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1 | |
00:00:11,411 --> 00:00:14,481 | |
You're going to Tallinn. | |
UDC is going to be there. | |
2 | |
00:00:14,481 --> 00:00:16,883 | |
I'm announcing River | |
in four days | |
3 | |
00:00:16,883 --> 00:00:19,619 | |
and it will be released | |
on the 28th. | |
4 | |
00:00:19,619 --> 00:00:22,455 | |
WINTHROP: Where is he now? | |
He should be in Tallinn. | |
5 | |
00:00:22,455 --> 00:00:25,458 | |
You need to find him | |
and stay with him. | |
6 | |
00:00:25,458 --> 00:00:27,527 | |
JACKAL: | |
Distance to the target | |
is 75 meters. | |
7 | |
00:00:27,527 --> 00:00:29,863 | |
What are the obstacles? | |
JACKAL: A metal detector | |
8 | |
00:00:29,863 --> 00:00:33,366 | |
and an ultra-sensitive scanner | |
but I've got an idea for that. | |
9 | |
00:00:33,366 --> 00:00:36,269 | |
That's very clever. | |
The glass is bullet-resistant. | |
10 | |
00:00:36,269 --> 00:00:39,873 | |
It will stop five rounds | |
from a 7.62mm rifle. | |
11 | |
00:00:39,873 --> 00:00:42,609 | |
NORMAN: | |
That is a fucking work of art. | |
12 | |
00:00:42,609 --> 00:00:44,711 | |
[WHIRRING] | |
13 | |
00:00:44,711 --> 00:00:47,714 | |
Can you call them please? | |
I do not want her here, Paul. | |
14 | |
00:00:47,714 --> 00:00:50,316 | |
I'm trying to talk | |
to my husband and my child! | |
15 | |
00:00:50,316 --> 00:00:51,718 | |
You have good man face. | |
16 | |
00:00:52,952 --> 00:00:55,288 | |
NURIA: | |
Why do you need this disguise? | |
17 | |
00:00:55,288 --> 00:00:57,490 | |
JACKAL: | |
There are people | |
looking for me. | |
18 | |
00:00:57,490 --> 00:00:59,726 | |
[***] | |
19 | |
00:00:59,726 --> 00:01:02,162 | |
[DOORBELL BUZZES] | |
20 | |
00:01:02,162 --> 00:01:03,830 | |
Could I see some ID, please? | |
21 | |
00:01:03,830 --> 00:01:05,365 | |
Hi, is this Rasmus? | |
22 | |
00:01:05,365 --> 00:01:07,567 | |
I just wondered | |
if you wanted to grab a drink? | |
23 | |
00:01:07,567 --> 00:01:09,502 | |
What sort of vibe | |
would you say I have? | |
24 | |
00:01:09,502 --> 00:01:12,672 | |
RASMUS: | |
Kind of serious. | |
Also a bit dangerous. | |
25 | |
00:01:14,607 --> 00:01:18,378 | |
<i>♪ Some flowers | |
Never get to bloom ♪</i> | |
26 | |
00:01:18,378 --> 00:01:22,248 | |
<i>♪ And see the day ♪</i> | |
27 | |
00:01:22,882 --> 00:01:24,784 | |
<i>♪ Some flowers ♪</i> | |
28 | |
00:01:24,784 --> 00:01:30,924 | |
{\an8}<i>♪ Are content | |
To wish their lives away ♪</i> | |
29 | |
00:01:30,924 --> 00:01:35,428 | |
{\an8}<i>♪ Some may rise ♪</i> | |
30 | |
00:01:35,428 --> 00:01:39,466 | |
{\an8}<i>♪ And some may fall ♪</i> | |
31 | |
00:01:39,466 --> 00:01:43,570 | |
<i>♪ But only you may ♪</i> | |
32 | |
00:01:43,570 --> 00:01:47,440 | |
<i>♪ Ever see me true ♪</i> | |
33 | |
00:01:47,440 --> 00:01:53,947 | |
{\an8}<i>♪ So only you can tell that ♪</i> | |
34 | |
00:01:53,947 --> 00:01:59,452 | |
{\an8}<i>♪ This is who I am ♪</i> | |
35 | |
00:02:01,888 --> 00:02:05,525 | |
{\an8}<i>♪ This is who I am ♪</i> | |
36 | |
00:02:05,525 --> 00:02:10,330 | |
<i>♪ No lie, no lies ♪</i> | |
37 | |
00:02:10,330 --> 00:02:14,801 | |
<i>♪ This is who I am ♪</i> | |
38 | |
00:02:25,812 --> 00:02:29,516 | |
[***] | |
39 | |
00:02:39,626 --> 00:02:42,228 | |
So two British | |
Intelligence officers | |
40 | |
00:02:42,228 --> 00:02:44,364 | |
arrived here last night | |
from Budapest. | |
41 | |
00:02:48,535 --> 00:02:54,341 | |
{\an8}<i>Male, mid-30s, white, | |
about 5'10", brown hair.</i> | |
42 | |
00:02:54,341 --> 00:02:58,778 | |
<i>Female about the same age, | |
Black, first name, Bianca.</i> | |
43 | |
00:03:00,347 --> 00:03:01,581 | |
I was wondering | |
if your people | |
44 | |
00:03:01,581 --> 00:03:03,416 | |
might be able | |
to do something about them? | |
45 | |
00:03:03,416 --> 00:03:05,685 | |
Wait, are you asking me | |
for my help? | |
46 | |
00:03:09,055 --> 00:03:10,323 | |
Sure. | |
47 | |
00:03:11,591 --> 00:03:14,561 | |
On it. | |
Rodin's arriving on Friday. | |
48 | |
00:03:15,428 --> 00:03:17,364 | |
They're gonna ask me | |
if you're confident | |
49 | |
00:03:17,364 --> 00:03:18,698 | |
it can be done. | |
50 | |
00:03:18,698 --> 00:03:21,568 | |
Well, you can tell them | |
whatever they wanna hear. | |
51 | |
00:03:21,568 --> 00:03:24,537 | |
Well, I'm also asking | |
for myself. | |
52 | |
00:03:24,537 --> 00:03:26,606 | |
So, what would you | |
like me to tell you? | |
53 | |
00:03:28,441 --> 00:03:29,843 | |
That you'll deliver. | |
54 | |
00:03:31,511 --> 00:03:32,712 | |
[SCOFFS] | |
55 | |
00:03:36,016 --> 00:03:37,417 | |
I'm on your side. | |
56 | |
00:03:38,718 --> 00:03:41,388 | |
I was hoping that | |
would be clear by now. | |
57 | |
00:03:41,388 --> 00:03:44,057 | |
I was hoping this could be | |
even more of a collaboration. | |
58 | |
00:03:44,057 --> 00:03:45,358 | |
I don't collaborate. | |
59 | |
00:03:46,593 --> 00:03:48,695 | |
You won't hear from me | |
until after it's done. | |
60 | |
00:03:48,695 --> 00:03:51,598 | |
And I expect to be paid | |
promptly. | |
61 | |
00:03:55,735 --> 00:03:57,037 | |
ZINA: | |
It's me. | |
62 | |
00:03:57,037 --> 00:03:59,739 | |
Yeah, I need some | |
priority assistance on site. | |
63 | |
00:04:00,840 --> 00:04:03,777 | |
Sure, I'll have the details | |
sent to you right away. | |
64 | |
00:04:04,844 --> 00:04:08,515 | |
We've set you up in | |
the Cultural Attaché's office. | |
65 | |
00:04:11,618 --> 00:04:14,688 | |
Good morning. | |
Welcome to Operation Anubis. | |
66 | |
00:04:14,688 --> 00:04:16,456 | |
Someone's pulled | |
their finger out. | |
67 | |
00:04:16,456 --> 00:04:19,125 | |
The Foreign Secretary isn't | |
a particularly generous man. | |
68 | |
00:04:19,125 --> 00:04:20,927 | |
But he's personally very miffed | |
69 | |
00:04:20,927 --> 00:04:23,763 | |
about The Jackal killing | |
his friend, Manfred. | |
70 | |
00:04:23,763 --> 00:04:26,766 | |
Did we get any matches | |
from his DNA and prints? | |
71 | |
00:04:26,766 --> 00:04:28,034 | |
Nothing. | |
72 | |
00:04:28,034 --> 00:04:29,836 | |
This guy's a fucking ghost. | |
73 | |
00:04:29,836 --> 00:04:30,970 | |
Oskar Ilves | |
74 | |
00:04:30,970 --> 00:04:34,140 | |
of the Estonian Internal | |
Security Service is our liaison. | |
75 | |
00:04:34,140 --> 00:04:35,742 | |
His team | |
is going through hotels, | |
76 | |
00:04:35,742 --> 00:04:38,445 | |
hostels, Airbnb's | |
and private rentals. | |
77 | |
00:04:38,445 --> 00:04:40,547 | |
They're also asking | |
for a likeness, | |
78 | |
00:04:40,547 --> 00:04:43,616 | |
so I want you to meet Cole. | |
79 | |
00:04:43,616 --> 00:04:46,486 | |
Cole is going to help you | |
put a face to The Jackal. | |
80 | |
00:04:49,155 --> 00:04:50,557 | |
BIANCA: | |
Wider. | |
81 | |
00:04:50,557 --> 00:04:52,492 | |
It's a bit more-- | |
Yeah, just like that. | |
82 | |
00:04:52,492 --> 00:04:54,627 | |
Yep. Like that. | |
Don't do anything else. | |
83 | |
00:04:54,627 --> 00:04:56,396 | |
Right, okay. | |
What do you think? | |
84 | |
00:04:56,396 --> 00:04:58,798 | |
Vince, you saw him right? | |
85 | |
00:04:58,798 --> 00:05:02,102 | |
For a split second. | |
Well, what do you think? | |
86 | |
00:05:02,102 --> 00:05:04,671 | |
Uh... Yeah. Yeah, could be him. | |
87 | |
00:05:04,671 --> 00:05:08,641 | |
Osi, this is the best | |
it's gonna get it. | |
Okay. | |
88 | |
00:05:08,641 --> 00:05:12,045 | |
We'll share it with Oskar Ilves | |
and the Estonians. | |
89 | |
00:05:12,045 --> 00:05:13,346 | |
Thank you, Cole. | |
90 | |
00:05:14,414 --> 00:05:16,516 | |
[DRONE WHIRRING] | |
91 | |
00:05:19,652 --> 00:05:21,888 | |
[INDISTINCT RADIO CHATTER] | |
92 | |
00:05:21,888 --> 00:05:24,858 | |
[***] | |
93 | |
00:05:39,005 --> 00:05:42,175 | |
KEITH: | |
Sir, I've just heard | |
a British team | |
94 | |
00:05:42,175 --> 00:05:44,678 | |
tracked the assassin | |
to Hungary. | |
95 | |
00:05:44,678 --> 00:05:48,081 | |
Unfortunately, he got away. | |
He's resourceful and dangerous. | |
96 | |
00:05:48,081 --> 00:05:51,184 | |
You cannot go to Tallinn. | |
Do the launch from here. | |
97 | |
00:05:51,184 --> 00:05:54,888 | |
If I hide away, | |
River's enemies win. | |
98 | |
00:05:54,888 --> 00:05:57,657 | |
We've been planning this | |
for a year. | |
99 | |
00:05:57,657 --> 00:06:00,193 | |
The guests have been invited, | |
1000 of them. | |
100 | |
00:06:00,193 --> 00:06:02,696 | |
Ordinary people, | |
all randomly selected. | |
101 | |
00:06:02,696 --> 00:06:04,998 | |
They have no idea where they're | |
going till they get there, | |
102 | |
00:06:04,998 --> 00:06:06,733 | |
and they've all signed NDAs. | |
103 | |
00:06:06,733 --> 00:06:08,034 | |
People talk. | |
104 | |
00:06:09,636 --> 00:06:12,806 | |
If we cancel now, | |
UDC looks ridiculous. | |
105 | |
00:06:12,806 --> 00:06:15,408 | |
Better ridiculous than dead. | |
106 | |
00:06:16,076 --> 00:06:17,010 | |
Debatable. | |
107 | |
00:06:21,481 --> 00:06:22,782 | |
[GROANS] | |
108 | |
00:06:24,517 --> 00:06:25,919 | |
[DOOR OPENS] | |
109 | |
00:06:27,253 --> 00:06:28,822 | |
Morning. | |
RASMUS: Morning. | |
110 | |
00:06:28,822 --> 00:06:30,657 | |
There you are. | |
[CHUCKLES] | |
111 | |
00:06:30,657 --> 00:06:34,160 | |
Sorry, I had something early | |
and I didn't wanna wake you. | |
112 | |
00:06:34,160 --> 00:06:35,161 | |
RASMUS: | |
What's that? | |
113 | |
00:06:35,161 --> 00:06:37,464 | |
Oh, I managed to get my hands | |
114 | |
00:06:37,464 --> 00:06:40,166 | |
on these plans | |
for the <i>Konsterdisaal.</i> | |
115 | |
00:06:40,166 --> 00:06:44,137 | |
It's pretty astonishing what | |
these guys managed to achieved. | |
116 | |
00:06:44,137 --> 00:06:47,774 | |
Yeah, I thought last night | |
was pretty great too. | |
117 | |
00:06:50,643 --> 00:06:52,679 | |
You've got a very nice smile, | |
Rasmus. | |
118 | |
00:06:53,613 --> 00:06:54,881 | |
Wow. Thank you. | |
119 | |
00:06:54,881 --> 00:06:58,084 | |
No, you sort of | |
radiate kindness. | |
120 | |
00:06:58,084 --> 00:07:00,153 | |
Wow. | |
No, that's a good thing. | |
121 | |
00:07:00,153 --> 00:07:02,822 | |
You can't have | |
too much kindness these days. | |
122 | |
00:07:07,660 --> 00:07:09,896 | |
Uh... | |
If you're trying to compete, | |
123 | |
00:07:09,896 --> 00:07:11,765 | |
I should let you know | |
that nothing turns me on | |
124 | |
00:07:11,765 --> 00:07:13,266 | |
like a blueprint, so... | |
125 | |
00:07:13,266 --> 00:07:15,802 | |
Show me the hot bits. | |
[LAUGHS] | |
126 | |
00:07:15,802 --> 00:07:17,103 | |
You wanna know? | |
Yeah. | |
127 | |
00:07:17,103 --> 00:07:18,938 | |
Yeah? | |
Yeah. | |
128 | |
00:07:18,938 --> 00:07:20,073 | |
So that bit there... | |
129 | |
00:07:32,085 --> 00:07:34,020 | |
{\an8}MARISA [IN SPANISH]: | |
NURIA [IN SPANISH]: | |
130 | |
00:07:34,020 --> 00:07:35,889 | |
{\an8}MARISA: | |
NURIA: | |
131 | |
00:07:50,170 --> 00:07:51,805 | |
{\an8}MARISA: | |
132 | |
00:07:59,679 --> 00:08:00,847 | |
[SIGHS SOFTLY] | |
133 | |
00:08:08,021 --> 00:08:09,856 | |
And how could you tell? | |
134 | |
00:08:09,856 --> 00:08:12,225 | |
Uh, probably by getting up there | |
and having a look. | |
135 | |
00:08:12,225 --> 00:08:14,994 | |
But this isn't even trying | |
to explain it, so... | |
136 | |
00:08:14,994 --> 00:08:16,663 | |
Well, I could take you. | |
137 | |
00:08:17,364 --> 00:08:19,032 | |
Have a look. | |
138 | |
00:08:19,032 --> 00:08:20,834 | |
Really? | |
Mm-hm. | |
139 | |
00:08:20,834 --> 00:08:23,670 | |
It would have to be | |
this afternoon though. | |
140 | |
00:08:23,670 --> 00:08:24,871 | |
There's a concert tonight. | |
141 | |
00:08:24,871 --> 00:08:26,806 | |
They're shutting | |
the whole place down. | |
142 | |
00:08:26,806 --> 00:08:28,942 | |
Like total lockdown. | |
What's that about? | |
143 | |
00:08:28,942 --> 00:08:32,178 | |
I don't know. They just told us | |
that after tonight, | |
144 | |
00:08:32,178 --> 00:08:35,548 | |
no one's getting in or out | |
without special permission. | |
145 | |
00:08:37,417 --> 00:08:39,052 | |
They've got me leaving | |
this evening now, | |
146 | |
00:08:39,052 --> 00:08:42,555 | |
so I could do this afternoon, | |
if that works? | |
147 | |
00:08:45,325 --> 00:08:47,193 | |
Would you make it | |
worth my while? | |
148 | |
00:08:50,063 --> 00:08:52,999 | |
[***] | |
149 | |
00:08:57,370 --> 00:08:59,339 | |
{\an8}ÁLVARO [IN SPANISH]: | |
150 | |
00:08:59,339 --> 00:09:00,974 | |
{\an8}NURIA: | |
151 | |
00:09:00,974 --> 00:09:03,610 | |
{\an8}MARISA: | |
152 | |
00:09:06,913 --> 00:09:07,881 | |
{\an8}[EXCLAIMS] | |
153 | |
00:09:08,882 --> 00:09:09,816 | |
{\an8}[SCOFFS] | |
154 | |
00:09:10,917 --> 00:09:14,087 | |
{\an8}ÁLVARO: | |
155 | |
00:09:36,443 --> 00:09:39,112 | |
{\an8}MARISA: | |
156 | |
00:09:43,717 --> 00:09:45,285 | |
Go ahead. | |
157 | |
00:10:01,935 --> 00:10:03,837 | |
{\an8}MARISA: | |
158 | |
00:10:05,138 --> 00:10:06,072 | |
{\an8}Sure. | |
159 | |
00:10:10,510 --> 00:10:12,145 | |
{\an8}MARISA: | |
160 | |
00:10:17,250 --> 00:10:18,985 | |
[NURIA SCOFFS] | |
161 | |
00:10:20,787 --> 00:10:23,857 | |
[***] | |
162 | |
00:10:31,164 --> 00:10:32,132 | |
Everything okay? | |
163 | |
00:10:34,034 --> 00:10:35,001 | |
Yeah. | |
164 | |
00:10:37,904 --> 00:10:39,005 | |
We're all good. | |
165 | |
00:10:41,808 --> 00:10:43,843 | |
[DRAWER CLOSES] | |
166 | |
00:11:19,346 --> 00:11:20,413 | |
{\an8}RASMUS [IN ESTONIAN]: | |
167 | |
00:11:20,413 --> 00:11:21,915 | |
Hey, Rasmus. | |
168 | |
00:11:21,915 --> 00:11:23,550 | |
[IN ENGLISH] | |
Fuck, I'm glad | |
I'm not working tonight. | |
169 | |
00:11:23,550 --> 00:11:27,120 | |
Imagine having to sit through | |
three hours of classical piano? | |
170 | |
00:11:27,120 --> 00:11:28,088 | |
Imagine. | |
171 | |
00:11:31,991 --> 00:11:35,128 | |
So, um... | |
I'll just wait for you. | |
172 | |
00:11:35,128 --> 00:11:38,198 | |
Use this to get back in here. | |
Knock yourself out. | |
173 | |
00:11:38,198 --> 00:11:39,733 | |
[CHUCKLES] | |
174 | |
00:11:46,272 --> 00:11:49,242 | |
[***] | |
175 | |
00:12:56,976 --> 00:12:58,478 | |
[SPEAKS INDISTINCTLY] | |
176 | |
00:12:58,478 --> 00:13:00,180 | |
JACKAL: | |
Rasmus? | |
177 | |
00:13:00,180 --> 00:13:01,581 | |
[IN ESTONIAN] | |
One moment. | |
178 | |
00:13:01,581 --> 00:13:02,949 | |
RASMUS: | |
Hey, how was that? | |
179 | |
00:13:02,949 --> 00:13:04,584 | |
You have no idea | |
what that was. | |
180 | |
00:13:04,584 --> 00:13:06,453 | |
That was, uh... | |
181 | |
00:13:06,453 --> 00:13:08,188 | |
That was | |
pretty extraordinary. | |
182 | |
00:13:08,188 --> 00:13:09,923 | |
[CHUCKLING] | |
183 | |
00:13:09,923 --> 00:13:12,625 | |
What? | |
No, you're just | |
so happy about it. | |
184 | |
00:13:12,625 --> 00:13:15,095 | |
It's hilarious. | |
That for me, that was-- | |
185 | |
00:13:15,095 --> 00:13:17,564 | |
That was a big thing. | |
Right. | |
186 | |
00:13:17,564 --> 00:13:18,965 | |
Thank you. | |
187 | |
00:13:18,965 --> 00:13:20,166 | |
No problem. | |
188 | |
00:13:20,166 --> 00:13:22,402 | |
Do you wanna | |
grab some food? | |
189 | |
00:13:22,402 --> 00:13:24,938 | |
I'd love that but I've got | |
a ton of things I've gotta do | |
190 | |
00:13:24,938 --> 00:13:26,206 | |
before I fly, so... | |
191 | |
00:13:26,206 --> 00:13:28,475 | |
But I'll see you when I | |
come and pick up my stuff? | |
192 | |
00:13:28,475 --> 00:13:29,876 | |
Sure. | |
Yeah? | |
193 | |
00:13:29,876 --> 00:13:31,177 | |
Yeah. | |
194 | |
00:13:31,177 --> 00:13:32,379 | |
Yeah? Yeah. | |
Yeah. | |
195 | |
00:13:34,447 --> 00:13:37,317 | |
[***] | |
196 | |
00:13:37,317 --> 00:13:39,252 | |
OSI: | |
<i>I've established | |
a line of communication</i> | |
197 | |
00:13:39,252 --> 00:13:42,122 | |
with Keith Canvey, | |
UDC's head of security. | |
198 | |
00:13:42,122 --> 00:13:43,490 | |
I've sent him | |
the facial composite. | |
199 | |
00:13:43,490 --> 00:13:46,126 | |
But basically, he won't share | |
anything with us. | |
200 | |
00:13:46,126 --> 00:13:49,496 | |
He's not even admitting | |
UDC's coming to Tallinn. | |
201 | |
00:13:49,496 --> 00:13:52,399 | |
I have Oskar Ilves for you, Osi. | |
Put him on speaker. | |
202 | |
00:13:53,533 --> 00:13:55,035 | |
Oskar, hi. It's Osi. | |
203 | |
00:13:55,035 --> 00:13:56,336 | |
OSKAR: | |
<i>Hi, we have a police officer</i> | |
204 | |
00:13:56,336 --> 00:13:58,204 | |
<i>who recognizes | |
the facial composite.</i> | |
205 | |
00:13:58,204 --> 00:14:01,207 | |
<i>She talked to the guy | |
last night at an Airbnb.</i> | |
206 | |
00:14:01,207 --> 00:14:02,575 | |
<i>British. Name of Peter Gibson.</i> | |
207 | |
00:14:02,575 --> 00:14:04,210 | |
<i>I'm on my way | |
to the location now.</i> | |
208 | |
00:14:04,210 --> 00:14:05,979 | |
Oskar, I'm sending you | |
one of our teams. | |
209 | |
00:14:05,979 --> 00:14:07,580 | |
Siobhan, get them transport | |
and armed escort. | |
210 | |
00:14:07,580 --> 00:14:09,983 | |
SIOBHAN: | |
Your escort | |
is Richard and Phil. | |
211 | |
00:14:09,983 --> 00:14:12,052 | |
They'll meet you | |
at the front in five. | |
212 | |
00:14:14,120 --> 00:14:17,223 | |
[***] | |
213 | |
00:14:28,535 --> 00:14:30,537 | |
I've got the Airbnb location. | |
214 | |
00:14:30,537 --> 00:14:32,906 | |
No! Down, down! | |
215 | |
00:14:46,986 --> 00:14:48,221 | |
On me. Now! | |
216 | |
00:14:58,098 --> 00:15:00,734 | |
He aimed straight at you. | |
That was a fucking hit. | |
217 | |
00:15:00,734 --> 00:15:02,235 | |
Are you okay? | |
Yeah. | |
218 | |
00:15:02,235 --> 00:15:04,137 | |
Do you need to come inside? | |
219 | |
00:15:05,138 --> 00:15:07,440 | |
No, no. We need to go. | |
We need to go. | |
220 | |
00:15:07,440 --> 00:15:09,342 | |
OSI: | |
Go. I'll deal with the police. | |
221 | |
00:15:09,342 --> 00:15:11,144 | |
Hey. Hey, hey. | |
222 | |
00:15:11,144 --> 00:15:13,146 | |
Be careful, yeah? | |
223 | |
00:15:25,725 --> 00:15:26,960 | |
VINCE: | |
You okay? | |
224 | |
00:15:29,262 --> 00:15:30,764 | |
He didn't miss by much. | |
225 | |
00:15:30,764 --> 00:15:33,066 | |
Yeah. Idiot. | |
226 | |
00:15:41,841 --> 00:15:43,309 | |
Oskar Ilves, | |
Internal Security. | |
227 | |
00:15:43,309 --> 00:15:44,811 | |
Do you know | |
if our guy's in there? | |
228 | |
00:15:44,811 --> 00:15:47,681 | |
We don't. But he was | |
definitely there last night. | |
229 | |
00:15:47,681 --> 00:15:50,050 | |
We've covered all the exits. | |
Okay. | |
230 | |
00:15:52,652 --> 00:15:55,655 | |
[***] | |
231 | |
00:16:01,194 --> 00:16:03,396 | |
OSKAR: | |
Internal Security. | |
Open the door! | |
232 | |
00:16:06,499 --> 00:16:07,434 | |
Go! | |
233 | |
00:16:08,768 --> 00:16:10,603 | |
[ALL SHOUTING IN ESTONIAN] | |
234 | |
00:16:12,539 --> 00:16:15,008 | |
OFFICER [IN ESTONIAN]: Clear! | |
Oh, shit. | |
235 | |
00:16:24,784 --> 00:16:26,119 | |
You okay? | |
236 | |
00:16:26,119 --> 00:16:28,188 | |
Uh, yeah, | |
I had some dodgy sushi. | |
237 | |
00:16:28,188 --> 00:16:30,724 | |
Hoping these are gonna | |
bung me up before the flight. | |
238 | |
00:16:30,724 --> 00:16:32,058 | |
Too much information. | |
239 | |
00:16:32,058 --> 00:16:33,560 | |
[CHUCKLES] | |
Mm-hm. | |
240 | |
00:16:37,364 --> 00:16:38,331 | |
Right. | |
241 | |
00:16:44,838 --> 00:16:46,206 | |
It's been fun. | |
242 | |
00:16:48,141 --> 00:16:49,542 | |
It's been more than fun. | |
243 | |
00:16:53,513 --> 00:16:56,182 | |
You got a good man's face, | |
Rasmus. | |
244 | |
00:16:56,182 --> 00:16:58,084 | |
[CHUCKLES] | |
What does that mean? | |
245 | |
00:17:00,520 --> 00:17:03,523 | |
This kindness just seems | |
to come off you naturally. | |
246 | |
00:17:05,825 --> 00:17:07,594 | |
I guess I'm just | |
a happy person. | |
247 | |
00:17:12,699 --> 00:17:15,702 | |
[***] | |
248 | |
00:17:23,209 --> 00:17:26,780 | |
NEWSCASTER [OVER COMPUTER]: | |
<i>Both UDC and DagHaus | |
have remained tight-lipped</i> | |
249 | |
00:17:26,780 --> 00:17:29,549 | |
<i>with regards to the upcoming | |
announcement of River.</i> | |
250 | |
00:17:29,549 --> 00:17:32,485 | |
<i>The venues in Dublin, | |
Dubai and Kuala Lumpur</i> | |
251 | |
00:17:32,485 --> 00:17:34,921 | |
<i>have all been rumored | |
as possible locations.</i> | |
252 | |
00:17:34,921 --> 00:17:37,924 | |
<i>UDC has created quite a stir | |
already with hints</i> | |
253 | |
00:17:37,924 --> 00:17:40,527 | |
<i>to what his latest invention, | |
River, can do.</i> | |
254 | |
00:17:41,961 --> 00:17:45,265 | |
REPORTER: | |
<i>UDC, bless his | |
pointy little head,</i> | |
255 | |
00:17:45,265 --> 00:17:47,767 | |
{\an8}<i>hasn't got the memo | |
that class hatred</i> | |
256 | |
00:17:47,767 --> 00:17:49,502 | |
{\an8}<i>makes no more sense now,</i> | |
257 | |
00:17:49,502 --> 00:17:51,905 | |
<i>just when the world | |
needs to pull together,</i> | |
258 | |
00:17:51,905 --> 00:17:53,907 | |
<i>than it ever did.</i> | |
[TV CLICKS] | |
259 | |
00:17:53,907 --> 00:17:55,241 | |
WOJACK: | |
It didn't happen. | |
260 | |
00:17:55,241 --> 00:17:57,744 | |
In Tallinn, | |
it was a couple of Russians. | |
261 | |
00:17:57,744 --> 00:17:58,912 | |
They botched it. | |
262 | |
00:17:58,912 --> 00:18:00,513 | |
WINTHROP: | |
Years after communism, | |
263 | |
00:18:00,513 --> 00:18:04,751 | |
Russians are still drunk, | |
lazy, inept, corrupt peasants. | |
264 | |
00:18:04,751 --> 00:18:08,355 | |
National characteristics | |
always outlive regime change. | |
265 | |
00:18:08,355 --> 00:18:09,923 | |
It was very | |
short notice, Tim. | |
266 | |
00:18:09,923 --> 00:18:11,424 | |
WINTHROP: | |
Do you know when the Romans | |
267 | |
00:18:11,424 --> 00:18:14,427 | |
could no longer find enough | |
Romans to run their empire, | |
268 | |
00:18:14,427 --> 00:18:16,930 | |
greatest empire | |
the world has ever known, | |
269 | |
00:18:16,930 --> 00:18:18,965 | |
they started hiring foreigners. | |
270 | |
00:18:18,965 --> 00:18:20,767 | |
The rest is history. | |
271 | |
00:18:20,767 --> 00:18:22,936 | |
Decline and fall. | |
272 | |
00:18:22,936 --> 00:18:25,338 | |
Do you understand | |
what I'm saying? | |
273 | |
00:18:25,338 --> 00:18:26,806 | |
No foreigners. | |
274 | |
00:18:26,806 --> 00:18:28,375 | |
Hm. | |
275 | |
00:18:29,909 --> 00:18:31,444 | |
You tell Leonora, | |
276 | |
00:18:31,444 --> 00:18:34,481 | |
we like Coughlin's | |
class hatred line. | |
277 | |
00:18:34,481 --> 00:18:35,615 | |
Hm. | |
278 | |
00:18:38,418 --> 00:18:39,719 | |
OSKAR: | |
This is Officer Kohver. | |
279 | |
00:18:39,719 --> 00:18:42,555 | |
She's sure she saw your man | |
last night. | |
280 | |
00:18:42,555 --> 00:18:45,258 | |
We were responding | |
to a burglary in the building. | |
281 | |
00:18:45,258 --> 00:18:47,861 | |
We spoke to a number | |
of tenants on this floor. | |
282 | |
00:18:47,861 --> 00:18:50,997 | |
And one man, | |
there was something about him, | |
283 | |
00:18:50,997 --> 00:18:53,266 | |
and he looked a lot like this. | |
284 | |
00:18:55,835 --> 00:18:58,438 | |
[PEOPLE CHATTERING INDISTINCTLY] | |
285 | |
00:19:15,522 --> 00:19:16,456 | |
Evening. | |
286 | |
00:19:22,395 --> 00:19:24,197 | |
Could I see your bag, sir? | |
287 | |
00:19:25,532 --> 00:19:27,334 | |
That's probably the boot. | |
288 | |
00:19:27,334 --> 00:19:28,501 | |
Yeah. | |
Yeah. | |
289 | |
00:19:28,501 --> 00:19:29,703 | |
Thank you, that's fine. | |
290 | |
00:19:31,037 --> 00:19:32,339 | |
Thank you. | |
291 | |
00:19:33,873 --> 00:19:36,743 | |
KOHVER: | |
He had a British passport | |
in the name of Peter Gibson. | |
292 | |
00:19:36,743 --> 00:19:38,878 | |
How did Gibson pay? | |
KOHVER: Credit card. | |
293 | |
00:19:38,878 --> 00:19:41,581 | |
We're checking to see | |
if the card has been used. | |
294 | |
00:19:41,581 --> 00:19:44,451 | |
I'll also get forensic team | |
in for prints and DNA. | |
295 | |
00:19:47,087 --> 00:19:49,756 | |
Hopefully we can match results | |
to what we found in Hungary. | |
296 | |
00:19:49,756 --> 00:19:52,058 | |
BIANCA: | |
And get Officer Kohver | |
in with the artist. | |
297 | |
00:19:52,058 --> 00:19:54,227 | |
See if we can get | |
a better likeness. | |
298 | |
00:19:55,929 --> 00:19:58,465 | |
Uh-- These please. | |
299 | |
00:19:58,465 --> 00:20:00,000 | |
And I'll get four of them nuts. | |
300 | |
00:20:00,000 --> 00:20:02,235 | |
And four of these | |
chocolate bars. | |
""" |