Datasets:

---

gaussalgo

/

Canard_Wiki-augmented

like 1

Follow

Gauss Algorithmic 10

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968" ]

[ "Aisha Abimbola (December 19, 1970May 15, 2018), born in Epe, Lagos State, was a Nigerian actress and a Yoruba movie star.\n\nEarly life and education \nAbimbola was from a Muslim family and later converted to Christianity, the religion she practiced till the time of her death. In a New Telegraph interview, she said her desire to be an actress stopped her from becoming a pastor.. She married Victor Ibrahim Musa, and the marriage was blessed with two children. Aisha attended her secondary education at Ebute Elefun High School and was the Head Girl of the ‘1994 set’. she later attended Lagos State Polytechnic (LASPOTECH) where she graduated with HND in Catering and Hotel Management. and did her youth service in 2002.\n\nCareer \nAbimbola started her journey into the movie industry when Wale Adenuga Productions came to LASPOTECH for a shoot. She walked up to the Director - Antar Laniyan and asked him for a role. Fortunately for her, the director was waiting for one of the casts and the role was given to her. This was like manna sent down from heaven. She did her best in that role which eventually landed her into more roles. However, a role in the movie Omoge Campus by Bola Igida turned everything around for her. This movie placed her on the stardom of talented actresses in 2001. She easily and talentedly interpreted her roles in indigenous and non-indigenous productions swaying her fans with her skills. At a point in her career, she ventured into movie production with her debut on a movie titled T’omi T’eje in 2016. This was presented in Atlanta and the music was performance by King Rokan.\n\nSelected filmography \n No Pain\n No Gain\n Awerijaye\n So Wrong So Right\n Omoge Campus\n Kamson and Neighbours\n\nAward \nCity People Entertainment Award for Yoruba Movie Personality of the Year – 2015.\n\nDeath \nAbimbola died of breast cancer in a hospital at Canada. Her death threw the entire movie industry into a dark mood. She was 46 years. She had two kids whom her best friend Lola Alao won the custody of after taking the late actress’ husband to court and winning the case.\n\nReferences\n\n1974 births\n2018 deaths\nYoruba actresses\nActresses in Yoruba cinema\nDeaths from breast cancer\nDeaths from cancer in Canada\nLagos State Polytechnic alumni\nActresses from Lagos State\nNigerian former Muslims\nNigerian Christians\nConverts to Christianity from Islam\nNigerian film actresses", "Brittany Anne Byrnes (born 31 July 1987) is an Australian actress. Her most notable acting role has been Charlotte Watsford in H2O: Just Add Water.\n\nPersonal life \nByrnes was born in Australia and trained in all aspects of dance at the Bradshaw Dancers Performing Arts Academy from the age of four. She attended Terra Sancta College in Quakers Hill, a suburb of Sydney, during her high school years.\n\nShe has been acting since she was seven, when she played her first role in the movie Babe. She was later given a lead role in the TV movie When Good Ghouls Go Bad. One of her latest roles was Charlotte Watsford on Network Ten's H2O: Just Add Water.\n\nActing career \nByrnes' first theatrical role was in Babe, where she played the Hoggetts' spoiled granddaughter. She has since appeared in films such as Little Oberon, Mermaids and Swimming Upstream. Byrnes has also been in a number of television shows, including BeastMaster, All Saints and the second season of the Australian show H2O: Just Add Water as the new girl, Charlotte Watsford.\n\nIn 2005, Brittany was nominated for an AFI Award (The Young Actor's Award) for her performance in Little Oberon. In 2008, she was nominated again for an AFI Award (Best Supporting Actress in a television drama) for her performance in H2O: Just Add Water.\n\nFilmography\n\nAwards and nominations\n\nReferences\n\nExternal links \n \n \n\n1987 births\nAustralian child actresses\nAustralian film actresses\nAustralian television actresses\nLiving people\n20th-century Australian actresses\n21st-century Australian actresses" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970)," ]

[ "Gloria Henry (born Gloria Eileen McEniry; April 2, 1923 – April 3, 2021) was an American actress, best known for her role as Alice Mitchell, Dennis's mother, from 1959 to 1963 on the CBS family sitcom Dennis the Menace.\n\nEarly life\nHenry was born Gloria Eileen McEniry on April 2, 1923. She lived and grew up on the edge of the Garden District of New Orleans, Louisiana. She was educated at the Worcester Art Museum School in Massachusetts. Henry moved to Los Angeles in her late teens and worked on a number of radio shows and commercials using the stage name of Gloria Henry. Her topics of discussions were gossip, fashion, and sports. She also performed in little theater groups.\n\nCareer\n\nEarly career\nSigned by an agent, Henry transitioned into film work via Columbia Studios in 1946, and made her debut as the female lead in the horse racing film Sport of Kings (1947). She had featured roles in the romantic comedy Miss Grant Takes Richmond (1949) that starred Lucille Ball, and the western Rancho Notorious (1952) with Marlene Dietrich. Henry also appeared in three sports-themed stories; the football film Triple Threat (1948), the horse race tale Racing Luck (1948), and the William Bendix baseball comedy Kill the Umpire (1950).\n\nThe 1950s were a mixture of B films and episodic TV guest parts such as My Little Margie (1952) and the premiere episode of Perry Mason, \"The Case of the Restless Redhead\" (1957). She was also a regular on the detective series The Files of Jeffrey Jones (1954), starring Don Haggerty, but was written out of the show when she became pregnant. She also appeared on The Abbott and Costello Show in an episode entitled \"The Pigeon\".\n\nDennis the Menace\n\nIn 1959, Henry landed the role for which she would become most well-known, that of Dennis' mother \"Alice Mitchell\" on the CBS comedy television series Dennis the Menace. The series co-starred Herbert Anderson as her husband, and young Jay North in the title role of Dennis. Henry portrayed sunny domesticity and maternal warmth for four seasons until the series' cancellation in 1963.\n\nAfter Dennis the Menace\nHenry's career slowed down considerably after Dennis the Menace. In 1992, she stated that she had become so associated with the role of Alice Mitchell that she had become typecast in mother roles. She appeared occasionally in TV movies playing assorted bit-part matrons, and in 1989, she played a small role as an art-collecting society matron in the prime time soap opera Dallas.\n\nHenry returned to the big screen in a brief role in Her Minor Thing (2005), a romantic comedy directed by Charles Matthau, Walter Matthau's son. She occasionally attended film festivals and nostalgia conventions. In 2012, she guest-starred on the Parks and Recreation episode \"Campaign Shake-Up\", playing the role of Mary-Elizabeth Clinch.\n\nPersonal life\nHenry was of Scottish and Irish ancestry. She was married to Robert D. Lamb between 1943 and 1948. She wed architect Craig Ellwood in 1949; they divorced in 1977. The couple had three children, Jeffrey, Adam, and Erin Ellwood. \n\nGloria Henry died the day after her 98th birthday at her home in Los Angeles, California, on April 3, 2021.\n\nFilmography\n\nTelevision appearances\n\nThe Abbott and Costello Show – Ruby Norton\nMr. & Mrs. North – Ruth Spencer (1953)\nMy Little Margie – Norma Calkins (1953)\nThe Files of Jeffrey Jones (1954)\nNavy Log – Eileen Murphy (1957)\nPerry Mason – Helene Chaney (1957)\nThe Walter Winchell File (1957)\nTales of Wells Fargo – Sharon Burns (1957)\nFather Knows Best – Mildred Harris (1957)\nThe Life of Riley – Miss Cosgrove (1958)\nRescue 8 – Joan (1958)\nThe Thin Man (1959)\nDennis the Menace – Alice Mitchell (1959–63)\nHazel (1963)\nThe Snoop Sisters (1974)\nThe Brady Brides (1981)\nFalcon Crest (1987)\nDallas (1989)\nHunter (1990)\nDoogie Howser, M.D. (1992)\nParks and Recreation (2012)\n\nReferences\n\nExternal links\n\n \n \n \n\n1923 births\n2021 deaths\n20th-century American actresses\n21st-century American actresses\nActresses from Los Angeles\nActresses from New Orleans\nAmerican film actresses\nAmerican television actresses\nAmerican people of Scottish descent\nAmerican people of Irish descent\nPeople associated with the Worcester Art Museum", "Supriya Kumari is an Indian television actress who has played the lead in Balaji Telefilms serial Bairi Piya as Amoli on Colors (TV channel).\n\nCareer \nShe began her career with local regional languages Khortha and Nagpuri album of Jharkhand.\nSupriya says that she did not have to struggle much after coming to Mumbai. She auditioned for different television serials. She got her first break when she landed a small role in Agle Janam Mohe Bitiya Hi Kijo. During that time, she auditioned for the lead role in Bairi Piya. As luck would have had it, she got to play Amoli's role and which then went on to become a success. She was part of Sony's weekly show \"Babosa - Mere Bhagwan\". She was seen in the dance reality show Nachle Ve with Saroj Khan hosted by Saroj Khan and Terence Lewis (choreographer) on Imagine TV in 2010 and again in 2011.\n\nShe played the lead character of Billo in Looteri Dulhan on Imagine TV. She has also done a cameo negative role named Neelu for the show Bhagonwali-Baante Apni Taqdeer on Zee Tv.\n\nShe is also making her debut in Bollywood with the film Zindagi 50 50 where she plays the role of a housewife. She is playing one of lead roles in the film. Two of the other lead roles are being portrayed by Veena Malik and Riya Sen respectively.\n\nMovie\n\nTelevision\n\nReferences\n\nExternal links \nI feel lonely and cry sometimes\nSupriya Kumari is all set to step into the role of the 'other' woman in Zee TV's Bhagonwali\nTelevision actress Supriya Kumari will debut on the silver screen.\n\nIndian television actresses\nLiving people\n1988 births" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970),", "Did she have a lead role in Menace on the Mountain?", "I don't know." ]

[ "Alvin R. Wiseman (August 25, 1918 – May 17, 1988) was an American cartoonist who worked on both comic strips and comic books, notably his long stint on the Dennis the Menace comic books. Wiseman's clean line was an influence on several cartoonists, including Jaime Hernandez, Gilbert Hernandez, Al Gordon, and Daniel Clowes.\n\nBiography \nAfter Wiseman worked in advertising, he became an assistant to Hank Ketcham on Dennis the Menace. Wiseman and writer Fred Toole worked on the Dennis the Menace comic book from 1953 into the 1960s.\n\nAl's granddaughter, Aliza, claims that many of the characters from Dennis the Menace were created by Al.\n\nHe had his own feature, Punky, in the Dennis the Menace comic books.\n\nCharley Jones Laugh Book\nWiseman did covers for Charley Jones Laugh Book, contributed to George Crenshaw's Belvedere and briefly assisted on the Yogi Bear Sunday page . He also did children's books, such as We Learn to Play (1954).\n\nA Dennis the Menace story by Wiseman and Toole was reprinted in the Art Spiegelman and Françoise Mouly collection, The Toon Treasury of Classic Children's Comics (Abrams, 2009).\n\nReferences\n\nExternal links\nAliza Wiseman on Al Wiseman\nFred Hembeck on Al Wiseman\n\nAmerican comics artists\nAmerican comic strip cartoonists\nAmerican children's book illustrators\n1918 births\n1988 deaths", "Da Hood is the only album by Menace Clan, released on October 10, 1995, through Rap-a-Lot Records. They guested on a few tracks for other artists before breaking up in 2000.\n\nThe album did not have much commercial success outside of Houston, reaching number 44 on the Billboard Top R&B/Hip-Hop Albums chart and 33 on the Top Heatseekers chart. Two singles were released from the album, \"Da Hood\" and \"What You Say,\" both of which had accompanying music videos, though neither charted in Billboard.\n\nTrack listing\n\"Aggravated Mayheim!\" - 3:08 \n\"Mad Nigga\" - 4:17 \n\"Record Deal\" - 3:15 \n\"Life\" - 4:44 \n\"Runaway Slave\" - 5:25 \n\"Da Hood\"(featuring Bushwick Bill) - 4:42 \n\"What You Say\" - 4:02 \n\"Da Bullet\" - 3:44 \n\"Cold World\" - 4:41 \n\"Me by Myself\" - 3:37 \n\"Have You Ever Heard\" - 3:56 \n\"Last Driveby\" - 3:34 \n\"Kill Whitey\" - 2:48\n\nCharts\n\nReferences\n\n1995 debut albums\nRap-A-Lot Records albums\nMenace Clan albums" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970),", "Did she have a lead role in Menace on the Mountain?", "I don't know.", "What did she do after Menace on the Mountain?", "), she made her feature film debut in Napoleon and Samantha (1972)," ]

[ "Reena Basheer is an Indian film actress and dancer. She works in the Malayalam film industry and television.\n\nEarly life\nReena Basheer came into lime light through reality show on Amrita TV titled Vanitharatnam. Later she got featured in feature movies, advertisements, television serials and other shows. She is well known for her presentation of programmes especially cookery.\n\nCareer\nShe made her film debut in the Malayalam film Mulla in 2008 and later appeared in many movies. She won the Second Best Actress Award at the Kerala State Television Awards 2016 for her serial, Pokkuveyil.\n\nPersonal life\nShe married Basheer and they have two children: Basheer Binu and Basheer Anjala.\n\nFilmography\n\nTelevision\n\nOther Shows\nAs Guest\n Nammal Thammil (Asianet)\n Entertainment News (Asianet News)\n Varthaprabhatham (Asianet News)\n Don't Do Don't Do (Asianet Plus)\n India Voice (Mazhavil Manorama)\n Celluloid (Manorama News)\n Smart Show (Flowers TV)\n Flowers TV Awards (Flowers TV)\n Rhythm (Kairali TV)\n\nEndorsements\n Nirapara\n Radhas Soap\n Thomson Multiwood\n Ruchi\n\nReferences\n\nExternal links\n\nLiving people\nYear of birth missing (living people)\nActresses in Malayalam cinema\n21st-century Indian actresses\nActresses in Malayalam television", "Vandana Tiwari known by her stage name Gehana Vasisth, is an Indian actress, model, and television presenter. After working for several brands as a model, she was crowned as Miss Asia Bikini. She did more than 80 advertisements. She later entered the film industry through lead role in a film called Filmy Duniya and did roles in Telugu cinema later she performed a handful of lead roles. Also, she has worked in many web series including Gandi Baat season 3 on Alt Balaji.\n\nEarly life and background\nVasisth was born in Chirimiri, Chhattisgarh. Her mother, Meena Tiwari is a housewife and her father, Rajendra Tiwari was an education officer.\n\nShe has one younger sister Namrata and two younger brothers Vedant and Sankalp Tiwari. Her friends call her by the nickname Zindagi. She has done her schooling from Chirimiri, Chhattisgarh and Bhopal, Madhya Pradesh. Later she completed her engineering degree from All Saints College of Technology, Bhopal.\n\nCareer \nGehana worked as a model for many international brands. She did about 70 advertisements. She won the Miss Asia Bikini contest of 2012.\n\nTelevision \nShe was introduced as an anchor in Sahara One Television Channel. Later she did a role in the serial Behenein on Star Plus and appeared as VJ on True Life show on MTV India.\n\nFilmography\n\nReferences\n\nExternal links \n \n \n \n\nLiving people\nActresses in Hindi cinema\nActresses in Telugu cinema\nIndian film actresses\nFemale models from Madhya Pradesh\nActresses from Chhattisgarh\nActresses in Tamil cinema\n21st-century Indian actresses\nFemale models from Chhattisgarh\n1988 births" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970),", "Did she have a lead role in Menace on the Mountain?", "I don't know.", "What did she do after Menace on the Mountain?", "), she made her feature film debut in Napoleon and Samantha (1972),", "Did she do any other television or advertisements?", "she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973)," ]

[ "Aishwarya Nag is an Indian film actress and a model, who has appeared in South Indian films, primarily in Kannada cinema. After her modelling, she made her acting debut in the film Neene Neene (2008). She rose to fame by acting in the Kannada film Jolly Days (2009) and Kal Manja (2010).\n\nCareer\nAishwarya debuted as a lead actress in the 2008 released film Neene Neene opposite Dhyan and Ananth Nag when she was 16 years old. The film dealt with the pressures and hassles of tech workers, and was appreciated for being maturely dealt with. Aishwarya got a great deal of praise for holding her own against Anant Nag who played her dad in the film. She was next seen in the MD Shridhar film Jolly Days, a remake of the Telugu hit Happy Days. It was well received by critics, who called her a \"very good heroine material in Kannada.\"\n\nAfter a brief hiatus, she was seen in the comedy, Kal Manja, which also had Komal Kumar in the cast. The film met with favorable reviews and her performance was lauded by critics. She then signed the film Vighna opposite Vijay Raghavendra, which underwent several delays in the making process. 2013 year saw her majority releases with Prajwal Devaraj starrer Ziddi being the first release. She appeared in the comedy film Loosegalu, another comedy opposite Vijay Raghavendra named Chella Pilli, a romantic comedy Pataisu and Jaathre opposite Chetan Chandra. She is playing the lead protagonist role in T. S. Nagabharana's next directional Vasundhara. Nag is playing a lead role in the movie Muddu Manase where she is seen riding a Royal Enfield with ease. She has received good appreciation from the critics for the role. Aishwarya played a media reporter in the movie Jaathre in 2015. She is currently shooting for her next movie \"The Gulaabi street\" and is playing a lead role in the movie which is vaguely inspired by the Bollywood movie Fashion.\n\nFilmography\n\nReferences\n\nExternal links\n\n \n\nLiving people\nYear of birth missing (living people)\nActresses from Bangalore\nIndian film actresses\nActresses in Kannada cinema\n21st-century Indian actresses\nFemale models from Bangalore", "Emily Hirst (born July 9, 1993) is a Canadian actress.\n\nCareer\nHirst was born in Vancouver, British Columbia. Hirst first appeared in the TV series The Twilight Zone in 2002 and she has a small role in X2: X-Men United as The \"Ice Cream Girl\" in 2003.\n\nHer first larger role was in the film drama Desolation Sound, where she played Margaret Elliot. For this role she was nominated for a Leo Award in 2005. She played Laura in the Lifetime movie For the Love of a Child in 2006. She won a Young Artists Award for that role. She was also nominated for her supporting guest role in Smallville's \"Fragile\" (2006). In 2007, Hirst had a recurring role as the childlike vampire Charlotte on Spike TV's Blade: The Series with rapper Sticky Fingaz. Her next appearance was in the thriller Mem-o-re with Billy Zane as Bonnie McHale.\n\nIn 2007 Hirst played Mandy Tarr in the Lifetime movie Passion's Web and Young Mary in Second Sight. She also appeared briefly in Battlestar Galactica: Razor. Her next role was Alice in a movie called The Egg Factory which was renamed Prodigy, and featured a number of times on Movie Central.\n\nIn 2008, Hirst played Makoto Konno in the English dubbed version of the award-winning Japanese anime film The Girl Who Leapt Through Time alongside Andrew Francis, for which she is nominated for a Young Artists Award in 2009. Also in 2008, Hirst appeared in a made-for-TV movie with Daryl Hannah called Storm Seekers.\n\nIn February 2009, she filmed Stranger With My Face with Alexz Johnson, Catherine Hicks, and Andrew Francis.\n\nFilmography\n\nAwards\nLeo Awards\n 2005 - Nominated - Feature Length Drama: Best Supporting Performance by a Female for: Desolation Sound (2005)\n\nYoung Artist Awards\n 2007 - Won - Best Performance in a TV Movie, Miniseries or Special (Comedy or Drama) - Supporting Young Actress for: \"For the Love of a Child\" (2006) (TV)\n 2007 - Nominated - Best Performance in a TV Series (Comedy or Drama) - Guest Starring Young Actress for: \"Smallville\" (2001)\n 2009 - Won - Best Performance in a Voice-Over Role - Young Actress for: \"The Girl Who Leapt Through Time\" (English version) (2008)\n\nReferences\n\nExternal links\n\n Pictures at ChildStarlets.com\n UGO.com Film/TV - Emily Hirst Interview\n IGN Interview: Blade: The Series's Emily Hirst\n Planete Smallville Interview\n\n1993 births\nCanadian child actresses\nCanadian television actresses\nLiving people\nActresses from Vancouver\n21st-century Canadian actresses\nCanadian film actresses\nCanadian voice actresses" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970),", "Did she have a lead role in Menace on the Mountain?", "I don't know.", "What did she do after Menace on the Mountain?", "), she made her feature film debut in Napoleon and Samantha (1972),", "Did she do any other television or advertisements?", "she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973),", "What was her next movie role?", "Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972)," ]

[ "Ngozi Sylvia Oluchi Ezeokafor (commonly known as Sylvya Oluchy) is a Nigerian actress. She won the Most Promising Act of the Year award in the Best of Nollywood Awards. She shared photos of herself in a semi-nude way. She then said in an interview with Showtime Celebrities that she sees no big deal in going nude.\n\nEarly life \nSylvia Oluchi was born in Lagos and raised in Abuja. She studied theatre Arts at the Nnamdi Azikiwe University in Awka, Anambra State.\n\nCareer \nAccording to her, she never wanted to be an actress until her mom told her \"you will make a good actress\" after noticing her unique talent in mimicking her school teachers. In 2011, she played the role of Shaniqua in the popular Atlanta TV series. During interviews with Best of Nollywood Magazine and YES International Magazine Sylvia made national headlines when asked if she had any boundaries or limits her acting profession, she replied \"I don’t have any boundaries because my body is my laptop. Others have their laptops and files, what I have are body and voice, Even the concept of nudity, I don’t have any problems what so ever...\"\n\nFilmography\n\nAwards\n\nReferences\n\nExternal links\n\nYear of birth missing (living people)\nLiving people\n21st-century Nigerian actresses\nActresses from Lagos\nNnamdi Azikiwe University alumni", "Madiha Salem (; 2 October 1944 – 19 November 2015) was an Egyptian actress who appeared in 29 films, and 13 radio and TV serials . She is known for playing the \"dreamy teenager\" in Egyptian classics from the 1960s.\n\nEarly life \nSalem was born in the wealthy Zamalek neighborhood of Cairo. In high school she studied at the Zamalek School for Girls. Her father died shortly after she finished high school, forcing her to abandon further studies and look for work.\n\nCareer \nKnown as the \"teenager of the cinema\" and the \"innocent cat of the screen,\" she played many supporting roles during the golden era of Egyptian cinema of the 60s and 70s, mainly in the role of the dreamy teenager. She acted on TV and worked as a voice actress in radio serials as well. She is said to have drawn attention for her \"light-hearted and unassuming\" performances of her roles on the Egyptian screen. She quit acting in the early 80s, preferring to spend her time with her husband and family.\n\nShe briefly reappeared on the TV screen in the religious drama \"The Judiciary of Islam\" (القضاء في الإسلام), appearing in 1998 and 2001-2002, but did not subsequently appear in any other acting role.\n\nShe died on November 19 in El Safa Hospital due to respiratory problems. Her funeral took place the next day at the Hamidiyya-Shadhiliyya Mosque in the Mohandessin neighborhood in Giza and she was buried in a Cairo cemetery.\n\nFilmography\n\nFilm\nبلا دموع (Without Tears) (1961)\nDearer than My Life (1965)\nThree Thieves (1966)\nThe Nile and the Life (1968)\nOne day, the Nile (1972)\nThe Night (1978)\nTrees Die Standing (1980)\nWho Killed This Love (1980)\nالرجل والحصان (The Man and the Horse) (1982)\n\nTelevision\nإلا دمعة الحزن (But a Tear of Sorrow - series) (1979)\nDalal El Masriya (1982)\n\nReferences\n\n1944 births\n2015 deaths\nActresses from Cairo" ]

[ "Jodie Foster", "1965-1975: Early work", "What was Foster's first role?", "Foster's career began with an appearance as the Coppertone girl", "What year was she the Coppertone Girl?", "in a television advertisement in 1965,", "What was her next appearance after that?", "a minor appearance in the sitcom Mayberry R.F.D.,", "What year was her appearance on Mayberry?", "in 1968", "When was her first movie role?", "a role in the television film Menace on the Mountain (1970),", "Did she have a lead role in Menace on the Mountain?", "I don't know.", "What did she do after Menace on the Mountain?", "), she made her feature film debut in Napoleon and Samantha (1972),", "Did she do any other television or advertisements?", "she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973),", "What was her next movie role?", "Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972),", "Did she have any problems in her early career?", "Foster has said she loved acting as a child, and values her early work for the experience it gave her:" ]

[ "was a Japanese Masters athlete. She was the first 100-year-old to complete a 1,500m freestyle swim in a 25m pool. At the age of 106, she was Japan's oldest active swimmer.\n\nEarly life\nMieko Nagaoka was born on 31 July 1914 in Yamaguchi, Japan just days after the start of World War I. She started swimming at 80 years old to recover from a knee injury. In the beginning, Nagaoka didn’t know how to swim. She used to go in to the swimming pool to do exercises for her knee. At 82, she started to learn how to swim on her own. And because she performed in a Noh (a classical Japanese dancing drama) this was also an incentive for her to learn how to swim so that she could stay in shape for the plays.\n\nCareer\nShe achieved national recognition in Japan at age 90 when she established a world record in the 800m freestyle. Fresh from her success, she started training with a coach and took private swimming lessons with aims to improve her record-breaking performance.\n\nNagaoka was named as one of the 2014 Top 12 World Masters Swimmers of the Year by Swimming World Magazine.\n\nIn 2015 she became the first 100-year-old to complete a 1,500m freestyle swim in a 25m pool. She completed the feat in just over 1 hour and 15 minutes, using backstroke all the way.\n\nNagaoka trained four times a week for two hours under the tutelage of long-time coach Shintaro Sawada. She liked to swim longer distances because she swam slowly and was able to keep her own pace. She told Japan's Kyodo News agency: \"I want to swim until I turn 105 if I can live that long.\"\n\nIn 2016 Nagaoka told AFP “I’m fit as a fiddle,”in an interview after completing the 400 metres freestyle in 26 minutes, 16.81 seconds at a Japan Masters Swimming Association competition in Chiba, on the outskirts of Tokyo. “The secret is to eat well and stay active. It’s no good sitting around at my age. I want to keep swimming until I’m 105 – and beyond that,”\n\nIn September 2019 Nagaoka announced her intention to compete at the FINA World Masters Championships held later that month despite injuring her knees in April.\n\nPersonal life\nNagaoka latterly lived alone in Tabuse, Yamaguchi, Japan. After turning 100 in July 2014, she released a book entitled: I'm 100 years old and the world's best active swimmer.\n\nShe died from respiratory failure in January 2021 at the age of 106.\n\nReferences\n\n1914 births\n2021 deaths\nDeaths from respiratory failure\nJapanese centenarians\nJapanese female freestyle swimmers\nJapanese masters athletes\nWomen centenarians\nWorld record holders in masters athletics", "Taylor Marie Ware (born September 17, 1994) is an American singer and yodeler from Franklin, Tennessee.\n\nBefore Ware knew how to yodel, she performed at a county fair at age four. Her talent was singing and playing a fiddle. When she was six she decided to sing to seniors, so she started an Adopt-a-Grandparent program. She taught herself to yodel from an audiotape and instruction book when she was seven years old, after going to a music convention with country singer Naomi Hills.\n\nIn 2003, at age 9, Ware won $10,000 in the Yahoo! Yodel Challenge and the Sonic Search for a Star. She was later featured in a Yahoo commercial. She also participated in a challenge to beat a Guinness world record. Ware performed on the Grand Ole Opry with Riders in the Sky when she was nine years old.\n\nWhen Ware was nine, she was given a dog as a gift by Wayne Brady after she appeared on his now defunct television show, The Wayne Brady Show. She named the dog Brady after him.\n\nWare honed her yodeling skills while taking lessons from country music star Margo Smith who is known worldwide as the Tennessee Yodeler.\n\nAt age eleven, she competed on NBC's America's Got Talent and advanced to the final competition (which aired on August 16, 2006). She was one of the top three finalists but she lost to 11-year-old Bianca Ryan and Irish step-dancers/fiddlers, Celtic Spring. The million-dollar prize was later awarded to Ryan. Ware was an opening act at the Liberty Bowl for singer LeAnn Rimes in Memphis, Tennessee on December 29, 2006, performing the national anthem.\n\nWare released her self-titled debut album in 2004. In 2007, she released her second album, titled America's Yodeling Sweetheart.\n\nShe appeared in an episode of Laguna Beach as herself. She also has appeared in commercials for Beech Bend Park in Bowling Green, Kentucky. Ware's younger brother, Harrison, is also a singer and yodeler. He has performed onstage at the Tennessee State Fair.\n\nDiscography \n\nTaylor Ware track listing:\n\"He Taught Me How To Yodel\"\n\"Take My Brother Please\"\n\"Shuffle Song\"\n\"Chime Bells\"\n\"Grandpa\"\n\"All I Ever Wanted Was A Pup\"\n\"The Rose\"\n\"When You're Down To Nothing\"\n\"Cowboy's Sweetheart\"\n\"9 to 5\"\n\"Save Your Kisses For Me\"\n\"Amazing Grace\"\n\nAmerica's Yodeling Sweetheart track listing:\n \"How Does She Yodel?\"\n \"Yodeling Cowgirls\"\n \"Mockingbird Yodel\"\n \"Chocolate Ice Cream Cone\"\n \"Taylor's Yodel\"\n \"Cowboy's Sweetheart\"\n \"My Little Lady Who\"\n \"Nola\"\n \"Hillbilly Fever\"\n \"Jesse The Yodeling Cowgirl\"\n \"He Taught Me How To Yodel\"\n \"Yodel Your Troubles Away\"\n\nReferences\n\nExternal links\n\n \n\n1994 births\n21st-century American singers\nSinger-songwriters from Tennessee\nAmerican child singers\nAmerican women country singers\nAmerican country singer-songwriters\nAmerica's Got Talent contestants\nLiving people\nPeople from Franklin, Tennessee\nYodelers\n21st-century American women singers\nCountry musicians from Tennessee" ]

[ "Boston (band)", "Death of Brad Delp (2007)" ]

[ "RTZ (Return to Zero) was an American rock band that featured Boston band members Brad Delp and Barry Goudreau. The band was formed in the early 1990s.\n\nHistory\nRTZ began as a collaboration between Boston members Brad Delp and Barry Goudreau around 1989. The original 1987 demo of \"Face The Music\" (featuring Fergie Frederiksen on vocals) was later made available for download at BarryGoudreau.com. Goudreau and Delp were both part of the original Boston line-up and after Goudreau's departure from the band, they stayed in close contact with Delp contributing to Goudreau's solo album and also to a lesser degree on the Orion the Hunter album.\n\nAround 1989, Delp was on hiatus from Boston and looking to get active in writing again. He contacted Goudreau about a possible collaboration and RTZ was formed. Goudreau and Delp brought in keyboardist Brian Maes who was part of the Orion the Hunter touring band, drummer Dave Stefanelli and bass player Tim Archibald. Maes and Stefanelli had previously worked with producer Nick Lowe in England and Archibald's band New Man had released an album on Epic.\n\nDelp and Goudreau landed a deal with Giant Records and the first RTZ album, titled Return to Zero, was released in 1991. A video was produced for the first single \"Face the Music\". The band soon hit the road and Delp gave Boston his notice. After touring the US extensively, a video was prepared for the single \"Until Your Love Comes Back Around\" penned by keyboard player Brian Maes. The single was very successful and reached #1 in several markets, #26 in the U.S. Two other tracks, \"There's Another Side\" and \"All You've Got\" also got airplay, with the latter reaching #56.\n\nRTZ felt that the band was not getting the attention it deserved by the label and asked to be released from their contract. As RTZ began to shop for a new label, Delp decided to leave the band and would eventually reunite with Boston for the Walk On tour and to assist in the writing of the associated album. The other band members decided that it would be impossible to replace Delp and decided to end the band. The Return to Zero album went out of print until April 2013, although the band later released other material. There were still enough recordings left over from the original recording sessions to create another album. Barry searched for a new label and eventually found MTM Records. The recordings were released on September 28, 1998, and the album was titled Lost.\n\nIn 2004, Lost and Found was released. It features previously unreleased music from the band. In 2005, RTZ released two CDs simultaneously, Lost in America and Found in America under band member Brian Maes' Briola Records label. The album contains all the same material that was released on Lost, including the song \"Dangerous\", which was only available on the Japanese release of Lost. Found in America contains the same material that is on their 2004 release Lost and Found, but includes a bonus live version of the song \"Return to Zero\".\n\nThe Delp and Goudreau album was also released in 2004, and was included as a bonus CD in Lost and Found. It featured RTZ but was released under the name \"Delp and Goudreau\" and involves a different style of music from RTZ's albums.\n\nIn 2007, the band reunited (though with former Boston member Sib Hashian on drums) to release a single called \"Rockin' Away\". Written in 2006, it celebrated the 30 year anniversary of Boston, and is also an autobiography of Brad Delp's music career. Following Delp's suicide in 2007, the band reunited again to release the single \"Set The Songbird Free\" as a tribute to Delp, with Maes on vocals. They also performed at the Brad Delp \"Come Together\" tribute concert in 2008.\n\nThis entire line-up (with Hashian on drums, and without Delp) also makes up most of the members of the band Ernie and the Automatics which formed in 2006.\n\nDiscography\n\nStudio albums\n Return to Zero (1991)\n Lost (1998)\n\nCompilation albums\n Lost and Found (2004)\n\nSingles\n\nSee also\n Boston (band)\n\nReferences\n\nAmerican rock music groups\nMusical groups established in 1989\nMusical groups disestablished in 1994", "Bradley Edward Delp (born June 12, 1951 – March 9, 2007) was an American singer-songwriter and guitarist, who was the lead vocalist for the American rock bands Boston and RTZ.\n\nEarly life\nDelp was born in Peabody, Massachusetts, on June 12, 1951, his parents were French-Canadian immigrants. He was raised in Danvers, Massachusetts.\n\nMusical career\nIn 1969, guitarist Barry Goudreau introduced Delp to Tom Scholz, who was looking for a singer to complete some demo recordings. Eventually Scholz formed the short-lived band Mother's Milk (1973–74), which included Delp and Goudreau. After producing a demo, Epic Records eventually signed the act. Mother's Milk was renamed Boston, and the self-titled debut album (recorded in 1975, although many tracks had been written years before) was released in August 1976. Delp performed all of the lead and all backing harmony vocals, including all layered vocal overdubs.\n\nBoston's debut album has sold more than 20 million copies, and produced rock standards such as \"More Than a Feeling\", \"Foreplay/Long Time\" and \"Peace of Mind\". Delp co-wrote \"Smokin'\" along with Scholz, and wrote the album's closing track, \"Let Me Take You Home Tonight\".\n\nTheir next album, Don't Look Back, was released two years later in August 1978. Its release spawned new hits such as the title track, \"Party\", and the ballad \"A Man I'll Never Be\". As they did with \"Smokin'\", Delp and Scholz collaborated on \"Party\", and Delp penned \"Used to Bad News\".\n\nAfter the first two Boston albums, Delp sang vocals on Barry Goudreau's self-titled solo album, released in 1980. Scholz's perfectionism and a legal battle with their record company stalled any further Boston albums until 1986 when the band released Third Stage. Delp co-wrote the songs \"Cool the Engines\" and \"Can'tcha Say (You Believe in Me)/Still in Love\" for the album, and both songs got significant airplay.\n\nThough probably best-known for the soaring vocals and range of his \"golden\" voice and for singing all harmony parts on every song, Delp was also a multi-instrumentalist, playing guitar, harmonica and keyboards. He wrote or co-wrote songs for Boston, RTZ, Orion the Hunter, Lisa Guyer, and other artists.\n\nIn 1991, Delp and Goudreau formed a band called RTZ. After Boston released the album Walk On in 1994 with Fran Cosmo on vocals, Delp and Boston reunited later that year for another major tour. Delp continued to record vocals on several albums and projects, including new tracks for Boston's 1997 Greatest Hits compilation and their 2002 release Corporate America.\n\nFrom the mid-1990s until his death in 2007, Delp played in a side project when he had time off from Boston – a Beatles tribute band called Beatlejuice. During this time, Delp also co-wrote and recorded with former Boston bandmate Barry Goudreau, and in 2003 released the CD Delp and Goudreau.\n\nPersonal life\nDelp was married and divorced twice, and had two children by his second wife, Micki Boone, who had been a flight attendant on tour with Boston. Boone’s sister, Connie, subsequently married band member Goudreau. Brad and Micki married in 1980 and divorced in 1996. He was a vegetarian for over 30 years, and contributed to a number of charitable causes.\n\nSuicide and aftermath\nSometime between 11:00 pm on March 8 and 1:20 pm on March 9, 2007, Delp committed suicide by carbon monoxide poisoning in his home on 55 Academy Avenue, in Atkinson, New Hampshire. He left various notes scattered from his car to the interior of his home. The Atkinson police discovered his body on the floor of his master bathroom after his fiancée, Pamela Sullivan saw a dryer vent tube connected to the exhaust pipe of Delp's car. Two charcoal grills were found to have been placed in the bathtub and lit, causing the room to fill with smoke. A suicide note was paper-clipped to the neck of his T-shirt, which read the same as a character's note from Twin Peaks: \"Mr. Brad Delp. 'J'ai une âme solitaire'. I am a lonely soul.\" Delp left four sealed envelopes in his office addressed to his children, his former wife Micki, his fiancée, and a couple who were not named by the media. He was 55 years old. The following day, Boston's website was temporarily closed down, the webmaster having replaced their homepage with a simple black background and white text message: \"We've just lost the nicest guy in rock and roll.\"\n\nDelp's cause of death was ruled a suicide. The reason for Delp's suicide has been the subject of contradictory news reports and various lawsuits. A series of interviews conducted by the Boston Herald alleged that lingering hard feelings from Boston's disbandment in the 1980s and personal tension between Delp and bandleader Scholz drove the singer to commit suicide. Scholz denied these claims but lost the defamation suits he filed in response. Court documents from the trials detail Scholz stating that Delp was plagued by personal problems. Boston Herald attorneys pointed to testimony from former Boston members, other local musicians, Delp's doctor, and Delp's friends, including Meg Sullivan (his fiancée's sister), many of whom say the singer disliked Scholz, desperately wanted to quit the band, and felt tormented by his role as middleman in an ugly conflict between Scholz and former band members. All of this was summarized in a 140-page statement filed by the Herald in April 2012.\n\nAdditional sworn testimony by Meg Sullivan revealed an additional explanation for Delp’s suicide: Delp was housemates with Meg, fiancée Pamela's sister, for two and a half years before his death. On February 28, 2007, Meg discovered a hidden camera planted in her room. After Meg confronted him, Delp admitted to planting the camera and later wrote a series of emails pleading for forgiveness. Todd Winmill, Meg's boyfriend, implored Delp to admit his wrongdoings to Pamela on March 3. After promising to tell her in a few days, Delp purchased the grills and tubing he later used to commit suicide. Pamela found his body on March 9 in the room where several notes were written by Delp, one of which read: \"I have had bouts of depression and thoughts of suicide since I was a teenager … [Pamela] was my 'ray of sunshine', but sometimes even a ray of sunshine is no substitute for a good psychiatrist.\"\n\nOn October 16, 2007, Barry Goudreau released one final song with Delp on vocals, titled \"Rockin Away\". Written and recorded in the summer of 2006, co-written with Goudreau, it is an autobiography of Delp's musical career. According to \"America's Music Charts\", the song reached #20 on the rock charts in January 2008.\n\nOn what would have been Delp's 61st birthday, June 12, 2012, Jenna Delp, Delp's daughter and president of the Brad Delp Foundation, released an MP3 on the foundation website of a \"never before released\" song which was written and recorded by Delp in 1973. It also was announced the foundation intended to release a complete album of Delp's solo work at some point in the future, which would encompass a span of 30 years of previously unreleased material written and recorded by Delp and his closest friends.\n\nOn November 25, 2015, the Supreme Judicial Court of Massachusetts found in favor of the Boston Herald and Micki Delp in a defamation lawsuit brought by Scholz. In its ruling, the court said that statements attributing Delp's suicide to Scholz were \"statements of opinion and not verifiable fact and therefore could not form the basis of a claim of defamation.\" On February 23, 2016, Scholz filed a petition for certiorari asking the Supreme Court of the United States to allow his defamation lawsuit to proceed. On June 6, 2016, the Supreme Court declined to review the case.\n\nDiscography\n\nwith Boston\nBoston (1976)\nDon't Look Back (1978)\nThird Stage (1986)\nCorporate America (2002)\n\nwith Barry Goudreau\nBarry Goudreau (1980)\n\nwith Orion the Hunter\nOrion the Hunter (1984)\n\nwith RTZ\nReturn to Zero (1991)\nLost (1998)\n Lost and Found (2004)\n\nwith Delp and Goudreau\nDelp and Goudreau (2003)\n\"Rockin' Away\" (2007)\n\nwith Mark \"Guitar\" Miller\nWhatcha Gonna Do! (2008)\n\nGuest appearances\nKeith Emerson - Best Revenge - Playing For Keeps (1982)\nBruce Arnold - Orpheus Again (2010)\n\nReferences\n\nExternal links\n\n \n \n Brad Delp Foundation\n\n1951 births\n2007 deaths\nAmerican rock singers\nAmerican tenors\nBoston (band) members\nAmerican people of French-Canadian descent\nCountertenors\nPeople from Peabody, Massachusetts\nSuicides by carbon monoxide poisoning\nSuicides in New Hampshire\nSingers from Massachusetts\n20th-century American singers\n21st-century American singers\nPeople from Atkinson, New Hampshire\n2007 suicides\n20th-century American male singers" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom," ]

[ "Why Did You Kill Me? is a 2021 American documentary film directed and produced by Fredrick Munk. The film follows Belinda Lane as she tracks down those involved in the murder of Crystal Theobald, her daughter, using MySpace.\n\nIt was released on April 14, 2021, by Netflix.\n\nPlot\nBelinda Lane tracks down those involved in the murder of Crystal Theobald, her daughter, using MySpace.\n\nRelease\nThe film was released on April 14, 2021, by Netflix.\n\nReception\nWhy Did You Kill Me? holds a 63% approval rating on review aggregator website Rotten Tomatoes, based on 8 reviews, with a weighted average of 6.50/10.\n\nReferences\n\nExternal links\n \n \n\n2021 films\n2021 documentary films\nAmerican films\nAmerican documentary films\nDocumentary films about gangs in the United States\nDocumentary films about death\nNetflix original documentary films", "Gravity is an American comedy-drama television series created by Jill Franklyn and Eric Schaeffer. It ran for one season in 2010 on Starz.\n\nPremise\nThe series \"follows the sometimes comic, sometimes tragic exploits of a group from an eccentric out-patient program of suicide survivors\". Production of the show began in New York City in October 2009.\n\nCreation\nFranklyn created the show during the 2007–2008 Writers Guild of America strike. She is known for her Emmy-nominated \"Yada Yada\" episode of Seinfeld. In 2008 she brought in Eric Schaeffer and they collaborated in selling the show to the Starz Network. The show's working titles were Suicide for Dummies and Failure to Fly.\n\nCast\n Ivan Sergei as Robert Collingsworth; a middle aged eye doctor labeled the \"suicide dummy\" after driving off a peak in an attempt to kill himself so that he could be with his dead wife, he landed on a cruise ship. He has a relationship with Lily Champagne and develops a conflicted friendship with Christian; he also has an ugly relationship with his estranged mother. \n Krysten Ritter as Lily Champagne; a shy, lonely 27-year-old woman who works at a department store who attempts to kill herself by eating a poisonous slice of chocolate cake and claims to have made love with someone in heaven but turns out to have made it up to hide her true reasons for killing herself. She also enjoys sketching and when someone asks her why she says \"I sell makeup at a department store, I change lives\" .\n Eric Schaeffer as Detective Christian Miller; a man who claims to be a police officer but is in a debt crisis after placing so many losing bets, he seems to stalk Lily after her suicide attempt and tries to look for information about his dead mother. His many flaws seem to have him butt heads with a man named Diego.\n Rachel Hunter as Shawna Rollins; a model who attempts to kill herself by slitting her wrists and develops a relationship with Adam\n Robyn Cohen as Carla; a housewife who attempts to kill herself by shooting herself after being tired of a routine life and living up to everyone's expectations.\n James Martinez as Jorge Sanchez; a former construction worker who attempts to kill himself by placing himself in a collapsing building, he is so insecure about his penis size that he gets a penis implant. He also works as a comedian.\n Seth Numrich as Adam Rosenblum; a teenager who attempts to kill himself by overdosing after his rocky relationship with his family makes him depressed. He also develops a relationship with Shawna.\n Ving Rhames as Dogg McFee; the group leader and former New York Mets player who attempted suicide after hearing all the criticism of losing the NLCS after a car accident left him confined to a wheelchair. He also has a difficult relationship with his son who chose the wrong path due to his father neglecting him.\n\nEpisodes\n\nReferences\n\n General references\n\nExternal links\n \n\n2010 American television series debuts\n2010 American television series endings\n2010s American comedy-drama television series\nEnglish-language television shows\nStarz original programming\nTelevision shows set in New York City" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know." ]

[ "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts", "Silicon Snake Oil: Second Thoughts on the Information Highway is a 1995 book written by Clifford Stoll where he discusses his ambivalence regarding the future of how the internet will be used. He wrote the book at a time when he felt the promise of the internet was being over-hyped: \"I'm mainly speaking to people who feel mystically lured to the Internet: lotus-eaters, beware. Life in the real world is far more interesting, far more important, far richer, than anything you'll ever find on a computer screen.\" Stoll later acknowledged that the book was a mistake.\n\nSummary \n\nIn Silicon Snake Oil and an accompanying article, The Internet? Bah!, in Newsweek Stoll raised questions about the influence of the Internet on future society and whether it would be beneficial. Along the way, he made various predictions, e.g. about e-commerce (calling it nonviable due to a lack of personal contact and secure online funds transfers), the future of printed news publications (\"no online database will replace your daily newspaper\") and the cost of digitizing books would be too expensive since only 200 books had been digitized at the time. When the article resurfaced on BoingBoing in 2010, Stoll left a self-deprecating comment: \"Of my many mistakes, flubs, and howlers, few have been as public as my 1995 howler....Now, whenever I think I know what's happening, I temper my thoughts: Might be wrong, Cliff...\"\n\nSee also \n Paul Krugman#Views on technology\n\nReferences\n\nExternal links \n 1997 Review by Eli T. Vestich\n\n1995 non-fiction books\nAmerican non-fiction books\nBooks about the Internet\nDoubleday (publisher) books" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know.", "anything interesting about the article?", "A concert in honor of Delp named \"Come Together: A Tribute to Brad Delp\" occurred on August 19, 2007," ]

[ "Tvoje Lice Zvuči Poznato (; ) is a Serbian talent show based on the Spanish franchise Your Face Sounds Familiar. The show began October 12, 2013 on Prva TV.\n\nThe show involves ten celebrities (singers, actors, TV personalities and sportsmen) portraying various iconic singers every week to win a financial donation for their chosen charity.\n\nFormat\nEach celebrity gets transformed into a different musical performer, which is chosen by the show's \"Randomiser\", each week, and performs an iconic song and dance routine well known by that particular singer. Contestants are given an individual score based on their performance by each of the four judges. The points go between 2 and 12, with the exception of 11. Contestants also give five more bonus points to another fellow contestant of their choice. During the semi-final and final week viewers decide the winner via SMS vote.\n\nThe winner of each episode wins €1000, and the winner of the whole show wins €25000. All money goes to a charity of the winner's choice.\n\nJudges and presenters\nContestants are judged by the celebrity panel consisted of three main judges and, prior to the grand finale, a guest judge.\n\nThe initial panel consisted of TV presenter Ivan Ivanović, singer and vocal coach Marija Mihajlović and actress Katarina Radivojević, who was replaced by actor and musician Branko Đurić in the second series. Musician Vlado Georgiev and season one winner Ana Kokić then filled in during the third series alongside Ivanović. Đurić returned to the show in season four and was joined by comedian and actor Andrija Milošević and singer Aleksandra Radović. Series four saw actress Dubravka Mijatović, artist Uroš Đurić and composer Dušan Alagić as main judges.\n\nGuest judges have included Dragana Mirković, Lepa Brena, Slađana Milošević, Bora Đorđević, Miroslav Ilić, Aca Lukas, Severina, Kaliopi, Marija Šerifović, Željko Joksimović, Jelena Karleuša, Tony Cetinski, Nataša Bekvalac, Haris Džinović, Niggor, Karolina Gočeva, Tonči Huljić, Aleksandar Milić Mili, Tanja Bošković, Neda Arnerić, Milan Gutović, Milutin Karadžić, Sergej Trifunović, Hristina Popović, Ivan Bosiljčić, Mićko Ljubičić, Dejan Tomašević, Savo Milošević, Dušan Ivković, Nikola Rađen, etc.\n\nTV presenter Marija Kilibarda co-hosted the show with actors Petar Strugar in the first series and Bojan Ivković in the second and also all by herself in the third and fifth season. She was replaced by actress Nina Seničar during the series four.\n\nSeries overview\n\nOverall results of the show\n One of the participants had the honor of portraying one of the members of the jury, speaking directly in front of him:\nIn season 1, Goca Tržan performed in the image of Dragana Mirković (who gave 4 points), Tamara Dragičević performed in the image of Severina (who gave 5 points), Aleksa Jelić performed in the image of Miroslav Ilić (who gave 7 points) and Nataša Bekvalac (who gave 10 points), Wikluh Sky performed in the image of Marija Šerifović (who gave 10 points), Boris Milivojević performed in the image of Tony Cetinski (who gave 3 points).\nIn season 2, Zvonko Pantović Čipi performed in the image of Slađana Milošević (who gave 9 points), Tanja Savić performed in the image of Željko Joksimović (who gave 9 points), Neda Ukraden performed in the image of Kaliopi (who gave maximum 12 points).\nIn season 3, Bogoljub Mitić Đoša performed in the image of Knez (who gave 5 points) and Dragana Mirković (who gave minimum 2 points), Dara Bubamara performed in the image of Vlado Georgiev (who gave 9 points), Lepa Brena (who gave 6 points) and Aca Lukas (who gave 7 points), Katarina Ostojić Kaya performed in the image of Željko Joksimović (who gave 10 points).\nIn season 4, Nenad Pagonis performed in the image of Jelena Karleuša (who gave maximum 12 points), Mira Škorić performed in the image of Marija Šerifović (who gave maximum 12 points).\n Some participants portrayed their \"colleagues\":\nIn season 1, Boris Milivojević performed in the image of Ana Kokić, Wikluh Sky performed in the image of Željko Šašić, who performed in the image of Snežana Babić Sneki and Goca Tržan performed in the image of Knez.\nIn season 2, Ivan Jevtović performed in the image of Dragan Kojić Keba, Tanja Savić performed in the image of Neda Ukraden.\nIn season 3, Katarina Ostojić Kaya performed in the image of Ivana Peters, who performed in the image of Halid Muslimović, Neša Bridžis performed in the image of Dara Bubamara.\nIn season 4, Mira Škorić performed in the image of Edita Aradinović, who performed in the image of Tijana Dapčević, who performed in the image of Bebi Dol.\nIn season 5, Knez and Ivana Peters, Keba and Ana Kokić, Edita Aradinović and Željko Šašić performed in the image of each other.\n\nSee also\nSurvivor Srbija\nPles sa zvezdama\n\nReferences\n\nSerbian reality television series\nSerbia\n2013 Serbian television series debuts", "Hip-Hop Forever III is the third compilation album in the \"Hip-Hop Forever\" series by DJ Jazzy Jeff, an American hip hop producer. The mix is available with or without an accompanying unmixed disc containing the same tracks.\n\nTrack listing\n\nDisc one: DJ Mix\n \"Tear Shit Up\"\n Performed by Biz Markie\n Featuring DJ Jazzy Jeff\n \"Passing Me By\"\n Performed by Pharcyde\n \"Whatever You Say\"\n Performed by Little Brother\n \"IJusWannaChill\"\n Performed by Large Professor\n \"Top Ten List\"\n Performed by Masta Ace\n \"Visualize\"\n Performed by Mr Complex\n \"Speed\"\n Performed by Little Brother\n \"Ebonics\"\n Performed by Big L\n \"Play Dis [Clean]\"\n Performed by Saukrates\n \"Players\"\n Performed by Slum Village\n \"Runnin'\"\n Performed by Pharcyde\n \"Fuck The Police\"\n Performed by Jay Dee\n \"Eric B. Is President\"\n Performed by Eric B. & Rakim\n \"Droppin' Science\"\n Performed by Marley Marl\n \"The ? Remains\"\n Performed by Gang Starr\n \"Mass Appeal\"\n Performed by Gang Starr\n \"Full Clip\"\n Performed by Gang Starr\n \"Boom\"\n Performed by Royce Da 5'9\"\n \"Award Tour\"\n Performed by A Tribe Called Quest\n \"Don't Nobody Care About Us\"\n Performed by Phat Kat\n \"Quiet Storm\"\n Performed by Mobb Deep\n \"Who Got Da Props?\"\n Performed by Black Moon\n \"Let's Get Dirty (I Can't Get In Da Club)\"\n Performed by Redman\n Featuring DJ Kool\n \"Choice Is Yours\"\n Performed by Black Sheep\n \"Lookin' At The Front Door\"\n Performed by Main Source\n \"Them That Not\"\n Performed by J-Live\n\nDisc two: Unmixed Disc\n \"Boom\"\n Performed by Royce Da 5'9\"\n Produced by DJ Premier\n \"The Best Part\"\n Performed by J-Live\n Produced by DJ Premier\n \"Them That's Not\"\n Performed by J-Live\n Produced by J-Live, Grap Luva\n \"Don't Nobody Care About Us\"\n Performed by Phat Kat\n Produced by Jay Dee\n \"Who Got The Props\"\n Performed by Black Moon\n Produced by Da Beatminerz\n \"Looking At The Front Door\"\n Performed by Main Source\n Produced by Main Source\n \"Top 10 List\"\n Performed by Masta Ace\n Produced by Saukrates\n \"Tear Shit Up\"\n Performed by Biz Markie\n Produced by M. Hall\n \"Visualize\"\n Performed by Mr. Complex\n Produced by DJ Spinna\n \"Quiet Storm\"\n Performed by Mobb Deep\n Produced by Havoc\n \"Eric B Is President\"\n Performed by Eric B & Rakim\n Produced by Eric B & Rakim\n \"Choice Is Yours\"\n Performed by Black Sheep\n Produced by Black Sheep\n \"Let's Get Dirty\"\n Performed by Redman\n Produced by Rockwilder\n \"Ebonics\"\n Performed by Big L\n Produced by Ron Browz\n \"Mass Appeal\"\n Performed by Gang Starr\n Produced by DJ Premier\n \"The ? Remains\"\n Performed by Gang Starr\n Produced by DJ Premier\n \"Players\"\n Performed by Slum Village\n Produced by Jay Dee\n \"Too Complex\"\n Performed by L Da Head Toucha\n Produced by Vinyl Reanimators\n \"Treat 'Em Right\"\n Performed by Chubb Rock\n Produced by Howie Tee\n\nExternal links\n DJ Jazzy Jeff official site\n DJ Jazzy Jeff on MySpace\n DJ Jazzy Jeff on BBE Records\n BBE Records official site\n\nDJ Jazzy Jeff albums\n2006 albums" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know.", "anything interesting about the article?", "A concert in honor of Delp named \"Come Together: A Tribute to Brad Delp\" occurred on August 19, 2007,", "who performed?", "Ernie and the Automatics, Beatlejuice, Farrenheit, Extreme, Godsmack, RTZ, Orion the Hunter, and finally the current version of Boston." ]

[ "\"The Reason Why\" is a song by Italian singer-songwriter Lorenzo Fragola, released as his debut single on 5 December 2015, during the week preceding the final of the eight series of Italian talent show X Factor, which was won by Fragola himself.\n\nThe song was written by Fragola with Michelle Lily Popovic and Fausto Cogliati. The latter also served as the song's producer.\n\nBackground\nFragola started composing the song a few years before it was completed, during a summer holiday when some friends asked him to write a song as a joke while they played the guitar together. He later continued to work on the track, and he chose to perform it during the auditions for the eighth series of X Factor. On 4 December 2016, during the semi-final of the show, each contestant was required to perform a previously unreleased track, and Fragola chose to perform \"The Reason Why\". The following day, the song was released as a single, together with the other contestant's entries. \"The Reason Why\" later allowed Fragola to win the X Factor series, on 11 December 2014.\n\nWriting for Italian magazine Panorama, Gianni Poglio described \"The Reason Why\", as a \"pop song written to receive airplay, incisive, immediate, without being trivial\". Critics including Alessandro Alicandri and la Repubblicas Anna Puricella also compared the song's sound to the work of British singer-songwriter Ed Sheeran.\n\nTrack listing\n Digital download'\n \"The Reason Why\" – 3:02\n\nCharts\n\nCertifications\n\nRelease history\n\nReferences\n\n2014 songs\n2014 debut singles\nEnglish-language Italian songs\nItalian songs\nNumber-one singles in Italy\nX Factor (Italian TV series)", "The Carpenters' Very First Television Special was Richard and Karen Carpenter's first television special produced in the US, airing on December 8, 1976, and their second overall, following a special for BBC Television five years earlier.\n\nThe Carpenters performed a variety of sketches with guest stars Victor Borge and John Denver. It ended with a hits medley (which can be found without applause on the CD As Time Goes By).\n\nThe Skits\nAfter Karen, Richard and the orchestra perform \"We've Only Just Begun\", they show a clip of Richard conducting the orchestra playing a different version of \"We've Only Just Begun\", with Karen's voice-over talking about how much Richard loves conducting orchestras. After the orchestra's finished, the Carpenters performed \"Top of the World\", which can be found on the VHS Yesterday Once More (repackaged as Gold: Greatest Hits on DVD in 2002).\n\nOn top of that, Richard and Karen perform a \"Spike Jones and the City Slickers\" style parody version of \"(They Long to Be) Close to You\", beginning with a harp introduction. The duo also performed \"These Are the Jokes\" on the same set as the one of \"Top of the World\", only with a black background instead of a blue background.\n\nJohn Denver and Karen Carpenter did a duet together of a medley consisting of a cleaned up version of Robert Burns' \"Comin' Through the Rye\" and the Beach Boys' \"Good Vibrations\". The amazing thing about this medley is that in parts, Denver may be singing \"Comin' Through the Rye\", while Carpenter sings \"Good Vibrations\".\n\nThey did a skit of Karen's drumming talent as well. It begins with Richard and Karen talking about why Karen played the drums, and Karen says, \"Why not!!\" Then, they reminisce to the high school days, where classmate John Denver played the drums in the high school band, and Karen was stuck with the glockenspiel. They told how Karen obtained the drums, and fell in love with it immediately. After that scene, Karen plays a medley including \"Strike Up the Band\" and \"'S Wonderful\".\n\nIn the end, the band and the orchestra combined, and performed a Hits Medley to close the show.\n\nReferences\n\nExternal links \n \n\nThe Carpenters\n1976 television specials\n1970s American television specials" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know.", "anything interesting about the article?", "A concert in honor of Delp named \"Come Together: A Tribute to Brad Delp\" occurred on August 19, 2007,", "who performed?", "Ernie and the Automatics, Beatlejuice, Farrenheit, Extreme, Godsmack, RTZ, Orion the Hunter, and finally the current version of Boston.", "why did they perform?", "A concert in honor of Delp" ]

[ "The Everlasting Tour is the seventh headlining concert tour by American recording artist, Martina McBride. The tour supports the singer's twelfth studio album, Everlasting (2014). The tour mainly visited North America, playing over 100 shows in the United States and Canada.\n\nSetlist\nThe following setlist was obtained from the concert held on February 12, 2015, at the Adler Theatre in Davenport, Iowa. It does not represent all concerts for the duration of the tour.\n\"When God-Fearin' Women Get the Blues\"\n\"Wild Angels\"\n\"Wild Night\"\n\"Suspicious Minds\"\n\"Valentine\"\n\"Blessed\"\n\"I'm Gonna Love You Through It\"\n\"My Babe\"\n\"Perfect\"\n\"In My Daughter's Eyes\"\n\"Little Bit of Rain\"\n\"Anyway\"\n\"Come See About Me\n\"In The Basement\"\n\"Bring It On Home to Me\"\n\"Whatever You Say\" / \"Where Would You Be\"\n\"Love's the Only House\"\n\"A Broken Wing\"\n\"What Becomes of the Brokenhearted\"\nEncore \n\"Son of a Preacher Man\"\n\"Baby What You Want Me to Do\"\n\"This One's For The Girls\"\n\"Independence Day\"\n\nTour dates\n\nFestivals and other miscellaneous performances\n\nThis concert was a part of the \"St. Regis Big Stars, Bright Nights Concert Series\"\nThis concert was a part of the \"Greeley Stampede\"\nThis concert was a part of \"HawkFest\"\nThis concert was a part of \"FunFest\"\nThis concert was a part of the \"NatsLive Free Postgame Concert Series\"\nThis concert was a part of the \"Thunder Valley Summer Concert Series\"\nThis concert was a part of the \"End of Summer Concerts Series\"\nThis concert was a part of the \"Boggy Bayou Mullet Festival\"\nThis concert was a part of \"Rodeo Austin\"\nThis concert was a part of the \"Riverbend Festival\"\nThis concert was a part of the \"Burlington Steamboat Days\"\nThis concert was a part of \"Summerfest\"\nThis concert was a part of the \"Let Freedom Sing\"\nThis concert was a part of the \"Stanislaus County Fair\"\nThis concert was a part of the \"Toyota Concert Series\"\nThis concert was a part of the \"Santa Barbara County Fair\"\nThis concert was a part of the \"Last Chance Stampede and Fair\"\nThis concert was a part of the \"Medicine Hat Stampede\"\nThis concert was a part of the \"Mission Hill Summer Concert Series\"\nThis concert was a part of the \"Sweetwater County Fair\"\nThis concert was a part of the \"Deschutes County Fair\"\nThis concert was a part of the \"Douglas County Fair\"\nThis concert was a part of the \"Richland County Fair and Rodeo\"\nThis concert was a part of the \"Montana Fair\"\nThis concert was a part of the \"Brown County Fair\"\nThis concert was a part of the \"Knox Concert Series\"\nThis concert was a part of \"Live at the Garden Concert Series\"\nThis concert was a part of the \"Gulf Coast Jam\"\nThis concert was a part of the \"Durham Fair\"\nThis concert was a part of the \"Norsk Høstfest\"\n\nBox office score data\n\nPersonnel\n Vinnie Ciesielski – trumpet\n Shelly Fairchild – backing vocals\n Greg Foresman – electric and acoustic guitars, backing vocals\n Greg Herrington – drums\n John Hinchey – trombone\n Randy Leago – baritone saxophone, harmonica\n Jim Medlin – keyboards\n Martina McBride – lead vocals, harmonica\n Wendy Moten – backing vocals\n Shandra Penix – backing vocals\n Glenn Snow – bass guitar, backing vocals\n Tyler Summer – tenor saxophone\n\nReferences\n\nMartina McBride concert tours\n2014 concert tours\n2015 concert tours", "Swag It Out Tour (also known as Zendaya: Live in Concert) is the debut concert tour by American actress and recording artist Zendaya. The tour spanned the course of two years, playing music festivals in state fairs in North America.\n\nOpening acts\nLiam Lis \nTrevor Jackson\n\nSetlist\nThe following setlist was obtained from the May 2, 2014 concert, held at the Best Buy Theater in New York City, New York. It does not represent all concerts during the tour.\n\"Putcha Body Down\"\n\"Heaven Lost an Angel\" \n\"Butterflies\"\n\"Love You Forever\"\n\"Cry for Love\"\n\"Only When You're Close\"\n\"Fashion Is My Kryptonite\" / \"Watch Me\" / \"Something to Dance For\" \n\"Scared\"\n\"Fireflies\"\n\"Bottle You Up\"\n\"All of Me\"\n\"Smile\" \n\"My Baby\"\n\"Beat of My Drum\"\n\"Replay\"\n\nTour dates\n\nFestivals and other miscellaneous performances\n\nThis concert was a part of \"Art and Soul Oakland\"\nThis concert was a part of \"Believe in Girls Day\"\nThis concert was a part of \"Who Came To Party With Operation Smile?\"\nThis concert was a part of the \"Arizona State Fair\"\nThis concert was a part of the \"Teen Music Fest\"\nThis concert was a part of the \"Taste of Joliet\"\nThis concert was a part of the \"Marin County Fair\"\nThis concert was a part of the \"Alameda County Fair\"\nThis concert was a part of \"Open House\"\nThis concert was a part of the \"Toyota Concert Series\"\nThis concert was a part of the \"Great New York State Fair\"\nThis concert was a part of the \"Big Ticket Summer Concert\"\nThis concert was a part of the \"Kern County Fair\"\nThis concert was a part of the \"End of Summer Concert Series\"\nThis concert was a part of the \"Tulsa State Fair\"\nThis concert was a part of the \"Table Mountain Concert Series\"\nThis concert was a part of the \"Triple Ho Show\"\nThis concert was a part of the \"FREECEMBER Toy Drive & Concert\"\nThis concert was a part of \"Toys for Teens\"\nThis concert was a part of the \"Magic Springs 2014 Concert Series\"\nThis concert was a part of \"Elitch Gardens Summer Concert Series\"\nThis concert was a part of \"Frontier City Summer Concert Series\"\nThis concert was a part of the \"Toyota Summer Concert Series\"\nThis concert was a part of the \"Six Flags Summer Concert Series\"\nThis concert was a part of \"Runaround: A Pop Experience\"\nThis concert was a part of the \"Benton Franklin Fair & Rodeo\"\nThis concert was a part of the \"Summer Night Concerts\"\nThis concert was a part of the \"Chicas Poderosas Concert\"\nThis concert was a part of the \"Utah State Fair\"\n\nCancellations and rescheduled shows\n\nBox office score data\n\nPersonnel\nBand\nKeyboards: Dylan Wiggins\nBass guitar: Jaden Wiggins\nPercussion: Ali Khan\nDrums: Jared Anderson\nGuitar: Cole Berliner\nBacking vocalist: Whitney Boswell, Sabrina Chaco and Vivian Allen\nDancers: Richard Curtis IV, Jake Deanda, Brenna Mendoza, Deja Carter, Dominique Battiste\n\nReferences\n\n2012 concert tours\n2013 concert tours\n2014 concert tours\nZendaya concert tours" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know.", "anything interesting about the article?", "A concert in honor of Delp named \"Come Together: A Tribute to Brad Delp\" occurred on August 19, 2007,", "who performed?", "Ernie and the Automatics, Beatlejuice, Farrenheit, Extreme, Godsmack, RTZ, Orion the Hunter, and finally the current version of Boston.", "why did they perform?", "A concert in honor of Delp", "when was the concert?", "August 19, 2007," ]

[ "Cane Grove is an agricultural community in the Demerara-Mahaica Region of Guyana, standing at sea level on the coastal plain, along the Mahaica River, about eight kilometres upstream of its mouth. \nJohn Carter, Guyana's first ambassador to the United States and a key figure in the pre-independence turmoil of what was, before 1966, British Guiana was born in Cane Grove.\n\nThe diaspora of Cane Grove hold an annual reunion in New York City where proceeds go toward funding various charity projects that help the current residents of the village.\n\nReferences\n\nPopulated places in Demerara-Mahaica", "A penny war is a fundraising competition where two or more groups collect coins and bills in an effort to score points based on the amount and denomination collected.\n\nEach group has a bucket for collecting the money; typically groups collect coins, but dollar bills may also be accepted. The value of any pennies collected by a group count toward that group's point total, while the value of other coins or dollar bills are subtracted. Hence, in a competition between Group A and Group B, a contributor who wants Group A to win will place pennies into Group A's bucket and nickels, dimes, quarters, or dollar bills into Group B's bucket.\n\nAt the end, a winner among the groups is declared, sometimes earning a small prize. The proceeds are donated to a specified charity or cause.\n\nReferences\n\nFundraising" ]

[ "Boston (band)", "Death of Brad Delp (2007)", "what was the depth of brad delp?", "On March 9, 2007, lead singer Delp committed suicide at his home in Atkinson, New Hampshire. Police found him dead in his master bathroom,", "why did he kill himself?", "I don't know.", "anything interesting about the article?", "A concert in honor of Delp named \"Come Together: A Tribute to Brad Delp\" occurred on August 19, 2007,", "who performed?", "Ernie and the Automatics, Beatlejuice, Farrenheit, Extreme, Godsmack, RTZ, Orion the Hunter, and finally the current version of Boston.", "why did they perform?", "A concert in honor of Delp", "when was the concert?", "August 19, 2007,", "did the proceeds go toward a special cause?", "I don't know." ]

[ "Barry Goudreau is the debut self-titled album of original Boston guitarist Barry Goudreau. Featuring Goudreau's Boston bandmates Brad Delp on lead vocals and Sib Hashian on drums (as well as future Boston singer Fran Cosmo), the album displays a sound very similar to that of Boston's first two releases, Boston (1976) and Don't Look Back (1978). However, neither this album nor any of Goudreau's subsequent releases with other acts (Orion The Hunter, RTZ) proved to be as commercially successful as his work with Boston. The album was released in 1980 and was Goudreau's only solo album. The song \"Dreams\" was released as a single in 1980, nearly cracking Billboards top 100. It still receives airplay today on Classic rock radio stations, as does \"Mean Woman Blues\".\n\nCash Box said of \"Dreams\" that it is \"as melodic and hook-filled as anything by Boston.\"\n\n Track listing Side One (A) \"Hard Luck\" (Barry Goudreau, Brad Delp) - 3:37\n \"Nothin' to Lose\" (Fran Cosmo) – 4:01\n \"What's a Fella to Do?\" (Goudreau, Delp) – 4:29\n \"Mean Woman Blues\" (Goudreau, Delp) – 3:53Side Two (B) \"Leavin' Tonight\" (Cosmo) – 3:25\n \"Dreams\" (Goudreau) – 3:32\n \"Life Is What We Make It\" (Goudreau, Delp) – 3:11\n \"Sailin' Away\" (Goudreau) – 1:48\n \"Cold Cold World\" (Cosmo) – 4:55\n\n Personnel \n Barry Goudreau - lead guitar, guitars, vocals, bass, keyboards\n Brad Delp - lead vocals on A1, A3, A4 & B2-4\n Fran Cosmo - lead vocals on A2, B1 & B5\n Sib Hashian - drums, percussion\n Jesse Erlich - cello\n Joy Lyle - violin\n David Schwartz - viola\n Sid Sharp - violin, concert master\n\n Production \n Produced By John Boylan & Barry Goudreau\n Engineered By Paul Grupp\n Assistant Engineers: Ed Cherney, Phil Jamtaas, Russ Martin\n Mastering: Steve Hoffman\n CD Preparation: Kevin Gray\n\n Charts Albums - Billboard (United States)Singles' - Billboard (United States)\n\nReferences \n\n1980 debut albums\nAlbums produced by John Boylan (record producer)\nPop albums by American artists", "Beatlejuice is an American Beatles cover band based in New England. It initially featured Brad Delp, former front-man of the band Boston, on vocals, and has continued with other members since Delp's death in 2007.\n\nBiography\nBeatlejuice began in 1994 when John Muzzy and Brad Delp saw Bob Squires' Beatles cover band Merseyside play in Newburyport, Massachusetts, and they decided to start their own band. Beatlejuice played regularly at venues throughout New England until lead singer Brad Delp committed suicide on March 9, 2007, at his home in Atkinson, New Hampshire, at the age of 55.\n\nAfter Delp's death, the band continued to perform, using the name Beatlejuice and Friends, beginning with memorial concerts for Delp at the Regent Theatre in Arlington, Massachusetts. Some performers include Jimmy Rogers of Velvet Elvis, and Mike Girard of The Fools. Dave Mitchell, the guitarist in the band, works as a guitar teacher in Nashua, New Hampshire. Beatlejuice is occasionally joined onstage by Joe Holaday's sons: Jared, who plays saxophone, and P.J., who plays drums.\n\nMembers\nCurrent band members\n\nJohn \"Muzz\" Muzzy (drums)\nSteve Baker (keyboard, guitar)\nJoe Holaday (bass)\nDave Mitchell (guitar)\nJimmy Rogers (vocals)\nBuddy Bernard (vocals)\nMike Girard (vocals)\nBob Jennings (vocals)\nEvan Gianoulis (percussion)\nRich Bartlett (acoustic guitar)\n\nPast band members\nBob Squires (guitar)\nPeter DiStefano (guitar)\nBrad Delp (vocals, deceased)\n\nRelated bands\n Velvet Elvis: Elvis Presley and 1950s tribute band with Steve Baker and Joe Holaday, Jimmy Rogers, Rich Bartlett, Dave Mitchell and Jeff Maté.\n The Fools: Mike Girard, Rich Bartlett, Lou Spagnola, Joe Holaday, Leo Black, Stacey Pedrick and others, including John \"Muzz\" Muzzy for a time.\n Boston\n Farrenheit: Charlie Farren, David Hull, and John \"Muzz\" Muzzy.\n Juice in the Machine: When Boston toured in summer 2003, most of Beatlejuice played in this Police tribute band, with Jimmy Rogers as lead singer.\n\nReferences\n\nExternal links\nOfficial site\n\nMusical groups from Massachusetts\nMusical groups established in 1994\nThe Beatles tribute bands\n1994 establishments in Massachusetts" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng" ]

[ "False Start was a power pop/rock band from Auckland, New Zealand, that formed in the winter of 2005. They were signed to Deadboy Records/Universal.\n\nHistory \n\nIn June 2005, False Start won the Henderson regional heat of Battle of the Bands, going on to claim first equal in the Primal final, out of over a hundred Auckland bands. Adding to their early success, False Start's Goodbye Summer EP sold out on the first night of sales, their record debuting at No. 3 on the Real Groovy National chart. Shortly after False Start signed to Deadboy Records with distribution/backing from Universal Music NZ.\n\nThey released their first single, \"Don't Walk Away\" from the EP titled Goodbye Summer EP and a mini album entitled Adore Tu Ser..... There is also a four-track acoustic mini album titled Tealight For Burma.\n\nSince forming their band, False Start have shared the stage with numerous local and international acts such as Fall Out Boy, Good Charlotte, Story of the Year, Funeral for a Friend, Aiden, Rise Against, The Used and many more. They have also toured extensively throughout New Zealand and Australia.\n\nFalse Start played at the Auckland Big Day Out 2008 on the Local Produce Stage. False Start also did a cover of \"4ever\" by The Veronicas.\n\nIn August 2008, False Start released their second studio album named Through The Looking Glass which includes the single \"Four Letter Lie\". The band opened for Escape The Fate in support of this album.\n\nIn September 2008, Vaughn announced he was leaving along with David a few months later in November.\n\nOn 3 June 2010, False Start posted on their Myspace that 2010 would be their last year as a band before breaking up, each member going their separate ways.\n\nFalse Start reunited with the original lineup in April 2017 for a show in Auckland.\n\nDiscography\n\nStudio albums\nAdore Tu Ser\nThrough The Looking Glass\n\nEPs\nGoodbye Summer EP\nBeginnings...\n\nOther albums\nTealight For Burma\n\nSingles\n\nBand members \nAndrew Morrison – Vocals\nJim Marshall - Guitar\nKev Roberts - Drums\nDavid Wong - Bass\nVaughn Phillips - Guitar\n\nPast members\n\nAshley Wills \nPascal Jarry \nCraigen Durrant\n\nReferences\n\nExternal links \nOfficial Myspace\nOfficial Webstore\nOfficial Buzznet\n\nNew Zealand rock music groups\nPower pop groups", "Look What I Did is an American band, formed in 2001 in Nashville, Tennessee, United States. The band is known for its intense live show, described by Cincinnati CityBeat as a \"live act capable of unleashing a scary, uncontrolled intensity bordering on dangerous,\" and oft-satirical eccentric lyrics.\n\nHistory\nIn 2003, the band added a second guitar player, Aaron \"Skeet\" Childress, formerly of National Green, and relocated to Los Angeles, California. At this time they also released their first recording, an independently recorded, financed, and released LP, My First Time, on their own Clockrock Recordings. Despite its limited pressing, the record received many features from ezines such as theprp.com, loudside.com, and Opuszine.com. \n\nIn early 2008, the band signed a deal with new label Modernist Movement. The album Atlas Drugged was released on February 9, 2010 via Modernist Movement Recordings. Atlas Drugged was also produced by Brian Virtue. Decibel magazine referred to the band in a review of Atlas Drugged, \"Look What I Did crush on political philosophers, put Latin words in their song titles and generally get off on being a bunch of wiseasses to spazzed-out Adderall punk.\"\n\nZanzibar III: Analog Prison was named the Best Metal Album of 2015 by The Nashville Scene.\n\nThe band released a full new song ''If I Were You I Wouldn't'' in January 2016 on their YouTube account, followed by Fireball in June 2016, their first songs released since 'Zanzibar III : Analog Prison'.\n\nThe band was named after friend's child said the phrase 'Mommy, look what I did', about a drawing to her mother when Barry was talking to her over the phone discussing what the band's name should be.\n\nIn September 2020, the band announced that Evan Brewer has joined the band on bass, replacing Chad Omen, with new music underway in the studio.\n\nDiscography\n\nStudio albums\n2003: My First Time (Clockrock Recordings)\n2005: Minuteman for the Moment (Combat Records)\n2010: Atlas Drugged (Modernist Movement Recordings)\n2014: Zanzibar III: Analog Prison (So Say We All Records)\n2019: Sympathy Porn (So Say We All Records)\n\nVideography\n\"Minuteman for the Moment\" (2005)\n\"Fade to Daft\" (2010)\n\"I'm Majoring in Psychology\" (2010)\n\"Serf Song\" (2010)\n\"Pussy Comitatus\" (2011)\n\"Sebastian's Analog Prison\" (2013)\n\"Wait, Don't Jump\" (2015)\n\"If I Were You I Wouldn't\" (2016)\n\"Hands Off My Snacks\" (2019)\n\nReferences\n\nExternal links\nLook What I Did official website\nMusic on Reverbnation \nLook What I Did on Spotify\n[ Look What I Did @ Allmusic.com]\n\nMNRK Music Group artists\nMusical groups established in 2001" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What year did the band start?", "In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album)." ]

[ "Willesden F.C. was an English football club based in Willesden, London. The club played at King Edwards Park and Willesden Sports Centre.\n\nHistory\nThe club entered the FA cup for the first time in the 1947–48 season, when it lost to Leavesden 7–1 in an away game. In 1948 the club joined the Spartan League, but left after two seasons. They were founder members of the Delphian League in 1951, but left the league at the end of the 1952–53 season after finishing bottom. They later joined the London League and then joined the Aetolian League when it was established in 1959. They left the league at the end of the 1962–63 season and joined the Spartan League.\n\nIn 1966 they joined the Premier Division of the Greater London League, but finished bottom and were relegated to Division Two in their first season. In 1967–68 they won Division Two and were promoted back to (a renamed) Division One. When the league merged into the Metropolitan–London League in 1971, Willesden were placed in Division One. In 1974 they transferred to Division Two the Athenian League, and two years later they joined Division Two of the Isthmian League.\n\nIn 1978, the club had a dispute with Brent Council over the rental payments for playing at the Willesden Sports Centre Stadium. The Council wanted to raise the rental from £150 per year to £2,083. Moreover, the council had concerns about the financial viability of the club.\n\nThe club left the Isthmian league at the end of the 1980–81 season, when it finished 17th out of 20.\n\nHonours\nGreater London League\nDivision Two champions 1967–68\n\nRecords\nBest FA Cup performance: First qualifying round second replay, 1979–80\nBest FA Vase performance: First round replay 1974–75\n\nSee also\nWillesden F.C. players\n\nReferences\n\nDefunct football clubs in England\nDefunct football clubs in London\nAssociation football clubs disestablished in 1981\nSport in the London Borough of Brent\nSpartan League\nGreat Western Combination\nDelphian League\nLondon League (football)\nAetolian League (football)\nParthenon League\nGreater London League\nMetropolitan–London League\nAthenian League\nIsthmian League\n1981 disestablishments in England\nWillesden", "Beckenham Town Football Club is a football club based in Beckenham, London, England. They are currently members of the and play at Eden Park Avenue.\n\nHistory\nThe original Beckenham Town were established in the late 19th century, affiliating to the Kent County Football Association in 1887.\n\nIn 1923 the club joined Division One of the London League. They won Division One in 1927–28, and were promoted to the Premier Division. However, after finishing second-from-bottom in their first season in the Premier Division, they ended the 1929–30 season in last place, and were relegated back to Division One.\n\nThe following season saw them finish second in Division One, earning promotion back to the Premier Division. Despite finishing bottom of the Premier Division in 1931–32 they remained in the division, but after repeating the feat in 1932–33, they were relegated back to Division One. After finishing bottom of Division One in 1934–35 the club left the league. They had also entered a team into the Kent County Amateur League a few seasons before, and continued playing in the Premier Division of the Western Section until rejoining the London League in 1951, where they were placed in the Premier Division.\n\nThey remained in the London League's Premier Division until joining the Aetolian League in 1961. This merged with the London League in 1964 to form the Greater London League, with Beckenham placed in Section B. A fifth-place finish in the league's inaugural season saw them win a place in the Premier Division for the 1965–66 season. However, after finishing second-from-bottom of the division that season, they were relegated to Division One. They folded in 1969.\n\nIn 1971 the club was reformed based on the Stanhope Rovers junior team. After playing in the South East London Amateur League, they joined Division Two of the new London Spartan League in 1975. After being runners-up in 1977–78, they were promoted to the Premier Division. In 1982 they transferred to Division One of the Kent League, which became the Premier Division in 1998. They finished as runners–up in 2005–06. The league was subsequently renamed the Southern Counties East League in 2013. The club won both the Kent Senior Trophy and the League Cup in 2013–14, and went on to win the Roy Vinter Shield at the start of the 2014–15 season. In 2019–20 the club were top of the league when the season was abandoned due to the COVID-19 pandemic; this would have been the club's highest finish since reforming in 1971. At the end of the 2020–21 season they were transferred to the Premier Division South of the Combined Counties League.\n\nSeasons-by-season\n\nGround\nThe club played at Stanhope Grove until July 1980 when they moved to Eden Park Avenue. The ground has a capacity of 4,000, of which 120 is seated and covered.\n\nHonours\nLondon League\nDivision One champions 1927–28\nSouthern Counties East League\nChallenge Cup winners 2013–14\nRoy Vinter Shield winners 2014–15\nKent Senior Trophy\nWinners 2013–14\n\nRecords\nHighest league position: 2nd in the Kent League Premier Division, 2005–06\nBest FA Cup performance: Second qualifying round, 1992–93, 2010–11, 2011–12\nBest FA Vase performance: Fourth round, 1980–81\nRecord attendance: 1,562 vs Celebrity XI, friendly match, June 2009\nMost appearances: Lee Fabian, 985\nMost goals: Ricky Bennett\n\nSee also\nBeckenham Town F.C. players\nBeckenham Town F.C. managers\n\nReferences\n\nExternal links\nOfficial website\n\n \nFootball clubs in Kent\nFootball clubs in England\nAssociation football clubs established in 1971\n1971 establishments in England\nSport in the London Borough of Bromley\nLondon League (football)\nGreater London League\nAetolian League (football)\nSpartan League\nSouthern Counties East Football League\nCombined Counties Football League" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What year did the band start?", "In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album).", "When were they in London?", "I don't know." ]

[ "Emma Anderson (born 10 June 1967) is an English musician. She is best known for being a songwriter, guitarist and singer in the shoegazing/Britpop band Lush.\n\nMusical career\nBorn in Wimbledon, London, the adopted daughter of a former army officer who ran a gentleman's club in Piccadilly, Anderson attended several schools before taking her O-Levels at Queen's College, where she met Miki Berenyi. As keen music fans, they wrote a fanzine called Alphabet Soup. Her first band, which she joined in 1986, was the Rover Girls (which featured Chris P Mowforth and Stuart Watson, who were both later in Silverfish) as a bass player.\n\nIn 1987, while Anderson was at Ealing College of Higher Education studying Humanities and Berenyi was at North London Polytechnic, they formed Lush. Lush played their very first performance at the Camden Falcon in London on 6 March 1988. They went on to reasonable success, having a number of Top 40 hits over an eight-year career. Anderson told Everett True in Melody Maker, \"I remember when I couldn't play, I wasn't in a band, didn't know anyone else who could play, and now we've got a record out on 4AD. I sometimes find it impossible to come to terms with what's happening.\" Anderson and Berenyi were the only women to take part in the 1992 Lollapalooza tour of the United States.\n\nBoth Anderson and Berenyi became major music press celebrities as part of The Scene That Celebrates Itself. Music magazines the NME and Melody Maker gleefully reported their social activities on a regular basis, which could be said to overshadow their increasingly strong songwriting. As drummer Chris Acland stated, \"people seem to want to talk about Lush's relationship to the press more than they want to talk about Lush.\"\n\nOf the sound of Lush, Emma said, \"\"We were kind of punk rock in one way. We did think 'Well, if they can do it, why the fuck can't we?' Basically, our idea was to have extremely loud guitars with much weaker vocals. And, really the vocals were weaker due to nervousness – we'd always be going 'Turn them down! Turn them down!'.\"\"\n\nAfter their biggest hits, the Top 30 \"Single Girl\", \"Ladykillers\" and \"500 (Shake Baby Shake)\" and Top 10 album, Lovelife, the band's drummer Chris Acland took his own life in 1996. The members were devastated and they split in 1996. Lush officially announced their breakup on 23 February 1998.\n\nWhile a member of Lush, Anderson also worked with Drum Club contributing vocals and guitar on \"Spaced Out Locked In\" on their 1993 album Everything Is Now, also playing guitar on \"Sound System\".\n\nIn 1997 Anderson formed a new band with vocalist Lisa O'Neill, Sing-Sing. Emma explained how it started, \"I just started writing songs not really knowing what was going to happen though I kind of knew I didn't want to form another 4-piece indie band. I demoed those songs for 4AD with myself singing but was dropped but I wasn't fazed. I then met Lisa O'Neill via a guy I was going out with at the time. She had worked with Mark Van Hoen whom funnily enough, someone I knew said, was looking for collaborators so it kind of all fell into place and Sing-Sing was born.\"\nThey released two albums – The Joy of Sing-Sing in 2001 and Sing-Sing and I in 2005, before officially disbanding on New Year's Day 2008.\n\nAnderson joined in reforming Lush in 2015, releasing a four-track EP Blind Spot in early 2016.\n\nAnderson currently resides in Hastings.\n\nDiscography\n\nLush\nScar (mini-LP) – October 1989\nGala – December 1990\nSpooky – January 1992\nSplit – June 1994\nLovelife – March 1996\nCiao! Best of Lush – 2001\nBlind Spot – April 2016\n\nSing-Sing\nThe Joy of Sing-Sing – 2001\nSing-Sing and I – 2005\n\nReferences\n\nExternal links\nSing-Sing's MySpace\n4AD Lush Page\n\n1967 births\nLiving people\nEnglish adoptees\nPeople educated at Queen's College, London\nEnglish women guitarists\nEnglish rock guitarists\nEnglish women singers\nEnglish rock singers\nEnglish songwriters\nPeople from Wimbledon, London\nShoegazing musicians\nLush (band) members", "The second season of the Serbian reality talent show Prvi glas Srbije. More than 5000 people attended auditions with the same goal - to be the First Voice of Serbia! Contestants had gone through auditions, rehearsals, knock-out rounds, eliminations and only 24 of them went to the Battle Rounds.\n\nStages\n Audition (in front of 3 judges)\n Bootcamp \n Knock-out duels\n Live Shows\n\nAuditions\n\nBattle Rounds \n\nThe number of contestants was reduced to only 13. Initially, there was supposed to be 12 of them but the astonishing performance of Nevena and Mirna's \"Hurt\" amazed judges so they decided to let them both pass this round.\n\nLive Shows \n\nEach week the contestants perform live. Based on the public vote, bottom two go to the \"Knock-Out Duels\" where they perform another song to show the judges why they should stay in competition. After that, all three judges decide together which one deserves to stay and which one is going to be eliminated.\n\nTOP13 \n\nTheme of the night - \"This is me\" - The task for the singers was to represent themselves to the public by choosing a song on their own.\n\n\"Knock-Out Duel\"\n\nTOP12 \n\nTheme of the night - \"Party Song\", the contestants were to sing popular party songs.\n\n\"Knock-Out Duel\"\n\nTOP11 \n\nTheme of the night - \"Hometown\", the contestants were to sing popular songs from their hometowns.\n\n\"Knock-Out Duel\"\n\nTOP10 \n\nTheme of the night - \"Dedicated Song\", the contestants were to sing songs dedicated to someone, mostly to their family members\n\n\"Knock-Out Duel\"\n\nTOP9 \n\nTheme of the night - \"Sexy Song\", the contestants were to sing in the company of sexy dancers.\n\n\"Knock-Out Duel\"\n\nTOP8 \n\nTheme of the night - \"End Of The World\", the contestants were to sing about World ending.\n\n\"Knock-Out Duel\"\n\nTOP7 \n\nTheme of the night - \"Movie's Soundtrack\", the contestants were to sing two songs, one from a Serbian movie and one from an American (English) movie.\nThis is the first live show when each contestant performed two songs.\n\n\"Knock-Out Duel\"\n\nTOP6 \n\nTheme of the night - \"Audience's Songs\" \nTwo weeks before this night, Prva Srpska Televizija made a poll on their official site, where the fans of the show were able to vote for a song they would like to see the contestants sing. One Serbian and one English song were picked for every contestant.\n\n\"Knock-Out Duel\"\n\nTOP5 \n\nTheme of the night - \"Hit Songs\". In this live show, two contestants left the competition.\n\n\"Knock-Out Duel\"\n\nFINALE \n\nFinalists sing three songs. Audience votes for their favourite and contestant with the fewest votes is eliminated. After that judges decide who is the winner.\n\nChart\n\nExternal links \n Official site - Prva.rs\n\n2012 Serbian television seasons\n2013 Serbian television seasons" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What year did the band start?", "In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album).", "When were they in London?", "I don't know.", "Why did the band decide to sing in English?", "I don't know." ]

[ "Xuasus is the pseudonym of Spanish comicbook artist Juan Jesus Garcia (Mieres, 1968).\n\nBiography\nXuasus' chunky, fully painted style was admired by David Bishop, editor of the Judge Dredd Megazine, in the early 1990s, and the artist was commissioned to work on a number of well-known characters, including Judge Dredd, Judge Anderson, Judge Hershey and the Brit-Cit Brute. Xuasus has also contributed to the Teenage Mutant Ninja Turtles and Victor titles.\n\nHis latest contribution is the \"Waccy Baccy Races\" series for the magazine Wasted in collaboration with Alan Grant. He now combines his work in comics with film projects.\n\nHe worked as a matte painter and VFX Art Director on the cities of Jerusalem and the Castle of Kerak on Kingdom of Heaven. He also created the virtual Waterfall City for Dinotopia and was a matte painter on Troy, Rome and Harry Potter II. He now works in Vancouver, Canada as a matte painter.\n\nWorks\n\nBibliography\nComics work includes:\n\nJudge Hershey (in Judge Dredd Megazine vol.2 #12, 1992)\nJudge Dredd (in Judge Dredd Megazine vol.2 #19, 21, 27-29 & 34-35, 1993)\nJudge Anderson (in Judge Dredd Megazine vol.2 #54-56, 1994)\nTeenage Mutant Ninja Turtles\nCommando\nVictor\nX-Bow\nFrance Routes\nBonty\nLa Nueva Espana\nWild Crew\nLletres Asturianes\n\nPartial filmography\n300: Rise of an Empire\n Seventh Son\n Percy Jackson: Sea of Monsters\n The Lone Ranger\n Man of Steel\n Jack the Giant Slayer\n Life of Pi\n Sherlock Holmes: A Game of Shadows\n The Borgias\n Priest\n Fast Five\n Battle Los Angeles\n Piranha\n Kingdom of Heaven\nInkheart\nThe Golden Compass\nUnderdog\nRome\nTroy\nHarry Potter II\nDinotopia\n\nReferences\n\n2000 AD profile\n\nExternal links\n\n1968 births\nLiving people\nPeople from Mieres, Asturias\nSpanish comics artists", "\"It Is What It Is\" is an idiomatic phrase, indicating the immutable nature of an object or circumstance and may refer to:\n It Is What It Is, a 2001 film by Billy Frolick\n It Is What It Is, a 2007 autobiography by David Coulthard\n It Is What It Is: Conversations About Iraq, a project by Jeremy Deller\n It Is What It Is, a radio show hosted by Sean Baligian\n\nMusic\n B.A.R.S. The Barry Adrian Reese Story or It Is What It Is, a 2007 album by Cassidy\n It Is What It Is (ABN album) (2008)\n It Is What It Is (Johnny Logan album) (2017)\n It Is What It Is (Thundercat album) (2020)\n It Is What It Is, a 1982 album by The Hitmen\n \"It Is What It Is\", a 1988 song by Derrick May from the compilation album Techno! The New Dance Sound of Detroit\n \"It Is What It Is (What It Is)\", a 1992 song by Adam Again from Dig\n\"It Is What It Is\", a 1995 song by The Highwaymen from the album The Road Goes On Forever\n \"It Is What It Is\", a 2010 song by Lifehouse from Smoke & Mirrors\n \"It Is What It Is\", a 2013 song by Blood Orange from Cupid Deluxe\n \"It Is What It Is\", a 2013 song by Kacey Musgraves from Same Trailer Different Park\n \"It Is What It Is\", a 2016 song by Lecrae from Church Clothes 3\n \"It Is What It Is\", a 2009 song by Vic Chesnutt from At the Cut\n\nSee also \n Fihi Ma Fihi, a Persian prose work by Rumi\n Tautophrase\n What It Is (disambiguation)" ]

[ "Levon Helm", "Early years" ]

[ "Mark Alan Helm was an attorney in the Elizabeth Smart kidnapping case, where he was a member of the team representing the alleged kidnapper, Brian David Mitchell.\n\nHelm was born on May 31, 1970 in Salt Lake City, Utah. He graduated from Bates College in Lewiston, Maine in 1992 and Vanderbilt University Law School in 1997, after which he practiced criminal defense in New York City, and Salt Lake City.\n\nIn 2004, Helm represented Melissa Ann Rowland, aged 28, a woman in Salt Lake City, Utah, who was charged with murder after the death of one of her near term twins—the result, say prosecutors, of her refusal to have a medically advised caesarean section.\n\nIn 2005, in a case that made national headlines, Helm represented Brian David Mitchell who was charged with the Elizabeth Smart kidnapping and sexual assault. Smart, who was 14 at the time, was kidnapped at knife point from her bedroom on June 5, 2002 and found alive nine months later on March 12, 2003 a few miles from her home in Sandy, Utah.\n\nOn December 17, 2008 Mark Helm was found dead in his home.\n\nSources\nHelm in the Smart Case\n\nHelm, Mark\n1970 births\nHelm, Mark\nHelm, Mark\nVanderbilt University Law School alumni", "William Helm (March 9, 1837 – April 10, 1919) was the largest individual sheep farmer and noteworthy among the early pioneer settlers of Fresno County, California. He was instrumental in the growth and prosperity of the San Joaquin Valley. Helm was vice-president of the Fresno Bank of Central California, and the president of the Fresno Canal and Irrigation Company.\n\nEarly life\n\nHelm was born in the province of Ontario, Canada on March 9, 1837, about forty miles above Montreal, on the St. Lawrence River. He is the son of George and Mary (Oliver Helm), both of whom were born in Scotland. Brought up on the home farm, Helm acquired an education in the district schools, and under his father's instruction. Helm left home in 1856 to Wisconsin for three years engaged in lumbering and operating a sawmill on the Chippewa River. In 1859, Helm sailed from New York City to San Francisco, California by way of Panama. He traveled to Sacramento and searched for gold in Placer County but soon found it unprofitable. He spent the next three years as a butcher, first in Foresthill, Todds Valley, and then in Bear river in Placer County. He saved his money and decided to raise sheep for a living. In 1865 he married Francis Sawyer Newman, and they had seven children together.\n\nFresno, California\n\nHelm brought his wife and his sheep to Fresno county, which was then a vast space of open land, before the railroad came through the valley. He was one of the earliest settlers to experiment with growing wheat.\n\nHelm was the largest individual sheep grower in Fresno County. In carrying his wool to market at Stockton, he used three wagons, each drawn by ten mules, and spent twelve days in making the round trip. When the railroad came through the valley in 1872, it was a great benefit to Helm.\n\nAt Dry Creek, on section four, Helm bought a ranch six miles northeast of Fresno. He acquired up to 2,640 acres, paying one dollar an acre. He bought additional land to establish a winter camp for his sheep on the present site of the Fresno court house. His herd increased rapidly, at one time owning 22,000 head of sheep.\n\nIn 1881, because of a growing family, Helm bought the block bounded by Fresno, R, Merced and S Streets from Louis Einstein. He built his home there in 1881 where it stood for 71 years. As their daughters married, Helm gave them parts of the block on which to build their homes. The Fresno Community Hospital was built on this block in 1959. In 1901, Helm testified as a character witness in the murder trial of a friend named James Brown, whom Helm stated that he had known since 1886.\n\nDeath\n\nHelm died on April 10, 1919, at the age of 82, following a lingering illness that left him bedridden for seven months. He died at the home of his daughter, Jessie Marie Helm.\n\nHelm, California was named after William Helm.\n\nSee also\nTimeline of Fresno, California\n\nReferences\n\n \n\n1837 births\n1919 deaths\nAmerican farmers\nCanadian emigrants to the United States\nPeople from Fresno, California" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s" ]

[ "Daniel Helm (born April 20, 1995) is an American football tight end for the Atlanta Falcons of the National Football League (NFL). He played college football at Duke.\n\nProfessional career\n\nLos Angeles Chargers\nHelm was signed by the Los Angeles Chargers as an undrafted free agent on April 27, 2019. He was waived by the Chargers on August 1, 2019.\n\nSan Francisco 49ers (first stint)\nHelm was claimed off waivers by the San Francisco 49ers on August 2, 2019. He was waived on August 31, 2019, during final roster cuts and was re-signed to the 49ers practice squad the following day. Helm was promoted to the 49ers active roster on December 12, 2019, following an injury to Garrett Celek, but did not play in any games. Helm was waived by the 49ers on August 15, 2020.\n\nKansas City Chiefs\nHelm was claimed off waivers by the Kansas City Chiefs on August 16, 2020. He was waived by the Chiefs on September 5, 2020.\n\nTampa Bay Buccaneers\nHelm was signed to the Tampa Bay Buccaneers' practice squad on September 22, 2020.\n\nSan Francisco 49ers (second stint)\nHelm was signed off the Buccaneers practice squad by the 49ers on September 29, 2020. He made his NFL debut on October 18, 2020, against the Los Angeles Rams. Helm was waived on October 20, 2020, and was signed to the practice squad the next day. He was elevated to the active roster on November 5 and November 14 for the team's weeks 9 and 10 games against the Green Bay Packers and New Orleans Saints, and reverted to the practice squad after each game. He was placed on the practice squad/COVID-19 list by the team on November 20, and restored to the practice squad and subsequently released on December 3. He was re-signed to the practice squad on December 9. He was elevated to the active roster again on December 19 and December 25 for the weeks 15 and 16 games against the Dallas Cowboys and Arizona Cardinals, and reverted to the practice squad after each game. His practice squad contract with the team expired after the season on January 11, 2021. He was re-signed on March 17, 2021. On June 1, 2021, Helm was waived by 49ers.\n\nLas Vegas Raiders\nOn October 25, 2021, Helm was signed to the Las Vegas Raiders active roster. He was released on January 8, 2022.\n\nAtlanta Falcons\nOn January 20, 2022, Helm signed a reserve/future contract with the Atlanta Falcons.\n\nReferences\n\nExternal links\nSan Francisco 49ers bio\nDuke Blue Devils bio\n\n1995 births\nLiving people\nAmerican football tight ends\nPlayers of American football from Illinois\nDuke Blue Devils football players\nSan Francisco 49ers players\nLos Angeles Chargers players\nPeople from Sangamon County, Illinois\nTampa Bay Buccaneers players\nKansas City Chiefs players\nLas Vegas Raiders players\nAtlanta Falcons players", "William Helm (March 9, 1837 – April 10, 1919) was the largest individual sheep farmer and noteworthy among the early pioneer settlers of Fresno County, California. He was instrumental in the growth and prosperity of the San Joaquin Valley. Helm was vice-president of the Fresno Bank of Central California, and the president of the Fresno Canal and Irrigation Company.\n\nEarly life\n\nHelm was born in the province of Ontario, Canada on March 9, 1837, about forty miles above Montreal, on the St. Lawrence River. He is the son of George and Mary (Oliver Helm), both of whom were born in Scotland. Brought up on the home farm, Helm acquired an education in the district schools, and under his father's instruction. Helm left home in 1856 to Wisconsin for three years engaged in lumbering and operating a sawmill on the Chippewa River. In 1859, Helm sailed from New York City to San Francisco, California by way of Panama. He traveled to Sacramento and searched for gold in Placer County but soon found it unprofitable. He spent the next three years as a butcher, first in Foresthill, Todds Valley, and then in Bear river in Placer County. He saved his money and decided to raise sheep for a living. In 1865 he married Francis Sawyer Newman, and they had seven children together.\n\nFresno, California\n\nHelm brought his wife and his sheep to Fresno county, which was then a vast space of open land, before the railroad came through the valley. He was one of the earliest settlers to experiment with growing wheat.\n\nHelm was the largest individual sheep grower in Fresno County. In carrying his wool to market at Stockton, he used three wagons, each drawn by ten mules, and spent twelve days in making the round trip. When the railroad came through the valley in 1872, it was a great benefit to Helm.\n\nAt Dry Creek, on section four, Helm bought a ranch six miles northeast of Fresno. He acquired up to 2,640 acres, paying one dollar an acre. He bought additional land to establish a winter camp for his sheep on the present site of the Fresno court house. His herd increased rapidly, at one time owning 22,000 head of sheep.\n\nIn 1881, because of a growing family, Helm bought the block bounded by Fresno, R, Merced and S Streets from Louis Einstein. He built his home there in 1881 where it stood for 71 years. As their daughters married, Helm gave them parts of the block on which to build their homes. The Fresno Community Hospital was built on this block in 1959. In 1901, Helm testified as a character witness in the murder trial of a friend named James Brown, whom Helm stated that he had known since 1886.\n\nDeath\n\nHelm died on April 10, 1919, at the age of 82, following a lingering illness that left him bedridden for seven months. He died at the home of his daughter, Jessie Marie Helm.\n\nHelm, California was named after William Helm.\n\nSee also\nTimeline of Fresno, California\n\nReferences\n\n \n\n1837 births\n1919 deaths\nAmerican farmers\nCanadian emigrants to the United States\nPeople from Fresno, California" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm," ]

[ "Weather helm is the tendency of sailing vessels to turn towards the source of wind, creating an unbalanced helm that requires pulling the tiller to windward (i.e. 'to weather') in order to counteract the effect.\n\nWeather helm is the opposite of lee helm. It is generally less troublesome than lee helm.\n\nOverview\nWeather helm is the result of a leeward and aft shift of a vessel's vector center of effort (the direction to which the force generated by the sails is pushing). This shift is caused by excess pressure on the mainsail, which overpowers the windward lateral resistance generated by the jib (or other head sail) and keel or centerboard. This results in an imbalance of force at the stern from windward, and the craft pivots about the center of drag (often near the center of the keel or centerboard), causing the bow to drive windward. Weather helm does not only result from an overpowered main; when a vessel is heeling to leeward, the aft component of keel drag is moved to windward. This creates a force (a turning moment) that pushes the bow to weather. As both an overpowered main and heavy heel occur in the same circumstances, it is sometimes difficult to determine the source of weather helm.\n\nWhile weather helm occurs on any size of vessel, the physical movement of the craft is often more severe for vessels without a keel. This is a result of the smaller blade being very quickly overpowered by the relatively larger mainsail. In keelboats, despite the fact that weather helm is not as readily felt, it can be just as detrimental, as the lateral drag against the blade still exists, along with the need to pull the rudder to an undesirable position (see Mitigation).\n\nA slight amount of weather helm is thought by some sailors to be a desirable situation, both from the standpoint of the \"feel\" of the helm, and the tendency of the boat to head slightly to windward in stronger gusts, to some extent self-feathering the sails. Other sailors disagree and prefer a neutral helm. Weather helm also provides a form of dead man's switch—the boat stops safely in irons if the helm is released for a length of time.\n\nMitigation \nAny action that reduces the angle of heel of a boat that is reaching or beating to windward will help reduce weather helm. Racing sailors use their body weight to bring the boat to a more upright position. Reducing or reefing the total sail area will have the same effect and, counter-intuitively, many boats will sail faster with less sail in a stiff breeze once heel and weather helm have been reduced, due to the reduction in underwater drag (see Over-canvassed sailing). Easing the sheets on aft-most sails, such as the mainsail in a sloop or cutter can have an immediate effect, especially to help with maneuvering. Moving or increasing sail area forward can also help, for example by raising the jib (and maybe lowering the staysail) on a cutter.\n\nSailing off the wind, weather helm may be caused by the imbalance due to fore-and-aft sails all being sheeted out on the same (leeward) side of the boat. Raising a spinnaker or poling out a headsail to windward with a whisker pole can help. Yachts making ocean trade wind crossings have rigged 'twins' - double headsails poled out to opposite sides from the same forestay for extended downwind passages without a mainsail. Square rigged sails also provide relatively symmetric drive off the wind.\n\nAs weather helm requires pulling the rudder through the water at an angle to the intended course, it produces drag and impedes the boat's progress through the water. In the book \"Sailing Illustrated\", Patrick M. Royce defines weather helm as simply a \"heeling sailboat wanting to come head to wind.\" The principle is the same whether the vessel is steered by tiller or wheel; turning the wheel leeward gives the same rudder effect as pulling a tiller windward.\n\nDiscussion \nThe fundamental cause of \"helm\", be it weather or lee, is the differential between the center of effort of the sail plan to the center of lateral resistance of the hull. If the center of pressure is astern of the center of lateral resistance, a weather helm, the tendency of the vessel to want to turn into the wind, or to weather-vane, will result.\n\nIf the situation is reversed, with the center of pressure forward of the center of resistance of the hull, a \"lee\" helm will result, which is generally considered undesirable, if not dangerous. Too much of either helm is not good, since it forces the helmsman to hold the rudder deflected to counter it, thus inducing extra drag beyond what a vessel with neutral or minimal helm would experience.\n\nSee Sailing Theory and Practice by C.A. Marchaj for a mathematical analysis of the dynamics of weather helm.\n\nReferences \n\nSailing manoeuvres", "John LaRue Helm (July 4, 1802 – September 8, 1867) was the 18th and 24th governor of the U.S. Commonwealth of Kentucky, although his service in that office totaled less than fourteen months. He also represented Hardin County in both houses of the Kentucky General Assembly and was chosen to be the Speaker of the Kentucky House of Representatives four times. In 1838, his sole bid for federal office ended in defeat when his opponent, Willis Green, was elected to the U.S. House of Representatives.\n\nHelm was first elected to the Kentucky House of Representatives in 1826; between 1826 and 1843 he served eleven one-year terms in the state house. In 1844, he was elected to the state senate, where he served continuously until he was chosen as the Whig Party nominee for lieutenant governor on a ticket with John J. Crittenden, famous for the Crittenden Compromise. The Whigs won the general election and Helm was elevated to governor on July 31, 1850, when Crittenden resigned to accept an appointment as United States Attorney General in President Millard Fillmore's cabinet. After his service as governor Helm became president of the struggling Louisville and Nashville Railroad. He invested thousands of dollars of his own money in the project and convinced residents along the line's main route to buy stock in the company. In 1859, the line was completed, but the next year Helm resigned over of differences with the board of directors regarding a proposed branch that would extend the line to Memphis, Tennessee.\n\nAlthough he openly opposed secession during the American Civil War, federal military forces labeled Helm a Confederate sympathizer. In September 1862, he was arrested for this alleged sympathy, but Governor James F. Robinson recognized him as he was being transported to a prison in Louisville and had him released. After the war Helm identified with the Democratic Party, and in 1865, Hardin County voters returned him to the state senate. In 1867, he was the state's Democratic candidate for governor. Despite his failing health, Helm made a vigorous canvass of the state and won the general election. He was too weak to travel to Frankfort for his inauguration, so state officials administered the oath of office at his home on September 3, 1867. He died five days later.\n\nEarly life\nIn 1780, Helm's grandfather, Thomas Helm, emigrated to Kentucky from Prince William County, Virginia and founded the settlement of Helm Station near Elizabethtown, Kentucky in Hardin County, where John L. Helm was born on July 4, 1802. He was the eldest of nine children born to George B. Helm, a farmer and politician, and Rebecca LaRue Helm, a descendant of a prominent local pioneer family.\n\nHelm attended the area's public schools and studied with noted educator Duff Green. When Helm was 14 his father fell on hard financial times and Helm returned to work on the family farm. In 1818, he took a better-paying job in the office of Samuel Haycraft, the circuit court clerk of Hardin County. While there he read law with Haycraft, then entered the law office of Ben Tobin in 1821.\n\nAt about this time, Helm's father traveled to Texas to enter into business and rebuild his finances, but he died there in 1822, leaving Helm responsible for his mother and siblings. He was admitted to the bar in 1823, the same year Meade County, Kentucky was formed. There were no lawyers in the county yet, so although Helm continued living in Hardin County he was made Meade's county attorney. His practice grew rapidly and he was soon able to pay off his father's debts and purchase the Helm homestead. Between 1832 and 1840, he built \"Helm Place\" on this land and it remained his home for the rest of his life.\n\nIn 1823, Helm called on Representative Benjamin Hardin. While Hardin and Helm discussed business, Hardin's 14-year-old daughter, Lucinda, entered the room to show her father a map she had drawn. Helm later claimed it was love at first sight, and began to pursue Lucinda's affections. They courted for seven years, married in 1830 and had six daughters and five sons together. One of his sons, Benjamin Hardin Helm, was a Confederate general in the Civil War and was killed at the Battle of Chickamauga.\n\nPolitical career\n\nThe major political issue in Kentucky during Helm's legal training was the Old Court-New Court controversy. Reeling from the panic of 1819, Kentuckians had demanded debt relief. In response, the Kentucky General Assembly passed an act that granted debtors a grace period of two years in repaying their debts unless their creditors would accept payment in the devalued notes of the Bank of the Commonwealth. The Kentucky Court of Appeals struck down the law, claiming it was in violation of the Contract Clause of the U.S. Constitution. The angered legislature attempted to impeach the justices on the Court of Appeals, but lacked the necessary two-thirds majority. Instead, they abolished the Court of Appeals and replaced it with a new court, which was stocked with more sympathetic justices by pro-relief governor John Adair. Both courts claimed to be Kentucky's court of last resort.\n\nThroughout 1825, Helm made speeches and distributed pamphlets in Hardin and surrounding counties, espousing the Old Court position. In 1826, he campaigned as a Whig for a seat in the Kentucky House of Representatives. Helm won the election, and at the age of twenty-four became one of the youngest members to serve in the Kentucky General Assembly. An Old Court majority was elected to both houses of the General Assembly in 1826, which then passed legislation abolishing the New Court.\n\nHelm was re-elected to the state House in 1827 and 1830, and was re-elected every year from 1833 to 1837. He served as Speaker of the House in 1835 and 1836. In 1837, there was a three-way race for speaker between Helm, James Turner Morehead and Robert P. Letcher. After nine ballots, Helm withdrew and Letcher was elected speaker.\n\nHelm made his only run for federal office in 1838 and was defeated by Willis Green for a seat in the United States House of Representatives. He returned to the Kentucky House in 1839 and was re-elected in 1842 and 1843, serving as Speaker of the House both years. In 1843, the Kentucky General Assembly proposed to create a new county from part of Hardin County and name it Helm County in honor of John L. Helm. Because of the few dissenting votes on this question, Helm declined the honor and proposed instead that the county be called LaRue County after his mother's family, many of whom still lived in the proposed county. Helm's suggestion was unanimously adopted.\n\nLieutenant governor and governor\n\nIn 1844, Helm was elected to the Kentucky Senate, where he served until 1848. That year he was the Whig candidate for lieutenant governor on a ticket with John J. Crittenden. Helm defeated Democrat John Preston Martin in the general election. The major political question in the state during Helm's time as lieutenant governor was whether to adopt a new state constitution. As a state senator in 1848, Helm had voted to allow the state's citizens to decide the matter in a referendum, but after seeing the document produced by the constitutional convention, he opposed its ratification. In an address to the state senate in 1850, he declared, \"I was for reform, and not for revolution. I was for amending the Constitution, and not for obliterating every vital principle in contained.\" He especially opposed creating an elective judiciary. His antagonism to the constitution put him at odds with his father-in-law, Benjamin Hardin. The two did not reconcile until 1852, as Hardin lay on his deathbed. The new constitution was adopted in 1850 and in June of that year Helm encouraged the people to accept it.\n\nGovernor Crittenden resigned on July 31, 1850 to accept President Millard Fillmore's appointment as attorney general, and Helm ascended to the governorship. As governor, Helm vetoed a legislative plan to cover deficits in the public school fund by drawing money from the state's sinking fund, but the General Assembly overrode the veto. He urged the legislature to fund a survey of the state's mineral reserves and a census of the state's agricultural and manufacturing resources. He called for spending on internal improvements and for raising judges' salaries to attract more qualified jurists to the bench. He also sought a ban on the carrying of concealed deadly weapons. The legislature did not act on any of these proposed reforms. The only part of Helm's agenda that did progress through the General Assembly was election reform.\n\nPresident of the Louisville and Nashville Railroad\n\nHelm was a presidential elector for Winfield Scott in the 1852 presidential election. After this he took twelve years off from politics. As early as 1836, Helm had advocated the construction of the Louisville and Nashville Railroad. On October 2, 1854, he became the railroad's second president. The previous president had been forced out of that position after a disagreement with Louisville's board of aldermen, and construction of the line had almost been abandoned.\n\nHelm worked diligently to convince residents along the line's main route of the economic benefits it would bring. He persuaded many of them to help clear and grade land for the line and accept company stock as payment, and succeeded in selling stock subscriptions to people in the same area. Rising labor costs and troubles transporting materials raised expenses far above the projected budget, and at one point Helm personally redeemed $20,000 ($ as of ) of the company's bonds. Meanwhile, some observers accused Helm of mismanaging the company. The company's fortunes improved in 1857 when the city of Louisville provided $300,000 ($ as of ) in financial aid and the line was completed on October 18, 1859. Due to Helm's influence, the railroad's charter required all trains traveling through Elizabethtown to stop there.\n\nBy the time the line was finished, there were public calls from inside and outside the company for Helm to resign, mostly because of his support for a proposed Memphis branch of the railroad. To complete the branch, the Louisville and Nashville would have to complete a line from Bowling Green to Guthrie, Kentucky. There it would join a line owned by the Memphis and Ohio Railroad that began across the state line at Clarksville, Tennessee and extended to Memphis. Supporters believed the branch would economically help both Louisville and Memphis and would lessen their dependence on trade along the Mississippi and Ohio Rivers. Opponents argued that the project was simply a ploy to whip up new support for the struggling railroad. Helm endorsed the Memphis branch in his annual report in 1857.\n\nOn February 4, 1860, two members of the company's board of directors wrote a letter requesting Helm's resignation; they claimed they had voted for his re-election as president of the company with the understanding that he would resign when the main line between Louisville and Nashville was finished. Helm maintained that he felt an obligation to the citizens of Logan County – many of whom he had personally sold stock to – to remain president until the Memphis branch through their county was built. The rift between Helm and the directors continued to widen, however. Helm resigned on February 21, 1860, and was replaced by James Guthrie. The Memphis branch was completed on September 24, 1860.\n\nCivil War and second term as governor\n\nOn January 8, 1861 Helm chaired a meeting in Louisville that advocated for Kentucky's neutrality in the Civil War. Helm was an outspoken opponent of secession, but also denounced the election of Abraham Lincoln and his use of military force to subdue the southern states. Because Helm did not condemn his son, Benjamin, for joining the Confederate Army, federal authorities classified him as a southern sympathizer.\n\nAfter learning of the arrest of former governor Charles S. Morehead by federal authorities, Helm fled to Bowling Green, fearing his own arrest. Through the intervention of Warner Underwood he was able to return home on the condition that he swear an oath of allegiance to the Constitution. Nevertheless, federal soldiers repeatedly entered his home, encouraging his slaves to abandon him, and consuming or destroying his crops. Because the state's courts were closed on account of the war, he was unable to earn a living by practicing law. In short order, his once-substantial fortune was expended, and he resorted to borrowing money to support his family.\n\nIn September 1862, Helm and several other citizens from Hardin County were arrested by Colonel Knox. After several days of confinement in Elizabethtown the prisoners were conducted to Louisville. By chance, Kentucky governor James F. Robinson recognized Helm in the group and negotiated with General Jeremiah Boyle to get him released. Shortly after returning home, Helm learned of Benjamin's death at the Battle of Chickamauga.\n\nAfter the war Helm identified with the Democratic Party, and he returned to the state senate in 1865. During his tenure he chaired the Committee on Federal Relations and fought against punitive and restrictive laws against ex-Confederates. On January 22, 1866, he presented to the state senate a protest against the actions of the United States Congress during the Civil War. It denounced the Reconstruction Amendments on the grounds that they granted powers to the federal government that were reserved for the states, and that they were passed while many southern states were not represented in Congress. He also decried the creation and operation of the Freedmen's Bureau. On January 29, 1867, Helm introduced legislation to organize a meeting in Louisville to rally support for President Andrew Johnson and his efforts to restore the Union.\n\nThe state Democratic Convention met on February 22, 1867, in Frankfort and chose Helm and John W. Stevenson as the party's candidates for governor and lieutenant governor, respectively. Helm resigned his seat in the state senate to accept the nomination. Though his health was frail, he determined to canvass the entire state. He continued his call for an end to Civil War bitterness and proscriptions against those who had sided with the Confederacy. He won the general election over Republican Sidney Barnes and a third party candidate, Judge William B. Kinkead.\n\nThe strenuous campaign took a decisive toll on Helm's already weakened body. He was too weak to travel to Frankfort for his inauguration, so the oath of office was administered at his home on September 3, 1867. Helm's secretary of state read the governor's inaugural address at the Hardin County Courthouse. In it, Helm repeated his intent to remove political disabilities from ex-Confederates. He also charged that Congress was meddling in the affairs of the states. Though he promised protections for blacks, he opposed the idea of black suffrage.\n\nHelm died on September 8, 1867, just five days after his inauguration. He was buried in a family graveyard at Helm Place. Helm Place was listed on the National Register of Historic Places on November 9, 1976.\n\nReferences\n\nBibliography\n\nFurther reading\n\nExternal links\n\n \n\n \t\n\n \t\n\n1802 births\n1867 deaths\nGovernors of Kentucky\nKentucky Democrats\nKentucky lawyers\nKentucky state senators\nKentucky Whigs\nLieutenant Governors of Kentucky\nLouisville and Nashville Railroad people\n19th-century American railroad executives\nPeople of Kentucky in the American Civil War\nPeople from Hardin County, Kentucky\nPoliticians from Louisville, Kentucky\nSpeakers of the Kentucky House of Representatives\nWhig Party state governors of the United States\n19th-century American politicians\nDemocratic Party state governors of the United States\nLaRue family\nAmerican lawyers admitted to the practice of law by reading law\n19th-century American lawyers" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm,", "Did Helm have any siblings?", "They encouraged their children to play and sing at a young age." ]

[ "The Frighteners (not to be confused with the film of the same title) is a 1989 spy novel by Donald Hamilton, continuing the adventures of his creation, assassin Matt Helm.\n\nHamilton took a break from writing Matt Helm novels after this book; the next volume would not appear until 1992.\n\nPlot summary\nHelm is assigned to impersonate a rich oil baron in order to track down a shipment of weapons before it can be used to overthrow the Mexican government.\n\nMatt Helm starts by taking the place of an oil millionaire -- one of the assignments where Mac is helping another agency by loaning out the services of his agent, Matt Helm. As usual, Mac is not doing this from purely altruistic purposes and gives Matt his usual warning - \"Don't trust anyone\" in the beginning of the novel. Head of the agency borrowing Matt Helm, a man called Somerset, wants Matt to go into Mexico and help trace a shipment of illegal arms, supposedly being smuggled to be supplied to Mexican revolutionaries by the said millionaire Horace Hosmer Cody.\n\nIn the beginning of the novel, Cody is arrested by Somerset's people and Helm takes his place with a make up job that he thinks will fool no one and it doesn't. Almost all of the story takes place in Mexico where Matt once again runs into his old ally Ramon Solana-Ruiz of the Mexican security.\n\nThe novel has much intrigue and is typical of Matt Helm style action. Most of the characters turn out to be different than from what they are portrayed at the beginning of the story and many of them go through transformation, including some of the dead characters. Matt, of course, succeeds in the mission completing all of the objectives, sometimes with help from others.\n\nExternal links\nSynopsis and summary\n\n1989 American novels\nMatt Helm novels\nNovels set in Mexico\nBallantine Books books", "Frances Helm (October 14, 1923 - December 30, 2006) was an American stage, film, and television actress whose performing career spanned nearly fifty years.\n\nEarly life\nShe was born Mary Frances Helm in Panama City, Florida. Her parents were Thomas William Helm II and Grace Spencer. Her father started as a bookkeeper for the railroad industry then became an accountant for the state of Virginia, moving the family to Richmond when Helm was very young. She had one older brother. Helm graduated from J. A. C. Chandler Junior High School in June 1937. She graduated from John Marshall High School in June 1940.\n\nFrom the age of ten Helm took piano and voice lessons. Later she studied with Mary Barbour Dixon, who would remain her drama teacher and coach all through secondary school and college. Helm attended the Richmond Professional Institute (RPI) from Fall 1940 through Spring 1942, majoring in Speech and Dramatics. Helm was a member of RPI's Theater Associates, which mounted productions at the school using students and the occasional visiting professional actor. Helm and other RPI drama students also did broadcasts of play readings on the school's radio station. While at the school, Helm dropped her first name for stage billing.\n\nDuring her last term at RPI, her brother returned to Richmond after being wounded at Pearl Harbor. A Radioman 2/C in the USN, Thomas W. Helm had kept firing an antiaircraft gun during the attack despite being severely wounded; the Navy credited him with bringing down a Japanese aircraft. Invalided out of the service in April 1942, he was used for recruiting and bond drives, with his sister accompanying him. She was pictured at Red Cross events and dances with her brother and other servicemen. Frances Helm also joined other volunteer actors to perform a parody of an old-fashioned melodrama, Ten Nights in a Bar-Room, at military bases in Virginia and Maryland.\n\nEarly stage career\nAfter graduating from RPI, Helm moved to New York City, where she took additional drama training at Columbia University while modeling in fashion shows for the Powers Agency. She also worked in radio, both as a voice actress and a personality for variety shows. For one radio show called \"Blind Date\", hosted by Arlene Francis, Helm was matched with a G.I. for an evening at the Stork Club.\n\nDuring late 1945 Helm signed up for a theatrical trial by fire, a six-month stint with one of the Clare Tree Major Touring Companies. She performed in The Golden Apple by Lady Gregory, a short play based on an Irish fairy story.\n\nCome September 1946 Helm joined a more traditional touring company with a revival of Life with Father. Cast as \"Mary Skinner\", the primary love interest, Helm had a lot of publicity during the tour of the Eastern United States. The tour traveled by a large private bus with an attached trailer for sets and props, enabling it to play small towns without train service. The tour finished up in Texas during early March 1947.\n\nFrom April thru May 1947 Helm made an independent color film called The Clam-digger's Daughter, which was never distributed to theaters for exhibition. Helm credited the film, shot on location in Cape Charles, Virginia, with restoring her Southern accent.\n Living up North has made me lose my accent twice. I got it back the first time by moving in with six Mississippi girls who lived in New York, and the second time by appearing in a \"made-in-Virginia\" movie.\n\nShe performed in summer stock during 1947 at the Green Mountain Playhouse in Middlebury, Vermont. From June 1948 Helm appeared in summer stock on Long Island in Parlor Story, which had a short run on Broadway the year before. She then starred in Years Ago, a much more successful recent Broadway comedy.\n\nMister Roberts\nBy August 1948 Helm had joined the national touring company for Mister Roberts, while the original was then in its sixth month on Broadway. Helm was the only female in the large cast, which included her then husband Robert Keith Jr, who was still using his birth name for billing at the time. The play starred Richard Carlson, James Rennie, Murray Hamilton, and Robert Burton, with a young Cliff Robertson. \nAfter several weeks in Detroit, the play went to Chicago for a two-week run that turned into twelve months.\n\nWhile playing Chicago, Helm and other cast members of Mister Roberts put on free plays at veteran's homes in the area. The local newspaper printed photos of Helm with different members of the cast nearly every month, emphasizing her as the only woman in the play. At eleven months into the run the Chicago Tribune published a photo of Helm with her husband in their roles as \"Lt. Ann Girard\" and \"Mannion\".\n\nFrom Chicago the touring company for Mister Roberts moved to Pittsburgh's Nixon Theater in September 1949, with John Forsythe taking over the titular role and Jackie Cooper playing \"Ensign Pulver\". As with critics in Detroit and Chicago, the Pittsburgh reviewer praised Helm for her delivery while noting the brevity of her part. The tour then went to one and two week runs at smaller cities, finally finishing up with a three-month booking in Boston that ended in April 1950. Helm was so reliable in playing every show that the tour finally dispensed with having an understudy for her three minutes on stage.\n\nEarly television\nHelm's first television appearance was for a program called Hollywood Screen Test during October 1950. She did an episode of Philco Television Playhouse in May 1951 followed by an episode of Kraft Television Theatre in November. All of these programs were originally broadcast live from New York City, though the latter program was apparently recorded by kinoscope and re-broadcast to the West Coast the following month.\n\nThe following year she guest starred in episodes of Adventures of Ellery Queen and The Web, both thirty minute live broadcasts. The latter was also recorded by kinoscope and re-broadcast in March 1952. Her third program in as many months was for Armstrong Circle Theater, another New York live broadcast. She did another The Web episode in March 1952, her first TV work alongside her then husband.\n\nHer 1952 performing year having been front-loaded with TV work during the first quarter, Helm did four weekly summer stock plays in Bangor, Maine during June, then one more Television Playhouse episode in November.\n\nShe had little performing work in 1953: an uncredited bit part in Never Wave at a WAC, followed by a highly praised week playing \"Stella Kowalski\" in a stage production of A Streetcar Named Desire, another television episode, then four weeks reprising her roles in Detective Story and Mister Roberts.\n\nValiant Lady\nDuring 1954 Helm toured with Joe E. Brown from July through October in The Show-Off. Discovering in December 1954 that she had been secretly divorced by her husband five months earlier, Helm was forced to take whatever performing work she could find. Since she was still maintaining residency in New York, Helm took on a soap opera role, as \"Linda Kendall\" in Valiant Lady. This fifteen minute television program was broadcast live daily from CBS studios in Manhattan. Helm played a woman with mental issues, which years later her mother said was the hardest role to watch her daughter perform.\n\nHelm's exact tenure on the show is difficult to verify. Credited with 246 episodes during calendar year 1955, the only reliable reference date is a newspaper photo from July 17, 1955, showing her, Sue Randall, and Flora Campbell wearing shorts in Central Park while being rehearsed by director Herb Kenwith. It was certainly over by early November 1955, when Helm did a series of plays at the Paper Mill Playhouse for producer Frank Carrington and an episode of Robert Montgomery Presents. Whatever the dates were, it was Helm's longest recurring television role, and a measure of her determination to remain on the East Coast so long as it was professionally possible.\n\nCoastal commuter\n\n1956-1958\n\nBy 1956 the great majority of television work was in Southern California, and Helm would have to commute between the coasts. She made an episode of Matinee Theater in April 1956 that producer Aubrey Schenck saw; he cast her in the film Revolt at Fort Laramie as a result. After two more episodes of Matinee Theater, she returned to New York to take over Bethel Leslie's role of \"Rachel Brown\" in the original Broadway production of Inherit the Wind. Helm joined the production in November 1956 and remained with it until its closing in June 1957.\n\nThe remainder of 1957 saw her doing two minor plays. Career was already an off-Broadway success when Helm joined it for a week in Philadelphia. One Foot in the Door, with June Havoc and David White, had its premiere with a ten-day tryout in Philadelphia followed by one week in Boston. Critics in both cities panned it.\n\nWith the flop of One Foot in the Door, Helm had to return to the West Coast for more television in late spring 1958. She did three episodes of two different series, but returned to New York later that year for two episodes of a new show called New York Confidential. This show was mainly filmed in New York, but one episode Helm did was made in Jacksonville, Florida.\n\n1959-1960\n\nShe spent late spring and summer of 1959 in a center staged road company production of Look Homeward, Angel, playing engagements in Miami, Philadelphia, and San Diego. While on the West Coast, she filmed an episode of The Millionaire.\n\nHelm returned to the East Coast for trial runs of The Deadly Game, an adaption of A Dangerous Game, during January 1960. After the short tryouts, the play moved to Broadway but lasted only 39 performances from February thru March 1960. As with Mister Roberts, Helm was the only woman in the cast, and appeared only briefly on stage in the final scene. She took advantage of this situation to see the opening acts of other plays then performing on Broadway, telling a columnist \"I'm waiting for the book versions so I can see how these plays end\".\n\n1961-1963\n\nFor 1961 Helm did episodes of six television shows, five of them on the West Coast and one in New York. Early 1962 saw her do two episodes of Everglades! on location in her native Florida.\n\nShe then took the female lead in the West Coast premiere of Critic's Choice, which opened mid-May 1962 in Los Angeles. Meant for a short run, the production was a hit, running so long the original leading man Edward Binns had to be replaced by Ted Knight due to prior performing commitments. As a contrast, a columnist mentioned that while performing the play at nights, Helm went to the Warner Brothers Studio to make an episode of 77 Sunset Strip during the day. During its tenth week the production was converted from front staging to center staging; it closed two weeks later.\n\nHelm also took part in filming The Ugly American in 1962, playing secretary to Marlon Brando's ambassador.\n\nLater that year, Helm temporarily took over the role of \"Nancy Pollock\" on The Edge of Night when actress Ann Flood took three months maternity leave.\n\nIn February 1963 Helm reprised her role in Critic's Choice with Hans Conried for a one-week run in Louisville, Kentucky. A month later she married for the second time.\n\nLater career\nAfter the birth of her daughter in late spring 1964, Helm resumed working in October of that year. She temporarily took on the role of \"Susan Dunbar\" on The Secret Storm, replacing Mary Foskett, who had moved to the West Coast. The show, like many soaps, was still made in New York City at the time. Judy Lewis took over the character on January 7, 1965.\n\nHelm would let a couple of years go by between performing engagements for the rest of her career. She did two TV episodes in 1967, an odd little set of playlets in 1969, before resuming a fuller schedule in 1972. That year saw her join a touring company for the summer season, playing a small role in Remember Me, a comedy by Ronald Alexander. She then had a starring role in Welcome Home, playing opposite Pernell Roberts, in an original play by Edmund Hartmann. The production ran three weeks at Chicago's Ivanhoe Theater.\n\nDuring 1976 Helm did an episode of Kojak then she and Danny Aiello starred in a Broadway flop called Wheelbarrow Closers, which lasted for only 7 previews and 8 performances. She had a smaller role in the original production of Manny in 1979, which lasted for about a month on Broadway. She had better luck with Broadway revivals, albeit in understudy positions, for Morning's at Seven in 1980-81 and You Can't Take It With You in 1983–84.\n\nAs her stage career wound down, Helm continued doing screen work, making an episode of an obscure TV series and the film A Little Sex in 1982. She did two more films, a bit part in Shakedown (1988) and larger role in Electric Moon (1992). Her final performing work was for a TV movie, Love and Betrayal: The Mia Farrow Story in 1995.\n\nPersonal life\n\nHelm married Robert Alba Keith on January 3, 1948, in Richmond. They were in Mister Roberts for eighteen months, did at least one television episode together, but separated on July 28, 1953. On December 8, 1954, Helm charged Keith with \"introducing another woman as his wife\", without naming her. Newspapers reported in January 1955 that Keith had already obtained a Mexican divorce six months earlier and remarried to dancer Judy Landon. At a settlement hearing, Helm agreed to accept the divorce and receive $250 monthly alimony from Keith. However, a few weeks later the alimony was set aside on a \"quirk\" of California law wherein only the party filing for divorce could claim alimony.\n \nIn April 1963 Helm married Walter C. Wallace, a former assistant Secretary of Labor in the Eisenhower administration. He was the personnel director for a New York paper company. The couple had one child, a daughter Laura Wallace, born in late spring 1964. They remained married until Helm's death in 2006.\n\nAccording to her obituary in Variety, Helm was a long-time member of the The Player's Club and had served on its board of directors.\n\nStage performances\n\nFilmography\n\nNotes\n\nReferences\n\nExternal links\n \n\n1923 births\n2006 deaths\n20th-century American actresses\nActresses from Florida\nAmerican film actresses\nAmerican stage actresses\nAmerican television actresses" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm,", "Did Helm have any siblings?", "They encouraged their children to play and sing at a young age.", "Where did Helm go to school?", "Helm established his first band, the Jungle Bush Beaters, while in high school." ]

[ "Mark Lavon \"Levon\" Helm (May 26, 1940 – April 19, 2012) was an American musician and actor who achieved fame as the drummer and one of the three lead vocalists for The Band. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band's recordings, such as \"The Weight\", \"Up on Cripple Creek\", and \"The Night They Drove Old Dixie Down\".\n\nHelm also had a successful career as a film actor, appearing as Loretta Lynn's father in Coal Miner's Daughter (1980), as Chuck Yeager's friend and colleague Captain Jack Ridley in The Right Stuff (1983), as a Tennessee firearms expert in Shooter (2007), and as General John Bell Hood in In the Electric Mist (2009).\n\nIn 1998, Helm was diagnosed with throat cancer which caused him to lose his singing voice. After treatment, his cancer eventually went into remission, and he gradually regained the use of his voice. His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him No. 91 in its list of 100 Greatest Singers of All Time,. In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first Grammy Award for Best Americana Album, a category inaugurated in 2010. In 2011, his live album Ramble at the Ryman won the Grammy in the same category. In 2016, Rolling Stone magazine ranked him No. 22 in its list of 100 Greatest Drummers of All Time.\n\nBiography\n\nEarly years\nBorn Mark Lavon Helm in Elaine, Arkansas, Helm grew up in Turkey Scratch, a hamlet of Marvell, Arkansas. His parents, Nell and Diamond Helm, were cotton farmers who shared a strong affinity for music. They encouraged their children to play and sing at a young age. He saw Bill Monroe and His Blue Grass Boys at the age of six and decided to become a musician. Helm began playing the guitar at the age of eight and also played drums.\n\nArkansas in the 1940s and '50s stood at the confluence of a variety of musical styles, including traditional Delta blues, electric blues, country (including old-time music) and the incipient genre of rhythm and blues. Helm was influenced by each of these styles, which he heard on the Grand Ole Opry on radio station WSM and R&B on radio station WLAC in Nashville. He also saw the last vestiges of minstrelsy and other traveling variety shows, such as F. S. Wolcott's Original Rabbit's Foot Minstrels, which featured top Black artists of the era.\n\nA key early influence on Helm was Sonny Boy Williamson II, who played electric blues and early rhythm and blues on the King Biscuit Time radio show on KFFA in Helena and performed regularly in Marvell with blues guitarist Robert Lockwood, Jr. In his 1993 autobiography, This Wheel's on Fire: Levon Helm and the Story of The Band, Helm describes watching Williamson's drummer, James \"Peck\" Curtis, intently during a live performance in the early 1950s and later imitating this R&B drumming style. Helm established his first band, the Jungle Bush Beaters, while in high school.\n\nHelm also witnessed some of the earliest performances by early rock and roll and rockabilly artists, including Elvis Presley, Conway Twitty, Bo Diddley and fellow Arkansan Ronnie Hawkins. At age 17, Helm began playing in clubs and bars around Helena.\n\nThe Hawks\nWhile he was still in high school, Helm was invited to join Ronnie Hawkins's band, the Hawks, a popular bar and club act in the South and Canada where rockabilly acts were very successful. Helm's mother insisted that he graduate from high school before touring with Hawkins, but he was able to play with the Hawks locally on weekends. After his graduation in 1958, Helm joined the Hawks as a full-time member and they moved to Toronto where they signed with Roulette Records in 1959 and released several singles, including a few hits.\n\nHelm reported in his autobiography that fellow Hawks band members had difficulty pronouncing \"Lavon\" correctly and started calling him \"Levon\" ( ) because it was easier to pronounce.\n\nIn 1961, Helm with bassist Rick Danko backed guitarist Lenny Breau on several tracks recorded at Hallmark Studios in Toronto. These tracks are included on the 2003 release The Hallmark Sessions.\n\nBy the early 1960s, Helm and Hawkins had recruited an all-Canadian lineup of musicians: guitarist Robbie Robertson, bassist Rick Danko, pianist Richard Manuel, and organist Garth Hudson, all of whom were multi-instrumentalists. In 1963, the band parted ways with Hawkins and started touring as Levon and the Hawks and later as the Canadian Squires, before changing back to the Hawks. They recorded two singles but remained mostly a popular touring bar band in Texas, Arkansas, Canada, and on the East Coast of the United States where they found regular summer club gigs on the New Jersey shore.\n\nBy the mid-1960s, songwriter and musician Bob Dylan was interested in performing electric rock music and asked the Hawks to be his backing band. Disheartened by fans' negative response to Dylan's new sound, Helm left the group in the autumn of 1965 for what turned out to be a two-year layoff, being replaced by a range of touring drummers (most notably Mickey Jones) and Manuel, who began to double on the instrument. Following time with his family in Arkansas and subsequent sojourns in Los Angeles (where he experimented with LSD and performed with Bobby Keys), Memphis and New Orleans (exemplified by work on a nearby oil platform), the eventual result was his return to the group in the autumn of 1967.\n\nAfter the Hawks toured Europe with Dylan, they followed him back to the U.S. and settled near his home in Woodstock, New York, remaining under salary to Dylan. The Hawks recorded a large number of demos and practice tapes in nearby West Saugerties, New York, playing almost daily with Dylan, who had completely withdrawn from public life following a motorcycle accident in July 1966. These recordings were widely bootlegged and were partially released officially in 1975 as The Basement Tapes. The songs and themes developed during this period played a crucial role in the group's future direction and style. The Hawks also began writing their own songs, with Danko and Manuel also sharing writing credits with Dylan on a few songs.\n\nThe Band\n\nHelm returned to the group, then referred to simply as \"the band\", as it was known around Woodstock. While contemplating a recording contract, Helm had dubbed the band \"The Crackers\". However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was given as \"The Band\". Under these contracts, the Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed the Band to release recordings on other labels if the work was done in support of Dylan. Thus the Band was able to play on Dylan's Planet Waves album and to release The Last Waltz, both on other labels. The Band also recorded their own album Music from Big Pink (1968), which catapulted them into stardom. Helm was the Band's only American member.\n\nOn Music from Big Pink, Manuel was the most prominent vocalist and Helm sang backup and harmony, with the exception of \"The Weight\". However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm was primarily a drummer and vocalist and increasingly sang lead, although, like all his bandmates, he was also a multi-instrumentalist. On occasion Manuel switched to drums while Helm played mandolin, guitar, or bass guitar (while Danko played fiddle) on some songs. Helm played the 12-string guitar backdrop to \"Daniel and the Sacred Harp\".\n\nHelm remained with the Band until their farewell performance on Thanksgiving Day, November 25, 1976, which was the subject of the documentary film The Last Waltz, directed by Martin Scorsese. Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography Helm criticized the film and Robertson who produced it.\n\nSolo, acting and the reformed Band\nWith the breakup of the Band in its original form, Helm began working on a solo-ensemble album, Levon Helm & the RCO All-Stars, with Paul Butterfield, Fred Carter, Jr., Emmeretta Marks, Howard Johnson, Steve Cropper, Donald \"Duck\" Dunn, Booker T. Jones, and others. Levon Helm and the RCO All-Stars recorded Live at The Palladium NYC, New Year's Eve 1977. The CD album released in March 2006 features over one hour of blues-rock music performed by an ensemble featuring Levon Helm (drums/vocals), Dr. John (keys/vocals), Paul Butterfield (harmonica/vocals), Fred Carter (guitar/vocals), Donald \"Duck\" Dunn (bass), Cropper (guitar), Lou Marini (saxophones), Howard Johnson (tuba/baritone sax), Tom \"Bones\" Malone (trombone), and Alan Rubin (trumpet).\n\nThis was followed in 1978 by the solo album Levon Helm. More solo albums were released in 1980 and 1982: American Son and (once again) Levon Helm, both produced by Fred Carter, Jr. He also participated in musician Paul Kennerley's 1980 country music concept album, The Legend of Jesse James singing the role of Jesse James alongside Johnny Cash, Emmylou Harris, Charlie Daniels, Albert Lee, and others.\n\nIn addition to his work as musician, Helm also acted in several dramatic films. He was cast as Loretta Lynn's father in the 1980 film Coal Miner's Daughter, followed three years later by a role as U.S. Air Force test pilot and engineer Capt. Jack Ridley, in The Right Stuff. Helm was also the latter film's narrator. 1987's under-appreciated End of the Line featured Levon as a small-town railroad employee alongside Wilford Brimley and Kevin Bacon. He played a Kentucky backwoods preacher in Fire Down Below. He played an eccentric old man in the 2005 film The Three Burials of Melquiades Estrada and appeared as Gen. John Bell Hood in the 2009 film In the Electric Mist. He also had a brief cameo as a weapons expert in the film Shooter with Mark Wahlberg.\n\nIn 1983, the Band reunited without Robbie Robertson, at first playing with an expanded lineup that included the entire Cate Brothers Band, but in 1985 paring down and adding Jim Weider on guitar. In 1986, while on tour Manuel committed suicide. Helm, Danko, and Hudson continued in the Band, adding pianist Richard Bell and drummer/vocalist Randy Ciarlante and releasing the album Jericho in 1993 and High on the Hog in 1996. The final album from the Band was the 30th anniversary album, Jubilation released in 1998.\n\nIn 1989, Helm and Danko toured with drummer Ringo Starr as part of his All-Starr Band. Other musicians in the band included singer and guitarist Joe Walsh, singer and pianist Dr. John, singer and guitarist Nils Lofgren, singer Billy Preston, saxophonist Clarence Clemons, and drummer Jim Keltner. Garth Hudson was a guest on accordion on some dates. Helm played drums and harmonica and sang \"The Weight\" and \"Up on Cripple Creek\" each night.\n\nIn the televised 1989 Juno Awards celebration, the Band was inducted into the Juno Awards' Hall of Fame. Helm was not present at the ceremony, but a taped segment of him offering his thanks was broadcast after the acceptance speeches by Rick Danko and Robbie Robertson. Richard Manuel's children accepted the award on behalf of their father. To conclude the televised special, Rick Danko, Garth Hudson, and Robbie Robertson performed \"The Weight\" with Blue Rodeo.\n\nHelm performed with Danko and Hudson as the Band in 1990 at Roger Waters's epic The Wall – Live in Berlin Concert in Germany to an estimated 300,000 to half a million people.\n\nIn 1993, Helm published an autobiography entitled This Wheel's on Fire: Levon Helm and the Story of The Band.\n\nThe Midnight Ramble\nHelm's performance career in the 2000s revolved mainly around the Midnight Ramble at his home and studio, \"The Barn,\" in Woodstock, New York. These concerts, featuring Helm and various musical guests, allowed him to raise money for his medical bills and to resume performing after a bout with cancer that nearly ended his career.\n\nIn the late 1990s, Helm was diagnosed with throat cancer after suffering hoarseness. Advised to undergo a laryngectomy, he instead underwent an arduous regimen of radiation treatments at Memorial Sloan–Kettering Cancer Center in New York City. The tumor was then successfully removed, but Helm's vocal cords were damaged, and his clear, powerful tenor voice was replaced by a quiet rasp. Initially Helm only played drums and relied on guest vocalists at the Rambles, but eventually his singing voice grew stronger. On January 10, 2004, he sang again at his Ramble sessions. In 2007, during production of Dirt Farmer, Helm estimated that his singing voice was 80 percent recovered.\n\nThe Levon Helm Band featured his daughter Amy Helm, Larry Campbell, Teresa Williams, Jim Weider (The Band's last guitarist), Jimmy Vivino, Mike Merritt, Brian Mitchell, Erik Lawrence, Steven Bernstein, Howard Johnson (tuba player in the horn section on the Band's Rock of Ages and The Last Waltz), Jay Collins (Helm's now former son-in-law), Byron Isaacs, and blues harmonica player Little Sammy Davis. Helm hosted Midnight Rambles that were open to the public at his home in Woodstock.\n\nThe Midnight Ramble was an outgrowth of an idea Helm explained to Martin Scorsese in The Last Waltz. Earlier in the 20th century, Helm recounted, traveling medicine shows and music shows such as F. S. Wolcott's Original Rabbit's Foot Minstrels, featuring African-American blues singers and dancers, would put on titillating performances in rural areas. (This was also turned into a song by the Band, \"The W.S. Walcott Medicine Show,\" with the name altered so the lyric was easier to sing.)\n\n\"After the finale, they'd have the midnight ramble,\" Helm told Scorsese. With young children off the premises, the show resumed: \"The songs would get a little bit juicier. The jokes would get a little funnier and the prettiest dancer would really get down and shake it a few times. A lot of the rock and roll duck walks and moves came from that.\"\n\nArtists who performed at the Rambles include Helm's former bandmate Garth Hudson, Elvis Costello, Emmylou Harris, Dr. John, Mavis Staples, Chris Robinson, Allen Toussaint, Donald Fagen and Jon Herington of Steely Dan, Jimmy Vivino (of the house band on Late Night with Conan O'Brien), the Max Weinberg 7, My Morning Jacket, Billy Bob Thornton, Alexis P. Suter, Sean Costello, the Muddy Waters Tribute Band, Pinetop Perkins, Hubert Sumlin, Carolyn Wonderland, Kris Kristofferson, Gillian Welch, David Rawlings, Justin Townes Earle, Bow Thayer, Luther \"Guitar Junior\" Johnson, Rickie Lee Jones, Kate Taylor, Ollabelle, the Holmes Brothers, Catherine Russell, Norah Jones, Arlen Roth, Elvis Perkins in Dearland, Phil Lesh (along with his sons Grahame and Brian), Hot Tuna (Jorma Kaukonen introduced the group as \"the Secret Squirrels\"), Michael Angelo D'Arrigo with various members of the Sistine Chapel, Johnny Johnson, Ithalia, David Bromberg, the Youngers, and Grace Potter and the Nocturnals.\n\nDuring this period, Helm switched to the matched grip and adopted a less busy, greatly simplified drumming style, as opposed to the traditional grip he used during his years with the Band.\n\nHelm was busy touring every year during the 2000s, generally traveling by tour bus to venues in eastern Canada and the eastern United States. After 2007, he performed in large venues such the Beacon Theater in New York. Dr. John and Warren Haynes (the Allman Brothers Band, Gov't Mule) and Garth Hudson played at the concerts along with several other guests. At a show in Vancouver Elvis Costello joined to sing \"Tears of Rage\". The Alexis P. Suter Band was a frequent opening act. Helm was a favorite of radio personality Don Imus and was frequently featured on Imus in the Morning. In the summer of 2009, it was reported that a reality television series centering on the Midnight Ramble was in development.\n\nIn 2012, Levon Helm and his \"midnight rambles\" were featured on the PBS Arts site, \"Sound Tracks: Music Without Borders,\" including a poignant last interview with PBS's Marco Werman.\n\nDirt Farmer and comeback\nThe autumn of 2007 saw the release of Dirt Farmer, Helm's first studio solo album since 1982. Dedicated to his parents and co-produced by his daughter Amy, the album combines traditional tunes Levon recalled from his youth with newer songs (by Steve Earle, Paul Kennerley, and others) which flow from similar historical streams. The album was released to almost immediate critical acclaim, and earned him a Grammy Award in the Traditional Folk Album category for 2007. Also in 2007, Helm recorded \"Toolin' Around Woodstock\", and album with Arlen Roth on which Levon played drums and sang Sweet Little 16 and \"Crying Time.\" This album also featured Levon's daughter Amy, and Roth's daughter Lexie, along with Sonny Landreth and Bill Kirchen.\n\nHelm declined to attend the Grammy Awards ceremony, instead holding a \"Midnight Gramble\" and celebrating the birth of his grandson, Lavon (Lee) Henry Collins.\n\nIn 2008, Helm performed at Warren Haynes's Mountain Jam Music Festival in Hunter, New York playing alongside Haynes on the last day of the three-day festival. Helm also joined guitarist Bob Weir and his band RatDog on stage as they closed out the festival. Helm performed to great acclaim at the 2008 Bonnaroo Music Festival in Manchester, Tennessee.\n\nHelm drummed on a couple of tracks for Jorma Kaukonen's February 2009 album River of Time, recorded at the Levon Helm studio.\n\nHelm released the album Electric Dirt on his own label on June 30, 2009. Like Dirt Farmer, an aim of Electric Dirt was to capture of feel of Helm's Midnight Rambles. The album won a best album Grammy for the newly created Americana category in 2010. Helm performed on the CBS television program Late Show with David Letterman on July 9, 2009. He also toured that same year in a supporting role with the band Black Crowes.\n\nA documentary on Helm's day-to-day life, entitled Ain't in It for My Health: A Film About Levon Helm was released in March 2010. Directed by Jacob Hatley, it made its debut at the South by Southwest film festival in Austin, Texas and went on to be screened at the Los Angeles Film Festival in June 2010. The film had a limited release in select theaters in the United States in the spring of 2013 and was released on DVD and Blu-ray later that year.\n\nOn May 11, 2011, Helm released Ramble at the Ryman, a live album recorded during his performance of September 17, 2008 at the Ryman Auditorium in Nashville. The album features Helm's band playing six songs by the Band and other cover material, including some songs from previous Helm solo releases. The album won the Grammy Award for Best Americana Album.\n\nIllness and death\n\nIn April 2012, during the Rock and Roll Hall of Fame induction ceremonies in Cleveland, Robbie Robertson sent \"love and prayers\" to Helm, fueling speculation about Helm's health. Helm had previously cancelled a number of performances, citing health issues or a slipped disk in his back; his final performances took place in Tarrytown, New York at Tarrytown Music Hall on March 24, and a final Midnight Ramble (with Moonalice as the opening act) in Woodstock on March 31.\n\nOn April 17, 2012, Helm's wife Sandy and daughter Amy revealed that he had end-stage throat cancer. They posted the following message on Helm's website:\n\nOn April 18, Robertson revealed on his Facebook page that he had a long visit with Helm at Memorial Sloan-Kettering Cancer Center the previous Sunday. On the same day, Garth Hudson posted on his personal website that he was \"too sad for words\". He then left a link for a video of himself and the Alexis P. Suter Band performing Bob Dylan's song \"Knocking on Heaven's Door\". Helm died on April 19, 2012, at 1:30 p.m. (EDT) due to complications from throat cancer at age 71.\n\nFans were invited to a public wake at Helm's Barn studio complex on April 26. Approximately 2,000 fans came to pay their respects to the rock icon. The following day, after a private funeral service and a procession through the streets of Woodstock, Helm was interred in the Woodstock Cemetery, within sight of the grave of his longtime bandmate and friend Rick Danko. Former President Bill Clinton issued a statement following Helm's passing.\n\nLegacy\nGeorge Harrison said that while writing his 1970 song \"All Things Must Pass\", he imagined Levon Helm singing it.\n\nElton John's lyricist, Bernie Taupin named the song \"Levon\" after Helm, although the song is not actually about him. Both John and Taupin cited that they were inspired by Helm; Taupin saying in various interviews that they would \"go down to their favourite record stores to buy The Band's records\" along with Elton. In 1994, Helm was inducted into the Rock and Roll Hall of Fame as a member of the Band.\n\nMarc Cohn wrote the song \"Listening to Levon\" in 2007.\n\"The Man behind the Drums,\" written by Robert Earl Keen and Bill Whitbeck, appeared on Keen's 2009 album The Rose Hotel.\nTracy K. Smith's 2011 poem \"Alternate Take\", included in her Pulitzer Prize–winning collection Life on Mars, is dedicated to Helm. On the day of Helm's death, April 19, 2012, Tom Petty & the Heartbreakers, in a concert at the First Bank Center in Broomfield, Colorado, paid tribute to Levon by performing their song \"The Best of Everything\" and dedicating it to him.\n\nAt a concert on May 2, 2012, at the Prudential Center in Newark, NJ, Bruce Springsteen and the E Street Band performed \"The Weight\" as a tribute to Helm. Springsteen called Helm \"one of the greatest, greatest voices in country, rockabilly and rock 'n' roll ... staggering ... while playing the drums. Both his voice and his drumming were so incredibly personal. He had a feel on the drums that comes out of certain place in the past and you can't replicate it.\" Springsteen also said it was one of the songs that he had played with drummer Max Weinberg in Weinberg's audition with the band.\n\nOn June 2, 2012, at Mountain Jam, Gov't Mule along with the Levon Helm Band (with Lukas Nelson coming on stage for the closing song) played a tribute set, including \"The Night They Drove Old Dixie Down,\" \"Up on Cripple Creek,\"\"It Makes No Difference,\" and closing with \"The Weight\".\n\nA tribute concert called Love for Levon took place at the Izod Center in East Rutherford, New Jersey on October 3, 2012. The concert featured many special guests who had collaborated with and were inspired by Helm and the Band, including Roger Waters, Garth Hudson, Joe Walsh, Gregg Allman, Bruce Hornsby, Jorma Kaukonen, John Mayer, Mavis Staples, My Morning Jacket, Marc Cohn, John Hiatt, Allen Toussaint, Jakob Dylan, Mike Gordon, and others. Proceeds from the concert were to \"help support the lasting legacy of Levon Helm by helping his estate keep ownership of his home, barn and studio, and to continue the Midnight Ramble Sessions\".\n\nAt the 2013 Grammy Awards, the Zac Brown Band, Mumford & Sons, Elton John, Mavis Staples, T-Bone Burnett, and Alabama Shakes singer Brittany Howard performed \"The Weight\" as a tribute to Levon and other recently deceased musicians. They also dedicated the song to the victims of the Sandy Hook Elementary School shooting. In May 2013, the New York State Legislature approved a resolution to name State Route 375—the road which connects State Route 28 with the town of Woodstock—\"Levon Helm Memorial Boulevard\". Governor Andrew Cuomo signed the bill on June 20, 2013. In July 2017, U.S. 49 from Marvell, Arkansas to Helena–West Helena was named The Levon Helm Memorial Highway by Act 810 of the Arkansas State Legislature. The Levon Helm Legacy Project is raising money to commission a bronze bust of Helm and to restore his boyhood home. The house, originally located in Turkey Scratch, Arkansas, was moved in 2015 to Marvell, where Helm attended school.\n\nPersonal life\nHelm met singer-songwriter Libby Titus in April 1969, while the Band was recording its second album. They began a lengthy relationship which produced daughter Amy Helm (born December 3, 1970). Amy formed the band Ollabelle and performed with her father's band at the Midnight Rambles and other concerts.\n\nHelm met Sandra Dodd in 1975 in California, while he was still involved with Titus. Helm and Dodd were married on September 7, 1981. They had no children together.\n\nDiscography\n\nStudio\nLevon Helm & the RCO All-Stars (1977)\nLevon Helm (1978)\nAmerican Son (1980)\nLevon Helm (1982)\nDirt Farmer (2007)\nElectric Dirt (2009)\n\nLive\nThe Midnight Ramble Sessions, Volume One (2006)\nThe Midnight Ramble Sessions, Volume Two (2006)\nLevon Helm & the RCO All Stars: Live at the Palladium NYC, New Years Eve 1977 (2006)\nFestivalLink.Net presents: Levon Helm Band MerleFest Ramble (MerleFest, NC 4/26/08)\nRamble at the Ryman (2011)\nThe Midnight Ramble Sessions, Volume Three (2014)\n\nOther\nThe Legend of Jesse James (1980)\nSouvenir, Vol. 1 (1998)\nThe Imus Ranch Record (2008)\nThe Imus Ranch Record II (2010)\nThe Lost Notebooks of Hank Williams (2011)\n\nWith Muddy Waters\nThe Muddy Waters Woodstock Album (Chess, 1975)\n\nFilmography\n\nReferences\n\nExternal links\n\n[ Allmusic]\n\n \n1940 births\n2012 deaths\nABC Records artists\nAmerican autobiographers\nAmerican country singer-songwriters\nAmerican country rock musicians\nAmerican folk rock musicians\nAmerican male singer-songwriters\nAmerican mandolinists\nAmerican multi-instrumentalists\nAmerican rock drummers\nDeaths from cancer in New York (state)\nGrammy Award winners\nMale actors from Arkansas\nPeople from Phillips County, Arkansas\nSinger-songwriters from Arkansas\nThe Band members\nVanguard Records artists\n20th-century Canadian male musicians\nRingo Starr & His All-Starr Band members", "Ryan Helm (born July 24, 1982) is an American heavy metal musician from Nevada, Missouri. He is best known as the former rhythm guitarist of the band Demon Hunter. He currently resides in Winston-Salem, North Carolina where he also owns and operates Helm's Deep recording studio.\n\nCareer\n\nThe Ascendicate (2008–09)\nRyan Helm began his career playing guitar and singing back up vocals in The Ascendicate (which was originally called The 7 Method) from 1999 to 2012. During this time, he helped write and record their first album, To Die as Kings. Though Helm never officially left the band, it is understood that they are on an \"indefinite hiatus\" and will not likely return to the studio or stage.\n\nDemon Hunter (2009–2011)\nOn December 16, 2009, Helm was announced as Demon Hunter's new permanent rhythm guitarist and official replacement for founding member Don Clark. He appears on the band's 2010 album, The World Is a Thorn. From 2009 to 2011, Helm performed exclusively with Demon hunter until announcing his official departure from the band in December 2011. Helm stated that the departure “was inevitable; however, it was on good terms.”\n\nDamien Deadson (2011–present)\nIn 2010, Helm began working on a side project known as Damien Deadson to take a break from playing guitar and pursue his interest in singing. Since his departure from Demon Hunter, Helm has stated that he will be performing with Damien Deadson full-time as of 2012. Damien Deadson's first album A Warm and Dark Embrace was released in January 2012.\n\nDiscography\n\nThe Ascendicate\n To Die as Kings (2009)\n\nDemon Hunter\n The World Is a Thorn (2010)\n\nDamien Deadson\n A Warm and Dark Embrace (2012)\n\nReferences\n\nExternal links\n Demon Hunter Official site\n Ryan Helm on The PRP\n Review of Damien Deadson's A Warm and Dark Embrace\n\n1982 births\nLiving people\nAmerican heavy metal guitarists\nSolid State Records artists\n21st-century American guitarists" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm,", "Did Helm have any siblings?", "They encouraged their children to play and sing at a young age.", "Where did Helm go to school?", "Helm established his first band, the Jungle Bush Beaters, while in high school.", "Was Helm successful with his high school band?", "I don't know." ]

[ "Frances Helm (October 14, 1923 - December 30, 2006) was an American stage, film, and television actress whose performing career spanned nearly fifty years.\n\nEarly life\nShe was born Mary Frances Helm in Panama City, Florida. Her parents were Thomas William Helm II and Grace Spencer. Her father started as a bookkeeper for the railroad industry then became an accountant for the state of Virginia, moving the family to Richmond when Helm was very young. She had one older brother. Helm graduated from J. A. C. Chandler Junior High School in June 1937. She graduated from John Marshall High School in June 1940.\n\nFrom the age of ten Helm took piano and voice lessons. Later she studied with Mary Barbour Dixon, who would remain her drama teacher and coach all through secondary school and college. Helm attended the Richmond Professional Institute (RPI) from Fall 1940 through Spring 1942, majoring in Speech and Dramatics. Helm was a member of RPI's Theater Associates, which mounted productions at the school using students and the occasional visiting professional actor. Helm and other RPI drama students also did broadcasts of play readings on the school's radio station. While at the school, Helm dropped her first name for stage billing.\n\nDuring her last term at RPI, her brother returned to Richmond after being wounded at Pearl Harbor. A Radioman 2/C in the USN, Thomas W. Helm had kept firing an antiaircraft gun during the attack despite being severely wounded; the Navy credited him with bringing down a Japanese aircraft. Invalided out of the service in April 1942, he was used for recruiting and bond drives, with his sister accompanying him. She was pictured at Red Cross events and dances with her brother and other servicemen. Frances Helm also joined other volunteer actors to perform a parody of an old-fashioned melodrama, Ten Nights in a Bar-Room, at military bases in Virginia and Maryland.\n\nEarly stage career\nAfter graduating from RPI, Helm moved to New York City, where she took additional drama training at Columbia University while modeling in fashion shows for the Powers Agency. She also worked in radio, both as a voice actress and a personality for variety shows. For one radio show called \"Blind Date\", hosted by Arlene Francis, Helm was matched with a G.I. for an evening at the Stork Club.\n\nDuring late 1945 Helm signed up for a theatrical trial by fire, a six-month stint with one of the Clare Tree Major Touring Companies. She performed in The Golden Apple by Lady Gregory, a short play based on an Irish fairy story.\n\nCome September 1946 Helm joined a more traditional touring company with a revival of Life with Father. Cast as \"Mary Skinner\", the primary love interest, Helm had a lot of publicity during the tour of the Eastern United States. The tour traveled by a large private bus with an attached trailer for sets and props, enabling it to play small towns without train service. The tour finished up in Texas during early March 1947.\n\nFrom April thru May 1947 Helm made an independent color film called The Clam-digger's Daughter, which was never distributed to theaters for exhibition. Helm credited the film, shot on location in Cape Charles, Virginia, with restoring her Southern accent.\n Living up North has made me lose my accent twice. I got it back the first time by moving in with six Mississippi girls who lived in New York, and the second time by appearing in a \"made-in-Virginia\" movie.\n\nShe performed in summer stock during 1947 at the Green Mountain Playhouse in Middlebury, Vermont. From June 1948 Helm appeared in summer stock on Long Island in Parlor Story, which had a short run on Broadway the year before. She then starred in Years Ago, a much more successful recent Broadway comedy.\n\nMister Roberts\nBy August 1948 Helm had joined the national touring company for Mister Roberts, while the original was then in its sixth month on Broadway. Helm was the only female in the large cast, which included her then husband Robert Keith Jr, who was still using his birth name for billing at the time. The play starred Richard Carlson, James Rennie, Murray Hamilton, and Robert Burton, with a young Cliff Robertson. \nAfter several weeks in Detroit, the play went to Chicago for a two-week run that turned into twelve months.\n\nWhile playing Chicago, Helm and other cast members of Mister Roberts put on free plays at veteran's homes in the area. The local newspaper printed photos of Helm with different members of the cast nearly every month, emphasizing her as the only woman in the play. At eleven months into the run the Chicago Tribune published a photo of Helm with her husband in their roles as \"Lt. Ann Girard\" and \"Mannion\".\n\nFrom Chicago the touring company for Mister Roberts moved to Pittsburgh's Nixon Theater in September 1949, with John Forsythe taking over the titular role and Jackie Cooper playing \"Ensign Pulver\". As with critics in Detroit and Chicago, the Pittsburgh reviewer praised Helm for her delivery while noting the brevity of her part. The tour then went to one and two week runs at smaller cities, finally finishing up with a three-month booking in Boston that ended in April 1950. Helm was so reliable in playing every show that the tour finally dispensed with having an understudy for her three minutes on stage.\n\nEarly television\nHelm's first television appearance was for a program called Hollywood Screen Test during October 1950. She did an episode of Philco Television Playhouse in May 1951 followed by an episode of Kraft Television Theatre in November. All of these programs were originally broadcast live from New York City, though the latter program was apparently recorded by kinoscope and re-broadcast to the West Coast the following month.\n\nThe following year she guest starred in episodes of Adventures of Ellery Queen and The Web, both thirty minute live broadcasts. The latter was also recorded by kinoscope and re-broadcast in March 1952. Her third program in as many months was for Armstrong Circle Theater, another New York live broadcast. She did another The Web episode in March 1952, her first TV work alongside her then husband.\n\nHer 1952 performing year having been front-loaded with TV work during the first quarter, Helm did four weekly summer stock plays in Bangor, Maine during June, then one more Television Playhouse episode in November.\n\nShe had little performing work in 1953: an uncredited bit part in Never Wave at a WAC, followed by a highly praised week playing \"Stella Kowalski\" in a stage production of A Streetcar Named Desire, another television episode, then four weeks reprising her roles in Detective Story and Mister Roberts.\n\nValiant Lady\nDuring 1954 Helm toured with Joe E. Brown from July through October in The Show-Off. Discovering in December 1954 that she had been secretly divorced by her husband five months earlier, Helm was forced to take whatever performing work she could find. Since she was still maintaining residency in New York, Helm took on a soap opera role, as \"Linda Kendall\" in Valiant Lady. This fifteen minute television program was broadcast live daily from CBS studios in Manhattan. Helm played a woman with mental issues, which years later her mother said was the hardest role to watch her daughter perform.\n\nHelm's exact tenure on the show is difficult to verify. Credited with 246 episodes during calendar year 1955, the only reliable reference date is a newspaper photo from July 17, 1955, showing her, Sue Randall, and Flora Campbell wearing shorts in Central Park while being rehearsed by director Herb Kenwith. It was certainly over by early November 1955, when Helm did a series of plays at the Paper Mill Playhouse for producer Frank Carrington and an episode of Robert Montgomery Presents. Whatever the dates were, it was Helm's longest recurring television role, and a measure of her determination to remain on the East Coast so long as it was professionally possible.\n\nCoastal commuter\n\n1956-1958\n\nBy 1956 the great majority of television work was in Southern California, and Helm would have to commute between the coasts. She made an episode of Matinee Theater in April 1956 that producer Aubrey Schenck saw; he cast her in the film Revolt at Fort Laramie as a result. After two more episodes of Matinee Theater, she returned to New York to take over Bethel Leslie's role of \"Rachel Brown\" in the original Broadway production of Inherit the Wind. Helm joined the production in November 1956 and remained with it until its closing in June 1957.\n\nThe remainder of 1957 saw her doing two minor plays. Career was already an off-Broadway success when Helm joined it for a week in Philadelphia. One Foot in the Door, with June Havoc and David White, had its premiere with a ten-day tryout in Philadelphia followed by one week in Boston. Critics in both cities panned it.\n\nWith the flop of One Foot in the Door, Helm had to return to the West Coast for more television in late spring 1958. She did three episodes of two different series, but returned to New York later that year for two episodes of a new show called New York Confidential. This show was mainly filmed in New York, but one episode Helm did was made in Jacksonville, Florida.\n\n1959-1960\n\nShe spent late spring and summer of 1959 in a center staged road company production of Look Homeward, Angel, playing engagements in Miami, Philadelphia, and San Diego. While on the West Coast, she filmed an episode of The Millionaire.\n\nHelm returned to the East Coast for trial runs of The Deadly Game, an adaption of A Dangerous Game, during January 1960. After the short tryouts, the play moved to Broadway but lasted only 39 performances from February thru March 1960. As with Mister Roberts, Helm was the only woman in the cast, and appeared only briefly on stage in the final scene. She took advantage of this situation to see the opening acts of other plays then performing on Broadway, telling a columnist \"I'm waiting for the book versions so I can see how these plays end\".\n\n1961-1963\n\nFor 1961 Helm did episodes of six television shows, five of them on the West Coast and one in New York. Early 1962 saw her do two episodes of Everglades! on location in her native Florida.\n\nShe then took the female lead in the West Coast premiere of Critic's Choice, which opened mid-May 1962 in Los Angeles. Meant for a short run, the production was a hit, running so long the original leading man Edward Binns had to be replaced by Ted Knight due to prior performing commitments. As a contrast, a columnist mentioned that while performing the play at nights, Helm went to the Warner Brothers Studio to make an episode of 77 Sunset Strip during the day. During its tenth week the production was converted from front staging to center staging; it closed two weeks later.\n\nHelm also took part in filming The Ugly American in 1962, playing secretary to Marlon Brando's ambassador.\n\nLater that year, Helm temporarily took over the role of \"Nancy Pollock\" on The Edge of Night when actress Ann Flood took three months maternity leave.\n\nIn February 1963 Helm reprised her role in Critic's Choice with Hans Conried for a one-week run in Louisville, Kentucky. A month later she married for the second time.\n\nLater career\nAfter the birth of her daughter in late spring 1964, Helm resumed working in October of that year. She temporarily took on the role of \"Susan Dunbar\" on The Secret Storm, replacing Mary Foskett, who had moved to the West Coast. The show, like many soaps, was still made in New York City at the time. Judy Lewis took over the character on January 7, 1965.\n\nHelm would let a couple of years go by between performing engagements for the rest of her career. She did two TV episodes in 1967, an odd little set of playlets in 1969, before resuming a fuller schedule in 1972. That year saw her join a touring company for the summer season, playing a small role in Remember Me, a comedy by Ronald Alexander. She then had a starring role in Welcome Home, playing opposite Pernell Roberts, in an original play by Edmund Hartmann. The production ran three weeks at Chicago's Ivanhoe Theater.\n\nDuring 1976 Helm did an episode of Kojak then she and Danny Aiello starred in a Broadway flop called Wheelbarrow Closers, which lasted for only 7 previews and 8 performances. She had a smaller role in the original production of Manny in 1979, which lasted for about a month on Broadway. She had better luck with Broadway revivals, albeit in understudy positions, for Morning's at Seven in 1980-81 and You Can't Take It With You in 1983–84.\n\nAs her stage career wound down, Helm continued doing screen work, making an episode of an obscure TV series and the film A Little Sex in 1982. She did two more films, a bit part in Shakedown (1988) and larger role in Electric Moon (1992). Her final performing work was for a TV movie, Love and Betrayal: The Mia Farrow Story in 1995.\n\nPersonal life\n\nHelm married Robert Alba Keith on January 3, 1948, in Richmond. They were in Mister Roberts for eighteen months, did at least one television episode together, but separated on July 28, 1953. On December 8, 1954, Helm charged Keith with \"introducing another woman as his wife\", without naming her. Newspapers reported in January 1955 that Keith had already obtained a Mexican divorce six months earlier and remarried to dancer Judy Landon. At a settlement hearing, Helm agreed to accept the divorce and receive $250 monthly alimony from Keith. However, a few weeks later the alimony was set aside on a \"quirk\" of California law wherein only the party filing for divorce could claim alimony.\n \nIn April 1963 Helm married Walter C. Wallace, a former assistant Secretary of Labor in the Eisenhower administration. He was the personnel director for a New York paper company. The couple had one child, a daughter Laura Wallace, born in late spring 1964. They remained married until Helm's death in 2006.\n\nAccording to her obituary in Variety, Helm was a long-time member of the The Player's Club and had served on its board of directors.\n\nStage performances\n\nFilmography\n\nNotes\n\nReferences\n\nExternal links\n \n\n1923 births\n2006 deaths\n20th-century American actresses\nActresses from Florida\nAmerican film actresses\nAmerican stage actresses\nAmerican television actresses", "June Helm (September 13, 1924 – February 5, 2004) was an American anthropologist, primarily known for her work with the Dene people in the Mackenzie River drainage.\n\nEarly life and education\nHelm was born in Twin Falls, Idaho in 1924, to William Jennings Helm and Julia Frances (née Dixon) Helm. In 1930, the family moved to Kansas City, Kansas. Helm experienced a solitary childhood, full of illness, and was a shy, anxious child. After high school, Helm enrolled in anthropology at the University of Kansas, because of its modest tuition, and there she completed a year of education. In 1942, her father's machinery repair business experienced a boom, leading to the finances necessary for Helm to transfer to the University of Chicago, her school of choice. Helm graduated with a Bachelor of Philosophy from the University of Chicago in 1944, after completing the two-year program. Helm received her M.A. in 1949. She received encouragement from Robert Redfield and George Peter Murdock, both of whom influenced her study. Helm received her PhD in 1958 from the University of Chicago, after completing her dissertation, which was published by the National Museums of Canada in 1961, titled Lynx Point People.\n\nPersonal life\nIn 1945, Helm married Richard “Scotty” MacNeish, who was a Ph.D candidate in the field of archaeology. In 1949, they moved to Ottawa, Ontario. The two amicably divorced in 1958, at which point Helm returned to Chicago. In 1968, Helm married Pierce King, an architect. The two stayed together until her death.\n\nIn 1989, Helm suffered from a stroke, which resulted in partial paralysis. She continued to teach for another decade, however, retiring in December 1999.\n\nCareer\nIn 1945, Helm and MacNeish travelled to Mexico, where MacNeish completed archaeological field work. This was Helm's introduction to field work, and the next year, she conducted ethnographic research among the people of the region, for her Masters' thesis. Upon Helm and MacNeish's move to Ottawa, Helm became a sessional lecturer at Carlton University, from 1949 to 1959. In the summer of 1950, while MacNeish took part in an archaeological survey of the Mackenzie River, Helm became involved with the Dene people living nearby, to whom she gave the name “The Lynx Point People” in her 1958 dissertation. While working there, Helm learned that they were interested in having their children learn English, so the following summer, Helm returned with Teresa Carterette. The two volunteered as teachers, and also spent time doing fieldwork, to get a better understanding of the people. Helm continued to conduct interviews between 1954 and 1957, contacting people from Chipewyan, Hare and Slavey communities. Upon her return, Helm focused on the history and ethnography of the Slavey communities, of which there was little. Helm made great forays in understanding and relating the culture of the northern Athapaskan people, and she disproved hypotheses or discovered errors in the works of Julian Steward and Leslie Spier.\n\nIn 1957, during a linguistics course, Helm met Nancy Oestreich Lurie, and the two became friends. In 1959, the two went to do fieldwork among the Dogrib people in the Northwest Territories. They returned to work with other Dogrib groups in 1962 and 1967. After this point, Helm continued her research alone, making ten trips to do fieldwork between 1959 and 1979.\n\nHelm worked as a tenured professor of Anthropology at the University of Iowa, having worked there from 1960 to December 1999. When Helm first joined the department, it was the Department of Sociology and Anthropology; she worked towards the creation of separate departments, which came to fruition in 1969, and she served as chair. Helm also established an American Indian and Native Studies program, and serves as the first chair, from 1993–1996.\n\nIn 1996, Helm was contacted by John Zoe, a Dogrib official, and Thomas Andrews, an archaeologist at the Prince of Wales Northern Heritage Centre, located in Yellowknife, regarding artifacts which had been taken by a graduate student of the University of Iowa in 1894, Frank Russell. Helm assisted in the negotiations for repatriation of the artifacts, particularly a caribou skin tent, which had been too large to exhibit. The negotiations were successful, and the tent was returned to the Dogrib people.\n\nThroughout her career, Helm published 11 books and monographs, and more than 40 articles and chapters. Helm spent the last few years of her life assembling her notes, photographs and records from her fieldwork, and sent them to Yellowknife, to be available to the Dene people.\n\nHonours and accomplishments \nHelm served as an adviser to the Indian Brotherhood of the Northwest Territories (now the Dene Nation), assisting them as a consultant in terms of land claims rights and research in the Mackenzie Valley Pipeline Inquiry.\n\nHelm served as president of several societies and associations; the Central States Anthropological Society for 1970–1971, the American Ethnological Association from 1981–1983, and the American Anthropological Association from 1986–1987.\n\nIn 1994, Helm was elected as a Fellow of the American Academy of Arts and Sciences. Helm received the F. Wendell Miller Distinguished Achievement Award in 1995.\n\nHelm's contributions to the University of Iowa have been recognized, particularly with the creation of the June Helm Award for Service and Excellence, which is awarded annually to a graduate student.\n\nPublications by Helm\nAs a sole author\n The Lynx Point People: The Dynamics of a Northern Athapaskan Band Ottawa: National Museum of Canada, 1961.\n The Indians of the Subarctic: A Critical Bibliography. Don Mills, Ontario: Fitzhenry & Whiteside Limited, 1976. \n The People of Denendeh: Ethnohistory of the Indians of Canada's Northwest Territories. Iowa City, Iowa: University of Iowa Press, 2000. \n\nAs editor or coauthor\n Pioneers of American Anthropology: The Uses of Biography. Seattle: University of Washington Press, 1966.\n Essays on the Verbal and Visual Arts. Seattle: University of Washington Press, 1967.\n\nReferences \n\nFellows of the American Academy of Arts and Sciences\n1924 births\n2004 deaths\nAmerican anthropologists\nUniversity of Chicago alumni\n20th-century anthropologists\nUniversity of Kansas alumni\nAmerican expatriates in Canada" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm,", "Did Helm have any siblings?", "They encouraged their children to play and sing at a young age.", "Where did Helm go to school?", "Helm established his first band, the Jungle Bush Beaters, while in high school.", "Was Helm successful with his high school band?", "I don't know.", "What did Helm do after high school?", "Helm was influenced by all these styles, which he heard on the Grand Ole Opry on radio station WSM" ]

[ "Damien Deadson is an American heavy metal project from Winston-Salem, North Carolina, United States, formed in 2009 by guitarist and vocalist Ryan Helm. As its main producer, singer and songwriter, Helm is the only official member of Damien Deadson and remains solely responsible for its direction.\n\nHistory\n\nFormation (2009)\nDamien Deadson was initially conceived as a solo project by Ryan Helm, who had previously played guitar in the band The Ascendicate, as an opportunity to take a break from guitar and focus on his interest in singing. Ryan began working on Damien Deadson in 2009 but had to put the project on hold after being asked to join the band Demon Hunter. In 2010 Ryan revived the project and began recording tracks in his home studio. Ryan personally recorded and performed all of the vocals and instruments, with the exception of drums. Despite beginning as a studio project, Helm would later put together a touring band for live performances.\n\nSince his departure from Demon Hunter, Ryan Helm has stated that he will be performing as Damien Deadson full-time.\n\nA Warm and Dark Embrace (2011-2012)\nIn late 2011 Ryan Helm announced the independent release of A Warm and Dark Embrace. Despite being officially unreleased to the public, the album was immediately met with positive reviews. The album was released on January 29, 2012. The band plans to tour extensively in support of the album throughout 2012.\n\nMusical style, influences and lyrical themes\nDamien Deadson's style is much darker and more technical than Helm's previous work, and is influenced by a much wider array of styles. The band's sound typically features a heavily down-tuned guitar setup, distinct percussion and occasional samples. Utilizing good neato styles, Damien Deadson typically features growled vocals, screaming, and melodic singing.\n\nHelm listed some bands that have influenced him personally and Damien Deadson's sound: Stabbing Westward, Emmure, Fear Factory, Deftones, Meshuggah, Rammstein, Bury Your Dead, Imogen Heap and Kanye West among others. Helm's music is also heavily influenced by his personal life and experiences.\n\nRyan has stated that, unlike his previous bands, Damien Deadson is not a \"Christian band\" and chooses to instead often focus his lyrical content on more secular topics. Such topics include love, anger, personal strife and self empowerment.\n\nMembers\nCurrent members\nRyan Helm – Lead vocals (founding member)\n\nCurrent touring members\n Adam Moore - Drums\n Tyler Gordon - Guitar\n Thomas Grell - Bass\nFormer touring members\nJosh Behnke – Drums and percussion\nCody Macri – Bass guitar\nLucas Polk – Guitar\nWill Guffin – Guitar\n\nDiscography\nA Warm and Dark Embrace (2012)\nCrown Me, Destroyer (2014)\nShadow Work (2015)\n\nReferences\n\nExternal links\nDamien Deadson at Facebook\n\nAmerican metalcore musical groups\nMusical groups established in 2010\n2010 establishments in North Carolina", "Helm Boots is a brand of boots in the U.S. The company was founded in 2009 by Joshua Bingaman, an Oklahoma native. The company's boots were manufactured in Turkey before production was relocated to Maine. The boots are designed in Austin and then manufactured in Maine using leather materials from American companies like Horween Leather Company and S. B. Foot Tanning Company.\n\nBoot styles\nSome of the Helm Boots styles include: \nSam: a dress boot with a waxed-canvas panel\nMuller: a simply designed boot with a cap toe and infused rubber dot tread on the leather sole\nPhilips Cooper: a desert boot\nDash: this combines a leather with a monochromatic suede panel and a white boat shoe sole.\n\nOther businesses\nBingaman had opened two coffee shops and a coffee roastery in the Austin, Texas area. He studied how Turkish footwear was made on a trip to visit his aunt.\n\nReferences\n\nExternal links\nHelm Boots website\n\nClothing brands of the United States" ]

[ "Levon Helm", "Early years", "when was Helm born?", "Arkansas in the 1940s", "who was Helm born to?", "His parents, Nell and Diamond Helm,", "Did Helm have any siblings?", "They encouraged their children to play and sing at a young age.", "Where did Helm go to school?", "Helm established his first band, the Jungle Bush Beaters, while in high school.", "Was Helm successful with his high school band?", "I don't know.", "What did Helm do after high school?", "Helm was influenced by all these styles, which he heard on the Grand Ole Opry on radio station WSM", "What styles influenced Helm?", "a variety of musical styles--blues, country and R&B--" ]

[ "Damien Deadson is an American heavy metal project from Winston-Salem, North Carolina, United States, formed in 2009 by guitarist and vocalist Ryan Helm. As its main producer, singer and songwriter, Helm is the only official member of Damien Deadson and remains solely responsible for its direction.\n\nHistory\n\nFormation (2009)\nDamien Deadson was initially conceived as a solo project by Ryan Helm, who had previously played guitar in the band The Ascendicate, as an opportunity to take a break from guitar and focus on his interest in singing. Ryan began working on Damien Deadson in 2009 but had to put the project on hold after being asked to join the band Demon Hunter. In 2010 Ryan revived the project and began recording tracks in his home studio. Ryan personally recorded and performed all of the vocals and instruments, with the exception of drums. Despite beginning as a studio project, Helm would later put together a touring band for live performances.\n\nSince his departure from Demon Hunter, Ryan Helm has stated that he will be performing as Damien Deadson full-time.\n\nA Warm and Dark Embrace (2011-2012)\nIn late 2011 Ryan Helm announced the independent release of A Warm and Dark Embrace. Despite being officially unreleased to the public, the album was immediately met with positive reviews. The album was released on January 29, 2012. The band plans to tour extensively in support of the album throughout 2012.\n\nMusical style, influences and lyrical themes\nDamien Deadson's style is much darker and more technical than Helm's previous work, and is influenced by a much wider array of styles. The band's sound typically features a heavily down-tuned guitar setup, distinct percussion and occasional samples. Utilizing good neato styles, Damien Deadson typically features growled vocals, screaming, and melodic singing.\n\nHelm listed some bands that have influenced him personally and Damien Deadson's sound: Stabbing Westward, Emmure, Fear Factory, Deftones, Meshuggah, Rammstein, Bury Your Dead, Imogen Heap and Kanye West among others. Helm's music is also heavily influenced by his personal life and experiences.\n\nRyan has stated that, unlike his previous bands, Damien Deadson is not a \"Christian band\" and chooses to instead often focus his lyrical content on more secular topics. Such topics include love, anger, personal strife and self empowerment.\n\nMembers\nCurrent members\nRyan Helm – Lead vocals (founding member)\n\nCurrent touring members\n Adam Moore - Drums\n Tyler Gordon - Guitar\n Thomas Grell - Bass\nFormer touring members\nJosh Behnke – Drums and percussion\nCody Macri – Bass guitar\nLucas Polk – Guitar\nWill Guffin – Guitar\n\nDiscography\nA Warm and Dark Embrace (2012)\nCrown Me, Destroyer (2014)\nShadow Work (2015)\n\nReferences\n\nExternal links\nDamien Deadson at Facebook\n\nAmerican metalcore musical groups\nMusical groups established in 2010\n2010 establishments in North Carolina", "\"Midnight Lady\" is the first track on Marvin Gaye's 1982 album, Midnight Love. It contains sly references to Rick James and his hit, \"Super Freak\".\n\nBackground\nBy the recording of Midnight Love, Gaye was influenced by the different musical styles that were dominating the pop music scene of the 1980s from synthpop and new wave artists such as Duran Duran to rock artists such as John Lennon, a pop music contemporary he was often compared to, reggae legend Bob Marley and funk/R&B artists such as Prince, Michael Jackson and Rick James. For this song, the musical style of James, which mixed styles of funk, synthpop and new wave particularly on James' biggest crossover hit, \"Superfreak\", influenced the direction of what became \"Midnight Lady\". In its alternate demo version, later released on the Midnight Love and the Sexual Healing Sessions album, it's titled as \"Clique Games/Rick James\".\n\nAccording to biographer David Ritz, Gaye told him, \"Most of my life happens after midnight. Call me the 'Midnight Man'.\" Gaye played on most of the instruments on the song except for drums by James Gadson, the horn section by David Stout and The L.A. Horn Section and guitar by Gordon Banks. In the song, Gaye references going to a party \"last Saturday night\" where \"the club was rocking/superfreaks were hanging out/wall to wall\" and \"something's going on in the men's room\". Throughout the song, Gaye continues referencing the woman he's after as a \"superfreak\". Lyrically wise and musically wise, the influence of \"Superfreak\" was prominent. In one verse, Gaye tells the woman, \"somebody said you was a superfreak/I'm here to tell you I'm a superfreak, baby.\" Gaye would later admit he was influenced by James for the duration of the album as it progressed. The song was never released as a single but was issued as the first track off Midnight Love.\n\nCredits\nLead and background vocals by Marvin Gaye\nWritten, arranged and produced by Marvin Gaye\nAll instruments by Marvin Gaye except where notified:\nJames Gadson - drums\nGordon Banks - guitar\nDavid Stout and The L.A. Horn Section - horns\nHorn arrangement by McKinley T. Jackson\n\n1982 songs\nMarvin Gaye songs\nSongs written by Marvin Gaye\nSong recordings produced by Marvin Gaye" ]

[ "Rudy Giuliani", "Appointees as defendants" ]

[ "Caroline Biggs is an Irish lawyer who has been a judge of the High Court since October 2021. She previously practiced as a barrister where she specialised in criminal law.\n\nEarly life \nBiggs attended University College Dublin from where she graduated with a BCL degree in 1995.\n\nLegal career \nShe was called to the Irish bar in 1997 and became a senior counsel in 2009. She specialised in criminal law, appearing both for defendants and on behalf of the Director of Public Prosecutions. She acted in cases involving drug offences, assault, sexual offences, tax offences and homicide.\n\nIn 2018, she was appointed to chair a group of representatives from government departments and bodies to respond to recommendations on addressing child abuse.\n\nJudicial career \nBiggs was nominated to the High Court in September 2021. She was one of five new judges created to deal with the increase in legal cases as the Covid pandemic eased. Other appointees were Marguerite Bolger, Emily Egan, Cian Ferriter and David Holland. She was appointed on 5 October 2021.\n\nReferences\n\nLiving people\nHigh Court judges (Ireland)\nIrish women judges\nAlumni of University College Dublin\nAlumni of King's Inns\n21st-century Irish judges\n21st-century women judges\nYear of birth missing (living people)", "This is a list of United States ambassadors appointed by the 45th president of the United States, Donald Trump.\n\nAmbassadorships are often used as a form of political patronage to reward high-profile or important supporters of the president. The most visible ambassadorships are often distributed either in this way or to the president's ideological or partisan confreres. Most ambassadorships, however, are assigned to foreign service officers who have spent their career in the State Department. Regardless, all ambassadors must be formally appointed by the president and confirmed by the Senate. While all ambassadors serve at the president's pleasure and may be dismissed at any time, career diplomats usually serve tours of roughly three years before receiving a new assignment; political appointees customarily tender their resignations upon the inauguration of a new president.\n\n44% of Trump's appointees were political, a substantially higher percentage than typical. As of October 2018, 92% of Trump's appointees were white and 74% were male, with zero black women.\n\nColor key\n Denotes announced appointees who are serving in an acting capacity.\n Denotes confirmed appointees to nations who are political appointees (rather than career foreign service officers).\n Denotes confirmed appointees who are Career Members of the Senior Executive Service.\n\nAmbassadors to foreign states\n\nAmericas\n\nAfrica\n\nMiddle East\n\nAsia\n\nEurope\n\nOceania\n\nAmbassadors to international organizations\n\nAmbassador and representatives to the United Nations and related organizations\n\nAmbassadors and representatives to other international organizations\n\nAmbassadors-at-large\n\nSee also \n List of ambassadors appointed by Joe Biden\n\nReferences\n\nExternal links\n Chiefs of Mission by Country\n Chiefs of Mission to International Organizations\nAmerican Foreign Service Association\n\n2010s politics-related lists\n Ambassadors\n Trump" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding," ]

[ "Anyone Else may refer to:\n \"Anyone Else\" (Collin Raye song), 1999\n \"Anyone Else\" (Matt Cardle song), 2012", "Vice President for Economic Affairs () is a government position in Iran whose officeholder acts as a Vice President of Iran. Mohsen Rezaei currently serves in the position, being appointed on 25 August 2021.\n\nAs existence of this office is not obligatory by law, the responsibilities and authorities vested in this position could vary and many presidents did not appoint anyone in the capacity.\n\nList of officeholders\n\nReferences \n\nVice presidents of Iran" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury" ]

[ "The PayPal 14 are a group of defendants allegedly connected with the hacktivist group Anonymous, thirteen of whom pleaded guilty in a San Jose court in California, United States in December 2013, to charges of conspiring to disrupt access to the PayPal payment service. The attempted four-day disruption of PayPal's operations was allegedly in response to PayPal's refusal to process donations to Wau Holland Stiftung's PayPal account set up to collect funds for WikiLeaks, and was part of a wider Anonymous campaign, Operation Payback.\n\nCourt proceedings\n\nThe defendants were charged under the Computer Fraud and Abuse Act in July 2011 for the attempted denial of service attacks, which occurred in December 2010. On December 5, 2013, ten of the defendants pleaded guilty to one misdemeanor count of damaging a protected computer and one felony count of conspiracy, and three others each pleaded guilty to one misdemeanor. The 14th defendant had their case handled separately.\n\nNew York-based attorney Stanley Cohen, who represented one of the defendants, claimed that the 13 committed acts of civil disobedience in political dissent, adding that he thinks that the acts were free speech protected by the First Amendment. In an interview for SKP News Cohen compared the digital 'sit-in' to protests organized by the civil rights movement. Cohen further noted that the guilty pleas were for misdemeanors resulting in probation, instead of having the defendants face possible felony convictions and jail sentences. A fine of $86,000 is being equally distributed among the 13 activists, each owing $6,615. The fine must be paid by December 2014.\n\nLeniency request\nIt is unclear how many people actually took part in the attacks. Pierre Omidyar, founder of the online market eBay, asked federal prosecutors to show leniency, stating that \"[i]n those cases, I believe justice requires leniency. In my view, they should be facing misdemeanor charges and the possibility of a fine, rather than felony charges and jail time.\"\n\nReferences\n\nExternal links\n ThePayPal14.com – The Official PayPal 14 homepage (Archived)\n\nLiving people\nQuantified groups of defendants\nTrials in the United States\nAnonymous (hacker group)\nInternet-based activism\nYear of birth missing (living people)", "Einstein v 357 LLC is a United States New York Supreme Court landmark decision which addresses a party's discovery obligations and the safeguarding of evidence. In particular, this decision addresses the issue of the intentional destruction of digital evidence when litigation has commenced or is reasonably anticipated. In short, this decision eradicates\nthe excuse of ignorance in terms of how electronically stored information is saved, deleted, and retrieved.\n\nBackground\nThe plaintiffs in this lawsuit, Harold Einstein and Jennifer Boyd brought an action against the defendants, 357 LLC and The Corcoran Group (a real estate business established by Barbara Corcoran), Adam Pacelli (\"Pacelli\"), Christina Coats (\"Coats\"), Anne Marie Gatz (\"Gatz\"), Daniel Alter Architect, PPL, Daniel Alter, Kutnicki-Bernsetein Architects, PLLC, Daniel Berstein, Andrew Katz, Peter Miceli, and Peter Miceli Plumbing. The action is based on claims against the Defendants for fraudulent inducement, fraudulent concealment, negligent misrepresentation, and violations of New York's Consumer Protection Act, which arose from correspondence and statements, which included emails, sent by brokers and forwarded to the Plaintiffs by the Defendants.\n\nThe claims were in connection with the alleged defective design construction, development and deceptive marketing of a condominium unit in Brooklyn (\"Condominium\"). The Plaintiffs are the buyers of the $1.3 million three-bedroom Park Slope Condominium which floods when it rains.\n\nMissing emails\nDiscovery of emails\nA number of applications and hearings took place following complaints by the Plaintiffs that the Corcoran Defendants had failed to comply with discovery obligations. The Plaintiffs took the view that the Corcoran Defendants' failure to disclose relevant emails, or attachments associated with emails which were disclosed, is evidence of \"selective editing of discovery responses and/or spoliation of evidence\".\nIn particular, motion was made by the Plaintiffs on October 15, 2008 to strike the pleadings of the Corcoran Group, Pacelli, Coats and Gatz (\"Corcoran Defendants\") or, alternatively, to compel the Corcoran Defendants to comply with its discovery obligations. The alternative request sought to compel the Defendants to produce, amongst\nother things, an image of the Corcoran Defendants' computer hard drives and emails for forensic data recovery.\n\nThe Plaintiffs eventually obtained an order directing each of the Corcoran Defendants to produce their respective hard drives to an independent vendor for inspection and deleted file recovery and for a keyword search of terms be conducted for extraction and production. The Corcoran Defendants eventually produced two hard drives (\"Hard Drives\") which they say are an exact replica of the central server in connection with the persons in question as all Corcoran e-mails are forwarded to a central server.\n\nForensic examination of hard drives\nA third-party computer forensics expert (\"Expert\") subsequently performed a forensic search and analysis of the data on the Hard Drives and found, among other things, that the Hard Drives contain no current .pst or .ost files for Pacelli or Coats. Files for Gatz disclosed a large number of emails, but none were relevant. Further, it was determined by the Expert that certain relevant emails identified by the Plaintiffs to be searched for were not found on the Hard Drives and that there was no proof of deletion found.\n\nFindings on Evidence\nThe Corcoran Group initially attempted to insist that no emails relating to the subject matter of the litigation was omitted by an explanation that all emails provided were either from a central server which contained all relevant emails or from Hard Drives which were exact duplicates of the hard drives of the office computers used by the relevant agents of Corcoran Group who worked on the sale in relation to the Condominium.\n\nHowever, by the Corcoran Defendants' subsequent evidence and testimony of Terence Thomas (\"Thomas\"), a director of Information Technology at the Corcoran Group, numerous incidents of material non-disclosure and numerous failures in relation to the Corcoran Defendants discharging their discovery obligations was found by the Court. The evidence showed that Thomas had failed to disclose an email deletion policy of the Corcoran Group (\"Deletion Policy\") until after numerous orders of the Court and late in the proceedings. The Deletion Policy required emails to be regularly deleted by users to make room for more emails as a result of the fact that email mailboxes of Corcoran's brokers are allocated a limited amount of megabytes. It is a part of the Deletion Policy that users must manually delete emails at their discretion, but whatever records users have are to be retained so that they may be presented.\n\nAfter considering the evidence, the Court found that (1) the Corcoran Group failed to implement any change in its email Deletion Policy upon commencement of litigation; (2) the Corcoran Defendants continued to delete emails in accordance with their ordinary practices even after the commencement of litigation because nobody, including Counsel for the Corcoran Defendants implemented any change to the Deletion Policy; (3) the Corcoran Defendants failed to submit evidence of correspondence among each other despite clear evidence that there should be; (4) the emails produced by the Corcoran Defendants were selective in nature; and (5) Counsel for the Corcoran Defendants made numerous materially false statements to the Plaintiffs and the Court, including statements which indicate that the Corcoran Defendants have, in good faith, complied with discovery obligations.\n\nRuling\nThe Court reasoned that while deletion of emails in the ordinary course of business in not improper, parties must take additional steps to preserve potentially relevant emails once litigation has commenced or is reasonably anticipated. From the evidence which was adduced before the Court, it took the view that the Corcoran Defendants had failed to implement a litigation hold and that they should be sanctioned for such failure.\n\nThe Court took the view that the Corcoran Defendants' \"failure to suspend the deletion policy or even investigate the basic ways in which emails were stored and deleted constitutes a serious discovery default on the part of the Corcoran Defendants and their counsel rising to the level of gross negligence or willfulness\".\n\nThe Court drew the adverse inference that the emails deleted were unfavourable to the Corcoran Defendants and that at least some of the deleted emails were relevant to the litigation and favourable to the Plaintiffs. Having found that the Plaintiffs have established that the Corcoran Defendants should be sanctioned for their failure to implement a litigation hold. The Court also awarded attorneys' fees and costs in favour of the Plaintiffs.\n\nExternal links \nSupreme Court of New York website\nLaw.com - \"Corcoran Group Sanctioned for Failure to Preserve E-Mail for Discovery\"\ntherealdeal.com- \"State Supreme Court rules Corcoran \"negligent\" with e-mails in Bklyn condo sale\"\nnydailynews.com - \"E-mail shows couple's suit vs. Corcoran Group holds water, judge says\"\n\nReferences\n\n2009 in United States case law\nNew York Supreme Court cases\nUnited States discovery case law\nUnited States state evidence case law\n2009 in New York (state)" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign." ]

[ "Irene Haschke (born 16 February 1921) was a German SS camp guard within the Nazi concentration camp system during World War II, notably, at the Bergen-Belsen camp in what is today Lower Saxony in northern Germany, southwest of the town of Bergen near Celle. She was born in Friedeberg, Neumark in what is now Poland.\n\nConcentration camp service and post-war trial\nHaschke worked in a textile factory until 16 August 1944, when she was recruited by the Schutzstaffel, more commonly known as the SS, and sent to the Gross-Rosen concentration camp for five weeks for training as a guard, or Aufseherin.\n\nShe was transferred to the Mährisch-Weißwasser camp, at Bílá Voda in the Sudetenland, for three weeks as SS Aufseherin. Later she returned to the textile factory for a time but was removed on 15 February 1945 and sent to Bergen-Belsen concentration camp, arriving on 28 February 1945.\n\nShe was captured by the British Army on 15 April 1945 and ordered to bury the dead. On 17 September 1945 she was brought to trial by the British in the Bergen-Belsen trial, where the Court accused Josef Kramer and another 44 people, who worked in Auschwitz and Belsen, of war crimes. This trial was held at 30 Lindenstraße (Lime Street), in Lunenburg. On 17 November 1945 she was convicted and sentenced to 10 years for her participation in these crimes and was released on 21 December 1951, having only served five years.\n\nReferences\n\n1921 births\nPossibly living people\nFemale guards in Nazi concentration camps\nBergen-Belsen concentration camp personnel\nBelsen trial", "William Purves (4 July 1888 – 18 September 1964) was a Scotland international rugby union player.\n\nRugby Union career\n\nAmateur career\n\nHe played for Cambridge University.\n\nHe played for London Scottish.\n\nProvincial career\n\nHe played for Anglo-Scots district against Provinces District on 26 December 1908, while still with Cambridge University.\n\nHe played for Whites Trial against Blues Trial on 6 January 1912.\n\nHe played for Blues Trial against Whites Trial on 18 January 1913.\n\nInternational career\n\nHe was capped six times for between 1912 and 1913.\n\nFamily\n\nHe was the brother of Alex Purves who was also capped for Scotland.\n\nReferences\n\nSources\n\n Bath, Richard (ed.) The Scotland Rugby Miscellany (Vision Sports Publishing Ltd, 2007 )\n\n1888 births\n1964 deaths\nScottish rugby union players\nScotland international rugby union players\nLondon Scottish F.C. players\nWhites Trial players\nBlues Trial players\nRugby union players from London\nScottish Exiles (rugby union) players\nCambridge University R.U.F.C. players" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign.", "What was he on trial for?", "Kerik then pleaded guilty in 2009, in a New York district court, to eight federal charges, including tax fraud and false statements," ]

[ "Brent Harding (born March 3, 1967) is an American musician who is the current bass player for the California punk group Social Distortion, which he joined in early 2005.\n\nBiography\nHarding joined Social Distortion in January 2005, replacing temporary bass player, Matt Freeman, who is best known for working as the bass player of Rancid. His first recording with the band was re-recordings of their older material and \"Far Behind\", which appear on their 2007 Greatest Hits album. He also appeared on the band's seventh studio album Hard Times and Nursery Rhymes, which was released in January 2011. This would be the band's first proper studio album with Harding.\n\nPrior to joining Social Distortion, Harding was the bass player for Social Distortion frontman Mike Ness during his Cheating at Solitaire tour and recorded with Ness on his second solo offering Under the Influences. His previous bands include Deke Dickerson And The Ecco-Fonics, The Eugene Edwards Band, The Lucky Stars, The Sleepwalkers and The What-Me Worry? Jug Band. He also plays stand up bass for an insurgent bluegrass band called [http://www.whiskeychimpband.com Whiskey Chimp in his home town of Ventura, CA. He appeared on Late Night with Conan O'Brien while playing bass with Mike Ness Band.\n\nSummer of 2007 saw the birth of Harding's newest project, The Steeplejacks. Along with Harding, the band consists of Jonny Wickersham (Social Distortion, U.S. Bombs and Youth Brigade) on guitar, Sam Bolle (Fear, Dick Dale, Agent Orange) on stand up bass, Toby Emery (Raging Arb and the Redheads, Jackass) on mandolin and guitar and Bill Flores (The Rincon Ramblers, Louie Ortega) on pedal steel, fiddle and accordion. Harding plays guitar and drums with the Steeplejacks.\n\nSelected discography\n\nSocial Distortion\n Greatest Hits (2007)\n Hard Times and Nursery Rhymes (2011)\n\nMike Ness\n Under the Influences (1999)\n\nBig Bad Voodoo Daddy\n Everything You Want For Christmas (2004)\n\nDeke Dickerson and the Eccofonics\n Rhythm, Rhyme & Truth (2000)\n My Name is Deke (2004)\n More Million Sellers (1999)\n Mister Entertainment (2003)\n \"Number One Hit Record\" (1998)\n\nRod McKuen\n Beatsville (2002)\n\nAmy Ferris\n Anything (2004)\n\nWhiskey Chimp\n Naranja (2004)\n Ventura (2006)\n\nReferences\n\nLiving people\n1967 births\nAmerican punk rock bass guitarists\nAmerican male bass guitarists\nSocial Distortion members\nAmerican bass guitarists\nAmerican double-bassists\nMale double-bassists\nAmerican male guitarists\nSlap bassists (double bass)\n20th-century American guitarists\n21st-century double-bassists", "\"John Wesley Harding\" is a song by American singer-songwriter Bob Dylan that appears as the opening track on his 1967 album of the same name.\n\nWriting and recording\nDylan told Jann Wenner in a 1969 Rolling Stone interview that the song \"started out to be a long ballad. I was gonna write a ballad on ... like maybe one of those old cowboy ... you know, a real long ballad. But in the middle of the second verse, I got tired. I had a tune, and I didn't want to waste the tune; it was a nice little melody, so I just wrote a quick third verse, and I recorded that.\" Biographer Clinton Heylin states that Dylan has had a well-documented interest in outlaw cowboys, including Jesse James and Billy the Kid, and in the past Dylan has said that his favorite folk song was \"John Hardy\", whose real-life title character in 1893 murdered another man over a game of craps. John Wesley Hardin was another late-19th century outlaw. Dylan has stated that he chose John Wesley Hardin for his protagonist over other badmen because his name \"[fit] in the tempo\" of the song. Dylan added the g to the end of Hardin's name by mistake.\n\nThe song was recorded in two takes on November 6, 1967, in Studio A of Columbia Music Row Studios in Nashville, Tennessee. Both of these were considered for the album, but the second take was ultimately chosen.\n\nThemes\nDylan has said that he did not have a clear notion of what the song was about. He told Cameron Crowe in 1985 that after recording the John Wesley Harding album, he \"didn't know what to make of it. ... So I figured the best thing to do would be to put out the album as quickly as possible, call it John Wesley Harding because that was the one song that I had no idea what it was about, why it was even on the album. So I figured I'd call the album that, call attention to it, make it something special...\" It was the only title that he considered for the album. He told a Newsweek interviewer in 1969 that the songs on his country Nashville Skyline album: \"These are the type of songs that I always felt like writing. The songs reflect more of the inner me than the songs of the past. They're more to my base than, say, 'John Wesley Harding'. There I felt like everyone expected me to be a poet so that's what I tried to be.\"\n\nCover versions\n\"John Wesley Harding\" has been covered by McKendree Spring on their 1969 eponymous album, as well as Tom Russell and Wesley Willis.\n\nNotes\n\nReferences\n\nExternal links\n \"John Wesley Harding\" lyrics on official website\n\n1967 songs\nSongs written by Bob Dylan\nBob Dylan songs\nSong recordings produced by Bob Johnston" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign.", "What was he on trial for?", "Kerik then pleaded guilty in 2009, in a New York district court, to eight federal charges, including tax fraud and false statements,", "What was Russell Harding on the stand for?", "In 2005, Harding pleaded guilty to defrauding the Housing Development Corporation and to possession of child pornography." ]

[ "Hard Drive Productions, Inc. v. Does 1–1,495, Civil Action No. 11-1741 (JDB/JMF), was a United States District Court for the District of Columbia case in which the court held that anonymous users of the peer-to-peer file sharing service BitTorrent could not remain anonymous after charges of copyright infringement were brought against them. The court ultimately dismissed the case, but the identities of defendants were publicly exposed.\n\nBackground \n\nHard Drive Productions, Inc., is an adult film studio with a history of suing anonymous \"John Doe\" defendants for copyright infringement.\nOn September 27, 2011, Hard Drive Productions sued 1,495 anonymous defendants for copyright infringement in Hard Drive Productions, Inc. v. Does 1–1,495.\nHard Drive Productions claimed that the defendants had used BitTorrent to illegally download and distribute its movie \"Amateur Alleur—MaeLynn.\"\n\nA prominent feature of this case the defendants' right to anonymous speech.\nHard Drive Productions knew the IP addresses assigned to each defendant by their Internet service provider (ISP), however the plaintiff had no information about the true identities of these individuals. Hard Drive Productions moved to compel the ISPs by subpoena to disclose the true identities of the defendants. The court granted the motion, which would force the ISPs to disclose the defendants' identities.\nThe defendants moved to quash this subpoena.\nFor administrative reasons, some of the defendants submitted their name and address with their motions to quash.\nThese were filed under seal to protect their identities from the public.\n\nSubsequently, the Electronic Frontier Foundation (EFF), an organization that advocates internet users' anonymity and other rights in the digital world, sent an amicus curiae and requested an emergency stay—a motion that would halt action so that the order could be reconsidered. The EFF mainly argued that the order did not consider the defendants' First Amendment right to anonymous speech. The court eventually denied the EFF's motion for emergency stay and reconsideration and ordered unsealing of all sealed motions to quash.\nThus, the identities of the defendants were disclosed to the public.\n\nOpinion of the Court\n\nOn Hard Drive Productions's motion to compel\nOn August 13, 2012, the court held that the defendants could not proceed anonymously. The court noted that there was no privilege recognized by law that would protect the identity of the Does from being disclosed to the plaintiff for the purposes sought, and that without the ability to obtain the Does' identities, the copyright holders would have been left without a means of identifying the individuals who violated its rights.\n\nThe plaintiff was seeking subscriber information for particular IP addresses, and the use of that information had already been restricted by the court: \"Any information disclosed to Hard Drive in response to the Rule 45 subpoenas may be used by Hard Drive solely for the purpose of protecting its rights as set forth in the Complaint, and Hard Drive may not publicly disclose the names of the defendants.\"\n\nThe defendants filed motions to quash the subpoena, but they were denied for multiple reasons.\nFirst, because the defendants moved anonymously, their motions could not officially become part of the Court file.\nAccording to Rule 5.1 of the court's local rules, \"The first filing by or on behalf of a party shall have in the caption the name and full residence address of the party.\"\nSecond, since the subpoena was for the defendants' ISPs and not the defendants themselves, the defendants had no standing to quash the subpoena.\nThird, the court argued that, at the time, the movants were not yet considered as defendants.\n\nOn the EFF's stay motion\nThe court released a memorandum regarding the EFF's amicus curiae and denied its stay motion on September 26, 2012.\n\nIn this opinion, court applied the 5-part balancing test adopted in Sony Music Entertainment, Inc. v. Does 1–40, 326 F. Supp. 2d 556 (S.D.N.Y. 2004) and found that all five factors supported the disclosure of the defendants' identities:\n\n Plaintiff's concrete showing of a prima facie claim of copyright infringement—Hard Drive Productions made a concrete showing of a prima facie claim of copyright infringement.\n Specificity of the plaintiff's discovery request—Hard Drive Productions's discovery request was sufficiently specific to gain only the information needed to identify the defendants and nothing more.\n Absence of alternative means to gain the information plaintiff seeks—subpoenaing the ISPs appeared to be the only way for the plaintiff to obtain the defendants' identities because only the ISPs have records of the IP addresses assigned to users on the date and at the time of each allegedly infringing act.\n Plaintiff's need for the information to advance its claim—without the defendants' identifying information, the plaintiff could not name or serve process on the defendants and hence cannot advance its claims of copyright infringement.\n Defendants' expectation of privacy—defendants had little expectation of privacy in the subscriber information that they had already given to their ISPs.\n\nBecause all of the five Sony factors supported disclosure of the defendants' identities, the court found that the plaintiff's need for the defendants' identities in pursuit its claims outweighed the defendants' First Amendment interest in anonymity.\n\nSubsequent developments \nOn December 21, 2012 the case was dismissed in its entirety without prejudice, but the plaintiff could still file a new lawsuit in other jurisdictions until the statute of limitation has expired.\n\nEric Goldman criticized the court for allowing copyright plaintiffs to unmask the identities of the defendants too easily. As a result of the disclosure, the defendants lost their essential due process rights. In practice, once the plaintiff knew the identities of defendants, it could take advantage of substantial extrajudicial remedies such as public humiliation in porn copyright cases. Goldman claimed that this ruling unfairly favored the plaintiff over the anonymous defendants.\n\nAfter the case was dismissed, Hard Drive Productions was involved in another lawsuit related to this case. On February 16, 2013, Nathan Abshire, one of the defendants in Hard Drive Productions, Inc. v. Does 1–1,495, filed a new lawsuit (MND 13-cv-00380) against Hard Drive Productions. Abshire alleged that after the disclosing of the Does' identities in September 2012, Hard Drive Productions, Inc. began harassing Nathan over the phone and continued to propose various unacceptable settlement proposals. The complaint primarily requested that the court issue an order declaring that Abshire not be liable for copyright infringement, that Hard Drive Productions's purported copyright on its work was unenforceable or invalid. It also requested that Abshire be awarded costs, disbursements, and expenses, including reasonable attorney fees.\n\nSee also \nMcIntyre v. Ohio Elections Commission\nApple v. Does\n\nReferences\n\nExternal links\n \n \n\n2012 in United States case law\nInternet privacy case law\nUnited States file sharing case law", "Microsoft Corp. v. Harmony Comps. & Elecs., Inc., 846 F. Supp. 208 (E.D.N.Y. 1994), was an Eastern New York District Court decision regarding copyright infringement and breach of license agreement. Microsoft Corp. (referred to as \"Microsoft\" below) filed the lawsuit against Harmony Comps. & Elecs., Inc. (referred to as \"Harmony\" below) and its president, Stanley Furst (together referred to as the \"defendants\" below), seeking declaratory and injunctive relief and treble damages. The defendants did not contest the plaintiff's claim that Harmony sold Microsoft's products without any licenses or authorization, or that they sold Microsoft's products stand-alone, which violated Microsoft's license agreement. Instead, the defendants argued that their action was protected by the first-sale doctrine 17 U.S.C §109(a) (1977). After reviewing the facts, the court found that the defendants' action constituted copyright infringement, and that the first-sale doctrine did not apply since the defendants failed to prove that the Microsoft products they sold were lawfully acquired. The court also ruled that the defendants breached Microsoft's software license agreement by selling the products stand-alone.\n\nBackground\nThe defendants sold Microsoft's copyrighted products, including Microsoft MS-DOS and Microsoft Windows software programs, without license or authorization. Furthermore, they sold such products either stand-alone or loaded on computer hard disks. They continued their activity despite of Microsoft's notification letters of illegality on April 19, June 16, July 14, and September 14, 1993. According to Robert Wanezek, Program Manager of Microsoft's Replication Group, and Lee Gates, Microsoft's Software Design Test Engineer, twenty-one pieces of counterfeit products were found on defendants' premises. Microsoft hired private investigators, who were then able to purchase various Microsoft products from the defendants. Other customers who bought Microsoft's products from the defendants called Microsoft's Piracy Hotline to question the legitimacy of Harmony's sales. \n\nThe defendants denied that any of their products sold were counterfeit. They argued that even if any of the Microsoft products were counterfeit, they purchased them in the good faith that such products were genuine. Furthermore, they argued that their selling of Microsoft products was protected by the first-sale doctrine and thus the copyright infringement claim did not hold.\n\nHolding\nWithout an evidentiary hearing, the court ruled that the copyright infringement was likely to hold in this case based on the facts that the defendants were never licensees of Microsoft's and therefore were unauthorized to distribute any of Microsoft's products. The court found it unnecessary to verify the genuineness of the Microsoft products sold by Harmony. Furthermore, the court cited ISC-Bunker Ramo Corp. v. Altech, Inc., 765 F. Supp. 1310, 1331 (N.D.Ill. 1990) (\"there is no such thing as a bona fide purchase for value in copyright law\") and ruled that Harmony's good faith argument did not hold. The fact that the defendants ignored Microsoft's four notification letters proved that they were not \"innocent infringers\".\n\nThe first-sale doctrine did not apply to this case, since the defendants failed to trace the \"chain of title\" and establish a proof of first sale. The court reasoned that \"in civil actions for copyright infringement, the defendant has the burden of proving that the particular pieces of the copyrighted work that he sold were lawfully made or acquired\" and that \"the fact that defendants bought their Microsoft Products from another party does not by itself establish a first sale\". \n\nAs to the fact that Microsoft's \"undercover investigator\" traced some of the products sold by Harmony to two of Microsoft's licensees, the defendants still violated Microsoft's license agreement, which required that licensees \"shall distribute Product(s) only with [licensee's] Customer System(s)\". (The \"Customer System\" here means a \"single user computer system\".) Harmony's selling the product stand-alone breached Microsoft's license agreement.\n\nSee also\n List of leading legal cases in copyright law\n First-sale doctrine\n Copyright infringement of software\n Bobbs-Merrill Co. v. Straus\n\nExternal links\n \n\n1994 in United States case law\nUnited States copyright case law\nUnited States district court cases\nMicrosoft litigation" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign.", "What was he on trial for?", "Kerik then pleaded guilty in 2009, in a New York district court, to eight federal charges, including tax fraud and false statements,", "What was Russell Harding on the stand for?", "In 2005, Harding pleaded guilty to defrauding the Housing Development Corporation and to possession of child pornography.", "Were there other defendants?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign.", "What was he on trial for?", "Kerik then pleaded guilty in 2009, in a New York district court, to eight federal charges, including tax fraud and false statements,", "What was Russell Harding on the stand for?", "In 2005, Harding pleaded guilty to defrauding the Housing Development Corporation and to possession of child pornography.", "Were there other defendants?", "I don't know.", "Are there any other interesting aspects about this article?", "After Giuliani left office, Kerik was subject to state and federal investigations resulting in his pleading guilty in 2006," ]

[ "Brady v. United States, 397 U.S. 742 (1970), was a United States Supreme Court case in which the Court refused to hold that large sentencing discounts and threats of the death penalty are sufficient evidence of coercion.\n\nBackground\n\nTrial \nRobert Brady was indicted in 1959 for kidnapping and failing to release the hostage without harm, which under 18 U.S.C. § 1201(a) imposed a maximum penalty of death if the jury recommended it. When he learned that his co-defendant had confessed to the crime and agreed to testify against him Brady changed his plea from not guilty to guilty. The trial judge twice questioned him on whether the plea was made voluntarily. \nThe Court: …Having read the presentence report and the statement you made to the probation office, I want to be certain that you know what you are doing and you did know that when you entered a plea of guilty the other day. Do you want to let that plea of guilty stand, or do you want to withdraw it and plead not guilty?\n\nDefendant Brady: I want to let that plea stand, sir\n\nThe Court: You understand that, in doing that, you are admitting and confessing the truth of the charge contained in the indictment and that you enter a plea of guilty voluntarily, without persuasion, coercion of any kind? Is that right?\n\nDefendant Brady: Yes, your Honor.\n\nThe Court: And you do do that?\n\nDefendant Brady: Yes, I do.\n\nThe Court: You plead guilty to the charge?\n\nDefendant Brady: Yes, I do.\n\nUpon his acceptance of his plea the trial judge imposed sentence of fifty years imprisonment, later reduced to thirty.\n\nAppeal \nIn 1967 Brady sought post-conviction relief arguing that 18 U.S.C. § 1201(a) was coercive in nature and impermissible under United States v. Jackson which was decided after his conviction. In United States v. Jackson, the court ruled that 18 U.S.C. § 1201(a) was unconstitutional because the death sentence could only be imposed by a jury. The court concluded that the statute made death the risk of a jury trial and that this was impermissible. Brady argued that every guilty plea entered under § 1201 was invalid when the fear of death is shown to have been a factor. The District Court for the District of New Mexico denied relief. The District Court concluded that Brady changed his plea to guilty after learning that his codefendant would plead guilty, not due to the threat of death under § 1201. The Appeals Court for the Tenth Circuit agreed with the District Court and denied relief.\n\nOpinion of the Court \nJustice White delivered the unanimous opinion of the court. He quotes from United States v. Jackson \"the fact that the Federal Kidnapping Act tends to discourage defendants from insisting upon their innocence and demanding a jury trial by jury hardly implies that every defendant who enters a guilty plea to a charge under the Act does so involuntarily.” By ruling that all guilty pleas entered under § 1201 “would rob the criminal process of much of its flexibility.\" The court ruled that Brady was not coerced by § 1201. He entered his guilty plea with full knowledge and willingness; it was not the court's fault that the defendant did not anticipate United States v. Jackson.\n\nSee also \n Federal Kidnapping Act\n United States v. Jackson\n\nReferences\n\nExternal links\n \nCase summary at Quimbee\n\nUnited States plea bargaining case law\nUnited States Supreme Court cases\nUnited States Supreme Court cases of the Burger Court\n1970 in United States case law", "In the United States, the trial penalty refers to the difference between the smaller sentence offered to a defendant in a plea bargain prior to a criminal trial versus the larger sentence the defendant could receive if they elect to go to trial. It sits at the center of a legal debate over whether trial penalties abridge defendants' Sixth Amendment right to trial.\n\nBackground\nIn a plea bargain, a criminal defendant waives their right to trial and agrees to plead guilty to a lesser charge than would have been brought against them at trial or agrees to plead guilty to the original charge in exchange for a sentence that is less than the maximum possible. Plea bargaining is pervasive in the United States, with most criminal defendants accepting a plea deal rather than going to trial. At the federal level, just 2% of defendants elect to go to trial. \n\nThe constitutionality of plea bargaining has been repeatedly affirmed by the United States Supreme Court (e.g. Brady v. United States), provided that the defendant enter into the plea deal voluntarily.\n\nDefinition\nThe trial penalty is the \"discrepancy between the sentence the prosecutor is willing to offer in exchange for a guilty plea and the sentence that would be imposed after a trial\". Many plea bargains require that the defendant waive certain constitutional rights, such as the right to challenge unlawfully procured evidence and the right to appeal; the loss of these rights is also sometimes considered part of the trial penalty.\n\nCriticism\n\nRight to trial\nCritics argue that the trial penalty has the effect of depriving defendants' of their Sixth Amendment right to \"a speedy and public trial\". A 2015 statistical analysis of federal cases by Andrew Chongesh Kim concluded that defendants who exercise their right to trial are penalized with sentences 64% longer than they would have received had they accepted a plea deal. Kim argues that this makes trial by jury \"less of a right and more of a trap for fools\". \n\nThe National Association of Criminal Defense Lawyers (NACDL) has been a particularly harsh critic of the trial penalty, arguing that it is \"now so severe and pervasive that it has virtually eliminated the constitutional right to a trial\", which has had the consequence of replacing the system of trial by jury laid out in the United States Constitution with a system of plea bargains. Trial penalties, they point out, impose such harsh sanctions on choosing to go to trial—with prosecutors sometimes threatening multi-decade prison sentences if a plea deal of only a few years is not accepted—that trial penalties amount to coercing defendants to plead guilty. This coercion, they argue, renders plea bargains unconstitutional. \n\nThe lawyer Alan Dershowitz has also called the trial penalty unconstitutional. In the Wall Street Journal, he argued that trial penalties render most plea bargains unconstitutional because they amount to a punishment for exercising the right to trial, and any right is abridged \"when you're punished for exercising it\".\n\nPresumption of innocence\nThe National Association of Criminal Defense Lawyers (NACDL) has argued that trial penalties strip defendants of their presumption of innocence, pointing out that the \"pressures defendants face in the plea bargaining process are so strong even innocent people can be convinced to plead guilty to crimes they did not commit\". The Association argues that this casts doubt \"on the assumption that defendants who plead guilty do so voluntarily\".\n\nReferences\n\nCriminal law\nEthically disputed judicial practices\nLegal terminology\nCivil liberties in the United States" ]

[ "Rudy Giuliani", "Appointees as defendants", "How many appointees acted as defendants?", "In 2000, Giuliani appointed 34-year-old Russell Harding, the son of Liberal Party of New York leader and longtime Giuliani mentor Raymond Harding,", "Did he appoint anyone else?", "In a related matter, Richard Roberts, appointed by Giuliani as Housing Commissioner and as chairman of the Health and Hospitals Corporation, pleaded guilty to perjury", "how many defendants were there?", "Giuliani was a longtime backer of Bernard Kerik, who started out as a NYPD detective driving for Giuliani's campaign.", "What was he on trial for?", "Kerik then pleaded guilty in 2009, in a New York district court, to eight federal charges, including tax fraud and false statements,", "What was Russell Harding on the stand for?", "In 2005, Harding pleaded guilty to defrauding the Housing Development Corporation and to possession of child pornography.", "Were there other defendants?", "I don't know.", "Are there any other interesting aspects about this article?", "After Giuliani left office, Kerik was subject to state and federal investigations resulting in his pleading guilty in 2006,", "What did he plead guilty to?", "to two unrelated ethics violations." ]

[ "Giuliani Partners LLC is a management consulting and security consulting business founded by former New York City Mayor Rudy Giuliani in January 2002. As of 2020, Dun & Bradstreet estimated that the business had 20 employees and revenues of $6.34 million.\n\nStructure\nRudy Giuliani is chairman and CEO of Giuliani Partners. Many of the managing partners and executives of Giuliani Partners are former New York City officials, counsels, or emergency services leaders, and associates from Giuliani's time as mayor. There is a subsidiary of the partnership, Giuliani Security & Safety LLC (before 2005, Giuliani-Kerik), which focuses on security consulting, especially regarding buildings; its chairman and CEO is Pasquale J. D'Amuro, a former assistant director in charge at the Federal Bureau of Investigation's New York office, and an inspector in charge following the September 11, 2001 terrorist attacks. Other subsidiaries include Giuliani Safety & Security Asia and Giuliani Compliance Japan.\n\nGiuliani Partners' stated mission expresses \"dedicated to helping leaders solve critical strategic issues, accelerate growth, and enhance the reputation and brand of their organizations in the context of strongly held values ... based on six fundamental principles: Integrity, Optimism, Courage, Preparedness, Communication, Accountability.\"\n\"No client is ever approved or worked on without a full discussion with Rudy ... We're cautious in the right sense of that term, in terms of who we work for. We always want to make sure it is a company that is doing the right thing, that we're proud to represent\", according to Giuliani Partners' senior managing partner, Michael D. Hess, former corporation counsel for New York City.\n\nGiuliani's colleagues at Giuliani Partners have included founding member and vice president Matthew Mahoney, a former deputy director of advance for the mayor's office; Bernard Kerik, Giuliani's former police commissioner, who was later accused of having ties to organized crime and resigned from the firm in 2004; former FBI investigator D'Amuro, who admitted to taking six non-evidentiary artifacts from Ground Zero as mementos, but against whom no action was taken by the FBI; and Monsignor Alan Placa, a high school friend of Giuliani and a former Roman Catholic priest who was accused of sexually molesting a teenager and of covering up molestation in the church. Giuliani Partners has stated that Giuliani \"believes that Alan Placa has been unjustly accused\", and that the firm has no plans to stop representing him.\n\nThe firm is privately held. Sources have placed Giuliani Partners' earnings at over $100 million in the five years through early 2007. Another estimate shows it with annual revenues of $40 million and 55 employees. After stepping down as CEO and chairman, Giuliani retained a 30 percent equity stake in the partnership, which paid him $4.1 million in 2006. The firm's fortunes, which had always been dependent upon Giuliani's star power, diminished due to Giuliani's absence during his campaign, which ended in late January 2008. Its client list and revenues decreased, and staff was reduced from about 60 to about 50 employees.\n\nDuring the 2008 presidential election effort, Peter Powers was chairman and CEO of Giuliani Partners, having replaced Giuliani in June 2007, ahead of the 2008 Rudy Giuliani presidential campaign. Peters was formerly a deputy mayor of New York. \n\nGiuliani subsequently returned to work at the firm, splitting time between it and the law firm Bracewell & Giuliani. The company specialized in consulting on energy-related matters. In July 2008, Giuliani Partners announced it was diversifying via the creation of a real estate investment fund that would target foreign investors seeking to capitalize on the weak dollar and invest in New York and Washington, D.C. real estate. The fund would be a collaboration with Rockville, Maryland-based Berman Enterprises. By mid-2009, Giuliani Partners was still feeling the effects of Giuliani's ongoing political life, including the departure of former Giuliani chief of staff Anthony V. Carbonetti, who was working on possible Giuliani-related aspects of the New York gubernatorial election, 2010.\n\nThe firm's headquarters had been in 5 Times Square, at the south end of New York City's Times Square, since its founding. In 2010, the firm relocated to Manhattan to share office space with the New York office of Giuliani's other law partnership, Texas law firm Bracewell & Giuliani. The firm had further reduced its number of employees, and Bracewell & Giuliani became the former mayor's primary public business activity.\n\nClient base\nGiuliani Partners has been categorized by various media outlets as a lobbying entity capitalizing on Giuliani's name recognition.\nClients of Giuliani Partners are required to sign confidentiality agreements that preclude commentary about the work the firm's work and fees. Giuliani has refused to talk about his clients, services rendered, compensation received, or any details about the company.\n\nOne of Giuliani Partners' clients during this time was Hank Asher, an admitted drug smuggler and millionaire founder of companies that perform electronic information gathering (datamining) on individuals. According to a shareholder in the company, Asher hired Giuliani for his \"influence with the federal government to enable Mr. Asher to take an active role in Seisint as a chief executive officer despite the allegations about his drug dealing\". Giuliani helped Asher's company obtain $12 million in government grants. After Asher's past was publicly revealed, he resigned from the company; Giuliani defended him to newspapers without mentioning that Asher was a paying client. After Asher's resignation, investors in Seisint reported that Giuliani was paid US$2 million a year in fees, a commission on sales of Seisint products, and 800,000 warrants for Seisint stock, which would prove valuable when Seisent was sold to Lexis Nexis for $775 million. One investor sued the board, claiming that Giuliani's contributions had not been worth the large amount paid. The Seisent database product that Giuliani Partners was to help market the Multistate Anti-Terrorism Information Exchange, and was criticized on civil liberties grounds; within two years the program was disbanded.\n\nIn representing Purdue Pharma, maker of OxyContin, in a case against the Drug Enforcement Administration, Giuliani Partners negotiated a $2 million fine and no further penalty for what the DEA called \"lax security\" at plants that produced the drug, which the DEA said was being used as a recreational drug. The lead DEA investigator later said that Purdue Pharma escaped harsher penalties in the case because of Giuliani's connections to government officials. Giuliani later represented Purdue Pharma in a recently settled case in which the DEA accused the company of marketing OxyContin by playing down its level of addictive properties. Giuliani met with government lawyers six times to help negotiate a settlement in the case. Giuliani reached a deal to avoid a bar on Purdue Pharma doing business with the federal government.\n\nForbes reported in November 2006 that Giuliani Partners accepted fees from penny stock firms, made alliances that have gone nowhere, and formed pacts with businesses and individuals that have come under scrutiny by regulators and law enforcement officers. For instance, Giuliani Capital Advisors accepted 1.6 million warrants from Lighting Science Group at 60 cents, a fee of $150,000 and a promise to raise cash. The company went bankrupt, losing $412,000 on sales of $137,000 in the first part of 2006. A venture with CamelBak started out under Giuliani's consulting arrangement with $31 million in sales, but was run into the ground with various missteps, including having the disgraced Bernard Kerik sit on its board. Forbes said Giuliani's most controversial deal was throwing in with a 2004 project with Applied DNA Sciences. Its backer, Richard Langley Jr., had previously pleaded guilty to conspiracy to commit wire fraud and commercial bribery in another penny stock scam; another, Jeffrey Salzwedel, had been fined for making \"unsuitable\" stock recommendations to clients; and the brokerage firm Vertical Capital Partners, a third backer, had been penalized repeatedly for various securities violations.\n\nMexico City hired Giuliani Partners to consult on its crime rate, hoping for a drop in crime like that which New York City had experienced in the 1990s. Giuliani toured the city for a day and Giuliani Partners produced a report analyzing ways in which crime could be reduced. However, in the year after the plan was implemented, crime dropped by only 1% and some city officials expressed regret at hiring Giuliani for a $4.3 million fee. Some called it a \"$4 million publicity stunt\". Some of the recommendations that were put into place included using breathalyzers on drunk drivers and targeting \"squeegee men\".\n\nGiuliani Partners has had contracts since 2005 with Qatar's Ministry of the Interior, for security advice and consulting services. These contracts were overseen by Minister Abdullah bin Khalifah Al Thani, a member of Qatar's royal family.\n\nGiuliani Capital Advisors\nOn December 1, 2004 his consulting firm announced it purchased accounting firm Ernst & Young's investment banking unit. The new investment bank would be known as Giuliani Capital Advisors LLC and would advise companies on acquisitions, restructurings, and other strategic issues.\n\nOn March 5, 2007, due to his presidential campaign, Giuliani Capital Advisors was sold to Macquarie Group, an Australian financial group, for an amount that analysts said may approach $100 million.\n\nReferences\n\nExternal links\n Giuliani Partners LLC website\n\nConsulting firms established in 2002\nInternational management consulting firms\nSecurity consulting firms\nRudy Giuliani\n2002 establishments in New York City", "Andrew Harold Giuliani (born January 30, 1986) is an American political advisor who served as a special assistant to the president and associate director of the Office of Public Liaison during the Trump administration. He is the son of former mayor of New York City, Rudy Giuliani. Giuliani is a contributor for the conservative media channel Newsmax TV.\n\nIn May 2021, Giuliani announced that he would be running for governor of New York in 2022.\n\nEarly life and education\nGiuliani was born to Rudy Giuliani and Donna Hanover in 1986. He has one sister, Caroline.\n\nHis father was elected mayor of New York City in 1993. When his father took the oath of office, Andrew repeated parts of the oath along with his father. Andrew was exuberant on the podium beside his father, as he blew kisses to the cameras, mimicked every hand gesture of his father, and shouted out: \"It should be so and it will be so!\" The moment was lampooned by comedian Chris Farley on Saturday Night Live.\n\nIn October 2000, his father filed for divorce which was finalized in July 2002. His mother was awarded custody.\n\nGiuliani attended Saint Joseph Regional High School in Montvale, New Jersey, graduating in 2005. Giuliani studied marketing, management, and sociology at Duke University graduating in May 2009 with a Bachelor of Arts degree. After college, Giuliani worked as a sales intern at CapRok Capital in Rye, New York.\n\nGolf\nGiuliani played golf in high school, and lettered all four years. In June 2001, at 15 years of age, he played in the pro-am at the Buick Classic at the Westchester Country Club, partnered with world #1 Tiger Woods. His father, Rudy Giuliani, was originally scheduled to play with Woods, but could not because of a sore left foot. Despite his inability to play, Rudy Giuliani ensured that he was present for the entire round, by either walking together with his son and Woods, or riding in a golf cart a few meters away from them to protect his left foot.\n\nGiuliani was recruited to Duke by former golf coach Rod Myers, although Myers died shortly after and a new coach was appointed. In February 2008, while Giuliani was a junior, he was cut from the team for breaches of discipline, which he said were minor or fabricated infractions: gunning the engine of his car as he left a parking lot, breaking a club, and throwing an apple at a teammate.\n\nIn July 2008, Giuliani sued the university, alleging that his golf coach \"manufactured accusations against him to justify kicking him off the team to whittle the squad.\" He further claimed that the university, by way of the late Rod Myers, had verbally promised him a spot on the Blue Devils and “life-time access” to Duke golf facilities. The lawsuit was dismissed in 2010.\n\nGiuliani turned pro at the beginning of 2009. In August of that year he won the Metropolitan Open, earning $27,500, his first and only victory as a professional golfer. Between 2009 and 2016, he pursued a golf career by playing on minor league tours and participating in a Golf Channel reality show. In 2016, he started the process to regain his amateur status.\n\nPolitical career\nIn 2017, Giuliani was hired to work in the Trump Administration, in the Office of Public Liaison, as an Associate Director. In 2019, he was promoted to Special Assistant to the President. In his position, he helped arrange sports teams’ visits to the White House, and interfaced between the White House and business, nonprofit, and other groups, meeting with President Donald Trump up to four times a week. He also represented his office in White House meetings on the opioid crisis. He originally had an annual salary of $77,000, which by mid-2018 had increased to $90,700, and by mid-2019 was $95,000.\n\nGiuliani's unescorted access to the West Wing was rescinded by White House Chief of Staff John F. Kelly around the beginning of June 2018. After Kelly's departure in January 2019, Mick Mulvaney restored Giuliani's access.\n\nGiuliani has played golf with Trump since Giuliani was a teenager. Since starting work at the White House, he was a regular golf partner of Trump, and traveled with him for the sole purpose of playing a round or two of golf. In January 2020, the Irish Times called him \"Trump's most regular playing partner\".\n\nIn September 2020, The New York Post reported that Giuliani was considering running for mayor of New York City in 2021. Giuliani was critical of current mayor Bill de Blasio's policies, and especially of his budget cuts and disbanding of the New York Police Department's undercover anti-crime unit.\n\nOn May 18, 2021, Giuliani formally announced his candidacy for governor of New York in the 2022 gubernatorial election.\n\nFrom March to May 2021, Giuliani was a contributor to Newsmax TV, hired to comment on news and politics. He left that position to run for governor.\n\nGiuliani serves on the board of trustees of the United States Holocaust Memorial Museum.\n\nOn September 24, 2021, Politico Playbook reported that Fox News had banned Giuliani and his father from appearing on air. The report was disputed by Fox News, which said Giuliani had made multiple appearances on the network since announcing his gubernatorial run.\n\nPersonal life\nGiuliani was raised in the Catholic faith and was baptized by Monsignor Alan Placa in May 1986.\n\nIn 2010 and 2011, Giuliani dated Sarah Hughes, a competitive figure skater and Olympic gold medal winner.\n\nIn August 2016, he announced his engagement to Živilė Rezgytė, a Lithuanian-born real estate account executive he met at Yankee Stadium. They married in a Catholic ceremony at the Church of St. Joseph in Greenwich Village in Manhattan on July 14, 2017.\n\nOn November 20, 2020, Giuliani tested positive for COVID-19. He experienced mild symptoms, was treated with a multi-protocol regimen of intensive treatment. One of the medications utilized in treating the novel coronavirus infection was Regeneron, a Monoclonal Antibody treatment. It is believed that his exposure to the novel coronavirus took place at a DanYeller-SamB conference.\n\nReferences\n\n1986 births\nLiving people\nAmerican politicians of Italian descent\nAmerican Roman Catholics\nAmerican television personalities\nDuke Blue Devils men's golfers\nNew York (state) Republicans\nNewsmax TV people\nPlace of birth missing (living people)\nGiuliani family\nSaint Joseph Regional High School alumni\nTrump administration personnel" ]

[ "Jordin Sparks", "2009-10: Battlefield" ]

[ "No Science is an electronic music duo composed of Swedish producers and composers Johan Skugge and Jukka Rintamäki. They are best known for composing the soundtrack of the first-person shooter video games Battlefield 3 and Battlefield 4.\n\nHistory\n\nJukka Rintamäki is an artist who has worked as a bassist, singer and songwriter of the band Silverbullit from Gothenburg. Johan Skugge was previously in the band Yvonne. The two formed the duo No Science in 2010 and used a combination of synth, drum machine and steel guitar. They have been working together since creating the music for the computer game Battlefield 3 in 2010. They also composed the soundtrack for the sequel, Battlefield 4. \nThe duo's debut single as No Science, Magnificent Arp was released in late 2013. In February 2015 the single \"Bits\" was released featuring a remix by Swedish artist Jay-Jay Johanson. No Science's first album Lucky Resident was released in March 2015, and includes an appearance by El Perro del Mar.\n\nDiscography\n\nAlbums\n Lucky Resident (2015)\n\nSingles\n \"Familiar Skies\" (2015)\n \"Bits\" (2015)\n \"Magnificent Arp\" (2013)\n\nReferences\n\nExternal links\n \n Official page at BLVVD\n jukkarintamaki.com\n\nSwedish electronic musicians\nLiving people\nYear of birth missing (living people)", "Panzer AG is the name of an aggrotech/industrial rock side-project by Norwegian Andy LaPlegua, the founder of futurepop band Icon of Coil. Formed in 2004, Panzer AG's sound combines Power noise, Industrial, Trance, Rock and other genres to create a caustic but danceable form of music.\n\nHistory\n\nAfter experimenting with a variety of music styles, such as Futurepop with Icon of Coil, as well as aggrotech, power noise and industrial with Combichrist, LaPlegua furthered his sound by increasing the aggressiveness of both his lyrical content and his music. As well, where Icon Of Coil is purely Electronica, and Combichrist dabbles a tad with Industrial Rock, Panzer AG combines elements of industrial music, Trance Music and Hard rock. The result was the full-length album, This Is My Battlefield on the Metropolis Records label.\n\nWith the success of This Is My Battlefield, Panzer AG began working on a follow-up album, which was entitled Your World Is Burning, which was released in 2006. A slight departure in style from This Is My Battlefield, it is said to have been \"incorporating more of a 'Pretty Hate Machine era' industrial rock feel.\" The album peaked at #2 on the German Alternative Charts (DAC) and ranked #23 on the DAC Top Albums of 2006.\n\nDiscography\n This Is My Battlefield – Metropolis Records 2004\n Your World Is Burning – Metropolis Records 2006\n\nSee also\n\nAndy LaPlegua\nCombichrist\nIcon of Coil\n\nExternal links \n Metropolis Records' website\n Panzer AG's MySpace page\n\nReferences\n\nElectro-industrial music groups\nMetropolis Records artists" ]

[ "Jordin Sparks", "2009-10: Battlefield", "Was Battlefield the name of an album?", "S.O.S. (Let the Music Play)\", was released as the second single from Battlefield on September 15, 2009." ]

[ "This is a comprehensive listing of official releases by Nick Lachey, an American pop singer. Nick has released four studio albums, eight singles, and four music videos under Motown Records, Universal Records and Jive Records.\n\nLachey's debut album, SoulO, was released on November 11, 2003 reached #51 on the U.S. Billboard 200 chart. Two singles were released: \"Shut Up\" and \"This I Swear\". However, only the latter charted, where it reached #11 on the U.S. Billboard Bubbling Under Hot 100 chart. \n\nHis second album, What's Left of Me, was released on May 9, 2006. It was a bigger success on the Billboard charts, where it reached a number 2 peak. The title track was released as the first single from the album and it became Lachey's first Top 10 single on the Hot 100. The following single, \"I Can't Hate You Anymore\", only reached number 87 on the Hot 100. A third and final single, \"Resolution\" was released, however, it only reached number 77 on the Pop 100 (now the Mainstream Top 40).\n\nIn 2009, two more singles were released. They were intended on being the lead singles for an upcoming third studio album, however, the album has been pushed back several times. It was expected that the album would be released sometime in 2010, however it was revealed in January 2010 that Lachey's label, Jive Records, have put the new album on hold indefinitely.\n\nAlbums\n\nSingles\n\nNotes\n\nReferences\n\nDiscographies of American artists\nPop music discographies\nDiscography", "Followers is an album by the American contemporary Christian music (CCM) band Tenth Avenue North. It was released by Provident Label Group, a division of Sony Music Entertainment, under its Reunion Records label, on October 14, 2016. The album reached No. 5 on the Billboard Christian Albums chart, and No. 151 on the Billboard 200. Three singles from the album were released: \"What You Want\" in 2016, and \"I Have This Hope\" and \"Control (Somehow You Want Me)\" in 2017, all of which appeared on the Billboard Hot Christian Songs chart.\n\nRelease and performance \n\nFollowers was released on October 14, 2016, by Provident Label Group LLC, a division of Sony Music Entertainment. It first charted on both the US Billboard Christian Albums and Billboard 200 on the week of November 5, 2016, peaking that week on both charts at No. 5 and No. 151, respectively.\n\nThree singles were released from the album. The first, \"What You Want\", was released five months in advance of the album on May 13, 2016, and charted on the Billboard Hot Christian Songs list, peaking at No. 17 on September 3, 2016. The other two were released in 2017 after the album, and reached the top 10 on Hot Christian Songs: \"I Have This Hope\" peaked at No. 5 on June 10, 2017, and \"Control (Somehow You Want Me)\" peaked at No. 7 on January 13, 2018.\n\nReception \n\nCCM Magazine gave the album 4 out of 5 stars, and cited its \"killer vocal work on honest, relatable lyrics paired with ... strong songwriting.\"\n\nChristian review website JesusFreakHideout rated the album 3.5 out of 5 stars. The review said the album was \"pretty much what you would expect from a CCM release\" and wrote that \"What You Want\" was \"the most energetic song on the album\". It singled out the opening track as \"excellent\" and the closing track as \"powerful\", and characterized the remaining songs as \"eight solid but otherwise ordinary tracks.\"\n\nTrack listing\n\"Afraid\" (3:48)\n\"What You Want\" (3:37)\n\"Overflow\" (3:40)\n\"I Have This Hope\" (3:24)\n\"One Thing\" (3:28)\n\"Sparrow (Under Heaven's Eyes)\" (3:59)\n\"No One Can Steal Our Joy\" (3:40)\n\"Control (Somehow You Want Me)\" (4:08)\n\"Fighting for You\" (3:22)\n\"I Confess\" (5:15)\n\nChart performance\n\nReferences\n\n2016 albums\nTenth Avenue North albums" ]

[ "Jordin Sparks", "2009-10: Battlefield", "Was Battlefield the name of an album?", "S.O.S. (Let the Music Play)\", was released as the second single from Battlefield on September 15, 2009.", "What singles were on this album?", "The third single from Battlefield, \"Don't Let It Go to Your Head\"," ]

[ "Signe Svendsen (born 16 October 1974) is a Danish singer. She took part in Eurovision Song Contest 2001 with the duo formation Rollo & King singing \"Never Ever Let You Go\" that was runner-up in the competition. She has developed a solo career with release of two albums.\n\nCareer\nSvendsen graduated from Nyborg Gymnasium and Rytmisk Musikkonservatorium in 1998. She gained fame through her participation in Eurovision Song Contest in 2001.\n\nShe continued on with a solo career and toured with Niels Hausgaard in 2007-2010 releasing Ny passager, her debut solo album in 2010. She wrote or co-wrote eight of the ten titles of the album. She promoted the album with a tour later releasing recordings from the tour in her 2011 album Live 2010. In June 2012, she released the single \"Din Sang\" (meaning Your Song) from her second album Kun de faldne rejser sig igen on 9 September 2013 that reached Top 3 in Tracklisten, the official Danish Albums Chart.\n\nSvendsen has also appeared in a number of Danish television programs, including Spørg Charlie (Ask Charlie) and Signe og B.S. på afveje (with B. S. Christiansen).\n\nDiscography\n\nAlbums\n\nLive albums\n2011: Live 2010\n\nSingles\n\nfeatured in\n\nReferences\n\n1974 births\nLiving people\n21st-century Danish women singers", "American singer Selena Gomez has released three studio albums since her solo debut in 2013. This has resulted in two concert tours all of them worldwide, and a lot of TV and award shows performances. During her Disney Channel days Gomez formed Selena Gomez & The Scene, her first musical group. The musical formation broke up in 2012 after ending their third and final concert tour named We Own the Night Tour. After the band's departure, Gomez has been releasing new music as a solo artist. She has been promoting all of her albums as well as her debut one Stars Dance, through 2013 and 2014, through performances at several festivals including the Rodeo Houston.\n\nA tour in support of the album began in August 2013 and was named Stars Dance Tour. The tour was scheduled to visit Asia and Oceania between January and February 2014 but those legs were cancelled due to Gomez being diagnosed with lupus. After completion, the tour grossed over $20 million.\n\nIn November 2014 Gomez released her first compilation album which she named For You. The album included tracks from her Hollywood Records days as well as a new track named \"The Heart Wants What It Wants\".\n\nIn December 2014, Gomez signed with Interscope Records after releasing four studio albums with Hollywood Records. In October 2015, Gomez released her second studio album as a solo artist; Revival. The singer announced in late November that she would tour the world with a tour in support of the new album. The tour began in Las Vegas in May 2016 and ended three months later in New Zealand. The Revival Tour was expected to visit Europe in October and November 2016 before visiting Latin America the following month but got canceled in August 2016 due to the singer's anxiety and depression, both symptoms of her disease.\n\nIn 2017 Gomez started to work on her next album, her second with Interscope often referred to as SG2 on social media. Through the year she released some musical collaborations with artists like Kygo and Marshmello. She also released two singles intended to be the first one's off her new record named \"Bad Liar\" and \"Fetish\". However the release of the album was delayed and rescheduled to be released at the end of 2019. In May 2018, the singer released a new single, \"Back to You\" as part of the 13 Reasons Why soundtrack; a Netflix original series on which Gomez has been the executive producer since its debut in March 2017.\n\nConcert tours\n\nLive performances\n\nKiss & Tell era\n\nA Year without Rain era\n\nWhen the Sun Goes Down era\n\nStars Dance era\n\nRevival era\n\nRare era\n\nReferences \n\nLive performances\nSelena Gomez" ]

[ "Jordin Sparks", "2009-10: Battlefield", "Was Battlefield the name of an album?", "S.O.S. (Let the Music Play)\", was released as the second single from Battlefield on September 15, 2009.", "What singles were on this album?", "The third single from Battlefield, \"Don't Let It Go to Your Head\",", "Did she tour after releasing this album?", "In May 2010, Sparks embarked on her first headlining tour in the United States," ]

[ "Jeanne Cinnante Galway, Lady Galway (born October 8, 1955) is an American-born concert flutist and teacher who lives in Switzerland. She is married to flutist James Galway and they often tour as a pair. They both live in Switzerland.\n\nBiography\nJeanne Cinnante was born and raised in and around Long Island, New York. She started playing the flute when she was 10 and said she had to purchase her own flutes with babysitting money. She graduated in 1973 from John Glenn High School in Elwood, then attended Mannes College of Music in New York City.\n\nShe met Sir James Galway in 1982 and they dated for two years before marrying in 1984. She did not perform between 1984 and 1992 due to the stress of traveling and supporting her husband on tour, managing his business affairs, and taking care of his young children. They now travel and perform together. In addition to performing with her husband, she sometimes performs as a solo artist or as part of the trio Zephyr (with pianist Jonathan Feldman and cellist Darrett Adkins). She teaches and actively supports music education. In 2008, Irish America magazine awarded James and Jeanne Galway the \"Spirit of Ireland\" award in recognition of their roles as musical ambassadors.\n\nShe currently lives with her husband in Lucerne, Switzerland. Galway currently performs on an 18 carat, James Galway edition gold Nagahara flute. Her husband no longer performs with anyone else.\n\nDiscography\n\"My Magic Flute\" with Sir James Galway and Sinfonia Varsovia\n\nReferences\n\nExternal links \n Official website\n\nAmerican classical flautists\n1955 births\nLiving people\nAmerican expatriates in Switzerland\nClassical musicians from New York (state)", "I Could Be With Anyone is an EP released by Kevin Devine in support of his fifth album, Brother's Blood, and his winter 2008 tour with Manchester Orchestra. The title track is featured on Brother's Blood, while the other 3 tracks are exclusive to the EP. Both \"She Stayed As Steam\" and \"What's Keeping Us Young\" were previously available to stream on Kevin's MySpace page, however, the EP features a new version of \"What's Keeping Us Young\".\n\nOn June 5, 2009 the video for \"I Could Be With Anyone\" premiered on Spinner.com, featuring \"a series of couples both real and staged in various stages of their relationships.\" \n\nThe title track was later covered by Manchester Orchestra on a split EP with Devine, entitled I Could Be the Only One. The band's lead vocalist Andy Hull describes the song as \"...an incredibly real and painfully-depressing song. I've loved this tune since the moment I heard it.\"\n\nA full band version of \"She Stayed as Steam\" featured as a bonus track on international version of Brother's Blood and would later be released as the title track of the She Stayed as Steam EP.\n\nTrack listing\n I Could Be With Anyone\n The Weather Is Wonderful\n She Stayed As Steam (Demo)\n What's Keeping Us Young\n\nReferences\n\nKevin Devine EPs\n2008 EPs" ]

[ "Jordin Sparks", "2009-10: Battlefield", "Was Battlefield the name of an album?", "S.O.S. (Let the Music Play)\", was released as the second single from Battlefield on September 15, 2009.", "What singles were on this album?", "The third single from Battlefield, \"Don't Let It Go to Your Head\",", "Did she tour after releasing this album?", "In May 2010, Sparks embarked on her first headlining tour in the United States,", "Did she tour with anyone?", "In support of the album, Sparks opened for The Jonas Brothers on the North America leg of the Jonas Brothers World Tour 2009," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "H. P. Lovecraft", "Marriage and New York" ]

[ "HP Lovecraft's The Tomb is a 2005 American horror film directed by Ulli Lommel and starring Victoria Ullmann, Christian Behm, Gerard Griesbaum, and Michael Barbour. It is supposedly based on H.P. Lovecraft's 1917 story, \"The Tomb\". \nHowever, the plot of the film is completely unrelated to the Lovecraft short story. The film was compared to the 2004 movie, Saw, and the series was mentioned on the box art. The film is also known simply as The Tomb, but the title on the DVD case is HP Lovecraft's The Tomb. However, on the film itself, the title is given as \"H.P. Lovecraft The Tomb\", with no apostrophe or 's'.\n\nPlot\nTara (Victoria Ullmann) and Billy (Christian Behm) awake in a dark basement or warehouse, bloodied and covered with wounds. As they explore the empty surroundings, they find other wounded people who die in horrible ways at the hands of \"The Puppetmaster,\" a sinister villain who plays a deadly game with them in which there will be only one survivor. H.P. Lovecraft is mentioned several times during the course of the film by some characters, and the 'Puppetmaster' is referred to as 'Charles Dexter Ward' and one of his victims as 'Pickman' (a reference to Lovecraft's story Pickman's Model). However these passing references to Lovecraftian characters (and a quote from one of Lovecraft's stories about going \"beyond ye spheres\") are largely irrelevant to the serial killer plot played out on screen.\n\nFilming\nProduction of HP Lovecraft's The Tomb took place during August 2005 in Marina Del Rey, California, at a warehouse on Princeton Drive that has since been demolished. The scenes at the \"Palm Desert Motel\" were shot on an indoor set at the same warehouse. Exteriors were shot in the high desert near Palmdale, California.\n\nCo-executive producer Jeff Frentzen is wearing the black gloves of the killer throughout the film.\n\nReferences\n\nExternal links\n\nMovie trailer\n\n2007 direct-to-video films\n2007 horror films\nFilms directed by Ulli Lommel\n2007 films\nFilms shot in California\nFilms scored by Robert J. Walsh", "H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. It was released in October 1967 by Philips Records.\n\nBackground\nThe album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. Although most of the album comprises interpretations of traditional and contemporary folk songs, it also features the self-penned compositions \"That's How Much I Love You, Baby (More or Less)\", \"The Time Machine\", and arguably the band's best known song, \"The White Ship\". The traditional song \"Wayfaring Stranger\" was released as a single just ahead of the album in September 1967 and \"The White Ship\" was issued shortly after the album appeared, although neither single reached the charts. Like its attendant singles, H. P. Lovecraft was also somewhat commercially unsuccessful and failed to reach the Billboard Top LPs chart or the UK Albums Chart, although it did sell reasonably well over time.\n\nRecording and contents\nRecording sessions for the album took place in mid-1967 at Universal Recording in Chicago, with the band's manager George Badonsky Record producer and Jerry DeClerk engineering. Progress on the album was very rapid, with the band recording many of the songs virtually live in the studio, although horns, woodwind instruments, and a nine-piece orchestra were overdubbed onto the tracks after completion of the initial sessions. The album is highlighted by the vaguely sinister ambiance of the band's music and by the oddly striking harmonies that resulted from the juxtoposition of guitarist and ex-folk singer George Edwards' folk-influenced singing and keyboardist Dave Michaels' classically trained, operatic phrasing.\n\nThe ten songs included on H. P. Lovecraft exhibit a wide range of styles, encompassing elements of jazz on \"That's How Much I Love You, Baby (More or Less)\", folk music on \"Wayfaring Stranger\", Gregorian chant on \"Gloria Patria\", vaudeville psychedelia on \"The Time Machine\", and contemporary singer-songwriter material on \"The Drifter\", \"Let's Get Together\", \"That's The Bag I'm In\", and \"Country Boy & Bleeker Street\". In addition, the laid-back, druggy ambiance of the cover of Randy Newman's \"I've Been Wrong Before\" serves to give an indication of the musical direction that the band would follow on their second album, H. P. Lovecraft II.\n\nThe album's centerpiece is the song \"The White Ship\", which was directly inspired by author H. P. Lovecraft's short story \"The White Ship\". Written by Edwards, Michaels, and the band's lead guitarist Tony Cavallari, the six-and-a-half-minute opus made use of baroque-style harpsichord, droning feedback, somber harmonies, and the chiming of an 1811 ship's bell. The song was released in an edited form as a single, shortly after its appearance on the album, but it failed to reach the Billboard Hot 100. In addition, the full-length album version of \"The White Ship\" went on to become something of an underground FM radio favorite in America.\n\nRe-releases\nAlthough the H. P. Lovecraft album was largely overlooked at the time of its release and had gone out of print by the early 1970s, its reputation has continued to grow over the years. A revival in interest in the band and their music began in the late 1980s, with Edsel Records reissuing the album and its follow-up together on the At the Mountains of Madness compilation in 1988. In 1997 both albums were re-released by Britonic Records as 'This is HP Lovecraft / HP Lovecraft II'. The album was again reissued in 2000, along with its follow-up H. P. Lovecraft II, on the Collectors' Choice Music CD Two Classic Albums from H. P. Lovecraft: H. P. Lovecraft/H. P. Lovecraft II. In addition, all ten songs that make up the H. P. Lovecraft album were included on the Rev-Ola Records compilation Dreams in the Witch House: The Complete Philips Recordings.\n\nTrack listing\n\nSide 1\n\"Wayfaring Stranger\" (traditional, arranged by George Edwards) – 2:35\n\"Let's Get Together\" (Chet Powers) – 4:35\n\"I've Been Wrong Before\" (Randy Newman) – 2:46\n\"The Drifter\" (Travis Edmonson) – 4:11\n\"That's The Bag I'm In\" (Fred Neil) – 1:46\n\nSide 2\n\"The White Ship\" (George Edwards, Dave Michaels, Tony Cavallari) – 6:33\n\"Country Boy & Bleeker Street\" (Fred Neil) – 2:35\n\"The Time Machine\" (George Edwards, Dave Michaels) – 2:05\n\"That's How Much I Love You, Baby (More or Less)\" (George Edwards, Dave Michaels, Tony Cavallari) – 3:55\n\"Gloria Patria\" (traditional, arranged by George Edwards, Dave Michaels) – 0:27\n\nPersonnel\n\nH. P. Lovecraft\n George Edwards – vocals, acoustic guitar, electric guitar, guitarrón, bass\n Dave Michaels – vocals, organ, piano, harpsichord, clarinet, recorder\n Jerry McGeorge – bass, vocals\n Tony Cavallari – lead guitar, vocals\n Michael Tegza – drums, percussion, timpani, vocals\n\nAdditional musicians\n Bill Traut – bells, percussion\n Len Druss – piccolo flute, English horn, saxophones\n Jack Henningbaum, Paul Tervelt – French horn\n Bill Traub – reeds\n Herb Weiss, Ralph Craig – trombone\n Clyde Bachand – tuba\n Eddie Higgins – vibraphone, horn arrangements\n\nTechnical\n George Badonsky – record producer\n Jerry DeClerk – engineer\n John Cabalka – design\n Mike Stone – photography\n\nReferences\n\n1967 debut albums\nPhilips Records albums\nH. P. Lovecraft (band) albums" ]

[ "H. P. Lovecraft", "Marriage and New York", "Who was HP Lovecraft's wife?", "Lovecraft and Greene married on March 3, 1924," ]

[ "\"Like Gold\" is a song by Australian singer-songwriter Vance Joy. It was released on 3 November 2017 as the second single from Joy's album Nation of Two (2018).\n\nVance wrote \"Like Gold\" after coming off the road at the start of 2016. Joy said: \"It started with a simple melody I was humming and the idea of looking back at a relationship.\"\n\nIn February 2018, Joy said: \"I play a different rhythm from anything I've played before. I really like what the producer Phil Ek did with this song with big spacious drums and I like the way it sounds full of life. It's about a love that you're kind of reflecting on and the fire's gone out but there was some really good times in there.\"\n\n\"Like Gold\" was certified gold in Australia in 2019.\n\nReception\nAl Newstead from ABC called the song a \"slower heart-on-sleeve ballad\", saying: \"Between hypnotic plucking and gentle prose, he captures the embers of a relationship that \"used to roar like an open fire\". Emmy Mack from Music Feeds called the song a \"rollicking folk toe-tapper [which] sounds like it was custom-made for group campfire singalong.\"\n\nCharts\n\nCertifications\n\nReferences\n\n2017 singles\n2016 songs\nVance Joy songs\nSongs written by Dan Wilson (musician)\nSongs written by Vance Joy", "In re Petition for Naturalization of Horst Nemetz was a 1981 naturalization case decided by the United States Court of Appeals for the Fourth Circuit, involving whether a petitioner for naturalization, who admitted to committing sodomy—at that time illegal in Virginia, his state of residence—could be denied naturalization on the ground that he was not of good moral character, when the same activity was not prohibited in other U.S. states.\n\nHorst Nemetz was admitted into the United States lawfully in 1967. During the 10 years he had been living in the US, in Virginia, he lived with a male “roommate”. During his trial it became known that the two were part of a monogamous homosexual relationship. One of the requirements for Naturalization was to prove that you were of good moral character. This fact brought into question for the courts whether Nemetz was in fact of good moral character. The first trial was with the U.S. District Court for the Eastern District of Virginia who denied Therefore, Nemetz admitting to the relationship with his roommate caused for speculation in illegal activity and being of bad moral character.\n\nOriginal petition for Naturalization\nNemetz petitioned for naturalization in 1980 and was at first denied naturalization based being a person of bad moral character. Nemetz admitted to his relationship with his roommate and explained that all of their sexual activities took place within their home. The following is part of the questioning that occurred: \nQ: Mr. Nemetz, are you now or have you ever been a homosexual? \nA: I’m now. \nQ: Have you ever had sexual relations with your roommate? \nA: Well we have a relationship. I like him. \nQ: Have you ever had sexual relationships with him?\nA: What do you mean sexual relationships? \nQ: Intimate relationships. Getting into Sexual aspects.\nQ: Either yes or no.\nA: Yes. \n…\nQ: So what you’re saying is that your relationship in the United States has been with one individual. Is that correct? \nA: Yes. \nQ: And no others? \nA: That’s right. Yeah. \nQ: And in your lifetime that is the only individual you’ve had a relationship of this type with?\n\nAppeals case\nNemetz took the appeals case to a higher court, The Court of Appeals for the Fourth Circuit, who looked at the case logically by setting aside the possible Sodomy, which was still illegal in Virginia at the time. The previous court felt that even the possibility of Sodomy occurring proved that Nemetz wasn't of good character. Nemetz proved that any interaction between himself and his roommate happened in the privacy of their own home and was not a threat to the public. Their conclusion was that since Sodomy was not illegal unanimously across the country there was nothing to hold Nemetz back from achieving naturalization. The reasoning for this was that naturalization requires national law therefore federal law must be used for the case.\n\nReferences\n\n1981 in case law" ]

[ "H. P. Lovecraft", "Marriage and New York", "Who was HP Lovecraft's wife?", "Lovecraft and Greene married on March 3, 1924,", "What was their relationship like?", "Lovecraft had performed satisfactorily as a lover, though she had to take the initiative in all aspects of the relationship." ]

[ "H. P. Lovecraft: A Life is a biography of H. P. Lovecraft (1890–1937) by S. T. Joshi, first published by Necronomicon Press in 1996. The original one-volume edition was reissued in 2004, with a new afterword by Joshi.\n\nA new revised/uncut edition (as I Am Providence: The Life and Times of H.P. Lovecraft) (2 vols) has been issued in 2010 (Hippocampus Press); this restores 150,000 words cut for space reasons from the original edition, and is also thoroughly revised and updated in regard to new information on Lovecraft that has come to light since 1996.\n\nThe book largely supplants earlier efforts such as L. Sprague de Camp's Lovecraft: A Biography (1975). According to his website, Joshi regards this book his most notable achievement to date, followed by his The Weird Tale.\n\nReception\nWhen first published in 1996, H. P. Lovecraft: A Life was regarded as a \"meticulously researched\"\nbiography of Lovecraft, taking account of all currently known facts about Lovecraft's life and work. It was met with critical praise; it elicited favorable comments from the horror author Ramsey Campbell and literary critic Harold Bloom, and received a long and favorable review in The New York Review of Books from author Joyce Carol Oates, who called it \"the definitive biography\".\n\nAwards\nH.P. Lovecraft: A Life was awarded the 1997 Bram Stoker Award for Best Non-Fiction from the Horror Writers Association.\n\nNotes\n\n1996 non-fiction books\nAmerican biographies\nBooks by S. T. Joshi\nWorks about H. P. Lovecraft\nBiographies about writers", "\"Supernatural Horror in Literature\" is a 28,000 word essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s. The essay was researched and written between November 1925 and May 1927, first published in August 1927, and then revised and expanded during 1933–1934.\n\nThe essay\nLovecraft's essay ranges widely, but he first examines the beginnings of weird fiction in the early gothic novel. As a guide for what to read in the early gothic he relied partly on Edith Birkhead's 1921 historical survey The Tale of Terror, and he was also able to draw on the expertise of the great many experts and collectors in his circle. The bulk of the essay was written in New York City giving Lovecraft easy access to the resources of the city's great public libraries and also to the collections of his friends, and thus he was able to read widely and obtain obscure and rare works. His survey then proceeds to outline the development of the supernatural and the weird in the work of major writers such as Ambrose Bierce, Nathaniel Hawthorne, and Edgar Allan Poe. Lovecraft names as the four \"modern masters\" of horror: Algernon Blackwood, Lord Dunsany, M. R. James, and Arthur Machen. In addition to these masters, Lovecraft attempts to make the essay an encompassing survey, and thus he mentions or notes many others in passing.\n\nPublication history\nThe text was first published in August 1927 in the one-issue magazine The Recluse, and copies were widely circulated. It was then partly published in revised serial form in The Fantasy Fan in 1933–35. The full revised text first became easily available to the public in The Outsider and Others (1939).\n\nCritical reception\nAn H. P. Lovecraft Encyclopedia terms the work \"HPL's most significant literary essay and one of the finest historical analyses of horror literature.\" \nAfter the first publication the critic Edmund Wilson, who was not an admirer of Lovecraft's fiction, praised the recent essay as a \"really able piece of work... he had read comprehensively in this field—he was strong on the Gothic novelists—and writes about it with much intelligence\". David G. Hartwell has called \"Supernatural Horror in Literature\" \"the most important essay on horror literature\".\n\nReferences\n\nExternal links\n\n\"Supernatural Horror in Literature\"—eText at the H. P. Lovecraft Archive\n\"A Map on Chalkboards\" – An imagemap following the chapters of the essay (containing its entire text)\n\n1927 essays\n1927 non-fiction books\nAmerican essays\nEssays by H. P. Lovecraft\nNon-fiction books by H. P. Lovecraft\nEssays about literature\nWorks about horror fiction" ]

[ "H. P. Lovecraft", "Marriage and New York", "Who was HP Lovecraft's wife?", "Lovecraft and Greene married on March 3, 1924,", "What was their relationship like?", "Lovecraft had performed satisfactorily as a lover, though she had to take the initiative in all aspects of the relationship.", "What activities was H.P. Lovecraft and his wife involved in within New York?", "He was enthralled by New York, and, in what was informally dubbed the Kalem Club, he acquired a group of encouraging intellectual and literary friends" ]

[ "Natsume Sōseki wrote many poems in Classical Chinese (kanshi) during his career. He began writing Chinese in school, and continued throughout his life, but became especially prolific just before his death. His kanshi are well-regarded critically – in fact considered the best of the Meiji period – but are not as popular as his novels.\n\nBeginnings \nNatsume Sōseki first took up Chinese studies, specifically the composition of kanshi (poetry in Classical Chinese), in school.\n\nLater works \nSōseki considered himself an amateur kanshi poet, and ignored the practices of the professional poets of his day. He included some Chinese poetry in his early novel Kusamakura, and he had continued to compose them throughout his life, but his most significant works come from the last months of his life, during the writing of Light and Darkness. He also composed haiku during this period, but he is considered a minor haiku poet while his kanshi have been widely praised. While writing Light and Darkness, he wrote the novel in the morning and kanshi in the afternoon, supposedly to keep himself oriented during the \"vulgarizing\" experience of writing the novel.\n\nHis Chinese verse often did not meet the standard tonal patterns of classical Chinese verse, and his rhyming were sometimes wrong.\n\nReception \nSōseki's Chinese verse has been widely praised. Historically, Chinese poetry written by Japanese had been an exercise in following the rules of Chinese prosody but lacked poetic grace associated with the best poets from China; Sōseki's poems, on the other hand, are admired even by Chinese critics who dismiss traditional Japanese kanshi.\n\nLiterary critic and historian Donald Keene called him \"[probably] [t]he best kanshi poet of the Meiji era\". He also noted that while Sōseki's kanshi are not as popular in contemporary Japan as his novels, this probably has more to do with the orientation of Japanese society since Sōseki's death in 1916 than with the actual literary value of the poems and novels in relation to each other.\n\nReferences\n\nWorks cited\n\nFurther reading\n\nExternal links \n \n\nKanshi\nKanshi (poetry)", "Graphism refers to the \"expression of thought in material symbols\". Graphism began some 30,000 years BC, not as a photographic representation of reality but as an abstraction that was geared toward magical-religious matters. Early graphism then was a form of writing that constitutes a 'symbolic transposition, not copying of reality'.\n\nThe birth of graphism\nThe earliest traces of graphism date back to 30,000 years BC at the end of the Mousterian period and the Chatelperronian period toward 35,000 BC. While it can be claimed that language merely represents a logical development of the vocal signals of the animal world, nothing comparable to the writing and reading of symbols existed before the dawn of homo sapiens. While motor function determines expression in the techniques and language of all anthropoids, reflection determines graphism in the figurative language of the most recent anthropoids.\n\nIt has been hypothesized that graphism first appeared in the form of tight curves or series of lines engraved in bone or stone. However, there has been no substantial proof to support this hypothesis, with the only comparison being the Australian tjurunga, stone or wood tablets engraved with abstract designs (spirals, straight lines, and clusters of dots) that represented objects of religious significance. The first forms of graphism that allow one to hazardly identify an animal, did not appear until around 30,000 B.C. Prehistoric art records are very numerous, and statistical processing has allowed us to unravel the general meaning of what they represented. The earliest known paintings do not represent a hunt or a family scene, but are graphic building blocks without any associated description. All these early forms therefore suggests that figurative art was directly linked with language and was, in the broadest sense, much closer to writing than to what we understand by a work of art. It was symbolic transposition, not copying of reality, that is to say that graphism did not begin start by reproducing reality in a slavishly photographic manner, but with abstraction.\n\nThe discovery of prehistoric art in the late 19th century raised the issue of a \"naive\" state, an art by which humans supposedly represented what they saw as a result of an aesthetic triggering effect. It was soon realized near the beginning of the 20th century that this view was mistaken, and that magical-religious concerns were responsible for the figurative art of the Cenozoic Era, as indeed for almost all art except in a few rare \"hunting tallies\" etched on bone during the Paleolithic period.\n\nSee also \n Graphism thesis\n\nReferences\n\nWriting\nMousterian" ]

[ "H. P. Lovecraft", "Marriage and New York", "Who was HP Lovecraft's wife?", "Lovecraft and Greene married on March 3, 1924,", "What was their relationship like?", "Lovecraft had performed satisfactorily as a lover, though she had to take the initiative in all aspects of the relationship.", "What activities was H.P. Lovecraft and his wife involved in within New York?", "He was enthralled by New York, and, in what was informally dubbed the Kalem Club, he acquired a group of encouraging intellectual and literary friends", "Did he do any writing during this period?", "Edwin Baird accepted many otherworldly 'Dream Cycle' Lovecraft stories for the ailing publication, though they were heavily criticized by a section of the readership." ]

[ "John Wallace Baird (; May 21, 1869 – February 2, 1919) was a Canadian psychologist. He was the 27th president of the American Psychological Association (1918). He was the first Canadian, and only the second non-American, to hold the office. He was also a founding editor of the Journal of Applied Psychology, and served in subordinate editorial capacities for Psychological Review, American Journal of Psychology, and the Journal of Educational Psychology. At his death in 1919, he was the designate to succeed Granville Stanley Hall as president of Clark University in Worcester, Massachusetts.\n\nEarly life\nJohn W. Baird was born in Motherwell, Ontario, a farming town about 50 km. north of the city of London, Ontario. He was the eighth of twelve children. His oldest brother, Andrew Browning Baird (1855–1940) became a prominent Presbyterian minister in western Canada, serving as Moderator of the church in 1916, and was involved in the creation of the United Church of Canada in the 1925.\n\nJohn Baird suffered from chronic health conditions from early in life and, so, did not complete his secondary schooling until the age of 19. Only five years later did he travel to the University of Toronto to begin an undergraduate degree in philosophy. There, he fell under the influence of the director of the experimental psychology laboratory, August Kirschmann, who had just arrived in Toronto after serving as assistant to the man widely regarded as the founder of experimental psychology, Wilhelm Wundt, in Leipzig, Germany. Baird graduated with a second class degree in 1897, writing his senior research project on the anomalous color vision of a fellow student, R. J. Richardson (Baird & Richardson, 1900).\n\nGraduate training\n\nAfter spending an additional year in Toronto working in Kirschmann's laboratory, Baird traveled to Europe for graduate study. He spent several months each at the University of Edinburgh and at the University of Leipzig (where he was briefly a student of Wundt's). In 1899, however, he moved to the U.S. to begin his graduate studies anew at the University of Wisconsin under the supervision of Joseph Jastrow. Two years later, still without a PhD, Baird transferred to Cornell University in Ithaca, New York where he studied under the famed structuralist psychologist, Edward Bradford Titchener. Here Baird found his stride, completing his PhD in just a year (1902). His dissertation was on the impact of visual accommodation and convergence on depth perception. It was published in the American Journal of Psychology (Baird, 1903). He remained at Cornell for two more years, one as Titchener's research assistant and one as a research fellow of the recently founded Carnegie Institution. These were among Baird's most productive years as a researcher (Baird, 1905). In 1904 he was elected to membership in the prestigious American Association for the Advancement of Science. In addition, the strong relationship Baird formed with Titchener during this time deeply influenced the rest of his career.\n\nAcademic career\n\nBaird worked as an instructor in psychology at Johns Hopkins University, under the direction of the child psychologist and evolutionist James Mark Baldwin from 1904 to 1906. He was then hired to a position at the University of Illinois which, after a year, became an assistant professorship. The Illinois psychology department was headed by an educational psychologist, Stephen S. Colvin. It was here that Baird's research interests began to spread from the \"pure\" experimental psychology that was advocated by Titchener into areas of applied psychology (Baird, 1906, 1908).\n\nIn 1909, Baird was called to direct the storied psychology laboratory at Clark University. Clark's president, the prominent psychologist G. Stanley Hall, wanted Baird to replace Hall's long-time ally, Edmund C. Sanford, who was being promoted to the presidency of the new undergraduate college at Clark. Baird had just become a cooperating editor of the newly founded Journal of Educational Psychology, and Hall put him to work as executive editor of his own American Journal of Psychology. Baird spent much of 1912 touring the psychology laboratories of Germany, France, Switzerland, and England in order to bring the latest developments back to the Clark laboratory. He also translated Ernst Meumann's Psychology of Learning (Meumann, 1913). Baird underwent surgery in 1913 to correct a urinary tract condition, which forced him to spend several months in hospital.\n\nIn 1914, Baird married Barbara Morrison Sparks, the daughter of a physician in St. Marys, Ontario. In 1916 Baird was elected to membership in the venerable American Academy of Arts and Sciences. The duties of being laboratory director prevented Baird from conducting much original research during this period, but he was able to co-edit and contribute a chapter on perfect pitch to a Festschrift celebrating Titchener's 25th year at Cornell (Baird, 1917a). He also contributed a chapter (Baird, 1917b) to another Festschrift in honor of the retirement of Cornell philosophy professor James Edwin Creighton, who had been the founding president of the American Philosophical Association (and was a fellow Canadian). Also in 1917, Hall, Baird, and another Clark professor named Ludwig R. Geissler collectively founded a new periodical, the Journal of Applied Psychology. Baird published an article based on research he had conducted into the optimal type-font to be used in telephone books in the first volume (Baird, 1917c).\n\nAround 1917 Baird became aware that Hall was grooming him to succeed both Hall and Sanford as president of a newly unified Clark College and Clark University upon their joint retirement in 1920. In 1918, during World War I, Baird was elected president of the American Psychological Association. During his term he was called to Washington D.C. to serve as Vice-Chair of the National Research Council's Psychological Committee, a position in which he developed a program for the assessment and rehabilitation of injured soldiers returning from the war.\n\nIllness and death\n\nIn November 1918, Baird became seriously ill and entered Johns Hopkins Hospital in nearby Baltimore, Maryland. Although it is not clear what his medical problem was (it may have been a recurrence of the renal condition that had periodically afflicted him since his youth), he underwent three surgeries over the next few months. He died of unspecified post-surgical complications on February 2, 1919 at the age of 49. He was buried in St. Marys, Ontario, near his family home of Motherwell, Ontario.\n\nSelected publications\nBaird, J. W. (1903). The influence of accommodation and convergence on the perception of depth. American Journal of Psychology, 14, 150–200.\nBaird, J. W. (1905). The color sensitivity of the peripheral retina. Washington, DC: Carnegie Institution. \nBaird, J. W. (1906). The contraction of the color zones in hysteria and in neurasthenia. Psychological Bulletin, 3, 249–254.\nBaird, J. W. (1908). The problems of color-blindness. Psychological Bulletin , 5 (9), 294–300.\nBaird, J. W. (1917a). Memory for absolute pitch. In W. B. Pillsbury, & J. W. Baird, Studies in Psychology: Titchener Commemorative Volume (pp. 43–78). Worcester, MA: Wilson.\nBaird, J. W. (1917b). The role of intent in mental functioning. In G. H. Sabine (Ed.), Philosophical essays in honor of James Edwin Creighton (pp. 307–317). New York: Macmillan. \nBaird, J. W. (1917c). The legibility of a telephone directory. Journal of Applied Psychology , 1 (1), 30–37.\nBaird, J. W. & Richardson, R. J. (1900). A case of abnormal colour sense, examined with special reference to the space threshold of colours. University of Toronto Studies, Psychological Series, 1, 86–96.\nMeumann, E. (1913). The psychology of learning: An experimental investigation of the economy and technique of memory (J. W. Baird, trans.). New York, NY: Appleton & Company.\n\nReferences\n\nExternal links\n\nClark University faculty\n1869 births\n1919 deaths\nCanadian psychologists\nPresidents of the American Psychological Association\nUniversity of Toronto alumni", "Edwin Baird (; 1886 – September 27, 1954) was the first editor of Weird Tales, the pioneering pulp magazine that specialized in horror fiction, as well as Detective Tales, later re-titled Real Detective Tales.\n\nCareer\nBaird, hired by Weird Tales publisher J. C. Henneberger, put out the magazine's premiere issue, dated March 1923. Over the course of the next year, Baird published some of the magazine's most famous writers, including H. P. Lovecraft, Clark Ashton Smith, and Seabury Quinn.\n\nBaird—in marked contrast to his successor—accepted everything that Lovecraft submitted to the magazine, including \"The Hound\", \"Arthur Jermyn\", \"The Statement of Randolph Carter\", \"The Cats of Ulthar\", \"Dagon\", \"The Picture in the House\", \"The Rats in the Walls\", \"Hypnos\" and \"Imprisoned with the Pharaohs\". He did, however, insist that Lovecraft retype his first submissions using double spacing, causing the author to remark, \"I am not certain whether or not I should bother.\"\n\nUnder Baird's editorship, Weird Tales lost a considerable amount of money—estimated at $51,000. After the April 1924 issue, Henneberger fired him and offered his job to Lovecraft. When Lovecraft declined, the publisher made Farnsworth Wright, until then Baird's assistant, the editor of Weird Tales, a position he held until 1940.\n\nBaird remained as editor of another of Henneberger's titles, Detective Tales. In this post, he rejected Lovecraft's \"The Shunned House\" in July 1925. Detective Tales was sold off, and Baird remained editor when it retitled as Real Detective Tales.\n\nNotes\n\nReferences\n Lin Carter, Lovecraft: A Look Behind the Cthulhu Mythos.\n S. T. Joshi and David E. Schultz, An H. P. Lovecraft Encyclopedia.\n\nAmerican magazine editors\nHorror fiction\nH. P. Lovecraft\n1886 births\n1957 deaths\nWeird Tales editors\nAmerican male non-fiction writers" ]

[ "H. P. Lovecraft", "Marriage and New York", "Who was HP Lovecraft's wife?", "Lovecraft and Greene married on March 3, 1924,", "What was their relationship like?", "Lovecraft had performed satisfactorily as a lover, though she had to take the initiative in all aspects of the relationship.", "What activities was H.P. Lovecraft and his wife involved in within New York?", "He was enthralled by New York, and, in what was informally dubbed the Kalem Club, he acquired a group of encouraging intellectual and literary friends", "Did he do any writing during this period?", "Edwin Baird accepted many otherworldly 'Dream Cycle' Lovecraft stories for the ailing publication, though they were heavily criticized by a section of the readership.", "Who was Edwin Baird?", "editor Edwin Baird" ]

[ "George Maximilian Bethune (1854 – 1942) was an English cricketer who played for Hampshire during leaves from his occupation of managing sugar plantations in what was then British Guiana.\n\nCricketing career\nIn 1886 and 1887 Hampshire played him as a batsman, with very limited success. In 1889 he was first used as a bowler, delivering 11 maidens out of 23 overs in his first match and taking 4 wickets for only 25 runs. Thereafter his place was owed to his highly economical bowling, which resulted over his brief career in 44% of his overs being maidens.\n\nHis first cousin Henry Beauclerk Bethune also played for Hampshire.\n\nLife\nHe was the son of the Reverend George Cuddington Bethune (1807-1898), at the time rector of Worth, Sussex, and his wife Julia (1822-1915), daughter of the Reverend George Hole, rector of Chulmleigh, and his wife Jane, daughter of Robert Hawgood Crew. He made his career in the sugar industry of British Guiana, becoming manager of the major estate of Enmore.\n\nIn 1890 he married Elizabeth de Burgh (1861-1930), daughter of Michael Rowland O'Maley, manager of the Colonial Bank (since part of Barclays) in Georgetown, and his first wife Julia Adriana, daughter of Major Jacob Heitmann Gyllich, Knight of the Dannebrog. They had seven children.\n\nHis third son Edward Charles O'Maley Bethune (1900-1985), was also a cricketer, playing for Felsted School.\n\nReferences\n\n1854 births\n1942 deaths\nEnglish cricketers\nPeople from Bersted", "Marcus De Lafaytte Cutler (January 14, 1875 – August 16, 1949) was an American football coach. He served as the head football coach at Michigan State Normal School—now known as Eastern Michigan University—for one season, in 1895, and compiling a record of 3–3.\n\nEarly years\nCutler was born in 1875. His father, Elim Cutler, was a farmer in DeWitt, Michigan. At the time of the 1880 U.S. Census, Cutler was living with his parents, Elim and Martha Cutler, and an older brother, David, and older sister, Lillian.\n\nCoaching career\nBennett was the fifth head football coach at Michigan State Normal School—now known as Eastern Michigan University—in Ypsilanti, Michigan, serving for one season, in 1895, and compiling a record of 3–3.\n\nLater years\nAt the time of the 1900 U.S. Census, Cutler was living in Portland, Michigan working as a school teacher.\n\nAt the time of the 1910 U.S. Census, Cutler was living in Lansing, Michigan with his wife, Maud, and two sons, Donovan and M. Vernon. His occupation was listed as mail carrier for the post office.\n\nIn 1920, Cutler was living in Riley Township, Clinton County, Michigan, with his wife, Maud, and three sons, Donovan, Vernon and Neil. His occupation was listed as a farmer engaged in general farming. At the time of the 1930 U.S. Census, Cutler remained in Riley Township with his wife, Maud, as a farmer.\n\nHead coaching record\n\nReferences\n\n1875 births\n1949 deaths\nEastern Michigan Eagles football coaches\nPeople from DeWitt, Michigan\nPeople from Portland, Michigan\nPeople from Lansing, Michigan\nPeople from Clinton County, Michigan" ]

[ "Paul Watson", "Other environmental activities" ]

[ "Paul Watson (born 1950) is a Canadian environmental activist, ship's skipper, and founder of the Sea Shepherd Conservation Society.\n\nPaul Watson may also refer to:\n\n Paul Watson (basketball) (born 1994) American basketball player\n Paul Watson (cyclist) (born 1962), former professional English road racing cyclist\n Paul Watson (documentary filmmaker) (born 1942), English film-maker\n Paul Watson (footballer, born 1975), English football player\n Paul Watson (footballer, born 1990), Scottish football player\n Paul Watson (football manager) (born 1984), British sports journalist and expatriate football coach\n Paul Watson (journalist) (born 1959), Canadian photojournalist and author\n Paul Watson (musician) (born 1952), American cornetist and songwriter\n Paul E. Watson (died 1943), American electrical engineer\n Paul Joseph Watson (born 1982), British right-wing YouTuber, radio host, writer and conspiracy theorist", "Lamya Essemlali (born in 1979) is a French environmental activist, of Moroccan origin. She's the chairperson of Sea Shepherd France and Campaign Coordinator for Sea Shepherd Global.\n\nBiography\n\nEarly and personal life\nLamya’s family is originally from Morocco, but she was born and grew up in Gennevilliers (France), near Paris.\n\nActivism\nEnvironmental activist, she has a Master’s degree in Environmental Sciences and an associate degree in Business Communications.\n\nAt a conference in Paris in 2005, she meets Paul Watson, founder of the Sea Shepherd Conservation Society. In 2006 the both of them founded Sea Shepherd France and she became the President of the association in 2008. She has led several campaigns for Sea Shepherd Global in the Mediterranean Sea, the Faroe Islands (\"GrindStop\" campaign)\nand the Indian Ocean (Réunion Island) to defend bluefin tuna, dolphins and pilot whales, and sharks.\n\nShe published the book \"Captain Paul Watson , interview with a pirate\" in 2012,.\n\nBooks\n Capitaine Paul Watson, entretien avec un pirate, by Lamya Essemlali, Paul Watson (2012)\n\nReferences\n\nExternal links\n Sea Shepherd France\n\n1979 births\nLiving people\nFrench environmentalists\nFrench women environmentalists\nSea Shepherd Conservation Society\nPeople from Gennevilliers\nFrench people of Moroccan descent" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981." ]

[ "SOARA (Situation, Objective, Action, Results, Aftermath) is a job interview technique developed by Hagymas Laszlo, Professor of Language at the University of Munich, and Alexander Botos, Chief Curator at the National Institute of Economic and Social Research. It is similar to the Situation, Task, Action, Result technique. In many interviews, SOARA is used as a structure for clarifying information relating to a recent challenge.\n\nDetails\n\n Situation: The interviewer wants you to present a recent challenge and situation you found yourself in.\n Objective: What did you have to achieve? The interviewer will be looking to see what you were trying to achieve from the situation.\n Action: What did you do? The interviewer will be looking for information on what you did, why you did it and what were the alternatives.\n Results: What was the outcome of your actions? What did you achieve through your actions and did you meet your objectives.\n Aftermath: What did you learn from this experience and have you used this learning since?\n\nJob interview", "The situation, task, action, result (STAR) format is a technique used by interviewers to gather all the relevant information about a specific capability that the job requires. \n\n Situation: The interviewer wants you to present a recent challenging situation in which you found yourself.\n Task: What were you required to achieve? The interviewer will be looking to see what you were trying to achieve from the situation. Some performance development methods use “Target” rather than “Task”. Job interview candidates who describe a “Target” they set themselves instead of an externally imposed “Task” emphasize their own intrinsic motivation to perform and to develop their performance.\n Action: What did you do? The interviewer will be looking for information on what you did, why you did it and what the alternatives were.\n Results: What was the outcome of your actions? What did you achieve through your actions? Did you meet your objectives? What did you learn from this experience? Have you used this learning since?\n\nThe STAR technique is similar to the SOARA technique.\n\nThe STAR technique is also often complemented with an additional R on the end STARR or STAR(R) with the last R resembling reflection. This R aims to gather insight and interviewee's ability to learn and iterate. Whereas the STAR reveals how and what kind of result on an objective was achieved, the STARR with the additional R helps the interviewer to understand what the interviewee learned from the experience and how they would assimilate experiences. The interviewee can define what they would do (differently, the same, or better) next time being posed with a situation.\n\nReferences\n\nExternal links\nThe ‘STAR’ technique to answer behavioral interview questions\nThe STAR method explained\n\nJob interview" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society." ]

[ "\"Anything\" is a song by rapper Jay-Z that is found on the Vinyl 12\" \"Anything (The Berlin Remixes)\" 1999 with a Remix of DJ Tomekk from Def Jam Germany and later on Beanie Sigel's 2000 album The Truth. It is produced by Sam Sneed and P. Skam, who sample Lionel Bart's \"I'll Do Anything\" for the track's beat and chorus. The sample from Oliver! heavily popularized \"Anything\", as did the Annie sample on \"Hard Knock Life (Ghetto Anthem)\", \"Anything\" was also a bonus track on Jay-Z's album Vol. 3... Life and Times of S. Carter (UK/Europe edition) as is \"Anything (Mr. Drunk Mix)\" on the Japanese version of the album.\n\nJay-Z admitted to Angie Martinez in a 2009 interview on the BET program Food for Thought that he hoped the song would be a success like \"Hard Knock Life (Ghetto Anthem)\" due to their similarities but was surprised when it wasn't, even saying \"I dropped the record and then nothing\". The song did, however, achieve moderate success in the UK reaching #18 on the singles chart. A music video for the song was also released, which was directed by Chris Robinson.\n\n\"Anything (The Berlin Remixes)\"\n\nFormats and track listings\n\nVinyl 12\"\n\nA-side\n \"Anything (GBZ Remix)\"\t\t\n \"Anything (GBZ Remix Instrumental)\"\n\nB-side\n \"Anything (DJ Tomekk Remix)\"\t\n \"Anything (Original Version)\"\t\n \"Anything (Original Version Instrumental)\"\n\nFormats and track listings\n\nCD\n \"Anything (Radio Edit)\"\n \"So Ghetto\"\n \"There's Been a Murder\"\n \"Anything (Video)\"\n\nVinyl\n\nA-side\n \"Anything (Radio Edit) (3:47)\"\n \"Anything (LP Version) (4:47)\"\n \"Anything (Instrumental) (4:48)\"\n\nB-side\n \"Big Pimpin' (Radio Edit) (3:56)\"\n \"Big Pimpin' (LP Version) (4:44)\"\n \"Big Pimpin' (Instrumental) (4:59)\"\n\nCharts\n\nSee also\nList of songs recorded by Jay-Z\n\nReferences\n\n2000 singles\nJay-Z songs\nMusic videos directed by Chris Robinson (director)\nSongs written by Jay-Z\nSongs written by Lionel Bart\nRoc-A-Fella Records singles\n2000 songs", "\"If You Can Do Anything Else\" is a song written by Billy Livsey and Don Schlitz, and recorded by American country music artist George Strait. It was released in February 2001 as the third and final single from his self-titled album. The song reached number 5 on the U.S. Billboard Hot Country Singles & Tracks chart in July 2001. It also peaked at number 51 on the U.S. Billboard Hot 100.\n\nContent\nThe song is about man who is giving his woman the option to leave him. He gives her many different options for all the things she can do. At the end he gives her the option to stay with him if she really can’t find anything else to do. He says he will be alright if she leaves, but really it seems he wants her to stay.\n\nChart performance\n\"If You Can Do Anything Else\" debuted at number 60 on the U.S. Billboard Hot Country Singles & Tracks for the week of March 3, 2001.\n\nYear-end charts\n\nReferences\n\n2001 singles\n2000 songs\nGeorge Strait songs\nSongs written by Billy Livsey\nSongs written by Don Schlitz\nSong recordings produced by Tony Brown (record producer)\nMCA Nashville Records singles" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.", "Did he achieve anything else environmentally?", "According to The New Yorker, Watson revived the 19th-century practice of tree spiking." ]

[ "You Can Hold Me Down is the debut album by William Tell, first released on March 13, 2007 through Universal Records and New Door Records.\n\nTrack listing\n \"Jeannie\" (William Tell) 3:01\n \"Slipping Under (Sing Along to Your Favorite Song)\" (PJ Smith, William Tell) 3:34\n \"Trouble\" (William Tell) 2:55\n \"Fairfax (You’re Still the Same)\" (William Tell) 2:49\n \"Like You, Only Sweeter\" (Darren Tehrani, William Tell) 3:41\n \"Maybe Tonight\" (William Tell, Mike Green) 3:13\n \"Young at Heart\" (William Tell) 2:46\n \"Sounds\" (William Tell, PJ Smith) 3:05\n \"Just For You\" (William Tell, Mike Green) 3:33\n \"You Can Hold Me Down\" (William Tell, Darren Tehrani) 3:23\n\nBest Buy hidden track:\n<li> \"You Can Hold Me Down\" (Tell, Tehrani) – 9:31\n features the hidden track \"After All\", beginning at about 4:30\n\niTunes Store bonus track:\n<li> \"Yesterday is Calling\" (James Bourne, Smith) – 3:43\n\nTarget bonus track:\n<li> \"Young at Heart (Acoustic)\" (Tell) – 2:46\n\nWal-Mart bonus tracks:\n<li> \"This Mess\" – 3:23\n<li> \"Katie (Where'd You Go?)\" – 3:48\n\nPersonnel\nWilliam Tell - vocals, guitars, bass\nBrian Ireland - drums, percussion\nAndrew McMahon - piano\n\nReferences\n\nYou Can Hold Me Down (William Tell album)", "\"Tell Me How You Feel\" is a song by American singer and actress Joy Enriquez. It samples \"Mellow Mellow Right On\" by Lowrell Simon. The song was released as the second single from her debut self-titled studio album in September 2000, peaking at number 17 on the US Billboard Bubbling Under R&B/Hip-Hop Songs chart, number 24 in Australia and number 14 in New Zealand, where it was certified Gold for sales of over 5,000.\n\nTrack listings\n\nUS CD single\n \"Tell Me How You Feel\" – 4:06\n Snippets from Joy Enriquez\n \"Shake Up the Party\"\n \"Situation\"\n \"I Can't Believe\"\n\nAustralian maxi-CD single\n \"Tell Me How You Feel\" – 4:06\n \"Tell Me How You Feel\" (Full Crew remix) – 4:04\n \"Between You and Me\" – 4:21\n \"How Can I Not Love You\" – 4:33\n\nEuropean CD single\n \"Tell Me How You Feel\" (album version) – 4:06\n \"Tell Me How You Feel\" (Full Crew remix) – 4:05\n\nEuropean maxi-CD single\n \"Tell Me How You Feel\" (album version) – 4:06\n \"Tell Me How You Feel\" (Full Crew remix) – 4:05\n \"Dime mi amor\" (Spanish version) – 3:59\n \"Tell Me How You Feel\" (instrumental) – 4:05\n\nJapanese CD single\n \"Tell Me How You Feel\"\n \"How Can I Not Love You\"\n\nCharts\n\nCertifications\n\nRelease history\n\nReferences\n\nExternal links\n at Discogs\n\n2000 singles\n2000 songs\n2001 singles\nArista Records singles\nSong recordings produced by Soulshock and Karlin\nSongs written by Kenneth Karlin\nSongs written by Soulshock" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.", "Did he achieve anything else environmentally?", "According to The New Yorker, Watson revived the 19th-century practice of tree spiking.", "Can you tell me about any further achievements environmentally?", "Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist." ]

[ "The All-Ukrainian Chornobyl People's Party \"For the Welfare and Protection of the People\" () is a political party in Ukraine registered in October 1998.\n\nHistory\nThe party first participated 2006 Ukrainian parliamentary election as part of the election bloc \"People's Power\" () that did not win any seats in the Ukrainian parliament. In the 30 September 2007 elections, the party failed as part of the Ukrainian People's Bloc to win parliamentary representation. The party did not participate in the 2012 parliamentary elections. The party did not participate in the 2014 Ukrainian parliamentary election either.\n\nReferences\n\nPolitical parties in Ukraine", "The Ukrainian Republican Party (; Ukrajinska Respublikanska Partija) is a political party in Ukraine registered in December 2006 as Ukrainian Republican Party Lukyanenko (). The party was led by political veteran Levko Lukyanenko(1928-2018). The party did not participate in the 2007 parliamentary election as well as the 2012 Ukrainian parliamentary election nationwide proportional party-list system; instead three members of the party tried to win a seat in three of the 225 local single-member districts. None of the parties candidates did win.\n\nThe party did participate in the 2014 Ukrainian parliamentary election in 5 single-member districts; but again did not win seats. The party has not taken part in national elections since 2012.\n\nThe party occupies a few seats in local and provincial councils. In the 2020 Ukrainian local elections the party gained 4 deputies (0.01% of all available mandates).\n\nReferences\n\nExternal links\n \n\nConservative parties in Ukraine\nPolitical parties established in 2006\nNationalist parties in Ukraine" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.", "Did he achieve anything else environmentally?", "According to The New Yorker, Watson revived the 19th-century practice of tree spiking.", "Can you tell me about any further achievements environmentally?", "Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist.", "Did he win that election?", "He received less than 100 votes." ]

[ "Liga Veneta Serenissima (Most Serene Venetian League, LVS) was a Venetist political party active in Veneto.\n\nLFS was founded in 1984 by splinters from Liga Veneta (LV) led by Achille Tramarin. Tramarin was first elected national secretary of Liga Veneta in 1980 and in the 1983 regional election he was elected to the Italian Chamber of Deputies. Soon after the election Franco Rocchetta, who was not elected, forced Tramarin to resign as party secretary. When Tramarin refused to do so, Rocchetta organized a revolt and replaced him with Marilena Marin.\n\nAlthough the expulsion of Tramarin and Senator Graziano Girardi from the party meant its disappearance from the Parliament of Italy, Liga Veneta did well in the 1985 regional election (3.7% of the vote and two regional councillors elected), while LVS was relegated to a mere 0.2% of the vote. In 1987 Tramarin and what remained of LVS joined Ettore Beggiato's Union of the Venetian People (UPV), but he did not return into Liga Veneta as UPV did in 1995. In 1998 he returned to active politics and was one of the founding members of Liga Veneta Repubblica (LVR).\n\nReferences\n\nSources\nFrancesco Jori, Dalla Łiga alla Lega. Storia, movimenti, protagonisti, Marsilio, Venice 2009\nEzio Toffano, Short History of the Venetian Autonomism, Raixe Venete\n\nPolitical parties in Veneto\nVenetian nationalism\nPolitical parties established in 1984", "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.", "Did he achieve anything else environmentally?", "According to The New Yorker, Watson revived the 19th-century practice of tree spiking.", "Can you tell me about any further achievements environmentally?", "Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist.", "Did he win that election?", "He received less than 100 votes.", "What did he do after the election?", "Watson did work with the Green Party of British Columbia in Vancouver in the 1980s and 90s." ]

[ "Mohammad Naeem Wardak (ډاکټر محمد نعیم وردک) (born 1985) is one of the current Taliban spokesperson in Qatar office since 2020. He also previously served the same office from 2013 to 2015.\n\nEarly life and education\nWardak belongs to Chak District of Wardak Province. He received his early education at a local madrassa in the village of Chak, then enrolled at Nangarhar University in Jalalabad and obtained a BA degree. He then enrolled at the International Islamic University, Islamabad for his master's degree and later did his Ph.D. in Arabic. He also studied for a short time at Darul Uloom Haqqania, Akora Khattak, from where he studied Hadith and Fiqh. Wardak is the first Taliban leader to hold a PhD.\n\nSpokesperson\nWhen the Taliban's first political office opened in Qatar in 2013, he was appointed spokesperson. Wardak and Suhail Shaheen both acted as spokespersons at the same time and served until 2015. In 2018 he was made part of the Qatar office again and has been based there ever since. In September 2020, he was re-appointed spokesman for the Taliban's political office in Doha.\n\nSee also\n Suhail Shaheen\n\nReferences\n\nExternal links\n \n\nLiving people\n1985 births\nTaliban leaders\nTaliban spokespersons\nInternational Islamic University, Islamabad alumni\nPeople from Maidan Wardak Province\nNangarhar University alumni\nDarul Uloom Haqqania alumni", "Smithson E. Wright (1807–1891) was the 16th mayor of Columbus, Ohio. He was the 15th person to hold the office, and did so for one two-year term. He was succeeded by Alexander Patton in 1833.\n\nLife \nSmithson E. Wright was born to Joseph and Eleanor (née Evans) Wright in Belmont County, Ohio, in 1807.\n\nOn August 27, 1832, he married Matilda Martin.\n\nWright died on March 2, 1891 in Cincinnati, Ohio.\n\nReferences\n\nBibliography\n\nExternal links\nSmithson E. Wright at Political Graveyard\n\nMayors of Columbus, Ohio\n1807 births\n1881 deaths\n19th-century American politicians" ]

[ "Paul Watson", "Other environmental activities", "What is Paul Watson's biggest environmental achievement?", "Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981.", "What else did he achieve environmentally?", "Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society.", "Did he achieve anything else environmentally?", "According to The New Yorker, Watson revived the 19th-century practice of tree spiking.", "Can you tell me about any further achievements environmentally?", "Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist.", "Did he win that election?", "He received less than 100 votes.", "What did he do after the election?", "Watson did work with the Green Party of British Columbia in Vancouver in the 1980s and 90s.", "Did he ever hold political office?", "In April 2003, Watson was elected to the board of directors of the Sierra Club for a three-year term." ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]

[ "Top of the Pops", "1994-1997" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone" ]

[ "\"Get What You Want\" is a song by Australian band Operator Please. The song was first recorded in 2006 and featured on the band's second Extended Play Cement Cement. The song was re-recorded and released in Australia on 29 October 2007 as the second single their debut album, Yes Yes Vindictive. The song peaked at number 27 on the ARIA Singles Chart.\n\n\"Get What You Want\" was one of the 100 most-played songs on Australian radio network Triple J during the year of its release, and has also been used in television ad campaigns for Australian National Youth Week and airline Virgin Blue.\n\nTrack listings\nAustralian CD single\n \"Get What You Want\" (album version) – 3:53\n \"Icicle\" – 2:47\n \"Get What You Want\" (Wolf & Cub remix) – 6:02\n\nAustralian iTunes single\n \"Get What You Want\" (Album version) – 3:54\n \"Zero, Zero\" – 3:05\n\nUK CD single\n \"Get What You Want\" (album version) – 3:54\n \"Waiting by the Car\" – 3:01\n \"Get What You Want\" (UK music video) – 3:57\n\nUK iTunes single\n \"Get What You Want\" (Album version) – 3:54\n \"Get What You Want\" (G.L.O.V.E.S. remix) – 3:54\n\nCharts\n\nRelease history\n\nReferences\n\n2007 singles\n2006 songs\nVirgin Records singles", "Black Box Distribution was a skateboard distributor owned by professional skateboarder Jamie Thomas. Prior to October 2014, it served seven brands, three of which were owned by Thomas: Fallen Footwear, Mystery Skateboards, and Zero Skateboards. After the company was dissolved, Zero and Fallen moved to Dwindle Distribution.\n\nHistory\nThe company was founded in 2000 as a way for Jamie Thomas to distribute his Zero Skateboards brand, which had been founded as the Zero Division apparel brand in 1996. The brand was initially supported by American distributor Tum Yeto (responsible for distributing Thomas' previous skateboard deck sponsor Toy Machine). The company's headquarters was in Carlsbad, California. Prior to its closure in 2014, it distributed Zero Skateboards, Fallen Footwear, Slave, Threat, Destroyer, Mystery, and New Balance Numeric brands.\n\nIn 2006, Thomas won an Ernst & Young regional Entrepreneur of the Year Award as founder/president of Black Box. The company eventually spun off Cinco Maderas, a Mexico-based woodshop that manufactures the skateboard decks for Mystery, Slave, and Zero.\n\nBlack Box announced a partnership with surf and skate clothing label Insight in mid-2009. At the time of the announcement, Thomas explained: \"My personal opinion is that Insight is a rad brand, and I think that's what matters most ... it's the raw elements and passion behind what it is more so than what category it supports most, whether it be surf, skate, or fashion. It's so original and raw that I find it inspiring.\"\n\nTransition to Dwindle\nIn a June 2014 interview with the Jenkem online publication, Thomas explained that the Dwindle Distribution skateboard company—responsible for the Enjoi, Blind Skateboards, Almost Skateboards, Darkstar, and Cliché Skateboards brands—would take over \"the sales, finance, production and distribution aspects\" of the Zero and Fallen brands. Thomas further explained that Zero employees would remain independent and focus on \"the team, marketing and creative aspects\" of the brand. However, in an October 2014 interview, former Zero rider Chris Cole stated that the entirety of Black Box had moved to Dwindle, so the exact terms of the transition are unclear.\n\nZero Skateboards\n\nTeam (as of 12 July 2018)\n\nProfessional\n Jamie Thomas\n Chris Wimer\n Tommy Sandoval\n James Brockman\n Jon Allie\n Dane Burman\n Tony Cervantes\n Windsor James\n\nFallen Footwear\n\nFallen Footwear is a skate shoe company that was founded as a partnership between Thomas and DC Shoes in 2003.\n\nTeam (as of 7 June 2015)\n Jamie Thomas\n Tony Cervantes\n Tommy Sandoval\n Brian \"Slash\" Hansen\n Dane Burman\n Jon Dickson\n\nSlave Skateboards\nSlave Skateboards (styled as $lave Skateboards), owned by former Black Box artist Ben Horton, was launched under the distribution company in 2007. The brand's debut full-length video, Radio-Television, premiered in September 2009.\n\nTeam (as of 7 June 2015)\n Jon Allie\n Matt Mumford\n AJ Zavala\n Jon Goemann\n Anthony Schultz\n Pat Burke\n Frecks\n Danny Dicola\n Conhuir Lynn\n\nReferences\n\nExternal links\n Dwindle Distribution official website\n\nSkateboarding companies" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone", "What was year zero?", "I don't know." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone", "What was year zero?", "I don't know.", "What happened in 1995?", "The last remnants of the Year Zero revamp were replaced in 1995, when a new title sequence, logo and theme tune were introduced" ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "Timothy Patrick Bragg (also known as Tim Bragg) is an English author and musician who has worked in politics. He was a founder member of the cultural publication Steadfast. He has been a vegetarian since late childhood. Currently he is perhaps best known as being a drummer/percussionist.\n\nA singer and songwriter as well as multi-instrumentalist, Bragg's discography includes Fields of England (a CD of 12 revamped and new songs and a digital only five song EP: Fields of England - The Green EP, 2014), Night Ferry (ambient/jazz album featuring flute, 2008), Where is the Fighter? - Songs for Phil Lynott (2009), Stranger Through The Window (2010), Revamped 1 (2011), Revamped Too (2012), Beat Bones & Alchemy (EP 2014), Revamped 3 (2014) Beat Bones & Stone Angels (2016) Been Before (2018) and under Tim Bragg & The Other Side the ambient/dance/electro album, Crossing Over (2013) featuring flute and the EWI (Electric Wind Instrument) and The Way of the Film (2016) ambient/jazz/new age also featuring flute - inspired by an original composition for the short film: Basket Case. The album Authentic co-written with German guitarist Ulrich Hänig was released in the Autumn of 2016. The album Tall Stories on Short Street (co-written with Ross Hemsworth) was released on 31 July 2020. The album Soul on Fire was released on March 30th, 2021. The album Project 21 was released late November 2021. \n\nHe stood as a paper-candidate for the English Democrats Party in the 2004 European Parliament election.\nHe was a member of the English Democrats for a year; he is not and has not been a member of any political party before or since. Bragg is now spokesman for (and founder of) the environmental campaign group English Green. The ethos of English Green is given as: English Green is a group interested in ecology and its relationship with all aspects of human activity. How we co-exist with the flora and fauna and how we conduct ourselves in an ecologically healthy manner and how we achieve a spiritual and material well-being are of particular interest.\n\nBragg read English and American Literature at Warwick University, graduating with a 2:1 (Hons).\n\nBooks\n The English Dragon (2001) \n A Declaration and Philosophy of Progressive Nationalism (With Graham Williamson, 2005)\n Biting Tongues (2005) \n The White Rooms (2005) \n Oak (2006) \n Counter Culture Anthology (Editor, 2006)\n HEAD: And Other Dark Tales (2017)\n Lyrics To Live By: Keys to Self Help - Notes for a Better Life (2018)\n LYRICS TO LIVE BY 2: Further Reflections, Meditations & Life Lessons (2020)\n A Conversation of Trees (2020)\n\nFilm\n Hounds of Rampur - film script co-writer (with Chandran Tattvaraj) and music to be featured in film. See external links: Hounds of Rampur (Production set to begin early 2019.)\nTim Bragg: 'We have a full production team beginning to work on the film. It's taken time - a lot longer than we envisaged - such is the way of the (film) world. Everyone is feeling very upbeat about this project.'\n\nReferences\n\nExternal links\n Tim Bragg at SoundClick\n Rootstime review of Revamped Too - in Dutch\n mwe3 review of Revamped Too - in English\n DC Rock Live - Reviews (Revamped Too) - in English \n RockTimes review of Revamped Too - in German\n Counter-Culture review of Revamped Too - in English\n Musikansich review of Revamped Too - in German\n RockTimes review of Revamped 3 - in German\n Interview and review of Revamped 3 by mwe3 - in English\n Review of Beat Bones & Alchemy - Radio Warwickshire - in English\n Hounds of Rampur - film homepage\n Review of Beat Bones and Stone Angels - in German\n RockTimes review of Authentic - in German\n\nYear of birth missing (living people)\nEnglish Democrats politicians\nLiving people\nEnglish male singer-songwriters\n21st-century English novelists\nEnglish drummers\nBritish male drummers\nEnglish male novelists\n21st-century English male writers" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone", "What was year zero?", "I don't know.", "What happened in 1995?", "The last remnants of the Year Zero revamp were replaced in 1995, when a new title sequence, logo and theme tune were introduced", "What else was revamped", "introduction of a new set." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone", "What was year zero?", "I don't know.", "What happened in 1995?", "The last remnants of the Year Zero revamp were replaced in 1995, when a new title sequence, logo and theme tune were introduced", "What else was revamped", "introduction of a new set.", "What happened in 1996", "TOTP was traditionally shown on a Thursday night, but was moved to a Friday starting on 14 June 1996," ]

[ "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy", "What Happened may refer to:\n\n What Happened (Clinton book), 2017 book by Hillary Clinton\n What Happened (McClellan book), 2008 autobiography by Scott McClellan\n \"What Happened\", a song by Sublime from the album 40oz. to Freedom\n \"What Happened\", an episode of One Day at a Time (2017 TV series)\n\nSee also\nWhat's Happening (disambiguation)" ]

[ "Top of the Pops", "1994-1997", "What happened in 1994?", "By 1994, much of the 'Year Zero' revamp was quickly undone", "What was year zero?", "I don't know.", "What happened in 1995?", "The last remnants of the Year Zero revamp were replaced in 1995, when a new title sequence, logo and theme tune were introduced", "What else was revamped", "introduction of a new set.", "What happened in 1996", "TOTP was traditionally shown on a Thursday night, but was moved to a Friday starting on 14 June 1996,", "What happened during 1997", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Johnny Unitas", "Baltimore Colts" ]

[ "Steve Myhra (April 2, 1934 – August 4, 1994) was a professional American football player who played offensive line and placekicker for six seasons for the Baltimore Colts.\n\nFootball career\n\nAfter playing at the University of North Dakota, Myhra was drafted in the 12th round of the 1956 NFL Draft by the Colts as an offensive guard and linebacker. In 1957, Myhra became the Colts' placekicker, and was successful on 88% of his extra point attempts (14 of 16) and 4 of 6 on field goals. The next season, Myhra was only 4 for 10 on field goal attempts, which many have speculated may be why Johnny Unitas and the Colts went for the touchdown in overtime of the championship game rather than line up for a game-winning field goal attempt.\n\nMyhra is known for kicking the game-tying field goal for the Baltimore Colts with seven seconds to go in the fourth quarter of the 1958 NFL Championship Game. His field goal pushed the game into overtime, marking the first occasion in professional football history that any game had moved into an extra period. The game was eventually won by the Colts on a touchdown by Alan Ameche, and has since become referred to as \"The Greatest Game Ever Played\".\n\nMyhra kicked for the Colts for three more seasons. He finished 180 for 189 on extra points, and 41 for 91 on field goal attempts.\n\nPersonal\nMyhra died of a heart attack in 1994 at age 60.\n\nReferences\n\n1934 births\n1994 deaths\nPeople from Wahpeton, North Dakota\nPeople from Richland County, North Dakota\nPlayers of American football from North Dakota\nAmerican football offensive linemen\nAmerican football placekickers\nNorth Dakota Fighting Hawks football players\nBaltimore Colts players", "The Baltimore Colts season was the fifteenth season for the team in the National Football League. They finished the regular season with a record of 11 wins, 1 loss, and 2 ties, the same record in the Western Conference's Coastal division with the Los Angeles Rams, who defeated them in the regular season finale; the two had tied in mid-October. The Colts lost the new tiebreaker (point differential in head-to-head games) and thus did not make the playoffs, which included only the four division winners.\n\nThe Colts' official winning percentage of (based on the NFL's non-counting of ties for such purposes prior to ) is the best in North American professional sports history for a non-playoff-qualifying team. It is also remarkable that the Colts entered the final game undefeated and yet did not qualify for the playoffs.\n\nPersonnel\n\nStaff/Coaches\n\nRoster\n\nRegular season\n\nSchedule\n\n1967\n\nNote: Intra-division opponents are in bold text.\n\nGame summaries\n\nWeek 14\n\nStandings\n\nAwards and honors \n Johnny Unitas, Bert Bell Award\n\nReferences\n\nSee also \n History of the Indianapolis Colts\n Indianapolis Colts seasons\n\nBaltimore Colts\n1967\nBaltimore Colts" ]

[ "Johnny Unitas", "Baltimore Colts", "When did Johnny get drafted into the Colts?", "In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank," ]

[ "Do-support (or do-insertion), in English grammar, is the use of the auxiliary verb do, including its inflected forms does and did, to form negated clauses and questions as well as other constructions in which subject–auxiliary inversion is required.\n\nThe verb \"do\" can be used as an auxiliary even in simple declarative sentences, and it usually serves to add emphasis, as in \"I did shut the fridge.\" However, in the negated and inverted clauses referred to above, it is used because the conventions of Modern English syntax permit these constructions only when an auxiliary is present. It is not idiomatic in Modern English to add the negating word not to a lexical verb with finite form; not can be added only to an auxiliary or copular verb. For example, the sentence I am not with the copula be is fully idiomatic, but I know not with a finite lexical verb, while grammatical, is archaic. If there is no other auxiliary present when negation is required, the auxiliary do is used to produce a form like I do not (don't) know. The same applies in clauses requiring inversion, including most questions: inversion must involve the subject and an auxiliary verb so it is not idiomatic to say Know you him?; today's English usually substitutes Do you know him?\n\nDo-support is not used when there is already an auxiliary or copular verb present or with non-finite verb forms (infinitives and participles). It is sometimes used with subjunctive forms. Furthermore, the use of do as an auxiliary should be distinguished from the use of do as a normal lexical verb, as in They do their homework.\n\nCommon uses\nDo-support appears to accommodate a number of varying grammatical constructions:\nquestion formation,\nthe appearance of the negation not, and\nnegative inversion.\nThese constructions often cannot occur without do-support or the presence of some other auxiliary verb.\n\nIn questions\nThe presence of an auxiliary (or copular) verb allows subject–auxiliary inversion to take place, as is required in most interrogative sentences in English. If there is already an auxiliary or copula present, do-support is not required when forming questions:\n\n He will laugh. → Will he laugh? (the auxiliary will inverts with the subject he)\n She is at home. → Is she at home? (the copula is inverts with the subject she)\n\nThis applies not only in yes–no questions but also in questions formed using interrogative words:\n\n When will he laugh?\n\nHowever, if there is no auxiliary or copula present, inversion requires the introduction of an auxiliary in the form of do-support:\n\n I know. → Do I know? (Compare: *Know I?)\n He laughs. → Does he laugh? (Compare: *Laughs he?)\n She came home. → Did she come home? (Compare: *Came she home?)\n\nThe finite (inflected) verb is now the auxiliary do; the following verb is a bare infinitive which does not inflect: does he laugh? (not laughs); did she come? (not came).\n\nIn negated questions, the negating word not may appear either following the subject, or attached to the auxiliary in the contracted form n't. That applies both to do-support and to other auxiliaries:\n\n Why are you not playing? / Why aren't you playing?\n Do you not want to try? / Don't you want to try?\n\nThe above principles do not apply to wh-questions if the interrogative word is the subject or part of the subject. Then, there is no inversion and so there is no need for do-support: Who lives here?, Whose dog bit you?\n\nThe verb have, in the sense of possession, is sometimes used without do-support as if it were an auxiliary, but this is considered dated. The version with do-support is also correct:\n\n Have you any idea what is going on here?\n Do you have any idea what is going on here?\n (Have you got any idea what is going on here? – the order is similar to the first example, but have is an auxiliary verb here)\n\nFor elliptical questions and tag questions, see the elliptical sentences section below.\n\nWith not\nIn the same way that the presence of an auxiliary allows question formation, the appearance of the negating word not is allowed as well. Then too, if no other auxiliary or copular verb is present, do-support is required.\n\n He will laugh. → He will not laugh. (not attaches to the auxiliary will)\n She laughs. → She does not laugh. (not attaches to the added auxiliary does)\n\nIn the second sentence, do-support is required because idiomatic Modern English does not allow forms like *She laughs not. The verb have, in the sense of possession, is sometimes negated thus:\n\n I haven't the foggiest idea.\n\nMost combinations of auxiliary/copula plus not have a contracted form ending in -n't, such as isn't, won't, etc. The relevant contractions for negations formed using do-support are don't, doesn't and didn't. Such forms are used very frequently in informal English.\n\nDo-support is required for negated imperatives even when the verb is the copula be:\n\nDo not do that.\nDon't be silly.\n\nHowever, there is no do-support with non-finite, as they are negated by a preceding not:\n\nIt would be a crime not to help him (the infinitive to help is negated)\nNot knowing what else to do, I stood my ground (the present participle knowing is negated)\nNot eating vegetables can harm your health (the gerund eating is negated)\n\nWith subjunctive verb forms, as a present subjunctive, do is infrequently used for negation, which is frequently considered ambiguous or incorrect because it resembles the indicative. The usual method to negate the present subjunctive is to precede the verb with a not, especially if the verb is be (as do-support with it, whether it be indicative or subjunctive, is ungrammatical):\n\nI suggest that he not receive any more funding (the present subjunctive receive is negated)\nIt is important that he not be there (the present subjunctive be is negated)\n\nAs a past subjunctive, however, did is needed for negation (unless the verb is be, whose past subjunctive is were):\n\nI wish that he did not know it\nI wish that he were not here\n\nThe negation in the examples negates the non-finite predicate. Compare the following competing formulations:\n\nI did not try to laugh. vs. I tried not to laugh.\nThey do not want to go. vs. They want not to go.\n\nThere are two predicates in each of the verb chains in the sentences. Do-support is needed when the higher of the two is negated; it is not needed to negate the lower nonfinite predicate.\n\nFor negated questions, see the questions section above. For negated elliptical sentences, see the elliptical sentences section below.\n\nNegative inversion\nThe same principles as for question formation apply to other clauses in which subject–auxiliary inversion is required, particularly after negative expressions and expressions involving only (negative inversion):\n\n Never did he run that fast again. (wrong: *Never he did run that fast again. *Never ran he that fast again.)\n Only here do I feel at home. (wrong: *Only here feel I at home.)\n\nFurther uses\nIn addition to providing do-support in questions and negated clauses as described above, the auxiliary verb do can also be used in clauses that do not require do-support. In such cases, do-support may appear for pragmatic reasons.\n\nFor emphasis\nThe auxiliary generally appears for purposes of emphasis, for instance to establish a contrast or to express a correction:\n Did Bill eat his breakfast? Yes, he did eat his breakfast (did emphasizes the positive answer, which may be unexpected).\n Bill doesn't sing, then. No, he does sing (does emphasizes the correction of the previous statement).\n\nAs before, the main verb following the auxiliary becomes a bare infinitive, which is not inflected (one cannot say *did ate or *does sings in the above examples).\n\nAs with typical do-support, that usage of do does not occur with other auxiliaries or a copular verb. Then, emphasis can be obtained by adding stress to the auxiliary or copular:\n\n Would you take the risk? Yes, I would take the risk.\n Bill isn't singing, then. No, he is singing.\n\n(Some auxiliaries, such as can, change their pronunciation when stressed; see Weak and strong forms in English.)\n\nIn negative sentences, emphasis can be obtained by adding stress either to the negating word (if used in full) or to the contracted form ending in n't. That applies whether or not do-support is used:\n\n I wouldn't (or would not) take the risk.\n They don't (or do not) appear on the list.\n\nEmphatic do can also be used with imperatives, including with the copula be:\n\n Do take care! Do be careful!\n\nIn elliptical sentences\nThe auxiliary do is also used in various types of elliptical sentences, where the main verb is omitted (it can be said to be \"understood\", usually because it would be the same verb as was used in a preceding sentence or clause). That includes the following types:\n\nTag questions:\n He plays well, doesn't he?\n You don't like Sara, do you?\nElliptical questions:\n I like pasta. Do you?\n I went to the party. Why didn't you?\nElliptical statements:\n They swam, but I didn't.\n He looks smart, and so do you.\n You fell asleep, and I did, too.\n\nSuch uses include cases that do-support would have been used in a complete clause (questions, negatives, inversion) but also cases that (as in the last example) the complete clause would normally have been constructed without do (I fell asleep too). In such instances do may be said to be acting as a pro-verb since it effectively takes the place of a verb or verb phrase: did substitutes for fell asleep.\n\nAs in the principal cases of do-support, do does not normally occur when there is already an auxiliary or copula present; the auxiliary or copula is retained in the elliptical sentence:\n\nHe is playing well, isn't he?\nI can cook pasta. Can you?\nYou should get some sleep, and I should too.\n\nHowever, it is possible to use do as a pro-verb (see below section #Pro-verbs & Do-so Substitution even after auxiliaries in some dialects:\n\nHave you put the shelf up yet? I haven't done (or I haven't), but I will do (or I will).\n(However it is not normally used in this way as a to-infinitive: Have you put the shelf up? I plan to, rather than *I plan to do; or as a passive participle: Was it built? Yes, it was, not *Yes, it was done.)\n\nPro-verbal uses of do are also found in the imperative: Please do. Don't!\n\nPro-verbs and do-so substitution\nThe phrases do so and do what for questions are pro-verb forms in English. They can be used as substitutes for verbs in x-bar theory grammar to test verb phrase completeness. Bare infinitives forms often are used in place of the missing pro-verb forms.\n\nExamples from Santorini and Kroch:\n\nTests for constituenthood of a verb-phrase in X'-grammar\nThe do so construction can be used to test if a verb-phrase is a constituent phrase in X'-grammar by substitution similarly to how other pro-forms can be used to test for noun-phrases, etc.\n\nIn X-bar theory, the verb-phrase projects three bar-levels such as this:\n\n VP\n / \\\n ZP X'\n / \\\n X' YP\n |\n X \n |\n head\n\nWith a simple sentence:\n\n S\n |\n VP\n / \\\n / \\\n / \\\n / \\\n NP \\\n / \\ \\ \n DP N' V'\n | | / \\\nThe children / \\\n / \\\n V' PP\n / \\ /_\\\n / \\ with gusto\n V NP\n | /_\\\n ate the pizza\n\nHere again exemplified by Santorini and Kroch, do so substitution for testing constituent verb phrases in the above sample sentence:\n\n S\n |\n VP\n / \\\n / \\\n / \\\n / \\\n NP \\\n / \\ \\ \n DP N' V'\n | | / \\\nThe children / \\\n / \\\n V' PP\n / \\ /_\\\n / \\ with gusto\n V NP\n | /_\\\n did so the pizza\n\nUse of do as main verb\nApart from its uses as an auxiliary, the verb do (with its inflected forms does, did, done, doing) can be used as an ordinary lexical verb (main verb):\n\nDo your homework!\nWhat are you doing?\n\nLike other non-auxiliary verbs, do cannot be directly negated with not and cannot participate in inversion so it may itself require do-support, with both auxiliary and lexical instances of do appearing together:\n\n They didn't do the laundry on Sunday. (did is the auxiliary, do is the main verb)\n Why do you do karate? (the first do is the auxiliary, the second is the main verb)\n How do you do? (a set phrase used as a polite greeting)\n\nMeaning contribution\nIn the various cases seen above that require do-support, the auxiliary verb do makes no apparent contribution to the meaning of the sentence so it is sometimes called a dummy auxiliary. Historically, however, in Middle English, auxiliary do apparently had a meaning contribution, serving as a marker of aspect (probably perfective aspect, but in some cases, the meaning may have been imperfective). In Early Modern English, the semantic value was lost, and the usage of forms with do began to approximate that found today.\n\nOrigins\n\nSome form of auxiliary \"do\" occurs in all West Germanic languages except Afrikaans. It is generally accepted that the past tense of Germanic weak verbs (in English, -ed) was formed from a combination of the infinitive with a past tense form of \"do\", as exemplified in Gothic. The origins of the construction in English are debated: some scholars argue it was already present in Old English, but not written due to stigmatization. Scholars disagree whether the construction arose from the use of \"do\" as a lexical verb in its own right, or whether periphrastic \"do\" arose from a causative meaning of the verb or vice versa. Examples of auxiliary \"do\" in Old English writing appear to be limited to its use in a causative sense, which is parallel to the earliest uses in other West Germanic languages. Others argue that the construction arose either via the influence of Celtic speakers or that the construction arose as a form of creolization when native speakers addressed foreigners and children.\n\nSee also\n\nEnglish verbs\nEnglish clause syntax\nIntensifier\n\nReferences\n\nEnglish grammar\nWord order\nSyntax\nGenerative syntax", "Zhou Xiaoping (; born 24 April 1981) is a Chinese essayist and popular blogger. His most well-known works are Please Do Not Fail This Era!, Young, do you really know about this country?, Where did our heroes go?, and Nine Tricks of the United States Cultural Cold War. He is a supporter of communist party rule and has expressed nationalist, anti-American and anti-Western sentiment. Zhou is noted for praising by Communist Party General Secretary Xi Jinping at a conference on art and literature. Xi lauded Zhou for spreading \"positive energy\" in 2014.\n\nLife\nZhou was born and raised in Zigong, Sichuan, after junior high school, he started to publish works in 1996. \"Cutlassfish Zhou\" () became the nickname for his nationalist, pro-Communist, pro-Chinese government and anti-American writing. Zhou has been praised by General Secretary Xi Jinping for his \"positive energy\".\n\nWorks\n Please Do Not Fail This Era! ()\n Young, do you really know about this country? ()\n Where did our heroes go? ()\n Nine Tricks of the United States Cultural Cold War ()\n\nReferences\n\nExternal links\n\n1981 births\nWriters from Zigong\nLiving people\nArchibald Prize Salon des Refusés People's Choice Award winners\nPeople's Republic of China writers\nChinese bloggers" ]

[ "Johnny Unitas", "Baltimore Colts", "When did Johnny get drafted into the Colts?", "In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank,", "Did he do well?", "In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24)" ]

[ "Winning Streak may refer to:\n Winning streak, an uninterrupted sequence of success in a game, sport, or other endeavor\n Winning Streak (film), a 2012 Spanish comedy-drama film\n Winning Streak (American game show)\n Winning Streak (Irish game show)\n \"Winning Streak\", a 2015 song by Glen Hansard from Didn't He Ramble\n \"Winning Streak\", a 2015 song by Ashley Monroe from The Blade\n\nSee also", "In American college football, the longest NCAA Division I winning streak is held by the Oklahoma Sooners, who won 47 consecutive games between 1953 and 1957. The longest FCS winning streak is held by the North Dakota State Bison, who had a winning streak of 39 consecutive wins between 2017 and 2021.\n\nNCAA Division I Football Bowl Subdivision\nThe following is a list of the longest winning streaks in NCAA Division I FBS of 25 games or more through the 2019 season.\n\n^ Streak was part of Division I's longest unbeaten streak of 64 games (60–0–4) between 1907 and 1917.\n† Indicates a streak ended by a tie.\n‡ Indicates a streak ended in a bowl game.\n# Indicates a streak ended in CFP National Championship.\n\n(USC initially had a 34 game winning streak from 2003 to 2005, of which 14 of those wins were later vacated by the NCAA.)\n\nNCAA Division I Football Championship Subdivision\n\nThe following is a list of the longest winning streaks in NCAA Division I FCS. Only schools that have been FCS members for five years are eligible for inclusion.\n\n tie ended the winning streak\n\nReferences\n\nLists of college football team records" ]

[ "Johnny Unitas", "Baltimore Colts", "When did Johnny get drafted into the Colts?", "In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank,", "Did he do well?", "In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24)", "Did he continue his winning streak after that?", "I don't know." ]

[ "Eric Branford Powell (born November 16, 1979) is a former American football defensive end. He was signed by the Green Bay Packers as an undrafted free agent in 2003. He played college football at Florida State.\n\nPowell has also been a member of the Cologne Centurions, Detroit Lions, Buffalo Bills, and Houston Texans.\n\nCollege career\nAfter graduation from Jones High School in Orlando, Powell attended Southwest Mississippi Community College. While at Southwest, Powell was named the number one junior college defensive end in the country by ESPN the Magazine. His success at Southwest led to a scholarship to play at Florida State. In Orlando, September, 2001, Powell was shot by a small caliber handgun. He did not sustain any life-threatening injuries. He returned to Florida State to continue his academic and athletic career.\n\nProfessional career\n\nGreen Bay Packers\nAfter going undrafted in the 2003 NFL Draft, Powell signed with the Green Bay Packers on May 2, 2003.\n\nIn 2004, he was allocated to NFL Europe and played for the Cologne Centurions.\n\nCologne Centurions\nPowell was drafted by the Cologne Centurions in the fourth round of the 2005 NFL Europe Free Agent Draft.\n\nFlorida Tuskers\nPowell was drafted by the Florida Tuskers on the UFL Premiere Season Draft in 2009 and signed with the team on September 3. He was released on September 29. He was originally re-signed to the teams' practice squad. Before the first game of the season the UFL abolished the practice squad and Powell became a member of the Tuskers' active roster.\n\nReferences\n\nExternal links\nJust Sports Stats\nFlorida State Seminoles bio\nHouston Texans bio\n\n1979 births\nLiving people\nJones High School (Orlando, Florida) alumni\nPlayers of American football from Orlando, Florida\nAmerican football defensive ends\nFlorida State Seminoles football players\nGreen Bay Packers players\nCologne Centurions players\nDetroit Lions players\nBuffalo Bills players\nHouston Texans players\nFlorida Tuskers players", "In gridiron football, spearing is a tackling technique in which a player makes initial contact with the crown of their helmet by using their body as a spear (head out, arms by their side). An offensive player or a defensive player can be penalized for spear tackling. Spearing from an offensive player will result in a 15-yard penalty, whereas spearing from a defensive player will result in an automatic first-down for the offense.\n\n1976 Rule Change \nIn the year 1976, the tackling technique known as spearing was banned across the board. Associations such as the National Football League (NFL), the National Collegiate Athletic Association, and the National Federation of State High School Associations (NFSHSA) made it illegal to perform any kind of spearing or head down contact to another player. This is mainly due to the severe injuries players would sustain upon using the spearing technique. Although this ban might have decreased the number of head injuries, players' use of spearing still persists.\n\nInjury Risks \nWithin the sport of gridiron football, the spearing technique was responsible for most of the catastrophic cervical spinal cord injuries and concussions, which is a result of axial loading. Recognition of such injuries resulted in rule changes in 1976, banning such tackles for high school and college football, after which incidence of these injuries dropped significantly. For example, incidence of quadriplegia decreased from 2.24 and 10.66 per 100,000 participants in high school and college football in 1976, to 1.30 and 2.66 per 100,000 participants in 1977.\n\nReferences\n\nBanned sports tactics\nAmerican football terminology\nCanadian football terminology" ]

[ "Johnny Unitas", "Baltimore Colts", "When did Johnny get drafted into the Colts?", "In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank,", "Did he do well?", "In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24)", "Did he continue his winning streak after that?", "I don't know.", "Did he sustain any injuries in his career?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Johnny Unitas", "Baltimore Colts", "When did Johnny get drafted into the Colts?", "In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank,", "Did he do well?", "In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24)", "Did he continue his winning streak after that?", "I don't know.", "Did he sustain any injuries in his career?", "I don't know.", "Are there any other interesting aspects about this article?", "Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA)." ]

[ "Below is a list of awards received by Twins since they were formed in 2001 as a cantopop girl group. They average to receive about 2-3 awards in each Hong Kong music awards. Their major accomplishment is in 2007 when they received the Asia Pacific Most Popular Female Artist Award from Jade Solid Gold Top 10 Awards.\n\nBecause of the Edison Chen photo scandal in 2008, Gillian took a short leave from the group. And thus the group did not record any songs or receive any awards between March 2008 to 2009.\n\nCommercial Radio Hong Kong Ultimate Song Chart Awards\nThe Ultimate Song Chart Awards Presentation (叱咤樂壇流行榜頒獎典禮) is a cantopop award ceremony from one of the famous channel in Commercial Radio Hong Kong known as Ultimate 903 (FM 90.3). Unlike other cantopop award ceremonies, this one is judged based on the popularity of the song/artist on the actual radio show.\n\nGlobal Chinese Music Awards\n\nIFPI Hong Kong Sales Awards\nIFPI Awards is given to artists base on the sales in Hong Kong at the end of the year.\n\nJade Solid Gold Top 10 Awards\nThe Jade Solid Gold Songs Awards Ceremony(十大勁歌金曲頒獎典禮) is held annually in Hong Kong since 1984. The awards are based on Jade Solid Gold show on TVB.\n\nMetro Radio Mandarin Music Awards\n\nMetro Showbiz Hit Awards\nThe Metro Showbiz Hit Awards (新城勁爆頒獎禮) is held in Hong Kong annually by Metro Showbiz radio station. It focus mostly in cantopop music.\n\nRTHK Top 10 Gold Songs Awards\nThe RTHK Top 10 Gold Songs Awards Ceremony(十大中文金曲頒獎音樂會) is held annually in Hong Kong since 1978. The awards are determined by Radio and Television Hong Kong based on the work of all Asian artists (mostly cantopop) for the previous year.\n\nSprite Music Awards\nThe Sprite Music Awards Ceremony is an annual event given by Sprite China for work artists performed in previous years; awards received on 2008 are actually for the work and accomplishment for 2007.\n\nReferences\n\nTwins\nCantopop", "The Drama-Logue Award was an American theater award established in 1977, given by the publishers of Drama-Logue newspaper, a weekly west-coast theater trade publication. Winners were selected by the publication's theater critics, and would receive a certificate at an annual awards ceremony hosted by Drama-Logue founder Bill Bordy. The awards did not require any voting or agreement among critics; each critic could select as many award winners as they wished. As a result, many awards were issued each year. In some years, the number of winners was larger than the seating capacity of the venue where the ceremony was conducted.\n\nThe award categories included Production, Direction, Musical Direction, Choreography, Writing, Performance, Ensemble Performance, Scenic Design, Sound Design, Lighting Design, Costume Design and Hair & Makeup Design.\n\nAcquisition \nIn May 1998, Backstage West bought the Drama-Logue publication, and the two publications merged. The Drama-Logue Awards were subsequently retired and replaced by the Back Stage West Garland Awards.\n\nReferences\n\nAmerican theater awards\nAwards established in 1977\nAwards disestablished in 1998" ]

[ "Narendra Modi", "2014 Indian general election" ]

[ "This is a list of members of the Victorian Legislative Assembly, from the elections of 21 January; 7, 20 February 1868 to the elections of 14 February; 3, 16 March 1871. Victoria was a British self-governing colony in Australia at the time.\n\nNote the \"Term in Office\" refers to that members term(s) in the Assembly, not necessarily for that electorate.\n\n Aspinall resigned c. October 1870, replaced by James Stephen in an October 1870 by-election.\n Baillie left parliament in November 1870, replaced by James Patterson in a December 1870 by-election.\n Balfour resigned August 1868, replaced by William Lobb in a September by-election\n Bindon resigned in October 1868, replaced by Richard Kitto in a by-election the same month.\n Bowman resigned in March 1870, replaced by Duncan Gillies in a by-election the same month.\n Byrne resigned October 1869, replaced by George Rolfe in a by-election the same month.\n Carr resigned May 1870, replaced by Robert de Bruce Johnstone in May 1870.\n Foott died 24 September 1868, replaced by Graham Berry in October 1868.\n Frazer died 13 December 1870, replaced by James Syme Stewart in January 1871.\n Gillies resigned in May 1868, replaced by Charles Jones in a by-election the same month.\n Grant left Parliament in July 1870, replaced by Peter Finn who was sworn-in October 1870.\n McCaw resigned in September 1870, replaced by Robert Ramsay in October 1870.\n McCombie resigned in March 1869, replaced by George Macartney in a by-election the same month.\n McDonnell retired in April 1870, replaced by Michael O'Grady who was elected unopposed in July 1870.\n O'Grady became Minister for Public Works which caused a by-election in May 1868; won by John Branscombe Crews.\n Reeves lost a by-election in October 1869 after becoming a minister, replaced by William Vale.\n Vale resigned in April 1869, replaced by John James in a May 1869 by-election.\n Verdon resigned May 1868 replaced by John Whiteman in a June 1868 by-election\n\nFrancis Murphy was Speaker, Frederick Smyth was Chairman of Committees.\n\nReferences\n\nMembers of the Parliament of Victoria by term\n19th-century Australian politicians", "The Poole by-election of 1884 was fought on 19 April 1884. The by-election was fought due to the death of the incumbent MP, Charles Schreiber. It was won by the Conservative candidate William James Harris.\n\nBackground \nCharles Schreiber had been elected at the 1880 general election, representing Poole, Dorset until his death in March 1884. A by-election was called for the following month.\n\nResults\n\nReferences \n\nHistory of Poole\nBy-elections to the Parliament of the United Kingdom in Dorset constituencies\n1884 in England\n19th century in Dorset\n1884 elections in the United Kingdom\nPolitics of Poole" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election." ]

[ "Pete Rios was a member of the Arizona House of Representatives and the Arizona Senate, serving two stretches in the Senate and a single term in the House. He first ran, unsuccessfully, for the House in 1980. In 1982 he ran for the State Senate, winning the seat from Arizona's 7th District. He won re-election in 1984, 1986, 1988, 1990, and 1992. He served as the Senate President during the 40th Legislature from 1991–1992. In 1994, he did not run for re-election to the Senate, instead choosing to run for the Arizona Secretary of State, a bid for which he was unsuccessful. In 1996 Rios once again ran for the Senate, regaining his seat in District 7. He won election three times, the first two in 1998 and 2000 to District, and then to District 23 in 2002, after re-districting. In 2004, due to Arizona's term limit laws, Rios was unable to run again for the Senate, and chose to run for the House seat from District 23, which he won. He won re-election in 2006. He did not run for re-election in 2008.\n\nReferences\n\n \n\nArizona Democrats\nMembers of the Arizona House of Representatives\nArizona state senators\nLiving people\nYear of birth missing (living people)\nPresidents of the Arizona State Senate", "Retirement slump refers to the average falloff in the party’s vote when the incumbent retires. A positive value of the sophomore surge represents an incumbency advantage. The retirement slump should be positive for an incumbency advantage to exist.\n\nSophomore surge is the average vote gain for freshman winners in election 1 who run again in election 2. Retirement slump is the average vote loss for the parties whose candidates won election 1 and did not run in election 2.\n\nWhen a Sophomore surge and a Retirement slump combine, it is what is called a slurge.\n\nReferences \n\nElections" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister" ]

[ "The National Democrats () was a political party in Norway, which was founded in January 1990. The party was led by Hege Søfteland, who had been excluded from Stop Immigration. The party's main issue was to stop what it called the \"mass immigration to Norway.\" It also wanted to stop foreign aid and replace it with a \"disaster fund\", and was against Norway joining the European Economic Community.\n\nBy August 1991, the party had 460 registered members. The party contested the 1991 local elections in Oslo, where it received 655 votes. It was though never registered publicly as a political party. The party worked with both the Norwegian Association and Folkebevegelsen mot innvandring.\n\nReferences\n\nDefunct political parties in Norway\nPolitical parties established in 1991\n1991 establishments in Norway\nPolitical parties disestablished in 1991\nFar-right political parties in Norway", "Zhong Mian (; born May 1963) is a Chinese politician from Sichuan province who served as the executive vice governor of the province between 2013 and 2015; since May 2015, he has served as the Deputy Party Secretary of Yunnan province.\n\nZhong was born in Qianwei County in Sichuan province. He studied political economics at Sichuan Finance College (now part of Southwestern University of Finance and Economics) and graduated in 1984. He joined the Communist Party while attending university. He then worked in the provincial policy research office, then the provincial finance and economics office. He then was made a political secretary working in the provincial Party Committee General Office. In 1995, he was named Communist Party Secretary of the city of Emeishan, and a Party Standing Committee member of Leshan. In August 1997 he was elevated to deputy party chief of Leshan, then executive deputy mayor in 2000. In May 2000, he was named head of the Tourism Department of Sichuan, during this time he earned a doctorate degree in economics.\n\nIn February 2003, he was named party chief of Ziyang, then in February 2007, the Secretary-General of the Party Committee, and a member of the provincial Party Standing Committee. In January 2008 he was made vice governor of Sichuan, then in February 2013, he was named executive vice governor. In April 2015, he was named Deputy Communist Party Secretary of Yunnan, replacing the disgraced Qiu He. In 2016, Zhong was transferred to Guizhou to become vice-governor, in what was seen as a demotion.\n\nZhong was a delegate to the 17th and 18th National Congress of the Communist Party of China.\n\nReferences \n\nPeople from Leshan\n1963 births\nLiving people\nPolitical office-holders in Sichuan\nPolitical office-holders in Yunnan\nSouthwestern University of Finance and Economics alumni" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate" ]

[ "The All-Ukrainian Chornobyl People's Party \"For the Welfare and Protection of the People\" () is a political party in Ukraine registered in October 1998.\n\nHistory\nThe party first participated 2006 Ukrainian parliamentary election as part of the election bloc \"People's Power\" () that did not win any seats in the Ukrainian parliament. In the 30 September 2007 elections, the party failed as part of the Ukrainian People's Bloc to win parliamentary representation. The party did not participate in the 2012 parliamentary elections. The party did not participate in the 2014 Ukrainian parliamentary election either.\n\nReferences\n\nPolitical parties in Ukraine", "The Ukrainian Republican Party (; Ukrajinska Respublikanska Partija) is a political party in Ukraine registered in December 2006 as Ukrainian Republican Party Lukyanenko (). The party was led by political veteran Levko Lukyanenko(1928-2018). The party did not participate in the 2007 parliamentary election as well as the 2012 Ukrainian parliamentary election nationwide proportional party-list system; instead three members of the party tried to win a seat in three of the 225 local single-member districts. None of the parties candidates did win.\n\nThe party did participate in the 2014 Ukrainian parliamentary election in 5 single-member districts; but again did not win seats. The party has not taken part in national elections since 2012.\n\nThe party occupies a few seats in local and provincial councils. In the 2020 Ukrainian local elections the party gained 4 deputies (0.01% of all available mandates).\n\nReferences\n\nExternal links\n \n\nConservative parties in Ukraine\nPolitical parties established in 2006\nNationalist parties in Ukraine" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment" ]

[ "Active Pensionists (Danish: Aktive Pensionister) was a political party in Denmark.\n\nHistory\nActive Pensionists was established in 1997. The party ran in 2001 in Copenhagen (507 votes), Frederikshavn (212 votes) and Skagen Municipality (19 votes). They did not get any municipal seats.\n\nIn 2005, Active Pensionists ran in Greve Municipality (43 votes), Vejle Municipality (158 votes), Fredericia Municipality (679) and Copenhagen Municipality (232 votes). They did not manage to get any municipal seats.\n\nThe party has not run for municipal elections since 2005, and is assumedly dissolved.\n\nElection results\n\nMunicipal elections\n\nReferences\n\nPolitical parties in Denmark\nPensioners' parties\n1997 establishments in Denmark\nPolitical parties established in 1997\nDefunct political parties in Denmark", "How Did This Get Made? is a comedy podcast on the Earwolf network hosted by Paul Scheer, June Diane Raphael, and Jason Mantzoukas.\n\nGenerally, How Did This Get Made? is released every two weeks. During the show's off-week, a \".5\" episode is uploaded featuring Scheer announcing the next week's movie, as well as challenges for the fans. In addition to the shows and mini-shows, the How Did This Get Made? stream hosted the first three episodes of Bitch Sesh, the podcast of previous guests Casey Wilson and Danielle Schneider, in December 2015. It has also hosted episodes of its own spin-off podcast, the How Did This Get Made? Origin Stories, in which Blake Harris interviews people involved with the films covered by the main show. In December 2017, an episode was recorded for the Pee Cast Blast event, and released exclusively on Stitcher Premium.\n\nEvery episode has featured Paul Scheer as the host of the podcast. The only episode to date in which Scheer hosted remotely was The Smurfs, in which he Skyped in. Raphael has taken extended breaks from the podcast for both filming commitments and maternity leave. Mantzoukas has also missed episodes due to work, but has also Skyped in for various episodes. On the occasions that neither Raphael nor Mantzoukas are available for live appearances, Scheer calls in previous fan-favorite guests for what is known as a How Did This Get Made? All-Stars episode.\n\nList of episodes\n\nMini episodes\n\nReferences\n\nExternal links \n List of How Did This Get Made? episodes\n\nHow Did This Get Made\nHow Did This Get Made" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes." ]

[ "is a term used in sumo wrestling. In general, the first sumo wrestler to touch any body part outside the ring, or have any part of his body other than the soles of his feet touch the ground loses. There are exceptions to the rule, shini-tai being one of them.\n\nLiterally meaning 'dead body' or 'dying body,' the term is used to describe a wrestler who was not first to fall or touch outside the ring, but who had no chance of winning owing to the superior technique of his opponent (and his falling position). Whilst a relatively rare event, it is most often seen after close bouts in which one wrestler clearly had the advantage towards the end.\n\nFor example, consider the case where one wrestler overpowered his opponent forcing him to the ground with himself on top. If the overpowering wrestler put his hand down to protect against injury (so-called kabai-te) before the wrestler underneath hit the ground, then the wrestler who was on top will still be judged the winner. This was seen in January 1972 when Kitanofuji was declared the winner over Takanohana despite putting his hand down first. Another example is where a strong wrestler pushes his opponent out of the ring with sufficient force that his opponent is still in the air at the time the winning rikishi steps outside because of his momentum. Alternatively, the wrestler who is on the offensive may lift his opponent and carry him out of the ring by tsuri-dashi, and will still be declared the winner even if he puts his foot out first, as long as his opponent's feet are both in the air and he is moving forward.\n\nThe gyōji makes a decision as to the winner, which the judges, or any of the waiting wrestlers around the ring, are entitled to challenge. (It is very rare for a wrestler to intervene.) If there is a challenge the five judges step into the dohyō and have a mono-ii (talk about things) to discuss the match and the result.\n\nTheir options are to declare either a winner or a torinaoshi (replay). If declaring a winner, they can decide who fell out of the ring or touched the ground first, that one wrestler was a shinitai and therefore his opponent won, or declare one wrestler disqualified owing to use of an illegal technique.\n\nTheir explanation is usually that the winning wrestler used a specific technique to overpower his opponent and was in clear control of the match. They grant him the victory regardless of whether or not he touched the ground first.\n\nBy extension, this term is also a Japanese equivalent of the English idiom \"lame duck\".\n\nReferences\n\nSumo terminology", "USS Opponent (AM-269) was an Admirable-class minesweeper built for the U.S. Navy during World War II. She was built to clear minefields in offshore waters, and served the Navy in the Atlantic Ocean and then was transferred to the North Pacific Ocean before war’s end.\n\nOpponent was laid down 21 September 1942 by the Gulf Shipbuilding Co., Chickasaw, Alabama, launched 12 June 1943; sponsored by Mrs. H. Key, Jr.; and, commissioned 18 February 1944, Lt. J. D. Seay, Jr., USNR, in command.\n\nWorld War II Atlantic operations \nAfter shakedown along the Atlantic coast and in the Gulf Opponent departed Norfolk, Virginia, 12 April for Casco Bay, Maine. There she conducted antisubmarine exercises until she sailed for New York escorting , arriving Norfolk 29 April. Early the next month, Opponent's commanding officer was ordered to assume command of Mine Squadron 33 as well as to retain command of his ship. For the next year, the little minesweeper alternated between patrol work, type training and weather ship duties.\n\nTransfer to the Pacific Fleet \nOn 16 March 1945 she sailed for the Pacific. Arriving San Diego, California, on 5 April, Opponent was assigned to Mine Division 44. She departed San Diego three days later and arrived Pearl Harbor on the 13th. For the remainder of the war, Opponent escorted convoys between Southeast Asia and Pearl Harbor. She continued this service until early 1946, when she sailed to Orange, Texas.\n\nPost-war decommissioning \nOpponent was decommissioned on 27 August 1946. She was reclassified MSF-269 on 7 February 1955. She was stricken from the Naval Vessel Register on 1 April 1960 and was sold to Ships & Power Inc., Miami, Florida, on 3 February 1961.\n\nReferences\n\nExternal links \n\nAdmirable-class minesweepers\nShips built in Chickasaw, Alabama\n1943 ships\nWorld War II minesweepers of the United States" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes.", "who was his opponent?", "defeating Aam Aadmi Party leader Arvind Kejriwal in Varanasi" ]

[ "Manuel González Salmón (Cádiz, 20 October 1778 – Madrid, 18 January 1832), was a Spanish politician and diplomat who served twice as Prime Minister of Spain.\n\nBiography\n\nHe was First Secretary at the Spanish Embassy in Paris from 1814 to 1819, when he became Acting Prime Minister of Spain between 12 June and 12 September 1819. After this he became Ambassador to Saxony and later Russia until 1826, when he became Prime Minister for the second time.\n\nDespite the fact that he remained Prime Minister for 6 years, a very long term in Spanish politics, very little was known of his actions during that period. This was because he was dominated by Francisco Calomarde and Luis López Ballesteros, the real leaders of the Cabinet.\n\nHe died in January 1832 while still in office.\n\nSources\n\nPrime Ministers of Spain\nForeign ministers of Spain\n1778 births\n1832 deaths\n19th-century Spanish politicians", "Prime Minister's Youth Programme was a special initiative launched by the Pakistani government in 2013. The Youth Programme comprised several schemes including Prime Minister's Interest Free Loan Scheme, Prime Minister's Youth Business Loans, Prime Minister's Youth Training Scheme, Prime Minister's Youth Skills Development Scheme, Prime Minister's Scheme for Provision of Laptops and Prime Minister's Scheme for Reimbursement of Fee of Students from the Less Developed Areas. It was headed by Maryam Nawaz Sharif. The total worth of PKR 20 billion was to be spread over 5 years.\n\nOn May 14, 2014, the government approved 3.5 billion for interest-free loans up to Rs 50,000 would be provided to 1 million people across country. Half of the beneficiaries would be women. The loans would be disbursed through Pakistan Poverty Alleviation Fund (PPAF) and each federating unit will get its share as per the NFC Award, with primary focus on rural areas. Proper loan centres and business support centres were to be set up across the country. The Prime Minister's Programme for the Provision of Laptops to Talented Students (Prime Minister's Laptop Scheme was launched on May 23, 2014. \n\nThe Prime Minister Laptop Scheme and other schemes were later abolished by the Pakistan Tehreek-e-Insaf government as of 2018.\n\nExternal links\nHow to Apply PM’s Kamyab Jawan Program\nApply For Kamyab Jawan Program\n\nReferences\n\nPolicies of Pakistan\n2013 establishments in Pakistan\nNawaz Sharif administration" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes.", "who was his opponent?", "defeating Aam Aadmi Party leader Arvind Kejriwal in Varanasi", "for how long was he prime minister?", "To comply with the law that an MP cannot represent more than one constituency, he vacated the Vadodara seat." ]

[ "Burson v. Freeman, 504 U.S. 191 (1992), was a United States Supreme Court case in which the Court held that a Tennessee law that restricted from political campaigning within 100 feet of a polling place did not violate the First Amendment.\n\nBackground\nPrior to the late 19th century, polling places lacked the privacy and decorum of more contemporary times, with campaigners allowed to directly speak to voters as they were submitting their ballots on election day, leading to voter intimidation. From the end of the 19th century into the 20th century, many states passed laws that restricted the type of activities that could be conducted around polling places. One typical law common that was enacted by forty-seven states established a proximity around the polling place where political campaigning and electioneering were banned. Tennessee was one such state, which by Tennessee Code §§ 2-7-111(b) preventing campaigning - through verbal speech, signs, pamphlets, or other materials - within of a polling place.\n\nIn the lead-up to the 1987 election, Mary Freeman was the treasurer for the campaign for a candidate for the Metropolitan Council of Nashville and Davidson County. She filed a suit within the Tennessee Chancery Courts to seek an injunction to permanently block enforcement of TCA §§ 2-7-111(b), arguing it was unconstitutional for violating the free speech rights by the First Amendment of the United States Constitution as well as the Constitution of Tennessee. The Chancery judge ruled to dismiss the complaint, finding that the statute did not violate either federal or state law, as it served a compelling state interest to avoid voter intimidation. The case was appealed to the Tennessee Supreme Court, which ruled 4-1 to overturn the lower court decision, and ruled the statute unconstitutional. The Tennessee Supreme Court ruled that while the state did have a compelling interest to prevent voter intimidation within the polling place, it did not a similar case for the 100-ft space around the polling place; if the state wished to prevent voter intimidation, they could enforce this as the entrances of the polling place, the court argued. Further, the court believed that as long as the polling place was free of political campaigning, voters would not be deterred by last-minute campaigning before they entered the polling place.\n\nSupreme Court\nState Attorney General Charles Burson petitioned the United States Supreme Court for writ of certorari, asking the question if the Tennessee 100-ft radius statute violated the First Amendment. The Court granted to hear the case, with oral arguments hear on October 8, 1991. The case was heard before Justice Clarence Thomas was formally appointed to the Supreme Court, and he did not participate in the subsequent decisions.\n\nThe Court issued its decision on May 26, 1992, ruling in a 5-3 vote, that the Tennessee 100-ft statute did not violate the First Amendment, reversing the lower court's judgement. The majority opinion was written by Justice Harry Blackmun, and joined by Justices William Rehnquist, Byron White and Anthony Kennedy. Blackmun wrote in his opinion that \"We simply do not view the question whether the 100-foot boundary line could be somewhat tighter as a question of constitutional dimension...The state of Tennessee has decided that these last 15 seconds before its citizens enter the polling place should be their own, as free from interference as possible. We do not find that this is an unconstitutional choice.\" Justice Antonin Scalia also concurred in a separate decision, though argued that Tennessee would not need a compelling reason to issue a \"viewpoint-neutral\" restriction on free speech.\n\nJustice John Paul Stevens wrote the dissent, joined by Justices Sandra Day O'Connor and David H. Souter. Stevens believed that the state had not shown a compelling reason to restrict free speech in the 100-ft radius.\n\nImpact \nThe Court's decision in Burson would later be referenced in a 2018 Supreme Court case, Minnesota Voters Alliance v. Mansky (Docket 16-1435). In Minnesota Voters Alliance (MVA), the Court was presented with a challenge to a Minnesota law that restricted voters from wearing items of clothing with \"political\" messages. The law was challenged as unconstitutionally violating free speech rights. The lower courts had used the Court's decision in Burson to assert the Minnesota law was similarly valid. The Court instead ruled 7-2 that unlike Burson, which set narrow bounds on what the state could restrict around polling places (specifically, political campaigning speech), the Minnesota laws was too vague on what was allowed or not, and reversed the decision of lower courts.\n\nReferences\n\nExternal links\n \n\n1992 in United States case law\nUnited States Supreme Court cases\nUnited States Supreme Court cases of the Rehnquist Court\nUnited States First Amendment case law\nUnited States elections case law", "Giorgio Gorgone (Rome, 18 August 1976) is an Italian player in the role of midfielder, currently campaigning in Triestina. His debut in Serie B season takes place in 1998–1999 with the Lucchese.\n\nIn 2010–11 season he was excluded from squad and did not awarded a shirt number.\n\nIn 2012, he assisted Roberto Stellone as the vice coach of Frosinone Calcio.\n\nReferences\n\nExternal links\n\n \n\n1976 births\nLiving people\nItalian footballers\nA.S. Lodigiani players\nA.C. ChievoVerona players\nCagliari Calcio players\nDelfino Pescara 1936 players\nA.C. Perugia Calcio players\nU.S. Triestina Calcio 1918 players\nVirtus Bergamo Alzano Seriate 1909 players\nAssociation football midfielders" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes.", "who was his opponent?", "defeating Aam Aadmi Party leader Arvind Kejriwal in Varanasi", "for how long was he prime minister?", "To comply with the law that an MP cannot represent more than one constituency, he vacated the Vadodara seat.", "where did he do his campaigning?", "The BJP's campaign was assisted by its wide influence in the media. Modi's campaign blitz cost approximately Rs50 billion" ]

[ "Cost-shifting is either an economic situation where one individual, group, or government underpays for a service, resulting another individual, group or government overpaying for a service (shifting compared to expected burden). It can occur where one group pays a smaller share of costs than before, resulting in another group paying a larger share of costs than before (shifting compared to previous arrangement). Some commentators on health policy in the United States believe the former currently happens in Medicare and Medicaid as they underpay for services resulting in private insurers overpaying. \n\nIn 1995, Health Affairs started a study testing the \"cost-shifting\" theory using a unique new data set that combines MarketScan private claims data with Medicare hospital cost reports, the study ran from 1995–2009. In May 2013 when the findings were released, the study found that a 10 percent reduction in Medicare payment rates led to an estimated reduction in private payment rates of 3 percent or 8 percent, depending on the statistical model used. These payment rate spillovers may reflect an effort by hospitals to rein in their operating costs in the face of lower Medicare payment rates.\n\nCost shifting in Healthcare \n\nCost shifting can mean many different things. It can mean a situation where different groups are charged different prices. Or it can mean a situation where a group underpays for some services. But in the end, it is a situation, where the cost does not really equal the service.\n\nSome examples of cost shifting are for example; in America the commercial insurers pay the hospitals more than the Medicare. Some organisations are even charged less than health insurers.\n\nProblems of Cost shifting in Health care \nThe problem of cost shifting in health care is based on the fact that Medicare pays hospitals only a fraction of the patient's costs, which is often significantly lower than the replacement cost.\n\nThe government says that this gap (the cost gap between the patient’s real cost and the compensation), is because the compensation is paying only for the costs of the treatment (meaning, it pays the doctors and hospital for the expenses).\n\nSituation in 10s \nCost shifting has been discussed for a long time. It is still assumed to be one of controversial topics in USA healthcare politics. There are studies, which try to clarify why and where in the system this phenomenon originates. Researchers try to provide facts and studies to explain how private payers are charged more in response to shortfalls in public payments and so partly pay for state insured payers.\n\nCost shifting is a situation in which people may pay for the same goods or services at different prices. One of the biggest known examples is in the US healthcare system. Few causes could be that in the USA the health insurance is not obligatory, or there exist more systems of insurance. Workers are usually insured by their employer. However, the most people are state-insured by state insurance programs Medicare and Medicaid. Because of multiple insurance system and other factors (such as deals between insurers and hospitals and so on), a subsidy system which supports the healthcare in the USA. On one side are sited regular insurance payers who could subsidize healthcare for the other insured patience. On the other are people, who are state insured because they cannot afford any other kind of insurance. Cost-shifting is caused by some reasons mentioned in following paragraphs.\n\nCost-cutting as a cause of cost-shifting \nCost-shifting is a situation where one group of payers overpays costs for a good or a service for another group, which in total pays less than the first one.\n\nThis problem originates in hospitals. They need to pay for treatment and staff performing it. Hospitals need to balance their costs and incomes. Problem begins in communication between hospitals and insurers, who want to save as much money as possible. Therefore, hospitals cannot charge their patients higher prices. If they did, it could lead to terminating a contract between hospital and insurer and moving a patient into a different hospital. \n\nFurther there are public programs such as Medicare and Medicate, which are limited by law. \n\nMain reason is that revenue from state insured patients is lower than from private insured patients.\n\nFrom that reason hospitals and healthcare facilities could be forced to come to cost cutting or cross-subsidization, in order to balance their incomes and expenditures. That means that they for example charge private insurance for additional treatment, which was never did, because they need to obtain more money from private insurer. On of possible solutions could be deficit, which is not in long terms sustainable. Mendoza states that small deficit could be caused by revenue deficit, caused by change of insurer by payers, or by third-party payer, who refuses to pay the whole amount of money for his insured member. This situation could happen mainly with costs unrelated to a treatment.\n\nCost shifting is assumed to be present in medical facilities with a higher rate of state insured patients. According to the source there are studies which presents a development of differences in payments between private and public insurers. It suggests that Medicare and Medicaid payment reductions could cause significantly lower profits and so started cost cutting in hospitals necessary to avoid closing hospitals.\n\nAccording to the study written by Roger Lee Mendoza there could be assumed some discrimination premises which may lead to cost shifting:\n\n Hospitals may charge different payers different prices (including charges after a negotiated discount) for the same treatments and services, as some payers are more price-sensitive. \n The higher price charged to some payers (including self-payers) should average the relationship of cost to treatment or service for each patient served.\n The higher amount paid by certain payers might be intended not only to address below-cost reimbursements, but also the volume of payers and the desired total margin, especially of a for-profit hospital or healthcare organization. \n\nWhen fixed costs rise (i.e. administrative expenses) the willingness of medical facilities to cost cut of possible price shifting may increase. When a group of payers become less price-sensitive, hospitals may charge payers a higher price, and so compensate for their losses. But that commonly does not happen by state insured patients. Their charges paid by a public insurer remain the same, because they are formed by law and bargained when a contract between facility and insurer is made. That further leads to weakening of market power of hospitals and healthcare organisations.\n\nCost cutting \nMendoza in his study highlights that some studies suggest that hospital cost-cutting, if done efficiently, could absorb reimbursement shortfalls from either public or private payers. That means, if hospital management decides to cut costs, they can set an equilibrium. But they also have to exclude some services they have provided. However, there is no guarantee that it will be sustainable. Possible negative effect If policy makers fail to create proper borders could be a situation, which leads to unfair cost-shifting. \n\nThe Problem comes from the US government programs such as Medicare and Medicaid, where prices are set low by law and so are not always able to cover all expenses. Another fact influencing a level of reimbursements are negotiations between healthcare providers and insurers. Insurance providers negotiate favourable prices which also have an influence on their own profit. Therefore, they prefer to set as low charges as possible.\n\nEffect of Medicare and Medicaid on medical facilities \nThe main influence on American healthcare system in the USA has the Medicare for All Act written in 2003. It was transformed in 2019 so it was more efficient. \n\nMedicare and Medicaid are mostly preferred in rural areas, where there is also highest concentration of not-insured patients. Therefore, medical facilities have a much higher percentage of Medicare and Medicaid users and form a significant part of their income.\n\nBecause there is a low presence of private insured patience, rural hospitals become dependent on these programs.\n\nA change of law in 2019 promised to change the percentage difference between private payers and the state-insured. That means that revenues of rural hospitals would increase. But on the other hand, there could be caused a loss in revenues of urban hospitals, which budgets could therefore decrease.\n\nAnother big change was that billing would be united into one single-payer healthcare system which was supposed to decrease administrative costs approximately by 50%.\n\nBenefits and Losses of Cost-shifting \nCost-shifting is perceived as the most beneficial for users of Medicare and Medicaid and for people who are not insured at all. It is likely that for users of Medicare and Medicaid could be in total paid lesser money in comparison with those, who pay classical insurance or are willing to pay on the spot. So, there could be caused a loss in a margin.\n\nFrom former paragraph follows that patients, who are insured or pay on the spot, pay for their own treatment. But because there is already a loss, these patients have to pay also for the others. So, it is not beneficial for them.\n\nEconomics of Cost shifting \nThe cost shifting is the possibility to set different prices for different groups of customers. There are two important definitions: static cost shifting (price discrimination), that is the ability to charge different prices to different customers. The other one is the dynamic cost shifting, which means charging the maximal amount of money that the customer is able to pay (not necessarily the highest possible value, but the value that people are still willing to pay for the service).\n\nFor example, the hospitals may have two groups of patients. There are those who are covered by the government. From this group the hospital get fixed costs from the government. On the other hand, the second group of patients are those, who pay for their treatments. Those patients can buy more hospital care at a lower price.\n\nThe hospital that wants to earn as much profit as it can, has to decide whether it will accept patients covered by the government (lower income for hospital), and how much it should charge to the patients that pay for their treatments. This is another case of cost shifting. Both groups pay for the same service (hospital), but each has to pay different sum.\n\nBut in a competitive market there is rarely any price discrimination, nor cost shifting, because as soon as the hospital would have raised a price to one of those two groups of patients, they would seek care in some other hospital, therefore the hospital would only lose money.\n\nReferences\n\nSee also\nCost externalizing\n\nHealth economics", "France is currently competing at the 2018 Winter Paralympics in Pyeongchang, South Korea. Four people from France competed in para-snowboarding. Five people competed in para-alpine skiing. Six skiers and two guide skiers competed in para-alpine skiing. Marie Bochet carried the flag during the Opening Ceremony.\n\nMedalists\n\nTeam\nPeople from France went to the 2018 Winter Paralympics in para-alpine skiing, para-Nordic skiing and para-snowboarding. People on the team were Benjamin Daviet and Cécile Hernandez. Marie Bochet was chosen to carry the flag during the Opening Ceremony. She was chosen 100 days before the 2018 Games started. The first people were included on the team in September 2017. The list included Thomas Clarion.\n\nThe table below contains the list of members of people (called \"Team France\") that will be participating in the 2018 Games.\n\nPara-alpine skiing\nThere were five skiers from France. They were Arthur Bauchet, Marie Bochet, Jordan Broisin, Frederic François and Yohann Taberlet.\n\nPara-Nordic skiing\nBenjamin Daviet was at the 2014 Winter Paralympics. He did not win a medal. His best finish was seventh. The first medal he won at a major competition was in 2017 at a race in Finsterau.\n\nThomas Dubois first represented France at racing at the 2017 World Cup in Ukraine. Before that, he was the French junior champion in biathlon and cross-country skiing. He finished second in biathlon and cross-country skiing at the senior French championships. Dubois became blind when he was an 8-year-old because of a genetic disorder. He needs to ski with a guide skier. Unlike other countries, Fédération française handisport does not give money to guide skiers to help blind skiers with the cost of competing. To get the right to go to and practice for the Winter Paralympics, it cost €21,000. Dubois had to raise money to be able to pay for that. Maubourguet Lions Club helped Dubois get the money for the Winter Paralympics.\n\nPara-snowboarding\nThere were three snowboarders from France at the 2018 Winter Paralympics. Snowboarders from France went to Pyrénées at the last part of January 2018 to get ready for the 2018 Winter Paralympics. Cécile Hernandez was one of the snowboarders from France. She went to the 2014 Winter Paralympics. It was the first Paralympics for Montaggioni and Roulet. Hernandez and Roulet have arm disabilities. Montaggioni has a problem with her legs. They were coached by Olivier Noiret and Marcos Lorenzo.\n\nReferences\n\nNations at the 2018 Winter Paralympics\n2018\nParalympics" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes.", "who was his opponent?", "defeating Aam Aadmi Party leader Arvind Kejriwal in Varanasi", "for how long was he prime minister?", "To comply with the law that an MP cannot represent more than one constituency, he vacated the Vadodara seat.", "where did he do his campaigning?", "The BJP's campaign was assisted by its wide influence in the media. Modi's campaign blitz cost approximately Rs50 billion", "where did he get the money from to pay for that cost?", "received extensive financial support from corporate donors." ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]

[ "Narendra Modi", "2014 Indian general election", "in what month was the election?", "the 2014 Lok Sabha election.", "what position did he run for in the election?", "prime minister", "what political party was he in?", "the BJP's candidate", "did he win the election?", "Modi's tweet announcing his victory was described as being emblematic of the political realignment", "how many votes did he get?", "by 570,128 votes.", "who was his opponent?", "defeating Aam Aadmi Party leader Arvind Kejriwal in Varanasi", "for how long was he prime minister?", "To comply with the law that an MP cannot represent more than one constituency, he vacated the Vadodara seat.", "where did he do his campaigning?", "The BJP's campaign was assisted by its wide influence in the media. Modi's campaign blitz cost approximately Rs50 billion", "where did he get the money from to pay for that cost?", "received extensive financial support from corporate donors.", "what did he do when he campaigned?", "In addition to more conventional campaign methods, Modi made extensive use of social media, and addressed more than 1000 rallies via hologram appearances." ]

[ "Corporate social media is the use of social media websites and social media marketing techniques by and within corporations, ranging from small businesses and tiny entrepreneurial startups to mid-size businesses to huge multinational firms. Within the definition of social media, there are different ways corporations utilize it. Although there is no systematic way in which social media applications can be categorized, there are various methods and approaches to having a strong social media presence. In the 2010s, an increasing number of corporations, across most industries, have adopted the use of social media either within in the workplace, for employees, as part of an Intranet or using the publicly available Internet. As a result, corporate use of social networking and micro blogging sites such as Facebook, Twitter,Pinterest, and LinkedIn, has substantially increased. According to research conducted in 2021, 91.9 percent of marketing employees working for large corporations (100 or more people) use social media on a daily basis in their jobs. This statistic has changed a lot over the years, and continues to grow. Using social media in one's corporate job isn't just common, it's required and expected in most every corporation in the United States. Budgets for utilizing corporate social media is growing every year by millions of dollars. Jobs like social media managers and coordinators have made it so this is an entire department of a company. It goes hand in hand with the marketing, communications, and PR teams in order to optimize strategies for the corporation to be connected to their audience. According to an article by the Harvard Business Review, \"Fifty-eight percent of companies are currently engaged in social networks like Facebook, micro blogs like Twitter, and sharing multimedia on platforms such as YouTube.\" The Harvard Business Review cites an additional 21% of companies as being in the process of implementing a formal social media initiative. The 2014 HBR report indicates 79% of companies have or will have social media initiatives in place. This percentage is an increase over a similar 2010 report that indicated that two-thirds of companies had or would have social media initiatives in place. Social media currently can be crucial to the success of growing numbers in a companies value chain activities. For marketers, Social media is a mandatory element within the promotional mix. Marketers also need to understand that marketing on social media can come with difficulties and challenges, and face both reputation and economic risks. This big push to move to Social Media to is thought to create a better experience with the consumers, as corporations are able to target specific content to their target audience. Another benefit for corporations through usage of media is that this will attract more people, and in return also create a more well known brand.\n\nTypes of social media \n(Chart provided via )\n\nPolicies\nSocial media has grown rapidly over the last decade and has become an integral component of business models. Because of the global use of social media, corporations are developing and implementing formal written policies for how their corporation will present itself on social media. In addition to this, corporations are often conscious about how their employees present themselves and their company on social media. Before social media, a company had complete control with what they communicated to the public. Now, virtually any employee can speak on behalf of the company, even without proper permission or following protocol. This can create conflict between corporate policy and those in decision making roles versus employees. For example, the Federal Financial Institutions Examination Council, a consortium of bank and credit union regulators, implemented in December 2013, formal social media guidance for its banks and credit unions. In the eyes of regulators, risks associated with social media use are of a level that requires formal attention. At a minimum, regulators require that organizations \"listen\" to what is being said about them on social media platforms in an effort to identify legal, compliance, and reputational concerns.\n\nCorporations have legitimate concerns when it comes to their employees’ use of social media. Social media environments have created the need for distinct and often strict reputation management practices. Some corporations have resorted to monitoring the social media accounts of its employees in order to spot posts and comments that are related to workplace issues or the employer, potentially harmful to business or even leak private corporate information.\n\nMany corporations have used social media during the hiring process as well. Survey data shows that within a one-year period 15 percent of finance and accounting professionals found new jobs through social media. Social media can be both helpful and detrimental to those searching for employment. Hiring managers sometimes search social media to look for reasons not to hire a job applicant. According to a 2013 survey from CareerBuilder.com, 43 percent of employers use social networking sites to research potential hires. Another 45 percent are researching the \"fit\" of a job candidate with their company by conducting a search via Google or another search engine. 51 percent of employers who research candidates on social media say they've found postings which have caused them to not hire a candidate. Job applicants who have racist or homophobic jokes, inappropriate photos, offensive content, or photos depicting drunkenness or other potentially undesirable behaviors may be screened out of hiring processes. Some observers have stated that employer viewing of job candidates' social media profiles may raise privacy concerns.\n\nBenefits and risks\nDespite there being risks to consider when utilizing social media, corporations are identifying the benefits associated with adopting a comprehensive corporate social media strategy. Benefits include lower cost and more effective, personal, and engaging marketing and advertising initiatives (as compared with traditional marketing methods such as billboard ads and TV commercials), improved internal and external corporate communications, enhanced overall brand awareness, and better operational efficiency and innovativeness. As a result, corporations are investing at an increasing rate in social media software and external services to strengthen their online presence. The belief is that the benefits outweigh the potential risks of bad press, customer complaints, and brand bashing. Benefits also include being able to interact one on one with the consumers and talking directly to them through social media platforms. This creates trust in businesses and gives customers more chances to build loyalty and commitment to a brand.\n\nConversely, businesses can find themselves in a bad situation when they use social media poorly. An example of poor social media execution came in November 2013 when JP Morgan decided to have a question and answer session via Twitter. During that time, 2 out of 3 tweets received were negative due to prior scrutiny they had faced. In this case, using social media and interacting with the public did not help to promote them in a positive way. Another example came on September 11, 2013, when AT&T posted a picture on Twitter of a cell phone capturing a picture of the Twin Towers memorial lights with the caption \"Never forget.\" The tweet was met with great backlash from consumers for using a tragedy as a marketing opportunity, with many customers threatening to leave AT&T. After seeing the backlash it was receiving, AT&T removed the post and apologized within about an hour of its posting. Risks also include, losing the interest of the people on social media because there is a lack of activity, the content is not interesting, or it is not professional or honest.\n\nSee also\nEnterprise social networking\nEnterprise social software\nSocial media use by businesses\n\nReferences\n\nFurther reading\n Navigating Social Media Legal Risks: Safeguarding Your Business\n 2011 Fortune 500 - UMass Dartmouth\n Big Bird Tweets: How corporations use social media to gauge public persona - Computerworld\n Social media is reinventing how business is done – USATODAY.com\n How To Use Social Media To Promote Your Small Business - Forbes\n Brand Ambassadors in the Age of Social Media \n Social Media Growth From 2010 To 2018\n\nSocial media\nPromotion and marketing communications\nWeb 2.0\nNew media", "A social media policy is a policy which advises representatives of an organization on their use of social media.\n\nVarious businesses have social media policies.\n\nVarious health care organizations have social media policies.\n\nGovernment use of social media has special considerations.\n\nLibraries can have social media policies.\n\nAthletic programs can have social media policies.\n\nThere has been social media policy research in Sweden.\n\nReferences\n\nFurther reading\nDesigning Social Media Policy for Government, 2010\n\nSocial media\nSocial policy" ]

[ "Son House", "Blues performer" ]

[ "Sang is a rare Korean family name, a single-syllable Korean unisex given name, and an element in many two-syllable Korean given names. Its meaning differs based on the hanja used to write it.\n\nFamily name\nAs a family name, Sang may be written with only one hanja, meaning \"yet\" or \"still\" (; 오히려 상 ohiryeo sang). The 2000 South Korean Census found 2,298 people and 702 households with this family name. All but five of those listed a single bon-gwan (origin of a clan lineage, not necessarily the actual residence of clan members): Mokcheon (today Mokcheon-eup ), Dongnam District, Cheonan, South Chungcheong Province. One person listed a different bon-gwan, while four others had their bon-gwan listed as unknown. They claim descent from Sang Guk-jin (상국진; 尙國珍), an official of the early Goryeo period who was born in Mokcheon and rose to the post of jangri (장리, 長吏) there.\n\nGiven name\n\nHanja and meaning\nThere are 35 hanja with the reading \"sang\" on the South Korean government's official list of hanja which may be registered for use in given names; they are.\n\n (윗 상 wit sang): \"above\"\n (오히려 상 ohiryeo sang): \"yet\", \"still\"\n (항상 상 hangsang sang): \"always\"\n (상줄 상 sangjul sang): \"to reward\"\n (장사 상 jangsa sang): \"business\"\n (서로 상 seoro sang): \"mutually\"\n (서리 상 seori sang): \"frost\"\n (생각 상 saenggak sang): \"think\"\n (다칠 상 tachil sang): \"wound\"\n (잃을 상 ilheul sang): \"to lose\"\n (맛볼 상 matbol sang): \"to taste\"\n (치마 상 chima sang): \"skirt\"\n (자세할 상 jasehal sang): \"detailed\"\n (상서 상 sangseo sang): \"auspicious\"\n (코끼리 상 kokkiri sang): \"elephant\"\n (모양 상 moyang sang): \"shape\"\n (평상 상 pyeongsang sang): \"bench\"\n (뽕나무 상 bbongnamu sang): \"mulberry tree\"\n (형상 상 hyeongsang sang): \"shape\"\n (갚을 상 gapeul sang): \"to pay a debt\"\n (학교 상 hakgyo sang): \"school\"\n (강 이름 상 gang ireum sang): name of a river (the Xiang River in Guangxi, China)\n (상자 상 sangja sang): \"box\"\n (날 상 nal sang): \"to fly\"\n (시원할 상 siwonhal sang): \"refreshing\"\n (높고 밝은 땅 상 nopgo balgeun ttang sang): \"plateau\"\n (홀어머니 상 horeomeoni sang): \"widow\"\n (고개 상 gogae sang): \"mountain pass\"\n (행랑 상 haengrang sang): \"servant's quarters\"\n (상수리나무 상 sangsurinamu sang): \"oak tree\"\n (잔 상 jan sang): \"cup\"\n (상수리나무 상 sangsurinamu sang): \"oak tree\"\n (평상 상 pyeongsang sang): \"bench\"\n (성품 밝을 상 seongpum balgeul sang): \"bright disposition\"\n (세찰 상 sechal sang): \"to flow violently\"\n\nPeople\nPeople with the single-syllable Korean given name Sang include:\nYi Sang (1910–1937), birth name Kim Haikyung, Korean writer of the Japanese colonial period\nKu Sang (1919–2004), South Korean poet\nChang Sang (born 1939), South Korean politician, country's first female prime minister\n\nAs name element\nTwo names beginning with this syllable were popular names for newborn South Korean boys in the mid-20th century: Sang-chul (10th place in 1950) and Sang-hoon (9th place in 1960 and 1970). Names containing this syllable include:\n\nEun-sang\nJun-sang\nSang-chul\nSang-eun\nSang-hoon\nSang-hyun\nSang-jun\nSang-mi\nSang-won\nSang-woo\nSang-wook\n\nSee also\nList of Korean family names\nList of Korean given names\n\nReferences\n\nKorean-language surnames\nKorean unisex given names", "\"What If\" is a song recorded by Russian singer Dina Garipova. The song was written by Gabriel Alares, Joakim Björnberg and Leonid Gutkin. It is best known as Russia's entry to the Eurovision Song Contest 2013 to be held in Malmö, Sweden. The song qualified the first semi-final of the competition on 14 May 2013 and placed 5th in the final on 18 May 2013, scoring 174 points. Dina also sang the song at the closing ceremonies of 2013 Summer Universiade in her hometown Kazan.\n\nTrack listing\nDigital download \n What If – 3:04\n What If (Karaoke version) – 3:05\n\nControversies\nQuickly after the premiere of the song, some music portals reported possible plagiarism and copyright infringement. There was talk about the similarity to songs: \"Skin on Skin\" by Sarah Connor, \"Pozwól żyć\" by Gosia Andrzejewicz, \"Painting Flowers\" by All Time Low, \"All Over The World\" by Brian Kennedy and \"Carried Away\" by Hear'Say. However, the songwriters have denied the allegations.\n\nChart performance\n\nReferences\n\n2013 singles\nEurovision songs of 2013\nEurovision songs of Russia\n2013 songs\nUniversal Music Group singles\nSongs written by Gabriel Alares\nEnglish-language Russian songs" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\"." ]

[ "A cover band (or covers band) is a band that plays songs recorded by someone else, sometimes mimicking the original as accurately as possible, and sometimes re-interpreting or changing the original. These remade songs are known as cover songs. New or unknown bands often find the format marketable for smaller venues, such as pubs, clubs or parks. The bands also perform at private events, for example, weddings and birthday parties, and may be known as a wedding band, party band, function band or band-for-hire. A band whose covers consist mainly of songs that were chart hits is often called a top 40 band. Some bands, however, start as cover bands, then grow to perform original material. For example, The Rolling Stones released three albums consisting primarily of covers before recording one with their own original material.\n\nCover bands play several types of venues. When a band is starting out, they might play private parties and fundraisers, often for little or no money, or in return for food and bar privileges, although many professional musicians refuse to do this. With enough experience, a band will begin to \"play out\" professionally at bars and night clubs. Some cover bands are made up of full-time professional musicians. These bands are usually represented by an entertainment agency.\n\nWhen cover bands consist of professional musicians, they often do not have a fixed lineup; rather, they are often made up of a flexible lineup of session musicians, utilizing \"dep\" (deputy, that is, stand-in) musicians where necessary. The music industry is considered by many musicians as a relatively difficult industry to make an income in, and cover bands can be a good source of income for professional musicians alongside other work.\n\nMusic\nCover bands play songs written and recorded by other artists, usually well-known songs (as compared to \"original\" bands which play music they themselves have written). There are a wide variety of cover bands – some cover bands play material from particular decades, for example, a 1980s cover band. Others focus exclusively on the music of a particular group, usually iconic groups, and are called tribute bands. It is not uncommon to find tribute bands performing the songs of The Beatles, Led Zeppelin, Kiss, Pink Floyd, Oasis, Duran Duran, Aerosmith, or U2. Some cover bands will play a variety of song styles, from different artists, genres, and decades. Another type of cover band is one that plays songs in a different genre or style than that of the original composition (e.g., jazz versions of what were originally hard rock songs).\n\nSome cover bands perform covers that are of a different musical genre from the originals. For instance:\n\n Richard Cheese covers rock and rap songs in the style of lounge music.\n Gregorian covers pop and rock songs in the style of Gregorian chant.\n Gabba covers the pop songs of ABBA in the punk style of the Ramones (the name is also a reference to the chant \"Gabba Gabba Hey\" from the Ramones' song \"Pinhead\" from their Leave Home album).\n Nouvelle Vague covers new wave-era bands with a bossa nova twist.\n Me First and the Gimme Gimmes is known for punk covers of other artists, with each album picking a different genre or era (i.e. hits of the 1970s, showtunes, etc.)\n Dread Zeppelin specialized in reggae versions of Led Zeppelin songs, with an Elvis impersonator on lead vocals.\n Hayseed Dixie started as a \"hillbilly tribute to AC/DC\" and has become a bluegrass tribute band covering many well-known rock bands in their own \"rockgrass\" style.\n Run C&W performed bluegrass arrangements of 1960s soul music, primarily classics from the Motown catalog.\n Turetsky's Choir, a former synagogue choir from Moscow is famous for its remakes of music pieces from different styles, ranging from opera classic to pop hits. The band's repertoire usually includes covers only. Some of them are arranged into medleys.\n The Baseballs are a German band, known for doing rockabilly covers of modern pop songs, like \"Bleeding Love\" and \"Umbrella\".\n UB40 were an English band best known for reggae versions of 1950s and 1960s pop songs.\n Mallavoodoo, a Brazilian band from Recife, plays instrumental covers of hard rock with keyboards and saxophone.\n DMK, a Colombian band featuring Dicken Schrader and his children Milah and Korben, plays Depeche Mode songs using an old keyboard, toys and various household items as instruments.\n Postmodern Jukebox reimagines popular music in classic pre-rock era styles such as jazz, gospel and rhythm and blues.\n\nExamples of cover acts\n\n Apocalyptica – Finnish metal band with covers of Metallica, Faith No More, Sepultura, Slipknot, David Bowie, and Pantera performed by four cellists and a drummer, among original music.\n Billy Murray – One of the early 20th century's most prolific recording artists, his covers of popular songs and show tunes of the time serve as some of the earliest recordings of popular music \n Blue Swede – Swedish cover band, active between 1973 and 1975, best known for their international hit cover of \"Hooked on a Feeling\"\n Bo Donaldson and The Heywoods – American band whose greatest success came with covers of British hits that failed to chart in the United States\n Camp Freddy – Cover band featuring Dave Navarro of Jane's Addiction, and several other successful musicians.\n Clout – Late 1970s South African cover band, best known for their international hit cover of \"Substitute\"\n Danny Marino - Finnish singer, who in addition to his own English language songs regularly covered hits in the Finnish language\n Dark Star Orchestra – Grateful Dead cover band that recreates the feel of individual Grateful Dead performances.\n Donny Osmond – 1970s teen idol whose greatest hits as a solo artist (and with duets with sister Marie Osmond) came from re-recordings of 1950s and 1960s pop songs. (In contrast, The Osmonds as a whole typically recorded their own music.)\n Engelbert Humperdinck – English singer who spent much of his early career as a cover artist, including a string of covers of American country songs.\n The Happenings – A 1960s cover band who charted several covers on the Billboard Hot 100 charts.\n The Human Beinz – A 1960s blue-eyed soul cover band, one-hit wonders in the U.S. for their version of the Isley Brothers' \"Nobody but Me\"\n Jimmy and the Soulblazers – Covers of 1960s and 1970s Soul music.\n Joe Cocker – The \"Sheffield Soul Shouter\" has covered music by many artists including The Beatles, Dave Mason, and The Lovin' Spoonful.\n Joe Dassin – American singer who was a major success in France through his French-language covers of English language hits.\n Johnny Rivers – A substantial portion of Rivers's hit discography came from covers of blues and R&B songs.\n Kidz Bop – Children cover pop songs. Songs with explicit lyrics are adjusted to be more kid-appropriate.\n Liquid Blue – Cover band from San Diego, California that mixes covers and originals and has performed in over 100 countries.\n Lt. Dan Band – a cover band founded by Kimo Williams and actor Gary Sinise. The band is named after the character Lieutenant Dan Taylor, whom Sinise portrayed in the film Forrest Gump.\nRichard Cheese and Lounge Against The Machine - a parody cover band created by comedian Mark Jonathan Davis. The band performs popular songs (typically from rock bands) in a lounge, big band, or swing style.\n Sha Na Na – Another 1960s and 1970s rock band that plays rock and roll music from the 1950s and early-1960s. They burst onto the scene in 1969 when they performed at the Woodstock music festival and went on to have their own variety show similar to The Monkees.\n Three Dog Night – 1960s and 1970s rock band that almost exclusively recorded covers of songs by many different artists and genres.\n Ty Taylor – Ty Taylor and the Powder River Band, a Top 40 country music cover band.\n Vicious White Kids – a short-lived punk rock band founded by former Sex Pistols members, Sid Vicious and Glen Matlock, that mainly covered songs by Sex Pistols, the Stooges and most notably Frank Sinatra's \"My Way\".\n Michael Bublé and Susan Boyle are internationally successful and most of their music consists of covers.\n Ukulele Orchestra of Great Britain – A ukulele cover band parodying a orchestra who have performed at the 50th anniversary VE day celebrations before an estimated audience of 170,000 and at WOMAD, Glastonbury festival, New York's Carnegie Hall, the Sydney Opera House and at the BBC Proms 2009 Season at London's Royal Albert Hall which was broadcast live on BBC Radio 3. A typical UOGB concert is an eclectic mixture of songs ranging from the Sex Pistols, David Bowie, Blur, Hawkwind, Grace Jones, Clean Bandit, Nirvana to Bach and Beethoven to Spaghetti Western soundtracks; a mix of music genres, from classical music to punk, grunge, rock and roll, and the whole range of popular music, with parody, musical humour and mixing genres long being part of their act.\n William Shatner - infamous for his spoken word covers of popular songs\n\nFictional cover acts\n Rock Star starring Mark Wahlberg who had a small group that performs cover songs from a fictional band called Steel Dragon. He eventually became the lead singer of the said band when a recorded performance was seen by the band members.\n The Wedding Singer features Adam Sandler as a cover singer who performs for wedding parties.\n Detroit Rock City is the story of four teenagers in the 1970s who are in a Kiss cover band called \"Mystery.\"\n Full House the character, Jesse Katsopolis is the frontman and guitarist for \"Jesse and the Rippers\" which was a local rock band who mostly did Beach Boys and Elvis Presley covers.\n Saving Silverman features three friends who are diehard Neil Diamond fans, and they form a cover band called \"Diamonds in the Rough.\"\n In an episode of The Simpsons, Otto Mann hires a cover band called \"Cyanide,\" which he says is a tribute to Poison. In another episode, \"Covercraft,\" Homer and several other characters form a band that covers the fictional 1980s band Sungazer, with Apu as the lead singer, but when the real band's lead singer dies, the remaining Sungazer musicians make Apu their singer.\n In the American Dad! episode \"Finances with Wolves,\" Klaus the goldfish swaps brains with the lead singer of an Earth, Wind and Fire cover band.\n\nSee also\nTribute act\nElvis impersonator\nEntertainment Agency\n\nReferences\n\nTypes of musical groups\nOccupations in music\nMusical terminology", "The discography of British singer-songwriter and YouTuber Dorothy Miranda \"Dodie\" Clark consists of one studio album, four extended plays, 13 singles, and 36 music videos. She has also uploaded multiple original songs and covers to her YouTube channels doddleoddle and doddlevloggle.\n\nStudio albums\n\nExtended plays\n\nSingles\n\nAs lead artist\n\nAs featured artist\n\nGuest appearances\n\nYouTube songs\nAll original songs and covers uploaded on Dodie's YouTube channels.\n\nOriginal songs\n\nCovers\n\nMusic videos\n\nReferences\n\nClark, Dodie" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"" ]

[ "Cecil Augusta (born 1920) was an American Delta blues singer and guitarist. He recorded a single track, \"Stop All the Buses\", for Alan Lomax in Memphis, Tennessee, in 1959, which was ignored until it was released on the album Blues Songbook, a selection of Lomax's field recordings, in 2003. The musicologist David Evans described Augusta as \"the perfect example of an artist who shows up at a field recording session and leaves before anyone realizes how good he was\" and noted his unique acoustic guitar technique, elements of which later became integral to electric blues playing.\n\nReferences\n\nExternal links\n Cecil Augusta, \"Stop All The Blues\" (1959), Association for Cultural Equity\n\n1920 births\nPossibly living people\nDelta blues musicians\nAfrican-American guitarists\nAfrican-American male singer-songwriters\nCountry blues singers\nBlues musicians from Mississippi\nAmerican blues guitarists\nAmerican male guitarists\nAmerican blues singer-songwriters\nSinger-songwriters from Mississippi\nGuitarists from Mississippi\n20th-century American guitarists\n20th-century African-American male singers", "\"How Long, How Long Blues\" (also known as \"How Long Blues\" or \"How Long How Long\") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs.\n\nOriginal song\n\"How Long, How Long Blues\" is based on \"How Long Daddy\", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left:\n\nCarr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were \"expressive and evocative\", although his vocals have also been described as emotionally detached, high-pitched and smooth, with clear diction.\n\n\"How Long, How Long Blues\" was Carr and Scrapwell's biggest hit. They subsequently recorded six more versions of the song (two of them, unissued at the time), as \"How Long, How Long Blues, Part 2\", \"Part 3\", \"How Long Has That Evening Train Been Gone\", \"The New How Long, How Long Blues\", etc. There are considerable variations in the lyrics, but most versions begin with the lyric \"How long, how long, has that evening train been gone?\"\n\nLegacy\n\"How Long, How Long Blues\" became an early blues standard and \"its lilting melody inspired hundreds of later compositions\", including the Mississippi Sheiks' \"Sitting on Top of the World\" and Robert Johnson's \"Come On in My Kitchen\". Although his later style would not suggest it, Muddy Waters recalled that it was the first song he learned to play \"off the Leroy Carr record\".\n\nIn 1988, Carr's \"How Long, How Long Blues\" was inducted into the Blues Hall of Fame in the category \"Classics of Blues Recordings – Singles or Album Tracks\". Blues historian Jim O'Neal commented in the induction statement, \"'How Long, How Long Blues' was a massive hit in the prewar blues era, a song that every blues singer and piano player had to know, and one that has continued to inspire dozens of cover versions.\" In 2012, the song received a Grammy Hall of Fame Award, which \"honor[s] recordings of lasting qualitative or historical significance\".\n\nSee also\nList of train songs\n\nReferences\n\nBlues songs\n1928 songs\nGrammy Hall of Fame Award recipients\nVocalion Records singles\nSongs about trains" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues," ]

[ "Attitudes are associated beliefs and behaviors towards some object. They are not stable, and because of the communication and behavior of other people, are subject to change by social influences, as well as by the individual's motivation to maintain cognitive consistency when cognitive dissonance occurs—when two attitudes or attitude and behavior conflict. Attitudes and attitude objects are functions of affective and cognitive components. It has been suggested that the inter-structural composition of an associative network can be altered by the activation of a single node. Thus, by activating an affective or emotional node, attitude change may be possible, though affective and cognitive components tend to be intertwined.\n\nBases\nThere are three bases for attitude change: compliance, identification, and internalization. These three processes represent the different levels of attitude change.\n\nCompliance\n\nCompliance refers to a change in behavior based on consequences, such as an individual's hopes to gain rewards or avoid punishment from another group or person. The individual does not necessarily experience changes in beliefs or evaluations of an attitude object, but rather is influenced by the social outcomes of adopting a change in behavior. \nThe individual is also often aware that he or she is being urged to respond in a certain way.\n\nCompliance was demonstrated through a series of laboratory experiments known as the Asch experiments. Experiments led by Solomon Asch of Swarthmore College asked groups of students to participate in a \"vision test\". In reality, all but one of the participants were confederates of the experimenter, and the study was really about how the remaining student would react to the confederates' behavior. Participants were asked to pick, out of three line options, the line that is the same length as a sample and were asked to give the answer out loud. Unbeknown to the participants, Asch had placed a number of confederates to deliberately give the wrong answer before the participant. The results showed that 75% of responses were in line with majority influence and were the same answers the confederates picked. Variations in the experiments showed that compliance rates increased as the number of confederates increased, and the plateau was reached with around 15 confederates. The likelihood of compliance dropped with minority opposition, even if only one confederate gave the correct answer. The basis for compliance is founded on the fundamental idea that people want to be accurate and right.\n\nIdentification\nIdentification explains one's change of beliefs and affect in order to be similar to someone one admires or likes. In this case, the individual adopts the new attitude, not due to the specific content of the attitude object, but because it is associated with the desired relationship. Often, children's attitudes on race, or their political party affiliations are adopted from their parents' attitudes and beliefs.\n\nInternalization\nInternalization refers to the change in beliefs and affect when one finds the content of the attitude to be intrinsically rewarding, and thus leads to actual change in beliefs or evaluations of an attitude object. The new attitude or behavior is consistent with the individual's value system, and tends to be merged with the individual's existing values and beliefs. Therefore, behaviors adopted through internalization are due to the content of the attitude object.\n\nThe expectancy-value theory is based on internalization of attitude change. This model states that the behavior towards some object is a function of an individual's intent, which is a function of one's overall attitude towards the action.\n\nEmotion-based\nEmotion plays a major role in persuasion, social influence, and attitude change. Much of attitude research has emphasised the importance of affective or emotion components. Emotion works hand-in-hand with the cognitive process, or the way we think, about an issue or situation. Emotional appeals are commonly found in advertising, health campaigns and political messages. Recent examples include no-smoking health campaigns (see tobacco advertising) and political campaigns emphasizing the fear of terrorism. Attitude change based on emotions can be seen vividly in serial killers who are faced with major stress. There is considerable empirical support for the idea that emotions in the form of fear arousal, empathy, or a positive mood can enhance attitude change under certain conditions.\n\nImportant factors that influence the impact of emotional appeals include self-efficacy, attitude accessibility, issue involvement, and message/source features. Attitudes that are central to one's being are highly resistant to change while others that are less fixed may change with new experiences or information. A new attitude (e.g. to time-keeping or absenteeism or quality) may challenge existing beliefs or norms so creating a feeling of psychological discomfort known as cognitive dissonance. It is difficult to measure attitude change since attitudes may only be inferred and there might be significant divergence between those publicly declared and privately held. Self-efficacy is a perception of one's own human agency; in other words, it is the perception of our own ability to deal with a situation. It is an important variable in emotional appeal messages because it dictates a person's ability to deal with both the emotion and the situation. For example, if a person is not self-efficacious about their ability to impact the global environment, they are not likely to change their attitude or behaviour about global warming.\n\nAffective forecasting, otherwise known as intuition or the prediction of emotion, also impacts attitude change. Research suggests that predicting emotions is an important component of decision making, in addition to the cognitive processes. How we feel about an outcome may override purely cognitive rationales.\nIn terms of research methodology, the challenge for researchers is measuring emotion and subsequent impacts on attitude. Since we cannot see into the brain, various models and measurement tools have been constructed to obtain emotion and attitude information. Measures may include the use of physiological cues like facial expressions, vocal changes, and other body rate measures. For instance, fear is associated with raised eyebrows, increased heart rate and increased body tension. Other methods include concept or network mapping, and using primes or word cues.\n\nDual models: depth of processing\nMany dual process models are used to explain the affective (emotional) and cognitive processing and interpretations of messages, as well as the different depths of attitude change. These include the heuristic-systematic model of information processing and the elaboration likelihood model.\n\nHeuristic-systematic model of information processing\n\nThe heuristic-systematic model of information processing describes two depths in the processing of attitude change, systematic processing and heuristic processing. In this model information is either processed in a high-involvement and high-effort systematic way, or information is processed through shortcuts known as heuristics. For example, emotions are affect-based heuristics, in which feelings and gut-feeling reactions are often used as shortcuts.\n\nSystematic processing\nSystematic processing occurs when individuals are motivated and have high cognition to process a message. Individuals using systematic processing are motivated to pay attention and have the cognitive ability to think deeply about a message; they are persuaded by the content of the message, such as the strength or logic of the argument. Motivation can be determined by many factors, such as how personally relevant the topic is, and cognitive ability can be determined by how knowledgeable an individual is on the message topic, or whether or not there is a distraction in the room. Individuals who receive a message through systematic processing usually internalize the message, resulting in a longer and more stable attitude change.\n\nAccording to the heuristic-systematic model of information processing, people are motivated to use systematic processing when they want to achieve a \"desired level of confidence\" in their judgments. There are factors that have been found to increase the use of systematic processing; these factors are associated with either decreasing an individual's actual confidence or increasing an individual's perceived confidence. These factors may include framing persuasive messages in an unexpected manner; self-relevancy of the message.\n\nSystematic processing has been shown to be beneficial in social influence settings. Systematic reasoning has been shown to be successful in producing more valid solutions during group discussions and greater solution accuracy. Shestowsky's (1998) research in dyad discussions revealed that the individual in the dyad who had high motivation and high need in cognition had the greater impact on group decisions.\n\nHeuristic processing\nHeuristic processing occurs when individuals have low motivation and/or low cognitive ability to process a message. Instead of focusing on the argument of the message, recipients using heuristic processing focus on more readily accessible information and other unrelated cues, such as the authority or attractiveness of the speaker. Individuals who process a message through heuristic processing do not internalize the message, and thus any attitude change resulting from the persuasive message is temporary and unstable.\n\nFor example, people are more likely to grant favors if reasons are provided. A study shows that when people said, \"Excuse me, I have five pages to xerox. May I use the copier?\" they received a positive response of 60%. The statement, \"Excuse me, I have five pages to xerox. I am in a rush. May I use the copier?\" produced a 95% success rate.\n\nHeuristic processing examples include social proof, reciprocity, authority, and liking.\n\nSocial proof is the means by which we utilize other people's behaviors in order to form our own beliefs. Our attitudes toward following the majority change when a situation appears uncertain or ambiguous to us, when the source is an expert, or when the source is similar to us. In a study conducted by Sherif, he discovered the power of crowds when he worked with experimenters who looked up in the middle of New York City. As the number of the precipitating group increased, the percentage of passers-by who looked up increased as well.\nReciprocity is returning a favor. People are more likely to return a favor if they have a positive attitude towards the other party. Reciprocities also develop interdependence and societal bonds. \nAuthority plays a role in attitude change in situations where there are superior-inferior relationships. We are more likely to become obedient to authorities when the authority's expertise is perceived as high and when we anticipate receiving rewards. A famous study that constitutes the difference in attitude change is the Milgram experiment, where people changed their attitude to \"shocking their partner\" more when they followed authorities whereas the subjects themselves would have not done so otherwise.\nLiking has shown that if one likes another party, one is more inclined to carry out a favor. The attitude changes are based on whether an individual likes an idea or person, and if he or she does not like the other party, he/she may not carry out the favor or do so out of obligation. Liking can influence one's opinions through factors such as physical attractiveness, similarities, compliments, contact and cooperation.\n\nElaboration likelihood model\n\nThe elaboration likelihood model is similar in concept to and shares many ideas with other dual processing models, such as the heuristic-systematic model of information processing. In the elaboration likelihood model, cognitive processing is the central route and affective/emotion processing is often associated with the peripheral route. The central route pertains to an elaborate cognitive processing of information while the peripheral route relies on cues or feelings. The ELM suggests that true attitude change only happens through the central processing route that incorporates both cognitive and affective components as opposed to the more heuristics-based peripheral route. This suggests that motivation through emotion alone will not result in an attitude change.\n\nCognitive dissonance theory\n\nCognitive dissonance, a theory originally developed by Festinger (1957), is the idea that people experience a sense of guilt or uneasiness when two linked cognitions are inconsistent, such as when there are two conflicting attitudes about a topic, or inconsistencies between one's attitude and behavior on a certain topic. The basic idea of the Cognitive Dissonance Theory relating to attitude change, is that people are motivated to reduce dissonance which can be achieved through changing their attitudes and beliefs. Cooper & Fazio's (1984) have also added that cognitive dissonance does not arise from any simple cognitive inconsistency, but rather results from freely chosen behavior that may bring about negative consequences. These negative consequences may be threats to the consistency, stability, predictability, competence, moral goodness of the self-concept, or violation of general self-integrity.\n\nResearch has suggested multiple routes that cognitive dissonance can be reduced. Self-affirmation has been shown to reduce dissonance, however it is not always the mode of choice when trying to reduce dissonance. When multiple routes are available, it has been found that people prefer to reduce dissonance by directly altering their attitudes and behaviors rather than through self-affirmation. People who have high levels of self-esteem, who are postulated to possess abilities to reduce dissonance by focusing on positive aspects of the self, have also been found to prefer modifying cognitions, such as attitudes and beliefs, over self-affirmation. A simple example of cognitive dissonance resulting in attitude change would be when a heavy smoker learns that his sister died young from lung cancer due to heavy smoking as well, this individual experiences conflicting cognitions: the desire to smoke, and the knowledge that smoking could lead to death and a desire not to die. In order to reduce dissonance, this smoker could change his behavior (i.e. stop smoking), change his attitude about smoking (i.e. smoking is harmful), or retain his original attitude about smoking and modify his new cognition to be consistent with the first one--\"I also work out so smoking won't be harmful to me\". Thus, attitude change is achieved when individuals experience feelings of uneasiness or guilt due to cognitive dissonance, and actively reduce the dissonance through changing their attitude, beliefs, or behavior relating in order to achieve consistency with the inconsistent cognitions.\n\nSorts of studies\nCarl Hovland and his band of persuasion researchers learned a great deal during World War 2 and later at Yale about the process of attitude change.\nHigh-credibility sources lead to more attitude change immediately following the communication act, but a sleeper effect occurs in which the source is forgotten after a period of time.\nMild fear appeals lead to more attitude change than strong fear appeals. Propagandists had often used fear appeals. Hoveland's evidence about the effect of such appeals suggested that a source should be cautious in using fear appeals, because strong fear messages may interfere with the intended persuasion attempt.\n\nBelief rationalization\nThe process of how people change their own attitudes has been studied for years. Belief rationalization has been recognized as an important aspect to understand this process. The stability of people's past attitudes can be influenced if they hold beliefs that are inconsistent with their own behaviors. The influence of past behavior on current attitudes is stable when little information conflicts with the behavior. Alternatively, people's attitudes may lean more radically toward the prior behavior if the conflict makes it difficult to ignore, and forces them to rationalize their past behavior. \n\nAttitudes are often restructured at the time people are asked to report them. As a result, inconsistencies between the information that enters into the reconstruction and the original attitudes can produce changes in prior attitudes, whereas consistency between these elements often elicits stability in prior attitudes. Individuals need to resolve the conflict between their own behaviors and the subsequent beliefs. However, people usually align themselves with their attitudes and beliefs instead of their behaviors. More importantly, this process of resolving people's cognitive conflicts that emerges cuts across both self-perception and dissonance even when the associated effect may only be strong in changing prior attitudes\n\nComparative processing\nHuman judgment is comparative in nature. Departing from identifying people's need to justify their own beliefs in the context of their own behaviors, psychologists also believe that people have the need to carefully evaluate new messages on the basis of whether these messages support or contradict with prior messages, regardless of whether they can recall the prior messages after they reach a conclusion. This comparative processing mechanism is built on \"information-integration theory\" and \"social judgement theory\". Both of these theories have served to model people's attitude change in judging the new information while they haven't adequately explained the influential factors that motivate people to integrate the information.\n\nMore recent work in the area of persuasion has further explored this \"comparative processing\" from the perspective of focusing on comparing between different sets of information on one single issue or object instead of simply making comparisons among different issues or objects. As previous research demonstrated, analyzing information on one target product may trigger less impact of comparative information than comparing this product with the same product under competing brands.\n\nWhen people compare different sets of information on one single issue or object, the effect of people's effort to compare new information with prior information seemed to correlate with the perceived strength of the new, strong information when considered jointly with the initial information. Comparison processes can be enhanced when prior evaluations, associated information, or both are accessible. People will simply construct a current judgment based on the new information or adjust the prior judgment when they are not able to retrieve the information from prior messages. The impact this comparative process can have on people's attitude change is mediated by changes in the strength of new information perceived by receivers. The effects of comparison on judgment change were mediated by changes in the perceived strength of the information. These findings above have wide range of applications in social marketing, political communication, and health promotion. For example, designing an advertisement that is counteractive against an existing attitude towards a behavior or policy is perhaps most effective if the advertisement uses the same format, characters, or music of ads associated with the initial attitudes.\n\nSee also \n\n Attitudinal fix\n Fear appeals\n Reactance (psychology)\n Yale attitude change approach\n\nReferences\n\n \nHuman behavior\nPsychological attitude\nChildren's rights\nParenting", "An attitude object is the concept around which an attitude is formed and can change over time. This attitude represents an evaluative integration of both cognition and affect in relation to the attitude object. An example of an attitude object is a product (e.g., a car). People can hold various beliefs about cars (cognitions, e.g., that a car is fast) as well as evaluations of those beliefs (affect, e.g., they might like or enjoy that the car is fast). Together these beliefs and affective evaluations of those beliefs represent an attitude toward the object.\n\nSee also \n Attitude (psychology)\n\nReferences \n\nAttitude change" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues,", "How did his attitude change?", "Another source of inspiration was Rube Lacey," ]

[ "A rube is a country bumpkin or an inexperienced, unsophisticated person.\n\nRube is also sometimes used as a nickname, for Reuben, Ruben or Rubin.\n\nArts and entertainment\nRube Bloom (1902-1976), Jewish American songwriter, pianist, arranger, band leader, vocalist and writer\nRube Goldberg (1883-1970), American cartoonist, sculptor, author, engineer, and inventor\nRubin Lacey (1902-1969), American country blues musician, singer and songwriter\n\nSports\n\nBaseball\nRube Benton (1890-1937), American Major League Baseball pitcher\nRube Bressler (1894-1966), American Major League Baseball pitcher\nRube Currie (1898-1966), American baseball pitcher and manager in the Negro leagues\nRube DeGroff (1879-1955), American Major League Baseball player\nGeorge \"Rube\" Deneau (c. 1879-1926), Canadian minor league baseball player, manager and promoter\nRube Dessau (1883-1952), American Major League Baseball pitcher\nRube Ehrhardt (1894-1980), American Major League Baseball pitcher\nRube Ellis (1885-1938), American Major League Baseball player\nRube Fischer (1916-1997), American Major League Baseball pitcher\nRube Foster (1879–1930), American baseball player, manager, and pioneer executive in the Negro leagues, member of the Baseball Hall of Fame\nRube Foster (AL pitcher) (1888-1976), American Major League Baseball player\nRube Geyer (1884-1962), American Major League Baseball pitcher\nRube Kisinger (1876-1941), American Major League Baseball pitcher\nRube Kroh (1886-1944), American Major League Baseball pitcher\nRube Lutzke (1897-1938), American Major League Baseball player\nRube Manning (1883-1930), American Major League Baseball pitcher\nRube Marquard (1886-1980), American Major League Baseball pitcher, member of the Baseball Hall of Fame\nRube Marshall (1890-1980), American Major League Baseball pitcher\nRube Melton (1917-1971), American Major League Baseball pitcher\nRube Novotney (1924-1987), American Major League Baseball player in 1949\nRube Oldring (1884-1961), American Major League Baseball player\nRube Parnham (1894-1963), American Major League Baseball pitcher\nRube Peters (1885-1965), American Major League Baseball pitcher\nRube Schauer (1891-1957), Major League Baseball pitcher\nRube Sellers (1881-1952), American Major League Baseball player in 1910\nRube Vickers (1878-1958), American Major League Baseball pitcher\nRube Vinson (1879-1951), American Major League Baseball player\nRube Waddell (1876-1914), American Major League Baseball pitcher\nRube Walberg (1896-1978), American Major League Baseball pitcher\nRube Walker (1926-1992), American Major League Baseball catcher and pitching coach\nRube Ward (1879-1945), American Major League Baseball player in 1902\nRube Yarrison (1896-1977), American Major League Baseball pitcher\n\nOther\nRube Barker (1889-1958), American college football player and track athlete in the 1910s\nRube Bjorkman (born 1929), former collegiate ice hockey head coach\nRube Brandow (1898–1932), Canadian professional ice hockey player and college coach\nRube Ferns (1873-1952), American boxer, world welterweight champion in 1900 and 1901\nRube Lautenschlager (1915–1992), American college and professional basketball player\nRube Ludwig (c. 1920-1991), Canadian football player\nRube McCray (1904-1972), head football, men's basketball, and baseball coach and athletic director at the College of William & Mary\nRube Ursella (1890-1980), American football player-coach who played during the early years of the National Football League\nReuben Charles Warnes (1875-1961), British boxer\n\nOutlaws\nRube Burrow (1854-1890), American Old West train robber and outlaw\n\nSee also\nHey Rube (disambiguation) \n\nLists of people by nickname\nPejorative terms for people", "Up the Junction is an episode of the BBC anthology drama series The Wednesday Play directed by Ken Loach and produced by James MacTaggart. It was first broadcast on 3 November 1965 on BBC 1. The play was adapted by Nell Dunn and (uncredited) Ken Loach<ref>Although uncredited in this context, Loach contributed to the script and was paid a fee for his work. See Jacob Leigh The Cinema of Ken Loach: Art in the Service of the People, London: Wallflower Press, 2002, p.183, n.13. Dunn has acknowledged Loach's work on the script, see Stephen Lacey [https://books.google.com/books?id=QJv6E25XDHEC&pg=PA39 Tony Garnett], Manchester: Manchester University Press, 2007, p.39</ref> from Dunn's short story collection of the same name. It tells the stories of three young women living in North Battersea and Clapham and, to a lesser degree, their boyfriends.\n\nPlot\nThree young female factory workers, Rube, Sylvie and Eileen, go out to a pub where they meet three young men, Terry, Ron and Dave. They flirt, go on a date to a lido and pair off, each couple developing a significant relationship.\n\nTerry and Rube soon have sex at Rube's flat while her mother is out. Rube becomes pregnant and must seek an illegal back-street abortion, which is botched, causing Rube to suffer a miscarriage. Although Terry and Rube continue their relationship after the abortion, they begin to grow apart, and finally have a row. Terry speeds off on his motorcycle, crashes it, and dies.\n\nSylvie marries Ron, but soon marital troubles develop, culminating in the couple having an ugly public row in the street outside a pub that Sylvie visited with Rube and Eileen.\n\nDave is already married when he meets Eileen, but he is unhappy with his wife, and he and Eileen have a romantic affair. In addition to his job, Dave also has a criminal history of theft. He is finally caught and imprisoned. Eileen remains loyal to him.\n\nCast\n Carol White - Sylvie\n Geraldine Sherman - Rube\n Vickery Turner - Eileen\n Tony Selby - Dave\n Michael Standing - Terry\n Ray Barron - Ron\n Rita Webb - Mrs. Hardy\n Hilda Barry - Old May\n Jessie Robins - Fat Lil\n George Sewell - Barny, the Tallyman\n Ann Lancaster - Winnie, the abortionist\n\nProduction\nThe filmed play has an episodic structure. As story editor Tony Garnett's biographer Stephen Lacey has written, the play \"is less concerned with its narrative high-points ... and is motivated more by the seemingly haphazard interplay of accident and incident\".\n\nThe play included documentary elements, such as an interview with a doctor advocating a change in the law to prevent 35 deaths each year from back-street abortions. The inclusion of documentary material caused confusion among some viewers who were unsure whether they were watching a fictional play or the continuation of a news broadcast that had aired just before The Wednesday Play.\n\nReception\nAudience research found that the programme was viewed by about 10 million people. The BBC received 400 complaints about the broadcast, mostly about its bad language and depiction of abortion. Christian morality campaigner Mary Whitehouse, responding to Up the Junction, wrote in her book Cleaning-up TV (1967):\"The sooner these terrible back-street abortionists are put out of business the better! True. But what about a play which would make it clear that any kind of abortion, legal or otherwise, has dangers to mental and bodily health far greater than natural childbirth. How about a programme which demonstrate that clean living could cut out a great deal of this problem at the root?\"\n\nSome commentators objected to the merging of documentary elements with drama at the time of the play's transmission, but Loach rejected the criticism, stating that \"we were very anxious for our plays not to be considered dramas but as continuations of the news.\" Loach went on to use the same technique of including documentary elements in the 1966 television play Cathy Come Home.\n\nThe antagonism to the play included the upper echelons of the BBC itself. A proposal to repeat the play was rejected by the governors in the summer of 1966 who noted the \"great offence\" the piece had caused at its first screening. Trade unionist Dame Anne Godwin, a BBC governor who had herself not seen the play, was minuted at a meeting in June 1966 as complaining of \"too great a tendency ... to concentrate on the 'sick' elements in society as sources from which to illustrate contemporary problems.\"\n\nThe play contributed to the debate leading up to the Abortion Act 1967, which legalised the termination of a pregnancy in the UK. Tony Garnett, whose work on the project was more extensive than his formal brief as story editor, commented in 2013 about the \"very, very personal\" nature of this play. When Garnett was a child, his mother had died following a back-street abortion, and his father committed suicide less than a month later.\n\nA film version based on Dunn's original short stories was released in 1968. In 2011, the television play was included in the 6 DVD box set, Ken Loach at the BBC''.\n\nReferences\n\nExternal links\n \n \n\n1965 television plays\nBBC television dramas\nFilms directed by Ken Loach\nTelevision episodes about abortion\nSocial realism" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues,", "How did his attitude change?", "Another source of inspiration was Rube Lacey,", "Who was Rube Lacey?", "a much better known performer who had recorded for Columbia Records in 1927" ]

[ "Live in Europe is the third album by Irish blues guitarist Rory Gallagher, released in 1972. It is a series of live recordings made during his European tour that year. Unusual for a live album, it contains just two songs previously recorded and released by Gallagher (\"Laundromat\" and \"In Your Town\"). All the other songs are either new Gallagher songs or Gallagher's interpretation of traditional blues songs.\n\nRecording\nLive in Europe was released at the end of the British \"blues boom\" that began in the 1960s. Sparked by bands such as the Rolling Stones, Yardbirds and Cream, fans and musicians were fascinated by authentic Chicago blues artists such as Muddy Waters. Gallagher had an extensive knowledge of this kind of music, although he tended to play down arguments about what was \"pure\" blues. In an interview at the time he said: \"If there was one fault with the boom in the 1960s, it was that it was very straight-faced and very pontificatory, or whatever the word is. It used to annoy me that there was an attitude of 'Thou shalt not play the blues unless you know who played second acoustic guitar behind Sonny Boy Williamson the first on the B-side of whatever.' That kind of thing gets music nowhere, it’s like collecting stamps. I mean, I buy books on the blues and I check out the B-sides and I know who plays on what records and that’s fine. But then you’ve got to open that up to the rest of the people. Because that kind of snobbery defeats the purpose; it kills the music.\"\n\nRather than live versions of his most popular songs, there are only two songs on the album that were previously recorded by Gallagher in the studio, \"Laundromat\" from his first album and \"In Your Town\" from his Deuce album. All the other songs are Gallagher's versions of classic blues songs. The album starts with what was to become a signature song for Gallagher, Junior Wells' \"Messin' With the Kid\". The song \"I Could've Had Religion\" was Gallagher's salute to what he called the \"redemption style blues\" of the Robert Wilkins and Gary Davis. After hearing the song on this album Bob Dylan expressed interest in recording it and assumed it was a traditional blues number rather than an original song by Gallagher. Blind Boy Fuller's \"Pistol Slapper Blues\" is next. Gallagher then shows his versatility, swapping his Stratocaster for a mandolin and performing the song \"Going to My Home Town\" with the audience stomping their feet and cheering in response as Gallagher sings \"do you want to go?\". The finale is the straight-ahead hard rocking \"Bullfrog Blues\" written by William Harris. Gallagher switches back to the electric guitar and the full band and gives bassist Gerry McAvoy and drummer Wilgar Campbell, a chance to solo. With the CD release, two additional blues songs were added: \"What in the World\" and \"Hoodoo Man\".\n\nReaction\nMost critics agree that Live in Europe is one of Gallagher's finest albums. Upon release, it entered the top ten album chart in the UK. It was Gallagher's highest charting album to date reaching 101 in the Billboard 200 for 1972. The album was his first major commercial success and his first solo top ten album. It won him his first Gold Disc. In the same year of 1972 he was Melody Maker's Guitarist/Musician of the Year, winning out over Eric Clapton.\n\nTrack listing\nSide one\n \"Messin' with the Kid\" (written by Mel London, originally recorded by Junior Wells) – 6:25\n \"Laundromat\" (Rory Gallagher) – 5:12\n \"I Could've Had Religion\" (Traditional; arranged by Gallagher) – 8:35\n \"Pistol Slapper Blues\" (Blind Boy Fuller) – 2:54\nSide two\n \"Going to My Hometown\" (Traditional; arranged by Gallagher) – 5:46\n \"In Your Town\" (Rory Gallagher) [from Deuce] – 10:03\n \"Bullfrog Blues\" (Traditional; arranged by Gallagher) – 6:47\nCD bonus track\n\"What in the World\" (Traditional; arranged by Gallagher) – 7:40 *\n\"Hoodoo Man\" (Traditional; arranged by Gallagher) – 6:02 *\n\nPersonnel\nRory Gallagher – guitars, harmonica, mandolin, vocals\nGerry McAvoy – bass guitar\nWilgar Campbell – drums\nTechnical\nMick Rock – liner notes, photography\nAlan Perkins - recording engineer\nTony Arnold – remastering\nDonal Gallagher – executive producer\n\nReferences\n\nExternal links\n\nRory Gallagher albums\n1972 live albums\nAlbums produced by Rory Gallagher\nAlbums with cover art by Mick Rock\nBuddah Records live albums", "James \"Stump\" Johnson (January 17, 1902 – December 5, 1969) was an American blues pianist and singer from St. Louis.\n\nBiography\nJames \"Stump\" Johnson was the brother of Jesse Johnson, \"a prominent black business man,\" who around 1909 had moved the family from Clarksville, Tennessee, to St. Louis, where he ran a music store and was a promoter. James, a self-taught piano player, made a career playing the city's brothels. He had an instant hit with the \"whorehouse tune\" \"The Duck's Yas-Yas-Yas\", \"a popular St. Louis party song\". The song's title is from the lyric \"Shake your shoulders, shake 'em fast, if you can't shake your shoulders, shake your yas-yas-yas.\"\n\nHe made a number of other recordings (some mildly pornographic) under various pseudonyms. These included Shorty George and Snitcher Roberts. One of the more obscene songs was a version of \"Steady Grinding\", which he recorded with Dorothea Trowbridge on August 2, 1933; the song has the \"defiant, sexually aggressive lyrics\" early blueswomen were noted for, grinding being slang for sexual intercourse.\n\nJohnson died on December 5, 1969, from the effects of esophageal cancer at the Veteran's Hospital in St. Louis. He was 67 years old.\n\nDiscography\n\nJames \"Stump\" Johnson (1929–1964)\n\nComplete Recorded Works in Chronological Order, Document DOCD-5250, CD\n \"The Duck's Yas-Yas-Yas\"\n \"The Snitcher's Blues\"\n \"Bound to Be a Monkey\"\n \"My Babe Blues\"\n \"Jones Law Blues\"\n \"Transom Blues (Bury That Thing)\"\n \"Soaking Wet Blues\"\n \"Kind Babe Blues\"\n \"What You Do What I Asked You To\"\n \"Heart Is Right Blues\"\n \"Low Moanin' Blue\"\n \"Snitcher's Blues\"\n \"Baby B. Blues\"\n \"You Buzzard You\"\n \"Sail on Black Sue\"\n \"Barrel of Whiskey Blues\"\n \"Steady Grindin'\"\n \"Money Johnson\"\n \"Don't Give My Lard Away\"\n \"Snitcher's Blues No. 2\"\n \"Bound to Be a Monkey\"\n \"Duck Yas-Yas-Yas\"\n\nThe Duck's Yas-Yas-Yas\nCompilation/reissue, Agram Blues AB-2007, LP\n\nSide A\n \"The Duck's Yas-Yas-Yas\"\n \"The Snitchers Blues\"\n \"My Babe Blues\"\n \"My Babe Blues\"\n \"Transom Blues (Bury That Thing)\"\n \"Soaking Wet Blues\"\n \"Kind Babe Blues\"\n \"Would You Do What I Asked You To\"\n\nSide B\n \"The Duck's Yas-Yas-Yas\"\n \"Heart Is Right Blues\"\n \"Snitcher's Blues\"\n \"You Buzzard You\"\n \"Sail on Black Sue\"\n \"Money Johnson\"\n \"Snitchers Blues\"\n \"The Duck's Yas-Yas-Yas\"\n \"The Duck's Yas-Yas-Yas\"\n \"Snitchers Blues\"\n\nReferences\n\nExternal links\nJohnson bibliography, in \nBiddle Street Barrelhousin' review at Allmusic.com\n\n1902 births\n1969 deaths\nAmerican blues pianists\nAmerican male pianists\nAmerican blues singers\nSt. Louis blues musicians\nBluebird Records artists\nDelmark Records artists\n20th-century American singers\n20th-century American pianists\n20th-century American male singers" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues,", "How did his attitude change?", "Another source of inspiration was Rube Lacey,", "Who was Rube Lacey?", "a much better known performer who had recorded for Columbia Records in 1927", "What kind of blues was he known for?", "House developed to a professional standard a blues style" ]

[ "An instrument driver, in the context of test and measurement (T&M) application development, is a set of software routines that simplifies remote instrument control. Instrument drivers are specified by the IVI Foundation and define an I/O abstraction layer using the virtual instrument software architecture (VISA). The VISA hardware abstraction layer provides an interface-independent communication channel to T&M instruments. Furthermore, the instrument drivers encapsulate the Standard Commands for Programmable Instruments (SCPI) commands, which are an ASCII-based set of commands for reading and writing instrument settings and measurement data. This standard allows an abstract way of using various programming languages to program remote-control applications instead of using SCPI commands. An instrument driver usually has a well-defined API.\n\nStandards\n\nVXIplug&play instrument driver\n\nThe VXIplug&play Systems Alliance was founded in 1993 with the aim of unifying VXI hardware and software to achieve 'plug and play' interoperability for VXI and GPIB instruments. As part of the unifying process, VXIplug&play instrument drivers were also defined.\n\nIVI instrument drivers\n\nWhen the IVI Foundation took over the Alliance in 2002, it defined a new generation of instrument drivers to replace the VXIplug&play standard. The IVI instrument driver specification intends to overcome the drawbacks of VXIplug&play. These IVI (Interchangeable Virtual Instrumentation) drivers are currently defined in three different architectures:\n\n The IVI-COM driver architecture is based on the Microsoft Component Object Model. \n The IVI-C drivers are based on C programming language shared components (shared libraries). \n The IVI.NET driver architecture was specified in 2010. The IVI.NET drivers are based on the .NET framework.\n\nRemote control of instrumentation\nInstrument drivers allow quicker development of remote-control applications for instrumentation. The drivers reduce the difficulty of string formatting when using SCPI commands by providing a well-defined API. The IVI and VXIplug&play Instrument Drivers use the VISA as the hardware abstraction layer so that hardware-independent applications can be developed.\n\nI/O hardware abstraction layer VISA\nThe VISA library allows test and measurement equipment to be connected through various hardware interfaces. The following interfaces are available:\n\n Serial Port\n GPIB/IEEE-488\n VXI-11 (over TCP/IP)\n USB488/USBTMC (USB Test & Measurement), USB Test & Measurement Class Specification\n HiSLIP (over TCP/IP).\n\nLXI\n\nThe LAN eXtensions for Instrumentation (LXI) standard defines the communications protocols for controlling test and measurement systems using Ethernet. The standard requires vendors to offer IVI compliant instrument drivers.\n\nSee also\n Instrument control\n Standard Commands for Programmable Instruments\n Automation\n IEEE-488\n VISA\n LabVIEW\n LabWindows\n Agilent VEE\n MATLAB\n LAN eXtensions for Instrumentation\n\nReferences\n\nExternal links \n IVI Foundation\n SCPI Consortium\n VXIplug&play Systems Alliance\n LXI Consortium\n Introduction to Attribute Based Instrument Drivers\n Development Hints and Best Practices for Using Instrument Drivers\n\nInput/output\nElectronic test equipment", "A ludeme is \"an element of play\" within a card game or board game, as distinct from an \"instrument of play\" which forms part of the equipment with which a game is played. An example of a ludeme is the L-shaped movement of a knight in chess, whereas the knight itself is an instrument of play.\n\nOrigin \nThe term was originally coined by French game writer Pierre Berloquin. Borvo, one of the first to use the term, defines it as a 'type rule' such as the method of trick-taking in a card game or the leap capture in a board game.\n\nSee also \n Game mechanics\n\nReferences \n\nBoard games\nCard game terminology" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues,", "How did his attitude change?", "Another source of inspiration was Rube Lacey,", "Who was Rube Lacey?", "a much better known performer who had recorded for Columbia Records in 1927", "What kind of blues was he known for?", "House developed to a professional standard a blues style", "Did he play an instrument?", "I don't know." ]

[ "Anything Can Happen is a 1952 comedy-drama film.\n\nAnything Can Happen may also refer to:\n\n Anything Can Happen (album), by Leon Russell, 1994\n \"Anything Can Happen\", a 2019 song by Saint Jhn \n Edhuvum Nadakkum ('Anything Can Happen'), a season of the Tamil TV series Marmadesam\n \"Anything Can Happen in the Next Half Hour\", or \"Anything Can Happen\", a 2007 song by Enter Shikari\n Anything Can Happen in the Next Half Hour (EP), 2004\n\nSee also\n \"Anything Could Happen\", a 2012 song by Ellie Goulding \n Anything Might Happen, 1934 British crime film\n Special Effects: Anything Can Happen, a 1996 American documentary film\n \"Anything Can Happen on Halloween\", a song from the 1986 film The Worst Witch \n Anything Can Happen in the Theatre, a musical revue of works by Maury Yeston\n \"The Anything Can Happen Recurrence\", an episode of The Big Bang Theory (season 7)\n The Anupam Kher Show - Kucch Bhi Ho Sakta Hai ('The Anupam Kher Show — Anything Can Happen') an Indian TV show", "\"Anything Can Happen in the Next Half Hour...\" (often shortened to \"Anything Can Happen\") is the second physical single, and third overall, by Enter Shikari and the second single to be released from their debut album Take to the Skies. It was released on 18 February 2007 for digital download and on 5 March 2007 on both CD and 7\" vinyl. It is the band's highest charting single, charting at #27 in the UK single chart, and number 1 on the UK indie chart. There are two remixes of the song, Colon Open Bracket Remix and Grayedout Mix. Both are up for download on their official download store.\n\nTrack listing\n\n CD\n \"Anything Can Happen in the Next Half Hour...\" (Rou, Enter Shikari) - 4:40\n \"Kickin' Back on the Surface of Your Cheek\" (Rou, Enter Shikari) - 3:50\n \"Keep It on Ice\" (Rou) - 2:51\n\n 7\"\n\n \"Anything Can Happen in the Next Half Hour...\" (Rou, Enter Shikari) - 4:40\n \"Kickin' Back on the Surface of Your Cheek\" (Rou, Enter Shikari) - 3:50\n\nOriginal version\nIn the original version of the song, a sample is heard from the introduction of the popular 1960s TV series Stingray in which the character says \"Anything can happen in the next half hour\". This is, however, not heard in the re-recorded version.\n\nChart performance\n\nPersonnel\n\nEnter Shikari\nRoughton \"Rou\" Reynolds - vocals, electronics\nLiam \"Rory\" Clewlow - guitar\nChris Batten - bass, vocals\nRob Rolfe - drums\nProduction\nEnter Shikari - production\nJohn Mitchell - recording\nBen Humphreys - recording\nMartin Giles - mastering\nKeaton Henson - illustration, design\n\nReferences\n\nExternal links\n Video - \"Anything Can Happen in the Next Half Hour...\" video.\n Original Video - Original video using the 2004 EP version of the song.\n Stingray Introduction - The phrase can be heard at 0:44\n\n2007 singles\nEnter Shikari songs\nSong articles missing an audio sample\n2007 songs" ]

[ "Son House", "Blues performer", "What were the names of some of the songs he sang?", "My Black Mama\" and \"Preachin' the Blues\".", "Were they his original songs or covers?", "Two songs he learned from McCoy would later be among his best known: \"", "How did he become a blues singer?", "He immediately changed his attitude about the blues,", "How did his attitude change?", "Another source of inspiration was Rube Lacey,", "Who was Rube Lacey?", "a much better known performer who had recorded for Columbia Records in 1927", "What kind of blues was he known for?", "House developed to a professional standard a blues style", "Did he play an instrument?", "I don't know.", "Anything interesting happen to him?", "he allegedly shot the man dead." ]

[ "Why Shoot the Teacher? is a 1977 Canadian comedy-drama film directed by Silvio Narizzano and starring Bud Cort, Samantha Eggar, Kenneth Griffith, and Chris Wiggins. It is based on a book of the same name by Max Braithwaite.\n\nPlot\nThe plot is set in 1935, during the Depression. Max Brown (Bud Cort) is an urban east-province Canadian fresh from college who travels to Western Canada to accept a teaching position at a one-room rural schoolhouse in the fictional settlement of Willowgreen, Saskatchewan, because there are no other jobs available.\n\nHe decides to live in the school's basement, having to adapt to teaching in the Depression-era rural setting, especially given the bleakness of the settlement. His students at first are rebellious, but it eventually changes to a connection between student and teacher as Max gets into a love for Alice Field (played by Samantha Eggar), going to him for emotional support.\n\nMax barely gets paid and he suffers through the paltry winter of Willowgreen, especially suffering given his physical and emotional isolation in the town, only finding solace in Harris Montgomery (played by Gary Reineke) and Alice Field, who both try to use him to solve their problems of political socialism and her being a war bride of Britain.\n\nMax eventually begins to understand Willowgreen and the rural struggles, as the inspector (Kenneth Griffith) comes in to look at his work, which does not end too well. The school year ends as Max is getting on a train back east, but before the credits roll, he tells us he returned the following September to teach another year at Willowgreen.\n\nCast\n Bud Cort as Max Brown \n Samantha Eggar as Alice Field \n Chris Wiggins as Lyle Bishop \n Gary Reineke as Harris Montgomery \n John Friesen as Dave McDougall \n Michael J. Reynolds as Bert Field \n Kenneth Griffith as Inspector Woods \n Scott Swan as Dan Trowbridge\n\nProduction notes\nWhy Shoot the Teacher? was filmed on location at Hanna, Alberta. The film was produced with the assistance of the Canadian Film Development Corporation.\n\nReception\nJames DeFelice won a 1978 Canadian Film Award for the film's adapted screenplay. The film also won the Golden Reel Award for attaining higher box-office gross revenues of that year than any other Canadian film with a gross of $1.8 million.\n\nReferences\n\nExternal links\nWhy Shoot the Teacher? at the Canadian Film Encyclopedia\nWhy Shoot the Teacher?, movie review at The New York Times\n \n\n1977 films\nCanadian films\nCanadian comedy-drama films\nCanadian Screen Award-winning films\nEnglish-language Canadian films\nFilms set in Saskatchewan\nFilms shot in Alberta\nFilms about educators\nFilms set in 1935\nFilms directed by Silvio Narizzano", "Robin Hood Newly Revived is Child ballad 128, and an origin story for Will Scarlet.\n\nSynopsis\nRobin Hood and Little John are hunting when they see a finely dressed stranger shoot a deer. Robin says if he accepts it, he can be a yeoman in their band. The stranger threatens him, and forbids him to sound his horn. They aim arrows at each other, and Robin proposes that they fight with swords instead. They strike some blows. Robin asks him who he is, and he is Young Gamwell, and, because he killed his father's steward, he is seeking his uncle, who is called Robin Hood. That stops their fight, and they join the band. Little John asks why he is gone so long, and Robin says they were fighting, but Little John must not fight him. He names his nephew Scarlet.\n\nSee also\nAnother variation of this story was collected as Child ballad 132, The Bold Pedlar and Robin Hood.\n\nExternal links\nRobin Hood and the Newly Revived\n\nChild Ballads\nRobin Hood ballads" ]

[ "Eddie Rabbitt", "Crossover success" ]

[ "\"Do You Love What You Feel\" is a 1989 single by Inner City. The single is not to be confused with the 1979 crossover song of the same name by Rufus and Chaka Khan. The single continued Inner City's success on both the American dance play and UK charts. The single made the top twenty on the UK singles chart and reached number one on the Dance Club Play chart for one week.\n\nReferences\n\n1989 singles\nInner City (band) songs\n1989 songs\nSongs written by Kevin Saunderson\nSongs written by Paris Grey", "Class XD (crossover displacement) is a proprietary and patented amplifier technology developed in-house by Cambridge Audio.\nFirst appearing in 2006 in the Azur 840A integrated amplifier, the Crossover Displacement design sought to combine the performance of a traditional Class A design with the efficiency of Class B but without the linearity and distortion limitations of Class AB.\nIn Class A amplification the output transistors are modulated by the audio signal to turn more or less ‘on’ but never actually turn off, however in Class B the output transistors actually at some point turn off as the output is passed from one transistor to another.\n\nIt is at the point at which the output moving from one transistor to another (the crossover point) that a small amount of distortion is created. \"This crossover distortion is inevitable and although it can be minimized, Cambridge's Class XD alternative doesn't eliminate crossover distortion, it shifts it away from the zero-crossing point of the waveform.\"\n\nAmplifier technology\n\nClass A \nAvoids this crossover distortion (because the transistors are always on) but at the expense of a lot of heat generation. Managing this heat and power dissipation inevitably means that Class A designs are much more expensive to implement and often of lower power output so as to minimize the heat build-up as much as possible.\n\nClass B\nInherently generates crossover distortion, and inconveniently displays this non-linearity at the zero-crossing, where it is always in evidence no matter how low the signal amplitude. At one unique value of quiescent current the distortion produced is a minimum, and this is what characterizes optimal Class B; however at no value can it be made to disappear. It is in fact inherent in the classical Class B operation of a pair of output transistors.\n\nClass XD \nIt would be much more desirable to have an amplifier that would give Class A performance up to the transition level, with Class B after that, rather than AB. This would abolish the AB gain changes that cause extra distortion. \nThis is the basic Class XD principle, and it’s a very simple one, develop a topology that displaces the crossover point to one side of zero crossing - it can be either positive or negative. This is achieved by the injection of an extra current, into the output point of a conventional Class B amplifier. \nThe added ‘displacement’ current does not directly alter the voltage at the output - the output stage inherently has low output impedance, and this is further lowered by the use of global negative feedback. What it does do is alter the pattern of current flowing in the output devices. The displacement current can be sunk to V- from the output, or sourced from V+, so the crossover region is either displaced downward or is pulled upwards. This is arbitrary as the direction of displacement makes no difference; either could be used.\n\nAdvantages \nClass XD pushes crossover distortion away from the central point where the amplifier output spends most of its time\nBelow the transition point the amplifier actually runs in pure Class A with no crossover artifacts at all\nAbove the transition point the amplifier moves into an optimized Class B with still lower distortion than is possible with Class AB\nMuch lower heat than Class A, although more than conventional Class AB designs.\n\nReferences \n\n \nBramble, M; Self, D (2006). \"Cambridge Audio 840A Class XD integrated amplifier\"\n(Dec 2012) \"Cambridge Audio Azur 851A review\", WhatHifi.com\nAshley (Mar 2014). \"Cambridge Audio Azur 851A Review\", Audioappraisal.com\nGader, N (Apr 2009). \"Tested: Cambridge Azur 840E Preamplifier and 840W Power Amplifier\", The Absolute Sound\nMartens, C (Nov 2008). \"Cambridge Audio Azur 840A Class XD Integrated Amplifier\", HiFiPlus\n \n\nAudio amplifiers\nElectronic amplifiers" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"" ]

[ "Seeta Ramula Kalyanam () is a 2010 Indian Telugu-language action drama film directed by Eeshwar and starring Nithiin and Hansika Motwani in the lead roles. It was dubbed into Hindi as Dushmano Ka Dushman and into Tamil as Rowdy Kottai. It was remade in Odia in 2014 as Mental, starring Anubhav Mohanty. The music was composed by Anoop Rubens with editing by Kotagiri Venkateswara Rao Upon its release on 22 January 2010, it was an average grosser at the box office.\n\nPlot\nChandra Shekhar aka Chandu (Nithiin) is a daredevil youth, a fearless boy. Once, he comes across a beautiful girl named Nandhini, aka Nandu (Hansika Motwani), the daughter of a dreaded factionalist named Peddi Reddy (Suman). So, he loses his heart. He starts teasing her and wants to prove that he sincerely loves Nandu. He tells Nandu that he could do anything for her. Then, the latter tells him that he should not follow her until she calls him. In order to grab her attention, he sends his father (Chandramohan) and mother (Pragathi) to express his love and let her know that they too encourage him instead of trying to divert his attention from love. Later, Nandu realises that she too truly loves him. At this juncture, Jaya Prakash Reddy goes to Peddi Reddy for an alliance for his brother's son Veera Pratap Reddy (Salim Baig). Peddi Reddy refuses to marry Nandu with Veera Pratap Reddy. This flares up the factionalism between the two. At a time when Nandu wants to express her love to Chandu, she is taken away by her father to their village. The climax deals as to how the two meet and how the success of their love turns up.\n\nCast\n\nNithiin as Chandra Shekhar / Chandu / Shekhar\nHansika Motwani as Nandhini \"Nandhu\"\nSuman as Peddi Reddy (Nandhini's father)\nSalim Baig as Veera Pratap\nChandra Mohan as Chandu's father\nPragathi as Chandu's mother\nJaya Prakash Reddy as Veera Pratap's father\nBrahmanandam as Appalaraju / Pappalaraju\nAli\nSubbaraju\nDuvvasi Mohan\nVenu Madhav\nM. S. Narayana\nHema\nSatyam Rajesh as Chandu's friend\nFish Venkat\nNarsing Yadav\n\nSoundtrack\nThe music was composed by Anup Rubens and released by Aditya Music.\n\nReferences\n\nExternal links\n \n\n2010s Telugu-language films\n2010 films\nIndian films\nTelugu films remade in other languages", "Everyone Deserves Music is the fourth studio release by Michael Franti & Spearhead.\n\nTrack listing\nAll songs written by Michael Franti, Dave Shul and Carl Young except where indicated.\n\n \"What I Be\" (4:45)\n \"We Don't Stop\" (Franti, Shul, Young, Wood Farguheson, Jr., Tim Parker) (4:36)\n \"Everyone Deserves Music\" (4:36)\n \"Never Too Late\" (4:50)\n \"Bomb the World\" (4:28)\n \"Pray for Grace\" (4:52)\n \"Love, Why Did You Go Away\" (4:29)\n \"Yes I Will\" (4:01)\n \"Feelin' Free\" (3:54)\n \"Love Invincible\" (3:50)\n \"Bomb the World (Armageddon Version)\" (Franti, Shul, Young, Farguheson) (4:44)\n \"Crazy, Crazy, Crazy\" (3:30)\n\nCharts\n\nCertifications\n\nReferences\n\nMichael Franti albums\n2001 albums" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know." ]

[ "Now That's What I Call Classic Rock Hits is one of many genre-themed compilation albums from the Now! series in the United States, this one focusing on popular classic rock songs from the 1970s. It was released on May 1, 2012.\n\nTrack listing\n\nReception\n\nIn his review for Allmusic, Gregory Heaney says \"the Now series delivers a dose of good ol' classic rock with Now That's What I Call Classic Rock Hits,\" which \"gathers some of rock's most enduring crossover hits.\" Now That's What I Call Classic Rock Hits is \"an album that achieves its primary goal of being able to please most of the people most of the time with a wide-ranging selection of hits that should fit into most anyone's definition of classic rock.\"\n\nReferences\n\nExternal links\n Official U.S. Now That's What I Call Music website\n\n2012 compilation albums\nClassic Rock Hits\nEMI Records compilation albums", "The Bill Anderson Story: His Greatest Hits is a compilation album by American country singer-songwriter Bill Anderson. It was released in March 1969 and was produced by Owen Bradley. The Bill Anderson Story was a double compilation album that contained his singles released on the Decca label up to that point. It featured many recordings Anderson had issued over the last decade, including several number one hits and top ten hits.\n\nBackground and content\nThe Bill Anderson Story: His Greatest Hits was a double album of Anderson's singles previously released (and recorded) between 1958 and 1968. The sessions for these songs were all produced by Owen Bradley. Bradley was Anderson's longtime producer at the Decca label and was responsible for producing his biggest hits. Between both records, the album contained a total of 24 tracks. Most of these tracks were composed by Anderson as well. It featured songs ranging from his earliest recordings, such as \"That's What It's Like to Be Lonesome.\"\n\nAlso included were his number one hits up to that point: \"Mama Sang a Song,\" \"Still\" and \"I Get the Fever.\" In addition, The Bill Anderson Story featured songs Anderson had composed for other artists, but also recorded himself. Examples of this included his version of \"Once a Day,\" which was a hit for Connie Smith. Another example is \"City Lights,\" a song recorded by Ray Price that helped establish Anderson with his own recording contract. His number one duet single with Jan Howard is also featured on the album, \"For Loving You.\"\n\nRelease and reception\n\nThe Bill Anderson Story: His Greatest Hits was released first in March 1969 on Decca Records. It was the fifth compilation release of his career and first double-length album. It was originally issued as a vinyl LP, containing six songs on both sides of each record. This totaled to 24 songs. It was reissued twice more in the United States, twice by MCA Records. The album peaked at number 43 on the Billboard Top Country Albums chart in 1969, becoming his third compilation to reach the chart. In later years, it was reviewed positively by Thom Owens of Allmusic, who rated it 4.5 out of 5 stars. \"Several hits are missing, yet The Bill Anderson Story offers an effective introduction to the popular vocalist's easy-going, muted style,\" Owens commented.\n\nTrack listing\nAll songs composed by Bill Anderson, except where noted.\n\nRecord one\n\nRecord two\n\nPersonnel\nAll credits are adapted from the liner notes of The Bill Anderson Story.\n\n Bill Anderson – lead vocals\n Owen Bradley – record producer\n\nChart performance\n\nRelease history\n\nReferences\n\n1969 albums\nAlbums produced by Owen Bradley\nBill Anderson (singer) compilation albums\nDecca Records albums" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\"," ]

[ "Below is a list of awards received by Twins since they were formed in 2001 as a cantopop girl group. They average to receive about 2-3 awards in each Hong Kong music awards. Their major accomplishment is in 2007 when they received the Asia Pacific Most Popular Female Artist Award from Jade Solid Gold Top 10 Awards.\n\nBecause of the Edison Chen photo scandal in 2008, Gillian took a short leave from the group. And thus the group did not record any songs or receive any awards between March 2008 to 2009.\n\nCommercial Radio Hong Kong Ultimate Song Chart Awards\nThe Ultimate Song Chart Awards Presentation (叱咤樂壇流行榜頒獎典禮) is a cantopop award ceremony from one of the famous channel in Commercial Radio Hong Kong known as Ultimate 903 (FM 90.3). Unlike other cantopop award ceremonies, this one is judged based on the popularity of the song/artist on the actual radio show.\n\nGlobal Chinese Music Awards\n\nIFPI Hong Kong Sales Awards\nIFPI Awards is given to artists base on the sales in Hong Kong at the end of the year.\n\nJade Solid Gold Top 10 Awards\nThe Jade Solid Gold Songs Awards Ceremony(十大勁歌金曲頒獎典禮) is held annually in Hong Kong since 1984. The awards are based on Jade Solid Gold show on TVB.\n\nMetro Radio Mandarin Music Awards\n\nMetro Showbiz Hit Awards\nThe Metro Showbiz Hit Awards (新城勁爆頒獎禮) is held in Hong Kong annually by Metro Showbiz radio station. It focus mostly in cantopop music.\n\nRTHK Top 10 Gold Songs Awards\nThe RTHK Top 10 Gold Songs Awards Ceremony(十大中文金曲頒獎音樂會) is held annually in Hong Kong since 1978. The awards are determined by Radio and Television Hong Kong based on the work of all Asian artists (mostly cantopop) for the previous year.\n\nSprite Music Awards\nThe Sprite Music Awards Ceremony is an annual event given by Sprite China for work artists performed in previous years; awards received on 2008 are actually for the work and accomplishment for 2007.\n\nReferences\n\nTwins\nCantopop", "The Drama-Logue Award was an American theater award established in 1977, given by the publishers of Drama-Logue newspaper, a weekly west-coast theater trade publication. Winners were selected by the publication's theater critics, and would receive a certificate at an annual awards ceremony hosted by Drama-Logue founder Bill Bordy. The awards did not require any voting or agreement among critics; each critic could select as many award winners as they wished. As a result, many awards were issued each year. In some years, the number of winners was larger than the seating capacity of the venue where the ceremony was conducted.\n\nThe award categories included Production, Direction, Musical Direction, Choreography, Writing, Performance, Ensemble Performance, Scenic Design, Sound Design, Lighting Design, Costume Design and Hair & Makeup Design.\n\nAcquisition \nIn May 1998, Backstage West bought the Drama-Logue publication, and the two publications merged. The Drama-Logue Awards were subsequently retired and replaced by the Back Stage West Garland Awards.\n\nReferences\n\nAmerican theater awards\nAwards established in 1977\nAwards disestablished in 1998" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits," ]

[ "Oxford-Weidenfeld Translation Prize is an annual literary prize for any book-length translation into English from any other living European language. The first prize was awarded in 1999. The prize is funded by and named in honour of Lord Weidenfeld and by New College, The Queen's College and St Anne's College, Oxford.\n\nWinners\nSource:\n\nNotes\n\nExternal links\nOxford-Weidenfeld Translation Prize\n\nTranslation awards\nAwards established in 1999\n1999 establishments in the United Kingdom\nEnglish literary awards\nAwards and prizes of the University of Oxford", "The 9th annual Genie Awards were held March 22, 1988, and honoured Canadian films released in 1987. The ceremony was held at the Metro Toronto Convention Centre and was co-hosted by Megan Follows and Gordon Pinsent.\n\nThe awards were dominated by Night Zoo (Un zoo la nuit), which won a still unmatched thirteen awards. The film garnered 14 nominations overall; the film's only nomination that failed to translate into a win was Gilles Maheu's nod for Best Actor, as he lost to the film's other Best Actor nominee, Roger Lebel. The female acting awards were won by Sheila McCarthy and Paule Baillargeon for the film I've Heard the Mermaids Singing, the only other narrative feature film to win any Genie awards that year; only the Documentary and Short Film awards, in which neither Night Zoo nor I've Heard the Mermaids Singing were even eligible for consideration, were won by any other film.\n\nWinners and nominees\n\nReferences\n\n09\nGenie\nGenie\nGenie" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits,", "any other awards", "Which Way But Loose\", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary," ]

[ "Oxford-Weidenfeld Translation Prize is an annual literary prize for any book-length translation into English from any other living European language. The first prize was awarded in 1999. The prize is funded by and named in honour of Lord Weidenfeld and by New College, The Queen's College and St Anne's College, Oxford.\n\nWinners\nSource:\n\nNotes\n\nExternal links\nOxford-Weidenfeld Translation Prize\n\nTranslation awards\nAwards established in 1999\n1999 establishments in the United Kingdom\nEnglish literary awards\nAwards and prizes of the University of Oxford", "The 9th annual Genie Awards were held March 22, 1988, and honoured Canadian films released in 1987. The ceremony was held at the Metro Toronto Convention Centre and was co-hosted by Megan Follows and Gordon Pinsent.\n\nThe awards were dominated by Night Zoo (Un zoo la nuit), which won a still unmatched thirteen awards. The film garnered 14 nominations overall; the film's only nomination that failed to translate into a win was Gilles Maheu's nod for Best Actor, as he lost to the film's other Best Actor nominee, Roger Lebel. The female acting awards were won by Sheila McCarthy and Paule Baillargeon for the film I've Heard the Mermaids Singing, the only other narrative feature film to win any Genie awards that year; only the Documentary and Short Film awards, in which neither Night Zoo nor I've Heard the Mermaids Singing were even eligible for consideration, were won by any other film.\n\nWinners and nominees\n\nReferences\n\n09\nGenie\nGenie\nGenie" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits,", "any other awards", "Which Way But Loose\", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary,", "any other awards", "Rabbitt's next album Horizon, which reached platinum status, contained the biggest crossover hits of his career including \"I Love a Rainy Night\"" ]

[ "Now That's What I Call Classic Rock Hits is one of many genre-themed compilation albums from the Now! series in the United States, this one focusing on popular classic rock songs from the 1970s. It was released on May 1, 2012.\n\nTrack listing\n\nReception\n\nIn his review for Allmusic, Gregory Heaney says \"the Now series delivers a dose of good ol' classic rock with Now That's What I Call Classic Rock Hits,\" which \"gathers some of rock's most enduring crossover hits.\" Now That's What I Call Classic Rock Hits is \"an album that achieves its primary goal of being able to please most of the people most of the time with a wide-ranging selection of hits that should fit into most anyone's definition of classic rock.\"\n\nReferences\n\nExternal links\n Official U.S. Now That's What I Call Music website\n\n2012 compilation albums\nClassic Rock Hits\nEMI Records compilation albums", "The Bill Anderson Story: His Greatest Hits is a compilation album by American country singer-songwriter Bill Anderson. It was released in March 1969 and was produced by Owen Bradley. The Bill Anderson Story was a double compilation album that contained his singles released on the Decca label up to that point. It featured many recordings Anderson had issued over the last decade, including several number one hits and top ten hits.\n\nBackground and content\nThe Bill Anderson Story: His Greatest Hits was a double album of Anderson's singles previously released (and recorded) between 1958 and 1968. The sessions for these songs were all produced by Owen Bradley. Bradley was Anderson's longtime producer at the Decca label and was responsible for producing his biggest hits. Between both records, the album contained a total of 24 tracks. Most of these tracks were composed by Anderson as well. It featured songs ranging from his earliest recordings, such as \"That's What It's Like to Be Lonesome.\"\n\nAlso included were his number one hits up to that point: \"Mama Sang a Song,\" \"Still\" and \"I Get the Fever.\" In addition, The Bill Anderson Story featured songs Anderson had composed for other artists, but also recorded himself. Examples of this included his version of \"Once a Day,\" which was a hit for Connie Smith. Another example is \"City Lights,\" a song recorded by Ray Price that helped establish Anderson with his own recording contract. His number one duet single with Jan Howard is also featured on the album, \"For Loving You.\"\n\nRelease and reception\n\nThe Bill Anderson Story: His Greatest Hits was released first in March 1969 on Decca Records. It was the fifth compilation release of his career and first double-length album. It was originally issued as a vinyl LP, containing six songs on both sides of each record. This totaled to 24 songs. It was reissued twice more in the United States, twice by MCA Records. The album peaked at number 43 on the Billboard Top Country Albums chart in 1969, becoming his third compilation to reach the chart. In later years, it was reviewed positively by Thom Owens of Allmusic, who rated it 4.5 out of 5 stars. \"Several hits are missing, yet The Bill Anderson Story offers an effective introduction to the popular vocalist's easy-going, muted style,\" Owens commented.\n\nTrack listing\nAll songs composed by Bill Anderson, except where noted.\n\nRecord one\n\nRecord two\n\nPersonnel\nAll credits are adapted from the liner notes of The Bill Anderson Story.\n\n Bill Anderson – lead vocals\n Owen Bradley – record producer\n\nChart performance\n\nRelease history\n\nReferences\n\n1969 albums\nAlbums produced by Owen Bradley\nBill Anderson (singer) compilation albums\nDecca Records albums" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits,", "any other awards", "Which Way But Loose\", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary,", "any other awards", "Rabbitt's next album Horizon, which reached platinum status, contained the biggest crossover hits of his career including \"I Love a Rainy Night\"", "what was one of his hits", "\"You Put the Beat in My Heart\"" ]

[ "Hit FM or Hits FM may refer to any of the following radio stations:\n\nHit FM\n HIT FM Denmark\n Hit FM (Russia)\n Hit FM (Taiwan)\n 99.5 Hit FM, now DWRT-FM, in the Philippines\n\nHits FM\n Hits FM (Madrid), in Spain\n Hits FM (Nepal)", "In probability theory, The Poisson scatter theorem describes a probability model of random scattering. It implies that the number of points in a fixed region will follow a Poisson distribution.\n\nStatement \n\nLet there exist a chance process realized by a set of points (called hits) over a bounded region such that:\n\n1) There are only a finite number of hits over the entire region K.\n2) There are no multiple hits at a single point.\n3) There is homogeneity and independence among the hits. i.e. For any non-overlapping subregions , , the numbers of hits in these regions are independent. \n\nIn any region B, let NB be the number of hits in B. Then there exists a positive constant such that for each subregion , NB has a Poisson distribution with parameter , where is the area of B (remember that this is , in other measure spaces, could mean different things, i.e. length in ). In addition, for any non-overlapping regions , the random variables are independent from one another.\n\nThe positive constant is called the intensity parameter, and is equivalent to the number of hits in a unit area of K. \n \nProof: \n\nAlso, \n\nWhile the statement of the theorem here is limited to , the theorem can be generalized to any-dimensional space. Some calculations change depending on the space that the points are scattered in (as is mentioned above), but the general assumptions and outcomes still hold.\n\nExample \n\nConsider raindrops falling on a rooftop. The rooftop is the region , while the raindrops can be considered the hits of our system. It is reasonable to assume that the number of raindrops that fall in any particular region of the rooftop follows a poisson distribution. The Poisson Scatter Theorem, states that if one was to subdivide the rooftops into k disjoint sub-regions, then the number of raindrops that hits a particular region with intensity of the rooftop is independent from the number of raindrops that hit any other subregion. Suppose that 2000 raindrops fall in 1000 subregions of the rooftop, randomly. The expected number of raindrops per subregion would be 2. So the distribution of the number of raindrops on the whole rooftop is Poisson with intensity parameter 2. The distribution of the number of raindrops falling on 1/5 of the rooftop is Poisson with intensity parameter 2/5. \n\nDue to the reproductive property of the Poisson distribution, k independent random scatters on the same region can superimpose to produce a random scatter that follows a poisson distribution with parameter .\n\nNotes \n^ Pitman 2003, p. 230.\n\nReferences \n\nPitman, Jim (2003). Probability. Springer.\n\nProbability theorems" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits,", "any other awards", "Which Way But Loose\", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary,", "any other awards", "Rabbitt's next album Horizon, which reached platinum status, contained the biggest crossover hits of his career including \"I Love a Rainy Night\"", "what was one of his hits", "\"You Put the Beat in My Heart\"", "any #1 hits", "The duet reached No. 1 on the Billboard Country chart" ]

[ "\"The Longer We Make Love\" is a song recorded by American singer Barry White for his 1999 album, Staying Power. It was written by White, Aaron Schroeder and Marlon Saunders, and produced by White and Jack Perry. The song was recorded in two versions: as a duet with Lisa Stansfield and as another duet with Chaka Khan. Both versions are written and performed in the key of G minor and received positive reviews from music critics. The CD single was released in selected European countries on July 19, 1999. \"The Longer We Make Love\" was also issued as a promotional single in the United States. The song reached #17 on the US Adult R&B charts in early 2000.\n\nTrack listings\nEuropean CD single\n\"The Longer We Make Love\" (Duet with Lisa Stansfield) (Radio Edit) – 3:57 \n\"The Longer We Make Love\" (Duet with Lisa Stansfield) (Album Version) – 6:26\n\"The Longer We Make Love\" (Duet with Chaka Khan) (Radio Edit) – 3:59\n\nUS promotional CD single\n\"The Longer We Make Love\" (Duet with Lisa Stansfield) (Radio Edit) – 3:55 \n\"The Longer We Make Love\" (Duet with Chaka Khan) (Radio Edit) – 3:48\n\"The Longer We Make Love\" (Duet with Lisa Stansfield) (Album Version) – 6:24\n\"The Longer We Make Love\" (Duet with Chaka Khan) (Album Version) – 5:46\n\nCharts\n\nReferences\n\nBarry White songs\nLisa Stansfield songs\nChaka Khan songs\n1999 singles\nSongs written by Barry White\nSongs written by Aaron Schroeder\n1999 songs\nContemporary R&B ballads\nSoul ballads\nVocal duets", "Simone Stelzer alias Simone is an Austrian pop singer. She was born in Vienna, Austria on 1 October 1969.\n\nIn 1990 she participated in \"Ein Lied für Zagreb\", the Austrian qualifying heat for the Eurovision Song Contest. Her song \"Keine Mauern mehr\" was initially placed second. However, several days after the final it was discovered that winning song \"Das Beste\" performed by Duett had participated in a German qualifying heat in 1988. It was therefore disqualified and Simone was announced as the Austrian Eurovision entrant. \"Keine Mauern mehr\" was placed tenth in Zagreb. Simone participated in the 1994 qualifying heat, \"Ein Lied für Dublin\", with the song \"Radio\", which was placed fourth.\n\nDiscography\n\nStudio albums \n [1990] Feuer Im Vulkan\n [1994] Gute Reise (bon voyage)\n [1996] Ich liebe Dich\n [1998] Aus Liebe\n [1999] Träume\n [2001] Solang wir lieben\n [2003] Ganz nah\n [2005] Schwerelos\n [2006] Das Beste und mehr\n [2009] Morgenrot\n [2010] Mondblind\n [2012] Pur\n [2013] Das kleine große Leben (Duet with Charly Brunner)\n [2015] Alles geht! (Duet with Charly Brunner)\n [2015] 25 Jahre Simone – Die ultimative Best of\n\nSingles \n [1994] Wahre Liebe\n [1994] Josie\n [1996] Heute Nacht\n [1996] Wahre Liebe wartet\n [1998] Nimm mich einfach in den Arm ...\n [1998] Ich lieb dich oder nicht\n [1998] Denn es war ihr Lachen (Sayonara)\n [2000] Verlier mein Herz nicht, wenn du gehst\n [2000] Ich muss dich wiedersehn\n [2000] Solang wir lieben\n [2007] Alles durch die Liebe (Duet with Bernhard Brink)\n [2008] 1000 mal geträumt\n [2009] Ich hätt ja gesagt\n [2009] Die Nacht als sie fortlief\n [2009] Morgenrot\n [2010] Halt mich ein letztes mal\n [2010] Sehnsucht kommt nicht von ungefähr\n [2011] Ich möcht niemals Deine Tränen sehn\n [2012] Wenn Du gehst\n [2012] Ich denk noch an Dich (Duet with Charly Brunner)\n [2012] Heisskalter Engel\n [2013] Das kleine große Leben (Duet with Charly Brunner)\n [2015] Buongiorno Amore (Duet with Charly Brunner)\n [2015] Arche Noah (Duet with Charly Brunner)\n [2016] Woher weiß ich das es Liebe ist (Duet with Charly Brunner)\n [2016] Das kann uns keiner nehmen (Duet with Charly Brunner)\n [2016] Nur für den Moment (Duet with Charly Brunner)\n [2017] Wahre Liebe (Duet with Charly Brunner)\n [2018] Nachtschwärmer (Duet with Charly Brunner)\n [2018] Die Tage enden nicht am Horizont (Duet with Charly Brunner)\n [2018] Traumtänzer (Duet with Charly Brunner)\n [2018] Kompass für mein Herz (Duet with Charly Brunner)\n [2019] Leichtes Spiel\n\nReferences \n\n Discography\n\nExternal links \n\n (in German)\n \n\n1969 births\nLiving people\nEurovision Song Contest entrants for Austria\n21st-century Austrian women singers\nSchlager musicians\nEurovision Song Contest entrants of 1990\n20th-century Austrian women singers" ]

[ "Eddie Rabbitt", "Crossover success", "what is crossover success", "biggest crossover hits of his career including \"I Love a Rainy Night\" and \"Drivin' My Life Away.\"", "did his father love music too", "I don't know.", "what was one of his hits", "\"Every Which Way But Loose\",", "did he receive any awards", "Following the 1978 release of Variations, which included two more No. 1 hits,", "any other awards", "Which Way But Loose\", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary,", "any other awards", "Rabbitt's next album Horizon, which reached platinum status, contained the biggest crossover hits of his career including \"I Love a Rainy Night\"", "what was one of his hits", "\"You Put the Beat in My Heart\"", "any #1 hits", "The duet reached No. 1 on the Billboard Country chart", "who was the duet with", "Crystal Gayle," ]

[ "A duet is a musical composition or piece for two performers.\n\nDuets or The Duets may also refer to:\n\nFilms and television\n Duets (film), a 2000 film, starring Gwyneth Paltrow, Paul Giamatti and Huey Lewis\n \"Duets\" (Glee), a 2010 episode in the second season of Glee\n Duets (TV series), a music-based reality competition show on ABC\n\nMusic\n Duets (Bach), works for organ by Johann Sebastian Bach\n\nAlbums \n Duets (Ane Brun album), 2005\n Duets (Barbra Streisand album), 2002\n Duets (Carla Bley & Steve Swallow album), 1988\n Duets (Dizzy Gillespie album), 1957\n Duets (Elton John album), 1993\n Duets (Emmylou Harris album)\n Duets (Frank Sinatra album), 1993\n Duets II (Frank Sinatra album), a 1994 album by Frank Sinatra\n Duets (Helen Merrill and Ron Carter album), a 1989 album by Helen Merrill and Ron Carter\n Duets (Jimmy Raney and Doug Raney album), 1979\n Duets (Linda Ronstadt album), 2014\n Duets II (Tony Bennett album), 2011\n Duets (Joe Pass and John Pisano album), 1991\n Duets (Kenny Rogers album), 1984\n Duets (Roscoe Mitchell and Anthony Braxton album), 1976\nReba: Duets, a 2007 album by Reba McEntire\nDuets: The Final Chapter, a 2005 album by The Notorious B.I.G.\nDuets: An American Classic, a 2006 album by Tony Bennett\nDuets, a 2017 album by The Wiggles\nDuets 1976, Anthony Braxton and Muhal Richard Abrams\nDuets: Hamburg 1991, Anthony Braxton and Peter Niklas Wilson\nDuets (1993), Anthony Braxton and Mario Pavane\nDuets: Re-working the Catalogue, a 2015 album by Van Morrison and others\nThe Duets (Jo Stafford and Frankie Laine album), 1994\nThe Duets (Mulgrew Miller album), 1999\n\nSee also \n Duetos (disambiguation)\n Duet (disambiguation)", "Duets II may refer to:\n\n Duets II (Frank Sinatra album)\n Duets II (Tony Bennett album)" ]

[ "Roberto Orci", "Becoming a producer" ]

[ "Orci is a surname. Notable people with the surname include:\n\nJ. R. Orci (born 1975), Mexican television writer and producer\nLelio Orci (1937–2019), Italian scientist\nRoberto Orci (born 1973), Mexican-American film and television screenwriter and producer", "Jorge Richard \"J.R.\" Orci (born 1975) is a Mexican television writer and producer.\n\nLife and career\nOrci was born in Mexico City to a Mexican father and a Cuban mother. His mother fled Cuba after Fidel Castro came to power. He was raised in Mexico City, Canada, Texas, and Los Angeles. He graduated from the University of Texas at Austin. Orci is the younger brother of screenwriter Roberto Orci, with whom he worked on the ABC TV series Alias as well as on the FOX science-fiction drama Fringe. He is currently working on the NBC drama The Blacklist.\n\nFringe\nOrci joined the FOX science-fiction/horror series Fringe, in its first season as writer and supervising producer. He was brought on to the show by his brother Roberto Orci, who is the co-creator (along with J. J. Abrams and Alex Kurtzman). Orci also served as consulting producer and writer during the show's fourth season. Episodes he has contributed to include:\n\"The Ghost Network\" 01.03 (co-written by co-executive producer David H. Goodman)\n\"The Equation\" 01.08 (co-written by Goodman)\n\"The Transformation\" 01.13 (co-written by Zack Whedon)\n\"Unleashed\" 01.16 (co-written by Whedon)\n\"The Road Not Taken\" 01.19 (Orci and executive producer Jeff Pinkner co-wrote a teleplay based on a story by consulting producer Akiva Goldsman)\n\"Novation\" 04.05 (co-written with co-producer Graham Roland)\n\"Welcome to Westfield\" 04.12 (co-written by Roland)\n\"Everything in Its Right Place\" 04.17 (Orci and co-executive producer David Fury co-wrote a teleplay based on a story by Orci and story editor Matthew Pitts)\n\nFilmography\n\nReferences\n\nExternal links\n\nMexican television writers\n1975 births\nLiving people\nPeople from Mexico City\nMexican television producers" ]

[ "Roberto Orci", "Becoming a producer", "When did Orci become a producer", "Orci's first credit solely as a producer came with the film Eagle Eye, where he worked once again alongside Kurtzman." ]

[ "Sixteen ships of the Royal Navy have been named HMS Success, whilst another was planned:\n\n was a 34-gun ship, previously the French ship Jules. She was captured in 1650, renamed HMS Old Success in 1660 and sold in 1662.\n HMS Success was a 24-gun ship launched in 1655 as . She was renamed HMS Success in 1660 and was wrecked in 1680.\n was a 6-gun fireship purchased in 1672 that foundered in 1673.\n was a store hulk purchased in 1692 and sunk as a breakwater in 1707.\n was a 10-gun sloop purchased in 1709 that the French captured in 1710 off Lisbon.\n was a 24-gun storeship launched in 1709, hulked in 1730, and sold in 1748. \n was a 20-gun sixth rate launched in 1712, converted to a fireship in 1739, and sold in 1743.\n was a 14-gun sloop launched in 1736; her fate is unknown.\n was a 24-gun sixth rate launched in 1740 and broken up in 1779.\n was a 14-gun ketch launched in 1754. Her fate is unknown.\n was a 32-gun fifth rate launched in 1781 that the French captured in 1801 but that the British recaptured the same year. She became a convict ship in 1814 and was broken up in 1820.\n was a 3-gun gunvessel, previously in use as a barge. She was purchased in 1797 and sold in 1802.\n was a 28 gun sixth rate launched in 1825, and captained by James Stirling in his journey to Western Australia. She was used for harbour service from 1832 and was broken up 1849.\n HMS Success was to have been a wood screw sloop. She was ordered but not laid down and was cancelled in 1863.\n was a launched in 1901 and wrecked in 1914.\n HMS Success was an launched in 1918. She was transferred to the Royal Australian Navy in 1919 and was sold in 1937.\n was an S-class destroyer launched in 1943. She was transferred to the Royal Norwegian Navy later that year and renamed . She was broken up in 1959.\n\nSee also\n , two ships of the Royal Australian Navy.\n\nCitations and references\nCitations\n\nReferences\n \n\nRoyal Navy ship names", "HMAS Success was an Admiralty destroyer of the Royal Australian Navy (RAN). Built for the Royal Navy during World War I, the ship was not completed until 1919, and spent less than eight months in British service before being transferred to the RAN at the start of 1920. The destroyer's career was uneventful, with almost all of it spent in Australian waters. Success was decommissioned in 1930, and was sold for ship breaking in 1937.\n\nDesign and construction\n\nSuccess was built to the Admiralty design of the S-class destroyer, which was designed and built as part of the British emergency war programme. The destroyer had a displacement of 1,075 tons, a length of overall and between perpendiculars, and a beam of . The propulsion machinery consisted of three Yarrow boilers feeding Brown-Curtis turbines, which supplied to the ship's two propeller shafts. Success had a maximum speed of , and a range of at . The ship's company was made up of 6 officers and 93 sailors.\n\nThe destroyer's primary armament consisted of three QF 4-inch Mark IV guns. These were supplemented by a 2-pounder pom-pom, two 9.5-inch howitzer bomb throwers, five .303 inch machine guns (a mix of Lewis and Maxim guns), two twin 21-inch torpedo tube sets, two depth charge throwers, and two depth charge chutes.\n\nSuccess was laid down by William Doxford and Sons Limited at their Sunderland shipyard in 1917. The destroyer was launched on 29 June 1918, and completed on 15 April 1919. The ship was briefly commissioned into the Royal Navy in April 1919, but was quickly marked for transfer to the RAN, along with four sister ships. Success was commissioned into the RAN on 27 January 1920.\n\nOperational history\n\nSuccess and three of her sister ships sailed for Australia on 20 February, visiting ports in the Mediterranean, India, Singapore, and the Netherlands East Indies before reaching Sydney on 29 April. Success operated in Australian waters until 6 October 1921, when she was placed in reserve. The destroyer was reactivated on 1 December 1925. In late May 1926, Success visited Port Moresby.\n\nDecommissioning and fate\nSuccess paid off on 21 May 1930. She was sold to Penguins Limited for ship breaking in 1937.\n\nCitations\n\nReferences\n\nS-class destroyers (1917) of the Royal Australian Navy\nShips built on the River Wear\n1918 ships" ]