triplets
sequence | passage
stringlengths 654
2.68k
| label_str
stringlengths 5
48
| label
int64 0
68
| paires
sequence | __index_level_0__
int64 2
103k
|
|---|---|---|---|---|---|
[
"Kargil War",
"participant",
"Pervez Musharraf"
] | Find the relation between <e1>Kargil War<\e1> and <e2>Pervez Musharraf<\e2>.
Ali Kuli Khan Khattak (Urdu : على قلى خان ; HI(M), is a retired Pakistani three - star rank general officer and former field commander of X Corps. Prior to this field assignment, he was the chief of general staff and also directed the directorate - general of the Military Intelligence (DGMI) during his career. Khattak was also an instructor in the National Defence University (NDU) before being elevated to the senior staff appointments. He has been credited for foresight in predicting the dangers of terrorism and the public appraised reputation when thwarting the conspiracy hatched by infiltrated rogue officers against the government of Prime minister Benazir Bhutto. He opposed the Kargil War and was notably superseded by the former Prime minister Nawaz Sharif after approving the appointment of Khattak's course - mate, General Pervez Musharraf to four - star rank and chief of army staff. | participant | 45 | [
"Kargil War",
"Pervez Musharraf"
] | 22,886 |
[
"Paul Charles Morphy",
"place of birth",
"New Orleans"
] | Find the relation between <e1>Paul Charles Morphy<\e1> and <e2>New Orleans<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | place of birth | 19 | [
"Paul Charles Morphy",
"New Orleans"
] | 22,964 |
[
"Paul Charles Morphy",
"country of citizenship",
"American"
] | Find the relation between <e1>Paul Charles Morphy<\e1> and <e2>American<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | country of citizenship | 29 | [
"Paul Charles Morphy",
"American"
] | 22,965 |
[
"Johann Löwenthal",
"country of citizenship",
"Hungarian"
] | Find the relation between <e1>Johann Löwenthal<\e1> and <e2>Hungarian<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | country of citizenship | 29 | [
"Johann Löwenthal",
"Hungarian"
] | 22,967 |
[
"Alexander Meek",
"country of citizenship",
"American"
] | Find the relation between <e1>Alexander Meek<\e1> and <e2>American<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | country of citizenship | 29 | [
"Alexander Meek",
"American"
] | 22,969 |
[
"Alexander Meek",
"participant of",
"First American Chess Congress"
] | Find the relation between <e1>Alexander Meek<\e1> and <e2>First American Chess Congress<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | participant of | 61 | [
"Alexander Meek",
"First American Chess Congress"
] | 22,970 |
[
"Louis Paulsen",
"country of citizenship",
"American"
] | Find the relation between <e1>Louis Paulsen<\e1> and <e2>American<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | country of citizenship | 29 | [
"Louis Paulsen",
"American"
] | 22,971 |
[
"First American Chess Congress",
"country",
"American"
] | Find the relation between <e1>First American Chess Congress<\e1> and <e2>American<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | country | 4 | [
"First American Chess Congress",
"American"
] | 22,972 |
[
"First American Chess Congress",
"location",
"New York City"
] | Find the relation between <e1>First American Chess Congress<\e1> and <e2>New York City<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | location | 15 | [
"First American Chess Congress",
"New York City"
] | 22,974 |
[
"First American Chess Congress",
"participant",
"Alexander Meek"
] | Find the relation between <e1>First American Chess Congress<\e1> and <e2>Alexander Meek<\e2>.
Paul Charles Morphy (June 22, 1837 – July 10, 1884) was an American chess player. He is considered to have been the greatest chess master of his era and an unofficial World Chess Champion. A chess prodigy, he was called " The Pride and Sorrow of Chess " because he had a brilliant chess career but retired from the game while still young. Bobby Fischer ranked him among the ten greatest players of all time, and described him as " perhaps the most accurate player who ever lived ". Morphy was born in New Orleans to a wealthy and distinguished family. He learned to play chess by simply watching games between his father and uncle. His family soon recognized the boy's talent and encouraged him to play at family gatherings, and by the age of nine he was considered to be one of the best players in the city. At just twelve years of age, Morphy defeated visiting Hungarian master Johann Löwenthal in a match of three games. After receiving his degree in 1857, Morphy was not yet of legal age to practice law and found himself with free time. At his uncle's urging, he accepted an invitation to play at the First American Chess Congress in New York City. After winning the tournament, which included strong players such as Alexander Meek and Louis Paulsen, Morphy was hailed as the chess champion of the United States and stayed in New York playing chess through 1857, winning the vast majority of his games. In 1858, Morphy traveled to Europe to play European Champion Howard Staunton. Morphy played almost every strong player in Europe, usually winning easily. The match with Staunton never materialized, but Morphy was acclaimed by most in Europe as the world's best player. Returning to the United States in triumph, Morphy toured the major cities playing chess on his way back to New Orleans. By 1859, on returning to New Orleans, Morphy declared he was retiring from chess to begin his law career. However, Morphy was never able to establish a successful law practice and ultimately lived a life of idleness, living off his family's fortune. Despite appeals from his chess admirers, Morphy never returned to the game, and died in 1884 from a stroke at the age of 47. | participant | 45 | [
"First American Chess Congress",
"Alexander Meek"
] | 22,975 |
[
"Let It Loose",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Let It Loose<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Let It Loose",
"Miami Sound Machine"
] | 23,096 |
[
"Let It Loose",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Let It Loose<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Let It Loose",
"Gloria Estefan"
] | 23,098 |
[
"Let It Loose",
"followed by",
"Cuts Both Ways"
] | Find the relation between <e1>Let It Loose<\e1> and <e2>Cuts Both Ways<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | followed by | 9 | [
"Let It Loose",
"Cuts Both Ways"
] | 23,099 |
[
"Let It Loose",
"follows",
"Primitive Love"
] | Find the relation between <e1>Let It Loose<\e1> and <e2>Primitive Love<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | follows | 44 | [
"Let It Loose",
"Primitive Love"
] | 23,100 |
[
"Conga",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Conga<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Conga",
"Gloria Estefan"
] | 23,101 |
[
"Conga",
"part of",
"Primitive Love"
] | Find the relation between <e1>Conga<\e1> and <e2>Primitive Love<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | part of | 7 | [
"Conga",
"Primitive Love"
] | 23,102 |
[
"Anything For You in Europe",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Anything For You in Europe<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Anything For You in Europe",
"Miami Sound Machine"
] | 23,103 |
[
"Anything For You in Europe",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Anything For You in Europe<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Anything For You in Europe",
"Gloria Estefan"
] | 23,104 |
[
"Gloria Estefan",
"country of citizenship",
"American"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of citizenship | 29 | [
"Gloria Estefan",
"American"
] | 23,105 |
[
"Cuts Both Ways",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Cuts Both Ways<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Cuts Both Ways",
"Gloria Estefan"
] | 23,107 |
[
"Mi Tierra",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Mi Tierra<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Mi Tierra",
"Gloria Estefan"
] | 23,109 |
[
"Eyes of Innocence",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Eyes of Innocence<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Eyes of Innocence",
"Miami Sound Machine"
] | 23,110 |
[
"Eyes of Innocence",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Eyes of Innocence<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Eyes of Innocence",
"Gloria Estefan"
] | 23,111 |
[
"Primitive Love",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Primitive Love",
"Miami Sound Machine"
] | 23,112 |
[
"Primitive Love",
"performer",
"Gloria Estefan"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Primitive Love",
"Gloria Estefan"
] | 23,113 |
[
"Primitive Love",
"follows",
"Eyes of Innocence"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>Eyes of Innocence<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | follows | 44 | [
"Primitive Love",
"Eyes of Innocence"
] | 23,114 |
[
"Eyes of Innocence",
"follows",
"Conga"
] | Find the relation between <e1>Eyes of Innocence<\e1> and <e2>Conga<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | follows | 44 | [
"Eyes of Innocence",
"Conga"
] | 23,116 |
[
"Conga",
"country of origin",
"American"
] | Find the relation between <e1>Conga<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of origin | 36 | [
"Conga",
"American"
] | 23,117 |
[
"Selena Quintanilla",
"country of citizenship",
"American"
] | Find the relation between <e1>Selena Quintanilla<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of citizenship | 29 | [
"Selena Quintanilla",
"American"
] | 23,119 |
[
"Eyes of Innocence",
"country of origin",
"American"
] | Find the relation between <e1>Eyes of Innocence<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of origin | 36 | [
"Eyes of Innocence",
"American"
] | 23,120 |
[
"Mi Tierra",
"country of origin",
"American"
] | Find the relation between <e1>Mi Tierra<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of origin | 36 | [
"Mi Tierra",
"American"
] | 23,121 |
[
"Gloria Estefan",
"languages spoken, written or signed",
"Spanish"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Spanish<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | languages spoken, written or signed | 17 | [
"Gloria Estefan",
"Spanish"
] | 23,122 |
[
"Primitive Love",
"followed by",
"Let It Loose"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>Let It Loose<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | followed by | 9 | [
"Primitive Love",
"Let It Loose"
] | 23,123 |
[
"Eyes of Innocence",
"followed by",
"Primitive Love"
] | Find the relation between <e1>Eyes of Innocence<\e1> and <e2>Primitive Love<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | followed by | 9 | [
"Eyes of Innocence",
"Primitive Love"
] | 23,124 |
[
"Primitive Love",
"country of origin",
"American"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>American<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | country of origin | 36 | [
"Primitive Love",
"American"
] | 23,125 |
[
"Miami Sound Machine",
"has part(s)",
"Gloria Estefan"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Gloria Estefan<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | has part(s) | 10 | [
"Miami Sound Machine",
"Gloria Estefan"
] | 23,126 |
[
"Conga",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Conga<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Conga",
"Miami Sound Machine"
] | 23,127 |
[
"Cuts Both Ways",
"performer",
"Miami Sound Machine"
] | Find the relation between <e1>Cuts Both Ways<\e1> and <e2>Miami Sound Machine<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | performer | 35 | [
"Cuts Both Ways",
"Miami Sound Machine"
] | 23,128 |
[
"Selena Quintanilla",
"genre",
"Latin"
] | Find the relation between <e1>Selena Quintanilla<\e1> and <e2>Latin<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | genre | 37 | [
"Selena Quintanilla",
"Latin"
] | 23,129 |
[
"Gloria Estefan",
"languages spoken, written or signed",
"Spanish - language"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Spanish - language<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | languages spoken, written or signed | 17 | [
"Gloria Estefan",
"Spanish - language"
] | 23,130 |
[
"Miami Sound Machine",
"notable work",
"Let It Loose"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Let It Loose<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Let It Loose"
] | 23,135 |
[
"Gloria Estefan",
"notable work",
"Let It Loose"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Let It Loose<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Let It Loose"
] | 23,136 |
[
"Cuts Both Ways",
"follows",
"Let It Loose"
] | Find the relation between <e1>Cuts Both Ways<\e1> and <e2>Let It Loose<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | follows | 44 | [
"Cuts Both Ways",
"Let It Loose"
] | 23,137 |
[
"Gloria Estefan",
"notable work",
"Conga"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Conga<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Conga"
] | 23,138 |
[
"Primitive Love",
"has part(s)",
"Conga"
] | Find the relation between <e1>Primitive Love<\e1> and <e2>Conga<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | has part(s) | 10 | [
"Primitive Love",
"Conga"
] | 23,139 |
[
"Miami Sound Machine",
"notable work",
"Anything For You in Europe"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Anything For You in Europe<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Anything For You in Europe"
] | 23,140 |
[
"Gloria Estefan",
"notable work",
"Anything For You in Europe"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Anything For You in Europe<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Anything For You in Europe"
] | 23,141 |
[
"Gloria Estefan",
"notable work",
"Cuts Both Ways"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Cuts Both Ways<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Cuts Both Ways"
] | 23,142 |
[
"Gloria Estefan",
"notable work",
"Mi Tierra"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Mi Tierra<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Mi Tierra"
] | 23,143 |
[
"Miami Sound Machine",
"notable work",
"Eyes of Innocence"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Eyes of Innocence<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Eyes of Innocence"
] | 23,144 |
[
"Gloria Estefan",
"notable work",
"Eyes of Innocence"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Eyes of Innocence<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Eyes of Innocence"
] | 23,145 |
[
"Miami Sound Machine",
"notable work",
"Primitive Love"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Primitive Love<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Primitive Love"
] | 23,146 |
[
"Gloria Estefan",
"notable work",
"Primitive Love"
] | Find the relation between <e1>Gloria Estefan<\e1> and <e2>Primitive Love<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Gloria Estefan",
"Primitive Love"
] | 23,147 |
[
"Conga",
"followed by",
"Eyes of Innocence"
] | Find the relation between <e1>Conga<\e1> and <e2>Eyes of Innocence<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | followed by | 9 | [
"Conga",
"Eyes of Innocence"
] | 23,148 |
[
"Miami Sound Machine",
"notable work",
"Conga"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Conga<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Conga"
] | 23,150 |
[
"Miami Sound Machine",
"notable work",
"Cuts Both Ways"
] | Find the relation between <e1>Miami Sound Machine<\e1> and <e2>Cuts Both Ways<\e2>.
The album discography of the Cuban - American singer Gloria Estefan consists of twenty studio albums, nine compilations, and seven EPs (combining Estefan's releases with her band, the Miami Sound Machine, and her solo releases). With estimated sales of 100 million of albums worldwide, she and Selena Quintanilla are the most successful female Latin crossover artists ever. Although they had been recording since the mid-1970s, Estefan's breakthrough came when Miami Sound Machine released the single " Dr.Beat " in Europe in 1984. Though a major hit there, the band did n't make a commercial impact in the United States until the following year with the release of the single, " Conga ", which became a signature - song for Estefan. Both of the corresponding albums (Eyes of Innocence and Primitive Love) were credited to Miami Sound Machine. Their next album, 1987's Let It Loose (titled as Anything For You in Europe) was credited to Gloria Estefan and Miami Sound Machine. All further albums after 1989's Cuts Both Ways onwards were credited solely to Estefan herself, though Miami Sound Machine continues to be her backing band and perform with her live to the present day. Estefan has also recorded many albums in Spanish, and her 1993 album, Mi Tierra, is one of the most successful Spanish - language albums released in the USA. The album was also an international hit and became the first album in Spain to gain a Diamond certification (for sales in excess of 1 million copies). | notable work | 33 | [
"Miami Sound Machine",
"Cuts Both Ways"
] | 23,151 |
[
"Tonankai earthquake",
"country",
"Japan"
] | Find the relation between <e1>Tonankai earthquake<\e1> and <e2>Japan<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | country | 4 | [
"Tonankai earthquake",
"Japan"
] | 23,483 |
[
"Mikawa earthquake",
"country",
"Japan"
] | Find the relation between <e1>Mikawa earthquake<\e1> and <e2>Japan<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | country | 4 | [
"Mikawa earthquake",
"Japan"
] | 23,496 |
[
"Kiyoo Mogi",
"country of citizenship",
"Japan"
] | Find the relation between <e1>Kiyoo Mogi<\e1> and <e2>Japan<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | country of citizenship | 29 | [
"Kiyoo Mogi",
"Japan"
] | 23,498 |
[
"Kansai",
"located on terrain feature",
"Pacific Ocean"
] | Find the relation between <e1>Kansai<\e1> and <e2>Pacific Ocean<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | located on terrain feature | 65 | [
"Kansai",
"Pacific Ocean"
] | 23,500 |
[
"Nagoya",
"located in the administrative territorial entity",
"Chūbu"
] | Find the relation between <e1>Nagoya<\e1> and <e2>Chūbu<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | located in the administrative territorial entity | 3 | [
"Nagoya",
"Chūbu"
] | 23,504 |
[
"Shizuoka",
"located in the administrative territorial entity",
"Chūbu"
] | Find the relation between <e1>Shizuoka<\e1> and <e2>Chūbu<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | located in the administrative territorial entity | 3 | [
"Shizuoka",
"Chūbu"
] | 23,507 |
[
"Tōkai",
"located in the administrative territorial entity",
"Chūbu"
] | Find the relation between <e1>Tōkai<\e1> and <e2>Chūbu<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | located in the administrative territorial entity | 3 | [
"Tōkai",
"Chūbu"
] | 23,511 |
[
"Mie",
"located in the administrative territorial entity",
"Chūkyō"
] | Find the relation between <e1>Mie<\e1> and <e2>Chūkyō<\e2>.
The is a subregion of the Chūbu region and Kansai region in Japan that runs along the Pacific Ocean. The name comes from the Tōkaidō, one of the Edo Five Routes. Because Tōkai is a sub - region and is not officially classified, there is some disagreement about where exactly the region begins and ends, however Japanese maps widely conclude that the region includes Shizuoka, Aichi, Gifu and Mie prefectures. The largest major city in the region is Nagoya and the Chūkyō Metropolitan Area (Nagoya Metropolitan Area) makes up a large portion of the region and has Japan's third strongest economy. The business influence of this urban area sometimes extends out into the outlying areas of the three prefectures centered on Nagoya which are Aichi, Gifu, and Mie ; this area is sometimes referred to as the Chūkyō region. Tōkai is a heavy manufacturing area and is one of the most industrial regions in Japan. Its coast is lined with densely populated cities with economies that thrive on factories. The Tōkai region has experienced a number of large earthquakes in the past, including the two great earthquakes in 1944 (also known as the " Tonankai earthquake ") and 1945 (also known as the " Mikawa earthquake "). Following the work of Kiyoo Mogi, it is predicted that there is a possibility that the area will be subject to a shallow magnitude 8.0 earthquake in the near future. Nagoya, Shizuoka, and other large cities would be greatly damaged, with potential casualties in the tens of thousands. The Coordinating Committee for Earthquake Prediction designated the region as an Area of Specific Observation in 1970, and upgraded it to an Area of Intensified Observation in 1974. | located in the administrative territorial entity | 3 | [
"Mie",
"Chūkyō"
] | 23,512 |
[
"Forest Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Forest Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Forest Park",
"Missouri"
] | 23,886 |
[
"St. Louis",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>St. Louis<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"St. Louis",
"Missouri"
] | 23,887 |
[
"Greensfelder County Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Greensfelder County Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Greensfelder County Park",
"Missouri"
] | 23,888 |
[
"Creve Coeur Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Creve Coeur Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Creve Coeur Park",
"Missouri"
] | 23,889 |
[
"St. Louis County",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>St. Louis County<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"St. Louis County",
"Missouri"
] | 23,890 |
[
"Castlewood State Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Castlewood State Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Castlewood State Park",
"Missouri"
] | 23,891 |
[
"Meramec State Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Meramec State Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Meramec State Park",
"Missouri"
] | 23,892 |
[
"Gateway Arch National Park",
"instance of",
"National Memorial"
] | Find the relation between <e1>Gateway Arch National Park<\e1> and <e2>National Memorial<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | instance of | 2 | [
"Gateway Arch National Park",
"National Memorial"
] | 23,893 |
[
"Babler State Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Babler State Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Babler State Park",
"Missouri"
] | 23,894 |
[
"Parks in Greater St. Louis",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Parks in Greater St. Louis<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Parks in Greater St. Louis",
"Missouri"
] | 23,896 |
[
"Creve Coeur Park",
"located in the administrative territorial entity",
"St. Louis County"
] | Find the relation between <e1>Creve Coeur Park<\e1> and <e2>St. Louis County<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Creve Coeur Park",
"St. Louis County"
] | 23,897 |
[
"Forest Park",
"located in the administrative territorial entity",
"St. Louis"
] | Find the relation between <e1>Forest Park<\e1> and <e2>St. Louis<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Forest Park",
"St. Louis"
] | 23,898 |
[
"Gateway Arch National Park",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Gateway Arch National Park<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Gateway Arch National Park",
"Missouri"
] | 23,899 |
[
"Gateway Arch",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Gateway Arch<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Gateway Arch",
"Missouri"
] | 23,900 |
[
"Babler State Park",
"located in the administrative territorial entity",
"St. Louis County"
] | Find the relation between <e1>Babler State Park<\e1> and <e2>St. Louis County<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Babler State Park",
"St. Louis County"
] | 23,902 |
[
"Castlewood State Park",
"located in the administrative territorial entity",
"St. Louis County"
] | Find the relation between <e1>Castlewood State Park<\e1> and <e2>St. Louis County<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Castlewood State Park",
"St. Louis County"
] | 23,903 |
[
"Greensfelder County Park",
"located in the administrative territorial entity",
"St. Louis County"
] | Find the relation between <e1>Greensfelder County Park<\e1> and <e2>St. Louis County<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Greensfelder County Park",
"St. Louis County"
] | 23,904 |
[
"National Memorial",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>National Memorial<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"National Memorial",
"Missouri"
] | 23,905 |
[
"Gateway Arch",
"part of",
"Gateway Arch National Park"
] | Find the relation between <e1>Gateway Arch<\e1> and <e2>Gateway Arch National Park<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | part of | 7 | [
"Gateway Arch",
"Gateway Arch National Park"
] | 23,906 |
[
"Sullivan",
"located in the administrative territorial entity",
"Missouri"
] | Find the relation between <e1>Sullivan<\e1> and <e2>Missouri<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | located in the administrative territorial entity | 3 | [
"Sullivan",
"Missouri"
] | 23,907 |
[
"Gateway Arch",
"instance of",
"National Memorial"
] | Find the relation between <e1>Gateway Arch<\e1> and <e2>National Memorial<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | instance of | 2 | [
"Gateway Arch",
"National Memorial"
] | 23,908 |
[
"Gateway Arch National Park",
"has part(s)",
"Gateway Arch"
] | Find the relation between <e1>Gateway Arch National Park<\e1> and <e2>Gateway Arch<\e2>.
Parks in Greater St. Louis are administered by a variety of state, county, and municipal authorities. The region also is home to the Gateway Arch National Park, site of the Gateway Arch, the only National Memorial in the state of Missouri. Among the largest municipal parks is Forest Park, which is and is located in the city of St. Louis, although both Greensfelder County Park and Creve Coeur Park in St. Louis County are larger, at respectively. St. Louis County is also the location of two large state parks, Babler State Park with and Castlewood State Park with. The largest state park in the region is Meramec State Park, located near Sullivan, Missouri, with of parkland. | has part(s) | 10 | [
"Gateway Arch National Park",
"Gateway Arch"
] | 23,909 |
[
"Connolly Station",
"located in the administrative territorial entity",
"Dublin"
] | Find the relation between <e1>Connolly Station<\e1> and <e2>Dublin<\e2>.
The Loopline Bridge (or the Liffey Viaduct) is a railway bridge spanning the River Liffey and several streets in Dublin, Ireland. It joins rail services from south of Dublin to Connolly Station and lines north. Designed by John Chaloner Smith (engineer to the Dublin, Wicklow and Wexford Railway), the bridge was built between 1889 and 1891. It consists of wrought iron lattice girders on a double row of piers with five spans. The viaduct is approximately six metres above street level and supports two railway tracks. During original planning and construction (in the late 19th century) the project was subject to much opposition and controversy, because the structure blocks the view down river to The Custom House. However, the bridge was deemed necessary as a rail link between north and south Dublin, and to facilitate the movement of transatlantic mail coming from Kingstown (Dún Laoghaire) and Queenstown (Cobh). 100 years later, the visage of the bridge remains the subject of some debate. Already arguably less attractive than some of Dublin's other bridges, the façades of the Loopline have been used by Iarnród Éireann for billboard advertising. , the company has scaled back the bridge's use for this purpose to reduce impact on the city skyline, following input from An Bord Pleanála and Dublin City Council. A prominent feature in the city landscape since 1891, the Loopline Bridge appears in one of the most famous literary works associated with Dublin : | located in the administrative territorial entity | 3 | [
"Connolly Station",
"Dublin"
] | 24,076 |
[
"The Custom House",
"located in the administrative territorial entity",
"Dublin"
] | Find the relation between <e1>The Custom House<\e1> and <e2>Dublin<\e2>.
The Loopline Bridge (or the Liffey Viaduct) is a railway bridge spanning the River Liffey and several streets in Dublin, Ireland. It joins rail services from south of Dublin to Connolly Station and lines north. Designed by John Chaloner Smith (engineer to the Dublin, Wicklow and Wexford Railway), the bridge was built between 1889 and 1891. It consists of wrought iron lattice girders on a double row of piers with five spans. The viaduct is approximately six metres above street level and supports two railway tracks. During original planning and construction (in the late 19th century) the project was subject to much opposition and controversy, because the structure blocks the view down river to The Custom House. However, the bridge was deemed necessary as a rail link between north and south Dublin, and to facilitate the movement of transatlantic mail coming from Kingstown (Dún Laoghaire) and Queenstown (Cobh). 100 years later, the visage of the bridge remains the subject of some debate. Already arguably less attractive than some of Dublin's other bridges, the façades of the Loopline have been used by Iarnród Éireann for billboard advertising. , the company has scaled back the bridge's use for this purpose to reduce impact on the city skyline, following input from An Bord Pleanála and Dublin City Council. A prominent feature in the city landscape since 1891, the Loopline Bridge appears in one of the most famous literary works associated with Dublin : | located in the administrative territorial entity | 3 | [
"The Custom House",
"Dublin"
] | 24,079 |
[
"Liffey Viaduct",
"located in the administrative territorial entity",
"Dublin"
] | Find the relation between <e1>Liffey Viaduct<\e1> and <e2>Dublin<\e2>.
The Loopline Bridge (or the Liffey Viaduct) is a railway bridge spanning the River Liffey and several streets in Dublin, Ireland. It joins rail services from south of Dublin to Connolly Station and lines north. Designed by John Chaloner Smith (engineer to the Dublin, Wicklow and Wexford Railway), the bridge was built between 1889 and 1891. It consists of wrought iron lattice girders on a double row of piers with five spans. The viaduct is approximately six metres above street level and supports two railway tracks. During original planning and construction (in the late 19th century) the project was subject to much opposition and controversy, because the structure blocks the view down river to The Custom House. However, the bridge was deemed necessary as a rail link between north and south Dublin, and to facilitate the movement of transatlantic mail coming from Kingstown (Dún Laoghaire) and Queenstown (Cobh). 100 years later, the visage of the bridge remains the subject of some debate. Already arguably less attractive than some of Dublin's other bridges, the façades of the Loopline have been used by Iarnród Éireann for billboard advertising. , the company has scaled back the bridge's use for this purpose to reduce impact on the city skyline, following input from An Bord Pleanála and Dublin City Council. A prominent feature in the city landscape since 1891, the Loopline Bridge appears in one of the most famous literary works associated with Dublin : | located in the administrative territorial entity | 3 | [
"Liffey Viaduct",
"Dublin"
] | 24,082 |
[
"Liffey Viaduct",
"located on terrain feature",
"River Liffey"
] | Find the relation between <e1>Liffey Viaduct<\e1> and <e2>River Liffey<\e2>.
The Loopline Bridge (or the Liffey Viaduct) is a railway bridge spanning the River Liffey and several streets in Dublin, Ireland. It joins rail services from south of Dublin to Connolly Station and lines north. Designed by John Chaloner Smith (engineer to the Dublin, Wicklow and Wexford Railway), the bridge was built between 1889 and 1891. It consists of wrought iron lattice girders on a double row of piers with five spans. The viaduct is approximately six metres above street level and supports two railway tracks. During original planning and construction (in the late 19th century) the project was subject to much opposition and controversy, because the structure blocks the view down river to The Custom House. However, the bridge was deemed necessary as a rail link between north and south Dublin, and to facilitate the movement of transatlantic mail coming from Kingstown (Dún Laoghaire) and Queenstown (Cobh). 100 years later, the visage of the bridge remains the subject of some debate. Already arguably less attractive than some of Dublin's other bridges, the façades of the Loopline have been used by Iarnród Éireann for billboard advertising. , the company has scaled back the bridge's use for this purpose to reduce impact on the city skyline, following input from An Bord Pleanála and Dublin City Council. A prominent feature in the city landscape since 1891, the Loopline Bridge appears in one of the most famous literary works associated with Dublin : | located on terrain feature | 65 | [
"Liffey Viaduct",
"River Liffey"
] | 24,088 |
[
"River Liffey",
"located in the administrative territorial entity",
"Dublin"
] | Find the relation between <e1>River Liffey<\e1> and <e2>Dublin<\e2>.
The Loopline Bridge (or the Liffey Viaduct) is a railway bridge spanning the River Liffey and several streets in Dublin, Ireland. It joins rail services from south of Dublin to Connolly Station and lines north. Designed by John Chaloner Smith (engineer to the Dublin, Wicklow and Wexford Railway), the bridge was built between 1889 and 1891. It consists of wrought iron lattice girders on a double row of piers with five spans. The viaduct is approximately six metres above street level and supports two railway tracks. During original planning and construction (in the late 19th century) the project was subject to much opposition and controversy, because the structure blocks the view down river to The Custom House. However, the bridge was deemed necessary as a rail link between north and south Dublin, and to facilitate the movement of transatlantic mail coming from Kingstown (Dún Laoghaire) and Queenstown (Cobh). 100 years later, the visage of the bridge remains the subject of some debate. Already arguably less attractive than some of Dublin's other bridges, the façades of the Loopline have been used by Iarnród Éireann for billboard advertising. , the company has scaled back the bridge's use for this purpose to reduce impact on the city skyline, following input from An Bord Pleanála and Dublin City Council. A prominent feature in the city landscape since 1891, the Loopline Bridge appears in one of the most famous literary works associated with Dublin : | located in the administrative territorial entity | 3 | [
"River Liffey",
"Dublin"
] | 24,089 |
[
"Catholics",
"has part(s)",
"Catholic Church"
] | Find the relation between <e1>Catholics<\e1> and <e2>Catholic Church<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | has part(s) | 10 | [
"Catholics",
"Catholic Church"
] | 24,192 |
[
"Catholic Church in the Maldives",
"part of",
"Catholic Church"
] | Find the relation between <e1>Catholic Church in the Maldives<\e1> and <e2>Catholic Church<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | part of | 7 | [
"Catholic Church in the Maldives",
"Catholic Church"
] | 24,196 |
[
"Catholic Church in the Maldives",
"part of",
"Catholics"
] | Find the relation between <e1>Catholic Church in the Maldives<\e1> and <e2>Catholics<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | part of | 7 | [
"Catholic Church in the Maldives",
"Catholics"
] | 24,197 |
[
"Holy See",
"located in the administrative territorial entity",
"Rome"
] | Find the relation between <e1>Holy See<\e1> and <e2>Rome<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | located in the administrative territorial entity | 3 | [
"Holy See",
"Rome"
] | 24,200 |
[
"Catholic Church",
"located in the administrative territorial entity",
"Rome"
] | Find the relation between <e1>Catholic Church<\e1> and <e2>Rome<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | located in the administrative territorial entity | 3 | [
"Catholic Church",
"Rome"
] | 24,201 |
[
"Catholic Church",
"has part(s)",
"Catholic Church in the Maldives"
] | Find the relation between <e1>Catholic Church<\e1> and <e2>Catholic Church in the Maldives<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | has part(s) | 10 | [
"Catholic Church",
"Catholic Church in the Maldives"
] | 24,202 |
[
"Clément Bonnand",
"position held",
"Vicar Apostolic of Pondicherry"
] | Find the relation between <e1>Clément Bonnand<\e1> and <e2>Vicar Apostolic of Pondicherry<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | position held | 27 | [
"Clément Bonnand",
"Vicar Apostolic of Pondicherry"
] | 24,205 |
[
"Catholics",
"has part(s)",
"Catholic Church in the Maldives"
] | Find the relation between <e1>Catholics<\e1> and <e2>Catholic Church in the Maldives<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | has part(s) | 10 | [
"Catholics",
"Catholic Church in the Maldives"
] | 24,207 |
[
"Catholic Church",
"part of",
"Catholics"
] | Find the relation between <e1>Catholic Church<\e1> and <e2>Catholics<\e2>.
The Catholic Church in the Maldives is part of the worldwide Catholic Church, under the spiritual leadership of the Pope in Rome. The Annals of the Propagation of the Faith mentions that in 1833 after the consecration of Clément Bonnand as the Vicar Apostolic of Pondicherry, he was authorized by the Holy See to send missionaries to the Maldive Islands where the Christian faith has not reached. But there is not and has never been any Catholic territorial jurisdiction in the Maldives, but has been covered by the Archdiocese of Colombo in Sri Lanka since 1886. The constitution of the island does not allow citizenship of those who are not Muslims, and those found with non - Islamic religious materials can be subject to arrest. It currently has the smallest amount of Catholics attending mass. | part of | 7 | [
"Catholic Church",
"Catholics"
] | 24,208 |
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