triplets
list | passage
stringlengths 654
2.68k
| label_str
stringlengths 5
48
| label
int64 0
68
| paires
list | __index_level_0__
int64 2
103k
|
|---|---|---|---|---|---|
[
"Yao Bin",
"country of citizenship",
"China"
]
| Find the relation between <e1>Yao Bin<\e1> and <e2>China<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country of citizenship | 29 | [
"Yao Bin",
"China"
]
| 56,662 |
[
"Yao Bin",
"participant of",
"1984 Winter Olympics"
]
| Find the relation between <e1>Yao Bin<\e1> and <e2>1984 Winter Olympics<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant of | 61 | [
"Yao Bin",
"1984 Winter Olympics"
]
| 56,663 |
[
"Yao Bin",
"country of citizenship",
"Chinese"
]
| Find the relation between <e1>Yao Bin<\e1> and <e2>Chinese<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country of citizenship | 29 | [
"Yao Bin",
"Chinese"
]
| 56,664 |
[
"Yao Bin",
"participant of",
"1980 World Figure Skating Championships"
]
| Find the relation between <e1>Yao Bin<\e1> and <e2>1980 World Figure Skating Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant of | 61 | [
"Yao Bin",
"1980 World Figure Skating Championships"
]
| 56,665 |
[
"World Figure Skating Championships",
"subclass of",
"World Championships"
]
| Find the relation between <e1>World Figure Skating Championships<\e1> and <e2>World Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | subclass of | 42 | [
"World Figure Skating Championships",
"World Championships"
]
| 56,667 |
[
"1980 World Figure Skating Championships",
"location",
"Dortmund"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>Dortmund<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | location | 15 | [
"1980 World Figure Skating Championships",
"Dortmund"
]
| 56,668 |
[
"1980 World Figure Skating Championships",
"instance of",
"World Figure Skating Championships"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>World Figure Skating Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | instance of | 2 | [
"1980 World Figure Skating Championships",
"World Figure Skating Championships"
]
| 56,669 |
[
"Ren Zhongfei",
"country of citizenship",
"China"
]
| Find the relation between <e1>Ren Zhongfei<\e1> and <e2>China<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country of citizenship | 29 | [
"Ren Zhongfei",
"China"
]
| 56,670 |
[
"Ding Yang",
"country of citizenship",
"China"
]
| Find the relation between <e1>Ding Yang<\e1> and <e2>China<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country of citizenship | 29 | [
"Ding Yang",
"China"
]
| 56,672 |
[
"Sui Wenjing",
"country of citizenship",
"China"
]
| Find the relation between <e1>Sui Wenjing<\e1> and <e2>China<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country of citizenship | 29 | [
"Sui Wenjing",
"China"
]
| 56,673 |
[
"Yao Bin",
"participant of",
"World Figure Skating Championships"
]
| Find the relation between <e1>Yao Bin<\e1> and <e2>World Figure Skating Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant of | 61 | [
"Yao Bin",
"World Figure Skating Championships"
]
| 56,674 |
[
"Luan Bo",
"participant of",
"World Figure Skating Championships"
]
| Find the relation between <e1>Luan Bo<\e1> and <e2>World Figure Skating Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant of | 61 | [
"Luan Bo",
"World Figure Skating Championships"
]
| 56,675 |
[
"1980 World Figure Skating Championships",
"instance of",
"World Championships"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>World Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | instance of | 2 | [
"1980 World Figure Skating Championships",
"World Championships"
]
| 56,677 |
[
"Luan Bo",
"participant of",
"World Championships"
]
| Find the relation between <e1>Luan Bo<\e1> and <e2>World Championships<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant of | 61 | [
"Luan Bo",
"World Championships"
]
| 56,678 |
[
"1980 World Figure Skating Championships",
"country",
"West Germany"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>West Germany<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | country | 4 | [
"1980 World Figure Skating Championships",
"West Germany"
]
| 56,679 |
[
"1984 Winter Olympics",
"participant",
"Luan Bo"
]
| Find the relation between <e1>1984 Winter Olympics<\e1> and <e2>Luan Bo<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"1984 Winter Olympics",
"Luan Bo"
]
| 56,681 |
[
"1980 World Figure Skating Championships",
"participant",
"Luan Bo"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>Luan Bo<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"1980 World Figure Skating Championships",
"Luan Bo"
]
| 56,682 |
[
"1984 Winter Olympics",
"participant",
"Yao Bin"
]
| Find the relation between <e1>1984 Winter Olympics<\e1> and <e2>Yao Bin<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"1984 Winter Olympics",
"Yao Bin"
]
| 56,683 |
[
"1980 World Figure Skating Championships",
"participant",
"Yao Bin"
]
| Find the relation between <e1>1980 World Figure Skating Championships<\e1> and <e2>Yao Bin<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"1980 World Figure Skating Championships",
"Yao Bin"
]
| 56,684 |
[
"World Figure Skating Championships",
"participant",
"Yao Bin"
]
| Find the relation between <e1>World Figure Skating Championships<\e1> and <e2>Yao Bin<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"World Figure Skating Championships",
"Yao Bin"
]
| 56,685 |
[
"World Figure Skating Championships",
"participant",
"Luan Bo"
]
| Find the relation between <e1>World Figure Skating Championships<\e1> and <e2>Luan Bo<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"World Figure Skating Championships",
"Luan Bo"
]
| 56,686 |
[
"World Championships",
"participant",
"Luan Bo"
]
| Find the relation between <e1>World Championships<\e1> and <e2>Luan Bo<\e2>.
Luan Bo (born April 16, 1965 in Harbin, Heilongjiang) is a Chinese pair skater who currently works as a coach. With partner Yao Bin, she was the first pair skater to represent China at the World Figure Skating Championships. In the closed society of mid-20th century China, Luan and Yao had only photographs from which to learn their moves. At the 1980 World Figure Skating Championships in Dortmund, West Germany, they finished 15th, in last place. They competed at the World Championships twice more in 1981 and 1982, finishing last both times. They represented China at the 1984 Winter Olympics and placed 15th. She works as a coach. Her current and former students include Ding Yang & Ren Zhongfei, Sui Wenjing & Han Cong, and Zhu Qiuying. | participant | 45 | [
"World Championships",
"Luan Bo"
]
| 56,687 |
[
"North America",
"part of",
"Americas"
]
| Find the relation between <e1>North America<\e1> and <e2>Americas<\e2>.
The Burseraceae are a moderate - sized family of 17 - 19 genera and about 540 species of flowering plants. The actual numbers differ according to the time period in which a given source is written describing this family. The Burseraceae are also known as the torchwood family, the frankincense and myrrh family, or simply the incense tree family. The family includes both trees and shrubs, and is native to tropical regions of Africa, Asia, and the Americas. Just as the family size (in terms of genera and species) differs according to the time period of the study, so, too, does its placement in the higher ranks. Nevertheless, the family is a genetically supported monophyletic group currently and frequently cited within the Sapindales and is recognized as a sister group to the Anacardiaceae. The Burseraceae are characterized by the nonallergenic resin they produce in virtually all plant tissue and the distinctive smooth, yet flaking, aromatic bark. The origins of the family can be traced to the Paleocene (about 65 Mya) when Beiselia mexicana first diverged in Mexico. The subsequent divergences in the family lineage and migration of the species in the Eocene (53 Mya) from North America have led to the current distributions of the species that are primarily associated with the tropics. Though the family likely originated in North America, the greatest generic diversity presently is in the Southern Hemisphere. Tabonuco (Dacryodes excelsa) and gumbo limbo (Bursera simaruba) represent the economic, ethnobotanical, and ecological significance of the Burseraceae in the Western Hemisphere, while frankincense (Boswellia sacra) and myrrh (Commiphora myrrha) represent the same in the Eastern Hemisphere. | part of | 7 | [
"North America",
"Americas"
]
| 56,901 |
[
"Americas",
"has part(s)",
"North America"
]
| Find the relation between <e1>Americas<\e1> and <e2>North America<\e2>.
The Burseraceae are a moderate - sized family of 17 - 19 genera and about 540 species of flowering plants. The actual numbers differ according to the time period in which a given source is written describing this family. The Burseraceae are also known as the torchwood family, the frankincense and myrrh family, or simply the incense tree family. The family includes both trees and shrubs, and is native to tropical regions of Africa, Asia, and the Americas. Just as the family size (in terms of genera and species) differs according to the time period of the study, so, too, does its placement in the higher ranks. Nevertheless, the family is a genetically supported monophyletic group currently and frequently cited within the Sapindales and is recognized as a sister group to the Anacardiaceae. The Burseraceae are characterized by the nonallergenic resin they produce in virtually all plant tissue and the distinctive smooth, yet flaking, aromatic bark. The origins of the family can be traced to the Paleocene (about 65 Mya) when Beiselia mexicana first diverged in Mexico. The subsequent divergences in the family lineage and migration of the species in the Eocene (53 Mya) from North America have led to the current distributions of the species that are primarily associated with the tropics. Though the family likely originated in North America, the greatest generic diversity presently is in the Southern Hemisphere. Tabonuco (Dacryodes excelsa) and gumbo limbo (Bursera simaruba) represent the economic, ethnobotanical, and ecological significance of the Burseraceae in the Western Hemisphere, while frankincense (Boswellia sacra) and myrrh (Commiphora myrrha) represent the same in the Eastern Hemisphere. | has part(s) | 10 | [
"Americas",
"North America"
]
| 56,904 |
[
"Paleocene",
"followed by",
"Eocene"
]
| Find the relation between <e1>Paleocene<\e1> and <e2>Eocene<\e2>.
The Burseraceae are a moderate - sized family of 17 - 19 genera and about 540 species of flowering plants. The actual numbers differ according to the time period in which a given source is written describing this family. The Burseraceae are also known as the torchwood family, the frankincense and myrrh family, or simply the incense tree family. The family includes both trees and shrubs, and is native to tropical regions of Africa, Asia, and the Americas. Just as the family size (in terms of genera and species) differs according to the time period of the study, so, too, does its placement in the higher ranks. Nevertheless, the family is a genetically supported monophyletic group currently and frequently cited within the Sapindales and is recognized as a sister group to the Anacardiaceae. The Burseraceae are characterized by the nonallergenic resin they produce in virtually all plant tissue and the distinctive smooth, yet flaking, aromatic bark. The origins of the family can be traced to the Paleocene (about 65 Mya) when Beiselia mexicana first diverged in Mexico. The subsequent divergences in the family lineage and migration of the species in the Eocene (53 Mya) from North America have led to the current distributions of the species that are primarily associated with the tropics. Though the family likely originated in North America, the greatest generic diversity presently is in the Southern Hemisphere. Tabonuco (Dacryodes excelsa) and gumbo limbo (Bursera simaruba) represent the economic, ethnobotanical, and ecological significance of the Burseraceae in the Western Hemisphere, while frankincense (Boswellia sacra) and myrrh (Commiphora myrrha) represent the same in the Eastern Hemisphere. | followed by | 9 | [
"Paleocene",
"Eocene"
]
| 56,906 |
[
"Eocene",
"follows",
"Paleocene"
]
| Find the relation between <e1>Eocene<\e1> and <e2>Paleocene<\e2>.
The Burseraceae are a moderate - sized family of 17 - 19 genera and about 540 species of flowering plants. The actual numbers differ according to the time period in which a given source is written describing this family. The Burseraceae are also known as the torchwood family, the frankincense and myrrh family, or simply the incense tree family. The family includes both trees and shrubs, and is native to tropical regions of Africa, Asia, and the Americas. Just as the family size (in terms of genera and species) differs according to the time period of the study, so, too, does its placement in the higher ranks. Nevertheless, the family is a genetically supported monophyletic group currently and frequently cited within the Sapindales and is recognized as a sister group to the Anacardiaceae. The Burseraceae are characterized by the nonallergenic resin they produce in virtually all plant tissue and the distinctive smooth, yet flaking, aromatic bark. The origins of the family can be traced to the Paleocene (about 65 Mya) when Beiselia mexicana first diverged in Mexico. The subsequent divergences in the family lineage and migration of the species in the Eocene (53 Mya) from North America have led to the current distributions of the species that are primarily associated with the tropics. Though the family likely originated in North America, the greatest generic diversity presently is in the Southern Hemisphere. Tabonuco (Dacryodes excelsa) and gumbo limbo (Bursera simaruba) represent the economic, ethnobotanical, and ecological significance of the Burseraceae in the Western Hemisphere, while frankincense (Boswellia sacra) and myrrh (Commiphora myrrha) represent the same in the Eastern Hemisphere. | follows | 44 | [
"Eocene",
"Paleocene"
]
| 56,907 |
[
"Kgalema Motlanthe",
"member of political party",
"African National Congress"
]
| Find the relation between <e1>Kgalema Motlanthe<\e1> and <e2>African National Congress<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | member of political party | 40 | [
"Kgalema Motlanthe",
"African National Congress"
]
| 57,104 |
[
"KK Khumalo",
"member of political party",
"African National Congress"
]
| Find the relation between <e1>KK Khumalo<\e1> and <e2>African National Congress<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | member of political party | 40 | [
"KK Khumalo",
"African National Congress"
]
| 57,106 |
[
"KK Khumalo",
"country of citizenship",
"South African"
]
| Find the relation between <e1>KK Khumalo<\e1> and <e2>South African<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | country of citizenship | 29 | [
"KK Khumalo",
"South African"
]
| 57,107 |
[
"African National Congress",
"chairperson",
"Thabo Mbeki"
]
| Find the relation between <e1>African National Congress<\e1> and <e2>Thabo Mbeki<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | chairperson | 52 | [
"African National Congress",
"Thabo Mbeki"
]
| 57,108 |
[
"African National Congress",
"chairperson",
"Kgalema Motlanthe"
]
| Find the relation between <e1>African National Congress<\e1> and <e2>Kgalema Motlanthe<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | chairperson | 52 | [
"African National Congress",
"Kgalema Motlanthe"
]
| 57,113 |
[
"National Executive Committee",
"part of",
"African National Congress"
]
| Find the relation between <e1>National Executive Committee<\e1> and <e2>African National Congress<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | part of | 7 | [
"National Executive Committee",
"African National Congress"
]
| 57,117 |
[
"South African",
"head of government",
"Kgalema Motlanthe"
]
| Find the relation between <e1>South African<\e1> and <e2>Kgalema Motlanthe<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | head of government | 0 | [
"South African",
"Kgalema Motlanthe"
]
| 57,120 |
[
"African National Congress",
"has part(s)",
"National Executive Committee"
]
| Find the relation between <e1>African National Congress<\e1> and <e2>National Executive Committee<\e2>.
The National Executive Committee of the African National Congress is the chief executive organ of the South African political party, the African National Congress. It is elected at every National Conference ; the executive committee, in turn, elects a National Working Committee for day - to - day decision - making responsibilities. On 22 September 2008, ANC chose deputy leader Kgalema Motlanthe to replace Thabo Mbeki as president until at least April 2009, when new elections will be held. ANC parliamentary caucus Spokesman KK Khumalo said : " Motlanthe will be the president, not interim, he will be the president of the republic until the election. "The South African constitution provides that " parliament elects the president from among its members, dominated by the ANC since 1994. " | has part(s) | 10 | [
"African National Congress",
"National Executive Committee"
]
| 57,124 |
[
"Lon Nol",
"country of citizenship",
"Cambodia"
]
| Find the relation between <e1>Lon Nol<\e1> and <e2>Cambodia<\e2>.
Cambodia was a farming area in the first and second millennia BC. States in the area engaged in trade in the Indian Ocean and exported rice surpluses. Complex irrigation systems were built in the 9th century. The French colonial period left the large feudal landholdings intact. Roads and a railway were built, and rubber, rice and corn grown. After independence Sihanouk pursued a policy of economic independence, securing aid and investment from a number of countries. Bombing and other effects of the war during the Vietnam War damaged rice production. Lon Nol had a policy of liberalising the economy. This was followed by the victory of the Khmer Rouge and the emptying of the cities. After the defeat of the Khmer Rouge, a Five Year Plan was adopted, aiming to improve agriculture, industry and distribution, with a slogan of " export and thrift ". Today, Cambodia remains a largely agricultural economy and industrial development is slow. | country of citizenship | 29 | [
"Lon Nol",
"Cambodia"
]
| 57,169 |
[
"Sihanouk",
"country of citizenship",
"Cambodia"
]
| Find the relation between <e1>Sihanouk<\e1> and <e2>Cambodia<\e2>.
Cambodia was a farming area in the first and second millennia BC. States in the area engaged in trade in the Indian Ocean and exported rice surpluses. Complex irrigation systems were built in the 9th century. The French colonial period left the large feudal landholdings intact. Roads and a railway were built, and rubber, rice and corn grown. After independence Sihanouk pursued a policy of economic independence, securing aid and investment from a number of countries. Bombing and other effects of the war during the Vietnam War damaged rice production. Lon Nol had a policy of liberalising the economy. This was followed by the victory of the Khmer Rouge and the emptying of the cities. After the defeat of the Khmer Rouge, a Five Year Plan was adopted, aiming to improve agriculture, industry and distribution, with a slogan of " export and thrift ". Today, Cambodia remains a largely agricultural economy and industrial development is slow. | country of citizenship | 29 | [
"Sihanouk",
"Cambodia"
]
| 57,170 |
[
"Vietnam War",
"participant",
"Lon Nol"
]
| Find the relation between <e1>Vietnam War<\e1> and <e2>Lon Nol<\e2>.
Cambodia was a farming area in the first and second millennia BC. States in the area engaged in trade in the Indian Ocean and exported rice surpluses. Complex irrigation systems were built in the 9th century. The French colonial period left the large feudal landholdings intact. Roads and a railway were built, and rubber, rice and corn grown. After independence Sihanouk pursued a policy of economic independence, securing aid and investment from a number of countries. Bombing and other effects of the war during the Vietnam War damaged rice production. Lon Nol had a policy of liberalising the economy. This was followed by the victory of the Khmer Rouge and the emptying of the cities. After the defeat of the Khmer Rouge, a Five Year Plan was adopted, aiming to improve agriculture, industry and distribution, with a slogan of " export and thrift ". Today, Cambodia remains a largely agricultural economy and industrial development is slow. | participant | 45 | [
"Vietnam War",
"Lon Nol"
]
| 57,172 |
[
"Carnation Revolution",
"country",
"Portuguese"
]
| Find the relation between <e1>Carnation Revolution<\e1> and <e2>Portuguese<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | country | 4 | [
"Carnation Revolution",
"Portuguese"
]
| 57,186 |
[
"Mozambique",
"continent",
"Africa"
]
| Find the relation between <e1>Mozambique<\e1> and <e2>Africa<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | continent | 5 | [
"Mozambique",
"Africa"
]
| 57,191 |
[
"Processo Revolucionário Em Curso",
"country",
"Portuguese"
]
| Find the relation between <e1>Processo Revolucionário Em Curso<\e1> and <e2>Portuguese<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | country | 4 | [
"Processo Revolucionário Em Curso",
"Portuguese"
]
| 57,209 |
[
"PSD",
"member of",
"European People's Party"
]
| Find the relation between <e1>PSD<\e1> and <e2>European People's Party<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | member of | 24 | [
"PSD",
"European People's Party"
]
| 57,213 |
[
"Portuguese Carnation Revolution",
"country",
"Portuguese"
]
| Find the relation between <e1>Portuguese Carnation Revolution<\e1> and <e2>Portuguese<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | country | 4 | [
"Portuguese Carnation Revolution",
"Portuguese"
]
| 57,215 |
[
"PSD",
"chairperson",
"Alberto João Jardim"
]
| Find the relation between <e1>PSD<\e1> and <e2>Alberto João Jardim<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | chairperson | 52 | [
"PSD",
"Alberto João Jardim"
]
| 57,216 |
[
"Alberto João Jardim",
"member of",
"European People's Party"
]
| Find the relation between <e1>Alberto João Jardim<\e1> and <e2>European People's Party<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | member of | 24 | [
"Alberto João Jardim",
"European People's Party"
]
| 57,218 |
[
"Madeiran",
"head of government",
"Alberto João Jardim"
]
| Find the relation between <e1>Madeiran<\e1> and <e2>Alberto João Jardim<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | head of government | 0 | [
"Madeiran",
"Alberto João Jardim"
]
| 57,227 |
[
"Madeira and Azores",
"located on terrain feature",
"North Atlantic"
]
| Find the relation between <e1>Madeira and Azores<\e1> and <e2>North Atlantic<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | located on terrain feature | 65 | [
"Madeira and Azores",
"North Atlantic"
]
| 57,230 |
[
"Africa",
"has part(s)",
"Angola"
]
| Find the relation between <e1>Africa<\e1> and <e2>Angola<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | has part(s) | 10 | [
"Africa",
"Angola"
]
| 57,234 |
[
"Alberto João Jardim",
"applies to jurisdiction",
"Madeiran"
]
| Find the relation between <e1>Alberto João Jardim<\e1> and <e2>Madeiran<\e2>.
The Frente de Libertação do Arquipélago da Madeira (), or FLAMA (which could be read as an archaic Portuguese word for " flame ", flama), was a right - wing terrorist paramilitary organisation from Madeira, whose main goal was to achieve Madeira's independence from mainland Portugal. FLAMA carried out more than 70 armed and bomb attacks between 1974 - 1976, during the revolutionary period that followed the Portuguese Carnation Revolution (April 25, 1974). The Carnation Revolution effectively changed the Portuguese regime from an authoritarian dictatorship (the Estado Novo) to a democracy (the Third Republic), but only after two years of a transitional period known as PREC (Processo Revolucionário Em Curso, Portuguese for Ongoing Revolutionary Process), characterized by social turmoil and power dispute between left and right wing political forces. During this period the new government withdrew from Angola and Mozambique, the last Portuguese colonies on mainland Africa. Some in Madeira thought that their area should be the next to separate. FLAMA's demands were more a right - wing political reaction by some of the regional elites to the left - wing nature of the Revolution and its main actors, than a truly ethnic or nationalist separatist goal. After the normalization of the Portuguese political system, early in 1976, and the constitutional grant of autonomy to the Portuguese North Atlantic archipelagos of Madeira and Azores (where a similar organization existed, the Frente de Libertação dos Açores), the organization vanished. Allegedly one of FLAMA's most important activists was the controversial Alberto João Jardim, the former President of the regional government of Madeira, co - founder of the Madeiran branch of the popular centre - right - wing Portuguese party PSD and former Vice - president of the European People's Party. | applies to jurisdiction | 62 | [
"Alberto João Jardim",
"Madeiran"
]
| 57,235 |
[
"Arnulfo Arias",
"member of political party",
"Panameñista Party"
]
| Find the relation between <e1>Arnulfo Arias<\e1> and <e2>Panameñista Party<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | member of political party | 40 | [
"Arnulfo Arias",
"Panameñista Party"
]
| 57,550 |
[
"Carlos Duque",
"country of citizenship",
"Panamanian"
]
| Find the relation between <e1>Carlos Duque<\e1> and <e2>Panamanian<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | country of citizenship | 29 | [
"Carlos Duque",
"Panamanian"
]
| 57,554 |
[
"Martín Torrijos",
"member of political party",
"Democratic Revolutionary Party"
]
| Find the relation between <e1>Martín Torrijos<\e1> and <e2>Democratic Revolutionary Party<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | member of political party | 40 | [
"Martín Torrijos",
"Democratic Revolutionary Party"
]
| 57,557 |
[
"Martín Torrijos",
"country of citizenship",
"Panamanian"
]
| Find the relation between <e1>Martín Torrijos<\e1> and <e2>Panamanian<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | country of citizenship | 29 | [
"Martín Torrijos",
"Panamanian"
]
| 57,558 |
[
"Ricardo Martinelli",
"country of citizenship",
"Panamanian"
]
| Find the relation between <e1>Ricardo Martinelli<\e1> and <e2>Panamanian<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | country of citizenship | 29 | [
"Ricardo Martinelli",
"Panamanian"
]
| 57,559 |
[
"Guillermo David Endara Galimany",
"member of",
"Panameñista Party"
]
| Find the relation between <e1>Guillermo David Endara Galimany<\e1> and <e2>Panameñista Party<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | member of | 24 | [
"Guillermo David Endara Galimany",
"Panameñista Party"
]
| 57,564 |
[
"Democratic Revolutionary Party",
"chairperson",
"Martín Torrijos"
]
| Find the relation between <e1>Democratic Revolutionary Party<\e1> and <e2>Martín Torrijos<\e2>.
Guillermo David Endara Galimany (May 12, 1936 – September 28, 2009) was President of Panama from 1989 to 1994. Raised in a family allied to Panameñista Party founder Arnulfo Arias, Endara attended school in exile in the United States and Argentina following Arias's removal from power. Endara later received a law degree in Panama. He subsequently served as a member of Panama's National Assembly, and briefly as a government minister before heading into exile again following Arias' third overthrow. After Arias' death in 1988, Endara became a leading opponent of the Manuel Noriega military dictatorship, heading the opposition coalition in the 1989 presidential election. Though his coalition was judged by international observers as having defeated pro - Noriega candidate Carlos Duque, the results were annulled by the government, and Endara and his running mates were attacked in the streets by the paramilitary Dignity Battalions. The assaults received widespread coverage in international media, helping to build support within the U.S. for military action against Noriega. Seven months later, the United States invaded Panama. Endara was sworn in as the new president on the first night of the invasion on a U.S. military base. During his presidency, Endara abolished the Panamanian military and replaced it with a national police force. Endara's term saw steady economic growth and a return of democratic institutions, but also high unemployment rates. His administration was marked by internal fighting, and his popularity plummeted. He was succeeded by opposition candidate Ernesto Pérez Balladares on September 1, 1994. Endara ran for office again in 2004 and 2009, but lost to Democratic Revolutionary Party candidate Martín Torrijos and to independent candidate Ricardo Martinelli. He died of a heart attack on September 28, 2009, several months after his last campaign. | chairperson | 52 | [
"Democratic Revolutionary Party",
"Martín Torrijos"
]
| 57,569 |
[
"Emancipation Proclamation",
"country",
"United States"
]
| Find the relation between <e1>Emancipation Proclamation<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country | 4 | [
"Emancipation Proclamation",
"United States"
]
| 57,829 |
[
"Hampshire County",
"located in the administrative territorial entity",
"West Virginia"
]
| Find the relation between <e1>Hampshire County<\e1> and <e2>West Virginia<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Hampshire County",
"West Virginia"
]
| 57,830 |
[
"William",
"country of citizenship",
"United States"
]
| Find the relation between <e1>William<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"William",
"United States"
]
| 57,836 |
[
"Annie Washington",
"country of citizenship",
"United States"
]
| Find the relation between <e1>Annie Washington<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"Annie Washington",
"United States"
]
| 57,837 |
[
"William Washington",
"country of citizenship",
"United States"
]
| Find the relation between <e1>William Washington<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"William Washington",
"United States"
]
| 57,838 |
[
"West Virginia Route 28",
"located in the administrative territorial entity",
"West Virginia"
]
| Find the relation between <e1>West Virginia Route 28<\e1> and <e2>West Virginia<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"West Virginia Route 28",
"West Virginia"
]
| 57,839 |
[
"Ralph W. Haines",
"country of citizenship",
"United States"
]
| Find the relation between <e1>Ralph W. Haines<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"Ralph W. Haines",
"United States"
]
| 57,841 |
[
"Susan Blue Parsons",
"country of citizenship",
"United States"
]
| Find the relation between <e1>Susan Blue Parsons<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"Susan Blue Parsons",
"United States"
]
| 57,843 |
[
"Annie Washington",
"spouse",
"William Washington"
]
| Find the relation between <e1>Annie Washington<\e1> and <e2>William Washington<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | spouse | 22 | [
"Annie Washington",
"William Washington"
]
| 57,847 |
[
"Blacks Hill",
"located in the administrative territorial entity",
"Romney"
]
| Find the relation between <e1>Blacks Hill<\e1> and <e2>Romney<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Blacks Hill",
"Romney"
]
| 57,850 |
[
"Blacks Hill",
"located in the administrative territorial entity",
"West Virginia"
]
| Find the relation between <e1>Blacks Hill<\e1> and <e2>West Virginia<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Blacks Hill",
"West Virginia"
]
| 57,851 |
[
"Washington Place",
"located in the administrative territorial entity",
"West Virginia"
]
| Find the relation between <e1>Washington Place<\e1> and <e2>West Virginia<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Washington Place",
"West Virginia"
]
| 57,852 |
[
"Romney",
"located in the administrative territorial entity",
"Hampshire County"
]
| Find the relation between <e1>Romney<\e1> and <e2>Hampshire County<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Romney",
"Hampshire County"
]
| 57,854 |
[
"William Washington",
"spouse",
"Annie Washington"
]
| Find the relation between <e1>William Washington<\e1> and <e2>Annie Washington<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | spouse | 22 | [
"William Washington",
"Annie Washington"
]
| 57,855 |
[
"Annie Washington",
"spouse",
"William"
]
| Find the relation between <e1>Annie Washington<\e1> and <e2>William<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | spouse | 22 | [
"Annie Washington",
"William"
]
| 57,856 |
[
"William",
"spouse",
"Annie Washington"
]
| Find the relation between <e1>William<\e1> and <e2>Annie Washington<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | spouse | 22 | [
"William",
"Annie Washington"
]
| 57,859 |
[
"Annie",
"country of citizenship",
"United States"
]
| Find the relation between <e1>Annie<\e1> and <e2>United States<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | country of citizenship | 29 | [
"Annie",
"United States"
]
| 57,860 |
[
"Romney",
"located in the administrative territorial entity",
"West Virginia"
]
| Find the relation between <e1>Romney<\e1> and <e2>West Virginia<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Romney",
"West Virginia"
]
| 57,864 |
[
"Washington Place",
"located in the administrative territorial entity",
"Hampshire County"
]
| Find the relation between <e1>Washington Place<\e1> and <e2>Hampshire County<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Washington Place",
"Hampshire County"
]
| 57,865 |
[
"Blacks Hill",
"located in the administrative territorial entity",
"Hampshire County"
]
| Find the relation between <e1>Blacks Hill<\e1> and <e2>Hampshire County<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Blacks Hill",
"Hampshire County"
]
| 57,875 |
[
"Washington Place",
"located in the administrative territorial entity",
"American"
]
| Find the relation between <e1>Washington Place<\e1> and <e2>American<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Washington Place",
"American"
]
| 57,877 |
[
"Blacks Hill",
"located in the administrative territorial entity",
"American"
]
| Find the relation between <e1>Blacks Hill<\e1> and <e2>American<\e2>.
Washington Place (William Washington House) is one of the first homes built by freed slaves after the Emancipation Proclamation of 1863 in Hampshire County, West Virginia, United States. Washington Place was built by William and Annie Washington in north Romney between 1863 and 1874 on land given to Annie by her former owner, Susan Blue Parsons of Wappocomo plantation. William Washington later acquired other properties on the hills north of Romney along West Virginia Route 28 and became the first African - American land developer in the state of West Virginia. One of his subdivisions is the " Blacks Hill " neighborhood of Romney, adjacent to the Washington Place homestead. Washington Place was bought and restored by Ralph W. Haines, a local attorney and historic preservationist. | located in the administrative territorial entity | 3 | [
"Blacks Hill",
"American"
]
| 57,878 |
[
"Abbas Kiarostami",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Abbas Kiarostami<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Abbas Kiarostami",
"Iran"
]
| 58,113 |
[
"Cannes Film Festival",
"instance of",
"Palme d'Or"
]
| Find the relation between <e1>Cannes Film Festival<\e1> and <e2>Palme d'Or<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | instance of | 2 | [
"Cannes Film Festival",
"Palme d'Or"
]
| 58,117 |
[
"Koker trilogy",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>Koker trilogy<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"Koker trilogy",
"Abbas Kiarostami"
]
| 58,120 |
[
"The Wind Will Carry Us",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>The Wind Will Carry Us<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"The Wind Will Carry Us",
"Abbas Kiarostami"
]
| 58,122 |
[
"The Wind Will Carry Us",
"country of origin",
"Iran"
]
| Find the relation between <e1>The Wind Will Carry Us<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of origin | 36 | [
"The Wind Will Carry Us",
"Iran"
]
| 58,124 |
[
"Close-Up",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>Close-Up<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"Close-Up",
"Abbas Kiarostami"
]
| 58,125 |
[
"Close-Up",
"country of origin",
"Iran"
]
| Find the relation between <e1>Close-Up<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of origin | 36 | [
"Close-Up",
"Iran"
]
| 58,127 |
[
"Taste of Cherry",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>Taste of Cherry<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"Taste of Cherry",
"Abbas Kiarostami"
]
| 58,128 |
[
"Taste of Cherry",
"country of origin",
"Iran"
]
| Find the relation between <e1>Taste of Cherry<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of origin | 36 | [
"Taste of Cherry",
"Iran"
]
| 58,130 |
[
"Taste of Cherry",
"award received",
"Palme d'Or"
]
| Find the relation between <e1>Taste of Cherry<\e1> and <e2>Palme d'Or<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | award received | 28 | [
"Taste of Cherry",
"Palme d'Or"
]
| 58,131 |
[
"Certified Copy",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>Certified Copy<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"Certified Copy",
"Abbas Kiarostami"
]
| 58,132 |
[
"Iran",
"ethnic group",
"Persian"
]
| Find the relation between <e1>Iran<\e1> and <e2>Persian<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | ethnic group | 41 | [
"Iran",
"Persian"
]
| 58,135 |
[
"Nasser Taghvai",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Nasser Taghvai<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Nasser Taghvai",
"Iran"
]
| 58,137 |
[
"Dariush Mehrjui",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Dariush Mehrjui<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Dariush Mehrjui",
"Iran"
]
| 58,139 |
[
"Abbas Kiarostami",
"award received",
"Palme d'Or"
]
| Find the relation between <e1>Abbas Kiarostami<\e1> and <e2>Palme d'Or<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | award received | 28 | [
"Abbas Kiarostami",
"Palme d'Or"
]
| 58,140 |
[
"Like Someone in Love",
"director",
"Abbas Kiarostami"
]
| Find the relation between <e1>Like Someone in Love<\e1> and <e2>Abbas Kiarostami<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | director | 51 | [
"Like Someone in Love",
"Abbas Kiarostami"
]
| 58,141 |
[
"Ali Hatami",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Ali Hatami<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Ali Hatami",
"Iran"
]
| 58,143 |
[
"Parviz Kimiavi",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Parviz Kimiavi<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Parviz Kimiavi",
"Iran"
]
| 58,144 |
[
"Abbas Kiarostami",
"languages spoken, written or signed",
"Persian"
]
| Find the relation between <e1>Abbas Kiarostami<\e1> and <e2>Persian<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | languages spoken, written or signed | 17 | [
"Abbas Kiarostami",
"Persian"
]
| 58,146 |
[
"Bahram Beyzai",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Bahram Beyzai<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Bahram Beyzai",
"Iran"
]
| 58,147 |
[
"Sohrab Shahid-Saless",
"country of citizenship",
"Iran"
]
| Find the relation between <e1>Sohrab Shahid-Saless<\e1> and <e2>Iran<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | country of citizenship | 29 | [
"Sohrab Shahid-Saless",
"Iran"
]
| 58,148 |
[
"Iranian",
"ethnic group",
"Persian"
]
| Find the relation between <e1>Iranian<\e1> and <e2>Persian<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | ethnic group | 41 | [
"Iranian",
"Persian"
]
| 58,152 |
[
"Abbas Kiarostami",
"notable work",
"Koker trilogy"
]
| Find the relation between <e1>Abbas Kiarostami<\e1> and <e2>Koker trilogy<\e2>.
Abbas Kiarostami (; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film - maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987 – 94), Close - Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran : in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid - Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary - style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. | notable work | 33 | [
"Abbas Kiarostami",
"Koker trilogy"
]
| 58,153 |
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