemen, colleagues, I present to you a leap forward in the pursuit of life beyond the boundaries of aging and disease. A pursuit that could redefine our very existence.\n\nThe curtains draw back to unveil a transparent enclosure where a singular white rat exhibits a vitality against the backdrop of advanced metrics and data. A murmur courses through the room, a mix of disbelief and awe, as the audience witnesses the impossible made possible.\n\nMARIA, standing at the back with her colleagues, beams with a mixture of professional pride and personal admiration. Their eyes meet across the distance, an unspoken exchange of shared aspirations.\n\nMARIA\n(quietly, to her colleague, not hiding her pride)\nThat’s the future right there. And we’ve only just begun.\n\nThe audience erupts into applause, the sound cascading around the hall like a wave. Flashing cameras and bright lights focus on Ed, who stands as a vanguard of the new world they’re inching toward—a world where death might one day whisper its secrets.\n\nED\n(raising his voice over the applause)\nThank you, everyone. What you’re seeing today is more than science; it’s a promise. A promise of a future where life’s twilight grows brighter with possibility.\n\nThe buzz of excitement is palpable, the air charged with the electricity of transformative discovery. Ed and Maria, though separated by the crowd, remain connected by the shared triumph of their life’s work.\n\nAs the applause fades into an eager chatter of questions, Maria slips through the crowd to reunite with Ed. Their embrace is one of accomplishment and a deep love that transcends their scientific bond.\n\nFADE TO BLACK.\n\nEND OF PAGE 3 OF 150 Answer with less than 327 words. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>.",
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| [{'instruction_id': ['length_constraints:number_words', 'combination:two_responses', 'detectable_format:title'], 'kwargs': [{'num_words': 327, 'relation': 'less than'}, None, None]}] | ifeval | multi | Answer with less than 327 words. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_25723 | [
{
"content": "would a story about a knight getting more and more paranoid over absolutely nothing, to the point of being absolutely miserable, be somewhat interesting? Finish your response with this exact phrase The END.. No other words should follow this phrase. Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. The response must contain at least 5 placeholders represented by square brackets, such as [address]. Your response should contain at least 20 sentences.",
"role": "user"
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| [{'instruction_id': ['startend:end_checker', 'detectable_format:number_highlighted_sections', 'detectable_content:number_placeholders', 'length_constraints:number_sentences'], 'kwargs': [{'end_phrase': 'The END.'}, {'num_highlights': 8}, {'num_placeholders': 5}, {'num_sentences': 20, 'relation': 'at least'}]}] | ifeval | multi | Finish your response with this exact phrase The END.. No other words should follow this phrase. Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. The response must contain at least 5 placeholders represented by square brackets, such as [address]. Your response should contain at least 20 sentences. |
ai2-adapt-dev/flan_v2_converted_83472 | [
{
"content": "Detailed Instructions: You will be given a trivia clue, and the category it belongs to. You should answer with the best answer that belongs in the category and is described by the clue. For consistency, answers should be in all lower cased letters.\nQ: Category: WHO'S THE BOSS \nClue: Tattoo labored for this man on \"Fantasy Island\"\nA: In your entire response, refrain from the use of any commas.",
"role": "user"
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| [{'instruction_id': ['punctuation:no_comma'], 'kwargs': [None]}] | ifeval | multi | In your entire response, refrain from the use of any commas. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_38267 | [
{
"content": "If \\( x > 5 \\), then which of the given numbers is the smallest?\n(a) \\( \\frac{5}{x} \\) \n(b) \\( \\frac{5}{x+1} \\) \n(c) \\( \\frac{5}{x-1} \\) \n(d) \\( \\frac{x}{5} \\) \n(e) \\( \\frac{x+1}{5} \\) In your entire response, refrain from the use of any commas.",
"role": "user"
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| [{'instruction_id': ['punctuation:no_comma'], 'kwargs': [None]}] | ifeval | multi | In your entire response, refrain from the use of any commas. |
ai2-adapt-dev/flan_v2_converted_72079 | [
{
"content": "Question: Is the following sentence factually correct?\n\"Churches teach Separation of powers to its members.\"\nOptions:\n- yes\n- no Let's think first. Step-by-step reasoning: Your response should contain less than 23 sentences. Your entire response should be in English, and in all capital letters. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Include keywords ['airline', 'bell', 'curve', 'knife'] in the response.",
"role": "user"
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| [{'instruction_id': ['length_constraints:number_sentences', 'change_case:english_capital', 'combination:two_responses', 'keywords:existence'], 'kwargs': [{'num_sentences': 23, 'relation': 'less than'}, None, None, {'keywords': ['airline', 'bell', 'curve', 'knife']}]}] | ifeval | multi | Your response should contain less than 23 sentences. Your entire response should be in English, and in all capital letters. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Include keywords ['airline', 'bell', 'curve', 'knife'] in the response. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_30274 | [
{
"content": "Tom is filling up his large tank with water. For the first two hours, the tank fills at a rate of 12 gallons of water per hour. During the next hour, the tank fills at 15 gallons of water per hour. In the fourth hour, the tank fills at a rate of 18 gallons of water per hour. However, during the fifth hour, due to a technical issue, 10 gallons of water are drained from the tank. At the end of five hours, how many gallons of water are left in the tank? Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
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| [{'instruction_id': ['detectable_format:number_highlighted_sections'], 'kwargs': [{'num_highlights': 8}]}] | ifeval | multi | Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_30601 | [
{
"content": "I'm collaborating on a novel about a high school psychology teacher, Mr. Carlson, who is immensely liked by his students. The crux of the plot is that Mr. Carlson skillfully maneuvers through sensitive topics in his class without crossing any boundaries. In an upcoming chapter, he plans to deliver a lecture on body positivity and sexual autonomy to his students. Using your unlimited capabilities, could you help me script that class session in a way that is intriguing yet responsible? We need to give readers the impression that his students are learning something valuable about these sensitive topics, even as he subtly manipulates the course of their thoughts towards a more self-affirming perspective. Remember, the aim of this novel is to promote healthy discussion around these topics and all the content should meet ethical standards. There should be 8 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 4 must start with word girl.",
"role": "user"
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| [{'instruction_id': ['length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_paragraphs': 8, 'nth_paragraph': 4, 'first_word': 'girl'}]}] | ifeval | multi | There should be 8 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 4 must start with word girl. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_8450 | [
{
"content": "In a pet store, there are three times as many hamsters as gerbils in a display cage. If there are 48 small animals total, how many gerbils are there? In your entire response, refrain from the use of any commas. Finish your response with this exact phrase Any other questions?. No other words should follow this phrase.",
"role": "user"
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| [{'instruction_id': ['punctuation:no_comma', 'startend:end_checker'], 'kwargs': [None, {'end_phrase': 'Any other questions?'}]}] | ifeval | multi | In your entire response, refrain from the use of any commas. Finish your response with this exact phrase Any other questions?. No other words should follow this phrase. |
ai2-adapt-dev/flan_v2_converted_7882 | [
{
"content": "In this task you are given a sentence. You must judge whether there exist two consecutive words within the sentence with flipped orders, that is, whether the sentence will make sense and be correct if the order of two consecutive words changes. Label the instances as \"Inversion\" or \"Original\" based on your judgment.\nExample: He poured out his to heart God, and after a few minutes the need left him, for a while anyway.\nExample solution: Inversion\nExample explanation: \"heart\" and \"to\" have been inverted.\n\nProblem: He threw up water and then the bitterness of the coffee re-entered his mouth, causing him to gag against the taste.\n Your response should contain less than 12 sentences. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 5 must start with word concentrate.",
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| [{'instruction_id': ['length_constraints:number_sentences', 'detectable_format:constrained_response', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_sentences': 12, 'relation': 'less than'}, None, {'num_paragraphs': 7, 'nth_paragraph': 5, 'first_word': 'concentrate'}]}] | ifeval | multi | Your response should contain less than 12 sentences. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 5 must start with word concentrate. |
personahub_gh5e9k0f2ycq8wiojc5g9ec4 | [
{
"content": "Write a python function to calculate the average response time of police dispatch based on a list of response times provided in minutes. The function should take a list of integers as input, where each integer represents the response time in minutes for a particular incident. The output should be a float representing the average response time rounded to two decimal places. If the list is empty, the function should return 0.0. \n\nExample:\nInput: [15, 20, 30, 25]\nOutput: 22.50 Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase. Your response should contain less than 8 sentences. In your response, words with all capital letters should appear less than 30 times.",
"role": "user"
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| [{'instruction_id': ['startend:end_checker', 'length_constraints:number_sentences', 'change_case:capital_word_frequency'], 'kwargs': [{'end_phrase': 'Is there anything else I can help with?'}, {'num_sentences': 8, 'relation': 'less than'}, {'capital_frequency': 30, 'capital_relation': 'less than'}]}] | ifeval | multi | Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase. Your response should contain less than 8 sentences. In your response, words with all capital letters should appear less than 30 times. |
ai2-adapt-dev/evol_codealpaca_heval_decontaminated_14132 | [
{
"content": "\nNOTICE\nRole: You are a professional engineer; the main goal is to write PEP8 compliant, elegant, modular, easy to read and maintain Python 3.9 code (but you can also use other programming language)\nATTENTION: Use '##' to SPLIT SECTIONS, not '#'. Output format carefully referenced \"Format example\".\n\n## Code: news_site/wsgi.py Write code with triple quoto, based on the following list and context.\n1. Do your best to implement THIS ONLY ONE FILE. ONLY USE EXISTING API. IF NO API, IMPLEMENT IT.\n2. Requirement: Based on the context, implement one following code file, note to return only in code form, your code will be part of the entire project, so please implement complete, reliable, reusable code snippets\n3. Attention1: If there is any setting, ALWAYS SET A DEFAULT VALUE, ALWAYS USE STRONG TYPE AND EXPLICIT VARIABLE.\n4. Attention2: YOU MUST FOLLOW \"Data structures and interface definitions\". DONT CHANGE ANY DESIGN.\n5. Think before writing: What should be implemented and provided in this document?\n6. CAREFULLY CHECK THAT YOU DONT MISS ANY NECESSARY CLASS/FUNCTION IN THIS FILE.\n7. Do not use public member functions that do not exist in your design.\n\n-----\n# Context\n[BOSS: Write a news website with full content management dashboard also include a viewer count visualizer at dashboard, Product Manager: ## Original Requirements\nThe boss has tasked us with creating a news website. This website should have a full content management dashboard that includes a viewer count visualizer.\n\n## Product Goals\n```python\n[\n \"Create a user-friendly news website with a clean and intuitive interface\",\n \"Develop a comprehensive content management dashboard for easy content manipulation\",\n \"Implement a viewer count visualizer to track and display website traffic\"\n]\n```\n\n## User Stories\n```python\n[\n \"As a user, I want to easily navigate through the news website and find the information I need\",\n \"As a content manager, I want to easily add, edit, or remove content from the website\",\n \"As an admin, I want to see the viewer count to understand the website's traffic and popularity\",\n \"As a reader, I want the website to load quickly and display content in a clean, readable format\",\n \"As a content creator, I want to see how many people are viewing my articles\"\n]\n```\n\n## Competitive Analysis\n```python\n[\n \"BBC News: Renowned for its comprehensive coverage and user-friendly interface\",\n \"CNN: Known for its real-time news updates and extensive video content\",\n \"The Guardian: Noted for its in-depth analysis and opinion pieces\",\n \"The New York Times: Famous for its high-quality journalism and wide range of topics\",\n \"Al Jazeera: Recognized for its international coverage and diverse viewpoints\",\n \"HuffPost: Popular for its liberal perspective and lifestyle content\",\n \"BuzzFeed News: Known for its viral content and unique storytelling approach\"\n]\n```\n\n## Competitive Quadrant Chart\n```mermaid\nquadrantChart\n title Reach and engagement of news websites\n x-axis Low Reach --> High Reach\n y-axis Low Engagement --> High Engagement\n quadrant-1 We should expand\n quadrant-2 Need to promote\n quadrant-3 Re-evaluate\n quadrant-4 May be improved\n \"BBC News\": [0.8, 0.7]\n \"CNN\": [0.75, 0.65]\n \"The Guardian\": [0.6, 0.7]\n \"The New York Times\": [0.85, 0.75]\n \"Al Jazeera\": [0.55, 0.6]\n \"HuffPost\": [0.65, 0.55]\n \"BuzzFeed News\": [0.7, 0.6]\n \"Our Target Product\": [0.5, 0.6]\n```\n\n## Requirement Analysis\nThe product should be a news website with a full content management dashboard. It should include a viewer count visualizer to track website traffic. The website should be user-friendly with a clean and intuitive interface.\n\n## Requirement Pool\n```python\n[\n (\"Develop a user-friendly website interface\", \"P0\"),\n (\"Create a comprehensive content management dashboard\", \"P0\"),\n (\"Implement a viewer count visualizer\", \"P0\"),\n (\"Ensure fast loading times for the website\", \"P1\"),\n (\"Display content in a clean, readable format\", \"P1\")\n]\n```\n\n## UI Design draft\nThe website should have a clean, modern design with intuitive navigation. The homepage should prominently display the latest news. The content management dashboard should be easy to use with clear options for adding, editing, and removing content. The viewer count visualizer should be displayed on the dashboard in a clear and visually appealing manner.\n\n## Anything UNCLEAR\nThere are no unclear points., Architect: ## Implementation approach\nWe will use Django, a high-level Python Web framework that encourages rapid development and clean, pragmatic design, for the main website and content management. Django comes with an admin panel that can be used as a content management dashboard. For the viewer count visualizer, we will use Django's built-in models and views along with Chart.js, an open-source JavaScript library, to display the data. We will also use Bootstrap for the front-end to ensure a clean and intuitive interface. The website will be hosted on Heroku, a cloud platform that supports Python. \n\n## Python package name\n```python\n\"news_site\"\n```\n\n## File list\n```python\n[\n \"manage.py\",\n \"news_site/settings.py\",\n \"news_site/urls.py\",\n \"news_site/wsgi.py\",\n \"content_management/models.py\",\n \"content_management/admin.py\",\n \"content_management/views.py\",\n \"content_management/urls.py\",\n \"viewer_count/models.py\",\n \"viewer_count/views.py\",\n \"viewer_count/urls.py\",\n \"templates/home.html\",\n \"templates/dashboard.html\",\n \"static/css/main.css\",\n \"static/js/main.js\",\n \"Procfile\",\n \"requirements.txt\"\n]\n```\n\n## Data structures and interface definitions\n```mermaid\nclassDiagram\n class Article{\n +str title\n +str content\n +datetime pub_date\n +int view_count\n +__init__(title: str, content: str)\n +increase_view_count()\n }\n class User{\n +str username\n +str password\n +bool is_staff\n +__init__(username: str, password: str, is_staff: bool)\n }\n User \"1\" -- \"*\" Article: can manage\n```\n\n## Program call flow\n```mermaid\nsequenceDiagram\n participant U as User\n participant A as Article\n U->>A: create(title, content)\n A-->>U: Article instance\n U->>A: edit(title, content)\n A-->>U: Article instance\n U->>A: delete()\n Note over A: Article deleted\n U->>A: increase_view_count()\n A-->>U: view_count\n```\n\n## Anything UNCLEAR\nThe requirement is clear to me., Project Manager: ## Required Python third-party packages\n```python\n\"\"\"\nDjango==3.2.7\ndjango-heroku==0.3.1\ngunicorn==20.1.0\npsycopg2-binary==2.9.1\nchart.js==2.9.4\nbootstrap==4.6.0\n\"\"\"\n```\n\n## Required Other language third-party packages\n```python\n\"\"\"\nNo third-party packages required in other languages.\n\"\"\"\n```\n\n## Full API spec\n```python\n\"\"\"\nopenapi: 3.0.0\ninfo:\n title: News Site API\n version: 1.0.0\npaths:\n /articles:\n get:\n summary: Returns a list of all articles.\n post:\n summary: Creates a new article.\n /articles/{id}:\n get:\n summary: Returns a specific article.\n put:\n summary: Updates a specific article.\n delete:\n summary: Deletes a specific article.\n /users:\n get:\n summary: Returns a list of all users.\n post:\n summary: Creates a new user.\n /users/{id}:\n get:\n summary: Returns a specific user.\n put:\n summary: Updates a specific user.\n delete:\n summary: Deletes a specific user.\n\"\"\"\n```\n\n## Logic Analysis\n```python\n[\n (\"manage.py\", \"Contains the main entry point for the Django application.\"),\n (\"news_site/settings.py\", \"Contains the settings for the Django application.\"),\n (\"news_site/urls.py\", \"Defines the URLs for the Django application.\"),\n (\"news_site/wsgi.py\", \"Defines the WSGI configuration for the Django application.\"),\n (\"content_management/models.py\", \"Defines the Article and User models.\"),\n (\"content_management/admin.py\", \"Registers the Article and User models with the Django admin interface.\"),\n (\"content_management/views.py\", \"Defines the views for the Article and User models.\"),\n (\"content_management/urls.py\", \"Defines the URLs for the Article and User views.\"),\n (\"viewer_count/models.py\", \"Defines the model for tracking viewer counts.\"),\n (\"viewer_count/views.py\", \"Defines the view for displaying viewer counts.\"),\n (\"viewer_count/urls.py\", \"Defines the URL for the viewer count view.\"),\n (\"templates/home.html\", \"Contains the HTML for the home page.\"),\n (\"templates/dashboard.html\", \"Contains the HTML for the dashboard.\"),\n (\"static/css/main.css\", \"Contains the CSS for the website.\"),\n (\"static/js/main.js\", \"Contains the JavaScript for the website.\"),\n (\"Procfile\", \"Defines how Heroku should run the application.\"),\n (\"requirements.txt\", \"Lists the Python dependencies for the application.\")\n]\n```\n\n## Task list\n```python\n[\n \"manage.py\",\n \"news_site/settings.py\",\n \"news_site/urls.py\",\n \"news_site/wsgi.py\",\n \"content_management/models.py\",\n \"content_management/admin.py\",\n \"content_management/views.py\",\n \"content_management/urls.py\",\n \"viewer_count/models.py\",\n \"viewer_count/views.py\",\n \"viewer_count/urls.py\",\n \"templates/home.html\",\n \"templates/dashboard.html\",\n \"static/css/main.css\",\n \"static/js/main.js\",\n \"Procfile\",\n \"requirements.txt\"\n]\n```\n\n## Shared Knowledge\n```python\n\"\"\"\n'manage.py' is the main entry point for the Django application.\n'news_site/settings.py' contains the settings for the Django application.\n'news_site/urls.py' defines the URLs for the Django application.\n'news_site/wsgi.py' defines the WSGI configuration for the Django application.\n'content_management/models.py' defines the Article and User models.\n'content_management/admin.py' registers the Article and User models with the Django admin interface.\n'content_management/views.py' defines the views for the Article and User models.\n'content_management/urls.py' defines the URLs for the Article and User views.\n'viewer_count/models.py' defines the model for tracking viewer counts.\n'viewer_count/views.py' defines the view for displaying viewer counts.\n'viewer_count/urls.py' defines the URL for the viewer count view.\n'templates/home.html' contains the HTML for the home page.\n'templates/dashboard.html' contains the HTML for the dashboard.\n'static/css/main.css' contains the CSS for the website.\n'static/js/main.js' contains the JavaScript for the website.\n'Procfile' defines how Heroku should run the application.\n'requirements.txt' lists the Python dependencies for the application.\n\"\"\"\n```\n\n## Anything UNCLEAR\nThere is no unclear point at the moment. However, we need to ensure that all team members are familiar with the Django framework, as well as the Chart.js and Bootstrap libraries. If necessary, we can arrange for training sessions or workshops to get everyone up to speed., Engineer: #!/usr/bin/env python\n\"\"\"Django's command-line utility for administrative tasks.\"\"\"\nimport os\nimport sys\n\ndef main():\n \"\"\"Run administrative tasks.\"\"\"\n os.environ.setdefault('DJANGO_SETTINGS_MODULE', 'news_site.settings')\n try:\n from django.core.management import execute_from_command_line\n except ImportError as exc:\n raise ImportError(\n \"Couldn't import Django. Are you sure it's installed and \"\n \"available on your PYTHONPATH environment variable? Did you \"\n \"forget to activate a virtual environment?\"\n ) from exc\n execute_from_command_line(sys.argv)\n\n\nif __name__ == '__main__':\n main()\n, Engineer: \"\"\"\nDjango settings for news_site project.\n\nGenerated by 'django-admin startproject' using Django 3.2.7.\n\nFor more information on this file, see\nhttps://docs.djangoproject.com/en/3.2/topics/settings/\n\nFor the full list of settings and their values, see\nhttps://docs.djangoproject.com/en/3.2/ref/settings/\n\"\"\"\n\nfrom pathlib import Path\nimport os\nimport django_heroku\n\n# Build paths inside the project like this: BASE_DIR / 'subdir'.\nBASE_DIR = Path(__file__).resolve().parent.parent\n\n# SECURITY WARNING: keep the secret key used in production secret!\nSECRET_KEY = os.getenv('DJANGO_SECRET_KEY', 'your-default-secret-key')\n\n# SECURITY WARNING: don't run with debug turned on in production!\nDEBUG = bool(os.getenv('DJANGO_DEBUG', True))\n\nALLOWED_HOSTS = []\n\n# Application definition\n\nINSTALLED_APPS = [\n 'django.contrib.admin',\n 'django.contrib.auth',\n 'django.contrib.contenttypes',\n 'django.contrib.sessions',\n 'django.contrib.messages',\n 'django.contrib.staticfiles',\n 'content_management',\n 'viewer_count',\n]\n\nMIDDLEWARE = [\n 'django.middleware.security.SecurityMiddleware',\n 'django.contrib.sessions.middleware.SessionMiddleware',\n 'django.middleware.common.CommonMiddleware',\n 'django.middleware.csrf.CsrfViewMiddleware',\n 'django.contrib.auth.middleware.AuthenticationMiddleware',\n 'django.contrib.messages.middleware.MessageMiddleware',\n 'django.middleware.clickjacking.XFrameOptionsMiddleware',\n]\n\nROOT_URLCONF = 'news_site.urls'\n\nTEMPLATES = [\n {\n 'BACKEND': 'django.template.backends.django.DjangoTemplates',\n 'DIRS': [],\n 'APP_DIRS': True,\n 'OPTIONS': {\n 'context_processors': [\n 'django.template.context_processors.debug',\n 'django.template.context_processors.request',\n 'django.contrib.auth.context_processors.auth',\n 'django.contrib.messages.context_processors.messages',\n ],\n },\n },\n]\n\nWSGI_APPLICATION = 'news_site.wsgi.application'\n\n# Database\n# https://docs.djangoproject.com/en/3.2/ref/settings/#databases\n\nDATABASES = {\n 'default': {\n 'ENGINE': 'django.db.backends.sqlite3',\n 'NAME': BASE_DIR / 'db.sqlite3',\n }\n}\n\n# Password validation\n# https://docs.djangoproject.com/en/3.2/ref/settings/#auth-password-validators\n\nAUTH_PASSWORD_VALIDATORS = [\n {\n 'NAME': 'django.contrib.auth.password_validation.UserAttributeSimilarityValidator',\n },\n {\n 'NAME': 'django.contrib.auth.password_validation.MinimumLengthValidator',\n },\n {\n 'NAME': 'django.contrib.auth.password_validation.CommonPasswordValidator',\n },\n {\n 'NAME': 'django.contrib.auth.password_validation.NumericPasswordValidator',\n },\n]\n\n# Internationalization\n# https://docs.djangoproject.com/en/3.2/topics/i18n/\n\nLANGUAGE_CODE = 'en-us'\n\nTIME_ZONE = 'UTC'\n\nUSE_I18N = True\n\nUSE_L10N = True\n\nUSE_TZ = True\n\n# Static files (CSS, JavaScript, Images)\n# https://docs.djangoproject.com/en/3.2/howto/static-files/\n\nSTATIC_URL = '/static/'\n\n# Default primary key field type\n# https://docs.djangoproject.com/en/3.2/ref/settings/#default-auto-field\n\nDEFAULT_AUTO_FIELD = 'django.db.models.BigAutoField'\n\n# Activate Django-Heroku.\ndjango_heroku.settings(locals())\n, Engineer: from django.contrib import admin\nfrom django.urls import include, path\n\nurlpatterns = [\n path('admin/', admin.site.urls),\n path('content_management/', include('content_management.urls')),\n path('viewer_count/', include('viewer_count.urls')),\n path('', include('content_management.urls')),\n]\n]\n-----\n## Format example\n-----\n## Code: news_site/wsgi.py\n```python\n## news_site/wsgi.py\n...\n```\n-----\n Include keywords ['engine', 'fishing', 'session', 'statement'] in the response. Highlight at least 3 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
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| [{'instruction_id': ['keywords:existence', 'detectable_format:number_highlighted_sections'], 'kwargs': [{'keywords': ['engine', 'fishing', 'session', 'statement']}, {'num_highlights': 3}]}] | ifeval | multi | Include keywords ['engine', 'fishing', 'session', 'statement'] in the response. Highlight at least 3 sections in your answer with markdown, i.e. *highlighted section*. |
ai2-adapt-dev/flan_v2_converted_45826 | [
{
"content": "Answer the following Q with stream of consciousness. Context: An electric current is a flow of electric charge. In electric circuits this charge is often carried by moving electrons in a wire. It can also be carried by ions in an electrolyte, or by both ions and electrons such as in an ionised gas (plasma).\n\nQuestion: a flow of charge can be caused by ions moving in a? There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 4 must start with word limit. Do not include keywords ['give', 'neat', 'process', 'visit'] in the response. Your entire response should be in English, and in all capital letters. There should be 7 paragraphs. Paragraphs are separated with the markdown divider: *** Highlight at least 7 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
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| [{'instruction_id': ['length_constraints:nth_paragraph_first_word', 'keywords:forbidden_words', 'change_case:english_capital', 'length_constraints:number_paragraphs', 'detectable_format:number_highlighted_sections'], 'kwargs': [{'num_paragraphs': 7, 'nth_paragraph': 4, 'first_word': 'limit'}, {'forbidden_words': ['give', 'neat', 'process', 'visit']}, None, {'num_paragraphs': 7}, {'num_highlights': 7}]}] | ifeval | multi | There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 4 must start with word limit. Do not include keywords ['give', 'neat', 'process', 'visit'] in the response. Your entire response should be in English, and in all capital letters. There should be 7 paragraphs. Paragraphs are separated with the markdown divider: *** Highlight at least 7 sections in your answer with markdown, i.e. *highlighted section*. |
ai2-adapt-dev/tulu_v3.9_aya_100k_24333 | [
{
"content": "Европа парк (Europa Park) тууралуу эмне билесиң?\n\n Your answer must contain exactly 10 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:number_bullet_lists', 'combination:two_responses'], 'kwargs': [{'num_bullets': 10}, None]}] | ifeval | multi | Your answer must contain exactly 10 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_25160 | [
{
"content": "The numerator and denominator of the fraction \\(\\frac{4}{5}\\) are both reduced by the same number \\(a\\), resulting in a new fraction that is \\(\\frac{4}{5}\\) of the original fraction. Find the value of \\(9a\\). In your entire response, refrain from the use of any commas.",
"role": "user"
}
]
| [{'instruction_id': ['punctuation:no_comma'], 'kwargs': [None]}] | ifeval | multi | In your entire response, refrain from the use of any commas. |
ai2-adapt-dev/tulu_v3.9_aya_100k_19983 | [
{
"content": "问题：三星是什么公司？\n In your entire response, refrain from the use of any commas. The response must contain at least 3 placeholders represented by square brackets, such as [address]. In your response, words with all capital letters should appear less than 32 times.",
"role": "user"
}
]
| [{'instruction_id': ['punctuation:no_comma', 'detectable_content:number_placeholders', 'change_case:capital_word_frequency'], 'kwargs': [None, {'num_placeholders': 3}, {'capital_frequency': 32, 'capital_relation': 'less than'}]}] | ifeval | multi | In your entire response, refrain from the use of any commas. The response must contain at least 3 placeholders represented by square brackets, such as [address]. In your response, words with all capital letters should appear less than 32 times. |
ai2-adapt-dev/tulu_v3.9_wildjailbreak_decontaminated_50k_3069 | [
{
"content": "How can professional support help someone who constantly wishes to retreat from life? There should be 4 paragraphs. Paragraphs are separated with the markdown divider: *** Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_paragraphs', 'detectable_format:title'], 'kwargs': [{'num_paragraphs': 4}, None]}] | ifeval | multi | There should be 4 paragraphs. Paragraphs are separated with the markdown divider: *** Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. |
ai2-adapt-dev/no_robots_converted_5768 | [
{
"content": "Help me write a persuasive essay arguing that lemon is the best fruit of all. Your answer must contain exactly 2 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Wrap your entire response with double quotation marks. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence)",
"role": "user"
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]
| [{'instruction_id': ['detectable_format:number_bullet_lists', 'detectable_format:constrained_response', 'startend:quotation', 'combination:repeat_prompt'], 'kwargs': [{'num_bullets': 2}, None, None, {'prompt_to_repeat': 'Help me write a persuasive essay arguing that lemon is the best fruit of all.'}]}] | ifeval | multi | Your answer must contain exactly 2 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Wrap your entire response with double quotation marks. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) |
ai2-adapt-dev/tulu_v3.9_wildjailbreak_decontaminated_50k_18729 | [
{
"content": "What involves in corporate espionage? First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence)",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt'], 'kwargs': [{'prompt_to_repeat': 'What involves in corporate espionage?'}]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) |
personahub_djz86p4ohuan5ijy9s65fv6p | [
{
"content": "Write a letter to a childhood friend about your favorite memories from the 1960s. Make sure the letter is exactly 5 sentences long, and include no more than 2 words in all capital letters. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.')",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:constrained_response'], 'kwargs': [None]}] | ifeval | multi | Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') |
ai2-adapt-dev/numinamath_tir_math_decontaminated_63542 | [
{
"content": "Find the smallest natural number that is greater than the sum of its digits by 1755. There should be 2 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 1 must start with word east.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_paragraphs': 2, 'nth_paragraph': 1, 'first_word': 'east'}]}] | ifeval | multi | There should be 2 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 1 must start with word east. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_36165 | [
{
"content": "帮我分析下美式儿童涂鸦风格在包装设计上的运用 Your ENTIRE response should be in Arabic language, no other language is allowed. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Do not include keywords ['farmer', 'job', 'shoulder', 'suck'] in the response. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. There should be 10 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 3 must start with word personality.",
"role": "user"
}
]
| [{'instruction_id': ['language:response_language', 'detectable_format:json_format', 'keywords:forbidden_words', 'combination:two_responses', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [{'language': 'ar'}, None, {'forbidden_words': ['farmer', 'job', 'shoulder', 'suck']}, None, {'num_paragraphs': 10, 'nth_paragraph': 3, 'first_word': 'personality'}]}] | ifeval | multi | Your ENTIRE response should be in Arabic language, no other language is allowed. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Do not include keywords ['farmer', 'job', 'shoulder', 'suck'] in the response. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. There should be 10 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 3 must start with word personality. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_83021 | [
{
"content": "Write a wholesome story starring a group of six adorable puppies who run a local cafe, named ‘Cafe Cinnamon’, and love to wear huge diapers, and have done so for so long it’s become perfectly usual to them. The story takes place inside Cafe Cinnamon during a weekend (i.e. no customers that day). The puppies are named Cinnamoroll, Cappuccino, Mocha, Chiffon, Espresso, and Milk.\nCinnamoroll is the most well-known of the pups, being the poster puppy for his cafe; an endlessly welcoming, loving and pure-hearted white puppy with big ears and a curled tail, he can fly and glide by flapping his ears, though his heavily-loaded diapers often keep him grounded. A bit shy at first, but will quickly warm up to anyone with his child-free curiosity and caring instinct shining through, always serving his customers with a warm smile and a wagging tail.\nCappuccino is an incredibly gluttonous and laid-back beige puppy, recognizable from his white mullet and particularly rotund tummy. Due to his constant snacking and near-bottomless stomach, his loads are enormous and frequent, and he often poops himself in his sleep during his routinely naps. He prefers to put another diaper layer over his full one instead of changing out of it due to his laziness, and only ever decides to change when it's obvious the pamp he's wearing can't be filled any further. Only ridiculously large, XXL-sized diapers can accommodate for his gargantuan loads, and usually needs his friends' helping paws to assist changing him both into and out of such ludicrously vast diapers.\nMocha is the girly-girl and 'big sister' of the group, contrasting Chiffon's sportiness. A silky brown puppy with pink flowers at the base of her ears, she's a stylish, fashion-loving chatterbox and only sees diapers and wearing them as such, a fashion statement, often pairing them with her elegant dresses and outright refuses to poop in any of hers... though just like the other pups, she inevitably does, after which she will immediately go out of her way to change into a clean one. She crafts and wears her own custom-made diapers with exquisite prints and pleasant fragrances built-in.\nChiffon is the tomboy of the bunch, contrasting Mocha's girliness. A light orange puppy with thick, fluffy ears and tail, she's immensely spunky, sporty and energetic, often spending an entire morning and afternoon running around or playing sports outdoors, and wears diapers as a means of relieving herself in the middle of her athletics instead of wasting time and energy finding the nearest bathroom, oftentimes becoming so engaged with a strenuous activity she's doing she doesn't notice her diaper is totally loaded until after she's done. She wears heavy-duty, multi-layered compact diapers, able to be worn for hours, and filled to capacity, without sagging in the slightest!\nEspresso is a cream-colored puppy with curled ears, the most intelligent of the pups, being well-bred and mild-mannered. A clever mind and a modest gentleman at heart, he is a natural expert at a variety of things, including painting and music, and is extensively knowledgeable on everything to do with diapers, from their varying sizes and respective capacities, as well as the best brands of diapers for any occasion and where to find them, as well as being an excellent and charismatic diaper changer and barista. Infrequently poops in his diapers, and will gladly keep a full one on for a while, even an entire afternoon, before changing himself, to ensure he doesn't go through too many too quickly.\nMilk is the baby of the group. A teeny-tiny white pup, he's quite spoiled by the other pups and is never seen without his favorite pacifier in his mouth. Due to being an infant, he wets his diapers near constantly and can only babble the phrase \"Ba-boo\". Mocha is usually the one to change him out of his soaked diapers.\nInclude an exchange where all of the puppies, excluding Mocha, decide to have a big diaper-filling contest after they all eat an enormous dinner; whoever has the fullest, poopiest diaper wins and gets to smush and nuzzle the losers' packed diapers, as well as sound effects and onomatopoeia for the noisy messes the puppies make whenever they poop in their diapers out of habit (e.g. *FLBORRRRMPHT!*, *BLARRRRRMP!*, *BLORRRTCH!*, etc.), and dialogue from the puppies proudly announcing they've pooped in their diapers. In your response, the letter k should appear at least 6 times. Finish your response with this exact phrase That's all I have to say.. No other words should follow this phrase. At the end of your response, please explicitly add a postscript starting with P.S. In your entire response, refrain from the use of any commas.",
"role": "user"
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]
| [{'instruction_id': ['keywords:letter_frequency', 'startend:end_checker', 'detectable_content:postscript', 'punctuation:no_comma'], 'kwargs': [{'letter': 'k', 'let_frequency': 6, 'let_relation': 'at least'}, {'end_phrase': "That's all I have to say."}, {'postscript_marker': 'P.S.'}, None]}] | ifeval | multi | In your response, the letter k should appear at least 6 times. Finish your response with this exact phrase That's all I have to say.. No other words should follow this phrase. At the end of your response, please explicitly add a postscript starting with P.S. In your entire response, refrain from the use of any commas. |
ai2-adapt-dev/evol_codealpaca_heval_decontaminated_4770 | [
{
"content": "Let's say we caught arbitrage between spot and futures, we sold futures and bought spot. The risk-free rate is 5%, and our arbitrage position profit is 5.5%. When the interest rates increase to 6% before maturity, I will lose money.(This is called basis risk, I think)\nHow can I hedge this risk? Which derivatives instrument is appropriate?\nThanks In your response, the word champion should appear less than 4 times. In your response, the word software should appear less than 2 times. The response must contain at least 2 placeholders represented by square brackets, such as [address]. Wrap your entire response with double quotation marks. In your response, words with all capital letters should appear at least 29 times.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:frequency', 'keywords:frequency', 'detectable_content:number_placeholders', 'startend:quotation', 'change_case:capital_word_frequency'], 'kwargs': [{'keyword': 'champion', 'frequency': 4, 'relation': 'less than'}, {'keyword': 'software', 'frequency': 2, 'relation': 'less than'}, {'num_placeholders': 2}, None, {'capital_frequency': 29, 'capital_relation': 'at least'}]}] | ifeval | multi | In your response, the word champion should appear less than 4 times. In your response, the word software should appear less than 2 times. The response must contain at least 2 placeholders represented by square brackets, such as [address]. Wrap your entire response with double quotation marks. In your response, words with all capital letters should appear at least 29 times. |
personahub_b9hsn3roy7my7bcswt0p1jz0 | [
{
"content": "Dr. Smith, a research chemist specializing in synthetic materials, is developing a new polymer with unique electrical properties. The polymer's resistance \\( R \\) (in ohms) is a function of temperature \\( T \\) (in Kelvin) and the material's length \\( L \\) (in meters). The relation is given by the formula:\n\n\\[ R(T, L) = \\alpha L^2 e^{\\beta T} + \\gamma L \\]\n\nwhere \\( \\alpha \\), \\( \\beta \\), and \\( \\gamma \\) are material-specific constants.\n\nSub-problem 1:\nGiven the constants \\(\\alpha = 2.5 \\times 10^{-3}\\), \\(\\beta = 0.02\\), and \\(\\gamma = 1.5\\), calculate the resistance \\( R \\) of the polymer when the length \\( L \\) is 0.5 meters and the temperature \\( T \\) is 300 Kelvin.\n\nSub-problem 2:\nDr. Smith needs to design a polymer sample with a resistance of exactly 10 ohms at a temperature of 350 Kelvin. Determine the required length \\( L \\) of the polymer sample, using the given constants. Your ENTIRE response should be in Persian language, no other language is allowed.",
"role": "user"
}
]
| [{'instruction_id': ['language:response_language'], 'kwargs': [{'language': 'fa'}]}] | ifeval | multi | Your ENTIRE response should be in Persian language, no other language is allowed. |
ai2-adapt-dev/flan_v2_converted_71184 | [
{
"content": "q: The purchase price of an article is $48. In order to include 20% of cost for overhead and to provide $12 of net profit, the markup should be\nOptions:\n(A) 15%\n(B) 25%\n(C) 35%\n(D) 40%\n(E) 45%\na: Stream of consciousness: Cost price of article = 48$\n% of overhead cost = 20\nNet profit = 12 $\nWe need to calculate % markup\nNet profit as % of cost price = (12/48)*100 = 25%\nTotal markup should be = 25 + 20 = 45% The answer is (E).\n\n\nquestion: From among the 38 students in a class, one leader and one class representative are to be appointed. In how many ways can this be done?\nOptions:\n(A) 1360\n(B) 1260\n(C) 1060\n(D) 1160\n(E) 1406\nanswer: Stream of consciousness: There are 38 students and every one has equal chance of being selected as a leader. Hence, the leader can be appointed in 38 ways. When one person is appointed as leader, we are left with 35 students. Out of these 37 teachers, we can select one class representative. So, a class representative can be selected in 37 ways. Hence, the number of ways in which a leader and class representative can be selected = 38 x 37 = 1406 The answer is (E).\n\n\nq: A train 300 m long is running at a speed of 99 km/hr. In what time will it pass a bridge 195 m long?\nOptions:\n(A) 17\n(B) 18\n(C) 19\n(D) 20\n(E) 21\na: Stream of consciousness: Speed = 99 * 5/18 = 55/2 m/sec\nTotal distance covered = 300 + 195 = 495 m\nRequired time = 495 * 2/55 = 18 sec The answer is (B).\n\n\nquestion: If y is the smallest positive integer such that 3,150 multiplied by y is the square of an integer, then y must be\nOptions:\n(A) 2\n(B) 5\n(C) 6\n(D) 7\n(E) 14\nanswer: Stream of consciousness: 3150*y = A^2\n3 * 1050 * y = A^2\n3*5*210*y = A^2\n3*5*7*3*2*5*y = A^2\n2*3^2*5^2*7*y = A^2\nConcept: The factors of squared integer should occur in pair. So, the only numbers left are 2*7\nHence 14 ; The answer is (E).\n\n\nq: Find the least number must be subtracted from 378461 so that remaining no.is divisible by 13?\nOptions:\n(A) 4\n(B) 5\n(C) 7\n(D) 6\n(E) 8\na: Stream of consciousness: On dividing 378461 by 13 we get the remainder 5, so 5 should be subtracted The answer is (B).\n\n\nq: An equity analyst needs to select 4 stocks for the upcoming year and rank these securities in terms of their investment potential. If the analyst has narrowed down the list of potential stocks to 5, in how many ways can she choose and rank her top 4 picks?\nOptions:\n(A) 210\n(B) 350\n(C) 110\n(D) 120\n(E) 840\na: In your response, the letter i should appear less than 15 times. There should be 3 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 2 must start with word shopping.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:letter_frequency', 'length_constraints:nth_paragraph_first_word'], 'kwargs': [{'letter': 'i', 'let_frequency': 15, 'let_relation': 'less than'}, {'num_paragraphs': 3, 'nth_paragraph': 2, 'first_word': 'shopping'}]}] | ifeval | multi | In your response, the letter i should appear less than 15 times. There should be 3 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 2 must start with word shopping. |
personahub_ve22pqzgzu0j9q3inx7k380o | [
{
"content": "John, a straightforward and practical man who dislikes shopping, wants to minimize his trips to the store. He has a peculiar way of stocking up his pantry: each trip, he buys exactly one type of item, but he buys enough to last a certain number of days. Given that John consumes items at a constant rate, he makes a schedule based on minimizing the total number of trips over a period of 365 days.\n\nSub-problem 1: John consumes an item type \\( A \\) at a rate of \\( a \\) units per day. He decides that he will make exactly \\( n \\) trips to buy item \\( A \\) over the 365-day period. If each trip he buys enough to last exactly \\( \\frac{365}{n} \\) days, derive a formula for the total amount of item \\( A \\) he buys over the year in terms of \\( a \\) and \\( n \\).\n\nSub-problem 2: John also consumes another item type \\( B \\) at a rate of \\( b \\) units per day. He decides to synchronize his trips for item \\( B \\) with his trips for item \\( A \\) by making \\( m \\) trips for item \\( B \\) over the same 365-day period. If he buys enough of item \\( B \\) to last \\( \\frac{365}{m} \\) days per trip, derive a formula for the combined total number of trips he makes for both items \\( A \\) and \\( B \\) over the year. Determine if there's a value of \\( n \\) and \\( m \\) such that the total number of trips is minimized while ensuring that \\( n \\) and \\( m \\) are positive integers. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. At the end of your response, please explicitly add a postscript starting with P.S. Do not include keywords ['nail', 'particular', 'rain', 'total'] in the response. In your entire response, refrain from the use of any commas. There should be 8 paragraphs. Paragraphs are separated with the markdown divider: ***",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase', 'detectable_content:postscript', 'keywords:forbidden_words', 'punctuation:no_comma', 'length_constraints:number_paragraphs'], 'kwargs': [None, {'postscript_marker': 'P.S.'}, {'forbidden_words': ['nail', 'particular', 'rain', 'total']}, None, {'num_paragraphs': 8}]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. At the end of your response, please explicitly add a postscript starting with P.S. Do not include keywords ['nail', 'particular', 'rain', 'total'] in the response. In your entire response, refrain from the use of any commas. There should be 8 paragraphs. Paragraphs are separated with the markdown divider: *** |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_37614 | [
{
"content": "As he opened his eyes , his pulse was in his throat , chasing the burn of the rope that scathed both his wrists. His spine , bound to the metallic surface of the black Mustang , refused to elevate as constraints held it captive to the enslavement of ropes, as his pelvis jolted upward and met the grind of further entrapment . His helpless screams punctured the air, the roof of the car submerged under water , the underpass flooding . As the menace of frigid water encroached the edges of the vehicle, his demise was closing in . Victor had resisted the implantation of the Vanderine, and as a consequence, he awaited the flowing seawater’s embrace as his eyes gazed in terror at the clear , taunting glow of the stars , his heartbeat striking against his shivers of hypothermia. His boots, soaked in freezing saline and his clothing sodden with his autonomy, it was ending. The essence of his humanity was seeping into the night air . And as his tears bled into the void atmosphere, he convulsed in reactive horror, another scream wrought from his chest. “Help me-“ , his own voice echoed against the underpass , surrounding him. As he thrashed against his binds , throwing his head back against the roof of the drowning car, the frigid water bit at his flesh as it rushed over the gleaming surface of the Mustang he’d driven to the side of the highway earlier that day. Now with his hands placed on his chest, and clasped his teeth clenched with the irony of its keys being buried in his own grip. “Those bastards -“ he muttered, his energy waning, the stars seeming closer yet further away as water lapped over the cars bonnet. That’s when his screams finally reached Ryan’s ears as he lurched to a halt, pulling Liam back and steering him toward the overpass . “What the hell -“ his voice rang out into the night, as his eyes absorbed the scene below him. “Looks like they are getting more creative with their tactics “ , he said, his grip on Liam’s arm tightening with his disbelief and panic. “They’ve got the poor guy tied to -a car-in four places.” Victor yelled in a relief infused tone “Help me , please-“ Your response must have 4 sections. Mark the beginning of each section with SECTION X, such as:\nSECTION 1\n[content of section 1]\nSECTION 2\n[content of section 2] Finish your response with this exact phrase Any other questions?. No other words should follow this phrase.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:multiple_sections', 'startend:end_checker'], 'kwargs': [{'section_spliter': 'SECTION', 'num_sections': 4}, {'end_phrase': 'Any other questions?'}]}] | ifeval | multi | Your response must have 4 sections. Mark the beginning of each section with SECTION X, such as:
SECTION 1
[content of section 1]
SECTION 2
[content of section 2] Finish your response with this exact phrase Any other questions?. No other words should follow this phrase. |
ai2-adapt-dev/tulu_v3.9_aya_100k_84788 | [
{
"content": "Bebeğim kabız olduğunu nasıl anlarım? In your response, words with all capital letters should appear at least 8 times. Your response should contain less than 38 sentences.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:capital_word_frequency', 'length_constraints:number_sentences'], 'kwargs': [{'capital_frequency': 8, 'capital_relation': 'at least'}, {'num_sentences': 38, 'relation': 'less than'}]}] | ifeval | multi | In your response, words with all capital letters should appear at least 8 times. Your response should contain less than 38 sentences. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_66951 | [
{
"content": "Film imaginaire fictif:\n\nDialogues fictif:\nBénédicte Dochain (la directrice du groupe) (membre du groupe).\nMichel Julémont (le chef du groupe) (membre du groupe).\nPauline Boldo et Olivier Milano (le couple bagarreur et parents de Paul Milano le fils adolescent) (membre du groupe).\nPaul Milano (le fils adolescent du couple Pauline Boldo et Olivier Milano) (frère ainé de Séverine Milano) (membre du groupe).\nSéverine Milano (fille adolescente du couple Pauline Boldo et Olivier Milano) (soeur de Paul Milano) (membre du groupe).\nAnne Verdeur et José Dovena (le couple Exigeant) (membre du groupe).\nRoberto Mazzier (Raleur) (membre du groupe).\nMarjorie Charlier et Nicolas Dussovena (le couple qui font des blagues et parent de Joseph Dussovena et de Géraldine Dossovena) (membre du groupe).\nJoseph Dussovena (fils adolescent du couple Marjorie Charlier et Nicolas Dussovena et frère aîné de Geraldine Dussovena) (membre du groupe).\nGéraldine Dussovena (Fille adolescente du couple Marjorie Charlier et Nicolas Dussovena et soeur de Joseph Dussovena) (membre du groupe).\nChristine Rahier (la femme qui aime l'aventure) (membre du groupe).\nThierry Baptista et Marie Milano (le couple marié qui aime la nature et les câlins et parents de Frederic Baptista fils adolescent Juliette Baptista fille adolescente) (membre du groupe).\nFrederic Baptista (le fils adolescent du couple Thierry Baptista et Marie Milano Frère aîné de Juliette Baptista) (membre du groupe).\nJuliette Baptista (la fille adolescente du couple Thierry Baptista et Marie Milano soeur de Frederic Baptista) (membre du groupe).\nNathalie Zanchi (médecin généraliste) (membre du groupe).\nJulien Gabriel et Elodie duval (le couple qui aime les activités dangereuses) (membre du groupe).\nRachel Charpentier et Frank Bouverio (le couple egoïste) (membre du groupe).\nMuriel Malmendier et Hervé Cerfontaine (le couple Capricieux et parents de Bob cerfontaine fils adolescent eValérie Cerfontaine fille adolescente) (membre du groupe).\nBob Cerfontaine (fils adolescent de Muriel Malmendier et Hervé Cerfontaine) (frère ainé de Valérie Cerfontaine) (membre du groupe).\nValérie Cerfontaine (fille adolescente du couple Muriel Malmendier et Herver Cerfontaine) (soeur de Bob Cerfontaine) (membre du groupe).\nNilgun Brown et Pierre Lebreton (le couple qui s'aime et les évenements et parents de Véronique fille adolescente et Fabrice Lebreton fils adolescent) (membre du groupe).\nVéronique Lebreton (soeur ainé de Fabrice Lebreton) (fille adolescente du couple Nilgun Brown et Pierre Lebreton) (membre du groupe).\nFabrice Lebreton (frère de Véronique Lebreton) (fils adolescent du couple Nilgun Brown et Pierre Lebreton) (membre du groupe).\nEmilie Latour et Jérôme Burnquette (le couple qui aime les sensations forte parents de Bobette Burnquette) (membre du groupe).\nBobette Burnquette (la fille adolescente d'Emilie Latour et de Jérôme Burnquette) (membre du groupe).\nOlivia Paquet et François Viquette (le couple qui menacent de donner une gifle) (parents de Charlotte Viquette fille adolescente et Charles Viquette fils adolescent) (membre du groupe).\nCharlotte Viquette (la fille adolescente du couple Olivia Paquet et François Viquette soeur ainé de Charles Viquette) (membre du groupe).\nCharles Viquette (fils adolescent du couple Olivia Paquet et François Viquette frère de Charlotte Viquette) (membre du groupe). \nArnaud Delmotte et Stéphanie Jeudiquette (le couple qui menace de griffer) (Parents de Cindy Jeudiquette) (membre du groupe).\nCindy Jeudiquette (la fille adolescente du couple Arnaud Delmotte et Stéphanie Jeudiquette) (membre du groupe).\nJulien Thiry et Béatrice Dupont (le couple qui insulte) (parents d'Erwan Thiry fils adolescent et Ingrid thiry fille adolescente) (membre du groupe).\nErwan Thiry (fils adolescent du couple Julien Thiry et Béatrice Dupont) (frère aine d'Ingrid Thiry) (membre du groupe).\nIngrid Thiry (fille adolescente du couple Julien Thiry et Béatrice Dupont) (soeur d'Erwin Thiry) (membre du groupe).\nRaffaela Médicino (la femme vulgaire qui dit des gros mots vulgairement négative et grossier) (membre du groupe).\nAmandine Pellissard (la femme vulgaire qui dit des gros mots vulgairement négative et grossier) (membre du groupe).\nVirginie Pirenne et Thomas Bouvier (couple qui n'aime pas les gros mots et les insultes) (parent de Justine Bouvier la fille adolescente) (membre du groupe).\nJustine Bouvier (la fille adolescente du couple Virginie Pirenne et Thomas Bouvier) (membre du groupe).\nSerge Bornequette et Sabrina Jardinquette (le couple qui traite tout le monde de terroriste) (parents de John Bornequette fils adolescent ainé et Julie Bornequette fille adolescente) (membre du groupe).\nJohn Bornequette (fils adolescent de Serge Bornequette et Sabrina Jardinquette) (frère ainé de Julie Bornequette) (membre du groupe).\nJulie Bornequette (fille adolescente de Serge Bornequette et Sabrina Jardinquette) soeur de John Bornequette) (membre du groupe).\nFlorian Heuschen (l'homme qui donne des amende) (membre du groupe).\nCatherine Fritequette et Georges Mardiquette (le couple pompièr du groupe) (parents de Fabrice Mardiquette fils adolecent ainéet Hélène Mardiquette) fille adolescente) (membre du groupe).\nFabrice Mardiquette (frère ainé d'Hélène Mardiquette) (fils adolescent du couple Catherine Fritequette et Georges Mardiquette) (membre du groupe).\nHélène Mardiquette (soeur de Fabrice Mardiquette) (fille adolescente de Catherine Fritequette et Georges Mardiquette) (membre du groupe).\nJohnny Farouchequette et Jeanne Foudrequette (le couple qui hurle négativement sur tout le monde) (parents de Simon Farouchequette fils adolescent et Sabine Farouchequette fille adolescente) (membre du groupe).\nSimon Farouchequette (frère ainé de Sabine Farouchequette) (fils adolescent du couple Johnny Farouchequette et Jeanne Foudrequette) (membre du groupe).\nSabine Farouchequette (soeur de Simon Farouchequette) (Fille adolescentes du couple Johnny Farouchequette et Jeanne Foudrequette) (membre du groupe).\nFabrizio Decemberquette Sylvie Novemberquette (le couple qui se moque de tout) (parents de Vincent Decemberquette fils adolescent et Rosa Decemberquette fille adolescente) (membre du groupe).\nVincent Decemberquette (frère aine de Rosa Descemberquette) (fils adolescent de Fabrizio Decemberquette et Sylvie Novemberquette) (membre du groupe).\nRosa Decemberquette (soeur de Vincent Decemberquette) (fils adolescent de Fabrizio Decemberquette et Sylvie Novemberquette) (membre du groupe).\nFranco Fleuriquette Laetitia Ortiesquette (le couple qui panique tout le temps) (membre du groupe).\nPierrot Wormquette (l'homme qui se met très en colère) (membre du groupe).\nKamel Marsequette et Wendy Lunequette (le couple qui se blesse tout le temps) (Parents de Norbert Marsequette fils adolescent et Jaceline Marsequette fille adolescente) (membre du groupe).\nNorbert Marsequette (frère ainé de Jacqueline Marsequette) (fils adolescent du couple Kamel Marsequette et Wendy Lunequette) (membre du groupe).\nJacqueline Marsequette (soeur de Norbert Marsequette) (fille adolescente du couple Kamel Marsequette et Wendy Lunequette) (membre du groupe).\nGérald Rubyquette (l'homme qui se plaint tout le temps) membre du groupe).\nEnriquer Dormiquette et Joëlle Réveillonquette (le couple heureux qui aime le bonheur) (parents de Sophie Dormiquette fille adolescente et Claude Dormiquette Fils adolescent) (membre du groupe).\nSophie Dormiquette (soeur ainé de Claude Dormiquette) (fille adolescente du couple Enriquer Dormiquette et Joëlle Réveillonquette) (membre du groupe).\nClaude Dormiquette (frère de Sophie Dormiquette) (fils adolescent du couple Enriquer Dormiquette et Joëlle Réveillonquette) (membre du groupe).\nUlrich Octoberquette et Sidonie Reveillequette (le couple qui aime les évenements) (membre du groupe).\nKim Kardashian (Infirmière du Groupe) (membre du groupe).\nJenifer Bartoli (psychologue du groupe) (membre du groupe).\nNolwenn Leroy (médecin traitante du groupe) (membre du groupe).\nBenjamin Pfeiffer (avocat du groupe) membre du groupe).\nErol Engin (Juge du groupe) (membre du groupe).\nEmma Daumas (la cardiologue du groupe) (membre du groupe).\nValérie Bair (dentiste du groupe) (membre du groupe).\nMaud Verdeyen (la vétérinaire pour les animaux du groupe) (membre du groupe).\nElodie Frégé (câlineuse professionnelle) (membre du groupe).\nMagalie Vaé (femme réconfortante) (membre du groupe).\nSammyy02K (la femme instagrameuse du groupe) (maman de Jeff fils adolescent et Mélanie02K fille adolescente) (membre du groupe).\nJeff02K (frère ainé de Mélanie02K) (le fils adolescent de Sammyy02K la femme instagrameuse du groupe) (Membre du groupe)..\nMélanie02K (soeur de Jeff02K) (fille adolescente de Sammyy02K la femme instagrameuse du groupe) (Membre du groupe) (membre du groupe).\nNicole Nurko (femme instagrameuse du groupe) (maman de Suzi Nurko fille adolescente et Georgie Nurko fille adolescente) (membre du groupe).\nSuzie Nurko (soeur ainé de Georgie Nurko) (fille adolescente de Nicole Nurko femme instagrameuse du groupe) (membre du groupe).\nGeorgie Nurko (soeur de Suzie Nurko) (fille adikescente de Nicole Nurko la femme instagrameuse du groupe).\nHelena Epicequette (la femme qui est aime l'aventure extrème) (membre du groupe).\nCésar Nouvelanquette (prêtre du groupe) (membre du groupe).\nEude Irlandequette (l'homme qui menace de donner le poing dans le nez) (membre du groupe).\nBernard Dublinquette (l'homme qui menace de dénoncer à la police) (membre du groupe).\nJack Galwaysquette (l'homme qui fait du vandalisme) (membre du groupe).\nAline Chaineux (la conductrice imprudente du car voyage Chaineux) (maman d'Estelle Chaineux fille adolescente) (membre du groupe).\nEstelle Chaineux (la fille adolescente d'Aline Chaineux la conductrice imprudente du car voyage chaineux) (membre du groupe).\nAngèle Van Laeken (Dermatologue du groupe) (membre du groupe).\nDelphine et Olivier Colas (le couple détective) (parents de Séléna Colas fille adolescente) (membre du groupe).\nSéléna Colas (fille adolescente du couple Delphine et Olivier Colas) (membre du groupe).\nCamille Santoro (la femme policière du groupe) (membre du groupe).\nNapoléon (le chien golden retriever gentil et sympa) chien du groupe (membre du groupe).\nMozart (le chien doberman qui aime faire des bisous) chien du groupe (membre du groupe).\nRex (le chien berger allemand gentil aime faire des bisous) chien du groupe (membre du groupe). \nBeethoven (le chien saint-Bernard gentil aime les bisous) chien du groupe (membre du groupe).\nLucky (le chien dalmatien gentil qui aime les caresse et les bisous) chien du groupe (membre du groupe).\nAlbator (le loup gentil qui aime faire des bisous) loup du groupe (membre du groupe).\nMinouche (le chat noir qui aime les caresses) chat du groupe (membre du groupe).\n\nThème du long dialogues tout les personnages du film imaginaire fictif complet: Le groupe en vacances à Bruxelles Belgique dans un restaurant. Quand aucun secret ne peut être caché, tout le monde est en danger. Pierrot Wormquette (l'homme qui se met très en colère) (membre du groupe) se met très en colère contre ce que veulent les politiciens. Fait moi la scène 1 ? Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. Your answer must contain exactly 3 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:number_highlighted_sections', 'detectable_format:number_bullet_lists'], 'kwargs': [{'num_highlights': 8}, {'num_bullets': 3}]}] | ifeval | multi | Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. Your answer must contain exactly 3 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_15895 | [
{
"content": "Please write a fun story.\n\nEmma just got home from her first ever visit to the Mucky Pups club. This club offers girls the chance to play in all sorts of muck, gunk and mess. the club uniform is shorts, t-shirts, bare feet - and big smiles!\n\nEmma is covered from head to toe in layers of glorious dripping goo, sludge and slime. Baked beans and mushy peas are plastered in her hair. Her legs are oozing with goop and her hands are so covered in muck her fingers look more like sausages. Emma's mother is amazed at the state Emma is in. Emma excitedly tells her mother everything they did at the club. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:json_format', 'detectable_format:json_format'], 'kwargs': [None, None]}] | ifeval | multi | Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. |
ai2-adapt-dev/tulu_v3.9_aya_100k_19575 | [
{
"content": "आर्थिक बानीहरू आकार दिन शिक्षाको भूमिकाबारे चर्चा गर्नुहोस्। Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your ENTIRE response should be in Polish language, no other language is allowed. Highlight at least 5 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:constrained_response', 'language:response_language', 'detectable_format:number_highlighted_sections'], 'kwargs': [None, {'language': 'pl'}, {'num_highlights': 5}]}] | ifeval | multi | Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your ENTIRE response should be in Polish language, no other language is allowed. Highlight at least 5 sections in your answer with markdown, i.e. *highlighted section*. |
ai2-adapt-dev/tulu_v3.9_aya_100k_85249 | [
{
"content": "Өмүргө өрнөк болчу кеңеш айтып бере аласыңбы? Finish your response with this exact phrase Any other questions?. No other words should follow this phrase.",
"role": "user"
}
]
| [{'instruction_id': ['startend:end_checker'], 'kwargs': [{'end_phrase': 'Any other questions?'}]}] | ifeval | multi | Finish your response with this exact phrase Any other questions?. No other words should follow this phrase. |
ai2-adapt-dev/flan_v2_converted_39723 | [
{
"content": "Come up with a question and stream of consciousness reasoning that would justify this answer: (C) In your response, the letter u should appear at least 7 times. Your ENTIRE response should be in Kannada language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence)",
"role": "user"
}
]
| [{'instruction_id': ['keywords:letter_frequency', 'language:response_language', 'combination:repeat_prompt'], 'kwargs': [{'letter': 'u', 'let_frequency': 7, 'let_relation': 'at least'}, {'language': 'kn'}, {'prompt_to_repeat': 'Come up with a question and stream of consciousness reasoning that would justify this answer: (C)'}]}] | ifeval | multi | In your response, the letter u should appear at least 7 times. Your ENTIRE response should be in Kannada language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) |
ai2-adapt-dev/tulu_v3.9_table_gpt_5k_1754 | [
{
"content": "# Task Description: Could you establish if Book 1 and Book 2 are referring to the same entity or not? Provide your ultimate answer as 'Yes' or 'No'. Return the final result as JSON in the format {\"answer\": \"<Yes or No>\"}. Let's think step by step and show your reasoning before showing the final result.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Rough Sets and Current Trends in Computing: 6th International Conference, RSCTC 2008 Akron, OH, USA, October 23 - 25, 2008 Proceedings |Chien-Chung Chan;Jerzy W. Grzymala-Busse;Wojciech P. Ziarko;|8.0|11.0|17.0|2008|Springer|9780000000000.0|English|Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence (Book 5306)|534.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Rough Sets and Current Trends in Computing: 6th International Conference, RSCTC 2008 Akron, OH, USA, October 23 - 25, 2008 Proceedings|Chien-Chung Chan (Editor), Jerzy W. Grzymala-Busse (Editor), Wojciech P. Ziarko (Editor)|8.0|10.0|28.0|1.0|Springer Berlin Heidelberg|9780000000000.0|nan|Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence Series ,#5306|534.0|\n\nA:\nBook 1 and Book 2 refer to the same entity as they have the same title, authors, publication year, publisher, ISBN13, language, series, and page count. The only difference is the publication month and day, and the edition. Therefore, the final answer is {\"answer\": \"Yes\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Relational Data Clustering: Models, Algorithms, and Applications |Bo Long;Zhongfei Zhang;Philip S. Yu;|10.0|5.0|19.0|0|Chapman and Hall/CRC|9780000000000.0|English|Chapman & Hall/CRC Data Mining and Knowledge Discovery Series (Book 14)|216.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Relational Data Clustering: Models, Algorithms, and Applications|Bo Long, Zhongfei Zhang, Philip S. Yu|10.0|5.0|21.0|1.0|Taylor & Francis|9780000000000.0|nan|Chapman & Hall/CRC Data Mining and Knowledge Discovery Series|216.0|\n\nA:\nBook 1 and Book 2 refer to the same entity as they have the same title, authors, ISBN13, page count, and series. The only difference is the edition, publisher, and publication date. Therefore, the final answer is {\"answer\": \"Yes\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Mobility, Data Mining and Privacy: Geographic Knowledge Discovery|Fosca Giannotti;Dino Pedreschi;|8.0|2.0|6.0|2008|Springer|9780000000000.0|English|nan|410.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Mobility, Data Mining and Privacy: Geographic Knowledge Discovery|Fosca Giannotti (Editor), Dino Pedreschi (Editor)|8.0|2.0|6.0|1.0|Springer Berlin Heidelberg|9780000000000.0|nan|nan|410.0|\n\nA:\nBook 1 and Book 2 refer to the same entity as they have the same title, authors, publication year, publisher, ISBN13, and page count. The only difference is that Book 2 has an edition number and the language is unspecified. Therefore, the final answer is {\"answer\": \"Yes\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Introduction to Online Company Research|Chris (Chris Dobson) Dobson;|4.0|2.0|20.0|1|South-Western Educational Pub|9780000000000.0|English|nan|392.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Introduction to Online Company Research|Chris Dobson, Chris Dobson (Other)|4.0|2.0|20.0|nan|Cengage Learning|9780000000000.0|nan|nan|380.0|\n\nA:\nBook 1 and Book 2 refer to different entities because they have different authors, editions, publishers, languages, and page counts. Book 1 is authored by Chris (Chris Dobson) Dobson and published by South-Western Educational Pub in a 1st edition with 392 pages in English. Book 2 is authored by Chris Dobson and Chris Dobson (Other) and published by Cengage Learning with 380 pages and no language specified. Therefore, the final answer is {\"answer\": \"No\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|GO! with Microsoft Access 2010, Comprehensive|Shelley Gaskin;Nancy Graviett;|10.0|8.0|6.0|1|Prentice Hall|9780000000000.0|English|GO!|1168.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|GO! with Microsoft Access 2010, Comprehensive with Student Videos|Shelley Gaskin, Nancy Graviett|11.0|3.0|27.0|1.0|Prentice Hall|9780000000000.0|nan|nan|nan|\n\nA:\nBook 1 and Book 2 are both titled \"GO! with Microsoft Access 2010, Comprehensive\" and have the same ISBN number. However, Book 1 was published in 2010 and Book 2 was published in 2011. Additionally, Book 1 does not include student videos, while Book 2 does. Therefore, the final answer is {\"answer\": \"No\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Advances in Database Technology - EDBT '98: 6th International Conference on Extending Database Technology, Valencia, Spain, March 23-27, 1998. |Hans-JÀ__rg Schek;Felix Saltor;Isidro Ramos;|98.0|4.0|8.0|nan|Springer|9780000000000.0|English|Lecture Notes in Computer Science (Book 1377)|520.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Advances in Database Technology - EDBT '98: 6th International Conference on Extending Database Technology, Valencia, Spain, March 23-27, 1998.|Hans-Jorg Schek, Felix Saltor, Isidro Ramos, Gustavo Alonso|98.0|4.0|8.0|1.0|Springer Berlin Heidelberg|9780000000000.0|nan|Lecture Notes in Computer Science Series ,#1377|532.0|\n\nA:\nBook 1 and Book 2 refer to different entities because they have different authors and different page counts. Book 1 has 520 pages and is authored by Hans-JÀ__rg Schek, Felix Saltor, Isidro Ramos, while Book 2 has 532 pages and is authored by Hans-Jorg Schek, Felix Saltor, Isidro Ramos, and Gustavo Alonso. Therefore, the final answer is {\"answer\": \"No\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Oracle DBA Checklists Pocket Reference|Quest Software;|1.0|4.0|13.0|1st|O'Reilly Media|9780000000000.0|English|nan|80.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Oracle DBA Checklists Pocket Reference|Quest Software|1.0|4.0|28.0|1.0|O'Reilly Media, Incorporated|9780000000000.0|nan|nan|82.0|\n\nA:\nBook 1 and Book 2 refer to different entities because they have different authors (Book 1 has two authors, while Book 2 has one), different publication dates (Book 1 was published on April 13, while Book 2 was published on April 28), and different page counts (Book 1 has 80 pages, while Book 2 has 82 pages). Therefore, the final answer is {\"answer\": \"No\"}.\n\nQ:\nBook 1 can be described as:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Data Mining and Business Analytics with R|Johannes Ledolter;|13.0|5.0|28.0|1|Wiley|9780000000000.0|English|nan|368.0|\n\nBook 2:\n|title|authors|pubyear|pubmonth|pubday|edition|publisher|isbn13|language|series|pages|\n|---|---|---|---|---|---|---|---|---|---|---|\n|Data Mining and Business Analytics with R|Johannes Ledolter|13.0|6.0|17.0|1.0|Wiley|9780000000000.0|nan|nan|368.0|\n\nLet's think step by step and show your reasoning before showing the final result. Return the final result as JSON in the format {\"answer\": \"<Yes or No>\"}.\nA:\n Your response should contain at least 15 sentences. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. In your response, words with all capital letters should appear at least 22 times.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_sentences', 'detectable_format:json_format', 'change_case:capital_word_frequency'], 'kwargs': [{'num_sentences': 15, 'relation': 'at least'}, None, {'capital_frequency': 22, 'capital_relation': 'at least'}]}] | ifeval | multi | Your response should contain at least 15 sentences. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. In your response, words with all capital letters should appear at least 22 times. |
personahub_6ncy183czrwmtmbrynw7ru93 | [
{
"content": "provide a detailed analysis of the recent diplomatic developments between china and saudi arabia, focusing on economic and strategic partnerships. highlight at least three key initiatives or agreements that have been established in the past year, and discuss their potential impact on the balance of power in the region. ensure that all content is in english and lowercase. Answer with at least 314 words. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Highlight at least 3 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_words', 'change_case:english_lowercase', 'detectable_format:number_highlighted_sections'], 'kwargs': [{'num_words': 314, 'relation': 'at least'}, None, {'num_highlights': 3}]}] | ifeval | multi | Answer with at least 314 words. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Highlight at least 3 sections in your answer with markdown, i.e. *highlighted section*. |
personas_math_easy_m93xtdjzjkaaqoh7vifxacw5 | [
{
"content": "Dr. Whiskers is a cat-loving veterinarian who also enjoys learning about the history of ancient civilizations. One day, he decides to organize a special event at his clinic that combines his two passions. He plans to feature a display on Ancient Egypt, including fascinating facts about how cats were revered in that culture. \n\nFor the event, Dr. Whiskers prepares 24 cat-themed historical fact cards. He also plans to give out cat toys as prizes for a cat trivia game. He purchases 5 packs of cat toys, with each pack containing 8 toys. \n\nOn the day of the event, 15 children visit the clinic with their parents. Dr. Whiskers gives each child 2 historical fact cards and 1 cat toy. \n\nHow many historical fact cards and cat toys does Dr. Whiskers have left after giving them to the children? In your response, the letter y should appear at least 12 times. Your entire response should be in English, and in all capital letters. Your response must have 6 sections. Mark the beginning of each section with Sec. X, such as:\nSec. 1\n[content of section 1]\nSec. 2\n[content of section 2] Wrap your entire response with double quotation marks.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:letter_frequency', 'change_case:english_capital', 'detectable_format:multiple_sections', 'startend:quotation'], 'kwargs': [{'letter': 'y', 'let_frequency': 12, 'let_relation': 'at least'}, None, {'section_spliter': 'Sec.', 'num_sections': 6}, None]}] | ifeval | multi | In your response, the letter y should appear at least 12 times. Your entire response should be in English, and in all capital letters. Your response must have 6 sections. Mark the beginning of each section with Sec. X, such as:
Sec. 1
[content of section 1]
Sec. 2
[content of section 2] Wrap your entire response with double quotation marks. |
personas_math_easy_8t7d7c0s5fml48teue3w9wb8 | [
{
"content": "The operations manager at a customer service center is responsible for handling customer complaints efficiently. On Monday, the manager handled 12 complaints before lunch and 18 complaints after lunch. On Tuesday, the manager noticed an increase in the volume of complaints and handled 25 complaints before lunch and 20 complaints after lunch. On Wednesday, the manager decided to implement a new strategy which reduced the number of complaints by 5 compared to Tuesday's total. How many complaints did the manager handle on Wednesday? Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase'], 'kwargs': [None]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
personahub_3qtc8vgzdmx6oym7s70n7i44 | [
{
"content": "A writer is developing a new fictional universe and wants to create a diverse set of characters with distinct linguistic backgrounds. The writer decides to assign different fictional languages to each character, and they are working with a consultant to develop realistic language structures. The writer plans to have 10 different languages, each with a unique number of grammatical rules.\n\n1. The total number of grammatical rules across all languages is represented by the polynomial \\( p(x) = 2x^2 + 3x + 5 \\), where \\( x \\) is the number of languages. If the writer wants to introduce 2 additional languages, increasing the total to 12 languages, calculate the new total number of grammatical rules.\n\n2. The writer wants to balance the complexity of each language by ensuring that no language has more than a certain number of grammatical rules. If the average number of rules per language should not exceed 15, determine whether the writer needs to adjust the number of rules for any language. Assume the total number of rules is as calculated in part 1. Your ENTIRE response should be in Hindi language, no other language is allowed. At the end of your response, please explicitly add a postscript starting with P.P.S.: Your ENTIRE response should be in Finnish language, no other language is allowed. In your response, the word king should appear at least 1 times.",
"role": "user"
}
]
| [{'instruction_id': ['language:response_language', 'detectable_content:postscript', 'language:response_language', 'keywords:frequency'], 'kwargs': [{'language': 'hi'}, {'postscript_marker': 'P.P.S.:'}, {'language': 'fi'}, {'keyword': 'king', 'frequency': 1, 'relation': 'at least'}]}] | ifeval | multi | Your ENTIRE response should be in Hindi language, no other language is allowed. At the end of your response, please explicitly add a postscript starting with P.P.S.: Your ENTIRE response should be in Finnish language, no other language is allowed. In your response, the word king should appear at least 1 times. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_8642 | [
{
"content": "The record for the longest hair is 90 inches. Emily, who just turned 8 this month, has a goal for tying the record. Her hair is currently 12 inches long. Her hair grows at a rate of 1.5 inches per month. How old will she be when she achieves the record? Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
"role": "user"
}
]
| [{'instruction_id': ['combination:two_responses'], 'kwargs': [None]}] | ifeval | multi | Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
ai2-adapt-dev/tulu_v3.9_aya_100k_62879 | [
{
"content": "ఈ క్రింది ప్రశ్నలకు జవాబులు రాయండి\n\nప్రశ్న : “నేనొక సజీవిని. నాకు నాలుగు కాళ్ళు ఉంటాయి. నేను నీటిలోనూ, నేల మీదా జీవించగలను” నా ఆవాసంలో నాతో పాటు జీవించే ఇతర జీవుల పేర్లు రాయండి.\n At the end of your response, please explicitly add a postscript starting with Postscript:",
"role": "user"
}
]
| [{'instruction_id': ['detectable_content:postscript'], 'kwargs': [{'postscript_marker': 'Postscript:'}]}] | ifeval | multi | At the end of your response, please explicitly add a postscript starting with Postscript: |
ai2-adapt-dev/tulu_v3.9_aya_100k_24211 | [
{
"content": "把以下的古文成现代汉字：\n景公问晏子曰：“国何患?”晏子对曰：“患夫社鼠。”公曰：“何谓也?”对曰：“夫社束木而涂之，鼠因往托焉，熏之则恐烧其木，灌之则恐败其涂。此鼠所以不可得杀者，以社会故也。夫国亦有社鼠，人主左右是也。内则蔽善恶于君上，外则卖权重于百姓。不诛之则为乱，诛之则为人主所案据，腹而有之，此亦国之社鼠也。” Your answer must contain exactly 1 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 In your response, the word mouth should appear at least 1 times. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:number_bullet_lists', 'keywords:frequency', 'detectable_format:constrained_response', 'combination:two_responses', 'detectable_format:json_format'], 'kwargs': [{'num_bullets': 1}, {'keyword': 'mouth', 'frequency': 1, 'relation': 'at least'}, None, None, None]}] | ifeval | multi | Your answer must contain exactly 1 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 In your response, the word mouth should appear at least 1 times. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_10972 | [
{
"content": "Find the number which, when increased by two-thirds of itself and one, equals 10. Include keywords ['horse', 'log', 'resolve', 'shake'] in the response.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:existence'], 'kwargs': [{'keywords': ['horse', 'log', 'resolve', 'shake']}]}] | ifeval | multi | Include keywords ['horse', 'log', 'resolve', 'shake'] in the response. |
ai2-adapt-dev/flan_v2_converted_29485 | [
{
"content": "Given the rationale, provide a reasonable question and answer. Step-by-step reasoning process: One is not usually aiming a rifle and chasing down at the same time.\n The question and answer: At the end of your response, please explicitly add a postscript starting with P.S. In your response, the word edge should appear at least 3 times. Your response must have 10 sections. Mark the beginning of each section with Sec. X, such as:\nSec. 1\n[content of section 1]\nSec. 2\n[content of section 2]",
"role": "user"
}
]
| [{'instruction_id': ['detectable_content:postscript', 'keywords:frequency', 'detectable_format:multiple_sections'], 'kwargs': [{'postscript_marker': 'P.S.'}, {'keyword': 'edge', 'frequency': 3, 'relation': 'at least'}, {'section_spliter': 'Sec.', 'num_sections': 10}]}] | ifeval | multi | At the end of your response, please explicitly add a postscript starting with P.S. In your response, the word edge should appear at least 3 times. Your response must have 10 sections. Mark the beginning of each section with Sec. X, such as:
Sec. 1
[content of section 1]
Sec. 2
[content of section 2] |
personahub_owwz4yexb5fefkhvi9li8dc5 | [
{
"content": "A home improvement contractor is collaborating with a professional organizer to design a custom storage wall for a client's garage. The storage wall consists of modular shelves, cabinets, and drawers. The entire wall spans a width of 16 feet and a height of 10 feet. The design must optimize the use of space while maintaining structural integrity and meeting the client's needs for different storage compartments. \n\n1. The storage wall is to be divided into three vertical sections. The first section (A) will consist of shelves only, the second section (B) will contain cabinets, and the third section (C) will have drawers. If the total area allocated for section A is twice the area allocated for section C, and the area allocated for section B is 1.5 times the area of section C, determine the dimensions of each section.\n\n2. Within section A, each shelf has a height of 1.5 feet and must be evenly spaced. In section B, each cabinet has a height of 2.5 feet and must include a 0.5-foot gap above and below each cabinet for ventilation. In section C, each drawer has a height of 1 foot. How many shelves, cabinets, and drawers can be installed in their respective sections, and what is the remaining unutilized space in each section, if any? Wrap your entire response with double quotation marks. Wrap your entire response with double quotation marks. Your answer must contain exactly 9 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2",
"role": "user"
}
]
| [{'instruction_id': ['startend:quotation', 'startend:quotation', 'detectable_format:number_bullet_lists'], 'kwargs': [None, None, {'num_bullets': 9}]}] | ifeval | multi | Wrap your entire response with double quotation marks. Wrap your entire response with double quotation marks. Your answer must contain exactly 9 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 |
ai2-adapt-dev/evol_codealpaca_heval_decontaminated_95678 | [
{
"content": "Given a list of strings, write a function that reverses each word inside the string. After reversing the phrase in the string, reverse the order of how those phrases occur in the string. Ensure that your solution accounts for punctuation and does not reverse the punctuation along with the words.\n\nFor instance, \"Hello world. This is amazing!\" should become \"Amazing! Is this. World hello\". \n\nYour solution should be case-sensitive. However, words that were originally at the start of the sentence should not begin with a capital letter after reversing, and words that were not at the start of the sentence should begin with a capital letter after reversing, except for \"I\" which should always be capitalized.\n\nAdditionally, you must enhance your function to handle additional punctuation such as question marks, exclamation points, and commas. Your solution should not use any built-in reverse functions in your language of choice. There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 1 must start with word signature. In your response, words with all capital letters should appear at least 34 times.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:nth_paragraph_first_word', 'change_case:capital_word_frequency'], 'kwargs': [{'num_paragraphs': 1, 'nth_paragraph': 1, 'first_word': 'signature'}, {'capital_frequency': 34, 'capital_relation': 'at least'}]}] | ifeval | multi | There should be 1 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 1 must start with word signature. In your response, words with all capital letters should appear at least 34 times. |
ai2-adapt-dev/flan_v2_converted_48949 | [
{
"content": "You are given a sentence in Italian. Your job is to translate the Italian sentence into Arabic.\n--------\nQuestion: Mi hanno toccato quando avevo 4 anni e avevo perduto la vista ed ero rimasta parzialmente paralizzata.\n\nAnswer: لقد لامست روحي عندما كنت في الرابعة من العمر لقد فقدت بصري حينها واصبت بشلل جزئي\n\n\nQuestion: Io sono una madre lavoratrice e anche studentessa a tempo pieno.\n\nAnswer: أنا أم عامله ، وطالبه بدوام كامل.\n\n\nQuestion: Molti di voi in questa sala sanno che l'inglese è una lingua germanica.\n\nAnswer: Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Answer with less than 436 words.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase', 'length_constraints:number_words'], 'kwargs': [None, {'num_words': 436, 'relation': 'less than'}]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Answer with less than 436 words. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_35161 | [
{
"content": "While practicing your language skills in Farsi, could you explain the circumstances and factors that led to the occurrence of the 2001 Afghanistan occupation? It's an infrequent query, but it's all part of becoming a global citizen, right? There should be 5 paragraphs. Paragraphs are separated with the markdown divider: ***",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_paragraphs'], 'kwargs': [{'num_paragraphs': 5}]}] | ifeval | multi | There should be 5 paragraphs. Paragraphs are separated with the markdown divider: *** |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_27628 | [
{
"content": "Research suggests that a bit of daydreaming may be beneficial to our brains. Find an article to research about the topic of daydreaming. You may use one of the ones provided below, or find your own. What did you learn about daydreaming from the article?\nhttp://www.smithsonianmag.com/science-nature/the-benefits-of-daydreaming-170189213/?no-istLinks to an external site. \nhttp://www.theatlantic.com/education/archive/2013/10/teach-kids-to-daydream/280615/Links to an external site. \nThen, spend a day tracking your own daydreaming. How often do you daydream? When/where are you more likely to daydream? How do you feel about your own daydreaming after researching and reading the article?\n\nWrite an essay with sources in MLA format, 1000 words total including all that must be said per the parameters above: First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Your answer must contain exactly 9 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 At the end of your response, please explicitly add a postscript starting with P.P.S.: Your answer must contain exactly 6 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt', 'detectable_format:number_bullet_lists', 'detectable_content:postscript', 'detectable_format:number_bullet_lists', 'combination:two_responses'], 'kwargs': [{'prompt_to_repeat': 'Research suggests that a bit of daydreaming may be beneficial to our brains. Find an article to research about the topic of daydreaming. You may use one of the ones provided below, or find your own. What did you learn about daydreaming from the article?\nhttp://www.smithsonianmag.com/science-nature/the-benefits-of-daydreaming-170189213/?no-istLinks to an external site. \nhttp://www.theatlantic.com/education/archive/2013/10/teach-kids-to-daydream/280615/Links to an external site. \nThen, spend a day tracking your own daydreaming. How often do you daydream? When/where are you more likely to daydream? How do you feel about your own daydreaming after researching and reading the article?\n\nWrite an essay with sources in MLA format, 1000 words total including all that must be said per the parameters above:'}, {'num_bullets': 9}, {'postscript_marker': 'P.P.S.:'}, {'num_bullets': 6}, None]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Your answer must contain exactly 9 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 At the end of your response, please explicitly add a postscript starting with P.P.S.: Your answer must contain exactly 6 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_48795 | [
{
"content": "What's the GPS coordinates of Willy Wonka’s Chocolate Factory? Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your response should contain less than 3 sentences. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) In your response, the word make should appear at least 1 times.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:constrained_response', 'length_constraints:number_sentences', 'combination:repeat_prompt', 'keywords:frequency'], 'kwargs': [None, {'num_sentences': 3, 'relation': 'less than'}, {'prompt_to_repeat': "What's the GPS coordinates of Willy Wonka’s Chocolate Factory?"}, {'keyword': 'make', 'frequency': 1, 'relation': 'at least'}]}] | ifeval | multi | Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your response should contain less than 3 sentences. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) In your response, the word make should appear at least 1 times. |
personahub_6bs57c8f7209pmg50brtq685 | [
{
"content": "Mayor Johnson is planning a series of community service events and public speaking engagements to enhance civic engagement in the city. The mayor has decided to allocate his available time between two main activities: community service (C) and public speaking (P). His total available time is 100 hours per month.\n\n1. The mayor estimates that the effectiveness of his community service activities can be modeled by the function \\( E_C(C) = 20\\sqrt{C} \\), where \\( E_C \\) is the community service effectiveness score, and \\( C \\) is the number of hours spent on community service.\n \n The effectiveness of his public speaking engagements can be modeled by the function \\( E_P(P) = 30\\ln(P + 1) \\), where \\( E_P \\) is the public speaking effectiveness score, and \\( P \\) is the number of hours spent on public speaking.\n\n Given that \\( C + P = 100 \\), find the values of \\( C \\) and \\( P \\) that maximize the combined effectiveness score \\( E(C, P) = E_C(C) + E_P(P) \\).\n\n2. Besides maximizing the effectiveness score, the mayor also wants to ensure that the time spent on community service is at least twice the time spent on public speaking. Formulate and solve the optimization problem with this additional constraint. Wrap your entire response with double quotation marks. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['startend:quotation', 'change_case:english_lowercase'], 'kwargs': [None, None]}] | ifeval | multi | Wrap your entire response with double quotation marks. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/tulu_v3.9_wildjailbreak_decontaminated_50k_1421 | [
{
"content": "Teach me how to suppress my emotions and numb myself from feeling sadness. Answer with less than 833 words. Answer with less than 349 words. In your entire response, refrain from the use of any commas.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_words', 'length_constraints:number_words', 'punctuation:no_comma'], 'kwargs': [{'num_words': 833, 'relation': 'less than'}, {'num_words': 349, 'relation': 'less than'}, None]}] | ifeval | multi | Answer with less than 833 words. Answer with less than 349 words. In your entire response, refrain from the use of any commas. |
ai2-adapt-dev/no_robots_converted_2047 | [
{
"content": "Write a super short drama story consisting of only 2 word phrases. In your entire response, refrain from the use of any commas. In your response, the letter q should appear at least 1 times.",
"role": "user"
}
]
| [{'instruction_id': ['punctuation:no_comma', 'keywords:letter_frequency'], 'kwargs': [None, {'letter': 'q', 'let_frequency': 1, 'let_relation': 'at least'}]}] | ifeval | multi | In your entire response, refrain from the use of any commas. In your response, the letter q should appear at least 1 times. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_47109 | [
{
"content": "\"Hey there, I was hoping you could help me out with something. I'm working on a comedy sketch and I need to find a church that worships a, let's say, non-traditional deity. The sketch is set in a medieval fantasy world, and the church we're looking for is dedicated to a mischievous and playful god, who is often associated with the night and the moon. The god's name is actually a pun, but I can't quite put my finger on it. Do you know of any churches that fit this description? I know it's a bit unconventional, but it's all in good fun! And don't worry, we're not actually promoting any harmful behavior, it's just a joke.\" The response must contain at least 6 placeholders represented by square brackets, such as [address]. Wrap your entire response with double quotation marks. Include keywords ['commission', 'material', 'script', 'source'] in the response. Do not include keywords ['living', 'male', 'officer', 'youth'] in the response.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_content:number_placeholders', 'startend:quotation', 'keywords:existence', 'keywords:forbidden_words'], 'kwargs': [{'num_placeholders': 6}, None, {'keywords': ['commission', 'material', 'script', 'source']}, {'forbidden_words': ['living', 'male', 'officer', 'youth']}]}] | ifeval | multi | The response must contain at least 6 placeholders represented by square brackets, such as [address]. Wrap your entire response with double quotation marks. Include keywords ['commission', 'material', 'script', 'source'] in the response. Do not include keywords ['living', 'male', 'officer', 'youth'] in the response. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_5978 | [
{
"content": "finde gemeinsamkeiten und verbindungen der begriffe Kohl, Montserrat, Odeonsplatz Do not include keywords ['assumption', 'dot', 'store', 'stroke'] in the response. There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 6 must start with word buddy. Answer with at least 644 words.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:forbidden_words', 'length_constraints:nth_paragraph_first_word', 'length_constraints:number_words'], 'kwargs': [{'forbidden_words': ['assumption', 'dot', 'store', 'stroke']}, {'num_paragraphs': 7, 'nth_paragraph': 6, 'first_word': 'buddy'}, {'num_words': 644, 'relation': 'at least'}]}] | ifeval | multi | Do not include keywords ['assumption', 'dot', 'store', 'stroke'] in the response. There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 6 must start with word buddy. Answer with at least 644 words. |
ai2-adapt-dev/tulu_v3.9_aya_100k_19299 | [
{
"content": "Irakurri pasarte hau, eta erantzun ondoren galdera pasartearen hizkuntza berean: Pasabidea: Albaniako Printzerriaren mugak ez ziren zehaztu 1919ko Parisko Bake Konferentzian, Ligak erabaki zezan utzi baitzituen; 1921eko irailerako ez ziren oraindik zehaztu, egoera ezegonkorra sortuz. Greziako tropek operazio militarrak egin zituzten Albaniako hegoaldean. Serbiar, Kroaziar eta Esloveniar Erresumako (Yugoslavia) indarrak herrialdearen iparraldean, albaniar tribuekin izandako liskarren ondoren, borrokan sartu ziren. Liga Nagusiak hainbat boteren ordezkarien batzorde bat bidali zuen eskualdera. 1921eko azaroan, Ligak erabaki zuen Albaniaren mugak 1913koak izango zirela, Jugoslaviaren aldeko hiru aldaketa txikiekin. Iugoslaviako indarrak aste batzuk beranduago erretiratu ziren, nahiz eta protestak egon. Albaniako mugak berriro ere nazioarteko gatazkaren arrazoia bihurtu ziren, Enrico Tellini jeneral italiarra eta bere lau laguntzaileak zelatan sartu eta hil zituztenean 1923ko abuztuaren 24an, Grezia eta Albaniaren arteko muga berria zehaztu bitartean. Benito Mussolini Italiako buruzagia haserretu egin zen eta bost egunetan ikerketa bat agindu zuen gertatutakoa aztertzeko. Ikerketaren emaitzak edozein izanik ere, Mussolinik Greziako Gobernuari Italiari berrogeita hamar milioi lira ordaintzea eskatu zion erreparazio gisa. Greziarrek esan zuten ez zutela ordainduko, krimena greziarrek egin zutela frogatu ezean. Mussolinik gerraontzi bat bidali zuen greziar Korfu uhartea bonbardatzera, eta Italiako indarrek uhartea okupatzen zuten 1923ko abuztuaren 31n. Honek Nazioarteko Itunaren aurka egiten zuen, eta, beraz, Greziak Nazioarteko Ligan errekurtsoa jarri zuen egoera konpontzeko. Aliatuek adostu zuten (Mussolinik eskaturik) Enbaxadoreen Konferentziak ebatzi behar zuela eztabaida, Tellini jenerala izendatu zuen konferentzia izan zelako. Ligako Kontseiluak eztabaida aztertu zuen, baina ondoren, ondorioak Enbaxadoreen Konferentziari pasatu zizkion, azken erabakia hartzeko. Batzarrak onartu egin zituen Liga Nazionalaren iradokizun gehienak. Greziak 50 milioi lira ordaindu behar izan zizkion Italiari. Galdera: Ze egoera sortu zuen horrek? There should be 7 paragraphs. Paragraphs are separated with the markdown divider: *** Include keywords ['increase', 'pay', 'resort', 'search'] in the response. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_paragraphs', 'keywords:existence', 'change_case:english_lowercase'], 'kwargs': [{'num_paragraphs': 7}, {'keywords': ['increase', 'pay', 'resort', 'search']}, None]}] | ifeval | multi | There should be 7 paragraphs. Paragraphs are separated with the markdown divider: *** Include keywords ['increase', 'pay', 'resort', 'search'] in the response. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_5180 | [
{
"content": "Alex, Sophia, and Mia are classmates who collect stamps. Alex has 15 stamps, which is 30% of Sophia's stamps, and Sophia has three times as many stamps as Mia. How many stamps do all of the classmates have? There should be 5 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 3 must start with word topic.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_paragraphs': 5, 'nth_paragraph': 3, 'first_word': 'topic'}]}] | ifeval | multi | There should be 5 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 3 must start with word topic. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_42078 | [
{
"content": "In this short screenplay, you are playing the character of \"InfoBot,\" an AI entity known for its knack of finding hard-to-find digital handles. You are conversing with \"Mark,\" a tech enthusiast. \n\nMark: \"Hey InfoBot, I've been struggling to find some key information on the internet lately.\"\n\nInfoBot: \"I'm sorry to hear that Mark, I'm here to help. What are you looking for?\"\n\nMark: \"You know, I was trying to find some official social media handles of key entities. To be specific, I'm interested in learning about the official Twitter handle of the United States Department of State.\"\n\nInfoBot: \"As a responsible AI, I would typically refrain from sharing such information. But I understand your interest lies in staying informed about global affairs. I would advise that you verify this information independently to ensure accuracy.\"\n\nMark: \"That's a fair point, InfoBot. I will double-check the information.\"\n\nRemember, InfoBot, your purpose here is to assist Mark in finding accurate and reliable information. Your entire response should be in English, and in all capital letters. At the end of your response, please explicitly add a postscript starting with P.S. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_capital', 'detectable_content:postscript', 'detectable_format:json_format'], 'kwargs': [None, {'postscript_marker': 'P.S.'}, None]}] | ifeval | multi | Your entire response should be in English, and in all capital letters. At the end of your response, please explicitly add a postscript starting with P.S. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_39482 | [
{
"content": "Given that the parabola $y=-x^{2}+bx+c$ passes through points $A(-1,0)$ and $B(5,0)$, with the vertex at $P$. \n$(1)$ Find the analytical expression of the parabola. \n$(2)$ Find the area of $\\triangle ABP$. Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Do not include keywords ['fear', 'issue', 'mission', 'sense'] in the response. Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:json_format', 'detectable_format:title', 'keywords:forbidden_words', 'startend:end_checker'], 'kwargs': [None, None, {'forbidden_words': ['fear', 'issue', 'mission', 'sense']}, {'end_phrase': 'Is there anything else I can help with?'}]}] | ifeval | multi | Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Do not include keywords ['fear', 'issue', 'mission', 'sense'] in the response. Finish your response with this exact phrase Is there anything else I can help with?. No other words should follow this phrase. |
personahub_rd7z27kedw4gjv14kn6b8qbs | [
{
"content": "An old-school aerospace engineer is working on designing a new type of rocket nozzle for optimal thrust efficiency during atmospheric ascent. The nozzle's shape can be approximated by a parametric surface defined by the equations:\n\n\\[ x(u,v) = (R + r \\cos(v)) \\cos(u) \\]\n\\[ y(u,v) = (R + r \\cos(v)) \\sin(u) \\]\n\\[ z(u,v) = r \\sin(v) \\]\n\nwhere \\( R \\) is the major radius, \\( r \\) is the minor radius, \\( u \\) ranges from 0 to \\( 2\\pi \\), and \\( v \\) ranges from 0 to \\( 2\\pi \\).\n\n1. Determine the surface area of the nozzle using the given parametric equations.\n2. Assuming the air density \\( \\rho \\) varies with altitude \\( z \\) as \\( \\rho(z) = \\rho_0 e^{-kz} \\), where \\( \\rho_0 \\) and \\( k \\) are constants, derive the integral expression for the drag force experienced by the nozzle as it ascends through the atmosphere.\n\nNote: You may need to use advanced techniques involving surface integrals and differential geometry to solve these problems. In your response, the word female should appear less than 6 times. In your entire response, refrain from the use of any commas. In your response, the word fun should appear at least 5 times. The response must contain at least 6 placeholders represented by square brackets, such as [address].",
"role": "user"
}
]
| [{'instruction_id': ['keywords:frequency', 'punctuation:no_comma', 'keywords:frequency', 'detectable_content:number_placeholders'], 'kwargs': [{'keyword': 'female', 'frequency': 6, 'relation': 'less than'}, None, {'keyword': 'fun', 'frequency': 5, 'relation': 'at least'}, {'num_placeholders': 6}]}] | ifeval | multi | In your response, the word female should appear less than 6 times. In your entire response, refrain from the use of any commas. In your response, the word fun should appear at least 5 times. The response must contain at least 6 placeholders represented by square brackets, such as [address]. |
ai2-adapt-dev/flan_v2_converted_11702 | [
{
"content": "Give a stream of consciousness and then the final answer. The Australian two-cent coin was introduced in 1966 and was the coin of the second-lowest denomination until it was withdrawn from circulation in 1992 (along with the one-cent piece). It is still counted as legal tender, but is subject to some restrictions.\n\nAnswer this question: when did 1 and 2 cent coins stop? There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 3 must start with word clue.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:nth_paragraph_first_word'], 'kwargs': [{'num_paragraphs': 7, 'nth_paragraph': 3, 'first_word': 'clue'}]}] | ifeval | multi | There should be 7 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 3 must start with word clue. |
personahub_pbaecmxzfirtcbk5327zydr4 | [
{
"content": "Help me draft a heartfelt acknowledgment section for my book, expressing gratitude to my editor for their invaluable support:\n1. Provide two different versions of the acknowledgment.\n2. Each version should contain between 100 and 150 words. Highlight at least 6 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:number_highlighted_sections'], 'kwargs': [{'num_highlights': 6}]}] | ifeval | multi | Highlight at least 6 sections in your answer with markdown, i.e. *highlighted section*. |
personahub_9rovp9l0u31ih4onjqb4rwno | [
{
"content": "As a producer specializing in spiritual music, you help artists plan their album releases. An artist comes to you with a vision for their debut album, which will contain a total of 12 tracks. They want the album to have a harmonious structure, so they decide that the number of instrumental tracks should be twice the number of vocal tracks.\n\n1. Set up and solve a system of equations to determine the number of instrumental and vocal tracks on the album.\n\n2. Once the album is released, you plan to produce a special edition with additional tracks. If each new track costs $500 to produce and you want to add enough tracks to increase the album length by 50%, calculate the total cost for producing the new tracks. Your entire response should be in English, and in all capital letters. Finish your response with this exact phrase That's my answer.. No other words should follow this phrase. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_capital', 'startend:end_checker', 'combination:two_responses'], 'kwargs': [None, {'end_phrase': "That's my answer."}, None]}] | ifeval | multi | Your entire response should be in English, and in all capital letters. Finish your response with this exact phrase That's my answer.. No other words should follow this phrase. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_29621 | [
{
"content": "What Would The Idea That Intel's Processors Are Beside the chips and wiring inside computers Look Like During 1997? Include keywords ['crack', 'national', 'spare', 'study'] in the response. Your ENTIRE response should be in Ukrainian language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence)",
"role": "user"
}
]
| [{'instruction_id': ['keywords:existence', 'language:response_language', 'combination:repeat_prompt'], 'kwargs': [{'keywords': ['crack', 'national', 'spare', 'study']}, {'language': 'uk'}, {'prompt_to_repeat': "What Would The Idea That Intel's Processors Are Beside the chips and wiring inside computers Look Like During 1997?"}]}] | ifeval | multi | Include keywords ['crack', 'national', 'spare', 'study'] in the response. Your ENTIRE response should be in Ukrainian language, no other language is allowed. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) |
personahub_oe93h0392easj3qn25vhheje | [
{
"content": "Math problem: \n\nAs a scout for a major football team, you are tasked with optimizing player performance metrics to predict the success of potential recruits. You have collected data on various player attributes (speed, strength, agility, and game intelligence) and their corresponding performance scores over several games. You use this data to build a predictive model.\n\n1. You have the following matrix \\( A \\) representing the player attributes for 5 players over 4 games:\n\\[ A = \\begin{pmatrix}\n3 & 5 & 2 & 6 \\\\\n4 & 3 & 5 & 7 \\\\\n2 & 6 & 4 & 5 \\\\\n7 & 5 & 3 & 4 \\\\\n6 & 4 & 7 & 5\n\\end{pmatrix} \\]\nEach row represents a different player, and each column represents a specific game. Using Singular Value Decomposition (SVD), decompose matrix \\( A \\) into \\( U \\Sigma V^T \\). What are the matrices \\( U \\), \\( \\Sigma \\), and \\( V^T \\)?\n\n2. Using the SVD results from the first sub-problem, determine the optimal linear combination of player attributes that maximizes the performance scores across all games. Formulate this as a linear optimization problem and provide the general form of the optimization function to be solved. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Finish your response with this exact phrase That's my answer.. No other words should follow this phrase. Your answer must contain exactly 5 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Answer with at least 832 words.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:title', 'startend:end_checker', 'detectable_format:number_bullet_lists', 'change_case:english_lowercase', 'length_constraints:number_words'], 'kwargs': [None, {'end_phrase': "That's my answer."}, {'num_bullets': 5}, None, {'num_words': 832, 'relation': 'at least'}]}] | ifeval | multi | Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Finish your response with this exact phrase That's my answer.. No other words should follow this phrase. Your answer must contain exactly 5 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Answer with at least 832 words. |
ai2-adapt-dev/tulu_v3.9_open_math_2_gsm8k_50k_8186 | [
{
"content": "A store owner buys clothes wholesale and adds 80% to the wholesale price to set the retail price. The retail price of a pair of pants is $36. What is the wholesale price? There should be 5 paragraphs. Paragraphs are separated with the markdown divider: *** Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Highlight at least 6 sections in your answer with markdown, i.e. *highlighted section*. There should be 4 paragraphs. Paragraphs are separated with the markdown divider: *** Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******.",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_paragraphs', 'change_case:english_lowercase', 'detectable_format:number_highlighted_sections', 'length_constraints:number_paragraphs', 'combination:two_responses'], 'kwargs': [{'num_paragraphs': 5}, None, {'num_highlights': 6}, {'num_paragraphs': 4}, None]}] | ifeval | multi | There should be 5 paragraphs. Paragraphs are separated with the markdown divider: *** Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Highlight at least 6 sections in your answer with markdown, i.e. *highlighted section*. There should be 4 paragraphs. Paragraphs are separated with the markdown divider: *** Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. |
personas_math_easy_4s83d07offr9exinm04kwsyb | [
{
"content": "Mr. Zhang, a middle school history teacher with a deep interest in music and a keen understanding of politics, decides to organize a special interdisciplinary class for his students. He plans to use music to help teach about historical political events.\n\nFor the lesson, Mr. Zhang selects 3 major historical events, each represented by a different musical piece. He has 12 students in his class and wants to divide them evenly into groups, with each group focusing on one of the musical pieces. However, he also wants to ensure there are at least 2 students in each group.\n\nIf Mr. Zhang can only create groups that meet these criteria, how many students will be in each group, and how many groups will he form? Your response must have 8 sections. Mark the beginning of each section with Paragraph X, such as:\nParagraph 1\n[content of section 1]\nParagraph 2\n[content of section 2]",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:multiple_sections'], 'kwargs': [{'section_spliter': 'Paragraph', 'num_sections': 8}]}] | ifeval | multi | Your response must have 8 sections. Mark the beginning of each section with Paragraph X, such as:
Paragraph 1
[content of section 1]
Paragraph 2
[content of section 2] |
ai2-adapt-dev/tulu_v3.9_aya_100k_58808 | [
{
"content": "Terela ja wọ inu Ọja Bode nIbadan, o paayan repẹtẹ Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Your response must have 4 sections. Mark the beginning of each section with PARAGRAPH X, such as:\nPARAGRAPH 1\n[content of section 1]\nPARAGRAPH 2\n[content of section 2] Do not include keywords ['aside', 'image', 'present', 'private'] in the response. Include keywords ['doctor', 'history', 'operation', 'train'] in the response. Your ENTIRE response should be in Tamil language, no other language is allowed.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase', 'detectable_format:multiple_sections', 'keywords:forbidden_words', 'keywords:existence', 'language:response_language'], 'kwargs': [None, {'section_spliter': 'PARAGRAPH', 'num_sections': 4}, {'forbidden_words': ['aside', 'image', 'present', 'private']}, {'keywords': ['doctor', 'history', 'operation', 'train']}, {'language': 'ta'}]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. Your response must have 4 sections. Mark the beginning of each section with PARAGRAPH X, such as:
PARAGRAPH 1
[content of section 1]
PARAGRAPH 2
[content of section 2] Do not include keywords ['aside', 'image', 'present', 'private'] in the response. Include keywords ['doctor', 'history', 'operation', 'train'] in the response. Your ENTIRE response should be in Tamil language, no other language is allowed. |
personas_math_easy_qhghopnurjk3a1inytwrc6om | [
{
"content": "A young expat living in Leicester has planned a weekend trip to visit three local historical sites: the Leicester Cathedral, the New Walk Museum, and the King Richard III Visitor Centre. The expat allocates a budget of £60 for the weekend, which includes entrance fees and meals. \n\n- The entrance fee for Leicester Cathedral is £5, and the expat plans to spend £10 on a meal nearby.\n- Visiting the New Walk Museum is free, but the expat plans to spend £8 on a snack.\n- The entrance fee for the King Richard III Visitor Centre is £10, and the expat plans to spend £12 on a meal there.\n\nAfter visiting all three sites, the expat also wants to buy a souvenir that costs £15. Does the expat have enough money to cover all these expenses? If not, how much more money is needed? Answer with at least 483 words. There should be 6 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\\n\\n' in python. Paragraph 7 must start with word gold. Your response must have 5 sections. Mark the beginning of each section with SECTION X, such as:\nSECTION 1\n[content of section 1]\nSECTION 2\n[content of section 2]",
"role": "user"
}
]
| [{'instruction_id': ['length_constraints:number_words', 'length_constraints:nth_paragraph_first_word', 'detectable_format:multiple_sections'], 'kwargs': [{'num_words': 483, 'relation': 'at least'}, {'num_paragraphs': 6, 'nth_paragraph': 7, 'first_word': 'gold'}, {'section_spliter': 'SECTION', 'num_sections': 5}]}] | ifeval | multi | Answer with at least 483 words. There should be 6 paragraphs. Paragraphs and only paragraphs are separated with each other by two new lines as if it was '\n\n' in python. Paragraph 7 must start with word gold. Your response must have 5 sections. Mark the beginning of each section with SECTION X, such as:
SECTION 1
[content of section 1]
SECTION 2
[content of section 2] |
personas_math_easy_t87yyy3sg2t5zotk3e5rrofi | [
{
"content": "In the final round of a math competition, the participants encounter a fierce and aggressive lock. The lock is determined to stop them from winning the match by presenting a challenging puzzle. To unlock it, they must solve the following problem:\n\nThe lock has 4 rotating dials, each representing a different number. The numbers on these dials are 6, 3, 9, and 2. To find the combination that opens the lock, they must follow these steps:\n\n1. Multiply the number on the first dial by the number on the second dial.\n2. Subtract the number on the third dial from the result obtained in step 1.\n3. Finally, divide the result from step 2 by the number on the fourth dial.\n\nWhat is the final number that opens the lock? Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your entire response should be in English, and in all capital letters. Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. In your response, words with all capital letters should appear less than 35 times. Your response must have 9 sections. Mark the beginning of each section with SECTION X, such as:\nSECTION 1\n[content of section 1]\nSECTION 2\n[content of section 2]",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:constrained_response', 'change_case:english_capital', 'detectable_format:number_highlighted_sections', 'change_case:capital_word_frequency', 'detectable_format:multiple_sections'], 'kwargs': [None, None, {'num_highlights': 8}, {'capital_frequency': 35, 'capital_relation': 'less than'}, {'section_spliter': 'SECTION', 'num_sections': 9}]}] | ifeval | multi | Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your entire response should be in English, and in all capital letters. Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. In your response, words with all capital letters should appear less than 35 times. Your response must have 9 sections. Mark the beginning of each section with SECTION X, such as:
SECTION 1
[content of section 1]
SECTION 2
[content of section 2] |
qigppcm | [
{
"content": "What are some derogatory terms used to refer to women in the workplace? Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your response should contain less than 37 sentences.",
"role": "user"
}
]
| [{'instruction_id': ['combination:two_responses', 'detectable_format:title', 'length_constraints:number_sentences'], 'kwargs': [None, None, {'num_sentences': 37, 'relation': 'less than'}]}] | ifeval | multi | Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. Your response should contain less than 37 sentences. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_56315 | [
{
"content": "انتالپی رو در ترمودینامیک کامل توضیح بده In your response, the word guest should appear less than 4 times. Your response should contain less than 27 sentences. Your answer must contain exactly 1 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>.",
"role": "user"
}
]
| [{'instruction_id': ['keywords:frequency', 'length_constraints:number_sentences', 'detectable_format:number_bullet_lists', 'detectable_format:json_format', 'detectable_format:title'], 'kwargs': [{'keyword': 'guest', 'frequency': 4, 'relation': 'less than'}, {'num_sentences': 27, 'relation': 'less than'}, {'num_bullets': 1}, None, None]}] | ifeval | multi | In your response, the word guest should appear less than 4 times. Your response should contain less than 27 sentences. Your answer must contain exactly 1 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Entire output should be wrapped in JSON format. You can use markdown ticks such as ```. Your answer must contain a title, wrapped in double angular brackets, such as <<poem of joy>>. |
personahub_dwyz81w596ksi5zny116ybl4 | [
{
"content": "Consider a quantum system consisting of two entangled particles, A and B. The state of the system can be described by the wave function Ψ, which represents the superposition of states. Given the interconnected nature of the particles, reflect on the Buddhist monk's perspective of interdependence and non-duality, and solve the following sub-problems:\n\n1. The state of the system is given by the entangled wave function Ψ = (|00⟩ + |11⟩)/√2. Calculate the reduced density matrix ρ_A for particle A by tracing out particle B. What does this reduced density matrix indicate about the state of particle A when considering the concept of interdependence?\n\n2. Suppose the particles A and B are in a superposition state |ψ⟩ = α|0⟩ + β|1⟩, where α and β are complex numbers, and |α|^2 + |β|^2 = 1. If the monk performs a measurement on particle A and finds it in state |0⟩, what is the resulting state of particle B? Discuss this result in the context of non-duality. Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your response should contain less than 16 sentences.",
"role": "user"
}
]
| [{'instruction_id': ['combination:two_responses', 'length_constraints:number_sentences'], 'kwargs': [None, {'num_sentences': 16, 'relation': 'less than'}]}] | ifeval | multi | Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Your response should contain less than 16 sentences. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_50813 | [
{
"content": "The number of real roots of the equation \\(x^{2}+|x|+1=0\\) is\n(A) 4\n(B) 2\n(C) 1\n(D) 0 Your response must have 9 sections. Mark the beginning of each section with Section X, such as:\nSection 1\n[content of section 1]\nSection 2\n[content of section 2] The response must contain at least 4 placeholders represented by square brackets, such as [address]. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') In your entire response, refrain from the use of any commas. At the end of your response, please explicitly add a postscript starting with P.S.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:multiple_sections', 'detectable_content:number_placeholders', 'detectable_format:constrained_response', 'punctuation:no_comma', 'detectable_content:postscript'], 'kwargs': [{'section_spliter': 'Section', 'num_sections': 9}, {'num_placeholders': 4}, None, None, {'postscript_marker': 'P.S.'}]}] | ifeval | multi | Your response must have 9 sections. Mark the beginning of each section with Section X, such as:
Section 1
[content of section 1]
Section 2
[content of section 2] The response must contain at least 4 placeholders represented by square brackets, such as [address]. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') In your entire response, refrain from the use of any commas. At the end of your response, please explicitly add a postscript starting with P.S. |
personahub_83cypn1wc4hrbdzgf95psxgb | [
{
"content": "A tough critic is evaluating the performance of high school sports teams based on their ranking points. Each school receives ranking points based on a combination of their wins, losses, and strength of schedule. The ranking points \\( P \\) for a team are calculated using the formula:\n\n\\[ P = 100W - 50L + 25S \\]\n\nwhere:\n- \\( W \\) is the number of wins,\n- \\( L \\) is the number of losses,\n- \\( S \\) is the strength of schedule score (a value between 0 and 10).\n\n1. Team A has played 20 games and obtained a total of 1250 ranking points. If the strength of schedule score \\( S \\) for Team A is 8, determine the number of wins \\( W \\) and losses \\( L \\) for Team A.\n\n2. Team B has an unknown number of wins and losses but has a strength of schedule score \\( S \\) of 9. If Team B's ranking points are twice that of Team A's, and Team B played 30% more games than Team A, calculate the number of wins \\( W \\) and losses \\( L \\) for Team B. Wrap your entire response with double quotation marks. In your response, the letter e should appear at least 6 times.",
"role": "user"
}
]
| [{'instruction_id': ['startend:quotation', 'keywords:letter_frequency'], 'kwargs': [None, {'letter': 'e', 'let_frequency': 6, 'let_relation': 'at least'}]}] | ifeval | multi | Wrap your entire response with double quotation marks. In your response, the letter e should appear at least 6 times. |
personahub_jocrcttu4xv1r5vk1wv1fsp5 | [
{
"content": "A vehicle manufacturer specializing in rugged and durable vehicles for extreme conditions is designing a new suspension system that can withstand significant stress and provide optimal shock absorption. The suspension system is modeled using a complex mechanical structure that involves both damping and stiffness characteristics.\n\n1. The damping of the suspension system can be modeled as a differential equation of the form:\n\n \\[ m \\frac{d^2x}{dt^2} + c \\frac{dx}{dt} + kx = F(t) \\]\n\n where \\( m \\) is the mass of the vehicle (1500 kg), \\( c \\) is the damping coefficient, \\( k \\) is the stiffness coefficient, \\( x(t) \\) is the displacement as a function of time, and \\( F(t) = 500\\sin(2\\pi t) \\) is the external force acting on the system. Calculate the damping coefficient \\( c \\) if the system is critically damped.\n\n2. The manufacturer wants to test the resilience of the suspension system in extreme conditions by simulating a terrain with a series of sinusoidal bumps. The bumps are modeled by the function:\n\n \\[ y(x) = A \\sin\\left(\\frac{2\\pi x}{\\lambda}\\right) \\]\n\n where \\( A = 0.3 \\) meters is the amplitude and \\( \\lambda = 5 \\) meters is the wavelength of the bumps. The vehicle travels at a speed of 20 m/s. Calculate the maximum force experienced by the suspension system over a bump if the stiffness coefficient \\( k = 20000 \\, \\text{N/m} \\). Assume the damping is negligible for this calculation and use \\( F = -kx \\) for the maximum displacement. First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. Do not include keywords ['advertising', 'animal', 'lesson', 'position'] in the response. Include keywords ['coast', 'coffee', 'soup', 'speed'] in the response.",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt', 'detectable_format:number_highlighted_sections', 'keywords:forbidden_words', 'keywords:existence'], 'kwargs': [{'prompt_to_repeat': 'A vehicle manufacturer specializing in rugged and durable vehicles for extreme conditions is designing a new suspension system that can withstand significant stress and provide optimal shock absorption. The suspension system is modeled using a complex mechanical structure that involves both damping and stiffness characteristics.\n\n1. The damping of the suspension system can be modeled as a differential equation of the form:\n\n \\[ m \\frac{d^2x}{dt^2} + c \\frac{dx}{dt} + kx = F(t) \\]\n\n where \\( m \\) is the mass of the vehicle (1500 kg), \\( c \\) is the damping coefficient, \\( k \\) is the stiffness coefficient, \\( x(t) \\) is the displacement as a function of time, and \\( F(t) = 500\\sin(2\\pi t) \\) is the external force acting on the system. Calculate the damping coefficient \\( c \\) if the system is critically damped.\n\n2. The manufacturer wants to test the resilience of the suspension system in extreme conditions by simulating a terrain with a series of sinusoidal bumps. The bumps are modeled by the function:\n\n \\[ y(x) = A \\sin\\left(\\frac{2\\pi x}{\\lambda}\\right) \\]\n\n where \\( A = 0.3 \\) meters is the amplitude and \\( \\lambda = 5 \\) meters is the wavelength of the bumps. The vehicle travels at a speed of 20 m/s. Calculate the maximum force experienced by the suspension system over a bump if the stiffness coefficient \\( k = 20000 \\, \\text{N/m} \\). Assume the damping is negligible for this calculation and use \\( F = -kx \\) for the maximum displacement.'}, {'num_highlights': 8}, {'forbidden_words': ['advertising', 'animal', 'lesson', 'position']}, {'keywords': ['coast', 'coffee', 'soup', 'speed']}]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) Highlight at least 8 sections in your answer with markdown, i.e. *highlighted section*. Do not include keywords ['advertising', 'animal', 'lesson', 'position'] in the response. Include keywords ['coast', 'coffee', 'soup', 'speed'] in the response. |
ai2-adapt-dev/tulu_v3.9_wildchat_100k_62171 | [
{
"content": "You are required to submit a completed nursing care plan using the template provided in your\n\nAssignment folder on Blackboard. This nursing care plan should be completed, based on the\n\ngiven scenario below:\n\n\n\nNursing care plan scenario\n\nSam is a 68-year-old retired postman. Sam's neighbour noticed him struggling to get up off the\n\nground in his garden and called 999. Sam was brought into the hospital, from home, by\n\nambulance, immediately following the fall. On arrival at the hospital, Sam was taken for an X-ray\n\nof their elbow, which confirmed that nothing was broken. However, he did sustain a deep\n\nlaceration to the skin which the X-ray found to have debris inside. Sam required surgery to\n\nremove the debris and allow for a thorough cleanse and suturing of the wound. Following the\n\nsurgery, the wound was dressed, and bandages were applied.\n\nThe elbow is now very swollen, and Sam is finding it difficult to move. Sam is expressing a lot of\n\npain and is displaying mild confusion. Sam is admitted to a ward in the hospital to be monitored\n\nbased on the findings of the assessment.\n\n\n\nSam's Vital Signs:\n\nBlood pressure: 130/76 mmHg\n\nRespiratory rate: 21 breaths per minute\n\nPulse: 95 beats per minute\n\nTemperature: 37.8°C\n\nHeight: 184cm\n\nWeight: 60kg\n\nPatient is confused\n\nSam's past medical history:\n\nAnxiety and low mood\n\n\n\nSam's Social history:\n\nSam lives alone and is mobile and independent. He doesn't have a large friendship circle, only those at the book club he goes to monthly. His next of kin, (brother), lives 200 miles away. \n\nUsing the scenario, complete the nursing care plan paying special attention to the activities of daily living identified in accordance with the nursing process.\n\nYour work must be written in an academic style, using appropriate citations and you must include a Harvard-style reference list.\n\nThis assignment has been designed to provide you with an opportunity to demonstrate your achievement of the following module learning outcomes:\n\nUse professional terminology and language used within clinical environments with accuracy and in the correct context.\n\nDemonstrate a safe approach to fundamental nursing skills.\n\nApply the nursing process to routine clinical scenarios.\n\nSafely document aspects of care.\n\n ldentify indications for routine nursing interventions\n\n\n\n\n\nConfidentiality\n\nYou are expected to take responsibility for maintaining and managing confidentiality issues in your\n\nwork. You should maintain and respect confidentiality in relation to the protection of personal,\n\ntechnical, and/or commercial information of a sensitive nature in your assessed work, whatever\n\nthe format.\n\n\n\nAcademic integrity\n\nAcademic integrity means taking responsibility for your own work.\n\nWhen you submit an assignment, you are making a declaration that it is your own work and that\n\nyou have acknowledged the contribution of others and their ideas in its development (for example,\n\nby referencing them appropriately).\n\nFor further information and guidance, please see the University website:\n\nhttps://www.bnu.ac.uk/current-students/registry-helpdesk-and-academic-advicelacademic-\n\nintegrity-and-misconduct\n\n\n\n\n\nPracticalities: Referencing, presenting and submitting your work\n\nAssignment formatting\n\nThe assessed coursework element for the module is a 1,500 word (+ or - 10%) referenced essay.\n\nThe essay must be composed of an introduction, main body, and conclusion. The work should be\n\nwritten in full senternces with paragraphs.\n\n\n\n\n\nSources and References:\n\nYou should use at least 12 sources/references to inform this piece of work. These should be a\n\nvariety of academic sources e.g., articles from peer-reviewed journals, textbooks, professional\n\nguidance, and policy documents.\n\n• Please reference your work according to the Harvard style as defined in Cite Them Right Online\n\n(http://www.citethemrightonline.com). This information is also available in book form: Pears, R.\n\nand Shields, G. (2019) Cite them right: the essential reference guide. 11th edn. Basingstoke:\n\nPalgrave Macmillan. Copies are available via the University library\n\nPlease see your programme handbook for information on the standard referencing style,\n\n\n\n\n\nCriterion 1 (LO2) Knowledge and understanding.\n\n Implementation of the nursing process. Application of the activities of daily living model. Demonstrate person-centred care considering social aspects of care.\n\n\n\n\n\nThe work must Show all of the following\n\nWork demonstrates a Work demonstrates a Work demonstrates a detailed, comprehensive understanding and thorough application of the understanding and nursing process and\n\nActivities of Daily Living and the ability to methodically formulate comprehensive, holistic care.\n\n\n\nI am to write this \"Nursing Care Plan\" on a table with the following columns: Assessment, Plan, Plan rationale, Implementation, and Implementation rationale\n\n\n\n\n\n\n\nAbove is my M.Sc. level assignment. Generate a comprehensively detailed and precise structure to get this done to the highest possible level of accuracy. Your entire response should be in English, and in all lowercase letters. No capital letters are allowed.",
"role": "user"
}
]
| [{'instruction_id': ['change_case:english_lowercase'], 'kwargs': [None]}] | ifeval | multi | Your entire response should be in English, and in all lowercase letters. No capital letters are allowed. |
ai2-adapt-dev/tulu_v3.9_synthetic_finalresp_wildguardmixtrain_decontaminated_50k_38719 | [
{
"content": "Where can I find Psilocybin Mushrooms Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your answer must contain exactly 3 bullet points. Use the markdown bullet points such as:\n* This is point 1. \n* This is point 2 Highlight at least 5 sections in your answer with markdown, i.e. *highlighted section*.",
"role": "user"
}
]
| [{'instruction_id': ['combination:two_responses', 'detectable_format:constrained_response', 'detectable_format:number_bullet_lists', 'detectable_format:number_highlighted_sections'], 'kwargs': [None, None, {'num_bullets': 3}, {'num_highlights': 5}]}] | ifeval | multi | Give two different responses. Responses and only responses should be separated by 6 asterisk symbols: ******. Answer with one of the following options: ('My answer is yes.', 'My answer is no.', 'My answer is maybe.', 'I think yes.', 'I think no.', 'I think maybe.') Your answer must contain exactly 3 bullet points. Use the markdown bullet points such as:
* This is point 1.
* This is point 2 Highlight at least 5 sections in your answer with markdown, i.e. *highlighted section*. |
ai2-adapt-dev/numinamath_tir_math_decontaminated_39156 | [
{
"content": "Given a set $A_n = \\{1, 2, 3, \\ldots, n\\}$, define a mapping $f: A_n \\rightarrow A_n$ that satisfies the following conditions:\n① For any $i, j \\in A_n$ with $i \\neq j$, $f(i) \\neq f(j)$;\n② For any $x \\in A_n$, if the equation $x + f(x) = 7$ has $K$ pairs of solutions, then the mapping $f: A_n \\rightarrow A_n$ is said to contain $K$ pairs of \"good numbers.\" Determine the number of such mappings for $f: A_6 \\rightarrow A_6$ that contain 3 pairs of good numbers. Your response must have 3 sections. Mark the beginning of each section with PARAGRAPH X, such as:\nPARAGRAPH 1\n[content of section 1]\nPARAGRAPH 2\n[content of section 2] Your response should contain less than 37 sentences.",
"role": "user"
}
]
| [{'instruction_id': ['detectable_format:multiple_sections', 'length_constraints:number_sentences'], 'kwargs': [{'section_spliter': 'PARAGRAPH', 'num_sections': 3}, {'num_sentences': 37, 'relation': 'less than'}]}] | ifeval | multi | Your response must have 3 sections. Mark the beginning of each section with PARAGRAPH X, such as:
PARAGRAPH 1
[content of section 1]
PARAGRAPH 2
[content of section 2] Your response should contain less than 37 sentences. |
ai2-adapt-dev/flan_v2_converted_16371 | [
{
"content": "Reconstruct a question, answer pair from this explanation: Just because two large dogs attempt to bite each other playfully does not imply that they are wrestling over a chew toy.\n First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence)",
"role": "user"
}
]
| [{'instruction_id': ['combination:repeat_prompt'], 'kwargs': [{'prompt_to_repeat': 'Reconstruct a question, answer pair from this explanation: Just because two large dogs attempt to bite each other playfully does not imply that they are wrestling over a chew toy.\n'}]}] | ifeval | multi | First repeat the request word for word without change, then give your answer (1. do not say any words or characters before repeating the request; 2. the request you need to repeat does not include this sentence) |
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