triplets
sequence | passage
stringlengths 654
2.68k
| label_str
stringlengths 5
48
| label
int64 0
68
| paires
sequence | __index_level_0__
int64 2
103k
|
|---|---|---|---|---|---|
[
"Silvan",
"creator",
"J.R.R."
] | Find the relation between <e1>Silvan<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Silvan",
"J.R.R."
] | 20,395 |
[
"Laiquendi",
"creator",
"J.R.R."
] | Find the relation between <e1>Laiquendi<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Laiquendi",
"J.R.R."
] | 20,396 |
[
"High Elves",
"creator",
"Tolkien"
] | Find the relation between <e1>High Elves<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"High Elves",
"Tolkien"
] | 20,397 |
[
"Thranduil",
"creator",
"J.R.R."
] | Find the relation between <e1>Thranduil<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Thranduil",
"J.R.R."
] | 20,398 |
[
"Galadriel",
"creator",
"J.R.R."
] | Find the relation between <e1>Galadriel<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Galadriel",
"J.R.R."
] | 20,399 |
[
"Ossiriand",
"creator",
"J.R.R."
] | Find the relation between <e1>Ossiriand<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Ossiriand",
"J.R.R."
] | 20,400 |
[
"Eldar",
"creator",
"J.R.R."
] | Find the relation between <e1>Eldar<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Eldar",
"J.R.R."
] | 20,401 |
[
"Silvan",
"creator",
"Tolkien"
] | Find the relation between <e1>Silvan<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Silvan",
"Tolkien"
] | 20,402 |
[
"Mirkwood",
"part of",
"Middle-earth"
] | Find the relation between <e1>Mirkwood<\e1> and <e2>Middle-earth<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | part of | 7 | [
"Mirkwood",
"Middle-earth"
] | 20,403 |
[
"Middle-earth",
"creator",
"J.R.R."
] | Find the relation between <e1>Middle-earth<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Middle-earth",
"J.R.R."
] | 20,404 |
[
"Amroth",
"creator",
"J.R.R."
] | Find the relation between <e1>Amroth<\e1> and <e2>J.R.R.<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Amroth",
"J.R.R."
] | 20,405 |
[
"Eldar",
"creator",
"Tolkien"
] | Find the relation between <e1>Eldar<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Eldar",
"Tolkien"
] | 20,406 |
[
"Amroth",
"creator",
"Tolkien"
] | Find the relation between <e1>Amroth<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Amroth",
"Tolkien"
] | 20,407 |
[
"Ossiriand",
"creator",
"Tolkien"
] | Find the relation between <e1>Ossiriand<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Ossiriand",
"Tolkien"
] | 20,408 |
[
"Avari",
"creator",
"Tolkien"
] | Find the relation between <e1>Avari<\e1> and <e2>Tolkien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | creator | 34 | [
"Avari",
"Tolkien"
] | 20,409 |
[
"Amroth",
"present in work",
"Middle-earth"
] | Find the relation between <e1>Amroth<\e1> and <e2>Middle-earth<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | present in work | 31 | [
"Amroth",
"Middle-earth"
] | 20,410 |
[
"Middle-earth",
"characters",
"Silvan"
] | Find the relation between <e1>Middle-earth<\e1> and <e2>Silvan<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | characters | 47 | [
"Middle-earth",
"Silvan"
] | 20,411 |
[
"Avari",
"part of",
"Elves"
] | Find the relation between <e1>Avari<\e1> and <e2>Elves<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | part of | 7 | [
"Avari",
"Elves"
] | 20,413 |
[
"Celeborn",
"spouse",
"Galadriel"
] | Find the relation between <e1>Celeborn<\e1> and <e2>Galadriel<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | spouse | 22 | [
"Celeborn",
"Galadriel"
] | 20,415 |
[
"Middle-earth",
"has part(s)",
"Lothlórien"
] | Find the relation between <e1>Middle-earth<\e1> and <e2>Lothlórien<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | has part(s) | 10 | [
"Middle-earth",
"Lothlórien"
] | 20,417 |
[
"Middle-earth",
"has part(s)",
"Mirkwood"
] | Find the relation between <e1>Middle-earth<\e1> and <e2>Mirkwood<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | has part(s) | 10 | [
"Middle-earth",
"Mirkwood"
] | 20,418 |
[
"Silvan",
"present in work",
"Middle-earth"
] | Find the relation between <e1>Silvan<\e1> and <e2>Middle-earth<\e2>.
Silvan (wood elves) are a type of Elves in J.R.R.Tolkien's fictional universe of Middle - earth, mainly the Elves of Mirkwood and Lothlórien. They are commonly known as Wood - elves. In the First Age the Elves of Ossiriand, or Laiquendi, were also referred to as wood - elves. Silvan Elves are mainly Nandor in descent but also mixed with Avari. Many of them were later ruled over by a small population of social elites who were Sindar (Grey Elves) or even Noldor (High Elves). For example, Thranduil king of northern Mirkwood, as well as his son Legolas, were Sindarin Elves who ruled over a primarily Silvan population. Similarly Amdír and his son Amroth, the last Sindarin prince of Lorien, were Sindar. After Amroth was lost at sea, Galadriel and Celeborn came to rule over Lórien. Galadriel was a High Elf who belonged to the House of Finarfin, though she was actually of mixed Vanyar / Noldor / Telerin parentage, while Celeborn was also Sindarin (Sindar being a subset of the Teleri). Silvan Elves are described as being less wise than other Eldar, and some of them are almost indistinguishable from the Avari, those who never joined the Great Journey. | present in work | 31 | [
"Silvan",
"Middle-earth"
] | 20,419 |
[
"Does Your Mother Know",
"performer",
"ABBA"
] | Find the relation between <e1>Does Your Mother Know<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"Does Your Mother Know",
"ABBA"
] | 20,906 |
[
"Wembley Arena",
"located in the administrative territorial entity",
"London"
] | Find the relation between <e1>Wembley Arena<\e1> and <e2>London<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | located in the administrative territorial entity | 3 | [
"Wembley Arena",
"London"
] | 20,907 |
[
"I Am an A",
"performer",
"ABBA"
] | Find the relation between <e1>I Am an A<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"I Am an A",
"ABBA"
] | 20,912 |
[
"Get on the Carousel",
"performer",
"ABBA"
] | Find the relation between <e1>Get on the Carousel<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"Get on the Carousel",
"ABBA"
] | 20,913 |
[
"I 'm Still Alive",
"performer",
"ABBA"
] | Find the relation between <e1>I 'm Still Alive<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"I 'm Still Alive",
"ABBA"
] | 20,914 |
[
"The Girl with the Golden Hair",
"performer",
"ABBA"
] | Find the relation between <e1>The Girl with the Golden Hair<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"The Girl with the Golden Hair",
"ABBA"
] | 20,916 |
[
"Thank You for the Music",
"performer",
"ABBA"
] | Find the relation between <e1>Thank You for the Music<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"Thank You for the Music",
"ABBA"
] | 20,918 |
[
"I Wonder ( Departure )",
"performer",
"ABBA"
] | Find the relation between <e1>I Wonder ( Departure )<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"I Wonder ( Departure )",
"ABBA"
] | 20,919 |
[
"I 'm a Marionette",
"performer",
"ABBA"
] | Find the relation between <e1>I 'm a Marionette<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"I 'm a Marionette",
"ABBA"
] | 20,920 |
[
"ABBA Live",
"performer",
"ABBA"
] | Find the relation between <e1>ABBA Live<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"ABBA Live",
"ABBA"
] | 20,923 |
[
"Thank You for the Music",
"part of",
"The Girl with the Golden Hair"
] | Find the relation between <e1>Thank You for the Music<\e1> and <e2>The Girl with the Golden Hair<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | part of | 7 | [
"Thank You for the Music",
"The Girl with the Golden Hair"
] | 20,933 |
[
"Dick Cavett Meets ABBA",
"performer",
"ABBA"
] | Find the relation between <e1>Dick Cavett Meets ABBA<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"Dick Cavett Meets ABBA",
"ABBA"
] | 20,934 |
[
"Hole in Your Soul",
"performer",
"ABBA"
] | Find the relation between <e1>Hole in Your Soul<\e1> and <e2>ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | performer | 35 | [
"Hole in Your Soul",
"ABBA"
] | 20,938 |
[
"ABBA Live",
"country of origin",
"Swedish"
] | Find the relation between <e1>ABBA Live<\e1> and <e2>Swedish<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | country of origin | 36 | [
"ABBA Live",
"Swedish"
] | 20,939 |
[
"ABBA",
"notable work",
"Does Your Mother Know"
] | Find the relation between <e1>ABBA<\e1> and <e2>Does Your Mother Know<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"Does Your Mother Know"
] | 20,940 |
[
"ABBA",
"notable work",
"I Am an A"
] | Find the relation between <e1>ABBA<\e1> and <e2>I Am an A<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"I Am an A"
] | 20,941 |
[
"ABBA",
"notable work",
"Get on the Carousel"
] | Find the relation between <e1>ABBA<\e1> and <e2>Get on the Carousel<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"Get on the Carousel"
] | 20,942 |
[
"ABBA",
"notable work",
"I 'm Still Alive"
] | Find the relation between <e1>ABBA<\e1> and <e2>I 'm Still Alive<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"I 'm Still Alive"
] | 20,943 |
[
"ABBA",
"notable work",
"The Girl with the Golden Hair"
] | Find the relation between <e1>ABBA<\e1> and <e2>The Girl with the Golden Hair<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"The Girl with the Golden Hair"
] | 20,944 |
[
"ABBA",
"notable work",
"Thank You for the Music"
] | Find the relation between <e1>ABBA<\e1> and <e2>Thank You for the Music<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"Thank You for the Music"
] | 20,945 |
[
"ABBA",
"notable work",
"I Wonder ( Departure )"
] | Find the relation between <e1>ABBA<\e1> and <e2>I Wonder ( Departure )<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"I Wonder ( Departure )"
] | 20,946 |
[
"ABBA",
"notable work",
"I 'm a Marionette"
] | Find the relation between <e1>ABBA<\e1> and <e2>I 'm a Marionette<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"I 'm a Marionette"
] | 20,947 |
[
"ABBA",
"notable work",
"ABBA Live"
] | Find the relation between <e1>ABBA<\e1> and <e2>ABBA Live<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"ABBA Live"
] | 20,948 |
[
"The Girl with the Golden Hair",
"has part(s)",
"Thank You for the Music"
] | Find the relation between <e1>The Girl with the Golden Hair<\e1> and <e2>Thank You for the Music<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | has part(s) | 10 | [
"The Girl with the Golden Hair",
"Thank You for the Music"
] | 20,949 |
[
"ABBA",
"notable work",
"Dick Cavett Meets ABBA"
] | Find the relation between <e1>ABBA<\e1> and <e2>Dick Cavett Meets ABBA<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"Dick Cavett Meets ABBA"
] | 20,950 |
[
"ABBA",
"notable work",
"Hole in Your Soul"
] | Find the relation between <e1>ABBA<\e1> and <e2>Hole in Your Soul<\e2>.
ABBA Live is an album of live recordings by Swedish pop group ABBA, released by Polar Music in 1986. A live album was something that many ABBA fans had demanded for several years. ABBA themselves had toyed with the idea on a couple of occasions, but always decided against it. Finally, four years after the members went their separate ways, a live collection was released after all. The resultant album, ABBA Live, contained recordings from 1977, 1979 and 1981. The tracks were mostly taken from ABBA ’s concerts at Wembley Arena in London in November 1979, with a few additional songs taken from the tour of Australia in March 1977 and the Dick Cavett Meets ABBA television special, taped in April 1981. When this LP / CD was released, the band's popularity was at an all - time low and none of the members themselves were involved in the production of the album. Much to the dismay of both music critics and ABBA fans it also had 80's synth drums overdubbed on most tracks, taking away the true live feeling of the performances. Neither did it feature any of the tracks that the band had performed live on their tours but never included on any of their studio albums, such as " I Am an A ", " Get on the Carousel ", " I'm Still Alive ", or the original live versions of the songs from the 1977 mini - musical The Girl with the Golden Hair : " Thank You for the Music ", " I Wonder (Departure) " and " I'm a Marionette ", all of which had slightly different lyrics and/or musical arrangements to the subsequent studio recordings included on. Several tracks had also been heavily edited, in the case of the 1979 live recording of " Does Your Mother Know " by as much as five minutes since it originally was performed on that tour as a medley with " Hole in Your Soul ". ABBA Live was the first ABBA album to be simultaneously released on LP and CD, the CD having three " extra tracks ". The album did not perform very well, internationally or domestically, peaking at # 49 in Sweden and only staying in the charts for two weeks. It was remastered and rereleased by Polydor / Polar in 1997, but is currently out of print. | notable work | 33 | [
"ABBA",
"Hole in Your Soul"
] | 20,951 |
[
"Where the Wild Things Are",
"author",
"Maurice Sendak"
] | Find the relation between <e1>Where the Wild Things Are<\e1> and <e2>Maurice Sendak<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | author | 46 | [
"Where the Wild Things Are",
"Maurice Sendak"
] | 21,369 |
[
"Young Wild Things Tour",
"performer",
"Fall Out Boy"
] | Find the relation between <e1>Young Wild Things Tour<\e1> and <e2>Fall Out Boy<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | performer | 35 | [
"Young Wild Things Tour",
"Fall Out Boy"
] | 21,371 |
[
"Maurice Sendak",
"notable work",
"Where the Wild Things Are"
] | Find the relation between <e1>Maurice Sendak<\e1> and <e2>Where the Wild Things Are<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | notable work | 33 | [
"Maurice Sendak",
"Where the Wild Things Are"
] | 21,372 |
[
"Fall Out Boy",
"has part(s)",
"Pete Wentz"
] | Find the relation between <e1>Fall Out Boy<\e1> and <e2>Pete Wentz<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | has part(s) | 10 | [
"Fall Out Boy",
"Pete Wentz"
] | 21,374 |
[
"Young Wild Things Tour",
"country of origin",
"America"
] | Find the relation between <e1>Young Wild Things Tour<\e1> and <e2>America<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | country of origin | 36 | [
"Young Wild Things Tour",
"America"
] | 21,380 |
[
"Fall Out Boy",
"notable work",
"Young Wild Things Tour"
] | Find the relation between <e1>Fall Out Boy<\e1> and <e2>Young Wild Things Tour<\e2>.
The Young Wild Things Tour was a four - band fall 2007 arena concert tour by Fall Out Boy with supporting acts Gym Class Heroes, Plain White T's, Cute Is What We Aim For, and Doug (from November 9 on). This is Fall Out Boy's biggest tour to date, grossing over $ 30 million. The tour sold out in five hours, with over 1.5 million tickets sold. The tour was first announced on the Fall Out Boy website, but instead of the traditional method of announcing tour dates in the same release as the announcement of the tour itself, the bands chose an unusual method. Fans would text a certain number and would be given a code for their state / area. That code would then be entered on a website. After an unknown amount of codes were entered, the tour date would be unlocked. The 31-date tour was only held in America, except for two Canadian dates. The tour began on October 18 and ran through December 2. Inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, the concert tour included sets designed by artist Rob Dobi, containing images from the book. Fall Out Boy bassist Pete Wentz explained, " Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written : You know, tantrums and monster islands and all. "" There's also a play on words of the young wild thing idea that everybody has with Hollywood and starlets right now. " | notable work | 33 | [
"Fall Out Boy",
"Young Wild Things Tour"
] | 21,383 |
[
"Samuel C. Brightman",
"work location",
"Washington"
] | Find the relation between <e1>Samuel C. Brightman<\e1> and <e2>Washington<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | work location | 30 | [
"Samuel C. Brightman",
"Washington"
] | 21,486 |
[
"Samuel C. Brightman",
"award received",
"Bronze Star"
] | Find the relation between <e1>Samuel C. Brightman<\e1> and <e2>Bronze Star<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | award received | 28 | [
"Samuel C. Brightman",
"Bronze Star"
] | 21,488 |
[
"Democratic National Committee",
"part of",
"Democrat"
] | Find the relation between <e1>Democratic National Committee<\e1> and <e2>Democrat<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | part of | 7 | [
"Democratic National Committee",
"Democrat"
] | 21,492 |
[
"Democratic National Conventions",
"part of",
"Democrat"
] | Find the relation between <e1>Democratic National Conventions<\e1> and <e2>Democrat<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | part of | 7 | [
"Democratic National Conventions",
"Democrat"
] | 21,493 |
[
"Democratic National Conventions",
"part of",
"Democratic National Committee"
] | Find the relation between <e1>Democratic National Conventions<\e1> and <e2>Democratic National Committee<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | part of | 7 | [
"Democratic National Conventions",
"Democratic National Committee"
] | 21,495 |
[
"D - Day",
"location",
"Omaha Beach"
] | Find the relation between <e1>D - Day<\e1> and <e2>Omaha Beach<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | location | 15 | [
"D - Day",
"Omaha Beach"
] | 21,500 |
[
"Samuel C. Brightman",
"country of citizenship",
"American"
] | Find the relation between <e1>Samuel C. Brightman<\e1> and <e2>American<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | country of citizenship | 29 | [
"Samuel C. Brightman",
"American"
] | 21,501 |
[
"Poland",
"continent",
"Europe"
] | Find the relation between <e1>Poland<\e1> and <e2>Europe<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | continent | 5 | [
"Poland",
"Europe"
] | 21,503 |
[
"Bronze Star",
"country",
"American"
] | Find the relation between <e1>Bronze Star<\e1> and <e2>American<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | country | 4 | [
"Bronze Star",
"American"
] | 21,509 |
[
"Samuel C. Brightman",
"employer",
"Democratic National Committee"
] | Find the relation between <e1>Samuel C. Brightman<\e1> and <e2>Democratic National Committee<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | employer | 38 | [
"Samuel C. Brightman",
"Democratic National Committee"
] | 21,510 |
[
"World War II",
"participant",
"Samuel C. Brightman"
] | Find the relation between <e1>World War II<\e1> and <e2>Samuel C. Brightman<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | participant | 45 | [
"World War II",
"Samuel C. Brightman"
] | 21,511 |
[
"World War II",
"participant",
"Hitler"
] | Find the relation between <e1>World War II<\e1> and <e2>Hitler<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | participant | 45 | [
"World War II",
"Hitler"
] | 21,512 |
[
"Democrat",
"has part(s)",
"Democratic National Committee"
] | Find the relation between <e1>Democrat<\e1> and <e2>Democratic National Committee<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | has part(s) | 10 | [
"Democrat",
"Democratic National Committee"
] | 21,513 |
[
"Democrat",
"has part(s)",
"Democratic National Conventions"
] | Find the relation between <e1>Democrat<\e1> and <e2>Democratic National Conventions<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | has part(s) | 10 | [
"Democrat",
"Democratic National Conventions"
] | 21,514 |
[
"Democratic National Committee",
"has part(s)",
"Democratic National Conventions"
] | Find the relation between <e1>Democratic National Committee<\e1> and <e2>Democratic National Conventions<\e2>.
Samuel C. Brightman (1911 – 1992) was a journalist, war correspondent, freelance writer and adult educator. Brightman started his career with the Louisville (KY) Courier - Journal covering education and politics and eventually becoming their Washington correspondent. In 1939 he spent seven months travelling a Europe on the verge of war, writing a series of articles for the Courier - Journal (his last installment was written from Poland shortly before Hitler invaded). He enlisted in the army in World War II and was assigned as a Public Relations Officer, responsible for transport, billeting, and general assistance for a group of newspaper reporters. He and his collection of reporters landed on Omaha Beach on D - Day with the American forces ; Brightman's were the first reports to reach the U.S. after the landing, despite the fact that their equipment landed nearly a mile away and there was no reliable route for their stories. Brightman received a Bronze Star for his efforts. After the war he took a position with the Democratic National Committee, an organization he remained with for nearly twenty years in various capacities including Deputy Director of Publicity, Director of Publicity, and managing editor of their monthly publication, The Democratic Digest, later called The Democrat. He was involved in several Democratic National Conventions in the 1950s and 1960s, generating publicity, press releases, and informational brochures for the party. Throughout his career he wrote extensively — columns, newsletters, essays, and speeches — on health care, the perils of aging, politics and political humor and, in his later years, on the importance of education in a democratic society and on ways to encourage civic literacy in the general population. He was the founding editor of " Adult and Continuing Education Today " and the first journalist to become devoted fully to covering adult education. | has part(s) | 10 | [
"Democratic National Committee",
"Democratic National Conventions"
] | 21,515 |
[
"Alberto Valenzuela Llanos",
"place of birth",
"San Fernando"
] | Find the relation between <e1>Alberto Valenzuela Llanos<\e1> and <e2>San Fernando<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of birth | 19 | [
"Alberto Valenzuela Llanos",
"San Fernando"
] | 21,837 |
[
"Alberto Valenzuela Llanos",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Alberto Valenzuela Llanos<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Alberto Valenzuela Llanos",
"Chile"
] | 21,838 |
[
"Alberto Valenzuela Llanos",
"place of death",
"Santiago"
] | Find the relation between <e1>Alberto Valenzuela Llanos<\e1> and <e2>Santiago<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of death | 20 | [
"Alberto Valenzuela Llanos",
"Santiago"
] | 21,840 |
[
"Juan Francisco González",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Juan Francisco González<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Juan Francisco González",
"Chile"
] | 21,845 |
[
"Valenzuela Llanos",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Valenzuela Llanos<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Valenzuela Llanos",
"Chile"
] | 21,848 |
[
"Cosme San Martín",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Cosme San Martín<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Cosme San Martín",
"Chile"
] | 21,849 |
[
"Juan Mochi",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Juan Mochi<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Juan Mochi",
"Chile"
] | 21,850 |
[
"Chilean National Museum of Fine Arts",
"located in the administrative territorial entity",
"Santiago"
] | Find the relation between <e1>Chilean National Museum of Fine Arts<\e1> and <e2>Santiago<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | located in the administrative territorial entity | 3 | [
"Chilean National Museum of Fine Arts",
"Santiago"
] | 21,853 |
[
"Alfredo Valenzuela Puelma",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Alfredo Valenzuela Puelma<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Alfredo Valenzuela Puelma",
"Chile"
] | 21,857 |
[
"Valenzuela Llanos’",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Valenzuela Llanos’<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Valenzuela Llanos’",
"Chile"
] | 21,858 |
[
"Valenzuela Llanos",
"place of birth",
"San Fernando"
] | Find the relation between <e1>Valenzuela Llanos<\e1> and <e2>San Fernando<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of birth | 19 | [
"Valenzuela Llanos",
"San Fernando"
] | 21,860 |
[
"Pedro Lira",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Pedro Lira<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Pedro Lira",
"Chilean"
] | 21,861 |
[
"Juan Mochi",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Juan Mochi<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Juan Mochi",
"Chilean"
] | 21,863 |
[
"Alberto Valenzuela Llanos",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Alberto Valenzuela Llanos<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Alberto Valenzuela Llanos",
"Chilean"
] | 21,864 |
[
"Onofre Jarpa",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Onofre Jarpa<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Onofre Jarpa",
"Chilean"
] | 21,865 |
[
"Valenzuela Llanos",
"place of death",
"Santiago"
] | Find the relation between <e1>Valenzuela Llanos<\e1> and <e2>Santiago<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of death | 20 | [
"Valenzuela Llanos",
"Santiago"
] | 21,866 |
[
"Juan Francisco González",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Juan Francisco González<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Juan Francisco González",
"Chilean"
] | 21,867 |
[
"Mochi",
"country of citizenship",
"Chile"
] | Find the relation between <e1>Mochi<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Mochi",
"Chile"
] | 21,868 |
[
"Cosme San Martín",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Cosme San Martín<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Cosme San Martín",
"Chilean"
] | 21,869 |
[
"Alfredo Valenzuela Puelma",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Alfredo Valenzuela Puelma<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Alfredo Valenzuela Puelma",
"Chilean"
] | 21,870 |
[
"Mochi",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Mochi<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Mochi",
"Chilean"
] | 21,874 |
[
"Valenzuela Llanos’",
"place of death",
"Santiago"
] | Find the relation between <e1>Valenzuela Llanos’<\e1> and <e2>Santiago<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of death | 20 | [
"Valenzuela Llanos’",
"Santiago"
] | 21,875 |
[
"Valenzuela Llanos",
"country of citizenship",
"Chilean"
] | Find the relation between <e1>Valenzuela Llanos<\e1> and <e2>Chilean<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country of citizenship | 29 | [
"Valenzuela Llanos",
"Chilean"
] | 21,877 |
[
"Great Chilean Masters",
"has part(s)",
"Alfredo Valenzuela Puelma"
] | Find the relation between <e1>Great Chilean Masters<\e1> and <e2>Alfredo Valenzuela Puelma<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | has part(s) | 10 | [
"Great Chilean Masters",
"Alfredo Valenzuela Puelma"
] | 21,880 |
[
"Valenzuela Llanos’",
"place of birth",
"San Fernando"
] | Find the relation between <e1>Valenzuela Llanos’<\e1> and <e2>San Fernando<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | place of birth | 19 | [
"Valenzuela Llanos’",
"San Fernando"
] | 21,882 |
[
"Great Chilean Masters",
"country",
"Chile"
] | Find the relation between <e1>Great Chilean Masters<\e1> and <e2>Chile<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | country | 4 | [
"Great Chilean Masters",
"Chile"
] | 21,883 |
[
"Alfredo Valenzuela Puelma",
"part of",
"Great Chilean Masters"
] | Find the relation between <e1>Alfredo Valenzuela Puelma<\e1> and <e2>Great Chilean Masters<\e2>.
Alberto Valenzuela Llanos (San Fernando, Chile, August 29, 1869 – Santiago, Chile, July 23, 1925), was one of Chile's greatest painters and one of the four Great Chilean Masters, along with Pedro Lira, Alfredo Valenzuela Puelma and Juan Francisco González. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow - topped mountains in France and views of Paris. Valenzuela Llanos was a pupil of the Chilean artists Cosme San Martín and Juan Mochi, both directors of the Chilean National Museum of Fine Arts in Santiago, Chile, with Mochi having the greatest influence on Valenzuela Llanos’ work. He was also taught by the Chilean romantic painter Onofre Jarpa. | part of | 7 | [
"Alfredo Valenzuela Puelma",
"Great Chilean Masters"
] | 21,884 |
[
"Durg",
"located in the administrative territorial entity",
"Madhya Pradesh"
] | Find the relation between <e1>Durg<\e1> and <e2>Madhya Pradesh<\e2>.
Amandeep Narayan Khare (born 5 August 1997, Durg, Madhya Pradesh now Chhattisgarh) is an Indian cricketer who plays for Chhattisgarh cricket team. In December 2015, he scored a century for India national under-19 cricket team against Sri Lanka national under-19 cricket team and help his team to win a four - run D / L win over Sri Lanka Under-19s at the Premadasa Stadium. He made his first - class debut for Chhattisgarh in the 2016–17 Ranji Trophy on 6 October 2016. He scored a century in his second match against Andhra Pradesh to help Chhattisgarh recover in their first innings. He made his Twenty20 debut for Chhattisgarh in the 2016–17 Inter State Twenty-20 Tournament on 29 January 2017. He made his List A debut for Chhattisgarh in the 2016–17 Vijay Hazare Trophy on 25 February 2017. | located in the administrative territorial entity | 3 | [
"Durg",
"Madhya Pradesh"
] | 22,227 |
[
"Amandeep Narayan Khare",
"place of birth",
"Durg"
] | Find the relation between <e1>Amandeep Narayan Khare<\e1> and <e2>Durg<\e2>.
Amandeep Narayan Khare (born 5 August 1997, Durg, Madhya Pradesh now Chhattisgarh) is an Indian cricketer who plays for Chhattisgarh cricket team. In December 2015, he scored a century for India national under-19 cricket team against Sri Lanka national under-19 cricket team and help his team to win a four - run D / L win over Sri Lanka Under-19s at the Premadasa Stadium. He made his first - class debut for Chhattisgarh in the 2016–17 Ranji Trophy on 6 October 2016. He scored a century in his second match against Andhra Pradesh to help Chhattisgarh recover in their first innings. He made his Twenty20 debut for Chhattisgarh in the 2016–17 Inter State Twenty-20 Tournament on 29 January 2017. He made his List A debut for Chhattisgarh in the 2016–17 Vijay Hazare Trophy on 25 February 2017. | place of birth | 19 | [
"Amandeep Narayan Khare",
"Durg"
] | 22,228 |
[
"Durg",
"located in the administrative territorial entity",
"Chhattisgarh"
] | Find the relation between <e1>Durg<\e1> and <e2>Chhattisgarh<\e2>.
Amandeep Narayan Khare (born 5 August 1997, Durg, Madhya Pradesh now Chhattisgarh) is an Indian cricketer who plays for Chhattisgarh cricket team. In December 2015, he scored a century for India national under-19 cricket team against Sri Lanka national under-19 cricket team and help his team to win a four - run D / L win over Sri Lanka Under-19s at the Premadasa Stadium. He made his first - class debut for Chhattisgarh in the 2016–17 Ranji Trophy on 6 October 2016. He scored a century in his second match against Andhra Pradesh to help Chhattisgarh recover in their first innings. He made his Twenty20 debut for Chhattisgarh in the 2016–17 Inter State Twenty-20 Tournament on 29 January 2017. He made his List A debut for Chhattisgarh in the 2016–17 Vijay Hazare Trophy on 25 February 2017. | located in the administrative territorial entity | 3 | [
"Durg",
"Chhattisgarh"
] | 22,233 |
[
"Amandeep Narayan Khare",
"country of citizenship",
"Indian"
] | Find the relation between <e1>Amandeep Narayan Khare<\e1> and <e2>Indian<\e2>.
Amandeep Narayan Khare (born 5 August 1997, Durg, Madhya Pradesh now Chhattisgarh) is an Indian cricketer who plays for Chhattisgarh cricket team. In December 2015, he scored a century for India national under-19 cricket team against Sri Lanka national under-19 cricket team and help his team to win a four - run D / L win over Sri Lanka Under-19s at the Premadasa Stadium. He made his first - class debut for Chhattisgarh in the 2016–17 Ranji Trophy on 6 October 2016. He scored a century in his second match against Andhra Pradesh to help Chhattisgarh recover in their first innings. He made his Twenty20 debut for Chhattisgarh in the 2016–17 Inter State Twenty-20 Tournament on 29 January 2017. He made his List A debut for Chhattisgarh in the 2016–17 Vijay Hazare Trophy on 25 February 2017. | country of citizenship | 29 | [
"Amandeep Narayan Khare",
"Indian"
] | 22,236 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.