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`II8888888888888888 `888888888I8888888, |
II8888888888888888, Y88888888I8888888b, |
,II8888888888888888b `88888888I88888888b, |
II888888888888888P"I 88888888I8888888888, |
II888888888888P" ` Y8888888I88888888888b, |
,II888888888P" `8888888I8888888888888b, |
II888888888' 888888I8888888888888888b |
,II888888888 ,888888I88888888888888888 |
,d88888888888 d888888I8888888888ZZZZZZZ |
,ad888888888888I 8888888I8888ZZZZZZZZZZZZZ |
,d888888888888888' 888888IZZZZZZZZZZZZZZZZZZ |
,d888888888888P'8P' Y888ZZZZZZZZZZZZZZZZZZZZZ |
,8888888888888, " ,ZZZZZZZZZZZZZZZZZZZZZZZZ |
d888888888888888, ,ZZZZZZZZZZZZZZZZZZZZZZZZZZZ |
888888888888888888a, _ ,ZZZZZZZZZZZZZZZZZZZZ888888888 |
888888888888888888888ba,_d' ,ZZZZZZZZZZZZZZZZZ88888888888888 |
8888888888888888888888888888bbbaaa,,,______,ZZZZZZZZZZZZZZZ888888888888888888 |
88888888888888888888888888888888888888888ZZZZZZZZZZZZZZZ888888888888888888888 |
8888888888888888888888888888888888888888ZZZZZZZZZZZZZZ88888888888888888888888 |
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8888888888888888888888888888888888ZZZZZZZZZZZZZZ88888888888888888 Normand 88 |
88888888888888888888888888888888ZZZZZZZZZZZZZZ8888888888888888888 Veilleux 88 |
8888888888888888888888888888888ZZZZZZZZZZZZZZ88888888888888888888888888888888 |
I decided to consider this the final unshaded version. |
Now, the question remained: would it be worthwhile to add in the |
shading? I showed the unshaded version of the picture to a friend |
who is a graphic designer. It didn't take him long to mention |
shading as the next step. I showed him the first attempt |
(displayed above) and admitted that I had no idea how to improve |
it. He suggested using a printed copy of my unshaded picture and |
drawing the shading on it first, before attempting to draw it on |
the computer. |
Well, that almost discouraged me right there. Drawing simple stuff |
on paper was not a problem, but when it came to shading I didn't |
have a clue how it could be done. He helped by pointing out that |
I could start by drawing the outer edge of the faintest shading as |
though it were a regular object. I could then define another line |
that would represent the "middle ground" of the shading. He |
suggested not to use more than 2 or 3 different levels of shading. |
So off to the drawing board I went. |
I did not keep all the stages of the shading, but suffice to say |
that it took about twice as much time then all the rest of the |
picture. This was the final result of the shaded version: |
_______ |
_,,ad8888888888bba,_ |
,ad88888I888888888888888ba, |
,88888888I88888888888888888888a, |
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,II888888888 ,888888I88888888888888888 |
,d88888888888 d888888I8888888888ZZZZZZZ |
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,d888888888888888' 888888IZZZZZZZZZZZZZZZZZZ |
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,8888888888888, " ,ZZZZZZZZZZZZZZZZZZZZZZZZ |
d888888888888888, ,ZZZZZZZZZZZZZZZZZZZZZZZZZZZ |
888888888888888888a, _ ,ZZZZZZZZZZZZZZZZZZZZ888888888 |
888888888888888888888ba,_d' ,ZZZZZZZZZZZZZZZZZ88888888888888 |
8888888888888888888888888888bbbaaa,,,______,ZZZZZZZZZZZZZZZ888888888888888888 |
88888888888888888888888888888888888888888ZZZZZZZZZZZZZZZ888888888888888888888 |
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Subsets and Splits