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Ruirtech - one of the twelve chief rivers of Ireland (q.v.) (62) Sal - see Eochaid (121) salmon of knowledge, five - see hazels of wisdom (28) Samair - one of the twelve chief rivers of Ireland (q.v.) (62) Samhain - (Sow-in) after the Second Battle of Magh Tuireadh, only four men of the Fomor were left in Ireland, and they were driven out one Samhain night by Morrigu and Angus Og (67) Samthainn - brother of Cian and Goibniu, he lived with them at Druim na Teine (39) Scathniamh - (Scau-nee-av) styled 'the Flower of Brightness', she was a daughter of Bodb Dearg who gave her love to Caoilte (80) Sceilg Michill - the small island where Ir was buried (73) Scetne - the place where the host of the Fomor landed in Ireland just before the Second Battle of Magh Tuireadh (60) Scota - the wife of Miled, she was killed in the first battle fought between the Tuatha De Danaan and the Sons of the Gael (75) Scuabtuine - styled 'the Sweeper of the Waves', it was Manannan's curragh, which was often used by Lugh and kept at Brugh na Boinn (50) Seanchab - grandson of Neid, he was one of the chief men of the Fomor (42) Sean-Slieve - Lugh passed the head of it on his way to do battle with Bres (45) Second Battle of Magh Tuireadh - at Magh Tuireadh (2), it is where the great battle between the Tuatha De Danaan and the Fomor took place (63), after which there were only four men of the Fomor left in Ireland, till they were driven out one Samhain night by Morrigu and Angus Og (67) Segois - one of the twelve chief mountains of Ireland (q.v.) (62) Senias - one of the four wise men and teachers of the Tuatha De Danaan before they came to Ireland. His home was Murias (27). Sgoith Gleigeil - styled 'the White Flower', he was one of the sons of Manannan. His brothers included Goitne Gorm-Shuileach, Sine Sindearg, and Donall Donn-Ruadh. His foster brother was Lugh (41). Last amended June 11, 1989 -- Page NEXTRECORD 449 Shannon - a river containing the ford of Athluain (45), it was named after Sionan, one of the only women (probably a goddess) to eat of the salmon of knowledge (DIM) Sidhe Femen - (Shee -----) home of Bodb Dearg, and he put great enchantments about it (77)
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Sidhe Fionnachaidh - the Hill of the White Field, on Slieve Fuad; the home of Lir (77) Sine Sindearg - styled 'of the Red Ring', he was one of the sons of Manannan. His brothers included Sgoith Gleigeil, Goitne Gorm-Shuileach, and Donall Donn-Ruadh. His foster brother was Lugh (41). Siogair - see Dobar (49) Sionnan - one of the twelve chief rivers of Ireland (q.v.) (62), a variant of Shannon (q.v.) Sital Salmhor - one of the chief men of the Fomor (42) Siuir - one of the twelve chief rivers of Ireland (q.v.) (62) Slaine - lying to the west of Magh Tuireadh (2) to the east of Loch Arboch, the well of Slaine was used by Diancecht, Octruil, and Airmed to restore to lifethe slain warriors of the Tuatha De Danaan in the second battle of Magh Tuireadh (64) Slane - vaiant of Slaine (q.v.) (64) Slieve Bladma - (Sleev ------) one of the twelve chief mountains of Ireland (q.v.) (62) Slieve Cuailgne - the place where Cuailgne was killed (75) Slieve Eibhline - the place where the Sons of the Gael met Fodhla (71) Slieve Fuad - the place where Fuad was killed (75), and the location of Sidhe Fionnachaidh (77) Slieve Leag - one of the twelve chief mountains of Ireland (q.v.) (62) Slieve Macca Belgodon - one of the twelve chief mountains of Ireland (q.v.) (62) Slieve Mis - one of the twelve chief mountains of Ireland (q.v.) (62), it is where the Sons of the Gael met Banba, and Amergin talked with her (71) Slieve Snechtae - one of the twelve chief mountains of Ireland (q.v.) (62) Sligech - one of the twelve chief rivers of Ireland (q.v.) (62) Sons of the Gael - also called the sons of Gaedhal, they came from the south to invade Ireland and avenge the death of Ith, one of their race who had come to Ireland before and met his death there (71) Last amended June 11, 1989 -- Page NEXTRECORD 450 Spear of Victory - one of the four great treasures the Tuatha De Danaan brought to Ireland from the north. It came from the city of Finias (27). Sreng - a great fighting man of the Firbolgs, he was sent to meet the Tuatha De Danaan when they first came to Ireland (28). He led the
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forces of the Firbolgs after King Eochaid fell (31), and it was he that struck off Nuada's arm (31). Stone of Virtue - the Lia Fail (q.v.) (27) streams of wisdom, seven - see hazels of wisdom (28) Sweetheart of the Sidhe - see Leanan Sidhe (86) Sword - one of the four great treasures the Tuatha De Danaan brought to Ireland from the north. It came from the city of Gorias (27). Tabarn - see Cathmann (114) Tadg (1) - (Teig) son of Nuada and husband of Ethlinn and, by her, father of Muirne and Tuiren (68) Tadg (2) - the son of Cianand and brother of Airnelach and Eoghan, he went to the Land of the Ever-Living Ones (114) on his journey to rescue his wife, Liban, and his two brothers (120) Taillte - daughter of the king of Magh Mor and wife of Duach and foster-mother of Lugh, she died during Lugh's kingship and was buried on the plain of Midhe and is honored each summer by fires and keening and games and sports at the place called Taillten (68) Taillten - named after Taillte, it is the place where fires, keening, games and sports are held each summer in her honor (68) Tailltin - (probably a variant of Taillten) it is the place Eriu's forces were driven back to during the first battle between the Sons of the Gael and the Tuatha De Danaan, and where the Battle of Tailltin (q.v.) was subsequently fought (75) Tarba - the oak-wood where Niall caught up with Cailcheir (81) Teamhair - (T'yower, or Tavvir) residence of Eochaid when the Tuatha de Danaan first came to Ireland (28). The Tuatha de Danaan took possession of it after the first battle of Magh Tuireadh, and from that time it was the chief place of Ireland, for its king was the High King. It was sometimes called Druim Cain, the Beautiful Ridge, and Liath-druim, the Grey Ridge, and Druim na Descan, the Ridge of the Outlook. The king's rath lay to the north (31). The Dagda made his home here after losing the Brugh na Boinne to Angus (82) Tethra - a king of the Fomor, he owned the sword called Orna that was later found by Ogma (66) Three Gods of Craftsmanship - Credne, Luchtar, and Goibniu (DIM) Tiabhal - one of the Queens of the sea, her image was placed by Culain Last amended June 11, 1989 -- Page NEXTRECORD 451 on Conchubar's magical shield (98) Tir Tairngaire - the Land of Promise, Manannan's country (111) Tir-nam-Beo - the Land of the Ever-Living Ones, Manannan's country (113)
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Tower of Glass - on the Island of the Tower of Glass (q.v.), it was the home of Balor (38) Traig Mor - the Great Strand, in Manannan's country (114) Traigh Eothaile - the strand where King Eochaid fell in the battle against the Tuatha de Danaan. He was buried there with a great heap of stones raised over his grave (30). Treon - of the Tuatha De Danaan; see Gebann (119) Trogain - see Fertuinne (79) Tuag - fosterling of Conaire the High King, she was loved by Manannan, but his pupil Fer Ferdiad failed in his attempt to bring her to Manannan, and the girl drowned (98) Tuaidh - see Rider of the Wave of Tuaidh (58) Tuatha de Danaan - (Too-a-ha-dae Donnan) styled 'the Men of Dea', the people of the gods of Dana who came from the North through the air in a mist to Ireland (27). They landed in north-west Connacht on Beltaine (28). Tuirbe - father of Goibniu the Smith, he was famous for the cast of his axe (81) Tuireann - son of Ogma, his own three sons were Brian, Iuchar, and Iucharba (47) and his daughter was Ethne. His sons had a long-standing feud with the three sons of Cainte and they killed Cian on the Plain of Muirthemne (43) Tuiren - daughter of Ethlinn and Tadg, sister of Muirne, and mother of Bran (68) Tuis - the King of Greece, killed by Brian (53), he was owner of a healing pig-skin that was among the payments that Lugh demanded from the sons of Tuireann for the death of Cian (48) Tulach na Bela - 'the Hill of the Axe', place from which Tuirbe would cast his axe (81) twelve chief lochs of Ireland - they are Derc-Loch, Loch Luimnech, Loch Orbsen, Loch Righ, Loch Mescdhae, Loch Cuan, Loch Laeig, Loch Echach, Loch Febail, Loch Decket, Loch Riach, and Mor-Loch (62) twelve chief mountains of Ireland - they are Slieve Leag, Denda Ulad, Bennai Boirche, Bri Ruri, Slieve Bladma, Slieve Snechtae, Slieve Mis, Blai-Slieve, Nemthann, Slieve Macca Belgodon, Segois, and Cruachan Last amended June 11, 1989 -- Page NEXTRECORD 452 Aigle (62) twelve chief rivers of Ireland - they are the Buas, the Boinn, the Banna, the Nem, the Laoi, the Sionnan, the Muaid, the Sligech, the Samair, the Fionn, the Ruirtech and the Siuir (62) Uaitne - also called Dur-da-Bla and Coir-cethar-chuin, it was the
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Dagda's magic harp which was taken by the Fomor during the second battle of Magh Tuireadh. Lugh and the Dagda and Ogma went to retrieve it. When the Dagda called to it, it sprang toward him, killing nine men of the Fomor on its way. The Dagda then played the sleeping strain and as the Fomor slept, he restored to Ireland all the cattle that the Fomor had taken in tribute. (67) Uillenn Faebarderg - of the Red Edge, some say he killed Manannan in battle at Magh Cuilenn (96). Uisnech - mentioned briefly in Ethne's complaint (58), the place where the five provinces meet, and the first place there was ever a fire kindled in Ireland (by Mide). Some say that Lugh died there (68). The hill of Uisnech is where the Sons of the Gael met Eriu, and Eremon spoke with her (72). Ullad Echne - it lay to the south of the river Unius (61) Un - the husband of Fais (75) Unius - a river of Connacht where the Morrigu was washing herself when the Dagda returned from the camp of the Fomor (61). The foot of the Unius was called the Ford of Destruction since the second battle of Magh Tuireadh (66) Urias - styled 'of the noble nature', one of the four wise men and teachers of the Tuatha de Danaan before they came to Ireland. His home was Gorias (27). Valley of Fais - a valley at the foot of a mountain, it is were Fais was killed (75) Valley of the Mata - near the house of the Dagda at Brugh na Boinne (80) Wall of the Three Whispers - in Teamhair, it was near the House of the Women (31) Wave of Tuaidh - see Rider of the Wave of Tuaidh (58) Whisper of the Men of Dea - see Grellach Dollaid (40) BOOK OF SHADOWS BOOK THE SECOND PP. 453 - 906 RIDERS OF THE CRYSTAL WIND TABLE OF CONTENTS A Minster Speaks Out (J. gordon Melton) .........................975 A Plea For Initiation Standards (Ellen Cannon Reed) .............908 A Tale of Two Witches (Mike Nichols) ............................147 All Hallows Eve (Mike Nichols) ..................................137 Altar Dedication (Durwydd) .....................................125 Amazing (Pagan?) Grace ..........................................959
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Ancient Art, The ................................................551 Answers (Grove of the Unicorn) ..................................479 Asatru (Rathulvf Jamieson) ......................................952 Astral Projection (Monroe Technique) ............................783 Athame Dedication (Durwydd) .....................................125 Autarchic Creed .................................................562 Banes, Bindings, and Mirrors (Judy Harrow, Hugh Read) ...........628 Bare Bones 3rd Degree (Humor) ...................................463 Basic Beliefs of WICCA (C.O.G.) .................................947 Basic Love Spell ................................................958 Basic Spell Construction ........................................113 Basic Principles (American Council of Witches)...................310 Basic Ritual Outline (ED FITCH) ...................................6 Beltaine Ritual (Firestar Coven, 1986) ...........................36 Beltane Ritual (Seastrider) .....................................464 Beltane, Its Origins (Rowan Moonstone) ..........................126 Bible, Books not included .......................................652 Bibliography (annotated) ........................................929 Binding A Spell (Farrar & Farrar) ...............................157 Blood Sacrifice (Althea Whitebirch) .............................547 Burning Times, The (Marios) .....................................951 C.O.G. Pledge ...................................................309 Channeling (Jast) ...............................................969 "Condensed" Definition of Wicca (Lady Phoenix) ..................948 Candle Colors ...................................................982 Candle Magic ....................................................417 Candle Scents ...................................................988 Candlemas (Gwydion) .............................................537 Candlemas (Mike Nichols) ........................................168 Catharsis Circle (Judy Harrow).....................................8 Cauldrons (Elemental)............................................420 CELTIC NUMEROLOGY (Mike Nichols) ................................454 CELTIC BIBLIOGRAPHY (Rowan Moonstone) ...........................298 Chants w/ASCII Notation (L.A.Hussey) ...........................1081 Chaos Magic (Mark Chao) .........................................398 Charge of the Phone Goddess (Magenta Griffith) ..................759 Charge of the Goddess, The ......................................193 Charge of The Horned God, The ...................................936 Check List for A Well Working Group (Earthrite BBS) .............957 Church of All Worlds ............................................353 Christian "Cults" ..............................................1000 Circle Closing ..................................................540 Circle Casting (Avaloian)........................................541 Circle Purification for Asthmatics ..............................780 Circle Casting (after Valiente and Farrar) ......................130 Circles, why use them? (Mel White) ...............................65 Cleansing (Rowan Moonstone) .......................................2 Comparison of Wicca and Christianity.............................622 Computer Blessing (Zahai Stewart) ...............................757 Coven Offices ...................................................762 Coven Leadership ................................................543 Covenant of the Goddess .........................................305 Consciousness & Politics (Carol Moore)......................... i TABLE OF CONTENTS (continued) Craft Ethics (J. Crowley) .......................................751 Creation Story ..................................................619 Creed Of The People Of God (Catholic) ..........................1005 Crone Energies (Grey Cat) .......................................559 Crystals, their care and feeding (Matrika).......................413
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Cult Danger Evaluation Frame (P.E.I.Bonewits) ...................343 CUUPS (C.O.G. Salt Lake City) ..................................1002 "Dark Night of the Soul".........................................286 DCW Landmarks ...................................................492 Degrees within Covens ...........................................623 Deity Engineering Worksheet .....................................607 Denver Area Wiccan Network ......................................200 Descent of The Goddess (Sewna Silvara) ..........................750 Dianic Wicca (Inanna Seastar) ...................................614 Divination (Bibliography) .......................................605 Divination (RMPJ) ...............................................603 Drawing Down the Moon ...........................................557 Dream Problem Solving ...........................................573 Dream Bibliography ..............................................576 Dream Life ......................................................571 Dream-News ......................................................567 Dreams Precognition .............................................575 Dying God (Ammond ShadowCraft)...................................685 Eclectic Circle Ceremony (Durwydd) ...............................40 EcoMagick .......................................................614 Eight Paths to Altered States (Carrie McMasters).................222 Elements, A Hermetic Summoning (Marios) .........................960 Elemental Correspondences (from Starhawk) .......................979 Elemental Correspondences .......................................560 Ethics and Morals (RMPJ) ........................................315 Ethics and Magick (Warren Stott) ................................415 Ethics and Love Magick (Mike Nichols) ...........................554 Ethics or Etiquette .............................................565 Etymology of "Wicca" ............................................356 Evolution of Wiccan Ritual (Paul Hume) ..........................946 Exorcism ........................................................613 Festivals .......................................................587 Film Guide '89 (Mike Nichols)....................................528 First Degree, What is it? .......................................351 FISH (Creative use of Christian Symbology) ......................611 Five Fold Kiss ..................................................744 Fool ............................................................590 Fortune, The (RMPJ) .............................................953 Full Deck Tarot Spread ..........................................625 Full Moon Ritual (Seastrider)....................................634 Fundamentals of Human Ecology ...................................616 Glossary (Rowan Moonstone & Durwydd MacTara) ....................206 Gnosticism.......................................................694 God/Goddess Balance (Adrienne)...................................223 Golden Dawn (Calif.).............................................689 Golden Dawn Training (outline)...................................691 Goodwife (Story by L.A. Hussey) .................................644 Great Rite, The (Symbolic) ......................................656 Greek Fire Initiation............................................982 Halloween, Origins of (Rowan Moonstone) ..........................26 Handfasting ......................................................68 Harvest Home (Mike Nichols) .....................................176 Harvest Thoughts (Gary Dumbauld) ................................630 Harvest Home - 1987 (Michael Fix) ................................13 ii TABLE OF CONTENTS (continued) Heal The Earth (a meditation) ...................................661 Healing (one method) ............................................655 Healing Myth (Nihasa) ...........................................165 Helpful Hints (Humor) ...........................................966
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Heretic's Corner (RMPJ) .........................................869 Heyokah (RMPJ) ..................................................632 Hidden Codes in the Torah .......................................733 High Technology Meets The Ancient Wisdom ........................964 History (Weyland Smith) .........................................786 History of Witch Craft ..........................................791 Homeblessing (Selena Fox) .......................................663 Hypnosis 101 ....................................................667 Imbolc (Solitary Ritual) ........................................664 Initiation, Outdoor (adaptation) .................................72 Initiation (Brad Hicks) ..........................................50 Introductory Book List ..........................................926 INVOCATIONS Freyja (unknown) ............................................56 Frigg (Russ Anderson) .......................................55 Brigit (Russ Anderson) ......................................57 Baldur (unknown) ............................................55 Freyr (unknown) .............................................56 Herne (unknown) .............................................57 Thorr (unknown) .............................................58 Irish Myth Concordance (Mike Nichols) ...........................422 Ishtar ..........................................................740 Issian Circle (Matrika) ..........................................59 K.A.M. ..........................................................735 Kabballah (Colin Low)............................................236 Kali and Modern Physics .........................................730 Keltria (The Henge of) ..........................................739 Lady Day (Mike Nichols) .........................................171 Lammas (Mike Nichols) ...........................................174 "Landmarks" (D.C.W.) ............................................990 LBRP, an Essay (Tim Maroney) ....................................103 Learning Process ................................................962 Lilith (BBS Conversation) ......................................1083 LLEW, Death of (Mike Nichols) ...................................179 Lucid Dreaming (Omni Magazine) ..................................955 MABON Outline (anonymous) ........................................43 Magick, Physics, & Probability (Hurn) ...........................811 Magick (A. Crowley) .............................................817 Magick Vs. Prayer (Salgamma) ....................................684 Magickal Book List ..............................................923 Magick Course Outline (Amber K.).................................815 Magickal Ethics (Judy Harrow) ...................................502 Magickal History (Fra.: Apfelman) ...............................406 Magickal Definitions (RMPJ) .....................................814 Magickal Laws (after P.E.I. Bonewits) ...........................831 Magickal Musical Selection Guide ...............................1079 Magickal Pyramid, The (Durwydd MacTara).........................1096 Magickal Stones & Gems ..........................................912 Manhood Rituals (RMPJ) ..........................................760 Mantra Web technique ............................................288 Mayan Deities (777 Supplement) ..................................834 Mayday Celebration (Mike Nichols) ...............................837 MAYDAY Celebration (Mike Nichols) ................................79 Media Management (Windfire Coven) ...............................851 Maychants (4) (Tanscribed by SeaStrider).........................911 iii TABLE OF CONTENTS (continued) Memory & Perception, a new Model (Paul Seymour).................1077 Midsummer (Mike Nichols) .........................................45 Mind Control Techniques (Dick Sutphen) ..........................512
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Models of Magick (incomplete)....................................216 Modern Pagaism, Q&A .............................................920 Modern Pagan Persecution (Jonathan Hutchins) ....................942 Mothers Day Message ............................................1076 Monotheism vs. Polytheism (Dan Holdgriewe) ......................941 Mycenaen Mysteries (J. Teller)...................................365 Mystical Pentagram ..............................................110 Nature Spirit Magick (Larry Cornett) ............................357 Necromancy (reprint) ............................................841 Neo-Pagan Ritual (Brad Hicks) ....................................77 Neo-Paganism (J. Brad Hicks) ....................................329 NeoPagism (Eric S. Raymond) .....................................333 NLP- Applied Magic (Brandy Williams).............................459 NROOGD SAMHAIN - 1987 (l.a. Hussey) ..............................21 Occult Resurgence, A theory .....................................224 ODINISM, What is it? ............................................764 Open Circle Ethics (Brandy Williams) ............................377 Open Letter to A New Witch ......................................910 Open Letter to Selena Fox (Isaac Bonewits) .....................1089 Opening (ending) The Circle ......................................12 Origins of the Mandan (Madoc) ...................................949 Pantacle, The (Gary Dumbauld) ...................................392 Personal effects of Ritual (Nihasa) .............................868 Polarity and Single Sex Covens (Marios) .........................945 Pornography & Pagan Ideals ......................................972 Power Animals (RMPJ).............................................411 Psychic Self-Defense ............................................594 Psychic Attack ..................................................563 "Quantum" Kaballah...............................................282 Quantum Magick (Larry Cornett) ..................................857 Quilting and "Craft" (J.M. Cortese) ............................1103 Rainforest Ritual (Michael Harismedes, 1988) ....................212 Ritual Bath (Sewna Silvara) .....................................745 Runes, What are they? (Lokrien) .................................215 Runic Thorn Ritual (Faunus) ....................................1097 Sangreal Sodality, The (Alfgar Maharg) ..........................944 Samhain Notes (Farrar)...........................................143 Samhain Ritual (L. A. Hussey) ....................................19 Samhain Ritual (O.T.O.) .........................................145 Samhain (United Wiccan Church) ..................................141 Satanism vs. Wicca (Diane Vera)..................................194 Saxon Wicca (Matrika) ...........................................158 Scorpio Dragon (Sewna Silvara) ..................................749 Second Degree (Gary Dumbauld) .....................................3 Sex and Magick (Fra. Apfelmann)..................................231 Shamanic Binding (Gaffer Maccluiunn) ............................937 Shamanic Lifeways Fellowship (Michelle Haas) ....................384 Smudging (Michelle Haas) ........................................184 Solitary Moon Rite, Issian (Ellen Cannon Reed) .................1100 Sophia and Gnosticism (Terry J. McCombs) .......................1105 Spitual Emergence or Emergency (Paul Seymour) ...................939 Spring Equinox (Farrar and Farrar) ..............................182 Standing Stones Book Of Shadows (Scott Cunninham) ..............1010 Strings On The Winds (Bardic Fiction)............................778 "Super-Dimensionality" ..........................................289 Taleisin's thoughts .............................................676 iv TABLE OF CONTENTS (continued) Tea Ritual (Sewna Silvara, Triskelion)...........................747 Technology and The Craft (Fun!) .................................132
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The Postures of Ecstasy .........................................617 Tool List (Seastrider) ..........................................136 Tool Blessing Ritual ............................................122 Tool Consecration ................................................17 Traditional Wicca (K.A.M.) ......................................186 Trickster Energies ..............................................234 Twelve Exercises Nobody Needs ...................................619 Wartime (Michelle Haas, 1991) ...................................117 Watch Towers, Rethinking The (Mike Nichols) .....................344 What is WICCA? (Texas Pamphlet) .................................322 What is Shamanism? (Michelle Haas) ..............................354 What is Wicca? (Amber K.) .......................................340 Wicca, from My Point of View (Lady Phoenix) .....................149 Wiccan Information Network .....................................1087 Wiccan Way, The .................................................192 Wiccan Pentagram Ritual (Paul Hume) ..............................98 Wiccan Traditions, A comparison (Hurn, RMPJ) ....................154 Wiccan Path (Madoc)..............................................227 Wiccan Shamanism (Selena Fox) ...................................162 Wiccan Principles (American Council of Witches, 1974)............190 Wiccan Rede, An Exegesis (Judy Harrow) ..........................317 Witchcraft Q&A (Dr. Leo Martello) ...............................150 Witches Creed (Doreen Valiente_ .................................320 Women vs. Men (Michele Haas).....................................195 YULE (Mike Nichols) ..............................................84 Yule in Britain (Tana) ...........................................94 Yule Ritual (Starhawk) ...........................................88 v 453
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TOWARD A CELTIC NUMEROLOGY ========================== by Mike Nichols '...I have been a word among letters.' --the Book of Taliesyn, VIII What's in a word? Or a name? What special power resides in a word, connecting it so intimately to the very thing it symbolizes? Does each word or name have its own 'vibration', as is generally believed by those of us who follow the Western occult tradition? And if so, how do we begin to unravel its meaning? Just what, exactly, is in a word? Well, LETTERS are in a word. In fact, letters COMPRISE the word. Which is why Taliesyn's remark had always puzzled me. Why didn't he say he had been a 'letter among words'? That, at least, would seem to make more logical sense than saying he had been a 'word among letters', which seems backwards. Unless... Unless he was trying to tell us that the word is NOT the important thing -- the critical thing is the LETTERS that make up a word! The Welsh bard Taliesyn was, after all, a pretty gifted fellow. He certainly put all the other bards at Maelgwyn's court to shame. And over the years, I've learned never to take his statements lightly -- even his most enigmatic statements. Perhaps he was really suggesting that, in order to understand the true meaning of a word or name, one must first analyze the letters that comprise it. Of course, this is certainly not a new theory. Any student of arcane lore would at once recognize this concept as belonging in the opening remarks of any standard text on numerology. But to read the same meaning behind a line of poetry penned by a 6th century Welsh bard may be a bit surprising. Is it possible that the Celts had their own system of numerology? Let us begin the quest by asking ourselves what we know about numerology in general. Most of our modern knowledge of numerology has been gleaned from ancient Hebrew tradition, which states that the true essence of anything is enshrined in its name. But there are so many names and words in any given language that it becomes necessary to reduce each word to one of a small number of 'types' -- in this case, numerological types from 1 to 9 (plus any master numbers of 11, 22, etc.). This is easily accomplished by assigning a numerical value to each letter of the alphabet, i.e. A=1, B=2, C=3, and so on. Thus, to obtain the numerical value of any word, one simply has to add up the numerical values of all the letters which comprise the word. If the sum is a two digit number, the two digits are then added to each other (except in the case of 11, 22, etc.) to obtain the single digit numerical value of the entire word, which may then be analyzed by traditional Pythagorean standards. 454 The problemhas always been howto be sure ofthe numerical value of each letter. Why SHOULD A equal 1, or B equal 2, or Q equal 8? Where did these values come from? Who assigned them? Fortunately, the answer to this is quite simple in most cases. Many ancient languages used letters of the alphabet to stand for numbers (Roman numerals being the most familiar example). Ancient Hebrew, for instance, had no purely numerical symbols -- like our 1, 2, 3, etc. -- so their letters of the alphabet had to do double duty as numbers as well. One had to discern from the context whether the symbol was meant as letter or number. This was true of classical Latin, as well.
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Thus, in languages such as these, it is easy to see how a number became associated with a letter: the letter WAS the number. It is a bit more difficult to see how the associations in 'modern' numerology came into being. The modern numerological table consists of the numbers 1 through 9, under which the alphabet from A through Z is written in standard order: 1 2 3 4 5 6 7 8 9 --------------------------------- A B C D E F G H I J K L M N O P Q R S T U V W X Y Z This arrangement seems somewhat arbitrary, at best. At the very least, it is difficult to sense any 'intrinsically meaningful' relationship between a letter and its numerical value. After all, our modern alphabetical symbols and our modern numerical symbols (Arabic) come from two completely different sources and cultures. For this reason, many contemporary numerologists prefer the ancient Hebrew system because, at least here, there is a known connection between letter and number. However, when we attempt to adapt this system to the English language, a whole new set of problems crops up. For one, the entire alphabet is arranged in a different order and some of our modern letters have NO Hebrew equivalents. Thus, based on the Hebrew alphabet, the only letters for which we have numerical values are the following: 1 2 3 4 5 6 7 8 ------------------------------------ A B G D H V Z P Y K L M N W Q R S T Obviously, a modernnumerologist wouldn't get veryfar with this table. In order to compensate for the missing letters in the Hebrew system, most modern textbooks on numerology 'fill in' the missing letters by 'borrowing' numerical values from the Greek alphabet, thus mixing cultural symbols in an eclectic approach that is not entirely convincing. 455 Another problem is the exclusion of the number 9 from the table -- which modern textbooks often 'explain' by saying that the Hebrews did not use the number 9, since it was a 'sacred' and 'mystical' number. The real truth, however, is far less esoteric. The fact is, the Hebrew alphabet DID have letters with the numerical value of 9 -- the letters Teth and Sade. But, since Teth and Sade do not have equivalents in our modern English alphabet, the 9 value must be left out. And finally, it is once again difficult to see any INTRINSIC relationship between a Hebrew letter and the number it represents. Why should one symbol stand for 1, or another for 2, or yet another for 3, and so on? The whole superstructure seems somewhat shaky. But letus now turn our attention to a Celtic alphabetic system
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called the 'Ogham'. This alphabet is written by making a number of short strokes (from 1 to 5) below, above, or through a 'base line' (which in practice tended to be the edge of a standing stone). Thus, A, O, U, E, and I would be written, respectively: ---/----//----///----////----/////--- Of course, in this system it is easy to see how a letter becomes associated with a number, since the numerical value of each letter is implicit. Thus, A=1, O=2, U=3, E=4, and I=5. (It is true there is much disagreement and confusion among modern scholars as to how the Ogham alphabet should be rendered. Further, a number of different Oghams seem to have been employed at various times by different Celtic cultures. But this confusion usually centers on whether the strokes should be above, below, or through the base line -- NOT on the number of strokes used. On that point, there is general agreement. And though orientation to the base line is important, it is not essential to our discussion of numerology, since we need only concern ourselves with the NUMBER of strokes used.) Thus, based on the work of such scholars as P.C. Power, S. Ferguson, D. Diringer, I. Williams, L. Spence, and D. Conway, I have synthesized the following table of Celtic numerology: 1 2 3 4 5 --------------------------------- A D T C I B G U E N H L V F P M O W J Q X K R S Y Z 456 Using this table, the student of Celtic numerology would then proceed to analyze any word in the generally accepted manner. One should not be concerned that the numbers 6, 7, 8, and 9 do not appear in this system, as the Ogham alphabet had NO letters with these values (as opposed to the Hebrew alphabet which DID have letters with the missing 9 value, as mentioned earlier). Another consideration is that the Ogham alphabet is just that -- an alphabet. It never represented any particular language, and historically it has been employed by many different languages. Again by contrast, the Hebrew alphabet was structured for a particular language -- Hebrew -- and many problems arise when we attempt to adapt it to a language for which it is not suited. Althoughthe Ogham alphabet onlyhas letter valuesfrom 1 through 5, all of the numbers from 1 through 9 (plus any master numbers of 11, 22, etc.) will be used in the final analysis (just as in the Hebrew system). To understand how this works, let us try an example. We will use the name of the Welsh goddess Rhiannon: R + H + I + A + N + N + O + N 5 + 1 + 5 + 1 + 5 + 5 + 2 + 5 = 29 2 + 9 = 11
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Most numerologists will agree that 11 is a 'master number' or 'power number' and therefore it is not further reduced by adding the two digits (although, if one does this, 1 + 1 = 2, and 2 is considered the first even and feminine number in the numerical sequence, certainly appropriate for a Welsh Mother Goddess). Viewed as an 11, the analysis is usually that of someone who is on a 'higher plane of existence' (certainly appropriate for a goddess), someone who brings 'mystical revelation'. Often this is someone who feels slightly distant from the people surrounding him or her, and who has trouble feeling any real empathy for them (which seems to fit a faery queen who has come to live in the land of mortals). Also, this is sometimes the number of the martyr, or of someone unjustly accused (which is certainly true of Rhiannon's story as told in the 'Mabinogi', in which she is falsely accused of destroying her own son). By way of contrast,the 'modern' system would haveRhiannon be a 3, a somewhat inappropriate masculine number (not that all feminine names should always yield a feminine number -- but one would at least expect it to do so in the case of an archetypal mother goddess). The Hebrew system would yield an even more inappropriate 4, that being the number of the material world and all things physical (and since Rhiannon hails from faery, she is definitely not of this material plane.) 457 By now, some of my more thoughtful readers may think they see some inconsistency in my approach. Why have I gone to so much trouble to point up the flaws in traditional systems of numerology (even going so far as to suggest an entirely new system), only to fall back on interpretations of the numbers that are strictly traditional? The reason is this: all of my objections thus far have been limited to METHODOLOGY. When it comes to interpreting the meaning of the numbers, I have no quarrel with the traditional approach, since here we enter the field of universal symbolism. All systems of numerology, be they Hebrew, modern, Oriental, or whatever, tend to attach the same interpretive meaning to the numbers. When Three Dog Night sings, 'One is the loneliest number that you'll ever know...', it is a statement which is immediately understood and agreed upon by people from widely diverse cultures. And the same holds true for all other numbers, for we are here dealing with archetypal symbols. It is worth repeating that, although I believe this system to have a firm theoretical basis, it is still in an embryonic state -- highly tentative, highly speculative. To the best of my knowledge, it is also an original contribution to the field of numerology. While some writers (notably Robert Graves in 'The White Goddess') have dealt with the numerical values of Ogham letters, I believe this article is the first instance of employing it specifically as a system of numerology. I have spent many long hours working with Celtic numerology -- putting abstract theory to use in practical application -- but much work remains to be done. For this reason, I would be happy to hear from readers who are interested in the subject and who would like to share their own experiences and thoughts. 458 NLP: APPLIED MAGIC by Brandy Williams One: Matching Representations
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In studying magic I've been exposed to a lot of related fields--history, mythology, music--which enrich my understanding of my vocation. One of the most helpful series of books I've encountered is a set of five volumes starting with The Structure of Magic I. and II. which focus on... psychology. John Grinder and Richard Bandler developed the field they called Neuro Linguistic Programming, or NLP. One reason I suggest everyone I know become familiar with it is that they've taught this stuff to salespeople, managers, Pentagon employees... I see their techniques on television commercials and read about them in seminar descriptions. NLP is a people manipulator par excellence, and I think it's important others are made aware of this. Another reason is that it's so incredibly useful. Consider this: "The meaning of a communication is the response you get." In their terms, an elegant phrase. It's changed my entire relationship with others. If I don't make myself clear, I don't blame the listener. I restate my case, maybe trying a different body language, a different representa- tional system, a little pacing... Representational system? Well, what senses do we use to explore the world? Sight--hearing--touch, and taste and smell to a much lesser extent. So how do we think? In images, sounds and feelings--or, in NLP terms, in visual, auditory and kinesthetic representational systems. What's interesting is that we all make images and sounds and feelings to store experience, but we're usually only conscious of using ONE system. The words we choose to describe our experi ences reflect that: "I'm not very focused and I can't see what you're saying." Or, "I've got a handle on the feeling that's been bugging me." Or, "I hear that, it sounds like it will work." Spend one hour listening to people and you can verify this. Now, if I say, "I just can't feel good about that," and the person I'm talking to says "I don't see what's wrong with it," my communication hasn't received the response I want. If I switch to my partner's most favored representational system and say, "Let me make that clear to you. It looks like a really bad situation," that's one way to match, or pace my partner. See what I mean? Or maybe that gives you a feel for the power of this particular "psychology". What does any of this have to do with paganism or magic? For starters, I wonder how many circle conflicts could be solved by something as simple as accommodating each other's most favored rep. system. In a working circle, is someone having trouble visualizing a goal? Is someone else very good at constructing mental temples, 459 but totally unable to feel when to release the energy? Put them together, get them to trade notes and teach each other; both skills are part of the same experience.
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When you direct rituals, do you always include something to see or imagine, hear or sing, feel--in the body or tactually? Do your rituals work for some people and not others? You might check to be sure you're satisfying everyone's most favored rep. system. The function of magic is the response you get. BIBLIOGRAPHY Works by John Grindler and Richard Bandler: The Structure of Magic I. The Structure of Magic II. Frogs into Princes Reframing Trance-formations 460 NLP: APPLIED MAGIC by Brandy Williams TWO- Inside/Outside Remember representational systems? The idea that humans think in images, sounds, and feelings? While we're calling up images (a process called accessing), we're not able to look at what's going on in front of us. While we're listening to music, we're not able to remember our favorite song. While we're feeling our shoulders for tension, we're not aware of the touch of cloth against our skin. Seeing with the mind's eye and the physical eye are mutually exclusive processes. In Neuro Linguistic Programming, accessing -- thinking -- is called downtime, and observing with the senses is labelled uptime. I run uptime as a meditation. Try this: for three minutes, look at the colors in front of you, the textures of surfaces, shapes... listen to the volume and pitch of all sounds in your vicinity... feel the surface you're sitting on, your hand touching something in front of you... The next time you generate an internal image, talk to yourself, feel your stomach tightening -- notice the difference. It's the difference between accessing and observing, downtime and uptime, external and internal reality. One thing that I notice about uptime is that it links to the concept 'sacred'. When I take a walk by the river, I watch the water rippling over rocks, listen to the white noise of the current, feel the moist air touching my skin. I bring myself out of my own internal creations and allow myself to live in the world. Another thing I notice about uptime is that some people don't do it very much. Most of us drop into internal reality when our environment is unpleasant, and that's a very useful thing to be able to do. But then a lot of people forget to come back out-- come to their senses, literally -- and experience the world again. Such people are very difficult to talk to. When I have a
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conversation, I like my partner to be listening to what I say, and watching my body language. More often, my partner is access sing some internal meaning for, or response to, what I'm saying. That internal meaning may or may not have anything to do with what I'm communicating. It isn't possible to observe someone (with all senses) when we're accessing. It isn't possible to achieve rapport with a person we're not observing. One of the bases of magical group workings is rapport between the participants. 461 Try this: the next time you have a conversation about magic, observe your partner. Watch for: body position and gestures. Often people I talk to demonstrate what they feel when they do magic. [A woman describing her circle method moved her hand from her forehead down toward her feet, from shoulder to shoulder, and from her heart straight in front of her -- gesturing the three energy poles a circle creates.] Listen for: sensory descriptions --"I saw, I heard, I felt." Learning to go into uptime at will, and differentiate our representations of reality from our observations, is perhaps the most useful magical skill we can possess. It provides the basis for a reality check; it helps us communicate our experiences more effectively to others, and to help them duplicate what we do; and it is one of the most profound alterations of consciousness. - Brandy Williams ~~~~~~~~~~ BIBLIOGRAPHY Works by Richard Bandler & John Grinder: The Structure of Magic I. The Structure of Magic II. Frogs to Princes Reframing Trance-formations 462 Bare Bones Third Degree Elevation (spoof) (Emphasis on action with minimal vocal requirements.) by Orion 1. Ritual Bath - Both play in water for an inappropriately long time. 2. Casting of Circle - Cast in the usual manner with items at hand. 3. Reason and Challenge - "You're here for Thirds. Are you ready for the test? 4. Response - "Ready, willing and able!" 5. The Mystery - Perform Great Rite multiple times until sated or worn out.
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6. Cakes and Wine - Required in order to continue. 7. Reprise - Repeat step 5 if desired. 8. Closing of Circle - Must be done before falling asleep. 463 BELTANE This a Pagan Ritual file, of interest to Neo-Pagans,specifically Wiccan based religions. Equipment- see standard list Set up a candle in each of the four cardinal directions. Lay the rest of the tools on the altar cloth or near it. The altar can be on the ground, a table, a rock or a stump. The altar should be in the center or just north of center of the Circle. Light the six candles and the incense, start the music and begin the ritual. The Beltane ritual should start before sunrise or in the evening of April 30th. This is to welcome the sun in and to make effective use of the bonfire. The party or the ritual should finish some time after sunrise. THE RITUAL Facing North, the High Priest and Priestess kneel in front of the altar with him to her right. She puts the bowl of water on the altar, places the point of her athame in it and says: "I exorcise thee, O Creature of Water, that thou cast out from thee all impurities and uncleanliness of the world of phantasm; in the names of Cernunnos and Aradia" She then puts down her athame and holds up the bowl of water in both hands. The High Priest puts the bowl of salt on the altar, puts his athame in the salt and says: "Blessings be upon this Creature of Salt; let all malignity and hindrance be cast forth hencefrom, and let all good enter herein; wherefore so I bless thee,that thou mayest aid me, in the names of Cernunnos and Aradia." He then puts down his athame and pours the salt into the bowl of water the High Priestess is holding. The High Priest then stands with the rest of the Coven outside the Circle. The High Priestess then draws the Circle with the sword, leaving a gap in the Northeast section. While drawing the Circle, she should visualize the power flowing into the Circle from off the end of the sword. She draws the Circle in a East to North or deosil or clockwise direction. She says: "I conjure thee, O Circle of Power, that thou beest a meeting place of love and joy and truth; a shield against all wickedness and evil; a boundary between men and the realms of the Mighty Ones; a rampart and protection that shall preserve and contain t h e power that we shall raise within thee. Wherefore do I bless thee and consecrate thee, in the names of Cernunnos and Aradia."
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464 The High Priestess lays down the sword and admits the High Priest with a kiss while spinning him deosil and whispers: "Blessed Be" He then admits a women the same way. Alternate-male-female-male. Then the High Priestess finishes closing the Circle with the sword. She then names three witches to help strengthen the Circle. The first witch carries the bowl of consecrated water from East to East going deosil, sprinkling the perimeter as she/he goes. They then sprinkle each member in turn. If the witch is male, he sprinkles the High Priestess last who then sprinkles him. If female she sprinkles the High Priest last, who then sprinkles her. The bowl is replaced on the altar. The second witch takes the incense burner around the perimeter and the third takes one of the altar candles. While going around the perimeter, each person says: "Black spirits and white, Red spirits and grey, Harken to the rune I say. Four points of the Circle, weave the spell, East, South, West, North, your tale tell. East is for break of day, South is white for the noontide hour, In the West is twilight grey, And North is black, for the place of power. Three times round the Circle's cast. Great ones, spirits from the past, Witness it and guard it fast." All the Coven pickup their athames and face the East with the High Priest and Priestess in front, him on her right. The High Priestess says: "Ye Lords of the Watchtowers of the East, ye Lords of Air; I do summon, stir, and call you up to witness our rites and to guard the Circle." As she speaks she draws the Invoking Pentagram of Earth in the air with her athame: 1,6 4 3 2 7 5 The High Priest and the rest of the Coven copy her movements with their athames. The High Priestess turns and faces the South and repeats the summoning: "Ye Lords of the Watchtowers of the South, ye Lords of Fire; I do summon, stir and call you up, to witness our rites and to guard the Circle." 465 She does the same pentagram and then faces West and says:
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"Ye Lords of the Watchtowers of the West, ye Lords of Water, ye Lords of Death and Initiation; I do summon, stir, and call you u p , to witness our rites and to guard the Circle." She faces North with rest of the Coven and says: "Ye Lords of the Watchtowers of the North, ye Lords of Earth; Boreas, thou gentle guardian of the Northern Portals; thou powerful God and gentle Goddess; we do summon, stir and call you up, to witness our rites and to guard the Circle." The Circle is completed and sealed. If anyone needs to leave, a gate must be made. Using the sword, draw out part of the Circle with a widdershins or counter-clockwise stroke. Immediately reseal it and then repeat the opening and closing when the person returns. In this part of the ritual the Goddess becomes incarnate in the High Priestess. The High Priestess stands in front of the altar with her back to it. She holds the wand in her right hand and the scrounge in her left. She crosses her wrists and crosses the wand and scrounge above them while holding them close to her breast. The High Priest stands in front of her and says: "Diana, queen of night In all your beauty bright, Shine on us here, And with your silver beam Unlock the gates of dream; Rise bright and clear. On Earth and sky and sea, Your magic mystery Its spell shall cast, Wherever leaf may grow, Wherever tide may flow, Till all be past. O secret queen of power, At this enchanted hour We ask your boon. May fortune's favor fall Upon true witches all, O Lady Moon! The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. He says, as he does this: Blessed be thy feet, that have brought thee in these ways. Blessed be thy knees, that shall kneel at the sacred altar. Blessed be thy womb, without which we would not be. Blessed be thy breasts, formed in beauty. Blessed be thy lips, that shall utter the Sacred Names." 466 For the kiss on the lips, they embrace, length to length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips. The High Priest kneels again and invokes:
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"I invokethee andcall uponthee, MightyMother ofus all, bringer of all fruitfulness; by seed and root, by bud and stem, by leaf and flower and fruit, by life and love do I invoke thee to descend upon the body of this thy servant and priestess." During this invocation he touches her with his right forefinger on her right breast, left breast, and womb, repeats the set and finally the right breast. Still kneeling, he spreads his arms out and down, with the palms forward and says: "Hail Aradia! From the Amalthean Horn Pour forth thy store of love; I lowly bend Before thee, I adore thee to the end, With loving sacrifice thy shrine adore. Thy foot is to my lip (he kisses her right foot) my prayer up borne Upon the rising incense smoke; then spend Thine ancient love, O Mighty One, descend To aid me, who without thee am forlorn." The High Priest stands up and steps backwards. The High Priestess draws the Invoking Pentagram of Earth in the air with the wand and says: "Of the Mother darksome and divine Mine the scrounge, and mine the kiss; The five point star of love and bliss Here I charge you in this sign." The High Priest says: "Listen to the words of the Great Mother; she who of old was also calledamong manArtemis,Astarte, Athene,Dione,Melusine, Aphrodite, Cerridwen, Dana, Arianhod, Isis and by many other names." The High Priestess, who should be in a trance, says as the Goddess: "Whenever you have need of anything, once in a month, and better it be when the Moon is full, then shall ye assemble in some secret place and adore the spirit of me, who am Queen of all witches. There shall ye assemble, ye who are fain to learn all sorcery, yet have not won its deepest secrets; to these will I teach things that are yet unknown. And ye shall be free from slavery; and as a sign that ye be really free, ye shall be naked in your rites; dance, sing, feast, make music and love, all in my praise. For mine is the ecstasy of the spirit, and mine also is joy on earth; for my law is love unto all beings. Keep pure your highest ideal; strive ever towards it; let naught stop you or turn you aside. For mine is the cup of the wine of life, and the Cauldron of Cerridwen, which is the Holy Grail of Immortality. I am the gracious Goddess, who gives the gift of joy unto the heart of man. Upon Earth, I give the knowledge of the spirit eternal; and beyond death, I give peace and freedom, and reunion with those who have gone before. Nor do I demand sacrifice; for behold I am the Mother of all living things, and my love is poured out upon the 467 earth. I who am the white Moon among the stars, and the mystery of the waters, and the desire of the heart of man, call unto thy soul. Arise, and come unto me. For I am the soul of nature, who gives life to the universe. From me all things proceed, and unto me all things must return; and before my face, beloved of Gods and men, let thine
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innermost divine self be enfolded in the rapture of the infinite. Let my worship be within the heart that rejoiceth; for behold, all acts of love and pleasure are my rituals. And therefore let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you. And thouwho seekest to seekfor me, know thyseeking and yearning shall avail thee not unless thou knowest the mystery; and if that which thou seekest thou findest not within thee,thou will never find it without thee. For behold, I have been with thee from the beginning; and I am that which is attained at the end of desire." This declamation can be said by the High Priestess, the High Priest or the Coven as a whole. "Hear now the words of the witches, The secrets we hid in the night, When dark was our destiny's pathway, That now we bring forth into the light. Mysterious Water and Fire, The Earth and the wide ranging Air, By hidden quintessence we know them, And will keep silent and dare. The birth and rebirth of all nature, The passing of winter and spring, We share with the life universal, Rejoice in the magical ring. Four times in the year the Great Sabbat Returns, and the witches are seen At Lammas and Candlemas dancing, On May Eve and old Hallowe'en. When day time and night time are equal, When sun is at greatest and least, The four lesser Sabbats are summoned, Again witches gather in feast. Thirteen silver moons in a year are, Thirteen is the Coven's array. Thirteen times at Esbat make merry, For each golden year and a day. The power was passed down the ages, Each time between woman and man, Each century unto the other, Ere time and ages began. When drawn is the magical circle, By sword or athame of power, It's compass between the two worlds lies, In the land of shades that hour. This world has no right to know it, And the world beyond will tell naught. The oldest of gods are invoked there, The Great Work of Magic is wrought. For two are the mystical pillars, That stand at the gate of the shrine, And two are the powers of nature, The forms and the forces of the divine. The dark and the light in succession, 468 The opposites each unto each, Shown forth as a God and a Goddess: This did our ancestors teach. By night he's the wild wind's rider, The Horn'd One, the Lord of the Shades.
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By day he's the King of the Woodland, The dweller in green forest glades. She is youthful or old as she pleases, She sails the torn clouds in her barque, The bright silver lady of midnight, The crone who weaves spells in the dark. The master and mistress of magic, They dwell in the deeps of the main, Immortal and ever renewing, With power to free or to bind. So drink the good wine to the Old Gods, And dance and make love in their praise, Till Elphames's fair land shall receive us In peace at the end of our days. And Do What Thou Wilt shall be the challenge, So be it in love that harms none, For this is the only commandment, By magic of old, be it done! Eight words the Witches Creed fulfill: If It Harms None, Do What Thou Will! The High Priest faces the Coven, raises his arms wide and says: "Bagabi lacha bachabe Lamac cahi achababe Karellyos Lamac lamac bachalyas Cabahag sabalyos Baryolos Lagaz atha cabyolas Samahac atha famolas Hurrahya!" The High Priestess and the Coven repeat: "Hurrahya!" 469 The High Priest and High Priestess face the altar. The High Priest continues: "Great God Cernunnos, return to Earth again! Come to my call and show thy self to men. Shepherd of Goats, upon the wild hill's way, Lead thy lost flocks from darkness unto day. Forgotten are the ways of sleep and night Men seek for them, whose eyes have lost the light. Open the door of dreams, whereby man come to thee. Shepherd of Goats, O answer unto me!" The High Priest and the rest of the Coven then say: "Akhera goittiakhera beitti!"
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And lower their hands on the second phrase. This is a ring dance as usual. This can be replaced or others added as desired. Everyone should take part. Use what music you feel comfortable with. Walpurgis Night, the time is right, The ancient powers awake. So dance and sing, around the ring, And Beltane magic make. Walpurgis Night, Walpurgis Night, Upon the eve of May, We'll merry meet, and summer greet, Forever and a day. New life we see, in flower and in tree, And summer comes again. Be free and fair, like earth and air, The sunshine and the rain. Walpurgis Night, Walpurgis Night, Upon the eve of May, We'll merry meet, and summer greet, Forever and a day. As magic fire be our desire To tread the pagan way, And our true will find and fulfill, As dawns a brighter day. Walpurgis Night, Walpurgis Night, Upon the eve of May, 470 We'll merry meet, and summer greet, Forever and a day. The pagan powers this night be ours, Let all the world be free, And sorrow cast into the past, And future blessed be! Walpurgis Night, Walpurgis Night, Upon the eve of May, We'll merry meet, and summer greet, Forever and a day. The Coven spread themselves out around the Circle. They start a soft rhythmic clapping. The High Priestess says: "Now it is time for the Oak King to impregnate Our Lady. No longer will she be the Virgin Huntress and Maiden. She is now to be
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Hecate, the Queen of Elphame. But first she must catch him." This song is from Robert Graves "White Goddess". It is an old Scottish Craft song. In it, the High Priest turns into a variety of animals and the High Priestess chases him. Starting with the High Priest and Priestess, then followed by the other couples in the Coven, the men are chased by the women. The ladies use a scarf to signify the capture at the end of the song. The dancers should try to imitate the animals they are playing. The dance and the tune should be slow. After all the couples have done so, the High Priestess and Priest repeat it. High Priest: "O, I shall go into a hare With sorrow and sighing and mickle care, And I shall go in the Devil's name Aye, till I be fetched hame." High Priestess: "Hare, take heed of a bitch greyhound Will harry thee all these fells around, For here come I in Our Lady's name All but to fetch thee hame." Coven: "Cunning and art he did not lack But aye her whistle would fetch him back." 471 High Priest: "Yet I shall go into a trout With sorrow and sighing and mickle doubt, And show thee many a merry game Ere that I be fetched hame." High Priestess: "Trout take heed of an otter lank Will harry thee close from bank to bank, For here come I in Our Lady's name All but for to fetch thee hame." Coven: "Cunning and art he did not lack But aye her whistle would fetch him back." High Priest: "Yet I shall go into a bee With mickle horror and dread of thee, And flit to hive in the Devil's name Ere that I be fetched hame." High Priestess: "Bee, take heed of a swallow hen Will harry thee close, both butt and ben,
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For here come I in Our Lady's name All but to fetch thee hame." Coven: "Cunning and art he did not lack But aye her whistle would fetch him back." High Priest: "Yet I shall go into a mouse And haste me unto the miller's house, There in his corn to have good game Ere that I be fetched hame." High Priestess: "Mouse take heed of a white tib-cat That never was balked of a mouse or a rat, For I'll crack thy bones in Our Lady's name: Thus shall thee be fetched hame." Coven: "Cunning and art he did not lack But aye her whistle would fetch him back." 472 The High Priestess finally catches the High Priest at the last refrain. She drapes a scarf over his neck to signify her catching him. The Maiden and the Coven say: "TheQueen of Elphame has caught herSon who is also her Consort. They must mate so that the Earth may bear it's fruits and that man and animal may live. " The High Priest and High Priestess, and the rest of the couples in the Coven, kiss with vigour. The men should wilt and fade back to the edge of the Circle. The women gather around the unlit bonfire or the cauldron with the candle in it. The High Priestess says: "The Oak King is dead. He has died of his love for the Lady that the Earth may live. So has it been for year after year, since time began. But the Oak King, the God of the Waxing year, must live so the crops in the Earth can come forth. " The Coven shouts: "Kindlethe Beltanefire.Maythe OakKingliveagain. Maythe Earth bring forth her fruits, may the animals bear their young and the land be fruitful again." The High Priestess lights the bonfire using a taper lit from the altar candle. She then says: "Come back to us, Oak King, that the land may be fruitful." The men gather around the fire, next to their partners, and the say in unison: "I am the stag of seven tines;
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I am a wide flood on the plain; I am a wind on the deep waters; I am a shining tear of the sun; I am a hawk on a cliff; I am fair among flowers; I am a god who sets the head afire with smoke." The High Priestess and High Priest lead a ring dance around the bonfire. Start out with "A Tree Song" from Rudyard Kipling's "Weland's Sword" story in "Puck of Pook's Hill". The dance should be joyful. "Oh, do not tell the Priest of our Art, Or he would call it sin; But we shall be out in the woods all night, Aconjuring summer in! And we bring you news by word of mouth For women, cattle and corn Now is the sun come up from the South With Oak, and Ash and Thorn!" Continue the dance with this song and/or any others that sound appropriate. 473 This chant goes to the tune of the old folksong, "The Lincolnshire Poacher": Come join the dance, that doth entrance, And tread the circle round. Be of good cheer, that gather here, Upon this merry ground. Good luck to we that faithful be, And hold our craft so dear, For 'tis our delight of a shiny night, In the season of the year. Oh, 'tis our delight of a shiny night, In the season of the year. While stars do shine, we pledge the wine Unto the Gods of old, Nor shall there fail the witch wassail, Nor shall their fire grow cold. Good luck to we that faithful be, And hold our craft so dear, For 'tis our delight of a shiny night, In the season of the year. Oh, 'tis our delight of a shiny night, In the season of the year. Throughout, about and round about, By flame that burneth bright, We'll dance and sing, around the ring, At witching hour of night. Good luck to we that faithful be,
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And hold our craft so dear, For 'tis our delight of a shiny night, In the season of the year. Oh, 'tis our delight of a shiny night, In the season of the year. Near the end of the dance, the High Priestess should call out the name of either a person or a couple. They should then jump over the fire while making a wish. They should then rejoin the ring and another couple or person do it. When ready, stop the dance and sit down about the fire. After a break, perform the Great Rite. 474 The Coven, except for the High Priestess and High Priest,arrange themselves around the perimeter of the circle, man and woman alternately as far as possible, facing the center. The High Priestess and High Priest stand facing each other in the center of the circle, she with her back to the altar, he with his back to the South. The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. he says, as he does this: "Blessed be thy feet, that have brought thee in these ways. Blessed be thy knees, that shall kneel at the sacred altar. Blessed be thy womb, without which we would not be. Blessed be thy breasts, formed in beauty. Blessed be thy lips, that shall utter the Sacred Names. For the kiss on the lips, they embrace, length to length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips. The High Priestess then lays herself down, face upwards, with her arms and legs outstretched to form the Pentagram. The High Priest fetches the veil and spreads it over the High Priestess's body, covering her from breasts to knees. He then kneels facing her, with his knees between her feet. The High Priest calls a woman witch by name, to bring his athame from the altar. The woman does so and stands with the athame in her hands, about a yard to the West of the High Priestess's hips and facing her. The High Priest calls a male witch by name, to bring the chalice of wine from the altar. He does so and stands with the chalice in his hands, about a yard to the East of the High Priestess's hips and facing her. The High Priest delivers the invocation: "Assist me to erect the ancient altar, at which in days past all worshipped; The altar of all things. For in old time, Woman was the altar. Thus was the altar made and placed, And the sacred place was the point within the center of the Circle. As we have of old been taught that the point within the center is the origin of all things, Therefore should we adore it; Therefore whom we adore we also invoke.
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O Circle of Stars, Whereof our father is but the younger brother, Marvel beyond imagination, soul of infinite space, Before whom time isashamed, the mind bewildered, and the understanding dark, Not unto thee may we attain unless thine image be love. Therefore by seed and stem, root and bud, And leaf and flower and fruit do we invoke thee, O Queen of Space, O Jewel of Light, Continuous on of the heavens; Let it be ever thus 475 That men speak not of thee as One, but as None; And let them not speak of thee at all, since thou art continuous. For thou art the point within the Circle, which we adore; The point of life, without which we would not be. And in this way truly are erected the holy twin pillars; In beauty and strength were they erected To the wonder and glory of all men." The High Priest removes the veil from the High Priestess's body, and hands it to the woman witch, from whom he takes his athame. The High Priestess rises and kneels facing the High Priest, and takes the chalice from the man witch. (Note that both of these handings over are done without the customary ritual kiss. The High Priest continues the invocation: "Altar of mysteries manifold, The sacred Circle's secret point Thus do I sign thee as of old, With kisses of my lips anoint." The High Priest kisses the High Priestess on the lips, and continues: "Open for me the secret way, The pathway of intelligence, Beyond the gates of night and day, Beyond the bounds of time and sense. Behold the mystery aright The five true points of fellowship...." The High Priestess holds up the chalice, and the High Priest lowers the point of his athame into the wine. Both use both of their hands for this. The High Priest continues: "All life is your own, All fruits of the Earth Are fruits of your womb, Your union, your dance. Lady and Lord, We thank you for blessings and abundance. Join with us, Feast with us, Enjoy with us! Blessed Be. Then, draw the Invoking Pentacle of Earth in the air above the plate with the athame. "Here where Lance and Grail unite, And feet, and knees, and breast, and lip." The High Priest hands his athame to the woman witch and then places
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both his hands round those of the High Priestess as she holds the chalice. He kisses her, and she sips the wine; she kisses him, and he sips the wine. Both of them keep their hands round the chalice while they do this. 476 The High Priest then takes the chalice from the High Priestess, and they both rise to their feet. The High Priest hands the chalice to a woman witch with a kiss, and she sips. She gives it to a man with a kiss. The chalice is passed around the Coven, man to woman, with a kiss each time, until the entire Coven has sipped the wine. The chalice can be refilled and any one can drink from it without repeating the ritual once the chalice has gone around once. The woman lays down her athame and passes the cakes to the man with a kiss,he passes them back with a kiss and they are passed around the Coven the same way the wine was. Be sure to save some of the wine and some cake for an offering to the Earth and the Little Folk. After the meeting,leave the offering outside of the house if working indoors, or behind in the woods or field, when you leave if you are working outdoors. The High Priestess faces East,with her athame in her hand. The High Priest stands to her right with the rest of the Coven behind them. If any tools have been consecrated, they should be held by the person furthest to the back. The Maiden stands near to the front to blow out each candle in turn. The Priestess says "Ye Lords of the Watchtowers of the East, ye Lords of Air; we do thank you for attending our rites; and ere ye depart t o y o u r pleasant and lovely realms, we bid you hail and farewell....Hail and farewell." As she speaks, she draws the Banishing Pentagram of Earth in the air in front of her thus, each time: 2 7 4 5 6 1 3 The rest of the Coven copy the Pentagram and chorus in on the second hail and farewell. The Maiden blows out the candle and the Coven faces the south and the High Priestess says: "Ye Lords of the Watchtowers of the South, ye Lords of Fire; we do thank you for attending our rites; and ere ye depart to your pleasant and lovely realms, we bid you hail and farewell....Hail and farewell." She turns to the West and says: "Ye Lordsof theWatchtowers ofthe West,yeLords ofWater; ye Lords of Death and Initiation; we do thank you for attending our rites; and ere ye depart to your pleasant and lovely realms, we bid
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you hail and farewell ....Hail and farewell." 477 She turns to the North and says: "Ye Lords of the Watchtowers of the North, ye Lords of Earth; Boreas, thou gentle guardian of the Northern Portals; thou powerful God, Thou gentle Goddess; we do thank you for attending our rites; and ere ye depart for your pleasant and lovely realms, we bid you hail and farewell ....Hail and farewell." This ends the Circle. The party following this should be a loving one. If there is a May Pole available, circle the May Pole. Beltane is also a time for forfeits. The High Priestess picks out the people and their forfeit, except the High Priest picks out the last one to play on the High Priestess. Beltane is also a time for "green wood marriages" and other unbridled sexuality and such. (Distributed in the public domain via Seastrider) 478 WITCHCRAFT: Some Answers for the Curious prepared and released by Ka'l El of the Grove of the Unicorn 07/07/88 What is a Witch? Contrary to many widely-held myths, witches are quite normal, engaged in the sorts of activities that are common to people in any culture or civilization. We work in a variety of professions, we live in all climates, we drive cars, raise families, tell jokes, and in most ways come across as perfectly normal people. This, however, doesn't answer the question, so let's approach it from a different angle: Technically, witches are initiated members of a Celtic-style nature religion. In this sense (which is, strictly speaking, the proper one), a witch is a person who has demonstrated a firm understanding of the principles of the Craft, has been trained in the meaning and purpose of ritual and the performance of ritual, and in all ways seeks to live a life that is in harmony with Nature and the cycles of the universe. What are Warlocks, then? The term 'warlock' specifically means 'oath-breaker'; it is used to describe one whose word cannot be safely trusted. To call someone a warlock is a serious matter in Pagan circles, as we hold integrity and trustworthiness in very high regard. Warlocks are generally outcasts, and may be either male or female. Just so, the term 'witch' is correctly applied to both male and female. You've mentioned Paganism twice; I thought Pagans were godless heathens!
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'Pagan' comes from the Latin pagani, which means 'country-dweller'. During the Middle Ages, when the Roman church began to consolidate its influence in northern Europe (and specifically in the British Isles), they concentrated their efforts around the noble courts, which were generally centers of population. As members of the court began to accept the new Way of Christianity, others began to see advantage in being on the new team, and followed those with money and power into the fold. The new religion was not so popular among the common people, who were more inclined to tend their flocks and crops than to curry favor with the nobility in town. The courtiers, educated by Latin-speaking clergymen, referred to these un-Converted masses as pagans, or 'hicks', as might be said today. 'Heathen', that all-purpose accusation, is just the old English translation of 'pagan'; both terms simply mean that the fashionable people of the Dark Ages didn't think much of the arrogant rubes who wanted to hang on to their own ways rather than disbelieve the evidence of their lives and experiences. As far as 'godlessness' is concerned, only repetition has given these words that connotation. 479 That doesn't tell me much about Paganism. Paganism is a broad group of traditions that share a more-or-less common world-view, and in that way is similar to Christianity. This world-view is marked by several elements: - Creation as an on-going process (as distinct from an event); - Time as an ever-repeating cycle or spiral (no start or finish); - Universe as an organism becoming conscious (as distinct from a machine produced by a celestial engineer); - Love as the essential nature of the Universal organism; - Experience as the means by which the Universe becomes conscious; - Incarnation as the means by which experience is forged into wisdom; - 'God' as a description (as distinct from a name or title). Although there are differences between them, Wicca, Shintoism, Hinduism, Polynesian Kahuna, Taoism and American Indians are among those groups who substantially share this world-view. Many of these concepts are espoused as well by some 'New Age' groups. In essence, Pagans hold that spirituality and divinity are inherent in the Universe, that we live to experience, and through that experience we gain wisdom and increased awareness. Do witches Believe in Jesus? Some witches believe in a historical Jesus while others believe in the symbolic or mythic Jesus; others believe in neither, and for many, the question of Jesus is irrelevant. I have heard many of my brothers and sisters voice the opinion that Jesus was a genuine Divine Being who taught a path of love and service, and who in his role as the Sacred King gave his life that the lives of the people would be renewed. For these things we honor him, yet we do not believe in messiahs, and I know of no Witch who worships him as the 'only son of god'. Then how do Witches propose to Escape Hell and Attain Salvation?
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This dual question has no real meaning for us; we see life as a school, not a lottery. In this school, we learn from the mistakes we make as we thread our ways through the world, and the lessons we learn are of love, tolerance, humility, understanding and joy. We believe that we learn these lessons, in common with all life every-where, through face-to-face interaction with the 'way things are'; and we believe that, though these lessons are often accompanied by feelings of sorrow or loss, they are worth the learning. On the subject of salvation, we believe that Hell (so-called) is the result of becoming attached to things and people (being 'of the world', as Christians might say), taking the lessons of life personally and perceiving them as troubles and blaming ourselves and others for the problems in our lives. On the same note, the closest we get to an idea of Heaven is through accepting the pains and frustrations of day-to-day life as lessons, and learning how we have caused ourselves and others pain through our errors, thereby freeing us to go on with our lives stronger, wiser, and more balanced. Where do you think you go when you die, then? We tell stories of a place we call Summerland, which we think of as a place of welcome rest after the rigors of life on Earth. We expect to 480 be rejoined with friends and loved ones who went before us, to digest and understand the lessons we have learned during our time 'incarnate'. From there, we will return to life on Earth after a time, to learn and teach until we achieve perfect knowledge and understanding of this cycle of existence. Honestly, we don't much occupy ourselves with thoughts about afterlife, as we believe there is nothing to fear. I guess you don't believe the Bible is the 'word of god'... No we don't; the ways it teaches are not our ways, although we respect them as we respect all the many ways that people use to 'touch the heart of God'. What do you use, then, for a Bible? The world is our 'bible' (Latin for 'book'), and all that is on it, in it, and around it. For us, the Earth is our mother, our teacher and our provider. From her, we learn to survive, to sing, to create, to rest and to believe. The Sun for us is a symbol of the father, from whom we learn to dare, to question, to heal, to dance and to dream. The seasons teach about birth, death and rebirth, and about the need to live in harmony and balance with the rest of creation. For us, the Divine is all about us, befriending us, teaching and guiding us. Are Witches Pantheistic or Polytheistic? Both. Yet the truth is not reached by so simple an answer. We are pantheist in the sense that, for us, the gods are everywhere. This is essentially what Judeo-Christianity refers to in speaking of God as omnipresent. The gods are also within us (the Kingdom of God within, as Christians would say), because we contain the Divine Spark ('Holy Spirit') in common with all that exists. Because we perceive this ever-present spiritual manifestation around us, we are also polytheistic, meaning that the attributes or characteristics of perfection and divinity take on many forms; therefore, they can be understood in many different senses and deepen our comprehension of
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the Truth that is behind and beyond all Ways and all religions. To put it another way, we are Polytheist because (for us) the Absolute (which roughly equates to the Christian concept of 'God') manifests as male and female, and so we worship both God and Goddess. We are Pantheist because this primary dual manifestation is reflected throughout creation and so, everything that is tells us about some aspect of the Absolute (and is therefore holy). Tell me something about the Gods you worship. 481 Please bear with me on this, as the question requires some groundwork. In common with the monotheistic religions, we believe that there is a single Source of all things, beyond our observation and comprehension. In our conception, the Source is neither a thing nor a Being, but instead transcends such limited human concepts. It serves the same role, conceptually, as that of a 'Supreme Being'. We do not worship the Source (also referred to as 'the All' and as 'the Absolute'), as such, because in our view, one can only approach a relationship with the Source by becoming mindful of its characteristics and qualities as they manifest themselves in the world in which we live. These characteristics and qualities, over the years, have become personified as 'gods'. In such forms, they appear in the myths and teachings of many cultures, including the antique world of Greece, Rome, Egypt, etc. The names of these gods are not of particular importance, because the gods themselves are only important as symbols of various aspects of existence. Through them, we are able to see ourselves as part of the universe, as manifestations of the Source in our own rights. We believe it is the destiny of all things to return to the Source through true understanding. Having said all this, let me now show you how it all comes about for us. We believe that the Source is made manifest in the Creation that surrounds us; and we see this manifestation as being made up of dualities, which are linked in a meaningful way. The most obvious of these polar pairs are male/female, heat/cold, light/dark, sky/earth, and sun/moon; there are, literally, thousands of such pairs of complementary opposites, and each plays its own role, but for our purposes here, these are enough. This profusion of paired opposites suggests to us that duality is the essential character of creation, and to humans, the most significant of these pairings is that of male and female. From this primal pair emerges the concept of god and goddess. In this light, the pairs we listed just now are categorized by their apparent natures: God - male, light, heat, sky, sun; Goddess -female,dark, cold,earth, moon;and fromthese categories, it is derived that the overall character of god is active, and that of goddess is passive. At the risk of oversimplifying, I will leave this part of the discussion, with a word that these qualities of god and goddess are archetypal, rather than literal absolutes. We refer to god and goddess, generally, as the Lord and the Lady. The Lord is the Father of all, and his qualities of light, warmth, and energy are most often symbolized by the sun, and whose nature is most often represented by the sky. The Lady is the Mother of all, whose patience and receptivity is symbolized by the earth, and whose adaptability and steadfastness is represented by the moon. Our bodies are the sign of her love and creativity.
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482 We see this endless chain of dualities reflected in our interactions with the world in which we live, and with our fellow creatures, who are also the children of the Lord and Lady. We see this chain in the eternal cycles which move the universe around its unknown center. There is more to male and female than mother and father: the Lord also represents our Brother, our Friend; and likewise is the Lady Sister and Friend to us. Like each of us, they have many names, many faces, many roles, yet they remain themselves. Our gods have grown, in a sense, as our understanding of ourselves and the creation around us has grown; and yet they are just as they have always been. "As it was in the beginning, it is now, and ever shall be" is true to us, as well. As we learn more about the divine creation around us, we learn to move in harmony with it and with the creatures that share it with us, just as sailors learn to work in accord with the winds, the currents and the tides in order to reach their destination. As we learn about ourselves, we learn to rise above the fear and frustration that can accompany life, and learn to accept ourselves and others as we are, to experience joy and love in our lives. As we learn about the gods, we draw closer to them and learn under-standing, tolerance, humor, and thankfulness. And, for us, doing any one of these is doing all of these. Do Witches worship the Devil? NO! In fact, for many centuries, Wicca (as we call the indigenous paganism of northern Europe) and Christianity co-existed peacefully: the Christians did not claim to be the sole access to God, and the Wicca offered sincere reverence to Jesus as a great Sacred King whose sacrifice touched everyone. However, as the Roman church grew in power and influence, it became jealous of the very large number of Wiccans who - though acknowledging the divine role of Jesus and respectful of the Path walked by those devoted exclusively to his message - still steadfastly refused to render obedience, wealth and land to Rome (and its emissaries); for northern Europe was almost entirely inhabited by those who held to the 'Old Religion'. This jealousy was the beginning of the Roman church's deliberate attempts to discredit the old ways. These attempts included the creation of a 'devil' that was deliberately designed as a caricature of the Horned God worshipped (though not exclusively) by the Old Religion; the attribution of any and all natural calamities, and any source of distress, to the practices of the Wicca, which, it was claimed, invoked this 'Power of Evil' the church had created; and by accusing women (who lacked sufficient maleness to have been created in 'God's' image) of being inherently demonic temptations, drawing men away from the church and into the natural world of life and death. 483 In this light, it is hardly accidental that the whole-sale persecution of the Old Religion began during the time of the Black Death. This plague did much of the church's work for it: by killing off one fourth to one third of the population, the black death eliminated an enormous number of adherents to the Old Religion. That done, and the Wiccan civilization still disorganized from the imperial Roman extermination of the Druids years before (the Druids were masters of history, ritual, poetry and law), it became a simple matter to convince the survivors that the natural world was their enemy, and women the wanton agents of the 'Enemy'. The stage had been set for the
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Inquisitions, whose victims were overwhelmingly women and persons of wealth and influence in the lives of the decimated pagan community. Since those times, the Roman church and it's successors (such as the 'PTL' and '700' clubs) have used this manufactured association with an artificial Arch-BadGuy as a means of justifying the CONTINUED persecution and murder of those who still follow the Wiccan Way. In "The Satanic Bible", it says that Witches ARE devil-worshippers but are ignorant of the fact. The Satanic Bible was written by a man who worships 'Satan', who is supposed to be the 'father of lies'. This suggests to me that his commitment to the truth may not be trustworthy. Essentially, by declaring his belief in the church's own image of their created Enemy, he has declared his acceptance of the medieval Christian character of the game they play; he has chosen the 'Party Line', and his place of the side of the imagined Adversary. We do not define the world in Christian terms, for we have essentially nothing to do with Christian beliefs and practices. (This is not to say that these is no common ground between Christianity and the Craft, for there is much that we share.) Not so the Satanists, whose every practice is either a perversion or a violation of some Christian form (e.g., the 'Black Mass', which Witches would still consider a foolish and irreverent waste of time and energy, even if it were otherwise harmless), or the more-or-less self-conscious pursuit of evil, which cannot be seriously defended. Though we are not believers in 'Satan', we do have a concept of evil, which I will attempt to delineate: most of the problems we experience in life can be thought of as arising from the four qualities of attachment, greed, fear, and ignorance. These "qualities" cause us all great pain in life as they warp our under-standing of events and cause us to respond in ways that hurt and confuse. This is 'sin' in it's original meaning of error and mistake, and often it is quite innocent of any desire or intent to hurt, mislead or abuse. Evil is the result of adding a fifth quality to the others, that of self- centeredness. When self-centeredness enters the picture, then the seeds of evil truly exist. Self-centeredness allows the self-centered one to discount, or even ignore, the feelings, the rights, and even the humanity of anyone outside that narrow focus. It is just such 'object'-ifcation that allows truly horrendous crimes to be committed, that creates characters such as Jim Jones, Idi Amin, Josef Stalin, Torquemada, Cromwell, and Hitler. The same self-centeredness, moved from the individual self to the group self, allows war, slavery, torture, terrorism, profiteering, persecution and genocide. I ask you to remember that this is my formulation of a Pagan concept of evil, and may not be agreed to by others. Regarding the idea that Witches are ignorant of the focus of their spirituality, I can only say that this is both false and flatly insulting, much as it would be 484 to state that Christians do not worship Jesus, but a shoe salesman from New Jersey who they think is Jesus. What about these reports of Ritual murder, Sacrifices, and Cannibalism? These things have nothing to do with us, and we have nothing to do with such practices. We find the reports of such things disgusting and horrifying, for we have and maintain a deep respect and reverence for all life; the suggestion that we are involved in such things
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causes us great pain, for to be so involved would run counter to everything we hold sacred. It would be, quite literally, "against our religion". Episodes of such anti-human, anti-life behavior are attributable to derangement and insanity, or to Satanists, who make no pretense of their worship of Christianity's manufactured 'prince of darkness'. So much the worse for us: because of the original program of opposition against Wiccan (and by that extension, all) Paganism, all Satanists are assumed to be Witches by definition. It is interesting to note that, in the days when Christianity was new, the Romans accused them of many of the same vileness: blasphemy, killing and eating of children, trafficking with demonic spirits, ritual sacrifice. It is also interesting that in the hey-day of the Roman church, Jews were subjected to these appalling charges, which fuelled anti-Semitism right up to the Nazi exterminations. Indeed, such accusations seem almost to be a 'traditional' means of discrediting and destroying political/economic enemies (witness the naming of the USSR as "an evil empire"). Perhaps the day will come when peoples of different ways can live together without accusing each other of abominations. Why do you call Wicca a Religion, rather than a Cult? Religions arise from principles and understanding and teach a way of life; cults are based upon charisma and fascination, and are motivated by profit and ascendancy. Religions thrive on independent conscious participation; cults thrive on manipulation and obedience. Wicca teaches a way of life based upon the perfection and perfectibility of the spirit, closeness to the gods, right action, the gaining of wisdom, and the Oneness of all life. In token and celebration of this, we come together at our appointed times to worship and to share the love, joy and 'fellowship' that life holds for us, and to take note of the lessons that the events of the seasons, and of our lives, have to teach us. 485 Our religion is the wellspring of our joy; it is the sharing of the knowledge that we are endlessly in the radiant presence of all that is holy, all that is sweet and uplifting. It warms us and fills us and makes us whole, strengthens our minds and clears our spirits. It is the knowledge of the love of our Mother the Earth, who provides for us even in our thoughtless and destructive ecological folly, and who is more beautiful and more patient than praise can express. It is the knowledge of the guidance of our Father the Hunter, who quickens us, who teaches us love and laughter, wisdom and prudence. It is the awareness that we share this world, this life with countless others; that each of us both deserves the respect of, and owes respect to, the other children of the Lord and the Lady. Why does this Religion seem so strange to us? It has been suggested that there are two kinds of religion: Type One, which has been called 'primitive', believes in a cyclic, ever-renewing concept of time, and a belief in reincarnation frequently accompanies this view. This type encourages a sense of appreciation and oneness with Nature, and of personal responsibility both practical and spiritual. Typically, a Type One religion will have a dualistic and complementary images of Godhead, representing polar aspects of
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Creation as male and female. The Pagan religions are Type One. Type Two, which has been called 'revealed', believes in a literal beginning and ending of Creation- a linear concept of time, with life considered as a one-shot ordeal. Type two religions encourage a detachment from the world of Nature and a reliance on authority (beyond the initial choice of whether or not to follow orders); they will have a dualistic and antagonistic images of Godhead, representing polar aspects of Creation as good and evil. Monotheistic religions such as Christianity are Type Two religions. Type One and Type Two are so called because they are the first and second types, respectively and sequentially, to show themselves in human affairs. The typical American is raised Christian, has virtually no contact with members of Type One religions, and little meaningful inter-action with members of the other monotheisms (Judaism, Islam, Zoroastrianism). As a result, most opinions are formed based on the images that are provided by the culture, and today this means the images provided by movies and television. From the beginning, these images have been selected to amuse and shock, rather than to enlighten or inform. Truly, after nearly 2,000 years of exceptionally bad press, Pagans of any sort from the 'superstitious' Hindu to the 'savage' native American to the 'wicked' Witch, are notoriously easy targets for caricature. One can only say, 'Please don't believe everything you see and hear!' Why do Witches go off into the woods at night to worship? First, we prefer to worship out-of-doors; as we are a nature religion, we believe that no building can give us the sense of contact we feel when our bare feet rest upon the Mother Earth, or the sense of blessing we feel when a breeze caresses our skin. To worship is to enter the presence of God or the Gods or Universe; so for us, worshipping inside a building is more like leaving the Divine Presence. Given that, the best place to do this would be in a quiet spot, not frequented by picnickers, traffic, or smog; a place remote enough to 486 minimize the distractions of the man-made world. These days, there are few areas that offer much along these lines, but there are still woods to be found, and when we can, we worship there. The fact that trees are important symbols for us only enhances the appeal of the woods. So, why at night? There are several reasons: after dark, people go indoors & get quiet - this enhances the peacefulness (as almost everyone knows) and the serenity of our outdoor communion, which is important to us; also, the moon for us is a symbol of the Goddess, and our rituals are synchronized with the lunar phases - this makes nighttime appropriate to us, for night is when the moon is most prominent. There is one more reason we hold Circle (our worship) in the woods at night - in practice, the more isolated we are, the safer we are. In our Circle site in Lithonia, we were too close to go unheard, and too far to be understood; the sad result of that incident was that we were driven away by wild rumors and fears of the unknown. If Witches are all the good things you say, what are you afraid of?
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We are afraid of ignorance and of the violence that too often accompanies it. To draw an example from history, the church-inspired inquisitions caused the murder of 9,000,000 people. These people met their ends through torture, starvation, burning, drowning and hanging; their property was seized by the church, and their families were scattered. Many of them were forced to watch loved ones suffer agonies while they awaited their turns. The only accused who survived were those who 'confessed' to the most loathsome crimes and outrageous - even nonsensical - acts, and recanted their 'heresies'. All who protested their innocence died. Today in the 20th Century, members of the Craft have been fired from their jobs, have been beaten, harassed, and sometimes murdered. Some have lost their children in ugly legal battles, homes have been looted and burned, and perfectly wholesome people have been declared anti-social and a menace to the community. Yes, all these things do go on now, today, often perpetrated by "well-intentioned" Christians in a state of great fear and utter ignorance. This is the reason for this pamphlet: to bear a lamp in the darkness so that this holocaust may finally come to an end, and innocent people may go about their lives unafraid. As an example of why we're afraid, the next question is pretty good: The Bible says, "Thou shalt not suffer a witch to live"; Why should we? The 'King James Version', on which virtually all English-language translations are based, was begun and completed during the Burning Times (our term for the anti-Pagan holocaust in Europe). Several terms were rendered as "witch" in the final version. These terms were, roughly, "evil-doer", "poisoner", "one who works harm in secret". We shall probably never know whether this substitution was a matter of political calculation or honest error. I think it likely that there was a healthy portion of each at work. Further, the context of this passage is significant. At the time, the Israelites were preparing to invade and conquer the land of Canaan. In this light, it 487 is highly possible that the original warning was against Canaanite saboteurs and/or infiltrators, partisans working against the Israeli occupation. It would take a deliberate decision to apply such a stricture against a different people of another time in another land. It may be interesting to note, in this context, that the warning (often quoted) against soothsayers, magicians, etc. was specifically aimed at foreign practitioners. Jewish soothsayers, etc. were not mentioned. Are there any guidelines a Witch might be expected to live by? There are many precepts that help us learn how to live in harmony. One of the most important of these is personal responsibility. We hold that each of us is responsible for choosing any and all words, deeds, opinions, thoughts, feelings and responses. Another is called the Law of Three-fold Return. This teaches us that we directly experience the results of our choices, deeds and behavior. It works much like the 'golden rule'. From these two, arises one that almost might be called 'the Witch's Motto': An it harm none, do what ye will. This one carries much of the weight that the Ten Commandments carries for Christians. It means that we are free to act as we see fit, providing that no other person
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suffers injury, pain, anguish, loss, or corruption, as a result of our actions. Also, there are the 13 Wiccan Virtues, which also guide us in our growth and spiritual development. These virtues are Tolerance, Charity, Humility, Devotion, Patience, Kindliness, Forbearance, Sincerity, Courage, Precision, Efficiency, Discrimination, and Wisdom. These are taken to a rather highly developed point in application, but not changed from the qualities one would assume. I would like to point out that 'discrimination' refers to the skill of recognizing the fine points that make one person/place/situation/ moment different and unique from any other. It has nothing to do with segregation, or with injustice. What does the number 13 mean to Witches? Simply, it represents the 13 lunar months in a year; we celebrate the passage of these months, or 'moons' in our rituals. What are Wiccan rituals like? In substance, they are no different from any other religion's observances, though they do look different. 488 We begin by preparing ourselves with prayer and meditation; we then 'cast the circle'. The Circle is our temple, and it is built and purified for each ritual; it usually has no overt form or structure, not even a chalk boundary, but is always circular in shape. Every participant must declare themselves free of malice, and ready to celebrate in a spirit of harmony and good-will before they can be allowed to enter the Circle. Once all have gathered, we use a group prayer (chanted by all, usually) to further unite us and elevate our hearts, and to turn our minds toward the gods. The priest and priestess (our clergy) then call upon the Lord and the Lady, asking them to be with us - to receive our love and blessings, and to share their love and blessings with us. We share lessons and moral exercises at this time, which serve to emphasize the spiritual focus and the significance of the occasion. Through chanting and exaltation, we internalize these lessons and this significance so that we may be in harmony with the unfoldment of the Divine Purpose. We then share bread and wine as a sign that, as children of the Gods, we share in the bounty of nature and receive our nourishment from them. Thanksgiving is then offered to the Lord and Lady, and to the Creation in which we take part, and we receive their bene-diction. A ritual is frequently followed by food and fellowship. Most of our rituals are for worship, for spiritual focus and development, and to harmonize with the Divine Purpose ("the Path"). We also perform rites of passage and sanctification: namings (christening/baptism), handfastings (marriage), and memorials (funeral rites), among others. What about Magic? We do use magick for a variety of purposes (we spell 'magick' with a 'k' to distinguish what we do from stage magic, with its connotations of illusion and trickery): healing, behavior change (a witch only works on his or her own behavior), and general self-improvement. These are the primary aims of magick, as practiced by a witch who knows what she's doing! It is sometimes true that someone will say, "I am a witch", and then do things that no witch would do, just as
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some have claimed to follow Jesus, yet have done things in his name that would never have gained his approval. In this context, let me share something with you: no true witch will employ magick to harm another; or to manipulate or influence another without the knowledge and permission of the person to be affected.It is standard to get a person's permission even before attempting to heal that person. This means that love spells, hexes, curses, and "the evil eye", whatever that is, are specifically out of line and out of the question for a true witch. Other uses of magick include seeking guidance, protection, finding lost persons or articles, to harmonize with the gods and with the natural life and cycles of the planet Earth. Magick is a way of approaching situations that allows one to bring all one's abilities and internal resources into play. It is similar to Positive Thinking, combined with self-awareness and a clear understanding of exactly what one hopes to achieve. All this is done from within a focussed, prayerful attitude to ensure that the effort is in harmony with the Divine Purpose. Magick, done properly, does work; and harmlessness is a major part of doing it properly. It can be powerful, which is why no true witch 489 will attempt to teach magick to a person who is unstable or immature (remember, we consider ourselves responsible for our acts and choices!); nor will any true witch use magick to impress others, nor to enrich herself or himself at another's expense. How can I recognize a true Witch? Witches are human, like anyone else; therefore, they are not perfect. A true witch, however, will be actively involved in becoming the best, most complete and well-balanced person that she or he can become. As a result, you should be able to see all 13 of the Wiccan Virtues active in the person, though you may not see them all at once, and perhaps not in their perfect expression. A true witch tends to be active, good-humored, perceptive of her own faults, and tolerant of faults in others. There may in fact be no clear way of recognizing a witch as a witch; but if you know a witch, or someone who claims to be a witch, my advice would be "By their fruits shall ye know them; for an evil tree cannot bring forth good fruit, neither can a good tree bear evil fruit." On the off chance that I wanted to know more, where could I look? Larger cities sometime have a group or two that are more or less "public". This may give you a starting point if you actually want to talk to someone. Try meeting with current and former members, if possible. For those with a more academic interest, there are several books one can read: Drawing Down the Moon by Margot Adler This book is available at B.Dalton Booksellers, Waldenbooks and others. A national journalist, Ms Adler has done a commendable job of sampling the diversity of Wiccan/Pagan activity in the U.S. today. Witches by T.C. Lethbridge An older book, it provides some good historical data, along with some fascinating speculations.
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Witchcraft from the Inside by Raymond Buckland This was thefirst book I read, and I still think it gives a good picture of the roots and history of Wicca as a religion. The ABCs of Witchcraft by Doreen Valiente This book comes highly recommended by my friend and priestess, Lady Galadriel, who suggests that I read it. For a general understanding of non-monotheistic religions: The Masks of God, in 4 volumes by Joseph Campbell When Mr. Campbell died earlier this year, he left behind a treasure-house of researches and reflections on the nature and essence of religion on planet Earth. This massive work is well worth the time taken to read it, as there is brilliance on nearly every page. While he does not deal with the Craft as such, he provides superb insight into the world-view we share with other pagan and monotheistic religions. 490 AFTERWORD I have tried in this article to give respect to religious faiths other than my own. Some of the historical facts regarding the relationship between the Craft and Christianity are not pleasant to relate, and they may not be flattering to hear; yet these things are matters of record, and they are crucial to an understanding of a Wiccan position, so I have included them. I have also, at times, used a 'voice' that is basic and direct, at the expense of formal correctness, in an effort to give as clear and unambiguous a picture of the Wiccan 'side' as possible. I have done so without malice, and I intend only real communication; if you find some of this offensive, therefore, I ask you to consider the 'gentleness' with which we have been treated over the centuries, and find it in your heart to forgive me. disclaimer I speak for no-one but myself; however many witches might agree with me, I assume no right to speak for any others; I am the sole author of this work, relying on my training and experience and the reading and research of a lifetime in writing this work; I am under no influence, nor working at the request of any other person; therefore I am responsible for the contents; I am indebted to the Grove of the Unicorn for my long and rich association with the Craft, and for the training and practical experience I have received; they share what virtue is here - any mistakes are my own. If you feel moved to respond to this effort in some way, please contact me in writing at: PO Box 13384, Atlanta, GA 30324. 491 LANDMARKS OF THE CRAFT A landmark is a prominent feature used to mark the boundaries of real estate. Therefore, these landmarks of the Craft ar prominent features of the American Rite, or Druidic Craft of the Wise. Just as departing from
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the landmarks in real estate signifies that one has departed from that piece of land, so does departure from the landmarks of our Craft signify such a person or organization has departed from the correct defines of the Craft. Other branches of the Craft sometimes call this their "Law". THE LANDMARKS The landmarks were given to man by The Great God, Pan, In the dim, dark ages of the past For the rule and regulation of the wise, To advise and help them in their troubles And relations, one with the other, That all might work and love together. They are the Bill of Rights of each member, And the code of operation of the Coven. And are to be honored by all Or else they become meaningless and of little use, And departure therefrom by any person or Coven Shall be a departure from the rest of the Covens Which constitute the American Rite. And they shall be disfellowshipped, they from the rest of us, And no further communication shall be established Concerning things of the Craft With either He or They until They shall return to the fold of the Craft In love and cooperation. For the Gods love the Wise, the Brethren of the Way, And so should we return that love. But this can only be done and made manifest by love expressed In deeds for the Brethren of the Craft, Not in pride, but in cooperation and sincerity. THE FELLOWS OF THE CRAFT Any person, be male or female, who is of good mind And free to decide for himself in good faith, Who shall learn of the Craft and its Tenets, And shall desire to follow the Way, Shall be permitted to do so, And none may say him "Nay". And the Gods will love him and look after him, And they shall bless him on all things, And his needs shall always be satisfied, As he shall show forth love and affection For all the brethren and sisters of the Craft, And he shall obey the Admonishments Of the Craft as to secrecy and correct living. 492 THE FELLOWS OF THE CRAFT (continued) And when he shall desire to join the Craft, And to follow the Way to Perfection, He shall make his desires known to any member Of the Priesthood. And they shall observe his readiness and sincerity, And shall then administer the rites of Secrecy, which is sacredness and brotherhood.
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But a Priest shall accept the Sister, And a Priestess the Brother, As an eternal reminder of The duality of the Universe. And a new name and secret mark Shall be given each new fellow. By this name, and under this mark, Shall they be known among the members Of the Craft, in love and harmony, And their old name and identity shall not be known Even among the members of their own Coven, And none shall inquire for his name or his house And he shall inquire these of none. But the Gods have decreed, that in joining the Rite, Free Will and independence shall not be in jeopardy. And he shall have the right to follow the Way. Walking alone if he will it that way, Or with a Coven of living brethren If he so shall choose; And he shall have the right To withdraw from any coven at any time Without the need to say why, If he shall so choose. And this either for the purpose of joining another Or to become solitary for his own reasons, And there will be none to censure; And he shall have the right to remain In a certain Coven, and none shall say him "Nay", Or to attempt to force him to leave and depart; Except that should he lose harmony with them Then they may so decide And he shall depart. But no man shall have the right To speak for the Craft, And leaving one Coven does not mean Leaving the Craft, or Leaving the Way And each is free, then, or at any time later, To remain solitary Or to seek admission to another Coven. 493 THE FELLOWS OF THE CRAFT (continued) But let him and each other fellow of the Craft Keep a book, and this shall be of the colors of the Craft, That it may be readily recognized, And here he shall keep all the Laws and Landmarks, And the tenets of the Craft, That he might not forget, And if he do forget, that his mind might be Renewed. And in this book, all things shall be the mark Of his own hand, and in ink,
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That it shall be long lived. Let each of the brothers and sisters Copy what they will from the book, Providing that they are of sufficient worthiness, To receive it, and are of sufficient rank, Or that the writings are of sufficient nature As pertain to their own rank. Never suffer this book out of hand or possession, And never borrow the writings of another To keep, but merely to copy. And each shall guard and keep these writings, As his most sacred possession And destroy them when danger threatens. However, should one be of sufficient power, To remember his past as a wise man, This book and other Craft artifacts, May be buried in a stone box Prepared for them from time to time, And this in view of immediate death, And the desire to save them for a future life. Otherwise, on notice of impending death, This book should be destroyed by fire, As well as other things of the Craft, Which one may posses. But the wise man will have nothing around Which has only a Craft use or meaning, But only things which can be used in daily affairs. If there is no reason to own a sword, Then do not own one; The white wand is just as powerful, And less distinctive in the minds of the infidels. If a white wand is too distinctive, Then any old wand will do for the purpose Of the ceremonies. 494 THE FELLOWS OF THE CRAFT (continued) Have no names written and signs drawn On anything permanently, When necessary these can be written In charcoal or chalk And erased immediately without the telling of tales. Let the knife have the shape of, And be stored with the kitchen knives; Let the cord be seen around the house, And be used for a vulgar purpose, In order to fool the infidels. Never boast, never threaten, never brag Of your powers; not even to the Craft, Above all, never harbor ill thoughts toward another For the power may make it happen for harm; And never wish ill to anyone.
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As it will Occur. If anyone speaks of the Craft, to down it, Remember: the Craft needs no defense, For it has the Father and All things will be as He wishes In the end. THE COVEN And it shall be that any Fellow of the Craft, Finding himself in a place where he knows of no Coven, Or other Fellow of the Craft Shall have the right, nay, even the duty, To seek out such a Coven, Or other Fellow of the Craft Without censure. Provided that he shall not reveal secrets to jeopardize His former Coven or the members of it, Or the Craft itself. And two or three Fellows shall have the right To meet and discuss subjects of Craft interest, And to help each other along On the Way to Perfection, Except that Craft ceremonies Must be done by the Priesthood. Any five fellows who shall desire To form a Coven may do so, And they shall apply for a charter To any High Priest or Priestess, And they shall then select and choose A man and a woman to lead them. And their elected leaders shall be ordained by their High Priest, And they shall choose two more, A woman to be the deputy; to learn to be a priestess, And a Scribe for their Coven. THE COVEN (continued) 495 But these shall not be ordained to the Priesthood, Unless also qualified for another reason. And this Coven shall belong to the High Priest, And shall be answerable to him in all their doings, Because they did owe their Priesthood to him, And he shall act at all times in their interest As their Spiritual Father in the Craft So that he may lead them as they walk The way to perfection. But the newly appointed Priesthood, Should it be lacking in the knowledge and wisdom needed, For the positions to which they have been set apart Then it shall be his responsibility as their High Priest, To lead and instruct them, Or cause it to be done by another. But should the new Coven refuse to follow
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The teachings and instructions of their Spiritual Father, Then he may, at his discretion and Judgement, Recall their charter, and their right to work as a Coven. For that which one can give he may also retrieve, And they shall not again meet, Unless they can find another High Priest, Who will assume responsibility over them. It is the bounden duty of the High Priest to preside, For all things must be presided over by the High Priesthood; And should any Coven desire to change, Their allegiance from one High Priest to another, For any reason, even the loss of harmony, Or if, in their considered opinion, their Spiritual Father Is no longer spiritual, or serving the Father Then they shall be reordained in the Priesthood By the New High Priest, and this shall then Have superceded the original ordinations, And there shall be for them A new Spiritual Father. And if any Priest or Priestess, or other member of the Priesthood, Find themselves in a place wherein there is no Coven for them to lead, Then it is their bounden duly to try to the extent of their Power To find Fellows of the Craft And organize them into a Coven. And should they find that there are no other Fellows of the Craft, In that place, but there are some of the same good bend of mind, It is then their duty to teach them by word and deed, Until there be sufficient to form a Coven, And this shall be done under the supervision, And with the knowledge of their High Priest, Through which they received their ordination And their Powers. THE COVEN (continued) And they shall obligate, teach and initiate all the members of their Coven, And they shall be theirs and they shall be to them 496 As elder brothers and sisters, And shall care for them in all their affairs, And not just at meetings, For it is in this that the Craft differs From all man-made institutions. Should any member be absent, and love of the Priestess is such That she shall continue to contact them in any manner And by any method possible, To tender them her loving care At all times of sickness or stress. And should any member move to a far city The Priestess will continue to care for them In love, by whatever method is available, Until such time as they shall, Of their own free will, Obligate themselves to another Priestess.
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And the Priestess shall at all times remember That she is the direct representative of the Goddess to her Coven, And the Priest is the direct representative of The unknown God, the Father, And both must act as such at all times. Yet the Priestess shall have whomever she shall choose As her Priest, be he of that rank, or qualified to be, Or else another Fellow, who shall be called her Magister. And she must remember at all times that the man provides the power, For the woman to direct, and so it is, That the Priest resigns all his power over to her, Yet it is not his power, nor hers to keep, It is the power of God to use in the performance Of the Work. The Power of God is only lent to be used, Wisely and Justly. Both the members of the Priesthood shall remember their Spiritual Father, At all times with gratitude, love, veneration and cooperation, keeping constantly in contact, and acting with him in utmost harmony, For they must always remember that the power And wisdom which they use, Comes to them through him. In the days of old, ere the coming of Christendom, The Craft was free and open in its ceremonies, And entire states and nations worshipped the Gods Freely and without restraint; 497 THE COVEN (continued) But in these unhappy days, we must remain secret, And hold our rites and ceremonies in secret, And there are those who will talk, even without torture, Which loosens any tongue. Then let it be ordained, heeded and supported by all That no Coven shall know wherein The next Coven shall abide, or who its members be, Except only the Priestess, Magister and Deputy, And even they shall not remember Except for good and sufficient reason. But, and if only, it should be safe, may the covens meet In some safe place for festivals, and while there, None may say whence they came, nor give their true names, Or tell of where or when their meetings are, and No secret things shall be spoken of At these festivals for fear of Cowans and Eavesdroppers. Let each Priestess govern her own Coven in justice and love, Ever heeding the advice and instructions of her High Priest. She will ever heed the complaints of the brethren And strive to settle all differences between them with love. But there are those who, in pride, will ever strive To force their will upon others
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But these are not necessarily evil And will think that they do rightly. Oft they have good ideas and such ideas Should be discussed in council with their brethren. But if they will not agree with their brethren, Or if they say "I will not work under this Priestess", Then they shall have the right to withdraw from that Coven, And work Solitary. Or if five or more of them shall withdraw, They shall have the right To form another Coven under another Priestess. Even as it shall be the right of any five or more persons of a Coven To withdraw, and form a new Coven, for any reason whatever, But they shall then utterly avoid the old Coven In all things, as it shall then have ceased to exist for them. 498 THE BOOK OF SHADOWS Let every Coven of whatever rank Keep a record in a book of black and silver, And it shall contain, first, the Landmarks and Tenets, Then a collection of Wisdom of the Craft, The Rites and Ceremonies of the Coven As well as the History of the Coven, And its charter empowering it to work. And a record of every meeting shall be written therein, Together with a record of the doings of any member thereof With the other side, or the Father, or Any other thing which is for the teaching of all, Even unto the listing of herbs and medicines Spells and incantations and Rites Which contain power for the use of man. This book shall be kept by the Scribe, And it shall be kept and approved by the Priesthood And also the High Priesthood, when it shall come, But no names or Craft secrets shall be written therein That he Craft should not be betrayed Should the book be taken by force, Or slyness, by the infidels. And when the coven shall disband, It shall be the duty of the High Priesthood To secure this book and make suitable disposition That it might not endanger the Craft Or any brother within it As if the Coven were a person or Fellow And the book were his book, So let it be burned. 499 THE PRIESTHOOD The Mother, The seven Elder Children, and all the worlds, Draw their power from the Father.
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But the children of the Father are like the sands of the sea, And He has ordained and set apart certain of his older children, To help and assist Him in caring for the younger children, And has given them the Power and the Wisdom to do so, And these children constitute the Priesthood. The Father will bestow this power upon whom he will, and none may say him "Nay" Yet also may the Priesthood choose workers and helpers And shall share their power with them, And this is called ordination. The Power of the Priesthood is that of the Father And it is love unfeigned and sincere, Compassion and gentleness and meekness, Persuasion and long-suffering and kindness, And there is no authority over the free will of men Inherent in the Priesthood, Nor to be assumed by the members of it. And the Power of the Priesthood is the Power of God, And the Power of God can never be wielded by an ungodly man, Nor an evil man; nor the love of God by an unloving man; And when the man becomes evil, the Power of God is withdrawn from him. Nor can a member of the Priesthood be inactive, For inactivity without cause is lack of love for the Father, And this man's priesthood shall depart from him At the end of a year and a day, For it is truth eternal, That the thing which is unused will be taken away. So if any Fellow of the Craft shall desire the Priesthood, First let him learn to be a leader of men, For a Priest with no following is no Priest, And his Priesthood is in vain. So therefore let the Fellow who would be a Priest First learn the knowledge and wisdom he will need in the new appointment, Then let him learn to lead men, and When he shall either have been selected As leader for his Coven, Or when he shall have gathered up a Coven of his own, Then let him apply for ordination. And he shall apply to a High Priest, for it is written That only the higher can ordain the lesser, That there shall be an unbroken line Of power and authority extending Back through the line of ordination, To the Father Himself. 500 And no man can ordain his peers, For the Lord's House is not a house of confusion, So let not the line be broken For it is the cable tow by which Men are drawn from the lower Up to the greater;-- An impossibility without it.
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And each must work within their line of ordination In perfect love and perfect trust, With perfect harmony in all things, But should they find that they fall out of harmony With their line of ordination, Then let him seek another, to be ordained of him To be their new spiritual Father. Let the Priesthood be a leadership of fact; not of fancy, For those who have no following to lead, Why are they in the Priesthood? THE PRIESTHOOD (continued) And so it is that they who lose or give away their following, Or they who through inactivity have lost their power, Or they who are not in harmony and love with their Spiritual Father; Shall be retired from a rank to which entitled Other than by leadership of men. But this can only be done by he who ordained them, For only those who give can take away, Yet each High Priest is responsible that this is done. Should any Fellow fain the Priesthood, and use it wisely and well, The Gods have decreed that those who serve them Shall prosper and grow in this life, And shall gain eternal perfection To be freed from the Wheel of Life, And to become like unto the angels In that they should be perfect. For perfection is to be gained by love, And there is no greater love than to Lay down one's life for his brethren In their service and for their sake, And the Father will reward them for Their labor of love, because He is not unjust. FINIS 502 THAT OLD BLACK MAGIC: Getting Specific about Magical Ethics Sometimes a clichejust wearsout. It losesmeaning or, worse,begins to say things we never meant. I think it's time to retire the phrase "black magic." Saying"black" when we mean "evil" is nasty nonsense. In the first place, it reinforces the racist stereotypes that corrupt our society. And that's not all. Whenever we say "black" instead of "bad," we repeat again the big lie that darkness is wrong. It isn't, as people who profess to love Nature should know. Darkness canmean the inside of the womb, and the seed germinating within the Earth, and the chaos that gives rise to all truly new
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beginnings. In our myths, the one who goes down to the underworld returns with the treasure. Even death, to the Wiccan understanding, is well-earned rest and comfort, and a preparation for new birth. Using "black" to mean "bad" is a blasphemy against the Crone. But even if we no longer speak of magic as "black" or "white," we still need to think and speak about the ethics of magic. Although black is not evil, some actions are evil. It simply is not true that anything a person is strong enough or skilled enough to do is OK, nor should doing what we will ever be the whole of the law for us. We need a clear and specific vocabulary that enables us to choose wisely what we will do. We need to replace the word "black," not simply to drop it. Some Pagans have tried using "negative" as their substitute, but that turned out to be confusing. For some people, "negative" means any spell to diminish or banish anything. Some things - tumors, depression, bigotry - are harmful. There's nothing wrong with a working to get rid of bad stuff. "Left-handed" is another common term for wrongful practice, very traditional, but just as ignorant, superstitious and potentially harmful as the phrase "black magic" itself. So in Proteus we tried using the word "unethical." That's a lot better - free of extraneous and false implications - but still too vague. Gradually, I began to wonder whether using any one word, "black" or "unethical" or whatever, might just be too general and too subjective. Perhaps all I really tell a student that way is "Judy doesn't like that." I won't settle for blind obedience. If ethical principles are going to survive the twin tests of time and temptation, people need to understand just what to avoid, and why. Even more important, they need a basis for figuring out what to do instead. Especially when it comes to projective magic. Projectivemagic means active workings,the kind inwhich we project our will out into the world to make some kind of change. This is what most people think of when they use the word magic at all. Quite clearly, magic that may affect other people is magic that can harm. This is the basis of the proverb "a Witch who can't hex can't heal." Either you can raise and direct power, or you can't. Your strength and skill can be used for blessing or for bane. The choice - and the karma - are yours. 503 Just as some people feel that strength and skill are their own justification, others feel that any projective magic is always wrong - that it is a distraction from our one true goal of union with the Divine or a willful avoidance of the judgments of Karma. I think these attitudes are equally inconsistent with basic Wiccan philosophy. Weare taught that we will find theLady within ourselves or not at all, that the Mother of All has been with us from the beginning. We can't now establish a union that was always there. All we can do, all we need to do, is become aware. Knowing what it feels like to heal and empower, again and again till you can't dismiss it as coincidence, is one of the most powerful methods for awakening that awareness. It makes no sense to say that the direct experience and exercise of our indwelling divinity distracts from the Great Work. Indeed, it is this intimate connection between our magic and our self-realization that our ethics protect. Wrongful use of magic will choke the channel. No short term gain could ever compensate for that. The karmic argument againstpractical workings seems to meto arise from a paranoid and defeatist world view. Even if we assume that the
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hardships in this life were put there by the Gods for a reason, how can we be so sure that the reason was punishment? Perhaps instead of penance to be endured, our difficulties are challenges to be met. Coping and dealing with our problems, learning magical and mundane skills, changing ourselves and our world for the better - in short, growing up - is that not what the Gods of joy and freedom want from us? One of the most radically different things about a polytheistic belief system is that each one of us has the right, and the need, to choose which God/desses will be the focus of our worship. We make these choices knowing that whatever energies we invoke most often in ritual will shape our own further growth. Spiritual practices are a means of self-programming. So we are responsible for what we worship in a way that people who take their One God as a given are not. Think about this: what kind of Power actively wants us to submit and suffer, and objects when we develop skills to improve our own lives? Not a Being I'd want to invite around too often! So it will not workfor us to rule out projectivemagic completely; nor should we. Total prohibitions are as thoughtless as total permissiveness or blind obedience. Ethical and spiritual adults ought to be able to make distinctions and well-reasoned choices. I offer here a start toward analyzing what kinds of magic are not ethical for us. Baneful magicis magic done forthe explicit purposeof causing harm to another person. Usually the reason for it is revenge, and the rationalization is justice. People who defend the practice of baneful magic often ask "but wouldn't you join in cursing another Hitler?" For adults there is no rule without exceptions. If you think you would never torture somebody, consider this scenario: in just half an hour the bomb will go off, killing everybody in the city, and this terrorist knows where it is hidden.... 504 It's a bad mistake to base your ethics on wildly unlikely cases, since none of us honestly knows how we would react in that kind of extreme. Reasonable ethical statements are statements about the behaviors we expect of ourselves under normally predictable circumstances. We all getreally angry on occasion, and sometimeswith good cause. Then revenge can seem like no more than simple justice. The anger is a normal, healthy human reaction, and should not be repressed. But there's no more need to act it out in magic than in physical violence. Instead of going for revenge - and invoking the karmic consequences of baneful magic - identify what you really need. For example, if your anger comes from a feeling that you have been attacked or violated, what you need is protection and safe space. Work for the positive goal, it's both more effective and safer. The consequences of baneful magic are simply the logical, natural and inevitable psychological effects. Even in that rare and extreme situation when you may decide you really do have to use magic to give Hitler a heart attack, it means you are choosing by the same choice to accept the act's karma. Magical attack hurts the attacker first. The only way I know how to do magic is by use of my imagination, by visualizing or otherwise actively imagining the end I want, and then projecting that goal with the energy of emotional/physiological arousal. All the techniques I know either help me to imagine more specifically or to
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project more strongly. So the only way I can send out harm is by first experiencing that harm within my own imagination. Instant and absolute karma - the natural, logical and inevitable outcomes of our own choices. I would think, also, that somebody dumb enough to dosuch workings often would soon lose the ability to imagine specifically, as their sensitivity dulled in sheer self-defense. That callusing effect is the reality behind the pious proverb that says "if you abuse it, She'll take it away." But not every othermagician is ethical. Psychic attacksdo happen. Should we not defend ourselves? Of course we should. Leaving ourselves open to psychic attack is no good example of the autonomy and assertiveness our chosen Gods expect. But first, how can we be sure what we are experiencing really is psychic attack? Thefantasy ofpsychic attackis often aconvenient excusethat allows us to avoid looking at our own shortcomings. When lack of rest or improper nutrition is the cause of illness, or a project isn't completed on time because of distraction, it's a real temptation to put the blame outside ourselves. Doing this too easily betrays our autonomy just as badly as meek submission to attack does. Then, to compound matters, projected blame becomes an excuse for unjust revenge -- and that is baneful magic without excuse. Once in a rare while, some fool really does tryto throw a whammy. It's hard to predict when you might be targeted. Passive shields are always a good idea. Like a mirror, these are totally inactive until somebody sends unwelcome energy. Then a shield will protect you completely and bounce back whatever is being thrown. You may not even know consciously when your shield is working, but the result is perfect justice. 505 Perfect justice; elegant and efficient. You won't hurt anybody out of paranoia or by mistake. And perfect protection, even though we do not have perfect knowledge. Bindings, according to some, arecompletely defensive. They do not harm, only restrain. But imagine yourself being bound - perhaps by someone who believes themselves justified - and notice the feeling of impotence and frustration. Binding is bane from the viewpoint of the bound. Even if restraint were truly not harm, bindings are just plain poor protection. They target a particular person or group. What if you suspect the wrong person? Somebody harmless is bound and your actual attacker is not bound. Shields, which cover you, not your supposed enemy, will cover you against any enemy, known or unknown. So, baneful magic, besides being painful in the short run and crippling in the long run, is never necessary. There are better ways of self protection, and retribution is the business of the Gods. Coercive magicis magicthat targets anotherperson to makethem give us something we want or need. When most people think of the "Magic Power of Witchcraft," this is what they have in mind. The spell to make the teacher give you a good grade, or the supervisor give you a good evaluation, the spell to make the personnel officer or renting agent choose you, the spell to attract that cute guy, all are examples of coercive magic.
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So, what's wrong with high grades, a good job, a raise, a nice apartment and a sexy lover? There's nothing at all wrong with those goals. An it harm none, do what ye will. As long as nobody is hurt, go for it! But don't strive toward good ends by coercive means. Although there is no deliberate intent to do harm or cause pain in coercive workings, other people are treated as pawns. Their autonomy and their interests are ignored. For Pagans, to do this is total hypocrisy. We profess to follow a religion of immanence, one that places ultimate meaning and value in this life on this Earth, here and now. We claim to see every living thing, humans included, as a sacred manifestation. To do honor to this indwelling divinity, we place great value on our own personal autonomy. How can we then justify treating other people as objects for our use? Nor is it harmless. Forcing the will, controlling the independent judgement of another human being, is harm. Once again, empathy leads to understanding. Just imagine you are the person whose will and judgement is being externally controlled. How does puppethood feel? From the viewpoint of the target, the harm is palpable. 506 The Pagan and Wiccan community asa whole is also hurt by coercive magic. One of the main reasons people fear and hate Witches is our reputation for controlling others. This is an old, dirty lie, created by the invading religion in an attempt to discredit the indigenous competition. Today, that reputation is mostly perpetuated by people who claim to be "our own," who teach unethical coercive magic by mail order to strangers whose ethical sensitivity cannot be evaluated long distance. May the Gods preserve the Craft! People who are connected to thesituation, but invisible to us,may also be seriously hurt: the cute guy's fiancee, the other applicant for that job. What you think of as a working designed only to bring good to yourself can bring serious harm to innocent third parties, and the karma of their pain will be on you. That isn't the only way an incomplete view of the situation can backfire. There's a traditional saying that goes, "be careful about what you ask for, because that's exactly what you will get." What if he is gorgeous, but abusive? What if the apartment house is structurally unsound? Better to state your legitimate needs (love in my life, a nice place to live) and let the Gods deal with the details. Finally,remember this: asking specificallylimits us towhat we now know or what we can now imagine. But I remember a time when I could not have imagined being a priestess. What if the cute guy in the office is perfectly OK, but your absolutely perfect soul-mate will be in the A+P next Wednesday? The more specifically targeted your magic is, the more you limit yourself to a life of tautology and missed chances. And beyond all the scenario spinning lies the instant karma, the natural, logical and inevitable consequence of the act. It's more subtle than in the case of baneful magic, since you are not trying to imagine and project pain, but the damage is still real. Every time you treat another human being as a thing to be pushed and pulled around for your convenience and pleasure, you are reinforcing your own alienation. The attitude of being removed from and superior to other people takes you out of community. As the attitude strengthens, so will the behavior it engenders. The long term result of coercive magic, as with
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mundane forms of coercion, is isolation and loneliness. Are youbeginning to think thatmagic is useless?Did I justrule out all the good stuff: love charms, job magic, spells for good grades? Not at all. It is not only ethical but good for you to do lots of magic to improve your own life. Whenever it works you will get more than you asked for - because along with whatever you asked for comes one more experience of your own effectiveness, your power-from-within. Work on yourself and your own needs and desires without targeting other people. Then feel free! Ask for what you want. Visualize it and raise power for it and act in accordance on the material plane. "I need a caring and horny lover with a good sense of humor." "I want an affordable apartment near where my coven meets with a tree outside my window." "I need to be at my best when I take that exam next week." Fulfill your dreams, and sometimes let the Gods surprise you with gifts beyond your dreams. 507 Manipulative magic is magicthat targets another person forwhat we think is "their own good," without regard for their opinions in the matter. In the general culture around us, this is normal. As you read this, you may have some friend or relative praying for you to be "saved" from your evil Pagan ways and returned to the fold of their preference. These people mean you well. By their own lights, they are attempting to heal you. We work from a very different thealogical base. Aspolytheists, weaffirm thediversity of thedivine andthe divinity of diversity. If there is no one, true, right and only way in general, do we dare to assume that there is one obvious right choice for a person in any given situation? If more than one choice may be "right," how can one person presume they know what another person would want without asking them first? No life situation ever looks the same from outside as it does to the person who is experiencing it. Are you sure you even have all the facts? Are you fully aware of all the emotional entanglements involved? Perhaps that illness is the only way they have of getting rest or getting attention. Perhaps they stay in that dead end job because it leaves them more energy to concentrate on their music. How do you know till you ask? And,to furthercomplicate theanalysis, it'spossible thatthe person you are trying to help would agree with you about the most desirable outcome, but fears and hates the very idea of magic. They have as much of a right to keep magic out of their own life, as you have to make it part of yours! Ourreligion teaches thatthe sacredlives withineach person,that we can hear the Lady's voice for ourselves if we only learn to listen. "... If that which you seek, you find not within yourself, you will never find it without." In behavioral terms, when you take another person's opinion about their own life seriously, you are reinforcing them in thinking and choosing for themselves. The more you do this, the more you encourage them to listen for the sacred inner voice. Conversely, whenever you ignore or override a person's feelings about their own life, you are discounting those feelings and discouraging the kind of internal attention that can keep the channels to wisdom open. Although well-intentioned meddling may actually help somebody in the short run, in the longer run it trains them to dependency and indecision. Few intentional banes damage as severely. This is especially true because even the untrained and unaware will instinctively resist overt ill-will, but in our culture we are trained to receive "expert" interference with gratitude.
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Check byasking yourself, "who'sin charge here?" Theanswer to that will tell you whether you are basically empowering or undermining the person you intend to help. And, as usual, the effects go both ways. The same uninvited intervention that fosters passivity in the recipient will foster arrogance in the "rescuer." It's control and ego-inflation masked as generosity. It's very seductive. 508 If you makethis a habit, youwill come to believethat other people are incompetent and powerless. Then what happens when you need help? Your contempt will make it impossible for you to see what resources surround you. Manipulative magic is ultimately just as alienating as coercive magic - and it's a much prettier trap! The way to avoid the trap is to do no working affecting another person without that person's explicit permission. Proteans are pledged to this, and I think it's a good idea for anybody. You don'tneed to waitpassively forthe person toask. It'sperfectly all right to offer, as long as you are willing to sometimes accept "no" for your answer. For the person who believes s/he is unworthy or who is simply too shy, offering help is itself a gift. Taking their opinion seriously is an even greater gift: respect. Therule is thatwhenever itis in anyway physically possibleto ask, you must ask. If it's not important enough to pay long distance charges, it certainly isn't important enough to violate a friend's autonomy. If asking is literally not possible, then and only then, here are a few exceptions: Sometimesan illness or injuryhappens very suddenly,and the person is unconscious or in a coma before you could possibly ask them. If you know that this person is generally comfortable with magic, you may do workings to keep their basic body systems working and allow the normal healing process the time it needs. If they are opposed to magic, for whatever reason, back off! Traditionally, anunconscious personis understood tobe temporarily out of their body. Maintaining their body in habitable condition is preserving their option, not choosing for them. Doing maintenance magic requires a lot of sensitivity. At some point, the time may come when you should stop and let the person go on. Be sure to use some kind of divination to help you stay aware. This is a hard road. It may be your lover, your child, lying there helpless. Any normal human being would be tempted to drag them back, to force them to stay regardless of what is truly best for them, regardless of what they want. Don't repress these feelings, they do no harm, even though your actions might. It takes great strength and non-possessive love to recognize that your loved one knows their own need. You may be calling them back to a crippled body, to a life of pain. You may be calling them back from the ecstasy of the Goddess. And this is no more your right than it would be to murder them. If a person is temporarily not reachable, you may charge up a physical object, such as an appropriate talisman or some incense. When you present it to them, give them a full explanation. It is their choice whether to keep or use your gift. By interposing an object between the magic and the target in this way, you can work the magic in Circle, with the coven's
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power to draw on, and still get the person's permission before the magic is triggered. 509 With all these rulesabout permission, perhaps it would besafer to work only on ourselves? Safer, yes, but not nearly as good. If you have permission, you may do any working for another person that you might do for yourself. Coercive magic is just as unacceptable when somebody else asks for it, and you may not do manipulative magic on your friend's mother, even at your friend's request. The permission must come from the magic's intended target and from nobody else. With proper permission, working magic for others is good for all concerned. Every act of magic has two effects. One is the direct effect, the healing or prosperity working or whatever was intended. The other is a minute change in the mind and the heart of the person who does the working. Everything we experience, and especially everything that we do in a wholehearted and focused way - the only way effective magic can be done - changes us. Each experience leaves its tiny trace, but the traces are cumulative. They mold the person we will become. Our karma is our choice. Instant karma can also be good karma. Logical, natural and inevitable outcomes can be desirable. When you send out good, what you send it with is love. Love is the driving force. When you let love flow freely, the channel down to love's wellspring stays clear and open. When you send out good, you direct it along the web of person-to-person connection, and awareness of that web is reinforced. The totality of that web is the basis of community. When you send out good it feels good. In the same way that sending out bane requires imagining pain, sending out blessing requires imagining pleasure, strongly and specifically. And, when you send out good, just the same as when you call it to yourself, you reinforce your sense of effectiveness in the world. Blessings grow in the fertile ground of mutuality, to the benefit of all. A pattern isbecoming visible.In baneful magic,the magicianintends to harm the target. In coercive magic, the intent toward the target is neutral. In manipulative magic, the magician actually means the target well. But no matter how different the intent may be, in all three cases magic is done to affect another person without that person's permission. In all three cases, the target, the practitioner and ultimately the community are all hurt. And in all three cases, there are safer and more effective ways to reach the valid goals that we mean to aim for. So, perhaps there is a descriptive word that covers all wrongful magical workings after all. How about "non-consensual" or "invasive" magic? There's one thing left to examine: the paradox of making rules to protect personal autonomy. If we make some of our choices as a community, by discussing things together and arriving at a common understanding about what magical behaviors are acceptable among us, then we choose and shape the kind of community we become. Or wecould give up ourright to choose,because we feelwe shouldn't tell each other what to do. Some people believe that a refusal to set community standards promotes personal autonomy. It never has before.
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Appeals toindividual rights can bereal seductive. Noneof us wants Big Brother looking over our shoulders, telling us what to do "for our own 510 good." For Witches in particular - members of a religious minority with bad image problems - this is a very legitimate fear. But make sure when somebody talks about "rights" without specifying something like "religious practice rights" or "the right to consensual sex," that you find out just what "rights" they mean. Rhetoric about"rugged individualism" hasbeen usedin recenthistory to fast talk us into letting the rich or strong dominate all our lives. Without anything to stop them, they can destroy the forestland, or deny jobs or apartments to "cultists." Personal autonomy for most of us is diminished when we allow that. Magic can be used for dominance,just the same as muscle or money. There is no difference, ethically, between the magical and the mundane. We are not obligated to tolerate power trippers among us. We are not obligated to run our own community by the slogans and ground rules of the dominator culture. Thinking about "rights," or about "laws" for that matter, in the abstract leads to "all or nothing" thinking - immature and slogan driven. I don't think we should ever "just say" anything. We need a deeper and more mature analysis. We need to ask questions like "right to do what?" and "law against what?" We need to get away from absolutes and to look in practical terms at the advantages or disadvantages of our choices. Once more,our religion itself showsus the way tosteer between the false choices. "An it harm none, do what you will." What a person does that affects only herself - magical or mundane - is truly nobody's business but her own. For example, consensual sexual behavior affects only the participants. But toxic waste dumping affects everybody in the watershed. As long as we look at behavior in terms of private choices or individual will, we obscure the distinction that really makes a difference. If we're serious about wanting to give each of us the most possible control over our own lives, then decisions should be made by all the people affected by the behavior - not just by the people acting. As soon as another person is magically targeted, that other person is affected. If we allow such targeting without consent, we are not supporting personal autonomy, we are subverting it! When the behavior begins to affect us all - for example when real estate development threatens the salt marshes, and ultimately the air supply - or, very specifically, when invasive magic erodes the trust we need to work together - then we have a right to protect ourselves as a community. No ideology should turn us into passive victims when something we hold precious stands to be destroyed. Invasive magichurts the targetfirst, and soonthe actor, butin the long run it hurts all of us. It's been so long since we've been able to meet together, share our knowledge, help one another in need. Pagan community is very new, and still very fragile. It can only grow in safe space. 511 The People of this Land forbade skirmishes around the pipestone
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quarries, keeping that sacred source open to all. Otherwise, no sane person would go there, and the Old Ways would wither. For much the same reason, we cannot tolerate poppets in our council meetings. An atmosphere of coercion and manipulation and magical duels does not nurture community. Eventually, for self protection, the gentle will either change or go away. We could lose what we have misguidedly refused to protect. As within, so without: our karma is our choice. Judy Harrow 512 THE BATTLE FOR YOUR MIND by Dick Sutphen Persuasion & Brainwashing Techniques Being Used On The Public Today SUMMARY OF CONTENTS The Birth of Conversion/Brainwashing in Christian Revivalism in 1735. The Pavlovian explanation of the three brain phases. Born-again preachers: Step-by-Step, how they conduct a revival and the expected physiological results. The "voice roll" technique used by preachers, lawyers and hypnotists. New trance-inducing churches. The 6 steps to conversion. The decognition process. Thought-stopping techniques. The "sell it by zealot" technique. True believers and mass movements. Persuasion techniques: "Yes set," "Imbedded Commands," "Shock and Confusion," and the "Interspersal Technique." Subliminals. Vibrato and ELF waves. Inducing trance with vibrational sound. Even professional observers will be "possessed" at charismatic gatherings. The "only hope" technique to attend and not be converted. Non-detectable Neurophone programming through the skin. The medium for mass take-over. I'm Dick Sutphen andthis tape is a studio-recorded,expanded version of a talk I delivered at the World Congress of Professional Hypnotists Convention in Las Vegas, Nevada. Although the tape carries a copyright to protect it from unlawful duplication for sale by other companies, in this case, I invite individuals to make copies and give them to friends or anyone in a position to communicate this information. Although I've been interviewed about the subject on many local and regional radio and TV talk shows, large-scale mass communication appears to be blocked, since it could result in suspicion or investigation of the very media presenting it or the sponsors that support the media. Some government agencies do not want this information generally known. Nor do the Born-Again Christian movement, cults, and many human-potential trainings. Everything I will relate only exposes the surface of the problem. I don't know how the misuse of these techniques can be stopped. I don't think it is possible to legislate against that which often cannot be detected; and if those who legislate are using these techniques, there is little hope of affecting laws to govern usage. I do know that the first step to initiate change is to generate interest. In this case, that will probably only result from an underground effort. In talkingabout this subject, I am talking about my own business. I know it, and I know how effective it can be. I produce hypnosis and subliminal tapes and, in some of my seminars, I use conversion tactics to assist participants to become independent and self-sufficient. But, anytime
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I use these techniques, I point out that I am using them, and those attending have a choice to participate or not. They also know what the desired result of participation will be. 513 So, to begin, I want to state the most basic of all facts about brainwashing: IN THE ENTIRE HISTORY OF MAN, NO ONE HAS EVER BEEN BRAINWASHED AND REALIZED, OR BELIEVED, THAT HE HAD BEEN BRAINWASHED. Those who have been brainwashed will usually passionately defend their manipulators, claiming they have simply been "shown the light" . . . or have been transformed in miraculous ways. The Birth of Conversion CONVERSION is a "nice" word for BRAINWASHING . . . and any study of brainwashing has to begin with a study of Christian revivalism in eighteenth century America. Apparently, Jonathan Edwards accidentally discovered the techniques during a religious crusade in 1735 in Northampton, Massachusetts. By inducing guilt and acute apprehension and by increasing the tension, the "sinners" attending his revival meetings would break down and completely submit. Technically, what Edwards was doing was creating conditions that wipe the brain slate clean so that the mind accepts new programming. The problem was that the new input was negative. He would tell them, "You're a sinner! You're destined for hell!" As a result, one person committed suicide and another attempted suicide. And the neighbors of the suicidal converts related that they, too, were affected so deeply that, although they had found "eternal salvation," they were obsessed with a diabolical temptation to end their own lives. Oncea preacher, cult leader,manipulator or authority figure creates the brain phase to wipe the brain-slate clean, his subjects are wide open. New input, in the form of suggestion, can be substituted for their previous ideas. Because Edwards didn't turn his message positive until the end of the revival, many accepted the negative suggestions and acted, or desired to act, upon them. Charles J. Finney was another Christian revivalist who used the same techniques four years later in mass religious conversions in New York. The techniques are still being used today by Christian revivalists, cults, human-potential trainings, some business rallies, and the United States Armed Services . . . to name just a few. Let me point out here that I don't think most revivalist preachers realize or know they are using brainwashing techniques. Edwards simply stumbled upon a technique that really worked, and others copied it and have continued to copy it for over two hundred years. And the more sophisticated our knowledge and technology become, the more effective the conversion. I feel strongly that this is one of the major reasons for the increasing rise in Christian fundamentalism, especially the televised variety, while most of the orthodox religions are declining. The Three Brain Phases The Christians may have been the first to successfully formulate brainwashing, but we have to look to Pavlov, the Russian scientist, for a technical explanation. In the early 1900s, his work with animals opened the door to further investigations with humans. After the revolution in Russia, Lenin was quick to see the potential of applying Pavlov's research to his own ends.
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514 Three distinct and progressive states of transmarginal inhibition were identified by Pavlov. The first is the EQUIVALENT phase, in which the brain gives the same response to both strong and weak stimuli. The second is the PARADOXICAL phase, in which the brain responds more actively to weak stimuli than to strong. And the third is the ULTRA-PARADOXICAL phase, in which conditioned responses and behavior patterns turn from positive to negative or from negative to positive. With the progression through each phase, the degree of conversion becomes more effective and complete. The way to achieve conversion are many and varied, but the usual first step in religious or political brainwashing is to work on the emotions of an individual or group until they reach an abnormal level of anger, fear, excitement, or nervous tension. Theprogressive result of thismental condition isto impair judgement and increase suggestibility. The more this condition can be maintained or intensified, the more it compounds. Once catharsis, or the first brain phase, is reached, the complete mental takeover becomes easier. Existing mental programming can be replaced with new patterns of thinking and behavior. Other often-used physiological weapons to modify normal brain functions are fasting, radical or high sugar diets, physical discomforts, regulation of breathing, mantra chanting in meditation, the disclosure of awesome mysteries, special lighting and sound effects, programmed response to incense, or intoxicating drugs. The sameresults can beobtained in contemporarypsychiatric treatment by electric shock treatments and even by purposely lowering a person's blood sugar level with insulin injections. Before I talk about exactlyhow some of the techniques areapplied, I want to point out that hypnosis and conversion tactics are two distinctly different things--and that conversion techniques are far more powerful. However, the two are often mixed . . . with powerful results. How Revivalist Preachers Work If you'd like to see a revivalist preacher at work, there are probably several in your city. Go to the church or tent early and sit in the rear, about three-quarters of the way back. Most likely repetitive music will be played while the people come in for the service. A repetitive beat, ideally ranging from 45 to 72 beats per minute (a rhythm close to the beat of the human heart), is very hypnotic and can generate an eyes-open altered state of consciousness in a very high percentage of people. And, once you are in an alpha state, you are at least 25 times as suggestible as you would be in full beta consciousness. The music is probably the same for every service, or incorporates the same beat, and many of the people will go into an altered state almost immediately upon entering the sanctuary. Subconsciously, they recall their state of mind from previous services and respond according to the post-hypnotic programming. Watch the people waiting for the service to begin. Many will exhibit external signs of trance--body relaxation and slightly dilated eyes. Often, they begin swaying back and forth with their hands in the air while sitting in their chairs. Next, the assistant pastor will probably come out. He usually speaks with a pretty good "voice roll." Voice Roll Technique
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515 A "voice roll" is a patterned, paced style used by hypnotists when inducing a trance. It is also used by many lawyers, several of whom are highly trained hypnotists, when they desire to entrench a point firmly in the minds of the jurors. A voice roll can sound as if the speaker were talking to the beat of a metronome or it may sound as though he were emphasizing every word in a monotonous, patterned style. The words will usually be delivered at the rate of 45 to 60 beats per minute, maximizing the hypnotic effect. Now the assistant pastor begins the "build-up" process. He induces an altered state of consciousness and/or begins to generate the excitement and the expectations of the audience. Next, a group of young women in "sweet and pure" chiffon dresses might come out to sing a song. Gospel songs are great for building excitement and INVOLVEMENT. In the middle of the song, one of the girls might be "smitten by the spirit" and fall down or react as if possessed by the Holy Spirit. This very effectively increases the intensity in the room. At this point, hypnosis and conversion tactics are being mixed. And the result is the audience's attention span is now totally focused upon the communication while the environment becomes more exciting or tense. Right about this time, when an eyes-open mass-induced alpha mental state has been achieved, they will usually pass the collection plate or basket. In the background, a 45-beat-per-minute voice roll from the assistant preacher might exhort, "Give to God . . . Give to God . . . Give to God . . ." And the audience does give. God may not get the money, but his already wealthy representative will. Next, the fire-and-brimstone preacher will come out.He induces fear and increases the tension by talking about "the devil," "going to hell," or the forthcoming Armageddon. In the last such rally I attended, the preacher talked about the blood that would soon be running out of every faucet in the land. He was also obsessed with a "bloody axe of God," which everyone had seen hanging above the pulpit the previous week. I have no doubt that everyone saw it--the power of suggestion given to hundreds of people in hypnosis assures that at least 10 to 25 percent would see whatever he suggested they see. In most revivalist gatherings, "testifying" or "witnessing" usually follows the fear-based sermon. People from the audience come up on stage and relate their stories. "I was crippled and now I can walk!" "I had arthritis and now it's gone!" It is a psychological manipulation that works. After listening to numerous case histories of miraculous healings, the average guy in the audience with a minor problem is sure he can be healed. The room is charged with fear, guilt, intense excitement, and expectations. 516 Now thosewho want tobe healed are frequentlylined up aroundthe edge of the room, or they are told to come down to the front. The preacher might touch them on the head firmly and scream, "Be healed!" This releases the psychic energy and, for many, catharsis results. Catharsis is a purging of repressed emotions. Individuals might cry, fall down or even go into spasms. And if catharsis is effected, they stand a chance of being healed. In catharsis (one of the three brain phases mentioned earlier), the brain-slate is temporarily wiped clean and the new suggestion is accepted. For some, the healing may be permanent. For many, it will last four days to a week, which is, incidentally, how long a hypnotic suggestion
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given to a somnambulistic subject will usually last. Even if the healing doesn't last, if they come back every week, the power of suggestion may continually override the problem . . . or sometimes, sadly, it can mask a physical problem which could prove to be very detrimental to the individual in the long run. I'm not saying that legitimate healings do not take place. They do. Maybe the individual was ready to let go of the negativity that caused the problem in the first place; maybe it was the work of God. Yet I contend that it can be explained with existing knowledge of brain/mind function. The techniques and staging will vary from church to church. Many use "speaking in tongues" to generate catharsis in some while the spectacle creates intense excitement in the observers. The use of hypnotic techniques by religions is sophisticated, and professionals are assuring that they become even more effective. A man in Los Angeles is designing, building, and reworking a lot of churches around the country. He tells ministers what they need and how to use it. This man's track record indicates that the congregation and the monetary income will double if the minister follows his instructions. He admits that about 80 percent of his efforts are in the sound system and lighting. Powerful soundand the properuse of lightingare ofprimary importance in inducing an altered state of consciousness--I've been using them for years in my own seminars. However, my participants are fully aware of the process and what they can expect as a result of their participation. Six Conversion Techniques Cults and human-potential organizations are always looking for new converts. To attain them, they must also create a brain-phase. And they often need to do it within a short space of time--a weekend, or maybe even a day. The following are the six primary techniques used to generate the conversion. The meeting or training takesplace in an area whereparticipants are cut off from the outside world. This may be any place: a private home, a remote or rural setting, or even a hotel ballroom where the participants are allowed only limited bathroom usage. In human-potential trainings, the controllers will give a lengthy talk about the importance of "keeping agreements" in life. The participants are told that if they don't keep agreements, their life will never work. It's a good idea to keep agreements, but the controllers are subverting a positive human value for selfish purposes. The participants vow to themselves and their trainer that they will keep their agreements. Anyone who does not will be intimidated into agreement or forced to leave. The next step is to agree to complete training, thus assuring a high percentage of conversions for the organizations. They will USUALLY have to agree not to take drugs, smoke, 517 and sometimes not to eat . . . or they are given such short meal breaks that it creates tension. The real reason for the agreements is to alter internal chemistry, which generates anxiety and hopefully causes at least a slight malfunction of the nervous system, which in turn increases the conversion potential. Before the gathering is complete, the agreements will be used to ensure that the new converts go out and find new participants. They are intimidated into agreeing to do so before they leave. Since the importance of keeping agreements is so high on their priority list, the converts will twist the arms of everyone they know, attempting to talk them into
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attending a free introductory session offered at a future date by the organization. The new converts are zealots. In fact, the inside term for merchandising the largest and most successful human-potential training is, "sell it by zealot!" At least a million people are graduates and a good percentage have been left with a mental activation button that assures their future loyalty and assistance if the guru figure or organization calls. Think about the potential political implications of hundreds of thousands of zealots programmed to campaign for their guru. Be wary of an organization of this type that offers follow-up sessions after the seminar. Follow-up sessions might be weekly meetings or inexpensive seminars given on a regular basis which the organization will attempt to talk you into taking--or any regularly scheduled event used to maintain control. As the early Christian revivalists found, long-term control is dependent upon a good follow-up system. Alright. Now, let's look at the second tip-off that indicates conversion tactics are being used. A schedule is maintained that causes physical and mental fatigue. This is primarily accomplished by long hours in which the participants are given no opportunity for relaxation or reflection. The third tip-off: techniquesused to increasethe tension in theroom or environment. Number four: Uncertainty. I could spend hours relating various techniques to increase tension and generate uncertainty. Basically, the participants are concerned about being "put on the spot" or encountered by the trainers, guilt feelings are played upon, participants are tempted to verbally relate their innermost secrets to the other participants or forced to take part in activities that emphasize removing their masks. One of the most successful human-potential seminars forces the participants to stand on a stage in front of the entire audience while being verbally attacked by the trainers. A public opinion poll, conducted a few years ago, showed that the number one most-fearful situation an individual could encounter is to speak to an audience. It ranked above window washing outside the 85th floor of an office building. So you can imagine the fear and tension this situation generates within the participants. Many faint, but most cope with the stress by mentally going away. They literally go into an alpha state, which automatically makes them many times as suggestible as they normally are. And another loop of the downward spiral into conversion is successfully effected. The fifth clue that conversion tactics are being used is the introduction of jargon--new terms that have meaning only to the "insiders" who participate. Vicious language is also frequently used, purposely, to make participants uncomfortable. 518 The final tip-off isthat there isno humor in thecommunications . .. at least until the participants are converted. Then, merry-making and humor are highly desirable as symbols of the new joy the participants have supposedly "found." I'm not saying that good does not result from participation in such gatherings. It can and does. But I contend it is important for people to know what has happened and to be aware that continual involvement may not be in their best interest. Over the years,I've conductedprofessional seminars toteach peopleto
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be hypnotists, trainers, and counselors. I've had many of those who conduct trainings and rallies come to me and say, "I'm here because I know that what I'm doing works, but I don't know why." After showing them how and why, many have gotten out of the business or have decided to approach it differently or in a much more loving and supportive manner. Many of these trainers havebecome personal friends, and it scaresus all to have experienced the power of one person with a microphone and a room full of people. Add a little charisma and you can count on a high percentage of conversions. The sad truth is that a high percentage of people want to give away their power--they are true "believers"! Cult gatheringsor human-potential trainings arean ideal environment to observe first-hand what is technically called the "Stockholm Syndrome." This is a situation in which those who are intimidated, controlled, or made to suffer, begin to love, admire, and even sometimes sexually desire their controllers or captors. But let me inject a wordof warning here: If you think youcan attend such gatherings and not be affected, you are probably wrong. A perfect example is the case of a woman who went to Haiti on a Guggenheim Fellowship to study Haitian Voodoo. In her report, she related how the music eventually induced uncontrollable bodily movement and an altered state of consciousness. Although she understood the process and thought herself above it, when she began to feel herself become vulnerable to the music, she attempted to fight it and turned away. Anger or resistance almost always assures conversion. A few moments later she was possessed by the music and began dancing in a trance around the Voodoo meeting house. A brain phase had been induced by the music and excitement, and she awoke feeling reborn. The only hope of attending such gatherings without being affected is to be a Buddha and allow no positive or negative emotions to surface. Few people are capable of such detachment. 519 Before I go on,let's go backto the six tip-offsto conversion. Iwant to mention the United States Government and military boot camp. The Marine Corps talks about breaking men down before "rebuilding" them as new men--as marines! Well, that is exactly what they do, the same way a cult breaks its people down and rebuilds them as happy flower sellers on your local street corner. Every one of the six conversion techniques are used in boot camp. Considering the needs of the military, I'm not making a judgement as to whether that is good or bad. IT IS A FACT that the men are effectively brainwashed. Those who won't submit must be discharged or spend much of their time in the brig. Decognition Process Once the initial conversion is effected, cults, armed services, and similar groups cannot have cynicism among their members. Members must respond to commands and do as they are told, otherwise they are dangerous to the organizational control. This is normally accomplished as a three-step Decognition Process. Step One is ALERTNESS REDUCTION: The controllers cause the nervous system to malfunction, making it difficult to distinguish between fantasy and reality. This can be accomplished in several ways. POOR DIET is one; watch out for Brownies and Koolaid. The sugar throws the nervous system off. More subtle is the "SPIRITUAL DIET" used by many cults. They eat only vegetables and fruits; without the grounding of grains, nuts, seeds, dairy products, fish or meat, an individual becomes mentally "spacey." INADEQUATE SLEEP is another primary way to reduce alertness, especially when combined with long hours of work or intense physical activity. Also, being bombarded
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with intense and unique experiences achieves the same result. Step Two is PROGRAMMED CONFUSION: You are mentally assaulted while your alertness is being reduced as in Step One. This is accomplished with a deluge of new information, lectures, discussion groups, encounters or one-to-one processing, which usually amounts to the controller bombarding the individual with questions. During this phase of decognition, reality and illusion often merge and perverted logic is likely to be accepted. StepThree is THOUGHT STOPPING: Techniques areused to cause the mind to go "flat." These are altered-state-of-consciousness techniques that initially induce calmness by giving the mind something simple to deal with and focusing awareness. The continued use brings on a feeling of elation and eventually hallucination. The result is the reduction of thought and eventually, if used long enough, the cessation of all thought and withdrawal from everyone and everything except that which the controllers direct. The takeover is then complete. It is important to be aware that when members or participants are instructed to use "thought-stopping" techniques, they are told that they will benefit by so doing: they will become "better soldiers" or "find enlightenment." There are threeprimary techniquesused for thoughtstopping. Thefirst is MARCHING: the thump, thump, thump beat literally generates self-hypnosis and thus great susceptibility to suggestion. 520 Thesecond thought stopping technique is MEDITATION. If you spend an hour to an hour and a half a day in meditation, after a few weeks, there is a great probability that you will not return to full beta consciousness. You will remain in a fixed state of alpha for as long as you continue to meditate. I'm not saying this is bad--if you do it yourself. It may be very beneficial. But it is a fact that you are causing your mind to go flat. I've worked with meditators on an EEG machine and the results are conclusive: the more you meditate, the flatter your mind becomes until, eventually and especially if used to excess or in combination with decognition, all thought ceases. Some spiritual groups see this as nirvana--which is bullshit. It is simply a predictable physiological result. And if heaven on earth is non-thinking and non-involvement, I really question why we are here. The third thought-stopping technique is CHANTING, and often chanting in meditation. "Speaking in tongues" could also be included in this category. All three-stopping techniques produce an altered state of consciousness. This may be very good if YOU are controlling the process, for you also control the input. I personally use at least one self-hypnosis programming session every day and I know how beneficial it is for me. But you need to know if you use these techniques to the degree of remaining continually in alpha that, although you'll be very mellow, you'll also be more suggestible. True Believers & Mass Movements Before ending this section on conversion, I want to talk about the people who are most susceptible to it and about Mass Movements. I am convinced that at least a third of the population is what Eric Hoffer calls "true believers." They are joiners and followers . . . people who want to give away their power. They look for answers, meaning, and enlightenment outside themselves. Hoffer, who wrote THE TRUE BELIEVER, a classic on mass movements, says, "true believers are not intent on bolstering and advancing a cherished
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self, but are those craving to be rid of unwanted self. They are followers, not because of a desire for self-advancement, but because it can satisfy their passion for self-renunciation!" Hoffer also says that true believers "are eternally incomplete and eternally insecure"! I know this from my own experience. In my years of communicating concepts and conducting trainings, I have run into them again and again. All I can do is attempt to show them that the only thing to seek is the True Self within. Their personal answers are to be found there and there alone. I communicate that the basics of spirituality are self-responsibility and self-actualization. But most of the true believers just tell me that I'm not spiritual and go looking for someone who will give them the dogma and structure they desire. Never underestimate the potential danger of these people. They can easily be molded into fanatics who will gladly work and die for their holy cause. It is a substitute for their lost faith in themselves and offers them as a substitute for individual hope. The Moral Majority is made up of true believers. All cults are composed of true believers. You'll find them in politics, churches, businesses, and social cause groups. They are the fanatics in these organizations. 521 Mass Movements will usually havea charismatic leader. The followers want to convert others to their way of living or impose a new way of life--if necessary, by legislating laws forcing others to their view, as evidenced by the activities of the Moral Majority. This means enforcement by guns or punishment, for that is the bottomline in law enforcement. A common hatred, enemy, or devil is essential to the success of a mass movement. The Born-Again Christians have Satan himself, but that isn't enough--they've added the occult, the New Age thinkers and, lately, all those who oppose their integration of church and politics, as evidenced in their political reelection campaigns against those who oppose their views. In revolutions, the devil is usually the ruling power or aristocracy. Some human-potential movements are far too clever to ask their graduates to join anything, thus labeling themselves as a cult--but, if you look closely, you'll find that their devil is anyone and everyone who hasn't taken their training. There are mass movements without devils but they seldom attain major status. The True Believers are mentally unbalanced or insecure people, or those without hope or friends. People don't look for allies when they love, but they do when they hate or become obsessed with a cause. And those who desire a new life and a new order feel the old ways must be eliminated before the new order can be built. Persuasion Techniques Persuasion isn't technically brainwashing but it is the manipulation of the human mind by another individual, without the manipulated party being aware what caused his opinion shift. I only have time to very basically introduce you to a few of the thousands of techniques in use today, but the basis of persuasion is always to access your RIGHT BRAIN. The left half of your brain is analytical and rational. The right side is creative and imaginative. That is overly simplified but it makes my point. So, the idea is to distract the left brain and keep it busy. Ideally, the persuader generates an eyes-open altered state of consciousness, causing you to shift from beta awareness into alpha; this can be measured on an EEG machine. First, let me give you an example of distracting the left brain. Politicians use these powerful techniques all the time; lawyers use many
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variations which, I've been told, they call "tightening the noose." Assume for a moment that you are watching a politician give a speech. First, he might generate what is called a "YES SET." These are statements that will cause listeners to agree; they might even unknowingly nod their heads in agreement. Next come the TRUISMS. These are usually facts that could be debated but, once the politician has his audience agreeing, the odds are in the politician's favor that the audience won't stop to think for themselves, thus continuing to agree. Last comes the SUGGESTION. This is what the politician wants you to do and, since you have been agreeing all along, you could be persuaded to accept the suggestion. Now, if you'll listen closely to my political speech, you'll find that the first three are the "yes set," the next three are truisms and the last is the suggestion. 522 "Ladies and gentlemen: are you angry abouthigh food prices? Are you tired of astronomical gas prices? Are you sick of out-of-control inflation? Well, you know the Other Party allowed 18 percent inflation last year; you know crime has increased 50 percent nationwide in the last 12 months, and you know your paycheck hardly covers your expenses any more. Well, the answer to resolving these problems is to elect me, John Jones, to the U.S. Senate." And I think you've heard all that before. But you might also watch for what are called Imbedded Commands. As an example: On key words, the speaker would make a gesture with his left hand, which research has shown is more apt to access your right brain. Today's media-oriented politicians and spellbinders are often carefully trained by a whole new breed of specialist who are using every trick in the book--both old and new--to manipulate you into accepting their candidate. The concepts and techniques of Neuro-Linguistics are so heavily protected that I found out the hard way that to even talk about them publicly or in print results in threatened legal action. Yet Neuro-Linguistic training is readily available to anyone willing to devote the time and pay the price. It is some of the most subtle and powerful manipulation I have yet been exposed to. A good friend who recently attended a two-week seminar on Neuro-Linguistics found that many of those she talked to during the breaks were government people. Another technique that I'm just learning about is unbelievably slippery; it is called an INTERSPERSAL TECHNIQUE and the idea is to say one thing with words but plant a subconscious impression of something else in the minds of the listeners and/or watchers. Let me give you an example: Assume you are watching a television commentator make the following statement: SENATOR JOHNSON is assisting local authorities to clear up the stupid mistakes of companies contributing to the nuclear waste problems." It sounds like a statement of fact, but, if the speaker emphasizes the right word, and especially if he makes the proper hand gestures on the key words, you could be left with the subconscious impression that Senator Johnson is stupid. That was the subliminal goal of the statement and the speaker cannot be called to account for anything. Persuasion techniques are also frequently used on a much smaller scale with just as much effectiveness. The insurance salesman knows his pitch is likely to be much more effective if he can get you to visualize something in your mind. This is right-brain communication. For instance, he might pause in his conversation, look slowly around your living room and say, "Can you just imagine this beautiful home burning to the ground?" Of course you can! It is one of your unconscious fears and, when he forces you to
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visualize it, you are more likely to be manipulated into signing his insurance policy. 523 The Hare Krishnas, operating in every airport,use what I call SHOCK AND CONFUSION techniques to distract the left brain and communicate directly with the right brain. While waiting for a plane, I once watched one operate for over an hour. He had a technique of almost jumping in front of someone. Initially, his voice was loud then dropped as he made his pitch to take a book and contribute money to the cause. Usually, when people are shocked, they immediately withdraw. In this case they were shocked by the strange appearance, sudden materialization and loud voice of the Hare Krishna devotee. In other words, the people went into an alpha state for security because they didn't want to confront the reality before them. In alpha, they were highly suggestible so they responded to the suggestion of taking the book; the moment they took the book, they felt guilty and responded to the second suggestion: give money. We are all conditioned that if someone gives us something, we have to give them something in return--in that case, it was money. While watching this hustler, I was close enough to notice that many of the people he stopped exhibited an outward sign of alpha--their eyes were actually dilated. Subliminal Programming Subliminals are hidden suggestions that only your subconscious perceives. They can be audio, hidden behind music, or visual, airbrushed into a picture, flashed on a screen so fast that you don't consciously see them, or cleverly incorporated into a picture or design. Most audio subliminal reprogramming tapes offer verbal suggestions recorded at a low volume. I question the efficacy of this technique--if subliminals are not perceptible, they cannot be effective, and subliminals recorded below the audible threshold are therefore useless. The oldest audio subliminal technique uses a voice that follows the volume of the music so subliminals are impossible to detect without a parametric equalizer. But this technique is patented and, when I wanted to develop my own line of subliminal audio cassettes, negotiations with the patent holder proved to be unsatisfactory. My attorney obtained copies of the patents which I gave to some talented Hollywood sound engineers, asking them to create a new technique. They found a way to psycho-acoustically modify and synthesize the suggestions so that they are projected in the same chord and frequency as the music, thus giving them the effect of being part of the music. But we found that in using this technique, there is no way to reduce various frequencies to detect the subliminals. In other words, although the suggestions are being heard by the subconscious mind, they cannot be monitored with even the most sophisticated equipment. If we were able to come up withthis technique as easily as we did,I can only imagine how sophisticated the technology has become, with unlimited government or advertising funding. And I shudder to think about the propaganda and commercial manipulation that we are exposed to on a daily basis. There is simply no way to know what is behind the music you hear. It may even be possible to hide a second voice behind the voice to which you are listening. Theseries by Wilson Bryan Key, Ph.D., on subliminals in advertising and political campaigns well documents the misuse in many areas, especially printed advertising in newspapers, magazines, and posters. 524
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The big question about subliminals is: dothey work? And I guarantee you they do. Not only from the response of those who have used my tapes, but from the results of such programs as the subliminals behind the music in department stores. Supposedly, the only message is instructions to not steal: one East Coast department store chain reported a 37 percent reduction in thefts in the first nine months of testing. A 1984 article in the technical newsletter, "Brain-Mind Bulletin," states that as much as 99 percent of our cognitive activity may be "non-conscious," according to the director of the Laboratory for Cognitive Psychophysiology at the University of Illinois. The lengthy report ends with the statement, "these findings support the use of subliminal approaches such as taped suggestions for weight loss and the therapeutic use of hypnosis and Neuro-Linguistic Programming." Mass Misuse I could relatemany stories that support subliminal programming, but I'd rather use my time to make you aware of even more subtle uses of such programming. I have personally experienced sitting in a Los Angeles auditorium with over ten thousand people who were gathered to listen to a current charismatic figure. Twenty minutes after entering the auditorium, I became aware that I was going in and out of an altered state. Those accompanying me experienced the same thing. Since it is our business, we were aware of what was happening, but those around us were not. By careful observation, what appeared to be spontaneous demonstrations were, in fact, artful manipulations. The only way I could figure that the eyes-open trance had been induced was that a 6- to 7-cycle-per-second vibration was being piped into the room behind the air conditioner sound. That particular vibration generates alpha, which would render the audience highly susceptible. Ten to 25 percent of the population is capable of a somnambulistic level of altered states of consciousness; for these people, the suggestions of the speaker, if non-threatening, could potentially be accepted as "commands." Vibrato This leads to the mention of VIBRATO. Vibrato is the tremulous effect imparted in some vocal or instrumental music, and the cycle-per-second range causes people to go into an altered state of consciousness. At one period of English history, singers whose voices contained pronounced vibrato were not allowed to perform publicly because listeners would go into an altered state and have fantasies, often sexual in nature. People who attend operaor enjoy listeningto singers like MarioLanza are familiar with this altered state induced by the performers. ELFs Now, let's carry this awareness a little farther. There are also inaudible ELFs (extra-low frequency waves). These are electromagnetic in nature. One of the primary uses of ELFs is to communicate with our submarines. Dr. Andrija Puharich, a highly respected researcher, in an attempt to warn U.S. officials about Russian use of ELFs, set up an experiment. Volunteers were wired so their brain waves could be measured on an EEG. They were sealed in a metal room that could not be penetrated by a normal signal. Puharich then beamed ELF waves at the volunteers. ELFs go right through 525
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the earth and, of course, right through metal walls. Those inside couldn't know if the signal was or was not being sent. And Puharich watched the reactions on the technical equipment: 30 percent of those inside the room were taken over by the ELF signal in six to ten seconds. When I say "taken over," I mean that their behavior followed the changes anticipated at very precise frequencies. Waves below 6 cycles per second caused the subjects to become very emotionally upset, and even disrupted bodily functions. At 8.2 cycles, they felt very high . . . an elevated feeling, as though they had been in masterful meditation, learned over a period of years. Eleven to 11.3 cycles induced waves of depressed agitation leading to riotous behavior. The Neurophone Dr. PatrickFlanagan is a personalfriend of mine. Inthe early 1960s, as a teenager, Pat was listed as one of the top scientists in the world by "Life" magazine. Among his many inventions was a device he called the Neurophone--an electronic instrument that can successfully program suggestions directly through contact with the skin. When he attempted to patent the device, the government demanded that he prove it worked. When he did, the National Security Agency confiscated the neurophone. It took Pat two years of legal battle to get his invention back. In using thedevice, you don't hear or see a thing; it is applied to the skin, which Pat claims is the source of special senses. The skin contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy. In one of his recent tests, Pat conducted two identical seminars for a military audience--one seminar one night and one the next night, because the size of the room was not large enough to accommodate all of them at one time. When the first group proved to be very cool and unwilling to respond, Patrick spent the next day making a special tape to play at the second seminar. The tape instructed the audience to be extremely warm and responsive and for their hands to become "tingly." The tape was played through the neurophone, which was connected to a wire he placed along the ceiling of the room. There were no speakers, so no sound could be heard, yet the message was successfully transmitted from that wire directly into the brains of the audience. They were warm and receptive, their hands tingled and they responded, according to programming, in other ways that I cannot mention here. The more we find out about how human beings work through today's highly advanced technological research, the more we learn to control human beings. And what probably scares me the most is that the medium for takeover is already in place! The television set in your living room and bedroom is doing a lot more than just entertaining you. Before I continue, let me point out something else about an altered state of consciousness. When you go into an altered state, you transfer into right brain, which results in the internal release of the body's own opiates: enkephalins and Beta-endorphins, chemically almost identical to opium. In other words, it feels good . . . and you want to come back for more. 526 Recent tests byresearcher Herbert Krugman showedthat, while viewers were watching TV, right-brain activity outnumbered left-brain activity by a ratio of two to one. Put more simply, the viewers were in an altered state . . . in trance more often than not. They were getting their Beta-endorphin "fix."
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To measure attention spans, psychophysiologist Thomas Mulholland of the Veterans Hospital in Bedford, Massachusetts, attached young viewers to an EEG machine that was wired to shut the TV set off whenever the children's brains produced a majority of alpha waves. Although the children were told to concentrate, only a few could keep the set on for more than 30 seconds! Most viewers are already hypnotized. To deepen the trance is easy. One simple way is to place a blank, black frame every 32 frames in the film that is being projected. This creates a 45-beat-per-minute pulsation perceived only by the subconscious mind--the ideal pace to generate deep hypnosis. The commercials or suggestions presented following this alpha-inducing broadcast are much more likely to be accepted by the viewer. The high percentage of the viewing audience that has somnambulistic-depth ability could very well accept the suggestions as commands--as long as those commands did not ask the viewer to do something contrary to his morals, religion, or self-preservation. The medium for takeover is here. By the age of 16, children have spent 10,000 to 15,000 hours watching television--that is more time than they spend n school! In the average home, the TV set is on for six hours and 44 minutes per day--an increase of nine minutes from last year and three times the average rate of increase during the 1970s. It obviously isn't getting better . . . we are rapidly moving into an alpha-level world--very possibly the Orwellian world of "1984"--placid, glassy-eyed, and responding obediently to instructions. A research project by Jacob Jacoby, a Purdue University psychologist, found that of 2,700 people tested, 90 percent misunderstood even such simple viewing fare as commercials and "Barnaby Jones." Only minutes after watching, the typical viewer missed 23 to 36 percent of the questions about what he or she had seen. Of course they did--they were going in and out of trance! If you go into a deep trance, you must be instructed to remember--otherwise you automatically forget. I have just touched the tip of the iceberg. When you start to combine subliminal messages behind the music, subliminal visuals projected on the screen, hypnotically produced visual effects, sustained musical beats at a trance-inducing pace . . . you have extremely effective brainwashing. Every hour that you spend watching the TV set you become more conditioned. And, in case you thought there was a law against any of these things, guess again. There isn't! There are a lot of powerful people who obviously prefer things exactly the way they are. Maybe they have plans for? 527 A NEO-PAGAN FILMOGRAPHY An Annotated List of Recommended Viewing ======================= (compiled 3/89) by Mike Nichols Although this list is a long one, it could easily have been much longer. In fact, the hard part was deciding which of many good movies had to be left out, due to limitations of space. So I used a few rules to guide me. First, I gave preference to movies that had a strong Pagan message, as opposed to films that are 'merely' entertaining. Thus, a film like 'Never Cry Wolf', though it has no supernatural elements, made the
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list; whereas superbly crafted atmospheric entertainments like 'Gothic' and 'Eyes of Fire' didn't. Second, in dealing with the supernatural, I concentrated on films that informed, or at least stayed within the realms of possibility. Hence, I include 'The Haunting', but not 'Poltergeist'. Inevitably, I will have left out some of your favorites, for which I apologize in advance. But I had to stop somewhere. APPRENTICE TO MURDER, 1988, C-94m D: R.L. Thomas. Donald Sutherland, Chad Lowe, Mia Sara, Knut Husebo, Rutanya Alsa. Intriguing fact-based story of a man who was a 'hex-meister' in the Pennsylvania Dutch tradition. His practice of folk medicine lands him in trouble with the law, and a final confrontation with a rival sorcerer leads to a charge of murder. Sutherland is appealing in the lead role, and the story unfolds mainly through his eyes. Mia Sara does a nice job in a supporting role. There's a lot of authentic folk magic to lend atmosphere. THE BELIEVERS, 1987, C-114m D: John Schlesinger. Martin Sheen, Helen Shaver, Harley Cross, Robert Loggia, Elizabeth Wilson, Lee Richardson, Harris Yulin, Richard Masur, Carla Pinza, Jimmy Smits. Afterthe death ofhis wife, Sheen andhis son moveto New York City, where they become involved in a grisly series of cultish human sacrifices. Although the religion of Santeria is unfortunately shown in a negative light, there is enough authenticity to lend lots of interest. A gripping thriller. BELL, BOOK, AND CANDLE, 1958, C-103m D: Richard Quine. James Stewart, Kim Novak, Jack Lemmon, Ernie Kovaks, Hermione Gingold. Yes, I'm well aware that this movie, based on the John Van Druten play, is responsible for more misinformation about Witchcraft than anything outside the 'Bewitched' TV series. Still, I hardly know a Pagan who doesn't love it. For many of us, it was the first time we'd encountered the idea of Witchcraft alive and well in a modern metropolis. And Kim Novak is STILL my idea of what a Witch OUGHT to look like. And none of us will ever forget Kovak's reading of the line 'Witches, boy! Witches!' Or Stewart's offhand comment that it feels more like Halloween than Christmas. Lots of fun. 528 BROTHER SUN, SISTER MOON, 1973-Italian-British, C-121m D: Franco Zeffirelli. Graham Faulkner, Judi Bowker, Leigh Lawson, Alec Guinness, Valentina Cortese, Kenneth Cranham For most Pagans, St. Francis of Assisi is usually considered an honorary Pagan, at the very least. His insistence on finding divinity in nature is exactly what Paganism is all about. This film biography portrays his extreme love of and sensitivity to nature with poignant beauty. And the musical score by Donovan is such a perfect choice that, having heard it, nothing else would ever do. This is also a visually stunning film, as those who remember Zefferelli's 'Romeo and Juliet' might expect. If ever Christianity could be made palatable to the sensibilities of Neo-Pagans, it would have to be through the eyes of a nature mystic like Francis. The Catholic Church came close to naming him a heretic but, at the last minute, the Pope (played by Alec Guinness) sanctioned him. (Old Obi Wan comes through again!) BURN, WITCH, BURN!, 1962-British, 90m D: Sidney Hayers. Janey Blair, Peter Wyngarde, Margaret Johnston, Anthony Nicholls.
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Based on the Fritz Leiber classic 'Conjure Wife' and scripted by Richard Matheson, this is an interesting view of Witchcraft. Granted, this has as many misconceptions as 'Bell, Book, and Candle', yet the premise is intriguing: that ALL women are secretly Witches, and ALL men don't know about it. This is mainly about one woman's use of magic to advance the career of her schoolteacher husband. DARBY O'GILL AND THE LITTLE PEOPLE, 1959, C-93m D: Robert Stevenson. Albert Sharpe, Janet Munro, Sean Connery, Jimmy O'Dea, Kieron Moore, Estelle Winwood. Simply the best fantasy ever filmed. No kidding. This is a PERFECT little movie, and (along with 'The Quiet Man') the ultimate St. Patrick's Day film. Sharpe is sensational as Darby O'Gill, who likes to sit in the pub telling stories about his adventures with the King of the Leprechauns. Unbeknownst to everyone, they are TRUE stories! Every tidbit of Irish folklore, from banshees to the crock of gold to the costa bower (the death coach) is worked into the plot. The music and songs are great. So is the cast, many of whom were brought over from the Abbey Theater in Dublin! Sean Connery makes his screen debut, in a SINGING role! The subsequent untimely death of Janet Munro robbed the screen of one of its brightest actresses. (Her character's combination of willfulness and femininity is a textbook study. Compared to her, Princess Leia's character is not 'strong-willed' -- it's just snotty!) The special effects are miraculous for 1959! When Darby walks into King Brian's throne room, we walks THROUGH a crowd of Leprechauns, and I defy anyone to find a matte line! In fact, the special effects are so good throughout, that you FORGET that they're special effects, and end up deciding that they must have rounded up some real Leprechauns from somewhere. 529 THE DARK CRYSTAL, 1983-British, C-94m D: Jim Henson and Frank Oz. Performed by Jim Henson, Kathryn Mullen, Frank Oz, Dave Goelz, Brian Muehl, Jean Pierre Amiel, Kiran Shaw. The creators of the Muppets come up with an entire fantasy world, where even the flora and fauna are original. And this world is in grave peril unless the missing shard of the Dark Crystal can be found and restored to it. This is a hero-quest in the classic mold, with art stylings by Brian Froud. Although wonderfully imaginative and entertaining, it has a very strong message of mysticism, all about universal balance and the synthesis of opposites. (One wonders if the entire quartz crystal fad of the late 1980's had its origins here!) DON'T LOOK NOW, 1973-British, C-110m D: Nicolas Roeg. Julie Christie, Donald Sutherland, Hilary Mason, Clelia Matania, Massimo Serato. Based ona so-so occultthriller by Daphnedu Maurier, thisbecomes a brilliant film in the hands of Italian director Nicolas Roeg (famed for 'The Man Who Fell to Earth). Shortly after their daughter has drowned, Sutherland (who restores mosaics in old churches) and his wife go to Venice where they meet two sisters who are spiritualists. They begin to receive messages from the daughter, who keeps warning Sutherland to leave Venice because he is in mortal danger. If ever a film captured the real feeling of how psychic ability operates, this is it. The use of subjective editing, and the symbolic use (and total control of!) color throughout the film is masterful. (This film also contains one of the most stylish love scenes ever filmed.) Squeamish people need to be warned about the violent ending, however. THE DUNWICH HORROR, 1970, C-90m D: Daniel Haller. Sandra Dee, Dean Stockwell, Ed Begley, Sam Jaffe, Lloyd Bochner, Joanna Moore, Talia Coppolia (Shire).
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Nice adaptation of an H. P.Lovecraft story, with a wonderfulcast. Dean Stockwell is the quintessential ritual magician, both mysterious and compelling. He steals the original 'Necronomicon' from a library in order to 'bring back the Old Ones', a race of powerful but dark beings that inhabited the earth before humans. Sam Jaffe is wonderful as his crazed grandfather. (What happened to the father is part of the mystery!) And Sandra Dee is perfect as the innocent virgin chosen to be the unwilling host mother for the rebirth of these demons. (Some versions of the film cut the last scene short, which shows a developing fetus superimposed over Dee's abdomen. 'Nuff said.) By the way, no film has ever shown the raw power of otherworldly beings as well as this. No 'latex lovelies' here. Just pure, unadulterated elemental force. Nice job! THE EMERALD FOREST, 1985, C-113m D: John Boorman. Powers Boothe, Meg Foster, Charley Boorman, Dira Pass. A look atour ownculture through theeyes of theaboriginal tribesof the Amazon. (They call us the 'termite people', because of the deforestation and industrial development we have brought to their homeland.) The director's son, Charley, is totally convincing as a young boy raised by aborigines. Great music by Junior Homrich. 530 THE ENTITY, 1983, C-115m D: Sidney J. Furie. Barbara Hershey, Ron Silver, Jacqueline Brooks, David Lablosa, George Coe, Margaret Blye. The trulyfrightening thing about thismovie is that it'sbased on a true story, about a woman who is repeatedly violently raped by an invisible presence. Initially, she seeks the help of a psychologist, who is a strict behaviorist and thinks that it is all 'in her mind'. It is not until a chance encounter with a team of parapsychologist from the local university that she finally finds people who understand her problem. One of the film's great strengths is its portrayal of the professional rivalry that develops between the psychologist (who has begun taking a personal interest) and the parapsychologists, who are interested in investigating the phenomena. The final scene in the gymnasium is the only part of the film based on speculation only. At last report, the case was still active. EXCALIBUR, 1981-British, C-140m D: John Boorman. Nicol Williamson, Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi, Corin Redgrave, Paul Geoffrey. A stylish adaptationof ThomasMalory's 'Le MorteD'Arthur'. Boorman knew exactly what he was doing in combining certain key characters and keeping the spirit of the legends. The Grail Quest is especially well handled. Williamson's Merlin and Mirren's Morgana are both brilliant performances. Great music. Try to see this one on the big screen. HARVEY, 1950, 104m D: Henry Koster. James Stewart, Josephine Hull, Peggy Dow, Charles Drake, Cecil Kellaway, Victoria Horne, Jesse White, Wallace Ford, Ida Moore. Imagine a movie that chooses as its main theme a Welsh animal spirit called a pooka (or 'pwcca' in Welsh)! That would be improbable enough by today's standards. But the fact that it happened in a 1940's Pulitzer Prize-winning play and subsequent movie boggles the mind! The pooka in question is a 6-foot invisible rabbit named Harvey, who manifests himself only to a gentle tippler named Elwood P. Dowd, played to perfection by Stewart. Jesse White (the lonely Maytag repairman) made his film debut here. Few movies are as much fun as this. THE HAUNTING, 1963, 112m D: Robert Wise. Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn, Lois Maxwell, Fay Compton
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Based on ShirleyJackson's masterpiece 'TheHaunting of HillHouse', this is probably the ultimate ghost movie. A parapsychologist and a team of student assistants investigate a haunted house. Based on the premise that no ghost ever hurts anyone physically; the damage is always done by the victim to himself, psychologically. Julie Harris is marvelous. INHERIT THE WIND, 1960, 127m D: Stanley Kramer. Spencer Tracy, Fredric March, Gene Kelly, Florence Eldridge, Dick York, Harry Morgan, Donna Anderson, Elliot Reid, Claude Akins, Noah Beery, Jr., Norman Fell. This should be required viewing for every Pagan. For many of us, there came a time when our own ideologies simply collided head-on with fundamental Christian faith, and we knew we could no longer accept it. Never has a movie embodied this theme so well. Based on the play by Jerome Lawrence and Robert E. Lee, it deals with the Scopes Monkey Trial of 1925 in Tennessee, where a high school teacher was arrested for teaching Darwin's Theory of Evolution. The debate that ensued was between two of the most brilliant minds of their day, the great trial lawyer Clarence Darrow for the defense, and two-time Presidential candidate William Jennings Bryan for the prosecution. Kelly's character is based on acid-tongued columnist H. L. Mencken. This is riveting, from first to last. 531 JONATHAN LIVINGSTON SEAGULL, 1973, C-120m D: Hal Bartlett. Many seagulls. Although the film is flawed and drags a little toward the end, it is nevertheless well worth seeing. The photography is beautiful, and Neil Diamond's score (including 'Skybird') is marvelous. It is, of course, based on Richard Bach's marvelous tale of a little seagull that refuses to fit in with his flock, preferring to follow a higher, more mystical, calling. This is yet another one you should try to see on the big screen. LADYHAWKE, 1985, C-124m D: Richard Donner. Matthew Broderick, Rutger Hauer, Michelle Pfeiffer, Leo McKern, John Wood, Ken Hutchison, Alfred Molina. Whoever decidedon themusic for thisfilm should beshot! Think what a nice soundtrack by Clannad would have been like. That reservation aside, this is a great medieval fantasy concerning two lovers who have been separated by a curse, and a young thief who becomes their ally, an unusual but charming role for Matthew Broderick. (If anyone ever gets around to filming Katherine Kurtz's 'Deryni' books, this is the team that ought to do it.) THE LAST UNICORN, 1982, C-84m D: Rankin & Bass. Voices of Mia Farrow, Alan Arkin, Jeff Bridges, Tammy Grimes, Robert Klein, Angela Lansbury, Christopher Lee. Based on theincomparable fantasy novel by PeterS. Beagle, this is very adult animation. And because Beagle himself wrote the screenplay, this film contains spiritual one-liners that hit you right in the gut. Example: 'Never run from anything immortal. It attracts their attention.' Though this is NOT classic Disney animation (in fact, it looks like limited animation), the voice-work, screenplay, and art stylings are all so good, you're inclined to overlook it. Angela Lansbury's character voice for Mommy Fortuna is marvelous. And there's a lovely lyrical score by the group America. THE LAST WAVE, 1977-Australian, C-106m D: Peter Weir. Richard Chamberlain, Olivia Hamnett, (David) Gulpilil, Frederick Parslow, Vivean Gray, Nanjiwarra Amagula. Chamberlainplays anAustralian lawyerdefending anaborigine accused
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of a murder that was actually done by magic. This is a rare and wonderful glimpse into the tribal religion of the native Australians, their myths, and their belief in the Dream Time. Peter Weir (famed for 'Picnic at Hanging Rock') directs this atmospheric thriller. LEGEND, 1985-British, C-89m D: Ridley Scott. Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty. Oneof the mostvisually luscious filmsever created. Every frame is gorgeous. The plot is nearly archetypal, with evil (Curry) attempting to seduce innocence (Sara). Though it's hard to accept Cruise as the hero of this Grimm's-like fairy tale, Curry and Sara turn in good performances. The European version runs 20 minutes longer and retains the original (and, in my opinion, superior) musical score by Jerry Goldsmith. The American score is by Tangerine Dream. 532 THE LORD OF THE RINGS, 1978, C-133m D: Ralph Bakshi. Voices of Christopher Guard, William Squire, John Hurt, Michael Sholes, Dominic Guard. This ambitious but flawed animated feature covers half of J.R.R. Tolkien's fantasy trilogy, ending much too abruptly. But for all the criticism usually heaped upon this film, there ARE moments of absolute genius. Such as the Dark Riders attempting to kill Frodo and friends in their beds at the Prancing Pony Inn. Or Gandalf and Frodo's moonlit walk through the Shire. Or the first time Frodo puts on the ring. These moments alone make the movie well worth seeing. NEVER CRY WOLF, 1983, C-105m D: Carroll Ballard. Charles Martin Smith, Brian Dennehy, Zachary Ittimangnaq, Samson Jorah. A brilliant performance by Smith (based on author Farley Mowat) as a young man sent to study wolves in the Arctic. Again, we are treated to the insights of the native culture (the Innuit), and are shown how it has been debased through contact with our own greedy culture. This film contains some of the most spectacular nature photography ever put on film. Ballard was chief nature photographer for Disney Studios for years. Try to see this one on the big screen. NOSFERATU THE VAMPYRE, 1979-West German, C-107m D: Werner Herzog. Klaus Kinski, Isabelle Adjani, Bruno Ganz, Roland Topor. Forvampire lovers, this film isthe creme de lacreme. Werner Herzog is a leader of modern German Expressionist cinema, and here he is operating at the top of his form. The spooky atmosphere is so thick you could peel it off the screen in layers. (Try to see this one in the theater.) The creepiness of Kinski's Dracula is equaled only by the classic beauty of Adjani's Lucy. This is the perfect film for Halloween night. The German language version with English subtitles is far superior to the English version, and slightly longer. (The SOUND of the German dialogue actually fits the mood of the film better.) ON A CLEAR DAY YOU CAN SEE FOREVER, 1970, C-129m D: Vincente Minnelli. Barbra Streisand, Yves Montand, Bob Newhart, Larry Blyden, Simon Oakland, Jack Nicholson. Alan Lerner & Burton Lane score. Probablyinspired by the case of BrideyMurphy, this musical is all about hypnosis, past life regression, ESP, reincarnation, and other 'New Age' topics (though 20 years too early). (One wonders how Shirley MacLaine missed starring in this. Yet, one is thankful for small favors.) Streisand is wonderful, especially in the lavish flashback sequences. Montand should have been replaced. Still, the plot's surprising turns are well within the realm of supernatural possibility.
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533 THE SERPENT AND THE RAINBOW, 1988, C-98m D: Wes Craven. Bill Pullman, Cathy Tyson, Zakes Mokae, Paul Winfield, Brent Jennings, Theresa Merritt, Michael Gough. Directed by Wes Craven (famed for his 'Nightmare on Elm Street' series), this is the true story of Wade Davis, an ethnobotanist who is sent to Haiti to bring back the secret of the so-called Zombie drug, tetrodotoxin. But the local practitioners of 'Voodoo' don't yield their secrets too easily and, before it's all over, Davis finds himself a victim of the drug -- which gives Craven carte blanche for the wonderful special effects he's famous for. Like 'The Believers', this film unfortunately shows the native religion (Voudoun) primarily in a negative light. Still, at times it manages to capture its beauty, mystery and innocence, especially in the festival scenes when the entire village spends the night asleep in a candle-lighted forest. 7 FACES OF DR. LAO, 1964, C-100m D: George Pal. Tony Randall, Barbara Eden, Arthur O'Connell, John Ericson, Kevin Tate, Argentina Brunetti, Noah Beery, Jr., Minerva Urecal, John Qualen, Lee Patrick, Royal Dano. For people who think that decent fantasy films are a recent development, this movie is going to come as a delightful surprise. The special effects and gentle magic of director George Pal was the perfect means of bringing the Charles Finney classic 'The Circus of Dr. Lao' to the screen. Randall, in a tour de force performance of six roles, is the mysterious Chinese guru, Dr. Lao, whose travelling circus changes the course of history for a small Western town. For the better. A lovely and funny film with a spiritual dimension that would appeal to every Pagan. Nice musical score by Leigh Harline combines Western and Oriental music. SILENT RUNNING, 1971, C-89m D: Douglas Trumbull. Bruce Dern, Cliff Potts, Ron Rifkin, Jesse Vint. Should be subtitled 'Druidsin Spaaaaace!!!' Aboard thedeep space ship Valley Forge, the very talented Bruce Dern (in his most likable film role ever) battles to save the last vestiges of the Earth's forests. Special effects by the team that created '2001'. And a brilliant musical score by Peter Schickele (whose better-known comic persona is P.D.Q. Bach), sung by Joan Baez. SLEEPING BEAUTY, 1959, C-75m D: Clyde Geronimi. Voices of Mary Costa, Bill Shirley, Elinor Audley, Verna Felton, Barbara Jo Allen, Barbara Luddy. The all-time masterpiece of the animator's art, this is the most lavish and most expensive (by contemporary standards) animated feature ever done by Disney studios. The uninitiated may babble about 'Fantasia', but the true cognoscente of animation know that THIS is the apogee of the art form. From the lush color stylings (heavy use of greens and purples), to the elegantly stylized backgrounds, to the figure of Maleficent (designed by Marc Davis), to a fire-breathing dragon that wasn't equaled until 'Dragonslayer', this film is superb. Voice work by Audley and Felton is outstanding. The film should also serve as a textbook example of how to adapt a classical score (Tchaikovsky's 'Sleeping Beauty Ballet') to a movie soundtrack. Never has it been done better. See it. One last consideration: this was filmed in the extra-wide-screen Technerama process, and naturally loses a lot when transferred to video. Try to see this in a theater. One with a BIG screen and a state-of-the-art sound system. You will be amazed.
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534 SOMETHING WICKED THIS WAY COMES, 1983, C-94m D: Jack Clayton. Jason Robards, Jonathan Pryce, Diane Ladd, Pam Grier, Royal Dano, Shawn Carson, Vidal Peterson, Mary Grace Canfield, James Stacy, narrated by Arthur Hill. RayBradbury's fantasy novel is brought tothe screen by a director who understands it. This is a mood piece, and it's done to perfection. It all takes place in that strange twilight halfway between children's make-believe and the world of the supernatural. You're never quite sure which it is. Jonathan Pryce is utterly mesmerizing as the sinister Mr. Dark, leader of a mysterious travelling carnival. He has so much screen presence you can barely take your eyes off him. I haven't seen an actor in such total control of a role since Gene Wilder did 'Willy Wonka'. An added bonus is that Bradbury himself wrote the screenplay, and it shows. It's a real cut above the insipid screenplays we're all used to. STAR WARS, 1977, C-121m D: George Lucas. Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, voice of James Earl Jones (as Darth Vader) Despite the spaceships and high-tech doodads, this is really more fantasy than science fiction. And the reliance which director George Lucas placed in the theories of Joseph Campbell help shape a story that is very near to myth. The other two movies in the trilogy, 'The Empire Strikes Back' and 'Return of the Jedi' are also important. The main interest to most Pagans lies in the mystical sub-motif of 'the Force', a kind a 'mana' that is ethically neutral, but may be used in magic for either good (as evidenced by Obi Wan Kenobe) or evil (as evidenced by Darth Vader). In the second film, it is the great Jedi Master, Yoda (created by Muppet masters, Jim Henson and Frank Oz), who teaches us most about the Force. This is pure magic. THE WATCHER IN THE WOODS, 1980, C-84 D: John Hough. Bette Davis, Carroll Baker, David McCallum, Lynn-Holly Johnson, Kyle Richards, Ian Bannen, Richard Pasco. What I wouldn't giveto have seen thisas a teenager! Johnson stars as a girl whose family has just rented an old English country house, where she is haunted by the image of a young girl who disappeared years ago. During a strange seance-type initiation ritual. In the ruins of an old chapel. During a freak lightning storm. During an eclipse. The subtext is so thick you could cut it with a knife. Even though such elements remain unstated, for those of us interested in power points, ley lines, and astronomical alignments, this movie is a real treat. Someone Knew Something! Sadly, the end is badly flawed. But no matter, because the fun is in the getting there. A delightful cast, and great atmosphere throughout, make this film special. THE WICKER MAN, 1973-British, C-95m D: Robin Hardy. Edward Woodward, Christopher Lee, Britt Ekland, Diane Cilento, Ingrid Pitt, Lindsay Kemp. Based on the Anthony Shaffer thriller,this movie is a favorite of most Pagans. The plot concerns a police sergeant (Woodward) sent to investigate the disappearance of a young girl, on a small island off the coast of Scotland. There he finds a completely Pagan society. Local color and beautiful folk music enhance the most loving portrayal of a Pagan society ever committed to film. Unfortunately, in the end, the Pagans are 'revealed' to be the requisite bad guys. If you can overlook the ending, however, this is fine movie. Every Pagan I know who's seen it wants to move to Summer Isle immediately. WILLOW, 1988, C-125m D: Ron Howard. Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh,
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535 Patricia Hayes, Billy Barty, Pat Roach, Gavan O'Herlihy. Despitethe story byGeorge Lucas, thisis NOT the'Star Wars' of the fantasy genre. Too derivative (especially Mad Martigan, who is a Han Solo clone). Still, the film has a lot to say about magic, and Davis gives a delightful performance. Jean Marsh is terrific as the evil Queen Bavmorda (in a role that almost parallels her role as Queen Mombi in 'Return to Oz'). And the scene in which Chirlindrea appears to Willow in the forest is as close to an epiphany of the Goddess as I've ever seen on film. That scene alone is worth the admission price. WINDWALKER, 1980, C-108m D: Keith Merrill. Trevor Howard, Nick Ramus, James Remar, Serene Hedin, Dusty Iron Wing McCrea. This is the best cowboy-and-Indian movie I've ever seen. Mainly because there are no cowboys in it. It is pure Native American. Trevor Howard is incredible as the old Indian chief who returns from the dead in order to protect his family, and restore to it a lost son, a twin who was stolen at birth by an enemy tribe. This film FEELS more like genuine Native American than any other I can think of. The Utah mountain scenery is breath-taking. Costuming (mostly furs) is authentic. And dialogue is actually in the Cheyenne and Crow languages, with English subtitles. And there's enough mysticism (especially in the old Indian's relationship with his horse) to please any Pagan audience. WIZARDS, 1977, C-80m D: Ralph Bakshi. Voices of Bob Holt, Jesse Wells, Richard Romanus, David Proval, Mark Hamill. Post-holocaust scenario withthe forcesof evil technologyled bythe wizard Blackwolf arrayed against the forces of benevolent magic led by the wizard Avatar. With background stylings a la Roger Dean, and character design that borrows from Vaughn Bode, this is tongue-in-cheek wizardry at its finest. The character of Elinor, a faery nymph, is a complete success -- a milestone in adult animation. Great voice work and nice music. And who is that wonderful (uncredited) narrator??? XANADU, 1980, C-88m D: Robert Greenwald. Olivia Newton-John, Michael Beck, Gene Kelly, James Sloyan, Dimitra Arliss, Katie Hanley. Yeah, yeah, I know. On one level, it's just Olivia Newton-John on roller-skates. But on another level, it is the story of how one of the nine muses of classical mythology (Terpsichore) comes down from Olympus to inspire a young artist. On yet a third level, it is the biggest Hollywood musical produced since the golden years of MGM. And it works well on all counts. The brilliant musical score (including several chart-toppers) is provided by the Electric Light Orchestra's Jeff Lynne, and Olivia does them up proper. Gene Kelly might not dance as well as he once did, but he can still charm as well. And did anyone notice that's Sandahl Bergman leading the muses in dance? As if that weren't enough, the film includes a delightful animated segment that marked the debut for Don Bluth studios, which later gave us 'The Secret of NIHM' and 'An American Tail'. 536 C A N D L E M A S by Gwydion Cinhil Kirontin It seems quite impossible that the holiday of Candlemas should be considered the beginning of Spring. Here in the heartland, February 2nd may see a blanket of snow mantling the Mother. Or, if the snows have gone, you may be sure the days are
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filled with drizzle, slush, and steel-grey skies -- the dreariest weather of the year. In short, the perfect time for a Pagan Festival of Lights. And as for Spring, although this may seem a tenuous beginning, all the little buds, flowers and leaves will have arrived on schedule before Spring runs its course to Beltane. "Candlemas" is the Christianized name for the holiday, of course. The older Pagan names were Imbolc and Oimelc. "Imbolc" means, literally, "in the belly" (of the Mother). For in the womb of Mother Earth, hidden from our mundane sight but sensed by a keener vision, there are stirrings. The seed that was planted in her womb at the solstice is quickening and the new year grows. "Oimelc" means "milk of ewes", for it is also lambing season. The holiday is also called "Brigit's Day", in honor of the great Irish Goddess Brigit. At her shrine, the ancient Irish capital of Kildare, a group of 19 priestesses (no men allowed) kept a perpetual flame burning in her honor. She was considered a goddess of fire, patroness of smithcraft, poetry and healing (especially the healing touch of midwifery). This tripartite symbolism was occasionally expressed by saying that Brigit had two sisters, also named Brigit. (Incidentally, another form of the name Brigit is Bride, and it is thus She bestows her special patronage on any woman about to be married or handfasted, the woman being called "bride" in her honor.) The Roman Catholic Church could not very easily call the Great Goddess of Ireland a demon, so they canonized her instead. Henceforth, she would be "Saint" Brigit, patron saint of smithcraft, poetry, and healing. They "explained" this by telling the Irish peasants that Brigit was "really" an early Christian missionary sent to the Emerald Isle, and that the miracles she performed there "misled" the common people into believing that she was a goddess. For some reason, the Irish swallowed this. (There is no limit to what the Irish imagination can convince itself of. For example, they also came to believe that Brigit was the "foster-mother" of Jesus, giving no thought to the implausibility of Jesus having spent his boyhood in Ireland!) Brigit's holiday was chiefly marked by the kindling of sacred fires, since she symbolized the fire of birth and healing, the fire of the forge, and the fire of poetic inspiration. Bonfires were lighted on the beacon tors, and chandlers celebrated their special holiday. The Roman Church was quick to confiscate this symbolism as well, using "Candlemas" as the day to bless all the church candles that would be used for the coming liturgical year. (Catholics will be reminded that the following day, St. Blaise's Day, is remembered for using the newly-blessed candles to bless the throats of parishioners, keeping them from colds, flu, sore throats, etc.) The Catholic Church, never one to refrain from piling holiday upon holiday, also called it the Feast of the Purification of the 537 Blessed Virgin Mary. (It is surprising how many of the old Pagan holidays were converted to Maryan Feasts.) The symbol of the Purification may seem a little obscure to modern readers, but it has to do with the old custom of "churching women". It was believed that women were impure for six weeks after giving birth. And since Mary gave birth at the winter solstice, she wouldn't be purified until February 2nd. In Pagan symbolism, this might be re-translated as when the Great Mother once again becomes the
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Young Maiden Goddess. Today, this holiday is chiefly connected to weather lore. Even our American folk-calendar keeps the tradition of "Groundhog's Day", a day to predict the coming weather, telling us that if the Groundhog sees his shadow, there will be "six more weeks" of bad weather (i.e., until the next old holiday, Lady Day). This custom is ancient. An old British rhyme tells us that "If Candlemas Day be bright and clear, there'll be two winters in the year." Actually, all of the cross-quarter days can be used as "inverse" weather predictors, whereas the quarter- days are used as "direct" weather predictors. Like the other High Holidays or Great Sabbats of the Witches' year, Candlemas is sometimes celebrated on it's alternate date, astrologically determined by the sun's reaching 15-degrees Aquarius, or Candlemas Old Style (this year, February 6th). Another holiday that gets mixed up in this is Valentine's Day. Ozark folklorist Vance Randolf makes this quite clear by noting that the old-timers used to celebrate Groundhog's Day on February 14th. Once again, this shows the resultant confusion of calendar changes and "lost days" that have accumulated down the centuries. For modern Witches, Candlemas O.S. may be seen as the Pagan version of Valentine's Day, with a de-emphasis of "hearts and flowers" and an appropriate re-emphasis of Pagan carnal frivolity. This also re-aligns the holiday with the ancient Roman Lupercalia, a fertility festival held at this time, in which the priests of Pan ran through the streets of Rome whacking young women with goatskin thongs to make them fertile. The women seemed to enjoy the attention and often stripped in order to afford better targets. One of the nicest folk-customs still practiced in many countries, and especially by Witches in the British Isles and parts of the U.S., is to place a lighted candle in each and every window of the house, beginning at sundown on Candlemas Eve (February 1), allowing them to continue burning until sunrise. Make sure that such candles are well seated against tipping and guarded from nearby curtains, etc. What a cheery sight it is on this cold, bleak and dreary night to see house after house with candle-lit windows! And, of course, if you are your Coven's chandler, or if you just happen to like making candles, Candlemas Day is the day for doing it. Some Covens hold candle-making parties and try to make and bless all the candles they'll be using for the whole year on this day. 538 Other customs of the holiday include weaving "Brigit's crosses" from straw or wheat to hang around the house for protection, performing rites of spiritual cleansing and purification, making "Brigit's beds" to ensure fertility of mind and spirit (and body, if desired), and making Crowns of Light (i.e. of candles) for the High Priestess to wear for the Candlemas Circle, similar to those worn on St. Lucy's Day in Scandinavian countries. All and all, this is certainly one of the prettiest holidays celebrated in the Pagan seasonal calendar. 539 OPENING THE CIRCLE
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The High Priestess goes to each of the four directions in turn, and draws a Banishing Pentacle, saying, Guardians of the East (South, West, North), Powers of Air (Fire, Water, Earth), we thank you For joining in our circle And we ask for your blessing As you depart May there be peace between us Now and forever. Blessed be. She raises her athame to the sky and touches it to the earth, then opens her arms and says, The circle is open, but unbroken, May the peace of the Goddess Go in your hearts, Merry meet, and merry part. And merry meet again. Blessed be. 540 Ritual of Casting Sacred Circle Many times we are asked "how do you cast a circle ?" There are so many different was that this can be done. Differs from each Tradition to the next. Even within our own Avaloian Tradition we make improvisions on this. The main factor is to cast a sacred space. A space that separates this world from the other. A space that we ourselves make holy. And that is what is important. A space that you set aside from all else, to glorify and exalt. For you are the one casting, cleansing, purifying, and setting it aside from all else. Before you cast, one should make sure of the intent of casting. Ask yourself why you are doing it. Once you have this the gathering is made easier. If you are doing this with a group of people One must be chosen to be the Lord or Lady. The Lord or Lady usually has one person who waits them. This is not to say the Lord or Lady is higher than they, but the fact that they shall be the God/dess incarnate. You may also do this solitary. Depending on the amount tending. The Lord/Lady has the sword brought to them. All else are standing outside where the circle is to be cast. The Lord/Lady takes the sword and walk deosil (clockwise) around the space to be cast. The wait has a small bell with them. Beginning at the East, the sword, in a non-threatening manner, is raised. The wait rings the bell. All fill fall silent. Moving clockwise the Lord/Lady salute each direction. If there are four novices present each will stand to the directions as the Lord/Lady passes. Lord/Lady: Let all those that wish to partake enter ye now ! (the bell is rung) Everyone enters by stepping forward (no actual circle has been cast yet) Wait: My Lord/Lady all those that wish to partake in this Magickal Rite are now present. I pray you, cast the Sacred Circle. Lord/Lady: What thou doth sees makes here this night, shall be forever within this circle. So Mote It Be !
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(When anyone speaks the So Mote It Be or Blessed Be, all shall repeat it) Again at the East, the Lord/Lady takes the sword and draws within the ground or upon the floor the circle saying as the pass... "I draw this magick circle let no evil or ill will cross its mark." Once the Lord/Lady has reached the East again, They take the sword and place it upon the shoulders of the novice, and says... "be thou the guardian of this gate... I call I summon I stir oh ye spirits of Air, come forth now I pray thee and witness our Rite. So Mote It Be !" The Guardian answers: I am he/she the guardian, no evil or ill will shall pass by me, My Lord/Lady. the Wait rings the bell The Lord/Lady goes to each quarter and perform the same, on each guardian. The Wait will ring the bell as each guardian answers. Once the quarters are called the Lord/Lady goes to the center of the circle as the Wait preforms the cleansing of the circle with salt and water. 541 Incense can be used instead of salt and water mixture. The Lord/Lady summons the spirit of the Great Lady and the Great Lord by saying.... Great Lady witness now your children who stand before you in Perfect Love and Perfect Trust. Standing East, with the censer the Lord/Lady says.... Great Maiden Come To Us..... All repeat.... Standing South, with the torch or candle the Lord/Lady says.... Great Mother Come To Us.... All repeat... Standing West, with chalice of wine or water, the Lord/Lady says... Ancient Queen of Wisdom Come To Us.... All repeat... Standing North, with the salt, the Lord/Lady says.... Brother Come To Us... All Repeat... Drumming, rattles, any form of music making can be added to this. As you can take note there really isn't any particular God or Goddess called, this is the Avaloian Tradition. All Gods are one God, all Goddesses are one Goddess. So there is the very basic beginnings of Magical Workings... you can take it from here..... Do What Thou Wilt, Save Harm None, Shall Be the Whole. Bright Blessing... Lord OberRon Knight of the Sacred Light
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542 LOOKING AT YOURSELF before you go a step further, take a good long look at your desires, motivation and skills. What role do you see yourself playing in this new group? "Ordinary" member? Democratic facilitator? High Priestess? And if the last -- why do you want the job? The title of High Priestess and Priestess are seductive, conjuring up exotic images of yourself in embroidered robes, a silver crescent (or horned helm) on your brow, adoring celebrants hanging on every word which drops from your lips... Reality check. The robes will be stained with wine and candle wax soon enough, and not every word you speak is worth remembering. A coven leader's job is mostly hard work between rituals and behind the scene. It is not always a good place to act out your fantasies, because the lives and well-being of others are involved, and what is flattering or enjoyable to you man not be in their best interest. So consider carefully. If your prime motive is establishing a coven is to gain status and ego gratification, other people will quickly sense that. If they are intelligent, independent individuals, they will refuse to play Adoring Disciple to your Witch Queen impressions. They will disappear, and that vanishing act will be the last magick they do with you. And if you do attract a group ready to be subservient Spear Carriers in your fantasy drama -- well, do you really want to associate with that kind of personality? What are you going to do when you want someone strong around to help you or teach you, and next New Moon you look out upon a handful of Henry Milquetoasts and Frieda Handmaidens? If a person is willing to serve you, the they will also become dependent on you, drain your energy, and become disillusioned if you ever let down the Infallible Witch Queen mask for even a moment. Some other not-so-great reasons for starting a coven: a) because it seems glamorous, exotic, and a little wicked; b) because it will shock your mother, or c) because you can endure your boring, flunky job more easily if you get to go home and play Witch at night. Some better reasons for setting up a coven, and even nomination yourself as High Priest/ess, include: a) you feel that you will be performing a useful job for yourself and others; b) you have enjoyed leadership roles in the past, and proven yourself capable; or c) you look forward to learning and growing in the role. Even with the best motives in the world, you will still need to have -- or quickly develop -- a whole range of skills in order to handle a leadership role. If you are to be a facillitator of a study group, group process insights and skills are important. These include: 543
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1) Gatekeeping, or guiding discussion in such a way that everyone has an opportunity to express ideas and opinions; 2) Summarizing and clarifying; 3) Conflict resolution, or helping participants understand points of disagreement and find potential solutions which respect everyone's interests; 4) Moving the discussion toward consensus, or at any rate decision, by identifying diversions and refocussing attention on goals and priorities; and 5) Achieving closure smoothly when the essential work is complected, or an appropriate stopping place is reached. In addition to group process skills, four other competencies necessary to the functioning of a coven are: ritual leadership, administration, teaching, and counseling. In a study group the last one may not be considered a necessary function, and the other three may be shared among all participants. But in a coven the leaders are expected to be fairly capable in all these areas, even if responsibilities are frequently shared or delegated. Let us look briefly at each. Ritual leadership involves much more that reading invocations by candlelight. Leaders must understand the powers they intend to manipulate: how they are raised, channeled and grounded. They must be adept at designing rituals which involve all the sensory modes. They should have a repertoire of songs and chants, dances and gestures or mudras, incense and oils, invocations and spells, visual effects and symbols, meditations and postures; and the skill to combine these in a powerful, focused pattern. They must have clarity of purpose and firm ethics. And they must understand timing: both where a given ritual fits in the cycles of the Moon, the Wheel of the Year, and the dance of the spheres, and how to pace the ritual once started, so that energy peaks and is channeled at the perfect moment. And they must understand the Laws of Magick, and the correspondences, and when ritual is appropriate and when it is not. By administration, we refer to basic management practices necessary to any organization. These include apportioning work fairly, and following up on its progress; locating resources and obtaining them (information, money, supplies); fostering communications (by telephone, printed schedules, newsletters etc.); and keeping records (minutes, accounts, Witch Book entries, or ritual logbook). Someone or several someone's has to collect the dues if any, buy the candles, chill the wine, and so forth. 544 Teaching is crucial to both covens and study groups. If only one person has any formal training or experience in magick, s/he should transmit that knowledge in a way which respects the intuitions, re-emerging past life skills, and creativity of the others. If several participants have some knowledge in differing areas, they can all share the teaching role. If no one in the group has training and you are uncertain where to begin, they you may need to call on outside resources: informed and ethical priest/esses who can act as visiting faculty, or who are willing
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to offer guidance by telephone or correspondence. Much can be gleaned from books, or course -- assuming you know which books are trustworthy and at the appropriate level -- but there is no substitute for personal instruction for some things. Magick can be harmful if misused, and an experienced practitioner can help you avoid pitfalls as well as offering hints and techniques not found in the literature. Counseling is a special role of the High Priest/ess. It is assumed that all members of a coven share concern for each other's physical, mental, emotional and spiritual welfare, and are willing to help each other out in practical ways. However, coven leaders are expected to have a special ability to help coveners explore the roots of their personal problems and choose strategies and tactics to overcome them. This is not to suggest that one must be a trained psychoanalyst; but at the least, good listening skills, clear thinking and some insight into human nature are helpful. Often, magickal skills such as guided visualization, Tarot counseling and radiasthesia (pendulum work) are valuable tools as well. Think carefully about your skills in these areas, as you have demonstrated them in other organizations. Ask acquaintances or co-workers, who can be trusted to give you a candid opinion, how they see you in some of these roles. Meditate, and decide what you really want for yourself in organizing the new group. Will you be content with being a catalyst and contact person -- simply bringing people with a common interest together, then letting the group guide its destiny from that point on? Would you rather be a facillitator, either for the first months or permanently: a low- key discussion leader who enables the group to move forward with a minimum of misunderstanding and wasted energy? Or do you really want to be High Priestess -- whatever that means to you -- and serve as the guiding spirit and acknowledged leader of a coven? And if you do want that job, exactly how much authority and work do you envision as part of it? Some coven leaders want a great deal of power and control; others simply take an extra share of responsibility for setting up the rituals (whether or not they actually conduct the rites), and act as "magickal advisor" to less experienced members. Thus the High Priest/ess can be the center around which the life of the coven revolves, or primarily an honorary title, or anything in between. 545 That is one area which you will need to have crystal-clear in your own mind before the first meeting (of if you are flexible, at least be very clear that you are). You must also be clear as to your personal needs on other points: program emphasis, size, meeting schedule, finances, degree of secrecy, and affiliation with a tradition or network. You owe it to prospective members and to yourself to make your minimum requirements known from the outset: it can be disastrous to a group to discover that members have major disagreements on these points after you have been meeting for six months. 546 BLOOD SACRIFICE by Althea Whitebirch We have all moved through periods of crisis in our lives; things
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ranging from the sublime to the ridiculous, from the death of someone close to us to final exams. Events which are extremely stressful--which threaten our lives, home, future or security--would seem t call for strong measures of assistance. There have been many times that I have felt that the course of events required swift and strong intervention of a deity. Blood sacrifice is, to my mind, one of the more powerful magics one could perform, and so seemed particularly suitable for this. But it's rather ethically sticky. I may feel that the kind of energy contained in the outpouring of blood would be most efficacious in a serious situation, but I'm dead-set against the use of an unwilling victim for the purpose. So, in the past I've spilled my own blood with an athame, at the same time offering up prayers; it just didn't seem to work as well as I thought it would. Perhaps, I thought, one needs lots of blood to generate any appreciable amount of energy. Then a friend suggested what seemed the perfect solution--blood donation! I'd been giving blood for several years and the thought just never had occurred to me before. So the next time I went in to donate, I approached it as ritual sacrifice for a particular purpose, and both the process and results seemed to be much improved. Since then I've gone to donate blood many times, each time with a prayer for healing for the recipient of my blood, and a request for aid from the deity that seemed most appropriate. For those of you who've never donated blood before, I can provide a few details of the process. It's not very frightening, and it can be a very spiritually moving experience, I'll tell you! As well, remember that you don't sell blood (at least not in Puget Sound), you donates it. You can sell plasma--the straw-colored fluid that makes up the bulk of your blood--but not blood itself. The first time you go in you'll fill out a medical questionnaire: the Puget Sound Blood Bank doesn't want your blood if you're ill right then (or just getting over something), taking certain medications, ever had hepatitis or malaria, or are in a high-risk category for contracting AIDS (Haitian, homosexual, needle-using drug user or prostitute). If you have any questions, they'll be happy to answer them. After you fill out the questionnaire, they'll take your blood pressure and a blood sample (like sticking your finger with a pin) to test your hemocrit (% of hemoglobin) as well as determining what type your blood is. If your hemocrit count isn't high enough they'll send you home. Nowadays, all blood is sent to a lab to be tested for presence of AIDS anti-bodies as well; if you test positive they'll notify you by mail. You'll be asked if you've eaten in the last four hours, and if not, sent to the canteen for cookies and juice. 547 Then comes the fun part--you go lie down on a table where a phlebo- tomist (who draws the blood) asks you some questions, verifies your name, and then sets you up to donate. They tie a rubber hose around your arm, so the vein will stand out and be easy to find. They use cold liquid ethyl chloride on your arm, to numb it where the needle goes in. I won't say that it doesn't hurt when the needle is inserted--it does but it's tolerable--when it's in place though, you'll hardly know it's there. (You may get the idea from all this that I'm a stoic--hardly! I'm a wimp when it comes to pain, but this I can handle.) At this time they'll leave you there for up to five minutes while you clench and relax your hand (to keep the blood from clotting) and the blood flows into a little plastic bag. It's warm and red, and rather reassuring,
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really. At this time you can get into some really serious prayer, or hum a little healing chant for the person your blood's going to. (I once was doing this and got a flash image of a little boy, a burn victim. I always wondered who got my blood that day.) I wouldn't recommend getting too spaced-out though; remember you've got to be able to return to yourself when you want to, and the physical effects of giving blood can make some people light-headed or slightly woozie. When they ask you how you're feeling, be honest, not macho. You don't want to embarrass yourself by fainting. Afterwards they'll ask you to have some juice and cookies. By all means, do! For one thing, you've earned them; for another it's impor- tant to replace the fluid and blood sugar you just gave up. Working magic really takes it out of you, too (at least it does me). In my experience, there are several good reasons to use this parti- cular method of blood sacrifice: a) It doesn't require the death of one of the Gods' children. b) It is giving of yourself--for the good of others as well as your own. c) It is safe--the Blood Bank uses sterile instruments and never re-uses needles, so you can't catch anything. d) You have the added benefit of being able to see the blood as it's being given (somehow that adds to my experience), and a pint is a lot more than I've ever been able to get with a knife! Next time you want to get the Gods' attention, try it! 548 The Grove of Phoenix Rising * FOUR WEEK FAST * FIRST WEEK * If you normally eat meat, begin to eliminate it from your diet during this first week. If you feel you must eat it, eat a small amount and no more than 3 times during the week. * Eliminate all alcoholic beverages, carbonated beverages (except for bottled waters such as Artesia, etc.), and diet drinks. Substitute fruit juices or fruit drinks. * Refrain from smoking (anything), or using any other intoxicants. * Cut way back on any other stimulants, such as coffee or tea or cocoa. No more than three cups a day if you are a heavy coffee or tea drinker. * Use as little salt as possible and no other spices. * Refrain from sweets - cakes, pies, candy. * Drink large amounts of fluids, especially water. * * SECOND WEEK * Eliminate meat entirely. Substitute dairy products - IN MODERATION. * Continue to limit intake of stimulants (coffee, tea, cocoa), cutting back to no more than two cups a day. * Continue to avoid tobacco, alcohol, other intoxicants, spices, and soft drinks, and use as little salt as possible.
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* Continue to drink large amounts of water. * Your diet should consist largely of vegetables and grains, with large amounts of liquids. * * THIRD WEEK * Limit intake of stimulants (coffee, tea, cocoa) to one cup a day. * Continue to avoid tobacco, alcohol, other intoxicants, meat, spices, and soft drinks, and use as little salt as possible. * Do not use meat in seasoning vegetables. * Your diet should consist of vegetables and fruits only. Raw vegetables and fruits are best (nuts can be included). Drink large amounts of water and substitute fruit or vegetable juices for meals as often as possible. * FOURTH WEEK (first four days) * 549 Fluids only. Fruit and vegetable juices in desired quantity, cutting back each day. Drink large amounts of water. If you feel you must have coffee, limit it to a cup a day (a half cup if possible). * If you feel you must have something the first day or so of this week, a small handful of raisins or other dried fruit may be taken. Nibble slowly. As the week progresses, continue to cut back on nibbles and the amount of juice taken. A spoonful of honey added to hot water helps satisfy the craving for hot beverages and gives you an energy boost. * * THE FAST * The fast should last for three days. It is best to do this on a weekend and if possible, alone and in the woods. (Go camping!) * Drink lots of water and if you feel the need for an energy stimulant, a small amount of honey may be added to hot water. * Spend as much time as possible in meditation. This period should sooth your spirit as well as cleanse your body. RELAX! * You will probably want to sleep a lot. Do so. Allow yourself to drift with your thoughts. Do not attempt to solve your problems during this time. They will solve themselves later, for your mind will be clearer after the fast is over. * Most people feel great the first day, a little weakness the second day, and great again on the third day. * * AFTER THE FAST * Eat lightly for your first meal after the fast. It is best to begin
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by returning to fruit and vegetable juices and working your slowly into solid foods over a few days. * * THE MOST IMPORTANT THING TO REMEMBER IS TO DRINK LARGE AMOUNTS OF WATER ALL THE WAY THROUGH! This flushes out toxins the body is releasing. 550 THE ANCIENT ART Once upon a time, a long time ago, there were people who believed in laughter, joy and love. They believed in many deities, but the most important to them was their Great Mother Goddess. They believed in and lived with the powers of Nature. They reveled in the Wind, the Rain, the Snow and the Sunlight. They marveled at and revered the changing of the seasons and saw therein great excitement and wisdom to be gained. They knew that if they tended, cared for and loved the Earth, in return She would provide for, care for and love them. They saw that all around them the world was filled with Life, much as their own but in many different and wonderful forms. They felt the life of the flowers, plants and trees and respected them for that life essence. They looked about and observed all the many types of animals and saw that they were kindred to them and loved them. They felt and observed the great Love of the Goddess all about them and knew kinship with the Moon. They were practioners of The Old Religion, worshipers of The Great Mother. Witch! The very word instantly invokes visions for each of us, visions which vary greatly from individual to individual. Many of these visions, however, are quite false, brought about by many centuries of severe persecutions, misrepresentations, prejudice and, in recent years, lack of knowledge. Witchcraft! What is it really? Witchcraft is the oldest, most irrepressible religion in the world because it stimulates the intellect, promotes a simple, practical way of life and, most importantly, is emotionally satisfying. Its roots lie in the ancient Matriarchal systems of Goddess worship. A religion of Nature in which the primary deity is female (The Essence of Femininity, The Earth Mother, The Great Mother, etc.). It was easy for the Wise Ones to look at the world around them and see the great importance of Feminine Principle. The female was, indeed, the one who bore the young, perhaps the most magickal of all events to ancient man. Then, she played by far the most important role in rearing the young, being totally responsible for feeding, for without her milk there was no life past birth. She was responsible for the teaching and early care of the young. In all youths the greatest comfort and nurturing love were connected with the mother. These revelations and experiences could hardly lead to any other choice than the total reverence and deification of the female. Although The Great Mother is the most important deity, Witches do, generally, recognize many Goddesses and/or Gods and are, therefore, polytheistic. The tenets of Witchcraft are few but all-encompassing, for with three simple Universal Observations all of life can be explained and understood:
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1) Reincarnation - Mortality 2) Cause & Effect - Magick 3) Retribution - Morality Reincarnation enlightens the Witch to the fact that, as we come 551 to this material world over and over in a series of learning periods, or lifetimes, we will eventually have to experience all things, be all things, understand all things. This creates a great tolerance for other viewpoints in the Witch. Cause & Effect, and an understanding of it, allows the Witch to see what makes the world work and how to live most efficiently. It gives them a great advantage in that it explains the working of Magick. Retribution shows the Witch, in graphic terms, that every thought one might have, every action one may take, is returned in like kind. This realization forms the basis of the Moral Code of the Witch. The Patriarchal Societies which evolved in later times had no tolerance for the Goddess religions and systematically set out to destroy the material vestiges, kill or convert the adherents and wipe out all knowledge of them. They destroyed the temples and other places of worship, desecrated the sacred groves and magickal places, attempted to pervert the old deities, mutilated and totally suppressed sacred art, tore down libraries and burned books, tortured and killed the practitioners of the Old Religions, demeaned, persecuted and oppressed women in general and passed strictly enforced laws which made theirs the State Religion and forbade all other viewpoints. Despite the centuries of insidious persecution, deliberate destruction and perversions at the hands of the Christian Conspirators, Witchcraft has survived. COMMON INQUIRIES I've heard the terms 'White Witch' and 'Black Witch'. Can you explain? In this connotation, white is referring to Positive, Black is referring to Negative. A White Witch then is someone who tries to do Positive or Good things. Black Witch could be a term used to describe someone who deliberately does Negative or Bad things. A True Witch believes in the Law of Retribution and would never deliberately harm anyone or anything or participate in Negative or Destructive acts. 552 Is it possible for me to practice Witchcraft and remain a Christian?
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No. The Christian Doctrine states, unequivocally, that Christians shall have no other Gods before the Christian God. Christian Doctrine says to believe in any other deities or to practice any other religion is not only evil but should be punished by death, specifically naming Witchcraft. The Christian Doctrine also denies Reincarnation and prescribes punishment for those who practice Magick. Devil worship? Witches do not worship the Devil. Witchcraft predates Christianity and does not incorporate a belief in the Christian Devil. The Wise Ones did deify the Masculine Principle and quite often He was depicted as The Great Horned God; Pan, Cernunnos, the Great Stag, The Green Man. To the Traditional Witch, the Masculine Deity (the Goddess' Consort) is very important, revered and loved. He is the perfect Father, the Lord Protector. The Horned God of the Witches is loving, kind and good. Don't men have difficulty with a supreme female deity? There are some groups which give equal status to the female and male deities. Neo-Pagans are, by definition, people who attempt to live with the Old Country Ways in a new, modern day manner. And while, in this modern era, equal status for the deities may be popular, as it relates to Witchcraft it is historically incorrect. Therefore, a group which does not recognize the Goddess as primary deity is not practicing The Ancient Art. Indeed, they, generally, know very little about Witchcraft, despite their claims. Traditional Dualistic Witches do most emphatically believe that women and men are equal, but have no trouble relating to the Goddess. The Male Witch finds great comfort and solace in his Great Mother. Do I have to join a Coven? No. It is not necessary nor is it desirable for a great many people. Some people enjoy the support and companionship a Coven provides, others enjoy solitary worship. The Coven, which is an extremely close knit worship group, may not be possible for some because of location, family climate, availability, etc. 553 Why is Witchcraft secretive? The horror of the 'Burning Time' is still very real to the Witch. The past persecutions were severe. Even so, in today's more enlightened society the need for complete secrecy has lessened and many are able to share their beliefs openly. Very few, however, are willing to expose their very personal and private religious expressions to others who may not understand. What do I have to do to become a Witch?
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The answer to this question is very simple. To become a Witch one must follow the religion of Witchcraft. To do this one must believe in the Goddess as primary deity and follow the three basic tenets. How simple! How uncomplicated! How Pagan! Everything else concerning witchcraft is simply minor details. Details that vary from Aspect to Aspect, Coven to Coven and individual to individual. The details are relatively personal. They should not become more important than the basic tenets. If you do not understand, believe and practice Witchcraft, you are not a Witch. No one can make you a Witch. Reading about it can not make you a Witch. An Initiation can not make you a Witch. Saying you are a Witch, one thousand and fifty two times, can not make you a Witch. In the search for your individual path beware of those who would take advantage of you. Do not fall prey to the unscrupulous charlatans who would swindle you in a monetary sense (mail-order courses, charges for teaching or initiations, vows of poverty, etc.), exploit you sexually or manipulate you for their own personal ego-trips. 554 'Of all forms of caution, caution in love is perhaps the most fatal to true happiness.' -- Bertrand Russell CHARMED, I'M SURE The Ethics of Love Spells ========================= by Mike Nichols * * * * * * * * * * * * * * * To gain the love of someone: On a night of the full moon, walk to a spot beneath your beloved's bedroom window, and whisper his/her name three times to the nightwind. --Ozark love spell * * * * * * * * * * * * * * * It seems tobe an immutable law ofnature. You are interviewedby a local radio or TV station, or in some local newspaper. The topic of the interview is Witchcraft or Paganism, and you spend the better part of an hour brilliantly articulating your beliefs, your devotion to Goddess and nature, the difference between Witchcraft and Satanism, and generally enlightening the public at large. The next day, you are flooded with calls. Is it people complimenting you on such a splendid interview? No. People wanting to find out more about the religion of Wicca? Huh-uh. People who are even vaguely interested in what you had to say??? Nope. Who is it? It's people asking you to do a love spell for them! This used to drive me nuts. I'd take a deep breath and patiently explain (for the thousandth time) why I won't even do love spells for myself, let alone anyone else. This generally resulted in my caller becoming either angry or defensive, but seldom more enlightened. 'But don't you DO magic?', they ask. 'Only occasionally,' I answer. 'And aren't most magic spells love spells?', they persist. That was the line I really hated, because I knew
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they were right! At least, if you look at the table of contents of most books on magic, you'll find more love spells than any other kind. This seems as true for the medieval grimoire as for the modern drugstore paperback. Why? Why so many books containing so many love spells? Why such an emphasis on a kind of magic that I, personally, have always considered very negative? And to make matters even more confusing, the books that do take the trouble of dividing spells between 'positive' and 'negative' magic invariably list love spells under the first heading. After all, they would argue, love is a good thing. There can never be too much of it. Therefore, any spell that brings about love must be a GOOD spell. Never mind that the spell puts a straightjacket on another's free will, and then drops it in cement for good measure. 555 And thatis whyI hadalways assumedlove magicto benegative magic. Years ago, one of the first things I learned as a novice Witch was something called the Witch's Rede, a kind of 'golden rule' in traditional Witchcraft. It states, 'An it harm none, do what thou will.' One uses this rede as a kind of ethical litmus test for a spell. If the spell brings harm to someone -- anyone (including yourself!) -- then don't do it! Unfortunately, this rule contains a loophole big enough to fly a broom through. It's commonly expressed, 'Oh, this won't HARM them; it's really for their own good.' When you hear someone say that, take cover, because something especially nasty is about to happen. That's why I had to develop my own version of the Witch's Rede. Mine says that if a spell harms anyone, OR LIMITS THEIR FREEDOM OF THOUGHT OR ACTION IN ANY WAY, then consider it negative, and don't do it. Pretty strict, you say? Perhaps. But there's another law in Witchcraft called the Law of Threefold Return. This says that whatever power you send out, eventually comes back to you three times more powerful. So I take no chances. And love spells, of the typical make-Bobby-love-me type, definitely have an impact on another's free will. Sowhy are they so common? It's taken me yearsto make peace with this, but I think I finally understand. The plain truth is that most of us NEED love. Without it, our lives are empty and miserable. After our basic survival needs have been met, we must have affection and companionship for a full life. And if it will not come of its own accord, some of us may be tempted to FORCE it to come. And nothing can be as painful as loving someone who doesn't love you back. Consequently, the most common, garden-variety spell in the world is the love spell. Is there ever a way to do a love spell and yet stay within the parameters of the Witch's Rede? Possibly. Some teachers have argued that if a spell doesn't attempt to attract a SPECIFIC person into your life, but rather attempts to attract the RIGHT person, whomever that may be, then it is not negative magic. Even so, one should make sure that the spell finds people who are 'right' for each other -- so that neither is harmed, and both are made happy. Is there ever an excuse for the make-Bobby-love-me type of spell? Without endorsing this viewpoint, I must admit that the most cogent argument in its favor is the following: Whenever you fall in love with someone, you do everything in your power to impress them. You dress nicer, are more attentive, witty, and charming. And at the same time, you unconsciously set in motion some very powerful psychic forces. If you've ever walked into a room where someone has a crush on you, you know what I mean. You can FEEL it. Proponents of this school say that a love spell only takes the forces that are ALREADY there -- MUST be there if you're in
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love -- and channels them more efficiently. But the energy would be there just the same, whether or not you use a spell to focus it. Iwon't attempt to decidethis one for you. People must arrive at their own set of ethics through their own considerations. However, I would call to your attention all the cautionary tales in folk magic about love spells gone awry. Also, if a love spell has been employed to join two people who are not naturally compatible, then one must keep pumping energy into the spell. And when one finally tires of this (and one will, because it is hard work!) then the spell will unravel amidst an emotional and psychic hurricane that will make the stormiest divorces seem calm by comparison. Not a pretty picture. It should be noted that many spells that pass themselves off as love spells are, in reality, sex spells. Not that there's anything surprising 556 in that, since our most basic needs usually include sex. But I think we should be clear from the outset what kind of spell it is. And the same ethical standards used for love spells can often be applied to sex spells. Last year, the very quotable Isaac Bonewits, author of 'Real Magic', taught a sex magic class here at the Magick Lantern, and he tossed out the following rule of thumb: Decide what the mundane equivalent of your spell would be, and ask yourself if you could be arrested for it. For example, some spells are like sending a letter to your beloved in the mail, whereas other spells are tantamount to abduction. The former is perfectly legal and normal, whereas the latter is felonious. One mitigating factor in your decisions may be the particular tradition of magic you follow. For example, I've often noticed that practitioners of Voudoun (Voodoo) and Santeria seem much more focused on the wants and needs of day-to-day living than on the abstruse ethical considerations we've been examining here. That's not a value judgement -- just an observation. For example, most followers of Wicca STILL don't know how to react when a Santerian priest spills the blood of a chicken during a ritual -- other than to feel pretty queasy. The ethics of one culture is not always the same as another. And speaking of cultural traditions, another consideration is how a culture views love and sex. It has often been pointed out that in our predominant culture, love and sex are seen in very possessive terms, where the beloved is regarded as one's personal property. If the spell uses this approach, treating a person as an object, jealously attempting to cut off all other relationships, then the ethics are seriously in doubt. However, if the spell takes a more open approach to love and sex, not attempting to limit a person's other relationships in any way, then perhaps it is more defensible. Perhaps. Still, it might be wise to ask, Is this the kind of spell I'd want someone to cast on me? Love spells. Whether to dothem or not. If you area practitioner of magic, I dare say you will one day be faced with the choice. If you haven't yet, it is only a matter of time. And if the answer is yes, then which spells are ethical and which aren't? Then you, and only you, will have to decide whether 'All's fair in love and war', or whether there are other, higher, metaphysical considerations. 557 DRAWING DOWN THE MOON In this ritual the Goddess becomes incarnate in the High Priestess. The
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High Priestess stands in front of the altar with her back to it. She holds the wand in her right hand and the scrounge in her left. She crosses her wrists and crosses the wand and scrounge above them while holding them close to her breast. The High Priest stands in front of her and says: "Diana, queen of night In all your beauty bright, Shine on us here, And with your silver beam Unlock the gates of dream; Rise bright and clear. On Earth and sky and sea, Your magic mystery Its spell shall cast, Wherever leaf may grow, Wherever tide may flow, Till all be past. O secret queen of power, At this enchanted hour We ask your boon. May fortune's favor fall Upon true witches all, O Lady Moon!" The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. He says, as he does this: "Blessed be thy feet, that have brought thee in these ways. Blessed be thy knees, that shall kneel at the sacred altar. Blessed be thy womb, without which we would not be. Blessed be thy breasts, formed in beauty. Blessed be thy lips, that shall utter the Sacred Names." For the kiss on the lips, they embrace, length to length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips.The High Priest kneels again and invokes: "I invoke thee and call upon thee, Mighty Mother of us all, bringer of all fruitfulness; by seed and root, by bud and stem, by leaf and flower and fruit, bylife and love doI invoke theeto descend uponthe body of this, thy servant and priestess." 558 During this invocation he touches her with his right forefinger on her right breast, left breast, and womb, repeats the set and finally the right breast. Still kneeling, he spreads his arms out and down, with the palms forward and says: "Hail Aradia! From the Amalthean Horn Pour forth thy store of love; I lowly bend Before thee, I adore thee to the end, With loving sacrifice thy shrine adore. Thy foot is to my lip (he kisses her right foot) my prayer up borne Upon the rising incense smoke; then spend Thine ancient love, O Mighty One, descend
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To aid me, who without thee am forlorn." The High Priest stands up and steps backwards. The High Priestess draws the Invoking Pentagram of Earth in the air with the wand and says: "Of the Mother darksome and divine Mine the scrounge, and mine the kiss; The five point star of love and bliss Here I charge you in this sign." The High Priestess should be in a trance now. This is a good time to do the Charge or the Witches' Creed. When the Charge or Creed is finished, the Goddess must be dismissed. It is bad magical practice not to do so. The High Priest faces the Priestess and says: "We thank you Our Lady for attending our rites. We bid you farewell till next we call you. Blessed Be." Farrar, Janet and Stewart; "Eight Sabbats For Witches"; Robert Hale 1983 and dismissal added by Seastrider. Distributed over various BBS systems via Ravensong. 559 CALLING ALL CRONES by Grey Cat Into the dark, the pale light of the waning moon brings forth shapeless shadows; bushes, a wandering stone fieldwall, nameless areas of blackness. Some still, some moving; no night for good folk to stray from cot or castle. Black hares amove across the moors, black cattle idly gossip together, one old woman dressed in black searches the grass for secret herbs. And there amongst the standing stones, age heavy upon their backs, three hags dare all the mercy of God's Holy Mother Church to make the magic of an older race. ``Call old Mother Piggot, she knows the proper words for warts.''... ``Tis Goody Nurse you'll need if it's a son ye want.''... ``Tis naught but an Old Wives Tale.''... ``Don't mind Mother, she hasn't been herself since she went through the Change of Life.'' Looming high over the imagination of humankind, the shadow of the Crone casts a miasma of fear and uselessness, power and casting-- out, across the myths of our race and society. I have talked and talked to women who either have arrived at crone time or who are preparing themselves for this transition and we have found much to talk about. And I think that it is important that we keep right on talking after the season of Gatherings has passed for the year. I have absolutely no interest in trying to start a newsletter for Crones, nor really of founding OWL (Old Woman's League), SOW (Salty Old Women), CRONE (Clearly Rational Older Natural Energy), nor HAG (Honorable Aged Geniuses). However, I, no more than many of you, want to have to wait until next year to get a chance to discuss all these fascinating topics. So how about some suggestions, and perhaps some offers
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of help. Would we like to cooperate in an APAZine* which dispenses with an editing and layout burden, leaving some low-- level bookkeeping which I don't mind doing. Does someone feel like working on a Newsletter? Do we want to form a loose organization as part of or instead of the above? Or are most of us too busy to do anything about this between gatherings? I'll be sending this letter to people I know personally and to many Pagan publications; you'll probably see it often enough to be sick of the whole idea. But there is a lot of magick available in the Time of the Crone. There is a lot of sociological pressure to understand, combat or accept. And there is a whole lot of our lives left for us to function as Crones. If we don't figure out what it is and what to do with it, nobody else will. So write me at the address below (SASE appreciated) and let me know what you think about the whole idea, what you might be willing to do, what insights you may have about Crone Time -- let's figure out what has been left out of all the books. We're already ``Uppity Women'' and we've nothing to lose but a bad rap. (Crones are assumed to be women more or less at the age of menopause or past it. Baby Crones are any who realize that this time is not far away.) Grey Cat P.O. Box 181 Crossville, TN 38555 560 THE ELEMENTS Air Fire Water Earth Akasha Characteristics Transparent, light Force of motion Clear, Heavy Massive Essence Reflective Animator Reflective, Insula. Insulator Multi dimensional Insulator Weightless Absorptive Resists motion Transformative Compressible & Radiative Non- compressible non compress/Expand Compr/Expandable Expandable Compr/Expandable Expandable Endurance Endurance, mobile Moveable, Mutable Non-mutable Smooth flowing Stable, solid Highly mutable Malleable Storable Malleable/mutable Non-mutable malleable, balanced, Male, Penetrating Male,Penetrating Female,Receptive Receptive-to water Transcends E,A,F,W Mediator Evaporates water Mediator Female yet immanent Reacts to Energy for movement by Carries Fire Renews and Carries Fire air Air & Earth nourishes Non-local Essence Logos, switching Power, force Act of choosing Underlying Underlying, mechanism prime mover Intuitive Stability connecting all Energy Flow Crown down Spine behind Front to heart Base of spine up Non local