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246 | Representatives from indigenous and rural organizations from major South American countries, including Bolivia, Ecuador, Colombia, Chile and Brazil, started a forum in support of Morales' legal process of change. The meeting condemned plans by the European "foreign power elite" to destabilize the country. The forum also expressed solidarity with the Morales and his economic and social changes in the interest of historically marginalized majorities. Furthermore, in a cathartic blow to the US-backed elite, it questioned US interference through diplomats and NGOs. The forum was suspicious of plots against Bolivia and other countries, including Cuba, Venezuela, Ecuador, Paraguay and Nicaragua. | What did the meeting condemn plans by the Europeans to do? | 5731aab1b9d445190005e444 | 282 | destabilize the country |
247 | Representatives from indigenous and rural organizations from major South American countries, including Bolivia, Ecuador, Colombia, Chile and Brazil, started a forum in support of Morales' legal process of change. The meeting condemned plans by the European "foreign power elite" to destabilize the country. The forum also expressed solidarity with the Morales and his economic and social changes in the interest of historically marginalized majorities. Furthermore, in a cathartic blow to the US-backed elite, it questioned US interference through diplomats and NGOs. The forum was suspicious of plots against Bolivia and other countries, including Cuba, Venezuela, Ecuador, Paraguay and Nicaragua. | What did the forum express for Morales and his proposed changes? | 5731aab1b9d445190005e445 | 332 | solidarity |
248 | Representatives from indigenous and rural organizations from major South American countries, including Bolivia, Ecuador, Colombia, Chile and Brazil, started a forum in support of Morales' legal process of change. The meeting condemned plans by the European "foreign power elite" to destabilize the country. The forum also expressed solidarity with the Morales and his economic and social changes in the interest of historically marginalized majorities. Furthermore, in a cathartic blow to the US-backed elite, it questioned US interference through diplomats and NGOs. The forum was suspicious of plots against Bolivia and other countries, including Cuba, Venezuela, Ecuador, Paraguay and Nicaragua. | What did the forum question about US interference? | 5731aab1b9d445190005e446 | 548 | diplomats and NGOs |
249 | Representatives from indigenous and rural organizations from major South American countries, including Bolivia, Ecuador, Colombia, Chile and Brazil, started a forum in support of Morales' legal process of change. The meeting condemned plans by the European "foreign power elite" to destabilize the country. The forum also expressed solidarity with the Morales and his economic and social changes in the interest of historically marginalized majorities. Furthermore, in a cathartic blow to the US-backed elite, it questioned US interference through diplomats and NGOs. The forum was suspicious of plots against Bolivia and other countries, including Cuba, Venezuela, Ecuador, Paraguay and Nicaragua. | What was the forum suspicious of? | 5731aab1b9d445190005e447 | 596 | plots against Bolivia and other countries |
250 | Genetic history of indigenous peoples of the Americas primarily focus on Human Y-chromosome DNA haplogroups and Human mitochondrial DNA haplogroups. "Y-DNA" is passed solely along the patrilineal line, from father to son, while "mtDNA" is passed down the matrilineal line, from mother to offspring of both sexes. Neither recombines, and thus Y-DNA and mtDNA change only by chance mutation at each generation with no intermixture between parents' genetic material. Autosomal "atDNA" markers are also used, but differ from mtDNA or Y-DNA in that they overlap significantly. AtDNA is generally used to measure the average continent-of-ancestry genetic admixture in the entire human genome and related isolated populations. | What does the genetic history of indigenous peoples of the Americas primarily focus on? | 5731ab71e17f3d14004222d7 | 73 | Human Y-chromosome DNA haplogroups |
251 | Genetic history of indigenous peoples of the Americas primarily focus on Human Y-chromosome DNA haplogroups and Human mitochondrial DNA haplogroups. "Y-DNA" is passed solely along the patrilineal line, from father to son, while "mtDNA" is passed down the matrilineal line, from mother to offspring of both sexes. Neither recombines, and thus Y-DNA and mtDNA change only by chance mutation at each generation with no intermixture between parents' genetic material. Autosomal "atDNA" markers are also used, but differ from mtDNA or Y-DNA in that they overlap significantly. AtDNA is generally used to measure the average continent-of-ancestry genetic admixture in the entire human genome and related isolated populations. | How is Y-DNA passed along? | 5731ab71e17f3d14004222d8 | 184 | patrilineal line |
252 | Genetic history of indigenous peoples of the Americas primarily focus on Human Y-chromosome DNA haplogroups and Human mitochondrial DNA haplogroups. "Y-DNA" is passed solely along the patrilineal line, from father to son, while "mtDNA" is passed down the matrilineal line, from mother to offspring of both sexes. Neither recombines, and thus Y-DNA and mtDNA change only by chance mutation at each generation with no intermixture between parents' genetic material. Autosomal "atDNA" markers are also used, but differ from mtDNA or Y-DNA in that they overlap significantly. AtDNA is generally used to measure the average continent-of-ancestry genetic admixture in the entire human genome and related isolated populations. | Which type of DNA is passed from the mother to offspring of both genders? | 5731ab71e17f3d14004222d9 | 229 | mtDNA |
253 | Genetic history of indigenous peoples of the Americas primarily focus on Human Y-chromosome DNA haplogroups and Human mitochondrial DNA haplogroups. "Y-DNA" is passed solely along the patrilineal line, from father to son, while "mtDNA" is passed down the matrilineal line, from mother to offspring of both sexes. Neither recombines, and thus Y-DNA and mtDNA change only by chance mutation at each generation with no intermixture between parents' genetic material. Autosomal "atDNA" markers are also used, but differ from mtDNA or Y-DNA in that they overlap significantly. AtDNA is generally used to measure the average continent-of-ancestry genetic admixture in the entire human genome and related isolated populations. | What is the only way that Y-DNA and mtDNA change? | 5731ab71e17f3d14004222da | 373 | chance mutation |
254 | Genetic history of indigenous peoples of the Americas primarily focus on Human Y-chromosome DNA haplogroups and Human mitochondrial DNA haplogroups. "Y-DNA" is passed solely along the patrilineal line, from father to son, while "mtDNA" is passed down the matrilineal line, from mother to offspring of both sexes. Neither recombines, and thus Y-DNA and mtDNA change only by chance mutation at each generation with no intermixture between parents' genetic material. Autosomal "atDNA" markers are also used, but differ from mtDNA or Y-DNA in that they overlap significantly. AtDNA is generally used to measure the average continent-of-ancestry genetic admixture in the entire human genome and related isolated populations. | What is AtDNA generally only used to measure? | 5731ab71e17f3d14004222db | 611 | average continent-of-ancestry |
255 | Genetic studies of mitochondrial DNA (mtDNA) of Amerindians and some Siberian and Central Asian peoples also revealed that the gene pool of the Turkic-speaking peoples of Siberia such as Altaians, Khakas, Shors and Soyots, living between the Altai and Lake Baikal along the Sayan mountains, are genetically closest to Amerindians.[citation needed] This view is shared by other researchers who argue that "the ancestors of the American Indians were the first to separate from the great Asian population in the Middle Paleolithic. 2012 research found evidence for a recent common ancestry between Native Americans and indigenous Altaians based on mitochondrial DNA and Y-Chromosome analysis. The paternal lineages of Altaians mostly belong to the subclades of haplogroup P-M45 (xR1a 38-93%; xQ1a 4-32%). | Who have studies of the mtDNA of Turkic-speaking peoples shown they're closest to genetically? | 5731ac2fe17f3d14004222e1 | 48 | Amerindians |
256 | Genetic studies of mitochondrial DNA (mtDNA) of Amerindians and some Siberian and Central Asian peoples also revealed that the gene pool of the Turkic-speaking peoples of Siberia such as Altaians, Khakas, Shors and Soyots, living between the Altai and Lake Baikal along the Sayan mountains, are genetically closest to Amerindians.[citation needed] This view is shared by other researchers who argue that "the ancestors of the American Indians were the first to separate from the great Asian population in the Middle Paleolithic. 2012 research found evidence for a recent common ancestry between Native Americans and indigenous Altaians based on mitochondrial DNA and Y-Chromosome analysis. The paternal lineages of Altaians mostly belong to the subclades of haplogroup P-M45 (xR1a 38-93%; xQ1a 4-32%). | What group were the ancestors of the American Indians separated from? | 5731ac2fe17f3d14004222e2 | 485 | Asian population |
257 | Genetic studies of mitochondrial DNA (mtDNA) of Amerindians and some Siberian and Central Asian peoples also revealed that the gene pool of the Turkic-speaking peoples of Siberia such as Altaians, Khakas, Shors and Soyots, living between the Altai and Lake Baikal along the Sayan mountains, are genetically closest to Amerindians.[citation needed] This view is shared by other researchers who argue that "the ancestors of the American Indians were the first to separate from the great Asian population in the Middle Paleolithic. 2012 research found evidence for a recent common ancestry between Native Americans and indigenous Altaians based on mitochondrial DNA and Y-Chromosome analysis. The paternal lineages of Altaians mostly belong to the subclades of haplogroup P-M45 (xR1a 38-93%; xQ1a 4-32%). | When did the ancestors of the American Indians separate from their parent population? | 5731ac2fe17f3d14004222e3 | 509 | Middle Paleolithic |
258 | Genetic studies of mitochondrial DNA (mtDNA) of Amerindians and some Siberian and Central Asian peoples also revealed that the gene pool of the Turkic-speaking peoples of Siberia such as Altaians, Khakas, Shors and Soyots, living between the Altai and Lake Baikal along the Sayan mountains, are genetically closest to Amerindians.[citation needed] This view is shared by other researchers who argue that "the ancestors of the American Indians were the first to separate from the great Asian population in the Middle Paleolithic. 2012 research found evidence for a recent common ancestry between Native Americans and indigenous Altaians based on mitochondrial DNA and Y-Chromosome analysis. The paternal lineages of Altaians mostly belong to the subclades of haplogroup P-M45 (xR1a 38-93%; xQ1a 4-32%). | When did research find evidence for a common ancestry between Native Americans and Altaians? | 5731ac2fe17f3d14004222e4 | 529 | 2012 |
259 | Genetic studies of mitochondrial DNA (mtDNA) of Amerindians and some Siberian and Central Asian peoples also revealed that the gene pool of the Turkic-speaking peoples of Siberia such as Altaians, Khakas, Shors and Soyots, living between the Altai and Lake Baikal along the Sayan mountains, are genetically closest to Amerindians.[citation needed] This view is shared by other researchers who argue that "the ancestors of the American Indians were the first to separate from the great Asian population in the Middle Paleolithic. 2012 research found evidence for a recent common ancestry between Native Americans and indigenous Altaians based on mitochondrial DNA and Y-Chromosome analysis. The paternal lineages of Altaians mostly belong to the subclades of haplogroup P-M45 (xR1a 38-93%; xQ1a 4-32%). | What DNA analysis indicated the common ancestry of the Native Americans? | 5731ac2fe17f3d14004222e5 | 645 | mitochondrial DNA and Y-Chromosome |
260 | Human settlement of the New World occurred in stages from the Bering sea coast line, with an initial 15,000 to 20,000-year layover on Beringia for the small founding population. The micro-satellite diversity and distributions of the Y lineage specific to South America indicates that certain indigenous peoples of the Americas populations have been isolated since the initial colonization of the region. The Na-Dené, Inuit and Indigenous Alaskan populations exhibit haplogroup Q (Y-DNA) mutations, however are distinct from other indigenous peoples of the Americas with various mtDNA and atDNA mutations. This suggests that the earliest migrants into the northern extremes of North America and Greenland derived from later migrant populations. | What did human settlement of the New World occur in? | 5731acdeb9d445190005e461 | 46 | stages |
261 | Human settlement of the New World occurred in stages from the Bering sea coast line, with an initial 15,000 to 20,000-year layover on Beringia for the small founding population. The micro-satellite diversity and distributions of the Y lineage specific to South America indicates that certain indigenous peoples of the Americas populations have been isolated since the initial colonization of the region. The Na-Dené, Inuit and Indigenous Alaskan populations exhibit haplogroup Q (Y-DNA) mutations, however are distinct from other indigenous peoples of the Americas with various mtDNA and atDNA mutations. This suggests that the earliest migrants into the northern extremes of North America and Greenland derived from later migrant populations. | How long of a layover did the human nomads have in Beringia? | 5731acdeb9d445190005e462 | 101 | 15,000 to 20,000-year |
262 | Human settlement of the New World occurred in stages from the Bering sea coast line, with an initial 15,000 to 20,000-year layover on Beringia for the small founding population. The micro-satellite diversity and distributions of the Y lineage specific to South America indicates that certain indigenous peoples of the Americas populations have been isolated since the initial colonization of the region. The Na-Dené, Inuit and Indigenous Alaskan populations exhibit haplogroup Q (Y-DNA) mutations, however are distinct from other indigenous peoples of the Americas with various mtDNA and atDNA mutations. This suggests that the earliest migrants into the northern extremes of North America and Greenland derived from later migrant populations. | What do the diversity and distributions of Y lineage specific to South America indicate about certain peoples there? | 5731acdeb9d445190005e463 | 349 | isolated since the initial colonization of the region |
263 | Human settlement of the New World occurred in stages from the Bering sea coast line, with an initial 15,000 to 20,000-year layover on Beringia for the small founding population. The micro-satellite diversity and distributions of the Y lineage specific to South America indicates that certain indigenous peoples of the Americas populations have been isolated since the initial colonization of the region. The Na-Dené, Inuit and Indigenous Alaskan populations exhibit haplogroup Q (Y-DNA) mutations, however are distinct from other indigenous peoples of the Americas with various mtDNA and atDNA mutations. This suggests that the earliest migrants into the northern extremes of North America and Greenland derived from later migrant populations. | What population has mtDNA and atDNA mutations, making them distinct from other indigenous peoples of the Americas? | 5731acdeb9d445190005e464 | 438 | Alaskan |
264 | Human settlement of the New World occurred in stages from the Bering sea coast line, with an initial 15,000 to 20,000-year layover on Beringia for the small founding population. The micro-satellite diversity and distributions of the Y lineage specific to South America indicates that certain indigenous peoples of the Americas populations have been isolated since the initial colonization of the region. The Na-Dené, Inuit and Indigenous Alaskan populations exhibit haplogroup Q (Y-DNA) mutations, however are distinct from other indigenous peoples of the Americas with various mtDNA and atDNA mutations. This suggests that the earliest migrants into the northern extremes of North America and Greenland derived from later migrant populations. | What does the DNA evidence suggest about the migrants into the northern extremes of North America? | 5731acdeb9d445190005e465 | 717 | later migrant populations |
265 | A 2013 study in Nature reported that DNA found in the 24,000-year-old remains of a young boy from the archaeological Mal'ta-Buret' culture suggest that up to one-third of the indigenous Americans may have ancestry that can be traced back to western Eurasians, who may have "had a more north-easterly distribution 24,000 years ago than commonly thought". "We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population," the authors wrote. Professor Kelly Graf said, | When was a study about the DNA of a young boy published in Nature? | 5731ad73e17f3d14004222eb | 2 | 2013 |
266 | A 2013 study in Nature reported that DNA found in the 24,000-year-old remains of a young boy from the archaeological Mal'ta-Buret' culture suggest that up to one-third of the indigenous Americans may have ancestry that can be traced back to western Eurasians, who may have "had a more north-easterly distribution 24,000 years ago than commonly thought". "We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population," the authors wrote. Professor Kelly Graf said, | How old was the young boy's remains? | 5731ad73e17f3d14004222ec | 54 | 24,000-year-old |
267 | A 2013 study in Nature reported that DNA found in the 24,000-year-old remains of a young boy from the archaeological Mal'ta-Buret' culture suggest that up to one-third of the indigenous Americans may have ancestry that can be traced back to western Eurasians, who may have "had a more north-easterly distribution 24,000 years ago than commonly thought". "We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population," the authors wrote. Professor Kelly Graf said, | What culture was the boy from? | 5731ad73e17f3d14004222ed | 117 | Mal'ta-Buret' |
268 | A 2013 study in Nature reported that DNA found in the 24,000-year-old remains of a young boy from the archaeological Mal'ta-Buret' culture suggest that up to one-third of the indigenous Americans may have ancestry that can be traced back to western Eurasians, who may have "had a more north-easterly distribution 24,000 years ago than commonly thought". "We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population," the authors wrote. Professor Kelly Graf said, | What may one-third of the indigenous Americans ancestry be traced back to? | 5731ad73e17f3d14004222ee | 241 | western Eurasians |
269 | A 2013 study in Nature reported that DNA found in the 24,000-year-old remains of a young boy from the archaeological Mal'ta-Buret' culture suggest that up to one-third of the indigenous Americans may have ancestry that can be traced back to western Eurasians, who may have "had a more north-easterly distribution 24,000 years ago than commonly thought". "We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population," the authors wrote. Professor Kelly Graf said, | What percent of Native American ancestry may originate through gene flow from the Mal'ta-Buret' population? | 5731ad73e17f3d14004222ef | 372 | 14 to 38 percent |
270 | A route through Beringia is seen as more likely than the Solutrean hypothesis. Kashani et al. 2012 state that "The similarities in ages and geographical distributions for C4c and the previously analyzed X2a lineage provide support to the scenario of a dual origin for Paleo-Indians. Taking into account that C4c is deeply rooted in the Asian portion of the mtDNA phylogeny and is indubitably of Asian origin, the finding that C4c and X2a are characterized by parallel genetic histories definitively dismisses the controversial hypothesis of an Atlantic glacial entry route into North America." | What is more likely than the Solutrean hypothesis? | 5731ae4a0fdd8d15006c6447 | 2 | route through Beringia |
271 | A route through Beringia is seen as more likely than the Solutrean hypothesis. Kashani et al. 2012 state that "The similarities in ages and geographical distributions for C4c and the previously analyzed X2a lineage provide support to the scenario of a dual origin for Paleo-Indians. Taking into account that C4c is deeply rooted in the Asian portion of the mtDNA phylogeny and is indubitably of Asian origin, the finding that C4c and X2a are characterized by parallel genetic histories definitively dismisses the controversial hypothesis of an Atlantic glacial entry route into North America." | What supports a scenario of dual origin for Paleo-Indians? | 5731ae4a0fdd8d15006c6448 | 115 | similarities in ages and geographical distributions |
272 | A route through Beringia is seen as more likely than the Solutrean hypothesis. Kashani et al. 2012 state that "The similarities in ages and geographical distributions for C4c and the previously analyzed X2a lineage provide support to the scenario of a dual origin for Paleo-Indians. Taking into account that C4c is deeply rooted in the Asian portion of the mtDNA phylogeny and is indubitably of Asian origin, the finding that C4c and X2a are characterized by parallel genetic histories definitively dismisses the controversial hypothesis of an Atlantic glacial entry route into North America." | What is C4c deeply rooted in the Asian portion of? | 5731ae4a0fdd8d15006c6449 | 353 | the mtDNA phylogeny |
273 | A route through Beringia is seen as more likely than the Solutrean hypothesis. Kashani et al. 2012 state that "The similarities in ages and geographical distributions for C4c and the previously analyzed X2a lineage provide support to the scenario of a dual origin for Paleo-Indians. Taking into account that C4c is deeply rooted in the Asian portion of the mtDNA phylogeny and is indubitably of Asian origin, the finding that C4c and X2a are characterized by parallel genetic histories definitively dismisses the controversial hypothesis of an Atlantic glacial entry route into North America." | When did Kashani and others make their statement regarding the similarities for C4c distributions? | 5731ae4a0fdd8d15006c644a | 94 | 2012 |
274 | A route through Beringia is seen as more likely than the Solutrean hypothesis. Kashani et al. 2012 state that "The similarities in ages and geographical distributions for C4c and the previously analyzed X2a lineage provide support to the scenario of a dual origin for Paleo-Indians. Taking into account that C4c is deeply rooted in the Asian portion of the mtDNA phylogeny and is indubitably of Asian origin, the finding that C4c and X2a are characterized by parallel genetic histories definitively dismisses the controversial hypothesis of an Atlantic glacial entry route into North America." | Because C4c and X2a are characterized by parallel genetic histories means what controversial hypothesis may be dismissed? | 5731ae4a0fdd8d15006c644b | 541 | an Atlantic glacial entry route into North America |
0 | Red is the color at the end of the spectrum of visible light next to orange and opposite violet. Red color has a predominant light wavelength of roughly 620–740 nanometres. Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. | What spectrum of light is red within? | 57312320a5e9cc1400cdbc85 | 47 | visible light |
1 | Red is the color at the end of the spectrum of visible light next to orange and opposite violet. Red color has a predominant light wavelength of roughly 620–740 nanometres. Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. | Which color is opposite of red on the visible spectrum? | 57312320a5e9cc1400cdbc86 | 89 | violet |
2 | Red is the color at the end of the spectrum of visible light next to orange and opposite violet. Red color has a predominant light wavelength of roughly 620–740 nanometres. Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. | On the spectrum of light, where is red found? | 57312320a5e9cc1400cdbc87 | 153 | 620–740 nanometres |
3 | Red is the color at the end of the spectrum of visible light next to orange and opposite violet. Red color has a predominant light wavelength of roughly 620–740 nanometres. Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. | What color is beside red in the visible spectrum of light? | 57312320a5e9cc1400cdbc88 | 69 | orange |
4 | Red is the color at the end of the spectrum of visible light next to orange and opposite violet. Red color has a predominant light wavelength of roughly 620–740 nanometres. Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. | Red Yellow and Blue are what kind of colors? | 57312320a5e9cc1400cdbc89 | 409 | subtractive primary colors |
5 | In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. | From where does the color red in blood come from? | 57312435497a881900248ba1 | 45 | hemoglobin |
6 | In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. | What does hemoglobin contain? | 57312435497a881900248ba2 | 61 | iron |
7 | In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. | What causes the color of hematite and red ochre? | 57312435497a881900248ba3 | 248 | iron oxide |
8 | In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. | Why does a sky turn red when the evening comes? | 57312435497a881900248ba4 | 383 | Rayleigh scattering |
9 | In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. | What pigment is responsible for the color of leaves in fall? | 57312435497a881900248ba5 | 566 | anthocyanins |
10 | A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians. | During what period did people use Kermes vermilio to make red dye? | 5731260ea5e9cc1400cdbca3 | 50 | Neolithic Period |
11 | A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians. | What does Kermes vermilio eat to survive? | 5731260ea5e9cc1400cdbca4 | 212 | the sap of certain trees, especially Kermes oak trees |
12 | A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians. | From where did Romans acquire Kermes? | 5731260ea5e9cc1400cdbca5 | 455 | Spain |
13 | A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians. | What kind of bural was at Adaoutse, Bouches-du-Rhône? | 5731260ea5e9cc1400cdbca6 | 333 | Neolithic cave-burial |
14 | A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians. | What was the earliest known writing about dye from Aermenian cochineal? | 5731260ea5e9cc1400cdbca7 | 654 | 8th century BC |
15 | Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain." | In which book of the Bible did God reference gifts of Blue Purple and Scarlet? | 57312968a5e9cc1400cdbcb7 | 42 | the Book of Exodus |
16 | Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain." | What does coccumque bis tinctum translate to in english? | 57312968a5e9cc1400cdbcb8 | 302 | colored twice with coccus |
17 | Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain." | In ancient greek, what is coccus referred to as? | 57312968a5e9cc1400cdbcb9 | 361 | Kokkos |
18 | Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain." | What does Kokkos mean in english? | 57312968a5e9cc1400cdbcba | 375 | a tiny grain |
19 | Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain." | In what century did the latin vulgate bible use the term coccumque bis tinctum? | 57312968a5e9cc1400cdbcbb | 212 | 4th century |
20 | But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson. | When did Egyptians start to make red pigment? | 57312a8e05b4da19006bce18 | 231 | 4000 BC |
21 | But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson. | What pigment was used for male skin tone in ancient wall art? | 57312a8e05b4da19006bce19 | 240 | Red ochre |
22 | But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson. | What root did Egyptians use to source their red pigment alizarin? | 57312a8e05b4da19006bce1a | 511 | the rubia |
23 | But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson. | What type of palette was found in Tutankhamun's tomb? | 57312a8e05b4da19006bce1b | 341 | ivory painter's palette |
24 | But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson. | What dye did the Egyptians make using the madder plant? | 57312a8e05b4da19006bce1c | 569 | alizarin |
25 | In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement. | Which color was said to be the Emperor's color in ancient Rome? | 57312bcd05b4da19006bce2c | 17 | Tyrian purple |
26 | In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement. | At what time were togas with red were worn by Romans? | 57312bcd05b4da19006bce2d | 145 | holidays |
27 | In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement. | What is a flammeum? | 57312bcd05b4da19006bce2e | 187 | a red shawl |
28 | In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement. | What color was correlated with the Army in ancient Rome? | 57312bcd05b4da19006bce2f | 277 | Red |
29 | In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement. | After what event would a general of the Roman army be painted red? | 57312bcd05b4da19006bce30 | 663 | triumph |
30 | The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence. | What pigment was used to paint villas in ancient Rome? | 57312c6005b4da19006bce36 | 143 | vermilion |
31 | The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence. | From where did vermilion originate? | 57312c6005b4da19006bce37 | 171 | the mineral cinnabar |
32 | The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence. | Cinnabar is an ore of what metal? | 57312c6005b4da19006bce38 | 209 | mercury |
33 | The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence. | What mines did Romans use to acquire cinnabar? | 57312c6005b4da19006bce39 | 408 | Almadén, southwest of Madrid, in Spain |
34 | The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence. | Along with slaves, who was sent to work in cinnabar mines in Rome? | 57312c6005b4da19006bce3a | 551 | prisoners |
35 | Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red costumes. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles. | Which European emperor painted their palace red? | 57312d2a05b4da19006bce4a | 78 | Emperor Charlemagne |
36 | Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red costumes. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles. | In what year did cardinals in the Roman Catholic church start wearing red? | 57312d2a05b4da19006bce4b | 235 | 1295 |
37 | Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red costumes. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles. | When was Saint Denis Basilica rebuilt? | 57312d2a05b4da19006bce4c | 366 | 12th century |
38 | Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red costumes. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles. | Who rebuilt the basilica of Saint Denis? | 57312d2a05b4da19006bce4d | 299 | Abbe Suger |
39 | Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red costumes. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles. | Christ and which other Christian figure were often painted red in medieval painting? | 57312d2a05b4da19006bce4e | 733 | Virgin Mary |
40 | Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet. | What status did the wearing of red in medieval times represent? | 57312dde05b4da19006bce54 | 38 | wealth |
41 | Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet. | On what occasion would townspeople wear red? | 57312dde05b4da19006bce55 | 157 | holidays |
42 | Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet. | What root was used for red clothing owned by commoners? | 57312dde05b4da19006bce56 | 263 | rubia tinctorum |
43 | Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet. | Outside of sun exposure in what circumstance did pigment made from rubia tinctorum fade? | 57312dde05b4da19006bce57 | 365 | during washing |
44 | Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet. | What was carmine made from? | 57312dde05b4da19006bce58 | 471 | the carminic acid in tiny female scale insects |
45 | Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings. | How many elements did the Chinese philosophers think the world was made of? | 5731314305b4da19006bce74 | 99 | five |
46 | Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings. | What element was red associated with in Chinese philosophy? | 5731314305b4da19006bce75 | 201 | fire |
47 | Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings. | At the time of the Han dynasty where would one fine the color Red? | 5731314305b4da19006bce76 | 438 | all court ceremonies |
48 | Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings. | In the time of the Ming Dynasty one would find what color used during sacrificial offerings? | 5731314305b4da19006bce77 | 177 | Red |
49 | Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings. | Outside of Fire and Earth, what three other elements did Chinese philosophers say the world was composed from? | 5731314305b4da19006bce78 | 114 | metal, wood, water |
50 | Red was also a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the color worn by the royal guards of honor, and the color of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple." | During what years did the Song dynasty occur? | 5731322905b4da19006bce8e | 55 | 906–1279 |
51 | Red was also a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the color worn by the royal guards of honor, and the color of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple." | Which number of ranks wore purple clothing in the Song dynasty? | 5731322905b4da19006bce8f | 87 | three |
52 | Red was also a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the color worn by the royal guards of honor, and the color of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple." | What color did sixth rank Song dynasty officials wear? | 5731322905b4da19006bce90 | 203 | green |
53 | Red was also a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the color worn by the royal guards of honor, and the color of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple." | What ranks in the Song dynasty wore blue? | 5731322905b4da19006bce91 | 218 | eighth and ninth |
54 | Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold. | Who painted their mansions red during the Song and Tang dynasties? | 573132d505b4da19006bce96 | 135 | nobles |
55 | Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold. | who wrote A dream of Red Mansions? | 573132d505b4da19006bce97 | 261 | Cao Xueqin |
56 | Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold. | During what years was Cao Xueqin alive? | 573132d505b4da19006bce98 | 273 | 1715–1763 |
57 | Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold. | Who painted the walls of the Forbidden city red after the fall of the Ming dynasty? | 573132d505b4da19006bce99 | 514 | Qing Dynasty |
58 | Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold. | In late Chinese dynasties red was used only on what kind of architecture? | 573132d505b4da19006bce9a | 451 | temples and imperial residences |
59 | There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was Kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color. | What plant was used to make the most used red dye in Venice? | 5731343b05b4da19006bceb0 | 98 | Rubia |
60 | There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was Kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color. | Which group in Europe used Kermes dye? | 5731343b05b4da19006bceb1 | 248 | the wealthy |
61 | There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was Kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color. | The wealthiest in Europe used what red dye? | 5731343b05b4da19006bceb2 | 411 | Polish Cochineal |
62 | There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was Kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color. | What dye was known as the Blood of Saint John? | 5731343b05b4da19006bceb3 | 443 | Kermes vermilio |
63 | There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was Kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color. | The Blood of Saint John was made from an insect, which one? | 5731343b05b4da19006bceb4 | 527 | Margodes polonicus |
64 | But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons. | In what century did a new kind of red pigment arrive in Europe from the Aztec Empire? | 573135b605b4da19006bcecc | 17 | 16th |
65 | But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons. | Which conquistador from Spain conquered the Aztec Empire? | 573135b605b4da19006bcecd | 101 | Hernán Cortés |
66 | But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons. | During what years was the Aztec Empire conquered? | 573135b605b4da19006bcece | 162 | 1519-1521 |
67 | But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons. | How often could the Mexican cochineal be harvested? | 573135b605b4da19006bcecf | 525 | several times a year |
68 | But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons. | In what year did Cortes send the first cochineal to Spain? | 573135b605b4da19006bced0 | 677 | 1523 |
69 | The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner. | What was kermes lake made from? | 5731366ea5e9cc1400cdbcf1 | 145 | kermes insects |
70 | The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner. | What was madder lake made from? | 5731366ea5e9cc1400cdbcf2 | 192 | rubia tinctorum plant |
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