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Short cut styles are gigantic in these times. We've search the best new short to medium haircuts to reveal for you. Short to medium hairstyles have exist the 'it' length to cut in this winter. These haircuts between the neck line and the jaw line, and mostly called "short to medium hair" is the one that the stars are all asking for, and we're sussing out the best 'dos to achieve the look. These style of hair is so modern, so new and actually nice, to go that long. Moreover, it's a perfect short style to come out of the ombre look. If you have short medium length hair or you are planning on cutting it at that length, then here is the great place to see which mid-length haircuts are recently in style. Check out this 20 Short Medium Hairstyles 2015 article and choose one of these best style for you. | {
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Nick Jonas Net Worth
Nick Jonas net worth, How did the singer and actor acquire his wealth? Check this article to find out more about Nick Jonas Net Worth, his career and relationship.
About Nick Jonas
Nick Jonas. – Hollywood Reporter
Nicholas Jerry Jonas is a singer, songwriter, and actor from Dallas, America. He began acting in theatre at the age of 7 and released his debut single in 2002.
Jonas started a band with his elder brothers, Joe, and Kevin, branded as the Jonas Brothers. The group made their first studio album It's About Time via the Columbia label in 2006.
As of 2019, Nick Jonas net worth is $25 million. Read on to find out more about Nick Jonas net worth.
Full Name: Nicholas Jerry Jonas
Profession: Professional Singer/Actor
Nick Jonas Early Life and Career
Nicholas Jerry Jonas was born on the 16th of September, 1992, in Dallas, Texas. Jonas is the son of Paul Kevin Jonas and Denise.
Jonas was raised in Wyckoff, New Jersey, with his two elder brothers, Joe and Kevin and little brother Frankie. He was home-schooled by his mother, a singer and former sign language teacher.
Jonas career took off by chance at 6 when he was spotted singing in a hair salon where his mother was having a haircut.
#HappinessBeginsTour
A post shared by Nick Jonas (@nickjonas) on Oct 10, 2019 at 8:38am PDT
He went on performing in other Broadway musicals like 'Annie Get Your Gun' (2001) and 'Beauty and the Beast' (2002) among others, mostly as replacement alternates.
In 2007, the Jonas Brothers released their single titled 'S.O.S' which brought them fame. It became a huge hit selling over 1.5 million copies in the US and making it to the top 20 hit on Billboard Hot 100.
In 2014, he published his second eponymous studio album titled 'Nick Jonas'. It made it to the top 10 in the US and hit the top 20 in the UK, Canada, and Mexico. A re-release of the album, 'Nick Jonas X2', with three new tracks and four remixes, was done on November 20, 2015.
One of the songs 'Close' a collaboration with Tove Lo, was released as the album's lead single. The project was a commercial success, reaching the top twenty of the Billboard Hot 100 and becoming his third top ten hit on the Mainstream Top 20 chart.
In 2017, he also made an appearance in the adventure film 'Jumanji: Welcome to the Jungle.'
As of 2019, Nick Jonas net worth is one of the highest among singers in the world, with a net worth of $25 million.
Nick Jonas Personal Life
Nick Jonas is best known as one-third of 'Jonas Brothers'. The band has sold more than 17 million albums worldwide earning huge fame and recognition. Today Jonas is a successful solo artist and his music has been sold all over the world. | {
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Easy yet elegant pork in a skillet makes a great weeknight meal.
Now that the school year is back on again, many busy families are looking for simple and easy meals to get together almost on the run with little time to spare. This week for Sunday Supper, easy skillet meals are the theme, and this simple skillet with quick cooking pork tenderloin and fruity pluot slices is definitely sure to please with a side of rice and a small salad.
It can often be a challenge to find something that is both flavorful and satisfying with little time to spare, but the pluot, which is a cross between an apricot and a plum, suits the pork perfectly as many fruits do. They are quite simple to cut slices from and add to the top of the skillet for the simmering time (when you can easily get your steamed rice and salad together). Kids love the natural sweetness of fruit as well, so it is sure to please everyone.
Trim pork and cut into medallions 1/2-inch thick' flatten each piece by half with a mallet and season w/ salt and black pepper.
Saute red onion with half the grated ginger in a tablespoon of oil in a large skillet. Add a couple splashes of apple cider to help them steam along and cook faster if you like, then remove from pan and set aside for a few minutes.
Add a little more oil to the skillet and brown the pork pies on both sides (I did this in two batches).
Place half the pork on the bottom of the skillet and top with the onions and then the rest of the pork.
Whisk together the cup of apple cider with the brown sugar, the berry vinegar, the mustard and the cornstarch.
Place the pluot slices on top of the pork and cover with the sauce mix.
Bring to a boil, then reduce heat to low, cover and simmer for thirty minutes.
Serve with steamed rice. Be careful with the pluots- I dished them up with a spoon since they get very tender (if you want to keep those nice looking until they are on the plate).
I love pairing fruit and pork – such a great combo. Pluots are an underappreciated fruit.
I like them- I admit I haven't seen a lot of recipes with them but maybe I've just been in the wrong places!
I love that this yummy, gourmet meal is all made in one skillet in short order!
I know that my family would be crazy about this meal. I can't wait to try it.
I liked it a lot. It's sort of like an American sweet and sour pork. | {
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HomeLatest NewsEnriching the future - Rossiyskaya Gazeta
Enriching the future – Rossiyskaya Gazeta
– The start-up of the new plant was a decisive factor in the worldwide increase in the production of enriched uranium, which made it possible to establish a strategic nuclear parity and guarantee the security of our country. Today, ECP provides stable and reliable production of enriched uranium for nuclear power needs, is active in the global market for stable and radioactive isotopes, and processes depleted uranium hexafluoride. High production rates and constantly growing demand for ECP products allow Zelenogorsk residents and staff to look to the future with confidence, says Alexei Likhachev, General Director of Rosatom State Corporation.
The decision was made to build a defense enterprise for the production of weapons-grade uranium in the Krasnoyarsk Territory, on the banks of the Kan River.
At the ECP, the first stage of gas diffusion machines for the production of uranium isotopes was put into operation. The launch date of the first stage of the chemical workshop is considered the birthday of the venture.
The first blocks of gas centrifuges were put into operation in the chemical cleaning workshop. ECP adopted one of the most innovative industrial technologies of the time.
The electrochemical plant reached its design capacity. By Decree of the Presidium of the Supreme Soviet of the USSR of September 15, 1970, the company's personnel were awarded the Order of the Red Banner of Labor for the success achieved in the development of new equipment and advanced technology. ECP IN director Bortnikov was awarded the title of Hero of Socialist Labor with the Order of Lenin and the gold Hammer and Sickle medal.
In the ECP, several tens of grams of iron 57 isotope were obtained with an enrichment of 80 percent. Centrifuge technology has been successfully applied to separate isotopes of other chemical elements (other than uranium). ECP was the first company in the world to introduce industrial cascades of gas centrifuges to obtain stable isotopes. In 1972, the first batch of iron isotope was shipped.
The production of highly enriched uranium for the manufacture of nuclear charges has been stopped. ECP's main product is low-enriched uranium, which is used to produce fuel elements for nuclear power plants.
The last gas diffusion units of the chemical workshop were shut down. Since then, ECP has been using only gas centrifugal isotope separation technology, recognized as the most advanced and economical method known in the industry.
The first uranium hexafluoride liquid phase transfer unit was commissioned. The overflow facilities themselves allowed the Electrochemical Plant to become a full-fledged participant in the world market for services for the separation of uranium isotopes.
The "W-ECP" plant was commissioned, the first plant in Russia and the third in the world to convert depleted uranium hexafluoride into uranium oxide, which is safer for long-term storage.
A cascade of gas centrifuges built on the basis of existing equipment was put into operation to produce a highly enriched uranium (HEU) product. This project enabled the production of fuel for fast neutron and research reactors.
A plant was commissioned to produce uranium oxide (UU) from enriched uranium product (EUP), a new marketable product for the company, one of the initial fuel components for fast neutron reactors.
At the ECP, a massive re-equipment of the main technological equipment with state-of-the-art gas centrifuges has begun. The commissioning of new equipment is being implemented as part of a program to modernize production facilities at the Fuel Division of the Rosatom State Corporation with a phased replacement of previous generation gas centrifuges until 2042.
Start of construction of the second "W2-ECP" plant, which will increase the volume of depleted uranium hexafluoride processing up to 20 thousand tons per year. The launch is planned for 2023.
Revenue from the sale of ECP isotope products for the first time exceeded 1.6 billion rubles. The inclusion of foreign income from the sale of isotopic products on the world market amounted to about US$18.5 million.
Putin signed a law extending state support for small bookstores until 2025 KXan 36 Daily News
Latest news on the situation in Ukraine on December 29, 2022: why Kyiv took up arms against Zhevago and when Zelensky dreams of ending the fighting
Sergey Lukyanenko: "The new book of Patrols will take into account current events in Ukraine"
The leader of the Little Big group, Ilya Prusikin, was recognized as a foreign agent KXan 36 Daily News
Kristen Stewart and Lindsay Lohan congratulate Rita Ora on her wedding in video for "You Only Love Me"
Armenter will continue to command Criteria for four more exercises | {
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The Big Idea: Derryl Murphy and William Shunn
Authors Derryl Murphy and William Shunn weren't necessarily looking to collaborate on a story. But then a chance encounter on the road set events into motion that would result in Cast a Cold Eye. I'll let the two of them take it from here.
DERRYL MURPHY and WILLIAM SHUNN:
Derryl Murphy:
My mind often wanders to thoughts of Story on long drives. A story I'm writing, a story I want to write, often a story I had no idea existed. The latter happens more often than is healthy, and in the middle of one eight-hour drive with my wife and two (now adult) sons I watched an old truck with a hand-painted sign approach, and as it zipped by I knew I had misread the sign but insisted Jo write down that misreading in my notebook: Spirit Photographer.
At the same time I was wrestling with a few disparate ideas circling the Spanish flu epidemic that had killed a great-grandfather. Perhaps I could tie them together when I got home.
Reader, I could not. I tried and tried, but wasn't happy with any of the outcomes. At one point I was sure this would be a short story, another time I worried I was looking at a novel. About ready to shelve it and move on to other things, I happened to read a story by Bill Shunn and thought, Gee, I wonder if he might have the key? And so I emailed him.
William Shunn:
When Derryl's email arrived, I was already working on too many projects at once, with too little time for them all – like usual. This was the summer of 2004, and I lived in Queens, New York. I had a novel and a handful of short stories going, not to mention another draft of my seemingly endless memoir project. Derryl is Canadian, but I had become acquainted with him online when he moved to Utah and started hanging out with some of my old writing group friends. I liked him and I admired his work, but jumping into a collaboration with anyone was not high on my list of priorities.
It wasn't just that I was so busy with my solo projects. I don't think I trusted the process of collaboration. I had only tried it once before, in the mid '90s, with a young writer who was on a hot streak and couldn't seem to not sell every story she wrote. Our collaboration sent her streak careening into a brick wall, and after just two rejections she swallowed some sleeping pills. She was fine – it was only six pills – but my desire ever to collaborate again had suffered a mortal blow.
Or so I thought. Despite myself, something about Derryl's pitch spoke to me: "It involves photography and spirituality, sorta, which might make for a nice blend between us." The pitch also involved Luke Bryant, a teenager whose parents were among the many who died in the Spanish flu epidemic, and Annabelle Tupper, a widowed "spirit photographer" who needs an apprentice for the duration of her stay in town.
With no idea what I was really signing up for, I said yes. Soon enough we were brainstorming over email, tossing ideas back and forth until we had a rough plot that we liked. Then Derryl sent me the first chunk of actual text – Luke hiding out in a cemetery where he can feel the statues watching him – and the hard part was underway.
It's a difficult thing, writing with someone else. Whether it's more difficult doing so long distance or if you're in the same room fighting over the keyboard, I don't know. But while it was a long haul – some four years – it did result in 24,000 words, as opposed to the five or six years it took to write a 5,100-word story with Peter Watts. (Points to the first person who can point out the odd thing Bill and Peter have in common.)
What did that four years get us? Well, I fully believe that Luke Bryant would not be the realized, pained, and desperate young man he became if it wasn't for Bill. I think working together resulted in a fine line between keeping things real and heavy-duty one-upmanship: we didn't mess things up for each other, even as we ramped things up more than either of us might have done on our own.
It also got us a damned spooky story. And a damned moving one.
From this remove, it's hard to remember who was responsible for which elements of Cast a Cold Eye. Certainly Derryl provided all the expertise in early photography, including the eerie detail of Annabelle's chemically blackened eye. The Nebraska setting was my contribution. Beyond that – the stern uncle and aunt, the gun in the truck, the ghostly buffalo – who can say? One thing I can say for sure, though, is that this slim book would not exist without both of us.
The Big Idea of Cast a Cold Eye, looked at one way, is of a boy plagued by ghosts who learns to see a brighter world – literally – through the lens of a camera. It's the story of a haunting, yes, but even more so it's a story about perception.
But looked at another way, it's a story about two people with their own ways of doing things learning to work together to create something neither one could have created alone. That's what Luke and Annabelle do in the book. I like to believe that's what Derryl and I did in learning to tell their story.
We were lucky enough to sell the story, a rejection or two before a fairly quick acceptance from PS Publishing in the UK, which resulted in a gorgeous little hardcover book, in a very limited signed and numbered edition and an only-slightly-less limited unsigned edition. When it was gone, it was gone. An apparition only a few people got to witness.
All these years later, we're happy we can finally share the story of Luke and Annabelle and the ghosts that haunt them with the wider world.
Cast a Cold Eye: Amazon|Barnes & Noble|Apple Books|Kobo
Read an excerpt. Visit Derryl Murphy's site and Twitter. Visit William Shunn's site and Twitter.
Sunset Clouds, 7/30/19
Thought you might like to see them. Have a good evening, folks.
The Big Idea: Christian McKay Heidicker
How scary is too scary? Or not scary enough? And does the calculus change when you're writing for a younger audience? These are the questions that Christian McKay Heidicker confronted when writing Scary Stories for Young Foxes. Don't be frightened: His answers await you below.
CHRISTIAN McKAY HEIDICKER:
When I started work on Scary Stories for Young Foxes, a middle-grade novel for ages eight to twelve, I had a tough decision ahead of me.
How scary should I make this thing?
The book is a retelling of classic horror tropes from the perspective of fox kits. Outside of some narratively necessary anthropomorphism (the foxes talk), I tried to make the story as scientifically accurate as possible. So, the zombies are rabies-infected foxes. The ghost is a white-furred predator that's camouflaged by snow. And the witch is a woman who taxidermies small critters in order to sketch them for her children's book. (This person was real, by the way. Her name was Beatrix Potter. Apologies if I just ruined your childhood.)
I had a vision and a formula. I just needed to decide how far to push the horror for my tender-aged readers.
Many fox kits don't survive their first winter. The world is filled with hawks and badgers and tractors and traps that will snuff out their innocent, adorable lives. If I was going to be honest, then young foxes were going to die in this book. This started a tug-of-war in my brain.
Animal deaths in fiction seem to be more difficult for us to cope with than human ones. A good author friend stopped watching Game of Thrones because "They keep killing the direwolves!" Another friend still gets teary-eyed when she talks about Hedwig. Save the Cat, the all-time bestselling book about screenwriting, encourages writers to always, ALWAYS rescue the pet. I was caught between being honest about nature and breaking one of the golden rules of storytelling. So, I started searching for a model for how to be honest about fox experiences without disturbing my young readers beyond reason.
Of course, animal deaths are prevalent in popular children's fiction: Where the Red Fern Grows, Black Stallion, Old Yeller, The Yearling. But these stories follow a specific formula: the death always comes at the end, and it teaches the reader a Big Lesson, be it about morality, responsibility, or even just introducing kids to the concept of death. But none of these stories qualify as horror. In order to deliver on the promise made by SSFYF's cover, I'd need to shiver my readers' whiskers from start to finish. I kept searching.
Fortunately for my book, anthropomorphized deaths seem to be less traumatizing than those of "real" animals, who have little to no agency. Charlotte from Charlotte's Web was aware of her own mortality, so her death felt more like grandma slipping off to sleep. Aslan from Narnia obviously has his own thing going. And the splatter-horror fest that is Watership Down is mercifully shelved in the adult section.
Disney movies weren't much help because they tend to exchange Big Lesson deaths for plot device. The Lion King and Bambi kill off parents early in the story so the main character can go on a great adventure. The best example I could find was in Pixar's Finding Nemo. In the opening scene, the mother fish and ninety-nine percent of her eggs are eaten by a barracuda. It isn't a lesson or a plot device but a bonding moment between father and son. Even though these are the last characters to die in the movie, the scene infinitely magnifies the threat of the deep, wide ocean our heroes about to get lost in.
Revisiting Finding Nemo emboldened me to make my book slightly scarier and to start poking at the literary norms. Why do we save animals in stories? Are we reasserting the obvious point that innocent creatures don't deserve to die? Are we trying to convince the audience that we aren't bad people and would never hurt a cat, not even a pretend one? Or are we just sweeping facts under the rug?
Considering that humans have developed into the type of creature that doesn't like to know where our food comes from, I'd vote on the latter. We aren't revolting against animal deaths in media for the animals' sake—it's for our own peace of mind. If anything, our ignorance of animal plights puts them in more danger. We only feel guilty drinking from plastic straws after seeing a YouTube video of one being bloodily extracted from a sea turtle. Most people I know tend not to finish these videos. I think this is because we've been trained to compartmentalize animal suffering from a young age. But I'm not convinced this does our kids any favors. As Neil Gaiman points out, ". . . if you are keeping people, young people, safe from the darkness . . . you are denying them tools or weapons that they might have needed and could have had." Scary stories can be healthy for kids. But where was my model for how to tell the scary story I wanted to tell? David Attenborough to the rescue.
Right as I started writing the book, my fiancée introduced the BBC series Planet Earth to her young daughters. Those of you who have seen the show know that it can be harrowing. In one memorable scene, a lone baby iguana scrambles to escape a swelling tide of hungry snakes. My soon-to-be-stepdaughters barely batted an eyelash. In fact, I don't think they blinked during the entire segment.
Was it scary? Absolutely. Did the girls pinch at their own elbows with worry for the poor baby iguana? You betcha. Did they whimper when some of the iguana's siblings were caught and devoured? Of course. But did they want to see how it ended? Minecraft itself couldn't have torn them away.
Most shockingly, the girls didn't even cry. They're four and six years old. They cry when I mess up the grilled cheese. But they accepted the iguana's horrifying reality with quiet stoicism. There seems to be something about nature that kids inherently understand. Prey has to die so the predator can eat. The rain stops, and there isn't enough water to go around. Humans tear down forests, leaving behind homeless orangutans. And there's no all-powerful author who read Save the Cat to write them out of it.
Of course, nature documentaries always end on a hopeful note. Life finds a way. There's no use in telling kids that the Earth is dying if you can't also tell them there's something we can do about it. You've gotta scrape a little char off that burnt grilled cheese.
After months of tweaking and balancing and adding a lick on the whiskered cheek for every gnash of teeth, I tried to make Scary Stories for Young Foxes land in what I call "Cozy Horror." So long as there's balance to the world . . . so long as life continues . . . things can get pretty scary. And instead of disturbing them to sleeplessness, I'm hoping my book will provide readers with tools to face the challenges ahead.
Scary Stories for Young Foxes: Amazon|Barnes & Noble|Indiebound|Powell's
Read an excerpt. Visit the author's site. Follow him on Twitter.
We Interrupt This Evening's Program to Bring You Cows
On my walks on my street these days, I pass by a dairy farm. Mostly the cows keep near the barn but yesterday they were down by the road, and they were very very interested in me as I walked by. I kind of wanted to pet them! But I suspect that would have been a bad idea. In any event: Look, cows. Thank you for your attention.
Last Night's Sunset
July 27, 2019 John Scalzi1 Comment
Because I forgot to post it last night. Not bad.
Also, I'm outta here for the weekend. See you on Monday.
Here's a nice healthy stack of new books and ARCs to head into the weekend with — what here is catching your eye? Tell us all in the comments!
My Dublin 2019 Schedule
July 26, 2019 July 26, 2019 John Scalzi7 Comments
As many of you already know, I will be attending the Dublin 2019 Worldcon, where I will hang out with friends, maybe watch some of them win Hugos, and — oh! By the way! — do a few events as well. Here's my schedule at the convention.
15 Aug 2019, Thursday 14:00 – 14:50, Level 3 Foyer (KK/LB) (CCD)
Kaffeeklatsch: John Scalzi
A Kaffeeklatsch is basically when I sit around a table with, like, ten or so fans, and they ask me questions and I answer them. As I understand it, the Kaffeeklatsch sign-ups are first come, first serve, so if this is something you'd like to do, get to the convention early and have your pen ready.
16 Aug 2019, Friday 12:30 – 13:20, Mezzanine – Signing space (Point Square Dublin)
Autographs: John Scalzi
I'll be signing books, and occasionally other things, because sometimes people bring other things.
17 Aug 2019, Saturday 15:00 – 15:50, Liffey Hall-2 (CCD)
GoH talk: a fireside chat with Diane Duane
"John Scalzi sits down to talk with Diane Duane about the ups and downs of a life given over to SFF and genre TV and film. Other topics: crossing the streams of fandom and prodom, the cohabitation of art and married life, the intersection of writing and quirky food habits, and possibly the dead rising from the grave, human sacrifice, and dogs and cats living together… Actually, maybe the cats more than the dogs. In fact, a whole lot more."
(Diane is one of the Guests of Honor for the convention, and I'm thrilled that they asked me to talk to her. This conversation will go all over the place, that's pretty much a guarantee.)
17 Aug 2019, Saturday 22:00 – 01:00, Wicklow Hall 2A (Dances) (CCD)
John Scalzi's 'Dance Across the Decades'
"Put on your dancing shoes and bring all your friends as award-winning DJ (and occasional author) John Scalzi plays the most danceable tunes from the '70s, '80s and '90s to today. From the Bee Gees to Bowie to Beyonce and beyond – all the best beats to move your feet. Let's dance!"
(Yes, I'm DJing another dance. My philosophy for dance parties is basically "all the big hits that everyone knows so the dance floor stays full." It'll be fun. Bring yourself! Bring your friends!)
18 Aug 2019, Sunday 12:00 – 12:50, Liffey Room-3 (Readings) (CCD)
Reading: John Scalzi
At this reading I'll be debuting two new things: The prologue chapter of The Last Emperox, and a new, humorous piece from A Very Scalzi Christmas. This will be the first time these things have been read in public anywhere, so you won't want to miss this. And if there's time left over, I'll do a Q&A. Because I know you have questions. Heck, I have questions.
And that's what I'm doing. See you there.
A Couple of Bits on Hugo Award Proposals and Attempted Wikipedia Deletions
Because I'm thinking about them and might as well get them out now before I focus on nothing else besides novel writing:
* Over at File 770, and on the subject of the Hugo Awards, they're talking about a proposal that will come up at the WSFS Business Meeting at the Dublin Worldcon, to roll back one of the two measures implemented to blunt slating actions in the wake of the Sad/Rabid Puppies nonsense; namely, to drop the "5/6" change, which allows people to nominate five people/works in any Hugo category, and to have six slots on the final ballot. If passed, the change would have the Hugos go back to a "5/5" setting, i.e., you can nominate five people/things, and there would be five finalists. Note the "5/6" change is scheduled to sunset in 2022 in any event; that was part of the deal when it was passed.
My thought on this matter is that inasmuch as it's going to sunset in a couple of years anyway, there's not exactly a pressing need to get rid of it early. The proposal notes that having fewer finalists makes administration of the awards easier, and while I would certainly agree, for example, that having up to 25 (or so) fewer finalists show up at the the pre-awards ceremony would save costs on nibbles, I'm not sure that's a great argument. Likewise the argument that having six things to read/experience in each category is harder on the voters; I mean, come on, these are Hugo voters we're talking about here. You don't really have to force them to read much of anything, especially these days when the Hugo Voters Packet is a thing.
Finally there's an argument that having six finalists diminishes the cachet of being a Hugo finalist. Well, I've been a Hugo finalist under 5/5 and also under 5/6, and I gotta tell you I didn't really notice a diminishment of cachet. I think I would have noticed. Certainly there's not been a diminishment in overall quality of the finalist work, as the last couple of years in particular have yielded very strong work across the board.
Looking at who is backing the change, it's mostly Worldcon/Hugo administrators and other SMOFs saying "we think 5/6 is more work, and we don't wanna." Which I entirely sympathize with — I hate extra work myself! — but that extra work was put in to mitigate damage done by slating. I think after the multi-year adventure we had with that silly bullshit, it's precipitate to roll back changes implemented to stabilize and to restore confidence in the Hugo Awards. Again, 5/6 is going to sunset in 2022 anyway, so the folks proposing this change are going to get their way in a couple of years regardless. In the meantime, it's fine to let 5/6 continue to do the job it was designed to do, and, as far as I can see, is doing pretty well.
* Speaking of Sad Puppy bullshit, over at Wikipedia, there's been a push to delete the articles devoted authors Michael Z. Williamson and Sarah Hoyt, on the grounds that neither of them is notable enough to warrant a Wikipedia article. The Puppy Rump (i.e., what's left of that particular movement, dissolute as it is at the moment) is spinning around in tight, angry circles about this, and Williamson in particular seems to have completely lost his shit about it over on this blog (which I won't link to because some time ago Mr. Williamson told me he never wanted to have any interaction with me ever again, for reasons, which, you know, fine, I can respect the boundaries he wishes to set, which I take to mean he wouldn't appreciate a link over to his site from here).
You might think that I, who was the target of much Sad Puppy whining and mewling, would be sitting here happily munching on popcorn while this bit of Wikidrama unfolds. But in fact I think the deletion attempt is a problem. Neither Williamson nor Hoyt are exactly on my Christmas card list at the moment, but you know what? Both of them are solid genre writers who for years have been putting out work through a major genre publisher, and who are both actively publishing today. They are genuinely of note in the field of science fiction and fantasy. One may think their politics, in and out of the genre, are revanchist as all fuck, or that their tenure and association with the Puppy bullshit didn't do them any favors, or that one just doesn't care for them on a day-to-day basis for whatever reason. But none of that is here or there regarding whether, on the basis of their genre output, they are notable enough to be the subject of a damn Wikipedia article. They are! Wikipedia notability is kind of a middlin'-height bar, and they get themselves over it pretty well.
Or to flip it around, if neither Williamson nor Hoyt is notable enough for inclusion in Wikipedia, there's gonna be some bloodletting in the site's category of science fiction and fantasy writers, because there are a fair number of Wikipedia-article-bearing genre authors who are no more notable than Hoyt or Williamson. If they go, there are legitimately many others on the chopping block as well.
Looking at the disposition of this particular set of nonsense, it does seem like Williamson and Hoyt were targeted for deletion on the basis of their politics and/or association with the Puppy bullshit, and this is, well, silly. Wikipedia isn't the place to settle this particular set of scores, and honestly, at this point there shouldn't be any further scores to settle on that incident. The Puppy movement failed badly, exposed most of the people participating in it to shame and ridicule, and it appears to have damaged the careers of several of the participants (note: they will disagree on all these points, but then they would, wouldn't they). The Puppies have already punched themselves in the face quite enough. Going after them via Wikipedia after all this time, aside from the site being the wrong place for it, just seems like poor form.
So, yeah: Keep Williamson and Hoyt on Wikipedia. They did the work to be there.
My 300 Mile Lyft Ride From Chicago to Bradford
July 23, 2019 July 23, 2019 John Scalzi87 Comments
I mentioned this on Twitter yesterday:
My car reservation was cancelled. There are no one way rentals in Chicago for love our money. My rescheduled flight doesn't get me home until tomorrow. So, fuck it, I'm taking a Lyft home.
— John Scalzi (@scalzi) July 22, 2019
Here's the full story on it.
Yesterday I flew home from Spain, where I'd spent a week at the Celsius 232 festival in Aviles. It was a lovely time, and the first two legs of the flight — Asturias to Madrid, Madrid to Chicago — went fine. But when I got to Chicago, my flight to Dayton kept getting delayed. After the third delay I should have just tried to rent a car, but I decided to stick it out. For my pains my flight was cancelled at 8:30 and my rescheduled flight wouldn't be until 10pm the next day, meaning that I wouldn't get home until after midnight on Tuesday (i.e., today). It's ridiculous that the leg from Chicago to Dayton would take almost three times longer than the leg from Madrid to Chicago; I decided to rent that car after all.
And found that there was no car rental service in Chicago that would give me a one-way rental to Dayton. That was in itself unusual; I've done the one-way rental before when I was stuck in Chicago, and it's normally not really a problem. But this Sunday it was. I checked the O'Hare car rental services: None. I expanded my search outside O'Hare to other rental locations in Chicago: The locations were either closed or didn't have one-way rentals.
Finally I went on the American Express site to see if I could rent a car one-way through there. And I could! Literally, there was one car available in all of Chicago, through Hertz. It wouldn't be available until 7am the next day, but that would still get me home earlier than the flight, and I was going to have to get a hotel room anyway, so fine. I rented it and when I did, I noticed that the pickup was at someplace called Signature Flight Services, not the usual Hertz location. So I called Hertz, gave them my confirmation number, and confirmed with the person on the other end — several times! — that indeed I was meant to go to Signature Flight Services, not the Hertz location at O'Hare. The person on the other end said "yes" each time, so, fine.
The next morning I was at Signature Flight Services bright and early at 7am. At 7:07 I called Hertz and asked where my car was. They said I would have to call the O'Hare Hertz location directly and ask what the deal was, and gave me the number. I called the number, only to discover that if you don't have the extension number of the specific person you want to reach, you can't actually call the O'Hare Hertz location directly. So I called the reservation line and pointed out the problem of not having an extension. They said I would have to call the O'Hare Hertz and talk to them about that.
The next bit of dialogue is paraphrased but essentially true to the conversation that followed.
"So, you understand the part where I said that without a specific extension, I can't actually reach anyone at the O'Hare Hertz, correct?" I asked.
"We don't have any extensions to give you," the Hertz person said. "You'll have to call the local number."
"So your solution to me not being able to reach anyone at the O'Hare Hertz because I don't have a specific extension is to give me the number that if I call I can't use to reach anyone, because I don't have an extension to call."
"It's the only number we have in our system," the Hertz representative said, sensing my irritation.
"Look, I'm not angry with you," I said. "But I want you to acknowledge that the way you're telling me to deal with the problem of a number I can't use is just to give me that number again."
"… yes."
At which point I hung up and the very nice people at Signature Flight Services let me take their shuttle over to the actual O'Hare car rental building, where I could to talk to the real live local Hertz people about my rental, and why it wasn't where it was supposed to be, and if, since I was now there, in front of them, they would give it to me so I could be on my way.
Turns out, they wouldn't give it to me.
And here is why: Apparently, Signature Flight Services is part of the area where charter flights go through O'Hare. If I had flown in through the graces of a charter flight, then Hertz would have happily given me the one-way car rental. But since I flew into O'Hare on a commercial flight, like a common schmuck, Hertz wouldn't give me the car, even though they clearly had it to give. Basically, I wasn't rich enough to rent the car Hertz had allowed me to reserve, so they weren't going to let me have it. Which, I don't know. Seems like a real dick move on Hertz's part, and doesn't incline me to use them ever again for anything. The dude at the reservation counter seemed to think so too — he checked to see if anything else was available, but otherwise there was nothing he could do. I was out of a car.
And once again, no one else in Chicago — the entire city, as far as I could tell — had a one way rental available. Which seemed ridiculous. It's the third largest city in the United States. You would think it would be possible. But clearly not.
At this point, because I was frustrated and mostly to grimly amuse myself, I clicked on the Lyft app on my phone and entered my home address to see how much it would cost to take one to from O'Hare to my doorstep, a journey with a grand total of 301 miles.
Turns out it would cost about $330. Which, as it happens, was only a little bit more than what it would have cost for that one-way rental that Hertz wasn't going to give me even though they had the car.
I considered about it for a minute, and then thought, why the hell not, and scheduled the ride. The worst case scenario in this situation is that no one would take the fare, and I would be no worse off than I already was. After a few seconds, I was matched with a car, and I went out to meet the driver.
I had a suspicion that the app might not tell the driver exactly where I was going, so when the driver — Victor — pulled up, I double-checked with him.
"I want to be absolutely clear what you're getting into," I told him. "I'm asking you to drive me to Ohio."
"The state?" he asked.
He thought about it for a second, consulted his own Lyft app (which hadn't, in fact, told him the destination, just that it was more than 30 minutes away), and then looked back to me, and sort of shrugged. "I like long trips. This could be fun." Then he popped the trunk for my luggage.
And you know what? It was fun. Victor, in addition to being a Lyft driver, had been a news editor back in his native country, so he and I talked about writing and history and travel and other subjects, listened to music and otherwise had a pretty enjoyable time over the roughly five hours it took to get me home. When I got home I tipped him hugely, gave him one of my books (The Collapsing Empire) and signed it for him, and otherwise thanked him for getting me home, and doing it in such a pleasant fashion.
Update: Made it home! Meet Victor, the @lyft driver who agreed to take me across three states and 200+ miles. Along the way we talked about European history, rocked out to hair bands, and otherwise had a delightful time. Best carshare ever. pic.twitter.com/3soFdfGlSB
And then I collapsed, because fuck, it had been a long couple of days trying to get home. It's ridiculous that the longest and most exhausting part of a transatlantic journey was the last three hundred miles, on US soil, but of course it was, why wouldn't it be. This all confirms my opinion that O'Hare is possibly the worst of all major US airports, and it's certainly given me the opinion that Hertz should be my last possible option when getting anywhere. On the flip side, I feel more positively about Lyft. I generally use standard cabs when I can, but Lyft is my backup when it's not feasible. They and Victor came through for me yesterday, and with flying colors. I appreciate it immensely.
In the post-trip Twitter discussion, there was some observation that my decision to take a Lyft all the way home was something not everyone could do, or would feel safe doing. And I can't argue that. Being able to spend a few hundred dollars to get home via a Lyft simply because one doesn't want to wait for a rescheduled flight is not something that everyone gets to do. Neither is being able to do it without having to consider whether it's safe to be in some stranger's car for five hours, and who will travel three hundred miles with you to drop you off at your house. It's all true. Welcome to my privilege! I acknowledge it. And also, my privilege in this case would have meant nothing if I hadn't been fortuitously paired with a driver who thought something like this would be an adventure, rather than just a pain in his ass. I am lucky all the way around this time.
But inasmuch as I am lucky in these respects, I now have a pretty great story of how I took a three-hundred-mile, five-hour Lyft ride because the thought of being stranded at O'Hare one more minute than I really had to be was too much to bear. And since it was part of a business trip (I was at a book festival in Spain, after all!), it's even tax-deductible. As far as ridiculous travel stories go, this ended up as a best case scenario.
And, of course, best of all: I got to go home. I missed it and everyone there. It was good to be back, however I got there.
The Big Idea: Jeffrey A. Carver
For his Big Idea for The Reefs of Time, the first of his Out of Time series, Jeffrey A. Carver talks about structure — of his story, the universe, and other important things.
JEFFREY A. CARVER:
Big ideas are the meat and potatoes of classical science fiction, but sometimes they collide with one another like bowling balls on a pool table. In The Chaos Chronicles, I have played with some pretty cool cosmic ideas: sentient suns and sentient singularities, supernovas and hypernovas started (or stopped) by the likes of humans and their alien friends, the starstream (a cosmic superhighway for star travel), an enormous Shipworld at the edge of the galaxy serving as refuge for species who have lost their home planets… and in my new book, time travel a billion years into the past, via quantum entanglement. I love this sort of thing! They are part of the driving energy of these books.
But long before I rolled any of that into this story, I had a big idea of a very different sort—a grand scheme for how I was going to structure the books. It was very new for me: I was going to make the books small. Short. Quick. Snappy. Entangled with each other, though not necessarily in a quantum sense.
I tend to create long stories—my mind just works that way—maybe not Game of Thrones long, but long enough that I'd completed a number of my books with enormous exhaustion, as well as satisfaction. Unfortunately, I'm also a slow writer. I had to rethink my approach.
Thus was born my crucial idea: Write that long story that's percolating in your head—you're going to, anyway—but do it in a string of short, connected-but-self-contained novels. That way you can keep the books coming, but still write long. (I can just hear you muttering, "Say, isn't that what most people call writing a series?" Well, yes, that's obvious now. But then, to me, it was a revelation.)
At first, I stuck to the plan. Neptune Crossing was suitably short, and pretty snappy. The books that followed were… not exactly short, but not long, really. And then I took a break to write in a different universe, and Eternity's End was… the longest book I'd ever written. Uh-oh. By the time I came back to The Chaos Chronicles, my "big idea"—short, quick, snappy—lay in little bitty pieces. Smashed by the bowling balls of my other ideas. Sunborn took seven years. The Reefs of Time took eleven. A lot of people thought I'd quit writing, or died! When it was finished, it was so complex I had to break it into two volumes, though it was still one novel.
So much for my structural "big idea." But I still had the cosmic gems I mentioned earlier. And they were a big part of why it took so long to write the blasted books.
When you set a story around sentient stars and supernovas and time-entanglement, there's a central challenge: How do you wrap your people around such things? Part of it is a plotting problem. How do you make the ephemerals and the near-eternals intersect? But more than that, how do you create relationships? The stories I like to read are all about relationships. The cold universe might not care about us, but good stories aren't just about cold, unfeeling things (or even "cold equations"). Stories are about people clashing and loving and hating and killing and rescuing and winning and losing and finding redemption. And by people, I mean everyone sentient, regardless of species, planet, number of dimensions occupied, or organic status.
I wasn't sure how to do that. I'm a pretty intuitive writer, meaning I often don't know what I'm writing until I've written it. Oh, I try to plan, but my way forward can be (with a nod to E.L. Doctorow) like driving in the fog at night with one headlight out. There's a lot of faith involved. Faith that I'll find the way. Fear that I won't. Wrong turns. Bridges out. Lucky breaks. That's how I felt as I threw my people together with cosmic entities.
So you want a character to somehow have a relationship with, maybe even a friendship with, say, a sentient star who lives on a scale so unthinkably different that the human is a mayfly by comparison? In this case (I eventually realized), it is helpful to have a third party who has a special facility for manipulating time. Time fusion. You can't maintain it for long, but maybe for a brief interaction, the human and the star can connect. Share thoughts. Share feelings. Share joys and pain.
Or, as in Reefs, where the mental and emotional journey backward in time (through something called a ghoststream) is just as important as what you find when you arrive in deep time. I wanted to warn the characters: It's crucial to notice little things you feel along the way. There might be something alive there, something that matters to you, even if you don't know it yet. Also, that quantum thread of space-time you're moving along is fuzzy, as quantum things tend to be. Think of it as yarn, not thread. The edges are uncertain. You might need to make use of that uncertainty to find your way home. You might need the help of unexpected others to find your way home. (I, the author, certainly needed the help of others—for example, my initial readers—to find my way home.)
But for all this, I think the biggest challenge remains the question (or questions) wordlessly posed: Who am I? What am I doing here? What will I do when confronted by, not just the problems I was expecting, but the hard edge of the infinite?
These are questions John Bandicut confronts—again and again, as his story unfolds and one crisis after another looms in his path. Will there be any rest for this man? Any salvation or redemption?
It's not just John. Everyone who comes into his life, from the noncorporeal alien Charli, to the inscrutable Ik (whose homeworld was destroyed), to the two women he loves (Julie, a human; and Antares, an alien)—each one ends up facing similar questions. Why me? Can't someone else save the world this time? Can I please rest?
Because you're here, no, and not yet. And don't expect to be thanked.
Battered by the winds of destiny, by the forces of chaos, by malice, or even just by ignorance, they have to find a way. It all seems terribly unfair. Who could be expected to rise to the job of (take your pick): preventing a comet from devastating the Earth, stopping a deadly AI from destroying a "Shipworld" vaster than the Earth, redirecting a rogue intelligent stardrive, or stopping a hypernova being engineered by a malicious intelligence? And yet, somehow, they find a way. Because they must.
If the lives of others depend on you, you must change, grow, adapt. Find a way. Because if there's redemption to be found in this world, maybe that need is the first place to look.
The Reefs of Time: Amazon|Barnes & Noble|Kobo|Book View Cafe
Read an excerpt. Visit the author's site. Follow him on Facebook.
Taking Pictures of the Moon
Whenever I take pictures of the moon, I get asked how I did it and what equipment I use. So I wrote a piece about that in the current issue of the fanzine Journey Planet, which is focused on the moon and (also) the moon landing of Apollo XI, which took place 50 years ago today. Yes, I was alive for it, although just barely. The article I wrote also contains several photos of the moon I took, so there are pictures to go with the lecture.
Enjoy, and happy Apollo XI Day.
The Big Idea: Heather Webber
As a well-known pie enthusiast, I believe pretty much all pie is magic. But in Midnight at the Blackbird Café, author Heather Webber takes the "pie is magic" concept even further than that — and in the process opens doors to questions far beyond what might be in the pie filling.
HEATHER WEBBER:
Have you ever mourned someone you loved deeply?
After that person passed away, did you ever dream of them? A dream so real it was like they were still alive?
I have. And it's those dreams that are driving force behind my new novel, Midnight at the Blackbird Café, where a magical piece of pie can bring a visit from a dearly departed loved one through a dream. Yes, pie. Blackbird* pie, specifically.
You see, this book was inspired by the Beatles' "Blackbird." After hearing the song for the first time, I was captivated with the concept of broken wings and how emotional wounds can keep many from being able to metaphorically fly. And if blackbirds could, what would they sing to us in the dead of the night? What do we most want to hear? Blackbird research led me quickly to the Song of Sixpence with its "four and twenty blackbirds baked in a pie," and then a tidbit in Celtic folklore revealed that blackbirds were considered guardians and messengers of the "Other world." With that, the heart of this book took form. What if blackbirds with their songs could pass messages from dearly departed loved ones through, of all things, pie, to bring comfort and love to those left behind?
Yet, writing about death and its aftermath can be challenging, because everyone has different ways of grieving…and healing. As I wrote, it was a struggle at first to see past my desire have these special dreams heal every broken heart right from the outset. (It is a heartwarming, feel-good book, after all…and I'm a sap.) But I knew it was just as important to explore grief, and its various stages, through my characters' eyes. A piece of pie wasn't going to fix everybody, and the downside to these dreams had to be shown as well.
One of my main characters is a young widow searching for answers to the mysterious circumstances surrounding her husband's death. She believes a visit from him in a dream will bring the closure she needs to move on. But will it? What is closure, exactly?
Another character eats a piece of pie to keep a connection to his wife, who passed on nearly ten years before. Yet is keeping that connection holding him back from living? Doesn't learning to fly mean letting go?
Believing that loved ones who have passed on are still around in some way is not a new concept. Cardinals, butterflies, pennies, rainbows, feathers—and dreams—are often thought to be signs that heavenly loved ones are near. Are these signs wishful thinking? A coping mechanism? Maybe. Maybe not. If the sign brings a measure of peace and comfort…does it truly matter?
Like the characters in Midnight I want to believe that there might be more to life—and death—than anyone dreams possible. I'd eat a piece of that blackbird pie every chance I could get. Would you?
*Disclaimer: no birds were harmed in the creation of this book—the pies are made with fruit.
Midnight At the Blackbird Café: Amazon|Barnes & Noble|Indiebound|Snail On The Wall
Read an excerpt. Visit the author's website. Follow her on Twitter, Instagram or Facebook.
Greetings From Aviles
It's pretty here, and also, I wrote a chapter this morning, so it's also apparently conducive to getting work done, so that's nice too. How are you?
View From a Hotel Window, 7/16/19: Aviles, Spain
Here I am in Aviles, Spain. It's very pretty here. Also, I've been up for 24 hours, so I am very tired. I'm going to have a nap now.
The Big Idea: Amal El-Mohtar and Max Gladstone
In today's Big Idea, Amal El-Mohtar and Max Gladstone are feeling epistolary, which, considering the letter-writing format of their collaborative novella This is How You Lose the Time War, is entirely appropriate.
AMAL EL-MOHTAR and MAX GLADSTONE:
Dearest Max,
I write to you from the past—knowing you're presently asleep while I'm awake, three hours' worth of time zone between us—to talk about ideas. It's tricky to know where to begin; when the most succinct description we can manage of our book clocks in at "epistolary spy vs. spy novella across time and space," the ideas crowd and clutter.
But I think it all ultimately begins and ends with us. The two of us, becoming friends, and writing each other letters.
Do you remember when we first decided to write something together? I know the fact of it, but I don't remember the hour, the words—only that we loved each other's work, wanted to work together, wanted to set a sensible boundary of how and when and for how long to work together. A novella, not a novel or short story; something epistolary, to give our voices space to harmonize in their difference. I remember the plan, scribbled on a paper on the coffee table in my parents' house, and the season, a cold snowy spring—but I wish I could remember, rather than invent, the moment in which one of us suggested it.
But I do remember the refrain we developed once we'd secured the time and space for a writing retreat at which to work. We spoke of
"The novella
that we will write
in [mysterious benefactor]'s house."
We used it as punctuation, as shorthand, and we made jokes of it. Dolphins will speak! The stars will throw down their spears and water heaven with their tears! Because of
We always structured it as hyperbole and line breaks. Ludicrously grand and specific claims capped with a bob and wheel, a promise, a spell. And look, look at this magic we made between us—our book is real, is soaring on red and blue wings, and my heart is a bird on a spit in my chest, as the prophets say.
So that's how I see it, anyway—our Big Idea was that we wanted to write together. We wanted to find a methodology for blending our styles, for working together
on a novella
that we would write
in [Mysterious Benefactor]'s house
but that's only the half of it, I think. I'm holding my memory up to the light, but I so badly want to see yours, what colours your own memory will cast against this page. What do you remember, Max? What's the core of this, for you?
Dearest Amal,
It's your future as I'm writing this—you still have a few hours of morning left. Enjoy them! Learn from my mistakes! Unfortunately the only mistakes I'm aware of so far today are, as follows: 1. didn't have protein with breakfast, so I'm peckish now that it's lunchtime, and 2. spent time on Twitter chatting about queer subtext (not to mention text) in the Great Gatsby. AND I ALONE AM ESCAPED TO TELL THEE!
So, in sum, it's been okay over here, at least insofar as things-I-can-control are concerned. Wish I had more Future Wisdom to impart! Most of the things I'm discovering right now on a day to day basis have to do with child care, and most of them boil down to the fact that hardly anyone knows hardly anything, and that it's a wonder and a miracle any of us is alive at all.
But to your question, about memories: I actually remember the initial conversation! I could find the date without much trouble, but since we intend this particular correspondence for outside observers I'm chary of letting others that close to the marrow of the thing. Suffice to say I was on my way home from a long, long tour, a bunch of authors in a single car, and I'd hit New York City dog tired and careworn.
New York is a great city to wash up in. You vanish like a grain of salt into a water glass. I was feeling that weird dry kind of lonesome you get when you've been around people too long and all of a sudden they're gone—you're worn out and hungry to be alone, but when you are, you feel like you've done something wrong. That one day, everyone I knew in the city was busy, or so far away it didn't make sense for them to come. So I found an Italian restaurant near the Flatiron that had a restaurant week special, sat by myself at the bar, and opened up a folder of your stories to read.
We'd been corresponding for a while by this point, longhand, extremely low-tech. (It still feels weird to write you email! Or to text, even, after such a long entirely paper-based correspondence.) Naturally I'd read your criticism and I'd read The Green Book, but I hadn't read your other stories; I'm honestly not sure why. I'd been writing you from the tour, but, of course, travel being what it is, I couldn't get any letters back. I remember struggling to post them, hoping the counter attendants at the tiny B&Bs with their breakfast room TVs showing bad politics would remember to drop them in the mailbox. Anyway—I was starved for replies by this point, and I had a folder of your stories—so there at the bar, I read them all, one after another. Your friend's story is not entirely your friend—but you can feel them in it, and also there's a pure self betrayed in the telling of a good story. You learn what someone cares about by learning what they love, or hate, enough to write down.
By the end of the night I was drunk on those stories. They were different from my work—but they were so full, and so finished. I could also see how they meshed, sort of sideways, with my own concerns & projects. Basically I was overcome with a desire to just get out the instruments and jam, high school garage band style. Surely, if we could do something together, the spheres would revolve into harmony, dolphins would speak, all that's mean and evil in the world would suffer revelation and weep for the harm it caused, and all forms of life would enter into a great colloquy.
I guess there's a lot of Bill and Ted in that vision, which is appropriate, given what came later.
So, basically: that one night on the walk back to the hotel I grabbed my phone and texted you how we had to write something together. And you said yes! And that's where it started.
But of course it started further back, didn't it? With letters. Do you want to talk about the letters?
I'm so grateful for your memory. It's aligned the tumblers in my own mind's lock, and the hour and my surroundings spilled out: I remember that conversation, when you read my stories, so clearly! I was standing in my sister's kitchen, probably staying over—I was especially nomadic that year—when you texted, and I remember glowing more and more brightly, feeling unspeakably happy to be seen.
Which is also my memory of writing letters.
There is, in letter-writing, a tender and terrible vulnerability. To write a letter is to commit one's naked self to the page, to send it into the future with no more protection than paper and wax, and to place that self in the hands of a person you're inventing, a person who may or may not actually exist. One can, of course, write at several layers of remove—party invitations, thank you notes, the equivalent of a friendly nod in letter and ink—but cards are not correspondence; that friendly nod is not a tête-à-tête. To write a letter, longhand over pages, is to delve inevitably into one's own thoughts, to reach for things we don't know we feel until we've dredged up the words for them, and in so doing make a single person's future self privy to the unbearable intimacy of our present.
"How I love to have no armor here," writes Red to Blue, as their own correspondence deepens.
I remember that when we started writing to each other, I used whatever I had to hand—sheets of harsh white paper stolen from the printer, jammed into white #10 envelopes, scribbled on with whatever pen was nearest me. The content, I figured, was what was important—but then you started writing back on gorgeous creamy G. Lalo paper, so I got the same brand to match, and I introduced you to sealing wax, and suddenly it felt like our correspondence was robed in sensory magic, easily distinguished at a glance from the press of bank statements and circulars. We'd committed to physicality, to slowness, to something that couldn't be approximated in email, no matter how swift and effusive the clack of keys beneath our fingers. We'd committed to time travel—and didn't those letters have a knack of arriving just when we needed them? When the weight of the world pressed against our lungs, and those golden envelopes stamped in colour arrived bearing a space in which to breathe?
Your letter, this one, found me at my gate in the San Francisco airport, minutes before boarding a flight to Seattle, and closed a circle years in the making. Because all this began with you on tour writing to me—and here I am, on a tour launched by the book we wrote together, a book we wrote because we'd written letters to each other, writing you a letter about our book.
It feels fully as magical, to me, as finding words in the rings of a thousand year old tree, or the swirl of tea leaves in a porcelain cup.
Tea leaves, tree rings, and wax seals—when we started writing letters I was surprised by how dangerous the whole project felt.
Even to me that sounds a little weird. After all, what could be more normal than dropping a letter in the mail?
Maybe it was the fact that we both spent a lot of time on the internet and at conventions, participating in Public Discourse in front of the whole world. There's so much thought in public these days—and so much of that public thought is tactical, designed to accomplish a specific effect, whether that's gathering a following or even wasting someone else's time. Lots of good comes from that public conversation, but it's all so omnivoracious. Twitter wants your every idle thought.
By contrast, writing letters felt like staking out our own territory—a small paper space between the two of us, unscanned, unhindered. The letters were so fragile! Walking to the mailbox in a blizzard I'd find myself thinking how easy they would be to destroy. Dropping one in a puddle would do it. And yet—how many thoughts have I dashed off in seconds and sent whirling off into the void, barely remarked upon except, of course, by a vast silent intelligence that records all I say and do, and uses it to build shareholder value? In a sense those words will last forever—they'll last as long as capital sees value in unstructured human generated text, anyway—but in a more real sense they've been ripped from me altogether. While letters only last as long as paper.
Then again, some paper has lasted longer than capitalism. And, as the man says: manuscripts don't burn.
The phrase hadn't yet entered the public consciousness back then, but in a real sense writing letters felt like we were both fighting to reclaim our time. We were carving a few hours a week out to impose some order on our own lives, and offer that to a friend. And I think there's a bit of that rebellion come through in the book, too—a quest for silence and slow time in a world where all that's solid melts into air.
And now we've made a book. We've written the novella we would write at [the mysterious benefactor]'s house. Sending it off to readers feels a bit scary—part of the reason this was such a hard project to title was that for most of its life we referred to it either by the file name, or simply as
we would write
In [the mysterious benefactor]'s house.
It's scary to think of those words out there as a product! But if a book is a commodity of a sort it's a kind of letter, too, sent out in a bottle on the waves in search of a reader. Fragile ink on fragile paper, or ephemeral strings of ones and zeroes, here one minute and gone the next, leaving marks in dreams. Now it's out there in the world. And we'll have to see what it does there—what further moves it inspires in this great weird Time War we're all, always, fighting to win. Or to lose.
This is How You Lose the Time War: Amazon|Barnes & Noble|Indiebound|Powell's
Read an excerpt. Visit Amal El-Mohtar's site and Twitter. Visit Max Gladstone's site and Twitter.
Off to Spain
Where I am a guest of the Celsius 232 Festival. I expect to be mostly busy with that for the next week, but may post a few pictures here and there (and there are a couple Big Idea pieces for you to look forward to this week as well). You kids have fun while I'm away. Don't wreck the place, I'll find out.
A tall and fairly impressive stack of new books and ARCs this week. What here is something you'd want to take into the weekend with you? Share in the comments!
They're Not Middle Class, They're Well-Off, and That Should Worry You
The New York Times last week ran a piece called What Middle-Class Families Want Politicians to Know, which featured interviews from a number of Americans, discussing their economic concerns and fears. The thing is, the large majority of the households represented in the piece have a six-figure income; while there is one fellow whose reported household income is $75k – $100k annually, the rest have incomes between $120k and $400k.
And, well. In terms of income, "middle class" has a specific meaning (at least, it does to Pew Research, whose definition I'm using here): It means you earn between 67% and 200% of median household income. In the US nationally, that's between about $40k and $120k a year — which means that nationally speaking, all but one of the "middle class" households in this piece aren't middle class at all, they're above that. In specific cities and areas, that "middle class" range moves, sometimes considerably — for example, in super-expensive San Francisco, "middle class household income" is $67k to $200k, whereas in rural Darke County, Ohio, where I live, that range would be between $33.5K and $100k.
When you put that local filter on these reported incomes, what you get is that some of these folks actually are middle class — but most them are in the upper half of that category, and the rest are above the category entirely. The family in Cupertino, CA with a $150k income is indeed middle class, because the median household income in the Land of Apple is $135k. Likewise the family from Stow, MA, who reports an upper range of $200k, because the median income is even higher at $137k. Ironically the fellow in Auburn, GA who reports the high end of his income as $100k is only barely within the upper bound of the "middle class" for his area, because Auburn's median income is $54k. But the person from Wyomissing, PA reporting a $200k – $400k range is well-off no matter how you slice it: The median income there is $78k. Likewise the one from Austin, MN, who reports the same high range of income where the median income is $48k, and the ones in Kansas City, reporting a low end of $120k where the median household income is $45k.
So, yeah. The New York Times is putting its finger on the scale, here, in terms of reporting what the "middle class" is thinking. The paper interestingly printed a justifying followup on the people and families they included in the piece, which amounts to "we needed to find diverse people in different geographical areas who also had quotable things to say," which adds context but doesn't really change the math. Ultimately the NYT is appears to be defaulting back to "if you feel middle-class, you are," no matter what the numbers actually say about it.
What I think is more interesting, and telling, and concerning, and what the NYT is eliding by insisting these folks represent the "middle class," is that these are folks who are either in the upper tranches of the middle class or the lower-to-middle tranches of "upper income" — the reported income of the family in Pennsylvania might gain it entry to the 1% for that state — and they are still feeling incredibly economically vulnerable. Back in my day, harumph harumph, being upper middle class or above meant you that while you were not immune to the vicissitudes of the American economy, you had some underlying stability to your situation — you still had to pay your bills and mortgage but you didn't worry about if you could pay your bills or mortgage. The folks the NYT is visiting are all nervous; they're waiting for their necks to be on the chopping block. And while we must acknowledge that it's the choice of the NYT to highlight these particular stories, I don't think the NYT's choice of these stories is unrepresentative of folks in these income levels today.
What changed? Well, lots of things, but I think we know some real big ones: Health care, housing and education costs, particularly in urban areas, are all manifestly more expensive today than they were 30 or 40 years ago, and the average American household carries more debt than it did even a couple of decades back (all adjusting for inflation). So even when people are making better than average incomes, their outgoes — in terms of mortgage payments, college loans, medical and other debt — are taking a bigger share of that money.
The security that higher-than-average incomes used to bring is now diminished by how we as a nation have chosen to build our current economy. And while it's easy for the intentionally obtuse to tut-tut and suggest people just need to stop drinking Starbucks or eating avocado toast or whatever, a coffee and guacamole-free life will not change the fact that we have built the economy for the rich, not the middle — more to the point, we've created an economy for people who can carry debt with minimal impact on their day to day lives, or can afford not to take on debt at all. As a result of that, the income level at which economic insecurity becomes a real and daily issue looks to be getting higher as we go along. This is fixable, mind you. But weirdly there's not a lot of will at the moment to fix it.
And so we have the spectacle of ostensibly well-off people waiting for the other shoe to drop. They're not wrong to worry. And that is what should be worrying the New York Times, and everyone else.
The Big Idea: Sean Grigsby
Author Sean Grigsby has a theory about people. It's… not terribly optimistic. But it does have relevance for his latest novel, Ash Kickers, which features firefighters in a slightly alternate version of the world. One with dragons!
SEAN GRIGSBY:
Whatever catastrophe nature throws at us, people always seem to make it worse.
Not all of us. Some seek to help and not to hurt, to heal instead of destroy. Firefighters are just one example of a few good people trying to make a difference. I'm proud to call myself one. But, like I said, sometimes there are a few hateful assholes standing in our way.
The Smoke Eaters series is about firefighters versus newly-returned dragons, sure, but there are other big ideas at play. In the first book I talk about corrupt government using disasters for their own gain, and replacing first responders with robots. In Ash Kickers, it's something much worse.
So, the year is 2123. Parthenon City, Ohio is doing great because they've discovered that dragon blood can save lives and heal all wounds. The smoke eaters are no longer slaying the scalies, but tranquilizing them and placing them in specialized enclosures to live out their happy, fire-breathing lives.
The miracle of dragon blood has attracted people from all over an ash-covered United States to flock to Ohio, desperately seeking cures for their loved ones and to benefit from the safety of a dragon-free city.
But some people don't like that. A group forms, calling themselves PC First, led by a man named Duncan Sharp (it was the sleaziest alt-right name I could think of). They consider these immigrants to be "rats" who are going to use up all of the medicine and resources. I think it's pretty obvious by now on whom I based these fictional jerks.
However, just like in our reality, Parthenon City has actual problems to worry about. A phoenix has emerged and it's causing the dragons to go bonkers. A string of suicide arsons is also plaguing the city, leaving police and fire marshals baffled as to who is behind it.
PC First, though, is more concerned about hoarding all the things! Just like a dragon. This lack of compassion for fellow humans, this cruel self-importance… well, it just makes things worse. Not only for decent people trying to make their burning world a better place, but also for the schmucks who try to get ahead by shoving others down.
When I'm called to fight a blaze, I rely on my fellow firefighters. No one fights over the attack line. No one complains that they weren't the one to carry grandma out of the window. Every single person on the fireground is important and works as a team. We have to. If we don't, someone could die.
I hate to break it to you, but the world out there is on fire right now, and we can either get busy helping or get busy hurting. I'm strapping on my helmet and charging in to quell the flames. I hope you'll come with, because I can use all the help I can get.
Ash Kickers: Amazon|Barnes & Noble|Indiebound|Powell's
I Totally Forgot to Update Earlier Today, So Here, Have a Picture of This Nice Flower
Nothing like a little late night horticulture. Sleep well! | {
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Shepherds College is the sponsor of Apostrophe's education section. Learn more about Shepherds College at shepherdscollege.edu.
In terms of relationships, it means that each person is designed to be in community and to have relationships. We are not designed to be alone, like an island. Think of all the relationships you have in your life – friends, family, romantic, casual, neighbors and coworkers.
Seems simple, but it isn't. Just because we are designed for relationships doesn't make it easy.
Whether or not you are satisfied with the relationships you have, there are some similarities in how to make sure all of these relationships are healthy.
Healthy relationships build us up, and unhealthy relationships take away from us.
Aaron and Steve work together at a restaurant. Aaron frequently asks Steve to pick up shifts for him at the restaurant, and Steve does. Whenever Steve asks for help with a shift from Aaron, Aaron says he can't. When Steve is done with his work tasks early, he helps Aaron, but when Aaron finishes early, he leaves early and does not help Steve. This is not a reciprocal relationship because Aaron is unwilling to help Steve.
Joe lives with his mom and dad. Joe has a great opportunity to get a new job, but it is a little farther away from home and requires more hours than his current job. He also helps his parents take care of the home and takes them to medical appointments. Joe is unable to continue helping his family as much if he accepts the new job. Joe's family encourages him by suggesting he accepts the new job and works to find other ways to get to medical appointments. Holding Joe back from his dreams would not be an encouraging or positive step.
Joshua is outgoing and friendly. Maria is quiet and shy. Frequently when Joshua and Maria spend time with others, Maria feels left out. Maria decides to respond in a healthy way by accepting that she and Joshua are different. Instead of complaining to Joshua about how friendly he is and how she would prefer he just hang out with her, she asks him to help her connect and make friends. She asks to start by spending time in smaller groups so she is not as overwhelmed by the number of people. If Maria were to demand that Joshua stop being so friendly or ask that he only spend time with her, this would not be an example of acceptance of Joshua.
Sarah and Emily are good friends. They have many things in common; both enjoy fashion, movies and the same television shows. They spend evenings and weekends hanging out together. In fact, they don't even have to talk about it; they just know that any free time is spent together. This can happen in romantic relationships too. Sometimes dating couples spend all their free time together and do not spend time with others. Spending all their time together can mean weekends, evenings, telephone calls, face time, texts, chats. The list is unending. Here is the problem: there are no limits in this friendship or dating relationship and no room to invite others to hang out. It may be comfortable, but neither person is getting to know other people. Healthy relationships allow for each person to be independent with their own interests and time apart.
We all are made for community, but that doesn't mean all our relationships are healthy REAL relationships. Take time to look at your relationships and determine your next step to make sure you are building healthy relationships.
This entry was posted in Advocacy Blog, Education, Life and tagged acceptance, encouragement, healthy relationships, Independence, relationships, romantic relationships. Bookmark the permalink. | {
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(November 16, 2007) This week, we;ve been looking at the possibility of "conflation" an economic circumstance where there is low unemployment, an economic downturn and high inflation. The San Francisco Chronicle offers food for thought (so to speak). When Mourad Lahlou has an opening for a line cook at his San Francisco restaurant, Aziza, he gets plenty of resumes. But most of them are from recent cooking school graduates who don't have the moxie to survive on the hot line at one of San Francisco's busiest restaurants.
Lahlou is not alone. Craigslist has dozens of help-wanted listings from the Bay Area's top restaurants - all vying for the dwindling numbers of experienced cooks willing to put in long, hard hours for pay that barely covers their cost of living.
"They say they have all these bills and have to pay the rent, and they can't be making $12-$13 an hour," Lahlou said.
The regional nature of recruiting and work make situations like this one a bellwether. The symptoms of conflation are precisely regional just as the relative impact of housing inflation has been regional. | {
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Finally, Online California Auto Insurance Quote Deals in Real Time!
California auto insurance is said to be the most expensive in the nation, however, there are money-saving deals to be found. We have found a select number of companies that can provide you with affordable car coverage.
Where you live in California drastically affects your annual rates. For this reason, we strongly encourage you to shop and compare different companies. We can help you with the daunting task and also give you an inside view of the average cost of coverage for your car in "The Golden State" by visiting iq.d.
The average driver can pay up to $2,200 annually but there are companies that can provide you with a low-cost premium. In this table, we will list the top 20 auto companies from lowest to highest cost a year.
We reviewed auto quotes for thirty driver profiles and forty companies in the largest cities to report on the insurers with the lowest and most affordable rates. Even in some of the most expensive cities such as Glendale, Inglewood, and Los Angeles, cheap car coverage can be found, if you know where to look.
After going over California quotes for 24 example drivers and over 26 companies in the biggest cities, we have found the most affordable and lowest prices in the state. There is even hope for the most costly cities like Los Angeles, San Francisco, and San Diego.
The most affordable auto rates in LA that we uncovered were with Nationwide, USAA, Chicago Title Company, Farmers, AllState, and State Farm. Auto coverage from these companies in Los Angeles will be priced on the average $2,902. Many factors can affect your quote such as simply moving parking garages.
In San Diego, low-cost coverage rates can be found at Progressive, AIG, and First American Title. These 3 companies had yearly rates priced as low as $1,670 on the average, compared to $1,974 city-wide. "America's Finest City" is home to the University of California and, in addition, is home to a variety of naval bases.
Customers searching for low-cost auto policy prices in San Jose ought to begin with quotes from State Farm, Farmers, Amica, and Encompass. The average rate quote from these companies are reported to be around $1,536 a year. The makes the Capital of the Silicon Valley one of the most affordable when it comes to coverage.
Residents in San Francisco can find quote deals from these companies. Insurers like California Casualty, Hartford, Geico, and Titan are quoting rates at $1,498 annually. Proof the savings can be found in "The Golden Gate City" despite it being one of the most expensive.
With 515,989 residents and a short drive away from Sequoia and Yosemite National parks, the people of Fresno can find affordable rates. This is because Liberty Mutual, 21st Century, Esurance, and Kemper are quoting insurers at $1,338 annually. Because of this, drivers here are finding big savings through these companies.
Long beach is home to 473,574 residents and auto coverage tends to be a bit pricey, but with companies like Infinity, American National, MetLife, and SafeCo you can get rates as low as $1,279. This city is home to the second biggest university in the state, so it has a large student population and they could benefit from low rates.
Oakland has a population of 413,774 people and is one of the larger cities in California. Residents here can save on their auto policy by shopping with companies like Bristol West, Progressive, National General, and Safeway. These companies are also quoting drivers at $1,440 a year. | {
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gypsum screen equipment. ... Gypsum vibrating screen is the perfect sand screening equipment. Gypsum vibrating screen helps you to ... Dental Supplies & Equipment ... Chat Online. BBB Business Profile | Gypsum Wallboard Supply Inc. This Business is not BBB Accredited. Drywall Contractors Equipment & Supplies in Tacoma, WA.
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Coal Coke Ore Linear vibrating Screen Sieve ... gypsum screening conveyor Golden Supplier Gold Washing Rotary Trommel Screen. Chat Online. ... Feeding and screening equipment series: vibrating screen, vibrating feeder, etc. Accessory equipment: belt conveyor, bucket elevator, screw conveyor, coal... Chat Online. | {
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This course offers a syllabus progression from Elementary to Upper-Intermediate level. It takes a structured approach to grammar with grammatical structures introduced in context. A grammar section in each student book provides a reference for before, during or after the lesson. | {
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Roger Federer lost his second match in a row Saturday following a 17-0 start to the year, this time squandering a lead against a qualifier ranked 175th. Federer was eliminated at the Miami Open by big-serving Thanasi Kokkinakis of Australia, 3-6, 6-3, 7-6 (4).
Kokkinakis became the lowest-ranked man to beat a No. 1 player since No. 178 Francisco Clavet upset Lleyton Hewitt in 2003. | {
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If want a French bread recipe to make at home here are a few that are truly delicious. Some are made by hand, although you could cheat and use your bread maker if you wish. It's not everyone's cup of tea I know, to spend hours in the kitchen making bread, although sometimes it is well worth it if you have the time and patience...not least because of the lovely aroma that fills the house.
The French baguette is a good example – it is an icon of France. But because the French are passionate about their bread they would be quick to say that no bread is as good as the bread in France. So to all Francophiles, I apologise and would simply say that the French bread recipe given here is far superior to any that is commercially made in any other country...other than France!
The main difference in a French bread recipe is the flour they use. The flour is from a particular type of wheat, unbleached, light flour, very fine and free flowing. If you cannot get French plain bread flour, then use a good quality strong bread flour instead. I just use a good quality bread flour and have no problems. However, there are some other factors to take into consideration.
I live in the United kingdom and okay, it's not the coldest place on earth, but it's not always the warmest either. So, basically what I am saying is that you will get better results in the summer than in the winter due to the temperature in the kitchen! The temperature affects the dough rising, so you need to have a warm room for the best results.
So delicious and the most well known of French breads. You can now make it at home and give your family and friends a real treat.
French brioche is one of the most classic breads from France and is most popular in the form of little brioche buns. Here is an easy version using your bread machine and giving you fantastic results.
A truly delicious French Croissant recipe for you to make this wonderful French classic breakfast. It is an easy recipe to make and will give you the most light and buttery croissants you have ever tasted. Heavenly!
This is one of the oldest and most popular breads in France, and made just about everywhere, each region having its own twist.
What better way to use up your stale bread than to make this truly tasty French toast! It is easy, everyone loves it and it costs very little. The French would never waste their bread, it's sacred, so keep this recipe in your kitchen and enjoy this wonderful toast for breakfast or for an 'anytime treat'.
For another treat, the classic French milk rolls are simply delicious and so easy to make. You may know them as Petit Pains au Lait, their French name of course.
A delicious gluten-free, vegetarian- and vegan-friendly chickpea flatbread that is so easy to make. | {
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The best Twitter bios have one thing in common: They're original. That being said, writing a creative Twitter bio is easier said than done.
Twitter bios are where your brand gets to introduce itself, offer an elevator pitch, and set the mood—all in 160 characters or less.
Some brands can do this with a single emoji. Others push it to the character limit. But the worst look like all the rest.
Having a good Twitter bio matters. The words (or emojis) you choose, and the order you put them in, communicates volumes about your brand. Just ask Hillary Clinton who made headlines for starting hers with the word "wife." She's since switched it up a little.
To make sure you use the best words in the best order, we've rounded up tips, tricks, and examples, to fill you with enough Twitter bio ideas to inspire your own.
Follow these tips to write clever and creative Twitter bios for yourself and for your brand.
Say hello to prospective followers by telling them what you do. You may choose to add a brief description of your products or services, share important qualities about your brand, or tell people what to expect when they follow you.
With a maximum of 160 characters, Twitter bios are brief. So, take all the space you need to convey essential information. Plus, a recent study found more characters in your bio equals more followers.
If you must include legalese or disclaimers like "Retweets ≠ endorsements," don't start with them. Use a catchy phrase, humour, or even an emoji to reel people in: hook, line, and follower.
Be funny, be serious, be kind. Whatever your brand personality is, be sure to show it in your Twitter bio. Give people a taste of the flavor of your content.
Twitter bios are searchable. In other words, Twitter bios are indexed by search engines such as Google and Bing. So put your SEO skills to work and optimize by including relevant keywords.
Twitter bios are a space for mastering the humble brag. Awards, rankings, or recognition can act as important social proof, especially if you're brand isn't well known. Just don't overdo it. Take it from "award-winning & -losing freelance journalist" Lauren Duca, who humble flexes among the best.
Want followers to tweet with a certain hashtag, visit a specific website, or sign up for a particular newsletter? Then be sure to include a call-to-action in your Twitter bio.
If your brand has multiple Twitter accounts, it may be worthwhile to include something like a directory so they know where to find them. That may be especially true if customer service is a core pillar of your brand's presence on Twitter. But this strategy is also useful for companies who run accounts in multiple languages.
How does the saying go? An emoji is worth a thousand words? Okay, not exactly. But emojis can help convey more within the bio's limited character space. And they can add a splash of colour and character to your bio.
A recent study found that when it comes to Twitter bios, the number of followers decreases as the number of hashtags increase. Hashtagging keywords tends to look spammy, so stick with a brand or campaign hashtag. Bonus points if you can use it in a sentence. Honey, look how seamlessly the Fab Five does it: "#QueerEye is back & looking better than ever." Can you believe?
When all else fails, there's always the Twitter Bio Generator. While it's always better that you write your bio, this bot may help get started with fresh ideas.
Funny Twitter bios tend to curry the most favor, but these brand accounts get creative in more ways than one.
Take these Twitter bio ideas and run with them.
This London-based juice maker doesn't skip the introductions. In less than 15 words, the brand offers greeting, explains what they do, and shares that they give back. While short and to the point, this Twitter bio speaks volumes.
With a plant emoji to reinforce its plant-based ethos, a breakdown of product ingredients, and a real-talk description of who makes it for who, Honey Pot leaves few questions unanswered. Also note the subtle humble brag.
With little need for introductions, the header image says it all. Red Lobster is able to keep its Twitter bio short and sweet. Some fresh wordplay allows the food chain to tell you what to expect from their food and Twitter content all at once. And the hashtag squared away at the end of the copy seals the deal.
Calm hooks people into their Zen vibe with its calming "Take a deep breath" reminder. A descriptive introduction, aided by some #1 swagger, deftly delivers the details followers may need to know. And the bio doubles down with two emojis that help set a positive and relaxed tone.
Android's Twitter bio succinctly tells visitors what to expect, and who to expect it from. It's can be helpful to let followers know who the tweets are coming from, especially when you're backed by a brand as big as Google.
Merriam-Webster's Twitter bio is another good example of how to share an overview of themes and introduce the people behind the tweets. Logophiles who choose to follow the account know what's on the docket, and that its being served by a team of experts.
Not to toot our own horn, but Hootsuite's Twitter bio checks a lot of boxes. An informative introduction, good keyword density, subtle social proof, a call-to-action, and a link to the support account are neatly packed into 152 characters.
Pro tip: If you plan to include a link in your bio, make sure to save space with a URL shortener.
RuPaul's Drag Race offers a master class on Twitter bios, with a greeting, preening, handle linkage, and hashtag all in the first sentence. The second sentence, "Everybody say love!" ties in one of the show's catchphrases while also setting tone and informal community guidelines.
A little double-entendre goes a long way on Twitter. In this case, JetBlue hooks people in with a friendly greeting. Airlines are known to take heat on Twitter, and JetBlue anticipates this by directing tweeters to call or email. The airline offers further assistance by putting their help line number in the address field.
This hot sauce account heats things up with a spicy grawlix and a dash of humour. The call to action let's followers know both what to do, and what they'll see: Frank's Red Hot being put on everything.
Etsy's crafty and creative Twitter bio is informative, inclusive, and helpful. To keep things tidy, Etsy uses an on-brand link shrinker to direct people to a list of its other accounts called Etsy Elsewhere. The main Etsy account, on the otherhand, is located Everywhere.
Twitter accounts need little introduction, but its fashion-focused account makes a pretty grand entrance with a meme straight off the runway. This Twitter bio knows how to work it.
Postmates may be the Postest with the Mostest when it comes to Twitter bios. If one of your customers puts it better than you ever could, why not give them a shout out? In doing so, Postmates turns a testimonial into a bio line, and shows its followers that it listens.
Apple's CEO Tim Cook had a little fun with his Twitter display name after Donald Trump mistakenly called him Tim Apple. Cook reminds us that Twitter names can be a space to play, too. In this instance, Cook earned social cred and scored additional kudos for using a logo that only renders on Apple devices.
Locations may not technically be a part of a bio, but they can be used to help tell a brand story. Popsicle offers a tongue-in-cheek play on location. If place is core to your brand identity, definitely include it. Or if you have a single storefront, add the address so people know where to find you IRL.
Because sometimes the emojis say it all.
And sometimes only one emoji says it all.
We stan cute content disclaimers.
When you have the brand recognition Nike does, you only need three words. A brand slogan, call-to-action, and bold stance, in one fell swoop.
Only @Buzzfeed can pull of this feat of Internet inception.
Shaw Fire Log's bio sparks joy, one smoking pun at a time.
NHL GIFs, just using the Twitter bio space to tell it like it is.
Nothing fishy here. Just some under-the-sea humour from Toronto's giant aquarium.
No dekes in NBA's Twitter bio. Just straight-up links to NBA's full Twitter roster.
You tell us, Twitter. Okay, we'll tell you.
Even you can appreciate MoonPie's cheeky Twitter bio.
An A+ Twitter bio from everyone's favourite dysfunctional department. Their, they're, grammar sticklers.
Come for the coupons, stay for the lazers.
Because haters gonna hate, and gloaters gonna gloat.
Take your Twitter marketing strategy further with Hootsuite. Schedule and publish tweets in advance, engage your audience, and measure your efforts all from one dashboard. Try it free today. | {
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At a public event in Melbourne, New Zealand Judge Lisa Tremewan joined Rob Hulls to talk about her world-leading therapeutic justice work at the Alcohol and Other Drug Treatment Court in Auckland. You can catch up on a podcast of the event here.
There is a video included in this podcast which listeners can access using the password "AODTC". | {
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This entry was posted on March 26, 2018 by usblog.
Easter is around the corner and we want to celebrate it in the best possible way. Play our Easter Sale Game and you are guaranteed to receive a sweet prize. Want to find out more about it? Keep on reading.
Easter is a time of the year to celebrate in many ways. Some will treasure some family time, others prefer to enjoy a quick holiday right in the beginning of the Spring, and others will just enjoy some time at home to hang out with friends. But one thing we can agree on, Easter is a time for games. Little kids will go crazy with numerous egg treasure hunts, face painting, dressing up as bunnies… but adults can have their own fun at this time of the year as well, especially if you enjoy a good Easter Sale. If you like luck and shopping we have put together the perfect game for you, an Easter Wheel of Fortune with sweet, sweet prizes.
This year we have turned the fun but time-consuming egg treasure hunt into an interactive and quick game that will give you the chance to win prizes that are sweeter than chocolate. You have probably heard about the concept; Wheel of Fortune sounds familiar, right? I bet it does. But this time is much better, because whatever you land on, you have a guaranteed prize! So, we will only have winners here. To play, you only need to go to our Easter Sale Page and drag the wheel, you will immediately receive one of these amazing prizes that you can use until April 3rd 2018.
Sweet game, don't you think? Then spread the word! Your friends and family might love to get a hand on this Easter Sale! To make it easy for you, you can share it directly on Facebook by going into our Easter Facebook post. And don't worry, there are enough discounts for everybody!
Copy your discount code or write it down, you will need it at the checkout page. Do your shopping as usual, get a custom phone case with your favorite photo or maybe make your own custom notebook this time. Anyway, your code is valid sitewide, so anything you purchase will get the discount you won on our Easter Sale Game.
A couple of things to remember, the codes are not applied to shipping costs and they're only valid until April 3rd 2018, so make sure you cash it before then. Our top prize is a free phone case, so this code will only be applied to phone cases of our website. Last but not least, you have the chance to play this game only once, but no worries, you are guaranteed to win something, we don't want any frowns down for Easter.
To recap, what's new for Easter?
Hope you enjoy it and let us know in the comments below what prize you've got!
This entry was posted in Holidays, Competition and Promotions and tagged wheel of fortune, easter, easter sale, discount on March 26, 2018 by usblog. | {
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from __future__ import annotations
"""Representations specific to the CompCert C compiler family."""
import os
import re
import typing as T
if T.TYPE_CHECKING:
from envconfig import MachineInfo
from ...environment import Environment
from ...compilers.compilers import Compiler
else:
# This is a bit clever, for mypy we pretend that these mixins descend from
# Compiler, so we get all of the methods and attributes defined for us, but
# for runtime we make them descend from object (which all classes normally
# do). This gives up DRYer type checking, with no runtime impact
Compiler = object
ccomp_buildtype_args = {
'plain': [''],
'debug': ['-O0', '-g'],
'debugoptimized': ['-O0', '-g'],
'release': ['-O3'],
'minsize': ['-Os'],
'custom': ['-Obranchless'],
} # type: T.Dict[str, T.List[str]]
ccomp_optimization_args = {
'plain': [],
'0': ['-O0'],
'g': ['-O0'],
'1': ['-O1'],
'2': ['-O2'],
'3': ['-O3'],
's': ['-Os']
} # type: T.Dict[str, T.List[str]]
ccomp_debug_args = {
False: [],
True: ['-g']
} # type: T.Dict[bool, T.List[str]]
# As of CompCert 20.04, these arguments should be passed to the underlying gcc linker (via -WUl,<arg>)
# There are probably (many) more, but these are those used by picolibc
ccomp_args_to_wul = [
r"^-ffreestanding$",
r"^-r$"
] # type: T.List[str]
class CompCertCompiler(Compiler):
id = 'ccomp'
def __init__(self) -> None:
# Assembly
self.can_compile_suffixes.add('s')
default_warn_args = [] # type: T.List[str]
self.warn_args = {'0': [],
'1': default_warn_args,
'2': default_warn_args + [],
'3': default_warn_args + []} # type: T.Dict[str, T.List[str]]
def get_always_args(self) -> T.List[str]:
return []
def get_pic_args(self) -> T.List[str]:
# As of now, CompCert does not support PIC
return []
def get_buildtype_args(self, buildtype: str) -> T.List[str]:
return ccomp_buildtype_args[buildtype]
def get_pch_suffix(self) -> str:
return 'pch'
def get_pch_use_args(self, pch_dir: str, header: str) -> T.List[str]:
return []
@classmethod
def _unix_args_to_native(cls, args: T.List[str], info: MachineInfo) -> T.List[str]:
"Always returns a copy that can be independently mutated"
patched_args = [] # type: T.List[str]
for arg in args:
added = 0
for ptrn in ccomp_args_to_wul:
if re.match(ptrn, arg):
patched_args.append('-WUl,' + arg)
added = 1
if not added:
patched_args.append(arg)
return patched_args
def thread_flags(self, env: 'Environment') -> T.List[str]:
return []
def get_preprocess_only_args(self) -> T.List[str]:
return ['-E']
def get_compile_only_args(self) -> T.List[str]:
return ['-c']
def get_coverage_args(self) -> T.List[str]:
return []
def get_no_stdinc_args(self) -> T.List[str]:
return ['-nostdinc']
def get_no_stdlib_link_args(self) -> T.List[str]:
return ['-nostdlib']
def get_optimization_args(self, optimization_level: str) -> T.List[str]:
return ccomp_optimization_args[optimization_level]
def get_debug_args(self, is_debug: bool) -> T.List[str]:
return ccomp_debug_args[is_debug]
def compute_parameters_with_absolute_paths(self, parameter_list: T.List[str], build_dir: str) -> T.List[str]:
for idx, i in enumerate(parameter_list):
if i[:9] == '-I':
parameter_list[idx] = i[:9] + os.path.normpath(os.path.join(build_dir, i[9:]))
return parameter_list
| {
"redpajama_set_name": "RedPajamaGithub"
} | 8,828 | [
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Apparently, Part Of Deadpool 2's Reshoots Included A Secret Cameo
By Adam Holmes published 20 March 18
In recent years, reshoots have become a common step in the blockbuster filmmaking process. Long after principal photography has concluded, the cast and crew will reunite for a few days or weeks and film anything from slightly altered scenes that had already been shot to brand new material, but in the end, the goal is to make the movie even better than it was before. Deadpool 2 underwent its own reshoots in February, and apparently during this time a secret cameo was shot for the sequel.
Buried in its report about how recent Deadpool 2 test screenings reportedly scored high, THR noted that in addition to the six days of reshoots that happened in Vancouver last month (three days fewer than the ones done for its 2016 predecessor), there were also two hours dedicated to filming a secret cameo in Los Angeles. Unfortunately, no details were provided about who was involved with this, so we'll have to spend the next two months wracking our brains about who the subject might be, assuming that the information doesn't leak out ahead of time.
Superhero movies inserting secret cameos is nothing new, but as far as Deadpool 2 is concerned, I'm particularly intrigued as to who the sequel brought in this late in the game. The first Deadpool movie's only major cameos were Stan Lee and Rob Liefeld, the former of whom has popped up in nearly every Marvel-related movie and the latter of whom was definitely deserving of a quick appearance since he co-created Wade Wilson. I would imagine that neither of these two men returning for Deadpool 2 would warrant being kept a closely-guarded secret, so for now, let the guessing of this individual's identity commence!
Personally, I'm hoping that it's Hugh Jackman, but instead of reprising Wolverine, he's playing himself. Jackman may have bid farewell to Wolverine in Logan, but ideally that wouldn't prevent him from appearing in Deadpool 2 to poke fun at his long tenure as the clawed mutant and/or chew Wade Wilson out for all the crap both the Merc with the Mouth and Ryan Reynolds have given him over the years.
Whoever this making this secret cameo in Deadpool 2, they'll be part of a solid lineup of on-screen talent. In addition to most of the cast from the first movie returning, the sequel's new players include Josh Brolin as Cable, Zazie Beetz as Domino, Jack Kesy as Black Tom Cassidy and The Hunt for the Wilderpeople's Julian Dennison is an undisclosed role. The most recent Deadpool 2 trailer also that revealed Terry Crews is appearing as someone who looks an awful lot like G.W. Bridge.
Deadpool 2 is now scheduled to open in theaters on May 18. As for what else is arriving theatrically this year, you can find release date information in our 2018 premiere guide.
Connoisseur of Marvel, DC, Star Wars, John Wick, MonsterVerse and Doctor Who lore. He's aware he looks like Harry Potter and Clark Kent.
FBI: Most Wanted Casts A Law And Order Star To Replace Julian McMahon, So What About Organized Crime?
The Bachelor Spoilers: How Far Does Villain Shanae Ankney Make It On Clayton Echard's Season?
NCIS: Hawai'i Just Revealed A Connection To Mark Harmon's Gibbs, And I'm Ready For The NCIS Crossover
Why NCIS Might Need To Bench Torres Soon
Snowpiercer Executive Producer Explains Changes For Season 3 And Layton's Premiere Revelation | {
"redpajama_set_name": "RedPajamaCommonCrawl"
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TOO HOT NOT TO COOL DOWN
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With sharp pitching and an uncharacteristic hitting barrage, Detroit stopped the streaking Red Sox four games to one
By Steve Wulf
It's 2:32 a.m., Detroit. Do you know where your Tigers are?
Well, the 15,000 or so fans at Tiger Stadium who stuck around for the finish of Saturday's after-midnight doubleheader with Boston knew that their team was in first place in the American League East, three games up on the Red Sox. This was a rather surprising and sudden—if a nine-hour twin bill can be called sudden—turn of events, and the men, women and children who pulled the all-nighter were at once giddy and puzzled. Great going, Tigers. But who are you?
"People think of us as a bunch of no-names," says Detroit first baseman Dave Bergman. "And I guess we are. If the shoe fits, wear it."
"There are racehorses and there are plowhorses," says Doyle Alexander, the team's cagey righthanded pitcher. "We're plowhorses."
Browse the Magazine
TWO FOR THE TROUT CROWD: PRACTICALITY AND WIT
By Robert F. Jones
Tigers-Red Sox
WINNER AND STILL CHAMP
Gary Player Won his Second straight Senior Open, beating Bob Charles in a playoff
By Jaime Diaz
Joe Montana starred for San Francisco, which was bad news for Steve Young
By Ralph Wiley
AN OLD DRAGON LIMBERS UP
As this and the following articles reveal, China is fast becoming a world sports power, but at what cost to its people?
By Frank Deford
SLEEKER, STRONGER
Sports—both traditional and, like women's bodybuilding, daringly new—are changing in China's cities
By E.M. Swift
CHANGE IN VIEW
This portfolio provides glimpses of some things old and some things very new in the burgeoning world of Chinese sports
THE 10 YEARS OF CHAOS
Three noted Chinese sportsmen tell how their careers were derailed by the Cultural Revolution
By Sarah Ballard
HERE NO ONE IS SPARED
Zhang Liyin (third from left) and her tiny mates may beam, but even for them spare-time sports school is no joke
By Rick Reilly
A NEW TWIST IN DIVING
China's ancient passion for acrobatics has helped make its divers, like world champ Gao Min (left), No. 1
By Robert Sullivan
THE MASTER OF THE MASTERS
By Ron Fimrite
THE IMAGE HAS ALTERED
The author, back in China again after 15 years, finds the people have run from Mao toward a more hopeful future
By William Oscar Johnson
THEY'RE RIDING ON AIR
Two high-flying new stars soared at the U.S. trials
By Peter Gammons
A TEENAGE LEADFOOT VET
Todd Cray, 17, is a rookie with a lot of miles on him
By Herm Weiskopf
A Roundup of the Week Aug. 1-7
Compiled by Roger Jackson
Point After
LOST IN THE TRANSLATION
A Chinese athlete's story was hidden by a language barrier
By Donald J. Barr
Edited by Sarah Ballard
An era ended Monday night at Wrigley Field as the lights went on for the first illuminated game in the Friendly Confines
Original Layout
As of Sunday, the plowhorses were still three games up on the racehorses belonging to the Red Sox and the New York Yankees. Detroit took four out of five from the too-hot-not-to-cool-down Bosox, and Boston had to go 10 innings in the finale to avoid a sweep. As Red Sox manager Joe Morgan said after loss No. 4, "The worm has turned."
When the Red Sox arrived in Detroit, they had won 19 of 20 games under Morgan and had moved from nine games out at the All-Star break to a tie for first place in just 20 days. Way back on July 24, when the Red Sox were just beginning to roll, Tigers manager Sparky Anderson, who is really the most recognizable star on his team, confessed, "You can smell 'em [the fast-gaining Bosox] like you can smell onions."
When the showdown began last Thursday, most everyone, save the Tigers, expected Detroit to be smothered in those onions. The Tigers had not been hitting lately; their on-base percentage since the All-Star break was .310, or 10 points lower than Boston's batting average. The best RBI man on the Red Sox, Mike Greenwell with 88, had 40 more than the Tigers' best, the versatile Venezuelan infielder Luis Salazar, who wasn't even in the lineup because of a slump. In an effort to get more offense for the Boston series, Anderson shook up his lineup, putting Bergman, who had never batted cleanup in his 13 major league seasons, into the No. 4 spot and Dwayne Murphy, a retread centerfielder just up from Toledo, where he batted .220, in No. 5.
With a quick glance at the two lineups, any armchair manager could see that only two Tigers, shortstop Alan Trammell and catcher Matt Nokes, could crack the Boston nine. And the pitching matchup in Thursday night's game was certainly racehorse vs. plow-horse: Roger Clemens, 15-5 with a 2.24 ERA, against the Tigers' Walt Terrell, 5-8 with a 4.14 ERA.
Actually, Anderson made his first strategic move of the series on Wednesday afternoon in Kansas City. On his suggestion, the Tigers flew all five of the pitchers who would start against the Red Sox back to Detroit, some 12 hours ahead of the rest of the team, which would take a post-midnight charter after the game with the Royals. "Getting in so late," said Anderson, "can screw a pitcher up, not so much the next day, but the day after and the day after that."
Flying ahead didn't particularly help Thursday's starter, Terrell, because he stayed up until 3 a.m. anyway. "I watched a few ball games on my dish," he said. "And then The Untouchables."
Neither he nor Clemens was untouchable that night. The Red Sox jumped out to a 3-0 lead on a two-run homer by Dwight Evans in the first and a solo homer by Jim Rice in the second, but in the bottom of that inning Clemens gave up a bases-empty home run to Nokes, a two-run double to Trammell and an RBI groundout to Bergman. The Rocket also walked two batters in the inning and hit another. Clemens, who has always had trouble in Tiger Stadium, may have had a hard time gripping the ball; as Tiger starter Jack Morris would say the next—and similarly humid—night, "With all the sweat, it was like trying to hold a watermelon seed."
When Clemens was finally removed, trailing 7-5 with one out in the sixth, he had thrown 124 pitches and had given up seven earned runs on nine hits and four walks. It was his 26th birthday, and the Tigers had lit him up like a candle and won 11-6.
Terrell had gone 8'Öì innings, Trammell had knocked in five runs and Nokes had had a single, a double and a home run, but it's probably safe to say that when the 40,980 fans left the park, most of them were thinking, "Sparky, what a genius!" George Lee Anderson has been on the scene so long that some find it hard to believe he is only 54 years old; he was just 36 and prematurely white-haired when he took over Cincinnati's Big Red Machine in 1970. Sparky has changed a lot since then. He is no longer Captain Hook, for one thing; in Detroit's last 16 games, every Tiger starter has pitched into the seventh inning. For another, he doesn't make the outrageous statements he once did, such as: "Before he's through, Mike Laga will make us forget every power hitter who ever lived."
But the biggest change has been in his outlook on life. "I'm never gonna lose sleep over a ball game again," says Anderson, who has devoted much of his time over the last two years to CATCH, a nonprofit group aiding indigent children in Detroit hospitals. "Come October 3, I'll either be setting up a tee-off time or preparing for the playoffs. It don't make no difference. Back in '84 [when the Tigers won the World Series], it meant a lot to me because I wanted to win titles in both leagues. What a silly thing that was. Who cares? The day after the season ends, everybody'll be thinkin' about football. Sports is fantasy; it ain't real. You know what's reality? The wards at Children's Hospital, that's reality."
When the first game of the twi-night doubleheader began at 5:39 p.m. Friday, a tornado warning was in effect, and everyone in the park knew this was not going to be an ordinary night. The Red Sox scored first against Detroit's Morris on a double by Dwight Evans, a wild pitch and a passed ball, but the Tigers tied it up in the second against Mike Smithson on a single, a walk and an RBI single by designated hitter Darrell Evans. In the top of the third, it started raining cats and dogs, and the game was delayed an hour and 39 minutes. Then in the bottom of the fifth, the rain came down again, postponing action for another hour and six minutes. Morgan elected to do the humane thing by pulling Smithson, even though he had been pitching well. "No way I'd make a starter come back twice in the same game," said Morgan. Anderson, however, sent Morris back out for a third time after consulting with the pitcher. "My arm felt fine," Morris said after the game, having gone through seven undershirts and four uniform shirts during his seven interrupted innings.
The Tigers got two more runs, but Boston was never again able to get a man past second. When Morris came out, Mike Henneman, Detroit's Baby Face Nelson of a reliever, preserved the 3-1 win with two easy innings.
Even more encouraging for the Tigers than their two-game lead on Boston was the return to form of Morris, their former ace. He was 8-11 with a 4.79 ERA going into the game, but he had recently corrected a flaw in his delivery. "It has been a humbling experience," he said.
A surprising number of fans decided to stick around for the second game, which began at 11:43 p.m. Mercifully, and thanks to a generous strike zone by home plate umpire Dale Scott, the game moved along fairly quickly. The Red Sox seemed to have the pitching edge, with their latest acquisition, Mike Boddicker, going against the Tigers' talented but erratic righthander, Eric King. But Detroit got off to a quick 2-0 lead on two sacrifice flies and made it 3-0 in the sixth when Darrell Evans homered into the upper deck in right.
King ran out of gas in the seventh, loading the bases with one out, and first baseman Todd Benzinger doubled off reliever Don Heinkel to close the gap to 3-2. But Henneman came on in the eighth and notched his second save of the night. Or was that night and day? When Benzinger grounded back to the box to end the game at 2:32, his teammates glumly watched from their bunker; the Tigers poured out of their dugout to wild cheers from their fans.
They may not be famous, but the one distinguishing characteristic of these Tigers is their affection for the game. There it was, 3 a.m., and they were in no particular hurry to get home, like a bunch of blue-collar guys on the lobster shift. Players sat around eating meatballs and taco salad, just as they always do, to let the game soak in.
"Even though I've been here 11 years, this team is special," says Trammell. "We don't look that impressive, we don't blow you out. We just win." Even Trammell, who is simply the best shortstop in baseball, doesn't get the recognition he deserves. Detroit general manager Bill Lajoie would like to make a trade for another hitter, but he says, "Frankly we don't have a lot to offer. We're a first-place team without a lot of marketable talent. But we look for what's inside a player: heart."
Heart the Tigers have, and they also have arm. They own the third-best team ERA in the league, 3.47. On Saturday, they sent out Alexander, and he shut out the Red Sox through six innings. In the meantime, Bergman, who was looking more and more like a real cleanup hitter, drove in two runs with a double and a single off Wes Gardner. In the sixth, Nokes hit a tremendous two-run homer off the third deck in rightfield. Ben-zinger answered with a two-run homer for the Red Sox, but that was all Alexander would permit.
"It's tough to say if this is the best pitching staff I've ever been on," Alexander said. "In 1972 I was the fifth starter on an Oriole staff that had four starters who won 20 or more games the year before. But this one is close."
One of the reasons the pitching staff has been so effective is that it is well rested, and this has nothing do with special airplane flights. Not since April 21 has a Tiger starter gone to the mound on fewer than four days' rest. The bullpen is also remarkably sound. Henneman has made good on 18 of 21 save opportunities, and the 1984 American League MVP, Guillermo Hernandez, also known as Willie, has a 1.58 ERA in his last 35 outings.
We haven't even mentioned the Tigers' best pitcher this year, the lanky righthander with the same name as the Pittsburgh Pirates' relief pitcher. Going into Sunday's game with the Red Sox, Jeff Robinson was 13-4 with a 2.69 ERA, having held opposing hitters to an amazing .191 batting average. "He's probably the guy we're going to whack around," Morgan said Saturday night.
The Red Sox did win on Sunday, but they didn't exactly whack Robinson around. In fact, he and Boston lefty Bruce Hurst threw goose eggs for nine innings before the Red Sox broke free for three runs in the 10th. Said Morgan afterward, "If we didn't win today, all that good work we've done would have been halved in a hurry."
In the Tiger clubhouse, Sparky said, "There's still 50 games left. But if we get the pitching, we're gonna win it. It's as simple as that."
And just to make sure his pitchers get enough shut-eye for their three-game series in Boston this weekend. Sparky is sending the cagey righthander, the lanky righthander and the talented-but-erratic righthander on ahead of the rest from Texas—where the Tigers were scheduled to play a three-game series with the Rangers—on Wednesday.
TWO PHOTOSJERRY WACHTER
Sparky said you find reality in hospitals, not in baseball. But though the leg hold Boggs put on Sheridan at third Friday was real enough, the Tiger runner was safe anyway.
PHOTOCHUCK SOLOMON
[See caption above.]
PHOTOCHUCK SOLOMON PHOTOJERRY WACHTER
The Sox finally turned things around with drives like this one past Tom Brookens.
THREE PHOTOSJERRY WACHTER
Morris (left) and Alexander tamed the big Boston bats on Friday and Saturday; Hurst saved the Red Sox from being swept Sunday.
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Phillip has worked in education for over 35 years. He qualified as a teacher in 1983 after gaining a Post Graduate Certificate of Education from Liverpool University. Prior to that, he graduated with honours in Chemistry from Leeds University. He started his career in secondary schools, including working as a Deputy Headteacher with specific responsibility for the analysis and use of internally and externally generated pupil performance data.
However, for the last 15 years Phillip has been our Field Training Manager at GL Assessment and he is responsible for developing training modules to support pre- and post-testing to ensure best use of the assessments and data interpretation. He works across the full range of GL Assessment's Education and Health & Psychology assessments in the UK, ROI and internationally.
Phillip trains people on new products internally and externally, he is a keynote at many conferences and over the last few years he has led a series of nationwide 'life after levels' seminars, focusing on the use of standardised assessments in the new national curriculum. | {
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HeartCry Missionary Society > Jian W.
Jian is a church planter in easetern China. He was converted as a teenager through the example of his Christian mother. He has had many opportunities to serve the Lord throughout China, and he is passionate for the Chinese church to be strengthened in the truth.
I grew up in a Christian family and my mother's faith had a tremendous impact on me. In fact, it was through my mother that the Lord Jesus brought me to Himself.
My mother came to faith when I was two. After giving birth, she was seriously ill and became depressed. Although she looked for medical help she did not recover from her sickness. At that time a neighbor shared the gospel with her and she started attending church. Her faith began to grow. With the passage of time, her physical body also recovered and I was deeply convicted that it was the Lord who healed her.
My mother always brought me to church with her and I became awakened to the Christian faith. After a few years, my mother started serving in the church in our village. She was very godly and faithful. Later, the church started to meet in our home. Because of this, I had a lot of opportunities to be involved in the church and had the opportunity to meet many preachers. In retrospect, I did not have personal relationship with the Lord then. I can only refer to Jesus Christ as the Lord of my mother. I truly came to know Him when I was sixteen years old.
Let me first talk about two unforgettable experiences that have profound impact on my faith. When I was born, my mother wrapped me up with cloth and it was summer. The weather was very warm and I began to develop a fever. Due to her inexperience, my mother thought I was having a cold. So she wrapped me up with more cloth. My fever went up higher and I almost died. My mother panicked and was desperate. But thank God, my grandmother came in time to discover my situation. She unwrapped me and I was saved. I believed it was God who sent my grandmother here in time to save my life.
Another incident happened when I was three or four years old. My mom was working in the farm and taking care of me at the same time. However, without her noticing, I wondered away from here and almost drowned in the nearby river. I remembered I was on the bottom of the river and yet I can still see my mother working in the farm from the bottom of the river. I still can remember the scene vividly in my mind. Suddenly, my mom discovered I was on the bottom of the water and immediately she pulled me out of the water. I am convinced it was God's grace that saved me from drowning.
Now, let me talk about my salvation and repentance. As mentioned above, although I was brought up in a Christian family and in the church, I did not have genuine faith. For this reason, my heart grew cold and I slowly wondered away from the church as I was growing up. However, when I was sixteen, I remember attending a revival meeting and I was moved by God's Word. Thereafter, I sat myself in the front row and listened intently for a number of days. Although I heard many preachers before, I had never been so attracted by those sermons. On the last day, the preacher wanted us to examine our lives before taking communion. God captured my heart and with tears running down my face I was moved by His love on the cross. At the same time, my heart was gripped by my own sins and rebellion. So I repented. From that incidence onward, I know I have true faith and a new life. I was saved. It is the Lord who brought me back to himself. So I am not lost now. Thanks be to God.
My calling to the ministry has to do with my mother. When I was young, my mother used to tell me how great the grace of God was to her. Without God's care, she would be long gone and both my brother and I would be orphans. Although my mother wanted to serve God fulltime but she was not educated so she dedicated me to serve God instead. I fully understand her feeling and I am also happy and willing to serve Him with my life. Although at that time, I did not know what that means.
After graduation, I started sharing God's word and began to preach to others. Church workers saw the preaching gift God gave me and recommended me for Bible training. During my course, I learned about God and the Bible. Slowly, I realized what it meant to serve God. My teachers used to tell us there were many churches without preachers and the brothers and sisters were left without spiritual food and shepherding. The sheep are scattered and captured by the heretics. The burden in my heart started to grow and I resolved to serve Him with all my life. Every time I sing the hymns "The harvest is plentiful" and "Lord, I want to serve you," tears would stream down from my face. What I saw was the harvest without laborers and the lost sheep without shepherds before my very eyes. I raised my hands in response to the alter calls and with tears I resolved to serve God. All I want at that time was to respond to God's calling and offer my life to teaching, shepherding and evangelizing the lost.
Upon graduating from the Bible class, I was sent to northeast China, as an intern for 4 months to preach to the churches there. Besides preaching, I was also teaching the Bible lessons. The internship was the beginning of my ministry. During this time, I learn from all the experienced pastors on how to shepherd and teach the Word of God.
After returning from the Northeast to my home town, I was sent out to preach in the nearby villages and conduct Bible study among all the young people. That was a sweet time of serving God with pure heart and passion. It was very fulfilling for me. After a few months, the pastors decided to set up a young Bible class, I was appointed officially to be their Bible teacher. All I wanted was to teach them what I had learned such as biblical lessons, basic truth and some topical lessons. In retrospect, I think I was not equipped for that job but at that time, all I wanted was to serve God with a pure and passionate heart. The truth of the matter was that we do not have qualified teachers at that time. Regardless, I grew as I serve in the church.
In the spring of 2002, I was sent to serve in a church for 4 months. My main duty was to preach in various churches. This was my first time in a big city. This was a blessing to me because I had many older pastors and church workers to guide me. It was very different from the experience I had in Northeast of China. I felt I grew tremendously, spiritually speaking. In a later part of that year, I went back to my home town to get married.
In the spring of 2004, I was sent to southern village as a missionary. This was a very poor and rural area and it had a great impact on my spiritual life. Although the people were superstitious, they were hospitable and they are very willing to listen to the gospel. I felt that they desperately need the salvation of the Lord Jesus Christ from idols worshipping, foolishness and sins. They needed to know the true savior so that they can have eternal lives.
In spite of that experience, I started a business in my home town after returning from the field. With the passage of time and pressure from businesses, my heart grew cold and I started to distance myself from serving the Lord. This lasted about four years. However, the Lord closed the doors one by one for me. On the other hand, He started to build me up spiritually and brought me back to serve Him again. Looking back to the 4 years of back sliding, I learned that the Lord's grace does not let me go and that caused me to serve Him more with all seriousness.
In the spring of 2009, I was again sent by the church as a missionary. It has been 7 years since. It was bitter sweet and we experienced the countless grace of the Lord. I grew in my spiritual life, in my preaching, in shepherding and learning the theological truth. In these years, I am more convinced than before about my gift of teaching. The church and other pastors also confirmed my calling and spiritual gift. I truly desired to be a teacher of the truth and I want to train workers for the house of the Lord. However, there was no opportunity for me to receive official seminary training.
In 2010, an opportunity presented itself. I heard from a co-worker that there was an official seminary starting in China. I was so excited and I applied through my church for the Bachelor degree in theology. Finally, I got the opportunity to be trained officially. My heart was filled with thanksgiving. In the 4 years from 2010 to 2013, I treasured every opportunity to attend classes and learn all I can. In these 4 years, some of my fellow students quit due to all kind of reasons. Yet, not once had the thought crossed my mind. It was because I have a calling and vision – to be a theological educator myself.
In the beginning of 2014, the principle of the seminary started a master of art program and asked me to join. Without hesitation, I applied and decided to pursue it. I knew it will be more difficult and there was financial burden, yet I treasured the opportunity to learn. It was the same calling and vision that gave me the much needed strength. Through all these classes, I grew in the truth, my spiritual life and my gift. During this time, I was also shepherding my church as well as involving myself in training others. It was encouraging to be me because I had many positive affirmations for my calling.
Furthermore, I am more convinced than before about the importance of theological education. This was because the house churches had wrong thinking about theology and they have no opportunity to be trained in an official seminary setting. For this reason, there were chaos in the pulpits. Shallow teaching, moralism, experientialism, mysticism had become mainline teaching from the pulpits of house churches. As a result, the church was in a mess. The church had lost its direction. In all this chaos, how can the believers grow in the fear of the Lord? How can the believers respect the truth? How can the believers grow spiritually? How can the church have revival? In view of all these I kept reminding myself that I must do my best to divide the Word accurately and teach it to my congregation. I firmly believe proper theological training is the answer to all the mess.
Thank God that recently, there are more seminaries started classes and many Christians are being trained. However, I notice that most of these theological educators come from outside China. Although these foreign teachers are very knowledgeable, mature, experienced and full of love in teaching the Chinese students, yet objectively, there are still cultural differences and there are limitations in communications as well. For the health of theological education in China, we need to raise up native and indigenous theological educators within China. I am resolved to work hard to be part of effort and may the Lord bless my calling and vision.
I was brought to Christianity through the influence of my mother. This was how the Lord chose to save me and it was completely the grace of God for me to become His child.
My mother heard of the gospel through her sister before I was born. During that time, she had anemia and was seriously ill. In the beginning, she believed in the Lord because she wanted to be healed of her own sickness. Possibly, this is how most people believe in the Lord. However, after a few years (when I was still young), she had a serious relapse. But without being brought to the hospital, she was healed after she prayed a prayer. Since then, there have been no more relapses.
During these twelve years, I followed my mother to all the preaching services and prayer meetings in the church. Although I never had a good night sleep due to the irritation and pain, I awoke every morning at 4 or 5 o'clock to follow my mom to all the morning prayer meetings in the church. My mother also took me to all kinds of healing services, but I was not cured. As I was growing up, my impatience with the Lord also grew and my heart kept asking why the Lord did not heal me and take my pain away. Although I had complaints in my heart I still followed my mom to all the church services. My mom and I were sure God was able to heal me.
Regardless, I slowly grew in the knowledge of the Lord, knowing Jesus is the only true God who died for my sins on the cross and He was raised on the third day. I knew trusting the Lord Jesus Christ was the way to heaven. I believed He was the omnipotent God who could heal my sickness. To be completely honest, I do not know when I had repented of my sins and began to develop a meaningful relationship with Him. But I never doubted my faith ever and I am convinced that I am the child of God.
When I was twelve, my mom was desperately praying for my sickness, a name of a village kept appearing in her mind although she had never heard this village before. To be sure, she fasted for 30 days (taking only one meal a day) and one day she heard of this place (called "Gaowan") from a food seller and he was from that village. He told my mom that indeed there was a doctor who was well known to cure skin disease.
My mom immediately took me there and the doctor prescribed some medicines for me and told me that I would need take the medicines for a one and a half month and it was no guarantee that I would be cured. However, my mom was confident that it was the Lord who brought us there and I would be healed. After returning home, my itch stopped after taking the first medicine. After taking the medicine a second time, all the red spots were gone. Miraculously, I was completely cured after taking the medicines for another 6 days. I believed firmly that it was the Lord who cured my sickness. Since then, I have had no relapse and that was more than 20 years ago.
I am very thankful to the Lord for healing me because the healing took place when I was old enough to remember the grace of the Lord and not before. This was how I come to know the Lord. I will not forget the grace of the Lord and I have decided to give my life to the Lord, to serve Him and to follow Him.
This is my testimony. Thank you. | {
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This beautiful villa will comprises of 4 bedrooms and 5 bathrooms complete with a modern and open plan kitchen with the latest appliances. The interior of the house has been conceived to be fluid and continuous. Designed with different living zones for day and afternoon light according to the sun exposure. This villa has been designed to maximise the indoor-outdoor flow and the sea view from both the east and the west. This villa will be located in the middle of one of the best residential areas in Marbella close to all services, golf courses, restaurants, beaches and major attractions. | {
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Tell me the name of your favorite.
For instance, mine are parsnips, brussels sprouts and bok choy.
Malice is delicious. And juicy.
Chef Soren: For me it's all about the what's available, but within what's available, it has to be what you're in the mood for. Sometimes you're in a dark mood, you wanna get some comfort; when you're happy, you'll want to do something light.
Eating Our Words: So if you're in a dark mood, what would you make?
CS: Some kind of heavy stew, using scraps here and there, something really quick.
CS: Then it's like fresh fish with some kind of light salad, light bread. Just really kind of light.
CS: [laughs merrily] Exactly. Well, I try not to put my personal thing into everything, but I try also to consider that maybe people out there want something light. It also depends on the season. Obviously now, it's going into my favorite season, which is winter.
It's a year round herb, but most chefs I've ever talked to seem to agree that it is best enjoyed in the winter. | {
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It is a Mitzvah to always be Happy!!!
To know and believe in the existence and providence of G-d.
Don't believe in any other god(s) or powers whatsoever.
To know and believe that G-d is one. "Hear O Israel, the Lord our G-d, the Lord is one" (Deut. 6:4). The Rambam (Maimonides) writes that the highest level of wisdom a person can attain is to comprehend the simplistic oneness of G-d.
To love G-d. Love is the emotional pleasure and perception of another's virtues. As Rambam writes, a person can only have true love according to the degree they know the object of their love. To know a little - love a little. To know a lot - love a lot.
Fear (awe) of G-d. Yirah Shamyim (yirah = "to fear" and "to see", Shamyim = "G-d's Place") King Solomon says "Fear G-d and keep his commandments for that is the whole duty of Humanity. The beginning of wisdom is fear of G-d." Fear will bring you to love.
"Don't be misled by your heart and your eyes" as stated by Rabbi Noah Weingberg. Don't think you're so strong and don't have total trust in yourself.
I believe with prefect faith that all the words of the prophets are true.
I believe with perfect faith tha G-d rewards those who keep His commandments, and punishes those who transgress Him.
If G-d brings you to it, He will bring you through it.
There's no present like time, and no time like the present. | {
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13FOREST Gallery is pleased to present Plenty 2017, our tenth annual holiday exhibition. Opening just in time for Thanksgiving, Plenty celebrates the work of 52 New England artists, a number of whom are exhibiting with us for the first time. Not only does Plenty recognize a multitude of makers, but it also celebrates artistic media of all kinds – painting, drawing, printmaking, photography and sculpture are all represented. Take part in this visual feast as we celebrate the best of 2017 and ring in the new year!
Preview selected works from the exhibition below, and be sure to join us on Saturday, November 18, as we mark the opening of Plenty with a reception from 4-6 pm.
PLENTY, November 18, 2017 – January 13, 2018. On view at 13FOREST Gallery, located at 167A Massachusetts Avenue, Arlington, MA 02474. | {
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Atlantic Publishing produces some of the finest books in the world: specialising in illustrated non-fiction, our titles cover a wide variety of subjects with particular strength in social history, rock & pop music, movies and military history.
As well as producing titles for well-known high street names such as Marks & Spencer in UK and Barnes & Noble in the USA we also publish our own titles and collaborate with a network of publishers around the world who sell our books under licence.
Our long association with the most important photographic and news archives in the world means we can bring the great stories of the past alive with unique picture compilations and contemporary reports.
Atlantic Publishing's trade sales representation is with SaltWay, distributed by Orca Book Services. | {
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private and protected access modifiers are not allowed for top level classes.
Access modifier for top level class are only private or no modifier.
But access modifier for inner class are private, no modifier, protected and public.
Please read the Javaranch Naming Policy and change your publicly displayed name to comply with our unique rule. Thank you for your cooperation.
Not all modifiers are applicable to all kinds of class declarations. The access modifier public pertains only to top level classes (�7.6) and to member classes (�8.5, �9.5), and is discussed in �6.6, �8.5 and �9.5. The access modifiers protected and private pertain only to member classes within a directly enclosing class declaration (�8.5) and are discussed in �8.5.1. The access modifier static pertains only to member classes (�8.5, �9.5). A compile-time error occurs if the same modifier appears more than once in a class declaration.
The access modifiers for top level classes are either public or default (no modifier).
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Our soap is hand crafted in small batches for us by our friends at The Sunshine Shop in Okotoks Alberta. It is made using all natural colorants, saponified oils and essential oils without any synthetic fragrances. All of these bars have just the right amount of scent that leaves you feeling and smelling fresh and clean. This soap works up into a rich lather and is great for your entire body including your beard.
We have 4 different soaps; Patchouli Mint, Mojito, Cinnamon Scrub and The Irishman.
Patchouli Mint Ingredients: Saponified oils of Coconut, Palm, Olive, Sunflower, and Castor Bean. Essential oils of Patchouli, Peppermint and Orange. Natural colorants.
Mojito Ingredients: Saponified oils of Coconut, Palm, Olive, Sunflower, and Castor Bean. Peppermint leaves. Essential oils and natural colorants.
Cinnamon Scrub Ingredients: Saponified oils of Coconut, Palm, Olive, Sunflower, and Castor Bean. Essential oils of cinnamon, orange and grapefruit. Ground cinnamon, red mica and millet.
The Irishman Ingredients: Saponified Oils of Palm, coconut, olive, sunflower and castor bean, Guinness Beer, kaolin clay and essential oils.
Each bar weighs approximately 90 grams. The weight of each bar differs slightly due the fact they are hand cut and can change slightly.
Au Naturel. Keeping it simple.
The best balms will hydrate your skin and protect against irritation. This proven product will absorb into your skin for an ultra smooth feel. Apply following your shave with Chin Whiskers Shaving Cream for best results.
Chin Whiskers Grooming Co. After Shave Balm is made from 100% all natural ingredients and is made in Canada. Weight 120ml or 4fl oz.
© 2019 Chin Whiskers Grooming Co. | {
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Performs internal audits providing management with objective assessments, recommendations, and pertinent information concerning the adequacy and effectiveness of the internal control system.
Independently performs financial, operational, and information system assessments and advises management on the need for corrective action.
Coordinates and assists with compliance activities related to Sarbanes-Oxley; specifically in the documentation and evaluation of internal controls in accordance with Section 404.
Conducts operational, financial, and information systems audits to review effectiveness of internal controls, efficiency of operations, and compliance with company policies and procedures.
Works closely with auditees to identify potential improvements to internal controls and operational processes.
Assists with implementation efforts related to internal control and operational process improvements accepted by auditees.
Documents audit procedures and observations through the preparation of detailed workpapers. Drafts the internal audit reports/memos.
Assists internal audit management with risk assessment activities, audit planning and developing audit objectives.
Participates in new systems development initiatives, serves as a business process consultant, and performs special project work.
Assists external auditors in the completion of the audit requirements.
Performs all of the above activities in a manner that reflects the highest professional standards and conduct, consistent with the "Standards for Professional Practice of Internal Auditing" as published by the Institute of Internal Auditors and Triton's policies & procedures.
Fortune 500 - Internal Audit and/or Finance areas.
Strong knowledge and skills with auditing and evaluation of internal controls.
Proficiency with MS-Office, in particular with Excel, Word and Access.
B.S. in Accounting, Finance, Computer Science, Management Information Systems, or equivalent work experience.
Masters or MBA is a plus.
Experience using internal controls frameworks, such as COSO, CoCo and/or COBiT. CIA, CPA and/or CISA certification is highly desired.
Ability to think dynamically and strategically; demonstrate sound judgment and logical thinking.
Strong analytical, project management, consultative and meeting facilitation skills.
High integrity and professionalism in interactions across all levels of the organization.
Ability to handle sensitive/confidential matters in a tactful and discreet manner.
Strong work ethic, initiative, adaptability and reliable attendance and punctuality.
Ability to travel 5% of the time. | {
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What if you could stop selling altogether and grow your profits? With The Serving Mindset, you'll learn how to serve, elevate your business success, and feel great about it!
Targeted to business owners and entrepreneurs who are very good at what they do but feel guilt and shame around selling and sales and therefore limit their own success and overall possibilities, The Serving Mindset: Stop Selling and Grow Your Business positions selling as serving and takes readers through the process of why and how to acquire this "serving mindset" and put it into practice.
Farnoosh Brock left her successful career at a Fortune 100 technology corporation to start her own company, Prolific Living Inc., to pursue her life's work through writing, creating, and speaking. Her mission is to enable and empower you to achieve your highest possibilities in life through her mindsets, systems and methodologies. She's also an expert green juicer, an Ashtanga yogini, and a devout world traveler. Brock is also the author of The Healthy Juicer's Bible and The Healthy Smoothie Bible, both of which continue to be favorites in the juicing and smoothie community. | {
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Research quality of education, property taxes, and property values after school consolidation, and you'll find down, up, and down, said this speaker. Didn't get his name; sorry.
I don't have kids, but I have plenty of friends that do. that are in Valdosta city school system, and they like the direction that the school system is going. They like the quality of education that their children are getting at this time.
My grandfather used to say, if it ain't broke, don't fix it. It ain't broke, so why are we going to let them try to fix it?
Do the research; I've done the research. Do the research on other communities that have consolidated two systems. When you get a big huge system, the quality of education goes down. Check it out. Research it.
Property taxes go up. Property values go down. Do the research.
You know, the research CUEE either did and rejected, according to Sam Allen about the questions VDT claims CUEE can't answer. There are answers; just not ones CUEE likes.
This entry was posted in Activism, Community, CUEE, Economy, Education, Elections, FVCS, VBOE, VBOE 2011-08-29 and tagged 29 August 2011, consolidation, Education, Georgia, John S. Quarterman, LAKE, Lowndes Area Knowledge Exchange, Lowndes County, property values, quality of education, referendum, statement, taxes, Valdosta, Valdosta Board of Education, VBOE, Work Session on September 8, 2011 by admin. | {
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What Is Post-Concussion Syndrome?
Here What Should You Know about Post-Concussion Syndrome
What Are the Symptoms of Post-Concussion Syndrome?
How Is It Diagnosed?
Are Treatments Available?
When you have a head injury that's seemingly not severe, it's still considered a mild traumatic brain injury. The term "mild" can be comforting, but the reality is that even a mild concussion can lead to serious complications in some cases.
One example is the long-term effects you may experience after a head injury, sometimes known as post-concussion syndrome.
Post-concussion syndrome is difficult to diagnose, but you may know for a fact that something is off with how you feel since your accident or injury.
Post-concussion syndrome is considered a complex disorder with varied symptoms that can last for weeks or even months following a concussion. As was touched on, a concussion is a mild form of a traumatic brain injury that can occur after a blow to the head, or with shaking or movement of the head or body.
A concussion doesn't necessarily mean you lose consciousness, and the potential to develop post-concussion syndrome isn't thought to be linked to the severity of your original injury.
For most people who experience post-concussion syndrome, symptoms occur within seven to 10 days after the injury and subside within three months. In rare cases, the symptoms may go on for more than a year.
There's a fairly long list of possible symptoms you may experiencing following a concussion, some of which include:
Ringing in the ears
Sensitivity to light and noise
Sometimes, but not often, decreases in smell and taste
For some people, the symptoms may feel like migraines or tension headaches.
We're not entirely sure what causes post-concussion syndrome, but some experts believe it could be the result of damage to the structure of the brain, or perhaps a disruption in the messaging system that's in the nerves.
Other doctors and researchers think it could be psychological because the symptoms such as headaches and sleep disturbances are in line with what people experience when they have anxiety, depression, and PTSD.
Researchers aren't sure why some people develop post-concussion symptoms and others don't. As was mentioned, there's no identified link with the severity of the original injury.
However, there are some commonalities between the people who most often develop these symptoms.
For example, a history of PTSD, anxiety, depression, stress, and a poor social support system are often seen in people who have longer-lasting concussion symptoms.
Increasing age can be a risk factor, and women are more likely to be diagnosed with the condition, although this could be because women seek medical care more often.
According to the Concussion Legacy Foundation, an estimated 10% of people with a concussion will develop the ongoing symptoms, but other estimates put that number anywhere between 5 and 30%.
There's no one definitive test that will let you and your doctor know if you have post-concussive syndrome. Your doctor may run a scan to rule out any other underlying problems in your brain that are causing your symptoms.
For example, your doctor might do a CT or MRI, which will show them if there are any brain abnormalities present.
You may be referred to other specialists during the course of the diagnosis process.
For example, if you're having significant dizziness, you may be referred to an ear, nose, and throat specialist. If your symptoms including depression or anxiety, you may be referred to a mental health professional.
Since the symptoms can be so broad, there aren't any specific treatments for post-concussion syndrome.
Mostly your health care provider will probably work to alleviate the symptoms as much as possible.
For example, if you're struggling with headaches, your doctor may prescribe medication.
Your doctor might also encourage you to do cognitive behavioral therapy, which can help with memory issues or symptoms such as fogginess and fatigue.
Finally, people often fear that post-concussion syndrome is going to be permanent. While it can be more difficult to treat for some and longer-lasting depending on the person, it's not considered a permanent situation, unless you don't seek treatment for the symptoms. Then, the particular symptoms could worsen or be longer-lasting.
If you think you have post-concussion syndrome or you think your loved one might, it's important to speak with a health care professional sooner rather than later. It can diminish your quality of life otherwise.
5 Rules to Follow When Cooking With CBD Oil
How Dieters Can Make Those Delectable Fries Healthier | {
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Theft of a patient medication record system.
Undertaking issued to ensure that adequate procedures are put in place to ensure that PMR pharmacy data is securely handled prior to any future transfer of pharmacy ownership. All staff must be made aware of the data controller's procedures for the safe storage and retrieval of personal data.
The PMR system was stolen for the pharmacy while it was undergoing a transfer of ownership. Although the PMR was password protected the data controller had not taken adequate steps to safely retrieve the PMR system and return it to the wholesale company, whom they had been paying a monthly retainer to, prior to the transfer of ownership process.
This entry was posted in ICO undertaking, Medical Practices, Private sector and tagged Insufficiently Secure Premises, Loss of Sensitive Personal Data by BreachMaster. Bookmark the permalink. | {
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Subject: Did MC Hammer debut in 1989 or 1990?
Written By: Donnie Darko on 01/13/06 at 3:54 pm
His album came out in like Jan or Feb of '90, but did he first come to public attention in 1989?
Subject: Re: Did MC Hammer debut in 1989 or 1990?
Written By: Electric Youth on 01/13/06 at 4:30 pm
"Turn This Mutha Out" was out in 1989
MC Hammer's first album was the independent release "Feel My Power" in 1987. Capitol Records picked it up, and re-released it as "Let's Get it Started" in 1988
Written By: Philip Eno on 01/13/06 at 4:37 pm
In the UK his debut was in June 1990 for his first single U Can't Touch This and his first album Please Hammer Don't Hurt 'Em in Juyl 1990, so he must have been popular in the US before then.
Written By: PatBateman on 01/16/06 at 1:27 am
I confirm Eno's details. It was the biggest hit in summer of 1990 across the Europe.
Written By: 80smuzikhead on 01/16/06 at 7:48 am
Similar timing in Australia. I 1st saw the video for "U Can't Touch This" when in debuted at no.1 on the charts. The video begins with MC Hammer being presented with awards for "Favourite Rap Artist" and "Favourite Rap Album". It was news to me, I had never heard of him before! | {
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HTF MI recently introduced Global Virtual Machine Software Market study with in-depth overview, describing about the Product / Industry Scope and elaborates market outlook and status to 2023. The market Study is segmented by key regions which is accelerating the marketization. At present, the market is developing its presence and some of the key players from the complete study are Microsoft, Synology, Ahsay, Altaro Software, Wisper, Cherry Servers, DMG MORI, Parallels & QEMU etc.
This report studies the Global Virtual Machine Software market size, industry status and forecast, competition landscape and growth opportunity. This research report categorizes the Global Virtual Machine Software market by companies, region, type and end-use industry.
Browse 100+ market data Tables and Figures spread through Pages and in-depth TOC on " Virtual Machine Software Market by Type (Cloud based, On premise & Type 3), by End-Users/Application (Large Enterprise, SMB & Application 3), Organization Size, Industry, and Region - Forecast to 2023". Early buyers will receive 10% customization on comprehensive study.
The key players are highly focusing innovation in production technologies to improve efficiency and shelf life. The best long-term growth opportunities for this sector can be captured by ensuring ongoing process improvements and financial flexibility to invest in the optimal strategies. Company profile section of players such as Microsoft, Synology, Ahsay, Altaro Software, Wisper, Cherry Servers, DMG MORI, Parallels & QEMU includes its basic information like legal name, website, headquarters, its market position, historical background and top 5 closest competitors by Market capitalization / revenue along with contact information. Each player/ manufacturer revenue figures, growth rate and gross profit margin is provided in easy to understand tabular format for past 5 years and a separate section on recent development like mergers, acquisition or any new product/service launch etc.
The Global Virtual Machine Software Market has been divided into type, application, and region.
On The Basis Of Type: Cloud based, On premise & Type 3.
Virtual Machine Software (Volume, Value and Sales Price) table defined for each geographic region defined. | {
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Cicero's De republica (54–52 B.C.) is largely indebted to Plato, not only to the Republic but also to several other Platonic dialogues. Cicero discusses the attributes of various types of government — monarchy, aristocracy, democracy, and dictatorship — but without committing himself to a preference. One point, however, is clear. His concept of an ideal state is one based on reason and justice, where those who possess natural superiority rule over the inferiors.
I used to dread going to car dealerships. Pressure and just not being treated well. Lipton Toyota restored my faith in dealerships. The Sales Manager, Lawrence Soto was so very helpful and listened to my concerns. He made everything so easy for me. The Sales Associate, Dalton Ramsay was patient, answered all my questions, took his time to explain everything about my new car and made sure I was comfortable with the car before I drove it home. I could not have asked for better service. Plus I feel like I got a great deal on my 2017 Toyota Corolla. I LOVE MY NEW CAR! Thank you LiptonToyota!
Utopia is an ideal community or society possessing a perfect socio-politico-legal system. The term has been used to describe both intentional communities that attempt to create an ideal society, and fictional societies portrayed in literature. It has spawned other concepts, most prominently dystopia. Many books that deal with "utopia" are actually putting out a plot or message of a "false utopia".
The trailer of " Voyage en Chine " (Trip to China) is undoubtedly attractive : while it displays beautiful views of the Chinese countryside it sets against them the shapeless figure of an aging, limping, more uncomely than ever Yolande Moreau. The effect is that you can't help asking yourself what the Belgian comedian is doing in such an exotic place ? And the title is only half explicit about that, for this trip does not look like a sightseeing one. Well, for more information, there is no other solution than... to go and see the film. Which I did. I then found out what Yolande Moreau was doing in the Middle Kingdom. In the film she is in fact Liliane Rousseau, a fifty-odd-year-old nurse sharing her modest suburban house with a husband she does not seem to particularly care for. One night she learns by phone the death of her twenty-five-year-old son Philippe : the young man has just been killed in a car accident in China, his adopted homeland. Due to administrative complications, the grieving mother brings herself to go to China, in order to try and sort things out of course but also and above all to mourn her only child with dignity. Only she insists on going alone, certainly not in the company of her husband Richard, whom she blames for having misunderstood their son and caused his estrangement from them. And this is precisely what she does, landing first in Shanghai where Philippe lived and then in the province of Sichuan where he had his accident. Speaking a little English (which does not help very much in the countryside) but not a word of Chinese, this journey proves no pleasure cruise. However Liliane, like a brave little soldier, holds on and finally achieves her initiatory voyage - with a little help from local friends naturally. And just while she opens up to China and its people she gets closer to her son, even if it is too late for him. A profound theme combined with the discovery of another civilization, it looks like we are on track for a masterpiece... Unfortunately this is not really the case. The film is pleasant, yes. As expected, you discover many things about China, particularly about rural China, which is rarely shown in fiction cinema, the views are beautiful and Yolande Moreau is great. So, how come you leave the theater vaguely dissatisfied? One explanation may lie in its exceedingly slow pace. Too many scenes last too long and as they are not rich enough in meaning and/or emotions, a distancing effect (unwanted by the director, I suppose) sets in. With the result that instead of translating the meditative mood of his heroine, Zoltan Mayer inoculates a slight dose of boredom in the viewers' brains. A little more dynamic editing and scenes a little richer in content would have helped give "Voyage en Chine " more impact, which it deserved actually. Another weak point is the way the scenes connected with Philippe's death and funeral. Oddly enough, while the general tone of the film is subdued (even a little too much, as I mentioned before), this part of the film is presented in a melodramatic, if not whiny, fashion. An illustration of it is the (inappropriate) way Mayer directs the pretty Chinese actress Qu Jing Jing, who embodies the late son's former fiancée : she expresses grief too conventionally. So, when she finds herself face to Yolande Moreau, it is disturbing to see the former play while the latter lives. But don't get me wrong: even if I dwelt at some length on the film's imperfections these are only reservations. On the whole, as it is, " Voyage en Chine " remains a respectable work, at any rate worth seeing. Simply, it could have been even better. On the other hand, knowing that this is photographer Zoltan Mayer's first feature, such defects are understandable. So, if you feel like a trip to grassroots China, you can try this one. Just do not expect too many thrills and spills.
Excellent read and great translation for the modern reader. Retranslated from the original Latin, with the Greek translated further into English (i.e. River Nowater), the satire and biting commentary of More comes alive for the modern reader who likely lacks the Greek or Latin language skills of the educated classs of the 16th Century. This translation makes Utopia eminently readable. This edition also includes an extensive commentary and glossary for the reader new to the work.
Reviewers of the game praised the visual and auditory art as well as the sense of companionship created by playing with a stranger, calling it a moving and emotional experience, and have since listed it as one of the greatest video games of all time. Journey won several "game of the year" awards and received several other awards and nominations, including a Best Score Soundtrack for Visual Media nomination for the 2013 Grammy Awards. A retail "Collector's Edition", including Journey, Thatgamecompany's two previous titles, and additional media, was released in August 2012.
In August 2012, Alderman joined the faculty at the University of Tennessee after serving as a professor of geography at East Carolina University since 2000. He recently completed service on the Council of the Association of American Geographers (AAG) as Regional Councillor and Chair of the Association's Publications Committee. Alderman is the former President of the Southeastern Division of the AAG and a former co-editor of the peer-reviewed journal Southeastern Geographer.
Another surprising feature is the attitude toward machinery. Several centuries earlier, the Erewhonians had attained a remarkable stage of sophistication in the development of machinery, but through the teachings of a prophet they had been persuaded that machines might some day become masters over men, with the result that they destroyed all of the machinery having any degree of complexity and outlawed any further experimentation in the field. They retained only the simplest kinds of implements — spades and scythes — and horses and wagons.
Sir Thomas More, Utopia. This 1516 work is the book that gave us the word 'utopia' – from the Greek meaning 'no-place', though with a pun on eu-topos, 'good place', implying that such an ideal society is too good to be true. More's island utopia has variously been interpreted as a sincere description of the perfect world and as a satirical work poking fun at the world's excessive idealists. Mind you, given that in Utopia adulterers are taken into slavery, and repeat offenders are executed, it makes you wonder whether More's Utopia isn't more dystopian than anything…
H. G. Wells devotes much of his attention to previews of possible future developments of civilization that are predominantly optimistic. Among the better known of his publications in that field are: The Time Machine (1895), The War of the Worlds (1898), When the Sleeper Awakes (1899), A Modern Utopia (1905), Men Like Gods (1923), and The Shape of Things to Come (1933).
There is, of course, nothing new in all of this program, nothing fantastic such as Huxley's "Hatchery and Conditioning Centre." The reader, while he cringes at the horror, keeps repeating to himself, "It can't happen here." Nevertheless, Orwell compels us to recognize not only Nazi devices but also certain telltale symptoms in our own social and political practices that cannot help but undermine our complacency.
This is my best year ever, and it can be yours too. When I turned 40, I thought it was the end of life as I knew it. When I turned 50, I knew it was the end. It was the end, the end of that year--nothing more and nothing less. I've retired, gone to another career, started a business, and have kept writing. I've taken classes including glass blowing, swing dancing and so much more. I'm making each year, my best year. View all posts by thisisyourbestyear
Utopia has a more playful tone than one might think. While More's world is illustrating whatever point he is trying to get across, he is having fun engaging in creating his own world, as is demonstrated in the way he phrases "Then let me implore you, my dear Raphael,' said I, 'describe that island [Utopia] to us!"(Getty 323). He also says "When Raphael had finished his story, I was left thinking that quite a few of the laws and customs he had described as existing among the Utopians were really absurd." This demonstrates that he realizes his world is bizarre, and wants others to realize how out of place it was in their society. More is quite anxious to create his world, and pieces it together in great detail, taking pleasure in what makes world different from our own. However, he wants the reader to take his story seriously, which is why he bases it in reality, saying it is a part of the "New World." This being the parts of America and its surrounding islands discovered by Amerigo Vespucci in 1497.
In an essay "Of Cannibals," Montaigne gives an account of a primitive tribe of South American Indians; while treating their life style in toto, he pays special attention to their choice of leaders, their mode of warfare, and their treatment of captives. This work is a notable contribution to the vogue of fictionalized travel literature, which includes, in addition to More's Utopia, such works as Robinson Crusoe and Gulliver's Travels and a host of major and minor later documents. Montaigne's philosophical approach to his subject is revealed in his repeated pointing of contrasts between those simple Indians and "civilized" Europeans with their mechanical progress, their gunpowder, and their Christianity. In almost every instance, civilization comes off second best in matters of rational behavior and especially where man's humanity to man is concerned.
What happens to those slaves (bondsmen) who helped feed the citizens of Utopia by butchering animals for food and thus suffering the apparent moral consequence of diminished compassion is not stated. Perhaps Utopia uses only slaves gotten from outside the citizenry of Utopia for their necessary killing. Utopia has slaves captured in wars they fought and other "foreigners who have been condemned to death" which the Utopians "acquire [...] sometimes cheaply, more often gratis and take them away." Foreign slaves are kept "constantly at work" and in chains. (95) Utopia also has slaves who entered into slavery by choice. These are "poor, overworked drudges from other nations [...] who chose to be slaves among the Utopians." Such slaves can relinquish their slavery whenever they choose, but in doing so they leave Utopia, although they are not "sent away empty-handed." (96)
The first lesson West learns is that all industry and all institutions are under the control of the national government, a system which, he is informed, has proved to be far more effective than the earlier one of free, private enterprise because of the elimination of wasteful competition. These enormous nationwide political and industrial institutions are structured on the plan of a military organization.
Utopia has a quality of universality, as revealed by the fact that it has fascinated readers of five centuries, has influenced countless writers, and has invited imitation by scores of "Utopianists." Still, however, an examination of the period of which it was the product is necessary in order to view the work in depth. Remembering that Utopia was published in 1516, we need to recall what some of the major events associated with that era were, who More's great contemporaries were, and what were the principal ideas and drives that framed the cultural patterns of that brilliant era, the Renaissance.
The stress of the project led to the feeling there was not enough time or money to complete everything the team wished to, which added to the stress and caused arguments about the design of the game. The developers ended up reducing the overtime they spent on the project to avoid burning out, though it meant further delays and risked the company running out of money as the game neared completion. In a speech at the 16th annual D.I.C.E. Awards in 2013, Chen admitted that the company had indeed been driven to bankruptcy in the final months of development and that some of the developers had gone unpaid at the time.[10] Hunicke described the solution to finally finishing the game as learning to let go of tensions and ideas that could not make it into the game and be "nice to each other".[8]
The history of utopian literature from the mid-seventeenth century to the present cannot be treated in detail here, since there are more than 50 works that ought to be included in such a study. A brief survey will have to suffice for present purposes. A few of the better known and more influential works will be analyzed briefly and classified according to the main directions of development of the theme.
SME; ASCAP, União Brasileira de Compositores, IRICOM, LatinAutor - SonyATV, SOLAR Music Rights Management, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Abramus Digital, UMPG Publishing, BMG Rights Management, Sony ATV Publishing, LatinAutor - PeerMusic, LatinAutor - UMPG, LatinAutor, CMRRA, BMI - Broadcast Music Inc., SODRAC, UMPI, and 24 Music Rights Societies
In English, Utopia is pronounced exactly as Eutopia (the latter word, in Greek Εὐτοπία [Eutopiā], meaning "good place," contains the prefix εὐ- [eu-], "good", with which the οὐ of Utopia has come to be confused in the English pronunciation).[4] This is something that More himself addresses in an addendum to his book Wherfore not Utopie, but rather rightely my name is Eutopie, a place of felicitie.[5] | {
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For years, we've been told that in order to help maintain a healthy lifestyle, we need to incorporate at least 5 servings of fruit and vegetables in our diet each day. But in the past few decades, increased demand for greater productivity and increased pressure from supermarkets to produce 'perfect' fruit has meant that our fruit is now addled with a cocktail of pesticides.
Ultimately, by eating the fruit, we ingest a proportion of these pesticides. So could the fruit we're encouraged to eat actually be damaging us?
Pesticides are used to deter or destroy pests that can damage fruit crops, as well as controlling pests that could potentially damage the growing environment and our health. When fruit is harvested and processed, it usually undergoes a cleaning process before being stored and shipped to retailers. However, inevitably small traces of pesticide residue can remain on the fruit.
In some cases, the residue can be reduced by peeling the fruit. However, some environmental groups such as Friends of the Earth are still concerned about the impact of using pesticides on fruit. This is for several reasons, not least because there are concerns about how the pesticide residue can affect our health, as well as the environmental cost of using the pesticides on a large scale.
The Food Standards Agency is adamant that all pesticides used on fruit are safe, and have undergone an appropriate level of testing, and research prior to commercial food production use. They also maintain that through continual surveillance and monitoring, they're continually ensuring that pesticide residues on fruit and other foods are minimal, and at safe levels.
However, it's worth noting that some pesticides licensed within the UK are still used abroad. The fruit is harvested and imported into the UK with traces of unlicensed pesticide residue. One such example is the pesticide phosmet. It is believed that phosmet, an organophosphate insecticide, may damage the nervous system, as well as being a suspect carcinogen. Other pesticides such as carendazim and dithiocarbamates are thought to potentially disrupt hormone function, with children being more susceptible during their early growth and development.
In 2004, a study conducted by Friends of the Earth and revealing these findings, caused a certain amount of disquiet regarding the use of pesticides. Although there are no short-term or immediate effects to consuming these pesticides, there are still concerns about the as-yet unrecorded long-term effects. The study challenged the government's claim that levels of pesticides in fruit were safe, especially in relation to imported fruit.
Friends of the Earth made a call for the government to lower legal limits of pesticides on fruit, despite the FSA's protestations. One of the main issues was the fact that pesticides in fruit are monitored in batches, rather than by each individual fruit. It was claimed that pesticide levels could vary significantly between individual fruits, with some fruit above the 'safe' legal limit.
The FSA maintains that peeling and washing fruit is a good hygiene practice. But since some pesticides may be absorbed into the fruit flesh, some people may feel more confident about buying organic produce.
Since 2004, organic sales have steadily increased. Public concern about the environmental impacts and health issues associated with the use of pesticides has perhaps been mirrored in the continual growth of the organic sector. Organic farming not only inhibits the use of pesticides, but actually encourages natural pest control measures through the protection of wildlife habitats and sympathetic farming practices.
Consumers have also argued that access to organically produced food, and organic fruit, is potentially a more transparent and 'safer' consumer experience. Many environmental and health groups alike are keen to encourage organic fruit production and consumption, as the long-term effects of exposure to pesticide residues is still unknown. | {
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Anubias congensis mini variation is an excellent foreground plant for the beginning hobbyist. This attractive plant has small, dark green, oblong leaves, and while it grows slowly, once mature it proves to be a beautiful accent to almost any aquascape. A. congensis mini rhizomes will attach to a rock, piece of driftwood, or other tank decoration, but they can also float or be planted. You can tie the plant down with thread or fishing line to encourage it to root in a specific spot. It is somewhat unusual to plant Anubias, but if you do make sure that the rhizomes are not buried, as this will cause them to rot. This plant can be grown either submersed or emersed, and works very well in bare-bottomed tanks.
Anubias congensis Mini plants prefer a tank with good water circulation. Since they are slow growing they are prone to algae, especially under high light. These plants prefer low to moderate lighting. They can survive without CO2 injection, but will grow faster and larger with it. A. congensis mini propagates through its rhizome system. If the plant is healthy it should produce side shoots from its rhizome that you can separate and then allow to root in your tank. You can tie down the rhizome or let it float. Eventually it will sprout into another Anubias plant. Anubias work very well with a variety of tank mates, and can survive even the most active and aggressive fish species. | {
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Burning Tree's recent Breakfast Briefing "GDPR: What's All The Fuss About?" was well attended by representatives from businesses keen to learn what they have to do to be compliant.
Presentations from Burning Tree, Fimatix, Privacera, Beta Systems and Fujitsu showed delegates that compliance with General Data Protection Regulations (GDPR) by 25th May 2018 is relatively straightforward – if you have the right support.
Many arrived with an idea of what might be needed and then experienced a slow, sinking feeling as they suddenly realised that they had a lot to do.
However, they all left knowing that compliance is possible by the deadline as there is plenty of help available. In addition, all the delegates agreed that scrutinising how they use personal data would, in the end, be good for their businesses.
Opening the briefing, David Lello for Burning Tree explained that, for most companies, embarking on a programme of compliance without specialist help is likely to be a false economy. It will consume large amounts of time and manpower and no business can risk failure as prosecution will be extremely damaging both financially and reputationally.
Also, there is no choice. Regardless of what happens in "Brexit", GDPR will replace the current EU Directives and will be directly applicable to any organisation that processes the private data of EU Citizens. It comes into force on 25th May 2018 and businesses that are not compliant on that day risk fines that can amount to €20 million or up to 4% of global annual turnover, whichever is greater. No exceptions.
David also explained that readiness assessments and process automation will give businesses time to understand how exposed their organisations are to vulnerabilities. Thereafter, they can prioritise what they need to do for compliance and mitigation of a non-compliance finding. The sooner this is underway the better because, once businesses have identified the non-compliant areas, they need time to install programmes to correct and improve them.
Titled "The Age of Networkivity", Stephen O'Sullivan of Fimatix explained that sharing data may be a mundane daily part of working lives, but businesses must put more thought into how they share data safely without barriers or intermediaries. They advocated that organisations will only be as good as their algorithms, and that Artificial Intelligence (AI) and machine learning will increasingly become the differentiator. Few things will remain private and it is vital to embrace open-source and deconstruct the barriers to access data. He said, "Customers will have increasingly more control over their data; privacy will be owned by the customer, not you".
Ollie Hart of Fujitsu said that GDPR is an excellent opportunity for businesses because it is a business issue with an IT element – rather than the other way round. He said that GDPR driven improvements would enable businesses to protect all their sensitive information, not just personal data. These regulations will also enable businesses to drive end-user awareness, handling and processing and should initiate a database spring-clean that will make data easier to manage.
Personal data will have to be easily trackable (also a desirable outcome) and, as breach reporting has to be reported within 72 hours, all businesses must now have adequate incident response and crisis management plans. All of these systems and processes should be in place in all businesses already but, if not, now is the time to install them.
GDPR compliance will probably mean new software and processes in many businesses because they will have to demonstrate that they have robust safeguards, the correct consents, pseudoanonymization and encryption options in order to be able to use personal data. They will also need to show that they are constantly monitoring their data for breaches. Therefore, it is now crucial for businesses to identify where breaches/non-compliance could occur so that they can rectify the situation.
Balagi Ganesan of Privacera showed that by using analytics and simple dashboards, businesses can instantly see how personal data is accessed against the consent collected and, therefore, prevent any actions that would be non-compliant. In fact, installing good software now, might be all they need to do. Balagi said that by using AI and machine learning, new tools were better able to discover where data may exist in an organisation. Once discovered the tool will classify, manage and monitor the data.
Beta Systems highlighted the fact that only 30% of UK businesses have started to prepare for 25th May 2018. GDPR affects any business that holds EU Citizen personal data: employee data, customer data or supplier data – it all counts. There have recently been some high-profile prosecutions of organisations who have misused or been negligent with data and their fines went well into six figures. Les Parsonson also explained that businesses cannot be GDPR compliant without an Identity & Access Management (IAM) solution. Although IAM solutions on their own do not guarantee GDPR compliance.
All the speakers then took part in a lively panel discussion where the audience were given the opportunity to ask questions and get views and opinions from the speakers as well as other attendees.
GDPR should not impart panic – but there is an urgency for those businesses who are not managing their data well. This legislation gives you an opportunity for your security, legal, compliance and IT heads to get together and understand how you are collecting and storing personal data; how you are using it and then implement measures to ensure that you are compliant with the legislation. This will benefit your relationships with customers, staff and suppliers and can only improve the way you use data.
Take a deep breath. It is a journey, not a milestone, there are plenty of specialist consultants, and software houses who are well versed in the new regulations who will guide you on your road to compliance.
If you would like further guidance on GDPR and what your business needs to be doing to comply in time, please don't hesitate to get in touch with the Burning Tree team either by phoning 01252 843014 or emailing [email protected]. | {
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Mapping Riverine Communities
Community maps crucial in the fight for land rights
Participatory-made film
The community of Lago do Mainá have lived with the forest and the river, nature for them is the most fundamental thing they have. However a military training base and increasing incursions by soldiers created tension between the community and the army. Through the use of social mapping the people of Lago do Mainá have been able to secure rights to a concession where they can continue to live as they have done centuries.
Handcrafted Films UK
Formed in 2006, by Paul Redman (director & camera) and Tim Lewis (producer & sound), Handcrafted Films have worked in many diff...y.
Paul Redman England
Paul Redman is an award winning documentary filmmaker whose work has involved directing, filming and editing a variety of films on a ra...
Tim Lewis England
Working as a producer, sound recordist, video editor, photographer and writer, Tim Lewis produces documentary films for a wide range of...
Joel Redman England
Joel Redman is an award winning photographer who has exhibited and worked internationally. His work has appeared in The Guardian, The T...
Freedom Quilombo land title struggle in Brazil
Brazil's African slave descendants, the Quilombola, have fought a long and hard struggle for recognition. After the abolition of the slave trade they were left abandoned and ostracised, devoid of rights and outside of Brazilian mainstream society. But things are slowly changing amongst rural communities. In the 1988 constitution Brazil's Quilombola were granted access to […]
BrazilCultureLand Rights | {
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Rufinus on Gregory Nazianzus' work on Pentecost
June 22, 2020 October 8, 2012 by Charles A. Sullivan
Rufinus' fifth century Latin translation of Gregory Nazianzus' Oration On Pentecost 41:15-16 translated into English.
Rufinus' translation is an important element in tracing the development of the doctrine of tongues from the fifth century onwards.
Gregory Nazianzus' original Oration On Pentecost was penned in Greek during the fourth century. However, we have few, if any Greek manuscripts that date earlier than the ninth century attributed to Gregory's Orations. Over time, texts tend to lose, gain, be emended, modernized, and all sorts of other changes over the process of being recopied. Not that this is necessarily bad, but if one wants to be sure about the initial intent, it is important to find or build a text closest to the original.
This is where Rufinus' work becomes important. It was originally written in the fifth century and remains one of the oldest texts on the subject. However, the work does not exactly parallel the available Greek editions. Some argue that Rufinus took too much liberty when rephrasing important elements and therefore the results are an amplified version. This may be true, and therefore it must be read with some caution as an original source text.
However, this Latin work was by far more popular than the Greek text in the Latin-based Church world, and set the basis for their understanding of Nazianzus' Orations. It is a key point in the history of the tongues doctrine.
Who was Rufinus? "(Rufinus Aquileiensis; 340/345 – 410) was a monk, historian, and theologian. He is most known as a translator of Greek patristic material into Latin."1 He was heavily influenced by the Alexandrian Church community, especially that of Didymus the Blind.
Oration 41:15-16
Translated by Charles Sullivan from Corpus Scriptorum Ecclesiasticorum.2
15. Therefore the Apostles were speaking in various and diverse languages, and until the present [moment], an unfamiliar3 voice was being let out by these very ones who were speaking. This was a sign that had previously been foretold to the unbelieving peoples, when it says as, "In other tongues and other lips I will speak to this people, and neither so will they hear me, says the Lord."4 It needs to be asked in this place as to how each one was hearing these very ones speaking in their own languages the mighty things of God. Either those that were speaking such in the various words of every language, generated what was being said. That is for example, each one of them speaking in one language which having been paused here again, was again to change himself to another, and again to to another, and was to run through in such a way through the many or all languages.
Or rather, was it more astonishing to this, than their speech which they were speaking, whatever language was to have been spoken, it was being understood by each one hearing according to their own language. That is for example, by whichever one apostle in the Church says, (In fact it was necessary to speak one [language] and one speech while leaving the rest silent in order to reach everyone who heard), the speech itself was to possess this in its own power, so that while the hearers were of the diverse nations, each one according to the their own language coming from this one speech itself, which had been uttered by the apostle, that it entered upon the hearer and seized the intellect. Except perhaps according to this, that it may appear those who are hearing to be a greater miracle than those who speaking. On the other hand, those who were thus speaking were likewise thought to be drunk by the unbelieving who are ignorant about hearing the voices of the Holy Spirit.
16. The ancient division of languages is also certainly to be marvelled at, in the situation that the unity had become an alliance of iniquity was wrongly coming together for the most arrogant and impious construction of a building. But the exertions were being restrained with the wicked who had been averted of the conspiracy by the separation of the voice and also in the unfamiliar sound. Truly much more wonderful is such a division. Because in fact there was at the time a division from one into many who had become ignorant and different between each other, that now through the many being restored to the one like-mindedness and harmony. And they were indeed diverse gifts but was also given the gift of discretion, which can be distinguished and understood from the good [usage of language] which is better.5 But this certainly does not appear to me unprofitable since David says, "Submerge, O Lord, and divide their tongues." Why? Because they valued all the words of destruction, the deceitful tongue. Can it [the oneness of language] be clearly shown through these such tongues that we now presently see destroying the nature of the divine and the unity of the sacred substance? Yes, it is to be capable of such things.■
The Latin version of this text can be found here: Gregory Nazianzus' Oration 41:15-16 in the Latin.
This is one part of a multi-series on Gregory Nazianzus on the doctrine of tongues. For more articles on this subject, go to the The Gift of Tongues Project and scroll down to the Gregory sub-section.
Corpus Scriptorum Ecclesiasticorum. Vol. XXXXVI. Tyranni Rufini Opera . Pars I. Augustus Engelbrecht, ed. Lipsiae. 1910. Pg. 160ff.
sermo ignotus — ignotus can mean strange, unknown, unacquainted with, ignorant of.The emphasis here is not the nature or type of voice, but that the Apostles did not know previously the language they were speaking.
I Corinthians 14:21 based on Isaiah 28:11
a bono quod melius est.
Is Middle East News Coverage Balanced?
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Free blackjack is a great option for a variety of gamblers in Canada. Whether you're just learning how to play blackjack, or you're looking to perfect your ideal blackjack strategy, free blackjack games let you enjoy all the thrills without risking any of your hard-earned dollars. You can play for fun with no download and no registration, right here at OnlineCasino.ca. Then, when you're ready to crank the action up a notch, you can easily switch to playing for real money at the best online casinos in 2019.
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The foot book »
The foot book
Seuss, Dr., 1904-1991.
Bright and early book
Random House,
1 of 1 Boulder Main Childrens EZ Reader
1 of 2 Lafayette Children's Easy Readers Seu
0 of 1 Loveland Children's Easy Reader JE 1 Seu
c1968. [32] p. : col. ill. ; 24 cm.
[1968] [32] p. col. illus. 24 cm.
Beginning readers will love this foot-filled Bright and Early Book classic by Dr. Seuss! From left feet to right feet and wet feet to dry feet, there are so many feet to meet. The Foot Book will have young readers eager to step into the wonderful world of Dr. Seuss. Combining brief and funny stories, easy words, catchy rhythm, and lively illustrations, Bright and Early Books are an ideal way to introduce the joys of reading to children.
Foot -- Fiction
Foot -- Juvenile fiction
30824919-3801-4f5d-32a6-24a76d6b5122
foot book
Lafayette Children's Easy Readers
Beginner's text describes all sorts of feet doing all sorts of things.
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ils:.b13077934 .i40356723 Loveland Children's Easy Book JE Seuss, D. 1 false false In Transit Dec 31, 2019 lvebj
ils:.b13077934 .i36615948 Lafayette Children's Easy Readers Seu 1 false false On Shelf Nov 19, 2019 lafej
ils:.b13077934 .i43742737 Loveland Children's Easy Reader JE 1 Seu 1 false false Due Feb 8, 2020 Dec 10, 2019 lverj
ils:.b13077934 .i14892364 Broomfield Children's Picture Books JP Seuss 1 false false Due Feb 1, 2020 Dec 30, 2019 mdfce
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ils:.b13077934 .i36615961 Lafayette Children's Easy Readers Seu 1 false false Due Jan 25, 2020 Nov 12, 2019 lafej
ils:.b13077934 .i24895404 Boulder Main Childrens EZ Reader J E Seus 1 false false On Shelf Jan 08, 2020 bmfej
ils:.b13077934 .i25799319 Boulder Main Childrens EZ Reader J E Seus 1 false false Due Feb 7, 2020 Dec 01, 2019 bmfej
ils:.b13077934 .i25799320 Boulder Main Childrens EZ Reader J E Seus 1 false false Being Shelved Jan 17, 2020 bmfej
ils:.b13077934 .i20524055 Boulder Main Childrens EZ Reader 1 false false On Shelf Jan 04, 2020 bmfej
ils:.b13077934 .i25164971 Louisville Children's Easy Readers READER SEU Level 1 1 false false Due Jan 24, 2020 Dec 31, 2019 lsdre
ils:.b13077934 .i26216164 Boulder Main Childrens EZ Reader J E Seus 1 false false Lost and Paid Oct 01, 2019 bmfej
lexile_code
NP: Non-Prose
ils:.b24578915 Book Books English Random House, [1968] [32] p. col. illus. 24 cm.
ils:.b13077934 Book Books English Random House, c1968. [32] p. : col. ill. ; 24 cm.
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Bright and Early Book A
Bright and early book|
The foot book / by Dr. Seuss | {
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### Fixed
- An issue with `mysqldump` preventing `reset -d`
## [0.21.0] - 2021-10-09
### Added
- `--skip-backup` option to _migrate, reset, pull_ operations. This will skip the local backup before overwriting; use with care!
### Changed
- `--nobu` is now `--skip-backup` for the _migrate_ route.
## [0.20.0] - 2021-10-08
### Changed
- Terminus must now be installed at the app level w/Composer; no longer in the .loft_deploy directory. See documentation for info.
## [0.19.0] - 2021-10-08
### Added
- --single-transaction and --skip-lock-tables by default; configurable with "mysqldump_flags" to reduce lock timeouts during export.
## [0.18.0] - 2021-05-08
### Added
- When using Lando with Drupal you should now configure using `database.lando: @drupal` and remove `drupal.settings`. Read [the documention](@lando) for more info.
## [0.17.0] - 2021-02-08
### Changed
- Made the project Composer installed.
## [0.16.0] - 2019-10-28
### Added
- Added support for using with Lando containers.
- Add configuration option `stage_may_pull_prod` to allow stage to pull from prod. Set this to true in your configuration.
- Improved feedback and messages.
- Added local role as argument `$8` to hooks.
## [0.14.13]
* Changes in config.yml are now detected and caches are cleared automatically.
## [0.14.10]
* Removed `scp` operation; you should now use the `copy_production_to` feature instead.
## [0.14]
* Change to YAML configuration files (see [update.html](update.html) for how to)
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Strzała (łac. Sagitta, dop. Sagittae, skrót Sge) – mały i słabo widoczny, 86. co do wielkości, gwiazdozbiór nieba północnego. Jest jednym z najmniejszych gwiazdozbiorów – mniejsze od niego są jedynie Źrebię oraz Krzyż Południa, leżący w Drodze Mlecznej między Liskiem a Orłem. Nie zawiera jasnych gwiazd, jest więc łatwy do przeoczenia. W Polsce widoczny od wiosny do jesieni. Liczba gwiazd dostrzegalnych nieuzbrojonym okiem: około 20.
Mity i legendy
Zgodnie z nazwą przedstawia strzałę. Ale istnieją różne mity o tym, kto i do kogo ją wypuścił. Konstelacja ta była znana od starożytności, była też jednym z 48 gwiazdozbiorów opisanych przez Ptolemeusza. Wyobraża strzałę z łuku mitologicznego boga miłości Erosa lub strzałę, którą Apollo pokonał jednookiego olbrzyma cyklopa. Zdaniem Eratostenesa Apollo zemścił się na Zeusie. Jedną z błyskawic, wytworzonych przez cyklopów dla Zeusa, bóg zabił reprezentowanego w pobliskim gwiazdozbiorze Wężownika Eskulapa, syna Apollo.
Natomiast Hyginus wierzył, że Sagitta jest jedną ze strzał, które Herakles wystrzelił, by zabić orła kaukaskiego wyrywającego wątrobę Prometeusza. Jeszcze inna wersja mówi, że była to strzała, którą Herakles zabił ptaki stymfalijskie wykonując jedną z dwunastu prac.
Gwiazdy Strzały
W Strzale nie ma wiele ciekawych obiektów, które można obejrzeć małymi instrumentami. Blade gwiazdy przekonująco przedstawiają zarys strzały, jest to praktycznie jedyny kształt, jaki można z nich sporządzić. Leżące obok siebie Alfa i Beta tworzą lotki, a linia poprowadzona przez Deltę i Gammę stanowią korpus zakończony ostrzem-gwiazdą Etą.
Alfę (α) nazwano Sham (ar. "strzała"). Jest jedną z najbledszych gwiazd Alfa na niebie – czwartej lub niemal piątej wielkości. Sham znajduje się w odległości 475 lat świetlnych i jest cztery razy masywniejsza od Słońca. Ma bardzo podobny do niego typ widmowy, ale jest olbrzymem świecącym 350 razy jaśniej.
Beta (β) to żółty olbrzym leżący 467 lat świetlnych od Słońca.
Gamma (γ) jest najjaśniejszą gwiazdą konstelacji. Jest to pomarańczowy olbrzym znajdujący się w odległości 274 lat świetlnych.
Delta (δ) to czerwony olbrzym położony w odległości 448 lat świetlnych.
Gwiazda Zeta Sagittae (ζ) jest niezbyt imponującą gwiazdą podwójną o składnikach piątej i dziewiątej wielkości gwiazdowej. Znajduje się w odległości 326 lat świetlnych. Towarzysza można dostrzec w małym teleskopie.
VZ Sagittae leżąca w odległości 746 lat świetlnych to pulsujący czerwony olbrzym o wielkości gwiazdowej zmieniającej się nieregularnie w zakresie 5,3 do 5,5m.
WZ Sagittae to rzadko wybuchająca nowa karłowata, która rozbłysła w latach 1913, 1946, 1978 2001. Jej wielkość gwiazdowa wynosząca zwykle około 15m, wzrastała wówczas do 8m lub m.
S Sagittae jest cefeidą, której jasność spada o połowę co 8,4 dnia, wahając się między 5,2 a 6,0m.
Interesujące obiekty
M71, (NGC 6838), typ kulista, jasność 8,2, odległość 12 000 lat świetlnych, leżąca w połowie drzewca strzały. Skromna gromada kulista leżąca w połowie drzewca strzały. Nie ma centralnego zagęszczenia, typowego dla gromad kulistych, więc wygląda bardziej jak gęsta gromada otwarta. Jest z pewnością najbardziej interesującym obiektem konstelacji. Do lat 70. XX wieku była uważana za gromadę otwartą, ale jej widmo pokazało, że są w niej gwiazdy zmienne typu RR Lutni i zawiera stare gwiazdy jak wszystkie prawdziwe gromady kuliste. W 20-centymetrowym teleskopie widać ją jako dużą mgłę z kilkoma pojedynczymi ognikami.
Mgławice planetarne NGC 6886, NGC 6879 i IC 4997 to obiekty o podobnym charakterze. Każda jest malutkim, dobrze widocznym lazurowym dyskiem, który zdecydowanie różni się od gwiazdy jedynie przy dużym powiększeniu.
Zobacz też
lista gwiazd w gwiazdozbiorze Strzały
lista najjaśniejszych gwiazd w poszczególnych gwiazdozbiorach
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Home » Hurricane » In wake of catastrophic storms, is the 2017 Atlantic hurricane season more active than normal?
In wake of catastrophic storms, is the 2017 Atlantic hurricane season more active than normal?
97 0 Hurricane, Prepare, Survival
By Emma Curtis , AccuWeather staff writer
September 27, 2017, 10:56:57 AM EDT
On average, 12 tropical storms form in the Atlantic during hurricane season each year. This year has seen 13 tropical storms – just one more than the average.
If, statistically, this season has only been slightly more active than average, why is it that this season has garnered more attention than any season in the past decade?
"The intensity of some of these storms has been dramatic, and they've hit the United States," said AccuWeather Senior Meteorologist Bob Smerbeck.
Of the 13 named tropical storms that were named this year, eight were hurricanes and of those, four were major hurricanes. The 2017 Atlantic hurricane season has quickly become one of the most active seasons in the last decade.
"We've been overdue for the last several years to get a major hurricane hit the United States," Smerbeck said.
A satellite image of Hurricane Maria making landfall in Puerto Rico on Sept. 20, 2017. (Satellite Image/NASA Earth Observatory)
Every hurricane season has its unique aspects, explained AccuWeather's Hurricane Expert Dan Kottlowski.
Two Category 4 hurricanes made landfall and caused major damage in the United States in just two weeks.
"It's kind of unusual to see both Texas and Florida be hit by two different, monster hurricanes in the same year," said Kottlowski.
Of the five major hurricanes (Category 3 hurricanes or stronger), three of them made landfall in the mainland U.S. or Puerto Rico. Harvey flooded parts of Houston and southeastern Texas; Irma left 6.2 million Floridians without power; Maria destroyed Puerto Rico and left the U.S. island territory completely without power.
This is proving to be one of the most expensive, if not the costliest, hurricane season in recorded history although it has been far less deadly than one could assume considering the damage.
Hurricane Irma maintained winds of 185 mph longer than any other hurricane or typhoon in history before hitting South Florida. More than 7 million people were evacuated in the largest evacuation in U.S. history.
A customer pumps gas at a Costco gas station on Wednesday, Sept. 6, 2017, in North Miami, Florida. (AP Photo/Wilfredo Lee)
The integration of social media and mainstream media has played a critical role in the well-being of those affected by these horrific storms.
"We were getting videos, almost live videos, from people that were experiencing these horrible hurricanes," said Kottlowski. "We've never seen so much of that information. I think part of the issue is the fact that we can see what's going on better now than we ever have before."
For almost a decade, hurricane seasons have been rather quiet and inactive compared to the norm. Only nine major hurricanes have formed since the start of the 2012 hurricane season.
"When a period gets really inactive like we went through over the past 10 years or so, it was almost like that was the abnormality," Kottlowski said.
Tropical lull following Maria, Lee may not last through early October
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This season has been, without a doubt, one of the most active and dangerous hurricane seasons in recent history and, climatologically, there is more than two months until the season is over on Nov. 30.
"I think we will have four more named storms this year, after Maria," Kottlowski said. "Of these, three may be hurricanes and one may be a major hurricane."
Since Kottlowski's statement, Lee strengthened into a major hurricane on Wednesday morning, Sept. 27.
Storms could continue to form through October and may include another landfall in the United States.
This article is courtesy of AccuWeather. To read original visit:
https://www.accuweather.com/en/weather-news/in-wake-of-catastrophic-storms-is-the-2017-atlantic-hurricane-season-more-active-than-normal/70002815
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2017 MySurvivalReport.com. All rights reserved. | {
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Senile freckle: Any benign pigmented chiseled i'm all over this sun-uncovered dermis inside more aged older people, particularly within the back again of the arms and so on your brow. Also referred to as a hardworking liver position.
Xeomin (incobotulinumtoxinA) Drug Adverse reactions, Affairs, along with Treatment House elevators International-Medicalsearch. | {
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Ramiro Braian Luna (General Rodríguez, Buenos Aires; 21 de julio de 1995) es un futbolista argentino. Juega de volante y su equipo actual es Arsenal, de la Liga Profesional de Fútbol.
Carrera
Leandro N. Alem
Con 18 años, Luna llegó al primer equipo de Leandro N. Alem.
En el club estuvo desde 2013 hasta 2019, dónde convirtió 15 goles en 131 partidos.
Midland
En 2019, Luna se convirtió en refuerzo de Midland, equipo de la Primera C. Jugó 26 partidos y convirtió un gol.
Arsenal
Tras realizar buenas actuaciones en el ascenso, el volante se convirtió en refuerzo de Arsenal, de la Primera División. Su debut fue el 14 de noviembre en la victoria por 0-2 a Racing. Meses más tarde le convirtió 2 goles a Independiente.
Clubes
Referencias
Enlaces externos
Ficha en Soccerway
Ficha en Transfermarkt
Ficha en BDFA
Futbolistas de Argentina
Futbolistas de General Rodríguez
Futbolistas de la provincia de Buenos Aires
Futbolistas del Club Deportivo y Mutual Leandro N. Alem
Futbolistas del Club Atlético Ferrocarril Midland
Futbolistas del Arsenal Fútbol Club | {
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Joanne VanAuken, Secure Enterprise
The Top 10 Information Security Myths
If you buy into all of these commonly held beliefs, you'd better believe your data is at risk. We separate the facts from fiction.
When it comes to information security, there's a lot of popular wisdom available, but much of it is unfounded and won't necessarily improve your organization's security. Only by cutting through the hype to separate reality from myth can IT professionals help take their enterprises to the next level. Here are 10 network security myths that bear further examination.
MYTH #1: Organizations are more secure now than they were a year ago.
Most companies have initiated the necessary steps to safeguard their company assets. Information security has moved from a business cost to a business enabler. However, new threats and technologies are constantly and rapidly changing the network landscape. System administrators must scan the network continually for known security weaknesses, keep their skills current and, most important, reexamine corporate security policies periodically. Business processes defined a year ago may not match the organization's current needs.
MYTH #2: The presence or absence of regulations greatly matters when it comes to protecting customer data.
With or without a legal requirement, organizations still should safeguard their sensitive information. Failure to protect customers' personal data means a loss in consumer confidence, which results in lost revenue and government fines. Regulations and laws are getting the attention of C-level executives and forcing them to invest in information security initiatives, but don't be misled into thinking regulations mean data is protected.
MYTH #3: External consultants know more about information security than in-house personnel do.
People believe consultants have tools and advanced training that's lacking internally. But that's not always true. Before hiring an outside consultant, be sure you haven't overlooked your staff. Network and system administrators often make good full-time security personnel because they handle security problems as part of their daily duties. You might find you already have the required skills in-house -- all that's needed is some training classes. Training in-house personnel demonstrates your commitment to providing employees growth and career opportunities.
Consider using an outside consultant on an as-needed basis to supplement the skills of your staff. If you decide to bring in outside services, thoroughly validate the consultant's qualifications and experience. Be sure to check references. Outside consultants also can provide a good business partnership beyond the services outlined in a contract. Having an internal contact person well-placed within the organization can help foster a better working partnership and help staff view the consultant as a valuable team member.
MYTH #4: Information security must be managed as a separate business unit to be effective.
You may think keeping information security people together in one department is a good idea. After all, infosec professionals all speak the same language and deal with similar concerns. However, a single security group would have to deal with all the business units that have some level of security as part of their charters. If you keep your infosec professionals in one group, you risk alienating the business groups with which they'll need to work to conduct security awareness and training programs.
Top-level management must realize that information security is not solely the responsibility of IT, but rather an enterprise function that must mandate input from all business units so each unit can ensure its needs, concerns and mission statements are met. Smart organizations are starting to realize that security has evolved into an enterprisewide support division, rather than an isolated group dedicated solely to protecting servers. Security professionals can offer cost management, build a stronger focus on customer relations, and help identify and communicate growth opportunities throughout the organization.
MYTH #5: Complex, frequently changed passwords will make my enterprise secure.
No one would argue that a 16-character password is easy to guess. But it's also hard to remember. If you require users to change passwords every 60 days, they'll be writing down their passwords, which is exactly what you don't want. Instead, create a flexible password policy that lets users create simple yet inconspicuous passwords. Written password security policies should be governed by the organization, not the end user. However, each end user must be held accountable for managing and safeguarding his or her own password. Passwords written on Post-It notes or stored in Excel spreadsheets are far bigger threats to security than password cracking.
MYTH #6: The padlock icon present during an SSL session means my data is safe.
This is untrue. That tiny padlock icon found at the bottom of a Web site is a sign that data sent between your device and the site is encrypted -- it doesn't mean the Web site itself is safe. And keep in mind that data sent isn't stored on the Web site, but on a server, and how well an organization safeguards its server is a bigger security risk than the communication transmission itself. Nothing is 100 percent secure, and even sites using 128-bit encryption can be compromised.
MYTH #7: Migrating from Internet Explorer to Firefox will make my enterprise secure.
If a vulnerability is discovered in your browser, your computers are susceptible to compromise, no matter which browser you're running. The real risk lies in users continuing to click on virus-infected attachments, which are browser-agnostic.
As the popularity of Firefox increases, so does the number of exposed flaws. Small shops and individual users shouldn't find switching to Mozilla's Firefox a problem -- after all, it's targeted at that user base. However, mid- to large-size enterprises may find that Firefox isn't quite ready for the enterprise, despite its better security. First, Firefox lacks a management system, making it difficult for admins to control how the browser is used. Second, if your company has several Web-based applications built around Internet Explorer, migrating to Firefox will incur development costs in addition to deploying Firefox to your users. Instead, restrict Internet browsing activity to "what access is needed" and "who needs it." Teaching proper browsing behavior will keep your organization much safer than worrying about which browser you use.
MYTH #8: Increased security spending results in greater security.
This is false. Organizations often use some sort of metric to justify security spending. This can result in spending more money for security products, but not actually building a more secure enterprise. Every company has a unique risk profile that will determine its required security investment. You can't generalize security needs. Instead, establish a risk management profile, manage those risks within a given budget and purchase wisely to meet the needed security level. But don't spend your entire infosec budget on hardware and software. Security is as much a matter of awareness as technology, so be sure to spend appropriately on training and educating your users and customers. It's also vital to make security a visible and important part of your organizational culture.
MYTH #9: Wireless networks aren't secure.
Wireless networks, in their early incarnation, were considered less secure than wired networks because the WEP (Wired Equivalent Privacy) protocol had numerous security holes. Today, however, there are security methodologies and technologies that can be used in place of WEP. Having a good understanding of the 802.11i wireless standard and the 802.1x authentication standard will assist you in properly designing and configuring your wireless network. Although wireless is more susceptible to security problems than wired networking, IT professionals can make secure and effective use of wireless technology by building in additional security, properly managing the rich features found in Wi-Fi products and planning to take advantage of future Wi-Fi security enhancements.
MYTH #10: Dumping Windows for Linux will increase security.
With proper planning, you can securely deploy both Windows and Linux. Although there are more viruses written for the Windows platform, Linux isn't in the clear. Linux tends to have an advantage over Windows in that it's an open-source platform with a worldwide programming and security community supporting it. But an improperly configured Linux server is just as vulnerable as any Windows server.
So, should you dump Windows and migrate to Linux? For the majority of enterprises, the answer is no. While more software is becoming available for the Linux platform, organizations will have a hard time finding Linux versions of everything they need to run their businesses. The work associated with migrating to Unix -- testing applications to see if they function properly on the platform and retraining users -- makes the switch cost-prohibitive and not a viable long-term solution. The better alternative is to use Linux where it performs best -- as the underlying OS on appliances and powering high-end workstations and file servers.
Courtesy of Secure Enterprise, a CMP Media property. | {
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PowerCloud Systems is looking to disrupt the home networking market with the launch of Skydog, a new Kickstarter-funded solution that offers a level of visibility and management not seen on competing networking products. The Kickstarter page is now live, and the company is aiming to make the first products available to backers in May 2013.
"Skydog redefines how consumers view and make use of their home networks," said Jeff Abramowitz, founder and CEO of PowerCloud Systems. "Our beta users have found that Skydog's real-time visibility, management capabilities, and unparalleled ease-of-use enables them to save time, avoid frustration, and improve the performance of their connected home."
Consisting of a dual-band Wireless N router and an HTML5-based application that can be accessed from anywhere on any device, Skydog "revolutionizes" home networking in three key areas: real-time visibility, home network management, and easy set-up and ease-of-use. The most interesting aspect to this solution resides within the real-time visibility portion, as the system will show who is actually online, which devices are being used, what websites are being accessed and how much bandwidth is being used.
Furthermore, Skydog allows the user to set time limits for specific websites that are accessed by a specific user. This time limit covers all devices, not just a single MAC address, and is based on a calendaring system such as school days versus weekends. When time limits on the specified websites have been reached, the administrator and/or the individual user will be notified.
Skydog also sends text alerts to the administrator when specified issues arise, such as an Internet outage or a new guest seeking to access the network. Skydog can even speed the diagnoses of problems and their resolutions, such as checking Wi-Fi signals of devices or by remotely re-cycling the router. Because Skydog can be installed in remote locations, this type of management makes it easy to keep the network up and running without needing any hands-on maintenance.
PowerCloud's new networking solution also allows users to assign priority bandwidth access to certain users such as a work-at-home parent, or specific apps like Netflix and Hulu. This is ideal if too many users and devices are competing for bandwidth, or if a child is doing his or her homework online and can't risk network lag.
According to PowerCloud, the Wireless N router itself is dual band, offering up to 300 Mbps on both the 2.4 GHz and 5 GHz channels. Other features include "robust" WPA2-PSK security, Gigabit Ethernet wired ports, and a compact design of 17 x 11 x 2.5 centimeters. The HTML5 app requires a compatible browser like Chrome and Safari on mobile and the typical set of updated browsers for the desktop.
"Installation is easy using the Skydog mobile companion," the company said. "Skydog also works alongside existing routers, such as those providing back --up or integrated with broadband gateways, to provide the additional functionality only available with Skydog."
The Kickstarter project currently has 398 backers funding $35,803 USD. PowerCloud is looking to generate $75,000 within the next 34 days, and may surpass that goal given the project didn't hit Kickstarter until April 9, 2013. The company is definitely looking to shake up the home networking arena, and Skydog may just do that with its intelligent features and its intelligent approach to remote network management.
For more about the new Skydog project, head here.
ugly router....can't stand the flashing lights...why do they need them if you can control and see everything with your smartphone?
So is this software that gets added to existing routers or is it a router? If it's the latter why start with N and not AC?
Lol. I blocked Facebook on my network, and you should have seen the response from fully grown "adults". Gave temper tantrum a whole new meaning.
Just add Tomato/USB or DD-WRT and you can get all the same features.
Seems like a bad deal, it is more expensive than than many well established competing routers and offers lower specs. and while they are advertising monthly fees,they are selling the router as a prepaid cloud device where a certain price buys you a router that has cloud access for a certain number of years before expiring and possibly no longer functioning properly, or then charging you to renew.
Their site list the pricing as " the anticipated market price will be at least $149 for 3 years and $179 for 5 years. " | {
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Hunterston – Office for Nuclear regulation 'EDF's Pet Poodle' Claim
Another worrying report from Rob Edwards at Scottish investigative web site 'The Ferret' about Hunterston nuclear plant in Ayrshire and its 'cracking' reactor:
"Running an ageing nuclear reactor at Hunterston in North Ayrshire for another year could cause cracks in its core to rise by 65 per cent to nearly a thousand, according to the plant's operators.
But that won't breach the reactor's operating limit for cracks because the limit has been increased fourfold by the power company EDF Energy – and agreed by the UK Office for Nuclear Regulation (ONR).
Campaigners describe the rising number of cracks as "alarming" and "reckless", criticising EDF and ONR for "continuously moving the safety goalposts". They accuse ONR of becoming "EDF's pet poodle" rather than the public's safety watchdog."
Link to full article:
https://theferret.scot/hunterston-nuclear-reactor-cracks…/
ONR gave permission for EDF to restart Reactor 4 at Hunterston in September (link):
http://news.onr.org.uk/…/onr-gives-permission-for…/
Assistant General Secretary Celtic League (11/11/2020) | {
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Technology Law & Policy Clinic Supports ml5.js in Developing a New Ethical Open Source Software License and Code of Conduct for Machine Learning
Technology Law & Policy Clinic
This post is part of a series exploring the Clinic's work during the 2020-21 year
ml5.js is an open source project based at the Interactive Telecommunications Program (ITP) of NYU's Tisch School of the Arts that helps to make machine learning approachable for a broad audience of artists, creative coders, and students. ml5.js is built around ml5.js's unique machine learning software, a web-based tool that provides creators and users direct access to powerful machine learning capabilities in their own web browsers. ml5.js supports its software and its community with a range of community initiatives including detailed, easy-to-understand documentation, workshops, and educational videos.
The central goals of the project of ml5.js are not just to make machine learning more accessible and user friendly but also to center the importance of ethics in machine learning and technology at large. The ml5.js community emphasizes the need for individuals and organizations—including ml5.js community members themselves—to develop and apply machine learning technology responsibly. The ml5.js team is committed to teaching the next generation of creative coders to avoid and actively combat bias and discrimination, human rights abuses, and otherwise unethical and harmful uses of machine learning.
In the Spring 2020 semester, student attorneys in NYU's Advanced Technology Law and Policy (TLP) Clinic worked with ml5.js to help ml5.js develop a new licensing agreement and code of conduct to discourage harmful uses of its machine learning software. ml5.js ultimately released its new ethical open source copyright licensing agreement and novel "evolving" code of conduct in May of 2021. As ml5.js stated in its announcement, "[t]he Code of Conduct describes how we expect everyone to behave while they are in shared ml5.js community spaces. Additionally, the software license requires projects that incorporate ml5.js to follow the rules of the Code of Conduct."
Values-based software licenses are somewhat unusual—even disfavored—in some parts of the open source community, which has traditionally been "value-neutral" and prioritized downstream users' freedom to do with software as they please. However, the ml5.js team is committed to exploring new models of open source licensing that embed organizations' values in their licenses. For more on ml5.js's new license and Code of Conduct, see this blog post by ml5.js member (and Engelberg Center ED) Michael Weinberg.
This project was led by TLP student attorneys Austin Gillett ('20) and Jesse Kirkland ('21). TLP Clinic Director Jason Schultz and Deputy Director Chris Morten supervised the project. | {
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Thanksgiving was delightful. Most of the DeFrancis clan came up for the holiday and Kim and Brad were kind enough to host (amazing since she's having a baby in a month)! Me and the kids made our traditional turkey treats which I've been doing since I was a girl - fun! We played games, had a baby shower for Kimmy, talked and watched football and ate and had a great time. My favorite part was Kim painted little pumpkins for each of us and put them at our place settings. She also had written a little note to each of us on our placemats about why she was thankful for us. It was really sweet. After leaving Kim's house on Saturday all the cousins (and their parents) went to the Discovery Gateway museum. It was a blast! I am grateful for so many things, but family is definitely up at the top. During such incertain times it's great to have a support system that you can always count on. Happy Thaksgiving! | {
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Jacques Menachem Elias (n. 1844, București – d. 14 mai 1923, București) a fost un industriaș, bancher, moșier și filantrop evreu, cetățean român, ales post-mortem (1993) membru al Academiei Române.
Biografie
Jacques Menachem Elias s-a născut în anul 1844, în București, într-o familie evreiască de rit spaniol (sefard), tatăl său numindu-se Menachem H. Elias. Nu se cunosc prea multe date biografice despre persoana sa. Din testamentul său reiese că a avut doi frați care au murit la Viena, că nu a fost niciodată căsătorit și că nu a avut copii.
A fost un important om de afaceri, a fost proprietar de fabrici de zahăr (Fabrica de Zahăr din Sascut Târg, județul Bacău), bancher (fiind președintele și acționarul Băncii Generale Române) și industriaș. În cei aproape 80 de ani de viață, a reușit să strângă o mare avere, deținând moșii de mii de hectare, ferme agricole, imobile în țară și în străinătate (9 imobile la Viena spre exemplu, precum și la Berlin, Roma și Paris), 2 hoteluri din București (Continental și Patria), 2 mine de mercur în Dalmația, fabrici și milioane de lei în acțiuni la New York, Bruxelles, Londra, Praga, Belgrad, Viena, Berlin etc.
Deoarece până la Primul Război Mondial evreilor din România li se acorda dreptul de a fi cetățeni români individual, cu aprobarea Parlamentului, Jacques Elias a primit cetățenia română abia în anul 1880, printr-o procedură de urgență, la cererea regelui Carol I. Deși a strâns o mare avere, Elias a trăit toată viața modest, locuind într-un apartament obișnuit și nefrecventând cluburi sau cazinouri.
A fost consilier al regelui Carol I, care l-a recompensat cu onoruri înalte pentru contribuția lui la dezvoltarea economiei românești.
Jacques Menachem Elias a încetat din viață la data de 14 mai 1923, în București. La înmormântarea sa a participat întreg guvernul român.
Testamentul
Prin testamentul său redactat la 2/15 decembrie 1914, cum nu avea nici ascendenți și nici descendenți în viață, el a desemnat ca legatar universal Academia Română, căreia i-a lăsat toată averea mobilă și imobilă "oriunde s-ar afla această avere, în țară și în străinătate" (evaluată pe atunci la 1 miliard de lei). Conform dorinței sale, Academia Română a înființat o fundație de cultură națională și de asistență publică numită Fundația Familiei Menachem H. Elias, întreaga avere urmând să fie consacrată promovării culturii din România, alinării boalelor săracilor noștri, încurajării elementelor valoroase, sprijinirii cauzelor nobile. Și aceasta fără deosebire de origine, pentru toți cei care merită să fie ajutați. Fundația a fost denumită după tatăl său.
Testamentul său prevedea acordarea de finanțări pentru următoarele obiective:
"În special va avea obligațiunea de a construi și întreține la București, un spital de cel puțin 100 de paturi în condițiunile cele mai moderne... În acest spital, se vor primi bolnavi de ambele sexe, israeliți și de orice altă credință; se vor da consultații și medicamente gratuite". Acest spital poartă denumirea de Spitalul Elias.
dezvoltarea instituțiilor de cultură;
construirea de școli "pentru elevi israeliți și de orice altă credință" și de cantine școlare
acordarea anuală de premii și burse Jacques Elias pentru copiii săraci;
acordarea de fonduri pentru Universitatea Carol I, pentru Facultatea de Medicină din București, multor alte spitale și leagăne pentru copii;
acordarea de donații templelor și școlilor evreiești de rit spaniol din București și Viena.
Gestul său de filantropie a fost elogiat de către contemporani, Nicolae Iorga vorbind despre "acest mare exemplu de generozitate umană", iar Grigore Antipa, vicepreședintele Academiei Române, în cuvântul rostit la Templul cel mare al israeliților de rit spaniol din București, la puțin timp după moartea marelui filantrop, a amintit pilda dată de Jacques Elias care "și-a destinat tot fructul muncii sale realizării unui măreț ideal, înălțarea patriei prin cultură".
Din consiliul de conducere și administrație al Fundației au făcut parte, de-a lungul timpului: prințul Barbu Alexandru Știrbei, academicienii Ion Bianu, Gheorghe Țițeica, Grigore Antipa, Dimitrie Gusti, Constantin Rădulescu-Motru, Ion Simionescu, Dumitru Voinov, George Marinescu, David Emanuel, Constantin Ion Parhon, Mihail Sadoveanu, Andrei Rădulescu, Traian Ionașcu, Ioan Ceterchi, Nicolae Cajal, Victor Sahini, Aurel Iancu și alți intelectuali de marcă.
La data de 15 noiembrie 1938, în prezența Marelui Voievod Mihai de Alba Iulia și a Reginei Elena, precum și a altor personalități din țară și din străinătate, a fost pus în funcțiune "Spitalul fondat de Familia Menachem H. Elias", deschizându-și porțile ambulatoriului, spitalului și sanatoriului, destinate în întregime "bolnavilor de ambele sexe", indiferent de religia lor.
Onoruri
Ca mărturie a gratitudinii pentru serviciile aduse ca "proprietar și bancher" (Banca Generală) sau ca "întemeietor al industriei zahărului", Regele Carol I i-a acordat numeroase titluri de onoare, ordine și medalii:
Titlurile de "cavaler" și de "ofițer" al Ordinului "Steaua României" (în 1889 și 1901);
Titlurile de "ofițer" și de "comandor" al Ordinului "Coroana României" (în 1891, respectiv în 1909);
Medalia "Meritul comercial și industrial" clasa I-a (în 1913).
Jacques M. Elias a fost declarat cetățean de onoare al Bucureștiului.
Numele său a fost dat unei străzi centrale din capitala României și liceului din Sascut, localitate întemeiată de bancher.
În anul 1993 a fost ales membru de onoare post-mortem al Academiei Române.
Citate
Note
Un nepot, fiul unuia dintre frați a fost funcționar superior în conducerea băncii Marmorosch Blank și a avut doi fii care au fost admiși la Institutul Medico-Farmaceutic "Carol Davila" din București în toamna anului 1944, după abolirea interdicției evreilor de a studia în universități (numerus nulus). După absolvire, fiul mai mare, Iona (n. 1923, în București, d. 17 iunie 2011, Tel-Aviv) a emigrat în Israel în 1950, împreună cu soția sa, Beatrice, medic ginecolog, unde și-au schimbat numele de familie în Elian. Specializat în anestezie și reanimare, dr. Iona Elian a făcut parte din grupa de comando a Mosadului care l-a capturat în 1960 pe Adolf Eichmann la Buenos Aires. Abia după 13 ani, al doilea fiu, conf. dr. Marius (Elias) Elian (n. 1925, București, d. 1999, Tel-Aviv), a izbutit să emigreze spre Israel împreună cu soția sa, dr. Inge Elian, supraviețuitoare a deportării în Transnistria, ambii microbiologi. Marius Elian a fost organizatorul și directorul general al laboratoarelor uneia dintre cele patru organizații israeliene de asistență medicală.
Referințe
Legături externe
Membrii Academiei Române din 1866 până în prezent – E
Fundația Familiei M.H. Elias
Nașteri în 1844
Decese în 1923
Decese pe 14 mai
Bancheri români
Bancheri evrei
Filantropi evrei
Filantropi români
Membri post-mortem ai Academiei Române
Evrei români membri ai Academiei Române
Evrei sefarzi români | {
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Q: How to check if multiple background workers completed and to update the UI thread? I am creating a WPF application to collect logs. I am using different Backgroundworker to execute some scripts. Worker1 for script1, Worker2 for script2 and so on. When Backgroundworker completes RunworkerCompleted method get executed.
So, how can I wait for all the workers to complete? Once all these workers are complete, I need to update the UI thread.
A: You can try using Tasks.
Task t1 = Task.Run(() =>
{
// Do something
}
);
Task t2 = Task.Run(() =>
{
// Do something
}
);
Task t3 = Task.Run(() =>
{
// Do something
}
);
await Task.WhenAll(new Task[] { t1, t2, t3 }).ContinueWith((task) =>
{
// Do something when all three tasks have completed...
}
);
A: Here is a way to wait for all BackgroundWorker objects to get complete. I hope you are using C#:
static void Main(string[] args)
{
int noOfbackgroundWorker = 5;
WaitHandle[] waitHandles = new WaitHandle[noOfbackgroundWorker];
Stopwatch sw = new Stopwatch();
sw.Start();
for (int i = 0; i < noOfbackgroundWorker; i++)
{
var bg1 = new BackgroundWorker();
var handle = new EventWaitHandle(false, EventResetMode.ManualReset);
bg1.DoWork += delegate(object sender, DoWorkEventArgs e) { Thread.Sleep(i * 1000); };
bg1.RunWorkerCompleted += delegate(object sender, RunWorkerCompletedEventArgs e) { handle.Set(); };
waitHandles[i] = handle;
bg1.RunWorkerAsync();
}
WaitHandle.WaitAll(waitHandles);
Console.WriteLine("Done in "+sw.Elapsed.Seconds + " seconds");
Console.ReadKey();
}
Apart from above if there is low no of BackgroundWorker, just set a bool variable for each worker to map each worker complete status and call a common method from all RunworkerCompleted event handler that just has condition if(a && b && c.....) if passed then notify the UI.
A: As I say in my Task.Run vs BackgroundWorker conclusion:
anything like waiting for two separate background operations to complete before doing something else is much easier with Task.Run. Pretty much any time you have to coordinate background operations, Task.Run code is going to be much simpler!
(this is the conclusion of a series of blog posts comparing Task.Run to BackgroundWorker).
Worker1 for script1, Worker2 for script2 and so on.
You can do this with Task.Run:
Result DoWork(Script script) { ... }
IEnumerable<Script> scripts = ...;
var tasks = scripts.Select(x => Task.Run(() => DoWork(x))).ToList();
So, how can I wait for all the workers to complete? Once all these workers are complete, I need to update the UI thread.
Use await and Task.WhenAll:
var results = await Task.WhenAll(tasks);
... // Update UI with results
| {
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Wayne Roberts (October 20, 1950 – June 11, 2012), known as Stay High 149, was an American graffiti artist.
Career
Roberts was born in Emporia, Virginia, moving to the Bronx, New York at age six. He was called a "superstar" of the graffiti world in the late 1970s. Widely considered to use one of the most famous graffiti tags in the world, his trademark includes a smoking version of the stick figure from 1960s British television program The Saint.
Roberts collaborated with a number of well known brands during his career, including Huf, and the Burton Snowboards skate brand, Gravis.
Roberts was featured in the 2004 documentary Just to Get a Rep by Peter Gerard.
Death
Roberts died on June 11, 2012 from a liver disease at Calvary Hospital in The Bronx, New York.
References
External links
Official Website
149st Biography
American graffiti artists
1950 births
2012 deaths
People from Emporia, Virginia
People from the Bronx
Artists from Virginia
Artists from the Bronx
Deaths from liver disease | {
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] |
Officers of the Corporation
Executive Andministration
Vicki C. Balsamo '81
Rev. E. William Beauchamp, C.S.C.
Patrick D. Burke '84 (Vice Chair)
Daniel J. Coughlin Jr. M. B. A. '74
Rev. John F. Denning, C.S.C., Ed.D.
Daniel P. DeVasto, C.P.A. '70, P'94
Brian F. Doherty '94
Rev. Robert Dowd, C.S.C.
John E. Drew, M.S.S.S., '65
M. Elizabeth Fini, Ph.D. '76, Hon. 09
Brian J. Gaffney '75
Rev. Anthony R. Grasso, C.S.C., Ph.D.
Patrick W. Griffin, '81 (Vice Chair)
Bro. Thomas Giumenta, C.S.C.
Elizabeth G. Hayden, M.Ed. '76, P'04
Michael W. Herlihy, '83, P'05
Rev. Peter Jarret, C.S.C., M. Div.
Rev. William M. Lies, C.S.C. Ph.D.
Rev. Thomas P. Looney C.S.C. Ph. D. '82
Thomas J. May M. S. '69 (Chair)
Rev. Pete McCormick, C.S.C.
Rev. Charlie McCoy, C.S.C.
Sherilyn McCoy P'12, Hon. '13
Leo J. Meehan, III '75
Kathleen (Moroney) Miller, '79
Marsha A. Moses Ph.D. '75 Hon. '14
James "Keith" Motley
Samuel E. Navarro P'12, P'13
Rev. Hugh R. Page, Jr., D.Min., Ph.D.
Patricia A. Prue '81
Jean M. Raymond '86
Robert F. Rivers '86
Rev. John J. Ryan, C.S.C., Ph.D.
Thomas A. Shields '92
Rev. Peter J. Walsh, C.S.C. '84
President, Rev. John F. Denning, C.S.C., Ed.D.
Vice President for Finance and Treasurer, Jeanne M. Finlayson
Clerk, Thomas V. Flynn, Esq. '93
Office of the President Administration
Chief of Staff, Heather L. Heerman '96
General Counsel Administration
General Counsel, Thomas V. Flynn, Esq. '93
Assistant General Counsel, Amee Synnott, Esq. '93
Director of Human Resources and Title IX Coordinator, Lily A. Krentzman
Assistant Director of Human Resources, Employee Development, Shayla M. Jordan
Human Resources Partner - Diversity, Inclusion & Equity, Natasha Anderson
Human Resources Partner, Kathy A. Falcone
Benefits Coordinator, Judy A. Chaves
Campus Ministry Administration
Director of Campus Ministry, Alumni Minister, Rev. Anthony Szakaly, C.S.C.
Assistant Director of Campus Ministry, TBD
Campus Minister for Community Engagement, Brittany Joy Lorgere
Campus Minister for Retreats and Athletic Chaplain, TBD
Campus Minister for Music and Liturgy, Philip Pereira
Campus Minister for Faith Formation, TBD
Enrollment Management and Marketing Administration
Assistant Vice President and Dean of Admission, Joseph P. Dacey '02
Senior Associate Dean of Admission, Scott Seseske
Associate Dean of Admission, Heather R. Mello
Associate Dean of Admission for International Recruitment, John W. Pepin '07
Associate Dean of Admission for Transfer Admission and Counselor Programs, Abigail Meachem
Associate Dean of Admission Information Systems, Geoffrey B. Smith
Assistant Dean of Admission for Multicultural Recruitment, Amy Chung
Assistant Dean of Admission, Casey Wheeler
Assistant Dean of Admission, Lauren Duff
Senior Admission Counselor, Christopher Flaherty
Admission Counselor, Sarah Thomashower '16
Admission Counselor, Nicholas P. Chiocco '16
Admission Counselor, George M. Gomes, II '17
Admission Counselor, O'Shane J. Morgan '16
Operations Manager, Stephanie C. Loura
Director of Marketing, Shane M. LaPrade
Associate Director of Marketing, John B. Murphy
Art Director, Colin Spencer
Web Developer, Ashwathy Dinesh
Digital Ad Specialist, Jeanine M. Ilacqua
Academic Division Administration
Provost and Vice President for Academic Affairs, DeBrenna Agbényiga, Ph.D.
Associate Provost, Craig A Kelley, Ph.D.
Director of Academic Development, Bonnie L. Troupe
Director of the Center for Excellence in Teaching and Learning, Karen L. Anderson, Ph.D.
Director, Downtown Center for Community Engagement and Office of Community Based Learning, Linnea M. Carlson, Ph.D.
Associate Dean for Academic Achievement and Student Success, Christina M. Burney
Director of Academic Services and Advising, Zachariah D. Brown
Associate Director of Academic Services and Advising, Shannon D. Balliro
Assistant Director of Academic Services and Advising, Clare P. Morrison
Academic Advisor, Courtney E. Ruggles
Academic Advisor, TBD
Director of Accessibility Resources, Eileen H. Bellemore
Director of Career Development, Andrew S. Leahy '05
Associate Director of Career Development, TBD
Assistant Director of Career Development, Sara Polcari
Assistant Director of Engagement and Inclusion, Omar F. Rodriguez
Employer Relations Manager, Kristine L. Shatas
Career Advisor, Denise M. Geggatt
Director Stonehill Service Corps / Service and Nationally Prestigious Awards Advisor, Kristin E. Silva '92
Director of International Programs, Aliki E. Karagiannis
Assistant Director of International Programs, TBD
Director of the Center for Writing and Academic Achievement, Devon D. Sprague
Assistant Director of the Center for Writing and Academic Achievement, Alicia Brienza
Dean of the Leo J. Meehan School of Business, TBD
Director of the Center for Nonprofit Management, TBD
Dean of the Thomas and Donna May School of Arts & Sciences, Rev. Kevin P. Spicer, C.S.C., Ph.D.
Manager of The Farm at Stonehill, TBD
Director, Interdisciplinary Programs, Christopher Wetzel, Ph.D.
Director, Joseph W. Martin, Jr. Institute for Law & Society, Kathleen Currul-Dykeman, J.D., Ph.D.
Assistant Dean for General Education, TBD
Registrar, Rev. Jeffrey L. Allison, C.S.C.
Associate Registrar, Thomas J. Wagtowicz
Assistant Registrar, Lisa D. Tressel
Assistant Registrar & Transfer Coordinator, Joanne D. Moyer '84
Manager of Student Information Systems, Irene Russo
Data Specialist, Veronica M. Dunn '87
Director of MacPháidín Library and Director of Collaoratory for Innovation Design, TBD
Director of Archives and Historical Collections, Nicole B. Casper '95
Assistant Archivist and Digital Assets Manager, Jonathan D. Green '10
Head of Open Access Systems and Services, Allison Keaney
Assistant Director of Research, Teaching and Learning, Kelly Faulkner
Metadata Librarian, Cheryl S. Brigante
Head Reference Librarian, Joseph C. Middleton
Information Literacy & Outreach Librarian, Patricia M. McPherson
Reference & Resource Sharing Librarian, Heather B. Perry
Reference & Government Documents Librarian, Jane M. Swiszcz
Collection Development Librarian, Heather O'Leary
Associate Director, Technical Systems & Services, Jennifer M. Macaulay
Library Systems Technician, Kathleen Brenner
Director of the Digital Innovation Lab, Scott Cohen, Ph.D.
Assistant Director of the Digital Innovation Lab, TBD
Director of Graduate Admission, Melissa Ratliff
Disabilities Compliance Officer, Thomas V. Flynn, Esq. '93
Advancement Division Administration
Vice President for Advancement, Douglas J. Smith
Associate Vice President for Advancement, TBD
Director of the Annual Fund, Lisa A. Richards '99
Associate Director of the Annual Fund, Stacy L. King
Development Associate, Chanel Mazzone
Development Associate, Kjirsten Seiler
Director of Corporate, Foundation and Donor Relations, Marie C. Kelly '00
Assistant Director of Donor Relations and Special Events Manager, Kimberly R. Wheeler '06
Director of Major Gifts and Planned Giving, David L. Dugas
Planned Giving/Major Gifts Officer, Sharon M. Doyle
Major Gifts Officer, Andrew Miller '14
Major Gifts Officer, Lori D. Harris
Advancement Officer, Shea Healy '17
Director of Advancement Operations, Peter F. LaBreck '96
Manager of Advancement Information Systems, Ana M. Glavin
Development Researcher, Daniel J. Meagher
Director of Alumni Affairs, Anne M. Sant '88
Associate Director of Alumni Affairs, Jennifer M. Silva '93
Assistant Director of Alumni Affairs, Lauren E. O'Halloran '13
Alumni Chaplain, Rev. Tony Szakaly, C.S.C.
Director of Communications and Media Relations, Martin P. McGovern
Associate Director of Communications and Media Relations, Michael J. Shulansky
Design Specialist, Lu Ann Totman '08
Communications Associate, Kimberly Lawrence
Finance Division Administration
Associate Vice President for Finance and Operations, Craig W. Binney '83
Business Manager/Director of Purchasing, Gregory J. Wolfe
Director of Conference and Event Services, Mark Sabina, '08
Director of Facilities Management, Bruce G. Boyer
Energy Manager, Jessa A. Gagne
Assistant Vice President for Treasury Management and Controller, Jennifer A. Mathews
Associate Controller, Ran T. Alix-Garth
Associate Director of Student Accounts, Jennifer S. Heine '91
Manager of Finance Systems, Timothy M. Conlon-McCombe
Assistant Vice President for Planning and Budgeting, Stephen J. Beauregard
Budget Manager, Lucia F. Darling
Director of Institutional Research and Assessment, Brian M. Oles '07
Assistant Vice President of Student Financial Assistance, William Smith, Ed.D.
Associate Director of Student Financial Assistance, TBD
Assistant Director of Student Financial Assistance, Diane De Frias '06
Assistant Director of Student Financial Assistance, Rebecca L. DiFalco
Assistant Director of Student Financial Assistance (Loans), Eric D. Newnum
Manager of Student Financial Information Systems, Judith M. Kilday
Chief of Police, David G. Wordell
Lieutenant, Administration, William Karalis
Lieutenant, Patrol and Investigative Services, Rochelle Ryan
Communications Coordinator, Donna Couto
Chief Information Officer, Tamara Anderson
Director of Enterprise Application Services, David R. Doherty
Director of Enterprise Infrastructure Services, Thomas P. McGrath
Director of Network Services, Mark A. Tufts
Director of Educational Technology and Support Services, Scott Hamlin
Director of Media Technology Services, Michael Pietrowski
Student Affairs Division Administration
Vice President for Student Affairs, Pauline M. Dobrowski
Associate Vice President for Student Affairs/Dean of Students, Kevin S. Piskadlo, Ph.D.
Director of Community Standards, Michael C. Labella
Director of Counseling Services, Maria A. Kavanaugh, LICSW
Associate Director of Counseling Services, Kelly L. Fitzgerald, LMHC
Director of Health Services, Maria L. Sullivan, PA-C
Director of Athletics, Dean R. O'Keefe '94
Senior Associate Director of Athletics, Cynthia A. MacDonald
Associate Director of Athletics, Stephen E. Fitzgerald
Assistant Director of Athletics, Recreational Sports, Maureen Purcell
Assistant Director of Athletics, Communications, Douglas W. Monson
Assistant Director of Athletics, Sports Medicine & Athletic Performance, Peter Krysko
Associate Athletic Trainer, Barry S. Darling
Assistant Athletic Trainer, Lindsey Kelly
Assistant Athletic Trainer, Terarith Thay
Director of Intercultural Affairs, TBD
Assistant Director for Mentorship and Advising, Elizett Pires
Assistant Director for Programming and Training, Jemima Pierre
Director of Residence Life, Kristen L. Pierce '01
Associate Director of Residence Life, TBD
Assistant Director of Residence Life, Arianna M. Gulbis
Director of Student Engagement, Stephen E. Pagios
Assistant Director of Student Engagement, Stephen Lambe
Assistant Director of Student Engagement, Lina C. Macedo
NOTE: The year listed in parentheses after the name of each faculty member is the date of his or her first appointment to the Stonehill College faculty. "Additional Study" indicates at least 30 credit hours beyond the Master's degree.
Emerita/Emeritus Faculty and Staff
Barbara M. Anzivino, Emerita Instructor of Chemistry, (1987); B.A., Bridgewater State College; Ph.D., University of New Hampshire.
Sheila A. Barry, Emerita Assistant Professor of Biology, (1980); A.B., University of Massachusetts, Boston; M.Ed., Bridgewater State College.
Marlene Benjamin, Emerita Associate Professor of Political Science, (1987); B.A., St. John's college; M.A., Ph.D., Brandeis University.
John J. Broderick, Emeritus Professor of Sociology and Criminology, (1965); A.B., University of Louvain; M.A., Ph.D., University of New Hampshire.
George H. Carey, Emeritus Professor of Chemistry, (1968); B.S., Boston College; Ph.D., Illinois Institute of Technology.
Anne T. Carrigg, Emerita Professor of History (1965); A.B., Stonehill College; M.A., Ph.D., Boston College.
John J. Carty, C.P.A., Emeritus Associate Professor of Business Administration, (1963); B.B.A., University of Massachusetts, Amherst; M.B.A., Harvard Business School.
Robert H. Carver, Emeritus Professor of Management, (1982); B.A., Amherst College; M.P.P., Ph.D., University of Michigan.
Thomas J. Clarke, Emeritus Professor of Religious Studies and History, (1969); A.B., Stonehill College; S.T.L., The Gregorian University; M.A., Columbia University; Ph.D., Brandeis University; Psy.D., Massachusetts School of Professional Psychology.
Joyce M. Collins, Emerita Associate Professor of Foreign Languages, (1967); A.B., Emmanuel College; M.A., Middlebury College.
Katie Conboy, Emerita Professor of English, (1987); B.A., University of Kansas; Ph.D., University of Notre Dame.
Michael D. Coogan, Emeritus Professor of Religious Studies, (1985); B.A., Fordham University; Ph.D., Harvard University.
Maryjean V. Crowe, Emerita Associate Professor of Visual and Performing Arts, (1994); B.S., Massachusetts College of Art; M.F.A., Rhode Island School of Design.
Carlos A. Curley, Emeritus Associate Professor of Mathematics, (1988); A.B., Boston College; M.S., Ph.D., Northeastern University.
Warren F. Dahlin, Jr., Emeritus Assistant Professor of Healthcare Administration, (1978); B.A., Nasson College; M.S., Boston University.
Barbara L. Estrin, Emerita Professor of English, (1974); B.A., Smith College; M.A., Harvard University; Ph.D., Brown University.
Richard B. Finnegan, Emeritus Professor of Political Science, (1968); A.B., Stonehill College; M.A., Boston College; Ed.M., Harvard University; Ph.D., Florida State University.
Paul R. Gastonguay, Emeritus Associate Academic Dean, Associate Professor of Biology, (1969); B.S., Bates College; M.S., Rivier College.
Mario Giangrande, Emeritus Professor of Foreign Languages, (1962); A.B., Boston College; Dip. d'Et. Univ., University of Nice; Ph.D., Boston College.
Andre L. Goddu, Emeritus Professor of Physics, (1990); B.A., San Luis Rey College; M.A., California State University, San Francisco; Ph.D., University of California, Los Angeles.
Richard J. Grant, Associate Dean Emeritus, Assistant Professor, (1969); A.B., Maryknoll College Seminary; M.Ed., Boston College.
Joan D. Halpert, Emerita Assistant Professor of Theatre Arts and Costume Designer, (1982); B.S., Skidmore College.
James J. Kenneally, Emeritus Professor of History, (1958); B.S., Boston College; M.Ed., Tufts University; Ph.D., Boston College.
John R. Lanci, Emeritus Professor of Religious Studies, (1990); A.B., New York University; M.Th., University of Notre Dame; M.A., Ph.D., Harvard University.
James B. Lee, Emeritus Professor of Management, (1998); B.S., Loyola-Marymount University; M.S., University of Hawaii, Manoa; M.B.A., Ph.D., University of Arizona.
Benjamin R. Mariante, Emeritus Professor of Sociology, (1971); A.B., San Luis Rey College; S.T.B., Franciscan School of Theology; M.A., University of San Francisco; Th.D., Harvard University.
James B. Millikan, Emeritus Associate Professor of Political Science, (1975); A.B., M.A.T., University of North Carolina; Ph.D., University of California, Riverside.
Maurice H. J. Morin, Emeritus Associate Professor of English, (1975); A.B., M.A., Providence College; Ph.D., Brown University.
Diane C. Peabody, Emerita Research Professor of Biology, (1999); B.S., Duke University; M.S., Clemson University; Ph.D., University of Maryland.
Robert B. Peabody, Emeritus Professor of Biology, (1979), B.S., Duke University; M.S., Clemson University; Ph.D., University of Maryland.
Jose C. Pérêz, Emeritus Associate Professor of Foreign Languages, (1980); B.A., M.A., Ph.D., Boston University.
Rose J. Perkins, Emerita Professor of Psychology, (1987); B.A., University of Detroit; B.A., Rhode Island College; M.A., University of Colorado; Ed.D., Northeastern University.
Fred C. Petti, Emeritus Associate Professor of Philosophy (1968); A.B., Stonehill College; M.A., St. John's University; Ph.D., Boston College.
Virginia G. Polanski, Emerita Associate Professor of Writing, (1987); B.A., Houghton College; M.A., Syracuse University; M.A., Niagra University; Ph.D., State University of New York, Buffalo.
Chet A. Raymo, Emeritus Professor of Physics, (1964); B.S., University of Notre Dame; M.S., University of California, Los Angeles; Ph.D., University of Notre Dame.
Patricia H. Sankus, Emerita Professor of Theatre Arts, (1980); A.B., University of New Hampshire; M.A., Ph.D., Tufts University.
Richard A.K. Shankar, Emeritus Associate Professor of Sociology, (1976); B.A., California State College; M.A., Chico State College; Ph.D., Boston College.
Judith A. Sughrue, Emerita Associate Professor of History, (1964); A.B., Regis College; M.A., Additional Study, Catholic University.
Linda Sullivan, Registrar Emerita, Associate Professor, (1961); A.B., Stonehill College.
Soo Tang Tan, Emeritus Professor of Mathematics, (1977); B.S., Massachusetts Institute of Technology; M.S., University of Wisconsin; P.H.D., University of California, Los Angeles.
Richard J. Trudeau, Emeritus Associate Professor of Mathematics, (1970); A.B., M.A., Boston College; M. Div., Harvard University.
Maura Geens Tyrrell, Emerita Professor of Biology, (1975); A.B., Trinity College; Ph.D., University of Delaware.
Celia Wolf-Devine, Emerita Associate Professor of Philosophy, (1987); B.A, Smith College; M.A., Ph.D., University of Wisconsin.
Leyda Almodóvar Velázquez, Assistant Professor of Mathematics, (2016); B.S., University of Puerto Rico; M.S., The University of Iowa; Ph.D., The University of Iowa.
J. Richard Anderson, Professor of Accounting, (1979); B.A., Allegheny College; M.S., Northeastern University; Additional Study, Boston University.
Karen L. Anderson, Professor of Education, (2003); B.S., M.S., Long Island University; M.S., BankStreet College of Education; Ph.D., Boston College.
Timothy Balint, Assistant Professor of Computer Science, (2019); B.S., Roanoke College; M.S., George Mason University; Ph.D., George Mason University.
Brad Bannon, Visiting Assistant Professor of Religious Studies and Theology, (2019); B.A., Furman University; M.Div., Drew Theological School; L.Ph., Dhārmaram Vidyā Kşetram; Th.D., Harvard Divinity School.
Antonio Barbagallo, Professor of Spanish, (1989); B.A., University of Massachusetts, Boston; M.A., D.M.L., Middlebury College.
Ali Bazarah, Assistant Professor of Information Systems, (2021); B.S., University of Science and Technology, Yemen; M.B.A., King Fahd University, Saudi Arabia; M.S., Ph.D., Claremont Graduate University
Jacqueline Beatty, Assistant Professor of Biology/Health Sciences, (2019); B.S., Framingham State University; M.S. Bridgewater State University; Ph.D., University of Rhode Island.
Bronwyn H. Bleakley, Associate Professor of Biology, (2010); B.S., University of Arizona; Ph.D., Indiana University.
Nicholas L. Block, Assistant Professor of Biology, (2014); B.S. Texas A&M University. M.S. University of Chicago, Ph.D. University of Chicago.
James Bohn, Assistant Professor of Music (2014); B.M. University of Wisconsin, M.M. University of Illinois, D.M.A. University of Illinois.
Matthew C. Borushko, Associate Professor of English, (2009); B.A., University of Michigan; M.A., Ph.D., Boston University.
Maureen E. Boyle, Associate Professor of Communication, (2010); B.S., University of Bridgeport; M.A., Anna Maria College. (Sabbatical, Spring 2020)
Kenneth J. Branco, Professor of Sociology, (1984); B.A., University of Massachusetts, Amherst; M.S.W., Ph.D., Boston College. (Sabbatical, Fall 2019)
Ralph J. Bravaco, Professor of Computer Science, (1975); B.S., Seton Hall University; M.S., University of Southern California; M.S., Ph.D., University of Notre Dame.
Linzy Brekke-Aloise, Associate Professor of History, (2005); B.A., Mount Holyoke College; A.M., Ph.D., Harvard University.
Amra Brooks, Associate Professor of English, (2012); B.A., Sarah Lawrence College; M.F.A., Bard College. (Sabbatical, Spring 2020)
Kirk Buckman, Assistant Professor of Political Science, (2011); B.A., Clark University; M.A., Johns Hopkins University; Ph.D., Brandeis University.
Kristin C. Burkholder, Assistant Professor of Environmental Studies (2012); B.S., Bucknell; Ph.D., Duke University.
Nicole M. Capezza, Associate Professor of Psychology, (2012); B.A., Clark University; M.S., Ph.D., Purdue University.
Richard M. Capobianco, Professor of Philosophy, (1989); B.A., Hofstra University; M.A., Ph.D., Boston College. (Sabbatical, Spring 2020)
Danielle M. Carkin Lacorazza, Assistant Professor in Criminology, (2017); B.A. Daniel Webster College, M.A. University of Massachusetts, Lowell, Ph.D. University of Massachusetts, Lowell.
Anthony J. Celano, Professor of Philosophy, (1982); B.A., University of Delaware; M.S.L., Pontifical Institute of Medieval Studies; M.A., Ph.D., University of Toronto. (Sabbatical, Fall 2019)
Piyush Chandra, Associate Professor of Economics, (2014); B.A. University of Delhi, M.A. University of Delhi, Ph.D., University of Maryland-College Park.
Wendy Chapman Peek, Professor of English, (1990); B.A., Rutgers University; M.A., Ph.D., Cornell University. (Sabbatical, Fall 2019-Spring 2020)
Rev. James Chichetto, C.S.C., Associate Professor of Writing, (1974); A.B., Stonehill College; M.A., Holy Cross College; M.A., Wesleyan University.
Eunhye Cho, Assistant Professor of Education, (2021); M.A., Seoul National University; Ph.D., Boston College
Moon Chung, Assistant Professor of Education, (2019); B.A., Ewha Womans University; M.Ed, University of Texas; Ph.D. University of Illinois.
Elif Ş. Ciamarra, Associate Professor in Finance, (2017); B.S.B.A. Boğaziҫi University, M.B.A. International University of Japan, Ph.D. New York University.
Scott A. Cohen, Associate Professor of English, (2004); B.A., Keene State College; M.A., The Pennsylvania State University; Ph.D., University of Virginia.
Jennifer L. Cooper, Assistant Professor in Psychology, (2017); B.A. Carleton College, M.S. Rutgers University, Ph.D. Rutgers University.
Lincoln G. Craton, Professor of Psychology, (1995); B.S., Tufts University; Ph.D., University of Minnesota.
Kathleen Currul-Dykeman, Associate Professor of Criminology, (2008); B.A., University of Massachusetts at Amherst; J.D., Suffolk University School of Law; Ph.D., Northeastern University.
Nicole Cyr, Associate Professor of Biology, (2013); B.A. and B.S., University of Rhode Island; M.S. University of Wisconsin-Milwaukee; Ph.D., Tufts University.
Deno Del Sesto, Assistant Professor of Chemistry, (2011); B.A., St. Anselm College; Ph.D., Tufts University.
Nathaniel P. DesRosiers, Associate Professor of Religious Studies, (2011); B.A., Stonehill College; M.T.S., Harvard Divinity School; Ph.D., Brown University.
Corey Dolgon, Professor of Sociology (2009); B.A., Boston University; M.A., Baylor University; Ph.D., University of Michigan.
Robert Dugan, Professor of Computer Science, (2002); B.S., M.S., Worcester Polytechnic Institute; Ph.D., Rensselaer Polytechnic Institute.
John Duggan, Assistant Professor of Business Law (2014); B.A. Assumption College, JD Suffolk University School of Law.
Helga Duncan, Associate Professor of English (2005); B.A., University of Colorado, Colorado Springs; M.A., Ph.D., Brown University.
Suzanne Keasey Edinger, Assistant Professor of Business Management, (2016); B.S.B.A., University of Maryland; M.B.A., The College of William & Mary; Ph.D., University of Maryland.
Alexander F. Eiermann, Assistant Professor in Economics, (2017); B.A. University of Delaware, M.A. Boston College, Ph.D. Candidate, Boston College.
Stephanie Ernestus, Assistant Professor of Psychology, (2019); B.A., Lafayette College; M.A. University of Albany; Ph.D., University of Albany
Paige Frost, Assistant Professor of Accounting, (2021); B.S.B.A., Stonehill College; M.S., Wake Forest University
Rev. Thomas P. Gariepy, C.S.C., Professor of Healthcare Administration, (1985); A.B., Stonehill College; M.A., M.Th., University of Notre Dame; M.P.H., Ph.D., Yale University.
Todd S. Gernes, Associate Professor of History, (2008); B.A., M.A., University of Massachusetts, Amherst; M.A., Ph.D., Brown University.
Hilary Gettman, Associate Professor of Management, (2008); B.A., Eastern Nazarene College; J.D., Harvard Law School; M.A., Ph.D., University of Maryland.
Karl W. Giberson, Professor of Science and Religion in the Department of Philosophy, (2012); B.S., Eastern Nazarene College; Ph.D., Rice University.
Jungyun Gill, Associate Professor in Sociology, (2012); B.A. Dongguk University, Seoul, Korea; M.A., Korea University; Ph.D., University of Connecticut. (Sabbatical, Fall 2019-Spring 2020)
Mitchell Glavin, Associate Professor of Healthcare Administration, (2007); B.Sc., Massachusetts Institute of Technology; M.Sc., London School of Economics; Ph.D., Brandeis University.
John J. Golden, Associate Professor of German, (1988); B.A., Fordham University; M.A., Middlebury College; M.A., Ph.D., Cornell University.
Sarah Gracombe, Professor of English, (2004); B.A., Brown University.; Ph.D., Columbia University.
Jared F. Green, Associate Professor of English, (2002); B.A., Swarthmore College; Ph.D., Brown University.
Matthew C. Greene, Assistant Professor in Theatre Arts, (2017); B.A. University of Connecticut, M.F.A. Lesley University.
Rev. Richard E. Gribble, C.S.C., Professor of Religious Studies, (1995); B.S., United States Naval Academy; M.S., University of Southern California; M.Div., M. Sacred Theology, Jesuit School of Theology, Berkeley; Ph.D., Catholic University of America. (Sabbatical, Fall 2019-Spring 2020)
Guiru (Ruby) Gu, Assistant Professor of Physics, (2015); B.S., Hebei University of Technology; M.S., University of Massachusetts; Ph.D. University of Massachusetts.
Marilena F. Hall, Professor of Chemistry, (2000); B.S., McGill University; Ph.D., California Institute of Technology.
Nancy E. Hammerle, Associate Professor of Economics, (1980); A.B., M.A., Temple University.
Katharine M. Harris, Assistant Professor of Chemistry, (2016); B.S., University of Massachusetts, Amherst; Ph.D., Boston College.
Robert S. Harbert, Assistant Professor of Biology, (2018); B.S. Roanoke College, Ph.D., Cornell University.
Martha J. Hauff, Assistant Professor of Biology, (2016); B.A. Claremont McKenna College; Ph.D., University of Miami, Rosentiel School of Marine and Atmospheric Science
Lauren Hindman, Assistant Professor of Sports Management, (2021); B.A, Indiana University, Bloomington; M.S., Drexel University; Ph.D. University of Massachusetts, Amherst
Rachel Anne Hirst, Associate Professor of Biology, (2011); B.S., Stonehill College; Ph.D., Pennsylvania State University.
Amy Houston, Associate Professor of History, (2008); B.A., Albertson College of Idaho; Ph.D., Harvard University.
Steven Hubbard, Visiting Assistant Professor of Physics, (2019); B.S. Purdue University; Ph.D., Western Reserve University
John D. Hurley, Professor of Psychology, (1967); B.S., M.Ed., State College at Boston; Ed.D., Boston University.
Glen Ilacqua, Associate Professor of Accounting, (2005); B.S., M.S., Bentley College.
Daniel Itzkovitz, Professor of English, (1997); A.B., Sarah Lawrence College; Ph.D., Duke University.
Christopher A. Ives, Professor of Religious Studies, (2001); B.A., Williams College, M.A., Ph.D., Claremont Graduate School.
Magdalena James-Pederson, Associate Professor of Biology, (2003); B.A., Princeton University; Ph.D., Pennsylvania State University. (Sabbatical, Fall 2019)
Mark Kazarosian, Associate Professor of Economics, (1997); B.A., M.A., Ph.D., Boston College. (Sabbatical, Spring 2020)
Hossein S. Kazemi, Professor of Economics, (1982); B.S., University of Tehran; M.A., Ph.D., Clark University.
Pamela M. Kelley, Associate Professor of Criminology, (2002); B.A., Rhodes College; M.A., Syracuse University; Doctoral Candidate, Northeastern University.
David D. Kinsey, Associate Professor of Studio Arts, (2010); B.F.A., Ringling College of Art and Design; M.F.A., Yale University.
Bonnel A. Klentz, Professor of Psychology, (1985); B.A. University of Kansas; M.A., Ph.D., University of Montana.
Adam Lampton, Associate Professor of Studio Arts, (2007); B.A. The Colorado College; M.F.A., Massachusetts College of Art.
Anna Lännström, Professor of Philosophy, (2003); B.A., State University of New York-Potsdam; M.A., Ph.D., Boston University.
Geoffrey P. Lantos, Professor of Marketing, (1986); B.A., Gettysburg College; M.B.A., University of Rochester; Ph.D., Lehigh University.
Jane Hyo Jin Lee, Assistant Professor of Mathematics, (2015); B.S., M.S., University of Auckland; Ph.D., University of California, Merced.
Jegoo Lee, Associate Professor of Management, (2013); B.B.A., M.B.A., Yonsei University; M.Sc., Ph.D., Boston College. (Sabbatical, Fall 2019-Spring 2020)
Mary Joan Leith, Professor of Religious Studies, (1988); A.B., Harvard/Radcliffe College; M.A., Ph.D., Harvard University. (Sabbatical, Fall 2019)
Ronald Leone, Professor of Communication, (2000); B.A., Rhode Island College; M.S., Boston University; Ph.D., Syracuse University.
Louis J. Liotta, Professor of Chemistry, (1993); B.S., Pennsylvania State University; M.S., Ph.D., Cornell University. (Sabbatical, Spring 2020)
Pamela Lombardi, Assistant Professor of Chemistry, (2009); A.B., Dartmouth College; M.A., M.Phil., Ph.D., Columbia University.
Shari L. Lowin, Professor of Religious Studies, (2002); B.A., Columbia College, Columbia University; M.A., Ph.D., University of Chicago.
Shane J. Maddock, Professor of History, (1999); B.A., Michigan State University; M.A., Ph.D., University of Connecticut.
Peter J. Mahoney, Associate Professor of Spanish, (2011); B.A., Stonehill College, M.A., Ph.D., Boston University.
Gregory D. Maniero, Associate Professor of Biology, (2004); B.S., University of Wisconsin-Parkside; Ph.D., University of Colorado-Boulder.
Benjamin Marcus, Assistant Professor in Business Administration, (2018); B.S., University of Western Ontario, M.S., University of Western Ontario, Ph.D., University of Western Ontario.
Katherine A. Marin, Assistant Professor of Education, (2015); B.A., Boston College; M.Ed, Framingham State College; Ph.D., Boston College.
Christian L. Martin, Professor of French, (1998); L.L.M., Universite´ de Haute Bretagne; Ph.D., University of Wisconsin, Madison.
Juan Carlos Martin, Professor of Spanish, (2006); B.A., Brigham Young University; M.A., Brigham Young University; Ph.D., University of North Carolina at Chapel Hill.
Jose Luis Martínez, Associate Professor of Spanish, (1998); B.A., Universidad de Puerto Rico-Rio Pedras; M.A., Ph.D., University of Texas, Austin.
Alessandro Massarotti, Associate Professor of Physics, (2001); M.A., University of Rome; Ph.D., University of Chicago.
Anne F. Mattina, Professor of Communication, (1997); B.A., University of Massachusetts, Amherst; M.A., Ph.D., Ohio State University.
Wanjiru Gakau Mbure, Associate Professor of Communication, (2011); B.A., Daystar University; M.A., Ohio University; Ph.D., University of Missouri.
Edward T. McCarron, Associate Professor of History, (1992); B.A., Drew University; M.A., Florida State University; Ph.D., University of New Hampshire.
John McCoy, Professor of Psychology, (2008); B.S., Albright College; M.S., Ph.D., Colorado State University.
Stephen A. McDonald, CPA, Visiting Professor in Business Administration, (2016); B.S.B.A. Northeastern University; M.B.A., Northeastern University.
Lee McGinnis, Professor of Marketing, (2009); B.A., Idaho State University; M.S., Kansas State University; Ph.D., University of Nebraska-Lincoln.
Edward F. McGushin, Professor of Philosophy, (2011); B.A., University of North Carolina-Chapel Hill; M.A., Ph.D., Boston College.
Christine McMahon, Director of Placement and Supervision, Visiting Assistant Professor of Education, (2021); B.S., Stonehill College; M.Ed., Cambridge College
Kathleen M. McNamara, Director of Placement and Supervision, Assistant Professor of Education; B.A., College of St. Elizabeth; M.Ed., Lesley College.
Constantinos Mekios, Associate Professor of Philosophy, (2006); B.Sc., S.U.N.Y.; M.A., M. Phil., Columbia University; M.A., Ph.D., Boston University.
J. Ginger Meng, Associate Professor of Finance, (2008); B.E. Tianjin University; M.A., M.S., Ph.D., Boston College.
Anwar Mhanje, Visiting Assistant Professor in Political Science and International Studies, (2018); B.S., Ben Gurlon University, Israel, M.A., University of Cincinnati, Ph.D. Candidate, University of Cincinnati.
Megan Mitchell, Assistant Professor of Philosophy, (2014); B.A. The College of Wooster, M.A. Howard University, M.A. University of North Carolina, Ph.D. University of North Carolina.
Susan M. Mooney, Professor of Biology, Rev. Francis Hurley, C.S.C., Endowed Chair in Biology, (1985); B.S., Stonehill College; M.A., State University of New York, Buffalo; Ph.D., Boston University. (Sabbatical, Fall 2019-Spring 2020)
Akira Motomura, Professor of Economics, (1995); B.A., Yale University; M.A., Ph.D., Northwestern University.
Oltiana Muharremi, Assistant Professor of Business Administration/Accounting (2019); B.S. La Sapeinzaa University of Rome; M.S. University of Bari, Italy; Ph.D. University of Tirana, Albania.
Michael Mullen, Associate Professor of Finance, (2010); B.S. Fordham University; M.B.A., Indiana University.
Monique A. Myers, Associate Professor of Communication, (2004); B.S., M.A., Emerson College; Ph.D., University of Denver.
Pankaj Nagpal, Associate Professor of Business Administration/Accounting (2019); B.A. Indian Institute of Technology; M.B.A., Jamnalal Bajaj Institute; M.S., Boston University; Ph.D., Case Western Reserve University.
Jane G. Nash, Professor of Psychology, (1992); B.A., Grinnell College; M.S., Ph.D., Ohio University. (Sabbatical, Spring 2020)
Anna Ohanyan, Professor of Political Science, (2005); B.A., Yerevan State University; M.S., Nova Southeastern University; Ph.D., Syracuse University. (Sabbatical, Fall 2019-Spring 2020)
Erin L. O'Hea, Professor of Psychology, (2009); B.A., Lafayette College; M.A., Connecticut College; Ph.D., Louisiana State University.
Andrea Opitz, Assistant Professor of English and American Studies, (2008); B.A., Freie Universität Berlin; M.A. University of Montana; Ph.D., University of Washington.
Brendan O'Sullivan, Associate Professor of Philosophy, (2009); B.A., Davidson College; Ph.D., University of California, Berkeley.
Michael Palmieri, Visiting Assistant Professor of Criminology, (2021); B.S., M.S., North Carolina Central University; Ph.D. candidate, University of Massachusetts, Lowell
Irvin L. Pan, Associate Professor of Biology (2011); B.A., Amherst College; M.A., Johns Hopkins University; Ph.D., Yale University.
Angela Paradise, Associate Professor of Communication, (2007); B.A., Tufts University; M.A., Ph.D., University of Massachusetts, Amherst.
Margaret E. Pierce, Associate Professor of Education, (2011); B.A., Swarthmore College; Ed.M., Ed.D., Harvard University.
Rev. George A. Piggford, C.S.C., Professor of English, (2004); B.A., M.A., Duquesne University; M. Div., Notre Dame University; Ph.D., University of Montreal.
Stephen J. Pinzari, Associate Professor of Education, (1979); B.Ed., Keene State College of the University of New Hampshire; M.Ed., Ed.D., University of Maine.
Christopher Poirier, Professor of Psychology, (2004); B.A., Stonehill College; M.S., Ph.D., University of Massachusetts, Amherst.
Eugene P. Quinn, Assistant Professor of Mathematics, (2006); B.S., Providence College; M.S., University of Rhode Island; Ph.D., University of Rhode Island.
Lisa M. Redpath, Associate Professor of Music, (2008); B.S., Edinboro University of Pennsylvania; M.A., Boston University; M.L.S., Simmons College. (Sabbatical, Spring 2020)
Lillian R. Reuman, Assistant Professor of Psychology, (2021); B.A., Vassar College; M.A., Ph.D., University of North Carolina, Chapel Hill
Eddie Rhee, Associate Professor of Marketing, (2008); B.A., Sogang University; M.B.A., Ph.D. University of Iowa.
Valerie G. Robertson, Assistant Professor of Dance, (2009); B.A., Roger Williams University; M.F.A., Florida State University.
Ann Marie Rocheleau, Associate Professor of Criminology, (2006); B.A., Assumption College; M.A., Boston College; Ph.D., Northeastern University.
Robert Rodgers, Assistant Professor of Political Science, (2008); B.A., B.S., Syracuse University; J.D., Georgetown University Law Center; Doctoral Candidate, Princeton University.
John C. Rodrigue, Professor of History, Lawrence and Theresa Salameno Endowed Chair in History, (2007); B.A., Rutgers University; A.M. Columbia University; Ph.D. Emory University.
Daniel R. Rogers, Assistant Professor of Chemistry, (2014); B.S. University of Connecticut, M.S. University of Connecticut, Ph.D. Massachusetts Institute of Technology.
Tracy R. Rosebrock, Assistant Professor in Biology/Health Science, (2018), B.A., New College of Florida, M.A., Columbia University, Ph.D., Cornell University.
Robert A. Rosenthal, Professor of Economics, (1975); A.B., Queens College; M.A., Ph.D., Boston University.
Michael Salé, Assistant Professor of Management, (2014) B.S. Bridgewater State College, M.S.M. Bridgewater State College, Ph.D. Pace University.
David L. Sander, Assistant Professor of History, (2008); B.A., M.A., Ph.D., University of Colorado.
Shane Savage-Rumbaugh, Professor of Studio Arts, (1997); B.F.A., School of the Art Institute of Chicago; M.F.A., Cornell University.
Laura Thieman Scales, Associate Professor of English, (2007); B.A., Yale University; M.A., Ph.D., Harvard University.
Cheryl S. Schnitzer, Associate Professor of Chemistry, (2000); B.A., Skidmore College; Ph.D., Tufts University.
Bettina R. Scholz, Associate Professor of Political Science, (2010); B.A., Wellesley College; M.A., Ph.D., Harvard University.
Jennifer A. Segawa, Assistant Professor in Biology, (2017); B.A. John Hopkins University, Ph.D. Boston University.
Gregory J. Shaw, Professor of Religious Studies, (1986); B.A., Arizona State University; M.A., Ph.D., University of California, Santa Barbara.
Allyson Sheckler, Assistant Professor of Art History, (1995); B.A., Wellesley College; M.A., Tufts University; Ph.D., Boston University.
David Simon, Professor of Physics (2011); B.S., Ohio State University; M.A., Ph.D., Johns Hopkins University.
Shai Simonson, Professor of Computer Science, (1991); B.A., Columbia College of Columbia University; M.S., Ph.D., Northwestern University.
Anand Sitaram, Assistant Professor of Biology (2019); B.S., Southern Methodist University; Ph.D. University of Pennsylvania.
Candice Smith Corby, Assistant Professor of Studio Arts, (2007); B.F.A., Tyler Scholl of Art, Temple University; M.F.A., Massachusetts College of Art.
Robert E. Spencer, Assistant Professor of Management, (2010); B.S., M.S.T., Bentley College; J.D., Suffolk University Law School.
Rev. Kevin P. Spicer, C.S.C., Professor of History, James J. Kenneally Distinguished Professor of History, (2000); B.A., Stonehill College; M.Div., University of Saint Michael's College; M.A., Ph.D., Boston College.
Gary Stanton, Assistant Professor of Graphic Design, (1999); B.S., State University College at Buffalo; M.F.A., University at Buffalo.
Elizabeth Stringer Keefe, Associate Professor of Special Education, (2019); B.A., University of Massachusetts, Amherst; M.Ed., Lesley College; Ph.D., Boston College.
Hsin-hao Su, Professor of Mathematics, (2006); B.S., Feng Chia University; M.S., National Tsing Hua University; M.S., Ph.D., Johns Hopkins University. (Sabbatical, Spring 2020)
Jennifer A. Swanson, Professor of International Business, (1997); B.B.A., University of Minnesota; M.B.A., University of Hartford; Ph.D., University of Rhode Island.
Karen Teoh, Associate Professor of History, (2010); B.A., Yale University; Ph.D., Harvard University.
Leon J. Tilley, Professor of Chemistry, (1996); B.A., Grinnell College; Ph.D., Indiana University.
Michael E. Tirrell, Associate Professor of Psychology, (1979); A.B., Stonehill College; M.A., Ph.D., University of New Hampshire.
Heiko Todt, Associate Professor of Mathematics, (2011); M.A., Ph.D. Candidate, Pennsylvania State University.
Erica L. Tucker, Associate Professor of Anthropology, (2005); B.A., Beloit College; M.A., Ph.D., University of Wisconsin-Madison. (Sabbatical, Spring 2020)
Anamika Twyman-Ghoshal, Associate Professor of Criminology, (2013); LL.B., University of Wolverhampton; LL.M. University of London; Ph.D., Northeastern University. (Sabbatical, Fall 2019-Spring 2020)
Daniel Ullucci, Visiting Associate Professor of Religious Studies, (2019); B.A., Boston University; M.A., Brown University; Ph.D., Brown University.
Daria Valentini, Professor of Italian, (1998); B.A., Catholic University of Milan; M.A., Ph.D., University of Illinois, Urbana-Champaign.
Cristy Vallee Morgan, Associate Professor of Graphic Design, (2010); B.A., Colby-Sawyer College; M.F.A., Boston University.
Josef Velazquez, Assistant Professor of Philosophy, (1998); B.S., University of Scranton; M.A., Ph.D. Fordham University.
Teresa Villa-Ignacio, Assistant Professor in French, (2017); B.A. DePaul University, M.A. Brown University, Ph.D. Brown University.
James Wadsworth, Professor of History, (2002); B.A., Idaho State University; M.A., Ph.D., University of Arizona- Tucson.
Candace Walters, Associate Professor of Studio Arts, (1994); B.F.A., Hartford Art School, University of Hartford; M.F.A., Boston University School for the Arts.
Xin Wang, Associate Professor in Business Administration, (2018); B.S., Nanjing Agricultural University, China, M.S., University of Wisconsin-Madison, M.B.A., Carnegie Mellon University, Ph.D., Carnegie Mellon University.
Christopher Wetzel, Professor of Sociology, (2009); B.A., University of Michigan, Ann Arbor; M.A., Ph.D., University of California, Berkeley.
Rev. Stephen S. Wilbricht, C.S.C., Associate Professor of Religious Studies, (2010); B.A., M.Div., University of Notre Dame; S.T.D., The Catholic University of America.
Timothy Woodcock, Associate Professor of Mathematics, (2007); B.S., Stonehill College; M.S., Ph.D., University of Virginia.
Alex C. Yen, Associate Professor in Accounting, (2017); B.A. Michigan State University, M.B.A. University of Rochester, Ph.D. University of Texas.
Heather J. Yu, Assistant Professor of Neuroscience (2010); B.S., University of Massachusetts; Ph.D., Boston University.
Peijingran Yu, Assistant Professor in Healthcare Administration, (2016); B.A., Central University of Finance and Economics, Bejing, China; M.A., University of Connecticut; Ph.D. Candidate, University of Connecticut.
Xuejian Yu, Professor of Communication, (1992); B.A., Shanghai University of International Studies; M.A., University of Missouri, Columbia; Ph.D., University of Kansas.
Mark Agana, Teaching Post-Doctoral Fellow of Environmental Science, (2021), B.A., Georgetown Univeristy; M.A., Brock University; Ph.D., University of Arkansas
Ali Angelone, Teaching Fellow in Visual & Performing Arts, (2018); B.A., Rhode Island College, M.F.A., Virginia Commonwealth University.
Rev. Adam Booth, C.S.C., Teaching Fellow in Religious Studies and Theology, (2021), MMath, Oxford University; M.A., University of Califorina, Berkeley; M.Div., University of Notre Dame; Ph.D., Duke University
Cara Bowman, Teaching Post-Doctoral Fellow of Sociology and Criminology, (2016); B.A. Trinity College; Ph.D. Boston University.
Becca Corso, Teaching Fellow in Secondary Education, (2021), M.Ed., Fairfield University; Ed.D, Northeastern University
Robin Goldberg, Teaching Fellow of Speech Language Pathology, (2017); B.A. Adelphi University; M.S., Columbia University
Malkaye Kpante, Teaching Post-Doctoral Fellow of Chemistry, (2021); B.S., Framingham State University; M.S., University of Massachusetts, Lowell; Ph.D., University of Massachusetts, Lowell
Eric LeFlore, Teaching Post-Doctoral Fellow of Environmental Science, (2019); B.A., Connecticut College; M.S. University of Massachusetts, Amherst; Ph.D. candidate, University of Massachusetts, Amherst.
Marie Solange Lopes, Teaching Fellow in Business Administration, (2018), B.S.B.A., Suffolk University, M.S.A., Suffolk University.
Ana S. Popa, Teaching Fellow in Music, (2015); Bachelor of Music, New England Conservatory; Master of Music, Boston University; Doctor of Musical Arts, Boston University.
Mona Rowan, Teaching Fellow of Arabic, (2013); B.A., M.A., Rhode Island College.
Beck Strah, Teaching Fellow of Sociology & Criminology, (2019); B.A., University of Alaska; M.A. Deattle University; Ph.D. Candidate, Northeastern University.
Craig Tichelkamp, Teaching Post Doctoral Fellow of Religious Studies, (2016); B.A., Truman State University; M.T.S., Emory University; Th.D,. Harvard University.
Administrators with Faculty Rank
Craig W. Binney, Associate Vice President for Finance and Operations, Assistant Professor of Computer Science, (1985); B.S., Stonehill College; M.S., University of Massachusetts, Amherst; M.B.A., Babson College; Additional Study, Boston University.
Linnea M. Carlson, Director, Downtown Center for Community Engagement and Office of Community Based Learning, Assistant Professor of Sociology, (2016); B.A., George Washington University; M.P.H., New York University; Ph.D., Columbia University.
Nicole B. Casper, Director of Archives and Historical Collections, Assistant Professor, (2001); A.B., Stonehill College; M.L.S., Simmons College.
*Craig A. Kelley, Associate Provost, Associate Professor of Biology, (1996); B.A., Bridgewater State College; Ph.D., University of New Hampshire.
Patricia M. McPherson, Information Literacy & Outreach Librarian, Assistant Professor, (2006); B.S., Northeastern University; M.L.S., Simmons College.
Joseph C. Middleton, Head Reference Librarian, Assistant Professor, (1998); B.A., Queens College, University of New York; M.L.S., Simmons College.
Debra M. Salvucci, C.P.A., Associate Professor of Accounting, (1984); B.S., Boston College; M.S.T., Bentley College.
Devon D. Sprague, Director of the Center for Writing and Academic Achievement, Assistant Professor of Writing, (2011);
Jane M. Swiszcz, Reference & Government Documents Librarian, Assistant Professor, (1993); B.A., University of Massachusetts-Dartmouth; M.L.A., University of Rhode Island.
*Holds Tenure on the Faculty. | {
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Lua Ribeira
Lua Ribeira (born 1986) is a Galician photographer, based in Bristol in the UK. She is a Nominee member of Magnum Photos and was a joint winner of the Jerwood/Photoworks Award in 2017. Her series Noises is about femininity and British dancehall culture. She studied documentary photography at the University of Wales, Newport, graduating in 2016.
Ribeira's series Noises, about femininity and Jamaican dancehall culture in the UK, was published as Noises in the Blood in 2017.
Lua Ribeira's practice is characterized by its collaborative nature, extensive research and an immersive approach to her subject matter. She is interested in using the photographic medium as a means to create encounters that establish relationships and question structural separations between people.
Ribeira was born in 1986, in Galicia, northern Spain. She graduated in Graphic Design at BAU School of Design, Barcelona in 2011, and earned a first-class honours in a BA in Documentary Photography from the University of South Wales in 2016. Since graduating, she has continued her academic engagement as a guest lecturer at various universities, including the University of Westminster, University of the West of England, and Complutense University of Madrid.
Ribeira's work has received several awards and honors, including the Firecracker Grant for Women in Photography, and the Jerwood/Photoworks award. Her work has been published in book form by Fishbar, London in 2017, features in the publication Firecrackers: Female Photographer Now published by Thames and Hudson in 2017, in and Raw View Magazine's, "Women looking at Women" in 2016. Her work has been exhibited internationally in both solo and group shows in venues including Impressions Gallery, Bradford, Ffotogallery Cardiff, Belfast Exposed gallery, Beijing International Photography Biennale, and many more.
Other publications Ribeira's work has been featured in include The British Journal of Photography, Paper Journal, Refinery 21, AnOther, and Tate magazine. Selected commercial clients include Chanel, Carla Lopez handbags, Birmingham Botanical Gardens, and Wire Magazine.
She joined Magnum photos as a nominee in 2018.
Source: Magnum Photos
Since graduating from the documentary photography course at the University of South Wales last year, Lua Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine's Women Looking at Women issue, which the Magnum photographer guest edited.
She is also making a name for herself commercially, with commissions for the likes of handbag designer Carla Lopez and with editorial clients such as Wired. Her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018.
Thus far, Ribeira is perhaps best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture, shown at London's Fishbar Gallery earlier this year and published by its photobook wing. The series stems from the photographer's love of the musical genre but also acknowledges her discomfort with its explicit, sexual lyrics. "That feeling bothered me," says Ribeira. "I did not fully understand it."
Source: British Journal of Photography
Magnum Photos
luaribeira.com
Lua Ribeira's Video
Debdatta Chakraborty
Debdatta Chakraborty, born and brought up in Eastern India and based in Kolkata. An amateur photographer, I describe myself as a visual storyteller. I do not restrict myself to any particular genre. As I'm an amateur, I have no professional bindings to stick to any particular type of photography and so learn about whatever kind of photography that appeals to me at any point of time. In 2015, has been honored with the Documentary Award by China Folklore Photography Association and UNESCO in The Humanity Photo Awards at Shangri- La, China. Has been awarded with the special merit medal award in the prestigious photo contest HIPA 2016 in the photo story category. In 2018, I was declared third prize winner in Nikon Photo contest. In 2020, I was declared Grand Prize Winner in Naris Day International Photo Contest. In 2022, I was declared Grand prize winner in Pink Lady Food Photography Award. In 2022, 2nd Place Winner All About Photo Awards 2022, The Mind's Eye
Kathryn Oliver
Kathryn discovered a love for making pictures as a small child and developed a rich inner life of impressions. As she grew, creative aspirations led her to bring this inner world forward through art. Self taught, her creative journey has repeatedly taken her into the field of metaphor and myth as a way to express something eternal within herself. Her professional arts background of painting, theater and dance feeds the photography she does now as she blends hints of all these elements into her images. She currently creates and exhibits black and white fine art photography and photo encaustics, teaching workshops on the midcoast of Maine throughout the year. Drawn to the symbolic language of myth and archetypes, I am forever on a quest, seeking a visual narrative that evokes an internal recognition of nature — something in exile, lost, or hidden — yet leaves an impression inwardly known.About the series The Wild Garden Of Childhood: When I was a child the best part of me was wild. The Wild Garden Of Childhood is an exploration into the untamed vitality and sacred beauty of being young. That universality of raw spirit, where emotional authenticity reigns naturally and fiercely -- dancing on the edge of innocence. Arising from my own fragmented memories, inspired by the open innocence and un-self conscious freedom of my subjects, a world is conjured, somewhere between the real and imagined - where the fertile ground of being is at play. The most precious of stories are stored away for safe keeping, Somewhere In the wild garden of childhood awaiting becomingness
René Groebli
René Groebli (born October 9, 1927 in Zurich) is an exhibiting and published Swiss industrial and advertising photographer, expert in dye transfer and colour lithography. He grew up in the Enge district of the city of Zurich, where he attended the Langzeitgymnasium. After two years, he moved to the Oberrealschule, a science-oriented grammar school, but broke off this education after two years to begin an apprenticeship as a photographer with Theo Vonow in Zurich in 1944. When his teacher moved back to Graubünden, Groebli entered the preparatory course of the Zurich School of Applied Arts, attending from the spring of 1945. Subsequently, he enrolled in the renowned professional class for photography under the direction of Hans Finsler and Alfred Willimann until the summer of 1946. Amongst his fellow students were Ernst Scheidegger and Anita Nietz. In September 1946 Groebli began training as a documentary cameraman at Central Film and Gloria Film Zürich, graduating in late 1948 with a diploma, though he did not subsequently practice as a cinematographer. In 1947 he won third prize in a competition run by the monthly magazine Camera with his series Karussell. Freelancing for Victor-N. Cohen agency in Zurich, in 1948 Groebli made his first trip to Paris and in 1949 bought his first Leica. From 1949 Groebli worked as a photojournalist and carried out assignments for the Züri-Woche, and later in Africa and the Middle East for the London agency Black Star. The pictures were published in the magazines Life and Picture Post. His first small folio Magie der Schiene ('Rail magic') comprising 16 photographs (with front and back cover) was also shot in 1949 and self-published later the same year. It captures the 'magic' of steam train travel during the late 1940s. Despite being young and relatively unknown, Groebli was able to borrow enough money to finance the high-quality printing. Technically it is a portfolio rather than a book, with pages unbound and laid in loose, inspired by the Man Ray and Paul Éluard publication FACILE (1935) which he purchased on his first trip to Paris in 1948. Photographed with a Rolleiflex 6×6 and a Leica 35mm camera in and around Paris, as well as locations in Switzerland, the often motion-blurred and grainy images convey the energy of steam. An obi-band with German text was produced for the approximately 30 to 40 original preorders, and other copies sold without. He held his first solo exhibition with photographs from the book. He spent three months in Paris where he met Brassaï and Robert Frank and spent a month in London. On October 13, 1951 he and Rita Dürmüller (1923-2013) were married. A second slim picture book Das Auge der Liebe ('The Eye of Love'), self-published in 1954 through his business "Turnus", was created in collaboration with his wife Rita Groebli. This small book, though respected for its design and photography, caused some controversy, but also brought Groebli attention. It was assembled from shots made on the belated honeymoon that the photographer and his wife Rita took over two weeks in Paris in 1952 and in the following year for a few days to Marseille, though publication of the photographs was not planned in 1953 Groebli sequenced it for a book, introducing a blank page to stand in for daytime in its chronology. In the Swiss Photorundschau, published by the Swiss Photographic Association, the editor Hermann König traded correspondence with a specialist teacher of the School of Applied Arts where the book had been passed around and argued over, the term "love" in the title being considered by students to be too sentimental given the obvious sexual connotations. Where the photographer's intention was for a romantic effect, the editor admitted that the narrative was sexualized. In the leading periodical Neue Zürcher Zeitunghe, editor Edwin Arnet objected to the emphasis on nudity. Groebli sequenced his photographs to tell the story of a woman meeting a man in a cheap hotel. The last photograph shows the woman's hand with a wedding ring on her ring finger holding an almost finished post-coitus cigarette. In the perception of audiences of the era, the implication was that the woman had to be either an 'easy woman', a prostitute, or an unfaithful wife. However the U.S. Camera Annual review of the work in 1955 pronounced it "a tender photo-essay on a photographer's love for a woman." After the death of photojournalist Paul Senn in 1953 and the killing of Werner Bischof in Peru in 1954, Kurt Blum, Robert Frank and René Groebli were newly admitted to the Kollegium Schweizerischer Photographen. A major exhibition organized by the 'Kollegium' in 1955 convinced critics that a new "Swiss style" that was indeed moving towards Photography as Expression as the exhibition was titled, and the end of critical (later dubbed 'concerned') photography. However, the association was soon disbanded because of disagreements between Gotthard Schuh and Jakob Tuggener, and Groebli had by then relinquished photojournalism. In the same year, and with four other Swiss photographers, Werner Bischof, Robert Frank, Gotthard Schuh and Sabine Weiss, René Groebli was represented with a picture in the exhibition The Family of Man curated by Edward Steichen for the Museum of Modern Art in New York. His available-light photo shows a tight crowd of excited, dancing teenagers, their movement blurred in the style of Magie der Schiene. Groebli launched his own studio for commercial industrial and advertising photography in 1955 in the newly built residential and studio building in Zurich-Wollishofen. At the end of the 1950s, Groebli also had his home and studio converted and enlarged and in addition to two studios and two black and white labs, a dye transfer workshop with several laboratory workstations was added. In 1963 Groebli founded the limited partnership Groebli + Guler with lithographer Walter Guler, renamed 'Fotolithos' in 1968. The workplace in Zurich-Wollishofen was equipped with the latest and best technical facilities and through the 1960s and early 1970s the business employed a staff of up to twelve, with good profits made from servicing the advertising photography industry. After ten years producing specialist colour photography, dye transfer production and colour lithographs for commercial advertising and industrial photography, in 1965 Groebli published his third photo book Variation through Arthur Niggli Verlag, Teufen. It presented a retrospective of possibilities of Groebli's colour photography, though with scant mention of the role of his many employees and business partners. In 1971 he issued a second edition Variation 2, with updated information on colour technology including Cibachrome. By the late 1970s, with the more widespread adoption and acceptance of chromogenic methods of colour production less technically demanding and cheaper than dye transfer, Groebli ceased commercial photography and colour production, sold his home and studio and retired, though he still maintained connections with the industry and presented a paper on dye transfer at the 1977 Rencontres d'Arles. Groebli returned to making personal photographic essays in colour and in black and white, in series titled Fantasies, Ireland, The Shell, Burned Trees, N. Y. Visions, New York Melancholia and Nudes. Over the decades of the turn of the century, he worked on his image archive and digitized the most important photographs that he had taken over a career of sixty years. Groebli currently resides in Switzerland.Source: Wikipedia
Helen Levitt
Helen Levitt was an American photographer and cinematographer. She was particularly noted for her street photography around New York City. David Levi Strauss described her as "the most celebrated and least known photographer of her time." Helen Levitt was most well known and celebrated for her work taking pictures of children playing in the streets. She also focused her work in areas of Harlem and the Lower East side with the subjects of her work many of which were minorities. There is a constant motif of children playing games in her work. She stepped away from the normal practice set by other established photographers at the time by giving a journalistic depiction of suffering. She instead chose to show the world from the perspective of her children by taking pictures of their chalk art. She usually positions the camera and styles the photo in a way that gives the focus of her photography power. Her choice to display children playing in the street and explore street photography fights against what was going on at the time. Legislation being passed in New York at the time was limiting many of the working classes' access to these public spaces. Laws were passed that directly targeted these communities in an attempt to control them. New bans on noise targeted working-class and minority communities. There was a movement to also try to keep children from playing on the street believing it is unsafe for them out there. Instead encouraging safe new areas that were usually built more in upper and middle-class areas. Helen Levitt instead exploring the narrative of those who lived in these areas and played in these streets was a way further to empower the subjects of her photos. Levitt was born in Bensonhurst, Brooklyn, New York, the daughter of May (Kane), and Sam Levitt. Her father and maternal grandparents were Russian Jewish immigrants. She went to New Utrecht High School but dropped out in 1931. She began taking photography when she was eighteen and in 1931 she learned how to develop photos in the darkroom when she began working for J. Florian Mitchell, a commercial portrait photographer in the Bronx. She also attended many classes and events hosted by Manhattan Film and Photography League. This was also around the time she was exposed to the work of Henri Cartier-Bresson at the Julien Levy Gallery, who she was also able to meet through the league. His work became a major influence for her photography as it inspired her to change from her current more journalistic and commercial approach to photography to a more personal one. In 1936, she purchased a Leica camera (a 35 mm range-finder camera). In While teaching art classes to children in 1937 for the New York City's Federal Art Project, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. She began to photograph these chalk drawings, as well as the children who made them for her own creative assignment with the Federal Art Project. were ultimately published in 1987 as In The Street: chalk drawings and messages, New York City 1938–1948. She continued taking more street photographs mainly in East Harlem but also in the Garment District and on the Lower East Side, all in Manhattan. During the 1930s to 1940s, the lack of air conditioning meant people were outside more, which invested her in street photography. Her work was first published in Fortune magazine's July 1939 issue. The new photography section of the Museum of Modern Art, New York included Levitt's work in its inaugural exhibition in July 1939. In 1941, she visted Mexico City with author James Agee and took photos of the area. In 1943, Nancy Newhall curated her first solo exhibition Helen Levitt: Photographs of Children. In 1959 and 1960, she received two grants from the Guggenheim Foundation for her pioneering work in color photography. In 1965 she published her first major collection, A Way of Seeing. Much of her work in color from 1959 to 1960 was stolen in a 1970 burglary of her East 12th Street apartment. The remaining photos, and others taken in the following years, can be seen in the 2005 book Slide Show: The Color Photographs of Helen Levitt. A second solo exhibit, Projects: Helen Levitt in Color, was held at the Museum of Modern Art, New York in 1974. Her next major shows were in the 1960s; Amanda Hopkinson suggests that this second wave of recognition was related to the feminist rediscovery of women's creative achievements. In 1976, she was a Photography Fellow of the National Endowment for the Arts. Levitt lived in New York City and remained active as a photographer for nearly 70 years. However, she expressed lament at the change of New York City scenery: "I go where there's a lot of activity. Children used to be outside. Now the streets are empty. People are indoors looking at television or something." She had to give up making her own prints in the 1990s due to sciatica, which also made standing and carrying her Leica difficult, causing her to switch to a small, automatic Contax. She was born with Ménière's syndrome, an inner-ear disorder that caused her to "[feel] wobbly all [her] life." She also had a near-fatal case of pneumonia in the 1950s. Levitt lived a personal and quiet life. She seldom gave interviews and was generally very introverted. She never married, living alone with her yellow tabby Blinky. Levitt died in her sleep on March 29, 2009, at the age of 95.Source: Wikipedia
Kevin Lyle
I am, for the most part, self taught. I first became interested in art around the age of 12. Art class became the most interesting part of school. After high school I attended the Cleveland Institute of Art for one semester before realizing that art school was not for me at that time. After moving to Chicago my first job turned into a career in computers and systems management and I did little or no art for many years. I've always had an inclination to collect. Collecting African masks and the process of photographing them for documentary purposes led to a broader interest in photography. When I began going for long walks to search for photographic material I soon realized the exercise and fresh air were an added bonus to this pursuit of collecting images. Artist Statement As long as I can remember, I've been curious about incidental objects and environments and their potential for a sort of extraordinary/ordinary beauty. I find this quality in the work of photographer Eugene Atget, composer Erik Satie and singer-songwriter Woody Guthrie. These great artists are a constant source of inspiration. My process is fueled by an innate hunter/gatherer impulse. Most of my images are collected within walking distance of my home on Chicago's north side. Contemplative wandering in the urban analog world, away from the preponderance of drama delivered digitally via television and the Internet, reveals evidence of real life - evidence of what may be, may have happened or may yet occur. Sometimes mundane, sometimes oblique, askew or atypical. Mostly overlooked, until documented.
Lukas Holas
I am a small-town photographer and a graphic designer from the Czech Republic. I have occasionally been taking photos of everything that comes along - people, animals, macro and landscape ... for about 6 years. My dream is taking pictures of wild and exotic animals in their natural environment. So far, however, workload, a tight family budget and most of all being an active father of three children do not allow me to fulfill it. I can only combine business with pleasure and therefore we often go with the whole family to zoos in our small country at least. And so it happens that instead of tracking wildlife I often seek and "tame" our wild offspring. Nevertheless, it sometimes comes about that Dad gets away for a few minutes and gets stuck in a willingly posing animal.It may not seem so but shooting in a zoo might turn into a totally exciting matter. "Will the picture be good despite a smudged glass, strong steel bars, frequent apathy of animals or omnipresent crowds of tourists?" Sometimes it works out well! I'm trying to take pictures of the animals against a naturally dark background, but the contrasting final form is given by the adjustments in Photoshop. The experience and the daily practice at my work (a graphic designer) come in handy. My images have no specific message, but I believe that they leave some space for personal imagination and foreshadow a deeper story of animals portrayed. I also suppose that the black colour simply suits the animals and presents them in a more dignified environment than the stark walls of the enclosures do.I was also pleased with the opportunity to cooperate with the Union of Czech and Slovakian Zoos (for which I have been designing the annual reports using my black&white photos for several years), or with some specific gardens in the Czech Republic. I hope that such cooperation will continue in future and that the animals in my images will delight and inspire people in other countries than the Czech Republic.
Philippe Fatin
Philippe Fatin is a photographer and a great traveller: after first stays in Mexico and South America, he discovered Asia (Nepal, India, Sri Lanka, Thailand, Japan, Burma, Cambodia, Laos, Vietnam, Korea) and fell in love with China and more particularly with the region of Guizhou. After an interlude with the Wayanas Indians in French Guyana and the publication of his first book Guyane terre d'espace, he multiplies his travels to the Miao people of Guizhou and ends up residing there for more than twenty years. He published a book Randonnée d'un photographe voyageur in China and exhibits at the Guiyang museum, he also publishes in the national and international press. He is also a collector, organized various exhibitions of his personal collections in French museums: Gold and lacquers from Burma, tribal textiles from southwest China, Nuo masks from the exorcism theatre of China accompanied by publications. In The Mounts of the Moon When I got off the Trans-Siberian Railway in 1985, I knew nothing about China. The blue of the heater set the tone on a red background. I spent the first two years getting to know this culture, before discovering a province in the southwest that was still untouched by any contact with the outside world. The last Westerners present in the region were missionaries, who were driven out of it in 1949 by the communists. The province of Guizhou is one of the poorest, along with that of Gansu. "There are never three days of good weather in a row, the inhabitant does not have three sapeques in his pocket, and there are not three lilies of the flat country." That sets the tone. This province is rich in the diversity of its ethnic minorities, who had managed to maintain an authentic way of life. The villages still lived in autarky, protected by the mountain rampart. Ninety percent of the territory is karst peaks. My camera equipment consists of two Leica M6 cameras and four lenses: 28, 35, 50, and 90mm. With 270 days of rain per year and a constant fog, I use 400 ASA B/W silver film. The access of this province being forbidden to tourism, the task was not easy. The game of cat and mouse with the local authorities was not a perennial solution to penetrate these misty mountains concealing so many secrets. My approach was to establish a base in the provincial capital. I made "Guangxi" connections, and gained the trust of the people and the local authorities. I worked hard to make them understand my work of investigating ethnic groups, especially the Miaos. I obtained special permits to stay in various valleys and villages. After years, I was able to set up different bases in villages that were completely self-sufficient. Sharing the intimacy of the people and building trust, I was able to open the doors to them. My curiosity allowed the rest It would absorb twenty years of my life, during which I photographed a way of life that surged from festivals governed by the gods and the seasons. The evolution of the country a galloping modernization was going to change the situation. Obeying the three priorities of the government: water, electricity and roads, the opening up of the province would radically shape a new face of the population and its environment. In fifteen intervals, my photographic work has thus taken on a patrimonial status. A massive folklorization of ethnic groups (amusement park, pilot village,) their acculturation by the Han mass, the race for enrichment, have contributed to a new mode of integration of these ethnic minorities. This modernization of China and its brutal change of vision of society, over a short period of time, swept away ancestral cultures. Few Westerners have lived in this province, which is now crossed by highways connecting Shanghai, or Guangzhou. My photos are a testimony acquired over the long term, on a way of life that is disappearing in favour of a strong nationalism. It seems to me essential to show the cultural richness of this people, (Nine million people). The province of Guizhou is the home of the Miao diaspora (more than three hundred clans), a threatened melting pot of traditions and rituals mostly ignored by the Han. Indeed, in this rapidly changing society, the peasant populations, known as "floating", have been the cheap labour of China's economic departure.
Sergio Larrain
Sergio Larrain was born in 1931 in Santiago de Chile. He studied music before taking up photography in 1949, from which year until 1953 he studied forestry at the University of California at Berkeley. He then attended the University of Michigan at Ann Arbor before setting off to travel throughout Europe and the Middle East. Thus began Larrain's work as a freelance photographer. He became a staff photographer for the Brazilian magazine O Cruzeiro and in 1956, the Museum of Modern Art in New York bought two of his pictures. In 1958, Larrain was given a grant from the British Council that allowed him to produce a series of photographs of London. The same year Henri Cartier-Bresson saw his photographs of street children and suggested that he work for Magnum. Larrain spent two years in Paris, where he worked for international press titles. Larrain became a Magnum associate in 1959 and a full member in 1961. He returned to Chile in 1961 when the poet Pablo Neruda invited him to photograph his house. In 1968, he came into contact with Bolivian guru Óscar Ichazo and virtually gave up photography to pursue his study of Eastern culture and mysticism, adopting a lifestyle in keeping with his ideals. He has devoted himself to spreading knowledge of yoga, writing, painting in oils and occasionally taking the odd photograph.
David Vasilev
David Vasilev was born in Stara Zagora, Bulgaria in 1981, where he spent his early years. Ever since he was a little kid, he was always surrounded by photojournalists, his dad being one of them. This had a great impact on his perception of the world, thus photography become a necessary tool for self-expression. After he moved to the United States he begun his extensive journey to find inspiration in the cultural contrasts of North America. To observe is to spend more time looking through the lens than photographing. That is how I catch elusive moments of reality in a single frame. Growing up in a culturally mixed neighborhood in Stara Zagora, Bulgaria, defined me as a person and as a photographer. I've captured the raw human spirit in people distanced from society—the joy and sadness they feel just by surviving, alongside the simplicity we lack. I follow my instincts without looking back, which has led me to fascinating places. I've visited forgotten parts of the United States, time capsules filled with pure instinct and the most archaic traces of human nature still intact. In one excursion I visited the Hutterites—a German-speaking colony located in the prairies of the Dakotas. I felt their sincere hospitality instantly, even when they couldn't understand why I was there to begin with or what photography even was. They maintained a humble existence that I wanted to preserve on film. With time, they got used to me being there, and my presence was gradually ignored. Only then did I witness and photograph their essence: the realness of their daily lives, creating a visual memory of this time and place. I will never forget the children. One day a girl with curious eyes approached me quietly and asked, "Have you seen the ocean?" David Vasilev | {
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The Philadelphia Auto Show is back at the Pennsylvania Convention Center from February 2–10, with dazzling cars, from exotic to classic and everything in between. And since kids 6 and under get in free, it's all the more reason to bring them along and make some memories.
No matter what your age, there's so much to see, with 700,000 square feet of hundreds of cars from dozens of automotive manufacturers, including pre-production models. Whether you're there scoping out your next family car, or just to have a fun afternoon of show-stopping automotive fantasy, here's what you won't want to miss during your visit to the Auto Show.
Even if your kids know absolutely nothing about cars, they will love this area, which features cars from pop culture like Lightning McQueen from Pixar's Cars, and the Mystery Machine from Scooby Doo! Other cars in this section include the Back to the Future DeLorean, Bumblebee VW Beetle from Transformers, the Griswold Family Truckster from National Lampoon's Vacation, '67 Impala from Supernatural, and Jesse's VW Jetta from The Fast and the Furious.
Current and former Philly sports icons will be in attendance throughout the Auto Show weekends for meet and greets. Athletes like current Flyer Jakub Voracek, retired Flyer Bob "The Hound" Kelly, and retired 76er World B. Free will all make appearances (see the whole schedule here). Additionally, the Phillies Ball Girls, Flyers Ice Girls, Sixers Dancers, and mascot Phang from the Philadelphia Union have scheduled appearances (mostly on opening day). Also on opening day (Saturday, February 2), former US women's soccer player Heather Mitts will be at the Auto Show for autographs and giveaways as well!
The indoor Camp Jeep course, which is an interactive adventure zone where professional drivers allow riders to experience how a Jeep performs both on- and off-road, is really something else. You and your kids (the ones older than car seat age, anyway) can climb in, and the Jeep goes on a course that includes stairs, rough terrain, inclines, and more. Outside the Convention Center, adults can participate in test drive experiences from Volkswagen, Toyota, and Mazda.
This year's Auto Show will feature an impressive collection of super cars and exotic vehicles, including two Bugattis, the Koenigsegg (one of the fastest cars in the world), the Maserati Gran Tourismo Sport, the Rolls-Royce Phantom, and much more!
There are also so many classic and antique cars on display, both from the show and local auto clubs. They are beautifully restored, and span the decades since the beginning of automobiles!
These cars are all incredible to observe—but sorry, you can't get in these ones.
You know that one part of the Please Touch Museum with the real SUV you can sit in? Of course you do, you've stood in line on a Sunday morning while your toddler cries longingly and the parents in front of you try to convince their own toddler to give someone else a turn. Well this is like that, except every single car makes that old PTM car look like garbage! We don't have to tell you how much shiny new cars spark the imagination just by existing — your kids will do that for you.
This is also a great opportunity to sit in the cars for yourself — things like trunk space, how many car seats you can fit in the back, and so many other tiny details are things you really have to see in person. And since you'll find dozens of car manufacturers and all kinds of models, from fantasy sports car to practical SUVs, it's a great time to get that conversation started without having to visit a bunch of different dealerships.
No, really! Visit Subaru on the weekends to meet adoptable dogs from Philadelphia Animal Welfare Society (PAWS), and interact with them in the fun "Subaru Loves Dogs" play area. There's even a Kissing Booth!
You know what's even better than a new family car? A happy dog sticking his head out the window of that new car, feeling the wind in his fur!
There more fun surprises throughout the show to keep it interesting for the entire family. Visit Hyundai, where kids age 8 and up can go in the XBOX-powered racing simulator. Ford also has a performance simulator—riders need to be at least 4'10" to try that one out. Meanwhile, Toyota has fun green screen photo ops, like surfing!
State Farm has a life-sized Game of Life you can play, and Diggerland has real equipment your kids can climb into! There's also a rock-climbing wall for an additional $3.
The fun doesn't stop on the main floor. Head to downstairs and check out the tricked out cars of the DUB Show. "The kids really go nuts over it," Jeffrey tells us. These cars are amazingly customized with giant wheels, lights, sparkles, you name it.
If you need to charge your phone, Acura and Chevy both have free charging stations at their displays. And if you need to nurse your baby, there is a Mamava pod on the same level as the show.
The Philadelphia Auto Show is at the Convention Center every day from Saturday, February 2, through Sunday, February 10. Tickets are $14 for adults, $7 for kids, and free for kids age 6 and under. There are various discounts for seniors and members for the military, as well as at select SEPTA stations and car dealerships. | {
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My students use this notes page when learning about Narmer and the three Egyptian kingdoms. It can be used when a group is presenting information or the students can research the information or use their textbook. The drawing keeps them engaged. | {
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Mukařov (powiat Mladá Boleslav) –
Mukařov (powiat Praga-Wschód) –
Zobacz też | {
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Q: Perl autoincrement of string not working as before I have some code where I am converting some data elements in a flat file. I save the old:new values to a hash which is written to a file at the end of processing. On subsequence execution, I reload into a hash so I can reuse previously converted values on additional data files. I also save the last conversion value so if I encounter an unconverted value, I can assign it a new converted value and add it to the hash.
I had used this code before (back in Feb) on six files with no issues. I have a variable that is set to ZCKL0 (last character is a zero) which is retrieved from a file holding the last used value. I apply the increment operator
...
$data{$olddata} = ++$dataseed;
...
and the resultant value in $dataseed is 1 instead of ZCKL1. The original starting seed value was ZAAA0.
What am I missing here?
A: Do you use the $dataseed variable in a numeric context in your code?
From perlop:
If you increment a variable that is
numeric, or that has ever been used in
a numeric context, you get a normal
increment. If, however, the variable
has been used in only string contexts
since it was set, and has a value that
is not the empty string and matches
the pattern /^[a-zA-Z][0-9]\z/ , the
increment is done as a string,
preserving each character within its
range.
A: As prevously mentioned, ++ on strings is "magic" in that it operates differently based on the content of the string and the context in which the string is used.
To illustrate the problem and assuming:
my $s='ZCL0';
then
print ++$s;
will print:
ZCL1
while
$s+=0; print ++$s;
prints
1
NB: In other popular programming languages, the ++ is legal for numeric values only.
Using non-intuitive, "magic" features of Perl is discouraged as they lead to confusing and possibly unsupportable code.
A: You can write this almost as succinctly without relying on the magic ++ behavior:
s/(\d+)$/ $1 + 1 /e
The e flag makes it an expression substitution.
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Hello mamas! How is your day going so far? I see you made it to my lactation page so you are either needing a boost in supply or just wanting a healthy recipe filled with nutrients for your little joy. Whatever the reason, I am here to help! As a breastfeeding mama myself, I know that breastfeeding can be hard and sometimes you just need a little boost. So sit back, relax(as much as you can) and enjoy some delicious recipes while boosting your supply! | {
"redpajama_set_name": "RedPajamaC4"
} | 5,284 | [
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from __future__ import print_function
"""CLI scripts."""
#------------------------------------------------------------------------------
# Imports
#------------------------------------------------------------------------------
import argparse
import os
import os.path as op
import glob
import json
from ..ext.six import string_types
from .format_manager import convert, format_manager
#------------------------------------------------------------------------------
# Utility functions
#------------------------------------------------------------------------------
def _flatten(l):
return [item for sublist in l for item in sublist]
def _ensure_list(l):
if isinstance(l, string_types):
return [l]
elif isinstance(l, list):
return l
else:
raise RuntimeError("This should be a string or a list: "
"{0:s}.".format(str(l)))
def _to_skip(dirname):
out = op.basename(dirname).startswith(('.', '_', '/'))
return out
def _expand_dirs_to_files(files_or_dirs, recursive=False):
files = []
files_or_dirs = _ensure_list(files_or_dirs)
for file_or_dir in files_or_dirs:
file_or_dir = op.realpath(file_or_dir)
if op.isdir(file_or_dir):
# Skip dirnames starting with '.'
if _to_skip(file_or_dir):
continue
# Recursively visit the directories and add the files.
if recursive:
files.extend(_expand_dirs_to_files([op.join(file_or_dir, file)
for file in os.listdir(file_or_dir)],
recursive=recursive))
else:
files.extend([op.join(file_or_dir, file)
for file in os.listdir(file_or_dir)])
elif '*' in file_or_dir:
files.extend(glob.glob(file_or_dir))
else:
files.append(file_or_dir)
return files
def _common_root(files):
files = [op.realpath(file) for file in files]
root = op.commonprefix(files)
if not op.exists(root):
root = op.dirname(root)
if root:
assert op.exists(root)
assert op.isdir(root), root
return root
def _construct_tree(path):
if not op.exists(path):
try:
os.makedirs(op.dirname(path))
except OSError:
pass
def _file_has_extension(file, extensions):
if not isinstance(extensions, list):
extensions = [extensions]
return any(file.endswith(extension) for extension in extensions)
def _filter_files_by_extension(files, extensions):
return [file for file in files if _file_has_extension(file, extensions)]
def _load_file(file, from_):
return format_manager().load(file, name=from_)
def _save_file(file, to, contents, overwrite=False):
format_manager().save(file, contents, name=to, overwrite=overwrite)
#------------------------------------------------------------------------------
# Conversion functions
#------------------------------------------------------------------------------
def _converted_filename(file, from_, to):
base, from_extension = op.splitext(file)
to_extension = format_manager().file_extension(to)
return ''.join((base, to_extension))
def convert_files(files_or_dirs,
overwrite=None,
from_=None,
to=None,
from_kwargs=None,
to_kwargs=None,
output_folder=None,
recursive=False,
simulate=False,
):
# Find all files.
files = _expand_dirs_to_files(files_or_dirs, recursive=recursive)
# Filter by from extension.
from_extension = format_manager().file_extension(from_)
files = _filter_files_by_extension(files, from_extension)
# Get the common root of all files.
if output_folder:
output_folder = op.realpath(output_folder)
root = _common_root(files)
# Convert all files.
for file in files:
print("Converting {0:s}...".format(file), end=' ')
converted = convert(file, from_, to,
from_kwargs=from_kwargs, to_kwargs=to_kwargs)
file_to = _converted_filename(file, from_, to)
print("done.")
# Compute the output path.
if output_folder:
# Path relative to the common root.
rel_file = op.relpath(file_to, root)
# Reconstruct the internal folder structure within the output
# folder.
file_to = op.join(output_folder, rel_file)
# Create the subfolders if necessary.
_construct_tree(file_to)
print(" Saving to {0:s}...".format(file_to), end=' ')
if simulate:
print("skipped (simulation).")
else:
_save_file(file_to, to, converted, overwrite=overwrite)
print('done.')
def main():
desc = 'Convert files across formats supported by ipymd.'
parser = argparse.ArgumentParser(description=desc)
parser.add_argument('files_or_dirs', nargs='+',
help=('list of files or directories to convert'))
formats = ', '.join(format_manager().formats)
parser.add_argument('--from', dest='from_', required=True,
help='one of {0:s}'.format(formats))
parser.add_argument('--to', dest='to', required=True,
help='one of {0:s}'.format(formats))
parser.add_argument('--overwrite', dest='overwrite', action='store_true',
help=('overwrite target file if it exists '
'(false by default)'))
# Parse the CLI arguments.
args = parser.parse_args()
convert_files(args.files_or_dirs,
overwrite=args.overwrite,
from_=args.from_,
to=args.to,
)
if __name__ == '__main__':
main()
| {
"redpajama_set_name": "RedPajamaGithub"
} | 1,683 | [
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griddle for gas stove cast iron plate best pan using on. gas griddle cooking station for kitchenaid stove freestandg large cast iron,griddle for lg gas stove cast iron hob reversible ge range,cast iron griddle for samsung gas range pan ge best to use on a stove,griddle pan for ge gas range cast iron kenmore stove cooking station,best griddle... A commercial electric range is generally chosen when gas is not available, when electricity is cheaper than gas per unit, or due to the specific room or building not allowing proper venting for a gas commercial stove top.
Cast Iron Double Griddle Kitchen Craft Pan Grill Cast Iron double GriddleSuitable foe Use on the Following hob types: Gas, Radiant Ring, Electric, Halogen, Solid Hot Plate, Ceramic, InductionSize: 18'' x …... 19/04/2011 · It's best to use either a griddle designed especially for making pancakes and other stove top recipes, or a good old "cast iron" skillet that has been seasoned correctly. Non-stick cookware can also be used if you use it on a medium-low heat. Even a medium temperature setting on a stove top can be too high for the non-stick materials.
19/04/2011 · It's best to use either a griddle designed especially for making pancakes and other stove top recipes, or a good old "cast iron" skillet that has been seasoned correctly. Non-stick cookware can also be used if you use it on a medium-low heat. Even a medium temperature setting on a stove top can be too high for the non-stick materials.... The Ultimate Griddle is a stovetop griddle that turns two of your regular burners into one evenly-heated grilling surface. Want perfect pancakes? Tasty French toast? Sausages browned to perfection? Crispy bacon? Then use our stovetop griddle on your gas or electric stove top.
19/04/2011 · It's best to use either a griddle designed especially for making pancakes and other stove top recipes, or a good old "cast iron" skillet that has been seasoned correctly. Non-stick cookware can also be used if you use it on a medium-low heat. Even a medium temperature setting on a stove top can be too high for the non-stick materials.... In most cases, using gas proves to be a lot cheaper over time, but the initial cost of installation can be high. Electric grills are expensive to buy but are very efficient, have zero emission and cook a lot faster. Choosing the fuel type is a matter of preference as well as the kitchen setup you have.
20/01/2017 · Whip up pancakes and bacon in a flash! Watch and learn how to use the Griddle on your Samsung Gas Cooktop.
10/03/2014 · How to clean your chrome infused griddle on your stove top.
Griddle for gas stove top At Wayfair, we want to make sure you find the best home goods when you shop online. You have searched for griddle for gas stove top and this page displays the closest product matches we have for griddle for gas stove top to buy online. | {
"redpajama_set_name": "RedPajamaC4"
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A/N: I'm so happy you guys continued reading after last chapter. I'm sure you'll be happy by the ending of this chapter!
I scooped Lilly off the floor and busted out of that war. She was bleeding uncontrollably. I loaded the van with her and screamed at the driver, "GO!!!!" and he took off. On every turn the whells screeched. Lilly had a weak pulse and she was barely hanging onto her life. "Stay with me. Please. Don't go." I said tears bursting off my face. I don't care that I'm a guy, the love of my life is about to die. I hold the right to cry. Her eyes were snapped shut. Every couple minutes she would jolt up searching for air.
The van came to a stop and I was in the Head Quarters Hospital in under 15 seconds. "Help. She was shot in the back. She's dieing." I yelled as doctors pulled her away.
The opperating room had a window to it where close family and friends could see the outcome. I stood in front of the window watching the doctor's hard ar work.
Her heart only beat every 5 seconds. Whole seconds. I saw the operator yelling viciously at the other doctors. He worked extremely fast.
The pressure was killing me. Soon enough Mrs. Williams was by my side sobbing erratically. I didn't even notice her presence. We both watched as the one person who ment the world to us slowly faded away. One by one, Josh, Kaitie, John, and Chris showed up. The last one to arrive was Chris with Mr. Williams to his right.
Her heartbeats were getting further apart. I was afraid for the odds she wouldn't open her eyes to see another day. I listened carefully for her next heartbeat but it didn't come. The doctors took out the electric shock things that are supposed to keep someone alive. It was over and I couldn't help her. She was gone. I ran up to the closest wall and punched it as hard as I could. My fist went straight through. Yes I had anger, but what was reallg getting to me was the depression. I saw a room close by. I ran in it and slammed the door shut. It seemed as though nobody was in there. I slid down the wall with my head in my palms. It was my fault she died. I was supposed to being covering her. If I would have done my job right she wouldn't be gone right now. "Lilly, Come back!" I tried yelling but my troat was shot from the tears. I tried staying strong, I couldn't. I got up and was about to start pacing around the room when the door opened and Josh came in. "She did." I knew exactly what he meant. A smile spread across my face as teaes of joy strolled down. We both hugged for a breif moment. It wasn't a sobbing, girly hug. It was a more like a chest bump and a pat on the back.
I rushed out the doors with Josh close behind. I looked around as everyone in the room was crying of joy. I looked into the opperating room, through the windows.
Her heart was at a steady pace! She really did come back. I looked to Mr. Williams. His head in his hands tears silently dripping off his check alothoigh he tried not to make it noticable. "It's true. She really is alive." I said in disbelief. I looked through the window at her curly brown and angelic face. How does she always seem to look amazing. Even on the verge of death, she looked so beautiful. All I wanted to do was run in there and craddle her in my arms. Tell her evrything was going to be okay. There were a couple problems with that though.
1. I wasn't aloud in the opperating room.
2. It would probably hurt her more that help her.
3. She wasn't awake to hear me or seem me.
"I talked to the doctor. He said she is in a coma. It could be a while untill she wakes up." Mrs. Williams said with tear stained cheeks and puffy eyes. I could tell she was holding back a sob. She realized that I saw this. I opened my arms and let her cry on me. "Why? Why my family? What did she ever do to deserve this?" she said banging on my chest with her fists, but she was weak from the tears. I was tearing up as well, but I refused to let it out.
Mrs. Williams scrambled away. "I'm sorry about that Jake. Thank you." she said almost embarrassed before running off somewhere. I went to the front desk and asked where Lilly's room was. "She is in room 424. There's only 30 minutes left of visiting hours so please be quick." The kind lady said with a smile. I ran up all the stairs to get to her room. The hospital wasn't that big. It was connected to the main Headquarters. It was about 15 rooms long on each side of the hallway and only 4 stories high. This is the most advanced hospital in the world except nobody knows about because only high level spies can find it or enter. It keeps it hidden and safe for spies to use.
I approached Lilly's room without a second of hesitation. I walked in and sat I the chaor next to her bedside. I know she can hear me, even in a coma. "Lilly, I love you so much. You know you scared me today. Please don't do that again. I cried multiple times and I don't cry often. I even damages a wall of a spy hospital. Damn Lilly, I thought you were gone. I can't live without you. Please wake up soon." and I left it at that. I grabbed her hand and reasted my head against it. In books and movies people would do these sorts of this and the person would just wake up. I, on the other hand, had no such luck. "Visting hours are over. You can come back tomorrow." said a man in scrubs checking each room for people.
I walked back to my dorm. On the way I stopped by Lilly's dorm. I missed her so damn much.
A/N: Hey guys! Lilly's alive! Well I bet you all saw that coming. Please keep reading. The book will be coming to an end in about ten chapters. Be expecting a couple more fights, drama, and the spies are gonna be back to school soon.
*What did you think about Jake's reaction to Lilly's death?
*What about Jake and Josh hugging it out?
* What about the coma?
Next update is going to be Saturday. Sorry, but I've been having a lot of homework lately and it's hard to keep up with wattpad. Don't worry. I won't forget about you guys. Do I ever? | {
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2015 Citroen C4 Grand Picasso gifts quite a daring mixture involving the Mercedes-Benz B-Class in addition to BMW a couple of String Effective Tourer. They, in fact, take up the identical market, though, for being very truthful, The C4 Picasso can be a lot more airy in addition to roomy. This particular a little upgraded alternative possesses endured just modest, cosmetically-oriented refreshments in addition to improvements compared to its predecessors. Though, the idea gives you several standard material with him or her, it's much larger, roomier (seven-seater) in addition to for a longer time. Straight down at this time there, inside our evaluation, all of us required greatest involving Theself to be able to depend every one of the relevant information regarding this particular family-oriented car. If you want to to purchase a fresh vehicle, we are powerfully informing someone to understand this particular evaluation right up until its conclude.
First and foremost, let's possess a peek straight into Grand Picasso's design. From the initial step in to the C4 Grand Picasso primary vacation cabin, the idea gets to be clear this vehicle delivers more than a good amount of bedroom that can, definitely, meet with The strict considerations involving a little larger families. It's primary vacation cabin delivers sufficient bedroom to accommodate as much as seven grown ups associated with an common elevation, who is able to couch very more comfortable with getting, concurrently, more than plenty bedroom pertaining to all their body parts. Moreover, The vacation cabin can be filled with atmosphere in addition to daylight thanks to its super glassy 'panoramic windscreen'.
The principle dashboard contains 2 lushly taken big screens, that take up The core area and provide for the complete inner component super fashionable, incredibly futuristic in addition to remarkably attractive experiencing. As being the common Citroen, The 2015 Citroen C4 Grand Picasso biggest benefits would be the journey can be involving premium high quality, thoroughly also been useful, equipped (with minimal under-steer) in addition to remarkably reputable general taking care of. A lot of the regular characteristics contain: a 12-inch HD twin screen screens, numerous routing operates, upgraded trip computer , auto equipment and lighting in addition to wipers, dual-zone local weather management, computerized flip magnifying mirrors having invert dimming, vacation cruise management, that happens available combined having swiftness limiter, proximity key having push-button commence in addition to preset sunroof having electric impaired method.
With regards to The 2015 Citroen C4 Grand Picasso exterior design and style, the idea characteristics several very rewarding moving traces that work quite difficult to be able to undercover dress The box-on-wheels approach of all persons service providers. They have, additionally, several quite unusual squinting headlamps, which might be matched underneath glinting operating equipment and lighting and a futuristic grille, that very ingeniously features Citroën's double- chevron emblem.
Under the hood of each 2015 C4 Grand Picasso is positioned The same 1.6-liter engine choice, that has also been, mutually, put together by Peugeot, Citroen in addition to BMW, for being placed directly under The Hood involving an array of its engine vehicles. It's general toughness possesses, currently, also been believed in creating all around a 121kW in addition to 240Nm.
In case compared to you're about to buy this particular remarkably attractive family-oriented vehicle, you must be, more than willing to put to one side several significant volume of money-roughly speaking around $40,990, that all of us come across very costly.
Used 2015 Citroen C3 Picasso Review: Still Worth It In 2019? | {
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Discovered Football Manager at the age of 14-15. Played it half my life. Interested in tactics and discovering emerging talents and new wonderkids.
Official "Share Your Football Manager Twitter Feed"
Sorry for the confusion. It's the date I updated to the last version of Claassens work on website with his new link.
Hi Mons, tried to contact you by DM but got this error message: Mons has exceeded their stored private messages quota and cannot accept further messages until they clear some space. Would you be so kind to contact me when you can?
Great work @danBHTFC! I really hope you would take the time to check your DM and reply to me when you have the chance=) Keep up the good work!
I'm not an expert in making graphics - how difficult is it to create an own skin? Wondering if I should try to create an own skin for my website or ask for help from some of the many experts out there.. any one who could give me some advices?
Passion4FootballManager.com - Contributors & Admins WANTED! | {
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Head to Head Analysis: SL Green Realty (NYSE:SLG) versus VEREIT (NYSE:VER)
Posted by Steve Reilly on Jan 14th, 2021
SL Green Realty (NYSE:SLG) and VEREIT (NYSE:VER) are both mid-cap finance companies, but which is the superior stock? We will contrast the two companies based on the strength of their valuation, analyst recommendations, earnings, risk, institutional ownership, profitability and dividends.
Risk & Volatility
Get SL Green Realty alerts:
SL Green Realty has a beta of 1.53, indicating that its share price is 53% more volatile than the S&P 500. Comparatively, VEREIT has a beta of 1.01, indicating that its share price is 1% more volatile than the S&P 500.
SL Green Realty pays an annual dividend of $3.64 per share and has a dividend yield of 5.8%. VEREIT pays an annual dividend of $1.54 per share and has a dividend yield of 4.3%. SL Green Realty pays out 52.0% of its earnings in the form of a dividend. VEREIT pays out 223.2% of its earnings in the form of a dividend, suggesting it may not have sufficient earnings to cover its dividend payment in the future. SL Green Realty has raised its dividend for 1 consecutive years. SL Green Realty is clearly the better dividend stock, given its higher yield and longer track record of dividend growth.
This is a breakdown of recent ratings and price targets for SL Green Realty and VEREIT, as reported by MarketBeat.com.
Sell Ratings Hold Ratings Buy Ratings Strong Buy Ratings Rating Score
SL Green Realty 0 10 2 0 2.17
VEREIT 0 4 3 0 2.43
SL Green Realty currently has a consensus price target of $65.07, suggesting a potential upside of 4.43%. VEREIT has a consensus price target of $39.42, suggesting a potential upside of 10.81%. Given VEREIT's stronger consensus rating and higher possible upside, analysts plainly believe VEREIT is more favorable than SL Green Realty.
This table compares SL Green Realty and VEREIT's net margins, return on equity and return on assets.
Net Margins Return on Equity Return on Assets
SL Green Realty 19.90% 4.21% 1.81%
VEREIT -43.35% -7.49% -3.71%
Earnings & Valuation
This table compares SL Green Realty and VEREIT's revenue, earnings per share and valuation.
Gross Revenue Price/Sales Ratio Net Income Earnings Per Share Price/Earnings Ratio
SL Green Realty $1.24 billion 3.65 $281.35 million $7.00 8.90
VEREIT $1.24 billion 6.28 -$300.35 million $0.69 51.55
SL Green Realty has higher revenue and earnings than VEREIT. SL Green Realty is trading at a lower price-to-earnings ratio than VEREIT, indicating that it is currently the more affordable of the two stocks.
Insider & Institutional Ownership
99.5% of SL Green Realty shares are owned by institutional investors. Comparatively, 94.5% of VEREIT shares are owned by institutional investors. 4.0% of SL Green Realty shares are owned by insiders. Comparatively, 0.3% of VEREIT shares are owned by insiders. Strong institutional ownership is an indication that endowments, large money managers and hedge funds believe a company will outperform the market over the long term.
SL Green Realty beats VEREIT on 13 of the 17 factors compared between the two stocks.
About SL Green Realty
SL Green Realty Corp., an S&P 500 company and Manhattan's largest office landlord, is a fully integrated real estate investment trust, or REIT, that is focused primarily on acquiring, managing and maximizing value of Manhattan commercial properties. As of September 30, 2020, SL Green held interests in 93 buildings totaling 40.6 million square feet. This included ownership interests in 29.2 million square feet of Manhattan buildings and 10.3 million square feet securing debt and preferred equity investments.
About VEREIT
VEREIT is a full-service real estate operating company which owns and manages one of the largest portfolios of single-tenant commercial properties in the U.S. The Company has total real estate investments of $14.6 billion including approximately 3,800 properties and 88.9 million square feet. VEREIT's business model provides equity capital to creditworthy corporations in return for long-term leases on their properties. VEREIT is a publicly traded Maryland corporation listed on the New York Stock Exchange. VEREIT uses, and intends to continue to use, its Investor Relations website, which can be found at www.VEREIT.com, as a means of disclosing material nonpublic information and for complying with its disclosure obligations under Regulation FD.
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$0.34 EPS Expected for Americold Realty Trust (NYSE:COLD) This Quarter
ASML's (ASML) Neutral Rating Reaffirmed at UBS Group
Stealth Tops 1-Day Volume of $10,058.00
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pEOS Price Up 335.2% Over Last Week
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Contrasting Deutsche Börse & Its Peers
Daily Ratings & News for SL Green Realty
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Stealth Tops 1-Day Volume of $10,058.00 (XST)
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Contrasting Deutsche Börse (DBOEY) & Its Peers
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Eastern Bank Sells 86,532 Shares of Honeywell International Inc. (NYSE:HON)
Spectrum Asset Management Inc. NB CA Has $9.75 Million Stock Holdings in Vanguard Growth Index Fund ETF Shares (NYSEARCA:VUG)
EnLink Midstream, LLC (NYSE:ENLC) to Issue $0.09 Dividend
Canadian Natural Resources Limited (CNQ.TO) (TSE:CNQ) Price Target Increased to C$42.00 by Analysts at Credit Suisse Group
Franklin Universal Trust Declares Monthly Dividend of $0.03 (NYSE:FT)
TransAlta Co. (TA.TO) (TSE:TA) Given New C$17.50 Price Target at Credit Suisse Group
J D Wetherspoon plc (JDW.L) (LON:JDW) Given New GBX 1,150 Price Target at Liberum Capital
Skin Elements Limited (SKN.AX) (ASX:SKN) Insider Acquires A$44,656.86 in Stock
Boyd Watterson Asset Management LLC OH Sells 299 Shares of iShares Core S&P Small-Cap ETF (NYSEARCA:IJR)
Kinder Morgan (NYSE:KMI) Issues FY 2021 After-Hours Earnings Guidance
Kestra Advisory Services LLC Purchases 139,904 Shares of iShares MSCI EAFE ETF (NYSEARCA:EFA)
(ASBN) (OTCMKTS:ASBN) Shares Up 3.8%
Foley Trasimene Acquisition (NYSE:WPF) Shares Down 3.4% | {
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FAMU spokeswoman Kathy Times leaving
January 17, 2020 5:02 pm by By Cassandra Jean | Staff writer
Kathy Times, photo courtesy FAMU Office of Communications
Kathy Times, Larry Robinson's hand-picked choice to lead the Office of Communications and to be his official spokeswoman when he was named interim president of Florida A&M University in September 2016, is leaving FAMU.
Times told The Famuan that she will be leaving her position at the end of the month to continue her own public relations agency in the Tampa area with an office in South Florida near where she grew up.
"I put it aside for three years just so that I can focus solely on FAMU's Office of Communications. I knew I would not be able to run my business and manage university communications. It requires my undivided attention," Times said.
A graduate of FAMU's School of Journalism & Graphic Communication, Times is an Emmy award-winning journalist and investigative reporter. She said being given the opportunity to work under President Robinson was an honor.
"Ms. Times came to us with an outstanding career and track record in communications and on top of that is a dedicated Rattler," Robinson said in an email. "As I looked out and searched for a person to serve in this capacity her name came up time and time again. Once we had an opportunity to meet, it was clear I didn't need to look any further."
Times conceded that she has mixed emotions about leaving, though she feels that she has done her job. "I feel as though I left the university communications in a better place than I found it and accomplished goals as an office as we set out to do," she said.
Robinson has grown more of a presence on social media during the past year and is beginning to acquire a following from students and staff members. He credits Times for helping him become social media savvy.
"The person who can take full credit for me having a small presence on social media is Ms. Times by sort of getting me out of the dark ages in terms of the modern world," Robinson said.
Journalism came natural to Times as she was passionate about telling people's stories. Completing internships with the Tampa Tribune and a co-op with IBM in Boca Raton gave her the experience she needed to excel in her field, she said.
Times had a passion for her work as well as promoting Florida A&M University, Robinson said. | {
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Open your eyes wide to unlock a new game!!
Is that a Coin under the sofa? Well, no!! The carom coins are hidden all over the place!! Help, by using your observing skills, find out the hidden coins in the given picture!!! Score points with every collected coin in the game!! Use the points to unlock new levels in the game!! Remember, to keep your eyes wide open!!! | {
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A brand new restaurant offering unique views across the city and Cardiff Bay has opened its doors to the public in time for the festive season.
Just a stone's throw from the heart of the city centre, The Classroom is situated on the 5th floor of the brand new £45m Cardiff and Vale College City Centre Campus serving modern European cuisine from a state-of-the-art open kitchen.
There is also more to this stunning modern restaurant too, as the name and location suggests, The Classroom is training future culinary talent for the capital. However, this unique venue is not your usual training restaurant – as it sees top industry professionals with a wealth of experience from Michelin and AA Rosette establishments across UK running the restaurant day in day out, alongside visiting professionals, all training the future stars of the industry.
Before taking up the post of Head Chef at The Classroom, Smith most recently worked at The New Inn on the Isles of Scilly – just one of 12 Cornish pubs to be listed in the Michelin 'Eating Out in Pubs Guide' – after working alongside Michelin star chefs Anton Edlemann, Paul Heathcoat and Chris Galvan for 10 years in 5 star establishments in Cheshire. Closer to home, he was also the Executive Sous Chef at Cardiff's St David's Hotel.
And it's not just the catering students that are benefitting from industry professionals, resident Food and Beverage Manager at The Classroom, Thomas Bentkowski, has over 20 years' experience working in the industry; having worked in Jean-Christophe Novelli's Auberge du Lac Restaurant in Hertfordshire and more locally at Holm House in Penarth and as General Manager of Park House, Cardiff.
Providing a real-life working environment for the College's hospitality and catering students, The Classroom offers a unique opportunity for them to gain valuable experience whilst honing their skills, and taking inspiration from some of the industry's top chefs – with some already showing their support for Cardiff's new eatery.
"We are delighted to be opening The Classroom ready for the Christmas season. At Cardiff and Vale College we are serious about ensuring our students progress and working with employers to ensure students not only have the qualifications but the right skills, experience and passion to enter and succeed in the employment market and add value to an employer. We are proud of our already extremely strong track record for this –with 92% of hospitality and catering students progressing to higher level study or directly into employment within three months of completing their course – with many working in top establishments across the region and beyond.
"It is a spectacular restaurant by any standard. The views are incredible and the standard of the food the professional team here produce matches that. It is one that needs to be seen and experienced to really appreciate".
The restaurant is already taking bookings and will be open Tuesday – Saturday for Christmas Menu lunch and dinner bookings from 24th November. The Classroom is also available to hire for events and parties and is set to play host to guest chef takeovers and pop-up restaurants in the near future; allowing people to enjoy a variety of cuisines and some of their favourite culinary experiences – all with a unique view of Wales' capital. The first of these is running on 3rd December and sees Larkin Cen of Hokkei take over the kitchen to work with students on providing a stunning 3-course meal with The Principality and in aid of their Charity of the Year Mind Cymru. Limited tickets are still available for this event.
To find out more about The Classroom or to make a booking call 02920 250377 or visit the website www.TheClassroom.wales . Open for lunch Tuesday to Saturday 12noon until 2pm and dinner Tuesday to Saturday 6pm to 9pm. | {
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Washington based filament manufacturer, Proto Pasta has announced the release of their newest innovation, HTPLA v3. The filament has similar ease of printing to standard PLA, but can also be heat treated for added stability and strength. The newest version of HTPLA is a result of 3 years of refinement and user feedback.
Graphic depicting the advanced qualities of new HTPLA V3. Image via Proto Pasta.
On your marks, get set. 3D print! Sue and Mel of the BBC's Great British Bake Off.
For the heat treatment, HTPLA 3D printed objects are baked in an oven at approximately 100 °C. Baking time ranges from a few minutes to an hour, depending the size of the print. Use of a flat surface is recommended to maintain shape, since the structure will become soft momentarily before hardening into its final form. For this reason, if printed with supports, these should not be removed prior to baking.
Spool of Premium HTPLA v3. Photo via Proto Pasta.
Despite expanding the functionality of the HTPLA filament, the V3 will retail for almost half the price of its V2 predecessor. The filament will also be available in new colors later this year, with the initial launch confined to 'natural' for the time being. Proto Pasta state that more than 20 colors are planned once they move into their new larger facility in April.
3D printing material innovations and advances are a recurring theme this year. As we previously reported, Wisconsin based filament company, The Virtual Foundry introduced their Filamet™ material. The filament enables desktop FDM printers to 3D print metal objects. While elsewhere, researchers are exploring the use of graphene-doped PLA to make rechargeable batteries.
Voting is now open in the 3D Printing Industry Awards and we are inviting designers to create the awards with a design competition.
For the latest 3D printing filament news, sign up to our newsletter and follow us on twitter.
Featured image shows Proto Pasta's printed filament, their name stems from the spaghetti-like nature of filament. Image via Proto Pasta. | {
"redpajama_set_name": "RedPajamaC4"
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Heritage Assets
A Heritage asset is defined in the glossary of the National Planning Policy Framework as:
A building, monument, site, place, area or landscape identified as having a degree of significance meriting consideration in planning decisions, because of its heritage interest. Heritage asset includes designated heritage assets and assets identified by the local planning authority (including local listing)
Designated heritage assets include international designations (World Heritage Sites) and nationally designated assets identified by English Heritage and DCMS
Designated heritage asset:
Scheduled Monuments
Protected Wreck Sites
Registered Park and Gardens
Non-Designated heritage assets include archaeological sites contained within the historic environment record and buildings added to a local list.
JME Conservation will assess the significance of designated heritage assets and non-designated heritage assets defined by the Local authority and advise clients about the potential impacts of their proposals upon these heritage assets and how best to resolve issues that arise.
Government guidance on the treatment of heritage assets is set out in the following extract from the National Planning Policy Framework. | {
"redpajama_set_name": "RedPajamaCommonCrawl"
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ENG Vatnajökull National Park added to UNESCO's World Heritage List
March April May June July October November December
January March June September October December
February March April May June July
January February April June July August December
January March April June July October December
February March April May June July August October November December
Vatnajökull National Park added to UNESCO's World Heritage List
Photo: ©Ragnar Th. Sigurðsson
Vatnajökull National Park has been inscribed on UNESCO's list of World Heritage Sites. The decision, which was taken at a meeting of the World Heritage Committee in Baku, Azerbaijan last Friday, confirms that the natural environment of the Park and the Nature Reserve at Lónsöræfi have a unique value to humankind.
Vatnajökull National Park, in southeast Iceland, covers an area of over 1,400,000 ha, nearly 14% of Iceland's territory. It numbers ten central volcanoes, eight of which are subglacial. Two of these are among the most active in Iceland. Volcanic areas are home to endemic groundwater fauna that has survived the Ice Age. The area is unique due to the forces of the nature that shaped it, an interplay of fire and ice and the resulting geological diversity.
The Icelandic Government's proposal for the inscription of Vatnajökull National Park on the World Heritage List was presented to the office of the World Heritage Convention in Paris in January 2018. Since then, the proposal has been under review by the International Union for Conservation of Nature (IUCN), which assists the Committee in evaluating the value, authenticity, integrity and the status of protection of the natural sites that are nominated to the list. As well as recognising the unique natural environment of the park, the Committee's decision also serves as an affirmation of the Icelandic Government's decision to establish the vast national park and aids the conservation and management of the area.
Hlekkur
Tourism in Iceland in Figures
Numbers of foreign visitors
Visitor Surveys
VAKINN Quality & Environmental System
The Tourist Site Protection Fund
Licences & Legislation
List of travel agencies
Contingency plan in the event of bankruptcy or termination
Day Tour Provider
List of Day Tour Providers
Tourism Administration Acts
Saftey plans
List of tour operators
Destination Management Plans (DMPs)
Tourist information services
-See location
[email protected]
Fylgdu okkurFollow us
Icelandic Tourist Board
Tourism Strategy 2011-2020
The hotel classification system
Booking service and/or information centre
Tourism Administration Act | {
"redpajama_set_name": "RedPajamaCommonCrawl"
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Q: How do I remove quotes from the column headers in a flat file with SSIS? I've got a CSV file where all column headers and values are wrapped in quotes ("). In the Flat File Connection Manager Editor I've specified " in the Text qualifier field. That takes care of all the quotes around data values but it doesn't seem to affect the quotes around the column headers. Is there a way to strip the quotes from the column headers as well?
A: If it's a source, then the column names are unfortunately "Col1". The other option would be to uncheck file has a header row and skip 1 row in the flat file connection manager. Then you'd be able to rename the columns as you desire.
As I think about this, you might be able to manually change the column names in the Flat File Connection Manager to remote the double quotes. And I guess there's also an option to define the column name in the Flat File Source within your data flow so the FFCM would specify it's "Col1" and you can map it to a friendlier name like Column1
A: You can convert your csv file into a text file and then load that one. After you load the file, in the Text Qualifier put "
this should take care of both the double quotes around your header and your column values.
| {
"redpajama_set_name": "RedPajamaStackExchange"
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Price: £6 drop in Lunchtime Yoga Classes are a perfect way to revitalize, relax and release tension caused by daily stresses in the workplace and home. We offer convenient 45 minutes yoga classes for all abilities.
Wednesday 2.00 – 2.45pm With Eva Kristlova Investment £6 Experience a complete relaxation of body and mind through the powerful Yoga Nidra practice.
I'm a registered Senior Yoga Teacher with Yoga Alliance UK, demonstrating that I have met the stringent requirements set by Yoga Alliance UK as a sign of highest standard.
Our training school has met the stringent requirements set by Yoga Alliance UK, demonstrating that our courses are of the highest standard and that our graduates may use the title 'Registered Yoga Teacher' RYT as a sign of quality training. | {
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Just when we thought the Huawei MediaPad would be the first 7″ Honeycomb tablet, it looks like Acer has managed to beat them it to the punch. Acer has just announced the release of the Iconia Tab A100 in the US, and as it stands, it is the first 7″ tablet shipping with Android 3.2 Honeycomb. For those of you who think a 10″ slate is much too cumbersome to carry around, the Iconia Tab A100 might be just for you.
The Acer Iconia Tab A100 features an NVIDIA Tegra 2 dual-core processor, a 7″ 1024 x 600 display, HDMI output, a 5-megapixel rear camera with flash, a 2-megapixel front facing camera, Android 3.2 Honeycomb, Adobe Flash 10.3 pre-loaded, HDMI output, a MicroSD card reader, WiFi, Bluetooth, and DLNA.
The Acer Iconia Tab A100 also seems targeted at moms and families (multiple mentions in the press release) with a number of useful apps such as Acer's Social Jogger, Acer Day Planner, Google Books and more. Prices start at $329.99 for the 8GB model, while $349.99 doubles the tablet's memory to 16GB. You can purchase the Honeycomb tablet at retail stores nationwide.
Filed in Tablets. Read more about Acer, Android 3.2, Honeycomb and Tablet. | {
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Jacob Sager Weinstein (born January 8, 1972) is an American author, humorist, comedy writer, and screenwriter. For three years he was a staff writer for Dennis Miller Live, for which he received a Writers Guild of America award in 2001. Earlier he was a contributor to The Onion, and he has also written for McSweeney's Internet Tendency, the North American Review, and The New Republic.
Sager Weinstein co-wrote with Matthew David Brozik three humor books: in 2005 The Government Manual for New Superheroes; The Government Manual for New Wizards in 2006; and The Government Manual for New Pirates in 2007.
In 2012 he published the sardonically titled How Not To Kill Your Baby.
Sager Weinstein is the author of the Hyacinth Series, a middle-grade fantasy trilogy about enchanted rivers under London.
In 2018, he published the picture book, Lyric McKerrigan, Secret Librarian, with art by Vera Brosgol.
He also wrote a screenplay adapted from the 1937 novel Utas és holdvilág (Journey by Moonlight) by the Hungarian writer Antal Szerb. The film, to be directed by István Szabó, is still in production.
Sager Weinstein was born in Washington, D.C., and is a graduate of Princeton University, where he was a charter member of the school's improvisational comedy troupe, Quipfire!. He currently lives in London and is married to Lauren Sager Weinstein. He is the brother of television writer Josh Weinstein.
Published works
. Published in the UK as The City of Secret Rivers.
. Published in the UK as The City of Guardian Stones.
Notes
External links
Jacob Sager Weinstein's website and blog
"Little-Known Song Titles That Answer Questions Posed in Better-Known Songs", by Jacob Sager Weinstein, at McSweeney's Internet Tendency
American male journalists
American humorists
American television writers
American male screenwriters
Jewish American screenwriters
Journalists from Washington, D.C.
Princeton University alumni
1972 births
Living people
American male television writers
Screenwriters from Washington, D.C.
21st-century American comedians
21st-century American screenwriters
21st-century American male writers
21st-century American Jews | {
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Filmmakers Rian Brown-Orzo and Geoff Pingree
The Foreigner's Home
Filmmakers Rian Brown-Orso and Geoff Pingree have been active at PRO Hub looking to secure international sales and explore French distribution possibilities for The Foreigner's Home, which seeks to capture cinematically the essence of Nobel Prize-winning author Toni Morrison and her belief in the transformative effect of art.
Using footage of her shot in Paris in 2006, as well as interview, animation, archive and stills, the film illustrates the writer's ideas on race, identity and what it means to be a foreigner. The Foreigner's Home world-premiered 26 January in IFFR Perspectives.
The filmmakers were introduced to Morrison by her New York neighbour (and their friend) Jonathan Demme. She was at a loss as to what to do with the 2006 footage (shot by her son) from an exhibition that she curated at the Louvre, also entitled 'The Foreigner's Home'. She agreed to their involvement but was reluctant to be interviewed on camera, but after seeing an initial cut she relented. "What flipped it was that she realised we weren't interested in worshipping her," says Pingree. "[We recorded] her ideas and vision about the state of the world and how we treat other people – this is not a story, this not a narrative, this is a lament, a warning and a challenge."
The Foreigner's Home
Rian Brown, Geoff Pingree IFFR 2018 57′
In 2006 Nobel Prize-winning author Toni Morrison curated an exhibition in the Louvre based around Géricault's painting The Raft of the Medusa. She argued for the contemporary relevance of this work through artists and 'outsiders' who have been displaced. She finds out that, during the following 10 years, the problem has not only become larger, but also more urgent.
Animation is key to the film as emblematic boat and bird motifs are repeated. "Toni is a writer, so it is as if the pencil is lifting off her page and into the boat and the bird," comments Brown-Orso. "The boat is the people left to die, the migrants, the slave ships …[The drawings] are very ghostlike. They create a kind of history of memory and reflection - like a palimpsest. They are hand-drawn on top of images of the migrant, images of Martin Luther King and Nina Simone… We wanted to hold the meaning of her words through these sensual drawings."
Multifaceted contemporary African and African-diaspora cinema with special focus on the history of the Pan-African movement as captured in film.
Adds Pingree: "What we worked out early on was that this had to be a movie where time and place could be transcended easily and quickly, the orientation and the coherence of the film had to come from her ideas. She speaks at different places at different times about different things, but slowly this vision emerges through Rian's animation… We created a world that embodies the darkness of what Toni is talking about bit also tries to suggest the hopeful possibilities."
The final screening is Sunday 13.00 in Kino 2.
Photo in header: Filmmakers Rian Brown-Orzo and Geoff Pingree
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Any day of the year is ideal for listening to Jon Hassell's music, but seeing as today marks the vernal equinox, you might as well listen to his 1978 debut album marking this auspicious occasion. Vernal Equinox isn't Hassell's best full-length—that would be Dream Theory in Malaya—but it is another exquisitely wrought example of the trumpeter's unique expression of eerie and exotic ambience that he termed Fourth World music.
The opening track "Toucan Ocean" is one of the most haunting and beautiful pieces of music I've ever heard. Throughout Vernal Equinox, you can hear how Hassell's study of Indian Kirana vocal technique with Pandit Pran Nath led to his distinctively mellifluous and distortedly avian/animalistic trumpet sound. Shakers, rattles, mbira, tabla, dumbek, congas, and David Rosenboom's "Buchla Synthesizer alteration" form a humid, twitchy jungle bed of activity over which Hassell's itinerant trumpet emanations unpredictably waft. Ambient-music pioneer and Hassell collaborator Brian Eno spoke highly of the record in The Guardian: "This record fascinated me. It was a dreamy, strange, meditative music that was inflected by Indian, African and South American music, but also seemed located in the lineage of tonal minimalism. It was a music I felt I'd been waiting for."
In a 2009 review of Hassell's late-era masterpiece, Last Night the Moon Came Dropping Its Clothes, I wrote, "Hassell has carved out a unique tonal palette with an instrument that speaks sotto voce in alien tongues." Vernal Equinox is where that talent first punctured the public consciousness, and it remains a crucial part of this singular musician's canon. | {
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R Klein & A Moretti was registered on 01 Feb 2008 and given the ABN 22479266103.
The ACN number of R Klein & A Moretti is 479266103.
R Klein & A Moretti is a Other Partnership.
R Klein & A Moretti used 2 Business Names / Trading Names so far.
Some of them are [ - - Tuck Shop Customs - TUCK SHOP CUSTOMS - ], etc.
R Klein & A Moretti does not have a registered GST number yet.
The information on R Klein & A Moretti was extracted from the Australian Business Register on 03 Mar 2008.
Get R Klein & A Moretti Company extract, Satisfied charges, Roles and relationships, Company historical information, Account statements, Net worth, Incorporation certificates and all other related documents on the official ASIC website. | {
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Storm Ali - where is the oncoming storm, what's the Met Office warning level and what's the UK weather forecast?
Storm Ali – where is the oncoming storm, what's the Met Office warning level and what's the UK weather forecast?
BRITS are battening down the hatches as Storm Ali barrels into the UK — bringing destructive winds and huge sea swells.
An Amber weather warning has been issued calling for people to take immediate action to protect against 102mph gales that pose a threat to life. Here's the latest.
Where is Storm Ali now?
Storm Ali, the first named Storm of the season, hit Britain on September 19 morning.
It will affect the whole of Northern Ireland, as well as the far north of England and southern/central Scotland.
Roads and railways could be closed as uprooted trees and debris block routes.
Ferry services and airports will likely be affected by the strong gusts which could lead to injuries — and pose a threat to life.
Gales of up to 102mph will also damage buildings while power cuts and phone outages are also expected.
Heavy rain will also come with what the Met Office calls the "extremely strong winds".
What's the Met Office warning level?
Storm Ali is expected to bring a very windy spell of weather.
This has led the Met Office to issue an Amber weather warning — the second highest on its scale from Yellow to Red.
The Met Office said: "Storm Ali will bring a spell of very strong winds to Northern Ireland from early on Wednesday morning, before these strong winds spread to far north-west England and central and southern Scotland by late morning.
"Strong winds will be accompanied by heavy squally showers. Some areas, especially high ground and coastal regions, including within the Central Belt, could see gusts of 80 mph at times.
"Winds will ease from the west through the afternoon."
Meanwhile, a Yellow weather warning is in place for much of the rest of the north of the UK tonight.
Strong winds and gust of up to 75mph are forecast from North Wales and northern England up to the Shetlands.
The warning is in place until 10pm on Wednesday night.
A Yellow warning for wind and rain is in place for Thursday, September 20.
A Yellow wind warning has been issued for much of England and western Wales for Thursday night and Friday morning.
What is the UK weather forecast?
Large parts of northern England, Northern Ireland, Wales and Scotland will be battered by strong gales due to Storm Ali.
Heavy rain will also accompany the wind.
Elsewhere it will be windy too, with sunny spells either side of a band of showery rain, moving south-eastwards.
But temperatures will remain reasonably high for this time of year.
Tonight the strongest winds will ease but it will remain very windy in the north with gales and blustery showers.
There will be clear spells further south before heavy rain reaches Wales, central and northern England towards dawn tomorrow. | {
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Prices of recently purchased new cars fall like a stone. Drive a new car off the lot, and you have just lost at least 10% of the sales price, and maybe 15%.
For new-car buyers, the resale value of the car is less than the money they owe on the car. Only after year three does the rate of depreciation slow enough to allow the borrower to catch up with the resale value of his car. But then, in year four, he buys another new car. He never really gets ahead. This is why I will not buy a new car.
I won't borrow money to buy a car. I don't borrow money to pay for any depreciating asset. So I limit myself to used cars, and normally used cars that are at least five years old.
If you can reduce your risk by obtaining better information on the make and model of a used car, and if you are in a position to walk away from the deal, you will save a lot of money.
1. There are two wonderful free Web sites, Kelley Blue Book (www.kbb.com) and Edmunds (www.edmunds.com). Here is where you regain your advantage as a buyer. You can find out what is a reasonable price for any make, year, or model in one of five levels of condition. You can even put in the mileage.
2. You can consult Consumer Reports to find the reliability factor for most cars. It's in the book that they put out annually. Your local library has it. Or you can subscribe for $3.95 for one month to the online version (www.consumerreports.org). Cancel after one month if you like.
CR also runs a "Used cars to avoid" list. That one, you must consult. Another list: "Used cars: best and worst." Read it.
3. Another way to reduce the likelihood of buying a lemon is to buy a particular brand of used car only at a car lot where that brand is sold new. The used car on the lot was a trade-in from someone who presumably bought a new one. He was satisfied with the older car, so he bought the same brand.
4. Buy a CARFAX report on any car that you really are ready to buy (www.carfax.com). It will reveal if the car was ever involved in an accident. If the car was ever in an accident, don't buy it for anything but a super-low price to use as a run-around-town car.
I suggest that you go to this Web site: www.carbuyingtips.com/used.htm. If you do what this long, detailed, and really hard-nosed article tells you to do, no used-car salesman will have an advantage over you.
1. Don't buy the car without going home, running a CARFAX check, and thinking carefully about buying.
2. Be sure you have a top price in mind that is lower than the dealer's asking price.
3. When you return to negotiate, have in your possession a filled-in check for your top price, including tax and license. When you sit down with the salesman, hand him the check. He can take it or leave it. Don't ever negotiate with a pro. Put the burden to decide on him. A signed check does this. Because nobody buys cars without debt, your check in his hand will unnerve him. This is good.
4. If he doesn't accept it, come back when he isn't there, go to another salesman, look at the same car, and go back to his office. Write out a new check right in front of him, with the same top price. He may take it.
5. Shop during daylight hours. You can more easily see any defects in the car's exterior.
6. Shop in the morning. Negotiate the first round before noon. Then come back in the afternoon if you like. Deal with the same salesman.
If the morning's salesman doesn't capitulate, come back in the evening and try to find another salesman. Make a beeline for the youngest guy on the floor. Don't let an old, experienced salesman intercept you.
Don't tell him that you made an offer earlier. Have him walk around with you. Then, lo and behold, you just happen to find the car you'd like to buy. Go back to his office. Write the check in front of him. Don't use the original check. He may catch on that you have been there before.
7. There is another strategy to get the price down. It's a good one when you have a particular car in mind. Don't come back to buy it for 30 days. Any used car that is on a lot for more than 30 days is a loser for the dealer. So the salesman has an incentive to sell it.
8. There is an ultimate fallback strategy for any negotiation, once you have decided to buy any item. It is a good strategy when you really don't know what an item is worth in the open market. The better the salesman is as a negotiator, the better this strategy works for you. Rarely does anyone use it.
Tell the salesman that you have a top price in mind. You absolutely will not go higher. In fact, if you don't get that price, you will walk out of the dealership and go to another. The salesman must believe you for my strategy to work. You must be willing to do what you say.
Tell the salesman to write down his absolutely lowest price — including all add-ons (taxes, license, whatever) — on a piece of paper. You will write down your top price. You will then exchange the papers. If your top price is above his lowest price, you will split the difference: 50-50. If, for example, your top price is $7,000 and his lowest price is $6,000, you will pay him $6,500.
9. A salesman has a monthly quota to meet. If he has met his quota by the end of the month, he is less pressured to deal. At the first of the month, he is under more pressure.
So go shopping in the first week of the month. Then wait for a month to buy the vehicle you want. Have three or four in mind. Don't feel pressured to buy. There will be other cars.
11. The more valuable your time, the less time you should invest in shopping for a used car. But take your teenage son or daughter along with you. Make it a teaching experience. If your children don't get into the habit of going into debt for cars, this will help them immensely in later years. | {
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Will Iran experience a financial revolution following the lift of nuclear sanctions?
One of the purposes of the fintech revolution is financial inclusion – providing financial services to the underbanked segments in both mature and emerging markets. This is often synonymous with retail banking for the developing world where only 41 percent have a bank account. But there are vast opportunities for both incumbents and fintech startups every step of the way when targeting various underbanked segments.Ffrom targeting the SME market through use of blockchain to exploring opportunities created by political changes. The lift of Iran sanctions after the nuclear deal is one of those opportunities.
Iranian banks make up the world's largest islamic banking system with $482 billion in assets under management. But the banks have accumulated non-performing loans at the risk of not being repaid in the billions. The banking industry has also been burdened by high-profile embezzlement scandals, and is ranked as the highest risk country in money laundering/terrorism financing. In addition the countries banks were banished from SWIFT in 2012 because of nuclear sanctions, terminating transactions worth $35 billion to/from Europe alone.
With a population of nearly 80 million, where 70% is below 35 years and a smart phone penetration predicted to reach 50% by 2016 there is a big potential to improve and reinvent the financial services industry.
With 4 to 5 million Iranian expats worldwide, inbound remittances revenues alone amount to $1,4 billion according to the World Bank. The widespread use of Hawala networks for remittances makes this amount difficult to track, and some claim that the total amount is four times the World bank estimate. The lifted sanctions could also boost trade finance revenues, as well as give foreign investors access to the Teheran Stock Exchange and direct investments targeting 80 million potential customers, $35 trillion worth of petroleum reserves and deep infrastructure needs. Iran has already implemented a national interbank payments system, Shetab which is enabled for credit and debit cards, e-commerce and mobile payments as well as Satna for RTGS for high value payments.
These are all examples of the possibilities related to traditional financial services, but the potential should could might as well include services live sharia-compliant P2P-lending.
As a result European, Chinese and Indian banks are exploring the potential of entering the Iranian market. But there are still major obstacles along the way. Banks operating in Iran need to regain access to the SWIFT messaging network, a process predicted to take several months subsequent of the end of sanctions. In addition it is imperative that the Central Bank of Iran meets anti-money laundering standards in order to create a regulatory system that ensures the commitment to stay compliant to international standards. | {
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vherrick Awesome to deal with. Love the bag thank u so much.
So glad you like it! Thank you for being a pleasure to deal with!
@britcooling is on Carousell - Follow to stay updated!
Size 39 Miss Sofie heels. A few minor scuffs to the exterior.
Brand new Guess Highway Mini bag in blue. Tag still attached.
Size 12 (easily fits size 10) elastic waistband. Some light stains (possibly mud) on green section - see photo.
Size 10 boohoo skirt. Has a lining underneath so it's not scratchy or see through.
Size 10, Caroline Morgan. Worn quite a bit, but still in good condition. One small hole that has been stitched up (on black line, barely noticeable near bottom front of dress- see photo). Faux leather sleeves and neck.
Medium size (about 10-12 depending on bust and waist, material has some stretch). Plunging V neckline and keyhole back, tulip skirt detail. | {
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The body count rises higher than ever as the X-Men and their allies face war on every front! The original X-Men have formed X-Factor, and they come up against their deadliest challenge yet in Apocalypse and his Horsemen, including the all-new Archangel! The New Mutants lose one of their own! And after the Marauders slaughter the Morlocks, they take on the X-Men - and the survivors will be asked to sacrifice themselves to stop the evil Adversary! Featuring tie-ins starring Captain America, Daredevil, the Hulk, the Fantastic Four and Power Pack! Collecting NEW MUTANTS (1983) #55-61, UNCANNY X-MEN #220-227, X-FACTOR (1986) #18-26, CAPTAIN AMERICA (1968) #339, DAREDEVIL (1964) #252, FANTASTIC FOUR (1961) #312, INCREDIBLE HULK (1968) #336-337 & #340 and POWER PACK (1984) #35. | {
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I say I thought this was the solution. But it wasn't. I'd try to run git status after this, and the index file would still be corrupt. I struggled with this for a long time, until I finally realized what the problem was. It turned out that there were two folders in the git repo that contained .git directories—in other words, what we had was nested git repositories. This wasn't intentional, and I had no idea that these .git directories were there. Once they were deleted, everything worked again.
Check to make sure that none of the non-submodule directories under your project have .git directories in them.
This entry was posted in Uncategorized and tagged git on May 4, 2015 by J.D. Grimes. | {
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At Avenue Dental, we're always happy when our patients reach out to us – whether it's over the phone, by dropping in, or by sending an email.
We understand that everyone is leading busy lives, and sometimes it's just easier to request an appointment online. So feel free to fill out our form, and then one of our friendly team members will get back to you and arrange your appointment.
*Appointment changes must be made by phone and will not be accepted by this form.
"We look forward to making your dental visit a pleasant one. | {
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Be aware when God does things outside your paradigm of experience. Jesus rarely does things the same way every time. This is intentional in order to keep us trusting in His power, not His ways.
Therefore the Pharisees also asked him how he had received his sight. "He put mud on my eyes," the man replied, "and I washed, and now I see" (John 9:14-15).
Before I owned my own advertising agency, I worked for another ad agency. The owner was a man who was very creative and taught me that if you want to be remembered and want to stand out among the crowd, you must "zig" when others are "zagging." This was a another way of saying, "Do something very different so that your work will stand out among the crowded marketplace."
When I owned my own firm, we created several award-winning ad campaigns. One ad we created won international marketing awards. It was promoting a new brand of plush carpet. It's still on my wall in my office. In our ad we featured a white Persian cat in the ad. However, it looked like the body of the cat was submerged. You could only see the head of the cat as if the plush carpet made him sink. People wrote us and thought we had killed a cat to make our point. It was all trick photography. It became a memorable ad.
Jesus did things that caused people to talk. Today, we would call this "creating a buzz." One such miracle Jesus did that caused a buzz was when a man wanted Jesus to heal him. Instead of saying a religious prayer, He reached down and grabbed some mud and put it on his eyes. I can only wonder what the man must have thought. When he washed off the mud he could see. When the Pharisees asked how he was healed, the man told him.
The Pharisees must been totally confused. Jesus did this to confront the religious spirit among the Pharisees and keep things focused on the source of the miracle, not the way it was done. Be aware when God does things outside your paradigm of experience. Don't jump to conclusions about the ways of God if they don't fit your paradigm. Jesus rarely does things the same way every time. This is intentional in order to keep us trusting in His power, not His ways. | {
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The concept Magee, John, 1794-1868 represents the subject, aboutness, idea or notion of resources found in University of Oklahoma Libraries.
Caution! : The friends of good order, and all opposed to intrigue and falsehood as a means of procuring an election to office, are particularly requested to be on their guard, and to caution their neighbors against the insidious as well as open attacks of a band of desperate men, who have attached themselves to the political fortunes of John Magee ..
Congressional. : To the electors of Cattaraugus and Allegany. Fellow-citizens:--Perusing a handbill which has been secretly circulated, signed by James Warden, and others, under the date of the 4th Oct. inst. recommending Mr. Magee, as a candidate for Congress, in this district ... we deem it our duty to state, that ... the public voice in this county is decidedly opposed to the election of Mr. Magee; and that William Woods, Esq. will obtain a great majority of the electors of this county. ..
Disgraceful! : There appeared in this place, yesterday, a handbill headed "Falsehood and forgery exposed" the offspring of a certain young attorney of this village. ... As for the more important character in that transaction, (John Magee) we were not at all surprised that he should be engaged in it ..
State of New York, Cattaraugus County, ss. : I, Richard Hill, editor and publisher of the Cattaraugus gazette, printed at Ellicottville ... do depose and say, that ... John A. Bryan ... influenced me to consent to publish in my paper an attack on Mr. Porter ..
State of New-York, Cattaraugus County, ss. : I, Richard Hill, editor and publisher of the Cattaraugus gazette, printed at Ellicottville ... do depose and say, that ... John A. Bryan ... influenced me to consent to publish in my paper an attack on Mr. Porter .. | {
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Since 1954, Linus has graced the Snoopy cartoons with his ever-present blue security blanket. Most kids form an attachment with that one special cuddly blanket, so why not incorporate it into the room design? Of course, there's no guarantee that the blanket you select will be the one they drag around, but it's a good excuse to dedicate some extra time looking for the one you love to drape over the side of the rocker or spread out in the crib. From fashionable to traditional, from graphic to simple there is a perfect snuggle buddy for every little person and nursery.
We hope wrapping the little one in stars as he or she falls asleep will bring special dreams. The Galaxy Knit Blanket by Dwell Studio will comfort and enchant while adding to the room in which it's placed.
For a pop of color and sprinkle of exotic Middle Eastern dreams, we love the 100% cotton Baby Blanket Caravan from Roberta Roller Rabbit. Wrapped in stars and images of camels, we wonder if it inspires dreams of travel in little sleepy heads.
For color and some cute friends for company, we can't help but want to make friends with Lolli Living's Giraffe blanket.
Going a little more modern, this Little Remix Blanket from Ferm Living brings a bold pattern and energy into the room but hopefully also a good night's sleep to its owner.
Just like everyone else, we are caught up in the current chevron trend—we love the bold pattern and love using it on various surfaces. These organic cotton chevron blankets from Little Hip Squeaks come in a variety of colors to match many a room scheme or rocker.
And lastly, for a pop of color and punch of pattern, these stripes! cotton blankets from Sunday Ganim are soft, light, durable and bold!
Happy snuggling, and we hope your little one likes the blankets as much as we do.
These blankets are charming. I remember that my daughter had an attachment to her baby bolster pillow and wouldn't sleep without it until she was three years old. She finally agreed to throw it away because it was getting flat and was getting too small for her that it was difficult to hug at nights. | {
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Maxim July/August 2019
Maxim, the world's leading men's magazine, delivers an unparalleled luxury experience that celebrates the most beautiful women in the world, thrill-seeking adventures across exotic destinations, world-class sports and entertainment, prestige autos, speed-seeking rides, cutting-edge industry titans, exceptional artists and athletes, the latest gadgets, gear + style—and did we mention... beautiful women?
Maxim Inc.
As the graphite grey Cigarette Racing 41' AMG Carbon Edition pulls away from the dock, captain Bud Lorow engages the engines. Shifting the center console boat into gear, a shudder coils through the fiberglass and carbon fiber composite hull — portending something special, and perhaps a little bit terrifying, is afoot. The vessel makes its way through Biscayne Bay, the white and turquoise skyline of Miami in front, mangrove to the right. From this vantage point Magic City resembles the jaw of a giant dragon with pearly asymmetric teeth. After we pass under the Rickenbacker Causeway and enter open water, Lorow turns. "Ok y'all ready?" he asks, grinning widely. The veteran champion racer confidently pushes the throttle forward and the vessel lurches to life. One more push and I'm holding onto…
in good time
When the Patek Philippe Henry Graves Super complication watch was auctioned for about $24 million in 2014, the bidding was limited to the rarified few who could afford such a price tag. Whether they were interested in the piece as an investment (it had sold for less than half that much at its previous public offering in 1999) or as a unique collector's piece unmatched in horological history, we do not know. But in the last few years, this combination of investment potential and collector enthusiasm has led to a thriving vintage watch market, one in which motivations may be unclear, but the potential profits and growing number of interested buyers is readily apparent. Perhaps the most significant trend is the way in which the market has expanded. Now the burgeoning…
the ultimate aperitifs
In 1919 the Barbieri brothers of Italy unveiled a curious bright orange-red concoction made with citrus oil infused with precious herbs and roots at the Padua International Fair. Called Aperol in homage to a colloquial French term for the aperitif, a century later the Aperol Spritz, made by adding prosecco and soda water to the spirit, has become an international sensation, with the New York Times reporting in 2018 that sales rose 48% in a single year. Colorful, refreshing and easy to drink, with the conviviality of a champagne cocktail and a distinctly Italian flair, it's the essence of the effortless elegance Italians call sprezzatura, in a glass. Though once a rare sight outside of Venice or the Italian Riviera, the Aperol Spritz can now be seen in the hands of…
silver dream machines
Massimo Tamburini's limited edition Bimotas are legendary. Constructed in Rimini, Italy using Japanese superbike innards cannibalized from brand new bikes, then shoehorned into superior frames with visionary aesthetics. Also responsible for designing the Ducati 916, and the MV Agusta F4, Tamburini was an icon. In the Top Trumps game of cards the Bimota was always the most expensive piece of kit. Which made sense, given they threw away most of a brand new bike to make every one. Today, if you are looking for an exotic and beautiful beast of a bike like a Bimota your list will be short. Right at the very top with a star will be someone who shares more than a few things in common with Tamburini. His name is Walt Siegl. And for a cool…
rapid drop
There's no way to win this battle. Gravity always comes out on top. As Aniol Serrasolses paddles closer and closer to the rushing edge of a monstrous waterfall, he passes the point of no return and his fate is sealed… he's going over the precipice. You or I would likely be overwhelmed by the natural fear that comes with a death-defying drop from heights of 100 feet or more, but for Serrasolses, it's a moment of clarity, a few seconds of purity and absolute focus. The world around him doesn't exist. It's just him, his kayak, and the hope that his skill, experience and planning are sufficient to let him float away safely after an epic descent. It may look like insanity, or even a death wish, but for Serrasolses, it's…
big bronx bomber
Baseball has always been a game that has not only taken numbers seriously, but elevated them to exalted levels. Statistics have long been an integral part of the sport, even before the "sabermetric" revolution led by pioneering names like Bill James and Billy Beane. And they've taken analysis to new levels of complexity and influence, placing computer scientists and mathematicians next to traditional scouts and baseball experts in the decision-making process. But even in a sport dominated by big numbers, few figures stand out like the 13-year, $325 million contract signed by Giancarlo Stanton with the Miami Marlins back in 2014. Not only did it reset the market for elite players with the enormous dollar amount involved, it provided a level of security and stability that Stanton deeply desired at the… | {
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Senate Resolutions
Senate Resolution 73
A RESOLUTION honoring Jonathan Grate for his 21 years of service with the Legislative Research Commission, General Assembly, and the Judiciary Committee, and wishing him well with his next adventure in the Executive Branch wherein he will serve as the esteemed Deputy Secretary of the Justice and Public Safety Cabinet.
W. Westerfield, J. Adams, R. Alvarado, J. Bowen, T. Buford, J. Carpenter, D. Carroll, J. Carroll, P. Clark, C. Embry Jr., C. Gibson, C. Girdler, D. Givens, D. Harper Angel, E. Harris, J. Higdon, P. Hornback, S. Humphries, R. Jones II, A. Kerr, C. McDaniel, M. McGarvey, G. Neal, D. Parrett, D. Ridley, A. Robinson, J. Schickel, W. Schroder, D. Seum, B. Smith, R. Stivers II, D. Thayer, R. Thomas, R. Webb, S. West, M. Wilson, M. Wise
Honor Jonathan Grate for his 21 years of serivce with the Legislative Research Commission, the General Assembly, and the Judiciary Committee, and wish him well with his next adventure in the Executive Branch wherein he will serve as the esteemed Deputy Secretary of the Justice and Public Safety Cabinet.
General Assembly - Grate, Jonathan, honoring
Legislative Research Commission - Grate, Jonathan, honoring
Commendations and Recognitions - Grate, Jonathan, honoring
adopted by voice vote | {
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Canadian Government Approves Motion To Get Rid Of 'Tampon Tax'
Happy Menstrual Hygiene Day, Canadian women — and as your gift, please accept a complete lack of tax on your pads and tampons.
Rebecca Zamon— The Huffington Post Canada
05/28/2015 02:46am EDT | Updated May 29, 2015
Canadian women rejoice — soon, you won't have to pay taxes on menstrual products in Canada.
Approximately three months after a petition was launched to argue that a tax on things like tampons, pads and menstrual cups is unnecessarily unfair and discriminatory against women, the government has moved to remove it.
The Globe and Mail's digital politics editor Chris Hannay first announced the news:
So, that's it. The tax on tampons and other menstrual products will be gone. #cdnpoli@picardonhealth
— Chris Hannay (@channay) May 28, 2015
The official motion was moved in the Department of Finance's Notice of Ways and Means Motion to Amend the Excise Tax Act:
That it is expedient to amend the Excise Tax Act as follows:
1. A supply of a product that is marketed exclusively for feminine hygiene purposes and is a sanitary napkin, tampon, sanitary belt, menstrual cup or other similar product.
It seems a fortuitous coincidence that this news was made public on Menstrual Hygiene Day, an initiative that encourages people to learn more about how healthy behaviours in relation to menstruation can improve women's health.
It's also a cause that's been picked up around the world, with countries like Australia petitioning their governments to remove the tax from their menstrual products.
According to the Canadian government's Department of Finance, changes will be implemented for any product made on or after July 1. And frankly, it can't come soon enough — months aren't getting any shorter.
CORRECTION: The article initially stated Menstrual Hygiene Day is a UN initiative. It is in fact a grassroots movement, with a goal to become an official UN Day by 2020.
Also on HuffPost
Top 10 Stupid Period Myths
livingmenstrual hygiene daymenstrual products taxmenstruation taxno more tampon tax | {
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Q: Randomly selecting a a value from duplicates in a keyframe when performing a join I am looking to create a new location variable in a dataframe, using a key from a reference dataframe by suburb and postcode. However the reference dataframe has overlaps/duplicates in the key, due to the nature of geographical structures in Sydney, Australia. It looks something like this - postcode and suburb are the key variables, but there is overlap between them. I am assigning a suburb to my rows in my dataframe, from the reference df.
df <- tibble(vars = sample(c(1:5), 10, replace = T),
postcode = c(2022,2204,2016,2000,2007,2008,2022,2008,2008,2000))
df_ref <- tibble(postcode = c(2000,2000,2007,2008,2008,2022,2204),
suburb = c('Haymarket','Woolloomooloo','Ultimo','Darlington','Redfern','Bondi Jct','Marrickville'))
So far I have been merging the dataframes in a left_join, but doing some internal dplyr wrangling to filter the first of any overlaps:
df_join <- df %>%
left_join(.,
df_ref %>%
group_by(postcode) %>%
slice(1),
by = 'postcode')
This doesn't quite do what I want to achieve, instead a solution that randomly selects one of the overlaps whenever one appears in the join, would be far more preferable.
dplyr / tidyverse language is preferable, but if data.table is the way, this might force my hand in sitting down to actually learn it!
A: You can join the two dataframes and for each row select any one random suburb.
library(dplyr)
df %>%
mutate(row = row_number()) %>%
left_join(df_ref, by = 'postcode') %>%
group_by(row) %>%
slice_sample(n = 1)
A: If you want each row to get a potentially different match, then you'll probably need to do a full join, and then just subset to keep one of the matches afterward. For example
df %>%
mutate(record_index = row_number()) %>%
left_join(df_ref) %>%
group_by(postcode) %>%
slice_sample(1) %>%
select(-record_index)
| {
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Special Opportunity: We offer bongs from bulk purchase and remaining stock for a truly advantageous price.
Please note: The picture is only exemplary! - The bongs that you will receive may be straight or bellied, with or without ICE-notches, decorated or not etc., the connector size may vary, too. | {
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Nature Research
19th June - the COVID-19 coronavirus compendium
Several studies isolated neutralising antibodies from patients who had recovered from COVID-19, giving hope for vaccines and other treatments
Head of Communities & Engagement, Springer Nature
Our understanding of the role of antibodies in infection was greatly increased this week. Researchers found that neutralising antibodies are made in most infected individuals, can be isolated from convalescent patients, and used to treat the infection in animal models. However, those with no symptoms had weaker antibody responses, with many losing their antibody response after two months.
Some new studies aim to better understand the antibody response to SARS-CoV-2 in people who have recovered from SARS-CoV-2. A study from Nature looked at the level of neutralising antibodies against the virus in 149 individuals who had been infected. They found that the majority of people had neutralising antibodies, but at a low level. Interestingly, different individuals had identical or similar neutralising antibodies that bound to the same region on the receptor binding domain of the coronavirus spike protein. These antibodies showed a very high level of neutralisation, despite the overall response being low, showing that a vaccine that targets these regions should be effective.
Another study isolated numerous neutralising antibodies from three convalescent COVID-19 patients. Some of these antibodies did not bind to the receptor binding domain, and so may not act via inhibition of the ACE-2 interaction. Many antibodies were potent neutralisers and some also neutralised SARS, as well as SARS-CoV-2.
A study in Nature Medicine looked at the level of antibodies in 37 asymptomatic individuals, and found that more than 80% of those with or without symptoms had IgG responses 3-4 weeks after exposure, but the titres were higher in those with symptoms. Titres declined in both groups by 8 weeks, so much so that 40% of the asymptomatic patients became seronegative, compared to 13% of the symptomatic group. Those without symptoms also had lower levels of circulating proinflammatory cytokines. The authors caution against the use of immunity passports, given the uncertain duration of this immunity, especially in those without symptoms.
A pair of papers in Science propose the use of an antibody cocktail to treat COVID-19 patients. The first paper described how these antibodies were generated, both from convalescent humans and humanised mice. The second paper showed that the spike protein of SARS-CoV-2 generates escape mutants when treated with antibodies, in a VSV pseudotype model in cell culture. Escape mutants, which prevent neutralisation, were not seen when a cocktail of four antibodies was used, as long as each bound to a different site in the protein.
A third paper in Science, from a different group, also isolated neutralising antibodies from convalescent patients. This study showed that neutralising antibodies protect Syrian hamsters from SARS-CoV-2 in an animal model of COVID-19.
Treatment of hospitalised COVID-19 patients with mavrilimumab, an antibody that blocks GM-CSF, was associated with improved clinical outcomes in a small prospective cohort study, showing that it may help reduce the hyperinflammatory symptoms seen in some severe patients.
The prone position (lying on the stomach) can improve oxygenation for patients hospitalised with COVID-19, according to a small study from a US hospital.
Another study found that hydroxychloroquine treated patients do no better than a control group.
6% of staff at a Belgian hospital tested positive for past infection with SARS-CoV-2, as measured by IgG antibodies (the IgM test had poor sensitivity). Caring for COVID-19 patients was not associated with a positive test result, but a household contact with the virus was, suggesting community rather than hospital transmission. 15% of those that tested positive had no symptoms.
Now that Wuhan is returning to work, the population is being screened for the virus by RT-PCR. The first such survey of almost 30,000 people found just 18 (0.061%) were positive. All of their contacts tested negative by either RT-PCR or serology.
Patient-collected lower nasal swabs were as effective as oropharangeal swabs taken by physicians, in a small study from the US. This could allow patients with suspected COVID-19 to test themselves, reducing costs and reducing the risk to healthcare workers.
A genome wide association study found two loci associated with COVID-19 respiratory failure in people from Spain and Italy. One locus contained six genes, including some known to be expressed in the lung. The second locus contained the ABO blood group, leading the researchers to find that blood group A was associated with a higher risk than the O group, although the mechanism for these effects, and whether they are anything more than an association, is unknown. There were no associations with HLA type, something that may have been expected for a viral infection.
At risk groups
In an extension of their earlier study for the UK, researchers estimated that 349 million people worldwide are at high risk of severe COVID-19 infection, 4% of the global population. 22% have at least one risk factor for severe infection. Less than 1% of those younger than 20 are at risk of severe disease, compared to 20% of those aged 70 years and above. Although the risks were lower for Africa, due to its younger population, the model does not take into account the availability of healthcare in each country.
The predicted severity of COVID-19 outbreaks in low and middle income countries was modelled. Low income countries tend to have a younger average age, which will reduce the impact of COVID-19, as well as less hospital beds, and fewer ventilators, which will both make the outbreak more severe.
Data from six countries allowed researchers to build a model of how the virus affects different age groups. Those under 20 years were half as susceptible to infection as those over 20 years. The rate of asymptomatic infection was higher in the younger age groups, with only 21% of teenagers showing symptoms, compared to 69% of those aged 70 and over. The model was tested against the outbreak in four further locations and found to fit the data well. Similarly, cities with a higher median age tended to have worse outbreaks, and school closures were modelled as being less effective than for influenza.
A model of virus incidence in each of the 3124 US counties found that rural counties are likely to be worse affected than urban areas, based on the predicted number of cases with symptoms, and the number of severe cases. Rural counties were more likely to have an older population, as well as less hospital beds.
More than 40% of Latinos in the Baltimore-Washington area tested positive for SARS-CoV-2 during a screening programme in hospitals and health clinics. This compared to 9% of whites and 18% of black patients. The sample was not representative or randomised, so it is difficult to extrapolate the findings, but they may indicate that Latinos are at a greater risk of catching the virus, perhaps due to their occupations.
Age and smoking were the biggest predictors of severe COVID-19 disease in a study of 1859 hospitalised patients from Wuhan.
Contact tracing would need to identify a high proportion of contacts in order to keep the reproductive number below 1, in a model of the UK population. Contact tracing with social distancing measures and self-isolation was more effective than contact tracing alone.
A model of the outbreak in Guangzhou found that the secondary attack rate of COVID-19 in households was between 12-17%. Older household contacts were more likely to catch the virus than younger household contacts.
Of the 96 asymptomatic carriers on the Diamond Princess cruise ship, 11 subsequently developed symptoms, showing that they were in fact presymptomatic.
40% of the US population were estimated to be essential workers, with healthcare the largest industry. Black individuals were overrepresented in several essential industries, including transportation, public administration, and healthcare. 13% of households with essential workers were at a high risk of economic vulnerability, defined as low income, lack of health insurance, or an older household member.
The built environment influences the risk of catching SARS-CoV-2, according to a screening study of pregnant women in New York City. Women were most likely to test positive if they lived in buildings with high household membership, and least likely to test positive if they lived in buildings of high value. Neighbourhoods with more infections tended to have higher unemployment rates and greater overcrowding, although population density was not associated with infection.
Patients with COVID-19 who underwent surgery had a worse outcome than those without COVID-19, in a study from a hospital in Italy. Pulmonary and thrombotic complications were both seen in these patients. The authors recommend that surgery should be postponed in COVID-19 patients.
Anti-virals
Four potential new anti-virals were identified in a FRET-based enzymatic assay in tissue culture.
The only randomised controlled trial of cloth masks versus surgical face masks was published in the BMJ in 2015 (it showed that cloth masks did not protect from influenza like illness, and indeed more people in the cloth masks group became infected than the control group, without masks). The authors have now written a brief commentary on their article, re-iterating their findings, and emphasising that their article does not condone wearing no PPE – rather healthcare workers should wear not only a surgical mask, but gloves and goggles. The authors also cautioned that all face masks are single use, and cloth masks must be disinfected between uses.
Sterilisation with hydrogen peroxide or chlorine dioxide can be used to treat N95, KN95 (the Chinese version of an N95) and surgical face masks, but they reduce the filtration efficiency. Each mask and treatment performed slightly differently.
The cryo-EM structure of the spike protein of a pig and a human coronavirus, SADS-CoV and HKU2, may be useful for those working on the SARS-CoV-2 spike protein.
A national survey of more than 5000 in the US found that knowledge of coronavirus symptoms and spread was lowest amongst African American participants, men, and people younger than 55 years. These groups were also less likely to wash their hands and more likely to leave the house often. More effort is needed to provide information to these groups.
Acute hypoxic injury was seen in the brains of 18 COVID-19 patients with neurological symptoms. There was no evidence of encephalitis or other brain injury related to the virus. In contrast, three cases of encephalopathy and encephalitis in Atlanta, Georgia, USA were described, together with post mortem findings.
The clinical characteristics of hospitalised patients in Detroit were described; more than 70% were African American and more than 90% had a comorbidity.
9 cases of co-infection with SARS-CoV-2 and Clostridioides difficile occurred in Detroit, both of which can cause digestive symptoms.
I gained my first degree in virology from the University of Warwick and a PhD in influenza virus immune evasion from Public Health England and the University of Reading, UK. My research interests then moved on to smallpox vaccines, viral ion channels, and cell adhesion, while a postdoc at Imperial College London. I joined open access publisher BioMed Central in 2011 as an Acquisitions Editor and then Associate Publisher, and was responsible for launching new journals, including Microbiome, Zoological Letters, and Movement Ecology. I have been Head of Communities & Engagement at Springer Nature since 2016, running our online community blogs, and a Consulting Editor at Nature Medicine since June 2020, handling COVID-19 papers. I am based in our London office.
15th January - the COVID-19 coronavirus compendium
5th January 2021 - the COVID-19 coronavirus compendium
SARS-CoV-2 RNA-protein interactome revealed
Behind the paper, Coronaviruses: past, present and future
Mathias Munschauer
Assessing comparative Non-Human Primate models for SARS-CoV-2 infection and Coronavirus Disease 2019 (COVID-19)
Dhiraj Kumar Singh and 2 others | {
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To what extent can quantum computers help to develop Artificial Intelligence?
What aspects of quantum computers, if any, can help to further develop Artificial Intelligence?
quantum-computing
wythagoras
wythagoraswythagoras
$\begingroup$ See the questions at Quantum Computing SE Can quantum computing contribute to the development of artificial intelligence? and Is there any potential application of quantum computers in machine learning or AI?. $\endgroup$ – glS Oct 8 '19 at 14:33
Quantum computers are super awesome at matrix multiplication, with some limitations. Quantum superposition allows each bit to be in a lot more states than just zero or one, and quantum gates can fiddle those bits in many different ways. Because of that, a quantum computer can process a lot of information at once for certain applications.
One of those applications is the Fourier transform, which is useful in a lot of problems, like signal analysis and array processing. There's also Grover's quantum search algorithm, which finds the single value for which a given function returns something different. If an AI problem can be expressed in a mathematical form amenable to quantum computing, it can receive great speedups. Sufficient speedups could transform an AI idea from "theoretically interesting but insanely slow" to "quite practical once we get a good handle on quantum computing."
Ben NBen N
$\begingroup$ Adding to this answer, matrix multiplication is the backbone of most Machine Learning applications today. Anything that uses a GPU today could tomorrow use a quantum computer bringing us that much closer to AI. $\endgroup$ – Harsh Aug 3 '16 at 1:03
$\begingroup$ ML is subset if AI. Deep ML is subset if ML. Hence we are not building any AI by multiplying matrices. We simply cut the best pieces out of a corpse like piranhas. For publications scores degrees grants tenures and money. I really doubt an actual AI is going to have anything to do with speed of multiplying matrices. Human brain produces intelligence effortlessly using infinitely slower apparatus compared to a quantum computer. $\endgroup$ – Boppity Bop May 28 '17 at 22:00
Until we can make a quantum computer with a lot more qubits, the potential to further develop AI will remain just that.
D-Wave (which has just made a 2,000+ qubit system around 2015) is an adiabatic quantum computer, not a general-purpose quantum computer. It is restricted to certain optimization problems (at which its effectiveness has reportedly been doubted by one of the originators of the theory on which it is based).
Suppose that we could build a 32 qubit general-purpose quantum computer (twice as big as current models, as far as I'm aware). This would still mean that only 232 possibilities exist in superposition. This is a space small enough to be explored exhaustively for many problems. Hence, there are perhaps not so many problems for which any of the known quantum algorithms (e.g. Shor, Grover) would be useful for that number of bits.
FreezePhoenix
NietzscheanAINietzscheanAI
$\begingroup$ "D-Wave (which has just made a 2,000+ qubit system around 2015)" This statement is misleading at best. Be aware that D-Wave has claimed to create a computer using adiabetic quantum annealing. This computation model is significantly different than other quantum computing models. For example, I'm not aware whether Shor and Grover work on this model! So, talking about "2,000+ qubits" is a bit misleading: computers in the model where we care about the qubit count have something around 50 qubits as the current frontier. $\endgroup$ – Discrete lizard Mar 21 '18 at 13:28
$\begingroup$ Also note that there are experts that do not believe adiabetic quantum annealing can give significant improvements on the classical computing technique of simulated annealing. $\endgroup$ – Discrete lizard Mar 21 '18 at 13:29
Quantum computers can help further develop A.I. algorithms and solve the problems to the extent of our creativity and ability to define the problem. For example breaking cryptography can take seconds, where it can takes thousands of years for standard computers. The same with artificial intelligence, it can predict all the combinations for the given problem defined by algorithm. This is due to superposition of multiple states of quantum bits.
Currently, quantum computers are still in the early stages of development and can perform complex calculation. There are already technologies like D-Wave systems which are used by Google and NASA for complex data analysis, using Multi-Qubit type quantum computers for solving NSE fluid dynamics problems of interest or global surveillance for military purposes, and many more which we're not aware.
Currently there are only a few quantum computers available to the public, like IBM Quantum Experience (the world's first quantum computing platform delivered via the IBM Cloud), but it's programming on quantum logic gates levels, so we're many years behind creating artificial intelligence available to public. There are some quantum computing languages such as QCL, Q or Quipper, but I'm not aware any libraries which can provide artificial intelligence frameworks. It doesn't mean it's not there, and I'm sure huge companies and governments organisations are using it for their agenda to outcome the competition (like financial market analysis, etc.).
kenorbkenorb
Direct Answer to Your Question:--
The field where quantum computing and A.I. intersect is called quantum machine learning.
A.I. is a developing field, with some background (ala McCarthy of LISP fame).
Quantum computing is a virgin field that is largely unexplored.
A particular type of complexity interacts with another type of complexity to create a very rich field.
Now combine (1) and (2), and you end up with even more uncertainty; the technical details shall be explored in this answer.
Google Explains Quantum Computing in One Simple Video: Google and NASA's Quantum Artificial Intelligence Lab
Body:--
IBM is an authority:--
IBM: Quantum Computers Could Be Useful, But We Don't Know Exactly How
Quantum machine learning is an interesting phenomenon. This field studies the intersection between quantum computing and machine learning.
(https://en.wikipedia.org/wiki/Quantum_machine_learning)
"While machine learning algorithms are used to compute immense quantities of data, quantum machine learning increases such capabilities intelligently, by creating opportunities to conduct analysis on quantum states and systems." Wikipedia contributors. — "Quantum machine learning." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 7 Oct. 2019. Web. 11 Oct. 2019.
Technical Mirror:--
This particular section on the implementations is worth noting:--
(https://en.wikipedia.org/wiki/Quantum_machine_learning#Implementations_and_experiments)
" ... This dependence on data is a powerful training tool. But it comes with potential pitfalls. If machines are trained to find and exploit patterns in data then, in certain instances, they only perpetuate the race, gender or class prejudices specific to current human intelligence.
But the data-processing facility inherent to machine learning also has the potential to generate applications that can improve human lives. 'Intelligent' machines could help scientists to more efficiently detect cancer or better understand mental health.
Most of the progress in machine learning so far has been classical: the techniques that machines use to learn follow the laws of classical physics. The data they learn from has a classical form. The machines on which the algorithms run are also classical.
We work in the emerging field of quantum machine learning, which is exploring whether the branch of physics called quantum mechanics might improve machine learning. Quantum mechanics is different to classical physics on a fundamental level: it deals in probabilities and makes a principle out of uncertainty. Quantum mechanics also expands physics to include interesting phenomena which cannot be explained using classical intuition. ... " — "Explainer: What Is Quantum Machine Learning And How Can It Help Us?". Techxplore.Com, 2019, https://techxplore.com/news/2019-04-quantum-machine.html.
A Future with Quantum Machine Learning
Quantum Computing, Deep Learning, and Artificial Intelligence
Business Applications and Practical Uses:--
Is Your IT Department Prepared For The Next Wave Of Enterprise Tech? (Quantum Computing is mentioned here.)
D-Wave Announces Quadrant Machine Learning Business Unit
Further Reading:--
(https://techxplore.com/news/2019-04-quantum-machine.html)
(https://physics.aps.org/articles/v12/74?fbclid=IwAR2hVTFReQA-3lTNQXKEAtQN7KQ5Lz41wyM19DJDtS1H4fLDNivqxqh5G2k)
(https://www.forbes.com/sites/bernardmarr/2017/09/05/how-quantum-computers-will-revolutionize-artificial-intelligence-machine-learning-and-big-data/#59b153bf5609)
(http://www.messagetoeagle.com/what-is-quantum-machine-learning-and-how-can-it-help-us/)
Tautological RevelationsTautological Revelations
Together with quantum computers,quantum mechanics and Quantum mathematics will change the future of Artificial Intelligence.
In current computation cost and limitation the super invention complex number usage is limited,many statistical problems and algorithms are in queue waiting to process and make it in production,Quantum computers are not able to solve it as the current computation error is high,Quantum mathematics won't die and special computation logic will come to tackle this ,More info available
quintumnia
krishnakumar sekarkrishnakumar sekar
Not the answer you're looking for? Browse other questions tagged quantum-computing or ask your own question.
Will quantum computing have any kind of effect on the development of AI?
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How would a quantum computer potentially facilitate artificial consciousness, assuming it is possible? | {
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NOPD VOWS, U.S. Marshals Arrest Suspect in Homicide Investigation
Topics: Fourth District, Good Police Work, Homicide, Partnerships
On January 5, 2023, the NOPD's Violent Offenders Warrant Squad and U.S. Marshals from the New Orleans and Tennessee offices arrested Travis Andry (black male, DOB: 02-17-1989) of Harvey, La., in the investigation of a homicide that occurred on December 9, 2022, in the 1700 block of Hendee Street.
Members of the New Orleans Police Department's Homicide Section are investigating a Homicide that left a 50-year old man dead and a 53-year-old man dead. A 30-year-old man, a 47-year-old female and an unknown female were injured.
Categories: Be on the Lookout, On Duty
Topics: Eighth District, Good Police Work, Homicide, Partnerships
The NOPD's Violent Offenders Warrant Squad and U.S. Marshals from the New Orleans and Houston offices today (January 5, 2023) arrested Jabril Cowart (black male, DOB: 12-22-2002) in the ongoing investigation of a homicide that occurred on December 23, 2022, in the 700 block of Baronne Street.
NOPD Investigating Homicide Incident, Working to Determine Location of Occurrence
Topics: Homicide
The NOPD is investigating a homicide incident that occurred during the early morning hours today (January 5, 2022). The location of occurrence for this incident has yet to be determined.
NOPD Seeking Person of Interest/Vehicle in Homicide Investigation
Topics: Eighth District, Homicide
The NOPD is asking for the public's assistance in locating a Person of Interest wanted for questioning in the investigation into a homicide by shooting that occurred in the 700 block of Baronne Street on December 23, 2022. | {
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Review Interpretation of the news based on evidence, including data, as well as anticipating how events might unfold based on past events
Despite hot air and cheap thrills, this ballooning drama never gets off the ground
Felicity Jones plays an intrepid balloonist in "The Aeronauts." (Amazon Studios)
By Mark Lieberman
Mark Lieberman
Rating: (1.5 stars)
You'd be hard-pressed to name a movie scene this year that draws more shivers and gasps that the sequence in "The Aeronauts" in which Felicity Jones — playing an intrepid balloonist, or aeronaut — traverses the side of a hot-air balloon floating 35,000 feet above the Earth. Wind whipping and clouds swirling, she clings to the side with teeth gritted, in single-minded pursuit of a lever to prevent the balloon from ascending further. At the risk of cliche, it's breathtaking and stomach-turning.
The only problem? That scenes comes nearly two-thirds into an otherwise drab, uninvolving film that overdoses on schmaltzy melodrama, yet comes up well short of any tension, let alone pleasant amusement.
Loosely inspired by actual events, the film follows the fictional Amelia Wren and the real-life meteorologist and ornery scientist James Glaisher (played by Eddie Redmayne, who won an Oscar opposite Jones in "The Theory of Everything"), as they attempt to set a record for the highest-altitude hot-air balloon flight. The movie opens in 1862 with the pair setting off from a stadium in London, surrounded by a crowd of eager onlookers basking in Amelia's theatrics, which include dropping a dog from their basket in midair. (Don't worry, it's wearing a parachute.)
James rolls his eyes at such madness, which he sees as a distraction from his academic inquiry. But Redmayne's gentle features are ill-suited for such an indignant character, and he can't seem to muster much energy for even the most impassioned scenes. Jones fares better, shining most on those rare occasions when her character gets to have a little fun.
Eddie Redmayne, left, and Felicity Jones in "The Aeronauts." (Courtesy of Amazon Studios)
Although the historical Glaisher actually partnered with a male balloonist, Henry Coxwell, Jack Thorne's screenplay swaps in a female character because, as director Tom Harper told the List, he wanted the characters "to be reflective of a contemporary audience." Instead of this cynical attempt at virtue signaling, the filmmakers would have been better served by a story that didn't involve a heroine who spends the entire film mourning her dead husband.
That thread gets developed in stultifying flashbacks that detail Amelia's efforts to strike out on her own as an aeronaut after her husband falls to his death during one of their rides together. Other scenes flesh out the challenges James faces in lobbying his fellow scholars about the potential for air travel to expand scientific knowledge. Himesh Patel, whose singing charmed audiences in "Yesterday," shows up as James's only devoted friend, but the actor doesn't make much of an impression. The same goes for Tom Courtenay, as James's mentally deteriorating father.
Full of stock characters and leaden dialogue, these interludes only underscore what the audience already knows, blunting the momentum of the central duo's balloon ride. It will come as no surprise that, as the trip wears on, the pair comes to admire each other's contributions, particularly in the face of inclement weather and other complications.
In fact, the movie is at its strongest when the weather is at its fiercest: ominous storm clouds on the horizon as Amelia and James embark on their journey foreshadow a slew of assaults by Mother Nature. The screenplay gets outs of its own way and lets the raw power of altitude drive the movie forward — but not nearly enough.
"The Aeronauts" is the second film this year by Harper to get a U.S. release, after "Wild Rose." That film was excellent, with strong music and an effervescent star turn from newcomer Jessie Buckley. This one is, at moments, exhilarating — but not much else.
PG-13. At area theaters. Contains peril and mature thematic elements. 101 minutes.
The movie is produced and distributed by Amazon Studios. Amazon chief executive Jeff Bezos owns The Washington Post.
Mark Lieberman Mark Lieberman is a freelance journalist who served as local news editor for The Washington Post Express. Follow | {
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