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They made bars of acacia wood, five for the planks of the one side wall of the Tabernacle,
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five bars for the planks of the other side wall of the Tabernacle, and five bars for the planks of the wall of the Tabernacle at the rear, to the west;
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they made the center bar to run, halfway up the planks, from end to end.
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They overlaid the planks with gold, and made their rings of gold, as holders for the bars; and they overlaid the bars with gold.
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They made the curtain of blue, purple, and crimson yarns, and fine twisted linen, working into it a design of cherubim.
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They made for it four posts of acacia wood and overlaid them with gold, with their hooks of gold; and they cast for them four silver sockets.
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They made the screen for the entrance of the Tent, of blue, purple, and crimson yarns, and fine twisted linen, done in embroidery;
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and five posts for it with their hooks. They overlaid their tops and their bands with gold; but the five sockets were of copper.
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Bezalel made the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.
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He overlaid it with pure gold, inside and out; and he made a gold molding for it round about.
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He cast four gold rings for it, for its four feet: two rings on one of its side walls and two rings on the other.
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He made poles of acacia wood, overlaid them with gold,
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and inserted the poles into the rings on the side walls of the ark for carrying the ark.
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He made a cover of pure gold, two and a half cubits long and a cubit and a half wide.
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He made two cherubim of gold; he made them of hammered work, at the two ends of the cover:
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one cherub at one end and the other cherub at the other end; he made the cherubim of one piece with the cover, at its two ends.
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The cherubim had their wings spread out above, shielding the cover with their wings. They faced each other; the faces of the cherubim were turned toward the cover.
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He made the table of acacia wood, two cubits long, one cubit wide, and a cubit and a half high;
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he overlaid it with pure gold and made a gold molding around it.
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He made a rim of a hand's breadth around it and made a gold molding for its rim round about.
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He cast four gold rings for it and attached the rings to the four corners at its four legs.
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The rings were next to the rim, as holders for the poles to carry the table.
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He made the poles of acacia wood for carrying the table, and overlaid them with gold.
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The utensils that were to be upon the table—its bowls, ladles, jugs, and jars with which to offer libations—he made of pure gold.
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He made the lampstand of pure gold. He made the lampstand—its base and its shaft—of hammered work; its cups, calyxes, and petals were of one piece with it.
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Six branches issued from its sides: three branches from one side of the lampstand, and three branches from the other side of the lampstand.
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There were three cups shaped like almond-blossoms, each with calyx and petals, on one branch; and there were three cups shaped like almond-blossoms, each with calyx and petals, on the next branch; so for all six branches issuing from the lampstand.
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On the lampstand itself there were four cups shaped like almond-blossoms, each with calyx and petals:
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a calyx, of one piece with it, under a pair of branches; and a calyx, of one piece with it, under the second pair of branches; and a calyx, of one piece with it, under the last pair of branches; so for all six branches issuing from it.
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Their calyxes and their stems were of one piece with it, the whole of it a single hammered piece of pure gold.
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He made its seven lamps, its tongs, and its fire pans of pure gold.
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He made it and all its furnishings out of a talent of pure gold.
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He made the incense altar of acacia wood, a cubit long and a cubit wide—square—and two cubits high; its horns were of one piece with it.
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He overlaid it with pure gold: its top, its sides round about, and its horns; and he made a gold molding for it round about.
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He made two gold rings for it under its molding, on its two walls—on opposite sides—as holders for the poles with which to carry it.
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He made the poles of acacia wood, and overlaid them with gold.
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He prepared the sacred anointing oil and the pure aromatic incense, expertly blended.
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He made the altar for burnt offering of acacia wood, five cubits long and five cubits wide—square—and three cubits high.
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He made horns for it on its four corners, the horns being of one piece with it; and he overlaid it with copper.
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He made all the utensils of the altar—the pails, the scrapers, the basins, the flesh hooks, and the fire pans; he made all these utensils of copper.
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He made for the altar a grating of meshwork in copper, extending below, under its ledge, to its middle.
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He cast four rings, at the four corners of the copper grating, as holders for the poles.
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He made the poles of acacia wood and overlaid them with copper;
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and he inserted the poles into the rings on the side walls of the altar, to carry it by them. He made it hollow, of boards.
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He made the laver of copper and its stand of copper, from the mirrors of the women who performed tasks * women who performed tasks Precise nuance of Heb. sove'ot 'asher save'u uncertain. at the entrance of the Tent of Meeting.
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He made the enclosure: On the south * south Cf. note at 26.18. side, a hundred cubits of hangings of fine twisted linen for the enclosure—
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with their twenty posts and their twenty sockets of copper, the hooks and bands of the posts being silver.
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On the north side, a hundred cubits—with their twenty posts and their twenty sockets of copper, the hooks and bands of the posts being silver.
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On the west side, fifty cubits of hangings—with their ten posts and their ten sockets, the hooks and bands of the posts being silver.
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And on the front side, to the east, fifty cubits:
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fifteen cubits of hangings on the one flank, with their three posts and their three sockets,
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and fifteen cubits of hangings on the other flank—on each side of the gate of the enclosure * enclosure Which accounts for the remaining 20 cubits; cf. v. 18. —with their three posts and their three sockets.
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All the hangings around the enclosure were of fine twisted linen.
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The sockets for the posts were of copper, the hooks and bands of the posts were of silver, the overlay of their tops was of silver; all the posts of the enclosure were banded with silver.—
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The screen of the gate of the enclosure, done in embroidery, was of blue, purple, and crimson yarns, and fine twisted linen. It was twenty cubits long. Its height—or width—was five cubits, like that of * Its height—or width—was five cubits, like that of Meaning of Heb. uncertain. the hangings of the enclosure.
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The posts were four; their four sockets were of copper, their hooks of silver; and the overlay of their tops was of silver, as were also their bands.—
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All the pegs of the Tabernacle and of the enclosure round about were of copper.
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These are the records of the Tabernacle, the Tabernacle of the Pact, which were drawn up at Moses' bidding—the work of the Levites under the direction of Ithamar son of Aaron the priest.
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Now Bezalel, son of Uri son of Hur, of the tribe of Judah, had made all that יהוה had commanded Moses;
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at his side was Oholiab son of Ahisamach, of the tribe of Dan, carver and designer, and embroiderer in blue, purple, and crimson yarns and in fine linen.
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All the gold that was used for the work, in all the work of the sanctuary—the elevation offering of gold—came to 29 talents * talents A talent here equals 3,000 shekels. and 730 shekels by the sanctuary weight.
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The silver of those of the community who were recorded came to 100 talents and 1,775 shekels by the sanctuary weight:
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a half-shekel * half-shekel Heb. beqa‘ . a head, half a shekel by the sanctuary weight, for each one who was entered in the records, from the age of twenty years up, 603,550 men.
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The 100 talents of silver were for casting the sockets of the sanctuary and the sockets for the curtain, 100 sockets to the 100 talents, a talent a socket.
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And of the 1,775 shekels he made hooks for the posts, overlay for their tops, and bands around them.
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The copper from the elevation offering came to 70 talents and 2,400 shekels.
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Of it he made the sockets for the entrance of the Tent of Meeting; the copper altar and its copper grating and all the utensils of the altar;
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the sockets of the enclosure round about and the sockets of the gate of the enclosure; and all the pegs of the Tabernacle and all the pegs of the enclosure round about.
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Of the blue, purple, and crimson yarns they also * also See 36.8. made the service vestments for officiating in the sanctuary; they made Aaron's sacral vestments—as יהוה had commanded Moses.
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The ephod was made * was made Here and elsewhere in this chapter, the singular active verb (lit. "he made") is used impersonally. of gold, blue, purple, and crimson yarns, and fine twisted linen.
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They hammered out sheets of gold and cut threads to be worked into designs among the blue, the purple, and the crimson yarns, and the fine linen.
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They made for it attaching shoulder-pieces; they were attached at its two ends.
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The decorated band that was upon it was made like it, of one piece with it; of gold, blue, purple, and crimson yarns, and fine twisted linen—as יהוה had commanded Moses.
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They bordered the lazuli stones with frames of gold, engraved with seal engravings of the names of the sons of Israel.
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They were set on the shoulder-pieces of the ephod, as stones of remembrance for the Israelites—as יהוה had commanded Moses.
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The breastpiece was made in the style of the ephod: of gold, blue, purple, and crimson yarns, and fine twisted linen.
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It was square; they made the breastpiece doubled—a span in length and a span in width, doubled.
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They set in it four rows of stones. The first row was a row of * carnelian, chrysolite,… See note at 28.17. carnelian, chrysolite, and emerald;
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the second row: a turquoise, a sapphire, and an amethyst;
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the third row: a jacinth, an agate, and a crystal;
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and the fourth row: a beryl, a lapis lazuli, and a jasper. They were encircled in their mountings with frames of gold.
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The stones corresponded [in number] to the names of the sons of Israel: twelve, corresponding to their names; engraved like seals, each with its name, for the twelve tribes.
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On the breastpiece they made braided chains of corded work in pure gold.
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They made two frames of gold and two rings of gold, and fastened the two rings at the two ends of the breastpiece,
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attaching the two golden cords to the two rings at the ends of the breastpiece.
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They then fastened the two ends of the cords to the two frames, attaching them to the shoulder-pieces of the ephod, at the front.
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They made two rings of gold and attached them to the two ends of the breastpiece, at its inner edge, which faced the ephod.
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They made two other rings of gold and fastened them on the front of the ephod, low on the two shoulder-pieces, close to its seam above the decorated band.
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The breastpiece was held in place by a cord of blue from its rings to the rings of the ephod, so that the breastpiece rested on the decorated band and did not come loose from the ephod—as יהוה had commanded Moses.
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The robe for the ephod was made of woven work, of pure blue. * of pure blue See note at 28.31.
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The opening of the robe, in the middle of it, was like the opening of a coat of mail, with a binding around the opening, so that it would not tear.
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On the hem of the robe they made pomegranates of blue, purple, and crimson yarns, twisted.
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They also made bells of pure gold, and attached the bells between the pomegranates, all around the hem of the robe, between the pomegranates:
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a bell and a pomegranate, a bell and a pomegranate, all around the hem of the robe for officiating in—as יהוה had commanded Moses.
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They made the tunics of fine linen, of woven work, for Aaron and his sons;
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and the headdress of fine linen, and the decorated turbans of fine linen, and the linen breeches of fine twisted linen;
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and sashes of fine twisted linen, blue, purple, and crimson yarns, done in embroidery—as יהוה had commanded Moses.
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They made the frontlet for the holy diadem of pure gold, and incised upon it the seal inscription: "Holy to יהוה."
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They attached to it a cord of blue to fix it upon the headdress above—as יהוה had commanded Moses.
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Thus was completed all the work of the Tabernacle of the Tent of Meeting. The Israelites did so; just as יהוה had commanded Moses, so they did.
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