bayes-group-diffusion/wiki_auto · Datasets at Hugging Face

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As a freshman , Sanders had 46 receptions for 605 yards and nine touchdowns .	For his career , Sanders has a total of 50 catches for 664 yards and 4 touchdowns .	[]
The Niccolo ̀ Cusano University , often simply abbreviated as UNICUSANO is a private university founded in 2006 in Rome , Italy .	Universita ̀ degli Studi Niccolo ̀ Cusano is a private university in Rome , Italy .	[]
The Niccolo ̀ Cusano University was founded by Stefano Bandecchi .	It was started on May 10 , 2006 , founded by Stefano Bandecchi .	[]
The degree courses are delivered also in English .	The degree courses are delivered in English also .	[]
Obadele “ Oba ” Thompson ( born 30 March 1976 ) is a Barbados-born Olympic medalist in track and field , lawyer , author , and speaker .	Obadele Thompson ( born March 30 , 1976 ) is a sprint athlete from Barbados .	[]
He won Barbados ’ first and only Olympic medal as an independent country by placing third in the 100 metres at the 2000 Sydney Olympics .	In 2000 , he became the first Olympic medalist from Barbados .	[]
His personal best performances are 9.87 seconds for the 100 m , 19.97 seconds for the 200 metres ( both Barbadian records ) , and 45.38 seconds for the 400 metres .	His fastest legal time in the 100 m is 9.87 . <SEP> He ran his personal best in the 200 m at 19.97 in 2000 .	[]
During her lifetime , Austen 's novels brought her little personal fame .	During her lifetime , Austen 's books did not make her very famous .	[]
Like many women writers , she chose to publish anonymously , but her authorship was an open secret .	Like a great number of women writers at that time , she chose to publish her books secretly .	[]
At the time they were published , Austen 's works were considered fashionable , but received only a few reviews , albeit positive .	At the time they were published , Austen 's works were thought fashionable by members of high society . <SEP> However , they received only a few good reviews .	[]
By the mid-19th century , her novels were admired by members of the literary elite who viewed their appreciation of her works as a mark of cultivation , but they were also being recommended in the popular education movement and on school reading lists as early as 1838 .	By the mid-nineteenth century , her works were respected by people who were learned in literature .	[]
Novel-writing was a suspect occupation for women in the early 19th century , because it imperiled their social reputation by bringing them publicity , viewed as unfeminine .	However , novel-writing was not easy for women in the early nineteenth century .	[]
Therefore , like many other female writers , Austen published anonymously .	So like a great number of other female writers , Austen published her books secretly .	[]
Eventually , though , her novels ' authorship became an open secret among the aristocracy .	In time , though , her writing became an open secret among the aristocracy .	[]
Austen turned down the librarian 's further hint to write a historical romance in honour of the prince 's daughter 's marriage .	Austen refused the librarian 's suggestion after that to write a historical romance for the prince 's daughter 's marriage .	[]
By mid-century , Austen was widely accepted within academia as a great English novelist .	But it was not until the 1940s that Austen was widely accepted as a " great English novelist " .	[]
The second half of the 20th century saw a proliferation of Austen scholarship , which explored numerous aspects of her works : artistic , ideological , and historical .	In the second half of the twentieth century , people began studying Austen more and more , and in different ways . <SEP> For example , they studied her works artistically , ideologically , and historically .	[]
With the growing professionalisation of university English departments in the second half of the 20th century , criticism of Austen became more theoretical and specialized , as did literary studies in general .	The university English departments began developing in the first half of the twentieth century .	[]
As a result , commentary on Austen sometimes seemed to imagine itself as divided into high culture and popular culture branches .	As they grew , criticism of Austen split into remarkable high culture and popular culture trends .	[]
In the mid- to late 20th century , fans founded Jane Austen societies and clubs to celebrate the author , her time , and her works .	In the late twentieth century , fans made Jane Austen societies and clubs . <SEP> They praised Austen , her time , and her works .	[]
As of the early 21st century , Austen fandom supports an industry of printed sequels and prequels as well as television and film adaptations , which started with the 1940 film " Pride and Prejudice " and evolved to include productions such as the 2004 Bollywood-style film " Bride and Prejudice " .	In the early twenty-first century , Austen fans support an industry of printed sequels and prequels . <SEP> They also support Austen 's work in television and film .	[]
For decades , Scott 's and Whately 's opinions dominated the reception of Austen 's works and few people read her novels .	For years , people thought the same of Austen as Scott and Whately . <SEP> Only a few people actually read her novels .	[]
In 1869 , this changed with the publication of the first significant Austen biography , " A Memoir of Jane Austen " , which was written by Jane Austen 's nephew , James Edward Austen-Leigh .	In 1870 the first important Austen biography , " A Memoir of Jane Austen " , was written by Jane Austen 's nephew , James Edward Austen-Leigh and printed .	[]
With its release , Austen 's popularity and critical standing increased dramatically .	When it came out in print , Austen 's popularity and critical standing increased greatly .	[]
The publication of the " Memoir " spurred a major reissue of Austen 's novels .	The " Memoir " made Austen 's books be printed again in great numbers .	[]
The first popular editions were released in 1883 — a cheap sixpenny series published by Routledge .	The first popular editions came out in 1883 . <SEP> They were a cheap series printed by Routledge .	[]
This was followed by a proliferation of elaborate illustrated editions , collectors ' sets , and scholarly editions .	This was followed by editions with pictures , collectors ' sets , and scholarly editions .	[]
Yet , after the publication of the " Memoir " , more criticism was published on Austen 's novels in two years than had appeared in the previous fifty .	However , after the " Memoir " was printed , much more criticism about Austen was printed . <SEP> More came out in two years than had come out in the last 50 years .	[]
The period after the Second World War saw a flowering of scholarship on Austen as well as a diversity of critical approaches .	After the Second World War , people began studying Austen more deeply , and in different ways .	[]
One of the most fruitful and contentious arguments has been the consideration of Austen as a political writer .	A great number of people have studied Austen as a political writer .	[]
As critic Gary Kelly explains , " Some see her as a political ' conservative ' because she seems to defend the established social order .	Critic Gary Kelly explains , " Some see her as a political ' conservative ' because she seems to defend the established social order .	[]
Others see her as sympathetic to ' radical ' politics that challenged the established order , especially in the form of patriarchy ... some critics see Austen 's novels as neither conservative nor subversive , but complex , criticizing aspects of the social order but supporting stability and an open class hierarchy . "	Others see her as sympathetic to ' radical ' politics that challenged the established order , especially in the form of patriarchy ... some critics see Austen 's novels as ... complex , criticizing aspects of the social order but supporting stability and an open class hierarchy . "	[]
In " Jane Austen and the War of Ideas " ( 1975 ) , perhaps the most important of these works , Marilyn Butler argues that Austen was steeped in , not insulated from , the principal moral and political controversies of her time , and espoused a partisan , fundamentally conservative and Christian position in these controversies .	In " Jane Austen and the War of Ideas " ( 1975 ) , perhaps the most important of these works , Marilyn Butler argues that Austen was greatly influenced by the principal moral and political arguments of her time , and that she had a partisan , firmly conservative and Christian position in these arguments .	[]
As Rajeswari Rajan notes in her essay on recent Austen scholarship , " the idea of a political Austen is no longer seriously challenged " .	As Rajeswari Rajan notes , " the idea of a political Austen is no longer seriously challenged " .	[]
The questions scholars now investigate involve : " the French Revolution , war , nationalism , empire , class , ' improvement ' of the estate , the clergy , town versus country , abolition , the professions , female emancipation ; whether her politics were Tory , Whig , or radical ; whether she was a conservative or a revolutionary , or occupied a reformist position between these extremes " .	The questions scholars now study include : " the Revolution , war , nationalism , empire , class , ' improvement ' of the estate , the clergy , town versus ( against ) country , abolition , the professions , female emancipation ; whether her politics were Tory , Whig , or radical ; whether she was a conservative or a revolutionary , or occupied ( kept ) a reformist position between these extremes " .	[]
Austen 's novels quickly became fashionable among opinion-makers , namely , those aristocrats who often dictated fashion and taste .	Austen 's books quickly became fashionable . <SEP> Aristocrats who liked to set the fashion and taste of the day especially liked them .	[]
Lady Bessborough , sister to the notorious Georgiana , Duchess of Devonshire , commented on " Sense and Sensibility " in a letter to a friend : " it is a clever novel .	Henrietta Ponsonby , Countess of Bessborough wrote about " Sense and Sensibility " in a letter to a friend . <SEP> She said : " it is a clever novel .	[]
The fifteen-year-old daughter of the Prince Regent , Princess Charlotte Augusta , compared herself to one of the book 's heroines : " I think Marianne & me are very like in " disposition " , that certainly I am not so good , the same imprudence , & tc " .	The 15-year-old daughter of the Prince Regent , Princess Charlotte Augusta , compared herself to Marianne Dashwood . <SEP> She remarked , " I think Marianne & me are very like in " disposition " , that certainly I am not so good , the same imprudence , & tc " .	[]
After reading " Pride and Prejudice " , playwright Richard Sheridan advised a friend to " buy it immediately " for it " was one of the cleverest things " he had ever read .	He told a friend to " buy it immediately " for it " was one of the cleverest things " he had ever read .	[]
Anne Milbanke , future wife of the Romantic poet Lord Byron , wrote : " I have finished the Novel called Pride and Prejudice , which I think a very superior work . "	Anne Milbanke , future wife of Lord Byron , wrote that " I have finished the Novel called Pride and Prejudice , which I think a very superior ( good ) work . "	[]
She commented that the novel " is the most " probable " fiction I have ever read " and had become " at present the fashionable novel " .	She added that " is the most " probable " fiction I have ever read " and had become " at present the fashionable novel " .	[]
The Dowager Lady Vernon told a friend that " Mansfield Park " was " not much of a novel , more the history of a family party in the country , very natural " — as if , comments one Austen scholar , " Lady Vernon 's parties mostly featured adultery . "	The Dowager Lady Vernon told a friend that " Mansfield Park " was " not much of a novel , more the history of a family party in the country , very natural " .	[]
Lady Anne Romilly told her friend , the novelist Maria Edgeworth , that " " Mansfield Park " has been pretty generally admired here " and Edgeworth commented later that " we have been much entertained with Mansfield Park " .	Lady Anne Romilly told her friend , the writer Maria Edgeworth , that " " Mansfield Park " has been pretty generally admired here " . <SEP> Edgeworth later said that " we have been much entertained with Mansfield Park " .	[]
Most of the reviews were short and on balance favourable , although superficial and cautious .	Most of the reviews were short , careful , and approving .	[]
They most often focused on the moral lessons of the novels .	They mostly focused on the moral lessons of her books .	[]
Moreover , as Brian Southam , who has edited the definitive volumes on Austen 's reception , writes in his description of these reviewers , " their job was merely to provide brief notices , extended with quotations , for the benefit of women readers compiling their library lists and interested only in knowing whether they would like a book for its story , its characters and moral " .	Brian Southam writes about these reviewers : " their job was merely to provide brief ( short ) notices , extended with quotations , for the benefit ( good ) of women readers compiling their library lists and interested only in knowing whether they would like a book for its story , its characters and moral " .	[]
" Northanger Abbey " and " Persuasion " , published together posthumously in December 1817 , were reviewed in the " British Critic " in March 1818 and in the " Edinburgh Review and Literary Miscellany " in May 1818 .	" Northanger Abbey " and " Persuasion " were published together in December 1817 . <SEP> They were reviewed in the " British Critic " in March 1818 and in the " Edinburgh Review and Literary Miscellany " in May 1818 .	[]
The reviewer for the " British Critic " felt that Austen 's exclusive dependence on realism was evidence of a deficient imagination .	The reviewer for the " British Critic " felt that Austen 's great use of realism was proof of a limited imagination .	[]
Overall , Austen scholars have pointed out that these early reviewers did not know what to make of her novels — for example , they misunderstood her use of irony .	Austen scholars have pointed out that these early reviewers did not know what to make of her works . <SEP> For example , they wrongly understood her use of irony .	[]
Reviewers reduced " Sense and Sensibility " and " Pride and Prejudice " to didactic tales of virtue prevailing over vice .	Reviewers thought " Sense and Sensibility " and " Pride and Prejudice " were stories of virtue overcoming vice .	[]
Their availability in Europe was not universal .	They were not always easy to get in Europe .	[]
Austen was not well known in Russia and the first Russian translation of an Austen novel did not appear until 1967 .	Austen was not well known in Russia . <SEP> The first Russian translation of an Austen novel did not appear until 1967 .	[]
Despite the fact that Austen 's novels were translated into many European languages , Europeans did not recognise her works as part of the English novel tradition .	Austen ’ s works were translated into various European languages . <SEP> However , Europeans did not see her works as part of the English novel tradition .	[]
This perception was reinforced by the changes made by translators who injected sentimentalism into Austen 's novels and eliminated their humour and irony .	This was partly because of the changes made by translators . <SEP> They put in sentimentalism into Austen 's works .	[]
European readers therefore more readily associated Walter Scott 's style with the English novel .	Therefore , European readers more often thought of Walter Scott 's style as the English novel .	[]
Because of the significant changes made by her translators , Austen was received as a different kind of novelist in continental Europe than in Britain .	The great changes made by her translators made the Continent receive Austen differently than in Britain .	[]
In Bibliothe ̀ que Britannique 's " Pride and Prejudice " , for example , vivacious conversations between Elizabeth and Darcy were replaced by decorous ones .	In Montolieu 's " Pride and Prejudice " , lively conversations ( talks ) between Elizabeth and Darcy were replaced by calm , proper ones .	[]
As Cossy and Saglia explain in their essay on Austen translations , " the equality of mind which Elizabeth takes for granted is denied and gender distinction introduced " .	Cossy and Saglia explained , " the equality of mind which Elizabeth takes for granted is denied ( not given ) and gender distinction introduced " .	[]
Because Austen 's works were seen in France as part of a sentimental tradition , they were overshadowed by the works of French realists such as Stendhal , Balzac , and Flaubert .	Austen ’ s works were seen in France as part of a sentimental tradition . <SEP> Because of this , people were more interested in the works of French realists like Stendhal , Balzac , and Flaubert .	[]
In the wake of Bradley and Chapman 's contributions , the 1920s saw a boom in Austen scholarship , and the novelist E. M. Forster primarily illustrated his concept of the " round " character by citing Austen 's works .	After Bradley and Chapman , Austen scholarship grew very quickly in the 1920s . <SEP> British writer E. M. Forster pointed out Austen 's works for his idea of the " round " character .	[]
Lascelles included a short biographical essay ; an innovative analysis of the books Austen read and their effect on her writing ; and an extended analysis of Austen 's style and her " narrative art " .	Lascelles included a short essay about her , a study of the books Austen read and their influence on her writing , and a study of Austen 's style and " narrative art " .	[]
Lascelles felt that prior critics had all worked on a scale " so small that the reader does not see how they have reached their conclusions until he has patiently found his own way to them " .	Lascelles felt that critics before her had all worked in a way " so small that the reader does not see how they have reached their conclusions until he has patiently found his own way to them " .	[]
She wished to examine all Austen 's works together and to subject her style and techniques to methodical analysis .	She wished to study all of Austen 's works , style , and techniques together .	[]
Subsequent critics agree that she succeeded .	Critics after Lascelles agreed that she studied them well .	[]
Like Bradley earlier , she emphasised Austen 's connection to Samuel Johnson and her desire to discuss morality through fiction .	Lascelles was interested in Austen 's connection to Samuel Johnson and her desire to discuss morality through fiction .	[]
However , at the time some fans of Austen worried that academics were taking over Austen criticism and that it was becoming increasingly esoteric — a debate that continued into the 21st century .	But around this time , some fans of Austen began to worry that her works were being enjoyed by only a few people .	[]
In an outpouring of mid-century revisionist views , scholars approached Austen more sceptically .	Mid-century revisionist views started to become popular , and scholars began studying Austen more sceptically .	[]
D. W. Harding , following and expanding upon Farrer , argued in his essay " Regulated Hatred : An Aspect of the Work of Jane Austen " that Austen 's novels did not support the " status quo " but rather subverted it .	D. W. Harding , adding to Farrer , wrote an essay called " Regulated Hatred : An Aspect of the Work of Jane Austen " .	[]
Her irony was not humorous but caustic and intended to undermine the assumptions of the society she portrayed .	He argued that Austen did not support society 's customs , and that her irony was not funny but bitter .	[]
Through her use of irony , Austen attempted to protect her integrity as an artist and a person in the face of attitudes and practices she rejected .	Through her use of irony , Austen tried to protect herself as an artist and a person from the behavior and practices she disliked .	[]
Almost simultaneously , influential critic Q. D. Leavis argued in " Critical Theory of Jane Austen 's Writing " , published in " Scrutiny " in the early 1940s , that Austen was a professional , not an amateur , writer .	Almost at the same time , British critic Q. D. Leavis printed " Critical Theory of Jane Austen 's Writing " in " Scrutiny " in the early 1940s . <SEP> In there , Leavis argued that Austen was a professional , not an amateur ( untrained ) , writer .	[]
Harding 's and Leavis 's articles were followed by another revisionist treatment by Marvin Mudrick in " Jane Austen : Irony as Defense and Discovery " ( 1952 ) .	Harding 's and Leavis 's articles were followed by " Jane Austen : Irony as Defense and Discovery " ( 1952 ) .	[]
Mudrick portrayed Austen as isolated , defensive , and critical of her society , and described in detail the relationship he saw between Austen 's attitude toward contemporary literature and her use of irony as a technique to contrast the realities of her society with what she felt they should be .	This was written by Martin Mudrick , who saw Austen as lonely , defensive , and critical of her society . <SEP> He carefully described the connection between Austen 's attitude towards the literature of her time and how she used irony to show the difference of how society was , and how she thought it could be .	[]
They agreed that she " combined Henry Fielding 's and Samuel Richardson 's qualities of interiority and irony , realism and satire to form an author superior to both " .	They agreed that she " combined ( put together ) Henry Fielding 's and Samuel Richardson 's qualities of interiority and irony , realism and satire to form an author superior to ( better than ) both " .	[]
American novelist Henry James , one member of this literary elite , referred to Austen several times with approval and on one occasion ranked her with Shakespeare , Cervantes , and Henry Fielding as among " the fine painters of life " .	American novelist Henry James liked Austen . <SEP> Once he said she was as great as Shakespeare , Cervantes , and Henry Fielding - " the fine painters of life " .	[]
But James thought Austen an " unconscious " artist whom he described as " instinctive and charming " .	But James thought Austen was an " unconscious " artist who was " instinctive and charming " .	[]
In 1905 , James responded frustratingly to what he described as " a beguiled infatuation " with Austen , a rising tide of public interest that exceeded Austen 's " intrinsic merit and interest " .	In 1905 , James said he did not like the public interest in Austen . <SEP> He said it was more than Austen 's " intrinsic merit ( worth ) and interest " deserved .	[]
James attributed this rise principally to " the stiff breeze of the commercial , ... the special bookselling spirits .	James said that this was mostly because of the " stiff breeze of the commercial , ... the special bookselling spirits .	[]
... the body of publishers , editors , illustrators , producers of the pleasant twaddle of magazines ; who have found their ' dear ' , our dear , everybody 's dear , Jane so infinitely to their material purpose , so amenable to pretty reproduction in every variety of what is called tasteful , and in what seemingly proves to be salable , form . "	... the body of publishers , editors , illustrators , producers of the pleasant twaddle of magazines ; who have found their ' dear , ' our dear , everybody 's dear , Jane ... to their material purpose , ... to pretty reproduction in every variety of what is called tasteful , and in what seemingly proves to be salable , form . "	[]
In an effort to avoid the sentimental image of the " Aunt Jane " tradition and approach Austen 's fiction from a fresh perspective , in 1917 British intellectual and travel writer Reginald Farrer published a lengthy essay in the " Quarterly Review " which Austen scholar A. Walton Litz calls the best single introduction to her fiction .	Reginald Farrer , a British travel writer , did not like the sentimental image of " Aunt Jane " . <SEP> Jane Austen scholar A. Walton Litz called it the best single introduction to her works .	[]
Southam describes it as a " Janeite " piece without the worship .	Southam calls it as a " Janeite " piece without the worship .	[]
Farrer was one of the first critics who viewed Austen as a subversive writer .	Farrer was one of the first critics who saw Austen as a subversive writer .	[]
The naked mole-rat ( " Heterocephalus glaber " ) , also known as the sand puppy , is a burrowing rodent native to parts of East Africa .	The naked mole rat ( " Heterocephalus glaber " ) , ( or sand puppy ) is a burrowing rodent . <SEP> The species is native to parts of East Africa .	[]
The naked mole-rat and the Damaraland mole-rat ( " Fukomys damarensis " ) are the only known eusocial mammals , the highest classification of sociality .	It is one of only two known eusocial mammals ( the other is the Damaraland mole rat ) .	[]
It has a highly unusual set of physical traits that allow it to thrive in a harsh underground environment and is the only mammalian thermoconformer , almost entirely ectothermic ( cold-blooded ) in how it regulates body temperature .	The animal has unusual features , adapted to its harsh underground environment .	[]
The naked mole-rat lacks pain sensitivity in its skin , and has very low metabolic and respiratory rates .	They also have a very low metabolism .	[]
The naked mole-rat is the first mammal discovered to exhibit eusociality .	The naked mole rat is one of the two species of mammals that are eusocial .	[]
Only one female ( the queen ) and one to three males reproduce , while the rest of the members of the colony function as workers .	Only one female ( the queen ) and one to three males reproduce , while the rest of the members of the colony are workers .	[]
Some function primarily as tunnellers , expanding the large network of tunnels within the burrow system , and some primarily as soldiers , protecting the group from outside predators .	Some are tunnellers , expanding the large network of tunnels within the burrow system , and some primarily as soldiers , protecting the group from outside predators .	[]
The queen and breeding males are able to breed at one year of age .	Males and females are able to breed at one year of age .	[]
A litter typically ranges from three to twelve pups , but may be as large as twenty-eight .	A litter is usually from three to twelve pups , but may be as large as 28 .	[]
The average litter size is eleven .	The average litter size is 11 .	[]
The young are born blind and weigh about 2 g .	The young are born blind and weigh about 2 gm .	[]
The queen nurses them for the first month ; after which the other members of the colony feed them fecal pap until they are old enough to eat solid food .	The queen nurses them for the first month ; after which the other members of the colony feed them feces until they are old enough to eat solid food .	[]
Lana Therese Condor ( born Tran Dong Lan , May 11 , 1997 ) is an American actress and dancer .	Lana Therese Condor ( born May 11 , 1997 ) is a Vietnamese-born American actress and dancer .	[]
She is best known for her role as Lara Jean Covey in the " To All the Boys I 've Loved Before " film series , and Jubilee in " " ( 2016 ) .	Condor is known for her roles as Jubilation Lee / Jubilee in the 2016 superhero movie " " and had her first lead role as Lara Jean Covey in the 2018 movie adaptation of " To All the Boys I 've Loved Before " .	[]
Android is a mobile operating system developed by Google .	Android is an operating system for mobile devices .	[]
Android 's kernel is based on the Linux kernel 's long-term support ( LTS ) branches .	A modified Linux kernel is used as Android 's kernel .	[]
... Now , though , Android has around 75 – 80 percent of the worldwide smartphone market — making it not just the world 's most popular mobile operating system but arguably the most popular operating system , period .	Most mobile phones run Android , making it the most popular mobile operating system . <SEP> It is also the most popular operating system in general .	[]
The Shah Mosque , also known as the New Abbasi Mosque ( " Masjed-e Jadid-e Abbasi " ) or Royal Mosque , is a mosque located in Isfahan , Iran .	Shah Mosque ( Persian : مسجد شاه , Masjed-e Sha ̄ h ) is a mosque in Isfahan ( Isfahan ) , Iran .	[]

As a freshman , Sanders had 46 receptions for 605 yards and nine touchdowns .

For his career , Sanders has a total of 50 catches for 664 yards and 4 touchdowns .

[]

The Niccolo ̀ Cusano University , often simply abbreviated as UNICUSANO is a private university founded in 2006 in Rome , Italy .

Universita ̀ degli Studi Niccolo ̀ Cusano is a private university in Rome , Italy .

[]

The Niccolo ̀ Cusano University was founded by Stefano Bandecchi .

It was started on May 10 , 2006 , founded by Stefano Bandecchi .

[]

The degree courses are delivered also in English .

The degree courses are delivered in English also .

[]

Obadele “ Oba ” Thompson ( born 30 March 1976 ) is a Barbados-born Olympic medalist in track and field , lawyer , author , and speaker .

Obadele Thompson ( born March 30 , 1976 ) is a sprint athlete from Barbados .

[]

He won Barbados ’ first and only Olympic medal as an independent country by placing third in the 100 metres at the 2000 Sydney Olympics .

In 2000 , he became the first Olympic medalist from Barbados .

[]

His personal best performances are 9.87 seconds for the 100 m , 19.97 seconds for the 200 metres ( both Barbadian records ) , and 45.38 seconds for the 400 metres .

His fastest legal time in the 100 m is 9.87 . <SEP> He ran his personal best in the 200 m at 19.97 in 2000 .

[]

During her lifetime , Austen 's novels brought her little personal fame .

During her lifetime , Austen 's books did not make her very famous .

[]

Like many women writers , she chose to publish anonymously , but her authorship was an open secret .

Like a great number of women writers at that time , she chose to publish her books secretly .

[]

At the time they were published , Austen 's works were considered fashionable , but received only a few reviews , albeit positive .

At the time they were published , Austen 's works were thought fashionable by members of high society . <SEP> However , they received only a few good reviews .

[]

By the mid-19th century , her novels were admired by members of the literary elite who viewed their appreciation of her works as a mark of cultivation , but they were also being recommended in the popular education movement and on school reading lists as early as 1838 .

By the mid-nineteenth century , her works were respected by people who were learned in literature .

[]

Novel-writing was a suspect occupation for women in the early 19th century , because it imperiled their social reputation by bringing them publicity , viewed as unfeminine .

However , novel-writing was not easy for women in the early nineteenth century .

[]

Therefore , like many other female writers , Austen published anonymously .

So like a great number of other female writers , Austen published her books secretly .

[]

Eventually , though , her novels ' authorship became an open secret among the aristocracy .

In time , though , her writing became an open secret among the aristocracy .

[]

Austen turned down the librarian 's further hint to write a historical romance in honour of the prince 's daughter 's marriage .

Austen refused the librarian 's suggestion after that to write a historical romance for the prince 's daughter 's marriage .

[]

By mid-century , Austen was widely accepted within academia as a great English novelist .

But it was not until the 1940s that Austen was widely accepted as a " great English novelist " .

[]

The second half of the 20th century saw a proliferation of Austen scholarship , which explored numerous aspects of her works : artistic , ideological , and historical .

In the second half of the twentieth century , people began studying Austen more and more , and in different ways . <SEP> For example , they studied her works artistically , ideologically , and historically .

[]

With the growing professionalisation of university English departments in the second half of the 20th century , criticism of Austen became more theoretical and specialized , as did literary studies in general .

The university English departments began developing in the first half of the twentieth century .

[]

As a result , commentary on Austen sometimes seemed to imagine itself as divided into high culture and popular culture branches .

As they grew , criticism of Austen split into remarkable high culture and popular culture trends .

[]

In the mid- to late 20th century , fans founded Jane Austen societies and clubs to celebrate the author , her time , and her works .

In the late twentieth century , fans made Jane Austen societies and clubs . <SEP> They praised Austen , her time , and her works .

[]

As of the early 21st century , Austen fandom supports an industry of printed sequels and prequels as well as television and film adaptations , which started with the 1940 film " Pride and Prejudice " and evolved to include productions such as the 2004 Bollywood-style film " Bride and Prejudice " .

In the early twenty-first century , Austen fans support an industry of printed sequels and prequels . <SEP> They also support Austen 's work in television and film .

[]

For decades , Scott 's and Whately 's opinions dominated the reception of Austen 's works and few people read her novels .

For years , people thought the same of Austen as Scott and Whately . <SEP> Only a few people actually read her novels .

[]

In 1869 , this changed with the publication of the first significant Austen biography , " A Memoir of Jane Austen " , which was written by Jane Austen 's nephew , James Edward Austen-Leigh .

In 1870 the first important Austen biography , " A Memoir of Jane Austen " , was written by Jane Austen 's nephew , James Edward Austen-Leigh and printed .

[]

With its release , Austen 's popularity and critical standing increased dramatically .

When it came out in print , Austen 's popularity and critical standing increased greatly .

[]

The publication of the " Memoir " spurred a major reissue of Austen 's novels .

The " Memoir " made Austen 's books be printed again in great numbers .

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The first popular editions were released in 1883 — a cheap sixpenny series published by Routledge .

The first popular editions came out in 1883 . <SEP> They were a cheap series printed by Routledge .

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This was followed by a proliferation of elaborate illustrated editions , collectors ' sets , and scholarly editions .

This was followed by editions with pictures , collectors ' sets , and scholarly editions .

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Yet , after the publication of the " Memoir " , more criticism was published on Austen 's novels in two years than had appeared in the previous fifty .

However , after the " Memoir " was printed , much more criticism about Austen was printed . <SEP> More came out in two years than had come out in the last 50 years .

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The period after the Second World War saw a flowering of scholarship on Austen as well as a diversity of critical approaches .

After the Second World War , people began studying Austen more deeply , and in different ways .

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One of the most fruitful and contentious arguments has been the consideration of Austen as a political writer .

A great number of people have studied Austen as a political writer .

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As critic Gary Kelly explains , " Some see her as a political ' conservative ' because she seems to defend the established social order .

Critic Gary Kelly explains , " Some see her as a political ' conservative ' because she seems to defend the established social order .

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Others see her as sympathetic to ' radical ' politics that challenged the established order , especially in the form of patriarchy ... some critics see Austen 's novels as neither conservative nor subversive , but complex , criticizing aspects of the social order but supporting stability and an open class hierarchy . "

Others see her as sympathetic to ' radical ' politics that challenged the established order , especially in the form of patriarchy ... some critics see Austen 's novels as ... complex , criticizing aspects of the social order but supporting stability and an open class hierarchy . "

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In " Jane Austen and the War of Ideas " ( 1975 ) , perhaps the most important of these works , Marilyn Butler argues that Austen was steeped in , not insulated from , the principal moral and political controversies of her time , and espoused a partisan , fundamentally conservative and Christian position in these controversies .

In " Jane Austen and the War of Ideas " ( 1975 ) , perhaps the most important of these works , Marilyn Butler argues that Austen was greatly influenced by the principal moral and political arguments of her time , and that she had a partisan , firmly conservative and Christian position in these arguments .

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As Rajeswari Rajan notes in her essay on recent Austen scholarship , " the idea of a political Austen is no longer seriously challenged " .

As Rajeswari Rajan notes , " the idea of a political Austen is no longer seriously challenged " .

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The questions scholars now investigate involve : " the French Revolution , war , nationalism , empire , class , ' improvement ' of the estate , the clergy , town versus country , abolition , the professions , female emancipation ; whether her politics were Tory , Whig , or radical ; whether she was a conservative or a revolutionary , or occupied a reformist position between these extremes " .

The questions scholars now study include : " the Revolution , war , nationalism , empire , class , ' improvement ' of the estate , the clergy , town versus ( against ) country , abolition , the professions , female emancipation ; whether her politics were Tory , Whig , or radical ; whether she was a conservative or a revolutionary , or occupied ( kept ) a reformist position between these extremes " .

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Austen 's novels quickly became fashionable among opinion-makers , namely , those aristocrats who often dictated fashion and taste .

Austen 's books quickly became fashionable . <SEP> Aristocrats who liked to set the fashion and taste of the day especially liked them .

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Lady Bessborough , sister to the notorious Georgiana , Duchess of Devonshire , commented on " Sense and Sensibility " in a letter to a friend : " it is a clever novel .

Henrietta Ponsonby , Countess of Bessborough wrote about " Sense and Sensibility " in a letter to a friend . <SEP> She said : " it is a clever novel .

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The fifteen-year-old daughter of the Prince Regent , Princess Charlotte Augusta , compared herself to one of the book 's heroines : " I think Marianne & me are very like in " disposition " , that certainly I am not so good , the same imprudence , & tc " .

The 15-year-old daughter of the Prince Regent , Princess Charlotte Augusta , compared herself to Marianne Dashwood . <SEP> She remarked , " I think Marianne & me are very like in " disposition " , that certainly I am not so good , the same imprudence , & tc " .

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After reading " Pride and Prejudice " , playwright Richard Sheridan advised a friend to " buy it immediately " for it " was one of the cleverest things " he had ever read .

He told a friend to " buy it immediately " for it " was one of the cleverest things " he had ever read .

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Anne Milbanke , future wife of the Romantic poet Lord Byron , wrote : " I have finished the Novel called Pride and Prejudice , which I think a very superior work . "

Anne Milbanke , future wife of Lord Byron , wrote that " I have finished the Novel called Pride and Prejudice , which I think a very superior ( good ) work . "

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She commented that the novel " is the most " probable " fiction I have ever read " and had become " at present the fashionable novel " .

She added that " is the most " probable " fiction I have ever read " and had become " at present the fashionable novel " .

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The Dowager Lady Vernon told a friend that " Mansfield Park " was " not much of a novel , more the history of a family party in the country , very natural " — as if , comments one Austen scholar , " Lady Vernon 's parties mostly featured adultery . "

The Dowager Lady Vernon told a friend that " Mansfield Park " was " not much of a novel , more the history of a family party in the country , very natural " .

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Lady Anne Romilly told her friend , the novelist Maria Edgeworth , that " " Mansfield Park " has been pretty generally admired here " and Edgeworth commented later that " we have been much entertained with Mansfield Park " .

Lady Anne Romilly told her friend , the writer Maria Edgeworth , that " " Mansfield Park " has been pretty generally admired here " . <SEP> Edgeworth later said that " we have been much entertained with Mansfield Park " .

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Most of the reviews were short and on balance favourable , although superficial and cautious .

Most of the reviews were short , careful , and approving .

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They most often focused on the moral lessons of the novels .

They mostly focused on the moral lessons of her books .

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Moreover , as Brian Southam , who has edited the definitive volumes on Austen 's reception , writes in his description of these reviewers , " their job was merely to provide brief notices , extended with quotations , for the benefit of women readers compiling their library lists and interested only in knowing whether they would like a book for its story , its characters and moral " .

Brian Southam writes about these reviewers : " their job was merely to provide brief ( short ) notices , extended with quotations , for the benefit ( good ) of women readers compiling their library lists and interested only in knowing whether they would like a book for its story , its characters and moral " .

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" Northanger Abbey " and " Persuasion " , published together posthumously in December 1817 , were reviewed in the " British Critic " in March 1818 and in the " Edinburgh Review and Literary Miscellany " in May 1818 .

" Northanger Abbey " and " Persuasion " were published together in December 1817 . <SEP> They were reviewed in the " British Critic " in March 1818 and in the " Edinburgh Review and Literary Miscellany " in May 1818 .

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The reviewer for the " British Critic " felt that Austen 's exclusive dependence on realism was evidence of a deficient imagination .

The reviewer for the " British Critic " felt that Austen 's great use of realism was proof of a limited imagination .

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Overall , Austen scholars have pointed out that these early reviewers did not know what to make of her novels — for example , they misunderstood her use of irony .

Austen scholars have pointed out that these early reviewers did not know what to make of her works . <SEP> For example , they wrongly understood her use of irony .

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Reviewers reduced " Sense and Sensibility " and " Pride and Prejudice " to didactic tales of virtue prevailing over vice .

Reviewers thought " Sense and Sensibility " and " Pride and Prejudice " were stories of virtue overcoming vice .

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Their availability in Europe was not universal .

They were not always easy to get in Europe .

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Austen was not well known in Russia and the first Russian translation of an Austen novel did not appear until 1967 .

Austen was not well known in Russia . <SEP> The first Russian translation of an Austen novel did not appear until 1967 .

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Despite the fact that Austen 's novels were translated into many European languages , Europeans did not recognise her works as part of the English novel tradition .

Austen ’ s works were translated into various European languages . <SEP> However , Europeans did not see her works as part of the English novel tradition .

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This perception was reinforced by the changes made by translators who injected sentimentalism into Austen 's novels and eliminated their humour and irony .

This was partly because of the changes made by translators . <SEP> They put in sentimentalism into Austen 's works .

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European readers therefore more readily associated Walter Scott 's style with the English novel .

Therefore , European readers more often thought of Walter Scott 's style as the English novel .

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Because of the significant changes made by her translators , Austen was received as a different kind of novelist in continental Europe than in Britain .

The great changes made by her translators made the Continent receive Austen differently than in Britain .

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In Bibliothe ̀ que Britannique 's " Pride and Prejudice " , for example , vivacious conversations between Elizabeth and Darcy were replaced by decorous ones .

In Montolieu 's " Pride and Prejudice " , lively conversations ( talks ) between Elizabeth and Darcy were replaced by calm , proper ones .

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As Cossy and Saglia explain in their essay on Austen translations , " the equality of mind which Elizabeth takes for granted is denied and gender distinction introduced " .

Cossy and Saglia explained , " the equality of mind which Elizabeth takes for granted is denied ( not given ) and gender distinction introduced " .

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Because Austen 's works were seen in France as part of a sentimental tradition , they were overshadowed by the works of French realists such as Stendhal , Balzac , and Flaubert .

Austen ’ s works were seen in France as part of a sentimental tradition . <SEP> Because of this , people were more interested in the works of French realists like Stendhal , Balzac , and Flaubert .

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In the wake of Bradley and Chapman 's contributions , the 1920s saw a boom in Austen scholarship , and the novelist E. M. Forster primarily illustrated his concept of the " round " character by citing Austen 's works .

After Bradley and Chapman , Austen scholarship grew very quickly in the 1920s . <SEP> British writer E. M. Forster pointed out Austen 's works for his idea of the " round " character .

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Lascelles included a short biographical essay ; an innovative analysis of the books Austen read and their effect on her writing ; and an extended analysis of Austen 's style and her " narrative art " .

Lascelles included a short essay about her , a study of the books Austen read and their influence on her writing , and a study of Austen 's style and " narrative art " .

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Lascelles felt that prior critics had all worked on a scale " so small that the reader does not see how they have reached their conclusions until he has patiently found his own way to them " .

Lascelles felt that critics before her had all worked in a way " so small that the reader does not see how they have reached their conclusions until he has patiently found his own way to them " .

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She wished to examine all Austen 's works together and to subject her style and techniques to methodical analysis .

She wished to study all of Austen 's works , style , and techniques together .

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Subsequent critics agree that she succeeded .

Critics after Lascelles agreed that she studied them well .

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Like Bradley earlier , she emphasised Austen 's connection to Samuel Johnson and her desire to discuss morality through fiction .

Lascelles was interested in Austen 's connection to Samuel Johnson and her desire to discuss morality through fiction .

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However , at the time some fans of Austen worried that academics were taking over Austen criticism and that it was becoming increasingly esoteric — a debate that continued into the 21st century .

But around this time , some fans of Austen began to worry that her works were being enjoyed by only a few people .

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In an outpouring of mid-century revisionist views , scholars approached Austen more sceptically .

Mid-century revisionist views started to become popular , and scholars began studying Austen more sceptically .

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D. W. Harding , following and expanding upon Farrer , argued in his essay " Regulated Hatred : An Aspect of the Work of Jane Austen " that Austen 's novels did not support the " status quo " but rather subverted it .

D. W. Harding , adding to Farrer , wrote an essay called " Regulated Hatred : An Aspect of the Work of Jane Austen " .

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Her irony was not humorous but caustic and intended to undermine the assumptions of the society she portrayed .

He argued that Austen did not support society 's customs , and that her irony was not funny but bitter .

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Through her use of irony , Austen attempted to protect her integrity as an artist and a person in the face of attitudes and practices she rejected .

Through her use of irony , Austen tried to protect herself as an artist and a person from the behavior and practices she disliked .

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Almost simultaneously , influential critic Q. D. Leavis argued in " Critical Theory of Jane Austen 's Writing " , published in " Scrutiny " in the early 1940s , that Austen was a professional , not an amateur , writer .

Almost at the same time , British critic Q. D. Leavis printed " Critical Theory of Jane Austen 's Writing " in " Scrutiny " in the early 1940s . <SEP> In there , Leavis argued that Austen was a professional , not an amateur ( untrained ) , writer .

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Harding 's and Leavis 's articles were followed by another revisionist treatment by Marvin Mudrick in " Jane Austen : Irony as Defense and Discovery " ( 1952 ) .

Harding 's and Leavis 's articles were followed by " Jane Austen : Irony as Defense and Discovery " ( 1952 ) .

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Mudrick portrayed Austen as isolated , defensive , and critical of her society , and described in detail the relationship he saw between Austen 's attitude toward contemporary literature and her use of irony as a technique to contrast the realities of her society with what she felt they should be .

This was written by Martin Mudrick , who saw Austen as lonely , defensive , and critical of her society . <SEP> He carefully described the connection between Austen 's attitude towards the literature of her time and how she used irony to show the difference of how society was , and how she thought it could be .

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They agreed that she " combined Henry Fielding 's and Samuel Richardson 's qualities of interiority and irony , realism and satire to form an author superior to both " .

They agreed that she " combined ( put together ) Henry Fielding 's and Samuel Richardson 's qualities of interiority and irony , realism and satire to form an author superior to ( better than ) both " .

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American novelist Henry James , one member of this literary elite , referred to Austen several times with approval and on one occasion ranked her with Shakespeare , Cervantes , and Henry Fielding as among " the fine painters of life " .

American novelist Henry James liked Austen . <SEP> Once he said she was as great as Shakespeare , Cervantes , and Henry Fielding - " the fine painters of life " .

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But James thought Austen an " unconscious " artist whom he described as " instinctive and charming " .

But James thought Austen was an " unconscious " artist who was " instinctive and charming " .

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In 1905 , James responded frustratingly to what he described as " a beguiled infatuation " with Austen , a rising tide of public interest that exceeded Austen 's " intrinsic merit and interest " .

In 1905 , James said he did not like the public interest in Austen . <SEP> He said it was more than Austen 's " intrinsic merit ( worth ) and interest " deserved .

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James attributed this rise principally to " the stiff breeze of the commercial , ... the special bookselling spirits .

James said that this was mostly because of the " stiff breeze of the commercial , ... the special bookselling spirits .

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... the body of publishers , editors , illustrators , producers of the pleasant twaddle of magazines ; who have found their ' dear ' , our dear , everybody 's dear , Jane so infinitely to their material purpose , so amenable to pretty reproduction in every variety of what is called tasteful , and in what seemingly proves to be salable , form . "

... the body of publishers , editors , illustrators , producers of the pleasant twaddle of magazines ; who have found their ' dear , ' our dear , everybody 's dear , Jane ... to their material purpose , ... to pretty reproduction in every variety of what is called tasteful , and in what seemingly proves to be salable , form . "

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In an effort to avoid the sentimental image of the " Aunt Jane " tradition and approach Austen 's fiction from a fresh perspective , in 1917 British intellectual and travel writer Reginald Farrer published a lengthy essay in the " Quarterly Review " which Austen scholar A. Walton Litz calls the best single introduction to her fiction .

Reginald Farrer , a British travel writer , did not like the sentimental image of " Aunt Jane " . <SEP> Jane Austen scholar A. Walton Litz called it the best single introduction to her works .

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Southam describes it as a " Janeite " piece without the worship .

Southam calls it as a " Janeite " piece without the worship .

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Farrer was one of the first critics who viewed Austen as a subversive writer .

Farrer was one of the first critics who saw Austen as a subversive writer .

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The naked mole-rat ( " Heterocephalus glaber " ) , also known as the sand puppy , is a burrowing rodent native to parts of East Africa .

The naked mole rat ( " Heterocephalus glaber " ) , ( or sand puppy ) is a burrowing rodent . <SEP> The species is native to parts of East Africa .

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The naked mole-rat and the Damaraland mole-rat ( " Fukomys damarensis " ) are the only known eusocial mammals , the highest classification of sociality .

It is one of only two known eusocial mammals ( the other is the Damaraland mole rat ) .

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It has a highly unusual set of physical traits that allow it to thrive in a harsh underground environment and is the only mammalian thermoconformer , almost entirely ectothermic ( cold-blooded ) in how it regulates body temperature .

The animal has unusual features , adapted to its harsh underground environment .

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The naked mole-rat lacks pain sensitivity in its skin , and has very low metabolic and respiratory rates .

They also have a very low metabolism .

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The naked mole-rat is the first mammal discovered to exhibit eusociality .

The naked mole rat is one of the two species of mammals that are eusocial .

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Only one female ( the queen ) and one to three males reproduce , while the rest of the members of the colony function as workers .

Only one female ( the queen ) and one to three males reproduce , while the rest of the members of the colony are workers .

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Some function primarily as tunnellers , expanding the large network of tunnels within the burrow system , and some primarily as soldiers , protecting the group from outside predators .

Some are tunnellers , expanding the large network of tunnels within the burrow system , and some primarily as soldiers , protecting the group from outside predators .

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The queen and breeding males are able to breed at one year of age .

Males and females are able to breed at one year of age .

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A litter typically ranges from three to twelve pups , but may be as large as twenty-eight .

A litter is usually from three to twelve pups , but may be as large as 28 .

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The average litter size is eleven .

The average litter size is 11 .

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The young are born blind and weigh about 2 g .

The young are born blind and weigh about 2 gm .

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The queen nurses them for the first month ; after which the other members of the colony feed them fecal pap until they are old enough to eat solid food .

The queen nurses them for the first month ; after which the other members of the colony feed them feces until they are old enough to eat solid food .

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Lana Therese Condor ( born Tran Dong Lan , May 11 , 1997 ) is an American actress and dancer .

Lana Therese Condor ( born May 11 , 1997 ) is a Vietnamese-born American actress and dancer .

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She is best known for her role as Lara Jean Covey in the " To All the Boys I 've Loved Before " film series , and Jubilee in " " ( 2016 ) .

Condor is known for her roles as Jubilation Lee / Jubilee in the 2016 superhero movie " " and had her first lead role as Lara Jean Covey in the 2018 movie adaptation of " To All the Boys I 've Loved Before " .

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Android is a mobile operating system developed by Google .

Android is an operating system for mobile devices .

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Android 's kernel is based on the Linux kernel 's long-term support ( LTS ) branches .

A modified Linux kernel is used as Android 's kernel .

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... Now , though , Android has around 75 – 80 percent of the worldwide smartphone market — making it not just the world 's most popular mobile operating system but arguably the most popular operating system , period .

Most mobile phones run Android , making it the most popular mobile operating system . <SEP> It is also the most popular operating system in general .

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The Shah Mosque , also known as the New Abbasi Mosque ( " Masjed-e Jadid-e Abbasi " ) or Royal Mosque , is a mosque located in Isfahan , Iran .

Shah Mosque ( Persian : مسجد شاه , Masjed-e Sha ̄ h ) is a mosque in Isfahan ( Isfahan ) , Iran .

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