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Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE INTERNATIONAL MAGAZINE Of Literature, Art, and Science. Vol. V.--NEW-YORK, MARCH 1, 1852--No. III. [Illustration] THE AZTECS AT THE SOCIETY LIBRARY. For several weeks the attention of the curious has been more and more attracted to a remarkable ethnological exhibition at the Society Library. Two persons, scarcely larger than the fabled gentlemen of Lilliput, (though one is twelve or thirteen and the other eighteen years of age), of just and even elegant proportions, and physiognomies striking and peculiar, but not deficient in intellect or refinement, have been visited by throngs of idlers in quest of amusement, wonder-seekers, and the profoundest inquirers into human history. Until very recently, Mexico was properly described as _Terra Incognita_. The remains of nations are there shrouded in oblivion, and cities, in their time surpassing Tadmor and Thebes, untrodden except by the jaguar and the ocelot. A few persons, indeed, attracted by uncertain rumors of ancient grandeur in Palenque, have visited her temples and tombs-- There to track Fallen states and empires o'er a land Which was the mightiest in her high command, And is the loveliest-- but no one has been found to read the hieroglyphics of Tolteca, to disclose the history of the dwellers in Anahuac, to make known the annals of the rise and fall of Tlascala, Otumba, Copan, or Papantla. In the great work of Lord Kingsborough are collected many important remains of Mexican and Aztec art and learning; Mr. Prescott has combined with a masterly hand the traditions of the country; and Mr. Stevens and Mr. Squier have done much in the last few years to render us familiar with the more accessible and probably most significant ruins which illustrate the civilization of the race subdued by the Spaniards; but still Central America is unexplored. In the second volume of the work of Mr. Stevens, he mentions that a Roman Catholic priest of Santa Cruz del Quiche told him marvellous stories of a "large city, with turrets white and glittering in the sun," beyond the Cordilleras, where a people still existed in the condition of the subjects of Montezuma. He proceeds: "The interest awakened in us, was the most thrilling I ever experienced. One look at that city, was worth ten years of an every-day life. If he is right, a place is left where Indians and a city exist, as Cortez and Alvarado found them; there are living men who can solve the mystery that hangs over the ruined cities of America; who can, perhaps, go to Copan and read the inscription on its monuments. No subject more exciting and attractive presents itself to any mind, and the deep impression in my mind will never be effaced. Can it be true? Being now in my sober senses, I do verily believe there is much ground to suppose that what the Padre told us is authentic. That the region referred to does not acknowledge the government of Gautamala, and has never been explored, and that no white man has ever pretended to have entered it; I am satisfied. From other sources we heard that a large _ruined_ city was visible; and we were told of another person who had climbed to the top of the sierra, but on account of the dense clouds rising upon it, he had not been able to see any thing. At all events, the belief at the village of Chajul is general, and a curiosity is aroused that burns to be satisfied. We had a craving desire to reach the mysterious city. No man if so willing to peril his life, could undertake the enterprise, with any hope of success, without hovering for one or two years on the borders of the country, studying the language and character of the adjoining Indians, and making acquaintance with some of the natives. Five hundred men could probably march directly to the city, and the invasion would be more justifiable than any made by Spaniards; but the government is too much occupied with its own wars, and the knowledge could not be procured except at the price of blood. Two young men of good constitution, and who could afford to spend five years, might succeed. If the object of search prove a phantom, in the wild scenes of a new and unexplored country, there are other objects of interest; but, if real, besides the glorious excitement of such a novelty, they will
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Produced by Nick Hodson of London, England In the Whirl of the Rising, by Bertram Mitford. ________________________________________________________________________ ________________________________________________________________________ IN THE WHIRL OF THE RISING, BY BERTRAM MITFORD. PROLOGUE. "You coward!" The word cut crisply and sharp through the clear frosty air, lashing and keen as the wind that stirred the crystal-spangled pines, and the musical ring of skate-blades upon the ice-bound surface of the mere. She who uttered it stood, her flower-like face and deep blue eyes all a-quiver with contemptuous disgust. He to whom it was addressed, started, blenched ever so slightly, his countenance immediately resuming its mask of bronze impassibility. Those who heard it echoed it, secretly or in deep and angry mutter, the while proceeding with their task--to wit, the restoring of animation to a very nearly drowned human being, rescued, at infinite risk, from the treacherous spring hole which had let him through the surface of the ice. "Say it again," was the answer. "It is such a kind and pleasant thing to hear, coming from you. So just, too. Do say it again." "I will say it again," went on the first speaker; and, exasperated by the bitter sneering tone of the other, her voice rang out high and clear, "You coward!" Piers Lamont's dark face took on a change, but it expressed a sneer as certain retrospective pictures rose before his mental gaze. Such indeed, in his case, drew the sting of about the most stinging epithet that lips can frame; yet, remembering that the lips then framing it were those of the girl with whom he was passionately in love, and to whom he had recently become engaged, it seemed to hurt. "Say something. Oh, do say something!" she went on, speaking quickly. "The boy might have been drowned, and very nearly was, while you stood, with your hands in your pockets, looking on." "If your people see fit to throw open the mere to the rabble, the rabble must take care of itself," he answered. "I daresay I can risk my life, with an adequate motive. That--isn't one." The words, audible to many of the bystanders, the contemptuous tone, and nod of the head in the direction of the ever-increasing group on the bank, deepened the prevailing indignation. Angry murmurs arose, and some "booing." Perhaps the presence of the Squire's daughter alone restrained this demonstration from taking a more active form of hostility; or it may even have been a something in the hard, bronzed face and firm build of the man who had just been publicly dubbed "coward." "For shame!" hotly retorted the girl. "I have no wish to talk to you any more, or ever again. Please go." He made no reply. Lifting his hat ceremoniously he turned away. A few yards' glide brought him to the bank. He sat down, deliberately removed his skates, lit a cigar, then started upon his way; the no-longer restrained jeers which followed him falling upon his ears with no other effect than to cause him to congratulate himself upon having given others the opportunity of performing the feat from which he had refrained. The subject of all this disturbance was showing signs of restoration to life and consciousness. Seen in the midst of the gaping--and for the most part useless--crowd which hemmed him in, he was an urchin of about thirteen or fourteen, with a debased type of countenance wherein the characteristics of the worst phase of guttersnipe--low cunning, predatoriness, boundless impudence, and aggressive brutality--showed more than incipient. Such a countenance was it, indeed, as to suggest that the rescue of its owner from a watery death went far to prove the truth of a certain homely proverb relating to hanging and drowning. And now, gazing upon it, Violet Courtland was conscious of an unpleasant truth in those last words spoken by her _fiance_. She was forced to own to herself that the saving of this life assuredly was not worth the risking of his. Yet she had implored him to do something towards the rescue, and he had done nothing. He had replied that there was nothing to be done; had stood, calmly looking on while others had risked their lives, he fearing for his. Yes, _fearing_. It looked like that. And yet--and yet! She knew but little of his past, except what he had told her. She had taken him on trust. He had led something of an adventurous life in wild parts of Africa. Two or three times, under pressure, he had told of an adventurous incident, wherein assuredly he himself had not played a coward's part. Yet the recollection so far from clearing him in her estimation produced a contrary effect, and her lips curled as she decided that he had merely been bragging on these occasions; that if the events had happened at all they must have happened to somebody else.
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Produced by David Moynihan, Charles Franks and the Online Distributed Proofreading Team. THE GERRARD STREET MYSTERY AND OTHER WEIRD TALES. BY JOHN CHARLES DENT. PREFATORY SKETCH. John Charles Dent, the author of the following remarkable stories, was born in Kendal, Westmorland, England, in 1841. His parents emigrated to Canada shortly after that event, bringing with them, of course, the youth who was afterwards to become the Canadian author and historian. Mr. Dent received his primary education in Canadian schools, and afterwards studied law, becoming in due course a member of the Upper Canada Bar. He only practised for a few years. He found the profession profitable enough but uncongenial--as it could not well help being, in an obscure Canadian, village, twenty years ago--and very probably he was already cherishing ambitious dreams of literary labors, which he was eager to begin in the world's literary centre, London. He accordingly relinquished his practice as soon as he felt himself in a position to do so, and went to England. He had not miscalculated his powers, as too many do under like circumstances. He soon found remunerative literary work, and as he became better known, was engaged to write for several high-class periodicals, notably, _Once a Week_, for which he contributed a series of articles on interesting topics. But in England Mr. Dent produced no very long or ambitious
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Produced by Juliet Sutherland, Katherine Ward, and the Online Distributed Proofreading Team at http://www.pgdp.net McCLURE'S MAGAZINE VOL. XXXI AUGUST, 1908 No. 4 _Copyright, 1908, by The S. S. McClure Co. All rights reserved_ Table of Contents PAGE A DISCLOSURE OF THE SECRET POLICIES OF RUSSIA. By General Kuropatkin. 363 TALKS WITH BISMARCK. By Carl Schurz. 367 THE FOREHANDED COLQUHOUNS. By Margaret Wilson. 378 LAST YEARS WITH HENRY IRVING. By Ellen Terry. 386 THE LOST MOTHER. By Blanche M. Kelly. 399 PATSY MORAN. THE BOOK AND ITS COVERS. By Arthur Sullivan Hoffman. 401 ARCTIC COLOR. By Sterling Heilig. 411 THE TAVERN. By Willa Sibert Cather. 419 A STORY OF HATE. By Gertrude Hall. 420 HIS NEED OF MIS' SIMONS. By Lucy Pratt. 432 PROHIBITION AND SOCIAL PSYCHOLOGY. By Hugo Muensterberg. 438 THE MOVING FINGER WRITES. By Marie Belloc Lowndes. 445 A BUNK-HOUSE AND SOME BUNK-HOUSE MEN. By Alexander Irvine. 455 THE KING OF THE BABOONS. By Perceval Gibbon. 467 ONE HUNDRED CHRISTIAN SCIENCE CURES. By Richard C. Cabot 472 SOUTH STREET. By Francis E. Falkenbury. 476 THE INABILITY TO INTERFERE. By Mary Heaton Vorse. 477 PROHIBITION AND SOCIAL PSYCHOLOGY. By Dr. Muensterberg. 482 Illustrations General Alexei Nicholaevitch Kuropatkin 363 Kaiser Wilhelm I 369 Prince Otto Von Bismarck 372 Count Hellmuth Von Moltke 373 The Chancellor's Palace on the Wilhelmstrasse 374 The Battle of Koeniggraetz 374 Emperor Napoleon III 376 "Jane and Selina... Looked at Patient and Nurse with Disapproving Gloom" 378 "She Could Not Help Seeing That Selina Found Some Strange Pleasure in all These Incidents of a Last Illness" 382 Ellen Terry as Kniertje in "The Good Hope" 387 John Singer Sargent 388 Sir Edward Burne-Jones 388 Ellen Terry as Lady Macbeth 389 Peggy, Madame Sans-Gene, Madame Sans-Gene, Cordelia 390 Imogen, Lucy Ashton, Catherine Duval, Lucy Ashton 390 Cardinal Wolsey, Lady Macbeth, Guinevere, Thomas Becket 391 Nancy Oldfield, Hermione, Alice-Sit-by-the-Fire, Lady Cicely, Wayneflete 391 Miss Ellen Terry 392 Sir Henry Irving 392 Ellen Terry as Queen Katherine in Henry VIII 395 The Book and Its Covers 401 "Pardon Me," He Said, "But What Are You Doing That for?" 402 "Ye'd Better Be Usin' Your Brains to Walk With, and Not Strainin' Thim Like That" 407 Midnight in the Kara Sea 411 "The Country of the Dead"--A Study of the Kara Sea in August 413 Samoyed Love of Color 414 Painting of a Sledge Set Upon End for the Night, With Skins and Meat Hung Upon It So as to Be Out of Reach of the Dogs 415 A Study Made in Nova Zembla at the Time of the Complete Eclipse of the Sun, July 27, 1896 416 Painting of a Church Built by M. Seberjakow 417 In the Midnight Sunshine 418 His Need of Mis' Simons 432 'I Couldn' Git 'Long 'Thout Yer Noways, Could I?' She Say 433 'She Keep on A-Readin', an' I Keep on A-Wukkin' on de Paff' 434 'It's Time Fer You ter Go to Baid, Ain't It, 'Zekiel?' She Say 435 ''Tain
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Produced by Suzanne Shell, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A WONDER BOOK AND TANGLEWOOD TALES FOR GIRLS AND BOYS BY NATHANIEL HAWTHORNE WITH PICTURES BY MAXFIELD PARRISH NEW YORK DUFFIELD & COMPANY MCMX COPYRIGHT, 1910, BY DUFFIELD & COMPANY THE UNIVERSITY PRESS, CAMBRIDGE, U. S. A. [Illustration: JASON AND THE TALKING OAK (From the original in the collection of Austin M. Purves, Esqu're Philadelphia)] Preface The author has long been of opinion that many of the classical myths were capable of being rendered into very capital reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end in view. A great freedom of treatment was necessary to his plan; but it will be observed by every one who attempts to render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else. He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility
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Produced by Jordan, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net ANDREW MELVILLE BY WILLIAM MORISON FAMOUS SCOTS: SERIES PUBLISHED BY OLIPHANT ANDERSON FERRIER EDINBVRGH AND LONDON The designs and ornaments of this volume are by Mr. Joseph Brown, and the printing from the press of Messrs. T. and A. Constable, Edinburgh. Transcriber's notes: Minor typos have been corrected. Footnotes have been placed at the end of the paragraph to which they refer. Greek has been changed to Latin letters and placed in brackets. PREFATORY NOTE Let it be understood that the quotations in Scots, where the author is not mentioned, are from the Autobiography and Diary of James Melville. _March_ 1899. CONTENTS PAGE CHAPTER I INTRODUCTORY 9 CHAPTER II BIRTH--EDUCATION--YEARS ABROAD 15 CHAPTER III SERVICES TO SCOTTISH EDUCATION--PRINCIPALSHIP OF GLASGOW AND ST. ANDREWS 23 CHAPTER IV THE 'DINGING DOWN' OF THE BISHOPS--MELVILLE AND MORTON 31 CHAPTER V THE 'BIGGING UP' OF THE BISHOPS UNDER LENNOX AND ARRAN--MELVILLE'S FLIGHT TO ENGLAND 43 CHAPTER VI THE KING'S SURRENDER TO THE CHURCH 56 CHAPTER VII THE POPISH LORDS--MELVILLE AND THE KING AT FALKLAND PALACE 71 CHAPTER VIII THE KING'S GREEK GIFT TO THE CHURCH 93 CHAPTER IX MELVILLE AT HAMPTON COURT 116 CHAPTER X THE KING'S ASSEMBLIES 134 CHAPTER XI THE TOWER: SEDAN 140 ANDREW MELVILLE CHAPTER I INTRODUCTORY While Andrew Melville has other claims on the lasting honour of his countrymen than the part he took in securing for Scotland the ecclesiastical system which has been the most powerful factor in her history, it may be held as certain that where this service which filled his life is disesteemed, his biography, if read at all, will be read with only a languid interest. It will be our first endeavour, therefore, to show that such a prejudice in regard to our subject is mistaken and misleading. Melville, and all from first to last who joined in the Scottish resistance to Episcopacy, were persuaded that the controversy in which they were engaged was one not academic merely but vital, and that, as it was settled one way or the other, so would the people be left in a position in which they would be able to develop their religious life with freedom and effect, or in one which would incalculably <DW36> it. That is a contention which history has amply vindicated. The best justification of the struggle carried on during the period from Melville to the Revolution (1574-1688) to preserve the Presbyterian system in the Church is to be found in the benefits which that system has conferred upon the country. It has penetrated the whole Christian people with a sense of their individual responsibility in connection with the principles and government of the Church; it has saved the Church from being dwarfed into a mere clerical corporation; it has laid for it a broad and strong basis by winning to it the attachment of its common members, and by exercising their intelligence, sympathy, and interest in regard to all its institutions and enterprises. It may be truly said of the Scottish people that their highest patriotism has been elicited and exercised over the religious problems of the nation; that they have shown more sensitiveness concerning their religious rights, liberties, and duties than concerning any other interest of their life; and that they have been more readily and deeply touched when the honour and efficiency of their Church was at stake than by any other cause whatever. How should an ecclesiastical system better vindicate its claim? Nothing so ennobles a people as the care of matters of high concern--such a care as Presbyterianism has laid on the Scottish people. But it was not only the conviction of the excellence of their own economy that led the Presbyterians to maintain it at all hazards--it was also their fear of many tendencies in the
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Produced by David Widger THE DIVINE COMEDY THE VISION OF HELL, PURGATORY, AND PARADISE BY DANTE ALIGHIERI PARADISE Complete TRANSLATED BY THE REV. H. F. CARY, M.A. PARADISE LIST OF CANTOS Canto 1 Canto 2 Canto 3 Canto 4 Canto 5 Canto 6 Canto 7 Canto 8 Canto 9 Canto 10 Canto 11 Canto 12 Canto 13 Canto 14 Canto 15 Canto 16 Canto 17 Canto 18 Canto 19 Canto 20 Canto 21 Canto 22 Canto 23 Canto 24 Canto 25 Canto 26 Canto 27 Canto 28 Canto 29 Canto 30 Canto 31 Canto 32 Canto 33 CANTO I His glory, by whose might all things are mov'd, Pierces the universe, and in one part Sheds more resplendence, elsewhere less. In heav'n, That largeliest of his light partakes, was I, Witness of things, which to relate again Surpasseth power of him who comes from thence; For that, so near approaching its desire Our intellect is to such depth absorb'd, That memory cannot follow. Nathless all, That in my thoughts I of that sacred realm Could store, shall now be matter of my song. Benign Apollo! this last labour aid, And make me such a vessel of thy worth, As thy own laurel claims of me belov'd. Thus far hath one of steep Parnassus' brows Suffic'd me; henceforth there is need of both For my remaining enterprise Do thou Enter into my bosom, and there breathe So, as when Marsyas by thy hand was dragg'd Forth from his limbs unsheath'd. O power divine! If thou to me of shine impart so much, That of that happy realm the shadow'd form Trac'd in my thoughts I may set forth to view, Thou shalt behold me of thy favour'd tree Come to the foot, and crown myself with leaves; For to that honour thou, and my high theme Will fit me. If but seldom, mighty Sire! To grace his triumph gathers thence a wreath Caesar or bard (more shame for human wills Deprav'd) joy to the Delphic god must spring From the Pierian foliage, when one breast Is with such thirst inspir'd. From a small spark Great flame hath risen: after me perchance Others with better voice may pray, and gain From the Cirrhaean city answer kind. Through diver passages, the world's bright lamp Rises to mortals, but through that which joins Four circles with the threefold cross, in best Course, and in happiest constellation set He comes, and to the worldly wax best gives Its temper and impression. Morning there, Here eve was by almost such passage made; And whiteness had o'erspread that hemisphere, Blackness the other part; when to the left I saw Beatrice turn'd, and on the sun Gazing, as never eagle fix'd his ken. As from the first a second beam is wont To issue, and reflected upwards rise, E'en as a pilgrim bent on his return, So of her act, that through the eyesight pass'd Into my fancy, mine was form'd; and straight, Beyond our mortal wont, I fix'd mine eyes Upon the sun. Much is allowed us there, That here exceeds our pow'r; thanks to the place Made for the dwelling of the human kind I suffer'd it not long, and yet so long That I beheld it bick'ring sparks around, As iron that comes boiling from the fire. And suddenly upon the day appear'd A day new-ris'n, as he, who hath the power, Had with another sun bedeck'd the sky. Her eyes fast fix'd on the eternal wheels, Beatrice stood unmov'd; and I with ken Fix'd upon her, from upward gaze remov'd At her aspect, such inwardly became As Glaucus, when he tasted of the herb, That made him peer among the ocean gods; Words may not tell of that transhuman change: And therefore let the example serve, though weak, For those whom grace hath better proof in store If I were only what thou didst create, Then newly, Love! by whom the heav'n is rul'd, Thou know'st, who by thy light didst bear me up. Whenas the wheel which thou dost ever guide, Desired Spirit! with its harmony Temper'd of thee and measur'd, charm'd mine ear, Then seem'd to me so much of heav'n to blaze With the sun's flame, that rain or flood ne'er made A lake so broad. The newness of the sound, And that great light, inflam'd me with desire, Keener than e'er was felt, to know their cause. Whence she who saw me, clearly as myself, To calm my troubled mind, before I ask'd, Open'd her lips, and gracious thus began: "With false imagination thou thyself Mak'st dull, so that thou seest not the thing, Which thou hadst seen, had that been shaken off. Thou art not on the earth as thou believ'st; For light'ning scap'd from its own proper place Ne'er ran, as thou hast hither now return'd." Although divested of my first-rais'd doubt, By those brief words, accompanied with smiles, Yet in new doubt was I entangled more, And said: "Already satisfied, I rest From admiration deep, but now admire How I above those lighter bodies rise."
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Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: “TRIUMPHS AND WONDERS OF THE NINETEENTH CENTURY.” This picture explains and is symbolic of the most progressive one hundred years in history. In the center stands the beautiful female figure typifying Industry. To the right are the goddesses of Music, Electricity, Literature and Art. Navigation is noted in the anchor and chain leaning against the capstan; the Railroad, in the rails and cross-ties; Machinery, in the cog-wheels, steam governor, etc.; Labor, in the brawny smiths at the anvil; Pottery, in the ornamented vase; Architecture, in the magnificent Roman columns; Science, in the figure with quill in hand. In the back of picture are suggestions of the progress and development of our wonderful navy. Above all hovers the angel of Fame ready to crown victorious Genius and Labor with the laurel wreaths of Success. ] TRIUMPHS AND WONDERS OF THE 19TH CENTURY THE TRUE MIRROR OF A PHENOMENAL ERA A VOLUME OF ORIGINAL, ENTERTAINING AND INSTRUCTIVE HISTORIC AND DESCRIPTIVE WRITINGS, SHOWING THE MANY AND MARVELLOUS ACHIEVEMENTS WHICH DISTINGUISH AN HUNDRED YEARS OF Material, Intellectual, Social and Moral Progress EMBRACING AS SUBJECTS ALL THOSE WHICH BEST TYPE THE GENIUS, SPIRIT AND ENERGY OF THE AGE, AND SERVE TO BRING INTO
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Produced by Gardner Buchanan. HTML version by Al Haines. Arcadian Adventures With the Idle Rich By Stephen Leacock, 1869-1944 CONTENTS I A Little Dinner with Mr. Lucullus Fyshe II The Wizard of Finance III The Arrested Philanthropy of Mr. Tomlinson IV The Yahi-Bahi Oriental Society of Mrs. Rasselyer-Brown V The Love Story of Mr. Peter Spillikins VI The Rival Churches of St. Asaph and St. Osoph VII The Ministrations of the Rev. Uttermust Dumfarthing VIII The Great Fight for Clean Government CHAPTER ONE: A Little Dinner with Mr. Lucullus Fyshe The Mausoleum Club stands on the quietest corner of the best residential street in the City. It is a Grecian building of white stone. About it are great elm trees with birds--the most expensive kind of birds--singing in the branches. The street in the softer hours of the morning has an almost reverential quiet. Great motors move drowsily along it, with solitary chauffeurs returning at 10.30 after conveying the earlier of the millionaires to their downtown offices. The sunlight flickers through the elm trees, illuminating expensive nurse-maids wheeling valuable children in little perambulators. Some of the children are worth millions and millions. In Europe, no doubt, you may see in the Unter den Linden avenue or the Champs Elysees a little prince or princess go past with a clattering military guard of honour. But that is nothing. It is not half so impressive, in the real sense, as what you may observe every morning on Plutoria Avenue beside the Mausoleum Club in the quietest part of the city. Here you may see a little toddling princess in a rabbit suit who owns fifty distilleries in her own right. There, in a lacquered perambulator, sails past a little hooded head that controls from its cradle an entire New Jersey corporation. The United States attorney-general is suing her as she sits, in a vain attempt to make her dissolve herself into constituent companies. Near by is a child of four, in a khaki suit, who represents the merger of two trunk-line railways. You may meet in the flickered sunlight any number of little princes and princesses far more real than the poor survivals of Europe. Incalculable infants wave their fifty-dollar ivory rattles in an inarticulate greeting to one another. A million dollars of preferred stock laughs merrily in recognition of a majority control going past in a go-cart drawn by an imported nurse. And through it all the sunlight falls through the elm trees, and the birds sing and the motors hum, so that the whole world as seen from the boulevard of Plutoria Avenue is the very pleasantest place imaginable. Just below Plutoria Avenue, and parallel with it, the trees die out and the brick and stone of the City begins in earnest. Even from the Avenue you see the tops of the sky-scraping buildings in the big commercial streets, and can hear or almost hear the roar of the elevated railway, earning dividends. And beyond that again the City sinks lower, and is choked and crowded with the tangled streets and little houses of the slums. In fact, if you were to mount to the roof of the Mausoleum Club itself on Plutoria Avenue you could almost see the slums from there. But why should you? And on the other hand, if you never went up on the roof, but only dined inside among the palm trees, you would never know that the slums existed which is much better. There are broad steps leading up to the club, so broad and so agreeably covered with matting that the physical exertion of lifting oneself from one's motor to the door of the club is reduced to the smallest compass. The richer members are not ashamed to take the steps one at a time, first one foot and then the other; and at tight money periods, when there is a black cloud hanging over the Stock Exchange, you may see each and every one of the members of the Mausoleum Club dragging himself up the steps after this fashion, his restless eyes filled with the dumb pathos of a man wondering where he can put his hand on half a million dollars. But at gayer times, when there are gala receptions at the club, its steps are all buried under expensive carpet, soft as moss and covered over with a long pavilion of red and white awning to catch the snowflakes; and beautiful ladies are poured into the club by the motorful. Then, indeed, it is turned into a veritable Arcadia; and for a beautiful pastoral scene, such as would have gladdened the heart of a poet who understood the cost of things, commend me to the Mausoleum Club on just such an evening. Its broad corridors and deep recesses are filled with shepherdesses such as you never saw, dressed in beautiful shimmering gowns, and wearing feathers in their hair that droop off sideways at every angle known to trigonometry. And there are shepherds, too, with broad white waistcoats and little patent leather shoes and heavy faces and congested cheeks. And there is dancing and conversation among the shepherds and shepherdesses, with such brilliant flashes of wit and repartee about the rise in Wabash and the fall in Cement that the soul of Louis Quatorze would leap to hear it. And later there is supper at little tables, when the shepherds and shepherdesses consume preferred stocks and gold-interest bonds in the shape of chilled champagne and iced asparagus, and great platefuls of dividends and special quarterly bonuses are carried to and fro in silver dishes by Chinese philosophers dressed up to look like waiters. But on ordinary days there are no ladies in the club, but only the shepherds. You may see them sitting about in little groups of two and three under the palm trees drinking whiskey and soda; though of course the more temperate among them drink nothing but whiskey and Lithia water, and those who have important business to do in the afternoon limit themselves to whiskey and Radnor, or whiskey and Magi water. There are as many kinds of bubbling, gurgling, mineral waters in the caverns of the Mausoleum Club as ever sparkled from the rocks of Homeric Greece. And when you have once grown used to them, it is as impossible to go back to plain water as it is to live again in the forgotten house in a side street that you inhabited long before you became a member. Thus the members sit and talk in undertones that float to the ear through the haze of Havana smoke. You may hear the older men explaining that the country is going to absolute ruin, and the younger ones explaining that the country is forging ahead as it never did before; but chiefly they love to talk of great national questions, such as the protective tariff and the need of raising it, the sad decline of the morality of the working man, the spread of syndicalism and the lack of Christianity in the labour class, and the awful growth of selfishness among the mass of the people. So they talk, except for two or three that drop off to directors' meetings; till the afternoon fades and darkens into evening, and the noiseless Chinese philosophers turn on soft lights here and there among the palm trees. Presently they dine at white tables glittering with cut glass and green and yellow Rhine wines; and after dinner they sit again among the palm-trees, half-hidden in the blue smoke, still talking of the tariff and the labour class and trying to wash away the memory and the sadness of it in floods of mineral waters. So the evening passes into night, and one by one the great motors come throbbing to the door, and the Mausoleum Club empties and darkens till the last member is borne away and the Arcadian day ends in well-earned repose. * * * * * "I want you to give me your opinion very, very frankly," said Mr. Lucullus Fyshe on one side of the luncheon table to the Rev. Fareforth Furlong on the other. "By all means," said Mr. Furlong. Mr. Fyshe poured out a wineglassful of soda and handed it to the rector to drink. "Now tell me very truthfully," he said, "is there too much carbon in it?" "By no means," said Mr. Furlong. "And--quite frankly--not too much hydrogen?" "Oh, decidedly not." "And you would not say that the percentage of sodium bicarbonate was too great for the ordinary taste?" "I certainly should not," said Mr. Furlong, and in this he spoke the truth. "Very good then," said Mr. Fyshe, "I shall use it for the Duke of Dulham this afternoon." He uttered the name of the Duke with that quiet, democratic carelessness which meant that he didn't care whether half a dozen other members lunching at the club could hear or not. After all, what was a duke to a man who was president of the People's Traction and Suburban Co., and the Republican Soda and Siphon Co-operative, and chief director of the People's District Loan and Savings? If a man with a broad basis of popular support like that was proposing to entertain a duke, surely there could be no doubt about his motives? None at all. Naturally, too, if a man manufactures soda himself, he gets a little over-sensitive about the possibility of his guests noticing the existence of too much carbon in it. In fact, ever so many of the members of the Mausoleum Club manufacture things, or cause them to be manufactured, or--what is the same thing--merge them when they are manufactured. This gives them their peculiar chemical attitude towards their food. One often sees a member suddenly call the head waiter at breakfast to tell him that there is too much ammonia in the bacon; and another one protest at the amount of glucose in the olive oil; and another that there is too high a percentage of nitrogen in the anchovy. A man of distorted imagination might think this tasting of chemicals in the food a sort of nemesis of fate upon the members. But that would be very foolish, for in every case the head waiter, who is the chief of the Chinese philosophers mentioned above, says that he'll see to it immediately and have the percentage removed. And as for the members themselves, they are about as much ashamed of manufacturing and merging things as the Marquis of Salisbury is ashamed of the founders of the Cecil family. What more natural, therefore, than that Mr. Lucullus Fyshe, before serving the soda to the Duke, should try it on somebody else? And what better person could be found for this than Mr. Furlong, the saintly young rector of St. Asaph's, who had enjoyed the kind of expensive college education calculated to develop all the faculties. Moreover, a rector of the Anglican Church who has been in the foreign mission field is the kind of person from whom one can find out, more or less incidentally, how one should address and converse with a duke, and whether you call him, "Your Grace," or "His Grace," or just "Grace," or "Duke," or what. All of which things would seem to a director of the People's Bank and the president of the Republican Soda Co. so trivial in importance that he would scorn to ask about them. So that was why Mr. Fyshe had asked Mr. Furlong to lunch with him, and to dine with him later on in the same day at the Mausoleum Club to meet the Duke of Dulham. And Mr. Furlong, realizing that a clergyman must be all things to all men and not avoid a man merely because he is a duke, had accepted the invitation to lunch, and had promised to come to dinner, even though it meant postponing the Willing Workers' Tango Class of St. Asaph's until the following Friday. Thus it had come about that Mr. Fyshe was seated at lunch, consuming a cutlet and a pint of Moselle in the plain downright fashion of a man so democratic that he is practically a revolutionary socialist, and doesn't mind saying so; and the young rector of St. Asaph's was sitting opposite to him in a religious ecstasy over a _salmi_ of duck. "The Duke arrived this morning, did he not?" said Mr. Furlong. "From New York," said Mr. Fyshe. "He is staying at the Grand Palaver. I sent a telegram through one of our New York directors of the Traction, and his Grace has very kindly promised to come over here to dine." "Is he here for pleasure?" asked the rector. "I understand he is--" Mr. Fyshe was going to say "about to invest a large part of his fortune in American securities," but he thought better of it. Even with the clergy it is well to be careful. So he substituted "is very much interested in studying American conditions." "Does he stay long?" asked Mr. Furlong. Had Mr. Lucullus Fyshe replied quite truthfully, he would have said, "Not if I can get his money out of him quickly," but he merely answered, "That I don't know." "He will find much to interest him," went on the rector in a musing tone. "The position of the Anglican Church in America should afford him an object of much consideration. I understand," he added, feeling his way, "that his Grace is a man of deep piety." "Very deep," said Mr. Fyshe. "And of great philanthropy?" "Very great." "And I presume," said the rector, taking a devout sip of the unfinished soda, "that he is a man of immense wealth?" "I suppose so," answered Mr. Fyshe quite carelessly. "All these fellows are." (Mr. Fyshe generally referred to the British aristocracy as "these fellows.") "Land, you know, feudal estates; sheer robbery, I call it. How the working-class, the proletariat, stand for such tyranny is more than I can see. Mark my words, Furlong, some day they'll rise and the whole thing will come to a sudden end." Mr. Fyshe was here launched upon his favourite topic; but he interrupted himself, just for a moment, to speak to the waiter. "What the devil do you mean," he said, "by serving asparagus half-cold?" "Very sorry, sir," said the waiter, "shall I take it out?" "Take it out? Of course take it out, and see that you don't serve me stuff of that sort again, or I'll report you." "Very sorry, sir," said the waiter. Mr. Fyshe looked at the vanishing waiter with contempt upon his features. "These pampered fellows are getting unbearable." he said. "By Gad, if I had my way I'd fire the whole lot of them: lock 'em out, put 'em on the street. That would teach 'em. Yes, Furlong, you'll live to see it that the whole working-class will one day rise against the tyranny of the upper classes, and society will be overwhelmed." But if Mr. Fyshe had realized that at that moment, in the kitchen of the Mausoleum Club, in those sacred precincts themselves, there was a walking delegate of the Waiters' International Union leaning against a sideboard, with his bowler hat over one corner of his eye, and talking to a little group of the Chinese philosophers, he would have known that perhaps the social catastrophe was a little nearer than even he suspected. * * * * * "Are you inviting anyone else tonight?" asked Mr. Furlong. "I should have liked to ask your father," said Mr. Fyshe, "but unfortunately he is out of town." What Mr. Fyshe really meant was, "I am extremely glad not to have to ask your father, whom I would not introduce to the Duke on any account." Indeed, Mr. Furlong, senior, the father of the rector of St. Asaph's, who was President of the New Amalgamated Hymnal Corporation, and Director of the Hosanna Pipe and Steam Organ, Limited, was entirely the wrong man for Mr. Fyshe's present purpose. In fact, he was reputed to be as smart a man as ever sold a Bible. At this moment he was out of town, busied in New York with the preparation of the plates of his new Hindu Testament (copyright); but had he learned that a duke with several millions to invest was about to visit the city, he would not have left it for the whole of Hindustan. "I suppose you are asking Mr. Boulder," said the rector. "No," answered Mr. Fyshe very decidedly, dismissing the name absolutely. Indeed, there was even better reason not to introduce Mr. Boulder to the Duke. Mr. Fyshe had made that sort of mistake once, and never intended to make it again. It was only a year ago, on the occasion of the visit of young Viscount FitzThistle to the Mausoleum Club, that Mr. Fyshe had introduced Mr. Boulder to the Viscount and had suffered grievously thereby. For Mr. Boulder had no sooner met the Viscount than he invited him up to his hunting-lodge in Wisconsin, and that was the last thing known of the investment of the FitzThistle fortune. This Mr. Boulder of whom Mr. Fyshe spoke might indeed have been seen at that moment at a further table of the lunch room eating a solitary meal, an oldish man with a great frame suggesting broken strength, with a white beard and with falling under-eyelids that made him look as if he were just about to cry. His eyes were blue and far away, and his still, mournful face and his great bent shoulders seemed to suggest all the power and mystery of high finance. Gloom indeed hung over him. For, when one heard him talk of listed stocks and cumulative dividends, there was as deep a tone in his quiet voice
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Produced by sp1nd, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note This book contains a small number of characters which are not available in this file encoding. These are a and e with a macron (straight line) above, which are rendered as [=a] and [=e] respectively, and u with a breve (upward curve) above, which is rendered as [)u]. THE WASHER OF THE FORD LEGENDARY MORALITIES AND BARBARIC TALES BY FIONA MACLEOD [Decoration] NEW YORK STONE & KIMBALL M DCCC XCVI BY THE SAME AUTHOR Pharais: _A Romance of the Isles_ The Mountain Lovers: _A Romance_ The Sin-Eater IN PREPARATION: Green Fire: _A Romance_ Lyric Rimes and Founsheen CONTENTS PAGE Prologue 3 The Washer of the Ford 25 St. Bride of the Isles 51 The Fisher of Men 97 The Last Supper 117 The Dark Nameless One 135 The Three Marvels of Hy 149 I. The Festival of the Birds 151 II. The Sabbath of the Fishes and the Flies 161 III. The Moon-Child 170 The Annir-Choille 183 The Shadow-Seers 237 I. The Sight 239 II. The Dark Hour of Fergus 244 III. The White Fever 254 IV. The Smoothing of the Hand 260 Seanachas 267 The Song of the Sword 271 The Flight of the Culdees 289 Mircath 301 The Laughter of Scathach the Queen 309 Ula and Urla 321 "Here are told the stories of these pictures of the imagination, of magic and romance. Yet they were gravely chosen withal, and for reasons manifold.... What if they be but dreams? 'We are such stuff as dreams are made of.' What if they be but magic and romance? These things are not ancient and dead, but modern and increasing. For wherever a man learns power over Nature, there is Magic; wherever he carries out an ideal into Life there is Romance." Patrick Geddes: "_The Interpreter_." PROLOGUE (TO KATHIA) _I find, under the boughs of love and hate, Eternal Beauty wandering on her way._ The Rose upon the Rood of Time. To you, in your far-away home in Provence, I send these tales out of the remote North you love so well, and so well understand. The same blood is in our veins, a deep current somewhere beneath the tide that sustains us. We have meeting-places that none knows of; we understand what few can understand; and we share in common a strange and inexplicable heritage. It is because you, who are called Kathia of the Sunway, are also Kathia nan Ciar, Kathia of the Shadow, it is because you are what you are that I inscribe this book to you. In it you will find much that is familiar to you, though you may never have read or heard anything of the kind; for there is a reality, beneath the unfamiliar accident, which may be recognised in a moment as native to the secret life that lives behind the brain and the wise nerves with their dim ancestral knowledge. The greater portion of this book deals with the remote life of a remote past. "The Shadow-Seers," however, though of to-day, may equally be of yesterday or to-morrow; and as for "The Last Supper" or "The Fisher of Men," they are of no time or date, for they are founded upon elemental facts which are modified but not transformed by the changing years. It may be the last of its kind I shall write--at any rate, for a time. I would like it to be associated with you, to whom not only the mystery but the pagan sentiment and the old barbaric emotion are so near. With the second sight of the imagination we can often see more clearly in the perspectives of the past than in the maze of the present; and most clearly when we recognise that, below the accidents of time and
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The Project Gutenberg Etext of On Conducting by Richard Wagner (translated by Edward Dannreuther) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: On Conducting (Ueber das Dirigiren): A Treatise on Style in the Execution of Classical Music Author: Richard Wagner (translated by Edward Dannreuther) Release Date: October, 2003 [Etext# 4523] [Yes, we are more than one year ahead of schedule] [This file was first posted on February 2, 2002] Edition: 10 Language: English Character set encoding: ASCII The Project Gutenberg Etext of On Conducting by Richard Wagner (translated by Edward Dannreuther) This file should be named 4523.txt or 4523.zip This etext was prepared by John Mamoun <[email protected]> with the online distributed prooreading team of Charles Franks. Project Gutenberg Etexts are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep etexts in compliance with any particular paper edition. We are now trying to release all our etexts one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date. Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our sites at: http://gutenberg.net or http://promo.net/pg These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new etexts, and how to subscribe to our email newsletter (free!). Those of you who want to download any Etext before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://www.ibiblio.org/gutenberg/etext03 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2001 as we release over 50 new Etext files per month, or 500 more Etexts in 2000 for a total of 4000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users. At our revised rates of
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Produced by Charles Franks and the Online Distributed Proofreading Team OAK OPENINGS By James Fennimore Cooper PREFACE. It ought to be matter of surprise how men live in the midst of marvels, without taking heed of their existence. The slightest derangement of their accustomed walks in political or social life shall excite all their wonder, and furnish themes for their discussions, for months; while the prodigies that come from above are presented daily to their eyes, and are received without surprise, as things of course. In a certain sense, this may be well enough, inasmuch as all which comes directly from the hands of the Creator may be said so far to exceed the power of human comprehension, as to be beyond comment; but the truth would show us that the cause of this neglect is rather a propensity to dwell on such interests as those over which we have a fancied control, than on those which confessedly transcend our understanding. Thus is it ever with men. The wonders of creation meet them at every turn, without awakening reflection, while their minds labor on subjects that are not only ephemeral and illusory, but which never attain an elevation higher than that the most sordid interests can bestow. For ourselves, we firmly believe that the finger of Providence is pointing the way to all races, and colors, and nations, along the path that is to lead the east and the west alike to the great goal of human wants. Demons infest that path, and numerous and unhappy are the wanderings of millions who stray from its course; sometimes in reluctance to proceed; sometimes in an indiscreet haste to move faster than their fellows, and always in a forgetfulness of the great rules of conduct that have been handed down from above. Nevertheless, the main course is onward; and the day, in the sense of time, is not distant, when the whole earth is to be filled with the knowledge of the Lord, "as the waters cover the sea." One of the great stumbling-blocks with a large class of well-meaning, but narrow-judging moralists, are the seeming wrongs that are permitted by Providence, in its control of human events. Such persons take a one-sided view of things, and reduce all principles to the level of their own understandings. If we could comprehend the relations which the Deity bears to us, as well as we can comprehend the relations we bear to him, there might be a little seeming reason in these doubts; but when one of the parties in this mighty scheme of action is a profound mystery to the other, it is worse than idle, it is profane, to attempt to explain those things which our minds are not yet sufficiently cleared from the dross of earth to understand. Look at Italy, at this very moment. The darkness and depression from which that glorious peninsula is about to emerge are the fruits of long-continued dissensions and an iron despotism, which is at length broken by the impulses left behind him by a ruthless conqueror, who, under the appearance and the phrases of Liberty, contended only for himself. A more concentrated egotism than that of Napoleon probably never existed; yet has it left behind it seeds of personal rights that have sprung up by the wayside, and which are likely to take root with a force that will bid defiance to eradication. Thus is it ever, with the progress of society. Good appears to arise out of evil, and the inscrutable ways of Providence are vindicated by general results, rather than by instances of particular care. We leave the application of these remarks to the intelligence of such of our readers as may have patience to peruse the work that will be found in the succeeding pages. We have a few words of explanation to say, in connection with the machinery of our tale. In the first place, we would remark, that the spelling of "burr-oak," as given in this book, is less our own than an office spelling. We think it should be "bur-oak," and this for the simple reason, that the name is derived from the fact that the acorn borne by this tree is partially covered with a bur. Old Sam Johnson, however, says that "burr" means the lobe, or lap of the ear; and those who can fancy such a resemblance between this and the covering of our acorn, are at liberty to use the two final consonants. Having commenced stereotyping with this supernumerary, for the sake of uniformity that mode of spelling, wrong as we think it, has been continued through-out the book. There is nothing imaginary in the fertility of the West. Personal observation has satisfied us that it much surpasses anything that exists in the Atlantic States, unless in exceptions, through
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Produced by Marc D'Hooghe at Free Literature (online soon in an extended version,also linking to free sources for education worldwide... MOOC's, educational materials,...) (Images generously made available by the Internet Archive.) GLEANINGS IN BUDDHA-FIELDS STUDIES OF HAND AND SOUL IN THE FAR EAST BY LAFCADIO HEARN LECTURER ON ENGLISH LITERATURE IN THE IMPERIAL UNIVERSITY OF JAPAN BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY 1897 CONTENTS I. A LIVING GOD II. OUT OF THE STREET III. NOTES OF A TRIP TO KYŌTO IV. DUST V. ABOUT FACES EN JAPANESE ART VI. NINGYŌ-NO-HAKA VII. IN ŌSAKA VIII. BUDDHIST ALLUSIONS IN JAPANESE FOLK-SONG IX. NIRVANA X. THE REBIRTH OF KATSUGORŌ XI. WITHIN THE CIRCLE GLEANINGS IN BUDDHA-FIELDS I A LIVING GOD I Of whatever dimension, the temples or shrines of pure Shintō are all built in the same archaic style. The typical shrine is a windowless oblong building of unpainted timber, with a very steep overhanging roof; the front is the gable end; and the upper part of the perpetually closed doors is wooden lattice-work,--usually a grating of bars closely set and crossing each other at right angles. In most cases the structure is raised slightly above the ground on wooden pillars; and the queer peaked façade, with its visor-like apertures and the fantastic projections of beam-work above its gable-angle, might remind the European traveler of certain old Gothic forms of dormer. There is no artificial color. The plain wood[1] soon turns, under the action of rain and sun, to a natural grey, varying according to surface exposure from the silvery tone of birch bark to the sombre grey of basalt. So shaped and so tinted, the isolated country _yashiro_ may seem less like a work of joinery than a feature of the scenery,--a rural form related to nature as closely as rocks and trees,--a something that came into existence only as a manifestation of Ohotsuchi-no-Kami, the Earth-god, the primeval divinity of the land. Why certain architectural forms produce in the beholder a feeling of weirdness is a question about which I should like to theorize some day: at present I shall venture only to say that Shinto shrines evoke such a feeling. It grows with familiarity instead of weakening; and a knowledge of popular beliefs is apt to intensify it. We have no English words by which these queer shapes can be sufficiently described,--much less any language able to communicate the peculiar impression which they make. Those Shinto terms which we loosely render by the words "temple" and "shrine" are really untranslatable;--I mean that the Japanese ideas attaching to them cannot be conveyed by translation. The so-called "august house" of the Kami is not so much a temple, in the classic meaning of the term, as it is a haunted room, a spirit-chamber, a ghost-house; many of the lesser divinities being veritably ghosts,--ghosts of great warriors and heroes and rulers and teachers, who lived and loved and died hundreds or thousands of years ago. I fancy that to the Western mind the word "ghost-house" will convey, better than such terms as "shrine" and "temple," some vague notion of the strange character of the Shinto _miya_ or _yashiro,_--containing in its perpetual dusk nothing more substantial than symbols or tokens, the latter probably of paper. Now the emptiness behind the visored front is more suggestive than anything material could possibly be; and when you remember that millions of people during thousands of years have worshipped their great dead before such _yashiro,--_that a whole race still believes those buildings tenanted by viewless conscious personalities,--you are apt also to reflect how difficult it would be to prove the faith absurd. Nay! in spite of Occidental reluctances,--in spite of whatever you may think it expedient to say or not to say at a later time about the experience,--you may very likely find yourself for a moment forced into the attitude of respect toward possibilities. Mere cold reasoning will not help you far in the opposite direction. The evidence of the senses counts for little: you know there are ever so many realities which can neither be seen nor heard nor felt, but which exist as forces,--tremendous forces. Then again you cannot mock the conviction of forty millions of people while that conviction thrills all about you like the air,--while conscious that it is pressing upon your psychical being just as the atmosphere presses upon your physical being. As for myself, whenever I am alone in the presence of a Shinto shrine, I have the sensation of being haunted; and I cannot help thinking about the possible apperceptions of the haunter. And this tempts me to fancy how I should feel if I myself were a god,--dwelling in some old Izumo shrine on the summit of a hill, guarded by stone lions and shadowed by a holy
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Produced by David Widger from page images generously provided by the Internet Archive ERCHIE My Droll Friend By Hugh Foulis (Neil Munro) (The Looker-On) William Blackwood and Sons Edinburgh and London MCMIV [Illustration: 0008] [Illustration: 0009] PREFACE. The majority of the following chapters are selections from “Erchie” articles contributed to the pages of the ‘Glasgow Evening News’ during the past three years. A number of the sketches are now published for the first time. ERCHIE I INTRODUCTORY TO AN ODD CHARACTER |On Sundays he is the beadle of our church; at other times he Waits. In his ecclesiastical character there is a solemn dignity about his deportment that compels most of us to call him Mr MacPherson; in his secular hours, when passing the fruit at a city banquet, or when at the close of the repast he sweeps away the fragments of the dinner-rolls, and whisperingly expresses in your left ear a fervent hope that “ye’ve enjoyed your dinner,” he is simply Erchie. Once I forgot, deluded a moment into a Sunday train of thought by his reverent way of laying down a bottle of Pommery, and called him Mr MacPherson. He reproved me with a glance of his eye. “There’s nae Mr MacPhersons here,” said he afterwards; “at whit ye might call the social board I’m jist Erchie, or whiles Easy-gaun Erchie wi’ them that kens me langest. There’s sae mony folks in this world don’t like to hurt your feelings that if I was kent as Mr MacPherson on this kind o’ job I wadna mak’ enough to pay for starchin’ my shirts.” I suppose Mr MacPherson has been snibbing-in preachers in St Kentigern’s Kirk pulpit and then going for twenty minutes’ sleep in the vestry since the Disruption; and the more privileged citizens of Glasgow during two or three generations of public dinners have experienced the kindly ministrations of Erchie, whose proud motto is “A flet fit but a warm hert.” I think, however, I was the first to discover his long pent-up and precious strain of philosophy. On Saturday nights, in his office as beadle of St Kentigern’s, he lights the furnaces that take the chill off the Sunday devotions. I found him stoking the kirk fires one Saturday, not very much like a beadle in appearance, and much less like a waiter. It was what, in England, they call the festive season. “There’s mair nor guid preachin’ wanted to keep a kirk gaun,” said he; “if I was puttin’ as muckle dross on my fires as the Doctor whiles puts in his sermons, efter a Setturday at the gowf, ye wad see a bonny difference on the plate. But it’s nae odds-a beadle gets sma’ credit, though it’s him that keeps the kirk tosh and warm, and jist at that nice easy-osy temperature whaur even a gey cauldrife member o’ the congregation can tak’ his nap and no’ let his lozenge slip doon his throat for chitterin wi’ the cauld.” There was a remarkably small congregation at St Kentigern’s on the following day, and when the worthy beadle had locked the door after dismissal and joined me on the pavement, “Man,” he said, “it was a puir turn-oot yon--hardly worth puttin’ on fires for. It’s aye the wye; when I mak’ the kirk a wee bit fancy, and jalouse there’s shair to be twa pound ten in the plate, on comes a blash o’ rain, and there’s hardly whit wid pay for the starchin’ o’ the Doctor’s bands. “Christmas! They ca’t Christmas, but I could gie anither name for’t. I looked it up in the penny almanac, and it said, ‘Keen frost; probably snow,’ and I declare-to if I hadna nearly to soom frae the hoose. “The almanacs is no’ whit they used to be; the auld chaps that used to mak’ them maun be deid. “They used to could do’t wi’ the least wee bit touch, and tell ye in January whit kind o’ day it wad be at Halloween, besides lettin’ ye ken the places whaur the Fair days and the ‘ool-markets was, and when they were to tak’ place-a’ kind o’ information that maist o’ us that bocht the almanacs couldna sleep at nicht wantin’. I’ve seen me get up at three on a cauld winter’s mornin’ and strikin’ a licht to turn up Orr’s Penny Commercial and see whit day was the Fair at Dunse. I never was at Dunse in a’ my days, and hae nae intention o’ gaun, but it’s a grand thing knowledge, and it’s no’ ill to cairry. It’s like poetry-’The Star o’ Rabbie Burns’ and that kind o’ thing-ye can aye be givin’ it a ca’ roond in your mind when ye hae naething better to dae. “Oh, ay! A puir turn-oot the day for Kenti-gern’s; that’s the drawback o’ a genteel congregation like oors-mair nor half o’ them’s sufferin’ frae Christmas turkey and puttin’ the blame on the weather.” “The bubbly-jock is the symbol o’ Scotland’s decline and fa’; we maybe bate the English at Bannockburn, but noo they’re haein’ their revenge and underminin’ oor constitution wi’ the aid o’ a bird that has neither a braw plumage nor a bonny sang, and costs mair nor the price o’ three or four ducks. England gave us her bubbly-jock and took oor barley-bree. “But it’s a’ richt; Ne’erday’s comin’; it’s begun this year gey early, for I saw Duffy gaun up his close last nicht wi’ his nose peeled. “‘Am I gaun hame, or am I comin’ frae’t, can ye tell me?’ says he, and he was carryin’ something roond-shaped in his pocket-naipkin. “‘Whit’s wrang wi’ ye, puir cratur?’ I says to him. “‘I was struck wi’ a sheet o’ lichtnin’,’ says he, and by that I ken’t he had been doon drinkin’ at the Mull o’ Kintyre Vaults, and that the season o’ peace on earth, guid-will to men was fairly started. “‘MacPherson,’ he says, wi’ the tear at his e’e, ‘I canna help it, but I’m a guid man.’ “‘Ye are that, Duffy,’ I says, ‘when ye’re in your bed sleepin’; at ither times ye’re like the rest o’ us, and that’s gey middlin’. Whit hae’ye in the naipkin?’ “He gied a dazed look at it, and says, ‘I’m no shair, but I think it’s a curlin’-stane, and me maybe gaun to a bonspiel at Carsbreck.’ “He opened it oot, and found it was a wee, roond, red cheese. “‘That’s me, a’ ower,’ says he--‘a Christmas for the wife,’ and I declare there was as much drink jaupin’ in him as wad hae done for a water-’shute.’ “Scotland’s last stand in the way o’ national customs is bein’ made at the Mull o’ Kintyre Vaults, whaur the flet half-mutchkin, wrapped up in magenta tissue paper so that it’ll look tidy, is retreatin’ doggedly, and fechtin’ every fit o’ the way, before the invadin’ English Christmas caird. Ten years ago the like o’ you and me couldna’ prove to a freen’ that we liked him fine unless we took him at this time o’ the year into five or six public-hooses, leaned him up against the coonter, and grat on his dickie. Whit dae we dae noo? We send wee Jennie oot for a shilling box o’ the year afore last’s patterns in Christmas cairds, and show oor continued affection and esteem at the ha’penny postage rate. “Instead o’, takin’ Duffy roon’ the toon on Ne’erday, and hurtin’ my heid wi’ tryin’ to be jolly, I send him a Christmas caird, wi’ the picture o’ a hayfield on the ootside and ‘Wishin’ you the Old, Old Wish, Dear,’ on the inside, and stay in the hoose till the thing blaws bye. “The shilling box o’ Christmas cairds is the great peace-maker; a gross or twa should hae been sent oot to Russia and Japan, and it wad hae stopped the war.’ Ye may hae thocht for a twelvemonth the MacTurks were a disgrace to the tenement, wi’ their lassie learnin’ the mandolin’, and them haein’ their gas cut aff at the meter for no’ payin’ the last quarter; but let them send a comic caird to your lassie--‘Wee Wullie to Wee Jennie,’ and they wad get the len’ o’ your wife’s best jeely-pan. “No’ but whit there’s trouble wi’ the Christmas caird. It’s only when ye buy a shillin’ box and sit doon wi’ the wife and weans to consider wha ye’ll send them to that ye fin’ oot whit an awfu’ lot o’ freen’s ye hae. A score o’ shillin’ boxes wadna gae ower half the kizzens I hae, wi’ my grandfaither belangin’ to the Hielan’s, so Jinnet an’ me jist let’s on to some o’ them we’re no’ sendin’ ony cairds oot this year because it’s no’ the kin’ o’ society go ony langer. And ye have aye to keep pairt o’ the box till Ne’erday to send to some o’ the mair parteeclar anes ye forgot a’ thegither were freen’s o’ yours till they sent ye a caird. “Anither fau’t I hae to the Christmas cairds is that the writin’ on them’s generally fair rideeculous. “‘May Christmas Day be Blythe and Gay, and bring your household Peace and Joy,’ is on the only caird left ower to send to Mrs Maclure; and when ye’re shearin’ aff the selvedges o’t to mak’ it fit a wee envelope, ye canna but think that it’s a droll message for a hoose wi’ five weans lyin’ ill wi’ the whoopin’-cough, and the man cairryin’ on the wye Maclure does. “‘Old friends, old favourites, Joy be with you at this Season,’ says the caird for the MacTurks, and ye canna but mind that every third week there’s a row wi’ Mrs MacTurk and your wife aboot the key o’ the washin’-hoose and lettin’ the boiler rust that bad a’ the salts o’ sorrel in the Apothecaries’ll no tak’ the stains aff your shirts. “Whit’s wanted is a kin’ o’ slidin’ scale o’ sentiment on Christmas cairds, so that they’ll taper doon frae a herty greetin’ ye can truthfully send to a dacent auld freen’ and the kind o’ cool ‘here’s to ye!’ suited for an acquaintance that borrowed five shillin’s frae ye at the Term, and hasna much chance o’ ever payin’t back again. “If it wasna for the Christmas cairds a lot o’ us wad maybe never jalouse there was onything parteecular merry aboot the season. Every man that ye’re owin’ an accoont to sends it to ye then, thinkin’ your hert’s warm and your pouches rattlin’. On Christmas Day itsel’ ye’re aye expectin’ something; ye canna richt tell whit it is, but there’s ae thing certain--that it never comes. Jinnet, my wife, made a breenge for the door every time the post knocked on Thursday, and a’ she had for’t at the end o’ the day was an ashet fu’ o’ whit she ca’s valenteens, a’ written on so that they’ll no even dae for next year. “I used to wonder whit the banks shut for at Christmas, but I ken noo; they’re feart that their customers, cairried awa’ wi’ their feelin’ o’ guid-will to men, wad be makin’ a rush on them to draw money for presents, and maybe create a panic.
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Produced by D Alexander, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) The Pillar of Light By Louis Tracy _Author of "The Wings of the Morning"_ "_And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not; for it was founded upon a rock._" _Matthew vii: 25_ New York EDWARD J. CLODE 156 Fifth Avenue 1904 Copyright 1904, by EDWARD J. CLODE _All rights reserved_ May, 1904 _Plimpton Press Norwood Mass._ [Illustration: LOW WATER--THE REEF] [Illustration: THE GULF ROCK LIGHTHOUSE SECTION] CONTENTS I _Flotsam_ 1 II _A Christening_ 19 III _The Signal_ 37 IV _The Voice of the Reef_ 57 V _The Hurricane_ 72 VI _The Middle Watch_ 92 VII _The Lottery_ 110 VIII _An Interlude_ 124 IX _Mrs. Vansittart_ 141 X _Pyne's Progress_ 156 XI _Mrs. Vansittart's Fear_ 172 XII _Preparations_ 188 XIII _Before the Dawn_ 206 XIV _The Way They Have in The Navy_ 223 XV _Enid's New Name_ 241 XVI _Stephen Brand Explains_ 258 XVII _Mrs. Vansittart Goes Home_ 281 XVIII _Enid Wears an Old Ornament_ 301 XIX _The House that Stood Upon a Rock_ 319 CHAPTER I FLOTSAM All night long the great bell of the lighthouse, slung to a stout beam projecting seaward beneath the outer platform, had tolled its warning through the fog. The monotonous ticking of the clockwork attachment that governed it, the sharp and livelier click of the occulting hood's machinery, were the only sounds which alternated with its deep boom. The tremendous clang sent a thrill through the giant column itself and pealed away into the murky void with a tremolo of profound diminutions. Overhead, the magnificent lantern, its eight-ringed circle of flame burning at full pressure, illumined the drifting vapor with an intensity that seemed to be born of the sturdy granite pillar of which it was the fitting diadem. Hard and strong externally as the everlasting rock on which it stood,--replete within with burnished steel and polished brass, great cylinders and powerful pumps,--the lighthouse thrust its glowing torch beyond the reach of the most daring wave. Cold, dour, defiant it looked. Yet its superhuman eye sought to pierce the very heart of the fog, and the furnace-white glare, concentrated ten thousand-fold by the encircling hive of the dioptric lens, flung far into the gloom a silvery cloak of moon-like majesty. At last an irresistible ally sprang to the assistance of the unconquerable light. About the close of the middle watch a gentle breeze from the Atlantic followed the tide and swept the shivering wraith landward to the northeast, whilst the first beams of a June sun completed the destruction of the routed specter. So, once more, as on the dawn of the third day, the waters under the heaven were gathered into one place, and the dry land appeared, and behold, it was good. On the horizon, the turquoise rim of the sea lay with the sheen of folded silk against the softer canopy of the sky. Towards the west a group of islands, to which drifting banks of mist clung in melting despair, were etched in shadows of dreamy purple. Over the nearer sea-floor the quickly dying vapor spread a hazy pall of opal tints. Across the face of the waters glistening bands of emerald green and serene blue quivered in fairy lights. The slanting rays of the sun threw broadcast a golden mirage and gilded all things with the dumb gladness of an English summer's day. A man, pacing the narrow gallery beneath the lantern, halted for a moment to flood his soul afresh with a beauty made entrancing by the
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Produced by Barbara Tozier, Bill Tozier, Stephanie Eason, and the Online Distributed Proofreading Team at http://www.pgdp.net. TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES--PART VI, NO. 36 COMPOUND WORDS A STUDY OF THE PRINCIPLES OF COMPOUNDING, THE COMPONENTS OF COMPOUNDS, AND THE USE OF THE HYPHEN BY FREDERICK W. HAMILTON, LL. D. EDUCATIONAL DIRECTOR UNITED TYPOTHETAE OF AMERICA. PUBLISHED BY THE COMMITTEE ON EDUCATION UNITED TYPOTHETAE OF AMERICA 1918 COPYRIGHT, 1918 UNITED TYPOTHETAE OF AMERICA CHICAGO, ILL. PREFACE The subject of compounds is one of the most difficult of the matters relating to correct literary composition. The difficulty arises from the fact that usage, especially in the matter of the presence or absence of the hyphen, is not clearly settled. Progressive tendencies are at work and there is great difference of usage, even among authorities of the first rank, with regard to many compounds in common use. An attempt is made to show first the general character of the problems involved. Then follows a discussion of the general principles of compounding. The general rules for the formation of compounds are stated and briefly discussed. The various components of compounds are fully analyzed and tabulated. The best modern usage in the matter of the employment of the hyphen is set forth in a series of rules. The whole is concluded by practical advice to the compositor as to the use of the rules in the actual work of the office. CONTENTS PAGE INTRODUCTION 1 GENERAL PRINCIPLES 4 ACCENT IN COMPOUNDING 5 THE FORMATION OF COMPOUNDS 6 COMPONENTS OF COMPOUNDS 7 RULES FOR THE USE OF THE HYPHEN 9 SUPPLEMENTARY READING 16 REVIEW QUESTIONS 17 COMPOUND WORDS INTRODUCTION The English language contains a great many words and phrases which are made up of two or more words combined or related in such a way as to form a new verbal phrase having a distinct meaning of its own and differing in meaning from the sum of the component words taken singly. _Income_ and _outgo_, for example, have quite definite meanings related, it is true, to _come_ and _go_ and to _in_ and _out_, but sharply differentiated from those words in their ordinary and general signification. We use these compound words and phrases so commonly that we never stop to think how numerous they are, or how frequently new ones are coined. Any living language is constantly growing and developing new forms. New objects have to be named, new sensations expressed, new experiences described. Sometimes these words are mere aggregations like _automobile_, _monotype_, _sidewalk_, _policeman_ and the like. Sometimes, indeed very often, they are short cuts. A _hatbox_ is a box for carrying a hat, a _red-haired_ man is a man with red hair. A _bookcase_ is a case to contain books, etc. Sometimes the phrase consists of two or more separate words, such as _well known_ or _nicely kept_. Sometimes it consists of words joined by a hyphen, such as _boarding-house_, _sleeping-car_. Sometimes it consists of a single word formed by amalgamating or running together the components, such as _penholder_, _nevertheless_. In which of these forms shall we write the phrase we speak so easily? How shall we shape the new word we have just coined? Which of these three forms shall we use, and why? Ordinarily we look for the answer to such questions from three sources, historical development, the past of the language; some logical principle of general application; or some recognized standard of authority. Unfortunately we get little help from either of these sources in this special difficulty. The history of the language is a history of constant change. The Anglo-Saxon tongue was full of compounds, but the hyphen was an unknown device to those who spoke it. The English of Chaucer, the period when our new-born English tongue was differentiated from those which contributed to its composition, is full of compounds, and the compounds were generally written with a hyphen. Shakespeare used many compound words and phrases some of which sound strange, if not uncouth,
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Produced by Rick Niles, Kat Jeter, John Hagerson, Rosanna Yuen and PG Distributed Proofreaders The Scribner English Classics EDITED BY FREDERICK H. SYKES, PH.D. TEACHERS COLLEGE, COLUMBIA UNIVERSITY COLERIDGE'S ANCIENT MARINER AND SELECT POEMS 1908 PREFATORY NOTE The text of the poems in this volume is that of J. <DW18>s Campbell in the Globe edition of Coleridge's poems. For the introduction I have depended also largely upon his Memoir of Coleridge, and upon the two volumes of the "Letters of Samuel Taylor Coleridge," edited by the poet's grandson, Mr. E.H. Coleridge. In the Notes, as will be seen, I am indebted particularly to the general editor of this series, Dr. F.H. Sykes, to Dr. Lane Cooper of Cornell University, and again to Mr. Coleridge, through whose kindness I have been able to get a reproduction of the Marshmills crayon, undoubtedly the most satisfactory portrait of the poet in existence, for the frontispiece. H.M.B. CONTENTS BIBLIOGRAPHY INTRODUCTION: I. SAMUEL TAYLOR COLERIDGE II. COLERIDGE'S POEMS TEXT: THE ANCIENT MARINER CHRISTABEL KUBLA KHAN LOVE FRANCE: AN ODE DEJECTION: AN ODE YOUTH AND AGE WORK WITHOUT HOPE EPITAPH NOTES *SELECTED BIBLIOGRAPHY* EDITIONS: Globe Edition. Edited by J. <DW18>s Campbell. 1 vol. Muses' Library. Edited by Richard Garnett. LIFE AND CRITICISM: Stephen, Leslie, Article "Coleridge" in "The Dictionary of National Biography." H.D. Traill, "Coleridge" ("English Men of Letters Series"). Caine, T.H., "Coleridge" ("Great Writers Series"). Coleridge, S.T., "Biographia Literaria" ("Everyman's Library"). De Quincey, T., "Lake Poets." Hazlitt, W., "First Acquaintance with Poets." Cottle, J., "Reminiscences of Coleridge and Southey." Pater, W., "Appreciations." Shairp, J.C., "Studies in Poetry and Philosophy." Sarrazin, Gabriel, "La Renaissance de la Poesie Anglaise, 1798-1889." Brandl, Alois, "S.T. Coleridge and the English Romantic School." BIBLIOGRAPHY: Haney, J.L., "A Bibliography of Samuel Taylor Coleridge." INTRODUCTION I. SAMUEL TAYLOR COLERIDGE I. THE BEGINNINGS Coleridge lived in what may safely be called the most momentous period of modern history. In the year following his birth Warren Hastings was appointed first governor-general of India, where he maintained English empire during years of war with rival nations, and where he committed those acts of cruelty and tyranny which called forth the greatest eloquence of the greatest of English orators, in the famous impeachment trial at Westminster, when Coleridge was a sixteen-year-old schoolboy in London. A few years before his birth the liberal philosophy of France had found a popular voice in the writings of Rousseau, which became the gospel of revolution throughout Europe in Coleridge's youth and early manhood. "The New Heloise" in the field of sentiment and of the relation of the sexes, "The Social Contract" In political theory, and "Emile" in matters of education, were books whose influence upon Coleridge's generation it would be hard to estimate. When Coleridge was four years old the English colonies in America declared their independence and founded a new nation upon the natural rights of man,--a nation that has grown to be the mightiest and most beneficent on the globe. Coleridge was seventeen when the French Revolution broke out; he was forty-three when Napoleon was sent to St. Helena. He saw the whole career of the greatest political upheaval and of the greatest military genius of the modern world. Fox, Pitt, and Burke,--the greatest Liberal orator, the greatest Parliamentary leader, and the greatest philosophic statesman that England has produced--were at the height of their glory when Coleridge went up to Cambridge in 1791. In literature--naturally, since literature is but an interpretation of life--the age was not less remarkable. Dr. Johnson was still alive when Coleridge came up to school at Christ's Hospital, Goldsmith had died eight years before. But a new spirit was abroad in the younger generation. Macpherson's "Fingal," alleged to be a translation from the ancient Gaelic poet Ossian, had appeared in 1760; Thomas Percy's "Reliques of Ancient English Poetry," a collection of folk-ballads and rude verse-romances such as the common people cherished but critics had long refused to consider as poetry, was published in 1765. These two books were of prime importance in fostering a new taste in literature,--a love of natural beauty, of simplicity, and of rude strength. The new taste hailed with delight the appearance of a native lyric genius in Burns, whose first volume of poems was printed in 1786. It welcomed also the homely, simple sweetness, what Coleridge and Lamb called the "divine chit-chat," of Cowper, whose "Task" appeared in the preceding year. But it was in Coleridge himself and his close contemporaries and followers that the splendor of the new poetry showed itself. He was two years younger than Wordsworth, a year younger than Scott; he was sixteen at the birth of Byron, twenty at that of Shelley, twenty-four at that of Keats; and he outlived all of them except Wordsworth. His genius blossomed early. "The Ancient Mariner," his greatest poem, was published some years before Wordsworth's "Ode on the Intimations of Immortality" was written, or Scott's "Lay of the Last Minstrel." He was in the prime of life, or what should have been the prime of life--forty years old--when Byron burst into sudden fame with the first two cantos of "Childe Harold" in 1812; he was forty-six when Keats published "Endymion"; he was fifty-one when Shelley was drowned. And of all this gifted company Coleridge, though not the strongest character or the most prolific poet, was the profoundest intellect and the _most originative poetic spirit_. There was little hint, however, of future greatness or of fellowship with great names in his birth and early circumstances. His father was a country clergyman and schoolmaster in the village of Ottery St. Mary, in Devonshire, a simple-hearted unworldly man, full of curious learning and not very attentive to practical affairs. His mother managed the household and brought up the children. Both his parents were of simple West-country stock; but his father, having a natural turn for study and having done well in his early manhood as a schoolmaster, went at the age of thirty-one as a sizar, or poor student, to Sidney-Sussex College, Cambridge, took orders, and was afterwards given the living of Ottery St. Mary. Here he continued his beloved work of teaching, in addition to his pastoral duties, and by means of this combination won the humble livelihood which, through his wife's careful economy, sufficed for rearing his large family. Coleridge tells us that his father "had so little of parental ambition in him that he had destined his children to be blacksmiths, etc." (though he had "resolved that I should be a parson"), "and had accomplished his intention but for my mother's pride and spirit of aggrandizing her family." Several of the children rewarded their mother's care by distinguishing themselves in a modest way in the army or in the church, but the only one about whom the world is curious now was the youngest of the ten, Samuel Taylor Coleridge, who was born at Ottery St. Mary, October 21, 1772. The essential traits of his later character appeared in his early childhood. Almost from infancy he lived in his imagination rather than in the world of reality. "The schoolboys drove me from play, and were always tormenting me, and hence I took no pleasure in boyish sports, but read incessantly.... I became a _dreamer_, and acquired an indisposition to all bodily activity; and I was fretful, and inordinately passionate." "Sensibility, imagination, vanity, sloth," were "prominent and manifest" in his character before he was eight years old. Such is his own account of his childhood, written to his friend Poole in 1797; and it is an accurate description, as far as it goes, of the grown man. But of the religious temper, too, the love of freedom and of virtue, the hatred of injustice, cruelty, and falsehood that guided his uneven steps through all the pitiful struggle of his middle life, of the conscience that made his weakness hell to him--of these, too, we may be sure that the beginnings were to be seen in the boy at Ottery St. Mary, as indeed they were before his eyes in the person of his father, who, if not a first-rate genius, was, says his son, "a first-rate Christian." The good vicar died in 1781; and the next year, a "presentation" to Christ's Hospital having been secured for him, little Samuel, not yet eleven years old, went up to London to enter the famous old city school. Here, "In the great city, pent'mid cloisters dim," where he "Saw nought lovely but the sky and stars," one of some seven hundred Blue-Coat boys, Coleridge lived for nine years. Most of the boys at Christ's Hospital, then as now, were given a "commercial" education (which none the less included a very thorough training in Latin); but a few of the most promising students were each year selected by the masters for a classical training in preparation for the universities, whence they were known as Grecians. Coleridge was elected a Grecian in 1788. The famous Boyer--famous for his enthusiasm alike in teaching the classics and in wielding the birch--laid the foundation of Coleridge's later scholarship. Here, too, Coleridge did a great amount of reading not laid down in the curriculum,--Latin and Greek poetry and philosophy, mediaeval science and metaphysics--and won the approval of his teachers by the excellence of his verses in Greek and Latin, such as boys at school and students at the universities were expected to write in those days. In the great city school, as in the Devonshire vicarage, he lived in the imagination, inert of body and rapacious of intellect; but he was solitary no longer, having found his tongue and among his more intellectual schoolfellows an interested audience. While yet a boy, he would hold an audience spellbound by his eloquent declamation or the fervor of his argument till, as Lamb, who was one of his hearers, tells us, "the walls of the old Grey Friars re-echoed to the accents of the _inspired charity boy_!" That is the way his conversation,--or monologue, as it often was,--affected not boys only, but men, and especially young men, to his dying day. He cast a spell upon men by his speech; upon his schoolfellows, upon young men at the universities in the Pantisocracy days, upon Lloyd and Poole at Nether Stowey, upon earnest young thinkers in his last days at Highgate; so that even if he had never written "The Ancient Mariner" and the _Biographia, Literaria_ he would still be remembered for the inspiration of his talk. Further details of the life at Christ's Hospital must be sought in Lamb's two essays, especially that on "Christ's Hospital Five-and-Thirty Years Ago." In 1791, having secured a Christ's Hospital "exhibition," he entered Jesus College, Cambridge. His university life extended over three years, from October, 1791, to December, 1794. It was an unhappy time for him and an uneasy time for his respectable relatives, for reasons that were partly in his own nature and partly in the temper of the times. Even Boyer's severe training, while it had made him a hard student and an unusual scholar for his years, had failed to give him what he most needed as a balance to his intellect and imagination, stability of character. There is evidence that after the first few months, during which the habits of his hard school life had not yet broken, the new liberty of university life led him into extravagance, if not dissipation. Work he doubtless did (he won the Browne medal for a Greek ode on the slave-trade in 1792), but fitfully, giving less and less attention to his regular studies and more to conviviality and, above all, to dreams of literary fame. He wrote verses after various models, sentimental, fanciful, or gallant; he was enthusiastic in praise of a contemporary sonneteer, the Rev. William Bowles, whose "divine sensibility" seemed to him the height of poetic feeling; and in connection with Wordsworth's younger brother Christopher, who entered Cambridge in 1793, he formed a literary society that discussed, among other things, Wordsworth's volume of early poetry, "Descriptive Sketches," published in that year. Wordsworth himself was a Cambridge man, but had taken his degree in 1791 and gone abroad, so that the two men whose personal friendship was to mean so much in English poetry did not meet until 1796. Already in 1793, however, Coleridge had developed political theories, or rather sympathies, which were preparing him for fellowship with Wordsworth. The French Revolution, which, after years of preparation, took concrete shape in 1789, did not look to young Englishmen in 1791-4 as it looks to us now, nor even as it was to look to those same Englishmen in 1800. In those first years warm-hearted young enthusiasts at the universities saw in the violence of their fellow-men across the Channel only the struggles of the beautiful Spirit of Liberty bursting the chains of age-long tyranny and corruption and calling men up to the heights to breathe diviner air. "Bliss was it in that dawn to be alive, But to be young was very Heaven!" wrote Wordsworth afterwards; and in the glow of his young idealism he had gone over to France in the autumn of 1791 and was on the point of throwing in his lot with the revolutionists, when his parents compelled his return by cutting off his supplies. And many who, like Coleridge, merely watched from afar shared his faith that a new order of things was to be established, wherein Love should be Law and man's inhumanity to man become but a memory of things outworn. Less generous men, with a selfish interest in established privileges; timid men, who looked with terror upon any prospect of change; older and wiser men, who better understood the foundations of social order and the nature of man--all these looked with distrust upon the revolutionary idealism that was spreading from France through the younger generation of Englishmen. The new notions of liberty, it was felt, threatened not only the vested rights of property and the prescriptions of rank, but the Church, too, and religion. Some of the would-be reformers were avowed atheists; some (Coleridge and his friends, for instance, in the Pantisocracy period) were communists. In general, they ascribed all the evils of society to "institutions," and wanted them abolished. Just how far Coleridge had gone in this direction by the autumn of 1793 we do not know; far enough at least to disturb his view of the future, to worry his elder brother George, a clergyman and school-teacher, who had in some measure filled a father's place to the young genius, and, most important of all, to alarm and distress a gentle girl in London. For before he left Christ's Hospital for Cambridge he had become intimate at the house of a Mrs. Evans, and most of the letters preserved from his first two years at the University were addressed to her or to one of her two daughters, Anne and Mary. With the latter Coleridge was in love; and that she had some regard for him is apparent from a letter she sent him in 1794. Before that, however, Coleridge had taken a step that seemed likely to close at once his college career and his prospects of literary fame. The reasons have not been recorded: probably pecuniary embarrassment, the yeasty state of his religious and political ideas, and impatience or despondency over his love-affair with Mary Evans, combined to precipitate his flight; what we know is that he ran away from Cambridge and in December, 1793, enlisted as a dragoon in the army. Coleridge had hardly taken the step before he repented of it. His letters to his brother George, who with other friends bestirred himself for Coleridge's release as soon as his whereabouts was discovered, are rather distressing in their self-abasement. The efforts of his friends were successful and in April he returned to the University, where a public admonition was the extent of his punishment, and he continued in receipt of his Christ's Hospital exhibition. But Coleridge's college days were practically over. He was now nearly twenty-two years old, and the revolutionary unrest which had doubtless contributed to his first escapade soon resulted in the formation of schemes that took him away from Cambridge for good and all. In June, 1794, he made a visit to an old schoolfellow at Oxford. Here he met Robert Southey of Balliol
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Produced by Charles Bowen from scans provided by Google Books "The Grey Monk" in THE ARGOSY (Vol.s 57 & 58) Transcriber's Notes: 1. Page scan source: Chapters 1-25. "The Argosy. Vol. LVII. January to June, 1894." https://books.google.com/books?id=xCY2AAAAMAAJ (the University of Michigan) Chapters 26-51. "The Argosy. Vol. LVIII. July to December, 1894." https://books.google.com/books?id=A-kYAQAAIAAJ (the University of California) 2. Illustrations (by M. L. Gow) are not reproduced here. THE GREY MONK. By T. W. SPEIGHT. CONTENTS. Chap. I. Alec's Sentence. II. An Old Family and its Home. III. Alec's Proposition. IV. An Offer and its Acceptance. V. At One Fell Blow. VI. Alec's Fate. VII. Too Late. VIII. The Ebony Casket. IX. Ethel and Tamsin. X. Launce Keymer. XI. Hopes and Fears. XII. A Recreant Lover. XIII. Captain Verinder and his Visitor. XIV. The Captain Takes a Little Journey. XV. Conspirators Three. XVI. How Sir Gilbert received the News. XVII. Sir Gilbert and Giovanna. XVIII. The False Heir. XIX. Luigi Acknowledged. XX. Sir Gilbert's Decision. XXI. Affairs at St. Oswyth's. XXII. Father and Son. XXIII. Ethel's Confession XXIV. Tamsin Speaks her Mind. XXV. Lady Pell. XXVI. Giovanna at Maylings. XXVII. "Mr. Lewis Clare." XXVIII. The Progress of Events. XXIX. Arrivals at the Chase. XXX. An Unexpected Meeting. XXXI. Luigi's Escapade. XXXII. Sir Gilbert's Decision. XXXIII. Uncle and Nephew. XXXIV. A Desperate Resolve. XXXV. Matters at the Chase. XXXVI. A Deed of Darkness. XXXVII. The Defeat of Roguery. XXXVIII. Unanswered Questions. XXXIX. The Counsel of Experience. XL. "Love took up the Harp of Life." XLI. Sir Gilbert's Strange Experience. XLII. Sir Gilbert's Theory. XLIII. The Root of the Mystery. XLIV. Back at St. Oswyth's. XLV. "Come Back to Me." XLVI. Unknitted Threads. XLVII. Husband and Wife. XLVIII. Sir Gilbert's Great Surprise. XLIX. Payment in Full. L. The Veiled Stranger. LI. Safe in Port. THE ARGOSY. _JANUARY, 1894_. ---------------- THE GREY MONK. By The Author Of "The Mysteries Of Heron <DW18>." CHAPTER I. ALEC'S SENTENCE. It was a wild and stormy October night. The big moon-faced clock in the entrance-hall, in its slow and solemn fashion, as of a horologe that felt the burden of its years, had just announced the hour of eleven. In his study alone, busy among his coins and curios, sat Sir Gilbert Clare of Withington Chase, Hertfordshire, and Chase Ridings, Yorkshire, a handsome, well-preserved man, in years somewhere between fifty and sixty. He had a tall, thin, upright figure, strongly marked features of an aquiline type, a snow-white moustache, and an expression at once proud and imperious. It would, indeed, have been difficult to find a prouder man than Sir Gilbert. He was proud of the long line of his ancestors, of the brave men and beautiful women who, from their faded frames in the picture gallery, seemed to smile approval on the latest representative of their race. He was proud of the unsullied name which had come down to him from them, on which no action of his had ever cast the shadow of a stain. He was proud of the position, which he accepted as his by right, in his native county; he was proud of his three sturdy boys, at this hour wrapped in the sleep of innocent childhood. But his pride was strictly locked up in his own bosom. No syllable ever escaped him
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Produced by the Mormon Texts Project (MormonTextsProject.org), with thanks to Kimball Gardner, Intern, for proofreading. SCRAPS OF BIOGRAPHY. TENTH BOOK OF THE FAITH-PROMOTING SERIES. Designed for the Instruction and Encouragement of Young Latter-day Saints JUVENILE INSTRUCTOR OFFICE. Salt Lake City. 1883 Copyright applied for at the Office of the Librarian of Congress, at Washington, D. C., by A. H. Cannon. PREFACE. There is a gradually increasing interest among the young of this people for reading and study. It is now the ambition of nearly every son and daughter of the Saints to become well educated. Parents, also, are more deeply interested in the intellectual growth of the youth. Thus we are gradually ascending to a higher plane, and our influence is being felt in a more extended sphere. The desire, however, to place matter in the hands of the young for reading and study, should not cause parents to be less careful in the selection of books. Truth expands the mind and quickens the understanding, while fiction dulls the perceptions and impairs the memory. The acquisition of the one is a source of joy to the possessor, while the constant perusal of the other unfits a person for the study of that which endures. That truth is the foundation of all righteousness, and that righteousness is what we desire, no person among this people will deny. Hence our anxiety to teach the child from its earliest infancy the principle of the gospel. In order to assist in this great work of teaching the gospel principles, we have been led to publish the SERIES of which this book forms a part. Whether or not our endeavors have met with any success, we leave for others to say, but we can safely state that all who have read these little works cannot but realize the fact that "Truth is stranger than fiction." That these "SCRAPS OF BIOGRAPHY" may help to instil the great principle of faith in the
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Produced by Juliet Sutherland, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team The Mystery of the Four Fingers BY FRED M. WHITE Author of "THE MIDNIGHT GUEST," "THE CRIMSON BLIND," Etc., Etc. 1908 CONTENTS I. THE BLACK PATCH II. THE FIRST FINGER III. THE LOST MINE IV. IN THE LIFT V. A PUZZLE FOR VENNER VI. A PARTIAL FAILURE VII. THE WHITE LADY VIII. MISSING IX. A NEW PHASE X. THE SECOND FINGER XI. AN UNEXPECTED MOVE XII. THE HOUSE NEXT DOOR
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Produced by Steven desJardins and the Online Distributed Proofreading Team at http://www.pgdp.net THRICE ARMED BY HAROLD BINDLOSS Author of "Winston of the Prairie," "Delilah of the Snows," "By Right of Purchase," "Lorimer of the Northwest," etc. [Illustration] NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1908, by FREDERICK A. STOKES COMPANY TABLE OF CONTENTS CHAPTER PAGE I. JIMMY RENOUNCES HIS CAREER 1 II. TO WINDWARD 12 III. JIMMY MAKES FRIENDS 24 IV. IN THE TOILS 35 V. VALENTINE'S PAID HAND 46 VI. A VISION OF THE SEA 60 VII. BLOWN OFF 73 VIII. JIMMY TAKES COMMAND 84 IX. MERRIL TIGHTENS THE SCREW 97 X. ELEANOR WHEELOCK 108 XI. AT AUCTION 120 XII. THE "SHASTA" SHIPPING COMPANY 134 XIII. THE "SHASTA" GOES TO SEA 145 XIV. IN DISTRESS 159 XV. ELEANOR'S BITTERNESS 172 XVI. UNDER RESTRAINT 184 XVII. THE RANCHER'S ANSWER 196 XVIII. ELEANOR SPEAKS HER MIND 209 XIX. WOOD PULP 220 XX. ANTHEA MAKES A DISCOVERY 233 XXI. JIMMY GROWS RESTLESS 244 XXII. ASHORE 254 XXIII. ANTHEA GROWS ANXIOUS 265 XXIV. JORDAN KEEPS HIS PROMISE 276 XXV. AN UNDERSTANDING 285 XXVI. ELEANOR HOLDS THE CLUE 296 XXVII. JORDAN'S SCHEME 306 XXVIII. DISABLED ENGINES 317 XXIX. UNDER COMPULSION 329 XXX. AN EYE FOR AN EYE 344 XXXI. MERRIL CAPITULATES 354 XXXII. ELEANOR RELENTS 364 Thrice Armed CHAPTER I JIMMY RENOUNCES HIS CAREER It was with somewhat mixed feelings, and a curious little smile in his eyes, that Jim Wheelock stood with a brown hand on the _Tyee_'s wheel as the deep-loaded schooner slid out through Vancouver Narrows before a fresh easterly breeze. Dim heights of snow rose faintly white against the creeping dusk above her starboard hand, and the busy British Columbian city, girt with mazy wires and towering telegraph poles, was fading slowly amidst the great black pines astern. An aromatic smell of burning followed the schooner, and from the levels at the head of the Inlet a long gray smear blew out across the water. A fire which had, as not infrequently happens, passed the bounds of somebody's clearing was eating its way into that part of the great coniferous forest that rolls north from Oregon to Alaska along the wet seaboard of the Pacific <DW72>. The schooner was making her six knots, with mainboom well out on her quarter and broad wisps of froth washing off beneath her bows, slanted until her leeward scuppers were close above the sliding foam. Wheelock stood right aft, with his shoulders just above the roof of the little deckhouse, and, foreshortened as the vessel was, she seemed from that point of view a mere patch of scarred and somewhat uncleanly deck surmounted by a towering mass of sail. Two partly seen figures were busy bending on a gaff-topsail about the foot of her foremast, and Wheelock turned as one of them came slouching aft when the sail had been sent aloft. The man wore dungaree and jean, with a dilapidated oilskin coat over them, for the wind was keen. He appeared to be at least fifty years of age. Leaning against the rail, he grinned at
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Produced by Afra Ullah, Mary Meehan and the Online Distributed Proofreading Team ONLY AN INCIDENT BY GRACE DENIO LITCHFIELD 1883 CONTENTS. CHAPTER I. JOPPA II. PHEBE III. GERALD IV. MRS. UPJOHN'S ENTERTAINMENT V. FRIENDS VI. THE PICNIC VII. TRIED AS BY FIRE VIII. GERALD OBEYS ORDERS IX. JOPPA'S MINISTRATIONS TO THE SICK X. AN APOLOGY AND ITS CONSEQUENCES XI. "MY SON DICK" XII. WHY DO SUMMER ROSES FADE? XIII. JOPPA'S TRIAL XIV. PHEBE'S GOOD-BY XV. ONLY AN INCIDENT TO GRACE HILL AND EDWIN C. LITCHFIELD. TO HER FOR WHOSE DEAR SAKE THE STORY WAS PENNED, ALTHOUGH HER EYES HAVE NEVER REST UPON ITS PAGES, AND TO HIM WHOSE TENDER WATCH OVER ITS GROWTH HAS BEEN ITS VITAL INSPIRATION--TO THE TWO WHO ARE BUT ONE FOREVER IN THE HEART OF THEIR DAUGHTER, THIS LITTLE FIRST BOOK IS MOST LOVINGLY INSCRIBED. ONLY AN INCODENT CHAPTER I. JOPPA. Joppa was the very centre of all things. That was the opening clause in the creed of every well-educated and right-thinking Joppite. Geographically, however, it was not the centre of any thing, being considerably off from the great lines of railway travel, but possessing two little independent branch roads of its own, that connected it with all the world, or rather that connected all the world with it. For though there were larger places than Joppa even in the county in which it condescended to find itself, and though New York, and Philadelphia, and even Boston, were undeniably larger, as its inhabitants reluctantly admitted when hard pressed, yet they were unanimous in agreeing, nevertheless, that the sun rose and set wholly and entirely for the benefit of their one little aristocratic community. Yes; the world was created for Joppa, that the Joppites might live, move, and have their being with as much convenience and as little trouble as possible. Bethany, a considerable town near by, was built to be its shopping emporium; Galilee, a little farther off, to accommodate its art needs; Morocco, a more considerable town still farther off, to be the birthplace of those ancestors who were so unfortunate as to come into the world before there was any Joppa to be born in. Even New York was erected mainly to furnish it with a place of comfortable resort once a year, when it transplanted itself there bodily in a clan, consoling itself for its temporary aberration of body by visiting exclusively and diligently back and forth among its own people, and conforming life in all particulars as far as possible to home rules, still doing when in New York, not as the New Yorkers but as the Joppites did, and never for a moment abandoning its proud position as the one only place in the world worth living in. There certainly was much to say in favor of Joppa. In the first place, it was remarkably salubrious. Its inhabitants died only of old age,--seldom even of that,--or of diseases contracted wholly in other localities. Measles had indeed been known to break out there once in the sacred person of the President of the village, but had been promptly suppressed; besides, it was universally conceded that being in his second childhood he should be considered liable. The last epidemic of small-pox even had swept by them harmless. Only two old and extremely ugly women took it, whereas Bethany and Upper Jordan were decimated. So Joppa was decidedly healthy, for one thing. For another, it was moral. There had not been a murder heard of in ever so long, or a forgery, and the last midnight burglar was such a nice, simple fellow that he did not know real silver when he saw it, and ran off with the plated ware instead. And Joppa was not only moral, but religious; went to church no end of times on Sundays, and kept as many of the commandments as it conveniently could. It had four churches: one Methodist, frequented exclusively by the plebeians; one Baptist, of a mixed congregation; one Presbyterian, where three fourths of the best people went; and one Episcopal, which the best quarter of the best people attended, and which among the Presbyterians was popularly supposed to be, if not exactly the entrance to the infernal regions, yet certainly only one short step removed from it. And added to all these good traits, Joppa was a beautiful place. There were a few common, ugly little houses in it, of course, but they were all tucked away out of sight at one end, constituting what was known as "the village," while the real Joppa meant in the thoughts of the inhabitants only the West End so to speak, where was a series of pretty villas and commodious mansions running along a broad, handsome street, and stretching for quite a distance along the border of the lake. For, oh! best
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*Shakespeare* Ben Jonson Beaumont And Fletcher Notes and Lectures by S. T. Coleridge New Edition Liverpool Edward Howell MDCCCLXXIV CONTENTS Shakespeare Definition Of Poetry. Greek Drama. Progress Of The Drama. The Drama Generally, And Public Taste. Shakespeare, A Poet Generally. Shakespeare's Judgment equal to his Genius. Recapitulation, And Summary Of the Characteristics of Shakespeare's Dramas. Outline Of An Introductory Lecture Upon Shakespeare. Order Of Shakespeare's Plays. Notes On The "Tempest." "Love's Labour's Lost." "Midsummer Night's Dream." "Comedy Of Errors." "As You Like It." "Twelfth Night." "All's Well That Ends Well." "Merry Wives Of Windsor." "Measure For Measure." "Cymbeline." "Titus Andronicus." "Troilus And Cressida." "Coriolanus." "Julius Caesar." "Antony And Cleopatra." "Timon Of Athens." "Romeo And Juliet." Shakespeare's English Historical Plays. "King John." "Richard II." "Henry IV.--Part I." "Henry IV.--Part II." "Henry V." "Henry VI.--Part I." "Richard III." "Lear." "Hamlet." "Macbeth." "Winter's Tale." "Othello." Notes on Ben Jonson. Whalley's Preface. "Whalley's 'Life Of Jonson.' " "Every Man Out Of His Humour." "Poetaster." "Fall Of Sejanus." "Volpone." "Apicaene." "The Alchemist." "Catiline's Conspiracy." "Bartholomew Fair." "The Devil Is An Ass." "The Staple Of News." "The New Inn." Notes On Beaumont And Fletcher. Harris's Commendatory Poem On Fletcher. Life Of Fletcher In Stockdale's Edition, 1811. "Maid's Tragedy." "A King And No King." "The Scornful Lady." "The Custom Of The Country." "The Elder Brother." "The Spanish Curate." "Wit Without Money." "The Humorous Lieutenant." "The Mad Lover." "The Loyal Subject." "Rule A Wife And Have A Wife." "The Laws Of Candy." "The Little French Lawyer." "Valentinian." "Rollo." "The Wildgoose Chase." "A Wife For A Month." "The Pilgrim." "The Queen Of Corinth." "The Noble Gentleman." "The Coronation." "Wit At Several Weapons." "The Fair Maid Of The Inn." "The Two Noble Kinsmen." "The Woman Hater." SHAKESPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA, AND THE STAGE. Definition Of Poetry. Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre. The proper and immediate object of science is the acquirement, or communication, of truth; the proper and immediate object of poetry is the communication of immediate pleasure. This definition is useful; but as it would include novels and other works of fiction, which yet we do not call poems, there must be some additional character by which poetry is not only divided from opposites, but likewise distinguished from disparate, though similar, modes of composition. Now how is this to be effected? In animated prose, the beauties of nature, and the passions and accidents of human nature, are often expressed in that natural language which the contemplation of them would suggest to a pure and benevolent mind; yet still neither we nor the writers call such a work a poem, though no work could deserve that name which did not include all this, together with something else. What is this? It is that pleasurable emotion, that peculiar state and degree of excitement, which arises in the poet himself in the act of composition;--and in order to understand this, we must combine a more than ordinary sympathy with the objects, emotions, or incidents contemplated by the poet, consequent on a more than common sensibility, with a more than ordinary activity of the mind in respect of the fancy and the imagination. Hence is produced a more vivid reflection of the truths of nature and of the human heart, united with a constant
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E-text prepared by Delphine Lettau, Paula Franzini, and the Online Distributed Proofreading Team (http://www.pgdp.net) DISCIPLINE by MARY BRUNTON CONTENTS Chapter I 1 Chapter II 11 Chapter III 19 Chapter IV 32 Chapter V 41 Chapter VI 51 Chapter VII 61 Chapter VIII 73 Chapter IX 83 Chapter X 101 Chapter XI 114 Chapter XII 124 Chapter XIII 143 Chapter XIV 156 Chapter XV 165 Chapter XVI 178 Chapter XVII 193 Chapter XVIII 210 Chapter XIX 217 Chapter XX 231 Chapter XXI 244 Chapter XXII 257 Chapter XXIII 269 Chapter XXIV 286 Chapter XXV 301 Chapter XXVI 313 Chapter XXVII 327 Chapter XXVIII 340 Chapter XXIX 351 Chapter XXX 367 CHAPTER I _--I was wayward, bold, and wild; A self-willed imp; a grandame's child; But, half a plague and half a jest, Was still endured, beloved, carest._ Walter Scott I have heard it remarked, that he who writes his own history ought to possess Irish humour, Scotch prudence, and English sincerity;--the first, that his work may be read; the second that it may be read without injury to himself; the third, that the perusal of it may be profitable to others. I might, perhaps, with truth declare, that I possess only the last of these qualifications.
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Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net THE CHAUTAUQUAN. _A MONTHLY MAGAZINE DEVOTED TO THE PROMOTION OF TRUE CULTURE. ORGAN OF THE CHAUTAUQUA LITERARY AND SCIENTIFIC CIRCLE._ VOL. IV. JULY, 1884. No. 10. Chautauqua Literary and Scientific Circle. _President_—Lewis Miller, Akron, Ohio. _Superintendent of Instruction_—Rev. J. H. Vincent, D.D., New Haven, Conn. _Counselors_—Rev. Lyman Abbott, D.D.; Rev. J. M. Gibson, D.D.; Bishop H. W. Warren, D.D.; Prof. W. C. Wilkinson, D.D. _Office Secretary_—Miss Kate F. Kimball, Plainfield, N. J. _General Secretary_—Albert M. Martin, Pittsburgh, Pa. Contents Transcriber’s Note: This table of contents of this periodical was created for the HTML version to aid the reader. The White House 557 Sunday Readings [_July 6_] 560 [_July 13_] 560 [_July 20_] 560 [_July 27_] 561 Growth 561 Tenement House Life in New York 561 The Cañons of the Colorado 564 The Courts of Three Presidents 566 Astronomy of the Heavens For July 569 For August 570 For September 570 Rise Higher 571 Landmarks of Boston in Seven Days 572 Vanishing Types 577 The Council of Nice 580 Sonnet on Chillon 582 An Ocean Monarch 582 Eccentric Americans IX.—A Pioneer Eccentric Woman 584 The Imperial College in Peking 587 Eight Centuries with Walter Scott 589 Alaska—Its Missions 592 Our Naval Force 595 The Coming Summer Meetings at Chautauqua 597 Going to Europe 598 C. L. S. C. Work 600 The C. L. S. C. Course for 1884-’85 600 Local Circles 601 C. L. S. C. Testimony 606 Editor’s Outlook 607 Editor’s Note-Book 610 Talk About Books 612 THE WHITE HOUSE. By MRS. PATTIE L. COLLINS. When Washington was in its infancy, and the patriots of that early day bethought themselves of the propriety of building a residence for the President, it was with some difficulty that they could decide what it should be called. In truth, this seemed a more serious question than location, expense, or architecture. Anything that suggested monarchies or kingdoms, such as the word “palace,” could not be entertained; not a trace of the effete despotisms of the Old World should be tolerated, even in our nomenclature. At last “Executive Mansion” was settled upon as a proper title. Any gentleman, provided it was sufficiently pretentious, might style his house a “mansion,” and the chosen executor of laws for the nation was not therefore set apart and above his fellow countrymen, when installed as chief magistrate. In the course of a few years, when only its blackened walls were left standing as mute witnesses that our British cousins still loved us, so much paint was required to efface the marks of the destroyer, when it was restored, that it gleamed white as snow in the distance, and naturally, nay almost inevitably, came to be called the “White House” by popular consent. And by this pretty, simple name the home of the Presidents will doubtless continue to be known as long as republican institutions endure. It is as different as possible in external appearance from the habitations of royalty in European cities; no iron-barred windows, better fitted for a fortress than ordinary outlook, no gloomy, gray walls, chilly and forbidding, frowning down upon you, no squalid tenements thronged with degraded specimens of humanity press upon its outskirts to accentuate the beauties of the one and the miseries of the other. Instead of this, the White House rises fair and inviting from an elevation which seems just sufficient to bring it into relief as a conspicuous feature of the landscape. Its north front looks toward Pennsylvania Avenue, commanding a view of Lafayette Square—itself a most interesting spot, containing the celebrated equestrian statue of Jackson, by Clark Mills, and grouped about it the cannon captured at the battle of New Orleans—while around it stand some of the many historic residences of the capitol. To the east and west of the President’s grounds, respectively, may be seen the Treasury, and the War, State and Navy Departments; the southern aspect is the most charming of all; flowers, trees and emerald lawn, with the music of falling water make up a picture as bewildering in loveliness as it is arcadian in simplicity, its boundary line being the Potomac, shining in the distance like a bit of blue
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Produced by Richard Tonsing, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE HOLYHEAD ROAD [Illustration: EARLY DAYS ON THE LONDON AND BIRMINGHAM RAILWAY.] THE HOLYHEAD ROAD: THE MAIL-COACH ROAD TO DUBLIN By CHARLES G. HARPER Author of “_The Brighton Road_,” “_The Portsmouth Road_,” “_The Dover Road_,” “_The Bath Road_,” “_The Exeter Road_,” “_The Great North Road_,” and “_The Norwich Road_” [Illustration] _Illustrated by the Author, and from Old-Time Prints and Pictures_ _Vol. II. BIRMINGHAM TO HOLYHEAD_ LONDON: CHAPMAN & HALL LTD. 1902 [_All rights reserved_] PRINTED BY HAZELL, WATSON, AND VINEY, LD. LONDON AND AYLESBURY. ------------------------------------------------------------------------ [Illustration] LIST OF ILLUSTRATIONS SEPARATE PLATES PAGE EARLY DAYS ON THE LONDON AND BIRMINGHAM RAILWAY. _Frontispiece_ BULL RING. (_From a Print after David Cox_) 5 OLD BIRMINGHAM COACHING BILL. 13 DUDLEY. (_After J. M. W. Turner, R.A._) 31 HIGH GREEN, WOLVERHAMPTON, 1797. (_After Rowlandson_) 47 HIGH GREEN, WOLVERHAMPTON, 1826. (_From an Old Print_) 51 HIGH GREEN, WOLVERHAMPTON, 1860. (_From a Contemporary Photograph_) 55 SHIFFNAL. 67 THE COUNCIL HOUSE. 141 THE HONOURABLE THOMAS KENYON. (_From an Old Print_) 153 THE VALE OF LLANGOLLEN. 177 LLANGOLLEN. 183 LLANGOLLEN. (_After J. M. W. Turner, R. A._) 187 VALLE CRUCIS ABBEY. (_After J. M. W. Turner, R.A._) 207 CERNIOGE. 227 THE SWALLOW FALLS. (_From an Old Print_) 247 LLYN OGWEN AND TRIFAEN MOUNTAIN. 255 PENMAENMAWR. (_After J. M. W. Turner, R.A._) 275 THE OLD LANDING-PLACE ON THE ANGLESEY SHORE. 283 ILLUSTRATIONS IN TEXT Vignette: Prince Rupert _Title Page_ List of Illustrations: The Black Country vii The Holyhead Road 1 The “Hen and Chickens,” 1830 18 The “Old Royal” 24 Wednesbury 37 Old Hill, Tettenhall 59 The Sabbath-breaking Seamstress 60 Snedshill Furnaces 71 Haygate Inn 76 The Wrekin 79 The “Old Wall” 84 Wroxeter Church 85 Atcham Bridge 91 Lord Hill’s Monument 92 The English Bridge 97 Wyle Cop and the “Lion” 107 The “Lion” Yard 132 The Market-Place, Shrewsbury 138 Shelton Oak 144 The Breidden Hills 147 Queen’s Head 156 Offa’s <DW18> 176 The Ladies of Llangollen. (_From an Old Print_) 198 Plas Newydd 203 Owain Glyndwr’s Mount 211 Cerrig-y-Druidion 224 The Waterloo Bridge 232 The Old Church, Bettws-y-Coed 234 Sign of the “Royal Oak” 238 Pont-y-Pair 245 Cyfyng Falls 250 Capel Curig 252 The Falls of Ogwen 257 Nant Ffran
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Produced by Brian Coe, John Campbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) TRANSCRIBER'S NOTE Italic text is denoted by _underscores_. Some minor changes are noted at the end of the book. HISTORICAL RECORDS OF THE BRITISH ARMY. GENERAL ORDERS. _HORSE-GUARDS_, _1st January, 1836_. His Majesty has been pleased to command, that, with a view of doing the fullest justice to Regiments, as well as to Individuals who have distinguished themselves by their Bravery in Action with the Enemy, an Account of the Services of every Regiment in the British Army shall be published under the superintendence and direction of the Adjutant-General; and that this Account shall contain the following particulars, viz., ---- The Period and Circumstances of the Original Formation of the Regiment; The Stations at which it has been from time to time employed; The Battles, Sieges, and other Military Operations, in which it has been engaged, particularly specifying any Achievement it may have performed, and the Colours, Trophies, &c., it may have captured from the Enemy. ---- The Names of the Officers and the number of Non-Commissioned Officers and Privates, Killed or Wounded by the Enemy, specifying the Place and Date of the Action. ---- The Names of those Officers, who, in consideration of their Gallant Services and Meritorious Conduct in Engagements with the Enemy, have been distinguished with Titles, Medals, or other Marks of His Majesty's gracious favour. ---- The Names of all such Officers, Non-Commissioned Officers and Privates as may have specially signalized themselves in Action. And, ---- The Badges and Devices which the Regiment may have been permitted to bear, and the Causes on account of which such Badges or Devices, or any other Marks of Distinction, have been granted. By Command of the Right Honourable GENERAL LORD HILL, _Commanding-in-Chief_. JOHN MACDONALD, _Adjutant-General_. PREFACE. The character and credit of the British Army must chiefly depend upon the zeal and ardour, by which all who enter into its service are animated, and consequently it is of the highest importance that any measure calculated to excite the spirit of emulation, by which alone great and gallant actions are achieved, should be adopted. Nothing can more fully tend to the accomplishment of this desirable object, than a full display of the noble deeds with which the Military History of our country abounds. To hold forth these bright examples to the imitation of the youthful soldier, and thus to incite him to emulate the meritorious conduct of those who have preceded him in their honourable career, are among the motives that have given rise to the present publication. The operations of the British Troops are, indeed, announced in the "London Gazette," from whence they are transferred into the public prints: the achievements of our armies are thus made known at the time of their occurrence, and receive the tribute of praise and admiration to which they are entitled. On extraordinary occasions, the Houses of Parliament have been in the habit of conferring on the Commanders, and the Officers and Troops acting under their orders, expressions of approbation and of thanks for their skill and bravery, and these testimonials, confirmed by the high honour of their Sovereign's Approbation, constitute the reward which the soldier most highly prizes. It has not, however, until late years, been the practice (which appears to have long prevailed in some of the Continental armies) for British Regiments to keep regular records of their services and achievements. Hence some difficulty has been experienced in obtaining, particularly from the old Regiments, an authentic account of their origin and subsequent services. This defect will now be remedied, in consequence of His Majesty having been pleased to command, that every Regiment shall in future keep a full and ample record of its services at home and abroad. From the materials thus collected, the country will henceforth derive information as to the difficulties and privations which chequer the career of those who embrace the military profession. In Great Britain, where so large a number of persons are devoted to the active concerns of agriculture, manufactures, and commerce, and where these pursuits have, for so long a period, been undisturbed by the _presence of war_, which few other countries have escaped, comparatively little is known of the vicissitudes of active service, and of the casualties of climate, to which, even during peace, the British Troops are exposed in every part of the globe, with little or no interval of repose. In their tranquil enjoyment of the blessings which the country derives from the industry and the enterprise of the agriculturist and the trader, its happy inhabitants may be supposed not often to reflect on the perilous duties of the soldier and the sailor,--on their sufferings,--and on the sacrifice of valuable life, by which so many national benefits are obtained and preserved. The conduct of the British Troops, their valour, and endurance, have shone conspicuously under great and trying difficulties; and their character has been established in Continental warfare by the irresistible spirit with which they have effected debarkations in spite of the most formidable opposition, and by the gallantry and steadiness with which they have maintained their advantages against superior numbers. In the official Reports made by the respective Commanders, ample justice has generally been done to the gallant exertions of the Corps employed; but the details of their services, and of acts of individual bravery, can only be fully given in the Annals of the various Regiments. These Records are now preparing for publication, under His Majesty's special authority, by Mr. RICHARD CANNON, Principal Clerk of the Adjutant-General's Office; and while the perusal of
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Produced by An Anonymous Volunteer TREMENDOUS TRIFLES By G. K. Chesterton PREFACE These fleeting sketches are all republished by kind permission of the Editor of the DAILY NEWS, in which paper they appeared. They amount to no more than a sort of sporadic diary--a diary recording one day in twenty which happened to stick in the fancy--the only kind of diary the author has ever been able to keep. Even that diary he could only keep by keeping it in public, for bread and cheese. But trivial as are the topics they are not utterly without a connecting thread of motive. As the reader's eye strays, with hearty relief, from these pages, it probably alights on something, a bed-post or a lamp-post, a window blind or a wall. It is a thousand to one that the reader is looking at something that he has never seen: that is, never realised. He could not write an essay on such a post or wall: he does not know what the post or wall mean. He could not even write the synopsis of an essay; as "The Bed-Post; Its Significance--Security Essential to Idea of Sleep--Night Felt as Infinite--Need of Monumental Architecture," and so on. He could not sketch in outline his theoretic attitude towards window-blinds, even in the form of a summary. "The Window-Blind--Its Analogy to the Curtain and Veil--Is Modesty Natural?--Worship of and Avoidance of the Sun, etc., etc." None of us think enough of these things on which the eye rests. But don't let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. II.--NO. 97. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, September 6, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE SMALL PASSENGER WITH THE LARGE VALISE.] [Begun in No. 92 of HARPER'S YOUNG PEOPLE, August 2] TIM AND TIP; OR, THE ADVENTURES OF A BOY AND A DOG BY JAMES OTIS. CHAPTER VI. TIM MAKES AN ACQUAINTANCE. When Tim left old Mose's kitchen it was nearly time for the steamer to start on her regular trip, and the passengers were coming on board quite fast. The bustle and excitement which always attend the sailing of steamers, even though the trip be a short one, were all so new and strange to Tim that he forgot his own troubles in watching the scene around him. He saw Mr. Rankin near the kitchen, and was told by him that he could remain on deck until the Captain should ring his bell, when he would let him know of it. Therefore Tim had an opportunity to take in all the details of the interesting scene. The deck hands were scurrying to and fro, wheeling in freight or baggage on funny little trucks with very small wheels and very long handles; passengers were running around excitedly, as if they thought they ought to attend to matters which did not concern them; newsboys were crying the latest editions of the papers; old women were trying to sell fruit that did not look very fresh, and everything appeared to be in the greatest confusion. While Tim was leaning on the after-rail of the main-deck, his attention was attracted by a very small boy, who was trying to get himself and a large valise on board at the same time. The valise was several sizes too large for the boy, and some one of the four corners would persist in hitting against his legs each time he stepped, and then, swinging around, would almost throw him off his feet. Twice the boy started to go on board, and each time the valise grew unruly, frightening him from continuing the attempt lest he should be thrown into the water. Then he stood still and gazed longingly at the plank upon which he did not dare to venture. It was a comical sight, and Tim laughed at it until he saw the boy was really in distress, when he started to aid him. "Let me help you carry your valise," he said to the small passenger, as he darted across the narrow plank, and took hold of one side of the offending baggage. "Two can lug it better'n one." The boy looked up as if surprised that a stranger should offer to help him, and then gave up one-half the burden to this welcome aid. This time the journey was made successfully; and as the valise was deposited on the steamer's deck, the little passenger gave a deep sigh of relief. "So much done!" he said, in a satisfied way, as he took off his hat and wiped his forehead with a handkerchief that did not look much larger than a postage stamp. "Where are you goin'?" he then asked, turning to Tim. "Why, I ain't goin' anywhere," replied the Captain's boy, not fully understanding the other's question. "Oh!"--and the boy's face grew troubled--"I thought maybe you was goin' in the boat." "So I am," answered Tim, now understanding the question. "I work here." "Now that's nice;" and the little fellow sat down on his valise contentedly. "You may think so; but if you knew Captain Pratt, you'd talk different." "Why?" "Perhaps you'll find out if you come on this boat much; but I guess I'd better not tell you." The boy was silent for a moment, as if he was trying to understand what Tim meant, and then he said, abruptly: "Look here, I live down on Minchen's Island, an' I come up here to see my aunt. I'm goin' home on this boat, an' I want you to show me where I can get a ticket. If you will, I'll show you lots of things I've got in this valise." "I don't know where it is myself, 'cause I ain't been on the boat only two days; but if you'll wait here, I'll go an' ask the cook." The boy nodded his head as if to say that he would wait any reasonable length of time, and Tim started off to gain the desired information of old Mose. In a few moments he returned, and taking his new acquaintance by the hand, would have led him to the clerk's office at once, had not the small boy pulled back in evident alarm. "We've got to take the valise with us, 'cause somebody might steal it, an' there's two bundles of torpedoes, a whole bunch of fire-crackers, an' a heap of little sky-rockets in it." Tim understood at once, and with a serious look on his face, as he thought of the great risk he came near running, took hold of one of the handles of the valise, the boy grasped the other, and the two marched up to the clerk's office. There, after some little discussion, the ticket was purchased, and the two retired to a more secluded spot for conversation. "What's your name?" the boy asked of Tim. "Mine's Bobby Tucker." Tim gave the desired information, and then asked in turn, "How long have you been up here?" "'Most a whole week, an' I've had lots of fun. I had five dollars an' twenty cents that I earned all myself, an' I've got'most half a dollar left. Let's go out on the wharf an' buy something." There was no chance that Tim would object to any such brilliant idea, and the valise was left with old Mose for safe-keeping. Once on the wharf, both they and the apple women were very busy for five minutes, during which time they--or rather Bobby--bought fruit and candies enough to make both of them as contented as a boy could hope to be. Luckily for Tim he got on the steamer again just as one of the waiters came to tell him that the Captain had rung for him, and he lost no time in making his way to the wheel-house. He had the good fortune to get there as quickly as Captain Pratt thought he ought to have done, and then got his employer's coat from his state-room as he was ordered. After that he went back to his newly made friend, who was awaiting his return with considerable impatience, for he did not feel exactly certain that his valise with its precious contents was perfectly safe. Tim took him to the cook-room, and while there showed him "one of the finest dogs in the country," which he led back to his old quarters, so that he would be out of the way at dinner-time. At first Bobby was not inclined to look upon Tip either as a beautiful or a valuable animal; but Tim sounded his pet's praises so loudly that Bobby could hardly prevent himself from being convinced, even though the appearances were so decidedly against his companion's words. Among other stories which Tim related as showing that Tip was one of the most intelligent of his species was the incident of his finding the cow so suddenly for Sam Simpson, which pleased Bobby greatly, and he said, in a wise tone both of praise and blame, "He looks like a good dog, an' he acts like a good dog, but 'pears to me his legs is kinder short if you wanted to make him run after a bear." "I never tried to make him do that, 'cause we don't have bears up where I come from. Are there any where you live?" "Well, I never saw any, an' father says there ain't any; but I've heard 'em in the woods, an' I know they was bears 'cause they made such an awful noise. You come down to the island and see me, an' bring the dog with you, an' we'll kill some." Tim was perfectly sure that Tip was able to kill any number of bears, and he told his companion so, adding that he hardly thought he could get away from the steamer long enough to make any kind of a visit; but Bobby felt sure it could be arranged somehow. While they had been talking about Tip, the boat had started, but, among the freight as they were, they did not know it until the pitching of the steamer as she left the harbor told that some change had been and was being made in their position. Running hastily out to the rail, where they expected to see the wharf with its bustling crowd of hucksters and passengers, they saw to their astonishment the green rolling billows of the ocean. To Bobby, who lived on an island, the sea was no new sight, and his astonishment was only occasioned by the fact that the steamer had left the dock; but to Tim, who had never seen a body of water larger than the river in Selman, the scene was one that filled him with the greatest wonder. He remained by the rail, only able to look over the top of it by standing on his toes, gazing on the sea, until Bobby asked, impatiently, "What's the matter? ain't sick, are yer?" Until that question was asked, Tim had not thought of such a thing as being seasick; but the moment Bobby spoke, it seemed as if the entire appearance of the water changed. Instead of looking grand and beautiful, it began to have a sidelong motion, and to rise up and down in an uncomfortable way. "No, I ain't sick," he said to Bobby, "but I feel kinder queer." "That's it! that's it!" cried Bobby, eagerly; "that's the way folks begin when they're goin' to be awful sick." Tim looked up in despair. Each succeeding motion of the boat made him feel worse, and that was speedily giving place to a very uncomfortable sensation in the region of his stomach. "What shall I do?" he asked, in a piteous whisper. "Go to bed, an' you'll be all right in the mornin'. Where's your berth?" Tim made a motion toward the forecastle, but did not trust himself to speak. His stomach was already in too queer a condition to permit of words. "I'll go down with you, an' see that you're all right," said Bobby, sagely. "I'm used to goin' fishin' with father, and I won't be sick." Tim was about to follow his friend's suggestion, when the horrible thought occurred to him of what the result might be in case Captain Pratt knew of his being in bed in the daytime, and he went to ask advice of old Mose. The old cook's advice was the same as that given by Bobby, and was followed at once, because it came from a semi-official source, and in a few moments afterward Tim was groaning in his berth, while Bobby sat by his side, and tried to persuade him to partake of some of the candy he had bought just before leaving port. Tim refused the offering, and for the first time in his life looked upon candy as the stickiest kind of a fraud. He felt as though the kindest thing any one could do would be to throw him overboard in the
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E-text prepared by Joseph E. Loewenstein, M.D. NINA BALATKA by ANTHONY TROLLOPE INTRODUCTION Anthony Trollope was an established novelist of great renown when _Nina Balatka_ was published in 1866, twenty years after his first novel. Except for _La Vendee_, his third novel, set in France during the Revolution, all his previous works were set in England or Ireland and dealt with the upper levels of society: the nobility and the landed gentry (wealthy or impoverished), and a few well-to-do merchants--people several strata above the social levels of the characters popularized by his contemporary Dickens. Most of Trollope's early novels were set in the countryside or in provincial towns, with occasional forays into London. The first of his political novels, _Can You Forgive Her_, dealing with the Pallisers was published in 1864, two years before _Nina_. By the time he began writing _Nina_, shortly after a tour of Europe, Trollope was a master at chronicling the habits, foibles, customs, and ways of life of his chosen subjects. _Nina Balatka_ is, on the surface, a love story--not an unusual theme for Trollope. Romance and courtship were woven throughout all his previous works, often with two, three, or even more pairs of lovers per novel. Most of his heroes and heroines, after facing numerous hurdles, often of their own making, were eventually happily united by the next-to-last chapter. A few were doomed to disappointment (Johnny Eames never won the heart of Lily Dale through two of the "Barsetshire" novels), but marital bliss--or at least the prospect of bliss--was the usual outcome. Even so, the reader of Trollope soon notices his analytical description of Victorian courtship and marriage. In the circles of Trollope's characters, only the wealthy could afford to marry for love; those without wealth had to marry for money, sometimes with disastrous consequences. By the time of _Nina_, Trollope's best exploration of this subject was the marriage between Plantagenet Palliser and Lady Glencora M'Cluskie, the former a cold fish and the latter a hot-blooded heiress in love with a penniless scoundrel (_Can You Forgive Her?_ 1865). Yet to come was the disastrous marriage of intelligent Lady Laura Standish to the wealthy but old-maidish Robert Kennedy in _Phineas Finn_ and its sequel. But _Nina Balatka_ is different from Trollope's previous novels in four respects. First, Trollope was accustomed to include in his novels his own witty editorial comments about various subjects, often paragraphs or even several pages long. No such comments are found in _Nina_. Second, the story is set in Prague instead of the British isles. Third, the hero and heroine are already in love and engaged to one another at the opening; we are not told any details about their falling in love. The hero, Anton Trendellsohn is a successful businessman in his mid-thirties--not the typical Trollopian hero in his early twenties, still finding himself, and besotted with love. Anton is rather cold as lovers go, seldom whispering words of endearment to Nina. But it is the fourth difference which really sets this novel apart and makes it both a masterpiece and an enigma. That fourth--and most important--difference is clearly stated in the remarkable opening sentence of the novel: Nina Balatka was a maiden of Prague, born of Christian parents, and herself a Christian--but she loved a Jew; and this is her story. Marriage--even worse, love--between a Christian and a Jew would have been unacceptable to Victorian British readers. Blatant anti-semitism was prevalent--perhaps ubiquitous--among the upper classes. Let us consider the origins of this anti-semitism. Jews were first allowed into England by William the Conqueror. For a while they prospered, largely through money-lending, an occupation to which they were restricted. In the 13th century a series of increasingly oppressive laws and taxes reduced the Jewish community to poverty, and the Jews were expelled from England in 1290. They were not allowed to return until 1656, when Oliver Cromwell authorized their entry over the objections of British merchants. Legal protection for the Jews increased gradually; even the "Act for the More Effectual Suppressing of Blasphemy
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Produced by David Widger ROUGHING IT by Mark Twain 1880 TO CALVIN H. HIGBIE, Of California, an Honest Man, a Genial Comrade, and a Steadfast Friend. THIS BOOK IS INSCRIBED By the Author, In Memory of the Curious Time When We Two WERE MILLIONAIRES FOR TEN DAYS. ROUGHING IT BY MARK TWAIN. (SAMUEL L. CLEMENS.) PREFATORY. This book is merely a personal narrative, and not a pretentious history or a philosophical dissertation. It is a record of several years of variegated vagabondizing, and its object is rather to help the resting reader while away an idle hour than afflict him with metaphysics, or goad him with science. Still, there is information in the volume; information concerning an interesting episode in the history of the Far West, about which no books have been written by persons who were on the ground in person, and saw the happenings of the time with their own eyes. I allude to the rise, growth and culmination of the silver-mining fever in Nevada -a curious episode, in some respects; the only one, of its peculiar kind, that has occurred in the land; and the only one, indeed, that is likely to occur in it. Yes, take it all around, there is quite a good deal of information in the book. I regret this very much; but really it could not be helped: information appears to stew out of me naturally, like the precious ottar of roses out of the otter. Sometimes it has seemed to me that I would give worlds if I could retain my facts; but it cannot be. The more I calk up the sources, and the tighter I get, the more I leak wisdom. Therefore, I can only claim indulgence at the hands of the reader, not justification. THE AUTHOR. CONTENTS. CHAPTER I. My Brother appointed Secretary of Nevada--I Envy His Prospective Adventures--Am Appointed Private Secretary Under Him--My Contentment Complete--Packed in One Hour--Dreams and Visions--On the Missouri River --A Bully Boat CHAPTER II. Arrive at St. Joseph--Only Twenty-five Pounds Baggage Allowed--Farewell to Kid Gloves and Dress Coats--Armed to the Teeth--The “Allen”--A Cheerful Weapon--Persuaded to Buy a Mule--Schedule of Luxuries--We Leave the “States”--“Our Coach”--Mails for the Indians--Between a Wink and an Earthquake--A Modern Sphynx and How She Entertained Us--A Sociable Heifer CHAPTER III. “The Thoroughbrace is Broke”--Mails Delivered Properly--Sleeping Under Difficulties--A Jackass Rabbit Meditating, and on Business--A Modern Gulliver--Sage-brush--Overcoats as an Article of Diet--Sad Fate of a Camel--Warning to Experimenters CHAPTER IV. Making Our Bed--Assaults by the Unabridged--At a Station--Our Driver a Great and Shining Dignitary--Strange Place for a Frontyard --Accommodations--Double Portraits--An Heirloom--Our Worthy Landlord --“Fixings and Things”--An Exile--Slumgullion--A Well Furnished Table--The Landlord Astonished--Table Etiquette--Wild Mexican Mules--Stage-coaching and Railroading CHAPTER V. New Acquaintances--The Cayote--A Dog’s Experiences--A Disgusted Dog--The Relatives of the Cayote--Meals Taken Away from Home CHAPTER VI. The Division Superintendent--The Conductor--The Driver--One Hundred and Fifty Miles’ Drive Without Sleep--Teaching a Subordinate--Our Old Friend Jack and a Pilgrim--Ben Holliday Compared to Moses CHAPTER VII. Overland City--Crossing the Platte--Bemis’s Buffalo Hunt--Assault by a Buffalo--Bemis’s Horse Goes Crazy--An Impromptu Circus--A New Departure --Bemis Finds Refuge in a Tree--Escapes Finally by a Wonderful Method CHAPTER VIII. The Pony Express--Fifty Miles Without Stopping--“Here he Comes”--Alkali Water--Riding an Avalanche--Indian Massacre CHAPTER IX. Among the Indians--An Unfair Advantage--Laying on our Arms--A Midnight Murder--Wrath of Outlaws--A Dangerous, yet Valuable Citizen CHAPTER X. History of Slade--A Proposed Fist-fight--Encounter with Jules--Paradise of Outlaws--Slade as Superintendent--As Executioner--A Doomed Whisky Seller--A Prisoner--A Wife’s Bravery--An Ancient Enemy Captured--Enjoying a Luxury--Hob-nobbing with Slade--Too Polite--A Happy Escape CHAPTER XI. Slade in Montana--“On a Spree”--In Court--Attack on a Judge--Arrest by the Vigilantes--Turn out of the Miners--Execution of Slade--Lamentations of His Wife--Was Slade a Coward? CHAPTER XII. A Mormon Emigrant Train--The Heart of the Rocky Mountains--Pure Saleratus--A Natural Ice-House--An Entire Inhabitant--In Sight of “Eternal Snow”--The South Pass--The Parting Streams--An Unreliable Letter Carrier--Meeting of Old Friends--A Spoiled Watermelon--Down the Mountain--A Scene of Desolation--Lost in the Dark--Unnecessary Advice --U.S. Troops and Indians--Sublime Spectacle--Another Delusion Dispelled --Among the Angels CHAPTER XIII. Mormons and Gentiles--Exhilarating Drink, and its Effect on Bemis--Salt Lake City--A Great Contrast--A Mormon Vagrant--Talk with a Saint--A Visit to the “King”--A Happy Simile CHAPTER XIV. Mormon Contractors--How Mr. Street Astonished Them--The Case Before Brigham Young, and How he Disposed of it--Polygamy Viewed from a New Position CHAPTER XV. A Gentile Den--Polygamy Discussed--Favorite Wife and D. 4--Hennery for Retired Wives--Children Need Marking--Cost of a Gift to No. 6 --A Penny-whistle Gift and its Effects--Fathering the Foundlings --It Resembled Him--The Family Bedstead CHAPTER XVI The Mormon Bible--Proofs of its Divinity--Plagiarism of its Authors --Story of Nephi--Wonderful Battle--Kilkenny Cats Outdone CHAPTER XVII. Three Sides to all Questions--Everything “A Quarter”--Shriveled Up --Emigrants and White Shirts at a Discount--“Forty-Niners”--Above Par--Real Happiness CHAPTER XVIII. Alkali Desert--Romance of Crossing Dispelled--Alkali Dust--Effect on the Mules--Universal Thanksgiving CHAPTER XIX. The Digger Indians Compared with the Bushmen of Africa--Food, Life and Characteristics--Cowardly Attack on a Stage Coach--A Brave Driver--The Noble Red Man CHAPTER XX. The Great American Desert--Forty Miles on Bones--Lakes Without Outlets --Greely’s Remarkable Ride--Hank Monk, the Renowned Driver--Fatal Effects of “Corking” a Story--Bald-Headed Anecdote CHAPTER XXI. Alkali Dust--Desolation and Contemplation--Carson City--Our Journey Ended--We are Introduced to Several Citizens--A Strange Rebuke--A Washoe Zephyr at Play--Its Office Hours--Governor’s Palace--Government Offices --Our French Landlady Bridget O’Flannigan--Shadow Secrets--Cause for a Disturbance at Once--The Irish Brigade--Mrs. O’Flannigan’s Boarders--The Surveying Expedition--Escape of the Tarantulas CHAPTER XXII. The Son of a Nabob--Start for Lake Tahoe--Splendor of the Views--Trip on the Lake--Camping Out--Reinvigorating Climate--Clearing a Tract of Land --Securing a Title--Outhouse and Fences CHAPTER XXIII. A Happy Life--Lake Tahoe and its Moods--Transparency of the Waters--A Catastrophe--Fire! Fire!--A Magnificent Spectacle--Homeless Again--We take to the Lake--A Storm--Return to Carson CHAPTER XXIV. Resolve to Buy a Horse--Horsemanship in Carson--A Temptation--Advice Given Me Freely--I Buy the Mexican Plug--My First Ride--A Good Bucker--I Loan the Plug--Experience of Borrowers--Attempts to Sell--Expense of the Experiment--A Stranger Taken In CHAPTER XXV. The Mormons in Nevada--How to Persuade a Loan from Them--Early History of the Territory--Silver Mines Discovered--The New Territorial Government--A Foreign One and a Poor One--Its Funny Struggles for Existence--No Credit, no Cash--Old Abe Currey Sustains it and its Officers--Instructions and Vouchers--An Indian’s Endorsement--Toll-Gates CHAPTER XXVI. The Silver Fever--State of the Market--Silver Bricks--Tales Told--Off for the Humboldt Mines CHAPTER XXVII. Our manner of going--Incidents of the Trip--A Warm but Too Familiar a Bedfellow--Mr. Ballou Objects--Sunshine amid Clouds--Safely Arrived CHAPTER XXVIII. Arrive at the Mountains--Building Our Cabin--My First Prospecting Tour --My First Gold Mine--Pockets Filled With Treasures--Filtering the News to My Companions--The Bubble Pricked--All Not Gold That Glitters CHAPTER XXIX. Out Prospecting--A Silver Mine At Last--Making a Fortune With Sledge and Drill--A Hard Road to Travel--We Own in Claims--A Rocky Country CHAPTER XXX. Disinterested Friends--How “Feet” Were Sold--We Quit Tunnelling--A Trip to Esmeralda--My Companions--An Indian Prophesy--A Flood--Our Quarters During It CHAPTER XXXI. The Guests at “Honey Lake Smith’s”--“Bully Old Arkansas”--“Our Landlord” --Determined to Fight--The Landlord’s Wife--The Bully Conquered by Her --Another Start--Crossing the Carson--A Narrow Escape--Following Our Own Track--A New Guide--Lost in the Snow CHAPTER XXXII. Desperate Situation--Attempts to Make a Fire--Our Horses leave us--We Find Matches--One, Two, Three and the Last--No Fire--Death Seems Inevitable--We Mourn Over Our Evil Lives--Discarded Vices--We Forgive Each Other--An Affectionate Farewell--The Sleep of Oblivion CHAPTER XXXIII. Return of Consciousness--Ridiculous Developments--A Station House--Bitter Feelings--Fruits of Repentance--Resurrected Vices CHAPTER XXXIV. About Carson--General Buncombe--Hyde vs. Morgan--How Hyde Lost His Ranch --The Great Landslide Case--The Trial--General Buncombe in Court--A Wonderful Decision--A Serious Afterthought CHAPTER XXXV. A New Travelling Companion--All Full and No Accommodations--How Captain Nye found Room--and Caused Our Leaving to be Lamented--The Uses of Tunnelling--A Notable Example--We Go into the “Claim” Business and Fail --At the Bottom CHAPTER XXXVI. A Quartz Mill--Amalgamation--“Screening Tailings”--First Quartz Mill in Nevada--Fire Assay--A Smart Assayer--I stake for an advance CHAPTER XXXVII. The Whiteman Cement Mine--Story of its Discovery--A Secret Expedition--A Nocturnal Adventure--A Distressing Position--A Failure and a Week’s Holiday CHAPTER XXXVIII. Mono Lake--Shampooing Made Easy--Thoughtless Act of Our Dog and the Results--Lye Water--Curiosities of the Lake--Free Hotel--Some Funny Incidents a Little Overdrawn CHAPTER XXXIX. Visit to the Islands in Lake Mono--Ashes and Desolation--Life Amid Death Our Boat Adrift--A Jump For Life--A Storm On the Lake--A Mass of Soap Suds--Geological Curiosities--A Week On the Sierras--A Narrow Escape From a Funny Explosion--“Stove Heap Gone” CHAPTER XL. The “Wide West” Mine--It is “Interviewed” by Higbie--A Blind Lead--Worth a Million--We are Rich At Last--Plans for the Future CHAPTER XLI. A Rheumatic Patient--Day Dreams--An Unfortunate Stumble--I Leave Suddenly--Another Patient--Higbie in the Cabin--Our Balloon Bursted --Worth Nothing--Regrets and Explanations--Our Third Partner CHAPTER XLII. What to do Next?--Obstacles I Had Met With--“Jack of All Trades”--Mining Again--Target Shooting--I Turn City Editor--I Succeed Finely CHAPTER XLIII. My Friend Boggs--The School Report--Boggs Pays Me An Old Debt--Virginia City CHAPTER XLIV. Flush Times--Plenty of Stock--Editorial Puffing--Stocks Given Me--Salting Mines--A Tragedian In a New Role CHAPTER XLV. Flush Times Continue--Sanitary Commission Fund--Wild Enthusiasm of the People--Would not wait to Contribute--The Sanitary Flour Sack--It is Carried to Gold Hill and Dayton--Final Reception in Virginia--Results of the Sale--A Grand Total CHAPTER XLVI. The Nabobs of Those Days--John Smith as a Traveler--Sudden Wealth--A Sixty-Thousand-Dollar Horse--A Smart Telegraph Operator--A Nabob in New York City--Charters an Omnibus--“Walk in, It’s All Free”--“You Can’t Pay a Cent”--“Hold On, Driver, I Weaken”--Sociability of New Yorkers CHAPTER XLVII. Buck Fanshaw’s Death--The Cause Thereof--Preparations for His Burial --Scotty Briggs the Committee Man--He Visits the Minister--Scotty Can’t Play His Hand--The Minister Gets Mixed--Both Begin to See--“All Down Again But Nine”--Buck Fanshaw as a Citizen--How To “Shook Your Mother” --The Funeral--Scotty Briggs as a Sunday School Teacher CHAPTER XLVIII. The First Twenty-Six Graves in Nevada--The Prominent Men of the County --The Man Who Had Killed His Dozen--Trial by Jury--Specimen Jurors--A Private Grave Yard--The Desperadoes--Who They Killed--Waking up the Weary Passenger--Satisfaction Without Fighting CHAPTER XLIX. Fatal Shooting Affray--Robbery and Desperate Affray--A Specimen City Official--A Marked Man--A Street Fight--Punishment of Crime CHAPTER L. Captain Ned Blakely--Bill Nookes Receives Desired Information--Killing of Blakely’s Mate--A Walking Battery--Blakely Secures Nookes--Hang First and Be Tried Afterwards--Captain Blakely as a Chaplain--The First Chapter of Genesis Read at a Hanging--Nookes Hung--Blakely’s Regrets CHAPTER LI. The Weekly Occidental--A Ready Editor--A Novel--A Concentration of Talent--The Heroes and the Heroines--The Dissolute Author Engaged --Extraordinary Havoc With the Novel--A Highly Romantic Chapter--The Lovers Separated--Jonah Out-done--A Lost Poem--The Aged Pilot Man--Storm On the Erie Canal--Dollinger the Pilot Man--Terrific Gale--Danger Increases--A Crisis Arrived--Saved as if by a Miracle CHAPTER LII. Freights to California--Silver Bricks--Under Ground Mines--Timber Supports--A Visit to the Mines--The Caved Mines--Total of Shipments in 1863 CHAPTER LIII. Jim Blaine and his Grandfather’s Ram--Filkin’s Mistake--Old Miss Wagner and her Glass Eye--Jacobs, the Coffin Dealer--Waiting for a Customer--His Bargain With Old Robbins--Robbins Sues for Damage and Collects--A New Use for Missionaries--The Effect--His Uncle Lem and the Use Providence Made of Him--Sad Fate of Wheeler--Devotion of His Wife--A Model Monument--What About the Ram? CHAPTER LIV. Chinese in Virginia City--Washing Bills--Habit of Imitation--Chinese Immigration--A Visit to Chinatown--Messrs. Ah Sing, Hong Wo, See Yup, &c. CHAPTER LV. Tired of Virginia City--An Old Schoolmate--A Two Years’ Loan--Acting as an Editor--Almost Receive an Offer--An Accident--Three Drunken Anecdotes --Last Look at Mt. Davidson--A Beautiful Incident CHAPTER LVI. Off for San Francisco--Western and Eastern Landscapes--The Hottest place on Earth--Summer and Winter CHAPTER LVII. California--Novelty of Seeing a Woman--“Well if it ain’t a Child!”--One Hundred and Fifty Dollars for a Kiss--Waiting for a turn CHAPTER LVIII. Life in San Francisco--Worthless Stocks--My First Earthquake--Reportorial Instincts--Effects of the Shocks--Incidents and Curiosities--Sabbath Breakers--The Lodger and the Chambermaid--A Sensible Fashion to Follow --Effects of the Earthquake on the Ministers CHAPTER LIX. Poor Again--Slinking as a Business--A Model Collector--Misery loves Company--Comparing Notes for Comfort--A Streak of Luck--Finding a Dime --Wealthy by Comparison--Two Sumptuous Dinners CHAPTER LX. An Old Friend--An Educated Miner--Pocket Mining--Freaks of Fortune CHAPTER LXI. Dick Baker and his Cat--Tom Quartz’s Peculiarities--On an Excursion --Appearance On His Return--A Prejudiced Cat--Empty Pockets and a Roving Life
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Produced by WebRover, Peter Vachuska, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net THE ESCULENT FUNGUSES OF ENGLAND. A TREATISE ON THE ESCULENT FUNGUSES OF ENGLAND, CONTAINING AN ACCOUNT OF THEIR CLASSICAL HISTORY, USES, CHARACTERS, DEVELOPMENT, STRUCTURE, NUTRITIOUS PROPERTIES, MODES OF COOKING AND PRESERVING, ETC. BY CHARLES DAVID BADHAM, M.D. EDITED BY FREDERICK CURREY, M.A., F.R.S., F.L.S. Πολλὰ μὲν ἔσθλά μεμιγμένα πολλὰ δὲ λυγρά.—HOMER. [Illustration] LONDON: LOVELL REEVE & CO., HENRIETTA STREET, COVENT GARDEN. 1863. PRINTED BY JOHN EDWARD TAYLOR, LITTLE QUEEN STREET, LINCOLN’S INN FIELDS. PREFACE TO THE SECOND EDITION. My lamented friend Dr. Badham having died since the first publication of this work, my advice was asked upon the subject of the preparation of a new edition. It was wished that the text of the work should be altered as little as possible, and that the price of the book should be materially lessened. The latter object could not be effected without reducing the number of the Plates; but it appeared to me that some plates relating to details of structure might very well be omitted, as well as the figures of a few Italian species which, although interesting in themselves, are quite unnecessary in a book on British Esculent Fungi. With the exception of the omission of the description of these latter species, and the addition of the description of two other species hereafter referred to, the alterations in the text are too trifling to require notice. With regard to the Figures in this edition, most of them are those of the former plates, somewhat reduced; a few have been taken from the plates of Mr. Berkeley’s ‘Outlines of British Fungology,’ and a few from original and other sources. By a re-arrangement of the whole, the reduction in the number of the Plates has been effected, and, at the same time, figures of all the Fungi represented in the first edition have been given, as well as of two other species not there noticed. I should observe, however, that by a mistake of the artist an extra figure of the Horse Mushroom has been inserted in Plate IV. instead of one of the Common Mushroom. The two species above alluded to which were not figured in the first edition, are _Tuber æstivum_ and _Helvella esculenta_. The former must have been inadvertently omitted by Dr. Badham, as it has long been known as abundant in certain parts of England. _Helvella esculenta_, although alluded to by Dr. Badham, was not at that time known to be a British species. It has since been observed near Weybridge in Surrey, where it occurs almost every spring. The plant figured in Pl. XV. fig. 6 of the first edition under the name of _Lycoperdon plumbeum_, is not that species, but _Lycoperdon pyriforme_; it will be found at Pl. VIII. fig. 5. Dr. Badham states that all puff-balls are esculent, but, judging from the smell of _Lycoperdon pyriforme_, I should much doubt whether it would make an agreeable dish. _Lycoperdon plumbeum_ is now better known as _Bovista plumbea_, and _Lycoperdon Bovista_ as _Lycoperdon giganteum_. There is some confusion about the synonymy of the plants described by Dr. Badham as _Agaricus prunulus_ and _Ag. exquisitus_. It is unnecessary to discuss the matter here, and I have thought it not desirable under the circumstances to alter Dr. Badham’s nomenclature. They appear to be described in Mr. Berkeley’s work as _Ag. gambosus_, Fr., and _Ag. arvensis_, Schœff. Dr. Badham’s observations on the spores of Fungi must be read in connection with the note added by him at the conclusion of the work; and to those who are interested in that part of the subject I should recommend the perusal of the seventh chapter of Mr. Berkeley’s ‘Outlines of British Fungology,’ and Tulasne’s recent work, ‘Selecta Fungorum Carpologia.’ Mr. Cooke, in his ‘Plain and Easy Account of British Fungi,’ recently published, mentions some species as esculent which are not noticed in this work. I have however no experience of their qualities, and must refer the reader to Mr. Cooke
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Produced by Al Haines. *A PRINCE* *OF* *SWINDLERS* BY GUY BOOTHBY ARTHUR WESTBROOK COMPANY CLEVELAND, OHIO, U. S. A. Copyright, 1907, by Bainbridge Cayll *CONTENTS.* CHAPTER I. A Criminal in Disguise CHAPTER II. The Den of Iniquity CHAPTER III. The Duchess of Wiltshire's Diamonds CHAPTER IV. How Simon Carne Won the Derby CHAPTER V. A Service to the State CHAPTER VI. A Visit in the Night CHAPTER VII. The Man of Many Crimes CHAPTER VIII. An Imperial Finale *A PRINCE OF SWINDLERS* *CHAPTER I.* *A CRIMINAL IN DISGUISE.* After no small amount of deliberation, I have come to the conclusion that it is only fit and proper I should set myself right with the world in the matter of the now famous 18--swindles. For, though I have never been openly accused of complicity in those miserable affairs, yet I cannot rid myself of the remembrance that it was I who introduced the man who perpetrated them to London society, and that in more than one instance I acted, innocently enough, Heaven knows, as his _Deus ex machina_, in bringing about the very results he was so anxious to achieve. I will first allude, in a few words, to the year in which the crimes took place, and then proceed to describe the events that led to my receiving the confession which has so strangely and unexpectedly come into my hands. Whatever else may be said on the subject, one thing at least is certain--it will be many years before London forgets that season of festivity. The joyous occasion which made half the sovereigns of Europe our guests for weeks on end, kept foreign princes among us until their faces became as familiar to us as those of our own aristocracy, rendered the houses in our fashionable quarters unobtainable for love or money, filled our hotels to repletion, and produced daily pageants the like of which few of us have ever seen or imagined, can hardly fail to go down to posterity as one of the most notable in English history. Small wonder, therefore, that the wealth, then located in our great metropolis, should have attracted swindlers from all parts of the globe. That it should have fallen to the lot of one who has always prided himself on steering clear of undesirable acquaintances, to introduce to his friends one of the most notorious adventurers our capital has ever seen, seems like the irony of fate. Perhaps, however, if I begin by showing how cleverly our meeting was contrived, those who would otherwise feel inclined to censure me, will pause before passing judgment, and will ask themselves whether they would not have walked into the snare as unsuspectedly as I did. It was during the last year of my term of office as Viceroy, and while I was paying a visit to the Governor of Bombay, that I decided upon making a tour of the Northern Provinces, beginning with Peshawur, and winding up with the Maharajah of Malar-Kadir. As the latter potentate is so well known, I need not describe him. His forcible personality, his enlightened rule, and the progress his state has made within the last ten years, are well known to every student of the history of our magnificent Indian Empire. My stay with him was a pleasant finish to an otherwise monotonous business, for his hospitality has a world-wide reputation. When I arrived he placed his palace, his servants, and his stables at my disposal to use just as I pleased. My time was practically my own. I could be as solitary as a hermit if I so desired; on the other hand, I had but to give the order, and five hundred men would cater for my amusement. It seems therefore the more unfortunate that to this pleasant arrangement I should have to attribute the calamities which it is the purpose of this series of stories to narrate. On the third morning of my stay I woke early. When I had examined my watch I discovered that it wanted an hour of daylight, and, not feeling inclined to go to sleep again, I wondered how I should employ my time until my servant should bring me my _chota hazri_, or early breakfast. On proceeding to my window I found a perfect morning, the stars still shining, though in the east they were paling before the approach of dawn. It was difficult to realize that in a few hours the earth which now looked so cool and wholesome would be lying, burnt up and quivering, beneath the blazing Indian sun. I stood and watched the picture presented to me for some minutes, until an overwhelming desire came over me to order a horse and go for a long ride before the sun should make his appearance above the jungle trees. The temptation was more than I could resist, so I crossed the room and, opening the door, woke my servant, who was sleeping in the
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Produced by Free Elf, Verity White and the Online Distributed Proofreading Team at http://www.pgdp.net Separation and Service OR THOUGHTS ON NUMBERS VI, VII. BY J. HUDSON TAYLOR. London MORGAN & SCOTT, 12, PATERNOSTER BUILDINGS, E.C. CHINA INLAND MISSION, NEWINGTON GREEN, N. PRINTED BY WOODFALL AND KINDER, LONG ACRE LONDON CONTENTS. Separation and Service. PAGE Introductory 7 PART I. SEPARATION TO GOD: Numbers vi, 1-21. Institution of the Order of Nazarites 11 Implicit Obedience 13 Entire Consecration 16 Holiness to the LORD 19 Unwitting Defilement 22 The Heinousness of Sin 23 Cleansing only through Sacrifice 25 Acceptance only in CHRIST 27 The Presentation of the Nazarites 33 The Law of the Offerings 35 The Burnt-Offering 39 The Sin and Peace-Offerings 41 PART II. THE BLESSING OF GOD: Numbers vi, 22-27. Why Found Here? 44 The Real Meaning of Blessing 49 The Three-fold Benediction 52 The Blessing of the FATHER 53 The Second Person of the Trinity 60 The Blessing of the SON and BRIDEGROOM 63 The LORD, the SPIRIT 70 The Blessing of the HOLY SPIRIT 73 Sealing with the Name of GOD 80 PART III. PRINCELY SERVICE: Numbers vii. The Constraint of Love 89 GOD'S Delight in Love-gifts 90 Free-will Offerings 93 Gladsome Acceptance 96 According to his Service 101 The Dedicatory Offerings 107 The Display of the Gifts 109 The Person of the Offerer 113 The Importance of the Altar 117 Separation and Service. Numbers vi, vii. INTRODUCTORY. For many years these chapters had no special interest to me; but I have never ceased to be thankful that I was early led to read the Word of GOD in regular course: it was through this habit that these chapters first became specially precious to me. I was travelling on a missionary tour in the province of CHEH-KIANG, and had to pass the night in a very wicked town. All the inns were dreadful places; and the people seemed to have their consciences seared, and their hearts sealed against the Truth. My own heart was oppressed, and could find no relief; and I awoke the next morning much cast down, and feeling spiritually hungry and thirsty indeed. On opening my Bible at the seventh chapter of Numbers, I felt as though I could not then read that long chapter of repetitions; that I _must_ turn to some chapter that would feed my soul. And yet I was not happy in leaving my regular portion; so after a little conflict I resolved to read it, praying to GOD to bless me, even through Numb. vii. I fear there was not much faith in the prayer; but oh! how abundantly it was answered, and what a feast GOD gave me! He revealed to me His own great heart of love, and gave me the key to understand this and the previous chapter as never before. May GOD make our meditations upon them as helpful to others as they were then and have ever since continued to be to myself. Much is revealed in these chapters in germ which is more fully brought out in the New Testament. Under the Old Covenant many blessings were enjoyed in measure and for a season, which in this dispensation are ours in their fulness and permanence. For instance, the atoning sacrifices of the seventh month had to be repeated every year; but CHRIST, in offering Himself once for all, perfected for ever them that are sanctified. The Psalmist needed to pray, "Take not Thy HOLY SPIRIT from me;" but CHRIST has given us the COMFORTER to abide with us for ever. In like manner the Israelite might vow the vow of a Nazarite and separate himself unto GOD for a season; but it is the privilege of the Christian believer to know himself as always separated to GOD. Many other lessons, which are hidden from careless and superficial readers, are suggested by these chapters, which the HOLY SPIRIT
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Produced by Nick Hodson of London, England The Boy Slaves, by Captain Mayne Reid. ________________________________________________________________________ This is an excellent book, telling of the adventures of three midshipmen and a much older sailor from a British warship that goes aground off the coast of Africa, well offshore, and sinks with all hands. However these four find themselves afloat on a spar, which they paddle with their hands for several days until they reach the shore of Africa. Shortly after this they are taken prisoner by some Arabs, who intend to take them north to a town where they can be sold as slaves. The book deals with their adventures as they are driven north to be sold. In those days Arab pirate ships, known as Barbary pirates, and also Algerine pirates, used to capture European vessels and make their white crews and passengers into slaves, demanding ransoms from their families. Even if the ransom was received, the captors usually pretended it hadn't been. The practice had been going on for centuries, and was terminated in 1816 when Admiral Lord Exmouth attacked Algiers, and obtained the release of 1300 white slaves. Following this the French were charged with the responsibility of keeping the Arabs of North Africa in order. The date of 1816 is wrongly given as 1856 on page xi of Guy Pocock's introduction to the Everyman Edition of the book. The audiobook takes about ten hours to play. ________________________________________________________________________ THE BOY SLAVES, BY CAPTAIN MAYNE REID. CHAPTER ONE. THE LAND OF THE SLAVE. Land of Ethiope! whose burning centre seems unapproachable as the frozen Pole! Land of the unicorn and the lion, of the crouching panther and the stately elephant, of the camel, the camel-leopard, and the camel-bird! Land of the antelopes, of the wild gemsbok, and the gentle gazelle, land
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Produced by Nick Hodson of London, England A Veldt Official, by Bertram Mitford. ________________________________________________________________________ ________________________________________________________________________ A VELDT OFFICIAL, BY BERTRAM MITFORD. CHAPTER ONE. "WHERE'S DOPPERSDORP?" "Now where the very mischief _is_ Doppersdorp?" He who thus uttered his thoughts aloud looked up from the sheet of paper in his hand, and gazed forth over the blue waters of Algoa Bay. Over the vessels riding at their anchorage his gaze wandered, over the stately hulls of two or three large mail steamships similar to that upon whose deck he then stood; over the tall, tapering masts and web-like rigging of numerous sailing craft; over the flotilla of cargo-boats and lighters; over the low, sandy shores and sunbaked buildings of busy, dusty Port Elizabeth, right away to the bold ridges of the Winterhoek range looming black and hazy to the blue heavens; then returned to re-peruse the large official communication. Thus it began:-- Sir,--I have the honour to inform you that His Excellency the Governor, with the advice of the Executive Council, has been pleased to appoint you to be--provisionally--clerk to the Resident Magistrate of Doppersdorp, and distributer of stamps... Then followed particulars as to salary, and, with the request that the recipient would be good enough to proceed to that place as soon as possible, somebody whose name he could not quite decipher, but whose style was "Acting Under Colonial Secretary," had the honour to be his obedient servant. The letter was dated from the Colonial Secretary's Office, and was directed to "Roden Musgrave, Esq." "The pay is not profuse," soliloquised the fortunate recipient of this missive, "especially to make a fresh start upon at my time of life. Well, the old saw about beggars and choosers holds good, but--where the very deuce _is_ Doppersdorp?" "Hallo, Musgrave! Had ten thousand a year left you?" cried a jolly, hail-the-maintop sort of voice behind him. Its owner was a powerfully built man of middle age, whose handsome face, bronzed and bearded, was lit up by a pair of keen brown eyes with a merry twinkle in them which was more than half satirical. He was clad in a dark blue, gold-laced, quasi-naval uniform. "You know something about this country, eh, skipper?" said the other, turning away from the taffrail, over which he had been leaning. "I ought to by now, considering the number of years I've had to do with it," was the confident reply. "So? Well, I'll bet you a bottle of Heidsieck you don't answer the first question I put to you concerning it. But whether I win or lose it'll be our parting drink together." "Our parting drink? Man alive, what sort of humbug are you talking? Aren't we going on as far as Natal together, and haven't we only just begun our unlading? That means two days more here, if not three. Then we are sure to be kept a couple of days at East London. So this day week we can talk about our parting drink, not to-day." "Never mind that for a moment. Is that bet on?" "All right--yes. Now then, what's the question?" "Where is Doppersdorp?" "Eh?" "To be more explicit--what section of this flourishing colony is distinguished by the proud possession of the town or village of Doppersdorp?" "I'll be hanged if I know." "I thought not. Skipper, you've lost; so order up the Monopole, while I dive down and roll up my traps, for to that unpromising township, of so far nebulous locality, I am officially directed to proceed without loss of time." "The dickens you are! That's a nuisance, Musgrave; especially as all the other fellows are leaving us here. I thought you were going on to Natal with us." "So did I. But nothing is certain in this world, let alone the plans of such a knock-about as yours truly. Well, we've done more than our share of lie-splitting during the last three weeks, Cheyne, and it'll be for your moral good now to absorb some of the improving conversation of that elderly party who is dying to come down to your end of the table; also of Larkins, who can succeed to my chair." "Oh, Larkins!" grunted the other contemptuously. "Every voyage the saloon has its percentage of fools, but Larkins undoubtedly is the prize fool of the lot. Now, if there's one thing more than another I cannot stand, it's a fool." The commander of the _Siberian_ was not exactly a popular captain, a fact perhaps readily accounted for by the prejudice we have just heard him enunciate; yet he was more feared than disliked, for he was possessed of a shrewd insight into character, and a keen and biting wit, and those who came under its lash were not moved thereby precisely to love its owner. But, withal, he was a genial and sociable man, ever willing to promote and assist in
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net THE GIRL FROM SUNSET RANCH ------------------------------------------------------------------------ BOOKS FOR GIRLS By AMY BELL MARLOWE 12mo. Cloth. Illustrated. THE OLDEST OF FOUR Or Natalie's Way Out THE GIRLS OF HILLCREST FARM Or The Secret of the Rocks A LITTLE MISS NOBODY Or With the Girls of Pinewood Hall THE GIRL FROM SUNSET RANCH Or Alone in a Great City WYN'S CAMPING DAYS Or The Outing of the Go-Ahead Club FRANCES OF THE RANGES Or The Old Ranchman's Treasure THE GIRLS OF RIVERCLIFF SCHOOL Or Beth Baldwin's Resolve THE ORIOLE BOOKS WHEN ORIOLE CAME TO HARBOR LIGHT WHEN ORIOLE TRAVELED WESTWARD (Other volumes in preparation) GROSSET & DUNLAP PUBLISHERS--NEW YORK ------------------------------------------------------------------------ [Illustration: "CAB, MISS? TAKE YOU ANYWHERE YOU SAY." Frontispiece (Page 67).] ------------------------------------------------------------------------ THE GIRL FROM SUNSET RANCH OR ALONE IN A GREAT CITY BY AMY BELL MARLOWE AUTHOR OF THE OLDEST OF FOUR, THE GIRLS OF HILLCREST FARM, WYN'S CAMPING DAYS, ETC. Illustrated NEW YORK GROSSET & DUNLAP PUBLISHERS Made in the United States of America ------------------------------------------------------------------------ Copyright, 1914, by GROSSET & DUNLAP The Girl from Sunset Ranch ------------------------------------------------------------------------ CONTENTS CHAPTER PAGE I.
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Produced by David Widger SAILORS' KNOTS By W.W. Jacobs 1909 "THE TOLL-HOUSE" "It's all nonsense," said Jack Barnes. "Of course people have died in the house; people die in every house. As for the noises--wind in the chimney and rats in the wainscot are very convincing to a nervous man. Give me another cup of tea, Meagle." "Lester and White are first," said Meagle, who was presiding at the tea-table of the Three Feathers Inn. "You've had two." Lester and White finished their cups with irritating slowness, pausing between sips to sniff the aroma, and to discover the sex and dates of arrival of the "strangers" which floated in some numbers in the beverage. Mr. Meagle served them to the brim, and then, turning to the grimly expectant Mr. Barnes, blandly requested him to ring for hot water. "We'll try and keep your nerves in their present healthy condition," he remarked. "For my part I have a sort of half-and-half belief in the super-natural." "All sensible people have," said Lester. "An aunt of mine saw a ghost once." White nodded. "I had an uncle that saw one," he said. "It always is somebody else that sees them," said Barnes. "Well, there is a house," said Meagle, "a large house at an absurdly low rent, and nobody will take it. It has taken toll of at least one life of every family that has lived there--however short the time--and since it has stood empty caretaker after care-taker has died there. The last caretaker died fifteen years ago." "Exactly," said Barnes. "Long enough ago for legends to accumulate." "I'll bet you a sovereign you won't spend the night there alone, for all your talk," said White, suddenly. "And I," said Lester. "No," said Barnes slowly. "I don't believe in ghosts nor in any supernatural things whatever; all the same I admit that I should not care to pass a night there alone." "But why not?" inquired White. "Wind in the chimney," said Meagle with a grin. "Rats in the wainscot," chimed in Lester. "As you like," said Barnes coloring. "Suppose we all go," said Meagle. "Start after supper, and get there about eleven. We have been walking for ten days now without an adventure--except Barnes's discovery that ditchwater smells longest. It will be a novelty, at any rate, and, if we break the spell by all surviving, the grateful owner ought to come down handsome." "Let's see what the landlord has to say about it first," said Lester. "There is no fun in passing a night in an ordinary empty house. Let us make sure that it is haunted." He rang the bell, and, sending for the landlord, appealed to him in the name of our common humanity not to let them waste a night watching in a house in which spectres and hobgoblins had no part. The reply was more than reassuring, and the landlord, after describing with considerable art the exact appearance of a head which had been seen hanging out of a window in the moonlight, wound up with a polite but urgent request that they would settle his bill before they went. "It's all very well for you young gentlemen to have your fun," he said indulgently; "but supposing as how you are all found dead in the morning, what about me? It ain't called the Toll-House for nothing, you know." "Who died there last?" inquired Barnes, with an air of polite derision. "A tramp," was the reply. "He went there for the sake of half a crown, and they found him next morning hanging from the balusters, dead." "Suicide," said Barnes. "Unsound mind." The landlord nodded. "That's what the jury brought it in," he said slowly; "but his mind was sound enough when he went in there. I'd known him, off and on, for years. I'm a poor man, but I wouldn't spend the night in that house for a hundred pounds." [Illustration: "I'm a poor man, but I wouldn't spend the night in that house for a hundred pounds."] He repeated this remark as they started on their expedition a few hours later. They left as the inn was closing for the night;
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Produced by Greg Bergquist, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) ANOTHER SUMMER THE YELLOWSTONE PARK and ALASKA BY CHARLES J. GILLIS Printed for Private Distribution COPYRIGHT, 1893, BY CHARLES J. GILLIS. Press of J. J. Little & Co. Astor Place, New York The more I think of it, the more I find this conclusion impressed upon me, that the greatest thing a human soul ever does in this world is to _see_ something and tell what it saw in a plain way.--RUSKIN. With the Compliments of the Author. PREFACE. In the spring of 1892, a party was made up for a trip to Alaska. The different members thereof were to cross the continent by such routes as they pleased, and meet at Portland, Oregon, on the second of July. This plan was followed, and all the party boarded the steamer _Queen_ at Tacoma, prepared for the journey of a thousand miles up the coast of Alaska. Some account of this, and also of an excursion to the Yellowstone Park, made on the way westward, is given in the following pages. CONTENTS. CHAPTER I.--THE START FOR ALASKA, II.--ON THE WAY TO THE YELLOWSTONE, III.--YELLOWSTONE PARK, IV.--THE GEYSERS AND PAINT POT, V.--THE UPPER GEYSER BASIN, VI.--THE GRAND CANYON, AND THE FALLS OF THE YELLOWSTONE, VII.--DOWN THE COLUMBIA RIVER TO PORTLAND, VIII.--TACOMA AND SEATTLE, IX.--ON BOARD THE "QUEEN" FROM TACOMA TO VICTORIA, X.--ALASKA, XI.--THE MUIR GLACIER, XII.--SITKA, XIII.--AN ACCIDENT TO THE "QUEEN," XIV.--ICY BAY, TREADWELL, AND JUNEAU, XV.--THE RETURN VOYAGE, AND SOME STORIES TOLD ON THE WAY, XVI.--ON THE CANADIAN PACIFIC, XVII.--BANFF SPRINGS, XVIII.--CONCLUSION, THE YELLOWSTONE PARK AND ALASKA. CHAPTER I. THE START FOR ALASKA. Our long trip to Alaska and return, nine thousand miles in all, commenced on June 17, 1892, at the Grand Central Station, New York. Arriving at Chicago the next afternoon, we obtained a good view of the great exposition buildings from our car windows as we passed along the lake front. Shortly afterward we were dumped down at the wretched sheds of the Michigan Central Railroad. It rained very heavily, and ourselves and hand baggage were somewhat wet passing a short distance to a carriage. We soon crossed the Chicago River to the Northwestern Depot, boarded the train, which left at 11 P.M., and arrived at the beautiful modern city of St. Paul at 1 P.M. the next day. The Hotel Ryan was found to be very comfortable, and everything in and around the city is bright and cheerful. Great business activity, and immense and costly buildings are especially noticeable. Running along the streets are great numbers of spacious and elegant cars drawn by cables. We hailed a passing one, got in, and went slowly and carefully through the crowded streets, up and down hills, with great speed and ease, into the country for some miles, passing many elegant private residences, as costly and fine as any to be seen in any city in the world--notably one built and occupied by Mr. Hill, president of the Great Northern Railroad, now about completed to the Pacific Ocean, whose name you hear mentioned often as one of the great railroad magnates of the West. The streets are clean, the sidewalks wide, the front yards of the houses crowded with beautiful plants and flowers, and in all respects we concluded that St. Paul is a most delightful city. CHAPTER II. ON THE WAY TO THE YELLOWSTONE. LIVINGSTON, MONTANA, June 22, 1892. We left the city of St. Paul at 4.25 P.M. on the 20th, by the Northern Pacific Railroad, and arrived here at 8 A.M. this morning. A section on the sleeping-car had been previously engaged, and we found it and the dining-room car attached to the train all that could be desired, so
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Produced by Charlene Taylor, Joe C, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) VOLUME IV. WORKS OF PLOTINOS. PLOTINOS Complete Works In Chronological Order, Grouped in Four Periods; With BIOGRAPHY by PORPHYRY, EUNAPIUS, & SUIDAS, COMMENTARY by PORPHYRY, ILLUSTRATIONS by JAMBLICHUS & AMMONIUS, STUDIES in Sources, Development, Influence; INDEX of Subjects, Thoughts and Words. by KENNETH SYLVAN GUTHRIE, Professor in Extension, University of the South, Sewanee; A.M., Sewanee, and Harvard; Ph.D., Tulane, and Columbia. M.D., Medico-Chirurgical College, Philadelphia. VOL. IV Eustochian Books, 46-54; Comment. COMPARATIVE LITERATURE PRESS P.O. Box 42, ALPINE, N.J., U.S.A. Copyright, 1918, by Kenneth Sylvan Guthrie. All Rights, including that of Translation, Reserved. Entered at Stationers' Hall, by George Bell and Sons, Portugal Street, Lincoln's Inn, London. FIRST ENNEAD, BOOK FOUR. Whether Animals May Be Termed Happy.[1] DEFINITIONS OF HAPPINESS. 1. The (Aristotelian) ideal of living well and happiness are (practically) identical. Should we, on that account, grant even to animals the privilege of achieving happiness? Why might we not say that they live well, if it be granted them, in their lives, to follow the course of nature, without obstacles? For if to live well consist either in pleasure (pleasant passions, as the Epicureans taught), or in realizing one's own individual aim (the Stoic ideal), then this living well is, in either case, possible for animals, who can both enjoy pleasure, and accomplish their peculiar aim. Thus singing birds live a life desirable for them, if they enjoy pleasure, and sing conformably to their nature. If further we should define happiness as achieving the supreme purpose towards which nature aspires (the Stoic ideal), we should, even in this case, admit that animals share in happiness when they accomplish this supreme purpose. Then nature arouses in them no further desires, because their whole career is completed, and their life is filled from beginning to end. WHETHER PLANTS MAY BE TERMED HAPPY. There are no doubt some who may object to our admitting to happiness living beings other than man. They might even point out that on this basis happiness could not be refused to even the lowest beings, such as plants: for they also live, their life also has a purpose, by which they seek to fulfil their development. However, it would seem rather unreasonable to say, that living beings other than humans cannot possess happiness by this mere reason that to us they seem pitiable. Besides, it would be quite possible to deny to plants what may be predicated of other living beings, on the grounds that plants lack emotion. Some might hold they are capable of happiness, on the strength of their possessing life, for a being that lives can live well or badly; and in this way we could say that they possess or lack well-being, and bear, or do not bear fruits. If (as Aristippus thought), pleasure is the goal of man, and if to live well is constituted by enjoying it, it would be absurd to claim that no living beings other than man could live well. The same argument applies if we define happiness as (a state of imperturbable tranquility, by Epicurus called) ataraxy;[2] or as (the Stoic ideal,[3] of) living conformably to nature. LIVING WELL NEED NOT BE EXTENDED EVEN TO ALL ANIMALS. 2. Those who deny the privilege of living well to plants, because these lack sensation, are not on that account obliged to grant it to all animals. For, if sensation consist in the knowledge of the experienced affection, this affection must already be good before the occurrence of the knowledge. For instance, the being must be in a state conformable to nature even though ignorant thereof. He must fulfil his proper function even when he does not know it. He must possess pleasure before perceiving it. Thus if, by the possession of this pleasure, the being already possesses the
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Produced by Roger Burch with scans from the Internet Archive. {Transcriber's Note: Quotation marks have been standardized to modern usage. Footnotes have been placed to immediately follow the paragraphs referencing them. Transcriber's notes are in curly braces; square brackets and parentheses indicate original content.} {Illustration: Cover} INDIAN BIOGRAPHY: OR, AN HISTORICAL ACCOUNT OF THOSE INDIVIDUALS WHO HAVE BEEN DISTINGUISHED AMONG THE NORTH AMERICAN NATIVES AS ORATORS, WARRIORS, STATESMEN, AND OTHER REMARKABLE CHARACTERS. * * * * * BY B. B. THATCHER, ESQ. * * * * * IN TWO VOLUMES. VOL. I. * * * * * NEW-YORK: PUBLISHED BY HARPER & BROTHERS, No. 82 CLIFF-STREET * * * * * 1836. [Entered according to the Act of Congress, in the year 1834, by Harper & Brothers in the Clerk's Office of the Southern District of New-York.] PREFACE. The Author does not propose an elaborate explanation, nor an apology of any kind, for the benefit of the following work. If it absolutely requires either, he must even be content to have written it in vain, as no statement or argument can give it any degree of vitality or popularity in the one case or in the other. He has regarded it, historically, as an act of mere Justice to the fame and the memories of many wise, brilliant, brave and generous men,--patriots, orators, warriors and statesmen,--who ruled over barbarian communities, and were indeed themselves barbarians, but whose influence, eloquence and success of every description were _therefore_ but the nobler objects of admiration and the worthier subjects for record. Nor can Philosophy look upon them without predilection. Comparatively unopinionated and unaffected as they were,--governed by impulse and guided by native sense,--owing little to circumstances, and struggling much amidst and against them,--their situation was the best possible for developing both genius and principle, and their education at the sane time the best for disclosing them. Their Lives, then, should illustrate the true constitution of man. They should have, above all other history, the praise and the interest of "philosophy teaching, by example." The strictly moral inducements which have operated on the Author's mind, must be too obvious to require dissertation. We owe, and our Fathers owed, too much to the Indians,--too much from man to man,--too much from race to race,--to deny them the poor restitution of historical justice at least, however the issue may have been or may be with themselves. Nor need it be suggested, that selfishness alone might dictate the policy of a collection such as the Author has endeavored to make this, were it only for the collateral light which it constantly throws on the history and biography of our own nation. Nothing of the same character is before the public. What may be called an Indian Biographical Dictionary has indeed recently appeared, and to that the Author has gladly referred in the course of his researches; but the extreme difficulty of doing justice to any individuals of the race, and at the same time to _all,_ may be inferred from the fact that the writer alluded to has noticed such men as Uncas in some six or eight lines, while he has wholly omitted characters so important as Buckongahelas, White-eyes, Pipe, and Occonoetota. On these, and on all their more eminent countrymen, the Author has intended to bestow the notice they deserve, by passing over the vast multitude distinguished only by detached anecdote, or described only in general terms. In fine, conscious of many imperfections, but also conscious of a strenuous exertion to render them as few and small as might be, the Author submits the Biography to the public, and especially to the candor of those whose own labors, if not the results of them, have shown them the essential fallibility of every composition like this. He will have reason to be satisfied if it do good, as he will assuredly be gratified if it give pleasure. Boston, Sept. 10, 1832. CONTENTS CHAP. I.--The Indian tribes of Virginia at the date of the Jamestown settlement; their names, numbers and power--The Powhatan confederacy--The Indian Village of that name--Powhatan--The circumstances of the first interview between him and the English--Opechancanough, his brother--Opitchipan--Reception of Captain Smith by Powhatan--Interposition of Pocahontas in his favor--Second visit of the colonists--Third visit, and coronation--Entertainment of Smith by Pocahontas--Contest of ingenuity between Powhatan and Smith; and between the latter and Opechancanough--Smith saved again by Pocahontas--Political manoeuvres of Powhatan and Opechancanough--Smith's return to Jamestown. page 9 CHAP. II.--Conduct of Powhatan after Smith's departure for England, and causes of it--Hostilities resumed--Peace finally effected by the capture of Pocahontas--Manner of gaining this point--Marriage of Pocahontas with John Rolfe--Death and character of Powhatan--His person, manner of living, talents, influence. His method and means of warfare--The discipline of his warriors--The manner in which he availed himself of the English arms and science--Causes of his hostility towards the colonists--His dignity--Shrewdness--Independence--Courtesy--Liberality-- Simplicity--Affection for his relatives--A review of various opinions entertained of him by various historians. 40 CHAP. III.--The family of Powhatan--His successor--Sequel of the history of Pocahontas--Her acts of kindness to the colonists at various times, and especially to Smith--His gratitude--Her civilisation, and instruction in Christianity--Her visit to England in 1616
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E-text prepared by Christine Bell and Marc D'Hooghe (http://www.freeliterature.org) THE PIONEERS by KATHARINE S. PRICHARD CHAPTER I The wagon had come to rest among the trees an hour or two before sunset. It was a covered-in dray, and had been brought to in a little clearing of the scrubby undergrowth. Two horses had drawn it all the way from the coast. Freed of their harness, they stood in the lee of a great gum, their flanks matted with the dust which had caked with the run of sweat on them. The mongrel that had followed at their heels lay stretched on the sward beside them. A red-dappled cow and her calf were tethered to a wheel of the wagon, and at a little distance from them were two battered crates of drooping and drowsy fowls. On a patch of earth scraped clear of grass and leaves, the fire threw off wisps of smoke and the dry, musky incense of burning eucalyptus and dogwood. It had smouldered; and a woman, stooping beside it, was feeding it with branches of brushwood and sticks that she broke in her hands or across her knees. A man was busy in the interior of the wagon, moving heavy casks and pieces of furniture. He lifted them out, piled them on the ground and spread a couple of sheepskins over them. Then he threw a sheepskin and a blanket of black and brown tweed on the floor for the night's resting. It had been climbing the foothills for days, this heavy, old-fashioned vehicle, and the man and the woman had climbed with it, she driving the cow and calf, he giving his attention to the horses and clearing the track. So slowly had it toiled along that at a little distance it looked like some weary, indefatigable insect creeping among the trees. The horses--a sturdy young sandy-grey mare and a raw, weedy, weather-worn bay--seemed as much part of it as its wooden frame, ironshod wheels, and awning of grimy sailcloth. They tugged at their load with dull, dumb patience and obstinacy, although the bay had stumbled rather badly the whole way. The man had put his shoulder to the wheel, helping the horses up the steep banks and long, slippery sidings. He had stood trembling and sweating with them when heavy places in the road were past, the veins knotted in his swarthy forehead, the bare column of his throat gasping for the mountain air. There was the same toiling faculty in him that there was in the horses--an instinct to overcome all difficulties by exertion of the muscles of his back. The wagon had creaked garrulously on the long <DW72>s, and stuttered and groaned up the steep hill sides. It had forded creeks, the horses splashing soberly through them and sending the spray into the air on either side. It had crashed over the undergrowth that encroached on the track, an ill-blazed stock route among the trees, and again and again the man had been obliged to haul aside fallen timber, or burn it where it lay, and cut away saplings, in order to make a new path. The wagon was filled with boxes and bags of food stuffs and pieces of furniture. Inside it smelt like a grocer's shop; and it had trailed the mingled odour of meal, corned meat, hemp, iron, seed wheat, crude oil and potatoes through the virgin purity of the forest air. Beneath its floor, in wrappings of torn bags, straw and hessian, were lashed a wooden plough, a broad-bladed shovel, and half a dozen farming and carpentering tools. The fowls--a game rooster, a buff hen and a speckled pullet--hung in wicker baskets from wooden pegs at the back. They and the cow and her calf had wakened strange echoes in the forest, the rooster heralding every morning at dawn this advance guard of civilisation. When the vehicle had reached the summit of the foothills, the track fell wavering into the green depths of the forest behind it, a wale of broken ferns, slain saplings, blue gums and myrtles, mown down as with a scythe by its wheels. The timbered hills fell away, wave upon wave, into the mists of the distance, and the plains stretched outward from them to the faintly glittering line the sea made on the dim horizon. Somewhere to the west on those grey plains, against the shore of an inlet, was the township of Port Southern from which they had come. Donald Cameron, after studying a roughly-made plan and the wall of the forest about him, had taken the mare by her sandy forelock and turned the wagon in among the trees on the far side of a giant gum, blazed with a cross, on which the congealing sap had dried like blood. Steering a north-westerly course, the wagon had tacked among the trees and come to the clearing. And now that all preparations for the night were made, he took the animals to the creek for water. It ran at the foot of the long, low hillside and could be heard crooning and gurgling under the leafy murmur of the forest. Leaving the fire, the woman went to a fallen trunk, sat down and gazed into the shadows gathering among the trees. A rosy and saffron mist hung between their thronging boles. The peace of the after-glow held the hills, the chirring of insects and the shrill sweet calling of birds had quivered into silence. Only a leafy whispering stirred the quiet. For a moment the fire of her clear spirit burnt low. Hope and courage were lost in dreams. There was wistfulness in her grey eyes as they went out before her, wistfulness and heartache. She seemed to be reading the scroll of the future, seeing a dim, mysterious unrolling of joys and sorrows with the eyes of her inner vision. The sun had set when Cameron returned. He tethered the cow to the wheel of the wagon and clamped rusty hobbles about the horses' fetlocks. Then he looked towards the woman. "Mary!" he called. She did not hear, and he walked towards her. A man of few words, Cameron did not speak as he searched his wife's face. "I--I was dreaming," she said, looking up, startled at the sight of him. "You're not grieving?" he asked. There was a tremor in his voice, though its roughness almost covered that. "No, not grieving," she said. "But thinking what it will be to us and our children, by and by, in this place. It is a new country and a new people we're making, they said at home, and I'm realising what they meant now." "Aye. But it's a fine country!" Cameron's eyes travelled the length of the clearing, over the <DW72> of the hill. They took in the silent world of the trees, the rosy mist that still glowed between their slender, thronging stems. There was pride and an expression of sated hunger in his glance. "It's all ours, this land about here," he said. "Yes?" Her eyes wandered too. "I have worked all my days, till now," he said, reviving a bitter memory, "without so much as a plot of sour earth as big as y're handkerchief to call my own. Worked for other men, sweated the body and soul out of me... and now, this is mine... all this... hundred acres ... and more when I'm ready for it, more, and more, and more...." He paused a moment, all the emotion in him stirred and surging. Then, with a short-drawn breath that dismissed the past and dedicated thought and energy to the future, he went on: "I marked this place when I came through to the Port with Middleton's cattle, last year. I'll run cattle--but I want to clear and cultivate too. Up there where there are trees now will be ploughed fields and an orchard soon. The house and barns'll be on the brow of the hill. By and by... we shall have a name and a place in the country." His wife's eyes were on his face. He had spoken as though he were taking an oath. "No doubt it will be as you say, Donald," she said, with a faint sigh. "But it is a strange lonely land, indeed, without the sight of a roof in all the long miles we have come by. Never the sound of a human voice, or the lowing of cattle." Donald Cameron did not reply. He was envisaging his schemes for the future. Not a man given to dreams, the thoughtful mood had taken him; his breath came and went in steady draughts. His face was set to the mould of his musing; there was determination in every line of it. A gloomy face it was, rough-cast, with deep set eyes. His wife's words and the sigh that went with them were repeated in a remote brain cell. "You should be giving thanks, not complaining," he said, his gaze returning to her. "We must do that now--give thanks for the journey accomplished." And, as if it were the last duty of a well-spent day, he knelt on the grassy earth, and Mary knelt beside him. Donald Cameron addressed his God as man speaks to man; yet his voice had a vibrating note as he prayed. "O Lord," he said, "we thank Thee for having brought us in safety to our new home. We thank Thee for having brought us over the sea, through the storms and the troubles on the ship when there was nothing to eat but weevily biscuits, and the water stank, and there was like to be mutiny with the men in the chained gangs. We--we thank Thee, this woman and I. She is a good woman for a man to have with him when he goes to the ends of the earth to carve out a name and a place for himself." He paused thoughtfully for a moment; and then went on: "I have said all that before; but I have been thinking that it would do no harm to say it again now that we are ready to begin the new life, and will need all Thy help and protection, Lord. We thank Thee for having brought us all the miles from the coast, and the beasts and the wagon, in safety--though the bay horse I bought of Middleton's storekeeper is turning out badly. He was a poor bargain at the best of it--weak in the knee and spring-halted. Do Thou have a care of him. Lord. It will be a big loss to me if he is no use... with all the clearing and carting there will be to do soon." He talked a little longer to the Almighty, asking no favour, but intimating that he expected to be justly dealt by as he himself dealt by all men. In the matter of the bay, he said that he did not think a God-fearing man had been treated quite as well as, under the circumstances, he might have been; but he imputed no blame--except to Middleton's storekeeper--and gave thanks again. A man of middle height, squarely built, Donald Cameron had the loosely slung frame of a farm labourer. The woman beside him, although her clothes were as poor and heavy as his, was more finely and delicately made. The hands clasped before her were long and slender. The prayer ended, they rose from the grass. Cameron's eyes covered his wife. A gust of tenderness swept him. "There was not what you might call much sentiment about our mating," he said. "But I doubt not it has come, Mary." "Yes, Donald." Her clear eyes were lifted to his. "May I be a true and faithful wife to you." "Y're not regretting at the long journey's end?" he asked. "It's not that,"--a sigh went from her--"but that I'm not worthy of you." "Whist," he said. "You're my woman--my wife. It's all done with, the past." CHAPTER II A few months later Mary Cameron's voice, as she sang lullabies to her baby, mingled with the forest murmur and the sounds that came from the clearing--the lowing of the cow, the clucking and cackle of fowls, the clang of Donald's axe as he ring-barked trees near the house. A one-roomed hut, built of long, rough-barked saplings, ranged one above the other, and thatched with coarse reddish-brown bark, laid on in slabs, it stood on the brow of the hill not far from the wagon's first resting place. Its two doors, set opposite each other, opened, one towards the back hills and the other towards the creek and the cleared land on which a stubble of stumps still stood. The walls of the hut, inside, were plastered with the clayey hill soil which Mary had rammed into crevices between the saplings when daylight had at first showed in thin shining streaks, and the mountain breezes had crept chilly through them in the early mornings. She had made the floor of beaten clay too, and had gathered from the creek bed the grey and brown stones which Donald had built into the hearth and chimney with seams of lime and fine
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Produced by Dave Morgan and the Online Distributed Proofreading Team [Illustration: MARCONI READING A MESSAGE] STORIES OF INVENTORS The Adventures Of Inventors And Engineers. True Incidents And Personal Experiences By RUSSELL DOUBLEDAY 1904 ACKNOWLEDGMENT The author and publishers take pleasure in acknowledging the courtesy of _The Scientific American_ _The Booklovers Magazine_ _The Holiday Magazine_, and Messrs. Wood & Nathan Company for the use of a number of illustrations in this book. From _The Scientific American_, illustrations facing pages 16, 48, 78, 80, 88, 94, 118, 126, 142, and 162. From _The Booklovers Magazine_, illustrations facing pages 184, 190, 194, and 196. From _The Holiday Magazine_, illustrations facing pages 100 and 110. CONTENTS How Guglielmo Marconi Telegraphs Without Wires Santos-Dumont and His Air-Ship How a Fast Train Is Run How Automobiles Work The Fastest Steamboats The Life-Savers and Their Apparatus Moving Pictures--Some Strange Subjects and How They Were Taken Bridge Builders and Some of Their Achievements Submarines in War and Peace Long-Distance Telephony--What Happens When You Talk into a Telephone Receiver A Machine That Thinks--A Type-Setting Machine That Makes Mathematical Calculations How Heat Produces Cold--Artificial Ice-Making LIST OF ILLUSTRATIONS Marconi Reading a Message _Frontispiece_ Marconi Station at Wellfleet, Massachusetts The Wireless Telegraph Station at Glace Bay Santos-Dumont Preparing for a Flight Rounding the Eiffel Tower The Motor and Basket of "Santos-Dumont No. 9" Firing a Fast Locomotive Track Tank Railroad Semaphore Signals Thirty Years' Advance in Locomotive Building The "Lighthouse" of the Rail A Giant Automobile Mower-Thrasher An Automobile Buckboard An Automobile Plow The _Velox_, of the British Navy The Engines of the _Arrow_ A Life-Saving Crew Drilling Life-Savers at Work Biograph Pictures of a Military Hazing Developing Moving-Picture Films Building an American Bridge in Burmah Viaduct Across Canyon Diablo Beginning an American Bridge in Mid-Africa Lake's Submarine Torpedo-Boat _Protector_ Speeding at the Rate of 102 Miles an Hour Singing Into the Telephone "Central" Telephone Operators at Work Central Making Connections The Back of a Telephone Switchboard A Few Telephone Trunk Wires The Lanston Type-Setter Keyboard Where the "Brains" are Located The Type Moulds and the Work They Produce INTRODUCTION There are many thrilling incidents--all the more attractive because of their truth--in the study, the trials, the disappointments, the obstacles overcome, and the final triumph of the successful inventor. Every great invention, afterward marvelled at, was first derided. Each great inventor, after solving problems in mechanics or chemistry, had to face the jeers of the incredulous. The story of James Watt's sensations when the driving-wheels of his first rude engine began to revolve will never be told; the visions of Robert Fulton, when he puffed up the Hudson, of the fleets of vessels that would follow the faint track of his little vessel, can never be put in print. It is the purpose of this book to give, in a measure, the adventurous side of invention. The trials and dangers of the builders of the submarine; the triumphant thrill of the inventor who hears for the first time the vibration of the long-distance message through the air; the daring and tension of the engineer who drives a locomotive at one hundred miles an hour. The wonder of the mechanic is lost in the marvel of the machine; the doer is overshadowed by the greatness of his achievement. These are true stories of adventure in invention. STORIES OF INVENTORS HOW GUGLIELMO MARCONI TELEGRAPHS WITHOUT WIRES A nineteen-year-old boy, just a quiet, unobtrusive young fellow, who talked little but thought much, saw in the discovery of
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Produced by Dagny and John Bickers PHYLLIS OF PHILISTIA By Frank Frankfort Moore CHAPTER I. AN ASTRONOMER WITHOUT A TELESCOPE. "After all," said Mr. Ayrton, "what is marriage?" "Ah!" sighed Phyllis. She knew that her father had become possessed of a phrase, and that he was anxious to flutter it before her to see how it went. He was a connoisseur in the bric-a-brac of phrases. "Marriage means all your eggs in one basket," said he. "Ah!" sighed Phyllis once more. She wondered if her father really thought that she would be comforted in her great grief by a phrase. She did not want to know how marriage might be defined. She knew that all definitions are indefinite. She knew that in the case of marriage everything depends upon the definer and the occasion. "So you see there is no immediate cause to grieve, my dear," resumed her father. She did not quite see that this was the logical conclusion of the whole matter; but that was possibly because she was born a woman, and felt that marriage is to a woman what a keel is to a ship. "I think there is a very good cause to grieve when we find a man like George Holland turning deliberately round from truth to falsehood," said Phyllis sternly. "And what's worse, running a very good chance of losing his living," remarked the father. "Of course it will have to be proved that Moses and Abraham and David and the rest of them were not what he says they were; and it strikes me that all the bench of bishops, and a royal commissioner or two thrown in, would have considerable difficulty in doing that nowadays." "What! You take his part, papa?" she cried, starting up. "You take his part? You think I was wrong to tell him--what I did tell him?" "I don't take his part, my dear," said Mr. Ayrton. "I think that he's a bit of a fool to run his head into a hornet's nest because he has come to the conclusion that Abraham's code of morality was a trifle shaky, and that Samson was a shameless libertine. Great Heavens! has the man got no notion of the perspective of history?" "Perspective? History? It's the Bible, papa!" Indignation was in Phyllis' eyes, but there was a reverential tone in her voice. Her father looked at her--listened to her. In the pause he thought: "Good Heavens! What sort of a man is George Holland, who is ready to relinquish the love and loveliness of that girl, simply because he thinks poorly of the patriarchs?" "He attacks the Bible, papa," resumed Phyllis gravely. "What horrible things he said about Ruth!" "Ah, yes, Ruth--the heroine of the harvest festival," said her father. "Ah, he might have left us our Ruth. Besides, she was a woman. Heavens above! is there no chivalry remaining among men?" "Ah, if it was only chivalry! But--the Bible!" "Quite so--the--yes, to be sure. But don't you think you may take the Bible too seriously, Phyllis?" "Oh, papa! too seriously?" "Why not? That's George Holland's mistake, I fear. Why should he work himself to a fury over the peccadillos of the patriarchs? The principle of the statute of limitations should be applied to such cases. If the world, and the colleges of theology, have dealt lightly with Samson and David and Abraham and Jacob and the rest of them for some thousands of years, why should George Holland rake up things against them, and that, too, on very doubtful evidence? But I should be the last person in the world to complain of the course which he has seen fit to adopt, since it has left you with me a little longer, my dearest child. I did not, of course, oppose your engagement, but I have often asked myself what I should do without you? How should I ever work up my facts, or, what is more important, my quotations, in your absence, Phyllis? On some questions, my dear, you are a veritable Blue-book--yes, an _edition de luxe_ of a Blue-book." "And I meant to be so useful to him as well," said Phyllis, taking her father's praises more demurely than she had taken his phrases. "I meant to help him in his work." "Ah, what a fool the man is! How could any man in his senses give up a thing of flesh and blood like you, for the sake of proving or trying to prove, that some people who lived five or six thousand years ago--if they ever lived at all--would have rendered themselves liable to imprisonment, without the option of a fine, if they lived in England since the passing of certain laws--recent laws, too, we must remember!" "Papa!" "Anyhow, you have done with him, my dear. A man who can't see that crime is really a question of temperament, and sin invariably a question of geography--well, we'll say no more about it. At what hour did you say he was coming?" "Four. I don't think I shall break down." "Break down? Why on earth should you break down? You have a mind to know, and you know your own mind. That's everything. But of course you've had no experience of matters of this sort. He was your first real lover?" Phyllis' face became crimson. She retained sufficient presence of mind, however, to make a little fuss with the window-blind before letting it down. Her father stared at her for a moment, and there was rather a long pause before he laughed. "I said'real lover,' my dear," he remarked.
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Produced by Greg Weeks, George Snoga, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net PHARAOH'S BROKER BEING THE VERY REMARKABLE EXPERIENCES IN ANOTHER WORLD OF ISIDOR WERNER (WRITTEN BY HIMSELF) EDITED, ARRANGED, AND WITH AN INTRODUCTION BY ELLSWORTH DOUGLASS [Device] LONDON C. ARTHUR PEARSON LIMITED HENRIETTA STREET W.C. 1899 Transcriber's Note: Minor typographical errors have been corrected without note. Obsolete spellings have been retained. The oe ligature is represented by [oe]. CONTENTS PAGE INTRODUCTION: ELUSIVE TRUTH 7 BOOK I. SECRETS OF SPACE CHAPTER I. DR. HERMANN ANDERWELT 19 II. THE GRAVITY PROJECTILE 27 III. STRUCTURE OF THE PROJECTILE 37 IV. WHAT IS ON MARS? 48 V. FINAL PREPARATIONS 57 VI. FAREWELL TO EARTH 67 VII. THE TERRORS OF LIGHT 81 VIII. THE VALLEY OF THE SHADOW 91 IX. TRICKS OF REFRACTION 99 X. THE TWILIGHT OF SPACE 108 XI. TELLING THE TIME BY GEOGRAPHY 117 XII. SPACE FEVER 126 XIII. THE MYSTERY OF A MINUS WEIGHT 141 BOOK II. OTHER WORLD LIFE I. WHY MARS GIVES A RED LIGHT 157 II. THE TERROR BIRDS 170 III. TWO OF US AGAINST THE ARMIES OF MARS 182 IV. THE STRANGE BRAVERY OF MISS BLANK 192 V. ZAPHNATH, RULER OF THE KEMI 204 VI. THE IRON MEN FROM THE BLUE STAR 220 VII. PARALLEL PLANETARY LIFE 240 VIII. A PLAGIARIST OF DREAMS 249 IX. GETTING INTO THE CORNER 260 X. HUMANITY ON PTAH 275 XI. REVOLUTIONIST AND EAVESDROPPER 283 XII. THE DOCTOR DISAPPEARS 292 XIII. THE REVELATION OF HOTEP 304 INTRODUCTION Elusive Truth It was the Chicago _Tribune_ of June 13th, 189-, which contained this paragraph under the head-line: "Big Broker Missing!" "The friends of Isidor Werner, a young man prominent in Board of Trade circles, are much concerned about him, as he has not been seen for several days. He made his last appearance in the wheat pit as a heavy buyer Tuesday forenoon. That afternoon he left his office at Room 87 Board of Trade, and has not been seen since, nor can his whereabouts be learned. He is six feet two inches high, of athletic build, with black hair and moustache, a regular nose, and an unpronounced Jewish appearance. His age is hardly more than twenty-seven, but he has often made himself felt as a market force on the Board of Trade, where he was well thought of." But it was the _Evening Post_ of the same date which prided itself on unearthing the real sensation. A scare-head across the top of a first page column read: "A PLUNGER'S LAST PLUNGE!" "The daring young broker who held the whole wheat market in his hands a few months ago, amassing an independent fortune in three days, but losing most of it gamely on subsequent changes in the market, has made his last plunge. This time he has gone into the cold, kind bosom of Lake Michigan. Isidor Werner evened up his trades in the wheat market last Tuesday forenoon, and then applied for his balance-sheet at a higher clearing house! No trace of him or clue to his whereabouts was found, until the _Evening Post_, on the principle of setting one mystery to solve another, sent its representative to examine a strange steel rocket, discovered half-buried in the sands of Lake Michigan, near Berrien Springs, two days ago. Our reporter investigated this bullet-shaped contrivance and found an opening into it, and within he discovered a scrap of paper on which were written the words: 'Farewell to Earth for ever!' Werner's friends, when interviewed by the _Evening Post_, all positively identified
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Produced by Meredith Bach, Rose Acquavella, and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/Canadian Libraries.) THE CANDY MAKER'S GUIDE A COLLECTION OF CHOICE RECIPES FOR SUGAR BOILING COMPILED AND PUBLISHED BY THE FLETCHER MNF'G. CO. MANUFACTURERS OF Confectioners' and Candy Makers' Tools and Machines TEA AND COFFEE URNS BAKERS' CONFECTIONERS AND HOTEL SUPPLIES IMPORTERS AND DEALERS IN PURE FRUIT JUICES, FLAVORING EXTRACTS, FRUIT OILS, ESSENTIAL OILS, MALT EXTRACT, XXXX GLUCOSE, ETC. [Illustration] Prize Medal and Diploma awarded at Toronto Industrial Exhibition 1894, for General Excellence in Style and Finish of our goods. 440-442 YONGE ST.,--TORONTO, CAN. TORONTO J JOHNSTON PRINTER & STATIONER 105 CHURCH ST 1896 FLETCHER MNF'G. CO. TORONTO. Manufacturers and dealers in Generators, Steel and Copper Soda Water Cylinders, Soda Founts, Tumbler Washers, Freezers, Ice Breaking Machines, Ice Cream Refrigerators, Milk Shakers, Ice Shaves, Lemon Squeezers, Ice Cream Cans, Packing Tubs, Flavoring Extracts, Golden and Crystal Flake for making Ice Cream, Ice Cream Bricks and Forms, and every article necessary for Soda Water and Ice Cream business. INTRODUCTION. In presenting this selection of choice recipes for Candy Makers we have endeavored to avoid everything that is not practical and easy to understand. The recipes given are from the most experienced and notable candy makers of America and Europe, and are such, that, if followed out with care and attention will be sure to lead to success. Practice is only to be had by experiment, and little failures are overcome by constant perseverance. After the rudiments have been thoroughly mastered, the reader has ample scope to distinguish himself in the Candy world, and will do so with patience and perseverance. We trust our patrons will look upon this work, not as a literary effort, but as instruction from a practical workman to a would-be workman. FLETCHER MNF'G. Co., 440 & 442 Yonge St., Toronto, Publishers. Manufacturers of Candy Makers Tools and Machines, and every article required in Confectionery and Candy Making. ASK FOR OUR CATALOGUE. SUGAR BOILING. This branch of the trade or business of a confectioner is perhaps the most important. All manufacturers are more or less interested in it, and certainly no retail shop could be considered orthodox which did not display a tempting variety of this class. So inclusive is the term "boiled goods" that it embraces drops, rocks, candies, taffies, creams, caramels, and a number of different sorts of hand-made, machine-made, and moulded goods. It is the most ancient method of which we have any knowledge, and perhaps the most popular process of modern times; the evidence of our everyday experience convinces us that (notwithstanding the boom which heralds from time to time a new sweet, cooked in a different manner, composed of ingredients hitherto unused in business), it is the exception when such goods hold the front rank for more than a few months, however pretty, tasty, or tempting they may be, the public palate seems to fall back on those made in the old lines which, though capable of improvement, seem not to be superceded. Of the entire make of confectionery in Canada, at least two-thirds of it may be written down under the name of boiled sugar. They are undoubtedly the chief features with both manufacturers and retailers, embracing, as they do, endless facilities for fertile brains and deft fingers for inventing novelties in design, manipulation, combination, and finish. Notwithstanding the already great variety, there is always daily something new in this department brought into market. Many of the most successful houses owe their popularity more to their heads than their hands, hence the importance of studying this branch in all its ramifications. The endless assortment requiring different
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Produced by Charles Bowen, from page scans provided by Google Books Transcriber's Note: 1. Page scan source: http://books.google.com/books?id=PWUTAAAAYAAJ&dq Regina or The Sins of the Fathers REGINA OR THE SINS OF THE FATHERS BY HERMANN SUDERMANN _TRANSLATED BY_ _BEATRICE MARSHALL_ LONDON: JOHN LANE, THE BODLEY HEAD NEW YORK: JOHN LANE COMPANY. MCMVII COPYRIGHT, 1898, BY John Lane. * * * COPYRIGHT, 1905, BY John Lane Company. REGINA OR THE SINS OF THE FATHERS CHAPTER I Peace was signed, and the world, which for so long had been the great Corsican's plaything, came to itself again. It came to itself, bruised and mangled, bleeding from a thousand wounds, and studded with battle-fields like a body with festering sores. Yet, in the rebound from bondage to freedom, men did not realise that there was anything very pitiable in their condition. The ground from which their wheat sprang, they reflected, would bear all the richer fruit from being soaked in blood, and if bullets and bayonets had thinned their ranks, there was now more elbow-room for those who were left. The yawning vacuums in the seething human caldron gave a man space to breathe in. One great chorus of rejoicing from the Rock of Gibraltar to the North Cape ascended heavenwards. Bells in every steeple were set in motion, and from every altar and from every humble hearth arose prayers of thanksgiving. Mourners hid their diminished heads, for the burst of victorious song drowned their lamentations, and the earth absorbed their tears as indifferently as it had sucked in the blood of their fallen. In glorious May weather the Peace of Paris was concluded. Lilies bloomed once more out of lakes of blood, and from the obscurity of lumber-rooms the blood-saturated banner of the _fleur de lys_ was dragged forth into the light of day. The Bourbons crept from their hiding-places, whither they had been driven by fear of Robespierre's knife. They rubbed their eyes and forthwith began to reign. They had forgotten nothing and learnt nothing, except a new catchword from Talleyrand's _en tout cas_ vocabulary, _i.e_. Legitimacy. The rest of the world was too busily engaged in wreathing laurels to crown the conquerors, and filling up bumpers to drink their health in, to pay any attention to this farce of Bourbon government. All eyes were turned in a fever of expectancy towards the West, whence were to come the conquering heroes, the laurel-crowned warriors who had been willing to sacrifice their lives for the honour of wife and child, for justice, and for the sacred soil of their fatherland. They had been under the fire of the Corsican Demon, the oppressor whom they in their turn had hunted and run to earth, till at last he lay in shackles at their feet. When the victors began the homeward march, the German oaks were bursting into leaf, soon to be laughingly plundered of their young green foliage. On they came in swarms, first, joyous and lighthearted, the pride and flower of the Fatherland, the sons of the wealthy, who, as Volunteer Jaegers, with their own horses and their own arms, had gone forth to the war of Liberation. Their progress through Germany was one magnificent ovation. Wherever they came, their path was strewn with roses, the most beautiful of maidens longed for the honour of winning their love, and the most costly wines flowed like water. Behind them followed a stream of Kossacks, riding over the German fields with a loose rein. A year before, when they had galloped like a troop of furies in the rear of the hunted remnant of the Grande Armee, the whole country had greeted them as saviours of Germany. Public receptions had been organised in their honour, hymns composed in their praise, and all sorts of blue-eyed German sentiment was lavishly poured out on the unwashed Tartar horde. To-day, too, they were conscientiously feted, but the gaze of all true-hearted Germans was directed with intensest longing beyond them, looking for those who were still to come, of whom they seemed but the heralding shadows. And at last these came, the men of the people, who had taken all their capital, their bare lives, in their hand, and gone forth to offer it up for the Fatherland. They advanced with a sound as of bursting trumpets, half hidden by dense columns of dust. Not exalted and splendid beings as they had often been painted in the imagination of the "stay-at-homes," with a halo of diamonds flashing round their heads, and a cloak flung proudly like a toga round their shoulders. No; they were faded and haggard, tired as overdriven horses, covered with vermin, filthy and in rags; their beards matted with sweat and dust. This was the plight in which they came home. Some were so emaciated and ghastly pale that they looked as if they could hardly drag one weary foot after the other; others wore a greedy, brutalised expression, and the reflection of the lurid glare of war seemed yet to linger in their sunken, hollow eyes. They held their knotty fists still clenched in the habitual cramp of murderous lust. Only here and there shone tears of pure, inspired emotion; only here and there hands were folded on the
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Produced by Darleen Dove, Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net JOAN OF ARC The Warrior Maid By Lucy Foster Madison author of "The Peggy Owen Books" With Illustrations & Decorations by Frank E Schoonover The Penn Publishing Company Philadelphia 1919 COPYRIGHT 1918 BY THE PENN PUBLISHING COMPANY Joan of Arc [Illustration: THE WARRIOR MAID] INTRODUCTION In presenting this story for the young the writer has endeavored to give a vivid and accurate life of Jeanne D'Arc (Joan of Arc) as simply told as possible. There has been no pretence toward keeping to the speech of the Fifteenth Century, which is too archaic to be rendered literally for young readers, although for the most part the words of the Maid have been given verbatim. The name of this wonderful girl has been variously written. In the Fifteenth Century the name of the beloved disciple was preferred for children above all others; so we find numerous Jeans and Jeannes. To render these holy names more in keeping with the helplessness of little ones the diminutive forms of Jeannot and Jeannette were given them. So this girl was named Jeannette, or Jehannette in the old spelling, and so she was called in her native village. By her own account this was changed to Jeanne when she came into France. The English translation of Jeanne D'Arc is Joan of Arc; more properly it should be Joanna. Because it seems more beautiful to her than the others the writer has retained the name of Jeanne in her narrative. It is a mooted question which form of the name of Jeanne's father is correct: D'Arc or Darc. It is the writer's belief that D'Arc was the original writing, when it would follow that Jacques D'Arc would be James of the Bow or James Bowman, as he would have been called had he been an English peasant. For this reason the Maid's surname has been given as D'Arc; though there are many who claim that Darc is the nearest the truth. Acknowledgments are due to the following authorities into the fruit of whose labours the writer has entered: M. Jules Quicherat, "Condamnation et Rehabilitation de Jeanne d'Arc"; H. A. Wallon, "Jeanne d'Arc"; M. Simeon Luce, "Jeanne d'Arc a Domremy"; M. Anatole France, "Jeanne d'Arc"; Jules Michelet, "Jeanne d'Arc"; Monstrelet's "Chronicles"; Andrew Lang, "The Maid of France"; Lord Ronald Gower, "Joan of Arc"; F. C. Lowell, "Joan of Arc"; Mark Twain, "Joan of Arc"; Mrs. Oliphant, "Jeanne D'Arc"; Mrs. M. R. Bangs, "Jeanne D'Arc"; Janet Tuckey, "Joan of Arc, the Maid," and many others. The thanks of the writer are also due to the librarians of New York City, Albany and Glens Falls who kindly aided her in obtaining books and information. Thanks are also due to the Rev. Matthew Fortier, S. J., Dean of Fordham University, New York City, for information upon a point for which search had been vainly made. That this book may make a little niche for itself among other books upon the most marvellous girl the world has ever known, is the wish of THE WRITER. CONTENTS CHAPTER PAGE I A CHILDREN'S FESTIVAL 11 II THE KNIGHT'S STORY 23 III THE WAVES OF WAR REACH DOMREMY 35 IV THE AFTERMATH 43 V JEANNE'S VISION 53 VI JEANNE'S HARSH WORDS 62 VII FURTHER VISIONS 71 VIII JEANNE RECEIVES A GIFT AND AN ANNOUNCEMENT 79 IX THE CHARGE IS ACCEPTED 90 X THE FIRST STEP 98 XI A TRYING TIME 108 XII A WORSTED SUITOR 119 XIII FAREWELL TO HOME 131 XIV VICTORY OVER DOUBTING HEARTS 140 XV STARTING THE GREAT ADVENTURE 155 XVI JEANNE COMES TO HER KING 166 XVII THE IMPOSSIBLE HAPPENS 181 XVIII THE WARRIOR MAID 196 XIX THE HOUR AND THE GIRL 214 XX JEANNE SHOWS HER SIGN 230 XXI A WEEK OF WONDERS 243 XXII THE CULMINATION 263 XXIII THE TURNING OF THE TIDE 285 XXIV JEANNE'S LAST FIELD 308 XXV IN PRISON CELLS 332 XXVI ON TRIAL 346 XXVII FOR HER COUNTRY 374 XXVIII AT DOMREMY 384 LIST OF ILLUSTRATIONS PAGE The Warrior Maid Frontispiece The Gooseberry Spring 20 Often they appeared in the little garden 74 "The holy man has been to Rome" 80 There was no smile on his face 142 Far into the night they rode 156 "France and St. Denys!" 234 "Forward! They are ours!" 326 JOAN OF ARC CHAPTER I A CHILDREN'S FESTIVAL "_There is a fountain in the forest called The Fountain of the Fairies. An ancient oak, The goodliest of the forest, grows
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Produced by An Anonymous Volunteer THE FOOLISH VIRGIN By Thomas Dixon TO GERTRUDE ATHERTON WITH GRATITUDE AND ADMIRATION CONTENTS CHAPTER I. A FRIENDLY WARNING II. TEMPTATION III. FATE IV. DOUBTS AND FEARS V. WINGS OF STEEL VI. BESIDE THE SEA VII. A VAIN APPEAL VIII. JIM'S TRIAL IX. ELLA'S SECRET X. THE WEDDING XI. "UNTIL DEATH" XII. THE LOTOS-EATERS XIII. THE REAL MAN XIV. UNWELCOME GUESTS XV. A LITTLE BLACK BAG XVI. THE AWAKENING XVII. THE SURRENDER XVIII. TO THE NEW GOD XIX. NANCE'S STOREHOUSE XX. TRAPPED XXI. THE DEVIL'S DISCIPLE XXII. DELIVERANCE XXIII. THE DOCTOR XXIV. THE CALL DIVINE XXV. THE MOTHER XXVI. A SOUL IS BORN XXVII. THE BABY XXVIII. WHAT IS LOVE? XXIX. THE NEW MAN LEADING CHARACTERS OF THE STORY MARY ADAMS, An Old-Fashioned Girl. JIM ANTHONY, A Modern Youth. JANE ANDERSON, An Artist. ELLA, A Scrubwoman. NANCE OWENS, Jim Anthony's Mother. A DOCTOR, Whose Call was Divine. THE BABY, A Mascot. THE FOOLISH VIRGIN CHAPTER I. A FRIENDLY WARNING "Mary Adams, you're a fool!" The single dimple in a smooth red cheek smiled in answer. "You're repeating yourself, Jane----" "You won't give him one hour's time for just three sittings?" "Not a second for one sitting----" "Hopeless!" Mary smiled provokingly, her white teeth gleaming in obstinate good humor. "He's the most distinguished artist in America----" "I've heard so." "It would be a liberal education for a girl of your training to know such a man----" "I'll omit that course of instruction." The younger woman was silent a moment, and a flush of anger slowly mounted her temples. The blue eyes were fixed reproachfully on her friend. "You really thought that I would pose?" "I hoped so." "Alone with a man in his studio for hours?" Jane Anderson lifted her dark brows. "Why, no, I hardly expected that! I'm sure he would take his easel and palette out into the square in front of the Plaza Hotel and let you sit on the base of the Sherman monument. The crowds would cheer and inspire him--bah! Can't you have a little common-sense? There are a few brutes among artists, as there are in all professions--even among the superintendents of your schools. Gordon's a great creative genius. If you'd try to flirt with him, he'd stop his work and send you home. You'd be as safe in his studio as in your mother's nursery. I've known him for ten years. He's the gentlest, truest man I've ever met. He's doing a canvas on which he has set his whole heart." "He can get professional models." "For his usual work, yes--but this is the head of the Madonna. He saw you walking with me in the Park last week and has been to my studio a half-dozen times begging me to take you to see him. Please, Mary dear, do this for my sake. I owe Gordon a debt I can never pay. He gave me the cue to the work that set me on my feet. He was big and generous and helpful when I needed a friend. He asked nothing in return but the privilege of helping me again if I ever needed it. You can do me an enormous favor--please." Mary Adams rose with a gesture of impatience, walked to her window and gazed on the torrent of humanity pouring through Twenty-third Street from the beehives of industry that have changed this quarter of New York so rapidly in the last five years. She turned suddenly and confronted her friend. "How could you think that I would stoop to such a thing?" "Stoop!" "Yes," she snapped, "--pose for an artist! I'd as soon think of rushing stark naked through Twenty-third Street at noon!" The older woman looked at her flushed face, suppressed a sharp answer, b
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OR THE EAST SUFFOLK, REGIMENT OF FOOT, CONTAINING AN ACCOUNT OF THE FORMATION OF THE REGIMENT IN 1685, AND OF ITS SUBSEQUENT SERVICES TO 1847*** E-text prepared by Brian Coe, John Campbell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 54054-h.htm or 54054-h.zip: (http://www.gutenberg.org/files/54054/54054-h/54054-h.htm) or (http://www.gutenberg.org/files/54054/54054-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/recordoftwentyfi00canniala Transcriber's note: Text enclosed by underscores is in italics (_italics_). A carat character is used to denote superscription. A single character following the carat is superscripted (example: SEPT^R). Multiple superscripted characters are enclosed by curly brackets (example: 13^{TH}). More detail can be found at the end of the book. HISTORICAL RECORD OF THE TWELFTH, OR THE EAST SUFFOLK, REGIMENT OF FOOT, CONTAINING AN ACCOUNT OF THE FORMATION OF THE REGIMENT IN 1685, AND OF ITS SUBSEQUENT SERVICES TO 1847. Compiled by RICHARD CANNON, ESQ. Adjutant-General's Office, Horse Guards. Illustrated with Plates. London: Parker, Furnivall & Parker, 30 Charing Cross. M DCCC XLVIII. London: Printed by W. Clowes & Sons, Stamford Street, for Her Majesty's Stationery Office. GENERAL ORDERS. _HORSE-GUARDS_, _1st January, 1836_. His Majesty has been pleased to command that, with a view of doing the fullest justice to Regiments, as well as to Individuals who have distinguished themselves by their Bravery in Action with the Enemy, an Account of the Services of every Regiment in the British Army shall be published under the superintendence and direction of the Adjutant-General; and that this Account shall contain the following particulars, viz.:-- ---- The Period and Circumstances of the Original Formation of the Regiment; The Stations at which it has been from time to time employed; The Battles, Sieges, and other Military Operations in which it has been engaged, particularly specifying any Achievement it may have performed, and the Colours, Trophies, &c., it may have captured from the Enemy. ---- The Names of the Officers and the number of Non-Commissioned Officers and Privates Killed or Wounded by the Enemy, specifying the Place and Date of the Action. ---- The Names of those Officers who, in consideration of their Gallant Services and Meritorious Conduct in Engagements with the Enemy, have been distinguished with Titles, Medals, or other Marks of His Majesty's gracious favour. ---- The Names of all such Officers, Non-Commissioned Officers, and Privates, as may have specially signalized themselves in Action. And, ---- The Badges and Devices which the Regiment may have been permitted to bear, and the Causes on account of which such Badges or Devices, or any other Marks of Distinction, have been granted. By Command of the Right Honourable GENERAL LORD HILL, _Commanding-in-Chief_. JOHN MACDONALD, _Adjutant-General_. PREFACE. The character and credit of the British Army must chiefly depend upon the zeal and ardour by which all who enter into its service are animated, and consequently it is of the highest importance that any measure calculated to excite the spirit of emulation, by which alone great and gallant actions are achieved, should be adopted. Nothing can more fully tend to the accomplishment of this desirable object than a full display of the noble deeds with which the Military History of our country abounds. To hold forth these bright examples to the imitation of the youthful soldier, and thus to incite him to emulate the meritorious conduct of those who have preceded him in their honourable career, are among the motives that have given rise to the present publication. The operations of the British Troops are, indeed, announced in the "London Gazette," from whence they are transferred into the public prints
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Produced by Judith Boss THE EARLY SHORT FICTION OF EDITH WHARTON By Edith Wharton A Ten-Volume Collection Volume One Contents of Volume One Stories KERFOL.........................March 1916 MRS. MANSTEY'S VIEW............July 1891 THE BOLTED DOOR................March 1909 THE DILETTANTE.................December 1903 THE HOUSE OF THE DEAD HAND.....August 1904 The following works not included in the present eBook: Verse THE PARTING DAY................February 1880 AEROPAGUS......................March 1880 A FAILURE......................April 1880 PATIENCE.......................April 1880 WANTS..........................May 1880 THE LAST GIUSTIANINI...........October 1889 EURYALUS.......................December 1889 HAPPINESS......................December 1889 Bibliography EDITH WHARTON BIBLIOGRAPHY: SHORT STORIES AND POEMS........Judy Boss KERFOL As first published in Scribner's Magazine, March 1916 I "You ought to buy it," said my host; "it's just the place for a solitary-minded devil like you. And it would be rather worth while to own the most romantic house in Brittany. The present people are dead broke, and it's going for a song--you ought to buy it." It was not with the least idea of living up to the character my friend Lanrivain ascribed to me (as a matter of fact, under my unsociable exterior I have always had secret yearnings for domesticity) that I took his hint one autumn afternoon and went to Kerfol. My friend was motoring over to Quimper on business: he dropped me on the way, at a cross-road on a heath, and said: "First turn to the right and second to the left. Then straight ahead till you see an avenue. If you meet any peasants, don't ask your way. They don't understand French, and they would pretend they did and mix you up. I'll be back for you here by sunset--and don't forget the tombs in the chapel." I followed Lanrivain's directions with the hesitation occasioned by the usual difficulty of remembering whether he had said the first turn to the right and second to the left, or the contrary. If I had met a peasant I should certainly have asked, and probably been sent astray; but I had the desert landscape to myself, and so stumbled on the right turn and walked on across the heath till I came to an avenue. It was so unlike any other avenue I have ever seen that I instantly knew it must be THE avenue. The grey-trunked trees sprang up straight to a great height and then interwove their pale-grey branches in a long tunnel through which the autumn light fell faintly. I know most trees by name, but I haven't to this day been able to decide what those trees were. They had the tall curve of elms, the tenuity of poplars, the ashen colour of olives under a rainy sky; and they stretched ahead of me for half a mile or more without a break in their arch. If ever I saw an avenue that unmistakably led to something, it was the avenue at Kerfol. My heart beat a little as I began to walk down it. Presently the trees ended and I came to a fortified gate in a long wall. Between me and the wall was an open space of grass, with other grey avenues radiating from it. Behind the wall were tall slate roofs mossed with silver, a chapel belfry, the top of a keep. A moat filled with wild shrubs and brambles surrounded the place; the drawbridge had been replaced by a stone arch, and the portcullis by an iron gate. I stood for a long time on the hither side of the moat, gazing about me, and letting the influence of the place sink in. I said to myself: "If I wait long enough, the guardian will turn up and show me the tombs--" and I rather hoped he wouldn't turn up too soon. I sat down on a stone and lit a cigarette. As soon as I had done it, it struck me as a puerile and portentous thing to do, with that great blind house looking down at me, and all the empty avenues converging on me. It may have been the depth of the silence that made me so conscious of my gesture. The squeak of my match sounded as loud as the scraping of a brake, and I almost fancied I heard it fall when I tossed it onto the grass. But there was more than that: a sense of irrelevance, of littleness, of childish bravado, in sitting there puffing my cigarette-smoke into the face of such a past. I knew nothing of the history of Kerfol--I was new to Brittany, and Lanrivain had never mentioned the name to me till the day before--but one couldn't as much as glance at that pile without feeling in it a long accumulation of history. What kind of history I was not prepared to guess: perhaps only the sheer weight of many associated lives and deaths which gives a kind of majesty to all old houses. But the aspect of Kerfol suggested something more--a perspective of stern and cruel memories
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Produced by WebRover, Lisa Anne Hatfield, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Italic text enclosed with _underscores_. Small-caps replaced by ALL CAPS. More notes appear at the end of the file. [Illustration: Price, 20 Cents. Grocers’ Goods: A Family Guide. THE TRADESMAN’S PUBLISHING COMPANY, Tribune Building, NEW YORK CITY. ] ------------------------------------------------------------------------ GROCERS’ GOODS: A FAMILY GUIDE TO THE PURCHASE OF FLOUR, SUGAR, TEA, COFFEE, SPICES, CANNED GOODS, CIGARS, WINES, AND ALL OTHER ARTICLES Usually Found in American Grocery Stores. BY F. B. GODDARD. COPYRIGHTED 1888. THE TRADESMEN’S PUBLISHING COMPANY, TRIBUNE BUILDING, NEW YORK CITY. ------------------------------------------------------------------------ Index List of Grocers’ Goods. Housekeepers will find this list suggestive and helpful in making up orders for the Grocer, as well as useful for page reference. PAGE. Adulterations 6 Ale 62 Allspice 41 Almonds 50 Apples 44 Apples, Dried 48 Artificial Butter 30 Asparagus 47 Bacon 35 Baking Powders 16 Bananas 45 Barley 13 Bath Brick 58 Beans 47-48 Beef, Dried 35 Beef, Fresh 34 Beer 62 Berries 45-49 Beeswax 58 Bird Seed 57 Biscuit 16 Blacking 57 Blended Tea 24 Bluing 55 Brandies 63 Brazil Nuts 50 Bread 15 Brooms 56 Brushes 56 Buckwheat 14 Burgundy Wines 60-64 Butter 28 Butterine 30 Cabbage 46 California Wines 61-64 Candies 19 Candles 55 Canned Goods 36 “ Meats 37 “ Fish 37 “ Vegetables 38 “ Fruits 38 Cans, Tin 38 Capers 43 Carrots 47 Cassia and Buds 41 Catsups 44 Cauliflower 47 Celery 47 Celery Salt 42 Cereals 10 Champagne 61 Cheese 31 Cherries 44 Chicory 27 Chocolate 27 Cider 63 Cigars 51 Cigarettes 52 Cinnamon 41 Claret Wines 60-64 Clothes Pins 56 Cloves 41 Cocoa 27 Cocoanuts 45 Cod Fish 35 Coffee 24 Condensed Milk 28 Condiments 39 Cordials 64 Corn 12 Corn Starch 12 Crackers 16 Cranberries 45 Cream 28 Cream of Tartar 16 Cucumbers 47 Currants 45-49 Curry Powders 41 Dates 50 Disinfectants 58 Distilled Liquors 63 Dried Fruits 48 Eggs 33 Egg Plant 48 Essences 39 Extracts 39 Farinaceous Foods 14 Feed, for Stock 15 Figs 49 Filberts 50 Fish 35 Flavoring Extracts 32 Flour 11 Fruits 44 “ Domestic 44 “ Tropical 45 “
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Produced by David Widger MARK TWAIN A BIOGRAPHY THE PERSONAL AND LITERARY LIFE OF SAMUEL LANGHORNE CLEMENS BY ALBERT BIGELOW PAINE VOLUME I, Part 1: 1835-1866 TO CLARA CLEMENS GABRILOWITSCH WHO STEADILY UPHELD THE AUTHOR'S PURPOSE TO WRITE HISTORY RATHER THAN EULOGY AS THE STORY OF HER FATHER'S LIFE AN ACKNOWLEDGMENT Dear William Dean Howells, Joseph Hopkins Twichell, Joseph T. Goodman, and other old friends of Mark Twain: I cannot let these volumes go to press without some grateful word to you who have helped me during the six years and more that have gone to their making. First, I want to confess how I have envied you your association with Mark Twain in those days when you and he "went gipsying, a long time ago." Next, I want to express my wonder at your willingness to give me so unstintedly from your precious letters and memories, when it is in the nature of man to hoard such treasures, for himself and for those who follow him. And, lastly, I want to tell you that I do not envy you so much, any more, for in these chapters, one after another, through your grace, I have gone gipsying with you all. Neither do I wonder now, for I have come to know that out of your love for him grew that greater unselfishness (or divine selfishness, as he himself might have termed it), and that nothing short of the fullest you could do for his memory would have contented your hearts. My gratitude is measureless; and it is world-wide, for there is no land so distant that it does not contain some one who has eagerly contributed to the story. Only, I seem so poorly able to put my thanks into words. Albert Bigelow Paine. PREFATORY NOTE Certain happenings as recorded in this work will be found to differ materially from the same incidents and episodes as set down in the writings of Mr. Clemens himself. Mark Twain's spirit was built of the very fabric of truth, so far as moral intent was concerned, but in his earlier autobiographical writings--and most of his earlier writings were autobiographical--he made no real pretense to accuracy of time, place, or circumstance--seeking, as he said, "only to tell a good story"--while in later years an ever-vivid imagination and a capricious memory made history difficult, even when, as in his so-called "Autobiography," his effort was in the direction of fact. "When I was younger I could remember anything, whether it happened or not," he once said, quaintly, "but I am getting old, and soon I shall remember only the latter." The reader may be assured, where discrepancies occur, that the writer of this memoir has obtained his data from direct and positive sources: letters, diaries, account-books, or other immediate memoranda; also from the concurring testimony of eye-witnesses, supported by a unity of circumstance and conditions, and not from hearsay or vagrant printed items. MARK TWAIN A BIOGRAPHY I ANCESTORS On page 492 of the old volume of Suetonius, which Mark Twain read until his very last day, there is a reference to one Flavius Clemens, a man of wide repute "for his want of energy," and in a marginal note he has written: "I guess this is where our line starts." It was like him to write that. It spoke in his whimsical fashion the attitude of humility, the ready acknowledgment of shortcoming, which was his chief characteristic and made him lovable--in his personality and in his work. Historically, we need not accept this identity of the Clemens ancestry. The name itself has a kindly meaning, and was not an uncommon one in Rome. There was an early pope by that name, and it appears now and again in the annals of the Middle Ages. More lately there was a Gregory Clemens, an English landowner who became a member of Parliament under C
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Produced by David Widger "THERE IS SORROW ON THE SEA" By Gilbert Parker I "YORK FACTORY, HUDSON'S BAY, "23rd September, 1747. "MY DEAR COUSIN FANNY,--It was a year last April Fool's Day, I left you on the sands there at Mablethorpe, no more than a stone's throw from the Book-in-Hand Inn, swearing that you should never see me or hear from me again. You remember how we saw the coast-guards flash their lights here and there, as they searched the sands for me? how one came bundling down the bank, calling, 'Who goes there?' You remember that when I said, 'A friend,' he stumbled, and his light fell to the sands and went out, and in the darkness you and I stole away: you to your home, with a whispering, 'God-bless-you, Cousin Dick,' over your shoulder, and I with a bit of a laugh that, maybe, cut to the heart, and that split in a sob in my own throat--though you didn't hear that. "'Twas a bad night's work that, Cousin Fanny, and maybe I wish it undone, and maybe I don't; but a devil gets into the heart of a man when he has to fly from the lass he loves, while the friends of his youth go hunting him with muskets, and he has to steal out of the backdoor of his own country and shelter himself, like a cold sparrow, up in the eaves of the world. "Ay, lass, that's how I left the fens of Lincolnshire a year last April Fool's Day. There wasn't a <DW18> from, Lincoln town to Mablethorpe that I hadn't crossed with a running jump; and there wasn't a break in the shore, or a sink-hole in the sand, or a clump of rushes, or a samphire bed, from Skegness to Theddlethorpe, that I didn't know like every line of your face. And when I was a slip of a lad-ay, and later too--how you and I used to snuggle into little nooks of the sand-hills, maybe just beneath the coast-guard's hut, and watch the tide come swilling in-water-daisies you used to call the breaking surf, Cousin Fanny. And that was like you, always with a fancy about everything you saw. And when the ships, the fishing-smacks with their red sails, and the tall-masted brigs went by, taking the white foam on their canvas, you used to wish that you might sail away to the lands you'd heard tell of from old skippers that gathered round my uncle's fire in the Book-in-Hand. Ay, a grand thing I thought it would be, too, to go riding round the world on a well-washed deck, with plenty of food and grog, and maybe, by-and-by, to be first mate, and lord it from fo'castle bunk to stern-rail. "You did not know, did you, who was the coast-guardsman that stumbled as he came on us that night? It looked a stupid thing to do that, and let the lantern fall. But, lass, 'twas done o' purpose. That was the one man in all the parish that would ha' risked his neck to let me free. 'Twas Lancy Doane, who's give me as many beatings in his time as I him. We were always getting foul one o' t'other since I was big enough to shy a bit of turf at him across a <DW18>, and there isn't a spot on's body that I haven't hit, nor one on mine that he hasn't mauled. I've sat on his head, and he's had his knee in my stomach till I squealed, and we never could meet without back-talking and rasping 'gainst the grain. The night before he joined the coast-guardsmen, he was down at the Book-in-Hand, and 'twas little like that I'd let the good chance pass--I might never have another; for Gover'ment folk will not easy work a quarrel on their own account. I mind him sittin' there on the settle, his shins against the fire, a long pipe going, and Casey of the Lazy Beetle, and Jobbin the mate of the Dodger, and Little Faddo, who had the fat Dutch wife down by the Ship Inn, and Whiggle the preaching blacksmith. And you were standin' with your back to the shinin' pewters, and the great jug of ale with the white napkin behind you; the light o' the fire wavin' on your face, and your look lost in the deep hollow o' the chimney. I think of you most as you were that minute, Cousin Fanny, when I come in. I tell you straight and fair, that was the prettiest picture I ever saw; and I've seen some rare fine things in my travels. 'Twas as if the thing had been set by some one, just to show you off to your best. Here you were, a slip of a lass, straight as a bulrush, and your head hangin' proud on your shoulders; yet modest too, as you can see off here in the North the top of the golden-rod flower swing on its stem. You were slim as slim, and yet there wasn't a corner on you; so soft and full and firm you were, like the breast of a quail; and I mind me how the shine of your cheeks was like the glimmer of an apple after you've rubbed it with a bit of cloth. Well, there you stood in some sort of smooth, plain, clingin' gown, a little bit loose and tumblin' at the throat, and your pretty foot with a brown slipper pushed out, just savin' you from bein' prim. That's why the men liked you--you didn't carry a sermon in your waist-ribbon, and the Lord's Day in the lift o' your chin; but you had a smile to give when 'twas the right time for it, and men never said things with you there that they'd have said before many another maid. "'Twas a thing I've thought on off here, where I've little to do but think, how a lass like you could put a finger on the lip of such rough tykes as Faddo, Jobbin, and the rest, keepin' their rude words under flap and button. Do you mind how, when I passed you comin' in, I laid my hand on yours as it rested on the dresser? That hand of yours wasn't a tiny bit of a thing, and the fingers weren't all taperin' like a simperin' miss from town, worked down in the mill of quality and got from graftin' and graftin', like one of them roses from the flower-house at Mablethorpe Hall--not fit to stand by one o' them that grew strong and sweet with no fancy colour, in the garden o' the Book-in-Hand. Yours was a hand that talked as much as your lips or face, as honest and white; and the palm all pink, and strong as strong could be, and warmin' every thread in a man's body when he touched it. Well, I touched your hand then, and you looked at me and nodded, and went musin' into the fire again, not seemin' to hear our gabble. "But, you remember--don't you?--how Jobbin took to chaffin' of Lancy Doane, and how Faddo's tongue got sharper as the time got on, and many a nasty word was said of coast-guards and excisemen, and all that had to do with law and gover'ment. Cuts there were at some of Lancy's wild doings in the past, and now and then they'd turn to me, saying what they thought would set me girdin' Lancy too. But I had my own quarrel, and I wasn't to be baited by such numskulls. And Lancy--that was a thing I couldn't understand--he did no more than shrug his shoulder and call for more ale, and wish them all good health and a hundred a year. I never thought he could ha' been so patient-like. But there was a kind of little smile, too, on his face, showin' he did some thinkin'; and I guessed he was bidin' his time. "I wasn't as sharp as I might ha' been, or I'd ha' seen what he was waitin' for, with that quiet provokin' smile on his face, and his eyes smoulderin' like. I don't know to this day whether you wanted to leave the room when you did, though 'twas about half after ten o'clock, later than I ever saw you there before. But when my uncle come in from Louth, and give you a touch on the shoulder, and said: 'To bed wi' you, my lass,' you waited for a minute longer, glancin' round on all of us, at last lookin' steady at Lancy; and he got up from his chair, and took off his hat to you with a way he had. You didn't stay a second after that, but went away straight, sayin' good-night to all of us, but Lancy was the only one on his feet. "Just as soon as the door was shut behind you, Lancy turned round to the fire, and pushed the log with his feet in a way a man does when he's think-in' a bit. And Faddo give a nasty laugh, and said: "' Theer's a dainty sitovation. Theer's Mr. Thomas Doane, outlaw and smuggler, and theer's Mr. Lancy Doane his brother, coast-guardsman. Now, if them two should 'appen to meet on Lincolnshire coast, Lord, theer's a sitovation for ye--Lord, theer's a cud to chew! 'Ere's one gentleman wants to try 'is 'and at 'elpin' Prince Charlie, and when 'is Up doesn't amount to anythink, what does the King on 'is throne say? He says, "As for Thomas Doane, Esquire, aw've doone wi' 'im." And theer's another gentleman, Mr. Lancy Doane, Esquire. He turns pious, and says, "Aw'm goin' for a coast-guardsman." What does the King on his throne say? 'E says, "Theer's the man for me."'" But aw says, "Aw've doone, aw've doone wi' Mr. Lancy Doane, Esquire, and be damned to 'im!" He! he! Theer's a fancy sitovation for ye. Mr. Thomas Doane, Esquire, smuggler and outlaw, an' Mr. Lancy Doane, Esquire, coast-guardsman. Aw've doone. Ho! ho! That gits into my crop.' "I tell you these things, Cousin Fanny, because I'm doubtin' if you ever heard them, or knew exactly how things stood that night. I never was a friend of Lancy Doane, you understand, but it's only fair that the truth be told about that quarrel, for like as not he wouldn't speak himself, and your father was moving in and out; and, I take my oath, I wouldn't believe Faddo and the others if they was to swear on the Bible. Not that they didn't know the truth when they saw it, but they did love just to let their fancy run. I'm livin' over all the things that happened that night--livin' them over to-day, when everything's so quiet about me here, so lonesome. I wanted to go over it all, bit by bit, and work it out in my head, just as you and I used to do the puzzle games we played in the sands. And maybe, when you're a long way off from things you once lived, you can see them and understand them better. Out here, where it's so lonely, and yet so good a place to live in, I seem to get the hang o' the world better, and why some things are, and other things aren't; and I thought it would pull at my heart to sit down and write you a long letter, goin' over the whole business again; but it doesn't. I suppose I feel as a judge does when he goes over a lot of evidence, and sums it all up for the jury. I don't seem prejudiced one way or another. But I'm not sure that I've got all the evidence to make me ken everything; and that's what made me bitter wild the last time that I saw you. Maybe you hadn't anything to tell me, and maybe you had, and maybe, if you ever write to me out here, you'll tell me if there's anything I don't know about them days. "Well, I'll go back now to what happened when Faddo was speakin' at my uncle's bar. Lancy Doane was standin' behind the settle, leanin' his arms on it, and smokin' his pipe quiet. He waited patient till Faddo had done, then he comes round the settle, puts his pipe up in the rack between the rafters, and steps in front of Faddo. If ever the devil was in a man's face, it looked out of Lancy Doane's that minute. Faddo had touched him on the raw when he fetched out that about Tom Doane. All of a sudden Lancy swings, and looks at the clock. "'It's half-past ten, Jim Faddo,' said he, 'and aw've got an hour an' a half to deal wi' you as a Lincolnshire lad. At twelve o'clock aw'm the Gover'ment's, but till then aw'm Lancy Doane, free to strike or free to let alone; to swallow dirt or throw it; to take a lie or give it. And now list to me; aw'm not goin' to eat dirt, and aw'm goin' to give you the lie, and aw'm goin' to break your neck, if I swing for it to-morrow, Jim Faddo. And here's another thing aw'll tell you. When the clock strikes twelve, on the best horse in the country aw'll ride to Theddlethorpe, straight for the well that's dug you know where, to find your smuggled stuff, and to run the irons round your wrists. Aw'm dealin' fair wi' you that never dealt fair by no man. You never had an open hand nor soft heart; and because you've made money, not out o' smugglin' alone, but out o' poor devils of smugglers that didn't know rightly to be rogues, you think to fling your dirt where you choose. But aw'll have ye to-night as a man, and aw'll have ye to-night as a King's officer, or aw'll go damned to hell.' "Then he steps back a bit very shiny in the face, and his eyes like torchlights, but cool and steady. 'Come on now,' he says, 'Jim Faddo, away from the Book-in-Hand, and down to the beach under the sand-hills, and we'll see man for man--though, come to think of it, y 'are no man,' he said--'if ye'll have the right to say when aw'm a King's officer that you could fling foul words in the face of Lancy Doane. And a word more,' he says; 'aw wouldn't trust ye if an Angel o' Heaven swore for ye. Take the knife from the belt behind your back there, and throw it on the table, for you wouldn't bide by no fair rules o' fightin'. Throw the knife on the table,' he says, comin' a step forward. "Faddo got on to his feet. He was bigger built than Lancy, and a bit taller, and we all knew he was devilish strong in his arms. There was a look in his face I couldn't understand. One minute I thought it was fear, and another I thought it was daze; and maybe it was both. But all on a sudden something horrible cunnin' come into it, and ugly too. "'Go to the well, then, since ye've found out all about it,' he says, 'but aw've an hour and a half start o' ye, Lancy Doane.' "'Ye've less than that,' says Lancy back to him, 'if ye go with me to the sands first.' "At that my uncle stepped in to say a word for peacemakin', but Lancy would have none of it. 'Take the knife and throw it on the table,' he said to Faddo once more, and Faddo took it out and threw it down. "'Come on, then,' Faddo says, with a sneerin' laugh; 'we'll see by daybreak who has the best o' this night's work,' and he steps towards the door. "'Wait a minute,' says Lancy, gettin' in front of him. 'Now take the knife from your boot. Take it,' he says again, 'or aw will. That's like a man, to go to a fist fight wi' knives. Take it,' he said. 'Aw'll gi' ye till aw count four, and if ye doan't take it, aw'll take it meself. One!' he says steady and soft. 'Two!' Faddo never moved. 'Three!' The silence made me sick, and the clock ticked like hammers. 'Four!' he said, and then he sprang for the boot, but Faddo's hand went down like lightnin' too. I couldn't tell exactly how they clinched but once or twice I saw the light flash on the steel. Then they came down together, Faddo under, and when I looked again Faddo was lying eyes starin' wide, and
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The Project Gutenberg Etext of The Celt and Saxon, v1 by George Meredith #95 in our series by George Meredith Copyright laws are changing all over the world. Be sure to check the copyright laws
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E-text prepared by Ruth Hart [email protected] Transcriber's note: In the original book, the Table of Contents was located after the Preface, but I have placed it at the beginning of the text for this online version. PRACTICAL MYSTICISM by EVELYN UNDERHILL Author of "Mysticism," "The Mystic Way," "Immanence: A Book of Verses." "If the doors of perception were cleansed, everything would appear to man as it is, infinite. For man has closed himself up, till he sees all things through the narrow chinks of his cavern." WILLIAM BLAKE New York E.P. Dutton & Company 681 Fifth Avenue Copyright 1915 by E.P. Dutton & Company TO THE UNSEEN FUTURE CONTENTS Preface vii I. What is Mysticism 1 II. The World of Reality 13 III. The Preparation of the Mystic 21 IV. Meditation and Recollection 56 V. Self-Adjustment 29 VI. Love and Will 74 VII. The First Form of Contemplation 87 VIII. The Second Form of Contemplation 105 XI. The Third Form of Contemplation 126 X. The Mystical Life 148 PREFACE This little book, written during the last months of peace, goes to press in the first weeks of the great war. Many will feel that in such a time of conflict and horror, when only the most ignorant, disloyal, or apathetic can hope for quietness of mind, a book which deals with that which is called the "contemplative
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Produced by Suzanne Shell, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's note: Minor spelling and punctuation inconsistencies been harmonized. Italic text has been marked with _underscores_. THE IMPORTED BRIDEGROOM AND OTHER STORIES OF THE NEW YORK GHETTO BY ABRAHAM CAHAN [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1898 THE IMPORTED BRIDEGROOM I Flora was alone in the back parlor, which she had appropriated for a sort of boudoir. She sat in her rocker, in front of the parlor stove, absorbed in "Little Dorrit." Her well-groomed girlish form was enveloped in a kindly warmth whose tender embrace tinged her interest in the narrative with a triumphant consciousness of the snowstorm outside. Little by little the rigid afternoon light began to fade into a melancholy gray. Dusk was creeping into the room in almost visible waves. Flora let the book rest on her lap and fixed her gaze on the twinkling scarlet of the stove-glass. The thickening twilight, the warmth of the apartment, and the atmosphere of the novel blended together, and for some moments Flora felt far away from herself. She was the only girl of her circle who would read Dickens, Scott, or Thackeray in addition to the "Family Story Paper" and the "Fireside Companion," which were the exclusive literary purveyors to her former classmates at the Chrystie Street Grammar School. There were a piano and a neat little library in her room. She was rather tall and well formed. Her oblong ivory face, accentuated by a mass of unruly hair of a lustreless black, was never deserted by a faint glimmer of a smile, at once pensive and arch. When she broke into one of her hearty, good-natured laughs, her deep, dark, appealing eyes would seem filled with grief. Her nose, a trifle too precipitous, gave an unexpected tone to the extreme picturesqueness of the whole effect, and, when she walked, partook of the dignity of her gait. A month or two before we make Flora's acquaintance she had celebrated her twentieth birthday, having been born in this little private house on Mott Street, which was her father's property. A matchmaker had recently called, and he had launched into a eulogy of a young Jewish physician; but old Stroon had cut him short, in his blunt way: his only child was to marry a God-fearing business man, and no fellow deep in Gentile lore and shaving his beard need apply. As to Flora, she was burning to be a doctor's wife. A rising young merchant, a few years in the country, was the staple matrimonial commodity in her set. Most of her married girl friends, American-born themselves, like Flora, had husbands of this class--queer fellows, whose broken English had kept their own sweethearts chuckling. Flora hated the notion of marrying as the other Mott or Bayard Street girls did. She was accustomed to use her surroundings for a background, throwing her own personality into high relief. But apart from this, she craved a more refined atmosphere than her own, and the vague ideal she had was an educated American gentleman, like those who lived up-town. Accordingly, when the word "doctor" had left the matchmaker's lips, she seized upon it as a great discovery. In those days--the early eighties--a match of this kind was an uncommon occurrence in the New York Ghetto. Flora pictured a clean-shaven, high-hatted, spectacled gentleman jumping out of a buggy, and the image became a fixture in her mind. "I won't marry anybody except a doctor," she would declare, with conscious avoidance of bad grammar, as it behooved a doctor's wife. But what was to be done with father's opposition? Asriel Stroon had never been the man to yield, and now that he grew more devout every day, her case seemed hopeless. But then Flora was her father's daughter, and when she took a resolve she could not imagine herself otherwise than carrying it out, sooner or later. Flora's thoughts were flowing in this direction when her father's gruff voice made itself heard from the dining-room below. It was the anniversary of his father's death. In former years he would have contented himself with
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Produced by Suzanne Shell, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net FERNLEY HOUSE BOOKS FOR GIRLS By Laura E. Richards _The_ MARGARET SERIES Three Margarets Margaret Montfort Peggy Rita Fernley House _The_ HILDEGARDE SERIES Queen Hildegarde Hildegarde's Holiday Hildegarde's Home Hildegarde's Neighbors Hildegarde's Harvest DANA ESTES & COMPANY Publishers Estes Press, Summer St., Boston [Illustration: "HUGH AND MARGARET, ALL UNCONSCIOUS OF HER SCRUTINY, WERE ENJOYING THEMSELVES EXTREMELY."] FERNLEY HOUSE BY LAURA E. RICHARDS AUTHOR OF "CAPTAIN JANUARY," "MELODY," "QUEEN HILDEGARDE," "GEOFFREY STRONG," ETC. Illustrated by ETHELDRED B. BARRY [Illustration] BOSTON DANA ESTES & COMPANY PUBLISHERS _Copyright, 1901_ BY DANA ESTES & COMPANY _All rights reserved_ FERNLEY HOUSE Colonial Press Electrotyped and Printed by C. H. Simonds & Co. Boston, Mass., U.S.A. CONTENTS CHAPTER PAGE I. A DUET 11 II. MRS. PEYTON'S COMPANION 23 III. AN ARRIVAL 33 IV. UNCLE JOHN'S IDEA 46 V. A VISION 58 VI. ALI BABA 70 VII. MORE ARRIVALS 86 VIII. HISTORY REPEATS ITSELF 100 IX. ABOUT NOTHING IN PARTICULAR 114 X. GRACE'S SYSTEM 128 XI. THE MYSTERIES OF FERNLEY 143 XII. THE EGG OF COLUMBUS 161 XIII. IN THE TWILIGHT 168 XIV. THE FIRE 183 XV. JEWELS: AND AN AWAKENING 195 XVI. FOR AULD LANG SYNE 205 XVII. IN THE GARDEN 217 XVIII. UNCLE JOHN'S BIRTHDAY 225 LIST OF ILLUSTRATIONS PAGE "HUGH AND MARGARET, ALL UNCONSCIOUS OF HER SCRUTINY, WERE ENJOYING THEMSELVES EXTREMELY" _Frontispiece_ "MARGARET DID THE HONORS, STILL FEELING VERY SHY" 29 "AT THIS MOMENT POLLY APPEARED, RED-CHEEKED AND BREATHLESS" 33 "SHE WAS A SLENDERER PEGGY, WITH THE SAME BLUE, HONEST EYES" 86 "SHE LOOKED UP, AND SAW GRACE SITTING ON A BROAD, LOW BRANCH" 137 "ON THE SECOND LANDING THEY PAUSED TO SALUTE THE OLD PORTRAITS" 148 "A TALL, SLENDER FIGURE HALF RAN, HALF TOTTERED INTO THE ROOM" 181 "'I PROPOSE... THE HEALTH OF THE BEST MAN... THAT LIVES UPON THIS EARTH TO-DAY;... THE HEALTH OF MY UNCLE JOHN!'" 238 FERNLEY HOUSE CHAPTER I. A DUET "Well, Margaret!" "Well, Uncle John!" "Not a word to throw at a dog, as Rosalind says?" "You are not a dog, Uncle John. Besides, you know all about it without my saying a word, so why should I be silly, and spoil your comfortable cigar? Dear children! They will have a delightful time, I hope; and of course it is perfectly right that they should go to their father when he wants them; and--the summer will pass quickly." "Very quickly!" Mr. Montfort assented, watching his smoke rings float upward. "And Peggy is coming; and--oh, we shall be all right, of course we shall; only--we do miss them, don't we, Uncle?" "I should think we did! A house is a poor place without children; and we flatter ourselves that our two--eh, Margaret?" "Oh, they are the dearest children in the world," said Margaret with conviction. "There
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Produced by Eric Eldred, Beth Trapaga, Charles Franks and the Online Distributed Proofreading Team. FOOTFALLS In the cell over mine at night A step goes to and fro From barred door to iron wall-- From wall to door I hear it go, Four paces, heavy and slow, In the heart of the sleeping jail: And the goad that drives, I know! I never saw his face or heard him speak; He may be Dutchman, <DW55>, Yankee, Greek; But the language of that prisoned step Too well I know! Unknown brother of the remorseless bars, Pent in your cage from earth and sky and stars, The hunger for lost life that goads you so, I also know! Hour by hour, in the cell overhead, Four footfalls, to and fro 'Twixt iron wall and barred door-- Back and forth I hear them go-- Four footfalls come and go! I wake and listen in the night: Brother, I know! _(Written in Atlanta Penitentiary, May, 1913.)_ THE SUBTERRANEAN BROTHERHOOD By JULIAN HAWTHORNE CONTENTS CHAPTER I INTRODUCTORY II THE DEVIL'S ANTECHAMBER III THE ROAD TO OBLIVION IV INITIATION V ROUTINE VI SOME PRISON FRIENDS OF MINE VII THE MEN ABOVE VIII FOR LIFE IX THE TOIL OF SLAVERY X OUR BROTHER'S KEEPER XI THE GRASP OF THE TENTACLES XII THE PRISON SILENCE XIII THE BANQUETS OF THE DAMNED XIV THE POLICY OF FALSEHOOD XV THE FRUIT OF PRISONS XVI IF NOT PRISONS--WHAT? APPENDIX PREFACE These chapters were begun the day after I got back to New York from the Atlanta penitentiary, and went on from day to day to the end. I did not know, at the start, what the thing would be like at the finish, and I made small effort to make it look shapely and smooth; but the inward impulse in me to write it, somehow, was irresistible, in spite of the other impulse to go off somewhere and rest and forget it all. But I felt that if it were not done then it might never be done at all; and done it must be at any cost. I had promised my mates in prison that I would do it, and I was under no less an obligation, though an unspoken one, to give the public an opportunity to learn at first hand what prison life is, and means. I had myself had no conception of the facts and their significance until I became myself a prisoner, though I had read as much in "prison literature" as most people, perhaps, and had for many years thought on the subject of penal imprisonment. Twenty odd years before, too, I had been struck by William Stead's saying, "Until a man has been in jail, he doesn't know what human life means." But one does not pay that price for knowledge voluntarily, and I had not expected to have the payment forced upon me. I imagined I could understand the feelings of a prisoner without being one. I was to live to acknowledge myself mistaken. And I conceive that other people are in the same deceived condition. So, with all the energy and goodwill of which I am capable, I set myself to do what I could to make them know the truth, and to ask themselves what should or could be done to end a situation so degrading to every one concerned in it, from one end of the line to the other. The situation, indeed, seems all but incredible. Your first thought on being told of it is, It must be an exaggeration or a fabrication. On the contrary, words cannot convey the whole horror and shamefulness of it. I am conscious of having left out a great deal of it. I found as I went on with this writing that the things to be said were restricted to a few categories. First, the physical prison itself and the routine of life in it must be stated. That is the objective part. Then must be indicated the subjective conditions, those of the prisoner, and of his keepers--what the effect of prison was upon them. Next was to come a presentation of the consequences, deductions and inferences suggested by these conditions. Finally, we would be confronted with the question, What is to be done about it? Such are the main heads of the theme. But I was tempted to run into detail. Here I will make a pertinent disclosure. During my imprisonment I was made the confidant of the life stories of many of my brethren in the cells. I am receiving through the mails, from day to day, up to the present time, other such tales from released convicts. The aim of them is not to get their tellers before the public and win personal sympathy, but to hold up
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Produced by Chris Curnow, Joseph Cooper, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net BIRDS and NATURE IN NATURAL COLORS A MONTHLY SERIAL FORTY ILLUSTRATIONS BY COLOR PHOTOGRAPHY A GUIDE IN THE STUDY OF NATURE Two Volumes Each Year VOLUME XII June, 1902, to December, 1902 EDITED BY WILLIAM KERR HIGLEY CHICAGO A. W. MUMFORD, Publisher 203 Michigan Ave. 1902 Copyright, 1902, by A. W. MUMFORD BIRDS AND NATURE. ILLUSTRATED BY COLOR PHOTOGRAPHY. Vol. XII. JUNE, 1902. No. 1. CONTENTS. JUNE. 1 WAY OF JUNE. 1 THE SWALLOW-TAILED KITE. (_Elanoides forficatus_.) 2 TO THE BIRDS. 5 OLD-FASHIONED OUTINGS. PART I. 6 THE ALICE’S THRUSH. (_Turdus aliciae_.) 11 A BIT OF FICTION FROM BIRDLAND. 12 THE CAROLINA CHICKADEE. (_Parus carolinensis_.) 14 DICK. (THE STORY OF A DOG.) 17 THE VIOLET-GREEN SWALLOW. (_Tachycineta thalassina_.) 23 Isn’t it
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_. MARY OF PLYMOUTH A STORY OF THE PILGRIM SETTLEMENT BY JAMES OTIS NEW YORK -:- CINCINNATI -:- CHICAGO AMERICAN BOOK COMPANY COPYRIGHT, 1910, BY JAMES OTIS KALER ENTERED AT STATIONERS' HALL, LONDON FOREWORD The purpose of this series of stories is to show the children, and even those who have already taken up the study of history, the _home life_ of the colonists with whom they meet in their books. To this end every effort has been made to avoid anything savoring of romance, and to deal only with facts, so far as that is possible, while describing the daily life of those people who conquered the wilderness whether for conscience sake or for gain. That the stories may appeal more directly to the children, they are told from the viewpoint of a child, and purport to have been related by a child. Should any criticism be made regarding the seeming neglect to mention important historical facts, the answer would be that these books are not sent out as histories,--although it is believed that they will awaken a desire to learn more of the building of the nation,--and only such incidents as would be particularly noted by a child are used. Surely it is entertaining as well as instructive for young people to read of the toil and privations in the homes of those who came into a new world to build up a country for themselves, and such homely facts are not
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Produced by Donald Cummings, Adrian Mastronardi, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration: A test with books open. (Fairhope, Alabama.) _Frontispiece_.] SCHOOLS OF TO-MORROW BY JOHN DEWEY AND EVELYN DEWEY [Illustration] NEW YORK E. P. DUTTON & COMPANY 681 FIFTH AVENUE COPYRIGHT, 1915 BY E. P. DUTTON & COMPANY _First Printing, May, 1915._ _Second Printing, August, 1915._ _Third Printing, March, 1916._ _Fourth Printing, March, 1916._ _Fifth Printing, July, 1916._ _Sixth Printing, July, 1916._ _Seventh Printing, Jan’y, 1917._ _Eighth Printing, Jan’y, 1917._ _Ninth Printing, April, 1919._ The Knickerbocker Press, New York PREFACE There has been no attempt in this book to develop a complete theory of education nor yet review any “systems” or discuss the views of prominent educators. This is not a text book of education, nor yet an exposition of a new method of school teaching, aimed to show the weary teacher or the discontented parent how education should be carried on. We have tried to show what actually happens when schools start out to put into practice, each in its own way, some of the theories that have been pointed to as the soundest and best ever since Plato, to be then laid politely away as precious portions of our “intellectual heritage.” Certain views are well known to every teacher who has studied pedagogy, and portions of them form an accepted part of every theory of education. Yet when they are applied in a classroom the public in general and other teachers in particular cry out against that classroom as a place of fads and caprices; a place lacking in any far reaching aim or guiding principle. We have hoped to suggest to the reader the practical meaning of some of the more widely recognized and accepted views of educational reformers by showing what happens when a teacher applies these views. The schools we have used for purposes of illustration are all of them directed by sincere teachers trying earnestly to give their children the best they have by working out concretely what they consider the fundamental principles of education. More and more schools are growing up all over the country that are trying to work out definite educational ideas. It is the function of this book to point out how the applications arise from their theories and the direction that education in this country seems to be taking at the present time. We hope that through the description of classroom work we may help to make some theories living realities to the reader. On the other hand, we have dwelt on theoretical aspects in order to point out some of the needs of modern education and the way in which they are being met. The schools that are used for illustration were chosen more or less at random; because we already knew of them or because they were conveniently located. They do not begin to represent all that is being done to-day to vitalize the school life of children. Schools with like traits may be found in every part of the country. Space has forced us to omit a very important movement--the reorganization of the rural school and the utilization of agriculture in education. But this movement shows the tendencies that mark the schools we have described; tendencies towards greater freedom and an identification of the child’s school life with his environment and outlook; and, even more important, the recognition of the rôle education must play in a democracy. These tendencies seem truly symptoms of the times, and with a single exception proved to be the most marked characteristics of all the schools visited. Without the very material help and interest of the teachers and principals of the schools visited this book would not have been possible. We thank them most sincerely for the unfailing courtesy they have shown in placing their time and the material of their classrooms at our disposal. Our thanks are especially due to Mrs. Johnson of Fairhope and to Miss Georgia Alexander of Indianapolis for information and suggestions. The visiting of the schools with one exception was done by Miss Dewey, who is also responsible for the descriptive chapters of the book. J.D. CONTENTS CHAPTER PAGE I EDUCATION AS NATURAL DEVELOPMENT 1 II AN EXPERIMENT IN EDUCATION AS NATURAL DEVELOPMENT 17 III FOUR FACTORS IN NATURAL GROWTH 41 IV THE REORGANIZATION OF THE CURRICULUM 60 V PLAY 103 VI FREEDOM AND INDIVIDUALITY 132 VII THE RELATION OF THE SCHOOL TO THE COMMUNITY 164 VIII THE SCHOOL AS A SOCIAL SETTLEMENT 205 IX INDUSTRY AND EDUCATIONAL READJUSTMENT 229 X EDUCATION THROUGH INDUSTRY 251
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Produced by John Bickers, and Dagny SERAPHITA By Honore De Balzac Translated by Katharine Prescott Wormeley DEDICATION To Madame Eveline de Hanska, nee Comtesse Rzewuska. Madame,--Here is the work which you asked of me. I am happy, in thus dedicating it, to offer you a proof of the respectful affection you allow me to bear you. If I am reproached for impotence in this attempt to draw from the depths of mysticism a book which seeks to give, in the lucid transparency of our beautiful language, the luminous poesy of the Orient, to you the blame! Did you not command this struggle (resembling that of Jacob) by telling me that the most imperfect sketch of this Figure, dreamed of by you, as it has been by me since childhood, would still be something to you? Here, then, it is,--that something. Would that this book could belong exclusively to noble spirits, preserved like yours from worldly pettiness by solitude! THEY would know how to give to it the melodious rhythm that it lacks, which might have made it, in the hands of a poet, the glorious epic that France still awaits. But from me they must accept it as one of those sculptured balustrades, carved by a hand of faith, on which the pilgrims lean, in the choir of some glorious church, to think upon the end of man. I am, madame, with respect, Your devoted servant, De Balzac. SERAPHITA CHAPTER I. SERAPHITUS As the eye glances over a map of the coasts of Norway, can the imagination fail to marvel at their fantastic indentations and serrated edges, like a granite lace, against which the surges of the North Sea roar incessantly? Who has not dreamed of the majestic sights to be seen on those beachless shores, of that multitude of creeks and inlets and little bays, no two of them alike, yet all trackless abysses? We may almost fancy that Nature took pleasure in recording by ineffaceable hieroglyphics the symbol of Norwegian life, bestowing on these coasts the conformation of a fish's spine, fishery being the staple commerce of the country, and well-nigh the only means of living of the hardy men who cling like tufts of lichen to the arid cliffs. Here, through fourteen degrees of longitude, barely seven hundred thousand souls maintain existence. Thanks to perils devoid of glory, to year-long snows which clothe the Norway peaks and guard them from profaning foot of traveller, these sublime beauties are virgin still; they will be seen to harmonize with human phenomena, also virgin--at least to poetry--which here took place, the history of which it is our purpose to relate. If one of these inlets, mere fissures to the eyes of the eider-ducks, is wide enough for the sea not to freeze between the prison-walls of rock against which it surges, the country-people call the little bay a "fiord,"--a word which geographers of every nation have adopted into their respective languages. Though a certain resemblance exists among all these fiords, each has its own characteristics. The sea has everywhere forced its way as through a breach, yet the rocks about each fissure are diversely rent, and their tumultuous precipices defy the rules of geometric law. Here the scarp is dentelled like a saw; there the narrow ledges barely allow the snow to lodge or the noble crests of the Northern pines to spread themselves; farther on, some convulsion of Nature may have rounded a coquettish curve into a lovely valley flanked in rising terraces with black-plumed pines. Truly we are tempted to call this land the Switzerland of Ocean. Midway between Trondhjem and Christiansand lies an inlet called the Strom-fiord. If the Strom-fiord is not the loveliest of these rocky landscapes, it has the merit of displaying the terrestrial grandeurs of Norway, and of enshrining the scenes of a history that is indeed celestial. The general outline of the Strom-fiord seems at first sight to be that of a funnel washed out by the sea. The passage which the waves have forced present to the eye an image of the eternal struggle between old Ocean and the granite rock,--two creations of equal power, one through inertia, the other by ceaseless motion. Reefs of fantastic shape run out on either side, and bar the way of ships and forbid their entrance. The intrepid sons of Norway cross these reefs on foot, springing from rock to rock, undismayed at the abyss--a hundred fathoms deep and only six feet wide--which yawns beneath them. Here a tottering block of gneiss falling athwart two rocks gives an uncertain footway; there the hunters or the fishermen, carrying their loads, have flung the stems of fir-trees in guise of bridges, to join the projecting reefs, around and beneath which the surges roar incessantly. This dangerous entrance to the little bay bears obliquely to the right with a serpentine movement, and there encounters a mountain rising some twenty-five hundred feet above sea-level, the base of which is a vertical palisade of solid rock more than a mile and a half long, the inflexible
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Produced by James McCormick THE PAN-ANGLES {ii} {iii} THE PAN-ANGLES A CONSIDERATION OF THE FEDERATION OF THE SEVEN ENGLISH-SPEAKING NATIONS BY SINCLAIR KENNEDY _WITH A MAP_ SECOND IMPRESSION LONGMANS, GREEN AND CO. FOURTH AVENUE & 30TH STREET, NEW YORK LONDON, BOMBAY. CALCUTTA AND MADRAS 1915 _All Rights Reserved_ {iv} {v} TO THE PAN-ANGLES {vi} PREFATORY NOTE THE Author is indebted to the following publishers and authors for kind permission to make quotations from copyright matter: to Mr. Edward Arnold for _Colonial Nationalism_, by Richard Jebb; to Mr. B. H. Blackwell for _Imperial Architects_, by A. L. Burt; to the Delegates of the Clarendon Press for _Federations and Unions_, by H. E. Egerton; to Messrs. Constable & Co. for _Alexander Hamilton_, by F. S. Oliver, and _The Nation and the Empire_, edited by Lord Milner; to the publishers of the _Encyclopedia Britannica_; to Messrs. Macmillan & Co. for Seeley's _Expansion of England_, and G. L. Parkin's _Imperial Federation_; to Admiral Mahan; to Mr. John Murray for _English Colonization and Empire_, by A. Caldecott; to Sir Isaac Pitman & Sons Ltd. for _The Union of South Africa_, by W. B. Worsfold; to the Executors of the late W. T. Stead for the _Last Will and Testament of C. J. Rhodes_; to Messrs. H. Stevens, Son, & Stiles for _Thomas Pownall_, by C. A. W. Pownall; to Messrs. Houghton, Mifflin Company for Thayer's _John Marshall_ and Woodrow Wilson's _Mere Literature_; to Messrs. D. C. Heath & Co. for Woodrow Wilson's _The State_; to Messrs. G. P. Putnam's Sons for _The Works of Benjamin Franklin_, edited by John Bigelow; to the Yale University Press for _Popular Government_, by W. H. Taft; and also to _The Times_; _The Round Table_; _The Outlook_; and _The Springfield Weekly Republican_. {vii} FOREWORD THE English-speaking, self-governing white people of the world in 1914 number upwards of one hundred and forty-one millions. Since December 24, 1814, there has been unbroken peace between the two independent groups of this race--a fact that contravenes the usual historical experiences of peoples between whom there has been uninterrupted communication during so long an epoch. The last few decades have seen increasingly close understandings between both the governments and the peoples of this civilization. In 1900 the British navy controlled the seas--all seas. From 1910 to 1914 the British navy has controlled the North Sea only.[vii-1] Some doubt whether this control can long be maintained. If it is lost, the British Empire is finished.[vii-2] The adhesion of the dependencies to their various governments and also the voluntary cohesion of the self-governing units would be at an end. "The disorders which followed the fall of Rome would be insignificant compared with those which would {viii} ensue were the British Empire to break in pieces."[viii-1] Such a splitting up would place each English-speaking nation in an exposed position, and would strengthen its rivals, Germany, Japan, Russia, and China. It would compel America to protect with arms, or to abandon to its enemies, not only the countries to which the Monroe Doctrine has been considered as applicable, but those lands still more important to the future of our race, New Zealand and Australia. If this catastrophe is to be averted, the English-speaking peoples must regain control of the seas. These pages are concerned with the English-speaking people of 1914. Here will be found no jingoism, if this be defined as a desire to flaunt power for its own sake; no altruism, if this means placing the welfare of others before one's own; and no sentiment except that which leads to self-preservation. No technical discussion of military or naval power is here attempted. The purpose of these pages is to indicate some of the common heritages of these English-speaking peoples, their need of land and their desire for the sole privilege of taxing themselves for their own purposes and in their own way. Federation is here recognized as the method by which English-speaking people ensure the freedom of the individual. It utilizes ideals and methods common to them all. Where it has been applied, it fulfils its dual
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Produced by John Hamm. HTML version by Al Haines THE RISE OF SILAS LAPHAM by William Dean Howells JTABLE 5 27 1 I. WHEN Bartley Hubbard went to interview Silas Lapham for the "Solid Men of Boston" series, which he undertook to finish up in The Events, after he replaced their original projector on that newspaper, Lapham received him in his private office by previous appointment. "Walk right in!" he called out to the journalist, whom he caught sight of through the door of the counting-room. He did not rise from the desk at which he was writing, but he gave Bartley his left hand for welcome, and he rolled his large head in the direction of a vacant chair. "Sit down! I'll be with you in just half a minute." "Take your time," said Bartley, with the ease he instantly felt. "I'm in no hurry." He took a note-book from his pocket, laid it on his knee, and began to sharpen a pencil. "There!" Lapham pounded with his great hairy fist on the envelope he had been addressing. "William!" he called out, and he handed the letter to a boy who came to get it. "I want that to go right away. Well, sir," he continued, wheeling round in his leather-cushioned swivel-chair, and facing Bartley, seated so near that their knees almost touched, "so you want my life, death, and Christian sufferings, do you, young man?" "That's what I'm after," said Bartley. "Your money or your life." "I guess you wouldn't want my life without the money," said Lapham, as if he were willing to prolong these moments of preparation. "Take 'em both," Bartley suggested. "Don't want your money without your life, if you come to that. But you're just one million times more interesting to the public than if you hadn't a dollar; and you know that as well as I do, Mr. Lapham. There's no use beating about the bush." "No," said Lapham, somewhat absently. He put out his huge foot and pushed the ground-glass door shut between his little den and the book-keepers, in their larger den outside. "In personal appearance," wrote Bartley in the sketch for which he now studied his subject, while he waited patiently for him to continue, "Silas Lapham is a fine type of the successful American. He has a square, bold chin, only partially concealed by the short reddish-grey beard, growing to the edges of his firmly closing lips. His nose is short and straight; his forehead good, but broad rather than high; his eyes blue, and with a light in them that is kindly or sharp according to his mood. He is of medium height, and fills an average arm-chair with a solid bulk, which on the day of our interview was unpretentiously clad in a business suit of blue serge. His head droops somewhat from a short neck, which does not trouble itself to rise far from a pair of massive shoulders." "I don't know as I know just where you want me to begin," said Lapham. "Might begin with your birth; that's where most of us begin," replied Bartley. A gleam of humorous appreciation shot into Lapham's blue eyes. "I didn't know whether you wanted me to go quite so far back as that," he said. "But there's no disgrace in having been born, and I was born in the State of Vermont, pretty well up under the Canada line--so well up, in fact, that I came very near being an adoptive citizen; for I was bound to be an American of SOME sort, from the word Go! That was about--well, let me see!--pretty near sixty years ago: this is '75, and that was '20. Well, say I'm fifty-five years old; and I've LIVED 'em, too; not an hour of waste time about ME, anywheres! I was born on a farm, and----" "Worked in the fields summers and went to school winters: regulation thing?" Bartley cut in. "Regulation thing," said Lapham, accepting this irreverent version of his history somewhat dryly. "Parents poor, of course," suggested the journalist. "Any barefoot business? Early deprivations of any kind, that would encourage the youthful reader to go and do
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Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration: Coverpage] PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY VOLUME XX THE LYON IN MOURNING VOL. I OCTOBER 1895 THE LYON IN MOURNING OR A COLLECTION OF SPEECHES LETTERS JOURNALS ETC. RELATIVE TO THE AFFAIRS OF PRINCE CHARLES EDWARD STUART BY THE REV. ROBERT FORBES, A.M. BISHOP OF ROSS AND CAITHNESS 1746-1775 Edited from his Manuscript, with a Preface by HENRY PATON, M.A. IN THREE VOLUMES I [Illustration: printer logo] EDINBURGH Printed at the University Press by T. and A. CONSTABLE for the Scottish History Society 1895 CONTENTS PAGE PREFACE, xi Letter from the Rev. Mr. Robert Lyon to his mother and sisters, 3 The last and dying speech of Robert Lyon, A.M., presbyter at Perth, 12 A Conversation between Mr. Lyon and Mr. Buchanan, of Arnprior, about the murder of Mr. Stewart of Glenbuckie, 21 A short account of Mr. Lyon, 21 Speech of Mr. Thomas Theodore Deacon, 22
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Produced by Bryan Ness, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: [=XVII] = XVII with a line above. * * * * * A Line-o'-Verse or Two By Bert Leston Taylor The Reilly & Britton Co. Chicago Copyright, 1911 by The Reilly & Britton Co. NOTE For the privilege of reprinting the rimes gathered here I am indebted to the courtesy of the _Chicago Tribune_ and _Puck_, in whose pages most of them first appeared. "The Lay of St. Ambrose" is new. One reason for rounding up this fugitive verse and prisoning it between covers was this: Frequently--more or less--I receive a request for a copy of this jingle or that, and it is easier to mention a publishing house than to search through ancient and dusty files. The other reason was that I wanted to. B. L. T. _TO MY READERS_ _Not merely of this book,--but a larger company, with whom, through the medium of the_ Chicago Tribune, _I have been on very pleasant terms for several years,--this handful of rime is joyously dedicated._ THE LAY OF ST. AMBROSE "_And hard by doth dwell, in St. Catherine's cell,_ _Ambrose, the anchorite old and grey._" --THE LAY OF ST. NICHOLAS. Ambrose the anchorite old and grey Larruped himself in his lonely cell, And many a welt on his pious pelt The scourge evoked as it rose and fell. For hours together the flagellant leather Went whacketty-whack with his groans of pain; And the lay-brothers said, with a wag of the head, "Ambrose has been at the bottle again." And such, in sooth, was the sober truth; For the single fault of this saintly soul Was a desert thirst for the cup accurst,-- A quenchless love for the Flowing Bowl. When he woke at morn with a head forlorn And a taste like a last-year swallow's nest, He would kneel and pray, then rise and flay His sinful body like all possessed. Frequently tempted, he fell from grace, And as often he found the devil to pay; But by diligent scourging and diligent purging He managed to keep Old Nick at bay. This was the plight of our anchorite,-- An endless penance condemned to dree,-- When it chanced one day there came his way A Mystical Book with a golden Key. This Mystical Book was a guide to health, That none might follow and go astray; While a turn of the Key unlocked the wealth That all unknown in the Scriptures lay. Disease is sin, the Book defined; Sickness is error to which men cling; Pain is merely a state of mind, And matter a non-existent thing. If a tooth should ache, or a leg should break, You simply "affirm" and it's sound again. Cut and contusion are only delusion, And indigestion a fancied pain. For pain is naught if you "hold a thought," Fevers fly at your simple say; You have but to affirm, and every germ Will fold up its tent and steal away. .......... From matin gong to even-song Ambrose pondered this mystic lore, Till what had seemed fiction took on a conviction That words had never possessed before. "If pain," quoth he, "is a state of mind, If a rough hair shirt to silk is kin,-- If these things are error, pray where's the terror In scourging and purging oneself of sin? "It certainly seemeth good to me, By and large, in part and in whole. I'll put it in practice and find if it fact is, Or only a mystical rigmarole." .......... The very next night our anchorite Of the Flowing Bowl drank long and deep. He argued this wise: "New Thought applies No fitter to lamb than it does to sheep." When he woke at morn with a head forlorn And a taste akin to a parrot's cage, He knelt and prayed, then up and flayed His sinful flesh in a righteous rage. Whacketty-whack on breast and back, Whacketty-whack, before, behind; But he held the thought as he laid it on, "Pain is merely a state of mind." Whacketty-whack on breast and back, Whacketty-whack on calf and shin; And the lay-brothers said, with a wag of the head, "_Ain't_ he the glutton for discipline!" .......... Now every night our anchorite Was exceedingly tight when he went to bed. The scourge that once pained him no longer restrained him, Nor even the fear of an aching head. For he woke at morn with a pate as clear As the silvery chime of the matin bell; And without any jogging he fell to his flogging, And larruped himself in his lonely cell. But the leather had lost its power to sting; To pangs of the flesh he was now immune; His rough hair shirt no longer hurt, Nor the pebbles he wore in his wooden shoon. When conscience was troubled he cheerfully doubled His matinal dose of discipline;-- A deuce of a scourging, sufficient for purging The Devil himself of original sin. Whacketty-whack on breast and back, Whacketty-whack from morn to noon; Whacketty-whacketty-whacketty-whack!-- Till the abbey rang with the dismal tune. Deacon and prior, lay-brother and friar Exclaimed at these whoppings spectacular; And even the Abbot remarked that the habit Of scourging oneself might be carried too far. "My son," said he, "I am pleased to see Such penance as never was known before; But you raise such a racket in dusting your jacket, The noise is becoming a bit of a bore. "How would it do if you whaled yourself From eight to ten or from one to three? Or if 'More' is your motto, pray hire a grotto; I know of one you can have rent free." .......... Ambrose the anchorite bowed his head, And girded his loins and went away. He rented a cavern not far from a tavern, And tippled by night and scourged by day. The more the penance the more the sin, The more he whopped him the more he drank; Till his hair fell out and his cheeks fell in, And his corpulent figure grew long and lank. At Whitsuntide he up and died, While flaying himself for his final spree. And who shall say whether 'twas liquor or leather That hurried him into eternity? They made him a saint, as well they might, And gave him a beautiful aureole. And--somehow or other, this circle of light Suggests the rim of the Flowing Bowl. TO A TALL SPRUCE Pride of the forest primeval, Peer of the glorious pine, Doomed to an end that is evil, Fearful the fate that is thine! Peer of the glorious pine, Now the landlooker has found you, Fearful the fate that is thine-- Fate of the spruces around you. Now the landlooker has found you, Stripped of your beautiful plume-- Fate of the spruces around you-- Swiftly you'll draw to your doom. Stripped of your beautiful plume, Bzzng! into logs they will whip you. Swiftly you'll draw to your doom; To the pulp mill they will ship you. Bzzng! into logs they will whip you, Lumbermen greedy for gold. To the pulp mill they will ship you. Hearken, there's worse to be told! Lumbermen greedy for gold Over your ruins will caper. Hearken, there's worse to be told: You will be made into paper! Over your ruins will caper Murderous shavers and hooks. You will be made into paper! You will be made into books! Murderous shavers and hooks Swiftly your pride will diminish. You will be made into books! Horrible, horrible finish! Swiftly your pride will diminish. You will become a romance! Horrible, horrible finish! Fate has no sadder mischance. You will become a romance, Filled with "Gadzooks!" and "Have at you!" Fate has no sadder mischance; It would wring tears from a statue. Filled with "Gadzooks!" and "Have at you!" You may become a "Lazarre"-- (It would wring tears from a statue)-- "Graustark," "Stovepipe of Navarre." You may become a "Lazarre"; Fate has still worse it can turn on-- "Graustark," "Stovepipe of Navarre," Even a "Dorothy Vernon"! Fate has still worse it can turn on-- Lower you cannot descend; Even a "Dorothy Vernon"!-- That is the limit--the end. Lower you cannot descend. Doomed to an end that is evil, That _is_ the limit--the _end_! Pride of the forest primeval. IN THE LAMPLIGHT The dinner done, the lamp is lit, And in its mellow glow we sit And talk of matters, grave and gay, That went to make another day. Comes Little One, a book in hand, With this request, nay, this command-- (For who'd gainsay the little sprite)-- "Please--will you read to me to-night?" Read to you, Little One? Why, yes. What shall it be to-night? You guess You'd like to hear about the Bears-- Their bowls of porridge, beds and chairs? Well, that you shall.... There! that tale's done! And now--you'd like another one? To-morrow evening, Curly Head. It's "hass-pass seven." Off to bed! So each night another story: Wicked dwarfs and giants gory; Dragons fierce and princes daring, Forth to fame and fortune faring; Wandering tots, with leaves for bed; Houses made of gingerbread; Witches bad and fairies good, And all the wonders of the wood. "I like the witches best," says she Who nightly nestles on my knee; And why by them she sets such store, Psychologists may puzzle o'er. Her likes are mine, and I agree With all that she confides to me. And thus we travel, hand in hand, The storied roads of Fairyland. Ah, Little One, when years have fled, And left their silver on my head, And when the dimming eyes of age With difficulty scan the page, Perhaps _I'll_ turn the tables then; Perhaps _I'll_ put the question, when I borrow of your better sight-- "Please--will you read to me to-night?" THE BREAKFAST FOOD FAMILY John Spratt will eat no fat, Nor will he touch the lean; He scorns to eat of any meat, He lives upon Foodine. But Mrs. Spratt will none of that, Foodine she cannot eat; Her special wish is for a dish Of Expurgated Wheat. To William Spratt that food is flat On which his mater dotes. His favorite feed--his special need-- Is Eata Heapa Oats. But sister Lil can't see how Will Can touch such tasteless food. As breakfast fare it can't compare, She says, with Shredded Wood. Now, none of these Leander please, He feeds upon Bath Mitts. While sister Jane improves her brain With Cero-Grapo-Grits. Lycurgus votes for Father's Oats; Proggine appeals to May; The junior John subsists upon Uneeda Bayla Hay. Corrected Wheat for little Pete; Flaked Pine for Dot; while "Bub" The infant Spratt is waxing fat On Battle Creek Near-Grub. "TREASURE ISLAND" Comes little lady, a book in hand, A light in her eyes that I understand, And her cheeks aglow from the faery breeze That sweeps across the uncharted seas. She gives me the book, and her word of praise A ton of critical thought outweighs. "I've finished it, daddie!"--a sigh thereat. "Are there any more books in the world like that?" No, little lady. I grieve to say That of all the books in the world to-day There's not another that's quite the same As this magic book with the magic name. Volumes there be that are pure delight, Ancient and yellowed or new and bright; But--little and thin, or big and fat-- There are no more books in the world like that. And what, little lady, would I not give For the wonderful world in which you live! What have I garnered one-half as true As the tales Titania whispers you? Ah, late we learn that the only truth Was that which we found in the Book of Youth. Profitless others, and stale, and flat;-- There are no more books in the world like that. A BALLADE OF SPRING'S UNREST Up in the woodland where Spring Comes as a laggard, the breeze Whispers the pines that the King, Fallen, has yielded the keys To his White Palace and flees Northward o'er mountain and dale. Speed then the hour that frees! Ho, for the pack and the trail! Northward my fancy takes wing, Restless am I, ill at ease. Pleasures the city can bring Lose now their power to please. Barren, all barren, are these, Town life's a tedious tale; That cup is drained to the lees-- Ho, for the pack and the trail! Ho, for the morning I sling Pack at my back, and with knees Brushing a thoroughfare, fling Into the green mysteries: One with the birds and the bees, One with the squirrel and quail, Night, and the stream's melodies-- Ho, for the pack and the trail! _L'Envoi_ Pictures and music and teas, Theaters--books even--stale. Ho, for the smell of the trees! Ho, for the pack and the trail! WHY? Why, when the sun is gold, The weather fine, The air (this phrase is old) Like Gascon wine;-- Why, when the leaves are red, And yellow, too, And when (as has been said) The skies are blue;-- Why, when all things promote One's peace and joy,-- A joy that is (to quote) Without alloy;-- Why, when a man's well off,
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Produced by David Clarke, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Million Book Project) ANALYSIS OF MR. MILL'S SYSTEM OF LOGIC. * * * * * WORKS BY JOHN STUART MILL, M.P. FOR WESTMINSTER. A SYSTEM of LOGIC, RATIOCINATIVE and INDUCTIVE. Sixth Edition. 2 vols. 8vo. 25_s._ An EXAMINATION of SIR WILLIAM HAMILTON'S PHILOSOPHY, and of the Principal Philosophical Questions discussed in his Writings. Third Edition, revised. 8vo. 14_s._ PRINCIPLES of POLITICAL ECONOMY, with some of their Applications to Social Philosophy. Sixth Edition. 2 vols. 8vo. 30_s._ PRINCIPLES of POLITICAL ECONOMY. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 5_s._ CONSIDERATIONS on REPRESENTATIVE GOVERNMENT. Third Edition. 8vo. 9_s._ On REPRESENTATIVE GOVERNMENT. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 2_s._ On LIBERTY. Third Edition. Post 8vo. 7_s._ 6_d._ On LIBERTY. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 1_s._ 4_d._ DISSERTATIONS and DISCUSSIONS, POLITICAL, PHILOSOPHICAL, and HISTORICAL. Second Edition of VOLS. I. and II. price 24_s._; VOL. III., price 12_s._ INAUGURAL ADDRESS delivered to the University of St. Andrew's, Feb. 1, 1867. By JOHN STUART MILL, M.P. Rector of the University. Library Edition (the Second), post 8vo. 5_s._ People's Edition, crown 8vo. 1_s._ UTILITARIANISM. Second Edition. 8vo. 5_s._ THOUGHTS on PARLIAMENTARY REFORM. Second Edition, with SUPPLEMENT. 8vo. 1_s._ 6_d._ London: LONGMANS and CO. Paternoster Row. * * * * * ANALYSIS OF MR. MILL'S SYSTEM OF LOGIC. BY W. STEBBING, M.A. FELLOW OF WORCESTER COLLEGE, OXFORD. _NEW EDITION._ LONDON: LONGMANS, GREEN, AND CO. 1867. LONDON PRINTED BY SPOTTISWOODE AND CO. NEW-STREET SQUARE PREFACE TO THE SECOND EDITION. The author's aim has been to produce such a condensation of the original work as may recall its contents to those who have read it, and may serve those who are now reading it in the place of a full body of marginal notes. Mr. Mill's conclusions on the true province and method of Logic have a high substantive value, independent even of the arguments and illustrations by which they are supported; and these conclusions may be adequately, and, it is believed, with much practical utility, embodied in an epitome. The processes of reasoning on which they depend, can, on the other hand, be represented in outline only. But it is hoped that the substance of every paragraph, necessary for the due comprehension of the several steps by which the results have been reached, will be here found at all events suggested. The author may be allowed to add, that Mr. Mill, before publication, expressed a favourable opinion of the manner in which the work had been executed. Without such commendation the volume would hardly have been offered to the public. LONDON: _Dec. 21, 1865_. CONTENTS. PAGE INTRODUCTION 1 BOOK I. NAMES AND PROPOSITIONS. CHAP. I. On the Necessity of commencing with an Analysis of Language in Logic 3 II. Names 3 III. The Things denoted by Names 7 IV. Propositions 17 V. The Import of Propositions 19 VI. Propositions merely Verbal 24 VII. The Nature of Classification, and the Five Predicables 26 VIII. Definition 30 BOOK II. REASONING. I. Inference, or Reasoning in General 35 II. Ratiocination, or Syllogism 36 III. The Functions and Logical Value of the Syllogism 39 IV. Trains of Reasoning, and Deductive Sciences 43 V. & VI. Demonstration and Necessary Truths 46 BOOK III. INDUCTION. I. Preliminary Observations on Induction in general 53 II. Inductions improperly so called 54 III. The ground of Induction 57 IV. Laws of Nature 58 V. The Law of Universal Causation 60 VI. The Composition of Causes 66 VII. Observation and Experiment 67 VIII. & Note to IX. The Four Methods of Experimental Enquiry 69 X. Plurality of Causes, and intermixture of Effects 73 XI. The Deductive Method 76 XII. & XIII. The Explanation and Examples of the Explanation of Laws of Nature 77 XIV. The Limits to the Explanation of Laws of Nature; and Hypotheses 79 XV. Progressive Effects, and continued Action of Causes 81 XVI. Empirical Laws 83 XVII. Chance, and its Elimination 85 XVIII. The Calculation of Chances 87 XIX. The Extension of Derivative Laws to Adjacent Cases 89 XX. Analogy 91 XXI. The Evidence of the Law of Universal Causation 92 XXII. Uniformities of Coexistence not dependent on Causation 94 XXIII. Approximate Generalisations, and Probable Evidence 96 XXIV. The remaining Laws of Nature 99 XXV. The grounds of Disbelief 103 BOOK IV. OPERATIONS SUBSIDIARY TO INDUCTION. I. Observation and Description 107 II. Abstraction, or the Formation of Conceptions 108 III. Naming as Subsidiary to Induction 111 IV. The Requisites of a Philosophical Language, and the Principles of Definition 112 V. The Natural History of the Variation in the Meaning of Terms 115 VI. Terminology and Nomenclature 117 VII. Classification, as Subsidiary to Induction 121 VIII. Classification by Series 124 BOOK V. FALLACIES. I. Fallacies in general 127 II. Classification of Fallacies 128 III. Fallacies of Simple Inspection; or, a priori Fallacies 130 IV. Fallacies of Observation 134 V. Fallacies of Generalisation 137 VI. Fallacies of Ratiocination 141 VII. Fallacies of Confusion 143 BOOK VI. ON THE LOGIC OF THE MORAL SCIENCES. I. Introductory Remarks 148 II. Liberty and Necessity 148 III. There is, or may be, a Science of Human Nature 150 IV. The Laws of Mind 151 V. Ethology, or the Science of the Formation of Character 153 VI. General Considerations on
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Produced by Colin Bell, Joseph Cooper, Diane Monico, and the Online Distributed Proofreading Team at http://www.pgdp.net THE ABORIGINAL POPULATION OF THE SAN JOAQUIN VALLEY, CALIFORNIA BY S. F. COOK ANTHROPOLOGICAL RECORDS Vol. 16, No. 2 UNIVERSITY OF CALIFORNIA ANTHROPOLOGICAL RECORDS Editors (Berkeley): R. L. Olson, R. F. Heizer, T. D. McCown, J. H. Rowe Volume 16, No. 2, pp. 31-80 6 maps Submitted by editors October 8, 1954 Issued July 11, 1955 Price, 75 cents University of California Press Berkeley and Los Angeles California Cambridge University Press London, England Manufactured in the United States of America CONTENTS Page Introduction 31 The population of the San Joaquin Valley in approximately 1850 33 Contemporary estimates and counts for the entire region 33 Analysis based upon restricted areas 34 Stanislaus and Tuolumne rivers 34 Merced River, Mariposa Creek, and Chowchilla River 35 The Cosumnes, Mokelumne, and Calaveras rivers 36 The Fresno and the upper San Joaquin rivers 36 The Kings and Kaweah rivers 38 The Tulare Lake basin 40 The Tule River, the Kern River, and the Buenavista Basin 40 The aboriginal population 42 The Tulare Lake basin 42 The Kaweah River 45 The Merced River 48 The Kings River 49 The Upper San Joaquin, Fresno, and Chowchilla rivers and Mariposa Creek 50 The Southern San Joaquin Valley 54 The Northern San Joaquin Valley 56 The Miwok Foothill Area 68 Summary and conclusions 70 Appendix 71 Bibliography 72 MAPS 1. The San Joaquin Valley from the Cosumnes River to the Tehachapi facing page 74 2. Habitat areas 1A-2: the southern Yokuts and peripheral tribes 75 3. Habitat areas 3A-4C: the basins of the Kaweah and Kings rivers 76 4. Habitat areas 5A-6B: the Yokuts, a part of the Mono, and the southern Miwok 76 5. Habitat areas 7A-14: the northern Yokuts, central and northern Miwok 77 6. The Lower San Joaquin River and Delta areas 78 THE ABORIGINAL POPULATION OF THE SAN JOAQUIN VALLEY, CALIFORNIA BY S. F. COOK INTRODUCTION Ecologically the great central valley of California forms a single unit. Nevertheless it is convenient for the purposes of this paper to divide the entire area into two portions, north and south. The vast expanse from Red Bluff to the Tehachapi is too extensive to cover demographically in a single exposition. Moreover, the northern tribes, the Wintun and Maidu, are physiographically clearly segregated from the southern by the northern extension of San Francisco Bay and the delta of the rivers. Hence we shall consider here only those peoples south of the Sacramento and American River watersheds. The area possesses definite natural limits but its exact boundaries must be to some extent arbitrary. On the north the line has already been indicated: the south bank of the upper Bay and the Sacramento River as far upstream as a point five miles below the city of Sacramento and thence easterly along the El Dorado--Amador County line into the high mountains. This follows Kroeber's tribal boundary between the Maidu and the Sierra Miwok. On the west the line starts northeast of Mt. Diablo and follows the western edge of the San Joaquin Valley to the Tehachapi Mountains. On the east we include the Sierra Nevada as far as was reached by permanent habitation on the west <DW72>. The southern extremity is represented by the crest of the Tehachapi. The region designated embraces the territory of the Plains and Sierra Miwok, the Yokuts, the Western Mono, the Tubatulabal, and the Kawaiisu. From the standpoint of habitat the area is diversified since it extends from the swampy valley floor through the oak country of the lower foothills into the transition life-zone of the middle altitudes. Perhaps an ecological segregation would be desirable. Such a procedure, however, would cut across tribal boundaries and make an accurate evaluation of population difficult. On the accompanying maps, areas are delineated, and numbered
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Produced by Brian Coe, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) _THE DAILY CHRONICLE WAR LIBRARY_ THE WAR STORIES OF PRIVATE THOMAS ATKINS A SELECTION OF THE BEST THINGS IN HIS PERSONAL LETTERS FROM THE FRONT & SO A STIRRING TALE OF GREAT DEEDS DONE FOR A GREAT CAUSE IN A SPIRIT OF SIMPLE DUTY AND GALLANT GAIETY PUBLISHED FOR THE DAILY CHRONICLE BY GEORGE NEWNES LIMITED OF SOUTHAMPTON ST., STRAND, LONDON, AT ONE SHILLING NET _No one with a sense of Humour should miss reading_ “SMITHY” Not to Mention NOBBY CLARK AND SPUD MURPHY By EDGAR WALLACE The most entertaining Stories ever written of “Tommy Atkins” and his little ways _NOW ON SALE_ _at all Booksellers and Railway Bookstalls, 1/- or Post free 1/2, from the Publishers,_ Net GEORGE NEWNES LTD. 8-11 Southampton Street, Strand, London, W.C. THE WAR STORIES OF PRIVATE THOMAS ATKINS “_Are we downhearted?_” “_No-o-o!_” THE WAR CRY OF PRIVATE ATKINS. _It’s a long way to Tipperary It’s a long way to go, It’s a long way to Tipperary, To the sweetest girl I know! Good-bye, Piccadilly! Farewell, Leicester Square! It’s a long, long way to Tipperary, But my heart’s right there._ THE MARCHING SONG OF PRIVATE ATKINS. PUBLISHED FOR THE DAILY CHRONICLE BY GEORGE NEWNES LIMITED OF SOUTHAMPTON ST., STRAND, LONDON PRINTED AT THE BALLANTYNE PRESS LONDON CONTENTS Page “BLOW! BUGLES, BLOW!” 5 I MARCHING TO WAR 9 II THINGS BY THE WAY 14 III THE FRIENDLY FRENCH 20 IV THE ENEMY GERMAN 26 V CAMPAIGNING IN GENERAL 32 VI BATTLES IN BEING 41 VII WHAT THE SOLDIER SEES 56 VIII HOW IT FEELS UNDER FIRE 67 IX CORNERS IN THE FIGHT 78 X HIT AND MISSED 92 XI ADVANCE AND RETREAT 103 XII IN THE TRENCHES 115 XIII GALLANT DEEDS 125 XIV TALES OF TRAGEDY 134 XV ANECDOTES OF HUMOUR 142 XVI STORIES OF SACRIFICE 150 XVII THE MAN AMID WAR 159 XVIII THE COMMON TASK 169 XIX MATTERS IN GENERAL 179 XX SUMMING IT UP 186 _Now all the youth of England are on fire, And silken dalliance in the wardrobe lies; Now thrive the armourers, and honour’s thought Reigns solely in the breast of every man._ WILLIAM SHAKESPEARE. “BLOW! BUGLES, BLOW!” _Boot, saddle, to horse, away! Rescue my castle before the hot day Brightens to blue from its silvery grey. Boot, saddle, to horse, and away!_ ROBERT BROWNING. You like song, dear Private Atkins, its lilt and its sentiment, and you have been singing your way through battle, on the hills of France and the plains of Belgium. You are really a poet, as well as a first-rate fighting man, though the very idea will make your camp-fire rock with laughter. Well, in your letters from the war to the old folk and the young folk at home, you have written things worthy to be bound in cloth of gold. You have, in particular, being a natural fellow, written yourself to them, and you are just splendid, singly and collectively. You look out from your epistles with a smile on your lips, humour in one eye and a touch of the devil in the other, and you cry, “Are we downhearted?” “No!” gladly answer we, who have been listening to the news of battle ringing down the street, and for a moment, perhaps, forgetting you and your writing on the wall with the bayonet point. You do get the red, living phrases, don’t you, Private Atkins? “The hottest thing in South Africa was frost-bitten compared with what’s going on here.” “The Boer War was a mothers’ meeting beside this affair.” “Another shell dropped at me and I went like Tod Sloan.” “Did you see that German man’s face when I told him about our victories? Poor devil
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) [Illustration: GEORGE FREDERICK HANDEL (_From a Portrait by Mercier in the possession of the Earl of Malmesbury._) _Frontispiece._]] HANDEL BY ROMAIN ROLLAND TRANSLATED BY A. EAGLEFIELD HULL MUS. DOC. (OXON.) _WITH AN INTRODUCTION BY THE EDITOR_ _17 MUSICAL ILLUSTRATIONS AND 4 PLATES_ [Illustration: colophon] NEW YORK HENRY HOLT AND COMPANY 1916 PREFACE For a proper appreciation of the colossal work of Handel many years of study and a book of some two hundred pages are very insufficient. To treat at all adequately of Handel's life and work needs a whole lifetime in itself, and even the indefatigable and enthusiastic Chrysander, who devoted his life to this subject, has hardly encompassed the task.... I have done what I could; my faults must be excused. This little book does not pretend to be anything more than a very brief sketch of the life and technique of Handel. I hope to study his character, his work, and his times, more in detail in another volume. ROMAIN ROLLAND. CONTENTS PAGE HIS LIFE 1 HIS TECHNIQUE AND WORKS 111 (1) THE OPERAS 122 (2) THE ORATORIOS 134 (3) THE CLAVIER COMPOSITIONS 143 (4) THE CHAMBER MUSIC (SONATAS AND TRIOS) 154 (5) THE ORCHESTRAL WORKS 158 APPENDICES-- LIST OF HANDEL'S WORKS 193 BIBLIOGRAPHY 201 INDEX 204 PLATES PORTRAIT BY THORNHILL _frontispiece_ GEORGE I AND HANDEL'S WATER MUSIC _to face page_ 69 HANDEL'S MONUMENT IN WESTMINSTER ABBEY 107 HANDEL DIRECTING AN ORATORIO 165 INTRODUCTION BY THE EDITOR Here in England we are supposed to know our Handel by heart, but it is doubtful whether we do. Who can say from memory the titles of even six of his thirty-nine operas, from whence may be culled many of his choicest flowers of melody? M. Rolland rightly emphasises the importance of the operas of Handel in the long chain of musical evolution, and it seems impossible for anyone to lay down his book without having a more all-round impression than heretofore of this giant among composers. M. Saint-Saens once compared the position of a conductor in front of the score of a Handel oratorio to that of a man who sought to settle with his family in some old mansion which has been uninhabited for centuries. The music was different altogether from that to which he was accustomed. No nuances, no bowing, frequently no indication of rate, and often merely a "sketched-in" bass.... Tradition only could guide him, and the English, who alone could have preserved this, he considers, have lost it. Can it be recovered to any extent, and, if so, how? Behind each towering figure of genius are to be found numbers of eloquent men who prepared the way for him; and amongst these precursors there is frequently discovered one who exercised a dominating influence over the young budding genius. Such an influence was exercised by Zachau on Handel, and M. Rolland rightly gives due importance to the consideration of this old master's teachings and compositions, a careful study of which should go far to supplying the right key to Handel's music. One of the great shortcomings in the general musical listener is a lack of the historical view of music. It is a long cry from Bach and Handel to Debussy and Scriabin, but we shall be all the better for looking well at both ends of the long musical chain which connects the unvoiced expression of the past with the vague yet certain hopes of the future. No doubt we have hardly yet recovered from the false position into which we have all helped to place Handel. He was never the great Church composer which has been assumed for so long. Perhaps, rather, he leaned to the pagan side of life in his art. As Mr. Streatfeild says, "You can no more call the _Messiah_ a work of art than you can call the _Book of Common Prayer_ popular as a masterpiece of literature.... Handel the preacher is laid for ever in the tomb, but Handel the artist with his all-em
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Produced by David Reed and Dale R. Fredrickson HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE Edward Gibbon, Esq. With notes by the Rev. H. H. Milman Vol. 6 1782 (Written), 1845 (Revised) Transcriber's Note This is the sixth volume of the six volumes of Edward Gibbon's History Of The Decline And Fall Of The Roman Empire. If you find any errors please feel free to notify me of them. I want to make this the best etext edition possible for both scholars and the general public. I would like to thank those who have helped in making this text better. Especially Dale R. Fredrickson who has hand entered the Greek characters in the footnotes and who has suggested retaining the conjoined ae character in the text. [email protected] and [email protected] are my email addresses for now. Please feel free to send me your comments and I hope you enjoy this. David Reed Chapter LIX: The Crusades.--Part I. Preservation Of The Greek Empire.--Numbers, Passage, And Event, Of The Second And Third Crusades.--St. Bernard.-- Reign Of Saladin In Egypt And Syria.--His Conquest Of Jerusalem.--Naval Crusades.--Richard The First Of England.-- Pope Innocent The Third; And The Fourth And Fifth Crusades.-- The Emperor Frederic The Second.--Louis The Ninth Of France; And The Two Last Crusades.--Expulsion Of The Latins Or Franks By The Mamelukes. In a style less grave than that of history, I should perhaps compare the emperor Alexius [1] to the jackal, who is said to follow the steps, and to devour the leavings, of the lion. Whatever had been his fears and toils in the passage of the first crusade, they were amply recompensed by the subsequent benefits which he derived from the exploits of the Franks. His dexterity and vigilance secured their first conquest of Nice; and from this threatening station the Turks were compelled to evacuate the neighborhood of Constantinople. While the crusaders, with blind valor, advanced into the midland countries of Asia, the crafty Greek improved the favorable occasion when the emirs of the sea-coast were recalled to the standard of the sultan. The Turks were driven from the Isles of Rhodes and Chios: the cities of Ephesus and Smyrna, of Sardes, Philadelphia, and Laodicea, were restored to the empire, which Alexius enlarged from the Hellespont to the banks of the Maeander, and the rocky shores of Pamphylia. The churches resumed their splendor: the towns were rebuilt and fortified; and the desert country was peopled with colonies of Christians, who were gently removed from the more distant and dangerous frontier. In these paternal cares, we may forgive Alexius, if he forgot the deliverance of the holy sepulchre; but, by the Latins, he was stigmatized with the foul reproach of treason and desertion. They had sworn fidelity and obedience to his throne; but _he_ had promised to assist their enterprise in person, or, at least, with his troops and treasures: his base retreat dissolved their obligations; and the sword, which had been the instrument of their victory, was the pledge and title of their just independence. It does not appear that the emperor attempted to revive his obsolete claims over the kingdom of Jerusalem; [2] but the borders of Cilicia and Syria were more recent in his possession, and more accessible to his arms. The great army of the crusaders was annihilated or dispersed; the principality of Antioch was left without a head, by the surprise and captivity of Bohemond; his ransom had oppressed him with a heavy debt; and his Norman followers were insufficient to repel the hostilities of the Greeks and Turks. In this distress, Bohemond embraced a magnanimous resolution, of leaving the defence of Antioch to his kinsman, the faithful Tancred; of arming the West against the Byzantine empire; and of executing the design which he inherited from the lessons and example of his father Guiscard. His embarkation was clandestine: and, if we may credit a tale of the princess Anne, he passed the hostile sea closely secreted in a coffin. [3] But his reception in France was dignified by the public applause, and his marriage with the king's daughter: his return was glorious, since the bravest spirits of the age enlisted under his veteran command; and
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Produced by Pat McCoy, Curtis Weyant and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) CAPTAIN KYD; OR, THE WIZARD OF THE SEA. A ROMANCE. BY THE AUTHOR OF "THE SOUTHWEST," "LAFITTE," "BURTON," &c. "There's many a one who oft has heard The name of Robert Kyd, Who cannot tell, perhaps, a word Of him, or what he did. "So, though I never saw the man, And lived not in his day, I'll tell you how his guilt began-- To what it led the way." H. F. Gould. IN TWO VOLUMES. VOL. II. NEW-YORK: HARPER & BROTHERS, 82 CLIFF-STREET. 1839. Entered, according to Act of Congress, in the year 1838, By HARPER & BROTHERS, In the Clerk's Office of the Southern District of New-York. CAPTAIN KYD; OR, THE WIZARD OF THE SEA. BOOK I. CONTINUED. CHAPTER VIII. "The wind blows fair! the vessel feels The pressure of the rising breeze, And swiftest of a thousand keels, She leaps to the careering seas." WILLIS. "Commanding, aiding, animating all, Where foe appear'd to press, or friend to fall, Cheers Lara's voice." _Lara._ Towards noon of the day on which the events related in the last chapter transpired, a signal was displayed on one of the towers of Castle Cor, and shortly afterward the yacht, which hitherto had appeared so lifeless, got under weigh. Like a snowy seabird seeking her nest, she spread her broad white sails and stood in towards the land, fired a gun, and hove to within cable's length of the beach. A well-manned boat, with a crimson awning stretched above the stern-sheets, and gay with the flags of England and of Bellamont, presently put off from her, and pulled to the foot of the path that led up to the castle. In a few minutes afterward a party was seen descending the cliff, consisting of Lady Bellamont, Grace Fitzgerald, Kate Bellamont and the earl, on the arm of whom the latter leaned pale and sad, followed by a large number of attendants, and others who had come to witness the embarcation. On arriving at the boat, which lay against the rock so that they could easily step into it, they were received by the commander of the yacht in person--a bluff, middle-aged seaman, his manners characterized by a sailor's frankness, united with the ease and courtesy of a well-bred gentleman. "How is the wind, Kenard?" asked the earl of the officer, as he came to the place of embarking; "'tis somewhat light and contrary, methinks, for our voyage." "It comes from the south by west, my lord, but we can lay our course till we clear the cape, when it will be full fair. I trust our cabin will be honoured with a larger share of loveliness than I had anticipated," he said, smiling with gallantry as he saw Kate Bellamont and the countess were of the party. "So you did not give me the credit for being so _very_ lovely until you had seen me, Master Kenard," said Grace, wilfully misapplying his words. "When I look on your face, I assuredly can have no wish that my cabins should be graced with more beauty than I behold there, fair lady," answered the seaman, lifting his cap gallantly. "A pretty speech to come from the sea," said Grace, laughing. "Come, fair niece, the winds wait for no one," said the earl, stepping from the rock upon the cushioned seats of the gig, after having taken a tender leave of his countess and daughter. "Adieu, then, sweet cousin!" "Adieu, dear Grace!" And, for a moment, the lovely girls lingered in a parting embrace, kissing again and again each other's cheeks, while their full eyes ran over. It seemed as if they never would separate! "Nay, my sweet Grace, will you give all your adieus and affectionate partings to your cousin?" said the countess, interrupting their lingering parting. With another warm embrace, another kiss, and a fresh shower of tears, Grace released herself from Kate's entwining arms and threw herself into those of Lady Bellamont
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Produced by Keith G. Richardson - from file kindly hosted at www.archive.org SOWING AND REAPING BY D. L. MOODY. _'Whatsoever a man soweth, that shall he also reap.'_ Gal. vi: 7. Chicago: New York: Toronto Fleming H. Revell Company Publishers of Evangelical Literature _Copyright 1896 by_ _Fleming H. Revell Company._ CONTENTS Chap. I. Sowing and Reaping II. Be Not Deceived: God Is Not Mocked III. When a Man Sows, He Expects to Reap IV. A Man Reaps the Same Kind as He Sows V. A Man Reaps More than He Sows VI. Ignorance of the Seed Makes No Difference VII. Forgiveness and Retribution VIII. Warning SOWING AND REAPING SOWING AND REAPING. CHAPTER I. "Be not deceived; God is not mocked: for whatsoever a man soweth, that shall he also reap. For he that soweth to his flesh shall of the flesh reap corruption; but he that soweth to the Spirit shall of the Spirit reap life everlasting." Galatians vi: 7, 8. I think this passage contains truths that no infidel or sceptic will dare to deny. There are some passages in the Word of God that need no other proof than that which we can easily find in our daily experience. This is one of them. If the Bible were to be blotted out of existence, the words I have quoted would be abundantly verified by what is constantly happening around us. We have only to take up the daily papers to see them being fulfilled before our eyes. I remember giving out this text once when a man stood right up in the audience and said: "I don't believe it." I said, "My friend, that doesn't change the fact. Truth is truth whether you believe it or not, and a lie is a lie whether you believe it or not." He didn't want to believe it. When the meeting broke up, an officer was at the door to arrest him. He was tried and sent to the penitentiary for twelve months for stealing. I really believe that when he got into his cell, he believed that he had to reap what he sowed. We might as well try to blot the sun out of the heavens as to blot this truth out of the Word of God. It is heaven's eternal decree. The law has been enforced for six thousand years. Did not God make Adam reap even before he left Eden? Had not Cain to reap outside of Eden? A king on the throne, like David, or a priest behind the altar, like Eli; priest and prophet, preacher and hearer, every man must reap what he sows. I believed it ten years ago, but I believe it a hundred times more to-day. My text applies to the individual, whether he be saint or sinner or hypocrite who thinks he is a saint; it applies to the family; it applies to society; it applies to nations. I say the law that the result of actions must be reaped is _as true for nations as for individuals;_ indeed, some one has said that as nations have no future existence, the present world is the only place to punish them as nations. See how God has dealt with them. See if they have not reaped what they sowed. Take Amalek: "Remember what Amalek did unto thee by the way, when ye were come forth out of Egypt; how he met thee, by the way, and smote the hindmost of thee, even all that were feeble behind thee, when thou wast faint and weary; and he feared not God." What was to be the result of this attack? Was it to go unpunished? God ordained that Amalek should reap as they sowed, and the nation was all but wiped out of existence under King Saul. What has become of the monarchies and empires of the world? What brought ruin on Babylon? Her king and people would not obey God, and ruin came upon them. What has become of Greece and all her power? She once ruled the world. What has become of Rome and all her greatness? When their cup of iniquity was full, it was dashed to the ground. What has become of the Jews? They rejected salvation, persecuted God's messengers, and crucified their Redeemer; and we find that eleven hundred thousand
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Produced by David Widger MY FRIEND THE MURDERER By A. Conan Doyle "Number 481 is no better, doctor," said the head-warder, in a slightly reproachful accent, looking in round the corner of my door. "Confound 481" I responded from behind the pages of the _Australian Sketcher_. "And 61 says his tubes are paining him. Couldn't you do anything for him?" "He is a walking drug-shop," said I. "He has the whole British pharmacopaae inside him. I believe his tubes are as sound as yours are." "Then there's 7 and 108, they are chronic," continued the warder, glancing down a blue slip of paper. "And 28 knocked off work yesterday--said lifting things gave him a stitch in the side. I want you to have a look at him, if you don't mind, doctor. There's 81, too--him that killed John Adamson in the Corinthian brig--he's been carrying on awful in the night, shrieking and yelling, he has, and no stopping him either." "All right, I'll have a look at him afterward," I said, tossing my paper carelessly aside, and pouring myself out a cup of coffee. "Nothing else to report, I suppose, warder?" The official protruded his head a little further into the room. "Beg pardon, doctor," he said, in a confidential tone, "but I notice as 82 has a bit of a cold, and it would be a good excuse for you to visit him and have a chat, maybe." The cup of coffee was arrested half-way to
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Produced by Tiffany Vergon, Mary Meehan, and Project Gutenberg Distributed Proofreaders THE CALLING OF DAN MATTHEWS BY HAROLD BELL WRIGHT 1909 AUTHOR OF "THE SHEPHERD OF THE HILLS" "THAT PRINTER OF UDELL'S" _With Illustrations by_ ARTHUR I. KELLER TO WILLIAM WILLIAMS, M.D. CONTENTS I. THE HOME OF THE ALLY II. A REVELATION III. A GREAT DAY IN CORINTH IV. WHO ARE THEY? V. HOPE FARWELL'S MINISTRY VI. THE CALLING OF DAN MATTHEWS VII. FROM DEBORAH'S PORCH VIII. THE WORK OF THE ALLY IX. THE EDGE OF THE BATTLEFIELD X. A MATTER OF OPINION XI. REFLECTIONS XII. THE NURSE FORGETS XIII. DR. HARRY'S CASE XIV. THAT GIRL OF CONNER'S XV. THE MINISTER'S OPPORTUNITY XVI. DAN SEES THE OTHER SIDE XVII. THE TRAGEDY XVIII. TO SAVE A LIFE XIX. ON FISHING XX. COMMON GROUND XXI. THE WARNING XXII. AS DR. HARRY SEES IT XXIII. A PARABLE XXIV. THE WAY OUT XXV. A LABORER AND HIS HIRE XXVI. THE WINTER PASSES XXVII. DEBORAH'S TROUBLE XXVIII. A FISHERMAN XXIX. A MATTER OF BUSINESS XXX. THE DAUGHT
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E-text prepared by David Edwards and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 53675-h.htm or 53675-h.zip: (http://www.gutenberg.org/files/53675/53675-h/53675-h.htm) or (http://www.gutenberg.org/files/53675/53675-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/storyofgravelyst00saunuoft THE STORY OF THE GRAVELYS * * * * * * Works of Marshall Saunders Beautiful Joe’s Paradise. Net $1.20 Postpaid $1.32 The Story of the Gravelys. Net $1.20 Postpaid $1.35 ’Tilda Jane. $1.50 Rose à Charlitte. $1.50 For His Country. $.50 L. C. PAGE & COMPANY New England Building, Boston, Mass. * * * * * * [Illustration: “BENT THEIR HEADS OVER THE PAPER” (_See page 40_)] THE STORY OF THE GRAVELYS A Tale for Girls by MARSHALL SAUNDERS Author of “Beautiful Joe,” “Beautiful Joe’s Paradise,” “’Tilda Jane,” etc. “A child’s needless tear is a blood-blot upon this earth.” --CARDINAL MANNING Illustrated [Illustration] Boston L. C. Page & Company 1904 Copyright, 1902, 1903 By Perry Mason Company Copyright, 1903 By L. C. Page & Company (Incorporated) All rights reserved Published September, 1903 Colonial Press Electrotyped and Printed by C. H. Simonds & Co. Boston, Mass., U. S. A. TO MY DEAR SISTER Grace, MY FAITHFUL HELPER IN LITERARY WORK, THIS STORY IS AFFECTIONATELY DEDICATED BY HER APPRECIATIVE SISTER, MARSHALL SAUNDERS ACKNOWLEDGMENT Certain chapters of this story first appeared in The _Youth’s Companion_. The author wishes to acknowledge the courtesy of the editors in permitting her to republish them in the present volume. Messrs. L. C. Page and Company wish also to acknowledge the courtesy of the editors in granting them permission to use the original illustrations. CONTENTS CHAPTER PAGE I. THE QUARREL 11 II. GRANDMA’S WATCHWORD 23 III. A SUDDEN COUNTERMARCH 34 IV. A LIFTED BURDEN 43 V. THE TRAINING OF A BOY 54 VI. BONNY’S ORDEAL 68 VII. BERTY IMPARTS INFORMATION 76 VIII. THE HEART OF THE MAYOR 88 IX. THE MAYOR’S DILEMMA 99 X. A GROUNDLESS SUSPICION 113 XI. A PROPOSED SUPPER-PARTY 130 XII. A DISTURBED HOSTESS 139 XIII. AN ANXIOUS MIND 150 XIV. THE OPENING OF THE PARK 162 XV. UP THE RIVER 175 XVI. BERTY’S TRAMP 188 XVII. TOM’S INTERVENTION 195 XVIII. TRAMP PHILOSOPHY 204 XIX. AT THE BOARD OF WATER-WORKS 217 XX. SELINA’S WEDDING 229 XXI. TO STRIKE OR NOT TO STRIKE 244 XXII. DISCOURAGED 257 XXIII. GRANDMA’S REQUEST 262 XXIV. DOWN THE RIVER 270 XXV. LAST WORDS 277 LIST OF ILLUSTRATIONS PAGE “BENT THEIR HEADS OVER THE PAPER” (_see page 40_) _Frontispiece_ “LEANING OVER THE STAIR RAILING” 33 “‘WHY DON’T SOME OF YOU GOOD PEOPLE TRY TO REFORM ME?’” 54 “‘YOU HAVE TOO MUCH HEART’” 92 “‘YOU’RE DYING TO TEASE ME’” 177 “‘A RIVER STREET DELEGATION,’ SAID TOM” 235 THE STORY OF THE GRAVELYS CHAPTER I. THE QUARREL “I won’t live on my brother-in-law,” said the slight, dark girl. “Yes, you will,” said the fair-haired beauty, her sister, who was standing over her in a somewhat theatrical attitude. “I will not,” said Berty again. “You think because you have just been married you are going to run the family. I tell you, I will not do it. I will not live with you.” “I don’t want to run the family, but I am a year and a half older than you, and I know what is for your good better than you do.” “You do not--you butterfly!” “Alberta Mary Francesca Gravely--you ought to be ashamed of yourself,” said the beauty, in concentrated wrath. “I’m not ashamed of myself,” replied her sister, scornfully. “I’m ashamed of you. You’re just as extravagant as you can be. You spend every cent of your husband’s income, and now you want to saddle him with a big boy, a girl, and an--” “An old lady,” said Margaretta. “Grandma isn’t old. She’s only sixty-five.” “Sixty-five is old.” “It is not.” “Well, now, can you call her young?” said Margaretta. “Can you say she is a girl?” “Yes,” replied Berty, obstinately, “I can call her a girl, or a duck, or anything I like, and I can call you a goose.” “A goose!” repeated Mrs. Stanisfield, chokingly; “oh, this is too much. I wish my husband were here.” “I wish he were,” said Berty, wickedly, “so he could be sorry he mar--” “Children,” said a sudden voice, “what are you quarrelling about?” Both girls turned their flushed faces toward the doorway. A little shrewd old lady stood there. This was Grandma, one of their bones of contention, and this particular bone in deep amusement wanted to laugh, but knew better than to do so. “Won’t you sit down, Margaretta?” she said, calmly coming into the room and taking a chair near Berty, who was lounging provokingly on the foot of the bed. It was Grandma’s bed, and they were in Grandma’s room. She had brought them up--her two dear orphan granddaughters, together with their brother Boniface. “What are you quarrelling about?” repeated the little old lady, taking a silk stocking from her pocket, and beginning to knit in a leisurely way. “We’re quarrelling about keeping the family together,” said Margaretta, vehemently, “and I find that family honour is nothing but a rag in Berty’s estimation.” “Well, I’d rather have it a nice clean rag put out of sight,” said Berty, sharply, “than a great, big, red flag shaken in everybody’s face.” “Sit down, Margaretta,” said Grandma, soothingly. “Oh, I am too angry to sit down,” said Margaretta, shaking herself slightly. “I got your note saying you had lost your money. I came to sympathize and was met with insults. It’s dreadful!” “Sit down, dear,” said Grandma, gently, pushing a rocking-chair toward her. Margaretta took the chair, and, wiping her white forehead with a morsel of lace and muslin, glared angrily at her sister. “Roger says,” she went on, excitedly, “that you are all--” “All!” groaned Berty. “All,” repeated Margaretta, furiously, “or one or two, whichever you like, to come and live with us. He insists.” “No, _you_ insist,” interrupted Berty. “He has too much sense.” Margaretta gave a low cry. “Isn’t this ingratitude abominable--I hear of your misfortune, I come flying to your relief--” “Dear child,” said Grandma, “I knew you’d come.” “But what do you make of Berty, Grandma? Do say something cutting. You could if you tried. The trouble is, you don’t try.” Grandma tried not to laugh. She, too, had a tiny handkerchief that she pressed against her face, but the merriment would break through. “You laugh,” said Margaretta, in awe, “and you have just lost every cent you own!” Grandma recovered herself. “Thank fortune, I never chained my affections to a house and furniture and a bank-account.” “Roger says you are the bravest woman he ever saw,” murmured Margaretta. “Did he say that?” replied Grandma, with twinkling eyes. “Yes, yes, dear Grandma,” said Margaretta, fondly, “and he told me to offer you all a home with us.” The little old lady smiled again, and this time there was a dimple in her cheek. “What a dear grandson-in-law! What a good man!” “He is just perfection,” said Margaretta, enthusiastically, “but, Grandma, darling, tell me your plans! I am just dying to know, and Berty has been so provoking.” “Berty is the mainstay of the family now,” said Grandma, good-naturedly; “don’t abuse her.” “The mainstay!” repeated Margaretta, with a bewildered air; “oh, yes, I see. You mean that the little annuity left her by our great-aunt, your sister, is all that you have to depend on.” “Just those few hundred dollars,” said Grandma, tranquilly, “and a little more.” “That is why she is so toploftical,” said Margaretta. “However, it is well that she was named for great-aunt Alberta--but, Grandma, dear, don’t knit.” “Why not?” “It is so prosaic, after all you have gone through,” said Margaretta. “When I think of your trials, it makes me sick.” “My trials are nothing to what Job had,” remarked her grandmother. “I read of his tribulations and they make mine seem very insignificant.” “Poor Grandma, you have had about as many as Job.” “What have I had?” asked the old lady, softly. Margaretta made a gesture of despair. “Your mother died at your birth.” “The Lord took her,” said the old lady, gently, “and when I needed a mother he sent me a good stepmother.” “Your father perished in a burning hotel,” said the girl, in a low voice. “And went to heaven in a chariot of fire,” replied Grandma, firmly. “You married and were happy with your husband.” “Yes, bless the Lord!” “But your daughter, our mother, kissed you good-bye one day to go on a pleasure excursion with her husband, and never came back--oh, it breaks my heart to think of that day--my father and mother lost, both at once!” and, dropping miserably on her knees, Margaretta hid her face in her grandmother’s lap. The old lady’s lip trembled, but she said, steadily, “The Lord giveth--He also taketh away.” “And now,” said Margaretta, falteringly, “you are not old, but you have come to an age when you are beginning to think about getting old, and you have lost everything--everything.” “All save the greatest thing in the world,” said Grandma, patting the bowed head. “You always had that,” exclaimed Margaretta, lifting her tear-stained face. “Everybody has loved you since you were born--how could any one help it?” “If everybody loves me, why is it?” inquired Grandma, guilelessly, as she again took up her knitting. Margaretta wrinkled her fair brows. “I don’t know--I guess it is because you don’t talk much, and you seem to like every one, and you don’t contradict. You’re exceedingly canny, Grandma.” “Canny, child?” “Yes, canny. I don’t know what the Scottish people mean by it, but I mean clever, and shrewd, and smart, and quiet, and you keep out of scrapes. Now, when I’m with that provoking creature there,” and she looked disdainfully at Berty, “I feel as if I were a fifty-cornered sort of person. _You_ make me feel as if I were round, and smooth, and easy to get on with.” Grandma picked up a dropped stitch and said nothing. “If you’d talk more, I’d like it better,” said Margaretta, dolefully, “but I dare say I should not get on so well with you.” “Women do talk too much,” said Grandma, shortly; “we thresh everything out with our tongues.” “Grandma, dear, what are you going to do?” asked Margaretta, coaxingly. “Do tell me.” “Keep the family together,” said Grandma, serenely. “The old cry,” exclaimed Margaretta. “I’ve heard that ever since I was born. What makes you say it so much?” “Shall I tell you?” “Yes, yes--it is a regular watchword with you.” “When my father found himself trapped in that burning building,” said Grandma, knitting a little more rapidly than before, “he looked down from his window into the street and saw a man that he knew. ‘Jefferson,’ he called out, ‘will you take a message to my wife?’ “‘I’ll take fifty, sir,’ answered the man, in an agony. “My father was quite calm. ‘Then, Jefferson,’ he went on, ‘tell my wife that I said “God bless her,” with my last breath, and that I want her to keep the family together. Mind, Jefferson, she is to keep the family together.’ “‘I’ll tell her,’ said the man, and, groaning and dazed with the heat, he turned away. Now, that wife was my stepmother, but she did as her husband bade her. She kept the family together, in sickness and in health, in adversity and in prosperity.” Margaretta was crying nervously. “If you will compose yourself, I will go on,” said Grandma. Margaretta dried her tears. “Those four dying, living words were branded on my memory, and your mother was taught to lisp them with her earliest breath, though she was an only child. When she left me that sunny spring day to go on her long, last journey, she may have had a presentiment--I do not know--but I do know that as she pressed her blooming face to mine, she glanced at her three children playing on the grass, and whispered, lovingly, ‘Keep the family together.’” “And you did it,” cried Margaretta, flinging up her head, “you did it nobly. You have been father, mother, grandfather and grandmother to us. You are a darling.” And seizing the little, nimble hands busy with the stocking, she kissed them fervently. Grandma smiled at her, picked up her work, and went on, briskly: “Keep the family together, and you keep the clan together. Keep the clan together, and you keep the nation together. Foster national love and national pride, and you increase the brotherhood of man.” “Then the family is the rock on which the nation is built,” said Margaretta, her beautiful face a flood of colour. “Certainly.” “Then I am a helping stone in the building of a nation,” continued Margaretta. “I, only a young woman in a small city of this great Union?” “You are a wife,” said Grandma, composedly, “a young and inexperienced one, but still the head of a family.” Margaretta shivered. “What a responsibility--what kind of a wife am I?” Grandma maintained a discreet silence. “Berty says I am extravagant,” exclaimed Margaretta, with a gesture toward the bed. Again her grandmother said nothing. “Am I, Grandma, darling, am I?” asked the young woman, in a wheedling voice. Grandma’s lips trembled, and her dimple displayed itself again. “I am,” cried Margaretta, springing up and clasping her hands despairingly. “I spend all Roger gives me. We have no fortune back of us, only his excellent income from the iron works. If that were to fail, we should be ruined. I am a careless, poorly-turned stone in the foundation of this mighty nation. I must shape and strengthen myself, and, Grandma, dear, let me begin by helping you and Berty and Bonny. You will have to give up this house--oh, my darling Grandma, how can you--this handsome house that grandfather built for you? What will you do without your velvet carpets, and lace curtains, and palms and roses? Oh, you will come to me! I shall save enough to keep you, and I shall lose my reason if you don’t.” CHAPTER II. GRANDMA’S WATCHWORD “See here,” said Grandma, feeling in her pocket. “Look at these telegrams.” Margaretta hastily ran her eye over them. “I don’t understand.” “Let me explain,” said Grandma, softly. “Brother John sends regrets for loss--will guarantee so many hundreds a year. Brother Henry sympathizes deeply to the extent of a tenth of his income. Sister Mary and Sister Lucy will come to see me as soon as possible. Substantial financial aid to be reckoned on.” “Oh, Grandma! Grandma!” said the girl, still only half-enlightened. “What do they mean?” Grandma smiled complacently. “You notice that not one of them offers me a home, though, Heaven knows, their homes are as wide as their hearts. They are not rich, not one is exceedingly rich, yet they all
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Produced by Chris Curnow, Barbara Kosker, Lindy Walsh and the Online Distributed Proofreading Team at http://www.pgdp.net WITH HAIG ON THE SOMME WITH HAIG ON THE SOMME BY D. H. PARRY _Author of "Gilbert the Outlaw"; "The Scarlet Scouts"; "The V.C.: Its Heroes and their Valour," etc. etc._ WITH FOUR COLOUR PLATES BY ARCHIBALD WEBB CASSELL AND COMPANY, LTD London, New York, Toronto and Melbourne First Published 1917 [Illustration: "The Commandant threw up his arms and pitched backward; Dennis dropped his weapon and caught him as he fell"] CONTENTS CHAPTER PAGE 1. AN UNCENSORED LETTER READ ALOUD 1 2. OFF TO THE FRONT 14 3. "AT TEN O'CLOCK SHARP!" 22 4. HIS FIRST TIME UNDER FIRE 33 5. HOW DENNIS CAME IN FOR A TASTE OF DISPATCH RIDING 42 6. A TERRIBLE ADVENTURE AT DAWN 50 7. A FRIEND IN NEED 60 8. IN THE ENEMY TRENCHES 70 9. IN THE SNIPER'S LAIR 78 10. IN WHICH DENNIS MEETS CLAUDE LAVAL, PILOTE AVIATEUR 87 11. A DARING DASH 97 12. IN THE HANDS OF THE ENEMY 107 13. A MAD GAMBLE FOR LIBERTY 116 14. THE SING-SONG IN THE DUG-OUT 128 15. "REEDSHIRES!--GET OVER!" 136 16. THE SILENCING OF THE GUNS 146 17. THE EXPLOITS OF A COMPANY 155 18. WITH THE LEWIS GUN--AND AFTER 163 19. WHAT THEY LEARNED ON THE GERMAN TELEPHONE 173 20. THE LAST RUNG OF A BROKEN LADDER 183 21. VON DUSSEL'S REVENGE 191 22. THE ROW IN THE RESTAURANT 200 23. "GAS!" 210 24. THE CHATEAU AT THE TRENCH END 219 25. FROM KITE BALLOON TO SADDLE 229 26. UNDER THE GERMAN EAGLE 240 27. ON THE PART DENNIS PLAYED IN THE RECAPTURE OF BIACHES 247 28. THE EXCITING ADVENTURES OF "CARL HEFT" 255 29. AN OLD FRIEND--AND A BITTER ENEMY! 265 30. UNDER THE ENEMY WALL 275 31. WITH DASHWOOD'S BRIGADE 284 32. THE REWARDS OF VALOUR 295 LIST OF ILLUSTRATIONS "THE COMMANDANT THREW UP HIS ARMS AND PITCHED _Frontispiece_ BACKWARD; DENNIS DROPPED HIS WEAPON, CAUGHT HIM AS HE FELL" PAGE "DENNIS FLUNG HIS BOMBS INTO THE SPACE AND TREMENDOUS EXPLOSIONS ENSUED" 96 "BEFORE THE GERMANS REALISED WHAT WAS HAPPENING, THERE WAS AN UGLY BIT OF BAYONET WORK" 150 "NOTHING COULD CHECK THE VICTORIOUS RUSH" 286 WITH HAIG ON THE SOMME CHAPTER I An Uncensored Letter Read Aloud Private Harry Hawke, of the 2/12th Battalion Royal Reedshire Regiment (T.F.), sat on the step of the fire trench, his back against the parapet, busy with the bolt of his rifle. There were two things he loved more than anything else in life, and that rifle was one of them. The other was his platoon commander, Captain Bob Dashwood, who chanced to be coming along the communication at the moment, and the Cockney private's eyes lit up as he saw him. "Hallo, Hawke! All quiet?" said Captain Dashwood with a jerk of his head in the direction of the German lines, only one hundred and twenty yards across the mangled strip of Dead Man's Land that intervened. "Quiet as the bloomin' grave, sir," replied Harry Hawke with a grin, though he had almost to shout to make himself heard. A howitzer battery was shelling the enemy from the wood on the left, and the Germans were replying with "crumps," which luckily all went wide. "Seen anything more of that sniper that picked Marshall and Brown off last night?" questioned the captain. "Not likely, sir. I got 'im 'arf an hour after we took over the relief," grinned the marksman of A Company, pointing with an oily finger to a fresh notch cut on the rifle stock. "He tumbled out of the willer tree flat, same as if you chucked a
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Produced by Joshua Hutchinson, KarenD and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) VOL. XXXIV. NO. 10. THE AMERICAN MISSIONARY. * * * * * “To the Poor the Gospel is Preached.” * * * * * OCTOBER, 1880. _CONTENTS_: EDITORIAL. OUR ANNUAL MEETING—PARAGRAPHS 289 PARAGRAPHS 290 JUBILEE SINGERS 291 ATLANTA’S <DW52> PEOPLE—COMMON SENSE FOR <DW52> MEN 292 OUR SCHOOLS AND THE COMMON SCHOOL SYSTEM 293 A NEW SOUTH, NOT A NEW ENGLAND IN THE SOUTH 294 MTESA AND THE RELIGION OF HIS ANCESTORS 296 BEGGING LETTER 297 AFRICAN NOTES 299 ITEMS FROM THE FIELD 300 THE FREEDMEN. CADETSHIP 302 NORTH CAROLINA, MCLEANSVILLE—Revival Interest 302 SOUTH CAROLINA, GREENWOOD 303 GEORGIA—Midway Anniversary 304 GEORGIA—Atlanta University and Temperance 305 ALABAMA—Shelby Ironworks 305 ALABAMA—FLORENCE—Outside Work 306 MISSISSIPPI—Tougaloo University 307 THE INDIANS. S’KOKOMISH AGENCY: Rev. Myron Eells 308 SISSETON AGENCY: Chas. Crissey 309 THE CHINESE. SERMON BY JEE GAM 310 CHILDREN’S PAGE. CHINESE AND CHINESE CUSTOMS 312 RECEIPTS 313 CONSTITUTION 317 AIM, STATISTICS, WANTS 318 * * * * * NEW YORK: Published by the American Missionary Association, ROOMS, 56 READE STREET. * * * * * Price, 50 Cents a Year, in advance. Entered at the Post Office at New York, N. Y., as second-class matter. * * * * * AMERICAN MISSIONARY ASSOCIATION 56 READE STREET, N. Y. * * * * * PRESIDENT. HON. E. S. TOBEY, Boston. VICE-PRESIDENTS. Hon. F. D. PARISH, Ohio. Hon. E. D. HOLTON, Wis. Hon. WILLIAM CLAFLIN, Mass. ANDREW LESTER, Esq., N. Y. Rev. STEPHEN THURSTON, D. D., Me. Rev. SAMUEL HARRIS, D. D., Ct. WM. C. CHAPIN, Esq., R. I. Rev. W. T. EUSTIS, D. D., Mass. Hon. A. C. BARSTOW, R. I. Rev. THATCHER THAYER, D. D., R. I. Rev. RAY PALMER, D. D., N. J. Rev. EDWARD BEECHER, D. D., N. Y. Rev. J. M. STURTEVANT, D. D., Ill. Rev. W. W. PATTON, D. D., D. C. Hon. SEYMOUR STRAIGHT, La. HORACE HALLOCK, Esq., Mich. Rev. CYRUS W. WALLACE, D. D., N. H. Rev. EDWARD HAWES, D. D., Ct. DOUGLAS PUTNAM, Esq., Ohio. Hon. THADDEUS FAIRBANKS, Vt. SAMUEL D. PORTER, Esq., N. Y. Rev. M. M. G. DANA, D. D., Minn. Rev. H. W. BEECHER, N. Y. Gen. O. O. HOWARD, Oregon. Rev. G. F. MAGOUN, D. D., Iowa. Col. C. G. HAMMOND, Ill. EDWARD SPAULDING, M. D., N. H. DAVID RIPLEY, Esq., N. J. Rev. WM. M. BARBOUR, D. D., Ct. Rev. W. L. GAGE, D. D., Ct. A.
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Produced by David Widger THE LITTLE MANX NATION By Hall Caine Published by William Heinemann - 1891 To the REVEREND T. S. BROWN, M.A. You see what I send you--my lectures at the Royal Institution in the Spring. In making a little book of them I have thought it best to leave them as they were delivered, with all the colloquialisms that are natural to spoken words frankly exposed to cold print. This does not help them to any particular distinction as literature, but perhaps it lends them an ease and familiarity which may partly atone to you and to all good souls for their plentiful lack of dignity. I have said so often that I am not an historian, that I ought to add that whatever history lies hidden here belongs to Train, our only accredited chronicler, and, even at the risk of bowing too low, I must needs protest, in our north-country homespun, that he shall have the pudding if he will also take the pudding-bag. You know what I mean. At some points our history--especially our early history--is still so vague, so dubious, so full of mystery. It is all the fault of little Mannanan, our ancient Manx magician, who enshrouded our island in mist. Or should I say it is to his credit, for has he not left us through all time some shadowy figures to fight about, like "rael, thrue, reg'lar" Manxmen. As for the stories, the "yarns" that lie like flies--like blue-bottles, like bees, I trust not like wasps--in the amber of the history, you will see that they are mainly my own. On second thought it occurs to me that maybe they are mainly yours. Let us say that they are both yours and mine, or perhaps, if the world finds anything good in them, any humour, any pathos, any racy touches of our rugged people, you will permit me to determine their ownership in the way of this paraphrase of Coleridge's doggerel version of the two Latin hexameters-- "They're mine and they are likewise yours, But an if that will not do, Let them be mine, good friend! for I Am the poorer of the two." Hawthorns, Keswick, June 1891. CONTENTS THE STORY OF THE MANX KINGS Islanders--Our Island--The Name of our Island--Our History--King Orry--The Tynwald--The Lost Saga--The Manx Macbeth--The Manx Glo'ster--Scotch and English Dominion--The Stanley Dynasty--Iliam Dhoan--The Athol Dynasty--Smuggling and Wrecking--The Revestment--Home Rule--Orry's Sons THE STORY OF THE MANX BISHOPS The Druids--Conversion to Christianity--The Early Bishops of Man--Bishops of the Welsh Dynasty--Bishops of the Norse Dynasty--Sodor and Man--The Early Bishops of the House of Stanley--Tithes in Kind--The Gambling Bishop--The Deemsters--The Bishopric Vacant--Bishop Wilson--Bishop Wilson's Censures--The Great Corn Famine--The Bishop at Court--Stories of Bishop Wilson--Quarrels of Church and State--Some Old Ordeals--The Herring Fishery--The Fishermen's Service--Some Old Laws--Katherine Kinrade--Bishop Wilson's last Days--The Athol Bishops. THE STORY OF THE MANX PEOPLE The Manx Language--Manx Names--Manx imagination--Manx Proverbs--Manx Ballads--Manx Carols--Decay of the Manx Language--Manx Superstitions--Manx Stories--Manx "Characters"--Manx Characteristics--Manx Types--Literary Associations--Manx Progress--Conclusion THE LITTLE MANX NATION THE STORY OF THE MANX KINGS There are just two ideas which are associated in the popular imagination with the first thought of the Isle of Man. The one is that Manxmen have three legs, and the other that Manx cats have no tails. But whatever the popular conception, or misconception, of Man and its people, I shall assume that what you ask from me is that simple knowledge of simple things which has come to me by the accident of my parentage. I must confess to you at the outset that I am not much of a hand at grave history. Facts and figures I cannot expound with authority. But I know the history of the Isle of Man, can see it clear, can see it whole, and perhaps it will content you if I can show you the soul of it and make it to live before you. In attempting to traverse the history I feel like one who carries a dark lantern through ten dark centuries. I turn the bull's eye on this incident and that, take a peep here and there, a white light now, and then a blank darkness. Those ten centuries are full of lusty fights, victories, vanquishments, quarrels, peacemaking, shindies big and little, rumpus solemn and ridiculous, clouds of dust, regal dust, political dust
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. II.--NO. 81. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, May 17, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration] [Begun in No. 80 of HARPER'S YOUNG PEOPLE, May 10.] THE CRUISE OF THE "GHOST." BY W. L. ALDEN, AUTHOR OF THE "THE MORAL PIRATES," ETC. CHAPTER II. The next day Charley had the boat drawn up on the shore, and went to work at her, assisted by the other boys. It took two weeks of constant work to lengthen her, but when she was finished, everybody admitted that she was greatly improved. The jib halyards and sheets, as well as the throat and peak halyards, were all led aft so that they could be reached by the helmsman without leaving his post. When all the other work was finished, Charley made a gun-carriage for the cannon, and it was lashed to the deck just forward of the mast. Nothing now remained to be done but to name the boat, and this proved to be the most difficult task of all. Each of the boys could think of a dozen names that he did not like, but not one that he really did like. Tom thought that perhaps they could not do better than to call her the _America_, or the _George Washington_, but admitted that both of those names were in rather too common use. Harry said that he didn't much like the idea of calling her the _Red Revenger_, but if they couldn't find any better name they might have to come to it. Charley ridiculed the idea of calling her the _Red Revenger_, since she was not intended to revenge anything, and instead of being red was as white as a ghost. "Then suppose we call her the _Ghost_," exclaimed Joe. The other boys asked if he was in earnest, said that it would never do to call the boat the _Ghost_, and finally agreed that they rather liked the name than otherwise, on account of its oddity. The end of it was that Joe's suggestion was adopted, and _Ghost_ was painted in large letters on the stern. Three days before the cruise was to begin Jim Sharpe fell down an open cellarway and broke his leg. The boys at first thought of abandoning their cruise altogether, but Jim wouldn't hear of it. He told them to go, and write him letters every few days, and convinced them that he would really feel hurt if they did not go, so they bade him good-by, and set sail from Harlem the following Monday morning, half in doubt whether they ought to enjoy themselves while poor Jim was lying on a sick-bed, where he was to pass most of his vacation. The breeze blew gently from the west, and the _Ghost_, with the tide in her favor, slipped rapidly down the river under full sail. As soon as the yacht was fairly off, Charley, who was at the helm, divided his crew into watches. The starboard watch consisted of the Captain and Joe, and the port watch consisted of Tom and Harry, the former being in command of it as mate. Each watch was to take charge of the boat in turn, and to remain in charge four hours, except when the _Ghost_ might be lying at anchor. The officer in charge of the watch was to steer, while his companion was to be stationed in the forward part of the cockpit, where he could handle the centre-board and attend to the jib sheets. Whenever the officer gave an order, it was to be executed by his companion, and the other boys were to remain quiet unless "all hands" were called. Charley had been in the navy long enough to know that no vessel, however small or however big she may be, can be properly sailed unless every member of the crew knows what his duty is, and how to do it, and refrains from interfering with the duty of other men, unless especially ordered to do so. The river was crowded with sailing craft and steamboats, and it was no easy matter to steer the _Ghost_ so as to avoid collision. Every little while a ferry-boat or tug would whistle hoarsely, and the boys noticed that very often Charley altered the course he had been steering as soon as he heard the whistle. "Do those whistles mean anything except for us to get out of the way?" asked Harry, presently. "A long whistle or a lot of little short wh
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E-text prepared by Margaret Macaskill and Project Gutenberg Distributed Proofreaders Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11896-h.htm or 11896-h.zip: (http://www.ibiblio.org/gutenberg/1/1/8/9/11896/11896-h/11896-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/8/9/11896/11896-h.zip) CITIZEN BIRD Scenes from Bird-Life in Plain English for Beginners BY MABEL OSGOOD WRIGHT AND ELLIOTT COUES With One Hundred and Eleven Illustrations by Louis Agassiz Fuertes 1897 [Illustration: Long-eared owl.] TO ALL BOYS AND GIRLS WHO LOVE BIRDS AND WISH TO PROTECT THEM THIS BOOK IS DEDICATED BY THE AUTHORS _SCENE_: THE ORCHARD FARM. _TIME_: FROM SPRING TO AUTUMN. _CHARACTERS_: DR. ROY HUNTER, a naturalist. OLIVE, the Doctor's daughter. NAT and DODO, the Doctor's nephew and niece. RAP, a country boy. MAMMY BUN, an old nurse. OLAF, a fisherman. TABLE OF CONTENTS CHAPTER I OVERTURE BY THE BIRDS CHAPTER II THE DOCTOR'S WONDER ROOM CHAPTER III A SPARROW SETTLES THE QUESTION CHAPTER IV THE BUILDING OF A BIRD CHAPTER V CITIZEN BIRD CHAPTER VI THE BIRD AS A TRAVELLER CHAPTER VII THE BIRD'S NEST CHAPTER VIII BEGINNING OF THE BIRD STORIES CHAPTER IX A SILVER-TONGUED FAMILY Bluebird--Robin--Wood Thrush--Wilson's Thrush--Hermit Thrush--Olive-backed Thrush. CHAPTER X PEEPERS AND CREEPERS Golden-crowned Kinglet--White-breasted Nuthatch--Chickadee--Brown Creeper. CHAPTER XI MOCKERS AND SCOLDERS Sage Thrasher--Mockingbird--Catbird--Brown Thrasher--Rock Wren--House Wren--Long-billed Marsh Wren. CHAPTER XII WOODLAND WARBLERS Black-and-white Warbler--Yellow Warbler--Yellow-rumped Warbler--Ovenbird--Maryland Yellow-throat--Yellow-breasted Chat--American Redstart. CHAPTER XIII AROUND THE OLD BARN Red-eyed Vireo--Great Northern Shrike--Cedar Waxwing. CHAPTER XIV THE SWALLOWS Purple Martin--Barn Swallow--Tree Swallow--Bank Swallow. CHAPTER XV A BRILLIANT PAIR Scarlet Tanager--Louisiana Tanager. CHAPTER XVI A TRIBE OF WEED WARRIORS Pine Grosbeak--American Crossbill--American Goldfinch--Snowflake--Vesper Sparrow--White-throated Sparrow--Chipping Sparrow--Slate- Junco--Song Sparrow--Towhee--Cardinal--Rose-breasted Grosbeak--Indigo Bird. CHAPTER XVII A MIDSUMMER EXCURSION Bobolink--Orchard Oriole--Baltimore Oriole--Cowbird--Red-winged Blackbird--Purple Grackle--Meadowlark. CHAPTER XVIII CROWS AND THEIR COUSINS American Crow--Blue Jay. CHAPTER XIX A FEATHERED FISHERMAN The Osprey. CHAPTER XX SOME SKY SWEEPERS Kingbird--Phoebe--Wood Pewee. CHAPTER XXI HUMMERS AND CHIMNEY SWEEPS Ruby-throated Hummingbird--Chimney Swift. CHAPTER XXII TWO WINGED MYSTERIES Nighthawk--Whip-poor-will. CHAPTER XXIII A LAUGHING FAMILY Downy Woodpecker--Red-headed Woodpecker--Flicker--Yellow-bellied Sapsucker. CHAPTER XXIV TWO ODD FELLOWS Kingfisher--Yellow-billed Cuckoo. CHAPTER XXV CANNIBALS IN COURT Bald Eagle--Golden Eagle--Screech Owl--Long-eared Owl--Snowy Owl--Great Horned Owl--Marsh Hawk--Sharp-shinned Hawk--Red-shouldered Hawk--Sparrow Hawk. CHAPTER XXVI A COOING PAIR Passenger Pigeon--Mourning Dove. CHAPTER XX
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E-text prepared by Steven Gibbs, Les Galloway, and the Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 52902-h.htm or 52902-h.zip: (http://www.gutenberg.org/files/52902/52902-h/52902-h.htm) or (http://www.gutenberg.org/files/52902/52902-h.zip) Transcriber's note: Text enclosed by underscores is in italics (_italics_). A carat character is used to denote superscription. A single character following the carat is superscripted (example: D^o). Multiple superscripted characters are enclosed by curly brackets (example: 15^{inch}). A Naval Expositor, _Shewing and Explaining The Words and Terms of Art belonging to the Parts, Qualities and Proportions of Building, Rigging, Furnishing, & Fitting a Ship for Sea_. Also _All Species that are received into the Magazines, and on what Services they are Used and Issued._ Together with _The Titles of all the Inferior Officers belonging to a Ship, with an Abridgment of their respective Duties._ _By Thomas Riley Blanckley._ _LONDON Printed by E. Owen, in Warwick Lane, and Engraved by Paul Fourdrinier at Charing Cross._ MDCCL. _To the Right Honourable the Lords Commissioners for Executing the Office of Lord High Admiral of_ Great Britain _and_ Ireland, _and of all His Majesty's Plantations_, &c. As the following Sheets have been published by your Lordships Approbation, they are, with the greatest Submission and Gratitude, dedicated to your Lordships, _By, My Lords, Your Lordships Most Obedient, Most Dutiful, and Most Humble Servant_, Thomas Riley Blanckley. A LIST OF THE SUBSCRIBERS. A. Right Honourable the Lords of the _Admiralty_ (as a Board.) Joseph Allin, _Esq_; _Surveyor of His Majesty's Navy_. Governors and Company of the _Royal Exchange Assurance Office_. Capt. Mariot Arbuthnot. Capt. Thomas Andrewes. George Atkins, _Esq_; William Allix, _Esq_; Charles Alexander, _Esq_; Michael Atkins, _Esq_; Roger Altham, _Esq_; William Allix, _Esq_; _Commissioner of the Six-penny Office_. Mr Gabriel Acworth. Mr John Andrews. Mr Elias Arnaud. Mr Thomas Adney. Mr Charles Allen. Mr Samuel Allin. Mr Williams Arthur. Mr D. H. S. Augier. Mr George Allen. Lieutenant John Angier. Mr William Atwick. Mr James Atkins. Mr Edward Allin. B. His Grace the Duke of Bedford, _Principal Secretary of State_. Right Honourable Lord Viscount Barrington, _Lord of the Admiralty_, 6 Books. Charles Brown, _Esq_; _Commissioner of the Navy at Chatham_. Capt. Wm. Bladwell, 2 Books. Capt. Patrick Baird. Capt. Henry Barnfley. Capt. Mathew Buckle. Sir William Baird, _Bart_. George Bellas, _Esq_; 14 Books. James Bankes, _Esq_; Edward Busby, _Esq_; Robert Bennett, _Esq_; Charles Burley, _Esq_; Mr Edward Bentham. Mr Richard Bowers. Mr John Barker. Mr James Bucknall. Mr William Bruce. Mr Jonas Botting. Mr Bryan Bentham. Mr John Baynard. Mr William Bately. Mr John Bately. Mr John Bannick. Mr Jonas Benjamin. Mr Thomas Barnfield. Mr Owen Bird. Mr Richard Burry. Mr Daniel Baverstock. Lieut. Thomas Burnett. Mr Pentecost Barker. Mr Nathaniel Bishop. Mr Robert Bogg. Mr Charles Bowes. Mr Thomas Brewer. Mr Francis Benson. Mr John Bromfall. Mr Richard Brett. C. Right Honourable Lord Viscount Cobham. Right. Hon. Lord Colville. Thomas Corbett, _Esq_; _Secretary
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Produced by Sandra Laythorpe THE CLEVER WOMAN OF THE FAMILY by Charlotte M. Yonge From the 1880 edition published by MacMillan and Co., London. CHAPTER I. IN SEARCH OF A MISSION "Thou didst refuse the daily round Of useful, patient love, And longedst for some great emprise Thy spirit high to prove."--C. M. N. "Che mi sedea con l'antica Rachele."--DANTE. "It is very kind in the dear mother." "But--what, Rachel? Don't you like it! She so enjoyed choosing it for you." "Oh yes, it is a perfect thing in its way. Don't say a word to her; but if you are consulted for my next birthday present, Grace, couldn't you suggest that one does cease to be a girl." "Only try it on, Rachel dear, she will be pleased to see you in it." "Oh yes, I will bedizen myself to oblige her. I do assure you I am not ungrateful. It is beautiful in itself, and shows how well nature can be imitated; but it is meant for a mere girl, and this is the very day I had fixed for hauling down the flag of youth." "Oh, Rachel." "Ah, ha! If Rachel be an old maid, what is Grace? Come, my dear, resign yourself! There is nothing more unbecoming than want of perception of the close of young-ladyhood." "Of course I know we are not quite young girls now," said Grace, half perplexed, half annoyed. "Exactly, from this moment we are established as the maiden sisters of Avonmouth, husband and wife to one another, as maiden pairs always are." "Then thus let me crown, our bridal," quoth Grace, placing on her sister's head the wreath of white roses. "Treacherous child!" cried Rachel, putting up her hands and tossing her head, but her sister held her still. "You know brides always take liberties. Please, dear, let it stay till the mother has been in, and pray don't talk, before her of being so very old." "No, I'll not be a shock to her. We will silently assume our immunities, and she will acquiesce if they come upon her gradually." Grace looked somewhat alarmed, being perhaps in some dread of immunities, and aware that Rachel's silence would in any one else have been talkativeness. "Ah, mother dear, good morning," as a pleasant placid-looking lady entered, dressed in black, with an air of feeble health, but of comely middle age. Birthday greetings, congratulations, and thanks followed, and the mother looked critically at the position of the wreath, and Rachel for the first time turned to the glass and met a set of features of an irregular, characteristic cast, brow low and broad, nose retrousse, with large, singularly sensitive nostrils quivering like those of a high-bred horse at any emotion, full pouting lips, round cheeks glowing with the freshest red, eyes widely opened, dark deep grey and decidedly prominent, though curtained with thick black lashes. The glossy chestnut hair partook of the redundance and vigour of the whole being, and the roses hung on it gracefully though not in congruity with the thick winter dress of blue and black tartan, still looped up over the dark petticoat and hose, and stout high-heeled boots, that like the grey cloak and felt hat bore witness to the early walk. Grace's countenance and figure were in the same style, though without so much of mark or animation; and her dress was of like description, but less severely plain. "Yes, my dear, it looks very well; and now you will oblige me by not wearing that black lace thing, that looks fit for your grandmother." "Poor Lovedy Kelland's aunt made it, mother, and it was very expensive, and wouldn't sell." "No wonder, I am sure, and it was very kind in you to take it off their hands; but now it is paid for, it can't make much difference whether you disfigure yourself with it or not." "Oh yes, dear mother, I'll bind my hair when you bid me do it and really these buds do credit to the makers. I wonder whether they cost them as dear in health as lace does," she added, taking off the flowers and examining them with a grave sad look. "I chose white roses," proceeded the well-pleased mother, "because I thought they would suit either of the silks you have now, though I own I should like to see you in another white muslin." "I have done with white muslin," said Rachel, rousing from her reverie. "It is an affectation of girlish simplicity not becoming at our age." "Oh Rachel!" thought Grace in despair; but to her great relief in at that moment filed the five maids, the coachman, and butler, and the mother began to read prayers. Breakfast over, Rachel gathered up her various gifts
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Produced by David Garcia, Pat McCoy, Rick Niles and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) THE SALAMANDER [Illustration: Dore] THE SALAMANDER _By_ OWEN JOHNSON _Author of_ THE VARMINT, STOVER AT YALE THE SIXTY-FIRST SECOND, ETC. WITH ILLUSTRATIONS BY EVERETT SHINN INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS COPYRIGHT 1914 THE BOBBS-MERRILL COMPANY PRESS OF BRAUNWORTH & CO. BOOKBINDERS AND PRINTERS BROOKLYN, N. Y. TO MY WIFE FOREWORD Precarious the lot of the author who elects to show his public what it does not know, but doubly exposed he who in the indiscreet exploration of customs and manners publishes what the public knows but is unwilling to confess! In the first place incredulity tempers censure, in the second resentment is fanned by the necessity of self-recognition. For the public is like the defendant in matrimony, amused and tolerant when unconvinced of the justice of a complaint, but fiercely aroused when defending its errors. In the present novel I am quite aware that where criticism is most risked is at the hands of those entrenched moralists who, while admitting certain truths as fit subjects for conversation, aggressively resent the same when such truths are published. Many such will believe that in the following depiction of a curious and new type of modern young women, product of changing social forces, profoundly significant of present unrest and prophetic of stranger developments to come, the author, in depicting simply what does exist, is holding a brief for what should exist. If the type of young girls here described were an ephemeral manifestation or even a detached fragment of our society, there might be a theoretical justification for this policy of censure by silence. But the Salamanders are neither irrelevant nor the product of unrelated forces. The rebellious ideas that sway them are the same ideas that are profoundly at work in the new generation of women, and while for this present work I have limited my field, be sure that the young girl of to-day, from the age of eighteen to twenty-five, whether facing the world alone or peering out at it from the safety of the family, whether in the palaces of New York, the homesteads of New England, the manors of the South or the throbbing cities and villages of the West, whatever her station or her opportunity, has in her undisciplined and roving imagination a little touch of the Salamander. That there exists a type of young girl that heedlessly will affront every appearance of evil and can yet remain innocent; that this innocence, never relinquished, can yet be tumultuously curious and determined on the exploration of the hitherto forbidden sides of life, especially when such reconnoitering is rendered enticing by the presence of danger--here are two apparent contradictions difficult of belief. Yet in the case of the Salamander's brother, society finds no such difficulty--it terms that masculine process, "seeing the world," a study rather to be recommended for the sake of satisfied future tranquillity. That the same can be true of the opposite sex, that a young girl without physical temptation may be urged by a mental curiosity to see life through whatever windows, that she may feel the same impetuous frenzy of youth as her brother, the same impulse to sample each new excitement, and that in this curiosity may be included the safe and the dangerous, the obvious and the complex, the casual and the strange, that she may arrogate to herself the right to examine everything, question everything, peep into everything--tentatively to project herself into every possibility and after a few years of this frenzy of excited curiosity can suddenly be translated into a formal and discreet mode of life--here is an exposition which may well appear incredible on the printed page. I say on the printed page because few men are there who will not recognize the justice of the type of Salamander here portrayed. Only as their experience has been necessarily individual they do not proceed to the recognition of a general type. They know them well as accidents in the phantasmagoria of New York but they do not comprehend them in the least. The Salamander in the last analysis is a little atom possessed of a brain, thrown against the great tragic luxury of New York, which has impelled her to it as the flame the moth. She comes ro
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Produced by Charles Keller and David Widger THE MERRY ADVENTURES OF ROBIN HOOD by Howard Pyle PREFACE FROM THE AUTHOR TO THE READER You who so plod amid serious things that you feel it shame to give yourself up even for a few short moments to mirth and joyousness in the land of Fancy; you who think that life hath nought to do with innocent laughter that can harm no one; these pages are not for you. Clap to the leaves and go no farther than this, for I tell you plainly that if you go farther you will be scandalized by seeing good, sober folks of real history so frisk and caper in gay colors and motley that you would not know them but for the names tagged to them. Here is a stout, lusty fellow with a quick temper, yet none so ill for all that, who goes by the name of Henry II. Here is a fair, gentle lady before whom all the others bow and call her Queen Eleanor. Here is a fat rogue of a fellow, dressed up in rich robes of a clerical kind, that all the good folk call my Lord Bishop of Hereford. Here is a certain fellow with a sour temper and a grim look--the worshipful, the Sheriff of Nottingham. And here, above all, is a great, tall, merry fellow that roams the greenwood and joins in homely sports, and sits beside the Sheriff at merry feast, which same beareth the name of the proudest of the Plantagenets--Richard of the Lion's Heart. Beside these are a whole host of knights, priests, nobles, burghers, yeomen, pages, ladies, lasses, landlords, beggars, peddlers, and what not, all living the merriest of merry lives, and all bound by nothing but a few odd strands of certain old ballads (snipped and clipped and tied together again in a score of knots) which draw these jocund fellows here and there, singing as they go. Here you will find a hundred dull, sober, jogging places, all tricked out with flowers and what not, till no one would know them in their fanciful dress. And here is a country bearing a well-known name, wherein no chill mists press upon our spirits, and no rain falls but what rolls off our backs like April showers off the backs of sleek drakes; where flowers bloom forever and birds are always singing; where every fellow hath a merry catch as he travels the roads, and ale and beer and wine (such as muddle no wits) flow like water in a brook. This country is not Fairyland. What is it? 'Tis the land of Fancy, and is of that pleasant kind that, when you tire of it--whisk!--you clap the leaves of this book together and 'tis gone, and you are ready for everyday life, with no harm done. And now I lift the curtain that hangs between here and No-man's-land. Will you come with me, sweet Reader? I thank you. Give me your hand. CONTENTS CHAPTER PAGE I HOW ROBIN HOOD CAME TO BE AN OUTLAW 1 II ROBIN HOOD AND THE TINKER 14 III THE SHOOTING MATCH AT NOTTINGHAM TOWN 27 IV WILL STUTELY RESCUED BY HIS COMPANIONS 38 V ROBIN HOOD TURNS BUTCHER 50 VI LITTLE JOHN GOES TO NOTTINGHAM FAIR 61 VII HOW LITTLE JOHN LIVED AT THE SHERIFF'S 68 VIII LITTLE JOHN AND THE TANNER OF BLYTH 81 IX ROBIN HOOD AND WILL SCARLET 92 X THE ADVENTURE WITH MIDGE, THE MILLER'S SON 102 Xl ROBIN HOOD AND ALLAN A DALE 115 XII ROBIN HOOD SEEKS THE CURTAL FRIAR 129 XIII ROBIN HOOD COMPASSES A MARRIAGE 145 XIV ROBIN HOOD AIDS A SORROWFUL KNIGHT 156 XV HOW SIR RICHARD OF THE LEA PAID HIS DEBTS 172 XVI LITTLE JOHN TURNS BAREFOOT FRIAR 186 XVII ROBIN HOOD TURNS BEGGAR 202 XVIII
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Produced by Bryan Ness, Stephen H. Sentoff, Alicia Williams and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) OBSERVATIONS ON MOUNT VESUVIUS, MOUNT ETNA, AND OTHER VOLCANOS: IN A SERIES OF LETTERS, Addressed to THE ROYAL SOCIETY, From the Honourable Sir W. HAMILTON, K.B. F.R.S. His Majesty's Envoy Extraordinary and Plenipotentiary at the Court of NAPLES. To which are added, Explanatory NOTES by the AUTHOR, hitherto unpublished. A NEW EDITION. LONDON, Printed for T. CADELL, in the Strand. M DCC LXXIV. THE EDITOR TO THE PUBLIC. Having mentioned to Sir WILLIAM HAMILTON the general Desire of all Lovers of Natural History, that his Letters upon the Subject of VOLCANOS should be collected together in one Volume, particularly for the Convenience of such as may have an Opportunity of visiting the curious Spots described in them: He was not only pleased to approve of my having undertaken this Publication, but has likewise favoured with the additional explanatory Notes and Drawings, The PUBLIC's most obliged, and devoted humble Servant, T. CADELL. May 30, 1772. OBSERVATIONS ON MOUNT VESUVIUS, &c. LETTER I. To the Right Honourable the Earl of MORTON, President of the Royal Society. Naples, June 10, 1766. My LORD, As I have attended particularly to the various changes of Mount Vesuvius, from the 17th of November 1764, the day of my arrival at this capital; I flatter myself, that my observations will not be unacceptable to your Lordship, especially as this Volcano has lately made a very considerable eruption. I shall confine myself merely to the many extraordinary appearances that have come under my own inspection, and leave their explanation to the more learned in Natural Philosophy. During the first twelvemonth of my being here, I did not perceive any remarkable alteration in the mountain; but I observed, the smoke from the Volcano was much more considerable in bad weather than when it was fair[1]; and I often heard (even at Naples, six miles from Vesuvius) in bad weather, the inward explosions of the mountain. When I have been at the top of Mount Vesuvius in fair weather, I have sometimes found so little smoke, that I have been able to see far down the mouth of the Volcano; the sides of which were incrusted with salts and mineral of various colors, white, green, deep and pale yellow. The smoke that issued from the mouth of the Volcano in bad weather was white, very moist, and not near so offensive as the sulphureous steams from various cracks on the sides of the mountain. Towards the month of September last, I perceived the smoke to be more considerable, and to continue even in fair weather; and in October I perceived sometimes a puff of black smoke shoot up a considerable height in the midst of the white, which symptom of an approaching eruption grew more frequent daily; and soon after, these puffs of smoke appeared in the night tinged like clouds with the setting sun. About the beginning of November, I went up the mountain: it was then covered with snow; and I perceived a little hillock of sulphur had been thrown up, since my last visit there, within about forty yards of the mouth of the Volcano; it was near six feet high, and a light blue flame issued constantly from its top. As I was examining this phaenomenon, I heard a violent report; and saw a column of black smoke, followed by a reddish flame, shoot up with violence from the mouth of the Volcano; and presently fell a shower of stones, one of which, falling near me, made me retire with some precipitation, and also rendered me more cautious of approaching too near, in my subsequent journies to Vesuvius. From November to the 28th of March, the date of the beginning of this eruption, the smoke increased, and was mixed with ashes, which fell, and did great damage to the vineyards in the neighbourhood of the mountain[2]. A few days before the eruption I saw (what Pliny the younger mentions having seen, before that eruption of Vesuvius which proved fatal to his uncle) the black smoke take the form of a pine-tree. The smoke, that appeared black in the day-time, for near two months before the eruption, had the
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OF UNIFORMITY*** Transcribed from the 1864 Hatchard and Co. edition by David Price, email [email protected] CLERICAL SUBSCRIPTION AND THE ACT OF UNIFORMITY. * * * * * BY THE REV. EDWARD HOARE, M.A., INCUMBENT OF TRINITY CHURCH, TUNBRIDGE WELLS. * * * * * LONDON: HATCHARD AND CO., 187, PICCADILLY. 1864. * * * * * ALEX. MACINTOSH, PRINTER, GREAT NEW-STREET, LONDON. * * * * * CLERICAL SUBSCRIPTION AND THE ACT OF UNIFORMITY. As it has pleased Her Majesty to appoint a Royal Commission to consider the subject of Clerical Subscription, the time has clearly come when those who regard the principle of Subscription to be one of essential importance to the well-being of our Church should consider carefully by what arrangements that principle may be best maintained and carried out. It is the opinion of many that the wisest course is to endeavour to secure the present system without alteration, and earnestly to oppose any change of any kind whatever. Under many circumstances, I could believe in the wisdom of so doing; but if it can be shown that there are great objections
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Produced by Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Hathi Trust.) EMINENT AUTHORS OF THE NINETEENTH CENTURY. _LITERARY PORTRAITS_ BY Dr. GEORG BRANDES _TRANSLATED FROM THE ORIGINAL BY_ RASMUS B. ANDERSON, UNITED STATES MINISTER TO DENMARK; AUTHOR OF "NORSE MYTHOLOGY," "VIKING TALES OF THE NORTH," "AMERICA NOT DISCOVERED BY COLUMBUS," AND OTHER WORKS. NEW YORK: THOMAS Y. CROWELL & CO. 1886 [Illustration: Georg Brandes] NOTE. This volume is published by special arrangement with the author. At my request Dr. Georg Brandes has designated me as his American translator and takes a personal interest in the enterprise. To Auber Forestier, who kindly aided me in translating the stories of Björnstjerne Björnson, I have to express my cordial thanks for valuable assistance in the preparation of this translation. RASMUS B. ANDERSON. COPENHAGEN, DENMARK, July, 1886. AUTHOR'S PREFACE. It is a well-known fact that at the beginning of this century several prominent Danes endeavored to acquire citizenship in German literature. Since then the effort has not been repeated by any Danish author. To say nothing of the political variance between Germany and Denmark, these examples are far from alluring on the one hand, and on the other hand they furnish no criterion of the Danish mind. The great remodeler of the Danish language, Oehlenschläger, placed his works before the German public in German so wholly lacking in all charm, that he only gained the rank of a third-class poet in Germany. The success, however, which lower grades of genius, such as Baggesen and Steffens, have attained, was the result, in the first case, of a veritable chameleon-like nature and a talent for language that was unique of its kind, and in the second, of a complete renunciation of the mother-tongue. The author of this volume, who is far from being a chameleon, and who has by no means given up his native tongue, who stands, indeed, in the midst of the literary movement which has for some time agitated the Scandinavian countries, knows very well that a human being can only wield a powerful influence in the country where he was born, where he was educated by and for prevailing circumstances. In the present volume, as in other writings, his design has simply been to write in the German language for Europe; in other words, to treat his materials differently than he would have treated them for a purely Scandinavian public. He owes a heavy debt to the poetry, the philosophy, and the systematic æsthetics of Germany; but feeling himself called to be the critic, not the pupil, of the history of German literature, he cherishes the hope that he may be able to repay at least a small portion of his debt to Germany. The nine essays of which this book consists, and of which even those that have already appeared in periodicals, have been thoroughly revised, are not to be regarded as "Chips from the Workshop" of a critic; they are carefully treated literary portraits, united by a spiritual tie. Men have sat for them, with whom the author, with one exception (Esaias Tegnér), has been personally acquainted, or of whom he has at least had a close view. To be sure, the same satisfactory survey cannot always be taken of a living present as of a completed past epoch; but perhaps a picture of the present as a whole may be furnished, the general physiognomy may be arrived at, by characterizing as faithfully and vividly as possible, some of its typical forms. The mode of treatment in these essays is greatly diversified. In some of them the individuality of the author portrayed is represented as exhaustively as possible; in others, an attempt has simply been made to present the man in actual person before the eyes of the reader; some are purely psychological; others offer a fragment of æsthetics; others, again, are eminently biographical and historical. In all of them the characteristics of the individual are so chosen as to bring out the most important features of the author's life and works. Even the personalities described are of a very heterogeneous nature. They belong to not less than six nationalities. Common to all of them, however, there is a something which is more easily felt than defined; they are modern authors. By this I do not mean that they all, without exception, with full consciousness, and with their whole hearts, have paid homage to the "modern" in art and in thought, but merely that they, even though in a very unequal degree,--which heightens the charm to the observer,--represent the modern style of
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Produced by Chris Curnow, Jane Hyland, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net THE STORY OF POCAHONTAS AND CAPTAIN JOHN SMITH TOLD AND PICTURED BY E. BOYD SMITH HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK [Illustration] COPYRIGHT, 1906, BY E. BOYD SMITH ALL RIGHTS RESERVED _Published November 1906._ [Illustration] LIST OF COLORED PLATES PLATE 1. POCAHONTAS 2. JOHN SMITH 3. HOW CAPTAIN JOHN SMITH WON HIS SPURS 4. STRANGE TALES OF A STRANGE PEOPLE 5. THE COMING OF THE WHITE MAN 6. THE LANDING OF THE COLONISTS--1607 7. THE AMBUSH 8. BATTLE WITH THE INDIANS 9. CAPTAIN JOHN SMITH A PRISONER 10. THE DANCE OF VICTORY 11, 12. POCAHONTAS SAVES CAPTAIN JOHN SMITH'S LIFE 13. CAPTAIN JOHN SMITH AGAIN FREE 14. POCAHONTAS BRINGS FOOD TO THE COLONISTS 15. CAPTAIN JOHN SMITH GOES IN SEARCH OF CORN 16. POCAHONTAS'S WARNING 17. CAPTAIN JOHN SMITH SAILS FOR ENGLAND 18. POCAHONTAS IS CAPTURED BY ARGALL 19. MARRIAGE OF POCAHONTAS 20. THE LANDING OF POCAHONTAS IN ENGLAND 21, 22. POCAHONTAS AT THE COURT OF JAMES THE FIRST 23. THE MEETING OF POCAHONTAS AND CAPTAIN JOHN SMITH 24. CAPTAIN JOHN SMITH GOES TO SEA AGAIN 25. POCAHONTAS LONGS FOR HOME 26. THE END OF THE STORY OF POCAHONTAS THE STORY OF POCAHONTAS AND CAPTAIN JOHN SMITH 1. POCAHONTAS Long, long ago, when the Indians owned the land, there lived in Virginia, near the river afterwards called the James, a little girl, the Princess Pocahontas, daughter of the great chief Powhatan. Pocahontas was her father's favorite child, and the pet of the whole tribe; even the fierce warriors loved her sunny ways. She was a child of nature, and the birds trusted her and came at her call. She knew their songs, and where they built their nests. So she roamed the woods, and learned the ways of all the wild things, and grew to be a care-free maiden. [Illustration] 2. JOHN SMITH In far-away England was a doughty youth, John Smith, who dreamed of battle and adventure. Though but a boy, he had already fought as a soldier in the wars of France, and later in Flanders. And these two, the wild little Indian girl and the warrior boy, now so far apart, in time were to meet and become great friends. At home again in Lincolnshire after dangerous travels, the youth still longed for the strife and glory of the fray. He retired to a quiet spot in the wood, and lived in a camp of his own making, where he read tales of war and knights-errant, and in his enthusiasm fought imaginary enemies. At last he could bear dreaming no longer, and started off again to roam the world in search of adventure. [Illustration] 3. HOW CAPTAIN JOHN SMITH WON HIS SPURS He journeyed across France to join the armies fighting the Turks, but was robbed on the way by false companions, and suffered much hardship. At last he reached Marseilles, where he took ship with a party of pilgrims going to the East. A great storm arising, the pilgrims superstitiously blamed him for it, and threw him overboard. By good fortune he was able to swim to a small island, whence he was soon rescued by a Breton ship. He stayed for some time on this ship, taking part in a sea fight with a Venetian vessel, and received, after the victory, a share of the spoils. Now, with money again in his pocket, he wandered through Italy, and then crossed over to Styria. Here he joined the army of the Emperor Rudolph and was appointed captain of a company of cavalry, and did good service. During the siege of the town of Regal, the
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The HTML version of this text was produced by Bob Frone for his Opera Books page. Plain text adaption by Andrew Sly. CHAPTERS OF OPERA Being Historical and Critical Observations And Records Concerning the Lyric Drama in New York from Its Earliest Days Down to The Present Time by HENRY EDWARD KREHBIEL Musical Editor of "The New York Tribune"; Author of "How To Listen To Music," "Studies In The Wagnerian Drama," "Music And Manners In The Classical Period," "The Philharmonic Society Of New York," etc., etc. To MARIE--WIFE and DAUGHTER HELEN Who have shared with the Author many of the Experiences described in this book. "Joy shared is Joy doubled." --GOETHE. PREFACE The making of this book was prompted by the fact that with the season 1907-08 the Metropolitan Opera House in New York completed an existence of twenty-five years. Through all this period at public representations I have occupied stall D-15 on the ground floor as reviewer of musical affairs for The New York Tribune newspaper. I have, therefore, been a witness of the vicissitudes through which the institution has passed in a quarter-century, and a chronicler of all significant musical things which were done within its walls. I have seen the failure of the artistic policy to promote which the magnificent theater was built; the revolution accomplished by the stockholders under the leadership of Leopold Damrosch; the progress of a German régime, which did much to develop tastes and create ideals which, till its coming, were little-known quantities in American art and life; the overthrow of that régime in obedience to the command of fashion; the subsequent dawn and development of the liberal and comprehensive policy which marked the climax of the career of Maurice Grau as an operatic director, I have witnessed since then, many of the fruits of wise endeavor and astute management frittered away by managerial incapacity and greed, and fad and fashion come to rule again, where for a brief, but eventful period, serious artistic interest and endeavor had been dominant. The institution will enter upon a new régime with the season 1908-09. The time, therefore, seemed fitting for a review of the twenty-five years that are past. The incidents of this period are fixed; they may be variously viewed, but they cannot be changed. They belong to history, and to a presentation of that history I have devoted most of the pages which follow. I have been actuated in my work by deep seriousness of purpose, and have tried to avoid everything which could not make for intellectual profit, or, at least, amiable and illuminative entertainment. The chapters which precede the more or less detailed history of the Metropolitan Opera House (I-VII) were written for the sake of the light which they shed on existing institutions and conditions, and to illustrate the development of existing taste, appreciation, and interest touching the lyrical drama. To the same end much consideration has been paid to significant doings outside the Metropolitan Opera House since it has been the chief domicile of grand opera in New York. Especial attention has been given for obvious reasons to the two seasons of opera at Mr. Hammerstein's Manhattan Opera House. H. E. KREHBIEL. Blue Hill, Maine, the Summer of 1908. AUTHOR'S NOTE TO THIRD EDITION For the purposes of a new and popular edition of this book, the publishers asked the author to continue his historical narrative, his record of performances, and his critical survey of the operas produced at the two chief operatic institutions of New York, from the beginning of the season 1908-1909 down to the close of the season 1910-1911. This invitation the author felt compelled to decline for several reasons, one of which (quite sufficient in itself), was that he had already undertaken a work of great magnitude which would occupy all his working hours during the period between the close of the last season and the publication of this edition. Thereupon the publishers, who seemed to place a high valuation on the historical element in the book, suggested that the record of performances at least be brought up to date even if the criticism of new operas and the discussion of the other incidents of the season--such as the dissensions between the directors of the Metropolitan Opera House, the rivalry between them and the director of the Manhattan, the quarrels with artists, the successes achieved by some operas and the failure suffered by others--be postponed for the present at least for want of time on the part of the author to carry on the work on the scale of the original edition. It was finally agreed that the author should supply the record for the period intervening between the appearance of the first edition of "Chapters of Opera" and the present publication by revised excerpts from the annual summaries of the activities of the seasons in question published by him in the New York Tribune, of which newspaper he has had the honor of being the musical critic for thirty years past. For the privilege of using this material the author is deeply beholden to the Tribune
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [Illustration: WEDGWOOD PORTLAND VASE] POTTERY AND PORCELAIN, _FROM EARLY TIMES DOWN TO THE PHILADELPHIA EXHIBITION OF 1876_. BY CHARLES WYLLYS ELLIOTT. WITH ONE HUNDRED AND SIXTY-FIVE ILLUSTRATIONS, AND THE MORE IMPORTANT MARKS AND MONOGRAMS. NEW YORK: D. APPLETON AND COMPANY, 549 & 551 BROADWAY. 1878. COPYRIGHT BY D. APPLETON AND COMPANY, 1877. PREFACE. What we have attempted has been to gather and present, in a way to be easily understood, the most important facts respecting "Pottery and Porcelain." The study of this interesting subject has for more than a century been constant in Europe, and notably so during the last twenty-five years. A correct knowledge of it may now almost be called a liberal education. In the United States something has been done; and the public mind is now asking, "What is it that makes 'pottery and porcelain' so attractive to scholars, statesmen, women, and wits?" In some degree we have answered this question. My part of the work has been to gather where I could such historical and technical facts and such illustrations as seemed most valuable, not only to the student but to the collector. Many of these came from Europe, of course, where since Queen Anne's day the love of "old china" has at times risen to enthusiasm. But I have drawn from our own collections whenever it has been possible. In the preparation and engraving of the illustrations I hope the judicious critic, as well as the judicious public, will give due credit to the publishers and their artists, who, it seems to me, deserve great praise for having so well done what they have undertaken to do. Permit me to say a word for _collectors_. Busy men who are making railways and coal-pits, under the pleasing illusion that they are developing the country more than the rest of us, are apt to think a man with any hobby except that of making money is wasting his time. I would like to remind the reader that there are a few--many of them young men and young women too--who have money enough for all reasonable wants, and who do not care to waste time and life in getting _more_ money, for which they have no special uses; these persons find a perennial occupation in the study, the comparison, the purchasing, the collecting, of all that will illustrate their subject of study--their hobby. Around this subject of pottery and porcelain may be grouped, if one so pleases, all the habits, the wants, the inventions, the growths, of human society. Some have yet a notion that the study of the politics and the fightings of man is most important; others, how man came to be an Arminian or an Augustinian; others, whether the sun is or is not gradually cooling down, and must finally cease to be, or whether, on the contrary, its flames are fed by the self-sacrificing stars. Without detracting from their labors, I beg leave to say that my great hobby or central fact being the _home_, I hold that whatever makes that interesting, beautiful, or useful, is, or should be, interesting, beautiful, and useful, to all the world. I believe that what we call politics, or government, is only valuable in that it helps to create and to protect desirable homes; all the rest--all the speeches, and processions, and crownings, and court-balls, and receptions, and dinners--are "leather and prunella." Therefore I believe the "art of living" is first and foremost; to know how to make _this_ life comfortable and beautiful is all-important. Yet there is not a teacher of this great art in all the land, although "professors" are legion. We may well ask, when we go to a house: "What have they there to tell us--what to show us? What have they collected to interest, to please, to instruct?" If a person has only many bonds bearing coupons locked up in his safe--del
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My Lady Caprice by Jeffery Farnol CONTENTS I. TREASURE TROVE II. THE SHERIFF OF NOTTINGHAM III. THE DESPERADOES IV. MOON MAGIC V. THE EPISODE OF THE INDIAN'S AUNT VI. THE OUTLAW VII. THE BLASTED OAK VIII. THE LAND OF HEART'S DELIGHT I TREASURE TROVE I sat fishing. I had not caught anything, of course--I rarely do, nor am I fond of fishing in the very smallest degree, but I fished assiduously all the same, because circumstances demanded it. It had all come about through Lady Warburton, Lisbeth's maternal aunt. Who Lisbeth is you will learn if you trouble to read these veracious narratives--suffice it for the present that she has been an orphan from her youth up, with no living relative save her married sister Julia and her Aunt (with a capital A)--the Lady Warburton aforesaid. Lady Warburton is small and somewhat bony, with a sharp chin and a sharper nose, and invariably uses lorgnette; also, she is possessed of much worldly goods. Precisely a week ago Lady Warburton had requested me to call upon her--had regarded me with a curious exactitude through her lorgnette, and gently though firmly (Lady Warburton is always firm) had suggested that Elizabeth, though a dear child, was young and inclined to be a little self-willed. That she (Lady Warburton) was of opinion that Elizabeth had mistaken the friendship which had existed between us so long for something stronger. That although she (Lady Warburton) quite appreciated the fact that one who wrote books, and occasionally a play, was not necessarily immoral-- Still I was, of course, a terrible Bohemian, and the air of Bohemia was not calculated to conduce to that degree of matrimonial harmony which she (Lady Warburton) as Elizabeth's Aunt, standing to her in place of a mother, could wish for. That, therefore, under these circumstances my attentions were--etc., etc. Here I would say in justice to myself that despite the torrent of her eloquence I had at first made some attempt at resistance; but who could hope to contend successfully against a woman possessed of such an indomitable nose and chin, and one, moreover, who could level a pair of lorgnette with such deadly precision? Still, had Lisbeth been beside me things might have been different even then; but she had gone away into the country--so Lady Warburton had informed me. Thus alone and at her mercy, she had succeeded in wringing from me a half promise that I would cease my attentions for the space of six months, "just to give dear Elizabeth time to learn her own heart in regard to the matter." This was last Monday. On the Wednesday following, as I wandered aimlessly along Piccadilly, at odds with Fortune and myself, but especially with myself, my eye encountered the Duchess of Chelsea. The Duchess is familiarly known as the "Conversational Brook" from the fact that when once she begins she goes on forever. Hence, being in my then frame of mind, it was with a feeling of rebellion that I obeyed the summons of her parasol and crossed over to the brougham. "So she's gone away?" was her greeting as I raised my hat--"Lisbeth," she nodded, "I happened to hear something about her, you know." It is strange, perhaps, but the Duchess generally does "happen to hear" something about everything. "And you actually allowed yourself to be bullied into making that promise--Dick! Dick! I'm ashamed of you." "How was I to help myself?" I began. "You see--" "Poor boy!" said the Duchess, patting me affectionately with the handle of her parasol, "it wasn't to be expected, of course. You see, I know her--many, many years ago I was at school with Agatha Warburton." "But she probably didn't use lorgnettes then, and--" "Her nose was just as sharp though--'peaky' I used to call it," nodded the Duchess. "And she has actually sent Lisbeth away--dear child--and to such a horrid, quiet little place, too, where she'll have nobody to talk to but that young Selwyn. "I beg pardon, Duchess, but--" "Horace Selwyn, of Selwyn Park--cousin to Lord Selwyn, of Brankesmere. Agatha has been scheming for it a long time, under the rose, you know. Of course, it would be a good match, in a way--wealthy, and all that--but I must say he bores me horribly--so very serious and precise!" "Really!" I exclaimed, "do you mean to say--" "I expect she will have them married before they know it--Agatha's dreadfully determined. Her character lies in her nose and chin." "But Lis
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Produced by Julia Miller, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible. Some changes have been made. They are listed at the end of the text. The illustration "On Saddle and Pillion" is the frontispiece, but the list of illustrations has it "Face p. 28". Italic text has been marked with _underscores_. Bold text has been marked with =equals signs=. HORSES PAST AND PRESENT [Illustration: SADDLE AND PILLION. (From "The Procession of the Flitch of Bacon," by THOMAS STOTHARD, R.A.)] HORSES PAST AND PRESENT BY SIR WALTER GILBEY, BART. ILLUSTRATED VINTON & Co., LTD. 9, NEW BRIDGE STREET, LONDON, E.C. 1900 CONTENTS. PAGE Introduction 1 Before the Conquest 2 William the Conqueror 5 William Rufus 7 Henry I. 7 Henry II. 8 Richard I. 9 John 10 Edward II. 11 Edward III. 12 Richard II. 15 Henry VII. 17 Henry VIII. 18 Edward VI. and Queen Mary 22 Elizabeth 24 James I. 30 Charles I. 33 The Commonwealth 36 Charles II. 38 William III. 41 Queen Anne 43 George I. 46 George II. 48 George III. 52 George IV. 59 William IV. 60 Her Majesty Queen Victoria 62 Light Horses: Breed--Societies 88 Heavy Horses: Breed--Societies 89 ILLUSTRATIONS. A Cart-Horse of the XVth Century Face p. 16 On Saddle and Pillion " 28 Guy, Earl of Warwick, XVIth Century " 32 The Darley Arabian " 46 Jacob Bates, The Trick Rider " 52 Grey Diomed " 55 Hunter Sire, Cognac " 64 The Hack Hunter " 70 The Norfolk Phenomenon " 80 _This brief history of the Horse in England to the close of the nineteenth century is a compilation which, it is hoped, may prove useful as well as interesting._ _So much has been done to improve our breeds of horses since the year 1800, and so many and important have been the changes in our methods of travel, in the use of heavy horses in agriculture, in hunting, racing and steeplechasing, that the latter portion of the book might be amplified indefinitely._ _It is not thought necessary to do more than touch briefly upon the more important events which have occurred during Her Majesty's reign._ _The interesting and instructive work by Mr. Huth, which contains the titles of all the books written in all languages relating to the Horse shows that the number published up to the year 1886 exceeds 4,060: and since that date, works on the Horse, embracing veterinary science, breeding, cavalry, coaching, racing, hunting and kindred subjects, have been issued from the publishing houses of Europe at the rate of about two per month. During the ten years 1886-95 upwards of 232 such works were issued, and there has been no perceptible decrease during the last four years._ _Under these circumstances an apology for adding to the mass of literature on the Horse seems almost necessary._ WG _Elsenham Hall, Essex, November, 1900._ HORSES PAST AND PRESENT. First among animals which man has domesticated, or brought under control to do him service, stands the horse. The beauty of his form, his strength, speed and retentive memory, alike commend him to admiration; the place he holds, whether in relation to our military strength, our commercial and agricultural pursuits, or our pleasures, is unique. Whether as servant or companion of man the horse stands alone among animals. There can be no doubt but that the horse was broken to man's service at an early period of the world's history. The art of taming him was first practised by the peoples of Asia and Africa, who earliest attained to a degree of civilisation; but whether he was first ridden or driven is a question which has often been debated with no definite result. The earliest references to the use of horses occur in the Old Testament, where numerous passages make mention of chariots and horsemen in connection with all warlike operations. BEFORE THE CONQUEST. From very remote times England has possessed horses which her inhabitants turned to valuable account, as we find occasion to note
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Produced by Eric Eldred [Illustration: 01 GLIMPSE OUTSIDE OF MODERN ROME] ROMAN HOLIDAYS AND OTHERS By W. D. Howells ILLUSTRATED HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON Copyright, 1908, by HARPER & BROTHERS. Copyright, 1908, by THE SUN PRINTING AND PUBLISHING ASSOCIATION. Published October, 1908. CONTENTS I. UP AND DOWN MADEIRA II. TWO UP-TOWN BLOCKS INTO SPAIN III. ASHORE AT GENOA IV. NAPLES AND HER JOYFUL NOISE V. POMPEII REVISITED VI. ROMAN HOLIDAYS VII. A WEEK AT LEGHORN VIII. OVER AT PISA IX.. BACK AT GENOA X. EDEN AFTER THE FALL ROMAN HOLIDAYS AND OTHERS I. UP AND DOWN MADEIRA. No drop-curtain, at any theatre I have seen, was ever so richly imagined, with misty tops and shadowy clefts and frowning cliffs and gloomy valleys and long, plunging cataracts, as the actual landscape of Madeira, when we drew nearer and nearer to it, at the close of a tearful afternoon of mid-January. The scenery of drop-curtains is often very boldly beautiful, but here Nature, if she had taken a hint from art, had certainly bettered her instruction. During the waits between acts at the theatre, while studying the magnificent painting beyond the trouble of the orchestra, I have been most impressed by the splendid variety which the artist had got into his picture, where the spacious frame lent itself to his passion for saying everything; but I remembered his thronging fancies as meagre and scanty in the presence of the stupendous reality before me. I have, for instance, not even mentioned the sea, which swept smoother and smoother in toward the feet of those precipices and grew more and more trans-lucently purple and yellow and green, while half a score of cascades shot straight down their fronts in shafts of snowy foam, and over their pachydermatous shoulders streamed and hung long reaches of gray vines or mosses. To the view from the sea the island is all, with its changing capes and promontories and bays and inlets, one immeasurable mountain; and on the afternoon of our approach it was bestridden by a steadfast rainbow, of which we could only see one leg indeed, but that very stout and athletic. There were breadths of dark woodland aloft on this mountain, and terraced vineyards lower down; and on the shelving plateaus yet farther from the heights that lost themselves in the clouds there were scattered white cottages; on little levels close to the sea there were set white villas. These, as the ship coquetted with the vagaries of the shore, thickened more and more, until after rounding a prodigious headland we found ourselves in face of the charming little city of Funchal: long horizontal lines of red roofs, ivory and pink and salmon walls, evenly fenestrated, with an ancient fortress giving the modern look of things a proper mediaeval touch. Large hotels, with the air of palaces, crowned the upland vantages; there were bell-towers of churches, and in one place there was a wide splotch of vivid color from the red of the densely flowering creeper on the side of some favored house. There was an acceptable expanse of warm brown near the quay from the withered but unfailing leaves of a sycamore-shaded promenade, and in the fine roadstead where we anchored there lay other steamers and a lead- Portuguese war-ship. I am not a painter, but I think that here are the materials of a water-color which almost any one else could paint. In the hands of a scene-painter they would yield a really unrivalled drop-curtain. I stick to the notion of this because when the beautiful goes too far, as it certainly does at Madeira, it leaves you not only sated but vindictive; you wish to mock it. The afternoon saddened more and more, and one could not take an interest in the islanders who came out in little cockles and proposed to dive for shillings and sixpences, though quarters and dimes would do. The company's tender also came out, and numbers of passengers went ashore in the mere wantonness of paying for their dinner and a night's lodging in the annexes of the hotels, which they were told beforehand were full. The lights began to twinkle from the windows of
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) LITERARY BYWAYS. Literary Byways By William Andrews LONDON: WILLIAM ANDREWS & CO., 5, FARRINGDON AVENUE, E.C. 1898. Preface. In the following pages no attempt has been made to add to the many critical works authors bring under the notice of the public. My aim in this collection of leisure-hour studies is to afford entertaining reading on some topics which do not generally attract the reader's attention. It is necessary for me to state that three of the chapters were originally contributed to the columns of the _Chambers's Journal_, and by courtesy of the Editor are reproduced in this volume. WILLIAM ANDREWS. THE HULL PRESS, _July 5th, 1898_. Contents. PAGE AUTHORS AT WORK 1 THE EARNINGS OF AUTHORS 43 DECLINED WITH THANKS 67 EPIGRAMS ON AUTHORS 76 POETICAL GRACES 90 POETRY ON PANES 94 ENGLISH FOLK-RHYMES 100 THE POETRY OF TOAST LISTS AND MENU CARDS 110 TOASTS AND TOASTING 120 CURIOUS AMERICAN OLD-TIME GLEANINGS 131 THE EARLIEST AMERICAN POETESS: ANNE BRADSTREET 143 A PLAYFUL POET: MISS CATHERINE FANSHAWE 149 A POPULAR SONG WRITER: MRS. JOHN HUNTER 160 A POET OF THE POOR: MARY PYPER 167 THE POET OF THE FISHER-FOLK: MRS. SUSAN K. PHILLIPS 176 A POET AND NOVELIST OF THE PEOPLE: THOMAS MILLER 186 THE COTTAGE COUNTESS 199 THE COMPILER OF "OLD MOORE'S ALMANAC": HENRY ANDREWS 206 JAMES NAYLER, THE MAD QUAKER, WHO CLAIMED TO BE THE MESSIAH 213 A BIOGRAPHICAL ROMANCE: SWAN'S STRANGE STORY 222 SHORT LETTERS 228 INDEX 237 LITERARY BYWAYS. Authors at Work. The interest of the public in those who write for its entertainment naturally extends itself to their habits of life. All such habits, let it be said at once, depend on individual peculiarities. One will write only in the morning, another only at night, a third will be able to force himself into effort only at intervals, and a fourth will, after the manner of Anthony Trollope, be almost altogether independent of times and places. The nearest approach to a rule was that which was formulated by a great writer of the last generation, who said that morning should be employed in the production of what De Quincey called "the literature of knowledge," and the evening in impassioned work, "the literature of power." But habits, however unreasonable they may be, are ordinarily very powerful with authors. One of the most renowned writers always attired himself in evening dress before sitting down to his desk. The influence of his attire, he said, gave dignity and restraint to his style. Another author, of at least equal celebrity, could only write in dressing gown and slippers. In order that he might make any progress, it was absolutely essential that he should be unconscious of his clothes. Most authors demand quiet and silence as the conditions of useful work. Carlyle padded his room, in order that he might not be annoyed by the clatter of his neighbours. On the other hand, Jean Paul Richter, whose influence is visible throughout nearly the whole of Carlyle's writings, would work serenely in the kitchen with his mother attending to her domestic duties, and the children playing around him. In an article contributed by Carlyle to the _Edinburgh Review_ on Richter, we get some interesting facts about this truly great man. The following is reproduced from Doering. "Richter's studying or sitting apartment, offered about this time (1793),[1] a true and beautiful emblem of his simple and noble way of thought, which comprehended at once the high and the low. Whilst his mother, who then lived with him, busily pursued her household work, occupying herself about stove and dresser, Jean Paul was sitting in a corner of the same
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Produced by Richard Tonsing, David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) STANDARD ELOCUTIONARY BOOKS =FIVE-MINUTE READINGS FOR YOUNG LADIES.= Selected and adapted by WALTER K. FOBES. Cloth. 50 cents. =FIVE-MINUTE DECLAMATIONS.= Selected and adapted by WALTER K. FOBES, teacher of elocution and public reader; author of "Elocution Simplified." Cloth. 50 cents. =FIVE-MINUTE RECITATIONS.= By WALTER K. FOBES. Cloth. 50 cents. Pupils in public schools on declamation days are limited to five minutes each for the delivery of "pieces." There is a great complaint of the scarcity of material for such a purpose, while the injudicious pruning of eloquent extracts has often marred the desired effects. To obviate these difficulties, new "Five-Minute" books have been prepared by a competent teacher. =ELOCUTION SIMPLIFIED.= With an appendix on Lisping, Stammering, and other Impediments of Speech. By WALTER K. FOBES, graduate of the "Boston School of Oratory." 16mo. Cloth. 50 cents. Paper, 30 cents. "The whole art of elocution is succinctly set forth in this small volume, which might be judiciously included among the text-books of schools."--_New Orleans Picayune._ =ADVANCED READINGS AND RECITATIONS.= By AUSTIN B. FLETCHER, A.M., LL.B., Professor of Oratory, Brown University, and Boston University School of Law. This book has been already adopted in a large number of Universities, Colleges, Post-graduate Schools of Law and Theology, Seminaries, etc. 12mo. Cloth. $1.50. "Professor Fletcher's noteworthy compilation has been made with rare rhetorical judgment, and evinces a sympathy for the best forms of literature, adapted to attract readers and speakers, and mould their literary taste."--PROF. J. W. CHURCHILL, _Andover Theological Seminary_. =THE COLUMBIAN SPEAKER.= Consisting of choice and animated pieces for declamation and reading. By LOOMIS J. CAMPBELL, and ORIN ROOT, Jun. 16mo. Cloth. 75 cents. Mr. Campbell, as one of the editors of "Worcester's Dictionaries," the popular "Franklin Readers," and author of the successful little work, "Pronouncing Hand-Book of 3,000 Words," is well known as a thorough scholar. Mr. Root is an accomplished speaker and instructor in the West, and both, through experience knowing the need of such a work, are well qualified to prepare it. _It is a genuine success._ =VOCAL AND ACTION-LANGUAGE, CULTURE AND EXPRESSION.= By E. N. KIRBY, teacher of elocution in the Lynn High Schools. 12mo. English cloth binding. Price, $1.25. "Teachers and students of the art of public speaking, in any of its forms, will be benefited by a liberal use of this practical hand-book."--_Prof. Churchill._ =KEENE'S SELECTIONS.= Selection for reading and elocution. A hand-book for teachers and students. By J. W. KEENE, A.M., M.D. Cloth. $1. "An admirable selection of practical pieces." =LITTLE PIECES FOR LITTLE SPEAKERS.= The primary school teacher's assistant. By a practical teacher. 16mo. Illustrated. 75 cents. Also in boards, 50 cents. Has had an immense sale. =THE MODEL SUNDAY-SCHOOL SPEAKER.= Containing selections in prose and verse, from the most popular pieces and dialogues for Sunday-school exhibitions. Illust. Cloth. 75 cents. Boards, 50 cents "A book very much needed." LEE AND SHEPARD Publishers Boston _BAKER'S DIALECT SERIES_ MEDLEY DIALECT RECITATIONS COMPRISING A SERIES OF THE MOST POPULAR SELECTIONS In German, French, and Scotch EDITED BY GEORGE M. BAKER COMPILER OF "
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Produced by Steven Gibbs, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net THE ROMANCE OF POLAR EXPLORATION INTERESTING DESCRIPTIONS OF ARCTIC AND ANTARCTIC ADVENTURE FROM THE EARLIEST TIME TO THE VOYAGE OF THE "DISCOVERY" BY G. FIRTH SCOTT AUTHOR OF "FROM FRANKLIN TO NANSEN," "THE ROMANCE OF AUSTRALIAN EXPLORING," "COLONIAL BORN," _&c._ WITH TWENTY-FOUR ILLUSTRATIONS LONDON SEELEY AND CO. LIMITED 38 GREAT RUSSELL STREET 1909 [Illustration: THE _STELLA POLARE_ NIPPED IN THE ICE. "The stores were unloaded with the greatest rapidity."] _UNIFORM WITH THIS VOLUME_ THE LIBRARY OF ROMANCE _Extra Crown 8vo. With many illustrations. 5s. each_ "Splendid volumes."--_The Outlook._ "This series has now won a considerable and well deserved reputation."--_The Guardian._ "Each volume treats its allotted theme with accuracy, but at the same time with a charm that will commend itself to readers of all ages. The root idea is excellent, and it is excellently carried out, with full illustrations and very prettily designed covers."--_The Daily Telegraph._ By Prof. G. F. SCOTT ELLIOT, M.A., B.Sc. THE ROMANCE OF SAVAGE LIFE THE ROMANCE OF PLANT LIFE THE ROMANCE OF EARLY BRITISH LIFE By EDWARD GILLIAT, M.A. THE ROMANCE OF MODERN SIEGES By JOHN LEA, M.A. THE ROMANCE OF BIRD LIFE By JOHN LEA, M.A., & H. COUPIN, D.Sc. THE ROMANCE OF ANIMAL ARTS AND CRAFTS By SIDNEY WRIGHT THE ROMANCE OF THE WORLD'S FISHERIES By the Rev. J. C. LAMBERT, M.A., D.D. THE ROMANCE OF MISSIONARY HEROISM By G. FIRTH SCOTT THE ROMANCE OF POLAR EXPLORATION By ARCHIBALD WILLIAMS, B.A. (Oxon.), F.R.G.S. THE ROMANCE OF EARLY EXPLORATION THE ROMANCE OF MODERN EXPLORATION THE ROMANCE OF MODERN MECHANISM THE ROMANCE OF MODERN INVENTION THE ROMANCE OF MODERN ENGINEERING THE ROMANCE OF MODERN LOCOMOTION THE ROMANCE OF MODERN MINING By CHARLES R. GIBSON, A.I.E.E. THE ROMANCE OF MODERN PHOTOGRAPHY THE ROMANCE OF MODERN ELECTRICITY By EDMUND SELOUS THE ROMANCE OF THE ANIMAL WORLD THE ROMANCE OF INSECT LIFE By AGNES GIBERNE THE ROMANCE OF THE MIGHTY DEEP By E. S. GREW, M.A. THE ROMANCE OF MODERN GEOLOGY SEELEY & CO., LIMITED Preface While stories of the Polar explorers and their efforts to reach the Poles have been told again and again, the constant renewal of expeditions adds, every year, fresh incidents to the record, until it may almost be said that the fascination of the frozen regions is as inexhaustible as the list of Polar heroes is illimitable. Nor is the interest confined solely to the achievement of modern explorers. However great the results of their exertions may be, the fact that, in spite of all the advantages conferred by recent scientific discovery and modern appliances, the explorers of to-day have failed to penetrate the uttermost secrets of the worlds of ice, renders more impressively heroic the struggles of the earlier travellers, whose equipment, viewed in comparison with that of modern man, was apparently so inadequate and often inappropriate. No series of Polar adventure stories would be complete without a prominent place being given to the earlier explorers, and especially to that British hero, Franklin, whose name is so inseparably associated with the history of Arctic exploration. The account of his daring voyages and of his tragic end, at the moment of victory, has already been given in many a form; but the tale is one which will stand re-telling for generations yet to come. In the present instance it has been of necessity briefly written, but in such a manner as will, it is hoped, without loss of interest, render clear a comparison of the conditions under which he and his brave companions worked and fought to their death, with those that existed for later expeditions and especially the expeditions of Nansen, Peary, and Abruzzi. The Antarctic, equally with the Arctic, now commands the attention of man. In the South, as in the North, the British race has again produced explorers who have fought their way into the icy fastnesses. From the time that Captain Cook sailed round the unknown southern ocean, more than a century ago, the British flag has waved in the forefront of the advance. The work which Sir James Ross began, over half a century since, has now been carried farther than ever it was anticipated it could be. By the voyage of the _Discovery_, the Antarctic continent has been revealed to within five hundred miles of the Pole, and in the gallant exploits of the commander, Captain Robert Scott, there are many who see a repetition of all that made the name of Franklin so immortal. The source of the information on which these stories are based (as is frequently mentioned in the text) is the personal narrative of the explorer concerned, where available; and if the interest aroused in any of them requires more to satisfy it than the exigencies of space renders possible in this volume, the attention which will thereby be drawn to the more comprehensive records will stand as a slight acknowledgment of the indebtedness of the writer of these re-told stories to the authors of the original narratives. G. FIRTH SCOTT. LONDON, 1906. Publishers' Note Our thanks are due to Lieut. Shackleton, R.N.R., of the _Discovery_, for the use of the original drawing facing page 344, and also for permission to use the Illustrations facing pages 310, 340, 348. To Messrs. Alston Rivers, Limited, for permission to use the Illustration facing page 320 from Dr. H. R. Mill's "Siege of the South Pole." To Messrs. Hutchinson and Co., for the use of Illustrations facing pages 28 and 272, and Frontispiece, from "The Voyage of the Polar Star," by the Duke of the Abruzzi. To Messrs. Geo. Newnes, Limited, for the Illustration facing page 305 from "First on the Antarctic Continent," by C. E. Borchgrevinck. To Messrs. Longmans, Green & Co., for permission to reproduce the Illustration facing page 256 from "New Land," by Otto Sverdrup. Contents CHAPTER I THE ARCTIC REGION PAGE The Mystery of the North Pole--The First Explorer--"The Great Dark Wall at the End of the World"--"Frost-Smoke"--The Lights and Sounds of the North--The Aurora Borealis--Mock Moons--The Early Adventurers: Willoughby, Frobisher, Davis, Hudson, Baffin, Ross, and Parry--The North-West Passage 17 CHAPTER II SIR JOHN FRANKLIN Young Franklin--His Dreams of Adventure--He becomes a Sailor--His First Arctic Expedition--Fails to get through Behring Straits--Explores Baffin's Bay--The 1845 Expedition--The _Erebus_ and _Terror_--The "Good-bye" at Greenland--Wellington Channel--They select Winter Quarters--Discovery of the North-West Passage--Death of Franklin--Prisoned in the Ice--The Crew Abandon the Ships--Defeat and Death 25 CHAPTER III THE SEARCH FOR FRANKLIN Captain Parker's Report--Government offers a Reward--Dr. Rae's Expedition--Captain McClure's Voyage in the _Investigator_--Hardships and Perils--The Meeting with the _Herald_--Lady Franklin still Hopeful--Sir F. L. McClintock's Expedition in the _Fox_ with Lieutenant Hobson--Their Sad and Fatal Discoveries--Lieutenant Schwatka recovers the Body of Lieutenant Irving 42 CHAPTER IV THE VOYAGE OF THE _POLARIS_ Death of Captain Hall--Crew determine to Return--Are Frozen in--A Party take to the Ice and are Cast Away--They build themselves Snow Huts--They find some Seals--An Adventure with Bears--The Perils of the Spring--They sight the _Tigress_ and are Saved--The Ship-party's Story and Rescue 69 CHAPTER V THE _ALERT_ AND _DISCOVERY_ Sir George Nares appointed to the _Alert_ and _Discovery_--Overtaking a Season--Red Snow--The Greenland Mosquito--Peculiarities of Eskimo Dogs--And Dog Whips--Dangers of Kayaks--Advantages of Steam for Polar Regions--An Unpleasant Experience--A Huge Walrus--Arctic Scenery--A Big "Bag"--The Ships part Company--The _Alert_ reaches the Polar Sea--Winter Quarters--The North Pole attempted--Adventures and Sufferings of the Party--Lieutenant Parr's Heroism--Deliverance--The Greenland Attempt--Scurvy and Snow--Repulse Bay--In Pitiable Plight--Lieutenant Rawson to the Rescue 83 CHAPTER VI THE GREELY EXPEDITION The Scheme of the Expedition--Fort Conger--Arctic Wolves--Atmospheric Marvels--A Terrific Storm--Influence of the Sun--Lieutenant Lockwood's Expedition--The Second Winter--Preparations for Departure--They leave Fort Conger--A Remarkable Ice Passage--They fail to make Cape Sabine--A New Camp--Rations running Short--Fruitless Efforts to reach Food Depots--Starvation and Death--A Bitter Blow--The Arrival of the _Thetis_ 114 CHAPTER VII PEARY IN GREENLAND The Greenland Question--Departure of the _Kite_--Peary breaks his Leg--A Camp made--Habits of the Eskimo--A Brush with Walrus--"Caching" Food--An Arctic Christmas Feast--Peary starts for the Great Ice-Cap--A Snow Sahara--The Ice-Cap Crossed--A Marvellous Discovery--Sails on Sledges--A Safe Return 146 CHAPTER VIII NANSEN AND THE _FRAM_ Nansen's Theories of Arctic Currents and Shipbuilding--His Theories adopted--The _Fram_ Built--A Start made--The Kara Sea reached--Good Hunting--The Ice Current reached--Frozen in--A Raid by a Bear--Will the _Fram_ stand the Pressure?--Preparing for Calamity--A Conclusive Test--Causes of Ice Movements--Life on the _Fram_--Nansen and Johansen leave the _Fram_--They reach their "Farthest North"--Incidents of their Return Journey--Some Narrow Escapes--The Meeting with Jackson--Arrival of the _Fram_ 173 CHAPTER IX FRANZ JOSEF LAND AND SPITZBERGEN The Jackson-Harmsworth Expedition--Object of the Expedition--An Interesting Experiment--The Franz Josef Land Question settled--A Group of Islands, not a Continent--Conway at Spitzbergen--Ancient History--Bygone Splendours--Scenery in the Making--The Romance of Andree--Another Riddle 220 CHAPTER X THE POLAR METEORITES Eskimo Iron--A Mystery of 1818--Search and Failure--Peary and his Huskies--The Secret revealed--An Eskimo Legend--At the Iron Mountain--Removing the Trophies--A Massive Giant--Attack and Defence--The Giant Objects--A Narrow Escape--Conquered 236 CHAPTER XI THE SECOND VOYAGE OF THE _FRAM_ Norwegian Enterprise--Mapping the Islands--Nearly Frozen--A Novel Warming-Pan--Eskimo Melody--Arctic Bull Fights--Death of the Doctor--Fire on the _Fram_--New Lands--Prehistoric People 249 CHAPTER XII ITALY CLAIMS THE RECORD Norwegian Aid--A Northerly Station--Premature Enthusiasm--Cold Comfort--An Arctic Greeting--A Hasty Landing--Disorganised Plans--Homeless Dogs--Making Fresh Plans--The Leader Frost-bitten--The Start for the Pole--Driven Back by Cold--A Second Start--First Detachment Lost--Anxiety for the Second--A Struggle for Life--Third Detachment Overdue--Fears of Disaster--Safe at Last--Italy sets the Record 265 CHAPTER XIII THE ANTARCTIC REGION The Mystery of the South Pole--Ignored by Early Navigators--An Accidental Dutch Discovery--Captain Cook Sets Sail--Discouraged by the Ice--Turns back in Despair--A Second Accidental Discovery--Weddell breaks the Barrier--Antarctic Land revealed--British resume the Search 283 CHAPTER XIV VOYAGES OF THE _EREBUS_ AND _TERROR_ A Fortunate Choice--Characteristic Southern Bergs--First Sight of the Continent--More British Territory--A Mighty Volcanic Display--Nearing the Magnetic Pole--The Antarctic Barrier--A Myth dispelled--A Second Attempt--Held by the Ice--Third and Last Voyage--A Double Discovery 294 CHAPTER XV THE _SOUTHERN CROSS_ EXPEDITION British continue the Work--Carrier Pigeons in the Ice--Withstanding a Nip--A Sea-quake--Cape Adare Station--A Cosy Camp--Edible Fish--Death visits the Camp--Penguin Peculiarities--A Derelict Blue-bottle--The Welcome Postman--A Thrilling Episode 305 CHAPTER XVI THE REVIVAL OF ANTARCTIC INTEREST Modern Means and Methods--Private Enterprise leads--The _Valdavia_--The _Belgica_ Expedition--International Action adopted--The German Expedition--An Ice-bound Land--Fresh Trade-Winds 318 CHAPTER XVII THE SWEDISH EXPEDITION Sails in the _Antarctica_--Argentine Co-operation--First Antarctic Fossil--Building the Winter Station--A Breezy Corner--Electric Snow--A Spare Diet--New Year Festivities--The Missing Ship--Relief that never Came--A Devastating Nip--Castaway--The Unexpected Happens--A Dramatic Meeting--Rescued 323 CHAPTER XVIII BRITAIN HOLDS HER OWN A Capable Crew--A Modern Franklin--Early Discoveries--Frozen in--An Historic Journey--The Record of "Farthest South"--How the Record was Won--Speedy Travelling--Receding Ice Limits--A Dying Glacier--The Secret of the Barrier--A Fatal Gale--Lost in the Snow--An Antarctic Chute--Prolonged Slumber--Antarctic Coal--Home with Honour 339 List of Illustrations THE _STELLA POLARE_ NIPPED IN THE ICE _Frontispiece_ W. E. PARRY'S ATTEMPT TO REACH THE POLE _Facing page_ 28 AN IMMENSE ICEBERG " " 48 AN ADDITION TO THE EXPLORERS' SUPPLY OF PROVISIONS " " 78 SHOOTING MUSK OX IN THE ARCTIC REGIONS " " 116 GROUP OF SMITH SOUND ESKIMO " " 152 TWO NORTH GREENLAND HUNTERS " " 160 MAP OF THE ARCTIC REGIONS SHOWING ROUTE OF NANSEN AND THE _FRAM_ " " 173 THE _FRAM_ IN THE ICE " " 185 NANSEN AND JOHANSEN START ON THEIR DASH FOR THE POLE " " 198 THE MEETING OF JACKSON AND NANSEN " " 216 THE FRONT EDGE OF KING'S GLACIER, WESTERN SPITZBERGEN " " 230 ESKIMO ARMS AND TOOLS " " 240 ESKIMO VISITORS TO THE _FRAM_ IN NIGHT ATTIRE " " 256 ONE OF THE DIFFICULTIES ENCOUNTERED BY THE _STELLA POLARE_ " " 272 SKETCH MAP SHOWING CAPTAIN AGNI'S FARTHEST NORTH " " 280 THE _SOUTHERN CROSS_ IN THE ICE PACK " " 305 THE AURORA AUSTRALIS " " 310 EMPEROR PENGUINS " " 312 POLAR OUTFIT USED BY THE _BELGICA_ EXPEDITION " " 320 MAP OF SOUTH POLAR REGIONS " " 339 THE _DISCOVERY_ LYING IN WINTER QUARTERS, FROZEN IN " " 340 THE FARTHEST SOUTH SLEDGE PARTY IN A BLIZZARD " " 344 A DRIFTING ICE FLOE ATTACHED TO THE _DISCOVERY_ BY A ROPE " " 348 The Romance of Polar Exploration CHAPTER I THE ARCTIC REGION The Mystery of the North Pole--The First Explorer--"The Great Dark Wall at the End of the World"--"Frost-Smoke"--The Lights and Sounds of the North--The Aurora Borealis--Mock Moons--The Early Adventurers: Willoughby, Frobisher, Davis, Hudson, Baffin, Ross, and Parry--The North-West Passage. In all the range of romantic adventure to be found in the history of man
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