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Q: Find the number of zeroes of a function $z^3+z^2 +z+1$ lying inside $|z|=2$ by Rouche's theorem? This function have mamy possible values. Which one we should select?
A: If $\lvert z\rvert=2$, then\begin{align}\lvert z^2+z+1\rvert&\leqslant\lvert z\rvert^2+\lvert z\rvert+1\\&\leqslant4+2+1\\&<8\\&=\lvert z\rvert^3.\end{align}So, by Rouché's theorem, your function has as many zeros in the given region as $z^3$, which has $3$ zeros there.
A: Hint For $|z|=2$ you have.
$$|z^3| > |z^2+z+1|$$
Apply the Rouche theorem.
A: On $ |z| =2 $, $|z^3|>|z^2+z+1|$.
Hence by Rouche's Theorem, the number of zeros of $z^3+z^2+z+1$ is equal to the number of zeros of $z^3$ inside $|z|=2$.
The zeros of $z^3$ are just 0, and all three of them lie inside $|z|=2$, hence the number of zeros of $z^3+z^2+z+1$ is equal to three.
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Business confidence is increasing among the UK's services sector, according to a new industry survey.
The Confederation of British Industry's (CBI) quarterly report has found that more tertiary companies in the country are now more optimistic than they were three months ago.
Not only did firms report an increased amount of activity in this quarter, they believe that the next period will bring further gains.
More jobs could be created as businesses are also seeking to employ additional staff and invest in training for their existing workforces.
Anna Leach, CBI head of economic analysis, said: "There are encouraging signs here, particularly with employers increasing headcount and training expenditure at the fastest pace since November 2007 and investment plans for the year ahead a little better.
She added that although the results are a surprise, the rebounded confidence levels follow a recent pickup in conditions in many sectors. | {
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Replacement Gaskets for 10 cup Forever Inox stove top - Do you have? These gaskets are 4 inches in diameter. Do you stock gaskets for the Forever SS 10 cup stove top espresso maker?
No, I do not have these gaskets. Your best bet is to take the original gasket to a hardware store and ask them to match it. Most independent hardware stores such as Ace Hardware™, etc. have dozens of replacement parts for just about anything you can imagine. They even will make gaskets for you to size at some of these stores.
Or you could try contacting the company. Unfortunately I couldn't find any contact information on the company. | {
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EHA Racing has stepped in to support Alastair Seeley this weekend at Silverstone.
The former double British Champion and North West 200 record holder will ride one of the team's CF Motorsport prepared Yamaha YZF-R6 British Supersport Championship machines.
Seeley was a double NW200 winner aboard EHA Racing Supersport machinery back in May, so the decision to step in and support the Carrickfergus ace was an easy one for team manager Gail Allingham.
"We really enjoyed working with Alastair at the North West 200 and when we heard he had been left on the sidelines this weekend, we worked hard to try and sort something for him," she said.
Seeley, who had made the journey to Silverstone, not knowing that he would be competing, added: "It's been the most positive phone call I've had this week.
"To be honest it's the one ride I would have picked, had there been a choice, as I really enjoyed riding the EHA Racing Yamaha back in May – at both the North West 200 and also in testing with David and Ross the following week.
"It's a competitive package and despite only agreeing the deal this afternoon [Thursday], I'm confident we can tweak the set-up to suit me, in the knowledge that we can be racing at the sharp end on Saturday and Sunday.
"Thanks to EHA Racing for working hard to make this happen and to David on my side of the fence for screwing it all together. I'm really looking forward to it." | {
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WHO is revising the ICD to be completed by 2015. It is going to enter into a Beta phase by 2012 May during which all stakeholders could see and comment on the ICD as well as propose changes, test in practice.
No need to remember another user account.
5. How do we gofrom Here to 21st Century?
34. Bridge Coding • The information on a case (live or medical record) will be coded: • ICD10 • ICD11 to see whether both systems yield the same codes. | {
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Where love is just pure love - It isn't bound by cultural, emotional or even religious barriers, just like Ashley & Anish's wedding. The wedding and reception ceremonies were fusion, energetic and filled with rich elements from both cultures! It took our breaths away with all its ethereal beauty. Sia Digital Studio was the genius behind the lens, creating beautiful fine art images of the best moments and enchanting portraits of this multicultural extravaganza. Wedding and Reception took place at Hyatt Regency Columbus Ohio on September 11, 2015. Their wedding scene blew us away with all the colorful ambiance and colorful smiles!
Look out for the fun and vibrant gallery for the real wedding fun! | {
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Easily slice and carve all kinds of meats with this durable Carving Knife featuring an extremely sharp blade that will glide through meats for clean, beautiful cuts. Measures approximately 12.25" long. Dishwasher safe. Comes packaged in a hanging panel. | {
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Asad Aliweyd
Learning Log
I couldn't believe that I have completed my two years of the leadership journey. Throughout the leadership development, I have become an influential amongst many circles. I have been engaged in a variety of organizations, prominent people, and community members seeking guidance and advice from me. People who I have never met, including those from out of Minnesota, reached me inquiring about my fellowship work and the research study that I am involved in. Although COVID-19 hinders some of my final work, including publishing my alternative Islamic financing options, I do have realized that getting the necessary tools, resources, and support, allowed me to achieve my fellowship goals. This onetime opportunity fellow built my leadership capacity, especially in this time pandemic. The Somali Minnesota COVID-19 taskforce committee voted for me to lead the task force to coordinate community health issues, create coronavirus awareness and education, allocate the available community resources, and connect them one-another throughout the COVID-19 crisis. My organization was selected by the city of Minneapolis to help low-income families for the city's $3 million housing emergency gap fund.
Also, I have learned that leadership is about dreaming things that are too big to achieve, have self-confidence, and take unusual and sometimes unpopular initiatives in order to change people's lives.
I am surprised that things that I thought would be impossible to accomplish became possible throughout the journey. I have highlighted two major work developing for my leadership:
1. Getting a Ph.D. in public administration: - As planned, May 10th, 2010, I have completed all of my course work with an impressive GPA of 3.8. I believe achieving academic success and getting a doctorate is an excellent achievement because, as a busy father of eight children, community organizer, and small community-based nonprofit organization director, I believe fulfilling this Ph.D. dream is a milestone. It will add a lot to my leadership potential and enhance my ability to influence others. I am going to be officially becoming a community of scholars soon.
2. Building an Alternative Financing mechanism: the interest-free Islamically acceptance micro-loans and wealth-building got reliable traction in Minnesota. I have created an alternative finance committee, including banks, academics, government, faith, and community leaders. I have initiated a steady campaign of finding alternative financing for culturally specific communities patterning with both mainstream and grassroots organizations. For example, the Minnesota DEED, city of Minneapolis, and Hennepin County small emergency COVID-19 business loans were all INTEREST-free. All state-wide applicants, Minneapolis and Hennepin County residents, who own small businesses, get access loans without interest for the first time. Interest-free loans and alternative financing now got attention to local Minnesota banks and community development corporations.
Finally, I encounter surprises and new challenges almost every day, so I believe that those new phenomena make me even more robust and allow me to become a strong leader.
View Asad Aliweyd's profile | {
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Complete Asset Management Pty Ltd (CAM) was established in 2008 to provide specialised workforce to the Australian Rail Industry with a reputation for safety, quality, reliability and peformance.
The company builds on over 51 years combined experience in rail construction, maintenance and labour hire. CAM reputation for quality performance is built on a core of values of integrity, safety, reliability and hard work. We maintain a high performance and safety culture throughout the organisation to deliver outstanding results for our clients and opportunities to continue for our staff.Our teams are lead by qualified and competent supervisors who bring extensive experience and safety focus to everything CAM do, followed by complete onsite support from Senior Management.
"To create long term relationships with clients, suppliers and most importantly out employees"
CAM Director and Senior Management are involved in a hands-on approach for leadership, support and ground support onsite.
Beginning with a comprehensive project analysis, our management team takes a proactive approach to the overseeing of planning for all minor and major projects. The successful delivery of our projects is a testament to our management teams knowledge and practical understanding of the elements critical to the success. Management experience and knowledge ensure quantification and their cost management enhances the design and documentation process to ensure our clients expectations of budget control and value can be met within time frames for each project.
CAM vision is to become a major provider to the rail industry, delivering excellent service to our clients and providing opportunities and a place where everyone wants to work.
CAM's record breaking results are directly attributed to the combined efforts of our competent workforce. CAM source the best personnel and provide them with opportunities and support to develop their individual skills.
Our "One Team" approach and culture of safety and excellence is proudly demonstrated by all personnel, who look out for each other and are committed to achieving their personal best and continue to deliver outstanding teams.
We support our workforce with Nationally Recognised Training and we broaden their knowledge and skills through dynamic team environment, onsite training and mentoring system.
CAM are committed to increase employment opportunities for Indigenous Australians, whilst recognising and respecting the history and culture of the Indigenous Australians.
Cam workforce is extraordinarily diverse, with over 75% of our workers being from Aboriginal descent, with numbers increasing due to new training programs.
CAM maintain a SAFETY FIRST culture throughout the organisation to deliver outstanding safety results on all sites worked by CAM. We combine local knowledge and expertise with access to information, communication, technology and human resources to ensure all employees on site are safe. | {
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Intelligence agency snafus, corruption exposés, satire & general irreverence
Archives for posts with tag: John Kerry
Veteran Intelligence Professionals for Sanity
I don't know who are the strategists for the group Veteran Intelligence Professionals for Sanity but I'll say this about their 'open letter' (pasted in, below) demanding USA Secretary of State John Kerry and Russian Foreign Minister Sergei Lavrov lay out the facts concerning the Ghouta, Syria, sarin gas attack:
Asking Kerry to come clean on Ghouta is like appealing to Foghorn Leghorn to properly identify a chicken. Asking Lavrov to confront the Obama administration with the facts is demanding his boss, President Putin, surrender applying 'realpolitik' in his dealings with the USA which seems nearly as unlikely. Why not hit home with the evidence (it's out there) at German parliament, the office of the German federal prosecutor and office of the prosecutor at the International Criminal Court with an online writing campaign? The German political establishment is sensitive to the issue of gassing people, the German people are not (yet) entirely a flock trained to stay within the electric fence of the official positions set out by their leadership and German intelligence has been demonstrably complicit in the attempted overthrow of Assad.
Open letters are a joke. What is needed is a deluge of letters demanding accountability; effectively hammering at either there is a rule of law or there is not a rule of law, while putting what are supposed to be accountable institutions on the spot:
If 'Veteran Intelligence Professionals for Sanity' would get behind the (above linked) letter campaign or do something similar themselves, they'd quit looking like the current edition of 'Meet the Fockers'
MEMORANDUM FOR: U.S. Secretary of State John Kerry, and Foreign Minister of Russia Sergey Lavrov
FROM: Veteran Intelligence Professionals for Sanity (VIPS)
SUBJECT: Sarin Attack at Ghouta on Aug. 21, 2013
In a Memorandum of Oct. 1, 2013, we asked each of you to make public the intelligence upon which you based your differing conclusions on who was responsible for the sarin chemical attack at Ghouta, outside Damascus on Aug. 21, 2013. On Dec. 10, 2015, Eren Erdem, a member of parliament in Turkey, citing official documents, blamed Turkey for facilitating the delivery of sarin to rebels in Syria.
Mr. Kerry, you had blamed the Syrian government. Mr. Lavrov, you had described the sarin as "homemade" and suggested anti-government rebels were responsible. Each of you claimed to have persuasive evidence to support your conclusion.
Neither of you responded directly to our appeal to make such evidence available to the public, although, Mr. Lavrov, you came close to doing so. In a speech at the UN on Sept. 26, 2013, you made reference to the views we presented in our VIPS Memorandum, Is Syria a Trap?, sent to President Obama three weeks earlier.
Pointing to strong doubt among chemical weapons experts regarding the evidence adduced to blame the government of Syria for the sarin attack, you also referred to the "open letter sent to President Obama by former operatives of the CIA and the Pentagon," in which we expressed similar doubt.
Mr. Kerry, on Aug. 30, 2013, you blamed the Syrian government, publicly and repeatedly, for the sarin attack. But you failed to produce the kind of "Intelligence Assessment" customarily used to back up such claims.
We believe that this odd lack of a formal "Intelligence Assessment" is explained by the fact that our former colleagues did not believe the evidence justified your charges and that, accordingly, they resisted pressure to "fix the intelligence around the policy," as was done to "justify" the attack on Iraq.
Intelligence analysts were telling us privately (and we told the President in our Memorandum of Sept. 6, 2013) that, contrary to what you claimed, "the most reliable intelligence shows that Bashar al-Assad was not responsible for the chemical incident that killed and injured Syrian civilians on August 21."
This principled dissent from these analysts apparently led the White House to create a new art form, a "Government Assessment," to convey claims that the government in Damascus was behind the sarin attack. It was equally odd that the newly minted genre of report offered not one item of verifiable evidence.
(We note that you used this new art form "Government (not Intelligence) Assessment" a second time – again apparently to circumvent intelligence analysts' objections. On July 22, 2014, just five days after the shoot-down of Malaysia Airlines Flight 17, after the media asked you to come up with evidence supporting the charges you leveled against "pro-Russian separatists" on the July 20 Sunday talk shows, you came up with the second, of only two, "Government Assessment." Like the one on the chemical attack in Syria, the assessment provided meager fare when it comes to verifiable evidence.)
Claims and Counterclaims
Speaking to the United Nations General Assembly on Sept. 24, 2013, President Obama asserted: "It's an insult to human reason and to the legitimacy of this institution to suggest that anyone other than the [Syrian] regime carried out this attack [at Ghouta]."
Mr. Lavrov, that same day you publicly complained that U.S. officials kept claiming "'the Syrian regime,' as they call it, is guilty of the use of chemical weapons, without providing comprehensive proof." Two days later you told the U.N. General Assembly you had given Mr. Kerry "the latest compilation of evidence, which was an analysis of publicly available information." You also told the Washington Post, "This evidence is not something revolutionary. It's available on the Internet."
On the Internet? Mr. Kerry, if your staff avoided calling your attention to Internet reports about Turkish complicity in the sarin attack of Aug. 21, 2013, because they lacked confirmation, we believe you can now consider them largely confirmed.
Addressing fellow members of parliament on Dec. 10, 2015, Turkish MP Eren Erdem from the Republican People's Party (a reasonably responsible opposition group) confronted the Turkish government on this key issue. Waving a copy of "Criminal Case Number 2013/120," Erdem referred to official reports and electronic evidence documenting a smuggling operation with Turkish government complicity.
In an interview with RT four days later, Erdem said Turkish authorities had acquired evidence of sarin gas shipments to anti-government rebels in Syria, and did nothing to stop them.
The General Prosecutor in the Turkish city of Adana opened a criminal case, and an indictment stated "chemical weapons components" from Europe "were to be seamlessly shipped via a designated route through Turkey to militant labs in Syria." Erdem cited evidence implicating the Turkish Minister of Justice and the Turkish Mechanical and Chemical Industry Corporation in the smuggling of sarin.
According to Erdem, the 13 suspects arrested in raids carried out against the plotters were released just a week after they were indicted, and the case was closed — shut down by higher authority. Erdem told RT that the sarin attack at Ghouta took place shortly after the criminal case was closed and that the attack probably was carried out by jihadists with sarin gas smuggled through Turkey.
Small wonder President Erdogan has accused Erdem of "treason." It was not Erdem's first "offense." Earlier, he exposed corruption by Erdogan family members, for which a government newspaper branded him an "American puppet, Israeli agent, a supporter of the terrorist PKK and the instigator of a coup."
In our Sept. 6, 2013 Memorandum for the President, we reported that coordination meetings had taken place just weeks before the sarin attack at a Turkish military garrison in Antakya – just 15 miles from the Syrian border with Syria and 55 miles from its largest city, Aleppo.
In Antakya, senior Turkish, Qatari and U.S. intelligence officials were said to be coordinating plans with Western-sponsored rebels, who were told to expect an imminent escalation in the fighting due to "a war-changing development." This, in turn, would lead to a U.S.-led bombing of Syria, and rebel commanders were ordered to prepare their forces quickly to exploit the bombing, march into Damascus, and remove the Assad government.
A year before, the New York Times reported that the Antakya area had become a "magnet for foreign jihadis, who are flocking into Turkey to fight holy war in Syria." The Times quoted a Syrian opposition member based in Antakya, saying the Turkish police were patrolling this border area "with their eyes closed."
And, Mr. Lavrov, while the account given by Eren Erdem before the Turkish Parliament puts his charges on the official record, a simple Google search including "Antakya" shows that you were correct in stating the Internet contains a wealth of contemporaneous detail supporting Erdem's disclosures.
Mr. Kerry, while in Moscow on Dec. 15, you said to a Russian interviewer that Syrian President Assad "has gassed his people – I mean, gas hasn't been used in warfare formally for years – for – and gas is outlawed, but Assad used it."
Three days later The Washington Post dutifully repeated the charge about Assad's supposed killing "his own people with chemical weapons." U.S. media have made this the conventional wisdom. The American people are not fully informed. There has been no mainstream media reporting on Turkish MP Erdem's disclosures.
Renewed Appeal
We ask you again, Secretary Kerry and Foreign Minister Lavrov, to set the record straight on this important issue. The two of you have demonstrated an ability to work together on important matters – the Iran nuclear deal, for example – and have acknowledged a shared interest in defeating ISIS, which clearly is not Turkish President Erdogan's highest priority. Indeed, his aims are at cross-purposes to those wishing to tamp down the violence in Syria.
After the shoot-down of Russia's bomber on Nov. 24, President Vladimir Putin put Russian forces in position to retaliate the next time, and told top defense officials, "Any targets threatening our [military] group or land infrastructure must be immediately destroyed." We believe that warning should be taken seriously. What matters, though, is what Erdogan believes.
There is a good chance Erdogan will be dismissive of Putin's warning, as long as the Turkish president believes he can depend on NATO always to react in the supportive way it did after the shoot-down.
One concrete way to disabuse him of the notion that he has carte blanche to create incidents that could put not only Turkey, but also the U.S., on the verge of armed conflict with Russia, would be for the U.S. Secretary of State and the Russian Foreign Minister to coordinate a statement on what we believe was a classic false-flag chemical attack on Aug. 21, 2013, facilitated by the Turks and aimed at mousetrapping President Obama into a major attack on Syria.
One of our colleagues, a seasoned analyst of Turkish affairs, put it this way: "Erdogan is even more dangerous if he thinks that he now has NATO license to bait Russia — as he did with the shoot-down. I don't think NATO is willing to give him that broader license, but he is a loose cannon."
FOR THE STEERING GROUP, VETERAN INTELLIGENCE PROFESSIONALS FOR SANITY
Philip Giraldi, CIA, Operations Officer (ret.)
Larry Johnson, CIA & State Department (ret.)
John Kiriakou, Former CIA Counterterrorism Officer
Edward Loomis, NSA, Cryptologic Computer Scientist (ret.)
David MacMichael, National Intelligence Council (ret.)
Ray McGovern, former US Army infantry/intelligence officer & CIA analyst (ret.)
Todd E. Pierce, MAJ, US Army Judge Advocate (Ret.)
Scott Ritter, former Maj., USMC, former UN Weapon Inspector, Iraq
Coleen Rowley, FBI Special Agent and former Minneapolis Division Legal Counsel (ret.)
Robert David Steele, former CIA Operations Officer
Peter Van Buren, U.S. Department of State, Foreign Service Officer (ret.) (associate VIPS)
Kirk Wiebe, former Senior Analyst, SIGINT Automation Research Center, NSA
Ann Wright, Col., US Army (ret.); Foreign Service Officer (resigned)
A Spy vs Spy notation by Ronald
Whereas the Enemy of Your Friend is Your Favorite F**K
Tags Ghouta, John Kerry, Sarin, Sergei Lavron, short bus, Syria, Veteran Intelligence Professionals for Sanity, VIPS
Categories CIA, corruption, crime, false flag, intelligence, international law, Morons, politics, propaganda, social responsibility, transcendent warfare, treason, Uncategorized, war crimes
Mutti, Piggies and the Minsk Peace Accord
Have you seen the little piggies
Crawling in the dirt?
And for all the little piggies
Life is getting worse
Always having dirt to play around in
Have you seen the bigger piggies
In their starched white shirts?
You will find the bigger piggies
Stirring up the dirt
Always have clean shirts to play around in
In their styes with all their backing
They don't care what goes on around
In their eyes there's something lacking
What they need's a damn good whacking
Everywhere there's lots of piggies
Living piggy lives
You can see them out for dinner
With their piggy wives
Clutching forks and knives to eat their bacon
-George Harrison
Merkel, Piggies & the 2nd Minsk Peace Accord
Noting the Germans claim they have no obligation whatsoever to make right having bled Greece dry during WW II … and noting the Germans are insisting on bleeding Greece dry in the present with inflexible demands of 'privitization' and 'austerity', it's not difficult to see Angela Merkel, Wolfgang Schäuble, Thomas de Maizière & friends haven't shed Germany's Nazi spots; particularly when considering Ukraine.
Firstly, Germany has been hand in glove with the USA in 'civil society' projects (read subverting to western interests) in Ukraine, exhibit one:
Konrad Adenauer Foundation, Ukraine (screenshot)
In fact it was the Merkel Christian Democratic Union (CDU) aligned Konrad Adenauer Foundation had liaised with Ukraine's Nazi Svoboda party and in fact groomed Svoboda party members at Adenauer foundation 'democracy' projects:
"the Ukrainian right wing has also received instruction [in Germany] financed by German taxpayers. Party members appeared at events hosted by the Konrad Adenauer Stiftung, the German political foundation affiliated with Chancellor Angela Merkel's conservatives. Examples include the conference entitled "Lessons from the 2012 Parliamentary Elections," the seminar series called "The Higher School of Politics" and a discussion on the 2012 elections"
This, despite the German government's official position of condemning the German Nazi party, the NPD, a party the Ukrainian Svoboda party has a known relationship with. So, what's wrong with this picture? Adopting a position 'actions speak louder than words', we can look at a short history of Merkel's 'peace efforts' relating to Ukraine.
The thumbnail sketch is, each time Germany has backed a proposal for peace in Ukraine, Merkel has rolled over when the USA spurred Kiev to sabotage it. Very early on, John Kerry had 'lip serviced' (sort of like a blow-job) an European peace proposal and Kiev had stopped shooting but that was because they were too stupid to understand the game yet and they quickly reversed themselves when an American visited and explained what geopolitical theater is all about. A case of 'this is to make Russia look bad when it fails, so whatever you do, don't stop provocations that draw separatist ire.' Whether it was Joe Biden or John Brennan or some other American political prostitute, most recently John Kerry in Kiev as Merkel visited Putin in Moscow together with Hollande, the American message delivered to the Nazis in Kiev has been consistently proven to be one of 'keep the provocations up and we'll have your back.'
Here is how it plays with Merkel. She gets on board with with every European peace endeavor but then takes advantage of its intended failure. After endorsing a Russian-French transition plan for Ukraine that was immediately foiled with the American backed putsch, Angela Merkel promptly fell into line with the Americans and the result was ultimately responsible for Crimea reunifying with Russia. Did Merkel demonize the Americans for this backstabbing? No. She demonized Putin. Following this, when Poroshenko did not deliver on the autonomy for the east of Ukraine promised at Minsk I, rather instead declaring the autonomy provision invalid, insuring the rebellion would continue, did Merkel pressure Poroshenko? No. She upped the pressure on Putin instead, while toeing the American propaganda line. As well, Merkel has been leader of the European Union sanctions intended to punish Russia with damage to its economy.
Now, Merkel had exited a meeting at the White House, prior to traveling to Moscow and then to Minsk II, with a telling message; 'friends can have differences of opinion' or that is to say Germany is not going to put up a fuss over the Americans delivering lethal weapons to Ukraine and John Kerry immediately heads out to Kiev as Merkel heads to Moscow.
Here's what's up; Each ceasefire has saved Kiev's butt from a determined rebel force that is by far better motivated and seen superior tactical success. Each ceasefire has seen the beaten Ukrainian army rearm, resupply and regroup for a new offensive. Each ceasefire has seen consistent shelling of civilian areas held by the rebels, a deliberate provocation, drawing reactions from rebel forces determined to knock out or push back Kiev's offenders. Each ceasefire has seen a consequent propaganda blitz by the western democracies accusing Russia and the rebels of sabotaging any progress towards peace. All of this treachery by Kiev has clearly been encouraged behind the scene by the USA, in an ongoing, undeclared, proxy war imposed on Russia. Angela Merkel not only goes along with this, she is complicit. Germany has, all along, baited Putin along with the Americans. And this man knows the story very well:
^ BND's Gerhard Schindler (sleeps with the Americans)
Gerhard Schindler, Germany's top spymaster, who answers directly to Angela Merkel, presented what has to be called a falsified report, on the downing of MH 17 in secret session with the German parliament, presenting evidence that has never been made public (certainly because it would not stand up to expert scrutiny.) Here is the better MH 17 assessment. Previous to this, Schindler presented what was almost certainly a false report on the Assad regime's use of sarin gas in Damascus, claiming the rebels did not possess the technical ability to deliver the chemical weapon but that had already been disputed by UN investigator Carla Del Ponte in an earlier case. The BND led by Schindler has a long litany of criminals and crimes for legacy, not least complicity in, and covering up, Operation Gladio. The BND was created by the CIA, staffed with ex-Gestapo and other former Nazis, put under the charge of Hitler's expert Soviet spymaster, war criminal Reinhard Gehlen, and then handed over to Konrad Adenauer as West Germany's foreign intelligence service. This is a nasty, Nazi legacy infected, organization. And so is the Adenauer Foundation and it's parent Christian Democratic Union. These are Merkel's clandestine bayonets operating in Ukraine.
Here's my prediction for Minsk II .. more of the same, Poroshenko's Nazis will have taken John Kerry's off the record advice to heart, the new ceasefire and peace agreement will be sabotaged with full German complicity, even as Merkel makes a show of geopolitical 'restraint' for domestic political consumption, again buying time to rearm and train Kiev's forces. Meanwhile there will be ongoing provocations by Kiev to undermine the process in its entirety. Germany will fall into line with the USA, pointing the finger at the Russians as the responsible party and sooner or later, the entire business will again be a hot and more intensified conflict. This has been the working model, in consecutive iterations, why would anyone expect to see anything change?
Ukraine for Dummies
A Sociopaths & Democracy Project
Tags Angela Merkel, BND, Gerhard Schindler, Germany, Joe Biden, john brennan, John Kerry, Kiev, Konrad Adenauer, Konrad Adenauer Foundation, Konrad Adenauer Stiftung, Minsk, Poroshenko, Thomas de Maizière, Ukraine, Wolfgang Schäuble
Categories CIA, counter intelligence, crime, information operations, politics, propaganda, social responsibility, transcendent warfare, treason, war crimes
People Who Behave As Stupid As They Look
NATO Supreme Commander Phillip Breedlove
This United States Air Force general wants to arm Ukraine and escalate NATO's role antagonizing Russia, this following is a decent match for the preceding photo:
Or perhaps this…
…is a more appropriate match:
Or we could try a third match of this…
Or try this one…
Except the preceding is a better match for this moron who's been behind picking a fight with Russia all along:
And then the empathy match…
…for the 'hired help' coming around to the idea:
And Marie Harf, the propaganda parrot?
No problem, except for aftermath:
Yeah. Help. That's what Americans need in a BIG way:
With first place awarded to the Black White-Man
For upgrading these:
Which do this:
Bringing great satisfaction to these folk:
Who're also known as 'closet' ..
Don't you just love American foreign policy?
notes on the preceding:
Within two days of this 'satire' having been posted, General Breedlove goes on record, revealing he is two-faced, warning arming Ukraine risks drawing a reaction from Russia, but there's more to this story:
NATO (a 'Christian Dominion' infected organization) is a platform empowering General Phillip Breedlove as one of the prime 'movers and shakers' bringing the western democracies into this latest proposed American 'humanitarian intervention' project with ample German support, (Angela Merkel getting cold feet on arms provision notwithstanding) which, by the way, is cover for an arms provision program that has actually been underway for quite some months already.
I don't doubt Russians are helping the so-called 'rebels' in Ukraine to a certain degree, although certainly not to the extremes claimed by Breedlove & associates, and if Russia is complaining the Ukrainian armed forces are being armed to the teeth with the latest western anti-armor weaponry, and the facts show that's actually true, that makes us about equal when it comes to denial of covert aid, you think? What's presently proposed (providing arms) is actually something that's been ongoing; NATO is attempting to come up with a cover story, providing arms, to match the facts on the ground; rebel commanders already face Javelin anti-tank missiles (and much more) provided to Kiev.
But that's standard operating procedure in Western geo-politics, 'truth' has little to do with what actually goes on.
In fact the so-called 'western democracies' had initiated the hostilities in Ukraine with the Americans alone investing 5 billion in 'color revolution', 'civil society' and 'regime change' projects in Ukraine through the end of 2013, with plenty more invested since, efforts that have gone so far as to widely employ neo-nazis in the overthrow of the previous regime and maintain the present geopolitical state of hostility
The CIA and a Liar's Fastrack On psyops & false flags
(and don't forget)
Tags barack obama, John Kerry, Marie Harf, NATO, Pentagon, Phillip Breedlove, Russia, Susan Rice, tactical nuclear weapons, Ukraine, United States Air Force
Categories comedy, male hierarchy, politics, religion, satire, social responsibility, transcendent warfare
Kerry's neo-nazi Snipers
22 April 2015 update: A Polish MEP [Member of European Parliament] states in an interview the Maidan snipers were trained in Poland as a favor to the USA intelligence services.
Question: "[you are] a supporter of the thesis it was a CIA operation?"
Answer: "Maidan was also our operation. The snipers were trained in Poland"
The original interview transcript in Polish language HERE
A reasonable English language summary of the interview by PRAVDA:
A leaked phone call between the European Union's Cathrine Ashton and the Estonian foreign minister, indicates it was a member (or members) of the new USA supported Ukrainian administration were behind the snipers who killed both protestors and police during confrontation in Kiev. (conversation begins about 2 minutes into this youtube posting)
John Kerry had claimed it was the ousted administration behind the snipers. A better explanation (backing up the leaked conversation) is found in rogue CIA officer Phillip Agee's expose: 'Terrorism and Civil Society'
Tags Cathrine Ashton, CIA, Estonia, European Union, geo politics, John Kerry, murder, neo nazi, snipers, terrorism, Ukraine, Urmas Paet
Categories assassinations, CIA, corruption, counter intelligence, crime, Espionage, false flag, information operations, intelligence, international law, politics, propaganda, psychology, social responsibility, treason, war crimes
Sardonism
^ Sauron
sardonic |särˈdänik|
grimly mocking or cynical: Stoner attempted a sardonic smile.
sardonically |-ik(ə)lē| adverb.
sardonicism |-ˈdänəˌsizəm| noun
ORIGIN mid 17th cent.: from French sardonique, earlier sardonien, via Latin from Greek sardonios 'of Sardinia,' alteration of sardanios, used by Homer to describe bitter or scornful laughter.
Sardonicism is an unnecessarily clumsy word. So, I've changed it to 'sardonism.' With an English language lexicon of one million words, no one should notice one more, you think? Sardonism could refer to a religion dedicated to minimizing our world's problems or, alternatively, reducing our political leadership to the lowest common denominator. Think of 'moroncy' as in 'I dub thee peer in the realm of morons.' Sort of like the Queen creates peerages and made Maggie Thatcher a Baroness ('moroness' actually) … recalling Mitterrand had observed Maggie having 'the eyes of Caligula.' A perfect example of practicing 'sardonism.'
Now, it also occurs to me I like the word 'sardonism' because it somewhat rhymes with 'sauronism', that is, if we assume there are people who worship Sauron. You know, tossing that cursed ring into the fires of Mount Doom. 'Ohhh, my precious…' so where the fuck is Frodo when you most need him? Because today I was watching the wretched sorcerer Saruman, ah-hem, I actually meant John Kerry, expressing his 'grave concerns' about the growing forces of al Qaida in Syria spilling over to Iraq.
^ "I have no idea how al Qaida gained control"
John Kerry, I hereby dub thee peer in the Realm of Morons, Puke of Hypocrites, and Prince of Knavery.
knave |nāv|
noun archaic
a dishonest or unscrupulous man.
knavery |-vərē| noun (pl. knaveries)
ORIGIN Old English cnafa 'boy, servant'; related to German Knabe 'boy.'
In the German : 'boy.' Perfect.
Conveniently, as a child who only lives in the moment, self-serving Kerry neglects to remember who made the arrangement which has al Qaida affiliated 'opposition' groups largely in control of 'rebel' held areas of Syria and taking over Iraq. Nothing like making a George Bush lie of Iraq a safe harbor for al Qaida into a reality, eh?
Sort of like when children play 'Cowboys and Indians', you can shift sides at will, pursue make-believe with any story line, and, of course, rewrite history as the imaginary play goes on. But, what is the real storyline for those who will be charged with fixing the neighborhoods broken windows with the game spun out of control?
^ Aleppo, Syria
Many of us have heard the vulgar slang 'circle-jerk' and 'cluster-fuck' but what is the term to describe the group fellatio of John McCain, Joe Lieberman, John Kerry and Barack Obama, all failed personalities in foreign policy whose most consuming ambition had been to be President of the United States? With political blow-jobs all around, these 'dukes of hazard' pushed into play the CIA working with Saudi Arabia to arm the Syrian 'opposition.' The USA provided the training and facilitated Saudi Arabia (among others) funneling arms to the so-called 'rebels.' Trained and armed, where do these 'rebels' end up? Where the most money and narcissistic prestige (outside of Washington DC) is, that is al Qaida. Why thank you John & Joe McLieberman!
^ Picking out a bed at Ikea
The result? Al Qaida affiliates are the most effective force in the USA's effort to topple Assad, as the 'opposition' is going to the Geneva talks with its tail tucked firmly between its legs in face of groups it actually cannot represent in control of major areas held by Syrian 'rebels.'
Meanwhile, the newly most powerful armed 'opposition' group in Syria superseding the al Qaida affiliate al Nusra is al Qaida affiliate Islamic State of Iraq and the Levant, re-expanding its presence in Iraq, taking back Falluja (how many American marines died there?), much of Ramadi and is threatening Bagdad itself. How do you suppose al Qaida got the weapons and training to do this? (see preceding.) Oh and then the 'Islamic State' became so extreme, they were disowned by al-Qaida!
These boys who play Cowboys and Indians, smashing the neighborhood windows in the process, at the age of McCain, Lieberman, Kerry and Obama, are clearly boys who never grew up. Is there anyone can take these kids by the ear and march them to a stool where they can be made to sit in a corner? Don't hold your breath waiting for this to happen, just pray for Frodo.
http://news.yahoo.com/key-al-qaida-militant-reportedly-killed-syria-170552209.html
Tags Al Qaida, John Kerry, Leiberman, McCain, Obama, Syria
Categories AIPAC, assassinations, CIA, comedy, corruption, counter intelligence, crime, culture, Espionage, false flag, information operations, intelligence, international law, Israel, Law, male hierarchy, MOSSAD, narcotics trafficking, philosophy, politics, propaganda, psychology, religion, satire, social responsibility, treason, Uncategorized, war crimes | {
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She has so much pain as life passes by.
Why does she look at herself so sadly.
She screams and yells but no one hears.
Where did it go, no one knows.
You'll fall into it lightly.
Even when she doesn't try.
About her pain and issues.
But she has no place to go.
And she knows that it's to be with you.
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When it comes to her confessions.
That you'll always be like You. | {
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Q: Activator.Createinstance leads to target invocation I have a generic method like this:
private void StartTask<T>(string car, string connectionId, string something)
{
Task.Factory.StartNew(() => (T) Activator.CreateInstance(typeof (T), car, connectionId, something))
.ContinueWith(
task =>
{
if (task.Exception != null)
new LoggerService(GetType()).Exception(task.Exception);
},
TaskContinuationOptions.OnlyOnFaulted);
}
As you can see, I need to use Activator.CreateInstance to create an instance of the class passed into the generic method.
I am calling this method like this:
StartTask<CarClass1>("Volvo", "4", "something");
StartTask<CarClass2>("Honda", "3", "something");
StartTask<CarClass3>("Nissan", "5", "something");
IIS crashes sometimes. Using "Debug Diagnostics" I found out I get:
Exception: {"Exception has been thrown by the target of an invocation."} System.Exception {System.Reflection.TargetInvocationException}
Inner exception:
{"Attempted to read or write protected memory. This is often an indication that other memory is corrupt."} System.Exception {System.AccessViolationException}
Stacktrace: The runtime has refused to evaluate the expression at this time. string
What am I missing here?
| {
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Template Id Card Panitia Word is free HD wallpaper. This wallpaper was upload at November 14, 2018 upload by jejakadank in Card.
With so many unconventional gift card possibilities, how do you choose the correct one to provide? Template Id Card Panitia Word can be found in a dizzying array of shapes and sizes, as well as the cards with hidden activation fees and unknown expiration dates. However, when all is said and done, here are a few of the most used gift card ideas time and time again.
Restaurant Template Id Card Panitia Word are perfect for any special occasion and interest everybody. Whether you decide for Italian, hamburgers, seafood, or steak, restaurant Template Id Card Panitia Word fit the bill quite nicely. If you're fortunate, the gift card recipient can even bring you along for a bite to eat.
Gas Template Id Card Panitia Word are more popular than ever considering gas prices as lately are through the roof. Not only do gas Template Id Card Panitia Word help to keep money in your wallet, most cards feature pay at the pump convenience and the ability to purchase convenience items, automotive services, and related products.
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For a really unique Template Id Card Panitia Word idea, try a different collection of colours like brown and blue or green and blue. Making use of your special someone's favourite colors to produce your card can help make them feel extra special. You actually can incorporate a Valentines theme into any colour scheme by just using lots of hearts.
Once again, you will find literally tens of thousands of Valentines embellishments to select from. There's sets from stickers, to 3D stickers, to rub-ons, to chipboard, to stamped images…the list is endless. You can also make your own with scraps of patterned paper.
Anything you choose, make sure it matches your color scheme and is something the recipient of one's card will appreciate. If your personal someone hates teddy bears and roses, do not use them. If you should be struggling for Template Id Card Panitia Word ideas, think about what the recipient wants to do. If he loves to fish, perhaps you could utilize a fishing hook with a heart on the finish or if he likes football, you might feature a soccer with a center in the middle. Featuring your personal someone's favourite hobbies and activities can help express simply how much you value them.
Training how to arrange everything on your own card could be a little tricky. I prefer to use card sketches whenever I am creating a card. It creates the process so much quicker and less stressful because they show you just how to prepare everything without cramping your style.
The main thing is to take pleasure from what you are doing. Have fun creating your own Template Id Card Panitia Word ideas and remember, your special someone will like your Valentines Day card since you took time from your busy day to make it just for them!
Template Id Card Panitia Word is high definition wallpaper and size this wallpaper is 641x1000. You can make Template Id Card Panitia Word For your Desktop picture, Tablet, Android or iPhone and another Smartphone device for free. To download and obtain the Template Id Card Panitia Word images by click the download button below to get multiple high-resversions. | {
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The company "Speckle" - one of the largest manufacturers of plastic and cardboard cards in Ukraine. At present, we have 12 years of experience in Ukraine and abroad. Along with the production of cards, the company "Speckle" provides services for assembly and packaging, as well as full-service mailing and data processing.
Assembling the starter packs, which includes the production of all elements of the package (except sim-card) and assembling them into a single set. | {
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Baghdad University got the 207th rank in the Spanish Scimago Institutions Rankings out of 237 global universities. The director of the department of quality assurance and University performance, Assistant Prof. Dr. Marwan Abdul Hamid Ashur announced this global achievement at the level of Middle East, indicating that this classification was adopted to evaluate research institutions according to research methodology based on three factors: (research, creativity and affecting the community). This institution is consisted of members of the Spanish National Research Council "CSIC" from University of Granada, Charles III University in Madrid and University of Alcalá, University of Extremadura and other educational institutions in Spain. | {
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Hello sir, submitting another entries for your social network designs. If you approve this, I can proceed with another designs - for twitter, youtube, G+. For this one specially I've made two options, with a little difference between them. Waiting for your feedback. Thank you so far. | {
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Marcus Smart, Aaron Nesmith out vs. Hornets
The Celtics will be without their spark plugs against Charlotte.
By wjsy@deliberatepix Jan 19, 2022, 1:59pm EST
Share All sharing options for: Marcus Smart, Aaron Nesmith out vs. Hornets
Photo by Sam Forencich/NBAE via Getty Images
It'll be a reunion of sorts with Gordon Hayward and Terry Rozier back at TD Garden with the Pelicans. Unfortunately, not everybody from the Class of 2019 will be able to attend.
Per the Celtics latest injury report, Marcus Smart has exited the league's health and safety protocols but is out tonight against Charlotte for reconditioning purposes. Boston's starting point guard has missed the last four games, but seems to be very close to a return to the floor.
After a bit of a breakout performance, Aaron Nesmith is also out with a sprained ankle. It's unclear when the sophomore wing suffered the injury, but it's possible that he twisted it on this monster and-1 against the Pelicans on Monday afternoon:
Aaron Nesmith's monster dunk finishes as today's @jetblue Play of the Game pic.twitter.com/Tz2tub9dQq
— Boston Celtics (@celtics) January 17, 2022
So, both of Boston's spark plugs will be unavailable this evening. Their next chance to return to the parquet will be on Friday back at TD Garden when the Celtics host the visiting Portland Trailblazers at 7:30 pm EST. | {
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Art Basel took place this past weekend in Miami. It's one of the biggest art fairs in the world and one that I miss enormously from our days living in South Beach. But then we all live in the digital age, and all one needs to do, really, is type in #artbasel in IG and oh! What a feast for the eyes.
But here in my post I'll just focus on a small handful of lady creators, all from an older generation.
I have to be honest here… I searched through about 100+ female artists on the Art Basel website and could only pick out 7 that even lifted my eyebrows with intrigue. Hm. Is this a sign that female artists are sorely under-represented at Basel– it seemed that only every fifth name or so on the long list of artists belonged to a woman. Or rather, does my lack of being dazzled make me an art snob? Or just someone who has a lack of fine taste in higher art? I hope neither. The thing is, I love love love art. All kinds of intricate/profound/bizarre/wacky art. But I don't like art that does not move me or make me think in some way.
Of course, we each see art through our own lens. And that is the true beauty of it all.
I first saw her artwork at the National Museum of Women in the Arts and thought it was so cool. It looks like melted icing and made me want to eat cake.
I like art that tricks the eye a bit. Her piece "entitled to what" is hard to read unless you tilt your computer screen back. Her sculpture "deeper" (third down) reminds me so much of JNKO jeans from the 90's. Flashback.
A Cuban-American artist born in 1948, her work is haunting and provocative– a bodily translation of deep emotions and real life experiences. | {
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!This Lotus Elan got away, but there are more like it here.
1967 Lotus Elan S3
Bid To $24,500 On 5/1/17$24,500 Ended
Lot #4026
Seller: 1900CSS
Location: Reisterstown, Maryland 21136
Chassis: 457170
9,735 Miles Shown, TMU
1558cc Inline-Four
4-Speed Manual Gearbox
Replacement Spaceframe
Panasport Alloys
Aluminum Radiator
Aluminum Fuel Tank
Refurbished Interior
Suspension Refreshed
Records Since 1997
Private Party or Dealer: Private Party
Model Page: Lotus Elan
This 1967 Lotus Elan S3 is a US-spec car that has been with its current owner since September 2003. Service records date back to 1997 and reportedly include around $32k in work that consisted of a new Spyder frame, engine upgrades, suspension work, interior refurbishing, and more. This Elan is powered by what is believed to be its original 1558cc inline-four, which was rebuilt in recent years per the seller and is mated to a 4-speed manual transmission. The car is now being offered on behalf of the current owner with the service records and a clean Maryland title.
Outside, this Elan wears a light yellow finish, though some de-lamination can be seen on top of the passenger-side of the front bumper. The car wears Panasport alloy wheels that display some marks. A receipt from November 2000 in the photo gallery shows the purchase of new upper ball joints, rear wheel bearings, and U-joints from The Automotive Archaeologists in Rogersville, Missouri. More recently, the current owner fitted new CV joints himself.
The interior has been left mostly stock aside from a Nardi wood steering wheel, a modern Sony CDX 1200 head-unit, and a pair of 4″ Fosgate speakers purchased in January 2001. Several new trim components were also purchased according to included receipts.
9,735 miles are currently displayed on the odometer, though correct total mileage cannot be confirmed with documentation.
Under the hood, this Elan is believed to retain its factory 1558cc inline-four, which is mated to a 4-speed manual gearbox. The current owner states that the engine was treated to a rebuild before his ownership, though documentation is not included. A Griffin aluminum radiator and new aluminum fuel tank were added in 2007 per a receipt in the photo gallery. Records also show a clutch rebuild kit purchased in December 2000 and differential seals/gaskets in March 2008. The car was last serviced in 2016.
Underneath, a Spyder spaceframe was purchased in January 1997 and likely installed shortly thereafter. Additional undercarriage pictures are shown in the photo gallery below.
Records since 1997 will be included with the sale and cover the aforementioned work to the tune of approximately $32k over the last 16 years per the seller. The current owner performs most mechanical maintenance himself, so more recent records are fairly limited.
High Bid USD $24,500 (Reserve Not Met)
Auction Ended May 1, 2017 at 12:24PM PT
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Staff at East Coast Community Healthcare, a social enterprise healthcare organisation in Lowestoft, have been praised by the former Secretary of State for Health Patricia Hewitt.
East Coast Community Healthcare are currently working on a new workplace culture program with Pulse UK.
The article by Eastern Daily Press covers Patricia's visit with staff and can be read here. | {
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Director Shaka King's Journey From 'Newlyweeds' To 'The Black Messiah'
By Andrew Limbong
Director Shaka King on the set of<em> Judas and the Black Messiah.</em> The film<em> </em>chronicles the life of Illinois Black Panther Party leader Fred Hampton through the eyes of William O'Neal — the man who infiltrated the group on behalf of the FBI.
As the current chairman of the Black Panther Party Cubs, Fred Hampton, Jr. was guarded when he heard a studio wanted to make a movie about his late father, Fred Hampton. With good reason, too. The elder Hampton was the fiery and charismatic chairman of the Illinois Black Panther Party. The FBI had its eye on him through a program called COINTELPRO, where they would infiltrate groups like the Black Panthers and use information to launch disinformation smear campaigns.
Hampton was in the midst of corralling disparate, multi-racial groups under the banner of the Rainbow Coalition. The idea was to organize these groups to fight poverty and police brutality. Then, Chicago police shot and killed Hampton and another member of the Black Panther Party in an early morning raid. In an interview, Hampton, Jr. pointed out others have tried to make this movie without coming correct — no knowledge or respect for the legacy of Hampton and the Illinois Black Panther party. "Legacy," he said, "is more important than our life."
This is what director Shaka King was thinking about when he signed on to make Judas and the Black Messiah, the new movie about the life of Fred Hampton through the eyes of William O'Neal — the man who infiltrated the Black Panthers on behalf of the FBI. The pitch he got from the movie's co-writers, Kenny and Keith Lucas, was a movie about Hampton and O'Neal that was like Martin Scorsese's gangster film, The Departed,but set inside the world of COINTELPRO. It didn't take much beyond that. "I was like, I see it. I'm done. I'm in," said King.
The result is a tense, thrilling movie that draws as much from The Talented Mr. Ripley as it does The Departed,packaging Hampton's radical politics beneath a sheen of high budget movie making. Dominique Fishback, who plays Hampton's partner Deborah Johnson (now Akua Njeri), says she trusted King with Hampton's legacy. "His confidence and ability to make an authentic story, but not at the cost of somebody's life," she said helped her feel more comfortable to make the acting choices she made.
This big, complex movie with stakes bigger than any one person's life is a big jump from King's first movie, 2013's Newlyweeds. That movie tells the story of a young couple in Brooklyn who smoke a lot of weed. It's tender and funny, hitting the same notes as movies from other indie darling directors such as Joe Swanberg or the Duplass brothers. And it got decent buzz when it went around the festival circuit. The Film Independent Spirit Awards gave King the Someone to Watch Award, which came with a $25,000 grant.
But after that initial fanfare, King struggled to find buyers for the movie. "I was so depressed after making Newlyweeds," he said. It was a movie starring two Black actors who no one knew. "And at that time, that was deemed worthless," said King.
2013 wasn't that long ago. But it was before what a friend of King's ironically dubbed the Black Excellence Industrial Complex, when movie studios realized you could make a lot of money releasing films by and starring Black people — Selma,Moonlight,Black Panther and so on. The experience with Newlyweedsburnt King out on the idea of making another feature film. "I stopped caring," he said.
Judas and the Black Messiah producer, Charles D. King (no relation), didn't know that about director Shaka King. As the head of Macro, which produces movies and TV shows by people of color including Judas, Charles King is possibly one of the biggest names in the Black Excellence Industrial Complex. From his perch as producer, he's seen young directors struggle with getting the momentum going for a second movie — particularly women and people of color. So he wasn't surprised King felt the same way.
"It was before the #Oscarssowhite moment of 2015," said King. "A lot's happened since then. There's much more of an openness and I think an understanding of the business opportunity there."
After Newlyweeds, what tethered director King to the idea of moviemaking was a kind of silly, kind of outrageous idea he had rolling around in his head for a short satire, titled Mulignans,after the Italian slur for Black people that used to be heard frequently on the streets of Brooklyn. In it, King and two other actors play three Black guys who talk like they're out of the Italian mobster movies King has such a fondness for. It was slightly inspired by his time growing up in a mostly Black part of Brooklyn, before going to school in South Brooklyn. There, he noticed that everyone — the Irish kids, the Greek kids, the Jewish kids, the Asian kids — all talked like the Italian kids.
"And those kids were hilarious," said King. "They were profane, they were quick witted — we weren't friends — but I could appreciate their sense of humor."
The movie has the spirit and feel of hanging out with your friends while it concisely makes points about gender politics, race and gentrification. It reminded King of the sheer fun of making something just to see if you can. "That movie saved me," he said. "It saved me."
King brought that energy to the challenge of making Judas and the Black Messiah,a movie about a Black radical anti-capitalist, within the very capitalist world of Hollywood. "I'm completely aware of the myriad of contradictions that exist not only to try and make a movie like this, but me just wanting to have the kind of career I want to have, and the politics that I have and all of those co-existing," he said.
Fred Hampton, Jr. was a consultant for the movie and on set during production. When I spoke with him, he said he was only just now able to watch the movie through the eyes of a regular audience member. He liked it well enough, though he wished they could've gotten some more of the politics in there. Then he smiled and said, "a revolutionary is never satisfied."
Nina Gregory edited this story.
Andrew Limbong
Andrew Limbong is a reporter for NPR's Arts Desk, where he does pieces on anything remotely related to arts or culture, from streamers looking for mental health on Twitch to Britney Spears' fight over her conservatorship. He's also covered the near collapse of the live music industry during the coronavirus pandemic. He's the host of NPR's Book of the Day podcast and a frequent host on Life Kit.
See stories by Andrew Limbong | {
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2017-18 Sporting Kansas City Offseason
The Scottish Way – Russell brings needed elements to Sporting KC Attack
Winger like team legend Johnston. And then some.
By Robert Rusert Feb 1, 2018, 2:01pm CST
Share All sharing options for: The Scottish Way – Russell brings needed elements to Sporting KC Attack
Photo by Nathan Stirk/Getty Images
Tenacity – the quality of being very determined. Syn: resolve, persistence, tirelessness, resoluteness
In 1996 (MLS's inaugural season) The Kansas City Wiz, being molded by the very attack-minded Ron Newman, had offensive flair in the magical left-foot and cutback of Serbian midifielder Preki; the speed and craftiness of American winger Mark Chung, and the quickness and incisiveness of Zimbabwean forward Vitalis "Digital" Takawira.
But it was not until Scottish forward Mo Johnston joined the side a few games into the season that they had a forward who worked tirelessly and smartly in and around the box to do the dirty work and be an opportunist. That gamesmanship, that tenacity, and soccer IQ completed the attack and enabled the Wiz/ards to score goals and win in a multitude of ways, which they did 38 times in 64 games during the first two seasons, finishing 2nd and 1st in the conference, scoring a remarkable 118 goals in the process.
Now Johnston, a Sporting Kansas City Legend who tallied 31 goals with 28 assists in 149 appearances through the 2001 season, has brought Sporting Kansas City fellow countryman Johnny Russell.
It's not surprising that Johnston alerted Sporting KC to Russell's availability and recommended him. Players always have a special eye for players like themselves. From highlights of the 27-year-old winger, one can see Russell is not one to back down. He twists and turns to get his head on crosses, he bursts past defenders, and shoots like one who says, "You can try. But you will not stop me."
"That's another quality… it's a determination. He's a guy that likes to go at people, which is what we like and want in our system of play," Sporting KC Manager Peter Vermes told reporters in a conference call yesterday after the acquisition of Russell was officially announced.
"But he is one of those players who possesses qualities that can really lend themselves to success in the final third."
Yet Russell brings more than Johnston's drive and grittiness. The 5'10" 168 lbs. left-footed attacker lacks the pure speed of Gerso Fernandes on the right wing, but he brings flexibility and a welcomed diversity to the attack.
"He can play on either wing. And he's different on both wings – if he plays on the left, he is a great server of the ball, he's good 1 v 1, explosive, can get past people," Vermes said. "When he's on the right, he is very good at coming inside, beating guys, and scoring."
And Russell is in his prime at 27 (Johnston arrived at age 33) with vast experience, something 21-year-old winger Daniel Salloi does not yet possess. And plays with an in-and-around the box confidence that sometimes winger Jimmy Medranda has yet to show.
"He has a lot of experience in playing under a lot of pressure," said Vermes. "Playing at Children's Mercy Park is not an easy place: It's always packed. It's a great environment. I think he will relish the fact that he is in that kind of environment."
In Vermes' tenure the 4-3-3 formation has been a staple. Arguably, it has become somewhat stale and predictable despite last season's additions of the speedy and skillful Gerso and the now-departed Latif Blessing. With the additions of Russell, Designated-player Yohan Croizet, and those Vermes hinted are still coming, predictability will be a thing of the past.
"The 4-3-3 is always going to be the foundation of how we play, but with the quality and the different types of players we are bringing in it is going to give us a lot more flexibility in what we can and can't do from game-to-game and within the game itself," Vermes claimed. "It's exciting from a coaching standpoint to be able to have that flexibility."
Russell's qualities will force defenses to adjust and be wary – from his highlights he knows a well-timed long touch can create separation – and send multiple defenders to try and stop him.
But highlights are highlights… "high" points of one's play. Russell's goal-scoring record is not glittering. It's good. 34 goals in 203 English Championship appearances with Derby County. Thirty-four goals one-step below The Premiership is nothing to sneeze at. But evaluations from pundits and those more familiar with the Scotsman across the Web say he's an adequate finisher, hot-and-cold. And time will tell if Russell has Johnston's acumen in the box, the soccer IQ to find spaces and make intelligent and timely runs.
But if Russell brings Johnston-like numbers to the attack (6g, 9A in '97 and 11, 2 in '98), he will be a welcomed addition.
"We need to be better in the attacking-third, and there is no doubt in my mind that [Russell] is going to help with that (not to put all the pressure on him by any means)," said Vermes. "But he is one of those players who possesses qualities that can really lend themselves to success in the final third." | {
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Q: AngularJS - translate the url of ui-router (StateProvider) I would like to get translated url path in my application. Translation is working in every places in my application. Besides url of StateProvider. This is my code:
.state('about', {
url: '/'+'{{"PATH.ABOUT.MAIN" | translate}}',
templateUrl: 'views/about.html',
controller: 'aboutController',
activetab: 'about',
ncyBreadcrumb: {
label: '{{"PATH.ABOUT.MAIN" | translate}}',
parent: 'home'
}
})
Translation in ncyBreadcrumb is working fine but not in URL. I have also tried:
'/'+'{{"PATH.ABOUT.MAIN" | translate}}'
but this also doesnt work. Someone has any idea how to make my URL get translated?
Thanks!!
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Every seasoned investor relies on an accurate accounting of the performance of their investment. The roadmap for determining investment performance starts with accurate income/expense reports and budgeting forecasts. In addition, the Triple Net lease requires a property owner to issue a report to tenants who have signed triple net leases a breakdown of the additional charges passed through to tenants of the property.
illi Commercial Real Estate prides themselves on excellent triple net accounting, CAM reconciliation and investment reporting.
Our property managers are well trained on how to study these reports to maximize shopping center financial performance.
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Our accounting department head and Controller is Michael Matzner, a 27+ year veteran in the industry who has studied and reported to of some of Southern California's most savvy real estate investors.
Schedule an appointment to meet with Mike to see how we can fulfill your property accounting needs. | {
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Division of Program Coordination, Planning, and Strategic Initiatives (DPCPSI)
DPCPSI National Institutes of HealthDPCPSI National Institutes of Health Division of Program Coordination, Planning, and Strategic Initiatives National Institutes of Health DPCPSI National Institutes of Health DPCPSI National Institutes of Health Division of Program Coordination, Planning, and Strategic Initiatives National Institutes of Health Division of Program Coordination, Planning, and Strategic Initiatives
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Agenda (May 20, 2016)
Council of Councils Meeting
NIH Campus, Building 31, Conference Room 10
8:15 a.m. Call to Order and Introductions
James M. Anderson, M.D., Ph.D.
Director, Division of Program Coordination, Planning, and Strategic Initiatives (DPCPSI)
Office of the Director (OD), NIH
8:20 a.m. Announcements and Updates
Franziska B. Grieder, D.V.M., Ph.D.
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Director, DPCPSI
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Clinical Director, National Human Genome Research Institute (NHGRI)
9:20 a.m. Introduction of and Updates from the Director, NHGRI
Eric D. Green, M.D., Ph.D.
Director, NHGRI
9:50 a.m. Discussion
10:00 a.m. Break
10:15 a.m. Introduction to Zika Virus
Cristina Cassetti, Ph.D.
Program Director, Division of Microbiology and Infectious Diseases
National Institute of Allergy and Infectious Diseases
Nonhuman Primate Models in Zika Virus
David O'Connor, Ph.D.
Professor, University of Wisconsin-Madison
11:05 a.m. Discussion
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Director, National Center for Complementary and Integrative Health, and
Interim Director, Precision Medicine Initiative® Cohort Program
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Associate Director for Science Policy, and
Director, Office of Science Policy, OD
2:45 p.m. Council Input in the Office of Behavioral and Social Sciences Research Strategic Plan
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Chief, Cancer Cell Biology Branch, Division of Cancer Biology
Extracellular RNA Communication
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Division of Program Coordination, Planning, and Strategic Initiatives • National Institutes of Health • Bethesda, Maryland 20892 | {
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I did make a good-faith effort to turn this into a comic with panels. I think the whole thing fell apart when I put eyes on the tomato. That's when I realized it was untenable.
Maybe you should have had them dressed.
I never let that stop me! | {
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Q: ManageIQ displays no info for Kubernetes container provider and cluster-reader ClusterRole is missing I have a Kubernetes v1.9.3 (no OpenShift) cluster I'd like to manage with ManageIQ (gaprindashvili-3 running as a Docker container).
I prepared the k8s cluster to interact with ManageIQ following these instructions. Notice that I performed the steps listed in the last section only (Prepare cluster for use with ManageIQ), as the previous ones were for setting up a k8s cluster and I already had a running one.
I successfully added the k8s container provider to ManageIQ, but the dashboard reports nothing: 0 nodes, 0 pods, 0 services, etc..., while I do have nodes, services and running pods on the cluster. I looked at the content of /var/log/evm.log of ManageIQ and found this error:
[----] E, [2018-06-21T10:06:40.397410 #13333:6bc9e80] ERROR – : [KubeException]: events is forbidden: User "system:serviceaccount:management-infra:management-admin" cannot list events at the cluster scope: clusterrole.rbac.authorization.k8s.io "cluster-reader" not found Method:[block in method_missing]
So the ClusterRole cluster-reader was not defined in the cluster. I double checked with kubectl get clusterrole cluster-reader and it confirmed that cluster-reader was missing.
As a solution, I tried to create cluster-reader manually. I could not find any reference of it in the k8s doc, while it is mentioned in the OpenShift docs. So I looked at how cluster-reader was defined in OpenShift v3.9. Its definition changes across different OpenShift versions, I picked 3.9 as it is based on k8s v1.9 which is the one I'm using. So here's what I found in the OpenShift 3.9 doc:
Name: cluster-reader
Labels: <none>
Annotations: authorization.openshift.io/system-only=true
rbac.authorization.kubernetes.io/autoupdate=true
PolicyRule:
Resources Non-Resource URLs Resource Names Verbs
--------- ----------------- -------------- -----
[*] [] [get]
apiservices.apiregistration.k8s.io [] [] [get list watch]
apiservices.apiregistration.k8s.io/status [] [] [get list watch]
appliedclusterresourcequotas [] [] [get list watch]
I wrote the following yaml definition to create an equivalent ClusterRole in my cluster:
apiVersion: rbac.authorization.k8s.io/v1
kind: ClusterRole
metadata:
name: cluster-reader
rules:
- apiGroups: ["apiregistration"]
resources: ["apiservices.apiregistration.k8s.io", "apiservices.apiregistration.k8s.io/status"]
verbs: ["get", "list", "watch"]
- nonResourceURLs: ["*"]
verbs: ["get"]
I didn't include appliedclusterresourcequotas among the monitored resources because it's my understanding that is an OpenShift-only resource (but I may be mistaken).
I deleted the old k8s container provider on ManageIQ and created a new one after having created cluster-reader, but nothing changed, the dashboard still displays nothing (0 nodes, 0 pods, etc...). I looked at the content of /var/log/evm.log in ManageIQ and this time these errors were reported:
[----] E, [2018-06-22T11:15:39.041903 #2942:7e5e1e0] ERROR -- : MIQ(ManageIQ::Providers::Kubernetes::ContainerManager::EventCatcher::Runner#start_event_monitor) EMS [kubernetes-01] as [] Event Monitor Thread aborted because [events is forbidden: User "system:serviceaccount:management-infra:management-admin" cannot list events at the cluster scope]
[----] E, [2018-06-22T11:15:39.042455 #2942:7e5e1e0] ERROR -- : [KubeException]: events is forbidden: User "system:serviceaccount:management-infra:management-admin" cannot list events at the cluster scope Method:[block in method_missing]
So what am I doing wrong? How can I fix this problem?
If it can be of any use, here you can find the whole .yaml file I'm using to set up the k8s cluster to interact with ManageIQ (all the required namespaces, service accounts, cluster role bindings are present as well).
A: For the ClusterRole to take effect it must be bound to the group management-infra or user management-admin.
Example of creating group binding:
kind: ClusterRoleBinding
apiVersion: rbac.authorization.k8s.io/v1
metadata:
name: read-cluster-state
subjects:
- kind: Group
name: management-infra
apiGroup: rbac.authorization.k8s.io
roleRef:
kind: ClusterRole
name: cluster-reader
apiGroup: rbac.authorization.k8s.io
After applying this file changes will take place immediately. No need to restart cluster.
See more information here.
| {
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Attention all Chicago area residents searching for your dream job, the 2012 list of Chicago's 101 Best and Brightest Companies is out! The National Association for Business Resources selected only the 101 companies that best represent the most innovative human resource programs to date.
These winning companies have demonstrated their ability to deliver exceptional human resources practices and an impressive commitment to their employees throughout the past year. They will be recognized at the Chicago's 101 Best and Brightest Companies to Work For symposium and awards luncheon on Monday, August 20 at the Double Tree Hotel in Oak Brook.
Companies may receive further recognition at the luncheon by winning one of the 12 elite awards for various categories, including compensation, benefits and employee solutions; employee enrichment, engagement and retention; employee education and development; recruitment, selection and orientation; employee achievement and recognition; communication and shared vision; diversity and inclusion; work-life balance; community initiative; strategic company performance and the overall best of the best small business award.
Interested individuals are also invited to attend the symposium and awards luncheon. After a networking continental breakfast a series of interactive educational sessions will be conducted to help inspire those who are interested in business. Sessions include "Developing the Talent your Organization Needs to Grow this Year," "Attracting and Identifying the Best Employee Talent for Today and Tomorrow" and more.
This year's winners truly represent the highest standards of businesses in Chicago, and are a great example for other companies to emulate.
Residents that are interested in attending the symposium and learning more about companies near their Chicago new homes should visit the Best and Brightest Companies website.
For more information on all things happening throughout Chicago, be sure to check out our site. | {
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lessc less/style.less > style.css
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TIME MANAGEMENT — Nicole & Co.
As Mompreneurs, we are simply "time poor." Meaning, we are poor on time. Our free time is extremely limited. To better understand how to manage our time, group our tasks, and take advantage of our season, let's dive into how to practice the best time management practices we can.
Our Best Self Journal is going to help us accomplish most of this, but Best Self also has some amazing resources on planning for time poor people, aka, Moms.
Let's talk about grouping tasks. Whether you call it batching, time blocking, whatever, the concept is one that will be life changing. Use the links below to start practicing these principles.
During hustle season, you've got ideas literally coming out your ears. It is by far going to be the hardest season to put work down and pick mumming up without the guilt.
Especially creatives, as we tend to spark creativity at the most inopportune times. Like while the toddler is playing with cars on your back or while reading about tractors. We can't just drop what we're doing and pick up our podcast microphone, or sketch pad or laptop. We have a baby to attend to.
So, here's some solutions for fostering your creativity and ideas while not momming/working simultaneously.
Voice memos. When something sparks and you're in mom mode, grab your phone and make a voice memo. Then, when work time comes, first thing – take those voice memos and do with them what you will. BEFORE you start your other tasks on your list. Get those thoughts onto some sort of proverbial paper where they belong.
Take advantage of delegation. My hubby helps me a lot in this area, but so do lots of others - the girls across the street, my mom, my friends. When I feel the urge to work but I'm in mom mode, I will ask whoever is around me if they will take over mumming for a moment. Usually, this moment will be short and you just need to get the blog written or email sent or logo sketched or photo taken, but it will feel so good once you do, and then you can come back, undistracted.
Switch the priority list. During your designated work times, instead of doing urgent first (see other seasons), do the things that excite you first. Here's why: when your work time comes to an end, if you've done everything that was "urgent" but nothing that moved your hustle forward, you will feel incomplete and unrewarded. But if you do your hustle first, and STICK TO IT, rather than getting distracted down another rabbit hole or new idea, you will feel so energized that you will most likely want to do the other work, too. | {
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The Mirror Image
In a distant land, there existed a population without any experience of the mirror. One day, a mirror suddenly appeared. Why it appeared was not known. A person, walking along the field, saw it and picked it up. He was mesmerized by it, because he saw a perfect reflection of himself in it. He had never had such detailed, precise perception of himself. So he took it with him and looked at it often, each time mesmerized by it, and yet each time the effect worn down. Eventually, he was not satisfied by this image, and wanted more. What he wanted, he did not know, so he thought, at least he could introduce this thing to others.
The Seeker of Silence
A seeker approached Silence, who rests in a deep forest.
The seeker said, "I wish to be silent."
The Man Who Destroyed Innocence
There rumored to be a village, where people lived with innocence. There was not a single conflict. No hatred could be discerned. No fights ever broke out. The people in the village lived harmoniously, without friction. The visitors described it as a dance of life, and the joy of living in that village attracted ever more visitors. Yet no visitors up to this point were allowed to stay. And a man heard of this village, and he was determined to bring corruption into the villagers' hearts.
The Old Man and His Many Desires
In a remote corner of the country, there lived a stubborn old man. People who used to know him told many stories about him. In one story, he was very young, only a boy. Watermelons were harvested from a nearby village, and children gathered at a spot to eat them. Everyone wanted to have a taste. The boy, in order to have many for himself, bit off the top of the many slices, and no one was willing to eat them anymore. So he leisurely ate them all, and after a while, his stomach ached and fell ill for several days.
The Valley and the Mountain Top
A traveler began a journey in the valley. She had lived in the valley for generations. It was said that a woman shall not leave her soil, travel alone to foreign lands, yet she did not listen. She heard the calling of the mountain top, and yearned every day of her life to attain to that height. So one day, she decided to leave everything behind, her family, her children, her house. She looked at the mountain top, covered with snow, majestic, solitary, imbued with power she could not name.
The One with Many Faces
There once was the one with many faces. Many people had seen the one, but only through the faces. They had seen happiness, courage, solitude, discipline, and many other faces. The people thought these faces were tremendous. The faces were articulate, exquisite, brimming with an inexplicable energy, and they had accomplished incredible deeds in the world. They had scaled the highest mountains, crossed the enormous ocean, conquered entire kingdoms, built the most complicated architecture. To these faces, the people wrote many tales. The tale of the happy man. The story of a lonesome warrior. The adventure of a fearless pirate. The ascent of a just ruler. Soon, the tales were gathered into books, collections, and they were studied. People's children imitated these faces, or the tales of these faces, and those who imitated the best were venerated. They were deemed the living expression of the one with many faces.
The Building that Touched the Heavens
Two friends gathered around the campfire. The night had encompassed everything. The moon is full, and its light seemed quite bright in the forest around them. There were the occasional ruffling coming from the animals hiding in the darkness, but the surrounding had become quiet.
"Let me tell you a story. I have quite a good one to share." One of them, a bright young lady, who was a traveler, with quite a serious expression on her face, began to talk between them.
"Alright, let's hear it." Spoke the other, who was a professor, quite accomplished in the academic world at his young age. He came out camping with the traveler for a change of scenery from the big city.
The Fox and its Tail
"Could you tell me a story before bed?" The little girl asked the Grandmother.
"Of course, my dear. Now get in bed, put on the covers, and please don't get a cold at night. Are you ready?"
"The story goes like this. Once upon a time, there was a fox in the mountain. The fox was chasing its tail. The fox thought its tail was separate from itself, so it kept chasing and chasing, but never really catching it. So on and on the fox chased its tail, wearing itself out slowly."
The Writer and the Patriarch
A writer went up the mountain to seek the wise patriarch.
"Sir, I want to write a story."
"Because I want people to know what I think. I have many thoughts about the world."
"So go and write. Why have you come here?"
"It is very difficult to write. I don't seem to have words to it. My ideas are grand, and I am afraid that people won't read it."
"It is so. Maybe no one will read your story."
"That is a depressing thought. I want people to read it. But then I try to please them, write things they like. Then it wouldn't be my story."
The Hallway and its Many Doors
There are many doors along the hallway. The hallway seems to have no ends. One might try to walk endlessly along, but no one has ever found the end of it. The hallway is of course full of people, who are entering and exiting the many doors along it. The doors are also countless. There are those who do not care about the hallway at all, and are determined to enter through the right doors. There are those quite confused about this whole business of entering and exiting, and walk along aimlessly, seemingly deciding what to do. What is even more strange is that no one knows how they first came to this hallway at all. All they could remember is the hallway, and the many doors along. | {
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keyword: electrical engineering conference, electronics conference, power systems conference, automation conference, circuits conference, control system conference, wireless network conference, robotics conference, electrical engineering, electronics, power systems, automation, circuits, control system, wireless network, robotics
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Airlines, Airports and Airliners News 28 June to 4 July 2021
THIRD WAVE CAUSES COMAIR TO TEMPORARILY SUSPEND SERVICES
Comair is temporarily suspending all scheduled kulula.com and British Airways (operated by Comair) flights for three weeks. This follows the President's announcement of a move to an adjusted Level 4 lockdown and the prohibition on all non-essential travel in and out of Gauteng.
Flights will be suspended from Monday 5 July and Comair aims to recommence services from 30 July subject to regulations being eased and Covid-19 infection rates, particularly in Gauteng, being contained. kulula.com customers who are holding a valid ticket booked for travel 28 June 2021 to 29 July 2021, will be able to utilise their ticket within twelve months from the first date of travel without any penalty. No change of booking fee or fare difference will be charged.
The British Airways 'Book with Confidence' policy will apply to all customers holding a valid ticket with British Airways (operated by Comair).
Comair CEO, Glenn Orsmond, apologised to customers affected by the suspension."This was a difficult decision, but we believe under the circumstances is the right course of action for our loyal customers and employees." Comair business rescue practitioner, Richard Ferguson, described the temporary suspension as a "bold, brave and responsible step in light of the prohibition on leisure travel to and from Gauteng, very little business travel and no connecting traffic from international carriers."
AIRLINK OFFERS BUSH AND BEACH OPTIONS AS IT RESUMES NELSPRUIT TO VILANCULOS FLIGHTS
Airlink, the independent Southern African regional airline, will expand its leisure travel network when it resumes flights from Nelspruit's Kruger Mpumulanga International Airport to Vilanculos in Mozambique from 02 July 2021.
The re-established service will operate on Mondays and Fridays and provides travellers with an option to combine a safari with a beach holiday.
"Airlink customers using this service will be able to enjoy their early morning game drives and breakfast at their safari lodge before departing on Airlink's Lodge Link service connecting Phinda, Londolozi and Arathusa to Nelspruit KMIA. There they will board our scheduled flight to Vilanculos, which lands in time for lunch and cocktails on the beach," said Airlink CEO and Managing Director, Rodger Foster.
Vilanculos is a popular beach holiday destination and gateway to the Bazaruto Archipelago. It is renowned for its spectacular beaches, marine life, restaurants, a variety of accommodation options as well as markets for fresh produce, arts and crafts.
BRITISH AND IRISH LIONS ROAR OFF TO SOUTH AFRICA WITH BRITISH AIRWAYS
British Airways welcomed the 37-strong British & Irish Lions squad on board a special charter flight recently, as they travelled from Edinburgh to Johannesburg for the start of their eagerly-awaited South African Tour.
Following their clash against Japan for The Vodafone Lions 1888 Cup at BT Murrayfield Stadium yesterday, they were greeted with warm words of encouragement by the crew of flight BA9111, including their pilot Captain Richard Allen-Williams, British Airways' Chief Pilot, Training.
Enjoying the safety and comfort of a British Airways' 777-300, the players were served with a selection of hot meals and snacks during the 11-hour 30-minute flight to ensure they arrive match fit and ready to take on all-comers.
The eight-game tour of South Africa will see the best players from the UK & Ireland pitted against the World Champions, the Springboks, during three Tests. The Lions and Springboks squads will both be carried across the country during the Tour by British Airways' franchise partner, Comair.
Sean Doyle, British Airways' Chairman and CEO, said: "We are honoured to be flying The British & Irish Lions to South Africa ahead of their Tour. After a difficult year, we look forward to uniting the nation through sport and cheering them on. From everyone at British Airways, we wish them the best of luck and hope to carry them home as champions."
Ben Calveley, Managing Director for The British & Irish Lions, said: "We are delighted to be flying with British Airways for the 2021 Castle Lager Lions Series. We know the squad and management will receive a warm welcome from British Airways staff and enjoy a safe, comfortable journey to South Africa, landing in Johannesburg ready to take on the world champions."
British Airways is also reinforcing its commitment to sport as the airline is currently the Principal Partner to Twickenham Stadium, Official Airline Partner to England Rugby and has been the Official Airline Partner to Team GB and Paralympics GB since 2008.
SELF REGISTRATION PORTAL FOR IATA TRAVEL PASS LAB NETWORK
The International Air Transport Association (IATA) has launched a self-registration portal to make it easier for COVID-19 testing labs to join the IATA Travel Pass Lab Network.
IATA's Lab Network provides a list of eligible lab locations around the globe so that travellers can easily find a location for a COVID-19 test prior to travel. The newly launched portal provides a one-stop-shop for labs to self-register to be included in the Network.
Labs wishing to join the IATA Lab Network should confirm that they meet the eligibility *criteria* and register through the new Self Registration Portal. Before they are included in the IATA Travel Pass, IATA will validate the information and contact labs directly to finalize their registration. The IATA Lab Network is free for labs to join.
"COVID-19 testing will be critical to a prolonged recovery to international travel for the foreseeable future. One aim of IATA Travel Pass is to make it as easy as possible for travellers to find eligible labs that meet the specific requirements of their journeys. Already IATA Travel Pass has an extensive network of labs which is rapidly expanding as more airlines use the IATA Travel Pass. The IATA Lab Network Self Registration Portal will make it easier for more labs to join so that we are ready to reliably meet the requirements of governments as and more people return to the skies," said Nick Careen, IATA's Senior Vice President for Operations, Safety and Security.
Once labs have joined the IATA Travel Pass Lab network, passengers will be able to use the lab for COVID-19 testing prior to travel, securely upload test results in IATA Travel Pass. This information is then checked against the IATA Timatic global registry of national health and entry requirements, to produce an "OK to Travel" status.
IATA Travel Pass Lab Network is a key element of IATA Travel Pass, a mobile app that helps travellers to store and manage their verified certifications for COVID-19 tests or vaccinations. IATA Travel Pass is more secure and efficient than current paper processes used to manage health requirements, crucial for the scalable restart of aviation. Over 70 airlines are either trialling or committed to testing IATA Travel Pass. Trials span 151 routes across all continents of the world.
UNITED AIRLINES ORDERS 200 MORE BOEING 737 MAX JETS
Boeing [NYSE:BA] and United Airlines has announced the carrier will expand its 737 order book by purchasing an additional 200 737 MAX jets, including 150 for the largest member of the family, the 737-10 and 50 for the airplane that serves the heart of the single-aisle market, the 737-8. The new purchase positions United's fleet for growth and accelerating demand for air travel.
"Our 'United Next' vision will revolutionize the experience of flying United as we accelerate our business to meet a resurgence in air travel," said United CEO Scott Kirby. "By adding and upgrading this many aircraft so quickly with our new signature interiors, we'll combine friendly, helpful service with the best experience in the sky, all across our premier global network. At the same time, this move underscores the critical role United plays in fuelling the broader U.S. economy - we expect the addition of these new aircraft will have a significant economic impact on the communities we serve in terms of job creation, traveler spending and the shipping of goods and services."
The purchase increases United's order book for the fuel-efficient, single-aisle family to 380 airplanes, excluding 30 that have been delivered. As the launch customer for the 737-10, United placed its first order in 2017 by converting 100 737-9 orders to the larger 737-10 variant. Today's agreement also includes the purchase of Boeing 737 MAX training simulator data packages to support United's pilot training programs.
Designed and built in Renton, Washington, the 737 MAX family delivers superior efficiency, flexibility and reliability while reducing fuel use and carbon emissions by at least 14% compared to the airplanes it replaces. The 737-8 seats up to 189 passengers and can fly 3,550 nautical miles - about 600 miles farther than its predecessor - allowing airlines to offer new and more direct routes for passengers.
The largest model in the family, the 737-10 seats up to 230 passengers in a single-class configuration and can fly up to 3,300 miles. The fuel-efficient jet can cover 99% of single-aisle routes, including routes served by 757s.
"We are truly humbled by United Airlines' confidence in the people of Boeing and the airplanes we design and build every day. Our strong partnership, dating back to United's founding, has helped us grow and weather challenges through the decades. As we look forward to the recovery ahead, we are honoured that United has once again chosen the 737 family's performance, efficiency and flexibility to power their growing network. The Boeing team is excited to be building hundreds of these new jets for United and delivering on a landmark agreement that solidifies our future together for the next decades," said Stan Deal, president and CEO of Boeing Commercial Airplanes.
DELTA COUNTS DOWN TO CROATIA FLIGHT LAUNCH
Delta is counting down to the start of its new service to Dubrovnik on Friday, July 2, offering U.S. travellers more opportunities to reclaim the joy of travel this summer in one of Europe's most intriguing nations.
Croatia is the first new European country to which Delta will begin service since the start of the pandemic. Its customers are eagerly awaiting the opportunity to discover the country. The airline will operate four weekly nonstop services between Dubrovnik and New York-JFK, with departures on Wednesdays, Fridays, Saturdays and Sundays. Flights are operated in conjunction with Delta's European partners Air France, KLM and Virgin Atlantic.
"Our flights to Dubrovnik are proving popular as our U.S. customers seek new experiences now that the world is reopening for international travel," said Delta's Thomas Brandt, Manager - Regional Sales, at an event at Dubrovnik City Hall on Tuesday. "We're proud to be supporting Croatia's tourism recovery while also ensuring a safe travel environment in line with the country's requirement for proof of vaccination or a negative test for all customers before they board the flight."
Data from the World Travel and Tourism Council reports that tourism represents 25 percent of Croatia's GDP. Pre-pandemic, the number of U.S. tourists to Croatia was on the rise, with more than 550,000 visitors in 2018 - a 23 percent increase over 2017, according to the Ministry of Tourism. Meanwhile, the Croatian Bureau of Statistics reported that 10 percent of all visitors to Dubrovnik came from the U.S. in 2019, which is the second-largest source market.
"By connecting Dubrovnik, our tourist pearl and one of the world's largest cities, New York, we connect two major tourist destinations. The inaugural flight of Delta Air Lines is proof of Croatia's recognizability as a safe and desirable tourist destination," said Nikolina Brnjac, Croatian Minister of Tourism and Sports.
Brnjac highlighted Croatia's success, particularly in the Dubrovnik area, in battling the spread of COVID-19. She said that, along with high levels of vaccination among tourists, is fuelling the influx of travellers. "I believe this line will contribute to further deepening cooperation between Croatia and the United States not only through tourism but also through the overall business exchange between the two countries," she said.
Dubrovnik Mayor Mato Frankovic added, "People need to travel today more than ever before. Our openness has always been unquestionable. We would like to extend a warm welcome to Dubrovnik to Delta Air Lines, one of the leaders in the industry and the world's most�awarded airline, with the hope that this will be just the beginning of a long cooperation."
Customers flying from Croatia can connect at Delta's JFK hub to more than 30 cities across the U.S. within four hours of arrival, enabling them to reach their final destination the same day. The service also provides cargo opportunities for freight forwarders to conveniently transport goods between the nations.
"After 2020, which saw the airport quieter than it's ever been, Delta's new service from New York will help us have a more prosperous 2021 and preserve the jobs of our colleagues. It's an exciting time for Dubrovnik as we welcome Delta for the first time this weekend," said Frano Luetic, Managing Director of Dubrovnik Airport.
In line with local entry guidelines, all customers must show proof of full vaccination status, have�a�negative PCR test or proof of recent COVID-19 recovery before boarding in the U.S. While the U.S. is open to visitors from Croatia, Delta recommends that customers check entry requirements before travel. Details are available on the�Delta Discover Map�on delta.com. The airline continues to offer more flexibility than ever to plan and rebook tickets with an industry-leading travel credit extension for all tickets expiring in 2021 and all tickets purchased in 2021 through Dec. 31, 2022.
Once onboard, customers will enjoy new dining and entertainment choices onboard this summer. This includes more than 200 films, with�21 new releases�such as Academy Award� winners Nomadland, The Father and Judas and the Black Messiah. Delta's award-winning customer experience also includes�touchless technology�via the Fly Delta app and plans to deliver new�high-speed Wi-Fi.
During meal service, there is a choice of entr�e in all cabins accompanied by an appetizer and dessert in addition to a full bar selection or soft drinks. Those traveling in Delta One can also pre-order their meal choice on flights between the U.S. and Croatia.
UNITED AIRLINES ORDERS 70 AIRBUS A321NEO AIRCRAFT
United Airlines has placed an order for 70 Airbus A321neo aircraft, positioning the airline to grow its presence in the single-aisle market in alignment with its "United Next" initiative. The new order complements existing orders from United for 50 A321XLR aircraft, bringing the total commitment from the airline to 120 A321 aircraft.
"Such a significant order from a great airline like United underscores that the A321neo offers unmatched capabilities, operating economics, and passenger friendliness," said Christian Scherer, Airbus Chief Commercial Officer and Head of International. "No other aircraft can do what the A321neo can do and the Airbus team is most gratified by United's strong affirmation of its premium status. The A321neo will complement United's future A321XLR aircraft, together creating a privileged segment on its own."
Another reason the A321neo is in such high demand globally is that the aircraft provides superior environmental performance with the lowest CO2 emissions per seat in its class. The A321neo's lower carbon footprint will support United along its journey to reduce the airline's CO2 emissions 100% by 2050.
United's A321neo aircraft will feature Airbus' Airspace cabin design, which brings the following passenger-pleasing enhancements: unique welcome and customizable hero lighting (which helps reduce jet lag); new slimmer sidewall panels for extra personal space at shoulder level; better views through the windows with their redesigned bezels and completely integrated window shades; the latest full LED lighting technologies; the largest overhead bin in class; and new lavatories with hygienic touchless features and antimicrobial surfaces.
A significant number of the newly-ordered aircraft will be produced at the Airbus U.S. Manufacturing Facility in Mobile, Alabama. Globally, as of the end of May 2021, the A320neo Family had achieved 7,400 firm orders from 121 customers.
SCOOT BECOMES NEW OPERATOR OF A321NEO
Scoot, the low cost subsidiary of Singapore Airlines, has become a new operator of the A321neo, following the arrival in Singapore of its first three aircraft. All three aircraft are leased from BOC Aviation.
Scoot's A321neo aircraft are powered by Pratt & Whitney PW1100G engines and seat 236 passengers in a single class layout. The aircraft cabin is based on the Airbus Cabin Flex option which enables optimal use of space. Scoot will operate the A321neo on routes of up to six hours from Singapore.
The A321neo is a member of the A320neo Family, of which Scoot has ordered a total of 39 aircraft from Airbus (including six A321neos) and is acquiring another 10 A321neos under lease agreements.
All of Scoot's A320neo Family aircraft will be supported by Airbus Services under a Flight Hour Services Tailored Support Package covering component availability and repair, as well as fleet technical management.
The A320neo Family incorporates the latest technologies, including new generation engines and Sharklets, delivering a 20 per cent reduction in fuel consumption per seat.
At the end of May 2021, the A320neo Family had won 7,400 firm orders from over 120 customers worldwide.
QATAR AIRWAYS AND ALASKA AIRLINES TO FURTHER STRENGTHEN PARTNERSHIP
Qatar Airways codeshare partnership with Alaska Airlines secures its position as the leading international carrier to provide global connectivity to and from the U.S.
Qatar Airways' daily frequency to Alaska Airlines' key hubs of Seattle, San Francisco and double-daily Los Angeles will add hundreds of convenient travel options between both networks
Qatar Airways passengers can enjoy seamless connectivity to and from more than 150 destinations within Alaska's network across the United States, with upcoming expansion into Canada, Costa Rica, Mexico and Belize and a wide range of loyalty benefits to enhance their 5-star experience
DOHA, Qatar - Qatar Airways is proud to announce that it has signed a codeshare agreement with the newest member of oneworld, Alaska Airlines, further strengthening its position as the ideal choice for international passengers travelling to and from the United States. Qatar Airways will be Alaska Airlines only Middle East partner, providing seamless connectivity between the U.S. carrier's hubs and the Gulf carrier's global network of more than 140 destinations via the Best Airport in the Middle East, Hamad International Airport in Doha.
Starting 1 July 2021, the agreement will enable Qatar Airways passengers to book travel and easily connect to more than 150 of Alaska's routes including Portland, Las Vegas, San Diego, Phoenix, Salt Lake City, Denver, San Jose, Anchorage and Vancouver. The second phase of the agreement will allow Alaska Airlines passengers to book travel on all of Qatar Airways' flights between the U.S. and Qatar and beyond to their favourite destinations in Africa, the Middle East and South Asia.
Qatar Airways Group Chief Executive, His Excellency Mr. Akbar Al Baker said: "This is an important step in advancing our commercial cooperation with Alaska Airlines as we welcome the newest member of the oneworld alliance to Qatar Airways' list of strategic partners. This agreement, combined with our existing partnerships, will help consolidate our presence in the region and provide Qatar Airways passengers travelling to and from our 12 U.S. gateways with access to the most comprehensive network of seamless connections across the United States.
"As we expand services to Alaska's key hubs of Seattle, San Francisco and Los Angeles, we look forward to implementing the next phase of this strategic partnership and welcoming on board Alaska Airlines passengers as we connect them to our global network of over 140 destinations via the Best Airport in the Middle East, Hamad International Airport."
"We're thrilled to be a part of this evolving partnership with Qatar Airways, one of world's premier airlines," said Ben Minicucci, Alaska Air Group CEO. "As international air travel resumes, it's important to provide our guests with easier, more convenient travel options to get out and see distant places again. That's why our new codeshare agreement between our two airlines is such a big deal. Qatar's nonstop flights from our hubs in Seattle, San Francisco and Los Angeles to Doha and points beyond offers our guests tremendous opportunities to visit nearly any country they want."
As oneworld alliance partners, Qatar Airways Privilege Club and Alaska Airlines Mileage Plan members are ensured recognition of their tier status and can enjoy a wide range of benefits including access to lounges worldwide, through check-in, extra baggage allowance, priority check-in and boarding plus accrual and redemption of miles, across the partner carriers' networks.
IATA WELCOMES ROLLS-ROYCE COMMITMENT TO OPEN AFTERMARKET BEST PRACTICE
The International Air Transport Association (IATA) and Rolls-Royce plc have signed a joint statement that clarifies the engine manufacturer's ongoing commitment to an open and competitive approach to its maintenance, repair and overhaul (MRO) services.
The document was finalized after several months of productive and collaborative dialogue on industry best practice for engine MRO services.
Both organizations are aligned on four key principles that underpin the Rolls-Royce approach to the MRO ecosystem and are included in the official statement:
Rolls-Royce does not prevent the development of legitimate non-OEM parts or non-OEM repairs by MRO providers and independent parts manufacturers, as long as they are approved by the appropriate airworthiness regulator; Rolls-Royce's policy is to grant airlines, lessors and MRO providers non-discriminatory access to OEM parts, repairs and support (including access to Rolls-Royce Care); Rolls-Royce does not discriminate against airlines, lessors or MRO providers that use non-OEM parts or repairs; Rolls-Royce will not insist that airlines or lessors subscribe to Rolls-Royce services.
Among those expected to benefit are airlines, aircraft and engine lessors and organizations wishing to provide MRO services for Rolls-Royce engines.
Willie Walsh, IATA's Director General said: "This statement is timely as the post COVID-19 restart will see an acute need to repair damaged finances while operating at the highest standards of safety and reliability.
"Rolls-Royce has taken a proactive approach in working with us on this commitment that will stimulate a more open MRO industry and have a long-lasting impact in the market.
"Competition spurs innovation and creativity while typically driving down costs, helping to keep air travel affordable. We look forward to other OEMs making similar commitments."
Chris Cholerton, President Rolls-Royce Civil Aerospace, said: "We welcome this agreement that recognises our ongoing commitment to providing customers with a flexible, capable and competitive MRO offering.
"We appreciate that an open and balanced ecosystem of MRO providers allows airlines to have access to greater choice and competitive pricing."
REX SECURES TWO ADDITIONAL BOEING 737-800NGs
The two aircraft are expected to arrive in late August, increasing the 737 fleet to eight and are scheduled to enter service on Rex's domestic network in September.
Rex's Deputy Chairman, the Hon John Sharp AM, said, "It was only in November last year that we confirmed financing for Rex's foray into the domestic market and within six months we have already obtained approval for the jet operations on our Air Operator's Certificate (AOC), recruited and trained crews and engineers, procured six aircraft and started operations on five domestic routes, with the first services commencing on 1 March 2021.
"Rex's ability to manage all of these challenges successfully and in such a short period of time is unparalleled in Australia and is a testament to Rex's remarkable efficiency. Rex's two-decade track record has shown that Australians can look forward to safe, reliable services at affordable fares, delivered with Rex's trademark country hospitality. Consequently, Australians now do not have to choose between full service at inflated prices and poor and unreliable services at lower prices".
Rex currently operates 737 services from Melbourne to Sydney, Gold Coast, Adelaide, Canberra and from Sydney to Gold Coast. The two additional aircraft will provide Rex with the ability to launch new routes to other capital cities, large regional centres and popular leisure destinations. The new routes will be announced shortly.
"We hope to lease another two aircraft to take our fleet size to 10 before the end of this year as foreshadowed in our plan announced last September. Rex invites expressions of interest (EOI) from lessors for these two aircraft as well as from cities that are keen to finally put an end to the price gouging they have been subject to for too long," Mr Sharp said.
Rex is Australia's largest independent regional and domestic airline operating a fleet of 60 Saab 340 and six Boeing 737-800NG aircraft to 61 destinations throughout all states in Australia. In addition to the airline Rex, the Rex Group comprises wholly owned subsidiaries Pel-Air Aviation (air freight, aeromedical and charter operator) and the two pilot academies, Australian Airline Pilot Academy in Wagga Wagga and Ballarat.
THREE AIRBUS A320NEO TO JOIN THE BRUSSELS AIRLINES FLEET IN 2023
The Lufthansa Group Executive Board and the Board of Directors of SN Airholding have authorised the allocation of three Airbus A320neo to Brussels Airlines. With these new state-of-the-art aircraft, Belgium's home carrier makes an essential step in the further modernisation of the airline's fleet and herewith significantly lowers the CO2- and noise-emissions on its medium-haul network. It's the very first time in the history of Brussels Airlines, that the company will phase in brand new aircraft, coming right from the manufacturer.
"As a responsible airline with ambitious sustainability targets, it's crucial for us to continue our path of further modernizing our fleet. Thanks to our mother company Lufthansa, we are for the very first time in our 19 year-long history able to replace older A319 Airbus by three modern and fuel-efficient aircraft that will leave the Airbus factory by summer 2023. Compared to our A319 aircraft, the three A320neo will allow a noise contour reduction of 50% and reduce fuel use and CO2-emissions by 11% per flight. Thanks to the higher seating capacity of this ultra-modern Airbus, the fuel use and CO2 emissions per seat decrease with 30%".
In comparison to the to be phased out A319 aircraft, the Airbus A320neo burns in average 11% less fuel and reduces noise emissions by 50%. Thanks to a significantly higher seating capacity (+27%), the fuel use per seat reduces by 30%. Compared to an A320ceo (current engine option), the brand-new model uses 16% less fuel for the same seating capacity and thus reduces the CO2 emissions by 16%.
Brussels Airlines counts currently 38 aircraft in its overall fleet, of which eight long-haul aircraft of the type Airbus A330 and 30 medium-haul aircraft (16 A320 and 14 A319).
Aviation Economy
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Electricians are constantly on the road, moving from one customer to the next, and this exposes them to heightened levels of risk with their cars. No matter how careful you are, you'll want full protection against accidents while driving your car. Having a greenslip is compulsory for all drivers in Australia, but for an electrician, it's part of their very job.
What electricians don't want to be doing is spending a great deal on those greenslips. It's likely that they'll also get comprehensive coverage policies to protect their livelihood, making the greenslip essential, but largely redundant. What electricians want in their greenslips is something inexpensive and efficient to obtain, allowing them to get on with their work.
Discount Greenslips is a specialist in the provision of greenships for electricians. Through our easy online portal we make the application process seamless and inexpensive to get an electrician greenslip. We also offer a range of services to make sure that you know that a greenslip is up for renewal, so you never find yourself caught out an uninsured, as each day that an electrician is off the road is a day of lost income.
Questions? If you have any questions about what greenslips for electricians look like, or the process to get them, contact our friendly team for more information. Though we aim to keep the prices for insurance policies to an absolute minimum, we also offer our customers a complete service and support, so that they can be sure that the policies that they are getting are the right ones for their needs.
So please, contact us today on XXXX for any of your enquiries around greenslips for electricians. We provide policies for a large number of electricians all around the state, and would be happy to help in any way we can. | {
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Inspired from the age old saree drape, we have given it an Aapro twist by converting it into a skirt. Made in hand block printed flowers on cotton rayon, is highlighted with gotta work at hem. Teamed up with a shirt style top in contrasting colour just adds more to the look. Unlike a saree it is easily wearable and comfortable. Wear it with strappy heels and be the head turner in the occasion. | {
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Working on Oracle GoldenGate can be an interesting adventure. In such a case, I have been doing some migration work for a client. Half way though the migration, the target system ran out of resources need to create the tablespaces and store files export and trail files (i.e. disk space and a story for another time). The impact to the migration was that everything had to stop until resources were allocated.
Part of the allocation of resources was to change the mount point name. If you know anything about Oracle GoldenGate Replicats, using a static mount point is not the best approach (slipped my mind at the time); however, I made this mistake. When the mount point name changed, all the replicats broke because they couldn't locate the trail files where specified.
As you can see the replicat is looking for the "ra" trail files on the "/orabackup" mount point.
During the allocation of space the mount point "/orabackup" was changed to "/orabkup". How does this affect the replicat? Simple, the replicat will through an OGG-01091 error stating that it coudn't find the trail file.
ERROR OGG-01091 Unable to open file "/orabackup/ggate/trail/ars/ra000000" (error 2, No such file or directory).
The solution to fixing this problem is to capture the last CSN number from the Checkpoint table.
Once the last completed CSN has been identified, then the replicat can be dropped, recreated with the new path to the trail file.
When setting up locations for your trail files make sure they are not static locations. Realitve locations should be used. In most Oracle GoldenGate architectures the "dirdat" directory under $OGG_HOME is used for trails files; however, if you need more space for trail files the "dirdat" directory can be linked to a directory on a larger mount point. This will keep the replicat consistant for trail file purposes and make it easier to manage the names of the mount point if the static name changes. | {
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Less Soft may not be the apt name for a liquid soap /shampoo packaging, but the purpose behind the re-design is apt! The idea is to use a packaging that is eco-friendly and can adopt variations in skin, so that it becomes easy to distinguish between soap and shampoo when we are all lathered up! The material used to make the bottle is "self-resolved corn starch vinyl", and has suction cups to stick the bottle to the wall. I dig the fish-shape the bottle takes,which is prominent when hung.
Previous articleNo More Tape And Scissors!
The suction cups will never hold the weight of the soap. Imagin what would happen when you sqeeze.
And I agree that it doesn't look refillable.
Corn pastic is not ecological, it uses a large amount of water and energy to be produced and it cannot be recycled like common plastics. Besides I would surely be for eco-frendly if it was refillable.
How many does it cost? This packaging?
Where are these bottles produced?
I want to know If I could Buy some samples of this soap dispenser.
I would like to purchase. please contact me. | {
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HomeZ_World News2020 US PRESIDENTIAL ELECTIONS: Trump winces as Bloomberg lays down the guantlet.
2020 US Presidential Elections Trump Z_Top Posts Z_World News
2020 US PRESIDENTIAL ELECTIONS: Trump winces as Bloomberg lays down the guantlet.
GEO´ IntelDesk Monday, November 25, 2019 0
So Michael Bloomberg has officially announced he is standing to be the Democratic Party
presidential nominee. In a statement, the 77-year-old said he was standing "to defeat Donald Trump and rebuild America". "The stakes could not be higher. We must win this election," Mr Bloomberg wrote.
He joins 17 other candidates vying for the Democratic nomination to take on Mr Trump in 2020. As things stand, former Vice-President Joe Biden, Senators Elizabeth Warren and Bernie Sanders are the party's front-runners.
But lets concentrate on the two main contenders - Trump and Bloomberg! Both Behemoths on the World stage.
Michael Rubens Bloomberg, born February 14, 1942 is an American politician, businessman, and author. As of November 2019, his net worth was estimated at $58
billion, making him the 9th richest person in the United States and the 14th richest person in the world. He has joined The Giving Pledge, whereby billionaires pledge to give away at least half of their wealth. To date, Bloomberg has given away $8.2 billion, including his $1.8 billion gift in 2018
to Johns Hopkins University for student aid—the largest private donation ever made to a higher education institution.
Meanwhile Donald Trump Donald John Trump was born June 14, 1946, he is the 45th and current
president of the United States. Before entering politics, he was a businessman and television
Trump was born and raised in the New York City borough of Queens, and received a B.S. degree
in economics from the Wharton School at the University of Pennsylvania. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He owned the Miss Universe and Miss USA beauty pageants from 1996 to 2015, and produced and hosted The Apprentice, a reality television show, from 2003 to 2015. Forbes estimates his net worth to be $3.1 billion.
They are both billionaires, they both have a tower block in New York and they are both in their seventies - but that is where the similarities end for incumbent US President Donald Trump (73) and 2020 Presidential candidate Michael Bloomberg (77).
Trump defeated 16 other candidates in the primaries and won the 2016 presidential race as a Republican in an election American intelligence agencies unanimously concluded was marked
by Russian interference. Trump has disputed these claims, promoting the conspiracy theory that Russia was framed by Ukraine's government with the help of the company CrowdStrike. His political positions have been described as populist, protectionist, and nationalist. He was elected in a surprise victory over Democratic nominee Hillary Clinton, although he lost the popular vote.
He became the oldest first-term U.S. president,[d] and the first one without prior military or government service. His election and policies have sparked numerous protests. Trump has made many false or misleading statements during his campaign and presidency. The statements have been documented by fact-checkers, and the media have widely described the phenomenon as unprecedented in American politics. Many of his comments and actions have also been characterized as racially charged or racist.
Bloomberg served as the 108th mayor of New York City, holding office for three consecutive terms, beginning his first in 2001. A lifelong Democrat before seeking elective office, Bloomberg switched his party registration in 2001 to run for mayor as a Republican. He defeated opponent Mark J. Green in a close election held just weeks after the September 11 terrorist attacks. He won a second term in 2005, and left the Republican Party two years later. Bloomberg campaigned to change the city's
term limits law, and was elected to his third term in 2009 as an independent on the Republican ballot line.
Bloomberg was frequently mentioned as a possible centrist candidate for the presidential elections in 2008, and 2012, as well as for governor of New York in 2010. He declined to seek either office, opting to continue serving as the mayor of New York City. His final term as mayor ended on December 31, 2013.
In a statement Bloomberg said: "Now, we've heard a lot of talk in this campaign about needing a leader who understands business. I couldn't agree more. I've built a business and I didn't start it with a million-dollar check from my father. Because of my success in the private sector, I had the chance to run America's largest city for 12 years, governing in the wake of its greatest tragedy."
After a brief stint as a full-time philanthropist, Bloomberg re-assumed the position of CEO at Bloomberg L.P. by the end of 2014. There was widespread speculation that he would run as a third-party candidate in the 2016 presidential election, though he chose not to run, later endorsing Democratic nominee Hillary Clinton for president. In October 2018, Bloomberg changed his political party affiliation back to the Democrats. He announced on November 24, 2019, that he was seeking that party's nomination in the 2020 presidential election.
Bloomberg, the former three-term mayor of Trump's native New York City, is both very rich and very famous. The media empire Bloomberg built has built has pushed his net worth to more $51 billion, making him the 8th richest person in America, according to Forbes. (Trump is 275th on that list, with an estimated net worth of $3.1 billion.) Bloomberg's philanthropy and spending on political causes close to his heart (gun control, climate crisis, soda, himself) has made him a national figure of some renown.
All of which makes him a lot like Trump - except Richer!
Editors Note - Donald Trump will obsess over Michael Bloomberg - Donald Trump has a very simple view on the world: The richer and more famous you are, the better. Which is why the President is virtually certain to fixate on the likely presidential candidacy of the former New York City Mayor Michael Bloomberg. Yours Aye IF
By: Iain Fraser - Consultant Editor
Málaga Press & Technology Centre | {
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Budapest is famous for its nightlife. You will find restaurant and casinos en mass and the illuminated city by night is one of the free attractions in the Hungarian capital.
Budapest is furthermore blessed with impressing old buildings, making it well worth while doing a walking tour through Budapest's historic Jewish Quarter or explore the prominent Art Nouveau architecture on a 3-hour walking tour led by a professional art historian guide.
You will find various sightseeing tours of Budapest, when you browse through your options to the right. If you have the time take a day trip - or even better a multi-day trip to the countryside in Hungary. | {
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HomeEducationDenmark Vikings History & Viking Ship Museum Roskilde
Denmark Vikings History & Viking Ship Museum Roskilde
Josh - Denmark.net Education
In certain parts of Denmark, people can still have a closer look at landmarks such as burial sites and artifacts including the famous long boat of the Denmark Vikings.
1 The History of Denmark Vikings
2 Denmark Vikings Culture
3 Danish Viking Helmets
4 Denmark Vikings Ships
5 The Denmark Vikings Chronicles
6 Visiting Viking ship museum Roskilde & more
7 International Denmark Vikings Markets
8 Viking festivals
9 Roskilde Walk with Vikings & Kings
11 Related articles
It's well-known that Denmark is known as the Viking country. It's here where you can still experience what it was like during the Viking period.
The History of Denmark Vikings
denmark_vikings_history
The Danish Viking age is from 800 to 1050 AD. The Viking attack on the East coast of England is considered as beginning of the Viking age in 793. Viking ships landed and Denmark Vikings stormed the Lindisfarne Monastery and plundered the church.
During the following three hundred years, the Denmark Vikings played a prominent part in many important events in Europe. In their open square rigged vessels the Denmark Vikings plied the coastal waters of Europe. The word Viking is seen on several contemporary Scandinavian runic stones, probably in the context of "battle at sea".
The Danish Vikings went on raids and trading expeditions down the European coast. They went to England and Ireland and around the Baltic Sea. The capital of today's Estonia is called Tallinn, which means "Town of the Danes".
They sailed:
down the French coast
around Portugal and Spain
through the Gibraltar Straight into the Mediterranean Sea
and along the Northern coast as far east as Constantinople
Constantinople, today's Istanbul, the capital of the East Roman empire at the time.
Denmark Vikings Culture
viking_culture
The Viking culture was influenced by the difficult living conditions dictated by nature and the competition between Viking tribes. Apart from being known as warriors, the Denmark Vikings were highly skilled traders. They had trade connections around most of their known world.
Vikings were often invited to settle where they came to let the local community benefit from their trade skills. Vikings had a strong sense of honor and competitiveness. Death was not important to the individual.
His reputation and the reputation of his family was all-important and everything. Happiness was to have other Danish Vikings remember the Viking's and his family's name forever. After his death because of his deeds.
Danish Viking Helmets
viking_warrior
Viking helmets were made of iron and was in the shape of a rounded or peaked cap made from four plates. The only found Viking helmet has a rounded cap with no horns on top. And has a guard around the eyes and nose, in addition to a possible mail aventail.
From runestones and other illustrations it is known that the Denmark Vikings also wore simpler helmets. Often peaked caps with a simple noseguard. Unlike what is often shown in popular culture, there are no sources that prove that Viking helmets had horns mounted on them.
Denmark Vikings Ships
the Vikings were known to have traveled on ships called Dragon Ships with a distinctive dragon head or circular object at the front and back. Their ships were of different sizes. The knarr which is German for ships was used for transporting cargoes weighing up to 24 tons. The smaller ones were called karves used to transport people as well as livestock and goods.
Travelling on Scandinavian mainland was difficult because of the vast forests that covered it. The Denmark Vikings overcame this by building great ships. The Vikings used the seas and rivers as their highways. They put their towns, markets and fortresses near water, giving them easy access to the sea.
denmark_viking_ships
Reconstructions of Viking ships today have demonstrated something interesting. The Viking ship was as or even more seaworthy and easy maneuverable than the last sailing ships that were in use before steam powered boats took over from sail ships in the 20th century.
To see remains of this traditional Scandinavian boat the Viking Ship Museum in Roskilde, Denmark is the place to go. There you can see how it's made. You can even try riding on one of these ships from the viking museum Denmark harbor on Roskilde Fjord. And practice your rowing skills.
The Denmark Vikings Chronicles
The summer season is an ideal time to experience The Viking Chronicles. This is a theatrical performance that reenacts the journey of the Danish Vikings in the olden days. It's normally being held at an open-air amphitheater in Jels. This has been going on since the year 1977 and it even features the very popular Viking long boat on the Jels lake.
This unique performance involves spectacular scenes including sword fights as well as colorful costumes. The amphitheater where the play is enacted has been in existence since the 1950s. It can accommodate some 1,500 people in one performance.
The Viking Age is from the late 8th to the mid-11th century. It is considered a major part of the medieval history of several areas in Europe notably Scandinavia to include Denmark, Norway and Sweden, Britain and Ireland.
Visiting Viking ship museum Roskilde & more
viking_ship_museum
The Denmark Vikings were referred to as warriors, merchants and pirates who sailed on their unique boats. They raided, traded and settled in a large part of Europe.
If you'd like to explore more Viking sites across Denmark, here are some you can visit:
the Viking Ship Museum in Roskilde
the Ribe Viking Center
the National Museum in Copenhagen
the Jelling Stones in Jutland
Trelleborg in Seland
Ladby Ship in Funen and
Lindholm Hoje in North Jutland.
And while you're anywhere near Aarhus in Denmark, it might be a good idea to check out the Moesgaard Beach for the Viking Moot or Fair. Each year in July, hundreds of warriors from other parts of Europe as well as local residents come to this place.
They are watching the spectacular fights with warriors saddled up on their horses. And all geared up in their Viking war suits and equipment. The reenactments of the battles and the horse shows are the fair's main attraction.
Sail with Denmark's Viking Ship Museum in Roskilde
viking_axe
The Viking Ship Museum located at Roskilde is one very unique attraction of Denmark. It is the Danish National Museum for ships, seafaring, and boatbuilding. Particularly those associated with the prehistoric and medieval periods.
The oldest part of the Roskilde viking museum which is the Viking Ship Hall, opened in 1969 to feature five Viking ships found at Skuldelev. These ships are believed to have been deliberately sunk to form a blockage. That was intended to protect Roskilde from enemy attack attempted from the sea.
These ships serving various purposes such as cargo or war facilities were excavated in 1962. They were soon joined by other discovered ships which gave way for the expansion of the Roskilde viking museum. A 36-meter long Viking warship is one of the most popular finds housed in this museum.
There are many activities offered to viking museum Denmark visitors to ensure that they get to enjoy the Viking Ship Museum Roskilde facilities. Rides in traditional Nordic boats are available. There are all passengers asked to do sailor work like rowing, setting the sail, and manning the rudder.
An experienced sailing instructor takes charge of leading each boat. All children must be accompanied by adults. Although those aged below 4 years are not allowed to go on board.
The Boat Builder Workshop held at the boatyard of the museum allows visitors to try their Viking tools skills. Also weaving willow, or cutting their own wooden designs. Special activities like "Meet the Craftsman" offer opportunities to see real blacksmiths and woodcarvers showing their extraordinary skills.
It is worth noting that all maritime archaeological finds in Denmark are collected in the viking museum Denmark archives.
Viking Ship Museum Opening Hours
Days Opening hours
Monday – Sunday 10:00 – 17:00
viking ship museum
Ladby Ship in Funen
Next stop are the Viking monuments. In Funen, you can check out the Ladby ship which served as a ship burial in the 19th and 10 centuries. This is the only ship of its kind found in Denmark specifically on Funen island's Kerteminde.
Another monument worth visiting is the Glavendrup Stone Ship setting also on Funen. There you will get to see the runic stone dating back to the 10th century. The runic stone here features the longest text (210 characters) on such a stone found in Denmark.
Lindholm Hoje in North Jutland
For the largest Viking burial site in Denmark, you have to visit the Lindholm Mound in Aalborg. Here you will find more than 700 burial and cremation sites that date back from 400 to 1000 A.D. and are marked by stone settings of various shapes.
International Denmark Vikings Markets
viking_markets
The Viking Moot is said to be Denmark's oldest Viking Market.
One of the most popular Denmark events in Aarhus, the annual Viking festival takes place on the last weekend of July. What's notable about the festival aside from drawing in an average of 20,000 visitors yearly is that it also attracts historic groups from all over Europe.
Historic groups who come to Aarhus and participate in the re-creation of epic battles and stories from ages past.
The Viking Center
If you are into Denmark Vikings, you might want to check out the International Viking Market Denmark in the Vikinge Center in Ribe.
Ribe is a Danish town in southwest Jutland. This is an event where you can have the ultimate Viking experience. More than 500 Vikings from all over Europe flock to this event.
You will be amazed by the authenticity of the market atmosphere. It takes you back to what it would have been like in Ribe 1300 years ago. You will feel like you traveled back in time.
What can you see at the Viking Center?
People can see how the Danish Vikings lived and worked. There will be a wide variety of stalls where a good trade can be done at the marketplace.
To make things even more exciting, there are:
battle re-enactments
and archery displays scheduled on those days
People can also see how the Denmark Vikings create their arts and crafts. They can find out how to weave and how jewelry, glass beads, leather pouches, shoes are made.
Also, people can see how clothes, pottery, wooden objects, drinking horns, helmets and toys for the young Danish Vikings are made. They can even see blacksmiths make arrowheads and knives. It is a remarkable experience.
Not only that, they can also gaze upon the simplest and finest kitchens. They can see where Denmark Vikings cooked their food over fired, baked flat bread. And cook porridge and soup in large, block pots. As they go around, they can also listen to the merry sounds of the musicians who will surely catch their attention.
Viking horses
viking_horse
What's more, a Viking Village is nothing without its horses. So people can also meet Viking's horses and the Icelandic horse at the Viking's market. They can even see a tough little race where all five differently paced horses take part in during the riding displays.
The Viking Age in Denmark's history is a glorious period that has greatly shaped the country's culture. Much has been written about it. And all around the country are preserved evidences of the sea-faring traditions of these people. Along with historic groups that continue to promote their legacies.
Visiting a world-class museum Moesgaard
Since the 1970s, Moesgaard has become a place where authentic Viking wares are being displayed courtesy of the Moesgaard Museum.
Some items such as clothing, silver jewels and homemade Danish food are also sold during the fair.
viking_ships
Definitely a colorful and entertaining part of Denmark's culture are the many local festivals that pay homage to the Viking way of living and their legendary exploits at sea.
Here are a few of the most popular ones.
Vikingespil
The town of Frederikssund comes especially alive with Viking spirit around the late part of June to the early weeks of July. During the festival, over 250 volunteers don Viking costumes and perform in a series of plays. Also, in musical performances about the Denmark Vikings.
The event is made more fun with the Viking Market Denmark where stalls bearing food, drinks and souvenirs can be found.
Trelleborg Viking Festival
The Viking fortress of Telleborg is another site for an annual Viking Festival that takes place during the summer. Aside from re-creating battles, there are also demonstrations and hands-on training on certain Viking practices. Such as warrior training, manufacture of pottery and glass beads as well as forging of weapons.
Roskilde Walk with Vikings & Kings
viking_life
Roskilde is located a mere 20 miles from Copenhagen and it's a must visit for anyone interested in Danish history, (both Christian and pre-Christian).
This is the place where two distinct facets of Danish history collide. In Roskilde, you can walk with both Vikings and kings.
Getting there is a breeze. With a car it is a very simple drive, on well-marked and maintained highways. Without, the journey takes 30-minutes on the train from Copenhagen central. Getting from Copenhagen to Roskilde and back will not take more than an hour or cost more than $15.
It is an absolute travesty that more tourists in Denmark do not venture out of the city limits to see what ancient Denmark was like. That's exactly what Roskilde's two main attractions offer, authenticity. Both the Viking Ship Museum Roskilde and Roskilde Cathedral do not try to take visitors back in time but instead bring history into the present.
Walking with Denmark Vikings at Viking Ship Museum
At the Viking Ship Museum Roskilde, a guest will first be greeted with a spectacular view of the surrounding bay. It is this feature that drew some of the first Vikings to Roskilde.
The bay was deep enough for their ships and had a very narrow inlet that was easily defended. The Viking Ship Museum puts visitors literally out on that same bay. Inside it is filled with Viking artifacts, stories, and most importantly, their ships.
Discovered and raised in 1962, scholars believe the Danish Vikings purposefully scuttled these ships to block the inlet from an invading horde. Through tireless preservation efforts the boats have been reconditioned and given a new home.
The accompanying Roskilde viking museum Denmark was completed in 1969, and the ships were moved to their current resting places. What is so amazing about the Viking Ship Museum Roskilde is that it is not simply a dull place where memories are housed. It is a living organ constantly restoring and recovering artifacts, while simultaneously creating new experiences that connect the visitor to an era long since passed.
Outside the main building, there is a small dock where enthusiasts have moored their recreations. Here you can see the ships in action, still sailing in good order unlike their indoor predecessors. Contemporary Vikings still make yearly open-sea voyages on these vessels, but do not partake in the infamous extra curricular activities of their Viking ancestors.
viking_festival
Perhaps somewhat ironically, the Viking Ship Museum offers a lot of hands on activities for kids in Denmark. Including rope making classes, a smith's workshop, and short Viking voyages. They have a recreation of a Viking camp sure to entertain and encourage a young imagination.
The Viking Ship Museum is not an old stuffy collection of rotted wood. It is an inspiration to dream big. Despite their obvious shortcomings (they were a people of precipitous violence), the Denmark Vikings navigated great expanses of open sea and discovered vast new lands, at the time, never before visited by Europeans.
While many of the Conquistadors are viewed as heroes of the Enlightenment, Danish Vikings are often seen as the worst of the Medieval. I think this reputation is unfair, but a visit to the Viking Ship Museum is enough for you to make up your own mind.
Walking with Kings at Roskilde Cathedral
At Roskilde Cathedral, admittedly you will not find the same hands-on spirit. However, there are spirits of a different kind. Roskilde Cathedral is the resting place of the Danish Royal family.
Built in the 12th Century, Roskilde Cathedral is the first Gothic Cathedral built from brick. The cathedral is located atop the highest hill in Roskilde. And provides the striking contrast between the sea-foam green rusted copper roof and the deep sienna of the fired red clay.
The front portal to the cathedral is a haunting abstract copper molding by Peter Brandes. Completed in 2010, the portal shows how Danes are not slaves to the past and are always looking to not only preserve but also improve.
Upon entrance, the truly remarkable scale greets the visitor. Buildings this big aren't supposed to be made of brick. As the tour continues, the guest is met with original artwork, and murals. Each chapel was created to house the deceased members of Europe's oldest continuous royal line.
They each have their own style depending on the personality of those interred. The sarcophagi give the guest an eerie look at the lifestyle of some of Denmark's most powerful people. Whether it's the larger than life Christian IV, or the extremely humble resting place of Christian X , Roskilde Cathedral can give you a unique glimpse of Danish history.
Don't know the first thing about Danish royalty, this is the best place to start. A guided tour here will give you all the background needed for visits to all of Denmark's famous castles. Consider it the Danish version of Westminster Abbey, and enjoy the truly epic breadth of Denmark's monarchy.
So from Vikings to Kings, Roskilde has the entire history of Denmark completely covered. The noise and activity of the Viking Ship Museum Roskilde and the quiet respect of Roskilde Cathedral illustrates the transformation of Danish society.
Slowly the wild nomadic Denmark Vikings gave way to the religious agrarianism of the Middle Ages. Today's Danes seek to strike a balance between the two extremes. Providing for the less fortunate while still keeping the spirit of radical freedom alive. Both the Viking Ship Museum and Roskilde Cathedral show that Danish history is ever evolving and far from complete.
Where to Go for a Viking Tour?
One of the best places to visit are The Viking Center in Ribe and Viking Ship Museum in Roskilde.
Where are vikings from?
Originally, Vikings are from southern Scandinavia (Denmark, Norway and Sweden).
When was the viking period?
The viking period was from from the late 8th to the mid-11th century. According to some experts, more precisely from 800 to 1050 AD.
Did Denmark have vikings?
Yes, vikings were people that lived in what today is Denmark, Norway and Sweden. They were shipbuilders and sailors, so they were almost everywhere from Greenland and North America to Constantinople and all over Mediterranean Sea.
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Q: Spark object not serializable Regex MatchIterator I'm super new to scala and trying to write a little spark streaming program where lines of a text file come in, they're stripped of any non alphanumeric characters and then mapped, reduced and printed out.
I've written the code below and am running it using the following command:
spark-submit --classgroup.WordCount --master yarn --deploy-mode client bdpAssignmentFour.jar hdfs:///user/s3797303'
import org.apache.spark.SparkConf
import org.apache.spark.streaming.{Seconds, StreamingContext}
object WordCount {
def main(args: Array[String]): Unit = {
val sconf = new SparkConf().setAppName("SparkWordCount")
val ssc = new StreamingContext(sconf, Seconds(5))
val pat = "^[a-zA-Z0-9]*$".r
val lines = ssc.textFileStream(args(0))
val lines_map = lines.map(line => pat.findAllIn(line))
lines_map.print()
val wordCounts = lines_map.map((_, 1)).reduceByKey(_ + _)
wordCounts.print()
ssc.start()
ssc.awaitTermination()
}
}
This seems to being to run just find but then returns an error about the following line: val lines_map = lines.map(line => pat.findAllIn(line))
The error it gives reads as follows: object not serializable (class: scala.util.matching.Regex$MatchIterator, value: empty iterator
What can I do to make the object serializable and hopefully end up with some code that runs?
A: Quick fix:
*
*put the pat value inline: lines.map(line => "...".r.findAllIn(line))
*or move it inside an object outside of your existing method and object
You won't be able to make the regex serializable, your goal is to move it in a place where Spark won't need to serialize it.
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Airport Facilities
In & Around Cebu
Business with MCIA
Airline Marketing & Route Development
MCIA serves 5.76 million passengers in first half of 2018
The Mactan-Cebu International Airport (MCIA) handled 5.76 million passengers for the first half of this year, a 12.50% year-on-year increase compared to 5.12 million in 2017. At the same time, air traffic movement also grew 12.86% year-on-year to 49,843 flights this year from 44,165 flights last year.
From January to June, MCIA recorded 3.87 million domestic passengers while international traffic totalled 1.89 million passengers. Domestic and international passenger traffic increased by 10.19% and 17.54%, respectively.
Peak domestic passenger traffic was recorded in May with 760,000 passengers, while international traffic peaked during the months of January, February, May, and June with a monthly average of 320,000 passengers.
MCIA recorded a total of 37,720 domestic flights, up 12.25% from 33,603 in 2017. Meanwhile, international flights hit a 14.78% increase to 12,123 flights from 10,562 of last year's first half. Peak air traffic movement was recorded in the month of May with 6,642 domestic flights and 2,101 international flights.
"We closed the mid-year with a remarkable performance and we are positive to hit the projected 11.2 million passenger traffic this year especially now that we have opened Terminal 2," said GMCAC President Louie Ferrer.
Spanning 65,500 square meters, the newly-opened Terminal 2 is dedicated to serve international flights and can accommodate 4.5 million passengers. The new facility increased MCIA's current passenger capacity to a minimum of 12.5 million passengers per annum.
There was also robust development at MCIA in terms of connectivity as both local and foreign carriers increased their flight frequencies and mounted more flights out of Cebu. According to Mr. Ferrer, this remarkable growth is due to GMCAC's initiatives to add more connections to local regions in the country and to other Southeast Asian destinations.
Philippines Air Asia launched three new routes out of MCIA to Chinese destinations-- Hangzhou, Shenzhen, and Shanghai. Meanwhile, it added a thrice-weekly flight to Clark in May.
Philippine Airlines subsidiary, PAL Express, resumed PAL's Cebu-Chengdu service in May 8 and mounted charter flights to Hangzhou and Nanjing in July.
Cebu Pacific has started charter services as well to two Chinese destinations namely, Shanghai and Beijing with 3 and 2 weekly flights, respectively.
Meanwhile, other foreign carriers also mounted new routes from Cebu Airport including Beijing-based airline Okay Airways which kicked off its Cebu-Changsa-Cebu last June 10 with its thrice weekly flights.
China Eastern Airlines upgraded its Cebu-Shanghai service from an A320 to the wide-body A330 aircraft starting this month. The A333 (33E) aircraft has a capacity of 29 Business class and 203 Economy seats, while the 33L aircraft that they are using offers 31 Business class, 32 Premium Economy, and 229 Economy seats.
Royal Air Charter Service, Inc., the newest addition to the airlines operating at the Mactan-Cebu Airport, commenced its non-scheduled, daily charter services from Cebu to Macau starting June 20.
Ferrer explained that the increase in flight frequencies and the addition of new routes especially to China manifests that there is a growing demand from the Chinese market for alternative travel destination and "Cebu has become that top choice for them."
"With the opening of MCIA's newest passenger terminal building or Terminal 2 on July 1, GMCAC remains committed to its goal of making Mactan Cebu Airport as the major transfer hub in Southeast Asia. We aggressively promote Cebu as a premium destination in the Philippines and proactively support other agencies that share the same vision".
Destination Marketing Initiatives
Early this month, GMCAC partnered with the Department of Tourism and the Department of Foreign Affairs in welcoming about 300 Filipino-Americans who participated in the 12th Ambassador's Tour. Led by Consul General of the Philippine Consulate in Los Angeles Adelio Angelito Cruz, the guests were treated to a warm welcome in Cebu Airport with a rondalla and sweet treats as they commenced their 5-day tour in Cebu and Bohol.
In May, GMCAC supported the mega familiarization tour of top European operators held in Makati City. Organized by the Tourism Promotions Board, this famtour brought together major travel and tour operators from different European countries such as United Kingdom, Spain, Italy, and Turkey to the Philippines. GMCAC Chief Executive Advisor Andrew Harrisson, in his presentation at the said event, highlighted Cebu as a key destination that will be attractive and marketable to Europeans in terms of travel, leisure, and business.
Aside from its marketing initiatives targeting North America and Europe, GMCAC also organized sales missions in key provinces in the Visayas and Mindanao early this year. GMCAC and participating airlines such as Air Swift, Cebu Pacific, Philippine Airlines, Air Asia, Cathay Pacific, China Eastern, Emirates, and Eva Air promoted their services via Cebu highlighting MCIA as a convenient transfer hub to other local and international destinations.
"We constantly explore new markets that have a potential to expand the connectivity of Cebu to other countries particularly North America, Europe, Australia, and other Asian countries," said Ferrer.
Considered as the central gateway to the Visayas and Southern Philippines, MCIA is the second largest airport hub in the country. With a total of 23 international destinations, 33 domestic destinations and with 26 partner airline carriers, the Mactan-Cebu Airport is no longer just a secondary airport but a primary gateway that connects Cebu to the rest of the Philippines and to the world.
Corporate Affairs Officer
GMR Megawide Cebu Airport Corporation
Mactan Cebu International Airport, Pusok
Lapu-Lapu City, Cebu - 6016, Philippines
T: (032) 494-9000, (032) 494-5314
Terminal Information
Airport Policies
Copyright ©2018 GMR Megawide. All Rights Reserved. | {
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Forums › NAB Show › 2021 NAB Show October 9–13, 2021 in Las Vegas
2021 NAB Show October 9–13, 2021 in Las Vegas
Ralph Hajik updated 8 months, 1 week ago 1 Member · 1 Post
Ralph Hajik
Registration is open for the 2021 NAB Show, the premier convention for broadcasters and the broader media, entertainment and technology industries, taking place October 9–13, 2021 in Las Vegas. NAB Show co-located events, including Radio Show and NAB's Sales and Management Television Exchange (SMTE), have also launched registration.
SMTE, October 8–9, is the industry's only national conference focused on innovative revenue-generating strategies for small and medium market television stations and kicks off one day prior to the start of NAB Show. The Radio Show, October 13–14, co-produced by the Radio Advertising Bureau, offers comprehensive sessions, networking opportunities and technology presentations for the audio community to explore all aspects of radio, podcasting and streaming.
All NAB Show and co-located event registrants receive access to the NAB Show floor, open October 10–13, as well as all-access NAB Show Main Stage sessions and special events.
"We look forward to delivering the first live, major domestic industry event following a long hiatus for all events," said Chris Brown, NAB executive vice president and managing director, Global Connections and Events. "NAB Show represents a significant annual business catalyst for the media industry, which is eager to get back to doing business face-to-face, according to recent trade show attendee research. With momentum building toward the show in October, we continue to prioritize health and safety with a sound plan in place to deliver a safe experience for our community."
Multiple registration packages and tiered options allow attendees to personalize their conference experience, access new content and product demonstrations and network across communities. Dual-site sessions, such as the previously announced partnership with SCTE·ISBE Cable-Tec Expo, increase flexibility as attendees return to in-person events.
NAB Show, Radio Show, SMTE and associated event registration packages are available here. | {
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Go Read This 2-Part Post on Glasstire about Rigoberto Gonzalez
Rigoberto Gonzalez, The Zetas Cartel Beheading Their Rivals (Se Los Cargo La Chingada), Oil on linen, 7' x 7'
I always read Glasstire and use it as a resource (they have the best art listings--totally crucial for me). And I want to point people to good writing about local art. After all, we have less and less of that here as time goes on. So if you aren't already reading Glasstire, do so. And in any case, read this spectacular 2-part piece on Harlingen-based painter, Rigoberto Gonzalez, who has a provocative (if poorly lit) show up currently at the Art League. What I like about it is that even though author Sarah Frisch interviewed Gonzalez, she doesn't merely depend on the interview--she approaches the artist and his art from multiple angles. Her writing is personal, but as the article goes on, she cedes more and more ground to Gonzalez. You can read part 1 here and part 2 here.
Labels: Glasstire, painting, Rigoberto Gonzalez
The Kenmore is Emily Sloan's micro-artspace--a tiny dorm refrigerator which has, by now, hosted any number of art projects in various media. But none of the artists have transformed the fridge as much as David McClain. For his untitled video installation, he drilled a hole in the front of the the refrigerator and painted the exterior matt black. The intent was to make it look a little like a peep show. (But just a little--the velvet ropes add a different dimension to it). To see the video, the viewer had to walk up, bend over, and peer through the hole.
David McClain, untitled, refrigerator, paint, video, velvet ropes, 2012
The piece was set up at Skydive for their latest opening. It was tough to see the video inside, which amusingly shared space with typical refrigerator items, like a can of beer. The video itself consisted of three pieces--apparently real vintage porn starring Sylvester Stallone and (allegedly) Marilyn Monroe, and a recreation of the infamous video of ESPN sportscaster Erin Andrews naked in her hotel room. (Andrews was videotaped through a hotel peephole by stalker Michael David Barrett in 2008. The video was posted online and went viral. I suppose I could look online and find a copy of this video, but, y'know, yuck.) The recreation of the Andrews video was performed by an acquaintance of McClain's. It's not actually all that erotic--10 minutes of "Andrews" checking out her butt. I'm told it is an accurate recreation of the actual video. One could conclude from it that Andrews, a preternaturally beautiful woman like so many women newscasters, is extremely concerned about locating any possible flaw to her looks, which could be key to her success on television. It's unlike the other videos in the sense that whatever eroticism it comes from its perverse origin. But the recreated video is not like that--as a recreation, it has a deliberate erotic intent.
My problem with this is that I didn't recognize any of the videos being shown. They seemed like generic (if old) porno. So the issues of celebrity and voyeurism were lost on me. Instead, I saw it as an amusing combining of two animal instincts--food (the refrigerator and its contents) and sex. On that level, it was quite interesting.
Also interesting was the way it transformed a private, possibly shameful act--watching pornography--into a public act. In order to view the art, the viewer had to walk between two velvet ropes and bend down in front of the TV. There was no hiding what you were doing. You yourself became the object of other people's looks. You viewed the video and became the spectacle. In this way, it is a bit like Emily Moran Barwick's piece, Philanthropic Performance, which I wrote about last year.
I don't know when or where this piece will be set up again. Maybe it was a one-night only event. But it was so amusing that I hope it gets a second life.
Labels: David McClain, Emily Moran Barwick, Video
Kramers Ergot #8 and the Art School Generation (NSFW)
The new volume of Kramers Ergot, edited by Sammy Harkham, is out. This anthology started out as a small saddle-stitched 48-page magazine in 2000. Subsequent issues have been thicker and more book-like with an ever-expanding cast of contributors culled from the cream of the art comics movement. Issue 7 was a mammoth, tabloid-sized hardcover book. The current volume is a smaller hardcover book that at first glance could be mistaken for a generic graduate level textbook published by Wiley. The cover features the title in a fairly nondescript font, all caps. Underneath is a repeating hexagon printed in orange and gold. The image and the type are debossed into the beige cloth cover. All in all, it seems designed deliberately to be unobtrusive--the exact opposite of volume 7's attention-grabbing production.
But aside from the modesty of the exterior, one thing that struck me was how much Kramers Ergot 8 follows the classic structure of art comics anthologies going back to RAW (1980 to 1991) edited by Art Spiegelman and Françoise Mouly and Weirdo (1981 to 1993) edited by Robert Crumb, Peter Bagge, and Aline Kominsky. Like its antecedents, Kramers Ergot features avant garde comics that shade over into the art world. (With Weirdo, you had artists like Raymond Pettibon and Robert Crumb; RAW featured work by David Sandlin and Gary Panter.) Like Weirdo and RAW, Kramer's Ergot is a collection of short pieces. And like it's predecessors, Kramer's Ergot reprints of older work that no one would hitherto group with art comics. (With Weirdo, there was an incredible naive strip featuring frogs; RAW famously rediscovered the work of Fletcher Hanks.) Why would a comics anthology operating in 2012 in a quite different context as these earlier anthologies resemble them so much?
When I say different context, let me emphasize that when RAW and Weirdo were in their heyday, there were very few "graphic novels"--certain none that had a readership outside the comics subculture. Comics scarcely existed in the world of educated, artistically-sophisticated readers and viewers. The work that was interesting to Crumb, Spiegelman and Mouly at the beginning Weirdo and RAW was work that had no audience. I get the impression that Spiegelman and Mouly had a good idea of their desired constituency. They wanted to reach the artistically sophisticated readers in New York City--their peers, in other words. Weirdo was effectively aiming for readers interested in seeing work extremely far out of the mainstream--comics by the insane, the homeless, the totally untrained. Weirdo in the beginning was an art brut comic.
Given that for the most part, Weirdo and RAW were presenting works that had no pre-existing audience, it made sense to make these magazines anthologies. None of the editors knew which artists would resonate, and given their limited resources, it would have been unfair to gamble everything on one artist. An anthology was a safer bet.
But why did they publish the earlier work? I think in part because the work they were doing was such a departure from comics that had come before that they felt a need to establish an alternate art history of comics. This is not a history in the sense that the editors and cartoonists were influenced by these earlier artists (who were often extremely obscure). Instead, they wanted to show how aspects of their current practice had been anticipated. For example, Fletcher Hanks, a very primitive superhero/adventure/science fiction artist active only from 1939 to 1941, was rediscovered and reprinted in RAW. RAW was also one of the first venues to publish the work of Henry Darger.
So flash forward to 2012. The context for art comics has changed substantially. The graphic novel is a fairly popular and well-established form, thanks in part to Art Speigelman's Maus. Cartoonists whose thematic and formal approaches to comics are highly sophisticated have had success with their own books (for example, Daniel Clowes and Chris Ware). And yet, Kramer's Ergot 8, published 30 years after the first issues of RAW and Weirdo (and 20 years after those anthologies wound down), resembles them in structure. I think I know the reason why. The way to view this is to think about how cutting edge art enters the art world. If you want to show artwork that is on the very edge of contemporary art practice, you will likely show it in an artist-sun or alternative space. It will likely show up in a group show first. Solos shows, commercial galleries, and museums come later. The reason for this are the same as the reasons for the format of Kramers Ergot 8--this is still the safest and best way to introduce new, challenging work to viewers. A museum won't show this work until it has been validated by criticism and exhibition history. A commercial gallery won't show it until some commercial possibilities have been evinced. A solo show is probably out of the question because you (the gallery director) will worry about what the board of directors might think if the show is a flop. The classic art comics anthology, like the cutting edge group show at an alternative gallery, is a strategy of hedging.
Gary Panter, Jimbo page 9, 2010
Hedging may be the reason Harkham opens with a story by Gary Panter. Panter is one of those liminal artists, existing in the outskirts of the comics world and the art world. As one of the RAW artists, his work has a pedigree. The story here, featuring his now somewhat archaic punk character Jimbo, is typical and excellent. In Jimbo's world, fast food joints are dangerous robotic entities. Jimbo lives in a consumerist dystopia, in this case a Brave New World-like space of entertainment as narcotic. It's not the most original idea, but Panter does it well. This story is curiously linear, with clear (if slightly ratty) drawing--very unlike some of his earlier classic work, such as Dal-Tokyo. When I first encountered Panter's comics in the early 80s, I was challenged by them. They worked against comics conventions I knew. I loved them because they seemed so punk. But in 20-odd years, Panter's ruptures have become familiar, and he seems less interested in playing with the form of comics. His work, curiously, is some of the most conservative in Kramer's Ergot.
Gabrielle Bell, "Cody" page 1, 2012
The same could be said about Gabrielle Bell's story "Cody." The artwork is fairly polished and realistic (although I will say that if I saw this 30 years ago, I would have seen it as radical or experimental--which shows how much the baseline has changed). The story pretends to be autobiographical, and the set-up will strike readers as not only very realistic, but also as fitting into the tradition of alternative comics. In 1995, illustrator Debbie Dreschler started publishing a series of stories of childhood incest that had a powerful affect on the readers and creators of art comics. "Cody" at first seems similar to those Dreschler stories. But it takes a turn into unreality when the Bell character (age 13 in the story) tells her father about Cody's unwanted sexual advances. It turns out that her father was being blackmailed by Cody, and decided that since Cody was blackmailing him and about to start molesting his daughter, he had to go. Bell's father kills Cody and the two of them dispose of the body. Is any portion of this story true? Was there a creepy guy named Cody who said uncomfortable sexual things to her? (I assume she didn't just out her father as a murderer.) This kind of question comes up a lot when you read Gabrielle Bell's work. It operates in the autobiographical space--a venerable space in art comics that was dominant in the late 80s and 90s. But Bell keeps undermining autobiography. ("Cody" is the only "autobiographical" story in Kramer's Ergot 8.)
Ben Jones, "The Ultimate Character" page 10, 2012
Ben Jones is more typical of the type of artist that I associate with the Kramer's Ergot esthetic. His story "The Ultimate Character 2002" leaves behind most of the artistic concerns of the 80s and 90s alternative comics movement. His drawing is extremely unslick, but at the same time avoids the aggressive quality of early Gary Panter, Lynda Barry or Julie Doucet. The title reveals a concern about "characters," but the modern cartoonist's concern with characters is quite different from the traditional notion of characters as fictional persons with personalities and complexities (a more literary idea of a character). In Jones' comic, the word "character" means a personage with highly visual features that make him memorable and trademarkable. In this comic, the "ultimate characters" are two people with giant dog-heads for bodies. Extremely memorable and visual (once you've seen them, you will be able to recognize them by their profiles), they are characters in the new sense of the word. The unnamed pair find a strange object, they try and fail to sell it on Antiques Roadshow, and find that the object contained the body of an alien, which one of the giant dog heads eats. The drawing is minimal and lazy--it contains barely enough information to tell the story. In a way, I was reminded of a certain strain of artwork I've been seeing lately, where artists seem to be creating minimalist objects, but using deliberately shabby materials (for example, Cordy Ryman). This work is in dialogue with Minimalism and Post-Minimalism. I see artists like Ben Jones as in dialogue with earlier art comics pioneers like Gary Panter. (Jones is, like Panter, an artist in the art world, both as a solo artist and formerly as a member of the collective Paper Rad.)
I have a theory about these hybrid artists who live in the comics world and the art world simultaneously. I think they don't care about comics. Comics are another means of expression, no more important than any other. Therefore, they have no interest in elevating the form--a major project of the RAW/Weirdo generation. Using an extremely low-brow genres is just fine with them because to them it is just an aspect of the medium they are playing with. Highly polished drawing (like, say, the drawing of Dan Clowes or Chris Ware) is also not particularly important. What's important is to provide enough signifiers that tell a viewer that this is a comic you are reading. If this is their goal, it makes sense that their subject matter would not be autobiographical, or similar to realistic novels, or designed in such a clever way that you might not recognize it as a comic at first. Or, in other words, their approach is unlike the majority of American and European art comics of the 80s and 90s and most of the 2000s.
I think of these cartoonists as the "Art School Generation." It's not just that they went to art school; lots of cartoonists do that. It's that they went to elite art schools, and that some went even further and got MFAs there. They are steeped in the current thinking in contemporary art. They didn't rebel against their instruction that way Chris Ware did (Ware went to the School of the Art Institute of Chicago, one of the most elite art schools in the U.S.).
Anya Davidson, "Barbarian Bitch" page 5, 2012
Anya Davidson is, as far as I can tell, a member of the Art School Generation. She offers a comic called "Barbarian Bitch" which also embodies some of the approaches of the current generation--minimal, adolescent drawing, extreme cartoonish violence, and use of highly discredited genres (sword and sorcery/barbarian adventures in this case). In "Barbarian Bitch," Davidson weaves Buddhist sayings through the story (these sayings are by Atisha, an 11th century Tibetan Buddhist master). This is actually a bit unusual--you see plenty of references to pop culture in these comics, but not so much to classical culture. I don't know much about Davidson, but what I can glean from the internet is that she may be a graduate of SAIC.
CF (Christopher Forgues), "Warm Genetics House" page 8, 2011
Perhaps the most influential of this generation of artists is CF (Christopher Forgues). His story in this issue of Kramer's Ergot is "Warm Genetics House," a perverse story of a male teacher who invites a female student to dinner at his house, where he and his sister have violent sex with the student. Forgues comes out of an elite art school background as well--The Massachusetts College of Art and Design. (Ben Jones is also an alumnus of MassArts.) I've seen work by Forgues that is highly polished with anatomically correct figures. But for his purposes, that kind of drawing isn't necessary. Here the lowbrow genre he references is porn, and he draws it just well enough to be comprehensible (even if the enigmatic story as a whole is not).
Ron Embleton and Frederic Mullally, Oh, Wicked Wanda page 6, 1975
And perhaps that reference to porn is why Harkham included a lengthy section of Oh, Wicked Wanda! by Ron Embleton and Frederic Mullalley. This comic was published in the 70s in Penthouse. Like most "sexy" comics published in men's magazines in the 60s and 70s, it was very highly produced while being completely inane at the same time. Harkham devotes an astonishing 40 pages to this tripe. Why? I'm not sure but he may be thinking that this is an exemplar of dopey porno comics, which is the kind of thing that can be quoted by art-school generation cartoonists like CF. (In CF's case, "Warm Genetics House" seems less like Oh, Wicked Wanda than like The Adventures of Phoebe Zeit-Geist by Michale O'Donoghue and Frank Springer, minus the humor.)
Takeshi Murata, Gumbone and Coke, 2011
In addition to Oh, Wicked Wanda!, Kramer's Ergot deviates from purely contemporary comics by including a portfolio of digitally altered photographic work by Takeshi Murata, an American artist working in video, photography and digital art. Aside from the striking quality of Murata's images, his inclusion may have been a statement about Kramer's Ergot context. It says that this is a comics publication with strong leanings towards contemporary visual art. That is also implied by the introduction, which discusses art history. I advise readers to skip it--it's a string of cliches and misinformation, and doesn't speak to the work that follows it.
I'm still trying to understand the work of the Art School Generation. That's one reason I wrote this review, to think through their work and its implications. As difficult as much of this work is, Kramer's Ergot remains a key publication in the broader world of art comics and for the Art School Generation.
Posted by Robert Boyd at 12:10 PM 0 comments Links to this post
Labels: Anya Davidson, Ben Jones, Chistopher Forgues, comics, Frederic Mullally, Gabrielle Bell, Gary Panter, Ron Embleton, Takeshi Murata
Wrapped Up In Books
Two years ago, MANUAL (the team of Ed Hill and Suzanne Bloom), had an exhibit at Moody Gallery on theme of books called The Book Project. It was a fantastic show, I thought, full of clever photos of, well, books. They were beautiful images, and for a book-lover like me, they had special resonance. But when I heard that their new show also consisted of book photos, I thought they were taking a risk of repeating themselves. Would this show would lack the freshness of the previous exhibit?
MANUAL, White Shelf Series, archival pigment prints, ed. 5, 16 pieces at 17" x 24.5" each; 81.5" x 100.75" installed
My worries were unnecessary. I actually like Picture Books, the new exhibit, better that The Book Project. What MANUAL does with their photos of books is to create formally interesting images that are also quite beautiful. But because of the subject matter of each image, there is an additional level of meaning beyond the purely visual. (This effect depends to a certain extent on being seen by a literate viewer.) It's bookish art for bookish people--the well-read, the highly educated. I used to assume that everyone who is an art-lover is like this, but experience has instructed me otherwise. I was projecting my own bookishness onto the entire art world. This is work that will have special appeal to glasses-wearing, owl-eyed bibliophiles, who are admittedly a minority.
MANUAL, Lynd Ward's Man, archival pigment print, ed. 5, 17" x 24.5", 2012
Some of the photos, like Lynd Ward's Man, appear to be homages to a writer (or, in Lynd Ward's case, a visual artist) that MANUAL likes. The photo shows three copies of Ward's most famous woodcut novel, God's Man. (Actually, it may be that there is only one copy and the three images are separate photos that have been joined in Photoshop--it's hard to tell.) Beyond the images of this art deco classic, there isn't an overt attempt to link the content of Ward's book to the content of the photo. In a way, this photo is one of pure book-lust.
MANUAL, Red Russia, archival pigment print, ed. 5, 17" x 24.5", 2012
In Red Russia, MANUAL links the composition of the photo to the content of the books. It is kind of obvious (though visually striking) to show a bunch of books about Russia with red covers. But notice that the top book, The Ghost of the Executed Engineer: Technology and the Fall of the Soviet Union, is white. This book is about Soviet technology and engineering, springing from the story of Peter Palchinsky, a mining engineer who fought during the late Czarist period for improved mine safety (and whose struggle resulted in 8 years in Siberia by the Czarist government). When the Bolsheviks came to power, he supported them and continued his work for worker safety. He assumed the Soviet Government would be on his side, being a putative government of the workers. Quite the opposite--worker safety was the least of their concerns. (The White Sea Canal, built in 20 months between 1931 and 1933, had a mortality rate of 8.7%. More that 100,000 slave laborers worked on it.) Palchinsky's constant complaining about worker safety earned him a state execution. The photo shows a wall of red books with the slim white book on top. The wall could be said to represent the mammoth ill-conceived engineering projects of the Soviet Union, with the white representing the human cost of those projects.
MANUAL, Black Books (Anne Frank's Diary), archival pigment print, ed. 5, 17" x 24.5", 2012
In Black Books (Anne Frank's Diary), the deeper meaning is a bit more obvious, since Anne Frank's Diary is something that most people have read or at least know about. But in case you don't , Anne Frank was teenaged girl whose Jewish family was forced to hide from the Nazis in an attic in Amsterdam for the majority of World War II. In 1944, they were betrayed, captured by the Nazis, and sent to Auschwitz. Of the Frank family, only Otto Frank, Anne's father, survived. He returned to their hiding place, found his daughter's diary, which was published and has since become a classic, a wrenching eye-witness account of the Holocaust. It's not really a "black" book, though. Anne has her ups and downs, but she remains optimistic in the book. Obviously, the was unable to write of her capture and trip to Auschwitz. But because we, the readers, know her fate, the book becomes an account of human evil--that a young intelligent girl like Anne could be mindlessly snuffed out by unthinking evil on an industrial scale. So as with Red Russia, we end up with a striking, minimal composition and a vast historic evil behind it.
Not all the photos are so serious. Some are all about design and composition, turning their books into somewhat constructivist designs.
MANUAL, Mysteries of Paris, archival pigment print, ed. 5, 31" x 22", 2012
Mysteries of Paris is one where I think design is the most important aspect of it. That isn't to say that the composition isn't related to the books. Mysteries of Paris was a serialized thriller by Eugene Sue published in France in the 1840s. I haven't read it and never will, but I can easily imagine that its hero, Rodolphe, found himself in dire straits at the end of many of the book's chapters--in other words, like all serial adventure fiction, it relied on cliffhangers.
MANUAL, Carmen and Colomba, archival pigment print, ed. 5, 43.5" x 65", 2012
Colomba & Carmen is a book by a French author, Prosper Merimee. That's all I know about it, but I don't think knowledge of the book is particularly important in MANUAL's Carmen and Colomba photo.What is important are the two black figures and the red ground--a simple, direct design. But the design is complicated a bit by what I assume is a bit of Photoshop work. The design on the cover of the book appears to extend beyond the cover, as if the book were face-down on a table with the exact same design, just slightly larger. I believe that MANUAL somehow rubberstamped the cover image to extend beyond the book. The edge of the book is easily discernible, though. One could perhaps make a comment about infinity, particularly if this were a book that toyed with such ideas. And maybe it is.
MANUAL, Mondrian on Daybed, archival pigment print, ed. 5, 31" x 21.75", 2012
Mondrian on Daybed is a piece that has a strong, constructivism-influenced design: a Malevich square on a red background, with parallel stripes of color below. That the central element is a book on Mondrian is ironic since it is set on an angle--something Mondrian never used in his iconic geometric abstractions. But at the same time, this is a still-life that is exactly described by its title. It could be a scene from my own house--an art books with little post-it flags tossed casually on the bed as I work elsewhere. It has a kind of intellectual domesticity while simultaneously being able to be read as a flat composition.
Some of the pieces in this show are a bit more complex.
MANUAL, Treasures from the Louvre, archival pigment print, ed. 5, 36.5" x 49", 2012
This is a confusing image. Treasures from the Louvre seems to be a photo the front and back covers and spine of a book. But one can't imagine that this is the actual cover of the book. At least, the fleur de lis pattern must have been added (perhaps in Photoshop?) afterward. Maybe it was the pattern printed on the endpapers. But the result is an image that has an aggressive Frenchness.
MANUAL,title unknown, date unknown
This chess-oriented print wasn't hung in the show. It was sitting in the back of the gallery on the floor. Here again, it appears that Photoshop may have been used. The black, red and blue-grey chess instruction book looks three-dimensional, but the pawns and their shadows are resting on it as if it were flat. The image of the king on the cover is being overwhelmed by pawns from another dimension. The image is an optical illusion, but it is also a beautiful composition using a limited pallet. (The yellow ground works especially well here.)
MANUAL, Thoughts About Art, archival pigment print, ed. 5, 28" x 40.5", 2012
In the end, and for personal reasons, Thoughts About Art may be my favorite piece in the show. The book in this piece is Thoughts About Art by 19th century English art critic, Philip Gilbert Hamerton. But every book of art criticism, every monograph, and blogs like the one you're reading now could have that title (not to mention Hennesy Youngman's video series). These thoughts are wrapped in tissue paper and placed on a modest pedestal--about as much glory as an art critic can hope to get, I suppose.
I'm not sure if any bigger "thoughts about art" can be pondered about Picture Books as a project. The sum may not exceed the parts. But perhaps in choosing this subject, MANUAL are acknowledging that the age of books as physical objects has begun to end. A good portion of my reading is done on a electronic devices these days, and I suspect this is generally true among people who love books for what they contain (as opposed to book-collectors, who love them as objects). This exhibit celebrates this glorious piece of not-quite-obsolete technology. It's technology well worth celebrating.
Labels: Manual, photography
The Scroll
by Brian Piana
So I'm getting ready for bed this past Friday night, and I'm describing to my wife a piece of art I had seen earlier that day. I began by telling her how this guy has been working on this drawing for seven years, and she immediately quips "so it speaks to you", followed by a bit of laughter as she rolled over. She's absolutely right of course; it totally does. Consider this less of a review and more of an open love letter to Randall McCabe's scroll.
Randall McCabe, untitled, ink on paper with spindles, 6.5" x 1800" (840" visible), 2005-2012 (ongoing)
The piece (officially untitled) is currently on display at Lawndale Art Center in the Project Space, the easily overlooked exhibition space tucked between the residency studios and the administration offices on the third floor. I had gone to Lawndale to check out The Photographic Mirror, a group show curated by my friend Chuy Benitez, and also take in Emily Peacock's and Linda Post & Jim Nolan's exhibitions (which Robert Boyd has already written about here and here, respectively). Yet it was McCabe's work that completely blindsided me in the best possible way.
The primary work of the exhibition – the scroll itself – wraps around approximately three quarters of the total wall space in the gallery. Thus, we're confronted with approximately 70 continuous feet of a singular drawing. Granted, the drawing is only 6 1/2 inches tall, but that thin strip wrapping around the room is commanding nonetheless. In reading the accompanying text, it is revealed that the drawing is actually 150 feet in length, yet we are only privy to this one portion. The remainder of the drawing is rolled up and concealed on two mounted spindles at either end.
The mark-making on the scroll, which is comprised mostly of short hatching lines in limited directions, immediately made me think of the work of both Sol LeWitt and Man Bartlett. I thought of LeWitt and his wall pieces because McCabe seems to be following some prescribed set of mark-making rules for this piece. Although the composition of the scroll changes as it transitions from one end of the room to the other, the underlying marks remain consistent over that span, where horizontal, vertical, and 45º diagonal lines are arranged into roughly half-inch square modules. Moreover, there's a simplicity and looseness in the appearance of the line work, which suggests that these are marks that could be made by almost anyone (trained draftsman or not).
Randall McCabe, untitled (detail), ink on paper with spindles, 6.5" x 1800" (840" visible), 2005-2012 (ongoing)
Given its full length of 150 feet, the drawing has clearly taken a long time and has required immense dedication. Those qualities, paired with the use of small, repetitive marks, makes me think of Bartlett's circle drawings and point pieces. [Full disclosure: Bartlett has exhibited his point pieces and other works at Skydive Art Space, where I am a co-director. His work remains fresh in my mind.] Yet while Bartlett's drawings are more clinical and precise in execution, McCabe's scroll features a variety of tones, shapes, and blemishes. Another significant distinction is that both Bartlett's and LeWitt's pieces have an endgame; that is, they reach a point of completion. This drawing, however, is ongoing. It's 150 feet...and counting.
Started in 2005, McCabe has been working on the scroll for the past seven years. The section presented in the gallery accounts for (approximately) the year between late 2008 to late 2009. I can guess this because McCabe occasionally writes a date along the bottom of the drawing, and I assume these dates are related to when that section was worked on or completed. The time-stamps begin to suggest that this scroll is more than a durational drawing; it is a record, a document. It gets even more personal in a couple of spots where the numeric date is accompanied by an event in the artist's life, as shown below.
I wonder how often these personal notes are included over the entire length, and why. Has the scroll become something more than the train-of-thought exercise described in the McCabe's statement? Do such noted life events correspond or inform the drawing's composition, or are they just simply notes, detached from the surrounding marks?
The composition does shift across the room, ranging from cloud-like white spaces in the earliest segment, to completely shaded areas over the middle, and finally to landscape-esque contours towards the end. Around the time of the home burglary in 2009, the "landscape" tightens, and the white space of the drawing begins to be pinched by dark forms above and below it. A thin scratch of white leads us into the concluding spindle, where the last couple of years of the drawing reside, hidden safely away.
So of course, I now really want to see what I can't. How greedy is that? The artist himself says he has never seen more than 7 continuous feet of the drawing at any one time. Here he's giving us 70, but I'd love for a peek at all 150. The thickness of the rolled up portions on either end are evidence to the large amount of drawing left unrevealed. This only prompts more delicious questions: Why was this segment specifically chosen? Was it random? What do the most recent sections look like? The earlier ones? What other life events are recorded here? Is there any engineering feat possible that could allow a viewer to – for lack of a better word – scroll through the entire composition? But I digress. (The installation of the piece as it is, by the way, is quite nice, particularly in bending the drawing around the corners of the room.)
So, yes, my wife was indeed correct. The scroll speaks to me, and it continues to bounce around my head in the days since I saw it. I am happy that McCabe decided to share his drawing – and its great unveiling – with the rest of us.
Posted by Brian at 5:38 AM 0 comments Links to this post
Labels: Brian Piana, drawing, Randall McCabe
You Can't Scare Me, I'm Sticking to the Links
How To Help the Striking Sotheby's Art Handlers: Art Fag City asks that people "Stop Shopping at Sotheby's". This seems a bit unrealistic. Most people who are interested in or otherwise involved in art have never purchased anything at Sotheby's and probably never will. Furthermore, amongst those who do buy from Sotheby's, you can't really argue that they, say, buy from Christie's instead because the items they are bidding on are unique. You can't get a substitute for that art object you want from Sotheby's at Christie's or Phillips de Pury or Heritage. And finally, the buyers of art at Sotheby's are the 1%--their sympathies are likely to be with Sotheby's management more than with the working class. No, who should be targeted are the consigners. Consigners should be more-or-less indifferent about who auctions off their possessions. If you can convince someone who would have sold through Sotheby's to instead sell through Christie's, you hurt Sotheby's. [Art Fag City, "Stop Shopping at Sotheby's", Whitney Kimball and Will Brand]
Forrest Bess, untitled, not dated
Forrest Bess is All Over the News: The New York Times critic Roberta Smith has a long article on Bess which also criticizes the Christie's sale (benefiting M.D. Anderson) for containing too many lesser works. (There is a nice slideshow, too.) Then over at Hyperallergic, longtime Bess devotee John Yau has a penetrating two-part article about the man from Bay City. ["A New Vision of a Visionary Fisherma" by Roberta Smith, The New York Times; "Without Elaboration" by John Yau part 1 and part 2, Hyperallergic]
Exeunt Exit Art
Institutions that die with their founders: Exit Art was founded in 1982 as a scrappy alternative art space by Jeanette Ingberman. It's known for its commitment to emerging artists and art by "the art-world underdog, focusing almost entirely on work by minorities, women and non-mainstream artists." So says Rachel Corbett in Artnet. Ingberman died last year, and now Exit Art is shutting down with one final valedictory exhibit. The final day for Exit Art is May 20. This got me thinking. Are there many spaces like this that are run by a single person for her entire life? Spaces that close after the founder's death? I'm thinking this because I usually think the intention of non-profit space is to go on indefinitely, even though many fail to reach that goal. Even when an institution is strongly identified with one person, there is often a succession plan for the event of the founder's death. (The Menil is probably an example of this--it seemed to run quite smoothly after the death of Dominique DeMenil.) I wonder if Ingberman planned for Exit Art to exit when she did? ["Exit Art Exit Interview" by Rachel Corbett, Artnet; "The Fantastic Dream: a memorial to Jeanette" by Melissa Rachleff Burtt, Artnet]
Labels: art spaces, auctions, Forrest Bess, Jeanette Ingberman, Sotheby's
The Bayou City Art Festival is coming up this weekend, and in among the lawn ornaments and hand-crafted doodads will be some art, including art at the CultureMap booth. And CultureMap is having a contest to vote for the artist to take with them. They are asking you to vote. I did--but it wasn't an easy decision! The artists they have selected are pretty good! For your considerations, the artists are Daniel Anguilu, Debra Barrera, James Ciosek, Daniel Esquivel Brandt, Jonathan Leach, Sandy Tramel, and Patrick Turk. Several of these artists have been reviewed positively here on The Great God Pan Is Dead (which might give you a hint on who I voted for). There are only 13 hours left to vote as I write this, so head on over to the CultureMap page and make your voice heard!
Labels: Daniel Anguilu, Daniel Esquivel Brandt, Debra Barrera, James Ciosek, Jonathan Leach, Patrick R. Turk, Sandy Tramel
From Boston to Brazil Links
Reid Sutton and Brad Nagar's House
I like looking at other people's art collections. That's why the Rice Design Alliance Living With Art tour would be so perfect for me. Two days, eight houses, lots of art. But alas, by the time I heard about it, it was full up. One of the houses to be toured is Reid Sutton and Brad Nagar's home, which was featured in an article in the Houston Chronicle. The article is accompanied by a short slideshow of some of the houses. I can see Rachel Hecker and Aaron Parazette paintings in this photo from Sutton and Nagar's home. See how many pieces of art you recognize. (By the way, if you are one of the lucky ones on the tour, we'd love to publish your annotated photos--or even just see them.) [RDA, The Houston Chronicle]
Jaca, painting from his exhibit at the Museu do Trabalho
Art spaces around the world 1: the Museu do Trabalho in Porto Alegre, Brazil. I stumbled across this space's Flickr page and it looks awesome. The Museu do Trabalho (literally, the "Museum of Work") was founded in 1982 to be a museum of labor. At first it was housed in the sheds below with the intention of moving into a refurbished factory. However, the factory never got refurbished so they stayed in the sheds. The space was too small for a full-on museum, so it has evolved over the years into an alternative art space. Which would not be all that exciting if the art weren't really interesting--which it is. Looks like I will have to save up for a Brazilian vacation... [Museu do Trabalho, Museo do Trabalho's Photostream]
The Museu do Trabalho
Lilian Maus, art shown at Museu do Trabalho
George Kuchar opening at Mulherin + Pollard [VernissageTV]
When underground comics met underground films. George Kuchar was a well known underground filmmaker (if you haven't seen his work, I recommend the documentary It Came From Kuchar, available on Netflix), but did you know he also dabbled in underground comics? He was friends in San Francisco with Art Spiegelman and Bill Griffith, who both occasionally appeared in Kuchar's films. They returned the favor, occasionally running his comics in their great anthology Arcade. Some of his film work is being shown at the Whitney Biennial, but if you are in New York, you can see his comics work at Mulherin+Pollard through March 25. [VernissageTV]
Awright you artist maggots--drop down and give me 50! This is one of the weirdest stories I've seen in a while. In Boston, there is a building called Midway Studios, a mixed live/work building intended for use by artists. Then, weirdly enough, a small defense contractor, Ops-Core, moved into one of the office spaces. Weird, but not alarming. But then they rented the basement, which hitherto had been theater space used by the Actors Shakespeare Project, to turn it into a manufacturing plant for military headgear. (Between moving in and taking over the basement, Ops-Core had been purchased by Gentex, a large military contractor.) When the artists complained to their landlord that they didn't want to be living on top of a military products factory, they got a letter from David Rogers, former Ops-Core CEO and now a VP at Gentex. Among other things, it said:
The false sense of entitlement of many of our fellow residents astounds me. I have lived in the neighborhood for the past 18 years and am also very familiar with the expectations of some local artists. . .The majority (and some of the most outspoken)"posers" do not create anything whatsoever. They are merely self delluted [sic] bullshitters and drama queens who use art as an excuse to justify and rationalize their pathetic existence [sic] while mooching from others to sustain a living
A rancorous public meeting was held next, and the situation is still unresolved. [The Boston Phoenix (part 1 and 2) via Hyperallergic]
Labels: art spaces, Art Spiegelman, Bill Griffith, collectors, George Kuchar, Jaca, Lilian Maus
Recently Read Art Books
Here are a few art books I've read this year. Most of them are several years old--I tend to prowl the shelves of used-book stores like Kaboom.
The Map and the Territory by Michel Houellebecq. A very interesting novel about a contemporary artist, Jed Martin. The novel starts with Martin destroying his latest painting, Jeff Koons and Damien Hirst Divide the Art Market. It was to be the last painting of a series depicting people in the context of their professions. This scene is followed by a flashback that describes Martin's upbringing, education, and progress as an artist. What I liked very much was that Martin was thoroughly modern. I know a lot of older painters who look down their noses at non-traditional mediums. But people of Martin's generation see photography (and computer programs like Photoshop) as being as legitimate as painting and fundamentally interchangeable with painting. So Jed goes from being a pure photographer to being a photographer who digitally manipulates his images to being a painter. (Later he does video with the aid of custom-designed software.) In his mind, he is adjusting his mediums in response to changes in subject matter, which have different requirements.
But the novel surprises you suddenly when Michel Houellebecq himself becomes a character--and a major one. I won't write more about it lest I spoil the plot. The focus is Martin and his parallel life's journey and artistic journey. I'd like to know what artists make of him. So often when an artist is depicted in a film or a book, the depiction rings false. But in The Map and the Territory, I was convinced.
Everybody Was So Young: Gerald and Sara Murphy, a Lost Generation Love Story by Amanda Vaill. I read Calvin Tompkins' Living Well Is the Best Revenge, which was written while Gerald and Sara Murphy were still alive. It's good, but Everybody Was So Young is better--it carries them past their golden decade in France to the more difficult 30s and 40s until their deaths. (That golden decade was fictionalized in Tender Is the Night by F. Scott Fitzgerald--the protagonists, Dick and Nicole Diver, are loosely based on the Murphys.) Murphy was a serious amateur painter whose work is now rightly considered among the best American painting of the 20th century. But his painting was not the couple's primary gift to culture--it was being the hosts for some of the greatest writers and artists of the 20th century. When I imagine how an artist gets to be great, I first think of the artists themselves, and then about the gate-keepers and promoters--the gallery owners, the editors, the curators, the impresarios, etc. But the Murphys were not gatekeepers, and yet they contributed much by virtue of their enthusiasms and friendships to literature, to painting, and to ballet. By covering their post-"Lost Generation" years, Vaill lets us see the tragedies of their lives alongside the golden peak.
American Art Since 1900 edited by Annette DiMeo Carlozzi and Kelly Baum. Don't be mislead by this title. The American art in this book is all chosen from the collection of the Blanton Museum of Art at the University of Texas at Austin. Like most small or medium-sized museums (and like some large ones), the Blanton's collection has its idiosyncrasies. In this case, the big idiosyncrasy is that a majority of the post-war American art in their collection was donated by a single collector, novelist James Michener. Michener was a major collector who bought 297 works between 1959 to 1975 which he subsequently donated to the Blanton. He had a pretty good eye and advanced tastes--quite surprising given that Michener is the quintessential middle-brow novelist. The Blanton really lucked out. He only bought paintings, though, which leaves out a lot of important work, especially in the 60s. And he mostly avoided Pop art (one Robert Indiana painting). But he bought lots of abstract art by key artists: Franz Kline, Hans Hoffman, Joan Mitchell, Robert Motherwell, Sam Francis, Brice Marden, etc. By basing so much of their collection on Michener, it means that the Blanton has no Warhol, no Rauschenberg, no Johns, and many others of that generation. (At least I assume they didn't have work by these artists--if they did, they would have included it. This show dates from 2006, so theyt may have filled in their collection subsequently.) The other idiosyncrasy is that there is a lot of art by Texas artists here. This is not art that would normally be included in a survey exhibit of 20th century American art. That said, I'm glad for the inclusion--especially Jerry Bywaters' Oil Field Girls. Each work gets its own essay, and there are longer essays in the back by such writers as David Hickey and Raphael Rubenstein. There is also an amazing essay by Robert Kushner about Michener's collecting habits, where he critiques what Michener bought year by year.
No. 1: First Works by 362 Artists by Matthew Rosenzweig and Francesca Richer. This book has an intriguing concept. They asked artists the question, what do you consider your first work of art? 362 answered. Some gave them the oldest work from their childhood. A few gave them the first work they made after they had formed the ambition of being an artist (often a work from adolescence). Most gave them the first work that they considered a mature work--work that was no longer the work of a student, or the work of a young derivative artist. With 362 artists, working an a very wide variety of media, and from several generations, you get an interesting view of art today, as well as a sense of how artists of different generation and different countries view the process of artistic maturation.
Labels: art books, David Hickey, F. Scott Fitzgerald, Gerald Murphy, James Michener, Michel Houellebecq, novels, Raphael Rubinstein, Sara Murphy
Seen on I-10 Saturday
Gagged dumpster.
Labels: street art
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Which One? Pastor Fred Kinsey
Readings for September 13, 2015
Pentecost 16/Proper 19B (24)
Isaiah 50:4-9a and Psalm 116:1-9
Which One? sermon by Reverend Fred Kinsey
One of my passions growing up was tennis. I just happened to be from a family that played a lot of tennis; my parents and aunt & uncle taught me, my sister and brother, and three cousins, mostly outside in the summer, starting at an early age, way back when all they had were, wooden rackets! I was good enough to play doubles on the high school team. But after high school I never had that much time for it anymore – once or twice a year, maybe. So I started to get my tennis fix from watching the majors on TV, Australian, French, U.S. Open, and especially, Breakfast at Wimbledon. Nothing like getting the adrenaline flowing, and a vicarious thrill, almost as if you're out there playing – all the while enjoying croissants and poached eggs, on the couch!
So, yesterday was the Women's final at the U.S. Open. It was an all-Italian final, that nobody saw coming! Everyone expected #1 player and American Serena Williams to be there, it was her tournament to complete the grand slam, and sweep the majors. Instead, an unranked player, Roberta Vinci beat her in the semi's, and Flavia Pennetta, a close friend from Rome, also advanced to the final. At ages 12 and 13, Vinci and Pennetta were room-mates at their first tennis camp. Now, 20 years later, no one could have predicted that they'd be together, here in Arthur Ashe Stadium! After two hard fought sets, Pennetta came out on top, and the two hugged and cried at the net afterward like they were sisters.
The only thing they've known, in their adult lives, is tennis, and this was a storybook match for both. But the real surprise came in the interview afterwards, in front of a packed stadium in New York. 'I just want to say one more thing,' Pennetta said to ABC Host Robin Wright – who was the MC. 'One month ago I made a decision,' she said, searching for the right words, 'and I just want everyone to know. This is the way, this is the moment, that I'm leaving tennis, leaving the game.' She didn't use the word retire, but that's what she meant. She had decided to retire at the U.S. Open, before the tournament had begun, but she had no idea she'd be holding the Women's trophy, and collecting $3.3M when she announced it.
But, who would she be now? No longer, a professional tennis player. Though, no one could take away her championship, here at the U.S. Open, still if she didn't need to wake up each day, and hit the practice court, or enter the next tournament, what would she do? Who would she be? Chrissie Evert asked her that very question, later on, and Pennetta said: 'I have no idea! I'm going to have to work at becoming something else.'
Jesus asked his disciples, "Who do people say that I am?" Jesus has been all around Galilee, in the first half of Mark's gospel, healing, teaching, preaching, calming storms on the Sea of Galilee, feeding 5,000 with five loaves of bread and 2 fish. He's confronted the powers in authority, and sided with the poor and marginalized. 'So, looking back at where we've been and what I've done, "Who do people say that I am?"'
There's a seminary teacher, Micah Kiel, at St Ambrose, Davenport, IA, who tells of using his wife's bible one day, when he couldn't find his, in his office. He and his wife had gone to St. John's University in Collegeville, MN, where Micah says that she too was a very good student. There wasn't a chapter in the gospel of Mark that she hadn't highlighted, underlined, or had notes in the margins – except for one, chapter 8, from which we read today! Here in chapter eight, it was as if she became so mesmerized with the story, she seemed to drop her highlighter. But there was one little question which stood out, all by itself: "Which one is it?" she had written. Obviously referring to the many titles being bandied about, when Jesus asked, "Who do people say that I am?"
Some say John the Baptist; and others say, Elijah; but there are still others who say he's one of the other prophets – like Isaiah, or Amos, or Jeremiah, would be good guesses. We know that Herod thought, Jesus was the reincarnation of John the Baptist. Others no doubt were thinking Elijah, because many expected Elijah would return when the kingdom of heaven was to be restored.
And Jesus, no doubt, knew all this, about what the people were saying. So he asks his disciples, his closest allies, a second question: "But who do you say that I am?" Peter was the one who answered, "You are the Messiah." Apparently, Peter had been paying attention! For Jesus is the anointed one, the Messiah, as we, the reader know, from all of Mark's helpful commentary along the way.
But the real surprise is how Jesus interprets who the Messiah is! Not a king, like David; not a general, like Saul, or one of the daring insurgent Maccabees, but the Messiah, the Christ, is more like what Daniel called, the Son of Man, or Isaiah called the Suffering Servant, one who is renewing God's covenant as a righteous leader, or a John the Baptist truth teller – who paid with his head, of course – one who is misunderstood and rejected, but who is unafraid of going to trial as an innocent person, recognizing the possible consequences; one who knowingly lays down his own life; trusting that God will raise him up in three days, alive again.
But in the story, the disciples didn't see that coming at all. And so Peter pulls Jesus aside, to try and knock some sense into him, rebuking this characterization. That's not what we were expecting out of our champion. Take it back! But Jesus rebukes Peter, accusing him of being on the side of the worst kind of human temptation, and failing to understand his connection to his divine motherly Father.
Which one is he? Who will Jesus be, if not the new king, enthroned in Jerusalem? And more to the point, how do we sometimes get in the way of what God wants us to be? How, and in what way, do we decide to follow Jesus? Do our expectations in life, sometimes mis-align with God's? Do we expect that if we pray every day we will be blessed? Or if we do a kindness for a friend in need, we will receive a gift in return? Do we work hard to know how the world works, how to figure out right from wrong, expecting then, that people will treat us with respect, and do right by us because, after all, that's the rational thing to do? But why then doesn't it go our way? Why is there suffering in the world? Why am I hurting?
So, do you remember, in the original Star Wars trilogy, that the comic relief in the movies comes in the form of a robot, R2-D2, and his android buddy, C-3PO. And it's this later one, the one who looks human, and has that, ever-worried demeanor, and who says in his "woe-is-me" British accent: "We [droids] seem to be made to suffer; it's our lot in life." So, C-3PO's kind of suffering is that he expects it, as his fate for who he is.
This is not the kind of suffering Jesus is talking about though, either for himself, or for us. Jesus suffers for the sake of the truth, and for standing up for, the outcast and poor, the sick and the excluded. His suffering and death are purposeful, and not just for his life, but for the sake of the world. Jesus asks us to take up our own crosses, leveraging the gravitas we have, not to bear suffering as if we had it coming, not to be martyrs or be taken advantage of, but to be followers of Jesus the Christ, the Messiah, to take up the mission of revealing who God is, in the world God created; to open up the way to the freedom of the Promised Land, to release the prisoners, and give sight to the blind, to declare the day of the LORD.
If we believe God is active and alive in the world, then the question posed to us is not just whether we confess Jesus as the Messiah. That's the relative easy part. We know what his title is. The question becomes, what does the title mean for us today? How can suffering for the sake of the truth set us free, and make our lives, and our church, our families and schools, our artists and writers, our government and elected leaders, our banks and businesses, more cruciform, more cross shaped, to reveal the possibilities of divine love in the world!?
We cannot let our human expectations get in the way, or foul up, the divine covenant. The question in the margin for us today is: Which one is he, for us? Who is Jesus? Which title for Jesus do we confess, not just with our lips, but with our hearts, and our whole lives?!
It Takes A Community, by Pastor Fred Kinsey
Readings for Sept 6, 2015
Proper 18B
It Takes a Community, Pastor Kinsey
Two stories, on the boundaries of community. One to the east and one to the west of Galilee. At first hearing, they may not even seem related. But looking a bit closer, I think we can find at least one way, in which they are tied together. But let's look at the second story first, of the man from the Decapolis, who was deaf, and then compare it to the first story of the Syrophoenician woman.
The region of the Decapolis was east of Galilee, 10 regions or city-states, east of where Jesus and the Disciple's home territory in Israel was. It was Gentile territory, that is, non-Jewish, in this case, a loose federation of Greek peoples who had migrated there, some time ago. Mark isn't interested in the exact location, but only to remind us that it is outside Galilee. The people in the story that Jesus and his disciples encounter, are all Gentiles.
"They," bring the man to Jesus, it says. What is noteworthy here is that a whole group of people, are the ones bringing him to Jesus, and this word bringing, could mean leading him, perhaps even toting, or carrying him. But why does he need this help? Why so many? If he is deaf – his legs and his eyesight are fine. Why doesn't he go on his own? That he cannot speak clearly, only means that he likely lost his hearing at an early age. But still, the question is, why doesn't he come on his own? Why doesn't he walk up to Jesus himself?
The first answer is, that he likely did not feel he would be welcomed, or, he worried about what Jesus would think of him. All his life, he had been told and made to feel he was unclean and sinful. That was the universal first-century belief. Blindness, deafness, speech impediments – any kind of sickness or demon possession, all of it meant it was your fault, or that God did it as punishment for your sin. The sick, were socially stigmatized, and Jews, especially Priests, were not even supposed to touch unclean people, or they would need to be ritually cleansed.
The second reason, follows directly from the first. The man who was deaf, would naturally have felt unworthy, less than, as a person, and therefore, not someone able to approach the Rabbi. Low self-esteem, we might call it today. Do you know anyone like that? Many stigma's, live on today. For example, refugees blamed for our economic problems, those living with mental illness wrongly criminalized, when they are more often victims of crime, and our cultural construction of race, which demonizes some, and purifies & privileges others. And this collective sin, over hundreds of years, has produced every layer of demoralization and separation imaginable, in American society.
And so it also makes sense that it would take a small group of friends to bring the man who was deaf, to Jesus, or maybe just to convince him that Jesus would give him a fair shake. They may be walking with him, or even cajoling or carrying him. And it's his friends who speak for the deaf man who cannot speak clearly, asking Jesus, begging him, to touch him, and lay hands on him.
Jesus did not respond verbally himself. He takes the man aside, in private, away from the crowd. He gives him personal attention. Come into my office! Make yourself comfortable!
Jesus put his fingers into the man's ears. (When was the last time you tried that?) But it is meant to show that Jesus gives him very personal attention. And then he spits on his fingers, and somehow asks him, maybe pantomimes it – is it ok to touch your tongue with my spittle? Jesus sighs a little prayer to God then, and says, Ephphatha! Open up!
You might expect Jesus to say, Be healed; or, Open his ears; free his tongue! But this is more than a healing, or curing sickness. Jesus speaks to the whole person directly in front of him. Pastor Dayton A. Williams, a sign language pastor in our synod says, "He treated him with respect. The effect was to change the man's whole outlook on life. Now he knows the truth about God and himself, and it is good news."
It takes the whole community, to make a neighborhood healthy. The man who was deaf and not able to speak clearly, would not have come to Jesus without his friends, who took the initiative to bring him. And it takes a God who is big enough to take down the barriers of stigma and racism, and other forms of exclusion and hierarchy, to open up our lives, to the truth that sets us free.
And this, I believe, is the connection to the first story, the story of Jesus and the Syrophoenician woman. Jesus had gone with his disciples to the region of Tyre, west of Galilee, again, in Gentile territory. Jesus entered a house there, to get away from the crowds back home. This was supposed to be some kind of retreat, maybe? What's clear, though, is that the woman whose daughter had an unclean spirit was a foreigner, religiously and ethnically other, unclean. But in the encounter Jesus has with her, something, amazingly, is opened up.
Now, in one way, this story is like no other in the gospels. Because Jesus, in a one-off, reflects the privilege of 1st century patriarchy, in his first response to her: "It is not fair to take the children's food and throw it to the dogs," he says to the woman, "let the children" – that is, the Jewish people – "be fed first."
But the Syrophoenician woman, is like the friends of the man who was deaf, in that she is advocating on behalf of another person, her daughter, stigmatized by her illness, her demon possession. She says, "Sir, even the dogs under the table eat the children's crumbs." And so, undaunted, she stands up for the God of acceptance and openness she expected to meet in Jesus, and challenges Jesus to let go of his prejudice, and channel the God who had anointed and sent him. "She gets Jesus to admit what, and whom, his ministry is all about. She embarrasses Jesus, a little, for his human remark, and gets Jesus to see God, for what and who God truly is.
And so, "The woman tells the truth. And when the truth gets told, worlds change. Her world changed. Same for Jesus – and the rest of his ministry cannot be the same because of her." (Karoline Lewis, workingpreacher.org)
And so, we might ask ourselves: Do we want our world to change? Are we ready? Or are we sometimes like Jesus was this time, pulled down by human precepts rooted in division and sin?
It takes a community to bring the truth to light, to call it out, and have the courage to name it. It takes all of us to remember that our God, is a God open to the truth, and supporting us in breaking down the barriers that divide us up, one from another.
Illness is not a punishment from God! The deaf man is not evil. He is just like everyone else. God accepts him, loves him. That's the truth, a truth still not completely revealed, perhaps. But God, is a big-enough-God, who is unafraid to touch the hurting parts of us, the parts stigmatized or looked down upon, the broken parts that are visible, and the woundedness hidden deep inside. God is our closest friend and advocate, sitting down beside us, who understands all of us, individually and collectively.
It takes the whole community, to make a neighborhood healthy. We pray O God, with sighs too deep for words, give us faith, and hope, and vision, to love each other – to proclaim, that sickness is not punishment, or evil. And help us to be friends who carry and accompany our sisters and brothers to Jesus.
Food Fight, Reverend Fred Kinsey
After five weeks of lifting up Jesus as the Bread of Life in the Gospel of John, and celebrating how Jesus fed 5,000 with only 5 loaves and 2 fish, we return to the gospel of Mark, in this Year B of the lectionary, only to find ourselves in the midst of – a food fight!
Now, food fights can be fun, don't get me wrong – who doesn't like watching John Belushi and Company, in Animal House! But they can also be costly, it seems to me, like La Tomatina in Spain, the annual tomato fight, which started, over nothing more than an injured ego, 70 years ago. And now, thousands of gleeful tomato slingers, use something like 160 tons of tomatoes per fight! That's a lot of spaghetti dinners down the drain, in my book – but one good thing – they say that afterwards, when they wash all the tomato paste away with fire hoses, the streets are immaculately clean because of the acidity level of tomatoes!
Jesus and his disciples were breaking bread and "eating the loaves," it says – no tomato Bruschetta, as far as we know – when the Church Police show up, and immediately take offense. 'Don't you wash your hands before you eat!?' 'What kind of Disciples do you have here?!' 'And, by the way, when you're finished, don't forget to use a non-abrasive sponge when washing the non-stick pans!'
Being the one who does the dishes at my house, I know, I can get like that sometimes, like some kind of undercover FBI agent, even when others offer to help!
The spies that interrupted dinner-time by the Sea of Galilee, were on the lookout for ways to trip Jesus up. They traveled halfway across the country, with the sole purpose of digging up some dirt they can use against this Messiah wannabe. So, if you're like me, you may cringe a little, when his disciples play right into their hands, eating openly with "defiled hands" – so to speak. This is going to be too easy, say the church police, grinning to one another!
But Jesus remembers how Isaiah prophesied about his own people:
'This people honors me with their lips,
but their hearts are far from me;
…abandoning the commandment of God, and holding to human tradition."
And to the whole crowd, Jesus says, 'It's not what goes in a person that can defile, but the things that come out, are what defile.' "For it is from within, from the human heart, that evil intentions come." And, in case we miss the point, Mark adds his own editorial comment: "Thus Jesus declared all foods clean." Is Mark asking us to believe that Jesus endorses a winner in this food fight?! But if that's all it's about, winners and losers, where's the gospel message in that? What's so bad about washing your hands before dinner, anyway? Is there not something more we can learn from this food fight – some kind of, third way?
Food, of course, can indeed be a health hazard in the 21st century. Tainted eggs caused sickness, even death, earlier this year. Hamburger and bagged lettuce are other notable examples. Washing our foods, and the surfaces they touch, in preparation for meals, can be all important. And so, what goes inside us, from the outside, may indeed be harmful.
Those in recovery have some compelling stories to tell about the alcohol and drugs that they have ingested, which over time so controlled their lives, they lost spouses and families, cars and houses, friendships and sometimes all self-respect, before finding help to turn away from substances that they not only abused, but that abused them, their bodies nearly broken – all for that thing outside of them that they took in, which utterly defiled their lives.
Others of us have used food or mood-altering substances to self-medicate for what are essentially, spiritual issues – emptiness or loss, boredom or anxiety – which by their very nature cause in us, guilt or shame, and feelings of, self-defilement.
"These things do not move cleanly through our psyche's and intestines," and out into the sewer, as Jesus says. "Rather they flatten us, desensitize and anesthetize us," says Pastor Langknecht, "they skew our perspective and sense of proportion and thereby deform the very "hearts" from which evil intentions come." (Henry Langknecht, http://www.workingpreacher.org/preaching.aspx?commentary_id=386)
This doesn't negate the point Jesus is making, I don't think, that evil intentions can come from within. The list about evil intentions is long, and none of us, I dare say, is immune. But we might then ask the further question Jesus does: Do we cross the line from acting like your average human caught in hypocrisy, into that of idolatry? Do we from time to time fall into slothful tomato fights, or are our food fights, fights to the death in our relationships with others, staking out boundary lines, claiming our righteousness over-against those we consider ungodly, self-satisfied in our supposed absolute truth? Or simply put: has "washing the fruit we buy, become more important than giving fruit to the hungry?" (Langknecht)
"But be doers of the word, and not merely hearers who deceive themselves," said James. "For if any are hearers of the word and not doers, they are like those who look at themselves in a mirror; for they look at themselves and, on going away, immediately forget what they were like. But those who look into the perfect law, the law of liberty, and persevere, being not hearers who forget but doers who act — they will be blessed in their doing. If any think they are religious, and do not bridle their tongues but deceive their hearts, their religion is worthless."
In a way, it's all about our relationships. Do we model our relationships after the rivalries and envies and competitions, all around us in our culture? Or do we model our relationships after the one, who is One with our motherly Father, one with the perfect law of Liberation? Do we join in the tomato fight, or, follow the one, who sat down to feed 5,000?
The culture of this world is like gravity itself. It exists and is self-perpetuating in its relationship between other bodies. It's like a forcefield that we fall into it, and it is just there.
Until God enters this world, we have no measurement for the food fights and other conflicts and rivalries we have created. Without God's Messiah, we become our own Church Police, making our own laws, that idolize our own self-righteousness. We are born into this forcefield, called sin. Or, as our Baptismal liturgy says: "We are born children of a fallen humanity." We don't do it just because Adam and Eve did. We sin because we fall into the forcefield of humanity's tangled relationships, and endless food fights, and have not yet ingested the new Messiah, the bread of life. For when we begin to internalize the one who is One with the motherly Father, the perfect Law of Liberation, we learn a third way; we cross over into the land of milk and honey; we are changed and transformed by our baptism into the death and resurrection of Christ, and become the children of God.
In Christ Jesus, our relationships are built on self-giving love, the "doing" which overcomes all evil, and even can withstand evil intentions in our relationships with one another, and the world.
Let us Not Just Be, washers of the fruit we buy before eating, but be those who faithfully give fruit to those who are hungry, because we have first been cleansed by the love of our motherly Father, the perfect Law of Liberation. | {
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From weddings to business events and seminars, we are able to host practically everything. We would also be happy to provide you with additional information about appropriate side programs. In order to stage events efficiently and at the highest level, of course, a venue also needs to offer a full range of equipment.
Basic lighting is provided, while professional lighting systems can be leased out as needed.
BOSE high-performance equipment with mixer console, Sennheiser microphones, wireless mics possible in all rooms. Complete array of connections for digital audio-visual systems.
Phone/Fax: ISDN connections, analogue connectivity, Internet/E-Mail available.
conferencing & discussion tools, TV, VCR, CD-player, camcorder, speaker's dais, slide projector, overhead projector, flip chart, digital projector with screen, as well as other technology, which can all be made available at standard leasing prices. | {
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Sunny days call for light, bright seafood dishes perfect for enjoying al fresco.
With only a few weeks left until September hits, we should be making the most of our local patios. Here are some different, perfectly tasty seafood dishes to eat over the lunch hour while the sun is shining.
A great way to start off a meal on this restaurant's beautiful patio, this spin on tataki is full of flavour. Tuna is rolled in an exotic blend of dry spices and served up with edamame puree, sour cream foam and tomatoes.
Briggs' patio may be on the smaller side, but it's one on the only ones that you'll find on 10th Avenue S.W. Grab a table with friends and order up some of the tasty sharing plates like shrimp lettuce wraps with Asian-style slaw and sesame sauce.
Mixed tableside, the combination of sustainable seafood like prawns and squid tossed with tiger's milk (the citrus marinade that cures the seafood), red onions, cilantro and cancha (toasted corn) is one of this restaurant's signature dishes.
Always a beautiful patio to spend some time eating and drinking, Cibo's menu has got a lot to offer to everyone. This bowl of clams in a white wine tomato sauce with guanciale is a delicious plate to dive into. Use the ciabatta to soak up all the extra sauce while you wait for your pizza to arrive.
A generous portion of baby shrimp are served piping hot in a cast iron pot, coated in a spicy chili butter that's spiked with fresh lemon balm and topped with a salad of baby greens and pickled vegetables. It pairs perfectly with Christina Mah's signature green caesar made with a vibrant celery and clam broth.
Always busy, busy inside for lunch and dinner, a great option is to use the restaurant's to-go window to pick up your food and sit outside on the little patio or head to nearby Central Memorial Park. Perfectly cooked chunks of octopus are tossed in a bright dressing along with avocado, cucumber and tomato and served on a crispy tostada base. | {
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« The Farm in Education: A Week Away!
Hi, Acadia Community Farm !
Many of you know Heather MacArthur – she had a plot at the garden this past summer. She's a New Minas native who spent some time away from the valley, getting educated in Peterborough Ontario and has now returned, much to Wolfville's good fortune. Heather plans on staying in Wolfville for the foreseeable future and as such, is a wonderful asset to the project. Send her a note at [email protected].
Brynne Sinclair-Waters is a 5th year Political Science major at Acadia who began helping the Farm in a serious way this past fall, when she managed to get loads of students involved in the project and helped to organize the 'Farm in Education' forum. She's especially interested in improving connections between the Farm and the student body. If you have ideas… [email protected].
Dewey Dunnington is a 3rd year Environmental Science major who is a long-time shoveler at the garden, but a recently converted grant-writer and fundraiser. Stay tuned for word about several wintertime fundraisers that Dewey (and others) are putting together… Get in touch with him if you have fundraising ideas (or if you like bluegrass music) – [email protected].
Tyler Boucher's a Mainer with an independent Environmental Science project to do this upcoming semester, which he intends to use as an opportunity to do some research that could benefit the farm. Stay tuned for more on what he'll come up with… and reach him, if you'd like to, at [email protected].
So, that's all you'll hear from me. I look forward to visiting Wolfville next summer to see and taste what's growing! Thank you for the opportunity to work alongside you all these past two summers. It's been a wonderful adventure. | {
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Welcome to the France Membership home page.
As the France Membership Director, I look forward to helping the members of our country take advantage of all of its available photographic opportunities. If you reside in France please feel free to contact me with your thoughts and suggestions about creating programs that will benefit our country's members. Let's all work together to develop some interesting and exciting activities. | {
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Евгений Леонидович Подорванный (9 апреля 1978, Жданов, Украинская ССР, СССР) — украинский баскетболист. Мастер спорта по баскетболу.
Биография
Выступал за БК "Азовмаш" (Мариуполь). Игрок МБК "Николаев" и Национальной Сборной Украины. Атакующий защитник.
Баскетболисты Украины | {
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package io.sarl.lang.ui.outline;
import static io.sarl.lang.sarl.SarlPackage.Literals.SARL_BEHAVIOR_UNIT;
import com.google.inject.Inject;
import org.eclipse.emf.ecore.EClass;
import org.eclipse.jface.action.Action;
import org.eclipse.xtext.ui.IImageHelper.IImageDescriptorHelper;
import org.eclipse.xtext.ui.editor.outline.IOutlineNode;
import org.eclipse.xtext.ui.editor.outline.actions.AbstractFilterOutlineContribution;
import org.eclipse.xtext.ui.editor.outline.impl.EObjectNode;
import org.eclipse.xtext.ui.editor.outline.impl.EStructuralFeatureNode;
/**
* Customize the filter/sorter of the outline.
*
* <p>This filter permits to hide/show the behavior units.
*
* @author $Author: sgalland$
* @version $FullVersion$
* @mavengroupid $GroupId$
* @mavenartifactid $ArtifactId$
*/
public class SARLBehaviorUnitOutlineFilter extends AbstractFilterOutlineContribution {
/** Key in the preference storage for outline components.
*/
public static final String PREFERENCE_KEY = "io.sarl.lang.ui.outline.filterBehaviorUnits"; //$NON-NLS-1$
/** Basename of the icon of the action.
*/
public static final String ICON_BASENAME = "hide_behavior_units.png"; //$NON-NLS-1$
@Inject private IImageDescriptorHelper imageHelper;
/** Replies if the given type is a behavior unit.
*
* @param type - the type to test.
* @return <code>true</code> if the given type is for a behavior unit; <code>false</code> otherwise.
*/
protected static boolean isBehaviorUnit(EClass type) {
return type == SARL_BEHAVIOR_UNIT;
}
@Override
protected boolean apply(IOutlineNode node) {
if (node instanceof EObjectNode) {
return !isBehaviorUnit(((EObjectNode) node).getEClass());
}
if (node instanceof EStructuralFeatureNode) {
return !isBehaviorUnit(((EStructuralFeatureNode) node).getEStructuralFeature().eClass());
}
return true;
}
@Override
protected void configureAction(Action action) {
action.setText(Messages.SARLBehaviorUnitOutlineFilter_0);
action.setDescription(Messages.SARLBehaviorUnitOutlineFilter_0);
action.setToolTipText(Messages.SARLBehaviorUnitOutlineFilter_0);
action.setImageDescriptor(this.imageHelper.getImageDescriptor(ICON_BASENAME));
}
@Override
public String getPreferenceKey() {
return PREFERENCE_KEY;
}
}
| {
"redpajama_set_name": "RedPajamaGithub"
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Community health benefits of nature-based projects built to capture and clean stormwater.
Environmental health benefits provided by investing in nature-based solutions.
Economic benefits created through nature-based projects.
Job opportunities created through the construction and maintenance of nature-based projects.
Construction jobs and O&M jobs have the greatest potential to incorporate career pathways into program design, benefitting residents, improving regional equity, and building ladders to the middle class. The apprenticeship model and on-the-job training in the construction and public sectors allow workers to earn as they learn. To maximize job access and career pathways, the county's SCWP should supplement industry apprenticeships with tailored training, project labor agreements, targeted hire goals for local or disadvantaged workers, and a pre-apprenticeship program.
The water challenges facing the region are experienced differently in different communities across Los Angeles County, with low-income communities of color bearing the burdens of inequitable access to safe, clean, and reliable water.
The Prevention Institute takes a dive at the water issues facing underserved communities and the opportunity to address them through a potential funding measure.
Learn more about the opportunities to reduce our dependence on imported water, prevent water pollution and control flooding through increased onsite retention.
This report examines the significant potential contributions available from four priority opportunities: improved efficiency in urban and agricultural water use, reuse and recycling of water and increased capture of local rain water.
Following extraordinary water conservation efforts and considerable amounts of winter rain and snow, California ended the drought State of Emergency earlier this year but the long-term effects of climate change are likely to continue. Capturing and using or storing stormwater runoff when it rains can help communities increase water supply reliability. The following reports explores the opportunities for stormwater capture in urban and suburban California.
Similar to Los Angeles County, stormwater pollution is one of the biggest threats to water quality in urban areas of Washington State. Discover how green and grey stormwater infrastructure helps improve the water quality of Puget Sound while preserving the quality of life for Washington State residents.
This brief examines two efforts that demonstrate stormwater as a key part of the solution to extreme weather cycles and California's ongoing drought – one by NRDC and the Pacific Institute, and another by the Los Angeles Department of Water and Power, TreePeople and Geosyntec. These analyses show how stormwater capture can provide effective solutions to extreme weather cycles and a secure water future – and how governments, agencies and residents can take action to help achieve both of these goals.
This study reviews the projected costs from investing in infrastructure that meets the needs of water, wastewater, and stormwater utilities. Additionally, the report highlights estimates of associated economic benefits that would be realized if the nation chose to make these investments. These benefits include the economic opportunities created by water infrastructure projects, the long-term productivity savings to the customers of water utilities, as well as the avoided costs of frequent disruptions in water and wastewater service to business.
California's water system provides many vital services: supplying clean water for homes and businesses; protecting the quality of rivers, lakes, and beaches; preventing loss of life and property from devastating floods; and safeguarding the health and habitat of humans, fish and other wildlife. The following reports looks at the funding gaps in California's water infrastructure, which include flood protection, stormwater pollution, aquatic ecosystem management and integrated water management.
The City of Los Angeles Department of Water and Power is responsible for providing the City of Los Angeles with a safe and reliable supply of water for residential, commercial, governmental, industrial and institutional uses. As imported water has become more expensive, less reliable, and more susceptible to limitations, stormwater flowing to the ocean has been recognized as an increasingly valuable resource for the region. The following report outlines how LADWP plans to implement infrastructure to address these issues by investing in projects that capture stormwater.
Explore successful projects using nature-based solutions to capture and reused storm water across the United States, China, Singapore and Europe.
In this report, TreePeople focuses on the concept of a Los Angeles Unified School District Water Partnership project, looking at collaborative options that could allow for increased stormwater capture projects on LAUSD campuses. This partnership could increase the region's water security while creating a pathway for major public investment in greening and cooling campuses for Los Angeles' children.
This report summarizes findings and recommendations from one of two projects in the first phase of the Multi-Agency Collaborative (MAC) – a partnership among the City of Los Angeles Bureau of Sanitation, City of Los Angeles Department of Water and Power, Los Angeles County Department of Public Works and TreePeople. The purpose of the Multi-Agency Collaborative is to build a case for a collaborative, systemic approach to address the region's short-term drought emergency and long-term water crisis.
TreePeople embarked upon an information and best practices exchange program between government, research and community organizations in Australia and Southern California. The program is aimed at sharing innovations, best practices and experience related to community, business and government agency engagement in urban rainwater capture and water conservation practices. This study tour report highlights data that were collected on innovations and experiences related to urban water conservation, rainwater harvesting and other drought responses.
California and Australia share many climatic, socioeconomic and demographic characteristics that lend themselves to meaningful exchanges of knowledge and innovations. With the benefit of Australia's documented experiences, California can learn what solutions worked and did not work in Australia. The following report highlights several lessons learned from studying the water and climate crisis strategies employed in Adelaide and Melbourne, and numerous policy recommendations that California can use to address its current challenges. | {
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Biografia
Gottfried Heinrich divenne disabile mentale nell'età giovanile, ma suonava molto bene gli strumenti a tastiera e il fratello Carl Philipp Emanuel Bach ha affermato che egli aveva ottime potenzialità, che però non hanno potuto svilupparsi. Potrebbe inoltre aver composto la melodia dell'aria So oft ich meine Tobackspfeife BWV 515 contenuta nel Piccolo libro di Anna Magdalena Bach.
Dopo la morte del padre nel 1750 Gottfried Heinrich visse con la sorella minore Elisabeth Juliane Friederica e suo marito Johann Christoph Altnickol. Altnickol era un musicista che visse e lavorò a Naumburg. Dopo la morte del cognato nel 1759 Gottfried Heinrich rimase a Naumburg con la sorella fino alla morte avvenuta poco dopo.
Note
Bach (famiglia) | {
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Hello everybody! I have some VERY exciting news! I have only shared this news with a few select people so far, and now, I am going to share it with all of you!
On Friday the first, I finally purchased my plane ticket to China!!! Today I started crying when talking to my boyfriend about it, because I am just so overwhelmed with joy, complete happiness, and relief, that I will finally be returning to the place that my heart yearns for!
It's been three years since I have been in my beloved homeland, and it feels like an eternity.
I finally saved up enough money to buy my round trip plane ticket to China, but when I went to buy it, I couldn't find anything under $1,600, which was more money than I had planned on spending! So after a day of freaking out, and trying to figure out what to do, I finally accepted that I just wasn't going to go. The next day I decided to check one more time, and I found a site that I hadn't looked at before, Vayama! So I checked on there, and found affordable tickets! I immediately bought them!
Last Monday I filled out and printed my visa application form, printed out my plane ticket confirmation, booked a hotel for my first two days there, and printed out the hotel confirmation (since 2012, it is now required to send in your round trip plane ticket confirmation, and a hotel reservation confirmation when you send in your passport for your visa). On Thursday, I got my Visa picture taken, and mailed in all my documents to get my Visa!
I will be leaving Ohio on April 10th, and getting back May 16th. It's not as long as I wanted it to be, but this is the amount of time that works with this point in my life right now, and I am grateful for any amount of time that I get to be in China!
I'm not completely sure what my time in China will look like, and that's the way I want it! I'm getting ahold of some good friends there, and will for sure see them, but as of now, I'm not even sure which city they are in! So I'm going to Xi'an (the city I lived in) with no agenda, just letting whatever happens happen (that's how some of the most fun things can happen)!
I do know that I will be eating lots and lots of food, doing a TON of shopping, and walking, taking buses, and riding motorcycle taxis all over the city!
I've debated over this, but I have decided that I will not be taking my laptop with me. I want to travel really light (I hate checking bags!), and don't want to have to lug my laptop around with me. So I will not be on here a lot, but I will make sure that I go to an internet bar every once in a while to check in, and let you know how my trip is going!
You're all probably wondering, "How on earth can a waitress, that only works 3 days a week, save up enough money to go on a Cruise to the Bahamas in February, and then a month long trip to China two months later?!!" I guess when you put it like that, it does seem pretty crazy haha! I get asked this all the time, and so I have decided, that when I get back from China, I'll let you in on my secret! I'll most likely write a couple different posts on it, but I am very excited about this series, and you should be too! | {
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16 November 2000 Edition
No confidence in British
Sinn Féin President Gerry Adams has accused the British government of lacking the political will to resolve the current crisis in the peace process caused by David Trimble's discriminatory actions against Sinn Féin ministers. In his strongest attack yet on Tony Blair and Peter Mandelson, Adams said that he had little confidence in the British government's management of the Peace Process and that Sinn Féin was taking ``imminent'' legal action to challenge the party's exclusion from all-Ireland Ministerial Council meetings. Free article
Patten has been ``gutted''
One of the independent members of the Patten Commission, Dr Clifford Shearing, has comprehensively denounced the Police bill, which has just undergone its third reading in the House of Lords. Free article
Mac Cionnaith attacked by loyalists
Garvaghy Road spokesperson Breandan Mac Cionnaith was attacked by a group of loyalists in a hotel in Bray, County Wicklow, where he was staying with friends at the weekend. Coincidentally, loyalists from Banbridge and Portadown were staying in the same hotel. Free article
Mandelson has flag case to answer
Sinn Féin Equality spokesperson Michelle Gildernew, has welcomed the Belfast High Court decision last Thursday, 9 November, granting Sinn Féin Newry and Armagh Assembly member Conor Murphy leave to apply for a judicial review of Peter Mandelson's decision to issue regulations on the flying of flags over government buildings. Free article
Extradition proceedings dropped
Sinn Féin Councillor Martin Ferris has welcomed the announcement that the Dublin government will not be pursuing the extraditions of Angelo Fusco and Paul Magee. Free article
Vincent McKenna jailed
Vincent McKenna was led away to Mountjoy jail this week after being convicted of sexual abuse against his daughter. It was an infamous end to an infamous career of a man branded by the family he persecuted as a serial liar and control freak. Free article | {
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Health educators work in social assistance industries and state and local governments. They promote health and wellness to the public and attempt to decrease the occurrence of health issues such as cancer, sexual transmitted diseases, and problems linked to things like smoking and an unhealthy diet.
Health educators may specialize in one area such as nutrition or sexual health. They may travel a region or country lecturing, or can teach classes in one place like a school or community center. A large part of the job is creating curriculum and tailoring it to the audience.
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Q: understanding relation between correct decimal digits and logarithm Assume that $k<1$ and an iteration satisfies $|a_{n+1}− t| < k|a_n − t| \Rightarrow |a_{n}− t| < k^n|a_0 − t|$
And here the book declares that iteration step contributes at worst roughly the same number of additional correct decimal digits, the number obtained in each step being approximately $− \log_{10} k$.
I am trying to understand relation between correct decimal digits and logarithm. We have not defined rigorously logarithm function but I remember basic properties of logarithm from school math. So I could write $\log_{10}|a_n − t|<n \log_{10}k+\log_{10}|a_0 − t|$
But how this inequality implies to the decimal digits I am troubling imagine. Could anyone explain me, please. Thank you in advance.
A: An example can be ilustrative:
Take $x = .12345678$ and $y = .12344321$
Since they have in common the first $\color{red}4$ digits, we have $|x-y| = .00001357 < .0001 =10^{-4}$, so $\log_{10}|x-y| < -\color{red}{4}$
Can you see the relation between correct number of digits of an approximation and $\log_{10}$ now?
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More than 150 financial professionals, including top traders, strategists and researchers attended the inaugural Cboe Risk Management Conference (RMC) in Tel Aviv, Israel on November 6. A variety of topics related to the management of risk and return in investment portfolios were discussed by 17 speakers at RMC Israel, including the three speakers pictured below: Sheldon Natenberg (left), Andy Lowenthal (center), and David Blitzer (right).
Points made by Mr. Blitzer included: (1) Central banks are shifting from stimulus to restraint, while fiscal and trade policies are driven by populist politics in the U.S. and parts of Europe, (2) The U.S. is enjoying faster growth but faces long-term risks, (3) Europe and England are approaching the Brexit deadline, (4) Japan must nurture its nascent recovery, and (4) China may decide how open its markets will be.
Matt Moran, Head of Global Benchmark Indexes Advancement, Cboe Global Markets, delivered a presentation on "Options-Based Performance," and design and performance of options-based strategy indexes. Links to white papers and information on more than 30 options-based benchmark indexes are at www.cboe.com/benchmarks.
Natasha Jhunjhunwala, Executive Director, Equity Derivatives Structuring, at Goldman Sachs in London, delivered a presentation on "Considerations for Constructing Short Volatility Strategies," in which she discussed (1) Equity volatility risk premia strategies across regions, (2) Passive versus active approaches, and (3) Managing drawdowns in times of market stress.
Oyetola Oyeleye, Quantitative Researcher, Fulcrum Asset Management, delivered a presentation on "Managing Multi-Asset Short Volatility Portfolios," in which he discussed: (1) Optimal delta-hedging in short volatility strategies, (2) A look at theory and empirical study across asset classes, and (3) Buffering as an effective way to reduce costs.
Mark Richardson, Portfolio Manager, Janus Henderson, delivered a presentation on "A Framework For Options-Based View Expression," in which he discussed: (1) Options market implied probability distributions, (2) Investors view distributions, and (3) Combining the two for a resultant trading strategy.
Emmanuel Naim, Managing Director, Head of Americas Equity Structuring at JP Morgan, delivered a presentation on "Managing Downside Equity Risk," in which he discussed (1) Main approaches to hedging, (2) Tail risk hedging and why this matters for long-term investors, and (3) New developments and integration of momentum strategies within a hedging framework.
Uri Geller, Co-Founder and CIO, Granite M.S.A. Ltd.
Some customers discuss factors such as the trade situation and interest rates.
Cboe Futures Exchange, LLC (CFE) launched trading in Cboe Bitcoin futures on December 10, 2017, under the ticker symbol XBT. www.cboe.com/XBT.
Millions of people own cryptocurrencies, which are a decentralized asset class, and there is potential for new investment by millions of consumers in the future.
The conference ended with a cocktail reception. Cboe was pleased to host this event, which allowed the user community in the region to meet and discuss their various outlooks and uses of the Cboe's proprietary product line. Cboe appreciates the enthusiasm and participation of the community and looks forward to more educational events in the coming years.
Cboe especially thanks the conference sponsors: Israel Interactive Trading, X-FA and WEX.
More information about Cboe RMC Tel Aviv is available at www.cboermctelaviv.com, including the full agenda and speakers' biographies. Videos from Cboe RMC Tel Aviv will be uploaded to the Cboe Video Hub at www.cboe.com/video in the next month.
www.cboe.com/benchmarks Cboe's strategy benchmark indexes, and related research papers by Wilshire and other firms.
www.cboeRMC.com Cboe Risk Management Conferences in Europe, Asia and the U.S. | {
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Season: 1
Singer-songwriter Ella Eyre burst onto the music scene back in 2013 when she featured on the number one single, Waiting All Night, with Rudimental – which went on to win the BRIT award for best British single. She's since toured the world, releasing hits like If I Go, Gravity, Came Here for Love and Just Got Paid and is now back with new material, most of which was written and recorded in Jamaica. We talk about her Maltese and Jamaican heritage, her obsession with Asian cuisine, the time she nearly became a professional swimmer, and her once in a lifetime performance on Richard Branson's private island.
Destination Recap:
Necker Island, British Virgin Islands
Frenchman's Cove, Jamaica
Four Seasons Langkawi, Malaysia
Kanada-Ya restaurant, London
Sticks & Sushi restaurant, London
La Clusaz, France
Singapore Grand Prix
Ella Eyre's fabulous new single, Mama is out now on Island Records.
Thank you so much for listening. If you haven't yet left a 5 star rating, why not do so now! Your support is so greatly appreciated and most importantly, helps others to discover the podcast.
Come and find me on Instagram – I'm @hollyrubenstein – and to find out more about the podcast, visit TheTravelDiariesPodcast.com
This is episode was produced by Holly Rubenstein
© 2022 The Travel Diaries Podcast | Website Built by LGC Digital | {
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I inherited my Mother's button box – filled with buttons of all kinds collected over decades from discarded dresses, cardigans and blouses which were often turned into cleaning rags or rugs after salvaging the zips, hooks and buckles as well as the ubiquitous buttons. Left-overs from sewing and knitting projects also went into the box. Not only spare buttons but scraps of darning wool, lengths of embroidery thread and all sorts of miscellaneous haberdashery were always kept "just in case". My mother's generation knew the meaning of frugal.
Her button box, which was an old, faded and worn chocolate box, contained buttons and buckles she had also inherited from her mother, aunt and grandmother – more than I would ever need in a life time but too sentimental and useful to discard. I've kept up the tradition and added to it in a small way and was lucky to find a crafty lady who made me several necklaces with them so they weren't just hidden away.
I love to wear my button necklaces. They are unusual, pretty and much admired – and it's nice to be able to share the joy of them with others. I remember some of the clothes that they came from and I always feel close to the women who saved them and handed them on when I'm wearing the contents of the button box.
My "box" is actually an old tin which I occasionally enjoy rummaging through just to feel the smooth textures of the buttons as I did when I was a kid. I'm thinking about how else I can give these old buttons new life. One idea I pinched from www.craftsbyamanda.com is to create a "button tree" on canvas.
I met a woman recently who was devastated to discover that her sisters had thrown away her Mum's old button tin when clearing her house after her death. It was the only thing that she had wanted to keep as a memento of her mother. The button tin held memories not only of buttons past but of happy times sewing with Mum or rummaging through the tin to find a suitable button to replace a missing one.
So, I decided to continue the tradition – a symbol of thrift and frugality – by gifting "starter" tins of buttons to my nieces. As people become more interested in recycling and up-cycling, mending and making-do, the button box or tin could well make a come-back in every home.
There is a dark side to Tasmania and I'm not referring to the mid-winter, Dark MOFO festival or to the "dark stain" of the island's convict history. There are no longer bushrangers roaming here – they have been replaced by the real estate industry and a disturbing lack of consumer protection.
When you move, "flit" or relocate, you are not just leaving behind your friends, family, neighbours and work colleagues but that tribe of others who are a part of your support network – hairdresser, doctor, dentist, plumber, nail technician/beauty therapist (for some), vet, barista. | {
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This article is about a hard drive fault. For the ambient-noise music project, see Bad Sector.
Bad sector in computing refers to a disk sector on a disk storage unit that is permanently damaged. Upon taking damage, all information stored on that sector is lost. When a bad sector is found and marked, the operating system skips it in the future.
A bad sector is the result of mechanical damage. Bad sectors are a threat to information security in the sense of data remanence. Very often physical damages can interfere with parts of many different files.
Bad sectors may be detected by the operating system or the disk controller. Most file systems contain provisions for sectors to be marked as bad, so that the operating system avoids them in the future. Disk diagnostic utilities, such as CHKDSK (Microsoft Windows), Disk Utility (on macOS), or badblocks (on Linux) can actively look for bad sectors upon user request.
When a sector is found to be bad or unstable by the firmware of a disk controller, the disk controller remaps the logical sector to a different physical sector. Typically, automatic remapping of sectors only happens when a sector is written to. In the normal operation of a hard drive, the detection and remapping of bad sectors should take place in a manner transparent to the rest of the system and in advance before data is lost. There are two types of remapping by disk hardware: P-LIST (mapping during factory production tests) and G-LIST (mapping during consumer usage by disk microcode). Utilities can read the Self-Monitoring, Analysis, and Reporting Technology (SMART) information to tell how many sectors have been reallocated, and how many spare sectors the drive may still have. Because reads and writes from G-list sectors are automatically redirected (remapped) to spare sectors, it slows down drive access even if data in drive is defragmented. Once the G-list is filled up, the storage unit must be replaced.
A sector was deliberately made "bad" so that the disk controller would attempt to read it several times, generally requiring one complete revolution of the media ("spin") for each attempt. This made reading slow, and the read would complete eventually indicating an error, were the disk legitimate. Were it a copy, it would complete quickly indicating a successful read: but this then proved it was a copy, made without the deliberate bad sector.
The same header information was present on the same track more than once for the sector, typically half a spin (180°) apart, depending on the slew rate of the disk and the expected interleaving by the operating system. (Typically, disks are laid out so that the "next" sector to read will be about to pass the head just as the software asks for it.) So the head would read the "same" sector with different information, since two copies were available diametrically opposite and the disk head would see either of the two, depending on when it was asked. Generally, because of variations in spin speed, the request was made three or four times until different results were (or were not) achieved. Again, if the same data were retrieved every time, the disk was a copy; if different data were obtained, it was an original. In both cases the data was successfully read, so a simple XOR of the two (or similar) could then be used to give a comparison against a known string of characters, so that not only did the data have to differ, but had to differ in an exact bit pattern.
These techniques could generally be easily circumvented since the code to read the bad sectors was usually in the bootstrap loader on the disk itself, so by reverse engineering and rewriting the bootstrap loader, it would not look for the bad sectors, and the comparison for a known bit pattern would have to be encoded there, too.
ARccOS Protection – bad sector protection on DVDs, used by Sony.
^ "Bad Sector Remapping". mjm.co.uk.
^ Monitoring Hard Disks with SMART.Linux Journal, 2004.
^ "Encyclopedia". PCMag.com. Ziff Davis. | {
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If you're feeling that business is all about the chasing the almighty revenue, you need only turn to Life & Mobility BV, a company that is successfully combining a mission of service with a healthy profit margin. Based in the Netherlands, Life & Mobility manufactures and sells wheelchairs and scooters that enable thousands of people with disabilities to move through the world with freedom.
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As a result, product development and sales teams need very precise configuration tools if they're to uphold the company's mission and work successfully with partners and customer across a worldwide care chain. They've always done the job right, but faced significant challenges. Every device requires a unique bill of materials. A single incorrect exclusion can throw off hundreds of other options and significantly hold up order processing and production. While Life & Mobility trusted the accuracy of their configurator, using it involved custom coding that devoured time. Sales specialists struggled to master 2 user interfaces—configurator and ERP—and found that every sale was an exhaustive hunt for the right options.
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e-Con is driven by a rules engine that's ideal for custom manufacturers, because it enables them to design products with literally thousands of variables. Engineers no longer need to spend time instructing salespeople about BOM creation— every element and option is pre-defined. Salespeople can breathe a sigh of relief. When they're creating proposals, quotes, and order, they move through an intuitive guided selling process that prompts them to make the right choices and protects them from creating impossible combinations. e-Con fuels the Life & Mobility mission by enabling product development to create the best possible products, and equipping sales to offer customers the exact options they need with confidence. Completed quotes can be converted into orders with a few clicks, and pushed to the ERP system for quick processing and transformation into production BOMs. The people who need these devices can get moving sooner, because Life & Mobility can jump-start production.
Configuration models are created in the e-Con Studio, which as a model-based environment almost eliminates hand- coding. Product teams can also manage innovation in near-real time. Product enhancements can be configured in a matter of minutes and applied to existing models. That frees designers and engineers to focus on larger advances in technology that ensure a healthy future for the company.
Life & Mobility is generous in sharing its accomplishments, and credits e-Con with helping them improve their ability to meet customer needs and ultimately, change customer's lives. That's a fresh and inspiring perspective that gives new meaning to our work at e-Con Solutions. | {
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240GB SSD upgrade for select MacBook Air and MacBook Pro. NVMe PCIe Gen3 x4 interface, includes SSD Enclosure with Thunderbolt interface. Also includes is T5 and P5 screwdrivers.
Well worth it. Kit included all I needed, including odd-ball format screwdrivers. And a link to an instructional video.
Also included was a case and cable to turn the original drive into a spare external drive. Not used yet in my case bacause my original Apple (Samsung) drive failed disastrously, but I might buy another drive (not a kit) to insert into this to take advantge of the thunderbolt connection to a fast external SSD. | {
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Judge Anderson
Doctor Who – "The Tsuranga Conundrum"
Jamie Brackell / November 4, 2018
"The Tsuranga Conundrum"
Doctor Who: Series 11 – Episode 5
Written by: Chris Chibnall
Directed by: Jennifer Perrott
Synopsis: Injured and stranded in the wilds of a far-flung galaxy, the Doctor, Yaz, Graham and Ryan must band together with a group of strangers to survive against one of the universe's most deadly – and unusual – creatures.
Fast-paced and with plenty of fires needing to be put out simultaneously, "The Tsuranga Conundrum" was a brilliant example of the Doctor put on the spot and forced to work against a time limit. Once again separated from the TARDIS and her sonic screwdriver, albeit temporarily, this episode highlighted the Doctor's ingenuity and her ability to quickly adjust to and take control of her new surroundings. Reminiscent of episodes like "42", "The Impossible Planet" and "Sleep No More", "The Tsuranga Conundrum" isolated the Doctor on doomed spaceship and applies a tense time-limit to the situation.
As with other stories seen this season, on paper "The Tsuranga Conundrum" had a fairly simple plot structure but Chris Chibnall used his knack for character-driven drama to strengthen his script and humanise the sci-fi elements. Each of the supporting cast were given some meaningful development and growth throughout the episode, such as the fractious relationship between the Cicero siblings, the junior doctor struggling to keep things running in the absence of her superior, and a pregnant male alien debating his worthiness to be a father. So much was crammed into this episode, but these sub-plots actually flowed nicely alongside the bigger action set-pieces, complementing the big moments with emotional pay-offs that mattered.
With so much time dedicated to the supporting characters, it did feel like Graham, Yaz and Ryan were pushed further into the background – although Chibnall did manage to address some of the season's recurring subplots; such as Ryan and Yaz's blossoming romance, and Ryan and Graham's male bonding tour of the galaxy. Yet again, Ryan refused to give his step-grandfather a fist pump, clearly saving that moment for the season finale. I am surprisingly invested in their relationship, which is a credit to the writing, and really hope that the pair are given a happy ending – however, I suspect that Chibnall's focus on human drama might mean that we aren't going to see a resurrected Grace at the end of their travels with the Doctor. While Yaz is given a nice action sequence, and a spot alongside the Doctor in the climactic scenes – she still lacks a defining character trait. I'm hoping next episode's "Demons of the Punjab", which promises to explore her family history, offers some much-needed depth for the character.
One element about this episode I really enjoyed was how unpredictable it seemed in the initial ten minutes, and how it wasn't clear who or what the antagonist would actually be. At one point, I thought that Ronan – the android assistant – was malfunctioning and sabotaging the ship; I also thought it might be a case of inter-planetary war relating to Eve Cicero and her history as a pilot and then later on, I suspected that it was some kind of electric current monster inhabiting the ship. As it turned out, it was a Pting – a small gremlin-esque creature that looked like a Slitheen and and Adipose had gotten overly affectionate in a space locker somewhere. Eating through the ship like Stitch from Lilo and Stitch, without regard for health and safety of its occupants, it created a chain reaction of life-threatening events forcing the Doctor to keep enough plates spinning until they reached a way to trans-mat back to the TARDIS.
While Chibnall has actively avoided using classic monsters in order to establish the new Doctor in her own right, and create a new set of villains for her to face – none of them have particularly stood out as candidates worthy of repeat appearances. Until now, that is. I thought the little Pting creature was brilliant – equal parts cute and deadly, indestructible and insatiable, the creature will definitely sell plenty of action figures and merchandise. In the same way that T'zim-Sha felt like The Predator viewed through a family-friendly lens, the Pting felt like someone had put a Gremlin, Critter, the Tasmanian Devil and Stitch into a blender and created a medley of pop culture references. That said, the final result is so cute and extremely well animated that I saw past some of the similarities to other hungry aliens. While I doubt it'll make a return appearance, the Pting is a welcome addition to the Doctor Who menagerie of monsters and has a name that is extremely fun to say out loud!
Arguably, "The Tsuranga Conundrum" is the most science-fiction orientated episode of the season so far, however Chibnall manages to keep things accessible and easy-to-follow, remembering that the series should engage with children first and foremost. I'm sure kids will love the simplicity of the Pting eating its way through the ship, and marvel at the idea of a pregnant man. As we're now at the halfway point of this season, I look back and see numerous key moments that kids will no doubt be re-enacting in playgrounds across the country, and while I have no evidence whether less children watched the show during Steven Moffatt's era or not – there is no denying that the storytelling had gotten more complex and confusing to a casual viewer. As a result, Chibnall's more streamlined storytelling can sometimes feel too simplistic and rudimentary in comparison, but ultimately, the series has not been this accessible since 2005, and I hope it is proving popular amongst schoolkids.
Gripping, cinematic and with a memorable antagonist at its core, "The Tsuranga Conundrum" was yet another solid example of how Doctor Who has reinvented itself in its eleventh season – blending sci-fi action and human drama together to produce stories that can be enjoyed by both old and new fans alike.
Score – ★★★★
Next Episode – "Demons of the Punjab"
India, 1947. The Doctor and her friends arrive in the Punjab, as India is being torn apart. While Yaz attempts to discover her grandmother's hidden history, the Doctor discovers demons haunting the land. Who are they, and what do they want?
November 4, 2018 in TV Reviews. Tags: 13th Doctor, Doctor Who, Graham O'Brien, Pting, Ryan Sinclair, Yasmin Khan
Doctor Who – "Revolution of the Daleks"
Doctor Who: A Tale of Two Time Lords – "A Little Help from My Friends"
Doctor Who – "Arachnids in the UK"
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Netgalley Awards | {
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Column by Clarke Reader
Meet the real furry Avengers at museum
Recommended activities for the coming week
Posted Tuesday, May 14, 2019 5:25 pm
The Avengers are all well and good for an escapist superhero story, but audiences in search of the real thing will instead want to head to the Phipps IMAX Theater at the Denver Museum of Nature & Science, 2001 Colorado Blvd.
That's where "Superpower Dogs" is showing, and will be through the end of the year.
"This is a real-life action-adventure science comedy about real dogs who fight crimes and save lives," explained producer, writer and director Daniel Ferguson, who also worked on the recent IMAX film, "Jerusalem." "The film takes our whole obsession with superheroes and transpose to that to these amazing dogs."
Narrated by devoted dog guy and everyone's favorite Captain America, Chris Evans, the movie follows Halo, a rookie puppy training to join one of the most elite disaster response teams in America.
As Halo develops his skills, the audience gets to meet dogs who represent the best of these skills (or superpowers) from all over the world. That includes an avalanche rescue dog from British Columbia, bloodhound brothers in Kenya who assist in locating poachers and a therapy dog.
"We did a lot of research, because every documentary lives and dies on research and casting. I wanted a mix of breeds and color palettes, as well as a range of superpowers," Ferguson said. "This is a great subject because it forms a natural line of inquiry from the audience. They will come up with questions on their own instead of forcing scientific content on the audience."
Being ever cognizant of the special requirements of telling a story on the larger-than-life IMAX screen, Ferguson said it was important to find the most interesting place to put the camera. A camera rig was also built that sees world in 250 degrees and visual effects were employed to create the world of heightened smell that dogs inhabit. But it is the story of connection that really sets this film apart.
"IMAX movies are often great at spectacle but struggle with intimacy. But this movie focuses on the human-dog bond," Ferguson said. "We've taken the language of superheroes, graphic novels and comics and used it to tell the story of pets making the world a better place. This film is a dramatic celebration of that."
For information on tickets and showtimes, call 303-370-6000 or visit dmns.org/imax.
Get out and about to see Denver's public art
We're right on the cusp of summer, which means many of us will be looking for just about any excuse to spend some time outside. If you're also a person who appreciates art, Denver Public Art Summer Tours are back to scratch both itches.
These free events include a 14th Street Tour, Commons Park, Confluence Park Tour, Cherry Creek Trail Urban Arts Fund Mural Bicycle Tour, Golden Triangle Public Art Tour and many more, all with the aim of shining a light on different aspects of the Mile High City.
Tours are led by public art docents and public art administrators and can be traveled on foot or bike. Attendees will learn about how the city commissions new pieces, the history of the program and the stories behind the artworks and more.
For tour information and times, visit www.denverpublicart.org/tours/.
A carnival for the taste buds
The History Colorado Center is getting in on summer beer enjoyment with its new Beer Here! Brewing the New West exhibit, which opens on May 18.
The exhibit is split into five distinct sections, spanning 160 years of Colorado history. The exhibit explores the state's economic, social and environmental history, using beer and breweries as the connecting thread. Section examples include Beer on the Mining Frontier, Prohibition and The Rise of Craft. All facets of the drink and its history in Colorado are explored, including the importance of saloons in the West, how technology changed the beer industry and how Coors became the huge company it is today.
The exhibit will remain open at History Colorado Center, 1200 N. Broadway in Denver, through August 2020. Visit HistoryColorado.org or call 303-HISTORY, for more information.
Clarke's Concert of the Week — Kevin Morby at the Bluebird Theater
A wise man once said, "there are three things I've learned never to discuss with people: religion, politics, and the Great Pumpkin." Indie rock musician Kevin Morby obviously didn't get the memo when it came to religion, but that's what makes his newly released fifth album, "Oh My God" so compelling.
Morby has always made music that is extremely intelligent and writerly, but on "Oh My God" he channels some of the classic alt-rock vibes that musicians like Lou Reed specialized in. He's leveled up on every album, and this might be his strongest release yet.
In support of the album Morby will be performing at the Bluebird Theater, 3317 E. Colfax Ave., at 9 p.m. on Saturday, May 18. Score your tickets www.bluebirdtheater.net.
Clarke Reader's column on culture appears on a weekly basis. He can be reached at [email protected].
Avengers, Clarke Reader, IMAX, Superpower Dogs, beer and the old west, Kevin Morby, Coming Attractions, movies, dogs, DMNS, Denver Museum of Nature & Science, music, concerts, live music, Bluebird Theater, Denver, History Colorado Center, beer, history, public art, art
Fairy tale characters take stage in show not for kids
Artworks bring color to library in winter
Modern libraries are much more than books
My Name Is ... Jim Benton
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The Leapfrog Group, a nonprofit healthcare ratings organization, Nov. 8 released new Leapfrog Hospital Safety Grades to general acute-care hospitals in the nation. North Suburban Medical Center in Thornton, Colorado was awarded the organization's highest grade, an "A" in patient safety.
The Hospital Safety grades, ranging from A to F, rate how well hospitals protect patients from accidents, injuries, errors and infections.
North Suburban Medical Center was the only hospital in the North Metro Denver area to receive an "A" for its commitment to meeting the highest patient standards in the in the country. This also marks the ninth consecutive time that North Suburban Medical Center has received an "A" in patient safety.
Administered on behalf of employers and other purchasers, the Leapfrog Hospital Safety Grade is the nation's only rating system focused entirely on errors, accidents, injuries and infections. The Leapfrog Hospital Safety Grade is reviewed by a National Expert Panel and receives guidance from the Armstrong Institute for Patient Safety and Quality at Johns Hopkins Medicine. The Leapfrog Hospital Safety Grade is peer-reviewed, fully transparent and free to the public. It is updated every six months, once in the fall and once in the spring.
Impressively, North Suburban has the strongest record of quality of any hospital in the North Denver Metro area and has received several other quality awards and recognition his year. In 2018, North Suburban Medical Center was awarded the Women's Choice Award for Emergency Services, attained a 5-Star Healthgrades rating for vaginal deliveries, and was recertified for Stroke and Sepsis care by The Joint Commission. With the recertification in Sepsis care in 2018, North Suburban remains Colorado's first and only hospital to attain Sepsis certification from The Joint Commission.
To see North Suburban's full grade, and to access patient tips for staying safe in the hospital, visit www.hospitalsafetygrade.org.
To learn more about North Suburban and it quality awards, please visit www.NorthSuburban.com/Quality. | {
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The stucco wall features an outdoor fireplace with Tuscan elements, . The reclaimed wood shelf is topped with potted plants to add greenery to the industrial-style .
This Old House landscaping contractor Roger Cook shows how to construct a wood-timber retaining wall . wall. 20. Continue building . to Build a Timber Retaining Wall.
Outdoor wall lights; . Timber & Sheet Materials. Constructional . MDF architrave from Mets? Wood will look great as a decorative surround for your doors .
Outdoor Bouldering Wall. Roped Climbing Walls. Home . Build your own Climbing Wall. . Fancy your hand at a bit of DIY wall building?
Learn how to build a patio wall panel with these simple instructions. . and outdoor rooms to ponds, . If building your wall panel with posts/pillars, .
Learn how to build an outdoor privacy wall that you can place in-ground, or on a hard surface. You'll see all the tools and materials needed for this . | {
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Our experienced team are on hand to provide you with a professional and efficient service.
With over 20 years experience in the drainage industry, Jason will provide you with advice on your drainage problems.
At South West Drains, our team are able to travel across Cornwall and West Devon to come a fix your drainage issues or provide surveying services.
Please note that we aren't limited to these areas, we cover the whole of Cornwall and West Devon. | {
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Eau Claire, WI – September, 24, 2018 -- UWS, a leading manufacturer and designer of USA-made truck tool boxes and accessories, has released an industry-first transfer tank design. These exclusive, new combo transfer tanks feature a dual construction of steel and aluminum. Both the steel tank and built-in aluminum combo tool box feature a smooth, mill finish. Our new steel transfer tanks are also available in L-shaped and rectangle configurations and in two finish options, black or white powder coat.
New UWS steel combo transfer tanks are an industry-first. The tank itself is constructed from 14-gauge steel, allowing for dependable transfer of liquids to on-site vehicles and equipment. These steel combo tanks also come with a built-in tool box. However, instead of the tool box being constructed from steel as well, it is made from .080" aluminum -- an innovative combination. Without the added weight of the steel tool box, the entire unit weighs much less -- up to 100 lbs. less than competitive models -- keeping unnecessary weight off your truck.
The steel-aluminum combo tanks also feature a smooth, mill finish. This makes them distinct from other transfer tank options that have the more common diamond plate finish. The smooth surface offers a sleek look in the truck bed, and it is available in two powder coat finish options: black or white.
UWS is also adding L-shaped steel transfer tanks and rectangle steel transfer tanks. All tanks are made in the USA and are fully pressure-tested for safety. They come with a lockable commercial-grade cap, built-in drain plug and internal baffles for smooth flow of liquids. All of our steel transfer tanks also come with welded lifting hooks, making it easier to relocate the tank in and out of the truck bed.
Click here to learn more about new UWS steel transfer tanks.
About UWS: UWS, a CURT Group brand, is a leading manufacturer and designer of USA-made truck tool boxes and accessories. Our products are built to the highest quality standards, offering tough and reliable storage solutions for professional tradesmen and truck enthusiasts alike. We offer a full range of truck tool boxes, transfer tanks, chest boxes, dog boxes and other truck storage solutions.
About CURT Group: CURT Group is a leading sales, marketing, engineering and distribution company of towing products and truck accessories for all types of vehicles, from passenger cars to commercial trucks. Our family of brands includes CURT, ARIES, LUVERNE, RETRAC and UWS. We are a team of more than 1,000 associates world-wide, with manufacturing plants in Wisconsin, South Dakota and Florida, and 12 regional warehouses across the United States and Canada. We stand for EXCELLENCE in our products and our associates. We aspire to be the industry LEADER by recognizing that the customer is KING and our associates are our greatest ASSET. | {
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A State of Terror
By: Sara HenríquezApril 24, 2019
Sara Henríquez feels betrayed. As a student in the 1980s, she spent all her spare time working towards the Nicaraguan revolution, as a Sandinista youth and university leader, as part of the 'literacy crusade' and harvesting coffee and cotton.
Henríquez and her comrades were successful in their struggle and the Somoza dictatorship was overthrown in 1979. The Sandinista National Liberation Front (Frente Sandinista de Liberación Nacional – FSLN) governed the country until 1990, launching a massive social programme, including the Nicaraguan Literacy Campaign, massively reducing illiteracy rates. They also greatly improved the Nicaraguan health system, as well as carrying out land reform.
But now, the FSLN that Henríquez worked so hard for is dominated by the family of President Daniel Ortega and his wife, the vice president Rosario Murillo. They are overseeing a violent political and humanitarian crisis that has been ravaging Nicaragua since April 2018. Peaceful protests against the government have been brutally repressed by the state and pro-government armed groups, resulting in the deaths of at least 320 people, over 3,000 wounded, more than 600 imprisoned and 60,000 in political exile. Many have been tortured or disappeared.
Thousands of people took to the streets of Nicaraguan cities from 18 April 2018 to protest against social security reforms that would hit the poor and elderly hardest. The protesters faced violence from government supporters, causing thousands to demonstrate and show their indignation.
The government has continued to use the police and paramilitary groups to violently quash the resistance, criminalising activists as 'terrorists' and making political protest illegal. A recent report by the Interdisciplinary Group of Independent Experts has verified that the Ortega-Murillo government could be formally accused of crimes against humanity. Supreme court judge Rafael Solis – a self-described 'ex-Sandinista militant' – resigned saying that Ortega has transformed the country into 'a state of terror'.
The blue and white of the national flag have become symbols of the resistance movement. 'But then people got arrested for releasing balloons onto the streets,' says Henríquez.
Tens of thousands of Nicaraguans have left the country, many to Costa Rica. In July 2018, UNHCR reported that every day an average of 200 asylum applications were being lodged there by Nicaraguans.
There have been repeated reports of censorship, attacks and threats against the media and journalists. On 19 April 2018, several television channels were pulled off air and a radio station in León, Radio Darío, was set on fire the next day. A journalist from the Caribbean city of Bluefields was killed by the police, according to eye witnesses, and two young black men falsely accused of the crime. Since then, several NGOs and media organisations have been raided.
Authoritarian machismo
Henríquez, a feminist and LGBT rights activist and member of the Autonomous Women's Movement, co-founded two feminist networks in Leon, where she lives. She says that feminists have seen the warning signs in Ortega's politics and behaviour for many years.
Between 1979-90 the 'contra war' raged in Nicaragua. Thousands of 'contras' (counter-revolutionaries) were backed by the US to try to overthrow the FSLN government and undermine its social programmes, leaving 30,000 people dead and 20,000 wounded.
Ortega's original presidency ended when he lost the election in 1990, and over the years he has become more authoritarian, neoliberal and focused on religion. By making a pact with the corrupt extreme right to avoid prosecution for sexual abuse, and then a deal with the churches to ban abortion in exchange for their support, he managed to return to formal power in 2006. Under current laws any form of abortion under any circumstance is punishable with several years in prison for women and medical personnel.
Following his return to power, Ortega immediately began to attack feminists and independent civil society groups, and worked to concentrate state power in the hands of the FSLN under his leadership. The UN human rights office has highlighted 'recurrent allegations of corruption and electoral fraud and media censorship, and high levels of impunity amongst other issues'.
Ortega – who has now been president for three terms – pushed the national assembly to abolish presidential term limits in 2014. He also tampered with the constitution to allow his wife Rosario Murillo to become vice president in 2017.
'What he's actually done is make pacts with the extreme right and with big capital,' says Henríquez. 'He gutted the Sandinista party, banned abortion and erected a family dictatorship based on authoritarian machismo.'
Henríquez says that women and feminist movements have played a key role in resistance against Ortega's increasingly oppressive governments. In 1998, feminists supported Ortega's adopted stepdaughter Zoilamérica Narváez after she published allegations that he sexually abused her for over a decade. However, Ortega had immunity from prosecution.
'What's allowed him to maintain himself in power has to do with this complicity between macho leaders and through this the processes of abuse, whether they be abuse of women, or abuse of the country. That's become kind of naturalised. It's basically political and economic corruption that's allowed him to stay in power.'
A peaceful insurrection
Henríquez says that the Nicaraguan feminist movement has grown significantly over the past 15 years. It has joined forces with other movements, resulting in the broad resistance on the streets of Nicaragua today, including students and young people, environmentalists, peasant farmers and neighbourhood groups.
'This is a popular movement that covers a huge part of the population… It's a peaceful insurrectionary movement,' she says.
Women and LGBTQ political prisoners can face additional abuse in prison. 'Not only are they being tortured but they also suffer from rape, often gang rape, and degrading displays of their bodies in front of other people – forced by guards,' says Henríquez.
'LGBT people are doubly vulnerable in this situation because it's a very homophobic society, which has come out of the same machismo.' She says that trans women are particularly vulnerable.
Although some have condemned what is happening, Henríquez would like to see the international community, including politicians, speaking out more strongly against Ortega and his government.
'What we have to recognise, and what everybody around the world has to recognise, is that Daniel Ortega is not representing the left at all – he's a dictator. He's a political opportunist,' says Henríquez.
'A lot of countries and a lot of people who represent "the left" are closing down, they're not willing to listen to those of us who are coming from inside of the country. Whether it's on the left, or on the right, we have to condemn this level of violation of human rights, otherwise we're lost as humanity.
'It's difficult to overthrow a regime without using arms but we're convinced there's no way back. They've cornered themselves because of the repression and the violation of human rights and we're sure that at some point – we don't know when or under what circumstance, but at some point – they will be forced out of power.
Originally posted at Red Pepper.
Posted April 24, 2019 Civil Liberties/Repression, Gender & Gender Politics, Human rights, LGBT Issues, Nicaragua by Jason Schulman
‹ Are any of Rosa Luxemburg's ideas relevant for us today?
Gertrude Ezorsky, 1926-2019 › | {
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Juana la Macarrona, eigentlich Juana Vargas de la Hera oder de Las Heras (* 3. Mai 1870 in Jerez de la Frontera; † 12. April 1947 in Sevilla), war eine spanische Flamenco-Tänzerin. In den Jahrzehnten der Cafés cantantes war sie neben Magdalena la Malena die maßgebliche Tänzerin, die die Bewegungen und Posen des Flamenco entwickelte und seine Attraktivität bereicherte.
Leben
Startänzerin der Cafés cantantes
Juanas Mutter Ramona de la Hera war Sängerin, ihr Vater Juan Vargas war Landarbeiter und Gitarrist. Schon als Kind tanzte Juana bei den Auftritten ihrer Eltern, mit denen ihre Familie sich Geld verdiente. Mit acht Jahren trat sie in Silverio Franconettis Café cantante auf, dem Salón Recreo in Sevilla. Es folgten Auftritte im Las Siete Revueltas und im Café de la Alegría in Málaga, 1886 erneut in Silverio Franconettis Café und im Café del Burrero. Danach folgten erneute Auftritte in Málaga, im Café del Sevillano und schließlich in Madrid im Café Romero.
Bei der Weltausstellung 1889 in Paris tanzte La Macarrona im großen Theater der Ausstellung. 1893 wurde ihre "Entführung" in der Presse kolportiert. Sie selbst sagte Jahre später, es habe sich um eine Liebesaffäre mit einem reichen Bankier gehandelt. Er habe ihr viele Brillanten geschenkt. Sie habe einige Zeit aufgehört zu arbeiten und sich mit ihm die Wohnung geteilt. Letztlich habe sie sich jedoch nicht in eine dauerhafte Beziehung ergeben.
In den folgenden Jahren bis 1900 wechselten sich Auftritte in Madrid mit solchen in Sevilla ab. In Madrid tanzte sie im Liceo Rius und im Salón Variedades, in Sevilla im Novedades. 1895 reiste sie gemeinsam mit einer Gruppe anderer Flamenco-Künstlerinnen und -Künstler, unter ihnen auch Magdalena la Malena, nach Berlin. Über die Aufnahme in Deutschland berichtete die Zeitung El Provenir aus Sevilla:
Die ersten Jahre des neuen Jahrhunderts bewegte sie sich hauptsächlich zwischen Madrid, Sevilla und Paris. Im Novedades trat sie Saison für Saison gemeinsam mit ihrem Partner Antonio Ramírez auf. 1908 und 1909 reiste sie für mehrere Vorstellungen nach Paris. 1910 tanzte sie als Erste Tänzerin im Kursaal Imperial in Madrid. 1911 tanzte sie im Trianón Palace in Madrid an der Seite von Rafael Ortega die Hauptrolle in Fiesta Andaluza:
1912 gab sie ein Gastspiel im Pariser Olympia. 1916 tanzte sie zur Einweihung der Villa Rosa in Barcelona. 1918 trat sie gemeinsam mit Antonio Ramírez im Kursaal Internacional in Sevilla auf. Dort filmten Sergei Djagilew und Léonide Massine ihre Auftritte.
Hüterin der klassischen Form
Im Januar 1922 nahm sie in Madrid an der Show Ases del arte flamenco teil. Im selben Jahr lud Manuel de Falla zur Teilnahme am Wettbewerb für ernsten Gesang (cante jondo) ein, den er gemeinsam mit Federico García Lorca organisierte. Ricardo Molina beschrieb ihre Ausstrahlung:
Zum selben Anlass schrieb Ramón Gómez de la Serna:
1923 nahm sie der Salón Variedades wieder unter Vertrag. 1925 trat sie bei der Eröffnung des Patio flamenco im Hotel Alfonso XIII in Sevilla auf.
Die späten Jahre
Trotz ihrer Bindung an die alten Formen ließ sie sich 1926 auf die Ópera flamenca ein. In ganz Spanien sah man sie bei groß angelegten Aufführungen, die der Impresario Carlos Hernández Vedrines organisierte. In einem Interview mit dem Correo de Andalucía sagte sie jedoch, dass ihr Körper dem fortgeschrittenen Alter Tribut zolle. Daher wolle sie sich von der großen Bühne verabschieden.
La Macarrona gründete eine Tanzschule in einem einfachen Viertel von Sevilla und trat weiterhin im Kursaal und im Tronío auf. 1927 nahm sie am Certamen Nacional de Cante Flamenco in Madrid teil. 1929 tanzte sie in einer Flamenco-Show von Paco Aguilera auf der Bühne des Principal Palace in Barcelona. 1930 war sie Stargast einer großen Flamenco-Show, die Pastora Imperio in Málaga inszenierte. Im selben Jahr trat sie auch bei der internationalen Ausstellung in Barcelona auf. 1933 nahm sie an La Argentinitas Tanztheaterstücken Las Calles de Cádiz und El Café de Chinitas teil. Mit diesen Stücken ging sie 1934 auf Tournee in Spanien und nach Paris.
1936 tanzte sie bei einem Staatsempfang im Alcázar von Sevilla. 1938–1940 ging sie erneut auf Tournee mit Las Calles de Cádiz, diesmal unter der Leitung von Concha Piquer mit Pilar López, La Niña de los Peines, Rita Ortega und Magdalena la Malena. Damit hatte sie, im Alter von 70 Jahren, ihre letzten professionellen Auftritte. Zwischen 1937 und 1940 arbeitete sie auch mit dem Sänger Antonio Mairena in Sevilla zusammen.
1942 organisierte Pepe Marchena eine Hommage zu Ehren von La Macarrona in Sevilla. Mitte der 1940er Jahre lebte sie verarmt und in schlechter körperlicher Verfassung, wie aus einem Interview mit der Zeitung ABC von 1945 hervorgeht. Um ihr zu helfen, organisierte das Sindicato Provinciál del Espectáculo de Sevilla für sie im März 1946 eine Hommage im Teatro San Fernando. Bei dieser Gelegenheit nahm sie ihren endgültigen Abschied von der Bühne. Aufgrund ihrer körperlichen Verfassung war sie nur noch zu einem kurzen Auftritt in der Lage. Sie starb am 12. April 1947, den Zeitdokumenten zufolge einsam und vergessen.
Rezeption
La Macarrona wird allgemein als herausragende Tänzerin ihrer Epoche anerkannt. Sie beherrschte alle Palos des damaligen Repertoires, besonders meisterhaft die Alegría, den Tango flamenco und die Soleá. Fernando el de Triana würdigte sie mit den Worten:
Pilar López, selbst überragende Tänzerin einer späteren Generation, rühmte ihre unübertreffliche Beherrschung der Bata de cola, ihre Fußtechnik, ihre unnachahmlichen Desplantes und ihre wunderbaren Handbewegungen.
Ihr Zeitgenosse Pablillos de Valladolid war, wie viele andere, von ihrem majestätischen Auftreten beeindruckt:
Literatur
Jose Luis Navarro Garcia: De Telethusa a la Macarrona. Bailes andaluces y flamencos. Sevilla 2002.
Anmerkungen
Flamenco-Tänzer
Spanier
Geboren 1870
Gestorben 1947
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A few years ago the Icelandic poetry world was rocked by a tectonic scandal that nobody noticed for weeks (and by now, everyone's forgotten about). The country's most prestigious poetry award, Ljóðstafur Jóns úr Vör, was given to the wrong poet. A young man from one of Reykjavík's neighbouring towns was called up and told that he had been chosen by a panel of experts and that his poem had been handpicked as the best of the lot. He could now bask in the glory of literary prestige, he who had not even published a book – nor even a single poem, anywhere – he was the king of the crop, top of the pops, best of the land, tonk of the lawn.
This young poet laureate to-be came to the award ceremony with his family. He sat through speeches, music and recitals – and eventually the panel judge came up on stage to present the award. His poem was read and he turned white as the driven snow. This was not what he had written. Not one of the dozen or so poems he'd submitted. Traumatized he went up on stage anyway, not knowing what else to do. He was there, his grandmother was probably watching with tears in her eyes. You don't let your grandmother down if you can help it.
The ceremony drew to a close and the cocktail after-party started. With a drink in him (or so) the young poet approached the panel judge and admitted the truth. He had never even heard the award-winning poem – let alone written it. There had been some misunderstanding.
A cloud of bureaucrats dispersed in a whiff of smoke – back to the filing cabinets, the calculators, and where did I put my Excel? The mistake was quickly corrected – the young poet had submitted his poetry under the same pseudonym as another (experienced, well-known and respected) poet. The older poet was called in immediately and the prize quickly transferred to him.
But not even in the land of the Eddic and Skaldic poetry does the mainstream care very much about poetry or its awards. Not a single reporter was on site to tell about "the most prestigious poetry award in the country". And so the story traversed the grapevine (not the paper you are holding) for weeks and months before reaching the disinterested ears of a journalist – whose ears swashed and buckled forthrightly, catching the news and pasting it frontpage.
This disinterest has not plagued all poetry awards. A few years back, around the time of the aforementioned scandal, I founded and organised the "Icelandic Championship in Awful Poetry". As all good things it was born in the blogosphere and quickly grew out of proportion. The media can always be trusted to reinforce your idea of reality. Poetry is boring, therefore we don't cover it, but awful-poetry is funny (and reinforces the idea of poetry being awful to begin with) and therefore we cover it. The week before the announcement of the prize, Morgunblaðið (Iceland's biggest newspaper) ran three interestingly bad poems at a time, with comments from the panel of judges, and the top three prizes were handed out on prime-time TV's Kastljós.
(I'm by the way not entirely sure the media was completely wrong, since the best awful poems were indeed much more interesting than a lot of the award-orientated drivel being published these days).
A pile of ringworms eddies in a bath of remoulade – mine and the Choco-beast's, a single unblossomed and trembling late-summer night in May.
My toenail splits and bleeds, the road up the way and the hour of my most yellow band-aid has sunk in a pool of pus.
Eiríkur Örn Norðdahl will be performing his sound poetry with Paul Dutton at The Scream Literary Festival event 'Scream in High Park,' Toronto, July 13. | {
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Tag: wall
Trump Administration Picks Companies to Build Border Wall Prototypes
An existing wall at border of Mexico. Photo via Congress.
The agency announced Thursday that it had selected four companies to build concrete prototypes of the 2,000-mile wall, the Wall Street Journal reports.
"Today we mark a significant milestone," said Ronald Vitiello, acting deputy commissioner of U.S. Customs and Border Protection. "This is the first tangible result of the action planning that has gone on. This is the use of the resources we had available for this year."
But Trump is a long way to making his wall a reality. Congress has only appropriated $20 million, which will pay for the prototypes.
The Post wrote:
Construction on the concrete prototypes is expected to begin in two weeks, and should be completed this fall within 30 days after breaking ground. The prototypes will be 30 feet long and up to 30 feet high and will be located near one another, he said. They will act as a secondary barrier in a border enforcement zone that already has a fence.
Department of Homeland Security officials will spend 30 to 60 days using small hand tools to test the prototypes' resistance to tampering and penetration, Vitiello said.
Officials will consider aesthetics as well as anti-climb features and how to complement the physical barrier with technology.
Posted: September 1st, 2017 under News Story.
Tags: Border, donald trump, Homeland Security, wall
Trump Floats Unlikely Scenario of Paying for Border Wall with Solar Panels
Donald Trump insisted during the presidential campaign that he would build a wall along the border of Mexico and that Mexico would pay for it.
Despite experts sounding off that financially struggling Mexico would never pay for a wall that will cost billions of dollars, Trump supporters appeared to believe the billionaire dealmaker would pull off a minor miracle.
Now comes news that Trump floated the idea of erecting solar panels on the border wall as a way to pay for it, White House and Capitol officials told Politico.
It seems unlikely that solar panels, which are expensive, would cover the costs of a wall, but Trump pitched it anyway.
It's unclear how serious Trump was about the solar panels, but he proposed the idea to some lawmakers.
Trump's pledge to build the wall at Mexico's expense has backfired after the president acknowledged that taxpayers would be on the hook until a deal was struck with Mexico, which continues to insist it will not pay for a wall.
Posted: June 7th, 2017 under News Story.
Tags: donald trump, Mexico, solar energy, wall
Trump's Budget Calls for Tightening Border Security with a Wall, New Agents
President Trump's new 2018 budget asks for $2.6 billion to begin building a wall along the border of Mexico.
To follow through on his pledge to combat illegal immigration, Trump also is requesting money for 500 new Border Patrol agents and 1,000 new ICE agents and officers.
In his new budget, revealed today, Trump said he's exploring ways to calculate "net budgetary effects of immigration programs and policy" before implementing big changes.
"Once the net effect of immigration on the federal budget is more clearly illustrated, the American public can be better informed about options for improving policy outcomes and saving taxpayer resources," the president said in the new blueprint. "In that regard, the budget supports reforming the U.S. immigration system to encourage: merit-based admissions for legal immigrants, ending the entry of illegal immigrants, and a substantial reduction in refugees slotted for domestic resettlement."
Posted: May 23rd, 2017 under News Story.
Tags: agents, Border, Border Patrol, Budget, donald trump, ICE, wall
No New Border Wall for President Trump Under New Federal Spending Bill
Fence along the U.S.-Mexico border.
President Trump's repeated pledge to build a new border wall has fallen through the cracks under a federal spending bill wending its way through Congress.
But the budget, which is expected to be voted on by Friday, includes a modest $1 billion increase in discretionary spending for Homeland Security.
Nevertheless, Trump's administration said it's using $146 million to replace vehicle barriers with "pedestrian fencing," another $146 million to replace current pedestrian fencing and $49 million to install 35 border gates.
The spending plan expires on Sept. 30.
Trump blamed Democrats for threatening a government shutdown if a new wall was included in the budget.
What Secret Service Spent on Kushner, Ivanka Trump Trip to Canada
ATF Debuts New Nationwide Mobile Gun-Tracing Lab in Baltimore
DEA Agent Shoots Suspect in Narcotics Investigation
Burlington College Subject of FBI, Justice Department Investigation
FBI Seized Shotguns at Michigan Sen. Johnson's Home
Posted: May 3rd, 2017 under News Story.
Tags: Border, donald trump, immigration, Mexico, wall
National Review: Trump's Immigration Enforcement Is More Important Than a Wall
Border fence along Mexico and the U.S.
By Editorial Board
A head of a potential government-shutdown battle, President Trump is reportedly willing to forgo a congressional down payment on a "big, beautiful wall" on America's southern border. Despite his insistence on the wall's importance to his immigration-enforcement agenda, the president is apparently open to postponing negotiations on funding until September, when Congress will take up the 2018 budget.
The maximalist version of Donald Trump's proposed border wall was always a quixotic enterprise. From Brownsville, Texas, to San Diego, Calif., the U.S.–Mexico border stretches nearly 2,000 miles, often across rugged, harsh terrain — including Texas's Big Bend National Park and Arizona's Sonoran Desert. Building a single, monolithic wall is not feasible for much of this territory, as Trump himself acknowledges at times. The proposed route of a wall also cuts through privately owned land, raising serious legal questions. Nevertheless, more barriers in select places are welcome. We have repeatedly suggested as much and, the fulsome rhetoric of the president notwithstanding, this is the goal of the Department of Homeland Security.
But, as we have also suggested, physical barriers along the southern border ought to be just one element of a larger immigration-enforcement agenda. So far, President Trump has used his executive power fairly effectively toward this end, signing off on a series of orders that roll back some of President Obama's worst overreaches, and directing executive-branch agencies to aggressively enforce laws rendered toothless by his predecessor. He has encouraged Immigration and Customs Enforcement and the Border Patrol to hire. Last week, he signaled an interest in ending the well-documented abuse in the H-1B visa program, which employers have used to undercut American workers in high-skilled jobs.
These and other policies, and their (usually) clear promulgation, are already having an effect on the flow of illegal immigration into the U.S. DHS reports that border apprehensions of parents and children decreased 93 percent — from 16,000 to just over 1,100 — from December 2016 to March 2017. DHS secretary John Kelly suggests that news of the new administration's tougher line on illegal immigration is discouraging many would-be illegal immigrants from taking the risk of crossing the border.
ICE Arrests 76 Criminals Across Florida, Puerto Rico
FBI Agents Occupy Engineering Firm's Office in Houston, Elsewhere
Toddler Found Dead in Home After Reported Missing by FBI
AG Sessions: Justice Department Will Appeal Sanctuary City Ruling
Border Patrol Agents Monitor Miles of Wide-Open Desert
Tags: donald trump, editorial, immigration, wall
Border Patrol Gets Its First Woman Leader in 93-Year History
Acting Director of the Border Patrol Carla Provost.
Border Patrol's first woman to serve as acting chief was named Tuesday to lead the agency as the Trump administration tries to build a wall on the border of Mexico and hire an additional 5,000 agents.
Carla Provost, who was the deputy chief since October, replaces Ronald Vitiello, who became acting deputy commission of Customs and Border Protection, the Associated Press reports.
Provost is the fourth person to lead the agency since late 2015. She is the first woman to lead the agency in its 93-year history.
Customs and Border Protection said it's not yet clear how long Provost and Vitiello will serve in the acting roles.
Tags: Border Patrol, carla provost, donald trump, Mexico, wall, woman
President Trump Is Wrong about Border Wall Fixing Drug Problem, Experts Say
Border Port of Entry.
President Trump's claim that a wall will stop illegal drugs from coming across the Southwest border ignores a key fact about the international trade.
Most drugs that cross the border are primarily transported into the U.S. through existing border checkpoints using cars and trucks, the Washington Post reports, citing experts on the drug trade.
Nevertheless, Trump continues to tout the wall as a solution to stemming the flow of drugs into the U.S.
"The Wall is a very important tool in stopping drugs from pouring into our country and poisoning our youth (and many others)!" the president tweeted this week. "If the wall is not built, which it will be, the drug situation will NEVER be fixed the way it should be!"
Mexican drug cartels "transport the bulk of their drugs over the Southwest border through ports of entry (POEs) using passenger vehicles or tractor trailers," the DEA writes in its 2015 National Drug Threat Assessment. "The drugs are typically secreted in hidden compartments when transported in passenger vehicles or comingled with legitimate goods when transported in tractor trailers."
Drug policy experts say it's a false narrative to suggest drug smugglers primarily run drugs across remote stretches of the border.
"Smuggling drugs in cars is far easier than carrying them on the backs of people through a really harsh desert terrain," said Vanda Felbab-Brown, a senior fellow at the Brookings Institution. "The higher the fence will be, the more will go through ports of entry."
Tags: donald trump, Drugs, immigration, wall
Homeland Security Secretary Concedes Full Border Wall Is 'Unlikely'
President Trump's homeland security secretary conceded Wednesday that it was doubtful that a full border wall with Mexico will be built.
The statement from John F. Kelly is in stark contrast to Trump's oft-repeated pledge to build a wall along the entire border with Mexico, the New York Times reports.
"It is unlikely that we will build a wall from sea to shining sea," Mr. Kelly told senators on the Homeland Security Committee.
Instead of a "beautiful wall" that Trump has promised, the federal government likely will build fencing and concrete walls in places that make the most sense.
Congress has yet to act on Trump's request for funding for the wall.
Trump's budget calls for $1.4 billion to begin building the wall.
Posted: April 6th, 2017 under News Story.
Tags: donald trump, Homeland Security, immigration, john kelly, Mexico, wall | {
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Scholarly Jouornals On Teen Suicide
Suicide and Life-Threatening Behavior keeps professionals abreast of the latest research, theories, and intervention approaches for suicide and life-threatening behaviors. The journal publishes scientific research on suicidal and other life-threatening behaviors, including research from biological, psychological, and sociological approaches.
If you specifically want peer-reviewed articles, EBSCO: Academic Search Complete is the ideal place to begin searching. Do a search for assisted suicide, which will retrieve over 10,000 articles. To limit this to a more manageable and relevant group of articles, use the limiters on the left side of the screen.
KUCHING: An academic has urged parents to keep a closer. Help Me Choose D/L", hours before committing suicide on May 13. Mariani, an expert in mental health, said cases of teenage suicide are not.
Best Grad Schools For Linguistics A smaller but significant portion of our alumni go on to top PhD programs and academic careers in computational linguistics, computer science, and linguistics, at universities that have included. Scholarly Journal Articles On Feminism Gender Roles within American Marriage: Are They Really Changing? by Lucy A. Hawke. Feminist theory is a well defined set of
PALO ALTO — The Centers for Disease Control and Prevention will soon conduct an epidemiology study of teen suicide clusters that have occurred. school data and news articles. "We learned a lot just.
The Impact of Suicide on the Family Article · Literature Review (PDF Available) in Crisis The Journal of Crisis Intervention and Suicide Prevention 29(1):38-44 · February 2008 with 16,019 Reads
Academic Journals About Teen Suicide. Posted on June 5, 2019 by admin. The Department of Psychiatry welcomes Dr. Caitlin Engelhard, MD, PhD to the 'ohana. Dr. Engelhard attended the Medical Scientist Training Program at Johns Hopkins University School of Medicine where she received her medical degree and doctorate in philosophy in neuroscience.
Gablinske saw an article in The Providence Journal about. law in helping to snuff teen suicide in the state. Evans touched on a particular stipulation of the law: guidance counselors should have.
With two girl students attempting suicide in the last two. tendencies have been counselled in the academic year 2018-19. A majority of them were girls who reportedly struggled with the consequences.
International Association for Suicide Prevention (IASP) – Resources: Mental Health Journals. Links Sort by: Hits | Alphabetical. American Journal of Psychiatry. This journal is committed to keeping the field of psychiatry vibrant and relevant by publishing the.
Casey Foundation showed Colorado has made progress on 12 out of 16 measures of children's well-being, which try to gauge their families' economic security, their academic. teen deaths in Colorado.
GOULD: SUICIDE AND THE MEDIA 201 pregnancy.4,5 According to behavioral contagion theory, an individual has a preexisting motivation to perform a particular behavior, which is offset by an avoidance gradient, such that an approach-avoidance conflict exists. 6 The oc- currence of suicides in the media may serve to reduce the avoidance gradi-
Nov 14, 2017 · CHICAGO — An increase in suicide rates among US teens occurred at the same time social media use surged and a new analysis suggests there may be a link. Suicide.
A bill promoted by a Jersey City youth group that would help fight teen suicide is being fast-tracked through the. The club is a leadership development club that focuses on academic achievement,
"We have seen some significant increases in all ages of our student body with social/emotional issues, which affects students' attendance, behaviors and academic performance. study on teen suicide.
effectively ruling out academic pressure as a cause. However, according to the Pew Research Center, smartphone ownership crossed the 50 percent threshold in late 2012 – right when teen depression and.
Community with its intense pressure to succeed, coupled with narrowly defined ideals about what youths should be, can perpetuate teenage suicide. academic stresses should be developed, the.
Media Contagion and Suicide Among the Young MADELYN GOULD Columbia University PATRICK JAMIESON DANIEL ROMER University of Pennsylvania Research continues to demonstrate that vulnerable youth are susceptible to the influence of reports and portrayals of suicide in the mass media. The evidence is stronger for the influ-
As the community mourns with this family, the heartbreak is added to a growing list of teen suicides—seen not just in headlines, but on the most popular shows our kids watch on Netflix, in the lives.
Suicide in the elderly – Volume 6 Issue 2 – Howard Cattell. Despite the fact that suicide and its prevention continues to be a priority area for health care in the UK, suicide in the elderly remains a neglected subject receiving little interest and research attention.
Risk Factors for Suicidal Thoughts and Behaviors: A Meta-Analysis of 50 Years of Research. suicide Suicidal thoughts and behaviors (STBs) are major public health problems that have devastating impacts on individuals, families, and. As with many mental illness RISK FACTORS FOR SUICIDAL THOUGHTS AND BEHAVIORS. A A. (, 50 (.
The latest university study was based on a review of the 2010 Minnesota Student Survey, a questionnaire given to thousands of students in the state on a variety of social, academic and safety issues.
From urban schools to rural districts, no academic system is immune to teen suicide. However, some areas are more at risk than others. The Journal of the American Medical Association Pediatrics.
You could hardly design a more stressful atmosphere, particularly when depression or other mental health issues enter the picture. Here's a snapshot of the grim statistics on college suicides and teen suicide attempts, as well as what some colleges are doing to help.
A paper on teenage suicide written by two assistant professors of sociology at the University of Memphis will be published in the field's flagship journal, the American Sociological Review, in April.
Suicide warning signs include threats of suicide, depression, anger or increased irritability, lack of interest, a sudden increase or decrease in appetite, sudden changes in appearance, dwindling.
"Gatekeepers 'open the gate' to help for people at risk of suicide" The International Association for Suicide Prevention (IASP) provides gatekeeper training based on the premise that people at risk of suicide or self-harm often do not actively seek help, but that they can be identified through increased awareness of risk factors and warning signs.
Following a spate of suicides involving celebrities, mass shooting survivors and Orange County students, Soka University recently hosted "Suicide. academic stress. In March, the foundation hosted a.
Among teens, suicide is the second leading cause of death, just behind unintentional injuries. Aaron Gooch, Joplin police and school resource officer at North Middle School, told Joplin Rotary members.
Sep 07, 2017 · World Suicide Prevention Day draws attention to the rising tide of teenagers taking their own lives. "Toxic socialization" involving emotional and physical abuse in families is a major cause.
Southern Light Counseling of Joplin will host a community forum on the issue of teen suicide from 4 to 8 p.m. Wednesday at. that have been reported from Joplin and Carthage since the academic year.
"Clearly, school can be a driver" for teen suicide. May 7 at the Pediatric Academic Societies annual meeting, in San Francisco. Research presented at meetings is considered preliminary until.
Suicide assessment in the adolescent population is challenging for many primary care providers who may lack knowledge and experience in mental health assessment, resulting in suboptimal suicide risk assessment and suboptimal treatment for adolescents who are depressed and contemplating suicide. The purpose of this manuscript is to update evidence-based best practice for pediatric primary care.
Oct 08, 2018 · Cyberbullying and Teen Suicide. Related Articles. Pages: 1 2 All. Marie Hartwell-Walker, Ed.D. Dr. Marie Hartwell-Walker is licensed as both a psychologist and marriage and family counselor. She.
Apr 10, 2019 · Causes of Teen Suicide. Minors choose death because suffering becomes intolerable as per their perception. Peer pressure, social and academic pressure, turmoil in the family can lead to emotional breakdown, feeling of loneliness, rejection, failure to handle loss, and poor performance. | {
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*** Matthew G. Martinez, Calif.
Harold E. Ford, Jr., Tenn.
** A "Present" vote indicates that the member did not take a stand on the bill.
*** Rep. Goodling sponsored HR 2846, the vote on national testing. Rep. Riggs sponsored HR 2746 on HELP scholarships. Rep. Schaffer sponsored HR 2608, the Paycheck Protection Act. Rep. Martinez sponsored amendment to HR 3248 on the Clinton education agenda.
† Senate passed S1502, the proposal to offer vouchers to low-income students in Washington, D.C., on a voice vote on Nov. 9, 1997. | {
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"Talkingbees"- Online Tutorial to Learn Hindi | Bengali | Music | Harmonium | Vocal Singing: Travelling a lot for my singing career now.. But still teaching online Hindi Bengali and Music !!
Travelling a lot for my singing career now.. But still teaching online Hindi Bengali and Music !!
Now I have been travelling a lot for my music career. I was in the USA for 6 months. Then got back to India. But here also travelling to different cities . Mumbai, Delhi , Pune , Bangalore etc. Its totally a new experience for me . I am thoroughly enjoying each and every part of my life.
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Contact me at Talkingbees.com with your details I will get back to you soon !! | {
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The Town of Danvers, incorporated in 1752, is located in southwest Essex County, about 20 miles northeast of Boston. Danvers is primarily a residential community, occupying a land area of approximately 13.3 square miles, with an approximate population of 27,000. The bulk of our industrial and commercial activity is concentrated along Routes 1, 114 and 128 and Interstate 95. Downtown Danvers features a variety of retail and dining options.
Danvers is fortunate to have many open space and recreation opportunities including a vibrant marina, Endicott Park and a 4.3 mile rail trail that links schools, downtown Danvers, parks, residential areas, and trails in the neighboring towns of Peabody, Wenham, and Topsfield. | {
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I am a licensed clinical psychologist who has been practicing in Massachusetts for the past few years. I earned my BA degree at Otterbein College (Ohio) in 2006, and MA and PsyD at the American School of Professional Psychology at Argosy DC in 2014. I have provided psychological services in community mental health clinics, VA hospitals, and in private practice. I am a member of the American Psychological Association.
Psychological evaluation involves an analysis of developmental, cognitive, emotional, and environmental contributions to functioning and performance. The most important part of the evaluation is the personalized recommendations for individuals to achieve their goals. Although I specialize in ADHD assessment, additional services include evaluation of intelligence, personality, emotional abilities, and neuropsychological functioning.
In addition to providing assessment and treatment planning, I am experienced in providing individual therapeutic services where my approach is largely informed by evidence based theories. However, no single method is helpful for everyone so I approach each person with respect to individual needs and goals. I believe that each person is an expert in their own lives, and view my role as collaborative. As a psychologist I share my knowledge of skills and interventions while striving to empower individuals to increase meaningful and positive experiences in their lives by providing compassion, support to promote healing. | {
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Jesse O'Brien,
Providence's proposed double-digit rate hike merits close scrutiny, may overcharge consumers
New OSPIRG Foundation analysis of Providence Health Plan's 2019 rate proposal identifies areas where the company's proposed rates may be excessive.
Health Insurance Rate Watch RATE ANALYSIS: June 26, 2018
Contact: Jesse O'Brien, OSPIRG Foundation, 503-231-4181x307 (office), 503-504-8627 (cell)
Providence Health Plan has proposed a rate hike of 13.6% on average—as high as 24.1% for some—on over 90,000 Oregonians. According to a new OSPIRG Foundation analysis released today, this rate hike proposal may overstate costs and overcharge consumers for health coverage.
"This is the third year in a row Providence has proposed a double-digit rate hike on tens of thousands of Oregonians, and their rates have nearly doubled since 2015," said Jesse O'Brien, OSPIRG Foundation Policy Director. "This simply cannot continue."
"The more we dig into Providence's justification, the more concerned we are that the proposed rates may overcharge consumers by overstating the impact of medical cost inflation and federal policy changes. While many Providence members will be able to avoid paying the full premium price by taking advantage of the Affordable Care Act's tax credits, or may find a lower-cost option by switching coverage, such a large increase will still be disruptive for many Oregon families," said O'Brien.
Providence's rate filing, all supporting documents and correspondence between the insurer and state regulators can be found at the Oregon Department of Consumer and Business Services (DCBS) rate review website, www.oregonhealthrates.org
Key findings of OSPIRG Foundation's analysis:
Providence's estimate of a 10% increase due to federal policy changes will likely result in inappropriately overcharging consumers. Although the repeal of the Affordable Care Act's (ACA) individual mandate is disruptive for consumers as well as health insurers, this rate hike proposal may be overstating the impact. Providence also incorporates an increase due to a new federal rule expanding so-called association health plans that was just finalized, despite the fact that Oregon policymakers have the opportunity to take action to protect consumers from the potential negative effects.
Providence's financial position is improving. Providence was able to add to its surplus last year, which grew by $33 million to reach nearly half a billion dollars. In this context, we question the justification for Providence's proposal to add a 4% margin to its surplus while also proposing a double-digit rate hike for the third year in a row.
Providence's large medical and prescription drug cost trend projections may be excessive. Providence projects an 8% increase in the cost of health care services and prescription drugs, which is larger than many of their competitors and may be overstated. Providence's projected 19.4% prescription drug cost trend is by far the highest in the market. While rising prescription drug costs are legitimately troubling, this may be significantly higher than necessary.
A 13.6% increase would have a significant negative impact on affected Oregonians. Yet another double-digit rate increase for Providence members would be disruptive and does not seem consistent with Providence's stated intent to "maintain reasonable rate stability"—a goal the company has reiterated in its filings despite nearly doubling its rates since 2015.
Background on Oregon's health insurance rate review program
In 2010, new rules went into effect strengthening the standards that health insurance companies must meet before raising premiums. Insurers must justify rate hikes in writing, showing that they are not excessive and explaining how the insurer is working to reduce costs. All rate filings are public information, available online, and open to public comment. DCBS evaluates these justifications, and must take public input into consideration. In 2011, DCBS began to hold public hearings on significant rate increases. See here for a schedule of public hearings for the 2018 rate proposals.
Since these changes have taken effect, DCBS has significantly stepped up their scrutiny of health insurers' rate hike requests. Since 2010, it has cut back many proposed rate hikes, cutting over $280 million in waste and unjustified costs from consumers' and small businesses' premiums.
OSPIRG Foundation is a non-profit, non-partisan statewide consumer organization. Please visit us at www.ospirgfoundation.org | {
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← View All Articles
Wideman Davis Dance
Columbia dancers awarded NEA grant
Wideman Davis Dance of Columbia was approved for a $20,000 grant Arts Projects award from the National Endowment for the Arts to support the dance company's immersive and interactive Migratuse Ataraxia.
This project will fund a three-month residency, followed by four public performative installations. Wideman Davis Dance will use the residency and performative installations to develop and test a community-oriented residency curriculum that introduces, integrates, and expands the themes of "Migratuse Ataraxia." Wideman Davis Dance's project is among 1,073 projects across America totaling nearly $25 million that were selected during this first round of fiscal year 2021 funding in the Grants for Arts Projects funding category. "The National Endowment for the Arts is proud to support this project from Wideman Davis Dance," said Arts Endowment Acting Chairman Ann Eilers. "Wideman Davis Dance is among the arts organizations across the country that have demonstrated creativity, excellence, and resilience during this very challenging year." "The National Endowment for the Arts Grant not only supports a performative experience of "Migrartuse Ataraxia, but also residency activities and facilitated sessions with community groups, including students from Allen University and Benedict College and seniors from the Columbia Housing Authority residential programs. We are excited to receive NEA support to assist us in our art making and our efforts to engage the Columbia, SC community," co-director, Tanya Wideman-Davis and Thaddeus Davis said in a statement.
The original performance, which was workshopped at Columbia's Hampton-Preston Mansion and Gardens in April of 2019, centered on the humanity of enslaved Africans in antebellum homes despite the oppressive bondage under which they lived. In 2021 Migratuse Ataraxia intentionally shifts, exploring the journey from spaces of enslavement to those of Black liberation and empowerment through a mobile performative intervention that moves from the antebellum Hampton-Preston site to the former home of Modjeska Monteith Simkins, South Carolina's most notable civil and human rights activist. Participants will travel a route where they will encounter the artists' responses to historic structures through large scale projections, sonic environments, and live performances that speak to Black futurity. By focusing the energy on this temporal and physical migration, WDD reclaims the representation of Black bodies and narratives, creating new visual, emotional, and intellectual entry points in an immersive, interactive setting. In addition, the spatial shift will allow the artists to redirect the focus from the interior architecture of an antebellum site to an expanded exterior magnification of the physical labor of Black bodies – centering these performative practices on a celebration of radical Black female space. For more information on projects included in the Arts Endowment grant announcement, visit arts.gov/news.
SCAC announces four 2021 fellowship recipients
Individual excellence in writing, dance honored
COLUMBIA, S.C. – Hard work and exceptional abilities are earning four South Carolina artists practicing in the dance and writing disciplines fellowships from the South Carolina Arts Commission for fiscal year 2021.
The South Carolina Arts Commission (SCAC) Board of Directors approved four $5,000 fellowships among several other FY21 grant awards to be announced at a later date. The SCAC's four fellows are:
Sarah Blackman of Greenville County in prose,
John Pursley III of Greenville County for poetry,
Erin Bailey of Richland County for dance choreography,
and Tanya Wideman-Davis of Richland County for dance performance.
Individual artists residing in South Carolina full-time whose work covers prose, poetry, dance choreography, and dance performance were invited to apply last fall for fiscal year 2021 awards. Out-of-state panelists from each discipline reviewed applications and, based solely on blind reviews of anonymous work samples, recommend recipients of each $5,000 fellowship. "Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from a fellowship lends artistic prestige and can often open doors to other resources and employment opportunities," SCAC Executive Director David Platts said. A diverse group of panelists judged the nominees applying to the FY21 disciplines in which they work. The poetry panelists were Joseph Bathanti, writer-in-residence at Appalachian State University in Boone, North Carolina; author Sandra Beasley, an instructor with the University of Tampa who lives in Washington; and publisher Lucinda Clark, principal with the Poetry Matters Project in Augusta, Georgia. Author/educator Catherine Reid of Burnsville, North Carolina and Charlie Vazquez, a consultant in New York City, judged the prose applicants. Panelists of the dance performance applicants were Laurel Lawson of Atlanta, Georgia with Full Radius Dance and Tamara Nadel of Minneapolis, Minnesota with Ragamala Dance Company. Maura Garcia, principal of Maura Garcia Dance in Chapel Hill, North Carolina; and Patrick Makuakane of San Francisco, California with Nā Lei Hulu i ka Wēkiu Dance Company served as panelists of the dance choreography applicants. Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: visual arts, craft, media: production, and media: screenwriting will be honored in fiscal year 2022. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the SCAC. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/.
About the FY21 Individual Artist Fellowship Recipients
Sarah Blackman | Prose | Greenville County Sarah Blackman is the director of creative writing at the Fine Arts Center, an arts-centered public high school in Greenville, South Carolina. Her poetry and prose have been published in a number of journals, magazines, and anthologies and she has been featured on the Poetry Daily website. Blackman is the co-fiction editor of Diagram, the online journal of experimental prose, poetry and schematics; and the founding editor of Crashtest, an online magazine for high school age writers she edits alongside her Fine Arts Center students. Her story collection Mother Box, published by FC2 in 2013, was the winner of the 2012 Ronald Sukenick/American Book Review Innovative Fiction Prize. Her novel, Hex, was published by FC2 in April 2016 and in 2018 she joined its board. John Pursley III | Poetry | Greenville County John Pursley III teaches contemporary literature and poetry at Clemson University, where he also directs the annual Clemson Literary Festival. He is the author of the poetry collection, If You Have Ghosts (Zone 3 Press), as well as the chapbooks, A Story without Poverty (South Carolina Poetry Initiative) and A Conventional Weather (New Michigan Press), among others. In addition, he works as the poetry editor of Burnside Review and is an assistant editor for the South Carolina Review. His poems and reviews have appeared in Poetry, AGNI, Colorado Review, Kenyon Review, and elsewhere. Erin Bailey | Dance: Choreography | Richland County Erin Bailey is a South Carolina native who discovered her passion for dance at the Fine Arts Center in Greenville. She has degrees from Columbia College (BFA) and Texas Women's University (MFA) and has her certification and licensure in massage. She is an adjunct dance professor at Columbia and Coker colleges and the University of South Carolina. Bailey has worked and performed with Columbia area dance companies since 2004 and has performed nationally and internationally at festivals like Piccolo Spoleto in Charleston. In 2018 she founded and remains artistic director of Moving Body Dance Company. She has twice received awards for her choreography work. Photo by Jesse Scroggins. Tanya Wideman-Davis | Dance: Performance | Richland County Tanya Wideman-Davis is the co-director of Wideman Davis Dance and is on faculty as associate professor at the University of South Carolina in the Department of Theatre and Dance and African American Studies. With an extensive career as a dancer, choreographer, and teacher, she completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya has danced with many world-renowned companies, including Dance Theatre of Harlem, Joffrey Ballet, Complexions Contemporary Ballet, Alonzo King Lines Ballet, Spectrum Dance Theater, Ballet NY, and as guest artist with Ballet Memphis, Cleveland San Jose Ballet, and Quorum Ballet (Portugal). She received international acclaim as "Best Female Dancer of 2001-2002" from Dance Europe magazine. Photo by Sammy Lopez.
About the South Carolina Arts Commission
With a commitment to excellence across the spectrum of our state's cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
arts education,
community arts development,
and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.
Jul 1st, 2020
Columbia's Wideman Davis Dance selected for South Arts program
'Momentum' to help build touring capacity
[caption id="attachment_40193" align="aligncenter" width="600"] Momentum program director Nikki Estes (left) meeting with Thaddeus Davis (center) and Tanya Wideman-Davis (right) of Wideman Davis Dance in Columbia, South Carolina prior to "Migratuse Ataraxia," a multidisciplinary reimagining of antebellum homes[/caption]
South Arts, a regional nonprofit arts organization, has announced the five Southern dance companies selected to participate in Momentum. This new three-year project, funded with support from The Andrew W. Mellon Foundation, will allow the selected companies to build their capacity for regional and national touring. "There is remarkable dance occurring in our region," said Nikki Estes, program director with South Arts. "Southern artists are pushing boundaries and telling important stories through this art form. Yet, they are often overlooked in favor of their counterparts in other parts of the US. Through Momentum, we aim to address that gap and raise the profile of Southern dance companies across the region and country." Over the course of three years, each company will receive professional development, residency opportunities, and touring grants to fund their work. Participants will also showcase at the Performing Arts Exchange booking conference to share their work with arts presenters and programmers. The selected companies are:
Dimensions Dance Theater of Miami, Miami, Florida. Jennifer Kronenberg, Artistic Director.
Helen Simoneau Danse, Winston-Salem, North Carolina. Helen Simoneau, Artistic Director.
New Dialect, Nashville, Tennessee. Banning Bouldin, Artistic Director.
staibdance, Avondale Estates, Georgia. George Staib, Artistic Director.
Wideman Davis Dance, Columbia, South Carolina. Tanya Wideman-Davis and Thaddeus Davis, Artistic Directors.
The five companies were selected from an application pool of 37 companies by a national panel of leaders in the field of dance presenting and touring, and show exceptional promise both in their artistic quality and potential for expanded touring. The panel included:
Neil Barclay (CEO, Charles H. Wright Museum of African American History),
Christy Bolingbroke (Executive/Artistic Director, National Center for Choreography at The University of Akron),
Laurie Eisenhower (Founding Artistic Director, Eisenhower Dance),
Christopher Heacox (Executive Director, Auburn University Performing Arts Center),
Sophie Myrtil-McCourty (President, Lotus Arts Management),
Martin Wechsler (Former Director of Programming, The Joyce Theater),
and Ichun Yeh (Vice President/Director of Booking, Sozo Artists).
"Momentum is the next incarnation of our Dance Touring Initiative," continued Estes. Through the Dance Touring Initiative, nearly 30 performing arts presenters throughout the Southern region have received professional development and funds to strengthen their work with touring modern dance and contemporary ballet companies over the last ten years. "We recognized that—even though we were working with Southern arts organizations—Southern dance companies were often not being engaged for tours. We began designing Momentum as soon as we identified this need." The companies selected for Momentum will convene at the 2019 Performing Arts Exchange conference in Orlando, Florida to begin their professional development, and will participate in a series of webinars throughout the program addressing pertinent topics to the field. Additionally, they will be partnered with Dance Touring Initiative presenters for residencies to develop their work and touring capacity. South Arts will make grants available to present these companies in upcoming seasons. "Momentum is deeply informed by our new mission statement: advancing Southern vitality through the arts," said Susie Surkamer, executive director with South Arts. "One of our goals is to support the artistic and professional growth and success of artists in the South, and Momentum represents new steps for our organization in that direction." To learn more about Momentum as well as South Arts' other programs supporting artists, arts organizations, and communities throughout the South, visit www.southarts.org.
About Wideman Davis Dance
Tanya Wideman Davis and Thaddeus Davis, Artistic Directors Wideman Davis Dance, founded in 2003, is deeply committed to revealing social and political issues through an African American perspective. They make work that is inspired by and engaged with current issues including race, social class, gender, and location. Viewing education as essential, Wideman Davis Dance connects with communities of all ages through residencies and by increasing their awareness of these social and political issues, and the ways in which those issues play out in today's world. When designing residencies, they create environments for participants that cultivate their potential and empower them to change. The company works in an egalitarian way, in collaboration with artists, scholars, and students, implicitly shifting the traditional company model and leveling the hierarchical structures that typically exist within the arts field and its pedagogy. Wideman Davis Dance make dances that have the capacity to tell the truth and move the spirit, giving voice to the people who both perform and view them. They create a space for truths to be told, rupturing the silence of denial, and retelling history about the African American experience. Through their work, they catalyze an artistic ripple effect: their dances—and this shared history—resonate emotionally within the artists who perform it and ultimately within the audiences who view it. Ideally, artists and audiences are motivated to tell their own truths in their own voices: they remember and discover things about themselves and about their own history. Telling such truths can foster a range of reactions, from inspiration to discomfort, from inquiry to debate. In their artistic encounters, the company highly values the exchange that occurs with their audiences as they respond. The company draws from a strong lineage of dance forms they have studied, artists with whom they have worked, and socio-historical issues that they illuminate. Through both choreography and performance, they embody a range of aesthetics, including ballet and contemporary movement. They have created and performed with legendary companies and artists, including Dance Theater of Harlem, Alonzo King's LINES Ballet, the Joffrey Ballet, Donald Byrd/The Group, Ballet NY, and Complexions Contemporary Ballet. Most influential is the lineage of ideas, history, and social structures that inspire their work and influence the world in which they—and their audiences—live. Artist Statement Wideman Davis Dance moves audiences, through the dances we create and perform, dialogues we lead, research we conduct, and movement experiences we share. We invite audiences and communities to engage: With ideas. With history. With the world around us. With honesty. Our artistic vision reflects truths from our shared lives. Our lineage draws from our long careers with leading professional companies in ballet and contemporary dance. Our model for working with audiences reflects decades of collaborating with communities around the country. Our track record of working with—and delivering to—presenters, colleges, and communities shows lasting results, as told through the stories from our collaborators.
About South Arts
South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South's unique heritage and enhance the public value of the arts. South Arts' work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org. | {
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<p>Twenty easy crochet patterns. Easy crochet patterns using the chain, single crochet, single crochet decrease, slip stitch, double crochet, reverse crochet, Bobble and Picot stitches. We include instructions for the stitches as well as videos. | {
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Sydney, 17 October 2014 (Alochonaa): I am interested in disciplines, and intrigued by disciplinary transgressions. Recently, I was part of a discussion about these issues and it inspired some musings on the question of transdisciplinarity. I have a background in Social Anthropology at undergraduate level. Anthropology as a discipline is highly reflexive, resistant to abstraction, aware of the politics of representation and positionality. Back in the 1970s, anthropologist Annette B. Weiner was undertaking field research in the Trobriand Islands of Papua New Guinea (now Kiriwina Islands), with a view to unsettling disciplinary notions of common sense regarding gender neutrality of ethnographers and challenging the disciplinary canon in profound and influential ways. My postgraduate training in the discipline of International Relations (IR) was, therefore, a curious through-the-looking glass adventure in double-think. The State, the Balance of Power, a Security Dilemma: it frequently felt that I was being asked to believe at least 'six impossible things before breakfast'.
Even having received my disciplinary training and being settled in my new 'home' discipline (so richly textured and evocative, the metaphor of 'home' allows for all sorts of interesting variants such as Christine Sylvester's idea of campsand homesteading), I have historically not been terribly well-disciplined. As a feminist IR scholar, the work I do was once pronounced marginal; with my philosophical sympathies lying with poststructuralism my work has been aligned with 'prolix and self-indulgent discourse … divorced from the real world.' My encounters with my discipline have not been uncomplicated and it has provided me with plenty of material with which to think through the question of transdisciplinarity. | {
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Adobe Design is seeking a design leader to join our team in our beautiful open office space in San Francisco's thriving SOMA district.
The Challenge: Our design team is responsible for the product design of Adobe Dimension, Project Aero and 3d tooling across the future of Creative Cloud. We are working closely with business, marketing, engineering, and research to deeply understand customer needs and build industry standard 3d and mixed reality creative tools.
The Role: We're seeking a versatile experience design leader who thinks holistically and uses modern tools to evaluate multiple experience directions quickly. A champion for patterns that scale across input modalities from mouse, pen, keyboard, touch and on into VR/AR. You will be working closely alongside the Design Director, Design Lead and Product team to take initiatives from concept to implementation. We're looking for someone with an uncanny ability to manage, inspire and motivate a strong design team. The ideal candidate should have a strong design background, a passion for great user experience, a desire to drive innovation and iteration, and a proven ability to lead and manage teams in the design industry. | {
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Torn by tragedy. Reunited by love. Two years ago, I lost my husband and my brother to the same tragedy. To this day, I hold only one person responsible—Aiden Rogers, the beautiful boy I've known forever, the misfit I've both loved and hated, the one who always got to me. As far as I'm concerned, he's the only one to blame. Now he wants to be part of my life again—when I can finally see a future for my son and myself. I've found the perfect man in David, someone I can start over with, a man who will be the perfect father figure for Trevor. I have a plan. At last, I see the light, and I know I can make this work. I will not let Aiden Rogers drag me back into the darkness. Author's note: contains sexual scenes and some coarse language.
The Riverstone Series: A beautiful estate. Three unforgettable love stories. Following the sudden passing of their father, Amber, Ruby, and Flynn Riverstone inherit the family estate and find themselves facing new challenges, growing closer, and discovering love along the way. | {
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Warrior Sisters: The New Adventures of African and Asian Womyn Warriors. A new American opera in three acts; Music and concept by Fred Ho; Book and libretto by Ann T. Greene. Members of the Afro-Asian Music Ensemble. (Big Red Media/Koch Jazz, CD # 7899) 1999.
American opera just keeps going off in more and more directions. As a counterpoint to Jackie O, the new opera reviewed in this space a couple of issues back, consider Warrior Sisters by Fred Ho. Baritone saxophonist, composer, writer, political activist, and leader of at least two music groups, Asian-American Fred Ho, like Wynton Marsalis, whose string quartet At The Octoroon Balls was reviewed in this space in the last issue, is one of the younger generation of artists inventing whole new categories of American music. Ho wrote A Chinaman's Chance, the first contemporary Chinese-American opera, and more recently Journey Beyond the West: The New Adventures of Monkey, based on the traditional Chinese myths of the Trickster Monkey. In these works Ho pulls together diverse musical elements, including traditional Asian instruments and traditional forms, combined with modern instruments, classical forms, and jazz elements to create completely new musical and dramatic concoctions. In addition, Ho uses these musical innovations to present sometimes-controversial social/political messages. One critic wrote that Ho's music "is at once highly social, political and above all swings with great feeling."
The present work, Warrior Sisters, is a fantasy opera depicting episodes from the lives of four female revolutionaries. The album's liner notes contain this succinct summary of the opera: "Warrior Sisters is the imaginary meeting of four legendary revolutionaries -- Fa Mu Lan, the fiery Chinese Boxer, Nana Yaa Asantewa, Queen Mother of the Ashante nation (pre-modern Ghana), Sieh King King, the youthful and audacious Chinese American feminist, and Assata Shakur, legendary leader of the Black Liberation Army. In the late 1890s, after the abortive Boxer Rebellion, Fa Mu Lan escapes through time and space to rescue Nana Yaa Asantewa, exiled by the British conquerors to captivity on the Seychelle Islands. Together they find Sieh King King, who, as a stowaway, has arrived at The Gold Mountain (19th century California) to preach revolution and feminism to the fortune-seeking Chinese merchants and laborers.
"Tearing a hole in the universe [!], the three womyn warriors vanish from the 19th century, and travel through time and space to 1970's Amerikkka. There Nana Yaa Asantewa and Sieh King King liberate the imprisoned and pregnant Assata Shakur. With the revolutionary underground's help, she rendezvous with Fa Mu Lan in southern Florida for the final leg of her escape. Carried by Fa Mu Lan's fiery white stallion, Assata flees to revolutionary Cuba in time to give birth to her daughter, Nana." Quite a story -- down to the fiery white stallion!
Musically, Warrior Sisters may not quite measure up to a story like that, but it's pretty exciting as well. The Afro-Asian music ensemble is a sextet (piano, bass, three woodwind, two percussion) that is able to sound like a much larger group, and clearly a group comfortable with Fred Ho's syncretic compositional style and rapidly shifting musical idioms. It's best to check your expectations and preconceptions at the door when listening to this work, because whatever they are, they're sure to be wrong. On the other hand, you're sure to be entertained.
You can hear portions of Warrior Sisters by Fred Ho on WHIL-FM (91.3) Thursday, October 21 at 7:00 PM as part of their weekly series of music from after 1950. | {
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Different Ways To Rock With Denim Jackets!!
If you want something that should always look classic or you want that particular outfit which will go on with every kind of dress too. Everyone should have their own denim jacket. The best thing about buying a denim jacket is that you can wear it with anything and it is a little out of your budget. This Fall Season gets ready to style your Denim outfit With your other outfits to make them trendy.
We are sharing the different ways to dazzle in the Denim jacket.
Might be you wore your Maxi dresses so many times, but Still, you love it. If You want to do experiment with it, then wore a cropped Denim jacket Over it and Make a Maxi dress work for spring and Fall Season.
For a feminine look, teem up your stylish Dress with distressed denim Jacket. This outfit will look great with cool goggles and smart handbag for the perfect Daytime look. Wear Boots to finish off this look.
Denim on denim is always, remaining as a fashionable Combination. The key to wearing denim on denim is to carry different colors of Denims. For the ultimate cool girl look wears Skinny jeans with Cool T-shirt. It looks so cool to wear a lighted denim jacket with White Base and brown boots.
Denim goes with everything, but if you style yourself with the correct accessories, Shoes, and Makeup. Wear a bright color skirt or printed Skirt with a tee and Denim Jacket, wore with a high pony and cool goggles for a perfect carefree and balanced outfit.
Want to get Sporty girl look?? A nice outfit for summer is to wear a denim jacket along with denim Shorts and Sneakers. Don't forget sunglasses and put your hairs open to complete the look.
To get updated with trendy and upcoming fashion ideas, Like us on Facebook !! | {
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Ludic Narrative née Storygame
I'm not done with this little stroll through history — in fact, I'm just getting started — but I want at this point to take a few posts to introduce some theoretical ideas that will be informing the history to come. I'll try to make it as painless as possible… really, I will.
When I was a kid growing up in the 1980s, the broad category of "adventure games" as covered by folks like Scorpia in Computer Gaming World was generally taken to be composed of four distinct subtypes. There was of course first the form I've been focusing on in this blog so far, the text adventure (or, if you like, interactive fiction), which I trust needs no further definition. There was the computer role-playing game (CRPG), a less rigid, more emergent form which focused on strategy and tactics in sending the player forth to do battle with multitudes of monsters or, occasionally, mutant humans or space aliens. There was the point-and-click graphical adventure, which like the text adventure tended to be built around set-piece puzzles rather than simulational emergence, but which replaced descriptive text with pictures and the parser with a joystick or mouse. (This form should not be confused with text adventures which happened to feature pictures.) And finally there was the action adventure, which combined reflex-oriented jumping or fighting gameplay with puzzle-solving, exploration, and an overarching storyline or quest.
So, four quite disparate approaches, no? Given that disparity, I started asking myself a number of years ago just what prompted people to see such kinship among these forms, kinship they didn't also see in, say, a strategy game like Archon or a pure action game like Frogger. Or, put another way: what was it about these forms that made them uniquely appealing to a columnist like Scorpia, or for that matter to a young nerd like me? Clearly it wasn't a question of their fictional context; while dwarfs and dragons may have been disproportionately represented in the group of four, there were also plenty of non-fantasy examples — not to mention plenty of strategy and action games with fantasy themes that clearly did not fit in the group of four. The answer I came up with, which I'm sure will surprise no one, was that the distinguishing feature of these forms was that they all foregrounded story in a way that didn't really happen in other forms of 1980s computer gaming. From there, I decided to try to codify the unique qualities of these games in a way that would be a bit more definite, not to mention applicable to other technologies and eras. In the end I came up with two approaches, actually, one a fairly rigid checklist and the other based more on abstracts.
But before I defined them, I first had to decide what I wanted to call the category of works in question. At first I simply went with storygames, but lately I've been leaning more toward ludic narratives. I favor the latter not because it sounds more academic and pretentious, although that it certainly does, but rather because I think the narrative component of these works is of equal or even greater important than the systems of rules — the "game" part — that underlie them. But I'll get into that a bit more in my next post. For now, let's just roll out the definitions, beginning with the rigid checklist approach.
So, then, to qualify as a ludic narrative a work must possess the following four attributes:
1. The work must be directly and obviously interactive. When I say "directly and obviously" here, I mean that if there is any real question the work probably fails this test. Joyce's Ulysses and Nabakov's Pale Fire, for instance, may have a certain sense of interactivity about them in that they demand a certain sort of engaged, motivated reading, but they still carry, at least outwardly, the form of conventional, linear novels, and thus fail this test.
2. A computational simulation — a "storyworld" — must enable the narrative. It should be noted that a computational simulation does not automatically mean a computerized simulation, as a human rather than a computer can administer the rules of the ludic narrative. This simulation can run at virtually any level of abstraction, but it must be there. Hypertext literature thus does not qualify as a form of ludic narrative, as no simulation exists "behind" the links one clicks in "playing" a hypertext.
3. The player must play the role of an individual in the storyworld, experiencing events through the eyes of and in the persona of that character. Some ludic narratives may allow the player to switch roles or even play several simultaneously, but she is always immersed in the storyworld rather than viewing it from an on-high, abstract perspective. Thus a game like Civilization, which is played at the macro level, does not qualify as a ludic narrative.
4. There must be a coherent story arc, and it must be possible to well and truly complete that story. A massively multiplayer online role-playing game like World of Warcraft thus does not qualify as a ludic narrative, as it has no endpoint, and is ultimately experienced as a series of anecdotes rather than a coherent story.
Having just disqualified several games in the definitions above, let's quickly return yet again to our old friend Adventure for an example of a game that does qualify as a ludic narrative. It satisfies criteria #1 in that it is directly interactive, responding to player inputs through a textual parser. It satisfies criteria #2 in that a simplified simulation of the real world houses the action, allowing the player to pick things up, carry them around, and leave them in other places; to open and close doors; and even to interact (simplistically) with other characters who autonomously move about the storyworld with agendas of their own. It satisfies criteria #3 in that the player interacts and views the storyworld strictly through the persona of a character in that world, the nameless "adventurer." And it satisfies criteria #4 in that Adventure has an extant, if simplistic almost to the point of transparency, story arc and goal. Its plot even has a climax in the form of the closing of the cave and the visit to the control room. That said, it's also true that if Adventure comes close to failing to qualify as a ludic narrative anywhere, it is here. The Oregon Trail, for example, is actually a stronger example of the form in that its story arc is much more pronounced and was much more of a priority for its designer.
Actually, speaking of "stronger" or "weaker" examples of ludic narratives brings me to the other way of looking at the subject. When I first came up with the set of criteria above, I put it in my little backpack of theoretical constructs and continued on my way, smugly sure I had "solved" this little problem of ludic taxonomy. As time has passed, though, I've become more and more aware that rigid categorization is not always the best approach, that it may often be better to consider ludic narrative in a gradient ("more or less") fashion rather than as an "either/or" proposition. In doing so I'm drawing a lot from the cognitive scientist George Lakoff. Consider, to use one of Lakoff's examples, the concept of "bird," not as it's understood scientifically but as it's thought of in everyday life. Lakoff writes that, while people recognize both robins and emus to be birds, the robin is in some sense also recognized as more "birdy": it can fly while the emu cannot, it sings while the emu does not, etc. In Lakoff's formulation, there is some central idea of absolute birdyness (it may be helpful to think of Plato's ideas about the Good). The robin is closer to this central idea than the emu, but both are close enough that if queried most people would recognize them both to be birds. I believe we can when it suits our purposes consider (potential) ludic narratives in the same way, in which case The Oregon Trail is "more" of a ludic narrative than Adventure, even as we recognize both to basically fit the category. Simply put, the narrative component of The Oregon Trail, the importance of its narrative dimension to both author and player, feels much more significant. There may also be edge cases which fail one of the tests, but which still have the "feel" of ludic narrative. As long as we're reasonable about these things, it seems pointless to exclude them from discussion because of some arbitrary checklist. So, we can have our scientific definition of a ludic narrative and our instinctual definition, and mix and match and apply them as seems most useful, letting each inform both our understanding of the other and our understanding of the form.
Of course, the modern world of videogames is very different from that of the 1980s. Out of our group of four, text adventures are, at least as of this writing and with a bare handful of exceptions, no longer commercially marketed, while traditional graphic adventures have retreated from near the center of the gaming universe in the early 1990s to a decidedly niche form today. More interestingly, absolutely heaps of videogames, very possibly the majority, now fit into the category of ludic narratives, at least by our "scientific" definition. (Whether Flo's Fix-It Scramble XXVI: Build a Cake, with the simplistic story it uses to structure its levels, really feels like an exercise in ludic narrative is another matter.) If some of the traditionally story-oriented forms of game have retreated from the mainstream, their absence is more than made up for by the piles of first-person shooters, real-time strategy games, and casual tycoon games that now also want to be narrative experiences to one degree or another. One thing that I hope will emerge over time from this blog is a picture of how that happened.
In my next post I plan to work out a couple more theoretical ideas that will complement what I've just written and hopefully make the thrust of all this much clearer.
Posted by Jimmy Maher on July 20, 2011 in Digital Antiquaria, Interactive Fiction | {
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We take pride in having Navy Systems Command (NAVSEA, NAVAIR, SPAWAR, NAVFAC, and NAVSUP), the Office of Naval Research, and the United States Marine Corps as our customers.
Before joining Betis Group, Inc. in 2007, Adam Green was an Air Force Communications Officer with experience leading software development projects, network and end-user support organizations, CIO organizational processes, and business process improvement efforts.
Betis Group's experience shows that the best way to ensure the client receives the highest quality products and services is to institute processes and procedures that provide quality reviews and oversight on an ongoing basis. Jointly agreed upon performance metrics are critical to this effort for each quality control action. This will provide the basis for how we will measure success, and respond to and remediate identified problems. Contract and TO performance will be assessed based on these metrics. The Program Management Team communicates frequently to identify potential issues with performance and determines solutions to address any performance issues.
A comprehensive, well-practiced QA process enables us to identify potential problems early. This cost effective approach applies to multiple technical environments, is non-adversarial, and promotes timely delivery of quality products and services.
At present, there no task orders on this contract. | {
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Ultrasound testing is a non-destructive method in which beams of high-frequency sound waves are introduced into a test object to measure wall thickness or to detect flaws in the material. The audible frequency range for the human ear is between 20 Hz and 20 kHz: sound waves with frequencies above 20 kHz are called ultrasound.
The ultrasound crack detection technology is based on the measurement of the time-of-flight of ultrasonic signals reflected from the internal and external surfaces of the pipe wall. A sufficient number of sensors ensure full circumferential coverage of the test piece (e. pipe wall) inspected. An unique sensor-guidance design provides reliable and accurate ultrasonic data results.
Ultrasound crack detection is used to detect for single cracks and crack clusters. Because of the data redundancy (cracks always recorded from both directions), there is an increased reliability. The technology is versatile application, e.g. suitable for axial and circumferential cracking, accurate crack length and depth sizing, excellent weld inspection through sensor offset towards longitudinal weld, girth weld respectively (especially for small tool design), high pressure application or high temperature application. | {
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We sell classical toys such as cars and dolls but also have more interactive toys for your children such as robots and race tracks with accompanying racing cars. Play is not just fun but you can integrate play with movement, communication, with many options for building and designing your own tracks. Read more about the products here to decide which one is best for you. | {
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Home » News » INTI showcases new Fabrication Laboratory in creative video on brotherhood
INTI showcases new Fabrication Laboratory in creative video on brotherhood
INTI International University & Colleges recently launched a video entitled Fix to showcase its new Fabrication Laboratory (FabLab INTI) – a state-of-the-art 3D model printing facility offered for engineering and arts and design students.
Aided with the technology in the FabLab INTI, the elder brother uses the available resources to create a new toy out of his own sketch for the younger one.
Shot in collaboration with The Salad Show Productions and helmed by two of its own alumni, Jiven Sekar and Caleb Lim, the two-minute long video tells the story of two brothers making up after a fight and how FabLab INTI played a key role in reuniting the siblings. The story takes form with an elder brother breaking the toy of the younger sibling due to a heated moment. The consequent remorse convicts the elder brother to reconstruct the toy for his younger brother using the 3D modelling facility in FabLab INTI. Through the heartwarming scene, the video showcases the capabilities FabLab INTI to help students prototype their imagination through 3D modelling.
Commenting on the video, Timothy Johnson, Senior Vice President of Marketing, Products & Partnerships at INTI International University & Colleges, said, "We constantly want to reach out to the audiences using innovative and engaging ways. This short film that conveys the message of keeping our family together was a great idea. On top of that, we also wanted to highlight our latest innovative facility – FabLab INTI. Hence this story was a perfect combination."
Launched recently at INTI International University Nilai, FabLab INTI is the first of its kind in a private education institution in Malaysia. Equipped with facilities that are essential for prototyping, student innovators across various disciplines can access the FabLab INTI to bring their imagination to life with the guidance and assistance of the lab technicians. The lab contains state of the art 3D printers, 3D scanner and laser cutter.
The video talks about a set of brothers, the younger one being the playful and curious type while the elder brother, slowly growing up wanting more privacy and space.
"FabLab INTI is the future of education for the students – with its ability to turn innovative ideas to reality. We are excited to see how our students will utilise this technology," Johnson added.
FabLab INTI has already made news with Eco Park Rider, a robot with built-in Artificial Intelligence made in FabLab INTI getting first runner up at the Laureate Award for Excellence in Robotics Engineering. It was created by four mechanical engineering students from INTI International University – Sunder Raj Sundara Murthy, Vinod Krishnan K Arvindra Dass, Chan Wah Biao and Tushentan Ravishandran
Fix has been gaining traction online since it was shared on INTI's Facebook page. To view the video, follow the links below:
Video link: https://www.facebook.com/INTI.edu/videos/1422328741149643/
Website link: http://newinti.edu.my/main/inti-fab-lab | {
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Great snare by Bug Howard despite pass interference by JMU in Saturday's win.
The Tar Heels know what's coming Saturday when Pittsburgh comes to Kenan Stadium for a 3:30 kick-off to the ACC season: A formidable running game led by Panther junior tailback James Connor.
The Panthers, 2-1 with wins over Villanova and Penn State and a one-TD loss at Oklahoma State, are rushing for 240 yards a game, and junior tailback James Connor averaging is averaging 94 yards a game. Connor ran for 102 yards against the Tar Heels in Pittsburgh in 2013 and 220 in Chapel Hill in 2014—both of those games win by the Tar Heels by a touchdown or less.
The Tar Heel defense was stung Saturday in the home opener against James Madison by allowing touchdowns on the Dukes' first three possessions. After that, the unit settled down and gave up only one more score—that last one aided by a curious third-down delay-of-game call against the Heels for supposedly barking "disconcerting" signals.
But he said this week's practices and film study will be devoted to fine-tuning Trubisky's decision-making skills, both pre- and post-snap. | {
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Q: How can I eliminate the vertical extra space before and after the proof-environment? consider the following code:
\documentclass{scrartcl}
\usepackage[ngerman]{babel}
\usepackage[utf8]{inputenc}
\usepackage[T1]{fontenc}
\usepackage{graphicx}
\usepackage{amsmath}
\usepackage{amsthm}
\usepackage{enumerate}
\theoremstyle{plain}
\newtheorem{thm}{Theorem}
\theoremstyle{definition}
\newtheorem{rmk}[thm]{Remark}
\begin{document}
\begin{thm}
Normal theorem.
\end{thm}
\begin{proof}
Normal proof.
\end{proof}
%%%%%%%%%%%%%%%%%%%%%%
\begin{rmk}
\begin{enumerate}[(a)]
\item Some remark.
\begin{proof}
Proof for that remark. %!!!
\end{proof}
\item Other information.
\end{enumerate}
\end{rmk}
\end{document}
I want to introduce (best via newenvironment) a new kind of proof environment that I can use for remarks and that does not have additional vertical space before and after the proof other than the usual vertical line spacing.
So, the above example looks like
and I want to get rid of the extra space around the second Beweis.
A: You can define a new environment, duplicating proof:
\makeatletter
\newenvironment{proof*}[1][\proofname]{\par
\pushQED{\qed}%
\normalfont \partopsep=\z@skip \topsep=\z@skip
\trivlist
\item[\hskip\labelsep
\itshape
#1\@addpunct{.}]\ignorespaces
}{%
\popQED\endtrivlist\@endpefalse
}
\makeatother
Now you can input the "inner" proof as
\begin{proof*}
This is a proof without additional vertical space
\end{proof*}
| {
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Partly cloudy skies. Low around 75F. Winds SW at 5 to 10 mph..
Partly cloudy skies. Low around 75F. Winds SW at 5 to 10 mph.
CAROLINA FOOTBALL: Gamecocks see schedule as 'opportunity to show who we are'
Angela Christopher Crabb -- Vidalia, Ga.
VIDALIA, Ga. -- Mrs. Angela Christopher Crabb, age 77, of Vidalia, Georgia, died Thursday, July 4, 2019, at home after a brief illness.
She was a native of Orangeburg and lived most of her adult life in the Vidalia area. Mrs. Crabb was a homemaker, the owner and operator of C&T Wholesalers since 1982 and a member and the treasurer of Fairview Baptist Church. She enjoyed sewing, crocheting and spending time with her family. Mrs. Crabb was preceded in death by her husband, Edsel Crabb; her parents, P.B. Christopher Sr. and Victoria Hutto Christopher Corbett; and her stepfather, Richard Corbett.
Mrs. Crabb is survived by her daughter, Mona Crabb Jones, and husband Johnny of Ailey, Georgia; three grandchildren: Sarah Jones Humphries and husband Jon of Chelsea, Alabama, and Jessica V. Jones and John Jones, both of Ailey; a great-grandson, Alexander Jones Humphries of Chelsea; two sisters, Carol Schurlknight of Johnson City, Tennessee, and Elaine Berry of West Columbia; a brother, Pinky Christopher and wife Gloria of Cordova; chosen family Bill Jones and wife Linda and Robert Roberson and wife Amy, all of Lyons, Georgia, Wedrell and Betty Meeks of Vidalia, and Kane Collins and fiancee Summer Curl of Reidsville, Georgia; and the church family of Fairview Baptist. Several nieces and nephews also survive.
The funeral service will be held at 11 a.m. Monday, July 8, at Fairview Baptist Church, Lyons, with the Rev. Glenn E. Russell and the Rev. Chuck Mullis officiating. Burial will follow in the cemetery of Bethlehem Sand Hill United Methodist Church in Telfair County.
Pallbearers will be John Jones, Jim Christopher, Richard Christopher, Stephen Culley, Matthew Fogle and Kane Collins.
The family will receive friends from 6 to 8 p.m. Sunday, July 7, at Ronald V. Hall Funeral Home.
Flowers are appreciated, and memorial contributions may be made to Fairview Baptist Church, 662 N. State St., Lyons, Georgia 30436.
Angela Christopher Crabb
Alexander Jones Humphries
the life of: Angela Christopher Crabb -- Vidalia, Ga.
How much do you know about Mother's Day?
ssb edison
Better every week
Claflin University/FA
Sadie Memorial Ad
The Hearing Center/FA
Gressette Pest Management
821 Five Chop Road, Orangeburg, SC 29115
Simmons Funeral Home/FA
Lone Star BBQ & Mercantile
Lone Star BBQ & Mercantile - all-you-can-eat buffet! Traditional Southern-style BBQ! | {
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You are visiting the placeholder page for James Hutchinson. This page is here because someone used our placeholder utility to look for James Hutchinson. We created this page automatically in hopes James Hutchinson would find it. If you are not James Hutchinson, but are an alumni of Deer River High School, register on this site for free now. | {
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After last year's "post-truth", "fake news" is the term of the year.
The European Commission launched a public consultation on fake news and online disinformation and set up a High-Level Expert Group representing academics, online platforms, news media and civil society organisations.
Sarajevo hosted a conference Media Meets Literacy in late September, the event which gathered 250 participants, including well-known international media literacy experts. We talked with Joanna Krawczyk of Evens Foundation, the organizer of the conference.
The study explores the hate speech phenomenon, examines cases of hate speech throughout Southeast Europe, provides recommendations and describes mechanisms for fighting against and preventing it.
Projects from Italy and Croatia win Evens Prize for Media Education 2017 for exciting approach to media literacy.
Next year's Safer Internet Day (SID) celebrations will take place on Tuesday, 6 February 2018. The 2018 SID theme is "Create, connect and share respect: A better internet starts with you".
The seven installments of this report by WAN-IFRA concentrate on news literacy-related actions that publishers have helped to do or could do. | {
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<?php
/*
* Post deployment script.
*
* Scope:
* - Sets permissions (mainly write permissions wherever needed)
* - Creates some directories
* - Flushes runtime directories
* - Runs migrations (will not on your local machine, unless you explicitly ask it to)
*/
if ($argc < 2)
{
echo "========================================================\n";
echo "\nUsage:\n\n";
echo "========================================================\n";
echo "php " . $argv[0] . " environmentType migrations\n";
echo "\nenvironmentType (required): can be (by default): prod, private (private is your PC)\n";
echo "\n*note* additional ones can also be added into the environments folders.\n";
echo "\nmigrations (optional), can be any of these values: migrate, no-migrate\n";
echo "========================================================\n";
exit();
}
$runningOnWindows = (strtoupper(substr(PHP_OS, 0, 3)) === 'WIN');
$envType = $argv[1];
$root = realpath(dirname(__FILE__)) . "/../../";
/**
* replaces slashes by correspondent system directory separators
* @param $path
* @return mixed
*/
function pth($path)
{
return str_replace(array('/', '\\'), DIRECTORY_SEPARATOR, $path);
}
/**
* returns the executable path according to OS
* @return string
*/
function getPhpPath()
{
global $runningOnWindows;
if ($runningOnWindows) return "php";
else return '/usr/bin/php';
}
/**
* runs a command
* @param $command
*/
function runCommand($command)
{
global $runningOnWindows;
if (!$runningOnWindows)
$command .= ' 2>&1';
echo "Running command:\n $command ";
$result = array();
exec($command, $result);
echo "\nResult is: \n";
foreach ($result as $row) echo $row, "\n";
echo "========================================================\n";
}
/**
* Creates a directory if it doesn't exists
* @param $path
*/
function createDirIfNotExists($path)
{
if (!file_exists($path))
{
printLine("Creating directory: $path");
mkdir($path);
}
}
/**
* Prints a nice line of text
* @param $text
*/
function printLine($text)
{
echo "========================================================\n";
echo "$text \n";
echo "========================================================\n";
}
/**
* Remove directories recursively
* @param $path
*/
function rmDirRecursive($path)
{
global $runningOnWindows;
if (!file_exists($path)) return;
if ($runningOnWindows)
runCommand("rd /S /Q " . $path);
else
runCommand("/bin/rm -rf " . $path);
}
if (!$runningOnWindows)
{
$result = array();
echo "Running as:";
exec('/usr/bin/whoami 2>&1', $result);
foreach ($result as $row) echo $row, "\n";
}
// Flush assets and create directory if not existing
rmDirRecursive(pth($root . "frontend/www/assets"));
createDirIfNotExists(pth($root . "frontend/www/assets"));
rmDirRecursive(pth($root . "backend/www/assets"));
createDirIfNotExists(pth($root . "backend/www/assets"));
// runtime
createDirIfNotExists(pth($root . "frontend/runtime"));
createDirIfNotExists(pth($root . "backend/runtime"));
createDirIfNotExists(pth($root . "console/runtime"));
// permissions
chmod(pth($root . "frontend/runtime"), 02777); // permissions with setguid
chmod(pth($root . "backend/runtime"), 02777);
chmod(pth($root . "console/runtime"), 02777);
chmod(pth($root . "frontend/www/assets"), 02777);
chmod(pth($root . "backend/www/assets"), 02777);
//Copy *-environmnetName.php to *-env.php
$directories = array(
pth($root . "common/config/"), // common
pth($root . "frontend/config/"), // frontend
pth($root . "backend/config/"), // backend
pth($root . "console/config/")); // console
//choose environment specific configs
foreach ($directories as $dir)
{
$files = glob(pth($dir . "environments/" . "*-" . $envType . '.php'));
foreach ($files as $srcFile)
{
$pattern = "/-" . $envType . ".php$/";
$dstFile = preg_replace($pattern, "-env.php", $srcFile);
// remove "env/" or "environments\" from the path
$dstFile = preg_replace('/environments\\\|environments\//', "", $dstFile);
$res = copy($srcFile, $dstFile);
if (!$res)
echo "Error. Failed to copy $srcFile to $dstFile\n";
// for some reason after copying the permissions are wrong
chmod($dstFile, 0644);
}
}
// create empty local configs if these do no exist yet
if ($envType == 'private')
{
foreach ($directories as $dir)
{
if (!file_exists($dir . 'params-local.php'))
{
file_put_contents($dir . 'params-local.php', "<?php\nreturn array(\n\t'env.code' => 'private',\n);");
chmod($dir . 'params-local.php', 0644);
}
}
}
// applying migrations (for local machines is preferred to be done manually but...)
if (($envType != 'private' && !in_array('no-migrate', $argv)) || in_array('migrate', $argv))
{
runCommand(getPhpPath() . ' \'' . $root . "yiic' migrate --interactive=0");
if (in_array($envType, array('prod'))) // include any of environment types here at will
runCommand(getPhpPath() . ' \'' . $root . "yiic' migrate --interactive=0 --connectionID=db");
}
echo "Done!\n"; | {
"redpajama_set_name": "RedPajamaGithub"
} | 7,684 | [
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Perform a bit blit operation on the given pixel buffers.
Create a new bitmap with the given width, height, color format and pixel buffer.
fkt_free The function used for deallocation of the buffer, NULL for none.
Create a new bitmap of the given width and height compatible with the current device context.
Get pixel at the given coordinates. | {
"redpajama_set_name": "RedPajamaC4"
} | 8,033 | [
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