Filename
stringlengths 5
155
| Patch Contents
stringlengths 1
22.3M
⌀ | Size
int64 1
315k
|
|---|---|---|
Camomile-ELSE_plugin/LiVoArpeggiator/list-abs/list-l2s-help.pd | #N canvas 0 31 518 278 10;
#X msg 52 90 a b c d 1 2;
#X msg 165 90 a b c d 1 2;
#X msg 288 91 a b c d 1 2;
#X symbolatom 165 154 15 0 0 0 - - -;
#X symbolatom 52 155 10 0 0 0 - - -;
#X symbolatom 288 154 25 0 0 0 - - -;
#X obj 52 127 list-l2s;
#X obj 165 126 list-l2s -;
#X obj 288 124 list-l2s _|_;
#X msg 395 90 symbol PD;
#X text 54 42 Concatenate a list into a single symbol using ARG1 as
delimiter. Delimiter can be set through second inlet.;
#X text 55 20 list-l2s;
#N canvas 510 66 494 396 META 0;
#X text 12 25 LICENSE SIBSD;
#X text 12 135 AUTHOR Frank Barknecht;
#X text 12 155 HELP_PATCH_AUTHORS Frank Barknecht. "pd meta" information
added by Jonathan Wilkes for Pd version 0.42.;
#X text 12 5 KEYWORDS control list_op symbol_op;
#X text 12 45 DESCRIPTION concatenate a list into a single symbol using
ARG1 as delimiter;
#X text 12 75 INLET_0 anything;
#X text 12 95 INLET_1 symbol;
#X text 12 115 OUTLET_0 symbol;
#X restore 443 251 pd META;
#X connect 0 0 6 0;
#X connect 1 0 7 0;
#X connect 2 0 8 0;
#X connect 6 0 4 0;
#X connect 7 0 3 0;
#X connect 8 0 5 0;
#X connect 9 0 8 1;
| 33 |
adsr.pd | #N canvas 554 84 1125 748 12;
#X obj 57 31 inlet~;
#X obj 249 671 outlet~;
#X obj 245 27 inlet;
#X obj 387 26 inlet;
#X obj 526 24 inlet;
#X obj 680 23 inlet;
#X text 233 8 attack;
#X text 379 6 decay;
#X text 512 8 sustain;
#X text 673 6 release;
#X text 22 10 input signal;
#X obj 933 28 inlet;
#X text 927 5 velocity;
#X obj 901 168 expr if ($i1 == 0 \, 1 \, 0);
#X obj 913 218 sel 1;
#X obj 743 218 sel 1;
#X obj 730 168 expr if ($i1 > 0 \, 1 \, 0);
#X obj 284 205 pack;
#X obj 448 196 / 100;
#X obj 510 122 int;
#X obj 173 57 int;
#X obj 656 148 int;
#X obj 284 138 float;
#X obj 154 148 line;
#X obj 157 292 line;
#X obj 210 491 line;
#X msg 138 113 0 \, 1 \$1;
#X msg 161 239 1 \, \$1 \$2;
#X obj 220 186 sel 1;
#X obj 114 183 *~ 0;
#X obj 165 446 *~ 0;
#X obj 146 554 *~ 0;
#X obj 605 425 int 0;
#X obj 220 358 pack;
#X msg 276 448 \$2 \, 0 \$1;
#X obj 431 288 int 1;
#X obj 562 350 int 0;
#X obj 225 567 *~ 1;
#X connect 0 0 29 0;
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#X connect 27 0 24 0;
#X connect 28 0 19 0;
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#X connect 34 0 25 0;
#X connect 35 0 30 1;
#X connect 35 0 37 1;
#X connect 36 0 31 1;
#X connect 37 0 1 0;
| 79 |
PdScript-Demo/Pd/externals/cyclone/help/spell-help.pd | #N canvas 622 80 561 392 10;
#X obj 0 365 cnv 15 552 21 empty empty empty 20 12 0 14 -233017 -33289
0;
#X obj 0 244 cnv 3 550 3 empty empty inlets 8 12 0 13 -228856 -1 0
;
#N canvas 583 213 379 219 META 0;
#X text 1 19 LICENSE SIBSD;
#X text 1 95 LIBRARY cyclone;
#X text 1 0 KEYWORDS ascii values convert;
#X text 1 38 DESCRIPTION convert input to ascii values;
#X text 1 57 INLET_0 list;
#X text 1 76 OUTLET_0 list;
#X text 0 116 VERSION 0.1-alpha57;
#X text 0 134 AUTHOR Krzysztof Czaja;
#X text 1 152 RELEASE_DATE 2002;
#X text 2 171 WEBSITE http://suita.chopin.edu.pl/~czaja/miXed/externs/cyclone.html
;
#X text 2 203 HELP_PATCH_AUTHORS Christoph Kummerer. Revised by Jonathan
Wilkes for Pd-extended 0.42 to conform to the PDDP template. Alex Cleveland
updated this patch for Pd-l2ork version 2013.05.28. Fred Jan Kraan
adapted the patch to pd-extended 2015-02-02;
#X restore 503 367 pd META;
#X obj 0 282 cnv 3 550 3 empty empty outlets 8 12 0 13 -228856 -1 0
;
#X obj 0 319 cnv 3 550 3 empty empty arguments 8 12 0 13 -228856 -1
0;
#N canvas 433 320 428 109 Related_objects 0;
#X obj 0 0 cnv 15 425 20 empty empty empty 3 12 0 14 -204280 -1 0;
#X text 6 1 Related Objects;
#X obj 104 26 key;
#X obj 105 48 keyup;
#X obj 5 27 cyclone/sprintf;
#X restore 200 367 pd Related_objects;
#X obj 80 253 cnv 17 3 17 empty empty 0 5 9 0 16 -228856 -162280 0
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#X obj 80 291 cnv 17 3 17 empty empty 0 5 9 0 16 -228856 -162280 0
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#X obj 0 0 cnv 15 552 40 empty empty spell 3 12 0 18 -204280 -1 0;
#X obj 506 9 spell;
#X text 12 23 convert input to ascii values;
#X text 119 253 list;
#X text 119 291 list;
#X text 180 291 - ascii values of data from inlet;
#X obj 170 217 print spell;
#X msg 170 49 63;
#X msg 188 90 t h i s;
#X msg 182 69 34 45;
#X msg 192 112 or that;
#X text 117 332 (none);
#X text 180 253 - list of any numbers \, text \, etc to convert to
ascii;
#X obj 170 167 cyclone/spell;
#X connect 15 0 21 0;
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#X connect 17 0 21 0;
#X connect 18 0 21 0;
#X connect 21 0 14 0;
| 57 |
doc/3.audio.examples/D10.sampler.notes.pd | #N canvas 458 23 794 797 12;
#X msg 243 27 bang;
#X obj 243 64 delay 5;
#X text 419 290 end of note;
#X obj 372 55 r note;
#N canvas 282 191 671 441 recorder 0;
#X obj 218 34 inlet;
#X obj 128 258 adc~ 1;
#X obj 128 286 hip~ 5;
#X obj 197 316 line~;
#X obj 128 315 *~;
#X msg 197 288 1;
#X obj 256 253 del 3990;
#X msg 233 288 0 10;
#X obj 128 366 tabwrite~ sample1;
#X obj 42 191 makefilename sample%1;
#X msg 42 220 set \$1 \, bang;
#X msg 300 224 stop;
#X msg 256 224 bang;
#X obj 382 226 loadbang;
#X obj 378 128 openpanel;
#X msg 378 100 bang;
#X text 422 265 v-- re-read original samples;
#X obj 218 63 route record stop reload browse;
#X obj 382 347 soundfiler;
#X msg 382 289 read ../sound/bell.aiff sample1 \, read ../sound/voice2.wav
sample2, f 33;
#X msg 378 155 read \$1 sample1;
#X obj 378 182 soundfiler;
#X text 416 100 <= browse for samples;
#X connect 0 0 17 0;
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#X connect 20 0 21 0;
#X restore 631 179 pd recorder;
#X msg 624 55 record 1;
#X msg 638 99 stop;
#N canvas 808 188 569 656 playback 0;
#X obj 57 60 line~;
#X obj 75 252 line~;
#X obj 57 283 *~;
#X obj 75 223 r cutoff;
#X obj 57 31 r phase;
#X obj 57 607 outlet~;
#X obj 57 579 hip~ 5;
#X obj 69 94 r sample-number;
#X obj 69 123 makefilename sample%d;
#X msg 69 151 set \$1;
#X obj 57 192 tabread4~ sample1;
#X obj 75 319 r envelope;
#X obj 75 377 dbtorms;
#X obj 75 406 sqrt;
#X obj 75 435 sqrt;
#X obj 75 463 line~;
#X obj 57 550 *~;
#X obj 75 492 *~;
#X obj 75 521 *~;
#X text 127 32 messages to the phase generating line~;
#X text 190 95 setting the sample number.;
#X text 230 123 compute the name;
#X text 124 150 and send a "set" message to the tabread4~.;
#X text 135 251 line~ for de-clicking;
#X text 167 309 The envelope generator. Rather than sending our message
straight to the line~ we unpack it in order to fool with the amplitude
field., f 45;
#X text 146 378 convert amplitude to linear units.;
#X text 141 407 take the fourth root. This because we want to raise
the line~'s output to the 4th power afterward. This is an inexpensive
way to give the rise and decay a more natural sounding evolution than
just a straight line., f 52;
#X text 112 505 square the output twice to get the fourth power.;
#X obj 75 348 unpack f f;
#X connect 0 0 10 0;
#X connect 1 0 2 1;
#X connect 2 0 16 0;
#X connect 3 0 1 0;
#X connect 4 0 0 0;
#X connect 6 0 5 0;
#X connect 7 0 8 0;
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#X connect 10 0 2 0;
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#X connect 12 0 13 0;
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#X connect 15 0 17 1;
#X connect 16 0 6 0;
#X connect 17 0 18 0;
#X connect 17 0 18 1;
#X connect 18 0 16 1;
#X connect 28 0 12 0;
#X connect 28 1 15 1;
#X restore 467 656 pd playback;
#X msg 631 77 record 2;
#X text 50 272 ARGUMENTS FOR NOTES:;
#X text 81 294 pitch in halftones, f 21;
#X text 81 311 amplitude (dB), f 21;
#X text 81 345 sample number, f 21;
#X text 81 328 duration (msec), f 21;
#X text 81 362 start location (msec);
#X text 81 379 rise time (msec), f 21;
#X text 81 397 decay time (msec), f 21;
#X text 27 16 CHOCOLATE SAMPLER;
#X obj 491 188 f;
#X obj 442 162 f;
#X obj 373 162 f;
#X obj 336 162 f;
#X obj 304 162 f;
#X obj 227 162 f;
#X obj 227 189 mtof;
#X obj 227 217 / 261.62;
#X obj 227 244 * 4.41e+08;
#X obj 263 278 +;
#X obj 243 91 t b b b;
#X text 461 353 This starts the note \, sending to "receives" in the
playback subpatch. The new receive "envelope" is an amplitude control
in parallel with the cutoff control. The "sample-number" switches the
tabread4~ between tables., f 43;
#X obj 373 217 + 1;
#X msg 42 485 60 100 10000 1 0 0 0;
#X obj 57 747 s note;
#X msg 491 216 \; envelope 0 \$1;
#X msg 185 667 62;
#X msg 220 667 64;
#X msg 151 667 60;
#X msg 119 667 55;
#X msg 253 667 72;
#X msg 87 667 48;
#X msg 252 693 60.5;
#X msg 49 508 60 90 10000 1 0 0 0;
#X obj 373 189 * 44.1;
#X msg 74 598 60 100 100 1 0 0 0;
#X msg 78 621 60 100 100 1 0 0 1000;
#X msg 69 576 60 100 10000 1 0 1000 0;
#X msg 309 359 \; envelope 0 \, \$1 \$2 \; phase \$3 \, \$4 1e+07 \;
sample-number \$5 \; cutoff 1 5 \;;
#X msg 644 121 reload;
#X msg 649 143 browse;
#X text 418 311 combine amplitude \, rise time \, start phase \, end
phase \, and sample number in one message, f 43;
#X text 191 485 straight playback;
#X text 189 507 change amplitude;
#X text 204 529 change sample number;
#X text 230 552 change start location;
#X text 237 574 change rise time;
#X text 212 597 change duration;
#X text 233 619 ... and decay time;
#X text 289 693 microtones OK too.;
#X text 90 643 If you omit values they stay unchanged;
#X obj 467 693 output~;
#X text 566 725 updated for Pd version 0.37;
#X text 688 55 <= record;
#X obj 372 82 unpack f f f f f f f;
#X obj 309 322 pack f f f f f;
#X text 25 157 transposition works by altering the phase target (\$4
below right.) The mtof and / 261 calculate speed change considering
60 as unity., f 26;
#X text 39 70 as before we mute and wait, f 13;
#X text 31 442 These demonstrate the effect of varying the parameters
one by one., f 34;
#X obj 478 162 del;
#X text 409 470 This patch takes the same principle as the earlier
"one-shot sampler" \, but allows you to parameterize sample playback.
Since we must wait 5 msec before starting the playback \, we store
all the parameters in "f" objects \, and recall them to construct the
new note. Transposition is done by altering the amount to play back
in the (artificial) ten thousand seconds (1e+07). The playback segment
can be altered to start in the middle of the sample instead of the
beginning \, and you can change the duration and rise and decay times.
, f 50;
#X msg 62 552 60 100 10000 1 3000 0 0;
#X msg 56 530 60 100 10000 2 0 0 0;
#X msg 139 69 \; cutoff 0 5;
#N canvas 305 163 336 422 samples 0;
#N canvas 0 0 450 300 (subpatch) 0;
#X array sample1 176403 float 0;
#X coords 0 1.02 176403 -1.02 200 130 1;
#X restore 71 36 graph;
#X text 86 351 ------ 4 seconds ------;
#N canvas 0 0 450 300 (subpatch) 0;
#X array sample2 176403 float 0;
#X coords 0 1.02 176403 -1.02 200 130 1;
#X restore 70 203 graph;
#X restore 635 223 pd samples;
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#X connect 70 0 32 0;
| 260 |
Pd/abstractions/onegrain.pd | #N canvas 201 52 751 688 10;
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#X obj 263 443 line~;
#X msg 51 375 0 \, \$1 \$2;
#X obj 51 277 pack;
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#X obj 294 301 / 1000;
#X obj 294 323 * 44100;
#X obj 51 252 * 1;
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#X obj 52 115 / 100;
#X obj 52 88 i;
#X obj 52 142 expr pow(2 \, $f1/12);
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#X restore 111 235 pd cents;
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#X obj 51 648 outlet~;
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#X obj 101 164 r \$2-samplerate;
#X obj 294 278 r \$2-grainposition;
#X obj 351 322 r \$2-samplerate;
#X obj 263 474 tabread~ \$2-window;
#X obj 50 454 tabread4~ \$2-sf;
#X obj 129 194 r \$2-grainpitch;
#X obj 188 17 inlet trigger;
#X obj 361 135 switch~ 0;
#X msg 361 113 1;
#X obj 450 64 r \$2-grainsize;
#X msg 400 111 0;
#X obj 612 481 loadbang;
#X obj 469 517 cos~;
#X obj 553 525 cos~;
#X obj 554 503 +~ 0.75;
#X msg 612 502 2;
#X obj 612 524 sqrt;
#X obj 612 546 / 2;
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#X obj 470 557 -~;
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#X obj 520 421 f;
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#X obj 450 86 abs;
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#X obj 276 368 mod;
#X obj 91 97 abs;
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#X obj 229 497 r \$2-grainamp;
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#X obj 278 135 f;
#X obj 166 88 r \$2-freq;
#X obj 296 114 r \$2-q;
#X obj 132 198 vcf~, f 7;
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| 168 |
core/string_buffer.pd | namespace;
/*
import libc;
public class string_buffer : allocator
{
var text_size int;
// raw text has "\0" end
function raw() pointer
{
return this.address;
}
function set_raw(text pointer, size int)
{
this.allocate(size);
libc.memcpy(this.address, text, size);
this.text_size = this.size - 1;
}
function add_raw(text pointer, size int)
{
this.reallocate(this.size + size - 1);
// overwrite previous "\0" end
libc.memcpy(this.address + this.text_size, text, size);
this.text_size = this.size - 1;
}
public function assign(source string)
{
this.copy(source);
this.text_size = source.text_size;
}
function __add(str string)
{
if (str.length == 0) return;
var new_buffer = malloc()
; Check if we need to grow the string.
%1 = getelementptr %String* %this, i32 0, i32 1
%length = load i32* %1
%2 = getelementptr %String* %this, i32 0, i32 2
%maxlen = load i32* %2
; if length == maxlen:
%3 = icmp eq i32 %length, %maxlen
br i1 %3, label %grow_begin, label %grow_close
grow_begin:
%4 = getelementptr %String* %this, i32 0, i32 3
%factor = load i32* %4
%5 = add i32 %maxlen, %factor
call void @String_Resize(%String* %this, i32 %5)
br label %grow_close
grow_close:
%6 = getelementptr %String* %this, i32 0, i32 0
%buffer = load i8** %6
%7 = getelementptr i8* %buffer, i32 %length
store i8 %value, i8* %7
%8 = add i32 %length, 1
store i32 %8, i32* %1
ret void
}
}*/ | 67 |
Classes/Abstractions/gain~.pd | #N canvas 495 94 486 301 10;
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| 395 |
urushil_arduino/setDataToLive/arduino_uno.pd | #N canvas 87 22 1190 592 10;
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| 206 |
SpatialPd/pd-for-ios/SlidePad/pd/wavetabler-voice.pd | #N canvas 840 357 432 571 10;
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#X text 12 491 For information on usage and redistribution \, and for
a DISCLAIMER OF ALL WARRANTIES \, see the file \, "LICENSE.txt \, "
in this distribution.;
#X text 15 418 This pd patch was made for SlidePad \, an iOS app within
the pd-for-ios collection \, powered by libpd.;
#X text 15 449 https://github.com/libpd/pd-for-ios;
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#X text 21 267 note: main.pd must be open for this patch to work;
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| 59 |
Abstractions/am~.pd | #N canvas 229 133 622 404 12;
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#X text 206 239 take our modulator away from 1 \, this way if depth
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| 32 |
osc/ribbon-help.pd | #N canvas 645 375 463 361 10;
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#X obj 15 44 ../utility/split2msg /;
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#X text 126 97 use;
#X text 126 118 to generate pitch \, value \, attack and release signals
;
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#X connect 14 0 9 0;
| 38 |
Classes/Abstractions/rec2.pd | #N canvas 363 93 357 460 10;
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| 45 |
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#X text 586 188 LFO;
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#X text 803 240 portamento;
#X obj 316 397 out~;
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#X obj 316 300 rescale~ 100 400, f 8;
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#X text 465 224 Trigger;
#X text 803 200 Trigger;
#X obj 740 384 plate.rev~ 50 0.6 0.25 0.8 0.5, f 16;
#X obj 737 29 declare -path else;
#X obj 749 434 out~;
#X text 33 23 The native [samphold~] object is a "sample and hold"
unit designed to be triggered by [phasor~]. In fact \, it is triggered
when the current input is smaller than the previous \, which is true
for each new period of [phasor~] for positive frequencies smaller than
the nyquist frequency. The [sh~] object from ELSE is another sample
and hold unit triggered by impulses or pulses and is more versatile.
, f 74;
#X text 33 115 You can use sample and hold techniques to achieve interesting
control gestures. See what happens when we pass a LFO into a sample
and hold unit. Try different frequency values for both the LFO and
the trigger rate \, this is what determines different patterns., f
74;
#X text 590 67 Now we use [sh~] and [glide2~] is also used to generate
a smoothened output (or a "portamento") between the sampled and held
values when the values increase., f 48;
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| 69 |
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#X text 182 85 Using an idiom by IOhannes;
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#X text 182 247 Output 0 if no \$1 argument present \, and 1 if \$1
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| 85 |
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#X text 83 23 Stuff to test it:;
#X obj 98 179 rzero~;
#X obj 40 231 output~;
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#X obj 60 10 rzero~;
#X text 122 10 real one-zero (non-recursive) filter \, raw;
#X text 34 41 Rzero~ filters an audio signal (left inlet) via a one-zero
real filter \, whose coefficient is controlled by a creation argument
or by an audio signal (right inlet).;
#X obj 61 208 rzero~ 1;
#X text 34 283 where y[n] is the output \, x[n] the input \, and a[n]
the filter coefficient. The filter is always stable.;
#X text 35 319 The transfer function is H(Z) = 1 - aZ^-1.;
#X text 94 262 y[n] = x[n] - a[n] * x[n-1];
#X text 40 242 The action of rzero~ is:;
#X text 141 99 <= signal to filter;
#X text 125 129 <= clear internal state to zero;
#X text 139 156 <= set internal state;
#X text 147 183 <= filter coefficient (may be a signal);
#X text 134 208 <= creation argument initializes filter coefficient
;
#X obj 96 530 lop~;
#X text 17 531 see also:;
#X obj 179 463 rzero~;
#X obj 119 486 cpole~;
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#X obj 239 463 rzero_rev~;
#X obj 179 486 czero~;
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#X text 318 463 real;
#X text 317 485 complex;
#X text 116 444 1-pole;
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#X text 243 428 1-zero \, reversed, f 8;
#X text 25 468 summary of raw filters:, f 12;
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#X text 294 530 - user-friendly filters;
#X obj 254 530 bob~;
#X obj 381 403 bng 15 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
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#X text 24 356 Pd also provides a suite of user-friendly filters. This
and other raw filters are provided for situations which the user-friendly
ones can't handle. See Chapter 8 of http://msp.ucsd.edu/techniques.htm
for an introduction to the necessary theory (click) =>, f 69;
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#X msg 11 139 browse http://msp.ucsd.edu/techniques/latest/book-html/node127.html
;
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#X text 194 562 - not so friendly;
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#X obj 135 561 slop~, f 7;
#X text 335 562 updated for Pd version 0.38;
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| 93 |
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#X text 105 150 time (ms) = time(s) * 1000;
#X text 105 130 time(s) = 1 / freq(Hz);
#X text 172 51 MIDI note to milliseconds;
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| 20 |
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#X text 29 1912 outlet 1 =;
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#X text 34 1534 inlet 2 =;
#X text 37 1565 inlet 3 =;
#X text 34 1596 inlet 4 =;
#X text 30 1630 inlet 5 =;
#X text 33 1658 inlet 6 =;
#X text 32 1697 inlet 7 =;
#X text 29 1732 inlet 8 =;
#X text 28 1764 inlet 9 =;
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#X text 25 1854 inlet 12 =;
#X text 24 1817 inlet 11 =;
#X text 47 170 Other granular synthesis objects in abunch: grain48-sample
\, graino-sample and grain-live.;
#X text 175 266 = by clicking on this button you can open a sound file
(.wav or .aiff) and apply granular synthesis to this file;
#X text 178 324 = turns this object 'grain-sample' (and thus the sound
production of this object) on or off;
#X text 177 378 = use this fader to adjust the amplitude of the output
sound;
#X text 238 417 = this fader changes the speed (in milliseconds) at
which grains are produced in the sound file;
#X text 174 463 = with this fader you can randomize the tempo at which
new grains are read;
#X text 187 518 = this fader changes the position where the grains
are produced in the sound file;
#X text 176 561 = this fader randomizes the position where the grains
are read in the sound file;
#X text 184 613 = use this fader to change the length (in milliseconds)
of a grain;
#X text 177 665 = this fader changes the amount of randomization applied
to the length of a grain;
#X text 174 705 = use this fader and the number box 'original_pitch'
to change the transposition of the grains (relative to the pitch of
the opened sound file). First fix the pitch of the sound file in the
number box 'original_pitch' (numbers are midi values \, 60 = middle
C). If this number box has a value of 60 and the fader 'pitch' is set
to 65 \, the grains will be transposed 5 semitones compared to the
original sound file.;
#X text 171 841 = use this fader to adjust the amount of randomization
(jitter) applied to the pitch of the grain.;
#X text 166 1148 = this fader changes the attack time (in percentage
of the length) of the amplitude envelope of a grain;
#X text 166 1188 = this fader changes the release time (in percentage
of the length) of the amplitude envelope of a grain;
#X text 182 1240 = this open a new window with these possibilities:
;
#X text 284 1277 = if this crossed (turned on) you can use this object
in combination with the 'record-sample' object. In this case grain-sample
won't granulize the opened soundfile but the sound file that was recorded
in record-sample (see example ex3i-loopstation.pd);
#X text 182 1053 = use this fader to change the density. With a high
density \, more grains will sound simultaneaously (with a higher density
grains with the same length and pitch are produced but with an amount
of randomization regarding timing/tempo).;
#X text 294 1371 = if this toggle and the 'use_live_recorded_file'
are turned on \, the granular synthesis starts immediately after the
recording of a sound sample (in 'record-sample') stopped;
#X text 117 1508 (event) inlet to control the toggle 'on_off';
#X text 117 1534 (event) inlet to control the fader 'level';
#X text 117 1564 (event) inlet to control the fader 'tempo';
#X text 117 1594 (event) inlet to control the fader 'random_tempo'
;
#X text 117 1629 (event) inlet to control the fader 'position';
#X text 117 1658 (event) inlet to control the fader 'random_position'
;
#X text 117 1694 (event) inlet to control the fader 'length';
#X text 117 1731 (event) inlet to control the fader 'random_length'
;
#X text 117 1763 (event) inlet to control the fader 'pitch';
#X text 117 1791 (event) inlet to control the fader 'random_pitch'
;
#X text 111 1818 (event) inlet for the external clock;
#X text 112 1854 (event) inlet to connect to the outlet of 'record-sample'
(take care 'use_live_recorded_file' in extra_options window is turned
on;
#X text 118 1912 (audio) sound produced by the granular synthesis;
#X text 35 1461 (in- and outlets \, numbered from left to right);
#X obj 31 959 tgl 15 0 \$1-grasexclo \$1-grarexclo external_clock 17
7 0 10 -262144 -1 -1 0 1;
#X text 197 955 = if this toggle is turned on (crossed) \, you can
use an external clock to control the tempo at which the grains are
produced. Use inlet 11 in this case to connect this object to the clock.
The fader logically doesn't work in this case as the external clock
provides the tempo.;
#X text 48 29 Grain48-sample is just like grain-sample an object for
granular synthesis of a sound file. This object can have maximum 48
grains simultaneaously (as opposed to 20 in grain-sample) \, this is
the only difference between grain48-sample and grain-sample. The length
and transposition (pitch) of the grain happen independently (in 'graino-sample'
the length does influence the transposition).;
#X text 73 905 / 48;
#X text 158 895 = this number box shows the number of simultaneous
grains are being produced (depending on the tempo \, length and density)
\, don't surpass 48 or you will hear distortion.;
| 143 |
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#X floatatom 107 9 0 0 0;
#X text 155 10 atoms (number boxes);
#X floatatom 38 85 0 0 0;
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#X msg 51 260 set 45;
#X floatatom 51 288 0 0 0;
#X floatatom 51 317 0 0 0;
#X text 84 40 Number boxes allow you to display numbers or to enter
numbers using the mouse and keyboard. When a number arrives at the
number box's inlet \, it is displayed and sent to the outlet. You can
click on a number box and drag upward or downward to change the value
continuously.;
#X text 88 130 You can shift-click and drag to change the number by
hundredths instead of units. Alt clicking toggles the value between
0 and the last nonzero value.;
#X text 83 184 You can also type in values by clicking and typing a
number followed by "enter.";
#X text 30 220 the "set" message sets the number box's value but does
not send it to the outlet.;
#X text 423 482 updated for Pd version 0.34;
#X text 39 339 You can set the width of the box by right-clicking and
choosing "properties." By default the width is 5 characters. If you
select a width of 0 \, the number box will grow as needed to hold the
number--BUT BEWARE \, THIS IS EXPENSIVE IN CPU TIME. In a production
patch \, you'll want to set a specific width.;
#X floatatom 547 439 1 0 0;
#X text 41 438 A width of one gives a clickable toggle switch ala Max:
;
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#X connect 5 0 6 0;
| 32 |
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#X text 42 50 inlet - note velocity duration channel;
#X obj 79 82 inlet;
#X obj 79 132 makenote;
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| 15 |
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#X obj 29 11 list;
#X text 76 12 - building and using variable-length messages;
#N canvas 87 121 654 658 about-lists 0;
#X obj 50 629 print message;
#X msg 50 442 list x.wav 44100;
#X msg 50 600 read \$1 \$2;
#X msg 50 471 set x.wav 44100;
#X msg 67 571 set \, add2 read \, adddollar 1 \, adddollar 2;
#X msg 50 501 x.wav 44100;
#X obj 67 545 loadbang;
#X text 155 548 reset message as it was;
#X text 207 442 good;
#X text 196 473 bad;
#X text 162 501 ugly;
#X text 48 180 The distinction becomes visible \, and ugly \, when
the leading item in a data-holding message is a symbol. In this case
\, to disambiguate it from the other sort \, the printed form of the
message has a selector \, "list" or "symbol" prepended to it. Underneath
\, there is always a selector in front of data messages \, but it is
implied if the first data item is a number.;
#X msg 411 465 list 44100 x.wav;
#X msg 424 490 44100 x.wav;
#X obj 411 516 print number-first;
#X text 405 437 these two are equivalent:;
#X text 50 298 In the example below \, the top message sets \$1 to
"x.wav" and \$2 to 44100 in the "read" message. The lower message box
outputs the message "read x.wav 44100". The "set" message changes the
content of the message box itself (click on the longer message box
below to repair the damage.) The "ugly" message \, since it is neither
"list" nor "set" \, gets interpreted in an arbitrary (and probably
inappropriate!) way.;
#X text 47 12 Messages in Pd are somewhat artificially divided into
two classes. First are data-holding messages (bang \, float \, symbol
\, list) which are the primary way of communicating between objects.
Second is "everything else" (you could call them out-of-band messages
or metamessages) that describe changes in configuration \, read and
write files \, quit Pd \, etc. These are provided so that complex objects
don't need to have 100 separate inlets for every possible functionality.
It's not clear whether this was a good design choice \, but it's entrenched.
;
#X connect 1 0 2 0;
#X connect 2 0 0 0;
#X connect 3 0 2 0;
#X connect 4 0 2 0;
#X connect 5 0 2 0;
#X connect 6 0 4 0;
#X connect 12 0 14 0;
#X connect 13 0 14 0;
#X restore 54 410 pd about-lists;
#X obj 22 82 list append;
#X obj 22 107 list prepend;
#X obj 22 181 list trim;
#X obj 22 156 list split;
#X text 140 81 - append the second list to the first;
#X text 141 108 - prepend the second list to the first;
#X text 141 157 - split a list in two;
#X text 141 184 - trim the "list" selector off;
#N canvas 186 284 602 409 trim 0;
#X msg 159 239 1 2 3;
#X msg 159 190 list cis boom bah;
#X msg 160 265 bang;
#X msg 159 163 walk the dog;
#X obj 134 341 list trim;
#X obj 134 363 print trim;
#X msg 160 287 1 x y;
#X msg 159 313 x 1 y;
#X text 29 19 trim - convert list to message \, using first item as
selector;
#X msg 159 213 55;
#X text 27 55 The "list trim" object inputs lists (or makes lists out
of incoming non-list messages) and outputs a message whose selector
is the first item of the list \, and whose arguments \, if any \, are
the remainder of the list. If the list has no items \, or if its first
item is numeric \, the selector is "list" (which might print out as
list \, float \, or bang.);
#X connect 0 0 4 0;
#X connect 1 0 4 0;
#X connect 2 0 4 0;
#X connect 3 0 4 0;
#X connect 4 0 5 0;
#X connect 6 0 4 0;
#X connect 7 0 4 0;
#X connect 9 0 4 0;
#X restore 485 181 pd trim;
#X text 483 55 details:;
#X text 481 38 click for;
#N canvas 298 281 608 420 append 0;
#X obj 17 324 list append 1 2;
#X floatatom 17 154 5 0 0 0 - - -, f 5;
#X msg 17 129 1 2 3;
#X msg 17 82 list cis boom bah;
#X msg 17 179 bang;
#X msg 176 294 bang;
#X obj 17 353 print append;
#X msg 17 39 walk the dog;
#X msg 176 244 list x y z;
#X msg 175 218 go dog go;
#X msg 174 268 4 5 6 and 7;
#X text 138 37 non-list message converted to list;
#X text 182 77 list starting with symbol;
#X text 181 96 (needs explicit "list" selector);
#X text 69 152 number is one-element list;
#X text 72 129 numeric list;
#X text 67 181 bang is zero-element list;
#X text 270 215 same for right inlet...;
#X text 286 267 (note: only the first item;
#X text 289 286 need be a number to make this;
#X text 289 304 a list.);
#X text 170 325 <- creation args initialize the list to append;
#X text 20 6 Append - append (concatenate) the second list to the first
;
#X connect 0 0 6 0;
#X connect 1 0 0 0;
#X connect 2 0 0 0;
#X connect 3 0 0 0;
#X connect 4 0 0 0;
#X connect 5 0 0 1;
#X connect 7 0 0 0;
#X connect 8 0 0 1;
#X connect 9 0 0 1;
#X connect 10 0 0 1;
#X restore 484 81 pd append;
#N canvas 390 321 667 561 split 0;
#X msg 103 328 1 2 3;
#X msg 79 231 list cis boom bah;
#X msg 99 263 bang;
#X obj 79 421 list split 2;
#X floatatom 182 396 3 0 5 0 - - -, f 3;
#X obj 79 469 print split1;
#X obj 198 470 print split2;
#X msg 79 204 walk the dog;
#X msg 102 306 1 2;
#X msg 100 285 1;
#X msg 103 349 1 2 3 4;
#X msg 103 372 1 2 so are you;
#X obj 320 470 print split3;
#X text 76 488 first n;
#X text 195 489 rest of list;
#X text 317 489 shorter than n;
#X text 218 394 new split point;
#X text 49 25 Split - cut a list into smaller ones;
#X text 210 419 <-- creation arg inits split point;
#X text 201 202 non-list message converted to list;
#X text 245 231 list with three symbols;
#X text 139 288 list with one number;
#X text 177 310 ... etc;
#X text 241 370 <- if the first item is a number \, it's a list.;
#X text 142 262 list with no items;
#X text 48 61 The "list split" object takes lists and outputs the first
"n" items (left outlet) and the remaining ones (middle outlet). The
two outputs appear in the usual right-to-left order. In case there
are fewer than "n" items in the list \, it is output (in its entirety)
from the third outlet instead. The creation argument or the inlet sets
the split point.;
#X connect 0 0 3 0;
#X connect 1 0 3 0;
#X connect 2 0 3 0;
#X connect 3 0 5 0;
#X connect 3 1 6 0;
#X connect 3 2 12 0;
#X connect 4 0 3 1;
#X connect 7 0 3 0;
#X connect 8 0 3 0;
#X connect 9 0 3 0;
#X connect 10 0 3 0;
#X connect 11 0 3 0;
#X restore 485 155 pd split;
#N canvas 0 50 640 478 prepend 0;
#X floatatom 17 154 5 0 0 0 - - -, f 5;
#X msg 17 129 1 2 3;
#X msg 17 82 list cis boom bah;
#X msg 17 179 bang;
#X msg 176 294 bang;
#X obj 17 353 print append;
#X msg 17 39 walk the dog;
#X msg 176 244 list x y z;
#X msg 175 218 go dog go;
#X msg 174 268 4 5 6 and 7;
#X text 138 37 non-list message converted to list;
#X text 182 77 list starting with symbol;
#X text 181 96 (needs explicit "list" selector);
#X text 69 152 number is one-element list;
#X text 72 129 numeric list;
#X text 67 181 bang is zero-element list;
#X text 270 215 same for right inlet...;
#X text 286 267 (note: only the first item;
#X text 289 286 need be a number to make this;
#X text 289 304 a list.);
#X text 20 6 Prepend - prepend the second list to the first;
#X text 171 326 <- creation args initialize the list to prepend;
#X obj 17 324 list prepend 1 2;
#X connect 0 0 22 0;
#X connect 1 0 22 0;
#X connect 2 0 22 0;
#X connect 3 0 22 0;
#X connect 4 0 22 1;
#X connect 6 0 22 0;
#X connect 7 0 22 1;
#X connect 8 0 22 1;
#X connect 9 0 22 1;
#X connect 22 0 5 0;
#X restore 484 106 pd prepend;
#X text 34 322 In general \, inlets that take lists (two each for append/prepend
\, and one each for split and trim) will convert non-list messages
(such as "set 5") to lists (such as "list set 5" automatically. Here's
more about lists in Pd:;
#X text 34 439 And here are some examples showing how to use these
objects to compose and/or use variable length messages:;
#N canvas 381 50 719 646 example1 0;
#X obj 43 173 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X obj 252 176 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X text 247 154 clear;
#X text 40 153 send;
#X msg 91 175 250;
#X msg 123 175 500;
#X msg 156 175 750;
#X msg 189 175 1000;
#X obj 43 258 list append;
#X obj 208 220 t l;
#X obj 91 214 list prepend;
#X obj 43 426 t l l;
#X obj 94 426 print start;
#X obj 149 257 print stored;
#X obj 43 451 list split 1;
#X obj 43 575 del;
#X obj 43 607 print bang;
#X obj 75 542 list append;
#X msg 55 403 0 250 250 500;
#X text 118 150 -- add --;
#X text 57 20 example 1: simple rhythmic sequencer;
#X text 49 53 The top part of this patch demonstrates building up a
message from a variable number of elements provided sequentially. The
"list prepend" object stores the list and \, each time a number arrives
\, prepends the previous list to it.;
#X text 416 237 "list prepend" to its own inlet.;
#X text 253 220 "trigger list" is needed only to connect outlet of
;
#X text 274 258 printout shows the growing message.;
#X text 67 279 "list append" stores the growing message which is output
by the "send" button above. "list prepend" would have been equivalent.
;
#X text 185 403 <-- test message;
#X text 59 354 The bottom part of the patch takes numbers off the beginning
of the list \, one by one \, to use as delays.;
#X text 210 426 printout shows the sequence as it starts.;
#X text 189 543 The rest of the list is stored for next time.;
#X obj 161 505 print done;
#X text 170 450 Split off the first item. If there is none \, nothing
comes out the first or second outlet \, but instead we get a "bang"
from the third one.;
#X text 84 575 After delay \, output a bang and recall the rest of
the list.;
#X connect 0 0 8 0;
#X connect 1 0 10 1;
#X connect 4 0 10 0;
#X connect 5 0 10 0;
#X connect 6 0 10 0;
#X connect 7 0 10 0;
#X connect 8 0 11 0;
#X connect 9 0 10 1;
#X connect 10 0 9 0;
#X connect 10 0 8 1;
#X connect 10 0 13 0;
#X connect 11 0 14 0;
#X connect 11 1 12 0;
#X connect 14 0 15 0;
#X connect 14 1 17 1;
#X connect 14 2 30 0;
#X connect 15 0 16 0;
#X connect 15 0 17 0;
#X connect 17 0 14 0;
#X connect 18 0 11 0;
#X restore 225 492 pd example1;
#X text 68 491 simple sequencer;
#N canvas 126 50 568 569 example2 0;
#X obj 66 263 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X obj 292 266 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X text 287 244 clear;
#X text 63 243 send;
#X obj 66 342 list append;
#X obj 213 317 t l;
#X obj 94 303 list prepend;
#X obj 66 410 t l l;
#X obj 121 410 print start;
#X obj 171 340 print stored;
#X obj 66 486 del;
#X obj 105 486 list append;
#X msg 94 264 250 57;
#X msg 154 264 500 52;
#X msg 215 264 750 55;
#X obj 66 461 unpack;
#X obj 66 435 list split 2;
#X text 80 38 example 2: sequencer with pitch;
#X text 147 242 -- add --;
#X obj 185 438 print done;
#X obj 115 517 print pitch;
#X text 13 69 This example is a slight modification of example 1 showing
how to build up lists with more than one item per iteration. We regard
pairs of numbers as specifying a delay time and a pitch. Unlike the
previous example \, the delay here is interpreted as the delay until
the next event \, not the delay since the previous one. This is done
by taking the "pitch" output before the delay object (previously the
"output" was taken from the delay object's output.);
#X connect 0 0 4 0;
#X connect 1 0 6 1;
#X connect 4 0 7 0;
#X connect 5 0 6 1;
#X connect 6 0 5 0;
#X connect 6 0 4 1;
#X connect 6 0 9 0;
#X connect 7 0 16 0;
#X connect 7 1 8 0;
#X connect 10 0 11 0;
#X connect 11 0 16 0;
#X connect 12 0 6 0;
#X connect 13 0 6 0;
#X connect 14 0 6 0;
#X connect 15 0 10 0;
#X connect 15 1 20 0;
#X connect 16 0 15 0;
#X connect 16 1 11 1;
#X connect 16 2 19 0;
#X restore 225 518 pd example2;
#X text 59 520 another sequencer;
#X text 118 547 serializer;
#N canvas 243 85 675 378 example3 0;
#X obj 77 282 print;
#X obj 65 167 until;
#X msg 91 111 1 2 3 4 a b c;
#X text 34 21 example 3: serializing a message without delays;
#X text 21 54 The "until" object can be used as shown to iterate through
all the items of a list.;
#X text 224 110 <- click to test;
#X text 189 138 First store list \, then start the loop;
#X text 164 162 "until" bangs its output until told to stop by a "bang"
to its right inlet.;
#X text 169 223 Store the remaining list.;
#X obj 78 250 list store;
#X obj 91 134 t b b l;
#X obj 65 192 f;
#X obj 103 193 + 1;
#X msg 117 167 0, f 2;
#X msg 64 221 range \$1 1;
#X connect 1 0 11 0;
#X connect 2 0 10 0;
#X connect 9 0 0 0;
#X connect 9 1 1 1;
#X connect 10 0 1 0;
#X connect 10 1 13 0;
#X connect 10 2 9 1;
#X connect 11 0 12 0;
#X connect 11 0 14 0;
#X connect 12 0 11 1;
#X connect 13 0 11 1;
#X connect 14 0 9 0;
#X restore 225 545 pd example3;
#X obj 31 289 list;
#X text 79 290 - short for "list append";
#X text 141 209 - output number of items in list;
#N canvas 187 106 576 365 length 0;
#X msg 126 183 1 2 3;
#X msg 126 134 list cis boom bah;
#X msg 127 209 bang;
#X msg 126 107 walk the dog;
#X msg 127 231 1 x y;
#X msg 126 257 x 1 y;
#X msg 126 157 55;
#X obj 101 285 list length;
#X floatatom 101 311 5 0 0 0 - - -, f 5;
#X text 29 18 length - number of items in list;
#X text 27 55 The "list length" object outputs the number of arguments
in a list or other message.;
#X connect 0 0 7 0;
#X connect 1 0 7 0;
#X connect 2 0 7 0;
#X connect 3 0 7 0;
#X connect 4 0 7 0;
#X connect 5 0 7 0;
#X connect 6 0 7 0;
#X connect 7 0 8 0;
#X restore 485 207 pd length;
#X obj 22 206 list length;
#X text 23 53 The list object's first argument sets its function:;
#X obj 22 231 list fromsymbol;
#X obj 22 256 list tosymbol;
#X text 154 235 - convert symbols to/from numeric characters, f 25
;
#N canvas 612 89 552 344 from/to 0;
#X symbolatom 64 254 10 0 0 0 - - -, f 10;
#X obj 64 277 list fromsymbol;
#X text 83 9 fromsymbol and tosymbol - symbols to and from lists of
numeric character codes, f 41;
#X msg 230 232 115 101 118 101 110 116 101 101 110;
#X obj 229 260 list tosymbol;
#X obj 64 301 print from-symbol;
#X symbolatom 229 286 10 0 0 0 - - -, f 10;
#X msg 64 228 symbol seventeen;
#X text 43 162 Neither of these objects promote non-list messages to
lists (that would make little sense in this context).;
#X text 25 66 These allow you to do string manipulations (such as scanning
a filename for '/' characters). They convert a list of numbers (which
might be ASCII or might be unicode if \, for example \, they represent
a filename on a non-ASCII machine) to or from a symbol., f 63;
#X connect 0 0 1 0;
#X connect 1 0 5 0;
#X connect 3 0 4 0;
#X connect 4 0 6 0;
#X connect 7 0 0 0;
#X restore 486 250 pd from/to;
#X text 140 133 - build up or break down a list;
#N canvas 750 160 629 666 store 0;
#X floatatom 17 137 5 0 0 0 - - -, f 5;
#X msg 17 112 1 2 3;
#X msg 17 85 list cis boom bah;
#X msg 17 162 bang;
#X msg 176 493 bang;
#X msg 17 188 walk the dog;
#X msg 176 443 list x y z;
#X msg 175 417 go dog go;
#X msg 174 467 4 5 6 and 7;
#X text 138 186 non-list message converted to list;
#X text 182 80 list starting with symbol;
#X text 181 99 (needs explicit "list" selector);
#X text 69 135 number is one-element list;
#X text 72 112 numeric list;
#X text 277 468 (note: only the first item;
#X text 282 485 need be a number to make this;
#X text 284 503 a list.);
#X text 171 525 <- creation args initialize the list to prepend;
#X text 20 6 Store - put together or break apart a list to/from sublists
;
#X text 270 414 right inlet can take non-list messages;
#X text 34 45 lists in first inlet outputs the concatenation of incoming
message with stored list:;
#X text 46 223 other messages:;
#X msg 17 280 prepend 1 2 3;
#X text 133 279 prepend a list to the stored list;
#X msg 17 253 append 1 2 3;
#X text 129 255 append a list to the stored list;
#X obj 17 523 list store 1 2;
#X obj 17 587 print store-left;
#X obj 126 562 print store-right;
#X text 105 309 output a sublist \, starting with item 1 (counting
from zero) \, of length 3 If there are fewer than 3 items available
a "bang" is sent to right outlet.;
#X text 158 588 output of "range" message on success;
#X text 276 561 bang if "range" message fails;
#X text 67 164 bang is zero-element list - this output the stored list
;
#X msg 17 308 get 1 3;
#X connect 0 0 26 0;
#X connect 1 0 26 0;
#X connect 2 0 26 0;
#X connect 3 0 26 0;
#X connect 4 0 26 1;
#X connect 5 0 26 0;
#X connect 6 0 26 1;
#X connect 7 0 26 1;
#X connect 8 0 26 1;
#X connect 22 0 26 0;
#X connect 24 0 26 0;
#X connect 26 0 27 0;
#X connect 26 1 28 0;
#X connect 33 0 26 0;
#X restore 484 130 pd store;
#X text 356 550 updated for Pd version 0.48;
#X obj 22 132 list store;
| 472 |
Camomile-ELSE_plugin/LiVoArpeggiator/list-abs/list-l2s.pd | #N canvas 424 382 729 381 10;
#X msg 327 196 set %s;
#X obj 235 244 t a;
#X obj 118 252 makefilename %s;
#X obj 96 62 t b a b;
#X obj 96 283 symbol;
#X msg 142 22 a b c d 1 2;
#X obj 118 158 route symbol float;
#X obj 118 186 symbol;
#X obj 96 21 inlet;
#X obj 96 313 outlet;
#X obj 395 192 makefilename 1%s%%s;
#X obj 395 165 symbol \$1;
#X msg 405 123 bang;
#X obj 395 89 loadbang;
#X msg 395 228 set set \, adddollsym \$1;
#X msg 235 265 set \$1%s;
#X obj 447 124 inlet;
#X obj 178 190 makefilename %g;
#X obj 118 123 list-drip;
#X connect 0 0 2 0;
#X connect 1 0 15 0;
#X connect 2 0 1 0;
#X connect 2 0 4 1;
#X connect 3 0 4 0;
#X connect 3 1 18 0;
#X connect 3 2 0 0;
#X connect 4 0 9 0;
#X connect 5 0 3 0;
#X connect 6 0 7 0;
#X connect 6 1 17 0;
#X connect 7 0 2 0;
#X connect 8 0 3 0;
#X connect 10 0 14 0;
#X connect 11 0 10 0;
#X connect 12 0 11 0;
#X connect 13 0 11 0;
#X connect 14 0 15 0;
#X connect 15 0 2 0;
#X connect 16 0 11 0;
#X connect 17 0 2 0;
#X connect 18 0 6 0;
| 42 |
app/demo/phasor/pd/main.pd | #N canvas 51 96 762 387 10;
#X obj 127 161 dac~;
#X obj 128 101 line~;
#X obj 128 40 loadbang;
#X msg 128 71 220;
#X msg 199 70 \$1 1000;
#X obj 199 40 r freq;
#X obj 128 130 phasor~;
#X connect 1 0 6 0;
#X connect 2 0 3 0;
#X connect 3 0 1 0;
#X connect 4 0 1 0;
#X connect 5 0 4 0;
#X connect 6 0 0 0;
#X connect 6 0 0 1;
| 15 |
Kalith_2/Kalith_2.pd | #N canvas 293 30 305 452 10;
#X declare -path ./objects;
#X obj 31 104 s \$0-bangeth;
#X obj 31 59 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 1 1
;
#N canvas 0 50 821 444 bangsssss 0;
#X obj 31 73 throw~ \$0-saywhaaaat;
#X obj 9 53 throw~ \$0-nowaaaaaay;
#X obj 9 12 r \$0-bangeth;
#X obj 53 93 throw~ \$0-bedyinouthere;
#X obj 30 174 throw~ \$0-saywhaaaat;
#X obj 8 154 throw~ \$0-nowaaaaaay;
#X obj 8 113 r \$0-bangeth;
#X obj 52 194 throw~ \$0-bedyinouthere;
#X obj 230 71 throw~ \$0-saywhaaaat;
#X obj 208 51 throw~ \$0-nowaaaaaay;
#X obj 208 10 r \$0-bangeth;
#X obj 252 91 throw~ \$0-bedyinouthere;
#X obj 229 172 throw~ \$0-saywhaaaat;
#X obj 207 152 throw~ \$0-nowaaaaaay;
#X obj 207 111 r \$0-bangeth;
#X obj 251 192 throw~ \$0-bedyinouthere;
#X obj 423 70 throw~ \$0-saywhaaaat;
#X obj 401 50 throw~ \$0-nowaaaaaay;
#X obj 401 9 r \$0-bangeth;
#X obj 445 90 throw~ \$0-bedyinouthere;
#X obj 422 171 throw~ \$0-saywhaaaat;
#X obj 400 151 throw~ \$0-nowaaaaaay;
#X obj 400 110 r \$0-bangeth;
#X obj 444 191 throw~ \$0-bedyinouthere;
#X obj 622 68 throw~ \$0-saywhaaaat;
#X obj 600 48 throw~ \$0-nowaaaaaay;
#X obj 600 7 r \$0-bangeth;
#X obj 644 88 throw~ \$0-bedyinouthere;
#X obj 621 169 throw~ \$0-saywhaaaat;
#X obj 599 149 throw~ \$0-nowaaaaaay;
#X obj 599 108 r \$0-bangeth;
#X obj 643 189 throw~ \$0-bedyinouthere;
#X obj 38 284 throw~ \$0-saywhaaaat;
#X obj 16 264 throw~ \$0-nowaaaaaay;
#X obj 16 223 r \$0-bangeth;
#X obj 60 304 throw~ \$0-bedyinouthere;
#X obj 37 385 throw~ \$0-saywhaaaat;
#X obj 15 365 throw~ \$0-nowaaaaaay;
#X obj 15 324 r \$0-bangeth;
#X obj 59 405 throw~ \$0-bedyinouthere;
#X obj 237 282 throw~ \$0-saywhaaaat;
#X obj 215 262 throw~ \$0-nowaaaaaay;
#X obj 215 221 r \$0-bangeth;
#X obj 259 302 throw~ \$0-bedyinouthere;
#X obj 236 383 throw~ \$0-saywhaaaat;
#X obj 214 363 throw~ \$0-nowaaaaaay;
#X obj 214 322 r \$0-bangeth;
#X obj 258 403 throw~ \$0-bedyinouthere;
#X obj 430 281 throw~ \$0-saywhaaaat;
#X obj 408 261 throw~ \$0-nowaaaaaay;
#X obj 408 220 r \$0-bangeth;
#X obj 452 301 throw~ \$0-bedyinouthere;
#X obj 429 382 throw~ \$0-saywhaaaat;
#X obj 407 362 throw~ \$0-nowaaaaaay;
#X obj 407 321 r \$0-bangeth;
#X obj 451 402 throw~ \$0-bedyinouthere;
#X obj 629 279 throw~ \$0-saywhaaaat;
#X obj 607 259 throw~ \$0-nowaaaaaay;
#X obj 607 218 r \$0-bangeth;
#X obj 651 299 throw~ \$0-bedyinouthere;
#X obj 628 380 throw~ \$0-saywhaaaat;
#X obj 606 360 throw~ \$0-nowaaaaaay;
#X obj 606 319 r \$0-bangeth;
#X obj 650 400 throw~ \$0-bedyinouthere;
#X obj 9 33 bangable;
#X obj 16 244 bangable;
#X obj 8 134 bangable;
#X obj 208 31 bangable;
#X obj 207 132 bangable;
#X obj 401 30 bangable;
#X obj 400 131 bangable;
#X obj 600 28 bangable;
#X obj 599 129 bangable;
#X obj 15 345 bangable;
#X obj 215 242 bangable;
#X obj 214 343 bangable;
#X obj 408 241 bangable;
#X obj 407 342 bangable;
#X obj 607 239 bangable;
#X obj 606 340 bangable;
#X connect 2 0 64 0;
#X connect 6 0 66 0;
#X connect 10 0 67 0;
#X connect 14 0 68 0;
#X connect 18 0 69 0;
#X connect 22 0 70 0;
#X connect 26 0 71 0;
#X connect 30 0 72 0;
#X connect 34 0 65 0;
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#X connect 46 0 75 0;
#X connect 50 0 76 0;
#X connect 54 0 77 0;
#X connect 58 0 78 0;
#X connect 62 0 79 0;
#X connect 64 0 1 0;
#X connect 64 1 0 0;
#X connect 64 2 3 0;
#X connect 65 0 33 0;
#X connect 65 1 32 0;
#X connect 65 2 35 0;
#X connect 66 0 5 0;
#X connect 66 1 4 0;
#X connect 66 2 7 0;
#X connect 67 0 9 0;
#X connect 67 1 8 0;
#X connect 67 2 11 0;
#X connect 68 0 13 0;
#X connect 68 1 12 0;
#X connect 68 2 15 0;
#X connect 69 0 17 0;
#X connect 69 1 16 0;
#X connect 69 2 19 0;
#X connect 70 0 21 0;
#X connect 70 1 20 0;
#X connect 70 2 23 0;
#X connect 71 0 25 0;
#X connect 71 1 24 0;
#X connect 71 2 27 0;
#X connect 72 0 29 0;
#X connect 72 1 28 0;
#X connect 72 2 31 0;
#X connect 73 0 37 0;
#X connect 73 1 36 0;
#X connect 73 2 39 0;
#X connect 74 0 41 0;
#X connect 74 1 40 0;
#X connect 74 2 43 0;
#X connect 75 0 45 0;
#X connect 75 1 44 0;
#X connect 75 2 47 0;
#X connect 76 0 49 0;
#X connect 76 1 48 0;
#X connect 76 2 51 0;
#X connect 77 0 53 0;
#X connect 77 1 52 0;
#X connect 77 2 55 0;
#X connect 78 0 57 0;
#X connect 78 1 56 0;
#X connect 78 2 59 0;
#X connect 79 0 61 0;
#X connect 79 1 60 0;
#X connect 79 2 63 0;
#X restore 31 126 pd bangsssss;
#N canvas 672 186 315 344 workit 0;
#X obj 67 307 outlet;
#X floatatom 67 148 5 0 0 0 - - -, f 5;
#X obj 67 103 random 100;
#X obj 67 250 line;
#X obj 67 274 + 100;
#X obj 67 227 pack 0 10000;
#X obj 66 19 loadbang;
#X obj 67 127 * 0.2;
#X obj 134 102 random 2;
#X obj 135 124 sel 0 1;
#X msg 135 147 -1;
#X msg 165 147 1;
#X obj 67 195 *;
#X obj 66 81 metro 20000;
#X obj 139 64 + 10000;
#X obj 139 25 random 10000;
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| 105 |
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| 23 |
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#X text 167 407 resume;
#X text 218 393 - pauses the output, f 53;
#X text 218 508 - envelope signal, f 25;
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#X text 143 324 set <list>;
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#X text 219 528 - status: 1 <on> \, 0 <off>;
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#X text 51 29 [envgen~] has a right outlet that sends a status value
(1 when the envelope starts and 0 when it ends). This can be useful
for different things \, but particularly to turn on and off the DSP
processing of a subpatch or abstraction with [switch~]., f 62;
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#X obj 345 469 clone;
#X text 323 444 see also:;
#X text 70 416 You should also check try pd's [clone] object for managing
polyphonic synths.;
#X text 51 80 This is only pertinent for control triggers \, such as
floats and bangs., f 62;
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#X text 218 323 - sets the envelope and doesn't run it, f 53;
#X text 218 407 - resumes the envelope after being paused, f 53;
#X text 113 337 setgain <float>;
#X text 230 298 sets and runs envelope. Lists are pairs of duration
& target. If odd \, 1st float is the starting point, f 51;
#X text 218 337 - sets overall gain, f 53;
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#X text 101 449 retrigger <float>;
#X text 218 449 - retrigger time in ms, f 53;
#X text 119 463 legato <float>;
#X text 218 463 - non-0 sets to legato mode, f 53;
#X text 107 421 suspoint <float>;
#X text 218 421 - sets sustain point, f 53;
#X text 167 365 attack;
#X text 218 284 - attacks the envelope with the last gate on value
, f 53;
#X text 161 379 release;
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#X text 672 232 1;
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#X text 634 82 ADSR (attack \, decay \, sustain \, release);
#X text 744 126 AR (attack \, release);
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#X text 127 233 start \, duration \, target;
#X text 87 197 duration \, target;
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#X text 67 317 1;
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#X text 321 270 1;
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#X text 25 85 But if you have an odd number of elements \, the first
float sets a staring point. In practical terms \, it's like this number
is a target paired with a "0" duration value., f 36;
#X text 262 25 If you give [envgen~] just a float as the argument \,
it initializes the object to output that value as a starting point.
You can also use the -init flag instead., f 34;
#X text 262 95 Being an all purpose line/envelope generator \, you
can use it to create complex envelope lines as below., f 35;
#X text 25 24 The line segments in [envgen~] are set in pairs of duration
(in ms) and target value (this is the opposite order of the [line]
family of objects in Pd Vanilla)., f 36;
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#X text 761 342 1;
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#X text 762 417 -1;
#X msg 738 250 -1 200 1 200 0 200 0.5 100 1 400 -1, f 18;
#X text 417 362 The [envgen~] object works also as an all purpose line
generator such as [vline~]. This means you can have multiple line segments
and in any range., f 45;
#X msg 760 154 0 1000 1 500 0;
#X text 506 21 You can pause the envelope at any point with the "pause"
message \, after which the "resume" message restarts the envelope.
The set message sets the envelope without triggering it \, this is
the same as using the right inlet.;
#X text 666 155 set envelope =>;
#X obj 296 195 else/envgen~ -init 0.5 0 1000 1 250 0.25 250 0.25 500
1 250 1 250 0, f 22;
#X connect 0 0 12 0;
#X connect 1 0 12 0;
#X connect 2 0 12 0;
#X connect 4 0 12 0;
#X connect 5 0 3 0;
#X connect 8 0 9 0;
#X connect 10 0 8 0;
#X connect 11 0 12 0;
#X connect 12 0 5 0;
#X connect 12 0 8 1;
#X connect 15 0 16 0;
#X connect 17 0 28 0;
#X connect 20 0 21 0;
#X connect 22 0 45 0;
#X connect 28 0 30 0;
#X connect 29 0 30 0;
#X connect 30 0 15 0;
#X connect 36 0 35 0;
#X connect 38 0 36 0;
#X connect 40 0 38 0;
#X connect 42 0 12 1;
#X connect 45 0 20 0;
#X restore 492 99 pd basic;
#X obj 151 172 *~;
#X obj 151 203 else/out~;
#X obj 136 141 osc~ 440;
#X obj 209 116 bng 17 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X obj 269 193 vsl 18 58 0 1 0 0 empty empty empty 0 -9 0 10 #dcdcdc
#000000 #000000 0 1;
#X text 289 243 0;
#X text 290 187 1;
#X text 95 435 maxsustain <float>;
#X text 218 435 - sets maximum sustain lengthn in ms, f 53;
#N canvas 225 131 1047 524 gate-sustain 0;
#X obj 78 249 else/display;
#X obj 178 347 *~;
#X obj 78 283 mtof;
#X obj 92 316 else/bl.vsaw~;
#X obj 193 302 else/envgen~ 10 1 40 0.5 400 0.5 50 0, f 19;
#X text 24 241 MIDI Pitch =>, f 8;
#X obj 503 245 else/rescale;
#X obj 503 273 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X obj 488 361 *~;
#X obj 398 274 mtof;
#X obj 193 180 else/tempo 60 50;
#X obj 193 144 tgl 18 0 empty empty empty 17 7 0 10 #dcdcdc #000000
#000000 0 1;
#X text 213 145 <= generate random notes, f 12;
#X obj 193 251 else/display 6;
#X obj 117 284 osc~ 0.5;
#X text 29 30 A non-zero input triggers the envelope as a "gate on"
message and sets an overall gain (which is 1 by default). A zero value
is ignored if there's no sustain point., f 57;
#X text 392 25 When you set a sustain point \, with the sustain message
or flag \, then [envgen~] holds at the given point until it receives
a 0 or release message., f 39;
#X text 30 69 By default \, [envgen~] has no sustain point \, which
means it also doesn't have a release ramp and generates the whole envelope
at "one-shot" when triggered., f 57;
#X text 251 253 <= gain (gate on);
#X obj 761 190 tgl 17 0 empty empty empty 17 7 0 10 #dcdcdc #000000
#000000 0 1;
#X text 677 53 When you have a sustain point \, you can define a maximum
sustain time in \, so there's a release if no release is given until
that time., f 56;
#X obj 761 280 else/sig2float~;
#X obj 761 314 vsl 18 100 0 1 0 0 empty empty empty 0 -9 0 10 #dcdcdc
#000000 #000000 0 1;
#X obj 888 341 else/setdsp~;
#X msg 812 201 maxsustain \$1;
#X obj 812 180 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X text 677 98 You can set a maximum sustain time with the "maxsustain"
message or flag. A value equal or less than zero means there's no maximum
sustain time and it will sustain indefinitely until it receives a release.
;
#X obj 178 376 else/plate.rev~ 50 0.75 0.5 0.5 0.5, f 18;
#X obj 488 390 else/plate.rev~ 50 0.75 0.5 0.5 0.5, f 18;
#X obj 78 220 else/rand.i 36 72;
#X obj 193 219 else/rand.f 0.25 1;
#X obj 498 441 else/out~;
#X obj 186 429 else/out~;
#X text 392 81 Here's [envgen~] as an ADSR envelope:, f 39;
#X obj 398 115 else/keyboard 17 80 2 4 0 0 empty empty;
#X obj 398 305 else/bl.tri~;
#X obj 398 215 unpack float float;
#X obj 761 233 else/envgen~ -suspoint 2 -maxsustain 1500 250 1 100
0.5 250 0, f 41;
#X obj 503 308 else/envgen~ -suspoint 2 10 1 40 0.5 50 0, f 24;
#X connect 0 0 2 0;
#X connect 1 0 27 0;
#X connect 2 0 3 0;
#X connect 3 0 1 0;
#X connect 4 0 1 1;
#X connect 6 0 7 0;
#X connect 7 0 38 0;
#X connect 8 0 28 0;
#X connect 9 0 35 0;
#X connect 10 0 29 0;
#X connect 10 0 30 0;
#X connect 11 0 10 0;
#X connect 13 0 4 0;
#X connect 14 0 3 1;
#X connect 19 0 37 0;
#X connect 21 0 22 0;
#X connect 24 0 37 0;
#X connect 25 0 24 0;
#X connect 27 0 32 0;
#X connect 27 1 32 1;
#X connect 28 0 31 0;
#X connect 28 1 31 1;
#X connect 29 0 0 0;
#X connect 30 0 13 0;
#X connect 34 0 36 0;
#X connect 35 0 8 0;
#X connect 36 0 9 0;
#X connect 36 1 6 0;
#X connect 37 0 21 0;
#X connect 38 0 8 1;
#X restore 451 176 pd gate-sustain;
#N canvas 267 107 1028 416 legato-retrigger 0;
#X obj 73 222 *~;
#X obj 51 170 osc~ 440;
#X obj 192 209 else/sig2float~;
#X obj 192 242 vsl 18 100 0 0.5 0 0 empty empty empty 0 -9 0 10 #dcdcdc
#000000 #000000 0 1;
#X obj 131 117 bng 20 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X obj 73 272 else/out~;
#X text 158 120 <= click multiple times, f 24;
#X obj 131 158 else/envgen~ 100 1 300 0.25 1000 0.25 500 0, f 18;
#X obj 399 246 *~;
#X obj 377 194 osc~ 440;
#X obj 517 242 else/sig2float~;
#X obj 517 275 vsl 18 100 0 0.5 0 0 empty empty empty 0 -9 0 10 #dcdcdc
#000000 #000000 0 1;
#X obj 457 141 bng 20 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X obj 399 296 else/out~;
#X text 484 144 <= click multiple times;
#X obj 457 182 else/envgen~ 0 100 1 300 0.25 1000 0.25 500 0, f 20
;
#X msg 380 142 legato \$1;
#X obj 380 121 tgl 15 0 empty empty empty 17 7 0 10 #dcdcdc #000000
#000000 0 1;
#X obj 722 266 *~;
#X obj 700 214 osc~ 440;
#X obj 841 253 else/sig2float~;
#X obj 841 286 vsl 18 100 0 0.5 0 0 empty empty empty 0 -9 0 10 #dcdcdc
#000000 #000000 0 1;
#X obj 780 161 bng 20 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X obj 722 316 else/out~;
#X text 807 164 <= click multiple times;
#X msg 693 165 retrigger \$1;
#X obj 693 138 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X text 45 54 An even number of elements makes [envgen~] operate in
legato mode \, where retriggering restarts the attack ramp from the
current amplitude level - check below., f 42;
#X text 350 29 An odd number of elements sets the first float as a
starting point \, where a retrigger restarts from this point. Therefore
it doesn't operate in legato mode. But you can force a legato mode
with the legato message or flag \, which ignores this first point -
try it below., f 46;
#X text 673 24 When not in legato mode \, you can set a retrigger time
in ms with the "retrigger" message or flag. This adds an extra ramp
to the starting point and is useful if you do not want to play in legato
mode but want to avoid clicks. A small amount such as 10 ms is already
usually enough for this non legato effect., f 50;
#X obj 780 202 else/envgen~ -retrigger 10 0 100 1 300 0.25 1000 0.25
500 0, f 26;
#X connect 0 0 5 0;
#X connect 1 0 0 0;
#X connect 2 0 3 0;
#X connect 4 0 7 0;
#X connect 7 0 0 1;
#X connect 7 0 2 0;
#X connect 8 0 13 0;
#X connect 9 0 8 0;
#X connect 10 0 11 0;
#X connect 12 0 15 0;
#X connect 15 0 8 1;
#X connect 15 0 10 0;
#X connect 16 0 15 0;
#X connect 17 0 16 0;
#X connect 18 0 23 0;
#X connect 19 0 18 0;
#X connect 20 0 21 0;
#X connect 22 0 30 0;
#X connect 25 0 30 0;
#X connect 26 0 25 0;
#X connect 30 0 18 1;
#X connect 30 0 20 0;
#X restore 427 157 pd legato-retrigger;
#N canvas 542 159 692 432 signal 0;
#X obj 154 249 *~;
#X obj 486 249 *~;
#X obj 44 175 mtof~;
#X obj 378 173 mtof~;
#X obj 501 100 else/randpulse2~ 7;
#X obj 378 202 else/bl.saw~;
#X obj 44 201 else/bl.tri~;
#X obj 169 204 else/envgen~ 10 1 40 0.7 400 0.7 50 0, f 19;
#X text 40 21 The [envgen~] object can also be triggered by audio.
For a one shot envelope (without sustain points) \, you can use impulses
to trigger it., f 52;
#X text 378 21 But a gate is needed for envelopes with sustain points.
Note that float input is not ignored when there's a signal connection
and can also retrigger the envelope., f 47;
#X obj 154 278 else/plate.rev~ 50 0.75 0.5 0.5 0.5, f 18;
#X obj 486 278 else/plate.rev~ 50 0.75 0.5 0.5 0.5, f 18;
#X obj 44 147 else/rand.i~ 36 72;
#X obj 378 145 else/rand.i~ 36 72;
#X obj 162 331 else/out~;
#X obj 496 328 else/out~;
#X obj 169 94 else/tempo~ -on 60 100;
#X obj 501 168 else/envgen~ -suspoint 2 10 1 40 0.5 50 0, f 24;
#X connect 0 0 10 0;
#X connect 1 0 11 0;
#X connect 2 0 6 0;
#X connect 3 0 5 0;
#X connect 4 0 13 0;
#X connect 4 0 17 0;
#X connect 5 0 1 0;
#X connect 6 0 0 0;
#X connect 7 0 0 1;
#X connect 10 0 14 0;
#X connect 10 1 14 1;
#X connect 11 0 15 0;
#X connect 11 1 15 1;
#X connect 12 0 2 0;
#X connect 13 0 3 0;
#X connect 16 0 7 0;
#X connect 16 0 12 0;
#X connect 17 0 1 1;
#X restore 487 196 pd signal;
#X text 218 270 - gate: on/attack (non-0) or off/release (0), f 53
;
#X text 218 379 - same as a gate off, f 53;
#X text 218 365 - same as bang or gate on, f 53;
#N canvas 579 112 482 447 duration 0;
#X obj 37 269 else/setdsp~;
#X obj 140 352 else/envgen~;
#X obj 113 395 print~;
#X obj 113 203 nbx 3 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X obj 113 229 t b f;
#X msg 80 168 0;
#X msg 113 168 1;
#X msg 150 168 2;
#X msg 183 168 3;
#X obj 140 260 else/samps2ms;
#X text 55 15 The time duration is set in ms but is converted to number
of samples and is rounded to the nearest integer sample duration. For
instance \, durations >= 1.5 and < 2.5 is rounded to 2 samples., f
57;
#X floatatom 140 290 0 0 0 0 - - - 0;
#X text 25 166 samples;
#X text 124 290 ms;
#X text 55 69 A minimum line size is of 2 samples \, meaning that its
time duration is 1 sample. Hence \, the line is 2 samples long \, where
the first point is the start and it jumps to the target value in the
next sample. A line duration of 0 jumps immediately and multiple lines
with 0 duration next to each other get ignored (and values less than
0 are clipped to 0).;
#X obj 314 352 else/envgen~;
#X obj 287 395 print~;
#X obj 287 203 nbx 3 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X obj 287 229 t b f;
#X msg 254 168 0;
#X msg 287 168 1;
#X msg 324 168 2;
#X msg 357 168 3;
#X obj 314 260 else/samps2ms;
#X floatatom 314 290 0 0 0 0 - - - 0;
#X text 298 290 ms;
#X msg 314 321 0 \$1 1 \$1 0;
#X msg 140 321 0 \$1 1;
#X connect 1 0 2 0;
#X connect 3 0 4 0;
#X connect 4 0 2 0;
#X connect 4 1 9 0;
#X connect 5 0 3 0;
#X connect 6 0 3 0;
#X connect 7 0 3 0;
#X connect 8 0 3 0;
#X connect 9 0 11 0;
#X connect 11 0 27 0;
#X connect 15 0 16 0;
#X connect 17 0 18 0;
#X connect 18 0 16 0;
#X connect 18 1 23 0;
#X connect 19 0 17 0;
#X connect 20 0 17 0;
#X connect 21 0 17 0;
#X connect 22 0 17 0;
#X connect 23 0 24 0;
#X connect 24 0 26 0;
#X connect 26 0 15 0;
#X connect 27 0 1 0;
#X restore 475 119 pd duration;
#N canvas 726 168 516 457 function 0;
#X obj 134 245 bng 20 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X text 421 173 1;
#X obj 119 334 *~;
#X obj 119 371 else/out~;
#X text 420 269 0;
#X obj 58 283 osc~ 440;
#X obj 212 179 else/function 200 100 empty empty 0 1 220 220 220 50
50 50 0 0 0 0 0 100 1 100 0.5 200 0.5 200 0;
#X text 57 88 Note that [function] always sends an odd number of elements
\, so you can use "legato" mode or not \, and also set a retrigger
time if you will., f 65;
#X obj 134 291 else/envgen~ -retrigger 10, f 13;
#X text 57 33 Here's an example on how to use [function] with [envgen~].
Since [function] is always outputing a list you can use the right inlet
to set the envelope without triggering it. Check the help file of [function]
for more details on how it works., f 65;
#X obj 212 146 else/initmess 0 100 1 100 0.5 200 0.5 200 0;
#X text 127 193 [function] =>;
#X connect 0 0 8 0;
#X connect 2 0 3 0;
#X connect 5 0 2 0;
#X connect 6 0 8 1;
#X connect 8 0 2 1;
#X connect 10 0 6 0;
#X restore 475 236 pd function;
#X obj 85 482 cnv 17 3 17 empty empty 1 5 9 0 16 #dcdcdc #9c9c9c 0
;
#X text 218 482 - sets the envelope and doesn't run it, f 53;
#X text 178 483 list;
#X obj 209 141 else/envgen~ 1000 1 500 0;
#X text 131 270 float/signal;
#X text 143 351 exp <list>;
#X text 218 351 - sets exponential values for each line segment, f
53;
#X text 74 83 [envgen~] is an envelope generator \, but It can also
be considered an all purpose line segment generator.;
#N canvas 513 87 471 577 exponential 0;
#X obj 43 362 cnv 15 398 138 empty empty empty 20 12 0 14 #e0e0e0 #404040
0;
#N canvas 0 22 450 278 (subpatch) 0;
#X array \$0-env 13230 float 0;
#X coords 0 1 13229 0 400 140 1 0 0;
#X restore 42 361 graph;
#X obj 130 321 tabwrite~ \$0-env;
#X obj 103 261 t b a;
#X text 225 198 exponential;
#X text 153 151 linear;
#X text 113 524 The following subpatch shows how to create "S" like
curves:, f 35;
#N canvas 692 218 467 485 "S"-curves 0;
#X obj 24 317 cnv 15 398 138 empty empty empty 20 12 0 14 #e0e0e0 #404040
0;
#N canvas 1 52 450 300 (subpatch) 0;
#X array \$0-S-curve 4410 float 0;
#X coords 0 1 4409 0 400 140 1 0 0;
#X restore 23 316 graph;
#X text 11 310 1;
#X text 11 442 0;
#X obj 94 223 route bang;
#X obj 151 279 tabwrite~ \$0-S-curve;
#X obj 151 250 else/envgen~;
#X obj 94 13 loadbang;
#X msg 94 38 exp 4 -4 \, 0 50 0.5 50 1 \, bang;
#X msg 99 56 exp -4 4 \, 1 50 0.5 50 0 \, bang;
#X msg 129 123 exp 0.25 -0.25 \, 0 50 0.5 50 1 \, bang;
#X msg 134 141 exp -0.25 0.25 \, 1 50 0.5 50 0 \, bang;
#X msg 113 80 exp -4 4 \, 0 50 0.5 50 1 \, bang;
#X msg 117 98 exp 4 -4 \, 1 50 0.5 50 0 \, bang;
#X msg 143 191 exp 0.25 -0.25 \, 1 50 0.5 50 0 \, bang;
#X msg 137 172 exp -0.25 0.25 \, 0 50 0.5 50 1 \, bang;
#X connect 4 0 5 0;
#X connect 4 1 6 0;
#X connect 6 0 5 0;
#X connect 7 0 8 0;
#X connect 8 0 4 0;
#X connect 9 0 4 0;
#X connect 10 0 4 0;
#X connect 11 0 4 0;
#X connect 12 0 4 0;
#X connect 13 0 4 0;
#X connect 14 0 4 0;
#X connect 15 0 4 0;
#X restore 267 543 pd "S"-curves;
#X msg 103 151 exp 1 1;
#X msg 115 174 exp 4 4;
#X msg 120 192 exp -4 -4;
#X msg 132 215 exp 0.25 0.25;
#X msg 135 233 exp -0.25 -0.25;
#X obj 130 292 else/envgen~ 150 1 150 0;
#X obj 311 92 else/rescale;
#X obj 311 114 else/rescale~;
#X text 33 72 The exponential factor is the same as used in [else/rescale]
and [else/rescale~]. Check them out as well:;
#X obj 366 223 else/setdsp~;
#X obj 103 126 loadbang;
#X text 34 17 The 'exp' message sets the exponentiality of the lines.
By default \, they're "1" \, which means they're linear. For values
>= 0 \, it's like raising to the power of the given exponential. Negative
values are accepted and offer a mirrored/reversed curve. Check below.
, f 68;
#X connect 3 0 2 0;
#X connect 3 0 13 0;
#X connect 3 1 13 0;
#X connect 8 0 3 0;
#X connect 9 0 3 0;
#X connect 10 0 3 0;
#X connect 11 0 3 0;
#X connect 12 0 3 0;
#X connect 13 0 2 0;
#X connect 18 0 8 0;
#X restore 457 138 pd exponential;
#X obj 269 168 else/s2f~;
#X obj 356 192 sel 0;
#X obj 356 219 bng 15 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X text 376 218 done;
#X obj 356 167 tgl 17 0 empty empty empty 17 7 0 10 #dcdcdc #000000
#000000 0 1;
#X text 204 610 -;
#X text 151 611 1) list;
#X text 218 610 a float sets an initial output value \, a list of floats
sets the envelope (default 0 0), f 44;
#X text 120 554 -init <float> (default 0) | -retrigger <float> (default
0) | -legato (sets to legato mode on \, default is off) | -maxsustain
<float> (default 0 - no maxsustain) | -suspoint <float> (default 0)
|, f 58;
#X connect 47 0 48 0;
#X connect 49 0 47 0;
#X connect 50 0 67 0;
#X connect 67 0 47 1;
#X connect 67 0 73 0;
#X connect 67 1 77 0;
#X connect 73 0 51 0;
#X connect 74 0 75 0;
#X connect 77 0 74 0;
| 612 |
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#X obj 72 609 outlet~;
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#X obj 72 40 inlet;
#X obj 72 69 unpack;
#X obj 72 551 *~;
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#X floatatom 690 313 5 0 0 0 - A -, f 5;
#X floatatom 734 313 5 0 0 0 - D -, f 5;
#X floatatom 778 313 5 0 0 0 - S -, f 5;
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#X connect 32 0 3 1;
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#X connect 36 0 2 0;
| 87 |
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#X obj 182 191 bng 20 250 50 0 empty empty empty 17 7 0 10 -228856
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#X obj 101 263 pan2~, f 12;
#X obj 101 210 brown~;
#X obj 182 226 envgen~ 1500 1 1000 -1 1500 1 1500 0;
#X text 54 72 The usage of line generators can be used to control any
parameter you desire. You can use it as a control of amplitude (such
as an envelope) or just about anything., f 56;
#X text 54 129 In this example \, we use [envgen~] to control the panning
of a brown noise source., f 56;
#X obj 300 29 declare -path else;
#X obj 218 269 s2f~;
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| 24 |
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#X obj 79 259 dbtorms;
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#X obj 35 291 tabwrite dbtorms;
#X text 18 49 bang to recalculate dbtorms table;
#X text 356 50 bang to recalculate the mtof table;
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#X restore 375 76 pd regenerate-tables;
#X restore 323 316 pd conversion-tables;
#X text 215 93 <= pitch;
#X connect 1 0 8 0;
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#X restore 69 160 pd test-input;
#X text 98 17 REVERBERATOR;
#X floatatom 69 133 0 10 130 0 - - -;
#X floatatom 195 175 0 0 100 0 - - -;
#X obj 136 248 output~;
#X text 240 390 updated for Pd version 0.37-1;
#X text 69 329 Many improvements are possible. Much better reverberators
can be found in the "extras" library., f 52;
#X text 46 52 Here is a simple recirculating reverberator. "Feedback"
should be between 0 and 100 - if 100 \, the reverberation lasts forever.
;
#X text 230 175 <= feedback (100 maximum);
#X text 209 205 <= open to see how it works;
#X text 106 133 <= pitch;
#N canvas 367 69 824 602 reverb 0;
#X obj 36 21 inlet~;
#X obj 36 45 reverb-echo echo-del1 5.43216;
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#X obj 519 405 / 200;
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#X obj 519 380 max 0;
#X obj 242 559 delwrite~ loop-del1 60;
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#X text 256 49 "early echo" generators \, which also increase echo
density. Open one to see what they do., f 44;
#X text 260 128 Get the outputs of the recirculating delays. Add the
inputs to two of them., f 38;
#X text 420 287 Do a power-conserving mix of them in pairs. First combine
(1 \, 2) and (3 \, 4)..., f 41;
#X text 403 361 ...then (1 \, 3) and (2 \, 4), f 14;
#X text 428 444 The two mixing stages have a combined gain of 2 \,
so the recirculation gain is limited to 0.5., f 48;
#X text 34 379 Tap outputs from here.;
#X text 581 348 feedback gain on a scale of 0 to 100 to control reverb
time., f 30;
#X text 539 516 Put the signals back into the recirculating delays.
, f 25;
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#X restore 135 204 pd reverb;
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#X connect 11 1 4 1;
| 253 |
Classes/camomile/bl.square~.pd | #N canvas 643 257 482 232 10;
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#X obj 92 45 inlet~;
#X obj 145 45 inlet~;
#X obj 78 163 outlet~;
#X obj 265 82 block~ 64 1 16;
#X text 246 130 Part of ELSE \; https://github.com/porres/pd-else;
#X text 248 111 Alexandre Torres Porres (2018);
#X obj 193 47 inlet~;
#N canvas 383 273 450 300 init 0;
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| 39 |
PureDataToArduino/SimpleMessageSystem/Pure Data Example/convert/help/pd2ascii-help.pd | #N canvas 104 52 1066 797 10;
#X obj 5 311 print ascii_codes;
#X obj 153 312 print ERROR;
#X text 142 90 <-- spaces are treated (ascii code 32);
#X msg 105 155 CR;
#X text 135 156 <-- cariage return;
#X msg 113 182 LF CR;
#X msg 116 213 SPACE;
#X text 156 213 <-- space character;
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#X text 642 328 OUTLET 2: Outputs errors.;
#X text 642 303 OUTLET 1: Outputs ascii codes.;
#X text 24 20 Requires: pd 0.39 \, coll(cyclone lib) and zexy.;
#X text 26 -87 Mode 0 converts pd atoms (floats \, lists and symbols)
into ascii codes (integers). You can also use special characters (carriage
return \, line feed \, spaces \, etc...) with the 2nd "special character"
inlet).;
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#X obj 3 613 print ascii_codes;
#X obj 143 613 print ERROR;
#X obj 46 256 pd2ascii;
#X msg 133 444 COMMA;
#X text 630 14 Argument 1 determines the mode:;
#X text 627 59 - Any special character (see list below) selects message
mode with that special character as an "end of message".;
#X text 26 -26 Message mode is equivalent to mode 0 but automatically
adds an "end of message" special character (determined by arg 1) at
the end of a message.;
#X text 638 280 INLET 2: Change mode.;
#X text 630 190 - A "bang" will output a carriage return (code 13/special
character CR) by default or the selected "end of messsage" special
character.;
#X text 631 157 - If a float \, list or symbol is sent \, pd2ascii
will convert it to it's ascii code(s).;
#X text 636 132 INLET 1:;
#X text 630 237 - pd2ascii will try to convert any other type to a
special character.;
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#X text 626 37 - 0 \, any other number \, or no argument selects mode
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#X msg 19 90 list hello world;
#X text 65 58 Mode 0 does not append any special characters;
#X text 687 419 CR: carriage return/code 13;
#X text 686 435 SPACE: space/code 32;
#X text 688 451 LF: line feed/code 10;
#X text 688 468 NULL: code 0;
#X msg 13 420 list hello world;
#X text 139 420 Note that a 13 (CR) is appended at the end of the output.
;
#X text 180 447 13 (CR) is not appended to special characters.;
#X msg 134 472 SPACE;
#X text 40 371 Message mode appends the selected "end of messsage"
special character;
#X text 125 536 The selected "end of message" special character is
a carriage return (CR/code 13).;
#X text 153 181 <-- cariage return + line feed (spaces are ignored
for special characters);
#X msg 56 117 1024;
#X text 95 117 <-- converts this float to it's ascii codes (49 48 50
52);
#X msg 146 502 LF;
#X text 175 503 Inlet 2 changes the "end of message" special character.
;
#X text 22 -114 pd2ascii by tof \, [email protected] \, 2006/08/23
;
#X obj 29 534 pd2ascii CR;
#X text 628 392 Common special characters:;
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#X text 629 538 See "ascii4pd.txt for the whole list of special characters"
;
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#X text 633 -106 version 3;
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| 107 |
Classes/camomile/maxpeak~.pd | #N canvas 487 115 619 353 12;
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#X text 333 156 Part of ELSE \; https://github.com/porres/pd-else;
#X text 335 137 Alexandre Torres Porres (2019);
#X obj 176 291 outlet;
#X msg 204 127 set -100;
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#X obj 375 93 declare -path else;
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| 26 |
test/test-connection.pd | #N canvas 20 22 456 263 10;
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#X obj 27 71 s receive;
#X obj 207 111 netsend;
#X floatatom 207 151 5 0 0 0 - - -;
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#X msg 207 71 connect localhost 8005;
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| 13 |
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#X msg 257 101 load shader/blur;
#X msg 61 297 play \$1;
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#X msg 280 185 2f distance \$1 \$1;
#X floatatom 280 167 5 0 0 0 - - -, f 5;
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#X obj 249 5 declare -lib pof;
#X obj 26 577 pofplane 400 300;
#X obj 26 121 t a a a;
#X obj 45 164 pofimage img/bikers.jpg im1;
#X obj 26 187 poftexture im1;
#X obj 65 142 pofimage img/moon.jpg 500 im2;
#X msg 270 124 load shader/blur.vert shader/blur.frag;
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#X msg 118 297 print;
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#X msg 258 256 load shader/colorEngine;
#X msg 294 377 3f color 1 \$1 \$1;
#X msg 295 339 f colorOn \$1;
#X msg 291 464 3f chromaKey \$1 \$1 \$1;
#X msg 432 424 f chromaThreshold \$1;
#X msg 432 464 f chromaFade \$1;
#X msg 292 423 f chromaKeyOn \$1;
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#X msg 291 513 f bcsOn \$1;
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#X text 7 3 Pof: Pd OpenFrameworks externals;
#X text 11 57 pofshader : load and control a shader.;
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#X obj 26 414 pofshader;
#X text 458 6 Inlet 1: play (0/1);
#X text 512 17 print : print every active uniform information to stdout
(not Pd console), f 75;
#X text 511 30 load SHADER : load SHADER.vert and SHADER.frag;
#X text 511 42 load SHADER.vert SHADER.frag : ...;
#X text 511 55 f VAR VALUE : set a uniform of type float or bool;
#X text 511 68 2f VAR V1 V2 : set a uniform of type vec2f;
#X text 511 80 3f VAR V1 V2 V3: set a uniform of type vec3f;
#X text 511 91 4f VAR V1 V2 V3 V4: set a uniform of type vec4f, f
60;
#X text 512 103 tex VAR POFTEXTURE LOCATION : assign Pof texture named
POFTEXTURE, f 65;
#X text 34 25 (c) Antoine Rousseau 2017;
#X text 524 115 to the glsl uniform VAR \, which must be a sampler2D
or sampler2DRect.;
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#X text 531 157 GLES (raspi);
#X msg 431 256 load shader/colorEngineES \, f alpha 1, f 26;
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| 133 |
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#X msg 137 559 symbol;
#X obj 71 544 t l b;
#X obj 74 635 outlet;
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| 34 |
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#X msg 396 268 3000;
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#X obj 477 314 * 0.01;
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#X text 230 25 control inlets:;
#X text 227 44 1: output level \, dB \, 0-100;
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#X text 75 498 rev3 - 16-delay reverberator. Like rev2~ but presumably
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#X text 27 270 (C) Copyright 2004 Hans-Christoph Steiner <[email protected]>
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#X text 244 284 released under the GNU GPL;
#X text 161 235 For more info:;
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| 11 |
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#X text 76 65 The complex modulator takes two signals in which it considers
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does a complex multiplication by a sinusoid to shift all frequencies
up or down by any frequency shift in Hz., f 61;
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#X text 328 396 See also:;
#X obj 101 29 complex-mod~;
#X text 198 29 - complex amplitude modulator;
#X obj 62 321 output~;
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#X text 200 199 Frequency shift;
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#X text 204 252 The left output is the frquency shifted by the amount
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#X text 44 34 [mtx_.cabs2];
#X text 166 69 complex valued element wise matrix absolute value;
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#X text 177 450 anything;
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#X text 231 450 - the stored message;
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#X text 201 300 dump;
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#X text 201 356 fifo;
#X text 231 356 - set order to 'fifo';
#X text 201 371 lifo;
#X text 231 371 - set order to 'lifo';
#X text 145 503 1) symbol - sets order \, <fifo> (default) or <lifo>
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#X text 231 300 - outputs all messages and clears them;
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#X text 231 401 - closes [text] window;
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#X text 82 29 The [stack] object is based on Pd Vanilla's [text] object.
And you can open its window with the 'open' message and close it with
the 'close' message. Clicking on the object also opens it. This also
means you can manually edit the contents of stack!;
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#X text 147 342 store <float>;
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#X text 41 85 [stack] stores messages as stacks \, where it outputs
and removes them one by one when receiving bangs. An argument defines
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(last in first out) - This needs to be set before storing data., f
76;
#X obj 4 528 cnv 3 550 3 empty empty click 8 12 0 13 #dcdcdc #000000
0;
#X text 163 536 clicking on the object opens stack's window;
#N canvas 1048 151 320 314 dump 0;
#X obj 80 148 else/display;
#X floatatom 137 90 5 0 0 0 - - - 0;
#X text 178 89 store messages;
#X msg 80 88 dump;
#X obj 80 121 else/stack;
#X obj 138 147 display;
#X obj 150 176 print N;
#X obj 80 260 print data;
#X obj 138 222 bng 17 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
#000000 #000000;
#X obj 138 198 sel 0;
#X text 163 223 <= bang if empty;
#X text 56 32 A dump message outputs all stored messages and clears
the memory., f 33;
#X connect 0 0 7 0;
#X connect 1 0 4 1;
#X connect 3 0 4 0;
#X connect 4 0 0 0;
#X connect 4 1 5 0;
#X connect 5 0 6 0;
#X connect 5 0 9 0;
#X connect 9 0 8 0;
#X restore 498 239 pd dump;
#X obj 146 40 cnv 4 4 4 empty empty and 0 28 2 18 #e0e0e0 #000000 0
;
#X obj 181 40 cnv 4 4 4 empty empty output 0 28 2 18 #e0e0e0 #000000
0;
#X obj 237 40 cnv 4 4 4 empty empty via 0 28 2 18 #e0e0e0 #000000 0
;
#X obj 269 40 cnv 4 4 4 empty empty fifo/lifo 0 28 2 18 #e0e0e0 #000000
0;
#X connect 23 0 58 0;
#X connect 25 0 58 0;
#X connect 26 0 58 1;
#X connect 33 0 58 1;
#X connect 35 0 58 1;
#X connect 37 0 58 0;
#X connect 38 0 58 0;
#X connect 57 0 58 0;
#X connect 58 0 24 0;
#X connect 58 1 50 0;
| 157 |
Live-Electronics-Tutorial/Part.05-Synthesis(Basic)/22-Modulation.Synthesis/2.FM_PM/3.PM/1.Introduction.pd | #N canvas 204 58 1209 546 12;
#X declare -path else;
#X obj 172 231 +~;
#X obj 114 123 nbx 4 14 -1e+37 1e+37 0 1 empty portadora empty 0 -8
0 10 -228856 -1 -1 400 256;
#X obj 190 147 osc~;
#X obj 190 169 *~;
#X obj 190 123 nbx 4 14 -1e+37 1e+37 0 1 empty moduladora empty 0 -8
0 10 -228856 -1 -1 1 256;
#X obj 240 149 nbx 4 14 0 1e+37 0 1 empty indice empty 0 -8 0 10 -228856
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#X obj 114 148 sig~;
#X obj 172 285 osc~;
#X obj 521 145 nbx 4 14 -1e+37 1e+37 0 1 empty portadora empty 0 -8
0 10 -228856 -1 -1 400 256;
#X obj 521 170 sig~;
#X obj 521 198 phasor~;
#X obj 586 262 +~;
#X obj 586 319 cos~;
#X text 410 315 ||;
#X text 420 318 ======================>;
#X text 410 305 ||;
#X text 410 295 ||;
#X text 410 285 ||;
#X text 410 275 ||;
#X text 410 265 ||;
#X text 410 255 ||;
#X text 410 245 ||;
#X text 410 235 ||;
#X text 410 225 ||;
#X text 410 215 ||;
#X text 410 205 ||;
#X text 421 199 ============>;
#X obj 172 326 out~;
#X obj 586 360 out~;
#X obj 604 170 osc~;
#X obj 604 192 *~;
#X obj 604 144 nbx 4 14 -1e+37 1e+37 0 1 empty moduladora empty 0 -8
0 10 -228856 -1 -1 1 256;
#X obj 649 172 nbx 4 14 0 1e+37 0 1 empty indice empty 0 -8 0 10 -228856
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#X obj 900 141 nbx 4 14 -1e+37 1e+37 0 1 empty portadora empty 0 -8
0 10 -228856 -1 -1 400 256;
#X obj 919 271 out~;
#X obj 965 166 osc~;
#X obj 965 193 *~;
#X obj 965 141 nbx 4 14 -1e+37 1e+37 0 1 empty moduladora empty 0 -8
0 10 -228856 -1 -1 1 256;
#X obj 1018 161 nbx 4 14 0 1e+37 0 1 empty indice empty 0 -8 0 10 -228856
-1 -1 10 256;
#X obj 919 235 cosine~;
#X text 59 120 Carrier;
#X text 240 123 Mod;
#X text 287 146 Index;
#X text 27 200 carrier signal =>;
#X text 198 207 <= modulating signal;
#X text 182 257 <= FM signal;
#X text 77 286 oscillator =>;
#X text 320 260 oscillator =>;
#X text 463 144 Carrier;
#X text 653 144 Mod;
#X text 698 172 Index;
#X text 439 236 carrier signal =>;
#X text 609 232 <= modulating signal;
#X text 594 287 <= PM signal;
#X text 840 141 Carrier;
#X text 1015 140 Mod;
#X text 1067 159 Index;
#X text 976 214 <= modulating signal;
#X obj 936 449 out~;
#X obj 936 415 pmosc~;
#X obj 882 374 nbx 4 14 -1e+37 1e+37 0 1 empty portadora empty 0 -8
0 10 -228856 -1 -1 400 256;
#X obj 949 374 nbx 4 14 -1e+37 1e+37 0 1 empty moduladora empty 0 -8
0 10 -228856 -1 -1 1 256;
#X obj 1008 354 nbx 4 14 0 1e+37 0 1 empty indice empty 0 -8 0 10 -228856
-1 -1 10 256;
#X obj 1008 380 float2sig~ 10;
#X text 1056 352 Index;
#X text 950 353 Mod;
#X text 875 353 Carrier;
#X text 803 63 The [cosine~] external from ELSE makes it simpler by
just using its phase input. The [pmosc~] object from ELSE provides
a PM structure with sine waves as well. Check it out., f 53;
#X text 36 32 We've seen how to implement the same result from a classic
frequency modulation structure using phase signals. But now we'll see
a proper phase modulation structure instead \, which is not equivalent.
Here's Frequency Modulation's structure once again., f 52;
#X text 419 35 In phase modulation's classic structure we just have
an oscillator as modulating signal going straight into the phase input
\, and not like we did before \, where that signal went through a [phasor~].
You can also visualize that the [osc~] object has been split into a
[phasor~] and [cos~]., f 51;
#X obj 240 175 f2s~ 10;
#X obj 649 198 f2s~ 10;
#X obj 1018 187 f2s~ 10;
#X obj 1027 21 declare -path else;
#X text 40 412 The reason to stress so much the relationship between
Frequency and Phase modulation is because it is common to see something
labeled as a Frequency Modulation when it is actually Phase Modulation.
One example is the famous DX7 synth. So we'll dig quite deep into this
and see how you can achieve the same result with both implementations
, f 70;
#X connect 0 0 7 0;
#X connect 1 0 6 0;
#X connect 2 0 3 0;
#X connect 3 0 0 1;
#X connect 4 0 2 0;
#X connect 5 0 70 0;
#X connect 6 0 0 0;
#X connect 7 0 27 0;
#X connect 8 0 9 0;
#X connect 9 0 10 0;
#X connect 10 0 11 0;
#X connect 11 0 12 0;
#X connect 12 0 28 0;
#X connect 29 0 30 0;
#X connect 30 0 11 1;
#X connect 31 0 29 0;
#X connect 32 0 71 0;
#X connect 33 0 39 0;
#X connect 35 0 36 0;
#X connect 36 0 39 2;
#X connect 37 0 35 0;
#X connect 38 0 72 0;
#X connect 39 0 34 0;
#X connect 59 0 58 0;
#X connect 60 0 59 0;
#X connect 61 0 59 1;
#X connect 62 0 63 0;
#X connect 63 0 59 2;
#X connect 70 0 3 1;
#X connect 71 0 30 1;
#X connect 72 0 36 1;
| 134 |
PluginSource/Camomile_1.0.8beta4/LiVoDX7/Pd-0.51-4_kiosked.app/Contents/Resources/extra/kiosk-plugin/README.deken.pd | #N canvas 815 540 497 372 12;
#X text 56 58 kiosk-plugin: KIOSK-mode for Pd;
#X text 44 245 you must restart Pd in order to make use of this plugin.
;
#X text 45 130 the kiosk-plugin allows you to get rid of some of Pd's
IDE-characteristics \, to make it more usable in audience-facing applications.
;
#X text 44 186 by default \, the kiosk-plugin DOES NOT DO ANYTHING.
;
#X text 46 208 you MUST configure it first \, by editing the 'kiosk.cfg'
file., f 61;
#X text 160 346 happy patching. IOhannes m zmölnig/IEM. 2021;
#X text 55 71 ================================;
| 13 |
abstractions/ratchet-ui-help.pd | #N canvas 194 357 681 559 12;
#X obj 378 279 ratchet-ui;
#A saved 0 0 1;
#X obj 71 338 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1
-1;
#X floatatom 128 333 5 0 0 0 - - -;
#X obj 128 356 / 10;
#X obj 71 380 ratchet 0.25 150 4, f 25;
#X floatatom 185 357 5 0 0 0 - - -;
#X floatatom 243 357 5 0 0 0 - - -;
#X obj 71 420 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1
-1;
#X text 83 54 ratchet allows generation of repeats or ratchets with
control over the chance of occurance \, the millisecond interval between
repeats \, and the number of repeats. Each parameter can be specified
with abstraction creation arguments \, or with the three inlets The
UI works the same \, except there is only a single right hand inlet
and control messages must be a list with the name of the parameter
followed by the value.;
#X connect 1 0 4 0;
#X connect 2 0 3 0;
#X connect 3 0 4 1;
#X connect 4 0 7 0;
#X connect 5 0 4 2;
#X connect 6 0 4 3;
| 25 |
doc/5.reference/soundfiler-help.pd | #N canvas 87 38 1102 576 12;
#N canvas 0 22 450 300 (subpatch) 0;
#X array array1 77971 float 0;
#X coords 0 1 77970 -1 300 100 1;
#X restore 15 458 graph;
#N canvas 0 22 450 300 (subpatch) 0;
#X array array2 155944 float 0;
#X coords 0 1 155943 -1 300 100 1;
#X restore 324 458 graph;
#X obj 11 315 soundfiler;
#X msg 25 243 write -aiff /tmp/foo1 array2;
#X msg 8 154 read ../sound/bell.aiff array2;
#X msg 17 201 read -raw 128 2 2 b ../sound/bell.aiff array1 array2
;
#X text 8 8 SOUNDFILER - read and write soundfiles to arrays;
#X text 548 11 When reading you can leave soundfiler to figure out
which of the three known soundfile formats the file belongs to or override
all header information using the "-raw" flag.;
#X text 558 70 Flags for reading:;
#X text 574 88 -skip <sample frames to skip in file>;
#X floatatom 11 339 0 0 0 0 - - -;
#X msg 15 177 read -resize ../sound/bell.aiff array2;
#X msg 25 290 write -nextstep -bytes 4 /tmp/foo3 array1 array2;
#X msg 24 267 write -wave -nframes 10000 /tmp/foo2 array2;
#X text 287 152 read a file;
#X text 362 175 ...optionally resize;
#X text 225 219 ...or even overriding everything;
#X text 291 242 write a file;
#X text 360 313 write stereo;
#X text 9 31 The soundfiler object reads and writes floating point
arrays to binary soundfiles which may contain 2 or 3 byte fixed point
or 4 byte floating point samples in wave \, aiff \, or next formats
(no floating point aiff \, though.). The number of channels of the
soundfile need not match the number of arrays given (extras are dropped
and unsupplied channels are zeroed out.);
#X text 575 143 -raw <headersize> <channels> <bytespersample> <endianness>
;
#X text 594 161 This causes all header information to be ignored. Endianness
is "l" ("little") for Intel machines or "b" ("big") for PPC Macintoshes.
You can give "n" (natural) to take the byte order your machine prefers.
;
#X text 575 106 -resize;
#X text 575 124 -maxsize <maximum number of samples we can resize to>
;
#X text 560 232 Flags for writing:;
#X text 575 253 -wave \, -nextstep \, -aiff;
#X text 576 272 -big \, -little (nextstep only!);
#X text 575 294 -skip <number of sample frames to skip in array>;
#X text 576 316 -nframes <maximum number to write>;
#X text 577 360 -normalize;
#X text 576 338 -bytes <2 \, 3 \, or 4>;
#X text 557 411 The number of channels is limited to 64;
#X obj 738 470 tabwrite~;
#X obj 738 494 tabread4~;
#X obj 843 448 tabplay~;
#X obj 843 495 writesf~;
#X obj 843 472 readsf~;
#X text 576 380 -rate <sample rate>;
#X obj 88 340 print;
#X text 738 446 See also:;
#X text 721 539 updated for Pd version 0.48;
#X text 12 370 Left outlet outputs the number of samples.;
#X text 12 396 Right outlet outputs info as a list: samplerate \, headersize
\, num channels \, bytespersample \, & endianness ("b" or "l").;
#X connect 2 0 10 0;
#X connect 2 1 38 0;
#X connect 3 0 2 0;
#X connect 4 0 2 0;
#X connect 5 0 2 0;
#X connect 11 0 2 0;
#X connect 12 0 2 0;
#X connect 13 0 2 0;
| 72 |
PdScript-Demo/Pd/externals/cyclone/help/buddy-help.pd | #N canvas 556 81 555 436 10;
#X obj 0 407 cnv 15 552 21 empty empty empty 20 12 0 14 -233017 -33289
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#X obj 0 266 cnv 3 550 3 empty empty inlets 8 12 0 13 -228856 -1 0
;
#N canvas 293 470 399 278 META 0;
#X text 1 18 LICENSE SIBSD;
#X text 1 0 KEYWORDS pass float numbers;
#X text 1 36 DESCRIPTION pass numbers from inlet to outlet;
#X text 1 72 OUTLET_N float;
#X text 0 90 VERSION 0.1-alpha57;
#X text 0 108 AUTHOR Krzysztof Czaja;
#X text 1 126 RELEASE_DATE 2002;
#X text 2 145 WEBSITE http://suita.chopin.edu.pl/~czaja/miXed/externs/cyclone.html
;
#X text 2 177 HELP_PATCH_AUTHORS Christoph Kummerer. Revised by Jonathan
Wilkes for Pd-extended 0.42 to conform to the PDDP template. Alex Cleveland
updated this patch for Pd-l2ork version 2013.05.28. Fred Jan Kraan
adapted the patch to pd-extended 2015-02-02;
#X text 1 54 INLET_N float clear;
#X restore 504 409 pd META;
#X obj 0 323 cnv 3 550 3 empty empty outlets 8 12 0 13 -228856 -1 0
;
#X obj 0 360 cnv 3 550 3 empty empty arguments 8 12 0 13 -228856 -1
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#N canvas 78 483 428 109 Related_objects 0;
#X obj 0 0 cnv 15 425 20 empty empty empty 3 12 0 14 -204280 -1 0;
#X text 6 1 Related Objects;
#X obj 8 29 Bucket;
#X restore 215 409 pd Related_objects;
#X obj 81 332 cnv 17 3 17 empty empty n 5 9 0 16 -228856 -162280 0
;
#X obj 0 0 cnv 15 552 40 empty empty buddy 3 12 0 18 -204280 -1 0;
#X text 94 374 1) float;
#X floatatom 189 241 5 0 0 0 - - -;
#X floatatom 232 241 5 0 0 0 - - -;
#X floatatom 276 241 5 0 0 0 - - -;
#X floatatom 189 93 5 0 0 0 - - -;
#X floatatom 232 94 5 0 0 0 - - -;
#X floatatom 276 94 5 0 0 0 - - -;
#X msg 142 92 clear;
#X text 112 278 float;
#X text 166 279 - number to sync with other numbers;
#X text 112 296 clear;
#X text 166 297 - clear all stored values;
#X text 166 333 - distributed all synced floats to outlets;
#X text 166 374 - sets the number of inlets/outlets;
#X obj 510 3 buddy;
#X obj 81 278 cnv 17 3 34 empty empty n 5 9 0 16 -228856 -162280 0
;
#X text 34 49 Once buddy receives all input data \, it outputs that
data in parallel simultaneously.;
#X text 12 23 sync inputs when all inlets receive data;
#X text 52 95 stored values;
#X text 52 82 clear all;
#X obj 189 168 cyclone/buddy 3;
#X text 112 333 float;
#X connect 12 0 28 0;
#X connect 13 0 28 1;
#X connect 14 0 28 2;
#X connect 15 0 28 0;
#X connect 28 0 9 0;
#X connect 28 1 10 0;
#X connect 28 2 11 0;
| 64 |
martinbrinkmann/rule110patterns/rule110patterns.pd | #N canvas 190 88 1017 1000 10;
#N canvas 461 112 1180 739 rule2list 0;
#X obj 58 -3 inlet;
#X obj 749 31 inlet;
#X obj 170 368 list split 1;
#X obj 134 245 until;
#X obj 274 314 bang;
#X obj 144 288 list;
#X obj 137 449 float;
#X obj 167 483 pack f f f;
#X obj 204 401 list split 1;
#X obj 128 328 t b l;
#X obj 240 437 list split 1;
#X obj 196 127 list split 1;
#X obj 266 83 list length;
#X obj 211 70 t l l;
#X obj 269 105 - 1;
#X obj 149 158 list prepend;
#X obj 151 190 list append;
#X obj 253 159 list split 1;
#X text 310 128 prepend/append last/first element to make a loop;
#X text 208 343 get element and 2 neigbours;
#X obj -53 374 list length;
#X text -50 357 original length;
#X obj 61 278 int;
#X obj 92 279 + 1;
#X msg 77 245 0;
#X obj 153 212 t b l b;
#X obj 42 557 spigot;
#X msg 122 532 1;
#X obj 75 495 <;
#X obj 749 82 unpack f f f f f f f f;
#X obj 743 448 int;
#X obj 770 449 int;
#X obj 798 447 int;
#X obj 825 448 int;
#X obj 853 449 int;
#X obj 880 450 int;
#X obj 908 448 int;
#X obj 935 449 int;
#X text 807 30 rule (binary 8tuple);
#X text 12 -26 input list (0/1);
#X obj 438 296 select b111 b110 b101 b100 b011 b010 b001 b000;
#X msg 232 605 symbol b\$1\$2\$3;
#X obj 723 647 outlet;
#X obj 810 596 t l;
#X obj 719 561 list append;
#X obj 137 36 t b l l l b;
#X obj 722 618 list;
#X text 225 -13 apply a (celluar automat \, wolfram) rule to a list
\, and output the new list;
#X connect 0 0 45 0;
#X connect 1 0 29 0;
#X connect 2 0 6 1;
#X connect 2 1 5 1;
#X connect 2 1 8 0;
#X connect 2 2 4 0;
#X connect 3 0 5 0;
#X connect 3 0 22 0;
#X connect 4 0 3 1;
#X connect 5 0 9 0;
#X connect 6 0 7 0;
#X connect 7 0 26 0;
#X connect 8 0 7 1;
#X connect 8 1 10 0;
#X connect 9 0 6 0;
#X connect 9 1 2 0;
#X connect 10 0 7 2;
#X connect 11 0 17 0;
#X connect 11 1 15 1;
#X connect 12 0 14 0;
#X connect 13 0 11 0;
#X connect 13 1 12 0;
#X connect 14 0 11 1;
#X connect 15 0 16 0;
#X connect 16 0 25 0;
#X connect 17 0 16 1;
#X connect 20 0 28 1;
#X connect 22 0 23 0;
#X connect 23 0 22 1;
#X connect 23 0 28 0;
#X connect 24 0 22 1;
#X connect 25 0 3 0;
#X connect 25 1 5 1;
#X connect 25 2 24 0;
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#X connect 45 2 13 0;
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#X restore 121 105 pd rule2list;
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#X msg 129 68 1 0 0 0 1 0 1 0 1 1 1 1 0 1 1 1 0 0;
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#X obj 221 225 mod 2;
#X obj 188 302 delay 0;
#X obj 217 276 *;
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#X obj 229 330 int;
#X obj 199 32 inlet;
#X obj 371 17 inlet;
#X text 211 49 pos;
#X text 383 33 bpm;
#X text 96 136 swing factor;
#X obj 229 359 outlet;
#X msg 365 86 1;
#X obj 377 111 /;
#X obj 368 63 t f f;
#X obj 387 134 * 15000;
#X text 303 133 1/16 in ms;
#X connect 0 0 2 0;
#X connect 1 0 6 0;
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#X connect 3 0 2 1;
#X connect 4 0 1 0;
#X connect 4 1 0 0;
#X connect 4 2 6 1;
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#X connect 15 1 14 1;
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#X coords 0 -1 1 1 75 30 1 100 100;
#X restore 69 -70 pd swingpos;
#X obj 59 -5 t b;
#X obj 278 -132 t b;
#N canvas 404 383 406 587 fm-blip1 0;
#X obj 102 113 nbx 3 14 0 127 0 1 empty empty empty 0 -8 0 10 -262144
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#X obj -22 242 phasor~;
#X obj -1 359 cos~;
#X obj 22 414 *~;
#X obj 91 27 inlet~;
#X obj -4 291 +~;
#X text 93 5 phase mod;
#X obj -1 337 wrap~;
#X obj -25 215 mtof;
#X obj -34 55 moses 0.0001;
#X obj 54 374 *~;
#X obj 65 341 vline~;
#X obj 115 244 *;
#X obj 115 221 t f f;
#X obj 66 294 pack f f;
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#X obj 74 172 t f f;
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#X obj -34 15 float;
#X msg 65 316 \$1 10 \, 0 \$2 10;
#X obj 195 212 *;
#X obj 184 178 t f f;
#X obj 178 466 outlet~;
#X obj 179 436 *~;
#X obj 145 117 hsl 32 8 0 1 0 1 empty empty empty -2 -8 0 10 -262144
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#X obj 240 199 *;
#X obj 229 165 t f f;
#X obj 21 458 *~;
#X text -42 -25 trigger level;
#X text 181 489 mod;
#X text 13 504 out;
#X obj 231 6 inlet;
#X obj 171 5 inlet;
#X connect 0 0 12 0;
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#X connect 29 0 28 0;
#X connect 30 0 32 0;
#X connect 31 0 33 1;
#X connect 32 0 31 0;
#X connect 32 1 31 1;
#X connect 33 0 4 0;
#X connect 37 0 2 0;
#X connect 38 0 0 0;
#X coords 0 -1 1 1 81 61 1 100 100;
#X restore 12 229 pd fm-blip1;
#X obj 350 172 catch~ \$0mutual_fm_mod;
#X obj 280 481 throw~ \$0mutual_fm_mod;
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#X obj -22 242 phasor~;
#X obj -1 359 cos~;
#X obj 22 414 *~;
#X obj 91 27 inlet~;
#X obj -4 291 +~;
#X text 93 5 phase mod;
#X obj -1 337 wrap~;
#X obj -25 215 mtof;
#X obj -34 55 moses 0.0001;
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| 163 |
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#X text 25 43 Setting a maximum value of 0 dB is a practice that comes
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distorting. In digital audio we have the same thing \, but digital
distortion is a special type \, known as "clipping"., f 66;
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#X text 26 131 The maximum peak amplitude is 1 (0 dBFS). Greater values
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#X text 516 64 Within Pd we can still have values outside the -1 to
1 range. It is in the digital to analog conversion that the clipping
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any signal analysys. Now the [vu~] object from ELSE analyses a signal
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feed [vu]., f 66;
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for quadraphonic and octaphonic setups., f 66;
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| 18 |
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| 30 |
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crawly/data/Dante Bonfim Costa Santos.pd | {"Schussfuss": "links", "Alter": "32", "Schuhgroesse": "n.a.", "Nationalitaet": "Brasilien", "ImTeamSeit": "30.08.2015", "Ausruester": "n.a.", "Position": "Innenverteidiger", "PictureURL": "playerimg/Dante%20Bonfim%20Costa%20Santos.jpg", "Spielerberater": "Marcus Marin", "Verein": "VfL Wolfsburg", "AktuellerMarktwert": "4,50 Mio. \u20ac", "Geburtsort": "SalvadordaBahia", "VertragBis": "30.06.2018", "Name": "Dante Bonfim Costa Santos", "Schuhmodell": "n.a.", "Geburtsdatum": "18.10.1983", "Groesse": "1,88 m", "HoechsterMarktwert": "17,00 Mio. \u20ac"} | 1 |
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#X text 113 310 period 512;
#X text 90 215 recalculate Hann;
#X text 125 230 window table;
#X obj 57 146 loadbang;
#X msg 79 179 \; pd dsp 1;
#X text 40 27 The Hann window is now recomputed on 'loadbang' to make
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#X text 474 375 511;
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#X text 138 0 FOURIER RESYNTHESIS;
#X text 6 218 0;
#X text 6 159 1;
#X text 19 228 0;
#X text 516 231 22K;
#X text 270 261 <- reset gain;
#X text 224 148 GAIN;
#X text 21 24 Using Fourier resynthesis you can take an incoming sound
\, operate on its spectrum \, and hear the result. Here we start with
white noise and apply a frequency-dependent gain \, which works as
a graphic equalizer. There are N/2 = 256 points \, each spaced SR/512
Hz. apart (although their frequency ranges overlap). Open the "fft-analysis"
patch to see the workings.;
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| 132 |
doc/5.reference/poly-help.pd | #N canvas 473 88 573 394 12;
#X text 329 318 updated for Pd version 0.25;
#X text 51 323 see also:;
#X obj 69 16 poly;
#X text 108 15 - MIDI-STYLE POLYPHONIC VOICE ALLOCATOR;
#X text 33 49 The poly object takes a stream of pitch/velocity pairs
and outputs triples containing voice number \, pitch and velocity.
You can pack the output and use the route object to route messages
among a bank of voices depending on the first outlet. Poly can be configured
to do voice stealing or not (the default.);
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#X obj 183 324 makenote;
#X obj 124 214 poly 4 1;
#X text 222 214 <-- first argument \, number of voices \; second argument
selects voice stealing;
#X msg 73 158 60 64;
#X msg 124 158 60 0;
#X msg 168 158 62 64;
#X msg 219 158 62 0;
#X obj 124 240 pack 0 0 0;
#X obj 124 266 print;
#X text 169 265 Output is in the printout window.;
#X msg 279 167 stop;
#X msg 323 167 clear;
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#X text 31 325 Node rules determine when and where;
#X obj 96 110 direct;
#X obj 135 31 r next;
#X text 28 346 to pass the pulse on to next.;
#X text 190 34 Select the outlet \, either 0 \, 1 \, 2 \, or 3;
#X text 152 106 Direct inlet to one of up to four outlets (0-3);
#X text 27 6 Pass on values to a selected outlet;
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| 60 |
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#X text 263 142 hp freq;
#X text 68 10 3-pole \, 3-zero butterworth lp/hp/shelving filter. Args:
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\, hi freq \, hi norm \, reset.;
#X text 70 75 For high-pass: set LP freq =0 and hi/lo to 1;
#X text 70 56 For low-pass: set HP freq >= SR/2 and hi/lo to 0;
#X text 69 92 Shelving: HP and LP specify shelving band. Gain difference
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#X text 119 4 3-pole (or zero) Butterworth filter coefficient calculator
;
#X text 145 109 "theta" in units of pi/2;
#X text 211 138 conjugate pair of pole/zero locations:;
#X text 197 155 real part: (1-r*r)/(1+r*r-2rcos(th));
#X text 245 226 imaginary part: 2rsin(th)/(...);
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#X text 119 4 3-pole (or zero) Butterworth filter coefficient calculator
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#X text 211 138 conjugate pair of pole/zero locations:;
#X text 197 155 real part: (1-r*r)/(1+r*r-2rcos(th));
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#X text 59 30 characteristic frequency \, 0(DC) to 1(Nyquist);
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| 507 |
ggee/rl-help.pd | #N canvas 0 31 450 206 10;
#X text 40 131 (C) Guenter Geiger;
#N canvas 46 242 494 344 META 0;
#X text 12 105 HELP_PATCH_AUTHORS "pd meta" information added by Jonathan
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#X text 12 25 LICENSE Tcl/Tk;
#X text 12 85 AUTHOR Guenter Geiger;
#X text 12 45 DESCRIPTION receive local to this canvas;
#X text 12 65 OUTLET_0 anything;
#X text 12 5 KEYWORDS signal nonlocal canvas_op;
#X restore 377 170 pd META;
#X text 40 28 receive local to this canvas;
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#X obj 154 68 receivelocal foo;
#X obj 67 97 sendlocal foo;
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| 32 |
Package/Cream/helps/c.radio-help.pd | #N canvas 518 214 587 422 10;
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#X text 29 102 Radio button mode;
#X text 284 77 Check list mode;
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#X msg 366 107 0 1 0 1 1;
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| 62 |
res/patches/tests/gui/number2-linlog.pd | #N canvas 310 116 178 209 10;
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| 22 |
doc/2.control.examples/09.send_receive.pd | #N canvas 507 73 590 475 12;
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#X text 342 407 updated for Pd version 0.34;
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| 35 |
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#X text 12 125 AUTHOR Frank Barknecht;
#X text 12 145 HELP_PATCH_AUTHORS Frank Barknecht. "pd meta" information
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| 41 |
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| 7 |
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#X text 18 8 USED TO BUILD THE DX7 PROGRAMS;
#X text 502 254 |;
#X text 502 264 |;
#X text 505 270 ---> store all DX7 programs;
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#X text 20 45 This abstraction just shows a simple example of how [initbang]
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that connections get created properly when the parent patch is opened.
;
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;
| 75 |
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| 156 |
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| 5 |
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| 94 |
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| 155 |
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| 8 |
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| 91 |
Help-files/retrieve-help.pd | #N struct 1008-point float x0 float y0 float xs float ys float fg float
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#X text 174 267 set <symbol> - sets a receive name, f 52;
#X text 254 333 - receive name (default none), f 37;
#X text 200 302 anything;
#X text 222 252 bang - take the data, f 44;
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#X text 89 105 <= retrieve data;
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#X text 408 26 But note that it can only retrieve from compiled objects
\, it doesn't work with abstractions. The trick in such cases is to
use something like [message] to store the data., f 40;
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#X msg 228 137 set b;
#X text 232 106 <= retrieve data;
#X msg 271 142 set c;
#X text 30 24 You can use the set message to set or change the receive
name. You can connect the corresponding [receive] object to GUIs or
any object that receives a bang and outputs data. Note that it also
works with [receiver] \, which can have up to two receive names.,
f 56;
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#X text 167 152 <= retrieve data;
#X text 350 189 <= change and then hit bang to retrieve., f 14;
#X text 57 87 [retrieve] retrieves values from things that are connected
to a [receive] with the same name as the argument. It also works with
[else/receiver]. In a sense \, it extends the function of [receive]
to work as a send \, which can be convenient., f 73;
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| 118 |
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| 8 |
jh.leap_pan-help.pd | #N canvas 307 77 905 548 10;
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#X text 599 49 Signal;
#X text 651 49 - Mono audio input to be panned.;
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#X text 591 166 Signal;
#X text 569 240 None.;
#X text 3 408 The pan window takes input for a single hand to control
the postioning of the sound source within the speaker field. The x
axis of the leap is mapped to the y axis of the panning window and
the z axis of the leap is mapped to the y axis of the panning window
(this makes more sense when you actually try it out);
#X text 639 115 - The first 8 outlets output the audio;
#X text 653 131 signal for the numbered speakers in the;
#X text 655 146 pan window.;
#X text 642 166 - The final outlet outputs the signal for;
#X text 649 181 the LFE if switched on.;
#X text 566 315 The wiggle toggle doesnt work when using mouse input
\,;
#X text 568 329 but does work with the random toggle and when looping
;
#X text 568 344 automation.;
#X text 566 369 If you open and edit the patch ensure to set the;
#X text 566 383 speakers to 0channel position before saving.;
#X text 409 411 Custom speaker layouts;
#X text 409 424 can be created using;
#X text 409 439 the Speaker X/Y pannel.;
| 54 |
03_using_the_console.pd | #N canvas 587 352 664 456 12;
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#X msg 315 204 Hi!;
#X msg 354 204 Error!!!!;
#X msg 435 204 It's a trap!;
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#X text 121 58 The console is the other name of the main Pure Data
window. It can always be brought to the foreground by pressing Control
+ R. You'll mainly use it for checking errors in your patch and for
the 'print' object - whatever you feed this object will appear on the
console window.;
#X text 121 358 Once your patch gets more complex \, you might want
to have several of these 'taps' of information in different places
\, so labeling your print objects might be a good idea.;
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| 22 |
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#X msg 288 254 clear \, add walking_around_with_iphone_in_pocket \,
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add shaking_around \,;
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| 51 |
Subsets and Splits