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#X text 231 89 IEM KUG;
#X text 196 102 graz \, austria 2002;
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crawly/data/Kaan Ayhan.pd | {"Schussfuss": "rechts", "Alter": "20", "Schuhgroesse": "n.a.", "Nationalitaet": "T\u00fcrkei", "ImTeamSeit": "01.07.2013", "Ausruester": "n.a.", "Position": "Innenverteidiger", "PictureURL": "playerimg/Kaan%20Ayhan.jpg", "Spielerberater": "Thorsten Weck Sportmanagement GmbH", "Verein": "FC Schalke 04", "AktuellerMarktwert": "5,00 Mio. \u20ac", "Geburtsort": "Gelsenkirchen", "VertragBis": "30.06.2017", "Name": "Kaan Ayhan", "Schuhmodell": "n.a.", "Geburtsdatum": "10.11.1994", "Groesse": "1,85 m", "HoechsterMarktwert": "5,00 Mio. \u20ac"} | 1 |
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#X text 125 415 amp in (db);
#X text 124 218 test frequency;
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#X text 369 275 q;
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#X text 76 484 see also:;
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#N canvas 172 83 586 377 LICENSE-GPL 0;
#X text 57 88 This program is free software: you can redistribute it
and/or modify it under the terms of the GNU General Public License
as published by the Free Software Foundation \, either version 3 of
the License \, or (at your option) any later version.;
#X text 58 168 This program is distributed in the hope that it will
be useful \, but WITHOUT ANY WARRANTY \; without even the implied warranty
of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
General Public License for more details.;
#X text 57 261 You should have received a copy of the GNU General Public
License along with this program. If not \, see <http://www.gnu.org/licenses/>.
;
#X text 61 54 Copyright (C) 2009 \, Reality Jockey Ltd.;
#X text 60 325 See the file LICENSE.txt for the full license text.
;
#X restore 602 59 pd LICENSE-GPL;
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| 15 |
workspace/__brutopolis___.pd | #N canvas 0 42 1920 1015 10;
#X obj 148 4 loadbang;
#X obj 148 26 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1
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#X obj 87 79 metropolis;
#X obj 85 245 dev/drumbrute;
#X msg 87 60 4;
#X msg 148 60 112;
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| 31 |
doc/5.reference/metro-help.pd | #N canvas 790 42 646 825 12;
#X obj 89 17 metro;
#X floatatom 179 469 4 0 0 0 - - - 0;
#X msg 40 272 1;
#X text 108 273 nonzero number or "bang" to start;
#X msg 81 305 0;
#X msg 72 272 bang;
#X msg 114 305 stop;
#X text 140 16 - metronome;
#X obj 70 532 bng 25 250 50 0 empty empty empty 17 7 0 10 #fcfcfc #000000
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#X text 198 525 - delay time (float);
#X text 199 543 - tempo (float) and time unit (symbol) as in "tempo"
message;
#X text 51 785 see also:;
#X obj 171 785 timer;
#X obj 302 701 metro 1 120 permin, f 19;
#X obj 260 651 tgl 20 0 empty empty empty 17 7 0 10 #fcfcfc #000000
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#X obj 302 733 bng 25 250 50 0 empty empty empty 17 7 0 10 #fcfcfc
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#X obj 124 785 delay;
#X text 387 785 Updated for Pd version 0.48;
#X text 152 304 zero or "stop" to stop;
#X obj 432 654 /;
#X msg 432 629 1 \$1;
#X msg 432 597 0.5;
#X msg 468 597 1;
#X msg 397 597 4;
#X text 499 595 beat length;
#X msg 302 651 tempo \$1 permin;
#X floatatom 302 615 5 0 0 0 - - - 0;
#X text 194 506 <= optional creation arguments:;
#X text 42 216 These symbols can also be preceeded by "per" (as in
"permin" \, "permsec" \, etc.) In this case \, 60 permin means 1/60
min (hence \, the same as 'BPM')., f 78;
#X text 61 149 - millisecond (msec for short) \; - seconds (sec) \;
- minutes (min) \; - samples (samp) - depends on the sample rate the
patch is running, f 67;
#X msg 129 342 tempo 0.5 msec;
#X text 239 335 set units to 1/2 millisecond so that '1000' gives a
time interval of 500 msec (1/2 second)., f 47;
#X msg 138 370 tempo 2 permillisecond;
#X text 284 396 same as 1 msec \, so '1000' is a second.;
#X text 301 370 this is the same as above.;
#X text 155 422 Note that if the tempo is changed while the metro is
running \, the change is applied right away to the remaining fraction
of the beat., f 67;
#X text 218 463 right inlet sets the time (if the metro is running
\, it only takes affect in the next beat)., f 52;
#X obj 70 506 metro 500 1 msec;
#X text 61 697 A metronome at intervals of one beat at 120 beats per
minute:, f 31;
#X floatatom 432 677 5 0 0 0 - - - 0;
#X text 207 654 on/off;
#X text 206 614 change tempo;
#X msg 149 397 tempo 0.001 second;
#X obj 219 785 text sequence;
#X text 29 48 The metro object sends a series of bangs at regular time
intervals. The left inlet takes a nonzero number or "bang" to start
and 0 or 'stop' to stop it. The time is set via the right inlet or
first argument. The default time unit is 1 millisecond but you can
change this via the 2nd and 3rd argument or the "tempo" message (as
in [timer] \, [metro] and [text sequence]) \, by setting a different
tempo number and a time unit symbol. Possible symbols are:, f 83;
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| 84 |
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| 52 |
crawly/data/Max Christiansen.pd | {"Schussfuss": "rechts", "Alter": "19", "Schuhgroesse": "n.a.", "Nationalitaet": "Deutschland", "ImTeamSeit": "09.01.2015", "Ausruester": "n.a.", "Position": "DefensivesMittelfeld", "PictureURL": "playerimg/Max%20Christiansen.jpg", "Spielerberater": "ASBW Sport Marketing", "Verein": "FC Ingolstadt 04", "AktuellerMarktwert": "700 Tsd. \u20ac", "Geburtsort": "Flensburg", "VertragBis": "30.06.2018", "Name": "Max Christiansen", "Schuhmodell": "n.a.", "Geburtsdatum": "25.09.1996", "Groesse": "1,88 m", "HoechsterMarktwert": "700 Tsd. \u20ac"} | 1 |
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#X obj 449 687 metro 37.7;
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#X text 706 479 -off;
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#X text 37 58 Amplitude-based Detrending Slicer;
#X text 38 96 This class implements an amplitude-based slicer \, with
various customisable options and conditions to detect relative amplitude
changes as onsets., f 121;
#N canvas 760 23 651 739 a_musical_example 0;
#X obj 33 29 loadbang;
#X obj 33 71 soundfiler;
#X obj 137 69 array define ampslice_drums;
#X obj 34 196 *~, f 11;
#X obj 34 156 /~;
#X msg 33 113 1;
#X obj 34 177 phasor~;
#X obj 34 215 tabread~ ampslice_drums;
#X obj 30 717 dac~;
#X obj 134 112 samplerate~;
#X obj 108 131 / 1;
#X obj 117 555 / 1;
#X obj 117 532 * 1000;
#X obj 41 237 delwrite~ ampslicedel2 1000;
#X obj 116 576 delread~ ampslicedel2;
#X obj 30 509 fluid.ampslice~;
#X text 164 275 a sort of click on the right \, relative envelope mostly
\, with a gate, f 67;
#X text 31 7 Amplitude followers love drums;
#X obj 30 689 *~;
#X obj 55 690 *~;
#X obj 256 639 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
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#X obj 33 92 t b f b;
#X msg 33 50 read -resize media/Nicol-LoopE-M.wav ampslice_drums;
#X msg 164 292 reset \, slowrampup 4410 \, slowrampdown 4410 \, onthreshold
10 \, offthreshold 5 \, fastrampup 10 \, fastrampdown 2205 \, minslicelength
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#X text 170 699 sonify state;
#X text 534 627 computed latency is max of latency-inducing attributes
;
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#X msg 83 71 dir 0 docs/fluid.ampslice~.html;
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#X text 605 135 launch the HTML doc->;
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#X msg 42 300 reset;
#X msg 113 365 reset \, offthreshold 7 \, getlatency;
#X msg 158 417 reset \, offthreshold 7 \, minslicelength 220 \, getlatency
;
#X text 39 271 2) the default settings thresholds on the same value
of the difference between a slow and a fast envelope;
#X text 110 338 3) beware of double trigger at the begining of the
cycles. A solution: Schmidth triggers, f 58;
#X text 153 398 4) better still \, adding a minslicelength sorts it
all;
#X text 136 203 1) Our source here is a sinewave that does not go to
silence and has sharp-ish amplitude bumps as onsets we try to track
;
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| 181 |
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| 63 |
Assets/StreamingAssets/PdAssets/SpatialisationPatches/FilteredNoise-ADC.pd | #N canvas -2 28 471 717 10;
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#X obj 15 331 dac~;
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#X obj 33 169 vline~;
#X obj 33 99 random 200;
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#X msg 160 176 2 250;
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#X obj 15 214 *~;
#X text 69 258 <- This section is what;
#X text 88 268 ensures our noise is;
#X text 88 279 spatialised in Unity;
#X text 108 305 Click here for an;
#X text 140 317 explanation:;
#N canvas 464 55 1066 681 explanation 0;
#X text 9 20 AudioSource Components.;
#X text 10 6 By default \, Unity only spatialises;
#X text 6 54 the AudioSource in a GameObject's chain;
#X text 7 66 will not have their output spatialised.;
#X text 8 43 Any sound generating Components following;
#X text 7 107 system by using a special soundfile;
#X text 4 119 (SpatialiserFix.wav) in the AudioSource \,;
#X text 7 131 and feeding the output of the AudioSource;
#X text 5 143 (which Unity has now spatialised for us);
#X text 8 156 into the audio input of our PD patch.;
#X text 8 96 To get around this we need to cheat the;
#X text 7 195 constant dc value of +1 (for this reason;
#X text 7 207 you should NOT attempt to play it through;
#X text 7 221 your speakers). When Unity applies its;
#X text 6 234 default spatialisation to it \, this gives;
#X text 8 246 us a stereo input which effectively;
#X text 7 259 contains the levels of the left & right;
#X text 8 270 channels for our patch.;
#X text 8 183 The SpatialiserFix file contains a;
#X text 6 309 output by these levels then gives us a;
#X text 6 321 correctly spatialised output.;
#X text 7 297 Simply multiplying our patch's stereo;
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#X obj 31 177 *;
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#X msg 82 33 bang;
#X obj 75 186 s RightOutput;
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#X text 322 59 AudioSource;
#X text 354 130 Unity;
#X text 293 141 Spatialisation:;
#X text 319 212 AudioSource;
#X text 347 223 Output:;
#X text 290 3 Effectively \, what we are doing is:;
#X text 291 71 Soundfile Input:;
#X text 437 288 |;
#X text 437 296 v;
#X text 376 309 Fed to our patch via;
#X text 391 321 its adc~ object.;
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| 137 |
app/src/main/res/raw/synthpatch/csymbol-help.pd | #N canvas 599 200 470 337 10;
#X text 355 -5 PD for LIBPD;
#X text 356 7 Chris Penny;
#N canvas 51 243 403 221 META 0;
#X text 12 25 LICENSE SIBSD;
#X text 12 5 KEYWORDS complex math;
#X text 13 82 OUTLET list;
#X text 13 122 AUTHOR Chris Penny;
#X text 13 142 WEBSITE http://www.intrinsic-audio.com;
#X text 13 162 RELEASE_DATE 2015;
#X text 13 182 HELP_PATCH_AUTHORS Chris Penny. This help patch was
created for the PD for LIBPD framework.;
#X text 13 102 LIBRARY PD for LIBPD;
#X text 12 45 DESCRIPTION complex symbol;
#X text 12 65 INLET_0 float list;
#X restore 400 301 pd META;
#X text 28 278 Related Patches:;
#X obj 164 298 cexp;
#X obj 272 298 complex;
#X text 158 278 Complex Arithematic;
#X obj 67 298 csub;
#X obj 36 298 cadd;
#X obj 98 298 cmult;
#X obj 134 298 cdiv;
#X floatatom 90 173 5 0 0 0 - - -;
#X msg 111 139 2 4;
#X obj 151 132 complex;
#X floatatom 190 108 5 0 0 0 - - -;
#X floatatom 151 107 5 0 0 0 - - -;
#X text 136 106 Re;
#X text 221 108 Im;
#X text 199 132 <- build complex numbers;
#X text 31 172 x + 0i ->;
#X text 50 138 2 + 4i ->;
#X obj 194 298 cmag;
#X msg 218 159 3 4;
#X msg 179 158 1 1;
#X obj 151 200 csymbol;
#X obj 151 220 print COMPLEX_NUMBER;
#X obj 224 298 csymbol;
#X text 5 2 [csymbol] - Format a complex number for printing;
#X obj 101 217 lset;
#X msg 101 240;
#X text 34 49 Complex Symbol: Formats the complex number pair as "a
+ bi" for clearer printing & debugging.;
#X text 244 159 <- 3 + 4i;
#X obj 320 298 cconj;
#X connect 11 0 24 0;
#X connect 12 0 24 0;
#X connect 13 0 24 0;
#X connect 14 0 13 1;
#X connect 15 0 13 0;
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#X connect 28 0 29 0;
| 57 |
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#X text 181 384 signal;
#X text 181 445 signal;
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#X text 145 507 1) float - threshold in dBFS (default -100);
#X text 145 525 2) float - attack/release time in ms (default 10);
#X text 115 479 -size <float>;
#X text 187 409 float;
#X obj 285 249 else/out~;
#X obj 420 178 nbx 5 14 -100 0 1 0 empty empty empty 0 -8 0 10 #dcdcdc
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#X obj 285 126 else/player~ violin.wav 1 1, f 14;
#X obj 163 168 else/meter~;
#X text 61 86 [noisegate~] is a noise gate abstraction. It takes a
threshold in dBFS in which it only audio through that has a RMS value
over that threshold., f 62;
#X text 415 161 threshold;
#X text 385 176 dBFS;
#X text 230 384 - signal to be gated;
#X text 229 408 - threshold in dBFS;
#X text 230 445 - gated signal;
#X text 201 479 - sets analysis window size in samples (default 512)
;
#X obj 163 315 else/out~;
#X text 102 332 original;
#X obj 285 204 else/noisegate~ -20 200;
#X text 385 264 gated;
#X connect 27 0 39 1;
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#X connect 29 0 37 0;
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| 73 |
Live-Electronics-Tutorial/Part.04-Control/14-Triggers-LFO-LFNoise/1.Impulse-Pulse(Triggers).pd | #N canvas 456 87 909 778 12;
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#X obj 155 201 pulse~ 1;
#X obj 247 539 dust~ 1;
#X obj 334 539 dust2~ 1;
#X obj 92 568 out~;
#X obj 569 211 nbx 5 14 -50 50 0 0 empty empty empty 0 -8 0 10 -228856
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#X obj 569 243 randpulse~ 1;
#X obj 691 211 nbx 5 14 -50 50 0 0 empty empty empty 0 -8 0 10 -228856
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#X obj 691 243 randpulse2~ 1;
#X obj 38 202 impulse~ 1;
#X obj 226 713 impulse 1;
#X obj 320 713 pulse 1;
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#X obj 92 538 tempo~ 60 100 -on;
#X obj 86 713 tempo 60 100 -on;
#X text 34 645 The ELSE library also provides control version objects
for impulse and pulse generators. In the case of [impulse] and [tempo]
\, the outputs are bangs.;
#X obj 155 228 rand.i~ 10 20;
#X obj 38 229 rand.i~ 10 20;
#X obj 770 77 setdsp~;
#X obj 713 18 declare -path else;
#X obj 696 391 randpulse2 1;
#X obj 580 391 randpulse 1;
#X floatatom 580 430 8 0 0 0 - - -;
#X obj 696 430 tgl 18 0 empty empty empty 17 7 0 10 -228856 -1 -1 1
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#X obj 247 568 out~;
#X obj 569 282 display~;
#X obj 691 282 display~;
#X obj 155 255 display~;
#X obj 38 256 display~;
#X text 20 103 It all depends on how the triggered object was programmed.
The [rand.i~] object is trigered at positive to negative or negative
to positive transitions \, so you can use either an impulse or a gate
to trigger it., f 61;
#X text 20 10 Pulse and Impulse generators are widely used to control
patches as "triggers". The ELSE library has many objects that respond
to them. A single impulse (as given by [impulse~]) can be thought of
as a "bang" \, whereas pulses (as given by the [pulse~] object) are
called 'gates' \, which can be thought of as on/off switches \, like
a toggle., f 61;
#X obj 355 171 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
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#X obj 355 196 imp~ 1;
#X obj 355 228 trig.delay~ 700;
#X obj 268 254 out~;
#X text 35 330 The [trig.delay~] object also responds to impulses and
gates. It is triggered by a non-positive (zero or negative) to positive
transition and sends an impulse delayed by a given time in ms. Check
its help file.;
#X text 242 407 see also:;
#X obj 316 406 trig.delay2~;
#X text 34 452 Many objects in the ELSE library generate impulses or
gates. The [tempo~] object is a metronome that sends impulses \, [dust~]
and [dust2~] also generate impulses \, but at random intervals and
with random values.;
#X text 540 340 Control versions are also available:;
#X text 542 78 [randpulse~] generates random gate values and [randpulse2~]
alternates between entre 0 e 1 at irregular time intervals, f 25;
#X obj 526 613 randpulse~ 0.5 0.25;
#X obj 526 674 gatehold~ 500;
#X obj 526 640 display~ 8;
#X obj 526 706 display~ 8;
#X obj 706 612 randpulse~ 0.5 0.25;
#X obj 706 639 display~ 8;
#X obj 706 705 display~ 8;
#X obj 706 673 trighold~ 500;
#X text 516 493 The [gatehold~] object holds (or 'delays') a gate value
for a certain amount of time (specified in ms) after the gate has closed.
On the other hand \, [trighold~] holds the value of a trigger. Check
the help files., f 49;
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| 106 |
Camomile-ELSE_plugin/LiVoArpeggiator/list-abs/list-makefilename.pd | #N canvas 424 89 624 640 10;
#X msg 119 113 1 2 3 4 a b c;
#X text 251 117 <- click to test;
#X obj 196 386 list;
#X obj 77 499 list;
#X obj 100 385 list prepend;
#X obj 78 150 t b a b;
#X obj 122 178 s \$0-reset-result;
#X obj 179 357 r \$0-reset-result;
#X text 260 177 clear result list;
#X text 181 204 "Drip" (serialize) the list;
#X text 258 389 Repack the list (think of the counter);
#X text 124 496 Final result is built here;
#X obj 78 81 inlet;
#X obj 223 248 inlet;
#X obj 77 530 outlet;
#X obj 100 231 route symbol;
#X obj 100 334 makefilename \$1;
#X text 202 228 only work on symbols;
#X obj 223 272 symbol;
#X msg 223 293 set \$1;
#X text 148 27 Use as "list-makefilename makefilename-arg". Right inlet
can be used to change the arg to makefilename. Please only use symbol
placeholders (== "%s");
#X obj 100 202 list-drip;
#X connect 0 0 5 0;
#X connect 2 0 4 1;
#X connect 3 0 14 0;
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| 42 |
doc/2.control.examples/11.review.pd | #N canvas 255 248 675 539 12;
#X text 406 511 updated for Pd version 0.34;
#X obj 39 232 receive;
#X obj 39 203 send;
#X obj 39 289 pack;
#X obj 111 233 r;
#X obj 82 203 s;
#X obj 40 348 timer;
#X obj 40 60 float;
#X obj 39 175 select;
#X obj 40 89 +;
#X obj 40 117 >=;
#X obj 39 146 print;
#X obj 39 260 trigger;
#X obj 95 61 f;
#X obj 100 176 sel;
#X obj 111 259 t;
#X obj 39 318 unpack;
#X obj 40 435 pipe;
#X obj 40 377 delay;
#X obj 40 406 metro;
#X text 20 8 So far we've seen the following objects \, some of which
have abbreviations. Right click on any one to get reference documentation:
;
#X text 150 205 wireless message send;
#X text 151 229 wireless message receive;
#X text 145 175 test for two equal numbers;
#X text 151 258 control message order and format;
#X text 148 293 combine atoms (e.g. \, numbers) into a list;
#X text 146 319 take a list apart into atoms;
#X text 146 146 printout;
#X text 147 90 arithmetic;
#X text 75 89 (etc.);
#X text 74 117 (etc.);
#X text 145 117 comparison;
#X text 145 60 store a number;
#X text 145 348 measure elapsed time;
#X text 145 379 pass a message after delay;
#X text 145 437 multiple delay;
#X text 143 409 repeated message;
#X text 38 473 There are many others... you can see a complete list
in INTRO.txt in the reference patches (../5.reference).;
| 42 |
shotnoise~.pd | #N canvas 485 243 887 570 10;
#X obj 178 42 noise~;
#X obj 172 146 *~;
#X obj 248 106 poisson~;
#N canvas 908 335 450 300 lowpass 0;
#X obj 121 71 inlet~;
#X obj 110 193 outlet~;
#X obj 243 59 block~ 512 1 16;
#X obj 150 110 *~ 16;
#X obj 113 142 iemlib/lp3_butt~ 8000;
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#X restore 257 158 pd lowpass;
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#X msg 451 225 bypass \$1;
#X msg 343 224 roomsize 0.85;
#X obj 346 178 loadbang;
#X msg 312 28 20000;
#X floatatom 336 101 5 0 0 0 - - -, f 5;
#X obj 306 70 * 0.000324;
#X obj 313 128 sig~;
#X obj 247 342 outlet~;
#X obj 368 15 loadbang;
#X obj 367 39 f \$2;
#X obj 309 49 * \$1;
#X msg 339 201 dry 0;
#X obj 308 344 outlet~;
#X obj 178 206 *~ 0;
#X text 43 398 v 0.9;
#X text 17 376 (C) Paulo Casaes \, 2014 Apache License 2;
#X obj 493 129 print shotnoise~ depends on;
#X obj 496 82 loadbang;
#X msg 500 105 iemlib \, freeverb~;
#X obj 177 256 freeverb~/freeverb~;
#X obj 396 303 iemlib/para_bp2~ 15000 -6 0.5;
#X obj 263 298 iemlib/bp2~ 3000 1;
#X obj 130 299 iemlib/bp2~ 3000 1;
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| 68 |
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#X obj 90 -17 inlet IMAGINARY;
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#X obj 90 46 t b f;
#X obj 72 91 outlet COMPLEX_NUMBER;
#X obj 130 3 loadbang;
#X obj 130 45 f \$1;
#X obj 162 45 f \$2;
#X obj 130 24 t b b;
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| 20 |
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#X obj 124 179 outlet;
#X msg 100 52 version 0.3.5;
#X obj 255 138 outlet ext;
#X obj 219 80 inlet ext;
#X obj 59 179 outlet;
#X obj 11 52 inlet ctrl;
#X obj 58 117 mmm-ctrl \$1 \$2 \$3 \$4 \$5 \$6 \$7;
#X text 10 8 [mmm-controller \$1-\$2 <number> <name> <rangefrom> <rangeto>
<init> <type>];
#X obj 350 41 loadbang;
#X obj 350 63 list append \$1-\$2-\$4;
#X obj 351 110 print warning;
#X msg 350 86 please change mmm-controller to mmm-ctrl;
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| 22 |
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#X obj 16 4 cyclone/comment 0 33 DejaVu\ Sans\ Mono empty 0 0 0 0 0
255 255 255 0 0 buffer~;
#X obj 322 28 cyclone/comment 0 13 DejaVu\ Sans\ Mono empty 0 224 228
220 0 255 255 255 0 0 Objects cloned from Max/MSP;
#X obj 363 4 cyclone/comment 0 24 DejaVu\ Sans\ Mono empty 0 224 228
220 0 255 255 255 0 0 cyclone;
#X text 201 323 (none);
#X text 176 367 - audio file to load (optional), f 60;
#X text 103 367 2) symbol;
#X text 103 382 3) float;
#X text 103 398 4) float;
#N canvas 460 160 804 460 related 0;
#X obj 571 53 cyclone/buffir~;
#X obj 570 98 cyclone/lookup~;
#X obj 570 122 cyclone/index~;
#X obj 570 145 cyclone/peek~;
#X obj 570 190 cyclone/poke~;
#X obj 570 168 cyclone/play~;
#X obj 570 211 cyclone/record~;
#X text 426 20 Cyclone has several objetcs that work in conjunction
with [buffer~] \, they are:;
#X msg 111 53 open;
#X text 144 54 <= check internal array;
#X text 62 146 Similar to:;
#X text 260 147 <= click to open;
#X obj 60 209 soundfiler;
#X obj 60 177 cyclone/loadmess read -resize violin.wav vanilla_\$0
;
#X obj 146 147 table vanilla_\$0;
#X text 25 341 On the other hand \, for single or "mono" buffers \,
a buffer named "test" has an internal array also named: "test"., f
60;
#X obj 570 76 cyclone/cycle~;
#X obj 571 234 cyclone/wave~;
#X text 429 270 All of them will work with mono or multi channel buffers.
When trying to access the first channel of a buffer \, they look for
a table name with the same name as the argument (for single channel
buffer compatibility). If not found \, then they look for the first
channel of a multi channel [buffer~] (the buffer name preeceded by
"0-").;
#X text 25 376 You can use pd vanilla's objects (such as [tabreceive~]
\, [tabplay~] \, [tabread4~] and so on) to access the internal arrays
of a buffer. In the case of a multi channel buffer \, you have to give
it the right table name according to a specific channel., f 60;
#X text 24 16 [buffer~] is similar to pd vanilla's [table] object.
;
#X text 25 269 But [buffer~] is also able to define multi channel arrays
(up to 64). The convention for channel ordering is the buffer name
preceded by the channel number (from 0) and "-". For instance \, a
4 channel [buffer~] named "test" has arrays named as: "0-test" \, "1-test"
\, "2-test" and "3-test"!;
#X text 430 362 Hence \, all of them can also access single channel
arrays specified with a [table] object!;
#X text 428 399 [buffir~] \, [cycle~] and [lookup~] can only access
the first channel of a buffer (single or multi channel) \, while the
others have full multi channel capabilities.;
#X obj 111 80 cyclone/buffer~ cyclone_\$0 violin.wav -1;
#X connect 8 0 24 0;
#X connect 13 0 12 0;
#X restore 434 250 pd related objects;
#N canvas 612 109 787 401 read/write 0;
#X msg 447 63 read;
#X msg 466 94 open;
#X msg 507 95 close;
#X msg 521 123 clear;
#X msg 525 148 readagain;
#X text 548 97 open/close buffer window;
#X text 565 122 clears all channels;
#X text 533 22 read a file specified by a symbol (.wav or .aif/.aiff)
, f 27;
#X msg 531 220 write;
#X text 480 63 without symbol: opens dialog box;
#X msg 428 29 read stereo.aif;
#X msg 532 181 write test.wav;
#X text 588 147 reloads the last opened file;
#X text 627 174 writes contents of buffer into a file, f 20;
#X text 578 213 without symbol: opens dialog box, f 17;
#X text 25 35 You can specify a sound file to load as the second argument
ot via the "read" message. Buffer can currently load 'wav' and 'aif/aiff'
sound files.;
#X text 25 89 The "write" mesaage Saves the contents of [buffer~] into
an audio file. A standard file dialog is opened for naming the file
unless the word write is followed by a symbol \, in which case the
file is saved in the current default folder \, using the symbol as
the filename.;
#X text 26 164 You can also specify a sound file format in the symbol
(such as "test.wav" \, but if you don't specify a format \, [buffer~]
will save in same format of the most recently opened audio file or
the last given "filetype" message. By default \, [buffer~] saves in
AIFF format.;
#X text 27 239 For last \, "writeaiff" and "writewave" messages can
write a filename to the specified format.;
#X text 239 327 Numerical values are \; 16 - 16-bit integer (default)
\; 24 - 24-bit integer \;;
#X text 28 297 The "format" message sets the bit depth for writting
files \, it accepts floats or symbols:;
#X text 449 320 symbol values are \; int16 - 16-bit integer (default)
\; int24 - 24-bit integer \; float32 - 32-bit float \;;
#X obj 428 254 cyclone/buffer~ buff2_\$0 -1 2;
#X connect 0 0 22 0;
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#X restore 464 199 pd read/write;
#X obj 268 216 ./out~;
#X msg 254 158 start;
#X msg 120 200 open;
#X obj 23 55 cyclone/comment 0 14 DejaVu\ Sans\ Mono empty 0 0 0 0
0 255 255 255 0 0 Audio buffer;
#X text 74 84 [buffer~] stores audio in a memory buffer. It read/writes
multichannel audio files and can be used in conjunction with [play~]
and other related objects. This is an abstraction without the full
functionalitites from the Max/MSP original.;
#X obj 5 421 cnv 3 550 3 empty empty attributes 8 12 0 13 -228856 -1
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#X text 162 427 @size <float> (sets buffer size in ms), f 44;
#X text 156 442 @samps <float> (sets buffer size in samples), f 45
;
#N canvas 527 168 807 406 functions/generators 0;
#X obj 513 300 loadbang;
#X msg 464 320 open;
#X obj 27 20 cyclone/comment 0 14 DejaVu\ Sans\ Mono empty 0 0 0 0
0 255 255 255 0 0 comment;
#X obj 416 19 cyclone/comment 0 14 DejaVu\ Sans\ Mono empty 0 0 0 0
0 255 255 255 0 0 comment;
#X text 413 139 The message "apply getdeltas" replaces every sample
value with the a new value representing the difference from the previous
sample., f 60;
#X msg 65 313 open;
#X obj 114 312 cyclone/loadmess fill sinc 8;
#X text 413 61 The message "apply gain" plus a float (specifying a
gain value) scales every sample by the given gain coefficient., f
60;
#X text 413 94 The message "apply offset" plus a float (specifying
a constant value offset) adds the offset to every sample in the buffer.
;
#X text 24 61 The word "fill" followed by a float sets every sample
in the [buffer~] to that value.;
#X text 24 97 The fill message can also fill the buffers with a specific
function \, they are: sin (sine) \, cos \, (cosine) \, and sinc.;
#X text 24 135 For sin/cos \, an optional second argument (e.g. "fill
sin 2") can be used to define the number of cycles of the function
used to fill the buffer. An additional optional third argument defines
a rational number of cycles with which to fill the buffer. For instance
\, "fill cos 1 4" fills with a quarter cycle of the cosine function.
;
#X text 24 221 The sinc function requires two arguments that specify
the number of zero crossings and an additional flag that toggles starting
the function at zero (e.g. "fill sinc 4 1").;
#X text 413 187 Apply can also apply evelopes from windowing functions
\, they are: triangle \, hamming \, hanning \, blackman \, welch and
kaiser. An additional "half" argument (e.g. apply blackman half ) applies
only the second half of the window. The kaiser function requires an
alpha parameter in radians \, which precedes the optional half argument
(e.g. "apply kaiser 3.14 half"). The default alpha value is "6".;
#X msg 513 328 fill 1 \, apply hanning;
#X obj 513 352 cyclone/buffer~ window_\$0 @samps 1024;
#X obj 114 344 cyclone/buffer~ gen_\$0 @samps 1024;
#X connect 0 0 14 0;
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#X connect 14 0 15 0;
#X restore 404 225 pd functions/generators;
#X msg 109 172 crop 140 480;
#X msg 38 172 readagain;
#X msg 163 206 wclose;
#N canvas 647 158 511 331 All_Messages 0;
#X text 94 6 clear;
#X text 100 157 open;
#X text 139 6 - fills all arrays with zeros, f 59;
#X text 139 157 - opens buffer supbatch window, f 59;
#X text 139 173 - closes buffer supbatch window, f 59;
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| 215 |
Lab 05 - FM and MIDI/5_FM_&_MIDI.pd | #N canvas 62 68 699 253 12;
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#X text 22 36 We can use notein to grab the data from any midi instrument
listed in Edit>Preferences>MIDI>Input Devices;
#X text 22 83 The data we get is split into;
#X obj 574 99 notein;
#X floatatom 593 157 0 0 0 0 - - -;
#X floatatom 574 180 0 0 0 0 - - -;
#X floatatom 613 132 0 0 0 0 - - -;
#X text 633 158 velocity;
#X text 642 134 channel;
#X text 624 180 note;
#X text 22 112 For now \, we can use [stripnote] to remove note-off
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#X text 22 157 1 - create and connect a [stripnote] object;
#X text 22 186 2 - scale the velocity (0-127) down to a volume level
signal (0-1) by dividing by 127;
#X text 22 231 3 - convert note numbers to frequency. Which object
did we use for this in previous labs?;
#X text 22 276 4 - use [waveSelect~] \, [arUI~] and [output~] to create
a basic MIDI synth. We need to use the velocity value to trigger a
volume level for scaling and a bang for the AR abstraction;
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#X text 21 36 In the previous lab \, we used one wave to control the
amplitude of the other. This time \, we'll drive the frequency of one
wave with another, f 112;
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#X text 429 236 scale modulating signal to be +/- frequency depth;
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#X text 65 363 Adding signals gives +/- depth in Hz around the carrier
frequency \, like a vibrato, f 28;
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#X text 252 270 scale modulating signal to be +/- frequency depth;
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#X text 65 343 Adding signals gives +/- depth in Hz around the carrier
frequency \, like a vibrato, f 28;
#X obj 25 442 osc~;
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#X text 21 36 Make a simple FM abstraction from the code in the previous
example, f 112;
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#N canvas 156 22 1186 773 Monophonic 0;
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#X text 21 36 Make a playable monophonic synth using the library version
of our new abstraction. This time we get our carrier frequency from
[notein] and to keep the tone consistent for any note \, the modulator
will be a multiple of the carrier., f 112;
#X text 21 124 2 - create [simpleFM~] and [ar~] abstractions;
#X text 21 153 3 - multiply frequency by modulator ratio (we need a
value if either note changes), f 45;
#X text 21 198 4- connect [simpleFM~] with relevant values;
#X text 21 227 5 - split the volume value into a triggered bang and
float, f 45;
#X text 21 272 6 - connect [ar~];
#X text 21 301 7 - use signal rate multiply objects to scale the FM
signal by the volume and envelope, f 46;
#X text 21 346 8 - test!;
#X text 21 96 1 - convert MIDI to freq / vol;
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#X text 5 39 Let's talk through how what we just did becomes the abstraction
below. In the next lab \, we'll use this to get beyond single-voice
synths., f 43;
#X restore 403 152 pd Another Abstraction!;
| 192 |
Classes/camomile/resonclone.pd | #N canvas 588 157 587 286 10;
#X declare -path else;
#X obj 165 226 outlet~;
#X obj 165 174 *~;
#X text 315 106 Part of ELSE \; https://github.com/porres/pd-else;
#X text 317 87 Alexandre Torres Porres (2017);
#X text 319 151 This is an abstraction used on the [bpbank~] object
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#X obj 236 94 f2s~;
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#X obj 131 57 route freq decay amp ramp;
#X obj 343 54 declare -path else;
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| 28 |
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#X text 593 486 Como saque 3426 \, la duracion de 8beats de TEQUIERO
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#X text 796 283 AUH \, YEAH! \; 4beats;
#X text 556 283 TE QUIERO... \; 8beats;
#X text 254 275 SKRILLEX Y METRO \; 75 segundos;
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#X obj 136 254 *~ 0.5;
#X obj 136 279 -~ 0.0833;
#X obj 223 254 *~ 0.5;
#X obj 311 254 *~ 0.5;
#X obj 223 279 -~ 0.0833;
#X obj 311 279 -~ 0.0833;
#X text 96 558 Here we combine three parabolic waves (in the same way
as \, two patches ago \, we combined sawtooth waves). The parabolic
wave is obtained from the sawtooth wave (assuming it runs from -0.5
to 0.5) by the formula: y=x*x/2 - 1/12. This is normalized so that
the corner has a slope change of minus one unit per cycle \, and adjusted
to remove any DC component., f 65;
#X text 96 653 In general \, the segments of the result will be curved
\, but if the three magnitudes sum algebraically to zero \, the segments
will be linear., f 65;
#X text 407 118 0.25;
#X text 398 235 -0.25;
#X text 96 703 Note the reduced scale of the graph (from -0.25 to 0.25)
compared to the previous examples., f 65;
#X text 50 22 MAKING WAVEFORMS WITH CORNERS USING PARABOLIC WAVES;
#X connect 0 0 1 0;
#X connect 1 0 38 0;
#X connect 1 0 38 1;
#X connect 7 0 0 0;
#X connect 8 0 7 1;
#X connect 9 0 8 0;
#X connect 10 0 12 1;
#X connect 11 0 10 0;
#X connect 12 0 31 0;
#X connect 13 0 14 0;
#X connect 14 0 39 0;
#X connect 14 0 39 1;
#X connect 15 0 13 0;
#X connect 16 0 15 1;
#X connect 17 0 16 0;
#X connect 18 0 20 1;
#X connect 19 0 18 0;
#X connect 20 0 31 1;
#X connect 21 0 22 0;
#X connect 22 0 40 0;
#X connect 22 0 40 1;
#X connect 23 0 21 0;
#X connect 24 0 23 1;
#X connect 25 0 24 0;
#X connect 26 0 28 1;
#X connect 27 0 26 0;
#X connect 28 0 32 1;
#X connect 31 0 32 0;
#X connect 32 0 6 0;
#X connect 32 0 5 0;
#X connect 32 0 5 1;
#X connect 33 0 34 0;
#X connect 34 0 6 0;
#X connect 35 0 7 0;
#X connect 35 0 15 0;
#X connect 35 0 23 0;
#X connect 36 0 35 0;
#X connect 38 0 41 0;
#X connect 39 0 43 0;
#X connect 40 0 44 0;
#X connect 41 0 42 0;
#X connect 42 0 12 0;
#X connect 43 0 45 0;
#X connect 44 0 46 0;
#X connect 45 0 20 0;
#X connect 46 0 28 0;
| 112 |
RjDj Scene Composer Pack/Scenes/rjdj_scenes/NightInBarcelona.rj/preset-editor/4m-shear.pd | #N canvas 82 22 950 481 10;
#X obj 775 228 makesymbol %s;
#X obj 35 268 r gemmm;
#X obj 28 71 r~ 1-nothing;
#X obj 128 71 r~ 1-nothing;
#X obj 117 328 spigot;
#X obj 177 328 spigot;
#X obj 102 248 == 0;
#X obj 154 248 == 1;
#X obj 214 248 == 2;
#X obj 35 328 spigot;
#X obj 872 228 * 0.02;
#N canvas 567 372 260 182 send_gemmm 0;
#X obj 104 19 loadbang;
#X obj 25 99 list prepend;
#X obj 25 139 s gemmm;
#X obj 25 79 inlet;
#X obj 25 119 list trim;
#X obj 104 59 + 1;
#X obj 104 79 makefilename \$1-%d;
#X obj 104 39 f \$2;
#X connect 0 0 7 0;
#X connect 1 0 4 0;
#X connect 3 0 1 0;
#X connect 4 0 2 0;
#X connect 5 0 6 0;
#X connect 6 0 1 1;
#X connect 7 0 5 0;
#X restore 35 438 pd send_gemmm;
#X msg 332 41 symbol off;
#X obj 332 21 sel 0 1 2 3 4 5 6;
#X obj 117 388 shearXY;
#X obj 503 248 * 0.02;
#X obj 177 388 shearXZ;
#X obj 237 328 spigot;
#X obj 237 388 shearYX;
#X obj 274 248 == 3;
#X obj 297 328 spigot;
#X obj 334 248 == 4;
#X obj 297 388 shearYZ;
#X obj 357 328 spigot;
#X obj 357 388 shearZX;
#X obj 417 328 spigot;
#X obj 417 388 shearZY;
#X obj 394 248 == 5;
#X obj 454 248 == 6;
#X obj 503 348 line;
#X obj 526 288 * 0.1;
#X obj 777 268 makesymbol %s;
#X obj 874 268 * 0.1;
#X msg 348 61 symbol XY;
#X msg 364 81 symbol XZ;
#X msg 380 101 symbol YX;
#X msg 397 121 symbol YZ;
#X msg 413 141 symbol ZX;
#X msg 429 161 symbol ZY;
#X obj 503 328 pack;
#X obj 35 288 route \$1-\$2;
#X obj 526 308 mmm-ticks2ms;
#X obj 526 268 mmm-ctrl \$1 \$2 3 glide 0 160 80 ext;
#X obj 503 228 mmm-ctrl \$1 \$2 2 factor -200 200 0 ext;
#X obj 102 218 t a;
#X obj 28 21 mmm-module \$1 \$2 shear 3;
#X obj 28 51 r \$1-\$2L-r;
#X obj 128 51 r \$1-\$2R-r;
#X obj 28 91 s~ \$1-\$2L;
#X obj 128 91 s~ \$1-\$2R;
#X obj 102 198 mmm-ctrl \$1 \$2 1 shear 0 6 0 ext;
#X msg 215 21 version 0.3.5;
#X connect 0 0 43 1;
#X connect 1 0 40 0;
#X connect 2 0 48 0;
#X connect 3 0 49 0;
#X connect 4 0 14 0;
#X connect 5 0 16 0;
#X connect 6 0 9 1;
#X connect 7 0 4 1;
#X connect 8 0 5 1;
#X connect 9 0 11 0;
#X connect 10 0 0 0;
#X connect 12 0 50 1;
#X connect 13 0 12 0;
#X connect 13 1 33 0;
#X connect 13 2 34 0;
#X connect 13 3 35 0;
#X connect 13 4 36 0;
#X connect 13 5 37 0;
#X connect 13 6 38 0;
#X connect 14 0 11 0;
#X connect 15 0 39 0;
#X connect 16 0 11 0;
#X connect 17 0 18 0;
#X connect 18 0 11 0;
#X connect 19 0 17 1;
#X connect 20 0 22 0;
#X connect 21 0 20 1;
#X connect 22 0 11 0;
#X connect 23 0 24 0;
#X connect 24 0 11 0;
#X connect 25 0 26 0;
#X connect 26 0 11 0;
#X connect 27 0 23 1;
#X connect 28 0 25 1;
#X connect 29 0 26 1;
#X connect 29 0 24 1;
#X connect 29 0 22 1;
#X connect 29 0 18 1;
#X connect 29 0 16 1;
#X connect 29 0 14 1;
#X connect 30 0 41 0;
#X connect 31 0 42 1;
#X connect 32 0 31 0;
#X connect 33 0 50 1;
#X connect 34 0 50 1;
#X connect 35 0 50 1;
#X connect 36 0 50 1;
#X connect 37 0 50 1;
#X connect 38 0 50 1;
#X connect 39 0 29 0;
#X connect 40 0 4 0;
#X connect 40 0 5 0;
#X connect 40 0 9 0;
#X connect 40 0 17 0;
#X connect 40 0 20 0;
#X connect 40 0 23 0;
#X connect 40 0 25 0;
#X connect 41 0 39 1;
#X connect 42 0 30 0;
#X connect 42 2 32 0;
#X connect 43 0 15 0;
#X connect 43 2 10 0;
#X connect 44 0 6 0;
#X connect 44 0 7 0;
#X connect 44 0 8 0;
#X connect 44 0 19 0;
#X connect 44 0 21 0;
#X connect 44 0 27 0;
#X connect 44 0 28 0;
#X connect 46 0 2 0;
#X connect 47 0 3 0;
#X connect 50 0 44 0;
#X connect 50 2 13 0;
| 142 |
s4pd-help.pd | #N canvas 1169 -933 695 701 12;
#X obj 19 160 fudiformat -u;
#X obj 19 186 list tosymbol;
#N canvas 276 60 718 617 sending-from-outlets 0;
#X msg 107 142 reset, f 6;
#X obj 10 90 fudiformat -u;
#X obj 10 116 list tosymbol;
#X obj 10 169 s4pd;
#X obj 19 141 r \$0_msg_in;
#X obj 9 66 r \$0_code_in;
#X msg 221 382 (out 0 (list 1 2 3));
#X msg 223 411 (out 0 (list 'a :b "C"));
#X msg 222 438 (out 0 (vector 1 2 3));
#X obj 173 324 s \$0_msg_in;
#X obj 172 198 s \$0_code_in;
#X obj 8 196 print s4pd-out;
#X msg 220 173 (out 0 "a string");
#X msg 222 147 (out 0 'foobaz);
#X msg 222 67 (out 0 1);
#X msg 222 92 (out 0 1.1);
#X msg 222 120 (out 0 :foobar);
#X text 411 122 Quoted symbols \, keywords \, and strings are all sent
as symbol messages, f 32;
#X text 409 69 Send output from outlet 0;
#X text 414 237 Plain messages work for non-nested expressions \, and
non space separated strings, f 32;
#X msg 220 294 out 0 "an error";
#X obj 170 518 s \$0_code_in;
#X msg 212 469 (out 0 (list 'list 'a 'b));
#X msg 221 239 out 0 'hello-world;
#X msg 221 266 out 0 "an-ok-string";
#X text 419 439 Vectors are translated to lists, f 32;
#X text 215 13 Sending values out an s4pd outlet. Click the message
boxes and watch the console.;
#X text 420 470 We can output a list that starts with the symbol 'list
if you need a list selector., f 32;
#X text 420 525 I'm not sure that last example is correct/useful Pd
behaviour. Please get in touch and tell me if not!, f 32;
#X text 417 382 Output lists - they can be of mixed type., f 32;
#X connect 0 0 3 0;
#X connect 1 0 2 0;
#X connect 2 0 3 0;
#X connect 3 0 11 0;
#X connect 4 0 3 0;
#X connect 5 0 1 0;
#X connect 6 0 21 0;
#X connect 7 0 21 0;
#X connect 8 0 21 0;
#X connect 12 0 10 0;
#X connect 13 0 10 0;
#X connect 14 0 10 0;
#X connect 15 0 10 0;
#X connect 16 0 10 0;
#X connect 20 0 9 0;
#X connect 22 0 21 0;
#X connect 23 0 9 0;
#X connect 24 0 9 0;
#X restore 12 469 pd sending-from-outlets;
#N canvas 393 154 613 357 array-io 0;
#X obj 26 125 s code;
#X msg 38 96 (tabw 'array-1 0 .5);
#X msg 27 68 (post "array-1 0:" (tabr 'array-1 0));
#N canvas 0 22 450 278 (subpatch) 0;
#X array array-1 8 float 3;
#A 0 0.5 0 0 0 0 0 0 0;
#X coords 0 1 8 -1 200 140 1;
#X restore 26 174 graph;
#X text 26 23 Read and write to arrays with the tabr and tabw functions
(more coming later!);
#X connect 1 0 0 0;
#X connect 2 0 0 0;
#X restore 13 525 pd array-io;
#N canvas 200 23 785 483 loading-files 0;
#X msg 233 142 load "test-2.scm";
#X msg 237 361 (load-from-path "test-3.scm");
#X msg 232 117 load "scm/test-2.scm";
#X msg 59 216 reset;
#X obj 21 130 fudiformat -u;
#X obj 21 157 list tosymbol;
#X obj 21 106 r \$0_code;
#X obj 32 182 r \$0_in;
#X obj 172 247 s \$0_in;
#X obj 155 414 s \$0_code;
#X msg 233 198 load-from-path "test-2.scm";
#X msg 233 225 load-from-path "test-3.scm";
#X msg 236 310 (load "scm/test-2.scm");
#X msg 237 336 (load "test-2.scm");
#X msg 237 387 (load-from-path "test-2.scm");
#X obj 20 253 s4pd;
#X text 231 177 load-from-path searches the Pd file path.;
#X text 228 97 load requires a correct path relative to working dir
;
#X text 369 143 <- a bad path shows an error;
#X text 234 274 load and load-from-path are just Scheme functions \,
the loading is done by the s7 interpreter.;
#X text 21 12 Examples of loading files. In addition to specifying
a file name as the 2nd argument to s4pd \, we can load files dynamically
with Scheme code. Note that loading files this way does not reset the
interpreter \, so multiple files can be loaded on top of each other.
In s7 \, redefining is permitted., f 97;
#X text 439 222 <- XXX: should show better error message!;
#X connect 0 0 8 0;
#X connect 1 0 9 0;
#X connect 2 0 8 0;
#X connect 3 0 15 0;
#X connect 4 0 5 0;
#X connect 5 0 15 0;
#X connect 6 0 4 0;
#X connect 7 0 15 0;
#X connect 10 0 8 0;
#X connect 11 0 8 0;
#X connect 12 0 9 0;
#X connect 13 0 9 0;
#X connect 14 0 9 0;
#X restore 12 418 pd loading-files;
#N canvas 546 36 643 484 wireless-messages 0;
#X floatatom 14 78 5 0 0 2 my-num my-num -;
#X msg 14 135 :a :b, f 8;
#X obj 85 305 s code;
#X msg 150 82 (send 'my-num 99);
#X floatatom 152 207 5 0 0 0 - - -;
#X msg 152 228 (send 'my-num \$1);
#X msg 151 281 (define dest 'my-num) \, (send dest 42);
#X obj 14 107 r msg-1;
#X msg 152 160 (send 'msg-1 'set 'a 'b 'c);
#X msg 152 133 (send 'msg-1 'set 1 2 3);
#X text 147 263 Make a var called dest and send to it.;
#X text 150 112 Multiple arguments get sent as a Pd list;
#X text 150 324 Doing the same as a plain Pd message.;
#X text 13 10 Send messages to named receivers with the send function.
Receiver names should be quoted symbols or variables that point to
those.;
#X msg 153 374 send 'msg-1 'set var-1 var-2;
#X msg 153 349 define var-1 :a \, define var-2 :b;
#X text 398 350 <- click first!;
#X text 147 62 Send a message to the receiver named my-num;
#X text 150 189 Move the number to send messages!;
#X obj 77 405 s s4pd-in;
#X connect 3 0 2 0;
#X connect 4 0 5 0;
#X connect 5 0 2 0;
#X connect 6 0 2 0;
#X connect 7 0 1 0;
#X connect 8 0 2 0;
#X connect 9 0 2 0;
#X connect 14 0 19 0;
#X connect 15 0 19 0;
#X restore 13 498 pd wireless-messages;
#X obj 19 136 r code;
#X obj 230 327 s code;
#X msg 230 304 (post "hello world!");
#X msg 404 304 (out 0 (+ 1 2 3));
#X floatatom 16 304 5 0 0 0 - - -;
#X obj 17 268 s4pd 2 test.scm;
#X msg 231 435 reset;
#X text 228 398 The reset message reboots the s7 intepreter and reloads
s4pd.scm and the file used as an argument.;
#X msg 367 563 out 0 my-var;
#X msg 230 563 define my-var 333;
#X text 227 495 Sending s4pd a message that starts with a symbol will
evaluate the message as Scheme code \, as if it's surrounded by parentheses.
Any symbols will be taken to be variable names unless quoted. This
allows easy one-liners.;
#X symbolatom 66 304 11 0 0 0 - - -;
#X msg 479 563 out 1 'quoted-sym;
#X text 227 353 This can be used to send the s4pd object code from
your editor by sending it as osc strings over the network.;
#X text 223 228 To send s4pd Scheme code while it runs \, use fudiformat
and tosymbol to convert it to one quoted string. s4pd interpets the
'symbol' message as a request to evaluate the contents as Scheme.;
#N canvas 1270 -1015 861 802 scheduling-events 1;
#X obj 21 163 s code;
#X obj 23 495 s code;
#X obj 21 611 s code;
#X obj 407 123 loadbang;
#X obj 405 167 s code;
#X msg 406 145 (define my-var 99);
#X text 20 434 To make a zero-argument function from some other function
\, we can use lambda., f 51;
#X msg 406 461 (set! my-var \$1);
#X floatatom 406 436 5 0 0 0 - - -;
#X obj 406 487 s code;
#X text 455 435 Widget to change my-var;
#X text 472 122 Ensure my-var defined;
#X obj 21 732 s code;
#X floatatom 257 685 5 0 0 0 - - -;
#X obj 257 734 s code;
#X msg 257 708 (define (future-fun)(out 0 \$1));
#X obj 23 273 s code;
#X text 20 201 Delay returns a handle we can use to cancel it, f 51
;
#X obj 22 394 s code;
#X msg 35 368 (clear-delays);
#X msg 21 123 (define (post-my-var)(post 'my-var: my-var)) \, (delay
1000 post-my-var), f 46;
#X msg 23 222 (define handle (delay 1000 (lambda()(out 0 my-var))))
;
#X msg 71 248 (cancel-delay handle);
#X msg 160 368 reset;
#X obj 160 393 s s4pd-in;
#X msg 22 344 (delay 1000 (lambda()(post :one))) \, (delay 1500 (lambda()(post
:two))), f 72;
#X text 19 323 Cancel all running delays with clear-delay. resetting
also clears all delays., f 78;
#X text 20 533 Or capture the current value of my-var and use this
in the future with a let-over-lambda closure. (try moving the widget!)
, f 75;
#X text 21 648 To use a *function* as it will be in the future \, we
can wrap a call to eval in a lambda. Click on the right before the
time elapses to define it., f 74;
#X text 314 687 Widget to change future-fun;
#X msg 23 470 (delay 3000 (lambda()(out 0 my-var)));
#X msg 21 568 (delay 3000 (let ((captured-my-var my-var)) (lambda()(out
0 captured-my-var)))), f 54;
#X msg 21 685 (delay 3000 (lambda() (eval '(future-fun)))), f 26;
#X text 18 8 Schedule functions to run in the future with delay. Delay
takes 2 args: time to delay in ms \, and a function that must be callable
with no arguments. Note that if have log-null on \, you will see the
gensym handle for the delay instance logged to the console. Important:
the delay function uses infrastructure defined in Scheme \, in s4pd-schedule.scm.
If you did not ensure that the s4pd scm directory is on your Pd file
path \, these will not work. If it loaded correctly \, the global variable
s4pd-schedule-loaded will be #true., f 98;
#X connect 3 0 5 0;
#X connect 5 0 4 0;
#X connect 7 0 9 0;
#X connect 8 0 7 0;
#X connect 13 0 15 0;
#X connect 15 0 14 0;
#X connect 19 0 18 0;
#X connect 20 0 0 0;
#X connect 21 0 16 0;
#X connect 22 0 16 0;
#X connect 23 0 24 0;
#X connect 25 0 18 0;
#X connect 30 0 1 0;
#X connect 31 0 2 0;
#X connect 32 0 12 0;
#X restore 13 551 pd scheduling-events;
#N canvas 322 23 728 745 logging-to-console 0;
#X obj 12 337 s code;
#X msg 12 311 (post "hello world" 1 1.2 :a-keyword);
#X obj 14 425 s code;
#X obj 13 558 s code;
#X msg 14 508 (post (list 1 :two "three" '(:a :nested :list)));
#X msg 14 400 (post 'symbol-1 (quote symbol-2) :a-keyword-is-a-symbol)
;
#X msg 13 646 post "this-one-is-ok" 1 2.25 'three :four;
#X msg 21 670 post "this is not ok";
#X msg 195 671 post "should\\\ be\\\ ok\\\,\\\ but\\\ buggy";
#X text 6 10 Examples of posting to the Pd console. Note that these
send to the s4pd instance of the parent patch., f 82;
#X text 11 366 Posting quoted symbols prints the symbol name. Keywords
start with a colon and are symbols that act like they are always quoted.
, f 67;
#X text 11 595 When posting from plain messages (not parenthesized
code) \, strings without spaces are fine \, as they are still one atom
to Pd \, but strings with spaces are buggy still (to be fixed), f
67;
#X text 11 473 Posting lists \, vectors \, hash-tables \, and pairs
will use their printed repr with parens., f 67;
#X msg 23 532 (post (hash-table :a 1 :b 2 :c (cons :d :e)));
#X obj 13 146 s s4pd-in;
#X text 6 51 By default \, s4pd logs return values from evaluation
to the Pd console \, including null values \, shown as (). You can
turn these on and off with messsages to s4pd., f 82;
#X obj 13 100 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
1;
#X obj 16 221 s s4pd-in;
#X obj 16 175 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
1;
#X obj 150 146 s code;
#X text 10 277 When sending parenthesized code \, we can post pretty
much any type \, including strings with spaces;
#X obj 150 219 s code;
#X msg 150 196 (define n '());
#X msg 16 196 log-null \$1;
#X msg 13 121 log-repl \$1;
#X msg 150 122 (define v 42);
#X text 269 105 Evaluating an expression will print the value returned
if logging reply return values is on. Define returns the value defined
\, so we see 42 log-repl is on by default.;
#X text 269 174 Evaluating expressions that return the null list \,
<unspecified> \, or a gensym \, will only print to the console if log-null
is on (off by default). gensyms are returned by delay calls \, so scheduling
can log many of them.;
#X obj 11 700 s s4pd-in;
#X connect 1 0 0 0;
#X connect 4 0 3 0;
#X connect 5 0 2 0;
#X connect 6 0 28 0;
#X connect 7 0 28 0;
#X connect 8 0 28 0;
#X connect 13 0 3 0;
#X connect 16 0 24 0;
#X connect 18 0 23 0;
#X connect 22 0 21 0;
#X connect 23 0 17 0;
#X connect 24 0 14 0;
#X connect 25 0 19 0;
#X restore 12 443 pd logging-to-console;
#X text 224 163 The s4pd object takes 2 optional arguments \, an integer
for number of outlets \, and a filename to load \, searching the Pd
filepath. It always loads the s4pd.scm bootstrap file first. You can
change this file to create your own boot file.;
#X obj 4 328 print s4pd-out;
#X text 10 394 Click for more features:;
#X text 704 237 comment;
#X text 223 129 Basics: You'll want to watch the Pd console while trying
these.;
#X text 18 6 Scheme for Pd embeds the s7 Scheme interpreter to allow
scripting and live coding Pd with Scheme Lisp. It is (mostly) compatible
with Scheme for Max \, so if you've never used Scheme \, you might
like the online "Learn Scheme For Max" e-book. Check the github page
for further resources. Scheme for Pd was written by Iain C.T. Duncan
\, and uses the s7 Scheme interpreter \, by Bill Schottstaedt at CCRMA.
The main page is here: https://github.com/iainctduncan/scheme-for-pd
Please report any bugs \, issues \, or suggestions on the github page
as an issue., f 91;
#X msg 104 221 reset;
#X obj 27 221 r s4pd-in;
#X obj 230 461 s s4pd-in;
#X obj 368 590 s s4pd-in;
#X connect 0 0 1 0;
#X connect 1 0 11 0;
#X connect 6 0 0 0;
#X connect 8 0 7 0;
#X connect 9 0 7 0;
#X connect 11 0 10 0;
#X connect 11 0 24 0;
#X connect 11 1 17 0;
#X connect 12 0 31 0;
#X connect 14 0 32 0;
#X connect 15 0 32 0;
#X connect 18 0 32 0;
#X connect 29 0 11 0;
#X connect 30 0 11 0;
| 337 |
doc/5.reference/oscformat-help.pd | #N canvas 428 23 682 777 12;
#X msg 66 549 format b;
#X msg 80 146 1 2 3;
#X obj 80 267 oscformat cat horse pig;
#X msg 102 202 set dog ferret;
#X msg 100 229 set mouse banana;
#X obj 101 316 oscparse;
#X obj 80 378 print packet;
#X msg 88 173 4 5 weasel 6 7 rat;
#X obj 148 654 oscparse;
#X obj 148 679 print parse-output;
#X obj 50 666 print packet;
#X msg 50 496 -1 1 2 mule 4 5;
#X msg 78 596 format ifisf;
#X obj 50 624 oscformat -f b wombat;
#X msg 38 468 5 6 7 squirrel;
#X msg 73 573 format fiiib;
#X text 257 266 creation arguments are OSC address;
#X text 136 136 OSC messages with numbers and symbols. Except as shown
below the message will contain 'float' and 'string' data.;
#X msg 254 379 disconnect;
#X obj 235 405 netsend -u -b;
#X msg 244 354 connect localhost 5000;
#X obj 236 304 list prepend send;
#X obj 236 329 list trim;
#X obj 101 341 print reassembled;
#X text 53 725 see also:;
#X obj 262 725 list;
#X obj 131 725 oscparse;
#X obj 202 725 netsend;
#X text 43 52 oscformat makes OSC packets suitable for sending over
the network via netsend (in UDP binary mode). The OSC address (the
strings between the slashes) are given by the creation arguments or
by "set" messages. Incoming lists are output as OSC messages \, byte
by byte., f 70;
#X text 338 379 don't send;
#X text 219 209 set message to change OSC address;
#X text 213 624 the '-f' creation argument initializes the format;
#X msg 58 524 format;
#X text 113 524 no format;
#X text 138 548 a 'blob';
#X text 174 584 mixtures;
#X text 417 353 send as UDP;
#X text 262 447 The format \, if any (initialized or set by a 'format'
message) instructs oscformat to interpret incoming data as integer
\, float \, string \, or 'blob'. Blobs are given as an atom count followed
by that number of elements. (If an elements is a symbol \, its first
byte is sent). If the count is negative \, the entire remaining message
is included in the blob (but the OSC parser will report the actual
number of elements). If the elements aren't exhausted at the end of
the format string \, the default (float and symbol) conversions are
made for the rest., f 55;
#X text 318 652 Note: there's no way using oscparse to distinguish
between floats and integers \, nor to see blobs unambiguously., f
40;
#X obj 38 19 oscformat;
#X text 424 724 updated for Pd version 0.51.;
#X text 110 18 - convert lists to Open Sound Control (OSC) packets
;
#X text 370 294 ("send" is optional for lists as of Pd 0.51), f 23
;
#X connect 0 0 13 0;
#X connect 1 0 2 0;
#X connect 2 0 6 0;
#X connect 2 0 21 0;
#X connect 2 0 5 0;
#X connect 3 0 2 0;
#X connect 4 0 2 0;
#X connect 5 0 23 0;
#X connect 7 0 2 0;
#X connect 8 0 9 0;
#X connect 11 0 13 0;
#X connect 12 0 13 0;
#X connect 13 0 10 0;
#X connect 13 0 8 0;
#X connect 14 0 13 0;
#X connect 15 0 13 0;
#X connect 18 0 19 0;
#X connect 20 0 19 0;
#X connect 21 0 22 0;
#X connect 22 0 19 0;
#X connect 32 0 13 0;
| 82 |
test/maxgui.pd |
#N canvas 560 184 640 480 10;
#X text 60 45 Max GUI Elements;
#X floatatom 135 270 8 0 0 0 - - -, f 8;
#X floatatom 210 270 8 0 0 0 - - -, f 8;
#X floatatom 60 270 8 0 0 0 - - -, f 8;
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#X obj 60 105 vsl 15 128 0 undefined 0 0 empty empty empty 0 -9 0 10 -262144 -1 -1 3000 1;
#X connect 6 0 3 0;
#X connect 5 0 1 0;
#X connect 4 0 2 0; | 12 |
extra/pique/pique-help.pd | #N canvas 143 0 729 407 12;
#X obj 47 11 pique;
#X text 105 12 -- find peaks in an FFT spectrum;
#X obj 214 174 rfft~;
#X obj 131 129 osc~ 2000;
#X graph graph2 0 -64 63 64 519 179 719 39;
#X array fft-real 64 float;
#X pop;
#X graph graph3 0 -64 63 64 519 327 719 187;
#X array fft-imag 64 float;
#X pop;
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#X obj 245 240 tabwrite~ fft-imag;
#X obj 315 158 metro 1000;
#X obj 315 116 loadbang;
#X msg 315 138 1;
#X obj 91 349 pique;
#X msg 91 322 64 fft-real fft-imag 10;
#X obj 91 376 print;
#X obj 205 132 osc~ 5000;
#X text 25 37 pique takes unwindowed FFT analyses as input (they should be stored in arrays) and outputs a list of peaks \, giving their peak number \, frequency \, amplitude \, and phase (as a cosine/sine pair.);
#X text 13 289 message arguments: number of FFT points \, fft real part \, fft imaginary part \, maximum number of peaks to report.;
#X text 578 387 updated for Pd 0.31.;
#X connect 2 0 6 0;
#X connect 2 1 7 0;
#X connect 3 0 2 0;
#X connect 8 0 6 0;
#X connect 8 0 7 0;
#X connect 9 0 10 0;
#X connect 10 0 8 0;
#X connect 11 0 13 0;
#X connect 12 0 11 0;
#X connect 14 0 2 0;
| 33 |
tests/double.pd | #N canvas 229 134 455 400 10;
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#X msg 286 135 \; pd dsp \$1;
#X obj 32 308 dac~ 1 2;
#X obj 31 47 osc~ 220;
#X msg 49 71 compile;
#X obj 124 282 print;
#X obj 31 242 ../external/faustgen~ double, f 16;
#X msg 70 95 compileoptions -single;
#X msg 70 125 compileoptions -double;
#X msg 70 155 compileoptions -single -double;
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#X connect 6 0 2 1;
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#X connect 7 0 6 0;
#X connect 8 0 6 0;
#X connect 9 0 6 0;
| 21 |
kollabs/kmux2.pd | #N canvas 488 200 447 360 10;
#X obj 94 129 inlet;
#X obj 174 217 spigot;
#X obj 269 129 inlet;
#X obj 94 217 spigot 1;
#X obj 94 279 outlet;
#X obj 139 191 == 0;
#X obj 207 191 != 0;
#X text 141 75 non zero: 2nd inlet to outlet;
#X text 141 55 0: 1st inlet to outlet;
#X obj 174 129 inlet;
#X text 257 285 (c)2012 Marian Weger;
#X text 49 39 kmux2;
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#X connect 2 0 5 0;
#X connect 2 0 6 0;
#X connect 3 0 4 0;
#X connect 5 0 3 1;
#X connect 6 0 1 1;
#X connect 9 0 1 0;
| 21 |
externals/ramp-seq.pd | #N canvas 370 303 1267 1010 12;
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| 189 |
src/tests/bench.pd | function fib(n)
if n < 2
return n
end
return fib(n - 2) + fib(n - 1)
end
start = clock()
println(fib(35))
println(clock() - start)
| 10 |
killdc~-help.pd | #N canvas 648 97 510 369 10;
#X obj 34 180 killdc~;
#X obj 34 128 +~ 0.5;
#X obj 34 98 *~ 0.5;
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#X array sine+dc 441 float 2;
#X coords 0 1 441 -1 200 140 1;
#X restore 295 27 graph;
#X obj 13 260 tabwrite~ sine+dc;
#X msg 88 202 bang;
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#X coords 0 1 441 -1 200 140 1;
#X restore 294 181 graph;
#X obj 140 260 tabwrite~ dc-gone;
#X obj 34 68 osc~ 100;
#X obj 9 7 cnv 15 160 25 empty empty LyonPotpourri 20 12 1 18 -260097
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#X text 13 40 killdc~ removes DC from signal;
#X text 125 202 <- see DC cut in action;
#X connect 0 0 7 0;
#X connect 1 0 0 0;
#X connect 1 0 4 0;
#X connect 2 0 1 0;
#X connect 5 0 4 0;
#X connect 5 0 7 0;
#X connect 8 0 2 0;
| 27 |
bulbs.pd/spg.pd | #N canvas 618 542 445 202 10;
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#X obj 84 166 s peersend;
#X text 15 11 Message;
#X obj 153 39 loadbang;
#X obj 153 70 symbol \$1;
#X obj 216 39 inlet;
#X text 173 11 Receive-Name;
#X obj 84 135 list trim;
#X text 216 69 Symbol als Send-Ziel voranstellen;
#X obj 15 102 send;
#X obj 84 104 list prepend;
#X obj 15 71 localgui;
#X text 299 7 send to peer Drop-In Replacement für simples "send"
für GUI-Elemente, f 19;
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#X connect 5 0 4 0;
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#X connect 11 0 9 0;
#X connect 11 1 10 0;
| 24 |
fftease-helpfiles/taint~-help.pd | #N canvas 745 30 742 509 12;
#X obj 338 258 expr pow(10 \, $f1/20);
#X floatatom 338 221 5 -180 0 0 - taint-invthresh -;
#X floatatom 283 357 5 0 0 0 - taint-scaleexp -;
#X obj 36 303 r taint-msgs;
#N canvas 1247 168 472 261 control 0;
#X obj 115 206 s taint-msgs;
#X floatatom 114 54 5 0 0 0 - taint-pad -;
#X obj 114 83 expr pow(10 \, $f1/20);
#X floatatom 114 112 5 0 0 0 - - -;
#X msg 114 141 pad \$1;
#X msg 254 146 invert \$1;
#X obj 254 113 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
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#X text 21 11 this pad only affects the gain when "invert" is turned
on thus it may be used to balance levels between the two states of
taint~;
#X connect 1 0 2 0;
#X connect 2 0 3 0;
#X connect 3 0 4 0;
#X connect 4 0 0 0;
#X connect 5 0 0 0;
#X connect 6 0 5 0;
#X restore 555 278 pd control;
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#X msg 72 93 \; taint-pad -36 \; taint-scaleexp 0.2 \; taint-invthresh
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#X text 384 214 inverse threshold (lower values intensify effect but
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#X obj 387 324 s taint-scaleexp;
#X obj 173 409 fftease/taint~, f 24;
#X obj 145 295 ./sfplay~;
#X obj 227 295 ./sfplay~;
#X text 85 99 [taint~] multiplies the spectra of two input signals.
Multiplication of spectra can cause significant drops in the amplitude
of the output signal. The inverse option allows division of the input
spectra. Division requires the use of a threshold to avert division
by zero. Also \, signal division will cause massive amplitude gains.
Be careful of your ears and equipment. Start the amplitude very low
(-100dB) and slowly work up to an acceptable level. A pad is provided
to balance gain between normal and invert options., f 83;
#X text 322 357 <= scaling exponent (lower values increase amplitude)
;
#X obj 173 453 ./gain.dsp~;
#X obj 118 29 ./icon;
#X obj 319 40 fftease/taint~;
#X text 431 39 - Spectral multiplication;
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| 60 |
PMPD3/3_RelationsTemporelles.pd | #N canvas 107 23 1296 738 12;
#X msg 12 41 \; pd dsp 1;
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#X obj 372 597 GainMono~;
#X obj 372 642 dac~;
#X obj 382 312 Scope~;
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#X text 11 12 Les relations temporelles :;
#X obj 372 245 +~;
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#X obj 1073 212 delread~ \$0-del4;
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#X text 694 47 Temps de retard (ms);
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#X text 370 78 Période : 10ms;
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#X text 600 78 Période : 5ms;
#X text 820 78 Période : 4.5ms;
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#X text 1050 78 Période : 3.333ms;
#X obj 602 497 *~ 1;
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#X text 370 98 Demi-période : 5ms;
#X text 600 98 Demi-période : 2.5ms;
#X text 820 98 Demi-période : 2.25ms;
#X text 1050 98 Demi-période : 1.667ms;
#X text 14 147 Lors d’un filtrage par retard temporelle \, il existe
donc une relation entre la période de l’oscillateur sinusoïdal
et le temps de retard. Cette relation est de N fois la période pour
faire augmenter l’amplitude de l’oscillateur et N fois la période
plus la demi-période pour annuler totalement le signal \, créer une
opposition des phases. Donc pour un temps de retard donné \, certains
oscillateurs sinusoïdaux diminuent en amplitude et d’autres augmentent.
Il est donc possible de définir les fréquences qui sont annulées
pour un temps de retard et celles qui sont augmentées. Un temps t
en ms correspond donc à un période \, est donc à une fréquence
de 1000/t. Pour toutes les fréquences multiples de f = 1000/t l’amplitude
est doublée mais toutes les fréquences multiples de f+1/2f sont diminuées.
, f 41;
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#X connect 43 0 4 0;
| 104 |
Classes/camomile/sample~.pd | #N canvas 580 168 522 369 10;
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#X text 30 96 Now we can put sawtooth waves to the test and see how
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#X text 30 164 Change the sliders below to put the oscillators in and
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#X connect 24 0 1 0;
#X connect 25 0 24 0;
#X connect 26 0 27 1;
#X connect 27 0 1 0;
#X connect 28 0 27 0;
#X connect 29 0 30 1;
#X connect 30 0 1 0;
#X connect 31 0 30 0;
#X connect 32 0 33 1;
#X connect 33 0 1 0;
#X connect 34 0 33 0;
#X connect 35 0 36 1;
#X connect 36 0 1 0;
#X connect 37 0 36 0;
#X connect 38 0 39 1;
#X connect 39 0 1 0;
#X connect 40 0 39 0;
#X connect 41 0 42 1;
#X connect 42 0 1 0;
#X connect 43 0 42 0;
#X connect 44 0 45 1;
#X connect 45 0 1 0;
#X connect 46 0 45 0;
#X connect 47 0 48 1;
#X connect 48 0 1 0;
#X connect 49 0 48 0;
#X connect 50 0 51 1;
#X connect 51 0 1 0;
#X connect 52 0 51 0;
#X connect 53 0 54 1;
#X connect 54 0 1 0;
#X connect 55 0 54 0;
#X connect 56 0 57 1;
#X connect 57 0 1 0;
#X connect 58 0 57 0;
| 136 |
extra/divi.pd | #N canvas 531 365 450 300 10;
#X obj 112 120 f;
#X obj 67 89 loadbang;
#X obj 153 87 t f b;
#X obj 223 93 t b f;
#X obj 161 158 outlet;
#X obj 127 21 inlet;
#X obj 233 27 inlet;
#X obj 161 136 /;
#X connect 0 0 7 0;
#X connect 1 0 0 0;
#X connect 2 0 0 1;
#X connect 2 1 0 0;
#X connect 3 0 0 0;
#X connect 3 1 7 1;
#X connect 5 0 0 1;
#X connect 5 0 2 0;
#X connect 6 0 3 0;
#X connect 7 0 4 0;
| 19 |
Live-Electronics-Tutorial/Part.04-Control/14-Triggers-LFO-LFNoise/1.Impulse-Pulse(Triggers).pd | #N canvas 421 101 953 738 12;
#X declare -path else;
#X obj 577 405 out~;
#X obj 577 371 zerocross~;
#X obj 224 181 pulse~ 1;
#X obj 250 355 dust~ 1;
#X obj 337 355 dust2~ 1;
#X obj 95 384 out~;
#X obj 38 515 nbx 5 14 -50 50 0 0 empty empty empty 0 -8 0 10 -228856
-1 -1 0 256;
#X obj 38 541 randpulse~ 1;
#X obj 575 146 status~;
#X obj 728 159 toggleff~;
#X obj 160 515 nbx 5 14 -50 50 0 0 empty empty empty 0 -8 0 10 -228856
-1 -1 0 256;
#X obj 160 541 randpulse2~ 1;
#X obj 575 108 pulse~ 1;
#X obj 489 175 trig2bang~;
#X obj 489 205 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 575 173 trig2bang~;
#X obj 575 203 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 621 204 trig2bang~;
#X obj 621 234 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 728 116 impulse~ 1;
#X obj 812 159 timed.gate~ 500;
#X obj 577 339 rampnoise~ 10;
#X obj 763 374 schmitt~;
#X obj 763 401 changed~;
#X obj 763 426 changed2~;
#X text 26 274 Many other objects in the ELSE library generate impulses
or gates. The [tempo~] object is a metronome that sends impulses \,
[dust~] and [dust2~] also generate impulses \, but at random intervals
and with random values.;
#X text 728 94 impulse to pulse:;
#X text 509 84 pulse to impulse:;
#X obj 489 145 gate2imp~;
#X text 20 10 Pulse and Impulse generators are widely used to control
patches as "triggers" and the ELSE library has many objects that respond
to them. A single impulse can be thought of as a "bang" \, whereas
pulses are gates \, which can be thought of as on/off switches \, like
a toggle.;
#X obj 87 182 impulse~ 1;
#X text 475 258 Other objects in ELSE generate impulses as part of
a signal analysis. See [zerocross~] \, for instance \, that outputs
impulses when a signal crosses from negative to positive or positive
to negative. Check also these other objects related to [zerocross~]:
, f 65;
#X text 747 348 related:;
#X obj 689 540 impulse 1;
#X obj 783 540 pulse 1;
#X obj 689 574 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 783 574 tgl 15 0 empty empty empty 17 7 0 10 -228856 -1 -1 0
1;
#X obj 549 574 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 95 354 tempo~ 60 100 -on;
#X obj 549 540 tempo 60 100 -on;
#X text 497 472 The ELSE library also provides control version objects
for impulse and pulse generators. In the case of [impulse] and [tempo]
\, the outputs are bangs.;
#X obj 224 208 rand.i~ 10 20;
#X obj 87 209 rand.i~ 10 20;
#X text 20 98 It all depends on how the triggered object was programmed.
The [rand.i~] object is trigered at positive to negative or negative
to positive transitions \, so you can use either an impulse or a gate
to trigger it.;
#X obj 365 167 setdsp~;
#X obj 779 23 declare -path else;
#X obj 384 545 randpulse2 1;
#X obj 278 545 randpulse 1;
#X floatatom 278 575 8 0 0 0 - - -;
#X obj 384 579 tgl 15 0 empty empty empty 17 7 0 10 -228856 -1 -1 0
1;
#X text 26 453 The [randpulse~] generates random gate values and [randpulse2~]
alternates between entre 0 e 1 at irregular time intervals (control
versions are also available).;
#X obj 318 627 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 318 653 timed.gate~ 500;
#X text 62 635 The [timed.gate~] object sends a timed gate spcecified
by its argument (500 ms in the right example)., f 31;
#X obj 688 627 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 688 653 timed.gate 500;
#X text 480 13 Other objects from the ELSE library convert pulses into
impulses and vice versa. The [trig2bang~] object converts it to a bang.
See below., f 37;
#X text 537 634 There are also the control version [timed.gate] and
[trig2bang], f 18;
#X obj 826 653 trig2bang;
#X obj 826 627 nbx 3 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
-228856 -1 -1 0 256;
#X obj 826 683 bng 15 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 250 384 out~;
#X obj 688 683 display;
#X obj 318 686 display~;
#X obj 38 570 display~;
#X obj 160 570 display~;
#X obj 728 188 display~;
#X obj 812 187 display~;
#X obj 224 235 display~;
#X obj 87 236 display~;
#X connect 1 0 0 0;
#X connect 2 0 41 0;
#X connect 3 0 61 0;
#X connect 4 0 61 1;
#X connect 6 0 7 0;
#X connect 7 0 64 0;
#X connect 8 0 15 0;
#X connect 8 1 17 0;
#X connect 9 0 66 0;
#X connect 10 0 11 0;
#X connect 11 0 65 0;
#X connect 12 0 8 0;
#X connect 12 0 28 0;
#X connect 13 0 14 0;
#X connect 15 0 16 0;
#X connect 17 0 18 0;
#X connect 19 0 9 0;
#X connect 19 0 20 0;
#X connect 20 0 67 0;
#X connect 21 0 1 0;
#X connect 28 0 13 0;
#X connect 30 0 42 0;
#X connect 33 0 35 0;
#X connect 34 0 36 0;
#X connect 38 0 5 0;
#X connect 39 0 37 0;
#X connect 41 0 68 0;
#X connect 42 0 69 0;
#X connect 46 0 49 0;
#X connect 47 0 48 0;
#X connect 51 0 52 0;
#X connect 52 0 63 0;
#X connect 54 0 55 0;
#X connect 55 0 62 0;
#X connect 58 0 60 0;
#X connect 59 0 58 0;
| 143 |
doc/5.reference/fudiparse-help.pd | #N canvas 681 73 605 469 12;
#X obj 136 333 fudiparse;
#X text 330 377 see also:;
#X obj 156 363 print parse-output;
#X obj 272 217 netreceive -u -b;
#X msg 272 162 listen 5000;
#X msg 284 190 listen 0;
#X text 351 189 stop listening;
#X msg 36 190 1 2 3 foo 5;
#X text 35 150 numbers and symbols, f 11;
#X obj 155 302 print packet;
#X text 269 138 packets from network;
#X text 398 212 UDP packets \, binary output, f 13;
#X obj 36 215 fudiformat;
#X obj 137 215 fudiformat -u;
#X text 137 153 without packet separator, f 14;
#X msg 137 190 flab -1 1.1;
#X obj 403 378 fudiformat;
#X obj 487 378 oscparse;
#X text 359 162 listen on port 5000;
#X text 336 411 updated for Pd version 0.48.0;
#X text 27 55 FUDI stands for "Fast Universal Digital Interface" and
is a networking protocol used by Pd. The fudiparse object takes incoming
lists of numbers \, interpreting them as the bytes in a FUDI message
(as received when sending Pd-messages via [netreceive -b]). The '-u'
creation argument switches to "UDP" mode \, omitting the packet separator.
, f 79;
#X obj 53 16 fudiparse;
#X text 129 16 - parse FUDI packets into Pd messages, f 49;
#X obj 136 393 list;
#X listbox 136 417 20 0 0 0 - - - 0;
#X listbox 136 276 61 0 0 0 - - - 0;
#X connect 0 0 2 0;
#X connect 0 0 23 0;
#X connect 3 0 25 0;
#X connect 4 0 3 0;
#X connect 5 0 3 0;
#X connect 7 0 12 0;
#X connect 12 0 25 0;
#X connect 13 0 25 0;
#X connect 15 0 13 0;
#X connect 23 0 24 0;
#X connect 25 0 0 0;
#X connect 25 0 9 0;
| 44 |
Classes/camomile/impulse.pd | #N canvas 633 206 666 329 12;
#X declare -path else;
#X obj 68 141 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
#000000 0 1;
#X obj 167 26 inlet;
#X obj 334 26 inlet;
#N canvas 328 307 521 403 inc 0;
#X obj 144 247 v inc_\$0;
#X obj 112 306 v dir_\$0;
#X obj 112 222 t b f;
#X obj 112 46 inlet;
#X obj 112 279 expr if(inc_\$0 >= 0 \, 1 \, if(inc_\$0 < 0 \, -1 \,
0));
#X obj 112 120 f;
#X obj 112 152 expr $f1 / rate_\$0;
#X obj 112 184 clip -1 1;
#X obj 132 86 r \$0-freq;
#X connect 2 0 4 0;
#X connect 2 1 0 0;
#X connect 3 0 5 0;
#X connect 4 0 1 0;
#X connect 5 0 6 0;
#X connect 6 0 7 0;
#X connect 7 0 2 0;
#X connect 8 0 5 0;
#X restore 167 104 pd inc;
#N canvas 271 120 435 350 phase_sync 0;
#X obj 89 37 inlet;
#X obj 89 73 wrap;
#X obj 89 105 t f f;
#X obj 134 106 v f_\$0;
#X msg 89 218 1;
#X obj 150 298 v phase_\$0;
#X obj 89 175 sel 1 0;
#X obj 89 141 expr dir_\$0 == 1 && f_\$0 == 0;
#X obj 150 208 expr dir_\$0 == -1 && f_\$0 == 0;
#X msg 150 263 0;
#X obj 150 235 sel 1 0;
#X obj 195 263 v f_\$0;
#X connect 0 0 1 0;
#X connect 1 0 2 0;
#X connect 2 0 7 0;
#X connect 2 1 3 0;
#X connect 4 0 5 0;
#X connect 6 0 4 0;
#X connect 6 1 8 0;
#X connect 7 0 6 0;
#X connect 8 0 10 0;
#X connect 9 0 5 0;
#X connect 10 0 9 0;
#X connect 10 1 11 0;
#X connect 11 0 5 0;
#X restore 334 108 pd phase_sync;
#N canvas 319 292 575 449 impulse 0;
#X obj 121 122 expr dir_\$0 == 1 && phase_\$0 >= 1;
#X obj 149 198 expr dir_\$0 == -1 && phase_\$0 <= 0;
#X obj 149 232 sel 1 0;
#X obj 237 298 v phase_\$0;
#X obj 194 298 wrap;
#X obj 121 272 trigger bang bang;
#X obj 172 335 expr phase_\$0 = phase_\$0 + inc_\$0;
#X obj 121 366 outlet;
#X obj 121 161 sel 1 0;
#X obj 121 88 inlet;
#X connect 0 0 8 0;
#X connect 1 0 2 0;
#X connect 2 0 5 0;
#X connect 2 1 6 0;
#X connect 3 0 4 0;
#X connect 4 0 3 0;
#X connect 5 0 6 0;
#X connect 5 0 7 0;
#X connect 5 1 3 0;
#X connect 8 0 5 0;
#X connect 8 1 1 0;
#X connect 9 0 0 0;
#X restore 68 206 pd impulse;
#X obj 68 257 outlet;
#X text 305 196 Part of ELSE \; https://github.com/porres/pd-else;
#X text 307 177 Alexandre Torres Porres (2018);
#X obj 100 143 r \$0-ms;
#X obj 68 172 metro;
#N canvas 353 211 546 471 init 0;
#X obj 61 396 outlet;
#X obj 291 97 s \$0-rate;
#X msg 291 62 1;
#X obj 380 332 v phase_\$0;
#X obj 380 303 wrap;
#X obj 257 186 route float list -rate;
#X obj 141 94 trigger bang bang;
#X obj 257 326 s \$0-freq;
#X obj 357 220 s \$0-rate;
#X obj 257 275 unpack float float;
#X obj 114 287 v phase_\$0;
#X msg 114 257 1;
#X obj 114 227 sel 1;
#X obj 114 189 expr phase_\$0 == 0 && dir_\$0 == 1, f 18;
#X obj 257 127 args;
#X obj 257 157 break -;
#X obj 63 58 lb 3, f 23;
#X connect 2 0 1 0;
#X connect 4 0 3 0;
#X connect 5 0 9 0;
#X connect 5 1 9 0;
#X connect 5 2 8 0;
#X connect 6 0 13 0;
#X connect 6 1 14 0;
#X connect 9 0 7 0;
#X connect 9 1 4 0;
#X connect 11 0 10 0;
#X connect 12 0 11 0;
#X connect 13 0 12 0;
#X connect 14 0 15 0;
#X connect 15 0 5 0;
#X connect 16 0 0 0;
#X connect 16 1 6 0;
#X connect 16 2 2 0;
#X restore 68 86 pd init;
#X obj 167 71 route float rate;
#N canvas 362 271 400 314 rate 0;
#X obj 135 32 inlet;
#X obj 167 244 v rate_\$0;
#X obj 135 106 t b f;
#X obj 184 176 s \$0-ms;
#X obj 157 71 r \$0-rate;
#X obj 54 201 s \$0-freq;
#X obj 167 146 max 0.1;
#X obj 167 204 expr 1000 / $f1;
#X connect 0 0 2 0;
#X connect 2 0 5 0;
#X connect 2 1 6 0;
#X connect 4 0 2 0;
#X connect 6 0 3 0;
#X connect 6 0 7 0;
#X connect 7 0 1 0;
#X restore 221 104 pd rate;
#X obj 437 73 declare -path else;
#X connect 0 0 10 0;
#X connect 1 0 12 0;
#X connect 2 0 4 0;
#X connect 5 0 6 0;
#X connect 9 0 10 1;
#X connect 10 0 5 0;
#X connect 11 0 0 0;
#X connect 12 0 3 0;
#X connect 12 1 13 0;
| 146 |
Camomile-ELSE_plugin/LiVoArpeggiator/list-abs/list-swap-help.pd | #N canvas 0 31 574 354 10;
#X msg 57 84 0 1 2 3 4 5 6 7 8 9 10 11;
#X floatatom 145 148 5 0 0 0 - - -;
#X floatatom 101 146 5 0 0 0 - - -;
#X obj 57 190 list-swap 2 5;
#X text 49 19 [list-swap] - swap two elements of a list at given indices.
Index values can be negative. If an index value is out of range \,
the list is passed with no change.;
#X msg 75 114 list a b c d e f g h i j k;
#X obj 57 216 prepent set;
#X msg 57 241 a c b;
#N canvas 506 181 494 396 META 0;
#X text 12 25 LICENSE SIBSD;
#X text 12 165 HELP_PATCH_AUTHORS Frank Barknecht. "pd meta" information
added by Jonathan Wilkes for Pd version 0.42.;
#X text 12 5 KEYWORDS control list_op;
#X text 12 65 INLET_0 anything;
#X text 12 145 AUTHOR Frank Barknecht;
#X text 12 45 DESCRIPTION swap two elements of a list at given indices
;
#X text 12 85 INLET_1 float;
#X text 12 105 INLET_2 flaot;
#X text 12 125 OUTLET_0 list;
#X restore 512 322 pd META;
#X connect 0 0 3 0;
#X connect 1 0 3 2;
#X connect 2 0 3 1;
#X connect 3 0 6 0;
#X connect 5 0 3 0;
#X connect 6 0 7 0;
| 30 |
Live-Electronics-Tutorial/Part.04-Control/20-Stochastic/1.Weighted.random.pd | #N canvas 557 59 975 638 12;
#X declare -path else;
#X obj 333 25 declare -path else;
#X obj 100 229 random 100;
#X obj 100 263 moses 70;
#X obj 153 296 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 100 199 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 100 296 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 96 319 70%;
#X text 151 319 30%;
#X obj 251 229 random 100;
#X obj 251 200 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 251 296 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 251 263 moses 50;
#X obj 333 296 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 333 263 moses 75;
#X text 329 319 25%;
#X obj 386 296 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 382 319 25%;
#X text 246 319 50%;
#X obj 215 495 random 100;
#X obj 215 465 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X obj 215 562 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 210 585 50%;
#X obj 215 529 spread 50 75;
#X obj 255 562 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 251 585 25%;
#X obj 296 562 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 292 585 25%;
#X text 58 375 The ELSE library has the [spread] object that is similar
to [moses] but offers many outputs so you don't need to stack lots
of [moses] objects. But the library also offers other options that
are more proper.;
#X obj 790 40 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856 -1
-1;
#X obj 790 71 chance 50 25 25, f 16;
#X obj 790 110 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 785 133 50%;
#X obj 844 110 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 840 133 25%;
#X obj 899 109 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X text 895 132 25%;
#X text 537 65 A more proper weighted random is possible with [chance].
check its help file., f 34;
#X obj 721 398 sequencer 60 67 69 62 65 72;
#X obj 721 458 mtof;
#X obj 721 507 decay2~ 50 500;
#X obj 674 516 *~;
#X obj 674 547 out~;
#X obj 721 337 chance -index 5 7 3 1 4 3;
#X text 530 166 Here we use [chance] to generate a weigthed random
output that we're using as the index of a sequence. The total number
of chances is the sum of all arguments (24). Frst element has the probability
of 5/24 to be called \, the second has 7/24 and so on.;
#X obj 721 256 tgl 17 0 empty empty empty 17 7 0 10 -228856 -1 -1 0
1;
#X obj 721 310 bng 17 250 50 0 empty empty empty 17 7 0 10 -228856
-1 -1;
#X floatatom 721 369 3 0 0 0 - - -;
#X floatatom 721 427 4 0 0 0 - - -;
#X obj 721 282 tempo 60 5 -div 4;
#X obj 721 483 b;
#X obj 674 488 tri~;
#X text 41 65 You can use random generators (like [random]/[rand.i]/rand.f])
to generate random values as sequences and you probably know about
that already. But now we'll talk about "Weighted random" \, where some
random values have more probabilities of happening than others. A simple
vanilla mechanism for this is with [moses] \, and you can stack many
of them for that matter., f 63;
#X connect 1 0 2 0;
#X connect 2 0 5 0;
#X connect 2 1 3 0;
#X connect 4 0 1 0;
#X connect 8 0 11 0;
#X connect 9 0 8 0;
#X connect 11 0 10 0;
#X connect 11 1 13 0;
#X connect 13 0 12 0;
#X connect 13 1 15 0;
#X connect 18 0 22 0;
#X connect 19 0 18 0;
#X connect 22 0 20 0;
#X connect 22 1 23 0;
#X connect 22 2 25 0;
#X connect 28 0 29 0;
#X connect 29 0 30 0;
#X connect 29 1 32 0;
#X connect 29 2 34 0;
#X connect 37 0 47 0;
#X connect 38 0 49 0;
#X connect 38 0 50 0;
#X connect 39 0 40 1;
#X connect 40 0 41 0;
#X connect 42 0 46 0;
#X connect 44 0 48 0;
#X connect 45 0 42 0;
#X connect 46 0 37 0;
#X connect 47 0 38 0;
#X connect 48 0 45 0;
#X connect 49 0 39 0;
#X connect 50 0 40 0;
| 115 |
app/src/main/res/raw/synthpatch/gatemaker~-help.pd | #N canvas 329 352 589 421 10;
#X text 13 3 [gatemaker~] - macro to create switch of any size;
#X text 486 3 pd for libpd;
#X text 495 19 chris penny;
#X text 124 77 This can't be used in a patch on its own - it will disconnect
itself when reloaded.;
#X text 121 114 Instead \, open the patch \, select all (command-A)
\, and deselect the four objects at the top (so only the inlets \,
spigots \, == \, and outlets are selected).;
#X text 117 169 You can copy & paste this in a pd subpatch to get a
persistent copy of the gate.;
#X text 95 54 [gatemaker~] will dynamically create a gate of any size.
;
#X obj 46 248 gatemaker~ 3;
#N canvas 484 595 450 300 gate~3 0;
#X obj 46 48 inlet;
#X obj 117 48 inlet~;
#X obj 37 160 == 1;
#X obj 10 185 transistor~;
#X obj 10 210 outlet~;
#X obj 137 160 == 2;
#X obj 110 185 transistor~;
#X obj 110 210 outlet~;
#X obj 237 160 >= 3;
#X obj 210 185 transistor~;
#X obj 210 210 outlet~;
#X connect 0 0 2 0;
#X connect 0 0 5 0;
#X connect 0 0 8 0;
#X connect 1 0 3 0;
#X connect 1 0 6 0;
#X connect 1 0 9 0;
#X connect 2 0 3 1;
#X connect 3 0 4 0;
#X connect 5 0 6 1;
#X connect 6 0 7 0;
#X connect 8 0 9 1;
#X connect 9 0 10 0;
#X restore 155 243 pd gate~3;
#X msg 110 212 1;
#X msg 144 208 2;
#X msg 180 209 3;
#X obj 225 211 number~;
#X obj 144 278 view~;
#X obj 204 278 view~;
#X obj 264 278 view~;
#X obj 351 14 pddp/dsp;
#X obj 349 205 gatemaker~ 8;
#N canvas 758 573 450 300 gate~8 0;
#X obj 46 48 inlet;
#X obj 117 48 inlet~;
#X obj 37 160 == 1;
#X obj 10 185 transistor~;
#X obj 10 210 outlet~;
#X obj 137 160 == 2;
#X obj 110 185 transistor~;
#X obj 110 210 outlet~;
#X obj 237 160 == 3;
#X obj 210 185 transistor~;
#X obj 210 210 outlet~;
#X obj 337 160 == 4;
#X obj 310 185 transistor~;
#X obj 310 210 outlet~;
#X obj 437 160 == 5;
#X obj 410 185 transistor~;
#X obj 410 210 outlet~;
#X obj 537 160 == 6;
#X obj 510 185 transistor~;
#X obj 510 210 outlet~;
#X obj 637 160 == 7;
#X obj 610 185 transistor~;
#X obj 610 210 outlet~;
#X obj 737 160 >= 8;
#X obj 710 185 transistor~;
#X obj 710 210 outlet~;
#X connect 0 0 2 0;
#X connect 0 0 5 0;
#X connect 0 0 8 0;
#X connect 0 0 11 0;
#X connect 0 0 14 0;
#X connect 0 0 17 0;
#X connect 0 0 20 0;
#X connect 0 0 23 0;
#X connect 1 0 3 0;
#X connect 1 0 6 0;
#X connect 1 0 9 0;
#X connect 1 0 12 0;
#X connect 1 0 15 0;
#X connect 1 0 18 0;
#X connect 1 0 21 0;
#X connect 1 0 24 0;
#X connect 2 0 3 1;
#X connect 3 0 4 0;
#X connect 5 0 6 1;
#X connect 6 0 7 0;
#X connect 8 0 9 1;
#X connect 9 0 10 0;
#X connect 11 0 12 1;
#X connect 12 0 13 0;
#X connect 14 0 15 1;
#X connect 15 0 16 0;
#X connect 17 0 18 1;
#X connect 18 0 19 0;
#X connect 20 0 21 1;
#X connect 21 0 22 0;
#X connect 23 0 24 1;
#X connect 24 0 25 0;
#X restore 328 231 pd gate~8 ____________;
#X obj 477 267 gatemaker 2;
#X obj 477 291 switchmaker 3;
#X obj 479 320 switchmaker~ 4;
#X obj 79 350 gatemaker~ 16;
#N canvas 517 706 450 300 gate~16 0;
#X obj 46 48 inlet;
#X obj 117 48 inlet~;
#X obj 37 160 == 1;
#X obj 10 185 transistor~;
#X obj 10 210 outlet~;
#X obj 137 160 == 2;
#X obj 110 185 transistor~;
#X obj 110 210 outlet~;
#X obj 237 160 == 3;
#X obj 210 185 transistor~;
#X obj 210 210 outlet~;
#X obj 337 160 == 4;
#X obj 310 185 transistor~;
#X obj 310 210 outlet~;
#X obj 437 160 == 5;
#X obj 410 185 transistor~;
#X obj 410 210 outlet~;
#X obj 537 160 == 6;
#X obj 510 185 transistor~;
#X obj 510 210 outlet~;
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FuzzBasicMono/vanilla/post-process~.pd | #N canvas 314 354 843 451 12;
#X text 139 3 Copyright 2019 Dan Bornstein <[email protected]>. Licensed
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#X text 13 73 Audio post-processing stage.;
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#X text 210 159 Processing Section;
#X text 673 165 LFO Section;
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#X text 22 217 Description: Serialise a list on demand. (same as [list-dripslow]
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#X text 23 261 See also: [u_list drip] [u_listequal] [u_listfilter]
[u_listloop] [u_listmap] [u_listnth] [u_listrandom] [u_listreduce]
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#X text 17 407 RjDj Library (https://github.com/rjdj/rjlib) - 2011
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_publications/file:/C:/Users/jason/Downloads/s41467-018-06509-2.pd | ---
title: "CV "
collection: publications
permalink: /publication/file:///C:/Users/jason/Downloads/s41467-018-06509-2.pd
excerpt: 'jason Li'
date: 2009-10-01
venue: 'Journal 1'
paperurl: 'file:///C:/Users/jason/Downloads/s41467-018-06509-2.pdf'
citation: 'Your Name, You. (2009). "Paper Title Number 1." <i>Journal 1</i>. 1(1).'
---
Test text for jason
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#X text 548 138 There must be a matching delwrite~ in your patch;
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#X text 152 477 signal;
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#X text 55 92 y[n] = a0 * x[n] + a2 * x[n-2] + b1 * y[n-1] + b2 * y[n-2]
;
#X text 61 118 a0 \, a2 \, b1 and b2 are calculated as a function of
center frequency 'f' in hz and 'q' as follows \;;
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#X text 54 46 The equation is from the "Cookbook formulae for audio
EQ biquad filter coefficients" by Robert Bristow-Johnsonc [1] \, and
it is:;
#X text 50 249 [1] found in http://www.musicdsp.org/files/Audio-EQ-Cookbook.txt
, f 65;
#X text 623 75 center frequency;
#X text 695 101 resonance (Q);
#X text 53 13 This filter has zeroes fixes at +1 and -1 on the z-plane
\, which means both 0Hz and Nyquist are always filtered out.;
#X text 712 151 Note: a 'q' value of 0 bypasses the input., f 21;
#X text 502 18 Change the parameters and check the filter response
below. The graph considers a sample rate of 44.1Khz.;
#X text 700 187 same is true for t60 = 0;
#X text 82 145 omega = f * PI/nyquist \; alphaQ = sin(omega) / (2*q)
\; b0 = alphaQ + 1 \; a0 = alphaQ * q / b0 \; a2 = -a0 \; b1 = 2*cos(omega)
/ b0 \; b2 = (alphaQ - 1) / b0 \;;
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#X restore 432 223 pd filter formula \; and response;
#X text 200 420 - central frequency in Hertz;
#X text 201 344 - clears filter's memory if you blow it up;
#X text 182 396 q;
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#X msg 189 172 q;
#X text 217 173 resonance as 'q';
#X msg 180 148 t60;
#X text 27 75 Alternatively \, you can switch from 'q' to 't60' with
the message methods.;
#X text 207 148 resonance as 't60' in ms;
#X msg 57 172 bypass \$1;
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#X text 27 17 By default \, the resonance parameter is the filter
't60' \, which is the time in ms for an excitation signal (such as
an impulse) decays 60dB. But you can also set the parameter value to
be the 'q' of the filter with the -q flag., f 59;
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#X text 210 60 (constant skirt);
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#X text 201 326 - signal to be filtered or excite the resonator;
#X text 238 152 <= excite the resonator;
#X text 170 379 t60;
#X text 201 379 - sets resonance parameter in decay time in ms (default)
;
#X text 201 396 - sets resonance parameter to Q;
#X text 201 444 - resonance (T60 decay time in ms or Q);
#X text 201 477 - resonator/filtered signal;
#X text 182 508 -q;
#X text 128 557 2) float - resonance (default 0) \, either in 'T60'
(default) or 'Q', f 66;
#X text 209 508 - sets resonance parameter to 'q';
#N canvas 835 96 411 574 [bandpass~]_vs_[resonant~] 0;
#X text 27 12 If you compare the filter response of both [bandpass~]
and [resonant~] \, you may notice how similar they are. In fact \,
the only difference is that [bandpass~] will have an automatic gain
adjustment so the maximum gain value is constantly at 0 dB!;
#X text 29 91 Therefore \, we can describe [bandpass~] as being a "constant
gain filter" \, whereas [resonant~] is a constant skirt filter.;
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#X text 297 240 <= we hear nothing, f 10;
#X text 220 443 <= we hear the resonance;
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#X msg 159 180 clear;
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#X text 55 218 resonating at 500 Hz ==> decaying 60dB in 5000 ms,
f 24;
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#X text 33 14 Resonator:;
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#X text 33 43 The Q parameter affecting the gain of the filter makes
it so that it acts as a 'resonator' \, where it will resonate at the
resonant frequency for a period of time after the input signal has
ceased.;
#X text 449 180 Thus \, instead of a 'q' factor \, the resonant parameter
can be specified by a decay time \, which is the default parameter
for the [resonant~] object.;
#X text 449 233 The decay time is given in "T60" \, which is the time
it takes to decay 60 dB. You can convert from decay time to Q and vice
versa with a formula implemented in the subpatch below.;
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#X text 642 40 random excitation;
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#X text 243 182 decay time in seconds;
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#X text 246 238 bandwidth in hertz;
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#X text 228 292 Q;
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#X text 173 107 decay time in milliseconds;
#X obj 115 131 t bang float;
#X text 64 183 center;
#X text 53 203 frequency;
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#X text 67 22 Converting from decay time to Q and vice-versa;
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#X text 59 90 [resonant~] is a resonator that you can specify a decay
time in ms \, or a Q factor. Like [bandpass~] \, it is a 2nd order
bandpass resonant filter \, but changing the Q increases the gain of
the filter.;
#X text 128 539 1) float - central frequency in hertz (default 0)
;
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| 283 |
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#X text 42 20 it also works with lists:;
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#X restore 305 3 pd;
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#X text 136 450 float/list;
#X text 217 318 - original value(s);
#X text 217 450 - rescaled value(s);
#X msg 238 210 set 63.5;
#X obj 138 40 cnv 4 4 4 empty empty values 0 28 2 18 #e0e0e0 #000000
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#X text 217 374 - sets exponential value;
#X text 241 181 converts setted value or sends last output;
#X text 130 374 exp <float>;
#X obj 222 273 else/display;
#X text 111 511 1) list -;
#X obj 222 245 else/rescale -1 1;
#X text 217 337 - outputs the last rescaled float value;
#X text 217 355 - sets next float value to be rescaled via bang;
#X text 60 89 By default \, [rescale] rescales MIDI input values from
0 to 127 (including floats) into another range of values (0-1 by default).
You can also set an exponential factor (1 by default - linear). All
these parameters can be changed by arguments., f 73;
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#X obj 95 208 else/rescale -10 10;
#X obj 95 241 else/display;
#X text 148 162 min-out;
#X text 205 162 max-out;
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#X obj 306 253 else/display;
#X obj 306 220 else/rescale 0 1 -10 10, f 36;
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#X text 463 174 min-out;
#X text 518 174 max-out;
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#X obj 412 193 nbx 4 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X text 357 174 min-in;
#X text 411 174 max-in;
#X text 44 31 If you give [rescale] up to 3 arguments \, it'll only
have 3 inlets and you can set the minimum and maximum output via the
rightmost inlets. But if you give 4 or more arguments \, [rescale]
is initialized with more inlets so you can set all range parameters.
, f 74;
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#X text 157 397 min-out;
#X text 232 397 max-out;
#X obj 86 477 nbx 6 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
#dcdcdc #000000 #000000 0 256;
#X msg 312 407 clip \$1;
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#X array \$0-exponential 128 float 0;
#X coords 0 1 127 0 200 140 1;
#X restore 634 395 graph;
#X text 650 149 exponential factor;
#X text 841 525 0;
#X text 839 393 1;
#X obj 639 326 tabwrite \$0-exponential;
#X obj 639 256 trigger float float;
#X obj 639 197 trigger bang float, f 23;
#X obj 639 297 else/rescale;
#X msg 775 261 exp \$1;
#X obj 639 103 loadbang;
#X msg 639 125 1;
#X text 63 294 The -clip flag or clip message clips the output into
the output range. By default \, [rescale] will not clip the values
to the output range but keep scaling outside that boundary with the
same conversion parameters., f 71;
#X text 545 20 The third or fifth argument or the "exp" message specify
the exponential factor. For positive values \, it's like raising to
the power of the given exponential \, try it below (with values from
0.1 to 10)., f 56;
#X obj 639 229 else/loop 128;
#X obj 86 443 else/rescale -clip -10 10;
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#X connect 2 0 4 1;
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#X connect 4 0 5 0;
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#X connect 11 0 10 0;
#X connect 12 0 11 3;
#X connect 13 0 11 4;
#X connect 16 0 11 1;
#X connect 17 0 11 2;
#X connect 21 0 22 0;
#X connect 22 0 51 0;
#X connect 23 0 51 1;
#X connect 24 0 51 2;
#X connect 28 0 33 0;
#X connect 29 0 28 0;
#X connect 30 0 31 0;
#X connect 31 0 33 0;
#X connect 33 0 32 0;
#X connect 34 0 43 0;
#X connect 35 0 34 0;
#X connect 42 0 44 0;
#X connect 42 1 41 1;
#X connect 43 0 50 0;
#X connect 43 1 45 0;
#X connect 44 0 41 0;
#X connect 45 0 44 0;
#X connect 46 0 47 0;
#X connect 47 0 35 0;
#X connect 50 0 42 0;
#X connect 51 0 27 0;
#X restore 466 223 pd arguments;
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#X text 166 418 float;
#X text 217 418 - range parameters \, see [pd arguments];
#N canvas 695 23 435 247 inverted 0;
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#dcdcdc #000000 #000000 0 256;
#X text 266 180 Inverted;
#X obj 249 128 else/rescale 1 0;
#X obj 135 129 else/rescale 0 1;
#X text 32 20 The scaling can be inverted by reversing the min/max
output values;
#X connect 0 0 1 0;
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#X connect 1 0 7 0;
#X connect 3 0 6 0;
#X connect 6 0 4 0;
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#X restore 472 264 pd inverted;
#X text 295 206 sets value to be scaled (accepts only floats), f 24
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#X obj 6 474 cnv 3 550 3 empty empty flags 8 12 0 13 #dcdcdc #000000
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#X text 168 482 -clip: sets clipping on (default off);
#X text 222 390 - <1> turns clipping on \, <0> off;
#X text 124 392 clip <float>;
#N canvas 579 93 575 556 negative-exponential 0;
#X floatatom 312 122 10 1 1.2 0 - - - 0;
#X obj 315 98 hsl 128 15 0.1 10 1 0 empty empty empty -2 -8 0 10 #dcdcdc
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#N canvas 0 22 450 278 (subpatch) 0;
#X array \$0-positive 128 float 0;
#X coords 0 1 127 0 200 140 1 0 0;
#X restore 68 364 graph;
#X text 323 98 exponential factor;
#X text 55 494 0;
#X text 53 362 1;
#N canvas 187 131 322 252 loop 0;
#X obj 109 38 inlet;
#X msg 109 96 128;
#X obj 160 155 + 1;
#X msg 208 96 0;
#X obj 109 120 until;
#X obj 109 70 trigger bang bang;
#X obj 109 152 float;
#X obj 109 185 outlet;
#X connect 0 0 5 0;
#X connect 1 0 4 0;
#X connect 2 0 6 1;
#X connect 3 0 6 1;
#X connect 4 0 6 0;
#X connect 5 0 1 0;
#X connect 5 1 3 0;
#X connect 6 0 2 0;
#X connect 6 0 7 0;
#X restore 110 205 pd loop;
#X obj 110 232 trigger float float;
#X obj 110 173 trigger bang float, f 23;
#X obj 110 273 else/rescale;
#X msg 245 237 exp \$1;
#X obj 329 365 cnv 15 198 138 empty empty empty 20 12 0 14 #e0e0e0
#404040 0;
#N canvas 0 22 450 278 (subpatch) 0;
#X array \$0-negative 128 float 0;
#X coords 0 1 127 0 200 140 1 0 0;
#X restore 328 364 graph;
#X text 315 494 0;
#X text 313 362 1;
#N canvas 187 131 322 252 loop 0;
#X obj 109 38 inlet;
#X msg 109 96 128;
#X obj 160 155 + 1;
#X msg 208 96 0;
#X obj 109 120 until;
#X obj 109 70 trigger bang bang;
#X obj 109 152 float;
#X obj 109 185 outlet;
#X connect 0 0 5 0;
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#X connect 2 0 6 1;
#X connect 3 0 6 1;
#X connect 4 0 6 0;
#X connect 5 0 1 0;
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#X connect 6 0 7 0;
#X restore 312 210 pd loop;
#X obj 312 237 trigger float float;
#X obj 312 178 trigger bang float, f 23;
#X obj 312 278 else/rescale;
#X msg 447 242 exp \$1;
#X obj 312 155 * -1;
#X obj 110 302 tabwrite \$0-positive;
#X obj 312 307 tabwrite \$0-negative;
#X text 102 30 Negative exponentials are allowed. In this casde \,
it's like the curve shape has been mirrored in reverse.;
#X connect 0 0 9 0;
#X connect 0 0 21 0;
#X connect 1 0 0 0;
#X connect 7 0 8 0;
#X connect 8 0 10 0;
#X connect 8 1 22 1;
#X connect 9 0 7 0;
#X connect 9 1 11 0;
#X connect 10 0 22 0;
#X connect 11 0 10 0;
#X connect 16 0 17 0;
#X connect 17 0 19 0;
#X connect 17 1 23 1;
#X connect 18 0 16 0;
#X connect 18 1 20 0;
#X connect 19 0 23 0;
#X connect 20 0 19 0;
#X connect 21 0 18 0;
#X restore 400 243 pd negative-exponential;
#X text 179 511 up to 3 arguments set: minimum output \, maximum output
\, exponential factor. 4 arguments set minimum input \, maximum input
\, minimum output \, maximum output and 5 fifth argument sets the exponential
factor - default (0 \, 127 \, 0 \, 1 \, 1);
#X connect 5 0 11 0;
#X connect 6 0 34 0;
#X connect 11 0 34 0;
#X connect 27 0 34 0;
#X connect 34 0 32 0;
| 329 |
Subsets and Splits